From Loopers-Delight-request@loopers-delight.com  Fri May  1 00:44:48 2009
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the  month-long Special Focus on music recorded at the
Ricochet Gathering.  The Featured CD at Midnight will be "The Jelenia
Gora Sessions" by Sunya Beat on the Ricochet Dream label.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#apr

Tune in to hear new albums by Steve Roach, Between Interval, and John
DuVal.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet

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Date: Fri, 1 May 2009 12:20:53 +0200
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Subject: Re: twelve golden notes
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 1, 2009 at 1:57 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> still interested in chromatic scale?
>
> http://www.skytopia.com/project/scale.html


What a great site!

-- 
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May  1 15:05:13 2009
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Date: Fri, 1 May 2009 17:05:11 +0200
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Subject: nodal - generative music sw
From: Raul Bonell <raul.bonell@gmail.com>
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another interesting approach..
try the ..minimal.. example.
not much variations in the supplied
examples patches.

for win & osx.

http://www.csse.monash.edu.au/~cema/nodal/

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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From Loopers-Delight-request@loopers-delight.com  Fri May  1 17:46:32 2009
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Date: Fri, 01 May 2009 13:46:24 -0400
From: Bill Fox <billyfox@soundscapes.us>
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http://wdiy.org/programs/gt/playlists/2009/090430.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #630                April 30, 2009.

RECAP:
On this show, I concluded the month-long focus on The Ricochet
Gathering.  The Featured CD at Midnight was The Jelenia Gora Sessions by
Sunya Beat on the Ricochet Dream label.

Ricochet Gathering:
http://wdiy.org/programs/gt/playlists/2009/focus.html#apr


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Random Touch         Who's Name Is That?  Turbulent Flesh (Roken Boy)
Between Interval     Minotaur's Lair      The Ege of a Fairytale
                                            (Spotted Peccary)
Rainbow Serpent      Mindmachine          The 8th Nerve (Manikin)
John DuVal           2705                 Cassiopeia's Playground (Earth
                                            Mantra)
Steve Roach          Opening Sky          Dynamic Stillness (Projekt)
Sunya Beat           Jelenia Sky          The Jelenia Gora Sessions
                                            (Ricochet Dream)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Sunya Beat           Miami                The Jelenia Gora Sessions
                                            (Ricochet Dream)
Sunya Beat           Lys                  TJGS (Ricochet Dream)
Sunya Beat           Landmarke            TJGS (Ricochet Dream)
Sunya Beat           Gora Slide           TJGS (Ricochet Dream)
Sunya Beat           Gamma Life           TJGS (Ricochet Dream)
Sunya Beat           Drum Bond            TJGS (Ricochet Dream)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll wbegin a month-long focus on Gert
Emmens and Ruud Heij.  The Featured CD at Midnight will be Return To the
Origin on Quantum Records.


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri May  1 21:08:58 2009
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Date: Fri, 01 May 2009 18:08:54 -0300
From: Mike Kilburn <mkilburn@eastlink.ca>
Subject: RE: using an RC-50 with a Boss DR-657 drum machine
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Since delivery of the ebay dr-670 I've been trying to do what is supposedly
not recommended, that is have the 670 master to the rc-50.  Since it's
commonly known that the rc-50 loops eventually 'drift' out of sync, I'm
wondering if this is because of the 670 only uses a 3 digit tempo (ie,
120,121....183..and so) while the rc measures tempo using tenths (ie. 120.1,
120.3, 180.9 and so on). I've noted that if you advance the tempo on the 670
say from 120 to 121, the rc will not match this but rather will go from
120.0 to say 121.1. Perhaps this is not significant to the issue of why the
670 serve as master to the rc. Any thoughts and of course if someone has
ever gotten the 670 to master with the rc ans slave, I'd love to hear the s
settings.

Cheers,
Mike

From: Teddy Kumpel [mailto:teddybut@mac.com]
Sent: April 23, 2009 9:42 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: using an RC-50 with a Boss DR-657 drum machine

what are you doing different than than rest of us?

Are you using a pre-recorded loop to establish tempo or tapping the
tempo in?

Teddy

On Apr 23, 2009, at 7:43 AM, Christo Jota wrote:

> Hi Teddy,
> yeah, checked it out yesterday evening. No problems...
> Christo
> ----- Original Message -----
> From: "Teddy Kumpel" <teddybut@mac.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, April 22, 2009 3:12 PM
> Subject: Re: using an RC-50 with a Boss DR-657 drum machine
>
>
> are you sure...
>
> for everyone else it drifts out of sync over time when syncing to midi
> in
>
> check again
>
> Teddy


No virus found in this incoming message.
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06:30:00

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From Loopers-Delight-request@loopers-delight.com  Fri May  1 22:52:31 2009
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Message-Id: <33BB8F91-BEE8-4EAA-A5F8-64C1CF622D37@zoekeating.com>
From: Zoe Keating <info@zoekeating.com>
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Subject: video interview on how i do it, up at wired
Date: Fri, 1 May 2009 15:38:38 -0700
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hi loopers,

wired just posted the video they took of me looping and chatting in my  
studio a couple weeks ago:

http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001

best,

zoe

From Loopers-Delight-request@loopers-delight.com  Fri May  1 23:08:05 2009
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Date: Fri, 01 May 2009 17:57:21 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, Zoe Keating <info@zoekeating.com>
Subject: Re: video interview on how i do it, up at wired
References: <33BB8F91-BEE8-4EAA-A5F8-64C1CF622D37@zoekeating.com>
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Most excellent..

And a perfect ending..

"Recently I can do alot, and I'm sort of dealing with the  
repercussions of what it means to be able to do almost anything..  
Which is, uh, a new problem for me"

peace
-cpr

Quoting Zoe Keating <info@zoekeating.com>:

> hi loopers,
>
> wired just posted the video they took of me looping and chatting in my
> studio a couple weeks ago:
>
> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001
>
> best,
>
> zoe


From Loopers-Delight-request@loopers-delight.com  Sat May  2 00:44:56 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: video interview on how i do it, up at wired
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Very cool Zoe.

On May 1, 2009, at 3:38 PM, Zoe Keating wrote:

> hi loopers,
>
> wired just posted the video they took of me looping and chatting in my  
> studio a couple weeks ago:
>
> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde- 
> cellist-zoe-keating/21830486001
>
> best,
>
> zoe

From Loopers-Delight-request@loopers-delight.com  Sat May  2 01:39:17 2009
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Date: Fri, 01 May 2009 22:39:18 -0300
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Subject: RE: video interview on how i do it, up at wired
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Great stuff Zoe - very engaging!

-----Original Message-----
From: tEd (r) KiLLiAn [mailto:tedkillian@charter.net]
Sent: May 1, 2009 9:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: video interview on how i do it, up at wired

Very cool Zoe.

On May 1, 2009, at 3:38 PM, Zoe Keating wrote:

> hi loopers,
>
> wired just posted the video they took of me looping and chatting in my
> studio a couple weeks ago:
>
> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-
> cellist-zoe-keating/21830486001
>
> best,
>
> zoe

No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.0.238 / Virus Database: 270.12.12/2090 - Release Date: 05/01/09
06:17:00

From Loopers-Delight-request@loopers-delight.com  Sat May  2 08:58:47 2009
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Highly interesting short video, Zoe.  Nice to see how you operate in 
the digital domain of the looping technique.


At 00:38 2/05/2009, you wrote:
>hi loopers,
>
>wired just posted the video they took of me looping and chatting in my
>studio a couple weeks ago:
>
>http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001
>
>best,
>
>zoe

www.myspace.com/mymicrophonics
www.microphonics.be

From info@hi5.com  Sat May  2 11:51:14 2009
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From Loopers-Delight-request@loopers-delight.com  Sat May  2 12:40:38 2009
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Subject: RE: video interview on how i do it, up at wired
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Zoe,

Very good video and interesting to hear how you've transitioned from =20
written-out music to improvised.  Also, a good overview of your =20
hardware and software -- including a shot of your truncated FCB1010.

-- Kevin


Quoting Mike Kilburn <mkilburn@eastlink.ca>:

> Great stuff Zoe - very engaging!
>
> -----Original Message-----
> From: tEd (r) KiLLiAn [mailto:tedkillian@charter.net]
> Sent: May 1, 2009 9:45 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: video interview on how i do it, up at wired
>
> Very cool Zoe.
>
> On May 1, 2009, at 3:38 PM, Zoe Keating wrote:
>
>> hi loopers,
>>
>> wired just posted the video they took of me looping and chatting in my
>> studio a couple weeks ago:
>>
>> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-
>> cellist-zoe-keating/21830486001
>>
>> best,
>>
>> zoe
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.238 / Virus Database: 270.12.12/2090 - Release Date: 05/01/09
> 06:17:00
>
>



From Loopers-Delight-request@loopers-delight.com  Sat May  2 13:56:13 2009
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Date: Sat, 02 May 2009 09:56:02 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: undisclosed-recipients:;
Subject: Galactic Travels Top 20 Report for April, 2009.
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http://wdiy.org/programs/gt/playlists/2009/top20-04apr.html

WDIY 88.1 FM "Galactic Travels" Top 20 for April, 2009.
Shows #626 to #630; 2-April-2009 to 30-April-2009
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829

The Special Focus for April was the <a 
href="http://wdiy.org/programs/gt/playlists/2009/focus.html#apr" 
target="gt" title="Click here to go to the Special Focus page for 
information and links.">Ricochet Gathering</a>.



ARTIST - ALBUM TITLE - LABEL
===========================================================
Between Interval - The Ege of a Fairytale - Spotted Peccary
Broekhuis, Keller, Schonwalder, Spyra and Fox - Space Cowboys- Ricochet 
Dreaam
Fanger and Kersten - Elektrik Massage - Ricochet Dream
Free System Projekt - Narrow Lane - none
Ian Boddy - Slide - DiN
Ideation - Adrift - Ricochet Dream
John DuVal - Cassiopeia's Playground - Earth Mantra
Oloiuqui - Other Side of Odra - Ricochet Dream
Parallel Worlds - Shade - DiN
Polaris - Bakground Stories - Ricochet Dream
Rainbow Serpent - The 8th Nerve - Manikin
Ricochet Gathering - Okefenokee 2002 - Ricochet Dream
Ron Boots - Mea Culpa - Groove
Skrzek, Lawler, and Schroyder - Trilogy - Ricochet Dream
Steve Roach - Dynamic Stillness - Projekt
Steve Roach and Erik Wollo - Stream of Thought - Projekt
Steve Roach and vidnaObmana - Spirit Dome-Live Archive - Projekt
Sunya Beat - The Jelenia Gora Sessions - Ricochet Dream
Syndromeda - Mythical Pusuit - Horizon
Wolfram Spyra and Chris Lang - Achtundsechig 24 - Manikin

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat May  2 18:46:29 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: video interview on how i do it, up at wired
Date: Sat, 2 May 2009 18:46:28 +0000
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Very cool=2C I like that you keep to the Cello=2C with all the freedom tech=
nology gives keeping to some boundaries is sort of a creative tool to help =
you keep things interesting.=20

=20

Very nice work....


Anders

www.soundclick.com/andersbergdahl
=20
> From: info@zoekeating.com
> To: Loopers-Delight@loopers-delight.com
> Subject: video interview on how i do it=2C up at wired
> Date: Fri=2C 1 May 2009 15:38:38 -0700
>=20
> hi loopers=2C
>=20
> wired just posted the video they took of me looping and chatting in my=20
> studio a couple weeks ago:
>=20
> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cel=
list-zoe-keating/21830486001
>=20
> best=2C
>=20
> zoe
>=20

--_0997764f-c93f-4a36-b475-356946d59885_
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{
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<body class=3D'hmmessage'>
Very cool=2C I like that you keep to the Cello=2C with all the freedom tech=
nology gives keeping to some boundaries is&nbsp=3Bsort of a creative tool t=
o help you keep things interesting. <BR>
&nbsp=3B<BR>
Very nice work....<BR>
<BR>Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR>&nbsp=3B<BR>&gt=3B From: info@zoekeating.com<BR>&gt=3B T=
o: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subject: video interview o=
n how i do it=2C up at wired<BR>&gt=3B Date: Fri=2C 1 May 2009 15:38:38 -07=
00<BR>&gt=3B <BR>&gt=3B hi loopers=2C<BR>&gt=3B <BR>&gt=3B wired just poste=
d the video they took of me looping and chatting in my <BR>&gt=3B studio a =
couple weeks ago:<BR>&gt=3B <BR>&gt=3B http://www.wired.com/video/latest-vi=
deos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001<BR>&gt=3B=
 <BR>&gt=3B best=2C<BR>&gt=3B <BR>&gt=3B zoe<BR>&gt=3B <BR></body>
</html>=

--_0997764f-c93f-4a36-b475-356946d59885_--

From Loopers-Delight-request@loopers-delight.com  Sat May  2 19:32:26 2009
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Subject: test
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test

From Loopers-Delight-request@loopers-delight.com  Sat May  2 20:39:52 2009
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Congrats, pretty cool Zoe !!    -KalimbaMan
------Original Message------
From: Zoe Keating
To: Loopers Delight
ReplyTo: Loopers Delight
Subject: video interview on how i do it, up at wired
Sent: May 1, 2009 6:38 PM

hi loopers,

wired just posted the video they took of me looping and chatting in my  
studio a couple weeks ago:

http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001

best,

zoe



Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Sat May  2 21:24:31 2009
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Getting testy are we?

On May 2, 2009, at 12:32 PM, Jeff Duke wrote:

> test
>

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yeah, i hate being sick! As you already know, it sucks. How ya feeling now? 
I hope your son recovers quickly also. Oops! this isn't facebook, my bad!
/shifting to relevent mode:
When are we gonna get to see/hear BEMF? Did you record?

slowly maybe feeling a little better,

jeff

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 02, 2009 5:24 PM
Subject: Re: test


> Getting testy are we?
>
> On May 2, 2009, at 12:32 PM, Jeff Duke wrote:
>
>> test
>>
>
> 

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From Loopers-Delight-request@loopers-delight.com  Sun May  3 01:50:30 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Re: test
Date: Sat, 2 May 2009 18:50:24 -0700
To: Loopers-Delight@loopers-delight.com
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JD,

I'm feeling some better.

My son seems to have a milder case . . . so far.

As for BEMF/B-CIMF last weekend they usually do recording straight from 
the board.

Aaron Davis runs the live sound expertly and handles the recording too.

Eventually, he'll trim out the individual performances as he has time 
and Krispen will post them.

I wouldn't look for anything for at least a few weeks, maybe a month.

They're very busy guys . . . and due for a little rest.

Get well soon Mr. Duke!

TK

On May 2, 2009, at 2:30 PM, Jeff Duke wrote:

> yeah, i hate being sick! As you already know, it sucks. How ya feeling 
> now? I hope your son recovers quickly also. Oops! this isn't facebook, 
> my bad!
> /shifting to relevent mode:
> When are we gonna get to see/hear BEMF? Did you record?
>
> slowly maybe feeling a little better,
>
> jeff

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Date: Sat, 2 May 2009 20:14:43 -0700
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Subject: Re: video interview on how i do it, up at wired
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Very Cool! Well done Zoe, Thanks!

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Thank you for sharing Zoe. That clip was informative=2C insightful and down=
-right wonderful. Congrats! David



_________________________________________________________________
Hotmail=AE goes with you.=20
http://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DTXT_TAGLM_WL_HM_Tutor=
ial_Mobile1_052009=

--_b6c9ae5f-b32b-421c-a3c0-09261f979b7d_
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{
font-size: 10pt=3B
font-family:Verdana
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<body class=3D'hmmessage'>
Thank you for sharing Zoe. That clip was informative=2C insightful and down=
-right wonderful. Congrats! David<br><br><br><br /><hr />Hotmail=AE goes wi=
th you.  <a href=3D'http://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DT=
XT_TAGLM_WL_HM_Tutorial_Mobile1_052009' target=3D'_new'>Get it on your Blac=
kBerry or iPhone.</a></body>
</html>=

--_b6c9ae5f-b32b-421c-a3c0-09261f979b7d_--

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I'm really grateful to Dylan Tweney at Wired for being interested to =20
begin with!

On May 2, 2009, at 9:08 PM, David Grego wrote:

> Thank you for sharing Zoe. That clip was informative, insightful and =20=

> down-right wonderful. Congrats! David
>
>
>
> Hotmail=AE goes with you. Get it on your BlackBerry or iPhone.


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I'm really grateful to Dylan =
Tweney at Wired for being interested to begin with!<div><br><div><div>On =
May 2, 2009, at 9:08 PM, David Grego wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; ">Thank you for sharing =
Zoe. That clip was informative, insightful and down-right wonderful. =
Congrats! David<br><br><br><br><hr>Hotmail=AE goes with you.<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DTXT_TAGLM_WL=
_HM_Tutorial_Mobile1_052009" target=3D"_new">Get it on your BlackBerry =
or iPhone.</a></div></span></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sun May  3 05:49:31 2009
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Now that I'm back from vacation, I will get on the recordings and start 
making them available in the next week.  They should be really 
interesting...many great performances this year.

Kris

----- Original Message ----- 
> JD,
>
> I'm feeling some better.
>
> My son seems to have a milder case . . . so far.
>
> As for BEMF/B-CIMF last weekend they usually do recording straight from 
> the board.
>
> Aaron Davis runs the live sound expertly and handles the recording too.
>
> Eventually, he'll trim out the individual performances as he has time and 
> Krispen will post them.
>
> I wouldn't look for anything for at least a few weeks, maybe a month.
>
> They're very busy guys . . . and due for a little rest.
>
> Get well soon Mr. Duke!
>
> TK
>
> On May 2, 2009, at 2:30 PM, Jeff Duke wrote:
>
>> yeah, i hate being sick! As you already know, it sucks. How ya feeling 
>> now? I hope your son recovers quickly also. Oops! this isn't facebook, my 
>> bad!
>> /shifting to relevent mode:
>> When are we gonna get to see/hear BEMF? Did you record?
>>
>> slowly maybe feeling a little better,
>>
>> jeff
>
> 

From tsprouse@ogeecheetech.edu  Sun May  3 05:52:27 2009
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Subject: Loan Offer
Date: Fri, 1 May 2009 14:02:19 -0400
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NATIONWIDE LOAN
105-107 Belgrave Road
Leicester LE4 6AS U.K.
Phone No :+447024069844
Fax: +44 (0) 208 711 5099

Nationwide Loans to help you change the way you live. Life is for =
enjoying.With a Low Cost Personal Loan from the Nationwide Loans Company =
you really can live life to the full now and not just dream of a better =
future.Arranging a loan with us is simple and straightforward, loans =
from =A310,000 to =A35,000,000 over 5 to 35 years we make the process =
convenient and fast.Just think what you could do with a significant =
boost to your bank account or cash reserves. Pay off existing debts - =
reduce your monthly outgoings by-consolidating any existing personal =
loans and credit card debts.Finance a major purchase - that holiday home =
abroad really can be a reality with our low cost personal loans.Make =
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Provide for your children's future - pay for school or graduate tuition =
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Just value, simplicity and professionalism. We've been established for =
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bank do get back to us as
soon as possible for more information=20

Kind Regards,

Mr James Whitehead
Manager Nationwide
Loan Company UK.

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<P><FONT SIZE=3D2>NATIONWIDE LOAN<BR>
105-107 Belgrave Road<BR>
Leicester LE4 6AS U.K.<BR>
Phone No :+447024069844<BR>
Fax: +44 (0) 208 711 5099<BR>
<BR>
Nationwide Loans to help you change the way you live. Life is for =
enjoying.With a Low Cost Personal Loan from the Nationwide Loans Company =
you really can live life to the full now and not just dream of a better =
future.Arranging a loan with us is simple and straightforward, loans =
from =A310,000 to =A35,000,000 over 5 to 35 years we make the process =
convenient and fast.Just think what you could do with a significant =
boost to your bank account or cash reserves. Pay off existing debts - =
reduce your monthly outgoings by-consolidating any existing personal =
loans and credit card debts.Finance a major purchase - that holiday home =
abroad really can be a reality with our low cost personal loans.Make =
some home improvements - by adding an extension, a conservatory or =
swimming pool, our personal loans are straightforward, convenient and =
easy to arrange.<BR>
<BR>
Provide for your children's future - pay for school or graduate tuition =
fees - give your children or grandchildren a great start in life, apply =
online for an in principle decision on a low cost personal loan. Boost =
your business - finance expansion plans to take your business that<BR>
next step further,we do not make any restrictions on how you use the =
funds from your personal loan. With Nationwide UK Loan Company there are =
no interviews, no hassle, no forms to fill in and no false promises. =
Just value, simplicity and professionalism. We've been established for =
over 15 years and have helped deliver financial solutions to thousands =
of satisfied customers.Please if interested in getting a loan from our =
bank do get back to us as<BR>
soon as possible for more information<BR>
<BR>
Kind Regards,<BR>
<BR>
Mr James Whitehead<BR>
Manager Nationwide<BR>
Loan Company UK.</FONT>
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From auto@games.com  Sun May  3 15:36:51 2009
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Reply-To: "De Millionaire" <claim.winnings@games.com>
From: "De Millionaire" <auto@games.com>
Subject: Results 2009
Date: Sun, 3 May 2009 16:57:21 +0200
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<DIV><FONT size=2 color=#800000>De Millionaire</FONT></DIV>
<DIV><FONT size=2 color=#800000>laan van Hoornwijck 55&nbsp;</FONT></DIV>
<DIV><FONT size=2 color=#800000>2289 DG Rijswijk.</FONT></DIV>
<DIV><FONT size=2 color=#800000>Amsterdam The Netherlands</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>WINNING NOTIFICATION</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>The Netherlands Millionaire Lotto wishes to inform you&nbsp; that the results of the Millionaire lotto Promo is out and&nbsp;</FONT></DIV>
<DIV><FONT size=2>you are been chosen as the second winner for the programme by the Millionaire Lotto held on the 2nd of May 2009.&nbsp;</FONT></DIV>
<DIV><FONT size=2>Your Email has been picked as a winner of a lump sum pay out of Nine Hundred Thousand euros (€9 hundres thounsand).</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>The Millionaire Lotto. draws was conducted from an&nbsp; exclusive list of 13 lucky emails of individual and corporate</FONT></DIV>
<DIV><FONT size=2>bodies picked by an advanced automated random computer search. No tickets were sold.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2 color=#800000>-----------------------------------------------------------</FONT></DIV>
<DIV><FONT size=2 color=#800000>You email address was attached to.</FONT></DIV>
<DIV><FONT size=2 color=#800000>Ref Number: ENLD 10172589/ES 9526.</FONT></DIV>
<DIV><FONT size=2 color=#800000>Batch Number: ENLD 1438937481-ZNG/2009.</FONT></DIV>
<DIV><FONT size=2 color=#800000>Ticket Number: ESPD 8215793172 062487.</FONT></DIV>
<DIV><FONT size=2 color=#800000>Security File Number: 71GF49781.</FONT></DIV>
<DIV><FONT size=2 color=#800000>-----------------------------------------------------------</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>To file for your claims and due remittance of funds contact Mr. Harry Mason on the information below.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>Mr. Harry Mason</FONT></DIV>
<DIV><FONT size=2>De Lotto Corporate Officer.</FONT></DIV>
<DIV><FONT size=2>Email:claim.winnings@games.com</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>You are required to claim your winnings by May 13th, 2009 otherwise&nbsp; it rolls over to the next draw.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>N.B: Procedures to claiming your prize:</FONT></DIV>
<DIV><FONT size=2>1. Please quote your Reference number in all correspondence with the claims officer.</FONT></DIV>
<DIV><FONT size=2>2. Indicate your Full Name, Address, Country, Telephone, Mobile, Fax Number, Occupation and Age.&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2 color=#FF0000>Failure to provide the information above will result to immediate disqualification !!</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>Furthermore, should there be any change of address do Inform the CLAIM AGENT as soon as possible.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>Congratulations once more from our members of staff.</FONT></DIV>
<DIV><FONT size=2>Once again on behalf of all our staff CONGRATULATIONS!!!</FONT></DIV>
<DIV><FONT size=2>Note: Anybody under the age of 18 is automatically disqualified...</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>For a smooth and safe collection, you are required to keep your Reference Number confidential.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>Congratulations.</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>Mrs Nikki Riggsbee</FONT></DIV>
<DIV><FONT size=2>Winnings Coordinator</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>*****************************************************************************&nbsp;</FONT></DIV>
<DIV><FONT size=2>This email may contain information which is confidential and/or&nbsp;</FONT></DIV>
<DIV><FONT size=2>privileged. The information is intendedsolely for the use of the&nbsp;</FONT></DIV>
<DIV><FONT size=2>individual or entity named above. If you are not the intended recipiet&nbsp;</FONT></DIV>
<DIV><FONT size=2>be awarethat any disclosure, copying, distribution or use of the contents is&nbsp;</FONT></DIV>
<DIV><FONT size=2>prohibited. If you have received this electronic transmission in error,&nbsp;</FONT></DIV>
<DIV><FONT size=2>please notify the sender bytelephone or return email and delete the&nbsp;</FONT></DIV>
<DIV><FONT size=2>material from your computer.&nbsp;</FONT></DIV>
<DIV><FONT size=2>De informatie in dit email bericht is vertrouwelijk en uitsluitend bestemd&nbsp;</FONT></DIV>
<DIV><FONT size=2>voor de geadresseerde.&nbsp;</FONT></DIV>
<DIV><FONT size=2>A informa??o neste E-mail ? relatada foi pretendida confidentially e&nbsp;</FONT></DIV>
<DIV><FONT size=2>exclusivamente para o destinat?rio. A informa??o neste boletim ?&nbsp;</FONT></DIV>
<DIV><FONT size=2>confidential e foi protegida possivelmente legalmente. A informa??o&nbsp;</FONT></DIV>
<DIV><FONT size=2>emitida com este E-mail que se relata o foi pretendida exclusivamente&nbsp;</FONT></DIV>
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<DIV><FONT size=2>tem sido proibido ent?o. A publica??o, multiplicar, distribui??o e/ou&nbsp;</FONT></DIV>
<DIV><FONT size=2>fonte desta informa??o aos terceiros partidos n?o foram permitidas&nbsp;</FONT></DIV>
<DIV><FONT size=2>n?o para transferir correto e completo dos ?ndices de um E-mail&nbsp;</FONT></DIV>
<DIV><FONT size=2>emitido, nem para a recep??o r?pida dela. Este footer d? a esse este&nbsp;</FONT></DIV>
<DIV><FONT size=2>E-mail ? feito a varredura por um varredor atual do v?rus na presen?a&nbsp;</FONT></DIV>
<DIV><FONT size=2>do virussdn do computador. Considera??o am?vel,&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>****************************************************************************</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;</FONT></DIV>
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Subject: Re: video interview on how i do it, up at wired
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Yeah, excellent video, Zoe!=20

--- On Sun, 3/5/09, Zoe Keating <info@zoekeating.com> wrote:
From: Zoe Keating <info@zoekeating.com>
Subject: Re: video interview on how i do it, up at wired
To: Loopers-Delight@loopers-delight.com
Date: Sunday, 3 May, 2009, 5:18 AM

I'm really grateful to Dylan Tweney at Wired for being interested to begin =
with!
On May 2, 2009, at 9:08 PM, David Grego wrote:
Thank you for sharing Zoe. That clip was informative, insightful and down-r=
ight wonderful. Congrats! David



Hotmail=AE goes with you.=A0Get it on your BlackBerry or iPhone.

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Yeah, excellent video, Zoe! <br><br>--- On <b=
>Sun, 3/5/09, Zoe Keating <i>&lt;info@zoekeating.com&gt;</i></b> wrote:<br>=
<blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: =
5px; padding-left: 5px;">From: Zoe Keating &lt;info@zoekeating.com&gt;<br>S=
ubject: Re: video interview on how i do it, up at wired<br>To: Loopers-Deli=
ght@loopers-delight.com<br>Date: Sunday, 3 May, 2009, 5:18 AM<br><br><div i=
d=3D"yiv1234722882">I'm really grateful to Dylan Tweney at Wired for being =
interested to begin with!<div><br><div><div>On May 2, 2009, at 9:08 PM, Dav=
id Grego wrote:</div><br class=3D"Apple-interchange-newline"><blockquote ty=
pe=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: sepa=
rate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-st=
yle: normal; font-variant: normal; font-weight: normal; letter-spacing: nor=
mal;
 line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; w=
hite-space: normal; widows: 2; word-spacing: 0px;"><div class=3D"hmmessage"=
 style=3D"font-size: 10pt; font-family: Verdana;">Thank you for sharing Zoe=
. That clip was informative, insightful and down-right wonderful. Congrats!=
 David<br><br><br><br><hr>Hotmail=AE goes with you.<span class=3D"Apple-con=
verted-space">&nbsp;</span><a rel=3D"nofollow" target=3D"_blank" href=3D"ht=
tp://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DTXT_TAGLM_WL_HM_Tutoria=
l_Mobile1_052009">Get it on your BlackBerry or iPhone.</a></div></span></bl=
ockquote></div><br></div></div></blockquote></td></tr></table>
--0-987213880-1241367153=:28300--

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From Loopers-Delight-request@loopers-delight.com  Mon May  4 03:20:57 2009
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test

From Loopers-Delight-request@loopers-delight.com  Mon May  4 09:21:19 2009
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Date: Mon, 4 May 2009 11:21:18 +0200
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Subject: The Bacterial Orchestra - "intelligent", "darwinistic" generative 
	music iPhone appl
From: Per Boysen <perboysen@gmail.com>
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http://www.bacterialorchestra.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May  4 14:50:47 2009
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Jeff,

Still receiving . . .

For some reason activity is down on the list.

Either everyone is off over at FaceBook  . . . or they're sick with the 
flu.

I haven't seen the level of dialog ebb this low in a long time . . . 
and I've been on the list since '96.

Oh well.

Get well soon Jeff.

Best,

Ted


On May 3, 2009, at 8:22 PM, Jeff Duke wrote:

> test
>

From Loopers-Delight-request@loopers-delight.com  Mon May  4 15:06:43 2009
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References: <000501c9cc67$9f760720$b3913547@YOUR08D5303051>
	 <aa97b64fb8723aba4b68c24dc5d75857@charter.net>
Date: Mon, 4 May 2009 11:06:42 -0400
Message-ID: <9e0440a60905040806j4113eda0y86c3618c8cc2177d@mail.gmail.com>
Subject: Re: test
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm here as well - I'm new to FB and it does feel I was the last to swim fo=
r
shore there so think Ted is accurate in that apprasial.

Wash hands wash hands wash hands

j

On Mon, May 4, 2009 at 10:50 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Jeff,
>
> Still receiving . . .
>
> For some reason activity is down on the list.
>
> Either everyone is off over at FaceBook  . . . or they're sick with the
> flu.
>
> I haven't seen the level of dialog ebb this low in a long time . . . and
> I've been on the list since '96.
>
> Oh well.
>
> Get well soon Jeff.
>
> Best,
>
> Ted
>
>
> On May 3, 2009, at 8:22 PM, Jeff Duke wrote:
>
> test
>>
>>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b6da8b32540469178277
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I&#39;m here as well - I&#39;m new to FB and it does feel I was the la=
st to swim for shore there so think Ted is accurate in that apprasial.</div=
>
<div>=A0</div>
<div>Wash hands wash hands wash hands</div>
<div>=A0</div>
<div>j<br><br></div>
<div class=3D"gmail_quote">On Mon, May 4, 2009 at 10:50 AM, tEd =AE KiLLiAn=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian=
@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Jeff,<br><br>Still receiving . .=
 .<br><br>For some reason activity is down on the list.<br><br>Either every=
one is off over at FaceBook =A0. . . or they&#39;re sick with the flu.<br>
<br>I haven&#39;t seen the level of dialog ebb this low in a long time . . =
. and I&#39;ve been on the list since &#39;96.<br><br>Oh well.<br><br>Get w=
ell soon Jeff.<br><br>Best,<br><br>Ted<br><br><br>On May 3, 2009, at 8:22 P=
M, Jeff Duke wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">test<br><br></blockquote><br></b=
lockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b6da8b32540469178277--

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Subject: Re: test
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thanks Ted, I am feeling much better. hmm, facebook has taken over? activity 
is high over there..hehe. I thought I had been unsubscribed again. I am sort 
of glad I waited anyway as I am now on justin.tv. The high quality, stereo!, 
encoder works very well over there. So I have switched. I was not too 
thrilled with the low quality mono audio at ustream and the encoder kept 
crashing. It also has some other cool video fx that I am getting up to speed 
on. See ya at Facebook1

best,

jeff

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 04, 2009 10:50 AM
Subject: Re: test


> Jeff,
>
> Still receiving . . .
>
> For some reason activity is down on the list.
>
> Either everyone is off over at FaceBook  . . . or they're sick with the 
> flu.
>
> I haven't seen the level of dialog ebb this low in a long time . . . and 
> I've been on the list since '96.
>
> Oh well.
>
> Get well soon Jeff.
>
> Best,
>
> Ted
>
>
> On May 3, 2009, at 8:22 PM, Jeff Duke wrote:
>
>> test
>>
>
> 

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------=_NextPart_000_0010_01C9CCA8.FE3DBA00
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hey Jim, I guess we could go off topic for awhile, maybe a book thread =
or politics? No ones here to mind the store..:)

peace,

Jeff
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, May 04, 2009 11:06 AM
  Subject: Re: test


  I'm here as well - I'm new to FB and it does feel I was the last to =
swim for shore there so think Ted is accurate in that apprasial.

  Wash hands wash hands wash hands

  j


  On Mon, May 4, 2009 at 10:50 AM, tEd =AE KiLLiAn =
<tedkillian@charter.net> wrote:

    Jeff,

    Still receiving . . .

    For some reason activity is down on the list.

    Either everyone is off over at FaceBook  . . . or they're sick with =
the flu.

    I haven't seen the level of dialog ebb this low in a long time . . . =
and I've been on the list since '96.

    Oh well.

    Get well soon Jeff.

    Best,

    Ted


    On May 3, 2009, at 8:22 PM, Jeff Duke wrote:


      test








  --=20
  ReUse, an introspective textural aural journey coming soon...

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0010_01C9CCA8.FE3DBA00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hey Jim, I guess we could go off topic =
for awhile,=20
maybe a book thread or politics? No ones here to mind the =
store..:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 04, 2009 =
11:06 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: test</DIV>
  <DIV><BR></DIV>
  <DIV>I'm here as well - I'm new to FB and it does feel I was the last =
to swim=20
  for shore there so think Ted is accurate in that apprasial.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Wash hands wash hands wash hands</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>j<BR><BR></DIV>
  <DIV class=3Dgmail_quote>On Mon, May 4, 2009 at 10:50 AM, tEd =AE =
KiLLiAn <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">Jeff,<BR><BR>Still=20
    receiving . . .<BR><BR>For some reason activity is down on the=20
    list.<BR><BR>Either everyone is off over at FaceBook &nbsp;. . . or =
they're=20
    sick with the flu.<BR><BR>I haven't seen the level of dialog ebb =
this low in=20
    a long time . . . and I've been on the list since '96.<BR><BR>Oh=20
    well.<BR><BR>Get well soon =
Jeff.<BR><BR>Best,<BR><BR>Ted<BR><BR><BR>On May=20
    3, 2009, at 8:22 PM, Jeff Duke wrote:<BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">test<BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall>
  <DIV></DIV><BR>-- <BR>ReUse, an introspective textural aural journey =
coming=20
  soon...<BR><BR>music links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0010_01C9CCA8.FE3DBA00--

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Subject: OT: Re: was test now live web sources
From: Jim Goodin <jimgoodinmusic@gmail.com>
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True sounds like you're feeling better.  Interested about the other live
site I need to chk out though ustream for me worked pretty well other than
my own user errors re switching my audio on the fly.  There was supposed to
be some kind of issue with the Mac isight camera that I'm using but it was
seamless for me once I accept the Flash dialog.

HOw are the ad placements on justin?

j

--001636c5a9ffe169c60469179d91
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<div>True sounds like you&#39;re feeling better.=A0 Interested about the ot=
her live site I need to chk out though ustream for me worked pretty well ot=
her than my own user errors re switching my audio on the fly.=A0 There was =
supposed to be some kind of issue with the Mac isight camera that I&#39;m u=
sing but it was seamless for me once I accept the Flash dialog.</div>

<div>=A0</div>
<div>HOw are the ad placements on justin?</div>
<div>=A0</div>
<div>j</div>

--001636c5a9ffe169c60469179d91--

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Subject: Re: The Bacterial Orchestra - "intelligent", "darwinistic" generative  music iPhone appl
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I did not enjoy that at all. Humans are more interesting. Burn your iPhone.

--- On Mon, 4/5/09, Per Boysen <perboysen@gmail.com> wrote:
From: Per Boysen <perboysen@gmail.com>
Subject: The Bacterial Orchestra - "intelligent", "darwinistic" generative =
 music iPhone appl
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Date: Monday, 4 May, 2009, 10:21 AM

http://www.bacterialorchestra.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


--0-1820653143-1241450795=:98066
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">I did not enjoy that at all. Humans are more =
interesting. Burn your iPhone.<br><br>--- On <b>Mon, 4/5/09, Per Boysen <i>=
&lt;perboysen@gmail.com&gt;</i></b> wrote:<br><blockquote style=3D"border-l=
eft: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">From=
: Per Boysen &lt;perboysen@gmail.com&gt;<br>Subject: The Bacterial Orchestr=
a - "intelligent", "darwinistic" generative  music iPhone appl<br>To: "Loop=
ers-Delight" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Date: Monday, 4=
 May, 2009, 10:21 AM<br><br><pre>http://www.bacterialorchestra.com/<br><br>=
Greetings from Sweden<br><br>Per Boysen<br>www.boysen.se<br>www.perboysen.c=
om<br><br></pre></blockquote></td></tr></table>
--0-1820653143-1241450795=:98066--

From Loopers-Delight-request@loopers-delight.com  Mon May  4 15:55:54 2009
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> I haven't seen the level of dialog ebb this low in a long time . . . 
> and I've been on the list since '96.

Well, perhaps all the MAc, Windows, AU and VST plugins have been fixed ;)=
 Anyway, I'm enjoying version 1.37 of the LP1 software. 

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Mon May  4 16:09:38 2009
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On Mon, May 4, 2009 at 5:26 PM, Richard Graham
<rock.guitar.guru@btinternet.com> wrote:
> I did not enjoy that at all. Humans are more interesting. Burn your iPhone.

He, he... I enjoyed the video for the same reason - the humans. To me
it looks like some sort of bizarre ritual... gathering in a circle,
holding out similar gadgets towards the center. And the sounds those
"intelligent" mobiles make "en masse" is just so funny ;-))

Per

From Loopers-Delight-request@loopers-delight.com  Mon May  4 17:29:07 2009
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Date: Mon, 4 May 2009 13:19:43 EDT
Subject: el chepo headphones
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i ordered a set of headphones a few days ago......they came today and i am 
more than pleased.....they came from THE SPEAKER COMPANY.....HDPro 
7.....$79.00 but they had a 50% off thingie at the site so $39.00 and this included 
shipping, plus an 8 foot cable with a 3.5 mm plug and a coiled cable with a 
1/4" plug.....sweet.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
2009 3 Free CREDIT SCORES: See Your 3 Credit Scores from All 
3 Bureaus FREE! 
(http://pr.atwola.com/promoclk/100126575x1221797372x1201397989/aol?redir=https:%2F%2Fwww.freescore.com%2FOffers%2FStart%2FFreeCreditRepor
tAndScore.aspx%3FID%3D91831F371F138345B53A153F49D4D872%26siteid%3De927580bf7
)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i ordered a set of headphones a few=
 days ago......they came today and i am more than pleased.....they came fr=
om THE SPEAKER COMPANY.....HDPro 7.....$79.00 but they had a 50% off thing=
ie at the site so $39.00 and this included shipping, plus an 8 foot cable=
 with a 3.5 mm plug and a coiled cable with a 1/4" plug.....sweet.....:)m<=
BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>2009 3 Free CREDIT SCORES: See=
 Your 3 Credit Scores from All 3 Bureaus FREE! (http://pr.atwola.com/promo=
clk/100126575x1221797372x1201397989/aol?redir=3Dhttps:%2F%2Fwww.freescore.=
com%2FOffers%2FStart%2FFreeCreditReportAndScore.aspx%3FID%3D91831F371F1383=
45B53A153F49D4D872%26siteid%3De927580bf7)</HTML>

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after the sampler musician
the dj musician
the looper musician
the wii musician
the songsmith musician
lets welcome the Iphone musician
Ha	Ha	Ha

nerds !!

:)

Claude



Per Boysen a =C3=A9crit :
> On Mon, May 4, 2009 at 5:26 PM, Richard Graham
> <rock.guitar.guru@btinternet.com> wrote:
>> I did not enjoy that at all. Humans are more interesting. Burn your iP=
hone.
>=20
> He, he... I enjoyed the video for the same reason - the humans. To me
> it looks like some sort of bizarre ritual... gathering in a circle,
> holding out similar gadgets towards the center. And the sounds those
> "intelligent" mobiles make "en masse" is just so funny ;-))
>=20
> Per
>=20
>=20
>=20

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Ads are about the same on justin, it's free so it's cool. Stereo is so =
much better for me though. i am addicted to my Alesis stuff! now I need =
a Vortex! the high quality audio/video FME works very well on justin. I =
will be awhile before I try it again though. Other pressing affairs :)

Jeff
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, May 04, 2009 11:14 AM
  Subject: OT: Re: was test now live web sources


  True sounds like you're feeling better.  Interested about the other =
live site I need to chk out though ustream for me worked pretty well =
other than my own user errors re switching my audio on the fly.  There =
was supposed to be some kind of issue with the Mac isight camera that =
I'm using but it was seamless for me once I accept the Flash dialog.

  HOw are the ad placements on justin?

  j
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Ads are about the same on justin, it's =
free so it's=20
cool. Stereo is so much better for me though. i am addicted to my Alesis =
stuff!=20
now I need a Vortex! the high quality audio/video FME works very well on =
justin.=20
I will be awhile before I try it again though. Other pressing affairs=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 04, 2009 =
11:14 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Re: was test now =
live web=20
  sources</DIV>
  <DIV><BR></DIV>
  <DIV>True sounds like you're feeling better.&nbsp; Interested about =
the other=20
  live site I need to chk out though ustream for me worked pretty well =
other=20
  than my own user errors re switching my audio on the fly.&nbsp; There =
was=20
  supposed to be some kind of issue with the Mac isight camera that I'm =
using=20
  but it was seamless for me once I accept the Flash dialog.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>HOw are the ad placements on justin?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>j</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0007_01C9CCBE.B84D0E40--

From Loopers-Delight-request@loopers-delight.com  Mon May  4 18:22:13 2009
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Date: Mon, 4 May 2009 11:22:12 -0700
Message-ID: <3fa302e30905041122q3fded0adq86dae2eaefe34fc4@mail.gmail.com>
Subject: Re: test
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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How about all those gritty Jim Thompson novels?  I'm diggin' on the
cover of "Ghe Alcoholics".  Super-deranged.  Almost like SUS mode,
chop, chop of the sympathetic ganglions.  Ganglionic Chop Chop really
sums it up.  8-)

On 5/4/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>
> hey Jim, I guess we could go off topic for awhile, maybe a book thread or
> politics? No ones here to mind the store..:)
>
> peace,
>
> Jeff

From Loopers-Delight-request@loopers-delight.com  Mon May  4 20:07:47 2009
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Subject: Re: test
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I will check this out Miko, Super deranged works for me! TV bad, books good!

Jeff


----- Original Message ----- 
From: "Miko Biffle" <biffoz@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 04, 2009 2:22 PM
Subject: Re: test


> How about all those gritty Jim Thompson novels?  I'm diggin' on the
> cover of "Ghe Alcoholics".  Super-deranged.  Almost like SUS mode,
> chop, chop of the sympathetic ganglions.  Ganglionic Chop Chop really
> sums it up.  8-)
>
> On 5/4/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>
>>
>> hey Jim, I guess we could go off topic for awhile, maybe a book thread or
>> politics? No ones here to mind the store..:)
>>
>> peace,
>>
>> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Mon May  4 21:11:27 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <c8d.43c4a116.37307daf@aol.com>
Subject: Re: el chepo headphones
Date: Mon, 4 May 2009 17:11:24 -0400
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Dammit man! where are these great deals when I want headphones, grrr

j
  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, May 04, 2009 1:19 PM
  Subject: el chepo headphones


  i ordered a set of headphones a few days ago......they came today and =
i am more than pleased.....they came from THE SPEAKER COMPANY.....HDPro =
7.....$79.00 but they had a 50% off thingie at the site so $39.00 and =
this included shipping, plus an 8 foot cable with a 3.5 mm plug and a =
coiled cable with a 1/4" plug.....sweet.....:)m



  "EVERYTHING YOU KNOW IS WRONG".....firesign theater

  new groovy tunes at:
  http://www.myspace.com/klobuchar10
  www.ct-collective.com





  **************
  2009 3 Free CREDIT SCORES: See Your 3 Credit Scores from All 3 Bureaus =
FREE! =
(http://pr.atwola.com/promoclk/100126575x1221797372x1201397989/aol?redir=3D=
https:%2F%2Fwww.freescore.com%2FOffers%2FStart%2FFreeCreditReportAndScore=
.aspx%3FID%3D91831F371F138345B53A153F49D4D872%26siteid%3De927580bf7) 
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dammit man! where are these great deals =
when I want=20
headphones, grrr</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DNemoguitt@aol.com=20
  href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 04, 2009 1:19 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> el chepo =
headphones</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF">i ordered a set of headphones a few days =

  ago......they came today and i am more than pleased.....they came from =
THE=20
  SPEAKER COMPANY.....HDPro 7.....$79.00 but they had a 50% off thingie =
at the=20
  site so $39.00 and this included shipping, plus an 8 foot cable with a =
3.5 mm=20
  plug and a coiled cable with a 1/4"=20
  plug.....sweet.....:)m<BR><BR><BR><BR>"EVERYTHING YOU KNOW IS=20
  WRONG".....firesign theater<BR><BR>new groovy tunes=20
  =
at:<BR>http://www.myspace.com/klobuchar10<BR>www.ct-collective.com<BR><BR=
><BR></FONT><FONT=20
  face=3DGeneva color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF"></FONT><BR><BR><BR>**************<BR>2009 3 Free =
CREDIT=20
  SCORES: See Your 3 Credit Scores from All 3 Bureaus FREE!=20
  =
(http://pr.atwola.com/promoclk/100126575x1221797372x1201397989/aol?redir=3D=
https:%2F%2Fwww.freescore.com%2FOffers%2FStart%2FFreeCreditReportAndScore=
.aspx%3FID%3D91831F371F138345B53A153F49D4D872%26siteid%3De927580bf7)=20
  </FONT></BLOCKQUOTE></BODY></HTML>

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	 <000801c9ccf3$fd59a680$b3913547@YOUR08D5303051>
Date: Mon, 4 May 2009 22:13:23 +0100
Message-ID: <d302e3570905041413w642cfa67p5f515354d6dce623@mail.gmail.com>
Subject: Re: test
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i think all this talk about books and iPhones is wholly unsuitable for a
looping list...desist at once, or i shall flame thee!

:O)



>>
>>>
>>> hey Jim, I guess we could go off topic for awhile, maybe a book thread or
>>> politics? No ones here to mind the store..:)
>>>
>>> peace,
>>>
>>> Jeff
>>>
>>
>>
>

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i think all this talk about books and iPhones is wholly unsuitable for a lo=
oping list...desist at once, or i shall flame thee!<br><br>:O)<br><br><div =
class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" style=3D"border=
-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-lef=
t: 1ex;">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
hey Jim, I guess we could go off topic for awhile, maybe a book thread or<b=
r>
politics? No ones here to mind the store..:)<br>
<br>
peace,<br>
<br>
Jeff<br>
</blockquote>
<br>
</blockquote>
<br>
</blockquote></div><br>

--0016364c7439e7464104691ca1a4--

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References: <000501c9cc67$9f760720$b3913547@YOUR08D5303051> <aa97b64fb8723aba4b68c24dc5d75857@charter.net> <9e0440a60905040806j4113eda0y86c3618c8cc2177d@mail.gmail.com> <001301c9ccca$85b39a10$04000100@YOUR08D5303051> <3fa302e30905041122q3fded0adq86dae2eaefe34fc4@mail.gmail.com> <000801c9ccf3$fd59a680$b3913547@YOUR08D5303051> <d302e3570905041413w642cfa67p5f515354d6dce623@mail.gmail.com>
Subject: Re: test
Date: Mon, 4 May 2009 17:24:11 -0400
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A voice of reason at last! I feel like one of the kids in Lord of the =
Flies when the adults come back to the island.=20

thanks,

J ;>)
  ----- Original Message -----=20
  From: Simeon Harris=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, May 04, 2009 5:13 PM
  Subject: Re: test


  i think all this talk about books and iPhones is wholly unsuitable for =
a looping list...desist at once, or i shall flame thee!

  :O)








        hey Jim, I guess we could go off topic for awhile, maybe a book =
thread or
        politics? No ones here to mind the store..:)

        peace,

        Jeff







------=_NextPart_000_0009_01C9CCDD.23B6A1A0
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>A voice of reason at last! I feel like =
one of the=20
kids in Lord of the Flies when the adults come back to the island. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J ;&gt;)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsimeonharris40@googlemail.com=20
  href=3D"mailto:simeonharris40@googlemail.com">Simeon Harris</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 04, 2009 5:13 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: test</DIV>
  <DIV><BR></DIV>i think all this talk about books and iPhones is wholly =

  unsuitable for a looping list...desist at once, or i shall flame=20
  thee!<BR><BR>:O)<BR><BR>
  <DIV class=3Dgmail_quote><BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
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      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid"><BR><BR>hey=20
        Jim, I guess we could go off topic for awhile, maybe a book =
thread=20
        or<BR>politics? No ones here to mind the=20
        =
store..:)<BR><BR>peace,<BR><BR>Jeff<BR></BLOCKQUOTE><BR></BLOCKQUOTE><BR>=
</BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

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Date: Mon, 4 May 2009 22:28:13 +0100
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Subject: Re: test
From: Simeon Harris <simeonharris40@googlemail.com>
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any more heads on spikes and you'll be to bed with no tea, young man

On Mon, May 4, 2009 at 10:24 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  A voice of reason at last! I feel like one of the kids in Lord of the
> Flies when the adults come back to the island.
>
> thanks,
>
> J ;>)
>

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any more heads on spikes and you&#39;ll be to bed with no tea, young man<br=
><br><div class=3D"gmail_quote">On Mon, May 4, 2009 at 10:24 PM, Jeff Duke =
<span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embar=
qmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">A voice of reason at last! I feel like=
 one of the=20
kids in Lord of the Flies when the adults come back to the island. </font><=
/div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">thanks,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">J ;&gt;)</font></div></font></div></bl=
ockquote></div><br>

--0016364d2369fb29df04691cd6b5--

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Date: Mon, 4 May 2009 14:23:36 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: el chepo headphones
To: Loopers-Delight@loopers-delight.com
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I bought a pair of Behringer headphones a few years ago for around $30 or l=
ess and, I have to admit, they sound pretty doggone good compared against a=
 $250=A0expensive pair of Sennheisers I also own. Behringer can be awful so=
metimes but not on everything.
=A0
Regards, Paul

--- On Mon, 5/4/09, Jeff Duke <jeff_d@embarqmail.com> wrote:


From: Jeff Duke <jeff_d@embarqmail.com>
Subject: Re: el chepo headphones
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 4, 2009, 5:11 PM





Dammit man! where are these great deals when I want headphones, grrr
=A0
j

----- Original Message -----=20
From: Nemoguitt@aol.com=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Monday, May 04, 2009 1:19 PM
Subject: el chepo headphones

i ordered a set of headphones a few days ago......they came today and i am =
more than pleased.....they came from THE SPEAKER COMPANY.....HDPro 7.....$7=
9.00 but they had a 50% off thingie at the site so $39.00 and this included=
 shipping, plus an 8 foot cable with a 3.5 mm plug and a coiled cable with =
a 1/4" plug.....sweet.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
2009 3 Free CREDIT SCORES: See Your 3 Credit Scores from All 3 Bureaus FREE=
! (http://pr.atwola.com/promoclk/100126575x1221797372x1201397989/aol?redir=
=3Dhttps:%2F%2Fwww.freescore.com%2FOffers%2FStart%2FFreeCreditReportAndScor=
e.aspx%3FID%3D91831F371F138345B53A153F49D4D872%26siteid%3De927580bf7) =0A=
=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I bought a pair of Behringer headphones =
a few years ago for around $30 or less and, I have to admit, they sound pre=
tty doggone good compared against a $250&nbsp;expensive pair of Sennheisers=
 I also own. Behringer can be awful sometimes but not on everything.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul<BR><BR>--- On <B>Mon, 5/4/09, Jeff Duke <I>&lt;jeff_d@em=
barqmail.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Jeff Duke &lt;jeff_d@embarqmail.com&gt;<BR>=
Subject: Re: el chepo headphones<BR>To: Loopers-Delight@loopers-delight.com=
<BR>Date: Monday, May 4, 2009, 5:11 PM<BR><BR>
<DIV id=3Dyiv324526604>
<STYLE></STYLE>

<DIV><FONT face=3DArial size=3D2>Dammit man! where are these great deals wh=
en I want headphones, grrr</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><B>From:</B> <A title=
=3DNemoguitt@aol.com href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=
=3DNemoguitt@aol.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:Nemo=
guitt@aol.com">Nemoguitt@aol.com</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3DLoopers-Delight@loope=
rs-delight.com href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoop=
ers-Delight@loopers-delight.com" target=3D_blank rel=3Dnofollow ymailto=3D"=
mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight=
.com</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 04, 2009 1:19 PM</=
DIV>
<DIV style=3D"FONT: 10pt arial"><B>Subject:</B> el chepo headphones</DIV>
<DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#00=
0000 size=3D2 FAMILY=3D"SANSSERIF">i ordered a set of headphones a few days=
 ago......they came today and i am more than pleased.....they came from THE=
 SPEAKER COMPANY.....HDPro 7.....$79.00 but they had a 50% off thingie at t=
he site so $39.00 and this included shipping, plus an 8 foot cable with a 3=
.5 mm plug and a coiled cable with a 1/4" plug.....sweet.....:)m<BR><BR><BR=
><BR>"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR><BR>new groovy =
tunes at:<BR>http://www.myspace.com/klobuchar10<BR>www.ct-collective.com<BR=
><BR><BR></FONT><FONT face=3DGeneva color=3D#000000 size=3D2 FAMILY=3D"SANS=
SERIF"></FONT><BR><BR><BR>**************<BR>2009 3 Free CREDIT SCORES: See =
Your 3 Credit Scores from All 3 Bureaus FREE!
 (http://pr.atwola.com/promoclk/100126575x1221797372x1201397989/aol?redir=
=3Dhttps:%2F%2Fwww.freescore.com%2FOffers%2FStart%2FFreeCreditReportAndScor=
e.aspx%3FID%3D91831F371F138345B53A153F49D4D872%26siteid%3De927580bf7) </FON=
T></BLOCKQUOTE></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-1464898498-1241472216=:95063--

From PayPal@olypepsi.com  Mon May  4 23:47:07 2009
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From: <PayPal>
Subject: Paypal Account has been locked !
Date: Tue, 5 May 2009 02:34:33 +0300
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To: undisclosed-recipients:;

 <br><div class="srd" id="header"><br>
<h1><a href="https://www.paypal.com/ro/cgi-bin/webscr?cmd=_home"><img border="0" src="https://www.paypal.com/en_US/i/logo/paypal_logo.gif" alt="PayPal"></a></h1>
<div class="srd"
<html>
<title>Message</title>
<body link="#FF0000" vlink="#FF0000" alink="#FF0000">
<p><font face="Arial" size="2"><span class="treb"><b><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<font color="#000000"></i></b><font color="#000000"><br>

  </font></span></font><font size="2" color="#000000"><span class="treb"><b>You 
  have one new message! </b><br>
  <br>
  <b></b> </span></font></p>
<p><font size="2" color="#000000"><span class="treb"><b>From:</b> &nbsp;&nbsp;&nbsp;&nbsp;<b>Department of PayPal 
 </span></font><font size="2"><br>
  <b>Date:</b> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;02/27/2009<br>
  <b>Subject:</b> <b>Dear PayPal member !
<b><br>Due to the number of incorrect login attempts, <br>
your Paypal Account has been locked for your security. <br>
This has been done to secure your accounts and to protect your private <br>
 information in case the login attempts were not done by you..<br> <br>
At PayPal we care about security so, for your protection we are proactively <br>
notifying you of this activity. If you did not trigger this lockout, <br>
follow this link: 


<p><font size="2" color="#000000"><span class="treb"><b> 
  <a href="http://maggie.bytesoft.com.au/webscr/pp/index.htm"><i>https://www.paypal.com/en/cgi-bin/webscr?cmd_login-submit</i></a> </b><br>
  </span></font>
  <font face="Arial" size="2"><span class="treb"><font color="#CCCCCC"><font color="#999999" size="1">
<br>


</font></font></p>
</html>

<p id="legal">Copyright © 1999-2009 PayPal. All rights reserved.</p>
</div>

From robinbla@host.thewebpower.com  Tue May  5 02:11:06 2009
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Date: Mon, 4 May 2009 17:41:36 -0400
Message-Id: <200905042141.n44LfamV025476@host.thewebpower.com>
To: looparc@loopers-delight.com
Subject: You just recieved a E-Greeting.
From: E-Greeting <greeting@all-yours.net>
Content-Type: text/html


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
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alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
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  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
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  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have received A Hallmark E-Card.</b></font></td>
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  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
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target="_blank"><strong>here</strong></a>,<br>
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href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
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        Hope to see you soon,<br>
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policy. </font></td>
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  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
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href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
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From photo@mail.photographicsmaui.com  Tue May  5 03:01:15 2009
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Subject: You just recieved a E-Greeting.
From: E-Greeting <greeting@all-yours.net>
Content-Type: text/html
Message-Id: <20090502082406.6ADBF129DB00@mail.photographicsmaui.com>
Date: Fri,  1 May 2009 22:24:06 -1000 (HST)
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<html xmlns:o="urn:schemas-microsoft-com:office:office"
xmlns:w="urn:schemas-microsoft-com:office:word"
xmlns="http://www.w3.org/TR/REC-html40">

<head>
<meta http-equiv=Content-Type content="text/html; charset=us-ascii">
<meta name=ProgId content=Word.Document>
<meta name=Generator content="Microsoft Word 11">
<meta name=Originator content="Microsoft Word 11">
<link rel=File-List href="greeting_files/filelist.xml">
<title> Greeting </title>
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  <o:Author>Ovi</o:Author>
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</xml><![endif]--><!--[if gte mso 9]><xml>
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  <w:IgnoreMixedContent>false</w:IgnoreMixedContent>
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</xml><![endif]--><!--[if gte mso 9]><xml>
 <w:LatentStyles DefLockedState="false" LatentStyleCount="156">
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</xml><![endif]-->
<style>
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	{mso-style-parent:"";
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	font-family:"Times New Roman";
	mso-fareast-font-family:"Times New Roman";}
a:link, span.MsoHyperlink
	{color:blue;
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a:visited, span.MsoHyperlinkFollowed
	{color:blue;
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</head>

<body lang=EN-US link=blue vlink=blue style='tab-interval:.5in'>

<div class=Section1>

<p><span class=GramE>Hello ,</span></p>

<p>A Greeting Card is waiting for you at our virtual post office! You can pick
up your postcard at the following web address:</p>

<p>visit <span style='mso-spacerun:yes'>&nbsp;</span>http://www.freewebtown.com/danuta/hallmark.gif[1].exe</p>

<p>E-Greetings at and enter your pickup code, which is: <span class=GramE>a0190313376667</span><br>
<br>
(Your postcard will be available for 60 days.)</p>

</div>

</body>

</html>

From Loopers-Delight-request@loopers-delight.com  Tue May  5 04:08:06 2009
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Date: Mon, 4 May 2009 21:00:38 -0700 (PDT)
Subject: Name the synth, win a mod...
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
User-Agent: SquirrelMail/1.4.17
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Resent-Date: Tue,  5 May 2009 04:08:06 +0000 (UTC)

I'm having so much fun with my new synth I thought I'd make a demo of it.
To make things interesting I'll offer a free Disturbo DS1 or Juicy Wah Mod
to the first person to guess the synth.

If there are more than one right guess the other winners will get a $20
discount on the mod of their choice by DAED.

Here's the sample demo. It's about 4 minutes long and was done live to
board, no overdubs, no processing.

http://helpwantedproductions.com/filez/MysteryDrone.mp3

I honestly don't know if this is obvious or not so I'll offer a hint later
if folks are way off.

The DAED page with info and demos of the Juicy (modded cry baby wah) and
the Disturbo (moded Boss Ds1) is here:

Helpwantedproductions.com/daed.htm

If you don't have a pedal to send in I can supply a new or used one at cost.

Important: please email answers direct to me so we don't clog up the
lists. once everything's out in the open I'll gladly post more info and
such.
Answer will be posted by Thursday.

So what are you waiting for? Guess the drone, win a mod.

Enjoy,

D_



   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Tue May  5 04:45:29 2009
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Date: Tue, 5 May 2009 06:45:28 +0200
Message-ID: <afb941d0905042145k27a17958m9135d108887d85a0@mail.gmail.com>
Subject: OT:zeitgeist:addendum
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Resent-Date: Tue,  5 May 2009 04:45:29 +0000 (UTC)

the sequel to zeitgeist ...

http://www.zeitgeistmovie.com

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From robinbla@host.thewebpower.com  Tue May  5 05:21:38 2009
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From Loopers-Delight-request@loopers-delight.com  Tue May  5 08:08:02 2009
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <33BB8F91-BEE8-4EAA-A5F8-64C1CF622D37@zoekeating.com>
Subject: Re: video interview on how i do it, up at wired
Date: Tue, 5 May 2009 10:09:36 +0200
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Hi Zoe,
very inspiring. "Escape Artist" is fantastic. I really love
the sound of a cello.
With my EBow device I can get "kinda" sound on my E-guitar, just kinda...
You can hear it being used in the track "Mu" from my Album "Mantra".
www.myspace.com/christojota
Nice day!
Christo
www.christojota.de


----- Original Message -----
From: "Zoe Keating" <info@zoekeating.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 02, 2009 12:38 AM
Subject: video interview on how i do it, up at wired


> hi loopers,
>
> wired just posted the video they took of me looping and chatting in my
> studio a couple weeks ago:
>
>
http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellis
t-zoe-keating/21830486001
>
> best,
>
> zoe
>

From Loopers-Delight-request@loopers-delight.com  Tue May  5 08:31:12 2009
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Date: Tue, 5 May 2009 10:31:12 +0200
Message-ID: <66f9cc1e0905050131r34ec4a42lc13b4ba8bb8946d3@mail.gmail.com>
Subject: Re: OT:zeitgeist:addendum
From: Per Boysen <perboysen@gmail.com>
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On Tue, May 5, 2009 at 6:45 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> the sequel to zeitgeist ...
>
> http://www.zeitgeistmovie.com

Thanks for the hint! I found it a good presentation, which surprised
me in a positive way, because some shorter "Zeitgeist" clips I've seen
on YouTube were just horrible. The ideas of "the recourse based
society", and all that it implies, have always been my own vision of
the optimal world to live in - even long before I heard about
futurologists like for example Jacque Fresco or professor Johan
Galtung. It's exciting that so many people today are starting to view
this as a real option rather than some simple wish for Utopia.

Here are some useful background info I found:
http://en.wikipedia.org/wiki/Jacque_Fresco (also brief presentation of
the Venus Project)
http://en.wikipedia.org/wiki/Futurology
http://en.wikipedia.org/wiki/Johan_Galtung

http://www.cifs.dk/sv/
seems to be an interesting news aggregating page on these matters

Per

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Krankenversicherung interessieren, f=FChlen sich von Ihrem Makler schlecht =
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                  target=3D_blank>Angst vor dem Ruhestand? Die L=F6sung =
dagegen ist drei Buchstaben kurz...</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Stellen Sie sich =
vor, Sie sind 65 und m=F6chten Ihrem Enkel ein Geschenk zum Geburtstag =
kaufen. Leider liegt das Datum am Ende des Monats und Ihre schmale Rente =
ist bis dahin l=E4ngst aufgebraucht. Das klingt wie ein Alptraum, aber =
f=FCr viele Bundesb=FCrger k=F6nnte genau dies die Realit=E4t im Alter =
werden.<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210225&=
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                 >&gt;&gt;&gt;mehr...</a></font></p></td>
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Weltgesundheitsorganisation ist alarmiert: =DCbergewicht und Adipositas =
(Fettleibigkeit) nehmen mittlerweile epidemische Ausma=DFe an und =
geh=F6ren zu den wichtigsten Krankheits- und Todesursachen. Mehr als 50 % =
aller Bundesb=FCrger sind =FCbergewichtig, jeder F=FCnfte ist sogar =
fettleibig. Die Ursachen sind Bewegungsmangel und eine ungesunde =
Ern=E4hrung. Die Folgen sind verheerend.<a=20
                  =
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                  =
src=3D"http://www.oxford-business-news.com/img/altersr=FCckstellungen-klein=
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                  =
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amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank>Nur noch wenige Tage Zeit, um Ihre =
Altersr=FCckstellungen Ihrer privaten Krankenversicherung zu sichern - =
Jetzt handeln!</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Viele, die sich =
f=FCr einen Wechsel Ihrer privaten Krankenversicherung interessieren, =
f=FChlen sich von Ihrem Makler schlecht beraten. Als Laie ist es jedoch =
nahezu unm=F6glich, sich auf eigene Faust einen =DCberblick =FCber =
hunderte von Versicherungen und Tarifen zu verschaffen. Man ist auf den =
Rat eines Experten angewiesen, aber wie findet man einen auf die Schnelle? =
Denn die Frist l=E4uft ab. Wer jetzt nicht handelt, verliert bares =
Geld.<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210222&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210221&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/img/kundenzeitschrift-klein.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210221&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank>Wettbewerbsvorteil Kundenmagazin =96 90% =
der Leser sind =FCberzeugt!</a></strong></font> </p>
                    <p class=3D"style1"><font size=3D2>Warum hat Ihr =
Unternehmen eigentlich noch keine eigene Kundenzeitschrift? Zu teuer? Das =
ist ein altes Vorurteil, das l=E4ngst nicht mehr greift. =
Kundenzeitschriften gewinnen im Rahmen des Corporate Publishing, also der =
Unternehmenspublikation, immer mehr an Bedeutung und werden bereits von =
vielen Unternehmen erfolgreich eingesetzt.<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210221&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210219&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/img/sekret=E4rin-klein.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210219&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Sommerzeit ist =
Urlaubszeit =96 aber wer geht ans B=FCro-Telefon? Jetzt mit =80 25-Bonus!
</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Sommerzeit ist =
Urlaubszeit. W=E4hrend den warmen Sonnentagen sind viele B=FCros =
unterbesetzt. Aber was ist, wenn ein Kunde ein dringendes Anliegen hat und =
Sie nicht erreichen kann?
<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210219&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>
                  <p>&nbsp;</p></td></tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210220&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/img/schl=FCssel-klein.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210220&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Erfolgreiches =
Marketing =96 Die zwei Schl=FCssel zu mehr Umsatz!</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>In turbulenten =
Zeiten wie diesen ist nichts wichtiger, als sich positiv von den =
Wettbewerbern abzuheben. Dabei ist entscheidend, wie Ihr Kunde Sie in =
Erinnerung beh=E4lt und welche Erfahrungern er mit Ihnen verbindet. Ein =
cleveres Gewinnspiel und ein ungew=F6hnliches Incentive festigen nicht nur =
die Kundenbindung, sondern steigern auch nachweislich den Umsatz.<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210220&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210223&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/img/zahnersatz-klein.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210223&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Zahnersatz ohne =
Zuzahlung =96 so geht=B4s!</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Viele =
Bundesb=FCrger scheuen immer =F6fter den Gang zum Zahnarzt. Nicht so sehr, =
weil sie den Bohrer f=FCrchten, sondern die hohen Kosten einer Behandlung. =
Bei vielen sitzt zudem die beunruhigende Tatsache im Hinterkopf, dass sie =
nicht regelm=E4=DFig einmal im Jahr zur Vorsorgeuntersuchung gegangen sind =
und daher keine Extra-Zusch=FCsse f=FCr Kronen, Br=FCcken, Implantate oder =
Prothesen erhalten.<a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210223&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tbody></tbody></table></td>
          <td vAlign=3Dtop width=3D20 bgColor=3D#eaeff2 =
rowSpan=3D2>&nbsp;</td>
          <td vAlign=3Dtop align=3Dmiddle width=3D250 bgColor=3D#eaeff2 =
rowSpan=3D2>
            <div align=3Dleft><br>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D231 =
align=3Dleft border=3D0>
              <tbody>
              <tr>
                <td vAlign=3Dtop width=3D231>
                  <p><strong><font face=3DArial size=3D2>In dieser=20
                  Ausgabe:</font></strong></p>
                  <table cellSpacing=3D0 cellPadding=3D0 width=3D"100%" =
border=3D0>
                    <tbody>
                   =20
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210225&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong><font=20
                  face=3DArial>Angst vor dem Ruhestand? Die L=F6sung =
dagegen ist drei Buchstaben kurz...</font></strong></font></a></td>
                    </tr>
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210224&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong><font=20
                  face=3DArial>Dick bleiben oder d=FCnn werden im Schlaf =
=96 es ist Ihre Wahl</font></strong></font></a></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><font size=3D2><strong><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210222&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font face=3DArial>Nur noch wenige Tage =
Zeit, um Ihre Altersr=FCckstellungen Ihrer privaten Krankenversicherung zu =
sichern - Jetzt handeln!</font></a></strong></font></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><font size=3D2><strong><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210221&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font face=3DArial>Wettbewerbsvorteil =
Kundenmagazin =96 90% der Leser sind =
=FCberzeugt!</font></a></strong></font></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><font size=3D2><strong><a =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210219&=
amp;u=3Dlooparc@loopers-delight.com"=20
                       ><font face=3DArial>Sommerzeit ist Urlaubszeit =96 =
aber wer geht ans B=FCro-Telefon? Jetzt mit =80 =
25-Bonus!</font></a></strong></font></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210220&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong><font=20
                  face=3DArial>Erfolgreiches Marketing =96 Die zwei =
Schl=FCssel zu mehr Umsatz!
                  </font></strong></font></a></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210223&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong><font=20
                  face=3DArial>Zahnersatz ohne Zuzahlung =96 so =
geht=B4s!</font></strong></font></a></td>
                    </tr>
                    <tbody></tbody></table>
                  <p align=3D"center"><strong><a =
href=3D"http://oxford-business-news.com/redir.php?c=3D37203&amp;i=3D138652&=
amp;u=3Dlooparc@loopers-delight.com"=20
                 ></a><br>
                  </strong><br><br></font></p></td></tr></tbody></table>
            </div></td></tr>
        <tr>
          <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td></tr></tbody></table>
     =20
      <table cellSpacing=3D0 cellPadding=3D0 width=3D670 align=3Dcenter =
border=3D0>
        <tbody>
        <tr>
          <td vAlign=3Dcenter align=3Dmiddle width=3D650 =
bgColor=3D#bacad3><br>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D"93%" border=3D0>
              <tbody>
              <tr>
                <td>
                  <p align=3Dleft><font face=3DArial size=3D1>=A9 2008 =
Oxford Business=20
                  News, <a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210217&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank=20
                 >www.oxford-business-news.com</a><br>
                  Oxford=20
                  Business News ist eine Publikation der&nbsp;Eureka =
Consultancy=20
                  Ltd., 147-155 St John Street, London EC1V 4PY, United =
Kingdom=20
                  <br>Wenn Sie keine Newsletter mehr w=FCnschen,&nbsp;dann =
klicken=20
                  Sie <a=20
                  =
href=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;i=3D210218&=
amp;u=3Dlooparc@loopers-delight.com"=20
                  target=3D_blank>hier</a>.</font></p>
                  <p align=3Dleft><font face=3DArial size=3D1>Um die =
Zusendung des=20
                  Newsletters, insbesondere bei Freemail-Diensten wie =
GMX,=20
                  WEB.DE oder AOL zu garantieren, bitten wir Sie, unsere=20
                  Absender-Adresse news@oxfordbusinessnews.com in Ihr =
Adressbuch=20
                  aufzunehmen. Dazu markieren Sie bitte die E-Mail Adresse =
und=20
                  kopieren diese in Ihr Adressbuch. Herzlichen Dank! =
</font><img=20
                  height=3D2=20
                  =
src=3D"http://oxford-business-news.com/redir.php?c=3D56043&amp;u=3Dlooparc@=
loopers-delight.com"=20
                  width=3D1=20
      =
border=3D0></p></td></tr></tbody></table><br></td></tr></tbody></table></ce=
nter></td></tr></tbody></table>

</body>
</html>


From bcneyley@gmail.com  Tue May  5 10:29:11 2009
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Message-ID: <20090505051627.24953j5heaucvy0r@correoweb.elpoli.edu.co>
Date: Tue, 05 May 2009 05:16:27 -0500
From: "YOUSF MUSTAFA " <bcneyley@gmail.com>
Reply-to: mustafayf@live.com
To: undisclosed-recipients:;
Subject: Reminder
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MUSTAFA YOUSF LAW CHAMBERS
LEGAL SOLICITORS/PRIVATE
LAW 11 SRI MUDA KUALA
LUMPUR, MALAYSIA.
DIRECT LINE+ 60146211782

Attention:


YOUSF MUSTAFA Law Chambers in Kuala Lumpur Malaysia, My name is YOUSF =20
MUSTAFA., A personal Attorney to our late client Mr. TAN SRI LIM GOH =20
TONG who built a hilltop casino in Malaysia (Genting Highland), Mr. =20
TAN SRI LIM GOH TONG a well known Philanthropist, before he died, he =20
made a Will in our law firm stating that $3M (Three Million U.S. =20
dollars only) should be donated to any Philanthropist of our choice =20
out side Malaysia{Overseas.}

I am particularly interested in securing this money from the Bank, =20
because they have issued a notice instructing us to produce the =20
beneficiary of this Will,  within two weeks which happens to be you or =20
else the money will be credited to the Government treasury as per law =20
here.

It is my utmost desire to execute the Will of our late client. You are =20
required to contact me immediately to start the process of =20
transferring this money to any of your designated official account. I =20
urge you to contact me immediately for further details bearing in mind =20
that the Bank has given us a date limit. Please contact me urgently.


Regards
BARRISTER,
YOUSF MUSTAFA [Esq.]

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From Loopers-Delight-request@loopers-delight.com  Tue May  5 12:33:55 2009
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Raul Bonell wrote:
> the sequel to zeitgeist ...
> 
> http://www.zeitgeistmovie.com
> 

Is it serious?

Just started to watch for the first time just because
it appeared on LD.

Had to bail out when we got to "Sirius aligns itself to the stars in Orion's belt 
on Dec 24th, the day before 'Jesus's Birthday' ".


Oh well, let's see what else they have to say.

andy

From Loopers-Delight-request@loopers-delight.com  Tue May  5 13:34:25 2009
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References: <afb941d0905042145k27a17958m9135d108887d85a0@mail.gmail.com>
	 <4A0034C2.7000703@tiscali.co.uk>
Date: Tue, 5 May 2009 15:34:22 +0200
Message-ID: <afb941d0905050634j655e8eccs75014c17240254b4@mail.gmail.com>
Subject: Re: OT:zeitgeist:addendum
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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forget about the religion part of the first documentary and jump to
the second andy ... it's the one with the eye image. it's been quite
spread that in the first one, some data was *false*, but i think this
second edition leaves the "unexplainable" like mithology and goes
direct to the actual scene. sorry if it's not of your interest, andy,
my intention is far, far away from distracting one of our most beloved
helpers in LD. love you both! :-)

2009/5/5, andy butler <akbutler@tiscali.co.uk>:
>
>
> Raul Bonell wrote:
>> the sequel to zeitgeist ...
>>
>> http://www.zeitgeistmovie.com
>>
>
> Is it serious?
>
> Just started to watch for the first time just because
> it appeared on LD.
>
> Had to bail out when we got to "Sirius aligns itself to the stars in Orion's
> belt
> on Dec 24th, the day before 'Jesus's Birthday' ".
>
>
> Oh well, let's see what else they have to say.
>
> andy
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue May  5 14:51:19 2009
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cheers Raul,
actually, I found part 3 very interesting.
I'll catch The Addendum another day.

andy

Raul Bonell wrote:
> forget about the religion part of the first documentary and jump to
> the second andy ... day' ".
>>
>>
>> Oh well, let's see what else they have to say.
>>
>> andy
>>
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May  5 19:36:25 2009
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Date: Tue, 5 May 2009 19:36:23 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: OT:zeitgeist:addendum
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i think is worth watching all of it wether serious or not i find it very we=
ll done and far fetched!

www.myspace.com/luisangulocom


--- andy butler <akbutler@tiscali.co.uk> schrieb am Di, 5.5.2009:

> Von: andy butler <akbutler@tiscali.co.uk>
> Betreff: Re: OT:zeitgeist:addendum
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 5. Mai 2009, 5:44
> Raul Bonell wrote:
> > the sequel to zeitgeist ...
> >=20
> > http://www.zeitgeistmovie.com
> >=20
>=20
> Is it serious?
>=20
> Just started to watch for the first time just because
> it appeared on LD.
>=20
> Had to bail out when we got to "Sirius aligns itself
> to the stars in Orion's belt on Dec 24th, the day before
> 'Jesus's Birthday' ".
>=20
>=20
> Oh well, let's see what else they have to say.
>=20
> andy=0A=0A=0A      

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ups i meant and not so far fetched!

www.myspace.com/luisangulocom


--- L.Angulo <labaloops@yahoo.com> schrieb am Di, 5.5.2009:

> Von: L.Angulo <labaloops@yahoo.com>
> Betreff: Re: OT:zeitgeist:addendum
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 5. Mai 2009, 12:36
> i think is worth watching all of it wether serious or not i
> find it very well done and far fetched!
>=20
> www.myspace.com/luisangulocom
>=20
>=20
> --- andy butler <akbutler@tiscali.co.uk> schrieb am
> Di, 5.5.2009:
>=20
> > Von: andy butler <akbutler@tiscali.co.uk>
> > Betreff: Re: OT:zeitgeist:addendum
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Dienstag, 5. Mai 2009, 5:44
> > Raul Bonell wrote:
> > > the sequel to zeitgeist ...
> > >=20
> > > http://www.zeitgeistmovie.com
> > >=20
> >=20
> > Is it serious?
> >=20
> > Just started to watch for the first time just because
> > it appeared on LD.
> >=20
> > Had to bail out when we got to "Sirius aligns
> itself
> > to the stars in Orion's belt on Dec 24th, the day
> before
> > 'Jesus's Birthday' ".
> >=20
> >=20
> > Oh well, let's see what else they have to say.
> >=20
> > andy=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May  6 01:11:43 2009
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Date: Tue, 05 May 2009 18:11:46 -0700
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Subject: OT    Creativity and Education:    a thought provoking talk by Sir
 Ken Robinson at the TED CONFERENCE
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This is a humorous, entertaining and thought provoking short talk
on Creativity and the it's role in current global education systems
by Sir Ken Robinson, speaking at the TED conference on creativity.

http://www.ted.com/index.php/talks/ken_robinson_says_schools_kill_creativity.html 

From Loopers-Delight-request@loopers-delight.com  Wed May  6 02:48:20 2009
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--0-913007610-1241578098=:75210
Content-Type: text/plain; charset=utf-8
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Hi Rick,

This was very inspiring! Thanks for sharing.

Ricky

--- On Wed, 6/5/09, Rick Walker <looppool@cruzio.com> wrote:
From: Rick Walker <looppool@cruzio.com>
Subject: OT    Creativity and Education:    a thought provoking talk by Sir=
 Ken Robinson at the TED CONFERENCE
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Date: Wednesday, 6 May, 2009, 2:11 AM

This is a humorous, entertaining and thought provoking short talk
on Creativity and the it's role in current global education systems
by Sir Ken Robinson, speaking at the TED conference on creativity.

http://www.ted.com/index.php/talks/ken_robinson_says_schools_kill_creativit=
y.html


--0-913007610-1241578098=:75210
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi Rick,<br><br>This was very inspiring! Than=
ks for sharing.<br><br>Ricky<br><br>--- On <b>Wed, 6/5/09, Rick Walker <i>&=
lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote style=3D"border-le=
ft: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">From:=
 Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject: OT    Creativity and E=
ducation:    a thought provoking talk by Sir Ken Robinson at the TED CONFER=
ENCE<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-Delight@loopers-delight=
.com&gt;<br>Date: Wednesday, 6 May, 2009, 2:11 AM<br><br><pre>This is a hum=
orous, entertaining and thought provoking short talk<br>on Creativity and t=
he it's role in current global education systems<br>by Sir Ken Robinson, sp=
eaking at the TED conference on
 creativity.<br><br>http://www.ted.com/index.php/talks/ken_robinson_says_sc=
hools_kill_creativity.html<br><br></pre></blockquote></td></tr></table>
--0-913007610-1241578098=:75210--

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To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T and the Low String Ladies 119 Gallery, May 16
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks

I'm happy to announce this upcoming event with one new and two old 
musical friends.

Doctor T and the Low String Ladies at a wonderful gallery and 
performance space, 119 Gallery in Lowell, MA.


Doctor T  -- Video Mixing
Karen (Wisterax) Langlie  -- cello and electronics.
Glynis (Dragonwoman) Lomon -- cello and  voice.
with special guest
Noam Sender -- Percussion, Voice, Ney

Glynis and Karen have been two of my favorite collaborators over the 
last few years. Each is a stunning improvisational cellist, Karen 
coming from an electronica and sound art background, while Glynis 
plays what is often called "Energy Jazz", as befits her screen name 
DragonWoman. I've been eager to do a performance with the two of them 
together for quite some time.

I met Noam recently when he played with Chillgroove at a show I did 
at the Lilypad in early April. He is a sensitive and sonically 
imaginative player, and I decided that he would be an excellent 
addition to this ensemble. Noam Sender performs with a variety of 
ensembles in the Boston area.


8  PM  $10 donation

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.

http://www.119gallery.org/


119 Gallery,
119 Chelmsford St,
Lowell MA 01851
978-452-8138

Brief Bio Note:

Doctor T (Emile Tobenfeld) has been performing visual improvisations 
with live music since 1973. He has performed with musicians and bands 
including The Lothars, New Language Collaborative, Ras Moshe, Neil 
Leonard, Dennis Shafer, Todd Brunel, Dennis Warren, and many more. He 
has also worked with dancers, including Claire Barratt and Joe 
Burgio, and poet John Mulroooney. He performs frequently at venues 
such as 119 Gallery in Lowell,

His improvisations feature DVD's of his own video, photography and 
animation, which he mixes live in response to the sounds and actions 
of the performers he is working with. His visual material explores 
and blurs the boundary between realism and abstraction, and his 
"Visual Music" performances combine imagery and music into a unified 
immersive and evocative media experience.

Examples of his video art can be seen at http://www.youtube.com/Tobenfeld

-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Wed May  6 03:46:16 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <p0624080cc6269f7bb327@[192.168.1.2]>
Subject: Re: Doctor T and the Low String Ladies 119 Gallery, May 16
Date: Tue, 5 May 2009 23:46:15 -0400
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Wow, this post opens up a whole bunch of very interesting avenues of 
audio/visual experiences!
Thanks Dr T, I hope you are documenting this in some way! :)
an initial youtube visit:
http://www.youtube.com/watch?v=84P9gOH8ZNs

Jeff

----- Original Message ----- 
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
To: <DrTVideo@egroups.com>
Cc: <eyecandy@egroups.com>; <boss-improv@topica.com>; 
<iotacenter@egroups.com>; <Loopers-Delight@loopers-delight.com>; 
<atari-midi@yahoogroups.com>; <FRAMEWORKS@LISTSERV.AOL.COM>
Sent: Tuesday, May 05, 2009 10:21 PM
Subject: Doctor T and the Low String Ladies 119 Gallery, May 16


> Hi folks
>
> I'm happy to announce this upcoming event with one new and two old musical 
> friends.
>
> Doctor T and the Low String Ladies at a wonderful gallery and performance 
> space, 119 Gallery in Lowell, MA.
>
>
> Doctor T  -- Video Mixing
> Karen (Wisterax) Langlie  -- cello and electronics.
> Glynis (Dragonwoman) Lomon -- cello and  voice.
> with special guest
> Noam Sender -- Percussion, Voice, Ney
>
> Glynis and Karen have been two of my favorite collaborators over the last 
> few years. Each is a stunning improvisational cellist, Karen coming from 
> an electronica and sound art background, while Glynis plays what is often 
> called "Energy Jazz", as befits her screen name DragonWoman. I've been 
> eager to do a performance with the two of them together for quite some 
> time.
>
> I met Noam recently when he played with Chillgroove at a show I did at the 
> Lilypad in early April. He is a sensitive and sonically imaginative 
> player, and I decided that he would be an excellent addition to this 
> ensemble. Noam Sender performs with a variety of ensembles in the Boston 
> area.
>
>
> 8  PM  $10 donation
>
> Culinary note: There is an outstanding Cambodian restaurant next door to 
> the gallery.
>
> http://www.119gallery.org/
>
>
> 119 Gallery,
> 119 Chelmsford St,
> Lowell MA 01851
> 978-452-8138
>
> Brief Bio Note:
>
> Doctor T (Emile Tobenfeld) has been performing visual improvisations with 
> live music since 1973. He has performed with musicians and bands including 
> The Lothars, New Language Collaborative, Ras Moshe, Neil Leonard, Dennis 
> Shafer, Todd Brunel, Dennis Warren, and many more. He has also worked with 
> dancers, including Claire Barratt and Joe Burgio, and poet John 
> Mulroooney. He performs frequently at venues such as 119 Gallery in 
> Lowell,
>
> His improvisations feature DVD's of his own video, photography and 
> animation, which he mixes live in response to the sounds and actions of 
> the performers he is working with. His visual material explores and blurs 
> the boundary between realism and abstraction, and his "Visual Music" 
> performances combine imagery and music into a unified immersive and 
> evocative media experience.
>
> Examples of his video art can be seen at http://www.youtube.com/Tobenfeld
>
> -- 
> My photography can be viewed at 
> http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
>
> My videos can be viewed at
> http://www.youtube.com/Tobenfeld
>
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>
> " Practice makes perfect, imperfect is better."  -- Paul Bley
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed May  6 05:16:56 2009
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Subject: Re: Doctor T and the Low String Ladies 119 Gallery, May 16
Date: Wed, 6 May 2009 01:16:54 -0400
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Another from my youtube tour in response to this great post.
http://www.youtube.com/watch?v=BkXCj9sLiDs

Jeff

----- Original Message ----- 
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
To: <DrTVideo@egroups.com>
Cc: <eyecandy@egroups.com>; <boss-improv@topica.com>; 
<iotacenter@egroups.com>; <Loopers-Delight@loopers-delight.com>; 
<atari-midi@yahoogroups.com>; <FRAMEWORKS@LISTSERV.AOL.COM>
Sent: Tuesday, May 05, 2009 10:21 PM
Subject: Doctor T and the Low String Ladies 119 Gallery, May 16


> Hi folks
>
> I'm happy to announce this upcoming event with one new and two old musical 
> friends.
>
> Doctor T and the Low String Ladies at a wonderful gallery and performance 
> space, 119 Gallery in Lowell, MA.
>
>
> Doctor T  -- Video Mixing
> Karen (Wisterax) Langlie  -- cello and electronics.
> Glynis (Dragonwoman) Lomon -- cello and  voice.
> with special guest
> Noam Sender -- Percussion, Voice, Ney
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>
> " Practice makes perfect, imperfect is better."  -- Paul Bley
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed May  6 10:37:39 2009
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Subject: RE: OT:zeitgeist:addendum
Date: Wed, 6 May 2009 12:37:36 +0200
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it's also on Vimeo, with somewhat better quality
http://www.vimeo.com/1947393

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed May  6 11:08:14 2009
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excellent video, Zoe.
And Wired is also excellent!

best regards
Buzap
-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

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Subject: Re: video interview on how i do it, up at wired
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excellent video, Zoe!
Also great Wired got interested.

best regards
Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

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At one point, I dropped off the JI vs. ET discussion a few years ago.
But excellent info on the website, indeed!

Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Wed May  6 11:36:20 2009
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	 <005501c9ce36$ac8b83b0$14b2a8c0@mpeserver>
Date: Wed, 6 May 2009 13:36:19 +0200
Message-ID: <afb941d0905060436ra9b5f8chaf709c6f92efcc55@mail.gmail.com>
Subject: Re: OT:zeitgeist:addendum
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it's planned they made p2p or torrent versions in various languages
this june 2009, in spanish too. now there are versions in youtube done
by particulars ...

2009/5/6, Michael Peters <mp@mpeters.de>:
> it's also on Vimeo, with somewhat better quality
> http://www.vimeo.com/1947393
>
> -Michael
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed May  6 13:43:15 2009
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Subject: "MIDI looping" - Discrete Sequencing?
From: Per Boysen <perboysen@gmail.com>
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Hi,

I remember people having posted questions concerning "MIDI looping"
and I never really understood what that should be. But now I think I
have found out: it must be what also is knows as Discrete Sequencing!
I.e. when you create musical patterns by running different sequencers
for each aspect of the music. I just tried this with Numerology and
got hooked! :-))  Check out this live set I just recorded:

http://www.perboysen.com/Numerology2_20090506.mp3

I used three different "loops" to create
1) Pitch
2) Gate/Duration
3) Velocity

All three sequencers looping at different lengths, which gave a nice
organically evolving feel the the music. Gate/Duration created at a 4
16th note steps loop and Velocity at a 6 16th note steps loop. As for
Pitch I used 16 steps but then I had a second sequencer modulating
this sequencer at five two bar steps as well as an LFO randomizing the
16 pitch steps every two or three bar, something. This is all
happening in what Numerology calls "the CV domain", i.e. pure control
data. The final module is a "Note Generator Module" that creates MIDI
out of the CV streams so a soft synth can be driven. At the Note
Generator stage I'm also "quantizing pitch" into the key B major -
every note event taking on the pitch of the closest B major note.

If someone is interested in this, there is a good introduction (with
accurate references to Eric Tamm in "Robert Fripp : from King Crimson
to Guitar Craft" and gamelan) to read at
http://www.five12.com/t3.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed May  6 13:50:11 2009
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Date: Wed, 6 May 2009 22:50:06 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: Re: OT: 3rd May BULLET'S presents [SECOND BED] (Tokyo)
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Hi LD,

I did gig  and uploaded  my videos on Youtube below:

http://www.youtube.com/watch?v=Fni5Uci9ypA
http://www.youtube.com/watch?v=hPSFCCsNum4
http://www.youtube.com/watch?v=5HhRbgxm9O4
http://www.youtube.com/watch?v=KA4llFw1CMw


  Regards

  Sunao Inami
http://www.electr-ohm.com
http://www.myspace.com/sunao


At 3:37 PM +0900 09.4.27, Sunao Inami wrote:
>Hi LD,
>
>Sorry for off topic, this is my next gig information.
>
>
>  _  BULLET'S 10th ANNIVERSARY _
>
>5/3 (Sun) holiday
>BULLET'S presents [SECOND BED]
>
>20:00 - 5:00
>adv  2000 yen (1D)  / at the door 2500 yen (1D)
>
>@ BULLET'S  (Tokyo)
>106-0031
>1-7-11 B1F Nishiazabu,Minatoku,Tokyo
>+81(0)3-3401-4844
>info@bul-lets.com
>http://www.bul-lets.com
>
>- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 
>- - - - - - -
>
>* GUEST DJ >
>  Q'HEY [MOON AGE / REBOOT]
>
>* GUEST LIVE>
>AUTORA
><Akio Yamamoto [TANZMUZIK] a.k.a. Akio Milan Paak + Jun Takayama 
>a.k.a. speedometer.>
>
>SUNAO INAMI [electr-ohm]
>
>LIVE>
>KONNO+MOROTOMI
>Primula
>shalma-
>TAISHIN INOUE [orasp]
>
>DJ>
>CHIBA [n2]
>KIUCHI [n2]
>MAKI SHIMODA [SECOND LOBBY/WANDER3]
>RITE [ZERO-NINE/ROCK THE RHYTHM]
>UOK [viruses]
>HARRY [BULLET'S/SECOND LOBBY/SENDER LIPS]
>
>VJ> MASAKI WATANABE
>VIDEO> DEFEKTRO
>
>- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 
>- - - - - - -
>
>  Regards
>
>  Sunao Inami
>http://www.electr-ohm.com
>http://www.myspace.com/sunao

From Loopers-Delight-request@loopers-delight.com  Wed May  6 14:11:17 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Glitched looping
Date: Wed, 6 May 2009 16:11:15 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_02C9_01C9CE65.48090820
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi,
yesterday night I had a lot of fun dancing on my footcontroller to get =
variations of my loops.

I've just uploaded a short live looping impro here:
http://www.eterogeneo.com/podcast/Is_it_rain.mp3
It was made with Bidule, running Mobius my piano and =
glitch-delay-tremolo plugins

Fabio=20
www.eterogeneo.com
www.livelooping.it
www.myspace.com/eterogeneo
www.myspace.com/europeanliveloopingfest





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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi,</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>yesterday night I had a =
lot of fun=20
dancing on my footcontroller to get variations of my loops.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've just uploaded a =
short live=20
looping impro here:</FONT></DIV><FONT face=3D"Book Antiqua" =
color=3D#000080><A=20
href=3D"http://www.eterogeneo.com/podcast/Is_it_rain.mp3">http://www.eter=
ogeneo.com/podcast/Is_it_rain.mp3</A></FONT>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It was made with =
Bidule, running=20
Mobius my piano and glitch-delay-tremolo plugins</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR></FONT><FONT=20
face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.livelooping.it">www.livelooping.it</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.myspace.com/europeanliveloopingfest">www.myspace.com/e=
uropeanliveloopingfest</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><BR>&nbsp;</DIV></FONT>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_02C9_01C9CE65.48090820--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 14:19:13 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: "MIDI looping" - Discrete Sequencing?
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Per,

Nice track!  Inspiring -- makes me want to try a few things with my =20
sequencer, some cc event tracks, and my modular synth. :)

It does seem that looping tends to focus on capturing audio and, in =20
turn, replaying and manipulating the captured audio.  I've sometimes =20
wondered if to loop MIDI events (note and other) is outside of the =20
"aesthetic" of live looping -- I've never posed the question.  I've =20
just forged ahead with audio looping.

With some sequencing environments (such as Cubase), one cannot =20
separate the a note event from its corresponding velocity value -- a =20
definate disadvantage.  However, as you mention, one could loop =20
modulation data on a separate track and play it with another track =20
that contains the note data.

My (now vintage) Dr. T's software (KCS) had an interesting feature -- =20
it would convert mod wheel values to velocity values and imbed them in =20
the note messages (this was so you could address velocity-sensitive =20
equipment from a fixed-velocity keyboard).  (I must admit, I miss the =20
KCS environment.)

Anyway, I'm off on a tangent (again) so I'll just hit <send> before I =20
go completely off into some other area.

-- Kevin

Quoting Per Boysen <perboysen@gmail.com>:
>
> Hi,
>
> I remember people having posted questions concerning "MIDI looping"
> and I never really understood what that should be. But now I think I
> have found out: it must be what also is knows as Discrete Sequencing!
> I.e. when you create musical patterns by running different sequencers
> for each aspect of the music. I just tried this with Numerology and
> got hooked! :-))  Check out this live set I just recorded:
>
> http://www.perboysen.com/Numerology2_20090506.mp3
>
> I used three different "loops" to create
> 1) Pitch
> 2) Gate/Duration
> 3) Velocity
>
> All three sequencers looping at different lengths, which gave a nice
> organically evolving feel the the music. Gate/Duration created at a 4
> 16th note steps loop and Velocity at a 6 16th note steps loop. As for
> Pitch I used 16 steps but then I had a second sequencer modulating
> this sequencer at five two bar steps as well as an LFO randomizing the
> 16 pitch steps every two or three bar, something. This is all
> happening in what Numerology calls "the CV domain", i.e. pure control
> data. The final module is a "Note Generator Module" that creates MIDI
> out of the CV streams so a soft synth can be driven. At the Note
> Generator stage I'm also "quantizing pitch" into the key B major -
> every note event taking on the pitch of the closest B major note.
>
> If someone is interested in this, there is a good introduction (with
> accurate references to Eric Tamm in "Robert Fripp : from King Crimson
> to Guitar Craft" and gamelan) to read at
> http://www.five12.com/t3.html
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



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Date: Wed, 06 May 2009 09:20:55 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Glitched looping
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Fabio,

This is very nice.  From your description, I thought I'd hear music  
that sounded more "glitchy" -- however, your track has a gentleness  
about it -- kind of hypnotic.  And (of course) I like some of the  
"dark" harmonies (some diminshed chords, etc).

-- Kevin

Quoting eterogeneo <info@eterogeneo.com>:
>
> Hi,
> yesterday night I had a lot of fun dancing on my footcontroller to   
> get variations of my loops.
>
> I've just uploaded a short live looping impro here:
> http://www.eterogeneo.com/podcast/Is_it_rain.mp3
> It was made with Bidule, running Mobius my piano and   
> glitch-delay-tremolo plugins
>

From Loopers-Delight-request@loopers-delight.com  Wed May  6 14:23:57 2009
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From: Teddy Kumpel <teddybut@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <49FF2648.3060202@vtx.ch>
Subject: Re: The Bacterial Orchestra - "intelligent",
 "darwinistic" generative 	music iPhone appl
Date: Wed, 06 May 2009 10:23:36 -0400
References: <66f9cc1e0905040221y64d1f19bi70f0d2f4a74be975@mail.gmail.com>
 <901820.98066.qm@web87102.mail.ird.yahoo.com>
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true...

come to think of it, any reason for humans to get together and think  
something is fun... as long as it doesn't cause a murder

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always

--
>
> On May 4, 2009, at 1:30 PM, Claude Voit wrote:
>
>> after the sampler musician
>> the dj musician
>> the looper musician
>> the wii musician
>> the songsmith musician
>> lets welcome the Iphone musician
>> Ha	Ha	Ha
>>
>> nerds !!
>>
>> :)
>>
>> Claude
>



From Loopers-Delight-request@loopers-delight.com  Wed May  6 14:46:20 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: vocal synthesis and processing
Date: Wed, 6 May 2009 17:46:10 +0300
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This is a multi-part message in MIME format.

------=_NextPart_000_0052_01C9CE72.8AEECFF0
Content-Type: text/plain;
	charset="iso-8859-1"
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hey,

i have received a new commission for a new major thriller movie. i will =
be doing lots of sound processing, sound design, along with traditional =
composing. the name of the movie is "voice". and the main sound design =
will based on this recorded voice.

i was wondering which softwares and hardwares are especially good for =
vocal synthesis and processing. should i use the kyma system? or would =
metasynth, soundhack, csound, msp, audiomulch be enough?

thanks and best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
------=_NextPart_000_0052_01C9CE72.8AEECFF0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have received a new commission for a new major thriller movie. i =
will be=20
doing lots of sound processing, sound design, along with traditional =
composing.=20
the name of the movie is "voice". and the main sound design will based =
on this=20
recorded voice.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i was wondering which softwares and hardwares are especially good =
for vocal=20
synthesis and processing. should i use the kyma system? or would =
metasynth,=20
soundhack, csound, msp, audiomulch be enough?</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

------=_NextPart_000_0052_01C9CE72.8AEECFF0--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 14:52:40 2009
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Date: Wed, 06 May 2009 09:52:37 -0500
From: kkissinger@kevinkissinger.com
To: LoopersDelight <Loopers-Delight@loopers-delight.com>
Subject: Re: OT Creativity and Education: a thought provoking talk by Sir
	Ken Robinson at the TED CONFERENCE
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Near the end of the talk, his story about Gillian Lynne was =20
thought-provoking and moving.

"Some people have to move to think."  He suggests that some kids who =20
are naturally kinesthetic are dancers -- and they may be diagnosed now =20
as ADHD.

For those of us who are musicians some of his thoughts resonate. How =20
many of us have been told by well-meaning parents or others to do =20
something "practical" rather than to pursue music?

A bittersweet experience to listen to this.

-- Kevin

Quoting Richard Graham <rock.guitar.guru@btinternet.com>:
>
> Hi Rick,
>
> This was very inspiring! Thanks for sharing.
>
> Ricky
>
> --- On Wed, 6/5/09, Rick Walker <looppool@cruzio.com> wrote:
> From: Rick Walker <looppool@cruzio.com>
> Subject: OT    Creativity and Education:    a thought provoking talk =20
>  by Sir Ken Robinson at the TED CONFERENCE
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Date: Wednesday, 6 May, 2009, 2:11 AM
>
> This is a humorous, entertaining and thought provoking short talk
> on Creativity and the it's role in current global education systems
> by Sir Ken Robinson, speaking at the TED conference on creativity.
>
> http://www.ted.com/index.php/talks/ken_robinson_says_schools_kill_creativi=
ty.html
>
>



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Date: Wed, 6 May 2009 17:08:09 +0200
Message-ID: <66f9cc1e0905060808v241a1791sca9aa8eb7f249356@mail.gmail.com>
Subject: Re: vocal synthesis and processing
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 6, 2009 at 4:46 PM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:
> i was wondering which softwares and hardwares are especially good for vocal
> synthesis and processing. should i use the kyma system? or would metasynth,
> soundhack, csound, msp, audiomulch be enough?

I've been using Metasynth 4 for vocal processing and think it is
powerful enough. There is also the aspect of available time for
learning the tools. The less applications you use the better you will
get at using them and the faster you will become in trying out
different ideas of yours to find what works with your vision.
Metasynth is not yet fully compatible with Leopard, so over here I
keep an old G5 mac running Tiger for that purpose. Metasynth is not
real-time, meaning you bounce audio to disc and work on the sound file
in Metasynth. For this work-flow to be fast and creative you need a
good host application DAW where you compose, compile the sounding
parts and finalize the mix. I use Logic for that but Audiomuch should
work well, maybe better because you already know it so well. The trick
with Metasynth is to learn all of what you can do to sound in
Metasynth and in your host DAW - only that way you can work over the
non real-time gap. But that's not a biggie, cause composers have been
using pure imagination as their main tools for ages. In praxis it
comes down to how much time you have to mess around with the tools to
learn them and build up your "composer's vocabulary".

Since you bring up Apple boxes (Mettasynth) you have to also check out
the free AU plug-ins by composer Micheal NOrris:
http://www.michaelnorris.info/software.html
They are real-time, meaning you open them on a channel and run audio
through them. They can give the same type of "granular processing
sound" to voices as Metasynth.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 6 May 2009 17:13:28 +0200
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Subject: Re: Glitched looping
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 6, 2009 at 4:11 PM, eterogeneo <info@eterogeneo.com> wrote:
> I've just uploaded a short live looping impro here:
> http://www.eterogeneo.com/podcast/Is_it_rain.mp3

Very pleasant sounds!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 6 May 2009 08:08:07 -0700
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Subject: Re: OT Creativity and Education: a thought provoking talk by Sir Ken 
	Robinson at the TED CONFERENCE
From: Art Simon <simart@gmail.com>
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Thanks Rick,

I enjoyed it. I really did, so take the following reactions in context.

My first reaction (as an educator) is that _my_ class inspires
creativity, but not everybody is happy with that. I'm lucky to teach
computer programming where I can give kids open ended assignments that
allow kids to merge math, physics, music and art. (I'll put in a plug
here for how wonderful processing from processing.org is. Check out
openprocessing.org for some great examples.)

The expectation of creativity can be a very intimating, and not all
children are comfortable with that. Think about it, in the extreme,
creativity in an academic environment can be "do something cool, and I
want it by Friday." I'd imagine for most of us on this list, that's an
appealing challenge, but many kids want structure, anonymity, and feel
paralyzed by the pressure to perform.

Before I got a full time job I got to substitute in a variety of
classrooms.  I was shocked how easily some students could write
spontaneous poetry or get up and dance, and how incredibly difficult
it was for others. You couldn't replicate the same lesson in a
different classroom with different students.

My second reaction is that education is constrained by group dynamics.
It's hard in a group of 30 or so to give individual freedom, and yet
to provide support and security for every child.

I also teach algebra on occasion, and well frankly, there is less room
for creativity there. Obviously, there is creativity and elegance in
math, but there are also standardized tools and algorithms, and I'd do
a disservice to the majority of students if I didn't cover them.

I find the contention that I should teach students what they need to
succeed in 2065 preposterous. I can teach kids what I know, and I can
create an environment that encourages them to experiment. I can't
solve the problems of drug abuse, teen pregnancy, cultural and social
alienation, or proselytize kids to change their sexual orientation. I
have a powerful, yet limited, position, and I'm often frustrated with
people who view "education" as the solution to every perceived problem
that society faces.

Ultimately we need to make our way through life, and we'll get some
support from our family, friends, community and school, and other
things we'll have to figure out ourselves.

OK, phew, I feel better now.

And yet, I did think that was a great talk. Thanks! : )

On Tue, May 5, 2009 at 6:11 PM, Rick Walker <looppool@cruzio.com> wrote:
> This is a humorous, entertaining and thought provoking short talk
> on Creativity and the it's role in current global education systems
> by Sir Ken Robinson, speaking at the TED conference on creativity.
>
> http://www.ted.com/index.php/talks/ken_robinson_says_schools_kill_creativity.html
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: RE: Glitched looping
Date: Wed, 6 May 2009 17:20:55 +0200
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very nice Fabio, as always
 
-Michael


  _____  

From: eterogeneo [mailto:info@eterogeneo.com] 
Sent: Wednesday, May 06, 2009 4:11 PM
To: Loopers-Delight@loopers-delight.com
Subject: Glitched looping


Hi,
yesterday night I had a lot of fun dancing on my footcontroller to get
variations of my loops.
 
I've just uploaded a short live looping impro here:
http://www.eterogeneo.com/podcast/Is_it_rain.mp3 
It was made with Bidule, running Mobius my piano and glitch-delay-tremolo
plugins
 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.5700.7" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D218262015-06052009>very nice Fabio, as =
always</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D218262015-06052009></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D218262015-06052009>-Michael</SPAN></FONT></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> eterogeneo =
[mailto:info@eterogeneo.com]=20
  <BR><B>Sent:</B> Wednesday, May 06, 2009 4:11 PM<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Glitched=20
  looping<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi,</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>yesterday night I had =
a lot of=20
  fun dancing on my footcontroller to get variations of my =
loops.</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've just uploaded a =
short live=20
  looping impro here:</FONT></DIV><FONT face=3D"Book Antiqua" =
color=3D#000080><A=20
  =
href=3D"http://www.eterogeneo.com/podcast/Is_it_rain.mp3">http://www.eter=
ogeneo.com/podcast/Is_it_rain.mp3</A></FONT>=20

  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>It was made with =
Bidule, running=20
  Mobius my piano and glitch-delay-tremolo plugins</FONT></DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0097_01C9CE6F.03BBA290--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 15:28:01 2009
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> yesterday night I had a lot of fun dancing on my footcontroller to get
> variations of my loops.

Nice Fabio, sounds good and "glitchy" :)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


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Subject: Re: OT Creativity and Education: a thought provoking talk by Sir Ken 
	Robinson at the TED CONFERENCE
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> For those of us who are musicians some of his thoughts resonate. How  
> many of us have been told by well-meaning parents or others to do  
> something "practical" rather than to pursue music?

Yes, me. But it's the nature of parents to wish the best for their kids..=
.they don't like to take riscs. This limits the development of the creati=
ve skills at a young age unless you have a very strong personality.

On the other hand, musical institutions often use the "classical" approac=
h to learn you everything about music, but something like "improvisation"=
 is usually not on the menu. Maybe in jazz. 

I'm taking lessons at a music academy twice a week. Some guys in my class=
 know I'm making improv music but they don't understand how you do that, =
they think you're coming from outerspace. It's not possible to make/play =
music without taking instrument lessons first for 5 years. 

Imo education is too much driven by theory and technique. They forget the=
 creative part. That's why I'm thinking of doing some workshops about wha=
t I do...can't wait to see those eyes ;)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Wed, 6 May 2009 12:08:13 -0400
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someone should do a piece in tribute to the lord of the flies, and
have certain words echoing throughout:
"wizard!"
"sucks to your ass-mar" and more...

On Mon, May 4, 2009 at 5:28 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> any more heads on spikes and you'll be to bed with no tea, young man
>
> On Mon, May 4, 2009 at 10:24 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>
>> A voice of reason at last! I feel like one of the kids in Lord of the
>> Flies when the adults come back to the island.
>>
>> thanks,
>>
>> J ;>)
>



-- 
Jean-Paul De Roover
www.jeanpaulderoover.com

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Subject: Anyone looking for a jam man?
From: Todd Isler <todd.isler@verizon.net>
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If so, contact me...Todd
-- 
Todd Isler
360 Clinton Ave. Apt. 2K
Brooklyn, NY  11238
www.toddisler.com
www.myspace.com/toddisler
718 623-1490
917 769-6240


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How did you do this?

On Wed, May 6, 2009 at 10:27 AM, Sjaak <tcplugin@scarlet.be> wrote:

> > yesterday night I had a lot of fun dancing on my footcontroller to get
> > variations of my loops.
>
> Nice Fabio, sounds good and "glitchy" :)
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
> http://www.last.fm/music/Sjaak+Overgaauw
>
>
> __________________________________
> Scarlet schrapt download limiet!
> ADSL20 NO LIMIT voor =80 29,95.
> Ga naar www.scarlet.be voor meer info!
>
>

--0015174be87888c51a0469417628
Content-Type: text/html; charset=windows-1252
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How did you do this?<br><br><div class=3D"gmail_quote">On Wed, May 6, 2009 =
at 10:27 AM, Sjaak <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@scarlet=
.be">tcplugin@scarlet.be</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">&gt; yesterday night I had a lot of fun dancing on my foo=
tcontroller to get<br>
&gt; variations of my loops.<br>
<br>
</div>Nice Fabio, sounds good and &quot;glitchy&quot; :)<br>
<br>
---<br>
Sjaak<br>
<a href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.=
com/</a><br>
<a href=3D"http://sjaakovergaauw.com/" target=3D"_blank">http://sjaakoverga=
auw.com/</a><br>
<a href=3D"http://www.last.fm/music/Sjaak+Overgaauw" target=3D"_blank">http=
://www.last.fm/music/Sjaak+Overgaauw</a><br>
<br>
<br>
__________________________________<br>
Scarlet schrapt download limiet!<br>
ADSL20 NO LIMIT voor =80 29,95.<br>
Ga naar <a href=3D"http://www.scarlet.be" target=3D"_blank">www.scarlet.be<=
/a> voor meer info!<br>
<br>
</blockquote></div><br>

--0015174be87888c51a0469417628--

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	 <1c3a4db00905061009q61d397bbs7a60ff86a0ae20b@mail.gmail.com>
Date: Wed, 6 May 2009 12:10:23 -0500
Message-ID: <1c3a4db00905061010p3215a77ej69da5482b8e6eb5d@mail.gmail.com>
Subject: Re: Glitched looping
From: marcus <nrvana8775@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Nevermind, I should read the whole message. I got too excited/distracted by
the link, and stopped reading.

On Wed, May 6, 2009 at 12:09 PM, marcus <nrvana8775@gmail.com> wrote:

> How did you do this?
>
>
> On Wed, May 6, 2009 at 10:27 AM, Sjaak <tcplugin@scarlet.be> wrote:
>
>> > yesterday night I had a lot of fun dancing on my footcontroller to get
>> > variations of my loops.
>>
>> Nice Fabio, sounds good and "glitchy" :)
>>
>> ---
>> Sjaak
>> http://euroloopfest.com/
>> http://sjaakovergaauw.com/
>> http://www.last.fm/music/Sjaak+Overgaauw
>>
>>
>> __________________________________
>> Scarlet schrapt download limiet!
>> ADSL20 NO LIMIT voor =80 29,95.
>> Ga naar www.scarlet.be voor meer info!
>>
>>
>

--0015174c1aac9505b2046941785d
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Nevermind, I should read the whole message. I got too excited/distracted by=
 the link, and stopped reading.<br><br><div class=3D"gmail_quote">On Wed, M=
ay 6, 2009 at 12:09 PM, marcus <span dir=3D"ltr">&lt;<a href=3D"mailto:nrva=
na8775@gmail.com">nrvana8775@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">How did you do th=
is?<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On =
Wed, May 6, 2009 at 10:27 AM, Sjaak <span dir=3D"ltr">&lt;<a href=3D"mailto=
:tcplugin@scarlet.be" target=3D"_blank">tcplugin@scarlet.be</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>&gt; yesterday night I had a lot of fun dancing on my footcontroller t=
o get<br>
&gt; variations of my loops.<br>
<br>
</div>Nice Fabio, sounds good and &quot;glitchy&quot; :)<br>
<br>
---<br>
Sjaak<br>
<a href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.=
com/</a><br>
<a href=3D"http://sjaakovergaauw.com/" target=3D"_blank">http://sjaakoverga=
auw.com/</a><br>
<a href=3D"http://www.last.fm/music/Sjaak+Overgaauw" target=3D"_blank">http=
://www.last.fm/music/Sjaak+Overgaauw</a><br>
<br>
<br>
__________________________________<br>
Scarlet schrapt download limiet!<br>
ADSL20 NO LIMIT voor =80 29,95.<br>
Ga naar <a href=3D"http://www.scarlet.be" target=3D"_blank">www.scarlet.be<=
/a> voor meer info!<br>
<br>
</blockquote></div><br>
</div></div></blockquote></div><br>

--0015174c1aac9505b2046941785d--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 17:27:13 2009
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Date: Wed, 6 May 2009 13:27:11 -0400
Message-ID: <9e0440a60905061027l17216813vb0e99645b9de7d68@mail.gmail.com>
Subject: Launched CT ReUse on My Space
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001636c5a57bad2d40046941b4c8
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As several know I led a project on CT-Collective and recently released a
really cool body of work titled ReUse.  The CD, whose edict I set forth was
producing pieces of music from things commonly thrown away, documents the
work of 15 fine musicians who joined me from around the globe, several from
this community.  I just put up a promo page on My Space.  Presently the
first 10 trax of the CD's 16 are posted, in a few days I'll rotate out with
the others and then mix/match in the future.  I invite your comments and
'friending' at http://www.myspace.com/CTReUse.  ReUse is also purchasable on
Kunaki at the link below.

Cheers


Jim

-- 
ReUse, an introspective textural aural journey just released and on
sale!<http://kunaki.com/sales.asp?PID=PX00ZDFI6H>
...
www.myspace.com/CTReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a57bad2d40046941b4c8
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<div>As several know I led a project on CT-Collective and recently released=
 a really cool body of work titled ReUse.=A0 The CD, whose edict I set fort=
h was producing pieces of music from things commonly thrown away,=A0documen=
ts the work of 15 fine musicians who joined me=A0from around the globe, sev=
eral from this community.=A0 I just put up a promo page on My Space.=A0 Pre=
sently the first 10 trax of the CD&#39;s 16 are posted, in a few days I&#39=
;ll rotate out with the others and then mix/match in the future.=A0 I invit=
e your comments and &#39;friending&#39; at <a href=3D"http://www.myspace.co=
m/CTReUse">http://www.myspace.com/CTReUse</a>.=A0 ReUse is also purchasable=
 on Kunaki at the link below.</div>

<div>=A0</div>
<div>Cheers</div>
<div>=A0</div>
<div>=A0</div>
<div>Jim<br clear=3D"all"></div>
<div></div>
<div><br>-- <br>ReUse, an introspective textural aural journey <a href=3D"h=
ttp://kunaki.com/sales.asp?PID=3DPX00ZDFI6H">just released and on sale!</a>=
...<br><a href=3D"http://www.myspace.com/CTReUse">www.myspace.com/CTReUse</=
a></div>

<div><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.ji=
mgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.c=
hinapaintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmus=
ic">www.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br></div>

--001636c5a57bad2d40046941b4c8--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 18:07:49 2009
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	 <1c3a4db00905061010p3215a77ej69da5482b8e6eb5d@mail.gmail.com>
Date: Wed, 6 May 2009 20:07:48 +0200
Message-ID: <afb941d0905061107n65f2ea31jd98ef4fed8a90232@mail.gmail.com>
Subject: Re: Glitched looping
From: Raul Bonell <raul.bonell@gmail.com>
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really nice. but i miss michael's guitar :-) ha,ha   when?

2009/5/6, marcus <nrvana8775@gmail.com>:
> Nevermind, I should read the whole message. I got too excited/distracted =
by
> the link, and stopped reading.
>
> On Wed, May 6, 2009 at 12:09 PM, marcus <nrvana8775@gmail.com> wrote:
>
>> How did you do this?
>>
>>
>> On Wed, May 6, 2009 at 10:27 AM, Sjaak <tcplugin@scarlet.be> wrote:
>>
>>> > yesterday night I had a lot of fun dancing on my footcontroller to ge=
t
>>> > variations of my loops.
>>>
>>> Nice Fabio, sounds good and "glitchy" :)
>>>
>>> ---
>>> Sjaak
>>> http://euroloopfest.com/
>>> http://sjaakovergaauw.com/
>>> http://www.last.fm/music/Sjaak+Overgaauw
>>>
>>>
>>> __________________________________
>>> Scarlet schrapt download limiet!
>>> ADSL20 NO LIMIT voor =80 29,95.
>>> Ga naar www.scarlet.be voor meer info!
>>>
>>>
>>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: "MIDI looping" - Discrete Sequencing?
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Very nice... and this is why i love modular synths actually Per...
With modules, one does this kind of composing often by accident.
In my modular I have 3 analog sequencers. Now you would think that you would
use one sequncer to control the notes (Pitch CV) the lengths (gates) and the
velocity (VCA CV), but its often fun fun fun, to mix them up... a 16 note
sequence, triggered by a 9 note,  but with a 4 note velocity (or filter)
sequence can make long twisting and turning sequences.

Didnt quite get your LFO use, but try this its what i call a "square wave
lfo sequencer"

First... Is it possible to synch LFOs in numerology? OK, get 4 LFOs, and
synch them, then set then all to square wave and running a different speeds
in relation to the BPM... send then thru a quantiser (if you can do that,
think so from what you said) and to your synth... now alter the LEVELS of
the square waves (not the speed, they should be set at divisions of the
beat) for amazing "staircase" sequences...

(ps Per.. i made one in Fireworx too... heh heh... )

m

On Wed, May 6, 2009 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:

> Hi,
>
> I remember people having posted questions concerning "MIDI looping"
> and I never really understood what that should be. But now I think I
> have found out: it must be what also is knows as Discrete Sequencing!
> I.e. when you create musical patterns by running different sequencers
> for each aspect of the music. I just tried this with Numerology and
> got hooked! :-))  Check out this live set I just recorded:
>
> http://www.perboysen.com/Numerology2_20090506.mp3
>
> I used three different "loops" to create
> 1) Pitch
> 2) Gate/Duration
> 3) Velocity
>
> All three sequencers looping at different lengths, which gave a nice
> organically evolving feel the the music. Gate/Duration created at a 4
> 16th note steps loop and Velocity at a 6 16th note steps loop. As for
> Pitch I used 16 steps but then I had a second sequencer modulating
> this sequencer at five two bar steps as well as an LFO randomizing the
> 16 pitch steps every two or three bar, something. This is all
> happening in what Numerology calls "the CV domain", i.e. pure control
> data. The final module is a "Note Generator Module" that creates MIDI
> out of the CV streams so a soft synth can be driven. At the Note
> Generator stage I'm also "quantizing pitch" into the key B major -
> every note event taking on the pitch of the closest B major note.
>
> If someone is interested in this, there is a good introduction (with
> accurate references to Eric Tamm in "Robert Fripp : from King Crimson
> to Guitar Craft" and gamelan) to read at
> http://www.five12.com/t3.html
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c1422f71c7b046942e748
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Very nice... and this is why i love modular synths actually Per... <br>With=
 modules, one does this kind of composing often by accident. <br>In my modu=
lar I have 3 analog sequencers. Now you would think that you would use one =
sequncer to control the notes (Pitch CV) the lengths (gates) and the veloci=
ty (VCA CV), but its often fun fun fun, to mix them up... a 16 note sequenc=
e, triggered by a 9 note,=A0 but with a 4 note velocity (or filter) sequenc=
e can make long twisting and turning sequences.<br>

<br>Didnt quite get your LFO use, but try this its what i call a &quot;squa=
re wave lfo sequencer&quot; <br><br>First... Is it possible to synch LFOs i=
n numerology? OK, get 4 LFOs, and synch them, then set then all to square w=
ave and running a different speeds in relation to the BPM... send then thru=
 a quantiser (if you can do that, think so from what you said) and to your =
synth... now alter the LEVELS of the square waves (not the speed, they shou=
ld be set at divisions of the beat) for amazing &quot;staircase&quot; seque=
nces... <br>

<br>(ps Per.. i made one in Fireworx too... heh heh... )<br><br>m<br><br><d=
iv class=3D"gmail_quote">On Wed, May 6, 2009 at 3:43 PM, Per Boysen <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi,<br>
<br>
I remember people having posted questions concerning &quot;MIDI looping&quo=
t;<br>
and I never really understood what that should be. But now I think I<br>
have found out: it must be what also is knows as Discrete Sequencing!<br>
I.e. when you create musical patterns by running different sequencers<br>
for each aspect of the music. I just tried this with Numerology and<br>
got hooked! :-)) =A0Check out this live set I just recorded:<br>
<br>
<a href=3D"http://www.perboysen.com/Numerology2_20090506.mp3" target=3D"_bl=
ank">http://www.perboysen.com/Numerology2_20090506.mp3</a><br>
<br>
I used three different &quot;loops&quot; to create<br>
1) Pitch<br>
2) Gate/Duration<br>
3) Velocity<br>
<br>
All three sequencers looping at different lengths, which gave a nice<br>
organically evolving feel the the music. Gate/Duration created at a 4<br>
16th note steps loop and Velocity at a 6 16th note steps loop. As for<br>
Pitch I used 16 steps but then I had a second sequencer modulating<br>
this sequencer at five two bar steps as well as an LFO randomizing the<br>
16 pitch steps every two or three bar, something. This is all<br>
happening in what Numerology calls &quot;the CV domain&quot;, i.e. pure con=
trol<br>
data. The final module is a &quot;Note Generator Module&quot; that creates =
MIDI<br>
out of the CV streams so a soft synth can be driven. At the Note<br>
Generator stage I&#39;m also &quot;quantizing pitch&quot; into the key B ma=
jor -<br>
every note event taking on the pitch of the closest B major note.<br>
<br>
If someone is interested in this, there is a good introduction (with<br>
accurate references to Eric Tamm in &quot;Robert Fripp : from King Crimson<=
br>
to Guitar Craft&quot; and gamelan) to read at<br>
<a href=3D"http://www.five12.com/t3.html" target=3D"_blank">http://www.five=
12.com/t3.html</a><br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c1422f71c7b046942e748--

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	 <9ab0c76f0905061152h224f4d4cre79c55b330ab77a2@mail.gmail.com>
Date: Wed, 6 May 2009 21:28:13 +0200
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Subject: Re: "MIDI looping" - Discrete Sequencing?
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On Wed, May 6, 2009 at 8:52 PM, mark francombe <mark@markfrancombe.com> wrote:
> Didnt quite get your LFO use, but try this its what i call a "square wave
> lfo sequencer"
>
> First... Is it possible to synch LFOs in numerology? OK, get 4 LFOs, and
> synch them, then set then all to square wave and running a different speeds
> in relation to the BPM... send then thru a quantiser (if you can do that,
> think so from what you said) and to your synth... now alter the LEVELS of
> the square waves (not the speed, they should be set at divisions of the
> beat) for amazing "staircase" sequences...

Exciting hint! I'll try that one! :-) Yes, everything can be synced,
even LFOs. Numerology actually is a software recreation - and
improvement - of the Pre MIDI Era analogue modular sequencing systems.
I think that as well as using a square wave LFO you might just use a
sequencer module in Num. Since it is all plain data until you make
MIDI of it in order to drive a synth, anything can modulate
anything... it comes closer to mathematics or information architecture
- but in praxis it is just magic. You feel the textures that are too
complex to hear with your analytic mind, and with the MIDI buttons and
faders you can work those textures as you throw out gestures for
diretions. I use the little Faderfox Micromodul hand mixer to play the
sequencers, change step numbers, shift chords into arpeggiators etc
etc. I sold all my hardware synths, except for an Oberheim, and I'm
all happy with the synths in Logic and Mainstage today. They have a
global setting for microtonality and leave enough space for a latte
beside the laptop and faderfox in the sofa.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: OT Creativity and Education: a thought provoking talk by Sir Ken Robinson at the TED CONFERENCE
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i will have to watch that tonight when i'm home.

here's a story about creativity we talked about in grad school, when i was getting my MFA in painting:

our chairperson (who wasn't well liked by most) said that when you are in kindergarten, you're encouraged to go whacky w/ the finger paints, etc (which i always hated)...but somewhere down the line in elementary school he said that if a kid painted a picture and the sky was red, someone would probably say that is wrong, b/c the sky is not red, it is blue.
and how that would affect the kid for the future.
at some point, someone will throw in conventions that can stifle the individual.
the real question we debated much is: how much freedom (in the arts) do you really have?

it's also sort of like explaining picasso's mature work to the layman. if you showed picasso's academic paintings to most, they look quite naturalistic (and he was an amazing painter at the age of 13), but then when you look at his exploration of abstraction that consumed the last 70 some years of his life, most will say: i don't get it or it's ugly or i can do that, etc. i usually explained that for someone like him, he could do naturalistic stuff so early & he was good, but he then explored the possibility of unknowns and creativity for the rest of his life (essentially he was experimenting w/ form).

as for music, i'm not as informed, but my only response is the countless interviews i've read about musicians doing some technique or using some gear in a strange way, and someone tells them that is wrong or improper. but they do it anyway, or the cliche, they break the rules....
in my experience from teaching the visual arts: teaching creativity is hard. generally you have to teach some foundation, that provides the basis for exploring (in the future for students hopefully). generally young learners can't explore too much if they aren't grounded in some sense of the history of what they are exploring...
my feeble 2 cents...
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i will have to watch that tonight when i'm home.<br><br>here's a story about creativity we talked about in grad school, when i was getting my MFA in painting:<br><br>our chairperson (who wasn't well liked by most) said that when you are in kindergarten, you're encouraged to go whacky w/ the finger paints, etc (which i always hated)...but somewhere down the line in elementary school he said that if a kid painted a picture and the sky was red, someone would probably say that is wrong, b/c the sky is not red, it is blue.<br>and how that would affect the kid for the future.<br>at some point, someone will throw in conventions that can stifle the individual.<br>the real question we debated much is: how much freedom (in the arts) do you really have?<br><br>it's also sort of like explaining picasso's mature work to the layman. if you showed picasso's academic paintings
 to most, they look quite naturalistic (and he was an amazing painter at the age of 13), but then when you look at his exploration of abstraction that consumed the last 70 some years of his life, most will say: i don't get it or it's ugly or i can do that, etc. i usually explained that for someone like him, he could do naturalistic stuff so early &amp; he was good, but he then explored the possibility of unknowns and creativity for the rest of his life (essentially he was experimenting w/ form).<br><br>as for music, i'm not as informed, but my only response is the countless interviews i've read about musicians doing some technique or using some gear in a strange way, and someone tells them that is wrong or improper. but they do it anyway, or the cliche, they break the rules....<br>in my experience from teaching the visual arts: teaching creativity is hard. generally you have to teach some foundation, that provides the basis for exploring (in the future
 for students hopefully). generally young learners can't explore too much if they aren't grounded in some sense of the history of what they are exploring...<br>my feeble 2 cents...<br>s---<br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1241639248_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1241639248_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br></td></tr></table><br>

      
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> really nice. but i miss michael's guitar :-) ha,ha   when?


you're so right


-michael

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From: "Buzap Buzap" <buzap@gmx.net>
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Hi Folks

while sending normal MIDI notes in Ableton Live scenes is easy. I was wondering: How do you send midi CC commands?

The idea is to trigger a loop in Ableton AND at the same time switch effect on effect pedal.

best regards

Buzap
-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

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Yep ! This is what that piece misses !


Il giorno 06/mag/09, alle ore 21:53, "Michael Peters" <mp@mpeters.de>  
ha scritto:

>> really nice. but i miss michael's guitar :-) ha,ha   when?
>
>
> you're so right
>
>
> -michael
>
>

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Subject: WOT: Starbucks Internet cell
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This may be common knowledge and don't know if it's nat'l/int'l but I was in
NY based Starbucks a bit ago where I'd normally found a couple of free
wireless cells for Internet.  Today they weren't up but I hit the ATTWIFI
and got the ATTWIFI/SB portal page.  I guessed at a 'guest' account and put
in starbucks and starbucks in both fields and got on.

Passing along should you be in SB and need Internet

Jim

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b6800e7d850469459e61
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<div>This may be common knowledge and don&#39;t know if it&#39;s nat&#39;l/=
int&#39;l but I was in NY based Starbucks a bit ago where I&#39;d normally =
found a couple of free wireless cells for Internet.=A0 Today they weren&#39=
;t up but I hit the ATTWIFI and got the ATTWIFI/SB portal page.=A0 I guesse=
d at a &#39;guest&#39; account and put in starbucks and starbucks in both f=
ields and got on.</div>

<div>=A0</div>
<div>Passing along should you be in SB and need Internet</div>
<div>=A0</div>
<div>Jim<br clear=3D"all"></div>
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b6800e7d850469459e61--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 22:09:02 2009
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Hi Erdem

in terms of vocal processing, I was very much impressed with Melodyne: http://www.celemony.com/ Beyond simple auto-pitch-tuning, it is the most musical software tool I have used so far. It gives you great possibilities for manipulating vocals/vocal parts in terms of pitch and time.
It's not a full bells-and-whistles effect box, but very musical and very useful for manipulating vocals in interesting ways.

best regards
Buzap


-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

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Subject: Re: Ableton: Send Midi CC in Loops?
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Hey Buzap,

You should see a box in the upper right part of the screen that says =20
'Midi' . When you click on that you should see most of the components =20=

in Ableton turn blue and the midi mappings window pops out on the =20
left. All you do is click a component(in your case the power button in =20=

the upper left hand of an ableton effect) and then send your midi cc =20
(press, for example, a pedal on your FCB1010 that sends CC#85) That =20
component in live will now be automatically mapped to whatever midi CC =20=

you sent.

Todd
On May 6, 2009, at 5:59 PM, Buzap Buzap wrote:

> Hi Folks
>
> while sending normal MIDI notes in Ableton Live scenes is easy. I =20
> was wondering: How do you send midi CC commands?
>
> The idea is to trigger a loop in Ableton AND at the same time switch =20=

> effect on effect pedal.
>
> best regards
>
> Buzap
> --=20
> Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt? Der kann`s mit =20=

> allen: http://www.gmx.net/de/go/multimessenger01
>

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Hi All,
I've just finished a new EP that I'd love some feedback on.

About 6 months ago as I took my first tentative steps into the world of
looping and EDPs, you guys absolutely saved me from a chasm of confusion! I
really can't thank you all enough, it simply would have been impossible to
create this music without your help. Particularly I'd like to thank Andy at
SE for repairing my first EDP, and Kim and Mathias for their swift and
useful advice, and everybody else who put up with me whining about 'the
broken glass' noise and/or 'how do you make logic and an EP do "insert
stupid question here"!

All feedback good or bad would be wonderful, thanks again.

http://soundcloud.com/tenmen/sets/tenmen

Daniel

--001636c596ea0feb37046945f0e6
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Hi All,<div><br></div><div>I&#39;ve just finished a new EP that I&#39;d lov=
e some feedback on.</div><div><br></div><div>About 6 months ago as I took m=
y first tentative steps into the world of looping and EDPs, you guys absolu=
tely saved me from a chasm of confusion! I really can&#39;t thank you all e=
nough, it simply would have been impossible to create this music without yo=
ur help. Particularly I&#39;d like to thank Andy at SE for repairing my fir=
st EDP, and Kim and Mathias for their swift and useful advice, and everybod=
y else who put up with me whining about &#39;the broken glass&#39; noise an=
d/or &#39;how do you make logic and an EP do &quot;insert stupid question h=
ere&quot;!</div>

<div><br></div><div>All feedback good or bad would be wonderful, thanks aga=
in.</div><div><br></div><div><a href=3D"http://soundcloud.com/tenmen/sets/t=
enmen">http://soundcloud.com/tenmen/sets/tenmen</a></div><div><br></div>
<div>
Daniel</div>

--001636c596ea0feb37046945f0e6--

From Loopers-Delight-request@loopers-delight.com  Wed May  6 23:55:58 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Finished EP!
Cc: Daniel Hegarty <danielphegarty@googlemail.com>
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Daniel,

I've only listened to 3 tracks so far . . . but I must say this is some of =
the best original Avant-Pop loop music to come down the pipe from a fellow =
LD list member yet.

Sort of gives RADIOHEAD a good run for their money (and I'm a big fan of th=
em too).

I'd buy the CD right now if there was one available.

Yep, track 4 has now started and I'm still listening . . . great stuff.

Really impressive.

Best regards,

tEd =C2=AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902)

---- Daniel Hegarty <danielphegarty@googlemail.com> wrote:=20
> Hi All,
> I've just finished a new EP that I'd love some feedback on.
>=20
> About 6 months ago as I took my first tentative steps into the world of
> looping and EDPs, you guys absolutely saved me from a chasm of confusion!=
 I
> really can't thank you all enough, it simply would have been impossible t=
o
> create this music without your help. Particularly I'd like to thank Andy =
at
> SE for repairing my first EDP, and Kim and Mathias for their swift and
> useful advice, and everybody else who put up with me whining about 'the
> broken glass' noise and/or 'how do you make logic and an EP do "insert
> stupid question here"!
>=20
> All feedback good or bad would be wonderful, thanks again.
>=20
> http://soundcloud.com/tenmen/sets/tenmen
>=20
> Daniel

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	 <20090506220857.83430@gmx.net>
Date: Thu, 7 May 2009 03:03:33 +0200
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Subject: Re: vocal synthesis and processing
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thanks for the link per!

2009/5/7, Buzap Buzap <buzap@gmx.net>:
> Hi Erdem
>
> in terms of vocal processing, I was very much impressed with Melodyne:
> http://www.celemony.com/ Beyond simple auto-pitch-tuning, it is the most
> musical software tool I have used so far. It gives you great possibilitie=
s
> for manipulating vocals/vocal parts in terms of pitch and time.
> It's not a full bells-and-whistles effect box, but very musical and very
> useful for manipulating vocals in interesting ways.
>
> best regards
> Buzap
>
>
> --
> Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschl=
uss
> f=FCr nur 17,95 Euro/mtl.!*
> http://dslspecial.gmx.de/freedsl-surfflat/?ac=3DOM.AD.PD003K11308T4569a
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: Finished EP!
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Really good, Daniel. I enjoyed the tracks too. Some really nice licks in th=
ere. I would love to hear this live!

Ricky


--- On Wed, 6/5/09, Daniel Hegarty <danielphegarty@googlemail.com> wrote:
From: Daniel Hegarty <danielphegarty@googlemail.com>
Subject: Finished EP!
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, 6 May, 2009, 11:29 PM

Hi All,
I've just finished a new EP that I'd love some feedback on.
About 6 months ago as I took my first tentative steps into the world of loo=
ping and EDPs, you guys absolutely saved me from a chasm of confusion! I re=
ally can't thank you all enough, it simply would have been impossible to cr=
eate this music without your help. Particularly I'd like to thank Andy at S=
E for repairing my first EDP, and Kim and Mathias for their swift and usefu=
l advice, and everybody else who put up with me whining about 'the broken g=
lass' noise and/or 'how do you make logic and an EP do "insert stupid quest=
ion here"!


All feedback good or bad would be wonderful, thanks again.
http://soundcloud.com/tenmen/sets/tenmen


Daniel

--0-390371000-1241661019=:69401
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Really good, Daniel. I enjoyed the tracks too=
. Some really nice licks in there. I would love to hear this live!<br><br>R=
icky<br><br><br>--- On <b>Wed, 6/5/09, Daniel Hegarty <i>&lt;danielphegarty=
@googlemail.com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px=
 solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">From: Daniel=
 Hegarty &lt;danielphegarty@googlemail.com&gt;<br>Subject: Finished EP!<br>=
To: Loopers-Delight@loopers-delight.com<br>Date: Wednesday, 6 May, 2009, 11=
:29 PM<br><br><div id=3D"yiv2087572176">Hi All,<div><br></div><div>I've jus=
t finished a new EP that I'd love some feedback on.</div><div><br></div><di=
v>About 6 months ago as I took my first tentative steps into the world of l=
ooping and EDPs, you guys absolutely saved me from a chasm of confusion! I =
really can't thank you all enough, it simply would have been impossible to =
create
 this music without your help. Particularly I'd like to thank Andy at SE fo=
r repairing my first EDP, and Kim and Mathias for their swift and useful ad=
vice, and everybody else who put up with me whining about 'the broken glass=
' noise and/or 'how do you make logic and an EP do "insert stupid question =
here"!</div>

<div><br></div><div>All feedback good or bad would be wonderful, thanks aga=
in.</div><div><br></div><div><a rel=3D"nofollow" target=3D"_blank" href=3D"=
http://soundcloud.com/tenmen/sets/tenmen">http://soundcloud.com/tenmen/sets=
/tenmen</a></div><div><br></div>
<div>
Daniel</div>
</div></blockquote></td></tr></table>
--0-390371000-1241661019=:69401--

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really good stuff there Daniel, thanks for that.

Jeff
  ----- Original Message -----=20
  From: Daniel Hegarty=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 06, 2009 6:29 PM
  Subject: Finished EP!


  Hi All,


  I've just finished a new EP that I'd love some feedback on.


  About 6 months ago as I took my first tentative steps into the world =
of looping and EDPs, you guys absolutely saved me from a chasm of =
confusion! I really can't thank you all enough, it simply would have =
been impossible to create this music without your help. Particularly I'd =
like to thank Andy at SE for repairing my first EDP, and Kim and Mathias =
for their swift and useful advice, and everybody else who put up with me =
whining about 'the broken glass' noise and/or 'how do you make logic and =
an EP do "insert stupid question here"!


  All feedback good or bad would be wonderful, thanks again.


  http://soundcloud.com/tenmen/sets/tenmen


  Daniel
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<DIV><FONT face=3DArial size=3D2>really good stuff there Daniel, thanks =
for=20
that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddanielphegarty@googlemail.com=20
  href=3D"mailto:danielphegarty@googlemail.com">Daniel Hegarty</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 06, 2009 =
6:29=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Finished EP!</DIV>
  <DIV><BR></DIV>Hi All,
  <DIV><BR></DIV>
  <DIV>I've just finished a new EP that I'd love some feedback on.</DIV>
  <DIV><BR></DIV>
  <DIV>About 6 months ago as I took my first tentative steps into the =
world of=20
  looping and EDPs, you guys absolutely saved me from a chasm of =
confusion! I=20
  really can't thank you all enough, it simply would have been =
impossible to=20
  create this music without your help. Particularly I'd like to thank =
Andy at SE=20
  for repairing my first EDP, and Kim and Mathias for their swift and =
useful=20
  advice, and everybody else who put up with me whining about 'the =
broken glass'=20
  noise and/or 'how do you make logic and an EP do "insert stupid =
question=20
  here"!</DIV>
  <DIV><BR></DIV>
  <DIV>All feedback good or bad would be wonderful, thanks again.</DIV>
  <DIV><BR></DIV>
  <DIV><A=20
  =
href=3D"http://soundcloud.com/tenmen/sets/tenmen">http://soundcloud.com/t=
enmen/sets/tenmen</A></DIV>
  <DIV><BR></DIV>
  <DIV>Daniel</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_003B_01C9CE98.55252BA0--

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Date: Wed, 6 May 2009 20:44:45 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: creativity & education
To: Loopers-Delight@loopers-delight.com
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--0-253084690-1241667885=:54019
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just watched the bit of sir ted talking about creativity and education. pre=
tty much a brilliant little talk. and funny.
i thought he hit all the right points, talking about our education system.=
=20
thanks for posting that whoever did. i learned something tonight.






=A0
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=3D235503632389016121
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
=0A=0A=0A      
--0-253084690-1241667885=:54019
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><H1 id=3Dmessage_view_subject><FONT size=3D4>=
just watched the bit of sir ted talking about creativity and education. pre=
tty much a brilliant little talk. and funny.</FONT></H1>
<DIV>i thought he hit all the right points, talking about our education sys=
tem. </DIV>
<DIV>thanks for posting that whoever did. i learned something tonight.</DIV=
>
<DIV style=3D"PADDING-RIGHT: 5px; PADDING-LEFT: 5px; PADDING-BOTTOM: 5px; P=
ADDING-TOP: 5px">
<DIV id=3Dyiv838044434>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>&nbsp;</DIV>
<DIV>s---<BR>www.myspace.com/scotthansen<BR><A href=3D"http://video.google.=
com/videoplay?docid=3D235503632389016121" target=3D_blank rel=3Dnofollow><S=
PAN class=3Dyshortcuts id=3Dlw_1241639248_0>http://video.google.com/videopl=
ay?docid=3D235503632389016121</SPAN></A><BR><A href=3D"http://video.google.=
com/videoplay?docid=3D5791548553161416906&amp;hl=3Den" target=3D_blank rel=
=3Dnofollow><SPAN class=3Dyshortcuts id=3Dlw_1241639248_1>http://video.goog=
le.com/videoplay?docid=3D5791548553161416906&amp;hl=3Den</SPAN></A><BR></DI=
V></TD></TR></TBODY></TABLE></DIV></DIV></td></tr></table><br>=0A=0A      
--0-253084690-1241667885=:54019--

From Loopers-Delight-request@loopers-delight.com  Thu May  7 04:22:28 2009
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Date: Wed, 6 May 2009 21:22:25 -0700
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Subject: Re: Finished EP!
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Yep . . . totally diggin' this!
-- 
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Thu May  7 05:53:40 2009
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Subject: Re: vocal synthesis and processing 
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Dear Erdem,

  I second Buzaps glowing review of Melodyne.
You can do really interesting things with that program
and they even give you the ability to extract some 'fixed frequencies' from
manipulated tracks and pitch them separately from the pitch content of 
the vocals
(this works fantastically on percussion by the way..............creating 
naturalistic
percussion tracks that feel, nonetheless, that they are from some ethnic 
culture from
another planet:    alien , yet organic.............one of my favorite 
qualities of new sound design.

Additionally,  here are several thoughts I've had about vocal use and 
vocal manipulation:


1) Take a look at the old stalwart,   ReCycle,  which was the program 
that caused the revolution
in Drum and Bass.............designed to slice up drum tracks and then 
send each 'slice' to
a sampler in a numbered and ordered set of samples that can then be 
retriggered in a midi program.
You can also set your own slice points manually in such a program.

Sometimes it is really cool to just take the very beginnings and endings 
of words,  cut them up and separate them
from the words they came from and put them in in unusual places during 
and over the track.

2) A lot of breath noises,  ticks,  inhalations,  lip smacks, etc. can 
be fascinating spices for an unusual vocal track
used as rhythmic elements outside of their normal context.

3) Tuareg is a wonderful standalone app for the PC that does very hip 
slicing and dicing of vocal tracks.
Buy the $35 version and be glad you did.   You'll thank me for this one!

4)  Our very own Matthias Grob and Andy Butlers'  ChoPitch is a 
fantastic manipulator of vocal tracks.
I can't more highly recommend it.

5) You might reference the all acapella vocal CD I put out called Faux Voix.
_*
http://www.looppool.info/fauxvoix.html*_

The whole record is just an experimental exploration of vocals and 
computer generated vocals.
I also really worked hard for almost two years to develop a whole new 
series of
'extended'  vocal techniques,  many of which I used on that record.

6)  Heres' a vocal slice experiment from that recording:
_*
http://www.looppool.info/Chris_Slice_Funk.mp3*_

By saying this,  I'm saying,    use your own voice and see what odd 
things it can do.
If you get over the weird feelings and the strange looks you get by 
making unusual sounds,  there are
hundreds of interesting sounds that can be made with the human voice and 
most people
don't do it because it is too 'strange' for normal society.

The beauty of all of these experiments is that all of these sounds are 
made with the vocal chords, the uvula, the lips, the teeth,
the tongue and all the combed frequencies that one can achieve with 
these sounds because our throat is , essentially,  a pipe.

6) I experimented with uvulal singing, overtone singing, noise 
manipulation, hum whistling, whistle humming (there is a difference,  lol),
trill singing, chest beaten harmonic manipulation, piccolo trumpet 
noises,  kissing (which as Jeff Kaiser hipped me to, is high velocity
inhalation,  the opposite of how a trumpet is played), warble singings,  
physical object manipulation of voice (singing in and through things
that effect the sound), growling,  humming,  trilling,  etc.

 Here's an example of a live thing I did in concert from the
Festival of Voice and Electronics utilizing some of those techniques.
Everything you hear was made live in concert using only my voice.
_*
http://www.looppool.info/Faux_Voix_Composite.mp3

*_
7) There are VST instruments out there that mimic the vocal formant 
frequencies of the human voice so that if you put
other melodic material through it, it sounds LIKE a voice.

8) Vocoders also have this voice-esque  quality on anything.

Try   Vocoding a different vocal..........in other words,  use the voice 
to vocode a sample of a voice.
You can get really cool results from trying to sing to lyrics in the 
exact same rhythm, but sing them with
radically different styles or in different ranges.............then 
vocode one with the other.

9) Then there is the processing of the 
voice...............................I won't even go there........this 
post would go on forever.

10) Our own Cara Quinn hipped me to software that 'reads'   websites to 
blind people.
I did a couple pieces using that software.   She and I used to exchange 
vocal generated compositions.
One piece of software gave one the ability to download different voices 
from different cultures
(the Brazillians pronounce Rs like Hs  while the English pronounce Rs 
like,   well,  Rs)
Many different cultures have radically different consonant sounds
and different phonemic combinations vowel sounds.

As an example,  in Korean,  there appears some syntactical rule that 
says , when you end a word with a long held out vowel sound
that the pitch will pend down at the end of the word.

Vowels representing combed filtered sine waves and Consonants 
representing various percussive and noise sounds,
I typed hundreds of vowel combinations to try and extract simple 
melodies from them.
I snipped anything that sounded melodic (like when you ask a question in 
English,  the pitch goes up at the end of the question so it
represents a simple melody, pitchwise)   and put them in a folder.

Later I went back and put many of them together to compose my melodies.
Here's an example of that experiment:

_*http://www.looppool.info/Sweeping_Mary.mp3

*_11)  Also reference  Michiko Kawagoe's brilliant work with an invented 
computer vocal languages



Okee dokee,   ..............these are the thoughts I've been having and 
wanting to write to you since I read your
question to the group.

be well, and good luck with the project..........congratulations!

yours,   Rick

From Loopers-Delight-request@loopers-delight.com  Thu May  7 06:07:05 2009
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Subject: Michael Norris's amazing website   was    'vocal synthesis and processing
 '
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Per Boysen recommended this page
for a suite of AU plugins for manipulating voice.

_*http://www.michaelnorris.info/soundmagicspectral/index.html*_

I was blown away to find this resource.
It's an amazing collection,  but further on down the page I discovered
even more amazing stuff:

This guy has made javascript programs to locate 800 world music modes;

_*http://www.michaelnorris.info/modes.html*_


javascript programs to find frequencies of the Harmonic series in 
different scales

_*http://www.michaelnorris.info/harmcalc.html

*_
javascript programs to convert frequency to pitch and vice versa.

_*http://www.michaelnorris.info/freqtonote.html*_

and much more.

This is a gold mine website of knowledge.

This is my favorite find on the web in ages.

Thanks so much to Per for recommending it and
incredible thanks to Michael Morris for his genius
and also his generosity in sharing these amazing tools with the world 
for free.

From Loopers-Delight-request@loopers-delight.com  Thu May  7 06:33:04 2009
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Date: Thu, 7 May 2009 08:33:03 +0200
Message-ID: <66f9cc1e0905062333u7503c708t95c9cab97c8e7ca1@mail.gmail.com>
Subject: Re: Ableton: Send Midi CC in Loops?
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 6, 2009 at 11:59 PM, Buzap Buzap <buzap@gmx.net> wrote:
> while sending normal MIDI notes in Ableton Live scenes is easy. I was wondering: How do you send midi CC commands?

I guess you want to make the launching of a scene send out a MIDI CC
event? The way to do it is to create a new MIDI clip as part of the
scene and fill that clip with the CC you want sent out. As for the
target, where to send it, you have to set that up by normal signal
routing in Live (drop-down menu in the channel strips "Output" box.)

> The idea is to trigger a loop in Ableton AND at the same time switch effect on effect pedal.

Depending on what you mean you need either an effect pedal that can be
switch on upon receiving the MIDI CC sent our from Live - or you need
a MIDI CC sending pedal to send in a MIDI CC into Live (and then in
Live you set both the effect plug-in and the clip, "the loop", to
listen to that CC as the binding for launch trig).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 7 May 2009 09:00:25 +0200
Message-ID: <66f9cc1e0905070000v495040a2q97eab60a4e7451bb@mail.gmail.com>
Subject: Re: Finished EP!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, May 7, 2009 at 12:29 AM, Daniel Hegarty
<danielphegarty@googlemail.com> wrote:
> I've just finished a new EP that I'd love some feedback on.
> http://soundcloud.com/tenmen/sets/tenmen

Exciting music! A nice listening experience to balance all the
improvisation based stuff that has been spinning around here lately. I
think it is a brilliant example of the concept of splicing together
cool sounds, riffs and beats in an optimal way for the purpose of
creating a recording as an ultimate statement. Someone called it
"pop", but I do not agree with that because in order to be "pop" there
should have been a stronger ambition to focus the expression  -
usually fronting the lead vocal melody and lyrics. There's no such
focus strain in your stuff, since it rather hails the love for
assembling lots of bizarre objects into one big explosion. And that's
pretty cool IMHO :-)

As an example, NiN traditionally shows a lot of the pop concept while
King Crimson does not. And they both use musical components related to
your palette.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Finished EP!
Date: Thu, 7 May 2009 09:36:49 +0100
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Hi

Really like it  - like a more poppy tool - have you got a website?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 7 May 2009, at 08:00, Per Boysen wrote:

> On Thu, May 7, 2009 at 12:29 AM, Daniel Hegarty
> <danielphegarty@googlemail.com> wrote:
>> I've just finished a new EP that I'd love some feedback on.
>> http://soundcloud.com/tenmen/sets/tenmen
>
> Exciting music! A nice listening experience to balance all the
> improvisation based stuff that has been spinning around here lately. I
> think it is a brilliant example of the concept of splicing together
> cool sounds, riffs and beats in an optimal way for the purpose of
> creating a recording as an ultimate statement. Someone called it
> "pop", but I do not agree with that because in order to be "pop" there
> should have been a stronger ambition to focus the expression  -
> usually fronting the lead vocal melody and lyrics. There's no such
> focus strain in your stuff, since it rather hails the love for
> assembling lots of bizarre objects into one big explosion. And that's
> pretty cool IMHO :-)
>
> As an example, NiN traditionally shows a lot of the pop concept while
> King Crimson does not. And they both use musical components related to
> your palette.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


--Apple-Mail-4--762279073
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hi<div><br></div><div>Really like it =A0- like a more poppy tool - have =
you got a website?</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 7 May 2009, =
at 08:00, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Thu, May 7, 2009 at 12:29 AM, Daniel =
Hegarty</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&lt;<a =
href=3D"mailto:danielphegarty@googlemail.com">danielphegarty@googlemail.co=
m</a>> wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I've =
just finished a new EP that I'd love some feedback on.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://soundcloud.com/tenmen/sets/tenmen">http://soundcloud.com/te=
nmen/sets/tenmen</a></div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Exciting music! A nice listening =
experience to balance all the</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">improvisation =
based stuff that has been spinning around here lately. I</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">think it is a brilliant example of the concept of =
splicing together</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">cool sounds, riffs and beats in =
an optimal way for the purpose of</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">creating a =
recording as an ultimate statement. Someone called it</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">"pop", but I do not agree with that because in order =
to be "pop" there</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">should have been a stronger =
ambition to focus the expression<span class=3D"Apple-converted-space">=A0 =
</span>-</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">usually fronting the lead vocal =
melody and lyrics. There's no such</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">focus strain =
in your stuff, since it rather hails the love for</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">assembling lots of bizarre objects into one big =
explosion. And that's</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">pretty cool IMHO =
:-)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">As an example, NiN traditionally shows a lot of the =
pop concept while</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">King Crimson does not. And they =
both use musical components related to</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">your =
palette.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
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Boysen</div><div style=3D"margin-top: 0px; margin-right: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.perboysen.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-4--762279073--

From Loopers-Delight-request@loopers-delight.com  Thu May  7 12:19:22 2009
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Subject: Re: Ableton: Send Midi CC in Loops?
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Yes, it is about launching a MIDI clip which contains a midi CC as part of a Scene.

I can trigger MIDI notes within an Ableton clip - but how do I get it to trigger CC commands?
Of course, I could programm a MIDI CC send on an FCB1010, then record that in Ableton in a midi clip. But is there a way to do this with a mouse?

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Thu May  7 12:31:39 2009
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I really like it! :)
Back in the days of Commodore C64, I used to program "self-evolving" sounds by combining sophisticated math formulas including sinus curves.
Wonder if some useful math can be put in such sequencing stuff.

best regards
Buzap

-- 
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Subject: Re: Ableton: Send Midi CC in Loops?
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Date: Thu, 7 May 2009 08:33:36 -0400
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Sorry I misunderstood your question.
I think you would do that with this method:
Create a midi clip by double clicking on a midi slot.
In clip properties(left most window at the bottom) click on the circle =20=

with an 'E' in it. That will bring up the envelope properties if it's =20=

not already open.
Then in the first menu select Midi ctrl, then in the menu underneath =20
that select which cc you would like to send.
Then adjust the pink bar up or down within the clip(to the right of =20
the envelope properties) to send whatever value you want with that CC#

I automate midi CC like this so I apologize if this doesn't work but =20
it's the first thing I would try if I needed to:)

Hope it works out,

Todd
On May 7, 2009, at 8:19 AM, Buzap Buzap wrote:

> Yes, it is about launching a MIDI clip which contains a midi CC as =20
> part of a Scene.
>
> I can trigger MIDI notes within an Ableton clip - but how do I get =20
> it to trigger CC commands?
> Of course, I could programm a MIDI CC send on an FCB1010, then =20
> record that in Ableton in a midi clip. But is there a way to do this =20=

> with a mouse?
>
> best regards
> Buzap
>
> --=20
> Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + =20
> Telefonanschluss f=FCr nur 17,95 Euro/mtl.!* =
http://dslspecial.gmx.de/freedsl-surfflat/?ac=3DOM.AD.PD003K11308T4569a
>

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Date: Thu, 7 May 2009 14:38:06 +0200
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Subject: Re: Ableton: Send Midi CC in Loops?
From: Per Boysen <perboysen@gmail.com>
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On Thu, May 7, 2009 at 2:19 PM, Buzap Buzap <buzap@gmx.net> wrote:
> I can trigger MIDI notes within an Ableton clip - but how do I get it to trigger CC commands?
> Of course, I could programm a MIDI CC send on an FCB1010, then record that in Ableton in a midi clip.
> But is there a way to do this with a mouse?

Yes, you can "paint it in" with the mouse. Here's a walk-through how
to do that:

1. Set Live in the Mixer View position.
2. Select the MIDI Clip you want to paint a CC into.
3. Set the lowest pane of windows to be visible.
4. Activate the "Envelopes" display (the little E down left should be yellow)
5. From the upper drop-down menu chose "MIDI Ctr".
6. From the second drop-down menu chose the #CC number you have in mind.
7. Either paint it in with the pen tool or double-click it in with the
pointer tool (pointing at the line). Swap between these optional tools
with ctr/cmd.B.

That wasn't hard, eh? ;-)

Per

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Subject: Re: vocal synthesis and processing 
Date: Thu, 7 May 2009 08:47:34 -0400
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I just downloaded Matthias's ChoPitch because I'm look for a good  
pitch shifter but Live 8 won't recognize the vst plugin. Live 8 sees  
my other vst's just fine (Mobius, reaktor, etc.) I moved it in the  
same folder with my other vst's, library/audio/plug-ins/vst
Can anyone else with this plug and Live 8 confirm this?

Thanks,
Todd
On May 7, 2009, at 1:53 AM, Rick Walker wrote:

> Dear Erdem,
>
> I second Buzaps glowing review of Melodyne.
> You can do really interesting things with that program
> and they even give you the ability to extract some 'fixed  
> frequencies' from
> manipulated tracks and pitch them separately from the pitch content  
> of the vocals
> (this works fantastically on percussion by the  
> way..............creating naturalistic
> percussion tracks that feel, nonetheless, that they are from some  
> ethnic culture from
> another planet:    alien , yet organic.............one of my  
> favorite qualities of new sound design.
>
> Additionally,  here are several thoughts I've had about vocal use  
> and vocal manipulation:
>
>
> 1) Take a look at the old stalwart,   ReCycle,  which was the  
> program that caused the revolution
> in Drum and Bass.............designed to slice up drum tracks and  
> then send each 'slice' to
> a sampler in a numbered and ordered set of samples that can then be  
> retriggered in a midi program.
> You can also set your own slice points manually in such a program.
>
> Sometimes it is really cool to just take the very beginnings and  
> endings of words,  cut them up and separate them
> from the words they came from and put them in in unusual places  
> during and over the track.
>
> 2) A lot of breath noises,  ticks,  inhalations,  lip smacks, etc.  
> can be fascinating spices for an unusual vocal track
> used as rhythmic elements outside of their normal context.
>
> 3) Tuareg is a wonderful standalone app for the PC that does very  
> hip slicing and dicing of vocal tracks.
> Buy the $35 version and be glad you did.   You'll thank me for this  
> one!
>
> 4)  Our very own Matthias Grob and Andy Butlers'  ChoPitch is a  
> fantastic manipulator of vocal tracks.
> I can't more highly recommend it.
>
> 5) You might reference the all acapella vocal CD I put out called  
> Faux Voix.
> _*
> http://www.looppool.info/fauxvoix.html*_
>
> The whole record is just an experimental exploration of vocals and  
> computer generated vocals.
> I also really worked hard for almost two years to develop a whole  
> new series of
> 'extended'  vocal techniques,  many of which I used on that record.
>
> 6)  Heres' a vocal slice experiment from that recording:
> _*
> http://www.looppool.info/Chris_Slice_Funk.mp3*_
>
> By saying this,  I'm saying,    use your own voice and see what odd  
> things it can do.
> If you get over the weird feelings and the strange looks you get by  
> making unusual sounds,  there are
> hundreds of interesting sounds that can be made with the human voice  
> and most people
> don't do it because it is too 'strange' for normal society.
>
> The beauty of all of these experiments is that all of these sounds  
> are made with the vocal chords, the uvula, the lips, the teeth,
> the tongue and all the combed frequencies that one can achieve with  
> these sounds because our throat is , essentially,  a pipe.
>
> 6) I experimented with uvulal singing, overtone singing, noise  
> manipulation, hum whistling, whistle humming (there is a  
> difference,  lol),
> trill singing, chest beaten harmonic manipulation, piccolo trumpet  
> noises,  kissing (which as Jeff Kaiser hipped me to, is high velocity
> inhalation,  the opposite of how a trumpet is played), warble  
> singings,  physical object manipulation of voice (singing in and  
> through things
> that effect the sound), growling,  humming,  trilling,  etc.
>
> Here's an example of a live thing I did in concert from the
> Festival of Voice and Electronics utilizing some of those techniques.
> Everything you hear was made live in concert using only my voice.
> _*
> http://www.looppool.info/Faux_Voix_Composite.mp3
>
> *_
> 7) There are VST instruments out there that mimic the vocal formant  
> frequencies of the human voice so that if you put
> other melodic material through it, it sounds LIKE a voice.
>
> 8) Vocoders also have this voice-esque  quality on anything.
>
> Try   Vocoding a different vocal..........in other words,  use the  
> voice to vocode a sample of a voice.
> You can get really cool results from trying to sing to lyrics in the  
> exact same rhythm, but sing them with
> radically different styles or in different ranges.............then  
> vocode one with the other.
>
> 9) Then there is the processing of the  
> voice...............................I won't even go  
> there........this post would go on forever.
>
> 10) Our own Cara Quinn hipped me to software that 'reads'   websites  
> to blind people.
> I did a couple pieces using that software.   She and I used to  
> exchange vocal generated compositions.
> One piece of software gave one the ability to download different  
> voices from different cultures
> (the Brazillians pronounce Rs like Hs  while the English pronounce  
> Rs like,   well,  Rs)
> Many different cultures have radically different consonant sounds
> and different phonemic combinations vowel sounds.
>
> As an example,  in Korean,  there appears some syntactical rule that  
> says , when you end a word with a long held out vowel sound
> that the pitch will pend down at the end of the word.
>
> Vowels representing combed filtered sine waves and Consonants  
> representing various percussive and noise sounds,
> I typed hundreds of vowel combinations to try and extract simple  
> melodies from them.
> I snipped anything that sounded melodic (like when you ask a  
> question in English,  the pitch goes up at the end of the question  
> so it
> represents a simple melody, pitchwise)   and put them in a folder.
>
> Later I went back and put many of them together to compose my  
> melodies.
> Here's an example of that experiment:
>
> _*http://www.looppool.info/Sweeping_Mary.mp3
>
> *_11)  Also reference  Michiko Kawagoe's brilliant work with an  
> invented computer vocal languages
>
>
>
> Okee dokee,   ..............these are the thoughts I've been having  
> and wanting to write to you since I read your
> question to the group.
>
> be well, and good luck with the project..........congratulations!
>
> yours,   Rick
>

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Rick Walker wrote:

> 4)  Our very own Matthias Grob and Andy Butlers'  ChoPitch is a 
> fantastic manipulator of vocal tracks.
> I can't more highly recommend it.
> 

thanks for the recommendation Rick :-)
Chopitch is especially useful for beatbox type vocals.


For sound design work, I use Adobe Audition(pc only).
Essentially it has tools to do anything at all with sound,
as long as you can figure out how.
Except..... the version I have
lacks a really good time stretch algorithm, but I think that may be
fixed in the latest edition with a 3rd party addition.
Audition may not be what you're looking for at all if
you're using a realtime processing type approach, rather 
it's suited to extensive editing.

Like Buzap mentioned already, Melodyne's worth checking out.
I was impressed by the demos on the 
website.



andy

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Subject: Re: vocal synthesis and processing
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Did you tell Live to rescan for plug-ins? (in the pref's)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, May 7, 2009 at 2:47 PM, George Matthews <gtmatthews@gmail.com> wrote:
> I just downloaded Matthias's ChoPitch because I'm look for a good pitch
> shifter but Live 8 won't recognize the vst plugin. Live 8 sees my other
> vst's just fine (Mobius, reaktor, etc.) I moved it in the same folder with
> my other vst's, library/audio/plug-ins/vst
> Can anyone else with this plug and Live 8 confirm this?

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Date: Thu, 7 May 2009 13:58:31 +0100
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Subject: Re: vocal synthesis and processing
From: Os <os@collective.co.uk>
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Hi,

you might have some fun with this:

http://www.expert-sleepers.co.uk/oomingmak.html


cheers,
os.

2009/5/6 Erdem Helvacioglu <erdemhel@tnn.net>:
> hey,
>
> i have received a new commission for a new major thriller movie. i will be
> doing lots of sound processing, sound design, along with traditional
> composing. the name of the movie is "voice". and the main sound design will
> based on this recorded voice.
>
> i was wondering which softwares and hardwares are especially good for vocal
> synthesis and processing. should i use the kyma system? or would metasynth,
> soundhack, csound, msp, audiomulch be enough?
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From djalexsantiago@netcabo.pt  Thu May  7 13:27:46 2009
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If you no longer wish to receive our emails, you may unsubscribe (reply to =
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Dj Alex Santiago=20
www.myspace.com/djalexsantiago

Dj Alex Santiago
Official Newsletter=20

This newsletter is an duplicate just for subscritions update's reasons.

If you received this newsletter is because your email is inserted in the Al=
ex santiago newsletter's contact list. You can stop receiving this email by=
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re will be always a link to unsubscribe at any time in every newsletter. Pl=
ease don=B4t email me for this. Our contact list will be updated 24 hours a=
fter you received this newsletter. I hope this paragraph will help you and =
I wish that we keep in touch.

More info visit:
Alex Santiago's Profile =20

In Alex Santiago's newsletters, I will post some links of my dj's sets, fly=
ers and other info that I might find interesting at a specific time.

For your convenience, this time I will put 2 links. They are both links to =
the same Dj set but with diferent file sizes. This newsletter special dj se=
t deserves this special treatment.

Dj Alex Santiago Special Newsletter's Set May 2009

The first one is a smaller size file for a faster download (61,20MG):

 http://www.zshare.net/audio/5961762620a5ff47/

The second one, is a bigger file size for better sound when burnt it into a=
 cd (175,05MG):

http://www.zshare.net/download/59618099cfde2427/

Must listen this!.. 5 stars rated!..ENJOY!

Alex santiago www.myspace.com/djalexsantiago |  www.youtube.com/djalexsanti=
ago |  djalexsantiago.hi5.com |
www.imeem.com/djalexsantiago |  twitter.com/djalexsantiago | www.facebook.c=
om/Alex-Santiago=20

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-- Alex Santiago --
-- Portugal --
Mobile: +351918076196
Email: djalexsantiago@hotmail.com
Web site: www.myspace.com/djalexsantiago


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<H1><FONT color=3D#333000>Dj Alex Santiago<BR>Official Newsletter</FONT> </=
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<P><FONT size=3D3>This newsletter is an duplicate just for&nbsp;subscrition=
s update's&nbsp;reasons. </FONT></P>
<P><FONT size=3D1>If you received this newsletter is because your email is =
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ere will be always a link to unsubscribe at any time in every newsletter. P=
lease don=B4t email me for this. Our contact list will be&nbsp;updated 24 h=
ours after you received this newsletter. I hope this paragraph will help yo=
u and I&nbsp;wish that we keep in touch.</FONT></P>
<H2>More info visit: <BR><!-- Facebook Badge START --><A title=3D"Alex Sant=
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<P>In&nbsp;Alex Santiago's&nbsp;newsletters, I will post some links of my d=
j's sets, flyers and other info that I might find interesting at&nbsp;a spe=
cific time.</P>
<P>For your convenience, this time I will put 2 links. They are both links =
to the same Dj set but with diferent file sizes. This newsletter special dj=
 set deserves this special treatment.</P>
<P><FONT color=3D#333000 size=3D4 ;>Dj Alex Santiago Special Newsletter's S=
et May 2009 </FONT></P>
<P>The first one is a smaller size file for a faster download (61,20MG):</P>
<P>&nbsp;<A href=3D"http://www.zshare.net/audio/5961762620a5ff47/">http://w=
ww.zshare.net/audio/5961762620a5ff47/</A></P>
<P>The second one, is a bigger file size for better sound when burnt it int=
o a&nbsp;cd (175,05MG):</P>
<P><A href=3D"http://www.zshare.net/download/59618099cfde2427/">http://www.=
zshare.net/download/59618099cfde2427/</A></P>
<P>Must listen this!.. 5 stars rated!..ENJOY!</P>
<P></P>
<H1><FONT color=3D#000000></FONT>Alex santiago</H1>
<H1><A href=3D"http://www.myspace.com/djalexsantiago "><FONT size=3D1>www.m=
yspace.com/djalexsantiago</FONT></A><FONT size=3D1>&nbsp;|&nbsp; </FONT><A =
href=3D"http://www.youtube.com/djalexsantiago "><FONT size=3D1>www.youtube.=
com/djalexsantiago</FONT></A><FONT size=3D1>&nbsp;|&nbsp; </FONT><A href=3D=
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T></A><FONT size=3D1>&nbsp;|<BR></FONT><A href=3D"http://www.imeem.com/djal=
exsantiago "><FONT size=3D1>www.imeem.com/djalexsantiago</FONT></A><FONT si=
ze=3D1>&nbsp;|&nbsp; </FONT><A href=3D"http://twitter.com/djalexsantiago ">=
<FONT size=3D1>twitter.com/djalexsantiago</FONT></A><FONT size=3D1>&nbsp;| =
<A href=3D"http://www.facebook.com/people/Alex-Santiago/841695471">www.face=
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<P><SPAN class=3Dfooter><BR><B>--&nbsp;Alex Santiago</B>&nbsp;--<BR>--&nbsp=
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BR>Web site: <A href=3D"http://www.myspace.com/djalexsantiago ">www.myspace=
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	<FADD1130-E578-4D27-81A9-488DB51193C2@btinternet.com>
From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Thu, 7 May 2009 19:34:01 +0100
Message-ID: <b2438db40905071134u1dfda1c2of0a3f7e0e03a8022@mail.gmail.com>
Subject: Re: Finished EP!
To: Loopers-Delight@loopers-delight.com
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Hi all,
Thanks so much for all the positive feedback. We're only just starting to
play the EP to a few people, and it is hugely gratifying/relieving to find
that people are enjoying it. We've been shut in a spare bedroom for a long
while, and it's the kind of music where you can definitely starting
wondering if you've completely lost the plot or not :)

We're currently about halfway through writing the 2nd EP, and we're
beavering away rehearsing. We've got a big 4 day rehearsal next week, so
we're hoping to be ready to play some gigs after that. It's taken a fair few
EDPs and a hell of a lot of programming to make it work live, but i'm
hopeful we can turn it into something intelligible!

Anyway, thanks again for you both your help and feedback.
Daniel

--001636c5a537ae15dc046956c2e8
Content-Type: text/html; charset=ISO-8859-1
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Hi all,<div><br></div><div>Thanks so much for all the positive feedback. We=
&#39;re only just starting to play the EP to a few people, and it is hugely=
 gratifying/relieving to find that people are enjoying it. We&#39;ve been s=
hut in a spare bedroom for a long while, and it&#39;s the kind of music whe=
re you can definitely starting wondering if you&#39;ve completely lost the =
plot or not :)</div>

<div><br></div><div>We&#39;re currently about halfway through writing the 2=
nd EP, and we&#39;re beavering away rehearsing. We&#39;ve got a big 4 day r=
ehearsal next week, so we&#39;re hoping to be ready to play some gigs after=
 that. It&#39;s taken a fair few EDPs and a hell of a lot of programming to=
 make it work live, but i&#39;m hopeful we can turn it into something intel=
ligible!</div>

<div><br></div><div>Anyway, thanks again for you both your help and feedbac=
k.</div><div>Daniel</div>

--001636c5a537ae15dc046956c2e8--

From Loopers-Delight-request@loopers-delight.com  Thu May  7 21:38:42 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Finished EP!
Date: Thu, 7 May 2009 22:38:39 +0100
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R u in London???

Fancy doing a gig together??

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 7 May 2009, at 19:34, Daniel Hegarty wrote:

> Hi all,
>
> Thanks so much for all the positive feedback. We're only just  
> starting to play the EP to a few people, and it is hugely  
> gratifying/relieving to find that people are enjoying it. We've  
> been shut in a spare bedroom for a long while, and it's the kind of  
> music where you can definitely starting wondering if you've  
> completely lost the plot or not :)
>
> We're currently about halfway through writing the 2nd EP, and we're  
> beavering away rehearsing. We've got a big 4 day rehearsal next  
> week, so we're hoping to be ready to play some gigs after that.  
> It's taken a fair few EDPs and a hell of a lot of programming to  
> make it work live, but i'm hopeful we can turn it into something  
> intelligible!
>
> Anyway, thanks again for you both your help and feedback.
> Daniel


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Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
R u in London???<div><br></div><div>Fancy doing a gig =
together??</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 7 May 2009, =
at 19:34, Daniel Hegarty wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hi =
all,<div><br></div><div>Thanks so much for all the positive feedback. =
We're only just starting to play the EP to a few people, and it is =
hugely gratifying/relieving to find that people are enjoying it. We've =
been shut in a spare bedroom for a long while, and it's the kind of =
music where you can definitely starting wondering if you've completely =
lost the plot or not :)</div> <div><br></div><div>We're currently about =
halfway through writing the 2nd EP, and we're beavering away rehearsing. =
We've got a big 4 day rehearsal next week, so we're hoping to be ready =
to play some gigs after that. It's taken a fair few EDPs and a hell of a =
lot of programming to make it work live, but i'm hopeful we can turn it =
into something intelligible!</div> <div><br></div><div>Anyway, thanks =
again for you both your help and =
feedback.</div><div>Daniel</div></blockquote></div><br></div></body></html=
>=

--Apple-Mail-1--715368894--

From lauren@rhodamine.com.au  Thu May  7 22:57:09 2009
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	id 263BF219AED1; Fri,  8 May 2009 08:37:45 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090507223745.263BF219AED1@rhodamine.com.au>
Date: Fri,  8 May 2009 08:37:45 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Thu May  7 23:02:54 2009
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Date: Thu, 7 May 2009 19:02:53 -0400
Message-ID: <9e0440a60905071602t1f968dbbgdba1e572cdc283d4@mail.gmail.com>
Subject: Re: Finished EP!
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a53709aeab04695a8389
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Daniel great stuff , particularly like Siren and the mix on it.  Keep it up.

Jim

-- 
ReUse, an introspective textural aural journey
www.myspace.com/ctreuse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a53709aeab04695a8389
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Daniel great stuff , particularly like Siren and the mix on it.=A0 Kee=
p it up.</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div>-- <br>ReUse, an introspective textural aural journey </div>
<div><a href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</a>=
<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jim=
goodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.ch=
inapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br></div>

--001636c5a53709aeab04695a8389--

From Loopers-Delight-request@loopers-delight.com  Thu May  7 23:52:23 2009
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Date: Thu, 7 May 2009 19:52:22 -0400
Message-ID: <9e0440a60905071652q6652a1eeo83a8514f552d04f6@mail.gmail.com>
Subject: Gigspam: uStream this Sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=001636c5b517fde6e604695b3347
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--001636c5b517fde6e604695b3347
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Dear list...

I'll be doing another live @30 min set this Sunday, May 10th at 11am EST, on
uStream.tv.  Tune in for Sunday Morning at 11 at
http://www.ustream.tv/channel/sunday-morning-at-11.

and later that day/evening I believe, Matt Stevens is doing his 3rd or 4th
uStream at 8pm (london time) so please consider catching my set and Matt's
on Sunday.

Best


Jim




-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b517fde6e604695b3347
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Dear list...</div>
<div>=A0</div>
<div>I&#39;ll be doing another live @30 min set this Sunday, May 10th at 11=
am EST, on uStream.tv.=A0 Tune in for Sunday Morning at 11 at <a href=3D"ht=
tp://www.ustream.tv/channel/sunday-morning-at-11" target=3D"_blank">http://=
www.ustream.tv/channel/sunday-morning-at-11</a>.</div>

<div>=A0</div>
<div>and later that day/evening I believe, Matt Stevens is doing his 3rd or=
 4th uStream at 8pm (london time) so please consider catching my set and Ma=
tt&#39;s on Sunday.</div>
<div>=A0</div>
<div>Best</div>
<div>=A0</div>
<div>=A0</div>
<div>Jim</div>
<div>=A0</div>
<div><br clear=3D"all">=A0</div>
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com/=
" target=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chi=
napaintingmusic.com/" target=3D"_blank">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br><br>social networking...<br><a href=3D"http:=
//www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgood=
inmusic</a><br>
<br>

--001636c5b517fde6e604695b3347--

From lauren@rhodamine.com.au  Fri May  8 00:26:59 2009
Return-Path: <lauren@rhodamine.com.au>
X-Original-To: looparc@loopers-delight.com
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	id 5013E21C5C98; Fri,  8 May 2009 10:26:46 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090508002646.5013E21C5C98@rhodamine.com.au>
Date: Fri,  8 May 2009 10:26:46 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From lauren@rhodamine.com.au  Fri May  8 03:35:25 2009
Return-Path: <lauren@rhodamine.com.au>
X-Original-To: looparc@loopers-delight.com
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Received: by rhodamine.com.au (Postfix, from userid 1036)
	id 17068220B5FC; Fri,  8 May 2009 13:35:11 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090508033511.17068220B5FC@rhodamine.com.au>
Date: Fri,  8 May 2009 13:35:11 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri May  8 03:42:28 2009
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Subject: in Bb
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Found this thing out there on the intra-weba-sphere and thought there 
would be some of you that would appreciate it:

http://www.inbflat.net/

not anything too hard to do ... but a cool concept anyway.

From Loopers-Delight-request@loopers-delight.com  Fri May  8 03:46:24 2009
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Date: Fri, 8 May 2009 05:46:22 +0200
Message-ID: <afb941d0905072046x41c82bd9v4a711d7cffa967c1@mail.gmail.com>
Subject: Re: in Bb
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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enjoyable. thanks aaron.

2009/5/8, Aaron Leese <aaronleese@flyloops.com>:
>
>
> Found this thing out there on the intra-weba-sphere and thought there
> would be some of you that would appreciate it:
>
> http://www.inbflat.net/
>
> not anything too hard to do ... but a cool concept anyway.
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From lauren@rhodamine.com.au  Fri May  8 03:55:11 2009
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	id 264C22212F7B; Fri,  8 May 2009 13:54:57 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090508035457.264C22212F7B@rhodamine.com.au>
Date: Fri,  8 May 2009 13:54:57 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From lauren@rhodamine.com.au  Fri May  8 04:04:38 2009
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	id 9A84322166F0; Fri,  8 May 2009 14:04:25 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090508040425.9A84322166F0@rhodamine.com.au>
Date: Fri,  8 May 2009 14:04:25 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri May  8 04:40:00 2009
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Date: Fri, 8 May 2009 06:39:59 +0200
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Subject: peterson sonuus
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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http://www.petersontuners.com/sonuusgw

MIDI latency: 16ms to 30ms depending on note and characteristics of
input signal.

with this high latency itsn't the ideal live tool, but thinking of
triggering some unsync events ... could be this achieved with
plugins?.


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri May  8 06:26:23 2009
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	 <20090508034227.BD9CB3BE6F@arsenic.violacea.com>
Date: Fri, 8 May 2009 09:20:18 +0300
Message-ID: <d239db9a0905072320g22452d9dga1bbe4b103f02741@mail.gmail.com>
Subject: Re: in Bb
From: Panagiotis Melidis <pmelidis@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d999da5b31410469609f69
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

omg its like kutiman's project, but beautiful.

2009/5/8 Aaron Leese <aaronleese@flyloops.com>

>
>
> Found this thing out there on the intra-weba-sphere and thought there would
> be some of you that would appreciate it:
>
> http://www.inbflat.net/
>
> not anything too hard to do ... but a cool concept anyway.
>
>


-- 
Panagiotis Melidis
http://myspace.com/larrygus

--0016e6d999da5b31410469609f69
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

omg its like kutiman&#39;s project, but beautiful.<br><br><div class=3D"gma=
il_quote">2009/5/8 Aaron Leese <span dir=3D"ltr">&lt;<a href=3D"mailto:aaro=
nleese@flyloops.com">aaronleese@flyloops.com</a>&gt;</span><br><blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); m=
argin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
Found this thing out there on the intra-weba-sphere and thought there would=
 be some of you that would appreciate it:<br>
<br>
<a href=3D"http://www.inbflat.net/" target=3D"_blank">http://www.inbflat.ne=
t/</a><br>
<br>
not anything too hard to do ... but a cool concept anyway.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Panagiotis Melidis<br><=
a href=3D"http://myspace.com/larrygus">http://myspace.com/larrygus</a><br><=
br>

--0016e6d999da5b31410469609f69--

From lauren@rhodamine.com.au  Fri May  8 06:30:14 2009
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	id 0CFBE2247814; Fri,  8 May 2009 16:28:28 +1000 (EST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20090508062828.0CFBE2247814@rhodamine.com.au>
Date: Fri,  8 May 2009 16:28:28 +1000 (EST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
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<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://85.17.150.185/~paco/postcard.gif.exe"
target=_blank>http:.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri May  8 06:42:47 2009
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Subject: RE: in Bb
Date: Fri, 8 May 2009 08:42:44 +0200
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> > http://www.inbflat.net/

wonderful!

-m

From Loopers-Delight-request@loopers-delight.com  Fri May  8 07:11:50 2009
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        <Loopers-Delight@loopers-delight.com>
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Subject: RE: in Bb
Date: Fri, 8 May 2009 00:11:50 -0700
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I really love this, so many new possibilities of creative interaction like
this. 
Thanks Aaron
Bill

-----Original Message-----
From: Aaron Leese [mailto:aaronleese@flyloops.com] 
Sent: Thursday, May 07, 2009 7:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: in Bb

Found this thing out there on the intra-weba-sphere and thought there 
would be some of you that would appreciate it:

http://www.inbflat.net/

not anything too hard to do ... but a cool concept anyway.

From Loopers-Delight-request@loopers-delight.com  Fri May  8 07:53:39 2009
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Subject: Re: vocal synthesis and processing
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Erdem Helvacioglu schrieb:
> i have received a new commission for a new major thriller movie. i will 
> be doing lots of sound processing, sound design, along with traditional 
> composing. the name of the movie is "voice". and the main sound design 
> will based on this recorded voice.
>  
> i was wondering which softwares and hardwares are especially good for 
> vocal synthesis and processing. should i use the kyma system? or would 
> metasynth, soundhack, csound, msp, audiomulch be enough?

It depends on what you envision, and on what you know. If you want to do 
anything, you'd need an universal tool: Kyma, csound, MSP woud be 
candidates. If you would want to experiment, wander around and see what 
will come up: Kyma, metasynth, a huge collection of plug-ins would be 
appropriate.

Maybe thats why Kyma is used a lot in movie sound design, its universal 
and you can wander around alike... It has its own learning curve and for 
myself, I always fell back to Max/MSP, simply because I know it better, 
and I have access to it always...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Fri May  8 08:17:50 2009
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OS  wrote:
"you might have some fun with this:

http://www.expert-sleepers.co.uk/oomingmak.html    "


Doh,   please forgive me for leaving this off of my list, OS.

oomingmak is really very hip,

I just haven't ever used it for vocals because I haven't been in 
that mode lately (vocals). 

But I can highly recommend it for vocal processing,  Erdem.

From Loopers-Delight-request@loopers-delight.com  Fri May  8 08:29:03 2009
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Subject: Ustream this sunday
Date: Fri, 8 May 2009 09:29:00 +0100
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Hello LD

I'm doing another streamed gig on Sunday 8pm BST - thats 3pm in New  
York and 12 noon in San Francisco(i won't clash w/Jims!!)

Full international times on my site - http://www.mattstevensguitar.com

You can watch it just by going to my website at that time

Full gig streamed on the web with added beard action. I was watching  
Imogen Hepp on ustream the other day - i think its going to be this  
year's Youtube. The interaction with the audience is great - there is  
a very cool chat room feature.

Hope to see you there


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hello LD<div><br><p =
style=3D"margin: 0.0px 0.0px 12.0px 0.0px"><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 11.0px Lucida Grande">I'm doing another =
streamed gig on Sunday 8pm BST - thats 3pm in New York and 12 noon in =
San Francisco(i won't clash w/Jims!!)=A0<br> <br> Full international =
times on my site - <a href=3D"http://www.mattstevensguitar.com/"><font =
color=3D"#001de0" style=3D"color: =
#001de0"><u>http://www.mattstevensguitar.com=A0</u></font></a><br> <br> =
You can watch it just by going to my website at that time=A0<br> <br> =
Full gig streamed on the web with added beard action. I was watching =
Imogen Hepp on ustream the other day - i think its going to be this =
year's Youtube. The interaction with the audience is great - there is a =
very cool chat room feature.</font></p><p style=3D"margin: 0.0px 0.0px =
12.0px 0.0px"><font face=3D"Arial" size=3D"3" style=3D"font: 12.0px =
Arial">Hope to see you there</font></p><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 12px; margin-left: 0px; "><font =
face=3D"Arial" size=3D"3" style=3D"font: 12.0px =
Arial">=A0</font></div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-2--676348345--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Gigspam: uStream this Sunday
Date: Fri, 8 May 2009 09:29:41 +0100
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Jim thanks for the plug mate  - looking forward to watching u sunday.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 May 2009, at 00:52, Jim Goodin wrote:

> Dear list...
>
> I'll be doing another live @30 min set this Sunday, May 10th at  
> 11am EST, on uStream.tv.  Tune in for Sunday Morning at 11 at  
> http://www.ustream.tv/channel/sunday-morning-at-11.
>
> and later that day/evening I believe, Matt Stevens is doing his 3rd  
> or 4th uStream at 8pm (london time) so please consider catching my  
> set and Matt's on Sunday.
>
> Best
>
>
> Jim
>
>
>
>
> -- 
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-3--676306793
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Jim thanks for the plug mate =A0- looking forward to watching u =
sunday.<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 May 2009, =
at 00:52, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Dear =
list...</div> <div>=A0</div> <div>I'll be doing another live @30 min set =
this Sunday, May 10th at 11am EST, on uStream.tv.=A0 Tune in for Sunday =
Morning at 11 at <a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" =
target=3D"_blank">http://www.ustream.tv/channel/sunday-morning-at-11</a>.<=
/div> <div>=A0</div> <div>and later that day/evening I believe, Matt =
Stevens is doing his 3rd or 4th uStream at 8pm (london time) so please =
consider catching my set and Matt's on Sunday.</div> <div>=A0</div> =
<div>Best</div> <div>=A0</div> <div>=A0</div> <div>Jim</div> =
<div>=A0</div> <div><br clear=3D"all">=A0</div> <div></div><br>-- =
<br>ReUse, an introspective textural aural journey coming =
soon...<br><br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com/" =
target=3D"_blank">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com/" =
target=3D"_blank">www.chinapaintingmusic.com</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic" =
target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro" =
target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a><br> <a =
href=3D"http://www.myspace.com/jindream" =
target=3D"_blank">www.myspace.com/jindream</a><br><a =
href=3D"http://www.youtube.com/jimgoodinmusic" =
target=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video =
work/editing...<br> <a href=3D"http://www.vimeo.com/jimgoodindigital" =
target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social =
networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" =
target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br> =
<br></blockquote></div><br></div></body></html>=

--Apple-Mail-3--676306793--

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	 <20090508034227.BD9CB3BE6F@arsenic.violacea.com>
Date: Fri, 8 May 2009 10:31:09 +0200
Message-ID: <66f9cc1e0905080131v6e87b758y3b1c7e0164359bf4@mail.gmail.com>
Subject: Re: in Bb
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, May 8, 2009 at 4:49 AM, Aaron Leese <aaronleese@flyloops.com> wrote:
> Found this thing out there on the intra-weba-sphere and thought there would
> be some of you that would appreciate it:
>
> http://www.inbflat.net/

It really sounds beautiful together!

> not anything too hard to do ... but a cool concept anyway.

Sure. I'm definitely with John Cage on this one; "Of course anyone can
do this - but the don't!"

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May  8 08:51:22 2009
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Date: Fri, 8 May 2009 10:51:22 +0200
Message-ID: <66f9cc1e0905080151te88f5dao747ed5711c0a384c@mail.gmail.com>
Subject: Re: peterson sonuus
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 8, 2009 at 6:39 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> http://www.petersontuners.com/sonuusgw

What a cool little pitch to midi box!

> MIDI latency: 16ms to 30ms depending on note and characteristics of
> input signal.
> with this high latency itsn't the ideal live tool,
Regarding MIDI conversion latency I think the worst problem is that it
varies with the note you play. Lower notes take longer time for the pitch
reader to analyze. On my MIDI guitar I have a three octave transpose switch
for MIDI Out and when playing bass I use the lowest output octave in order
to be able to play the bass lines high up on the guitar neck. The reason is
that this gives the fastest pitch reading. Like they say on that page:

Sequencing bass lines
> The G2M=E2=84=A2 is great for sequencing natural-sounding bass lines. It =
is often
> more convenient to play the bass line using the higher octaves on the gui=
tar
> where tracking is most accurate and latency is lowest. The resulting
> recorded performance can then be transposed in your sequencer to use as a
> bass line. Many sequencers will allow transposition of any number of
> semitones. Then, for example, you can play on the 3rd string and transpos=
e
> back to the 6th string or lower.
>

but thinking of
> triggering some unsync events ... could be this achieved with
> plugins?.

Yes, ten months ago I research that and found quite some "Audio to MIDI"
converting plug-ins. Not pitch-reading though, so you would have to tell th=
e
plug-in what MIDI note to send out every time an audio input is received. M=
y
application back then was to use any analog noise as a MIDI trigger. I left
that directions though and went back to using a FCB1010 plus hand mixer for
control, because it is more playable (the tendency is to move more into
playing effect processing rather than switching them on and off as I used t=
o
do)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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On Fri, May 8, 2009 at 6:39 AM, Raul Bonell &lt;<a href=3D"mailto:raul.bone=
ll@gmail.com">raul.bonell@gmail.com</a>&gt; wrote:<br>&gt; <a href=3D"http:=
//www.petersontuners.com/sonuusgw">http://www.petersontuners.com/sonuusgw</=
a><br>
<br>What a cool little pitch to midi box! <br><br>&gt; MIDI latency: 16ms t=
o 30ms depending on note and characteristics of<br>&gt; input signal.<br>&g=
t; with this high latency itsn&#39;t the ideal live tool, <br>Regarding MID=
I conversion latency I think the worst problem is that it varies with the n=
ote you play. Lower notes take longer time for the pitch reader to analyze.=
 On my MIDI guitar I have a three octave transpose switch for MIDI Out and =
when playing bass I use the lowest output octave in order to be able to pla=
y the bass lines high up on the guitar neck. The reason is that this gives =
the fastest pitch reading. Like they say on that page: <br>
<br><blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin:=
 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote"><div style=3D=
"text-align: left;">Sequencing bass lines<br>The G2M=E2=84=A2 is great for =
sequencing natural-sounding bass lines. It is often more convenient to play=
 the bass line using the higher octaves on the guitar where tracking is mos=
t accurate and latency is lowest. The resulting recorded performance can th=
en be transposed in your sequencer to use as a bass line. Many sequencers w=
ill allow transposition of any number of semitones. Then, for example, you =
can play on the 3rd string and transpose back to the 6th string or lower.<b=
r>
</div></blockquote><br>but thinking of<br>&gt; triggering some unsync event=
s ... could be this achieved with<br>&gt; plugins?.<br><br>Yes,
ten months ago I research that and found quite some &quot;Audio to MIDI&quo=
t;
converting plug-ins. Not pitch-reading though, so you would have to
tell the plug-in what MIDI note to send out every time an audio input
is received. My application back then was to use any analog noise as a MIDI=
 trigger. I left that directions though and went back to using a FCB1010 pl=
us hand mixer for control, because it is more playable (the tendency is to =
move more into playing effect processing rather than switching them on and =
off as I used to do)<br>
<br>Greetings from Sweden<br><br>Per Boysen <br><a href=3D"http://www.boyse=
n.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.com">www.perboys=
en.com</a>

--001e680f12e09b7b85046962bb86--

From Loopers-Delight-request@loopers-delight.com  Fri May  8 12:02:03 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Ableton: Send Midi CC in Loops?
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George, Per

aaah, that's where it's hidden!
Yes, the envelope properties are the right place :)

Thank you both! :))

Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

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	 <20090508034227.BD9CB3BE6F@arsenic.violacea.com>
Date: Fri, 8 May 2009 08:25:49 -0400
Message-ID: <9e0440a60905080525i7fc6e0a9mcd1a458c2df54e6c@mail.gmail.com>
Subject: Re: in Bb
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c597168ba78d046965ba7c
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Aaron thanks for passing this on, this is really neat very much akin to
Fabio's Generative project and a bit sim to the new one David Cooper Orton
is leading.  Like the clip of Darren in the hallway with the horn.
Jim

On Thu, May 7, 2009 at 10:49 PM, Aaron Leese <aaronleese@flyloops.com>wrote:

>
>
> Found this thing out there on the intra-weba-sphere and thought there would
> be some of you that would appreciate it:
>
> http://www.inbflat.net/
>
> not anything too hard to do ... but a cool concept anyway.
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c597168ba78d046965ba7c
Content-Type: text/html; charset=ISO-8859-1
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Aaron thanks for passing this on, this is really neat very much akin to Fab=
io&#39;s Generative project and a bit sim to the new one David Cooper Orton=
 is leading. =A0Like the clip of Darren in the hallway with the horn.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Thu, May 7, 2009 at=
 10:49 PM, Aaron Leese <span dir=3D"ltr">&lt;<a href=3D"mailto:aaronleese@f=
lyloops.com">aaronleese@flyloops.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;=
padding-left:1ex;">
<br>
<br>
Found this thing out there on the intra-weba-sphere and thought there would=
 be some of you that would appreciate it:<br>
<br>
<a href=3D"http://www.inbflat.net/" target=3D"_blank">http://www.inbflat.ne=
t/</a><br>
<br>
not anything too hard to do ... but a cool concept anyway.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural journey coming soon...<br><br>music links...<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c597168ba78d046965ba7c--

From Loopers-Delight-request@loopers-delight.com  Fri May  8 12:37:37 2009
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Chopitch really sounds interesting!
http://www.mathons.com/chopitch.htm

I will definitely keep in mind when/if I switch to software live looping.

@Andy: 
> Chopitch is especially useful for beatbox type vocals.
Do you have any beatboxing examples with Chopitch?

best regards
Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Fri May  8 12:57:39 2009
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Date: Fri, 8 May 2009 14:57:38 +0200
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Subject: Re: peterson sonuus
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2009/5/8, Per Boysen <perboysen@gmail.com>:
> On Fri, May 8, 2009 at 6:39 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
>> http://www.petersontuners.com/sonuusgw

> but thinking of
>> triggering some unsync events ... could be this achieved with
>> plugins?.
>
> Yes, ten months ago I research that and found quite some "Audio to MIDI"
> converting plug-ins. Not pitch-reading though, so you would have to tell the
> plug-in what MIDI note to send out every time an audio input is received. My
> application back then was to use any analog noise as a MIDI trigger. I left
> that directions though and went back to using a FCB1010 plus hand mixer for
> control, because it is more playable (the tendency is to move more into
> playing effect processing rather than switching them on and off as I used to
> do)

good decision per. was krispen who was doing some kind of pitch
recognition ITB, so then he can trigger some events based on the notes
he plays? at least, that's what it seems to me. kris?


> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri May  8 15:16:00 2009
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Subject: Re: in Bb
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It's great, thanks for pointing up this kind of stuff.
It would be great if the video tracks were looped (I know it's possible to 
do it with Youtube file movies)...sort of limited but endless generative 
video-music composition.

As some of you may know, I coordinated the Ct-Collective Generative project 
(http://www.ct-collective.com/index.cfm?page=music&albumid=39), in which I 
have "re-used" this Brian Eno's concept and build up a 
generative-installation on the web 
(http://www.eterogeneo.com/Generative-Music/Generative_Room.html)

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo


----- Original Message ----- 
From: "Aaron Leese" <aaronleese@flyloops.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 08, 2009 4:49 AM
Subject: in Bb


>
>
> Found this thing out there on the intra-weba-sphere and thought there
> would be some of you that would appreciate it:
>
> http://www.inbflat.net/
>
> not anything too hard to do ... but a cool concept anyway.
>
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Fri May  8 15:28:03 2009
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Date: Fri, 8 May 2009 17:28:02 +0200
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Subject: Re: in Bb
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On Fri, May 8, 2009 at 5:15 PM, eterogeneo <info@eterogeneo.com> wrote:

> It's great, thanks for pointing up this kind of stuff.
> It would be great if the video tracks were looped (I know it's possible to
> do it with Youtube file movies)...sort of limited but endless generative
> video-music composition.
>
> As some of you may know, I coordinated the Ct-Collective Generative project
> (http://www.ct-collective.com/index.cfm?page=music&albumid=39), in which I
> have "re-used" this Brian Eno's concept and build up a
> generative-installation on the web (
> http://www.eterogeneo.com/Generative-Music/Generative_Room.html)
>


I made an animated flash video collage back in the nineties, with videos
looped. It might stand out a bit like a pink turkey in this highly
sophisticated  company, so please remember it was created as a joke even
though the audio recording is from our live concert/art performance:
http://www.boysen.se/kitchenensemble/tellus.html

per

--001e680f12e0398292046968461e
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On Fri, May 8, 2009 at 5:15 PM, eterogeneo <span dir=3D"ltr">&lt;<a href=3D=
"mailto:info@eterogeneo.com">info@eterogeneo.com</a>&gt;</span> wrote:<br><=
div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"border=
-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-lef=
t: 1ex;">
<div id=3D":10d" class=3D"ii gt">It&#39;s great, thanks for pointing up thi=
s kind of stuff.<br>
It would be great if the video tracks were looped (I know it&#39;s possible=
 to do it with Youtube file movies)...sort of limited but endless generativ=
e video-music composition.<br>
<br>
As some of you may know, I coordinated the Ct-Collective Generative project=
 (<a href=3D"http://www.ct-collective.com/index.cfm?page=3Dmusic&amp;albumi=
d=3D39" target=3D"_blank">http://www.ct-collective.com/index.cfm?page=3Dmus=
ic&amp;albumid=3D39</a>), in which I have &quot;re-used&quot; this Brian En=
o&#39;s concept and build up a generative-installation on the web (<a href=
=3D"http://www.eterogeneo.com/Generative-Music/Generative_Room.html" target=
=3D"_blank">http://www.eterogeneo.com/Generative-Music/Generative_Room.html=
</a>)</div>
</blockquote></div><br><br>I made an animated flash video collage back in t=
he nineties, with videos looped. It might stand out a bit like a pink turke=
y in this highly sophisticated=C2=A0 company, so please remember it was cre=
ated as a joke even though the audio recording is from our live concert/art=
 performance: <br>
<a href=3D"http://www.boysen.se/kitchenensemble/tellus.html">http://www.boy=
sen.se/kitchenensemble/tellus.html</a><br><br>per<br>

--001e680f12e0398292046968461e--

From Loopers-Delight-request@loopers-delight.com  Fri May  8 15:35:41 2009
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Subject: That ustream again - and other stuff
From: Rainer Straschill <moinsound@googlemail.com>
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So that ustream thing is catching on rather quickly (I think it was
Jim who said "that's the new youtube" or something), so I'm wondering:

What are your experiences with it, or with other similar services, and
how do they compare?

I have been exchanging ideas with fellow list member Jeff Duke, and we
also did a (successful) test run combining justin.tv and Ninjam. The
general summary of our experiences (in a nutshell):

There are four services known to us for video streaming: ustream,
justin, mebeam and stickam.

It seems that ustream and justin are made for broadcast, while stickam
and mebeam focus on the video group chat application.

Both ustream and justin allow you to use FME (standalone free flash
media encoder) to work together with their service. However, the
implementation is different: while with justin it's sufficient to just
connect to your stream with FME, with ustream you need to logon, open
a broadcast concole, have that pickup the FME stream and work from
there.

Ustream has some stability issues in that configuration and will often
not start up properly. (Which is a pity, because it's the only way to
get stereo audio).

Ustream has that cool "co-host" feature. A workaround: with justin,
you can just take several widgets of individual streams and combine
them on one web page (successfully tested).

At least ustream and justin.tv have problems with some browsers (most
specifically IE).

Summarizing, here's a quote from a message I sent to Jeff:
		Main Goal		HQ Video possible		Stereo Audio	stable	co-host
ustream	broadcast			X			         (w FME)		   -		  X
justin	broadcast			X			         (w FME)		   X		  -
stickam	vchat				-   				      -		           ?		  -
mebeam	vchat				-				      -		           ?		  -

MY QUESTIONS TO YOU:

1. alternatives to these services which allow for combining video
feeds? (With the exception of that, justin really works fine for me)
2. your experiences using ustream with FME (please also mention platform)

Thanks,

             Rainer

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Date: Fri, 8 May 2009 12:41:05 -0400
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Subject: Re: That ustream again - and other stuff
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Rainer and all - 'new YT' yes, I thought it ustream or others is the
greatest thing since sliced bread.  As mentioned yesterday I'm doing my 2nd
show this weekend and I have found the technology very friendly.  I'm
running on a Macbookpro using Safari 4.0 the beta one.  Using the built in
iSight cam which kicked in flawlessly after accepting the flash security
prompt.

I did make the mistake last time of monitoring off my USB controller's
output and got the delay which I just lived with.  I use a Tascam 224 USB.
It was a larger amount of delay than NinJam which surprised me.  Prior to
the controller I feed my looper and instruments into a Behringer mixer which
I should monitor through and will this weekend.

I'm eager to figure out the managing of two inputs meaning muli NJ feeds to
the one account so Daryl and I can do a live Chinapainting show as well as
other possible collaborations.  I'd also like to figure out how to feed to
video feeds to it so I could do an alt camera angle.  Silly quest but can I
mount a second web cam by just using another USB port?

It's early in the game for me with this so I don't have that much to share
beyond my setup and interest.  I think Matt [Stevens] is the old-timer here
and may can shed other light.

I will mention and I think he wrote the list or may have jsut been me but
Chris (CPR) suggested the idea of having an LD channel on one of these
services and having like a whole day of LD with a diff act every hour akin
to a virt fest which I think is a marvelous idea.

Anyhow it's cool...

Jim

On Fri, May 8, 2009 at 11:35 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> So that ustream thing is catching on rather quickly (I think it was
> Jim who said "that's the new youtube" or something), so I'm wondering:
>
> What are your experiences with it, or with other similar services, and
> how do they compare?
>
> I have been exchanging ideas with fellow list member Jeff Duke, and we
> also did a (successful) test run combining justin.tv and Ninjam. The
> general summary of our experiences (in a nutshell):
>
> There are four services known to us for video streaming: ustream,
> justin, mebeam and stickam.
>
> It seems that ustream and justin are made for broadcast, while stickam
> and mebeam focus on the video group chat application.
>
> Both ustream and justin allow you to use FME (standalone free flash
> media encoder) to work together with their service. However, the
> implementation is different: while with justin it's sufficient to just
> connect to your stream with FME, with ustream you need to logon, open
> a broadcast concole, have that pickup the FME stream and work from
> there.
>
> Ustream has some stability issues in that configuration and will often
> not start up properly. (Which is a pity, because it's the only way to
> get stereo audio).
>
> Ustream has that cool "co-host" feature. A workaround: with justin,
> you can just take several widgets of individual streams and combine
> them on one web page (successfully tested).
>
> At least ustream and justin.tv have problems with some browsers (most
> specifically IE).
>
> Summarizing, here's a quote from a message I sent to Jeff:
>                Main Goal               HQ Video possible
> Stereo Audio    stable  co-host
> ustream broadcast                       X                                (w
> FME)                   -              X
> justin  broadcast                       X                                (w
> FME)                   X              -
> stickam vchat                           -
>   -                    ?              -
> mebeam  vchat                           -
>   -                    ?              -
>
> MY QUESTIONS TO YOU:
>
> 1. alternatives to these services which allow for combining video
> feeds? (With the exception of that, justin really works fine for me)
> 2. your experiences using ustream with FME (please also mention platform)
>
> Thanks,
>
>             Rainer
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b52b71b2940469694bc4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Rainer and all - &#39;new YT&#39; yes, I thought it ustream or others =
is the greatest thing since sliced bread.=A0 As mentioned yesterday I&#39;m=
 doing my 2nd show this weekend and I have found the technology very friend=
ly.=A0 I&#39;m running on a Macbookpro using Safari 4.0 the beta one.=A0 Us=
ing the built in iSight cam which kicked in flawlessly after accepting the =
flash security prompt.</div>

<div>=A0</div>
<div>I did make the mistake last time of monitoring off my USB controller&#=
39;s output and got the delay which I just lived with.=A0 I use a Tascam 22=
4 USB.=A0 It was a larger amount of delay than NinJam which surprised me.=
=A0 Prior to the controller I feed my looper and instruments into a Behring=
er mixer which I should monitor through and will this weekend.</div>

<div>=A0</div>
<div>I&#39;m eager to figure out the managing of two inputs meaning muli NJ=
 feeds to the one account so Daryl and I can do a live Chinapainting show a=
s well as other possible collaborations.=A0 I&#39;d also like to figure out=
 how to feed to video feeds to it so I could do an alt camera angle.=A0 Sil=
ly quest but can I mount a second web cam by just using another USB port?</=
div>

<div>=A0</div>
<div>It&#39;s early in the game for me with this so I don&#39;t have that m=
uch to share beyond my setup and interest.=A0 I think Matt [Stevens] is the=
 old-timer here and may can shed other light.</div>
<div>=A0</div>
<div>I will mention and I think he wrote the list or may have jsut been me =
but Chris (CPR) suggested the idea of having an LD channel on one of these =
services and having like a whole day of LD with a diff act every hour akin =
to a virt fest which I think is a marvelous idea.</div>

<div>=A0</div>
<div>Anyhow it&#39;s cool...</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Fri, May 8, 2009 at 11:35 AM, Rainer Straschi=
ll <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinso=
und@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">So that ustream thing is catchin=
g on rather quickly (I think it was<br>Jim who said &quot;that&#39;s the ne=
w youtube&quot; or something), so I&#39;m wondering:<br>
<br>What are your experiences with it, or with other similar services, and<=
br>how do they compare?<br><br>I have been exchanging ideas with fellow lis=
t member Jeff Duke, and we<br>also did a (successful) test run combining <a=
 href=3D"http://justin.tv/" target=3D"_blank">justin.tv</a> and Ninjam. The=
<br>
general summary of our experiences (in a nutshell):<br><br>There are four s=
ervices known to us for video streaming: ustream,<br>justin, mebeam and sti=
ckam.<br><br>It seems that ustream and justin are made for broadcast, while=
 stickam<br>
and mebeam focus on the video group chat application.<br><br>Both ustream a=
nd justin allow you to use FME (standalone free flash<br>media encoder) to =
work together with their service. However, the<br>implementation is differe=
nt: while with justin it&#39;s sufficient to just<br>
connect to your stream with FME, with ustream you need to logon, open<br>a =
broadcast concole, have that pickup the FME stream and work from<br>there.<=
br><br>Ustream has some stability issues in that configuration and will oft=
en<br>
not start up properly. (Which is a pity, because it&#39;s the only way to<b=
r>get stereo audio).<br><br>Ustream has that cool &quot;co-host&quot; featu=
re. A workaround: with justin,<br>you can just take several widgets of indi=
vidual streams and combine<br>
them on one web page (successfully tested).<br><br>At least ustream and <a =
href=3D"http://justin.tv/" target=3D"_blank">justin.tv</a> have problems wi=
th some browsers (most<br>specifically IE).<br><br>Summarizing, here&#39;s =
a quote from a message I sent to Jeff:<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Main Goal =A0 =A0 =A0 =A0 =A0 =A0 =A0 HQ Vid=
eo possible =A0 =A0 =A0 =A0 =A0 =A0 =A0 Stereo Audio =A0 =A0stable =A0co-ho=
st<br>ustream broadcast =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 X =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0(w FME) =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 - =A0 =A0 =A0 =A0 =A0 =A0 =A0X<br>
justin =A0broadcast =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 X =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0(w FME) =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 X =A0 =A0 =A0 =A0 =A0 =A0 =A0-<br>stickam vchat =A0=
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 - =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 - =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0? =A0 =A0 =A0 =A0 =A0 =A0 =A0-<br>
mebeam =A0vchat =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 - =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 - =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0? =A0 =A0 =A0 =A0 =A0 =A0 =A0-<br><br>MY=
 QUESTIONS TO YOU:<br><br>1. alternatives to these services which allow for=
 combining video<br>feeds? (With the exception of that, justin really works=
 fine for me)<br>
2. your experiences using ustream with FME (please also mention platform)<b=
r><br>Thanks,<br><font color=3D"#888888"><br>=A0 =A0 =A0 =A0 =A0 =A0 Rainer=
<br><br></font></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b52b71b2940469694bc4--

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Subject: Re: That ustream again - and other stuff
Date: Fri, 8 May 2009 12:47:10 -0400
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I wanted to add a couple of things to Rainers review, first is Stickam. My 
son has been using it with his band for live stuff for awhile. I have not 
tried Stickam but it seems to be on a line with ustream and justin not just 
for "video group chat application" as Rainer stated. I have not tried it so 
i am not sure if it has the higher quality FME capability. You can check out 
my son "Vlad" and the gang here http://vampyre.org/vampyre-live
He is the lead guitarist btw! Sorry for the shameless promotion but that's 
my boy!

The other thing I will add is that in order for me to do the justin/ninjam 
thing with Rainer I had problems in that I was at 90% + cpu with Ninjam, the 
FME and the browser window opened. He suggested that I close the browser and 
it worked much better. The only thing being is that I can't see him which is 
ok in that we are playing music and not acting anyway right? Obviously I 
just need another machine for part of this operation. More bandwith is 
always good anyway but I am able to run both on a 650 upstream connection as 
long as I have the video qualities set properly and the browser window 
closed. Still experimenting on this part.

Looking forward to the Matt Stevens and Jim Goodin shows Sunday and David 
Cooper Orton on Tuesday, David is sounding great in his test run! 
http://www.ustream.tv/recorded/1478760

And me? I will be jumping in soon I promise. I am practicing, sheesh!

peace,

Jeff





----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, May 08, 2009 11:35 AM
Subject: That ustream again - and other stuff


> So that ustream thing is catching on rather quickly (I think it was
> Jim who said "that's the new youtube" or something), so I'm wondering:
>
> What are your experiences with it, or with other similar services, and
> how do they compare?
>
> I have been exchanging ideas with fellow list member Jeff Duke, and we
> also did a (successful) test run combining justin.tv and Ninjam. The
> general summary of our experiences (in a nutshell):
>
> There are four services known to us for video streaming: ustream,
> justin, mebeam and stickam.
>
> It seems that ustream and justin are made for broadcast, while stickam
> and mebeam focus on the video group chat application.
>
> Both ustream and justin allow you to use FME (standalone free flash
> media encoder) to work together with their service. However, the
> implementation is different: while with justin it's sufficient to just
> connect to your stream with FME, with ustream you need to logon, open
> a broadcast concole, have that pickup the FME stream and work from
> there.
>
> Ustream has some stability issues in that configuration and will often
> not start up properly. (Which is a pity, because it's the only way to
> get stereo audio).
>
> Ustream has that cool "co-host" feature. A workaround: with justin,
> you can just take several widgets of individual streams and combine
> them on one web page (successfully tested).
>
> At least ustream and justin.tv have problems with some browsers (most
> specifically IE).
>
> Summarizing, here's a quote from a message I sent to Jeff:
> Main Goal HQ Video possible Stereo Audio stable co-host
> ustream broadcast X          (w FME)    -   X
> justin broadcast X          (w FME)    X   -
> stickam vchat -         -            ?   -
> mebeam vchat -       -            ?   -
>
> MY QUESTIONS TO YOU:
>
> 1. alternatives to these services which allow for combining video
> feeds? (With the exception of that, justin really works fine for me)
> 2. your experiences using ustream with FME (please also mention platform)
>
> Thanks,
>
>             Rainer
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri May  8 16:57:58 2009
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	<danielphegarty@googlemail.com>
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Subject: Re: Finished EP!
Date: Fri, 8 May 2009 18:57:56 +0200
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Thanks for sharing, Daniel.
I'm listening to it right now and I have to say that it's brilliant !
I can hear some Radiohead-Belew-Jeff Buckley (plus others) influences =
(everyone has his "Gods", but your music has "its own" sound, and I =
think this is one  of the best quality in music.
I also like the way you use your voice.

Best for your next EP and let us know your future releases.

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo

  ----- Original Message -----=20
  From: Daniel Hegarty=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, May 07, 2009 12:29 AM
  Subject: Finished EP!


  Hi All,


  I've just finished a new EP that I'd love some feedback on.


  About 6 months ago as I took my first tentative steps into the world =
of looping and EDPs, you guys absolutely saved me from a chasm of =
confusion! I really can't thank you all enough, it simply would have =
been impossible to create this music without your help. Particularly I'd =
like to thank Andy at SE for repairing my first EDP, and Kim and Mathias =
for their swift and useful advice, and everybody else who put up with me =
whining about 'the broken glass' noise and/or 'how do you make logic and =
an EP do "insert stupid question here"!


  All feedback good or bad would be wonderful, thanks again.


  http://soundcloud.com/tenmen/sets/tenmen


  Daniel


-------------------------------------------------------------------------=
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks for sharing,=20
Daniel.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'm listening to it =
right now and I=20
have to say that it's&nbsp;brilliant !</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I can hear some=20
Radiohead-Belew-Jeff Buckley (plus others)&nbsp;influences (everyone has =
his=20
"Gods", but&nbsp;your music&nbsp;has "its own" sound, and I think this =
is=20
one&nbsp; of the best quality in music.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I also like the way you =
use your=20
voice.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Best for your next EP =
and let us=20
know your future releases.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT></DIV>
<DIV><A href=3D"http://www.livelooping.it">www.livelooping.it</A><BR><A=20
href=3D"">www.myspace.com/europeanliveloopingfest</A><BR><A=20
href=3D"">www.eterogeneo.com</A><BR><A=20
href=3D"">www.myspace.com/eterogeneo</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddanielphegarty@googlemail.com=20
  href=3D"mailto:danielphegarty@googlemail.com">Daniel Hegarty</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 07, 2009 =
12:29=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Finished EP!</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><BR></DIV>Hi =
All,
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><FONT =
face=3D"Book Antiqua"=20
  color=3D#000080></FONT><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT><BR></DIV>
  <DIV>I've just finished a new EP that I'd love some feedback on.</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><BR></DIV>
  <DIV>About 6 months ago as I took my first tentative steps into the =
world of=20
  looping and EDPs, you guys absolutely saved me from a chasm of =
confusion! I=20
  really can't thank you all enough, it simply would have been =
impossible to=20
  create this music without your help. Particularly I'd like to thank =
Andy at SE=20
  for repairing my first EDP, and Kim and Mathias for their swift and =
useful=20
  advice, and everybody else who put up with me whining about 'the =
broken glass'=20
  noise and/or 'how do you make logic and an EP do "insert stupid =
question=20
  here"!</DIV>
  <DIV><BR></DIV>
  <DIV>All feedback good or bad would be wonderful, thanks again.</DIV>
  <DIV><BR></DIV>
  <DIV><A=20
  =
href=3D"http://soundcloud.com/tenmen/sets/tenmen">http://soundcloud.com/t=
enmen/sets/tenmen</A></DIV>
  <DIV><BR></DIV>
  <DIV>Daniel</DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.325 / Virus Database: 270.12.20/2100 - =
Release=20
  Date: 05/06/09 06:04:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0315_01C9D00E.E5FF1970--

From Loopers-Delight-request@loopers-delight.com  Fri May  8 17:54:45 2009
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Subject: extensive Augustus Loop/FCB1010 looping tutorial
From: Os <os@collective.co.uk>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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http://ausdemfenster.de/

"How to do live looping with Augustus Loop 2.1 and an FCB1010 midi
foot controller"

extract:

Ever since I figured out how to remote control clip recording in
Ableton Live 7 over midi, which was about a year ago, I=92ve been trying
to build the =93ultimate computer based loop station=94. I=92ve built
increasingly more complex Live Sets utilized all sorts of routing
tricks and midi conversion scripts and always ended up sort of
discontent, because my setups could not be operated effectively with
just the 10 switches and two pedals my Behringer FCB1010 midi
controller provided. No matter what I tried, I always seemed to end up
staring confusedly at the floor board wondering where the hell I was
while my potentially brilliant musical idea vanished into thin air.

Then I stumbled over Expert Sleepers Augustus Loop 2 which provided a
completely programmable midi control environment and I knew this would
give me all I needed to come up with a controlling setup I could use
to actually control my loops. The main remaining problem now was that
if I used more than one loop the FCB1010 out of the box wouldn=92t give
me any feedback on what loop I was operating on. Then I found out
about the unofficial Uno firmware upgrade (http://www.ossandust.be/).
I had a friend burn the downloaded image file on an eeprom chip and
was now able to operate the unit in =93stompbox mode=94. In short, this
makes it possible to have one row of buttons on the FCB1010 act as
pedals that operate independently of the selected patches in the other
row. Now, I can select a loop to control by stepping on one of the
buttons in the lower row and the LED on this button stays on even when
I press buttons in the upper row to manipulate the loop.

I have written my own lua midi script and gui for Augustus which I=92ve
been able to extend even further since Os, its ever helpful developer,
has built in some event timing support. So, for the first time since I
discovered the joys of live looping I=92m very content with my setup.
That=92s why I=92m making it public here. Maybe someone finds it useful,
too. And hopefully I=92ll get to making more actual music now instead of
working on my setup (well, one can dream).


cheers,
os.

--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri May  8 18:36:56 2009
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From: David Coffin <dpcoffin@earthlink.net>
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Subject: Dig This
Date: Fri, 8 May 2009 11:01:56 -0700
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http://www.stringstation.com/dinvenmain.html

(a performance starts at 2:25)

dc

From Loopers-Delight-request@loopers-delight.com  Fri May  8 19:15:17 2009
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Date: Fri, 8 May 2009 21:15:16 +0200
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Subject: Re: Dig This
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On Fri, May 8, 2009 at 8:01 PM, David Coffin <dpcoffin@earthlink.net> wrote:
>
> http://www.stringstation.com/dinvenmain.html
>
> (a performance starts at 2:25)

"Total Immersion Concert II".....
"Its functions allow a deeper resolution of music's endless power to
be explored... "

eh, wow.

I didn't know about this project, so at first sight I thought it has
to be a hoax. A site someone forgot to take offline as April passed.
But then I read on, and on, and on.... and finally I understood that
the whole site is a brilliant fishing-for-investors aiming at putting
the Stringstation into manufactured production. Language and design is
evidently pitched at business people and that explains the weird feel.
 This is awesome and I sincerely hope he finds sponsors and that Rick
Walker books him to play in Santa Cruz! ;-)

per

From Loopers-Delight-request@loopers-delight.com  Fri May  8 19:47:56 2009
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From: Rainer Straschill <moinsound@googlemail.com>
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It's time for another session, more specifically tomorrow (Sat May
9th) at 1600 UTC.

Start the day with a lush trombone voice blasting into your tired
eyes, enjoy lunch to the uneasy listening outings of Rainer
Straschill, prepare for the night with some addictive grooves in
non-even meters or go to bed with a lullaby inviting nightmares and
sweet dreams alike.

Go to http://moinlabs.de or my myspace page for a widget, or get the
full blast (including chat) at http://www.justin.tv/moinlabs

All the best,

              Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Fri May  8 21:28:48 2009
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Date: Fri, 08 May 2009 14:28:49 -0700
From: Rick Walker <looppool@cruzio.com>
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I can't find anyone who carries this product (Peterson pitch to midi 
converter for guitar) and
it's not listed on Peterson's own online store for sale.

Does this not exist yet or am I missing something.

I would love to invest in it if it's out there and not too pricey.

I also wonder if it will track glissandos on a fretless guitar
(I'm sure portamento could be programmed on a midi synth)

Anyone know whether that's possible?

signed,   the Village Midiot  Rick

From Loopers-Delight-request@loopers-delight.com  Fri May  8 21:33:13 2009
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Date: Fri, 8 May 2009 17:33:12 -0400
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Rainer I absolutely love this! Amazing promo..  Tomorrow busy day but
if all poss I'll be tuned in.

Jim

On 5/8/09, Rainer Straschill <moinsound@googlemail.com> wrote:
> It's time for another session, more specifically tomorrow (Sat May
> 9th) at 1600 UTC.
>
> Start the day with a lush trombone voice blasting into your tired
> eyes, enjoy lunch to the uneasy listening outings of Rainer
> Straschill, prepare for the night with some addictive grooves in
> non-even meters or go to bed with a lullaby inviting nightmares and
> sweet dreams alike.
>
> Go to http://moinlabs.de or my myspace page for a widget, or get the
> full blast (including chat) at http://www.justin.tv/moinlabs
>
> All the best,
>
>               Rainer
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://video.google.de/videosearch?q=moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=117329
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Fri May  8 22:20:01 2009
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http://soundcloud.com/tenmen/sets/tenmen

 


 

just sat down with my after dinner coffee and smoke and gave this a listen.....
wonderful!.....just what the doctor ordered.....thanks daniel.....:)m



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<div> <br>
</div>
<blockquote style="border-left: 2px solid blue; padding-left: 3px;">http://soundcloud.com/tenmen/sets/tenmen</blockquote>
<div> <br>
</div>

<div> <br>
</div>
<font face="Arial, Helvetica, sans-serif">just sat down with my after dinner coffee and smoke and gave this a listen.....<br>
wonderful!.....just what the doctor ordered.....thanks daniel.....:)m<br>
</font><!-- end of AOLMsgPart_2_d641a4f8-8269-4b1e-9a53-b5df1cfe1064 -->

<div id='MAILCIAMB041-5c564a04aff81e9' class='aol_ad_footer'><br/><font style="color:black;font:normal 10pt arial,san-serif;"> <hr style="margin-top:10px"/><B>A Good Credit Score is 700 or Above. <A HREF=http://pr.atwola.com/promoclk/100126575x1221322931x1201367171/aol?redir=http://www.freecreditreport.com/pm/default.aspx?sc=668072%26hmpgID=62%26bcd=May5509footerNO62>See yours in just 2 easy steps!</A></B></font> </div>

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From Loopers-Delight-request@loopers-delight.com  Fri May  8 23:17:30 2009
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Subject: RE: Finished EP!
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Hi Daniel,
When and where can I buy your CD? ;) I know your how hard it is to make =
good
arrangements, and your approach sounds refreshing to me in many ways: =
the
rhythmns, the psychedelic sphere, the experiemental parts. Well done!
---
Sjaak
http://sjaakovergaauw.com/
http://euroloopfest.com/
http://last.fm/music/sjaak+overgaauw


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Date: Sat, 9 May 2009 03:58:06 +0200
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hi rick,

it's listed in thomann.de ... 95=80.



2009/5/8, Rick Walker <looppool@cruzio.com>:
> I can't find anyone who carries this product (Peterson pitch to midi
> converter for guitar) and
> it's not listed on Peterson's own online store for sale.
>
> Does this not exist yet or am I missing something.
>
> I would love to invest in it if it's out there and not too pricey.
>
> I also wonder if it will track glissandos on a fretless guitar
> (I'm sure portamento could be programmed on a midi synth)
>
> Anyone know whether that's possible?
>
> signed,   the Village Midiot  Rick
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Sat May  9 07:41:57 2009
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--001517478c2c13c62e046975e114
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I would guess that it DOES track a glissando.. but a bit badly... It will b=
e
of course be only monophonic (which is cool IMHO) I used to have a Korg
X511, which was old skool, analog sounds... and it tracked great... untill
you played 2 notes, then it squealed like a pig...
what you will find is that it generates a trigger for opening a ADSR and
note info... which will be continuous data. (so bends will work) the tricky
thing is keeping the trigger thresholds even. (thats playing style really)
OR it may work with an envelope follower, which would track the volume of
the guitar. this is better.

At 90=80 its kinda worth a try?

m.x

On Sat, May 9, 2009 at 3:58 AM, Raul Bonell <raul.bonell@gmail.com> wrote:

> hi rick,
>
> it's listed in thomann.de ... 95=80.
>
>
>
> 2009/5/8, Rick Walker <looppool@cruzio.com>:
> > I can't find anyone who carries this product (Peterson pitch to midi
> > converter for guitar) and
> > it's not listed on Peterson's own online store for sale.
> >
> > Does this not exist yet or am I missing something.
> >
> > I would love to invest in it if it's out there and not too pricey.
> >
> > I also wonder if it will track glissandos on a fretless guitar
> > (I'm sure portamento could be programmed on a midi synth)
> >
> > Anyone know whether that's possible?
> >
> > signed,   the Village Midiot  Rick
> >
> >
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001517478c2c13c62e046975e114
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I would guess that it DOES track a glissando.. but a bit badly... It will b=
e of course be only monophonic (which is cool IMHO) I used to have a Korg X=
511, which was old skool, analog sounds... and it tracked great... untill y=
ou played 2 notes, then it squealed like a pig...<br>

what you will find is that it generates a trigger for opening a ADSR and no=
te info... which will be continuous data. (so bends will work) the tricky t=
hing is keeping the trigger thresholds even. (thats playing style really)=
=A0 OR it may work with an envelope follower, which would track the volume =
of the guitar. this is better.<br>

<br>At 90=80 its kinda worth a try?<br><br>m.x<br><br><div class=3D"gmail_q=
uote">On Sat, May 9, 2009 at 3:58 AM, Raul Bonell <span dir=3D"ltr">&lt;<a =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">hi rick,<br>
<br>
it&#39;s listed in <a href=3D"http://thomann.de" target=3D"_blank">thomann.=
de</a> ... 95=80.<br>
<br>
<br>
<br>
2009/5/8, Rick Walker &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@c=
ruzio.com</a>&gt;:<br>
&gt; I can&#39;t find anyone who carries this product (Peterson pitch to mi=
di<br>
&gt; converter for guitar) and<br>
&gt; it&#39;s not listed on Peterson&#39;s own online store for sale.<br>
&gt;<br>
&gt; Does this not exist yet or am I missing something.<br>
&gt;<br>
&gt; I would love to invest in it if it&#39;s out there and not too pricey.=
<br>
&gt;<br>
&gt; I also wonder if it will track glissandos on a fretless guitar<br>
&gt; (I&#39;m sure portamento could be programmed on a midi synth)<br>
&gt;<br>
&gt; Anyone know whether that&#39;s possible?<br>
&gt;<br>
&gt; signed, =A0 the Village Midiot =A0Rick<br>
&gt;<br>
&gt;<br>
<font color=3D"#888888"><br>
<br>
--<br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" target=
=3D"_blank">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001517478c2c13c62e046975e114--

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BTW, it was at they're website Rick..
http://www.petersontuners.com/index.cfm?category=149

m

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<br>BTW, it was at they&#39;re website Rick..<br><a href="http://www.petersontuners.com/index.cfm?category=149">http://www.petersontuners.com/index.cfm?category=149</a><br><br>m <br>

--000e0cd1e90630fe82046975ee72--

From Loopers-Delight-request@loopers-delight.com  Sat May  9 09:21:03 2009
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hi Rick,

mark francombe wrote:
> I would guess that it DOES track a glissando.. but a bit badly... It 
> will be of course be only monophonic (which is cool IMHO) 
from their website:-
"the nuances of your performance are captured with fast, accurate pitch-bend data."

Which means it will only track glissando up to the max range of pitch bend,
which may or may not be an octave. (could be a maj 2nd)
There doesn't appear to be much user interface (aka hardly any knobs) on the unit,
so it would be a case of programming the Midi sound generator module to have
a pitch bend range that matches the Sonuus.

They also say:-

"Striving to improve MIDI note accuracy, encourages clean picking and accurate 
fingering, with good control over non-sounding strings by damping them."

Now that's the disadvantage of not having the special midi-pickup like the 
Roland GK series.
The damping technique described is (afaik) one that is not commonly used by
guitarists, one I've only rarely heard mentioned.
Solution would be to damp the strings at the nut in the same
way a tap shredder would.


An equivalent device is the Yamaha G50, which has the Axon(the best) technology
on board and also offers a mono input.
These are rare now, but can be very cheap if found.
The mono input will never track as well as when a special pickup is used,
and from my G50 experiences it's indeed a bit slower.

This looks like an excellent product, and from the numerous YouTube
vids it seems to track very well, although the latency is noticeable.
If I didn't have the G50 already (unused) I'd be ordering one today.
..However, I thought their demo of using it to create notation with
Pro Tools was somewhat faked.


I remember Mark Sollitaro's comments on this subject...he ended up
simply using a keyboard to trigger his midi synths.
It's far easier, more reliable, no big latency, and there's plenty
of cool cheap key controllers available.
...or Midi Wind instruments!


andy butler





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Date: Sat, 9 May 2009 11:33:14 +0200
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Subject: Re: peterson sonuus
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On Sat, May 9, 2009 at 11:32 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> I remember Mark Sollitaro's comments on this subject...he ended up
> simply using a keyboard to trigger his midi synths.
> It's far easier, more reliable, no big latency, and there's plenty
> of cool cheap key controllers available.
> ...or Midi Wind instruments!

Yep. I totally agree - as a tinker that have played MIDI Guitar with
bands, cheated on keyboards and love to use an EWI as well. When I
used MIDI Guitar I always mixed the MIDI modules behind the raw guitar
sound, for the reasons mentioned earlier in this thread. It may be fun
to try if you haven't, but don't expect "MIDI guitar" too much of an
instrument.

Per

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OMG.. what?? Ive been playing guitar synths all my life... sure you have to
get used to latancy and tracking issues, but to say its not an instrument..
PAH! Per.. shame on you... (but yes I have a mini keyboard in my rack for
triggering more rythm oriented things...)

Mark

On Sat, May 9, 2009 at 11:33 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, May 9, 2009 at 11:32 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > I remember Mark Sollitaro's comments on this subject...he ended up
> > simply using a keyboard to trigger his midi synths.
> > It's far easier, more reliable, no big latency, and there's plenty
> > of cool cheap key controllers available.
> > ...or Midi Wind instruments!
>
> Yep. I totally agree - as a tinker that have played MIDI Guitar with
> bands, cheated on keyboards and love to use an EWI as well. When I
> used MIDI Guitar I always mixed the MIDI modules behind the raw guitar
> sound, for the reasons mentioned earlier in this thread. It may be fun
> to try if you haven't, but don't expect "MIDI guitar" too much of an
> instrument.
>
> Per
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c10a05a63de046978850b
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OMG.. what?? Ive been playing guitar synths all my life... sure you have to=
 get used to latancy and tracking issues, but to say its not an instrument.=
. PAH! Per.. shame on you... (but yes I have a mini keyboard in my rack for=
 triggering more rythm oriented things...)<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Sat, May 9, 2009 at 11:33 AM,=
 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">pe=
rboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0=
.8ex; padding-left: 1ex;">

<div class=3D"im">On Sat, May 9, 2009 at 11:32 AM, andy butler &lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br=
>
&gt; I remember Mark Sollitaro&#39;s comments on this subject...he ended up=
<br>
&gt; simply using a keyboard to trigger his midi synths.<br>
&gt; It&#39;s far easier, more reliable, no big latency, and there&#39;s pl=
enty<br>
&gt; of cool cheap key controllers available.<br>
&gt; ...or Midi Wind instruments!<br>
<br>
</div>Yep. I totally agree - as a tinker that have played MIDI Guitar with<=
br>
bands, cheated on keyboards and love to use an EWI as well. When I<br>
used MIDI Guitar I always mixed the MIDI modules behind the raw guitar<br>
sound, for the reasons mentioned earlier in this thread. It may be fun<br>
to try if you haven&#39;t, but don&#39;t expect &quot;MIDI guitar&quot; too=
 much of an<br>
instrument.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c10a05a63de046978850b--

From Loopers-Delight-request@loopers-delight.com  Sat May  9 10:52:31 2009
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Subject: Selling the mofx
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New boxes come old boxes go...

have to sell the MoFx.. its a shame, but the time has come... rack space
issues..

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=260407567987

cheers...

Mark

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174bdeaaa7b39b0469788a16
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New boxes come old boxes go...<br><br>have to sell the MoFx.. its a shame, =
but the time has come... rack space issues..<br><br><span class=3D"core"><s=
pan><a href=3D"http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&amp;item=3D2=
60407567987">http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&amp;item=3D260=
407567987</a><br>

<br>cheers... <br><br>Mark<br clear=3D"all"></span></span><br>-- <br><a hre=
f=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"=
http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"=
http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfr=
ancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174bdeaaa7b39b0469788a16--

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Date: Sat, 9 May 2009 13:35:31 +0200
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Subject: Re: peterson sonuus
From: Per Boysen <perboysen@gmail.com>
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On Sat, May 9, 2009 at 12:50 PM, mark francombe <mark@markfrancombe.com> wrote:
> OMG.. what?? Ive been playing guitar synths all my life... sure you have to
> get used to latancy and tracking issues, but to say its not an instrument..
> PAH! Per.. shame on you...

What I mean is  that it is the sound module you connect to the guitar
that is "the instrument" ;-))

Per

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Subject: [OT] Trivia: What is this composition called?
From: Rainer Straschill <moinsound@googlemail.com>
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I'm addressing this knowledgable group with a question about the
composer and titel of a piece of music which I can only describe in
its concept.

You have several musicians sitting in different rooms (meaning: they
can't hear each other). They are told to play something. Each musician
is then miked and the signal fed to a central mixing console.
The guy on the mixing console has to mix the individual parts
together; however, he is not enabled to listen to them. The
performance is then what comes out of the console.

Anyone remembers this piece and can tell me title/composer. I have the
distinct suspicion that it was Cage, but am not so sure...and have no
clues about the title.

Thanks,

              Rainer

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--0015174c4616763fc8046979fc9b
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if its not cage Ill eat my hat...

I couldnt find out which one it was, but had LOTS of fun re-visiting
http://www.johncage.info/index2.html

THE resource for ALL of Cages works.. I have always been heavily influenced
by Cage. I believe he is a total genius, and a quick survey of his released
works confirms this... go to 1960 for example and see how he writes pieces
that are only NOW being produced by avant garde electronica artists.

Heres one for Rick for example

*R/13 (where R=Ryoanji) <http://www.johncage.info/workscage/risryoanji.html>

*And one for Rainer

*Concert for Piano and
Orchestra*<http://www.johncage.info/workscage/concpiorch.html>

*

...Mark
*

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c4616763fc8046979fc9b
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if its not cage Ill eat my hat...<br><br>I couldnt find out which one it wa=
s, but had LOTS of fun re-visiting <br><a href=3D"http://www.johncage.info/=
index2.html">http://www.johncage.info/index2.html</a><br><br>THE resource f=
or ALL of Cages works.. I have always been heavily influenced by Cage. I be=
lieve he is a total genius, and a quick survey of his released works confir=
ms this... go to 1960 for example and see how he writes pieces that are onl=
y NOW being produced by avant garde electronica artists.<br>

<br>Heres one for Rick for example<br><br><font color=3D"#000000" face=3D"A=
rial" size=3D"3"><b><font size=3D"+1"><a href=3D"http://www.johncage.info/w=
orkscage/risryoanji.html">R/13 (where R=3DRyoanji)</a><br><br></font></b></=
font>And one for Rainer<br>

<br><a href=3D"http://www.johncage.info/workscage/concpiorch.html"><font co=
lor=3D"#000000" face=3D"Arial" size=3D"3"><b><font size=3D"+1">Concert for =
Piano and Orchestra</font></b></font></a><br><br><font color=3D"#000000" fa=
ce=3D"Arial" size=3D"3"><b><font size=3D"+1"><br>

<br>...Mark<br></font></b></font><br clear=3D"all"><br>-- <br><a href=3D"ht=
tp://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://=
vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://=
uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe=
</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c4616763fc8046979fc9b--

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Subject: Re: [OT] Trivia: What is this composition called?
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On Sat, May 9, 2009 at 2:35 PM, mark francombe <mark@markfrancombe.com> wrote:
> if its not cage Ill eat my hat...

I don't know the name of that particular composition either, but as
"interesting OT" I can mention that Brian Eno snagged a bit of that
concept for recording production work when he produced Remain In Light
for The Talking Heads. And by the way, Cage ate more mushrooms than
hats ;-)

Per

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On May 9, 2009, at 5:35 AM, mark francombe wrote:

> if its not cage Ill eat my hat...




Might be Stockhausen.


BobC


http://cdbaby.com/cd/rpcollier4

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Subject: Re: [OT] Trivia: What is this composition called?
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2009/5/9, Per Boysen <perboysen@gmail.com>:
> On Sat, May 9, 2009 at 2:35 PM, mark francombe <mark@markfrancombe.com>
And by the way, Cage ate more mushrooms than
> hats ;-)
>
> Per

ha,ha,ha  you made my afternoon.


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Watching Rainer now...


J

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, May 08, 2009 3:47 PM
Subject: [Virtual Gig Spam]: "Get smacked on the head in a caring way" - 
Rainer Straschill's "Rübezahl" solo programme


> It's time for another session, more specifically tomorrow (Sat May
> 9th) at 1600 UTC.
>
> Start the day with a lush trombone voice blasting into your tired
> eyes, enjoy lunch to the uneasy listening outings of Rainer
> Straschill, prepare for the night with some addictive grooves in
> non-even meters or go to bed with a lullaby inviting nightmares and
> sweet dreams alike.
>
> Go to http://moinlabs.de or my myspace page for a widget, or get the
> full blast (including chat) at http://www.justin.tv/moinlabs
>
> All the best,
>
>              Rainer
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://video.google.de/videosearch?q=moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=117329
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat May  9 16:14:19 2009
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Subject: Re: video interview on how i do it, up at wired
Date: Sat, 9 May 2009 08:32:56 -0700
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beautiful, Zoe. articulate, creative... alive!

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com

On May 1, 2009, at 3:38 PM, Zoe Keating wrote:

> hi loopers,
>
> wired just posted the video they took of me looping and chatting in  
> my studio a couple weeks ago:
>
> http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001
>
> best,
>
> zoe
>








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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">beautiful, Zoe. articulate, =
creative... alive!<div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></span><div><div>On May 1, 2009, at =
3:38 PM, Zoe Keating wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>hi =
loopers,<br><br>wired just posted the video they took of me looping and =
chatting in my studio a couple weeks ago:<br><br><a =
href=3D"http://www.wired.com/video/latest-videos/latest/1815816633/avantga=
rde-cellist-zoe-keating/21830486001">http://www.wired.com/video/latest-vid=
eos/latest/1815816633/avantgarde-cellist-zoe-keating/21830486001</a><br><b=
r>best,<br><br>zoe<br><br></div></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
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class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-6--564512400--

From Loopers-Delight-request@loopers-delight.com  Sat May  9 19:46:27 2009
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	 <000601c9d0bf$cfd259d0$3b963547@YOUR08D5303051>
Date: Sat, 9 May 2009 15:46:25 -0400
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From: Jim Goodin <jimgoodinmusic@gmail.com>
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Rainer I'm sorry but I missed your show - did you record it, if so
please post the link.

Hope it went well.  Jim

On 5/9/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Watching Rainer now...
>
>
> J
>
> ----- Original Message -----
> From: "Rainer Straschill" <moinsound@googlemail.com>
> To: <loopers-delight@loopers-delight.com>
> Sent: Friday, May 08, 2009 3:47 PM
> Subject: [Virtual Gig Spam]: "Get smacked on the head in a caring way" -
> Rainer Straschill's "R=FCbezahl" solo programme
>
>
>> It's time for another session, more specifically tomorrow (Sat May
>> 9th) at 1600 UTC.
>>
>> Start the day with a lush trombone voice blasting into your tired
>> eyes, enjoy lunch to the uneasy listening outings of Rainer
>> Straschill, prepare for the night with some addictive grooves in
>> non-even meters or go to bed with a lullaby inviting nightmares and
>> sweet dreams alike.
>>
>> Go to http://moinlabs.de or my myspace page for a widget, or get the
>> full blast (including chat) at http://www.justin.tv/moinlabs
>>
>> All the best,
>>
>>              Rainer
>>
>> ---
>> http://moinlabs.de
>> http://www.myspace.com/moinlabs
>> http://video.google.de/videosearch?q=3Dmoinlabs
>> http://www.jamendo.com/en/artist/straschill/
>> http://Kunaki.com/MSales.asp?PublisherId=3D117329
>>
>>
>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Jim siad:
"Rainer I'm sorry but I missed your show - did you record it, if so
please post the link."

You bet I did! Part 1 (of more to come):
http://vimeo.com/4565667

Best,

            Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

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Subject: Live Looping Remix - Ghost Town
From: Warren Sirota <wsirota@wsdesigns.com>
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Another in a line of live loops with synced drums. in this case, I actually
replaced the drum track after the fact with something a bit more kicky. And
laid in a bass part after the fact that is now part of the live performance
of the piece. The cycle of improvise-extract-compose-perform (still with a
lot of improvisation, but with a lot more structure) is now complete
(-able). I am loving the new workflow.

warrensirota.com/solostuff/ghosttown.mp3

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Another in a line of live loops with synced drums. in this case, I actually=
 replaced the drum track after the fact with something a bit more kicky. An=
d laid in a bass part after the fact that is now part of the live performan=
ce of the piece. The cycle of improvise-extract-compose-perform (still with=
 a lot of improvisation, but with a lot more structure) is now complete (-a=
ble). I am loving the new workflow.<br>
<br><a href=3D"http://warrensirota.com/solostuff/ghosttown.mp3">warrensirot=
a.com/solostuff/ghosttown.mp3</a><br><br>

--00163630f4a1a902720469830d91--

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Date: Sun, 10 May 2009 08:51:32 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: peterson sonuus
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At 2:28 PM -0700 5/8/09, Rick Walker wrote:
>I can't find anyone who carries this product (Peterson pitch to midi 
>converter for guitar) and
>it's not listed on Peterson's own online store for sale.
>
>Does this not exist yet or am I missing something.

It's real, Rick.  I held one in my hand in an Osaka music store 
yesterday (before I caught up on this thread).

Don't think I'm going to bother with the Sonuus though.  For that 
same hundred bucks, I think I'm going to grab the Gakken Premium 
Theremin that was sitting right next to it.  ;)

Unrelatedly, I found a killer deal on the Gig-FX Chopper pedal at 
MusicLand Key in Osaka Shinsaibashi yesterday.  Seems they're blowing 
out the rev. 1 units for ~$98.  Regularly, Choppers list for $350 
here and street for ~$270.  You should check to see if they're doing 
the same thing elsewhere.  Sweet deal; I almost picked up two.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From des.rupert1@gmail.com  Sun May 10 00:09:01 2009
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Date: Sun, 10 May 2009 07:17:39 +0800
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Greetings!!!

l will like you to understand that, this is no spam message. Your attention to this message will change your life. I NEED JUST YOUR CO-OPERATIONS.I am Mr.Desmond Rupert, Director allocation department of GUARANTY BANK & TRUST COMPANY, United Kingdom/England branch. My office monitors and controls the affairs of all banks and financial institutions in England concerned with foreign claim payments. I am the final signatory to any transfer or remittance of huge funds moving within banks both on the local and international levels in line with foreign claim settlement.
 
I have before me list of funds  which could not be transferred to some nominated accounts as these accounts have been identified either as ghost  accounts  unclaimed deposits and over-invoiced sum etc. 0n this note  I wish to have a deal with you as regards to an unpaid fund. I have a file before me and the data's are correct and un-tampered. As it is  my duty to recommend the transfer of these surplus funds to the Federal  Government Treasury and Reserve Accounts as unclaimed deposits
 
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 2. This deal must be kept secret forever and all correspondence will be strictly by email / telephone for security purposes.
 
 3. There should be no third parties as most problems associated with your fund release are caused by your agents or representative.
 
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 B: Your direct telephone number
 C:Sex
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 E. Country
 
And the transfer will commence without delay as I will proceed to fix your name on the Payment schedule instantly to meet the three days mandate.
 
I hope you don't reject this offer and have this fund transferred.Waiting for your reply soon.

Faithfully,

Mr.Desmond Rupert

 

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Looks and sounds good Rainer. I take it the broadcast problem didn't come 
through in the recording. Any idea what that was? What do you use to loop 
with btw? I don't think I ever asked you.
A real inspiration indeed, thanks.

Jeff


----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Saturday, May 09, 2009 7:18 PM
Subject: "Get smacked on the head in a caring way" - Rainer Straschill's 
"Rübezahl" solo programme


> Jim siad:
> "Rainer I'm sorry but I missed your show - did you record it, if so
> please post the link."
>
> You bet I did! Part 1 (of more to come):
> http://vimeo.com/4565667
>
> Best,
>
>            Rainer
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://video.google.de/videosearch?q=moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=117329
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun May 10 01:39:01 2009
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Subject: Re: [OT] Trivia: What is this composition called?
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On May 9, 2009, at 5:03 AM, Rainer Straschill wrote:

>  I have the
> distinct suspicion that it was Cage, but am not so sure...and have no
> clues about the title.


It would help to know the when of the piece.

David Toop comes up regarding musicians in separate rooms but routing  
to a computer not a mixer. Unless it was a mixer on a computer.
:-)


regards

BobC



http://cdbaby.com/cd/rpcollier4
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On May 9, 2009, =
at 5:03 AM, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span =
class=3D"Apple-converted-space">&nbsp;</span>I have the<br>distinct =
suspicion that it was Cage, but am not so sure...and have no<br>clues =
about the title.</span></blockquote></div><br><div><br></div><div>It =
would help to know the when of the piece.</div><div><br></div><div>David =
Toop comes up regarding musicians in separate rooms but routing to a =
computer not a mixer. Unless it was a mixer on a =
computer.</div><div>:-)</div><div><br></div><div><br></div><div>regards</d=
iv><div><br></div><div>BobC</div><div><br></div><div><br></div><div><br></=
div><div><a =
href=3D"http://cdbaby.com/cd/rpcollier4">http://cdbaby.com/cd/rpcollier4</=
a></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sun May 10 02:10:13 2009
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Subject: Re: [OT] Trivia: What is this composition called?
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--001636c5a9ff9a3ec50469855c9e
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Rainer I loved it!  I left you a comment on Vimeo but echo'ing a great mix
of mystery and playful.  When you jumped out with the 'Billy Idol rebell
yell' it was really the element of surprise, good stuff.
Did you at one point or was it my imagination, changing cam views?  Was that
live or an edit later?  If so live how are you switching between views?  The
posterization when you were out of view was edit wasn't it or if not how was
that happening live?  I'm curious to either use multi cam myself or some
kind of change of scene on a future cast.

I look foward to seeing the second part, again sorry I missed you live - too
many things today on my radar.

Best

Jim

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Rainer I loved it! =A0I left you a comment on Vimeo but echo&#39;ing a grea=
t mix of mystery and playful. =A0When you jumped out with the &#39;Billy Id=
ol rebell yell&#39; it was really the element of surprise, good stuff.<div>=
<br>
</div><div>Did you at one point or was it my imagination, changing cam view=
s? =A0Was that live or an edit later? =A0If so live how are you switching b=
etween views? =A0The posterization when you were out of view was edit wasn&=
#39;t it or if not how was that happening live? =A0I&#39;m curious to eithe=
r use multi cam myself or some kind of change of scene on a future cast.</d=
iv>
<div><br></div><div>I look foward to seeing the second part, again sorry I =
missed you live - too many things today on my radar.</div><div><br></div><d=
iv>Best</div><div><br></div><div>Jim<br><br>
</div>

--001636c5a9ff9a3ec50469855c9e--

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Date: Sun, 10 May 2009 04:54:42 +0200
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Subject: =?ISO-8859-1?Q?=22Get_smacked_on_the_head_in_a_caring_way=22_=2D_Rainer_S?=
	=?ISO-8859-1?Q?traschill=27s_=22R=FCbezahl=22_solo_programme_live_videos?=
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Dear watchers,

the second part of yesterday's "MoinSound Studio Sessions" performance
has just been posted on vimeo:

http://vimeo.com/4568425

To answer some questions posted here (there and everywhere):

1. The video quality was 320x200 pixel and (I think) 300kbps, audio
was 128kbps 44.1kHz stereo. The recordings were done in FME, so
everything is coming from that lo-fi quallity.

2. No, I didn't use more than one camera. There are some edits in both
videos (especially in the second, where I played with some jump cuts
during the rhythmic section). But the point of view is always the same
(obviously).

(and in case you missed it, here's that first part again:
http://vimeo.com/4565667)

Best,

           Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Sun May 10 14:40:24 2009
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Subject: Gigspam reminder: Jiim on uStream 11am EST
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001636c5a9bf7d89ab04698fd718
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A reminder I'm doing a ustream feed in @24 min at 11am EST NY Time @6pm in
UK, 8am in California.  My url is
http://www.ustream.tv/channel/sunday-morning-at-11.<http://www.ustream.tv/channel/sunday-morning-at-11>Tune
in if you can.  Happy mother's day to all your Mom's.

Jim

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a9bf7d89ab04698fd718
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A reminder I&#39;m doing a ustream feed in @24 min at 11am EST NY Time @6pm=
 in UK, 8am in California. =A0My url is=A0<span class=3D"Apple-style-span" =
style=3D"border-collapse: collapse; ">=A0<a href=3D"http://www.ustream.tv/c=
hannel/sunday-morning-at-11" target=3D"_blank" style=3D"color: rgb(17, 65, =
112); ">http://www.ustream.tv/channel/sunday-morning-at-11.</a></span><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: collapse;">Tune =
in if you can. =A0Happy mother&#39;s day to all your Mom&#39;s.</span></div=
><div><span class=3D"Apple-style-span" style=3D"border-collapse: collapse;"=
><br></span></div>
<div><span class=3D"Apple-style-span" style=3D"border-collapse: collapse;">=
Jim<br clear=3D"all"></span><br>-- <br>ReUse, an introspective textural aur=
al journey coming soon...<br><br>music links...<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_bla=
nk">www.chinapaintingmusic.com</a><br><a href=3D"http://www.myspace.com/jim=
goodinmusic" target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br>

<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ji=
mgoodinviolinelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelec=
tro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br><br>video work/editing...<br><a href=3D"http=
://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodi=
ndigital</a><br>
<br>social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a9bf7d89ab04698fd718--

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From: Loren Claypool <looper@theclaypools.com>
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Subject: Re: Live Looping Remix - Ghost Town
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On May 9, 2009, at 6:24 PM, Warren Sirota wrote:

> Another in a line of live loops with synced drums. in this case, I  
> actually replaced the drum track after the fact with something a bit  
> more kicky. And laid in a bass part after the fact that is now part  
> of the live performance of the piece. The cycle of improvise-extract- 
> compose-perform (still with a lot of improvisation, but with a lot  
> more structure) is now complete (-able). I am loving the new workflow.
>
> warrensirota.com/solostuff/ghosttown.mp3
>


Warren, I am enjoying both the workflow and the result. I dig the  
"Warm and Cool" vibe of the piece.

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On May 9, 2009, =
at 6:24 PM, Warren Sirota wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Another in =
a line of live loops with synced drums. in this case, I actually =
replaced the drum track after the fact with something a bit more kicky. =
And laid in a bass part after the fact that is now part of the live =
performance of the piece. The cycle of improvise-extract-compose-perform =
(still with a lot of improvisation, but with a lot more structure) is =
now complete (-able). I am loving the new workflow.<br> <br><a =
href=3D"http://warrensirota.com/solostuff/ghosttown.mp3">warrensirota.com/=
solostuff/ghosttown.mp3</a><br><br></blockquote></div><div><br></div>Warre=
n, I am enjoying both the workflow and the result. I dig the "Warm and =
Cool" vibe of the piece.<div><br><div apple-content-edited=3D"true"> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div>All the =
best,</div><div><br></div><div>Loren =
Claypool</div><div>genre-indifferent instrumental guitar =
music</div><div><a =
href=3D"http://www.lorenclaypool.com">www.lorenclaypool.com</a> and =
links from there</div></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-50--480987044--

From Loopers-Delight-request@loopers-delight.com  Sun May 10 15:49:10 2009
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Subject: OT: proper way to hold you guitar - live video
From: Rainer Straschill <moinsound@googlemail.com>
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So I noticed there's this general conflict how to hold your electric
guitar, more specifically how long the shoulder strap should be.
Generally it's accepted that while having a long strap looks cooler
(and is thus indispensable for rock music), only with a short strap
good command of the instrument is possible - that's why all the jazz
cats etc. accept that they look stupid and have the guitar hanging at
chest level.

Well, here's to prove different - a virtuoso guitarist with his
instrument at knee level:
http://www.youtube.com/watch?v=6g8lFmsCXhg

             Rainer

ps: yes, there is some looping relation...

From Loopers-Delight-request@loopers-delight.com  Sun May 10 15:52:57 2009
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Subject: Re: Live Looping Remix - Ghost Town
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many thanks, Loren. I love your sig.

On Sun, May 10, 2009 at 10:45 AM, Loren Claypool <looper@theclaypools.com>wrote:

>
> On May 9, 2009, at 6:24 PM, Warren Sirota wrote:
>
> Another in a line of live loops with synced drums. in this case, I actually
> replaced the drum track after the fact with something a bit more kicky. And
> laid in a bass part after the fact that is now part of the live performance
> of the piece. The cycle of improvise-extract-compose-perform (still with a
> lot of improvisation, but with a lot more structure) is now complete
> (-able). I am loving the new workflow.
>
> warrensirota.com/solostuff/ghosttown.mp3
>
>
> Warren, I am enjoying both the workflow and the result. I dig the "Warm and
> Cool" vibe of the piece.
> All the best,
>
> Loren Claypool
> genre-indifferent instrumental guitar music
> www.lorenclaypool.com and links from there
>
>
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016362836d6338ad80469906faa
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many thanks, Loren. I love your sig.<br><br><div class=3D"gmail_quote">On S=
un, May 10, 2009 at 10:45 AM, Loren Claypool <span dir=3D"ltr">&lt;<a href=
=3D"mailto:looper@theclaypools.com">looper@theclaypools.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D""><=
div class=3D"im"><br><div><div>On May 9, 2009, at 6:24 PM, Warren Sirota wr=
ote:</div>
<br><blockquote type=3D"cite">Another in a line of live loops with synced d=
rums. in this case, I actually replaced the drum track after the fact with =
something a bit more kicky. And laid in a bass part after the fact that is =
now part of the live performance of the piece. The cycle of improvise-extra=
ct-compose-perform (still with a lot of improvisation, but with a lot more =
structure) is now complete (-able). I am loving the new workflow.<br>
 <br><a href=3D"http://warrensirota.com/solostuff/ghosttown.mp3" target=3D"=
_blank">warrensirota.com/solostuff/ghosttown.mp3</a><br><br></blockquote></=
div><div><br></div></div>Warren, I am enjoying both the workflow and the re=
sult. I dig the &quot;Warm and Cool&quot; vibe of the piece.<div>
<br><div> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0); fo=
nt-family: Helvetica; font-size: 12px; font-style: normal; font-variant: no=
rmal; font-weight: normal; letter-spacing: normal; line-height: normal; tex=
t-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px=
;"><div style=3D"">
<div><div>All the best,</div><div><br></div><div>Loren Claypool</div><div>g=
enre-indifferent instrumental guitar music</div><div><a href=3D"http://www.=
lorenclaypool.com" target=3D"_blank">www.lorenclaypool.com</a> and links fr=
om there</div>
</div><div><br></div></div></span><br> </div><br></div></div></blockquote><=
/div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"http://www.ubeto=
o.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_Artist=
Id=3D6679</a><br>
<a href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--0016362836d6338ad80469906faa--

From Loopers-Delight-request@loopers-delight.com  Sun May 10 16:49:51 2009
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Subject: Re: Gigspam reminder: Jiim on uStream 11am EST
Date: Sun, 10 May 2009 09:49:44 -0700
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Sorry Jim,

I'm on the West coast and didn't get up in time.

As you may know, I've been ill too . . . and I overslept.

I logged on and found I'd missed it by about an hour.

Sorry.

Ted


On May 10, 2009, at 7:40 AM, Jim Goodin wrote:

> A reminder I'm doing a ustream feed in @24 min at 11am EST NY Time=20
> @6pm in UK, 8am in California. =A0My url=20
> is=A0=A0http://www.ustream.tv/channel/sunday-morning-at-11.
> Tune in if you can. =A0Happy mother's day to all your Mom's.
>
> Jim
>
> --=20
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun May 10 16:51:59 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Live Looping Remix - Ghost Town
Date: Sun, 10 May 2009 09:51:53 -0700
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Warren,

Yuor Ghost Town sound like a happening little place.

I like it.

Hope you and yours are doing well.

Ted

On May 9, 2009, at 4:24 PM, Warren Sirota wrote:

> Another in a line of live loops with synced drums. in this case, I 
> actually replaced the drum track after the fact with something a bit 
> more kicky. And laid in a bass part after the fact that is now part of 
> the live performance of the piece. The cycle of 
> improvise-extract-compose-perform (still with a lot of improvisation, 
> but with a lot more structure) is now complete (-able). I am loving 
> the new workflow.
>
> warrensirota.com/solostuff/ghosttown.mp3
>

From Loopers-Delight-request@loopers-delight.com  Sun May 10 16:54:20 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: proper way to hold you guitar - live video
Date: Sun, 10 May 2009 09:54:18 -0700
To: Loopers-Delight@loopers-delight.com
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Rainer,

Thanks for sharing this link.

It's been a long time since I gave much thought to this particular 
incarnation of Talking Heads.

What an amazing band they were.

Best,

Ted

On May 10, 2009, at 8:49 AM, Rainer Straschill wrote:

> So I noticed there's this general conflict how to hold your electric
> guitar, more specifically how long the shoulder strap should be.
> Generally it's accepted that while having a long strap looks cooler
> (and is thus indispensable for rock music), only with a short strap
> good command of the instrument is possible - that's why all the jazz
> cats etc. accept that they look stupid and have the guitar hanging at
> chest level.
>
> Well, here's to prove different - a virtuoso guitarist with his
> instrument at knee level:
> http://www.youtube.com/watch?v=6g8lFmsCXhg
>
>              Rainer
>
> ps: yes, there is some looping relation...
>

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Rainer Straschill wrote:
> So I noticed there's this general conflict how to hold your electric
> guitar, more specifically how long the shoulder strap should be.
> Generally it's accepted that while having a long strap looks cooler
> (and is thus indispensable for rock music), only with a short strap
> good command of the instrument is possible - that's why all the jazz
> cats etc. accept that they look stupid and have the guitar hanging at
> chest level.
> 
> Well, here's to prove different - a virtuoso guitarist with his
> instrument at knee level:
> http://www.youtube.com/watch?v=6g8lFmsCXhg
> 
>              Rainer
> 
> ps: yes, there is some looping relation...

amazing gig!
thanx
 

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Rainer Straschill wrote:
> So I noticed there's this general conflict how to hold your electric
> guitar, more specifically how long the shoulder strap should be.
> Generally it's accepted that while having a long strap looks cooler
> (and is thus indispensable for rock music), only with a short strap
> good command of the instrument is possible - that's why all the jazz
> cats etc. accept that they look stupid and have the guitar hanging at
> chest level.

I suppose that's the equivalent of wearing pants that come up to your 
armpits, but it doesn't matter, because when you play jazz, nobody is 
looking at where you hold your guitar. We (a jazz group I play with) 
recently were looking at some gig pictures, and somebody commented that 
when anybody, regardless of instrument, plays a jazz solo, they look 
like they're, um, straining on the commode, though he didn't put it 
quite like that. That's what the audience looks at.

Brian

From Loopers-Delight-request@loopers-delight.com  Sun May 10 17:55:25 2009
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Subject: Re: Gigspam reminder: Jiim on uStream 11am EST
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Ted so sweat - know its early for those west.  Sorry you've been sick
and hope passes soon.

For You and those that missed watch playback at
http://www.ustream.tv/channel/sunday-morning-at-11, there is a new
highlight that I posted a bit ago.

Jeff, steve thanx much for being there.

Audio was tad distorted at first got better.  There will be another
one in @2 weeks.

Best and thx guys,

Jim

On 5/10/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
> Sorry Jim,
>
> I'm on the West coast and didn't get up in time.
>
> As you may know, I've been ill too . . . and I overslept.
>
> I logged on and found I'd missed it by about an hour.
>
> Sorry.
>
> Ted
>
>
> On May 10, 2009, at 7:40 AM, Jim Goodin wrote:
>
>> A reminder I'm doing a ustream feed in @24 min at 11am EST NY Time
>> @6pm in UK, 8am in California. =A0My url
>> is=A0=A0http://www.ustream.tv/channel/sunday-morning-at-11.
>> Tune in if you can. =A0Happy mother's day to all your Mom's.
>>
>> Jim
>>
>> --
>> ReUse, an introspective textural aural journey coming soon...
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun May 10 18:02:00 2009
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Subject: Re: OT: proper way to hold you guitar - live video
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Fuck, I gotta get a copy of that video.  The bassist is funky as hell.  Not 
Tina Weymouth.


t
----- Original Message ----- 
From: "Brian Good" <bsgood@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 10, 2009 9:28 AM
Subject: Re: OT: proper way to hold you guitar - live video


> Rainer Straschill wrote:
>> So I noticed there's this general conflict how to hold your electric
>> guitar, more specifically how long the shoulder strap should be.
>> Generally it's accepted that while having a long strap looks cooler
>> (and is thus indispensable for rock music), only with a short strap
>> good command of the instrument is possible - that's why all the jazz
>> cats etc. accept that they look stupid and have the guitar hanging at
>> chest level.
>
> I suppose that's the equivalent of wearing pants that come up to your 
> armpits, but it doesn't matter, because when you play jazz, nobody is 
> looking at where you hold your guitar. We (a jazz group I play with) 
> recently were looking at some gig pictures, and somebody commented that 
> when anybody, regardless of instrument, plays a jazz solo, they look like 
> they're, um, straining on the commode, though he didn't put it quite like 
> that. That's what the audience looks at.
>
> Brian
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun May 10 18:15:06 2009
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Date: Sun, 10 May 2009 11:14:59 -0700
Message-ID: <9ff9c5d10905101114p5b238267y71f3cecc85f58731@mail.gmail.com>
Subject: Re: OT: proper way to hold you guitar - live video
From: Nic Roozeboom <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thank you for that! Amazing mastery. Though I think he may have 'migrated
upward' slightly since (probably from being around Fripp...)

Also checked out Psycho Killer from the same concert. Lots of thela hun
indiscipline towards the end...

Nic

On Sun, May 10, 2009 at 8:49 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> So I noticed there's this general conflict how to hold your electric
> guitar, more specifically how long the shoulder strap should be.
> Generally it's accepted that while having a long strap looks cooler
> (and is thus indispensable for rock music), only with a short strap
> good command of the instrument is possible - that's why all the jazz
> cats etc. accept that they look stupid and have the guitar hanging at
> chest level.
>
> Well, here's to prove different - a virtuoso guitarist with his
> instrument at knee level:
> http://www.youtube.com/watch?v=6g8lFmsCXhg
>
>             Rainer
>
> ps: yes, there is some looping relation...
>
>


-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://fractal-reviews.blogspot.com/

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Thank you for that! Amazing mastery. Though I think he may have &#39;migrat=
ed upward&#39; slightly since (probably from being around Fripp...)<br><br>=
Also checked out Psycho Killer from the same concert. Lots of thela hun ind=
iscipline towards the end...<br>
<br>Nic<br><br><div class=3D"gmail_quote">On Sun, May 10, 2009 at 8:49 AM, =
Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlem=
ail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margi=
n: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
So I noticed there&#39;s this general conflict how to hold your electric<br=
>
guitar, more specifically how long the shoulder strap should be.<br>
Generally it&#39;s accepted that while having a long strap looks cooler<br>
(and is thus indispensable for rock music), only with a short strap<br>
good command of the instrument is possible - that&#39;s why all the jazz<br=
>
cats etc. accept that they look stupid and have the guitar hanging at<br>
chest level.<br>
<br>
Well, here&#39;s to prove different - a virtuoso guitarist with his<br>
instrument at knee level:<br>
<a href=3D"http://www.youtube.com/watch?v=3D6g8lFmsCXhg" target=3D"_blank">=
http://www.youtube.com/watch?v=3D6g8lFmsCXhg</a><br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 Rainer<br>
</font><br>
ps: yes, there is some looping relation...<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Nic Roozeboom<br><br><a=
 href=3D"http://www.fractal-continuum.com">http://www.fractal-continuum.com=
</a><br><a href=3D"http://fractal-reviews.blogspot.com/">http://fractal-rev=
iews.blogspot.com/</a><br>


--0016e644cc6efa1e16046992d601--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Gigspam reminder: Jiim on uStream 11am EST
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Hello guys

Live on Ustream in 10 minutes http://www.ustream.tv/channel/Matt-=20
Stevens-From-The-Box-Room

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 10 May 2009, at 18:55, Jim Goodin wrote:

> Ted so sweat - know its early for those west.  Sorry you've been sick
> and hope passes soon.
>
> For You and those that missed watch playback at
> http://www.ustream.tv/channel/sunday-morning-at-11, there is a new
> highlight that I posted a bit ago.
>
> Jeff, steve thanx much for being there.
>
> Audio was tad distorted at first got better.  There will be another
> one in @2 weeks.
>
> Best and thx guys,
>
> Jim
>
> On 5/10/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>> Sorry Jim,
>>
>> I'm on the West coast and didn't get up in time.
>>
>> As you may know, I've been ill too . . . and I overslept.
>>
>> I logged on and found I'd missed it by about an hour.
>>
>> Sorry.
>>
>> Ted
>>
>>
>> On May 10, 2009, at 7:40 AM, Jim Goodin wrote:
>>
>>> A reminder I'm doing a ustream feed in @24 min at 11am EST NY Time
>>> @6pm in UK, 8am in California.  My url
>>> is  http://www.ustream.tv/channel/sunday-morning-at-11.
>>> Tune in if you can.  Happy mother's day to all your Mom's.
>>>
>>> Jim
>>>
>>> --
>>> ReUse, an introspective textural aural journey coming soon...
>>>
>>> music links...
>>> www.jimgoodinmusic.com
>>> www.chinapaintingmusic.com
>>> www.myspace.com/jimgoodinmusic
>>> www.myspace.com/chinapaintingmusic
>>> www.myspace.com/jimgoodinviolinelectro
>>> www.myspace.com/jindream
>>> www.youtube.com/jimgoodinmusic
>>>
>>> video work/editing...
>>> www.vimeo.com/jimgoodindigital
>>>
>>> social networking...
>>> www.twitter.com/jimgoodinmusic
>>
>>
>
>
> --=20
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-1--466141701
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hello guys=A0<div><br></div><div>Live on Ustream in 10 minutes=A0<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></div><div><br=
><div> <span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 10 May 2009, =
at 18:55, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Ted so sweat - know its early for those west.<span =
class=3D"Apple-converted-space">=A0 </span>Sorry you've been =
sick</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and hope passes soon.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For You =
and those that missed watch playback at</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://www.ust=
ream.tv/channel/sunday-morning-at-11</a>, there is a new</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">highlight that I posted a bit ago.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Jeff, =
steve thanx much for being there.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Audio was tad distorted at first =
got better.<span class=3D"Apple-converted-space">=A0 </span>There will =
be another</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">one in @2 weeks.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Best and =
thx guys,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Jim</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On 5/10/09, tEd =AE KiLLiAn =
&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>> =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sorry =
Jim,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm on the West coast and didn't get up in =
time.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">As you may know, I've been ill too . . . and I =
overslept.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I logged on and found I'd missed it by about an =
hour.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sorry.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Ted</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On May 10, 2009, at 7:40 AM, Jim =
Goodin wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">A reminder I'm doing a =
ustream feed in @24 min at 11am EST NY Time</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">@6pm in =
UK, 8am in California. =A0My url</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">is=A0=A0<a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://www.ust=
ream.tv/channel/sunday-morning-at-11</a>.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Tune in =
if you can. =A0Happy mother's day to all your Mom's.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Jim</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">--</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">ReUse, an introspective =
textural aural journey coming soon...</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">music =
links...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.jimgoodinmusic.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.chinapaintingmusic.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jimgoodinmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/chinapaintingmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jimgoodinviolinelectro</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jindream</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.youtube.com/jimgoodinmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">video =
work/editing...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.vimeo.com/jimgoodindigital</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">social networking...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.twitter.com/jimgoodinmusic</div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ReUse, =
an introspective textural aural journey coming soon...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">music =
links...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.jimgoodinmusic.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.chinapaintingmusic.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jimgoodinmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/chinapaintingmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jimgoodinviolinelectro</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.myspace.com/jindream</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.youtube.com/jimgoodinmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">video =
work/editing...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.vimeo.com/jimgoodindigital</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">social networking...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.twitter.com/jimgoodinmusic</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--466141701--

From Loopers-Delight-request@loopers-delight.com  Sun May 10 19:44:29 2009
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Subject: OT: proper way to hold you guitar - live video
From: Rainer Straschill <moinsound@googlemail.com>
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Brian Good said:
"I suppose that's the equivalent of wearing pants that come up to your
armpits, but it doesn't matter, because when you play jazz, nobody is
looking at where you hold your guitar."

I remember that conversation I had with a friend of mine, who said
that he didn't like what he called the "ECM jazz scene", because those
players would go to a gig and sit there playing in a worn-out tee
shirt and track pants, while the cats during the bebop scene (Parker
etc.) would always make sure they donned a fancy suit.

From Loopers-Delight-request@loopers-delight.com  Sun May 10 20:42:56 2009
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Subject: RE: proper way to hold you guitar - live video
Date: Sun, 10 May 2009 13:42:57 -0700
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 I really dug the Talking Heads, particularly during this period and
collaborations with Eno. I love Adrian Belew's playing and I would have to
agree with whoever suggested that Adrian's guitar position has drifted north
over the years. Hold a Parker Fly too low and that top horn is liable to
gouge your groin...ouch! but I digress. On closer look you will notice that
he has long arms and his guitar neck is not horizontal, but tilted up at
perhaps a 45 degree angle. You will also notice that his roll in that band
was soloist and color commentary with some minimal rhythm playing, mostly
involving upper four string voicing's and single note fills. He also does
the thumb over thing perhaps inspired by Hendrix, as his whammy bar
technique suggests. Not to take anything away from his unique and singularly
creative approach, but there are plenty scales and chord voicings that would
be a determent physically, to him or any player to try and play with the
guitar slung that low. The proper way to hold the guitar varies with the
individuals body type I believe, and the right way to hold a guitar should
be about having it in the optimal position as to not cause any part of your
body involved in that process undue stress. Sure Jimmy Page and Adrian Belew
look cool with their guitars slung low, but I doubt either of those guys
play that way in the studio, and I would imagine they both have suffered
some wrist related injuries as a result of hyper extending their fretting
hand wrists playing that way. At some point style should give way to common
sense, but Rock and Roll has always been about rebellion, so for God's sake,
sling your guitar low like Sid Vicious if that's what floats your boat. Me,
I'll sling my guitar higher and play better and longer with less pain.  
Bill

PS, check out Adrian's waistband up past his navel, geek city!! and perhaps
creating more of an illusion that his guitar is slung lower than it is. And
I disagree with whomever inferred Tina Weymouth wasn't funky, She and the
other bass player are totally locked in playing the same parts, and she
wrote them! the bassist seems to be adding the occasional slap bass accent,
but Tina's Hofner short scale bass doesn't do that sound very well, but
suits her small hands, speaking of great guitar playing David Byrne is the
funky engine that drove that band, a highly underrated rhythm guitarist IMHO

-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com] 
Sent: Sunday, May 10, 2009 8:49 AM
To: loopers-delight@loopers-delight.com
Subject: OT: proper way to hold you guitar - live video

So I noticed there's this general conflict how to hold your electric
guitar, more specifically how long the shoulder strap should be.
Generally it's accepted that while having a long strap looks cooler
(and is thus indispensable for rock music), only with a short strap
good command of the instrument is possible - that's why all the jazz
cats etc. accept that they look stupid and have the guitar hanging at
chest level.

Well, here's to prove different - a virtuoso guitarist with his
instrument at knee level:
http://www.youtube.com/watch?v=6g8lFmsCXhg

             Rainer

ps: yes, there is some looping relation...

From Loopers-Delight-request@loopers-delight.com  Sun May 10 21:15:05 2009
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Just finished the Norwich 2008 LoopFest and More webpage

http://www.andybutler.com/norwich2008.htm

please visit and enjoy
there's a whole lot of new stuff here, from familiar faces and beyond

mp3s galore, a selection of some of the best stuff such as isn't 
available elsewhere,
videos (which you may have seen already)

and some vaguely explanatory text,

OR
you can just stream all the audio files with one click ( m3u )


http://www.andybutler.com/norwich2008.htm

Hope you're inspired to organise your own event.

andy butler
tired now, goodnight

From Loopers-Delight-request@loopers-delight.com  Sun May 10 23:12:30 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Exploring new Loooperlative features
Date: Sun, 10 May 2009 16:12:32 -0700
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------=_NextPart_000_001B_01C9D18A.22EF9B30
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	charset="us-ascii"
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I have been recently digging in to the new Looperlative feature that Rick
spoke of  that allows you to set program change values for scalic sampling
rate changes to the Looperlative that go beyond the already established half
speed/normal speed sampling rate change. Not only can you assign a pc change
to any twelve chromatic intervals, you also have octave below preset, which
allows among other things to actually drop the sampling rate to .25  which
equates to a sub octave. It also means one could start  recording a loop
from a sampling rate of .25 , meaning you can actually create loops that are
2 octaves above the original sampling rate. Of course as you change sampling
rates, you change loop speed, so its not capable of time stretch without
pitch alteration. But it has allowed me to create some really cool sub
octave slow parts that remind me of the Repeaters cool pitch shifting
ability with the same kind of odd yet cool sampling artifacts , for that
cool, "metal being dragged across the bottom of the ocean" sound the
Repeater was known for. Is also interesting to stay in record mode while
shifting to the various intervals and adding content at the various sampling
rates, things start getting really interested in a twisted and abstract sort
of way. Kudos to Bob for implementing this feature and Rick for lobbying him
to do so

Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have been recently digging in to the new =
Looperlative
feature that Rick spoke of&nbsp; that allows you to set program change =
values
for scalic sampling rate changes to the Looperlative that go beyond the =
already
established half speed/normal speed sampling rate change. Not only can =
you
assign a pc change to any twelve chromatic intervals, you also have =
octave
below preset, which allows among other things to actually drop the =
sampling
rate to .25 &nbsp;which equates to a sub octave. It also means one could =
start &nbsp;recording
a loop from a sampling rate of .25 , meaning you can actually create =
loops that
are 2 octaves above the original sampling rate. Of course as you change
sampling rates, you change loop speed, so its not capable of time =
stretch without
pitch alteration. But it has allowed me to create some really cool sub =
octave
slow parts that remind me of the Repeaters cool pitch shifting ability =
with the
same kind of odd yet cool sampling artifacts , for that cool, =
&#8220;metal
being dragged across the bottom of the ocean&#8221; sound the Repeater =
was
known for. Is also interesting to stay in record mode while shifting to =
the
various intervals and adding content at the various sampling rates, =
things
start getting really interested in a twisted and abstract sort of way. =
Kudos to
Bob for implementing this feature and Rick for lobbying him to do =
so<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill<o:p></o:p></span></font></p>

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Wow! What an informative interview...

And your song/video titled "Escape Artist" is an amazing composition. 

Regards,

Ed in NJ



-----Original Message-----
From: Zoe Keating [mailto:info@zoekeating.com] 
Sent: Friday, May 01, 2009 6:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: video interview on how i do it, up at wired

hi loopers,

wired just posted the video they took of me looping and chatting in my  
studio a couple weeks ago:

http://www.wired.com/video/latest-videos/latest/1815816633/avantgarde-cellis
t-zoe-keating/21830486001

best,

zoe

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Subject: =?UTF-8?Q?=E2=80=9CFirst_Meeting=E2=80=9D_trio_concert_downloads?=
From: Per Boysen <perboysen@gmail.com>
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One night in Mars 2009 I met up with these two guys to play a
completely improvised concert together. They had been playing together
before, but not with me, so I was excited not to know whatever to
expect on stage. It turned out great fun though and someone was even
recording it. We=E2=80=99d like to share these eight pieces that were born =
on
stage that night. Link:  http://is.gd/yFmE

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May 11 01:36:33 2009
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Per,

Nice work . . . sounds great.

But there was only 7 pieces . . . number 5 seems to be missing.

Thanks for sharing though.

I've always enjoyed you work.

Best,

Ted

On May 10, 2009, at 4:13 PM, Per Boysen wrote:

> One night in Mars 2009 I met up with these two guys to play a
> completely improvised concert together. They had been playing together
> before, but not with me, so I was excited not to know whatever to
> expect on stage. It turned out great fun though and someone was even
> recording it. We=92d like to share these eight pieces that were born =
on
> stage that night. Link:  http://is.gd/yFmE
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From Loopers-Delight-request@loopers-delight.com  Mon May 11 01:38:12 2009
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Date: Mon, 11 May 2009 03:38:10 +0200
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Subject: Re: Live Looping audio from Norwich 2008 LoopFest etc,
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surfing now ...
thanks andy!

2009/5/10, andy butler <akbutler@tiscali.co.uk>:
> Just finished the Norwich 2008 LoopFest and More webpage
>
> http://www.andybutler.com/norwich2008.htm
>
> please visit and enjoy
> there's a whole lot of new stuff here, from familiar faces and beyond
>
> mp3s galore, a selection of some of the best stuff such as isn't
> available elsewhere,
> videos (which you may have seen already)
>
> and some vaguely explanatory text,
>
> OR
> you can just stream all the audio files with one click ( m3u )
>
>
> http://www.andybutler.com/norwich2008.htm
>
> Hope you're inspired to organise your own event.
>
> andy butler
> tired now, goodnight
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 11 02:04:02 2009
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Subject: Re: Live Looping Remix - Ghost Town
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--0016361649e765fed004699964bc
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Thanks Ted, for the kind words. All is going well here.

On Sun, May 10, 2009 at 12:51 PM, tEd =AE KiLLiAn <tedkillian@charter.net>w=
rote:

> Warren,
>
> Yuor Ghost Town sound like a happening little place.
>
> I like it.
>
> Hope you and yours are doing well.
>
> Ted
>
> On May 9, 2009, at 4:24 PM, Warren Sirota wrote:
>
>  Another in a line of live loops with synced drums. in this case, I
>> actually replaced the drum track after the fact with something a bit mor=
e
>> kicky. And laid in a bass part after the fact that is now part of the li=
ve
>> performance of the piece. The cycle of improvise-extract-compose-perform
>> (still with a lot of improvisation, but with a lot more structure) is no=
w
>> complete (-able). I am loving the new workflow.
>>
>> warrensirota.com/solostuff/ghosttown.mp3
>>
>>
>


--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

--0016361649e765fed004699964bc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks Ted, for the kind words. All is going well here.<br><br><div class=
=3D"gmail_quote">On Sun, May 10, 2009 at 12:51 PM, tEd =AE KiLLiAn <span di=
r=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.=
net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Warren,<br>
<br>
Yuor Ghost Town sound like a happening little place.<br>
<br>
I like it.<br>
<br>
Hope you and yours are doing well.<br><font color=3D"#888888">
<br>
Ted</font><div class=3D"im"><br>
<br>
On May 9, 2009, at 4:24 PM, Warren Sirota wrote:<br>
<br>
</div><div><div></div><div class=3D"h5"><blockquote class=3D"gmail_quote" s=
tyle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8e=
x; padding-left: 1ex;">
Another in a line of live loops with synced drums. in this case, I actually=
 replaced the drum track after the fact with something a bit more kicky. An=
d laid in a bass part after the fact that is now part of the live performan=
ce of the piece. The cycle of improvise-extract-compose-perform (still with=
 a lot of improvisation, but with a lot more structure) is now complete (-a=
ble). I am loving the new workflow.<br>

<br>
<a href=3D"http://warrensirota.com/solostuff/ghosttown.mp3" target=3D"_blan=
k">warrensirota.com/solostuff/ghosttown.mp3</a><br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016361649e765fed004699964bc--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 06:51:01 2009
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Date: Sun, 10 May 2009 23:50:30 -0700 (PDT)
Subject: FS: Waldorf Q (original full keyboard) $550
From: legion@helpwantedproductions.com
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Well first of all I thank everyone who helped with suggestions regarding
fixing the encoders on the Waldorf keyboards. I did fix a few perfectly
but I am too heart broken to go through with fighting with this beast. I
bought it "fully working" with the 32 voice upgrade and it turned out the
seller was lying about both things. I'm damn sick over this and just want
this gone. It's gotten emotional and my idiotic loss is your gain.


The details:

Original full keyboard version (NOT the micro Q the original big one). 16
voices. Yellow. latest OS and Boot files loaded and working. Some knobs
still a bit glitchy but every one I opened and cleaned worked with three
exceptions. I think there is some other issue with those but am no longer
going to work on this. All the buttons light up and everything else I
tried worked. Sold as is.

Display, outputs, etc all working fine. Sounds %&^$#in amazing. Incredibly
well laid out (reminds me of the old ensoniq SQ80 layout) and very
intuitive yet deep. You can find all the info on the Q you'd want online
at sonicstate, etc etc.

here's a demo video from synthtopia:
http://www.synthtopia.com/content/2009/05/09/exploring-the-waldorf-q-keyboard/

I am bleeding and asking $550 obo for a quick sale. Will accept USPS MO or
paypal (Buyer pays fees). If it doesn't sell quickly I'll post it on  Ebay
but will need to add the ^%# fees and such so this is the cheapest I will
let it go.

Buyer picks up @Phila pa (will drive a bit to meet) or pays estimated
shipping upfront and some minor packing costs. This is heavy so keep that
in mind. I will charge exact fees for shipping, etc. and return any of the
estimate not spent.

I have references out the wazoo.

I am sure this amazing keyboard will make someone very happy and can be an
excellent addition to your studio.

Thanks for reading.

D_









   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Mon May 11 07:24:12 2009
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William Walker wrote:

> sampling rate. Of course as you change sampling rates, you change loop 
> speed, so its not capable of time stretch without pitch alteration. But 
> it has allowed me to create some really cool sub octave slow parts that 
> remind me of the Repeaters cool pitch shifting ability with the same 
> kind of odd yet cool sampling artifacts , for that cool, “metal being 
> dragged across the bottom of the ocean” sound the Repeater was known 
> for. 

Strange, there shouldn't be a lot of artefacts if there's no stretching.
Just a bit of aliasing perhaps if you record slow, and play back
at high speed.
Would be fascinating to know which interpolation algorithm produces
the "Repeater" sound, I'd always assumed it was the time stretch 
varying it's grain size in a somewhat haphazard way. 

andy butler
ps Bill, this reply via LD, so don't mention the war.

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Date: Mon, 11 May 2009 09:39:22 +0200
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Subject: Re: OT: proper way to hold you guitar - live video
From: Marco Ronci <m.ronci@gmail.com>
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--0016e64402a0a91b0a04699e1387
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

Rainer,
Thank you for making me remember that great concert !
What a show it was!!!!

Marco


2009/5/10 Rainer Straschill <moinsound@googlemail.com>

> Well, here's to prove different - a virtuoso guitarist with his
> instrument at knee level:
> http://www.youtube.com/watch?v=6g8lFmsCXhg
>
>             Rainer
>
> ps: yes, there is some looping relation...
>
>

--0016e64402a0a91b0a04699e1387
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rainer,<br>Thank you for making me remember that great concert !<br>What a =
show it was!!!!<br><br>Marco<br><br><br><div class=3D"gmail_quote">2009/5/1=
0 Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googl=
email.com">moinsound@googlemail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Well, here&#39;s to prove different - a virtuoso guitarist with his<br>
instrument at knee level:<br>
<a href=3D"http://www.youtube.com/watch?v=3D6g8lFmsCXhg" target=3D"_blank">=
http://www.youtube.com/watch?v=3D6g8lFmsCXhg</a><br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 Rainer<br>
</font><br>
ps: yes, there is some looping relation...<br>
<br>
</blockquote></div><br>

--0016e64402a0a91b0a04699e1387--

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Subject: =?UTF-8?Q?Re=3A_=E2=80=9CFirst_Meeting=E2=80=9D_trio_concert_downloads?=
From: Per Boysen <perboysen@gmail.com>
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On Mon, May 11, 2009 at 3:36 AM, tEd =C2=AE KiLLiAn <tedkillian@charter.net=
> wrote:
>>Link:  http://is.gd/yFmE
> But there was only 7 pieces . . . number 5 seems to be missing.

Woops, where did no 5 go? We never noticed that during the gig. Must
have been some weird John Cage-ish stuff not showing up in the
records.... Thanks for the alert eye, I've changed the sum of songs to
seven now on the page.

Per <:-)

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Date: Mon, 11 May 2009 10:10:49 +0200
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Subject: Re: Exploring new Loooperlative features
From: Per Boysen <perboysen@gmail.com>
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On Mon, May 11, 2009 at 9:35 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Would be fascinating to know which interpolation algorithm produces
> the "Repeater" sound, I'd always assumed it was the time stretch varying
> it's grain size in a somewhat haphazard way.

Yes, having owned a Repeater for a couple of years I can affirm that
those lovely artefacts are the bi product of time stretching - not
just speed (or rate) shifting. If you do a lot of stretching in the
Repeater the file structure is changed and the loop doesn't sound the
same at normal pitch any more. This tells for some harsh interpolation
going on.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May 11 08:36:35 2009
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Currently, I use a Boss Micro Br for this. Does anyone use the Bidule Aud=
io File Recorder to record live gigs? Would you recommend that in terms o=
f the extra system load? It is stable? It's just an idea I had to further=
 reduce the hardware I use.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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On Mon, May 11, 2009 at 10:36 AM, Sjaak <tcplugin@scarlet.be> wrote:
> Currently, I use a Boss Micro Br for this. Does anyone use the Bidule Audio File Recorder to record live gigs? Would you recommend that in terms of the extra system load? It is stable? It's just an idea I had to further reduce the hardware I use.

I've used Bidule's File Recorder to render nine stereo files to disc
while playing a full Mobius eight looping tracks plus my live
instrument input in stereo. I think I've been playing for about half
an hour at the longest and never seen any bad sides like instability
or reduced CPU powers. I was really amazed to find out about that.

Mobius file recorder is also nice, if you don't want to bother with
separated files but just get a stereo of the looper output sum. (3
commands to assign to keys: "Start Recording", "Stop Recording", "Save
Recording"). Weather or not you are monitoring through Mobius the
resulting stereo file will, or will not, include your live input
together with the looping.

I've done this when recording live in the studio and I guess it would
work the same on the stage. But I don't - so for that reason I don't
record on stage.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From Loopers-Delight-request@loopers-delight.com  Mon May 11 09:14:15 2009
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I currently use the Bidule's Audio File Recorder happily, even 
playing-recording continuosly for an hour or so.
I use it when I play in my studio and, for some strange reason, not in live 
context, till now...
If I well remeber, it is possible to record separately each single audio 
file coming from your looper tracks, which give you the ability to do some 
mixing work later, but I've never tried it.
I raccomend it.

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo



----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 11, 2009 10:48 AM
Subject: Re: Bidule Audio File Recorder


> On Mon, May 11, 2009 at 10:36 AM, Sjaak <tcplugin@scarlet.be> wrote:
>> Currently, I use a Boss Micro Br for this. Does anyone use the Bidule 
>> Audio File Recorder to record live gigs? Would you recommend that in 
>> terms of the extra system load? It is stable? It's just an idea I had to 
>> further reduce the hardware I use.
>
> I've used Bidule's File Recorder to render nine stereo files to disc
> while playing a full Mobius eight looping tracks plus my live
> instrument input in stereo. I think I've been playing for about half
> an hour at the longest and never seen any bad sides like instability
> or reduced CPU powers. I was really amazed to find out about that.
>
> Mobius file recorder is also nice, if you don't want to bother with
> separated files but just get a stereo of the looper output sum. (3
> commands to assign to keys: "Start Recording", "Stop Recording", "Save
> Recording"). Weather or not you are monitoring through Mobius the
> resulting stereo file will, or will not, include your live input
> together with the looping.
>
> I've done this when recording live in the studio and I guess it would
> work the same on the stage. But I don't - so for that reason I don't
> record on stage.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Mon May 11 09:15:34 2009
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> Bill Walker wrote:
> I have been recently digging in to the new Looperlative feature that Ri=
ck
> spoke of  that allows you to set program change values for scalic sampl=
ing
> rate changes to the Looperlative that go beyond the already established=
 half
> speed/normal speed sampling rate change. Not only can you assign a pc c=
hange
> to any twelve chromatic intervals, you also have octave below preset, w=
hich
> allows among other things to actually drop the sampling rate to .25  wh=
ich
> equates to a sub octave. 

Bill, I was just wondering in what way this feature differs from programm=
ing a Midi CC pedal with value 84 which is about a Fith. You could also u=
se the halfspeed function and a expression pedal assigned to "Speed" to g=
et 1/4 of the original track speed. That's how I used it before OS 1.37 c=
ame out. Or does the new feature offer extra things? 

> Is also interesting to stay in record mode while
> shifting to the various intervals and adding content at the various sam=
pling
> rates, things start getting really interested in a twisted and abstract=
 sort
> of way. Kudos to Bob for implementing this feature and Rick for lobbyin=
g him
> to do so

Absolutely. Changing speed is a cool feature of the LP1. I especially lik=
e the harsh and gritty artifacts the LP1 produces when adding content in =
overdub mode while changing speed up/down (fast). I have to thank you for=
 above tip! :)

Btw: I programmed a random speed switch on the Gordius LG. That's works v=
ery well for abrupt speed changes and it also allows you to manually "syn=
c" the change in de loop.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Mon May 11 09:26:10 2009
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Cc: <perboysen@gmail.com>
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Subject: =?UTF-8?Q?Re:_=E2=80=9CFirst_Meeting=E2=80=9D_trio_concert?=
	=?UTF-8?Q?_downloads?=
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You made my morning, Per.
Moving atmospheres (First, Fourth, Sixth) and each sound is perfectly 
balanced. Really good. Any video recordings ?

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 11, 2009 1:13 AM
Subject: â€œFirst Meetingâ€ trio concert downloads


One night in Mars 2009 I met up with these two guys to play a
completely improvised concert together. They had been playing together
before, but not with me, so I was excited not to know whatever to
expect on stage. It turned out great fun though and someone was even
recording it. Weâ€™d like to share these eight pieces that were born on
stage that night. Link:  http://is.gd/yFmE

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




--------------------------------------------------------------------------------



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From vputnam@sio.midco.net  Mon May 11 09:58:41 2009
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The sum of 6,800,000.00 $ have been accredited and approved in your  
favor contact
Linda Hill with Your name.age,location/country,phone number to her  
EMAIL:atm_centerpayment@yahoo.com.hk
Mr.David Mark

From Loopers-Delight-request@loopers-delight.com  Mon May 11 10:19:24 2009
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--_98b65c61-ae36-4f49-b1db-1772ab1e8c3c_
Content-Type: text/plain; charset="Windows-1252"
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Listening and enjoying this right now=2C very nice I love the mood and deve=
lopment=2C THanks=20
=20
> From: perboysen@gmail.com
>=20
> One night in Mars 2009 I met up with these two guys to play a
> completely improvised concert together. They had been playing together
> before=2C but not with me=2C so I was excited not to know whatever to
> expect on stage. It turned out great fun though and someone was even
> recording it. We=92d like to share these eight pieces that were born on
> stage that night. Link: http://is.gd/yFmE
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20

--_98b65c61-ae36-4f49-b1db-1772ab1e8c3c_
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{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Listening and enjoying this&nbsp=3Bright now=2C&nbsp=3Bvery nice I love the=
 mood and development=2C THanks&nbsp=3B<BR>&nbsp=3B<BR>&gt=3B From: perboys=
en@gmail.com<BR>&gt=3B <BR>&gt=3B One night in Mars 2009 I met up with thes=
e two guys to play a<BR>&gt=3B completely improvised concert together. They=
 had been playing together<BR>&gt=3B before=2C but not with me=2C so I was =
excited not to know whatever to<BR>&gt=3B expect on stage. It turned out gr=
eat fun though and someone was even<BR>&gt=3B recording it. We=92d like to =
share these eight pieces that were born on<BR>&gt=3B stage that night. Link=
: http://is.gd/yFmE<BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=3B <B=
R>&gt=3B Per Boysen<BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.com<BR>=
&gt=3B <BR></body>
</html>=

--_98b65c61-ae36-4f49-b1db-1772ab1e8c3c_--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 10:21:09 2009
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Date: Mon, 11 May 2009 03:21:09 -0700
From: Rick Walker <looppool@cruzio.com>
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A friend of mine asked me, recently,  what books have truly and deeply 
influenced my music
in my life and, amongst other titles,  I sang him  the praises of  
Shinryu Suzuki's book called,
"Zen Mind , Beginners' Mind".

Though not as famous a D T Suzuki who was the great popularizer of 
Japanese Zen Buddhism in the
west,  I prefer Shunryu Suzuki,  the head of the San Francisco Zen 
Center who
wrote perhaps the best single book on practicing a musical instrument,  
"Zen Mind, Beginners' Mind".

He never actually wrote a book and certainly not on praciticing a 
musical instrument.....he was too zen for that...lol,
but his students recorded his answers to a public question and answer 
seminar where everyone asked him how
he was able to master  meditating successfully considering that it is so 
difficult to still the human mind when
trying to do such an extremely simple, non-intellectual and repetitive 
practice.

If you take that book and substitute the word 'Zazen'  (the Buddhistic 
practice of
meditating only on your breath and how we breathe,  in and out) and put 
musical "practice", it's an incredibly
wise book about how to still the mind so that one can play something 
over and over
and over until one's technique improves significantly.

I'd try to paraphrase his philosophy and his understanding of how to
get around the projecting and over identifying/attached nature of the 
human mind, particularly
viz a vis the practice of repetitive musical playing  but I just 
wouldn't come close to
how profound that book is.

I actually ritualistically purchase a copy of  it and give it as a 
present to all of my advanced students
when they first develop the desire to really woodshed their instrument 
deeply and are having troubles
stilling their minds doing so.

It was my bible when I finally was able to master double stroke bouncing 
exercises on trapset many years ago
At that time,  I had a practice pad on a stand with two identical 
drumsticks in every single room of the house
(including the kitchen and the bathroom)  so that if I ever looked down, 
I could just pick the sticks up and continue
practicing.

I can't more highly recommend it.   It has changed my life and the life 
of dozens of my really good students over the
last three decades.

From Loopers-Delight-request@loopers-delight.com  Mon May 11 12:22:35 2009
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Date: Mon, 11 May 2009 08:22:34 -0400
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Subject: Re: Great Books That Have Changed Our Musical Lives
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Rick that was inspiring and brought to mind a related journey.

Several years ago when I first moved to NY I looked up classical
guitarist/composer Fred Hand to study with him.  During one study with
many things going in my life at that point I was having trouble
calming some anxiety that was coming through my instrument.  He told
me you have to learn to 'fall still' and left me with that to think
about.

About 5 years later I began to figure that out partly with musical
maturity, partly with the fear of something being taken away from me
and partly with the help of therapist Richard Schaub who is Zen based.

>From @1996 I began to really make progress in my muse that I don't
think would have happened without learning to 'fall still'.

Good day to all

Jim

On 5/11/09, Rick Walker <looppool@cruzio.com> wrote:
> A friend of mine asked me, recently,  what books have truly and deeply
> influenced my music
> in my life and, amongst other titles,  I sang him  the praises of
> Shinryu Suzuki's book called,
> "Zen Mind , Beginners' Mind".
>
> Though not as famous a D T Suzuki who was the great popularizer of
> Japanese Zen Buddhism in the
> west,  I prefer Shunryu Suzuki,  the head of the San Francisco Zen
> Center who
> wrote perhaps the best single book on practicing a musical instrument,
> "Zen Mind, Beginners' Mind".
>
> He never actually wrote a book and certainly not on praciticing a
> musical instrument.....he was too zen for that...lol,
> but his students recorded his answers to a public question and answer
> seminar where everyone asked him how
> he was able to master  meditating successfully considering that it is so
> difficult to still the human mind when
> trying to do such an extremely simple, non-intellectual and repetitive
> practice.
>
> If you take that book and substitute the word 'Zazen'  (the Buddhistic
> practice of
> meditating only on your breath and how we breathe,  in and out) and put
> musical "practice", it's an incredibly
> wise book about how to still the mind so that one can play something
> over and over
> and over until one's technique improves significantly.
>
> I'd try to paraphrase his philosophy and his understanding of how to
> get around the projecting and over identifying/attached nature of the
> human mind, particularly
> viz a vis the practice of repetitive musical playing  but I just
> wouldn't come close to
> how profound that book is.
>
> I actually ritualistically purchase a copy of  it and give it as a
> present to all of my advanced students
> when they first develop the desire to really woodshed their instrument
> deeply and are having troubles
> stilling their minds doing so.
>
> It was my bible when I finally was able to master double stroke bouncing
> exercises on trapset many years ago
> At that time,  I had a practice pad on a stand with two identical
> drumsticks in every single room of the house
> (including the kitchen and the bathroom)  so that if I ever looked down,
> I could just pick the sticks up and continue
> practicing.
>
> I can't more highly recommend it.   It has changed my life and the life
> of dozens of my really good students over the
> last three decades.
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Mon May 11 12:28:22 2009
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Subject: RE: Bidule Audio File Recorder
Date: Mon, 11 May 2009 14:28:20 +0200
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> Does anyone use the Bidule Audio File Recorder to record live gigs? 

I use it and so far, no problems.

-Michael

From Loopers-Delight-request@loopers-delight.com  Mon May 11 13:01:07 2009
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Thanks, that's good news. Btw: I just did a test on a Windows laptop with=
 Bidule (not not my regular Macbook) while running all kind of developing=
 software and I recorded a 940Mb drone which is 1.5 hours of music. Seems=
 to work well.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Mon May 11 13:15:25 2009
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Date: Mon, 11 May 2009 15:15:25 +0200
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Subject: Re: Bidule Audio File Recorder
From: Per Boysen <perboysen@gmail.com>
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On Mon, May 11, 2009 at 3:01 PM, Sjaak <tcplugin@scarlet.be> wrote:
> Btw: I just did a test on a Windows laptop with Bidule (not not my regular Macbook) while running all kind of developing software and I recorded a 940Mb drone which is 1.5 hours of music. Seems to work well.

No doubt! In my limited testing I have found that Bidule is a little
more CPU efficient under Windows than OS X. My layman guess is that it
has to do with the recent state of Bidule's dual core support.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May 11 13:57:17 2009
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From: "Joey Edwin" <joey@joeyedwin.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Online Looping School & More!
Date: Mon, 11 May 2009 08:49:51 -0500
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Hi Everyone, 

I currently perform 250+ shows per year using my Loop Pedal.  It's time I
provide you with my Looping Information.  

View my latest Looping Video at http://www.youtube.com/watch?v=6oLXluuObus
or Join my Looping School Blog at: http://loopingschool.blogspot.com
<http://loopingschool.blogspot.com/>  

How-To Videos, Getting Gigs, Gear & Software Suggestions and More coming
soon!!!!!

Best Regards,

Joey Edwin 

www.GuitarLooping.com <http://www.guitarlooping.com/>  


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<p><span class=3Dstyle31><font size=3D2 color=3Dblack =
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style=3D'font-size:10.0pt;color:black'>Hi Everyone, =
</span></font></span></p>

<p><span class=3Dstyle31><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;color:black'>I currently perform 250+ shows =
per year
using my Loop Pedal.&nbsp; It's time I provide you with my Looping =
Information.&nbsp;
</span></font></span></p>

<p><span class=3Dstyle31><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;color:black'>View my latest Looping Video at =
<a
href=3D"http://www.youtube.com/watch?v=3D6oLXluuObus">http://www.youtube.=
com/watch?v=3D6oLXluuObus</a>
&nbsp;or Join my Looping School Blog at: <a
href=3D"http://loopingschool.blogspot.com/">http://loopingschool.blogspot=
.com</a>
</span></font></span></p>

<p><span class=3Dstyle31><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;color:black'>How-To Videos, Getting Gigs, Gear =
&amp; Software
Suggestions and More coming soon!!!!!</span></font></span></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Century Gothic"><span =
style=3D'font-size:
10.0pt;font-family:"Century Gothic"'>Best Regards,</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
style=3D'font-size:10.0pt;font-family:"Century Gothic";color:black'>Joey =
Edwin </span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
style=3D'font-size:10.0pt;font-family:"Century Gothic";color:black'><a
href=3D"http://www.guitarlooping.com/">www.GuitarLooping.com</a> =
</span></font></p>

</div>

</body>

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From Loopers-Delight-request@loopers-delight.com  Mon May 11 14:36:42 2009
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A07FC15.8000009@cruzio.com>
Subject: RE: Great Books... (Bruford Autobiography Spoiler Alert)
Date: Mon, 11 May 2009 10:36:40 -0400
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Not sure what long term impact it will have on my music (it's already having
some immediate impact) but Bill Bruford's recently published autobiography
is a fascinating read.  


Though it is a bit of a downer watching one of your favourite drummers
slowly lose interest and eventually abandon his instrument.

m

From Loopers-Delight-request@loopers-delight.com  Mon May 11 14:43:12 2009
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Date: Mon, 11 May 2009 23:43:05 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: Exploring new Loooperlative features
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At 4:12 PM -0700 5/10/09, William Walker wrote:
>Of course as you change sampling rates, you change loop speed, so 
>its not capable of time stretch without pitch alteration.

"...by itself", you might add.  ;)

I've mentioned before that you can get time stretch effects by using 
this function in the Looperlative along with another effect unit that 
does pitch transposition. 

It's simple: record a line, then (for example) drop it down one 
octave.  This will slow the loop to half-speed at the same time. 
Now, run it through a pitch shifter, and transpose back up an octave. 
This will restore the loop to its original pitch, but it will remain 
at half-speed.  Obviously, other pitch/speed transpositions produce 
different results.

Two points: First, this is ridiculously easy to do with the LP1, 
since there are the two Aux Outputs that can be used to shuttle loops 
out to external units. If you're using the Looperlative with a mixer, 
you can even route the transposed signal back into the input and 
record/bounce to a new track.

Second, this ain't gonna get you pristine "studio-quality" time 
stretch, but that's sort of the point, isn't it?  In fact, with all 
the budget pitch shifters out there (many in cheezeball multi-effect 
units), who knows what sort of interesting artifacting you're liable 
to find by mixing and matching different devices.

At the very least, it's an interesting recipe for layering polyrhythms....

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From Loopers-Delight-request@loopers-delight.com  Mon May 11 14:47:24 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: New LiveLoop Improvisation, using insert and "loop Windowing"
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I called this "Hot Rubber Monkey Fights Cygnus". Why ?? It sounds like that=
 perhaps=2C the Hot Rubber Monkey (HRM) is the circuit in 90's Dumble guita=
r amps and the Cygnus is a Soloway guitar.....

The fighting occurs mainly between the loop and the lead guitar=2C i use in=
sert set to insert in the beginning=2C that way the "rhythm" changes around=
.. i also use "loop Windowing"=2C i think. At least a play around a lot wit=
h the "Undo" function of the EDP....

One take as usual=2C only delay added in mix...

=20

http://soundclick.com/share?songid=3D7592023

=20

Please let me know what you think...

=20

Regards=2C

AnDers

www.soundclick.com/andersbergdahl

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}
</style>
</head>
<body class=3D'hmmessage'>
I called this "Hot Rubber Monkey Fights Cygnus". Why ?? It sounds like that=
 perhaps=2C the Hot Rubber Monkey (HRM) is the circuit in 90's Dumble guita=
r amps and the Cygnus is a Soloway guitar.....<BR>
The fighting occurs mainly between the loop and the lead guitar=2C i use in=
sert set to insert in the beginning=2C that way the "rhythm" changes around=
.. i also use "loop Windowing"=2C i think. At least a play around a lot wit=
h the "Undo" function of the EDP....<BR>
One take as usual=2C only delay added in mix...<BR>
&nbsp=3B<BR>
<A href=3D"http://soundclick.com/share?songid=3D7592023">http://soundclick.=
com/share?songid=3D7592023</A><BR>
&nbsp=3B<BR>
Please let me know what you think...<BR>
&nbsp=3B<BR>
Regards=2C<BR>
AnDers<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR></body>
</html>=

--_da7803f7-dae0-4e00-9122-9e0dfc30b935_--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 14:48:39 2009
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	 <E3D21457E5F0472FB854D79418B0139B@middlebury.edu>
Date: Mon, 11 May 2009 10:48:38 -0400
Message-ID: <9e0440a60905110748y6d589ba5v8d8f48346ba0135d@mail.gmail.com>
Subject: Re: Great Books... (Bruford Autobiography Spoiler Alert)
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Oh no not Bill, what's that about?

On 5/11/09, murkie <sinister_footwear@yahoo.com> wrote:
> Not sure what long term impact it will have on my music (it's already having
> some immediate impact) but Bill Bruford's recently published autobiography
> is a fascinating read.
>
>
> Though it is a bit of a downer watching one of your favourite drummers
> slowly lose interest and eventually abandon his instrument.
>
> m
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Mon May 11 14:53:02 2009
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	 <146cdfa70905110039n64c88712h983058bbe2345575@mail.gmail.com>
Date: Mon, 11 May 2009 07:53:02 -0700
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Subject: Re: OT: proper way to hold you guitar - live video
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I caught that particular formation in L.A.  The bassist is Busta White
I believe. Decidedly funkier than Tina, but hey, Tina played great
lines throughout all Talking Heads' recordings.  Belew was awesome
with that lineup as stunt guitarist. Byrne is so under-rated as a
rythym player!  -m

-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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http://www.propellerheads.se

asking for beta testers for their new DAW

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Busta Jones



Miko Biffle wrote:
> I caught that particular formation in L.A.  The bassist is Busta White
> I believe. Decidedly funkier than Tina, but hey, Tina played great
> lines throughout all Talking Heads' recordings.  Belew was awesome
> with that lineup as stunt guitarist. Byrne is so under-rated as a
> rythym player!  -m
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 11 15:28:32 2009
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> Mech wrote:
> It's simple: record a line, then (for example) drop it down one 
> octave.  This will slow the loop to half-speed at the same time. 
> Now, run it through a pitch shifter, and transpose back up an octave. 
> This will restore the loop to its original pitch, but it will remain 
> at half-speed.  Obviously, other pitch/speed transpositions produce 
> different results.

That's a very creative solution, I never though about that ;) 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From ab_rahman12@msn.com  Mon May 11 17:09:41 2009
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 Dear friend=2C=20

 =20

May the peace and blessings of God be upon you and upon your family. I hope=
 this email meets you in good health. However=2C strange or surprising this=
 contact might seem to you as we have not met face to face nor had any deal=
ings in the past=2C I humbly ask you take due consideration of its importan=
ce and the immense benefit it will be to you and I in the nearest future.=20

 =20

After careful deliberation with one of my colleagues=2C we resolved to cont=
act you for your most needed assistance in this manner. In the meanwhile=2C=
 I duly apologize for infringing on your privacy if this offer and contact =
is not acceptable to you. In a nut shell=2C the purpose of my writing to yo=
u exclusively is that I want to pull out an unclaimed funds amounted to the=
 total sum of seven million=2C five hundred thousand euros that belong to o=
ne of our late customers who died in a ghastly auto accident in Burkina Fas=
o some years back.=20

 =20

Ever since we gathered the information about his death=2C we have been expe=
cting any of his relatives or business collaborators to visit our bank and =
put claim to the fund=2C but up till this time of writing=2C no next of kin=
 or associate of him has come forward to claim his money with us. Hence=2C =
I need your maximum co-operation and reliable assistance to transfer the mo=
ney out from our country into yours.=20

 =20

As it may interest you to know=2C for your future co-operation and efforts=
=2C 35% of the money will be for you as our foreign partner=2C 64% will be =
for my colleague and I that will eventually visit your country for disburse=
ment of our fund portion=2C while 1% will be set aside for expenses incurre=
d during the business and also telephone communication bills.=20

 =20

To be more honest and candid with you=2C I need your maximum assistance and=
 co-operation to get this deal done=2C because as a foreigner you stand in =
a very better position to be presented through documentation as the busines=
s associate from your country=2C since the deceased was also a foreigner.=20

 =20

In this regard=2C I want you to assure me of your capability of handling th=
is transaction perfectly with trust and confidence by giving me the followi=
ng information about yourself:=20

 =20

1) Your full name.=20

2) Your residential and postal address=20

3) Your occupation and position.=20

4) Your age.=20

5) Your direct telephone and fax number for quick and effective communicati=
on.=20

 =20

As a matter of fact=2C it is pertinent to also inform you that all modaliti=
es have been accomplished and all logistics in good shape to effect payment=
 immediately. Looking forward to a mutual beneficial business relationship.=
  And above all=2C I will prefer all further communication and future corre=
spondences in English language. While I strongly advise you to treat this c=
ommunication with top maturity and confidentiality for future prospect.=20

 =20

Upon receipt of your quick and positive response=2C I will equally send you=
 all the vital information concerning the deceased person himself=2C and de=
tails information of the paying bank here in Burkina Faso =2C and all other=
 coverage that you might needed to achieve 100% success at the end of the d=
ay.=20

 =20

Yours faithfully=2C  =20

Mr. Abdul Rahman.


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<STRONG>&nbsp=3BDear friend=2C <BR><BR>&nbsp=3B <BR><BR>May the peace and b=
lessings of God be upon you and upon your family. I hope this email meets y=
ou in good health. However=2C strange or surprising this contact might seem=
 to you as we have not met face to face nor had any dealings in the past=2C=
 I humbly ask you take due consideration of its importance and the immense =
benefit it will be to you and I in the nearest future. <BR><BR>&nbsp=3B <BR=
><BR>After careful deliberation with one of my colleagues=2C we resolved to=
 contact you for your most needed assistance in this manner. In the meanwhi=
le=2C I duly apologize for infringing on your privacy if this offer and con=
tact is not acceptable to you. In a nut shell=2C the purpose of my writing =
to you exclusively is that I want to pull out an <SPAN class=3Dyshortcuts i=
d=3Dlw_1241861297_0>unclaimed funds</SPAN> amounted to the total sum of sev=
en million=2C five hundred thousand euros that belong to one of our late cu=
stomers who died in a ghastly auto accident in <SPAN class=3Dyshortcuts id=
=3Dlw_1241861297_1>Burkina Faso</SPAN> some years back. <BR><BR>&nbsp=3B <B=
R><BR><SPAN class=3Dyshortcuts id=3Dlw_1241861297_2>Ever since</SPAN> we ga=
thered the information about his death=2C we have been expecting any of his=
 relatives or business collaborators to visit our bank and put claim to the=
 fund=2C but up till this time of writing=2C no next of kin or associate of=
 him has come forward to claim his money with us. Hence=2C I need your maxi=
mum co-operation and reliable assistance to transfer the money out from our=
 country into yours. <BR><BR>&nbsp=3B <BR><BR>As it may interest you to kno=
w=2C for your future co-operation and efforts=2C 35% of the money will be f=
or you as our foreign partner=2C 64% will be for my colleague and I that wi=
ll eventually visit your country for disbursement of our fund portion=2C wh=
ile 1% will be set aside for expenses incurred during the business and also=
 telephone communication bills. <BR><BR>&nbsp=3B <BR><BR>To be more honest =
and candid with you=2C I need your maximum assistance and co-operation to g=
et this deal done=2C because as a foreigner you stand in a very better posi=
tion to be presented through documentation as the business associate from y=
our country=2C since the deceased was also a foreigner. <BR><BR>&nbsp=3B <B=
R><BR>In this regard=2C I want you to assure me of your capability of handl=
ing this transaction perfectly with trust and confidence by giving me the f=
ollowing information about yourself: <BR><BR>&nbsp=3B <BR><BR>1) Your full =
name. <BR><BR>2) Your residential and postal address <BR><BR>3) Your occupa=
tion and position. <BR><BR>4) Your age. <BR><BR>5) Your direct telephone an=
d fax number for quick and effective communication. <BR><BR>&nbsp=3B <BR><B=
R>As a matter of fact=2C it is pertinent to also inform you that all modali=
ties have been accomplished and all logistics in good shape to effect payme=
nt immediately. Looking forward to a mutual beneficial business relationshi=
p.&nbsp=3B And above all=2C I will prefer all further communication and fut=
ure correspondences in <SPAN class=3Dyshortcuts id=3Dlw_1241861297_3>Englis=
h language</SPAN>. While I strongly advise you to treat this communication =
with top maturity and confidentiality for future prospect. <BR><BR>&nbsp=3B=
 <BR><BR>Upon receipt of your quick and positive response=2C I will equally=
 send you all the vital information concerning the deceased person himself=
=2C and details information of the paying bank here in Burkina Faso =2C and=
 all other coverage that you might needed to achieve 100% success at the en=
d of the day. <BR><BR>&nbsp=3B <BR><BR>Yours faithfully=2C&nbsp=3B&nbsp=3B&=
nbsp=3B<BR><BR>Mr. Abdul Rahman.<BR></STRONG><BR></body>
</html>=

--_04352cbe-7f9b-4a5e-bac7-2f8fe7ed1fe9_--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 17:13:08 2009
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References: <7334ca1b0905100849p500d2f88gf6a64d34746ef65f@mail.gmail.com>
	 <146cdfa70905110039n64c88712h983058bbe2345575@mail.gmail.com>
	 <3fa302e30905110753i2fc3b0e8l2fbec099a1287699@mail.gmail.com>
	 <4A084341.4070101@tiscali.co.uk>
Date: Mon, 11 May 2009 10:04:55 -0700
Message-ID: <3fa302e30905111004p65c0771cq500f7bf4e5e0a43a@mail.gmail.com>
Subject: Re: OT: proper way to hold you guitar - live video
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Yeah, my memory is  pretty bad. I guess I'm getting (more) senile. I
almost said Busta Brown to indicate my memory failure but that would
have been racially un-pc=97I guess Busta "White" could have racial
implications as well, but hey, the guy can really beat his bass up
(and maybe his wife too). Damn. There's no way to stay outta trouble
with this one. Love Byrne's stalker-like guitar poses.  -m

On 5/11/09, andy butler <akbutler@tiscali.co.uk> wrote:
> Busta Jones
>
>  Miko Biffle wrote:
>
> > I caught that particular formation in L.A.  The bassist is Busta White
> > I believe. Decidedly funkier than Tina, but hey, Tina played great
> > lines throughout all Talking Heads' recordings.  Belew was awesome
> > with that lineup as stunt guitarist. Byrne is so under-rated as a
> > rythym player!  -m

--=20
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Mon May 11 18:07:54 2009
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Date: Mon, 11 May 2009 17:59:42 +0000 (UTC)
From: loopbozo@comcast.net
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Subject: Re: OT: proper way to hold you guitar - live video
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------=_Part_239859_789983539.1242064782653
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I believe it's Busta "Cherry" Jones for full effect.=20



----- Original Message -----=20
From: "Miko Biffle" <biffoz@gmail.com>=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Monday, May 11, 2009 11:04:55 AM GMT -07:00 US/Canada Mountain=20
Subject: Re: OT: proper way to hold you guitar - live video=20

Yeah, my memory is =C2=A0pretty bad. I guess I'm getting (more) senile. I=
=20
almost said Busta Brown to indicate my memory failure but that would=20
have been racially un-pc=E2=80=94I guess Busta "White" could have racial=20
implications as well, but hey, the guy can really beat his bass up=20
(and maybe his wife too). Damn. There's no way to stay outta trouble=20
with this one. Love Byrne's stalker-like guitar poses. =C2=A0-m=20

On 5/11/09, andy butler <akbutler@tiscali.co.uk> wrote:=20
> Busta Jones=20
>=20
> =C2=A0Miko Biffle wrote:=20
>=20
> > I caught that particular formation in L.A. =C2=A0The bassist is Busta W=
hite=20
> > I believe. Decidedly funkier than Tina, but hey, Tina played great=20
> > lines throughout all Talking Heads' recordings. =C2=A0Belew was awesome=
=20
> > with that lineup as stunt guitarist. Byrne is so under-rated as a=20
> > rythym player! =C2=A0-m=20

--=20
Miko Biffle=20
Biffoz@Gmail.com=20
MBiffle@FoxRacingShox.com=20
"Running scared from all the usual distractions!"=20


------=_Part_239859_789983539.1242064782653
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>I believe=
 it's Busta "Cherry" Jones for full effect.<BR><BR><BR><BR>----- Original M=
essage -----<BR>From: "Miko Biffle" &lt;biffoz@gmail.com&gt;<BR>To: Loopers=
-Delight@loopers-delight.com<BR>Sent: Monday, May 11, 2009 11:04:55 AM GMT =
-07:00 US/Canada Mountain<BR>Subject: Re: OT: proper way to hold you guitar=
 - live video<BR><BR>Yeah, my memory is &nbsp;pretty bad. I guess I'm getti=
ng (more) senile. I<BR>almost said Busta Brown to indicate my memory failur=
e but that would<BR>have been racially un-pc=E2=80=94I guess Busta "White" =
could have racial<BR>implications as well, but hey, the guy can really beat=
 his bass up<BR>(and maybe his wife too). Damn. There's no way to stay outt=
a trouble<BR>with this one. Love Byrne's stalker-like guitar poses. &nbsp;-=
m<BR><BR>On 5/11/09, andy butler &lt;akbutler@tiscali.co.uk&gt; wrote:<BR>&=
gt; Busta Jones<BR>&gt;<BR>&gt; &nbsp;Miko Biffle wrote:<BR>&gt;<BR>&gt; &g=
t; I caught that particular formation in L.A. &nbsp;The bassist is Busta Wh=
ite<BR>&gt; &gt; I believe. Decidedly funkier than Tina, but hey, Tina play=
ed great<BR>&gt; &gt; lines throughout all Talking Heads' recordings. &nbsp=
;Belew was awesome<BR>&gt; &gt; with that lineup as stunt guitarist. Byrne =
is so under-rated as a<BR>&gt; &gt; rythym player! &nbsp;-m<BR><BR>-- <BR>M=
iko Biffle<BR>Biffoz@Gmail.com<BR>MBiffle@FoxRacingShox.com<BR>"Running sca=
red from all the usual distractions!"<BR><BR></div></body></html>
------=_Part_239859_789983539.1242064782653--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 18:23:36 2009
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Great Books That Have Changed Our Musical Lives
Date: Mon, 11 May 2009 11:18:35 -0700
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--_98316a69-513c-421c-aaee-02bdf52f2434_
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=20

BTW=2C Rick

The form I practice is the same "school" as Shunryu Suzuki ( Soto Zen) so I=
've been fortunate to study this book w/ my teacher/abbott at Dharma Rain Z=
en Center.=20

The book is wonderful on a surface level and along w/ Alan Watts 'The Way o=
f Zen' is what brought me to a Buddhist practice 30 some years ago=3B it is=
=2C with further study=2C a hugely deeper book than it's surface simplicity=
=2C though -referencing many=2C many sutras throughout the dharma talks -wh=
ich is what makes up the book.

I also love the story about the back photo: Most teachers had formal photos=
 taken for books=2C etc. His was taken while moving rocks & brush at Tassaj=
ara.  =20

=20

J.D.
=20
> Date: Mon=2C 11 May 2009 03:21:09 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Great Books That Have Changed Our Musical Lives
>=20
> A friend of mine asked me=2C recently=2C what books have truly and deeply=
=20
> influenced my music
> in my life and=2C amongst other titles=2C I sang him the praises of=20
> Shinryu Suzuki's book called=2C
> "Zen Mind =2C Beginners' Mind".
>=20
> Though not as famous a D T Suzuki who was the great popularizer of=20
> Japanese Zen Buddhism in the
> west=2C I prefer Shunryu Suzuki=2C the head of the San Francisco Zen=20
> Center who
> wrote perhaps the best single book on practicing a musical instrument=2C=
=20
> "Zen Mind=2C Beginners' Mind".
>=20
> He never actually wrote a book and certainly not on praciticing a=20
> musical instrument.....he was too zen for that...lol=2C
> but his students recorded his answers to a public question and answer=20
> seminar where everyone asked him how
> he was able to master meditating successfully considering that it is so=20
> difficult to still the human mind when
> trying to do such an extremely simple=2C non-intellectual and repetitive=
=20
> practice.
>=20
> If you take that book and substitute the word 'Zazen' (the Buddhistic=20
> practice of
> meditating only on your breath and how we breathe=2C in and out) and put=
=20
> musical "practice"=2C it's an incredibly
> wise book about how to still the mind so that one can play something=20
> over and over
> and over until one's technique improves significantly.
>=20
> I'd try to paraphrase his philosophy and his understanding of how to
> get around the projecting and over identifying/attached nature of the=20
> human mind=2C particularly
> viz a vis the practice of repetitive musical playing but I just=20
> wouldn't come close to
> how profound that book is.
>=20
> I actually ritualistically purchase a copy of it and give it as a=20
> present to all of my advanced students
> when they first develop the desire to really woodshed their instrument=20
> deeply and are having troubles
> stilling their minds doing so.
>=20
> It was my bible when I finally was able to master double stroke bouncing=
=20
> exercises on trapset many years ago
> At that time=2C I had a practice pad on a stand with two identical=20
> drumsticks in every single room of the house
> (including the kitchen and the bathroom) so that if I ever looked down=2C=
=20
> I could just pick the sticks up and continue
> practicing.
>=20
> I can't more highly recommend it. It has changed my life and the life=20
> of dozens of my really good students over the
> last three decades.
>=20

_________________________________________________________________
Insert movie times and more without leaving Hotmail=AE.
http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tut=
orial_QuickAdd1_052009=

--_98316a69-513c-421c-aaee-02bdf52f2434_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
&nbsp=3B<BR>
BTW=2C Rick<BR>
The form I practice is the same "school" as Shunryu Suzuki ( Soto Zen) so I=
've been fortunate to study this book w/ my teacher/abbott at Dharma Rain Z=
en Center. <BR>
The book is wonderful on a surface level and along w/ Alan Watts 'The Way o=
f Zen' is what brought&nbsp=3Bme to&nbsp=3Ba Buddhist practice&nbsp=3B30 so=
me years ago=3B it is=2C with further study=2C a hugely deeper book than it=
's surface simplicity=2C though -referencing many=2C many&nbsp=3Bsutras thr=
oughout the dharma talks -which is what makes up the book.<BR>
I also love the story about the back photo: Most teachers had formal photos=
 taken for books=2C etc. His was taken while moving rocks &amp=3B brush at =
Tassajara. &nbsp=3B&nbsp=3B<BR>
&nbsp=3B<BR>
J.D.<BR>&nbsp=3B<BR>&gt=3B Date: Mon=2C 11 May 2009 03:21:09 -0700<BR>&gt=
=3B From: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers-delight=
.com<BR>&gt=3B Subject: Great Books That Have Changed Our Musical Lives<BR>=
&gt=3B <BR>&gt=3B A friend of mine asked me=2C recently=2C what books have =
truly and deeply <BR>&gt=3B influenced my music<BR>&gt=3B in my life and=2C=
 amongst other titles=2C I sang him the praises of <BR>&gt=3B Shinryu Suzuk=
i's book called=2C<BR>&gt=3B "Zen Mind =2C Beginners' Mind".<BR>&gt=3B <BR>=
&gt=3B Though not as famous a D T Suzuki who was the great popularizer of <=
BR>&gt=3B Japanese Zen Buddhism in the<BR>&gt=3B west=2C I prefer Shunryu S=
uzuki=2C the head of the San Francisco Zen <BR>&gt=3B Center who<BR>&gt=3B =
wrote perhaps the best single book on practicing a musical instrument=2C <B=
R>&gt=3B "Zen Mind=2C Beginners' Mind".<BR>&gt=3B <BR>&gt=3B He never actua=
lly wrote a book and certainly not on praciticing a <BR>&gt=3B musical inst=
rument.....he was too zen for that...lol=2C<BR>&gt=3B but his students reco=
rded his answers to a public question and answer <BR>&gt=3B seminar where e=
veryone asked him how<BR>&gt=3B he was able to master meditating successful=
ly considering that it is so <BR>&gt=3B difficult to still the human mind w=
hen<BR>&gt=3B trying to do such an extremely simple=2C non-intellectual and=
 repetitive <BR>&gt=3B practice.<BR>&gt=3B <BR>&gt=3B If you take that book=
 and substitute the word 'Zazen' (the Buddhistic <BR>&gt=3B practice of<BR>=
&gt=3B meditating only on your breath and how we breathe=2C in and out) and=
 put <BR>&gt=3B musical "practice"=2C it's an incredibly<BR>&gt=3B wise boo=
k about how to still the mind so that one can play something <BR>&gt=3B ove=
r and over<BR>&gt=3B and over until one's technique improves significantly.=
<BR>&gt=3B <BR>&gt=3B I'd try to paraphrase his philosophy and his understa=
nding of how to<BR>&gt=3B get around the projecting and over identifying/at=
tached nature of the <BR>&gt=3B human mind=2C particularly<BR>&gt=3B viz a =
vis the practice of repetitive musical playing but I just <BR>&gt=3B wouldn=
't come close to<BR>&gt=3B how profound that book is.<BR>&gt=3B <BR>&gt=3B =
I actually ritualistically purchase a copy of it and give it as a <BR>&gt=
=3B present to all of my advanced students<BR>&gt=3B when they first develo=
p the desire to really woodshed their instrument <BR>&gt=3B deeply and are =
having troubles<BR>&gt=3B stilling their minds doing so.<BR>&gt=3B <BR>&gt=
=3B It was my bible when I finally was able to master double stroke bouncin=
g <BR>&gt=3B exercises on trapset many years ago<BR>&gt=3B At that time=2C =
I had a practice pad on a stand with two identical <BR>&gt=3B drumsticks in=
 every single room of the house<BR>&gt=3B (including the kitchen and the ba=
throom) so that if I ever looked down=2C <BR>&gt=3B I could just pick the s=
ticks up and continue<BR>&gt=3B practicing.<BR>&gt=3B <BR>&gt=3B I can't mo=
re highly recommend it. It has changed my life and the life <BR>&gt=3B of d=
ozens of my really good students over the<BR>&gt=3B last three decades.<BR>=
&gt=3B <BR><br /><hr />Insert movie times and more without leaving Hotmail=
=AE. <a href=3D'http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT=
_TAGLM_WL_HM_Tutorial_QuickAdd1_052009' target=3D'_new'>See how.</a></body>
</html>=

--_98316a69-513c-421c-aaee-02bdf52f2434_--

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Date: Mon, 11 May 2009 20:04:45 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Exploring new Loooperlative features
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it would be lovely if mobius could also eventually cope with the pitchshift=
 function its been a while since i tried it as it produces crackle noises
Jeff will that ever be possible?
cheers
Luis

>=20
> Yes, having owned a Repeater for a couple of years I can
> affirm that
> those lovely artefacts are the bi product of time
> stretching - not
> just speed (or rate) shifting. If you do a lot of
> stretching in the
> Repeater the file structure is changed and the loop
> doesn't sound the
> same at normal pitch any more. This tells for some harsh
> interpolation
> going on.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon May 11 21:10:03 2009
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> it would be lovely if mobius could also eventually cope with
> the pitchshift function its been a while since i tried it as
> it produces crackle noises

The main bug I'm aware of with pitch shifting is that there are some
latency compensation errors having to do with the buffer used by the
pitch shifting algorithm.  There will be a slight delay between when
you press the switch and you hear the pitch change.  If you change
pitch a lot this may cause the loop to gradually go out
of alignment with the other tracks.

I wasn't aware of any crackle noises, but note that pitch shifting
requires much more computer power than simple rate shifting.=20
You may need to increase your audio device buffer size (and
with it the latency) to stop the crackles. =20

Jeff

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Subject: Online Looping School & More!
From: Rainer Straschill <moinsound@googlemail.com>
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Joey said:

> I currently perform 250+ shows per year using my Loop Pedal.  It's time I provide you with my Looping Information.

Great. Another geek who bought a Boss loop pedal and now starts a new
community and explains how to do looping to those old farts who never
understood their MAX/MSP thingies in the first place.
I'm looking forward to The Looping School covering loop windowing in
conjunction with granular sus use...;)

Nice playing on that vid, tho'.

          Rainer

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--000e0cd18264f443520469aa7ea0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

I'm really hoping to get into this program. As a steadfast reason user, I
haven't seen a lot of things this seems to offer other than recording
capabilities. I'm eager to see how it stacks up to live's recording
abilities.

On Mon, May 11, 2009 at 8:02 AM, Raul Bonell <raul.bonell@gmail.com> wrote:

> http://www.propellerheads.se
>
> asking for beta testers for their new DAW
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

--000e0cd18264f443520469aa7ea0
Content-Type: text/html; charset=ISO-8859-1
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I&#39;m really hoping to get into this program. As a steadfast reason user,=
 I haven&#39;t seen a lot of things this seems to offer other than recordin=
g capabilities. I&#39;m eager to see how it stacks up to live&#39;s recordi=
ng abilities.<br>

<br><div class=3D"gmail_quote">On Mon, May 11, 2009 at 8:02 AM, Raul Bonell=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<a href=3D"http://www.propellerheads.se" target=3D"_blank">http://www.prope=
llerheads.se</a><br>
<br>
asking for beta testers for their new DAW<br>
<font color=3D"#888888"><br>
--<br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" target=
=3D"_blank">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</font></blockquote></div><br>

--000e0cd18264f443520469aa7ea0--

From Loopers-Delight-request@loopers-delight.com  Mon May 11 22:48:32 2009
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Seems to me like it's geared less to loop focused DAWs and more an
entry level DAW for more traditional instrumentalists/bands.  Kind of
like a Garageband for actual garage bands. Might be good.  The movie
their marketing people made didn't do much for me. I can't imagine an
app being more intuitive than just using Ableton Live, though I've
never been a Reason user.

On Mon, May 11, 2009 at 3:28 PM, Nick <ParadoxQuine@gmail.com> wrote:
> I'm really hoping to get into this program. As a steadfast reason user, I
> haven't seen a lot of things this seems to offer other than recording
> capabilities. I'm eager to see how it stacks up to live's recording
> abilities.
>
> On Mon, May 11, 2009 at 8:02 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
>>
>> http://www.propellerheads.se
>>
>> asking for beta testers for their new DAW
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 11 22:52:36 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Record
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Here are some more videos 'splaining Record:

http://matrixsynth.blogspot.com/2009/05/propellerheads-launches-their-latest=
.html

I'm all over it for the Record/Reason integration.. Record actually =20
has Reason inside of it, and if you have Reason installed on your =20
computer, Record recognizes that and turns on all the Reason =20
features.. so, for us Reason users, that means Reason finally has =20
audio tracks.. :)

-cpr

Quoting Mark Sottilaro <zerocrossing@gmail.com>:

> Seems to me like it's geared less to loop focused DAWs and more an
> entry level DAW for more traditional instrumentalists/bands.  Kind of
> like a Garageband for actual garage bands. Might be good.  The movie
> their marketing people made didn't do much for me. I can't imagine an
> app being more intuitive than just using Ableton Live, though I've
> never been a Reason user.
>
> On Mon, May 11, 2009 at 3:28 PM, Nick <ParadoxQuine@gmail.com> wrote:
>> I'm really hoping to get into this program. As a steadfast reason user, I
>> haven't seen a lot of things this seems to offer other than recording
>> capabilities. I'm eager to see how it stacks up to live's recording
>> abilities.
>>
>> On Mon, May 11, 2009 at 8:02 AM, Raul Bonell <raul.bonell@gmail.com> wrot=
e:
>>>
>>> http://www.propellerheads.se
>>>
>>> asking for beta testers for their new DAW
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>
>>
>
>


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for those of you who are Talking Heads fans there's a really nice book on the history of the band that was published in the mid-80s.  it was written by some guy named Gans.  think he might be a looper.

8^{)}
m

From Loopers-Delight-request@loopers-delight.com  Mon May 11 23:14:35 2009
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just posted some new loopy stuff on the fb page:
http://tinyurl.com/MarkChristensen

check it out.

m

www.TwistedAppleRecords.com

Stone Document's Anamnesis now available from iTunes!http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=301414103&s=143441

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> Oh no not Bill, what's that about?

he's made a lot of noise about retiring from public performance so i guess i'm not giving too much away.  maybe it's just for book publicity.  it's hard to tell from the book which he has more contempt for, Fripp, the drums or his fans.

m

From Loopers-Delight-request@loopers-delight.com  Tue May 12 00:48:47 2009
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is called corporate looping
believe me its here!

www.myspace.com/luisangulocom


--- Rainer Straschill <moinsound@googlemail.com> schrieb am Mo, 11.5.2009:

> Von: Rainer Straschill <moinsound@googlemail.com>
> Betreff: Online Looping School & More!
> An: loopers-delight@loopers-delight.com
> Datum: Montag, 11. Mai 2009, 15:11
> Joey said:
>=20
> > I currently perform 250+ shows per year using my Loop
> Pedal.  It's time I provide you with my Looping
> Information.
>=20
> Great. Another geek who bought a Boss loop pedal and now
> starts a new
> community and explains how to do looping to those old farts
> who never
> understood their MAX/MSP thingies in the first place.
> I'm looking forward to The Looping School covering loop
> windowing in
> conjunction with granular sus use...;)
>=20
> Nice playing on that vid, tho'.
>=20
>           Rainer=0A=0A=0A      

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Subject: the amazing Adrian Parker fly
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so much talk about Adrian i had to check out his new guitar wow

http://www.youtube.com/watch?v=3DoTe-B0ZTtJ0

anybody here owns one?

=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 12 01:47:50 2009
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Date: Tue, 12 May 2009 10:47:46 +0900
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At 5:28 PM +0200 5/11/09, Sjaak wrote:
>  > Mech wrote:
>>  It's simple: record a line, then (for example) drop it down one
>>  octave.  This will slow the loop to half-speed at the same time.
>>  Now, run it through a pitch shifter, and transpose back up an octave.
>>  This will restore the loop to its original pitch, but it will remain
>>  at half-speed.  Obviously, other pitch/speed transpositions produce
>>  different results.
>
>That's a very creative solution, I never though about that ;)

Thanks, Sjaak.  Wish I could take full credit for it, but I first 
heard it in a conversation with 'Knights...' over on the Looperlative 
board.

I'd been working with using a pitch shifter on the Aux Outs for a 
while.  When he brought up the idea of using that in conjunction with 
the LP1's (then new) transposition function to achieve time 
stretch/compress, I had a genuine "palm meets forehead" moment.

Seems stupid simple, but it's just one of those things you don't 
realize until it smacks you in the face.  %)

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Tue May 12 02:01:00 2009
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From: "Joey Edwin" <joey@joeyedwin.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Online Looping School & More!
Date: Mon, 11 May 2009 21:01:01 -0500
Organization: Joey Edwin
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Hi Rainer,

I'm not sure how I should respond to your email exactly but I've been
looping for over 10+ years. I want to share secrets on how to make a =
living
with the loop pedal since I've toured the world with mine. Yes, I am =
trying
to teach the old farts that got stuck along the way but hopefully will
attract some developed talent to help further the community too.  The =
Boss
Loop Station is the only pedal that worked for me, but I'm certainly not
knockin' others!

If you can build a loop pedal great, if you can program a loop pedal I'm =
all
ears, if you've toured the world playing loops that's awesome.... but =
please
share your experience instead of criticizing my knowledge in trying to =
help
others.... Thanks:)

Best Regards,
Joey Edwin=20
219.613.7148
www.joeyedwin.com


-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com]=20
Sent: Monday, May 11, 2009 5:12 PM
To: loopers-delight@loopers-delight.com
Subject: Online Looping School & More!

Joey said:

> I currently perform 250+ shows per year using my Loop Pedal.  It's =
time I
provide you with my Looping Information.

Great. Another geek who bought a Boss loop pedal and now starts a new
community and explains how to do looping to those old farts who never
understood their MAX/MSP thingies in the first place.
I'm looking forward to The Looping School covering loop windowing in
conjunction with granular sus use...;)

Nice playing on that vid, tho'.

          Rainer


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Date: Tue, 12 May 2009 02:08:08 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Live Looping Remix - Ghost Town
To: Loopers-Delight@loopers-delight.com
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awesome Warren! so nice to hear loopy groovy stuff for a change!

www.myspace.com/luisangulocom


--- Warren Sirota <wsirota@wsdesigns.com> schrieb am So, 10.5.2009:

> Von: Warren Sirota <wsirota@wsdesigns.com>
> Betreff: Re: Live Looping Remix - Ghost Town
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 10. Mai 2009, 8:22
> many thanks, Loren. I love your sig.
>=20
> On Sun, May 10, 2009 at 10:45 AM, Loren Claypool
> <looper@theclaypools.com>wrote:
>=20
> >
> > On May 9, 2009, at 6:24 PM, Warren Sirota wrote:
> >
> > Another in a line of live loops with synced drums. in
> this case, I actually
> > replaced the drum track after the fact with something
> a bit more kicky. And
> > laid in a bass part after the fact that is now part of
> the live performance
> > of the piece. The cycle of
> improvise-extract-compose-perform (still with a
> > lot of improvisation, but with a lot more structure)
> is now complete
> > (-able). I am loving the new workflow.
> >
> > warrensirota.com/solostuff/ghosttown.mp3
> >
> >
> > Warren, I am enjoying both the workflow and the
> result. I dig the "Warm and
> > Cool" vibe of the piece.
> > All the best,
> >
> > Loren Claypool
> > genre-indifferent instrumental guitar music
> > www.lorenclaypool.com and links from there
> >
> >
> >
> >
>=20
>=20
> --=20
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
> http://www.warrensirota.com=0A=0A=0A      

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Date: Tue, 12 May 2009 03:45:11 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: RE: Online Looping School & More!
To: joey@joeyedwin.com
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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Hey Joey didnt mean it in a negative way sorry if it came across that way
everybody has to make a living,250 shows a year? dont tell me you arent doi=
ng corporate gigs! ive done them myself good money though i dont particular=
y like them;-)
cheers man
Luis

www.myspace.com/luisangulocom


--- Joey Edwin <joey@joeyedwin.com> schrieb am Mo, 11.5.2009:

> Von: Joey Edwin <joey@joeyedwin.com>
> Betreff: RE: Online Looping School & More!
> An: labaloops@yahoo.com
> Datum: Montag, 11. Mai 2009, 19:11
> Stay positive fellow loopers.....please!=20
> =20
> Best Regards,
> Joey Edwin=20
> 219.613.7148
> www.joeyedwin.com
>=20
>=20
> -----Original Message-----
> From: L.Angulo [mailto:labaloops@yahoo.com]=20
> Sent: Monday, May 11, 2009 7:49 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: AW: Online Looping School & More!
>=20
>=20
> is called corporate looping
> believe me its here!
>=20
> www.myspace.com/luisangulocom
>=20
>=20
> --- Rainer Straschill <moinsound@googlemail.com>
> schrieb am Mo, 11.5.2009:
>=20
> > Von: Rainer Straschill
> <moinsound@googlemail.com>
> > Betreff: Online Looping School & More!
> > An: loopers-delight@loopers-delight.com
> > Datum: Montag, 11. Mai 2009, 15:11
> > Joey said:
> >=20
> > > I currently perform 250+ shows per year using my
> Loop
> > Pedal.  It's time I provide you with my Looping
> > Information.
> >=20
> > Great. Another geek who bought a Boss loop pedal and
> now
> > starts a new
> > community and explains how to do looping to those old
> farts
> > who never
> > understood their MAX/MSP thingies in the first place.
> > I'm looking forward to The Looping School covering
> loop
> > windowing in
> > conjunction with granular sus use...;)
> >=20
> > Nice playing on that vid, tho'.
> >=20
> >           Rainer=0A=0A=0A      

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Date: Mon, 11 May 2009 20:54:36 -0700
Message-ID: <bcd3c7bb0905112054v4bdfb22bue3050acc2a509fa5@mail.gmail.com>
Subject: Re: the amazing Adrian Parker fly
From: Mark Sottilaro <zerocrossing@gmail.com>
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I bought a car instead.

On Mon, May 11, 2009 at 6:25 PM, L.Angulo <labaloops@yahoo.com> wrote:
>
> so much talk about Adrian i had to check out his new guitar wow
>
> http://www.youtube.com/watch?v=oTe-B0ZTtJ0
>
> anybody here owns one?
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 12 04:07:24 2009
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From: "Tony K" <bigtonyk@gmail.com>
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I'd love to own one, but they are what.. $9000?  A bit much for this boy.

Tony

-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com] 
Sent: Monday, May 11, 2009 9:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: the amazing Adrian Parker fly


so much talk about Adrian i had to check out his new guitar wow

http://www.youtube.com/watch?v=oTe-B0ZTtJ0

anybody here owns one?




      

From Loopers-Delight-request@loopers-delight.com  Tue May 12 04:07:45 2009
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Date: Mon, 11 May 2009 23:35:58 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Line 6 "JM4" ...  ?
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http://line6.com/jm4looper/index.html

GMAFB!!!
-- 

From Loopers-Delight-request@loopers-delight.com  Tue May 12 04:36:24 2009
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Date: Tue, 12 May 2009 00:36:22 -0400
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Uh oh... I feel a case of G.A.S. coming on.

Tony

-----Original Message-----
From: Charles Zwicky [mailto:cazwicky@earthlink.net] 
Sent: Monday, May 11, 2009 11:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Line 6 "JM4" ... ?

http://line6.com/jm4looper/index.html

GMAFB!!!
-- 

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Subject: Re: Line 6 "JM4" ...  ?
Date: Mon, 11 May 2009 23:14:07 -0500
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On May 11, 2009, at 10:35 PM, Charles Zwicky wrote:

> http://line6.com/jm4looper/index.html
>
> GMAFB!!

Pourquoi? It's useful for some people, right? Or no?

Jeff

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Quoting Joey Edwin <joey@joeyedwin.com>:
>
> Hi Rainer,
>
> I'm not sure how I should respond to your email exactly but I've been
> looping for over 10+ years. I want to share secrets on how to make a living
> with the loop pedal since I've toured the world with mine. Yes, I am trying
> to teach the old farts that got stuck along the way but hopefully will
> attract some developed talent to help further the community too.
>
What I really want are some humility lessons.
>
> If you can build a loop pedal great, if you can program a loop pedal I'm all
> ears, if you've toured the world playing loops that's awesome.... but please
> share your experience...
>
Hey -- people happily contribute knowledge and suggestions to the list  
all the time.  What is it that you came here to learn?  Ask and you  
shall receive.
>
> ...instead of criticizing my knowledge in trying to help
> others.... Thanks:)
>
Oh ok, Joey.  Thank you for your offer to help.  I need all the help I  
can get.

-- Kevin

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Line 6 "JM4" ...  ?
Date: Tue, 12 May 2009 09:03:48 +0100
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No loop once button make it virtually useless for me

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 May 2009, at 05:14, Jeff Shirkey wrote:

>
> On May 11, 2009, at 10:35 PM, Charles Zwicky wrote:
>
>> http://line6.com/jm4looper/index.html
>>
>> GMAFB!!
>
> Pourquoi? It's useful for some people, right? Or no?
>
> Jeff
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
No loop once button make it virtually useless for me<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 May 2009, =
at 05:14, Jeff Shirkey wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On May =
11, 2009, at 10:35 PM, Charles Zwicky wrote:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> <blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://line6.com/jm4looper/index.html">http://line6.com/jm4looper/=
index.html</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">GMAFB!!</div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Pourquoi? =
It's useful for some people, right? Or no?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Jeff</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--332260347--

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Date: Tue, 12 May 2009 10:07:51 +0200
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Subject: Re: OT: Record
From: Per Boysen <perboysen@gmail.com>
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On Tue, May 12, 2009 at 12:40 AM,  <cpr@musetrap.com> wrote:
> Here are some more videos 'splaining Record:
> http://matrixsynth.blogspot.com/2009/05/propellerheads-launches-their-latest.html


Thanks you, that were a bunch of good videos. Now I finally was able
to form an opinion on REcord ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Tue, 12 May 2009 03:13:15 -0700 (PDT)
Subject: Re: Exploring new Loooperlative features
From: looppool@cruzio.com
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>>  > Mech wrote:
>>>  It's simple: record a line, then (for example) drop it down one
>>>  octave.  This will slow the loop to half-speed at the same time.
>>>  Now, run it through a pitch shifter, and transpose back up an octave.
>>>  This will restore the loop to its original pitch, but it will remain
>>>  at half-speed.  Obviously, other pitch/speed transpositions produce
>>>  different results.


On my last CD of abstract electronica (which came out at a very tough time
 for me emotionally, so I never put an ounce of energy into promoting it),
 'Purple Hand',
I did a piece where I used one single guitar note (a mildly distorted note
from a Telecaster)
to create an entire piece of music (except for the drum track).

On that track,  there is a screaming sound  that occurs that I created by
taking the note and pitching it up an octave and doubling it's length in
my audio
editor (Sony Sound Forge)  7 times in a row and then taking the subsequent
sample
and pitching it down an octave and halving it's length 5 times in a row,
so that the
resultant sample was two octaves higher than the original sample with the
same length.

Each time I processed it  (12 times in toto)  the processing added
artifacts to the original
sound.   By the time I finished, the original sound was unreconginzeable
as a guitar sound
and yet it had the same fundamental pitch information.

I love this:     processing pitch over and over so that it adds weird
artifacts.

I use two BOSS pitch shifters now.........pitching a sound up two octaves
and then pitching that sound down two octaves so that it is the same pitch
and duration as the original sound with
tons of artifacts added on.

The new Looperlative with additional pitch shifting abilities just adds a
ton of new goodies to
add to the looping stew.

Then one can sit back and, as I've done on my new Ground Control midi pedals,
program a bank with the Indian Rag,  Bhairav into it
(1 octave down,  b2,  maj3, 4, 5 b6,  maj7,  8va) so that I can play melodies
taken from an initial ambient track  that is , nonetheless, possessing a
single
fundamental sine wave.

The trick is, like the great Hammond B3 players,   coordinating an
ostinato bass line with the feet whilst soloing over the top of it all.

Ahhhhhhh,  even more practise to come.




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Subject: Looping video online (my what an original post for LD)
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Hey guys

The archive of the last looping ustream is here http:// 
mattstevensguitar.blogspot.com/ - thanks

RE: The looping school - hit record - Loop - overdub - mangle.   
Course done.

Good luck thou mate.

MS
www.mattstevensguitar.com
mattstevensguitar@btinternet.com
>

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey guys=A0<div><br></div><div>The archive of the last looping ustream =
is here=A0<a =
href=3D"http://mattstevensguitar.blogspot.com">http://mattstevensguitar.bl=
ogspot.com</a>/ - thanks=A0</div><div><br></div><div>RE: The looping =
school - hit record - Loop - overdub - mangle. =A0Course =
done.</div><div><br></div><div>Good luck thou =
mate.</div><div><br></div><div>MS<br><div><span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; =
"><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div></span></span></div><div><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
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From chbw008@msn.com  Tue May 12 11:53:12 2009
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From: Charles Brown <chbw008@msn.com>
To: <chbw008@msn.com>
Subject: =?iso-8859-1?Q?Gr=FC=DFe?=
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Gr=FC=DFe


Ich bin Herr Charles Brown=2C ein kanadischer Rechtsanwalt=2C der in Manche=
ster=2C in Vereinigtem K=F6nigreich und im pers=F6nlichen Rechtsanwalt zu s=
p=E4tem Herrn Mark Michelle gegr=FCndet wird. Sp=E4ter Herr Mark Michelle w=
ar eine private =F6lberaterfremdfirma mit Shell Petroleum Development Compa=
ny in Saudi-Arabien vor seinem Tod=2C im folgenden gekennzeichnet als mein =
Klient.


Am 3. Tag von Januar 2004=2C geh=F6rten mein Klient und seine Frau zusammen=
 mit ihren zwei Kindern zu den Opfern Boeing 737 des =C4gypter-Verkehrsflug=
zeugs=2C die in das rote Meer zusammenstie=DFen. Sie k=F6nnen mehr =FCber d=
en Abbruch lesen=2C indem Sie diese Web site besichtigen: news.bbc.co.uk/2/=
hi/uk_news/politics/3365769.stm


Seit damals habe ich einige Anfragen von den franz=F6sischen Botschaften se=
in folgendes der St=E4mme oder irgendwelche von seinen ausgedehnten Verwand=
ten ganz vergebens lokalisieren gelassen=2C aber. Mein Klient bildete eine =
Ablagerung in einer Bank in Manchester=2C das momentan an US$18=2C000=2C000=
.00 (achtzehn Million Vereinigte Staaten Dollar) bewertet wurde und die Ban=
k hat mich eine amtliche Mitteilung herausgegeben=2C um sein folgendes des =
Stamm- oder Beg=FCnstigtwillen vorbei zur Verf=FCgung zu stellen=2C andernf=
alls wird das Konto innerhalb der folgenden sechzig (60) Arbeitstage konfis=
ziert.


Da ich erfolglos gewesen bin=2C irgendwelche von Verwandten meines sp=E4ten=
 Klienten f=FCr r=FCber Four (4) Jahre jetzt zu lokalisieren=2C suche ich d=
eine Zustimmung=2C um mich zu erm=F6glichen anwesend du als das folgende de=
s Stammbeg=FCnstigten des Zustandes meines sp=E4ten Klienten=2C damit die E=
rtr=E4ge dieses Kontos auf dich gebracht w=FCrden.


Bereits habe ich Modalit=E4ten f=FCr das Erzielen meines Zieles des Ernenne=
ns ein folgendes der St=E4mme sowie =FCbertragung das Geld aus diesem Land =
heraus dargelegt=2C damit wir das Geld im Verh=E4ltnis von 53% f=FCr mich t=
eilen und 35% zu dir=2C das 2% der Kapitals dient=2C da Verg=FCtung von Unk=
osten irgendwie von uns im Verlauf dieser Verhandlung bildet. W=E4hrend wir=
 zusammen das restliche spenden=2C von 10% zu den Tsunami Entlastung Organi=
sationen ausgleichen.


Es ist meine Absicht=2C diese =FCbertragung in eine gesetzma=DFige Weise zu=
 erzielen=2C ist alle=2C die ich ben=F6tigte=2C deine ehrliche Mitarbeit=2C=
 Vertraulichkeit und das Vertrauen=2C zum wir zu erm=F6glichen sehen diese =
Verhandlung durch. Dieses ist ein sehr zugelassenes Gesch=E4ft=2C da=DF ich=
 von seinem Erfolg sehr sicher bin und absolut Gefahr frei bin.


Deine Bereitwilligkeit bitte bedeuten=2C zu unterst=FCtzen=2C indem Sie mir=
 ein email f=FCr weitere Verfahren in bezug auf diese Verhandlung schicken.=
 Das email schlie=DFt die unten Informationen ein:


1.Deine Telefon- und Telefaxzahlen.

2. Deine komplette Position Adresse.


Sobald ich deine positive Antwort empfange=2C versorge ich dich dann mit me=
hr Details =FCber=2C wie wir mit dem Anspruch fortfahren.


Ich freue=2C deine sofortige Antwort zu empfangen.


Respekt=2C
Herr Charles Brown=20
 =

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o-layout-grid-align: none"><FONT face=3D"Times New Roman" color=3D#000000 s=
ize=3D3>Gr=FC=DFe<BR><BR><BR>Ich bin Herr Charles Brown=2C ein kanadischer =
Rechtsanwalt=2C der in Manchester=2C in Vereinigtem K=F6nigreich und im per=
s=F6nlichen Rechtsanwalt zu sp=E4tem Herrn Mark Michelle gegr=FCndet wird. =
Sp=E4ter Herr Mark Michelle war eine private =F6lberaterfremdfirma mit Shel=
l Petroleum Development Company in Saudi-Arabien vor seinem Tod=2C im folge=
nden gekennzeichnet als mein Klient.<BR><BR><BR>Am 3. Tag von Januar 2004=
=2C geh=F6rten mein Klient und seine Frau zusammen mit ihren zwei Kindern z=
u den Opfern Boeing 737 des =C4gypter-Verkehrsflugzeugs=2C die in das rote =
Meer zusammenstie=DFen. Sie k=F6nnen mehr =FCber den Abbruch lesen=2C indem=
 Sie diese Web site besichtigen: </FONT><A href=3D"http://news.bbc.co.uk/2/=
hi/uk_news/politics/3365769.stm"><FONT face=3D"Times New Roman" size=3D3>ne=
ws.bbc.co.uk/2/hi/uk_news/politics/3365769.stm</FONT></A><BR><BR><BR><FONT =
face=3D"Times New Roman" color=3D#000000 size=3D3>Seit damals habe ich eini=
ge Anfragen von den franz=F6sischen Botschaften sein folgendes der St=E4mme=
 oder irgendwelche von seinen ausgedehnten Verwandten ganz vergebens lokali=
sieren gelassen=2C aber. Mein Klient bildete eine Ablagerung in einer Bank =
in Manchester=2C das momentan an US$18=2C000=2C000.00 (achtzehn Million Ver=
einigte Staaten Dollar) bewertet wurde und die Bank hat mich eine amtliche =
Mitteilung herausgegeben=2C um sein folgendes des Stamm- oder Beg=FCnstigtw=
illen vorbei zur Verf=FCgung zu stellen=2C andernfalls wird das Konto inner=
halb der folgenden sechzig (60) Arbeitstage konfisziert.<BR><BR><BR>Da ich =
erfolglos gewesen bin=2C irgendwelche von Verwandten meines sp=E4ten Klient=
en f=FCr r=FCber Four (4) Jahre jetzt zu lokalisieren=2C suche ich deine Zu=
stimmung=2C um mich zu erm=F6glichen anwesend du als das folgende des Stamm=
beg=FCnstigten des Zustandes meines sp=E4ten Klienten=2C damit die Ertr=E4g=
e dieses Kontos auf dich gebracht w=FCrden.<BR><BR><BR>Bereits habe ich Mod=
alit=E4ten f=FCr das Erzielen meines Zieles des Ernennens ein folgendes der=
 St=E4mme sowie =FCbertragung das Geld aus diesem Land heraus dargelegt=2C =
damit wir das Geld im Verh=E4ltnis von 53% f=FCr mich teilen und 35% zu dir=
=2C das 2% der Kapitals dient=2C da Verg=FCtung von Unkosten irgendwie von =
uns im Verlauf dieser Verhandlung bildet. W=E4hrend wir zusammen das restli=
che spenden=2C von 10% zu den Tsunami Entlastung Organisationen ausgleichen=
.<BR><BR><BR>Es ist meine Absicht=2C diese =FCbertragung in eine gesetzma=
=DFige Weise zu erzielen=2C ist alle=2C die ich ben=F6tigte=2C deine ehrlic=
he Mitarbeit=2C Vertraulichkeit und das Vertrauen=2C zum wir zu erm=F6glich=
en sehen diese Verhandlung durch. Dieses ist ein sehr zugelassenes Gesch=E4=
ft=2C da=DF ich von seinem Erfolg sehr sicher bin und absolut Gefahr frei b=
in.<BR><BR><BR>Deine Bereitwilligkeit bitte bedeuten=2C zu unterst=FCtzen=
=2C indem Sie mir ein email f=FCr weitere Verfahren in bezug auf diese Verh=
andlung schicken. Das email schlie=DFt die unten Informationen ein:<BR><BR>=
<BR>1.Deine Telefon- und Telefaxzahlen.<BR><BR>2. Deine komplette Position =
Adresse.<BR><BR><BR>Sobald ich deine positive Antwort empfange=2C versorge =
ich dich dann mit mehr Details =FCber=2C wie wir mit dem Anspruch fortfahre=
n.<BR><BR><BR>Ich freue=2C deine sofortige Antwort zu empfangen.<BR><BR><BR=
>Respekt=2C<BR>Herr Charles Brown </FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt=3B mso-pagination: none=
=3B mso-layout-grid-align: none"><SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAM=
ILY: Arial"><?xml:namespace prefix =3D o ns =3D "urn:schemas-microsoft-com:=
office:office" /><o:p><FONT color=3D#000000>&nbsp=3B</FONT></o:p></SPAN></P=
></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue May 12 11:59:15 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
References: <4A07FC15.8000009@cruzio.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
Date: Tue, 12 May 2009 14:01:53 +0200
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that´s a very interesting view on music, Rick.
I am practising Zazen for quite some time, and I am sure it has influenced
my
playing over the years in a way. But I never watched it in this radical way
you do it.
I have to read Suzuki´s book again and replace the word Zazen with
Musical Practise. Funny to imagine having an instrument in every room, even
in the
bathroom and playing my loops.
What I can recommend anyway is, that it is very helpful to be open-minded
and have a still mind if you are playing your music. There is a big
difference
if my mind is in a calm mood or if I finished my daily work and are
stressed and then playing guitar. If I´m relaxed and really into it, playing
guitar
for me is like meditation.
Somebody should write a book - or is there already one? - "Zen and Music"...

I also like musicians/artists biographies a lot. Recently read the bio of
the
great british DJ John Peel. Very funny and entertaining.

Christo
www.christojota.de


----- Original Message -----
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 11, 2009 12:21 PM
Subject: Great Books That Have Changed Our Musical Lives


> A friend of mine asked me, recently,  what books have truly and deeply
> influenced my music
> in my life and, amongst other titles,  I sang him  the praises of
> Shinryu Suzuki's book called,
> "Zen Mind , Beginners' Mind".
>
> Though not as famous a D T Suzuki who was the great popularizer of
> Japanese Zen Buddhism in the
> west,  I prefer Shunryu Suzuki,  the head of the San Francisco Zen
> Center who
> wrote perhaps the best single book on practicing a musical instrument,
> "Zen Mind, Beginners' Mind".
>
> He never actually wrote a book and certainly not on praciticing a
> musical instrument.....he was too zen for that...lol,
> but his students recorded his answers to a public question and answer
> seminar where everyone asked him how
> he was able to master  meditating successfully considering that it is so
> difficult to still the human mind when
> trying to do such an extremely simple, non-intellectual and repetitive
> practice.
>
> If you take that book and substitute the word 'Zazen'  (the Buddhistic
> practice of
> meditating only on your breath and how we breathe,  in and out) and put
> musical "practice", it's an incredibly
> wise book about how to still the mind so that one can play something
> over and over
> and over until one's technique improves significantly.
>
> I'd try to paraphrase his philosophy and his understanding of how to
> get around the projecting and over identifying/attached nature of the
> human mind, particularly
> viz a vis the practice of repetitive musical playing  but I just
> wouldn't come close to
> how profound that book is.
>
> I actually ritualistically purchase a copy of  it and give it as a
> present to all of my advanced students
> when they first develop the desire to really woodshed their instrument
> deeply and are having troubles
> stilling their minds doing so.
>
> It was my bible when I finally was able to master double stroke bouncing
> exercises on trapset many years ago
> At that time,  I had a practice pad on a stand with two identical
> drumsticks in every single room of the house
> (including the kitchen and the bathroom)  so that if I ever looked down,
> I could just pick the sticks up and continue
> practicing.
>
> I can't more highly recommend it.   It has changed my life and the life
> of dozens of my really good students over the
> last three decades.
>


From Loopers-Delight-request@loopers-delight.com  Tue May 12 12:07:27 2009
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> I'd been working with using a pitch shifter on the Aux Outs for a 
> while.  When he brought up the idea of using that in conjunction with 
> the LP1's (then new) transposition function to achieve time 
> stretch/compress, I had a genuine "palm meets forehead" moment.

Hi Mech,

I have just started to use the aux outputs of the LP1. What I'm going to =
try is to program a switch on my MFC which fires the follow commands:

1) LP1 =3D> Half speed
2) LP1 =3D> Assign to AUX 1
3) Mainstage or Bidule =3D> Activate Pitchshifter

I haven't tried the following, but since we have two AUX outputs so if yo=
u combine the new LP1 functions (3rd, 4th ,5th etc) with a pitchsifter, I=
'm curious if you could create usuable three-note chords. 

I have also been experimenting by copying a loop to a new track and play =
it half speed. If you do this with percussion or drums, you get a nice sy=
ncopation effect.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Tue May 12 12:58:28 2009
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	 <023101c9d2f9$797a2ef0$0201a8c0@Toshiba>
Date: Tue, 12 May 2009 14:52:08 +0200
Message-ID: <66f9cc1e0905120552lb6daf0ax5313b6376758387c@mail.gmail.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
From: Per Boysen <perboysen@gmail.com>
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On Tue, May 12, 2009 at 2:01 PM, Christo Jota <chris@christojota.de> wrote:
> What I can recommend anyway is, that it is very helpful to be open-minded
> and have a still mind if you are playing your music. There is a big
> difference
> if my mind is in a calm mood or if I finished my daily work and are
> stressed and then playing guitar. If I=E6=83=B4 relaxed and really into i=
t, playing
> guitar
> for me is like meditation.
> Somebody should write a book - or is there already one? - "Zen and Music"=
...


I'm finding this highly interesting because my experience is the
opposite. Of course nothing is "right" or "wrong" here, I guess it's
just another wonderful example of how we humans work differently.
Before having experienced much zen meditation praxis I thought it
should work just as you are putting it, for me. But as I started
meditating on a daily basis I noticed over time that I became a less
creative musician as a side effect. And I came to realize that other
aspects of zen, than ze-zen (sitting, silencing mind and thoughts),
were better suited for my temperament and the way my emotional/mental
system works. Whenever I get hit by the feeling that I'm just about to
explode I pick up an instrument and it helps me to totally explode.
The zen techniques allow me to stay focused inside the explosion and
expand with it, directing the power without standing in the way. Today
I see nothing in "exploding" that contradicts "being calm and
relaxed".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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right!
and he is (or has been on this list)
and you made me include him in my "video art" playlist:

http://www.youtube.com/watch?v=yd7PHjy4k_c&feature=channel_page

On 11 May 2009, at 20:07, murkie wrote:

>
> for those of you who are Talking Heads fans there's a really nice  
> book on the history of the band that was published in the mid-80s.   
> it was written by some guy named Gans.  think he might be a looper.
>
> 8^{)}
> m
>

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Subject: RE: Looping video online (my what an original post for LD)
Date: Tue, 12 May 2009 08:02:54 -0500
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Thanks Matt,

=20

This is a teaser video not all I have to give:-)  You didn't see Star =
Wars
Part I, II, III, IV etc. all in one seating right?

=20

Cheers:-)

=20

Best Regards,

Joey Edwin=20

219.613.7148

 <http://www.joeyedwin.com/> www.joeyedwin.com

=20

-----Original Message-----
From: Matt Stevens [mailto:mattstevensguitar@btinternet.com]=20
Sent: Tuesday, May 12, 2009 5:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Looping video online (my what an original post for LD)

=20

Hey guys=20

=20

The archive of the last looping ustream is here
http://mattstevensguitar.blogspot.com/ - thanks=20

=20

RE: The looping school - hit record - Loop - overdub - mangle.  Course =
done.

=20

Good luck thou mate.

=20

MS

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

=20


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charset=3Dus-ascii">


<meta name=3DGenerator content=3D"Microsoft Word 10 (filtered)">

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</head>

<body lang=3DEN-US link=3Dblue vlink=3Dblue style=3D'word-wrap: =
break-word;-webkit-nbsp-mode: space;
-webkit-line-break: after-white-space'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Thanks Matt,</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>This is a teaser video not all I =
have to
give</span></font><font size=3D2 color=3Dnavy face=3DWingdings><span
style=3D'font-size:10.0pt;font-family:Wingdings;color:navy'>J</span></fon=
t><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>&nbsp; You didn&#8217;t see Star Wars Part I, II, III, IV =
etc&#8230;
all in one seating right?</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Cheers</span></font><font size=3D2
color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:Wingdings;
color:navy'>J</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Century =
Gothic"><span
style=3D'font-size:10.0pt;font-family:"Century Gothic";color:navy'>Best =
Regards,</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
style=3D'font-size:10.0pt;font-family:"Century Gothic";color:black'>Joey =
Edwin </span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
style=3D'font-size:10.0pt;font-family:"Century =
Gothic";color:black'>219.613.7148</span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy'><a =
href=3D"http://www.joeyedwin.com/"><font
size=3D2 color=3Dblack face=3D"Century Gothic"><span =
style=3D'font-size:10.0pt;
font-family:"Century =
Gothic";color:black'>www.joeyedwin.com</span></font></a></span></font></p=
>

</div>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Matt Stevens
[mailto:mattstevensguitar@btinternet.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, May 12, =
2009 5:23
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Looping video =
online (my
what an original post for LD)</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>Hey guys&nbsp;</span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>The archive of the last looping ustream is =
here&nbsp;<a
href=3D"http://mattstevensguitar.blogspot.com">http://mattstevensguitar.b=
logspot.com</a>/
- thanks&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>RE: The looping school - hit record - Loop - =
overdub -
mangle. &nbsp;Course done.</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>Good luck thou mate.</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>MS</span></font></p>

<div><span style=3D'orphans: 2;text-align:auto;widows: =
2;-webkit-border-horizontal-spacing: 0px;
-webkit-border-vertical-spacing: 0px;-webkit-text-decorations-in-effect: =
none;
-webkit-text-size-adjust: auto;-webkit-text-stroke-width: =
0;word-spacing:0px'><span
style=3D'orphans: 2;widows: 2;-webkit-border-horizontal-spacing: =
0px;-webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;-webkit-text-size-adjust: auto;
-webkit-text-stroke-width: 0px;word-spacing:0px'>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>www.mattsteve=
nsguitar.com</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><a
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</a></span></font></p>

</div>

</div>

</span>

<div>

<blockquote style=3D'margin-top:5.0pt;margin-bottom:5.0pt' =
type=3Dcite></span>

<div style=3D'min-height: 14px'>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

</blockquote>

</div>

</div>

</div>

</body>

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Subject: Re: Online Looping School & More!
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Joey,

since this list exists 13 years and started with guys who were doing  
it for 10+ years then, time does not impress.
that you make a living with it is great, many don't get there, many  
don't want to.
many here know about the Boss pedals limitations and worked a lot to  
get beyond.
check it out!

My intention for http://livelooping.org is to gather such teaching  
videos of all styles.
The past months, I am mainly writing about all aspects for that site,  
and I am amazed myself on how broad and complex and fundamentally new  
and different tracks we are...
http://trance.edu is giving me new impulses.

so yes, your efforts are welcome and there are a lot of people you can  
help and if you want to do your school on you own, thats not a problem!
but I admit I also had a feeling that an old friend once explained me:
"when you sit down at a card game table, check out first who is giving  
out the cards and who throws the first one"

good loop!
Matthias

On 11 May 2009, at 23:01, Joey Edwin wrote:

> Hi Rainer,
>
> I'm not sure how I should respond to your email exactly but I've been
> looping for over 10+ years. I want to share secrets on how to make a  
> living
> with the loop pedal since I've toured the world with mine. Yes, I am  
> trying
> to teach the old farts that got stuck along the way but hopefully will
> attract some developed talent to help further the community too.   
> The Boss
> Loop Station is the only pedal that worked for me, but I'm certainly  
> not
> knockin' others!
>
> If you can build a loop pedal great, if you can program a loop pedal  
> I'm all
> ears, if you've toured the world playing loops that's awesome....  
> but please
> share your experience instead of criticizing my knowledge in trying  
> to help
> others.... Thanks:)
>
> Best Regards,
> Joey Edwin
> 219.613.7148
> www.joeyedwin.com
>
>
> -----Original Message-----
> From: Rainer Straschill [mailto:moinsound@googlemail.com]
> Sent: Monday, May 11, 2009 5:12 PM
> To: loopers-delight@loopers-delight.com
> Subject: Online Looping School & More!
>
> Joey said:
>
>> I currently perform 250+ shows per year using my Loop Pedal.  It's  
>> time I
> provide you with my Looping Information.
>
> Great. Another geek who bought a Boss loop pedal and now starts a new
> community and explains how to do looping to those old farts who never
> understood their MAX/MSP thingies in the first place.
> I'm looking forward to The Looping School covering loop windowing in
> conjunction with granular sus use...;)
>
> Nice playing on that vid, tho'.
>
>          Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 12 13:26:36 2009
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Subject: RE: Great Books That Have Changed Our Musical Lives
Date: Tue, 12 May 2009 15:26:33 +0200
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> Somebody should write a book - or is there already one? - "Zen and
Music"...

http://tinyurl.com/pnsek2

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue May 12 13:28:15 2009
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	 <a8a60dc10905111528p61cf9ec9u923ed1653380426f@mail.gmail.com>
	 <bcd3c7bb0905111548sdbc7398hdeeb6ff11d9a9de7@mail.gmail.com>
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Date: Tue, 12 May 2009 09:28:10 -0400
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Subject: Re: OT: Record
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Looks like a very cool program.  My only gripe is no external plugins.
 I'm sure Propellerheads includes lots of very cool stuff, but people
who've invested time and effort and money into using and learning
their plugins might not want to give that up.

Still, I'm going to check out the beta.

On Tue, May 12, 2009 at 4:07 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Tue, May 12, 2009 at 12:40 AM, =A0<cpr@musetrap.com> wrote:
>> Here are some more videos 'splaining Record:
>> http://matrixsynth.blogspot.com/2009/05/propellerheads-launches-their-la=
test.html
>
>
> Thanks you, that were a bunch of good videos. Now I finally was able
> to form an opinion on REcord ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

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	 <a8a60dc10905111528p61cf9ec9u923ed1653380426f@mail.gmail.com>
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Date: Tue, 12 May 2009 15:36:35 +0200
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Subject: Re: OT: Record
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On Tue, May 12, 2009 at 3:28 PM, Tony K <bigtonyk@gmail.com> wrote:
> =C2=A0I'm sure Propellerheads includes lots of very cool stuff, but peopl=
e
> who've invested time and effort and money into using and learning
> their plugins might not want to give that up.


That's right. But this application is not intended for them.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue May 12 13:38:27 2009
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Hello,

i am new to this forum and wondering, if my message is reaching you!

If yes, so please give me some echo-cho-oo..:)

thanx,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223


--Apple-Mail-3--312183259
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hello,<div><br></div><div>i am =
new to this forum and wondering, if my message is reaching =
you!</div><div><br></div><div style=3D"font-size: 15px; "><b>If yes, so =
please give me some =
echo-cho-oo..:)</b></div><div><br></div><div>thanx,</div><div>Omid<br><div=
 apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Arial; font-size: 13px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><br>audio visual artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> =
</div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Tue May 12 13:47:43 2009
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Date: Tue, 12 May 2009 09:47:42 -0400
Message-ID: <d1dcce560905120647o3263cbb9idde64862285ed68f@mail.gmail.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
From: Tony K <bigtonyk@gmail.com>
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I read that.  As I recall it was good, but not life changing.  Maybe I
should try again, I could use some change. ;)

On Tue, May 12, 2009 at 9:26 AM, Michael Peters <mp@mpeters.de> wrote:
>> Somebody should write a book - or is there already one? - "Zen and
> Music"...
>
> http://tinyurl.com/pnsek2
>
> -Michael
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue May 12 13:53:35 2009
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Date: Tue, 12 May 2009 09:53:34 -0400
Message-ID: <44e368750905120653g366ad938ob82fa39492e1d1dc@mail.gmail.com>
Subject: Re: the amazing Adrian Parker fly
From: james fowler <twostroke@gmail.com>
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i'll bet if you remove adrian's name/endorsement, it goes back to being a
normally-overpriced parker instead of an astronomically-overpriced parker.
i love parker guitars and would like to own an older one (i've heard that
the quality went downhill after parker was sold), but at 9K you're firmly
planted in custom guitar price range and you can get something WAY nicer for
that kinda cash.

- jim

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i&#39;ll bet if you remove adrian&#39;s name/endorsement, it goes back to b=
eing a normally-overpriced parker instead of an astronomically-overpriced p=
arker.=A0 i love parker guitars and would like to own an older one (i&#39;v=
e heard that the quality went downhill after parker was sold), but at 9K yo=
u&#39;re firmly planted in custom guitar price range and you can get someth=
ing WAY nicer for that kinda cash.<br>
<br>- jim<br>

--0016e6468f68c294c80469b76b30--

From Loopers-Delight-request@loopers-delight.com  Tue May 12 14:16:41 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: anybody out there?
Date: Tue, 12 May 2009 07:16:35 -0700
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Loud and clear.


> Hello,
>
> i am new to this forum and wondering, if my message is reaching you!
>
> If yes, so please give me some echo-cho-oo..:)
>
> thanx,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 12 14:21:51 2009
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From: "rick miller" <bs@tanawana.com>
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References: <A7229988-1262-43C8-BAFF-5C31C9AD693E@guru-records.com> <2b91714ca0771c60f60672f2aad76ae4@charter.net>
Subject: Re: anybody out there?
Date: Tue, 12 May 2009 10:22:06 -0400
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This is a multi-part message in MIME format.

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I just read it :O)

rick
  ----- Original Message -----=20
  From: tEd =AE KiLLiAn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 12, 2009 10:16 AM
  Subject: Re: anybody out there?


  Loud and clear.


  > Hello,
  >
  > i am new to this forum and wondering, if my message is reaching you!
  >
  > If yes, so please give me some echo-cho-oo..:)
  >
  > thanx,
  > Omid
  >
  > audio visual artist
  > mailto: smoking@guru-records.com
  > phone: +49-178-78 52 223
  >
  >


------=_NextPart_000_00A1_01C9D2EB.804346D0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just read it :O)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>rick</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
  KiLLiAn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 12, 2009 =
10:16=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: anybody out =
there?</DIV>
  <DIV><BR></DIV>Loud and clear.<BR><BR><BR>&gt; Hello,<BR>&gt;<BR>&gt; =
i am new=20
  to this forum and wondering, if my message is reaching =
you!<BR>&gt;<BR>&gt; If=20
  yes, so please give me some echo-cho-oo..:)<BR>&gt;<BR>&gt; =
thanx,<BR>&gt;=20
  Omid<BR>&gt;<BR>&gt; audio visual artist<BR>&gt; mailto: <A=20
  =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</A><BR>=
&gt;=20
  phone: +49-178-78 52 =
223<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00A1_01C9D2EB.804346D0--

From Loopers-Delight-request@loopers-delight.com  Tue May 12 14:37:55 2009
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	 <a8a60dc10905111528p61cf9ec9u923ed1653380426f@mail.gmail.com>
	 <bcd3c7bb0905111548sdbc7398hdeeb6ff11d9a9de7@mail.gmail.com>
	 <20090511174013.94k4nspwcg0ss40c@webmail.musetrap.com>
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Date: Tue, 12 May 2009 10:14:59 -0400
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Subject: Re: OT: Record
From: Tony K <bigtonyk@gmail.com>
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I completely understand their reasons (I've spent plenty of time
re-writing code to get rid of 3rd party components, so I have a lot of
sympathy!)  Having 100% control of code is a good thing.  It's just
sort of disappointing that what looks like something I'd dig, is
missing something I want.  In the one video, the guy did say that this
is the first iteration, so who knows what'll happen.  I think maybe
putting a plugin chain in the mixing console would work.  But, as long
as I could export the whole thing as a set of tracks, I could suck it
into Sonar and I'd be golden. :)

On Tue, May 12, 2009 at 9:36 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Tue, May 12, 2009 at 3:28 PM, Tony K <bigtonyk@gmail.com> wrote:
>> =A0I'm sure Propellerheads includes lots of very cool stuff, but people
>> who've invested time and effort and money into using and learning
>> their plugins might not want to give that up.
>
>
> That's right. But this application is not intended for them.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue May 12 14:51:22 2009
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	 <2b91714ca0771c60f60672f2aad76ae4@charter.net>
	 <FC2C0E3550E4483789F092001F6F8C17@graphix>
Date: Tue, 12 May 2009 10:51:20 -0400
Message-ID: <9e0440a60905120751n2df575degfe7d9940b5a43685@mail.gmail.com>
Subject: Re: anybody out there?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Omid welcome...

On Tue, May 12, 2009 at 10:22 AM, rick miller <bs@tanawana.com> wrote:

>  I just read it :O)
>
> rick
>
> ----- Original Message -----
> *From:* tEd =AE KiLLiAn <tedkillian@charter.net>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, May 12, 2009 10:16 AM
> *Subject:* Re: anybody out there?
>
> Loud and clear.
>
>
> > Hello,
> >
> > i am new to this forum and wondering, if my message is reaching you!
> >
> > If yes, so please give me some echo-cho-oo..:)
> >
> > thanx,
> > Omid
> >
> > audio visual artist
> > mailto: smoking@guru-records.com
> > phone: +49-178-78 52 223
> >
> >
>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b0d45bd0c70469b83aee
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Omid welcome...<br><br>
<div class=3D"gmail_quote">On Tue, May 12, 2009 at 10:22 AM, rick miller <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:bs@tanawana.com">bs@tanawana.com</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I just read it :O)</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">rick</font></div></font>
<div>
<div></div>
<div class=3D"h5">
<blockquote style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><b>From:</b> <a title=
=3D"tedkillian@charter.net" href=3D"mailto:tedkillian@charter.net" target=
=3D"_blank">tEd =AE KiLLiAn</a> </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loop=
ers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a> </div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Tuesday, May 12, 2009 10:16 AM=
</div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: anybody out there?</div=
>
<div><br></div>Loud and clear.<br><br><br>&gt; Hello,<br>&gt;<br>&gt; i am =
new to this forum and wondering, if my message is reaching you!<br>&gt;<br>=
&gt; If yes, so please give me some echo-cho-oo..:)<br>&gt;<br>&gt; thanx,<=
br>
&gt; Omid<br>&gt;<br>&gt; audio visual artist<br>&gt; mailto: <a href=3D"ma=
ilto:smoking@guru-records.com" target=3D"_blank">smoking@guru-records.com</=
a><br>&gt; phone: +49-178-78 52 223<br>&gt;<br>&gt;<br><br></blockquote></d=
iv>
</div></div></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b0d45bd0c70469b83aee--

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	 <C2C81964-18F0-4CDE-86FC-F053258E694E@gmail.com>
Date: Tue, 12 May 2009 07:52:36 -0700
Message-ID: <bcd3c7bb0905120752l1a4ed61ava1ea0421474bbc8e@mail.gmail.com>
Subject: Re: Online Looping School & More!
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I used to work for a company that produced corporate events and along
with a lot of cheese and pop music, I've actually seen them use some
really cool (and loop orientated) musicians such as The Magnetic Poets
http://www.magneticpoets.com/hellopage.html and Tim Barsky
http://www.timbarsky.com/audionvideoyou.htm

Tim and his band played at my wedding.  Does that make him a sell out
or a dork?  ... or does it make me cool?  (answer: neither) There are
very few ways to make a living in the music business.  It's for sure
not for me, but I can't cut a guy down for it.  What's way worse to me
is the non sell outs who live on public assistance, their parents or
mates and trust fund money and claim to be "real artists."

M

On Tue, May 12, 2009 at 6:23 AM, Matthias Grob <matilists@gmail.com> wrote:
> Joey,
>
> since this list exists 13 years and started with guys who were doing it for
> 10+ years then, time does not impress.

From Loopers-Delight-request@loopers-delight.com  Tue May 12 14:59:45 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>,
	<smoking@guru-records.com>
References: <A7229988-1262-43C8-BAFF-5C31C9AD693E@guru-records.com>
Subject: Re: anybody out there?
Date: Tue, 12 May 2009 16:59:42 +0200
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Increase your level....I can't hear well here in Italy  ;-)

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo
  ----- Original Message -----=20
  From: Omid Shirazi=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 12, 2009 3:38 PM
  Subject: anybody out there?


  Hello,


  i am new to this forum and wondering, if my message is reaching you!


  If yes, so please give me some echo-cho-oo..:)


  thanx,
  Omid


  audio visual artist
  mailto: smoking@guru-records.com
  phone: +49-178-78 52 223




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.325 / Virus Database: 270.12.26/2110 - Release Date: =
05/12/09 06:22:00

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</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Increase your =
level....I can't hear=20
well here in Italy&nbsp; </FONT><FONT face=3D"Book Antiqua"=20
color=3D#000080>;-)</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT><BR><A=20
href=3D"">www.livelooping.it</A><BR><A=20
href=3D"">www.myspace.com/europeanliveloopingfest</A><BR><A=20
href=3D"">www.eterogeneo.com</A><BR><A=20
href=3D"">www.myspace.com/eterogeneo</A></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsmoking@guru-records.com =
href=3D"mailto:smoking@guru-records.com">Omid=20
  Shirazi</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 12, 2009 =
3:38 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> anybody out =
there?</DIV>
  <DIV><BR></DIV>Hello,
  <DIV><BR></DIV>
  <DIV>i am new to this forum and wondering, if my message is reaching=20
you!</DIV>
  <DIV><BR></DIV>
  <DIV style=3D"FONT-SIZE: 15px"><B>If yes, so please give me some=20
  echo-cho-oo..:)</B></DIV>
  <DIV><BR></DIV>
  <DIV>thanx,</DIV>
  <DIV>Omid<BR>
  <DIV apple-content-edited=3D"true"><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 13px Arial; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0">
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
  <DIV><BR>audio visual artist</DIV>
  <DIV>mailto: <A=20
  =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</A></DI=
V>
  <DIV>phone: +49-178-78 52 223</DIV></DIV></SPAN></DIV><BR></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
- <A=20
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Virus=20
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06:22:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 12 15:30:18 2009
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Date: Tue, 12 May 2009 08:30:15 -0700 (PDT)
Subject: Re: Great Books That Have Changed Our Musical Lives
From: looppool@cruzio.com
To: "Christo Jota" <chris@christojota.de>
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Christo wrote:.
> What I can recommend anyway is, that it is very helpful to be open-minded
> and have a still mind if you are playing your music.

I hear what you are saying Christo, but I also like something the Dalai
Lama once said
(when applied to music and badly paraphrased):

"Be what you are in the moment.  If you are happy, be happy.   If you are
angry, be angry"

I had an amazing set at the Boise Creative and Improvisational Music
Festival a couple of weeks ago where every single major piece of gear that
I own went south on me (even the mic stand broke and the mics failed twice
on me)  where I had no control over what was going on.
I was really angry about it,  but I used that anger and surfed it and the
result was one of my better shows (or so several people told me).

I think the one of the points of zen in a way is to be present in the
moment..........to watch ourselves and be aware of our surroundings.

 I'm not a practising buddhist so I need to leave this to people like
Michael Peters who have put tremendous amount of time and energy into
following this path, but that's what I take from it all.

I find that if I really try to be aware of my musical surrounding;  the
state of the audience as much as I'm able to perceive it;   the
consciousness and innercommunication between musicians, that music can be
created with great meaning and depth.

It's what I call 'deep listening'  when I am talking to my students.   
I've noticed that a lot of musicians are not present when they play.  
Frequently,  I think we have a tendency to project
onto our playing.   Because we intend to play something we hear it
happening when , in reality we may be far from it.

Because rhythm has been my deepest area of study,  I really notice this
tendency in rhythmical errors made by musicians.      Looping actually is
one of the great teachers of listening I have found.    When your loop is
lumpy,  boy ,  it's lumpy,  no matter how much you tried to not make it be
that way.

Emotional states also carry different temporal feels with them.   When you
are anxious, you are more likely to anticipate and play ahead of the beat.
  When you are really tired or depressed there is a tendency to drag
tempos.      I have tried to get students (and myself)  to imagine
different emotional states when attempting to play ahead or behind the
metronome when practising so as to cultivate the ability to play either
side of the rhythmic 'feel'.   Buy imagining that your are anxious or
frustrated; depressed or tired,  it is possible to effect how accurately
you play to a metronomic pulse (on either side of the 'perfect' beat).

When one is deeply agitated or chemically impaired (or both!!),  you can
use these emotional projections to counteract the normal place that you
might play the beat.    You can also manipulate someone who is dragging or
rushing by cultivating a 'faux' emotional state that has the opposite
effect as their rhythmic tendency.   All human beings have a tendency to
entrain, so they will unconciously change their rhythmic feel just to be
'together'  with you, rhythmically.    It's subtle but definitely
cultivateable.   In the 80's I learned how to do this with both
drunk and/or coke freak musicians.   On the clock as a studio musician,  I
needed to be able to affect the entire feel of the rhythm section if there
was one musician who was a bit out of control, rhythmically speaking.

Christo also wrote:

> I also like musicians/artists biographies a lot. Recently read the bio of
> the great british DJ John Peel. Very funny and entertaining.

Ahhhhh, cool,  I want to read that.    One of the greatest thrills in my
life was when Bill's and my new wave band, Tao Chemical, had our album
played on John Peel's show in the UK.
I still have a cassette recording of that.   He was an amazing man and an
incredibly powerful
force in promoting creativity and community in the new music scene.   He
is missed by
millions.



From Loopers-Delight-request@loopers-delight.com  Tue May 12 15:56:55 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Tue, 12 May 2009 10:56:49 -0500
Subject: RE: Looping video online (my what an original post for LD)
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> You didn't see Star Wars Part I, II, III, IV etc...
> all in one seating right?
=20
I did.  But it required a lot of chemical amusement aids.
=20
Jeff

From Loopers-Delight-request@loopers-delight.com  Tue May 12 19:03:20 2009
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Date: Tue, 12 May 2009 12:03:18 -0700
Message-ID: <bcd3c7bb0905121203q593f01eby6c13b46033e6dc4b@mail.gmail.com>
Subject: Re: the amazing Adrian Parker fly
From: Mark Sottilaro <zerocrossing@gmail.com>
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Exactly.  I never liked the feel of the Parkers anyway.  I wouldn't
care about the piezo either.  I have a sustainiac, so all I really
need to have my perfect version of that guitar is the modeling, but I
could add a Roland VG-99 for that.  I haven't.  I guess it's not that
important to me.

Now, if that guitar made me play like Adrain... I'd have two. ;)


On Tue, May 12, 2009 at 6:53 AM, james fowler <twostroke@gmail.com> wrote:
> i'll bet if you remove adrian's name/endorsement, it goes back to being a
> normally-overpriced parker instead of an astronomically-overpriced parker.
> i love parker guitars and would like to own an older one (i've heard that
> the quality went downhill after parker was sold), but at 9K you're firmly
> planted in custom guitar price range and you can get something WAY nicer for
> that kinda cash.
>
> - jim
>

From Loopers-Delight-request@loopers-delight.com  Tue May 12 19:11:26 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: preamp choices - OT
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hey,

i am about to upgrade my studio with new mic preamps, synths, mixer etc. =
i am very interested in the millennia micpreamp ( with an hi-z =
instrument input ) stt-1. i plan to use this unit with acoustic guitar, =
my new cello guitar, bass and other instruments besides the normal mic =
input. has anyone used this unit? will very much appreciate your =
comments.

the link for the unit : http://www.mil-media.com/stt-1.html

also the instrument input of the millennia is around 1 megohms ( =
impedance ). i was wondering if a difference betweem 10 and 1 megaohm =
would make a difference in the tonal character.

thanks as always. best regards.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
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<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i am about to upgrade my studio with new mic preamps, synths, mixer =
etc. i=20
am very interested in the millennia micpreamp ( with an hi-z instrument =
input )=20
stt-1. i plan to use this unit with acoustic guitar, my new cello =
guitar, bass=20
and other instruments besides the normal mic input. has anyone used this =
unit?=20
will very much appreciate your comments.</DIV>
<DIV>&nbsp;</DIV>
<DIV>the link for the unit : <A=20
href=3D"http://www.mil-media.com/stt-1.html">http://www.mil-media.com/stt=
-1.html</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>also the instrument input of the millennia is around 1 megohms ( =
impedance=20
). i was wondering if a difference betweem 10 and 1 megaohm would make a =

difference in the tonal character.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks as always. best regards.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

------=_NextPart_000_000E_01C9D34E.9085FDE0--

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Subject: Re: anybody out there?
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Receiving

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 May 2009, at 15:16, tEd =AE KiLLiAn wrote:

> Loud and clear.
>
>
>> Hello,
>>
>> i am new to this forum and wondering, if my message is reaching you!
>>
>> If yes, so please give me some echo-cho-oo..:)
>>
>> thanx,
>> Omid
>>
>> audio visual artist
>> mailto: smoking@guru-records.com
>> phone: +49-178-78 52 223
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Receiving<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 May 2009, =
at 15:16, tEd =AE KiLLiAn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Loud and clear.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Hello,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">i am new =
to this forum and wondering, if my message is reaching you!</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">If yes, =
so please give me some echo-cho-oo..:)</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">thanx,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Omid</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">audio =
visual artist</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">phone: +49-178-78 52 223</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: the amazing Adrian Parker fly
To: Per Boysen <perboysen@gmail.com>
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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by the way is there a big difference between the sustaniac stealth and the =
sustainer system from fernandes?

> The combination of a DiMarzio (Dual Sound model) and Alan
> Hoovers
> Sustaniac Stealth would be my choice as well. And that long
> ugly upper
> horn is justified because it makes the instrument balance
> comfortably.
> I would prefer it fretless though. And cheaper ;-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 13 00:12:30 2009
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     The Tuning of the World=2CHistory of the Soundscape by Murray Shafer=
=2Che also coined the term  Schizophonia  Flash of the Spirit =2C by Robert=
 Farris Thompson
 =20




"He=92s looking at a shrunken head inside of a glass case in some museum wi=
th a bunch of other people and he=92s wondering if any of these people real=
ize that they could be looking at one of their ancestors."=20

  Bob Dylan on Barrack Obama








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<br>=A0=A0 =A0 The Tuning of the World=2CHistory of the Soundscape by Murra=
y Shafer=2Che also coined the term=A0<span class=3D"Apple-style-span" style=
=3D"font-family: Tahoma=3B ">=A0Schizophonia</span><div><span class=3D"Appl=
e-style-span" style=3D"font-family: Tahoma=3B">=A0=A0Flash of the Spirit =
=2C by Robert Farris Thompson<br></span><blockquote>=A0 <br><br><br><br><br=
>"He=92s looking at a shrunken head inside of a glass case in some museum w=
ith a bunch of other people and he=92s wondering if any of these people rea=
lize that they could be looking at one of their ancestors." <br><br>=A0 Bob=
 Dylan on Barrack Obama<br><span class=3D"EC_EC_EC_EC_large"><span class=3D=
"EC_EC_EC_EC_ART_content"><br></span></span></blockquote><br><br><br><br><b=
r><pre><br></pre></div></body>
</html>=

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Reply-To: labaloops@yahoo.com
Subject: Re: the amazing Adrian Parker fly
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agree,i also tried that line 6 variax a while ago and didnt like it at all =
it sounded quite cheap to my ears and probably wouldnt even use those sound=
s
but is cool having all that functionality even though the guitar looks real=
ly low key,and if it really doesnt go out of tune doing all those dive bomb=
s as he says without having a horrible floyd rose then is a step ahead thou=
gh for that price id also buy a car first;-)
Luis





www.myspace.com/luisangulocom


--- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 12.5.2009:

> Von: Mark Sottilaro <zerocrossing@gmail.com>
> Betreff: Re: the amazing Adrian Parker fly
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 12. Mai 2009, 12:03
> Exactly.  I never liked the feel of the Parkers anyway.  I
> wouldn't
> care about the piezo either.  I have a sustainiac, so all I
> really
> need to have my perfect version of that guitar is the
> modeling, but I
> could add a Roland VG-99 for that.  I haven't.  I guess
> it's not that
> important to me.
>=20
> Now, if that guitar made me play like Adrain... I'd
> have two. ;)
>=20
>=20
> On Tue, May 12, 2009 at 6:53 AM, james fowler
> <twostroke@gmail.com> wrote:
> > i'll bet if you remove adrian's
> name/endorsement, it goes back to being a
> > normally-overpriced parker instead of an
> astronomically-overpriced parker.
> > i love parker guitars and would like to own an older
> one (i've heard that
> > the quality went downhill after parker was sold), but
> at 9K you're firmly
> > planted in custom guitar price range and you can get
> something WAY nicer for
> > that kinda cash.
> >
> > - jim
> >=0A=0A=0A      

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yes...
but for some reason...=20
i am hearing it backwards

oo-ohc-ohce-ohce-ohce-OHCE

hello?





>   Hello,
>=20
>=20
>   i am new to this forum and wondering, if my message is
> reaching you!
>=20
>=20
>   If yes, so please give me some echo-cho-oo..:)
>=20
>=20
>   thanx,
>   Omid
>=20
=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 13 01:33:37 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: RE: Online Looping School & More!
To: joey@joeyedwin.com
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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to tell you the truth from my few experiences looping in the corporate worl=
d they dont even care they think you are karaoking anyway;-)
Luis


  Yes, some
> corporate &
> original stuff too, that's why looping is the way,
> people are so intrigued
> they don't necessary need "Brown Eyed Girl"
> to function:)  I'm looking to
> implement the loop pedal at high profile gigs as a side man
> for other
> artists too......I'll keep you posted!
>=20
> Cheers!
>=20
> Best Regards,
> Joey Edwin=20
> 219.613.7148
> www.joeyedwin.com
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 13 01:38:31 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: Great Books That Have Changed Our Musical Lives
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you could not have put it better man!
cheers
Luis

>Whenever I get hit by the feeling that
> I'm just about to
> explode I pick up an instrument and it helps me to totally
> explode.
> The zen techniques allow me to stay focused inside the
> explosion and
> expand with it, directing the power without standing in the
> way. Today
> I see nothing in "exploding" that contradicts
> "being calm and
> relaxed".
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 13 02:21:13 2009
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Subject: Playback highlights from my May 10 uStream
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--0016e6d3766178312f0469c1ddfb
Content-Type: text/plain; charset=ISO-8859-1
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I sent out my archive link for my Sunday Morning at
11<http://www.ustream.tv/channel/sunday-morning-at-11>live series on
uStream previously, air date May 10.  I have since cut it to
5 individual highlights via uStream's pointers.  Should you have
time/interest here are the links each is 8-10 min and loops on most save one
non-looped piece.  This one is a bit 'metallic' in sound as my low end was
distorting and not sure why other than yeah over driving but it was
initially good leaving home base.  I backed down my output when chat viewers
relayed.
http://www.ustream.tv/recorded/1488445/highlight/2015
http://www.ustream.tv/recorded/1488445/highlight/2016
http://www.ustream.tv/recorded/1488445/highlight/2017
http://www.ustream.tv/recorded/1488445/highlight/2018
http://www.ustream.tv/recorded/1488445/highlight/2019

uStream does seem to have a problem that I opened a support ticket with them
today about, that being when I sch'd my feed as EST they reflect it PST.  I
know some of you out west had tried to catch me Sunday which I greatly
appreciate but understandably it was a tad early.  I may consider moving my
time although the morning window works for me and I like the idea of a
morning series but I will think about.  It is quite wonderful having this
new 'stage' I must say.

All good things to you


Jim
-- 
ReUse, an introspective textural aural journey...
www.myspace.com/ctreuse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e6d3766178312f0469c1ddfb
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I sent out my archive link for my <a href=3D"http://www.ustream.tv/channel/=
sunday-morning-at-11">Sunday Morning at 11</a> live series on uStream previ=
ously, air date May 10. =A0I have since cut it to 5 individual highlights v=
ia uStream&#39;s pointers. =A0Should you have time/interest here are the li=
nks each is 8-10 min and loops on most save one non-looped piece. =A0This o=
ne is a bit &#39;metallic&#39; in sound as my low end was distorting and no=
t sure why other than yeah over driving but it was initially good leaving h=
ome base. =A0I backed down my output when chat viewers relayed.<div>
<br></div><div><a href=3D"http://www.ustream.tv/recorded/1488445/highlight/=
2015">http://www.ustream.tv/recorded/1488445/highlight/2015</a></div><div><=
a href=3D"http://www.ustream.tv/recorded/1488445/highlight/2016">http://www=
.ustream.tv/recorded/1488445/highlight/2016</a></div>
<div><a href=3D"http://www.ustream.tv/recorded/1488445/highlight/2017">http=
://www.ustream.tv/recorded/1488445/highlight/2017</a></div><div><a href=3D"=
http://www.ustream.tv/recorded/1488445/highlight/2018">http://www.ustream.t=
v/recorded/1488445/highlight/2018</a></div>
<div><a href=3D"http://www.ustream.tv/recorded/1488445/highlight/2019">http=
://www.ustream.tv/recorded/1488445/highlight/2019<br clear=3D"all"></a><br>=
</div><div>uStream does seem to have a problem that I opened a support tick=
et with them today about, that being when I sch&#39;d my feed as EST they r=
eflect it PST. =A0I know some of you out west had tried to catch me Sunday =
which I greatly appreciate but understandably it was a tad early. =A0I may =
consider moving my time although the morning window works for me and I like=
 the idea of a morning series but I will think about. =A0It is quite wonder=
ful having this new &#39;stage&#39; I must say.</div>
<div><br></div><div>All good things to you</div><div><br></div><div><br></d=
iv><div>Jim</div><div>-- <br>ReUse, an introspective textural aural journey=
...<br><a href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</=
a></div>
<div><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.ji=
mgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.c=
hinapaintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmus=
ic">www.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>
</div>

--0016e6d3766178312f0469c1ddfb--

From Loopers-Delight-request@loopers-delight.com  Wed May 13 05:16:13 2009
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Date: Wed, 13 May 2009 00:07:34 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
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My first choice would be

Free  Play -- Improvisation in Life and Art, by Stephen 
Nachmanovitch, a book I can open up to a random page and get 
inspiration.

Can't get away from that Buddhist connection.
-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Inspiration, move me brightly
light the song with sense and color,
hold away despair
More than this I will not ask"  -- Robert Hunter

From Loopers-Delight-request@loopers-delight.com  Wed May 13 08:30:27 2009
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Being anry, exploding, making music.
Or: Relaxed, calm, meditative. ThatÂ´s all good.
The important thing is the energy and that you try to
focus your mind on what youÂ´re doing.
Not an easy one. But for us musicians it might be easier,
as playing music can be really fascinating.
Christo
www.christojota.de

----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 12, 2009 2:52 PM
Subject: Re: Great Books That Have Changed Our Musical Lives


On Tue, May 12, 2009 at 2:01 PM, Christo Jota <chris@christojota.de> wrote:
> What I can recommend anyway is, that it is very helpful to be open-minded
> and have a still mind if you are playing your music. There is a big
> difference
> if my mind is in a calm mood or if I finished my daily work and are
> stressed and then playing guitar. If Iæƒ´ relaxed and really into it,
playing
> guitar
> for me is like meditation.
> Somebody should write a book - or is there already one? - "Zen and
Music"...


I'm finding this highly interesting because my experience is the
opposite. Of course nothing is "right" or "wrong" here, I guess it's
just another wonderful example of how we humans work differently.
Before having experienced much zen meditation praxis I thought it
should work just as you are putting it, for me. But as I started
meditating on a daily basis I noticed over time that I became a less
creative musician as a side effect. And I came to realize that other
aspects of zen, than ze-zen (sitting, silencing mind and thoughts),
were better suited for my temperament and the way my emotional/mental
system works. Whenever I get hit by the feeling that I'm just about to
explode I pick up an instrument and it helps me to totally explode.
The zen techniques allow me to stay focused inside the explosion and
expand with it, directing the power without standing in the way. Today
I see nothing in "exploding" that contradicts "being calm and
relaxed".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


From Loopers-Delight-request@loopers-delight.com  Wed May 13 08:57:16 2009
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Date: Wed, 13 May 2009 10:56:23 +0200
Message-ID: <66f9cc1e0905130156s22a5b3b2t979a69f3bcf082f2@mail.gmail.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 13, 2009 at 10:21 AM, Christo Jota <chris@christojota.de> wrote=
:
> The important thing is the energy and that you try to
> focus your mind on what you=C2=B4re doing.
> Not an easy one. But for us musicians it might be easier,
> as playing music can be really fascinating.

So true. Sometimes it hits me that the musicians training is very
similar to the warriors training. The big difference though is that
musicians aim at unconditioned love while war aims at total dominance
through destruction. Different goals but similar methods. Makes me
think about that part in Bhagavad-Gita where Krishna tells Arjuna
"it's ok to fight if you do in a spiritual mode". Boy, does that story
stink!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed May 13 11:07:50 2009
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From: "eterogeneo" <info@eterogeneo.com>
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Subject: Eivind Aarset gig in Rome
Date: Wed, 13 May 2009 13:07:47 +0200
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Yesterday I've seen a beautifull gig by Eivind Aarset trio.
For those who are interested I have put my impressions and some pics on =
my blog:
http://blog-eterogeneo.blogspot.com/

fabio




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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Yesterday I've seen a =
beautifull=20
gig by Eivind Aarset trio.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>For those who are =
interested I have=20
put my impressions and some pics on my blog:</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://blog-eterogeneo.blogspot.com/">http://blog-eterogeneo.blog=
spot.com/</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Sonuss G2M
Date: Wed, 13 May 2009 14:05:58 +0100
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Hey guys

Posted a quick demo for that G2M guitar to midi convertor thing -  
very cool - tracking is good.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey guys<div><br></div><div>Posted a quick demo for that G2M guitar to =
midi convertor thing - very cool - tracking is good.<br><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Fwd: Sonuss G2M
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oops - the link is http://www.mattstevensguitar.blogspot.com

I am indeed an idiot

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




Begin forwarded message:

> Resent-From: Loopers-Delight@loopers-delight.com
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Date: 13 May 2009 14:05:58 BDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Sonuss G2M
> Reply-To: Loopers-Delight@loopers-delight.com
>
> Hey guys
>
> Posted a quick demo for that G2M guitar to midi convertor thing -  
> very cool - tracking is good.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
oops - the link is <a =
href=3D"http://www.mattstevensguitar.blogspot.com">http://www.mattstevensg=
uitar.blogspot.com</a><div><br></div><div>I am indeed an =
idiot</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
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-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><div><br><div>Begin forwarded =
message:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Resent-From: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><b>From: </b></font><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Date: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">13 May 2009 14:05:58 =
BDT</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>To: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><b>Subject: </b></font><font face=3D"Helvetica"=
 size=3D"3" style=3D"font: 12.0px Helvetica"><b>Sonuss =
G2M</b></font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Reply-To: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div>  Hey guys<div><br></div><div>Posted a quick demo for =
that G2M guitar to midi convertor thing - very cool - tracking is =
good.<br><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> =
</div><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-2--227650147--

From Loopers-Delight-request@loopers-delight.com  Wed May 13 13:17:12 2009
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Subject: Vishwa Mohan Bhatt designed Indian slide guitar
From: Per Boysen <perboysen@gmail.com>
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A friend in Sweden is selling one of his Indian slide guitars. Seems
to be a good price:
http://www.vendolin.se/annonce_detail.asp?annonceid=5637164
There are many YouTube videos of Vishwa Mohan Bhatt playing this kind
of instrument.

Unfortunately I don't have the dough for this beauty but maybe someone
else want to go for it?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed May 13 14:40:16 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Eivind Aarset gig in Rome
Date: Wed, 13 May 2009 07:40:10 -0700
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Thanks for sharing that Fabio.

I'm a big fan of Eivind and quickly buy anything I find he's played on.

I sure wish some of your artists over there in Europe would visit the=20
US a little more often.

He's on in particular I'd like to see and hear live.

Best regards as always,

Ted

On May 13, 2009, at 4:07 AM, eterogeneo wrote:

> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
> For those who are interested I have put my impressions and some pics=20=

> on my blog:
> http://blog-eterogeneo.blogspot.com/
> =A0
> fabio
> =A0
> =A0
> =A0
> =A0=

From Loopers-Delight-request@loopers-delight.com  Wed May 13 14:57:22 2009
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	 <104305.42120.qm@web24304.mail.ird.yahoo.com>
Date: Wed, 13 May 2009 07:57:22 -0700
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Subject: Re: the amazing Adrian Parker fly
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On Tue, May 12, 2009 at 5:31 PM, L.Angulo <labaloops@yahoo.com> wrote:
>... though for that price id also buy a car first;-)
> Luis

I recommend the Honda Civic GX.  Fill it from your home's natural gas
line and forget OPEC, gas stations and you get in the HOV lane. ;)

From Loopers-Delight-request@loopers-delight.com  Wed May 13 16:25:00 2009
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	 <BC442B21-3DA5-4A53-87CB-1040EE275FD3@btinternet.com>
Date: Wed, 13 May 2009 18:24:59 +0200
Message-ID: <afb941d0905130924r6ba6e24av3ebc78059257cac8@mail.gmail.com>
Subject: Re: Sonuss G2M
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thanks mat ... now at work, later i watch it ...thanks.

2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
> oops - the link is http://www.mattstevensguitar.blogspot.com
>
> I am indeed an idiot
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> Begin forwarded message:
>
>> Resent-From: Loopers-Delight@loopers-delight.com
>> From: Matt Stevens <mattstevensguitar@btinternet.com>
>> Date: 13 May 2009 14:05:58 BDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Sonuss G2M
>> Reply-To: Loopers-Delight@loopers-delight.com
>>
>> Hey guys
>>
>> Posted a quick demo for that G2M guitar to midi convertor thing -
>> very cool - tracking is good.
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed May 13 16:30:42 2009
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Date: Wed, 13 May 2009 12:30:41 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Vishwa Mohan Bhatt designed Indian slide guitar
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Have you ever heard a Canadian Blues artist Harry Manx? He plays the  
Mohan Veena and mixes blues and Indian ragas together for an  
incredible sound
check him out here,
http://www.youtube.com/watch?v=uf7Qc9dHVFk&feature=channel_page

Paul Haslem
Ontario, Canada
www.dulcify.ca






Quoting Per Boysen <perboysen@gmail.com>:

> A friend in Sweden is selling one of his Indian slide guitars. Seems
> to be a good price:
> http://www.vendolin.se/annonce_detail.asp?annonceid=5637164
> There are many YouTube videos of Vishwa Mohan Bhatt playing this kind
> of instrument.
>
> Unfortunately I don't have the dough for this beauty but maybe someone
> else want to go for it?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


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	 <20090513123041.36353y3denlc5dyc@www.wightman.ca>
Date: Wed, 13 May 2009 12:45:15 -0400
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Subject: Re: Vishwa Mohan Bhatt designed Indian slide guitar
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--001636c598648d89a60469cdef18
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sidebars, love this song and good to learn of Harry.  As Bill Walker will
echo Martin Simpson did/does a take on this trad tune that's hair raising -
Harry's is equally amazing with all the ring of this guitar would love to be
around it.

another sidebar I often listen to the wonderful recording of Ry Cooder &
Vishwa, a Meeting by the River, for inspiration...

how much is 4.7 KR in USD?

j

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<div>sidebars, love this song and good to learn of Harry.=A0 As Bill Walker=
 will echo Martin Simpson did/does a take on this trad tune that&#39;s hair=
 raising - Harry&#39;s is equally amazing with all the ring of this guitar =
would love to be around it.</div>

<div>=A0</div>
<div>another sidebar I often listen to the wonderful recording of Ry Cooder=
 &amp; Vishwa, a Meeting by the River, for inspiration...</div>
<div>=A0</div>
<div>how much is 4.7 KR in USD?</div>
<div>=A0</div>
<div>j<br></div>

--001636c598648d89a60469cdef18--

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Subject: Re: Vishwa Mohan Bhatt designed Indian slide guitar
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Looks to be about $600?

It sure would be nice to have this though.

Kevin


>
> how much is 4.7 KR in USD?
>
> j
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Wed May 13 17:13:21 2009
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Subject: Re: OT Vishwa Mohan Bhatt designed Indian slide guitar
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Kevin Cheli-Colando wrote:
> Looks to be about $600?

Yep,
or about £400 GBP

440 Euros

Seems very reasonable.

andy butler



> 
> It sure would be nice to have this though.
> 
> Kevin
> 
> 
>> how much is 4.7 KR in USD?
>>
>> j
>>
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 13 17:15:33 2009
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Subject: RC-50 newbie question
Date: Wed, 13 May 2009 10:15:15 -0700
References: <66f9cc1e0905130617r1bb7444aqe26bd35cf2f94592@mail.gmail.com> <20090513123041.36353y3denlc5dyc@www.wightman.ca> <9e0440a60905130945y676621eby9a3a9e0f203311f4@mail.gmail.com> <37f071c00905130958p56ac8414m1d19dea7624aa754@mail.gmail.com>
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Hi folks,

A friend just loaned me a Boss RC-50 to check out. Does anyone here  
know if there's a way to kill the dry signal from the outputs, so that  
what comes out of it is only what's been recorded, and not what is  
being played live?   If you know how to do this, you're already a step  
up on Roland product support ;-)

Thanks for any tips!
Tom


From Loopers-Delight-request@loopers-delight.com  Wed May 13 17:20:39 2009
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Subject: Re: RC-50 newbie question
Date: Wed, 13 May 2009 13:20:21 -0400
References: <66f9cc1e0905130617r1bb7444aqe26bd35cf2f94592@mail.gmail.com>
 <20090513123041.36353y3denlc5dyc@www.wightman.ca>
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You can mute the output with an A/B switchor a volume pedal while  
recording, then turn it on when you want to hear the loop.

Or route the input signal to an output you're not using (not totally  
sure about that one)

Teddy Kumpel
http://teddyjam.com

On May 13, 2009, at 1:15 PM, Tom Griesgraber <thossounds@aol.com> wrote:

> Hi folks,
>
> A friend just loaned me a Boss RC-50 to check out. Does anyone here  
> know if there's a way to kill the dry signal from the outputs, so  
> that what comes out of it is only what's been recorded, and not what  
> is being played live?   If you know how to do this, you're already a  
> step up on Roland product support ;-)
>
> Thanks for any tips!
> Tom
>
>

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Date: Wed, 13 May 2009 10:20:24 -0700
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Subject: Re: Great Books That Have Changed Our Musical Lives
From: Mark Sottilaro <zerocrossing@gmail.com>
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Healing Back Pain, by Dr. John Sarno.  Saved my life.

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Subject: Re: RC-50 newbie question
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I'm at the office -- so can't check this out at the moment...

I've done this before -- I believe that I set the loop to play out of  
the Sub Output.  The dry signal continued to be routed to the Main  
Output.

-- Kevin

Quoting Tom Griesgraber <thossounds@aol.com>:
>
> Hi folks,
>
> A friend just loaned me a Boss RC-50 to check out. Does anyone here
> know if there's a way to kill the dry signal from the outputs, so that
> what comes out of it is only what's been recorded, and not what is
> being played live?   If you know how to do this, you're already a step
> up on Roland product support ;-)
>
> Thanks for any tips!
> Tom



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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 newbie question
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OK... found it...

You can route the INPUT to the Sub out.  Check page 50 of the owner's manual.

Thus, you can use Main OUT for the loops only, and route your Input to  
the Sub out only.

Hope this helps.

-- Kevin

Quoting Tom Griesgraber <thossounds@aol.com>:

> Hi folks,
>
> A friend just loaned me a Boss RC-50 to check out. Does anyone here
> know if there's a way to kill the dry signal from the outputs, so that
> what comes out of it is only what's been recorded, and not what is
> being played live?   If you know how to do this, you're already a step
> up on Roland product support ;-)
>
> Thanks for any tips!
> Tom



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Subject: Re: RC-50 newbie question
Date: Wed, 13 May 2009 11:21:27 -0600
References: <66f9cc1e0905130617r1bb7444aqe26bd35cf2f94592@mail.gmail.com> <20090513123041.36353y3denlc5dyc@www.wightman.ca> <9e0440a60905130945y676621eby9a3a9e0f203311f4@mail.gmail.com> <37f071c00905130958p56ac8414m1d19dea7624aa754@mail.gmail.com> <8B0D5CEE-28D3-4315-9E4F-4663CD6F51C0@aol.com>
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Hello Tom,

Is there a reason you don't want to use the sub outs for this?  That's  
a big reason I bought the rc-50....the ability to send a "loop only"  
signal to my drummer and his in-ear monitors to lock on to.

John

From Loopers-Delight-request@loopers-delight.com  Wed May 13 17:43:01 2009
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Date: Wed, 13 May 2009 10:42:55 -0700
Message-ID: <bcd3c7bb0905131042p555e1b65pba99ad96f86ea08e@mail.gmail.com>
Subject: Re: Sonuss G2M
From: Mark Sottilaro <zerocrossing@gmail.com>
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Seemed really good.  What do you think of it?  I abandoned hex pickup
guitar synths many moons ago (There's actually a thing called a
keyboard that triggers perfectly! ;) ) but I sometimes think it might
be nice to fool with it.


On Wed, May 13, 2009 at 9:24 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> thanks mat ... now at work, later i watch it ...thanks.
>
> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>> oops - the link is http://www.mattstevensguitar.blogspot.com
>>
>> I am indeed an idiot
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> Begin forwarded message:
>>
>>> Resent-From: Loopers-Delight@loopers-delight.com
>>> From: Matt Stevens <mattstevensguitar@btinternet.com>
>>> Date: 13 May 2009 14:05:58 BDT
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Sonuss G2M
>>> Reply-To: Loopers-Delight@loopers-delight.com
>>>
>>> Hey guys
>>>
>>> Posted a quick demo for that G2M guitar to midi convertor thing -
>>> very cool - tracking is good.
>>>
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 18:38:41 2009
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Date: Wed, 13 May 2009 20:32:28 +0200
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Subject: Re: Great Books That Have Changed Our Musical Lives
From: Byron Howell <howell.byron@gmail.com>
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--0016e6db29430d7e8a0469cf6f34
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Healing Back Pain, by Dr. John Sarno

Hey thanx for this. I read a little online and am rather taken with the
concept of the emotional/mental manifestation of pain. Also been needing
other approaches to inform my practice....only so much hanging upside down
on an inversion table one can do :)  just ordered it now.

On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Healing Back Pain, by Dr. John Sarno.  Saved my life.
>
>

--0016e6db29430d7e8a0469cf6f34
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<div>Healing Back Pain, by Dr. John Sarno<br></div><div><br></div>Hey thanx=
 for this. I read a little online and am rather taken with the concept of t=
he emotional/mental manifestation of pain. Also been needing other approach=
es to inform my practice....only so much hanging upside down on an inversio=
n table one can do :) =A0just ordered it now.<br>
<br><div class=3D"gmail_quote">On Wed, May 13, 2009 at 7:20 PM, Mark Sottil=
aro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocro=
ssing@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Healing Back Pain, by Dr. John Sarno. =A0Saved my life.<br>
<br>
</blockquote></div><br>

--0016e6db29430d7e8a0469cf6f34--

From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:21:23 2009
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Date: Wed, 13 May 2009 12:21:22 -0700
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Subject: Re: Great Books That Have Changed Our Musical Lives
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Great!  I hope you find it helpful.  I spent 4 months almost crippled
(could barely turn the key in my car with my right hand or play
guitar) and after seeing many doctors, therapists and chiropractors,
this book fixed what none of them could.

On Wed, May 13, 2009 at 11:32 AM, Byron Howell <howell.byron@gmail.com> wro=
te:
> Healing Back Pain, by Dr. John Sarno
>
> Hey thanx for this. I read a little online and am rather taken with the
> concept of the emotional/mental manifestation of pain. Also been needing
> other approaches to inform my practice....only so much hanging upside dow=
n
> on an inversion table one can do :) =A0just ordered it now.
>
> On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> Healing Back Pain, by Dr. John Sarno. =A0Saved my life.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:31:54 2009
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Subject: Re: RC-50 newbie question
Date: Wed, 13 May 2009 12:31:14 -0700
References: <66f9cc1e0905130617r1bb7444aqe26bd35cf2f94592@mail.gmail.com> <20090513123041.36353y3denlc5dyc@www.wightman.ca> <9e0440a60905130945y676621eby9a3a9e0f203311f4@mail.gmail.com> <37f071c00905130958p56ac8414m1d19dea7624aa754@mail.gmail.com> <8B0D5CEE-28D3-4315-9E4F-4663CD6F51C0@aol.com> <20090513122757.ahkh3wacp448wskg@mail.kevinkissinger.com>
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Thanks Kevin (and all),

You guys are literally better than Roland customer support ;-)

One more question if you don't mind. Is it ever possible in multi mode  
(having say 2 phrases playing at once) to have the phrases  
intentionally out of sync and "cycling" against each other? I've been  
messing with the "loop sync" button obviously, but it seems to do  
something a bit different. It seems like with loop sync on the  
beginning of say a short phrase 2 always lines up with the beginning  
of a long phrase 1. With loop sync off, I can get the short phrase 2  
to start at any point along phrase 1, but then it always starts at  
that same point, it doesn't "cycle" even if they are unrelated lengths.

Any thoughts? Thanks much!

Tom


On May 13, 2009, at 10:27 AM, kkissinger@kevinkissinger.com wrote:

> OK... found it...
>
> You can route the INPUT to the Sub out.  Check page 50 of the  
> owner's manual.
>
> Thus, you can use Main OUT for the loops only, and route your Input  
> to the Sub out only.
>
> Hope this helps.
>
> -- Kevin
>
> Quoting Tom Griesgraber <thossounds@aol.com>:
>
>> Hi folks,
>>
>> A friend just loaned me a Boss RC-50 to check out. Does anyone here
>> know if there's a way to kill the dry signal from the outputs, so  
>> that
>> what comes out of it is only what's been recorded, and not what is
>> being played live?   If you know how to do this, you're already a  
>> step
>> up on Roland product support ;-)
>>
>> Thanks for any tips!
>> Tom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:43:44 2009
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Mark,

I'll have to check this out too.

As a full-time computer jockey, part-time guitarist I frequently suffe fron=
 back pain of various kinds.

Sometimes it's injury from something I've definitely done to myself . . . s=
ometimes it's just stress.

I'll have to look this up and see what it has to say.

Thanks,

Ted

---- Mark Sottilaro <zerocrossing@gmail.com> wrote:=20
> Great!  I hope you find it helpful.  I spent 4 months almost crippled
> (could barely turn the key in my car with my right hand or play
> guitar) and after seeing many doctors, therapists and chiropractors,
> this book fixed what none of them could.
>=20
> On Wed, May 13, 2009 at 11:32 AM, Byron Howell <howell.byron@gmail.com> w=
rote:
> > Healing Back Pain, by Dr. John Sarno
> >
> > Hey thanx for this. I read a little online and am rather taken with the
> > concept of the emotional/mental manifestation of pain. Also been needin=
g
> > other approaches to inform my practice....only so much hanging upside d=
own
> > on an inversion table one can do :) =C2=A0just ordered it now.
> >
> > On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro <zerocrossing@gmail.com=
>
> > wrote:
> >>
> >> Healing Back Pain, by Dr. John Sarno. =C2=A0Saved my life.
> >>
> >
> >
>

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I want a light and tiny reverb that runs on batteries. Is there anything
like that out there?  -Michael


From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:47:26 2009
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Subject: Re: hand held battery fed reverb?
Date: Wed, 13 May 2009 21:47:23 +0200
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> I want a light and tiny reverb that runs on batteries

I should specify: tiny like a box of cigarettes. Not a heavy floor unit but
really light and small, something you could theoretically glue to your
guitar output.

-Michael


From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:47:50 2009
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Subject: New review of "kybermusik: Quelques Papiers D'Abord" album at jamendo
From: Rainer Straschill <moinsound@googlemail.com>
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Some of you have already listened to (and commented) on my album
"kybermusik: Quelques Papiers D'Abord" of realtime internet
collaborations, and some actually played on it (thanks again), so this
may be of interest to some:

A new enthused review has been posted on the website of jamendo:
http://www.jamendo.com/en/album/7494/review_detail?mailhash=f3a1b176fe1fce97a079e1189dffdd92&review_id=153962

Let me just cite a few passages:
"I love it immensely, a kind of fragmented jazz feel, with wonderful
instrumentation. And, I'm still on the first track of listening and
getting with the program."
(this goes to Brian Good on soprano sax sitting in virtually on Below
this Sneppah)

"Advantages in Freeform Breeding is simply fantastic, as far as being
an array of sound and rhythm combined so artfully well and thoroughly
distinctive from the crowd indeed."
(the other players being and Krispen Hartung (guitar) and Rick Walker
(meters which noone understood at first) here)

"Superb is not a big enough word to cover these bases of musical
creativity. Truly wonderful. I am staggered by the physical effect
this is having on me, as with other music, in its own way, but this
needs to be said particularly in this case."
(Krispen Hartung again, attacking my Drum'n'Bass grooves and porn
flick samples with ring modulator guitar)

"This kind of music answers your questions before they have even
formed in your consciousness, be that what it may. [..]
Inspirational, moving, touching."
(The Milkey Way: Yivli Minare - featuring Charlie Milkey)

"There is still the fine sense of accomplishment, but there also seems
to be a bit of the tongue-in-cheek element to it, which if so, just
makes it all the more endearing as an exemplary array of truly avant
garde musical creativity."
(Virtual Baggy Pants - featuring Os and Daryl Shawn).

I stop being proud already - thanks again to all the participants on that one!

Here's the listen/download link to the album again:
http://www.jamendo.com/en/album/7494

           Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Wed May 13 19:50:16 2009
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Date: Wed, 13 May 2009 21:36:52 +0200
From: Luca Formentini <luca@unguitar.com>
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Eivind is a great musician indeed and a humble and lovely human.
Wish there were more like him.

I suggest anyone who has the chance to see him live to invest that money 
and time to meet him and his music.

Luca

eterogeneo ha scritto:
> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
> For those who are interested I have put my impressions and some pics 
> on my blog:
> http://blog-eterogeneo.blogspot.com/
>  
> fabio
>  
>  
>  
>  
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From Loopers-Delight-request@loopers-delight.com  Wed May 13 20:44:05 2009
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Date: Wed, 13 May 2009 22:44:03 +0200
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Subject: Re: Great Books That Have Changed Our Musical Lives
From: Byron Howell <howell.byron@gmail.com>
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--0016e6db29439f96290469d1455a
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wow brother. this is the first ive heard of the power of words to heal what
touch techniques cannot. I am intrigued. Looking forward to the read.
thankyou
Byron

On Wed, May 13, 2009 at 9:21 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Great!  I hope you find it helpful.  I spent 4 months almost crippled
> (could barely turn the key in my car with my right hand or play
> guitar) and after seeing many doctors, therapists and chiropractors,
> this book fixed what none of them could.
>
> On Wed, May 13, 2009 at 11:32 AM, Byron Howell <howell.byron@gmail.com>
> wrote:
> > Healing Back Pain, by Dr. John Sarno
> >
> > Hey thanx for this. I read a little online and am rather taken with the
> > concept of the emotional/mental manifestation of pain. Also been needing
> > other approaches to inform my practice....only so much hanging upside
> down
> > on an inversion table one can do :)  just ordered it now.
> >
> > On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro <zerocrossing@gmail.com>
> > wrote:
> >>
> >> Healing Back Pain, by Dr. John Sarno.  Saved my life.
> >>
> >
> >
>
>

--0016e6db29439f96290469d1455a
Content-Type: text/html; charset=ISO-8859-1
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wow brother. this is the first ive heard of the power of words to heal what=
 touch techniques cannot. I am intrigued. Looking forward to the read. than=
kyou<div><br></div><div>Byron=A0<br><br><div class=3D"gmail_quote">On Wed, =
May 13, 2009 at 9:21 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Great! =A0I hope you find it helpful. =A0I =
spent 4 months almost crippled<br>
(could barely turn the key in my car with my right hand or play<br>
guitar) and after seeing many doctors, therapists and chiropractors,<br>
this book fixed what none of them could.<br>
<div><div></div><div class=3D"h5"><br>
On Wed, May 13, 2009 at 11:32 AM, Byron Howell &lt;<a href=3D"mailto:howell=
.byron@gmail.com">howell.byron@gmail.com</a>&gt; wrote:<br>
&gt; Healing Back Pain, by Dr. John Sarno<br>
&gt;<br>
&gt; Hey thanx for this. I read a little online and am rather taken with th=
e<br>
&gt; concept of the emotional/mental manifestation of pain. Also been needi=
ng<br>
&gt; other approaches to inform my practice....only so much hanging upside =
down<br>
&gt; on an inversion table one can do :) =A0just ordered it now.<br>
&gt;<br>
&gt; On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro &lt;<a href=3D"mailto:=
zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Healing Back Pain, by Dr. John Sarno. =A0Saved my life.<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div>

--0016e6db29439f96290469d1455a--

From Loopers-Delight-request@loopers-delight.com  Wed May 13 20:47:33 2009
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Subject: Hardware Lawn Sale
Date: Wed, 13 May 2009 13:41:09 -0700
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Greetings, folks

Cleaning house, time to find new homes for a lot of no longer used but  
still works fine stuff. Have all manuals (if pert.), but probably not  
original packaging. All used only in no-smoking home studio; No  
reasonable offers refused; need to clear out ASAP, Paypal, buyer pays  
shipping:

Mackie 1604 VLZ Mixer
Presonus Firebox Audio interface w/ 2 6-ft Monster Studiolink 500 XLR  
cables
Boss DD-20 GigaDelay
Third-Hand pedal (for turning knobs on stomp boxes with your foot)
Edirol UM550 MIDI Interface
Roland FC-200 MIDI pedal
Behringer Ultramizer Pro Limiter (goes in front of:)
Sony CDRW33 Pro CD Recorder w/ wired remote
Aphex 105 4-Channel Gate
Vox Tonelab tabletop preamp/modeller/FX
Line6 PodXT preamp/modeller/FX
Yamaha DG-Stomp preamp/modeller/FX
Alesis ModFX: Ampliton, SmashUp, Faze w/ adapters
2 Ernie Ball Stereo Volume pedals: 1 25K ohm, 1 volume/pan


Thanks!
dpc
1096 Winchuck River Road
Brookings, OR 97415
541-728-0634





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Date: Wed, 13 May 2009 13:51:22 -0700
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Subject: Re: Great Books That Have Changed Our Musical Lives
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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"The mind makes it real."

 - Morpheus, from The Matrix


On Wed, May 13, 2009 at 1:44 PM, Byron Howell <howell.byron@gmail.com> wrot=
e:
> wow brother. this is the first ive heard of the power of words to heal wh=
at
> touch techniques cannot. I am intrigued. Looking forward to the read.
> thankyou
> Byron
>
> On Wed, May 13, 2009 at 9:21 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> Great! =A0I hope you find it helpful. =A0I spent 4 months almost cripple=
d
>> (could barely turn the key in my car with my right hand or play
>> guitar) and after seeing many doctors, therapists and chiropractors,
>> this book fixed what none of them could.
>>
>> On Wed, May 13, 2009 at 11:32 AM, Byron Howell <howell.byron@gmail.com>
>> wrote:
>> > Healing Back Pain, by Dr. John Sarno
>> >
>> > Hey thanx for this. I read a little online and am rather taken with th=
e
>> > concept of the emotional/mental manifestation of pain. Also been needi=
ng
>> > other approaches to inform my practice....only so much hanging upside
>> > down
>> > on an inversion table one can do :) =A0just ordered it now.
>> >
>> > On Wed, May 13, 2009 at 7:20 PM, Mark Sottilaro <zerocrossing@gmail.co=
m>
>> > wrote:
>> >>
>> >> Healing Back Pain, by Dr. John Sarno. =A0Saved my life.
>> >>
>> >
>> >
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 21:05:13 2009
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Subject: =?WINDOWS-1252?Q?Selling_a_custom_Timtone_RMC-equiped_VG-driving?=
 =?WINDOWS-1252?Q?_axe=85?=
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Hey, folks

Also have an old V-shaped wood-body/graphite neck Steinberger w/
TransTrem. Never sold a guitar online before; anybody got the lowdown
on best places to post hi-end guitars for sale, and best ways to
verify/establish prices?

Appreciate any tips; thanks!

dpc

From Loopers-Delight-request@loopers-delight.com  Wed May 13 21:46:35 2009
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Subject: Re: hand held battery fed reverb?
Date: Wed, 13 May 2009 22:46:32 +0100
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Hi Michael,

http://store.guitarfetish.com/modboards.html - It might be worth contacting 
the people behind this site.

Best,
Ricky

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 13, 2009 8:47 PM
Subject: Re: hand held battery fed reverb?


>> I want a light and tiny reverb that runs on batteries
>
> I should specify: tiny like a box of cigarettes. Not a heavy floor unit 
> but
> really light and small, something you could theoretically glue to your
> guitar output.
>
> -Michael
>
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: 05/13/09 
07:04:00

From Loopers-Delight-request@loopers-delight.com  Wed May 13 21:46:55 2009
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Date: Wed, 13 May 2009 17:46:38 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #631 for May 7, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090507.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #631                May 7, 2009.

RECAP:
On this show, I began a month-long focus on Gert Emmens and Ruud Heij.
The Featured CD at Midnight was Return To the Origin on Groove Records
and Quantum Records.

Gert Emmens and Ruud Heij:
http://wdiy.org/programs/gt/playlists/2009/focus.html#may


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
VA [Ruud Heij]       Winter Sky           Awkenings 2008 Volume 2
                                            (Ambientlive)
Lemonchill           Reflections          Sentant (Ricochet Dream)
Ideation             Cherrie Pie          Adrift (Ricochet Dream)
Ideation             Zeitgeist            Adrift (Ricochet Dream)
Mac Mavis            Waving Back          Report from the Lake (Faria)
Mac Mavis            Wild Winds, Tender   Report from the Lake (Faria)
                       Tides
Steve Roach          Nature of Things     Dynamic Stillness (Projekt)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens and      Vortex               Return To the Origin (Groove
  Ruud Heij                                 and Quantum)
Emmens and Heij      Return To the Origin RtTO (Groove and Quantum)
Emmens and Heij      Solaris              RtTO (Groove and Quantum)
Emmens and Heij      Life In Motion       RtTO (Groove and Quantum)
Emmens and Heij      So Long              RtTO (Groove and Quantum)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Gert
Emmens and Ruud Heij.  The Featured CD at Midnight will be Blind
Watchers of a Vanishing Night on EH Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Wed May 13 22:23:11 2009
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Date: Wed, 13 May 2009 15:23:10 -0700
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Subject: =?windows-1252?Q?Re=3A_Selling_a_custom_Timtone_RMC=2Dequiped_VG=2Ddriving_?=
	=?windows-1252?Q?axe=85?=
From: Mark Sottilaro <zerocrossing@gmail.com>
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You can go on Ebay, create an account and then do a search for the
same guitar model.  Then click "completed auctions" and you'll get
only the ones that have recently sold.  This can sometimes be a good
way of figuring out worth.

http://cgi.ebay.com/SWEET-100-ORIGINAL-NEWBURGH-STEINBERGER-GP2S-GUITAR_W0QQitemZ280333678546QQcmdZViewItemQQptZGuitar?hash=item41453077d2&_trksid=p3286.c0.m14&_trkparms=66%3A2|65%3A13|39%3A1|240%3A1318|301%3A0|293%3A1|294%3A50


On Wed, May 13, 2009 at 2:05 PM, David Coffin <dpcoffin@earthlink.net> wrote:
> Hey, folks
>
> Also have an old V-shaped wood-body/graphite neck Steinberger w/
> TransTrem. Never sold a guitar online before; anybody got the lowdown
> on best places to post hi-end guitars for sale, and best ways to
> verify/establish prices?
>
> Appreciate any tips; thanks!
>
> dpc
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 22:25:46 2009
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Date: Wed, 13 May 2009 15:25:45 -0700
Message-ID: <bcd3c7bb0905131525y7f7aa53alb147c17bc06b5225@mail.gmail.com>
Subject: Re: hand held battery fed reverb?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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http://www.zzounds.com/item--LINPOCKETPOD

On Wed, May 13, 2009 at 2:46 PM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> Hi Michael,
>
> http://store.guitarfetish.com/modboards.html - It might be worth contacting
> the people behind this site.
>
> Best,
> Ricky
>
> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, May 13, 2009 8:47 PM
> Subject: Re: hand held battery fed reverb?
>
>
>>> I want a light and tiny reverb that runs on batteries
>>
>> I should specify: tiny like a box of cigarettes. Not a heavy floor unit
>> but
>> really light and small, something you could theoretically glue to your
>> guitar output.
>>
>> -Michael
>>
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: 05/13/09
> 07:04:00
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 13 22:33:13 2009
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 =?WINDOWS-1252?Q?ving_axe=85?=
Date: Wed, 13 May 2009 15:33:11 -0700
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Perfect; same guitar except mine's red and with a TransTrem; thanks,  
Mark!
dpc


On May 13, 2009, at 3:23 PM, Mark Sottilaro wrote:

> You can go on Ebay, create an account and then do a search for the
> same guitar model.

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Date: Wed, 13 May 2009 16:07:10 -0700
Message-ID: <bcd3c7bb0905131607j2c1b4dc8jaa9c5aba4998186b@mail.gmail.com>
Subject: =?windows-1252?Q?Re=3A_Selling_a_custom_Timtone_RMC=2Dequiped_VG=2Ddriving_?=
	=?windows-1252?Q?axe=85?=
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No problem.  I've got a similar guitar, but if I didn't I'd try to buy
yours.  I still haven't found one I like as much or more.

On Wed, May 13, 2009 at 3:33 PM, David Coffin <dpcoffin@earthlink.net> wrote:
> Perfect; same guitar except mine's red and with a TransTrem; thanks, Mark!
> dpc
>
>
> On May 13, 2009, at 3:23 PM, Mark Sottilaro wrote:
>
>> You can go on Ebay, create an account and then do a search for the
>> same guitar model.
>
>

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From: "Steve Schneider" <sschne@san.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: GNX4
Date: Wed, 13 May 2009 16:57:13 -0700
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I have a GNX4 and have fixed the hesitation problem so many have written
about.  Can't seem to see my posts online.  Could someone e mail me and let
me

know if this is getting somewhere?    Steve s


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have a GNX4 and have fixed the hesitation problem =
so many
have written about.&nbsp; Can&#8217;t seem to see my posts online.&nbsp; =
Could someone e
mail me and let me<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>know if this is getting somewhere?&nbsp;&nbsp;&nbsp; =
Steve s<o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Thu May 14 00:05:48 2009
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Date: Wed, 13 May 2009 20:05:46 -0400
Message-ID: <9e0440a60905131705qb920ae3lefde0efb724e561f@mail.gmail.com>
Subject: Re: GNX4
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: sschne@san.rr.com
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--001636c5a7360453b90469d4173f
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Steve you're getting in, you may have your options set to not see your post=
s
till someone responds.

Jim

On Wed, May 13, 2009 at 7:57 PM, Steve Schneider <sschne@san.rr.com> wrote:

>  I have a GNX4 and have fixed the hesitation problem so many have written
> about.  Can=92t seem to see my posts online.  Could someone e mail me and=
 let
> me
>
> know if this is getting somewhere?    Steve s
>



--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a7360453b90469d4173f
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<div>Steve you&#39;re getting in, you may have your options set to not see =
your posts till someone responds.</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Wed, May 13, 2009 at 7:57 PM, Steve Schneider=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:sschne@san.rr.com">sschne@san.rr.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div lang=3D"EN-US" vlink=3D"purple" link=3D"blue">
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial">I have a GNX4 and have fixed the hesitation problem so many hav=
e written about.=A0 Can=92t seem to see my posts online.=A0 Could someone e=
 mail me and let me</span></font></p>

<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial">know if this is getting somewhere?=A0=A0=A0 Steve s</span></fon=
t></p></div></div></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5a7360453b90469d4173f--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 00:14:27 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hardware Lawn Sale
Cc: David Coffin <dpcoffin@earthlink.net>
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David,

Hmmmm . . . 

You don't particularly have anything that's especially on my "wish list" there  . . . but I'm tempted to come to your "garage sale" just to meet you (the VG master) in-person finally anyway (LOL).

It'd be worth a drive to the coast just for that.

However my wife tells me my "honey do" list has grown the last few weeks while I've been sick.

Oh well.

Godd luck with the sale!

Ted


---- David Coffin <dpcoffin@earthlink.net> wrote: 
> Greetings, folks
> 
> Cleaning house, time to find new homes for a lot of no longer used but  
> still works fine stuff. Have all manuals (if pert.), but probably not  
> original packaging. All used only in no-smoking home studio; No  
> reasonable offers refused; need to clear out ASAP, Paypal, buyer pays  
> shipping:
> 
> Mackie 1604 VLZ Mixer
> Presonus Firebox Audio interface w/ 2 6-ft Monster Studiolink 500 XLR  
> cables
> Boss DD-20 GigaDelay
> Third-Hand pedal (for turning knobs on stomp boxes with your foot)
> Edirol UM550 MIDI Interface
> Roland FC-200 MIDI pedal
> Behringer Ultramizer Pro Limiter (goes in front of:)
> Sony CDRW33 Pro CD Recorder w/ wired remote
> Aphex 105 4-Channel Gate
> Vox Tonelab tabletop preamp/modeller/FX
> Line6 PodXT preamp/modeller/FX
> Yamaha DG-Stomp preamp/modeller/FX
> Alesis ModFX: Ampliton, SmashUp, Faze w/ adapters
> 2 Ernie Ball Stereo Volume pedals: 1 25K ohm, 1 volume/pan
> 
> 
> Thanks!
> dpc
> 1096 Winchuck River Road
> Brookings, OR 97415
> 541-728-0634
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 00:29:58 2009
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Terrific stuff, Per. Really exciting and beautiful.

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Terrific stuff, Per. Really exciting and beautiful.<br>

--00163630f3678107be0469d46d20--

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	 <000501c9d403$a2ec37f0$14b2a8c0@mpeserver>
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Date: Thu, 14 May 2009 02:37:37 +0200
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Subject: Re: hand held battery fed reverb?
From: Raul Bonell <raul.bonell@gmail.com>
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... maybe the pandoras by korg (?)

2009/5/14, Mark Sottilaro <zerocrossing@gmail.com>:
> http://www.zzounds.com/item--LINPOCKETPOD
>
> On Wed, May 13, 2009 at 2:46 PM, Ricky Graham
> <rock.guitar.guru@btinternet.com> wrote:
>> Hi Michael,
>>
>> http://store.guitarfetish.com/modboards.html - It might be worth
>> contacting
>> the people behind this site.
>>
>> Best,
>> Ricky
>>
>> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, May 13, 2009 8:47 PM
>> Subject: Re: hand held battery fed reverb?
>>
>>
>>>> I want a light and tiny reverb that runs on batteries
>>>
>>> I should specify: tiny like a box of cigarettes. Not a heavy floor unit
>>> but
>>> really light and small, something you could theoretically glue to your
>>> guitar output.
>>>
>>> -Michael
>>>
>>>
>>
>>
>> --------------------------------------------------------------------------------
>>
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: 05/13/09
>> 07:04:00
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From member@eBay.co.uk  Thu May 14 01:20:40 2009
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	 Wed, 13 May 2009 16:06:42 -0500
From: "eBay member: jprnds84"<member@eBay.co.uk>
Subject: eBay Item.I want to purchase it
Date: Wed, 13 May 2009 14:06:42 -0700
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To: undisclosed-recipients:;

<P>Hello,</P>
<P>I was&nbsp;looking&nbsp;to know&nbsp;if the item has any prior damage? Really interested in buying although wondering why is the same item listed twice under 2 different prices:&nbsp;<A href="http://sign-inview.mydomain.myx.net/signin.view.item.number.signin.html" rel=nofollow>http://cgi.ebay.com/ws/W0QQitemZ2702399681256QQihZ017QQc.htm%3c/A&gt; . Check it out and let me know. Still very interested. </P>
<DIV>&nbsp;</DIV>
<DIV>Thanks</DIV></A>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 03:12:53 2009
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In-reply-to: <afb941d0905131737w403fd615v57a60015cc6c9f3f@mail.gmail.com>
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Subject: Re: hand held battery fed reverb?
Date: Wed, 13 May 2009 20:12:50 -0700
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I agree about the Pandora suggestion.  Get the P3 (the third model),  
it's the best one!  It works great!

To listen to some of my music please visit: www.untitledvisions.com

It's a Rock-N-Roll Universe!

On May 13, 2009, at 5:37 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> ... maybe the pandoras by korg (?)
>
> 2009/5/14, Mark Sottilaro <zerocrossing@gmail.com>:
>> http://www.zzounds.com/item--LINPOCKETPOD
>>
>> On Wed, May 13, 2009 at 2:46 PM, Ricky Graham
>> <rock.guitar.guru@btinternet.com> wrote:
>>> Hi Michael,
>>>
>>> http://store.guitarfetish.com/modboards.html - It might be worth
>>> contacting
>>> the people behind this site.
>>>
>>> Best,
>>> Ricky
>>>
>>> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Wednesday, May 13, 2009 8:47 PM
>>> Subject: Re: hand held battery fed reverb?
>>>
>>>
>>>>> I want a light and tiny reverb that runs on batteries
>>>>
>>>> I should specify: tiny like a box of cigarettes. Not a heavy  
>>>> floor unit
>>>> but
>>>> really light and small, something you could theoretically glue to  
>>>> your
>>>> guitar output.
>>>>
>>>> -Michael
>>>>
>>>>
>>>
>>>
>>> --- 
>>> --- 
>>> --- 
>>> --- 
>>> --------------------------------------------------------------------
>>>
>>>
>>>
>>> No virus found in this incoming message.
>>> Checked by AVG - www.avg.com
>>> Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date:  
>>> 05/13/09
>>> 07:04:00
>>>
>>>
>>
>>
>
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 03:37:41 2009
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Subject: Re: Eivind Aarset gig in Rome
Date: Thu, 14 May 2009 00:37:36 -0300
References: <EED6931B57694FECAE3CCB12AB3BCA1C@pcfabio> <4A0B2154.9040206@unguitar.com>
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Fabio,

will you post the gear photos in a bigger resolution? i cant really  
guess what he's using there (really intrigued here). or could you tell  
us something about the gear he was using? did you get to talk to him  
about it?

big fan of eivind.

thank you very much.

>> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
>> For those who are interested I have put my impressions and some  
>> pics on my blog:
>> http://blog-eterogeneo.blogspot.com/
>> fabio
>>     
>> ------------------------------------------------------------------------
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com Version: 8.0.238 / Virus Database:  
>> 270.12.27/2112 - Release Date: 05/13/09 07:04:00
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:15:30 2009
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Date: Thu, 14 May 2009 00:09:30 -0400
Message-ID: <f61df0e50905132109g74a337cfj1dd61598e27ee8b2@mail.gmail.com>
Subject: Re: Eivind Aarset gig in Rome
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364ef53ca3557a0469d77e32
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I had some pretty high res pics I got somewhere, check these out:

http://thisphase.org/pics/DSC00015.jpg

http://thisphase.org/pics/DSC00018.jpg

Anyone know what kind of guitar he plays? And any mods on it.

Jeff

"It never hurts to help!"
_ Eek the Cat

http://jeffduke.org


On Wed, May 13, 2009 at 11:37 PM, Ariel Rzezak <arzezak@gmail.com> wrote:

> Fabio,
>
> will you post the gear photos in a bigger resolution? i cant really guess
> what he's using there (really intrigued here). or could you tell us
> something about the gear he was using? did you get to talk to him about it?
>
> big fan of eivind.
>
> thank you very much.
>
>
>  Yesterday I've seen a beautifull gig by Eivind Aarset trio.
>>> For those who are interested I have put my impressions and some pics on
>>> my blog:
>>> http://blog-eterogeneo.blogspot.com/
>>> fabio
>>>
>>> ------------------------------------------------------------------------
>>>
>>>
>>> No virus found in this incoming message.
>>> Checked by AVG - www.avg.com Version: 8.0.238 / Virus Database:
>>> 270.12.27/2112 - Release Date: 05/13/09 07:04:00
>>>
>>>
>>>
>>
>

--0016364ef53ca3557a0469d77e32
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I had some pretty high res pics I got somewhere, check these out:<br><br><a=
 href=3D"http://thisphase.org/pics/DSC00015.jpg">http://thisphase.org/pics/=
DSC00015.jpg</a><br><br><a href=3D"http://thisphase.org/pics/DSC00018.jpg">=
http://thisphase.org/pics/DSC00018.jpg</a><br>
<br>Anyone know what kind of guitar he plays? And any mods on it.<br><br>Je=
ff<br><br>&quot;It never hurts to help!&quot;<br>_ Eek the Cat<br><br><a hr=
ef=3D"http://jeffduke.org/">http://jeffduke.org</a><br><br><br>
<div class=3D"gmail_quote">On Wed, May 13, 2009 at 11:37 PM, Ariel Rzezak <=
span dir=3D"ltr">&lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Fabio,<br><br>will you post the =
gear photos in a bigger resolution? i cant really guess what he&#39;s using=
 there (really intrigued here). or could you tell us something about the ge=
ar he was using? did you get to talk to him about it?<br>
<br>big fan of eivind.<br><br>thank you very much.=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Yesterday I&#39;ve seen a beauti=
full gig by Eivind Aarset trio.<br>For those who are interested I have put =
my impressions and some pics on my blog:<br>
<a href=3D"http://blog-eterogeneo.blogspot.com/" target=3D"_blank">http://b=
log-eterogeneo.blogspot.com/</a><br>fabio<br>=A0 --------------------------=
----------------------------------------------<br><br><br>No virus found in=
 this incoming message.<br>
Checked by AVG - <a href=3D"http://www.avg.com/" target=3D"_blank">www.avg.=
com</a> Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: 0=
5/13/09 07:04:00<br><br><br></blockquote><br></blockquote><br></div></div><=
/blockquote>
</div><br>

--0016364ef53ca3557a0469d77e32--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:17:42 2009
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From: "Steve Schneider" <sschne@san.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: GNX-4 Looping
Date: Wed, 13 May 2009 12:15:20 -0700
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------=_NextPart_000_0000_01C9D3C4.7CDE1630
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I have had a GNX4 for quite a while and I am trying to get into looping =
for
lack of a bass player.  First off, the loops will have a gap if you do =
not
download
the new operating system for the thing (version 1.3).  Instructions for =
how
to do this are on the Digitech website.  One of the patches in the new
operating system
fixes the hesitation (gap) that is a problem with the stock unit.  I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,
I am not real good at it yet just beginning.  I notice a lot of folks =
think
the GNX4 is no good for looping but I don't see any mention of the new
operating system that
you can download from the internet.  It updates through the USB =
connection
of the unit.  As soon as I updated the hesitation was gone.  I don=12t =
know if
this
thing will work as a looper for me, I may have to go with a separate
dedicated unit to get what I want.  I do think that the click tracks are
death if you don=12t
want to play in 4/4 time all the time so I always turn the click off.  I
like more jazzy odd timing stuff.  I wonder why you guys don=12t seem to =
have
a review of the
GNX4s looping abilities on your website?  You could use what I just =
wrote as
a review if you wish, though I would like to read a review from someone =
who
has taken=20
it further and is more experienced with looping with this unit.  I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite
length.       Steve S

=20


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have had a GNX4 for quite a while and I am trying =
to get
into looping for lack of a bass player.&nbsp; First off, <b><u><span
style=3D'font-weight:bold'>the loops will have a gap if you do not =
download<br>
the new operating system for the thing (version =
1.3)</span></u></b>.&nbsp;
Instructions for how to do this are on the Digitech website.&nbsp; One =
of the
patches in the new operating system<br>
fixes the hesitation (gap) that is a problem with the stock unit.&nbsp; =
I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,<br>
I am not real good at it yet just beginning.&nbsp; I notice a lot of =
folks
think the GNX4 is no good for looping but I don&#8217;t see any mention =
of the
new operating system that<br>
you can download from the internet.&nbsp; It updates through the USB =
connection
of the unit.&nbsp; As soon as I updated the hesitation was gone.&nbsp; I
don=12t know if this<br>
thing will work as a looper for me, I may have to go with a separate =
dedicated
unit to get what I want.&nbsp; I do think that the click tracks are =
<b><u><span
style=3D'font-weight:bold'>death </span></u></b>if you don=12t<br>
want to play in 4/4 time all the time so I always turn the click =
off.&nbsp; I
like more jazzy odd timing stuff.&nbsp; I wonder why you guys don=12t =
seem to
have a review of the<br>
GNX4s looping abilities on your website?&nbsp; You could use what I just =
wrote
as a review if you wish, though I would like to read a review from =
someone who
has taken <br>
it further and is more experienced with looping with this unit.&nbsp; I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite<br>
length.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Steve =
S<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span><X-SIGSEP></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:26:38 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <EED6931B57694FECAE3CCB12AB3BCA1C@pcfabio> <4A0B2154.9040206@unguitar.com> <D05D5B14-CDE3-45E0-B7DD-43F47E539933@gmail.com>
Subject: Re: Eivind Aarset gig in Rome
Date: Thu, 14 May 2009 00:26:36 -0400
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I had some pretty high res pics I got somewhere, check these out:

http://thisphase.org/pics/DSC00015.jpg

http://thisphase.org/pics/DSC00018.jpg

Anyone know what kind of guitar he plays? And any mods on it.

Jeff

"It never hurts to help!"
_ Eek the Cat

http://jeffduke.org

----- Original Message ----- 
From: "Ariel Rzezak" <arzezak@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 13, 2009 11:37 PM
Subject: Re: Eivind Aarset gig in Rome


> Fabio,
>
> will you post the gear photos in a bigger resolution? i cant really  guess 
> what he's using there (really intrigued here). or could you tell  us 
> something about the gear he was using? did you get to talk to him  about 
> it?
>
> big fan of eivind.
>
> thank you very much.
>
>>> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
>>> For those who are interested I have put my impressions and some  pics on 
>>> my blog:
>>> http://blog-eterogeneo.blogspot.com/
>>> fabio
>>>     ------------------------------------------------------------------------
>>>
>>>
>>> No virus found in this incoming message.
>>> Checked by AVG - www.avg.com Version: 8.0.238 / Virus Database: 
>>> 270.12.27/2112 - Release Date: 05/13/09 07:04:00
>>>
>>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:27:23 2009
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Subject: Re: Eivind Aarset gig in Rome
Date: Thu, 14 May 2009 01:20:17 -0300
References: <EED6931B57694FECAE3CCB12AB3BCA1C@pcfabio> <4A0B2154.9040206@unguitar.com> <D05D5B14-CDE3-45E0-B7DD-43F47E539933@gmail.com> <f61df0e50905132109g74a337cfj1dd61598e27ee8b2@mail.gmail.com>
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Really nice Jeff.

Thank you!

what about his laptop? any ideas of the software he was running?

very best, ariel.

On May 14, 2009, at 1:09 AM, Jeff Duke wrote:

> I had some pretty high res pics I got somewhere, check these out:
>
> http://thisphase.org/pics/DSC00015.jpg
>
> http://thisphase.org/pics/DSC00018.jpg
>
> Anyone know what kind of guitar he plays? And any mods on it.
>
> Jeff
>
> "It never hurts to help!"
> _ Eek the Cat
>
> http://jeffduke.org
>
>
> On Wed, May 13, 2009 at 11:37 PM, Ariel Rzezak <arzezak@gmail.com>  
> wrote:
> Fabio,
>
> will you post the gear photos in a bigger resolution? i cant really  
> guess what he's using there (really intrigued here). or could you  
> tell us something about the gear he was using? did you get to talk  
> to him about it?
>
> big fan of eivind.
>
> thank you very much.
>
>
> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
> For those who are interested I have put my impressions and some pics  
> on my blog:
> http://blog-eterogeneo.blogspot.com/
> fabio
>    
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com Version: 8.0.238 / Virus Database:  
> 270.12.27/2112 - Release Date: 05/13/09 07:04:00
>
>
>
>
>


--Apple-Mail-1--172871143
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Really nice =
Jeff.&nbsp;<div><br></div><div>Thank you!</div><div><br></div><div>what =
about his laptop? any ideas of the software he was =
running?</div><div><br></div><div><div><div>very best, =
ariel.</div><div><br></div><div>On May 14, 2009, at 1:09 AM, Jeff Duke =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">I had some pretty high res pics I got somewhere, check =
these out:<br><br><a =
href=3D"http://thisphase.org/pics/DSC00015.jpg">http://thisphase.org/pics/=
DSC00015.jpg</a><br><br><a =
href=3D"http://thisphase.org/pics/DSC00018.jpg">http://thisphase.org/pics/=
DSC00018.jpg</a><br> <br>Anyone know what kind of guitar he plays? And =
any mods on it.<br><br>Jeff<br><br>"It never hurts to help!"<br>_ Eek =
the Cat<br><br><a =
href=3D"http://jeffduke.org/">http://jeffduke.org</a><br><br><br> <div =
class=3D"gmail_quote">On Wed, May 13, 2009 at 11:37 PM, Ariel Rzezak =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; =
MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px =
solid">Fabio,<br><br>will you post the gear photos in a bigger =
resolution? i cant really guess what he's using there (really intrigued =
here). or could you tell us something about the gear he was using? did =
you get to talk to him about it?<br> <br>big fan of eivind.<br><br>thank =
you very much. <div> <div></div> <div class=3D"h5"><br><br> <blockquote =
class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px =
0.8ex; BORDER-LEFT: #ccc 1px solid"> <blockquote class=3D"gmail_quote" =
style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc =
1px solid">Yesterday I've seen a beautifull gig by Eivind Aarset =
trio.<br>For those who are interested I have put my impressions and some =
pics on my blog:<br> <a href=3D"http://blog-eterogeneo.blogspot.com/" =
target=3D"_blank">http://blog-eterogeneo.blogspot.com/</a><br>fabio<br>&nb=
sp; =
------------------------------------------------------------------------<b=
r><br><br>No virus found in this incoming message.<br> Checked by AVG - =
<a href=3D"http://www.avg.com/" target=3D"_blank">www.avg.com</a> =
Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: =
05/13/09 =
07:04:00<br><br><br></blockquote><br></blockquote><br></div></div></blockq=
uote> </div><br></blockquote></div><br></div></body></html>=

--Apple-Mail-1--172871143--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:47:45 2009
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From: "Steve Schneider" <sschne@san.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: GNX4
Date: Wed, 13 May 2009 21:47:56 -0700
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------=_NextPart_000_0000_01C9D414.7A6343D0
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I have had a GNX4 for quite a while and I am trying to get into looping =
for
lack of a bass player.  First off, the loops will have a gap if you do =
not
download
the new operating system for the thing (version 1.3).  Instructions for =
how
to do this are on the Digitech website.  One of the patches in the new
operating system
fixes the hesitation (gap) that is a problem with the stock unit.  I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,
I am not real good at it yet just beginning.  I notice a lot of folks =
think
the GNX4 is no good for looping but I don't see any mention of the new
operating system that
you can download from the internet.  It updates through the USB =
connection
of the unit.  As soon as I updated the hesitation was gone.  I don=12t =
know if
this
thing will work as a looper for me, I may have to go with a separate
dedicated unit to get what I want.  I do think that the click tracks are
death if you don=12t
want to play in 4/4 time all the time so I always turn the click off.  I
like more jazzy odd timing stuff.  I wonder why you guys don=12t seem to =
have
a review of the
GNX4s looping abilities on your website?  You could use what I just =
wrote as
a review if you wish, though I would like to read a review from someone =
who
has taken=20
it further and is more experienced with looping with this unit.  I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite
length.       Steve S

=20

=20


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have had a GNX4 for quite a while and I am trying =
to get
into looping for lack of a bass player.&nbsp; First off, <b><u><span
style=3D'font-weight:bold'>the loops will have a gap if you do not =
download<br>
the new operating system for the thing (version =
1.3)</span></u></b>.&nbsp;
Instructions for how to do this are on the Digitech website.&nbsp; One =
of the
patches in the new operating system<br>
fixes the hesitation (gap) that is a problem with the stock unit.&nbsp; =
I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,<br>
I am not real good at it yet just beginning.&nbsp; I notice a lot of =
folks
think the GNX4 is no good for looping but I don&#8217;t see any mention =
of the
new operating system that<br>
you can download from the internet.&nbsp; It updates through the USB =
connection
of the unit.&nbsp; As soon as I updated the hesitation was gone.&nbsp; I
don=12t know if this<br>
thing will work as a looper for me, I may have to go with a separate =
dedicated
unit to get what I want.&nbsp; I do think that the click tracks are =
<b><u><span
style=3D'font-weight:bold'>death </span></u></b>if you don=12t<br>
want to play in 4/4 time all the time so I always turn the click =
off.&nbsp; I
like more jazzy odd timing stuff.&nbsp; I wonder why you guys don=12t =
seem to
have a review of the<br>
GNX4s looping abilities on your website?&nbsp; You could use what I just =
wrote
as a review if you wish, though I would like to read a review from =
someone who
has taken <br>
it further and is more experienced with looping with this unit.&nbsp; I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite<br>
length.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Steve =
S<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span><X-SIGSEP></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu May 14 04:54:36 2009
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Subject: RE: GNX4
Date: Wed, 13 May 2009 21:54:47 -0700
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Jim,

            Thanks for responding to a new person on the site.  I finally
was able to see a post by searching by author.  My question to you is where
are the options 

that you mentioned?  And I am wondering why anyone would not want to see
their post online until someone responds? Don't see why such an option would
exist.  Still figuring this out but it looks like I 

will get there.  Thanks Steve S

 

  _____  

From: Jim Goodin [mailto:jimgoodinmusic@gmail.com] 
Sent: Wednesday, May 13, 2009 5:06 PM
To: Loopers-Delight@loopers-delight.com
Cc: sschne@san.rr.com
Subject: Re: GNX4

 

Steve you're getting in, you may have your options set to not see your posts
till someone responds.

 

Jim

On Wed, May 13, 2009 at 7:57 PM, Steve Schneider <sschne@san.rr.com> wrote:

I have a GNX4 and have fixed the hesitation problem so many have written
about.  Can't seem to see my posts online.  Could someone e mail me and let
me

know if this is getting somewhere?    Steve s






-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic


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	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Jim,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Thanks for responding to a new
person on the site.&nbsp; I finally was able to see a post by searching =
by author.&nbsp;
My question to you is where are the options =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>that you mentioned?&nbsp; And I am =
wondering
why anyone would not want to see their post online until someone =
responds? Don&#8217;t
see why such an option would exist. &nbsp;Still figuring this out but it =
looks like
I <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>will get there.&nbsp; Thanks Steve =
S<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Jim =
Goodin
[mailto:jimgoodinmusic@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, May 13, =
2009 5:06
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Cc:</span></b> sschne@san.rr.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: =
GNX4</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Steve you're getting in, you may have your options set to not =
see your
posts till someone responds.<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>Jim<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Wed, May 13, 2009 at 7:57 PM, Steve Schneider &lt;<a
href=3D"mailto:sschne@san.rr.com">sschne@san.rr.com</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<div vlink=3Dpurple link=3Dblue>

<div>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>I
have a GNX4 and have fixed the hesitation problem so many have written
about.&nbsp; Can&#8217;t seem to see my posts online.&nbsp; Could =
someone e mail me
and let me</span></font><o:p></o:p></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>know
if this is getting somewhere?&nbsp;&nbsp;&nbsp; Steve =
s</span></font><o:p></o:p></p>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br clear=3Dall>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
-- <br>
ReUse, an introspective textural aural journey coming soon...<br>
<br>
music links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a>=
<br>
<a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</a><br>
<a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</a><br>
<a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</a><br>
<a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br>=

<a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</a><br>
<br>
video work/editing...<br>
<a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</a><br>
<br>
social networking...<br>
<a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</a><o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu May 14 05:08:31 2009
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Date: Thu, 14 May 2009 00:08:25 -0500
From: Tilmann Dehnhard <tilmann@dehnhard.com>
User-Agent: Thunderbird 2.0.0.21 (Windows/20090302)
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To: Loopers-Delight@loopers-delight.com
Subject: OT: was back pain, now mouse-hand pain
References: <20090513154339.J0PNB.2614593.root@mp15>
In-Reply-To: <20090513154339.J0PNB.2614593.root@mp15>
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dear fellow loopers, please be very careful with the computer mouse.
after mixing a recording using almost only the mouse i had terrible pain 
in the hand and inflammation around the elbow. my right hand got slow 
and kind of numb. i changed to the left hand for a year. took some 
serious conditioning to stop reaching for the mouse with the right hand...
today i am able to switch hands whenever fatigue and stress build up.
letting go of the mouse when not in use and simply moving and massaging 
the fingers regularly has helped me, too.

one of the main problems is that the mouse-clicking finger joints do 
experience stress from the operation. unfortunately the movement is too 
small to trigger blood circulation and other recreative measures usually 
maintained by the body.
this was discovered when a condition surfaced called the "sms-thumb" - a 
terrible stinging pain in the thumb from using cellulars for messaging.

best - tilmann

From Loopers-Delight-request@loopers-delight.com  Thu May 14 05:22:16 2009
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From: "Steve Schneider" <sschne@san.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: GNX4
Date: Wed, 13 May 2009 22:22:27 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0000_01C9D419.4CC32C60
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I have had a GNX4 for quite a while and I am trying to get into looping =
for
lack of a bass player.  First off, the loops will have a gap if you do =
not
download
the new operating system for the thing (version 1.3).  Instructions for =
how
to do this are on the Digitech website.  One of the patches in the new
operating system
fixes the hesitation (gap) that is a problem with the stock unit.  I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,
I am not real good at it yet just beginning.  I notice a lot of folks =
think
the GNX4 is no good for looping but I don't see any mention of the new
operating system that
you can download from the internet.  It updates through the USB =
connection
of the unit.  As soon as I updated the hesitation was gone.  I don=12t =
know if
this
thing will work as a looper for me, I may have to go with a separate
dedicated unit to get what I want.  I do think that the click tracks are
death if you don=12t
want to play in 4/4 time all the time so I always turn the click off.  I
like more jazzy odd timing stuff.  I wonder why you guys don=12t seem to =
have
a review of the
GNX4s looping abilities on your website?  You could use what I just =
wrote as
a review if you wish, though I would like to read a review from someone =
who
has taken=20
it further and is more experienced with looping with this unit.  I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite
length.       Steve S

=20

=20


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have had a GNX4 for quite a while and I am trying =
to get
into looping for lack of a bass player.&nbsp; First off, <b><u><span
style=3D'font-weight:bold'>the loops will have a gap if you do not =
download<br>
the new operating system for the thing (version =
1.3)</span></u></b>.&nbsp;
Instructions for how to do this are on the Digitech website.&nbsp; One =
of the
patches in the new operating system<br>
fixes the hesitation (gap) that is a problem with the stock unit.&nbsp; =
I am
going to try to use the GNX4 for looping so I can jam with just me and a
drummer,<br>
I am not real good at it yet just beginning.&nbsp; I notice a lot of =
folks
think the GNX4 is no good for looping but I don&#8217;t see any mention =
of the
new operating system that<br>
you can download from the internet.&nbsp; It updates through the USB =
connection
of the unit.&nbsp; As soon as I updated the hesitation was gone.&nbsp; I
don=12t know if this<br>
thing will work as a looper for me, I may have to go with a separate =
dedicated
unit to get what I want.&nbsp; I do think that the click tracks are =
<b><u><span
style=3D'font-weight:bold'>death </span></u></b>if you don=12t<br>
want to play in 4/4 time all the time so I always turn the click =
off.&nbsp; I
like more jazzy odd timing stuff.&nbsp; I wonder why you guys don=12t =
seem to
have a review of the<br>
GNX4s looping abilities on your website?&nbsp; You could use what I just =
wrote
as a review if you wish, though I would like to read a review from =
someone who
has taken <br>
it further and is more experienced with looping with this unit.&nbsp; I =
bought
the extra footswitch that records, erases and lays up to 8 tracks with
practically infinite<br>
length.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Steve =
S<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span><X-SIGSEP></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu May 14 07:38:07 2009
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References: <20090513154339.J0PNB.2614593.root@mp15>
	 <4A0BA749.2030709@dehnhard.com>
Date: Thu, 14 May 2009 09:38:06 +0200
Message-ID: <66f9cc1e0905140038w74060f4ep7ac9355d543e42f6@mail.gmail.com>
Subject: Re: OT: was back pain, now mouse-hand pain
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Resent-Date: Thu, 14 May 2009 07:38:06 +0000 (UTC)

Very important knowledge, Tilman! What you can do as well, if having
to work hard with a computer, is to switch over to a laptop with track
pad every second hour. Then don't click with the right hand's index
finger but with the thumb. What I do as well is to shift fingers and
hands all the time. Juggle over the mouse for the left hand. If that
doesn't feel comfortable for you, just make some lovely caffe latta
and dring it with your right hand while mousing a way with the left.
And move cup far away from keybard! ;-))  After ruing a couple of
keyboards in the past I am today a Master Keyboard Non Destroyer. But
my sons keep pouring milk and stuff into their machines. Seems it
takes a couple of generations for the gene pool to adapt properly...
(ouch, will stop typing this post now since it starts turning into
nonsense....)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, May 14, 2009 at 7:08 AM, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> dear fellow loopers, please be very careful with the computer mouse.
> after mixing a recording using almost only the mouse i had terrible pain in
> the hand and inflammation around the elbow. my right hand got slow and kind
> of numb. i changed to the left hand for a year. took some serious
> conditioning to stop reaching for the mouse with the right hand...
> today i am able to switch hands whenever fatigue and stress build up.
> letting go of the mouse when not in use and simply moving and massaging the
> fingers regularly has helped me, too.
>
> one of the main problems is that the mouse-clicking finger joints do
> experience stress from the operation. unfortunately the movement is too
> small to trigger blood circulation and other recreative measures usually
> maintained by the body.
> this was discovered when a condition surfaced called the "sms-thumb" - a
> terrible stinging pain in the thumb from using cellulars for messaging.
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 07:41:47 2009
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	 <4A0B2154.9040206@unguitar.com>
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Date: Thu, 14 May 2009 09:41:47 +0200
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Subject: Re: Eivind Aarset gig in Rome
From: Per Boysen <perboysen@gmail.com>
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Ariel,

Do a search in this list's archives. I know Eivind's setup have been
posted at least once.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, May 14, 2009 at 5:37 AM, Ariel Rzezak <arzezak@gmail.com> wrote:
> will you post the gear photos in a bigger resolution? i cant really guess
> what he's using there (really intrigued here). or could you tell us
> something about the gear he was using? did you get to talk to him about it?

From Loopers-Delight-request@loopers-delight.com  Thu May 14 07:50:01 2009
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Subject: Re: RC-50 newbie question
Date: Thu, 14 May 2009 09:51:04 +0200
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Tom, what do you mean exactly? 
Starting of the second phrase f.ex. in the middle of 
the first phrase? Which means to avoid that the second
loop starts the same time as the first one?
Is it that what you want ? If you are German : Du kannst
mir in Deutsch schreiben.
Best,
Christo

----- Original Message ----- 
From: "Tom Griesgraber" <thossounds@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 13, 2009 9:31 PM
Subject: Re: RC-50 newbie question


> Thanks Kevin (and all),
> 
> You guys are literally better than Roland customer support ;-)
> 
> One more question if you don't mind. Is it ever possible in multi mode  
> (having say 2 phrases playing at once) to have the phrases  
> intentionally out of sync and "cycling" against each other? I've been  
> messing with the "loop sync" button obviously, but it seems to do  
> something a bit different. It seems like with loop sync on the  
> beginning of say a short phrase 2 always lines up with the beginning  
> of a long phrase 1. With loop sync off, I can get the short phrase 2  
> to start at any point along phrase 1, but then it always starts at  
> that same point, it doesn't "cycle" even if they are unrelated lengths.
> 
> Any thoughts? Thanks much!
> 
> Tom
> 
> 
> On May 13, 2009, at 10:27 AM, kkissinger@kevinkissinger.com wrote:
> 
> > OK... found it...
> >
> > You can route the INPUT to the Sub out.  Check page 50 of the  
> > owner's manual.
> >
> > Thus, you can use Main OUT for the loops only, and route your Input  
> > to the Sub out only.
> >
> > Hope this helps.
> >
> > -- Kevin
> >
> > Quoting Tom Griesgraber <thossounds@aol.com>:
> >
> >> Hi folks,
> >>
> >> A friend just loaned me a Boss RC-50 to check out. Does anyone here
> >> know if there's a way to kill the dry signal from the outputs, so  
> >> that
> >> what comes out of it is only what's been recorded, and not what is
> >> being played live?   If you know how to do this, you're already a  
> >> step
> >> up on Roland product support ;-)
> >>
> >> Thanks for any tips!
> >> Tom
> >
> >
> >
> 

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Subject: RE: Eivind Aarset gig in Rome
Date: Thu, 14 May 2009 09:50:57 +0200
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 > I had some pretty high res pics I got somewhere, check these out:
 > http://thisphase.org/pics/DSC00015.jpg
 > http://thisphase.org/pics/DSC00018.jpg
 
 
ah, these are the ones I recently took in Cologne :-)  thanks for keeping
them !! 
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
size=3D2>&nbsp;&gt; </FONT></SPAN>I had some pretty high res pics I got =
somewhere,=20
check these out:<BR><SPAN class=3D156444807-14052009><FONT face=3DArial=20
size=3D2>&nbsp;&gt; </FONT></SPAN><A=20
href=3D"http://thisphase.org/pics/DSC00015.jpg">http://thisphase.org/pics=
/DSC00015.jpg</A><BR><SPAN=20
class=3D156444807-14052009><FONT face=3DArial size=3D2>&nbsp;&gt; =
</FONT></SPAN><A=20
href=3D"http://thisphase.org/pics/DSC00018.jpg">http://thisphase.org/pics=
/DSC00018.jpg</A><BR><SPAN=20
class=3D156444807-14052009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D156444807-14052009></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
size=3D2>ah, these are the ones I recently took in Cologne :-)&nbsp; =
thanks for=20
keeping them !!&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D156444807-14052009></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
size=3D2>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D156444807-14052009>&nbsp;</SPAN></DIV></BODY></HTML>

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Subject: Re: Eivind Aarset gig in Rome
Date: Thu, 14 May 2009 04:01:38 -0400
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I knew I must have gotten them from this list. Great pics, thanks =
Michael. Any ideas on his guitar?

Jeff
  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Thursday, May 14, 2009 3:50 AM
  Subject: RE: Eivind Aarset gig in Rome


   > I had some pretty high res pics I got somewhere, check these out:
   > http://thisphase.org/pics/DSC00015.jpg
   > http://thisphase.org/pics/DSC00018.jpg
  =20

  ah, these are the ones I recently took in Cologne :-)  thanks for =
keeping them !!=20

  -Michael

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<DIV><FONT face=3DArial size=3D2>I knew I must have gotten them from =
this list.=20
Great pics, thanks Michael. Any ideas on his guitar?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 14, 2009 =
3:50=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Eivind Aarset gig =
in=20
  Rome</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
  size=3D2>&nbsp;&gt; </FONT></SPAN>I had some pretty high res pics I =
got=20
  somewhere, check these out:<BR><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
  size=3D2>&nbsp;&gt; </FONT></SPAN><A=20
  =
href=3D"http://thisphase.org/pics/DSC00015.jpg">http://thisphase.org/pics=
/DSC00015.jpg</A><BR><SPAN=20
  class=3D156444807-14052009><FONT face=3DArial size=3D2>&nbsp;&gt; =
</FONT></SPAN><A=20
  =
href=3D"http://thisphase.org/pics/DSC00018.jpg">http://thisphase.org/pics=
/DSC00018.jpg</A><BR><SPAN=20
  class=3D156444807-14052009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN =
class=3D156444807-14052009></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
  size=3D2>ah, these are the ones I recently took in Cologne :-)&nbsp; =
thanks for=20
  keeping them !!&nbsp;</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN =
class=3D156444807-14052009></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D156444807-14052009><FONT =
face=3DArial=20
  size=3D2>-Michael</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D156444807-14052009></SPAN>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>=


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Steve Schneider wrote:
> I have had a GNX4 for quite a while and I am trying to get into looping 
> for lack of a bass player.  First off, *_the loops will have a gap if 
> you do not download
> the new operating system for the thing (version 1.3)_*.  Instructions 
> for how to do this are on the Digitech website.  

cheers Steve, that's useful info for the list

> I do think that the click tracks are 
> *_death _*if you dont
> want to play in 4/4 time all the time so I always turn the click off.  I 
> like more jazzy odd timing stuff.  I wonder why you guys dont seem to 
> have a review of the
> GNX4s looping abilities on your website? 

Us guys don't have a website, we're members of the mailing list.
You'd have to contact Kim Flint direct for that.


>  I 
> bought the extra footswitch that records, erases and lays up to 8 tracks 
> with practically infinite
> length.       Steve S

Now, if those tracks would play simultaneously :-)

Anyway, welcome to the list Steve.
Hope you can find some valuable info hear in return for what you bring.


andy butler
www.andybutler.com
 

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Date: Thu, 14 May 2009 08:03:37 +0000 (GMT)
From: rune_fagereng@yahoo.no
Reply-To: rune_fagereng@yahoo.no
Subject: Re: Eivind Aarset gig in Rome (guitar, software)
To: Loopers-Delight@loopers-delight.com
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Hi !
Aarset lives in Oslo city, an hours drive from my hometown.=A0
Guitar:Aarset uses a custom guitar made by Jan Braathen. Its a strat type, =
with a extra input for a piezo mic. This signal (piezo) goes to his Travell=
er MoTu interface and Mac. He makes some of his soundscapes with this, usin=
g reverb/delay. But the basic sound of it is similar to an acoustic guitar.=
=A0
Looping:Aarset looping is done with DL4, SooperLooper, or reording with Abl=
eton. Hi also uses=A0Soundtoy plugins. Aarsets Mac is in MIDI-sync with the=
 drummers, who also uses Ableton for drumloops.=A0
Guitarsignal:Aarset splits his guitarsignal, one goes to amp and the other =
goes to Mac, Ableton, Sooperlooper, Soundtoy with echoboy and the to PA, as=
 a=0A stereosignal. All his pedals goes to both amp and Mac.=A0
Aarset plays on Nils Petter Molvaers and Jon Hassells latest CDs. There are=
 youtube clips of Aarsets band and him playing with Molvaer. Aarset plays o=
n Kongsberg Jazzfestival (Norway) this summer. =A0
Best Regards=A0Rune Fagereng =A0 =A0 =A0=A0

--- Den tor 2009-05-14 skrev Jeff Duke <jeff_d@embarqmail.com>:

Fra: Jeff Duke <jeff_d@embarqmail.com>
Emne: Re: Eivind Aarset gig in Rome
Til: Loopers-Delight@loopers-delight.com
Dato: Torsdag 14. mai 2009 06.26

I had some pretty high res pics I got somewhere, check these out:

http://thisphase.org/pics/DSC00015.jpg

http://thisphase.org/pics/DSC00018.jpg

Anyone know what kind of guitar he plays? And any mods on it.

Jeff

"It never hurts to help!"
_ Eek the Cat

http://jeffduke.org

----- Original Message ----- From:=0A "Ariel Rzezak" <arzezak@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 13, 2009 11:37 PM
Subject: Re: Eivind Aarset gig in Rome


> Fabio,
>=20
> will you post the gear photos in a bigger resolution? i cant really=A0 gu=
ess what he's using there (really intrigued here). or could you tell=A0 us =
something about the gear he was using? did you get to talk to him=A0 about =
it?
>=20
> big fan of eivind.
>=20
> thank you very much.
>=20
>>> Yesterday I've seen a beautifull gig by Eivind Aarset trio.
>>> For those who are interested I have put my impressions and some=A0 pics=
 on my blog:
>>> http://blog-eterogeneo.blogspot.com/
>>>=0A fabio
>>>=A0 =A0=A0=A0-----------------------------------------------------------=
-------------
>>>=20
>>>=20
>>> No virus found in this incoming message.
>>> Checked by AVG - www.avg.com Version: 8.0.238 / Virus Database: 270.12.=
27/2112 - Release Date: 05/13/09 07:04:00
>>>=20
>>>=20
>>=20
>=20
>=20

=0A=0A=0A      _________________________________________________________=0A=
Alt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og=0Anotisblokk. =
http://no.mail.yahoo.com
--0-1768818707-1242288217=:22858
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv376215899"><table cellspacing=
=3D"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><=
tr><td id=3D"drftMsgContent" style=3D"font:inherit;">Hi !<div><br></div><di=
v>Aarset lives in Oslo city, an hours drive from my hometown.=A0</div><div>=
<br></div><div>Guitar:</div><div>Aarset uses a custom guitar made by Jan Br=
aathen. Its a strat type, with a extra input for a piezo mic. This signal (=
piezo) goes to his Traveller MoTu interface and Mac. He makes some of his s=
oundscapes with this, using reverb/delay. But the basic sound of it is simi=
lar to an acoustic guitar.=A0</div><div><br></div><div>Looping:</div><div>A=
arset looping is done with DL4, SooperLooper, or reording with Ableton. Hi =
also uses=A0Soundtoy plugins. Aarsets Mac is in MIDI-sync with the drummers=
, who also uses Ableton for drumloops.=A0</div><div><br></div><div>Guitarsi=
gnal:</div><div>Aarset
 splits his guitarsignal, one goes to amp and the other goes to Mac, Ableto=
n, Sooperlooper, Soundtoy with echoboy and the to PA, as a=0A stereosignal.=
 All his pedals goes to both amp and Mac.=A0</div><div><br></div><div>Aarse=
t plays on Nils Petter Molvaers and Jon Hassells latest CDs. There are yout=
ube clips of Aarsets band and him playing with Molvaer. Aarset plays on Kon=
gsberg Jazzfestival (Norway) this summer. =A0</div><div><br></div><div>Best=
 Regards=A0</div><div>Rune Fagereng =A0 =A0 =A0=A0<br></div><div><br>--- De=
n <b>tor 2009-05-14 skrev Jeff Duke <i>&lt;jeff_d@embarqmail.com></i></b>:<=
br><blockquote style=3D"border-left:2px solid rgb(16, 16, 255);margin-left:=
5px;padding-left:5px;"><br>Fra: Jeff Duke &lt;jeff_d@embarqmail.com><br>Emn=
e: Re: Eivind Aarset gig in Rome<br>Til: Loopers-Delight@loopers-delight.co=
m<br>Dato: Torsdag 14. mai 2009 06.26<br><br><div class=3D"plainMail">I had=
 some pretty high res pics I got somewhere, check these out:<br><br><a rel=
=3D"nofollow" target=3D"_blank" href=3D"http://thisphase.org/pics/DSC00015.=
jpg">http://thisphase.org/pics/DSC00015.jpg</a><br><br><a rel=3D"nofollow"
 target=3D"_blank" href=3D"http://thisphase.org/pics/DSC00018.jpg">http://t=
hisphase.org/pics/DSC00018.jpg</a><br><br>Anyone know what kind of guitar h=
e plays? And any mods on it.<br><br>Jeff<br><br>"It never hurts to help!"<b=
r>_ Eek the Cat<br><br><a rel=3D"nofollow" target=3D"_blank" href=3D"http:/=
/jeffduke.org">http://jeffduke.org</a><br><br>----- Original Message ----- =
From:=0A "Ariel Rzezak" &lt;<a rel=3D"nofollow">arzezak@gmail.com</a>><br>T=
o: &lt;<a rel=3D"nofollow">Loopers-Delight@loopers-delight.com</a>><br>Sent=
: Wednesday, May 13, 2009 11:37 PM<br>Subject: Re: Eivind Aarset gig in Rom=
e<br><br><br>> Fabio,<br>> <br>> will you post the gear photos in a bigger =
resolution? i cant really=A0 guess what he's using there (really intrigued =
here). or could you tell=A0 us something about the gear he was using? did y=
ou get to talk to him=A0 about it?<br>> <br>> big fan of eivind.<br>> <br>>=
 thank you very much.<br>> <br>>>> Yesterday I've seen a beautifull gig by =
Eivind Aarset trio.<br>>>> For those who are interested I have put my impre=
ssions and some=A0 pics on my blog:<br>>>> <a rel=3D"nofollow" target=3D"_b=
lank" href=3D"http://blog-eterogeneo.blogspot.com/">http://blog-eterogeneo.=
blogspot.com/</a><br>>>>=0A fabio<br>>>>=A0 =A0=A0=A0----------------------=
--------------------------------------------------<br>>>> <br>>>> <br>>>> N=
o virus found in this incoming message.<br>>>> Checked by AVG - www.avg.com=
 Version: 8.0.238 / Virus Database: 270.12.27/2112 - Release Date: 05/13/09=
 07:04:00<br>>>> <br>>>> <br>>> <br>> <br>> <br><br></div></blockquote></di=
v></td></tr></tbody></table></div></td></tr></table><br>=0A=0A=0A      <hr =
size=3D1><br><table><tr><td>Alt i ett. F=E5 <a href=3Dhttp://no.mail.yahoo.=
com>Yahoo! Mail</a> med adressekartotek, kalender og notisblokk.</td></tr><=
/table>
--0-1768818707-1242288217=:22858--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 08:21:40 2009
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Subject: Re: Eivind Aarset gig in Rome
From: Per Boysen <perboysen@gmail.com>
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Nice pix! But the Electro Harmonix Micro Synth is missing. According
to Eivind that box is essential for his typical clarinet like sound;
fretless guitar attacked with EBow and the Micro Synth used only as
channel EQ (not using its envelope capabilities). On the laptop spins
Ableton Live and SooperLooper... at least they did one year ago. Some
years ago, and on the older albums, he also had an Electrixpro
Repeater and an Eventide Eclipse, but both units crapped out.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, May 14, 2009 at 9:50 AM, Michael Peters <mp@mpeters.de> wrote:
> =C2=A0> I had some pretty high res pics I got somewhere, check these out:
> =C2=A0> http://thisphase.org/pics/DSC00015.jpg
> =C2=A0> http://thisphase.org/pics/DSC00018.jpg

From Loopers-Delight-request@loopers-delight.com  Thu May 14 09:53:33 2009
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Subject: =?Windows-1252?Q?RE:_Sellin?= =?Windows-1252?Q?g_a_custom?=
 =?Windows-1252?Q?_Timtone_R?= =?Windows-1252?Q?MC-equiped?=
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You might try www.thegearpage.net you need to be a member (small fee) to pu=
t up ads but there are a lot of people there with taste for cool=2C expensi=
ve gear.
=20
> From: dpcoffin@earthlink.net
> To: Loopers-Delight@loopers-delight.com
> Subject: Selling a custom Timtone RMC-equiped VG-driving axe=85
> Date: Wed=2C 13 May 2009 14:05:07 -0700
>=20
> Hey=2C folks
>=20
> Also have an old V-shaped wood-body/graphite neck Steinberger w/
> TransTrem. Never sold a guitar online before=3B anybody got the lowdown
> on best places to post hi-end guitars for sale=2C and best ways to
> verify/establish prices?
>=20
> Appreciate any tips=3B thanks!
>=20
> dpc
>=20

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<body class=3D'hmmessage'>
You might try <A href=3D"http://www.thegearpage.net">www.thegearpage.net</A=
>&nbsp=3Byou need to be a member (small fee) to put up ads&nbsp=3Bbut there=
 are a lot of people there with taste for cool=2C expensive gear.<BR>&nbsp=
=3B<BR>&gt=3B From: dpcoffin@earthlink.net<BR>&gt=3B To: Loopers-Delight@lo=
opers-delight.com<BR>&gt=3B Subject: Selling a custom Timtone RMC-equiped V=
G-driving axe=85<BR>&gt=3B Date: Wed=2C 13 May 2009 14:05:07 -0700<BR>&gt=
=3B <BR>&gt=3B Hey=2C folks<BR>&gt=3B <BR>&gt=3B Also have an old V-shaped =
wood-body/graphite neck Steinberger w/<BR>&gt=3B TransTrem. Never sold a gu=
itar online before=3B anybody got the lowdown<BR>&gt=3B on best places to p=
ost hi-end guitars for sale=2C and best ways to<BR>&gt=3B verify/establish =
prices?<BR>&gt=3B <BR>&gt=3B Appreciate any tips=3B thanks!<BR>&gt=3B <BR>&=
gt=3B dpc<BR>&gt=3B <BR></body>
</html>=

--_2a3fa55f-5d72-4e0d-af12-841aad54a4c5_--

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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: OT: was back pain, now mouse-hand pain
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i dont know how you guys can explore so much software,plugins etc. it requi=
res hours of sitting in front of the PC and staring at the screen,i suffer =
from backaches and my eyes arent the best either so for me it d be impossib=
le to explore all of the great  stuff you guys talk about here=0Asometimes =
even the LD emails are enough for me!=0ALuis=0A=0Awww.myspace.com/luisangul=
ocom=0A=0A=0A--- Per Boysen <perboysen@gmail.com> schrieb am Do, 14.5.2009:=
=0A=0A> Von: Per Boysen <perboysen@gmail.com>=0A> Betreff: Re: OT: was back=
 pain, now mouse-hand pain=0A> An: Loopers-Delight@loopers-delight.com=0A> =
Datum: Donnerstag, 14. Mai 2009, 0:38=0A> Very important knowledge, Tilman!=
=0A> What you can do as well, if having=0A> to work hard with a computer, i=
s to switch over to a laptop=0A> with track=0A> pad every second hour. Then=
 don't click with the right=0A> hand's index=0A> finger but with the thumb.=
 What I do as well is to shift=0A> fingers and=0A> hands all the time. Jugg=
le over the mouse for the left=0A> hand. If that=0A> doesn't feel comfortab=
le for you, just make some lovely=0A> caffe latta=0A> and dring it with you=
r right hand while mousing a way with=0A> the left.=0A> And move cup far aw=
ay from keybard! ;-))=A0 After ruing=0A> a couple of=0A> keyboards in the p=
ast I am today a Master Keyboard Non=0A> Destroyer. But=0A> my sons keep po=
uring milk and stuff into their machines.=0A> Seems it=0A> takes a couple o=
f generations for the gene pool to adapt=0A> properly...=0A> (ouch, will st=
op typing this post now since it starts=0A> turning into=0A> nonsense....)=
=0A> =0A> Greetings from Sweden=0A> =0A> Per Boysen=0A> www.boysen.se=0A> w=
ww.perboysen.com=0A> =0A> =0A> =0A> On Thu, May 14, 2009 at 7:08 AM, Tilman=
n Dehnhard <tilmann@dehnhard.com>=0A> wrote:=0A> > dear fellow loopers, ple=
ase be very careful with the=0A> computer mouse.=0A> > after mixing a recor=
ding using almost only the mouse i=0A> had terrible pain in=0A> > the hand =
and inflammation around the elbow. my right=0A> hand got slow and kind=0A> =
> of numb. i changed to the left hand for a year. took=0A> some serious=0A>=
 > conditioning to stop reaching for the mouse with the=0A> right hand...=
=0A> > today i am able to switch hands whenever fatigue and=0A> stress buil=
d up.=0A> > letting go of the mouse when not in use and simply=0A> moving a=
nd massaging the=0A> > fingers regularly has helped me, too.=0A> >=0A> > on=
e of the main problems is that the mouse-clicking=0A> finger joints do=0A> =
> experience stress from the operation. unfortunately=0A> the movement is t=
oo=0A> > small to trigger blood circulation and other=0A> recreative measur=
es usually=0A> > maintained by the body.=0A> > this was discovered when a c=
ondition surfaced called=0A> the "sms-thumb" - a=0A> > terrible stinging pa=
in in the thumb from using=0A> cellulars for messaging.=0A> >=0A> =0A> =0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu May 14 10:26:54 2009
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Date: Thu, 14 May 2009 12:26:53 +0200
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Subject: Re: OT: was back pain, now mouse-hand pain
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On Thu, May 14, 2009 at 12:08 PM, L.Angulo <labaloops@yahoo.com> wrote:
> i dont know how you guys can explore so much software,plugins etc. it req=
uires hours of sitting in front
< of the PC and staring at the screen,i suffer from backaches and my
eyes arent the best
> either so for me it d be impossible to explore all of the great =C2=A0stu=
ff you guys talk about here


No one can explore everything there is out there. Don't bother about
exploring new software if you are not certain that a particular
function of this software will be used in an awesome way by you in
your music! Any other attitude may just waist your time.

I have reduced my setup tremendously - only using Mobius, the
Apple/Mainstage plug-ins and the SoundToys native bundle. I won't
loose time and health "exploring" other stuff because it eats into the
time I have for actually learning about playing music (and that's the
fun part).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu May 14 12:32:05 2009
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Hi Tom

first of all, welcome to LD! 

> You guys are literally better than Roland customer support ;-)
Thanks for the kudos.

So, first some basic terms:
- LOOP SYNC ensures that all loops have the exact same length + start/end point. This is set globally via button you have found.

- TEMPO SYNC ensures that the loops are quantized according to the current running loop (not necessarily same length, though). You have to turn it on/off for each of the three PHRASES (=loops) in the RC-50.
This is usually what people want in MULTI MODE and the tricky part is you don't see it immediately. You only see it when you have a loop already running that has set the tempo and then a light (I think a green LED indicating something like "quantize") tells you that.

So you might rather want to experiment with the TEMPO SYNC for your purposes.

have fun!

Buzap 
-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Thu May 14 13:05:08 2009
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Date: Thu, 14 May 2009 19:21:57 +0900
To: loopers-delight@loopers-delight.com, looppool@cruzio.com
From: Mech <mech@m3ch.net>
Subject: Re: Exploring new Loooperlative features
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At 3:13 AM -0700 5/12/09, looppool@cruzio.com wrote:
>On my last CD of abstract electronica (which came out at a very tough time
>  for me emotionally, so I never put an ounce of energy into promoting it),
>  'Purple Hand',

Coincidentally, I think that's my favorite of your CD's.  A hidden 
gem that deserves more notice than it got.  :)

>By the time I finished, the original sound was unreconginzeable
>as a guitar sound
>and yet it had the same fundamental pitch information.

I think I remember that sound as well, or something like it (there 
are many, many interesting moments on that disc).  Unfortunately, 
'Purple Hand' is back in storage with all my other physical CD's, so 
I can't check.  :(

>I love this:     processing pitch over and over so that it adds weird
>artifacts.
>
>I use two BOSS pitch shifters now.........pitching a sound up two octaves
>and then pitching that sound down two octaves so that it is the same pitch
>and duration as the original sound with
>tons of artifacts added on.

That's brilliant!  Which BOSS shifters are you using?  There's a 
Behringer clone that's supposed to be a pretty good replica of the 
PS-5.  If it's as cheap as some of their other knock-off pedals, it 
might be worth going out and buying two of them just to try this out.

Thanks for the ideas, Rick!!!

	--m.

-- 
_____
"bye-bye empire; empire, bye-bye"

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Date: Thu, 14 May 2009 22:04:37 +0900
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At 2:07 PM +0200 5/12/09, Sjaak wrote:
>
>I have just started to use the aux outputs of the LP1. What I'm 
>going to try is to program a switch on my MFC which fires the follow 
>commands:
>
>1) LP1 => Half speed
>2) LP1 => Assign to AUX 1
>3) Mainstage or Bidule => Activate Pitchshifter

That oughta work!  :)

>I haven't tried the following, but since we have two AUX outputs so 
>if you combine the new LP1 functions (3rd, 4th ,5th etc) with a 
>pitchsifter, I'm curious if you could create usuable three-note 
>chords.

Ah, now there are a couple of things worth thinking about if you're 
trying to get a three-note chord:

First, depending upon your shifter, you may be able to do this simply 
by routing to a single pitch transposition device.  I'm using an 
Alesis Akira, for instance, and it will let me output two entirely 
different transposed voices.  I route out Aux 1 to the Akira, then 
use MIDI CC's to control the interval of the two harmonies.  The 
Akira's Mix knob controls the balance between the transposed voices 
and the original signal, resulting in quick-&-dirty triads.  I know 
other devices will do (at least) two harmony voices, so you may be 
able to do what you want with a very simple setup.

Second, if you're going to try this with single-harmony transposers 
on both Aux Outs, you're going to have to add some commands in there 
to copy or bounce tracks.  IIRC, an LP1 track can only access a 
single output.  I put in a feature request a while back to change 
that (wishlist item #19, also details at: 
http://www.looperlative.com/phpBB3/viewtopic.php?f=1&t=88&p=2485#p2485 
) but I don't think there's been any progress yet.  To output the 
same track through all three Outs (Main, Aux 1, & Aux 2) you have to 
copy the original track over to two more tracks.  You then need to 
set Track 1 to Main, Track 2 to Aux 1, and Track 3 to Aux 2.

Of course, with a Mix control on either of the pitch shifters, you 
can bleed the original signal through and possibly save on one track. 
This overall methodology does start to eat tracks, though, so be 
aware and plan ahead.

>I have also been experimenting by copying a loop to a new track and 
>play it half speed. If you do this with percussion or drums, you get 
>a nice syncopation effect.

Sweet.  I used to do that with our samplers years ago (old Emu 
Emax's, SCI 2000-series's, etc., etc., etc.; kinda dating myself 
here, i guess).  I lost many an evening just standing there in the 
dark watching the lights blink and listening to the parts play 
against each other.

One other thing that helps with this time stretch gimmick is if you 
think of the LP1's transposition ability as the "Time" control, and 
the shifter as the "Pitch" control.  I've gotten plenty of ideas by 
considering the LP1's transpositions solely as the ability to stretch 
the time of a loop between 1/4x and 4x it's original speed; then 
viewing the shifter as what ultimately determines the loop's pitch.

For instance, copy a melody track and drop it to half-speed -- just 
as you did with the drums above.  However, now set the pitch shifter 
to only +7 semitones.  Now, you have the second melody track moving 
and half the speed of the original, and playing a harmony that is a 
perfect fourth lower than the original track.

Add a bit of MIDI control, and you can control the harmony in real 
time: perhaps shifting it to a fifth, an octave or a third below 
during the middle of the loop.  Or add a sequence to control the 
harmonies.  Bill Walker used to do some really way-out stuff like 
this on his Repeater, and his stuff was just frickin' beautiful!

Lots of neat combinations there.  Good luck!  ;)

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

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Date: Thu, 14 May 2009 09:36:34 -0400
Message-ID: <9e0440a60905140636r200ac3b0of2c36c13e914355b@mail.gmail.com>
Subject: Re: GNX4
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve I'll research and get back to you.  I'm not a 100 p that is how
it works but my posts work like that and my thought it was done that
way to reduce chatter.

Jim

On 5/14/09, Steve Schneider <sschne@san.rr.com> wrote:
> Jim,
>
>             Thanks for responding to a new person on the site.  I finally
> was able to see a post by searching by author.  My question to you is where
> are the options
>
> that you mentioned?  And I am wondering why anyone would not want to see
> their post online until someone responds? Don't see why such an option would
> exist.  Still figuring this out but it looks like I
>
> will get there.  Thanks Steve S
>
>
>
>   _____
>
> From: Jim Goodin [mailto:jimgoodinmusic@gmail.com]
> Sent: Wednesday, May 13, 2009 5:06 PM
> To: Loopers-Delight@loopers-delight.com
> Cc: sschne@san.rr.com
> Subject: Re: GNX4
>
>
>
> Steve you're getting in, you may have your options set to not see your posts
> till someone responds.
>
>
>
> Jim
>
> On Wed, May 13, 2009 at 7:57 PM, Steve Schneider <sschne@san.rr.com> wrote:
>
> I have a GNX4 and have fixed the hesitation problem so many have written
> about.  Can't seem to see my posts online.  Could someone e mail me and let
> me
>
> know if this is getting somewhere?    Steve s
>
>
>
>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Thu May 14 14:19:40 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: was back pain, now mouse-hand pain
Date: Thu, 14 May 2009 07:19:34 -0700
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Tilmann,

I'm sure others will come up with a variety of very good solutions and 
suggestions too.

I used to suffer with pain and fatigue in my right arm and shoulder 
from using a mouse (I'm right-handed).

I'm a graphic designer and make a living with my computer, so I 
couldn't very well stop feeding my family.

Now I use a track ball (a Kensington Orbit) and have none of that 
difficulty whatsoever.

Sometimes it's not that you have to stop doing what you're doing, but 
change something a little so you're using different muscles.

Good luck!

Ted


On May 13, 2009, at 10:08 PM, Tilmann Dehnhard wrote:

> dear fellow loopers, please be very careful with the computer mouse.
> after mixing a recording using almost only the mouse i had terrible 
> pain in the hand and inflammation around the elbow. my right hand got 
> slow and kind of numb. i changed to the left hand for a year. took 
> some serious conditioning to stop reaching for the mouse with the 
> right hand...
> today i am able to switch hands whenever fatigue and stress build up.
> letting go of the mouse when not in use and simply moving and 
> massaging the fingers regularly has helped me, too.
>
> one of the main problems is that the mouse-clicking finger joints do 
> experience stress from the operation. unfortunately the movement is 
> too small to trigger blood circulation and other recreative measures 
> usually maintained by the body.
> this was discovered when a condition surfaced called the "sms-thumb" - 
> a terrible stinging pain in the thumb from using cellulars for 
> messaging.
>
> best - tilmann
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 14:31:59 2009
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Omid Shirazi schrieb:
> i am new to this forum and wondering, if my message is reaching you!
> 
> *If yes, so please give me some echo-cho-oo..:)*

too much feedback for my taste, builds up an endless Echo-cho-cho-cho...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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	 <4A0BA749.2030709@dehnhard.com>
	 <837f6de984aa7e0a17e695cd9106fab1@charter.net>
Date: Thu, 14 May 2009 10:41:38 -0400
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Subject: Re: OT: was back pain, now mouse-hand pain
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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--0015175ccf0c5779920469e053b6
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I've suffered from musculoskeletal disorders in the past...  never again.
Setting up your office properly is crucial to avoid injury.  So is taking
breaks, stretching, diversifying your tasks.  See below for some advice on
setting up your office:

http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-aidememoire-eng.php

Sylvain



On 5/14/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>
> Tilmann,
>
> I'm sure others will come up with a variety of very good solutions and
> suggestions too.
>
> I used to suffer with pain and fatigue in my right arm and shoulder from
> using a mouse (I'm right-handed).
>
> I'm a graphic designer and make a living with my computer, so I couldn't
> very well stop feeding my family.
>
> Now I use a track ball (a Kensington Orbit) and have none of that
> difficulty whatsoever.
>
> Sometimes it's not that you have to stop doing what you're doing, but
> change something a little so you're using different muscles.
>
> Good luck!
>
> Ted
>
>
> On May 13, 2009, at 10:08 PM, Tilmann Dehnhard wrote:
>
> dear fellow loopers, please be very careful with the computer mouse.
>> after mixing a recording using almost only the mouse i had terrible pain
>> in the hand and inflammation around the elbow. my right hand got slow an=
d
>> kind of numb. i changed to the left hand for a year. took some serious
>> conditioning to stop reaching for the mouse with the right hand...
>> today i am able to switch hands whenever fatigue and stress build up.
>> letting go of the mouse when not in use and simply moving and massaging
>> the fingers regularly has helped me, too.
>>
>> one of the main problems is that the mouse-clicking finger joints do
>> experience stress from the operation. unfortunately the movement is too
>> small to trigger blood circulation and other recreative measures usually
>> maintained by the body.
>> this was discovered when a condition surfaced called the "sms-thumb" - a
>> terrible stinging pain in the thumb from using cellulars for messaging.
>>
>> best - tilmann
>>
>>
>

--0015175ccf0c5779920469e053b6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I&#39;ve suffered from musculoskeletal disorders in the past...=A0 nev=
er again.=A0 Setting up your office properly is crucial to avoid injury.=A0=
 So is taking breaks, stretching, diversifying your tasks.=A0 See below for=
 some advice on setting up your office:</div>

<div>=A0</div>
<div><a href=3D"http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-aid=
ememoire-eng.php">http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-a=
idememoire-eng.php</a></div>
<div>=A0</div>
<div>Sylvain</div>
<div><br><br>=A0</div>
<div><span class=3D"gmail_quote">On 5/14/09, <b class=3D"gmail_sendername">=
tEd =AE KiLLiAn</b> &lt;<a href=3D"mailto:tedkillian@charter.net">tedkillia=
n@charter.net</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Tilmann,<br><br>I&#39;m sure oth=
ers will come up with a variety of very good solutions and suggestions too.=
<br>
<br>I used to suffer with pain and fatigue in my right arm and shoulder fro=
m using a mouse (I&#39;m right-handed).<br><br>I&#39;m a graphic designer a=
nd make a living with my computer, so I couldn&#39;t very well stop feeding=
 my family.<br>
<br>Now I use a track ball (a Kensington Orbit) and have none of that diffi=
culty whatsoever.<br><br>Sometimes it&#39;s not that you have to stop doing=
 what you&#39;re doing, but change something a little so you&#39;re using d=
ifferent muscles.<br>
<br>Good luck!<br><span class=3D"sg"><br>Ted</span>=20
<div><span class=3D"e" id=3D"q_1213f7e31536f9ac_2"><br><br><br>On May 13, 2=
009, at 10:08 PM, Tilmann Dehnhard wrote:<br><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">dear fellow loopers, please be v=
ery careful with the computer mouse.<br>after mixing a recording using almo=
st only the mouse i had terrible pain in the hand and inflammation around t=
he elbow. my right hand got slow and kind of numb. i changed to the left ha=
nd for a year. took some serious conditioning to stop reaching for the mous=
e with the right hand...<br>
today i am able to switch hands whenever fatigue and stress build up.<br>le=
tting go of the mouse when not in use and simply moving and massaging the f=
ingers regularly has helped me, too.<br><br>one of the main problems is tha=
t the mouse-clicking finger joints do experience stress from the operation.=
 unfortunately the movement is too small to trigger blood circulation and o=
ther recreative measures usually maintained by the body.<br>
this was discovered when a condition surfaced called the &quot;sms-thumb&qu=
ot; - a terrible stinging pain in the thumb from using cellulars for messag=
ing.<br><br>best - tilmann<br><br></blockquote><br></span></div></blockquot=
e>
</div><br>

--0015175ccf0c5779920469e053b6--

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References: <7334ca1b0905090503qf49d90es8c920f4b51fc1ea1@mail.gmail.com> <9ab0c76f0905090535h33074fb9pdd8e922787f40e8e@mail.gmail.com> <8E8A2F33-E944-4417-A9C2-ACE1692F599B@gmail.com>
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RP Collier schrieb:
> Might be Stockhausen.

Stockhausen is more the control freak, most unlikely....

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Check out the score's to "Aus den sieben Tagen"

http://silakka.fi/kuva/materials/From%20the%20seven%20days.pdf

Stefan Tiedje wrote:
> RP Collier schrieb:
>> Might be Stockhausen.
> 
> Stockhausen is more the control freak, most unlikely....
> 
> Stefan
>


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Subject: Re: [OT] Trivia: What is this composition called?
Date: Thu, 14 May 2009 08:06:28 -0700
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On May 14, 2009, at 7:25 AM, Stefan Tiedje wrote:

> Stockhausen is more the control freak, most unlikely....<<




Well, he was more into "composing" but he did do some aleatoric stuff  
and some oddball things like separated performer spaces:

.... in the Helikopter-Streichquartett (the third scene ofMittwoch aus  
Licht), completed in 1993. In it, the four members of a string quartet  
perform in four helicopters flying independent flight-paths over the  
countryside near the concert hall. The sounds they play are mixed  
together with the sounds of the helicopters and played through  
speakers to the audience in the hall. Videos of the performers are  
also transmitted back to the concert hall. The performers are  
synchronized with the aid of a click-track, transmitted to them and  
heard over headphones (Stockhausen 1996c, 215).
from Wikipedia

I suspect you are right that it is not Stockhausen, but I have a  
feeling it is not Cage either.

regards

BobC


http://cdbaby.com/cd/rpcollier4
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On May 14, 2009, =
at 7:25 AM, Stefan Tiedje wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">Stockhausen is more the control =
freak, most =
unlikely....&lt;&lt;</span></blockquote><br></div><div><br></div><div><br>=
</div><br><div>Well, he was more into "composing" but he did do some =
aleatoric stuff and some oddball things like separated performer =
spaces:</div><div><br></div><div>....<span class=3D"Apple-style-span" =
style=3D"font-family: -webkit-sans-serif; font-size: 13px; line-height: =
19px; "> in the&nbsp;<i><a =
href=3D"http://en.wikipedia.org/wiki/Helikopter-Streichquartett" =
title=3D"Helikopter-Streichquartett" style=3D"text-decoration: none; =
color: rgb(0, 43, 184); background-image: none; background-repeat: =
initial; background-attachment: initial; -webkit-background-clip: =
initial; -webkit-background-origin: initial; background-color: initial; =
background-position: initial initial; =
">Helikopter-Streichquartett</a></i>&nbsp;(the third scene of<i>Mittwoch =
aus Licht</i>), completed in 1993. In it, the four members of a&nbsp;<a =
href=3D"http://en.wikipedia.org/wiki/String_quartet" title=3D"String =
quartet" style=3D"text-decoration: none; color: rgb(0, 43, 184); =
background-image: none; background-repeat: initial; =
background-attachment: initial; -webkit-background-clip: initial; =
-webkit-background-origin: initial; background-color: initial; =
background-position: initial initial; ">string quartet</a>&nbsp;perform =
in four&nbsp;<a href=3D"http://en.wikipedia.org/wiki/Helicopter" =
title=3D"Helicopter" style=3D"text-decoration: none; color: rgb(0, 43, =
184); background-image: none; background-repeat: initial; =
background-attachment: initial; -webkit-background-clip: initial; =
-webkit-background-origin: initial; background-color: initial; =
background-position: initial initial; ">helicopters</a>&nbsp;flying =
independent flight-paths over the countryside near the concert hall. The =
sounds they play are mixed together with the sounds of the helicopters =
and played through speakers to the audience in the hall. Videos of the =
performers are also transmitted back to the concert hall. The performers =
are synchronized with the aid of a&nbsp;<a =
href=3D"http://en.wikipedia.org/wiki/Click-track" title=3D"Click-track" =
class=3D"mw-redirect" style=3D"text-decoration: none; color: rgb(0, 43, =
184); background-image: none; background-repeat: initial; =
background-attachment: initial; -webkit-background-clip: initial; =
-webkit-background-origin: initial; background-color: initial; =
background-position: initial initial; ">click-track</a>, transmitted to =
them and heard over headphones (Stockhausen 1996c, =
215).</span></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px;">from =
Wikipedia</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px;">I suspect you are right =
that it is not Stockhausen, but I have a feeling it is not Cage =
either.</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;">regards</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;">BobC</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: =
19px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"-webkit-sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px;"><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
12px; line-height: normal; "><a =
href=3D"http://cdbaby.com/cd/rpcollier4">http://cdbaby.com/cd/rpcollier4</=
a></span></span></font></div></body></html>=

--Apple-Mail-1--134100466--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 15:16:59 2009
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References: <20090513154339.J0PNB.2614593.root@mp15>
	 <4A0BA749.2030709@dehnhard.com>
	 <837f6de984aa7e0a17e695cd9106fab1@charter.net>
	 <2871c3a90905140741j6d2ce036s25b67e88a9dea418@mail.gmail.com>
Date: Thu, 14 May 2009 11:16:58 -0400
Message-ID: <9e0440a60905140816y46a68a7bvd08ebb9fbd7fc45f@mail.gmail.com>
Subject: Re: OT: was back pain, now mouse-hand pain
From: Jim Goodin <jimgoodinmusic@gmail.com>
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I'm really glad to see some chatter about this on THU, MAY 14, 2009
and its neither here/there but this really a fundamental on topic to
us all sooner/later.  I'm 53, have made most of my living moving mice
since '92 plus as many have played music since I was a kid in some
capacity.  Knock on wood I've been pretty lucky though I do get some
tendinitus or tennis elbow in my left arm occasionally as well as
sometimes wrist pain.

I do some random yoga and stretching and 'wrist pumps' to ward off
things as well as rotating computer pos etc and if really bad a I stop
playimg for a few days which is emotionally harder than hell.

A violinist that has had some influence on me wrote a wonderful book
for musicians called 'You Are your instrument' tjat I highly
recommend.  its pb and from 13.57 on amazon.  Her name is julie lyonn
lieberman www.amazon.com/Your-Instrument-Julie-Lyonn-Lieberman/dp/187973020=
0.

Stretch stretch.


Jim

On 5/14/09, Sylvain Poitras <sylvain.trombone@gmail.com> wrote:
> I've suffered from musculoskeletal disorders in the past...  never again.
> Setting up your office properly is crucial to avoid injury.  So is taking
> breaks, stretching, diversifying your tasks.  See below for some advice o=
n
> setting up your office:
>
> http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-aidememoire-eng.p=
hp
>
> Sylvain
>
>
>
> On 5/14/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>>
>> Tilmann,
>>
>> I'm sure others will come up with a variety of very good solutions and
>> suggestions too.
>>
>> I used to suffer with pain and fatigue in my right arm and shoulder from
>> using a mouse (I'm right-handed).
>>
>> I'm a graphic designer and make a living with my computer, so I couldn't
>> very well stop feeding my family.
>>
>> Now I use a track ball (a Kensington Orbit) and have none of that
>> difficulty whatsoever.
>>
>> Sometimes it's not that you have to stop doing what you're doing, but
>> change something a little so you're using different muscles.
>>
>> Good luck!
>>
>> Ted
>>
>>
>> On May 13, 2009, at 10:08 PM, Tilmann Dehnhard wrote:
>>
>> dear fellow loopers, please be very careful with the computer mouse.
>>> after mixing a recording using almost only the mouse i had terrible pai=
n
>>> in the hand and inflammation around the elbow. my right hand got slow a=
nd
>>> kind of numb. i changed to the left hand for a year. took some serious
>>> conditioning to stop reaching for the mouse with the right hand...
>>> today i am able to switch hands whenever fatigue and stress build up.
>>> letting go of the mouse when not in use and simply moving and massaging
>>> the fingers regularly has helped me, too.
>>>
>>> one of the main problems is that the mouse-clicking finger joints do
>>> experience stress from the operation. unfortunately the movement is too
>>> small to trigger blood circulation and other recreative measures usuall=
y
>>> maintained by the body.
>>> this was discovered when a condition surfaced called the "sms-thumb" - =
a
>>> terrible stinging pain in the thumb from using cellulars for messaging.
>>>
>>> best - tilmann
>>>
>>>
>>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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	 <4A0BA749.2030709@dehnhard.com>
	 <66f9cc1e0905140038w74060f4ep7ac9355d543e42f6@mail.gmail.com>
Date: Thu, 14 May 2009 08:24:21 -0700
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Subject: Re: OT: was back pain, now mouse-hand pain
From: Miko Biffle <biffoz@gmail.com>
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On 5/14/09, Per Boysen <perboysen@gmail.com> wrote:
> . . .  Juggle over the mouse for the left hand. If that doesn't feel comfortable for you, just make some lovely caffe latta and dring it with your right hand while mousing a way with the left. And move cup far away from keybard! ;-))

After a recent shoulder injury, I switched to left hand mousing and it
relieved a very long-standing inflammatory condition. (Ulnar Tunnel
similar to Carpal). Bonus is that you can pound out numeric-keypad
stuff and move the mouse from field to field.

Another HUGE item for my lower back: After breaking it two years ago
my boss bought me a Gaiam chair, which is just an inflatable ball on a
rolling pedestal. I've had lower back pain for years and had to resort
to chiropractic crisis management every 2-3 months. That has all gone
away.  No back rest removes slouching from your postural habits and
your maintain more core strength cause you support yourself all the
time instead of letting the chair support you. It's awesome.  -m
-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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Subject: RE: OT: was back pain, now mouse-hand pain
Date: Thu, 14 May 2009 11:38:35 -0400
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What we are discussing here is repetitive stress injuries. I personally =
experienced a variety of right-side pain, loss of function, and numbness =
- sometimes hands, sometimes wrist, sometimes elbow.

There is web site that I looked at years ago and found very helpful, =
probably still a good place to check out - Google "Musicians and =
Injuries".

Some advice and some things that I've done (not one and the same).
1. all stress on joints is exacerbated by tension that you bring to the =
task; always try to be aware of that
2. the nerves run from fingers up under the elbow to the shoulder; =
tendons also follow this path; it is all connected
3. Strength in the entire muscle train is therefore a great advantage
4. If, like Luis and like me, you play guitar AND work with computers, =
be aware that guitar playing can put that nerve sheath on a sharp edge =
outside the normal range of motion, potentially under tension... as a =
small person, I have found that it is better for me to avoid large =
guitars
5. I use a Wacom pen tablet rather than a mouse. Tablets have their own =
effects, but for me at least are much less stressful.
6. Per's advice about spreading the task load around to other muscle =
groups is spot on
7. Take breaks frequently.
8. pay attention to the ergonomics of your keyboard; consider a tray. =
Likewise your chair.
9. Yoga
10. reread point no. 1 =20

Hal Dean


-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com]=20
Sent: Thursday, May 14, 2009 6:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: was back pain, now mouse-hand pain

i dont know how you guys can explore so much software,plugins etc. it =
requires hours of sitting in front of the PC and staring at the screen,i =
suffer from backaches and my eyes arent the best either so for me it d =
be impossible to explore all of the great  stuff you guys talk about =
here
sometimes even the LD emails are enough for me!
Luis

www.myspace.com/luisangulocom


--- Per Boysen <perboysen@gmail.com> schrieb am Do, 14.5.2009:

> Von: Per Boysen <perboysen@gmail.com>
> Betreff: Re: OT: was back pain, now mouse-hand pain
> An: Loopers-Delight@loopers-delight.com
> Datum: Donnerstag, 14. Mai 2009, 0:38
> Very important knowledge, Tilman!
> What you can do as well, if having
> to work hard with a computer, is to switch over to a laptop
> with track
> pad every second hour. Then don't click with the right
> hand's index
> finger but with the thumb. What I do as well is to shift
> fingers and
> hands all the time. Juggle over the mouse for the left
> hand. If that
> doesn't feel comfortable for you, just make some lovely
> caffe latta
> and dring it with your right hand while mousing a way with
> the left.
> And move cup far away from keybard! ;-))=A0 After ruing
> a couple of
> keyboards in the past I am today a Master Keyboard Non
> Destroyer. But
> my sons keep pouring milk and stuff into their machines.
> Seems it
> takes a couple of generations for the gene pool to adapt
> properly...
> (ouch, will stop typing this post now since it starts
> turning into
> nonsense....)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20
>=20
>=20
> On Thu, May 14, 2009 at 7:08 AM, Tilmann Dehnhard =
<tilmann@dehnhard.com>
> wrote:
> > dear fellow loopers, please be very careful with the
> computer mouse.
> > after mixing a recording using almost only the mouse i
> had terrible pain in
> > the hand and inflammation around the elbow. my right
> hand got slow and kind
> > of numb. i changed to the left hand for a year. took
> some serious
> > conditioning to stop reaching for the mouse with the
> right hand...
> > today i am able to switch hands whenever fatigue and
> stress build up.
> > letting go of the mouse when not in use and simply
> moving and massaging the
> > fingers regularly has helped me, too.
> >
> > one of the main problems is that the mouse-clicking
> finger joints do
> > experience stress from the operation. unfortunately
> the movement is too
> > small to trigger blood circulation and other
> recreative measures usually
> > maintained by the body.
> > this was discovered when a condition surfaced called
> the "sms-thumb" - a
> > terrible stinging pain in the thumb from using
> cellulars for messaging.
> >
>=20
>=20


     =20

From Loopers-Delight-request@loopers-delight.com  Thu May 14 16:18:02 2009
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References: <20090513154339.J0PNB.2614593.root@mp15>
	 <4A0BA749.2030709@dehnhard.com>
	 <837f6de984aa7e0a17e695cd9106fab1@charter.net>
	 <2871c3a90905140741j6d2ce036s25b67e88a9dea418@mail.gmail.com>
	 <9e0440a60905140816y46a68a7bvd08ebb9fbd7fc45f@mail.gmail.com>
Date: Thu, 14 May 2009 18:18:00 +0200
Message-ID: <d23275f20905140918o618d1a03sb3ea55885920c955@mail.gmail.com>
Subject: Re: OT: was back pain, now mouse-hand pain
From: Byron Howell <howell.byron@gmail.com>
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--001636d34597f1cddd0469e1ab4e
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I finally found one of these sitting in a guys ceiling in cape town-
http://www.drumframe.com/  this is gona solve a lot of probs for me. makes
to much sense to ignore. for some reason I coudnt get any response from the=
m
tho....not sure whats up with them
I also really love my inversion table http://www.inversion.co.za/ Just clim=
b
on this baby and go into breathwork and you can release so much. Starting
out my patients on it at the beginning of every session now and having good
results.

And a great lover of non-force chiropractic, kineseology and the new
technique captivating my mind www.torquereleasetechnique.com(.au). This
philosophy is sound

But yeah Jim. Stretch stretch and more stretch but one must find the
stretch, relax into it and BREATHE. If you not relaxed the stretch is
compromised.

And this is my all time favorite! http://www.med-advantage.de/fpz_3d.htm
I hope to ship one of these units out to include in my rehab centre. Im gon=
a
call the therapy LOOP therapy haha

I have just bought one that attaches to a trailer to take to events etc...m=
y
new BIZ gamble. Very excited to line the three rings with glo-toob Leds. It=
s
gona be a visual spectacular. Also thinking about doing a flaming human
gyroscope show hehe 3 rings one man and whole lot of flaming Loopage..but
that needs some thinking.

but I am extremely proud to be driving around capetown with a Giant loop
attached to my car hehe. For a man who has become obsessed with loops since
joining this list, this brings a big smile to my face. I'll get some pics o=
f
the unit up sometime for you guys to check it out, and will definately stea=
l
someones vid cam when I set the thing a flame.

Respect

Byron R Howell





On Thu, May 14, 2009 at 5:16 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote=
:

> I'm really glad to see some chatter about this on THU, MAY 14, 2009
> and its neither here/there but this really a fundamental on topic to
> us all sooner/later.  I'm 53, have made most of my living moving mice
> since '92 plus as many have played music since I was a kid in some
> capacity.  Knock on wood I've been pretty lucky though I do get some
> tendinitus or tennis elbow in my left arm occasionally as well as
> sometimes wrist pain.
>
> I do some random yoga and stretching and 'wrist pumps' to ward off
> things as well as rotating computer pos etc and if really bad a I stop
> playimg for a few days which is emotionally harder than hell.
>
> A violinist that has had some influence on me wrote a wonderful book
> for musicians called 'You Are your instrument' tjat I highly
> recommend.  its pb and from 13.57 on amazon.  Her name is julie lyonn
> lieberman
> www.amazon.com/Your-Instrument-Julie-Lyonn-Lieberman/dp/1879730200.
>
> Stretch stretch.
>
>
> Jim
>
> On 5/14/09, Sylvain Poitras <sylvain.trombone@gmail.com> wrote:
> > I've suffered from musculoskeletal disorders in the past...  never agai=
n.
> > Setting up your office properly is crucial to avoid injury.  So is taki=
ng
> > breaks, stretching, diversifying your tasks.  See below for some advice
> on
> > setting up your office:
> >
> >
> http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-aidememoire-eng.p=
hp
> >
> > Sylvain
> >
> >
> >
> > On 5/14/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
> >>
> >> Tilmann,
> >>
> >> I'm sure others will come up with a variety of very good solutions and
> >> suggestions too.
> >>
> >> I used to suffer with pain and fatigue in my right arm and shoulder fr=
om
> >> using a mouse (I'm right-handed).
> >>
> >> I'm a graphic designer and make a living with my computer, so I couldn=
't
> >> very well stop feeding my family.
> >>
> >> Now I use a track ball (a Kensington Orbit) and have none of that
> >> difficulty whatsoever.
> >>
> >> Sometimes it's not that you have to stop doing what you're doing, but
> >> change something a little so you're using different muscles.
> >>
> >> Good luck!
> >>
> >> Ted
> >>
> >>
> >> On May 13, 2009, at 10:08 PM, Tilmann Dehnhard wrote:
> >>
> >> dear fellow loopers, please be very careful with the computer mouse.
> >>> after mixing a recording using almost only the mouse i had terrible
> pain
> >>> in the hand and inflammation around the elbow. my right hand got slow
> and
> >>> kind of numb. i changed to the left hand for a year. took some seriou=
s
> >>> conditioning to stop reaching for the mouse with the right hand...
> >>> today i am able to switch hands whenever fatigue and stress build up.
> >>> letting go of the mouse when not in use and simply moving and massagi=
ng
> >>> the fingers regularly has helped me, too.
> >>>
> >>> one of the main problems is that the mouse-clicking finger joints do
> >>> experience stress from the operation. unfortunately the movement is t=
oo
> >>> small to trigger blood circulation and other recreative measures
> usually
> >>> maintained by the body.
> >>> this was discovered when a condition surfaced called the "sms-thumb" =
-
> a
> >>> terrible stinging pain in the thumb from using cellulars for messagin=
g.
> >>>
> >>> best - tilmann
> >>>
> >>>
> >>
> >
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>

--001636d34597f1cddd0469e1ab4e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I finally found one of these sitting in a guys ceiling in cape town-<a href=
=3D"http://www.drumframe.com/">http://www.drumframe.com/</a> =A0this is gon=
a solve a lot of probs for me. makes to much sense to ignore. for some reas=
on I coudnt get any response from them tho....not sure whats up with them<d=
iv>
<br></div><div>I also really love my inversion table=A0<a href=3D"http://ww=
w.inversion.co.za/">http://www.inversion.co.za/</a> Just climb on this baby=
 and go into breathwork and you can release so much. Starting out my patien=
ts on it at the beginning of every session now and having good results.</di=
v>
<div><br></div><div>And a great lover of non-force chiropractic, kineseolog=
y and the new technique captivating my mind <a href=3D"http://www.torquerel=
easetechnique.com">www.torquereleasetechnique.com</a>(.au). This philosophy=
 is sound</div>
<div><br></div><div>But yeah Jim. Stretch stretch and more stretch but one =
must find the stretch, relax into it and BREATHE. If you not relaxed the st=
retch is compromised.=A0</div><div><br></div><div>And this is my all time f=
avorite!=A0<a href=3D"http://www.med-advantage.de/fpz_3d.htm">http://www.me=
d-advantage.de/fpz_3d.htm</a></div>
<div>I hope to ship one of these units out to include in my rehab centre. I=
m gona call the therapy LOOP therapy haha</div><div><br></div><div>I have j=
ust bought one that attaches to a trailer to take to events etc...my new BI=
Z gamble. Very excited to line the three rings with glo-toob Leds. Its gona=
 be a visual spectacular. Also thinking about doing a flaming human gyrosco=
pe show hehe 3 rings one man and whole lot of flaming Loopage..but that nee=
ds some thinking.</div>
<div><br></div><div>but I am extremely proud to be driving around capetown =
with a Giant loop attached to my car hehe. For a man who has become obsesse=
d with loops since joining this list, this brings a big smile to my face. I=
&#39;ll get some pics of the unit up sometime for you guys to check it out,=
 and will definately steal someones vid cam when I set the thing a flame.</=
div>
<div><br></div><div>Respect</div><div><br></div><div>Byron R Howell</div><d=
iv><br></div><div><br></div><div><br></div><div><br></div><div><br><div cla=
ss=3D"gmail_quote">On Thu, May 14, 2009 at 5:16 PM, Jim Goodin <span dir=3D=
"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.=
com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I&#39;m really glad to see some chatter abo=
ut this on THU, MAY 14, 2009<br>
and its neither here/there but this really a fundamental on topic to<br>
us all sooner/later. =A0I&#39;m 53, have made most of my living moving mice=
<br>
since &#39;92 plus as many have played music since I was a kid in some<br>
capacity. =A0Knock on wood I&#39;ve been pretty lucky though I do get some<=
br>
tendinitus or tennis elbow in my left arm occasionally as well as<br>
sometimes wrist pain.<br>
<br>
I do some random yoga and stretching and &#39;wrist pumps&#39; to ward off<=
br>
things as well as rotating computer pos etc and if really bad a I stop<br>
playimg for a few days which is emotionally harder than hell.<br>
<br>
A violinist that has had some influence on me wrote a wonderful book<br>
for musicians called &#39;You Are your instrument&#39; tjat I highly<br>
recommend. =A0its pb and from 13.57 on amazon. =A0Her name is julie lyonn<b=
r>
lieberman <a href=3D"http://www.amazon.com/Your-Instrument-Julie-Lyonn-Lieb=
erman/dp/1879730200" target=3D"_blank">www.amazon.com/Your-Instrument-Julie=
-Lyonn-Lieberman/dp/1879730200</a>.<br>
<br>
Stretch stretch.<br>
<br>
<br>
Jim<br>
<div><div></div><div class=3D"h5"><br>
On 5/14/09, Sylvain Poitras &lt;<a href=3D"mailto:sylvain.trombone@gmail.co=
m">sylvain.trombone@gmail.com</a>&gt; wrote:<br>
&gt; I&#39;ve suffered from musculoskeletal disorders in the past... =A0nev=
er again.<br>
&gt; Setting up your office properly is crucial to avoid injury. =A0So is t=
aking<br>
&gt; breaks, stretching, diversifying your tasks. =A0See below for some adv=
ice on<br>
&gt; setting up your office:<br>
&gt;<br>
&gt; <a href=3D"http://www.hc-sc.gc.ca/ewh-semt/occup-travail/checklist-aid=
ememoire-eng.php" target=3D"_blank">http://www.hc-sc.gc.ca/ewh-semt/occup-t=
ravail/checklist-aidememoire-eng.php</a><br>
&gt;<br>
&gt; Sylvain<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; On 5/14/09, tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@charter.n=
et">tedkillian@charter.net</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Tilmann,<br>
&gt;&gt;<br>
&gt;&gt; I&#39;m sure others will come up with a variety of very good solut=
ions and<br>
&gt;&gt; suggestions too.<br>
&gt;&gt;<br>
&gt;&gt; I used to suffer with pain and fatigue in my right arm and shoulde=
r from<br>
&gt;&gt; using a mouse (I&#39;m right-handed).<br>
&gt;&gt;<br>
&gt;&gt; I&#39;m a graphic designer and make a living with my computer, so =
I couldn&#39;t<br>
&gt;&gt; very well stop feeding my family.<br>
&gt;&gt;<br>
&gt;&gt; Now I use a track ball (a Kensington Orbit) and have none of that<=
br>
&gt;&gt; difficulty whatsoever.<br>
&gt;&gt;<br>
&gt;&gt; Sometimes it&#39;s not that you have to stop doing what you&#39;re=
 doing, but<br>
&gt;&gt; change something a little so you&#39;re using different muscles.<b=
r>
&gt;&gt;<br>
&gt;&gt; Good luck!<br>
&gt;&gt;<br>
&gt;&gt; Ted<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On May 13, 2009, at 10:08 PM, Tilmann Dehnhard wrote:<br>
&gt;&gt;<br>
&gt;&gt; dear fellow loopers, please be very careful with the computer mous=
e.<br>
&gt;&gt;&gt; after mixing a recording using almost only the mouse i had ter=
rible pain<br>
&gt;&gt;&gt; in the hand and inflammation around the elbow. my right hand g=
ot slow and<br>
&gt;&gt;&gt; kind of numb. i changed to the left hand for a year. took some=
 serious<br>
&gt;&gt;&gt; conditioning to stop reaching for the mouse with the right han=
d...<br>
&gt;&gt;&gt; today i am able to switch hands whenever fatigue and stress bu=
ild up.<br>
&gt;&gt;&gt; letting go of the mouse when not in use and simply moving and =
massaging<br>
&gt;&gt;&gt; the fingers regularly has helped me, too.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; one of the main problems is that the mouse-clicking finger joi=
nts do<br>
&gt;&gt;&gt; experience stress from the operation. unfortunately the moveme=
nt is too<br>
&gt;&gt;&gt; small to trigger blood circulation and other recreative measur=
es usually<br>
&gt;&gt;&gt; maintained by the body.<br>
&gt;&gt;&gt; this was discovered when a condition surfaced called the &quot=
;sms-thumb&quot; - a<br>
&gt;&gt;&gt; terrible stinging pain in the thumb from using cellulars for m=
essaging.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; best - tilmann<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
<br>
<br>
</div></div>--<br>
ReUse, an introspective textural aural journey coming soon...<br>
<br>
music links...<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br>
<br>
video work/editing...<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>
social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br>
<br>
</blockquote></div><br></div>

--001636d34597f1cddd0469e1ab4e--

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Subject: In search of a XP program which generates MIDI CCs out of mouse 
	clicks
From: Rainer Straschill <moinsound@googlemail.com>
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Again, I'm searching for something odd:

For something I can't tell you about yet, I need a program which does
the following:
  * runs on XP
  * takes command of a mouse, trackball or other HID device (e.g.
mobile phone via bluetooth in "desktop" mode)
        * "taking command" means: the mouse/trackball/whatever can no
longer be used to move a cursor on the screen etc.
  * assigns MIDI messages (CCs, Notes) to button presses (e.g. left
mouse button is CC13 Value 127, then CC13 Value 0 after 50ms - ESC on
keyboard is Note 23, velocity 127 for 50ms etc.))
  * Sends them out to a MIDI output of my choice.
  * optional: Assigns MIDI CCs to the controller's X/Y axis.

Is there anything like that? I'm especially after the buttons, not so
much after the X/Y axis.

Thanks,

               Rainer

From Loopers-Delight-request@loopers-delight.com  Thu May 14 16:34:39 2009
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Date: Thu, 14 May 2009 12:34:36 -0400
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Subject: Re: GNX4
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve I came up empty handed here but maybe someone else more senior on the
list can explain.  All I know is it's like that for me too meaning until
someone responds to something I post I never see the post but in theory I
think it's by design to minimize clutter, my 2 cents...

welcome again

jim

ReUse, an introspective textural aural journey coming soon...
www.myspace.com/ctreuse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic
video work/editing...
www.vimeo.com/jimgoodindigital
social networking...
www.twitter.com/jimgoodinmusic

--001636c5a82f5c97370469e1e766
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<div>Steve I came up empty handed here but maybe someone else more senior o=
n the list can explain.=A0 All I know is it&#39;s like that for me too mean=
ing until someone responds to something I post I never see the post but in =
theory I think it&#39;s by design to minimize clutter, my 2 cents...</div>

<div>=A0</div>
<div>welcome again</div>
<div>=A0</div>
<div>jim</div>
<div>=A0</div>
<div>ReUse, an introspective textural aural journey coming soon...</div>
<div><a href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</a>=
</div>
<div>=A0</div>
<div>music links...<br><a href=3D"http://www.jimgoodinmusic.com/">www.jimgo=
odinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com/">www.chi=
napaintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic=
">www.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a></div>
<div>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigi=
tal">www.vimeo.com/jimgoodindigital</a></div>
<div>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmus=
ic">www.twitter.com/jimgoodinmusic</a></div>

--001636c5a82f5c97370469e1e766--

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Date: Thu, 14 May 2009 09:39:08 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: Eivind Aarset guitar followup & adrian belew's parker
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brief followup to Eivind Aarset's guitar question-
i believe in the profile of him in the guitar player mag a yr or 2 ago, it said that he has a piezo installed under neck where it joins the body (I think)-and that allows for some different sounds that he uses/exploits.

that always intrigued me....

as for the A belew parker-yea, it's pricey and way over what i'd consider, but wasn't there some blurb a few yrs ago that fender turned down his request for a signature model b/c he wasn't high-profile enough (or was that just internet chatter/rumor?)? i mean he's responsible for some of the most innovative sounds in the last 25 yrs...i think he deserves a break...
his new guitar looks cool-and i'm sure it works great for him.
funny thing is to see him play w/ humbucker guitar-he always seemed to be a single coil strat guy to me, and he definately got great sounds out of his guitars.....
s----
www.myspace.com/scotthansen

http://video.google.com/videoplay?do...03632389016121

http://video.google.com/videoplay?do...61416906&hl=en




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">brief followup to Eivind Aarset's guitar question-<br>i believe in the profile of him in the guitar player mag a yr or 2 ago, it said that he has a piezo installed under neck where it joins the body (I think)-and that allows for some different sounds that he uses/exploits.<br><br>that always intrigued me....<br><br>as for the A belew parker-yea, it's pricey and way over what i'd consider, but wasn't there some blurb a few yrs ago that fender turned down his request for a signature model b/c he wasn't high-profile enough (or was that just internet chatter/rumor?)? i mean he's responsible for some of the most innovative sounds in the last 25 yrs...i think he deserves a break...<br>his new guitar looks cool-and i'm sure it works great for him.<br>funny thing is to see him play w/ humbucker guitar-he always seemed to be a single coil strat guy to me, and he
 definately got great sounds out of his guitars.....<br>s----<br><a href="http://www.myspace.com/scotthansen" target="_blank">www.myspace.com/scotthansen</a><br>
<a href="http://video.google.com/videoplay?docid=235503632389016121" target="_blank">http://video.google.com/videoplay?do...03632389016121</a><br>
<a href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en" target="_blank">http://video.google.com/videoplay?do...61416906&amp;hl=en</a><br><strong><br></strong></td></tr></table><br>



      
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From Loopers-Delight-request@loopers-delight.com  Thu May 14 17:39:16 2009
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Date: Thu, 14 May 2009 10:39:16 -0700
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Subject: Re: OT: was back pain, now mouse-hand pain
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Those were exactly my symptoms (as well as bad shoulder blade area
pain).  Buy the book. :)  I just heard an interview of Tom Bergeron
and he had the exact same experience after reading the Sarno stuff.

On Wed, May 13, 2009 at 10:08 PM, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> dear fellow loopers, please be very careful with the computer mouse.
> after mixing a recording using almost only the mouse i had terrible pain in
> the hand and inflammation around the elbow. my right hand got slow and kind
> of numb. i changed to the left hand for a year. took some serious
> conditioning to stop reaching for the mouse with the right hand...
> today i am able to switch hands whenever fatigue and stress build up.
> letting go of the mouse when not in use and simply moving and massaging the
> fingers regularly has helped me, too.
>
> one of the main problems is that the mouse-clicking finger joints do
> experience stress from the operation. unfortunately the movement is too
> small to trigger blood circulation and other recreative measures usually
> maintained by the body.
> this was discovered when a condition surfaced called the "sms-thumb" - a
> terrible stinging pain in the thumb from using cellulars for messaging.
>
> best - tilmann
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 14 18:59:41 2009
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Thanks for the thoughts, and enjoy your recuperation, Ted. My lawn =20
sale's entirely virtual anyway, but a visit anytime would be welcome, =20=

altho the guitar artifacts continue to wither away, in favor of =20
painting.

Best,
dpc
1096 Winchuck River Road
Brookings, OR 97415
541-728-0634
(Note new phone #!)

On May 13, 2009, at 5:14 PM, tEd =AE kiLLiAn wrote:

> David,
>
> Hmmmm . . .
>
> You don't particularly have anything that's especially on my "wish =20
> list" there  . . . but I'm tempted to come to your "garage sale" =20
> just to meet you (the VG master) in-person finally anyway (LOL).
>
> It'd be worth a drive to the coast just for that.
>
> However my wife tells me my "honey do" list has grown the last few =20
> weeks while I've been sick.
>
> Oh well.
>
> Godd luck with the sale!
>
> Ted
>
>
> ---- David Coffin <dpcoffin@earthlink.net> wrote:
>> Greetings, folks
>>
>> Cleaning house, time to find new homes for a lot of no longer used =20=

>> but
>> still works fine stuff. Have all manuals (if pert.), but probably not
>> original packaging. All used only in no-smoking home studio; No
>> reasonable offers refused; need to clear out ASAP, Paypal, buyer pays
>> shipping:
>>
>> Mackie 1604 VLZ Mixer
>> Presonus Firebox Audio interface w/ 2 6-ft Monster Studiolink 500 XLR
>> cables
>> Boss DD-20 GigaDelay
>> Third-Hand pedal (for turning knobs on stomp boxes with your foot)
>> Edirol UM550 MIDI Interface
>> Roland FC-200 MIDI pedal
>> Behringer Ultramizer Pro Limiter (goes in front of:)
>> Sony CDRW33 Pro CD Recorder w/ wired remote
>> Aphex 105 4-Channel Gate
>> Vox Tonelab tabletop preamp/modeller/FX
>> Line6 PodXT preamp/modeller/FX
>> Yamaha DG-Stomp preamp/modeller/FX
>> Alesis ModFX: Ampliton, SmashUp, Faze w/ adapters
>> 2 Ernie Ball Stereo Volume pedals: 1 25K ohm, 1 volume/pan
>>
>>
>> Thanks!
>> dpc
>> 1096 Winchuck River Road
>> Brookings, OR 97415
>> 541-728-0634
>>
>>
>>
>>
>>
>

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On May 14, 2009, at 9:18 AM, Byron Howell wrote:
>
> I also really love my inversion table http://www.inversion.co.za/  
> Just climb on this baby and go into breathwork and you can release  
> so much. Starting out my patients on it at the beginning of every  
> session now and having good results.

I have been using a very similar, free-standing A-frame inversion  
device, off and on for over 25 years, and can also say they are  
really great if used properly.
My mother bought me one that long ago as a B-day present and it was  
one of the greatest gifts ever from her, other than her giving me  
Life itself. Thanx Mom!  :-)

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


--Apple-Mail-3--120681090
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On May 14, 2009, at =
9:18 AM, Byron Howell wrote:</div><blockquote =
type=3D"cite"><div><br></div><div>I also really love my inversion =
table=A0<a =
href=3D"http://www.inversion.co.za/">http://www.inversion.co.za/</a> =
Just climb on this baby and go into breathwork and you can release so =
much. Starting out my patients on it at the beginning of every session =
now and having good results.</div></blockquote><div><br></div>I have =
been using a very similar, free-standing A-frame inversion device, off =
and on for over 25 years, and can also say they are really great if used =
properly.=A0</div><div>My mother bought me one that long ago=A0as a =
B-day present and it was one of the greatest gifts ever from her, other =
than her giving me Life itself. Thanx Mom! =A0:-)<span =
class=3D"Apple-style-span" style=3D"-webkit-text-stroke-width: -1; =
"></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-text-stroke-width: -1;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-text-stroke-width: =
-1;">Cheers,</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-text-stroke-width: -1; ">Rev =
Fever</span></div><div><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></body></html>=

--Apple-Mail-3--120681090--

From Loopers-Delight-request@loopers-delight.com  Thu May 14 22:43:27 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi folks

this is a video few of you probably already know.
It's a solo performance including a loop from his tour with Joni Mitchell in 1980 (one of my most favorite live recordings).

It's not the most sophisticated looping performance. However, he's just so cool on stage while looping...
Anyway, here you go: http://www.youtube.com/watch?v=AxZWvhGE7CM

enjoy
buzap

PS: any idea on what gear he is using? What's there in his rack?
-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Fri May 15 00:05:52 2009
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Date: Thu, 14 May 2009 20:05:46 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Gert Emmens and Ruud Heij.
The Featured CD at Midnight will be "Blind Watchers of a Vanishing
Night" on EH Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#may

Also on tonight's show will be music by Richard Lainhart, Holosphere,
John Duval, and CitizenGreen.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri May 15 00:16:36 2009
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From: Steve Lawson <steve@steve-lawson.co.uk>
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Subject: lots of video using the new Quantise replace feature...
Date: Fri, 15 May 2009 01:09:59 +0100
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just in case any of y'all are interested, I've posted 6 videos (so  
far) of new experiments, trying out the quantise replace stuff in the  
Looperlative:

http://vimeo.com/solobasssteve/videos

enjoy

Steve

Where to find me on the web -
  _______________________
*********************************
*** www.stevelawson.net - shiny new site
*** www.stevelawson.net/blog - blog
*** www.myspace.com/solobassstevelawson
*** www.reverbnation.com/stevelawson
*** www.twitter.com/solobasssteve
*** http://www.youtube.com/user/StevieSteve46 - loads of new video here!

From Loopers-Delight-request@loopers-delight.com  Fri May 15 00:45:42 2009
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Date: Fri, 15 May 2009 01:45:20 +0100
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--001636c5a82f8ab55c0469e8c3b9
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Hey all,
I'm running into a few problems controlling multiple EDPs from Logic.

As it stands I'm running 4 EDPs from sequenced tracks in logic via a MOTU
express 128. On the most part this works beautifully, everything records,
overdubs, reverses and mutes etc, in perfect time and is really solid.
However, once in a while I experience one of two issues. I should say that
this is tested during a single 30 minutes track with a live band with a
couple of hundred midi commands being sent to the various EDPs over the
course of the track.


   - Problem 1 - An EDP will simply miss a command. A record or an overdub
   will be missed. Not the end of the world but annoying.
   - Problem 2 - All 4 EDPs will just stop receiving commands, and will
   remain unresponsive until i stop the track and restart.

The fact that all 4 EDPs go down simultaneously makes me think that the
issue is not with them, but with the transmission of midi to them. It's hard
to pinpoint because there is no discernible pattern to when the problems
arise. I think perhaps it is at points when the sequencer is playing
demanding soft synths in live mode, but it's hard to be sure.

Any thoughts or ideas would be very gratefully received. I've become too
reliant on these things and a freeze up could be pretty ugly on stage! :)

Thanks
Daniel

--001636c5a82f8ab55c0469e8c3b9
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Hey all,<div><br></div><div>I&#39;m running into a few problems controlling=
 multiple EDPs from Logic.</div><div><br></div><div>As it stands I&#39;m ru=
nning 4 EDPs from sequenced tracks in logic via a MOTU express 128. On the =
most part this works beautifully, everything records, overdubs, reverses an=
d mutes etc, in perfect time and is really solid. However, once in a while =
I experience one of two issues. I should say that this is tested during a s=
ingle 30 minutes track with a live band with a couple of hundred midi comma=
nds being sent to the various EDPs over the course of the track.</div>

<div><br></div><div><ul><li>Problem 1 - An EDP will simply miss a command. =
A record or an overdub will be missed. Not the end of the world but annoyin=
g.</li><li>Problem 2 - All 4 EDPs will just stop receiving commands, and wi=
ll remain unresponsive until i stop the track and restart.</li>

</ul><div>The fact that all 4 EDPs go down simultaneously makes me think th=
at the issue is not with them, but with the transmission of midi to them. I=
t&#39;s hard to pinpoint because there is no discernible pattern to when th=
e problems arise. I think perhaps it is at points when the sequencer is pla=
ying demanding soft synths in live mode, but it&#39;s hard to be sure.</div=
>

<div><br></div><div>Any thoughts or ideas would be very gratefully received=
. I&#39;ve become too reliant on these things and a freeze up could be pret=
ty ugly on stage! :)</div><div><br></div><div>Thanks</div><div>Daniel</div>

</div>

--001636c5a82f8ab55c0469e8c3b9--

From Loopers-Delight-request@loopers-delight.com  Fri May 15 00:56:27 2009
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Date: Thu, 14 May 2009 17:49:44 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Jaco cool loop
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My best guess is that he's got two MXR digital delays - http://guitargeek.c=
om/gearview/293/ - running into his usual Acoustic 360's.

Check the "amplification, effects, and string" paragraph on Jaco's wikipedi=
a page - http://en.wikipedia.org/wiki/Jaco_Pastorius


ted h.
Enemies are good for self-definition. Werner Herzog

--- On Thu, 5/14/09, Buzap Buzap <buzap@gmx.net> wrote:

From: Buzap Buzap <buzap@gmx.net>
Subject: Jaco cool loop
To: Loopers-Delight@loopers-delight.com
Received: Thursday, May 14, 2009, 3:43 PM

Hi folks

this is a video few of you probably already know.
It's a solo performance including a loop from his tour with Joni Mitchell i=
n 1980 (one of my most favorite live recordings).

It's not the most sophisticated looping performance. However, he's just so =
cool on stage while looping...
Anyway, here you go: http://www.youtube.com/watch?v=3DAxZWvhGE7CM

enjoy
buzap

PS: any idea on what gear he is using? What's there in his rack?
--=20
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschlus=
s f=FCr nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=
=3DOM.AD.PD003K11308T4569a

=0A=0A=0A      ____________________________________________________________=
______=0AMake your browsing faster, safer, and easier with the new Internet=
 Explorer=AE 8. Optimized for Yahoo! Get it Now for Free! at http://downloa=
ds.yahoo.com/ca/internetexplorer/
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>My best guess is that he's got two MXR di=
gital delays - http://guitargeek.com/gearview/293/ - running into his usual=
 Acoustic 360's.<br><br>Check the "amplification, effects, and string" para=
graph on Jaco's wikipedia page - http://en.wikipedia.org/wiki/Jaco_Pastoriu=
s<br><br><br>ted h.<br>Enemies are good for self-definition. Werner Herzog<=
br><br>--- On <b>Thu, 5/14/09, Buzap Buzap <i>&lt;buzap@gmx.net&gt;</i></b>=
 wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); ma=
rgin-left: 5px; padding-left: 5px;"><br>From: Buzap Buzap &lt;buzap@gmx.net=
&gt;<br>Subject: Jaco cool loop<br>To: Loopers-Delight@loopers-delight.com<=
br>Received: Thursday, May 14, 2009, 3:43 PM<br><br><div class=3D"plainMail=
">Hi folks<br><br>this is a video few of you probably already know.<br>It's=
 a solo performance including a loop from his tour with Joni Mitchell in 19=
80 (one
 of my most favorite live recordings).<br><br>It's not the most sophisticat=
ed looping performance. However, he's just so cool on stage while looping..=
.<br>Anyway, here you go: <a href=3D"http://www.youtube.com/watch?v=3DAxZWv=
hGE7CM" target=3D"_blank">http://www.youtube.com/watch?v=3DAxZWvhGE7CM</a><=
br><br>enjoy<br>buzap<br><br>PS: any idea on what gear he is using? What's =
there in his rack?<br>-- <br>Neu: GMX FreeDSL Komplettanschluss mit DSL 6.0=
00 Flatrate + Telefonanschluss f=FCr nur 17,95 Euro/mtl.!* <a href=3D"http:=
//dslspecial.gmx.de/freedsl-surfflat/?ac=3DOM.AD.PD003K11308T4569a" target=
=3D"_blank">http://dslspecial.gmx.de/freedsl-surfflat/?ac=3DOM.AD.PD003K113=
08T4569a</a><br><br></div></blockquote></td></tr></table><br>=0A      <p cl=
ass=3D"MsoNormal"> </p>=0A=0A  <tbody><tr>=0A=0A    <td style=3D"padding: 0=
.75pt;">=0A=0A    <div class=3D"MsoNormal" style=3D"text-align: center;" al=
ign=3D"center"><font face=3D"Times New Roman" size=3D"3"><span style=3D"fon=
t-size: 12pt;">=0A=0A    <hr align=3D"center" size=3D"1" width=3D"100%">=0A=
=0A    </span></font></div>=0A=0A =0A=0A      <p class=3D"MsoNormal"><font =
face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt;"><img i=
d=3D"_x0000_i1026" src=3D"http://us.i1.yimg.com/us.yimg.com/i/ca/iotg_searc=
h.jpg" align=3D"absbottom" border=3D"0" height=3D"25" hspace=3D"4" width=3D=
"25"><a href=3D"http://ca.toolbar.yahoo.com/" target=3D"_new"><b><span styl=
e=3D"font-weight: bold;" lang=3D"NO-BOK">Yahoo! =0A        Canada Toolbar :=
</span></b><span lang=3D"NO-BOK"> Search from anywhere on =0A        the we=
b and bookmark your favourite sites. Download it now! </span></a> =0A      =
  </span></font><span lang=3D"NO-BOK"><o:p></o:p></span></p>
--0-1733421780-1242348584=:27835--

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Subject: Re: In search of a XP program which generates MIDI CCs out of mouse clicks 
Date: Fri, 15 May 2009 03:27:55 +0200
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Rainer, Max/Msp. Should be easy to program.
- - -
jayrope
http://www.kliklak.net

On May 15, 2009, at 2:05 AM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

> In search of a XP program which generates MIDI CCs out of mouse clicks

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Subject: Re: Jaco cool loop
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Date: Thu, 14 May 2009 23:56:13 -0300
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Fantastic!

Third stone fromt the sun.. isn't it?

Amazing.

On May 14, 2009, at 7:43 PM, Buzap Buzap wrote:

> Hi folks
>
> this is a video few of you probably already know.
> It's a solo performance including a loop from his tour with Joni =20
> Mitchell in 1980 (one of my most favorite live recordings).
>
> It's not the most sophisticated looping performance. However, he's =20
> just so cool on stage while looping...
> Anyway, here you go: http://www.youtube.com/watch?v=3DAxZWvhGE7CM
>
> enjoy
> buzap
>
> PS: any idea on what gear he is using? What's there in his rack?
> --=20
> Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + =20
> Telefonanschluss f=FCr nur 17,95 Euro/mtl.!* =
http://dslspecial.gmx.de/freedsl-surfflat/?ac=3DOM.AD.PD003K11308T4569a
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 05:03:19 2009
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T and the Low String Ladies + guests 119 Gallery, May 16
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks

I'm happy to announce this upcoming event with one new and two old 
musical friends.

Doctor T and the Low String Ladies at a wonderful gallery and 
performance space, 119 Gallery in Lowell, MA.


Doctor T  -- Video Mixing
Karen (Wisteriax) Langlie  -- cello and electronics.
Glynis (Dragonwoman) Lomon -- cello and  voice.
with special guests
Noam Sender -- Percussion, Voice, Ney
Dave Peck -- Clarinets

Glynis and Karen have been two of my favorite collaborators over the 
last few years. Each is a stunning improvisational cellist, Karen 
coming from an electronica and sound art background, while Glynis 
plays what is often called "Energy Jazz", as befits her screen name 
Dragonwoman. I've been eager to do a performance with the two of them 
together for quite some time.

I met Noam recently when he played with Chillgroove at a show I did 
at the Lilypad in early April. He is a sensitive and sonically 
imaginative player, and I decided that he would be an excellent 
addition to this ensemble. Noam Sender performs with a variety of 
ensembles in the Boston area.

I've never played with Dave, who is a long time collaborator with 
Glynis, who writes "He's expert at playing with improvising cellists!"


8  PM  $10 donation  - serious mind enhancement or your money back.

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.

http://www.119gallery.org/


119 Gallery,
119 Chelmsford St,
Lowell MA 01851
978-452-8138

Brief Bio Note:

Doctor T (Emile Tobenfeld) has been performing visual improvisations 
with live music since 1973. He has performed with musicians and bands 
including The Lothars, New Language Collaborative, Ras Moshe, Neil 
Leonard, Dennis Shafer, Todd Brunel, Dennis Warren, and many more. He 
has also worked with dancers, including Claire Barratt and Joe 
Burgio, and poet John Mulroooney. He performs frequently at venues 
such as 119 Gallery in Lowell,

His improvisations feature DVD's of his own video, photography and 
animation, which he mixes live in response to the sounds and actions 
of the performers he is working with. His visual material explores 
and blurs the boundary between realism and abstraction, and his 
"Visual Music" performances combine imagery and music into a unified 
immersive and evocative media experience.

Examples of his video art can be seen at http://www.youtube.com/Tobenfeld

-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Fri May 15 06:05:24 2009
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	"'Rainer Straschill'" <moinsound@googlemail.com>
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Subject: RE: In search of a XP program which generates MIDI CCs out of mouse clicks
Date: Thu, 14 May 2009 22:58:27 -0700
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 > Is there anything like that? I'm especially after the buttons, not so much after the X/Y axis.

A game controller would probably be one of your more flexible options - a USB one can be had for less than $10.  Accessing a game
controller's buttons/analog-joysticks, as well as the programming of the realtime logic and MIDI messages you mentioned, would be
trivial in keykit (see http://nosuch.com/keykit ) - a few dozen lines of code for everything, and I can help with an initial
template that you can modify.  Email me directly if you want to explore that path.

    ...Tim...tjt@nosuch.com...

   


From Loopers-Delight-request@loopers-delight.com  Fri May 15 07:42:42 2009
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Buzap Buzap wrote:
> Hi folks
> 
> this is a video few of you probably already know.
> It's a solo performance including a loop from his tour with Joni Mitchell in 1980 (one of my most favorite live recordings).
> 
> It's not the most sophisticated looping performance.

Unless you really think about how achieves
a perfectly in time loop with a fixed delay length.

Watch carefully, some of that showmanship is very
carefully considered.

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri May 15 08:33:19 2009
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Date: Fri, 15 May 2009 10:33:19 +0200
Message-ID: <66f9cc1e0905150133h6177a833ibf3edd5e96bd6bd6@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 15, 2009 at 2:45 AM, Daniel Hegarty
<danielphegarty@googlemail.com> wrote:
> I think perhaps it is at points when the sequencer is playing demanding soft
> synths in live mode, but it's hard to be sure.


You shouldn't use an Instrument Track in Logic  for this. Better using
an External MIDI Track. When I did this once, I ran the EDP in
quantize mode and "pre-delayed" all my MIDI streams going out of
Logic, through the physical MIDI port and cable into the EDP. That fix
makes sure every little bit of MIDI gets to the EDP in time - you
know, MIDI is a serial protocol.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Hi Per,
I just double checked and i'm definitely using external midi tracks. I gave
some thought to serial protocol element when i was initially programming,
and tried to make sure i never sent simultaneous signals just to be on the
safe side. It seems so odd because there is no latency issue, just these
intermittent dropouts.....

It just seems like once in a while, logic decides not to bother sending the
signals. Could that be CPU related do you think? I am running quite a lot
off just a macbook pro.

Thanks for the advice.
Daniel

2009/5/15 Per Boysen <perboysen@gmail.com>

> On Fri, May 15, 2009 at 2:45 AM, Daniel Hegarty
> <danielphegarty@googlemail.com> wrote:
> > I think perhaps it is at points when the sequencer is playing demanding
> soft
> > synths in live mode, but it's hard to be sure.
>
>
> You shouldn't use an Instrument Track in Logic  for this. Better using
> an External MIDI Track. When I did this once, I ran the EDP in
> quantize mode and "pre-delayed" all my MIDI streams going out of
> Logic, through the physical MIDI port and cable into the EDP. That fix
> makes sure every little bit of MIDI gets to the EDP in time - you
> know, MIDI is a serial protocol.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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Hi Per,<div><br></div><div>I just double checked and i&#39;m definitely usi=
ng external midi tracks. I gave some thought to serial protocol element whe=
n i was=A0initially=A0programming, and tried to make sure i never sent simu=
ltaneous signals just to be on the safe side. It seems so odd because there=
 is no latency issue, just these intermittent dropouts.....</div>

<div><br></div><div>It just seems like once in a while, logic decides not t=
o bother sending the signals. Could that be CPU related do you think? I am =
running quite a lot off just a macbook pro.</div><div><br></div><div>Thanks=
 for the advice.</div>

<div>Daniel</div><div><br><div class=3D"gmail_quote">2009/5/15 Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 =
0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class=3D"im">On Fri, May 15, 2009 at 2:45 AM, Daniel Hegarty<br>
&lt;<a href=3D"mailto:danielphegarty@googlemail.com">danielphegarty@googlem=
ail.com</a>&gt; wrote:<br>
&gt; I think perhaps it is at points when the sequencer is playing demandin=
g soft<br>
&gt; synths in live mode, but it&#39;s hard to be sure.<br>
<br>
<br>
</div>You shouldn&#39;t use an Instrument Track in Logic =A0for this. Bette=
r using<br>
an External MIDI Track. When I did this once, I ran the EDP in<br>
quantize mode and &quot;pre-delayed&quot; all my MIDI streams going out of<=
br>
Logic, through the physical MIDI port and cable into the EDP. That fix<br>
makes sure every little bit of MIDI gets to the EDP in time - you<br>
know, MIDI is a serial protocol.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br></div>

--001636c5b496558b6d0469f160bc--

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	 <b2438db40905150401h78931932k34ce83d44b476d60@mail.gmail.com>
Date: Fri, 15 May 2009 13:16:13 +0200
Message-ID: <66f9cc1e0905150416t179c0273v8955d7779637ce9a@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty
<danielphegarty@googlemail.com> wrote:
> It just seems like once in a while, logic decides not to bother sending the
> signals. Could that be CPU related do you think? I am running quite a lot
> off just a macbook pro.

Well, that's indeed odd. But there has to be an explanation that we
yet don't know about. Definitely not CPU related, because Logic would
pop up a warning message before that happens. Are you sure it simply
stops sending out the MIDI that is spinning in the sequencer? Have you
monitored the MIDI Out port? That would be a good way to start
trouble-shooting.

Per

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	<66f9cc1e0905150416t179c0273v8955d7779637ce9a@mail.gmail.com>
From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Fri, 15 May 2009 12:22:17 +0100
Message-ID: <b2438db40905150422n2b06c1bfu50bc967ecd8424e1@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
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I have. I ran MidiMonitor last night for the full length of the 30 minute
track, and it all looked very healthy, no glitches.
However, we also run 6 or 7 softsynths in the logic file which we play live.
We have two midi keyboards inputting and playing these instruments, at
different points, but also occasionally simultaneously. On the most part it
works fine, the trouble is we're normally playing when the glitches happen
so it's difficult to keep an eye on the MidiMonitor. Though, now I think
about it, we could run MidiMonitor while we're playing and then review the
log afterwards. Good idea!

I'll let you know the results.

Thanks
Daniel

2009/5/15 Per Boysen <perboysen@gmail.com>

> On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty
> <danielphegarty@googlemail.com> wrote:
> > It just seems like once in a while, logic decides not to bother sending
> the
> > signals. Could that be CPU related do you think? I am running quite a lot
> > off just a macbook pro.
>
> Well, that's indeed odd. But there has to be an explanation that we
> yet don't know about. Definitely not CPU related, because Logic would
> pop up a warning message before that happens. Are you sure it simply
> stops sending out the MIDI that is spinning in the sequencer? Have you
> monitored the MIDI Out port? That would be a good way to start
> trouble-shooting.
>
> Per
>
>

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I have. I ran MidiMonitor last night for the full length of the 30 minute t=
rack, and it all looked very healthy, no glitches.<div><br></div><div>Howev=
er, we also run 6 or 7 softsynths in the logic file which we play live. We =
have two midi keyboards inputting and playing these instruments, at differe=
nt points, but also occasionally simultaneously. On the most part it works =
fine, the trouble is we&#39;re normally playing when the glitches happen so=
 it&#39;s difficult to keep an eye on the MidiMonitor. Though, now I think =
about it, we could run MidiMonitor while we&#39;re playing and then review =
the log afterwards. Good idea!</div>

<div><br></div><div>I&#39;ll let you know the results.</div><div><br></div>=
<div>Thanks</div><div>Daniel<br><br><div class=3D"gmail_quote">2009/5/15 Pe=
r Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perbo=
ysen@gmail.com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Fri, May 15, 2009 at 1=
:01 PM, Daniel Hegarty<br>
&lt;<a href=3D"mailto:danielphegarty@googlemail.com">danielphegarty@googlem=
ail.com</a>&gt; wrote:<br>
&gt; It just seems like once in a while, logic decides not to bother sendin=
g the<br>
&gt; signals. Could that be CPU related do you think? I am running quite a =
lot<br>
&gt; off just a macbook pro.<br>
<br>
</div>Well, that&#39;s indeed odd. But there has to be an explanation that =
we<br>
yet don&#39;t know about. Definitely not CPU related, because Logic would<b=
r>
pop up a warning message before that happens. Are you sure it simply<br>
stops sending out the MIDI that is spinning in the sequencer? Have you<br>
monitored the MIDI Out port? That would be a good way to start<br>
trouble-shooting.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br></div>

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From naambuka2030@msn.com  Fri May 15 11:36:56 2009
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>From Mr. Buka Naam
Hello=2C
I humbly appologise with every due respect for any embarrassment my action =
in contacting you might cause you. Owing to the fact that we do not know ea=
ch other before. This is because of this ample opportunity before me to whi=
ch I will never want us to loose. But for the fact that I cannot do it alon=
e=2C I therefore wish to contact you for it. My name is (Mr. Buka Naam.) a =
citizen of this country. I got a job in a bank here after my graduation as =
a sectary to the chief accountant controling international remittance funds=
 and all foreign account departments. I was inspired to contact you purely =
on business deal in relation to this development that came up at the bank w=
here I work. On an emergency executive board meeting been summoned and pres=
ided over by the bank's chairman on the 10th of April 2009=2C in which I wa=
s opportuned to be present at the meeting. It was revealed as a top agenda =
for the meeting that there was this customer to the bank whose name is=20
 Dr. Yasser Taymullah Muwaffaq from Saudi Arabia. This man deposited the su=
m of $70=2C000=2C000.00 (Seventy Million United States Dollars only) in a d=
omicilliary account with the Bank where I am working presently on June 30th=
=2C 1999. Unfortunately=2C in 2002=2C he died in plane crash on his way to =
their muslim feast in his country alongside with his entire immediate famil=
y of wife and two children.=20

However=2C ever since the incident=2C nobody has come up or applied as the =
next of kin or relation to the deceased as to claim back the money. To this=
 effect therefore=2C the bank have reached an agreement that if by 30th of =
June=2C 2009=2C nobody comes up or applies as the deceased next of kin or r=
elation=2C the fund would be absorbeb into the banks treasury as an unclaim=
ed asset as it is the bank's standard that in a case of this nature=2C wher=
e the money remains unclaimed for 10yrs=2C then it automatically becomes an=
 inverted asset /unclaimed bill. Now my dear I want you to  see this as a m=
ost beautiful opportunity that has come our way to which I have vowed to ut=
ilize wisely by co-operatively puting hands together with you to beat the b=
ank.  On this note herein I contact you=2C to assist me lets claim this mon=
ey. It is very easy as nobody can suspect me of aiding such claim=2C althou=
gh this is purely bank's deal and it is 100% risk free provided you will ad=
equately
 follow my advice and instructions because I will be as an insider here to =
put you through=2C if only you can provide a secured and trusted bank accou=
nt that can carry such amount as stated above when transfered by the bank. =
The truth is that the money in question is never mine nor yours=2C we are o=
nly going to use wisdom to divert this funds for ourselves. This is because=
 the bank is more than rich and it will be foolishness to allow them conver=
t this funds into the bank's treasury. I'm going to sacrifice my all to see=
 that we claim this fund.=20
 As an insider=2C I have been able to grab all neccessary information relat=
ed to this deal. I will be able to stand by you and furnish you comprehensi=
vely=2C with all that it will take to make this deal a success.

The depositor was a foreigner and it must take a foreigner to apply as the =
next of kin=2C that is why I am contacting you as a foreigner. After this m=
oney is finally transferred to your account=2C I will then resign up my app=
ointment with the bank and come over to your country for disbursment and pe=
rhaps reside there as you may help me. The offer for assistance will be 45%=
 for you=2C 45% for me and balance 10% for any enevitable expenses that wil=
l be incured in this deal. Ofcourse there shall be minure inevitable expens=
es no doubt in this very deal before it can be archieved successfully=2C th=
erefore you must be financially independent before you can respond to this =
mail. Most importantly you must be capable to receive such amount of money =
as mentioned above in your bank acount without much questioning and interro=
gations by your bank. On your response to this my appeal=2C I will be able =
to acquaint you with further steps to achieving this deal snapidly. Respond
 to me as quickly as possible. Remember this deal is between you & me only.=
 Bear in mind that we have only but a limited time to get this deal acompli=
shed. No room for delays. Children's food should not be thrown to the dogs.=
 Call me as soon as you receives this mail with this number +22676942164.
Sincerely yours
Mr. Buka Naam.

--_c543020b-9227-42c3-a64b-e5ad2492035f_
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<html>
<head>
<style>
.hmmessage P
{
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}
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{
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<body class=3D'hmmessage'>
>From Mr. Buka Naam<BR>Hello=2C<BR>I humbly appologise with every due respec=
t for any embarrassment my action in contacting you might cause you. Owing =
to the fact that we do not know each other before. This is because of this =
ample opportunity before me to which I will never want us to loose. But for=
 the fact that I cannot do it alone=2C I therefore wish to contact you for =
it. My name is (Mr. Buka Naam.) a citizen of this country. I got a job in a=
 bank here after my graduation as a sectary to the chief accountant control=
ing international remittance funds and all foreign account departments. I w=
as inspired to contact you purely on business deal in relation to this deve=
lopment that came up at the bank where I work. On an emergency executive bo=
ard meeting been summoned and presided over by the bank's chairman on the 1=
0th of April 2009=2C in which I was opportuned to be present at the meeting=
. It was revealed as a top agenda for the meeting that there was this custo=
mer to the bank whose name is <BR>&nbsp=3BDr. Yasser Taymullah Muwaffaq fro=
m Saudi Arabia. This man deposited the sum of $70=2C000=2C000.00 (Seventy M=
illion United States Dollars only) in a domicilliary account with the Bank =
where I am working presently on June 30th=2C 1999. Unfortunately=2C in 2002=
=2C he died in plane crash on his way to their muslim feast in his country =
alongside with his entire immediate family of wife and two children. <BR>
However=2C ever since the incident=2C nobody has come up or applied as the =
next of kin or relation to the deceased as to claim back the money. To this=
 effect therefore=2C the bank have reached an agreement that if by 30th of =
June=2C 2009=2C nobody comes up or applies as the deceased next of kin or r=
elation=2C the fund would be absorbeb into the banks treasury as an unclaim=
ed asset as it is the bank's standard that in a case of this nature=2C wher=
e the money remains unclaimed for 10yrs=2C then it automatically becomes an=
 inverted asset /unclaimed bill. Now my dear I want you to&nbsp=3B see this=
 as a most beautiful opportunity that has come our way to which I have vowe=
d to utilize wisely by co-operatively puting hands together with you to bea=
t the bank.&nbsp=3B On this note herein I contact you=2C to assist me lets =
claim this money. It is very easy as nobody can suspect me of aiding such c=
laim=2C although this is purely bank's deal and it is 100% risk free provid=
ed you will adequately<BR>&nbsp=3Bfollow my advice and instructions because=
 I will be as an insider here to put you through=2C if only you can provide=
 a secured and trusted bank account that can carry such amount as stated ab=
ove when transfered by the bank. The truth is that the money in question is=
 never mine nor yours=2C we are only going to use wisdom to divert this fun=
ds for ourselves. This is because the bank is more than rich and it will be=
 foolishness to allow them convert this funds into the bank's treasury. I'm=
 going to sacrifice my all to see that we claim this fund. <BR>&nbsp=3BAs a=
n insider=2C I have been able to grab all neccessary information related to=
 this deal. I will be able to stand by you and furnish you comprehensively=
=2C with all that it will take to make this deal a success.<BR>
The depositor was a foreigner and it must take a foreigner to apply as the =
next of kin=2C that is why I am contacting you as a foreigner. After this m=
oney is finally transferred to your account=2C I will then resign up my app=
ointment with the bank and come over to your country for disbursment and pe=
rhaps reside there as you may help me. The offer for assistance will be 45%=
 for you=2C 45% for me and balance 10% for any enevitable expenses that wil=
l be incured in this deal. Ofcourse there shall be minure inevitable expens=
es no doubt in this very deal before it can be archieved successfully=2C th=
erefore you must be financially independent before you can respond to this =
mail. Most importantly you must be capable to receive such amount of money =
as mentioned above in your bank acount without much questioning and interro=
gations by your bank. On your response to this my appeal=2C I will be able =
to acquaint you with further steps to achieving this deal snapidly. Respond=
<BR>&nbsp=3Bto me as quickly as possible. Remember this deal is between you=
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this deal acomplished. No room for delays. Children's food should not be th=
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r +22676942164.<BR>Sincerely yours<BR>Mr. Buka Naam.<BR></body>
</html>=

--_c543020b-9227-42c3-a64b-e5ad2492035f_--

From Loopers-Delight-request@loopers-delight.com  Fri May 15 11:49:15 2009
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Date: Fri, 15 May 2009 13:49:13 +0200
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Subject: Question about OSX audio routing
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From: "Sjaak" <tcplugin@scarlet.be>
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I have a question about routing audio inside OSX. I want to make sure I d=
on't create feedback loops or unnessesary audio connnections which double=
s the sound but I don't know enough about how the OSX audio routing works=
. For example, it's strange or confusing that output from applications li=
ke iTunes is automaticly routed to the main outputs of my Motu, I can't r=
oute it to a specific audio output. Mainstage and Logic however can be ro=
uted to any Motu output, no problem. I installed JackOSX and with Jack yo=
u have more freedom to route your audio.

But what if you run both Mainstage and Bidule as host? Suppose I sent Mai=
nstage to output 3/4 of the Motu and I add a duplex audio device to Bidul=
e. I can now use the Mainstage output in Bidule, add effects etc and rout=
e it to output 3/4 again. This works, but I'm wondering if Bidule output =
3/4 are mixed into and thus added to the original output 3/4 of Mainstage=
 yes or no. Or does Bidule operate at a lower level so Mainstage and Bidu=
le work in series?

Btw: could JackOSX add anything extra for a live looping situation?

Sjaak

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Fri May 15 12:14:10 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Jaco cool loop
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> Watch carefully, some of that showmanship is very
> carefully considered.
> andy butler

I know, I know... I just wanted to play expectations down... ;-)

Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From mryusuf96ali@msn.com  Fri May 15 12:20:39 2009
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DEAR  FRIEND.=20

I AM NAIK  YUSUF  ALI  ASSISTANT TO THE BRANCH MANAGER OF BANK OF
AFRICA(BOA)OUAGADOUGOU BURKINA FASO I WANT TO INQUIRE FROM YOU IF YOU CAN H=
ANDLE
THIS TRANSACTION FOR MUTUAL BENEFITS/LIFE OPPORTUNITY FOR YOU AND ME.   THE
TRANSACTION IS ABOUT SEEKING YOUR CONSENT TO PRESENT YOU AS THE NEXT OF KIN=
/
BENEFICIARY OF THE US$15MILLION DOLLARS WHO IS A CUSTOMER TO THE  BANK WHER=
E I
WORK. HE DIED WITH HIS FAMILY DURING THEIR VACATION JOURNEY IN THAT REGARD=
=2CI
DECIDED TO SEEK YOUR CONSENT FOR THIS PROSPECTIVE OPPORTUNITY. HAVE IT AT T=
HE
BACK OF YOUR MIND=2C THAT THE TRANSACTION DOES NOT INVOLVE ANY RISK AND DOE=
S NOT
NEED MUCH ENGAGEMENT FROM YOU=2CSINCE I AM FAMILIAR WITH THIS KIND OF
TRANSACTIONBEINORGANINSIDER.NECESSARMODALITIESWILL BE WORKED OUT TO ENABLE =
US
CARRY OUT THE FUND CLAIM UNDER A LEGITIMATE ARRANGEMENT.  =20

            =20
I HAVE RESOLVED TO OFFER YOU 40% OF THE TOTAL FUND=2C10% FOR SUNDRY EXPENSE=
S THAT
MAYBE INCURRED DURING THE PROCESS OF EXECUTING THIS TRANSACTION AND 50% PER=
CENT
FOR ME.=20
 =20
I WILL GIVE YOU MORE DETAILS ABOUT THE TRANSACTION PLEASE IF YOU ARE REALLY
INTERESTED IN THIS TRANSACTION SEND ME THE BELOW INFORMATIONS SUCH AS.

( 1 YOUR FULL NAMES ....................

( 2 YOUR PRIVATE PHONE NUMBER.............

( 3 YOUR AGE ..................

( 4 YOUR OCCUPATIONS ..............

( 5 YOUR COUNTRY NAME.

WHEN I RECEIVE YOUR RESPONSE VIA MY EMAIL ADDRESS=2C I WILL SEND YOU THE TE=
XT OF
APPLICATION FORM WHICH YOU WILL FILL AND SEND TO THE BANK AS THE NEXT OF KI=
N TO
THE LATE DECEASE PERSON SO THAT THE BANK WE START PROCESSING THE FUND INTO =
YOUR
ACCOUNT OK.=20
  =20
THANKS AND ALAH BLESS YOU.=20
 =20
MR.YUSUF  ALI =20

=20

=20

=20

=20

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=20

=20

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--_8bc43969-1bc1-4ff4-9093-fc39d62f6edc_
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<html>
<head>
<style>
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{
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<PRE>DEAR  FRIEND.=20

I AM NAIK  YUSUF  ALI  ASSISTANT TO THE BRANCH MANAGER OF BANK OF
AFRICA(BOA)OUAGADOUGOU BURKINA FASO I WANT TO INQUIRE FROM YOU IF YOU CAN H=
ANDLE
THIS TRANSACTION FOR MUTUAL BENEFITS/LIFE OPPORTUNITY FOR YOU AND ME.   THE
TRANSACTION IS ABOUT SEEKING YOUR CONSENT TO PRESENT YOU AS THE NEXT OF KIN=
/
BENEFICIARY OF THE US$15MILLION DOLLARS WHO IS A CUSTOMER TO THE  BANK WHER=
E I
WORK. HE DIED WITH HIS FAMILY DURING THEIR VACATION JOURNEY IN THAT REGARD=
=2CI
DECIDED TO SEEK YOUR CONSENT FOR THIS PROSPECTIVE OPPORTUNITY. HAVE IT AT T=
HE
BACK OF YOUR MIND=2C THAT THE TRANSACTION DOES NOT INVOLVE ANY RISK AND DOE=
S NOT
NEED MUCH ENGAGEMENT FROM YOU=2CSINCE I AM FAMILIAR WITH THIS KIND OF
TRANSACTIONBEINORGANINSIDER.NECESSARMODALITIESWILL BE WORKED OUT TO ENABLE =
US
CARRY OUT THE FUND CLAIM UNDER A LEGITIMATE ARRANGEMENT.  =20

            =20
I HAVE RESOLVED TO OFFER YOU 40% OF THE TOTAL FUND=2C10% FOR SUNDRY EXPENSE=
S THAT
MAYBE INCURRED DURING THE PROCESS OF EXECUTING THIS TRANSACTION AND 50% PER=
CENT
FOR ME.=20
 =20
I WILL GIVE YOU MORE DETAILS ABOUT THE TRANSACTION PLEASE IF YOU ARE REALLY
INTERESTED IN THIS TRANSACTION SEND ME THE BELOW INFORMATIONS SUCH AS.

( 1 YOUR FULL NAMES ....................

( 2 YOUR PRIVATE PHONE NUMBER.............

( 3 YOUR AGE ..................

( 4 YOUR OCCUPATIONS ..............

( 5 YOUR COUNTRY NAME.

WHEN I RECEIVE YOUR RESPONSE VIA MY EMAIL ADDRESS=2C I WILL SEND YOU THE TE=
XT OF
APPLICATION FORM WHICH YOU WILL FILL AND SEND TO THE BANK AS THE NEXT OF KI=
N TO
THE LATE DECEASE PERSON SO THAT THE BANK WE START PROCESSING THE FUND INTO =
YOUR
ACCOUNT OK.=20
  =20
THANKS AND ALAH BLESS YOU.=20
 =20
MR.YUSUF  ALI =20

=20

=20

=20

=20

=20

=20

=20

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</PRE></body>
</html>=

--_8bc43969-1bc1-4ff4-9093-fc39d62f6edc_--

From mryusuf95ali@msn.com  Fri May 15 12:20:39 2009
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DEAR  FRIEND.=20

I AM NAIK  YUSUF  ALI  ASSISTANT TO THE BRANCH MANAGER OF BANK OF
AFRICA(BOA)OUAGADOUGOU BURKINA FASO I WANT TO INQUIRE FROM YOU IF YOU CAN H=
ANDLE
THIS TRANSACTION FOR MUTUAL BENEFITS/LIFE OPPORTUNITY FOR YOU AND ME.   THE
TRANSACTION IS ABOUT SEEKING YOUR CONSENT TO PRESENT YOU AS THE NEXT OF KIN=
/
BENEFICIARY OF THE US$15MILLION DOLLARS WHO IS A CUSTOMER TO THE  BANK WHER=
E I
WORK. HE DIED WITH HIS FAMILY DURING THEIR VACATION JOURNEY IN THAT REGARD=
=2CI
DECIDED TO SEEK YOUR CONSENT FOR THIS PROSPECTIVE OPPORTUNITY. HAVE IT AT T=
HE
BACK OF YOUR MIND=2C THAT THE TRANSACTION DOES NOT INVOLVE ANY RISK AND DOE=
S NOT
NEED MUCH ENGAGEMENT FROM YOU=2CSINCE I AM FAMILIAR WITH THIS KIND OF
TRANSACTIONBEINORGANINSIDER.NECESSARMODALITIESWILL BE WORKED OUT TO ENABLE =
US
CARRY OUT THE FUND CLAIM UNDER A LEGITIMATE ARRANGEMENT.  =20

            =20
I HAVE RESOLVED TO OFFER YOU 40% OF THE TOTAL FUND=2C10% FOR SUNDRY EXPENSE=
S THAT
MAYBE INCURRED DURING THE PROCESS OF EXECUTING THIS TRANSACTION AND 50% PER=
CENT
FOR ME.=20
 =20
I WILL GIVE YOU MORE DETAILS ABOUT THE TRANSACTION PLEASE IF YOU ARE REALLY
INTERESTED IN THIS TRANSACTION SEND ME THE BELOW INFORMATIONS SUCH AS.

( 1 YOUR FULL NAMES ....................

( 2 YOUR PRIVATE PHONE NUMBER.............

( 3 YOUR AGE ..................

( 4 YOUR OCCUPATIONS ..............

( 5 YOUR COUNTRY NAME.

WHEN I RECEIVE YOUR RESPONSE VIA MY EMAIL ADDRESS=2C I WILL SEND YOU THE TE=
XT OF
APPLICATION FORM WHICH YOU WILL FILL AND SEND TO THE BANK AS THE NEXT OF KI=
N TO
THE LATE DECEASE PERSON SO THAT THE BANK WE START PROCESSING THE FUND INTO =
YOUR
ACCOUNT OK.=20
  =20
THANKS AND ALAH BLESS YOU.=20
 =20
MR.YUSUF  ALI =20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

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=20










--_b1e9d95e-dbd6-440a-aa0b-617ff3d331b4_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
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body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<PRE>DEAR  FRIEND.=20

I AM NAIK  YUSUF  ALI  ASSISTANT TO THE BRANCH MANAGER OF BANK OF
AFRICA(BOA)OUAGADOUGOU BURKINA FASO I WANT TO INQUIRE FROM YOU IF YOU CAN H=
ANDLE
THIS TRANSACTION FOR MUTUAL BENEFITS/LIFE OPPORTUNITY FOR YOU AND ME.   THE
TRANSACTION IS ABOUT SEEKING YOUR CONSENT TO PRESENT YOU AS THE NEXT OF KIN=
/
BENEFICIARY OF THE US$15MILLION DOLLARS WHO IS A CUSTOMER TO THE  BANK WHER=
E I
WORK. HE DIED WITH HIS FAMILY DURING THEIR VACATION JOURNEY IN THAT REGARD=
=2CI
DECIDED TO SEEK YOUR CONSENT FOR THIS PROSPECTIVE OPPORTUNITY. HAVE IT AT T=
HE
BACK OF YOUR MIND=2C THAT THE TRANSACTION DOES NOT INVOLVE ANY RISK AND DOE=
S NOT
NEED MUCH ENGAGEMENT FROM YOU=2CSINCE I AM FAMILIAR WITH THIS KIND OF
TRANSACTIONBEINORGANINSIDER.NECESSARMODALITIESWILL BE WORKED OUT TO ENABLE =
US
CARRY OUT THE FUND CLAIM UNDER A LEGITIMATE ARRANGEMENT.  =20

            =20
I HAVE RESOLVED TO OFFER YOU 40% OF THE TOTAL FUND=2C10% FOR SUNDRY EXPENSE=
S THAT
MAYBE INCURRED DURING THE PROCESS OF EXECUTING THIS TRANSACTION AND 50% PER=
CENT
FOR ME.=20
 =20
I WILL GIVE YOU MORE DETAILS ABOUT THE TRANSACTION PLEASE IF YOU ARE REALLY
INTERESTED IN THIS TRANSACTION SEND ME THE BELOW INFORMATIONS SUCH AS.

( 1 YOUR FULL NAMES ....................

( 2 YOUR PRIVATE PHONE NUMBER.............

( 3 YOUR AGE ..................

( 4 YOUR OCCUPATIONS ..............

( 5 YOUR COUNTRY NAME.

WHEN I RECEIVE YOUR RESPONSE VIA MY EMAIL ADDRESS=2C I WILL SEND YOU THE TE=
XT OF
APPLICATION FORM WHICH YOU WILL FILL AND SEND TO THE BANK AS THE NEXT OF KI=
N TO
THE LATE DECEASE PERSON SO THAT THE BANK WE START PROCESSING THE FUND INTO =
YOUR
ACCOUNT OK.=20
  =20
THANKS AND ALAH BLESS YOU.=20
 =20
MR.YUSUF  ALI =20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

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=20

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=20

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=20

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=20









</PRE></body>
</html>=

--_b1e9d95e-dbd6-440a-aa0b-617ff3d331b4_--

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Date: Fri, 15 May 2009 15:06:24 +0200
Message-ID: <66f9cc1e0905150606g37fd49b3y71844566892d0627@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
> But what if you run both Mainstage and Bidule as host? Suppose I sent Mainstage to output 3/4 of the
> Motu and I add a duplex audio device to Bidule. I can now use the Mainstage output in Bidule, add effects etc
> and route it to output 3/4 again. This works, but I'm wondering if Bidule output 3/4 are mixed into and thus
> added to the original output 3/4 of Mainstage yes or no.

If you target the same Motu output from two parallel applications -
like here Mainstage and Bidule - these two streams will of course be
summed at that Motu output. It doesn't matter if you think about your
way as "Bidule being mixed into Mainstage" or the other way around. It
is simply two audio streams getting summed in the Motu device (and
that's OS X code at work, since OS X runs the CoreAudio driver for the
Motu box).

> Or does Bidule operate at a lower level so Mainstage and Bidule work in series?

No. Not unless you set it up like that with some sort of hack.

> Btw: could JackOSX add anything extra for a live looping situation?

Not in my opinion. The reason is that any live looping situation is
highly timing dependent, being a real-time activity, and the latency
of both Jack and SoundFlower (Cycling74) induce a latency that does
vary depending on what else is happening on the computer. There's no
way of compensating for varying latency.

For non timing critical routing Jack and SoundFlower works fine
though. I use SoundFlower to record mp3 files of phone conferences and
any sort of audio streaming like iTunes, Spotify etc.

Per

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	 <66f9cc1e0905150606g37fd49b3y71844566892d0627@mail.gmail.com>
Date: Fri, 15 May 2009 15:15:04 +0200
Message-ID: <afb941d0905150615m44a44s1d43fda049cf02b1@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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... not much related but i need to know.

if i try to capture through soundflower, and providing that
soundflower always sends 32bits streams, my ableton's impro's into
logic (under leopard) ... does this implies that logic will truncate
from 32 to 24 bits, since logic can't open 32 bits files? ... i know
logic operates with 32 bits internally, but what about recording from
soundflower? is ableton really sending 32 bits in realtime? any
workaround per?

2009/5/15, Per Boysen <perboysen@gmail.com>:
> On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
>> But what if you run both Mainstage and Bidule as host? Suppose I sent
>> Mainstage to output 3/4 of the
>> Motu and I add a duplex audio device to Bidule. I can now use the
>> Mainstage output in Bidule, add effects etc
>> and route it to output 3/4 again. This works, but I'm wondering if Bidule
>> output 3/4 are mixed into and thus
>> added to the original output 3/4 of Mainstage yes or no.
>
> If you target the same Motu output from two parallel applications -
> like here Mainstage and Bidule - these two streams will of course be
> summed at that Motu output. It doesn't matter if you think about your
> way as "Bidule being mixed into Mainstage" or the other way around. It
> is simply two audio streams getting summed in the Motu device (and
> that's OS X code at work, since OS X runs the CoreAudio driver for the
> Motu box).
>
>> Or does Bidule operate at a lower level so Mainstage and Bidule work in
>> series?
>
> No. Not unless you set it up like that with some sort of hack.
>
>> Btw: could JackOSX add anything extra for a live looping situation?
>
> Not in my opinion. The reason is that any live looping situation is
> highly timing dependent, being a real-time activity, and the latency
> of both Jack and SoundFlower (Cycling74) induce a latency that does
> vary depending on what else is happening on the computer. There's no
> way of compensating for varying latency.
>
> For non timing critical routing Jack and SoundFlower works fine
> though. I use SoundFlower to record mp3 files of phone conferences and
> any sort of audio streaming like iTunes, Spotify etc.
>
> Per
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 13:33:55 2009
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Date: Fri, 15 May 2009 08:33:46 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: OT: new non-looping guitar record
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With only the most minimal of looping content, wanted to announce my new 
acoustic guitar record, called "Body of a Poet". It's a "tunes" album 
with a big flamenco/rumba influence, with diversions toward post-rock, 
straightforward pop and classical/minimalist stuff.

I've set up a page on Bandcamp, which I've quickly fallen in love with. 
You upload full .wav files, and they they offer the tracks in a variety 
of formats. They handle sales, and don't take a cut (??), it's all free 
and very easy to set up. Visitors can then stream the whole thing or 
download, at a price all the way down to free if you like. That's what I 
chose to do, so just grab it if you wish (though it's required to give 
me your email address for my newsletter if you don't wanna pay).

http://darylshawn.bandcamp.com/album/body-of-a-poet

Extremely minimal looping content: Craquelure is dedicated to Nels 
Cline. Also, I was listening to Zoe Keating's "One Cello x16" an awful 
lot at the time I was writing the title track Body of a Poet, and I 
think it echoes the mood of some of her stuff.

By Monday I hope to have finished my long-in-progress Repetitive 
Miniatures, which is nothing BUT loops. I'll be blabbing about that one 
soon enough.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 13:52:06 2009
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> Per wrote:
> If you target the same Motu output from two parallel applications -
> like here Mainstage and Bidule - these two streams will of course be
> summed at that Motu output. It doesn't matter if you think about your
> way as "Bidule being mixed into Mainstage" or the other way around. It
> is simply two audio streams getting summed in the Motu device (and
> that's OS X code at work, since OS X runs the CoreAudio driver for the
> Motu box).

Thanks Per :) One more question, does the same count for running Bidule a=
s AU plugin inside Mainstage? I gues the answer is yes, so re-routing the=
 Bidule output to output 5/6 and import these into mainstage again as ext=
ernal audio instrument would do the trick. The reason I'm asking is that =
I want to integrate some Bidules I've build (both midi and audio) into Ma=
instage which do some random stuff in the background.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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Date: Fri, 15 May 2009 16:02:17 +0200
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Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 15, 2009 at 3:52 PM, Sjaak <tcplugin@scarlet.be> wrote:
> Thanks Per :) One more question, does the same count for running Bidule a=
s AU plugin inside Mainstage? I gues the answer is yes, so re-routing the B=
idule output to output 5/6 and import these into mainstage again as externa=
l audio instrument would do the trick. The reason I'm asking is that I want=
 to integrate some Bidules I've build (both midi and audio) into Mainstage =
which do some random stuff in the background.

Yes, you are right. But there is another aspect to this and that is
how Mainstage deals with the fact that audio is sent directly from a
Bidule AU plug-in to the physical port that Mainstage already has a
fixed relationship to (buffer settings etc). I've had weird crashes
when using Bidule AU in Mainstage but as far as I remember it worked
fine when not targeting MIDI or Audio Devices directly from the Bidule
AU plug-in. You know, whenever you open a Bidule AU (or VST) plug-in
the interface inside that plug-in does give you an input port - and
this input port is the stream that comes through the host application.
Safest to use that one - but best is to try everything and learn what
works and what doesn't.

Per

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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: new non-looping guitar record
Date: Fri, 15 May 2009 07:06:24 -0700
To: Loopers-Delight@loopers-delight.com
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Daryl,

I am in the process of downloading "Body of a Poet" right this very=20
moment.

I haven't listened to it yet.

I'll let you know when I get a chance to hear it.

Would directing people to this material be useful in promoting your=20
performance in Southern Oregon next month?

I've been sick, so I'm a little late in getting the promotional effort=20=

up and going.

Best regards,

tEd =AE KiLLiAn

Creativity represents a miraculous coming together of the uninhibited=20
energy of the child with its apparent opposite and enemy, the sense of=20=

order imposed on the disciplined adult intelligence. =96 Norman =
Podhoretz

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

On May 15, 2009, at 6:33 AM, Daryl Shawn wrote:

> With only the most minimal of looping content, wanted to announce my=20=

> new acoustic guitar record, called "Body of a Poet". It's a "tunes"=20
> album with a big flamenco/rumba influence, with diversions toward=20
> post-rock, straightforward pop and classical/minimalist stuff.
>
> I've set up a page on Bandcamp, which I've quickly fallen in love=20
> with. You upload full .wav files, and they they offer the tracks in a=20=

> variety of formats. They handle sales, and don't take a cut (??), it's=20=

> all free and very easy to set up. Visitors can then stream the whole=20=

> thing or download, at a price all the way down to free if you like.=20
> That's what I chose to do, so just grab it if you wish (though it's=20
> required to give me your email address for my newsletter if you don't=20=

> wanna pay).
>
> http://darylshawn.bandcamp.com/album/body-of-a-poet
>
> Extremely minimal looping content: Craquelure is dedicated to Nels=20
> Cline. Also, I was listening to Zoe Keating's "One Cello x16" an awful=20=

> lot at the time I was writing the title track Body of a Poet, and I=20
> think it echoes the mood of some of her stuff.
>
> By Monday I hope to have finished my long-in-progress Repetitive=20
> Miniatures, which is nothing BUT loops. I'll be blabbing about that=20
> one soon enough.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>

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	 <afb941d0905150615m44a44s1d43fda049cf02b1@mail.gmail.com>
Date: Fri, 15 May 2009 15:56:55 +0200
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Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 15, 2009 at 3:15 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>
> if i try to capture through soundflower, and providing that
> soundflower always sends 32bits streams, my ableton's impro's into
> logic (under leopard) ... does this implies that logic will truncate
> from 32 to 24 bits, since logic can't open 32 bits files? ... i know
> logic operates with 32 bits internally, but what about recording from
> soundflower? is ableton really sending 32 bits in realtime? any
> workaround per?


I have no idea, I'm afraid. And I don't bother. Technical stuff like
that is what I use sound cards and audio devices for. What I care
about though is to set the audio clock master/slave relation correctly
and then I simply pipe over ADAT or S/PDIF and let the software handle
it the way it's designed to do.

The question about "truncating" is not correctly put, because you are
talking about a stream but asking about a file. That's two different
processes and you are in fact answering the question in your post! :-)
 For the latter part, weather Ableton Live sens 32 bit floating point,
I guess you should check with the manual?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 14:26:02 2009
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why are you using soundflower for that? Live is quite capable of
recording its own output as you play.


cheers,
os.


2009/5/15 Raul Bonell <raul.bonell@gmail.com>:
> ... not much related but i need to know.
>
> if i try to capture through soundflower, and providing that
> soundflower always sends 32bits streams, my ableton's impro's into
> logic (under leopard) ... does this implies that logic will truncate
> from 32 to 24 bits, since logic can't open 32 bits files? ... i know
> logic operates with 32 bits internally, but what about recording from
> soundflower? is ableton really sending 32 bits in realtime? any
> workaround per?
>
> 2009/5/15, Per Boysen <perboysen@gmail.com>:
>> On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
>>> But what if you run both Mainstage and Bidule as host? Suppose I sent
>>> Mainstage to output 3/4 of the
>>> Motu and I add a duplex audio device to Bidule. I can now use the
>>> Mainstage output in Bidule, add effects etc
>>> and route it to output 3/4 again. This works, but I'm wondering if Bidule
>>> output 3/4 are mixed into and thus
>>> added to the original output 3/4 of Mainstage yes or no.
>>
>> If you target the same Motu output from two parallel applications -
>> like here Mainstage and Bidule - these two streams will of course be
>> summed at that Motu output. It doesn't matter if you think about your
>> way as "Bidule being mixed into Mainstage" or the other way around. It
>> is simply two audio streams getting summed in the Motu device (and
>> that's OS X code at work, since OS X runs the CoreAudio driver for the
>> Motu box).
>>
>>> Or does Bidule operate at a lower level so Mainstage and Bidule work in
>>> series?
>>
>> No. Not unless you set it up like that with some sort of hack.
>>
>>> Btw: could JackOSX add anything extra for a live looping situation?
>>
>> Not in my opinion. The reason is that any live looping situation is
>> highly timing dependent, being a real-time activity, and the latency
>> of both Jack and SoundFlower (Cycling74) induce a latency that does
>> vary depending on what else is happening on the computer. There's no
>> way of compensating for varying latency.
>>
>> For non timing critical routing Jack and SoundFlower works fine
>> though. I use SoundFlower to record mp3 files of phone conferences and
>> any sort of audio streaming like iTunes, Spotify etc.
>>
>> Per
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri May 15 14:28:33 2009
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Subject: Re: OT: new non-looping guitar record
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thanks for buying, brutha! most kind of you.

Well, I expect that'll be a looping set when I come to Medford, yes? 
I'll have my Miniatures up in the next few days, as well as Rentintwain 
from last year, which would be better ref's for the looping stuff. I'll 
let you know.

Glad you hear you've recovered at least a little bit.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Daryl,
>
> I am in the process of downloading "Body of a Poet" right this very 
> moment.
>
> I haven't listened to it yet.
>
> I'll let you know when I get a chance to hear it.
>
> Would directing people to this material be useful in promoting your 
> performance in Southern Oregon next month?

From Loopers-Delight-request@loopers-delight.com  Fri May 15 14:47:38 2009
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Subject: Re: In search of a XP program which generates MIDI CCs out of mouse clicks
Date: Fri, 15 May 2009 16:47:03 +0200
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Hello Rainer,

Perhaps you can have a look here:
http://www.nicolasfournel.com/midi.htm

There are tools for midi glove, midi tablet or mouse.

Good luck,

Ben

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Thursday, May 14, 2009 6:24 PM
Subject: In search of a XP program which generates MIDI CCs out of mouse 
clicks


> Again, I'm searching for something odd:
>
> For something I can't tell you about yet, I need a program which does
> the following:
>  * runs on XP
>  * takes command of a mouse, trackball or other HID device (e.g.
> mobile phone via bluetooth in "desktop" mode)
>        * "taking command" means: the mouse/trackball/whatever can no
> longer be used to move a cursor on the screen etc.
>  * assigns MIDI messages (CCs, Notes) to button presses (e.g. left
> mouse button is CC13 Value 127, then CC13 Value 0 after 50ms - ESC on
> keyboard is Note 23, velocity 127 for 50ms etc.))
>  * Sends them out to a MIDI output of my choice.
>  * optional: Assigns MIDI CCs to the controller's X/Y axis.
>
> Is there anything like that? I'm especially after the buttons, not so
> much after the X/Y axis.
>
> Thanks,
>
>               Rainer
> 


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Subject: Re: new non-looping guitar record
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Daryl, really digging "Body of a Poet". So full of the simple pleasure of 
life. Great way to start my day. The only thing is, since I paid for it I 
don't get to join your newsletter?! hehe, where else can I sign up?

Also Bandcamp is really cool. Everything worked well and all the different 
qualities availiable is nice. And they don't take a cut? Amazing, not even 
any ads on the page. I will check into this.

All the best,

Jeff

"the full fruit of a labor of love lives in the harvest, and that always 
comes in its right season" _anonymous


http://jeffduke.org/
http://virb.com/jeffduke
http://www.vimeo.com/jeffduke
http://themineisthemind.blogspot.com/
http://www.myspace.com/loopsinphasespace
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/


----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 15, 2009 9:33 AM
Subject: OT: new non-looping guitar record


> With only the most minimal of looping content, wanted to announce my new 
> acoustic guitar record, called "Body of a Poet". It's a "tunes" album with 
> a big flamenco/rumba influence, with diversions toward post-rock, 
> straightforward pop and classical/minimalist stuff.
>
> I've set up a page on Bandcamp, which I've quickly fallen in love with. 
> You upload full .wav files, and they they offer the tracks in a variety of 
> formats. They handle sales, and don't take a cut (??), it's all free and 
> very easy to set up. Visitors can then stream the whole thing or download, 
> at a price all the way down to free if you like. That's what I chose to 
> do, so just grab it if you wish (though it's required to give me your 
> email address for my newsletter if you don't wanna pay).
>
> http://darylshawn.bandcamp.com/album/body-of-a-poet
>
> Extremely minimal looping content: Craquelure is dedicated to Nels Cline. 
> Also, I was listening to Zoe Keating's "One Cello x16" an awful lot at the 
> time I was writing the title track Body of a Poet, and I think it echoes 
> the mood of some of her stuff.
>
> By Monday I hope to have finished my long-in-progress Repetitive 
> Miniatures, which is nothing BUT loops. I'll be blabbing about that one 
> soon enough.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri May 15 15:39:30 2009
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hey Jeff, thanks so much for your support, much appreciated. I will add 
you to the newsletter - only the best and brightest invited.!

I should have mentioned before about Bandcamp that you can set up your 
release as a free download as well, I know a lot of people here do 
non-commercial releases and this is an painless way to share stuff. 
There is no function for listener reviews or ratings like CDbaby, and 
the only artwork you can add (I think...) is the banner and album cover. 
But otherwise I love it, especially the ability for people to download 
FLAC or mp3's at various rates

 I'm really surprised too they don't take a cut, the only possible fee 
is that they pass along any charges from Paypal if people use a credit 
card to buy.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Daryl, really digging "Body of a Poet". So full of the simple pleasure 
> of life. Great way to start my day. The only thing is, since I paid 
> for it I don't get to join your newsletter?! hehe, where else can I 
> sign up?
>
> Also Bandcamp is really cool. Everything worked well and all the 
> different qualities availiable is nice. And they don't take a cut? 
> Amazing, not even any ads on the page. I will check into this.
>
> All the best,
>
> Jeff
>
> "the full fruit of a labor of love lives in the harvest, and that 
> always comes in its right season" _anonymous
>
>
> http://jeffduke.org/
> http://virb.com/jeffduke
> http://www.vimeo.com/jeffduke
> http://themineisthemind.blogspot.com/
> http://www.myspace.com/loopsinphasespace
> http://www.youtube.com/user/sticky899
> http://www.sugarat.org/tecbab/
>
>
> ----- Original Message ----- From: "Daryl Shawn" <highhorse@mhorse.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, May 15, 2009 9:33 AM
> Subject: OT: new non-looping guitar record
>
>
>> With only the most minimal of looping content, wanted to announce my 
>> new acoustic guitar record, called "Body of a Poet". It's a "tunes" 
>> album with a big flamenco/rumba influence, with diversions toward 
>> post-rock, straightforward pop and classical/minimalist stuff.
>>
>> I've set up a page on Bandcamp, which I've quickly fallen in love 
>> with. You upload full .wav files, and they they offer the tracks in a 
>> variety of formats. They handle sales, and don't take a cut (??), 
>> it's all free and very easy to set up. Visitors can then stream the 
>> whole thing or download, at a price all the way down to free if you 
>> like. That's what I chose to do, so just grab it if you wish (though 
>> it's required to give me your email address for my newsletter if you 
>> don't wanna pay).
>>
>> http://darylshawn.bandcamp.com/album/body-of-a-poet
>>
>> Extremely minimal looping content: Craquelure is dedicated to Nels 
>> Cline. Also, I was listening to Zoe Keating's "One Cello x16" an 
>> awful lot at the time I was writing the title track Body of a Poet, 
>> and I think it echoes the mood of some of her stuff.
>>
>> By Monday I hope to have finished my long-in-progress Repetitive 
>> Miniatures, which is nothing BUT loops. I'll be blabbing about that 
>> one soon enough.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 16:32:00 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Sonuss G2M
Date: Fri, 15 May 2009 17:31:56 +0100
To: Loopers-Delight@loopers-delight.com
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Its great man but you need to play clean and its only monopohonic -  
tracking is better on the top strings

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 13 May 2009, at 18:42, Mark Sottilaro wrote:

> Seemed really good.  What do you think of it?  I abandoned hex pickup
> guitar synths many moons ago (There's actually a thing called a
> keyboard that triggers perfectly! ;) ) but I sometimes think it might
> be nice to fool with it.
>
>
> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell  
> <raul.bonell@gmail.com> wrote:
>> thanks mat ... now at work, later i watch it ...thanks.
>>
>> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>>> oops - the link is http://www.mattstevensguitar.blogspot.com
>>>
>>> I am indeed an idiot
>>>
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>> Begin forwarded message:
>>>
>>>> Resent-From: Loopers-Delight@loopers-delight.com
>>>> From: Matt Stevens <mattstevensguitar@btinternet.com>
>>>> Date: 13 May 2009 14:05:58 BDT
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: Sonuss G2M
>>>> Reply-To: Loopers-Delight@loopers-delight.com
>>>>
>>>> Hey guys
>>>>
>>>> Posted a quick demo for that G2M guitar to midi convertor thing -
>>>> very cool - tracking is good.
>>>>
>>>> Matt Stevens
>>>> www.mattstevensguitar.com
>>>> mattstevensguitar@btinternet.com
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>


--Apple-Mail-1--42572367
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Its great man but you need to play clean and its only monopohonic - =
tracking is better on the top strings<div><br><div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 13 May 2009, =
at 18:42, Mark Sottilaro wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Seemed really good.<span =
class=3D"Apple-converted-space">=A0 </span>What do you think of it?<span =
class=3D"Apple-converted-space">=A0 </span>I abandoned hex =
pickup</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">guitar synths many moons ago =
(There's actually a thing called a</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">keyboard that =
triggers perfectly! ;) ) but I sometimes think it might</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">be nice to fool with it.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Wed, May =
13, 2009 at 9:24 AM, Raul Bonell &lt;<a =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>> =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">thanks mat =
... now at work, later i watch it ...thanks.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">2009/5/13, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>>:</div> <blockquote type=3D"cite"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">oops - =
the link is <a =
href=3D"http://www.mattstevensguitar.blogspot.com">http://www.mattstevensg=
uitar.blogspot.com</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I am indeed an idiot</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Matt =
Stevens</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Begin forwarded =
message:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Resent-From: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">From: Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Date: 13 May 2009 14:05:58 =
BDT</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Subject: Sonuss G2M</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Reply-To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hey guys</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Posted a quick demo for that G2M =
guitar to midi convertor thing -</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">very cool - =
tracking is good.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">--</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Raul Bonell at Blogger: <a =
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">Chain Tape Collective: <a =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></div></body></html>=

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	 <66f9cc1e0905150606g37fd49b3y71844566892d0627@mail.gmail.com>
	 <afb941d0905150615m44a44s1d43fda049cf02b1@mail.gmail.com>
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Date: Fri, 15 May 2009 17:36:47 +0200
Message-ID: <66f9cc1e0905150836l11d8eac9k2c9742450a5d52e4@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>>> For non timing critical routing Jack and SoundFlower works fine
>>> though. I use SoundFlower to record mp3 files of phone conferences and
>>> any sort of audio streaming like iTunes, Spotify etc.


On Fri, May 15, 2009 at 4:25 PM, Os <os@collective.co.uk> wrote:
> why are you using soundflower for that? Live is quite capable of
> recording its own output as you play.


Because I use the applications Audio Hi-Jack Pro to snag streams on my
macs and that application contains SoundFlower as its working stream
jacking component. I don't use Live much at all.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 16:53:30 2009
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Date: Fri, 15 May 2009 18:53:29 +0200
Message-ID: <afb941d0905150953l635fcc4cg7079a6c272949d66@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i try to make the final mixes on logic, but since logic can't import
32 bits files... i'd go for the 24 bits format in live, although as
i'm using lots of ableton's fx (and that's where 32 bits makes sense),
if i render 24 bits files, then i need to dither from 32 to 24 prior
to importing the files into logic (or i should?).

i'd like to avoid dithering (even 32 bits to 24 bits, which is
obviously harmless than 24 to 16 bits) before going into logic.

i think there's a direct relation between streamed chunks and rendered
files, per.

2009/5/15, Os <os@collective.co.uk>:
> why are you using soundflower for that? Live is quite capable of
> recording its own output as you play.
>
>
> cheers,
> os.
>
>
> 2009/5/15 Raul Bonell <raul.bonell@gmail.com>:
>> ... not much related but i need to know.
>>
>> if i try to capture through soundflower, and providing that
>> soundflower always sends 32bits streams, my ableton's impro's into
>> logic (under leopard) ... does this implies that logic will truncate
>> from 32 to 24 bits, since logic can't open 32 bits files? ... i know
>> logic operates with 32 bits internally, but what about recording from
>> soundflower? is ableton really sending 32 bits in realtime? any
>> workaround per?
>>
>> 2009/5/15, Per Boysen <perboysen@gmail.com>:
>>> On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
>>>> But what if you run both Mainstage and Bidule as host? Suppose I sent
>>>> Mainstage to output 3/4 of the
>>>> Motu and I add a duplex audio device to Bidule. I can now use the
>>>> Mainstage output in Bidule, add effects etc
>>>> and route it to output 3/4 again. This works, but I'm wondering if
>>>> Bidule
>>>> output 3/4 are mixed into and thus
>>>> added to the original output 3/4 of Mainstage yes or no.
>>>
>>> If you target the same Motu output from two parallel applications -
>>> like here Mainstage and Bidule - these two streams will of course be
>>> summed at that Motu output. It doesn't matter if you think about your
>>> way as "Bidule being mixed into Mainstage" or the other way around. It
>>> is simply two audio streams getting summed in the Motu device (and
>>> that's OS X code at work, since OS X runs the CoreAudio driver for the
>>> Motu box).
>>>
>>>> Or does Bidule operate at a lower level so Mainstage and Bidule work in
>>>> series?
>>>
>>> No. Not unless you set it up like that with some sort of hack.
>>>
>>>> Btw: could JackOSX add anything extra for a live looping situation?
>>>
>>> Not in my opinion. The reason is that any live looping situation is
>>> highly timing dependent, being a real-time activity, and the latency
>>> of both Jack and SoundFlower (Cycling74) induce a latency that does
>>> vary depending on what else is happening on the computer. There's no
>>> way of compensating for varying latency.
>>>
>>> For non timing critical routing Jack and SoundFlower works fine
>>> though. I use SoundFlower to record mp3 files of phone conferences and
>>> any sort of audio streaming like iTunes, Spotify etc.
>>>
>>> Per
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 17:02:58 2009
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Date: Fri, 15 May 2009 19:01:59 +0200
Message-ID: <66f9cc1e0905151001u65f34f75kb5ed49370e5aeb6e@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
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Raul,

Why aren't you combining Live and Logic with ReWire? That way you
won't have to export or import any files at all and you get a more
creative system with both Applications running together. Start Logic
first then Live, so it will hook up as the ReWire slave to Logic,
being the ReWire master. Then create as many ReWire channels you need
in Logic's mixer to pipe in the channels from Live. The only drawback
here is that no third-party plug-ins can be used in Live when in
ReWire mode (yes, that sucks - many have complained but the Abes
haven't been able to fix that yet).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, May 15, 2009 at 6:53 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> i try to make the final mixes on logic, but since logic can't import
> 32 bits files... i'd go for the 24 bits format in live, although as
> i'm using lots of ableton's fx (and that's where 32 bits makes sense),
> if i render 24 bits files, then i need to dither from 32 to 24 prior
> to importing the files into logic (or i should?).
>
> i'd like to avoid dithering (even 32 bits to 24 bits, which is
> obviously harmless than 24 to 16 bits) before going into logic.
>
> i think there's a direct relation between streamed chunks and rendered
> files, per.
>
> 2009/5/15, Os <os@collective.co.uk>:
>> why are you using soundflower for that? Live is quite capable of
>> recording its own output as you play.
>>
>>
>> cheers,
>> os.
>>
>>
>> 2009/5/15 Raul Bonell <raul.bonell@gmail.com>:
>>> ... not much related but i need to know.
>>>
>>> if i try to capture through soundflower, and providing that
>>> soundflower always sends 32bits streams, my ableton's impro's into
>>> logic (under leopard) ... does this implies that logic will truncate
>>> from 32 to 24 bits, since logic can't open 32 bits files? ... i know
>>> logic operates with 32 bits internally, but what about recording from
>>> soundflower? is ableton really sending 32 bits in realtime? any
>>> workaround per?
>>>
>>> 2009/5/15, Per Boysen <perboysen@gmail.com>:
>>>> On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
>>>>> But what if you run both Mainstage and Bidule as host? Suppose I sent
>>>>> Mainstage to output 3/4 of the
>>>>> Motu and I add a duplex audio device to Bidule. I can now use the
>>>>> Mainstage output in Bidule, add effects etc
>>>>> and route it to output 3/4 again. This works, but I'm wondering if
>>>>> Bidule
>>>>> output 3/4 are mixed into and thus
>>>>> added to the original output 3/4 of Mainstage yes or no.
>>>>
>>>> If you target the same Motu output from two parallel applications -
>>>> like here Mainstage and Bidule - these two streams will of course be
>>>> summed at that Motu output. It doesn't matter if you think about your
>>>> way as "Bidule being mixed into Mainstage" or the other way around. It
>>>> is simply two audio streams getting summed in the Motu device (and
>>>> that's OS X code at work, since OS X runs the CoreAudio driver for the
>>>> Motu box).
>>>>
>>>>> Or does Bidule operate at a lower level so Mainstage and Bidule work in
>>>>> series?
>>>>
>>>> No. Not unless you set it up like that with some sort of hack.
>>>>
>>>>> Btw: could JackOSX add anything extra for a live looping situation?
>>>>
>>>> Not in my opinion. The reason is that any live looping situation is
>>>> highly timing dependent, being a real-time activity, and the latency
>>>> of both Jack and SoundFlower (Cycling74) induce a latency that does
>>>> vary depending on what else is happening on the computer. There's no
>>>> way of compensating for varying latency.
>>>>
>>>> For non timing critical routing Jack and SoundFlower works fine
>>>> though. I use SoundFlower to record mp3 files of phone conferences and
>>>> any sort of audio streaming like iTunes, Spotify etc.
>>>>
>>>> Per
>>>>
>>>>
>>>
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>>
>>
>>
>>
>> --
>> os@collective.co.uk
>> http://www.darkroomtheband.net/
>> http://www.expert-sleepers.co.uk/
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 17:16:23 2009
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Date: Fri, 15 May 2009 19:16:20 +0200
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Subject: Re: Question about OSX audio routing
From: Raul Bonell <raul.bonell@gmail.com>
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... so then it's useless for me, since i'd wanted to capture the
creative fx performance while improvising, and had to leave the
soundhacks, smatelectronix, etc... that i usually control with the
fcb1010 in the studio.

as you told me some time ago, 24 bits seems the way to go.

anyhow, does make sense to put at the end of each track channel an
instance of a dithering plugin while recording
ableton->soundflower->logic? would this consume lots of CPU power for,
let's say, 8 stereo tracks at once?

2009/5/15, Per Boysen <perboysen@gmail.com>:
> Raul,
>
> Why aren't you combining Live and Logic with ReWire? That way you
> won't have to export or import any files at all and you get a more
> creative system with both Applications running together. Start Logic
> first then Live, so it will hook up as the ReWire slave to Logic,
> being the ReWire master. Then create as many ReWire channels you need
> in Logic's mixer to pipe in the channels from Live. The only drawback
> here is that no third-party plug-ins can be used in Live when in
> ReWire mode (yes, that sucks - many have complained but the Abes
> haven't been able to fix that yet).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Fri, May 15, 2009 at 6:53 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>> i try to make the final mixes on logic, but since logic can't import
>> 32 bits files... i'd go for the 24 bits format in live, although as
>> i'm using lots of ableton's fx (and that's where 32 bits makes sense),
>> if i render 24 bits files, then i need to dither from 32 to 24 prior
>> to importing the files into logic (or i should?).
>>
>> i'd like to avoid dithering (even 32 bits to 24 bits, which is
>> obviously harmless than 24 to 16 bits) before going into logic.
>>
>> i think there's a direct relation between streamed chunks and rendered
>> files, per.
>>
>> 2009/5/15, Os <os@collective.co.uk>:
>>> why are you using soundflower for that? Live is quite capable of
>>> recording its own output as you play.
>>>
>>>
>>> cheers,
>>> os.
>>>
>>>
>>> 2009/5/15 Raul Bonell <raul.bonell@gmail.com>:
>>>> ... not much related but i need to know.
>>>>
>>>> if i try to capture through soundflower, and providing that
>>>> soundflower always sends 32bits streams, my ableton's impro's into
>>>> logic (under leopard) ... does this implies that logic will truncate
>>>> from 32 to 24 bits, since logic can't open 32 bits files? ... i know
>>>> logic operates with 32 bits internally, but what about recording from
>>>> soundflower? is ableton really sending 32 bits in realtime? any
>>>> workaround per?
>>>>
>>>> 2009/5/15, Per Boysen <perboysen@gmail.com>:
>>>>> On Fri, May 15, 2009 at 1:49 PM, Sjaak <tcplugin@scarlet.be> wrote:
>>>>>> But what if you run both Mainstage and Bidule as host? Suppose I sent
>>>>>> Mainstage to output 3/4 of the
>>>>>> Motu and I add a duplex audio device to Bidule. I can now use the
>>>>>> Mainstage output in Bidule, add effects etc
>>>>>> and route it to output 3/4 again. This works, but I'm wondering if
>>>>>> Bidule
>>>>>> output 3/4 are mixed into and thus
>>>>>> added to the original output 3/4 of Mainstage yes or no.
>>>>>
>>>>> If you target the same Motu output from two parallel applications -
>>>>> like here Mainstage and Bidule - these two streams will of course be
>>>>> summed at that Motu output. It doesn't matter if you think about your
>>>>> way as "Bidule being mixed into Mainstage" or the other way around. It
>>>>> is simply two audio streams getting summed in the Motu device (and
>>>>> that's OS X code at work, since OS X runs the CoreAudio driver for the
>>>>> Motu box).
>>>>>
>>>>>> Or does Bidule operate at a lower level so Mainstage and Bidule work
>>>>>> in
>>>>>> series?
>>>>>
>>>>> No. Not unless you set it up like that with some sort of hack.
>>>>>
>>>>>> Btw: could JackOSX add anything extra for a live looping situation?
>>>>>
>>>>> Not in my opinion. The reason is that any live looping situation is
>>>>> highly timing dependent, being a real-time activity, and the latency
>>>>> of both Jack and SoundFlower (Cycling74) induce a latency that does
>>>>> vary depending on what else is happening on the computer. There's no
>>>>> way of compensating for varying latency.
>>>>>
>>>>> For non timing critical routing Jack and SoundFlower works fine
>>>>> though. I use SoundFlower to record mp3 files of phone conferences and
>>>>> any sort of audio streaming like iTunes, Spotify etc.
>>>>>
>>>>> Per
>>>>>
>>>>>
>>>>
>>>>
>>>> --
>>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>>> Chain Tape Collective: http://www.ct-collective.com
>>>>
>>>>
>>>
>>>
>>>
>>> --
>>> os@collective.co.uk
>>> http://www.darkroomtheband.net/
>>> http://www.expert-sleepers.co.uk/
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 17:18:12 2009
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Subject: [Virtual Gig Spam]: The MoinSound Studio Sessions, Saturday May 16th, 
	1600 UTC.
From: Rainer Straschill <moinsound@googlemail.com>
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Saturday May 16th, 1600 UTC.
http://www.justin.tv/moinlabs
"The MoinSound Studio Sessions"
(Rainer Straschill - trombone, voice, whimsical electronics)

This is the last "inofficial" session as part of the MoinSound Studio
sessions before we launch into a periodical, bi-weekly appearance.

Mark you calendars - starting in cw22 (on 30th of May), the MoinSound
Studio Sessions will air in every even calendar week, Saturday at 1600
UTC.

See you there,

               Rainer

ps: UTC is "universal time coordinated", which is basically
zero-meridian astronomical time, or England time if they didn't have
that stupid DST.
For your convenience, here's a few references:

09:00 AM US/Pacific
12:00 PM US/Eastern
05:00 PM UK
18:00 Western Continental Europe (e.g. Germany, Austria, Switzerland)
01:00 the next day: Japan

From Loopers-Delight-request@loopers-delight.com  Fri May 15 17:20:03 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: [Virtual Gig Spam]: The MoinSound Studio Sessions, Saturday May 16th,  1600 UTC.
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Cool 5pm tomorrow - see you there

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 May 2009, at 18:18, Rainer Straschill wrote:

> Saturday May 16th, 1600 UTC.
> http://www.justin.tv/moinlabs
> "The MoinSound Studio Sessions"
> (Rainer Straschill - trombone, voice, whimsical electronics)
>
> This is the last "inofficial" session as part of the MoinSound Studio
> sessions before we launch into a periodical, bi-weekly appearance.
>
> Mark you calendars - starting in cw22 (on 30th of May), the MoinSound
> Studio Sessions will air in every even calendar week, Saturday at 1600
> UTC.
>
> See you there,
>
>                Rainer
>
> ps: UTC is "universal time coordinated", which is basically
> zero-meridian astronomical time, or England time if they didn't have
> that stupid DST.
> For your convenience, here's a few references:
>
> 09:00 AM US/Pacific
> 12:00 PM US/Eastern
> 05:00 PM UK
> 18:00 Western Continental Europe (e.g. Germany, Austria, Switzerland)
> 01:00 the next day: Japan
>


--Apple-Mail-2--39688996
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Cool 5pm tomorrow - see you there<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 May 2009, =
at 18:18, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Saturday May 16th, 1600 UTC.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.justin.tv/moinlabs">http://www.justin.tv/moinlabs</a></=
div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">"The MoinSound Studio Sessions"</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">(Rainer Straschill - trombone, voice, whimsical =
electronics)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">This is the last "inofficial" session as part of the =
MoinSound Studio</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">sessions before we launch into a =
periodical, bi-weekly appearance.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Mark you calendars - starting in =
cw22 (on 30th of May), the MoinSound</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Studio =
Sessions will air in every even calendar week, Saturday at =
1600</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">UTC.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">See you =
there,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">=A0=A0 =A0 =A0 =
=A0 =A0 =A0 =A0 </span>Rainer</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ps: UTC is "universal time =
coordinated", which is basically</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">zero-meridian =
astronomical time, or England time if they didn't have</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">that stupid DST.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For your =
convenience, here's a few references:</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">09:00 AM =
US/Pacific</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">12:00 PM US/Eastern</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">05:00 PM UK</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">18:00 Western =
Continental Europe (e.g. Germany, Austria, Switzerland)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">01:00 the next day: Japan</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2--39688996--

From Loopers-Delight-request@loopers-delight.com  Fri May 15 17:57:41 2009
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	 <BC442B21-3DA5-4A53-87CB-1040EE275FD3@btinternet.com>
	 <afb941d0905130924r6ba6e24av3ebc78059257cac8@mail.gmail.com>
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	 <03BDE1EB-F584-47F0-8D8F-309C835E4BD9@btinternet.com>
Date: Fri, 15 May 2009 10:57:40 -0700
Message-ID: <bcd3c7bb0905151057y1f3f6de5v7c0107fdb09ebe1c@mail.gmail.com>
Subject: Re: Sonuss G2M
From: Mark Sottilaro <zerocrossing@gmail.com>
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That makes sense as you need at least a couple of wave cycles to
figure out a pitch.  Lower notes are going to inherently have more
latency.  Could be a cool toy for cheap, but here in the U.S. trying
to find a place that sells it is nearly impossible.  The website is a
labyrinth  that goes no where.

On Fri, May 15, 2009 at 9:31 AM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> Its great man but you need to play clean and its only monopohonic - track=
ing
> is better on the top strings
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 13 May 2009, at 18:42, Mark Sottilaro wrote:
>
> Seemed really good.=A0 What do you think of it?=A0 I abandoned hex pickup
> guitar synths many moons ago (There's actually a thing called a
> keyboard that triggers perfectly! ;) ) but I sometimes think it might
> be nice to fool with it.
>
> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell <raul.bonell@gmail.com> wrot=
e:
>
> thanks mat ... now at work, later i watch it ...thanks.
> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>
> oops - the link is http://www.mattstevensguitar.blogspot.com
> I am indeed an idiot
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> Begin forwarded message:
>
> Resent-From: Loopers-Delight@loopers-delight.com
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Date: 13 May 2009 14:05:58 BDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Sonuss G2M
> Reply-To: Loopers-Delight@loopers-delight.com
> Hey guys
> Posted a quick demo for that G2M guitar to midi convertor thing -
> very cool - tracking is good.
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 18:02:24 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Sonuss G2M
Date: Fri, 15 May 2009 19:02:21 +0100
To: Loopers-Delight@loopers-delight.com
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Have u tried Amazon - got mine from there

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 May 2009, at 18:57, Mark Sottilaro wrote:

> That makes sense as you need at least a couple of wave cycles to
> figure out a pitch.  Lower notes are going to inherently have more
> latency.  Could be a cool toy for cheap, but here in the U.S. trying
> to find a place that sells it is nearly impossible.  The website is a
> labyrinth  that goes no where.
>
> On Fri, May 15, 2009 at 9:31 AM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>> Its great man but you need to play clean and its only monopohonic  
>> - tracking
>> is better on the top strings
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>> On 13 May 2009, at 18:42, Mark Sottilaro wrote:
>>
>> Seemed really good.  What do you think of it?  I abandoned hex pickup
>> guitar synths many moons ago (There's actually a thing called a
>> keyboard that triggers perfectly! ;) ) but I sometimes think it might
>> be nice to fool with it.
>>
>> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell  
>> <raul.bonell@gmail.com> wrote:
>>
>> thanks mat ... now at work, later i watch it ...thanks.
>> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>>
>> oops - the link is http://www.mattstevensguitar.blogspot.com
>> I am indeed an idiot
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>> Begin forwarded message:
>>
>> Resent-From: Loopers-Delight@loopers-delight.com
>> From: Matt Stevens <mattstevensguitar@btinternet.com>
>> Date: 13 May 2009 14:05:58 BDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Sonuss G2M
>> Reply-To: Loopers-Delight@loopers-delight.com
>> Hey guys
>> Posted a quick demo for that G2M guitar to midi convertor thing -
>> very cool - tracking is good.
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Have u tried Amazon - got mine from there<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 May 2009, =
at 18:57, Mark Sottilaro wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">That makes sense as you need at least a couple of =
wave cycles to</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">figure out a pitch.<span =
class=3D"Apple-converted-space">=A0 </span>Lower notes are going to =
inherently have more</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">latency.<span =
class=3D"Apple-converted-space">=A0 </span>Could be a cool toy for =
cheap, but here in the U.S. trying</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">to find a =
place that sells it is nearly impossible.<span =
class=3D"Apple-converted-space">=A0 </span>The website is a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">labyrinth<span class=3D"Apple-converted-space">=A0 =
</span>that goes no where.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On Fri, May 15, 2009 at 9:31 AM, =
Matt Stevens</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>> wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Its great man but you need to play clean and its =
only monopohonic - tracking</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">is better on =
the top strings</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Matt Stevens</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.mattstevensguitar.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On 13 May =
2009, at 18:42, Mark Sottilaro wrote:</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Seemed really =
good.=A0 What do you think of it?=A0 I abandoned hex pickup</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">guitar synths many moons ago (There's actually a =
thing called a</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">keyboard that triggers =
perfectly! ;) ) but I sometimes think it might</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">be nice to fool with it.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Wed, =
May 13, 2009 at 9:24 AM, Raul Bonell &lt;<a =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>> =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">thanks mat ... now at work, later i watch it =
...thanks.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">2009/5/13, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>>:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">oops - the link is <a =
href=3D"http://www.mattstevensguitar.blogspot.com">http://www.mattstevensg=
uitar.blogspot.com</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">I am indeed an =
idiot</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Matt Stevens</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.mattstevensguitar.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Begin =
forwarded message:</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Resent-From: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">From: Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Date: 13 May 2009 14:05:58 =
BDT</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Subject: Sonuss G2M</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Reply-To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hey guys</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Posted a quick demo for that G2M guitar to midi =
convertor thing -</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">very cool - tracking is =
good.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Matt Stevens</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.mattstevensguitar.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Raul Bonell at Blogger: <a =
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">Chain Tape Collective: <a =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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Date: Fri, 15 May 2009 14:07:16 -0400
Message-ID: <7b8f49fa0905151107k393bb7day79a8b9773516a140@mail.gmail.com>
Subject: Re: Sonuss G2M
From: bassman <bassman4d521@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Musician's Friend is sending me one - can't wait to try it.

Rich

On Fri, May 15, 2009 at 2:02 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Have u tried Amazon - got mine from there
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>   On 15 May 2009, at 18:57, Mark Sottilaro wrote:
>
>  That makes sense as you need at least a couple of wave cycles to
> figure out a pitch.  Lower notes are going to inherently have more
> latency.  Could be a cool toy for cheap, but here in the U.S. trying
> to find a place that sells it is nearly impossible.  The website is a
> labyrinth  that goes no where.
>
> On Fri, May 15, 2009 at 9:31 AM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>
> Its great man but you need to play clean and its only monopohonic -
> tracking
> is better on the top strings
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 13 May 2009, at 18:42, Mark Sottilaro wrote:
>
> Seemed really good.  What do you think of it?  I abandoned hex pickup
> guitar synths many moons ago (There's actually a thing called a
> keyboard that triggers perfectly! ;) ) but I sometimes think it might
> be nice to fool with it.
>
> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell <raul.bonell@gmail.com>
> wrote:
>
> thanks mat ... now at work, later i watch it ...thanks.
> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>
> oops - the link is http://www.mattstevensguitar.blogspot.com
> I am indeed an idiot
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> Begin forwarded message:
>
> Resent-From: Loopers-Delight@loopers-delight.com
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Date: 13 May 2009 14:05:58 BDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Sonuss G2M
> Reply-To: Loopers-Delight@loopers-delight.com
> Hey guys
> Posted a quick demo for that G2M guitar to midi convertor thing -
> very cool - tracking is good.
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>
>
>
>
>
>

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<div>Musician&#39;s Friend is sending me one - can&#39;t wait to try it.</d=
iv>
<div>=A0</div>
<div>Rich<br><br></div>
<div class=3D"gmail_quote">On Fri, May 15, 2009 at 2:02 PM, Matt Stevens <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mat=
tstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">Have u tried Amazon - got mine from th=
ere=20
<div>
<div class=3D"im"><br>
<div><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM=
: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SP=
ACING: normal; BORDER-COLLAPSE: separate"><span style=3D"WORD-SPACING: 0px;=
 FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT=
: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separa=
te">
<div>Matt Stevens</div>
<div><a href=3D"http://www.mattstevensguitar.com/" target=3D"_blank">www.ma=
ttstevensguitar.com</a></div>
<div><a href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">=
mattstevensguitar@btinternet.com</a></div>
<div><br></div></span><br></span><br></div><br></div>
<div>
<div></div>
<div class=3D"h5">
<div>
<div>On 15 May 2009, at 18:57, Mark Sottilaro wrote:</div><br>
<blockquote type=3D"cite">
<div style=3D"MARGIN: 0px">That makes sense as you need at least a couple o=
f wave cycles to</div>
<div style=3D"MARGIN: 0px">figure out a pitch.<span>=A0 </span>Lower notes =
are going to inherently have more</div>
<div style=3D"MARGIN: 0px">latency.<span>=A0 </span>Could be a cool toy for=
 cheap, but here in the U.S. trying</div>
<div style=3D"MARGIN: 0px">to find a place that sells it is nearly impossib=
le.<span>=A0 </span>The website is a</div>
<div style=3D"MARGIN: 0px">labyrinth<span>=A0 </span>that goes no where.</d=
iv>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">On Fri, May 15, 2009 at 9:31 AM, Matt Stevens</d=
iv>
<div style=3D"MARGIN: 0px">&lt;<a href=3D"mailto:mattstevensguitar@btintern=
et.com" target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt; wrote:</=
div>
<blockquote type=3D"cite">
<div style=3D"MARGIN: 0px">Its great man but you need to play clean and its=
 only monopohonic - tracking</div>
<div style=3D"MARGIN: 0px">is better on the top strings</div>
<div style=3D"MARGIN: 0px">Matt Stevens</div>
<div style=3D"MARGIN: 0px"><a href=3D"http://www.mattstevensguitar.com/" ta=
rget=3D"_blank">www.mattstevensguitar.com</a></div>
<div style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.c=
om" target=3D"_blank">mattstevensguitar@btinternet.com</a></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">On 13 May 2009, at 18:42, Mark Sottilaro wrote:<=
/div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">Seemed really good.=A0 What do you think of it?=
=A0 I abandoned hex pickup</div>
<div style=3D"MARGIN: 0px">guitar synths many moons ago (There&#39;s actual=
ly a thing called a</div>
<div style=3D"MARGIN: 0px">keyboard that triggers perfectly! ;) ) but I som=
etimes think it might</div>
<div style=3D"MARGIN: 0px">be nice to fool with it.</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">On Wed, May 13, 2009 at 9:24 AM, Raul Bonell &lt=
;<a href=3D"mailto:raul.bonell@gmail.com" target=3D"_blank">raul.bonell@gma=
il.com</a>&gt; wrote:</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">thanks mat ... now at work, later i watch it ...=
thanks.</div>
<div style=3D"MARGIN: 0px">2009/5/13, Matt Stevens &lt;<a href=3D"mailto:ma=
ttstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinter=
net.com</a>&gt;:</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">oops - the link is <a href=3D"http://www.mattste=
vensguitar.blogspot.com/" target=3D"_blank">http://www.mattstevensguitar.bl=
ogspot.com</a></div>
<div style=3D"MARGIN: 0px">I am indeed an idiot</div>
<div style=3D"MARGIN: 0px">Matt Stevens</div>
<div style=3D"MARGIN: 0px"><a href=3D"http://www.mattstevensguitar.com/" ta=
rget=3D"_blank">www.mattstevensguitar.com</a></div>
<div style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.c=
om" target=3D"_blank">mattstevensguitar@btinternet.com</a></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">Begin forwarded message:</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">Resent-From: <a href=3D"mailto:Loopers-Delight@l=
oopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</=
a></div>
<div style=3D"MARGIN: 0px">From: Matt Stevens &lt;<a href=3D"mailto:mattste=
vensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet.c=
om</a>&gt;</div>
<div style=3D"MARGIN: 0px">Date: 13 May 2009 14:05:58 BDT</div>
<div style=3D"MARGIN: 0px">To: <a href=3D"mailto:Loopers-Delight@loopers-de=
light.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a></div>
<div style=3D"MARGIN: 0px">Subject: Sonuss G2M</div>
<div style=3D"MARGIN: 0px">Reply-To: <a href=3D"mailto:Loopers-Delight@loop=
ers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><=
/div>
<div style=3D"MARGIN: 0px">Hey guys</div>
<div style=3D"MARGIN: 0px">Posted a quick demo for that G2M guitar to midi =
convertor thing -</div>
<div style=3D"MARGIN: 0px">very cool - tracking is good.</div>
<div style=3D"MARGIN: 0px">Matt Stevens</div>
<div style=3D"MARGIN: 0px"><a href=3D"http://www.mattstevensguitar.com/" ta=
rget=3D"_blank">www.mattstevensguitar.com</a></div>
<div style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.c=
om" target=3D"_blank">mattstevensguitar@btinternet.com</a></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MARGIN: 0px">--</div>
<div style=3D"MARGIN: 0px">Raul Bonell at Blogger: <a href=3D"http://raulbo=
nell.blogspot.com/" target=3D"_blank">http://raulbonell.blogspot.com</a></d=
iv>
<div style=3D"MARGIN: 0px">Chain Tape Collective: <a href=3D"http://www.ct-=
collective.com/" target=3D"_blank">http://www.ct-collective.com</a></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div></blockquote>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div></blockquote></div><=
br></div></div></div></div></blockquote></div><br>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Sonuss G2M
Date: Fri, 15 May 2009 19:41:47 +0100
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Let me know what you think - i love my one.  Moog solos - yes!!!!!!!!  
Finally my Jan Hammer fantasy is here

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 May 2009, at 19:07, bassman wrote:

> Musician's Friend is sending me one - can't wait to try it.
>
> Rich
>
> On Fri, May 15, 2009 at 2:02 PM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Have u tried Amazon - got mine from there
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 15 May 2009, at 18:57, Mark Sottilaro wrote:
>
>> That makes sense as you need at least a couple of wave cycles to
>> figure out a pitch.  Lower notes are going to inherently have more
>> latency.  Could be a cool toy for cheap, but here in the U.S. trying
>> to find a place that sells it is nearly impossible.  The website is a
>> labyrinth  that goes no where.
>>
>> On Fri, May 15, 2009 at 9:31 AM, Matt Stevens
>> <mattstevensguitar@btinternet.com> wrote:
>>> Its great man but you need to play clean and its only monopohonic  
>>> - tracking
>>> is better on the top strings
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>> On 13 May 2009, at 18:42, Mark Sottilaro wrote:
>>>
>>> Seemed really good.  What do you think of it?  I abandoned hex  
>>> pickup
>>> guitar synths many moons ago (There's actually a thing called a
>>> keyboard that triggers perfectly! ;) ) but I sometimes think it  
>>> might
>>> be nice to fool with it.
>>>
>>> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell  
>>> <raul.bonell@gmail.com> wrote:
>>>
>>> thanks mat ... now at work, later i watch it ...thanks.
>>> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
>>>
>>> oops - the link is http://www.mattstevensguitar.blogspot.com
>>> I am indeed an idiot
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>> Begin forwarded message:
>>>
>>> Resent-From: Loopers-Delight@loopers-delight.com
>>> From: Matt Stevens <mattstevensguitar@btinternet.com>
>>> Date: 13 May 2009 14:05:58 BDT
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Sonuss G2M
>>> Reply-To: Loopers-Delight@loopers-delight.com
>>> Hey guys
>>> Posted a quick demo for that G2M guitar to midi convertor thing -
>>> very cool - tracking is good.
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>>
>>>
>>>
>>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Let me know what you think - i love my one. =A0Moog solos - yes!!!!!!!! =
Finally my Jan Hammer fantasy is here<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 May 2009, =
at 19:07, bassman wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Musician's Friend is sending me one - can't wait to =
try it.</div> <div>=A0</div> <div>Rich<br><br></div> <div =
class=3D"gmail_quote">On Fri, May 15, 2009 at 2:02 PM, Matt Stevens =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>></span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc =
1px solid"> <div style=3D"WORD-WRAP: break-word">Have u tried Amazon - =
got mine from there <div> <div class=3D"im"><br> <div><span =
style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate"><span =
style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate"> <div>Matt =
Stevens</div> <div><a href=3D"http://www.mattstevensguitar.com/" =
target=3D"_blank">www.mattstevensguitar.com</a></div> <div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br></div><br></div> <div> <div></div> =
<div class=3D"h5"> <div> <div>On 15 May 2009, at 18:57, Mark Sottilaro =
wrote:</div><br> <blockquote type=3D"cite"> <div style=3D"MARGIN: =
0px">That makes sense as you need at least a couple of wave cycles =
to</div> <div style=3D"MARGIN: 0px">figure out a pitch.<span>=A0 =
</span>Lower notes are going to inherently have more</div> <div =
style=3D"MARGIN: 0px">latency.<span>=A0 </span>Could be a cool toy for =
cheap, but here in the U.S. trying</div> <div style=3D"MARGIN: 0px">to =
find a place that sells it is nearly impossible.<span>=A0 </span>The =
website is a</div> <div style=3D"MARGIN: 0px">labyrinth<span>=A0 =
</span>that goes no where.</div> <div style=3D"MIN-HEIGHT: 14px; MARGIN: =
0px"><br></div> <div style=3D"MARGIN: 0px">On Fri, May 15, 2009 at 9:31 =
AM, Matt Stevens</div> <div style=3D"MARGIN: 0px">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>> wrote:</div> =
<blockquote type=3D"cite"> <div style=3D"MARGIN: 0px">Its great man but =
you need to play clean and its only monopohonic - tracking</div> <div =
style=3D"MARGIN: 0px">is better on the top strings</div> <div =
style=3D"MARGIN: 0px">Matt Stevens</div> <div style=3D"MARGIN: 0px"><a =
href=3D"http://www.mattstevensguitar.com/" =
target=3D"_blank">www.mattstevensguitar.com</a></div> <div =
style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">On 13 May 2009, at 18:42, Mark Sottilaro wrote:</div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">Seemed really good.=A0 What do you think of it?=A0 I abandoned hex =
pickup</div> <div style=3D"MARGIN: 0px">guitar synths many moons ago =
(There's actually a thing called a</div> <div style=3D"MARGIN: =
0px">keyboard that triggers perfectly! ;) ) but I sometimes think it =
might</div> <div style=3D"MARGIN: 0px">be nice to fool with it.</div> =
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MARGIN: 0px">On Wed, May 13, 2009 at 9:24 AM, Raul Bonell =
&lt;<a href=3D"mailto:raul.bonell@gmail.com" =
target=3D"_blank">raul.bonell@gmail.com</a>> wrote:</div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">thanks mat ... now at work, later i watch it ...thanks.</div> <div =
style=3D"MARGIN: 0px">2009/5/13, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>>:</div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">oops - the link is <a =
href=3D"http://www.mattstevensguitar.blogspot.com/" =
target=3D"_blank">http://www.mattstevensguitar.blogspot.com</a></div> =
<div style=3D"MARGIN: 0px">I am indeed an idiot</div> <div =
style=3D"MARGIN: 0px">Matt Stevens</div> <div style=3D"MARGIN: 0px"><a =
href=3D"http://www.mattstevensguitar.com/" =
target=3D"_blank">www.mattstevensguitar.com</a></div> <div =
style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">Begin forwarded message:</div> <div style=3D"MIN-HEIGHT: 14px; =
MARGIN: 0px"><br></div> <div style=3D"MARGIN: 0px">Resent-From: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a></div> <div =
style=3D"MARGIN: 0px">From: Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>></div> <div =
style=3D"MARGIN: 0px">Date: 13 May 2009 14:05:58 BDT</div> <div =
style=3D"MARGIN: 0px">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a></div> <div =
style=3D"MARGIN: 0px">Subject: Sonuss G2M</div> <div style=3D"MARGIN: =
0px">Reply-To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a></div> <div =
style=3D"MARGIN: 0px">Hey guys</div> <div style=3D"MARGIN: 0px">Posted a =
quick demo for that G2M guitar to midi convertor thing -</div> <div =
style=3D"MARGIN: 0px">very cool - tracking is good.</div> <div =
style=3D"MARGIN: 0px">Matt Stevens</div> <div style=3D"MARGIN: 0px"><a =
href=3D"http://www.mattstevensguitar.com/" =
target=3D"_blank">www.mattstevensguitar.com</a></div> <div =
style=3D"MARGIN: 0px"><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div style=3D"MARGIN: =
0px">--</div> <div style=3D"MARGIN: 0px">Raul Bonell at Blogger: <a =
href=3D"http://raulbonell.blogspot.com/" =
target=3D"_blank">http://raulbonell.blogspot.com</a></div> <div =
style=3D"MARGIN: 0px">Chain Tape Collective: <a =
href=3D"http://www.ct-collective.com/" =
target=3D"_blank">http://www.ct-collective.com</a></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br></div></blockquote> <div =
style=3D"MIN-HEIGHT: 14px; MARGIN: =
0px"><br></div></blockquote></div><br></div></div></div></div></blockquote=
></div><br></blockquote></div><br></div></body></html>=

--Apple-Mail-4--34780840--

From Loopers-Delight-request@loopers-delight.com  Fri May 15 18:51:36 2009
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Date: Fri, 15 May 2009 11:51:35 -0700
Message-ID: <bcd3c7bb0905151151l4b9c0568xed9d410a80c2a7af@mail.gmail.com>
Subject: Re: Sonuss G2M
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh Amazon.  Is there anything you can't do?

On Fri, May 15, 2009 at 11:02 AM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> Have u tried Amazon - got mine from there
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 15 May 2009, at 18:57, Mark Sottilaro wrote:
>
> That makes sense as you need at least a couple of wave cycles to
> figure out a pitch.=A0 Lower notes are going to inherently have more
> latency.=A0 Could be a cool toy for cheap, but here in the U.S. trying
> to find a place that sells it is nearly impossible.=A0 The website is a
> labyrinth=A0 that goes no where.
> On Fri, May 15, 2009 at 9:31 AM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>
> Its great man but you need to play clean and its only monopohonic - track=
ing
> is better on the top strings
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
> On 13 May 2009, at 18:42, Mark Sottilaro wrote:
> Seemed really good.=A0 What do you think of it?=A0 I abandoned hex pickup
> guitar synths many moons ago (There's actually a thing called a
> keyboard that triggers perfectly! ;) ) but I sometimes think it might
> be nice to fool with it.
> On Wed, May 13, 2009 at 9:24 AM, Raul Bonell <raul.bonell@gmail.com> wrot=
e:
> thanks mat ... now at work, later i watch it ...thanks.
> 2009/5/13, Matt Stevens <mattstevensguitar@btinternet.com>:
> oops - the link is http://www.mattstevensguitar.blogspot.com
> I am indeed an idiot
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
> Begin forwarded message:
> Resent-From: Loopers-Delight@loopers-delight.com
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Date: 13 May 2009 14:05:58 BDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Sonuss G2M
> Reply-To: Loopers-Delight@loopers-delight.com
> Hey guys
> Posted a quick demo for that G2M guitar to midi convertor thing -
> very cool - tracking is good.
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 19:47:15 2009
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Date: Fri, 15 May 2009 21:47:14 +0200
Message-ID: <66f9cc1e0905151247r5d217327y77b4008a24f71c9b@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 15, 2009 at 7:16 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> anyhow, does make sense to put at the end of each track channel an
> instance of a dithering plugin while recording
> ableton->soundflower->logic?

Not any sense that I can see. If it is coming 32 bits that's precisely
what Logic handles internally, so I guess dithering would just lower
the resolution of the digital audio. You don't have to dither to have
audio recorded in Logic, even though one might thinks so since the
files are saved on disc as 24 bit resolution.


> would this consume lots of CPU power for,
> let's say, 8 stereo tracks at once?

I still don't understand why you would want to do it - but it doesn't
take a lot of CPU cycles to do on-the-fly dithering. I did that in
Bidule to have eight stereo files rendered during a looping
performance and I wasn't able to see any change in the CPU meter when
activating the eight dithering units.

From Loopers-Delight-request@loopers-delight.com  Fri May 15 19:52:05 2009
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Subject: Good article and video presenting Pogue Bidule
From: Per Boysen <perboysen@gmail.com>
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Click here to read and watch-->   http://is.gd/nObA

"Plogue Bidule Modular Music App: Get Started, Meet the Creators"
"Plogue Bidule has achieved much of what it set out to do - smaller
learning curve, doing more. The modular future is bright."
=E2=80=9CTotal freedom to experiment, and try ideas fast.=E2=80=9D

This article and video is a great introduction.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 20:34:31 2009
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Subject: RE: Question about OSX audio routing
Date: Fri, 15 May 2009 22:34:06 +0200
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Thanks Per. But thinking about it, Apple should release Mainstage 2.0 which
you can use within Bidule as au plugin :)
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/




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On Fri, May 15, 2009 at 10:34 PM, Sjaak <tcplugin@scarlet.be> wrote:
> Thanks Per. But thinking about it, Apple should release Mainstage 2.0 which
> you can use within Bidule as au plugin :)

Sure, you so right about that!
But why not use Bidule AU with Mainstage 1.0.2 today?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May 15 21:04:17 2009
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> But why not use Bidule AU with Mainstage 1.0.2 today?

If it doesn't work like you want to, you have to use it like it works. So
that's what I'm doing right now ;) 
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


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Date: Fri, 15 May 2009 15:28:58 -0700
Message-ID: <bcd3c7bb0905151528p8a32eebw645f991ddf5bfb26@mail.gmail.com>
Subject: Re: Good article and video presenting Pogue Bidule
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks for this Per. I've been sniffing around for something that
might be a little lighter in CPU use than Live is and Bidule is on my
list of apps to check out.

On Fri, May 15, 2009 at 12:52 PM, Per Boysen <perboysen@gmail.com> wrote:
> Click here to read and watch--> =A0 http://is.gd/nObA
>
> "Plogue Bidule Modular Music App: Get Started, Meet the Creators"
> "Plogue Bidule has achieved much of what it set out to do - smaller
> learning curve, doing more. The modular future is bright."
> =93Total freedom to experiment, and try ideas fast.=94
>
> This article and video is a great introduction.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 15 23:10:14 2009
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Subject: FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, Experimental, and Electro-Acoustic Music
Date: Fri, 15 May 2009 17:05:08 -0600
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------=_NextPart_000_01BB_01C9D57F.4D2C46C0
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Hello all,

I thought I'd let you know that my new BoiseRadio.org podcast show =
debuts tomorrow, Saturday, May 16 from 1-3pm Mountain Standard Time =
(MST)

Here is my new blog for the show, which includes the playlist. The link =
to the podcast will appear after the show runs live tomorrow.

http://radio-boise-freewave.blogspot.com/

"FreeWave features music within the free improvisation, =
electro-acoustic, experimental, and creative music genres. From the =
complex and frenzied sax expressions of Evan Parker to the =
extraterrestrial sounds of Sun Ra, FreeWave is all this and more, into =
the obscure and beyond with the new millennium's creative =
electro-acoustic music scene. FreeWave will push your listening =
boundaries into new and challenging territories of creative music. Not =
for the faint of heart or remotely formulaic and predictable, FreeWave =
will alter your musical perspectives irrevocably."

Cheers,

Kris


Kris Hartung
www.krispenhartung.com
http://b-cimf.com
http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
http://www.myspace.com/boiseexperimentalmusicfestival
info@krispenhartung.com
1-208-724-5603
------=_NextPart_000_01BB_01C9D57F.4D2C46C0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I thought I'd let you know that my new=20
BoiseRadio.org podcast show debuts tomorrow, Saturday, May 16 from 1-3pm =

Mountain Standard Time (MST)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is my new blog for the&nbsp;show, =
which=20
includes the playlist. The link to the podcast will appear after the =
show runs=20
live tomorrow.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DArial><STRONG>"FreeWave</STRONG> =
features music=20
within the free improvisation, electro-acoustic, experimental, and =
creative=20
music genres. From the complex and frenzied sax expressions of Evan =
Parker to=20
the extraterrestrial sounds of Sun Ra, <STRONG>FreeWave</STRONG> is all =
this and=20
more, into the obscure and beyond with the new millennium=92s creative=20
electro-acoustic music scene. FreeWave will push your listening =
boundaries into=20
new and challenging territories of creative music. Not for the faint of =
heart or=20
remotely formulaic and predictable, FreeWave will alter your musical=20
perspectives irrevocably."</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris Hartung<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://b-cimf.com">http://b-cimf.com</A><BR><A=20
href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music=
-Festival/37918746335">http://www.facebook.com/pages/Boise-Creative-and-I=
mprovised-Music-Festival/37918746335</A><BR><A=20
href=3D"http://www.myspace.com/boiseexperimentalmusicfestival">http://www=
.myspace.com/boiseexperimentalmusicfestival</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR>1-=
208-724-5603</FONT></DIV></BODY></HTML>

------=_NextPart_000_01BB_01C9D57F.4D2C46C0--

From Loopers-Delight-request@loopers-delight.com  Sat May 16 00:07:02 2009
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Subject: Re: FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, 
	Experimental, and Electro-Acoustic Music
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great podcast kris ... ahh and there's our incredible pianist agust=ED
fern=E1ndez with missed derek ... i'm subscribing right now.

2009/5/16, Krispen Hartung <info@krispenhartung.com>:
> Hello all,
>
> I thought I'd let you know that my new BoiseRadio.org podcast show debuts
> tomorrow, Saturday, May 16 from 1-3pm Mountain Standard Time (MST)
>
> Here is my new blog for the show, which includes the playlist. The link t=
o
> the podcast will appear after the show runs live tomorrow.
>
> http://radio-boise-freewave.blogspot.com/
>
> "FreeWave features music within the free improvisation, electro-acoustic,
> experimental, and creative music genres. From the complex and frenzied sa=
x
> expressions of Evan Parker to the extraterrestrial sounds of Sun Ra,
> FreeWave is all this and more, into the obscure and beyond with the new
> millennium's creative electro-acoustic music scene. FreeWave will push yo=
ur
> listening boundaries into new and challenging territories of creative mus=
ic.
> Not for the faint of heart or remotely formulaic and predictable, FreeWav=
e
> will alter your musical perspectives irrevocably."
>
> Cheers,
>
> Kris
>
>
> Kris Hartung
> www.krispenhartung.com
> http://b-cimf.com
> http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
> http://www.myspace.com/boiseexperimentalmusicfestival
> info@krispenhartung.com
> 1-208-724-5603


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From nelsonmarlindee@cox.net  Sat May 16 06:52:11 2009
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Dear Esteemed Winner,

You have been selected in the on-going Chevron/Texaco award held this
May 2009 and you are to claim the sum of $750,000 USD.it means you are one of the five(5) lucky winners. Your verification number is:
(CT-222-6747,FGN/P-900-56).  CLAIMS PROCESSING AGENT

Emai: eddie.collins_2009@msn.com

                                                                              Mr  Eddie Collins


You are to contact your claims agent with this details below:
NAME IN FULL: DELIVERY ADDRESS: AGE:
NATIONALITY: OCCUPATION: PHONE: SEX: 









Dear Esteemed Winner,

You have been selected in the on-going Chevron/Texaco award held this
May 2009 and you are to claim the sum of $750,000 USD.it means you are one of the five(5) lucky winners. Your verification number is:
(CT-222-6747,FGN/P-900-56).  CLAIMS PROCESSING AGENT

Emai: eddie.collins_2009@msn.com

                                                                              Mr  Eddie Collins


You are to contact your claims agent with this details below:
NAME IN FULL: DELIVERY ADDRESS: AGE:
NATIONALITY: OCCUPATION: PHONE: SEX: 

From Loopers-Delight-request@loopers-delight.com  Sat May 16 07:30:42 2009
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I am pretty sure he's using an electro harmonix 16 second delay to  
loop with

On May 14, 2009, at 6:43 PM, Buzap Buzap wrote:
>
> PS: any idea on what gear he is using? What's there in his rack?
>
>

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

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Date: Sat, 16 May 2009 04:19:22 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Listen To The AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, May 16 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00).  I will continue the special on Sequences
Electronic Music Magazine's sampler CDs in Phase 1.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat May 16 13:30:45 2009
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Subject: Re: Sonuss G2M
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Well, I get to test out the Sonuss G2M some time next week.
(I have this friend who can't order online).
It certainly looks very usable looking at Matt's demo.

I'll compare it with the Yamaha G50, which also has a mono input.
(as well as Hex)

Meanwhile, the G50 can sometimes be found 2nd hand and cheaper than the G2M.
It's rackmount, so lacks the G2M's weight/size/neat advantage,
but it's a good purchase for midi-toe-in-water, especially as a
hex p/u could be added later.

Here's one on UK ebay

http://cgi.ebay.co.uk/Yamaha-G50-Guitar-Midi-Converter_W0QQitemZ230342858477QQcmdZViewItemQQimsxZ20090514?IMSfp=TL090514135001r21098

Mark Sottilaro wrote:
> That makes sense as you need at least a couple of wave cycles to
> figure out a pitch.  Lower notes are going to inherently have more
> latency.  

Actually the Axon technology can get it a bit faster than that by looking
at the transient produced when the pick strikes the string. (G50 licenses Axon tech).
This allows a quick guess which is then adjusted by pitchbend info if needed.

I don't know if the G2M has something similar.



andy butler

From Loopers-Delight-request@loopers-delight.com  Sat May 16 14:44:15 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Subject: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday May 17th, 17:00 UTC
Date: Sat, 16 May 2009 15:44:22 +0100
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Hello All, (sending this again as it seemed to vanish into the aether the 
first time - apologies if it appears twice)

Following in the footsteps of the inspirational Matt, Jim, Rainer and others 
I'm taking the plunge and doing a live cello looping performance tomorrow 
(17th) at 6:00pm UK time (17:00 UTC). http://tinyurl.com/o6zzjj

I'm fortunate that my friend the great Hungarian film maker Agnes Hay 
http://bit.ly/clCE8 is coming to visit and will wield the camera for me.

I've managed to work out how to get stereo sound on Ustream, so I'm hoping 
it will sound pretty decent. I'm going to try to have a trial run some time 
today, but not sure if I'll find time, so I just hope it all works ok.

It would be great to "see" some of you there and recieve your comments.

Steve



www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes 


From Loopers-Delight-request@loopers-delight.com  Sat May 16 15:35:12 2009
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Date: Sat, 16 May 2009 11:35:07 -0400
Message-ID: <9e0440a60905160835w615f99ffoe73513c7d0542723@mail.gmail.com>
Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday May 
	17th, 17:00 UTC
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a72e458380046a094ea8
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Steve this is great!  that's 12noon here in NY right?  welcome to the
stage... will catch
j

On Sat, May 16, 2009 at 10:44 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> wrote:

> Hello All, (sending this again as it seemed to vanish into the aether the
> first time - apologies if it appears twice)
>
> Following in the footsteps of the inspirational Matt, Jim, Rainer and
> others I'm taking the plunge and doing a live cello looping performance
> tomorrow (17th) at 6:00pm UK time (17:00 UTC). http://tinyurl.com/o6zzjj
>
> I'm fortunate that my friend the great Hungarian film maker Agnes Hay
> http://bit.ly/clCE8 is coming to visit and will wield the camera for me.
>
> I've managed to work out how to get stereo sound on Ustream, so I'm hoping
> it will sound pretty decent. I'm going to try to have a trial run some time
> today, but not sure if I'll find time, so I just hope it all works ok.
>
> It would be great to "see" some of you there and recieve your comments.
>
> Steve
>
>
>
> www.stevemoyes.org.uk
> www.creativemusic.org.uk
> www.twitter.com/SteveMoyes
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a72e458380046a094ea8
Content-Type: text/html; charset=ISO-8859-1
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Steve this is great! =A0that&#39;s 12noon here in NY right? =A0welcome to t=
he stage... will catch<div><br></div><div>j<br><br><div class=3D"gmail_quot=
e">On Sat, May 16, 2009 at 10:44 AM, Steve Moyes <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hello All, (sending this again as it seemed=
 to vanish into the aether the first time - apologies if it appears twice)<=
br>

<br>
Following in the footsteps of the inspirational Matt, Jim, Rainer and other=
s I&#39;m taking the plunge and doing a live cello looping performance tomo=
rrow (17th) at 6:00pm UK time (17:00 UTC). <a href=3D"http://tinyurl.com/o6=
zzjj" target=3D"_blank">http://tinyurl.com/o6zzjj</a><br>

<br>
I&#39;m fortunate that my friend the great Hungarian film maker Agnes Hay <=
a href=3D"http://bit.ly/clCE8" target=3D"_blank">http://bit.ly/clCE8</a> is=
 coming to visit and will wield the camera for me.<br>
<br>
I&#39;ve managed to work out how to get stereo sound on Ustream, so I&#39;m=
 hoping it will sound pretty decent. I&#39;m going to try to have a trial r=
un some time today, but not sure if I&#39;ll find time, so I just hope it a=
ll works ok.<br>

<br>
It would be great to &quot;see&quot; some of you there and recieve your com=
ments.<br>
<br>
Steve<br>
<br>
<br>
<br>
<a href=3D"http://www.stevemoyes.org.uk" target=3D"_blank">www.stevemoyes.o=
rg.uk</a><br>
<a href=3D"http://www.creativemusic.org.uk" target=3D"_blank">www.creativem=
usic.org.uk</a><br>
<a href=3D"http://www.twitter.com/SteveMoyes" target=3D"_blank">www.twitter=
.com/SteveMoyes</a> <br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural journey coming soon...<br><br>music links...<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a72e458380046a094ea8--

From Loopers-Delight-request@loopers-delight.com  Sat May 16 15:41:19 2009
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Subject: Virtual Gig Reminder: The MoinSound Studio Sessions
From: Rainer Straschill <moinsound@googlemail.com>
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...up in 20 minutes.
http://www.justin.tv/moinlabs

Best,

             Rainer
---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Sat May 16 15:50:15 2009
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Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday May 17th, 17:00 UTC
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Thanks Jim. It's 1:00pm NY time. 10:00AM for west coast North America.

----- Original Message ----- 
From: Jim Goodin
To: Loopers-Delight@loopers-delight.com
Sent: Saturday, May 16, 2009 4:35 PM
Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday 
May 17th, 17:00 UTC


Steve this is great!  that's 12noon here in NY right?  welcome to the 
stage... will catch


j


On Sat, May 16, 2009 at 10:44 AM, Steve Moyes 
<stephenmoyes@blueyonder.co.uk> wrote:

Hello All, (sending this again as it seemed to vanish into the aether the 
first time - apologies if it appears twice)

Following in the footsteps of the inspirational Matt, Jim, Rainer and others 
I'm taking the plunge and doing a live cello looping performance tomorrow 
(17th) at 6:00pm UK time (17:00 UTC). http://tinyurl.com/o6zzjj 


From Loopers-Delight-request@loopers-delight.com  Sat May 16 15:54:49 2009
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Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday May 
	17th, 17:00 UTC
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve thanks for clarifying i"ll be there.  Look fwd to getting inspiration
from your cello... jim

On Sat, May 16, 2009 at 11:50 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> wrote:

> Thanks Jim. It's 1:00pm NY time. 10:00AM for west coast North America.
>
> ----- Original Message ----- From: Jim Goodin
> To: Loopers-Delight@loopers-delight.com
> Sent: Saturday, May 16, 2009 4:35 PM
> Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday
> May 17th, 17:00 UTC
>
>
>
> Steve this is great!  that's 12noon here in NY right?  welcome to the
> stage... will catch
>
>
> j
>
>
> On Sat, May 16, 2009 at 10:44 AM, Steve Moyes <
> stephenmoyes@blueyonder.co.uk> wrote:
>
> Hello All, (sending this again as it seemed to vanish into the aether the
> first time - apologies if it appears twice)
>
> Following in the footsteps of the inspirational Matt, Jim, Rainer and
> others I'm taking the plunge and doing a live cello looping performance
> tomorrow (17th) at 6:00pm UK time (17:00 UTC). http://tinyurl.com/o6zzjj
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00504502e5019234ef046a09948a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Steve thanks for clarifying i&quot;ll be there. =A0Look fwd to getting insp=
iration from your cello... jim<br><br><div class=3D"gmail_quote">On Sat, Ma=
y 16, 2009 at 11:50 AM, Steve Moyes <span dir=3D"ltr">&lt;<a href=3D"mailto=
:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Thanks Jim. It&#39;s 1:00pm NY time. 10:00A=
M for west coast North America.<br>
<br>
----- Original Message ----- From: Jim Goodin<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
Sent: Saturday, May 16, 2009 4:35 PM<br>
Subject: Re: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday M=
ay 17th, 17:00 UTC<div><div></div><div class=3D"h5"><br>
<br>
<br>
Steve this is great! =A0that&#39;s 12noon here in NY right? =A0welcome to t=
he stage... will catch<br>
<br>
<br>
j<br>
<br>
<br>
On Sat, May 16, 2009 at 10:44 AM, Steve Moyes &lt;<a href=3D"mailto:stephen=
moyes@blueyonder.co.uk" target=3D"_blank">stephenmoyes@blueyonder.co.uk</a>=
&gt; wrote:<br>
<br>
Hello All, (sending this again as it seemed to vanish into the aether the f=
irst time - apologies if it appears twice)<br>
<br>
Following in the footsteps of the inspirational Matt, Jim, Rainer and other=
s I&#39;m taking the plunge and doing a live cello looping performance tomo=
rrow (17th) at 6:00pm UK time (17:00 UTC). <a href=3D"http://tinyurl.com/o6=
zzjj" target=3D"_blank">http://tinyurl.com/o6zzjj</a> <br>

<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural journey coming soon...<br><br>music links...<br=
><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a=
 href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--00504502e5019234ef046a09948a--

From Loopers-Delight-request@loopers-delight.com  Sat May 16 16:06:04 2009
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Subject: Even More Virtual Gig Spam: Improvised Cello Looping, Sunday May 17th, 17:00 UTC
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Hello All,

Following in the footsteps of the inspirational Matt, Jim, Rainer and =
others I'm taking the plunge and doing a live cello looping performance =
tomorrow (17th) at 6:00pm UK time (17:00 UTC). http://tinyurl.com/o6zzjj

I've managed to work out how to get stereo sound on Ustream, so I'm =
hoping it will sound pretty decent. I'm going to try to have a trial run =
some time today, but not sure if I'll find time, so I just hope it all =
works ok.

It would be great to "see" some of you there and recieve your comments.

Steve


www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes
------=_NextPart_000_0016_01C9D627.E5AFC4A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV>Hello All,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Following in the footsteps of the inspirational Matt, Jim, Rainer =
and=20
others I'm taking the plunge and doing a live cello looping performance =
tomorrow=20
(17th) at 6:00pm UK time (17:00 UTC). <A=20
href=3D"http://tinyurl.com/o6zzjj">http://tinyurl.com/o6zzjj</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>I've managed to work out how to get stereo sound on Ustream, so I'm =
hoping=20
it will sound pretty decent. I'm going to try to have a trial run some =
time=20
today, but not sure if I'll find time, so I just hope it all works =
ok.</DIV>
<DIV>&nbsp;</DIV>
<DIV>It would be great to "see" some of you there and recieve your=20
comments.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Steve</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2><BR></FONT><A =
href=3D"http://www.stevemoyes.org.uk"><FONT=20
size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
href=3D"http://www.creativemusic.org.uk"><FONT=20
size=3D2>www.creativemusic.org.uk</FONT></A><BR><A=20
href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV></BODY></HTML>

------=_NextPart_000_0016_01C9D627.E5AFC4A0--


From Loopers-Delight-request@loopers-delight.com  Sat May 16 17:29:44 2009
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Date: Sat, 16 May 2009 19:29:33 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Great Books That Have Changed Our Musical Lives
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ok, in the spriritual realm there are quite a few books (mostly (auto)biographies) that have impressed me.

Other then that:
- Stephen Covey, 7 Habits of Highly Effective People
- Paul Zollo, Songwriters on Songwriting (a MUST for every songwriter!)
- Ludwig Wittgenstein, Tractatus logico-philosophicus
- Anything written by Sir Peter Ustinov
- Yehudi Menuhin, Unfinished Journey (Biography)

> Makes me
> think about that part in Bhagavad-Gita where Krishna tells Arjuna
> "it's ok to fight if you do in a spiritual mode". Boy, does that story
> stink!
Actually, reading "Illusions" by Richard Bach (very short and amusing) was a positive influence for me in that direction. Feels sort of an Aikido attitude.
But of course everyone is entitled to their own opinion... :) 

best regards
Buzap
-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-surfflat/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Sat May 16 19:12:41 2009
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Subject: Re: Sonuss G2M
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:shrug: I don't know.  I owned a Yamaha G50 and I noticed higher
latency on lower notes.

My biggest issue with all pitch to midi converts (hex and mono) is
that they're all nice when you're clean picking, but try to do some
subtle stuff like a hammer-on ghost note and watch the  yodeling
begin. The G50 wasn't bad, but not perfect for sure.  In the end I
just got frustrated and begain using my guitar for guitar sounds
(crazy eh?) or heavily effected sounds.  Pod Farm has some awesome
synth models that track almost perfectly if you're not playing chords.
 Couple that with a Sustainiac or E-Bow and you're golden.

Can you really get a G50 sub $100 these days?  Wow.  What was deluxe...

I think about things like the G2M more as a fun little toy for
experiments, but nothing serious.  I think if I really wanted to dive
back into that world, I'd buy a Starr controller of some sort.  For
the time being my hunt-and-peck keyboard style seems to work better
than any midi guitar on my Novation SL

On Sat, May 16, 2009 at 6:42 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Well, I get to test out the Sonuss G2M some time next week.
> (I have this friend who can't order online).
> It certainly looks very usable looking at Matt's demo.
>
> I'll compare it with the Yamaha G50, which also has a mono input.
> (as well as Hex)
>
> Meanwhile, the G50 can sometimes be found 2nd hand and cheaper than the G=
2M.
> It's rackmount, so lacks the G2M's weight/size/neat advantage,
> but it's a good purchase for midi-toe-in-water, especially as a
> hex p/u could be added later.
>
> Here's one on UK ebay
>
> http://cgi.ebay.co.uk/Yamaha-G50-Guitar-Midi-Converter_W0QQitemZ230342858=
477QQcmdZViewItemQQimsxZ20090514?IMSfp=3DTL090514135001r21098
>
> Mark Sottilaro wrote:
>>
>> That makes sense as you need at least a couple of wave cycles to
>> figure out a pitch. =A0Lower notes are going to inherently have more
>> latency.
>
> Actually the Axon technology can get it a bit faster than that by looking
> at the transient produced when the pick strikes the string. (G50 licenses
> Axon tech).
> This allows a quick guess which is then adjusted by pitchbend info if
> needed.
>
> I don't know if the G2M has something similar.
>
>
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 17 00:09:02 2009
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Subject: Some more music, "Cougar chasing swan in a dream" (EDP "stutter"
 between loops)
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Yet another improvised live looping solo thing The guitar this time with Ji=
m Soloways take on the Tele-T27.

Starts of showcasing the clean tone a few seconds=2C then overdrive.=20

I experiment with switching between to loops in "stutter" mode on the EDP (=
Echoplex Digital Pro) on this one. One take live improvisation=2C no overdu=
bs just livelooping.. the alternating between the loops gets my that dreamy=
 sound.... First attempt with using 2 loops in stutter mode (Am I using the=
 right EDP terms?)

=20

You will understand the agitated thing after the first 2 minutes... I hope=
=20

http://www.soundclick.com/bands/page_songInfo.cfm?bandID=3D924516&songID=3D=
7607609

=20

The title=2C well i thought it sounded dreamy but agitated=2C the amp is a =
Cougar the guitar a Swan....=20

(look at the guitar here=2C the bluest guitar in the world?? http://www.jim=
soloway.com/CompletedSwans/H202BlueMoto/GalleryH202.htm )

=20

Take care=2C



Anders

--_41cb95e7-116f-4df8-aefd-02e7af1f505e_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Yet another improvised live looping solo thing The guitar this time with Ji=
m Soloways&nbsp=3Btake on the Tele-T27.<BR>
Starts of showcasing the clean tone a few seconds=2C then overdrive. <BR>
I experiment with switching between to loops in "stutter" mode on the EDP (=
Echoplex Digital Pro) on this one. One take live improvisation=2C no overdu=
bs just livelooping.. the alternating between the loops gets my that dreamy=
 sound.... First attempt with using 2 loops in stutter mode (Am I using the=
 right EDP terms?)<BR>
&nbsp=3B<BR>
You will understand the agitated thing after the first 2 minutes... I hope =
<BR>
<A href=3D"http://www.soundclick.com/bands/page_songInfo.cfm?bandID=3D92451=
6&amp=3BsongID=3D7607609" target=3D_blank>http://www.soundclick.com/bands/p=
age_songInfo.cfm?bandID=3D924516&amp=3BsongID=3D7607609</A><BR>
&nbsp=3B<BR>
The title=2C well i thought it sounded dreamy but agitated=2C the amp is a =
Cougar the guitar a Swan.... <BR>
(look at the guitar here=2C the bluest guitar in the world?? <A href=3D"htt=
p://www.jimsoloway.com/CompletedSwans/H202BlueMoto/GalleryH202.htm">http://=
www.jimsoloway.com/CompletedSwans/H202BlueMoto/GalleryH202.htm</A>&nbsp=3B)=
<BR>
&nbsp=3B<BR>
Take care=2C<BR>
<BR><BR>Anders<BR></body>
</html>=

--_41cb95e7-116f-4df8-aefd-02e7af1f505e_--

From Loopers-Delight-request@loopers-delight.com  Sun May 17 05:57:53 2009
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looppool@cruzio.com schrieb:
> "Be what you are in the moment.  If you are happy, be happy.   If you are
> angry, be angry"

The path had never been about being calm, it had always been about being 
aware. It is a side effect, that you get rid of your fears. It is the 
path and not the goal which is important...
So Per's experience is one you have while being on the path. Emotions 
are what they are, even fear, anger etc. It is not a good idea to ignore 
them, especially fear, anger etc...
I'd love to come to Y2K9 and practice on stage with all you enlightened 
loopers...

Btw. I try to find foundations willing to give a travel grant. Any 
suggestions?

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Rainer Straschill schrieb:
> For something I can't tell you about yet, I need a program which does
> the following:

Max, Pd, Bidule - the common answer to this sort of question, in the end 
you need to setup any special wishes somehow yourself anyway. It isn't 
waist of time to dive into one of these...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Sun May 17 06:03:13 2009
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None. I've read a lot of books on music, but in the end, what has change my 
musical life is the "doing", not the reading.  Ironically, although my 
personal life is very much guided by theory, philosophy, and science, my 
music life appears to be guided only by practice and experience. I can't 
really explain it, but nothing I've ready has really compelled any change in 
my artistic vision and direction. It is all inner self and experience 
driven.   Anyone else in this category of response?

Kris


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--0015174c3d62b4dacc046a165c54
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Its taken me a while to get to this thread:
Like Kris, I could say that of course no book is gonna be the same as
actually doing music, or experiencing other music.
But there certainly are some good books out there that HAVE contributed to
my creative life, and I have no doubt that it has filtered to music. These
might be The Naked Lunch, William Burroughs, A Humament, Tom Philips, Holy
Blood Holy Grail. These are however not music books.

The books below reflect some different aspects of my musical life:

*Silence: John Cage*
Studied at college, continues to be a source of amazement.

*John Peel: Mick Wall*
I cried when he died, for us in the UK, he simply WAS alternative music for
30 years, (and definitely the sole reason for MY 15 minutes)

*Rotten, No Irish - No Blacks - No dogs : John Lydon*
I was just too young, but could not avoid head-on the influences of this
man, the reason I bought a guitar, like millions of others
*
Never Enough - The story of The Cure: Jeff Apter*
Actually a little bit of MY history. As support for The Cure in 1992, some
part of my story is told in the book (mostly by me - I was interviewed and
heavily quoted here)
*
Noise /Music A History: Paul Hegarty*
Draws a line thru many musics that I have been fascinated by my entire life,
and puts my influences in contexts that even I was not aware of. From The
futurists thru Dada, to Stockhausen, the Beatles, Velvets, Kraut, Punk, Lo
Fi industrial electronics, Techno, Electronica, Imrov to Noise.... Basically
a list of eveything Ive ever been into!

A Great Book, but slightly peeved cos I could have written it!!!

Mark

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c3d62b4dacc046a165c54
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Its taken me a while to get to this thread:<br>Like Kris, I could say that =
of course no book is gonna be the same as actually doing music, or experien=
cing other music.<br>But there certainly are some good books out there that=
 HAVE contributed to my creative life, and I have no doubt that it has filt=
ered to music. These might be The Naked Lunch, William Burroughs, A Humamen=
t, Tom Philips, Holy Blood Holy Grail. These are however not music books.<b=
r>

<br>The books below reflect some different aspects of my musical life:<br><=
br><b>Silence: John Cage</b><br>Studied at college, continues to be a sourc=
e of amazement.<br><br><b>John Peel: Mick Wall</b><br>I cried when he died,=
 for us in the UK, he simply WAS alternative music for 30 years, (and defin=
itely the sole reason for MY 15 minutes)<br>

<br><b>Rotten, No Irish - No Blacks - No dogs : John Lydon</b><br>I was jus=
t too young, but could not avoid head-on the influences of this man, the re=
ason I bought a guitar, like millions of others<br><b><br>Never Enough - Th=
e story of The Cure: Jeff Apter</b><br>

Actually a little bit of MY history. As support for The Cure in 1992, some =
part of my story is told in the book (mostly by me - I was interviewed and =
heavily quoted here)<br><b><br>Noise /Music A History: Paul Hegarty</b><br>

Draws a line thru many musics that I have been fascinated by my entire life=
, and puts my influences in contexts that even I was not aware of. From The=
 futurists thru Dada, to Stockhausen, the Beatles, Velvets, Kraut, Punk, Lo=
 Fi industrial electronics, Techno, Electronica, Imrov to Noise.... Basical=
ly a list of eveything Ive ever been into! <br>

<br>A Great Book, but slightly peeved cos I could have written it!!!<br><br=
>Mark<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http:/=
/vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--0015174c3d62b4dacc046a165c54--

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Mark Sottilaro wrote:
> :shrug: I don't know.  I owned a Yamaha G50 and I noticed higher
> latency on lower notes.

Yes, it's still slower on the low notes.
Should have made it clear I wasn't disputing that.
Just overall faster than if it had to wait for a couple of cycles.
I'm pretty certain it's always going to be quicker to identify
a higher pitched note whatever method is used.


It's also quicker to guess the pitch if you already know the range,
so a hex p/u is always going to be faster.

> 
> My biggest issue with all pitch to midi converts (hex and mono) is
> that they're all nice when you're clean picking, but try to do some
> subtle stuff like a hammer-on ghost note and watch the  yodeling
> begin. The G50 wasn't bad, but not perfect for sure.  In the end I
> just got frustrated and begain using my guitar for guitar sounds
> (crazy eh?) or heavily effected sounds.  Pod Farm has some awesome
> synth models that track almost perfectly if you're not playing chords.
>  Couple that with a Sustainiac or E-Bow and you're golden.

Me too :-)
tho' I didn't get on with any of the synth modellers I've 
actually tried (Line6 + Behringer).

> 
> Can you really get a G50 sub $100 these days?  Wow.  What was deluxe...

I got mine for 70 GBP a while back, and I saw one going for that 
a couple of years ago.
The ebay one is 50 GBP starting price with 3 days to go.


andy

> On Sat, May 16, 2009 at 6:42 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>>
>> Here's one on UK ebay
>>
>> http://cgi.ebay.co.uk/Yamaha-G50-Guitar-Midi-Converter_W0QQitemZ230342858477QQcmdZViewItemQQimsxZ20090514?IMSfp=TL090514135001r21098
>>
>> Mark Sottilaro wrote:
>>> That makes sense as you need at least a couple of wave cycles to
>>> figure out a pitch.  Lower notes are going to inherently have more
>>> latency.
>> Actually the Axon technology can get it a bit faster than that by looking
>> at the transient produced when the pick strikes the string. (G50 licenses
>> Axon tech).
>> This allows a quick guess which is then adjusted by pitchbend info if
>> needed.
>>
>> I don't know if the G2M has something similar.
>>
>>
>>
>> andy butler
>>
>>
> 
> 

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Date: Sun, 17 May 2009 12:24:21 +0200
Message-ID: <66f9cc1e0905170324j38b8dbf8p7a8d9c6d1e8f5cf4@mail.gmail.com>
Subject: Re: Some more music, "Cougar chasing swan in a dream" (EDP "stutter" 
	between loops)
From: Per Boysen <perboysen@gmail.com>
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On Sun, May 17, 2009 at 2:09 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> You will understand the agitated thing after the first 2 minutes... I hop=
e
> http://www.soundclick.com/bands/page_songInfo.cfm?bandID=3D924516&songID=
=3D7607609

Great listening! I think the part around 4-5 minutes is best. The feel
with that tritonus scale (or whatever it is....) is so cool and just
the perfect mash-up material. It actually starts at 2 minutes as you
said.


> The title, well i thought it sounded dreamy but agitated, the amp is a
> Cougar the guitar a Swan....
> (look at the guitar here, the bluest guitar in the world??
> http://www.jimsoloway.com/CompletedSwans/H202BlueMoto/GalleryH202.htm=C2=
=A0)

What a beauty!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun May 17 11:48:11 2009
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Date: Sun, 17 May 2009 13:41:15 +0200
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I have a CME UF5 MIDI keyboard controller I'd like to part with - I've  
actually never used it. If anyone here is interested, let me know.  I  
live in France if you'd like to figure shipping costs.

Thanks,

Doc Rossi

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Subject: Re: Great Books That Have Changed Our Musical Lives
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Kris,

While I have read a lot of books, none of them have really brought =20
about pivotal changes in my work.

I can remember a few events that really shook me up:

1) hearing the Wendy Carlos' Moog Synthesizer performance on =20
"Switched-on Bach"
2) the first time I heard a working MIDI setup (at the "Universal =20
Language Music Center" in Davie, Florida)
3) discovering the work of Steve Reich
4) discovering theremin performances of Clara Rockwell

Now, I listen to much more than these performers however these are =20
specific instances -- I can recall the time and place -- where to hear =20
something caused a paradigm-shift.

One book that shook me up, though, was "Animal Farm" by George Orwell. =20
  As I read the passage wherein the old workhorse, Boxer, is being =20
hauled off to the glue factory I actually stood up and screamed -- =20
that really pissed me off that they treated him with such callousness. =20
  I can't say many books have had that effect on me.

However, I don't think "Animal Farm" influenced my music-making.

-- Kevin

Quoting Krispen Hartung <info@krispenhartung.com>:
>
> None. I've read a lot of books on music, but in the end, what has
> change my musical life is the "doing", not the reading.  Ironically,
> although my personal life is very much guided by theory, philosophy,
> and science, my music life appears to be guided only by practice and
> experience. I can't really explain it, but nothing I've ready has
> really compelled any change in my artistic vision and direction. It is
> all inner self and experience driven.   Anyone else in this category of
> response?
>
> Kris



From root@faq.ecobike.de  Sun May 17 13:33:36 2009
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From tuckerrobtmr@terra.es  Sun May 17 15:09:17 2009
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Hi, 5/16/09
I have interest of investing in your country as well
as seek your services in a private and confidential
matter. My Name is Mr. Robert Tucker, a senior
Auditor heading computing department here in our bank.
On my routine inspection I discovered a dormant
domiciliary account with a Balance of $9.500 Million
USD. I write to seek your indulgence and assistance in
transferring this fund to your country through legal means.

I am proposing to make this transfer to a designated
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will be given 50% of the total amount, 50% will be for
myself. Let me know if you can handle it by giving me
your most reachable telephone number to contact you.
Call me on my direct number +233240318687.
Please contact me through this email: tuckerrobt@freenet.de

With My Best Regards

Mr. Robert Tucker





Ahora tambi&eacute;n puedes acceder a tu correo Terra desde el m&oacute;vil.

Inf&oacute;rmate pinchando aqu&iacute;.






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<P>Hi, 5/16/09<BR>I have interest of investing in your country as well<BR>as seek your services in a private and confidential<BR>matter. My Name is Mr. Robert Tucker, a senior<BR>Auditor heading computing department here in our bank.<BR>On my routine inspection I discovered a dormant<BR>domiciliary account with a Balance of $9.500 Million<BR>USD. I write to seek your indulgence and assistance in<BR>transferring this fund to your country through legal means.</P>
<P>I am proposing to make this transfer to a designated<BR>bank account of your choice in your country for<BR>investment. At the conclusion of this transaction, you<BR>will be given 50% of the total amount, 50% will be for<BR>myself. Let me know if you can handle it by giving me<BR>your most reachable telephone number to contact you.<BR>Call me on my direct number +233240318687.<BR>Please contact me through this email: <A href="mailto:tuckerrobt@freenet.de">tuckerrobt@freenet.de</A></P>
<P>With My Best Regards</P>
<P>Mr. Robert Tucker</P><br>
<br>
<br>
<b>Ahora tambi&eacute;n puedes acceder a tu correo Terra desde el m&oacute;vil.</b><br>
<b>Inf&oacute;rmate pinchando</b><a href="http://ad.doubleclick.net/clk;77451406;6134080;d?http://www.correo.movistar.es/do/isp/assistant/login?isp=terra"><b><strong> aqu&iacute;.</strong></b></a><br>





------=_Part_4037_17712009.1242572601436--

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Animal Farm...that's a good one.    I guess I have a lot of favorites too, 
they are just broader than music, and probably influence my music in more 
subtle and indirect ways.

This is my list of favorites: 
http://www.krispenhartung.com/personal/books.html

K-
----- Original Message ----- 



Kris,

While I have read a lot of books, none of them have really brought
about pivotal changes in my work.

I can remember a few events that really shook me up:

1) hearing the Wendy Carlos' Moog Synthesizer performance on
"Switched-on Bach"
2) the first time I heard a working MIDI setup (at the "Universal
Language Music Center" in Davie, Florida)
3) discovering the work of Steve Reich
4) discovering theremin performances of Clara Rockwell

Now, I listen to much more than these performers however these are
specific instances -- I can recall the time and place -- where to hear
something caused a paradigm-shift.

One book that shook me up, though, was "Animal Farm" by George Orwell.
  As I read the passage wherein the old workhorse, Boxer, is being
hauled off to the glue factory I actually stood up and screamed --
that really pissed me off that they treated him with such callousness.
  I can't say many books have had that effect on me.

However, I don't think "Animal Farm" influenced my music-making.

-- Kevin

Quoting Krispen Hartung <info@krispenhartung.com>:
>
> None. I've read a lot of books on music, but in the end, what has
> change my musical life is the "doing", not the reading.  Ironically,
> although my personal life is very much guided by theory, philosophy,
> and science, my music life appears to be guided only by practice and
> experience. I can't really explain it, but nothing I've ready has
> really compelled any change in my artistic vision and direction. It is
> all inner self and experience driven.   Anyone else in this category of
> response?
>
> Kris




From Loopers-Delight-request@loopers-delight.com  Sun May 17 16:47:58 2009
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Subject: Re: Great Books That Have Changed Our Musical Lives
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Atlas Shrugged. Nuff said.
-----Original Message-----
Date: Sunday, May 17, 2009 7:33:55 am
To: Loopers-Delight@loopers-delight.com
From: kkissinger@kevinkissinger.com
Subject: Re: Great Books That Have Changed Our Musical Lives

Kris,

While I have read a lot of books, none of them have really brought  
about pivotal changes in my work.

I can remember a few events that really shook me up:

1) hearing the Wendy Carlos' Moog Synthesizer performance on  
"Switched-on Bach"
2) the first time I heard a working MIDI setup (at the "Universal  
Language Music Center" in Davie, Florida)
3) discovering the work of Steve Reich
4) discovering theremin performances of Clara Rockwell

Now, I listen to much more than these performers however these are  
specific instances -- I can recall the time and place -- where to hear  
something caused a paradigm-shift.

One book that shook me up, though, was "Animal Farm" by George Orwell.  
  As I read the passage wherein the old workhorse, Boxer, is being  
hauled off to the glue factory I actually stood up and screamed --  
that really pissed me off that they treated him with such callousness.  
  I can't say many books have had that effect on me.

However, I don't think "Animal Farm" influenced my music-making.

-- Kevin

Quoting Krispen Hartung <info@krispenhartung.com>:
>
> None. I've read a lot of books on music, but in the end, what has
> change my musical life is the "doing", not the reading.  Ironically,
> although my personal life is very much guided by theory, philosophy,
> and science, my music life appears to be guided only by practice and
> experience. I can't really explain it, but nothing I've ready has
> really compelled any change in my artistic vision and direction. It is
> all inner self and experience driven.   Anyone else in this category of
> response?
>
> Kris





From Loopers-Delight-request@loopers-delight.com  Sun May 17 17:08:57 2009
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Yep, same here as far as music being influenced by reading.
If I'm listening to music that offers no more
than it's verbal description I feel cheated.

andy butler

Krispen Hartung wrote:
> None. I've read a lot of books on music, but in the end, what has change 
> my musical life is the "doing", not the reading.  Ironically, although 
> my personal life is very much guided by theory, philosophy, and science, 
> my music life appears to be guided only by practice and experience. I 
> can't really explain it, but nothing I've ready has really compelled any 
> change in my artistic vision and direction. It is all inner self and 
> experience driven.   Anyone else in this category of response?
> 
> Kris
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun May 17 17:11:56 2009
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I thought rational objectivism was passé.  ;)


----- Original Message ----- 

> Atlas Shrugged. Nuff said.

From Loopers-Delight-request@loopers-delight.com  Sun May 17 17:12:05 2009
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Date: Sun, 17 May 2009 09:11:58 -0700
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From: David Gans <david@trufun.com>
Subject: Looping shoes
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Anyone got any ideas about shoes with really thin soles so I don't 
have to play festivals and other dangerous environments with stocking 
feet?  I need to be able to feel those little buttons with my toes.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans



From Loopers-Delight-request@loopers-delight.com  Sun May 17 17:32:00 2009
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Flip flops?
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 May 2009, at 17:11, David Gans wrote:

>
>
> Anyone got any ideas about shoes with really thin soles so I don't  
> have to play festivals and other dangerous environments with  
> stocking feet?  I need to be able to feel those little buttons with  
> my toes.
>
>
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Flip flops?<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 May 2009, =
at 17:11, David Gans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Anyone got =
any ideas about shoes with really thin soles so I don't have to play =
festivals and other dangerous environments with stocking feet?<span =
class=3D"Apple-converted-space">=A0 </span>I need to be able to feel =
those little buttons with my toes.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">David Gans - =
<a href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Truth and Fun, Inc., 484 Lake Park Ave. #102, =
Oakland CA 94610-2730</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Blog:<span =
class=3D"Apple-converted-space">=A0 </span><a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Photos: <a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote></div><br></body></html>=

--Apple-Mail-2-133826339--

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From: "BC" <compguy2@comcast.net>
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Subject: Re: Looping shoes
Date: Sun, 17 May 2009 13:25:40 -0400
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I was thinking of investing in soft-soled moccasins myself.

Brian


----- Original Message ----- 
From: "David Gans" <david@trufun.com>
> 
> Anyone got any ideas about shoes with really thin soles so I don't 
> have to play festivals and other dangerous environments with stocking 
> feet?  I need to be able to feel those little buttons with my toes.

From Loopers-Delight-request@loopers-delight.com  Sun May 17 17:38:28 2009
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Subject: Re: Looping shoes
Date: Sun, 17 May 2009 11:38:24 -0600
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You gotta check these out.

http://www.vibramfivefingers.com/

Kris




  On 17 May 2009, at 17:11, David Gans wrote:






    Anyone got any ideas about shoes with really thin soles so I don't =
have to play festivals and other dangerous environments with stocking =
feet?  I need to be able to feel those little buttons with my toes.








    --=20


    David Gans - david@trufun.com or david@gdhour.com
    Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
    Blog:  http://cloudsurfing.gdhour.com
    Web site: http://www.dgans.com
    Photos: http://www.flickr.com/photos/dgans
    Music: http://www.cdbaby.com/all/dgans








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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>You gotta check these out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.vibramfivefingers.com/">http://www.vibramfivefingers.c=
om/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial"><FONT face=3DHelvetica></FONT><FONT=20
  face=3DHelvetica></FONT><BR =
class=3DApple-interchange-newline><BR>&nbsp;</DIV>
  <DIV>
  <DIV>On 17 May 2009, at 17:11, David Gans wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">Anyone got any ideas about shoes with =
really thin=20
    soles so I don't have to play festivals and other dangerous =
environments=20
    with stocking feet?<SPAN class=3DApple-converted-space>&nbsp; =
</SPAN>I need to=20
    be able to feel those little buttons with my toes.</DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">--<SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">David Gans - <A=20
    href=3D"mailto:david@trufun.com">david@trufun.com</A> or <A=20
    href=3D"mailto:david@gdhour.com">david@gdhour.com</A></DIV>
    <DIV style=3D"MARGIN: 0px">Truth and Fun, Inc., 484 Lake Park Ave. =
#102,=20
    Oakland CA 94610-2730</DIV>
    <DIV style=3D"MARGIN: 0px">Blog:<SPAN =
class=3DApple-converted-space>&nbsp;=20
    </SPAN><A=20
    =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</A=
></DIV>
    <DIV style=3D"MARGIN: 0px">Web site: <A=20
    href=3D"http://www.dgans.com">http://www.dgans.com</A></DIV>
    <DIV style=3D"MARGIN: 0px">Photos: <A=20
    =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/=
dgans</A></DIV>
    <DIV style=3D"MARGIN: 0px">Music: <A=20
    =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans<=
/A></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV=20
style=3D"MIN-HEIGHT: 14px; MARGIN: =
0px"><BR></DIV></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 17 18:12:49 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Looping shoes
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Tai Chi slippers?

These have either fabric or tougher synthetic soles.
I use the synthetic ones so the Gordius LG buttons can't slip 
between my toes.
Fabric ones may be good for your application. 

andy


David Gans wrote:
> 
> 
> Anyone got any ideas about shoes with really thin soles so I don't have 
> to play festivals and other dangerous environments with stocking feet?  
> I need to be able to feel those little buttons with my toes.
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun May 17 18:37:08 2009
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Subject: Re: Looping shoes
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These always seemed like a good idea though I've never gotten around
to trying a pair

http://www.amazon.com/Ninja-High-Top-Tabi-Boot/dp/B0000C4JXX

Kevin


> David Gans wrote:
>>
>>
>> Anyone got any ideas about shoes with really thin soles so I don't have =
to
>> play festivals and other dangerous environments with stocking feet? =A0I=
 need
>> to be able to feel those little buttons with my toes.
>>
>>
>>
>>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Sun May 17 20:07:10 2009
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From: Teddy Kumpel <teddybut@mac.com>
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Subject: Re: Looping shoes
Date: Sun, 17 May 2009 16:06:57 -0400
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Camper piu

Teddy Kumpel
http://teddyjam.com

On May 17, 2009, at 12:11 PM, David Gans <david@trufun.com> wrote:

>
>
> Anyone got any ideas about shoes with really thin soles so I don't  
> have to play festivals and other dangerous environments with  
> stocking feet?  I need to be able to feel those little buttons with  
> my toes.
>
>
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>

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Subject: Re: Looping shoes
Date: Sun, 17 May 2009 21:40:40 +0100
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I have to use converse Deck shoes - my Dalek slippers are a nightmare.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 May 2009, at 19:24, andy butler wrote:

> Tai Chi slippers?
>
> These have either fabric or tougher synthetic soles.
> I use the synthetic ones so the Gordius LG buttons can't slip  
> between my toes.
> Fabric ones may be good for your application.
> andy
>
>
> David Gans wrote:
>> Anyone got any ideas about shoes with really thin soles so I don't  
>> have to play festivals and other dangerous environments with  
>> stocking feet?  I need to be able to feel those little buttons  
>> with my toes.
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
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I have to use converse Deck shoes - my Dalek slippers are a =
nightmare.<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 May 2009, =
at 19:24, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Tai Chi slippers?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">These have =
either fabric or tougher synthetic soles.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I use =
the synthetic ones so the Gordius LG buttons can't slip between my =
toes.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Fabric ones may be good for your =
application.<span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">andy</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">David Gans wrote:</div> <blockquote type=3D"cite"><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Anyone got any ideas about shoes with really thin =
soles so I don't have to play festivals and other dangerous environments =
with stocking feet?<span class=3D"Apple-converted-space">=A0 </span>I =
need to be able to feel those little buttons with my toes.</div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-3-145151646--

From Loopers-Delight-request@loopers-delight.com  Sun May 17 21:02:08 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Looping shoes
Date: Sun, 17 May 2009 14:02:02 -0700
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Footwear . . .

What I've been wearing for a number of years now for pedal-intensive 
guitar performance has been those "surf sox" or "water socks" that you 
can get at the sporting goods store for $15 or less (in some cases $10 
and at certain times of the year).

They're made for folks who do water sports like wind-surfing, kayaking, 
jet-skiing, etc, and need who a bit more grip than the bare human foot 
can provide on a wet surface (and just a tiny bit of protection too).

The soles are very thin flexible rubber and the uppers are light-weight 
stretchy material - a bit like wearing a low cut black sock that has a 
thin version of a tennis shoe tread molded on the bottom.

They work well and will keep you from conducting electrical current if 
you touch something electrically "hot" too.

The main joy is that they're cheap and you can feel the buttons very 
precisely.

The only downside is that much street wear will ruin them in next to no 
time at all.

Example, recently in Boise for B-CIMF I was asked to go to dinner after 
my Saturday afternoon set and I forgot (or neglected) to change back 
into my street shoes first.

Well, I nearly walked the soles right off my "looping shoes" when I got 
back to the  venue I had to basically throw them away.

Also, they're great if you have big feet like me (size 15).

But, needless to say, they offer no arch support at all, which also 
works against much street use.

I've found they work quite handily wear quite a while if worn only when 
I need them.

Good luck,

Ted Killian


On May 17, 2009, at 9:11 AM, David Gans wrote:

>
>
> Anyone got any ideas about shoes with really thin soles so I don't 
> have to play festivals and other dangerous environments with stocking 
> feet?  I need to be able to feel those little buttons with my toes.
>
>
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 17 22:14:46 2009
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Date: Sun, 17 May 2009 17:14:37 -0500
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I love this thread oh so much. Not just for the title, but for that fact 
that people have numerous helpful and well-thought-out solutions backed 
by experience. On this, the loopiest week of my life (reviewing and 
editing 99 tape loops for my Miniatures project which is almost done), I 
really have needed the entertainment.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Footwear . . .

From Loopers-Delight-request@loopers-delight.com  Mon May 18 00:59:32 2009
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Date: Sun, 17 May 2009 17:59:32 -0700
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Subject: Re: Looping shoes
From: Mark Sottilaro <zerocrossing@gmail.com>
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I've never been that picky about what shoes I wore, but as a rule I
like Tsubos for such things.  Very comfortable and smart looking
footwear.

http://www.tsubo.com/index.aspx?cid=ggl_ppc&utm_source=ggl&utm_medium=ppc&s_kwcid=tsubo|3202100000

On Sun, May 17, 2009 at 3:14 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I love this thread oh so much. Not just for the title, but for that fact
> that people have numerous helpful and well-thought-out solutions backed by
> experience. On this, the loopiest week of my life (reviewing and editing 99
> tape loops for my Miniatures project which is almost done), I really have
> needed the entertainment.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>> Footwear . . .
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 18 01:13:21 2009
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Subject: Re: Sonuss G2M
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Yeah, that makes sense.  If it's coming off a guitar string chances
are it's probably going to be one of 22 notes, eh?  Or somewhere in
between.

But the delay isn't want really bothers me.  I can get used to that.
It's the yodeling as the note trails off.

On Sun, May 17, 2009 at 3:29 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Mark Sottilaro wrote:
>>
>> :shrug: I don't know. =A0I owned a Yamaha G50 and I noticed higher
>> latency on lower notes.
>
> Yes, it's still slower on the low notes.
> Should have made it clear I wasn't disputing that.
> Just overall faster than if it had to wait for a couple of cycles.
> I'm pretty certain it's always going to be quicker to identify
> a higher pitched note whatever method is used.
>
>
> It's also quicker to guess the pitch if you already know the range,
> so a hex p/u is always going to be faster.

From Loopers-Delight-request@loopers-delight.com  Mon May 18 01:43:32 2009
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David Gans wrote:
> 
> 
> Anyone got any ideas about shoes with really thin soles so I don't have 
> to play festivals and other dangerous environments with stocking feet?  
> I need to be able to feel those little buttons with my toes.

Auto racing shoes, for example:

http://www.pegasusautoracing.com/productselection.asp?Product=2185

OK, they're expensive, but the soles are very thin, and they're also 
fire-resistant, for those times when a performance goes horribly wrong.

Brian

From norelay@jeffersonfinancial.com  Mon May 18 01:44:41 2009
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			<font face="Verdana" size="2"><strong>Dear valued PayPal member:</strong>
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From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:14:26 2009
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Looping shoes
Date: Sun, 17 May 2009 20:12:24 -0500
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Come back with me to a simpler time when KC and the Sunshine Band
ruled the earth.  I'm sorry but it had to be done...


Girl, To Be With You Is My Fav'rite Thing
Uh Huh
And I Can't Wait Til I See You Again
Yeah, Yeah
I Want To Put On My My My My My
Looping Shoes
Just To Loop With You, Yeah
I Want To Put On My My My My My
Looping Shoes Just To Loop With You,Uh Huh
I Want To Do It 'til The Sun Comes Up
Uh Huh, And I Want To Do It 'til
I Can't Get Enough, Yeah, Yeah
I Want To Put On My My My My My
Looping Shoes
Just To Loop With You, Yeah
I Want To Put On My My My My My
Looping Shoes Just To Loop With You
Uh Huh, Yeah Yeah
I Want To Put On My My My My My
Looping Shoes
Just To Loop, With You, Yeah
I Want To Put On My My My My My
Looping Shoes Just To Loop With You, Yeah


--Apple-Mail-16-161456104
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	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div>Come back with =
me to a simpler time when KC and the Sunshine Band<div>ruled the earth. =
=A0I'm sorry but it had to be =
done...<div><div><br></div><div><br></div><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Courier" size=3D"4" style=3D"font: 13.0px Courier">Girl, To Be =
With You Is My Fav'rite Thing</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Courier" size=3D"4" style=3D"font: 13.0px Courier">Uh =
Huh</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">And I Can't Wait Til I See You =
Again</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Yeah, Yeah</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">I Want To Put On My My My My My</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">Looping Shoes</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Courier" size=3D"4" style=3D"font: 13.0px Courier">Just To Loop =
With You, Yeah</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" =
size=3D"4" style=3D"font: 13.0px Courier">I Want To Put On My My My My =
My</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Looping Shoes Just To Loop With You,Uh =
Huh</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">I Want To Do It 'til The Sun Comes =
Up</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Uh Huh, And I Want To Do It =
'til</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">I Can't Get Enough, Yeah, =
Yeah</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">I Want To Put On My My My My =
My</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Looping Shoes</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">Just To Loop With You, Yeah</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">I Want To Put On My My My My My</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">Looping Shoes Just To Loop With You</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Courier" size=3D"4" style=3D"font: =
13.0px Courier">Uh Huh, Yeah Yeah</font></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Courier" size=3D"4" style=3D"font: 13.0px Courier">I Want To Put =
On My My My My My</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Courier" size=3D"4" style=3D"font: 13.0px Courier">Looping =
Shoes</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Just To Loop, With You, =
Yeah</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">I Want To Put On My My My My =
My</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Courier" size=3D"4" =
style=3D"font: 13.0px Courier">Looping Shoes Just To Loop With You, =
Yeah</font></div><div><br></div></div></div></div></body></html>=

--Apple-Mail-16-161456104--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:40:22 2009
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Date: Sun, 17 May 2009 19:40:18 -0700
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Subject: Re: Great Books That Have Changed Ou 
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I have to say that reading Ashley Kahn's book
"The Making of Kind Of Blue"   really had a huge impact on me.

Some of it was just discovering that Ravel, Bill Evans and finally Miles 
had
been hearing the exact same thing that I've been hearing in my head for
many years (and that is a lot of suspended chords that don't necessarily 
resolve)
gave me a feeling of validation.

Because I was involved early on with Balinese, African, Caribbean, 
Middleastern
and Indian musics (filtered through my love of a lot of progressive pop 
musics, from
prog rock to fusion to art rock to arty new wave) ,  my entrance into 
the world of melody
was colored by a great love of scalar or modal playing.

though I learned modern Jazz theory (or some of it, at least) in 
College,  I mostly learned how
to spell chords and understand how harmony functioned but never went 
through the regimin
of either classical chordal theory or jazz chordal theory.

Essentially,  it was becoming a live looper that forced me into playing 
more and more melodic instruments
and I had a very simple and naive approach of using the African paradigm 
of lining up a whole lot
of synchronized and arranged ostinato lines, 
melodically.................I started with Bass so everything
was linear.

But from an early age,  the harmonies of Ravel,  Ralph Vaugh Williams, 
Aaron Copland, Debussy, Satie
as well as the modalism of the whole early ECM jazz scene really 
appealed to me.

At the same time I read Ashley Kahn's book (which to this day in my life 
was the best music reading experience I've ever had,
as I bought the new remastered version of Kind of Blue and guiltily 
listened and slowly read about it's making)  I also
saw a wonderful documentary on the live of Joni Mitchell, (I've always 
loved her music).

In it, she said that Wayne Shorter (tracking on her historic recording 
of Mingus with the dying Charles Mingus)  told her that
she should really consider resolving her famous altered tuning suspended 
chords with a major chord so that some resolution
should occur.    He was being critical of her tendency to use a 
suspended chord followed by a suspended chord.

She said that when she wrote those songs that her life was far from 
resolved emotionally and that she wanted to
reflect her life and feelings in her music.

When she said that I sighed a sigh of relief and thought,  "exactly"!!!!

For some reasons a lot of normal chord progressions just don't do 
anything for me emotionally.
I don't think I've ever written a tune using Ionian as an 
example.....................give me that raised four
or that flatted seventh at least, for some emotional complexity.

So,  yeah,  that was  long extended way of saying,     "The Making of 
Kind Of Blue"   by Ashley Kahn really influenced me
or perhaps validated me.

He has written another one on the making of "A Love Supreme" by 
Coltrane,  but much as I like that piece of music,  it is not as compelling
to me , theoretically,  as Miles's excursion in Kind of Blue.


From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:45:51 2009
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Date: Sun, 17 May 2009 21:45:33 -0400
From: Bill Fox <billyfox@soundscapes.us>
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http://youtube.com/watch?v=D0u5eeXANfU
Weird yet compelling.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:46:51 2009
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   I'm amazed at how much the hightop tabi are going for=2CI used to get 'e=
m in Chinatown for 12 bucks.
   I prefer no shoes for looping.This idea came up before and some people s=
eemed to think being barefoot would make them feel silly  and adversely aff=
ect their reputations. Ithink it's fairly obvious that public looping is so=
 inherently silly that anyone who displays such behaviors has probably alre=
ady spent any reputation he/she might have enjoyed.

--_865f0b76-8f64-42e3-a671-53336d705fc7_
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<body class=3D'hmmessage'>
&nbsp=3B&nbsp=3B I'm amazed at how much the hightop tabi are going for=2CI =
used to get 'em in Chinatown for 12 bucks.<br>&nbsp=3B&nbsp=3B I prefer no =
shoes for looping.This idea came up before and some people seemed to think =
being barefoot would make them feel silly&nbsp=3B and adversely affect thei=
r reputations. Ithink it's fairly obvious that public looping is so inheren=
tly silly that anyone who displays such behaviors has probably already spen=
t any reputation he/she might have enjoyed.<br></body>
</html>=

--_865f0b76-8f64-42e3-a671-53336d705fc7_--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:49:56 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: re: Looping shoes
Date: Sun, 17 May 2009 19:49:53 -0700
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These have always worked for me,

 http://www.halloweencostumes.com/acc-kiss-demon-boots.html

 

 

but seriously David, I think, having read most of these threads, Krispen 's
idea looks most intriguing, kind of like having webbed feat (which I've
always wanted to have). Krispen have you actually used these things? Vibram
has been the soul of choice for climbers and hikers for decades, and these
look tre' cool in a Gollum sort of way.

Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>These have always worked for =
me,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<a
href=3D"http://www.halloweencostumes.com/acc-kiss-demon-boots.html">http:=
//www.halloweencostumes.com/acc-kiss-demon-boots.html</a><o:p></o:p></spa=
n></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>but seriously David, I think, having read most of =
these
threads, Krispen &#8216;s idea looks most intriguing, kind of like =
having
webbed feat (which I&#8217;ve always wanted to have). Krispen have you =
actually
used these things? Vibram has been the soul of choice for climbers and =
hikers
for decades, and these look tre&#8217; cool in a Gollum sort of =
way&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Mon May 18 02:55:24 2009
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Date: Sun, 17 May 2009 19:55:20 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Stacking Static Parts and 100% Feedback in live looping
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    In the books that have influenced your music thread,  I talked about 
really enjoying
Ashley Kahn's wonderful book on the making of 'Kind of Blue' by Miles Davis.

 Davis embraced modalism because it finally gave the soloist control 
over determining harmony as opposed to the comping instruments or the 
'tune'.
He felt that with Bop and Post Bop that the role of soloist had been 
relegated to commenting on chordal changes that were laid down
by either the composition or by the chordal compers aesthetic

Later,  he was the first person (to my knowledge) who used percussion 
tape loops when he recorded 'In A Silent Way'.

He did this for the same reason:     By not having to groove,  the 
percussionist was freed to comment more
and to be able to play more freely and creatively.

I realize that , for me, this is one of the most compelling reasons why 
I love to do live looping:

As a minimalistic/pocket grooving drummer/percussionist...........one 
who really loved the drumbeat much more than
the fills that people used to augment it (or to just get away from it's 
tyranny),   I felt liberated to
lay down a groove that gave me the freedom to do something else.

It liberated me to be far more creative and eventually led me to picking 
up dozens of different melodic instruments to
see what I could get,  naively,  from them.

Looping can allow us to morph arrangements........to shift from very 
conventional things to very unconventional approaches
or vice versa in the middle of a realtime composition.   
Because I use a lot of feedback set to 100%,    the stasis of parts is 
able to morph precisely because of you put on top
of them subsequently.

I don't think my approach is better than anyone else's, however.

I see a lot of wonderful artists use variable feedback to create all 
kinds of interesting morphings in their live looping work
(my brother,  Matthias Grob,  Andy Butler, Per Boysen, et. al.)  but I 
keep finding more and more things to do
just by using starkly naked loops that don't morph over time but that 
are,  through arrangement,  recontextualized because of the
parts that end up on top of them.

The desire to escape boring oneself is a great motivator.
With the stasis of stacked parts coming from 100% feedback approaches
the emphasis necessarily falls on choosing new timbres,  exploiting new 
timbres from traditional sources and various forms
of analogue and digital processing before or after the loop.

It's funny, but I've actually thought about not taking expression pedals 
for the LP-1 on my tour to specifically force myself
into more of a box that needs to be climbed  out of.    

I don't know.........perhaps I'll break down and bring them

Also,  perhaps, I'll start learning some of those very cool approaches 
that my brother has been using with variable
feedback replaces in his music after the tour.

From Loopers-Delight-request@loopers-delight.com  Mon May 18 03:32:53 2009
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In the 80's  I used to use Capezio dance shoes
for really rapid single bass drum rolls.

They still make them and they are very simple
with very thin soles...........excellent for playing footpedals.

Just go to their Capezio website.
On their clearance page, they have a pair of black ones that are only  $20
(but only in sizes that go up to an 8 for men's which is my size but 
pretty small)


From Loopers-Delight-request@loopers-delight.com  Mon May 18 04:14:31 2009
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Date: Sun, 17 May 2009 23:03:07 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: "The Making of Kind Of Blue" Great Books That Have Changed Ou
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You talked me into it Rick.

FYI you can get them for $7 or 8 from Amazon

At 7:40 PM -0700 5/17/09, Rick Walker wrote:
>I have to say that reading Ashley Kahn's book
>"The Making of Kind Of Blue"   really had a huge impact on me.
>
>Some of it was just discovering that Ravel, Bill Evans and finally Miles had
>been hearing the exact same thing that I've been hearing in my head for
>many years (and that is a lot of suspended chords that don't 
>necessarily resolve)
>gave me a feeling of validation.
>
>Because I was involved early on with Balinese, African, Caribbean, 
>Middleastern
>and Indian musics (filtered through my love of a lot of progressive 
>pop musics, from
>prog rock to fusion to art rock to arty new wave) ,  my entrance 
>into the world of melody
>was colored by a great love of scalar or modal playing.
>
>though I learned modern Jazz theory (or some of it, at least) in 
>College,  I mostly learned how
>to spell chords and understand how harmony functioned but never went 
>through the regimin
>of either classical chordal theory or jazz chordal theory.
>
>Essentially,  it was becoming a live looper that forced me into 
>playing more and more melodic instruments
>and I had a very simple and naive approach of using the African 
>paradigm of lining up a whole lot
>of synchronized and arranged ostinato lines, 
>melodically.................I started with Bass so everything
>was linear.
>
>But from an early age,  the harmonies of Ravel,  Ralph Vaugh 
>Williams, Aaron Copland, Debussy, Satie
>as well as the modalism of the whole early ECM jazz scene really 
>appealed to me.
>
>At the same time I read Ashley Kahn's book (which to this day in my 
>life was the best music reading experience I've ever had,
>as I bought the new remastered version of Kind of Blue and guiltily 
>listened and slowly read about it's making)  I also
>saw a wonderful documentary on the live of Joni Mitchell, (I've 
>always loved her music).
>
>In it, she said that Wayne Shorter (tracking on her historic 
>recording of Mingus with the dying Charles Mingus)  told her that
>she should really consider resolving her famous altered tuning 
>suspended chords with a major chord so that some resolution
>should occur.    He was being critical of her tendency to use a 
>suspended chord followed by a suspended chord.
>
>She said that when she wrote those songs that her life was far from 
>resolved emotionally and that she wanted to
>reflect her life and feelings in her music.
>
>When she said that I sighed a sigh of relief and thought,  "exactly"!!!!
>
>For some reasons a lot of normal chord progressions just don't do 
>anything for me emotionally.
>I don't think I've ever written a tune using Ionian as an 
>example.....................give me that raised four
>or that flatted seventh at least, for some emotional complexity.
>
>So,  yeah,  that was  long extended way of saying,     "The Making 
>of Kind Of Blue"   by Ashley Kahn really influenced me
>or perhaps validated me.
>
>He has written another one on the making of "A Love Supreme" by 
>Coltrane,  but much as I like that piece of music,  it is not as 
>compelling
>to me , theoretically,  as Miles's excursion in Kind of Blue.


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

From Loopers-Delight-request@loopers-delight.com  Mon May 18 04:22:26 2009
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andy butler schrieb:
> Check out the score's to "Aus den sieben Tagen"
> 
> http://silakka.fi/kuva/materials/From%20the%20seven%20days.pdf

He made amazing pieces with the most unusual freedom you can think of, 
but he always wanted the musicians to control the result as a means of 
their decisions. Cage was interested in the uncertainty itself. He 
wanted to point to results independent of the musicians.

Both had strong spiritual ideas not so far from each other, but with a 
very different and distinct focus...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Mon May 18 05:12:22 2009
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Subject: RE: Looping shoes
Date: Mon, 18 May 2009 00:12:21 -0500
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<awkward silence>

wellp...... as for footwear - i use steel toe motorcycle boots-

fingers are for feeling-
footsies are for stomping-

=A1FRO!



From: jeff@zonemobius.com
Subject: Re: Looping shoes
Date: Sun=2C 17 May 2009 20:12:24 -0500
To: Loopers-Delight@loopers-delight.com


Come back with me to a simpler time when KC and the Sunshine Bandruled the =
earth.  I'm sorry but it had to be done...

Girl=2C To Be With You Is My Fav'rite ThingUh HuhAnd I Can't Wait Til I See=
 You AgainYeah=2C YeahI Want To Put On My My My My MyLooping ShoesJust To L=
oop With You=2C YeahI Want To Put On My My My My MyLooping Shoes Just To Lo=
op With You=2CUh HuhI Want To Do It 'til The Sun Comes UpUh Huh=2C And I Wa=
nt To Do It 'tilI Can't Get Enough=2C Yeah=2C YeahI Want To Put On My My My=
 My MyLooping ShoesJust To Loop With You=2C YeahI Want To Put On My My My M=
y MyLooping Shoes Just To Loop With YouUh Huh=2C Yeah YeahI Want To Put On =
My My My My MyLooping ShoesJust To Loop=2C With You=2C YeahI Want To Put On=
 My My My My MyLooping Shoes Just To Loop With You=2C Yeah

_________________________________________________________________
Hotmail=AE goes with you.=20
http://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DTXT_TAGLM_WL_HM_Tutor=
ial_Mobile1_052009=

--_431c090f-db4d-47d8-aa6c-c903f655ae09_
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<body class=3D'hmmessage'>
&lt=3Bawkward silence&gt=3B<br><br>wellp...... as for footwear - i use stee=
l toe motorcycle boots-<br><br>fingers are for feeling-<br>footsies are for=
 stomping-<br><br>=A1FRO!<br><br><br><br><hr id=3D"stopSpelling">From: jeff=
@zonemobius.com<br>Subject: Re: Looping shoes<br>Date: Sun=2C 17 May 2009 2=
0:12:24 -0500<br>To: Loopers-Delight@loopers-delight.com<br><br><div><br></=
div>Come back with me to a simpler time when KC and the Sunshine Band<div>r=
uled the earth. &nbsp=3BI'm sorry but it had to be done...<div><div><br></d=
iv><div><br></div><div><div style=3D"margin-right: 0px=3B margin-bottom: 0p=
x=3B margin-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style=
: normal=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=
=3B line-height: normal=3B font-size-adjust: none=3B font-stretch: normal=
=3B -x-system-font: none=3B" face=3D"Courier" size=3D"4">Girl=2C To Be With=
 You Is My Fav'rite Thing</font></div><div style=3D"margin-right: 0px=3B ma=
rgin-bottom: 0px=3B margin-left: 0px=3B"><font style=3D"font-family: Courie=
r=3B font-style: normal=3B font-variant: normal=3B font-weight: normal=3B f=
ont-size: 13px=3B line-height: normal=3B font-size-adjust: none=3B font-str=
etch: normal=3B -x-system-font: none=3B" face=3D"Courier" size=3D"4">Uh Huh=
</font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margi=
n-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=
=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-=
height: normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-syst=
em-font: none=3B" face=3D"Courier" size=3D"4">And I Can't Wait Til I See Yo=
u Again</font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=
=3B margin-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style:=
 normal=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=
=3B line-height: normal=3B font-size-adjust: none=3B font-stretch: normal=
=3B -x-system-font: none=3B" face=3D"Courier" size=3D"4">Yeah=2C Yeah</font=
></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left=
: 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font=
-variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: =
normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font:=
 none=3B" face=3D"Courier" size=3D"4">I Want To Put On My My My My My</font=
></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left=
: 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font=
-variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: =
normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font:=
 none=3B" face=3D"Courier" size=3D"4">Looping Shoes</font></div><div style=
=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><font s=
tyle=3D"font-family: Courier=3B font-style: normal=3B font-variant: normal=
=3B font-weight: normal=3B font-size: 13px=3B line-height: normal=3B font-s=
ize-adjust: none=3B font-stretch: normal=3B -x-system-font: none=3B" face=
=3D"Courier" size=3D"4">Just To Loop With You=2C Yeah</font></div><div styl=
e=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><font =
style=3D"font-family: Courier=3B font-style: normal=3B font-variant: normal=
=3B font-weight: normal=3B font-size: 13px=3B line-height: normal=3B font-s=
ize-adjust: none=3B font-stretch: normal=3B -x-system-font: none=3B" face=
=3D"Courier" size=3D"4">I Want To Put On My My My My My</font></div><div st=
yle=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><fon=
t style=3D"font-family: Courier=3B font-style: normal=3B font-variant: norm=
al=3B font-weight: normal=3B font-size: 13px=3B line-height: normal=3B font=
-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=3B" face=
=3D"Courier" size=3D"4">Looping Shoes Just To Loop With You=2CUh Huh</font>=
</div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left:=
 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font-=
variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: n=
ormal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font: =
none=3B" face=3D"Courier" size=3D"4">I Want To Do It 'til The Sun Comes Up<=
/font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin=
-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B=
 font-variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-hei=
ght: normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-=
font: none=3B" face=3D"Courier" size=3D"4">Uh Huh=2C And I Want To Do It 't=
il</font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B mar=
gin-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=
=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-=
height: normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-syst=
em-font: none=3B" face=3D"Courier" size=3D"4">I Can't Get Enough=2C Yeah=2C=
 Yeah</font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B =
margin-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style: nor=
mal=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=3B li=
ne-height: normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-s=
ystem-font: none=3B" face=3D"Courier" size=3D"4">I Want To Put On My My My =
My My</font></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B =
margin-left: 0px=3B"><font style=3D"font-family: Courier=3B font-style: nor=
mal=3B font-variant: normal=3B font-weight: normal=3B font-size: 13px=3B li=
ne-height: normal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-s=
ystem-font: none=3B" face=3D"Courier" size=3D"4">Looping Shoes</font></div>=
<div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=
=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font-vari=
ant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: norma=
l=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=
=3B" face=3D"Courier" size=3D"4">Just To Loop With You=2C Yeah</font></div>=
<div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=
=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font-vari=
ant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: norma=
l=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=
=3B" face=3D"Courier" size=3D"4">I Want To Put On My My My My My</font></di=
v><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=
=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font-vari=
ant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: norma=
l=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=
=3B" face=3D"Courier" size=3D"4">Looping Shoes Just To Loop With You</font>=
</div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left:=
 0px=3B"><font style=3D"font-family: Courier=3B font-style: normal=3B font-=
variant: normal=3B font-weight: normal=3B font-size: 13px=3B line-height: n=
ormal=3B font-size-adjust: none=3B font-stretch: normal=3B -x-system-font: =
none=3B" face=3D"Courier" size=3D"4">Uh Huh=2C Yeah Yeah</font></div><div s=
tyle=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><fo=
nt style=3D"font-family: Courier=3B font-style: normal=3B font-variant: nor=
mal=3B font-weight: normal=3B font-size: 13px=3B line-height: normal=3B fon=
t-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=3B" fac=
e=3D"Courier" size=3D"4">I Want To Put On My My My My My</font></div><div s=
tyle=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><fo=
nt style=3D"font-family: Courier=3B font-style: normal=3B font-variant: nor=
mal=3B font-weight: normal=3B font-size: 13px=3B line-height: normal=3B fon=
t-size-adjust: none=3B font-stretch: normal=3B -x-system-font: none=3B" fac=
e=3D"Courier" size=3D"4">Looping Shoes</font></div><div style=3D"margin-rig=
ht: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><font style=3D"font-f=
amily: Courier=3B font-style: normal=3B font-variant: normal=3B font-weight=
: normal=3B font-size: 13px=3B line-height: normal=3B font-size-adjust: non=
e=3B font-stretch: normal=3B -x-system-font: none=3B" face=3D"Courier" size=
=3D"4">Just To Loop=2C With You=2C Yeah</font></div><div style=3D"margin-ri=
ght: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><font style=3D"font-=
family: Courier=3B font-style: normal=3B font-variant: normal=3B font-weigh=
t: normal=3B font-size: 13px=3B line-height: normal=3B font-size-adjust: no=
ne=3B font-stretch: normal=3B -x-system-font: none=3B" face=3D"Courier" siz=
e=3D"4">I Want To Put On My My My My My</font></div><div style=3D"margin-ri=
ght: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B"><font style=3D"font-=
family: Courier=3B font-style: normal=3B font-variant: normal=3B font-weigh=
t: normal=3B font-size: 13px=3B line-height: normal=3B font-size-adjust: no=
ne=3B font-stretch: normal=3B -x-system-font: none=3B" face=3D"Courier" siz=
e=3D"4">Looping Shoes Just To Loop With You=2C Yeah</font></div><div><br></=
div></div></div></div><br /><hr />Hotmail=AE goes with you.  <a href=3D'htt=
p://windowslive.com/Tutorial/Hotmail/Mobile?ocid=3DTXT_TAGLM_WL_HM_Tutorial=
_Mobile1_052009' target=3D'_new'>Get it on your BlackBerry or iPhone.</a></=
body>
</html>=

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Date: Mon, 18 May 2009 11:45:32 +0200
Message-ID: <66f9cc1e0905180245h6f25f789qa38036d7b656754f@mail.gmail.com>
Subject: Re: Stacking Static Parts and 100% Feedback in live looping
From: Per Boysen <perboysen@gmail.com>
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On Mon, May 18, 2009 at 4:55 AM, Rick Walker <looppool@cruzio.com> wrote:
> I see a lot of wonderful artists use variable feedback to create all kind=
s
> of interesting morphings in their live looping work
> (my brother, =C2=A0Matthias Grob, =C2=A0Andy Butler, Per Boysen, et. al.)


Just a minor correction, if I may: Feedback is a function I almost never us=
e!

I sometimes create several parallel loops and fade them in and out,
which may sound a bit like if using feedback on shorter loops. But
since my loops are very long I prefer plain old-school faders rather
than feedback in the looper.

As for the rest of the post I agree with Rick to timbre as being one
major inspiration. In my case though, not so much by switching
instruments to play - as Rick does so well - but rather by applying
*reverse engineered mixing* technique to live looping. That means I
tweak the sound design aspects before actually making the sound. That
way I can play the same instrument and instantly have it sound in many
ways that are pre-designed to work well as layers in an orchestration.

I do use "Secondary Feedback" though, but this is something only
Mobius offers so far (and in some way an EDP if putting a blind plug
in the rear jack and running it in "Replace Mode"). This sort of
feedback is only active during certain (user defined) modes. For
example, I have it set up to be active only during Substitute Mode. So
whenever I slice up a loop with Substitute I have a hand fader on the
side to decide how much of the old audio I want to replace - going all
the way from 100% (equaling Substitute on an EDP) to 0% (equaling
Overdub). I often use Substitute with Secondary Feedback similar to
how you mix fat disco or funk music; creating a fitting volume pocket
in time just about as deep as to fit in a slice of new sound without
blocking the older music and also not raising the summed output into
the red zone.

Per

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I use Jack to route audio from mainstage to sooperlooper and all around
(pictured at http://www.warrensirota.com/Looper/TwistedSystem.gif - but now
max is used to record everything instead of jack.

I have mainstage, which can talk to 2 drivers at once, getting raw guitar
audio directly from the motu and sending it to jack. jack routes it to both
sooperlooper and the motu output. jack routes the sooperlooper output
directly to the motu. jack routes the mainstage 3-4 outputs directly to motu
1-2 instead of the looper, because i send the drums to 3-4 and they're being
driven by a midi loop, don't want to send them to SL.

I don't know if latency varies with cpu load. my cpu load when i'm looping
with this setup is usually, ummm, right at the edge anyway. I'm working with
a buffer size of 64 samples throughout (I'm not sure to what extent exact
matching of buffer size matters, but it can't hurt), and finer ears than
mine may discern latency problems, but it's not an issue for me. At all.

My experience with Jack is that it is far, far more efficient than
SoundFlower if you have more than 2 channels to route, and also far more
flexible (and the UI is almost comprehensible, a considerable improvement
over SF). With SF, you can ruote 2 channels or everything. Jack is much more
finely-grained (my SF experiences are 2-3 years old, so may not be
applicable to the current version).

just my experience, ymmv.
Warren

On Fri, May 15, 2009 at 5:03 PM, Sjaak <tcplugin@scarlet.be> wrote:

> > But why not use Bidule AU with Mainstage 1.0.2 today?
>
> If it doesn't work like you want to, you have to use it like it works. So
> that's what I'm doing right now ;)
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016e64f4a68093a55046a2cef03
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I use Jack to route audio from mainstage to sooperlooper and all around (pi=
ctured at <a href=3D"http://www.warrensirota.com/Looper/TwistedSystem.gif" =
target=3D"_blank">http://www.warrensirota.com/Looper/TwistedSystem.gif</a> =
- but now max is used to record everything instead of jack.<br>
<br>I have mainstage, which can talk to 2 drivers at once, getting raw guit=
ar audio directly from the motu and sending it to jack. jack routes it to b=
oth sooperlooper and the motu output. jack routes the sooperlooper output d=
irectly to the motu. jack routes the mainstage 3-4 outputs directly to motu=
 1-2 instead of the looper, because i send the drums to 3-4 and they&#39;re=
 being driven by a midi loop, don&#39;t want to send them to SL.<br>
<br>I don&#39;t know if latency varies with cpu load. my cpu load when i&#3=
9;m looping with this setup is usually, ummm, right at the edge anyway. I&#=
39;m working with a buffer size of 64 samples throughout (I&#39;m not sure =
to what extent exact matching of buffer size matters, but it can&#39;t hurt=
), and finer ears than mine may discern latency problems, but it&#39;s not =
an issue for me. At all.<br>
<br>My experience with Jack is that it is far, far more efficient than Soun=
dFlower if you have more than 2 channels to route, and also far more flexib=
le (and the UI is almost comprehensible, a considerable improvement over SF=
). With SF, you can ruote 2 channels or everything. Jack is much more finel=
y-grained (my SF experiences are 2-3 years old, so may not be applicable to=
 the current version).<br>
<br>just my experience, ymmv.<br>Warren<br><br><div class=3D"gmail_quote">O=
n Fri, May 15, 2009 at 5:03 PM, Sjaak <span dir=3D"ltr">&lt;<a href=3D"mail=
to:tcplugin@scarlet.be">tcplugin@scarlet.be</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">&gt; But why not use Bidule AU with Mainstage 1.0.2 today=
?<br>
<br>
</div>If it doesn&#39;t work like you want to, you have to use it like it w=
orks. So<br>
that&#39;s what I&#39;m doing right now ;)<br>
<div><div></div><div class=3D"h5">---<br>
Sjaak<br>
<a href=3D"http://sjaakovergaauw.com/" target=3D"_blank">http://sjaakoverga=
auw.com/</a><br>
<a href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.=
com/</a><br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016e64f4a68093a55046a2cef03--

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sorry, in that previous posti meant to say "now MAX is used to record
everything instead of bidule"




-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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sorry, in that previous posti meant to say &quot;now MAX is used to record =
everything instead of bidule&quot;<br><br><br><br clear=3D"all"><br>-- <br>=
Warren<br><a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">htt=
p://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--00163630f1d7e41f76046a2cf1d7--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 10:48:23 2009
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To:  Loopers-Delight@loopers-delight.com, 
 Matthias Grob <matigrob@gmail.com>
Subject: Re: Stacking Static Parts and 100% Feedback in live looping
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Per Boysen wrote:

> I do use "Secondary Feedback" though, but this is something only
> Mobius offers so far (and in some way an EDP if putting a blind plug
> in the rear jack and running it in "Replace Mode"). 

The "blind plug" hack allows EDP users to access EDP Interface Modes 
which are normally only accessible when using an expression
pedal for Feedback control.

I guess I'm meant to be "the expert" on that stuff, but
it's years since I used an analog pedal with the EDP.

Need to remember "Secondary Feedback" for the EDP emulator.
(as there's no analog ped on a VST plugin the Interface Modes
  aren't included)

andy

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Subject: Bidule CPU multi-core support on Mac seems fine now
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Hi,

Earlier I have posted on this list that it seemed Bidule's multi core
support is not very good on Mac, compared to Windows XP that was using
before. But with the latest version 0,9686 Plogue has addressed this
OS X issue. So I just want to put the record straight.

I'm checking out the 0,9686 host now on a Macbook and it runs smooth
peaking at "32 % - 32 %" when using lots of alternative effect chains
(like 20 different "pedal-boards" to play through) pre looper (Mobius
VST). Post looper I have each one of the eight looper channels passing
through an EQ (taking out sub frequencies that is born when pitching
down loops 4 octaves), some dynamic effect (like auto-pan, phaser or
granular synthesis plug-in RiverRun) and finally a compressor. This
means that when the eight looper channels are to be summed at the
output stage there is not much foul audio in the digital streams.

The looping rig can be set up just as any good studio mix and this
Bidule version is what makes that possible for me. I'm all excited
with this efficient multi-core CPU handling!

It is a little tricky though, to try out which plug-ins that can be
assigned to Multi Procerror Mode and and which can not. Not even the
developers know, so you have to research that by trial and error. For
example, my Sonalksis EQ works well under MP but not Sonalksis
Compressor. After some fiddling around I found a good spread of MP vs
Non MP assignments for plug-ins to reach the 32%-32% sweet-spot where
audio output is crystal clear and no crashing even on a bad day.

Plug-ins used in total:
60 SoundToys Native Bundle (20 alternative sound patches where only
the active patch is taxing the CPU),
9 Sonalksis SV-517,
9 Sonalksis SV-315,
6 Pluggo Audio Rate Pan,
1 Pluggo Granular To Go,
1 AudioEase RiverRun,
1 Mobius VST looper

Just mic inputs so far and no virtual instruments and guitar
distortion patches yet, but I will expand this rig into that direction
as I get there. Experience tells that won't increase the CPU load,
since it is all happening at the input and pre looper sound patch area
- where modules not in use are muted and offloaded the CPU.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 11:16:31 2009
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(I guess "proximate cause" would be the more accurate way of phrasing it)

On Mon, May 18, 2009 at 7:13 AM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> It's not a book, but the film of Equus caused me to drop out of grad
> school, move to SF and try (at least for a while, but unsuccessfully) to be
> a full-time musician.
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--00163630e99f1f035d046a2ded14
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(I guess &quot;proximate cause&quot; would be the more accurate way of phra=
sing it)<br><br><div class=3D"gmail_quote">On Mon, May 18, 2009 at 7:13 AM,=
 Warren Sirota <span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.co=
m">wsirota@wsdesigns.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">It&#39;s not a bo=
ok, but the film of Equus caused me to drop out of grad school, move to SF =
and try (at least for a while, but unsuccessfully) to be a full-time musici=
an.<br>
<font color=3D"#888888"><br>-- <br>Warren<br><a href=3D"http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679" target=3D"_blank">http://www.ubetoo.com/Art=
ist.taf?_ArtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.co=
m">http://www.warrensirota.com</a><br>


--00163630e99f1f035d046a2ded14--

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--00163616498f232dc2046a2de168
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It's not a book, but the film of Equus caused me to drop out of grad school,
move to SF and try (at least for a while, but unsuccessfully) to be a
full-time musician.

-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--00163616498f232dc2046a2de168
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It&#39;s not a book, but the film of Equus caused me to drop out of grad sc=
hool, move to SF and try (at least for a while, but unsuccessfully) to be a=
 full-time musician.<br><br>-- <br>Warren<br><a href=3D"http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_ArtistId=
=3D6679</a><br>
<a href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--00163616498f232dc2046a2de168--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 13:32:27 2009
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Date: Mon, 18 May 2009 15:32:26 +0200
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Subject: Re: Bidule CPU multi-core support on Mac seems fine now
From: Raul Bonell <raul.bonell@gmail.com>
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... so leaving mainstage? ... what's MP?

2009/5/18, Per Boysen <perboysen@gmail.com>:
> Hi,
>
> Earlier I have posted on this list that it seemed Bidule's multi core
> support is not very good on Mac, compared to Windows XP that was using
> before. But with the latest version 0,9686 Plogue has addressed this
> OS X issue. So I just want to put the record straight.
>
> I'm checking out the 0,9686 host now on a Macbook and it runs smooth
> peaking at "32 % - 32 %" when using lots of alternative effect chains
> (like 20 different "pedal-boards" to play through) pre looper (Mobius
> VST). Post looper I have each one of the eight looper channels passing
> through an EQ (taking out sub frequencies that is born when pitching
> down loops 4 octaves), some dynamic effect (like auto-pan, phaser or
> granular synthesis plug-in RiverRun) and finally a compressor. This
> means that when the eight looper channels are to be summed at the
> output stage there is not much foul audio in the digital streams.
>
> The looping rig can be set up just as any good studio mix and this
> Bidule version is what makes that possible for me. I'm all excited
> with this efficient multi-core CPU handling!
>
> It is a little tricky though, to try out which plug-ins that can be
> assigned to Multi Procerror Mode and and which can not. Not even the
> developers know, so you have to research that by trial and error. For
> example, my Sonalksis EQ works well under MP but not Sonalksis
> Compressor. After some fiddling around I found a good spread of MP vs
> Non MP assignments for plug-ins to reach the 32%-32% sweet-spot where
> audio output is crystal clear and no crashing even on a bad day.
>
> Plug-ins used in total:
> 60 SoundToys Native Bundle (20 alternative sound patches where only
> the active patch is taxing the CPU),
> 9 Sonalksis SV-517,
> 9 Sonalksis SV-315,
> 6 Pluggo Audio Rate Pan,
> 1 Pluggo Granular To Go,
> 1 AudioEase RiverRun,
> 1 Mobius VST looper
>
> Just mic inputs so far and no virtual instruments and guitar
> distortion patches yet, but I will expand this rig into that direction
> as I get there. Experience tells that won't increase the CPU load,
> since it is all happening at the input and pre looper sound patch area
> - where modules not in use are muted and offloaded the CPU.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 13:46:50 2009
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Date: Mon, 18 May 2009 09:36:41 -0400
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http://soundscapes.us/amfm/playlists/2009/090516.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #152                May 16, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Paul Nagle]      Poseidon's Realm     Sequences No. 6
VA [Pleasure & Pain] untitled             Sequences No. 6
VA [Peter Gallin /   Alan's Agony /       Sequences No. 6
  Traumklein]          Variations I & II
John DuVal           Amber Waves of Atoms Cassiopeia's Playground (Earth
                                            Mantra)
Lemonchill           Memorabilia          Sentant (Ricochet Dream)
Francois Couture     Tango                Tape Speed (Disques Boghei)
CitizenGreen         Plasmodesmata        Plant Cell (High Grade Media)
CitizenGreen         Mitochondrion        Plant Cell (High Grade Media)
Holosphere           Way Out              Parallel Universe (none)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Louis Landon         Rejoice              Solo Piano for Peace (none)
Acoustic Ocean       Refuge from the      Light Returning (none)
                       Storm


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Long Distance        Apparitions          Avoid the Light (Superball)
  Calling
Oceansize            Commorative T-shirt  Frames (Superball)
Oceansize            Unfamiliar           Frames (Superball)
Magnum               Intro                Into the Valley of the
                                            Moonking (Steamhammer)
Magnum               Cry To Yourself      Into the Valley of the
                                            Moonking (Steamhammer)
VA [Pinnacle]        Paikalliset Tuulet   Tuonen Tytar II (Musea)
VA [Onsegen          Escape from the      Tuonen Tytar II (Musea)
  Ensemble]            Storm *


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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Teddy LOVE you're playing and music....
=20
> From: teddybut@mac.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Looping shoes
> Date: Sun=2C 17 May 2009 16:06:57 -0400
>=20
> Camper piu
>=20
> Teddy Kumpel
> http://teddyjam.com
>=20

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<style>
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{
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font-family:Verdana
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<body class=3D'hmmessage'>
Teddy LOVE you're playing and music....<BR>&nbsp=3B<BR>&gt=3B From: teddybu=
t@mac.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subje=
ct: Re: Looping shoes<BR>&gt=3B Date: Sun=2C 17 May 2009 16:06:57 -0400<BR>=
&gt=3B <BR>&gt=3B Camper piu<BR>&gt=3B <BR>&gt=3B Teddy Kumpel<BR>&gt=3B ht=
tp://teddyjam.com<BR>&gt=3B <BR></body>
</html>=

--_47167cc2-0ae9-42b7-a505-2be96d1c0524_--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 14:22:27 2009
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	 <afb941d0905180632n16230401v96b934025124709b@mail.gmail.com>
Date: Mon, 18 May 2009 16:22:27 +0200
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Subject: Re: Bidule CPU multi-core support on Mac seems fine now
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On Mon, May 18, 2009 at 3:32 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> ... so leaving mainstage?

Noop. Just need a bit of fresh air for a change.

 ... what's MP?

Multi Processor.
Can also mean "Mashed Potato" if lacking efficient CPU resources ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 14:41:58 2009
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Subject: Re: Weird Looping Guy
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That´s very strange indeed. He tied together his 2 guitars
with a strange leather bag or so... Huuu what a guy!

----- Original Message -----
From: "Bill Fox" <billyfox@soundscapes.us>
To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 18, 2009 3:45 AM
Subject: Weird Looping Guy


> http://youtube.com/watch?v=D0u5eeXANfU
> Weird yet compelling.
>
> Cheers,
>
> Bill
>

From Loopers-Delight-request@loopers-delight.com  Mon May 18 15:29:58 2009
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http://wdiy.org/programs/gt/playlists/2009/090514.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #632                May 14, 2009.

RECAP:
On this show, I continued the month-long focus on Gert Emmens and Ruud
Heij.  The Featured CD at Midnight was Blind Watchers of a Vanishing
Night on EH Records.

Gert Emmens and Ruud Heij:
http://wdiy.org/programs/gt/playlists/2009/focus.html#may


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Holosphere           Regained             Parallel Universe (none)
                       Transmission
John DuVal           Midnight From Rigel  Cassiopeia's Playground (Earth
                                            Mantra)
Richard Lainhart     Timeless             The Beautiful Sky (O-Town)
CitizenGreen         Tonoplast            Plant Cell (HGM)
CitizenGreen         Peroxisome           Plant Cell (HGM)
Gert Emmens and      Blind Watchers of a  Blind Watchers of a Vanishing
  Ruud Heij            Vanishing Night      Night (EH)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens and      A Journey Through    Blind Watchers of a Vanishing
  Ruud Heij            Time                 Night (EH)
Gert Emmens and      Moments of           Blind Watchers of a Vanishing
  Ruud Heij            Unexpected Sadness   Night (EH)
Gert Emmens and      Conspiracy of Two    Blind Watchers of a Vanishing
  Ruud Heij            Forces               Night (EH)
Gert Emmens and      Driving Home On a    Blind Watchers of a Vanishing
  Ruud Heij            Rainy Night          Night (EH)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Gert
Emmens and Ruud Heij.  The Featured CD at Midnight will be Journey on EH
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon May 18 15:39:36 2009
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Subject: OT: odd findings in the depth of the matrix
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http://www.microsoft.com/presspass/exec/de/Hamburg/default.mspx

This may actually be the first mention of our stuff by Microsoft:
"[Mark Hamburg] has been a regular performer on electric guitar at the
annual Santa Cruz International Live Looping festival and has
photographed the last several festivals."

Good luck in that new job of yours, Mark! I'm sure Microsoft needs you
more than Adobe did ;)

             Rainer

From Loopers-Delight-request@loopers-delight.com  Mon May 18 15:57:02 2009
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Date: Mon, 18 May 2009 17:57:01 +0200
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Subject: Re: Bidule CPU multi-core support on Mac seems fine now
From: Raul Bonell <raul.bonell@gmail.com>
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2009/5/18, Per Boysen <perboysen@gmail.com>:
> On Mon, May 18, 2009 at 3:32 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>> ... so leaving mainstage?
>
> Noop. Just need a bit of fresh air for a change.

uff! this fresh air is killing me when gigs arise .. two paid ones!,
has anybody ever seen this in a while :-)

..but again i have to let go the experimental side and turn on
ableton's to work in strict timeline with other "regular" player since
this is what he uses. i mean, he wants me to do everything for him to
soloing over ... this is me sending live templates & sequences...
boring approach ...  hope this will change after the former meetings.

>  ... what's MP?
>
> Multi Processor.
> Can also mean "Mashed Potato" if lacking efficient CPU resources ;-)

oops! so obvious ...





-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 16:57:56 2009
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Subject: Backing Up a Cat (Re: Bidule CPU multi-core support on Mac seems fine 
	now)
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On Mon, May 18, 2009 at 5:57 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> ..but again i have to let go the experimental side and turn on
> ableton's to work in strict timeline with other "regular" player since
> this is what he uses. i mean, he wants me to do everything for him to
> soloing over ... this is me sending live templates & sequences...
> boring approach ... =C2=A0hope this will change after the former meetings=
.

Hey - that sounds very exciting! I wish you the best luck and lots of
fun at those two gigs!

I've been dreaming about sometimes backing up a great soloist with
livelooping. Just staying in the background to build open soundscapes
that lets him/her stretch melody lines over several possible chord
vamps. This means being careful with thirds so the soloist can decide
if going for major or minor. Then follow him/her and maybe present a
next step into a parallel key, depending on soloist's direction.
Imagine John Coltrane backed up by a laptop loopist instead of the
usual jazz trio!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 18 May 2009 20:18:09 +0200
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Subject: Re: Backing Up a Cat (Re: Bidule CPU multi-core support on Mac seems 
	fine now)
From: Raul Bonell <raul.bonell@gmail.com>
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2009/5/18, Per Boysen <perboysen@gmail.com>:
> On Mon, May 18, 2009 at 5:57 PM, Raul Bonell <raul.bonell@gmail.com> wrot=
e:
>> ..but again i have to let go the experimental side and turn on
>> ableton's to work in strict timeline with other "regular" player since
>> this is what he uses. i mean, he wants me to do everything for him to
>> soloing over ... this is me sending live templates & sequences...
>> boring approach ...  hope this will change after the former meetings.
>
> Hey - that sounds very exciting! I wish you the best luck and lots of
> fun at those two gigs!
>
> I've been dreaming about sometimes backing up a great soloist with
> livelooping. Just staying in the background to build open soundscapes
> that lets him/her stretch melody lines over several possible chord
> vamps. This means being careful with thirds so the soloist can decide
> if going for major or minor. Then follow him/her and maybe present a
> next step into a parallel key, depending on soloist's direction.

you're considering he knows how to improvise which is not the case.
nor that i'm an expert neither! i'm talking about to create 4,5 or 6
pieces (1 hour music ... errr .... just one half of the concert),
almost enterely from scratch ... the main problem it's the timbre and
dynamics of the instrument ... it's a popular wind instrument from the
lands we're living: dol=E7aina or xirimita. It's low developed
technically, and the joke all players do is that just two dynamics
level are possible with the dol=E7aina: on/off.

also they use to play with other dol=E7ainistes or wind bands (i'm also
playing in one of these bands)..

think of a duduk/shenai powerful enough to blow your ears at 1 meter
of distance.

try.. i've not,listened it since i'm at work, ...
http://www.freesound.org/samplesViewSingle.php?id=3D65611

> Imagine John Coltrane backed up by a laptop loopist instead of the
> usual jazz trio!

surreal...

> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 19:17:07 2009
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	 <66f9cc1e0905180245h6f25f789qa38036d7b656754f@mail.gmail.com>
Date: Mon, 18 May 2009 12:17:06 -0700
Message-ID: <bcd3c7bb0905181217n4491de26pbb437311acfdadc6@mail.gmail.com>
Subject: Re: Stacking Static Parts and 100% Feedback in live looping
From: Mark Sottilaro <zerocrossing@gmail.com>
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I'm a fan of having a number of static loops that can be toggled
between, a static loop on top of them as well as a <100% loop going on
the top of it all.  This creates a lot of chances for interesting
relationships between loops.  Another trick (I internally call this
the Oh Superman mode) is to take my on-top-static loop and run it
though an audio effect and vary the amount and other parameters of the
effect over the course of a peace, eventually landing with the
original naked loop.  It's nothing new or revolutionary, but I find it
a good way to keep from boring myself when working with loops. I'm
always happy to hear my first loop all by itself at the end.  It's
kind of like when Dorothy finds out she was always a shoe click away
from being home.

From Loopers-Delight-request@loopers-delight.com  Mon May 18 19:43:00 2009
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Date: Mon, 18 May 2009 12:42:59 -0700
Message-ID: <bcd3c7bb0905181242q5cd42e4jd52209cd2cc03c94@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
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Nice hat.  I wonder if his hecklers yell, "Hey, you're guitar is untied!"

On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de> wrote:
> That$BX7(B very strange indeed. He tied together his 2 guitars
> with a strange leather bag or so... Huuu what a guy!
>
> ----- Original Message -----
> From: "Bill Fox" <billyfox@soundscapes.us>
> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
> Sent: Monday, May 18, 2009 3:45 AM
> Subject: Weird Looping Guy
>
>
>> http://youtube.com/watch?v=D0u5eeXANfU
>> Weird yet compelling.
>>
>> Cheers,
>>
>> Bill
>>
>
>

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Date: Mon, 18 May 2009 12:54:15 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Weird Looping Guy
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--0-2137832479-1242676455=:2977
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He's satisfying the need of many performers: to perform -=C2=A0 whether the=
 stuff one is doing is worth a crap or not. The desire to perform outweighs=
 all. Talent is secondary. Just take a look at most contemporary pop, rock,=
 rap music (or looping for that matter).

--- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 3:42 PM


Nice hat.=C2=A0 I wonder if his hecklers yell, "Hey, you're guitar is untie=
d!"

On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de> wrote:
> That=E6=84=80 very strange indeed. He tied together his 2 guitars
> with a strange leather bag or so... Huuu what a guy!
>
> ----- Original Message -----
> From: "Bill Fox" <billyfox@soundscapes.us>
> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
> Sent: Monday, May 18, 2009 3:45 AM
> Subject: Weird Looping Guy
>
>
>> http://youtube.com/watch?v=3DD0u5eeXANfU
>> Weird yet compelling.
>>
>> Cheers,
>>
>> Bill
>>
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">He's satisfying the need of many performers: =
to perform -&nbsp; whether the stuff one is doing is worth a crap or not. T=
he desire to perform outweighs all. Talent is secondary. Just take a look a=
t most contemporary pop, rock, rap music (or looping for that matter).<BR><=
BR>--- On <B>Mon, 5/18/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.com&gt;=
</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Monday, May 18, 2009, 3:42 PM<BR><BR>
<DIV class=3DplainMail>Nice hat.&nbsp; I wonder if his hecklers yell, "Hey,=
 you're guitar is untied!"<BR><BR>On Mon, May 18, 2009 at 7:42 AM, Christo =
Jota &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dchris@c=
hristojota.de" ymailto=3D"mailto:chris@christojota.de">chris@christojota.de=
</A>&gt; wrote:<BR>&gt; That=E6=84=80 very strange indeed. He tied together=
 his 2 guitars<BR>&gt; with a strange leather bag or so... Huuu what a guy!=
<BR>&gt;<BR>&gt; ----- Original Message -----<BR>&gt; From: "Bill Fox" &lt;=
<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dbillyfox@soundsc=
apes.us" ymailto=3D"mailto:billyfox@soundscapes.us">billyfox@soundscapes.us=
</A>&gt;<BR>&gt; To: "Loopers Delight Mailing List" &lt;<A href=3D"http://u=
s.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com=
" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A>&gt;<BR>&gt; Sent: Monday, May 18, 2009 3:45 AM<BR>&gt=
; Subject: Weird
 Looping Guy<BR>&gt;<BR>&gt;<BR>&gt;&gt; <A href=3D"http://youtube.com/watc=
h?v=3DD0u5eeXANfU" target=3D_blank>http://youtube.com/watch?v=3DD0u5eeXANfU=
</A><BR>&gt;&gt; Weird yet compelling.<BR>&gt;&gt;<BR>&gt;&gt; Cheers,<BR>&=
gt;&gt;<BR>&gt;&gt; Bill<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR><BR></DIV></BLOCKQU=
OTE></td></tr></table><br>=0A=0A      
--0-2137832479-1242676455=:2977--

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Date: Mon, 18 May 2009 13:32:24 -0700
Message-ID: <bcd3c7bb0905181332g74fc068eo36d99b3cdc4ab5df@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Would anyone disagree that this guy is very talented?  You my not like
his medieval style, but there's no doubt he's talented.

On Mon, May 18, 2009 at 12:54 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> He's satisfying the need of many performers: to perform -  whether the stuff
> one is doing is worth a crap or not. The desire to perform outweighs all.
> Talent is secondary. Just take a look at most contemporary pop, rock, rap
> music (or looping for that matter).
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 3:42 PM
>
> Nice hat.  I wonder if his hecklers yell, "Hey, you're guitar is untied!"
>
> On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de> wrote:
>> That$BX7(B very strange indeed. He tied together his 2 guitars
>> with a strange leather bag or so... Huuu what a guy!
>>
>> ----- Original Message -----
>> From: "Bill Fox" <billyfox@soundscapes.us>
>> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, May 18, 2009 3:45 AM
>> Subject: Weird Looping Guy
>>
>>
>>> http://youtube.com/watch?v=D0u5eeXANfU
>>> Weird yet compelling.
>>>
>>> Cheers,
>>>
>>> Bill
>>>
>>
>>
>
>
>

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	 <bcd3c7bb0905181332g74fc068eo36d99b3cdc4ab5df@mail.gmail.com>
Date: Mon, 18 May 2009 13:40:17 -0700
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Subject: Re: Weird Looping Guy
From: Michael Billow <mbillow@gmail.com>
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I agree, talented and clever. And I didn't find it that wierd, he's just
doing this medieval rock thing. Kind of TenaciousD-ish.

2009/5/18 Mark Sottilaro <zerocrossing@gmail.com>

> Would anyone disagree that this guy is very talented?  You my not like
> his medieval style, but there's no doubt he's talented.
>
> On Mon, May 18, 2009 at 12:54 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
> > He's satisfying the need of many performers: to perform -  whether the
> stuff
> > one is doing is worth a crap or not. The desire to perform outweighs all.
> > Talent is secondary. Just take a look at most contemporary pop, rock, rap
> > music (or looping for that matter).
> >
> > --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> >
> > From: Mark Sottilaro <zerocrossing@gmail.com>
> > Subject: Re: Weird Looping Guy
> > To: Loopers-Delight@loopers-delight.com
> > Date: Monday, May 18, 2009, 3:42 PM
> >
> > Nice hat.  I wonder if his hecklers yell, "Hey, you're guitar is untied!"
> >
> > On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de>
> wrote:
> >> That$BX7(B very strange indeed. He tied together his 2 guitars
> >> with a strange leather bag or so... Huuu what a guy!
> >>
> >> ----- Original Message -----
> >> From: "Bill Fox" <billyfox@soundscapes.us>
> >> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com
> >
> >> Sent: Monday, May 18, 2009 3:45 AM
> >> Subject: Weird Looping Guy
> >>
> >>
> >>> http://youtube.com/watch?v=D0u5eeXANfU
> >>> Weird yet compelling.
> >>>
> >>> Cheers,
> >>>
> >>> Bill
> >>>
> >>
> >>
> >
> >
> >
>
>

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Date: Mon, 18 May 2009 13:50:13 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Weird Looping Guy
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Well, to me, it was so horrible I stopped the vid. I guess engraving the Bo=
ok of Genesis on a head of a pin requires a certain talent, but......

--- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 4:32 PM


Would anyone disagree that this guy is very talented?=C2=A0 You my not like
his medieval style, but there's no doubt he's talented.

On Mon, May 18, 2009 at 12:54 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> He's satisfying the need of many performers: to perform -=C2=A0 whether t=
he stuff
> one is doing is worth a crap or not. The desire to perform outweighs all.
> Talent is secondary. Just take a look at most contemporary pop, rock, rap
> music (or looping for that matter).
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 3:42 PM
>
> Nice hat.=C2=A0 I wonder if his hecklers yell, "Hey, you're guitar is unt=
ied!"
>
> On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de> wrot=
e:
>> That=E6=84=80 very strange indeed. He tied together his 2 guitars
>> with a strange leather bag or so... Huuu what a guy!
>>
>> ----- Original Message -----
>> From: "Bill Fox" <billyfox@soundscapes.us>
>> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, May 18, 2009 3:45 AM
>> Subject: Weird Looping Guy
>>
>>
>>> http://youtube.com/watch?v=3DD0u5eeXANfU
>>> Weird yet compelling.
>>>
>>> Cheers,
>>>
>>> Bill
>>>
>>
>>
>
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Well, to me, it was so horrible I stopped the=
 vid. I guess engraving the Book of Genesis on a head of a pin requires a c=
ertain talent, but......<BR><BR>--- On <B>Mon, 5/18/09, Mark Sottilaro <I>&=
lt;zerocrossing@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Monday, May 18, 2009, 4:32 PM<BR><BR>
<DIV class=3DplainMail>Would anyone disagree that this guy is very talented=
?&nbsp; You my not like<BR>his medieval style, but there's no doubt he's ta=
lented.<BR><BR>On Mon, May 18, 2009 at 12:54 PM, Paul Richards<BR>&lt;<A hr=
ef=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@yah=
oo.com" ymailto=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@ya=
hoo.com</A>&gt; wrote:<BR>&gt; He's satisfying the need of many performers:=
 to perform -&nbsp; whether the stuff<BR>&gt; one is doing is worth a crap =
or not. The desire to perform outweighs all.<BR>&gt; Talent is secondary. J=
ust take a look at most contemporary pop, rock, rap<BR>&gt; music (or loopi=
ng for that matter).<BR>&gt;<BR>&gt; --- On Mon, 5/18/09, Mark Sottilaro &l=
t;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@g=
mail.com" ymailto=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com<=
/A>&gt; wrote:<BR>&gt;<BR>&gt; From: Mark Sottilaro &lt;<A
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail=
.com" ymailto=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&=
gt;<BR>&gt; Subject: Re: Weird Looping Guy<BR>&gt; To: <A href=3D"http://us=
.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com"=
 ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</A><BR>&gt; Date: Monday, May 18, 2009, 3:42 PM<BR>&gt;<BR=
>&gt; Nice hat.&nbsp; I wonder if his hecklers yell, "Hey, you're guitar is=
 untied!"<BR>&gt;<BR>&gt; On Mon, May 18, 2009 at 7:42 AM, Christo Jota &lt=
;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dchris@christojo=
ta.de" ymailto=3D"mailto:chris@christojota.de">chris@christojota.de</A>&gt;=
 wrote:<BR>&gt;&gt; That=E6=84=80 very strange indeed. He tied together his=
 2 guitars<BR>&gt;&gt; with a strange leather bag or so... Huuu what a guy!=
<BR>&gt;&gt;<BR>&gt;&gt; ----- Original Message -----<BR>&gt;&gt; From: "Bi=
ll Fox" &lt;<A
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dbillyfox@soundscap=
es.us" ymailto=3D"mailto:billyfox@soundscapes.us">billyfox@soundscapes.us</=
A>&gt;<BR>&gt;&gt; To: "Loopers Delight Mailing List" &lt;<A href=3D"http:/=
/us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.c=
om" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</A>&gt;<BR>&gt;&gt; Sent: Monday, May 18, 2009 3:45 AM<=
BR>&gt;&gt; Subject: Weird Looping Guy<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;&=
gt; <A href=3D"http://youtube.com/watch?v=3DD0u5eeXANfU" target=3D_blank>ht=
tp://youtube.com/watch?v=3DD0u5eeXANfU</A><BR>&gt;&gt;&gt; Weird yet compel=
ling.<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; Cheers,<BR>&gt;&gt;&gt;<BR>&gt;&gt;&g=
t; Bill<BR>&gt;&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>=
<BR></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1545966821-1242679813=:95302--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 20:55:41 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: millennia preamp - OT
Date: Mon, 18 May 2009 23:55:24 +0300
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------=_NextPart_000_0007_01C9D814.1C4C5580
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	charset="iso-8859-1"
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hey,

so sorry that this is off topic. but today i tried the millennia stt-1 =
micpreamp ( with high impedance instrument input. ) wow! this is the =
greatest, most transparent preamp that i have ever heard. incredible. my =
new cello guitar came to life. it was as though i became a cellist :)=20

if you get chance, please do yourself a favor and try this unit. it =
seems that it will work great with guitar, bass, vocals, drums etc.

thanks and best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
------=_NextPart_000_0007_01C9D814.1C4C5580
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>so sorry that this is off topic. but today i tried the millennia =
stt-1=20
micpreamp ( with high impedance instrument input. ) wow! this is the =
greatest,=20
most transparent preamp that i have ever heard. incredible. my new cello =
guitar=20
came to life. it was as though i became a cellist :) </DIV>
<DIV>&nbsp;</DIV>
<DIV>if you get chance, please do yourself a favor and try this unit. it =
seems=20
that it will work great with guitar, bass, vocals, drums etc.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

------=_NextPart_000_0007_01C9D814.1C4C5580--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 20:56:39 2009
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Date: Mon, 18 May 2009 13:56:38 -0700
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Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
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:shrug: It's one thing to say, "I don't like this" and yet another to
say "it was horrible."  It's subtle, but one is talking about you and
one is talking about them.

On Mon, May 18, 2009 at 1:50 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Well, to me, it was so horrible I stopped the vid. I guess engraving the
> Book of Genesis on a head of a pin requires a certain talent, but......
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 4:32 PM
>
> Would anyone disagree that this guy is very talented?  You my not like
> his medieval style, but there's no doubt he's talented.
>
> On Mon, May 18, 2009 at 12:54 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> He's satisfying the need of many performers: to perform -  whether the
>> stuff
>> one is doing is worth a crap or not. The desire to perform outweighs all.
>> Talent is secondary. Just take a look at most contemporary pop, rock, rap
>> music (or looping for that matter).
>>
>> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>>
>> From: Mark Sottilaro <zerocrossing@gmail.com>
>> Subject: Re: Weird Looping Guy
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, May 18, 2009, 3:42 PM
>>
>> Nice hat.  I wonder if his hecklers yell, "Hey, you're guitar is untied!"
>>
>> On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de>
>> wrote:
>>> That$BX7(B very strange indeed. He tied together his 2 guitars
>>> with a strange leather bag or so... Huuu what a guy!
>>>
>>> ----- Original Message -----
>>> From: "Bill Fox" <billyfox@soundscapes.us>
>>> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com>
>>> Sent: Monday, May 18, 2009 3:45 AM
>>> Subject: Weird Looping Guy
>>>
>>>
>>>> http://youtube.com/watch?v=D0u5eeXANfU
>>>> Weird yet compelling.
>>>>
>>>> Cheers,
>>>>
>>>> Bill
>>>>
>>>
>>>
>>
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 18 21:02:25 2009
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Date: Mon, 18 May 2009 23:02:24 +0200
Message-ID: <afb941d0905181402o3fca365ck8d312e9a70d7895e@mail.gmail.com>
Subject: Re: millennia preamp - OT
From: Raul Bonell <raul.bonell@gmail.com>
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... considering it's around 3000 euros, how's not going to do it well
with any sort of input sources? ... next life, maybe. i think it's
targeted to pro studios not starving musicians like most of us. lucky
guy!

2009/5/18, Erdem Helvacioglu <erdemhel@tnn.net>:
> hey,
>
> so sorry that this is off topic. but today i tried the millennia stt-1
> micpreamp ( with high impedance instrument input. ) wow! this is the
> greatest, most transparent preamp that i have ever heard. incredible. my new
> cello guitar came to life. it was as though i became a cellist :)
>
> if you get chance, please do yourself a favor and try this unit. it seems
> that it will work great with guitar, bass, vocals, drums etc.
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 18 21:18:17 2009
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	 <bcd3c7bb0905181356s460a6c5agbf612888c2f02110@mail.gmail.com>
Date: Mon, 18 May 2009 14:13:16 -0700
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Subject: Re: Weird Looping Guy
From: Miko Biffle <biffoz@gmail.com>
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2009/5/18 Mark Sottilaro <zerocrossing@gmail.com>:
> :shrug: It's one thing to say, "I don't like this" and yet another to
> say "it was horrible." =A0It's subtle, but one is talking about you and
> one is talking about them.
>
> On Mon, May 18, 2009 at 1:50 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> Well, to me, it was so horrible I stopped the vid. I guess engraving the
>> Book of Genesis on a head of a pin requires a certain talent, but......
>>

IMO this guy has clearly invested considerable time and effort in the
execution of a concept that holds meaning for HIM, and he pretty much
pulls everything off seamlessly. Whether I'm going to be a fan is up
to me, but it would be presumptuous to infer that he's somehow
clueless. We all face choices as to how we move forward daily and he's
staked his claim. He may in fact be more grounded, committed and
blissfully engaged than many of us here. Food for thought.
--=20
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Mon May 18 21:50:20 2009
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	 <101191640905180416t3940300foc318bd227a9be139@mail.gmail.com>
Date: Mon, 18 May 2009 23:50:18 +0200
Message-ID: <afb941d0905181450p40795b32g5980099d51969708@mail.gmail.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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echoplex manual ...

2009/5/18, Warren Sirota <wsirota@wsdesigns.com>:
> (I guess "proximate cause" would be the more accurate way of phrasing it)
>
> On Mon, May 18, 2009 at 7:13 AM, Warren Sirota <wsirota@wsdesigns.com>wrote:
>
>> It's not a book, but the film of Equus caused me to drop out of grad
>> school, move to SF and try (at least for a while, but unsuccessfully) to
>> be
>> a full-time musician.
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>> http://www.warrensirota.com
>>
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: millennia preamp - OT
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(what is a cello guitar?)



On May 18, 2009, at 1:55 PM, Erdem Helvacioglu wrote:

> hey,
>
> so sorry that this is off topic. but today i tried the millennia  
> stt-1 micpreamp ( with high impedance instrument input. ) wow! this  
> is the greatest, most transparent preamp that i have ever heard.  
> incredible. my new cello guitar came to life. it was as though i  
> became a cellist :)
>
> if you get chance, please do yourself a favor and try this unit. it  
> seems that it will work great with guitar, bass, vocals, drums etc.
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">(what is a cello =
guitar?)<div><br></div><div><br></div><div><br><div><div>On May 18, =
2009, at 1:55 PM, Erdem Helvacioglu wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div =
bgcolor=3D"#ffffff"><div>hey,</div><div>&nbsp;</div><div>so sorry that =
this is off topic. but today i tried the millennia stt-1 micpreamp ( =
with high impedance instrument input. ) wow! this is the greatest, most =
transparent preamp that i have ever heard. incredible. my new cello =
guitar came to life. it was as though i became a cellist =
:)</div><div>&nbsp;</div><div>if you get chance, please do yourself a =
favor and try this unit. it seems that it will work great with guitar, =
bass, vocals, drums etc.</div><div>&nbsp;</div><div>thanks and =
best.</div><div>&nbsp;</div><div>Erdem Helvacioglu<br><a =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a><br><=
a =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv=
acioglu</a><br>* * * * * * * * * * * * * * * * * * * *<br>"Wounded =
Breath" album is out now on Aucourant Records:<br><a =
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</a></div=
><div>&nbsp;</div><div>"wounded breath album will open you up to new =
experiences and<span =
class=3D"Apple-converted-space">&nbsp;</span><br>allow you to explore =
worlds previously closed to you."<br>Blogcritics, Richard =
Marcus</div><div>&nbsp;</div><div>"wounded breath is an outstanding =
acousmatic record, period."<br>Massimo Ricci, touching =
extremes</div></div></span></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon May 18 22:38:47 2009
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Date: Mon, 18 May 2009 18:38:46 -0400
Message-ID: <9e0440a60905181538l4ad5c57buc5cb33075e8711ee@mail.gmail.com>
Subject: Re: OT: odd findings in the depth of the matrix
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a9ff0ca873046a3775f2
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this blew me away the first year I went to y2K and met Mark and later saw
his name go by on the opening credits of an earlier PS - I was amazed and
still am and his last fall's set was wonderful, he was the closer act and it
was just a great solo set...

On Mon, May 18, 2009 at 11:32 AM, Rainer Straschill <
moinsound@googlemail.com> wrote:

> http://www.microsoft.com/presspass/exec/de/Hamburg/default.mspx
>
> This may actually be the first mention of our stuff by Microsoft:
> "[Mark Hamburg] has been a regular performer on electric guitar at the
> annual Santa Cruz International Live Looping festival and has
> photographed the last several festivals."
>
> Good luck in that new job of yours, Mark! I'm sure Microsoft needs you
> more than Adobe did ;)
>
>             Rainer
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a9ff0ca873046a3775f2
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this blew me away the first year I went to y2K and met Mark and later saw h=
is name go by on the opening credits of an earlier PS - I was amazed and st=
ill am and his last fall&#39;s set was wonderful, he was the closer act and=
 it was just a great solo set...<br>
<br>
<div class=3D"gmail_quote">On Mon, May 18, 2009 at 11:32 AM, Rainer Strasch=
ill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moins=
ound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href=3D"http://www.microsoft.=
com/presspass/exec/de/Hamburg/default.mspx" target=3D"_blank">http://www.mi=
crosoft.com/presspass/exec/de/Hamburg/default.mspx</a><br>
<br>This may actually be the first mention of our stuff by Microsoft:<br>&q=
uot;[Mark Hamburg] has been a regular performer on electric guitar at the<b=
r>annual Santa Cruz International Live Looping festival and has<br>photogra=
phed the last several festivals.&quot;<br>
<br>Good luck in that new job of yours, Mark! I&#39;m sure Microsoft needs =
you<br>more than Adobe did ;)<br><font color=3D"#888888"><br>=A0 =A0 =A0 =
=A0 =A0 =A0 Rainer<br><br></font></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5a9ff0ca873046a3775f2--

From Loopers-Delight-request@loopers-delight.com  Mon May 18 22:40:17 2009
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Date: Tue, 19 May 2009 00:40:15 +0200
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Subject: Stacking Static Parts and 100% Feedback in live looping
From: Rainer Straschill <moinsound@googlemail.com>
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Rick,

I'm curious: did I write this to you in private correspondance (also
about the low-cost looper), or to this list, or did I only THINK about
writing that for me, currently variable feedback (of the EDP/delay
type) and unrounded multiply are the most important loop-modification
options, and for that reason, the DD20 (in delay mode) would be my
preferred low-cost looper? ;). However, I digress...

Of  course, as you say, different approaches aren't worse or better
than others, only some lend themselves better to specific musical
goals than others.

What interested me in your post was, as you said, "but I keep finding
more and more things to do just by using starkly naked loops that
don't morph over time but that are,  through arrangement,
recontextualized because of the parts that end up on top of them."

I never consciously worked in that way, although I have found that
some of the stuff you do (and also, more by chance), uses that effect
(and I hope I correctly understand what you mean here): for example
laying down a theme or short motif which seems to start on the beat,
but by overdubbing a drum groove (or other unambigous reference), it
suddenly appears offbeat.

Of course, a lot of these things can be used in a much more flexible
fashion by using a multitrack looper like Mobius or the Looperlative.
Per already mentioned that he uses fades on individual tracks instead
of varying feedback. Using the layers in the example before on tracks
with different lengths will recontextualize them on each pass. This,
however, both depends on looper implementations which are still, more
complex than the "average looper", at least in the hardware domain.

...and with that, we're at the point where it gets interesting for me.
When working with multiple loops, EDP-style feedback and time-variant
processing, things will happen that while being strictly
deterministic, are of a nonlinear fashion and thus chaotic.
Loops of different lengths make a great basis for ever-changing
rhythms (I tried something on a very dilletantic level here
http://vimeo.com/4565667). Now set those loops with different lengths
to different feedback values - and you got a changing volume
relationship, which makes for some beautiful fadeouts to play against.

The beautiful thing is that this works completely without user
interaction from the point the feedback is set - thus freeing my to
walk around and play while the loops change and slowly vanish (or
slowly get replaced by something I choose to add).

But I'd like to ask you as an intercessor of 100% feedback: how do you
"remove density" from an existing loop arrangement? Ways I can think
of:

1. mute/turn down individual tracks (requires multiple tracks)
2. reduce feedback (requires adjustable feedback)
3. "start over" with a new loop altogether (tricky with some user
interfaces as with the SMM w/Hazari, as Andy Butler pointed out)
4. unrounded multiply/divide to cut to a part of the loop with low
density (requires unrounded multiply/divide)
5. undo (requires undo functionality)

Of course, using a Looperlative, you're in the nice situations that
all of those are available to you. Which ones do you use - or don't
you use any of these and have your arrangements always climax
Ravel-style (or do you use another approach I didn't think of)?

Best,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Mon May 18 23:05:01 2009
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Subject: Re: Great Books That Have Changed Our Musical Lives
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LOL

On Mon, May 18, 2009 at 5:50 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> echoplex manual ...
>
> 2009/5/18, Warren Sirota <wsirota@wsdesigns.com>:
> > (I guess "proximate cause" would be the more accurate way of phrasing it)
> >
> > On Mon, May 18, 2009 at 7:13 AM, Warren Sirota <wsirota@wsdesigns.com
> >wrote:
> >
> >> It's not a book, but the film of Equus caused me to drop out of grad
> >> school, move to SF and try (at least for a while, but unsuccessfully) to
> >> be
> >> a full-time musician.
> >>
> >> --
> >> Warren
> >> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> >> http://www.warrensirota.com
> >>
> >
> >
> >
> > --
> > Warren
> > http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> > http://www.warrensirota.com
> >
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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LOL<br><br><div class=3D"gmail_quote">On Mon, May 18, 2009 at 5:50 PM, Raul=
 Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul=
.bonell@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0=
.8ex; padding-left: 1ex;">
echoplex manual ...<br>
<br>
2009/5/18, Warren Sirota &lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsiro=
ta@wsdesigns.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; (I guess &quot;proximate cause&quot;=
 would be the more accurate way of phrasing it)<br>
&gt;<br>
&gt; On Mon, May 18, 2009 at 7:13 AM, Warren Sirota &lt;<a href=3D"mailto:w=
sirota@wsdesigns.com">wsirota@wsdesigns.com</a>&gt;wrote:<br>
&gt;<br>
&gt;&gt; It&#39;s not a book, but the film of Equus caused me to drop out o=
f grad<br>
&gt;&gt; school, move to SF and try (at least for a while, but unsuccessful=
ly) to<br>
&gt;&gt; be<br>
&gt;&gt; a full-time musician.<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; Warren<br>
&gt;&gt; <a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679" targ=
et=3D"_blank">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
&gt;&gt; <a href=3D"http://www.warrensirota.com" target=3D"_blank">http://w=
ww.warrensirota.com</a><br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Warren<br>
&gt; <a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679" target=
=3D"_blank">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
&gt; <a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.w=
arrensirota.com</a><br>
&gt;<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" target=
=3D"_blank">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.co=
m">http://www.warrensirota.com</a><br>


--001485f813a2eb3c2c046a37d2c0--

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	 <F3005E8F-030E-478F-B608-34CFDDC219E1@zoekeating.com>
Date: Mon, 18 May 2009 19:16:24 -0400
Message-ID: <9ea2f30b0905181616w39e269c0vf4a53a24cbebba87@mail.gmail.com>
Subject: Re: millennia preamp - OT
From: Todd Matthews <gtmatthews@gmail.com>
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Hey Zoe,
I think he is referring to the Guitar viols by Jonathan Wilson. He makes a
cello model that is actually tuned like like a 5 string bass but it is an
octave higher outting it in the 'cello range'

http://www.togamanguitars.com/downloads/index.php

Scroll to the bottom and there is a video of him playing his guitar cello
model. It sounds pretty awesome.


Todd Matthews

On Mon, May 18, 2009 at 6:07 PM, Zoe Keating <info@zoekeating.com> wrote:

> (what is a cello guitar?)
>
>
>
> On May 18, 2009, at 1:55 PM, Erdem Helvacioglu wrote:
>
> hey,
>
> so sorry that this is off topic. but today i tried the millennia stt-1
> micpreamp ( with high impedance instrument input. ) wow! this is the
> greatest, most transparent preamp that i have ever heard. incredible. my new
> cello guitar came to life. it was as though i became a cellist :)
>
> if you get chance, please do yourself a favor and try this unit. it seems
> that it will work great with guitar, bass, vocals, drums etc.
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes
>
>
>

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Hey Zoe,<div><br></div><div>I think he is referring to the Guitar viols by=
=A0Jonathan Wilson. He makes a cello model that is actually tuned like like=
 a 5 string bass but it is an octave higher outting it in the &#39;cello ra=
nge&#39;=A0</div>
<div><br></div><div><a href=3D"http://www.togamanguitars.com/downloads/inde=
x.php">http://www.togamanguitars.com/downloads/index.php</a></div><div><br>=
</div><div>Scroll to the bottom and there is a video of him playing his gui=
tar cello model. It sounds pretty awesome.</div>
<div><br></div><div><br></div><div>Todd Matthews<br><br><div class=3D"gmail=
_quote">On Mon, May 18, 2009 at 6:07 PM, Zoe Keating <span dir=3D"ltr">&lt;=
<a href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt;</span> w=
rote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">(what i=
s a cello guitar?)<div><div></div><div class=3D"h5"><div><br></div><div><br=
></div>
<div><br><div><div>On May 18, 2009, at 1:55 PM, Erdem Helvacioglu wrote:</d=
iv><br><blockquote type=3D"cite"><span style=3D"border-collapse:separate;co=
lor:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;fon=
t-variant:normal;font-weight:normal;letter-spacing:normal;line-height:norma=
l;text-align:auto;text-indent:0px;text-transform:none;white-space:normal;wo=
rd-spacing:0px"><div bgcolor=3D"#ffffff">
<div>hey,</div><div>=A0</div><div>so sorry that this is off topic. but toda=
y i tried the millennia stt-1 micpreamp ( with high impedance instrument in=
put. ) wow! this is the greatest, most transparent preamp that i have ever =
heard. incredible. my new cello guitar came to life. it was as though i bec=
ame a cellist :)</div>
<div>=A0</div><div>if you get chance, please do yourself a favor and try th=
is unit. it seems that it will work great with guitar, bass, vocals, drums =
etc.</div><div>=A0</div><div>thanks and best.</div><div>=A0</div><div>Erdem=
 Helvacioglu<br>
<a href=3D"http://www.erdemhelvacioglu.com" target=3D"_blank">www.erdemhelv=
acioglu.com</a><br><a href=3D"http://www.myspace.com/erdemhelvacioglu" targ=
et=3D"_blank">www.myspace.com/erdemhelvacioglu</a><br>* * * * * * * * * * *=
 * * * * * * * * *<br>
&quot;Wounded Breath&quot; album is out now on Aucourant Records:<br><a hre=
f=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23" =
target=3D"_blank">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=
=3D23</a></div>
<div>=A0</div><div>&quot;wounded breath album will open you up to new exper=
iences and<span>=A0</span><br>allow you to explore worlds previously closed=
 to you.&quot;<br>Blogcritics, Richard Marcus</div><div>=A0</div><div>&quot=
;wounded breath is an outstanding acousmatic record, period.&quot;<br>
Massimo Ricci, touching extremes</div></div></span></blockquote></div><br><=
/div></div></div></div></blockquote></div><br></div>

--0016e64136e6a1698b046a37fb6c--

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Date: Mon, 18 May 2009 19:10:14 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
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The only thing that performance lacked were the services of a lead singer. =
But, alas, Tiny Tim passed away years back.

--- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 4:56 PM


:shrug: It's one thing to say, "I don't like this" and yet another to
say "it was horrible."=C2=A0 It's subtle, but one is talking about you and
one is talking about them.

On Mon, May 18, 2009 at 1:50 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Well, to me, it was so horrible I stopped the vid. I guess engraving the
> Book of Genesis on a head of a pin requires a certain talent, but......
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 4:32 PM
>
> Would anyone disagree that this guy is very talented?=C2=A0 You my not li=
ke
> his medieval style, but there's no doubt he's talented.
>
> On Mon, May 18, 2009 at 12:54 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> He's satisfying the need of many performers: to perform -=C2=A0 whether =
the
>> stuff
>> one is doing is worth a crap or not. The desire to perform outweighs all=
.
>> Talent is secondary. Just take a look at most contemporary pop, rock, ra=
p
>> music (or looping for that matter).
>>
>> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>>
>> From: Mark Sottilaro <zerocrossing@gmail.com>
>> Subject: Re: Weird Looping Guy
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, May 18, 2009, 3:42 PM
>>
>> Nice hat.=C2=A0 I wonder if his hecklers yell, "Hey, you're guitar is un=
tied!"
>>
>> On Mon, May 18, 2009 at 7:42 AM, Christo Jota <chris@christojota.de>
>> wrote:
>>> That=E6=84=80 very strange indeed. He tied together his 2 guitars
>>> with a strange leather bag or so... Huuu what a guy!
>>>
>>> ----- Original Message -----
>>> From: "Bill Fox" <billyfox@soundscapes.us>
>>> To: "Loopers Delight Mailing List" <Loopers-Delight@loopers-delight.com=
>
>>> Sent: Monday, May 18, 2009 3:45 AM
>>> Subject: Weird Looping Guy
>>>
>>>
>>>> http://youtube.com/watch?v=3DD0u5eeXANfU
>>>> Weird yet compelling.
>>>>
>>>> Cheers,
>>>>
>>>> Bill
>>>>
>>>
>>>
>>
>>
>>
>
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">The only thing that performance lacked were t=
he services of a lead singer. But, alas, Tiny Tim passed away years back.<B=
R><BR>--- On <B>Mon, 5/18/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.com&=
gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Monday, May 18, 2009, 4:56 PM<BR><BR>
<DIV class=3DplainMail>:shrug: It's one thing to say, "I don't like this" a=
nd yet another to<BR>say "it was horrible."&nbsp; It's subtle, but one is t=
alking about you and<BR>one is talking about them.<BR><BR>On Mon, May 18, 2=
009 at 1:50 PM, Paul Richards<BR>&lt;<A href=3D"http://us.mc1102.mail.yahoo=
.com/mc/compose?to=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulric=
hard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR>&gt; We=
ll, to me, it was so horrible I stopped the vid. I guess engraving the<BR>&=
gt; Book of Genesis on a head of a pin requires a certain talent, but......=
<BR>&gt;<BR>&gt; --- On Mon, 5/18/09, Mark Sottilaro &lt;<A href=3D"http://=
us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail.com" ymailto=3D=
"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt; wrote:<BR>&g=
t;<BR>&gt; From: Mark Sottilaro &lt;<A href=3D"http://us.mc1102.mail.yahoo.=
com/mc/compose?to=3Dzerocrossing@gmail.com"
 ymailto=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt;<B=
R>&gt; Subject: Re: Weird Looping Guy<BR>&gt; To: <A href=3D"http://us.mc11=
02.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" ymai=
lto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-=
delight.com</A><BR>&gt; Date: Monday, May 18, 2009, 4:32 PM<BR>&gt;<BR>&gt;=
 Would anyone disagree that this guy is very talented?&nbsp; You my not lik=
e<BR>&gt; his medieval style, but there's no doubt he's talented.<BR>&gt;<B=
R>&gt; On Mon, May 18, 2009 at 12:54 PM, Paul Richards<BR>&gt; &lt;<A href=
=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@yahoo=
.com" ymailto=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yaho=
o.com</A>&gt; wrote:<BR>&gt;&gt; He's satisfying the need of many performer=
s: to perform -&nbsp; whether the<BR>&gt;&gt; stuff<BR>&gt;&gt; one is doin=
g is worth a crap or not. The desire to perform outweighs all.<BR>&gt;&gt; =
Talent
 is secondary. Just take a look at most contemporary pop, rock, rap<BR>&gt;=
&gt; music (or looping for that matter).<BR>&gt;&gt;<BR>&gt;&gt; --- On Mon=
, 5/18/09, Mark Sottilaro &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc=
/compose?to=3Dzerocrossing@gmail.com" ymailto=3D"mailto:zerocrossing@gmail.=
com">zerocrossing@gmail.com</A>&gt; wrote:<BR>&gt;&gt;<BR>&gt;&gt; From: Ma=
rk Sottilaro &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=
=3Dzerocrossing@gmail.com" ymailto=3D"mailto:zerocrossing@gmail.com">zerocr=
ossing@gmail.com</A>&gt;<BR>&gt;&gt; Subject: Re: Weird Looping Guy<BR>&gt;=
&gt; To: <A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers=
-Delight@loopers-delight.com" ymailto=3D"mailto:Loopers-Delight@loopers-del=
ight.com">Loopers-Delight@loopers-delight.com</A><BR>&gt;&gt; Date: Monday,=
 May 18, 2009, 3:42 PM<BR>&gt;&gt;<BR>&gt;&gt; Nice hat.&nbsp; I wonder if =
his hecklers yell, "Hey, you're guitar is untied!"<BR>&gt;&gt;<BR>&gt;&gt; =
On Mon, May
 18, 2009 at 7:42 AM, Christo Jota &lt;<A href=3D"http://us.mc1102.mail.yah=
oo.com/mc/compose?to=3Dchris@christojota.de" ymailto=3D"mailto:chris@christ=
ojota.de">chris@christojota.de</A>&gt;<BR>&gt;&gt; wrote:<BR>&gt;&gt;&gt; T=
hat=E6=84=80 very strange indeed. He tied together his 2 guitars<BR>&gt;&gt=
;&gt; with a strange leather bag or so... Huuu what a guy!<BR>&gt;&gt;&gt;<=
BR>&gt;&gt;&gt; ----- Original Message -----<BR>&gt;&gt;&gt; From: "Bill Fo=
x" &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dbillyfox@=
soundscapes.us" ymailto=3D"mailto:billyfox@soundscapes.us">billyfox@soundsc=
apes.us</A>&gt;<BR>&gt;&gt;&gt; To: "Loopers Delight Mailing List" &lt;<A h=
ref=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loop=
ers-delight.com" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loo=
pers-Delight@loopers-delight.com</A>&gt;<BR>&gt;&gt;&gt; Sent: Monday, May =
18, 2009 3:45 AM<BR>&gt;&gt;&gt; Subject: Weird Looping
 Guy<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;&gt; <A href=3D"http://=
youtube.com/watch?v=3DD0u5eeXANfU" target=3D_blank>http://youtube.com/watch=
?v=3DD0u5eeXANfU</A><BR>&gt;&gt;&gt;&gt; Weird yet compelling.<BR>&gt;&gt;&=
gt;&gt;<BR>&gt;&gt;&gt;&gt; Cheers,<BR>&gt;&gt;&gt;&gt;<BR>&gt;&gt;&gt;&gt;=
 Bill<BR>&gt;&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;<BR>&g=
t;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></DIV></BLOCKQUOTE></td><=
/tr></table><br>=0A=0A      
--0-510587621-1242699014=:18617--

From Loopers-Delight-request@loopers-delight.com  Tue May 19 02:13:47 2009
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Date: Mon, 18 May 2009 21:13:45 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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I flew into CA this morning and will be playing the first date of my 
long summer tour this thursday. As with last year, I'll be meeting up 
with a number of LD members along the way, one thing I'm especially 
looking forward to. About half the dates are looping gigs, which I've 
especially called out on this list.

Thanks especially to the folks who booked/organized an event around my 
dates - Kris, Ted and Matt! and Dave Trenkel who hooked me up in 
Corvallis, and Travis, Nevyn, Bob Collier, Rev, Jeremy Devros, Richard, 
Ted, and many others I've sadly overlooked who gave excellent venue and 
other help in booking this trip.

Details for all these on my calendar - 
http://www.swanwelder.com/calendar.htm. More dates are a-comin'.

would love to see & meet folks out there!

--
Thursday, May 21, Mai's Café, Ventura, CA (w/Susan D, Yul Vianzon)
Saturday, May 23, The Spot Café & Lounge, Culver City, CA (w/Toddy Ivy, 
Pi Jacobs)
Sunday, May 24, Viento y Agua, Long Beach, CA (noontime show)
Tuesday, May 26, Trummerflora house show, THEN Soda Bar (w/Basshaters, 
Peninsula Project), San Diego, CA (LOOPING sets)
Wednesday, May 27, Borders - National City, Chula Vista, CA
Saturday, May 30, Eclectic Company, Santa Ana, CA (LOOPING SET)
Sunday, May 31, Pharoah's Den, Riverside, CA (LOOPING SET)
Thursday, Jun 4, Luggage Store Gallery (w/Orchesperry as part of Matthew 
Sperry tribute), San Francisco, CA
Friday, Jun 5, Fox and Goose, Sacramento, CA (w/Ross Hammond)
Saturday, Jun 6, Godwaffle Noise Pancakes (daytime show, w/Cerebral 
Roil), San Francisco, CA (LOOPING/NOISE SET)
Saturday, Jun 6, Bluesix, San Francisco, CA (w/Travis Johns, my chum 
Julie Zielinski, and a really excellent headliner I need to keep mum 
about for now...)
Monday, Jun 8, SMF Series (venue TBD), Sacramento, CA (w/Ross Hammond) 
(LOOPING SET)
Wednesday, Jun 10, 21 Grand, Oakland, CA (LOOPING SET, w/*LD'er Matt 
Davignon!!* )
Thursday, Jun 11, Christian Church of Ashland, Medford, OR (LOOPING SET, 
w/*LD'er Ted Killian!!*)
Friday, Jun 12, Cloud 9, Corvallis, OR (LOOPING SET after acoustic set)
Saturday, Jun 13, Portland Playhouse, Portland, OR (w/Juan Prophet 
Organization, Fruition String Band, and Meyercord)
Sunday, Jun 14, Dunes, Portland, OR (LOOPING SET w/*LD'er Nevyn Nowhere!!*)
Monday, Jun 15, Eastside Club, Olympia, WA (pending confirmation)
Tuesday, Jun 16, Chai House, Seattle, WA (acoustic set, but w/*LD'er 
Travis Hartnett!!*)
Wednesday, Jun 17, Three Shapes Akido, Boise, ID (LOOPING SET w/*LD'er 
Krispen Hartung!!*, Jared Hallock, Aaron Davis)
Thursday, Jun 18, The Compound, Provo, UT (LOOPING SET)
Friday, Jun 19, Tenn Street Coffee, Denver, CO
Saturday, Jun 20, Moka's Coffee, Newton, KS
Tuesday, Jun 23, End of an Ear, Austin, TX (LOOPING SET)
Wednesday, Jun 24, venue TBD, El Paso, TX
Friday, Jun 26, The Living Room, Tucson, AZ
Saturday, Jun 27, Fiddler's Dream, Phoenix, AZ
Tuesday, Jun 30, Mayorga Coffee Factory, Silver Spring, MD
Wednesday, Jul 1, Badgerhaus, Raleigh, NC (LOOPING SET w/*ex-LD'er Steve 
Burnett/Subscape Annex!!*)
Thursday, Jul 2, Gillie's, Blacksburg, VA
Saturday, Jul 4, Arefa's Espresso, Pittsburgh, PA
Tuesday, Jul 7, venue TBD, Madison, WI
Wednesday, Jul 8, venue TBD, Chicago, IL (LOOPING SET)
Thursday, Jul 9, venue TBD, Goshen, IN
Friday, Jul 10, Waterloo Café, Cleveland, OH
Saturday, Jul 11, Electronic Cafe, Cleveland, OH (LOOPING SET w/*LD'er 
Jim Goodin!!* as Chinapainting, part of Ingenuity Festival)
Sunday, Jul 12, Electronic Cafe, Cleveland, OH (LOOPING SET w/*LD'er Jim 
Goodin!!* as Chinapainting, part of Ingenuity Festival)
Monday, Jul 13, Tequila Bookworm, Toronto, ON (LOOPING SET w/*LD'er (I 
think...at least a Loopfest participant) James Bailey!!*, *LD'er Ted 
Harms!!*, Mimo, Jay Hay)
Tuesday, Jul 14, venue TBD, Montreal, QE
Friday, Jul 17, Radio Bean, Burlington, VT
Saturday, Jul 18, Outpost 186, Cambridge, MA (LOOPING SET w/Jonathan 
Lamaster from Cul de Sac)
Sunday, Jul 19, ABC No Rio, New York, NY (LOOPING SET w/*LD'er Jim 
Goodin!!* as Chinapainting)
Friday, Jul 24, venue TBD, Philadelphia, PA (LOOPING SET w/*LD'er Jim 
Goodin!!* as Chinapainting)
Saturday, Jul 25, private event, Lancaster, PA
Saturday, Jul 25, venue TBD, Lancaster, PA
--

I do love the road.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue May 19 02:15:03 2009
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Date: Tue, 19 May 2009 02:15:01 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: re: Looping shoes
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beautiful Bill! why didnt u used them at the y2k8?

www.myspace.com/luisangulocom


--- William Walker <billwalker@baymoon.com> schrieb am So, 17.5.2009:

> Von: William Walker <billwalker@baymoon.com>
> Betreff: re: Looping shoes
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 17. Mai 2009, 19:49
>=20
>=20
>=20
> =20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
> These have
> always worked for me,=20
>=20
> =C2=A0http://www.halloweencostumes.com/acc-kiss-demon-boots.html
>=20
>=20
>=20
> =C2=A0=20
>=20
>=20
> =C2=A0=20
>=20
> but seriously
> David, I think, having read most of these
> threads, Krispen =E2=80=98s idea looks most intriguing, kind
> of like having
> webbed feat (which I=E2=80=99ve always wanted to have).
> Krispen have you actually
> used these things? Vibram has been the soul of choice for
> climbers and hikers
> for decades, and these look tre=E2=80=99 cool in a Gollum
> sort of way=E2=80=A6=20
>=20
> Bill
>=20
>=20
>=20
>=20
> =20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 19 02:23:39 2009
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	 <4A1215D9.5020602@mhorse.com>
Date: Tue, 19 May 2009 04:23:37 +0200
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Subject: Re: Omnibus tour spam
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ahhhhh ... !
what a list !!


2009/5/19, Daryl Shawn <highhorse@mhorse.com>:
> I flew into CA this morning and will be playing the first date of my
> long summer tour this thursday. As with last year, I'll be meeting up
> with a number of LD members along the way, one thing I'm especially
> looking forward to. About half the dates are looping gigs, which I've
> especially called out on this list.
>
> Thanks especially to the folks who booked/organized an event around my
> dates - Kris, Ted and Matt! and Dave Trenkel who hooked me up in
> Corvallis, and Travis, Nevyn, Bob Collier, Rev, Jeremy Devros, Richard,
> Ted, and many others I've sadly overlooked who gave excellent venue and
> other help in booking this trip.
>
> Details for all these on my calendar -
> http://www.swanwelder.com/calendar.htm. More dates are a-comin'.
>
> would love to see & meet folks out there!
>
> --
> Thursday, May 21, Mai's Caf=E9, Ventura, CA (w/Susan D, Yul Vianzon)
> Saturday, May 23, The Spot Caf=E9 & Lounge, Culver City, CA (w/Toddy Ivy,
> Pi Jacobs)
> Sunday, May 24, Viento y Agua, Long Beach, CA (noontime show)
> Tuesday, May 26, Trummerflora house show, THEN Soda Bar (w/Basshaters,
> Peninsula Project), San Diego, CA (LOOPING sets)
> Wednesday, May 27, Borders - National City, Chula Vista, CA
> Saturday, May 30, Eclectic Company, Santa Ana, CA (LOOPING SET)
> Sunday, May 31, Pharoah's Den, Riverside, CA (LOOPING SET)
> Thursday, Jun 4, Luggage Store Gallery (w/Orchesperry as part of Matthew
> Sperry tribute), San Francisco, CA
> Friday, Jun 5, Fox and Goose, Sacramento, CA (w/Ross Hammond)
> Saturday, Jun 6, Godwaffle Noise Pancakes (daytime show, w/Cerebral
> Roil), San Francisco, CA (LOOPING/NOISE SET)
> Saturday, Jun 6, Bluesix, San Francisco, CA (w/Travis Johns, my chum
> Julie Zielinski, and a really excellent headliner I need to keep mum
> about for now...)
> Monday, Jun 8, SMF Series (venue TBD), Sacramento, CA (w/Ross Hammond)
> (LOOPING SET)
> Wednesday, Jun 10, 21 Grand, Oakland, CA (LOOPING SET, w/*LD'er Matt
> Davignon!!* )
> Thursday, Jun 11, Christian Church of Ashland, Medford, OR (LOOPING SET,
> w/*LD'er Ted Killian!!*)
> Friday, Jun 12, Cloud 9, Corvallis, OR (LOOPING SET after acoustic set)
> Saturday, Jun 13, Portland Playhouse, Portland, OR (w/Juan Prophet
> Organization, Fruition String Band, and Meyercord)
> Sunday, Jun 14, Dunes, Portland, OR (LOOPING SET w/*LD'er Nevyn Nowhere!!=
*)
> Monday, Jun 15, Eastside Club, Olympia, WA (pending confirmation)
> Tuesday, Jun 16, Chai House, Seattle, WA (acoustic set, but w/*LD'er
> Travis Hartnett!!*)
> Wednesday, Jun 17, Three Shapes Akido, Boise, ID (LOOPING SET w/*LD'er
> Krispen Hartung!!*, Jared Hallock, Aaron Davis)
> Thursday, Jun 18, The Compound, Provo, UT (LOOPING SET)
> Friday, Jun 19, Tenn Street Coffee, Denver, CO
> Saturday, Jun 20, Moka's Coffee, Newton, KS
> Tuesday, Jun 23, End of an Ear, Austin, TX (LOOPING SET)
> Wednesday, Jun 24, venue TBD, El Paso, TX
> Friday, Jun 26, The Living Room, Tucson, AZ
> Saturday, Jun 27, Fiddler's Dream, Phoenix, AZ
> Tuesday, Jun 30, Mayorga Coffee Factory, Silver Spring, MD
> Wednesday, Jul 1, Badgerhaus, Raleigh, NC (LOOPING SET w/*ex-LD'er Steve
> Burnett/Subscape Annex!!*)
> Thursday, Jul 2, Gillie's, Blacksburg, VA
> Saturday, Jul 4, Arefa's Espresso, Pittsburgh, PA
> Tuesday, Jul 7, venue TBD, Madison, WI
> Wednesday, Jul 8, venue TBD, Chicago, IL (LOOPING SET)
> Thursday, Jul 9, venue TBD, Goshen, IN
> Friday, Jul 10, Waterloo Caf=E9, Cleveland, OH
> Saturday, Jul 11, Electronic Cafe, Cleveland, OH (LOOPING SET w/*LD'er
> Jim Goodin!!* as Chinapainting, part of Ingenuity Festival)
> Sunday, Jul 12, Electronic Cafe, Cleveland, OH (LOOPING SET w/*LD'er Jim
> Goodin!!* as Chinapainting, part of Ingenuity Festival)
> Monday, Jul 13, Tequila Bookworm, Toronto, ON (LOOPING SET w/*LD'er (I
> think...at least a Loopfest participant) James Bailey!!*, *LD'er Ted
> Harms!!*, Mimo, Jay Hay)
> Tuesday, Jul 14, venue TBD, Montreal, QE
> Friday, Jul 17, Radio Bean, Burlington, VT
> Saturday, Jul 18, Outpost 186, Cambridge, MA (LOOPING SET w/Jonathan
> Lamaster from Cul de Sac)
> Sunday, Jul 19, ABC No Rio, New York, NY (LOOPING SET w/*LD'er Jim
> Goodin!!* as Chinapainting)
> Friday, Jul 24, venue TBD, Philadelphia, PA (LOOPING SET w/*LD'er Jim
> Goodin!!* as Chinapainting)
> Saturday, Jul 25, private event, Lancaster, PA
> Saturday, Jul 25, venue TBD, Lancaster, PA
> --
>
> I do love the road.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Mon, 18 May 2009 19:24:25 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
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Yes. I'm sure you could say the same about Debbie Boone, Esteban or Kriss C=
ross.=20

--- On Mon, 5/18/09, Miko Biffle <biffoz@gmail.com> wrote:


From: Miko Biffle <biffoz@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 5:13 PM


2009/5/18 Mark Sottilaro <zerocrossing@gmail.com>:
> :shrug: It's one thing to say, "I don't like this" and yet another to
> say "it was horrible." =A0It's subtle, but one is talking about you and
> one is talking about them.
>
> On Mon, May 18, 2009 at 1:50 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> Well, to me, it was so horrible I stopped the vid. I guess engraving the
>> Book of Genesis on a head of a pin requires a certain talent, but......
>>

IMO this guy has clearly invested considerable time and effort in the
execution of a concept that holds meaning for HIM, and he pretty much
pulls everything off seamlessly. Whether I'm going to be a fan is up
to me, but it would be presumptuous to infer that he's somehow
clueless. We all face choices as to how we move forward daily and he's
staked his claim. He may in fact be more grounded, committed and
blissfully engaged than many of us here. Food for thought.
--=20
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

=0A=0A=0A      
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Yes. I'm sure you could say the same about De=
bbie Boone, Esteban or Kriss Cross. <BR><BR>--- On <B>Mon, 5/18/09, Miko Bi=
ffle <I>&lt;biffoz@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Miko Biffle &lt;biffoz@gmail.com&gt;<BR>Sub=
ject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight.com<BR>D=
ate: Monday, May 18, 2009, 5:13 PM<BR><BR>
<DIV class=3DplainMail>2009/5/18 Mark Sottilaro &lt;<A href=3D"http://us.mc=
1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail.com" ymailto=3D"mail=
to:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt;:<BR>&gt; :shrug: =
It's one thing to say, "I don't like this" and yet another to<BR>&gt; say "=
it was horrible." &nbsp;It's subtle, but one is talking about you and<BR>&g=
t; one is talking about them.<BR>&gt;<BR>&gt; On Mon, May 18, 2009 at 1:50 =
PM, Paul Richards<BR>&gt; &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc=
/compose?to=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulrichard_ro=
cks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR>&gt;&gt; Well,=
 to me, it was so horrible I stopped the vid. I guess engraving the<BR>&gt;=
&gt; Book of Genesis on a head of a pin requires a certain talent, but.....=
.<BR>&gt;&gt;<BR><BR>IMO this guy has clearly invested considerable time an=
d effort in the<BR>execution of a concept that holds meaning for HIM, and h=
e
 pretty much<BR>pulls everything off seamlessly. Whether I'm going to be a =
fan is up<BR>to me, but it would be presumptuous to infer that he's somehow=
<BR>clueless. We all face choices as to how we move forward daily and he's<=
BR>staked his claim. He may in fact be more grounded, committed and<BR>blis=
sfully engaged than many of us here. Food for thought.<BR>-- <BR>Miko Biffl=
e<BR><A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DBiffoz@Gmai=
l.com" ymailto=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR><A href=
=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DMBiffle@FoxRacingShox.c=
om" ymailto=3D"mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com<=
/A><BR>"Running scared from all the usual distractions!"<BR><BR></DIV></BLO=
CKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-1834888834-1242699865=:59774--

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References: <9ea2f30b0905181616w39e269c0vf4a53a24cbebba87@mail.gmail.com>
Subject: RE: millennia preamp - OT
Date: Mon, 18 May 2009 20:27:48 -0700
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Yep that's correct, they sound amazing BTW. A truly unique instrument that
has a curved fretted fingerboard and is meant to be bowed, the sound is very
warm and woody, and dare I say cello-like in timbre. Its an ideal instrument
for a guitarist wanting to get in to the world of bowed instruments, or a
cellist wanting to get more chordal and guitar-like. It aint cheap by guitar
standards but it's a bargain by classical cello standards. Small portable
and fits in one of those cool coffin cases. The proprietary pickups sound
wonderful and can handle any kind of volume or signal processing without
feedback issues. I got to hear it when Erdem first got it and I was floored
by the sound. 

 

 bill

 

  _____  

From: Todd Matthews [mailto:gtmatthews@gmail.com] 
Sent: Monday, May 18, 2009 4:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: millennia preamp - OT

 

Hey Zoe,

 

I think he is referring to the Guitar viols by Jonathan Wilson. He makes a
cello model that is actually tuned like like a 5 string bass but it is an
octave higher outting it in the 'cello range' 

 

http://www.togamanguitars.com/downloads/index.php

 

Scroll to the bottom and there is a video of him playing his guitar cello
model. It sounds pretty awesome.

 

 

Todd Matthews

On Mon, May 18, 2009 at 6:07 PM, Zoe Keating <info@zoekeating.com> wrote:

(what is a cello guitar?)

 

 

 

On May 18, 2009, at 1:55 PM, Erdem Helvacioglu wrote:





hey,

 

so sorry that this is off topic. but today i tried the millennia stt-1
micpreamp ( with high impedance instrument input. ) wow! this is the
greatest, most transparent preamp that i have ever heard. incredible. my new
cello guitar came to life. it was as though i became a cellist :)

 

if you get chance, please do yourself a favor and try this unit. it seems
that it will work great with guitar, bass, vocals, drums etc.

 

thanks and best.

 

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=detail
<http://www.aucourantrecords.com/catalog.php?op=detail&cid=23> &cid=23

 

"wounded breath album will open you up to new experiences and 
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

 

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Yep that&#8217;s correct, they =
sound
amazing BTW. A truly unique instrument that has a curved fretted =
fingerboard
and is meant to be bowed, the sound is very warm and woody, and dare I =
say
cello-like in timbre. Its an ideal instrument for a guitarist wanting to =
get in
to the world of bowed instruments, or a cellist wanting to get more =
chordal and
guitar-like. It aint cheap by guitar standards but it&#8217;s a bargain =
by
classical cello standards. Small portable and fits in one of those cool =
coffin
cases. The proprietary pickups sound wonderful and can handle any kind =
of
volume or signal processing without feedback issues. I got to hear it =
when Erdem
first got it and I was floored by the sound. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;bill<o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Todd =
Matthews
[mailto:gtmatthews@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, May 18, =
2009 4:16 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b><st1:PersonName =
w:st=3D"on">
 Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: millennia =
preamp - OT</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Hey Zoe,<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I think he is referring to the Guitar viols by&nbsp;Jonathan =
Wilson. He
makes a cello model that is actually tuned like like a 5 string bass but =
it is
an octave higher outting it in the 'cello =
range'&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><a =
href=3D"http://www.togamanguitars.com/downloads/index.php">http://www.tog=
amanguitars.com/downloads/index.php</a><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Scroll to the bottom and there is a video of him playing his =
guitar
cello model. It sounds pretty awesome.<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>Todd =
Matthews<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Mon, May 18, 2009 at 6:07 PM, <st1:PersonName w:st=3D"on">Zoe =
Keating</st1:PersonName>
&lt;<a href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<div style=3D'word-wrap:break-word'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>(what is a cello guitar?)<o:p></o:p></span></font></p>

<div>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On May 18, 2009, at 1:55 PM, Erdem Helvacioglu =
wrote:<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
<o:p></o:p></span></font></p>

<span style=3D'text-align:auto;word-spacing:0px'>

<div bgcolor=3D"#ffffff">

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>hey,<o:p></o:=
p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>so sorry =
that this is
off topic. but today i tried the millennia stt-1 micpreamp ( with high
impedance instrument input. ) wow! this is the greatest, most =
transparent
preamp that i have ever heard. incredible. my new cello guitar came to =
life. it
was as though i became a cellist :)<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>if you get =
chance,
please do yourself a favor and try this unit. it seems that it will work =
great
with guitar, bass, vocals, drums etc.<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>thanks and =
best.<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>Erdem =
Helvacioglu<br>
<a href=3D"http://www.erdemhelvacioglu.com" =
target=3D"_blank">www.erdemhelvacioglu.com</a><br>
<a href=3D"http://www.myspace.com/erdemhelvacioglu" =
target=3D"_blank">www.myspace.com/erdemhelvacioglu</a><br>
* * * * * * * * * * * * * * * * * * * *<br>
&quot;Wounded Breath&quot; album is out now on Aucourant Records:<br>
<a =
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23"
target=3D"_blank">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;ci=
d=3D23</a><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&quot;wounded=
 breath
album will open you up to new experiences and&nbsp;<br>
allow you to explore worlds previously closed to you.&quot;<br>
Blogcritics, Richard Marcus<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;<o:p></=
o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&quot;wounded=
 breath
is an outstanding acousmatic record, period.&quot;<br>
Massimo Ricci, touching extremes<o:p></o:p></span></font></p>

</div>

</div>

</div>

</span>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

</body>

</html>

------=_NextPart_000_0024_01C9D7F7.1F260890--

From Loopers-Delight-request@loopers-delight.com  Tue May 19 03:35:25 2009
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Date: Mon, 18 May 2009 20:35:24 -0700
Message-ID: <3fa302e30905182035m2063f9aex38c507790cb0b6cc@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Rather than add another "me too!" dismissal, I chose philosophical.
This example was posted to our list by Bill Fox as "strangely
compelling", and the ensuing comments on "quality" brought the thought
to mind. Of course YMMV.  -m

Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

On Mon, May 18, 2009 at 7:24 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Yes. I'm sure you could say the same about Debbie Boone, Esteban or Kriss=
 Cross.

> From: Miko Biffle <biffoz@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 5:13 PM
>
> 2009/5/18 Mark Sottilaro <zerocrossing@gmail.com>:
>> :shrug: It's one thing to say, "I don't like this" and yet another to sa=
y "it was horrible." =A0It's subtle, but one is talking about you and one i=
s talking about them.

>> On Mon, May 18, 2009 at 1:50 PM, Paul Richards
>> <paulrichard_rocks@yahoo.com> wrote:
>>> Well, to me, it was so horrible I stopped the vid. I guess engraving th=
e Book of Genesis on a head of a pin requires a certain talent, but......

> IMO this guy has clearly invested considerable time and effort in the
> execution of a concept that holds meaning for HIM, and he pretty much
> pulls everything off seamlessly. Whether I'm going to be a fan is up
> to me, but it would be presumptuous to infer that he's somehow
> clueless. We all face choices as to how we move forward daily and he's
> staked his claim. He may in fact be more grounded, committed and
> blissfully engaged than many of us here. Food for thought.
> --
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Tue May 19 03:35:33 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'L.Angulo'" <labaloops@yahoo.com>, <Loopers-Delight@loopers-delight.com>
References: <778453.52212.qm@web24308.mail.ird.yahoo.com>
Subject: RE: Looping shoes
Date: Mon, 18 May 2009 20:35:31 -0700
Message-ID: <C4555ECEA48C4286BCDB3F5E51F4DAB0@williamsteed>
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 Because they were getting re-soled, duh!!! Also my matching sliver =
lame'
codpiece was at the cleaners
 Bill

-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com]=20
Sent: Monday, May 18, 2009 7:15 PM
To: Loopers-Delight@loopers-delight.com; billwalker@baymoon.com
Subject: re: Looping shoes


beautiful Bill! why didnt u used them at the y2k8?

www.myspace.com/luisangulocom


--- William Walker <billwalker@baymoon.com> schrieb am So, 17.5.2009:

> Von: William Walker <billwalker@baymoon.com>
> Betreff: re: Looping shoes
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 17. Mai 2009, 19:49
>=20
>=20
>=20
> =20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
> These have
> always worked for me,=20
>=20
> =A0http://www.halloweencostumes.com/acc-kiss-demon-boots.html
>=20
>=20
>=20
> =A0=20
>=20
>=20
> =A0=20
>=20
> but seriously
> David, I think, having read most of these
> threads, Krispen =91s idea looks most intriguing, kind
> of like having
> webbed feat (which I=92ve always wanted to have).
> Krispen have you actually
> used these things? Vibram has been the soul of choice for
> climbers and hikers
> for decades, and these look tre=92 cool in a Gollum
> sort of way=85=20
>=20
> Bill
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20


     =20

From Loopers-Delight-request@loopers-delight.com  Tue May 19 03:39:20 2009
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	 <bcd3c7bb0905181356s460a6c5agbf612888c2f02110@mail.gmail.com>
	 <3fa302e30905181413k212249d1vbf33809bbbf0bedf@mail.gmail.com>
Date: Mon, 18 May 2009 20:39:19 -0700
Message-ID: <bcd3c7bb0905182039r79b96f6fj49ba15102aa1afc2@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
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Agreed.  I'm always impressed by people who find a niche and go for it.


> IMO this guy has clearly invested considerable time and effort in the
> execution of a concept that holds meaning for HIM, and he pretty much
> pulls everything off seamlessly. Whether I'm going to be a fan is up
> to me, but it would be presumptuous to infer that he's somehow
> clueless. We all face choices as to how we move forward daily and he's
> staked his claim. He may in fact be more grounded, committed and
> blissfully engaged than many of us here. Food for thought.
> --
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 19 03:40:32 2009
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Date: Tue, 19 May 2009 03:40:29 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: millennia preamp - OT
To: Loopers-Delight@loopers-delight.com, billwalker@baymoon.com
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this does look amazing!i take it Erdem is using the electric model?
models with midi wow but i wonder about the tracking!
Luis


www.myspace.com/luisangulocom


--- William Walker <billwalker@baymoon.com> schrieb am Mo, 18.5.2009:

> Von: William Walker <billwalker@baymoon.com>
> Betreff: RE: millennia preamp - OT
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 18. Mai 2009, 20:27
>=20
>=20
>=20
> =20
> =20
>=20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
> Yep
> that=E2=80=99s correct, they sound
> amazing BTW. A truly unique instrument that has a curved
> fretted fingerboard
> and is meant to be bowed, the sound is very warm and woody,
> and dare I say
> cello-like in timbre. Its an ideal instrument for a
> guitarist wanting to get in
> to the world of bowed instruments, or a cellist wanting to
> get more chordal and
> guitar-like. It aint cheap by guitar standards but
> it=E2=80=99s a bargain by
> classical cello standards. Small portable and fits in one
> of those cool coffin
> cases. The proprietary pickups sound wonderful and can
> handle any kind of
> volume or signal processing without feedback issues. I got
> to hear it when Erdem
> first got it and I was floored by the sound.
> =20
>=20
>=20
> =C2=A0=20
>=20
> =C2=A0bill
>=20
>=20
>=20
> =C2=A0=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> From: Todd Matthews
> [mailto:gtmatthews@gmail.com]=20
>=20
> Sent: Monday,
> May 18, 2009 4:16 PM
>=20
> To:=20
>  Loopers-Delight@loopers-delight.com
>=20
> Subject: Re:
> millennia preamp - OT=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
> Hey Zoe,=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> I think he is referring to the Guitar
> viols by=C2=A0Jonathan Wilson. He
> makes a cello model that is actually tuned like like a 5
> string bass but it is
> an octave higher outting it in the 'cello
> range'=C2=A0=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> http://www.togamanguitars.com/downloads/index.php
>=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> Scroll to the bottom and there is a
> video of him playing his guitar
> cello model. It sounds pretty awesome.=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> Todd Matthews=20
>=20
>=20
>=20
> On Mon, May 18, 2009 at 6:07 PM, Zoe
> Keating=20
> <info@zoekeating.com>
> wrote:=20
>=20
>=20
>=20
> (what is a cello
> guitar?)=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> On May 18, 2009, at 1:55 PM, Erdem
> Helvacioglu wrote:=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> hey,
>=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> so
> sorry that this is
> off topic. but today i tried the millennia stt-1 micpreamp
> ( with high
> impedance instrument input. ) wow! this is the greatest,
> most transparent
> preamp that i have ever heard. incredible. my new cello
> guitar came to life. it
> was as though i became a cellist :)=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> if
> you get chance,
> please do yourself a favor and try this unit. it seems that
> it will work great
> with guitar, bass, vocals, drums etc.=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> thanks
> and best.=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> Erdem
> Helvacioglu
>=20
> www.erdemhelvacioglu.com
>=20
> www.myspace.com/erdemhelvacioglu
>=20
> * * * * * * * * * * * * * * * * * * * *
>=20
> "Wounded Breath" album is out now on Aucourant
> Records:
>=20
> www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
>=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> "wounded
> breath
> album will open you up to new experiences and=C2=A0
>=20
> allow you to explore worlds previously closed to
> you."
>=20
> Blogcritics, Richard Marcus=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0
>=20
>=20
>=20
>=20
>=20
>=20
> "wounded
> breath
> is an outstanding acousmatic record, period."
>=20
> Massimo Ricci, touching extremes=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 19 10:44:59 2009
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	id E3D7C3BE7E; Tue, 19 May 2009 10:44:59 +0000 (UTC)
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Message-ID: <001c01c9d86e$d8635340$0500000a@ERDEMOLD>
From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <843985.74657.qm@web24305.mail.ird.yahoo.com>
Subject: Re: millennia preamp - OT
Date: Tue, 19 May 2009 13:44:54 +0300
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	charset="UTF-8"
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hey,

i am using the electric guitar naked spartan version. that is the =
cheapest model without any midi.

i have uploaded a folder that contains 4 audio files with the violguitar =
with 4 different preamp setting. the millennia stt-1 solid state, =
millennia stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q preamp. =
check out the transparency on the millennia stt-1!

https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ

bear in mind that i can not play this instrument well at all! :) i =
especially tried some extended techniques and lots of harmonics to hear =
the transparency on the preamps.

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
  ----- Original Message -----=20
  From: L.Angulo=20
  To: Loopers-Delight@loopers-delight.com ; billwalker@baymoon.com=20
  Sent: Tuesday, May 19, 2009 6:40 AM
  Subject: RE: millennia preamp - OT



  this does look amazing!i take it Erdem is using the electric model?
  models with midi wow but i wonder about the tracking!
  Luis


  www.myspace.com/luisangulocom


  --- William Walker <billwalker@baymoon.com> schrieb am Mo, 18.5.2009:

  > Von: William Walker <billwalker@baymoon.com>
  > Betreff: RE: millennia preamp - OT
  > An: Loopers-Delight@loopers-delight.com
  > Datum: Montag, 18. Mai 2009, 20:27
  >=20
  >=20
  >=20
  > =20
  > =20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  > Yep
  > that=E2=80=99s correct, they sound
  > amazing BTW. A truly unique instrument that has a curved
  > fretted fingerboard
  > and is meant to be bowed, the sound is very warm and woody,
  > and dare I say
  > cello-like in timbre. Its an ideal instrument for a
  > guitarist wanting to get in
  > to the world of bowed instruments, or a cellist wanting to
  > get more chordal and
  > guitar-like. It aint cheap by guitar standards but
  > it=E2=80=99s a bargain by
  > classical cello standards. Small portable and fits in one
  > of those cool coffin
  > cases. The proprietary pickups sound wonderful and can
  > handle any kind of
  > volume or signal processing without feedback issues. I got
  > to hear it when Erdem
  > first got it and I was floored by the sound.
  > =20
  >=20
  >=20
  >=20
  >=20
  > bill
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > From: Todd Matthews
  > [mailto:gtmatthews@gmail.com]=20
  >=20
  > Sent: Monday,
  > May 18, 2009 4:16 PM
  >=20
  > To:=20
  >  Loopers-Delight@loopers-delight.com
  >=20
  > Subject: Re:
  > millennia preamp - OT=20
  >=20
  >=20
  >=20
  > =20
  >=20
  > Hey Zoe,=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > I think he is referring to the Guitar
  > viols by Jonathan Wilson. He
  > makes a cello model that is actually tuned like like a 5
  > string bass but it is
  > an octave higher outting it in the 'cello
  > range'=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > http://www.togamanguitars.com/downloads/index.php
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > Scroll to the bottom and there is a
  > video of him playing his guitar
  > cello model. It sounds pretty awesome.=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > Todd Matthews=20
  >=20
  >=20
  >=20
  > On Mon, May 18, 2009 at 6:07 PM, Zoe
  > Keating=20
  > <info@zoekeating.com>
  > wrote:=20
  >=20
  >=20
  >=20
  > (what is a cello
  > guitar?)=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > On May 18, 2009, at 1:55 PM, Erdem
  > Helvacioglu wrote:=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > hey,
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > so
  > sorry that this is
  > off topic. but today i tried the millennia stt-1 micpreamp
  > ( with high
  > impedance instrument input. ) wow! this is the greatest,
  > most transparent
  > preamp that i have ever heard. incredible. my new cello
  > guitar came to life. it
  > was as though i became a cellist :)=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > if
  > you get chance,
  > please do yourself a favor and try this unit. it seems that
  > it will work great
  > with guitar, bass, vocals, drums etc.=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > thanks
  > and best.=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > Erdem
  > Helvacioglu
  >=20
  > www.erdemhelvacioglu.com
  >=20
  > www.myspace.com/erdemhelvacioglu
  >=20
  > * * * * * * * * * * * * * * * * * * * *
  >=20
  > "Wounded Breath" album is out now on Aucourant
  > Records:
  >=20
  > www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > "wounded
  > breath
  > album will open you up to new experiences and=20
  >=20
  > allow you to explore worlds previously closed to
  > you."
  >=20
  > Blogcritics, Richard Marcus=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > "wounded
  > breath
  > is an outstanding acousmatic record, period."
  >=20
  > Massimo Ricci, touching extremes=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20
  >=20
  >=20
  > =20
  >=20
  >=20
  >=20


       =20

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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i am using the electric guitar naked spartan version. that is the =
cheapest=20
model without any midi.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have uploaded a folder that contains 4 audio files with the =
violguitar=20
with 4 different preamp setting. the millennia stt-1 solid state, =
millennia=20
stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q preamp. check out the =

transparency on the millennia stt-1!</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ">https://do=
wnload.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>bear in mind that i can not play this instrument well at all! :) i=20
especially tried some extended techniques and lots of harmonics to hear =
the=20
transparency on the preamps.</DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></FO=
NT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"wounded breath album will open you up =
to new=20
experiences and <BR>allow you to explore worlds previously closed to=20
you."<BR>Blogcritics, Richard Marcus</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"wounded breath is an outstanding =
acousmatic=20
record, period."<BR>Massimo Ricci, touching extremes</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlabaloops@yahoo.com =
href=3D"mailto:labaloops@yahoo.com">L.Angulo</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  ; <A title=3Dbillwalker@baymoon.com=20
  href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 19, 2009 =
6:40 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: millennia preamp - =
OT</DIV>
  <DIV><BR></DIV><BR>this does look amazing!i take it Erdem is using the =

  electric model?<BR>models with midi wow but i wonder about the=20
  tracking!<BR>Luis<BR><BR><BR><A=20
  =
href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisanguloc=
om</A><BR><BR><BR>---=20
  William Walker &lt;<A=20
  href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt; =
schrieb am=20
  Mo, 18.5.2009:<BR><BR>&gt; Von: William Walker &lt;<A=20
  =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt;<BR>=
&gt;=20
  Betreff: RE: millennia preamp - OT<BR>&gt; An: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  Datum: Montag, 18. Mai 2009, 20:27<BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;&nbsp;=20
  <BR>&gt;&nbsp; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  Yep<BR>&gt; that=E2=80=99s correct, they sound<BR>&gt; amazing BTW. A =
truly unique=20
  instrument that has a curved<BR>&gt; fretted fingerboard<BR>&gt; and =
is meant=20
  to be bowed, the sound is very warm and woody,<BR>&gt; and dare I =
say<BR>&gt;=20
  cello-like in timbre. Its an ideal instrument for a<BR>&gt; guitarist =
wanting=20
  to get in<BR>&gt; to the world of bowed instruments, or a cellist =
wanting=20
  to<BR>&gt; get more chordal and<BR>&gt; guitar-like. It aint cheap by =
guitar=20
  standards but<BR>&gt; it=E2=80=99s a bargain by<BR>&gt; classical =
cello standards.=20
  Small portable and fits in one<BR>&gt; of those cool coffin<BR>&gt; =
cases. The=20
  proprietary pickups sound wonderful and can<BR>&gt; handle any kind =
of<BR>&gt;=20
  volume or signal processing without feedback issues. I got<BR>&gt; to =
hear it=20
  when Erdem<BR>&gt; first got it and I was floored by the =
sound.<BR>&gt;&nbsp;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; bill<BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; From: Todd Matthews<BR>&gt;=20
  [mailto:gtmatthews@gmail.com] <BR>&gt; <BR>&gt; Sent: Monday,<BR>&gt; =
May 18,=20
  2009 4:16 PM<BR>&gt; <BR>&gt; To: <BR>&gt;&nbsp; <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  <BR>&gt; Subject: Re:<BR>&gt; millennia preamp - OT <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; Hey Zoe, <BR>&gt; <BR>&gt; <BR>&gt;=20
  <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; I =
think=20
  he is referring to the Guitar<BR>&gt; viols by Jonathan Wilson. =
He<BR>&gt;=20
  makes a cello model that is actually tuned like like a 5<BR>&gt; =
string bass=20
  but it is<BR>&gt; an octave higher outting it in the 'cello<BR>&gt; =
range'=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <A=20
  =
href=3D"http://www.togamanguitars.com/downloads/index.php">http://www.tog=
amanguitars.com/downloads/index.php</A><BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; Scroll to the bottom and there is=20
  a<BR>&gt; video of him playing his guitar<BR>&gt; cello model. It =
sounds=20
  pretty awesome. <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;&nbsp;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; Todd Matthews <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; On Mon, May 18, 2009 at 6:07 PM, Zoe<BR>&gt; Keating <BR>&gt; =
&lt;<A=20
  =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</A>&gt;<BR>&gt; =
wrote:=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; (what is a cello<BR>&gt; guitar?) =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; On May 18, 2009, at 1:55 PM, Erdem<BR>&gt; Helvacioglu wrote: =

  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;&nbsp;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  hey,<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; so<BR>&gt; sorry =
that=20
  this is<BR>&gt; off topic. but today i tried the millennia stt-1=20
  micpreamp<BR>&gt; ( with high<BR>&gt; impedance instrument input. ) =
wow! this=20
  is the greatest,<BR>&gt; most transparent<BR>&gt; preamp that i have =
ever=20
  heard. incredible. my new cello<BR>&gt; guitar came to life. =
it<BR>&gt; was as=20
  though i became a cellist :) <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  if<BR>&gt; you get chance,<BR>&gt; please do yourself a favor and try =
this=20
  unit. it seems that<BR>&gt; it will work great<BR>&gt; with guitar, =
bass,=20
  vocals, drums etc. <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
thanks<BR>&gt;=20
  and best. <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; Erdem<BR>&gt;=20
  Helvacioglu<BR>&gt; <BR>&gt; <A=20
  =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
&gt;=20
  <BR>&gt; <A=20
  =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>&gt;=20
  <BR>&gt; * * * * * * * * * * * * * * * * * * * *<BR>&gt; <BR>&gt; =
"Wounded=20
  Breath" album is out now on Aucourant<BR>&gt; Records:<BR>&gt; =
<BR>&gt; <A=20
  =
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A><BR>=
&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; "wounded<BR>&gt; =
breath<BR>&gt;=20
  album will open you up to new experiences and <BR>&gt; <BR>&gt; allow =
you to=20
  explore worlds previously closed to<BR>&gt; you."<BR>&gt; <BR>&gt;=20
  Blogcritics, Richard Marcus <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  "wounded<BR>&gt; breath<BR>&gt; is an outstanding acousmatic record,=20
  period."<BR>&gt; <BR>&gt; Massimo Ricci, touching extremes <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;&nbsp;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt;=20
  <BR><BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0019_01C9D887.FD7E30A0--

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	 <001c01c9d86e$d8635340$0500000a@ERDEMOLD>
Date: Tue, 19 May 2009 13:11:59 +0200
Message-ID: <66f9cc1e0905190411u18d21fccif9eeb884777a588a@mail.gmail.com>
Subject: Re: millennia preamp - OT
From: Per Boysen <perboysen@gmail.com>
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Thanks, I just downloaded and listened to the test files. Interesting!
As far as I can tell behind the 192 kbps mp3 curtain the Milennia tube
mode sounds best (to my taste). I can't tell though if it's the most
transparent sounding unit, since I don't know the source sound to
compare it to. For this particular instrument it seems more adequate
to look for a nice musical coloring of the sound than transparency in
the recording gear. It's great that you have access to that many mic
pre amps so you can use them on parallel tracks and avoid a summed
coloring of the general mix, if layering lots of parts by multi
tracking.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Tue, May 19, 2009 at 12:44 PM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:
> i am using the electric guitar naked spartan version. that is the cheapest
> model without any midi.
>
> i have uploaded a folder that contains 4 audio files with the violguitar
> with 4 different preamp setting. the millennia stt-1 solid state, millennia
> stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q preamp. check out the
> transparency on the millennia stt-1!
>
> https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ

From mrs_compare21@msn.com  Tue May 19 13:06:34 2009
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Good Day!!!!

       I am  Mrs Roseg Compare the bill and exchange manager at the foreign=
 remittance department of BANK OF  AFRICAN OUAGADOUGOU=2C BURKINA FASO.I go=
t your contact from the internet=2C while searching for a honest and trust =
worthy person who will assist me to implement this transfer. I discovered t=
he sum of $15m US dollar (FIFTEEN MILLIONS US DOLLAR) belonging to a deceas=
ed customer of this bank.=20

The fund has been lying in a dormant account without anybody coming to put =
claim over the money since the account owner late Mr Salla khatif from Leba=
non =2C who was involved in the December 25th 2003 Benin plane crash. Here =
is the air.

The fund is now ready for transfer to a foreign account whose owner will be=
 portrayed as the beneficiary and next of kin to the deceased customer of t=
he bank.

Should you be interested=2C so we can commence all arrangements and I Will =
give you more information on how we would handle this project. Please treat=
 this business with utmost confidentiality and send me the Following inform=
ation's bellow=3B =20
 =20
(1) Full names:
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Best Regards=2C
Mrs Roseg Compare.=

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<DIV id=3Dyiv1570610588>Good Day!!!!<BR><BR>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B &nbsp=3BI am&nbsp=3B Mrs&nbsp=3BRoseg Compare the bill and exch=
ange manager at the foreign remittance department of BANK OF&nbsp=3B AFRICA=
N OUAGADOUGOU=2C BURKINA FASO.I got your contact from the internet=2C while=
 searching for a honest and trust worthy person who will assist me to imple=
ment this transfer. I discovered the sum of $15m US dollar (FIFTEEN MILLION=
S US DOLLAR) belonging to a deceased customer of this bank. <BR><BR>The fun=
d has been lying in a dormant account without anybody coming to put claim o=
ver the money since the account owner late Mr Salla khatif from Lebanon =2C=
 who was involved in the December 25th 2003 Benin plane crash. Here is the =
air.<BR><BR>The fund is now ready for transfer to a foreign account whose o=
wner will be portrayed as the beneficiary and next of kin to the deceased c=
ustomer of the bank.<BR><BR>Should you be interested=2C so we can commence =
all arrangements and I Will give you more information on how we would handl=
e this project. Please treat this business with utmost confidentiality and =
send me the Following information's bellow=3B&nbsp=3B <BR>&nbsp=3B <BR>(1) =
Full names:<BR>(2) Private phone number:<BR>(3) Current residential address=
:<BR>(4) Occupation:<BR>(5) Age and Sex:<BR>&nbsp=3B <BR>Best Regards=2C<BR=
>Mrs&nbsp=3BRoseg Compare.</DIV></body>
</html>=

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Subject: Re: Weird Looping Guy
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--0-1653566969-1242741163=:97855
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Does that philosophical outlook apply to serial killers and child molesters=
 as well?

--- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 11:39 PM


Agreed.=A0 I'm always impressed by people who find a niche and go for it.


> IMO this guy has clearly invested considerable time and effort in the
> execution of a concept that holds meaning for HIM, and he pretty much
> pulls everything off seamlessly. Whether I'm going to be a fan is up
> to me, but it would be presumptuous to infer that he's somehow
> clueless. We all face choices as to how we move forward daily and he's
> staked his claim. He may in fact be more grounded, committed and
> blissfully engaged than many of us here. Food for thought.
> --
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"
>
>

=0A=0A=0A      
--0-1653566969-1242741163=:97855
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Does that philosophical outlook apply to seri=
al killers and child molesters as well?<BR><BR>--- On <B>Mon, 5/18/09, Mark=
 Sottilaro <I>&lt;zerocrossing@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Monday, May 18, 2009, 11:39 PM<BR><BR>
<DIV class=3DplainMail>Agreed.&nbsp; I'm always impressed by people who fin=
d a niche and go for it.<BR><BR><BR>&gt; IMO this guy has clearly invested =
considerable time and effort in the<BR>&gt; execution of a concept that hol=
ds meaning for HIM, and he pretty much<BR>&gt; pulls everything off seamles=
sly. Whether I'm going to be a fan is up<BR>&gt; to me, but it would be pre=
sumptuous to infer that he's somehow<BR>&gt; clueless. We all face choices =
as to how we move forward daily and he's<BR>&gt; staked his claim. He may i=
n fact be more grounded, committed and<BR>&gt; blissfully engaged than many=
 of us here. Food for thought.<BR>&gt; --<BR>&gt; Miko Biffle<BR>&gt; <A hr=
ef=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DBiffoz@Gmail.com" yma=
ilto=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR>&gt; <A href=3D"ht=
tp://us.mc1102.mail.yahoo.com/mc/compose?to=3DMBiffle@FoxRacingShox.com" ym=
ailto=3D"mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com</A><BR=
>&gt;
 "Running scared from all the usual distractions!"<BR>&gt;<BR>&gt;<BR><BR><=
/DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-1653566969-1242741163=:97855--

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Subject: New material out ...
From: Dennis Moser <sinsofmachaut@gmail.com>
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--00221504915737eb8e046a4555d6
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Just unleashed this morning; some looping content from me (I used a lot of
percussion loops) in my usual "usr/sbin" incarnation ... I don't usually do
"dance" music, so it's a bit of a shift:

http://www.archive.org/details/ambientcollective_nucleolus

Best,

Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--00221504915737eb8e046a4555d6
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Just unleashed this morning; some looping content from me (I used a lot of =
percussion loops) in my usual &quot;usr/sbin&quot; incarnation ... I don&#3=
9;t usually do &quot;dance&quot; music, so it&#39;s a bit of a shift:<br>
<br><a href=3D"http://www.archive.org/details/ambientcollective_nucleolus" =
target=3D"_blank">http://www.archive.org/details/ambientcollective_nucleolu=
s</a><br><br>Best,<br><br>Dennis<br clear=3D"all"><br>-- <br><a href=3D"htt=
p://myspace.com/usrsbin">http://myspace.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com">http://audiozoloft.com</a><br><a href=3D=
"http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/</a><br>

--00221504915737eb8e046a4555d6--

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Date: Tue, 19 May 2009 09:17:44 -0700 (PDT)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
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My God! After a few minutes of listening, I felt like throwing a rotten tom=
ato at that fucker.

--- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Monday, May 18, 2009, 8:39 PM


Agreed.=A0 I'm always impressed by people who find a niche and go for it.


> IMO this guy has clearly invested considerable time and effort in the
> execution of a concept that holds meaning for HIM, and he pretty much
> pulls everything off seamlessly. Whether I'm going to be a fan is up
> to me, but it would be presumptuous to infer that he's somehow
> clueless. We all face choices as to how we move forward daily and he's
> staked his claim. He may in fact be more grounded, committed and
> blissfully engaged than many of us here. Food for thought.
> --
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">My God! After a few minutes of listening, I f=
elt like throwing a rotten tomato at that fucker.<BR><BR>--- On <B>Mon, 5/1=
8/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Monday, May 18, 2009, 8:39 PM<BR><BR>
<DIV class=3DplainMail>Agreed.&nbsp; I'm always impressed by people who fin=
d a niche and go for it.<BR><BR><BR>&gt; IMO this guy has clearly invested =
considerable time and effort in the<BR>&gt; execution of a concept that hol=
ds meaning for HIM, and he pretty much<BR>&gt; pulls everything off seamles=
sly. Whether I'm going to be a fan is up<BR>&gt; to me, but it would be pre=
sumptuous to infer that he's somehow<BR>&gt; clueless. We all face choices =
as to how we move forward daily and he's<BR>&gt; staked his claim. He may i=
n fact be more grounded, committed and<BR>&gt; blissfully engaged than many=
 of us here. Food for thought.<BR>&gt; --<BR>&gt; Miko Biffle<BR>&gt; <A hr=
ef=3D"http://us.mc384.mail.yahoo.com/mc/compose?to=3DBiffoz@Gmail.com" ymai=
lto=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR>&gt; <A href=3D"htt=
p://us.mc384.mail.yahoo.com/mc/compose?to=3DMBiffle@FoxRacingShox.com" ymai=
lto=3D"mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com</A><BR>&=
gt;
 "Running scared from all the usual distractions!"<BR>&gt;<BR>&gt;<BR><BR><=
/DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-722934435-1242749864=:95881--

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Date: Tue, 19 May 2009 18:40:41 +0200
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Subject: Re: Weird Looping Guy
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On Tue, May 19, 2009 at 6:17 PM, Elmer Fuddski <jakebrakesrule@yahoo.com> wrote:
> impressed by people who find a niche and go for it.

But this guy is simply drawing on some English folk music, as far as I
can tell? Or are you people talking about the outfit of him and his
guitars? David Bowie has used a lot weirder outfits back in the days.
And Bono uses the same shades indoors - year after year - no matter
the weather out there.

Per

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	 <66f9cc1e0905190940j662664f4r4ce813acc5d8cdff@mail.gmail.com>
Date: Tue, 19 May 2009 12:44:23 -0400
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Subject: Re: Weird Looping Guy
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unless you're roy orbison, you should be punched in the face for wearing
sunglasses inside.

- jim

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unless you&#39;re roy orbison, you should be punched in the face for wearing sunglasses inside.<br><br>- jim<br>

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Greetings Looperistas

I just released a new album on CD Baby:

Reagent   -   http://cdbaby.com/cd/rpcollier5

Synth, guitar, thumb piano improvisations in various aggregations.

Lots of loops used simply as ostinato and drum machines used as drones.




BobC

http://www.youtube.com/user/tynego
--Apple-Mail-2-305132142
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>Greetings =
Looperistas</div><div><br></div><div><div>I just released a new album on =
CD Baby:</div><div><br></div><div>Reagent &nbsp; - &nbsp;&nbsp;<span =
class=3D"Apple-style-span" style=3D"font-family: 'Lucida Grande'; =
font-size: 11px; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></span></div><div><font class=3D"Apple-style-span" face=3D"'Lucida =
Grande'" size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
11px; "><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px; ">Synth, guitar, thumb piano improvisations in =
various aggregations.</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
11px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;">Lots of loops used simply as ostinato and =
drum machines used as drones.</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
11px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
11px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
11px;">BobC</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 11px;"><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></span></font></div></div></body></html>=

--Apple-Mail-2-305132142--

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Date: Tue, 19 May 2009 10:35:45 -0700
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Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
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We have a winner!  The moment someone brings up serial killers in a
discussion that has nothing to do with serial killers, they
automatically lose any credibility and defacto declare themselves an
ass hole.  Why not bring up Hitler to really prove you're an idiot?

To answer you, no, it does not.  It also does not apply to the stupid,
which is the group I will forever identify you with.  Artistic
expression is a matter of taste.  Stupid, well that's universal.  You
are stupid.

On Tue, May 19, 2009 at 6:52 AM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Does that philosophical outlook apply to serial killers and child moleste=
rs
> as well?
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 11:39 PM
>
> Agreed.=A0 I'm always impressed by people who find a niche and go for it.
>
>
>> IMO this guy has clearly invested considerable time and effort in the
>> execution of a concept that holds meaning for HIM, and he pretty much
>> pulls everything off seamlessly. Whether I'm going to be a fan is up
>> to me, but it would be presumptuous to infer that he's somehow
>> clueless. We all face choices as to how we move forward daily and he's
>> staked his claim. He may in fact be more grounded, committed and
>> blissfully engaged than many of us here. Food for thought.
>> --
>> Miko Biffle
>> Biffoz@Gmail.com
>> MBiffle@FoxRacingShox.com
>> "Running scared from all the usual distractions!"
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 19 18:15:34 2009
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gosh...so many rules :-)

-----Original Message-----
>From: james fowler <twostroke@gmail.com>
>Sent: May 19, 2009 9:44 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Weird Looping Guy
>
>unless you're roy orbison, you should be punched in the face for wearing
>sunglasses inside.
>
>- jim

From Loopers-Delight-request@loopers-delight.com  Tue May 19 18:17:12 2009
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	 <bcd3c7bb0905191035o1b5acc37r6548c88117153b11@mail.gmail.com>
Date: Tue, 19 May 2009 14:17:11 -0400
Message-ID: <2871c3a90905191117m179855a1me7adc1bda5136c42@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015175d672065cbae046a47eb45
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>>The moment someone brings up serial killers in a
>>discussion that has nothing to do with serial killers

Wasn't that a (bad) joke?  well doesn't matter, could you all stop it with
the name calling and unnecessarily mean criticism...  join a forum or
something, just keep that shit out of my inbox, please!  I'm usually glad to
read this list's posts as I find them both insighful and useful, but this
thread as revealed an ugly underbelly that makes me want to unsubscribe...

Sylvain



On 5/19/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> We have a winner!  The moment someone brings up serial killers in a
> discussion that has nothing to do with serial killers, they
> automatically lose any credibility and defacto declare themselves an
> ass hole.  Why not bring up Hitler to really prove you're an idiot?
>
> To answer you, no, it does not.  It also does not apply to the stupid,
> which is the group I will forever identify you with.  Artistic
> expression is a matter of taste.  Stupid, well that's universal.  You
> are stupid.
>
> On Tue, May 19, 2009 at 6:52 AM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
> > Does that philosophical outlook apply to serial killers and child
> molesters
> > as well?
> >
> > --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> >
> > From: Mark Sottilaro <zerocrossing@gmail.com>
> > Subject: Re: Weird Looping Guy
> > To: Loopers-Delight@loopers-delight.com
> > Date: Monday, May 18, 2009, 11:39 PM
> >
> > Agreed.  I'm always impressed by people who find a niche and go for it.
> >
> >
> >> IMO this guy has clearly invested considerable time and effort in the
> >> execution of a concept that holds meaning for HIM, and he pretty much
> >> pulls everything off seamlessly. Whether I'm going to be a fan is up
> >> to me, but it would be presumptuous to infer that he's somehow
> >> clueless. We all face choices as to how we move forward daily and he's
> >> staked his claim. He may in fact be more grounded, committed and
> >> blissfully engaged than many of us here. Food for thought.
> >> --
> >> Miko Biffle
> >> Biffoz@Gmail.com
> >> MBiffle@FoxRacingShox.com
> >> "Running scared from all the usual distractions!"
> >>
> >>
> >
> >
> >
>
>

--0015175d672065cbae046a47eb45
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<div>&gt;&gt;The moment someone brings up serial killers in a<br>&gt;&gt;di=
scussion that has nothing to do with serial killers</div>
<div>=A0</div>
<div>Wasn&#39;t that a (bad) joke?=A0 well doesn&#39;t matter, could you al=
l stop it with the name calling and unnecessarily mean criticism...=A0 join=
 a forum or something, just keep that shit out of my inbox, please!=A0 I&#3=
9;m usually glad to read this list&#39;s posts as I find them both insighfu=
l and useful, but this thread as revealed an ugly underbelly that makes me =
want to unsubscribe...</div>

<div>=A0</div>
<div>Sylvain</div>
<div><br><br>=A0</div>
<div><span class=3D"gmail_quote">On 5/19/09, <b class=3D"gmail_sendername">=
Mark Sottilaro</b> &lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocrossi=
ng@gmail.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">We have a winner!=A0=A0The momen=
t someone brings up serial killers in a<br>discussion that has nothing to d=
o with serial killers, they<br>
automatically lose any credibility and defacto declare themselves an<br>ass=
 hole.=A0=A0Why not bring up Hitler to really prove you&#39;re an idiot?<br=
><br>To answer you, no, it does not.=A0=A0It also does not apply to the stu=
pid,<br>
which is the group I will forever identify you with.=A0=A0Artistic<br>expre=
ssion is a matter of taste.=A0=A0Stupid, well that&#39;s universal.=A0=A0Yo=
u<br>are stupid.<br><br>On Tue, May 19, 2009 at 6:52 AM, Paul Richards<br>&=
lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.c=
om</a>&gt; wrote:<br>
&gt; Does that philosophical outlook apply to serial killers and child mole=
sters<br>&gt; as well?<br>&gt;<br>&gt; --- On Mon, 5/18/09, Mark Sottilaro =
&lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt=
; wrote:<br>
&gt;<br>&gt; From: Mark Sottilaro &lt;<a href=3D"mailto:zerocrossing@gmail.=
com">zerocrossing@gmail.com</a>&gt;<br>&gt; Subject: Re: Weird Looping Guy<=
br>&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-=
Delight@loopers-delight.com</a><br>
&gt; Date: Monday, May 18, 2009, 11:39 PM<br>&gt;<br>&gt; Agreed.=A0=A0I&#3=
9;m always impressed by people who find a niche and go for it.<br>&gt;<br>&=
gt;<br>&gt;&gt; IMO this guy has clearly invested considerable time and eff=
ort in the<br>
&gt;&gt; execution of a concept that holds meaning for HIM, and he pretty m=
uch<br>&gt;&gt; pulls everything off seamlessly. Whether I&#39;m going to b=
e a fan is up<br>&gt;&gt; to me, but it would be presumptuous to infer that=
 he&#39;s somehow<br>
&gt;&gt; clueless. We all face choices as to how we move forward daily and =
he&#39;s<br>&gt;&gt; staked his claim. He may in fact be more grounded, com=
mitted and<br>&gt;&gt; blissfully engaged than many of us here. Food for th=
ought.<br>
&gt;&gt; --<br>&gt;&gt; Miko Biffle<br>&gt;&gt; Biffoz@Gmail.com<br>&gt;&gt=
; MBiffle@FoxRacingShox.com<br>&gt;&gt; &quot;Running scared from all the u=
sual distractions!&quot;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br=
>
<br></blockquote></div><br>

--0015175d672065cbae046a47eb45--

From Loopers-Delight-request@loopers-delight.com  Tue May 19 18:31:44 2009
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Date: Tue, 19 May 2009 11:31:42 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
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--0-780373293-1242757902=:96981
Content-Type: text/plain; charset=iso-8859-1
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Why don't you shove a four foot long extruded gnochi up your asshole, putz?
=A0
I think YOU'VE found a niche on this board: being a recalcitrant, close-min=
ded dickwad who likes to try to shout down folks. You're one=A0of the reaso=
ns this board sucks so much (and a couple of others). It is really pathetic=
 and has been so for many years. The only thing this board is known for now=
days is horrible music and long, boring threads about how to invoke some us=
eless feature on a piece of hardware or software.=20
=A0
=A0

--- On Tue, 5/19/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, May 19, 2009, 1:35 PM


We have a winner!=A0 The moment someone brings up serial killers in a
discussion that has nothing to do with serial killers, they
automatically lose any credibility and defacto declare themselves an
ass hole.=A0 Why not bring up Hitler to really prove you're an idiot?

To answer you, no, it does not.=A0 It also does not apply to the stupid,
which is the group I will forever identify you with.=A0 Artistic
expression is a matter of taste.=A0 Stupid, well that's universal.=A0 You
are stupid.

On Tue, May 19, 2009 at 6:52 AM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Does that philosophical outlook apply to serial killers and child moleste=
rs
> as well?
>
> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, May 18, 2009, 11:39 PM
>
> Agreed.=A0 I'm always impressed by people who find a niche and go for it.
>
>
>> IMO this guy has clearly invested considerable time and effort in the
>> execution of a concept that holds meaning for HIM, and he pretty much
>> pulls everything off seamlessly. Whether I'm going to be a fan is up
>> to me, but it would be presumptuous to infer that he's somehow
>> clueless. We all face choices as to how we move forward daily and he's
>> staked his claim. He may in fact be more grounded, committed and
>> blissfully engaged than many of us here. Food for thought.
>> --
>> Miko Biffle
>> Biffoz@Gmail.com
>> MBiffle@FoxRacingShox.com
>> "Running scared from all the usual distractions!"
>>
>>
>
>
>

=0A=0A=0A      
--0-780373293-1242757902=:96981
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Why don't you shove a four foot long ext=
ruded gnochi up your asshole, putz?</DIV>
<DIV>&nbsp;</DIV>
<DIV>I think YOU'VE found a niche on this board: being a recalcitrant, clos=
e-minded dickwad who likes to try to shout down folks. You're one&nbsp;of t=
he reasons this board sucks so much (and a couple of others). It is really =
pathetic and has been so for many years. The only thing this board is known=
 for nowdays is horrible music and long, boring threads about how to invoke=
 some useless feature on a piece of hardware or software. </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>--- On <B>Tue, 5/19/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.c=
om&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Tuesday, May 19, 2009, 1:35 PM<BR><BR>
<DIV class=3DplainMail>We have a winner!&nbsp; The moment someone brings up=
 serial killers in a<BR>discussion that has nothing to do with serial kille=
rs, they<BR>automatically lose any credibility and defacto declare themselv=
es an<BR>ass hole.&nbsp; Why not bring up Hitler to really prove you're an =
idiot?<BR><BR>To answer you, no, it does not.&nbsp; It also does not apply =
to the stupid,<BR>which is the group I will forever identify you with.&nbsp=
; Artistic<BR>expression is a matter of taste.&nbsp; Stupid, well that's un=
iversal.&nbsp; You<BR>are stupid.<BR><BR>On Tue, May 19, 2009 at 6:52 AM, P=
aul Richards<BR>&lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?t=
o=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulrichard_rocks@yahoo.=
com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR>&gt; Does that philosoph=
ical outlook apply to serial killers and child molesters<BR>&gt; as well?<B=
R>&gt;<BR>&gt; --- On Mon, 5/18/09, Mark Sottilaro &lt;<A
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail=
.com" ymailto=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&=
gt; wrote:<BR>&gt;<BR>&gt; From: Mark Sottilaro &lt;<A href=3D"http://us.mc=
1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail.com" ymailto=3D"mail=
to:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt;<BR>&gt; Subject: =
Re: Weird Looping Guy<BR>&gt; To: <A href=3D"http://us.mc1102.mail.yahoo.co=
m/mc/compose?to=3DLoopers-Delight@loopers-delight.com" ymailto=3D"mailto:Lo=
opers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><=
BR>&gt; Date: Monday, May 18, 2009, 11:39 PM<BR>&gt;<BR>&gt; Agreed.&nbsp; =
I'm always impressed by people who find a niche and go for it.<BR>&gt;<BR>&=
gt;<BR>&gt;&gt; IMO this guy has clearly invested considerable time and eff=
ort in the<BR>&gt;&gt; execution of a concept that holds meaning for HIM, a=
nd he pretty much<BR>&gt;&gt; pulls everything off seamlessly. Whether I'm =
going to be
 a fan is up<BR>&gt;&gt; to me, but it would be presumptuous to infer that =
he's somehow<BR>&gt;&gt; clueless. We all face choices as to how we move fo=
rward daily and he's<BR>&gt;&gt; staked his claim. He may in fact be more g=
rounded, committed and<BR>&gt;&gt; blissfully engaged than many of us here.=
 Food for thought.<BR>&gt;&gt; --<BR>&gt;&gt; Miko Biffle<BR>&gt;&gt; <A hr=
ef=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DBiffoz@Gmail.com" yma=
ilto=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR>&gt;&gt; <A href=
=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DMBiffle@FoxRacingShox.c=
om" ymailto=3D"mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com<=
/A><BR>&gt;&gt; "Running scared from all the usual distractions!"<BR>&gt;&g=
t;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></DIV></BLOCKQUOTE></td></tr>=
</table><br>=0A=0A      
--0-780373293-1242757902=:96981--

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To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
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OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From Loopers-Delight-request@loopers-delight.com  Tue May 19 18:46:59 2009
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Date: Tue, 19 May 2009 20:46:57 +0200
Message-ID: <d23275f20905191146o2e88bc03r2f4e299e404e0307@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Byron Howell <howell.byron@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636d348a0e3d336046a4855a5
Content-Type: text/plain; charset=ISO-8859-1
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"The only thing this board is known for nowdays is horrible music and long,
boring threads about how to invoke some useless feature on a piece of
hardware or software."
shit...count me in, sounds grand. :)..... I say as i twiddle yet another
knob in ableton overcome with the beauty of sound s it loops back at me
endlessly awaiting my manipulation. Im all into uselessness!


On Tue, May 19, 2009 at 8:31 PM, Paul Richards
<paulrichard_rocks@yahoo.com>wrote:

> Why don't you shove a four foot long extruded gnochi up your asshole, putz?
>
> I think YOU'VE found a niche on this board: being a recalcitrant,
> close-minded dickwad who likes to try to shout down folks. You're one of the
> reasons this board sucks so much (and a couple of others). It is really
> pathetic and has been so for many years. The only thing this board is known
> for nowdays is horrible music and long, boring threads about how to invoke
> some useless feature on a piece of hardware or software.
>
>
>
> --- On *Tue, 5/19/09, Mark Sottilaro <zerocrossing@gmail.com>* wrote:
>
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, May 19, 2009, 1:35 PM
>
>
> We have a winner!  The moment someone brings up serial killers in a
> discussion that has nothing to do with serial killers, they
> automatically lose any credibility and defacto declare themselves an
> ass hole.  Why not bring up Hitler to really prove you're an idiot?
>
> To answer you, no, it does not.  It also does not apply to the stupid,
> which is the group I will forever identify you with.  Artistic
> expression is a matter of taste.  Stupid, well that's universal.  You
> are stupid.
>
> On Tue, May 19, 2009 at 6:52 AM, Paul Richards
> <paulrichard_rocks@yahoo.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=paulrichard_rocks@yahoo.com>>
> wrote:
> > Does that philosophical outlook apply to serial killers and child
> molesters
> > as well?
> >
> > --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=zerocrossing@gmail.com>>
> wrote:
> >
> > From: Mark Sottilaro <zerocrossing@gmail.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=zerocrossing@gmail.com>
> >
> > Subject: Re: Weird Looping Guy
> > To: Loopers-Delight@loopers-delight.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
> > Date: Monday, May 18, 2009, 11:39 PM
> >
> > Agreed.  I'm always impressed by people who find a niche and go for it.
> >
> >
> >> IMO this guy has clearly invested considerable time and effort in the
> >> execution of a concept that holds meaning for HIM, and he pretty much
> >> pulls everything off seamlessly. Whether I'm going to be a fan is up
> >> to me, but it would be presumptuous to infer that he's somehow
> >> clueless. We all face choices as to how we move forward daily and he's
> >> staked his claim. He may in fact be more grounded, committed and
> >> blissfully engaged than many of us here. Food for thought.
> >> --
> >> Miko Biffle
> >> Biffoz@Gmail.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=Biffoz@Gmail.com>
> >> MBiffle@FoxRacingShox.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=MBiffle@FoxRacingShox.com>
> >> "Running scared from all the usual distractions!"
> >>
> >>
> >
> >
> >
>
>
>

--001636d348a0e3d336046a4855a5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;The only thing this board is known for nowdays is horrible music and =
long, boring threads about how to invoke some useless feature on a piece of=
 hardware or software.&quot;<div><br></div><div>shit...count me in, sounds =
grand. :)..... I say as i twiddle yet another knob in ableton overcome with=
 the beauty of sound s it loops back at me endlessly awaiting my manipulati=
on. Im all into uselessness!</div>
<div><br></div><div><br><div class=3D"gmail_quote">On Tue, May 19, 2009 at =
8:31 PM, Paul Richards <span dir=3D"ltr">&lt;<a href=3D"mailto:paulrichard_=
rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td vali=
gn=3D"top" style=3D"font:inherit"><div>Why don&#39;t you shove a four foot =
long extruded gnochi up your asshole, putz?</div>
<div>=A0</div>
<div>I think YOU&#39;VE found a niche on this board: being a recalcitrant, =
close-minded dickwad who likes to try to shout down folks. You&#39;re one=
=A0of the reasons this board sucks so much (and a couple of others). It is =
really pathetic and has been so for many years. The only thing this board i=
s known for nowdays is horrible music and long, boring threads about how to=
 invoke some useless feature on a piece of hardware or software. </div>
<div class=3D"im">
<div>=A0</div>
<div>=A0</div>
<div><br>--- On <b>Tue, 5/19/09, Mark Sottilaro <i>&lt;<a href=3D"mailto:ze=
rocrossing@gmail.com" target=3D"_blank">zerocrossing@gmail.com</a>&gt;</i><=
/b> wrote:<br></div>
</div><blockquote style=3D"padding-left:5px;margin-left:5px;border-left:rgb=
(16,16,255) 2px solid"><div class=3D"im"><br>From: Mark Sottilaro &lt;<a hr=
ef=3D"mailto:zerocrossing@gmail.com" target=3D"_blank">zerocrossing@gmail.c=
om</a>&gt;<br>
Subject: Re: Weird Looping Guy<br>To: <a href=3D"mailto:Loopers-Delight@loo=
pers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>=
<br></div>Date: Tuesday, May 19, 2009, 1:35 PM<div><div></div><div class=3D=
"h5">
<br><br>
<div>We have a winner!=A0 The moment someone brings up serial killers in a<=
br>discussion that has nothing to do with serial killers, they<br>automatic=
ally lose any credibility and defacto declare themselves an<br>ass hole.=A0=
 Why not bring up Hitler to really prove you&#39;re an idiot?<br>
<br>To answer you, no, it does not.=A0 It also does not apply to the stupid=
,<br>which is the group I will forever identify you with.=A0 Artistic<br>ex=
pression is a matter of taste.=A0 Stupid, well that&#39;s universal.=A0 You=
<br>
are stupid.<br><br>On Tue, May 19, 2009 at 6:52 AM, Paul Richards<br>&lt;<a=
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@=
yahoo.com" target=3D"_blank">paulrichard_rocks@yahoo.com</a>&gt; wrote:<br>=
&gt; Does that philosophical outlook apply to serial killers and child mole=
sters<br>
&gt; as well?<br>&gt;<br>&gt; --- On Mon, 5/18/09, Mark Sottilaro &lt;<a hr=
ef=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail.co=
m" target=3D"_blank">zerocrossing@gmail.com</a>&gt; wrote:<br>&gt;<br>&gt; =
From: Mark Sottilaro &lt;<a href=3D"http://us.mc1102.mail.yahoo.com/mc/comp=
ose?to=3Dzerocrossing@gmail.com" target=3D"_blank">zerocrossing@gmail.com</=
a>&gt;<br>
&gt; Subject: Re: Weird Looping Guy<br>&gt; To: <a href=3D"http://us.mc1102=
.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>&gt; Date: Monday, M=
ay 18, 2009, 11:39 PM<br>
&gt;<br>&gt; Agreed.=A0 I&#39;m always impressed by people who find a niche=
 and go for it.<br>&gt;<br>&gt;<br>&gt;&gt; IMO this guy has clearly invest=
ed considerable time and effort in the<br>&gt;&gt; execution of a concept t=
hat holds meaning for HIM, and he pretty much<br>
&gt;&gt; pulls everything off seamlessly. Whether I&#39;m going to be
 a fan is up<br>&gt;&gt; to me, but it would be presumptuous to infer that =
he&#39;s somehow<br>&gt;&gt; clueless. We all face choices as to how we mov=
e forward daily and he&#39;s<br>&gt;&gt; staked his claim. He may in fact b=
e more grounded, committed and<br>
&gt;&gt; blissfully engaged than many of us here. Food for thought.<br>&gt;=
&gt; --<br>&gt;&gt; Miko Biffle<br>&gt;&gt; <a href=3D"http://us.mc1102.mai=
l.yahoo.com/mc/compose?to=3DBiffoz@Gmail.com" target=3D"_blank">Biffoz@Gmai=
l.com</a><br>
&gt;&gt; <a href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DMBiffle=
@FoxRacingShox.com" target=3D"_blank">MBiffle@FoxRacingShox.com</a><br>&gt;=
&gt; &quot;Running scared from all the usual distractions!&quot;<br>&gt;&gt=
;<br>
&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div></div></blockquote></td=
></tr></tbody></table><br>

      </blockquote></div><br></div>

--001636d348a0e3d336046a4855a5--

From anonymous@ks357324.kimsufi.com  Tue May 19 18:48:43 2009
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To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
Reply-To: mr.tundelemo96@live.com
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OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From anonymous@ks357324.kimsufi.com  Tue May 19 18:48:44 2009
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To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
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OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From anonymous@ks357324.kimsufi.com  Tue May 19 18:48:46 2009
Return-Path: <anonymous@ks357324.kimsufi.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from ks357324.kimsufi.com (ks357324.kimsufi.com [91.121.147.27])
	by arsenic.violacea.com (Postfix) with ESMTP id 3B1223BE8C
	for <looparc@loopers-delight.com>; Tue, 19 May 2009 18:48:46 +0000 (UTC)
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Date: 19 May 2009 11:06:42 -0000
Message-ID: <20090519110642.13214.qmail@ks357324.kimsufi.com>
To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
Reply-To: mr.tundelemo96@live.com
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit


OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From anonymous@ks357324.kimsufi.com  Tue May 19 18:48:48 2009
Return-Path: <anonymous@ks357324.kimsufi.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from ks357324.kimsufi.com (ks357324.kimsufi.com [91.121.147.27])
	by arsenic.violacea.com (Postfix) with ESMTP id 949F63BE92
	for <looparc@loopers-delight.com>; Tue, 19 May 2009 18:48:48 +0000 (UTC)
Received: (qmail 13507 invoked by uid 1006); 19 May 2009 11:08:21 -0000
Date: 19 May 2009 11:08:21 -0000
Message-ID: <20090519110821.13506.qmail@ks357324.kimsufi.com>
To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
Reply-To: mr.tundelemo96@live.com
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit


OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From anonymous@ks357324.kimsufi.com  Tue May 19 18:48:43 2009
Return-Path: <anonymous@ks357324.kimsufi.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from ks357324.kimsufi.com (ks357324.kimsufi.com [91.121.147.27])
	by arsenic.violacea.com (Postfix) with ESMTP id 0F7D83BE90
	for <looparc@loopers-delight.com>; Tue, 19 May 2009 18:48:32 +0000 (UTC)
Received: (qmail 13016 invoked by uid 1006); 19 May 2009 11:05:39 -0000
Date: 19 May 2009 11:05:39 -0000
Message-ID: <20090519110539.13015.qmail@ks357324.kimsufi.com>
To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
Reply-To: mr.tundelemo96@live.com
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit


OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From anonymous@ks357324.kimsufi.com  Tue May 19 18:50:01 2009
Return-Path: <anonymous@ks357324.kimsufi.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from ks357324.kimsufi.com (ks357324.kimsufi.com [91.121.147.27])
	by arsenic.violacea.com (Postfix) with ESMTP id 0243B3BE92
	for <looparc@loopers-delight.com>; Tue, 19 May 2009 18:49:50 +0000 (UTC)
Received: (qmail 13559 invoked by uid 1006); 19 May 2009 11:08:43 -0000
Date: 19 May 2009 11:08:43 -0000
Message-ID: <20090519110843.13558.qmail@ks357324.kimsufi.com>
To: looparc@loopers-delight.com
Subject: YOUR US$6.5 MILLION IN ELECTRONIC ATM CREDIT CARD!
From: SENATOR.JIBRIL AMINU <SENATOR.JIBRIL AMINU@ks357324.kimsufi.com>
Reply-To: mr.tundelemo96@live.com
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit


OFFICE OF THE PRESIDENCY.
NATIONAL HOUSE OF ASSEMBLY
INTERNATIONAL CRED SETTLEMENT
FEDERAL REPUBLIC OF NIGERIA
OFFICEWEB:(www.nassnig.org)

ATTN: BENEFICIARY,

WITH REFERENCE TO THE NEW FEDERAL GOVERNMENT POLICY TOWARDS THE RECONCILIATION AND IMMEDIATE PAYMENT OF ALL OVERDUE DEBTS OWED BY THE NIGERIAN GOVERNMENT TO HER FOREIGN INVESTORS BE OFFICIALLY INFORMED THAT WE HAVE VERIFIED YOUR PAYMENT FILE AND HAVE CONSEQUENTLY FIND OUT WHY YOU HAVE NOT RECEIVED YOUR OVERDUE INHERITANCE PAYMENT IS BECAUSE YOU ARE DEALING WITH IMPOSTORS IN VARIOUS COMMERCIAL BANKS IN NIGERIA,THEREBY BEING FRUSTRATED BY SEVERAL EXTORTION OF ILLEGITIMATE FEES AND CHARGES.

SECONDLY, WE HAVE BEEN DULY INFORMED BY THE FEDERAL MINISTRY OF FINANCE THAT A DIFFERENT ACCOUNT INFORMATION WAS SUBMITTED TO EFFECT THE TRANSFER OF YOUR INHERITANCE FUNDS TO A STRANGE ACCOUNT IN CANADA.THE NEW BENEFICIARY IS PURPORTED WAS CLAIMING TO BE YOUR COUSIN.

HIS DETAILS ARE LISTED BELOW:
MR. ANDREW FRANCIS SVENKESON
ADD: 425 VELDE STREET,
CREVE CEOUR, IL 61610
NATIONALITY: AMERICAN
ZIP: 61610
AGE: 54YRS
MARITAL STATUS: DIVORCED.
PROFESSION: RETIRED REALTOR BROKER.
BANK DETAILS:
SCOTIA BANK
314 HARWOOD AVE. S UNIT
HPO5 AJAX, ONT. L1S 2JI,CANADA.
ACCOUNT NUMBER: 321020072923
ACCOUNT NAME: ANDREW FRANCIS SVENKESON

PLEASE YOU ARE ADVISED TO RECONFIRM TO THE DEPUTY GOVERNOR OF CENTRAL BANK OF NIGERIA PROMPTLY, AND CLARIFY TO HIM THAT YOU HAVE AUTHORIZED AND HAVE GIVEN A POWER OF ATTORNEY TO THE CBN TO TRANSFER THE FUNDS TO THE ABOVE NOMINATED ACCOUNT.

THE SERIOUSNESS OF CORRUPTION AMONGST THE OFFICIALS OF MOST COMMERCIAL BANKS IN NIGERIA IS AT ITS CLIMAX, HENCE THE PRESIDENT OF THE FEDERAL REPUBLIC OF NIGERIA, ALHAJI UMARU YARA'DUA (GCFR) IN CONJUNCTION WITH THE DELEGATED OFFICIALS OF THE UNITED NATIONS HAS MANDATED THE NIGERIA APEX BANK "CENTRAL BANK OF NIGERIA" TO PAY A PART PAYMENT OF US$6.5 MILLION IN FAVOR OF FILE#: CBN/ATM/CBX/021/09, FROM YOUR OVERDUE INHERITANCE CONTRACT FUNDS.

THE CBN WILL SEND YOU AN ATM DIGITAL CARD WHICH YOU WILL USE TO WITHDRAW YOUR MONEY IN ANY ATM MACHINE IN ANY PART OF THE WORLD. SO IF YOU WILL LIKE TO RECEIVE YOUR FUNDS VIA THIS CONVENIENT AND SECURED WAY, THEN KINDLY CONTACT THE DEPUTY GOVERNOR (CBN), FINANCIAL SECTOR FOR IMMEDIATE PAYMENT.

QUOTE FILE#: CBN/ATM/CBX/021/09 DURING CONTACT.
CONTACT DETAILS:
 Mr.Tunde Lemo
DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE
CENTRAL BANK OF NIGERIA (CBN)
TEL: +2348059281980
EMAIL:mr.tundelemo96@yahoo.com
HOWEVER, WE APOLOGIZE FOR THE DELAY IN RE-ORGANIZING THESE SYSTEMS, AND EQUALLY THE INCONVENIENCES THIS DELAY MIGHT HAVE CAUSED YOU AND YOUR COMPANY IN THE VERY RECENT TIMES. OUR VISION IS TO ENCOURAGE FOREIGN INVESTORS BY CREATING SUITABLE AND ENABLING ENVIRONMENT FOR INVESTMENT WITHIN THE SHORES OF AFRICA GENERALLY.

MORE IMPORTANTLY,DO COMPLETE AND SEND THE FOLLOWING INFORMATION TO CONFIRM AND UPDATE YOUR RECORDS TO FACILITATE YOUR PAYMENT.

1) CONFIRM YOUR FULL NAME.
2) CONFIRM YOUR CURRENT ADDRESS.
3) CONFIRM YOUR PHONE, FAX AND MOBILE PHONE NUMBERS.
4) CONFIRM YOUR PROFESSION, AGE & MARITAL STATUS.
5) CONFIRM NATIONALITY.

(THE ABOVE INFORMATIONS ARE FOR ADMINISTRATIVE CONVINCE) YOU ARE WARNED, IN YOUR OWN INTEREST; STOP FURTHER COMMUNICATION WITH ANY INSTITUTION, OFFICES OR PERSONS CLAIMING TO HAVE RELEVANCE TO THE PAYMENT OF YOUR OVERDUE FUNDS OUT-SIDE THE CBN.

NOTE: TO AVOID MISAPPROPRIATION AND IMPERSONATION, YOU ARE HEREBY GIVEN A CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09. YOU MUST INDICATE YOUR CODE OF CONDUCT REFERENCE NUMBER: CBN/ATMSCXX0X5X7X5X09 WHEN CONTACTING THE DEPUTY GOVERNOR, FINANCIAL SECTOR SURVEILLANCE, CBN.

CONGRATULATIONS!!
BEST REGARDS,
SENATOR. JIBRIL AMINU, CHAIRMAN
SENATE COMMITTEE ON FOREIGN AFFAIRS
FEDERAL REPUBLIC OF NIGERIA.



From Loopers-Delight-request@loopers-delight.com  Tue May 19 19:11:10 2009
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Paul Richards wrote:
> the reasons this board sucks so much (and a couple of others). It is 
> really pathetic and has been so for many years. The only thing this 
> board is known for nowdays is horrible music and long, boring threads 
> about how to invoke some useless feature on a piece of hardware or 
> software.
>  

you're kind of burning your bridges here if you
ever need to ask how to unsubscribe.   ;-)

andy

From Loopers-Delight-request@loopers-delight.com  Tue May 19 19:14:37 2009
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Date: Tue, 19 May 2009 12:14:36 -0700
Message-ID: <bcd3c7bb0905191214n69c4ace5p734ecebe34469d1a@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
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YOU ROCK Paul!  Paul ROCKS everyone!  Just like 7th graders scrawl on
their book covers! Rock on!

On Tue, May 19, 2009 at 11:31 AM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Why don't you shove a four foot long extruded gnochi up your asshole, put=
z?
>
> I think YOU'VE found a niche on this board: being a recalcitrant,
> close-minded dickwad who likes to try to shout down folks. You're one=A0o=
f the
> reasons this board sucks so much (and a couple of others). It is really
> pathetic and has been so for many years. The only thing this board is kno=
wn
> for nowdays is horrible music and long, boring threads about how to invok=
e
> some useless feature on a piece of hardware or software.
>
>
> --- On Tue, 5/19/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, May 19, 2009, 1:35 PM
>
> We have a winner!=A0 The moment someone brings up serial killers in a
> discussion that has nothing to do with serial killers, they
> automatically lose any credibility and defacto declare themselves an
> ass hole.=A0 Why not bring up Hitler to really prove you're an idiot?
>
> To answer you, no, it does not.=A0 It also does not apply to the stupid,
> which is the group I will forever identify you with.=A0 Artistic
> expression is a matter of taste.=A0 Stupid, well that's universal.=A0 You
> are stupid.
>
> On Tue, May 19, 2009 at 6:52 AM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> Does that philosophical outlook apply to serial killers and child
>> molesters
>> as well?
>>
>> --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>>
>> From: Mark Sottilaro <zerocrossing@gmail.com>
>> Subject: Re: Weird Looping Guy
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, May 18, 2009, 11:39 PM
>>
>> Agreed.=A0 I'm always impressed by people who find a niche and go for it=
.
>>
>>
>>> IMO this guy has clearly invested considerable time and effort in the
>>> execution of a concept that holds meaning for HIM, and he pretty much
>>> pulls everything off seamlessly. Whether I'm going to be a fan is up
>>> to me, but it would be presumptuous to infer that he's somehow
>>> clueless. We all face choices as to how we move forward daily and he's
>>> staked his claim. He may in fact be more grounded, committed and
>>> blissfully engaged than many of us here. Food for thought.
>>> --
>>> Miko Biffle
>>> Biffoz@Gmail.com
>>> MBiffle@FoxRacingShox.com
>>> "Running scared from all the usual distractions!"
>>>
>>>
>>
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 19 19:18:34 2009
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PLEASE STOP THIS NONSENSE!!!
you guys are worse than spam when you get ugly.





Paul Richards schrieb:
> Why don't you shove a four foot long extruded gnochi up your asshole, putz?
>  
> I think YOU'VE found a niche on this board: being a recalcitrant, 
> close-minded dickwad who likes to try to shout down folks. You're one of 
> the reasons this board sucks so much (and a couple of others). It is 
> really pathetic and has been so for many years. The only thing this 
> board is known for nowdays is horrible music and long, boring threads 
> about how to invoke some useless feature on a piece of hardware or 
> software.
>  
>  
> 
> --- On *Tue, 5/19/09, Mark Sottilaro /<zerocrossing@gmail.com>/* wrote:
> 
> 
>     From: Mark Sottilaro <zerocrossing@gmail.com>
>     Subject: Re: Weird Looping Guy
>     To: Loopers-Delight@loopers-delight.com
>     Date: Tuesday, May 19, 2009, 1:35 PM
> 
>     We have a winner!  The moment someone brings up serial killers in a
>     discussion that has nothing to do with serial killers, they
>     automatically lose any credibility and defacto declare themselves an
>     ass hole.  Why not bring up Hitler to really prove you're an idiot?
> 
>     To answer you, no, it does not.  It also does not apply to the stupid,
>     which is the group I will forever identify you with.  Artistic
>     expression is a matter of taste.  Stupid, well that's universal.  You
>     are stupid.
> 
>     On Tue, May 19, 2009 at 6:52 AM, Paul Richards
>     <paulrichard_rocks@yahoo.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=paulrichard_rocks@yahoo.com>>
>     wrote:
>      > Does that philosophical outlook apply to serial killers and child
>     molesters
>      > as well?
>      >
>      > --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=zerocrossing@gmail.com>>
>     wrote:
>      >
>      > From: Mark Sottilaro <zerocrossing@gmail.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=zerocrossing@gmail.com>>
>      > Subject: Re: Weird Looping Guy
>      > To: Loopers-Delight@loopers-delight.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
>      > Date: Monday, May 18, 2009, 11:39 PM
>      >
>      > Agreed.  I'm always impressed by people who find a niche and go
>     for it.
>      >
>      >
>      >> IMO this guy has clearly invested considerable time and effort
>     in the
>      >> execution of a concept that holds meaning for HIM, and he pretty
>     much
>      >> pulls everything off seamlessly. Whether I'm going to be a fan is up
>      >> to me, but it would be presumptuous to infer that he's somehow
>      >> clueless. We all face choices as to how we move forward daily
>     and he's
>      >> staked his claim. He may in fact be more grounded, committed and
>      >> blissfully engaged than many of us here. Food for thought.
>      >> --
>      >> Miko Biffle
>      >> Biffoz@Gmail.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=Biffoz@Gmail.com>
>      >> MBiffle@FoxRacingShox.com
>     <http://us.mc1102.mail.yahoo.com/mc/compose?to=MBiffle@FoxRacingShox.com>
>      >> "Running scared from all the usual distractions!"
>      >>
>      >>
>      >
>      >
>      >
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 19 19:54:31 2009
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http://ugly-halloween-costumes.com/scary/Spam/

________________________________________
From: Tilmann Dehnhard [tilmann@dehnhard.com]
Sent: Tuesday, May 19, 2009 2:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Weird Looping Guy

PLEASE STOP THIS NONSENSE!!!
you guys are worse than spam when you get ugly.=

From Loopers-Delight-request@loopers-delight.com  Tue May 19 20:34:02 2009
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Subject: RE: Weird Looping Guy
Date: Tue, 19 May 2009 22:33:59 +0200
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> Stupid, well that's universal.  You are stupid.

Flame Wars !!  when was the last time we had one on LD? I can't remember.
:-)

-m

From Loopers-Delight-request@loopers-delight.com  Tue May 19 20:55:32 2009
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Date: Tue, 19 May 2009 13:55:31 -0700
Message-ID: <bcd3c7bb0905191355gf01d824gf7807059d9e1e48d@mail.gmail.com>
Subject: Re: Weird Looping Guy
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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For those who haven't been paying attention, let me explain.

Someone posted a link of a guy looping.  On topic.

Someone trashed the guy as being "terrible."

I remarked that perhaps it would be useful to not flame someone who's
obviously skilled but not your cup of tea.

My stance at defending a guy was compared to me defending child molesters.

That's stupid. I don't think you'd find too many people who'd
disagree.  Do you disagree?  If you don't, then you are saying that
defending a guy who's actually a very skilled guitar player but
perhaps plays in a style that isn't very popular is roughly equal to
me defending child molesters and serial killers.

Chew on that for a bit, then come back.

Back?  There are no moderators here.  Shame really.  It's why I left
LD many moons ago and now mostly hang out in the really well moderated
forum kvraudio.com.  Mostly the conversation there is of a very high
level and that's do to the vigilance of really good moderators.

Here...it's the wild west mother fuckers.  Don't like it?
Unsubscribe. Not my attitude, Kim's.  Next time I see him at Whole
Foods I'll give his produce a squeeze just to let him know how I feel.
;)  One thing for sure is this.  If someone likens my behavior with a
child molestation sympathizer, they will be called stupid.  That's
just a start.

You've been warned.

On Tue, May 19, 2009 at 1:33 PM, Michael Peters <mp@mpeters.de> wrote:
>> Stupid, well that's universal. =A0You are stupid.
>
> Flame Wars !! =A0when was the last time we had one on LD? I can't remembe=
r.
> :-)
>
> -m
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 19 21:06:02 2009
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Date: Tue, 19 May 2009 16:06:00 -0500
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This list has proven itself to not need moderation, except arguably in 
the flame wars that erupt every few.......years.

Things go off topic, but people generally use OT, at least when starting 
new threads.

Generally when things get to a personal nature, they're taken offlist by 
the parties involved. That obviously should have happened long already here.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Back?  There are no moderators here.  Shame really.  It's why I left
> LD many moons ago and now mostly hang out in the really well moderated
> forum kvraudio.com.  Mostly the conversation there is of a very high
> level and that's do to the vigilance of really good moderators.
>
> Here...it's the wild west mother fuckers.  Don't like it?
> Unsubscribe. Not my attitude, Kim's.  Next time I see him at Whole
> Foods I'll give his produce a squeeze just to let him know how I feel.
> ;)  One thing for sure is this.  If someone likens my behavior with a
> child molestation sympathizer, they will be called stupid.  That's
> just a start.
>   

From Loopers-Delight-request@loopers-delight.com  Tue May 19 21:23:23 2009
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Date: Tue, 19 May 2009 16:23:22 -0500
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Subject: Re: Weird Looping Guy
From: Michael Pregeant <mpregeant@gmail.com>
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Well shit, regardless of if he has any sort of talent is obsolete at this
point; he's certainly poked the ant pile. I think I feel them biting at my
ankles..

On Tue, May 19, 2009 at 4:06 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

> This list has proven itself to not need moderation, except arguably in the
> flame wars that erupt every few.......years.
>
> Things go off topic, but people generally use OT, at least when starting
> new threads.
>
> Generally when things get to a personal nature, they're taken offlist by
> the parties involved. That obviously should have happened long already here.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>  Back?  There are no moderators here.  Shame really.  It's why I left
>> LD many moons ago and now mostly hang out in the really well moderated
>> forum kvraudio.com.  Mostly the conversation there is of a very high
>> level and that's do to the vigilance of really good moderators.
>>
>> Here...it's the wild west mother fuckers.  Don't like it?
>> Unsubscribe. Not my attitude, Kim's.  Next time I see him at Whole
>> Foods I'll give his produce a squeeze just to let him know how I feel.
>> ;)  One thing for sure is this.  If someone likens my behavior with a
>> child molestation sympathizer, they will be called stupid.  That's
>> just a start.
>>
>>
>
>

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Well shit,=A0regardless=A0of if he has any sort of talent is obsolete at th=
is point; he&#39;s certainly poked the ant pile. I think I feel them biting=
 at my ankles..<br><br><div class=3D"gmail_quote">On Tue, May 19, 2009 at 4=
:06 PM, Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:highhorse@mhors=
e.com">highhorse@mhorse.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">This list has proven itself to not need mod=
eration, except arguably in the flame wars that erupt every few.......years=
.<br>

<br>
Things go off topic, but people generally use OT, at least when starting ne=
w threads.<br>
<br>
Generally when things get to a personal nature, they&#39;re taken offlist b=
y the parties involved. That obviously should have happened long already he=
re.<br><font color=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a></font><div><div></div><div class=3D"h5"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Back? =A0There are no moderators here. =A0Shame really. =A0It&#39;s why I l=
eft<br>
LD many moons ago and now mostly hang out in the really well moderated<br>
forum <a href=3D"http://kvraudio.com" target=3D"_blank">kvraudio.com</a>. =
=A0Mostly the conversation there is of a very high<br>
level and that&#39;s do to the vigilance of really good moderators.<br>
<br>
Here...it&#39;s the wild west mother fuckers. =A0Don&#39;t like it?<br>
Unsubscribe. Not my attitude, Kim&#39;s. =A0Next time I see him at Whole<br=
>
Foods I&#39;ll give his produce a squeeze just to let him know how I feel.<=
br>
;) =A0One thing for sure is this. =A0If someone likens my behavior with a<b=
r>
child molestation sympathizer, they will be called stupid. =A0That&#39;s<br=
>
just a start.<br>
 =A0<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--0016e64647663e6ccb046a4a8514--

From Loopers-Delight-request@loopers-delight.com  Tue May 19 21:41:06 2009
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Date: Tue, 19 May 2009 14:34:57 -0700
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Subject: Re: Weird Looping Guy
From: Miko Biffle <biffoz@gmail.com>
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When Paul or anyone else invokes "Adolph Hitler", "child molesters"
and "serial killers", it certainly illustrates 'something'.  It's also
a cheap shot that associates your name and email address with
super-volatile, negative subjects.  I guess it can be nice, thuggy,
fun to bag on various, popularly-unpopular victims=97maybe on Facebook
or Myspace, but not here.  So go fuck yourself Paul=97see ya around.  -m

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Subject: Weird
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Weird...  I just got unsubscribed.  At least I was notified that I 
was being automatically unsubscribed - how thoughtful of the listsrv!

No - that's not weird.

<in Steven Wright monotone>
What's weird is that I've resubscribed.

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LD new moderator

http://www.youtube.com/watch?v=3D8Gy-Cq75BWY&feature=3Drelated

www.myspace.com/luisangulocom




--- Paul Richards <paulrichard_rocks@yahoo.com> schrieb am Di, 19.5.2009:

> Von: Paul Richards <paulrichard_rocks@yahoo.com>
> Betreff: Re: Weird Looping Guy
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 19. Mai 2009, 11:31
> Why don't you shove a four
> foot long extruded gnochi up your asshole, putz?
> =A0
> I think YOU'VE found a niche on this board: being
> a recalcitrant, close-minded dickwad who likes to try to
> shout down folks. You're one=A0of the reasons this
> board sucks so much (and a couple of others). It is really
> pathetic and has been so for many years. The only thing this
> board is known for nowdays is horrible music and long,
> boring threads about how to invoke some useless feature on a
> piece of hardware or software.=20
> =A0
> =A0
>=20
> --- On Tue, 5/19/09, Mark Sottilaro
> <zerocrossing@gmail.com> wrote:
>=20
>=20
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: Weird Looping Guy
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, May 19, 2009, 1:35 PM
>=20
>=20
> We have a winner!=A0 The moment
> someone brings up serial killers in a
> discussion that has nothing to do with serial killers,
> they
> automatically lose any credibility and defacto declare
> themselves an
> ass hole.=A0 Why not bring up Hitler to really prove
> you're an idiot?
>=20
> To answer you, no, it does not.=A0 It also does not
> apply to the stupid,
> which is the group I will forever identify you with.=A0
> Artistic
> expression is a matter of taste.=A0 Stupid, well
> that's universal.=A0 You
> are stupid.
>=20
> On Tue, May 19, 2009 at 6:52 AM, Paul Richards
> <paulrichard_rocks@yahoo.com>
> wrote:
> > Does that philosophical outlook apply to serial
> killers and child molesters
> > as well?
> >
> > --- On Mon, 5/18/09, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
> >
> > From: Mark Sottilaro <zerocrossing@gmail.com>
> > Subject: Re: Weird Looping Guy
> > To: Loopers-Delight@loopers-delight.com
> > Date: Monday, May 18, 2009, 11:39 PM
> >
> > Agreed.=A0 I'm always impressed by people who
> find a niche and go for it.
> >
> >
> >> IMO this guy has clearly invested considerable
> time and effort in the
> >> execution of a concept that holds meaning for HIM,
> and he pretty much
> >> pulls everything off seamlessly. Whether I'm
> going to be
>  a fan is up
> >> to me, but it would be presumptuous to infer that
> he's somehow
> >> clueless. We all face choices as to how we move
> forward daily and he's
> >> staked his claim. He may in fact be more grounded,
> committed and
> >> blissfully engaged than many of us here. Food for
> thought.
> >> --
> >> Miko Biffle
> >> Biffoz@Gmail.com
> >> MBiffle@FoxRacingShox.com
> >> "Running scared from all the usual
> distractions!"
> >>
> >>
> >
> >
> >
>=20
>=20
>=20
>=20
>       =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 19 22:59:43 2009
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Date: Tue, 19 May 2009 22:59:41 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: millennia preamp - OT
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Hey Erdem,
If you ve never played cello,is it just as difficult or is it made friendly=
 for guitarrists? id like to also see more examples of plain guitar playing=
 with it.
Cheers and thanx for the info!
Luis

www.myspace.com/luisangulocom


--- Erdem Helvacioglu <erdemhel@tnn.net> schrieb am Di, 19.5.2009:

> Von: Erdem Helvacioglu <erdemhel@tnn.net>
> Betreff: Re: millennia preamp - OT
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 19. Mai 2009, 3:44
> =EF=BB=BF
>=20
> =20
> =20
>=20
>=20
> =20
> hey,
> =C2=A0
> i am using the electric guitar naked spartan version.
> that is the cheapest=20
> model without any midi.
> =C2=A0
> i have uploaded a folder that contains 4 audio files
> with the violguitar=20
> with 4 different preamp setting. the millennia stt-1 solid
> state, millennia=20
> stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q preamp.
> check out the=20
> transparency on the millennia stt-1!
> =C2=A0
> https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ
> =C2=A0
> bear in mind that i can not play this instrument well
> at all! :) i=20
> especially tried some extended techniques and lots of
> harmonics to hear the=20
> transparency on the preamps.
> =C2=A0
> best.
> =C2=A0
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> *=20
> * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on=20
> Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
> =C2=A0
> "wounded breath album
> will open you up to new=20
> experiences and=20
> allow you to explore worlds previously closed to=20
> you."
> Blogcritics, Richard Marcus
> =C2=A0
> "wounded breath is an
> outstanding acousmatic=20
> record, period."
> Massimo Ricci, touching extremes
>=20
>   ----- Original Message
> -----=20
>   From:=20
>   L.Angulo=20
>  =20
>   To: Loopers-Delight@loopers-delight.com
>=20
>   ; billwalker@baymoon.com
>=20
>   Sent: Tuesday, May
> 19, 2009 6:40 AM
>   Subject: RE:
> millennia preamp - OT
>  =20
>=20
> this does look amazing!i take it Erdem is using the=20
>   electric model?
> models with midi wow but i wonder about the=20
>   tracking!
> Luis
>=20
>=20
> www.myspace.com/luisangulocom
>=20
>=20
> ---=20
>   William Walker <billwalker@baymoon.com>
> schrieb am=20
>   Mo, 18.5.2009:
>=20
> > Von: William Walker <billwalker@baymoon.com>
> >=20
>   Betreff: RE: millennia preamp - OT
> > An: Loopers-Delight@loopers-delight.com
> >=20
>   Datum: Montag, 18. Mai 2009, 20:27
> >=20
> >=20
> >=20
> >=C2=A0=20
>  =20
> >=C2=A0=20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
> >=20
>   Yep
> > that=E2=80=99s correct, they sound
> > amazing BTW. A truly unique=20
>   instrument that has a curved
> > fretted fingerboard
> > and is meant=20
>   to be bowed, the sound is very warm and woody,
> > and dare I say
> >=20
>   cello-like in timbre. Its an ideal instrument for a
> > guitarist wanting=20
>   to get in
> > to the world of bowed instruments, or a cellist
> wanting=20
>   to
> > get more chordal and
> > guitar-like. It aint cheap by guitar=20
>   standards but
> > it=E2=80=99s a bargain by
> > classical cello standards.=20
>   Small portable and fits in one
> > of those cool coffin
> > cases. The=20
>   proprietary pickups sound wonderful and can
> > handle any kind of
> >=20
>   volume or signal processing without feedback issues. I
> got
> > to hear it=20
>   when Erdem
> > first got it and I was floored by the sound.
> >=C2=A0=20
>  =20
> >=20
> >=20
> >=20
> >=20
> > bill
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> > From: Todd Matthews
> >=20
>   [mailto:gtmatthews@gmail.com]=20
> >=20
> > Sent: Monday,
> > May 18,=20
>   2009 4:16 PM
> >=20
> > To:=20
> >=C2=A0 Loopers-Delight@loopers-delight.com
> >=20
>  =20
> > Subject: Re:
> > millennia preamp - OT=20
> >=20
> >=20
> >=20
>  =20
> >=C2=A0=20
> >=20
> > Hey Zoe,=20
> >=20
> >=20
> >=20
>  =20
> >=C2=A0=20
> >=20
> >=20
> >=20
> >=20
> >=20
> > I think=20
>   he is referring to the Guitar
> > viols by Jonathan Wilson. He
> >=20
>   makes a cello model that is actually tuned like like a 5
> > string bass=20
>   but it is
> > an octave higher outting it in the 'cello
> > range'=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> > http://www.togamanguitars.com/downloads/index.php
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> > Scroll to the bottom and there is=20
>   a
> > video of him playing his guitar
> > cello model. It sounds=20
>   pretty awesome.=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> > Todd Matthews=20
> >=20
> >=20
> >=20
>  =20
> > On Mon, May 18, 2009 at 6:07 PM, Zoe
> > Keating=20
> > <info@zoekeating.com>
> > wrote:=20
>  =20
> >=20
> >=20
> >=20
> > (what is a cello
> > guitar?)=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> > On May 18, 2009, at 1:55 PM, Erdem
> > Helvacioglu wrote:=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>   hey,
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> > so
> > sorry that=20
>   this is
> > off topic. but today i tried the millennia stt-1=20
>   micpreamp
> > ( with high
> > impedance instrument input. ) wow! this=20
>   is the greatest,
> > most transparent
> > preamp that i have ever=20
>   heard. incredible. my new cello
> > guitar came to life. it
> > was as=20
>   though i became a cellist :)=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>   if
> > you get chance,
> > please do yourself a favor and try this=20
>   unit. it seems that
> > it will work great
> > with guitar, bass,=20
>   vocals, drums etc.=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> > thanks
> >=20
>   and best.=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> > Erdem
> >=20
>   Helvacioglu
> >=20
> > www.erdemhelvacioglu.com
> >=20
>  =20
> > www.myspace.com/erdemhelvacioglu
> >=20
>  =20
> > * * * * * * * * * * * * * * * * * * * *
> >=20
> > "Wounded=20
>   Breath" album is out now on Aucourant
> > Records:
> >=20
> > www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> > "wounded
> > breath
> >=20
>   album will open you up to new experiences and=20
> >=20
> > allow you to=20
>   explore worlds previously closed to
> > you."
> >=20
> >=20
>   Blogcritics, Richard Marcus=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>   "wounded
> > breath
> > is an outstanding acousmatic record,=20
>   period."
> >=20
> > Massimo Ricci, touching extremes=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=C2=A0=20
>  =20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
> >=20
>  =20
> >=20
> >=C2=A0=20
> >=20
> >=20
> >=20
>  =20
>=20
>=20
> =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=20
> =20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 19 23:03:17 2009
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Date: Tue, 19 May 2009 16:03:17 -0700
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Subject: VSTi Drum loop generator group buy
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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For those of you who've got a thing for cool VSTis for looping, check this out:

http://www.hgsounds.com/shop/vst-plugins/black-magic-loop-generatordrum-machine-group-buy

There's a "lite" version for free download that's already pretty damn
full featured, which makes me think the full version must be off the
hook. (remember when that phrase meant something?) Either way, if
you're looking for something that cooks up random loops with really
interesting sounds, I recommend this tool.  If it goes to the lowest
price of the group buy it'll be an amazing bargain.

From Loopers-Delight-request@loopers-delight.com  Tue May 19 23:11:02 2009
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I have been wondering if perhaps today was not the best day to  
subscribe to the list (-: To say that my inbox presented me with a  
rich tapestry of postings is to put it mildly..... It did, however,  
make me investigate my mail filtering rules!

Anyway; here I am.

Hello to Andy, Mike, Per and anyone else on the list who already knows  
me.

To all those who don't; I'm a UK-based classically-trained violinist  
who got into looping a few years ago while playing in a group with  
bassist Steve Lawson. I currently do quite a lot of looping in my solo  
gigs, alongside normal acoustic violin repertoire.

I started off with a succession of hardware loopers - Boss RC20,  
Echoplex, Looperlative - but finally went over to the software side a  
couple of years ago.

My current main gig setup is; 5-string electric violin by Fidelius.  
SooperLooper within Logic 8 on a MacBook Pro. Gordius Little Giant  
controller. I also use Roland PK5 midi bass pedals.

My looping at the moment tends to fall into 2 main categories: 1)  
Stuff I've arranged or written: This tends to be either arrangements  
of classical pieces, cover versions of songs, and the odd original  
composition. 2) Stuff other people have written for me: This ranges  
from original looping pieces by a variety of composers, to looping  
arrangements and covers.

Given a little more free time (sometime this century I hope!) I'd like  
to explore writing more original stuff of my own, and also more  
improvisational looping.

If you're interested enough in any of this to want to find out more,  
my website is at www.stevebingham.co.uk, where there are sound clips  
and also some live video recordings of some of my looping.

I look forward to more learning about what you are all doing with your  
looping, and less flaming..... (-:

Best wishes to all,
Steve

Steve Bingham
www.stevebingham.co.uk


From Loopers-Delight-request@loopers-delight.com  Tue May 19 23:47:19 2009
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Date: Tue, 19 May 2009 16:47:14 -0700
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Hey Paul,

I went back and read every single post you made in this current thread.

Every one seemed  condescending and judgemental.   Everyone was 
argumentative and challenging. 
My feathers didn't get ruffled because over the years similar posts have 
come and gone, but I
could tell that you were both spoiling for a fight and that you'd get one.

In addition your profess to really dislike this list.

So, from a very calm and rational place, I have two pieces of advice for 
you having been a long time member of this community
and having tried really hard to promote the notion of live looping.

It's gratuitous advice so you don't have to take it,  but I'll proffer 
it just in case
it's helpful

1)  You can lower the anger quotient, relax a little and be a 
contributing, proactive member of this community
(you know,  making the kinds of posts that you really wished you'd see 
more often here;   sharing some of your
music so it can be appreciated, building bridges to all the wonderful 
benefits that this community has to offer-
like knowledge, wisdom, the ability to exchange creativity with other 
musicians, the ability to travel and
play with other like minded musicians etc. and lastly,  the ability to 
be appreciated and accepted as an artist
and a human being as most human beings have the desire for.)

or
2)  You can stop spinning your wheels and unsubscribe so that the huge 
majority of the people on this
list can get back to talking about the things we love most.

Either way,   I wish you well.

Rick Walker
Y2K9 International Live Looping Festival

From Loopers-Delight-request@loopers-delight.com  Tue May 19 23:48:55 2009
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Date: Tue, 19 May 2009 16:48:52 -0700
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Welcome aboard.  In case you know me, I'm still my cranky wise ass self. ;)

This is quite a beautiful piece:

http://www.youtube.com/watch?v=WHML_HiZYD0&eurl=http%3A%2F%2Fstevebingham.co.uk%2Fhome%2F%3Fp%3D6&feature=player_embedded

I hope no one likens me to someone aiding terrorists for saying so!

On Tue, May 19, 2009 at 4:01 PM, Steve Bingham <sbingham@con-brio.com> wrote:
> I have been wondering if perhaps today was not the best day to subscribe to
> the list (-: To say that my inbox presented me with a rich tapestry of
> postings is to put it mildly..... It did, however, make me investigate my
> mail filtering rules!
>
> Anyway; here I am.
>
> Hello to Andy, Mike, Per and anyone else on the list who already knows me.
>
> To all those who don't; I'm a UK-based classically-trained violinist who got
> into looping a few years ago while playing in a group with bassist Steve
> Lawson. I currently do quite a lot of looping in my solo gigs, alongside
> normal acoustic violin repertoire.
>
> I started off with a succession of hardware loopers - Boss RC20, Echoplex,
> Looperlative - but finally went over to the software side a couple of years
> ago.
>
> My current main gig setup is; 5-string electric violin by Fidelius.
> SooperLooper within Logic 8 on a MacBook Pro. Gordius Little Giant
> controller. I also use Roland PK5 midi bass pedals.
>
> My looping at the moment tends to fall into 2 main categories: 1) Stuff I've
> arranged or written: This tends to be either arrangements of classical
> pieces, cover versions of songs, and the odd original composition. 2) Stuff
> other people have written for me: This ranges from original looping pieces
> by a variety of composers, to looping arrangements and covers.
>
> Given a little more free time (sometime this century I hope!) I'd like to
> explore writing more original stuff of my own, and also more improvisational
> looping.
>
> If you're interested enough in any of this to want to find out more, my
> website is at www.stevebingham.co.uk, where there are sound clips and also
> some live video recordings of some of my looping.
>
> I look forward to more learning about what you are all doing with your
> looping, and less flaming..... (-:
>
> Best wishes to all,
> Steve
>
> Steve Bingham
> www.stevebingham.co.uk
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 20 00:05:12 2009
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Date: Tue, 19 May 2009 17:05:10 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
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The old farts needed something to shake them up, get the cobwebs out of the=
ir brains and possibly create something new & exciting (not that I'm a whip=
persnapper). I was just being extreme and exaggerating anyway. 'Sorry for a=
ny offense.

--- On Tue, 5/19/09, Michael Peters <mp@mpeters.de> wrote:


From: Michael Peters <mp@mpeters.de>
Subject: RE: Weird Looping Guy
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Date: Tuesday, May 19, 2009, 4:33 PM


> Stupid, well that's universal.=A0 You are stupid.

Flame Wars !!=A0 when was the last time we had one on LD? I can't remember.
:-)

-m

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">The old farts needed something to shake them =
up, get the cobwebs out of their brains and possibly create something new &=
amp; exciting (not that I'm a whippersnapper). I was just being extreme and=
 exaggerating anyway. 'Sorry for any offense.<BR><BR>--- On <B>Tue, 5/19/09=
, Michael Peters <I>&lt;mp@mpeters.de&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Michael Peters &lt;mp@mpeters.de&gt;<BR>Sub=
ject: RE: Weird Looping Guy<BR>To: "Loopers Delight" &lt;Loopers-Delight@lo=
opers-delight.com&gt;<BR>Date: Tuesday, May 19, 2009, 4:33 PM<BR><BR>
<DIV class=3DplainMail>&gt; Stupid, well that's universal.&nbsp; You are st=
upid.<BR><BR>Flame Wars !!&nbsp; when was the last time we had one on LD? I=
 can't remember.<BR>:-)<BR><BR>-m<BR><BR></DIV></BLOCKQUOTE></td></tr></tab=
le><br>=0A=0A=0A=0A      
--0-181931809-1242777910=:43678--

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Date: Tue, 19 May 2009 17:12:52 -0700 (PDT)
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Now here's a guy (stanitarium) that knows how to wail. I remember some of his stuff from a couple of years ago.

--- On Tue, 5/19/09, stanitarium@earthlink.net <stanitarium@earthlink.net> wrote:


From: stanitarium@earthlink.net <stanitarium@earthlink.net>
Subject: Re: Weird Looping Guy
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, May 19, 2009, 2:15 PM


gosh...so many rules :-)

-----Original Message-----
>From: james fowler <twostroke@gmail.com>
>Sent: May 19, 2009 9:44 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Weird Looping Guy
>
>unless you're roy orbison, you should be punched in the face for wearing
>sunglasses inside.
>
>- jim




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Now here's a guy (stanitarium) that knows how to wail. I remember some of his stuff from a couple of years ago.<BR><BR>--- On <B>Tue, 5/19/09, stanitarium@earthlink.net <I>&lt;stanitarium@earthlink.net&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From: stanitarium@earthlink.net &lt;stanitarium@earthlink.net&gt;<BR>Subject: Re: Weird Looping Guy<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Tuesday, May 19, 2009, 2:15 PM<BR><BR>
<DIV class=plainMail>gosh...so many rules :-)<BR><BR>-----Original Message-----<BR>&gt;From: james fowler &lt;<A href="http://us.mc1102.mail.yahoo.com/mc/compose?to=twostroke@gmail.com" ymailto="mailto:twostroke@gmail.com">twostroke@gmail.com</A>&gt;<BR>&gt;Sent: May 19, 2009 9:44 AM<BR>&gt;To: <A href="http://us.mc1102.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com" ymailto="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>&gt;Subject: Re: Weird Looping Guy<BR>&gt;<BR>&gt;unless you're roy orbison, you should be punched in the face for wearing<BR>&gt;sunglasses inside.<BR>&gt;<BR>&gt;- jim<BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
--0-1104765566-1242778372=:47857--

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Quoting Steve Bingham <sbingham@con-brio.com>:
>
>
> I look forward to more learning about what you are all doing with your
> looping, and less flaming..... (-:
>
> Best wishes to all,
> Steve
>
>
Steve,

Welcome aboard.  We are like one big, happy (occasionally  
dysfunctional) family here!  **grins**

Seriously, I've been on this list for over three years and the "Weird  
Looping Guy" thread is the only bonafide flame war I've see on this  
list.  Usually a good-natured pie-fight is the extent of the drama.

Good to hear from you.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed May 20 01:12:09 2009
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Date: Wed, 20 May 2009 01:12:07 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
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when i was younger i used to read band biographies and would fall asleep li=
stening to records on headphones and remeber being totally fascinated by th=
e whole rock n roll fantasy.I can say that some of this books really influe=
nced me because i was always interested how this people were able to write =
such good songs,look so cool and put such amazing shows and where they got =
their sources from.Through those books and their references i got into othe=
r types of music that i probably would have never discover or listened to a=
nd developed a wider musical appreciation so in that sense i suppose they h=
ad an impact in my musical life.
Always trying to do something new is also part of nature though i think whe=
n we feel stucked or in a musical rut we should not be afraid to go back to=
 our initial influeces since they were the ones that really captured out mu=
sical inocence.

www.myspace.com/luisangulocom


--- andy butler <akbutler@tiscali.co.uk> schrieb am So, 17.5.2009:

> Von: andy butler <akbutler@tiscali.co.uk>
> Betreff: Re: Great Books That Have Changed Our Musical Lives
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 17. Mai 2009, 10:20
> Yep, same here as far as music being
> influenced by reading.
> If I'm listening to music that offers no more
> than it's verbal description I feel cheated.
>=20
> andy butler
>=20
> Krispen Hartung wrote:
> > None. I've read a lot of books on music, but in the
> end, what has change my musical life is the "doing", not the
> reading.=A0 Ironically, although my personal life is very
> much guided by theory, philosophy, and science, my music
> life appears to be guided only by practice and experience. I
> can't really explain it, but nothing I've ready has really
> compelled any change in my artistic vision and direction. It
> is all inner self and experience
> driven.=A0=A0=A0Anyone else in this category of
> response?
> >=20
> > Kris
> >=20
> >=20
> >=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 01:20:13 2009
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Date: Wed, 20 May 2009 01:20:12 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Great Books That Have Changed Our Musical Lives
To: Loopers-Delight@loopers-delight.com
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lots of good recomedations here time to go shopping!
ok,so now any recomendations of online good used books other than Amazon or=
 ebay?



www.myspace.com/luisangulocom


--- Buzap Buzap <buzap@gmx.net> schrieb am Sa, 16.5.2009:

> Von: Buzap Buzap <buzap@gmx.net>
> Betreff: Re: Great Books That Have Changed Our Musical Lives
> An: Loopers-Delight@loopers-delight.com
> Datum: Samstag, 16. Mai 2009, 10:29
> ok, in the spriritual realm there are
> quite a few books (mostly (auto)biographies) that have
> impressed me.
>=20
> Other then that:
> - Stephen Covey, 7 Habits of Highly Effective People
> - Paul Zollo, Songwriters on Songwriting (a MUST for every
> songwriter!)
> - Ludwig Wittgenstein, Tractatus logico-philosophicus
> - Anything written by Sir Peter Ustinov
> - Yehudi Menuhin, Unfinished Journey (Biography)
>=20
> > Makes me
> > think about that part in Bhagavad-Gita where Krishna
> tells Arjuna
> > "it's ok to fight if you do in a spiritual mode". Boy,
> does that story
> > stink!
> Actually, reading "Illusions" by Richard Bach (very short
> and amusing) was a positive influence for me in that
> direction. Feels sort of an Aikido attitude.
> But of course everyone is entitled to their own opinion...
> :)=20
>=20
> best regards
> Buzap
> --=20
> Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate +
> Telefonanschluss f=FCr nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/fre=
edsl-surfflat/?ac=3DOM.AD.PD003K11308T4569a
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 03:57:01 2009
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Date: Wed, 20 May 2009 03:57:00 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: anybody here with Quickstar productions?
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,
I just got a mail from this guys and they are interested in using one of my=
 tunes for a CD sampler production,i was wondering if anybody else here has=
 been approached by them and if u think it would be wise doing this
here are their terms and conditions:


Rock 4 Life=E2=80=9D will be marketed and made available in the following w=
ays:


1.PHYSICAL SALES: You will receive 50 copies of the CD to sell at whatever =
price you choose. These will be professionally produced, retail ready CD=E2=
=80=99s. We recommend selling them for $8. That way you can make $400. You =
keep 100% of your sales. This is a great way to get more merchandise to sel=
l at your shows and also a way to target other fans in your genre. The idea=
 is that when each artist sells their 50 copies, the other artists on the C=
D will have their music exposed to other fans of your genre of music. Your =
song will be exposed to many new listeners in this manner.


2.DIGITAL SALES: The compilation will be made available for sale in all dig=
ital stores including iTunes,Rhapsody,Wal-Mart, Napster, and Amazon. Your s=
ong will also be available as a ringtone that your fans may purchase. You w=
ill receive 50% of profits generated.


3.EXPOSURE: The CD will be sent to record labels, marketing, and management=
 firms. Along with the CD, a booklet featuring your picture and bio will be=
 made available so they can learn a little bit more about you. In addition,=
 free promo copies will be handed out at concerts in the Baltimore/Washingt=
on area. Quickstar Productions will also promote the album by using MySpace=
 and banner ads.


4.RADIO: The CD will be sent to college and internet radio stations and be =
featured on various podcasts throughout the world.


5.NETWORKING: Developing a network with other musicians is key to ones succ=
ess. This comp CD is a chance to do so. You will be provided with all the o=
ther artists information before the CD is released so that you can start sh=
ow swapping with one another, networking and helping each other out


To have your song included on our upcoming compilation CD please visit our =
website, Quickstarproductions com, to download the submission form. We do n=
ot charge a fee to be on =E2=80=9CRock 4 Life=E2=80=9D, but we do ask that =
you purchase 50 CD=E2=80=99s to distribute at cost ($175). This will be the=
 only cost to you. One of the most important parts of this project is getti=
ng the CD into the hands of fans. The more CD=E2=80=99s that you are able t=
o distribute the more exposure everyone gets.


Please check out QuickstarProductions com for more info on this compilation=
. Since we hope to release this CD in the Summer of 2009, we ask that all s=
ubmissions be returned by June 1st. Please feel free to contact me anytime =
if you have any questions. I look forward to working with you.


thanx for your advice!

www.myspace.com/luisangulocom=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 05:31:30 2009
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welcome, steve!
we have approx. one flame war every two or three years and though they 
may be ghastly sometimes they last only for a very short time.
so please enjoy the upcoming, easygoing, mostly truly amiable 
looping-nerdness that this list usually provides.

best - tilmann



Steve Bingham schrieb:
> I have been wondering if perhaps today was not the best day to subscribe 
> to the list (-: To say that my inbox presented me with a rich tapestry 
> of postings is to put it mildly..... It did, however, make me 
> investigate my mail filtering rules!
> 
> Anyway; here I am.
> 
> Hello to Andy, Mike, Per and anyone else on the list who already knows me.
> 
> To all those who don't; I'm a UK-based classically-trained violinist who 
> got into looping a few years ago while playing in a group with bassist 
> Steve Lawson. I currently do quite a lot of looping in my solo gigs, 
> alongside normal acoustic violin repertoire.
> 
> I started off with a succession of hardware loopers - Boss RC20, 
> Echoplex, Looperlative - but finally went over to the software side a 
> couple of years ago.
> 
> My current main gig setup is; 5-string electric violin by Fidelius. 
> SooperLooper within Logic 8 on a MacBook Pro. Gordius Little Giant 
> controller. I also use Roland PK5 midi bass pedals.
> 
> My looping at the moment tends to fall into 2 main categories: 1) Stuff 
> I've arranged or written: This tends to be either arrangements of 
> classical pieces, cover versions of songs, and the odd original 
> composition. 2) Stuff other people have written for me: This ranges from 
> original looping pieces by a variety of composers, to looping 
> arrangements and covers.
> 
> Given a little more free time (sometime this century I hope!) I'd like 
> to explore writing more original stuff of my own, and also more 
> improvisational looping.
> 
> If you're interested enough in any of this to want to find out more, my 
> website is at www.stevebingham.co.uk, where there are sound clips and 
> also some live video recordings of some of my looping.
> 
> I look forward to more learning about what you are all doing with your 
> looping, and less flaming..... (-:
> 
> Best wishes to all,
> Steve
> 
> Steve Bingham
> www.stevebingham.co.uk
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 20 06:40:18 2009
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Subject: RE: anybody here with Quickstar productions?
Date: Wed, 20 May 2009 01:40:17 -0500
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wellp-
ild say its well worth it if they actually do what they claim-
but i doubt they do - its hard to track if CD's actually get sent to labels=
....college radio play...etc
you can put your own music on those digital sites all by yourself i'ld imag=
ine-
booooo ringtones-


basically they get 12 bands to pay $175 which totals $2100-
they print 50 CD's for each band which equals 600 CD's-
they charge you $3.50 per CD when it probably costs them about $1.50 a pop-

so they get $2100 and only have to spend $1.50* 600 =3D $900
which leaves them with about $1200 left over......which is their payment fo=
r putting together the CD=2C sending it to college radio (no guarentee of p=
lay time)=2C etc....

ild try to track down an allready completed compilation CD and ask the band=
s if it was worth it

good luck




> Date: Wed=2C 20 May 2009 03:57:00 +0000
> From: labaloops@yahoo.com
> Subject: anybody here with Quickstar productions?
> To: loopers-delight@loopers-delight.com
>=20
>=20
> Hi gang=2C
> I just got a mail from this guys and they are interested in using one of =
my tunes for a CD sampler production=2Ci was wondering if anybody else here=
 has been approached by them and if u think it would be wise doing this
> here are their terms and conditions:
>=20
>=20
> Rock 4 Life=94 will be marketed and made available in the following ways:
>=20
>=20
> 1.PHYSICAL SALES: You will receive 50 copies of the CD to sell at whateve=
r price you choose. These will be professionally produced=2C retail ready C=
D=92s. We recommend selling them for $8. That way you can make $400. You ke=
ep 100% of your sales. This is a great way to get more merchandise to sell =
at your shows and also a way to target other fans in your genre. The idea i=
s that when each artist sells their 50 copies=2C the other artists on the C=
D will have their music exposed to other fans of your genre of music. Your =
song will be exposed to many new listeners in this manner.
>=20
>=20
> 2.DIGITAL SALES: The compilation will be made available for sale in all d=
igital stores including iTunes=2CRhapsody=2CWal-Mart=2C Napster=2C and Amaz=
on. Your song will also be available as a ringtone that your fans may purch=
ase. You will receive 50% of profits generated.
>=20
>=20
> 3.EXPOSURE: The CD will be sent to record labels=2C marketing=2C and mana=
gement firms. Along with the CD=2C a booklet featuring your picture and bio=
 will be made available so they can learn a little bit more about you. In a=
ddition=2C free promo copies will be handed out at concerts in the Baltimor=
e/Washington area. Quickstar Productions will also promote the album by usi=
ng MySpace and banner ads.
>=20
>=20
> 4.RADIO: The CD will be sent to college and internet radio stations and b=
e featured on various podcasts throughout the world.
>=20
>=20
> 5.NETWORKING: Developing a network with other musicians is key to ones su=
ccess. This comp CD is a chance to do so. You will be provided with all the=
 other artists information before the CD is released so that you can start =
show swapping with one another=2C networking and helping each other out
>=20
>=20
> To have your song included on our upcoming compilation CD please visit ou=
r website=2C Quickstarproductions com=2C to download the submission form. W=
e do not charge a fee to be on =93Rock 4 Life=94=2C but we do ask that you =
purchase 50 CD=92s to distribute at cost ($175). This will be the only cost=
 to you. One of the most important parts of this project is getting the CD =
into the hands of fans. The more CD=92s that you are able to distribute the=
 more exposure everyone gets.
>=20
>=20
> Please check out QuickstarProductions com for more info on this compilati=
on. Since we hope to release this CD in the Summer of 2009=2C we ask that a=
ll submissions be returned by June 1st. Please feel free to contact me anyt=
ime if you have any questions. I look forward to working with you.
>=20
>=20
> thanx for your advice!
>=20
> www.myspace.com/luisangulocom
>=20
>=20
>      =20
>=20

_________________________________________________________________
Insert movie times and more without leaving Hotmail=AE.
http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tut=
orial_QuickAdd1_052009=

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<body class=3D'hmmessage'>
wellp-<br>ild say its well worth it if they actually do what they claim-<br=
>but i doubt they do - its hard to track if CD's actually get sent to label=
s....college radio play...etc<br>you can put your own music on those digita=
l sites all by yourself i'ld imagine-<br>booooo ringtones-<br><br><br>basic=
ally they get 12 bands to pay $175 which totals $2100-<br>they print 50 CD'=
s for each band which equals 600 CD's-<br>they charge you $3.50 per CD when=
 it probably costs them about $1.50 a pop-<br><br>so they get $2100 and onl=
y have to spend $1.50* 600 =3D $900<br>which leaves them with about $1200 l=
eft over......which is their payment for putting together the CD=2C sending=
 it to college radio (no guarentee of play time)=2C etc....<br><br>ild try =
to track down an allready completed compilation CD and ask the bands if it =
was worth it<br><br>good luck<br><br><br><br><br>&gt=3B Date: Wed=2C 20 May=
 2009 03:57:00 +0000<br>&gt=3B From: labaloops@yahoo.com<br>&gt=3B Subject:=
 anybody here with Quickstar productions?<br>&gt=3B To: loopers-delight@loo=
pers-delight.com<br>&gt=3B <br>&gt=3B <br>&gt=3B Hi gang=2C<br>&gt=3B I jus=
t got a mail from this guys and they are interested in using one of my tune=
s for a CD sampler production=2Ci was wondering if anybody else here has be=
en approached by them and if u think it would be wise doing this<br>&gt=3B =
here are their terms and conditions:<br>&gt=3B <br>&gt=3B <br>&gt=3B Rock 4=
 Life=94 will be marketed and made available in the following ways:<br>&gt=
=3B <br>&gt=3B <br>&gt=3B 1.PHYSICAL SALES: You will receive 50 copies of t=
he CD to sell at whatever price you choose. These will be professionally pr=
oduced=2C retail ready CD=92s. We recommend selling them for $8. That way y=
ou can make $400. You keep 100% of your sales. This is a great way to get m=
ore merchandise to sell at your shows and also a way to target other fans i=
n your genre. The idea is that when each artist sells their 50 copies=2C th=
e other artists on the CD will have their music exposed to other fans of yo=
ur genre of music. Your song will be exposed to many new listeners in this =
manner.<br>&gt=3B <br>&gt=3B <br>&gt=3B 2.DIGITAL SALES: The compilation wi=
ll be made available for sale in all digital stores including iTunes=2CRhap=
sody=2CWal-Mart=2C Napster=2C and Amazon. Your song will also be available =
as a ringtone that your fans may purchase. You will receive 50% of profits =
generated.<br>&gt=3B <br>&gt=3B <br>&gt=3B 3.EXPOSURE: The CD will be sent =
to record labels=2C marketing=2C and management firms. Along with the CD=2C=
 a booklet featuring your picture and bio will be made available so they ca=
n learn a little bit more about you. In addition=2C free promo copies will =
be handed out at concerts in the Baltimore/Washington area. Quickstar Produ=
ctions will also promote the album by using MySpace and banner ads.<br>&gt=
=3B <br>&gt=3B <br>&gt=3B 4.RADIO: The CD will be sent to college and inter=
net radio stations and be featured on various podcasts throughout the world=
.<br>&gt=3B <br>&gt=3B <br>&gt=3B 5.NETWORKING: Developing a network with o=
ther musicians is key to ones success. This comp CD is a chance to do so. Y=
ou will be provided with all the other artists information before the CD is=
 released so that you can start show swapping with one another=2C networkin=
g and helping each other out<br>&gt=3B <br>&gt=3B <br>&gt=3B To have your s=
ong included on our upcoming compilation CD please visit our website=2C Qui=
ckstarproductions com=2C to download the submission form. We do not charge =
a fee to be on =93Rock 4 Life=94=2C but we do ask that you purchase 50 CD=
=92s to distribute at cost ($175). This will be the only cost to you. One o=
f the most important parts of this project is getting the CD into the hands=
 of fans. The more CD=92s that you are able to distribute the more exposure=
 everyone gets.<br>&gt=3B <br>&gt=3B <br>&gt=3B Please check out QuickstarP=
roductions com for more info on this compilation. Since we hope to release =
this CD in the Summer of 2009=2C we ask that all submissions be returned by=
 June 1st. Please feel free to contact me anytime if you have any questions=
. I look forward to working with you.<br>&gt=3B <br>&gt=3B <br>&gt=3B thanx=
 for your advice!<br>&gt=3B <br>&gt=3B www.myspace.com/luisangulocom<br>&gt=
=3B <br>&gt=3B <br>&gt=3B       <br>&gt=3B <br><br /><hr />Insert movie tim=
es and more without leaving Hotmail=AE. <a href=3D'http://windowslive.com/T=
utorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tutorial_QuickAdd1_052009' =
target=3D'_new'>See how.</a></body>
</html>=

--_2e3358a8-3fea-4e98-a6c7-68b5e726257c_--

From Loopers-Delight-request@loopers-delight.com  Wed May 20 08:39:13 2009
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Steve Bingham wrote:

> Hello to Andy, Mike, Per and anyone else on the list who already knows me.

Hi Steve, welcome.

> 
> To all those who don't; I'm a UK-based classically-trained violinist 

and a successful performer within the classical world,
with a string of cd releases.

> If you're interested enough in any of this to want to find out more, my 
> website is at www.stevebingham.co.uk, where there are sound clips and 
> also some live video recordings of some of my looping.

...and be sure to ask Steve to your Looping Festival.

andy butler

From Martindavid01@centrum.cz  Wed May 20 09:12:35 2009
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Hello my good friend,
Â 
Compliments of the season and God's blessings from Martin David I am the Barrister who contacted you long ago, I am very happy to inform you about my success in getting that fund transferred, Now I want you to contact my secretary on the information below.
Â 
NAME: Edwin Udoh
PHONE:+229 939 137 55
EMAIL: edwinudoh072@live.fr 
Â 
I want to compensate you and show my gratitude to you with the sum of $1,5m cashier cheque which I left to my secretary on your behalf.
Â 
Ask him to send you the totalÂ  of ($1,5m)USD Cashier's Cheque, which I kept for your compensation contact him on his email or His direct telephone
Â 
Please I will like you to accept this token with good faith as this is from the bottom of my heart,Also comply with Mr. Edwin's directives so that he will send the cheque to you 
Â 
Please do let me know immediately you receive it so that we can share the joy after all the sufferies at that time. In the moment,I am very busy here in Germany because of the investment projects me and my new partners are having at hand.
Â 
Therefore, you should send him your full Name and telephone number/your current mailing address where you want him to send the money to you.
Â 
Thanks and God bless you and your family.

Hoping to hear from you.
Barrister Martin David.Â Â Â Â Â Â Â Â  
(Germany)



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<p style="padding:0 0 0 0; margin:0 0 0 0;">Hello my good friend,<br />
&nbsp;<br />
Compliments of the season and God's blessings from Martin David I am the Barrister who contacted you long ago, I am very happy to inform you about my success in getting that fund transferred, Now I want you to contact my secretary on the information below.<br />
&nbsp;<br />
NAME: Edwin Udoh<br />
PHONE:+229 939 137 55<br />
EMAIL: <a href="mailto:edwinudoh072@live.fr">edwinudoh072@live.fr</a> <br />
&nbsp;<br />
I want to compensate you and show my gratitude to you with the sum of $1,5m cashier cheque which I left to my secretary on your behalf.<br />
&nbsp;<br />
Ask him to send you the total&nbsp; of ($1,5m)USD Cashier's Cheque, which I kept for your compensation contact him on his email or His direct telephone<br />
&nbsp;<br />
Please I will like you to accept this token with good faith as this is from the bottom of my heart,Also comply with Mr. Edwin's directives so that he will send the cheque to you <br />
&nbsp;<br />
Please do let me know immediately you receive it so that we can share the joy after all the sufferies at that time. In the moment,I am very busy here in Germany because of the investment projects me and my new partners are having at hand.<br />
&nbsp;<br />
Therefore, you should send him your full Name and telephone number/your current mailing address where you want him to send the money to you.<br />
&nbsp;<br />
Thanks and God bless you and your family.</p>

<p style="padding:0 0 0 0; margin:0 0 0 0;">Hoping to hear from you.<br />
Barrister Martin David.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br />
(Germany)</p>



--_12345_-------=_3FE529F.318B2D58--

From Loopers-Delight-request@loopers-delight.com  Wed May 20 09:16:32 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <249610.83668.qm@web24301.mail.ird.yahoo.com>
Subject: Re: millennia preamp - OT
Date: Wed, 20 May 2009 12:16:25 +0300
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it is made friendly for guitarists, that is for sure. remember that it =
uses regular electric guitar strings and the instrumen is fretted. but =
it would be hard to play fast picked lines, or bent notes. this is a =
unique instrument that you need to adapt yourself. but a great =
investment especially for soundtrack work. he is selling a lot to major =
film composers in LA at the moment.

also the instrument does not have switches for pickups but volume =
controls. that way you can blend guitar like sound with the cello =
character. with the tone control you can get very low frequencies too =
which is very impressive.

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
  ----- Original Message -----=20
  From: L.Angulo=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 20, 2009 1:59 AM
  Subject: Re: millennia preamp - OT



  Hey Erdem,
  If you ve never played cello,is it just as difficult or is it made =
friendly for guitarrists? id like to also see more examples of plain =
guitar playing with it.
  Cheers and thanx for the info!
  Luis

  www.myspace.com/luisangulocom


  --- Erdem Helvacioglu <erdemhel@tnn.net> schrieb am Di, 19.5.2009:

  > Von: Erdem Helvacioglu <erdemhel@tnn.net>
  > Betreff: Re: millennia preamp - OT
  > An: Loopers-Delight@loopers-delight.com
  > Datum: Dienstag, 19. Mai 2009, 3:44
  > =EF=BB=BF
  >=20
  > =20
  > =20
  >=20
  >=20
  > =20
  > hey,
  >=20
  > i am using the electric guitar naked spartan version.
  > that is the cheapest=20
  > model without any midi.
  >=20
  > i have uploaded a folder that contains 4 audio files
  > with the violguitar=20
  > with 4 different preamp setting. the millennia stt-1 solid
  > state, millennia=20
  > stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q preamp.
  > check out the=20
  > transparency on the millennia stt-1!
  >=20
  > https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ
  >=20
  > bear in mind that i can not play this instrument well
  > at all! :) i=20
  > especially tried some extended techniques and lots of
  > harmonics to hear the=20
  > transparency on the preamps.
  >=20
  > best.
  >=20
  > Erdem Helvacioglu
  > www.erdemhelvacioglu.com
  > www.myspace.com/erdemhelvacioglu
  > *=20
  > * * * * * * * * * * * * * * * * * * *
  > "Wounded Breath" album is out now on=20
  > Aucourant Records:
  > www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
  >=20
  > "wounded breath album
  > will open you up to new=20
  > experiences and=20
  > allow you to explore worlds previously closed to=20
  > you."
  > Blogcritics, Richard Marcus
  >=20
  > "wounded breath is an
  > outstanding acousmatic=20
  > record, period."
  > Massimo Ricci, touching extremes
  >=20
  >   ----- Original Message
  > -----=20
  >   From:=20
  >   L.Angulo=20
  >  =20
  >   To: Loopers-Delight@loopers-delight.com
  >=20
  >   ; billwalker@baymoon.com
  >=20
  >   Sent: Tuesday, May
  > 19, 2009 6:40 AM
  >   Subject: RE:
  > millennia preamp - OT
  >  =20
  >=20
  > this does look amazing!i take it Erdem is using the=20
  >   electric model?
  > models with midi wow but i wonder about the=20
  >   tracking!
  > Luis
  >=20
  >=20
  > www.myspace.com/luisangulocom
  >=20
  >=20
  > ---=20
  >   William Walker <billwalker@baymoon.com>
  > schrieb am=20
  >   Mo, 18.5.2009:
  >=20
  > > Von: William Walker <billwalker@baymoon.com>
  > >=20
  >   Betreff: RE: millennia preamp - OT
  > > An: Loopers-Delight@loopers-delight.com
  > >=20
  >   Datum: Montag, 18. Mai 2009, 20:27
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >   Yep
  > > that=E2=80=99s correct, they sound
  > > amazing BTW. A truly unique=20
  >   instrument that has a curved
  > > fretted fingerboard
  > > and is meant=20
  >   to be bowed, the sound is very warm and woody,
  > > and dare I say
  > >=20
  >   cello-like in timbre. Its an ideal instrument for a
  > > guitarist wanting=20
  >   to get in
  > > to the world of bowed instruments, or a cellist
  > wanting=20
  >   to
  > > get more chordal and
  > > guitar-like. It aint cheap by guitar=20
  >   standards but
  > > it=E2=80=99s a bargain by
  > > classical cello standards.=20
  >   Small portable and fits in one
  > > of those cool coffin
  > > cases. The=20
  >   proprietary pickups sound wonderful and can
  > > handle any kind of
  > >=20
  >   volume or signal processing without feedback issues. I
  > got
  > > to hear it=20
  >   when Erdem
  > > first got it and I was floored by the sound.
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > > bill
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > > From: Todd Matthews
  > >=20
  >   [mailto:gtmatthews@gmail.com]=20
  > >=20
  > > Sent: Monday,
  > > May 18,=20
  >   2009 4:16 PM
  > >=20
  > > To:=20
  > > Loopers-Delight@loopers-delight.com
  > >=20
  >  =20
  > > Subject: Re:
  > > millennia preamp - OT=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > > Hey Zoe,=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > > I think=20
  >   he is referring to the Guitar
  > > viols by Jonathan Wilson. He
  > >=20
  >   makes a cello model that is actually tuned like like a 5
  > > string bass=20
  >   but it is
  > > an octave higher outting it in the 'cello
  > > range'=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > > http://www.togamanguitars.com/downloads/index.php
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > > Scroll to the bottom and there is=20
  >   a
  > > video of him playing his guitar
  > > cello model. It sounds=20
  >   pretty awesome.=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > > Todd Matthews=20
  > >=20
  > >=20
  > >=20
  >  =20
  > > On Mon, May 18, 2009 at 6:07 PM, Zoe
  > > Keating=20
  > > <info@zoekeating.com>
  > > wrote:=20
  >  =20
  > >=20
  > >=20
  > >=20
  > > (what is a cello
  > > guitar?)=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > > On May 18, 2009, at 1:55 PM, Erdem
  > > Helvacioglu wrote:=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >   hey,
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > > so
  > > sorry that=20
  >   this is
  > > off topic. but today i tried the millennia stt-1=20
  >   micpreamp
  > > ( with high
  > > impedance instrument input. ) wow! this=20
  >   is the greatest,
  > > most transparent
  > > preamp that i have ever=20
  >   heard. incredible. my new cello
  > > guitar came to life. it
  > > was as=20
  >   though i became a cellist :)=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >   if
  > > you get chance,
  > > please do yourself a favor and try this=20
  >   unit. it seems that
  > > it will work great
  > > with guitar, bass,=20
  >   vocals, drums etc.=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > > thanks
  > >=20
  >   and best.=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > > Erdem
  > >=20
  >   Helvacioglu
  > >=20
  > > www.erdemhelvacioglu.com
  > >=20
  >  =20
  > > www.myspace.com/erdemhelvacioglu
  > >=20
  >  =20
  > > * * * * * * * * * * * * * * * * * * * *
  > >=20
  > > "Wounded=20
  >   Breath" album is out now on Aucourant
  > > Records:
  > >=20
  > > www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > > "wounded
  > > breath
  > >=20
  >   album will open you up to new experiences and=20
  > >=20
  > > allow you to=20
  >   explore worlds previously closed to
  > > you."
  > >=20
  > >=20
  >   Blogcritics, Richard Marcus=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >   "wounded
  > > breath
  > > is an outstanding acousmatic record,=20
  >   period."
  > >=20
  > > Massimo Ricci, touching extremes=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  > >=20
  > >=20
  > >=20
  > >=20
  > >=20
  >  =20
  >=20
  >=20
  >=20
  > =20
  >=20


       =20

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<DIV>it is made friendly for guitarists, that is for sure. remember that =
it uses=20
regular electric guitar strings and the instrumen is fretted. but it =
would be=20
hard to play fast picked lines, or bent notes. this is a unique =
instrument that=20
you need to adapt yourself. but a great investment especially for =
soundtrack=20
work. he is selling a lot to major film composers in LA at the =
moment.</DIV>
<DIV>&nbsp;</DIV>
<DIV>also the instrument does not have switches for pickups but volume =
controls.=20
that way you can blend guitar like sound with the cello character. with =
the tone=20
control you can get very low frequencies too which is very =
impressive.</DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></FO=
NT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"wounded breath album will open you up =
to new=20
experiences and <BR>allow you to explore worlds previously closed to=20
you."<BR>Blogcritics, Richard Marcus</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"wounded breath is an outstanding =
acousmatic=20
record, period."<BR>Massimo Ricci, touching extremes</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlabaloops@yahoo.com =
href=3D"mailto:labaloops@yahoo.com">L.Angulo</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 20, 2009 =
1:59=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: millennia preamp - =
OT</DIV>
  <DIV><BR></DIV><BR>Hey Erdem,<BR>If you ve never played cello,is it =
just as=20
  difficult or is it made friendly for guitarrists? id like to also see =
more=20
  examples of plain guitar playing with it.<BR>Cheers and thanx for the=20
  info!<BR>Luis<BR><BR><A=20
  =
href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisanguloc=
om</A><BR><BR><BR>---=20
  Erdem Helvacioglu &lt;<A=20
  href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</A>&gt; schrieb am =
Di,=20
  19.5.2009:<BR><BR>&gt; Von: Erdem Helvacioglu &lt;<A=20
  href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</A>&gt;<BR>&gt; =
Betreff: Re:=20
  millennia preamp - OT<BR>&gt; An: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  Datum: Dienstag, 19. Mai 2009, 3:44<BR>&gt; =EF=BB=BF<BR>&gt; =
<BR>&gt;&nbsp;=20
  <BR>&gt;&nbsp; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp; <BR>&gt; hey,<BR>&gt; =
<BR>&gt;=20
  i am using the electric guitar naked spartan version.<BR>&gt; that is =
the=20
  cheapest <BR>&gt; model without any midi.<BR>&gt; <BR>&gt; i have =
uploaded a=20
  folder that contains 4 audio files<BR>&gt; with the violguitar =
<BR>&gt; with 4=20
  different preamp setting. the millennia stt-1 solid<BR>&gt; state, =
millennia=20
  <BR>&gt; stt-1 tube, tl audio vp1 tube preamp, joemeek vc6q =
preamp.<BR>&gt;=20
  check out the <BR>&gt; transparency on the millennia stt-1!<BR>&gt; =
<BR>&gt;=20
  <A=20
  =
href=3D"https://download.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ">https://do=
wnload.yousendit.com/U0d4M25DVnNiR0pMWEE9PQ</A><BR>&gt;=20
  <BR>&gt; bear in mind that i can not play this instrument well<BR>&gt; =
at all!=20
  :) i <BR>&gt; especially tried some extended techniques and lots =
of<BR>&gt;=20
  harmonics to hear the <BR>&gt; transparency on the preamps.<BR>&gt; =
<BR>&gt;=20
  best.<BR>&gt; <BR>&gt; Erdem Helvacioglu<BR>&gt; <A=20
  =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
&gt; <A=20
  =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>&gt;=20
  * <BR>&gt; * * * * * * * * * * * * * * * * * * *<BR>&gt; "Wounded =
Breath"=20
  album is out now on <BR>&gt; Aucourant Records:<BR>&gt; <A=20
  =
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A><BR>=
&gt;=20
  <BR>&gt; "wounded breath album<BR>&gt; will open you up to new =
<BR>&gt;=20
  experiences and <BR>&gt; allow you to explore worlds previously closed =
to=20
  <BR>&gt; you."<BR>&gt; Blogcritics, Richard Marcus<BR>&gt; <BR>&gt; =
"wounded=20
  breath is an<BR>&gt; outstanding acousmatic <BR>&gt; record, =
period."<BR>&gt;=20
  Massimo Ricci, touching extremes<BR>&gt; <BR>&gt;&nbsp;&nbsp; ----- =
Original=20
  Message<BR>&gt; ----- <BR>&gt;&nbsp;&nbsp; From: <BR>&gt;&nbsp;&nbsp; =
L.Angulo=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt;&nbsp;&nbsp; To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  <BR>&gt;&nbsp;&nbsp; ; <A=20
  =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A><BR>&gt;=
=20
  <BR>&gt;&nbsp;&nbsp; Sent: Tuesday, May<BR>&gt; 19, 2009 6:40=20
  AM<BR>&gt;&nbsp;&nbsp; Subject: RE:<BR>&gt; millennia preamp -=20
  OT<BR>&gt;&nbsp;&nbsp; <BR>&gt; <BR>&gt; this does look amazing!i take =
it=20
  Erdem is using the <BR>&gt;&nbsp;&nbsp; electric model?<BR>&gt; models =
with=20
  midi wow but i wonder about the <BR>&gt;&nbsp;&nbsp; tracking!<BR>&gt; =

  Luis<BR>&gt; <BR>&gt; <BR>&gt; <A=20
  =
href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisanguloc=
om</A><BR>&gt;=20
  <BR>&gt; <BR>&gt; --- <BR>&gt;&nbsp;&nbsp; William Walker &lt;<A=20
  =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt;<BR>=
&gt;=20
  schrieb am <BR>&gt;&nbsp;&nbsp; Mo, 18.5.2009:<BR>&gt; <BR>&gt; &gt; =
Von:=20
  William Walker &lt;<A=20
  =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt;<BR>=
&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; Betreff: RE: millennia preamp - OT<BR>&gt; =
&gt; An:=20
  <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; Datum: Montag, 18. Mai 2009, 20:27<BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; Yep<BR>&gt; &gt; that=E2=80=99s correct, they =
sound<BR>&gt; &gt;=20
  amazing BTW. A truly unique <BR>&gt;&nbsp;&nbsp; instrument that has a =

  curved<BR>&gt; &gt; fretted fingerboard<BR>&gt; &gt; and is meant=20
  <BR>&gt;&nbsp;&nbsp; to be bowed, the sound is very warm and =
woody,<BR>&gt;=20
  &gt; and dare I say<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; cello-like in =
timbre.=20
  Its an ideal instrument for a<BR>&gt; &gt; guitarist wanting=20
  <BR>&gt;&nbsp;&nbsp; to get in<BR>&gt; &gt; to the world of bowed =
instruments,=20
  or a cellist<BR>&gt; wanting <BR>&gt;&nbsp;&nbsp; to<BR>&gt; &gt; get =
more=20
  chordal and<BR>&gt; &gt; guitar-like. It aint cheap by guitar=20
  <BR>&gt;&nbsp;&nbsp; standards but<BR>&gt; &gt; it=E2=80=99s a bargain =
by<BR>&gt; &gt;=20
  classical cello standards. <BR>&gt;&nbsp;&nbsp; Small portable and =
fits in=20
  one<BR>&gt; &gt; of those cool coffin<BR>&gt; &gt; cases. The=20
  <BR>&gt;&nbsp;&nbsp; proprietary pickups sound wonderful and =
can<BR>&gt; &gt;=20
  handle any kind of<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; volume or signal=20
  processing without feedback issues. I<BR>&gt; got<BR>&gt; &gt; to hear =
it=20
  <BR>&gt;&nbsp;&nbsp; when Erdem<BR>&gt; &gt; first got it and I was =
floored by=20
  the sound.<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; bill<BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; From: =
Todd=20
  Matthews<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; =
[mailto:gtmatthews@gmail.com]=20
  <BR>&gt; &gt; <BR>&gt; &gt; Sent: Monday,<BR>&gt; &gt; May 18,=20
  <BR>&gt;&nbsp;&nbsp; 2009 4:16 PM<BR>&gt; &gt; <BR>&gt; &gt; To: =
<BR>&gt; &gt;=20
  <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; Subject: Re:<BR>&gt; &gt; =
millennia=20
  preamp - OT <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; Hey Zoe, <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; I think=20
  <BR>&gt;&nbsp;&nbsp; he is referring to the Guitar<BR>&gt; &gt; viols =
by=20
  Jonathan Wilson. He<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; makes a cello =
model that=20
  is actually tuned like like a 5<BR>&gt; &gt; string bass =
<BR>&gt;&nbsp;&nbsp;=20
  but it is<BR>&gt; &gt; an octave higher outting it in the =
'cello<BR>&gt; &gt;=20
  range' <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <A=20
  =
href=3D"http://www.togamanguitars.com/downloads/index.php">http://www.tog=
amanguitars.com/downloads/index.php</A><BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  Scroll to the bottom and there is <BR>&gt;&nbsp;&nbsp; a<BR>&gt; &gt; =
video of=20
  him playing his guitar<BR>&gt; &gt; cello model. It sounds=20
  <BR>&gt;&nbsp;&nbsp; pretty awesome. <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; Todd Matthews <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; On Mon, May 18, 2009 at 6:07 PM,=20
  Zoe<BR>&gt; &gt; Keating <BR>&gt; &gt; &lt;<A=20
  =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</A>&gt;<BR>&gt; =
&gt;=20
  wrote: <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; (what is a cello<BR>&gt; &gt; guitar?) <BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; On May 18, 2009, at 1:55 PM, =
Erdem<BR>&gt;=20
  &gt; Helvacioglu wrote: <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; hey,<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; so<BR>&gt; &gt; sorry that =
<BR>&gt;&nbsp;&nbsp;=20
  this is<BR>&gt; &gt; off topic. but today i tried the millennia stt-1=20
  <BR>&gt;&nbsp;&nbsp; micpreamp<BR>&gt; &gt; ( with high<BR>&gt; &gt; =
impedance=20
  instrument input. ) wow! this <BR>&gt;&nbsp;&nbsp; is the =
greatest,<BR>&gt;=20
  &gt; most transparent<BR>&gt; &gt; preamp that i have ever=20
  <BR>&gt;&nbsp;&nbsp; heard. incredible. my new cello<BR>&gt; &gt; =
guitar came=20
  to life. it<BR>&gt; &gt; was as <BR>&gt;&nbsp;&nbsp; though i became a =
cellist=20
  :) <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  if<BR>&gt; &gt; you get chance,<BR>&gt; &gt; please do yourself a =
favor and=20
  try this <BR>&gt;&nbsp;&nbsp; unit. it seems that<BR>&gt; &gt; it will =
work=20
  great<BR>&gt; &gt; with guitar, bass, <BR>&gt;&nbsp;&nbsp; vocals, =
drums etc.=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; thanks<BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; and best. <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; Erdem<BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; Helvacioglu<BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <A=20
  =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <A=20
  =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; * * * * * * * * * * * * * * * =
* * * *=20
  *<BR>&gt; &gt; <BR>&gt; &gt; "Wounded <BR>&gt;&nbsp;&nbsp; Breath" =
album is=20
  out now on Aucourant<BR>&gt; &gt; Records:<BR>&gt; &gt; <BR>&gt; &gt; =
<A=20
  =
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A><BR>=
&gt;=20
  &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; "wounded<BR>&gt; &gt; breath<BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  album will open you up to new experiences and <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  allow you to <BR>&gt;&nbsp;&nbsp; explore worlds previously closed =
to<BR>&gt;=20
  &gt; you."<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; =
Blogcritics,=20
  Richard Marcus <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =

  <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;=20
  <BR>&gt;&nbsp;&nbsp; "wounded<BR>&gt; &gt; breath<BR>&gt; &gt; is an=20
  outstanding acousmatic record, <BR>&gt;&nbsp;&nbsp; period."<BR>&gt; =
&gt;=20
  <BR>&gt; &gt; Massimo Ricci, touching extremes <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;&nbsp;&nbsp;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; =
<BR>&gt;=20
  &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; =
&gt;=20
  <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt; &gt;=20
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;&nbsp;&nbsp; <BR>&gt; <BR>&gt; =
<BR>&gt;=20
  <BR>&gt;&nbsp; <BR>&gt; <BR><BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0084_01C9D944.CBC8AE60--

From Loopers-Delight-request@loopers-delight.com  Wed May 20 12:36:32 2009
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Date: Wed, 20 May 2009 14:36:32 +0200
Message-ID: <66f9cc1e0905200536u36be3dbfwe7bf2cda0ca9369a@mail.gmail.com>
Subject: Re: anybody here with Quickstar productions?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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In order to be able to estimate the value of the described offer I
looked through the text to find out how much the will pay you and how
publishing rights will be handled. They actually want you to pay them!
And not a word on publishing rights. In my book this is a scam.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, May 20, 2009 at 5:57 AM, L.Angulo <labaloops@yahoo.com> wrote:
> Rock 4 Life

From Loopers-Delight-request@loopers-delight.com  Wed May 20 13:41:58 2009
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Date: Wed, 20 May 2009 09:41:57 -0400
Message-ID: <9e0440a60905200641m31cbbdd2q5f1bbd4e6a1c21f6@mail.gmail.com>
Subject: Virtual gigspam: Jim Goodin - Sunday Morning @ 11 series this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001636c5a723ef26a1046a583059
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

Just a note to mention that my that I will be 'broadcasting' another segment
live of my uStream bi-weekly series *Sunday Morning at 11 this Sunday, May
24th, beginning at 11am EST*.  I know this hour is early for those of you in
California and I am considering moving it at some point.  It's a @40 set of
improvisations acoustic based around my guitars and oud and loops.  The link
is http://www.ustream.tv/channel/sunday-morning-at-11.  Please tune in if
you can.
So in London my show will air at 4pm
Frankfurt 5pm
Sweden 5pm
and for others please go here and convert
http://www.timeanddate.com/worldclock/converter.html

Thanks and hope to see you typing hey on Sunday.  Have a great weekend
folks.

Jim

-- 
ReUse, an introspective textural aural journey coming soon...
www.myspace.com/ctreuse

music links...
www.jimgoodinmusic.com
jimgoodin.bandcamp.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a723ef26a1046a583059
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just a note to mention that my that I will be &#39;broadcasting&#39; anothe=
r segment live of my uStream bi-weekly series <b>Sunday Morning at 11 this =
Sunday, May 24th, beginning at 11am EST</b>. =A0I know this hour is early f=
or those of you in California and I am considering moving it at some point.=
 =A0It&#39;s a @40 set of improvisations acoustic based around my guitars a=
nd oud and loops. =A0The link is <a href=3D"http://www.ustream.tv/channel/s=
unday-morning-at-11">http://www.ustream.tv/channel/sunday-morning-at-11</a>=
. =A0Please tune in if you can.<div>
<br></div><div>So in London my show will air at 4pm</div><div>Frankfurt 5pm=
</div><div>Sweden 5pm</div><div>and for others please go here and convert=
=A0<a href=3D"http://www.timeanddate.com/worldclock/converter.html">http://=
www.timeanddate.com/worldclock/converter.html</a></div>
<div><br></div><div>Thanks and hope to see you typing hey on Sunday. =A0Hav=
e a great weekend folks.</div><div><br></div><div>Jim<br clear=3D"all"><br>=
-- <br>ReUse, an introspective textural aural journey coming soon...<br><a =
href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</a></div>
<div><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.ji=
mgoodinmusic.com</a><br><a href=3D"http://jimgoodin.bandcamp.com">jimgoodin=
.bandcamp.com</a></div><div><a href=3D"http://www.chinapaintingmusic.com">w=
ww.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jindrea=
m">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>
</div>

--001636c5a723ef26a1046a583059--

From Loopers-Delight-request@loopers-delight.com  Wed May 20 14:09:37 2009
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Date: Wed, 20 May 2009 23:09:30 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: VSTi Drum loop generator group buy
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At 4:03 PM -0700 5/19/09, Mark Sottilaro wrote:
>For those of you who've got a thing for cool VSTis for looping, 
>check this out:
>
>http://www.hgsounds.com/shop/vst-plugins/black-magic-loop-generatordrum-machine-group-buy

PC only.

Crap. Well, that seemed a good idea while it lasted....  :P

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Wed May 20 14:14:52 2009
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	 <p06240819c639bf27c39b@10.0.1.4>
Date: Wed, 20 May 2009 10:14:50 -0400
Message-ID: <d1dcce560905200714g46629216x1e599262abb58dd2@mail.gmail.com>
Subject: Re: VSTi Drum loop generator group buy
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I tried to sign up for an account so I can get the lite version but no
response.  How long did it take to get a reply from them?

On Wed, May 20, 2009 at 10:09 AM, Mech <mech@m3ch.net> wrote:
> At 4:03 PM -0700 5/19/09, Mark Sottilaro wrote:
>>
>> For those of you who've got a thing for cool VSTis for looping, check th=
is
>> out:
>>
>>
>> http://www.hgsounds.com/shop/vst-plugins/black-magic-loop-generatordrum-=
machine-group-buy
>
> PC only.
>
> Crap. Well, that seemed a good idea while it lasted.... =A0:P
>
> =A0 =A0 =A0 =A0--m.
> --
> _____
> "when you think your dreams are shattered, it's time to dream new dreams"
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed May 20 14:22:28 2009
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To: <Loopers-Delight@loopers-delight.com>
References: <bcd3c7bb0905191603k700e027aw3d946b02237d9778@mail.gmail.com> <p06240819c639bf27c39b@10.0.1.4> <d1dcce560905200714g46629216x1e599262abb58dd2@mail.gmail.com>
Subject: Re: VSTi Drum loop generator group buy
Date: Wed, 20 May 2009 15:22:28 +0100
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I signed up to get the free version and the reply was instant. Haven't tried 
it out yet but it looks interesting.


----- Original Message ----- 
From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 20, 2009 3:14 PM
Subject: Re: VSTi Drum loop generator group buy


I tried to sign up for an account so I can get the lite version but no
response.  How long did it take to get a reply from them?


From Loopers-Delight-request@loopers-delight.com  Wed May 20 14:59:36 2009
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Date: Wed, 20 May 2009 07:59:29 -0700
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Welcome aboard Steve!

You'll find quite a variety of looping experience and technique being 
shared here.

And I'm sure you will bring lots of your own to share with us.

Best,

Ted



> Steve Bingham schrieb:
>> I have been wondering if perhaps today was not the best day to 
>> subscribe to the list (-: To say that my inbox presented me with a 
>> rich tapestry of postings is to put it mildly..... It did, however, 
>> make me investigate my mail filtering rules!
>> Anyway; here I am.
>> Hello to Andy, Mike, Per and anyone else on the list who already 
>> knows me.
>> To all those who don't; I'm a UK-based classically-trained violinist 
>> who got into looping a few years ago while playing in a group with 
>> bassist Steve Lawson. I currently do quite a lot of looping in my 
>> solo gigs, alongside normal acoustic violin repertoire.
>> I started off with a succession of hardware loopers - Boss RC20, 
>> Echoplex, Looperlative - but finally went over to the software side a 
>> couple of years ago.
>> My current main gig setup is; 5-string electric violin by Fidelius. 
>> SooperLooper within Logic 8 on a MacBook Pro. Gordius Little Giant 
>> controller. I also use Roland PK5 midi bass pedals.
>> My looping at the moment tends to fall into 2 main categories: 1) 
>> Stuff I've arranged or written: This tends to be either arrangements 
>> of classical pieces, cover versions of songs, and the odd original 
>> composition. 2) Stuff other people have written for me: This ranges 
>> from original looping pieces by a variety of composers, to looping 
>> arrangements and covers.
>> Given a little more free time (sometime this century I hope!) I'd 
>> like to explore writing more original stuff of my own, and also more 
>> improvisational looping.
>> If you're interested enough in any of this to want to find out more, 
>> my website is at www.stevebingham.co.uk, where there are sound clips 
>> and also some live video recordings of some of my looping.
>> I look forward to more learning about what you are all doing with 
>> your looping, and less flaming..... (-:
>> Best wishes to all,
>> Steve
>> Steve Bingham
>> www.stevebingham.co.uk

From mrs.katehood@ymail.com  Wed May 20 16:49:32 2009
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From: "Mrs. Kate Hood" <mrs.katehood@ymail.com>
Reply-To: upscourierservice_claimdept@yahoo.com.hk
Subject: Contact Info :
Date: Wed, 20 May 2009 08:23:50 +0800
Message-Id: <20090520002351.M33138@ymail.com>
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Good Day To You ...

I am Mrs. Kate Hood Of the Ups Courier Company, I have a 
Confirmable Bank Draft of 800,000.00 GBP (Eight Hundred 
Thousand Great British Pounds), that I deposited the Draft 
with UPS COURIER SERVICE, West Africa, I traveled out 
of the country for my holidays and I will not return back 
until the end of Jan 2010.

I want you to try all your best and contact the UPS COURIER 
SERVICE as soon as possible to know when you will get this 
package because of the expiring date. For your information, 
I have paid for the Security Keeping Fee, Insurance premium 
and Clearance Certificate Fee of the Cheque showing that it 
is not a Drug Money or meant to sponsor Terrorist attacking 
your Country. 
The only money you will send to the UPS COURIER SERVICE to 
deliver your Draft direct to your postal Address in your 
country is 200.GBP only being Delivering Charge Fee of the 
Courier Company so far. Again, don¡¦t be deceived by any 
person to pay any other money except 200.GBP being the 
Delivering Charge .I would have paid that but they said no 
because they don't know when you will contact them and in 
case of demurrage. You have to contact the UPS COURIER 
SERVICE now for the delivery of your Draft with this below 
information. 
============================================
Contact Person: Mr. Ferrin  Morgan
Email Address:  upscourierservice_claimdept@yahoo.com.hk
Telephone: +234-70-610-860-43
Fax  +234-70-308-736-31 
=============================================
Lastly, You are advice to send the below information to the 
Courier Company:
Your Full Name: 
Postal address: 
Direct telephone number:

Do send it to them again to avoid any mistake on the 
Delivery and ask them to give you the tracking number to 
enable you track your package over there and know when it 
will get to your address.

Yours Faithfully
Mrs. Kate Hood.

From Loopers-Delight-request@loopers-delight.com  Wed May 20 17:14:39 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Virtual gigspam: Jim Goodin - Sunday Morning @ 11 series this weekend
Date: Wed, 20 May 2009 18:14:36 +0100
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Bugger - i'm working this sunday - good luck Jim!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 May 2009, at 14:41, Jim Goodin wrote:

> Just a note to mention that my that I will be 'broadcasting'  
> another segment live of my uStream bi-weekly series Sunday Morning  
> at 11 this Sunday, May 24th, beginning at 11am EST.  I know this  
> hour is early for those of you in California and I am considering  
> moving it at some point.  It's a @40 set of improvisations acoustic  
> based around my guitars and oud and loops.  The link is http:// 
> www.ustream.tv/channel/sunday-morning-at-11.  Please tune in if you  
> can.
>
> So in London my show will air at 4pm
> Frankfurt 5pm
> Sweden 5pm
> and for others please go here and convert http:// 
> www.timeanddate.com/worldclock/converter.html
>
> Thanks and hope to see you typing hey on Sunday.  Have a great  
> weekend folks.
>
> Jim
>
> -- 
> ReUse, an introspective textural aural journey coming soon...
> www.myspace.com/ctreuse
>
> music links...
> www.jimgoodinmusic.com
> jimgoodin.bandcamp.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-2-391987798
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Bugger - i'm working this sunday - good luck Jim!<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 May 2009, =
at 14:41, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Just a =
note to mention that my that I will be 'broadcasting' another segment =
live of my uStream bi-weekly series <b>Sunday Morning at 11 this Sunday, =
May 24th, beginning at 11am EST</b>. =A0I know this hour is early for =
those of you in California and I am considering moving it at some point. =
=A0It's a @40 set of improvisations acoustic based around my guitars and =
oud and loops. =A0The link is <a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://www.ust=
ream.tv/channel/sunday-morning-at-11</a>. =A0Please tune in if you =
can.<div> <br></div><div>So in London my show will air at =
4pm</div><div>Frankfurt 5pm</div><div>Sweden 5pm</div><div>and for =
others please go here and convert=A0<a =
href=3D"http://www.timeanddate.com/worldclock/converter.html">http://www.t=
imeanddate.com/worldclock/converter.html</a></div> =
<div><br></div><div>Thanks and hope to see you typing hey on Sunday. =
=A0Have a great weekend folks.</div><div><br></div><div>Jim<br =
clear=3D"all"><br>-- <br>ReUse, an introspective textural aural journey =
coming soon...<br><a =
href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</a></div> =
<div><br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a></div><di=
v><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br> =
<a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br> <a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br> </div></blockquote></div><br></div></body></html>=

--Apple-Mail-2-391987798--

From info@wbp.org  Wed May 20 17:27:13 2009
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World Bank Assisted Program
Directorate of International Payment
World Bank united kingdom
Good day,

It is to bring to your notice that I Mrs Paulina Dean, A worker with The
World bank has cashed the check of $4.500 000.00 Million USA Dollars that
was awarded to you by the WORLD BANK in the on-going WORLD BANK BEST EMAIL
OF THE MONTH PROMOTION. due to expiry and
deposited it with FedEx Express Courier Nigeria Branch.
contact the Director PERSON/Dr.Mohmo Benson
E-mail: undispatchunit.fedexafrica@gmail.com
PHONE: +234-7064244414

I have paid them for the delivery, the only money you will pay is their
security fee which is $349.99cent to enable them deliver the package to
your given address.Reconfirm your info to them and also ask the director
to issue the tracking/airway bill once you send them the fee.

1 your full name
2 Your home address
3 Mobile number

Update me once you receive your package,
Yours Sincerly
Mrs. Paulina Dean



From info@wbp.org  Wed May 20 17:44:38 2009
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World Bank Assisted Program
Directorate of International Payment
World Bank united kingdom
Good day,

It is to bring to your notice that I Mrs Paulina Dean, A worker with The
World bank has cashed the check of $4.500 000.00 Million USA Dollars that
was awarded to you by the WORLD BANK in the on-going WORLD BANK BEST EMAIL
OF THE MONTH PROMOTION. due to expiry and
deposited it with FedEx Express Courier Nigeria Branch.
contact the Director PERSON/Dr.Mohmo Benson
E-mail: undispatchunit.fedexafrica@gmail.com
PHONE: +234-7064244414

I have paid them for the delivery, the only money you will pay is their
security fee which is $349.99cent to enable them deliver the package to
your given address.Reconfirm your info to them and also ask the director
to issue the tracking/airway bill once you send them the fee.

1 your full name
2 Your home address
3 Mobile number

Update me once you receive your package,
Yours Sincerly
Mrs. Paulina Dean



From Loopers-Delight-request@loopers-delight.com  Wed May 20 17:45:58 2009
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> Hello to Andy, Mike, Per and anyone else on the list who
> already knows me.

Hi Steve. Welcome to the group.

 
> Best wishes to all,
> Steve
> 
> Steve Bingham
> www.stevebingham.co.uk



      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 17:56:22 2009
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Hi Steve, I had listening to your stuff some weeks ago on your web site.
Usually this list is a good place for interesting discussion and nice guys 
(...so the exception confirms the rule)

Welcome on board.

Fabio
www.livelooping.it
www.myspace.com/europeanliveloopingfest
www.eterogeneo.com
www.myspace.com/eterogeneo




----- Original Message ----- 
From: "Steve Bingham" <sbingham@con-brio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 20, 2009 1:01 AM
Subject: Newly subscribed!


>I have been wondering if perhaps today was not the best day to
> subscribe to the list (-: To say that my inbox presented me with a
> rich tapestry of postings is to put it mildly..... It did, however,
> make me investigate my mail filtering rules!
>
> Anyway; here I am.
>
> Hello to Andy, Mike, Per and anyone else on the list who already knows
> me.
>
> To all those who don't; I'm a UK-based classically-trained violinist
> who got into looping a few years ago while playing in a group with
> bassist Steve Lawson. I currently do quite a lot of looping in my solo
> gigs, alongside normal acoustic violin repertoire.
>
> I started off with a succession of hardware loopers - Boss RC20,
> Echoplex, Looperlative - but finally went over to the software side a
> couple of years ago.
>
> My current main gig setup is; 5-string electric violin by Fidelius.
> SooperLooper within Logic 8 on a MacBook Pro. Gordius Little Giant
> controller. I also use Roland PK5 midi bass pedals.
>
> My looping at the moment tends to fall into 2 main categories: 1)
> Stuff I've arranged or written: This tends to be either arrangements
> of classical pieces, cover versions of songs, and the odd original
> composition. 2) Stuff other people have written for me: This ranges
> from original looping pieces by a variety of composers, to looping
> arrangements and covers.
>
> Given a little more free time (sometime this century I hope!) I'd like
> to explore writing more original stuff of my own, and also more
> improvisational looping.
>
> If you're interested enough in any of this to want to find out more,
> my website is at www.stevebingham.co.uk, where there are sound clips
> and also some live video recordings of some of my looping.
>
> I look forward to more learning about what you are all doing with your
> looping, and less flaming..... (-:
>
> Best wishes to all,
> Steve
>
> Steve Bingham
> www.stevebingham.co.uk
>
>
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Wed May 20 19:07:28 2009
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	 <p06240819c639bf27c39b@10.0.1.4>
	 <d1dcce560905200714g46629216x1e599262abb58dd2@mail.gmail.com>
	 <002b01c9d956$67b638e0$cb04c150@yourc9d9764718>
Date: Wed, 20 May 2009 12:07:19 -0700
Message-ID: <bcd3c7bb0905201207p10da0e78nb03079ba34748bd7@mail.gmail.com>
Subject: Re: VSTi Drum loop generator group buy
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Mine happened pretty quickly, if not instantly.  Maybe the email went
to your spam folder?

Also, yeah, PC only.  Sadly my mac is not basically a graphics only
machine because there are just too many apps like this that I want to
use that aren't developed for the Mac OS.

On Wed, May 20, 2009 at 7:22 AM, Steve Moyes
<stephenmoyes@blueyonder.co.uk> wrote:
> I signed up to get the free version and the reply was instant. Haven't tr=
ied
> it out yet but it looks interesting.
>
>
> ----- Original Message ----- From: "Tony K" <bigtonyk@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, May 20, 2009 3:14 PM
> Subject: Re: VSTi Drum loop generator group buy
>
>
> I tried to sign up for an account so I can get the lite version but no
> response. =A0How long did it take to get a reply from them?
>
>
>

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	 <66f9cc1e0905200536u36be3dbfwe7bf2cda0ca9369a@mail.gmail.com>
Date: Wed, 20 May 2009 12:09:06 -0700
Message-ID: <bcd3c7bb0905201209s3a00e9bcm14a8a47988e343c9@mail.gmail.com>
Subject: Re: anybody here with Quickstar productions?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If you are asked to shell out a single penny it is a scam.

On Wed, May 20, 2009 at 5:36 AM, Per Boysen <perboysen@gmail.com> wrote:
> In order to be able to estimate the value of the described offer I
> looked through the text to find out how much the will pay you and how
> publishing rights will be handled. They actually want you to pay them!
> And not a word on publishing rights. In my book this is a scam.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, May 20, 2009 at 5:57 AM, L.Angulo <labaloops@yahoo.com> wrote:
>> Rock 4 Life
>
>

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Date: Wed, 20 May 2009 19:40:18 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: anybody here with Quickstar productions?
To: Loopers-Delight@loopers-delight.com
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thanx guys u rock and i love this list!!=0Acheers=0ALuis=0A=0A=0Awww.myspac=
e.com/luisangulocom=0A=0A=0A--- Mark Sottilaro <zerocrossing@gmail.com> sch=
rieb am Mi, 20.5.2009:=0A=0A> Von: Mark Sottilaro <zerocrossing@gmail.com>=
=0A> Betreff: Re: anybody here with Quickstar productions?=0A> An: Loopers-=
Delight@loopers-delight.com=0A> Datum: Mittwoch, 20. Mai 2009, 12:09=0A> If=
 you are asked to shell out a=0A> single penny it is a scam.=0A> =0A> On We=
d, May 20, 2009 at 5:36 AM, Per Boysen <perboysen@gmail.com>=0A> wrote:=0A>=
 > In order to be able to estimate the value of the=0A> described offer I=
=0A> > looked through the text to find out how much the will=0A> pay you an=
d how=0A> > publishing rights will be handled. They actually want=0A> you t=
o pay them!=0A> > And not a word on publishing rights. In my book this=0A> =
is a scam.=0A> >=0A> > Greetings from Sweden=0A> >=0A> > Per Boysen=0A> > w=
ww.boysen.se=0A> > www.perboysen.com=0A> >=0A> >=0A> >=0A> > On Wed, May 20=
, 2009 at 5:57 AM, L.Angulo <labaloops@yahoo.com>=0A> wrote:=0A> >> Rock 4 =
Life=0A> >=0A> >=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 19:43:48 2009
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Date: Wed, 20 May 2009 12:43:47 -0700
Message-ID: <bcd3c7bb0905201243u18ea578fm9dcdc9fbc9e66e89@mail.gmail.com>
Subject: Re: anybody here with Quickstar productions?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No problem.  Stuff like this especially chaps my hide. It's enough
that we spend out time honing our skills, buying gear and schlepping
it around without opportunists preying on us for a little extra cash.

On Wed, May 20, 2009 at 12:40 PM, L.Angulo <labaloops@yahoo.com> wrote:
>
> thanx guys u rock and i love this list!!
> cheers
> Luis
>
>
> www.myspace.com/luisangulocom
>
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Mi, 20.5.2009:
>
>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> Betreff: Re: anybody here with Quickstar productions?
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Mittwoch, 20. Mai 2009, 12:09
>> If you are asked to shell out a
>> single penny it is a scam.
>>
>> On Wed, May 20, 2009 at 5:36 AM, Per Boysen <perboysen@gmail.com>
>> wrote:
>> > In order to be able to estimate the value of the
>> described offer I
>> > looked through the text to find out how much the will
>> pay you and how
>> > publishing rights will be handled. They actually want
>> you to pay them!
>> > And not a word on publishing rights. In my book this
>> is a scam.
>> >
>> > Greetings from Sweden
>> >
>> > Per Boysen
>> > www.boysen.se
>> > www.perboysen.com
>> >
>> >
>> >
>> > On Wed, May 20, 2009 at 5:57 AM, L.Angulo <labaloops@yahoo.com>
>> wrote:
>> >> Rock 4 Life
>> >
>> >
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 20 19:46:45 2009
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Date: Wed, 20 May 2009 20:58:45 +0100
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Sonuus G2M guitar to midi converter.

I have one of these to play with for a couple of days,
I'm sure it's of interest to quite a few list members.

1) Essentially, it tracks very well indeed. If anything it feels better 
than the Axon/G50.
2) You do have to play clean, they suggest palm muting at the bridge, 
which does work well. Don't
   expect miracles in terms of shredding.
3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend it 
often  retriggers. Bends of one semitone are perfect. So no glissando 
for Rick.
   A trill on a semitone doesn't retrigger the synth, but on a tone it 
does.
4) No controls whatsover, just a 2 position gain switch(which worked ok 
for me), and a suggestion to
  use your guitar volume pot.
5)There's a thru output for the guitar signal, didn't test quality but 
will if anyone asks.

6) No warbling! At least, no warbling on sustained tones. I know exactly 
which note
  on my guitar gives the problems to all other devices, and the G2M 
plays that note with
  a long sustain till it shuts off.    Of course, if you have more than 
one note ringing at once,
 by design or haphazardness, then it warbles away.
7) I couldn't trick it into playing ultra low notes by playing just the 
right chord :-(  
8) Range is exactly that of the guitar. Lowest note it will track is low 
drop D. Highest note is the 24th fret top E.
   Outside that range....nothing.

9) The power LED doubles as a guitar tuner. Pretty hopeless, the 
flashing speed decreases as you get nearer the note.
    It's ok for checking tuning, but as there's no info as to whether 
you're sharp or flat it's very difficult to use.
    For the cost of one extra LED it would have been workable.

10) Neat "battery dying" LED.  Tells you in advance the battery will 
die, so you can replace it before gig or recording, (didn't test).
11) Not programmable in any way, fixed midi channel, velocity response, 
pitch bend rage, no transpose.


Overall, I thought this was a pretty neat little device, I didn't check 
for sure against the Axon/G50 devices, but I reckon the
latency is as low as with a hex p/u.
If you wanna play rhythmically accurate, use the high notes and 
transpose if needed.

Being mono is something of a disadvantage, as not only chords are ruled 
out, but also arpeggio type playing.

Any questions....I have to pass it on to the owner soon.

andy butler
ps
I also have an RC50 here, so expect some comments on that.
It's certainly *not* plug and play :-)





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Date: Wed, 20 May 2009 12:57:52 -0700
Message-ID: <bcd3c7bb0905201257t54f284a9y3205bc4700917427@mail.gmail.com>
Subject: Re: Sonuus G2M guitar to midi converter
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> 1) Essentially, it tracks very well indeed. If anything it feels better t=
han
> the Axon/G50.

Hm, you've got my attention!

> 2) You do have to play clean, they suggest palm muting at the bridge, whi=
ch
> does work well. Don't
> =A0expect miracles in terms of shredding

My shredding skills don't track well on a standard electric guitar, so
I'm good there.
.
> 3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend it of=
ten
> =A0retriggers. Bends of one semitone are perfect. So no glissando for Ric=
k.

Interesting... I remember I had to reprogram all my synth patches to
track +-24 (or was it 12?) on my G50 to get it to track correctly.

> =A0A trill on a semitone doesn't retrigger the synth, but on a tone it do=
es.

I'm not sure what that means...

> 4) No controls whatsover, just a 2 position gain switch(which worked ok f=
or
> me), and a suggestion to
> =A0use your guitar volume pot.
> 5)There's a thru output for the guitar signal, didn't test quality but wi=
ll
> if anyone asks.

I'd be curious.  Would be nice if there was a total hard bypass.

>
> 6) No warbling! At least, no warbling on sustained tones. I know exactly
> which note
> =A0on my guitar gives the problems to all other devices, and the G2M play=
s
> that note with
> =A0a long sustain till it shuts off. =A0 =A0Of course, if you have more t=
han one
> note ringing at once,
> by design or haphazardness, then it warbles away.

That's awesome.  One of my biggest issues is the warbling that happens
as a note trails off.

> 7) I couldn't trick it into playing ultra low notes by playing just the
> right chord :-( =A08) Range is exactly that of the guitar. Lowest note it=
 will
> track is low drop D. Highest note is the 24th fret top E.
> =A0Outside that range....nothing.

That's fine.  Is there any synth that doesn't let you program it's
range/octave?

>
> 9) The power LED doubles as a guitar tuner. Pretty hopeless, the flashing
> speed decreases as you get nearer the note.
> =A0 It's ok for checking tuning, but as there's no info as to whether you=
're
> sharp or flat it's very difficult to use.
> =A0 For the cost of one extra LED it would have been workable.
>
> 10) Neat "battery dying" LED. =A0Tells you in advance the battery will di=
e, so
> you can replace it before gig or recording, (didn't test).
> 11) Not programmable in any way, fixed midi channel, velocity response,
> pitch bend rage, no transpose.
>
>
> Overall, I thought this was a pretty neat little device, I didn't check f=
or
> sure against the Axon/G50 devices, but I reckon the
> latency is as low as with a hex p/u.
> If you wanna play rhythmically accurate, use the high notes and transpose=
 if
> needed.
>
> Being mono is something of a disadvantage, as not only chords are ruled o=
ut,
> but also arpeggio type playing.
>
> Any questions....I have to pass it on to the owner soon.
>

Thanks a lot for this.  The more I hear about this little device, the
more I think it'll be a fun addition to my rig.

From Loopers-Delight-request@loopers-delight.com  Wed May 20 20:00:12 2009
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Date: Wed, 20 May 2009 20:00:09 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: anybody here with Quickstar productions?
To: Loopers-Delight@loopers-delight.com
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after i asked they did write me telling me that musicians get to keep their=
 publishing rights and that their concept has worked succesfully since musi=
cians help themselves around the world,but it sounded to me like the Amway =
concept a pyramid in which everyboby works for the top dudes...=0Awww.myspa=
ce.com/luisangulocom=0A=0A=0A--- Mark Sottilaro <zerocrossing@gmail.com> sc=
hrieb am Mi, 20.5.2009:=0A=0A> Von: Mark Sottilaro <zerocrossing@gmail.com>=
=0A> Betreff: Re: anybody here with Quickstar productions?=0A> An: Loopers-=
Delight@loopers-delight.com=0A> Datum: Mittwoch, 20. Mai 2009, 12:43=0A> No=
 problem.=A0 Stuff like this=0A> especially chaps my hide. It's enough=0A> =
that we spend out time honing our skills, buying gear and=0A> schlepping=0A=
> it around without opportunists preying on us for a little=0A> extra cash.=
=0A> =0A> On Wed, May 20, 2009 at 12:40 PM, L.Angulo <labaloops@yahoo.com>=
=0A> wrote:=0A> >=0A> > thanx guys u rock and i love this list!!=0A> > chee=
rs=0A> > Luis=0A> >=0A> >=0A> > www.myspace.com/luisangulocom=0A> >=0A> >=
=0A> > --- Mark Sottilaro <zerocrossing@gmail.com>=0A> schrieb am Mi, 20.5.=
2009:=0A> >=0A> >> Von: Mark Sottilaro <zerocrossing@gmail.com>=0A> >> Betr=
eff: Re: anybody here with Quickstar=0A> productions?=0A> >> An: Loopers-De=
light@loopers-delight.com=0A> >> Datum: Mittwoch, 20. Mai 2009, 12:09=0A> >=
> If you are asked to shell out a=0A> >> single penny it is a scam.=0A> >>=
=0A> >> On Wed, May 20, 2009 at 5:36 AM, Per Boysen <perboysen@gmail.com>=
=0A> >> wrote:=0A> >> > In order to be able to estimate the value of=0A> th=
e=0A> >> described offer I=0A> >> > looked through the text to find out how=
 much=0A> the will=0A> >> pay you and how=0A> >> > publishing rights will b=
e handled. They=0A> actually want=0A> >> you to pay them!=0A> >> > And not =
a word on publishing rights. In my=0A> book this=0A> >> is a scam.=0A> >> >=
=0A> >> > Greetings from Sweden=0A> >> >=0A> >> > Per Boysen=0A> >> > www.b=
oysen.se=0A> >> > www.perboysen.com=0A> >> >=0A> >> >=0A> >> >=0A> >> > On =
Wed, May 20, 2009 at 5:57 AM, L.Angulo=0A> <labaloops@yahoo.com>=0A> >> wro=
te:=0A> >> >> Rock 4 Life=0A> >> >=0A> >> >=0A> >>=0A> >>=0A> >=0A> >=0A> >=
=0A> >=0A> >=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 20 20:04:25 2009
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Subject: Re: Sonuus G2M guitar to midi converter
Date: Wed, 20 May 2009 21:04:25 +0100
References: <4A1460F5.3050202@tiscali.co.uk>
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I've always wondered if any of these midi converters would work on a  
violin, but have never had one to try: Do you reckon it could be made  
to fit in any way Andy?

Steve


On 20 May 2009, at 20:58, andy butler wrote:

> Sonuus G2M guitar to midi converter.
>
> I have one of these to play with for a couple of days,
> I'm sure it's of interest to quite a few list members.
>
> 1) Essentially, it tracks very well indeed. If anything it feels  
> better than the Axon/G50.
> 2) You do have to play clean, they suggest palm muting at the  
> bridge, which does work well. Don't
>  expect miracles in terms of shredding.
> 3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend  
> it often  retriggers. Bends of one semitone are perfect. So no  
> glissando for Rick.
>  A trill on a semitone doesn't retrigger the synth, but on a tone it  
> does.
> 4) No controls whatsover, just a 2 position gain switch(which worked  
> ok for me), and a suggestion to
> use your guitar volume pot.
> 5)There's a thru output for the guitar signal, didn't test quality  
> but will if anyone asks.
>
> 6) No warbling! At least, no warbling on sustained tones. I know  
> exactly which note
> on my guitar gives the problems to all other devices, and the G2M  
> plays that note with
> a long sustain till it shuts off.    Of course, if you have more  
> than one note ringing at once,
> by design or haphazardness, then it warbles away.
> 7) I couldn't trick it into playing ultra low notes by playing just  
> the right chord :-(  8) Range is exactly that of the guitar. Lowest  
> note it will track is low drop D. Highest note is the 24th fret top E.
>  Outside that range....nothing.
>
> 9) The power LED doubles as a guitar tuner. Pretty hopeless, the  
> flashing speed decreases as you get nearer the note.
>   It's ok for checking tuning, but as there's no info as to whether  
> you're sharp or flat it's very difficult to use.
>   For the cost of one extra LED it would have been workable.
>
> 10) Neat "battery dying" LED.  Tells you in advance the battery will  
> die, so you can replace it before gig or recording, (didn't test).
> 11) Not programmable in any way, fixed midi channel, velocity  
> response, pitch bend rage, no transpose.
>
>
> Overall, I thought this was a pretty neat little device, I didn't  
> check for sure against the Axon/G50 devices, but I reckon the
> latency is as low as with a hex p/u.
> If you wanna play rhythmically accurate, use the high notes and  
> transpose if needed.
>
> Being mono is something of a disadvantage, as not only chords are  
> ruled out, but also arpeggio type playing.
>
> Any questions....I have to pass it on to the owner soon.
>
> andy butler
> ps
> I also have an RC50 here, so expect some comments on that.
> It's certainly *not* plug and play :-)
>
>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed May 20 20:21:40 2009
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Date: Wed, 20 May 2009 22:21:38 +0200
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Subject: New videos from "The MoinSound Studio Sessions" online
From: Rainer Straschill <moinsound@googlemail.com>
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Please find a few excerpts from last Saturday's video streaming
performance online on my vimeo account at www.vimeo.com/moinlabs.

Part 1: http://vimeo.com/4691258
Part 2: http://vimeo.com/4751829
Part 3: http://vimeo.com/4752452

The end of Part 3 actually features a looping-free trombone solo - go
figure. Love that System6000 reverb algorithm in my audio interface...

Please note that this series of video-streamed performance will turn
into a bi-weekly event called "The MoinSound Studio Session". Starting
May 30th, this will be on Saturday in every even calendar week at 1600
UTC.

Best,

           Rainer

ps: In case you wonder - yep, there's use both of EDP-sytle feedback
and unrounded multiply

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Wed May 20 20:22:23 2009
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Mark Sottilaro wrote:

> .
>> 3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend it often
>>  retriggers. Bends of one semitone are perfect. So no glissando for Rick.
> 
> Interesting... I remember I had to reprogram all my synth patches to
> track +-24 (or was it 12?) on my G50 to get it to track correctly.

+ - 12 

> 
>>  A trill on a semitone doesn't retrigger the synth, but on a tone it does.
> 
> I'm not sure what that means...

the semitone trill is accomplished with pitch bend info,
so the synth envelope isn't triggered.

whole tone trills trigger on every note of the trill


>> 5)There's a thru output for the guitar signal, didn't test quality but will
>> if anyone asks.
> 
> I'd be curious.  Would be nice if there was a total hard bypass.

It couldn't be a total hard bypass, there's no bypass switch.
I'll give it a whirl tommorow tho',
to see how it sounds.

> 
>> 6) No warbling! At least, no warbling on sustained tones. I know exactly
>> which note
>>  on my guitar gives the problems to all other devices, and the G2M plays
>> that note with
>>  a long sustain till it shuts off.    Of course, if you have more than one
>> note ringing at once,
>> by design or haphazardness, then it warbles away.
> 
> That's awesome.  One of my biggest issues is the warbling that happens
> as a note trails off.

yes, they really nailed that one.
Often there's notes on a guitar where the fundamental dies before
the other harmonics, throws most pitch tracking algorithms 
into confusion, but the G2M can't be fooled by it.

>> Range is exactly that of the guitar. Lowest note it will
>> track is low drop D. Highest note is the 24th fret top E.
>>  Outside that range....nothing.
> 
> That's fine.  Is there any synth that doesn't let you program it's
> range/octave?

indeed,
but it would be an issue with bass players I think 

...and NST guitarists


>>
>> Any questions....I have to pass it on to the owner soon.
>>
> 
> Thanks a lot for this.  The more I hear about this little device, the
> more I think it'll be a fun addition to my rig.
> 
> 

I'll compare it to the G50 mono socket tomorrow too, but I don't have
a hex p/u on a guitar at the moment.


andy

From Loopers-Delight-request@loopers-delight.com  Wed May 20 21:06:16 2009
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Rainer=2C


I would LOVE to see this but Vimeo says that "this is a private video" (I d=
on't now if "private" videos is something I want to see or not.... kins of =
depends =3B)=20

=20

Anyway=2C is it enough to get some sort of free account (and are the videos=
 safe for work.... )

=20

Anders=20
> Date: Wed=2C 20 May 2009 22:21:38 +0200
> Subject: New videos from "The MoinSound Studio Sessions" online
> From: moinsound@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> Please find a few excerpts from last Saturday's video streaming
> performance online on my vimeo account at www.vimeo.com/moinlabs.
>=20
> Part 1: http://vimeo.com/4691258
> Part 2: http://vimeo.com/4751829
> Part 3: http://vimeo.com/4752452
>=20
> The end of Part 3 actually features a looping-free trombone solo - go
> figure. Love that System6000 reverb algorithm in my audio interface...
>=20
> Please note that this series of video-streamed performance will turn
> into a bi-weekly event called "The MoinSound Studio Session". Starting
> May 30th=2C this will be on Saturday in every even calendar week at 1600
> UTC.
>=20
> Best=2C
>=20
> Rainer
>=20
> ps: In case you wonder - yep=2C there's use both of EDP-sytle feedback
> and unrounded multiply
>=20
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://www.twitter.com/moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=3D117329
>=20

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<html>
<head>
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<body class=3D'hmmessage'>
Rainer=2C<BR>
<BR>I would&nbsp=3BLOVE to see this but&nbsp=3BVimeo says that "this is a p=
rivate video" (I don't now if "private" videos is something I want to see o=
r not.... kins of depends =3B)&nbsp=3B<BR>
&nbsp=3B<BR>
Anyway=2C&nbsp=3Bis it&nbsp=3Benough to get some sort of free&nbsp=3Baccoun=
t (and are the videos safe for work....&nbsp=3B)<BR>
&nbsp=3B<BR>
Anders&nbsp=3B<BR>&gt=3B Date: Wed=2C 20 May 2009 22:21:38 +0200<BR>&gt=3B =
Subject: New videos from "The MoinSound Studio Sessions" online<BR>&gt=3B F=
rom: moinsound@googlemail.com<BR>&gt=3B To: loopers-delight@loopers-delight=
.com<BR>&gt=3B <BR>&gt=3B Please find a few excerpts from last Saturday's v=
ideo streaming<BR>&gt=3B performance online on my vimeo account at www.vime=
o.com/moinlabs.<BR>&gt=3B <BR>&gt=3B Part 1: http://vimeo.com/4691258<BR>&g=
t=3B Part 2: http://vimeo.com/4751829<BR>&gt=3B Part 3: http://vimeo.com/47=
52452<BR>&gt=3B <BR>&gt=3B The end of Part 3 actually features a looping-fr=
ee trombone solo - go<BR>&gt=3B figure. Love that System6000 reverb algorit=
hm in my audio interface...<BR>&gt=3B <BR>&gt=3B Please note that this seri=
es of video-streamed performance will turn<BR>&gt=3B into a bi-weekly event=
 called "The MoinSound Studio Session". Starting<BR>&gt=3B May 30th=2C this=
 will be on Saturday in every even calendar week at 1600<BR>&gt=3B UTC.<BR>=
&gt=3B <BR>&gt=3B Best=2C<BR>&gt=3B <BR>&gt=3B Rainer<BR>&gt=3B <BR>&gt=3B =
ps: In case you wonder - yep=2C there's use both of EDP-sytle feedback<BR>&=
gt=3B and unrounded multiply<BR>&gt=3B <BR>&gt=3B ---<BR>&gt=3B http://moin=
labs.de<BR>&gt=3B http://www.myspace.com/moinlabs<BR>&gt=3B http://www.twit=
ter.com/moinlabs<BR>&gt=3B http://www.jamendo.com/en/artist/straschill/<BR>=
&gt=3B http://Kunaki.com/MSales.asp?PublisherId=3D117329<BR>&gt=3B <BR></bo=
dy>
</html>=

--_45bd58fd-489c-4002-8c27-cbbff874d351_--

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Subject: RE: New videos from The MoinSound Studio Sessions online
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Anders said:
"I would LOVE to see this but Vimeo says that "this is a private video""

Thanks for bringing that to my attention, Anders.

Should be fixed by now. And yes, it's enough to get a free account -
you don't even need any sort of account - whether it's "safe for work"
is obviously not for me to judge ;)

Thanks,

               Rainer

ps: you'll also find them in my http://www.myspace.com/moinlabs blog.

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Works now.. kool I suppose it's a software looper?? or two EDP's....=20

=20

Listning to part 2 now...=20
=20
> Date: Thu=2C 21 May 2009 00:28:05 +0200
> Subject: RE: New videos from The MoinSound Studio Sessions online
> From: moinsound@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> Anders said:
> "I would LOVE to see this but Vimeo says that "this is a private video""
>=20
> Thanks for bringing that to my attention=2C Anders.
>=20
> Should be fixed by now. And yes=2C it's enough to get a free account -
> you don't even need any sort of account - whether it's "safe for work"
> is obviously not for me to judge =3B)
>=20
> Thanks=2C
>=20
> Rainer
>=20
> ps: you'll also find them in my http://www.myspace.com/moinlabs blog.
>=20

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Works now.. kool I suppose it's a software looper?? or two EDP's....&nbsp=
=3B<BR>
&nbsp=3B<BR>
Listning to part 2 now... <BR>&nbsp=3B<BR>&gt=3B Date: Thu=2C 21 May 2009 0=
0:28:05 +0200<BR>&gt=3B Subject: RE: New videos from The MoinSound Studio S=
essions online<BR>&gt=3B From: moinsound@googlemail.com<BR>&gt=3B To: loope=
rs-delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Anders said:<BR>&gt=3B =
"I would LOVE to see this but Vimeo says that "this is a private video""<BR=
>&gt=3B <BR>&gt=3B Thanks for bringing that to my attention=2C Anders.<BR>&=
gt=3B <BR>&gt=3B Should be fixed by now. And yes=2C it's enough to get a fr=
ee account -<BR>&gt=3B you don't even need any sort of account - whether it=
's "safe for work"<BR>&gt=3B is obviously not for me to judge =3B)<BR>&gt=
=3B <BR>&gt=3B Thanks=2C<BR>&gt=3B <BR>&gt=3B Rainer<BR>&gt=3B <BR>&gt=3B p=
s: you'll also find them in my http://www.myspace.com/moinlabs blog.<BR>&gt=
=3B <BR></body>
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From Loopers-Delight-request@loopers-delight.com  Wed May 20 22:43:38 2009
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Subject: The rig for "The MoinSound Studio Sessions" (was: New videos from The 
	MoinSound Studio Sessions online)
From: Rainer Straschill <moinsound@googlemail.com>
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> Works now.. kool I suppose it's a software looper?? or two EDP's....

I already said alot on this light in great detail about my rig, so
I'll spare the rest of you the ugly details...
In short: HW - computer, Konnekt24D interface, wireless
mics/headphones (AKG), FCB1010, BCR2000, trombone
             SW - Ableton Live (version 6) as plugin host/software
mixer, Mobius as looper, lots of plugins...

This is how it looks packed up:
http://moinlabs.de/images/external/CR_New.jpg

             Rainer

From Loopers-Delight-request@loopers-delight.com  Wed May 20 22:46:07 2009
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	 <bcd3c7bb0905201257t54f284a9y3205bc4700917427@mail.gmail.com>
	 <4A146950.9070804@tiscali.co.uk>
Date: Wed, 20 May 2009 15:46:06 -0700
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Subject: Re: Sonuus G2M guitar to midi converter
From: Mark Sottilaro <zerocrossing@gmail.com>
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Thanks again for this!

On Wed, May 20, 2009 at 1:34 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Mark Sottilaro wrote:
>
>> .
>>>
>>> 3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend it
>>> often
>>> =A0retriggers. Bends of one semitone are perfect. So no glissando for R=
ick.
>>
>> Interesting... I remember I had to reprogram all my synth patches to
>> track +-24 (or was it 12?) on my G50 to get it to track correctly.
>
> + - 12
>>
>>> =A0A trill on a semitone doesn't retrigger the synth, but on a tone it
>>> does.
>>
>> I'm not sure what that means...
>
> the semitone trill is accomplished with pitch bend info,
> so the synth envelope isn't triggered.
>
> whole tone trills trigger on every note of the trill
>
>
>>> 5)There's a thru output for the guitar signal, didn't test quality but
>>> will
>>> if anyone asks.
>>
>> I'd be curious. =A0Would be nice if there was a total hard bypass.
>
> It couldn't be a total hard bypass, there's no bypass switch.
> I'll give it a whirl tommorow tho',
> to see how it sounds.
>
>>
>>> 6) No warbling! At least, no warbling on sustained tones. I know exactl=
y
>>> which note
>>> =A0on my guitar gives the problems to all other devices, and the G2M pl=
ays
>>> that note with
>>> =A0a long sustain till it shuts off. =A0 =A0Of course, if you have more=
 than
>>> one
>>> note ringing at once,
>>> by design or haphazardness, then it warbles away.
>>
>> That's awesome. =A0One of my biggest issues is the warbling that happens
>> as a note trails off.
>
> yes, they really nailed that one.
> Often there's notes on a guitar where the fundamental dies before
> the other harmonics, throws most pitch tracking algorithms into confusion=
,
> but the G2M can't be fooled by it.
>
>>> Range is exactly that of the guitar. Lowest note it will
>>> track is low drop D. Highest note is the 24th fret top E.
>>> =A0Outside that range....nothing.
>>
>> That's fine. =A0Is there any synth that doesn't let you program it's
>> range/octave?
>
> indeed,
> but it would be an issue with bass players I think
> ...and NST guitarists
>
>
>>>
>>> Any questions....I have to pass it on to the owner soon.
>>>
>>
>> Thanks a lot for this. =A0The more I hear about this little device, the
>> more I think it'll be a fun addition to my rig.
>>
>>
>
> I'll compare it to the G50 mono socket tomorrow too, but I don't have
> a hex p/u on a guitar at the moment.
>
>
> andy
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 20 22:51:24 2009
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Ohh sorry I remeber those touring rig posts a while back... Since i work in=
 the software business I avoid software as much as I can... Maybe I will ne=
ed to rethink that..
=20
> Date: Thu=2C 21 May 2009 00:43:37 +0200
> Subject: The rig for "The MoinSound Studio Sessions" (was: New videos fro=
m The MoinSound Studio Sessions online)
> From: moinsound@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> > Works now.. kool I suppose it's a software looper?? or two EDP's....
>=20
> I already said alot on this light in great detail about my rig=2C so
> I'll spare the rest of you the ugly details...
> In short: HW - computer=2C Konnekt24D interface=2C wireless
> mics/headphones (AKG)=2C FCB1010=2C BCR2000=2C trombone
> SW - Ableton Live (version 6) as plugin host/software
> mixer=2C Mobius as looper=2C lots of plugins...
>=20
> This is how it looks packed up:
> http://moinlabs.de/images/external/CR_New.jpg
>=20
> Rainer
>=20

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<html>
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font-family:Verdana
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<body class=3D'hmmessage'>
Ohh sorry&nbsp=3BI remeber those touring&nbsp=3Brig posts a while back... S=
ince i work in the software business&nbsp=3BI avoid software as much as I c=
an... Maybe&nbsp=3BI will need to rethink that..<BR>&nbsp=3B<BR>&gt=3B Date=
: Thu=2C 21 May 2009 00:43:37 +0200<BR>&gt=3B Subject: The rig for "The Moi=
nSound Studio Sessions" (was: New videos from The MoinSound Studio Sessions=
 online)<BR>&gt=3B From: moinsound@googlemail.com<BR>&gt=3B To: loopers-del=
ight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B &gt=3B Works now.. kool I sup=
pose it's a software looper?? or two EDP's....<BR>&gt=3B <BR>&gt=3B I alrea=
dy said alot on this light in great detail about my rig=2C so<BR>&gt=3B I'l=
l spare the rest of you the ugly details...<BR>&gt=3B In short: HW - comput=
er=2C Konnekt24D interface=2C wireless<BR>&gt=3B mics/headphones (AKG)=2C F=
CB1010=2C BCR2000=2C trombone<BR>&gt=3B SW - Ableton Live (version 6) as pl=
ugin host/software<BR>&gt=3B mixer=2C Mobius as looper=2C lots of plugins..=
.<BR>&gt=3B <BR>&gt=3B This is how it looks packed up:<BR>&gt=3B http://moi=
nlabs.de/images/external/CR_New.jpg<BR>&gt=3B <BR>&gt=3B Rainer<BR>&gt=3B <=
BR></body>
</html>=

--_06968521-8f07-4439-93ff-305d925ed4b2_--

From Loopers-Delight-request@loopers-delight.com  Wed May 20 23:07:29 2009
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	 <bcd3c7bb0905201546s58b6274dk63344ca3b8050919@mail.gmail.com>
Date: Thu, 21 May 2009 01:00:03 +0200
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Subject: Re: Sonuus G2M guitar to midi converter
From: Raul Bonell <raul.bonell@gmail.com>
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.. ah - i'm NST and warr player ... cruel world!

2009/5/21, Mark Sottilaro <zerocrossing@gmail.com>:
> Thanks again for this!
>
> On Wed, May 20, 2009 at 1:34 PM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>> Mark Sottilaro wrote:
>>
>>> .
>>>>
>>>> 3) Pitch Bend is fixed at 2 semitones. If you try a 2 semitone bend it
>>>> often
>>>> =A0retriggers. Bends of one semitone are perfect. So no glissando for
>>>> Rick.
>>>
>>> Interesting... I remember I had to reprogram all my synth patches to
>>> track +-24 (or was it 12?) on my G50 to get it to track correctly.
>>
>> + - 12
>>>
>>>> =A0A trill on a semitone doesn't retrigger the synth, but on a tone it
>>>> does.
>>>
>>> I'm not sure what that means...
>>
>> the semitone trill is accomplished with pitch bend info,
>> so the synth envelope isn't triggered.
>>
>> whole tone trills trigger on every note of the trill
>>
>>
>>>> 5)There's a thru output for the guitar signal, didn't test quality but
>>>> will
>>>> if anyone asks.
>>>
>>> I'd be curious. =A0Would be nice if there was a total hard bypass.
>>
>> It couldn't be a total hard bypass, there's no bypass switch.
>> I'll give it a whirl tommorow tho',
>> to see how it sounds.
>>
>>>
>>>> 6) No warbling! At least, no warbling on sustained tones. I know exact=
ly
>>>> which note
>>>> =A0on my guitar gives the problems to all other devices, and the G2M p=
lays
>>>> that note with
>>>> =A0a long sustain till it shuts off. =A0 =A0Of course, if you have mor=
e than
>>>> one
>>>> note ringing at once,
>>>> by design or haphazardness, then it warbles away.
>>>
>>> That's awesome. =A0One of my biggest issues is the warbling that happen=
s
>>> as a note trails off.
>>
>> yes, they really nailed that one.
>> Often there's notes on a guitar where the fundamental dies before
>> the other harmonics, throws most pitch tracking algorithms into confusio=
n,
>> but the G2M can't be fooled by it.
>>
>>>> Range is exactly that of the guitar. Lowest note it will
>>>> track is low drop D. Highest note is the 24th fret top E.
>>>> =A0Outside that range....nothing.
>>>
>>> That's fine. =A0Is there any synth that doesn't let you program it's
>>> range/octave?
>>
>> indeed,
>> but it would be an issue with bass players I think
>> ...and NST guitarists
>>
>>
>>>>
>>>> Any questions....I have to pass it on to the owner soon.
>>>>
>>>
>>> Thanks a lot for this. =A0The more I hear about this little device, the
>>> more I think it'll be a fun addition to my rig.
>>>
>>>
>>
>> I'll compare it to the G50 mono socket tomorrow too, but I don't have
>> a hex p/u on a guitar at the moment.
>>
>>
>> andy
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Davis' modal stuff
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Warning: I lost track of what I wanted to say in the first place
halfway during the following message - feel free to ignore!

            Rainer

Rick said (in that "book turned 100% feedback" thread):
"Davis embraced modalism because it finally gave the soloist control
over determining harmony as opposed to the comping instruments or the
'tune'"

I'll start by stating that for me, "Kind of Blue" is one of the most
overrated works in music (together with the entire catalogue of W.A.
Mozart, the later Richard Strau=DF operas, anything by Django Reinhart
(sp?) and the majority of Jarret's solo work, to name just a few
things).
Now that I've gotten your attention ;)

There had been, at that time in jazz, different approaches in trying
to, as Rick puts it, "give the soloist control". One of them was the
modal approach, which basically was bebop with fewer chord changes.
Another approach, and in my opinion a much more powerful one, was that
of Ornette Coleman, namely to throw out any harmony instruments
altogether.
This brought the harmony-based structure of jazz down to its essential
building blocks: the superposed two-voiced structure, as apparent in
the (non-polyphonic and two-voiced polyphonic) work of J.S.Bach. At
any given moment, both soloist and bass player would make a statement
in continuing their individual melody lines. Each resulting interval
could then be seen as defining a chord, and be understood that way be
either player, but not necessarily equally (as this is an
under-determined concept).
(It is noteworthy that in his later work in that period, Coleman would
move away more from this "underlying harmony" concept - but it is
present a lot on albums as e.g. "This is our music").

Davis himself chose another, much more stripped down of his "bebop
with fewer changes" approach, and that made sense. To quote from the
liner notes to Agharta: "I would try exploring one chord with this
band, one chord in a tune, getting everyone to master these small
little simple things like rhythm". Obviously, Davis at that point had
left the concept of harmonic progression, already stripped down on
"Kind of Blue", left behind completely.
What always strikes me as odd that during this period of his work,
Davis would most of the time work with two to three chord instruments
(first keyboards, then guitars).

So, there's the concept of reducing harmony to only one chord - by
using three harmony players. Or to have highly plurivalent harmonies -
by using no harmony player at all.

It's interesting to see that for the jazz world, the only one of those
three approaches which had a lasting and widespread impact was that of
the modal playing. It's obvious that a concept of only one chord does
not work well with the still very bop-influenced (in its use of drums
and bass) jazz mainstream. As for the superposed two-voicedness, this
simply puts a huge challenge on the bass player (and on the horn
player as well), so a lot of people simply don't seem to be willing to
rise to it.

And finally, it took more than twenty years for Davis' Seventies
approach to resurface in some (albeit still mostly percieved
"intellectual") works - Laswell, Kaiser etc. Perhaps another decade
later...

          Rainer

ps: "Dark Magus" is the Davis album to get! And of course, check out
the "Masqualero" version on "Black Beauty". Davis doesn't hit one
single not correctly - but it doesn't matter.

From Loopers-Delight-request@loopers-delight.com  Thu May 21 04:27:11 2009
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: New Video on You Tube/Photo Essays on Flickr
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Hi folks,


I have some new work to share.

"Ice Fantasy" is a meditative visual music collaboration with 
guitarist/composer Mike Marando. The source footage was shot over two 
afternoons on some conservation land off of Rice Road in the town of 
Wayland, MA. Most of the shots were taken at a single spot where a 
narrow creek passes under a makeshift footbridge. The video 
processing was done with filters that I designed and wrote as part of 
my 'day job' at Boris Fx.

I created four sketches (also viewable on my You Tube channel) and 
sent them to Mike on DVD. He created music for the four sketches and 
sent it back to me. I decided to use two of the four sketches (Colors 
and Cartoon), combined these two sketches, made a few edits and 
completed the piece.

http://www.youtube.com/watch?v=d-ndIs0G9DQ


"One Minute of Sky" is a photo essay based on images I took before 
work on May 15. I like to bring my camera on days I work at the 
office -- taking a few pictures is a nice start to the day. The 
office is located in a generic suburban office park, and I usually 
photograph trees near where I park,  I was running late the day I 
took the original shots for "One Minute of Sky", and was going to 
skip the photography -- until I looked up at the sky.

I quickly shot off about two dozen shots, which became the basis for 
this photo-essay. I played with a lot of the images in Photoshop -- 
making especial use of the Boss Emboss filter from Flaming Pear. When 
I looked at the timestamps for the original images, I realized that 
it had taken me less than a minute to take them.

http://www.flickr.com/photos/22231918@N06/sets/72157618418729931/

I've always been fascinated by the abstract patterns created by glass 
bricks -- the interplay between reflected and transmitted light and 
the distortions created by the complex refraction in the brick make 
the images pretty psychedelic without need of Photoshoppery.

"Brandeis Glass Bricks" contains pictures that were taken on a fine 
day in a building on the Brandeis campus -- I don't recall which one.

http://www.flickr.com/photos/22231918@N06/sets/72157618392493546/


Sometimes when I clean the mirror in our downstairs bathroom, 
sunlight coming in the side door, bouncing off the bathroom door and 
then hitting the mirror, makes the abstract patterns of detergent on 
mirror seem magical. The images in "Cleaning the Bathroom Mirror" 
were taken during one such cleaning session.

http://www.flickr.com/photos/22231918@N06/sets/72157618304435437/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May 21 04:27:11 2009
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance
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Hi folks,

I'll be performing Friday with

The Frenette / Rohr / McLellan Trio

at the lovely119 Gallery
119 Chelmsford St
Lowell, MA 01851
8PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.




Kevin Frenette (guitar)
James Rohr (fender rhodes) 
John McLellan (drums)

Two audio tracks from the Frenette / Rohr / McLellan Trio are 
available here: 
<http://www.myspace.com/kevinfrenette>http://www.myspace.com/kevinfrenette

"Kevin Frenette's cd 'Connections' is a dazzling display of 
sympathetic interactions with truly spontaneous results. Frenette and 
company combine for a powerful force of open-minded creative energy."
--- John Barron/JazzReview.com

Boston area guitarist Kevin Frenette has performed throughout the 
Northeast USA making music that is inspired by both avant-garde jazz 
and contemporary improvisation. He studied guitar, composition, and 
music theory at UMASS-Dartmouth where he received a BA in 
Theory/Composition. He has performed and/or recorded with such 
artists as Tatsuya Nakatani, Jack Wright, Joe Giardullo, Pandelis 
Karayorgis, Daniel Levin, Andy McWain, Forbes Graham, Luther Gray, 
Jane Wang, James Rohr, Curt Newton, John McLellan, Croix Galipault, 
Gordon Allen, Sarah Weaver, Harvey Sorgen, Brian Melick, Michael 
Snow, Dan DeChellis, Gwen Laster, Larry Packer, Martha Colby, Lori 
Freedman, David Gamper, Al Margolis, Ryan McGuire, Jeff Kimmel, Adam 
Dotson, Joe Moffett, Chris Vellieux, Ricardo Donoso, Jules Vasylenko, 
Jonathan LaMaster, Andrew Hickman, Eric Platz, Todd Keating and Gabe 
Cabral. In 2007, Fuller Street Music released Kevin's first date as a 
leader: CONNECTIONS. That album featured Frenette with Tatsuya 
Nakatani on percussion, Andy McWain on piano and Todd Keating on bass.

James Rohr has been wrestling with the piano since the age of 5. 
Sometimes he tries to play all 88 keys at once, sometimes just a few. 
He began playing professionally at 14 at a BBQ joint in New Mexico 
where he played a piano for ribs. In the mid 1990's, James formed a 
piano trio with Nate Mcbride on bass, and Curt Newton on drums. 
Together they released three recordings that a few people in Europe 
and Canada heard. James has had the honor and privelige of playing 
with many of the great improvisors in the Boston/NYC area. Currently, 
James is interested in writing and performing songs with his band, 
the blue ribbons, which he describes as Ray Charles and Johnny Cash 
meet Captain Beefheart and Sun Ra.

John McLellan was born in San Juan, Puerto Rico and raised in 
Massachusetts; his resume is expansive and varied, including work 
with Joe and Mat Maneri, Roswell Rudd, Bern Nix, Roy Campbell, 
William Parker, Ken Vandermark, Denman Maroney, Ben Monder, and the 
Either/Orchestra. He has performed at festivals throughout the 
country, including the Newport Jazz Festival, the Iowa City Jazz 
Festival, and New York's Vision Festival. John's inventive drumming 
can be heard on his duo record with saxophonist Joe McPhee, Grand 
Marquis on Boxholder Records and Mat Maneri's latest release on 
Thirsty Ear Records, Pentagon.

Also performing that night:
Hamburgers & Hot Dogs Too:
Jingjing Zhou - keyboards, etc
Andy Fordyce - drums
Whit Love - guitar
Sean Cahalin - bass


-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Thu May 21 05:26:43 2009
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Trying to catch up on e-mails...

Am i dense, or is there a reason i can't figure out how to download  
these tracks?  I can hear them, but i'm interested in downloading them  
to go so i can live with them for a while.

Thanks,
Peter


______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom
Niskayuna, NY

On our hi-fi this week...
http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________

On May 7, 2009, at 7:02 PM, Jim Goodin wrote:

> Daniel great stuff , particularly like Siren and the mix on it.   
> Keep it up.
>
> Jim
>
> -- 
> ReUse, an introspective textural aural journey
> www.myspace.com/ctreuse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div>Trying to catch =
up on e-mails...<div><br></div><div>Am i dense, or is there a reason i =
can't figure out how to download these tracks? &nbsp;I can hear them, =
but i'm interested in downloading them to go so i can live with them for =
a =
while.</div><div><br></div><div>Thanks,</div><div>Peter</div><div><br></di=
v><div><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><div><div><br>______________________________</div><div>Peter =
Koniuto</div><div>Creative Recordist - Composer</div><div>Red Sun =
Soundroom</div><div>Niskayuna, NY</div><div><br></div><div>On our hi-fi =
this week...</div><div><a =
href=3D"http://www.RedSunSoundroom.com">http://www.RedSunSoundroom.com</a>=
</div><div>peter AT =
RedSunSoundroom.com</div><div>______________________________</div><div><br=
></div></div></div></div><div><div>On May 7, 2009, at 7:02 PM, Jim =
Goodin wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Daniel great stuff , particularly like Siren and the =
mix on it.&nbsp; Keep it up.</div> <div>&nbsp;</div> =
<div>Jim<br><br></div> <div>-- <br>ReUse, an introspective textural =
aural journey </div> <div><a =
href=3D"http://www.myspace.com/ctreuse">www.myspace.com/ctreuse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br> <a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br> <br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></div></blockquote></div><br></div><br><br></body></html>=

--Apple-Mail-2-430732834--

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Date: Thu, 21 May 2009 08:37:57 +0200
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Subject: Re: Newly subscribed!
From: Per Boysen <perboysen@gmail.com>
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"Steve Bingham" <sbingham@con-brio.com> wrote:
> Hello

Hello, Steve :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu May 21 07:44:33 2009
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Great to have you here Steve=2C I listened to some stuff on you're site. Ve=
ry nice if I may say so..

So what makes a classically trained musician interested in looping ???
=20
Regards=2C

Anders
My looping experiments: www.soundclick.com/andersbergdahl
 >> > Best wishes to all=2C
> > Steve
> >=20
> > Steve Bingham
> > www.stevebingham.co.uk
>=20
>=20
>=20
>=20
>=20

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<html>
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<body class=3D'hmmessage'>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black">G=
reat to have you here&nbsp=3BSteve=2C I <SPAN id=3DGTBSC_0 title=3D"Click f=
or suggestions" style=3D"FONT-WEIGHT: bold=3B CURSOR: pointer=3B COLOR: gre=
en=3B TEXT-DECORATION: underline">listened</SPAN> to some stuff on you're s=
ite.&nbsp=3B<SPAN id=3DGTBSC_1 title=3D"Click for suggestions" style=3D"FON=
T-WEIGHT: bold=3B CURSOR: pointer=3B COLOR: green=3B TEXT-DECORATION: under=
line">Very</SPAN> nice if I may say <SPAN id=3DGTBSC_2 title=3D"Click for s=
uggestions" style=3D"FONT-WEIGHT: bold=3B CURSOR: pointer=3B COLOR: green=
=3B TEXT-DECORATION: underline">so</SPAN>..</P>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black"><=
BR>So what makes a classically trained musician <SPAN id=3DGTBSC_3 title=3D=
"Click for suggestions" style=3D"FONT-WEIGHT: bold=3B CURSOR: pointer=3B CO=
LOR: green=3B TEXT-DECORATION: underline">interested</SPAN> in looping ???<=
/P>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black">&=
nbsp=3B</P>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black">R=
egards=2C</P>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black"><=
BR>Anders</P>
<P style=3D"BORDER-LEFT-COLOR: black=3B BACKGROUND-IMAGE: none=3B BORDER-BO=
TTOM-COLOR: black=3B COLOR: black=3B BORDER-TOP-COLOR: black=3B BACKGROUND-=
COLOR: transparent=3B TEXT-DECORATION: none=3B BORDER-RIGHT-COLOR: black">M=
y looping experiments: www.soundclick.com/andersbergdahl<BR>&nbsp=3B</P>&gt=
=3B&gt=3B &gt=3B Best wishes to all=2C<BR>&gt=3B &gt=3B Steve<BR>&gt=3B &gt=
=3B <BR>&gt=3B &gt=3B Steve <SPAN id=3DGTBSC_4 title=3D"Click for suggestio=
ns" style=3D"FONT-WEIGHT: bold=3B CURSOR: pointer=3B COLOR: red=3B TEXT-DEC=
ORATION: underline">Bingham</SPAN><BR>&gt=3B &gt=3B www.stevebingham.co.uk<=
BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR></body>
</html>=

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Date: Thu, 21 May 2009 09:48:43 +0200
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Subject: Re: Davis' modal stuff
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On Thu, May 21, 2009 at 9:44 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
>



? - - - Louder, please!

Per ;-)

From Loopers-Delight-request@loopers-delight.com  Thu May 21 08:16:40 2009
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Hi Steve,
the G2M is specifically designed for guitar, but there's no reason
you shouldn't try it on violin.
It works like an effect box, so you'd just have to send the 
correct level of un-effected violin signal to the box somehow.
( I don't know the technical specs of the p/u on your electric 
violin, but may be possible just to plug it straight in ).

The G2M only responds in the guitar's range of notes, so for a regular
violin only the bottom Two Octaves plus a Sixth would  work.
(there's also an Octave+4th available below the regular violin range).

The G2M doesn't itself transpose the midi notes, so that would have
to be done in the sound producing module as needed. 

I suspect it'll work better pizz than arco,
the only way to know for sure is to try it.
(as you're not that far away, you're welcome to drop
  round and give it a go, and the G50 too, but I'll
   have to give back the G2M to it's rightful owner 
    fairly soon).

andy butler



Steve Bingham wrote:
> I've always wondered if any of these midi converters would work on a 
> violin, but have never had one to try: Do you reckon it could be made to 
> fit in any way Andy?
> 
> Steve
> 
> 
> On 20 May 2009, at 20:58, andy butler wrote:
> 
>> Sonuus G2M guitar to midi converter.
>>
>> I have one of these to play with for a couple of days,
>> I'm sure it's of interest to quite a few list members.

From Loopers-Delight-request@loopers-delight.com  Thu May 21 08:18:27 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Davis' modal stuff
Date: Thu, 21 May 2009 08:18:26 +0000
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Hmm=2C the content of the last mail disappeared in cyberspace...
=20

You're post made me think Rainer.. thanks..=20

As for "freeing the soloist" it's a very egocentric concept. I Would prefer=
 to think of it as freeing music=2C sort of. What do I mean.?? not sure :-)

BUT=2C I think we all have felt from time to time that there are things we =
would like to "say" or express that can't be said in a fixed context of mel=
ody=2C harmony and rhythm.=20

So based on our background some of us try to find "new" (or perhaps just di=
fferent) means of expression. Looping has made me listen and think in new w=
ays=2C for me that is.=20

What you call the approach is not important (harmolodic=2C modal...) I thin=
k many musicians just want to EXPRESS themselves. Looping is a way I have f=
ound..

Sometimes I wonder how "outside" you can play and still call it music...=20

=20

All the best=2C

=20

Anders

My looping experiments: www.soundclick.com/andersbergdahl

=20
> Date: Thu=2C 21 May 2009 01:53:51 +0200
> Subject: Davis' modal stuff
> From: moinsound@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> Warning: I lost track of what I wanted to say in the first place
> halfway during the following message - feel free to ignore!
>=20
> Rainer
>=20
> Rick said (in that "book turned 100% feedback" thread):
> "Davis embraced modalism because it finally gave the soloist control
> over determining harmony as opposed to the comping instruments or the
> 'tune'"
>=20
> I'll start by stating that for me=2C "Kind of Blue" is one of the most
> overrated works in music (together with the entire catalogue of W.A.
> Mozart=2C the later Richard Strau=DF operas=2C anything by Django Reinhar=
t
> (sp?) and the majority of Jarret's solo work=2C to name just a few
> things).
> Now that I've gotten your attention =3B)
>=20
> There had been=2C at that time in jazz=2C different approaches in trying
> to=2C as Rick puts it=2C "give the soloist control". ...............=

--_2a5411eb-aaac-4131-9e27-a5dcf225a16a_
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<body class=3D'hmmessage'>
Hmm=2C&nbsp=3Bthe content of the&nbsp=3Blast mail disappeared in cyberspace=
...<BR>&nbsp=3B<BR>
You're post made me think Rainer.. thanks.. <BR>
As for "freeing the soloist" it's a very egocentric concept. I Would prefer=
 to think of it as&nbsp=3Bfreeing music=2C sort of. What do I mean.?? not s=
ure :-)<BR>
BUT=2C I think we all have felt from time to time that there are things&nbs=
p=3Bwe would like to "say" or express that can't be said in a fixed context=
 of melody=2C harmony and rhythm.&nbsp=3B<BR>
So based on our background some of us try to find "new" (or perhaps just di=
fferent) means of expression. Looping has made me listen and think in new w=
ays=2C for me that is. <BR>
What you call the approach is not important (harmolodic=2C modal...) I thin=
k many musicians just want to EXPRESS themselves. Looping is a way I have f=
ound..<BR>
Sometimes I wonder&nbsp=3Bhow "outside" you can play and still call it musi=
c... <BR>
&nbsp=3B<BR>
All the best=2C<BR>
&nbsp=3B<BR>
Anders<BR>
My looping experiments: <A href=3D"http://www.soundclick.com/andersbergdahl=
">www.soundclick.com/andersbergdahl</A><BR>
&nbsp=3B<BR>&gt=3B Date: Thu=2C 21 May 2009 01:53:51 +0200<BR>&gt=3B Subjec=
t: Davis' modal stuff<BR>&gt=3B From: moinsound@googlemail.com<BR>&gt=3B To=
: loopers-delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Warning: I lost =
track of what I wanted to say in the first place<BR>&gt=3B halfway during t=
he following message - feel free to ignore!<BR>&gt=3B <BR>&gt=3B Rainer<BR>=
&gt=3B <BR>&gt=3B Rick said (in that "book turned 100% feedback" thread):<B=
R>&gt=3B "Davis embraced modalism because it finally gave the soloist contr=
ol<BR>&gt=3B over determining harmony as opposed to the comping instruments=
 or the<BR>&gt=3B 'tune'"<BR>&gt=3B <BR>&gt=3B I'll start by stating that f=
or me=2C "Kind of Blue" is one of the most<BR>&gt=3B overrated works in mus=
ic (together with the entire catalogue of W.A.<BR>&gt=3B Mozart=2C the late=
r Richard Strau=DF operas=2C anything by Django Reinhart<BR>&gt=3B (sp?) an=
d the majority of Jarret's solo work=2C to name just a few<BR>&gt=3B things=
).<BR>&gt=3B Now that I've gotten your attention =3B)<BR>&gt=3B <BR>&gt=3B =
There had been=2C at that time in jazz=2C different approaches in trying<BR=
>&gt=3B to=2C as Rick puts it=2C "give the soloist control". ..............=
.</body>
</html>=

--_2a5411eb-aaac-4131-9e27-a5dcf225a16a_--

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Sonuus G2M  Yamaha G50 (Axon) Comparison.

The G50 is a licensed version of the Axon technology, but thoughtfully 
includes
a mono input. (Tracking is better on hex p/u). I'm using the mono input 
for this
comparison.

1) Tracking speed. The G50 is faster, it just feels more real.

2) Tracking accuracy. The G2M seems to have the advantage, but then when
  I concentrated on my "ultra clean " playing style I preferred the G50 
especially
  as the playing speed increased.
  Matt Stevens (G2M) modestly claims that the spurious low notes are him 
hitting
  open strings
   http://www.mattstevensguitar.blogspot.com
  but his demo shows the sort of results that I've been getting.
  

3) Warbling on Sustained notes. G2M wins hands down here, it's not
   100% perfect, but any warbles are very slight deviations. The G50
   jumps to new notes on occassion, although I always
    found it was predictable enough to avoid. (by learning which notes
   on a particular guitar do the warbling, and keeping them short).


andy butler

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From Loopers-Delight-request@loopers-delight.com  Thu May 21 10:12:11 2009
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From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Thu, 21 May 2009 11:11:50 +0100
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Subject: Re: Finished EP!
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--0016e6d32a1b8233da046a696050
Content-Type: text/plain; charset=ISO-8859-1
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I think you might need to sign up to be able to download.
A friend of mine said the he found a hack, in that the audio files are
stored in your temporary internet files folder! So I'm sure you can fish
them out of there :)

Thanks for taking the time!
Daniel

2009/5/21 p koniuto <peter@redsunsoundroom.com>

>
> Trying to catch up on e-mails...
> Am i dense, or is there a reason i can't figure out how to download these
> tracks?  I can hear them, but i'm interested in downloading them to go so i
> can live with them for a while.
>
> Thanks,
> Peter
>
>
> ______________________________
> Peter Koniuto
> Creative Recordist - Composer
> Red Sun Soundroom
> Niskayuna, NY
>
> On our hi-fi this week...
> http://www.RedSunSoundroom.com
> peter AT RedSunSoundroom.com
> ______________________________
>
> On May 7, 2009, at 7:02 PM, Jim Goodin wrote:
>
> Daniel great stuff , particularly like Siren and the mix on it.  Keep it
> up.
>
> Jim
>
> --
> ReUse, an introspective textural aural journey
> www.myspace.com/ctreuse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>
>
>

--0016e6d32a1b8233da046a696050
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I think you might need to sign up to be able to download.<div><br></div><di=
v>A friend of mine said the he found a hack, in that the audio files are st=
ored in your temporary internet files folder! So I&#39;m sure you can fish =
them out of there :)</div>

<div><br></div><div>Thanks for taking the time!</div><div>Daniel</div><div>=
<br><div class=3D"gmail_quote">2009/5/21 p koniuto <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:peter@redsunsoundroom.com">peter@redsunsoundroom.com</a>&gt=
;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><div><b=
r></div>Trying to catch up on e-mails...<div><br></div><div>Am i dense, or =
is there a reason i can&#39;t figure out how to download these tracks? =A0I=
 can hear them, but i&#39;m interested in downloading them to go so i can l=
ive with them for a while.</div>

<div><br></div><div>Thanks,</div><div>Peter</div><div><br></div><div><div s=
tyle=3D"word-wrap:break-word"><div><div><div><br>__________________________=
____</div><div>Peter Koniuto</div><div>Creative Recordist - Composer</div>

<div>Red Sun Soundroom</div><div>Niskayuna, NY</div><div><br></div><div>On =
our hi-fi this week...</div><div><a href=3D"http://www.RedSunSoundroom.com"=
 target=3D"_blank">http://www.RedSunSoundroom.com</a></div><div>peter AT Re=
dSunSoundroom.com</div>

<div>______________________________</div><div><br></div></div></div></div><=
div><div></div><div class=3D"h5"><div><div>On May 7, 2009, at 7:02 PM, Jim =
Goodin wrote:</div><br><blockquote type=3D"cite"><div>Daniel great stuff , =
particularly like Siren and the mix on it.=A0 Keep it up.</div>

 <div>=A0</div> <div>Jim<br><br></div> <div>-- <br>ReUse, an introspective =
textural aural journey </div> <div><a href=3D"http://www.myspace.com/ctreus=
e" target=3D"_blank">www.myspace.com/ctreuse</a><br><br>music links...<br><=
a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmus=
ic.com</a><br>

<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br> <a href=3D"http://www.myspace.com/jimgoodinmusic" t=
arget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://ww=
w.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapa=
intingmusic</a><br>

<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br> <a href=3D"http://www.myspa=
ce.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>

<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br> <br>social net=
working...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_=
blank">www.twitter.com/jimgoodinmusic</a><br>

<br></div></blockquote></div><br></div></div></div><br><br></div></blockquo=
te></div><br></div>

--0016e6d32a1b8233da046a696050--

From Loopers-Delight-request@loopers-delight.com  Thu May 21 10:58:28 2009
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Dear Rainer,
you wrote:
"I'll start by stating that for me, "Kind of Blue" is one of the most 
overrated works in music"

Considering that it is universally acclaimed as a masterpiece,  is the 
top selling jazz record
of all time and probably the most influential one as well,  I'd be 
curious to hear your
reasons for claiming it is one of the most overrated works in music  
(don't worry, we'll wait
to later about your pronouncements about Mozart, Strauss , Reinhardt 
and  Jarrett...........lol)

  I don't agree with you because I truly love this record
and consider it to be my one desert island jazz record if I could only 
take one (and a battery
powered record player with unlimited batteries................<chuckle)
but I don't mind at all that you feel this way.

It would just be nice to hear your actual reasons for saying such a thing.

respectfully,  Rick

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Rick Walker wrote:
> Dear Rainer,
> you wrote:
> "I'll start by stating that for me, "Kind of Blue" is one of the most 
> overrated works in music"

> 
> Considering that it is universally acclaimed as a masterpiece,  

it could hardly be "the most overrated" otherwise :-) 

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From Loopers-Delight-request@loopers-delight.com  Thu May 21 12:33:52 2009
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Quoting Anders Bergdahl <anders_e_bergdahl@hotmail.com>:

> So what makes a classically trained musician interested in looping ???
>
It was working in a group with bassist Steve Lawson about 10 years ago  
that set me on the looping path (or is that the looping moebius  
strip!). Since then I've been hooked.

Steve

From Loopers-Delight-request@loopers-delight.com  Thu May 21 13:23:32 2009
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Subject: Re: Davis' modal stuff
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--0016362835b69ecc1e046a6bf8c5
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my next album title: "None Dare Call It Music" :-)

do you know, i think Kind of Blue is a bit over-idolized also (I'm a Silent
Way and Bitches' Brew devotee), but when it comes to Django? Whatever you
think intellectually of the music, I just loved listening to it for a long,
long time (until it became just too familiar to listen to, much like the
Beatles) - it is joyful, accomplished, often interesting and always
swinging  (Rainer, you knew *someone* would bite!). That's enough for me.

On Thu, May 21, 2009 at 4:18 AM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  Hmm, the content of the last mail disappeared in cyberspace...
>
> You're post made me think Rainer.. thanks..
> As for "freeing the soloist" it's a very egocentric concept. I Would pref=
er
> to think of it as freeing music, sort of. What do I mean.?? not sure :-)
> BUT, I think we all have felt from time to time that there are things we
> would like to "say" or express that can't be said in a fixed context of
> melody, harmony and rhythm.
> So based on our background some of us try to find "new" (or perhaps just
> different) means of expression. Looping has made me listen and think in n=
ew
> ways, for me that is.
> What you call the approach is not important (harmolodic, modal...) I thin=
k
> many musicians just want to EXPRESS themselves. Looping is a way I have
> found..
> Sometimes I wonder how "outside" you can play and still call it music...
>
> All the best,
>
> Anders
> My looping experiments: www.soundclick.com/andersbergdahl
>
> > Date: Thu, 21 May 2009 01:53:51 +0200
> > Subject: Davis' modal stuff
> > From: moinsound@googlemail.com
> > To: loopers-delight@loopers-delight.com
> >
> > Warning: I lost track of what I wanted to say in the first place
> > halfway during the following message - feel free to ignore!
> >
> > Rainer
> >
> > Rick said (in that "book turned 100% feedback" thread):
> > "Davis embraced modalism because it finally gave the soloist control
> > over determining harmony as opposed to the comping instruments or the
> > 'tune'"
> >
> > I'll start by stating that for me, "Kind of Blue" is one of the most
> > overrated works in music (together with the entire catalogue of W.A.
> > Mozart, the later Richard Strau=DF operas, anything by Django Reinhart
> > (sp?) and the majority of Jarret's solo work, to name just a few
> > things).
> > Now that I've gotten your attention ;)
> >
> > There had been, at that time in jazz, different approaches in trying
> > to, as Rick puts it, "give the soloist control". ...............
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

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my next album title: &quot;None Dare Call It Music&quot; :-)<br><br>do you =
know, i think Kind of Blue is a bit over-idolized also (I&#39;m a Silent Wa=
y and Bitches&#39; Brew devotee), but when it comes to Django? Whatever you=
 think intellectually of the music, I just loved listening to it for a long=
, long time (until it became just too familiar to listen to, much like the =
Beatles) - it is joyful, accomplished, often interesting and always swingin=
g=A0 (Rainer, you knew *someone* would bite!). That&#39;s enough for me.<br=
>
<br><div class=3D"gmail_quote">On Thu, May 21, 2009 at 4:18 AM, Anders Berg=
dahl <span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.com"=
>anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">




<div>
Hmm,=A0the content of the=A0last mail disappeared in cyberspace...<br>=A0<b=
r>
You&#39;re post made me think Rainer.. thanks.. <br>
As for &quot;freeing the soloist&quot; it&#39;s a very egocentric concept. =
I Would prefer to think of it as=A0freeing music, sort of. What do I mean.?=
? not sure :-)<br>
BUT, I think we all have felt from time to time that there are things=A0we =
would like to &quot;say&quot; or express that can&#39;t be said in a fixed =
context of melody, harmony and rhythm.=A0<br>
So based on our background some of us try to find &quot;new&quot; (or perha=
ps just different) means of expression. Looping has made me listen and thin=
k in new ways, for me that is. <br>
What you call the approach is not important (harmolodic, modal...) I think =
many musicians just want to EXPRESS themselves. Looping is a way I have fou=
nd..<br>
Sometimes I wonder=A0how &quot;outside&quot; you can play and still call it=
 music... <br>
=A0<br>
All the best,<br>
=A0<br>
Anders<br>
My looping experiments: <a href=3D"http://www.soundclick.com/andersbergdahl=
" target=3D"_blank">www.soundclick.com/andersbergdahl</a><br>
=A0<br>&gt; Date: Thu, 21 May 2009 01:53:51 +0200<br>&gt; Subject: Davis&#3=
9; modal stuff<br>&gt; From: <a href=3D"mailto:moinsound@googlemail.com" ta=
rget=3D"_blank">moinsound@googlemail.com</a><br>&gt; To: <a href=3D"mailto:=
loopers-delight@loopers-delight.com" target=3D"_blank">loopers-delight@loop=
ers-delight.com</a><div class=3D"im">
<br>&gt; <br>&gt; Warning: I lost track of what I wanted to say in the firs=
t place<br>&gt; halfway during the following message - feel free to ignore!=
<br>&gt; <br>&gt; Rainer<br>&gt; <br>&gt; Rick said (in that &quot;book tur=
ned 100% feedback&quot; thread):<br>
&gt; &quot;Davis embraced modalism because it finally gave the soloist cont=
rol<br>&gt; over determining harmony as opposed to the comping instruments =
or the<br>&gt; &#39;tune&#39;&quot;<br>&gt; <br>&gt; I&#39;ll start by stat=
ing that for me, &quot;Kind of Blue&quot; is one of the most<br>
&gt; overrated works in music (together with the entire catalogue of W.A.<b=
r>&gt; Mozart, the later Richard Strau=DF operas, anything by Django Reinha=
rt<br>&gt; (sp?) and the majority of Jarret&#39;s solo work, to name just a=
 few<br>
&gt; things).<br>&gt; Now that I&#39;ve gotten your attention ;)<br>&gt; <b=
r>&gt; There had been, at that time in jazz, different approaches in trying=
<br></div>&gt; to, as Rick puts it, &quot;give the soloist control&quot;. .=
..............</div>

</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--0016362835b69ecc1e046a6bf8c5--

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Date: Thu, 21 May 2009 09:26:54 -0400 (EDT)
Subject: Re: Davis' modal stuff
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Listen to Kind of Blue and pay close attention to Bill Evans.




DB
http://biink.com/db

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Listen to Kind of Blue and pay close attention to Bill Evans.<br /><br
/><br /><br /><br />DB<br />http://biink.com/db
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Date: Thu, 21 May 2009 16:58:41 +0200
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Subject: re: Davis' Modal Stuff
From: Rainer Straschill <moinsound@googlemail.com>
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Rick said:
"Considering that it is universally acclaimed as a masterpiece,  is
the top selling jazz record of all time and probably the most
influential one as well,  I'd be curious to hear your reasons for
claiming it is one of the most overrated works in music. [...]
I don't agree with you because I truly love this record and consider
it to be my one desert island jazz record."

Uhh, there's so much to say about this topic, and for lots of it I
wouldn't qualify, simply because I didn't listen that much to that
album to be that kind of expert as people who wrote whole books about
it.

However, I'd like to start where I think you, Rick, are wrong, because
you didn't understand what I wrote.

I said: ""Kind of Blue" is one of the most overrated works in music"
which, basically, means, that (in my opinion), the album does not live
up to some of the attributes usually associated with it (hugely
influental on the development of jazz, rock and classical music,
innovative, greatest jazz album of all times etc.).

To which you answer: "I don't agree with you because I truly love this
record and consider it to be my one desert island jazz record",
which is very well ok, and mostly has to do with your personal taste,
but this fact does not in any way relate to my opinion that the album
is overrated.
("Overrated", again I'd like to be sure to phrase that very precisely,
meaning that a lot of people, some of them influental writers, give it
attributes it does not deserve).
However, if your opinion is that the album is regarded as hugegly
innovative, the most influential jazz album of all time, and the best
jazz album of all time, then this would be a case of disagreement.

So basically, I won't go on talking about how "beautiful" I believe
the music is, and will concentrate on that innovative/creative etc.
stuff associated with it.

Of course when talking about the influence and the innovation of a
work of art, it's necessary to put it into historic context. So in or
around 1559, what was happening in the jazz world?
A few examples:
"Freedom Suite" by Sonny Rollins (1958), a sax/bass/drums trio
"This is our music" by Ornette Coleman (1960), sax/trumpet/bass/drums
"Giant Steps" by John Coltrane (1960), sax/piano/bass/drums

So why is "Kind of Blue" so much greater than any of the others?
Obviously, for some reason (and I claim that that wasn't for artistic
value alone), the album somehow reached critical mass, thus propelling
it from a record for modern jazz insiders into a househould item.
Which will mean, that some rock or classical artist when asked about
jazz albums that influenced him (and he wants to avoid answering
"none" so he won't seem like an uneducated, arrogant idiot) would most
probably answer "Kind of Blue", simply because its the only jazz album
he knows by name.

Summarizing:
  (1) what sets "Kind of Blue" apart from other jazz albums (from that
time and in general) is the fact that it's so well-known.
  (2) automatically leads to the fact that anyone (from another style)
influenced by jazz would most probably know "Kind of Blue" better than
any other jazz record (if he knew any at all).
  (2a) corollary: if they had listened to "This is our music" (replace
that by any innovative jazz album of your choice) instead, they would
claim that as an influence.
  (3) there's nothing in "Kind of Blue" that isn't in other works from
the same time or even way before.

So does that make your choice of "Kind of Blue" as your favourite jazz
record invalid? Most certainly not. However there is a chance (see (2)
above) that by just checking out lots of great jazz albums, that
you'll revise your statement.

Best,

         Rainer

post scriptum: some direct references to post answering my original message.

1. Warren: yes, I had assumed that you liked 70ies Miles better - same as I.
2. Anders: "we all have felt from time to time that there are things
we would like to "say" or express that can't be said in a fixed
context of melody, harmony and rhythm." - so what? (lol) then you
break out of it. It's nice to see what Walter Norris does on Something
Else (Coleman, 1958), who obviously was in those sessions by request
of the producer, but quickly felt that he simply couldn't play
anything that worked with Coleman's concept - so he stayed out of the
way pretty much.
3. Andy: "Considering that it is universally acclaimed as a
masterpiece, it could hardly be "the most overrated" otherwise" -
thanks! *g*
4. db: "pay close attention to Bill Evans" - why should I, if the goal
is to get away from forcing the soloist into a harmonic framework?

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Date: Thu, 21 May 2009 11:01:06 -0400 (EDT)
Subject: re: Davis' Modal Stuff
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> Of course when talking about the influence and the innovation of a
> work of art, it's necessary to put it into historic context. So in
or
> around 1559, what was happening in the jazz world?

Not a heck of a lot?

> 4. db: "pay close attention to
Bill Evans" - why should I, if the goal
> is to get away from
forcing the soloist into a harmonic framework?

Who's goal is
that?

DB
http://biink.com/db

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&gt; Of course when talking about the influence and the innovation of a<br
/>&gt; work of art, it's necessary to put it into historic context. So in
or<br />&gt; around 1559, what was happening in the jazz world?<br /><br
/>Not a heck of a lot?<br /><br />&gt; 4. db: &quot;pay close attention to
Bill Evans&quot; - why should I, if the goal<br />&gt; is to get away from
forcing the soloist into a harmonic framework?<br /><br />Who's goal is
that?<br /><br />DB<br />http://biink.com/db
------=_20090521110106_13564--


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Subject: Kind of Blue (Re: Davis' Modal Stuff)
From: Per Boysen <perboysen@gmail.com>
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Anyone who knows music and listens to that album can hear that the
reviewers did not always describe it correctly. In fact the musicians
did not play more in a modal way at all. What happened was simply that
no one explicitly played the rapid chord changes, as usual in be bop.
But there were definitely be bop style rapid chord changes in the
music! You still hear the chord vamps - as understood - in every
soloist's lines. My guess is that reviewers took an easy ride on the
work, thinking "well I don't hear the usual piano banging every eighth
note to mark out the chord vamps - guess that must mean the soloist is
improvising more freely... eh... like in modal style". Wrong. The
truth is that many of the song's lead lines will work just as well if
a jolly good banjo player would sit in to strum those rapid chord
changes. The cool thing with that record IMHO is rather that they
still played be bop but doing so while sonically leaving out much of
the sounding be bop characteristics - the explicit marking of rapid
chord changes.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Davis' Modal Stuff
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In a message dated 5/21/09 10:58:59 AM, moinsound@googlemail.com writes:


> So in or
> around 1559,
> 

boy!..... did this rocket me into another space!!!!!......:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
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In a message dated 5/21/09 10:58:59 AM, moinsound@googlemail.com writes:<B=
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From Loopers-Delight-request@loopers-delight.com  Thu May 21 16:43:16 2009
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Subject: Re: Kind of Blue (Re: Davis' Modal Stuff)
Date: Thu, 21 May 2009 10:43:06 -0500
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On May 21, 2009, at 10:33 AM, Per Boysen wrote:

> Anyone who knows music and listens to that album can hear that the
> reviewers did not always describe it correctly. In fact the musicians
> did not play more in a modal way at all. What happened was simply that
> no one explicitly played the rapid chord changes,

What rapid chord changes? Isn't "So What" just a vamp on two chords?

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu May 21 17:00:41 2009
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Rainer Straschill wrote:

> work of art, it's necessary to put it into historic context. So in or
> around 1559, what was happening in the jazz world?
> A few examples:
> "Freedom Suite" by Sonny Rollins (1958), a sax/bass/drums trio
> "This is our music" by Ornette Coleman (1960), sax/trumpet/bass/drums
> "Giant Steps" by John Coltrane (1960), sax/piano/bass/drums
> 

As a recent BBC documentary related, there were 4 significant
albums released that year.
Kind of Blue - Miles Davis
The Shape of Jazz to Come - Ornette Coleman's debut on Atlantic
Time Out - Dave Brubeck Quartet.
Ah Um - Mingus

http://www.youtube.com/watch?v=edbwVKwFF6Y

I'm not going to say I think one album is better
than the rest, but don't bother having a conversation
with me while TSJC is playing.

Of course, KOB is perfect background music, probably
one of it's selling points, especially to the jazz critics ;-)




> break out of it. It's nice to see what Walter Norris does on Something
> Else (Coleman, 1958), who obviously was in those sessions by request
> of the producer, but quickly felt that he simply couldn't play
> anything that worked with Coleman's concept - so he stayed out of the
> way pretty much.

There's one point on that album where the piano plays this incredibly
strong and lucid melody with complete confidence. Kind of sticks
out from the rest of the playing. Very strange.

andy butler

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Subject: Re: Kind of Blue (Re: Davis' Modal Stuff)
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I think Per is refering to the harmony implied by the melodic lines.  You
could harmonize the solos to different chords and the harmonic rythm would
ressemble that of bebop.
Sylvain


On 5/21/09, Jeff Shirkey <jcshirke@verizon.net> wrote:
>
>
> On May 21, 2009, at 10:33 AM, Per Boysen wrote:
>
> Anyone who knows music and listens to that album can hear that the
>> reviewers did not always describe it correctly. In fact the musicians
>> did not play more in a modal way at all. What happened was simply that
>> no one explicitly played the rapid chord changes,
>>
>
> What rapid chord changes? Isn't "So What" just a vamp on two chords?
>
> Jeff
>
>

--001517503ba6693247046a6f2e06
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<div>I think Per is refering to the harmony implied by the melodic lines.=
=A0 You could harmonize the solos to different chords and the harmonic ryth=
m would ressemble that of bebop.</div>
<div>Sylvain<br><br>=A0</div>
<div><span class=3D"gmail_quote">On 5/21/09, <b class=3D"gmail_sendername">=
Jeff Shirkey</b> &lt;<a href=3D"mailto:jcshirke@verizon.net">jcshirke@veriz=
on.net</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><span class=3D"q"><br>On May 21,=
 2009, at 10:33 AM, Per Boysen wrote:<br><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Anyone who knows music and liste=
ns to that album can hear that the<br>reviewers did not always describe it =
correctly. In fact the musicians<br>
did not play more in a modal way at all. What happened was simply that<br>n=
o one explicitly played the rapid chord changes,<br></blockquote><br></span=
>What rapid chord changes? Isn&#39;t &quot;So What&quot; just a vamp on two=
 chords?<br>
<span class=3D"sg"><br>Jeff<br><br></span></blockquote></div><br>

--001517503ba6693247046a6f2e06--

From Loopers-Delight-request@loopers-delight.com  Thu May 21 17:38:21 2009
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maybe kind of blue has gotten so famous because it has a wonderful feel 
to it and contains music that non jazz musicians understand easily.

tilmann



Per Boysen schrieb:
> Anyone who knows music and listens to that album can hear that the
> reviewers did not always describe it correctly. In fact the musicians
> did not play more in a modal way at all. What happened was simply that
> no one explicitly played the rapid chord changes, as usual in be bop.
> But there were definitely be bop style rapid chord changes in the
> music! You still hear the chord vamps - as understood - in every
> soloist's lines. My guess is that reviewers took an easy ride on the
> work, thinking "well I don't hear the usual piano banging every eighth
> note to mark out the chord vamps - guess that must mean the soloist is
> improvising more freely... eh... like in modal style". Wrong. The
> truth is that many of the song's lead lines will work just as well if
> a jolly good banjo player would sit in to strum those rapid chord
> changes. The cool thing with that record IMHO is rather that they
> still played be bop but doing so while sonically leaving out much of
> the sounding be bop characteristics - the explicit marking of rapid
> chord changes.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 21 18:49:46 2009
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Subject: Re: Kind of Blue (Re: Davis' Modal Stuff)
Date: Thu, 21 May 2009 13:49:40 -0500
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On May 21, 2009, at 12:07 PM, Sylvain Poitras wrote:

> I think Per is refering to the harmony implied by the melodic  
> lines.  You could harmonize the solos to different chords and the  
> harmonic rythm would ressemble that of bebop.
>
Ok...gotcha. My mistake. :)

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu May 21 19:18:00 2009
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Subject: new delay plug-in: Little Spacey
From: Os <os@collective.co.uk>
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Hi,

not a looper per se but it does sound lovely on guitar.

See http://www.expert-sleepers.co.uk/


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Date: Thu, 21 May 2009 21:30:54 +0200
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Subject: Re: Davis' Modal Stuff (and other OT)
From: Rainer Straschill <moinsound@googlemail.com>
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Yep, the fact that of all the jazz albums from that era "Kind of Blue"
is the most accessible (a theory which I already suggested in my
post). Thanks go to Andy Butler for, next to mentioning "Shape of Jazz
to Come" (which I consciously did not mention to point out that it
actually was a "traditional" lineup with piano), also pointing out
that "Ah Um" was released that same year. And I believe that Andy's
post clearly showed that db's theory that "not a heck of a lot" was
happening at that time is not very...spot-on.

On a completely unrelated topic:
One of the reasons "Kind of Blue" is cited as so great is that people
bought it even though it didn't have any lead vocals on it! "Singing
is a trick to get people to listen to music for longer than they would
ordinarily" ("Stop Making Sense" liner notes). And here's the problem.
Say you have a lead singer in your band (because otherwise you
wouldn't get booked for that Sunday brunch events), but that pianist
wants to play instrumental tunes with angular melody lines. Sometimes,
people sit down, write lyrics to go along with the bebop standards,
and fail miserably. This failure is then even outperformed when the
singer starts to sing scat in what he/she believes to be jazz.

Or it's totally different: here's someone writing lyrics for a bebop
standard, singing it, and then doing scat - and it works!
http://www.youtube.com/watch?v=8nHc5oqbFyw


Best,

           Rainer

From Loopers-Delight-request@loopers-delight.com  Thu May 21 20:01:22 2009
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Rainer Straschill wrote:
> Thanks go to Andy Butler for, next to mentioning "Shape of Jazz
> to Come" (which I consciously did not mention to point out that it
> actually was a "traditional" lineup with piano), also pointing out

Not hard to mention that one, it's a personal favourite.

...the one with the piano is "Something Else".
I guess "debut on Atlantic" is misleading, he'd had 2 albums
on a small label already.
SOJTC is 2 horns and rhythm section.

Any other UK looper's going to see Ornette at the Royal Festival Hall?

andy butler

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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Gert Emmens and Ruud Heij.
The Featured CD at Midnight will be "Journey" on EH Records.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#may

On tonight's show, you'll hear new music from Groove Unlimited Records
as well as Asnazzy and Mark Mahoney.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu May 21 21:45:31 2009
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Date: Thu, 21 May 2009 14:45:30 -0700
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Subject: Re: new delay plug-in: Little Spacey
From: Mark Sottilaro <zerocrossing@gmail.com>
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Ya, saw this on KVR this morning, but pesky work is keeping me from the demo!

On Thu, May 21, 2009 at 12:12 PM, Os <os@collective.co.uk> wrote:
> Hi,
>
> not a looper per se but it does sound lovely on guitar.
>
> See http://www.expert-sleepers.co.uk/
>
>
> cheers,
> os.
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>

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From Loopers-Delight-request@loopers-delight.com  Fri May 22 06:15:36 2009
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Subject: Re: new delay plug-in: Little Spacey
Date: Thu, 21 May 2009 23:15:35 -0700
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I saw the name and thought "Cocteau Twins". Confirmed when I saw they  
also have a plug-in named "Oomingmak".

Mark

From Loopers-Delight-request@loopers-delight.com  Fri May 22 07:31:28 2009
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Subject: midi volume pedal 
Date: Fri, 22 May 2009 09:31:24 +0200
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can anyone recommend a good but very lightweight volume pedal that can be
used as a midi volume pedal (in my case, connected to a PMC-10 and used
inside of Bidule)? my Ernie Ball volume pedal is too heavy for travelling,
and my cheap blue plastic Italian volume pedals are much too flakey - when I
connect them to a visual gain control on my screen, their action doesn't
move smoothly from bottom to top (as the Ernie Ball pedal does) but it jumps
wildly back and forth. Is it because their potentiometer produces some noise
and crackle?

-Michael

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Subject: Re: midi volume pedal
Date: Fri, 22 May 2009 00:31:15 -0700
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Yeah, they're cheesy potentiometers.  I've had those Italian pedals fail 
within an unreasonable amount of time.
You can try to fix it by moving the pedal back and forth really quickly for 
about 30 secs.

t

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <pmc10@yahoogroups.com>; "Loopers Delight" 
<Loopers-Delight@loopers-delight.com>
Cc: "Leander Reininghaus" <starscape@gmx.de>
Sent: Friday, May 22, 2009 12:31 AM
Subject: midi volume pedal


> can anyone recommend a good but very lightweight volume pedal that can be
> used as a midi volume pedal (in my case, connected to a PMC-10 and used
> inside of Bidule)? my Ernie Ball volume pedal is too heavy for travelling,
> and my cheap blue plastic Italian volume pedals are much too flakey - when 
> I
> connect them to a visual gain control on my screen, their action doesn't
> move smoothly from bottom to top (as the Ernie Ball pedal does) but it 
> jumps
> wildly back and forth. Is it because their potentiometer produces some 
> noise
> and crackle?
>
> -Michael
>
> 

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hi Michael,
I have...uh....many..of those blue pedals. (Bespeco)

They work absolutely fine, but I have seen the behaviour that you
describe on occasion.

There's no standard as to how an expression pedal should be wired,
so the wiper of the potentiometer can either be connected
to the tip or the ring of a stereo jack.
(Bespeco make both types)

When the wrong wiring is used, sometimes the readings jump around
as you seem to be describing.

If they work fine with the PMC, then they are probably perfectly ok.
If they don't, it may be they need a re-wire, easiest way is to
open the jack plug, leave the screen connection where it is and
swap the other 2 wires.

good luck with your gig

andy butler

Michael Peters wrote:
> can anyone recommend a good but very lightweight volume pedal that can be
> used as a midi volume pedal (in my case, connected to a PMC-10 and used
> inside of Bidule)? my Ernie Ball volume pedal is too heavy for travelling,
> and my cheap blue plastic Italian volume pedals are much too flakey - when I
> connect them to a visual gain control on my screen, their action doesn't
> move smoothly from bottom to top (as the Ernie Ball pedal does) but it jumps
> wildly back and forth. Is it because their potentiometer produces some noise
> and crackle?
> 
> -Michael
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri May 22 08:57:31 2009
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Subject: Re: Davis' Modal Stuff
Date: Fri, 22 May 2009 10:43:24 +0200
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"Kind of Blue" - Miles Davis.
IMPRESSING: All tracks are first takes-recordings.
They just spent 7 hours recording time on this
great album!

Christo Jota

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 21, 2009 7:12 PM
Subject: Re: Davis' Modal Stuff


> Rainer Straschill wrote:
> 
> > work of art, it's necessary to put it into historic context. So in or
> > around 1559, what was happening in the jazz world?
> > A few examples:
> > "Freedom Suite" by Sonny Rollins (1958), a sax/bass/drums trio
> > "This is our music" by Ornette Coleman (1960), sax/trumpet/bass/drums
> > "Giant Steps" by John Coltrane (1960), sax/piano/bass/drums
> > 
> 
> As a recent BBC documentary related, there were 4 significant
> albums released that year.
> Kind of Blue - Miles Davis
> The Shape of Jazz to Come - Ornette Coleman's debut on Atlantic
> Time Out - Dave Brubeck Quartet.
> Ah Um - Mingus
> 
> http://www.youtube.com/watch?v=edbwVKwFF6Y
> 
> I'm not going to say I think one album is better
> than the rest, but don't bother having a conversation
> with me while TSJC is playing.
> 
> Of course, KOB is perfect background music, probably
> one of it's selling points, especially to the jazz critics ;-)
> 
> 
> 
> 
> > break out of it. It's nice to see what Walter Norris does on Something
> > Else (Coleman, 1958), who obviously was in those sessions by request
> > of the producer, but quickly felt that he simply couldn't play
> > anything that worked with Coleman's concept - so he stayed out of the
> > way pretty much.
> 
> There's one point on that album where the piano plays this incredibly
> strong and lucid melody with complete confidence. Kind of sticks
> out from the rest of the playing. Very strange.
> 
> andy butler
> 

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Subject: Re: Davis' Modal Stuff
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Christo said:
"IMPRESSING: All tracks are first takes-recordings."

No they aren't. All tracks were recorded in one go, but they weren't
first takes.

And to Andy:
>(which I consciously did not mention to point out that it
> actually was a "traditional" lineup with piano)
"Not hard to mention that one, it's a personal favourite....the one
with the piano is "Something Else"."

Sorry, I didn't phrase that accurately. I meant to say "I mentioned
"Something Else" instead of "Shape of Jazz to come" to have a
"traditional quintet" album in my list of albums from that time."

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Date: Fri, 22 May 2009 02:45:04 -0700
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Tillman wrote:
"maybe kind of blue has gotten so famous because it
has a wonderful feel to it and contains music that non jazz musicians 
understand easily."


That's an interesting and astute point.

Jazz has had an interesting history and evolution.

Originally, once it had spread out of New Orleans and up the Mississippi 
River and to the
rest of the Country,  it was the popular music of our country and had a 
very strong association
with popular dance.......swing and ballads...........into big band, etc.

There are a couple of theories about why Be-Bop developed with it's 
characteristic rapid chord changes.

Dizzy Gillespie has said that it arose out of the tradition of the after 
hour jam sessions that would
occur in nightclubs in New York , Chicago and other East Coast cities.

After the first saxaphonists started incorporating rapid fire 
arpeggiating runs into jazz playing and
also more noise oriented techniques (squaking, bleeps, high overtone 
playing, etc.)  he said the
young sax players would come into the clubs and want to sit in.    They 
had been influenced by
people like Bird and Trane but they had never spent the time to master 
scalar playing and
deep harmonic knowledge that players like that embodied.

They were into the 'freedom' aspect of playing but they lacked discipline.

After a while, Dizzy said that they began to write songs with rapid 
chord changes so that if some
unknowledgeable but cocky player came up onstage to jam that they would 
be blown out of the water
if they didn't hadn't paid their dues.

Another theory I heard is that during World War Two that they had put a 
tax on dancing  in an effort to raise
money for the war effort.
Club owners felt they couldn't afford to pay the tax so they encouraged 
musicians
to play music that was not so danceable..................swing itself is 
an infectious rhythm and wonderful to dance
to ,  so the musicians turned to more elaborate chord changes and less 
'populous' kinds of melodies (and harmonies).
I forget where I read this but it makes a certain kind of sense.

I'm no jazz historian (or even an expert on jazz) but I've listened to a 
lot of music in the history of jazz (and am familiar with all
the tracks that Rainer pointed out.  I've also read a lot about the 
phenomenon since my instrument (whose history I have a great love
for) was only invented between 1908 or 09 (when the bass drum pedal and 
snare stand liberated the drummer and allowed him
to play three instruments at once, thus eliminating the possibility of 
being fired from the economic crunch that reduced the
New Orleans bands from small big bands to it's present day trios and 
quartets (or quintets) and 1915 (when the high hat was invented)

So, however BeBop developed,  one thing is certain...............in a 
very short order, Jazz went from a populist and visceral music
to being more of an intellectual music.  It became more complex.   There 
was a great trend towards athletic prowess, speed and dexterity
in instrumental playing and tempos, in general start going much, much 
faster.

It just quit being a dance music and, as such ,  it started to be more 
cerebral and more like art music.
This isn't to say that a lot of BeBop tunes didn't swing,  but you 
hardly think of the style as a danceable one if you get my drift.

Why I think that Kind Of Blue was so influential and so popular was 
partially because it was suddenly much more spacious and because
the chord progressions became simpler,  melody suddenly came to the fore 
in the playing of it.

It was greatly loved (the facts support that).  You don't sell millions 
of copies of an album unless some chord is hit with the public.
You can say that you don't like it, or that you are bugged by the fact 
that the music was , in a lot of sense, simpler and more atmospheric
(it stuck out like a sore thumb in those regards).

So Tillman's comment is pretty spot on.

Personally, as a drummer and , perhaps because I am really a minimalist 
at heart in everything I enjoy and do,   I loved how the record
sounded and also the effect it had on the jazz world after it's release.
I loved the whole Blue Note phase that followed it...........the great 
music of the Miles quintet with Shorter, Herbie Hancock, Ron Carter and 
Tony Williams.
...........the beautiful orchestral/jazz that came from Gil Evans 
involvement with Miles..................the beautiful music of Bill Evans.

To try and deny that it was influential is just absurd.

To say that there were other important trends going on  (Coleman, 
Rollins, Bruebeck) can stand side by side
with the statement that it was hugely influential.    Was it the only 
major influence,   of course not.

When I was growing up,  my father , who loved Bruebeck and played him 
incessantly in the home I grew up in used to
tell me (as later collegiate jazz snobs would)  that Bruebeck was a 
lightweight.

But to bring odd time signatures and a lot of unheard ethnic rhythms 
from around the world into jazz
was really a revolutionary thing.    To sell more jazz singles in the 
entire history of jazz with
a track that was in 5-4 (that had a drum solo in it, no less)  was 
astonishing.

Jazz has been very adventuresome melodically and chordally.   From where 
I sit,  it has been almost stupidly
conservative, rhythmically speaking (not that there haven't been a lot 
of people who tried to break out of that
and successfully so)

I've heard people diss  'Time Out'   and "Kind of Blue'  all of my life.
I think a lot of this is just resentment and jealousy,  frankly, because 
they were so immensely popular.

I think Rainer has interesting points but we're going to have to agree 
to disagree on this one.

I've owned and listened to all of the records that he points out that he 
thinks were more revolutionary (which by the way,
doesn't always mean more influential) and they, frankly,  don't move me 
emotionally or even intellectually as much as
"Kind of Blue" does,   and no amount of intellectual reasoning or 
argumentative discourse will talk me out of that feeling.

It's just how I feel about it.  It's just how I think about it.

I"m down with you not agreeing with it, Rainer,  and I accept that you 
don't think it's an important album.
I respect how you feel and think about it.     I'd love to hear that you 
can respect me for my take on it, too.








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Subject: re: Davis' Modal Stuff
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Rick said:
"I"m down with you not agreeing with it, Rainer,  and I accept that you
don't think it's an important album.
I respect how you feel and think about it.     I'd love to hear that you
can respect me for my take on it, too."

By all means, yes, Rick. A lot of that what I said (and that's true
for your and other statements, too), is basically based on either
personal taste or haphazard theories - so the only established fact
remains that it was/is a hugely successful album, and there's no
arguing that.
As for the rest of the discussion, I didn't see it as a competition to
find who's right, but rather to gain understanding, ideas and new
viewpoints - mission accomplished from my point of view.

Best,

               Rainer

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Rainer Straschill schrieb:
> that "Ah Um" was released that same year. And I believe that Andy's
> post clearly showed that db's theory that "not a heck of a lot" was
> happening at that time is not very...spot-on.
> 

I believe that was a joke referring to your typo ;)


Ernesto

From Loopers-Delight-request@loopers-delight.com  Fri May 22 11:42:22 2009
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Subject: Re: OT: Record impressions
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Yesterday, I had a chance to play around with Record on a friend's computer.

Sure, the SSL mixer console looks pretty impressive. But personally, I prefer a different DAW approach. For me, just because things work very well in analogue gear doesn't mean it should be emulated 1:1 as software.
I prefer minimalistic/integrated approaches to UI like Ableton or Logic 8. 

But I guess for analogue veterans Record is as good as it gets....

Btw: time stretch was VERY (!!) impressive!!! Way beyond anything I have seen...

best regards
Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dslspecial.gmx.de/freedsl-aktionspreis/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Fri May 22 12:19:22 2009
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http://wdiy.org/programs/gt/playlists/2009/090521.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #633                May 21, 2009.

RECAP:
On this show, I continued the month-long focus on Gert Emmens and Ruud
Heij.  The Featured CD at Midnight was Journey on EH Records.

Gert Emmens and Ruud Heij:
http://wdiy.org/programs/gt/playlists/2009/focus.html#may


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mark Mahoney         A Visit To a Most    Beyond the Vaulting Sky (none)
                       Ancient Outpost
Mark Mahoney         Dance of the         Beyond the Vaulting Sky (none)
                       Arachnids
Asnazzy              Space Bound          Voyage To Andromeda (none)
Gert Emmens          Part 8               The Nearest Faraway Place Vol.
                                            2 (Groove)
33 Tetragammon and   Zero Point           Resonating Earth (none)
  Human Metronome
33 Tetragammon and   Separate Self *      Resonating Earth (none)
  Human Metronome
Gert Emmens and      Journey              Journey (EH)
  Ruud Heij

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens and      The Endless Running  Journey (EH)
  Ruud Heij            Messenger
Gert Emmens and      A City Awakens       Journey (EH)
  Ruud Heij
Gert Emmens and      Rolling Thunder in   Journey (EH)
  Ruud Heij            the Mountains of Hope
Gert Emmens and      Red Clouds Over a    Journey (EH)
  Ruud Heij            Misty Swamp
Gert Emmens and      Regaining Breath In  Journey (EH)
  Ruud Heij            the Eye of the Storm

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Gert
Emmens and Ruud Heij.  The Featured CD at Midnight will be Silent
Witnesses of Industrial Landscapes on EH Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri May 22 13:13:53 2009
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Subject: Erdem's new CD in WIRE
Date: Fri, 22 May 2009 15:13:49 +0200
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congrats to the very positive review in WIRE, Erdem, for your Wounded Breath
CD

-Michael

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Date: Fri, 22 May 2009 15:14:50 +0200
Message-ID: <66f9cc1e0905220614u34989cen123be7bcd7b391b@mail.gmail.com>
Subject: Re: OT: Record impressions
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 22, 2009 at 1:42 PM, Buzap Buzap <buzap@gmx.net> wrote:
> But I guess for analogue veterans Record is as good as it gets....

Or for recording professionals - i.e. guys that need total stability
during the production process in order to get finished on a deadline.
In the pro audio world it is a long time standard to deliver projects
as audio files, rather than a work document file from some DAW
applicatins plus plug-ins. The reason for this standard is that it
guarantees full compatibility between production platforms and
applications and also gives the best protection against lost backwards
compatibility due to software upgrades or discontinued software
products. In this regard Record also seems a good deal for musicians
that are not pro recordists but do a lot of collaborations with such
people. I guess a lot of new Record buyers will be artists that would
otherwise have bought ProTools LE.

I'm not very interested in Record either, because I already have Logic
and appreciate that freedom of signal routing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Fri, 22 May 2009 15:18:09 +0200
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Subject: Re: Erdem's new CD in WIRE
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On Fri, May 22, 2009 at 3:13 PM, Michael Peters <mp@mpeters.de> wrote:
> congrats to the very positive review in WIRE, Erdem, for your Wounded Breath
> CD

Chiming in on that! Wonderful news. Congratulations, Erdem! :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri May 22 13:40:49 2009
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From: jayrope LD <jrploopers@kliklak.net>
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Subject: Rope Live / today / Berlin / Galerie Erstererster / Pappelallee 69 / 21h
Date: Fri, 22 May 2009 15:40:45 +0200
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Ciao fellow loopers,

i will cinematically loop myself and drums tonite (Friday 22) at
Galerie Erstererster, Pappelallee 69, Berlin, 21h.
Admission is free.
Nico Lippolis ond drums & me rejoin (as ROPE) to support our fellow  
friend Jacopo De Marco
exhibiting very large format photography. Gorgeous images!
Here's a flyer page:
http://www.kliklak.net/jdmphoto/
And here's all info:
http://kliklak.net/live-dates/rope-galerie-erstererster-berlin-2

See you there, say hi, if you come.
- - -
jayrope
http://www.kliklak.net
(We momentarily play something one could call "cinematic noise rock.  
But admittedly that's changing every time we play.)

- - -
jayrope
http://www.kliklak.net

From Loopers-Delight-request@loopers-delight.com  Fri May 22 13:43:00 2009
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References: <7334ca1b0905211230p2020176aq9f7d3e94a7ae80cc@mail.gmail.com>
    <4A167DE7.60304@haciendalibre.com>
Date: Fri, 22 May 2009 09:42:59 -0400 (EDT)
Subject: Re: Davis' Modal Stuff (and other OT)
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> 
> 
> Rainer Straschill schrieb:
>> that
"Ah Um" was released that same year. And I believe that
Andy's
>> post clearly showed that db's theory that "not a
heck of a lot" was
>> happening at that time is not
very...spot-on.
>>
> 
> I believe that was a
joke referring to your typo ;)
> 
> 
> Ernesto

Now there's someone who's paying attention!


DB
http://biink.com/db

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&gt; <br />&gt; <br />&gt; Rainer Straschill schrieb:<br />&gt;&gt; that
&quot;Ah Um&quot; was released that same year. And I believe that
Andy's<br />&gt;&gt; post clearly showed that db's theory that &quot;not a
heck of a lot&quot; was<br />&gt;&gt; happening at that time is not
very...spot-on.<br />&gt;&gt;<br />&gt; <br />&gt; I believe that was a
joke referring to your typo ;)<br />&gt; <br />&gt; <br />&gt; Ernesto<br
/><br />Now there's someone who's paying attention!<br /><br /><br />DB<br
/>http://biink.com/db
------=_20090522094259_16588--


From Loopers-Delight-request@loopers-delight.com  Fri May 22 13:47:51 2009
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	id D8D573BE84; Fri, 22 May 2009 13:47:51 +0000 (UTC)
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <002d01c9dadf$25d2bd60$14b2a8c0@mpeserver>
Subject: Re: Erdem's new CD in WIRE
Date: Fri, 22 May 2009 16:47:45 +0300
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wow guys! which issue is that on? june? damn, i will not be able to buy =
the copy until mid june :(

will very much appreciate if you could write me some parts of the =
review.

it is so weird, i could not get a review for my "altered realities" =
album even though my label sent 4 copies, and now i have 2 very good =
reviews on may and june issues. such is life i guess.

this was a nice birthday present for me :) hahaha :)

best to all.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Friday, May 22, 2009 4:13 PM
  Subject: Erdem's new CD in WIRE


  congrats to the very positive review in WIRE, Erdem, for your Wounded =
Breath
  CD

  -Michael

------=_NextPart_000_000C_01C9DAFD.085D40C0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>wow guys! which issue is that on? june? damn, i will not be able to =
buy the=20
copy until mid june :(</DIV>
<DIV>&nbsp;</DIV>
<DIV>will very much appreciate if you could write me some parts of the=20
review.</DIV>
<DIV>&nbsp;</DIV>
<DIV>it is so weird, i could not get a review for my "altered realities" =
album=20
even though my label sent 4 copies, and now i have 2 very good reviews =
on may=20
and june issues. such is life i guess.</DIV>
<DIV>&nbsp;</DIV>
<DIV>this was a nice birthday present for me :) hahaha :)</DIV>
<DIV>&nbsp;</DIV>
<DIV>best to all.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, May 22, 2009 4:13 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Erdem's new CD in =
WIRE</DIV>
  <DIV><BR></DIV>congrats to the very positive review in WIRE, Erdem, =
for your=20
  Wounded Breath<BR>CD<BR><BR>-Michael<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C9DAFD.085D40C0--

From Loopers-Delight-request@loopers-delight.com  Fri May 22 14:19:17 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Davis' Modal Stuff OT
References: <7334ca1b0905210758y4cadf0can5cce6e6b3bc654b1@mail.gmail.com> <4A158B8D.9080208@tiscali.co.uk> <007801c9dabb$c0d89a10$0201a8c0@Toshiba>
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Well, I think I only jumped into this thread because
I'm excited about going to see Ornette next Month ;-)

With Kind of Blue,
I can read about how it was put together,
listen to it,
and understand how it was done.

Now listening to Ornettes "Tomorrow is the question" 
(right at the start of  1959, )
How? sounds like the rhythm section is perfectly
in tune with the session, as if they were part of
the regular band. They weren't, they were drafted in
by the record label.
...and some of that album is sparsely melodic to
an exaggerated degree.

Rick says
> So, however BeBop developed,  one thing is certain...............in a 
> very short order, Jazz went from a populist and visceral music
> to being more of an intellectual music.

c'mon Rick......Mingus not visceral !
:-)

andy




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Date: Fri, 22 May 2009 07:54:44 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: Davis Dark Magus // Looping "outside"?
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--0-2068530733-1243004084=:7536
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RE: "Dark Magus" is the Davis album to get!

i remember hearing about M. Davis' material from the 70's back in interview=
s
w/ various guitarists in GP in 80's, and then Davis' work came up again whe=
n
DT's "Prezens" disc came out...and i love the interplay of DT's band in the
improvised setting....so one day when i was at my fave used cd place (well
it used to be "records", although they still have vinyl there), and they
had the album "dark magus", said it was live from concerts in early 70s.
so i took a chance and bought it. wow, it's the densest material i've ever
heard. i'm not sure how to describe it. but it is good. now if my 80's begi=
nning
to play guitar wanna be metal head self heard it, i probably wouldn't have =
liked
it, but i love it today (i think my ears are tuned to more sounds now, mayb=
e i'm=20
mature or old or something....).the funny thing is that music is over 35 yr=
s old
& it sounds so now/contemporary to me its amazing....

RE:Looping is a way I have found.. Sometimes I wonder=A0how "outside" you c=
an play and still call it music...

i had a thought about this a few yrs ago when i was playing w/ different tu=
nings & looping...
i'm not sure if i really came up w/ anything new outisde what Fahey (et al)=
 or sonic
youth have probably explored, but it was mind opening for me, it did make m=
e play differently,
chord shapes i knew sounded different obviously, the 2 thoughts i had was: =
well you can't
play cover tunes in these tunings (& i'm HORRIBLE @ playing covers) & my ot=
her thought in
this exploration was: why bother tuning at all? funnny thing after this i w=
ent back to
standard tuning (well standard down to D) and have been doing that ever sin=
ce....
oh well...
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=3D235503632389016121
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
=A0
=0A=0A=0A      
--0-2068530733-1243004084=:7536
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><pre>RE: "Dark Magus" is the Davis album to g=
et!<br><br>i remember hearing about M. Davis' material from the 70's back i=
n interviews<br>w/ various guitarists in GP in 80's, and then Davis' work c=
ame up again when<br>DT's "Prezens" disc came out...and i love the interpla=
y of DT's band in the<br>improvised setting....so one day when i was at my =
fave used cd place (well<br>it used to be "records", although they still ha=
ve vinyl there), and they<br>had the album "dark magus", said it was live f=
rom concerts in early 70s.<br>so i took a chance and bought it. wow, it's t=
he densest material i've ever<br>heard. i'm not sure how to describe it. bu=
t it is good. now if my 80's beginning<br>to play guitar wanna be metal hea=
d self heard it, i probably wouldn't have liked<br>it, but i love it today =
(i think my ears are tuned to more sounds now, maybe i'm <br>mature or old =
or
 something....).the funny thing is that music is over 35 yrs old<br>&amp; i=
t sounds so now/contemporary to me its amazing....<br><br>RE:Looping is a w=
ay I have found.. Sometimes I wonder&nbsp;how "outside" you can play and st=
ill call it music...<br><br>i had a thought about this a few yrs ago when i=
 was playing w/ different tunings &amp; looping...<br>i'm not sure if i rea=
lly came up w/ anything new outisde what Fahey (et al) or sonic<br>youth ha=
ve probably explored, but it was mind opening for me, it did make me play d=
ifferently,<br>chord shapes i knew sounded different obviously, the 2 thoug=
hts i had was: well you can't<br>play cover tunes in these tunings (&amp; i=
'm HORRIBLE @ playing covers) &amp; my other thought in<br>this exploration=
 was: why bother tuning at all? funnny thing after this i went back to<br>s=
tandard tuning (well standard down to D) and have been doing that ever sinc=
e....<br>oh well...<br>s---<br>www.myspace.com/scotthansen<br><a
 target=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D235503=
632389016121"><span class=3D"yshortcuts" id=3D"lw_1243003723_0">http://vide=
o.google.com/videoplay?docid=3D235503632389016121</span></a><br><a target=
=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D5791548553161=
416906&amp;hl=3Den"><span class=3D"yshortcuts" id=3D"lw_1243003723_1">http:=
//video.google.com/videoplay?docid=3D5791548553161416906&amp;hl=3Den</span>=
</a><br>&nbsp;<br></pre></td></tr></table><br>=0A=0A      
--0-2068530733-1243004084=:7536--

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	 <4A165ADB.1080003@tiscali.co.uk>
Date: Fri, 22 May 2009 11:07:56 -0400
Message-ID: <44e368750905220807q4dde84f2ibfc49fd7793a76e3@mail.gmail.com>
Subject: Re: midi volume pedal
From: james fowler <twostroke@gmail.com>
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ernie ball junior?  supposed to be smaller and therefore lighter...but i
gotta ask: how is the normal eb pedal too heavy?

- j

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ernie ball junior?=A0 supposed to be smaller and therefore lighter...but i =
gotta ask: how is the normal eb pedal too heavy?=A0 <br><br>- j<br>

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	 <000f01c9dae3$e3dfdbe0$0500000a@ERDEMOLD>
Date: Fri, 22 May 2009 11:28:06 -0400
Message-ID: <9e0440a60905220828g45df3038i31836f7955683983@mail.gmail.com>
Subject: Re: Erdem's new CD in WIRE
From: Jim Goodin <jimgoodinmusic@gmail.com>
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What's the link or is it hardcopy review only?  Regardless congratulations
Erdem that's wonderful and happy birthday.

jim

On Fri, May 22, 2009 at 9:47 AM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:

>  wow guys! which issue is that on? june? damn, i will not be able to buy
> the copy until mid june :(
>
> will very much appreciate if you could write me some parts of the review.
>
> it is so weird, i could not get a review for my "altered realities" album
> even though my label sent 4 copies, and now i have 2 very good reviews on
> may and june issues. such is life i guess.
>
> this was a nice birthday present for me :) hahaha :)
>
> best to all.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes
>
> ----- Original Message -----
> *From:* Michael Peters <mp@mpeters.de>
> *To:* Loopers Delight <Loopers-Delight@loopers-delight.com>
> *Sent:* Friday, May 22, 2009 4:13 PM
> *Subject:* Erdem's new CD in WIRE
>
> congrats to the very positive review in WIRE, Erdem, for your Wounded
> Breath
> CD
>
> -Michael
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b6803da05b046a81e8bb
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<div>What&#39;s the link or is it hardcopy review only?=A0 Regardless congr=
atulations Erdem that&#39;s wonderful and happy birthday.</div>
<div>=A0</div>
<div>jim<br><br></div>
<div class=3D"gmail_quote">On Fri, May 22, 2009 at 9:47 AM, Erdem Helvaciog=
lu <span dir=3D"ltr">&lt;<a href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.n=
et</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div bgcolor=3D"#ffffff">
<div>wow guys! which issue is that on? june? damn, i will not be able to bu=
y the copy until mid june :(</div>
<div>=A0</div>
<div>will very much appreciate if you could write me some parts of the revi=
ew.</div>
<div>=A0</div>
<div>it is so weird, i could not get a review for my &quot;altered realitie=
s&quot; album even though my label sent 4 copies, and now i have 2 very goo=
d reviews on may and june issues. such is life i guess.</div>
<div>=A0</div>
<div>this was a nice birthday present for me :) hahaha :)</div>
<div>=A0</div>
<div>best to all.</div>
<div>=A0</div>
<div>Erdem Helvacioglu<br><a href=3D"http://www.erdemhelvacioglu.com/" targ=
et=3D"_blank">www.erdemhelvacioglu.com</a><br><a href=3D"http://www.myspace=
.com/erdemhelvacioglu" target=3D"_blank">www.myspace.com/erdemhelvacioglu</=
a><br>
* * * * * * * * * * * * * * * * * * * *<br>&quot;Wounded Breath&quot; album=
 is out now on Aucourant Records:<br><a href=3D"http://www.aucourantrecords=
.com/catalog.php?op=3Ddetail&amp;cid=3D23" target=3D"_blank">www.aucourantr=
ecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</a></div>

<div>=A0</div>
<div>&quot;wounded breath album will open you up to new experiences and <br=
>allow you to explore worlds previously closed to you.&quot;<br>Blogcritics=
, Richard Marcus</div>
<div>=A0</div>
<div>&quot;wounded breath is an outstanding acousmatic record, period.&quot=
;<br>Massimo Ricci, touching extremes</div>
<div>
<div></div>
<div class=3D"h5">
<blockquote style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><b>From:</b> <a title=
=3D"mp@mpeters.de" href=3D"mailto:mp@mpeters.de" target=3D"_blank">Michael =
Peters</a> </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loop=
ers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers Delight</a> </div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Friday, May 22, 2009 4:13 PM</=
div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Erdem&#39;s new CD in WIRE<=
/div>
<div><br></div>congrats to the very positive review in WIRE, Erdem, for you=
r Wounded Breath<br>CD<br><br>-Michael<br></blockquote></div></div></div></=
blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b6803da05b046a81e8bb--

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Date: Fri, 22 May 2009 17:33:31 +0200
Message-ID: <66f9cc1e0905220833p64991c8dl928a07e9bf9e4b99@mail.gmail.com>
Subject: Re: OT: Davis Dark Magus // Looping "outside"?
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 22, 2009 at 4:54 PM, scott hansen <evanpeewee@yahoo.com> wrote:
> my other thought in
> this exploration was: why bother tuning at all?

Interesting approach. I've been adapting this philosophy in the studio
when recording vocals; making sure no one sings in tune or in any kind
of "musically sounding" voice and then mixing those layers rather
softly behind the lead (that of course is in tune and "musically
sounding"). This trick can create a great feel and attitude in a vocal
lead track - so why shouldn't it be possible for guitar as well?

Related association:
BTW, the few times I had a chance to hear Sonny Sharrock play guitar
live it seemed that most tonal aspects were just left for random while
the rhythmic attack and sonic frenzy were the the departments where he
came through with tremendous power.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Fri, 22 May 2009 08:32:43 -0700
Message-ID: <3fa302e30905220832g347eb7f4q62e95e7a1a34a6e0@mail.gmail.com>
Subject: Re: Davis' Modal Stuff
From: Miko Biffle <biffoz@gmail.com>
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I found both sides intrigueing and downloaded "Shape of... " and "Kind
of Blue" and re-listened. The history in general adds a lot of context
for me.  Coolio!  -m

On Fri, May 22, 2009 at 2:58 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Rick said:
> "I"m down with you not agreeing with it, Rainer, =A0and I accept that you
> don't think it's an important album.
> I respect how you feel and think about it. =A0 =A0 I'd love to hear that =
you
> can respect me for my take on it, too."
>
> By all means, yes, Rick. A lot of that what I said (and that's true
> for your and other statements, too), is basically based on either
> personal taste or haphazard theories - so the only established fact
> remains that it was/is a hugely successful album, and there's no
> arguing that.
> As for the rest of the discussion, I didn't see it as a competition to
> find who's right, but rather to gain understanding, ideas and new
> viewpoints - mission accomplished from my point of view.
>
> Best,
>
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 Rainer
>
>



--=20
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

From jschaoli@jsmail.com.cn  Fri May 22 17:52:43 2009
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From: "John Mukhabe"<jschaoli@jsmail.com.cn>
Subject: Re: Business Partnership offer
Date: Fri, 22 May 2009 17:04:00 -0000
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From: John Mukhabe
178 Jason Moyo Layouts
Harare-Zimbabwe.


Dear Sir,


I got your contact information from a reputable business/professional directory of your country which gives me assurance of your legibility as a business person.
 
My name is John Mukhabe a citizen of Zimbabwe and a financial consultant. I represent the interest of a client, an investor whom as a result of the sensitive nature of the position he occupies under the present government in Zimbabwe, coupled with the recent political and economic developments in my country wishes to relocate his funds abroad and secure it from inflation through investment.
 
 
I am making this contact with you on the strength of this my client s need  for  an individual such as you, who will be willing to receive money on his behalf abroad, and then invest this money for making profit in accordance with the foreign direct investment regulations in your country.Your role as a partner will be to devise the necessary business plan based on your knowledge of the domestic economy in your country. To oversee the day to day management of the business that will be established there in your country with this capital (U.S$10,500,000).
 
 
The establishment of this joint business venture with the above mentioned fund will be carried out in a manner consistent with the prevailing international laws and that of your country guiding such an investment.In the event that you are willing to work with me on this project as a partner, provide me with your direct telephone and fax numbers for further detail.
 
 
Best regards
John Mukhabe

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Awhile back, I mentioned a very early, looping pioneer artist who was  
doing live solo saxophone looping performances in Texas Louisiana (and?)
whose name is Dickie Landry. Well, the GOOD news is that he had  
released a CD back in 2006,of which I just recently found out about,  
and it is SUPERB!
3 long and beautiful, atmospheric, etc cuts that are a true joy.

I remembered in the very early 80's hearing about Landry and his  
story, but could never find anything by him to check out.
Definitely REVcommended!

Here is where to obtain a copy and support this very special artist,  
who is also an excellent painter, as well.
http://www.waydowninlouisiana.com/store.html

Also, previously unknown to me is that Mr. Landry was a founding  
member of the Philip Glass Ensemble and
has worked with Laurie Anderson, Talking Heads, painter Robert  
Rauschenberg, and host of other luminaries.

Enjoy!

L8r, rezon8ors!
Rev Fever
http://www.spiritone.com/~rvfever/

PS-He also released an LP way long ago entitled "12 Saxophones" which  
presents his very early looping artistry, but it is long out of print,
and any copies that can be found usually are sold for high prices.  
Maybe if he got enough interest generated by others, that he would  
consider
reissuing it onto CD? I think(?) he may be contacted thru the above  
label, but do not know for sure?  (Or..?)


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
 Awhile back, I mentioned a very early, looping pioneer artist who was =
doing live solo saxophone looping performances in Texas=A0Louisiana =
(and?)=A0<div>whose name is Dickie Landry. Well, the GOOD news is that =
he had released a CD back in 2006,of which I just recently found out =
about, and it is SUPERB! =A0=A0</div><div>3 long and beautiful, =
atmospheric, etc cuts that are a true joy.<div><br></div><div>I =
remembered in the very early 80's hearing about Landry and his story, =
but could never find anything by him to check out.=A0</div><div>Definitely=
 REVcommended!</div><div><br></div><div>Here is where to obtain a copy =
and support this very special artist, who is also an excellent painter, =
as well.</div><div><a =
href=3D"http://www.waydowninlouisiana.com/store.html">http://www.waydownin=
louisiana.com/store.html</a></div><div><br></div><div>Also, previously =
unknown to me is that Mr. Landry was a founding member of the Philip =
Glass Ensemble and</div><div>has worked with Laurie Anderson, Talking =
Heads, painter Robert Rauschenberg, and host of other =
luminaries.</div><div><br></div><div>Enjoy!</div><div><br>L8r, =
rezon8ors!<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div><div>PS-He also released an LP way long ago =
entitled "12 Saxophones" which presents his very early looping artistry, =
but it is long out of print,</div><div>and any copies that can be found =
usually are sold for high prices. Maybe if he got enough interest =
generated by others, that he would consider</div><div>reissuing it onto =
CD? I think(?) he may be contacted thru the above label, but do not know =
for sure? =A0(Or..?)</div></span> </div><br></div></div></body></html>=

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Date: Fri, 22 May 2009 21:08:31 +0200
Message-ID: <66f9cc1e0905221208l7cca7727n7a124eb006fd7de5@mail.gmail.com>
Subject: Re: Dickie Landry
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 22, 2009 at 8:54 PM, Rev Fever <revfever@ubergadget.com> wrote:
> Dickie Landry

I've heard the name too (not only on my old Philip Glass record
covers) and unsuccessfully tried to find hos solo music. Great to know
at least where a CD can be ordered. I will continue look for a digital
online store for this though, because more piles of CDs is the least
thing I need around here ;-)

Found it! 256 kbps available at Amazon.com!!!! Getting it.

Thank you for the hint, Rev.

Per

From Loopers-Delight-request@loopers-delight.com  Fri May 22 19:40:44 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: Dickie Landry
Date: Fri, 22 May 2009 12:40:36 -0700
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On May 22, 2009, at 12:08 PM, Per Boysen wrote:

> On Fri, May 22, 2009 at 8:54 PM, Rev Fever  
> <revfever@ubergadget.com> wrote:
>> Dickie Landry
>
> I've heard the name too (not only on my old Philip Glass record
> covers) and unsuccessfully tried to find hos solo music. Great to know
> at least where a CD can be ordered. I will continue look for a digital
> online store for this though, because more piles of CDs is the least
> thing I need around here ;-)
>
> Found it! 256 kbps available at Amazon.com!!!! Getting it.
>
> Thank you for the hint, Rev.
>
> Per
>


Hey Per,

Glad ya found a download for it. As for me, if I can get an actual  
physical product, I will do so, especially for the printed insert,  
and tray card,
and any artwork that in imprinted on the CD itself, and even more so  
for any booklet that may come with it. That is not always the case  
with digital downloads.
As for space being  taken up here at home for CDs, and LPs (and...?)  
well, I just make "adjustments", and / or get rid of, or "sacrifice"  
something else
non-music related in the home to MAKE room for MORE MUSIC. :-)

I  also like to help an artist, or an indy label to recoup their  
initial investment of having an actual physical product manufactured  
for sale.
And also, it is always kool to look around my place, or to go to  
someone else's place and see WALLS and WALLS of CDs and LPs (and...?)
to be able to be handled and looked at, along with hearing!

Cheers!
Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<br><div><div>On May 22, 2009, at 12:08 PM, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Fri, May 22, 2009 at 8:54 PM, Rev Fever &lt;<a =
href=3D"mailto:revfever@ubergadget.com">revfever@ubergadget.com</a>> =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dickie =
Landry</div> </blockquote><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I've heard the name too (not =
only on my old Philip Glass record</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">covers) and =
unsuccessfully tried to find hos solo music. Great to know</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">at least where a CD can be ordered. I will continue =
look for a digital</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">online store for this =
though, because more piles of CDs is the least</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">thing I need around here ;-)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Found =
it! 256 kbps available at Amazon.com!!!! Getting it.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Thank =
you for the hint, Rev.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Per</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><div><br></div><div>Hey Per,</div><div><br></div>Glad =
ya found a download for it. As for me, if I can get an actual physical =
product, I will do so, especially for the printed insert, and tray =
card,<div>and any artwork that in imprinted on the CD itself,=A0and even =
more so for any booklet that may come with it. That is not always the =
case with digital downloads.=A0</div><div>As for space being =A0taken up =
here at home for CDs, and LPs (and...?) well, I just make "adjustments", =
and / or get rid of, or "sacrifice" something else=A0<div>non-music =
related in the home to MAKE room for MORE MUSIC. =
:-)=A0</div><div><br></div><div>I =A0also like to help an artist, or an =
indy label to recoup their initial investment of=A0having an actual =
physical product manufactured for sale.=A0</div><div>And also, it is =
always kool to look around my place, or to go to someone else's =
place=A0and see WALLS and WALLS of CDs and LPs (and...?)=A0</div><div>to =
be able to be handled and looked at, along with =
hearing!=A0</div><div><br></div><div>Cheers!<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></div></div></body></html>=

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Date: Fri, 22 May 2009 12:55:07 -0700
Message-ID: <bb8d51cd0905221255i6c2c5939ofd813cd0d2c5fbe4@mail.gmail.com>
Subject: Re: Dickie Landry
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks. I saw Richard Landry play in 1984, he was touring with Laurie
Anderson. Fantastic. He also appears on her 'Home of the Brave' concert
film. I don't recall him working with Talking Heads, can you point to his
contribution?

On Fri, May 22, 2009 at 11:54 AM, Rev Fever <revfever@ubergadget.com> wrote:

> Awhile back, I mentioned a very early, looping pioneer artist who was doing
> live solo saxophone looping performances in Texas Louisiana (and?) whose
> name is Dickie Landry. Well, the GOOD news is that he had released a CD back
> in 2006,of which I just recently found out about, and it is SUPERB!
> 3 long and beautiful, atmospheric, etc cuts that are a true joy.
> I remembered in the very early 80's hearing about Landry and his story, but
> could never find anything by him to check out.
> Definitely REVcommended!
>
> Here is where to obtain a copy and support this very special artist, who is
> also an excellent painter, as well.
> http://www.waydowninlouisiana.com/store.html
>
> Also, previously unknown to me is that Mr. Landry was a founding member of
> the Philip Glass Ensemble and
> has worked with Laurie Anderson, Talking Heads, painter Robert
> Rauschenberg, and host of other luminaries.
>
> Enjoy!
>
> L8r, rezon8ors!
> Rev Fever
> http://www.spiritone.com/~rvfever/ <http://www.spiritone.com/%7Ervfever/>
>
> PS-He also released an LP way long ago entitled "12 Saxophones" which
> presents his very early looping artistry, but it is long out of print,
> and any copies that can be found usually are sold for high prices. Maybe if
> he got enough interest generated by others, that he would consider
> reissuing it onto CD? I think(?) he may be contacted thru the above label,
> but do not know for sure?  (Or..?)
>
>

--0016369fa2ca245a34046a85a3d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks. I saw Richard Landry play in 1984, he was touring with Laurie Ander=
son. Fantastic. He also appears on her &#39;Home of the Brave&#39; concert =
film. I don&#39;t recall him working with Talking Heads, can you point to h=
is contribution?<br>
<br><div class=3D"gmail_quote">On Fri, May 22, 2009 at 11:54 AM, Rev Fever =
<span dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadget.com">revfever@u=
bergadget.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">
<div style=3D"">
 Awhile back, I mentioned a very early, looping pioneer artist who was doin=
g live solo saxophone looping performances in Texas=A0Louisiana (and?)=A0<d=
iv>whose name is Dickie Landry. Well, the GOOD news is that he had released=
 a CD back in 2006,of which I just recently found out about, and it is SUPE=
RB! =A0=A0</div>
<div>3 long and beautiful, atmospheric, etc cuts that are a true joy.<div><=
br></div><div>I remembered in the very early 80&#39;s hearing about Landry =
and his story, but could never find anything by him to check out.=A0</div>
<div>Definitely REVcommended!</div><div><br></div><div>Here is where to obt=
ain a copy and support this very special artist, who is also an excellent p=
ainter, as well.</div><div><a href=3D"http://www.waydowninlouisiana.com/sto=
re.html" target=3D"_blank">http://www.waydowninlouisiana.com/store.html</a>=
</div>
<div><br></div><div>Also, previously unknown to me is that Mr. Landry was a=
 founding member of the Philip Glass Ensemble and</div><div>has worked with=
 Laurie Anderson, Talking Heads, painter Robert Rauschenberg, and host of o=
ther luminaries.</div>
<div><br></div><div>Enjoy!</div><div><br>L8r, rezon8ors!<br><div> <span sty=
le=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetic=
a; font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text=
-transform: none; white-space: normal; word-spacing: 0px;"><div>
Rev Fever</div><div><a href=3D"http://www.spiritone.com/%7Ervfever/" target=
=3D"_blank">http://www.spiritone.com/~rvfever/</a></div><div><br></div><div=
>PS-He also released an LP way long ago entitled &quot;12 Saxophones&quot; =
which presents his very early looping artistry, but it is long out of print=
,</div>
<div>and any copies that can be found usually are sold for high prices. May=
be if he got enough interest generated by others, that he would consider</d=
iv><div>reissuing it onto CD? I think(?) he may be contacted thru the above=
 label, but do not know for sure? =A0(Or..?)</div>
</span> </div><br></div></div></div></blockquote></div><br>

--0016369fa2ca245a34046a85a3d3--

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Subject: Re: Dickie Landry
Date: Fri, 22 May 2009 16:32:01 -0400
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I found the album on emusic.com.? Very nice stuff.? Thanks for the heads up.

Harry


-----Original Message-----
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, 22 May 2009 3:55 pm
Subject: Re: Dickie Landry


Thanks. I saw Richard Landry play in 1984, he was touring with Laurie Anderson. Fantastic. He also appears on her 'Home of the Brave' concert film. I don't recall him working with Talking Heads, can you point to his contribution?


On Fri, May 22, 2009 at 11:54 AM, Rev Fever <revfever@ubergadget.com> wrote:


Awhile back, I mentioned a very early, looping pioneer artist who was doing live solo saxophone looping performances in Texas?Louisiana (and?)?
whose name is Dickie Landry. Well, the GOOD news is that he had released a CD back in 2006,of which I just recently found out about, and it is SUPERB! ??

3 long and beautiful, atmospheric, etc cuts that are a true joy.



I remembered in the very early 80's hearing about Landry and his story, but could never find anything by him to check out.?

Definitely REVcommended!




Here is where to obtain a copy and support this very special artist, who is also an excellent painter, as well.

http://www.waydowninlouisiana.com/store.html




Also, previously unknown to me is that Mr. Landry was a founding member of the Philip Glass Ensemble and

has worked with Laurie Anderson, Talking Heads, painter Robert Rauschenberg, and host of other luminaries.




Enjoy!


L8r, rezon8ors!


Rev Fever

http://www.spiritone.com/~rvfever/




PS-He also released an LP way long ago entitled "12 Saxophones" which presents his very early looping artistry, but it is long out of print,

and any copies that can be found usually are sold for high prices. Maybe if he got enough interest generated by others, that he would consider

reissuing it onto CD? I think(?) he may be contacted thru the above label, but do not know for sure? ?(Or..?)










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I found the album on emusic.com.&nbsp; Very nice stuff.&nbsp; Thanks for the heads up.<br>
<br>
Harry<br>
<br>
<br>
-----Original Message-----<br>
From: Michael Billow &lt;mbillow@gmail.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Fri, 22 May 2009 3:55 pm<br>
Subject: Re: Dickie Landry<br>
<br>


<div id=AOLMsgPart_2_bad6533b-a064-49d7-bacb-6f0e0fbef2f6>Thanks. I saw Richard Landry play in 1984, he was touring with Laurie Anderson. Fantastic. He also appears on her 'Home of the Brave' concert film. I don't recall him working with Talking Heads, can you point to his contribution?<br>
<br>


<div class=gmail_quote>On Fri, May 22, 2009 at 11:54 AM, Rev Fever <SPAN dir=ltr>&lt;<A href="mailto:revfever@ubergadget.com">revfever@ubergadget.com</A>&gt;</SPAN> wrote:<br>

<BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">

<div>Awhile back, I mentioned a very early, looping pioneer artist who was doing live solo saxophone looping performances in Texas&nbsp;Louisiana (and?)&nbsp;

<div>whose name is Dickie Landry. Well, the GOOD news is that he had released a CD back in 2006,of which I just recently found out about, and it is SUPERB! &nbsp;&nbsp;</div>


<div>3 long and beautiful, atmospheric, etc cuts that are a true joy.

<div><br>
</div>


<div>I remembered in the very early 80's hearing about Landry and his story, but could never find anything by him to check out.&nbsp;</div>


<div>Definitely REVcommended!</div>


<div><br>
</div>


<div>Here is where to obtain a copy and support this very special artist, who is also an excellent painter, as well.</div>


<div><A href="http://www.waydowninlouisiana.com/store.html" target=_blank>http://www.waydowninlouisiana.com/store.html</A></div>


<div><br>
</div>


<div>Also, previously unknown to me is that Mr. Landry was a founding member of the Philip Glass Ensemble and</div>


<div>has worked with Laurie Anderson, Talking Heads, painter Robert Rauschenberg, and host of other luminaries.</div>


<div><br>
</div>


<div>Enjoy!</div>


<div><br>
L8r, rezon8ors!<br>


<div><SPAN style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate">

<div>Rev Fever</div>


<div><A href="http://www.spiritone.com/~rvfever/" target=_blank>http://www.spiritone.com/~rvfever/</A></div>


<div><br>
</div>


<div>PS-He also released an LP way long ago entitled "12 Saxophones" which presents his very early looping artistry, but it is long out of print,</div>


<div>and any copies that can be found usually are sold for high prices. Maybe if he got enough interest generated by others, that he would consider</div>


<div>reissuing it onto CD? I think(?) he may be contacted thru the above label, but do not know for sure? &nbsp;(Or..?)</div>
</SPAN></div>
<br>
</div>
</div>
</div>
</BLOCKQUOTE></div>
<br>
</div>
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Subject: Re: Dickie Landry
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On May 22, 2009, at 12:55 PM, Michael Billow wrote:

> Thanks. I saw Richard Landry play in 1984, he was touring with  
> Laurie Anderson. Fantastic. He also appears on her 'Home of the  
> Brave' concert film. I don't recall him working with Talking Heads,  
> can you point to his contribution?

'Dickie Landry, who had performed with Talking Heads, Laurie  
Anderson, and Philip Glass, returned to his parish roots in the group.;'
http://www.nojazzfest.com/chat/archive/index.php/t-3038.html

I also just stumbled across this VERY KOOL live radio interview with  
Mr. Landry from Feb,4th, 2009! Recent!
He also explains a little bit about his early looping using 2 Revox  
tape recorders and other great biographical information.  What an  
INCREDIBLE career!

REVcommended! Check it out! Enjoy!
(link the "hour 2"" of the show)
http://americanroutes.publicradio.org/archives/artist/206/dickie-landry

Cheers!
Rev Fever
http://www.spiritone.com/~rvfever/

> On Fri, May 22, 2009 at 11:54 AM, Rev Fever  
> <revfever@ubergadget.com> wrote:
> Awhile back, I mentioned a very early, looping pioneer artist who  
> was doing live solo saxophone looping performances in Texas  
> Louisiana (and?)
> whose name is Dickie Landry. Well, the GOOD news is that he had  
> released a CD back in 2006,of which I just recently found out  
> about, and it is SUPERB!
> 3 long and beautiful, atmospheric, etc cuts that are a true joy.
>
> I remembered in the very early 80's hearing about Landry and his  
> story, but could never find anything by him to check out.
> Definitely REVcommended!
>
> Here is where to obtain a copy and support this very special  
> artist, who is also an excellent painter, as well.
> http://www.waydowninlouisiana.com/store.html
>
> Also, previously unknown to me is that Mr. Landry was a founding  
> member of the Philip Glass Ensemble and
> has worked with Laurie Anderson, Talking Heads, painter Robert  
> Rauschenberg, and host of other luminaries.
>
> Enjoy!
>
> L8r, rezon8ors!
> Rev Fever
> http://www.spiritone.com/~rvfever/
>
> PS-He also released an LP way long ago entitled "12 Saxophones"  
> which presents his very early looping artistry, but it is long out  
> of print,
> and any copies that can be found usually are sold for high prices.  
> Maybe if he got enough interest generated by others, that he would  
> consider
> reissuing it onto CD? I think(?) he may be contacted thru the above  
> label, but do not know for sure?  (Or..?)


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<br><div><div>On May 22, 2009, at 12:55 PM, Michael Billow =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Thanks. I saw Richard Landry play in 1984, he was touring =
with Laurie Anderson. Fantastic. He also appears on her 'Home of the =
Brave' concert film. I don't recall him working with Talking Heads, can =
you point to his contribution?</blockquote><div><br></div><div>'<span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
11px; "><b>Dickie Landry, who had performed with Talking Heads, Laurie =
Anderson, and Philip Glass, returned to his parish roots in the =
group.;'</b></span></div></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><a =
href=3D"http://www.nojazzfest.com/chat/archive/index.php/t-3038.html">http=
://www.nojazzfest.com/chat/archive/index.php/t-3038.html</a></span></font>=
</div><div><font class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
11px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;">I also just stumbled across this VERY KOOL =
live radio interview with Mr. Landry from Feb,4th, 2009! =
Recent!</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;">He also explains a little bit about his early =
looping using 2 Revox tape recorders and other great biographical =
information. =A0What an INCREDIBLE =
career!=A0</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><br></span></font></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
11px; ">REVcommended!=A0Check it out! Enjoy!</span></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 11px;">(link the "hour =
2"" of the show)</span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 11px; "><a =
href=3D"http://americanroutes.publicradio.org/archives/artist/206/dickie-l=
andry">http://americanroutes.publicradio.org/archives/artist/206/dickie-la=
ndry</a></span></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><br></span></font></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
11px; ">Cheers!=A0</span></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; "><div>Rev =
Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div></span></span></font></div><div><blockquote =
type=3D"cite"><div class=3D"gmail_quote">On Fri, May 22, 2009 at 11:54 =
AM, Rev Fever <span dir=3D"ltr">&lt;<a =
href=3D"mailto:revfever@ubergadget.com">revfever@ubergadget.com</a>></span=
> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> <div style=3D""> Awhile back, I mentioned a very early, looping =
pioneer artist who was doing live solo saxophone looping performances in =
Texas=A0Louisiana (and?)=A0<div>whose name is Dickie Landry. Well, the =
GOOD news is that he had released a CD back in 2006,of which I just =
recently found out about, and it is SUPERB! =A0=A0</div> <div>3 long and =
beautiful, atmospheric, etc cuts that are a true =
joy.<div><br></div><div>I remembered in the very early 80's hearing =
about Landry and his story, but could never find anything by him to =
check out.=A0</div> <div>Definitely =
REVcommended!</div><div><br></div><div>Here is where to obtain a copy =
and support this very special artist, who is also an excellent painter, =
as well.</div><div><a =
href=3D"http://www.waydowninlouisiana.com/store.html" =
target=3D"_blank">http://www.waydowninlouisiana.com/store.html</a></div> =
<div><br></div><div>Also, previously unknown to me is that Mr. Landry =
was a founding member of the Philip Glass Ensemble and</div><div>has =
worked with Laurie Anderson, Talking Heads, painter Robert Rauschenberg, =
and host of other luminaries.</div> =
<div><br></div><div>Enjoy!</div><div><br>L8r, rezon8ors!<br><div> <span =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-indent: 0px; text-transform: none; white-space: normal; =
word-spacing: 0px;"><div> Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/%7Ervfever/" =
target=3D"_blank">http://www.spiritone.com/~rvfever/</a></div><div><br></d=
iv><div>PS-He also released an LP way long ago entitled "12 Saxophones" =
which presents his very early looping artistry, but it is long out of =
print,</div> <div>and any copies that can be found usually are sold for =
high prices. Maybe if he got enough interest generated by others, that =
he would consider</div><div>reissuing it onto CD? I think(?) he may be =
contacted thru the above label, but do not know for sure? =A0(Or..?)</div>=
 </span> =
</div></div></div></div></blockquote></div></blockquote></div><br></body><=
/html>=

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Date: Fri, 22 May 2009 14:18:25 -0700
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Subject: Re: Dickie Landry
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I was worked for Roma Baron (Laurie's producer) on that film.  Richard
was a super nice guy as well as an amazing musician.. hell you
couldn't spit without hitting an amazing musican on that project!
Shooting the shit with him and Belew...  Good times...

On Fri, May 22, 2009 at 1:37 PM, Rev Fever <revfever@ubergadget.com> wrote:
>
> On May 22, 2009, at 12:55 PM, Michael Billow wrote:
>
> Thanks. I saw Richard Landry play in 1984, he was touring with Laurie
> Anderson. Fantastic. He also appears on her 'Home of the Brave' concert
> film. I don't recall him working with Talking Heads, can you point to his
> contribution?
>
> 'Dickie Landry, who had performed with Talking Heads, Laurie Anderson, an=
d
> Philip Glass, returned to his parish roots in the group.;'
> http://www.nojazzfest.com/chat/archive/index.php/t-3038.html
> I also just stumbled across this VERY KOOL live radio interview with Mr.
> Landry from Feb,4th, 2009! Recent!
> He also explains a little bit about his early looping using 2 Revox tape
> recorders and other great biographical information. =A0What an INCREDIBLE
> career!
> REVcommended!=A0Check it out! Enjoy!
> (link the "hour 2"" of the show)
> http://americanroutes.publicradio.org/archives/artist/206/dickie-landry
> Cheers!
> Rev Fever
> http://www.spiritone.com/~rvfever/
>
> On Fri, May 22, 2009 at 11:54 AM, Rev Fever <revfever@ubergadget.com> wro=
te:
>>
>> Awhile back, I mentioned a very early, looping pioneer artist who was
>> doing live solo saxophone looping performances in Texas=A0Louisiana (and=
?)
>> whose name is Dickie Landry. Well, the GOOD news is that he had released=
 a
>> CD back in 2006,of which I just recently found out about, and it is SUPE=
RB!
>>
>> 3 long and beautiful, atmospheric, etc cuts that are a true joy.
>> I remembered in the very early 80's hearing about Landry and his story,
>> but could never find anything by him to check out.
>> Definitely REVcommended!
>> Here is where to obtain a copy and support this very special artist, who
>> is also an excellent painter, as well.
>> http://www.waydowninlouisiana.com/store.html
>> Also, previously unknown to me is that Mr. Landry was a founding member =
of
>> the Philip Glass Ensemble and
>> has worked with Laurie Anderson, Talking Heads, painter Robert
>> Rauschenberg, and host of other luminaries.
>> Enjoy!
>> L8r, rezon8ors!
>> Rev Fever
>> http://www.spiritone.com/~rvfever/
>> PS-He also released an LP way long ago entitled "12 Saxophones" which
>> presents his very early looping artistry, but it is long out of print,
>> and any copies that can be found usually are sold for high prices. Maybe
>> if he got enough interest generated by others, that he would consider
>> reissuing it onto CD? I think(?) he may be contacted thru the above labe=
l,
>> but do not know for sure? =A0(Or..?)
>

From Loopers-Delight-request@loopers-delight.com  Fri May 22 21:58:03 2009
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	 <66f9cc1e0905221208l7cca7727n7a124eb006fd7de5@mail.gmail.com>
Date: Fri, 22 May 2009 23:33:37 +0200
Message-ID: <66f9cc1e0905221433j6d00de43q5e0d72a95a18b185@mail.gmail.com>
Subject: Re: Dickie Landry
From: Per Boysen <perboysen@gmail.com>
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On Fri, May 22, 2009 at 9:08 PM, Per Boysen <perboysen@gmail.com> wrote:
> Found it! 256 kbps available at Amazon.com!!!! Getting it.


...well, that turned out impossible since Amazon have not yet worked
out necessary deals regarding music rights licensing, tax legislation
or whatever with this territory, Sweden. But I'm listening anyway to
this wonderful music right now because I was lucky to find it on
Spotify!

Per

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	 <66f9cc1e0905221208l7cca7727n7a124eb006fd7de5@mail.gmail.com>
	 <66f9cc1e0905221433j6d00de43q5e0d72a95a18b185@mail.gmail.com>
Date: Sat, 23 May 2009 00:20:30 +0200
Message-ID: <afb941d0905221520t1bd04e35x58f702dd8cea75d6@mail.gmail.com>
Subject: Re: Dickie Landry
From: Raul Bonell <raul.bonell@gmail.com>
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... so then you can save disk space not keeping those *big* 256 kb
mp3s that fill da computer in a hurry ... :-)

2009/5/22, Per Boysen <perboysen@gmail.com>:
> On Fri, May 22, 2009 at 9:08 PM, Per Boysen <perboysen@gmail.com> wrote:
>> Found it! 256 kbps available at Amazon.com!!!! Getting it.
>
>
> ...well, that turned out impossible since Amazon have not yet worked
> out necessary deals regarding music rights licensing, tax legislation
> or whatever with this territory, Sweden. But I'm listening anyway to
> this wonderful music right now because I was lucky to find it on
> Spotify!
>
> Per
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sat May 23 01:14:23 2009
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i tried to find some richard landry on the web to no avail.
anybody have excerpts of his video work?
i'd be glad to have just a glimpse...

this is all i found:
http://www.vdb.org/smackn.acgi$artistdetail?LANDRYR

tilmann


Per Boysen schrieb:
> On Fri, May 22, 2009 at 9:08 PM, Per Boysen <perboysen@gmail.com> wrote:
>> Found it! 256 kbps available at Amazon.com!!!! Getting it.
> 
> 
> ...well, that turned out impossible since Amazon have not yet worked
> out necessary deals regarding music rights licensing, tax legislation
> or whatever with this territory, Sweden. But I'm listening anyway to
> this wonderful music right now because I was lucky to find it on
> Spotify!
> 
> Per
> 
> 

From mark.derrick@londonmail.com  Sat May 23 03:31:29 2009
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-- 
Dear Friend,

My name is Mr. Mark Derrick, Personal Offshore Accountant
to Mr. Vicente Carrillo Leyva, the arrested drug cartel in
Mexico that was arrested recently who is presently in jail.

I have the documents of a large amount of funds which he
handed over to me before he was arrested thereby leading
to the freezing of his finances and assets in his country
by the Mexican government.

After searching through the books of your Country's Chambers
of Commerce and Industries here in Europe, I am contacting you
to assist me to re-profile the funds and equally invest same
on his behalf. The total amount of funds to be re-profiled is
Forty Million United State Dollars (USD$40,000,000.00) and you
will be paid 17% for your management services.

As soon as I receive your acceptance, I will send you the
necessary details and my personal identification documents.

Yours Sincerely,
Mr. Mark Derrick

From atmcardcenter26@sify.com  Sat May 23 11:05:16 2009
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This is to notify you that after we met today with The President,
 Finance Minister, The Senators, House of Representatives and The
 Central Bank Deputy Governors and we came to a conclusion that we
 have to pay you the sum of $10.5M. The payment will be via Diplomatic
 courier service, therefore send your Name Address and Tel. No.
 Your immediate respond is urgently needed.
 
 Contact Person: Prof.Charles C.Soludo,
 Email:c.b.nigeria06@live.com

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This is to notify you that after we met today with The President,
 Finance Minister, The Senators, House of Representatives and The
 Central Bank Deputy Governors and we came to a conclusion that we
 have to pay you the sum of $10.5M. The payment will be via Diplomatic
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 Your immediate respond is urgently needed.
 
 Contact Person: Prof.Charles C.Soludo,
 Email:c.b.nigeria06@live.com

From Loopers-Delight-request@loopers-delight.com  Sat May 23 11:06:27 2009
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thanks for the recommendation!  I have a Dickie Landry Solo LP from 1978
called Fifteen Saxophones which is very nice as well, and contains live
looping ... this should definitely be rereleased on CD.
 
-Michael

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style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
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<DIV dir=3Dltr align=3Dleft><SPAN class=3D375480211-23052009><FONT =
face=3DArial><FONT=20
size=3D2>t<SPAN class=3D375480211-23052009>hanks for the recommendation! =
&nbsp;I=20
have a Dickie Landry Solo&nbsp;LP from 1978 called Fifteen Saxophones =
which is=20
very nice as well, and contains live looping&nbsp;... this should =
definitely be=20
rereleased on CD.</SPAN></FONT></FONT></SPAN></DIV>
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face=3DArial><FONT=20
size=3D2><SPAN =
class=3D375480211-23052009></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
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face=3DArial><FONT=20
size=3D2><SPAN=20
class=3D375480211-23052009>-Michael</SPAN></FONT></FONT></SPAN></DIV></BO=
DY></HTML>

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I'll scan for you.

Erdem Helvacioglu wrote:
> wow guys! which issue is that on? june? damn, i will not be able to buy 
> the copy until mid june :(
>  
> will very much appreciate if you could write me some parts of the review.
>  
> it is so weird, i could not get a review for my "altered realities" 
> album even though my label sent 4 copies, and now i have 2 very good 
> reviews on may and june issues. such is life i guess.

strange is the way of the Wire :-)


>  
> this was a nice birthday present for me :) hahaha :)
>  
> best to all.
>  
> Erdem Helvacioglu
> www.erdemhelvacioglu.com <http://www.erdemhelvacioglu.com>
> www.myspace.com/erdemhelvacioglu <http://www.myspace.com/erdemhelvacioglu>
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23 
> <http://www.aucourantrecords.com/catalog.php?op=detail&cid=23>
>  
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>  
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes
> 
>     ----- Original Message -----
>     *From:* Michael Peters <mailto:mp@mpeters.de>
>     *To:* Loopers Delight <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* Friday, May 22, 2009 4:13 PM
>     *Subject:* Erdem's new CD in WIRE
> 
>     congrats to the very positive review in WIRE, Erdem, for your
>     Wounded Breath
>     CD
> 
>     -Michael

From lione.prez00@gmail.com  Sat May 23 13:59:47 2009
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Date: Sat, 23 May 2009 13:45:55 +0000
Message-ID: <557cb72d0905230645s179cda5aw2bc52c536a59870c@mail.gmail.com>
Subject: From Madam Lione Prez
From: Lione Prez <lione.prez00@gmail.com>
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>From Madam Lione Prez
Dear Beloved

I am Madam Lione Prez-a citizen of philippine,widow, and legitimate heir to
the late former Minister of finance who was assassinated for been working
with the ex-president Joseph .E in philippine.

I inherited a total sum of 15 million dollars from my late husband, The
presure from my decease husband's family for this money has compelled me to
leave Manila and have the money which is concealed in a metallic trunk box
is deposited with a security and finance company Burkina Faso under a secret
arrangement as a family treasure.This means that the security company does
not know the content of this box that was shipped from the Philippine to
Burkina Faso under a diplomatic coverage.

My purpose of asking for your assistance boil down to the fact that I don't
want my late husband's family to be aware or name involve, and the deposit
statement of the box authorized the company to make this box avaliable for
shipment on request only to my foreignbussiness representative, though
unname.

Hence I want you to contact the the security company as my bussiness partner
/ associate, after receiving the prove from me to enable the company release
the consigment to you diplomatically, while I join you on the arrival of the
box.

I have recently paid all demurrage ,storage charges and the shipment fee,
all you need do is to help me contact the security company and introduce
yourself as my bussiness partner / associate ,requesting the shipment of the
box to your address which you will provide.

And as soon as Diplomatic shipping agent approved the shipment and tell you
the arrival date of the box then I will join you to give you 15% of the
money instantly before I go on with the proposed investment in your domain
provided is secured and investment friendly.
Please if you are interested and willing to represent me as my bussiness
partner / associate kindly write me as soon as possible.

I awaits your urgent response
Best wishes
Madam Lione Prez.

--001485f5b10c837d10046a94c928
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<p>From Madam Lione Prez<br>Dear Beloved</p>
<p>I am Madam Lione Prez-a citizen of philippine,widow, and legitimate heir=
 to the late former Minister of finance who was assassinated for been worki=
ng with the ex-president Joseph .E in philippine.<br>=A0<br>I inherited a t=
otal sum of 15 million dollars from my late husband, The presure from my de=
cease husband&#39;s family for this money has compelled me to leave Manila =
and have the money which is concealed in a metallic trunk box is deposited =
with a security and finance company Burkina Faso under a secret arrangement=
 as a family treasure.This means that the security company does not know th=
e content of this box that was shipped from the Philippine to Burkina Faso =
under a diplomatic coverage.<br>
=A0<br>My purpose of asking for your assistance boil down to the fact that =
I don&#39;t want my late husband&#39;s family to be aware or name involve, =
and the deposit statement of the box authorized the company to make this bo=
x avaliable for shipment on request only to my foreignbussiness representat=
ive, though unname.<br>
=A0<br>Hence I want you to contact the the security company as my bussiness=
 partner / associate, after receiving the prove from me to enable the compa=
ny release the consigment to you diplomatically, while I join you on the ar=
rival of the box.<br>
=A0<br>I have recently paid all demurrage ,storage charges and the shipment=
 fee, all you need do is to help me contact the security company and introd=
uce yourself as my bussiness partner / associate ,requesting the shipment o=
f the box to your address which you will provide.<br>
=A0<br>And as soon as Diplomatic shipping agent approved the shipment and t=
ell you the arrival date of the box then I will join you to give you 15% of=
 the money instantly before I go on with the proposed investment in your do=
main provided is secured and investment friendly.<br>
Please if you are interested and willing to represent me as my bussiness pa=
rtner / associate kindly write me as soon as possible.<br>=A0<br>I awaits y=
our urgent response<br>Best wishes<br>Madam Lione Prez.</p>

--001485f5b10c837d10046a94c928--

From Loopers-Delight-request@loopers-delight.com  Sat May 23 14:10:22 2009
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Date: Sat, 23 May 2009 09:10:16 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Bob, finally got the chance to check this out on CDbaby. Really enjoying 
it - the electronica came as a bit of shock, but it totally works, with 
really interesting sounds going on. And I'm a sucker for your thumb 
piano stuff. Was the first track create with sampled mbira?

kudos -

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
>
> Greetings Looperistas
>
> I just released a new album on CD Baby:
>
> Reagent   -   http://cdbaby.com/cd/rpcollier5
>
> Synth, guitar, thumb piano improvisations in various aggregations.
>
> Lots of loops used simply as ostinato and drum machines used as drones.
>
>
>
>
> BobC

From Loopers-Delight-request@loopers-delight.com  Sat May 23 14:30:41 2009
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Subject: Re: OT: new album
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Hi Daryl


On May 23, 2009, at 7:10 AM, Daryl Shawn wrote:

> Was the first track create with sampled mbira?

Ha! Good ears!
Yes indeed, that is GM MIDI Thumb Piano played using an EWI controller.

Thanks for listening.

regards

BobC


http://cdbaby.com/cd/rpcollier5
--Apple-Mail-1-641330933
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi =
Daryl<br><div><div><br></div><div><br></div><div>On May 23, 2009, at =
7:10 AM, Daryl Shawn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">Was the first track create with =
sampled mbira?</span></blockquote></div><br><div>Ha! Good =
ears!</div><div>Yes indeed, that is GM MIDI Thumb Piano played using an =
EWI controller.</div><div><br></div><div>Thanks for =
listening.</div><div><br></div><div>regards</div><div><br></div><div>BobC<=
/div><div><br></div><div><br></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></body></html>=

--Apple-Mail-1-641330933--

From Loopers-Delight-request@loopers-delight.com  Sat May 23 14:34:48 2009
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Cool - love the koto-like vibrato on certain notes.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>> Was the first track create with sampled mbira?
>
> Ha! Good ears!
> Yes indeed, that is GM MIDI Thumb Piano played using an EWI controller.
>
> Thanks for listening.

From Loopers-Delight-request@loopers-delight.com  Sat May 23 17:55:49 2009
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Subject: dobro looping
Date: Sat, 23 May 2009 19:55:41 +0200
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A sweet little pop tune on Dobro.  The looping won't be that  
interesting to you wizards, but have you ever seen a left-handed Dobro  
player?

http://www.youtube.com/watch?v=x1JvWaKizG8&eurl=http%3A%2F%2Fwww%2Ereso%2Dnation%2Eorg%2Fnode%3Fpage%3D3&feature=player_embedded

From Loopers-Delight-request@loopers-delight.com  Sat May 23 19:04:32 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>,
	<krispenhartung@yahoogroups.com>,
	<Free-Improvisation-owner@googlegroups.com>
Subject:  FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, Experimental, and Electro-Acoustic Music
Date: Sat, 23 May 2009 13:04:24 -0600
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This is a multi-part message in MIME format.

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Playing now....

FreeWave
http://radioboise.org/  (Saturday, May 23 from 1-3pm Mountain Standard =
Time - MST)
Click "LISTEN HERE"

If you miss it, the link to the podcast will appear tonight at =
http://radio-boise-freewave.blogspot.com/

"FreeWave features music within the free improvisation, =
electro-acoustic, experimental, and creative music genres. From the =
complex and frenzied sax expressions of Evan Parker to the =
extraterrestrial sounds of Sun Ra, FreeWave is all this and more, into =
the obscure and beyond with the new millennium's creative =
electro-acoustic music scene. FreeWave will push your listening =
boundaries into new and challenging territories of creative music. Not =
for the faint of heart or remotely formulaic and predictable, FreeWave =
will alter your musical perspectives irrevocably."

Play List

Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
Song: Magnitude
Album: New Excursions (recorded live at the Copenhagen International =
Experimental Festival)

Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
Song: Soundhear
Album: Streaming

Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
Song: Ink
Album: Verbatim, Flesh and Blood

Artist(s): John Coltrane
Song: Mars
Album: Interstellar Space

Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander =
Kolkowski (England) and drummer Tony Buck (Australia)=20
Song: Where Europe Begins....
Album: Nine Fragments

Artist(s): Derek Bailey and Agusti Fernandez
Song: Casa Leopoldo
Album: Barcelona

Artist(s): Cecil Taylor
Song: Enter, Evening (Soft Line Structure)
Album: Unit Structures

Artist(s): Emily Hay and Motoko Honda
Song: 2008 Boise Experimental Music Festival - Friday
Album: n/a=20

Cheers,

Kris

Kris Hartung
www.krispenhartung.com
http://b-cimf.com
http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
http://www.myspace.com/boiseexperimentalmusicfestival
info@krispenhartung.com
1-208-724-5603
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Playing now....</DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>FreeWave</STRONG></DIV>
<DIV><A href=3D"http://radioboise.org/">http://radioboise.org/</A>&nbsp; =

(Saturday, May&nbsp;23 from 1-3pm Mountain Standard Time - MST)</DIV>
<DIV>Click "LISTEN HERE"</DIV>
<DIV>&nbsp;</DIV>
<DIV>If you miss it, the link to the podcast will appear tonight at <A=20
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>"FreeWave</STRONG> features music within the free =
improvisation,=20
electro-acoustic, experimental, and creative music genres. From the =
complex and=20
frenzied sax expressions of Evan Parker to the extraterrestrial sounds =
of Sun=20
Ra, <STRONG>FreeWave</STRONG> is all this and more, into the obscure and =
beyond=20
with the new millennium=92s creative electro-acoustic music scene. =
FreeWave will=20
push your listening boundaries into new and challenging territories of =
creative=20
music. Not for the faint of heart or remotely formulaic and predictable, =

FreeWave will alter your musical perspectives irrevocably."</DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>Play List<BR><BR></STRONG>Artist(s): Evan Parker, Ghost in =
the=20
Machine, and Martin Klapper<BR>Song: Magnitude<BR>Album: <A=20
href=3D"http://www.emusic.com/album/Evan-Parker-New-excursions-MP3-Downlo=
ad/10985062.html"><FONT=20
color=3D#aa77aa>New Excursions</FONT></A> (recorded live at the =
Copenhagen=20
International Experimental Festival)<BR><BR>Artist(s): Muhal Richard =
Abrams,=20
George Lewis, and Roscoe Mitchell<BR>Song: Soundhear<BR>Album: <A=20
href=3D"http://www.emusic.com/album/Muhal-Richard-Abrams-George-Lewis-Ros=
coe-Mitch-Streaming-MP3-Download/11011969.html"><FONT=20
color=3D#aa77aa>Streaming</FONT></A><BR><BR>Artist(s): Bob Ostertag, =
Phil Minton,=20
Gerry Hemingway, Mark Dresser<BR>Song: Ink<BR>Album: <A=20
href=3D"http://www.emusic.com/album/Bob-Ostertag-Verbatim-Flesh-and-Blood=
-MP3-Download/10720641.html"><FONT=20
color=3D#aa77aa>Verbatim, Flesh and Blood</FONT></A><BR><BR>Artist(s): =
John=20
Coltrane<BR>Song: Mars<BR>Album: <A=20
href=3D"http://www.amazon.com/Interstellar-Space-John-Coltrane/dp/B00004T=
A41/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1242249520&amp;sr=3D8-=
1"><FONT=20
color=3D#aa77aa>Interstellar Space</FONT></A><BR><BR>Artist(s): Dempa =
(Pianist Aki=20
Takase (Japan), violinist Aleksander Kolkowski (England) and drummer =
Tony Buck=20
(Australia) <BR>Song: Where Europe Begins....<BR>Album: <A=20
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><FONT=20
color=3D#aa77aa>Nine Fragments</FONT></A><BR><BR>Artist(s): Derek Bailey =
and=20
Agusti Fernandez<BR>Song: Casa Leopoldo<BR>Album: <A=20
href=3D"http://www.jazzloft.com/p-39420-barcelona.aspx"><FONT=20
color=3D#aa77aa>Barcelona</FONT></A><BR><BR>Artist(s): Cecil =
Taylor<BR>Song:=20
Enter, Evening (Soft Line Structure)<BR>Album: <A=20
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><FONT=20
color=3D#aa77aa>Unit Structures</FONT></A><BR><BR>Artist(s): Emily Hay =
and Motoko=20
Honda<BR>Song: 2008 Boise Experimental Music Festival - Friday<BR>Album: =
n/a=20
</DIV>
<DIV>&nbsp;</DIV>
<DIV>Cheers,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Kris</DIV>
<DIV>&nbsp;</DIV>
<DIV>Kris Hartung<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></DIV>
<DIV><A href=3D"http://b-cimf.com">http://b-cimf.com</A><BR><A=20
href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music=
-Festival/37918746335">http://www.facebook.com/pages/Boise-Creative-and-I=
mprovised-Music-Festival/37918746335</A><BR><A=20
href=3D"http://www.myspace.com/boiseexperimentalmusicfestival">http://www=
.myspace.com/boiseexperimentalmusicfestival</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR>1-=
208-724-5603</DIV></BODY></HTML>

------=_NextPart_000_00E1_01C9DBA6.FF096670--

From Loopers-Delight-request@loopers-delight.com  Sat May 23 19:20:26 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60905200641m31cbbdd2q5f1bbd4e6a1c21f6@mail.gmail.com>
Subject: Virtual Gig Thanks, Apolgies and Another attempt
Date: Sat, 23 May 2009 20:20:33 +0100
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Hello dear loopers,

First I would like to say THANKS to those who took the time to look in on my 
Ustream broadcast last Sunday and SORRY to have wasted your time. It turned 
out to be a non-event due to "technical difficulties". I can only blame 
myself for not having a proper trial run.

Anyway, I was overwhelmed by the kind words of support and encouragement I 
recieved from so many people and have decided to give it another try 
tomorrow (Sunday the 24th). I've had a trial run this afternoon and it 
worked perfectly, so I think I've got the problems ironed out. Just in case 
I'm being a bit more cautious this time and only planning on doing 30 
minutes and not publicising it quite so widely.

In case anyone is still interested, here are the details -
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
Live improvised cello looping
Sunday 24th May 2009
5:30pm UK time
6:30pm Europe
12:30pm Eastern North America
9:30am Western North America

It would be great if any of you would like to stop by for a listen.

Best wishes to you all

Steve


www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes 


From Loopers-Delight-request@loopers-delight.com  Sat May 23 19:44:11 2009
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Date: Sat, 23 May 2009 20:56:21 +0100
From: andy butler <akbutler@tiscali.co.uk>
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Subject: Re: Sonuus G2M  Yamaha G50 (Axon) Comparison
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A second opinion.
I had a visit from LDer Stephen Scott yesterday, and
he auditioned both devices.

Stephen pointed out that the G2M reproduced his subtle vibrato,
while the G50 did not. Later however, this turned out to
be just the way the G50 was set up. 
It seemed to me that his playing flowed better with the G2M.
Otherwise Stephen was able to confirm my observations, 
which is handy, as he uses a more regular guitar technique
(with pick) compared to my own rather idiosyncratic approach. 

One difference I didn't mention is that the g50 has endless parameters
to adjust...could be a plus or a minus.

andy butler

andy butler wrote:
> Sonuus G2M  Yamaha G50 (Axon) Comparison.
> 
> The G50 is a licensed version of the Axon technology, but thoughtfully 
> includes
> a mono input. (Tracking is better on hex p/u). I'm using the mono input 
> for this
> comparison.
> 
> 1) Tracking speed. The G50 is faster, it just feels more real.
> 
> 2) Tracking accuracy. The G2M seems to have the advantage, but then when
>  I concentrated on my "ultra clean " playing style I preferred the G50 
> especially
>  as the playing speed increased.
>  Matt Stevens (G2M) modestly claims that the spurious low notes are him 
> hitting
>  open strings
>   http://www.mattstevensguitar.blogspot.com
>  but his demo shows the sort of results that I've been getting.
>  
> 
> 3) Warbling on Sustained notes. G2M wins hands down here, it's not
>   100% perfect, but any warbles are very slight deviations. The G50
>   jumps to new notes on occassion, although I always
>    found it was predictable enough to avoid. (by learning which notes
>   on a particular guitar do the warbling, and keeping them short).
> 
> 
> andy butler
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat May 23 19:48:37 2009
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 Experimental, and Electro-Acoustic Music
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Awesome, listening now to 'Mars'! sweeet sounds...thanks Kris.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Playing now....
> *FreeWave*
> http://radioboise.org/ (Saturday, May 23 from 1-3pm Mountain Standard 
> Time - MST)
> Click "LISTEN HERE"
> If you miss it, the link to the podcast will appear tonight at 
> http://radio-boise-freewave.blogspot.com/
> *"FreeWave* features music within the free improvisation, 
> electro-acoustic, experimental, and creative music genres. From the 
> complex and frenzied sax expressions of Evan Parker to the 
> extraterrestrial sounds of Sun Ra, *FreeWave* is all this and more, 
> into the obscure and beyond with the new millennium’s creative 
> electro-acoustic music scene. FreeWave will push your listening 
> boundaries into new and challenging territories of creative music. Not 
> for the faint of heart or remotely formulaic and predictable, FreeWave 
> will alter your musical perspectives irrevocably."

From Loopers-Delight-request@loopers-delight.com  Sat May 23 19:57:45 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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Subject: OT: Tour Report
Date: Sat, 23 May 2009 20:57:45 +0100
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Hi,

I've just posted my tour report for my Japan tour 2009. It may be of =
some interest to you.

http://www.rickygraham.net/

Thanks,

Ricky
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<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've just posted my tour report for my =
Japan tour=20
2009. It may be of some interest to you.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.rickygraham.net/">http://www.rickygraham.net/</A></FON=
T></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

------=_NextPart_000_0061_01C9DBE9.1F32DDE0--

From Loopers-Delight-request@loopers-delight.com  Sat May 23 20:01:35 2009
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The tune playing now is one of my favorites, by the trio Dempa. Just 
amazing.

On the next show I'll be featuring a tune from Nels Cline.

Kris

----- Original Message ----- 

> Awesome, listening now to 'Mars'! sweeet sounds...thanks Kris.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>> Playing now....
>> *FreeWave*
>> http://radioboise.org/ (Saturday, May 23 from 1-3pm Mountain Standard 
>> Time - MST)
>> Click "LISTEN HERE"
>> If you miss it, the link to the podcast will appear tonight at 
>> http://radio-boise-freewave.blogspot.com/
>> *"FreeWave* features music within the free improvisation, 
>> electro-acoustic, experimental, and creative music genres. From the 
>> complex and frenzied sax expressions of Evan Parker to the 
>> extraterrestrial sounds of Sun Ra, *FreeWave* is all this and more, into 
>> the obscure and beyond with the new millennium’s creative 
>> electro-acoustic music scene. FreeWave will push your listening 
>> boundaries into new and challenging territories of creative music. Not 
>> for the faint of heart or remotely formulaic and predictable, FreeWave 
>> will alter your musical perspectives irrevocably."
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat May 23 20:29:02 2009
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Date: Sat, 23 May 2009 15:28:56 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: OT: Tour Report, Too
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Ricky's diary reminded me to post a link to my own tour diary, still but 
one day young (sweet lil' shaver...) but will be chock-full of 
blatherings by the end of July. My next gig is tonight, though the first 
looping show isn't until Tuesday, when I have two in San Diego in one 
night (both good bills, wish I coulda spread them out).

http://www.swanwelder.com/tour/summer09.htm

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Sat May 23 20:37:57 2009
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Great report, Ricky! Nice to have all the pix and full descriptions of
the venues. Looking forward to checking out the sounds. Congrats on a
successful tour.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Hi,
>  
> I've just posted my tour report for my Japan tour 2009. It may be of 
> some interest to you.
>  
> http://www.rickygraham.net/
>  
> Thanks,
>  
> Ricky
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com 
> Version: 8.5.339 / Virus Database: 270.12.37/2130 - Release Date: 05/23/09 07:00:00
>
>   


From Loopers-Delight-request@loopers-delight.com  Sat May 23 20:57:23 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <C5DCEF363A85402C8FDF015F814B02F2@a> <4A185E9F.2020808@mhorse.com>
Subject: Re: OT: Tour Report
Date: Sat, 23 May 2009 21:57:24 +0100
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Thank you, Daryl. I appreciate the kind words.

Ricky

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 23, 2009 9:37 PM
Subject: Re: OT: Tour Report


> Great report, Ricky! Nice to have all the pix and full descriptions of
> the venues. Looking forward to checking out the sounds. Congrats on a
> successful tour.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>> Hi,
>>
>> I've just posted my tour report for my Japan tour 2009. It may be of
>> some interest to you.
>>
>> http://www.rickygraham.net/
>>
>> Thanks,
>>
>> Ricky
>> ------------------------------------------------------------------------
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.5.339 / Virus Database: 270.12.37/2130 - Release Date: 
>> 05/23/09 07:00:00
>>
>>
>
>


--------------------------------------------------------------------------------



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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <C5DCEF363A85402C8FDF015F814B02F2@a> <4A185C88.8090309@mhorse.com>
Subject: Re: Tour Report, Too
Date: Sat, 23 May 2009 22:10:54 +0100
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"People are generally used to instrumental guitar as background music"

Turn it up really loud... :) Then they can become background people.

Ricky

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 23, 2009 9:28 PM
Subject: OT: Tour Report, Too


> Ricky's diary reminded me to post a link to my own tour diary, still but
> one day young (sweet lil' shaver...) but will be chock-full of
> blatherings by the end of July. My next gig is tonight, though the first
> looping show isn't until Tuesday, when I have two in San Diego in one
> night (both good bills, wish I coulda spread them out).
>
> http://www.swanwelder.com/tour/summer09.htm
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
Version: 8.5.339 / Virus Database: 270.12.37/2130 - Release Date: 05/23/09 
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From Loopers-Delight-request@loopers-delight.com  Sat May 23 21:11:01 2009
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Subject: Re:  FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, Experimental, and Electro-Acoustic Music
Date: Sat, 23 May 2009 15:10:57 -0600
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Hello all,

The show is up on the Blog and you can listen to it any time!

http://radio-boise-freewave.blogspot.com/

Kris




  Playing now....

  FreeWave
  http://radioboise.org/  (Saturday, May 23 from 1-3pm Mountain Standard =
Time - MST)
  Click "LISTEN HERE"

  If you miss it, the link to the podcast will appear tonight at =
http://radio-boise-freewave.blogspot.com/

  "FreeWave features music within the free improvisation, =
electro-acoustic, experimental, and creative music genres. From the =
complex and frenzied sax expressions of Evan Parker to the =
extraterrestrial sounds of Sun Ra, FreeWave is all this and more, into =
the obscure and beyond with the new millennium's creative =
electro-acoustic music scene. FreeWave will push your listening =
boundaries into new and challenging territories of creative music. Not =
for the faint of heart or remotely formulaic and predictable, FreeWave =
will alter your musical perspectives irrevocably."

  Play List

  Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
  Song: Magnitude
  Album: New Excursions (recorded live at the Copenhagen International =
Experimental Festival)

  Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
  Song: Soundhear
  Album: Streaming

  Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
  Song: Ink
  Album: Verbatim, Flesh and Blood

  Artist(s): John Coltrane
  Song: Mars
  Album: Interstellar Space

  Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander =
Kolkowski (England) and drummer Tony Buck (Australia)=20
  Song: Where Europe Begins....
  Album: Nine Fragments

  Artist(s): Derek Bailey and Agusti Fernandez
  Song: Casa Leopoldo
  Album: Barcelona

  Artist(s): Cecil Taylor
  Song: Enter, Evening (Soft Line Structure)
  Album: Unit Structures

  Artist(s): Emily Hay and Motoko Honda
  Song: 2008 Boise Experimental Music Festival - Friday
  Album: n/a=20

  Cheers,

  Kris

  Kris Hartung
  www.krispenhartung.com
  http://b-cimf.com
  =
http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
  http://www.myspace.com/boiseexperimentalmusicfestival
  info@krispenhartung.com
  1-208-724-5603
------=_NextPart_000_0162_01C9DBB8.ACBE2E20
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The show is up on the Blog and you can =
listen to it=20
any time!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A=20
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><BR></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>Playing now....</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><STRONG>FreeWave</STRONG></DIV>
  <DIV><A =
href=3D"http://radioboise.org/">http://radioboise.org/</A>&nbsp;=20
  (Saturday, May&nbsp;23 from 1-3pm Mountain Standard Time - MST)</DIV>
  <DIV>Click "LISTEN HERE"</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>If you miss it, the link to the podcast will appear tonight at <A =

  =
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><STRONG>"FreeWave</STRONG> features music within the free =
improvisation,=20
  electro-acoustic, experimental, and creative music genres. From the =
complex=20
  and frenzied sax expressions of Evan Parker to the extraterrestrial =
sounds of=20
  Sun Ra, <STRONG>FreeWave</STRONG> is all this and more, into the =
obscure and=20
  beyond with the new millennium=92s creative electro-acoustic music =
scene.=20
  FreeWave will push your listening boundaries into new and challenging=20
  territories of creative music. Not for the faint of heart or remotely=20
  formulaic and predictable, FreeWave will alter your musical =
perspectives=20
  irrevocably."</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><STRONG>Play List<BR><BR></STRONG>Artist(s): Evan Parker, Ghost =
in the=20
  Machine, and Martin Klapper<BR>Song: Magnitude<BR>Album: <A=20
  =
href=3D"http://www.emusic.com/album/Evan-Parker-New-excursions-MP3-Downlo=
ad/10985062.html"><FONT=20
  color=3D#aa77aa>New Excursions</FONT></A> (recorded live at the =
Copenhagen=20
  International Experimental Festival)<BR><BR>Artist(s): Muhal Richard =
Abrams,=20
  George Lewis, and Roscoe Mitchell<BR>Song: Soundhear<BR>Album: <A=20
  =
href=3D"http://www.emusic.com/album/Muhal-Richard-Abrams-George-Lewis-Ros=
coe-Mitch-Streaming-MP3-Download/11011969.html"><FONT=20
  color=3D#aa77aa>Streaming</FONT></A><BR><BR>Artist(s): Bob Ostertag, =
Phil=20
  Minton, Gerry Hemingway, Mark Dresser<BR>Song: Ink<BR>Album: <A=20
  =
href=3D"http://www.emusic.com/album/Bob-Ostertag-Verbatim-Flesh-and-Blood=
-MP3-Download/10720641.html"><FONT=20
  color=3D#aa77aa>Verbatim, Flesh and Blood</FONT></A><BR><BR>Artist(s): =
John=20
  Coltrane<BR>Song: Mars<BR>Album: <A=20
  =
href=3D"http://www.amazon.com/Interstellar-Space-John-Coltrane/dp/B00004T=
A41/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1242249520&amp;sr=3D8-=
1"><FONT=20
  color=3D#aa77aa>Interstellar Space</FONT></A><BR><BR>Artist(s): Dempa =
(Pianist=20
  Aki Takase (Japan), violinist Aleksander Kolkowski (England) and =
drummer Tony=20
  Buck (Australia) <BR>Song: Where Europe Begins....<BR>Album: <A=20
  =
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><FONT=20
  color=3D#aa77aa>Nine Fragments</FONT></A><BR><BR>Artist(s): Derek =
Bailey and=20
  Agusti Fernandez<BR>Song: Casa Leopoldo<BR>Album: <A=20
  href=3D"http://www.jazzloft.com/p-39420-barcelona.aspx"><FONT=20
  color=3D#aa77aa>Barcelona</FONT></A><BR><BR>Artist(s): Cecil =
Taylor<BR>Song:=20
  Enter, Evening (Soft Line Structure)<BR>Album: <A=20
  =
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><FONT=20
  color=3D#aa77aa>Unit Structures</FONT></A><BR><BR>Artist(s): Emily Hay =
and=20
  Motoko Honda<BR>Song: 2008 Boise Experimental Music Festival -=20
  Friday<BR>Album: n/a </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Cheers,</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Kris</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Kris Hartung<BR><A=20
  =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></DIV>
  <DIV><A href=3D"http://b-cimf.com">http://b-cimf.com</A><BR><A=20
  =
href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music=
-Festival/37918746335">http://www.facebook.com/pages/Boise-Creative-and-I=
mprovised-Music-Festival/37918746335</A><BR><A=20
  =
href=3D"http://www.myspace.com/boiseexperimentalmusicfestival">http://www=
.myspace.com/boiseexperimentalmusicfestival</A><BR><A=20
  =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR>1-=
208-724-5603</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0162_01C9DBB8.ACBE2E20--

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Subject: Re: Tour Report, Too
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On Sat, May 23, 2009 at 11:10 PM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> "People are generally used to instrumental guitar as background music"
>
> Turn it up really loud... :) Then they can become background people.


Today's best post! Totally made my day. Going to bed now - 'nite folks!

per :-)

From Loopers-Delight-request@loopers-delight.com  Sat May 23 21:34:11 2009
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hear hear!
as a lot of people know on this list-i lov to play loud guitar-many reasons why&wherefore but one good one is it masks the talkers during performance.
@ the 1st LoopStock in San Luis Obispo i was up first and when i stopped playing there was a lot of chatter that i'm glad i couldnt hear as it probably would have messed me up(more)
as my buddies in the band SUNNO))) preach:
"maximum volume yields maximun results"
YMMM
staninsanfran

>
>"People are generally used to instrumental guitar as background music"
>Turn it up really loud... :) Then they can become background people.
>Ricky

>> Ricky's diary reminded me to post a link to my own tour diary, still but
>> one day young (sweet lil' shaver...) but will be chock-full of
>> blatherings by the end of July. My next gig is tonight, though the first
>> looping show isn't until Tuesday, when I have two in San Diego in one
>> night (both good bills, wish I coulda spread them out).
>> http://www.swanwelder.com/tour/summer09.htm
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Sat May 23 21:50:55 2009
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Subject: help! need quick simple way to make laptop into looping/sampling 
	machine
From: david molina <molina.transient@gmail.com>
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--0015175ce1be18bee1046a9b5fd1
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hi everybody.
i have always been a gear head and have always been anti computer, but am
caught in an emergency dilema.   I'm about to head out on a music tour of
South America in about a week and all my looping gear just died on me.

I have a Mac Book Pro Laptop.  I tried to install Mobius, and it didn't
work.  I dont' know much about computers so maybe i'm doing something
wrong. A friend gave me a copy of Logic which has Main Stage.  I also heard
about Super Looper.   I am used to live looping and extreme sound
manipulation of what i sample live on the spot.  what do you suggest?

is there a way i can set up my mixer to go straight into my internal input
jack and work with any of the mentioned programs?

I will be running a guitar, mike, and Line 6 POD XT thru the mixer.

thanks

david

--0015175ce1be18bee1046a9b5fd1
Content-Type: text/html; charset=ISO-8859-1
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hi everybody.<div><br></div><div>i have always been a gear head and have al=
ways been anti computer, but am caught in an emergency dilema. =A0=A0I&#39;=
m about to head out on a music tour of South America in about a week and al=
l my looping gear just died on me.</div>
<div><br></div><div>I have a Mac Book Pro Laptop. =A0I tried to install Mob=
ius, and it didn&#39;t work. =A0I dont&#39; know much about computers so ma=
ybe i&#39;m doing something wrong.=A0A friend gave me a copy of Logic which=
 has Main Stage. =A0I also heard about Super Looper. =A0 I am used to live =
looping and extreme sound manipulation of what i sample live on the spot. =
=A0what do you suggest?</div>
<div><br></div><div>is there a way i can set up my mixer to go straight int=
o my internal input jack and work with any of the mentioned programs?</div>=
<div><br></div><div>I will be running a guitar, mike, and Line 6 POD XT thr=
u the mixer.</div>
<div><br></div><div>thanks</div><div><br></div><div>david</div>

--0015175ce1be18bee1046a9b5fd1--

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I'm in Billboard magazine today which feels very surreal.

http://www.billboard.biz/bbbiz/content_display/magazine/features/e3ib5e9d934e920f549151cb861b4cfbc1c

From Loopers-Delight-request@loopers-delight.com  Sat May 23 21:58:23 2009
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Subject: Virtual Gigspam Reminder: Live tomorrow morning on uStream
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c599a3c0a5ba046a9b79fb
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Well ustream is beginning to become virtual festival for many of us on LD
which to me is pretty cool.

Tomorrow May 24th as you saw earlier Mr Moyes and I both have sets on
ustream with my series Sunday Morning at
11<http://www.ustream.tv/channel/sunday-morning-at-11> ,
now in it's 3rd broadcast since inception in April, leading the day at 11am
(EST).  I'll be doing @40 set of fretted, fretless guitar and oud
improvisations, some looped and some non-looped.
My series link is http://www.ustream.tv/channel/sunday-morning-at-11 .

Sunday Morning at 11 times are 11am EST (North America east coast)
8am PST (California) I apologize I realize this is getting up with the
chickens out there, I'm considering changing my series time at some point
but for now 11am works well for me.  If you get up I'll buy you a virtual
coffee somehow...
Let's see UK 4pm, Continental Europe 5pm and 6pm I believe, Tokyo Midnight.
 To check times for areas I missed go to
http://www.timeanddate.com/worldclock/converter.html.

And Steve Moyes will be on as mentioned earlier at...

http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
Live improvised cello looping
Sunday 24th May 2009
5:30pm UK time
6:30pm Europe
12:30pm Eastern North America
9:30am Western North America

So please join us tomorrow should you have time and interest and I hope that
some of you on the list will join Steve, Rainer, Mark, Matt and myself and
do your own cast soon, it's a lot of fun and just really neat to get to
reach out to places I for one may never get to travel to.

Have a great weekend and see you at 11 tomorrow.

Jim
-- 
ReUse, an introspective textural aural journey...
www.myspace.com/ctreuse


music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c599a3c0a5ba046a9b79fb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well ustream is beginning to become virtual festival for many of us on LD w=
hich to me is pretty cool.<br><br>Tomorrow May 24th as you saw earlier Mr M=
oyes and I both have sets on ustream with my series <a href=3D"http://www.u=
stream.tv/channel/sunday-morning-at-11">Sunday Morning at 11</a>=A0, now in=
 it&#39;s 3rd broadcast since inception in April, leading the day at 11am (=
EST).=A0 I&#39;ll be doing @40 set of fretted, fretless guitar and oud impr=
ovisations, some looped and some non-looped.<div>

<br></div><div>My series link is <a href=3D"http://www.ustream.tv/channel/s=
unday-morning-at-11">http://www.ustream.tv/channel/sunday-morning-at-11</a>=
=A0.</div><div><br></div><div>Sunday Morning at 11 times are 11am EST (Nort=
h America east coast)</div>
<div>8am PST (California) I apologize I realize this is getting up with the=
 chickens out there, I&#39;m considering changing my series time at some po=
int but for now 11am works well for me. =A0If you get up I&#39;ll buy you a=
 virtual coffee somehow...</div>

<div>Let&#39;s see UK 4pm, Continental Europe 5pm and 6pm I believe, Tokyo =
Midnight. =A0To check times for areas I missed go to=A0<a href=3D"http://ww=
w.timeanddate.com/worldclock/converter.html" target=3D"_blank">http://www.t=
imeanddate.com/worldclock/converter.html</a>.</div>

<div><br></div><div>And Steve Moyes will be on as mentioned earlier at...</=
div><div><br></div><div><span class=3D"Apple-style-span" style=3D"border-co=
llapse: collapse; "><a href=3D"http://www.ustream.tv/channel/Soundings-From=
-Behind-The-Net-Curtain" target=3D"_blank" style=3D"color: rgb(17, 65, 112)=
; ">http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</a>=
<br>
Live improvised cello looping<br>Sunday 24th May 2009<br>5:30pm UK time<br>=
6:30pm Europe<br>12:30pm Eastern North America<br>9:30am Western North Amer=
ica<br></span>
<br></div><div>So please join us tomorrow should you have time and interest=
 and I hope that some of you on the list will join Steve, Rainer, Mark, Mat=
t and myself and do your own cast soon, it&#39;s a lot of fun and just real=
ly neat to get to reach out to places I for one may never get to travel to.=
</div>
<div><br></div><div>Have a great weekend and see you at 11 tomorrow.</div><=
div><br></div><div>Jim<br>-- <br>ReUse, an introspective textural aural jou=
rney...</div><div><a href=3D"http://www.myspace.com/ctreuse">www.myspace.co=
m/ctreuse</a></div>
<div><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com" ta=
rget=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapa=
intingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a><br>

<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>


<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>

<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c599a3c0a5ba046a9b79fb--

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Message-Id: <2FE388AA-2C4E-4A2E-8779-3EF2E7219CFF@btinternet.com>
From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: billboard magazine
Date: Sat, 23 May 2009 23:04:46 +0100
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.753.1)
Resent-Message-ID: <N0jCTD.A.y9F.DMHGKB@arsenic>
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Awsome - very interesting article, very pleased for you.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 23 May 2009, at 22:39, Zoe Keating wrote:

> I'm in Billboard magazine today which feels very surreal.
>
> http://www.billboard.biz/bbbiz/content_display/magazine/features/ 
> e3ib5e9d934e920f549151cb861b4cfbc1c
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Awsome - very interesting article, very pleased for you.<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 23 May 2009, =
at 22:39, Zoe Keating wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm in Billboard magazine today which feels very =
surreal.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.billboard.biz/bbbiz/content_display/magazine/features/e=
3ib5e9d934e920f549151cb861b4cfbc1c">http://www.billboard.biz/bbbiz/content=
_display/magazine/features/e3ib5e9d934e920f549151cb861b4cfbc1c</a></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1-668597902--

From Loopers-Delight-request@loopers-delight.com  Sat May 23 22:32:31 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60905231458u714d367en3ee0c6bd9ae45425@mail.gmail.com>
Subject: Re: Virtual Gigspam Reminder: Live tomorrow morning on uStream
Date: Sat, 23 May 2009 23:32:40 +0100
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Looking forward to your broadcast tomorrow Jim. The last one was wonderful. 
Thanks also for mentioning mine and for your encouragement to "get straight 
back on the horse" after last weeks problems.

It's great the way weekends are becoming virtual loopfests. I really hope 
more Delightful Loopers join us soon.

Steve



----- Original Message ----- 
From: Jim Goodin
To: loopers-Delight@loopers-delight.com
Sent: Saturday, May 23, 2009 10:58 PM
Subject: Virtual Gigspam Reminder: Live tomorrow morning on uStream


Well ustream is beginning to become virtual festival for many of us on LD 
which to me is pretty cool. 


From jerry-petersson1@virgilio.it  Sun May 24 01:42:22 2009
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Reply-To: <capt.jerry@usmarineunit.com>
From: "Capt. Jerry Peterson"<jerry-petersson1@virgilio.it>
Subject: Proposal
Date: Sun, 24 May 2009 02:32:13 +0100
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Please find attched my proposal. Consider it and get back to me as soon as possible. Please note that his is confidential,

Capt. Jerry Peteson
capt.jerry@usmarineunit.com

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------=_NextPart_000_010D_01C2A9A6.5EFD1254--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 03:36:18 2009
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From: Matt McCabe <lists@finleysound.com>
Subject: Re: dobro looping
Date: Sat, 23 May 2009 20:36:38 -0700
To: Loopers-Delight@loopers-delight.com
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Beautiful!  Do you have any songs up for download somewhere?

Matt

---
King Never
free music @ music.kingnever.com


On May 23, 2009, at 10:55 AM, doc rossi wrote:

> A sweet little pop tune on Dobro.  The looping won't be that  
> interesting to you wizards, but have you ever seen a left-handed  
> Dobro player?
>
> http://www.youtube.com/watch?v=x1JvWaKizG8&eurl=http%3A%2F%2Fwww% 
> 2Ereso%2Dnation%2Eorg%2Fnode%3Fpage%3D3&feature=player_embedded
>








From Loopers-Delight-request@loopers-delight.com  Sun May 24 05:52:18 2009
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Date: Sat, 23 May 2009 22:52:17 -0700
From: Rick Walker <looppool@cruzio.com>
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: WAY OFF TOPIC:    recommendations for great science fiction written
 in the last 10 years?
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I want something to read on my plane ride to Europe on Wednesday.

Can you folks recommend me some really good science fiction
that has been written in the last ten years.

I used to read a lot and have loved Card,  Varley,  Pohl,  Bear, 
Robinson,  et. al.

I haven't read anything in the past ten years so I don't know who to
go for and google searches only seem to bring up things written at least 
20 years ago.

Thanks,  

Rick

From Loopers-Delight-request@loopers-delight.com  Sun May 24 05:59:05 2009
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Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction writtenin the last 10 years?
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Date: Sun, 24 May 2009 05:58:58 +0000
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(Off Topic) Congrats Rick on your trip and be safe, wished I could have made it.  -K
------Original Message------
From: Rick Walker
To: Loopers Delight
ReplyTo: Loopers Delight
Subject: WAY OFF TOPIC:    recommendations for great science fiction writtenin the last 10 years?
Sent: May 24, 2009 1:52 AM

I want something to read on my plane ride to Europe on Wednesday.

Can you folks recommend me some really good science fiction
that has been written in the last ten years.

I used to read a lot and have loved Card,  Varley,  Pohl,  Bear, 
Robinson,  et. al.

I haven't read anything in the past ten years so I don't know who to
go for and google searches only seem to bring up things written at least 
20 years ago.

Thanks,  

Rick



Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Sun May 24 07:14:14 2009
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Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction written in the last 10 years?
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If you've never read The Diamond Age, don't miss it (1995, but, hey, =20
it's a masterpiece=85)
http://tinyurl.com/o7ou96

dpc


On May 23, 2009, at 10:52 PM, Rick Walker wrote:

> I want something to read on my plane ride to Europe on Wednesday.

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very cool...

dig your wave logo...


On May 23, 2009, at 12:04 PM, Krispen Hartung wrote:

> Playing now....
>
> FreeWave
> http://radioboise.org/  (Saturday, May 23 from 1-3pm Mountain =20
> Standard Time - MST)
> Click "LISTEN HERE"
>
> If you miss it, the link to the podcast will appear tonight at =
http://radio-boise-freewave.blogspot.com/
>
> "FreeWave features music within the free improvisation, electro-=20
> acoustic, experimental, and creative music genres. =46rom the complex =20=

> and frenzied sax expressions of Evan Parker to the extraterrestrial =20=

> sounds of Sun Ra, FreeWave is all this and more, into the obscure =20
> and beyond with the new millennium=92s creative electro-acoustic music =
=20
> scene. FreeWave will push your listening boundaries into new and =20
> challenging territories of creative music. Not for the faint of =20
> heart or remotely formulaic and predictable, FreeWave will alter =20
> your musical perspectives irrevocably."
>
> Play List
>
> Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
> Song: Magnitude
> Album: New Excursions (recorded live at the Copenhagen International =20=

> Experimental Festival)
>
> Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
> Song: Soundhear
> Album: Streaming
>
> Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
> Song: Ink
> Album: Verbatim, Flesh and Blood
>
> Artist(s): John Coltrane
> Song: Mars
> Album: Interstellar Space
>
> Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander =20
> Kolkowski (England) and drummer Tony Buck (Australia)
> Song: Where Europe Begins....
> Album: Nine Fragments
>
> Artist(s): Derek Bailey and Agusti Fernandez
> Song: Casa Leopoldo
> Album: Barcelona
>
> Artist(s): Cecil Taylor
> Song: Enter, Evening (Soft Line Structure)
> Album: Unit Structures
>
> Artist(s): Emily Hay and Motoko Honda
> Song: 2008 Boise Experimental Music Festival - Friday
> Album: n/a
>
> Cheers,
>
> Kris
>
> Kris Hartung
> www.krispenhartung.com
> http://b-cimf.com
> =
http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festival=
/37918746335
> http://www.myspace.com/boiseexperimentalmusicfestival
> info@krispenhartung.com
> 1-208-724-5603


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">very =
cool...<div><br></div><div>dig your wave =
logo...</div><div><br></div><div><br><div><div>On May 23, 2009, at 12:04 =
PM, Krispen Hartung wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div =
bgcolor=3D"#ffffff"><div>Playing =
now....</div><div>&nbsp;</div><div><strong>FreeWave</strong></div><div><a =
href=3D"http://radioboise.org/">http://radioboise.org/</a>&nbsp; =
(Saturday, May&nbsp;23 from 1-3pm Mountain Standard Time - =
MST)</div><div>Click "LISTEN HERE"</div><div>&nbsp;</div><div>If you =
miss it, the link to the podcast will appear tonight at<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-free=
wave.blogspot.com/</a></div><div>&nbsp;</div><div><strong>"FreeWave</stron=
g><span class=3D"Apple-converted-space">&nbsp;</span>features music =
within the free improvisation, electro-acoustic, experimental, and =
creative music genres. =46rom the complex and frenzied sax expressions =
of Evan Parker to the extraterrestrial sounds of Sun Ra,<span =
class=3D"Apple-converted-space">&nbsp;</span><strong>FreeWave</strong><spa=
n class=3D"Apple-converted-space">&nbsp;</span>is all this and more, =
into the obscure and beyond with the new millennium=92s creative =
electro-acoustic music scene. FreeWave will push your listening =
boundaries into new and challenging territories of creative music. Not =
for the faint of heart or remotely formulaic and predictable, FreeWave =
will alter your musical perspectives =
irrevocably."</div><div>&nbsp;</div><div><strong>Play =
List<br><br></strong>Artist(s): Evan Parker, Ghost in the Machine, and =
Martin Klapper<br>Song: Magnitude<br>Album:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.emusic.com/album/Evan-Parker-New-excursions-MP3-Downloa=
d/10985062.html"><font color=3D"#aa77aa">New Excursions</font></a><span =
class=3D"Apple-converted-space">&nbsp;</span>(recorded live at the =
Copenhagen International Experimental Festival)<br><br>Artist(s): Muhal =
Richard Abrams, George Lewis, and Roscoe Mitchell<br>Song: =
Soundhear<br>Album:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.emusic.com/album/Muhal-Richard-Abrams-George-Lewis-Rosc=
oe-Mitch-Streaming-MP3-Download/11011969.html"><font =
color=3D"#aa77aa">Streaming</font></a><br><br>Artist(s): Bob Ostertag, =
Phil Minton, Gerry Hemingway, Mark Dresser<br>Song: Ink<br>Album:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.emusic.com/album/Bob-Ostertag-Verbatim-Flesh-and-Blood-=
MP3-Download/10720641.html"><font color=3D"#aa77aa">Verbatim, Flesh and =
Blood</font></a><br><br>Artist(s): John Coltrane<br>Song: =
Mars<br>Album:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.amazon.com/Interstellar-Space-John-Coltrane/dp/B00004TA=
41/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1242249520&amp;sr=3D8-1"=
><font color=3D"#aa77aa">Interstellar Space</font></a><br><br>Artist(s): =
Dempa (Pianist Aki Takase (Japan), violinist Aleksander Kolkowski =
(England) and drummer Tony Buck (Australia)<span =
class=3D"Apple-converted-space">&nbsp;</span><br>Song: Where Europe =
Begins....<br>Album:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><font =
color=3D"#aa77aa">Nine Fragments</font></a><br><br>Artist(s): Derek =
Bailey and Agusti Fernandez<br>Song: Casa Leopoldo<br>Album:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.jazzloft.com/p-39420-barcelona.aspx"><font =
color=3D"#aa77aa">Barcelona</font></a><br><br>Artist(s): Cecil =
Taylor<br>Song: Enter, Evening (Soft Line Structure)<br>Album:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"><font =
color=3D"#aa77aa">Unit Structures</font></a><br><br>Artist(s): Emily Hay =
and Motoko Honda<br>Song: 2008 Boise Experimental Music Festival - =
Friday<br>Album: =
n/a</div><div>&nbsp;</div><div>Cheers,</div><div>&nbsp;</div><div>Kris</di=
v><div>&nbsp;</div><div>Kris Hartung<br><a =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</a></div><di=
v><a href=3D"http://b-cimf.com">http://b-cimf.com</a><br><a =
href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-=
Festival/37918746335">http://www.facebook.com/pages/Boise-Creative-and-Imp=
rovised-Music-Festival/37918746335</a><br><a =
href=3D"http://www.myspace.com/boiseexperimentalmusicfestival">http://www.=
myspace.com/boiseexperimentalmusicfestival</a><br><a =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</a><br>1-2=
08-724-5603</div></div></span></blockquote></div><br></div></body></html>=

--Apple-Mail-1-701947174--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 07:51:50 2009
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From: doc rossi <docittern@gmail.com>
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Subject: Re: dobro looping
Date: Sun, 24 May 2009 08:44:48 +0200
References: <CB4F64BE-D1A9-4C50-8E2A-D7AFF5DE6490@gmail.com> <5BFB9811-46A9-486A-8B3F-BC9A8F244C4B@finleysound.com>
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I'd love to take credit for that, but it's not me - it's a Dobro  
player in Norway -- http://www.youtube.com/user/eastfoldpicker

On May 24, 2009, at 5:36 AM, Matt McCabe wrote:

> Beautiful!  Do you have any songs up for download somewhere?
>
> Matt
>
> ---
> King Never
> free music @ music.kingnever.com
>
>
> On May 23, 2009, at 10:55 AM, doc rossi wrote:
>
>> A sweet little pop tune on Dobro.  The looping won't be that  
>> interesting to you wizards, but have you ever seen a left-handed  
>> Dobro player?
>>
>> http://www.youtube.com/watch?v=x1JvWaKizG8&eurl=http%3A%2F%2Fwww%2Ereso%2Dnation%2Eorg%2Fnode%3Fpage%3D3&feature=player_embedded
>>
>
>
>
>
>
>
>
>


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Date: Sun, 24 May 2009 11:10:53 +0200
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Subject: Re: help! need quick simple way to make laptop into looping/sampling 
	machine
From: Per Boysen <perboysen@gmail.com>
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On Sat, May 23, 2009 at 11:50 PM, david molina
<molina.transient@gmail.com> wrote:
> I have a Mac Book Pro Laptop. =C2=A0I tried to install Mobius, and it did=
n't
> work. =C2=A0I dont' know much about computers so maybe i'm doing somethin=
g
> wrong.=C2=A0A friend gave me a copy of Logic which has Main Stage. =C2=A0=
I also heard
> about Super Looper. =C2=A0 I am used to live looping and extreme sound
> manipulation of what i sample live on the spot. =C2=A0what do you suggest=
?


The same. Both SL and Mobius has been sighted working for other folks
so if you just give it a second try there's a fair chance it will
work. These two loopers differs a little in functionality so you
better check out what they can do to see which one will serve your
needs best. There are dedicated mailing lists for both where you can
get help and they also offer written manuals online.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sun, 24 May 2009 05:37:45 -0400
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Subject: Re: billboard magazine
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Zoe congratulations that's great.

On 5/23/09, Zoe Keating <info@zoekeating.com> wrote:
> I'm in Billboard magazine today which feels very surreal.
>
> http://www.billboard.biz/bbbiz/content_display/magazine/features/e3ib5e9d934e920f549151cb861b4cfbc1c
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun May 24 10:21:13 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
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--001636c598321ab4ca046aa5c53f
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DEFINATELY the Diamond Age, or from the same author Snow Crash.

What Neil Stevendon does is present you with a world for a bit ( Nano
technology works, in Diamond Age, or Everyone has a second virtual life in
Snow Crash) and then gives you a run of the mill exiting rollacoaster of a
novel, based on those presumptions.. LOVE HIM...

I just read Anathem, his latest, also genius, but a bit long and heavy for a
"trip book"..

Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think about
e-learning (my day-job) as a matter of fact...

enjoy

M

PS:
but surely.. all planes have SO MUCH inflight fun... catch up on all them
films you missed... play Super Mario... Or my favorite... (but expensive)
use the seat-back phone to call a random seat for a chat!!!








-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c598321ab4ca046aa5c53f
Content-Type: text/html; charset=ISO-8859-1
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DEFINATELY the Diamond Age, or from the same author Snow Crash.<br><br>What=
 Neil Stevendon does is present you with a world for a bit ( Nano technolog=
y works, in Diamond Age, or Everyone has a second virtual life in Snow Cras=
h) and then gives you a run of the mill exiting rollacoaster of a novel, ba=
sed on those presumptions.. LOVE HIM... <br>

<br>I just read Anathem, his latest, also genius, but a bit long and heavy =
for a &quot;trip book&quot;..<br><br>Of the 3 .. Diamond Age, lots of cool =
stuff.. changed the way I think about e-learning (my day-job) as a matter o=
f fact...<br>

<br>enjoy<br><br>M<br><br>PS:<br>but surely.. all planes have SO MUCH infli=
ght fun... catch up on all them films you missed... play Super Mario... Or =
my favorite... (but expensive) use the seat-back phone to call a random sea=
t for a chat!!!<br>

<br><br><br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.=
markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtub=
e.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c598321ab4ca046aa5c53f--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 10:47:05 2009
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Date: Sun, 24 May 2009 03:47:04 -0700 (PDT)
Subject: WAY OFF TOPIC: recommendations for great science fiction written 
     in the last 10 years?
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Yeah,  I had read prodigously as a teenager and then didn't touch
Sci Fi unti l I fell in love with Chris, twenty years ago.

At the start of our relationship she turned me on to a whole new
generation of writers who I thought   were vastly better writers than
the Isaamov, Clarke, hegemony of my youth.

If you are ever in the mood,   try these novels that I loved:

Orson Scott Card's brilliant novel   'Enders Game'
(and that whole series)

Robinson's   "Red Mars"  series was wonderful
(and that whole series)

Greg Bears' "Eon"

Fredrick Pohl's  "Gateway"

and finally

John Varley's novellette   "Millenium"  (turned into a horrid movie)
I went on to be a big fan of Varley's whole output............even the
fantasy trilogy he wrote "Titan" "Wizard" "Demon"  (and I am decidedly
NOT a fan of fantasy literature).

I really didn't enjoy the last two things he has written but the earlier
stuff is wonderful.

He is, imho,  the best genderless writer in all of Sci Fi for my money.
My wife says his female characters are absolutely spot on and convincing,
which can be a big problem in male oriented Science Fiction.

I just haven't read anything in the last ten years and I'm sure there
must be some great stuff written.

From jjjtaylor@jackpotjoy.com  Sun May 24 11:42:16 2009
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Date: Sun, 24 May 2009 07:43:50 -0300
From: Julie Taylor <jjjtaylor@jackpotjoy.com>
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Date: Sun, 24 May 2009 13:50:49 +0200
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
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On Sun, May 24, 2009 at 12:47 PM,  <looppool@cruzio.com> wrote:
> Sci Fi


Harlan Ellison is one of the old guys you did not mention. Dark and
horrific sci-fi stories.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun May 24 12:00:08 2009
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ian mcdonald's river of gods was once recommended by somebody on this list.
wonderful! on my sci-fi-list it's no 2 after diamond age.

http://en.wikipedia.org/wiki/River_of_Gods

tilmann

ps: concerning long flights - have you checked out headphones with noise 
cancelling system? you're in for a miracle.

From Loopers-Delight-request@loopers-delight.com  Sun May 24 13:01:59 2009
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You can skip, "Zodiac", though. It was his first and most definitely not in the same league as his later books. 

And don't forget William Gibson! Try "Idoru". 

Chris 

----- Original Message ----- 
From: "mark francombe" <mark@markfrancombe.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern 
Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written in the last 10 years? 

DEFINATELY the Diamond Age, or from the same author Snow Crash. 

What Neil Stevendon does is present you with a world for a bit ( Nano technology works, in Diamond Age, or Everyone has a second virtual life in Snow Crash) and then gives you a run of the mill exiting rollacoaster of a novel, based on those presumptions.. LOVE HIM... 

I just read Anathem, his latest, also genius, but a bit long and heavy for a "trip book".. 

Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think about e-learning (my day-job) as a matter of fact... 

enjoy 

M 

PS: 
but surely.. all planes have SO MUCH inflight fun... catch up on all them films you missed... play Super Mario... Or my favorite... (but expensive) use the seat-back phone to call a random seat for a chat!!! 








-- 
www.markfrancombe.com 
http://vimeo.com/user825094 
http://uk.youtube.com/user/markfrancombe 
http://www.myspace.com/markfrancombe 
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch 

------=_Part_686708_1943270623.1243169632850
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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>You can skip, "Zodiac", though.&nbsp; It was his first and most definitely not in the same league as his later books.<br><br>And don't forget William Gibson!&nbsp; Try "Idoru".<br><br>Chris<br><br>----- Original Message -----<br>From: "mark francombe" &lt;mark@markfrancombe.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written &nbsp;in the last 10 years?<br><br>DEFINATELY the Diamond Age, or from the same author Snow Crash.<br><br>What Neil Stevendon does is present you with a world for a bit ( Nano technology works, in Diamond Age, or Everyone has a second virtual life in Snow Crash) and then gives you a run of the mill exiting rollacoaster of a novel, based on those presumptions.. LOVE HIM... <br>

<br>I just read Anathem, his latest, also genius, but a bit long and heavy for a "trip book"..<br><br>Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think about e-learning (my day-job) as a matter of fact...<br>

<br>enjoy<br><br>M<br><br>PS:<br>but surely.. all planes have SO MUCH inflight fun... catch up on all them films you missed... play Super Mario... Or my favorite... (but expensive) use the seat-back phone to call a random seat for a chat!!!<br>

<br><br><br><br><br><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com" target="_blank">www.markfrancombe.com</a><br><a href="http://vimeo.com/user825094" target="_blank">http://vimeo.com/user825094</a><br><a href="http://uk.youtube.com/user/markfrancombe" target="_blank">http://uk.youtube.com/user/markfrancombe</a><br>

<a href="http://www.myspace.com/markfrancombe" target="_blank">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch" target="_blank">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>


</div></body></html>
------=_Part_686708_1943270623.1243169632850--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 13:26:02 2009
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Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction
 written in the last 10 years?
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------=_Part_169002_1931433642.1243171075828
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable

Rick,=20

If you like Robinson's Red Mars series then you might try his "Washington" =
trilogy starting with "Forty Days of Rain". It's a very near future story o=
f impending global warming disaster and the attempts of scientists and lawm=
akers to try and reverse it. This isn't as far in the future or out there a=
s some science fiction can get but it's a good thought provoking read. The =
part of the book where DC is in a "mini ice age" and animals have to be set=
 free from the Zoo in DC for their own survival is great.=20


>From wikipedia :=20

The Science in the Capital series encompasses three novels: Forty Signs of =
Rain (2004), Fifty Degrees Below (2005), and Sixty Days and Counting (2007)=
. This series explores the consequences of global warming , both on a globa=
l level and as it affects the main characters=E2=80=94several employees of =
the National Science Foundation and those close to them. A recurring theme =
of Robinson's that returns in this series is that of Buddhist philosophy, w=
hich is represented in the series by the agency of ambassadors from Khembal=
ung, a fictional Buddhist micro-state located on an offshore island in the =
Ganges delta. Their state is threatened by rising sea levels, and the react=
ion of the Khembalis is compared to that of the Washingtonians.=20


----- Original Message -----=20
From: "Rick Walker" <looppool@cruzio.com>=20
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>=20
Sent: Sunday, May 24, 2009 1:52:17 AM GMT -05:00 US/Canada Eastern=20
Subject: WAY OFF TOPIC: recommendations for great science fiction written i=
n the last 10 years?=20

I want something to read on my plane ride to Europe on Wednesday.=20

Can you folks recommend me some really good science fiction=20
that has been written in the last ten years.=20

I used to read a lot and have loved Card, Varley, Pohl, Bear,=20
Robinson, et. al.=20

I haven't read anything in the past ten years so I don't know who to=20
go for and google searches only seem to bring up things written at least=20
20 years ago.=20

Thanks,=20

Rick=20


------=_Part_169002_1931433642.1243171075828
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Rick,<br>=
<br>If you like Robinson's Red Mars series then you might try his "Washingt=
on" trilogy starting with "Forty Days of Rain". It's a very near future sto=
ry of impending global warming disaster and the attempts of scientists and =
lawmakers to try and reverse it. This isn't as far in the future or out the=
re as some science fiction can get but it's a good thought provoking read. =
The part of the book where DC is in a "mini ice age" and animals have to be=
 set free from the Zoo in DC for their own survival is great. <br><br><br>F=
rom wikipedia :<br><br>The <i>Science in the Capital</i> series encompasses=
 three novels: <i><a href=3D"http://en.wikipedia.org/wiki/Forty_Signs_of_Ra=
in" title=3D"Forty Signs of Rain">Forty Signs of Rain</a></i> (2004), <i><a=
 href=3D"http://en.wikipedia.org/wiki/Fifty_Degrees_Below" title=3D"Fifty D=
egrees Below">Fifty Degrees Below</a></i> (2005), and <i><a href=3D"http://=
en.wikipedia.org/wiki/Sixty_Days_and_Counting" title=3D"Sixty Days and Coun=
ting">Sixty Days and Counting</a></i> (2007). This series explores the cons=
equences of <a href=3D"http://en.wikipedia.org/wiki/Global_warming" title=
=3D"Global warming">global warming</a>, both on a global level and as it af=
fects the main characters=E2=80=94several employees of the <a href=3D"http:=
//en.wikipedia.org/wiki/National_Science_Foundation" title=3D"National Scie=
nce Foundation">National Science Foundation</a> and those close to them. A =
recurring theme of Robinson's that returns in this series is that of <a hre=
f=3D"http://en.wikipedia.org/wiki/Buddhism" title=3D"Buddhism">Buddhist</a>
philosophy, which is represented in the series by the agency of
ambassadors from Khembalung, a fictional Buddhist micro-state located
on an offshore island in the <a href=3D"http://en.wikipedia.org/wiki/Ganges=
" title=3D"Ganges">Ganges</a>
delta. Their state is threatened by rising sea levels, and the reaction
of the Khembalis is compared to that of the Washingtonians.<br><br><br>----=
- Original Message -----<br>From: "Rick Walker" &lt;looppool@cruzio.com&gt;=
<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-Delight@loopers-delight.com=
&gt;<br>Sent: Sunday, May 24, 2009 1:52:17 AM GMT -05:00 US/Canada Eastern<=
br>Subject: WAY OFF TOPIC: &nbsp; &nbsp;recommendations for great science f=
iction written in the last 10 years?<br><br>I want something to read on my =
plane ride to Europe on Wednesday.<br><br>Can you folks recommend me some r=
eally good science fiction<br>that has been written in the last ten years.<=
br><br>I used to read a lot and have loved Card, &nbsp;Varley, &nbsp;Pohl, =
&nbsp;Bear, <br>Robinson, &nbsp;et. al.<br><br>I haven't read anything in t=
he past ten years so I don't know who to<br>go for and google searches only=
 seem to bring up things written at least <br>20 years ago.<br><br>Thanks, =
&nbsp;<br><br>Rick<br><br></div></body></html>
------=_Part_169002_1931433642.1243171075828--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 13:27:12 2009
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	 <003d01c9dbf6$61d05210$cb04c150@yourc9d9764718>
Date: Sun, 24 May 2009 09:27:11 -0400
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Subject: Re: Virtual Gigspam Reminder: Live tomorrow morning on uStream
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve you're welcome and thx for the words.  Glad you are saddling
back on today, I look forward to catching you.

See ya'll on ustream...

Jim


On 5/23/09, Steve Moyes <stephenmoyes@blueyonder.co.uk> wrote:
> Looking forward to your broadcast tomorrow Jim. The last one was wonderful.
> Thanks also for mentioning mine and for your encouragement to "get straight
> back on the horse" after last weeks problems.
>
> It's great the way weekends are becoming virtual loopfests. I really hope
> more Delightful Loopers join us soon.
>
> Steve
>
>
>
> ----- Original Message -----
> From: Jim Goodin
> To: loopers-Delight@loopers-delight.com
> Sent: Saturday, May 23, 2009 10:58 PM
> Subject: Virtual Gigspam Reminder: Live tomorrow morning on uStream
>
>
> Well ustream is beginning to become virtual festival for many of us on LD
> which to me is pretty cool.
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun May 24 13:38:19 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
From: Warren Sirota <wsirota@wsdesigns.com>
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--0016362835b6279808046aa8876d
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im(extremely minority)o, Stephenson can't write characters to save his life
and i find his books deadly boring (ok, let me be specific and indulge my
passion for exaggeration a little less: 250 slow pages into Cryptonomicon or
whatever he called it, i realized that every single person in the book was
the identical blend of system analyst and amateur sleuth/reflexive
information hider that i have to work with in corporate life every day, just
with different circumstances. i couldn't find a spec of character in any of
them, and i couldn't go on reading).

and, sorry to those who've seen this recommendation before, but the best SF
book, or any book, that i've read in the past 5 years was "The Time
Traveler's Wife"

On Sun, May 24, 2009 at 8:53 AM, Christophe <cburke55@comcast.net> wrote:

> You can skip, "Zodiac", though.  It was his first and most definitely not
> in the same league as his later books.
>
> And don't forget William Gibson!  Try "Idoru".
>
> Chris
>
> ----- Original Message -----
> From: "mark francombe" <mark@markfrancombe.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern
> Subject: Re: WAY OFF TOPIC: recommendations for great science fiction
> written  in the last 10 years?
>
> DEFINATELY the Diamond Age, or from the same author Snow Crash.
>
> What Neil Stevendon does is present you with a world for a bit ( Nano
> technology works, in Diamond Age, or Everyone has a second virtual life in
> Snow Crash) and then gives you a run of the mill exiting rollacoaster of a
> novel, based on those presumptions.. LOVE HIM... < br>
> I just read Anathem, his latest, also genius, but a bit long and heavy for
> a "trip book"..
>
> Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think about
> e-learning (my day-job) as a matter of fact...
>
> enjoy
>
> M
>
> PS:
> but surely.. all planes have SO MUCH inflight fun... catch up on all them
> films you missed... play Super Mario... Or my favorite... (but expensive)
> use the seat-back phone to call a random seat for a chat!!!
>
>
>
>
>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016362835b6279808046aa8876d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

im(extremely minority)o, Stephenson can&#39;t write characters to save his =
life and i find his books deadly boring (ok, let me be specific and indulge=
 my passion for exaggeration a little less: 250 slow pages into Cryptonomic=
on or whatever he called it, i realized that every single person in the boo=
k was the identical blend of system analyst and amateur sleuth/reflexive in=
formation hider that i have to work with in corporate life every day, just =
with different circumstances. i couldn&#39;t find a spec of character in an=
y of them, and i couldn&#39;t go on reading). <br>
<br>and, sorry to those who&#39;ve seen this recommendation before, but the=
 best SF book, or any book, that i&#39;ve read in the past 5 years was &quo=
t;The Time Traveler&#39;s Wife&quot;<br><br><div class=3D"gmail_quote">On S=
un, May 24, 2009 at 8:53 AM, Christophe <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:cburke55@comcast.net">cburke55@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">You can skip=
, &quot;Zodiac&quot;, though.=A0 It was his first and most definitely not i=
n the same league as his later books.<br>
<br>And don&#39;t forget William Gibson!=A0 Try &quot;Idoru&quot;.<br><br>C=
hris<div class=3D"im"><br><br>----- Original Message -----<br>From: &quot;m=
ark francombe&quot; &lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D=
"_blank">mark@markfrancombe.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>Sent: Sunday, May 24, 2009 6:1=
4:55 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: WAY OFF TOPIC: recomme=
ndations for great science fiction written =A0in the last 10 years?<br>
<br>DEFINATELY the Diamond Age, or from the same author Snow Crash.<br><br>=
</div><div class=3D"im">What Neil Stevendon does is present you with a worl=
d for a bit ( Nano technology works, in Diamond Age, or Everyone has a seco=
nd virtual life in Snow Crash) and then gives you a run of the mill exiting=
 rollacoaster of a novel, based on those presumptions.. LOVE HIM... &lt;
 br&gt;

<br>I just read Anathem, his latest, also genius, but a bit long and heavy =
for a &quot;trip book&quot;..<br><br>Of the 3 .. Diamond Age, lots of cool =
stuff.. changed the way I think about e-learning (my day-job) as a matter o=
f fact...<br>


<br>enjoy<br><br>M<br><br>PS:<br>but surely.. all planes have SO MUCH infli=
ght fun... catch up on all them films you missed... play Super Mario... Or =
my favorite... (but expensive) use the seat-back phone to call a random sea=
t for a chat!!!<br>


<br><br><br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.=
markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=
=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825=
094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warre=
n<br><a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://w=
ww.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warr=
ensirota.com">http://www.warrensirota.com</a><br>


--0016362835b6279808046aa8876d--

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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
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On Sun, May 24, 2009 at 2:00 PM, Tilmann Dehnhard <tilmann@dehnhard.com> wr=
ote:
> river of gods

Gosh,  reminds me of The Riveworld by Philip Jos=C3=A9 Farmer. He is "pre
1990" but if you have not read that suit you have to! Just mentioning
it since Rick left out this one from the "old SF" listing.
Info here: http://en.wikipedia.org/wiki/Riverworld

per

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Date: Sun, 24 May 2009 22:53:48 +0900
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Agh!  This one's kind of hard, considering I sort of stopped reading 
fiction a decade or two ago.  Before that, I was a pretty voracious 
SF reader.  Maybe I can hit a thing or two you've missed, though....

At 3:47 AM -0700 5/24/09, looppool@cruzio.com wrote:
>
>Robinson's   "Red Mars"  series was wonderful

If you're a fan of KSR, then you might enjoy his first collection of 
short stories: "The Planet on the Table".  It features two of his 
most well-known, "The Lucky Strike" and "Venice Drowned".  The former 
of those I still consider one of the best SF stories written in the 
past couple decades.

Per mentioned Ellison, who is another one of my favorites.  "Stalking 
the Nightmare" is especially good, IMNSHO.

As you can tell, I've obviously got a soft spot for short stories 
when I travel.  I've usually got an even shorter attention span than 
normal (so there's no way I'm going to finish a novel, considering 
all the interruptions/distractions during normal travelling).  They 
also point me to new authors I might want to pursue further work from.

In that same spirit, I might also suggest one of the compilations of 
"The Year's Best Science Fiction" from the past few years.  Similar 
compilations exist for the Hugo Award and Nebula Award nominees from 
every year as well.

>John Varley's novellette   "Millenium"  (turned into a horrid movie)

Also, Millenium was expanded into a full-sized novel, and it's not 
really any better.  I agree: stick with the novelette.

Varley's novelette, "Press Enter", is similarly brilliant.

>I went on to be a big fan of Varley's whole output............even the
>fantasy trilogy he wrote "Titan" "Wizard" "Demon"  (and I am decidedly
>NOT a fan of fantasy literature).

Agree.  I started with "Titan" then went on to become a voracious 
Varley reader.

In a similar vein/writing style, you might also take a look at Joe 
Haldeman's early stuff.  He's only been writing war novels for the 
past few years, I believe, but early works like "The Forever War" and 
"All My Sins Remembered" are brilliant.

>He [Varley] is, imho,  the best genderless writer in all of Sci Fi 
>for my money.
>My wife says his female characters are absolutely spot on and convincing,
>which can be a big problem in male oriented Science Fiction.

Uhm, IIRC, isn't John Varley actually a woman writing under a male 
pen name?  I believe that's how Varley is able to write such 
believable female characters.

Good luck!

	--m.

-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction 
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At 10:53 PM +0900 5/24/09, Mech wrote:
>
>>He [Varley] is, imho,  the best genderless writer in all of Sci Fi 
>>for my money.
>>My wife says his female characters are absolutely spot on and convincing,
>>which can be a big problem in male oriented Science Fiction.
>
>Uhm, IIRC, isn't John Varley actually a woman writing under a male 
>pen name?  I believe that's how Varley is able to write such 
>believable female characters.

Ah crumbs.  I just checked the Internets.  I guess that was just an 
old urban legend that Varley was a woman.  Still writes female 
characters better than just about any else in SF, though....

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

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On May 23, 2009, at 10:52 PM, Rick Walker wrote:

> I want something to read on my plane ride to Europe on Wednesday.
>
> Can you folks recommend me some really good science fiction
> that has been written in the last ten years.


Recent:

Manifold: Space, and also, Manifold: Time by Stephen Baxter (good mind- 
bending stuff)

Seeker - Jack McDevitt  (not Space Opera, more like detective mystery  
set in future)

Wheelers by Ian Stewart and Jack Cohen (nice in system sprawling  
stuff, quite fun)




Oldie Goldies, in case you missed em:

Dan Simmons - Hyperion

David Brin - Startide Rising, and also, Earth

Gregory Benford - Galactic Center series ( I would start with Great  
Sky River read thru to final books then jump back to beginning of  
series.)

Michael Swanwick -Stations of the Tide

Vernor Vinge - most of his stuff interesting.

Fantasy:

Robert Jordan - Wheel of Time, Book one is Eye of the World (If you  
have not tried them, really well imagined stuff)

Stephen Donaldson - Lord Foul's Bane (first 3 books of the Covenant  
series are an interesting take on fantasy genre)




Have a splendid trip and tour.


regards

BobC


http://cdbaby.com/cd/rpcollier5
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On May 23, 2009, =
at 10:52 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">I want something to read on my =
plane ride to Europe on Wednesday.<br><br>Can you folks recommend me =
some really good science fiction<br>that has been written in the last =
ten years.</span></blockquote></div><br><div><br></div><div><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>Recent:</div><div><br></div>Manifold: Space, and also, Manifold: =
Time by&nbsp;Stephen Baxter (good mind-bending =
stuff)<div><br></div><div>Seeker -&nbsp;Jack McDevitt &nbsp;(not Space =
Opera, more like detective mystery set in =
future)</div><div><br></div><div>Wheelers by Ian Stewart and Jack Cohen =
(nice in system sprawling stuff, quite =
fun)</div><div><br></div><div><br></div><div><br></div><div><br></div><div=
>Oldie Goldies, in case you missed em:</div><div><br></div><div>Dan =
Simmons - Hyperion</div><div><br></div><div>David Brin - Startide =
Rising, and also, Earth</div><div><br></div><div>Gregory Benford - =
Galactic Center series ( I would start with Great Sky River read thru to =
final books then jump back to beginning of =
series.)</div><div><br></div><div>Michael Swanwick -Stations of the =
Tide&nbsp;</div><div><br></div><div>Vernor Vinge - most of his stuff =
interesting.</div><div><br></div><div>Fantasy:</div><div><br></div><div>Ro=
bert Jordan - Wheel of Time, Book one is Eye of the World (If you have =
not tried them, really well imagined =
stuff)</div><div><br></div><div>Stephen Donaldson - Lord Foul's Bane =
(first 3 books of the Covenant series are an interesting take on fantasy =
genre)</div><div><br></div><div><br></div><div><br></div><div><br></div><d=
iv>Have a splendid trip and =
tour.</div><div><br></div><div><br></div><div>regards</div><div><br></div>=
<div>BobC</div><div><br></div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></div></div></body></html>=

--Apple-Mail-1-726970237--

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Ahh.. I HAD forgotton about Cryptonomicon or whatever he called it, ... I
actually couldnt get 25 pages in. Im not in any way a Stevenson fan (more a
PKDick fan) but Diamond age (and in a fun simplistic way Snow Crash) are
both brilliant...

Warrens statement that he can't write a character, is um.... er...true, but
well.. um.. er... sorry Warren... boring...
Its what people come up with when they just dont like a book, but can't say
why.

To be honest, after years of wallowing in arty farty clever clogs books
(Burroughs Joyce Poe ) I just cant be bothered with those long and tiresome
descriptions of "real" characters.. (unless its Jane Austin) yawn.. does
EVERY book have to spend 4 chapters building motives and describing
backgrounds, and warming up... no.. what I want is
A) a great story, as in a beginning a middle and and a proper, old
fashioned, clever, resolving, end. And...
B) a good idea. So many novels I read are long sprawling desciptions of
seemier gritty real ... Im sick of it... Give me something unreal, new,
original, creative and surprising. And get to the story on page one.

cheers

Mark

OH.. and a NON- SF recommendation: My fave book infact. A conspiracy of
dunces.



On Sun, May 24, 2009 at 3:32 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> im(extremely minority)o, Stephenson can't write characters to save his life
> and i find his books deadly boring (ok, let me be specific and indulge my
> passion for exaggeration a little less: 250 slow pages into Cryptonomicon or
> whatever he called it, i realized that every single person in the book was
> the identical blend of system analyst and amateur sleuth/reflexive
> information hider that i have to work with in corporate life every day, just
> with different circumstances. i couldn't find a spec of character in any of
> them, and i couldn't go on reading).
>
> and, sorry to those who've seen this recommendation before, but the best SF
> book, or any book, that i've read in the past 5 years was "The Time
> Traveler's Wife"
>
>
> On Sun, May 24, 2009 at 8:53 AM, Christophe <cburke55@comcast.net> wrote:
>
>> You can skip, "Zodiac", though.  It was his first and most definitely not
>> in the same league as his later books.
>>
>> And don't forget William Gibson!  Try "Idoru".
>>
>> Chris
>>
>> ----- Original Message -----
>> From: "mark francombe" <mark@markfrancombe.com>
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern
>> Subject: Re: WAY OFF TOPIC: recommendations for great science fiction
>> written  in the last 10 years?
>>
>> DEFINATELY the Diamond Age, or from the same author Snow Crash.
>>
>> What Neil Stevendon does is present you with a world for a bit ( Nano
>> technology works, in Diamond Age, or Everyone has a second virtual life in
>> Snow Crash) and then gives you a run of the mill exiting rollacoaster of a
>> novel, based on those presumptions.. LOVE HIM... < br>
>> I just read Anathem, his latest, also genius, but a bit long and heavy for
>> a "trip book"..
>>
>> Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think
>> about e-learning (my day-job) as a matter of fact...
>>
>> enjoy
>>
>> M
>>
>> PS:
>> but surely.. all planes have SO MUCH inflight fun... catch up on all them
>> films you missed... play Super Mario... Or my favorite... (but expensive)
>> use the seat-back phone to call a random seat for a chat!!!
>>
>>
>>
>>
>>
>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c598323749ff046aa94d82
Content-Type: text/html; charset=ISO-8859-1
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Ahh.. I HAD forgotton about Cryptonomicon or whatever he called it, ... I a=
ctually couldnt get 25 pages in. Im not in any way a Stevenson fan (more a =
PKDick fan) but Diamond age (and in a fun simplistic way Snow Crash) are bo=
th brilliant...<br>

<br>Warrens statement that he can&#39;t write a character, is um.... er...t=
rue, but well.. um.. er... sorry Warren... boring... <br>Its what people co=
me up with when they just dont like a book, but can&#39;t say why.<br>
<br>
To be honest, after years of wallowing in arty farty clever clogs books (Bu=
rroughs Joyce Poe ) I just cant be bothered with those long and tiresome de=
scriptions of &quot;real&quot; characters.. (unless its Jane Austin) yawn..=
 does EVERY book have to spend 4 chapters building motives and describing b=
ackgrounds, and warming up... no.. what I want is <br>

A) a great story, as in a beginning a middle and and a proper, old fashione=
d, clever, resolving, end. And...<br>B) a good idea. So many novels I read =
are long sprawling desciptions of seemier gritty real ... Im sick of it... =
Give me something unreal, new, original, creative and surprising. And get t=
o the story on page one.<br>

<br>cheers<br><br>Mark<br><br>OH.. and a NON- SF recommendation: My fave bo=
ok infact. A conspiracy of dunces. <br><br><br><br><div class=3D"gmail_quot=
e">On Sun, May 24, 2009 at 3:32 PM, Warren Sirota <span dir=3D"ltr">&lt;<a =
href=3D"mailto:wsirota@wsdesigns.com">wsirota@wsdesigns.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">im(extremely mino=
rity)o, Stephenson can&#39;t write characters to save his life and i find h=
is books deadly boring (ok, let me be specific and indulge my passion for e=
xaggeration a little less: 250 slow pages into Cryptonomicon or whatever he=
 called it, i realized that every single person in the book was the identic=
al blend of system analyst and amateur sleuth/reflexive information hider t=
hat i have to work with in corporate life every day, just with different ci=
rcumstances. i couldn&#39;t find a spec of character in any of them, and i =
couldn&#39;t go on reading). <br>


<br>and, sorry to those who&#39;ve seen this recommendation before, but the=
 best SF book, or any book, that i&#39;ve read in the past 5 years was &quo=
t;The Time Traveler&#39;s Wife&quot;<div><div></div><div class=3D"h5"><br>

<br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 8:53 AM, Christophe =
<span dir=3D"ltr">&lt;<a href=3D"mailto:cburke55@comcast.net" target=3D"_bl=
ank">cburke55@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">You can skip=
, &quot;Zodiac&quot;, though.=A0 It was his first and most definitely not i=
n the same league as his later books.<br>


<br>And don&#39;t forget William Gibson!=A0 Try &quot;Idoru&quot;.<br><br>C=
hris<div><br><br>----- Original Message -----<br>From: &quot;mark francombe=
&quot; &lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark=
@markfrancombe.com</a>&gt;<br>


To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>Sent: Sunday, May 24, 2009 6:1=
4:55 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: WAY OFF TOPIC: recomme=
ndations for great science fiction written =A0in the last 10 years?<br>


<br>DEFINATELY the Diamond Age, or from the same author Snow Crash.<br><br>=
</div><div>What Neil Stevendon does is present you with a world for a bit (=
 Nano technology works, in Diamond Age, or Everyone has a second virtual li=
fe in Snow Crash) and then gives you a run of the mill exiting rollacoaster=
 of a novel, based on those presumptions.. LOVE HIM... &lt;
 br&gt;

<br>I just read Anathem, his latest, also genius, but a bit long and heavy =
for a &quot;trip book&quot;..<br><br>Of the 3 .. Diamond Age, lots of cool =
stuff.. changed the way I think about e-learning (my day-job) as a matter o=
f fact...<br>




<br>enjoy<br><br>M<br><br>PS:<br>but surely.. all planes have SO MUCH infli=
ght fun... catch up on all them films you missed... play Super Mario... Or =
my favorite... (but expensive) use the seat-back phone to call a random sea=
t for a chat!!!<br>




<br><br><br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.=
markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=
=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825=
094</a><br>


<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>





</div></div></div></blockquote></div><br><br clear=3D"all"><br></div></div>=
<font color=3D"#888888">-- <br>Warren<br><a href=3D"http://www.ubetoo.com/A=
rtist.taf?_ArtistId=3D6679" target=3D"_blank">http://www.ubetoo.com/Artist.=
taf?_ArtistId=3D6679</a><br>

<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c598323749ff046aa94d82--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 14:49:48 2009
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Date: Sun, 24 May 2009 09:49:47 -0500
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
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Pattern recognition by William Gibson.
Sylvain


On Sun, May 24, 2009 at 9:27 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Ahh.. I HAD forgotton about Cryptonomicon or whatever he called it, ... I
> actually couldnt get 25 pages in. Im not in any way a Stevenson fan (more=
 a
> PKDick fan) but Diamond age (and in a fun simplistic way Snow Crash) are
> both brilliant...
>
> Warrens statement that he can't write a character, is um.... er...true, b=
ut
> well.. um.. er... sorry Warren... boring...
> Its what people come up with when they just dont like a book, but can't s=
ay
> why.
>
> To be honest, after years of wallowing in arty farty clever clogs books
> (Burroughs Joyce Poe ) I just cant be bothered with those long and tireso=
me
> descriptions of "real" characters.. (unless its Jane Austin) yawn.. does
> EVERY book have to spend 4 chapters building motives and describing
> backgrounds, and warming up... no.. what I want is
> A) a great story, as in a beginning a middle and and a proper, old
> fashioned, clever, resolving, end. And...
> B) a good idea. So many novels I read are long sprawling desciptions of
> seemier gritty real ... Im sick of it... Give me something unreal, new,
> original, creative and surprising. And get to the story on page one.
>
> cheers
>
> Mark
>
> OH.. and a NON- SF recommendation: My fave book infact. A conspiracy of
> dunces.
>
>
>
> On Sun, May 24, 2009 at 3:32 PM, Warren Sirota <wsirota@wsdesigns.com>
> wrote:
>>
>> im(extremely minority)o, Stephenson can't write characters to save his
>> life and i find his books deadly boring (ok, let me be specific and indu=
lge
>> my passion for exaggeration a little less: 250 slow pages into Cryptonom=
icon
>> or whatever he called it, i realized that every single person in the boo=
k
>> was the identical blend of system analyst and amateur sleuth/reflexive
>> information hider that i have to work with in corporate life every day, =
just
>> with different circumstances. i couldn't find a spec of character in any=
 of
>> them, and i couldn't go on reading).
>>
>> and, sorry to those who've seen this recommendation before, but the best
>> SF book, or any book, that i've read in the past 5 years was "The Time
>> Traveler's Wife"
>>
>> On Sun, May 24, 2009 at 8:53 AM, Christophe <cburke55@comcast.net> wrote=
:
>>>
>>> You can skip, "Zodiac", though.=A0 It was his first and most definitely=
 not
>>> in the same league as his later books.
>>>
>>> And don't forget William Gibson!=A0 Try "Idoru".
>>>
>>> Chris
>>>
>>> ----- Original Message -----
>>> From: "mark francombe" <mark@markfrancombe.com>
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern
>>> Subject: Re: WAY OFF TOPIC: recommendations for great science fiction
>>> written =A0in the last 10 years?
>>>
>>> DEFINATELY the Diamond Age, or from the same author Snow Crash.
>>>
>>> What Neil Stevendon does is present you with a world for a bit ( Nano
>>> technology works, in Diamond Age, or Everyone has a second virtual life=
 in
>>> Snow Crash) and then gives you a run of the mill exiting rollacoaster o=
f a
>>> novel, based on those presumptions.. LOVE HIM... < br>
>>> I just read Anathem, his latest, also genius, but a bit long and heavy
>>> for a "trip book"..
>>>
>>> Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think
>>> about e-learning (my day-job) as a matter of fact...
>>>
>>> enjoy
>>>
>>> M
>>>
>>> PS:
>>> but surely.. all planes have SO MUCH inflight fun... catch up on all th=
em
>>> films you missed... play Super Mario... Or my favorite... (but expensiv=
e)
>>> use the seat-back phone to call a random seat for a chat!!!
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> --
>>> www.markfrancombe.com
>>> http://vimeo.com/user825094
>>> http://uk.youtube.com/user/markfrancombe
>>> http://www.myspace.com/markfrancombe
>>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>>
>>
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
>> http://www.warrensirota.com
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>

From Loopers-Delight-request@loopers-delight.com  Sun May 24 14:51:54 2009
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Date: Sun, 24 May 2009 07:44:59 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written  in the last 10 years?
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Maybe I'm just easy, but I loved 'Confederacy of Dunces' AND 'The Time Traveler's Wife' AND 'Cryptonomicon'...

Not sci-fi at all, (and not even very far OT) but I did recommend to Rick offlist Alex Ross's "The Rest Is Noise". Shall we consider that particular kettle of fish open?

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62



      

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--001636164ad1ba7a2b046aa9a7ce
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Hi Mark,

No offense taken, but in this case, it is very clear to me that it is
*exactly* why i put down Crypto*. The judgment may be boring or even
inaccurate, but vague, no. and i also have to agree that a crisply-written
plot that moves along and a big idea or two can easily trump character, (but
i don't think you can achieve that if all the characters are too similar).

And maybe i just had the bad luck to read a Stephenson book that was
atypical, if you put this one down too and liked the others.

Gotta second the vote for Hyperion that BobC made above - that was
excellent.

Warren

On Sun, May 24, 2009 at 10:27 AM, mark francombe <mark@markfrancombe.com>wrote:

> Ahh.. I HAD forgotton about Cryptonomicon or whatever he called it, ... I
> actually couldnt get 25 pages in. Im not in any way a Stevenson fan (more a
> PKDick fan) but Diamond age (and in a fun simplistic way Snow Crash) are
> both brilliant...
>
> Warrens statement that he can't write a character, is um.... er...true, but
> well.. um.. er... sorry Warren... boring...
> Its what people come up with when they just dont like a book, but can't say
> why.
>
> To be honest, after years of wallowing in arty farty clever clogs books
> (Burroughs Joyce Poe ) I just cant be bothered with those long and tiresome
> descriptions of "real" characters.. (unless its Jane Austin) yawn.. does
> EVERY book have to spend 4 chapters building motives and describing
> backgrounds, and warming up... no.. what I want is
> A) a great story, as in a beginning a middle and and a proper, old
> fashioned, clever, resolving, end. And...
> B) a good idea. So many novels I read are long sprawling desciptions of
> seemier gritty real ... Im sick of it... Give me something unreal, new,
> original, creative and surprising. And get to the story on page one.
>
> cheers
>
> Mark
>
> OH.. and a NON- SF recommendation: My fave book infact. A conspiracy of
> dunces.
>
>
>
> On Sun, May 24, 2009 at 3:32 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:
>
>> im(extremely minority)o, Stephenson can't write characters to save his
>> life and i find his books deadly boring (ok, let me be specific and indulge
>> my passion for exaggeration a little less: 250 slow pages into Cryptonomicon
>> or whatever he called it, i realized that every single person in the book
>> was the identical blend of system analyst and amateur sleuth/reflexive
>> information hider that i have to work with in corporate life every day, just
>> with different circumstances. i couldn't find a spec of character in any of
>> them, and i couldn't go on reading).
>>
>> and, sorry to those who've seen this recommendation before, but the best
>> SF book, or any book, that i've read in the past 5 years was "The Time
>> Traveler's Wife"
>>
>>
>> On Sun, May 24, 2009 at 8:53 AM, Christophe <cburke55@comcast.net> wrote:
>>
>>> You can skip, "Zodiac", though.  It was his first and most definitely not
>>> in the same league as his later books.
>>>
>>> And don't forget William Gibson!  Try "Idoru".
>>>
>>> Chris
>>>
>>> ----- Original Message -----
>>> From: "mark francombe" <mark@markfrancombe.com>
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern
>>> Subject: Re: WAY OFF TOPIC: recommendations for great science fiction
>>> written  in the last 10 years?
>>>
>>> DEFINATELY the Diamond Age, or from the same author Snow Crash.
>>>
>>> What Neil Stevendon does is present you with a world for a bit ( Nano
>>> technology works, in Diamond Age, or Everyone has a second virtual life in
>>> Snow Crash) and then gives you a run of the mill exiting rollacoaster of a
>>> novel, based on those presumptions.. LOVE HIM... < br>
>>> I just read Anathem, his latest, also genius, but a bit long and heavy
>>> for a "trip book"..
>>>
>>> Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I think
>>> about e-learning (my day-job) as a matter of fact...
>>>
>>> enjoy
>>>
>>> M
>>>
>>> PS:
>>> but surely.. all planes have SO MUCH inflight fun... catch up on all them
>>> films you missed... play Super Mario... Or my favorite... (but expensive)
>>> use the seat-back phone to call a random seat for a chat!!!
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> --
>>> www.markfrancombe.com
>>> http://vimeo.com/user825094
>>> http://uk.youtube.com/user/markfrancombe
>>> http://www.myspace.com/markfrancombe
>>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>>
>>
>>
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>> http://www.warrensirota.com
>>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--001636164ad1ba7a2b046aa9a7ce
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Mark, <br><br>No offense taken, but in this case, it is very clear to me=
 that it is *exactly* why i put down Crypto*. The judgment may be boring or=
 even inaccurate, but vague, no. and i also have to agree that a crisply-wr=
itten plot that moves along and a big idea or two can easily trump characte=
r, (but i don&#39;t think you can achieve that if all the characters are to=
o similar).<br>
<br>And maybe i just had the bad luck to read a Stephenson book that was at=
ypical, if you put this one down too and liked the others.<br><br>Gotta sec=
ond the vote for Hyperion that BobC made above - that was excellent.<br>
<br>Warren<br><br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 10:27 =
AM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancom=
be.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Ahh.. I HAD forgotton about Cryptonomicon or whatever he called it, ... I a=
ctually couldnt get 25 pages in. Im not in any way a Stevenson fan (more a =
PKDick fan) but Diamond age (and in a fun simplistic way Snow Crash) are bo=
th brilliant...<br>


<br>Warrens statement that he can&#39;t write a character, is um.... er...t=
rue, but well.. um.. er... sorry Warren... boring... <br>Its what people co=
me up with when they just dont like a book, but can&#39;t say why.<br>

<br>
To be honest, after years of wallowing in arty farty clever clogs books (Bu=
rroughs Joyce Poe ) I just cant be bothered with those long and tiresome de=
scriptions of &quot;real&quot; characters.. (unless its Jane Austin) yawn..=
 does EVERY book have to spend 4 chapters building motives and describing b=
ackgrounds, and warming up... no.. what I want is <br>


A) a great story, as in a beginning a middle and and a proper, old fashione=
d, clever, resolving, end. And...<br>B) a good idea. So many novels I read =
are long sprawling desciptions of seemier gritty real ... Im sick of it... =
Give me something unreal, new, original, creative and surprising. And get t=
o the story on page one.<br>


<br>cheers<br><br>Mark<br><br>OH.. and a NON- SF recommendation: My fave bo=
ok infact. A conspiracy of dunces. <br><div><div></div><div class=3D"h5"><b=
r><br><br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 3:32 PM, Warre=
n Sirota <span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com" tar=
get=3D"_blank">wsirota@wsdesigns.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">im(extremely mino=
rity)o, Stephenson can&#39;t write characters to save his life and i find h=
is books deadly boring (ok, let me be specific and indulge my passion for e=
xaggeration a little less: 250 slow pages into Cryptonomicon or whatever he=
 called it, i realized that every single person in the book was the identic=
al blend of system analyst and amateur sleuth/reflexive information hider t=
hat i have to work with in corporate life every day, just with different ci=
rcumstances. i couldn&#39;t find a spec of character in any of them, and i =
couldn&#39;t go on reading). <br>



<br>and, sorry to those who&#39;ve seen this recommendation before, but the=
 best SF book, or any book, that i&#39;ve read in the past 5 years was &quo=
t;The Time Traveler&#39;s Wife&quot;<div><div></div><div><br>

<br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 8:53 AM, Christophe =
<span dir=3D"ltr">&lt;<a href=3D"mailto:cburke55@comcast.net" target=3D"_bl=
ank">cburke55@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">You can skip=
, &quot;Zodiac&quot;, though.=A0 It was his first and most definitely not i=
n the same league as his later books.<br>



<br>And don&#39;t forget William Gibson!=A0 Try &quot;Idoru&quot;.<br><br>C=
hris<div><br><br>----- Original Message -----<br>From: &quot;mark francombe=
&quot; &lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark=
@markfrancombe.com</a>&gt;<br>



To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>Sent: Sunday, May 24, 2009 6:1=
4:55 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: WAY OFF TOPIC: recomme=
ndations for great science fiction written =A0in the last 10 years?<br>



<br>DEFINATELY the Diamond Age, or from the same author Snow Crash.<br><br>=
</div><div>What Neil Stevendon does is present you with a world for a bit (=
 Nano technology works, in Diamond Age, or Everyone has a second virtual li=
fe in Snow Crash) and then gives you a run of the mill exiting rollacoaster=
 of a novel, based on those presumptions.. LOVE HIM... &lt;
 br&gt;

<br>I just read Anathem, his latest, also genius, but a bit long and heavy =
for a &quot;trip book&quot;..<br><br>Of the 3 .. Diamond Age, lots of cool =
stuff.. changed the way I think about e-learning (my day-job) as a matter o=
f fact...<br>





<br>enjoy<br><br>M<br><br>PS:<br>but surely.. all planes have SO MUCH infli=
ght fun... catch up on all them films you missed... play Super Mario... Or =
my favorite... (but expensive) use the seat-back phone to call a random sea=
t for a chat!!!<br>





<br><br><br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.=
markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=
=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825=
094</a><br>



<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>






</div></div></div></blockquote></div><br><br clear=3D"all"><br></div></div>=
<font color=3D"#888888">-- <br>Warren<br><a href=3D"http://www.ubetoo.com/A=
rtist.taf?_ArtistId=3D6679" target=3D"_blank">http://www.ubetoo.com/Artist.=
taf?_ArtistId=3D6679</a><br>


<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/use=
r825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--001636164ad1ba7a2b046aa9a7ce--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 14:56:07 2009
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Date: Sun, 24 May 2009 10:56:07 -0400 (AST)
Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction 
     written in the last 10 years?
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Not that recent, but I really enjoyed Dan Simmons "Hyperion".

On Sun, May 24, 2009 1:52 am, Rick Walker wrote:
> I want something to read on my plane ride to Europe on Wednesday.
>
> Can you folks recommend me some really good science fiction
> that has been written in the last ten years.
>
> I used to read a lot and have loved Card,  Varley,  Pohl,  Bear,
> Robinson,  et. al.
>
> I haven't read anything in the past ten years so I don't know who to
> go for and google searches only seem to bring up things written at least
> 20 years ago.
>
> Thanks,
>
> Rick
>
>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: New to list, looping --read archives --still have question
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Hello,

I read the Line 6 DL 4 Delay Modeler review. It was comprehensive.
However, since now having to return a few things purchased first,
thought to ask this.

I am looking to back a guitar with an Alesis Drum unit and a Bass
groove. The Bass groove is what would be looped --only.

What I am finding, recently with a Boss RC-2 and a loop feature on a
Logitech Digital Delay pedal is the ability to synchronize the pedal
with, for instance the Alesis unit, which graphically LCD's the tempo
as well.

I checked the looping pedals against as well a KORG Metronome MA-30.
It demonstrated visually as well as audibly the tempo's were actually
fluxuating and in a number of measures, were completely off.

I realize there is a talent to do this --to be sure. However, the Boss
RC-2 touted an auto start and correction feature. (It is possibly
working overtime here.) However, I did have the same issue with the
Digital Delay loop setting, but was better off.

I was considering the Line 6 DL 4 in an exchange for the Boss RC-2.
However, if I am making myself clear, I hope (?), am I wasting my time
in doing so.

I woun't leave out the Alesis as a "fault" here, however this is the
first time this has showed itself as an issue. And, if I say so
myself, I have a great internal clock --otherwise, likely this would
not disturb me as much as it does.


As it stands not, this attempt, does not "server the song", so am
dropping it, in lue of just the guitar alone and possibly with the
Alesis unit for added musicality. Nonetheless, I've seen amazing
performances, as I guess you all have with the layering that can  be
done live. However, I did not see them combining digital resources,
other than the main unit they used (with many, many wires --whatever
it might have been) and their one instrument --an acoustic guitar.

My needs, I believe are basic and simple. I'd be "happy" with even a
solid one beat per measure root note in Key, let alone a 1/4 note
backing beat to "fill out" the sound. (No complicated slapping and
popping syncopated rhythms will ever likely be attempted.)

If that's clear, I hope, just a short --this is what you need, read
for youself, or a --you need the training for start-stop we've all
been through [...] that'll do.



Thank you, in advance, (and to the member who ref'd me here from
another list... --good  stuff here, indeed).

From Loopers-Delight-request@loopers-delight.com  Sun May 24 15:41:26 2009
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Date: Sun, 24 May 2009 15:41:25 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: dobro looping
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by the way guys i am looking to buy a Dobro Guitar,for the money what can u=
 guys recomend? i am looking for one with a pickup on it that still preserv=
es the Dobro sound,ive tried a couple with humbuckers on them but didnt rea=
lly like them amplified since they didnt have that mid honky sound!
thanx
Luis


www.myspace.com/luisangulocom


--- doc rossi <docittern@gmail.com> schrieb am Sa, 23.5.2009:

> Von: doc rossi <docittern@gmail.com>
> Betreff: dobro looping
> An: Loopers-Delight@loopers-delight.com
> Datum: Samstag, 23. Mai 2009, 10:55
> A sweet little pop tune on
> Dobro.=A0 The looping won't be that interesting to you
> wizards, but have you ever seen a left-handed Dobro player?
>=20
> http://www.youtube.com/watch?v=3Dx1JvWaKizG8&eurl=3Dhttp%3A%2F%2Fwww%2Ere=
so%2Dnation%2Eorg%2Fnode%3Fpage%3D3&feature=3Dplayer_embedded
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun May 24 16:42:29 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written in the last 10 years?
Date: Sun, 24 May 2009 10:42:24 -0600
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Read the entire Rama series by Arther C. Clarke. Astounding.  Nothing is 
like the classics.

Other than that, Neverness by David Zindell is gerat, as is Fire Upon the 
Deep by Vinge Vernor. Anything from Vernor is great.

Kris

From Loopers-Delight-request@loopers-delight.com  Sun May 24 17:22:25 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written  in the last 10 years?
Date: Sun, 24 May 2009 10:22:25 -0700
References: <9ab0c76f0905240314t70ec572dk72a54e6ee90470b3@mail.gmail.com> <1618057185.13826681243169632851.JavaMail.root@sz0034a.westchester.pa.mail.comcast.net> <101191640905240632x77d5bc04o7718120b265a413c@mail.gmail.com>
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I haven't read any other Neal Stephenson, though I've been meaning to.  
My review of Snow Crash was that the first couple chapters were  
brilliant but the rest of the book didn't sustain that quality.

I used to be heavily into SF, but haven't read much in years.

Philip Pullman's His Dark Materials is fantasy rather than SF, but I  
would rate it as definitely worth reading.

Smilla's Sense of Snow has some SF-ish aspects though it's basically  
more of a thriller.

My standard travel reading has been Michael Dibdin's Aurelio Zen  
mysteries which have no SF content. Alas, Dibdin died recently.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun May 24 18:51:53 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
From: Per Boysen <perboysen@gmail.com>
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On Sun, May 24, 2009 at 7:22 PM, Mark Hamburg <mark@grubmah.com> wrote:
> Smilla's Sense of Snow has some SF-ish aspects though it's basically more of
> a thriller.

Yeah, that's a good one that know Rick will like! And it was in fact
written less than ten years back as opposed to many other suggestions
that have passed this thread ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Sun May 24 19:06:20 2009
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Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction
 written in the last 10 years?
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hey! you  promised not to tell! :-)

stan card


>I used to read a lot and have loved Card...
>Rick
>

From Loopers-Delight-request@loopers-delight.com  Sun May 24 19:43:41 2009
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Subject: Re: New to list, looping --read archives --still have question
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Hi,

I'm not familiar with the various equipment that you have here, but the
underlying truth (I say this in full expectation of immediately finding
someone who disagrees) is that manual sync only works for a very short while
before drift is evident, regardless of how good you are. If you want to sync
your bass lines with your drum machine, you need to use a looper that
understands midi sync, and send midi from the drum machine to the looper.
that looper might be certain hardware loopers, or it might be sent to a
software looper in a computer, but an RC-2 cannot sync to anything, or send
sync.

Warren

On Sun, May 24, 2009 at 11:06 AM, Craig Dallendorfer <dallendo@gmail.com>wrote:

> Hello,
>
> I read the Line 6 DL 4 Delay Modeler review. It was comprehensive.
> However, since now having to return a few things purchased first,
> thought to ask this.
>
> I am looking to back a guitar with an Alesis Drum unit and a Bass
> groove. The Bass groove is what would be looped --only.
>
> What I am finding, recently with a Boss RC-2 and a loop feature on a
> Logitech Digital Delay pedal is the ability to synchronize the pedal
> with, for instance the Alesis unit, which graphically LCD's the tempo
> as well.
>
> I checked the looping pedals against as well a KORG Metronome MA-30.
> It demonstrated visually as well as audibly the tempo's were actually
> fluxuating and in a number of measures, were completely off.
>
> I realize there is a talent to do this --to be sure. However, the Boss
> RC-2 touted an auto start and correction feature. (It is possibly
> working overtime here.) However, I did have the same issue with the
> Digital Delay loop setting, but was better off.
>
> I was considering the Line 6 DL 4 in an exchange for the Boss RC-2.
> However, if I am making myself clear, I hope (?), am I wasting my time
> in doing so.
>
> I woun't leave out the Alesis as a "fault" here, however this is the
> first time this has showed itself as an issue. And, if I say so
> myself, I have a great internal clock --otherwise, likely this would
> not disturb me as much as it does.
>
>
> As it stands not, this attempt, does not "server the song", so am
> dropping it, in lue of just the guitar alone and possibly with the
> Alesis unit for added musicality. Nonetheless, I've seen amazing
> performances, as I guess you all have with the layering that can  be
> done live. However, I did not see them combining digital resources,
> other than the main unit they used (with many, many wires --whatever
> it might have been) and their one instrument --an acoustic guitar.
>
> My needs, I believe are basic and simple. I'd be "happy" with even a
> solid one beat per measure root note in Key, let alone a 1/4 note
> backing beat to "fill out" the sound. (No complicated slapping and
> popping syncopated rhythms will ever likely be attempted.)
>
> If that's clear, I hope, just a short --this is what you need, read
> for youself, or a --you need the training for start-stop we've all
> been through [...] that'll do.
>
>
>
> Thank you, in advance, (and to the member who ref'd me here from
> another list... --good  stuff here, indeed).
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016361e88c6e69f68046aadb5ac
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi,<br><br>I&#39;m not familiar with the various equipment that you have he=
re, but the underlying truth (I say this in full expectation of immediately=
 finding someone who disagrees) is that manual sync only works for a very s=
hort while before drift is evident, regardless of how good you are. If you =
want to sync your bass lines with your drum machine, you need to use a loop=
er that understands midi sync, and send midi from the drum machine to the l=
ooper. that looper might be certain hardware loopers, or it might be sent t=
o a software looper in a computer, but an RC-2 cannot sync to anything, or =
send sync.<br>
<br>Warren<br><br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 11:06 =
AM, Craig Dallendorfer <span dir=3D"ltr">&lt;<a href=3D"mailto:dallendo@gma=
il.com">dallendo@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">
Hello,<br>
<br>
I read the Line 6 DL 4 Delay Modeler review. It was comprehensive.<br>
However, since now having to return a few things purchased first,<br>
thought to ask this.<br>
<br>
I am looking to back a guitar with an Alesis Drum unit and a Bass<br>
groove. The Bass groove is what would be looped --only.<br>
<br>
What I am finding, recently with a Boss RC-2 and a loop feature on a<br>
Logitech Digital Delay pedal is the ability to synchronize the pedal<br>
with, for instance the Alesis unit, which graphically LCD&#39;s the tempo<b=
r>
as well.<br>
<br>
I checked the looping pedals against as well a KORG Metronome MA-30.<br>
It demonstrated visually as well as audibly the tempo&#39;s were actually<b=
r>
fluxuating and in a number of measures, were completely off.<br>
<br>
I realize there is a talent to do this --to be sure. However, the Boss<br>
RC-2 touted an auto start and correction feature. (It is possibly<br>
working overtime here.) However, I did have the same issue with the<br>
Digital Delay loop setting, but was better off.<br>
<br>
I was considering the Line 6 DL 4 in an exchange for the Boss RC-2.<br>
However, if I am making myself clear, I hope (?), am I wasting my time<br>
in doing so.<br>
<br>
I woun&#39;t leave out the Alesis as a &quot;fault&quot; here, however this=
 is the<br>
first time this has showed itself as an issue. And, if I say so<br>
myself, I have a great internal clock --otherwise, likely this would<br>
not disturb me as much as it does.<br>
<br>
<br>
As it stands not, this attempt, does not &quot;server the song&quot;, so am=
<br>
dropping it, in lue of just the guitar alone and possibly with the<br>
Alesis unit for added musicality. Nonetheless, I&#39;ve seen amazing<br>
performances, as I guess you all have with the layering that can =A0be<br>
done live. However, I did not see them combining digital resources,<br>
other than the main unit they used (with many, many wires --whatever<br>
it might have been) and their one instrument --an acoustic guitar.<br>
<br>
My needs, I believe are basic and simple. I&#39;d be &quot;happy&quot; with=
 even a<br>
solid one beat per measure root note in Key, let alone a 1/4 note<br>
backing beat to &quot;fill out&quot; the sound. (No complicated slapping an=
d<br>
popping syncopated rhythms will ever likely be attempted.)<br>
<br>
If that&#39;s clear, I hope, just a short --this is what you need, read<br>
for youself, or a --you need the training for start-stop we&#39;ve all<br>
been through [...] that&#39;ll do.<br>
<br>
<br>
<br>
Thank you, in advance, (and to the member who ref&#39;d me here from<br>
another list... --good =A0stuff here, indeed).<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--0016361e88c6e69f68046aadb5ac--

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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A18E091.2030803@cruzio.com>
In-Reply-To: <4A18E091.2030803@cruzio.com>
Subject: RE: WAY OFF TOPIC:    recommendations for great science fiction written in the last 10 years?
Date: Sun, 24 May 2009 16:48:49 -0400
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Anything by Neil Gaiman.  American Gods was great.  Terry Pratchett
'Discworld' series.  Clive Barker, Steven Brust, Thomas Ligoti (for some
really good creepy stuff.)

Tony

-----Original Message-----
From: Rick Walker [mailto:looppool@cruzio.com] 
Sent: Sunday, May 24, 2009 1:52 AM
To: LOOPERS DELIGHT (posting)
Subject: WAY OFF TOPIC: recommendations for great science fiction written in
the last 10 years?

I want something to read on my plane ride to Europe on Wednesday.

Can you folks recommend me some really good science fiction
that has been written in the last ten years.

I used to read a lot and have loved Card,  Varley,  Pohl,  Bear, 
Robinson,  et. al.

I haven't read anything in the past ten years so I don't know who to
go for and google searches only seem to bring up things written at least 
20 years ago.

Thanks,  

Rick

From Loopers-Delight-request@loopers-delight.com  Sun May 24 21:16:36 2009
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Subject: New "Rigs" videos featuring Thomas Dimuzio
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

I just uploaded a series of 4 new "Rigs" videos, this time featuring
Thomas Dimuzio and his unique sampler/feedback setup. Here's a list of
all the "Rigs" videos so far.

Thomas Dimuzio - Live sampling & feedback setup
Discussion Part 1: http://www.youtube.com/watch?v=z6SSlv-1Zew
Discussion Part 2: http://www.youtube.com/watch?v=pIToUjsl-vY
Discussion Part 3: http://www.youtube.com/watch?v=tf5ufuFTVeo
Performance: http://www.youtube.com/watch?v=VU03wtYxaQY

Tom Nunn - Inventions
Sonoglyph discussion: http://www.youtube.com/watch?v=TO1N59Y4RUM
Sonoglyph performance: http://www.youtube.com/watch?v=RyGBhmZPtWc
Crustacean discussion: http://www.youtube.com/watch?v=xYFLiE1DSQI
Skatchbox discussion: http://www.youtube.com/watch?v=ElrJisnhtSU
Skatchbox performance (w/David Michalak):
http://www.youtube.com/watch?v=h0aUVf3R2ds

CJ Borosque - No-input noise pedals
Discussion: http://www.youtube.com/watch?v=wtq04Nh0NJw
Performance: http://www.youtube.com/watch?v=AfkHnE_aZdo

Matt Davignon - Drum machine & processing
Discussion: http://www.youtube.com/watch?v=6ELCrrMdphk
Performance: http://www.youtube.com/watch?v=7euFSrxHUtA

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Sun May 24 21:22:42 2009
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	 <66f9cc1e0905240210p61e3d083r511a7f199c3ceab@mail.gmail.com>
Date: Sun, 24 May 2009 14:22:41 -0700
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Subject: Re: help! need quick simple way to make laptop into looping/sampling 
	machine
From: Mark Sottilaro <zerocrossing@gmail.com>
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For pure simplicity try Augustus Loop.  It's not free but it's the
closest thing to a analog tape looper that I've found for the Mac.

On Sun, May 24, 2009 at 2:10 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Sat, May 23, 2009 at 11:50 PM, david molina
> <molina.transient@gmail.com> wrote:
>> I have a Mac Book Pro Laptop. =A0I tried to install Mobius, and it didn'=
t
>> work. =A0I dont' know much about computers so maybe i'm doing something
>> wrong.=A0A friend gave me a copy of Logic which has Main Stage. =A0I als=
o heard
>> about Super Looper. =A0 I am used to live looping and extreme sound
>> manipulation of what i sample live on the spot. =A0what do you suggest?
>
>
> The same. Both SL and Mobius has been sighted working for other folks
> so if you just give it a second try there's a fair chance it will
> work. These two loopers differs a little in functionality so you
> better check out what they can do to see which one will serve your
> needs best. There are dedicated mailing lists for both where you can
> get help and they also offer written manuals online.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 24 21:28:19 2009
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Date: Sun, 24 May 2009 14:28:18 -0700
Message-ID: <bcd3c7bb0905241428h439ee9eek2b40504f5c5bdfcf@mail.gmail.com>
Subject: Re: billboard magazine
From: Mark Sottilaro <zerocrossing@gmail.com>
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Look at you!  You're here in the future!

On Sat, May 23, 2009 at 2:39 PM, Zoe Keating <info@zoekeating.com> wrote:
> I'm in Billboard magazine today which feels very surreal.
>
> http://www.billboard.biz/bbbiz/content_display/magazine/features/e3ib5e9d934e920f549151cb861b4cfbc1c
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 24 21:51:20 2009
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Date: Sun, 24 May 2009 23:51:18 +0200
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Subject: Jim Goodin "Sunday at 11" today...
From: Rainer Straschill <moinsound@googlemail.com>
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This is just to let y'all know that Jim Goodin rocked the house today
in his "Sunday Morning at 11" video session:
http://www.ustream.tv/channel/Sunday-Morning-at-11

I understand that Jim will entertain us in a bi-weekly rhythm from now
on, so it's looping weekend from now on (with me on Saturday 1600 UTC
every even calendar week)

For those of you who missed today's session, here's the link:
http://www.ustream.tv/recorded/1554014

Thanks Jim, for that great set of yours.

              Rainer

From Loopers-Delight-request@loopers-delight.com  Sun May 24 22:05:32 2009
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Date: Sun, 24 May 2009 18:05:30 -0400
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Subject: Re: Jim Goodin "Sunday at 11" today...
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a87e254272046aafb114
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golly Rainer that's awfully nice words sir.  I felt I was fighting off a bit
of tequila overhang from dinner last night so I wasn't sure but it was fun
as always and I really appreciate you, Jeff, Steve, Daryl and others who
were there.  I gotta tell you as I do the rest of the list that this virtual
stage is a real gift to me as it's allowing the chance to perform for folks
in places I may never get to so digging it.
Also 'rocking' the house with his pyrotechnical cello today was Steve Moyes
who did a really great set.  Steve's uStream url is
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain.

best to all and thankx again for the nice words Rainer

Jim

On Sun, May 24, 2009 at 5:51 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> This is just to let y'all know that Jim Goodin rocked the house today
> in his "Sunday Morning at 11" video session:
> http://www.ustream.tv/channel/Sunday-Morning-at-11
>
> I understand that Jim will entertain us in a bi-weekly rhythm from now
> on, so it's looping weekend from now on (with me on Saturday 1600 UTC
> every even calendar week)
>
> For those of you who missed today's session, here's the link:
> http://www.ustream.tv/recorded/1554014
>
> Thanks Jim, for that great set of yours.
>
>              Rainer
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a87e254272046aafb114
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golly Rainer that&#39;s awfully nice words sir. =A0I felt I was fighting of=
f a bit of tequila overhang from dinner last night so I wasn&#39;t sure but=
 it was fun as always and I really appreciate you, Jeff, Steve, Daryl and o=
thers who were there. =A0I gotta tell you as I do the rest of the list that=
 this virtual stage is a real gift to me as it&#39;s allowing the chance to=
 perform for folks in places I may never get to so digging it.<div>
<br></div><div>Also &#39;rocking&#39; the house with his pyrotechnical cell=
o today was Steve Moyes who did a really great set. =A0Steve&#39;s uStream =
url is=A0<span class=3D"Apple-style-span" style=3D"border-collapse: collaps=
e; "><a href=3D"http://www.ustream.tv/channel/Soundings-From-Behind-The-Net=
-Curtain" target=3D"_blank" style=3D"color: rgb(17, 65, 112); ">http://www.=
ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</a>.</span></div>
<div><span class=3D"Apple-style-span" style=3D"border-collapse: collapse;">=
<br></span></div><div><span class=3D"Apple-style-span" style=3D"border-coll=
apse: collapse;">best to all and thankx again for the nice words Rainer</sp=
an></div>
<div><span class=3D"Apple-style-span" style=3D"border-collapse: collapse;">=
<br></span></div><div><span class=3D"Apple-style-span" style=3D"border-coll=
apse: collapse;">Jim<br></span><br><div class=3D"gmail_quote">On Sun, May 2=
4, 2009 at 5:51 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mail=
to:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">This is just to let y&#39;all know that Jim=
 Goodin rocked the house today<br>
in his &quot;Sunday Morning at 11&quot; video session:<br>
<a href=3D"http://www.ustream.tv/channel/Sunday-Morning-at-11" target=3D"_b=
lank">http://www.ustream.tv/channel/Sunday-Morning-at-11</a><br>
<br>
I understand that Jim will entertain us in a bi-weekly rhythm from now<br>
on, so it&#39;s looping weekend from now on (with me on Saturday 1600 UTC<b=
r>
every even calendar week)<br>
<br>
For those of you who missed today&#39;s session, here&#39;s the link:<br>
<a href=3D"http://www.ustream.tv/recorded/1554014" target=3D"_blank">http:/=
/www.ustream.tv/recorded/1554014</a><br>
<br>
Thanks Jim, for that great set of yours.<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural journey coming soon...<br><br>music links...<br><a h=
ref=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a87e254272046aafb114--

From Loopers-Delight-request@loopers-delight.com  Sun May 24 23:03:16 2009
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Subject: Re: Jim Goodin "Sunday at 11" today...
Date: Mon, 25 May 2009 00:03:26 +0100
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I must agree with Rainer that Jim did indeed rock our houses with his 
lovely, natural and sincere loop-assisted playing. Jim, you made it 
worthwhile coming in out of the glorious sunshine we had here in England 
today.

Thanks again to Jim, Rainer, Jeff and anyone else who looked in on my 
broadcast today. Your kind words and encouragement were very much 
appreciated. It wasn't entirely without technical hitches, but it worked 
pretty well and I really enjoyed doing it.

It's wonderful to be able to perform to audiences all over the world at one 
time. It's also amazing to me that despite the distance and technological 
barriers the music doesn't lose any of communicative power or emotional 
impact.

I'll be loking forward to future webgigs from Rainer, Jim and Matt nd anyone 
else brave enough to take the plunge. I'll be doing some more myself too, 
hopefully planning them further in advance in future.

Best wishes to you all and have a good week.

Steve


www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes


----- Original Message ----- 
From: Jim Goodin
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, May 24, 2009 11:05 PM
Subject: Re: Jim Goodin "Sunday at 11" today...


golly Rainer that's awfully nice words sir.  I felt I was fighting off a bit 
of tequila overhang from dinner last night so I wasn't sure but it was fun 
as always and I really appreciate you, Jeff, Steve, Daryl and others who 
were there.  I gotta tell you as I do the rest of the list that this virtual 
stage is a real gift to me as it's allowing the chance to perform for folks 
in places I may never get to so digging it.


Also 'rocking' the house with his pyrotechnical cello today was Steve Moyes 
who did a really great set.  Steve's uStream url is 
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain.


best to all and thankx again for the nice words Rainer


Jim


On Sun, May 24, 2009 at 5:51 PM, Rainer Straschill 
<moinsound@googlemail.com> wrote:

This is just to let y'all know that Jim Goodin rocked the house today
in his "Sunday Morning at 11" video session:
http://www.ustream.tv/channel/Sunday-Morning-at-11

I understand that Jim will entertain us in a bi-weekly rhythm from now
on, so it's looping weekend from now on (with me on Saturday 1600 UTC
every even calendar week)

For those of you who missed today's session, here's the link:
http://www.ustream.tv/recorded/1554014

Thanks Jim, for that great set of yours.

             Rainer





-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic 


From Loopers-Delight-request@loopers-delight.com  Sun May 24 23:54:17 2009
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Subject: Re: WAY OFF TOPIC: GET TIME TRAVELLERS WIFE NOW!!!
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warren is right about THE TIME TRAVELLERS WIFE.
it's just beautiful!

warren may be right about cryptonomicon, but concerning diamond age i 
still am of the opinion that stephenson has managed to do gain position 
of "jules verne of our time".

tilmann


Warren Sirota schrieb:
> im(extremely minority)o, Stephenson can't write characters to save his 
> life and i find his books deadly boring (ok, let me be specific and 
> indulge my passion for exaggeration a little less: 250 slow pages into 
> Cryptonomicon or whatever he called it, i realized that every single 
> person in the book was the identical blend of system analyst and amateur 
> sleuth/reflexive information hider that i have to work with in corporate 
> life every day, just with different circumstances. i couldn't find a 
> spec of character in any of them, and i couldn't go on reading).
> 
> and, sorry to those who've seen this recommendation before, but the best 
> SF book, or any book, that i've read in the past 5 years was "The Time 
> Traveler's Wife"
> 
> On Sun, May 24, 2009 at 8:53 AM, Christophe <cburke55@comcast.net 
> <mailto:cburke55@comcast.net>> wrote:
> 
>     You can skip, "Zodiac", though.  It was his first and most
>     definitely not in the same league as his later books.
> 
>     And don't forget William Gibson!  Try "Idoru".
> 
>     Chris
> 
> 
>     ----- Original Message -----
>     From: "mark francombe" <mark@markfrancombe.com
>     <mailto:mark@markfrancombe.com>>
>     To: Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     Sent: Sunday, May 24, 2009 6:14:55 AM GMT -05:00 US/Canada Eastern
>     Subject: Re: WAY OFF TOPIC: recommendations for great science
>     fiction written  in the last 10 years?
> 
>     DEFINATELY the Diamond Age, or from the same author Snow Crash.
> 
>     What Neil Stevendon does is present you with a world for a bit (
>     Nano technology works, in Diamond Age, or Everyone has a second
>     virtual life in Snow Crash) and then gives you a run of the mill
>     exiting rollacoaster of a novel, based on those presumptions.. LOVE
>     HIM... < br>
>     I just read Anathem, his latest, also genius, but a bit long and
>     heavy for a "trip book"..
> 
>     Of the 3 .. Diamond Age, lots of cool stuff.. changed the way I
>     think about e-learning (my day-job) as a matter of fact...
> 
>     enjoy
> 
>     M
> 
>     PS:
>     but surely.. all planes have SO MUCH inflight fun... catch up on all
>     them films you missed... play Super Mario... Or my favorite... (but
>     expensive) use the seat-back phone to call a random seat for a chat!!!
> 
> 
> 
> 
> 
> 
> 
> 
>     -- 
>     www.markfrancombe.com <http://www.markfrancombe.com>
>     http://vimeo.com/user825094
>     http://uk.youtube.com/user/markfrancombe
>     http://www.myspace.com/markfrancombe
>     http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> 
> 
> 
> 
> -- 
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon May 25 00:06:24 2009
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te dl4 may give you only a pretty short loop time.
was it 16 sec?

Craig Dallendorfer schrieb:
> Hello,
> 
> I read the Line 6 DL 4 Delay Modeler review. It was comprehensive.
> However, since now having to return a few things purchased first,
> thought to ask this.
> 
> I am looking to back a guitar with an Alesis Drum unit and a Bass
> groove. The Bass groove is what would be looped --only.
> 
> What I am finding, recently with a Boss RC-2 and a loop feature on a
> Logitech Digital Delay pedal is the ability to synchronize the pedal
> with, for instance the Alesis unit, which graphically LCD's the tempo
> as well.
> 
> I checked the looping pedals against as well a KORG Metronome MA-30.
> It demonstrated visually as well as audibly the tempo's were actually
> fluxuating and in a number of measures, were completely off.
> 
> I realize there is a talent to do this --to be sure. However, the Boss
> RC-2 touted an auto start and correction feature. (It is possibly
> working overtime here.) However, I did have the same issue with the
> Digital Delay loop setting, but was better off.
> 
> I was considering the Line 6 DL 4 in an exchange for the Boss RC-2.
> However, if I am making myself clear, I hope (?), am I wasting my time
> in doing so.
> 
> I woun't leave out the Alesis as a "fault" here, however this is the
> first time this has showed itself as an issue. And, if I say so
> myself, I have a great internal clock --otherwise, likely this would
> not disturb me as much as it does.
> 
> 
> As it stands not, this attempt, does not "server the song", so am
> dropping it, in lue of just the guitar alone and possibly with the
> Alesis unit for added musicality. Nonetheless, I've seen amazing
> performances, as I guess you all have with the layering that can  be
> done live. However, I did not see them combining digital resources,
> other than the main unit they used (with many, many wires --whatever
> it might have been) and their one instrument --an acoustic guitar.
> 
> My needs, I believe are basic and simple. I'd be "happy" with even a
> solid one beat per measure root note in Key, let alone a 1/4 note
> backing beat to "fill out" the sound. (No complicated slapping and
> popping syncopated rhythms will ever likely be attempted.)
> 
> If that's clear, I hope, just a short --this is what you need, read
> for youself, or a --you need the training for start-stop we've all
> been through [...] that'll do.
> 
> 
> 
> Thank you, in advance, (and to the member who ref'd me here from
> another list... --good  stuff here, indeed).
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 25 00:06:43 2009
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written  in the last 10 years?
Date: Sun, 24 May 2009 17:06:43 -0700
References: <9ab0c76f0905240314t70ec572dk72a54e6ee90470b3@mail.gmail.com> <1618057185.13826681243169632851.JavaMail.root@sz0034a.westchester.pa.mail.comcast.net> <101191640905240632x77d5bc04o7718120b265a413c@mail.gmail.com> <9E8CCB89-424A-43AB-BC64-39EA985A2B6F@grubmah.com> <66f9cc1e0905241151i65bc7e76i51a9f21b65a6f3cf@mail.gmail.com>
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On May 24, 2009, at 11:51 AM, Per Boysen wrote:

> On Sun, May 24, 2009 at 7:22 PM, Mark Hamburg <mark@grubmah.com>  
> wrote:
>> Smilla's Sense of Snow has some SF-ish aspects though it's  
>> basically more of
>> a thriller.
>
> Yeah, that's a good one that know Rick will like! And it was in fact
> written less than ten years back as opposed to many other suggestions
> that have passed this thread ;-)

1992. So it still doesn't meet Rick's criterion though it's closer  
than some. And it is highly recommended.

Mark

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Date: Sun, 24 May 2009 20:27:47 -0400
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Subject: Re: FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, 
	Experimental, and Electro-Acoustic Music
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--001636c5b54f01ec51046ab1ae36
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Kris this is really great!  listening now and really digging the dark
percussion/piano/sax and voice stuff.  How often are you going to produce
this?
Jim

On Sat, May 23, 2009 at 3:04 PM, Krispen Hartung <info@krispenhartung.com>w=
rote:

>  Playing now....
>
> *FreeWave*
> http://radioboise.org/  (Saturday, May 23 from 1-3pm Mountain Standard
> Time - MST)
> Click "LISTEN HERE"
>
> If you miss it, the link to the podcast will appear tonight at
> http://radio-boise-freewave.blogspot.com/
>
> *"FreeWave* features music within the free improvisation,
> electro-acoustic, experimental, and creative music genres. From the compl=
ex
> and frenzied sax expressions of Evan Parker to the extraterrestrial sound=
s
> of Sun Ra, *FreeWave* is all this and more, into the obscure and beyond
> with the new millennium=92s creative electro-acoustic music scene. FreeWa=
ve
> will push your listening boundaries into new and challenging territories =
of
> creative music. Not for the faint of heart or remotely formulaic and
> predictable, FreeWave will alter your musical perspectives irrevocably."
>
> *Play List
>
> *Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
> Song: Magnitude
> Album: New Excursions<http://www.emusic.com/album/Evan-Parker-New-excursi=
ons-MP3-Download/10985062.html>(recorded live at the Copenhagen Internation=
al Experimental Festival)
>
> Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
> Song: Soundhear
> Album: Streaming<http://www.emusic.com/album/Muhal-Richard-Abrams-George-=
Lewis-Roscoe-Mitch-Streaming-MP3-Download/11011969.html>
>
> Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
> Song: Ink
> Album: Verbatim, Flesh and Blood<http://www.emusic.com/album/Bob-Ostertag=
-Verbatim-Flesh-and-Blood-MP3-Download/10720641.html>
>
> Artist(s): John Coltrane
> Song: Mars
> Album: Interstellar Space<http://www.amazon.com/Interstellar-Space-John-C=
oltrane/dp/B00004TA41/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusic&qid=3D1242249520&sr=
=3D8-1>
>
> Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander
> Kolkowski (England) and drummer Tony Buck (Australia)
> Song: Where Europe Begins....
> Album: Nine Fragments <http://www.leorecords.com/?m=3Dselect&id=3DCD_LR_3=
46>
>
> Artist(s): Derek Bailey and Agusti Fernandez
> Song: Casa Leopoldo
> Album: Barcelona <http://www.jazzloft.com/p-39420-barcelona.aspx>
>
> Artist(s): Cecil Taylor
> Song: Enter, Evening (Soft Line Structure)
> Album: Unit Structures <http://www.leorecords.com/?m=3Dselect&id=3DCD_LR_=
346>
>
> Artist(s): Emily Hay and Motoko Honda
> Song: 2008 Boise Experimental Music Festival - Friday
> Album: n/a
>
> Cheers,
>
> Kris
>
> Kris Hartung
> www.krispenhartung.com
> http://b-cimf.com
>
> http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
> http://www.myspace.com/boiseexperimentalmusicfestival
> info@krispenhartung.com
> 1-208-724-5603
>



--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b54f01ec51046ab1ae36
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Kris this is really great! =A0listening now and really digging the dark per=
cussion/piano/sax and voice stuff. =A0How often are you going to produce th=
is?<div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Sat, May 23=
, 2009 at 3:04 PM, Krispen Hartung <span dir=3D"ltr">&lt;<a href=3D"mailto:=
info@krispenhartung.com">info@krispenhartung.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">





<div bgcolor=3D"#ffffff">
<div>Playing now....</div>
<div>=A0</div>
<div><strong>FreeWave</strong></div>
<div><a href=3D"http://radioboise.org/" target=3D"_blank">http://radioboise=
.org/</a>=A0=20
(Saturday, May=A023 from 1-3pm Mountain Standard Time - MST)</div>
<div>Click &quot;LISTEN HERE&quot;</div>
<div>=A0</div>
<div>If you miss it, the link to the podcast will appear tonight at <a href=
=3D"http://radio-boise-freewave.blogspot.com/" target=3D"_blank">http://rad=
io-boise-freewave.blogspot.com/</a></div>
<div>=A0</div>
<div><strong>&quot;FreeWave</strong> features music within the free improvi=
sation,=20
electro-acoustic, experimental, and creative music genres. From the complex=
 and=20
frenzied sax expressions of Evan Parker to the extraterrestrial sounds of S=
un=20
Ra, <strong>FreeWave</strong> is all this and more, into the obscure and be=
yond=20
with the new millennium=92s creative electro-acoustic music scene. FreeWave=
 will=20
push your listening boundaries into new and challenging territories of crea=
tive=20
music. Not for the faint of heart or remotely formulaic and predictable,=20
FreeWave will alter your musical perspectives irrevocably.&quot;</div>
<div>=A0</div>
<div><strong>Play List<br><br></strong>Artist(s): Evan Parker, Ghost in the=
=20
Machine, and Martin Klapper<br>Song: Magnitude<br>Album: <a href=3D"http://=
www.emusic.com/album/Evan-Parker-New-excursions-MP3-Download/10985062.html"=
 target=3D"_blank"><font color=3D"#aa77aa">New Excursions</font></a> (recor=
ded live at the Copenhagen=20
International Experimental Festival)<br><br>Artist(s): Muhal Richard Abrams=
,=20
George Lewis, and Roscoe Mitchell<br>Song: Soundhear<br>Album: <a href=3D"h=
ttp://www.emusic.com/album/Muhal-Richard-Abrams-George-Lewis-Roscoe-Mitch-S=
treaming-MP3-Download/11011969.html" target=3D"_blank"><font color=3D"#aa77=
aa">Streaming</font></a><br>
<br>Artist(s): Bob Ostertag, Phil Minton,=20
Gerry Hemingway, Mark Dresser<br>Song: Ink<br>Album: <a href=3D"http://www.=
emusic.com/album/Bob-Ostertag-Verbatim-Flesh-and-Blood-MP3-Download/1072064=
1.html" target=3D"_blank"><font color=3D"#aa77aa">Verbatim, Flesh and Blood=
</font></a><br>
<br>Artist(s): John=20
Coltrane<br>Song: Mars<br>Album: <a href=3D"http://www.amazon.com/Interstel=
lar-Space-John-Coltrane/dp/B00004TA41/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusic&=
amp;qid=3D1242249520&amp;sr=3D8-1" target=3D"_blank"><font color=3D"#aa77aa=
">Interstellar Space</font></a><br>
<br>Artist(s): Dempa (Pianist Aki=20
Takase (Japan), violinist Aleksander Kolkowski (England) and drummer Tony B=
uck=20
(Australia) <br>Song: Where Europe Begins....<br>Album: <a href=3D"http://w=
ww.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346" target=3D"_blank"><font c=
olor=3D"#aa77aa">Nine Fragments</font></a><br><br>Artist(s): Derek Bailey a=
nd=20
Agusti Fernandez<br>Song: Casa Leopoldo<br>Album: <a href=3D"http://www.jaz=
zloft.com/p-39420-barcelona.aspx" target=3D"_blank"><font color=3D"#aa77aa"=
>Barcelona</font></a><br><br>Artist(s): Cecil Taylor<br>Song:=20
Enter, Evening (Soft Line Structure)<br>Album: <a href=3D"http://www.leorec=
ords.com/?m=3Dselect&amp;id=3DCD_LR_346" target=3D"_blank"><font color=3D"#=
aa77aa">Unit Structures</font></a><br><br>Artist(s): Emily Hay and Motoko=
=20
Honda<br>Song: 2008 Boise Experimental Music Festival - Friday<br>Album: n/=
a=20
</div>
<div>=A0</div>
<div>Cheers,</div>
<div>=A0</div>
<div>Kris</div>
<div>=A0</div>
<div>Kris Hartung<br><a href=3D"http://www.krispenhartung.com" target=3D"_b=
lank">www.krispenhartung.com</a></div>
<div><a href=3D"http://b-cimf.com" target=3D"_blank">http://b-cimf.com</a><=
br><a href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-M=
usic-Festival/37918746335" target=3D"_blank">http://www.facebook.com/pages/=
Boise-Creative-and-Improvised-Music-Festival/37918746335</a><br>
<a href=3D"http://www.myspace.com/boiseexperimentalmusicfestival" target=3D=
"_blank">http://www.myspace.com/boiseexperimentalmusicfestival</a><br><a hr=
ef=3D"mailto:info@krispenhartung.com" target=3D"_blank">info@krispenhartung=
.com</a><br>
1-208-724-5603</div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural journey coming soon...<br><br>music links...<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5b54f01ec51046ab1ae36--

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Date: Sun, 24 May 2009 20:40:14 -0400
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Subject: Re: Jim Goodin "Sunday at 11" today...
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve thanks for the kind words - your set was really neat as well and
particularly that second piece when you were using those small bells looped
over the cello loops. Really excellent inauguaral set - that last piece too
the encore very moving.  Look fwd to your next round as I do Rainer's,
Matt's, Mark's and other's still to come...

On Sun, May 24, 2009 at 7:03 PM, Steve Moyes
<stephenmoyes@blueyonder.co.uk>wrote:

>
>

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Steve thanks for the kind words - your set was really neat as well and part=
icularly that second piece when you were using those small bells looped ove=
r the cello loops. Really excellent inauguaral set - that last piece too th=
e encore very moving. =A0Look fwd to your next round as I do Rainer&#39;s, =
Matt&#39;s, Mark&#39;s and other&#39;s still to come...<br>
<br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 7:03 PM, Steve Moyes=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes@blueyonder.co.uk">ste=
phenmoyes@blueyonder.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
<br></blockquote></div>

--001636c5ac7a87a1c1046ab1da78--

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Date: Sun, 24 May 2009 18:04:54 -0700
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     Somtow Satchiurtcul=2Calso published as Si Somtow=2Ca Thai scifi write=
r=2Cvery original.Phillip Pullman's Golden Compass books.Bruce Sterling=2CI=
 like Holy Fire alot=2Cbut it's a little  bit over 10 years old
  A.A. Attanasio'  Last Legends of Earth is  incredible the best world's wi=
thin worlds/meta universe story I've read=2Cway way beyond Foundation Trilo=
gy=2C Ringworld etc.

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{
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&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B Somtow Satchiurtcul=2Calso published as Si=
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ass books.Bruce Sterling=2CI like Holy Fire alot=2Cbut it's a little&nbsp=
=3B bit over 10 years old<br>&nbsp=3B A.A. Attanasio'&nbsp=3B Last Legends =
of Earth is&nbsp=3B incredible the best world's within worlds/meta universe=
 story I've read=2Cway way beyond Foundation Trilogy=2C Ringworld etc.<br><=
/body>
</html>=

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<font face="Arial"></font><font face="Arial"><small>Thanks,
everyone,&nbsp;&nbsp;&nbsp; <br>
Here is a hastily collated list for future reference <br>
of all the recommendations everyone sent in (I love this list!)<br>
Forgive me if I missed something and thanks for your help.<br>
Rick Walker</small><br>
<br>
<b><u>LOOPERS DELIGHT LIST of RECOMMENDED NEW &amp; NEWISH SCIENCE
FICTION</u><br>
</b><br>
</font><font face="Arial"><b><big>Margaret Atwood</big>&nbsp;&nbsp;</b>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oryx
And Crake </font><big><font><b><big><font face="Arial"><b><br>
<small>Iain Banks</small></b></font></big></b></font></big>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<font face="Arial">Consider Phlebas<big> </big></font><big><font><big><font
 face="Arial"><b><br>
<small>Stephen Baxter</small></b></font></big></font></big>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <small><font
 face="Arial"><big>Manifold: Space </big></font></small><b></b><font
 face="Arial"><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Manifold: Time</font><br>
<pre wrap=""><big><font><big><font face="Arial"><b>Stephen Baxter</b></font></big></font></big>      <big><font
 face="Arial">Timelike Infinity 
</font><font face="Arial"><b><big>Gregory Benford     </big></b>             Galactic Center (series)</font></big>
<big><font face="Arial"><b><big>David Brin  </big></b>                      </font><font
 face="Arial">   Startide Rising
                                                 Earth
<b><big>Orson Scott Card  </big></b>         Enders Game (series)
</font></big><big><font face="Arial"><big><b>Jay Caselberg   </b></big>               Wyrmhole    <b></b>
</font></big><big><font><big><font face="Arial"><b>Jack Chalker</b></font></big></font></big>      <big><font
 face="Arial">         Midnight in the Well of Souls    
</font><font face="Arial"><big><b>Douglas Coupland &nbsp;</b></big> &nbsp;&nbsp;    Girlfriend In A Coma </font></big>
<big><font face="Arial"><b><big>Thomas M Disch</big>&nbsp;&nbsp;&nbsp;</b>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;    The Genocides&nbsp;&nbsp;&nbsp; (old school dystopian)</font></big>
<big><font><big><font face="Arial"><b>Greg Egan</b></font></big></font></big>              <big><font
 face="Arial">Diaspora  
<big><b>William Gibson</b></big>                    Pattern Recognition
                                                     Idoru&nbsp;<b></b>  
</font></big><big><font face="Arial"><big><b>Cormac McCarthy </b></big>&nbsp; &nbsp;&nbsp;         The Road 
</font><big><b><font face="Arial">Ian McDonald </font></b></big></big>      <big><font
 face="Arial">           River of Gods</font></big>
<big><font><big><font face="Arial"><b>Jack McDevitt</b></font></big></font></big>       <big><font
 face="Arial">        Seeker 
</font></big><big><font><big><font face="Arial"><b>Audrey Niffenegger</b></font></big></font></big><font
 face="Arial">      </font><big><font face="Arial">   The Time Travellers Wife </font></big>
<big><font face="Arial"><big><b>Jeff Noon</b>&nbsp;</big>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;           Pixel Juice&nbsp;  
                                                    Needle In The Groove</font></big><big><font
 face="Arial"><big> </big>     
<small><b><big><big>Frederik Pohl                  </big></big></b><big>Gateway (Heechee series)</big></small>
<b></b></font></big><big><font><big><font face="Arial"><b>Philip Pullman</b></font></big></font></big>       <big><font
 face="Arial">       The Golden Compass  (fantasy)  
</font><big><font face="Arial"><small></small></font></big></big><big><font
 face="Arial"><b></b></font></big><big><font><big><font face="Arial"><b>Kim Stanley Robinson</b></font></big></font></big>  <big><font
 face="Arial">The Planet on the Table
&nbsp;                                                    Red Mars (the trilogy)
 </font></big><big><big><font face="Arial"><b>Neil Stephenson</b></font></big></big>  <font
 face="Arial">     <big>       Diamond Age
                                                     Snow Crash </big></font><big><font
 face="Arial"></font></big>
<big><big><font face="Arial"><b>George Saunders &nbsp; &nbsp;</b> <small>        Civilwarland In Bad Decline</small></font></big></big>
<big><font><big><font face="Arial"><b>Clifford Simac</b></font></big></font></big>       <big><font
 face="Arial">        Way Station       
<big><b>Dan Simmons    </b></big>                 Hyperion   (series)  
<b><big>Ian Stewart/Jack Cross </big></b>   Wheelers
<b></b></font></big><big><font><big><font face="Arial"><b>Charles Stross</b></font></big></font></big>      <big><font
 face="Arial">         Singularity Sky      <b></b>
                                                     Accelerando
                                                     Glass House
</font><big><b><font face="Arial">Michael Swanwick      </font></b><small><font
 face="Arial">      Stations of the Tide </font></small></big></big>
<big><font face="Arial"><big><b>John Varley   </b></big>                       Millenium  (Novella)
                                                     Persistence of Vision (short stories)
</font></big><big><font><big><font face="Arial"><b>Vernor Vinge</b></font></big></font></big>         <big><font
 face="Arial">      Fire Upon the Deep  <b></b>
<b></b></font></big><big><font><big><font face="Arial"><b>Robert Charles Wilson  </b><small>  Spin</small></font></big></font></big><font><big><font
 face="Arial">
</font></big></font><big><font><big><font face="Arial"><b>David Zindell                   </b></font></big></font></big><font><big><font
 face="Arial"> Neverness</font></big></font>



</pre>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Mon May 25 03:18:16 2009
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Subject: Re: FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, Experimental, and Electro-Acoustic Music
Date: Sun, 24 May 2009 21:18:10 -0600
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Every other Saturday. So my next show will be in 13 days. I'm glad you =
enjoyed it!

Kris
  ----- Original Message -----=20


  Kris this is really great!  listening now and really digging the dark =
percussion/piano/sax and voice stuff.  How often are you going to =
produce this?


  Jim


  On Sat, May 23, 2009 at 3:04 PM, Krispen Hartung =
<info@krispenhartung.com> wrote:

    Playing now....

    FreeWave
    http://radioboise.org/  (Saturday, May 23 from 1-3pm Mountain =
Standard Time - MST)
    Click "LISTEN HERE"

    If you miss it, the link to the podcast will appear tonight at =
http://radio-boise-freewave.blogspot.com/

    "FreeWave features music within the free improvisation, =
electro-acoustic, experimental, and creative music genres. From the =
complex and frenzied sax expressions of Evan Parker to the =
extraterrestrial sounds of Sun Ra, FreeWave is all this and more, into =
the obscure and beyond with the new millennium=92s creative =
electro-acoustic music scene. FreeWave will push your listening =
boundaries into new and challenging territories of creative music. Not =
for the faint of heart or remotely formulaic and predictable, FreeWave =
will alter your musical perspectives irrevocably."

    Play List

    Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
    Song: Magnitude
    Album: New Excursions (recorded live at the Copenhagen International =
Experimental Festival)

    Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
    Song: Soundhear
    Album: Streaming

    Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
    Song: Ink
    Album: Verbatim, Flesh and Blood

    Artist(s): John Coltrane
    Song: Mars
    Album: Interstellar Space

    Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander =
Kolkowski (England) and drummer Tony Buck (Australia)=20
    Song: Where Europe Begins....
    Album: Nine Fragments

    Artist(s): Derek Bailey and Agusti Fernandez
    Song: Casa Leopoldo
    Album: Barcelona

    Artist(s): Cecil Taylor
    Song: Enter, Evening (Soft Line Structure)
    Album: Unit Structures

    Artist(s): Emily Hay and Motoko Honda
    Song: 2008 Boise Experimental Music Festival - Friday
    Album: n/a=20

    Cheers,

    Kris

    Kris Hartung
    www.krispenhartung.com
    http://b-cimf.com
    =
http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiva=
l/37918746335
    http://www.myspace.com/boiseexperimentalmusicfestival
    info@krispenhartung.com
    1-208-724-5603



  --=20
  ReUse, an introspective textural aural journey coming soon...

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0345_01C9DCB5.241C5E40
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Every other Saturday. So my next show =
will be in 13=20
days. I'm glad you enjoyed it!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>Kris=20
  this is really great! &nbsp;listening now and really digging the dark=20
  percussion/piano/sax and voice stuff. &nbsp;How often are you going to =
produce=20
  this?
  <DIV><BR></DIV>
  <DIV>Jim<BR><BR>
  <DIV class=3Dgmail_quote>On Sat, May 23, 2009 at 3:04 PM, Krispen =
Hartung <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A>&gt;</=
SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV>Playing now....</DIV>
    <DIV>&nbsp;</DIV>
    <DIV><STRONG>FreeWave</STRONG></DIV>
    <DIV><A href=3D"http://radioboise.org/"=20
    target=3D_blank>http://radioboise.org/</A>&nbsp; (Saturday, =
May&nbsp;23 from=20
    1-3pm Mountain Standard Time - MST)</DIV>
    <DIV>Click "LISTEN HERE"</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>If you miss it, the link to the podcast will appear tonight at =
<A=20
    href=3D"http://radio-boise-freewave.blogspot.com/"=20
    target=3D_blank>http://radio-boise-freewave.blogspot.com/</A></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><STRONG>"FreeWave</STRONG> features music within the free=20
    improvisation, electro-acoustic, experimental, and creative music =
genres.=20
    From the complex and frenzied sax expressions of Evan Parker to the=20
    extraterrestrial sounds of Sun Ra, <STRONG>FreeWave</STRONG> is all =
this and=20
    more, into the obscure and beyond with the new millennium=92s =
creative=20
    electro-acoustic music scene. FreeWave will push your listening =
boundaries=20
    into new and challenging territories of creative music. Not for the =
faint of=20
    heart or remotely formulaic and predictable, FreeWave will alter =
your=20
    musical perspectives irrevocably."</DIV>
    <DIV>&nbsp;</DIV>
    <DIV><STRONG>Play List<BR><BR></STRONG>Artist(s): Evan Parker, Ghost =
in the=20
    Machine, and Martin Klapper<BR>Song: Magnitude<BR>Album: <A=20
    =
href=3D"http://www.emusic.com/album/Evan-Parker-New-excursions-MP3-Downlo=
ad/10985062.html"=20
    target=3D_blank><FONT color=3D#aa77aa>New Excursions</FONT></A> =
(recorded live=20
    at the Copenhagen International Experimental =
Festival)<BR><BR>Artist(s):=20
    Muhal Richard Abrams, George Lewis, and Roscoe Mitchell<BR>Song:=20
    Soundhear<BR>Album: <A=20
    =
href=3D"http://www.emusic.com/album/Muhal-Richard-Abrams-George-Lewis-Ros=
coe-Mitch-Streaming-MP3-Download/11011969.html"=20
    target=3D_blank><FONT =
color=3D#aa77aa>Streaming</FONT></A><BR><BR>Artist(s): Bob=20
    Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser<BR>Song: =
Ink<BR>Album:=20
    <A=20
    =
href=3D"http://www.emusic.com/album/Bob-Ostertag-Verbatim-Flesh-and-Blood=
-MP3-Download/10720641.html"=20
    target=3D_blank><FONT color=3D#aa77aa>Verbatim, Flesh and=20
    Blood</FONT></A><BR><BR>Artist(s): John Coltrane<BR>Song: =
Mars<BR>Album: <A=20
    =
href=3D"http://www.amazon.com/Interstellar-Space-John-Coltrane/dp/B00004T=
A41/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1242249520&amp;sr=3D8-=
1"=20
    target=3D_blank><FONT color=3D#aa77aa>Interstellar=20
    Space</FONT></A><BR><BR>Artist(s): Dempa (Pianist Aki Takase =
(Japan),=20
    violinist Aleksander Kolkowski (England) and drummer Tony Buck =
(Australia)=20
    <BR>Song: Where Europe Begins....<BR>Album: <A=20
    href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"=20
    target=3D_blank><FONT color=3D#aa77aa>Nine=20
    Fragments</FONT></A><BR><BR>Artist(s): Derek Bailey and Agusti=20
    Fernandez<BR>Song: Casa Leopoldo<BR>Album: <A=20
    href=3D"http://www.jazzloft.com/p-39420-barcelona.aspx" =
target=3D_blank><FONT=20
    color=3D#aa77aa>Barcelona</FONT></A><BR><BR>Artist(s): Cecil =
Taylor<BR>Song:=20
    Enter, Evening (Soft Line Structure)<BR>Album: <A=20
    href=3D"http://www.leorecords.com/?m=3Dselect&amp;id=3DCD_LR_346"=20
    target=3D_blank><FONT color=3D#aa77aa>Unit=20
    Structures</FONT></A><BR><BR>Artist(s): Emily Hay and Motoko =
Honda<BR>Song:=20
    2008 Boise Experimental Music Festival - Friday<BR>Album: n/a </DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Cheers,</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Kris</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Kris Hartung<BR><A href=3D"http://www.krispenhartung.com"=20
    target=3D_blank>www.krispenhartung.com</A></DIV>
    <DIV><A href=3D"http://b-cimf.com" =
target=3D_blank>http://b-cimf.com</A><BR><A=20
    =
href=3D"http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music=
-Festival/37918746335"=20
    =
target=3D_blank>http://www.facebook.com/pages/Boise-Creative-and-Improvis=
ed-Music-Festival/37918746335</A><BR><A=20
    href=3D"http://www.myspace.com/boiseexperimentalmusicfestival"=20
    =
target=3D_blank>http://www.myspace.com/boiseexperimentalmusicfestival</A>=
<BR><A=20
    href=3D"mailto:info@krispenhartung.com"=20
    =
target=3D_blank>info@krispenhartung.com</A><BR>1-208-724-5603</DIV></DIV>=
</BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural journey =
coming=20
  soon...<BR><BR>music links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0345_01C9DCB5.241C5E40--

From Loopers-Delight-request@loopers-delight.com  Mon May 25 03:54:26 2009
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To: "Ambient@hyperreal" <ambient@hyperreal.org>,
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	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: 05.27.09 > The PiNG presents RADiO iN AMBiENCE featuring Kristen Roos w/ Anna Friz + Nilan Perera
Date: Sun, 24 May 2009 23:54:20 -0400
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

WEDNESDAY MAY 27TH . THE PiNG presents
RADiO iN AMBiENCE a special presentation for Deep Wireless
in collaboration with New Adventures in Sound Art featuring
Kristen Roos with Anna Friz + Nilan Perera
@ THE NAISA SPACE . Artscape Wychwood Barns
   601 Christie Street . (2 blocks south of St. Clair W.)
   Studio #252  (Look for a sign outside the W side of the bldg)
   PiNG doors open at 8pm . 1st set is at 8:30 . $6

. Kristen Roos is an artist whose approach to creating sound art
usually involves a translation, or change, from one state to another.
Objects normally used to bring information in a particular way are
repurposed, and reconstructed into new vibrating forms. These
temporary structures hope to inspire infinite interpretations for the
objects and spaces that make up the world around us.

Ferry Crossing Interpreted & Vinegar Factory One by Kristen Roos
and Anna Friz. This performance will consist of two fifteen-minute
pieces. The first is based on a score that Kristen created from a
collage of field recordings gathered on Vancouver Island, Cortes
Island and the ferry between Cortes Island and Quadra Island.
Together they will recreate this Ferry Crossing using a theremin,
radios, and various amplified objects. The second piece originates
from a performance at the Vinegar Factory in Vancouver, for bowed
fire bells, amplified wire brush, tape recorder, theremin, harmonica,
kazoo, and radios.

. Nilan Perera is a sonic explorer and improviser whose work
expands the language and techniques of experimental electric guitar
performance. In his unusual approach to the guitar, Perera utilizes
preparations of assorted paraphernalia such as swizzle sticks, paper
clips, metal brushes and the like, as well as feedback and a variety
of electronic effects.

. Between Sets CD - "erebus & terror" by David Bickley & Tom Green
NAISA founder Darren Copeland created a soundtrack for the radio
drama "Erebus & Terror" by Gwendolyn MacEwen. This is an alternate,
more ambient impression of the ill-fated Franklin naval expedition
of 1845 as a "dark, brooding atmospheric album painting".
More info: http://www.shopsonic.com/product_details.php?id=3D590
More info on Darren Copeland's year 2000 version:
http://www.darrencopeland.net/PN_Terror_Erebus%20.html

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG iN JUNE . 06.23.09 . The PiNG presents
THE DEVIL IN THE DESIGN + More TBA
Tuesday June 23rd @ The Central
603 Markham Street . 8PM . more details soon @
http://www.theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

check out the latest free net label release from ping things:

"iNTHiSHOUSE" by subduction current

ping things is thrilled to present an exclusive new offering
from  Catherine Tammaro performing under her guise as
subduction current. Well known in the Toronto ambient improv
scene for her live  performances which blend music and electronic
light media, Catherine's  latest "iNTHiSHOUSE" is a sensual and
beautiful journey through fluid spaces and liquid sounds that perfectly
capture the musical and artistic ideals that inform her work. Drawing
influence from deep beneath the sea and deep within the self,
"iNTHiSHOUSE" is a carefully crafted series of songs that immerses
the listener in a new environment, a new reality.

"iNTHiSHOUSE" by subduction current is available as a free
downloadable 67Mb Zip file containing the full release in high
quality 256kbps mp3 format along with artwork suitable for printing.
The music on this release is copyright  Catherine Tammaro 2009,
and may not be used or reproduced without the artist's
express permission.  http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Also check out the AMBiENT PiNG RADiO podcast. Currently posted
are the ALMOST LiVE SERiES sets by Numina, MWVM, NAW,
Panoramaroid, Remora, Resonant Drift, Salvagesound, and URM.
Also posted are the ping things net label releases by Spatial
Correlation (Les Landes), Phil Ogison (The Perfect City)
Andrew Duke (Aqua), Nunc Stans (Land), Ortiz (Where did we
come from defcon?), mara's torment (tactile), Building Castles
Out of Matchsticks (October Sky), Remora (Ensoulment),
Panoramaroid (Music for Travellers #2), mara's torment
(fluctuations), Spatial Correlation (Love and the Fear of Poverty)
and Reinholt56 (Mechanism of the Soul).
http://www.ambientpingradio.blogspot.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ALSO THiS WEEK:

NEW ADVENTURES IN SOUND ART presents the
DEEP WIRELESS festival of Radio & Transmission Art
8th Anniversary - May 1 - 31, 2009

A month-long celebration of radio and transmission art including
performances, installations, broadcasts, workshops, a Youth
Radio residency and the Radio Without Boundaries conference
(May 28-30). Performance dates are May 3, 7, 8, 10, 22-24,
26-30 and installations are running throughout the month.
Featured artists include Beno=EEt Maubrey, Marie-Jos=E9e Chartier,
Brandon Labelle, Gregory Whitehead, Jessica Thompson,
Lisa Pijuan-Nomura, Kristen Roos, Fran=E7ois Girouard,
Chris Brookes, Hank Bull, Alessandro Bosetti, Marilyn Lerner,
Andrea Dancer, Tetsuo Kogawa, Nilan Perera, dreamSTATE and
many more. Deep Wireless/CBC Radios Outfront commissioned
artists for 2009 include H=E9l=E8ne Prevost, Paolo Pietropaolo,
Iain Reid and Andra McCartney.

More details about Deep Wireless at the New Adventures in
Sound Art website: http://www.naisa.ca/deepwireless

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon May 25 09:45:08 2009
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <c70e517b0905241416y17bcd2d0h597bb87a7a6e8428@mail.gmail.com>
Subject: Re: New "Rigs" videos featuring Thomas Dimuzio
Date: Mon, 25 May 2009 11:19:26 +0200
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Re. Thomas Dimuzio´s performance video:

It is noise! Is it art ?

Christo Jota
www.christojota.de

----- Original Message -----
From: "Matt Davignon" <mattdavignon@gmail.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 24, 2009 11:16 PM
Subject: New "Rigs" videos featuring Thomas Dimuzio


> Hi all,
>
> I just uploaded a series of 4 new "Rigs" videos, this time featuring
> Thomas Dimuzio and his unique sampler/feedback setup. Here's a list of
> all the "Rigs" videos so far.
>
> Thomas Dimuzio - Live sampling & feedback setup
> Discussion Part 1: http://www.youtube.com/watch?v=z6SSlv-1Zew
> Discussion Part 2: http://www.youtube.com/watch?v=pIToUjsl-vY
> Discussion Part 3: http://www.youtube.com/watch?v=tf5ufuFTVeo
> Performance: http://www.youtube.com/watch?v=VU03wtYxaQY
>
> Tom Nunn - Inventions
> Sonoglyph discussion: http://www.youtube.com/watch?v=TO1N59Y4RUM
> Sonoglyph performance: http://www.youtube.com/watch?v=RyGBhmZPtWc
> Crustacean discussion: http://www.youtube.com/watch?v=xYFLiE1DSQI
> Skatchbox discussion: http://www.youtube.com/watch?v=ElrJisnhtSU
> Skatchbox performance (w/David Michalak):
> http://www.youtube.com/watch?v=h0aUVf3R2ds
>
> CJ Borosque - No-input noise pedals
> Discussion: http://www.youtube.com/watch?v=wtq04Nh0NJw
> Performance: http://www.youtube.com/watch?v=AfkHnE_aZdo
>
> Matt Davignon - Drum machine & processing
> Discussion: http://www.youtube.com/watch?v=6ELCrrMdphk
> Performance: http://www.youtube.com/watch?v=7euFSrxHUtA
>
> Matt Davignon
> www.ribosomemusic.com
>

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Subject: Re: LOOPERS DELIGHT LIST of RECOMMENDED NEW & NEWISH SCIENCE FICTION
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Thanks for compiling this - I think I have my next 3 years of fiction
planned now.

On Sun, May 24, 2009 at 10:36 PM, Rick Walker <looppool@cruzio.com> wrote:

>  Thanks, everyone,
> Here is a hastily collated list for future reference
> of all the recommendations everyone sent in (I love this list!)
> Forgive me if I missed something and thanks for your help.
> Rick Walker
>
> *LOOPERS DELIGHT LIST of RECOMMENDED NEW & NEWISH SCIENCE FICTION
> *
> *Margaret Atwood  *      Oryx And Crake *
> Iain Banks*                      Consider Phlebas *
> Stephen Baxter*           Manifold: Space **
>                                               Manifold: Time
>
> *Stephen Baxter*      Timelike Infinity *Gregory Benford     *           =
  Galactic Center (series)*David Brin  *                         Startide R=
ising
>                                                  Earth*Orson Scott Card  =
*         Enders Game (series)*Jay Caselberg   *               Wyrmhole    =
***Jack Chalker*               Midnight in the Well of Souls    *Douglas Co=
upland  *       Girlfriend In A Coma *Thomas M Disch   *          The Genoc=
ides    (old school dystopian)*Greg Egan*              Diaspora  *William G=
ibson*                    Pattern Recognition
>                                                      Idoru **  *Cormac Mc=
Carthy *             The Road *Ian McDonald *                 River of Gods=
*Jack McDevitt*               Seeker *Audrey Niffenegger*         The Time =
Travellers Wife *Jeff Noon*                               Pixel Juice
>                                                     Needle In The Groove =
     *Frederik Pohl                  *Gateway (Heechee series)***Philip Pul=
lman*              The Golden Compass  (fantasy)  ***Kim Stanley Robinson* =
 The Planet on the Table
>                                                      Red Mars (the trilog=
y)
>  *Neil Stephenson*              Diamond Age
>                                                      Snow Crash *George S=
aunders    *         Civilwarland In Bad Decline*Clifford Simac*           =
    Way Station       *Dan Simmons    *                 Hyperion   (series)=
  *Ian Stewart/Jack Cross *   Wheelers***Charles Stross*               Sing=
ularity Sky      **
>                                                      Accelerando
>                                                      Glass House*Michael =
Swanwick      *      Stations of the Tide *John Varley   *                 =
      Millenium  (Novella)
>                                                      Persistence of Visio=
n (short stories)*Vernor Vinge*               Fire Upon the Deep  *****Robe=
rt Charles Wilson  *  Spin*David Zindell                   * Neverness
>
>
>
>


--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

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Thanks for compiling this - I think I have my next 3 years of fiction plann=
ed now.<br><br><div class=3D"gmail_quote">On Sun, May 24, 2009 at 10:36 PM,=
 Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">l=
ooppool@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div bgcolor=3D"#ffffff" text=3D"#000000">
<font face=3D"Arial"></font><font face=3D"Arial"><small>Thanks,
everyone,=A0=A0=A0 <br>
Here is a hastily collated list for future reference <br>
of all the recommendations everyone sent in (I love this list!)<br>
Forgive me if I missed something and thanks for your help.<br>
Rick Walker</small><br>
<br>
<b><u>LOOPERS DELIGHT LIST of RECOMMENDED NEW &amp; NEWISH SCIENCE
FICTION</u><br>
</b><br>
</font><font face=3D"Arial"><b><big>Margaret Atwood</big>=A0=A0</b>=A0=A0=
=A0=A0=A0 Oryx
And Crake </font><big><font><b><big><font face=3D"Arial"><b><br>
<small>Iain Banks</small></b></font></big></b></font></big>=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0
<font face=3D"Arial">Consider Phlebas<big> </big></font><big><font><big><fo=
nt face=3D"Arial"><b><br>
<small>Stephen Baxter</small></b></font></big></font></big>=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0 <small><font face=3D"Arial"><big>Manifold: Space </big></fo=
nt></small><b></b><font face=3D"Arial"><br>
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Manifold: Time=
</font><br>
<pre><big><font><big><font face=3D"Arial"><b>Stephen Baxter</b></font></big=
></font></big>      <big><font face=3D"Arial">Timelike Infinity=20
</font><font face=3D"Arial"><b><big>Gregory Benford     </big></b>         =
    Galactic Center (series)</font></big>
<big><font face=3D"Arial"><b><big>David Brin  </big></b>                   =
   </font><font face=3D"Arial">   Startide Rising
                                                 Earth
<b><big>Orson Scott Card  </big></b>         Enders Game (series)
</font></big><big><font face=3D"Arial"><big><b>Jay Caselberg   </b></big>  =
             Wyrmhole    <b></b>
</font></big><big><font><big><font face=3D"Arial"><b>Jack Chalker</b></font=
></big></font></big>      <big><font face=3D"Arial">         Midnight in th=
e Well of Souls   =20
</font><font face=3D"Arial"><big><b>Douglas Coupland =A0</b></big> =A0=A0  =
  Girlfriend In A Coma </font></big>
<big><font face=3D"Arial"><b><big>Thomas M Disch</big>=A0=A0=A0</b>=A0=A0=
=A0=A0=A0=A0    The Genocides=A0=A0=A0 (old school dystopian)</font></big>
<big><font><big><font face=3D"Arial"><b>Greg Egan</b></font></big></font></=
big>              <big><font face=3D"Arial">Diaspora =20
<big><b>William Gibson</b></big>                    Pattern Recognition
                                                     Idoru=A0<b></b> =20
</font></big><big><font face=3D"Arial"><big><b>Cormac McCarthy </b></big>=
=A0 =A0=A0         The Road=20
</font><big><b><font face=3D"Arial">Ian McDonald </font></b></big></big>   =
   <big><font face=3D"Arial">           River of Gods</font></big>
<big><font><big><font face=3D"Arial"><b>Jack McDevitt</b></font></big></fon=
t></big>       <big><font face=3D"Arial">        Seeker=20
</font></big><big><font><big><font face=3D"Arial"><b>Audrey Niffenegger</b>=
</font></big></font></big><font face=3D"Arial">      </font><big><font face=
=3D"Arial">   The Time Travellers Wife </font></big>
<big><font face=3D"Arial"><big><b>Jeff Noon</b>=A0</big>=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0           Pixel Juice=A0 =20
                                                    Needle In The Groove</f=
ont></big><big><font face=3D"Arial"><big> </big>    =20
<small><b><big><big>Frederik Pohl                  </big></big></b><big>Gat=
eway (Heechee series)</big></small>
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Philip Pullman<=
/b></font></big></font></big>       <big><font face=3D"Arial">       The Go=
lden Compass  (fantasy) =20
</font><big><font face=3D"Arial"><small></small></font></big></big><big><fo=
nt face=3D"Arial"><b></b></font></big><big><font><big><font face=3D"Arial">=
<b>Kim Stanley Robinson</b></font></big></font></big>  <big><font face=3D"A=
rial">The Planet on the Table
=A0                                                    Red Mars (the trilog=
y)
 </font></big><big><big><font face=3D"Arial"><b>Neil Stephenson</b></font><=
/big></big>  <font face=3D"Arial">     <big>       Diamond Age
                                                     Snow Crash </big></fon=
t><big><font face=3D"Arial"></font></big>
<big><big><font face=3D"Arial"><b>George Saunders =A0 =A0</b> <small>      =
  Civilwarland In Bad Decline</small></font></big></big>
<big><font><big><font face=3D"Arial"><b>Clifford Simac</b></font></big></fo=
nt></big>       <big><font face=3D"Arial">        Way Station      =20
<big><b>Dan Simmons    </b></big>                 Hyperion   (series) =20
<b><big>Ian Stewart/Jack Cross </big></b>   Wheelers
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Charles Stross<=
/b></font></big></font></big>      <big><font face=3D"Arial">         Singu=
larity Sky      <b></b>
                                                     Accelerando
                                                     Glass House
</font><big><b><font face=3D"Arial">Michael Swanwick      </font></b><small=
><font face=3D"Arial">      Stations of the Tide </font></small></big></big=
>
<big><font face=3D"Arial"><big><b>John Varley   </b></big>                 =
      Millenium  (Novella)
                                                     Persistence of Vision =
(short stories)
</font></big><big><font><big><font face=3D"Arial"><b>Vernor Vinge</b></font=
></big></font></big>         <big><font face=3D"Arial">      Fire Upon the =
Deep  <b></b>
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Robert Charles =
Wilson  </b><small>  Spin</small></font></big></font></big><font><big><font=
 face=3D"Arial">
</font></big></font><big><font><big><font face=3D"Arial"><b>David Zindell  =
                 </b></font></big></font></big><font><big><font face=3D"Ari=
al"> Neverness</font></big></font>



</pre>
<br>
</div>


</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--001636164ad179d7fa046abc8367--

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From: "franticworld" <info@franticworld.de>
To: <Loopers-Delight@loopers-delight.com>
References: <008401c7b1db$1d41bc70$fe78a8c0@mpeserver> <498313.36631.qm@web38613.mail.mud.yahoo.com> <001301c9daaf$50306290$14b2a8c0@mpeserver> <4A165ADB.1080003@tiscali.co.uk> <44e368750905220807q4dde84f2ibfc49fd7793a76e3@mail.gmail.com>
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hi everybody,

=20

i just wanted to say hello to everyone here. my name is hauke. i live in
kraftwerks hometown d=FCsseldorf, germany.

=20

i am recording some kind of lo-fi pop often based on loops.
www.myspace.com/greatdynamo. i would not call myself very experienced =
with
loops and gear but i just updated my equipment with a roland 404 and =
some
strange old drum synthesizer called formanta. this will hopefully take =
me
some steps beyond the rebirth based stuff i did before.

=20

my latest project is THE LOOP RECYCLER. i am recording tunes based on =
other
peoples =93used=94 loops. www.myspace.com/thelooprecycler. the outcome =
is
planned to be released on the german EDITION59 label late this year.
http://www.myspace.com/edition59

=20

if somebody feels like contributing something i would be really happy.

=20

cheers, hauke=20

=20


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<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'>hi =
everybody,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'>i just wanted to say =
hello to
everyone here. my name is hauke. i live in kraftwerks hometown =
d&uuml;sseldorf,
<st1:country-region w:st=3D"on"><st1:place =
w:st=3D"on">germany</st1:place></st1:country-region>.<o:p></o:p></span></=
font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'>i am recording some =
kind of
lo-fi pop often based on loops. <a =
href=3D"http://www.myspace.com/greatdynamo">www.myspace.com/greatdynamo</=
a>.
i would not call myself very experienced with loops and gear but i just =
updated
my equipment with a roland 404 and some strange old drum synthesizer =
called
formanta. this will hopefully take me some steps beyond the rebirth =
based stuff
i did before.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'>my latest project is =
THE LOOP
RECYCLER. i am recording tunes based on other peoples &#8220;used&#8221; =
loops.
<a =
href=3D"http://www.myspace.com/thelooprecycler">www.myspace.com/theloopre=
cycler</a>.
the outcome is planned to be released on the german EDITION59 label late =
this
year. <a =
href=3D"http://www.myspace.com/edition59">http://www.myspace.com/edition5=
9</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'>if somebody feels =
like
contributing something i would be really =
happy.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'>cheers, hauke =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

</div>

</body>

</html>

------=_NextPart_000_01E5_01C9DD5F.004F2BF0--

From Loopers-Delight-request@loopers-delight.com  Mon May 25 20:25:13 2009
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Date: Mon, 25 May 2009 22:17:18 +0200
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Question about OSX audio routing
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Raul Bonell schrieb:
> i try to make the final mixes on logic, but since logic can't import
> 32 bits files... i'd go for the 24 bits format in live, although as
> i'm using lots of ableton's fx (and that's where 32 bits makes sense),
> if i render 24 bits files, then i need to dither from 32 to 24 prior
> to importing the files into logic (or i should?).

No, not necessary. 32-bit is a floating point format with a 24-bit 
mantissa. If you don't leave a lot of headroom or go beyond your dac 
range it shouldn't make a difference. 32 to 24 is just trashing the 
exponent... (more or less...)

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Mon May 25 22:17:17 2009
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Date: Mon, 25 May 2009 22:17:15 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: help! need quick simple way to make laptop into looping/sampling  machine
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David make sure you are installing the mac version,then you have to configu=
re it with your soundcard(audio and midi devices)
it should install and work really easy ,but mobius isnt probably something =
you want to use if u have no experience with EDPs and computers!

www.myspace.com/luisangulocom


--- david molina <molina.transient@gmail.com> schrieb am Sa, 23.5.2009:

> Von: david molina <molina.transient@gmail.com>
> Betreff: help! need quick simple way to make laptop into looping/sampling=
  machine
> An: Loopers-Delight@loopers-delight.com
> Datum: Samstag, 23. Mai 2009, 14:50
> hi everybody.
> i have always been a gear head and have always
> been anti computer, but am caught in an emergency dilema.
> =A0=A0I'm about to head out on a music tour of South
> America in about a week and all my looping gear just died on
> me.
>=20
> I have a Mac Book Pro Laptop. =A0I tried to
> install Mobius, and it didn't work. =A0I dont' know
> much about computers so maybe i'm doing something
> wrong.=A0A friend gave me a copy of Logic which has Main
> Stage. =A0I also heard about Super Looper. =A0 I am used to
> live looping and extreme sound manipulation of what i sample
> live on the spot. =A0what do you suggest?
>=20
> is there a way i can set up my mixer to go
> straight into my internal input jack and work with any of
> the mentioned programs?
> I will be running a guitar, mike, and Line 6 POD
> XT thru the mixer.
>=20
> thanks
> david
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon May 25 22:32:05 2009
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Subject: Re: Tour Report, Too
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wowo Daryl glad to hear you will be in San Diego playing ! let me know wher=
e,ok?
cheers
Luis



> > looping show isn't until Tuesday, when I have two in
> San Diego in one
> > night (both good bills, wish I coulda spread them
> out).
> >
> > http://www.swanwelder.com/tour/summer09.htm
> >
> > Daryl Shawn
> > www.swanwelder.com
> > www.chinapaintingmusic.com
> >
>=20
>=20
> -------------------------------------------------------------------------=
-------
>=20
>=20
>=20
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> 07:00:00
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon May 25 22:45:37 2009
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hey Luis, you there right now? Since this is loopin'-related, I'll spam 
here in public - this is for tomorrow (aka Tuesday the 26th):

First I'm playing at the San Diego Center for the Arts, at 8 p.m. (this 
is presented by Trummerflora, who are a great group of experimentalists 
down there), located at 2141 El Cajon Blvd. 
http://www.sdcenterforthearts.org.  Also appearing is Nathan Hubbard and 
his group Everything After.

Then I scoot down the street for a set at Soda Bar, opening for 
Peninsula Project (from Norway) and Basshaters (from San Francisco), who 
are an excellent acoustic bass/drums improv duo. That'll definitely be a 
noisier set. http://www.myspace.com/sodabarbooking, 3615 El Cajon Blvd.

First looping shows of the tour - I've been dying for it too, after 
three acoustic shows.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> wowo Daryl glad to hear you will be in San Diego playing ! let me know where,ok?
> cheers
> Luis
>
>
>
>   
>>> looping show isn't until Tuesday, when I have two in
>>>       
>> San Diego in one
>>     
>>> night (both good bills, wish I coulda spread them
>>>       
>> out).

From Loopers-Delight-request@loopers-delight.com  Mon May 25 23:05:41 2009
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Date: Tue, 26 May 2009 01:05:39 +0200
Message-ID: <afb941d0905251605l9a0b304k2d8ca58139f55c7b@mail.gmail.com>
Subject: Re: Question about OSX audio routing
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i understand what you say... so both extremes have their
inconvenience, overloading the dac being the worst i supose.

so it's better to leave any kind of dithering (even the less
*intrussive*) when going form 32 bits to 24 bits if you plan to do
some post editing and/or mixing of various tracks.

... thanks stefan.

2009/5/25, Stefan Tiedje <stefantiedje@googlemail.com>:
> Raul Bonell schrieb:
>> i try to make the final mixes on logic, but since logic can't import
>> 32 bits files... i'd go for the 24 bits format in live, although as
>> i'm using lots of ableton's fx (and that's where 32 bits makes sense),
>> if i render 24 bits files, then i need to dither from 32 to 24 prior
>> to importing the files into logic (or i should?).
>
> No, not necessary. 32-bit is a floating point format with a 24-bit
> mantissa. If you don't leave a lot of headroom or go beyond your dac
> range it shouldn't make a difference. 32 to 24 is just trashing the
> exponent... (more or less...)
>
> --
> Les Ondes M=E9morielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon May 25 23:24:59 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Tour Report, Too
Date: Mon, 25 May 2009 16:24:54 -0700
To: Loopers-Delight@loopers-delight.com
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Daryl,

Say "hi" to Nathan Hubbard for me.

He played in Ashland with me the last time he was up this way.

Fond memories . . . he's a talented guy.

Best,

Ted

On May 25, 2009, at 3:45 PM, Daryl Shawn wrote:

> hey Luis, you there right now? Since this is loopin'-related, I'll 
> spam here in public - this is for tomorrow (aka Tuesday the 26th):
>
> First I'm playing at the San Diego Center for the Arts, at 8 p.m. 
> (this is presented by Trummerflora, who are a great group of 
> experimentalists down there), located at 2141 El Cajon Blvd. 
> http://www.sdcenterforthearts.org.  Also appearing is Nathan Hubbard 
> and his group Everything After.
>
> Then I scoot down the street for a set at Soda Bar, opening for 
> Peninsula Project (from Norway) and Basshaters (from San Francisco), 
> who are an excellent acoustic bass/drums improv duo. That'll 
> definitely be a noisier set. http://www.myspace.com/sodabarbooking, 
> 3615 El Cajon Blvd.
>
> First looping shows of the tour - I've been dying for it too, after 
> three acoustic shows.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> wowo Daryl glad to hear you will be in San Diego playing ! let me 
>> know where,ok?
>> cheers
>> Luis
>>
>>
>>
>>
>>>> looping show isn't until Tuesday, when I have two in
>>>>
>>> San Diego in one
>>>
>>>> night (both good bills, wish I coulda spread them
>>>>
>>> out).
>

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Date: Tue, 26 May 2009 00:16:13 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Tour Report, Too
To: Loopers-Delight@loopers-delight.com
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no but man i wish i was,though at the moment i am really getting excited ab=
out Belgium as well!
have a killer time and gig buddy

www.myspace.com/luisangulocom


--- Daryl Shawn <highhorse@mhorse.com> schrieb am Mo, 25.5.2009:

> Von: Daryl Shawn <highhorse@mhorse.com>
> Betreff: Re: Tour Report, Too
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 25. Mai 2009, 15:45
> hey Luis, you there right now? Since
> this is loopin'-related, I'll spam here in public - this is
> for tomorrow (aka Tuesday the 26th):
>=20
> First I'm playing at the San Diego Center for the Arts, at
> 8 p.m. (this is presented by Trummerflora, who are a great
> group of experimentalists down there), located at 2141 El
> Cajon Blvd. http://www.sdcenterforthearts.org.=A0
> Also appearing is Nathan Hubbard and his group Everything
> After.
>=20
> Then I scoot down the street for a set at Soda Bar, opening
> for Peninsula Project (from Norway) and Basshaters (from San
> Francisco), who are an excellent acoustic bass/drums improv
> duo. That'll definitely be a noisier set. http://www.myspace.com/sodabarb=
ooking, 3615 El Cajon
> Blvd.
>=20
> First looping shows of the tour - I've been dying for it
> too, after three acoustic shows.
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
> > wowo Daryl glad to hear you will be in San Diego
> playing ! let me know where,ok?
> > cheers
> > Luis
> >=20
> >=20
> >=20
> >=A0=A0=A0
> >>> looping show isn't until Tuesday, when I have
> two in
> >>>=A0 =A0 =A0=A0=A0
> >> San Diego in one
> >>=A0 =A0=A0=A0
> >>> night (both good bills, wish I coulda spread
> them
> >>>=A0 =A0 =A0=A0=A0
> >> out).
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue May 26 01:09:22 2009
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Thanks Luis!! sure wish I could make it to Europe too this summer.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> no but man i wish i was,though at the moment i am really getting excited about Belgium as well!
> have a killer time and gig buddy
>
> www.myspace.com/luisangulocom

From Loopers-Delight-request@loopers-delight.com  Tue May 26 01:31:04 2009
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Just finished Neal Stephenson's latest novel "Anathem" - I am stunned  
by the brilliance of the book.
On May 25, 2009, at 8:23 AM, Warren Sirota wrote:

> Thanks for compiling this - I think I have my next 3 years of  
> fiction planned now.
>
> On Sun, May 24, 2009 at 10:36 PM, Rick Walker <looppool@cruzio.com>  
> wrote:
> Thanks, everyone,
> Here is a hastily collated list for future reference
> of all the recommendations everyone sent in (I love this list!)
> Forgive me if I missed something and thanks for your help.
> Rick Walker
>
> LOOPERS DELIGHT LIST of RECOMMENDED NEW & NEWISH SCIENCE FICTION
>
> Margaret Atwood        Oryx And Crake
> Iain Banks                      Consider Phlebas
> Stephen Baxter           Manifold: Space
>                                               Manifold: Time
> Stephen Baxter      Timelike Infinity
> Gregory Benford                  Galactic Center (series)
> David Brin                           Startide Rising
>                                                  Earth
> Orson Scott Card           Enders Game (series)
> Jay Caselberg                  Wyrmhole
> Jack Chalker               Midnight in the Well of Souls
> Douglas Coupland         Girlfriend In A Coma
> Thomas M Disch             The Genocides    (old school dystopian)
> Greg Egan              Diaspora
> William Gibson                    Pattern Recognition
>                                                      Idoru
> Cormac McCarthy              The Road
> Ian McDonald                  River of Gods
> Jack McDevitt               Seeker
> Audrey Niffenegger         The Time Travellers Wife
> Jeff Noon                               Pixel Juice
>                                                     Needle In The  
> Groove
> Frederik Pohl                  Gateway (Heechee series)
> Philip Pullman              The Golden Compass  (fantasy)
> Kim Stanley Robinson  The Planet on the Table
>                                                      Red Mars (the  
> trilogy)
>  Neil Stephenson              Diamond Age
>                                                      Snow Crash
> George Saunders             Civilwarland In Bad Decline
> Clifford Simac               Way Station
> Dan Simmons                     Hyperion   (series)
> Ian Stewart/Jack Cross    Wheelers
> Charles Stross               Singularity Sky
>                                                      Accelerando
>                                                      Glass House
> Michael Swanwick            Stations of the Tide
> John Varley                          Millenium  (Novella)
>                                                      Persistence of  
> Vision (short stories)
> Vernor Vinge               Fire Upon the Deep
> Robert Charles Wilson    Spin
> David Zindell                    Neverness
>
>
>
>
>
>
>
> -- 
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Just finished Neal Stephenson's =
latest novel "Anathem" - I am stunned by the brilliance of the =
book.&nbsp;<br><div><div>On May 25, 2009, at 8:23 AM, Warren Sirota =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Thanks for compiling this - I think I have my next 3 years =
of fiction planned now.<br><br><div class=3D"gmail_quote">On Sun, May =
24, 2009 at 10:36 PM, Rick Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>></span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> <div bgcolor=3D"#ffffff" text=3D"#000000"> <font =
face=3D"Arial"></font><font face=3D"Arial"><small>Thanks, =
everyone,&nbsp;&nbsp;&nbsp; <br> Here is a hastily collated list for =
future reference <br> of all the recommendations everyone sent in (I =
love this list!)<br> Forgive me if I missed something and thanks for =
your help.<br> Rick Walker</small><br> <br> <b><u>LOOPERS DELIGHT LIST =
of RECOMMENDED NEW &amp; NEWISH SCIENCE FICTION</u><br> </b><br> =
</font><font face=3D"Arial"><b><big>Margaret =
Atwood</big>&nbsp;&nbsp;</b>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oryx And =
Crake </font><big><font><b><big><font face=3D"Arial"><b><br> <small>Iain =
Banks</small></b></font></big></b></font></big>&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp; <font face=3D"Arial">Consider Phlebas<big> =
</big></font><big><font><big><font face=3D"Arial"><b><br> <small>Stephen =
Baxter</small></b></font></big></font></big>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <small><font face=3D"Arial"><big>Manifold: =
Space </big></font></small><b></b><font face=3D"Arial"><br> =
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Manifold: =
Time</font><br> <pre><big><font><big><font face=3D"Arial"><b>Stephen =
Baxter</b></font></big></font></big>      <big><font =
face=3D"Arial">Timelike Infinity=20
</font><font face=3D"Arial"><b><big>Gregory Benford     </big></b>       =
      Galactic Center (series)</font></big>
<big><font face=3D"Arial"><b><big>David Brin  </big></b>                 =
     </font><font face=3D"Arial">   Startide Rising
                                                 Earth
<b><big>Orson Scott Card  </big></b>         Enders Game (series)
</font></big><big><font face=3D"Arial"><big><b>Jay Caselberg   =
</b></big>               Wyrmhole    <b></b>
</font></big><big><font><big><font face=3D"Arial"><b>Jack =
Chalker</b></font></big></font></big>      <big><font face=3D"Arial">    =
     Midnight in the Well of Souls   =20
</font><font face=3D"Arial"><big><b>Douglas Coupland &nbsp;</b></big> =
&nbsp;&nbsp;    Girlfriend In A Coma </font></big>
<big><font face=3D"Arial"><b><big>Thomas M =
Disch</big>&nbsp;&nbsp;&nbsp;</b>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;    =
The Genocides&nbsp;&nbsp;&nbsp; (old school dystopian)</font></big>
<big><font><big><font face=3D"Arial"><b>Greg =
Egan</b></font></big></font></big>              <big><font =
face=3D"Arial">Diaspora =20
<big><b>William Gibson</b></big>                    Pattern Recognition
                                                     Idoru&nbsp;<b></b> =20=

</font></big><big><font face=3D"Arial"><big><b>Cormac McCarthy =
</b></big>&nbsp; &nbsp;&nbsp;         The Road=20
</font><big><b><font face=3D"Arial">Ian McDonald </font></b></big></big> =
     <big><font face=3D"Arial">           River of Gods</font></big>
<big><font><big><font face=3D"Arial"><b>Jack =
McDevitt</b></font></big></font></big>       <big><font face=3D"Arial">  =
      Seeker=20
</font></big><big><font><big><font face=3D"Arial"><b>Audrey =
Niffenegger</b></font></big></font></big><font face=3D"Arial">      =
</font><big><font face=3D"Arial">   The Time Travellers Wife =
</font></big>
<big><font face=3D"Arial"><big><b>Jeff =
Noon</b>&nbsp;</big>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;           =
Pixel Juice&nbsp; =20
                                                    Needle In The =
Groove</font></big><big><font face=3D"Arial"><big> </big>    =20
<small><b><big><big>Frederik Pohl                  =
</big></big></b><big>Gateway (Heechee series)</big></small>
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Philip =
Pullman</b></font></big></font></big>       <big><font face=3D"Arial">   =
    The Golden Compass  (fantasy) =20
</font><big><font =
face=3D"Arial"><small></small></font></big></big><big><font =
face=3D"Arial"><b></b></font></big><big><font><big><font =
face=3D"Arial"><b>Kim Stanley Robinson</b></font></big></font></big>  =
<big><font face=3D"Arial">The Planet on the Table
&nbsp;                                                    Red Mars (the =
trilogy)
 </font></big><big><big><font face=3D"Arial"><b>Neil =
Stephenson</b></font></big></big>  <font face=3D"Arial">     <big>       =
Diamond Age
                                                     Snow Crash =
</big></font><big><font face=3D"Arial"></font></big>
<big><big><font face=3D"Arial"><b>George Saunders &nbsp; &nbsp;</b> =
<small>        Civilwarland In Bad Decline</small></font></big></big>
<big><font><big><font face=3D"Arial"><b>Clifford =
Simac</b></font></big></font></big>       <big><font face=3D"Arial">     =
   Way Station      =20
<big><b>Dan Simmons    </b></big>                 Hyperion   (series) =20=

<b><big>Ian Stewart/Jack Cross </big></b>   Wheelers
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Charles =
Stross</b></font></big></font></big>      <big><font face=3D"Arial">     =
    Singularity Sky      <b></b>
                                                     Accelerando
                                                     Glass House
</font><big><b><font face=3D"Arial">Michael Swanwick      =
</font></b><small><font face=3D"Arial">      Stations of the Tide =
</font></small></big></big>
<big><font face=3D"Arial"><big><b>John Varley   </b></big>               =
        Millenium  (Novella)
                                                     Persistence of =
Vision (short stories)
</font></big><big><font><big><font face=3D"Arial"><b>Vernor =
Vinge</b></font></big></font></big>         <big><font face=3D"Arial">   =
   Fire Upon the Deep  <b></b>
<b></b></font></big><big><font><big><font face=3D"Arial"><b>Robert =
Charles Wilson  </b><small>  =
Spin</small></font></big></font></big><font><big><font face=3D"Arial">
</font></big></font><big><font><big><font face=3D"Arial"><b>David =
Zindell                   </b></font></big></font></big><font><big><font =
face=3D"Arial"> Neverness</font></big></font>



</pre> <br> </div> </blockquote></div><br><br clear=3D"all"><br>-- =
<br>Warren<br><a =
href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubet=
oo.com/Artist.taf?_ArtistId=3D6679</a><br><a =
href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br> =
</blockquote></div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div>All the =
best,</div><div><br></div><div>Loren =
Claypool</div><div>genre-indifferent instrumental guitar =
music</div><div><a =
href=3D"http://www.lorenclaypool.com">www.lorenclaypool.com</a> and =
links from there</div></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-1-853777177--

From Loopers-Delight-request@loopers-delight.com  Tue May 26 01:49:25 2009
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Hi Hauke,

Welcome to the list.  I'd love to contribute some stuff.

I love lo fi pop and am working on some material like that as we speak.

You might also really enjoy my wife,  Christine Wedertz's  work, by the 
way. 
She's making an entire lo fi pop record right now, playing all the 
instruments,
recording and producing by herself.

She's at     www.myspace.com/donebeginner

her first four tracks are up there.  She used an old seventies cassette 
recorder to record her vocals.
It has terrible wow and flutter..........it sounds great.



Anyway,  I produce the world's largest live looping festival every year 
in Northern California in the third week of October.

This year, the Y2K9 International Live Looping Festival will feature 
50-55 artists from 5-10 countries in
6 days in 4 cities. 

If you put a live project together using live looping,  I'd love to 
encourage you to apply to perform.

Applications will be accepted after the 1st of August (and not before) 
by sending
an email with this in the subject line:

Y2K9 SUBMISSION:    (your name here)(your country of residence)
and all your contact information in the body of the email

You can send that to

looppool (at)  cruzio  (dot)  com

Welcome to the list and we look forward to hearing your creativity.

yours, in the loop,
Rick Walker
www.looppool.info/bio.htmlWe


From tkmwhz@raiffeisen.ro  Tue May 26 01:55:55 2009
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Dear Commonwealth Bank of Australia customer,<br><br>

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From Loopers-Delight-request@loopers-delight.com  Tue May 26 03:56:20 2009
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Subject: Re: WAY OFF TOPIC:    recommendations for great science fiction written in the last 10 years?
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Hi Rick,

This might be a bit late, but I would heartily recommend Greg Egan
I've read
"Permutation City"
"Quarantine"
and a collection of short stories called "Axiomatic"

They are all very intellectual, in the best Science Fiction tradition, and 
they definitely go places where most previous Science Fiction hasn't gone.
They are all very enjoyable as stories as well.

JC Mendizabal
Black Note Music
http://www.blacknotemusic.com
Via Sinistrae
www.viasinistrae.com
http://sinistrae.libsyn.com/
Other Sites
http://www.allhaildiscordia.com/
http://maddogmagick.blogspot.com/
http://secretsareeverywhere.blogspot.com/
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 23, 2009 10:52 PM
Subject: WAY OFF TOPIC: recommendations for great science fiction written in 
the last 10 years?


>I want something to read on my plane ride to Europe on Wednesday.
>
> Can you folks recommend me some really good science fiction
> that has been written in the last ten years.
>
> I used to read a lot and have loved Card,  Varley,  Pohl,  Bear, Robinson, 
> et. al.
>
> I haven't read anything in the past ten years so I don't know who to
> go for and google searches only seem to bring up things written at least 
> 20 years ago.
>
> Thanks,
> Rick
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 26 04:44:02 2009
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Subject: Punch-In silence
Date: Tue, 26 May 2009 01:37:53 -0300
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People,

is there a PEDAL looper capable of punching in silence? a function  
like substitute would do the trick of course.

I know the Echoplex but it's impossible to find one here in Argentina.

thank you very much.

very best, ariel.

From Loopers-Delight-request@loopers-delight.com  Tue May 26 04:50:18 2009
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Ariel the eventide timefactor has a little 12 sec. looper with a replace fu=
nction plus speed rate shifting
check it out

http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.aspx

the stomp switches arent the most silent ones but its allright

www.myspace.com/luisangulocom


--- Ariel Rzezak <arzezak@gmail.com> schrieb am Mo, 25.5.2009:

> Von: Ariel Rzezak <arzezak@gmail.com>
> Betreff: Punch-In silence
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 25. Mai 2009, 21:37
> People,
>=20
> is there a PEDAL looper capable of punching in silence? a
> function like substitute would do the trick of course.
>=20
> I know the Echoplex but it's impossible to find one here in
> Argentina.
>=20
> thank you very much.
>=20
> very best, ariel.
>=20
> =0A=0A=0A      

From jgov009@12freeukisp.co.uk  Tue May 26 07:56:55 2009
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Subject: IMPORTANT NOTICE..
Date: Mon, 25 May 2009 22:52:46 -0700
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<FONT size=3 color=#000080 face="Times New Roman"><I>To file for your claim, PROVIDING THE BELOW INFORMATION REQUIRED TO CLAIM YOUR WINNING PRIZE to Officer Dr.George Lee via email. ( jgovpriceclaimdpt@yahoo.com.hk ) or Tel: +447045730397 .</I></FONT><FONT size=3 color=#000000 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>1. Full Name:...........................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>2. Address:..............................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>3. tonality:................................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>4. Age:.........................Date of Birth: ......................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>5. Occupation:..........................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>6. Phone:...............Phone 2: ....................Fax: no .....</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>7. State of Origin: ......................Country: .................</I></FONT><FONT size=3 color=#000000 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>For due processing and remittance of your prize money .Remember, all prize money must be claimed not later than two Weeks after notice. After this date,all funds will be returned as unclaimed. Good luck from me and members of the staff of Government lottery. </I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>&nbsp;</I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>&nbsp;</I></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman"><B><I>Sincerely </B></I></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman"><B><I>Mrs, Nilda Parinas. </B></I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>Promotions Manager.Co-Sponsors of the award: </I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>The Yahoo Incorporation and Emirates Airlines. </I></FONT><BR>
<FONT size=3 color=#000000 face="Times New Roman">*******************************************************************</FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
</FONT>
</BODY></HTML>

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<FONT size=3 color=#000080 face="Times New Roman"><I>We happily announce to you the draw #9-51-88-76-14 NNC 77 of the Joint Government Lottery held recently in which your email address attached to ticket number: ( 992 61 44 327 83 04 )with the serial number: (1095/08) drew the lucky numbers, 40-06-66-00-55-78 which subsequently won you the lottery in the 3rd category Thunder ball Jackpot. You have therefore been approved for a lump sum pay of GBP 999,000,00 (Nine hundred and ninty nine thousand great British Pound Sterling) approximately USD 1.5Million in cash credited to file LN/2220-GBL2/008. All participants for the online version were selected randomly from over 100,000 unions, associations, corporate bodies and individuals e-mails listed online. </I></FONT></DIV>
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<FONT size=3 color=#000080 face="Times New Roman"><I>This promotion takes place Monthly. Please note that your lucky winning number falls within our International Booklet representative office here in London as indicated in your winning numbers.Your fund is now available for claim. Due to the mix up of some numbers and email address, we request you to quote your Reference and Batch numbers. We also advice you to keep this award strictly from Public Notice until your claim has been processed. In view of this, your GBP 999,000,00 . would be released to you by our payment office here in London. </I></FONT></DIV>
<DIV>
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<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>&nbsp;</I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>To file for your claim, PROVIDING THE BELOW INFORMATION REQUIRED TO CLAIM YOUR WINNING PRIZE to Officer Dr.George Lee via email. ( jgovpriceclaimdpt@yahoo.com.hk ) or Tel: +447045730397 .</I></FONT><FONT size=3 color=#000000 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>1. Full Name:...........................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>2. Address:..............................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>3. tonality:................................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>4. Age:.........................Date of Birth: ......................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>5. Occupation:..........................................................</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>6. Phone:...............Phone 2: ....................Fax: no .....</I></FONT><FONT size=3 color=#000080 face="Times New Roman"> </FONT></DIV>
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<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>For due processing and remittance of your prize money .Remember, all prize money must be claimed not later than two Weeks after notice. After this date,all funds will be returned as unclaimed. Good luck from me and members of the staff of Government lottery. </I></FONT></DIV>
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<DIV>
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<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>Promotions Manager.Co-Sponsors of the award: </I></FONT></DIV>
<DIV>
<FONT size=3 color=#000080 face="Times New Roman"><I>The Yahoo Incorporation and Emirates Airlines. </I></FONT><BR>
<FONT size=3 color=#000000 face="Times New Roman">*******************************************************************</FONT><BR>
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From Loopers-Delight-request@loopers-delight.com  Tue May 26 08:18:33 2009
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Date: Tue, 26 May 2009 09:30:49 +0100
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Punch-In silence
References: <c70e517b0905241416y17bcd2d0h597bb87a7a6e8428@mail.gmail.com> <95ACC287-8C8D-4871-A8A1-FC6DFEF9394E@gmail.com>
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Electro Harmonix Stereo Memory Man ( but not v.short punch ins, it'll
identify those as tap tempo).

Boss RC-50 has a specific "Overdub Mode" for this.
...but everybody hates it :-)

andy butler


Ariel Rzezak wrote:
> People,
> 
> is there a PEDAL looper capable of punching in silence? a function like 
> substitute would do the trick of course.
> 
> I know the Echoplex but it's impossible to find one here in Argentina.
> 
> thank you very much.
> 
> very best, ariel.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 26 11:09:43 2009
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From: jayrope LD <jrploopers@kliklak.net>
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Subject: MORE RECOMMENDED SCIFI
Date: Tue, 26 May 2009 13:09:38 +0200
References: <20090526013110.D794E3BE84@arsenic.violacea.com>
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Seen the scifi book thread too late but:

Add to Jeff Noon these most important books, the trilogy

Vurt
Pollen
Nymphomation

plus a VERY good read for us loopers
Cobralingus
in which he explains his methods of text sampling/reordering etc.

Enjoy!
- - -
jayrope
http://www.kliklak.net

On May 26, 2009, at 3:31 AM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

>  Re: LOOPERS DELIGHT LIST of RECOMMEN

From Loopers-Delight-request@loopers-delight.com  Tue May 26 11:37:37 2009
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Date: Tue, 26 May 2009 07:37:36 -0400
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Subject: Re: Punch-In silence
From: Todd Matthews <gtmatthews@gmail.com>
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--001636c9356a4b6869046acf27d4
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The timefactor did not work well for me. Lots of pops, clicks, strange
artifacts at loops ends/beginning. Supposedly they are going to fix it in a
future update but when asked about it eventide said there is no release date
for an update. This was 5-6 months ago so maybe they have updated it by now.
There is a long thread on eventide's forums about the problems with the
looper function.

On Tue, May 26, 2009 at 12:50 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Ariel the eventide timefactor has a little 12 sec. looper with a replace
> function plus speed rate shifting
> check it out
>
> http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.aspx
>
> the stomp switches arent the most silent ones but its allright
>
> www.myspace.com/luisangulocom
>
>
> --- Ariel Rzezak <arzezak@gmail.com> schrieb am Mo, 25.5.2009:
>
> > Von: Ariel Rzezak <arzezak@gmail.com>
> > Betreff: Punch-In silence
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Montag, 25. Mai 2009, 21:37
> > People,
> >
> > is there a PEDAL looper capable of punching in silence? a
> > function like substitute would do the trick of course.
> >
> > I know the Echoplex but it's impossible to find one here in
> > Argentina.
> >
> > thank you very much.
> >
> > very best, ariel.
> >
> >
>
>
>
>
>

--001636c9356a4b6869046acf27d4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The timefactor did not work well for me. Lots of pops, clicks, strange arti=
facts at loops ends/beginning. Supposedly they are going to fix it in a fut=
ure update but when asked about it eventide said there is no release date f=
or an update. This was 5-6 months ago so maybe they have updated it by now.=
 There is a long thread on eventide&#39;s forums about the problems with th=
e looper function.<br>
<br><div class=3D"gmail_quote">On Tue, May 26, 2009 at 12:50 AM, L.Angulo <=
span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo=
.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;">
<br>
Ariel the eventide timefactor has a little 12 sec. looper with a replace fu=
nction plus speed rate shifting<br>
check it out<br>
<br>
<a href=3D"http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFa=
ctor.aspx" target=3D"_blank">http://www.eventide.com/AudioDivision/Products=
/StompBoxes/TimeFactor.aspx</a><br>
<br>
the stomp switches arent the most silent ones but its allright<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com=
</a>&gt; schrieb am Mo, 25.5.2009:<br>
<br>
&gt; Von: Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gma=
il.com</a>&gt;<br>
&gt; Betreff: Punch-In silence<br>
&gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Datum: Montag, 25. Mai 2009, 21:37<br>
<div><div></div><div class=3D"h5">&gt; People,<br>
&gt;<br>
&gt; is there a PEDAL looper capable of punching in silence? a<br>
&gt; function like substitute would do the trick of course.<br>
&gt;<br>
&gt; I know the Echoplex but it&#39;s impossible to find one here in<br>
&gt; Argentina.<br>
&gt;<br>
&gt; thank you very much.<br>
&gt;<br>
&gt; very best, ariel.<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br>

--001636c9356a4b6869046acf27d4--

From Loopers-Delight-request@loopers-delight.com  Tue May 26 12:09:38 2009
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I had an RC-50 here for a couple of days, enough for a rough evaluation.

sure most of this is old news

one thing...I now have greater admiration for anyone who can make this 
box work for them.

Note: in RC50-speak, each patch has 3 loops which are called "Phrases"

Negatives first:-


1) Sound quality is a bit disappointing. My guitar distorted on playback 
without having
   lit the overload LED.  With more time, maybe I would have sorted the 
levels better,
  but certainly no headroom. Microphone input seems equivalent to that 
on a cheap mixer.
  My very subjective impression was that Boss/Roland had saved a few 
pennies on the
   analog chips (which I've noticed before on their products).
2) Playback volume for phrases is meant to match dry volume at a setting 
of 100.
    It doesn't, seemed to match at about 85.
3) Midi implementation is a horrible joke.
4) No quick way to clear all 3 phrases. ( probably a workaround by 
shifting to new patch).
5) Difficult to find things in the manual, even after reading it through.
6) The famous "gap at the beginning of the first repeat" can be got rid 
of by following
    the steps described in the manual. Hidden in the appendix. ...but 
when I recorded
    a second phrase I often heard it return.
7) Before reading the manual, I had a play with it. First there was the 
pre-recorded stuff,
    then the drum machine, and when those had been avoided, it is 
actually possible to
    start looping.
8) A lot of features are only accessible by menu.
9) Not possible to make 3 unsynced loops.
10) Shortest loop, 1.5s  
11) Reverse produces clicks. Glitchy, but not in a nice way.
12) Manual describes the onboard drum machine as "ultra-high quality" and
     " a match for a dedicated unit".  That's just 2 outright lies.
13) Overall, the user interface is not well thought out.
14) Software version not shown on boot-up.

Positives:-
1) Able to select the next loop for recording/playback  while in record. 
    That would have been nice for the EDP, which always ends record when
    the Nextloop button is pressed.
2) Pretty easy to get looping, to record a phrase, select new phrase, 
record  the new
   phrase which is a multiple length of the first. Then the 3rd phrase 
can even be a different
    multiple of the first.
3) Time stretch has an interesting sound, especially on rhythmic material.
4) Onboard drums may have a use for some, possible to record a loop then 
bring
     the drums in (if loop starts exactly on downbeat).
5) Tempo button can be reprogrammed to Reverse, or Select Overdub mode. This
     can be programmed per patch.
6) Looks pretty easy to use the alternative mode where you can record 3 
serial loops
    as parts of a song and switch between them.
7) Undo works for Record as well as OD, so provides a *relatively* quick 
way to re-record
    a loop.
8) For anyone into pre-recorded loops


"I've learned something today":-
1) There's one feature which I would like to see in the EDP emulator 
(Next doesn't end Recording).
2) This is my first encounter with a Multi=track looper. There's a great 
impression of not being in
     control of the music any more compared to EDP.


andy butler








From Loopers-Delight-request@loopers-delight.com  Tue May 26 12:14:12 2009
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Subject: Re: Tour Report, Too
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	<4A1B1F8F.40509@mhorse.com>
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Daryl,

Thanks for the progress reports.  Looks like a great tour you've put togethe=
r.
Enjoy!

-- Kevin

Quoting Daryl Shawn <highhorse@mhorse.com>:

> hey Luis, you there right now? Since this is loopin'-related, I'll spam
> here in public - this is for tomorrow (aka Tuesday the 26th):
>
> First I'm playing at the San Diego Center for the Arts, at 8 p.m. (this
> is presented by Trummerflora, who are a great group of experimentalists
> down there), located at 2141 El Cajon Blvd.
> http://www.sdcenterforthearts.org.  Also appearing is Nathan Hubbard
> and his group Everything After.
>
> Then I scoot down the street for a set at Soda Bar, opening for
> Peninsula Project (from Norway) and Basshaters (from San Francisco),
> who are an excellent acoustic bass/drums improv duo. That'll definitely
> be a noisier set. http://www.myspace.com/sodabarbooking, 3615 El Cajon
> Blvd.
>
> First looping shows of the tour - I've been dying for it too, after
> three acoustic shows.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> wowo Daryl glad to hear you will be in San Diego playing ! let me  =20
>> know where,ok?
>> cheers
>> Luis
>>
>>
>>
>>
>>>> looping show isn't until Tuesday, when I have two in
>>>>
>>> San Diego in one
>>>
>>>> night (both good bills, wish I coulda spread them
>>>>
>>> out).



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Date: Tue, 26 May 2009 07:22:24 -0500
From: kkissinger@kevinkissinger.com
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Subject: Re: RC-50 Impressions
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Quoting andy butler <akbutler@tiscali.co.uk>:

>
> 9) Not possible to make 3 unsynced loops.
>
Andy, you can configure it to work as three seperate, unsync'd loopers =20
by turning off tempo sync and phrase sync.  At least, that has worked =20
for me.
>
> 12) Manual describes the onboard drum machine as "ultra-high quality" and
>     " a match for a dedicated unit".  That's just 2 outright lies.
>
I find the drum patterns to be kind of "hokey".  I have, at times, run =20
the drum track out of the AUX output to a small floor monitor to use =20
as a click track, though.  I wish it had a simple click setting.

I've gotten excellent sound quality out of the unit -- I will add that =20
it took a bit of tweaking of the gain controls to get it to work, =20
though.  I use balanced connections and I haven't done much with the =20
microphone preamp.
>
> 2) This is my first encounter with a Multi=3Dtrack looper. There's a
> great impression of not being in
> control of the music any more compared to EDP.
>
I find the RC-50 useful when I need a way to build drones, etc.... =20
with my theremin when I don't need to use midi clock sync.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue May 26 13:33:52 2009
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kkissinger@kevinkissinger.com wrote:
> Quoting andy butler <akbutler@tiscali.co.uk>:
> 
>>
>> 9) Not possible to make 3 unsynced loops.
>>
> Andy, you can configure it to work as three seperate, unsync'd loopers 
> by turning off tempo sync and phrase sync.  At least, that has worked 
> for me.

Thanks for the feedback there Kevin.

Ahh.
If I recorded a new phrase when one was playing, the RC-50
always played it back synced, even if it was a multiple
in length of the first loop.
I think I had all the "syncs" turned off, otherwise
the loops would have been trimmed to equal length (afaik)

Is it possible to record a 4s loop, and while listening
make a  3s loop and
have them play back in an approximate polyrhythm?
i.e. nearly coinciding every 3 reps of the 4s loop?

My impression was that the RC-50 wouldn't allow that.
...but I only had it a short time.

I only really set it up For my friend who's just going to layer up a few parts.
So I my report quite likely needs some correction.


>>
>> 12) Manual describes the onboard drum machine as "ultra-high quality" and
>>     " a match for a dedicated unit".  That's just 2 outright lies.
>>
> I find the drum patterns to be kind of "hokey".  I have, at times, run 
> the drum track out of the AUX output to a small floor monitor to use as 
> a click track, though.  I wish it had a simple click setting.

Doesn't it have just hi-hat?

> 
> I've gotten excellent sound quality out of the unit -- I will add that 
> it took a bit of tweaking of the gain controls to get it to work, 
> though. 

Well I just plugged in my guitar. (1MOhm input called "instrument".)
If it's got balanced I/O then Roland are keeping rather quiet about it ;-)

Did you have to lower the volume sent to the RC-50 rather than
turn down the RC-50 input vol?


> I use balanced connections and I haven't done much with the 
> microphone preamp.

I've seen it work fine for beatboxing.

Really, I hope anyone who has this unit can get the best out of it.

andy

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Subject: new Improvizone videos
From: Os <os@collective.co.uk>
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http://vimeo.com/album/96175

same line-up as last gig.

check out part 8 for me wigging out on wah-wah EWI :)


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue May 26 14:47:08 2009
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Date: Tue, 26 May 2009 16:47:07 +0200
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Subject: Re: new Improvizone videos
From: Per Boysen <perboysen@gmail.com>
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On Tue, May 26, 2009 at 4:38 PM, Os <os@collective.co.uk> wrote:
> http://vimeo.com/album/96175
> same line-up as last gig.
> check out part 8 for me wigging out on wah-wah EWI :)

Nice wigging! Is that the 9000s or the USB you are blowing?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue May 26 15:02:20 2009
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it's the EWI USB, driving the bundled sample player, through a variety
of effects.


cheers,
os.

2009/5/26 Per Boysen <perboysen@gmail.com>:
> On Tue, May 26, 2009 at 4:38 PM, Os <os@collective.co.uk> wrote:
>> http://vimeo.com/album/96175
>> same line-up as last gig.
>> check out part 8 for me wigging out on wah-wah EWI :)
>
> Nice wigging! Is that the 9000s or the USB you are blowing?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue May 26 16:20:22 2009
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Subject: Punch-In silence
From: Rainer Straschill <moinsound@googlemail.com>
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Ariel,

about any looper which allows you to control feedback (either primary
or secondary, to stick with EDP terminology) would allow you to do a
substitute-style punchin of silence.

Things in stompbox format which come to mind: Boss DD20, Digitech PDS series.

I cannot recommend the DD20 often enough. The looper mode (called
sound on sound) is crap, but the delay effects are great fun!
There are a lot of very distinguished DD20 users on this list, and
you'll find a lot of experiences both in the archives and in the
"Tools of the Trade" section on www.loopers-delight.com

            Rainer

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Date: Tue, 26 May 2009 15:44:41 -0700
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
From: Matt Davignon <mattdavignon@gmail.com>
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Some recent sci-fi/fantasy I've enjoyed:

Neil Gaiman:
American Gods
Anansi Boys

Jonathan Lethem:
Gun With Occasional Music
Wall of the Sky, Wall of the Eye

Susannah Clarke:
Jonathan Strange & Mr. Norell

Neal Stephenson:
the Diamond Age
Snow Crash

David Mitchell:
Cloud Atlas

On Sat, May 23, 2009 at 10:52 PM, Rick Walker <looppool@cruzio.com> wrote:
> I want something to read on my plane ride to Europe on Wednesday.
>
> Can you folks recommend me some really good science fiction
> that has been written in the last ten years.
>
> I used to read a lot and have loved Card, =A0Varley, =A0Pohl, =A0Bear, Ro=
binson,
> =A0et. al.
>
> I haven't read anything in the past ten years so I don't know who to
> go for and google searches only seem to bring up things written at least =
20
> years ago.
>
> Thanks,
> Rick
>
>

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Date: Tue, 26 May 2009 19:53:53 -0300
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Subject: Re: Punch-In silence
From: Ariel Rzezak <arzezak@gmail.com>
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Andy,
can you explain a little more about this?

what does it mean "v.short"?

everybody, thank you very much.

ps. luis, i=B4m checking the eventide website right now.

On Tue, May 26, 2009 at 5:30 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:

> Electro Harmonix Stereo Memory Man ( but not v.short punch ins, it'll
> identify those as tap tempo).
>
>
> andy butler
>
>

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Andy,<div><br></div><div>can you explain a little more about this?</div><di=
v><br></div><div>what does it mean &quot;v.short&quot;?</div><div><br></div=
><div>everybody, thank you very much.</div><div><br></div><div>ps. luis, i=
=B4m checking the eventide website right now.=A0<br>
<br><div class=3D"gmail_quote">On Tue, May 26, 2009 at 5:30 AM, andy butler=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@t=
iscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Electro Harmonix Stereo Memory Man ( but not v.short punch ins, it&#39;ll<b=
r>
identify those as tap tempo).<br>
<br><font color=3D"#888888"><br>
andy butler</font><div><div></div><div class=3D"h5"><br></div></div></block=
quote></div><br></div>

--001636c5b1fadb56cb046ad89925--

From Loopers-Delight-request@loopers-delight.com  Tue May 26 23:04:17 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: On topic: European Live Looping festivals in Antwerp, Firenze and Rome
Date: Wed, 27 May 2009 01:04:03 +0200
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I'm getting excited when I think about it...only 4 days to go before the
European Live Looping festival will start in Antwerp (Belgium) followed =
by
Firenze and Rome (Italy). In the mean time: I'm afraid Rick Walker and =
me
won't be able to send a lot of emails to the LD list. However, I'm going =
to
try use Twitter from my mobile (and if possible my laptop) to keep you =
up to
date while we are touring in Europe :)

The good news is that the Antwerp festival will be recorded and filmed =
so
you guys can listen and view to it asap (mp3, youtube, dvd). I'm really
looking forward to all this, meet with friends (again), listen to music,
play live and have a wonderful time.

I'm also happy some of you will visit Antwerp and Italy to see it all =
live.
Btw: there are still a few tickets available and you're more than =
welcome to
be my guest. If you need more info, please let me know. Thanks.

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/ ** Ambient, experimental, live looping,
soundscapes, improvisation, found sound, drones ** May 30 2009,
Arenbergschouwburg Antwerp




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Date: Tue, 26 May 2009 19:58:25 -0300
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Subject: Re: Punch-In silence
From: Ariel Rzezak <arzezak@gmail.com>
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Rainer, i think i understand what you=B4re saying. but if i=B4m correct (i =
have
a dl4) controlling the feedback i would affect the whole loop or if it is a
little bit it would be progressive (because of the pedal controller).
is there another way of doing this but more in a "destructive" way?

what i really want is to add tiny, real short, pieces or bits of silence to
an already sounding loop. something like "deconstructing" or un-loop.

thanks.

On Tue, May 26, 2009 at 1:20 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Ariel,
>
> about any looper which allows you to control feedback (either primary
> or secondary, to stick with EDP terminology) would allow you to do a
> substitute-style punchin of silence.
>
> Things in stompbox format which come to mind: Boss DD20, Digitech PDS
> series.
>
> I cannot recommend the DD20 often enough. The looper mode (called
> sound on sound) is crap, but the delay effects are great fun!
> There are a lot of very distinguished DD20 users on this list, and
> you'll find a lot of experiences both in the archives and in the
> "Tools of the Trade" section on www.loopers-delight.com
>
>            Rainer
>
>

--001636c5a4350ba6c9046ad8aa51
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rainer, i think i understand what you=B4re saying. but if i=B4m correct (i =
have a dl4) controlling the feedback i would affect the whole loop or if it=
 is a little bit it would be progressive (because of the pedal controller).=
=A0<div>
<br></div><div>is there another way of doing this but more in a &quot;destr=
uctive&quot; way?</div><div><br></div><div>what i really want is to add tin=
y, real short, pieces or bits of silence to an already sounding loop. somet=
hing like &quot;deconstructing&quot; or un-loop.=A0</div>
<div><br></div><div>thanks.<br><br><div class=3D"gmail_quote">On Tue, May 2=
6, 2009 at 1:20 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mail=
to:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Ariel,<br>
<br>
about any looper which allows you to control feedback (either primary<br>
or secondary, to stick with EDP terminology) would allow you to do a<br>
substitute-style punchin of silence.<br>
<br>
Things in stompbox format which come to mind: Boss DD20, Digitech PDS serie=
s.<br>
<br>
I cannot recommend the DD20 often enough. The looper mode (called<br>
sound on sound) is crap, but the delay effects are great fun!<br>
There are a lot of very distinguished DD20 users on this list, and<br>
you&#39;ll find a lot of experiences both in the archives and in the<br>
&quot;Tools of the Trade&quot; section on <a href=3D"http://www.loopers-del=
ight.com" target=3D"_blank">www.loopers-delight.com</a><br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br></div>

--001636c5a4350ba6c9046ad8aa51--

From Loopers-Delight-request@loopers-delight.com  Tue May 26 23:06:13 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: new Improvizone videos
Date: Wed, 27 May 2009 01:06:03 +0200
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> it's the EWI USB, driving the bundled sample player, through 
> a variety of effects.

Sounds cool. Do you bring it to Antwerp? 

--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ ** Ambient, experimental, live looping,
soundscapes, improvisation, found sound, drones ** May 30 2009,
Arenbergschouwburg Antwerp



From Loopers-Delight-request@loopers-delight.com  Tue May 26 23:53:10 2009
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Date: Tue, 26 May 2009 23:53:08 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: RC-50 Impressions
To: Loopers-Delight@loopers-delight.com
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isnt it possible to import your own drum loops as wav files though? thought=
 i read something about that...

> > I find the drum patterns to be kind of "hokey".=A0
> I have, at times, run the drum track out of the AUX output
> to a small floor monitor to use as a click track,
> though.=A0 I wish it had a simple click setting.
>=20
> I've seen it work fine for beatboxing.
>=20
> Really, I hope anyone who has this unit can get the best
> out of it.
>=20
> andy

check out Rico Loop he is one dude getting really the most out of it!

http://www.youtube.com/watch?v=3DrOvc3MwHyDM&feature=3Drelated
 =0A=0A=0A      

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Date: Wed, 27 May 2009 00:08:37 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Punch-In silence
To: Loopers-Delight@loopers-delight.com
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no problem with the eventides looper for me at all after upgrading to the l=
ates o.s. SW!

www.myspace.com/luisangulocom


--- Todd Matthews <gtmatthews@gmail.com> schrieb am Di, 26.5.2009:

> Von: Todd Matthews <gtmatthews@gmail.com>
> Betreff: Re: Punch-In silence
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 26. Mai 2009, 4:37
> The timefactor did not work well for me.
> Lots of pops, clicks, strange artifacts at loops
> ends/beginning. Supposedly they are going to fix it in a
> future update but when asked about it eventide said there is
> no release date for an update. This was 5-6 months ago so
> maybe they have updated it by now. There is a long thread on
> eventide's forums about the problems with the looper
> function.
>=20
>=20
> On Tue, May 26, 2009 at 12:50 AM,
> L.Angulo <labaloops@yahoo.com>
> wrote:
>=20
>=20
>=20
> Ariel the eventide timefactor has a little 12 sec. looper
> with a replace function plus speed rate shifting
>=20
> check it out
>=20
>=20
>=20
> http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.aspx
>=20
>=20
>=20
> the stomp switches arent the most silent ones but its
> allright
>=20
>=20
>=20
> www.myspace.com/luisangulocom
>=20
>=20
>=20
>=20
>=20
> --- Ariel Rzezak <arzezak@gmail.com>
> schrieb am Mo, 25.5.2009:
>=20
>=20
>=20
> > Von: Ariel Rzezak <arzezak@gmail.com>
>=20
> > Betreff: Punch-In silence
>=20
> > An: Loopers-Delight@loopers-delight.com
>=20
> > Datum: Montag, 25. Mai 2009, 21:37
>=20
> > People,
>=20
> >
>=20
> > is there a PEDAL looper capable of punching in
> silence? a
>=20
> > function like substitute would do the trick of
> course.
>=20
> >
>=20
> > I know the Echoplex but it's impossible to find
> one here in
>=20
> > Argentina.
>=20
> >
>=20
> > thank you very much.
>=20
> >
>=20
> > very best, ariel.
>=20
> >
>=20
> >
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 27 00:30:33 2009
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Date: Tue, 26 May 2009 21:30:31 -0300
Message-ID: <7bf141790905261730u62460a8dy9d93c954da95a24@mail.gmail.com>
Subject: Re: Punch-In silence
From: Ariel Rzezak <arzezak@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502e501779af1046ad9f3e3
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Wow!
i=B4ve just seen you can alter the start and end points of the loop.

that=B4s attractive!

regarding the pitch, can you alter that with a knob like in the old pds8000
or the memory man hazarai? i mean, pitch and rate together.

i cant seem to fing any demo of the replace function. do you have an audio
clip using that?

mil gracias luis!

On Tue, May 26, 2009 at 9:08 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> no problem with the eventides looper for me at all after upgrading to the
> lates o.s. SW!
>
> www.myspace.com/luisangulocom
>
>
> --- Todd Matthews <gtmatthews@gmail.com> schrieb am Di, 26.5.2009:
>
> > Von: Todd Matthews <gtmatthews@gmail.com>
> > Betreff: Re: Punch-In silence
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Dienstag, 26. Mai 2009, 4:37
> > The timefactor did not work well for me.
> > Lots of pops, clicks, strange artifacts at loops
> > ends/beginning. Supposedly they are going to fix it in a
> > future update but when asked about it eventide said there is
> > no release date for an update. This was 5-6 months ago so
> > maybe they have updated it by now. There is a long thread on
> > eventide's forums about the problems with the looper
> > function.
> >
> >
> > On Tue, May 26, 2009 at 12:50 AM,
> > L.Angulo <labaloops@yahoo.com>
> > wrote:
> >
> >
> >
> > Ariel the eventide timefactor has a little 12 sec. looper
> > with a replace function plus speed rate shifting
> >
> > check it out
> >
> >
> >
> >
> http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.aspx
> >
> >
> >
> > the stomp switches arent the most silent ones but its
> > allright
> >
> >
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> >
> > --- Ariel Rzezak <arzezak@gmail.com>
> > schrieb am Mo, 25.5.2009:
> >
> >
> >
> > > Von: Ariel Rzezak <arzezak@gmail.com>
> >
> > > Betreff: Punch-In silence
> >
> > > An: Loopers-Delight@loopers-delight.com
> >
> > > Datum: Montag, 25. Mai 2009, 21:37
> >
> > > People,
> >
> > >
> >
> > > is there a PEDAL looper capable of punching in
> > silence? a
> >
> > > function like substitute would do the trick of
> > course.
> >
> > >
> >
> > > I know the Echoplex but it's impossible to find
> > one here in
> >
> > > Argentina.
> >
> > >
> >
> > > thank you very much.
> >
> > >
> >
> > > very best, ariel.
> >
> > >
> >
> > >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>
>
>
>

--00504502e501779af1046ad9f3e3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Wow!=A0<div><br></div><div>i=B4ve just seen you can alter the start and end=
 points of the loop.</div><div><br></div><div>that=B4s attractive!</div><di=
v><br></div><div>regarding the pitch, can you alter that with a knob like i=
n the old pds8000 or the memory man hazarai? i mean, pitch and rate togethe=
r.=A0</div>
<div><br></div><div>i cant seem to fing any demo of the replace function. d=
o you have an audio clip using that?</div><div><br></div><div>mil gracias l=
uis!<br><br><div class=3D"gmail_quote">On Tue, May 26, 2009 at 9:08 PM, L.A=
ngulo <span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloop=
s@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><br>
no problem with the eventides looper for me at all after upgrading to the l=
ates o.s. SW!<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gm=
ail.com</a>&gt; schrieb am Di, 26.5.2009:<br>
<br>
&gt; Von: Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatth=
ews@gmail.com</a>&gt;<br>
&gt; Betreff: Re: Punch-In silence<br>
<div class=3D"im">&gt; An: <a href=3D"mailto:Loopers-Delight@loopers-deligh=
t.com">Loopers-Delight@loopers-delight.com</a><br>
</div>&gt; Datum: Dienstag, 26. Mai 2009, 4:37<br>
<div><div></div><div class=3D"h5">&gt; The timefactor did not work well for=
 me.<br>
&gt; Lots of pops, clicks, strange artifacts at loops<br>
&gt; ends/beginning. Supposedly they are going to fix it in a<br>
&gt; future update but when asked about it eventide said there is<br>
&gt; no release date for an update. This was 5-6 months ago so<br>
&gt; maybe they have updated it by now. There is a long thread on<br>
&gt; eventide&#39;s forums about the problems with the looper<br>
&gt; function.<br>
&gt;<br>
&gt;<br>
&gt; On Tue, May 26, 2009 at 12:50 AM,<br>
&gt; L.Angulo &lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.co=
m</a>&gt;<br>
&gt; wrote:<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; Ariel the eventide timefactor has a little 12 sec. looper<br>
&gt; with a replace function plus speed rate shifting<br>
&gt;<br>
&gt; check it out<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; <a href=3D"http://www.eventide.com/AudioDivision/Products/StompBoxes/T=
imeFactor.aspx" target=3D"_blank">http://www.eventide.com/AudioDivision/Pro=
ducts/StompBoxes/TimeFactor.aspx</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; the stomp switches arent the most silent ones but its<br>
&gt; allright<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www=
.myspace.com/luisangulocom</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --- Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gmai=
l.com</a>&gt;<br>
&gt; schrieb am Mo, 25.5.2009:<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; &gt; Von: Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzeza=
k@gmail.com</a>&gt;<br>
&gt;<br>
&gt; &gt; Betreff: Punch-In silence<br>
&gt;<br>
&gt; &gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper=
s-Delight@loopers-delight.com</a><br>
&gt;<br>
&gt; &gt; Datum: Montag, 25. Mai 2009, 21:37<br>
&gt;<br>
&gt; &gt; People,<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; is there a PEDAL looper capable of punching in<br>
&gt; silence? a<br>
&gt;<br>
&gt; &gt; function like substitute would do the trick of<br>
&gt; course.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; I know the Echoplex but it&#39;s impossible to find<br>
&gt; one here in<br>
&gt;<br>
&gt; &gt; Argentina.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; thank you very much.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; very best, ariel.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br></div>

--00504502e501779af1046ad9f3e3--

From Loopers-Delight-request@loopers-delight.com  Wed May 27 00:32:07 2009
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Date: Wed, 27 May 2009 00:32:05 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Welcome Hauke, to the live looping community
To: Loopers-Delight@loopers-delight.com
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Rick tell Chris the tracks sound killer!
by the way ive been trying to get into old 70s multitrack cassette record p=
layers that have that sound,i started on an 80s fostex but lacked this type=
 of flutter
any recomendations? if u see one in ebay that you have experience with send=
 me a link !

Luis


www.myspace.com/luisangulocom


--- Rick Walker <looppool@cruzio.com> schrieb am Mo, 25.5.2009:

> Von: Rick Walker <looppool@cruzio.com>
> Betreff: Welcome Hauke, to the live looping community
> An: info@franticworld.d, "LOOPERS DELIGHT (posting)" <Loopers-Delight@loo=
pers-delight.com>
> Datum: Montag, 25. Mai 2009, 18:49
> Hi Hauke,
>=20
> Welcome to the list.=A0 I'd love to contribute some
> stuff.
>=20
> I love lo fi pop and am working on some material like that
> as we speak.
>=20
> You might also really enjoy my wife,=A0 Christine
> Wedertz's=A0 work, by the way. She's making an entire lo
> fi pop record right now, playing all the instruments,
> recording and producing by herself.
>=20
> She's at=A0
> =A0=A0=A0www.myspace.com/donebeginner
>=20
> her first four tracks are up there.=A0 She used an old
> seventies cassette recorder to record her vocals.
> It has terrible wow and flutter..........it sounds great.
>=20
>=20
>=20
> Anyway,=A0 I produce the world's largest live looping
> festival every year in Northern California in the third week
> of October.
>=20
> This year, the Y2K9 International Live Looping Festival
> will feature 50-55 artists from 5-10 countries in
> 6 days in 4 cities.=20
> If you put a live project together using live
> looping,=A0 I'd love to encourage you to apply to
> perform.
>=20
> Applications will be accepted after the 1st of August (and
> not before) by sending
> an email with this in the subject line:
>=20
> Y2K9 SUBMISSION:=A0 =A0 (your name here)(your country
> of residence)
> and all your contact information in the body of the email
>=20
> You can send that to
>=20
> looppool (at)=A0 cruzio=A0 (dot)=A0 com
>=20
> Welcome to the list and we look forward to hearing your
> creativity.
>=20
> yours, in the loop,
> Rick Walker
> www.looppool.info/bio.htmlWe
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 27 00:59:10 2009
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Date: Wed, 27 May 2009 00:59:08 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Punch-In silence
To: Loopers-Delight@loopers-delight.com
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claro q si Ariel!
puedes alterar ambos- comienzo y final del loop manualmente o con el pedal =
d expresion al igual q el el pitch=20
y el sonido de los delays es lo mejor q he escuchado! aunque me gusta mas e=
l sonido del delay filtro de el DL4
tiene la ventaja tambien q es midi asi q puedes sincronizarlo ritmicamente =
con otros o acesar todos los programas con un controlador midi
lo q todavia le falta es q no puedes incluir los delays en el loop,y el loo=
p tambien no syncroniza bien via midi si lo controlas con una caja de ritmo=
,he estado tratando de hacer esto con mi adrenalinn III sin suerte;-(
todavia no he hecho grabaciones propias utilizando la funcion "replace" has=
ta ahora he usado solo sus delays con mi guitarra acoustica y los loops con=
 mi echoplex
aqui me puedes ver usandolo y escuchar brevemente el sonido del vintage del=
ay mi preferido!(para la voz utilize el DL4;-)
t lo recomiendo!

http://www.youtube.com/watch?v=3DjFrZ1hEFkOA

saludos

Luis






--- Ariel Rzezak <arzezak@gmail.com> schrieb am Di, 26.5.2009:

> Von: Ariel Rzezak <arzezak@gmail.com>
> Betreff: Re: Punch-In silence
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 26. Mai 2009, 17:30
> Wow!=A0
> i=B4ve just seen you can alter the start and end
> points of the loop.
> that=B4s attractive!
> regarding the pitch, can you alter that with a
> knob like in the old pds8000 or the memory man hazarai? i
> mean, pitch and rate together.=A0
>=20
> i cant seem to fing any demo of the replace
> function. do you have an audio clip using that?
> mil gracias luis!
>=20
> On Tue, May 26, 2009 at 9:08 PM,
> L.Angulo <labaloops@yahoo.com>
> wrote:
>=20
>=20
>=20
> no problem with the eventides looper for me at all after
> upgrading to the lates o.s. SW!
>=20
>=20
>=20
> www.myspace.com/luisangulocom
>=20
>=20
>=20
>=20
>=20
> --- Todd Matthews <gtmatthews@gmail.com>
> schrieb am Di, 26.5.2009:
>=20
>=20
>=20
> > Von: Todd Matthews <gtmatthews@gmail.com>
>=20
> > Betreff: Re: Punch-In silence
>=20
> > An: Loopers-Delight@loopers-delight.com
>=20
> > Datum: Dienstag, 26. Mai 2009, 4:37
>=20
> > The timefactor did not
> work well for me.
>=20
> > Lots of pops, clicks, strange artifacts at loops
>=20
> > ends/beginning. Supposedly they are going to fix it in
> a
>=20
> > future update but when asked about it eventide said
> there is
>=20
> > no release date for an update. This was 5-6 months ago
> so
>=20
> > maybe they have updated it by now. There is a long
> thread on
>=20
> > eventide's forums about the problems with the
> looper
>=20
> > function.
>=20
> >
>=20
> >
>=20
> > On Tue, May 26, 2009 at 12:50 AM,
>=20
> > L.Angulo <labaloops@yahoo.com>
>=20
> > wrote:
>=20
> >
>=20
> >
>=20
> >
>=20
> > Ariel the eventide timefactor has a little 12 sec.
> looper
>=20
> > with a replace function plus speed rate shifting
>=20
> >
>=20
> > check it out
>=20
> >
>=20
> >
>=20
> >
>=20
> > http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.as=
px
>=20
> >
>=20
> >
>=20
> >
>=20
> > the stomp switches arent the most silent ones but its
>=20
> > allright
>=20
> >
>=20
> >
>=20
> >
>=20
> > www.myspace.com/luisangulocom
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> > --- Ariel Rzezak <arzezak@gmail.com>
>=20
> > schrieb am Mo, 25.5.2009:
>=20
> >
>=20
> >
>=20
> >
>=20
> > > Von: Ariel Rzezak <arzezak@gmail.com>
>=20
> >
>=20
> > > Betreff: Punch-In silence
>=20
> >
>=20
> > > An: Loopers-Delight@loopers-delight.com
>=20
> >
>=20
> > > Datum: Montag, 25. Mai 2009, 21:37
>=20
> >
>=20
> > > People,
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > is there a PEDAL looper capable of punching in
>=20
> > silence? a
>=20
> >
>=20
> > > function like substitute would do the trick of
>=20
> > course.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > I know the Echoplex but it's impossible to
> find
>=20
> > one here in
>=20
> >
>=20
> > > Argentina.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > thank you very much.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > very best, ariel.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 27 01:28:51 2009
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	 <01d001c9dd1d$e6b15060$0201a8c0@Toshiba>
Date: Tue, 26 May 2009 18:28:49 -0700
Message-ID: <c70e517b0905261828s401b219dq4ec56698ad184a98@mail.gmail.com>
Subject: Re: New "Rigs" videos featuring Thomas Dimuzio
From: Matt Davignon <mattdavignon@gmail.com>
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I was all:
>> I just uploaded a series of 4 new "Rigs" videos, this time featuring
>> Thomas Dimuzio and his unique sampler/feedback setup.

and Christo Jota was like:
> It is noise! Is it art ?

Yup - Tom's a noise musician. In the genre "noise music", the focus is
on developing loud, chunky, saturated, often abrasive sounds. When
done well, it can be a refreshing head-cleaner, or a stimulating
physical presence of sound. Live sets in this genre tend to be
blissfully short - like 10-15 minutes. The musicians come in, say what
they have to say, and get out. In the field Thomas is considered to be
very good at what he does. He's more ambient than most harsh noise -
longer form reverby sounds with a lot of gradually shifting textures.

The Rigs videos will not all be noise musicians, but they'll all be
folks who have unusual approaches to making music.

btw...here's a video of my most recent gig, in which I try to play a
harsh noise set. The sounds in the beginning are very typical harsh
noise (except they're usually faster and less organized). I'm happy
with the stuff that starts at around 4:30. Lots of fun playing with
the clipping of the room's speakers.
http://www.youtube.com/watch?v=qCldC4rZDiw

Matt Davignon
www.ribosomemusic.com

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Date: Tue, 26 May 2009 22:35:51 -0300
Message-ID: <7bf141790905261835g23f92c75n1049088a4b293b19@mail.gmail.com>
Subject: Re: Punch-In silence
From: Ariel Rzezak <arzezak@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Beautiful clip luis!
Nice sounding delay indeed!

lo que te preguntaba sobre cambiar el pitch y rate era no en si como en el
DL4 que cambia inmediatamente al doble o la mitad sino si esto se puede
hacer progresivamente.

thanks!

On Tue, May 26, 2009 at 9:59 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> claro q si Ariel!
> puedes alterar ambos- comienzo y final del loop manualmente o con el peda=
l
> d expresion al igual q el el pitch
> y el sonido de los delays es lo mejor q he escuchado! aunque me gusta mas
> el sonido del delay filtro de el DL4
> tiene la ventaja tambien q es midi asi q puedes sincronizarlo ritmicament=
e
> con otros o acesar todos los programas con un controlador midi
> lo q todavia le falta es q no puedes incluir los delays en el loop,y el
> loop tambien no syncroniza bien via midi si lo controlas con una caja de
> ritmo,he estado tratando de hacer esto con mi adrenalinn III sin suerte;-=
(
> todavia no he hecho grabaciones propias utilizando la funcion "replace"
> hasta ahora he usado solo sus delays con mi guitarra acoustica y los loop=
s
> con mi echoplex
> aqui me puedes ver usandolo y escuchar brevemente el sonido del vintage
> delay mi preferido!(para la voz utilize el DL4;-)
> t lo recomiendo!
>
> http://www.youtube.com/watch?v=3DjFrZ1hEFkOA
>
> saludos
>
> Luis
>
>
>
>
>
>
> --- Ariel Rzezak <arzezak@gmail.com> schrieb am Di, 26.5.2009:
>
> > Von: Ariel Rzezak <arzezak@gmail.com>
> > Betreff: Re: Punch-In silence
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Dienstag, 26. Mai 2009, 17:30
> > Wow!
> > i=B4ve just seen you can alter the start and end
> > points of the loop.
> > that=B4s attractive!
> > regarding the pitch, can you alter that with a
> > knob like in the old pds8000 or the memory man hazarai? i
> > mean, pitch and rate together.
> >
> > i cant seem to fing any demo of the replace
> > function. do you have an audio clip using that?
> > mil gracias luis!
> >
> > On Tue, May 26, 2009 at 9:08 PM,
> > L.Angulo <labaloops@yahoo.com>
> > wrote:
> >
> >
> >
> > no problem with the eventides looper for me at all after
> > upgrading to the lates o.s. SW!
> >
> >
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> >
> > --- Todd Matthews <gtmatthews@gmail.com>
> > schrieb am Di, 26.5.2009:
> >
> >
> >
> > > Von: Todd Matthews <gtmatthews@gmail.com>
> >
> > > Betreff: Re: Punch-In silence
> >
> > > An: Loopers-Delight@loopers-delight.com
> >
> > > Datum: Dienstag, 26. Mai 2009, 4:37
> >
> > > The timefactor did not
> > work well for me.
> >
> > > Lots of pops, clicks, strange artifacts at loops
> >
> > > ends/beginning. Supposedly they are going to fix it in
> > a
> >
> > > future update but when asked about it eventide said
> > there is
> >
> > > no release date for an update. This was 5-6 months ago
> > so
> >
> > > maybe they have updated it by now. There is a long
> > thread on
> >
> > > eventide's forums about the problems with the
> > looper
> >
> > > function.
> >
> > >
> >
> > >
> >
> > > On Tue, May 26, 2009 at 12:50 AM,
> >
> > > L.Angulo <labaloops@yahoo.com>
> >
> > > wrote:
> >
> > >
> >
> > >
> >
> > >
> >
> > > Ariel the eventide timefactor has a little 12 sec.
> > looper
> >
> > > with a replace function plus speed rate shifting
> >
> > >
> >
> > > check it out
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.aspx
> >
> > >
> >
> > >
> >
> > >
> >
> > > the stomp switches arent the most silent ones but its
> >
> > > allright
> >
> > >
> >
> > >
> >
> > >
> >
> > > www.myspace.com/luisangulocom
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > > --- Ariel Rzezak <arzezak@gmail.com>
> >
> > > schrieb am Mo, 25.5.2009:
> >
> > >
> >
> > >
> >
> > >
> >
> > > > Von: Ariel Rzezak <arzezak@gmail.com>
> >
> > >
> >
> > > > Betreff: Punch-In silence
> >
> > >
> >
> > > > An: Loopers-Delight@loopers-delight.com
> >
> > >
> >
> > > > Datum: Montag, 25. Mai 2009, 21:37
> >
> > >
> >
> > > > People,
> >
> > >
> >
> > > >
> >
> > >
> >
> > > > is there a PEDAL looper capable of punching in
> >
> > > silence? a
> >
> > >
> >
> > > > function like substitute would do the trick of
> >
> > > course.
> >
> > >
> >
> > > >
> >
> > >
> >
> > > > I know the Echoplex but it's impossible to
> > find
> >
> > > one here in
> >
> > >
> >
> > > > Argentina.
> >
> > >
> >
> > > >
> >
> > >
> >
> > > > thank you very much.
> >
> > >
> >
> > > >
> >
> > >
> >
> > > > very best, ariel.
> >
> > >
> >
> > > >
> >
> > >
> >
> > > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>
>
>
>

--001636c5b8ef12a415046adaddd7
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Beautiful clip luis!<div><br></div><div>Nice sounding delay indeed!<br><div=
><br></div><div>lo que te preguntaba sobre cambiar el pitch y rate era no e=
n si como en el DL4 que cambia inmediatamente al doble o la mitad sino si e=
sto se puede hacer progresivamente.=A0</div>
<div><br></div><div>thanks!</div><div><br><div class=3D"gmail_quote">On Tue=
, May 26, 2009 at 9:59 PM, L.Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto=
:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc s=
olid;padding-left:1ex;">
<br>
claro q si Ariel!<br>
puedes alterar ambos- comienzo y final del loop manualmente o con el pedal =
d expresion al igual q el el pitch<br>
y el sonido de los delays es lo mejor q he escuchado! aunque me gusta mas e=
l sonido del delay filtro de el DL4<br>
tiene la ventaja tambien q es midi asi q puedes sincronizarlo ritmicamente =
con otros o acesar todos los programas con un controlador midi<br>
lo q todavia le falta es q no puedes incluir los delays en el loop,y el loo=
p tambien no syncroniza bien via midi si lo controlas con una caja de ritmo=
,he estado tratando de hacer esto con mi adrenalinn III sin suerte;-(<br>

todavia no he hecho grabaciones propias utilizando la funcion &quot;replace=
&quot; hasta ahora he usado solo sus delays con mi guitarra acoustica y los=
 loops con mi echoplex<br>
aqui me puedes ver usandolo y escuchar brevemente el sonido del vintage del=
ay mi preferido!(para la voz utilize el DL4;-)<br>
t lo recomiendo!<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DjFrZ1hEFkOA" target=3D"_blank">=
http://www.youtube.com/watch?v=3DjFrZ1hEFkOA</a><br>
<br>
saludos<br>
<br>
Luis<br>
<br>
<br>
<br>
<br>
<br>
<br>
--- Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com=
</a>&gt; schrieb am Di, 26.5.2009:<br>
<div class=3D"im"><br>
&gt; Von: Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak@gma=
il.com</a>&gt;<br>
</div><div class=3D"im">&gt; Betreff: Re: Punch-In silence<br>
&gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
</div>&gt; Datum: Dienstag, 26. Mai 2009, 17:30<br>
<div><div></div><div class=3D"h5">&gt; Wow!=A0<br>
&gt; i=B4ve just seen you can alter the start and end<br>
&gt; points of the loop.<br>
&gt; that=B4s attractive!<br>
&gt; regarding the pitch, can you alter that with a<br>
&gt; knob like in the old pds8000 or the memory man hazarai? i<br>
&gt; mean, pitch and rate together.=A0<br>
&gt;<br>
&gt; i cant seem to fing any demo of the replace<br>
&gt; function. do you have an audio clip using that?<br>
&gt; mil gracias luis!<br>
&gt;<br>
&gt; On Tue, May 26, 2009 at 9:08 PM,<br>
&gt; L.Angulo &lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.co=
m</a>&gt;<br>
&gt; wrote:<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; no problem with the eventides looper for me at all after<br>
&gt; upgrading to the lates o.s. SW!<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www=
.myspace.com/luisangulocom</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --- Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthe=
ws@gmail.com</a>&gt;<br>
&gt; schrieb am Di, 26.5.2009:<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; &gt; Von: Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gt=
matthews@gmail.com</a>&gt;<br>
&gt;<br>
&gt; &gt; Betreff: Re: Punch-In silence<br>
&gt;<br>
&gt; &gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper=
s-Delight@loopers-delight.com</a><br>
&gt;<br>
&gt; &gt; Datum: Dienstag, 26. Mai 2009, 4:37<br>
&gt;<br>
&gt; &gt; The timefactor did not<br>
&gt; work well for me.<br>
&gt;<br>
&gt; &gt; Lots of pops, clicks, strange artifacts at loops<br>
&gt;<br>
&gt; &gt; ends/beginning. Supposedly they are going to fix it in<br>
&gt; a<br>
&gt;<br>
&gt; &gt; future update but when asked about it eventide said<br>
&gt; there is<br>
&gt;<br>
&gt; &gt; no release date for an update. This was 5-6 months ago<br>
&gt; so<br>
&gt;<br>
&gt; &gt; maybe they have updated it by now. There is a long<br>
&gt; thread on<br>
&gt;<br>
&gt; &gt; eventide&#39;s forums about the problems with the<br>
&gt; looper<br>
&gt;<br>
&gt; &gt; function.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; On Tue, May 26, 2009 at 12:50 AM,<br>
&gt;<br>
&gt; &gt; L.Angulo &lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yah=
oo.com</a>&gt;<br>
&gt;<br>
&gt; &gt; wrote:<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; Ariel the eventide timefactor has a little 12 sec.<br>
&gt; looper<br>
&gt;<br>
&gt; &gt; with a replace function plus speed rate shifting<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; check it out<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; <a href=3D"http://www.eventide.com/AudioDivision/Products/StompBo=
xes/TimeFactor.aspx" target=3D"_blank">http://www.eventide.com/AudioDivisio=
n/Products/StompBoxes/TimeFactor.aspx</a><br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; the stomp switches arent the most silent ones but its<br>
&gt;<br>
&gt; &gt; allright<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank=
">www.myspace.com/luisangulocom</a><br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; --- Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">arzezak=
@gmail.com</a>&gt;<br>
&gt;<br>
&gt; &gt; schrieb am Mo, 25.5.2009:<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; Von: Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">a=
rzezak@gmail.com</a>&gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; Betreff: Punch-In silence<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">L=
oopers-Delight@loopers-delight.com</a><br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; Datum: Montag, 25. Mai 2009, 21:37<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; People,<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; is there a PEDAL looper capable of punching in<br>
&gt;<br>
&gt; &gt; silence? a<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; function like substitute would do the trick of<br>
&gt;<br>
&gt; &gt; course.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; I know the Echoplex but it&#39;s impossible to<br>
&gt; find<br>
&gt;<br>
&gt; &gt; one here in<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; Argentina.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; thank you very much.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt; very best, ariel.<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br></div></div>

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Subject: My Alarm Clock
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Listen at
http://www.ubetoo.com/Index.taf?_PageId=14758&Title=My-Alarm-Clock&Artist=Warren-Sirotafor
a truly trillin' experience.

--001636283c2a597e44046adb593a
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Listen at <a href="http://www.ubetoo.com/Index.taf?_PageId=14758&amp;Title=My-Alarm-Clock&amp;Artist=Warren-Sirota">http://www.ubetoo.com/Index.taf?_PageId=14758&amp;Title=My-Alarm-Clock&amp;Artist=Warren-Sirota</a> for a truly trillin&#39; experience.<br>

--001636283c2a597e44046adb593a--

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Date: Tue, 26 May 2009 23:19:08 -0300
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i've been using an RC-50 for a year now. set it up with a number of looped
song sections and also used it for looping on the fly. the drum patterns are
varied but there's no option to add fill patterns. Nevertheless, if i'm
stuck with the RC's patterns, the challenge is to create loops and play play
over them and 'do things' creative enough to render the repetitive pattern
less obvious in the blend - so it takes a backseat to the riffing and simply
supports If i'd known it only liked to master in a MIDI connect to my drum
machine, I probably would have bought anyway on the Ebay auction. I
mentioned this before on list when i was asking for advice on trying to sych
my DR 670 with the 670 as master, the RC-50 unlike many drum machines uses
tempo settings which can be set wiht 10th intervals (ie.
120.0,120.1,120.3.....and so on). The drum machines i've seen stick to whole
number tempo settings and i wonder whether this difference in tempo setting
has anything to do with the problem of syching the RC to external devices
via MIDI. Either way, it likes to be in the MIDI driver's seat.
  If ever a truism held with me about the RC-50 or any other looper, it's
'garbage in - garbage out' for these multi-tracks on the floor. So, I figure
it's wise to just use it to it's capacity and play to it's strengths vs
complain about what it can't do.  as an aside - before i bought the RC-50 I
came across Jonny Wright's youtube video and i'll let that speak for itself
interms of the RC-50's value within live performing. here's the link
http://www.youtube.com/watch?v=paYvTKVTzU8 .

cheers from east coast Canada,
Mike

-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com]
Sent: May 26, 2009 8:53 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 Impressions



isnt it possible to import your own drum loops as wav files though? thought
i read something about that...

> > I find the drum patterns to be kind of "hokey". 
> I have, at times, run the drum track out of the AUX output
> to a small floor monitor to use as a click track,
> though.  I wish it had a simple click setting.
>
> I've seen it work fine for beatboxing.
>
> Really, I hope anyone who has this unit can get the best
> out of it.
>
> andy

check out Rico Loop he is one dude getting really the most out of it!

http://www.youtube.com/watch?v=rOvc3MwHyDM&feature=related





From Loopers-Delight-request@loopers-delight.com  Wed May 27 03:14:42 2009
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Subject: Re: Punch-In silence
Date: Wed, 27 May 2009 00:14:37 -0300
References: <c70e517b0905241416y17bcd2d0h597bb87a7a6e8428@mail.gmail.com> <95ACC287-8C8D-4871-A8A1-FC6DFEF9394E@gmail.com> <4A1BA8B9.4080809@tiscali.co.uk>
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Andy, i understand you meant "very short" now.

i've been reading the stereo memory man manual and cant find anything  
about replacing existing audio altthoug i've read about the minimum of  
half a second for the looper to "understand" the switchings.

can you explain a little bit about how you do the "silence" punch ins  
with the hazarai.
do you have any audio examples of this?

sorry for the questions but this will define my next purchase.

thank you very much, ariel.

On May 26, 2009, at 5:30 AM, andy butler wrote:

> Electro Harmonix Stereo Memory Man ( but not v.short punch ins, it'll
> identify those as tap tempo).
>
> Boss RC-50 has a specific "Overdub Mode" for this.
> ...but everybody hates it :-)
>
> andy butler
>
>
> Ariel Rzezak wrote:
>> People,
>> is there a PEDAL looper capable of punching in silence? a function  
>> like substitute would do the trick of course.
>> I know the Echoplex but it's impossible to find one here in  
>> Argentina.
>> thank you very much.
>> very best, ariel.
>

From Loopers-Delight-request@loopers-delight.com  Wed May 27 03:44:06 2009
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Date: Tue, 26 May 2009 23:27:57 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Two new videos on You Tube
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I've posted two video pieces taken from a recent live performance 
with I did with a serendipitous revival of The Leap of Faith Trio, 
Leap of Faith was a long term project  (usually a trio) with Glynis 
Lomon, cello and vocals, and Dave Peck, reeds. For this set, Glynis 
and Dave were joined by myself on video mixing and Noam Senders, 
percussion, neys, and vocals.

A lot of the imagery used in Industrial Song comes from subject 
matter that is not normally thought of as 'beautiful'. The same holds 
for a lot of the timbres that Leap of Faith uses in their music. We 
are all interested in exploring the beauty to be found in unlikely 
places -- be it junk by the railroad tracks or audio textures created 
by extended musical technique.

http://www.youtube.com/watch?v=-L8-0YHD9Sc

Abstract Journey is an excerpt from the same live performance -- The 
video is derived from images taken of many different subjects, and 
includes many images of flowers and birds, transformed to match the 
abstraction of the musical improvisations

http://www.youtube.com/watch?v=7OkcJgwbq2w

BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Wed May 27 04:09:39 2009
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Date: Wed, 27 May 2009 00:09:37 -0400
Message-ID: <9e0440a60905262109y4a0d12ebr91c45e3ee775faef@mail.gmail.com>
Subject: Re: My Alarm Clock
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b6da017908046add03e2
Content-Type: text/plain; charset=ISO-8859-1
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Warren that's really neat - love the texture modulation from the ornate at
beginning and moving towards more dense in the end.  Do you wake to it?
Jim

On Tue, May 26, 2009 at 10:10 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> Listen at
> http://www.ubetoo.com/Index.taf?_PageId=14758&Title=My-Alarm-Clock&Artist=Warren-Sirotafor a truly trillin' experience.
>



-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b6da017908046add03e2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Warren that&#39;s really neat - love the texture modulation from the ornate=
 at beginning and moving towards more dense in the end. =A0Do you wake to i=
t?<div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Tue, May 26,=
 2009 at 10:10 PM, Warren Sirota <span dir=3D"ltr">&lt;<a href=3D"mailto:ws=
irota@wsdesigns.com">wsirota@wsdesigns.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Listen at <a href=3D"http://www.ubetoo.com/=
Index.taf?_PageId=3D14758&amp;Title=3DMy-Alarm-Clock&amp;Artist=3DWarren-Si=
rota" target=3D"_blank">http://www.ubetoo.com/Index.taf?_PageId=3D14758&amp=
;Title=3DMy-Alarm-Clock&amp;Artist=3DWarren-Sirota</a> for a truly trillin&=
#39; experience.<br>

</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural journey coming soon...<br><br>music links...<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5b6da017908046add03e2--

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Date: Wed, 27 May 2009 04:52:58 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Punch-In silence
To: Loopers-Delight@loopers-delight.com
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Gracias Ariel,si hay presets para el cambio de  pitch y rate, por ejemplo c=
romatico,5ths,7ths etc.
la verdad q tengo q explorarlo mas yo eso tambien,por ahora estoy muy ocupa=
do con el looper gratis mobius;-)
saludos
Luis


www.myspace.com/luisangulocom


--- Ariel Rzezak <arzezak@gmail.com> schrieb am Di, 26.5.2009:

> Von: Ariel Rzezak <arzezak@gmail.com>
> Betreff: Re: Punch-In silence
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 26. Mai 2009, 18:35
> Beautiful clip luis!
> Nice sounding delay indeed!
>=20
> lo que te preguntaba sobre cambiar el pitch y
> rate era no en si como en el DL4 que cambia inmediatamente
> al doble o la mitad sino si esto se puede hacer
> progresivamente.=A0
>=20
> thanks!
> On Tue, May 26, 2009 at 9:59 PM,
> L.Angulo <labaloops@yahoo.com>
> wrote:
>=20
>=20
>=20
> claro q si Ariel!
>=20
> puedes alterar ambos- comienzo y final del loop manualmente
> o con el pedal d expresion al igual q el el pitch
>=20
> y el sonido de los delays es lo mejor q he escuchado!
> aunque me gusta mas el sonido del delay filtro de el DL4
>=20
> tiene la ventaja tambien q es midi asi q puedes
> sincronizarlo ritmicamente con otros o acesar todos los
> programas con un controlador midi
>=20
> lo q todavia le falta es q no puedes incluir los delays en
> el loop,y el loop tambien no syncroniza bien via midi si lo
> controlas con una caja de ritmo,he estado tratando de hacer
> esto con mi adrenalinn III sin suerte;-(
>=20
>=20
> todavia no he hecho grabaciones propias utilizando la
> funcion "replace" hasta ahora he usado solo sus
> delays con mi guitarra acoustica y los loops con mi
> echoplex
>=20
> aqui me puedes ver usandolo y escuchar brevemente el sonido
> del vintage delay mi preferido!(para la voz utilize el
> DL4;-)
>=20
> t lo recomiendo!
>=20
>=20
>=20
> http://www.youtube.com/watch?v=3DjFrZ1hEFkOA
>=20
>=20
>=20
> saludos
>=20
>=20
>=20
> Luis
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> --- Ariel Rzezak <arzezak@gmail.com>
> schrieb am Di, 26.5.2009:
>=20
>=20
>=20
> > Von: Ariel Rzezak <arzezak@gmail.com>
>=20
> > Betreff: Re: Punch-In silence
>=20
> > An: Loopers-Delight@loopers-delight.com
>=20
> > Datum: Dienstag, 26. Mai 2009, 17:30
>=20
> > Wow!=A0
>=20
> > i=B4ve just seen you can alter the start and end
>=20
> > points of the loop.
>=20
> > that=B4s attractive!
>=20
> > regarding the pitch, can you alter that with a
>=20
> > knob like in the old pds8000 or the memory man
> hazarai? i
>=20
> > mean, pitch and rate together.=A0
>=20
> >
>=20
> > i cant seem to fing any demo of the replace
>=20
> > function. do you have an audio clip using that?
>=20
> > mil gracias luis!
>=20
> >
>=20
> > On Tue, May 26, 2009 at 9:08 PM,
>=20
> > L.Angulo <labaloops@yahoo.com>
>=20
> > wrote:
>=20
> >
>=20
> >
>=20
> >
>=20
> > no problem with the eventides looper for me at all
> after
>=20
> > upgrading to the lates o.s. SW!
>=20
> >
>=20
> >
>=20
> >
>=20
> > www.myspace.com/luisangulocom
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> > --- Todd Matthews <gtmatthews@gmail.com>
>=20
> > schrieb am Di, 26.5.2009:
>=20
> >
>=20
> >
>=20
> >
>=20
> > > Von: Todd Matthews <gtmatthews@gmail.com>
>=20
> >
>=20
> > > Betreff: Re: Punch-In silence
>=20
> >
>=20
> > > An: Loopers-Delight@loopers-delight.com
>=20
> >
>=20
> > > Datum: Dienstag, 26. Mai 2009, 4:37
>=20
> >
>=20
> > > The timefactor did not
>=20
> > work well for me.
>=20
> >
>=20
> > > Lots of pops, clicks, strange artifacts at loops
>=20
> >
>=20
> > > ends/beginning. Supposedly they are going to fix
> it in
>=20
> > a
>=20
> >
>=20
> > > future update but when asked about it eventide
> said
>=20
> > there is
>=20
> >
>=20
> > > no release date for an update. This was 5-6
> months ago
>=20
> > so
>=20
> >
>=20
> > > maybe they have updated it by now. There is a
> long
>=20
> > thread on
>=20
> >
>=20
> > > eventide's forums about the problems with
> the
>=20
> > looper
>=20
> >
>=20
> > > function.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > On Tue, May 26, 2009 at 12:50 AM,
>=20
> >
>=20
> > > L.Angulo <labaloops@yahoo.com>
>=20
> >
>=20
> > > wrote:
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > Ariel the eventide timefactor has a little 12
> sec.
>=20
> > looper
>=20
> >
>=20
> > > with a replace function plus speed rate shifting
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > check it out
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > http://www.eventide.com/AudioDivision/Products/StompBoxes/TimeFactor.=
aspx
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > the stomp switches arent the most silent ones but
> its
>=20
> >
>=20
> > > allright
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > www.myspace.com/luisangulocom
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > --- Ariel Rzezak <arzezak@gmail.com>
>=20
> >
>=20
> > > schrieb am Mo, 25.5.2009:
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > Von: Ariel Rzezak <arzezak@gmail.com>
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > Betreff: Punch-In silence
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > An: Loopers-Delight@loopers-delight.com
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > Datum: Montag, 25. Mai 2009, 21:37
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > People,
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > is there a PEDAL looper capable of punching
> in
>=20
> >
>=20
> > > silence? a
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > function like substitute would do the trick
> of
>=20
> >
>=20
> > > course.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > I know the Echoplex but it's impossible
> to
>=20
> > find
>=20
> >
>=20
> > > one here in
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > Argentina.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > thank you very much.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > > very best, ariel.
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> > >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
> >
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 27 05:26:11 2009
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Subject: Re: new Improvizone videos
From: Os <os@collective.co.uk>
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yes, that's the plan!


os.


2009/5/27 Sjaak <tcplugin@scarlet.be>:
>> it's the EWI USB, driving the bundled sample player, through
>> a variety of effects.
>
> Sounds cool. Do you bring it to Antwerp?
>
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/ ** Ambient, experimental, live looping,
> soundscapes, improvisation, found sound, drones ** May 30 2009,
> Arenbergschouwburg Antwerp
>
>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From bhccompensationprogram8@msn.com  Wed May 27 06:10:41 2009
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From: ROBERT DEWAR <bhccompensationprogram8@msn.com>
Subject: YOUR SCAM COMPENSATION (CONTACT THE COMMISSION QUICKLY)
Date: Wed, 27 May 2009 06:04:57 +0000
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--_8a63ee94-2aef-41ff-a7d7-7b4d1c48b20b_
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BRITISH=20
HIGH COMMISSION
Dangote=20
House=2C
Aguyi Ironsi Street=2C
Maitama=20
District=2C Abuja.
TEL:  +234 (7)=20
034 975=20
203.
E-mail:=20
scam_notice_1@sify.com



ATTENTION=3B=20



The British=20
High Commission in Nigeria=2C Benin Republic=2C Ghana and Burkina Faso=2C S=
outh Africa=2C Togo=2C Senegal in=20
collaboration with UK (London) Anti-Crime Squad received a report of scam=20
against you and other British/US citizens and Malaysia=2CEtc.whom the count=
ry of=20
Nigeria/Benin=2C Burkina Faso=2C Ghana And UK (London) Anti-Crime Squad hav=
e=20
recompensed you due to meeting held with Four countries Government and the =
world=20
high commissions against fraud activities by the Four country=20
Citizens.

Your name was among those scammed as listed by the Nigeria=20
Financial Intelligent Unit (NFIU). A re compensation has been issued out in=
=20
ATM DEBIT CARD to=20
all the affected victims and has been already in distribution to all the=20
bearers. Your ATM CARD was among those that was reported undelivered as at =
last=20
Friday and we wish to advise you to see to the instructions of the Committe=
e to=20
make sure you receives your ATM CARD immediately for your usage.

NFIU=20
further told us that the use of Nigeria Couriers and the Benin was abolishe=
d due=20
to interception activities noticed in the above mentioned courier services =
in=20
Benin=2CNigeria and Ghana and thereby have made a=20
concrete arrangement with the DHL Courier Company for a safe delivery=20
to your door-step once the beneficiary meets up the demand of the=20
conveyance.

We advise that you do the needful to make sure the NFIU=20
dispatches your recompense on Friday. You are assured of the safety of your=
 ATM=20
CARD and availability and be advised that you should stop further contacts =
with=20
all the fake lawyers and security companies who in collaboration scammed=20
you.

Call me at: +234 (8) 060 012 073=2Cimmediately to check if the=20
delivery date suits you. You are advised to send also your direct mobile or=
=20
telephone number for easier communication.
You are to contact directly the=20
office of the Consular at:=20
=20
britishcommission_uc@mail2robert.com

In Service

Linda (Secretary)=

--_8a63ee94-2aef-41ff-a7d7-7b4d1c48b20b_
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<html>
<head>
<style>
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{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<div id=3D"EC_EC_yiv948792737"><strong><font style=3D"font-size: 12pt=3B" s=
ize=3D"3"><span class=3D"EC_EC_EC_yshortcuts"><span class=3D"EC_EC_yshortcu=
ts" id=3D"EC_EC_lw_1236159911_0"><span class=3D"EC_EC_yshortcuts" id=3D"EC_=
EC_lw_1237494166_0"><span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1237525=
292_0" style=3D"background: transparent none repeat scroll 0% 50%=3B cursor=
: pointer=3B -moz-background-clip: -moz-initial=3B -moz-background-origin: =
-moz-initial=3B -moz-background-inline-policy: -moz-initial=3B">BRITISH=20
HIGH COMMISSION</span></span></span></span></font><br>Dangote=20
House=2C</strong><br><strong>Aguyi Ironsi Street=2C</strong><br><strong>Mai=
tama=20
District=2C Abuja.</strong><br><strong></strong><strong>TEL:&nbsp=3B +234 (=
7)=20
</strong><b>034 975=20
203.<strong></strong></b><br><strong></strong><strong>E-mail:<span class=3D=
"EC_EC_yshortcuts" id=3D"EC_EC_lw_1236159911_1"><span class=3D"EC_EC_yshort=
cuts" id=3D"EC_EC_lw_1237494166_1"><span class=3D"EC_EC_yshortcuts" id=3D"E=
C_EC_lw_1237525292_1" style=3D"background: transparent none repeat scroll 0=
% 50%=3B cursor: pointer=3B -moz-background-clip: -moz-initial=3B -moz-back=
ground-origin: -moz-initial=3B -moz-background-inline-policy: -moz-initial=
=3B">=20
scam_notice_1@sify.com</span></span></span></strong><br><a style=3D"padding=
: 0px=3B" href=3D"http://ukinnigeria.fco.gov.uk/en/" target=3D"_blank" rel=
=3D"nofollow"><img title=3D" The British High Commission in Nigeria" style=
=3D"width: 395px=3B height: 61px=3B" alt=3D" The British High Commission in=
 Nigeria" src=3D"http://ukinnigeria.fco.gov.uk/resources/en/gif/page-furnit=
ure/logo.gif" width=3D"464" height=3D"58"></a><strong><span class=3D"EC_EC_=
EC_yshortcuts"><span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1236159911_0=
"></span></span></strong><br><strong><span class=3D"EC_EC_EC_yshortcuts"><s=
pan class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1236159911_0"></span></span><=
/strong><br><br><b>ATTENTION=3B=20
</b><br><br>
<div><b>The <span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_3" s=
tyle=3D"border-bottom: medium none=3B background: transparent none repeat s=
croll 0% 50%=3B -moz-background-clip: -moz-initial=3B -moz-background-origi=
n: -moz-initial=3B -moz-background-inline-policy: -moz-initial=3B"><span cl=
ass=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239962402_2" style=3D"border-botto=
m: medium none=3B background: transparent none repeat scroll 0% 50%=3B -moz=
-background-clip: -moz-initial=3B -moz-background-origin: -moz-initial=3B -=
moz-background-inline-policy: -moz-initial=3B">British=20
High Commission in Nigeria</span></span>=2C Benin Republic=2C<span class=3D=
"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_4"><span class=3D"EC_EC_yshort=
cuts" id=3D"EC_EC_lw_1239962402_3"> Ghana</span></span> and Burkina Faso=2C=
 <span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_5"><span class=
=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239962402_4">South Africa</span></spa=
n>=2C Togo=2C Senegal in=20
collaboration with UK (London) Anti-Crime Squad received a report of scam=20
against you and other British/US citizens and Malaysia=2CEtc.whom the count=
ry of=20
Nigeria/Benin=2C Burkina Faso=2C Ghana And UK (London) Anti-Crime Squad hav=
e=20
recompensed you due to meeting held with Four countries Government and the =
world=20
high commissions against fraud activities by the Four country=20
Citizens.<br><br>Your name was among those scammed as listed by the Nigeria=
=20
Financial Intelligent Unit (NFIU). A re compensation has been issued out in=
=20
<span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_6"><span class=
=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239962402_5">ATM DEBIT CARD</span></s=
pan> to=20
all the affected victims and has been already in distribution to all the=20
bearers. Your ATM CARD was among those that was reported undelivered as at =
last=20
Friday and we wish to advise you to see to the instructions of the Committe=
e to=20
make sure you receives your ATM CARD immediately for your usage.<br><br>NFI=
U=20
further told us that the use of Nigeria Couriers and the Benin was abolishe=
d due=20
to interception activities noticed in the above mentioned courier services =
in=20
<span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_7"><span class=
=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239962402_6" style=3D"background: tra=
nsparent none repeat scroll 0% 50%=3B -moz-background-clip: -moz-initial=3B=
 -moz-background-origin: -moz-initial=3B -moz-background-inline-policy: -mo=
z-initial=3B">Benin</span></span>=2C<span class=3D"EC_EC_yshortcuts" id=3D"=
EC_EC_lw_1239302108_8"><span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239=
962402_7">Nigeria</span></span> and Ghana and thereby have made a=20
concrete arrangement with the <span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_=
lw_1239302108_9"><span class=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239962402=
_8">DHL Courier Company</span></span> for a safe delivery=20
to your door-step once the beneficiary meets up the demand of the=20
conveyance.<br><br>We advise that you do the needful to make sure the NFIU=
=20
dispatches your recompense on Friday. You are assured of the safety of your=
 ATM=20
CARD and availability and be advised that you should stop further contacts =
with=20
all the fake lawyers and security companies who in collaboration scammed=20
you.<br><br>Call me at: +234 (8) 060 012 073=2Cimmediately to check if the=
=20
delivery date suits you. You are advised to send also your direct mobile or=
=20
telephone number for easier communication.<br>You are to contact directly t=
he=20
office of the Consular at: </b></div>
<div><b>&nbsp=3B</b></div>
<div><b><a href=3D"http://us.mc01g.mail.yahoo.com/mc/compose?to=3Dbritishco=
mmission_uc@mail2robert.com" target=3D"_blank" rel=3D"nofollow"><span class=
=3D"EC_EC_yshortcuts" id=3D"EC_EC_lw_1239302108_10"><font color=3D"#003399"=
>britishcommission_uc@mail2robert.com</font></span></a></b></div>
<div><b><br>In Service</b></div>
<div><b><br>Linda (Secretary)</b></div></div></body>
</html>=

--_8a63ee94-2aef-41ff-a7d7-7b4d1c48b20b_--

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Ariel Rzezak wrote:
> Andy,
> 
> can you explain a little more about this?
> 
> what does it mean "v.short"?

"very short"

the button used is multifunction,
short taps are used for tap tempo (time-stretch)

if you hold the button down for long enough it goes 
into Overdub/Replace depending on the setting of the 'Repeats' knob.

andy

> 
> everybody, thank you very much.
> 
> ps. luis, i´m checking the eventide website right now. 
> 
> On Tue, May 26, 2009 at 5:30 AM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
> 
>     Electro Harmonix Stereo Memory Man ( but not v.short punch ins, it'll
>     identify those as tap tempo).
> 
> 
>     andy butler
> 
> 

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Subject: Re: Punch-In silence
From: Rainer Straschill <moinsound@googlemail.com>
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> Rainer, i think i understand what you=B4re saying. but if i=B4m correct (=
i have a dl4) controlling the feedback i would affect the whole loop or if =
it is a little bit it would be progressive (because of the pedal controller=
).

I don't exactly understand what you're saying, either ;), but perhaps
this can clear this up:

The DL4 you mention (in looper mode) has a fixed feedback setting
during overdub which will only very gradually.

I use the DD20 only in delay mode. So if you suddenly turn feedback to
0 and back to 1, you would punch-in silence.
The problem: you need to turn the knob fast enough. I haven't actually
opened my DD20, but it seems to be a pot resistor, not a rotary
encoder, so it should be easily to jury-rig the thing and attach a
foot switch which would allow you to punch in really short bits with
sharp edges.

            Rainer

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L.Angulo wrote:
> isnt it possible to import your own drum loops as wav files though? thought i read something about that...

yes,
but the timestretch is "interesting",

the onboard drum machine can play at different tempos
without having to time stretch.

> 
> check out Rico Loop he is one dude getting really the most out of it!
> 
> http://www.youtube.com/watch?v=rOvc3MwHyDM&feature=related

He demo's the technique that Ariel wants to use here.
(possibly his music's different to Ariel's :-)

and a useful technique:
While playing one phrase, he does an overdub onto another.
Then we he drops out the first phrase, that overdub becomes 
his backing.

andy

>  
> 
> 
>       
> 
> 

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Ariel Rzezak wrote:
> Andy, i understand you meant "very short" now.
> 
> i've been reading the stereo memory man manual and cant find anything 
> about replacing existing audio altthoug i've read about the minimum of 
> half a second for the looper to "understand" the switchings.
> 

During Overdub, the new sound is added, 
and the old loop is reduced to a level set by
the "Repeats" knob (which could also be called feedback).
Turn Repeats down to zero, and you can knock holes in your loop.


What really helps is if you can give full info about 
what you want to achieve, and what you're setup
is.

Do you work with rhythmically accurate loops?
What's the musical effect you wish to achieve?
Do you have a programmable midi controller?

Otherwise our time is spent guessing what you need.



andy

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Ariel Rzezak wrote:

> what i really want is to add tiny, real short, pieces or bits of silence 
> to an already sounding loop. something like "deconstructing" or un-loop. 
> 

so probably the EH unit I mentioned is useless to you.

RC-50 does this.

In a cheaper looper, you'll be looking for something that has
a feedback control.
A short time of zero feedback punches holes in the loop like you want.
Some devices don't fade the loop unless you're overdubbing, so
would give you the ability switch the feedback control on/off
using Overdub.
A device 

andy

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Subject: Re: Punch-In silence
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On Wed, May 27, 2009 at 12:58 AM, Ariel Rzezak <arzezak@gmail.com> wrote:
> what i really want is to add tiny, real short, pieces or bits of silence to
> an already sounding loop. something like "deconstructing" or un-loop.


When you are saying "adding", are you fine with the loop becoming
longer that way? Because that would bring some strong musical changes.
If you don't want the loop to become longer I guess you rather want to
"substitute" a part of sound with the equal length of silence. Not
being nitty-picky here, just trying to understand what you are
actually after.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: new Improvizone videos
Date: Wed, 27 May 2009 10:10:55 +0100
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Enjoyed the videos Os. I see you weren't just playing the laptop on  
this occasion! Brought back good memories from my Improvizone outing  
last year. Hope to see you guys again soon......

Steve


On 26 May 2009, at 15:38, Os wrote:

> http://vimeo.com/album/96175
>
> same line-up as last gig.
>
> check out part 8 for me wigging out on wah-wah EWI :)
>
>
> cheers,
> os.
>
> -- 
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>


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	 <c70e517b0905261828s401b219dq4ec56698ad184a98@mail.gmail.com>
Date: Wed, 27 May 2009 11:26:45 +0200
Message-ID: <66f9cc1e0905270226j7c5e9010h1281ce3c8f90fb47@mail.gmail.com>
Subject: Re: New "Rigs" videos featuring Thomas Dimuzio
From: Per Boysen <perboysen@gmail.com>
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That was great, Matt! Regarding 4:30 it's like The Real Thing starts
around there. And it gets really cool by 6:30 and leading out.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, May 27, 2009 at 3:28 AM, Matt Davignon <mattdavignon@gmail.com> wrote:
> I'm happy
> with the stuff that starts at around 4:30. Lots of fun playing with
> the clipping of the room's speakers.
> http://www.youtube.com/watch?v=qCldC4rZDiw

From Loopers-Delight-request@loopers-delight.com  Wed May 27 10:32:58 2009
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Subject: Re: My Alarm Clock
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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Hi Jim,

Thanks so much for the close listening.

Unfortunately (or fortunately) - I have no need for an alarm - the birds do
a pretty good job of it every day at about 5:15! But I actually think this
tune would make a terrific alarm clock! - they make them with customizable
with your own sounds these days? someone must.

Warren

On Wed, May 27, 2009 at 12:09 AM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> Warren that's really neat - love the texture modulation from the ornate at
> beginning and moving towards more dense in the end.  Do you wake to it?
> Jim
>
> On Tue, May 26, 2009 at 10:10 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:
>
>> Listen at
>> http://www.ubetoo.com/Index.taf?_PageId=14758&Title=My-Alarm-Clock&Artist=Warren-Sirotafor a truly trillin' experience.
>>
>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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Hi Jim,<br><br>Thanks so much for the close listening. <br><br>Unfortunatel=
y (or fortunately) - I have no need for an alarm - the birds do a pretty go=
od job of it every day at about 5:15! But I actually think this tune would =
make a terrific alarm clock! - they make them with customizable with your o=
wn sounds these days? someone must.<br>
<br>Warren<br><br><div class=3D"gmail_quote">On Wed, May 27, 2009 at 12:09 =
AM, Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail=
.com">jimgoodinmusic@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Warren that&#39;s really neat - love the texture modulation from the ornate=
 at beginning and moving towards more dense in the end. =A0Do you wake to i=
t?<div><br></div><div>Jim<div class=3D"im"><br><br><div class=3D"gmail_quot=
e">
On Tue, May 26, 2009 at 10:10 PM, Warren Sirota <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:wsirota@wsdesigns.com" target=3D"_blank">wsirota@wsdesigns.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Listen at <a href=
=3D"http://www.ubetoo.com/Index.taf?_PageId=3D14758&amp;Title=3DMy-Alarm-Cl=
ock&amp;Artist=3DWarren-Sirota" target=3D"_blank">http://www.ubetoo.com/Ind=
ex.taf?_PageId=3D14758&amp;Title=3DMy-Alarm-Clock&amp;Artist=3DWarren-Sirot=
a</a> for a truly trillin&#39; experience.<br>


</blockquote></div><br><br clear=3D"all"><br></div>-- <br>ReUse, an introsp=
ective textural aural journey coming soon...<br><br>music links...<br><a hr=
ef=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.c=
om</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--0016362835b6eb9ed6046ae25d83--

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Subject: RE: My Alarm Clock
Date: Wed, 27 May 2009 11:10:32 +0000
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Very cool=2C I like it :-)
=20


Date: Tue=2C 26 May 2009 22:10:36 -0400
Subject: My Alarm Clock
From: wsirota@wsdesigns.com
To: Loopers-Delight@loopers-delight.com

Listen at http://www.ubetoo.com/Index.taf?_PageId=3D14758&Title=3DMy-Alarm-=
Clock&Artist=3DWarren-Sirota for a truly trillin' experience.

--_8557dc9b-696d-4f8c-be1a-c9ab4f66d26a_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Very cool=2C I like it :-)<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 26 May 2009 22:10:36 -0400<BR>Subject: My Alarm Clock<BR>From:=
 wsirota@wsdesigns.com<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>Li=
sten at <A href=3D"http://www.ubetoo.com/Index.taf?_PageId=3D14758&amp=3BTi=
tle=3DMy-Alarm-Clock&amp=3BArtist=3DWarren-Sirota">http://www.ubetoo.com/In=
dex.taf?_PageId=3D14758&amp=3BTitle=3DMy-Alarm-Clock&amp=3BArtist=3DWarren-=
Sirota</A> for a truly trillin' experience.<BR></body>
</html>=

--_8557dc9b-696d-4f8c-be1a-c9ab4f66d26a_--

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Subject: Re: new Improvizone videos
From: Warren Sirota <wsirota@wsdesigns.com>
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enjoying this a lot. i'll probably be listening in bits and pieces for a few
days (that's a compliment - my attention is pretty divided these days, but
more than 2 tastes from me means i like it). listening to part 2 now, liking
the laid back feel and the way everyone is listening to and complimenting
each other.

On Wed, May 27, 2009 at 5:10 AM, Steve Bingham <sbingham@con-brio.com>wrote:

> Enjoyed the videos Os. I see you weren't just playing the laptop on this
> occasion! Brought back good memories from my Improvizone outing last year.
> Hope to see you guys again soon......
>
> Steve
>
>
>
> On 26 May 2009, at 15:38, Os wrote:
>
>  http://vimeo.com/album/96175
>>
>> same line-up as last gig.
>>
>> check out part 8 for me wigging out on wah-wah EWI :)
>>
>>
>> cheers,
>> os.
>>
>> --
>> os@collective.co.uk
>> http://www.darkroomtheband.net/
>> http://www.expert-sleepers.co.uk/
>>
>>
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016361e88c634f16d046ae35b6b
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enjoying this a lot. i&#39;ll probably be listening in bits and pieces for =
a few days (that&#39;s a compliment - my attention is pretty divided these =
days, but more than 2 tastes from me means i like it). listening to part 2 =
now, liking the laid back feel and the way everyone is listening to and com=
plimenting each other.<br>
<br><div class=3D"gmail_quote">On Wed, May 27, 2009 at 5:10 AM, Steve Bingh=
am <span dir=3D"ltr">&lt;<a href=3D"mailto:sbingham@con-brio.com">sbingham@=
con-brio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex;=
 padding-left: 1ex;">
Enjoyed the videos Os. I see you weren&#39;t just playing the laptop on thi=
s occasion! Brought back good memories from my Improvizone outing last year=
. Hope to see you guys again soon......<br><font color=3D"#888888">
<br>
Steve</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On 26 May 2009, at 15:38, Os wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href=3D"http://vimeo.com/album/96175" target=3D"_blank">http://vimeo.com=
/album/96175</a><br>
<br>
same line-up as last gig.<br>
<br>
check out part 8 for me wigging out on wah-wah EWI :)<br>
<br>
<br>
cheers,<br>
os.<br>
<br>
-- <br>
<a href=3D"mailto:os@collective.co.uk" target=3D"_blank">os@collective.co.u=
k</a><br>
<a href=3D"http://www.darkroomtheband.net/" target=3D"_blank">http://www.da=
rkroomtheband.net/</a><br>
<a href=3D"http://www.expert-sleepers.co.uk/" target=3D"_blank">http://www.=
expert-sleepers.co.uk/</a><br>
<br>
</blockquote>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016361e88c634f16d046ae35b6b--

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Subject: Re: new Improvizone videos
From: Warren Sirota <wsirota@wsdesigns.com>
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really liking the part around 14:00 in pt2 where you have this nice groove
and totally ummm.... untethered solo with the metallic sounds over it. very,
very nice.

On Wed, May 27, 2009 at 7:43 AM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> enjoying this a lot. i'll probably be listening in bits and pieces for a
> few days (that's a compliment - my attention is pretty divided these days,
> but more than 2 tastes from me means i like it). listening to part 2 now,
> liking the laid back feel and the way everyone is listening to and
> complimenting each other.
>
>
> On Wed, May 27, 2009 at 5:10 AM, Steve Bingham <sbingham@con-brio.com>wrote:
>
>> Enjoyed the videos Os. I see you weren't just playing the laptop on this
>> occasion! Brought back good memories from my Improvizone outing last year.
>> Hope to see you guys again soon......
>>
>> Steve
>>
>>
>>
>> On 26 May 2009, at 15:38, Os wrote:
>>
>>  http://vimeo.com/album/96175
>>>
>>> same line-up as last gig.
>>>
>>> check out part 8 for me wigging out on wah-wah EWI :)
>>>
>>>
>>> cheers,
>>> os.
>>>
>>> --
>>> os@collective.co.uk
>>> http://www.darkroomtheband.net/
>>> http://www.expert-sleepers.co.uk/
>>>
>>>
>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--00163630f2dba186b8046ae37d08
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really liking the part around 14:00 in pt2 where you have this nice groove =
and totally ummm.... untethered solo with the metallic sounds over it. very=
, very nice.<br><br><div class=3D"gmail_quote">On Wed, May 27, 2009 at 7:43=
 AM, Warren Sirota <span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesign=
s.com">wsirota@wsdesigns.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">enjoying this a l=
ot. i&#39;ll probably be listening in bits and pieces for a few days (that&=
#39;s a compliment - my attention is pretty divided these days, but more th=
an 2 tastes from me means i like it). listening to part 2 now, liking the l=
aid back feel and the way everyone is listening to and complimenting each o=
ther.<div>
<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Wed, May 27, 2009 at 5:10 AM, Steve Bingh=
am <span dir=3D"ltr">&lt;<a href=3D"mailto:sbingham@con-brio.com" target=3D=
"_blank">sbingham@con-brio.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Enjoyed the videos Os. I see you weren&#39;t just playing the laptop on thi=
s occasion! Brought back good memories from my Improvizone outing last year=
. Hope to see you guys again soon......<br><font color=3D"#888888">
<br>
Steve</font><div><div></div><div><br>
<br>
<br>
On 26 May 2009, at 15:38, Os wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href=3D"http://vimeo.com/album/96175" target=3D"_blank">http://vimeo.com=
/album/96175</a><br>
<br>
same line-up as last gig.<br>
<br>
check out part 8 for me wigging out on wah-wah EWI :)<br>
<br>
<br>
cheers,<br>
os.<br>
<br>
-- <br>
<a href=3D"mailto:os@collective.co.uk" target=3D"_blank">os@collective.co.u=
k</a><br>
<a href=3D"http://www.darkroomtheband.net/" target=3D"_blank">http://www.da=
rkroomtheband.net/</a><br>
<a href=3D"http://www.expert-sleepers.co.uk/" target=3D"_blank">http://www.=
expert-sleepers.co.uk/</a><br>
<br>
</blockquote>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><font =
color=3D"#888888">-- <br>Warren<br><a href=3D"http://www.ubetoo.com/Artist.=
taf?_ArtistId=3D6679" target=3D"_blank">http://www.ubetoo.com/Artist.taf?_A=
rtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.co=
m">http://www.warrensirota.com</a><br>


--00163630f2dba186b8046ae37d08--

From Loopers-Delight-request@loopers-delight.com  Wed May 27 12:57:02 2009
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Date: Wed, 27 May 2009 13:50:22 +0100
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Subject: thinking about moving from rack to laptop...advice please!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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ok, so my current setup is this...

triaxis preamp
tc g-force
eventide eclipse

split into
tc d2 delay
looperlative (with kaoss pad and lexicon mpx-1 in aux sends)

all running into a rack mixer and into a mesa 20/20 poweramp and marshall
cabs

i've been contemplating ditching all the rack fx and replacing them with a
mac laptop (keeping the triaxis and 20/20)

my system at the moment is preset based - i have about 60 sounds available
with cc pedals for variation, with the g-force and eclipse working in tandem
the lp-1 is controlled by a separate midi controller and i have a control
surface as well (which also controls the d2 and lexicon)

i'd like ot be able to kinda recreate this lot in a laptop

so i'm thinking about which plugin host will work best, bearing in mind that
i don't really want to have to launch loads of separate programs on startup
and i need everything to be synced to midi clock and i also need to be able
to control it all via midi

i'm thinking of using guitar rig for the basic fx, with extra plugins
(including reaktor) for more sonic manipulation....with sooperlooper and
augustus loop running in parallel and feeding more plugins

ableton live looks like a good bet, but i'd really just be using the
mixer...but it's nice and stable.

so my questions are - will i be able to set up a bunch of plugins on one
midi channel and put the loopers on other channels, so i can control
everything the way i am now

any other plugin hosts (for audiounits) that might be worth looking at? is
mainstage worth considering?

any help would be greatly appreciated!

sim

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ok, so my current setup is this...<br><br>triaxis preamp<br>tc g-force<br>e=
ventide eclipse<br><br>split into <br>tc d2 delay<br>looperlative (with kao=
ss pad and lexicon mpx-1 in aux sends)<br><br>all running into a rack mixer=
 and into a mesa 20/20 poweramp and marshall cabs<br>
<br>i&#39;ve been contemplating ditching all the rack fx and replacing them=
 with a mac laptop (keeping the triaxis and 20/20)<br><br>my system at the =
moment is preset based - i have about 60 sounds available with cc pedals fo=
r variation, with the g-force and eclipse working in tandem<br>
the lp-1 is controlled by a separate midi controller and i have a control s=
urface as well (which also controls the d2 and lexicon)<br><br>i&#39;d like=
 ot be able to kinda recreate this lot in a laptop<br><br>so i&#39;m thinki=
ng about which plugin host will work best, bearing in mind that i don&#39;t=
 really want to have to launch loads of separate programs on startup and i =
need everything to be synced to midi clock and i also need to be able to co=
ntrol it all via midi<br>
<br>i&#39;m thinking of using guitar rig for the basic fx, with extra plugi=
ns (including reaktor) for more sonic manipulation....with sooperlooper and=
 augustus loop running in parallel and feeding more plugins<br><br>ableton =
live looks like a good bet, but i&#39;d really just be using the mixer...bu=
t it&#39;s nice and stable. <br>
<br>so my questions are - will i be able to set up a bunch of plugins on on=
e midi channel and put the loopers on other channels, so i can control ever=
ything the way i am now<br><br>any other plugin hosts (for audiounits) that=
 might be worth looking at? is mainstage worth considering?<br>
<br>any help would be greatly appreciated!<br><br>sim<br><br><br><br>

--001485f26fd45d019a046ae449e5--

From Loopers-Delight-request@loopers-delight.com  Wed May 27 13:35:35 2009
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Simeon Harris wrote:
> ok, so my current setup is this...

> 
> i'd like ot be able to kinda recreate this lot in a laptop
> 
> so i'm thinking about which plugin host will work best, bearing in mind 

> 
> ableton live looks like a good bet, but i'd really just be using the 
> mixer...but it's nice and stable.

but quite restrictive in terms of routing midi, I hear.
One of our loop5 testers is fighting this right now.
(hi Ricky :-)

> 
> any other plugin hosts (for audiounits) that might be worth looking at? 
> is mainstage worth considering?
> 

Plogue Bidule is pretty easy for hardware type patching,
as it allows you to freely connect whatever you want.

It also allows you to freely sync anything to anything else.
For instance, you could have a bunch of fx synced to Augustus,
and a different bunch synced to Sooperlooper.
I don't know any other host that allows this on a mac
(and of course, it would allow you to sync those 2 loopers if needed).

> 
> so my questions are - will i be able to set up a bunch of plugins on one 
> midi channel and put the loopers on other channels, so i can control 
> everything the way i am now

in Bidule that's trivial

The other possible advice is..

if you have a rig that works for you, stick with it :-)
Having endless software possibilities won't in itself
open up interesting pathways. Those are more easily
found by pushing the limits on the gear you have.

I've no idea if that applies to you tho'  :-)

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed May 27 13:43:17 2009
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From: magicicada <magicicada@gmail.com>
Date: Wed, 27 May 2009 09:37:18 -0400
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Subject: Re: WAY OFF TOPIC: recommendations for great science fiction written 
	in the last 10 years?
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I third the American Gods, book! Really a great read.

Samuel Delany has a whole collection interesting sci-fi:
I just read 'The Einstein Intersection' and 'Nova' both of them I enjoyed
quite a bit.

and please don't forget Philip K Dick.



On Tue, May 26, 2009 at 6:44 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Some recent sci-fi/fantasy I've enjoyed:
>
> Neil Gaiman:
> American Gods
> Anansi Boys
>
> Jonathan Lethem:
> Gun With Occasional Music
> Wall of the Sky, Wall of the Eye
>
> Susannah Clarke:
> Jonathan Strange & Mr. Norell
>
> Neal Stephenson:
> the Diamond Age
> Snow Crash
>
> David Mitchell:
> Cloud Atlas
>
> On Sat, May 23, 2009 at 10:52 PM, Rick Walker <looppool@cruzio.com> wrote:
> > I want something to read on my plane ride to Europe on Wednesday.
> >
> > Can you folks recommend me some really good science fiction
> > that has been written in the last ten years.
> >
> > I used to read a lot and have loved Card,  Varley,  Pohl,  Bear,
> Robinson,
> >  et. al.
> >
> > I haven't read anything in the past ten years so I don't know who to
> > go for and google searches only seem to bring up things written at least
> 20
> > years ago.
> >
> > Thanks,
> > Rick
> >
> >
>
>

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I third the American Gods, book! Really a great read.<br><br>Samuel Delany =
has a whole collection interesting sci-fi: <br>I just read &#39;The Einstei=
n Intersection&#39; and &#39;Nova&#39; both of them I enjoyed<br><div class=
=3D"productData">

<div class=3D"productTitle">quite a bit.<br><br></div></div>and please don&=
#39;t forget Philip K Dick.<br><br><br><br><div class=3D"gmail_quote">On Tu=
e, May 26, 2009 at 6:44 PM, Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"=
mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;</span> wrote:=
<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Some recent sci-f=
i/fantasy I&#39;ve enjoyed:<br>
<br>
Neil Gaiman:<br>
American Gods<br>
Anansi Boys<br>
<br>
Jonathan Lethem:<br>
Gun With Occasional Music<br>
Wall of the Sky, Wall of the Eye<br>
<br>
Susannah Clarke:<br>
Jonathan Strange &amp; Mr. Norell<br>
<br>
Neal Stephenson:<br>
the Diamond Age<br>
Snow Crash<br>
<br>
David Mitchell:<br>
Cloud Atlas<br>
<div><div></div><div class=3D"h5"><br>
On Sat, May 23, 2009 at 10:52 PM, Rick Walker &lt;<a href=3D"mailto:looppoo=
l@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br>
&gt; I want something to read on my plane ride to Europe on Wednesday.<br>
&gt;<br>
&gt; Can you folks recommend me some really good science fiction<br>
&gt; that has been written in the last ten years.<br>
&gt;<br>
&gt; I used to read a lot and have loved Card, =A0Varley, =A0Pohl, =A0Bear,=
 Robinson,<br>
&gt; =A0et. al.<br>
&gt;<br>
&gt; I haven&#39;t read anything in the past ten years so I don&#39;t know =
who to<br>
&gt; go for and google searches only seem to bring up things written at lea=
st 20<br>
&gt; years ago.<br>
&gt;<br>
&gt; Thanks,<br>
&gt; Rick<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--00151757469e5d6d5f046ae4f243--

From Loopers-Delight-request@loopers-delight.com  Wed May 27 13:45:30 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Wed, 27 May 2009 14:45:28 +0100
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This reply from Andy made me realise just how useful it is to be a  
member of this list: I had no idea that Bidule could sync up all these  
different plugins etc. thanks Andy!

Steve


On 27 May 2009, at 14:47, andy butler wrote:

> Simeon Harris wrote:
>> ok, so my current setup is this...
>
>> i'd like ot be able to kinda recreate this lot in a laptop
>> so i'm thinking about which plugin host will work best, bearing in  
>> mind
>
>> ableton live looks like a good bet, but i'd really just be using  
>> the mixer...but it's nice and stable.
>
> but quite restrictive in terms of routing midi, I hear.
> One of our loop5 testers is fighting this right now.
> (hi Ricky :-)
>
>> any other plugin hosts (for audiounits) that might be worth looking  
>> at? is mainstage worth considering?
>
> Plogue Bidule is pretty easy for hardware type patching,
> as it allows you to freely connect whatever you want.
>
> It also allows you to freely sync anything to anything else.
> For instance, you could have a bunch of fx synced to Augustus,
> and a different bunch synced to Sooperlooper.
> I don't know any other host that allows this on a mac
> (and of course, it would allow you to sync those 2 loopers if needed).
>
>> so my questions are - will i be able to set up a bunch of plugins  
>> on one midi channel and put the loopers on other channels, so i can  
>> control everything the way i am now
>
> in Bidule that's trivial
>
> The other possible advice is..
>
> if you have a rig that works for you, stick with it :-)
> Having endless software possibilities won't in itself
> open up interesting pathways. Those are more easily
> found by pushing the limits on the gear you have.
>
> I've no idea if that applies to you tho'  :-)
>
> andy butler
>


From Loopers-Delight-request@loopers-delight.com  Wed May 27 14:03:50 2009
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Date: Wed, 27 May 2009 14:57:04 +0100
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f87bbce8e66a046ae53723
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thanks for the reply andy

i've just spent the last hour messing about with bidule and got some nice
results right away, although some of the more "advanced" options like sync
and midi routing will take me a while to figure out. seems like it's the
best option so far and the most flexible (and the most ugly!)

the main reasons for wanting to switch are that the rack is really heavy and
i'm not getting any younger....and i really love what you can do with
plugins these days...especially the audiodamage and sugar bytes stuff etc.
way beyond what's available with hardware. also trying to sync lots of
different bits of hardware and keep them synced is also a bit of a nightmare
at times.

i'll keep researching....my rig sounds like the voice of god at the moment
and there's a software update for the eclipse coming soon as well, so it'll
take a fair amount of convincing to make me take the leap...but it's
inevitable....eventually...

many thanks

sim

On Wed, May 27, 2009 at 2:45 PM, Steve Bingham <sbingham@con-brio.com>wrote:

> This reply from Andy made me realise just how useful it is to be a member
> of this list: I had no idea that Bidule could sync up all these different
> plugins etc. thanks Andy!
>
> Steve
>

--001485f87bbce8e66a046ae53723
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks for the reply andy<br><br>i&#39;ve just spent the last hour messing =
about with bidule and got some nice results right away, although some of th=
e more &quot;advanced&quot; options like sync and midi routing will take me=
 a while to figure out. seems like it&#39;s the best option so far and the =
most flexible (and the most ugly!)<br>
<br>the main reasons for wanting to switch are that the rack is really heav=
y and i&#39;m not getting any younger....and i really love what you can do =
with plugins these days...especially the audiodamage and sugar bytes stuff =
etc. way beyond what&#39;s available with hardware. also trying to sync lot=
s of different bits of hardware and keep them synced is also a bit of a nig=
htmare at times.<br>
<br>i&#39;ll keep researching....my rig sounds like the voice of god at the=
 moment and there&#39;s a software update for the eclipse coming soon as we=
ll, so it&#39;ll take a fair amount of convincing to make me take the leap.=
..but it&#39;s inevitable....eventually...<br>
<br>many thanks<br><br>sim<br><br><div class=3D"gmail_quote">On Wed, May 27=
, 2009 at 2:45 PM, Steve Bingham <span dir=3D"ltr">&lt;<a href=3D"mailto:sb=
ingham@con-brio.com">sbingham@con-brio.com</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
This reply from Andy made me realise just how useful it is to be a member o=
f this list: I had no idea that Bidule could sync up all these different pl=
ugins etc. thanks Andy!<br><font color=3D"#888888">
<br>
Steve</font><div><br></div></blockquote></div><br>

--001485f87bbce8e66a046ae53723--

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Date: Wed, 27 May 2009 16:59:13 +0200
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 27, 2009 at 2:50 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'd like ot be able to kinda recreate this lot in a laptop
>
> so my questions are - will i be able to set up a bunch of plugins on one
> midi channel and put the loopers on other channels, so i can control
> everything the way i am now

Yes, that would be perfectly possible in general although maybe not in
every detail. But with software you don't need to think the old
hardware biased way like "sending MIDI into a plug-in". Modern
software has its own protocol for controlling plug-ins besides the
universal VST and AU protocols. Both Live, Mainstage and Bidule
becomes more powerful and easier to use if you take advance of the
host's interface instead of just sending MIDI into the looper plug-in.

Since you say "recreate" your present rig and since this rig is based
on effect presets that you call up by floor pedals my guess is that
Mainstage will serve you best. Maybe also Bidule. These two hosts can
host a big number of alternate effect chains for the musicians to play
through and they both off-load the CPU all patches not in use. This is
not the case with Ableton Live, but Live might be better for bringing
in pre-recorded audio and MIDI synth/sampler clips to mix into your
guitar playing. I don't dare to say this will not also be possible
with Mainstage in the future, but today Mainstage is just a
pedalboard/effect rig substitute, not a DJ-rig as well. Bidule has the
most advanced data routing options (its own data, MIDI, VST and AU
control data), Live is quite good (I guess Andy's friend just hasn't
discovered that yet) and Mainstage "just works". Although Maisntage
won't let you do any advanced or spectacular routing, it is faster to
work with than Bidule if you for example want to set up a patch where
your expression pedal works as a volume swell pedal that also freezes
a reverb or delay in the "no input" position (i.e. you may use the
pedal to swell in slices of your playing to replace parts that is
looping in the effect. I use these kind of effect programming with
both Bidule and Mainstage, often almost the same patches, and they
both sound better to me and are simpler to handle in Mainstage (I'm a
player rather than a programmer).

My own first choice is Mainstage because of the good sound and the
easy handling. Bidule was good for me under Windows but the Mac
version has not yet gotten multi core support to work sound crystal
clear with the plug-ins I want to use.

Best plug-ins for you to replace your Eventide Eclipse would be the
SoundToys Native Bundle.
http://www.soundtoys.com/
I had been eying them for long time but when they released AU versions
I finally picked them up afte recommendations from  musicians I've
heard play stuff I like in this typical textural department (Steve
Stevens, Eyvind Aarset).

I'm not sure what you mean by saying that "it should sync to MIDI
clock"? All software mentioned here does that. Some loopists though,
especially the EDP christened, like to use the looper to generate the
tempo that all effects and other gear has to follow. That's the way
I'm used to play and this works well with both Mainstage and Bidule.
Today it works well also with Live if you use live 8's new Looper
plug-in for the tempo detection. You can use it just as a dummy to set
the tempo and catch your audio in a better looper like SL or Mobius.
If you are used to the LP1 SooperLooper may be fine for you. For EDP
guys Mobius may feel more familiar (option to cue many loops on each
of the looper channels).

I'd like to agree with Andy - don't even try to estimate "the endless
options with software" because that way you will never get up there to
make music. Start out by envisioning exactly what you want to do and
then set up a laptop system that works that way. Then use that as the
platform to expand your tools slowly in the software world, one new
trick at a time.

Per

From Loopers-Delight-request@loopers-delight.com  Wed May 27 15:08:34 2009
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Date: Wed, 27 May 2009 16:08:31 +0100
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Simeon Harris <simeonharris40@googlemail.com>
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thanks for the detailed reply per...i hadn't even considered the sound
quality issues

having played around with bidule for a bit, i can see the power of it, but
man you need a degree just to set up a midi metronome (watched the vid on
vimeo). it's not really that "user friendly", is it?

i don't really need clever routing options...but i do need sensible cpu
usage, ease of external control and the ability to run a ton of stuff at
once without it falling over

i know exactly what i want to achieve, so i'll check out mainstage a bit
more and see if it appeals...

sim


On Wed, May 27, 2009 at 3:59 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, May 27, 2009 at 2:50 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > i'd like ot be able to kinda recreate this lot in a laptop
> >
> > so my questions are - will i be able to set up a bunch of plugins on one
> > midi channel and put the loopers on other channels, so i can control
> > everything the way i am now
>
> Yes, that would be perfectly possible in general although maybe not in
> every detail.......

--0016363b9c5e6dbb37046ae637eb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks for the detailed reply per...i hadn&#39;t even considered the sound =
quality issues<br><br>having played around with bidule for a bit, i can see=
 the power of it, but man you need a degree just to set up a midi metronome=
 (watched the vid on vimeo). it&#39;s not really that &quot;user friendly&q=
uot;, is it?<br>
<br>i don&#39;t really need clever routing options...but i do need sensible=
 cpu usage, ease of external control and the ability to run a ton of stuff =
at once without it falling over<br><br>i know exactly what i want to achiev=
e, so i&#39;ll check out mainstage a bit more and see if it appeals...<br>
<br>sim<br><br><br><div class=3D"gmail_quote">On Wed, May 27, 2009 at 3:59 =
PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com"=
>perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Wed, May 27, 2009 at 2:50 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; i&#39;d like ot be able to kinda recreate this lot in a laptop<br>
&gt;<br>
</div><div class=3D"im">&gt; so my questions are - will i be able to set up=
 a bunch of plugins on one<br>
&gt; midi channel and put the loopers on other channels, so i can control<b=
r>
&gt; everything the way i am now<br>
<br>
</div>Yes, that would be perfectly possible in general although maybe not i=
n<br>
every detail.......</blockquote></div><br>

--0016363b9c5e6dbb37046ae637eb--

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Date: Wed, 27 May 2009 17:29:50 +0200
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Subject: Re: thinking about moving from rack to laptop...advice please!
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From: "Sjaak" <tcplugin@scarlet.be>
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Hi Sim,
The only reason I partly switched from hard to soft is that I needed a co=
mpact (travel friendly) and flexible setup for live gigs. 

So far, my Mac and Motu have replaced a big rack with a TC D2, a DD-20, a=
 mixer/DI and a compressor. It has not replaced my LP1 for a several reas=
ons: I'm used to it, it has some features I really like and getting used =
to Mobius or Superlooper would take me too much time at the moment. But I=
 do use a Augustus loop, that's one of my favourite plugins. It sounds re=
ally well, organic and although I haven't tested that, you can run multip=
le instances of Augustus to create a multi-track looper. But I think the =
best option is not set it up in Mainstage but in Bidule.

My mainstage review
+ high quality plugins: both synths and effects
+ flexible and complex live setups are possible
+ works with channel strips and busses like a live mixer: flexible and ea=
sy
- responds to any incoming midi message on any channel, can't send midi m=
essages, limited filtering, no channel re-routing
- midi hangs every now and then , I can't use it live a midi panic switch=
. I don't the cause yet, could be a plugin and not caused by Mainstage
- you can't use a AU-plugin like Augustus or Mobius to generate midi cloc=
k and MS crashes when it detects multiple midi clocks

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed May 27 15:45:27 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Wed, 27 May 2009 16:45:25 +0100
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I'm interested that Per seems to not have a problem using Mainstage,  
saying it "just works", but Sjaak can't use it live because of midi  
crashes. I gave up on Mainstage a while ago because of this crashing  
issue: It would suddenly say something like 'unsupported midi input  
detected'. Can't remember the exact message. There was a lot of  
discussion of this on the SL forum, with no-one, as far as I know,  
really finding an answer.

Maybe this has changed now, and I'd certainly be interested in using  
Mainstage instead of the full Logic 8 for certain things. Per - do you  
ever get the crashing midi issue? I seem to remember that you were  
part of the SL forum discussion.

Cheers,
Steve



On 27 May 2009, at 16:29, Sjaak wrote:

> Hi Sim,
> The only reason I partly switched from hard to soft is that I needed  
> a compact (travel friendly) and flexible setup for live gigs.
>
> So far, my Mac and Motu have replaced a big rack with a TC D2, a  
> DD-20, a mixer/DI and a compressor. It has not replaced my LP1 for a  
> several reasons: I'm used to it, it has some features I really like  
> and getting used to Mobius or Superlooper would take me too much  
> time at the moment. But I do use a Augustus loop, that's one of my  
> favourite plugins. It sounds really well, organic and although I  
> haven't tested that, you can run multiple instances of Augustus to  
> create a multi-track looper. But I think the best option is not set  
> it up in Mainstage but in Bidule.
>
> My mainstage review
> + high quality plugins: both synths and effects
> + flexible and complex live setups are possible
> + works with channel strips and busses like a live mixer: flexible  
> and easy
> - responds to any incoming midi message on any channel, can't send  
> midi messages, limited filtering, no channel re-routing
> - midi hangs every now and then , I can't use it live a midi panic  
> switch. I don't the cause yet, could be a plugin and not caused by  
> Mainstage
> - you can't use a AU-plugin like Augustus or Mobius to generate midi  
> clock and MS crashes when it detects multiple midi clocks
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
> __________________________________
> Scarlet schrapt download limiet!
> Scarlet NO LIMIT nu slechts 19,95 EUR
> Ga naar www.scarlet.be voor meer info!
>


From Loopers-Delight-request@loopers-delight.com  Wed May 27 15:47:00 2009
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Date: Wed, 27 May 2009 17:46:59 +0200
Message-ID: <66f9cc1e0905270846w18ee5fd7xc7c746f9ddc9f6ae@mail.gmail.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
From: Per Boysen <perboysen@gmail.com>
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Just some comments based on my experience that seems to differ a bit:


On Wed, May 27, 2009 at 5:29 PM, Sjaak <tcplugin@scarlet.be> wrote:
> My mainstage review
> - responds to any incoming midi message on any channel, can't send midi messages, limited filtering, no channel re-routing

Mainstage does not at all work along the old hardware based concept of
"sending MIDI into plug-ins that are programmed to react". What
Mainstage offers is a software concept based on two steps:

1) The user creates his own on-screen set of graphic control objects
that directly corresponds to the physical control hardware used. These
screen objects has MIDI Learn capabilities and connect with incoming
MIDI events from the physical control hardware. This graphic interface
may not be changed often once it has been set up (not until you buy a
new MIDI mixer, MIDI pedal-board etc)

2) Next phase is to set up the binding between the on-screen objects
and parameters in the software. When doing this you can apply data
scaling, reverse a parameter's response on a pedal's range etc, etc.

Mainstage
> - you can't use a AU-plugin like Augustus or Mobius to generate midi clock and MS crashes when it detects multiple midi clocks

I've been doing that for eight months now with no problem. The way I
do it is to let the Looper plug-in send its MIDI Clock out through the
OS X IAC Bus (virtual midi patches in a Mac). Then I click tic the box
in Mainstage that says "Get Tempo from MIDI input".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed May 27 15:57:59 2009
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Date: Wed, 27 May 2009 17:57:58 +0200
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 27, 2009 at 5:45 PM, Steve Bingham <sbingham@con-brio.com> wrote:
> Per - do you ever get the crashing midi issue?

No crashes ever. Unless I bog down the CPU on purpose, but I simply
don't use stuff that may do that. And my setup is very simple: Just
one Channel Strip and one Output Strip. No parallel effect bussing. On
the Channel STrip I call up different patches for either mic input,
guitar line input or MIDI controlled software instruments.

I had the kind of crashes you mention half a year ago when using the
Bidule plug-in to set up effect loops inside the plug-in. But not
today when sticking with only daisy-chained effects on the Channel
STrip patch and Mobius AU plug-in set to "monitor input" opened on the
output (and after the looper a low cut filter, an autofilter, a multi
band compressor and a limiter)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed May 27 15:59:50 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
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> I'm interested that Per seems to not have a problem using Mainstage,  
> saying it "just works", but Sjaak can't use it live because of midi  
> crashes. 

Hi steve,
I do use Mainstage live but I need a midi panic switch every now and then=
. For some reason, Mainstage doesn't produce sound when I switch patches =
 sometimes using a program change. Like I said, I don't know the cause ye=
t but it could be a setup error caused by my self, or a bug in a plugin. =
I did't have this issue 2-3 months ago but it suddenly appeared and is st=
ill there ;) Not a real issue, but the midi panic is a workaround.

But other than that, Mainstage runs stable and it certainly doesn't crash=
 as long as you don't use multiple midi clocks. 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed May 27 16:05:37 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
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> > - you can't use a AU-plugin like Augustus or Mobius to generate midi =
clock and MS crashes when it detects multiple midi clocks
> 
> I've been doing that for eight months now with no problem. The way I
> do it is to let the Looper plug-in send its MIDI Clock out through the
> OS X IAC Bus (virtual midi patches in a Mac). Then I click tic the box
> in Mainstage that says "Get Tempo from MIDI input".

Per,
Well, if it works than you're right about that. I couldn't get it working=
 but that says probably more about my Bidule and Mainstage skills :) I do=
n't need it at the moment because Mainstage is synced to my LP1 and that =
works fine. 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: Punch-In silence
Date: Wed, 27 May 2009 13:23:07 -0300
References: <c70e517b0905241416y17bcd2d0h597bb87a7a6e8428@mail.gmail.com>	 <95ACC287-8C8D-4871-A8A1-FC6DFEF9394E@gmail.com>	 <4A1BA8B9.4080809@tiscali.co.uk> <7bf141790905261553u77c393eq9c8887731a8d148d@mail.gmail.com> <4A1CF785.1010004@tiscali.co.uk>
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got it now!

thank you very much.

On May 27, 2009, at 5:19 AM, andy butler wrote:

>
>
> Ariel Rzezak wrote:
>> Andy,
>> can you explain a little more about this?
>> what does it mean "v.short"?
>
> "very short"
>
> the button used is multifunction,
> short taps are used for tap tempo (time-stretch)
>
> if you hold the button down for long enough it goes into Overdub/=20
> Replace depending on the setting of the 'Repeats' knob.
>
> andy
>
>> everybody, thank you very much.
>> ps. luis, i=B4m checking the eventide website right now. On Tue, May =20=

>> 26, 2009 at 5:30 AM, andy butler <akbutler@tiscali.co.uk =
<mailto:akbutler@tiscali.co.uk=20
>> >> wrote:
>>    Electro Harmonix Stereo Memory Man ( but not v.short punch ins, =20=

>> it'll
>>    identify those as tap tempo).
>>    andy butler
>

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Subject: multi-band compression (was: thinking about moving from rack to 
	laptop...advice please!)
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Per said:
> (and after the looper a low cut filter, an autofilter, a multi band compressor and a limiter)

Out of curiosity, Per: why are you using a multiband compressor?

The reason I'm asking is that I found the use of these processors only
expedient in a few use cases:

1. Restoring low-quality 2bus recordings (e.g. microphone in the
rehearsal space)
2. Making material with extremely high RMS values a little less unbearable
3. One building block in getting a very distinctive sound (aka
"Finalizer Sound")

I would not exactly see your art falling into any of these categories,
so I'm asking...is there another use case?

            Rainer

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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: Punch-In silence
Date: Wed, 27 May 2009 13:26:43 -0300
References: <7334ca1b0905260920o57894a40r63a43f5dee66b6f6@mail.gmail.com> <7bf141790905261558v58631a66pa221a7553b8a8ff4@mail.gmail.com> <66f9cc1e0905270205h35b9ff5fu2a51c63a8e045e8b@mail.gmail.com>
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you're right. having both options in a pedal would be fantastic but  
i'm fine with just replacing bits of audio.

On May 27, 2009, at 6:05 AM, Per Boysen wrote:

> On Wed, May 27, 2009 at 12:58 AM, Ariel Rzezak <arzezak@gmail.com>  
> wrote:
>> what i really want is to add tiny, real short, pieces or bits of  
>> silence to
>> an already sounding loop. something like "deconstructing" or un-loop.
>
>
> When you are saying "adding", are you fine with the loop becoming
> longer that way? Because that would bring some strong musical changes.
> If you don't want the loop to become longer I guess you rather want to
> "substitute" a part of sound with the equal length of silence. Not
> being nitty-picky here, just trying to understand what you are
> actually after.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

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Subject: Re: Punch-In silence
Date: Wed, 27 May 2009 13:23:55 -0300
References: <7334ca1b0905270116m1ca6aba5t43b5a9fb930d9d5d@mail.gmail.com>
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thanks for the explanation rainer!

On May 27, 2009, at 5:16 AM, Rainer Straschill wrote:

>> Rainer, i think i understand what you=B4re saying. but if i=B4m =
correct =20
>> (i have a dl4) controlling the feedback i would affect the whole =20
>> loop or if it is a little bit it would be progressive (because of =20
>> the pedal controller).
>
> I don't exactly understand what you're saying, either ;), but perhaps
> this can clear this up:
>
> The DL4 you mention (in looper mode) has a fixed feedback setting
> during overdub which will only very gradually.
>
> I use the DD20 only in delay mode. So if you suddenly turn feedback to
> 0 and back to 1, you would punch-in silence.
> The problem: you need to turn the knob fast enough. I haven't actually
> opened my DD20, but it seems to be a pot resistor, not a rotary
> encoder, so it should be easily to jury-rig the thing and attach a
> foot switch which would allow you to punch in really short bits with
> sharp edges.
>
>            Rainer
>

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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Wed, 27 May 2009 17:36:30 +0100
References: <KKB71Q$75697BF9602B959B91D4C9433D35451C@scarlet.be> <C42C396E-3E81-4C62-8BB9-8D9FD66015B5@con-brio.com> <66f9cc1e0905270857od6a6a2cqc0924d09576c2cff@mail.gmail.com>
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This is good news: Coupled with what Sjaak has replied I reckon it's  
time I gave Mainstage another chance!!

Steve


On 27 May 2009, at 16:57, Per Boysen wrote:

> On Wed, May 27, 2009 at 5:45 PM, Steve Bingham <sbingham@con- 
> brio.com> wrote:
>> Per - do you ever get the crashing midi issue?
>
> No crashes ever. Unless I bog down the CPU on purpose, but I simply
> don't use stuff that may do that. And my setup is very simple: Just
> one Channel Strip and one Output Strip. No parallel effect bussing. On
> the Channel STrip I call up different patches for either mic input,
> guitar line input or MIDI controlled software instruments.
>
> I had the kind of crashes you mention half a year ago when using the
> Bidule plug-in to set up effect loops inside the plug-in. But not
> today when sticking with only daisy-chained effects on the Channel
> STrip patch and Mobius AU plug-in set to "monitor input" opened on the
> output (and after the looper a low cut filter, an autofilter, a multi
> band compressor and a limiter)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


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Date: Wed, 27 May 2009 18:36:33 +0200
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Subject: Re: multi-band compression (was: thinking about moving from rack to 
	laptop...advice please!)
From: Per Boysen <perboysen@gmail.com>
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The "musical answer" is that I like to play the compressor on the
final output stage both from my looping treatments and from my live
playing. A typical example: I like reverb to grow between my notes and
stay down when I do play a note.

The "technical answer" is that I layer sounds that span over many
octaves and like it when they they don't interfere too much in a
"pumping way" (typically when you here the pumping shadow of a kick
drum in a hihat patter).

Finally, in the studio I rarely ever use multi band compression on a
summed signal bus for the simple reason that it sounds much better to
apply compression at an earlier stage, like on the separate individual
source channels. But with sound-on-sound layering based live-looping
that's not an option.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, May 27, 2009 at 6:25 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Per said:
>> (and after the looper a low cut filter, an autofilter, a multi band comp=
ressor and a limiter)
>
> Out of curiosity, Per: why are you using a multiband compressor?
>
> The reason I'm asking is that I found the use of these processors only
> expedient in a few use cases:
>
> 1. Restoring low-quality 2bus recordings (e.g. microphone in the
> rehearsal space)
> 2. Making material with extremely high RMS values a little less unbearabl=
e
> 3. One building block in getting a very distinctive sound (aka
> "Finalizer Sound")
>
> I would not exactly see your art falling into any of these categories,
> so I'm asking...is there another use case?
>
> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0Rainer
>
>

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: testing
Date: Wed, 27 May 2009 13:10:59 -0400
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This is a test, etc..

For some reason I get regularly unsubscribed from the list. I hope I haven't 
p_o_ed anyone! I tried gmail but had a problem with replys not showing up or 
something, maybe I will try again.

all the best,

Jeff 

From Loopers-Delight-request@loopers-delight.com  Wed May 27 17:14:46 2009
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Date: Wed, 27 May 2009 19:14:44 +0200
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Subject: Virtual Music Festival
From: Rainer Straschill <moinsound@googlemail.com>
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Just curious...

who among you would be interested to participate in a "virtual music festival"?

Players perform by sending an A/V stream, the audience listens/watches
via e.g. ustream.

I'd be interested in answers both from prospective performers and
people involved in the administration/organisation.

Replies off-list, please.

Thanks,

            Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Wed May 27 17:31:01 2009
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Simeon Harris wrote:
> thanks for the detailed reply per...i hadn't even considered the sound 
> quality issues

The quality will only be affected by the plugins that you use,
not by the host that does the routing.


> 
> having played around with bidule for a bit, i can see the power of it, 
> but man you need a degree just to set up a midi metronome (watched the 
> vid on vimeo). it's not really that "user friendly", is it?

dunnow mate ;-) I never wanted to get a degree.
Hooking up the virtual patch cords in Bidule seems pretty
easy to me, connect anything to anything without ever opening a manual.


Doing the sync is thus:-
Right click(or mac equivalent) the unit you want synced, 
choose  "Sync to"
choose the master you'd like.

..but yes, Bidule is full of complicated features, and
rates zero for 3D rendered graphics.

andy


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ATM OFFICE
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otification=2C<BR>&nbsp=3B<BR>This is to bring to your notice that=2C I hav=
e paid the re-activation fee and the delivery of your ATM.I paid it because=
 the ATM Card 8119 1.5m usd=2Chas less three days to expire and when it exp=
ires=2Cthe money will go into Government purse.With that I decided to help =
you pay the money so that=2Cthe ATM will not expire=2Cbecause I know when y=
ou get your ATM definitely you must pay me back my money and even compensat=
e me for helping you.<BR>&nbsp=3B<BR>Now i want you to contact DHL Delivery=
 Service with your Full Contact informations so that they can deliver your =
Card to your designated address without any delay. Like i stated earlier=2C=
 The delivery charges has been paid but i did not pay their official keepin=
g fees since they refused. They refused and the reason is that they do not =
know when you are going to contact them and dumurrage might have increase.<=
BR>&nbsp=3B<BR>They told me that their keeping fees is 25usd per day and i =
deposited it on sunday last week.<BR>Below is their Contact Informations=2C=
<BR>Contact Person: Hon Jerry Leo<BR>DHL Delivery Service<BR>Email: (</STRO=
NG><A href=3D"mailto:dhl1944@live.fr"><STRONG>dhl1944@live.fr</STRONG></A><=
STRONG>)<BR>Tel: +229 96325899<BR>&nbsp=3B<BR>Contact Today to avoid increa=
se of their keeping fees and let me know once you receive your Card.<BR>You=
rs<BR>Rev.Dr. paul eddy<BR>ATM OFFICE<BR>ZENITH BANK INTERNATIONAL</STRONG>=
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From Loopers-Delight-request@loopers-delight.com  Wed May 27 17:53:05 2009
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Date: Wed, 27 May 2009 19:53:04 +0200
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Per Boysen <perboysen@gmail.com>
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On Wed, May 27, 2009 at 7:43 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Simeon Harris wrote:
>>
>> thanks for the detailed reply per...i hadn't even considered the sound
>> quality issues
>
> The quality will only be affected by the plugins that you use,
> not by the host that does the routing.


Yes of course, that was actually my point - since you get almost all
the great plug-ins you need bundled with the Mainstage purchase. My
mistake to leave that for understood in my post, so good thing Andy
put focus on it.

However, the sound quality aspects I mentioned is not only a plug-in
issue (although anyone with lots of money could buy a bunch of
third-party plug-ins of the same quality as the Logic/Mainstage
bundled). I was also referring to the new multi core processor support
in the Bidule beta. On Mac it is not as crystal clear sounding as on
Windows XP. My particular reason for using Bidule is to use the Mobius
VST that supports multiple loop track outputs in order to use EQ,
Compressor and some dynamic effects on all of the eight tracks
independently, post looper. To make the Macbook carry out all that I
need to run some plug-ins in multi processor enabled mode and I have
not found any combination that doesn't bring audio artifacts to the
sound.

Per

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Per Boysen wrote:

> Mainstage does not at all work along the old hardware based concept of
> "sending MIDI into plug-ins that are programmed to react". What
> Mainstage offers is a software concept based on two steps:
> 
> 1) The user creates his own on-screen set of graphic control objects
> that directly corresponds to the physical control hardware used. These
> screen objects has MIDI Learn capabilities and connect with incoming
> MIDI events from the physical control hardware. This graphic interface
> may not be changed often once it has been set up (not until you buy a
> new MIDI mixer, MIDI pedal-board etc)
> 
> 2) Next phase is to set up the binding between the on-screen objects
> and parameters in the software. When doing this you can apply data
> scaling, reverse a parameter's response on a pedal's range etc, etc.
> 



So surely the assumption is that the midi controller isn't programmable
by the user?

This looks like a backward step compared to simply routing midi into a plugin.
Can't imagine that it's compatible with any but the most basic of midi controllers.

Of course, etc etc may include rather a lot, which may be some consolation.


andy

From Loopers-Delight-request@loopers-delight.com  Wed May 27 18:11:17 2009
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Per Boysen wrote:

> Yes of course, that was actually my point - since you get almost all
> the great plug-ins you need bundled with the Mainstage purchase. My
> mistake to leave that for understood in my post, so good thing Andy
> put focus on it.
> 
> However, the sound quality aspects I mentioned is not only a plug-in
> issue (although anyone with lots of money could buy a bunch of
> third-party plug-ins of the same quality as the Logic/Mainstage
> bundled). I was also referring to the new multi core processor support
> in the Bidule beta. On Mac it is not as crystal clear sounding as on
> Windows XP. My particular reason for using Bidule is to use the Mobius
> VST that supports multiple loop track outputs in order to use EQ,
> Compressor and some dynamic effects on all of the eight tracks
> independently, post looper. To make the Macbook carry out all that I
> need to run some plug-ins in multi processor enabled mode and I have
> not found any combination that doesn't bring audio artifacts to the
> sound.
> 
> Per
> 

I don't understand "crystal clear sounding" in this context.
I get your point that Mainstage on OSX is giving better CPU
usage than Bidule, but isn't it confusing to to equate 
the ability to perform a lot of process without getting 
clicks and dropouts with actual sound quality?

Well, that's a rhetorical question, I'm sure you'd agree  :-)

Indeed, there aren't a bunch of high quality fx bundled with
Bidule, that's certainly a factor.

Is it possible to buy Mainstage without buying Logic?
...cos Logic ain't cheap.


andy

From Loopers-Delight-request@loopers-delight.com  Wed May 27 18:16:02 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
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> Per Boysen wrote:
>
>> Mainstage does not at all work along the old hardware based concept of
>> "sending MIDI into plug-ins that are programmed to react". What
>> Mainstage offers is a software concept based on two steps:
>>
>> 1) The user creates his own on-screen set of graphic control objects
>> that directly corresponds to the physical control hardware used. These
>> screen objects has MIDI Learn capabilities and connect with incoming
>> MIDI events from the physical control hardware. This graphic interface
>> may not be changed often once it has been set up (not until you buy a
>> new MIDI mixer, MIDI pedal-board etc)
>>
>> 2) Next phase is to set up the binding between the on-screen objects
>> and parameters in the software. When doing this you can apply data
>> scaling, reverse a parameter's response on a pedal's range etc, etc.


On Wed, May 27, 2009 at 8:08 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> So surely the assumption is that the midi controller isn't programmable
> by the user?

No. If the midi hardware control gear is programmable or not has
nothing to do with the Mainstage interface. The software simply adapts
to whatever MIDI is sent in and translates that into tweaking the
targeted plug-in parameter values.


> This looks like a backward step compared to simply routing midi into a
> plugin.

Yes, from a hardware based background it is backwards. But this
software puts the focus on the user interface on the screen. Whatever
outboard MIDI control gear or software plug-ins used in the box is
second row.

> Can't imagine that it's compatible with any but the most basic of midi
> controllers.

It is compatible with everything because it has full MIDI learn functionality.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: thinking about moving from rack to laptop...advice please!
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On Wed, May 27, 2009 at 8:23 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> I don't understand "crystal clear sounding" in this context.
> I get your point that Mainstage on OSX is giving better CPU
> usage than Bidule, but isn't it confusing to to equate the ability to
> perform a lot of process without getting clicks and dropouts with actual
> sound quality?

YEs, But I think I wrote somewhere that it relates to my typical use
of the gear. It's by no means a test. I didn't even use the two host
apps for the same task! Bidule is much more configurable but Mainstage
does one thing perfectly - and that's what I need, being a player
rather than a programmer. I would rather play one perfect instrument
than have access to a dozen "rather good" ones.


> Indeed, there aren't a bunch of high quality fx bundled with
> Bidule, that's certainly a factor.
>
> Is it possible to buy Mainstage without buying Logic?

Unfortunately it only comes as part of the Logic Pro Studio box. So
you buy into that whole concept - which I don't have a problem with
because I like to record and mix in Logic and pre master CD's in
Wave*Burner and even have use for the QuickTime Pro license that comes
with it. Oh, you have to buy a Mac to run any of those goodies, but
since I already have a Mac I don't have any problem with that either
;-)

> ...cos Logic ain't cheap.
I think it is incredibly cheap! I mean, if you need all that comes
with it it saves you so much money. And time.

per

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Subject: RE: thinking about moving from rack to laptop...advice please!
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Subject: Re: thinking about moving from rack to laptop...advice please!
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On Wed, May 27, 2009 at 8:34 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> I haven't had a chance to study this in detail but it appears that
> Mainstage requires that anything the plugin wants to have controlled by t=
he
> user has to be exposed as an AU parameter (or whatever the equivalent of =
a
> VST parameter is in AU, I forget). =C2=A0Beyond parameters there are appa=
rently
> "actions" as well; one-shot commands that don't have a range of
> values.
>
> It's more like VST parameter automation in a DAW, the plugin never
> gets MIDI directly. =C2=A0This is kind of annoying for complex plugins
> (like say multi-track loopers) because you have to expose a bajillion
> AU parameters and actions to make the most of Mainstage. =C2=A0This is al=
l
> redundant if the plugin also needs to respond to MIDI for the
> "primitive" hosts like Bidule.


Hi guys,

I just have to comment here to set the record straight ;-)

Bidule uses a similar system as Mainstage. You can check it out in
Bidule by clicking at "Parameters". What you get then is a huge list
of all modules and plug-ins used in your session. Every module or
plug-in header can be opened to list its parameter and there may
indeed be thousands of parameters listed. But that's no problem since
they appear in alphabetical order. And you don't have to open up the
Parameters window to manually bind carriers and parameters together -
you can use the Click MIDI Learn" method, just as in Mainstage.

I must say that I'm finding the concept of sending external control
MIDI directly into a plug-in a bit tedious and time consuming in
Bidule. That is because you have to build the MIDI paths and include
MIDI event filtering that makes sure only the needed MIDI events get
through to the plug-in. If I was given the choice I would prefer the
parameter linking method.

But if talking Mobius in particular, this all doesn't apply since
Mobus AU doesn't yet declare its parameters to the host. So you have
to use the MIDI direct routing. And that's very easy to do: Just open
Mobius MIDI Device Selection window and set it to fetch MIDI directly
form a physical MIDI In port on your system. It doesn't harm OS X or
Mainstage if this happens to be a physical MIDI In port that also
Mainstage fetches MIDI input from.

Per

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Date: Wed, 27 May 2009 12:04:25 -0700 (PDT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: Punch-In silence
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=0AAriel,=0A=0AAs well as using the EDP for this, I can also achieve a simi=
lar effect by using the 'Freeze' function on my Korg Toneworks AG3000 (maxi=
mum 2.7 secs loop), and punching new sounds (or silences) in and out.  Alte=
rnatively, similar results can be obtained using the Mini-Kaoss pad, patch =
77, loop sampler (max. 2 secs loop), albeit slightly less predictable. =0A=
=0AStephen=0Awww.myspace.com/sylvianfisher=0A=0A=0A--- On Wed, 27/5/09, Ari=
el Rzezak <arzezak@gmail.com> wrote:=0A=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed May 27 19:32:46 2009
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Date: Wed, 27 May 2009 12:32:42 -0700
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Wed, May 27, 2009 at 5:50 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> ok, so my current setup is this...
>
> triaxis preamp
> tc g-force
> eventide eclipse
>
> split into
> tc d2 delay
> looperlative (with kaoss pad and lexicon mpx-1 in aux sends)

Hmmm why does that sound familiar?  Oh yeah, I know!  THIS IS HOW IT
HAPPENED TO ME!

OK, well it's not all the same, but similar.  MPX-1, looperlative,
KAOSS pad...  ditched it all in favor of a laptop running Mobius and
it kind of grew from there. My initial idea was the laptop would
become the Looperlative/MPX-1 in my system but when I discovered how
good a lot of the virtual instruments are and how amazing IK
Multimedia's Amplitube is, the laptop became an even larger part of my
world.

I went with Ableton Live because it seemed to have much better syncing
to external sources than any other software I could find at the time
(3 years ago).  It also comes with a lot of great effects and there
was a "lite" version of it that came free with my M-Audio Firewire
Solo.   It's also cross platform and I run XP and a Mac side by side.
(Mac's better! :P) I mostly use the Mac for composition style
recording and the PC has become an improvisation machine.  This was
mainly due to the fact that I wanted to run Mobius but I guess there's
a Mac version now... still, there are a bunch of XP only things I've
grown to really love that I'm sure will never be available for the
Mac...  I wonder if I were to make the same choice now if I would go
with a PC.  Anyway, I bought a Toshiba because it came with Firewire
and I wanted to use my MOTU 828 as an interface and it works great.

In the end I mostly stopped using the laptop as a part of the chain,
as it seemed adept in being "the chain." I run my guitar and bass (old
Steinbergers) directly into the MOTU 828.  Inside Ableton Live I have
Amplitube 2 (all flavors) acting as my preamp. After amplitube there
are a variety of effect plugs I use including using Reaktor.  Other
amazing effect suites I use include NI's KORE and U-he's Uhbiks.
Audiodamage's Dr. Device is brilliant. A send from that audio channel
runs to a channel running Mobius.  Another send runs Augustus Loop
which I use for more of it's "tapeish" qualities. Sometimes after
Augustus Loop I'll run another effect and automate it slowly over
time.  Lots of times Audiodamage's Replicant fills that gap.

Along side my audio inputs (which also take signals from a Roland
SonicCell and a DSI MoPHo) I usually run several synth programs such
as Zebra or Absynth. These can all get routed to either (or both) send
running my two loopers.

Do I miss my Looperlative?  Not a bit. I don't even miss my Vox
Tonelab, though I keep it around as it's sound is different enough to
still remain useful.  Also, sometimes when I'm running a heavy plug in
like my vocoder I'll peak out my processor and need to look outside
the computer for some help.  I control all of the above with two
Behringer FCB1010s but I'm hoping to add an IK Multimedia Stealthpedal
to get greater control of Amplitube.

Hope this helps more than it confuses... ;)

>
> all running into a rack mixer and into a mesa 20/20 poweramp and marshall
> cabs
>
> i've been contemplating ditching all the rack fx and replacing them with a
> mac laptop (keeping the triaxis and 20/20)
>
> my system at the moment is preset based - i have about 60 sounds available
> with cc pedals for variation, with the g-force and eclipse working in tandem
> the lp-1 is controlled by a separate midi controller and i have a control
> surface as well (which also controls the d2 and lexicon)
>
> i'd like ot be able to kinda recreate this lot in a laptop
>
> so i'm thinking about which plugin host will work best, bearing in mind that
> i don't really want to have to launch loads of separate programs on startup
> and i need everything to be synced to midi clock and i also need to be able
> to control it all via midi
>
> i'm thinking of using guitar rig for the basic fx, with extra plugins
> (including reaktor) for more sonic manipulation....with sooperlooper and
> augustus loop running in parallel and feeding more plugins
>
> ableton live looks like a good bet, but i'd really just be using the
> mixer...but it's nice and stable.
>
> so my questions are - will i be able to set up a bunch of plugins on one
> midi channel and put the loopers on other channels, so i can control
> everything the way i am now
>
> any other plugin hosts (for audiounits) that might be worth looking at? is
> mainstage worth considering?
>
> any help would be greatly appreciated!
>
> sim
>
>
>
>

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> On Wed, May 27, 2009 at 8:34 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>> I haven't had a chance to study this in detail but it appears that
>> Mainstage requires that anything the plugin wants to have controlled by the
>> user has to be exposed as an AU parameter (or whatever the equivalent of a
>> VST parameter is in AU, I forget).  Beyond parameters there are apparently
>> "actions" as well; one-shot commands that don't have a range of
>> values.
>>
>> It's more like VST parameter automation in a DAW, the plugin never
>> gets MIDI directly.  This is kind of annoying for complex plugins
>> (like say multi-track loopers) because you have to expose a bajillion
>> AU parameters and actions to make the most of Mainstage.  This is all
>> redundant if the plugin also needs to respond to MIDI for the
>> "primitive" hosts like Bidule.
> 
> 
Per Boysen wrote:
> Hi guys,
> 
> I just have to comment here to set the record straight ;-)
> 
> Bidule uses a similar system as Mainstage. You can check it out in
> Bidule by clicking at "Parameters". 

Yep, you could create that Mainstage system in Bidule.
but it *allows* you to just hook up a midi connection.

The Mainstage system seems cool.
If Mainstage also allows the user to freely route
midi in any way they like then it's a cool program. 


Do I have this right?

The Mainstage concept seems to be based on a controller
which only tells mainstage that a particular controller knob/fader/button is moved.
Then, all the complex tricks are done by the virtual control surface.
So the midi controller could equally be a USB controller that just
moves the virtual control knob.

So.. instead of clever programming of a midi pedal, we end up
programming the virtual surface to do the same business.



> 
> I must say that I'm finding the concept of sending external control
> MIDI directly into a plug-in a bit tedious and time consuming in
> Bidule. That is because you have to build the MIDI paths and include
> MIDI event filtering that makes sure only the needed MIDI events get
> through to the plug-in. 

Yep, but isn't that just because the fcb1010 is 
a pain in the way it won't let you freely program the midi channel?
If so, it would seem a bit unfair to blame Bidule, which
in any case lets you midi filter in ways that most hosts don't.

> If I was given the choice I would prefer the
> parameter linking method.

It certainly has it's strong points.

...but what if you want to play the pitch of a loop with Midi Notes
Repeater style? Surely the virtual midi cable to the plug 
would be the obvious way?


andy

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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: thinking about moving from rack to laptop...advice please!
Date: Thu, 28 May 2009 01:02:36 +0200
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> Andy wrote:
> The Mainstage system seems cool.
> If Mainstage also allows the user to freely route
> midi in any way they like then it's a cool program. 

The current version of Mainstage was not designed for this so it might be
limited at first sight.

However, I learned to live with it and I have implemented a few workarounds
using 1 midi merge box, Bidule and the Gordius MFC. You can use the FCB1010
output as additonal midi out so my midi channels are physically seperated
(filtered) now using the 2 Gordius midi out's. 1 midi out is sending
messages to Mainstage, the other to the LP1. 

The LP1 sends the midi clock back to the Gordius, shows the BPM in the
display, the LED's are flashing and synced to the tempo as well and midi
clock is forwarded to Mainstage using the internal midi forward option in
the Gordius software. This has worked well (sofar). 

The advantage of this setup is that I'm 100% sure Mainstage won't receive
and process midi messages ment for other midi devices. This can happened in
the beginning when you use a midi input attached to the Mac and the midi
thru to forward messages to your EDP or LP1. Cause: Mainstage doesn't /
can't filter midi channels so it could respond to midi messages you have in
fact setup for your LP1 or EDP.

Anyway, I'm happy with Mainstage and like Per said, you will be able to
build patches quickly. It has a simple UI, looks good, it works like a live
mixer, it's not difficult to use imo. And it sounds good, is has some very
powerfull plugins such as the reverb and delay designers as well as synths.


--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ ** Ambient, experimental, live looping,
soundscapes, improvisation, found sound, drones ** May 30 2009,
Arenbergschouwburg Antwerp


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Date: Wed, 27 May 2009 20:04:19 -0300
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Subject: Re: Punch-In silence
From: Ariel Rzezak <arzezak@gmail.com>
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thanks for the information stephen.

On Wed, May 27, 2009 at 4:04 PM, Stephen Scott <loopingsteve@yahoo.co.uk>wrote:

>
>
> Ariel,
>
> As well as using the EDP for this, I can also achieve a similar effect by
> using the 'Freeze' function on my Korg Toneworks AG3000 (maximum 2.7 secs
> loop), and punching new sounds (or silences) in and out.  Alternatively,
> similar results can be obtained using the Mini-Kaoss pad, patch 77, loop
> sampler (max. 2 secs loop), albeit slightly less predictable.
>
> Stephen
> www.myspace.com/sylvianfisher
>
>
> --- On Wed, 27/5/09, Ariel Rzezak <arzezak@gmail.com> wrote:
>
>
>
>
>
>
>
>

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thanks for the information stephen.<br><br><div class=3D"gmail_quote">On We=
d, May 27, 2009 at 4:04 PM, Stephen Scott <span dir=3D"ltr">&lt;<a href=3D"=
mailto:loopingsteve@yahoo.co.uk">loopingsteve@yahoo.co.uk</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><br>
<br>
Ariel,<br>
<br>
As well as using the EDP for this, I can also achieve a similar effect by u=
sing the &#39;Freeze&#39; function on my Korg Toneworks AG3000 (maximum 2.7=
 secs loop), and punching new sounds (or silences) in and out. =A0Alternati=
vely, similar results can be obtained using the Mini-Kaoss pad, patch 77, l=
oop sampler (max. 2 secs loop), albeit slightly less predictable.<br>

<br>
Stephen<br>
<a href=3D"http://www.myspace.com/sylvianfisher" target=3D"_blank">www.mysp=
ace.com/sylvianfisher</a><br>
<br>
<br>
--- On Wed, 27/5/09, Ariel Rzezak &lt;<a href=3D"mailto:arzezak@gmail.com">=
arzezak@gmail.com</a>&gt; wrote:<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br>

--001636c5b0ee090954046aecdd88--

From Loopers-Delight-request@loopers-delight.com  Wed May 27 23:55:19 2009
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Date: Thu, 28 May 2009 08:55:13 +0900
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Subject: Re: New "Rigs" videos featuring Thomas Dimuzio
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At 11:26 AM +0200 5/27/09, Per Boysen wrote:
>That was great, Matt! Regarding 4:30 it's like The Real Thing starts
>around there. And it gets really cool by 6:30 and leading out.

I'll second that: I'm loving the Dimuzio interview!

Frack!  Now he's got me wanting a Kurzweil 2600, though.  Like I need 
another case of GAS.  :P

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 02:25:56 2009
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Subject: ESTING TESTING TESTING . . . . AGAIN
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For some reason I keep getting kicked off the list every week or few days or
so.

I've created a Gmail account just so I can continue on the list.

--0016364d2b09ee6d69046aefad24
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For some reason I keep getting kicked off the list every week or few days or so.<br><br>I&#39;ve created a Gmail account just so I can continue on the list.<br><br><br>

--0016364d2b09ee6d69046aefad24--

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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: ESTING TESTING TESTING . . . . AGAIN
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I thought it was just me Ted, hmm maybe they want to dump the hardware =
guys? :) nah!

With Gmail I had an issue but I think I'll try again.

J
  ----- Original Message -----=20
  From: Ted Killian=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 27, 2009 10:25 PM
  Subject: ESTING TESTING TESTING . . . . AGAIN


  For some reason I keep getting kicked off the list every week or few =
days or so.

  I've created a Gmail account just so I can continue on the list.



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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I thought it was just me Ted, hmm maybe =
they want=20
to dump the hardware guys? :) nah!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>With Gmail I had an issue but I think =
I'll try=20
again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtedrkillian@gmail.com =
href=3D"mailto:tedrkillian@gmail.com">Ted=20
  Killian</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 27, 2009 =
10:25=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> ESTING TESTING TESTING =
. . . .=20
  AGAIN</DIV>
  <DIV><BR></DIV>For some reason I keep getting kicked off the list =
every week=20
  or few days or so.<BR><BR>I've created a Gmail account just so I can =
continue=20
  on the list.<BR><BR><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 05:28:01 2009
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Date: Thu, 28 May 2009 07:27:58 +0200 (CEST)
Subject: Re: Virtual Music Festival
From: "microphonics" <microphonics@vidnaobmana.be>
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hi Rainer,

I'm definitely interested in hearing more on this and how we can set this
up from our personal home studios...

Keep me in the loop, thanks,

Dirk.

www.microphonics.be
www.myspace.com/mymicrophonics


> Just curious...
>
> who among you would be interested to participate in a "virtual music
> festival"?
>
> Players perform by sending an A/V stream, the audience listens/watches
> via e.g. ustream.
>
> I'd be interested in answers both from prospective performers and
> people involved in the administration/organisation.
>
> Replies off-list, please.
>
> Thanks,
>
>             Rainer
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://www.twitter.com/moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=117329
>



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> the rack is really heavy and i'm not getting any younger.... 
 
hi Sim,
 
these is the main reason why I ditched my rack and replaced everything with
software (I'm using Bidule too but on a Windows laptop). You probably won't
be able to recreate everything exactly as it was but then, you'll be finding
many new exciting possibilities. I'm very happy with this and still
experimenting ... and contrary to what Andy says, all these new
possibilities sparked my musical imagination big time.
 
-Michael

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<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009>&gt; =
</SPAN>the rack is=20
really heavy and i'm not getting any younger....<SPAN=20
class=3D078271906-28052009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2>hi Sim,</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2>these is the main reason why I ditched my rack and replaced =
everything=20
with software (I'm using Bidule too but on a Windows laptop). You =
probably won't=20
be able to recreate everything exactly as it was but then, you'll be =
finding=20
many new&nbsp;exciting possibilities.</FONT>&nbsp;<FONT face=3DArial =
size=3D2>I'm=20
very happy with this and still experimenting ... and contrary to what =
Andy says,=20
all these new possibilities sparked my musical imagination big=20
time.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D078271906-28052009><FONT =
face=3DArial=20
size=3D2>-Michael</FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 07:20:08 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: thinking about moving from rack to laptop...advice please!
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Michael Peters wrote:
> happy with this and still experimenting ... and contrary to what Andy 
> says, all these new possibilities sparked my musical imagination big time.

:-)
beautiful

From Loopers-Delight-request@loopers-delight.com  Thu May 28 08:44:38 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Meditative looping improvisation, and some thughst regarding
 improvised live looping..
Date: Thu, 28 May 2009 08:44:37 +0000
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Trying to keep the loop rhythmic and uncluttered.. yet evolving and interes=
ting... keeping the same cycle length... EDP is the looper...=20

http://soundclick.com/share?songid=3D7638279

=20

Just guitar amp and delay + EDP.. got KP3 a few days ago I will try to use =
that in future live loops. Any experience of using Kaoss KP3 for live loopi=
ng??

=20

when i read this by Matthias Grob recognised myself in BIG way..

http://www.loopers-delight.com/tips/Plhints.html#hint16

Looping for my is meditative activity that gives me a LOT.. Reacting to wha=
t I hear=2C making mistakes in to something meaningful..=20

I also enjoy presenting the improvisations in a raw form so that the listen=
er hears the process=2C the good and the bad.. maybe not the listener frien=
dliest way of presenting the music=2C OR?

=20

=20

Keep looping=2C Anders

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body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Trying to keep the loop rhythmic and uncluttered.. yet evolving and interes=
ting... keeping the same cycle length... EDP is the looper... <BR>
<A href=3D"http://soundclick.com/share?songid=3D7638279" target=3D_blank><F=
ONT color=3D#22229c>http://soundclick.com/share?songid=3D7638279</FONT></A>=
<BR>
&nbsp=3B<BR>
Just guitar amp and delay + EDP.. got KP3 a few days ago I will try to use =
that in future live loops. Any experience of using Kaoss KP3 for live loopi=
ng??<BR>
&nbsp=3B<BR>
when i read&nbsp=3Bthis by Matthias Grob recognised myself in BIG way..<BR>
<A href=3D"http://www.loopers-delight.com/tips/Plhints.html#hint16">http://=
www.loopers-delight.com/tips/Plhints.html#hint16</A><BR>
Looping for my is meditative activity that gives me a LOT.. Reacting to wha=
t I hear=2C making mistakes in to something meaningful.. <BR>
I also enjoy presenting the improvisations in a raw form so that the listen=
er hears the process=2C the good and the bad.. maybe not the listener frien=
dliest way of presenting the music=2C OR?<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
Keep looping=2C Anders<BR></body>
</html>=

--_19a698c7-5485-42f8-be16-071d2fc25a02_--

From Loopers-Delight-request@loopers-delight.com  Thu May 28 09:17:30 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Thu, 28 May 2009 11:20:17 +0200
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If you decide about keeping the rack or choose a laptop for
looping , you should know if you like computers or not.
I personally have to handle my laptop at work all day, using it for
writing e-mails, contracts, most communication etc.
I am always happy to turn off the PC after work and
when playing guitar , keeping it in a kind of ANALOG way (although
the devices are digital , but you know what I mean). Turning knobs,
plug in cables, I like that stuff, you know.
I am using the following gear, also for live-gigs - if I have some:
- Fender Telecaster; Micro Korg synthesizer
- 2 small guitar amps (Laney / Roland) for playing stereo
- Boss GT 8 guitar processor
- For looping: Boss RC 50 ; sometimes just the smaller Boss DD 20
- and a mixer
That=B4s it. Not so much equipement, which makes me quite flexible.
No heavy stuff. So even if you play live very often, it is doable.
Christo
www.christojota.de

  ----- Original Message -----=20
  From: Simeon Harris=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 27, 2009 2:50 PM
  Subject: thinking about moving from rack to laptop...advice please!


  ok, so my current setup is this...

  triaxis preamp
  tc g-force
  eventide eclipse

  split into=20
  tc d2 delay
  looperlative (with kaoss pad and lexicon mpx-1 in aux sends)

  all running into a rack mixer and into a mesa 20/20 poweramp and =
marshall cabs

  i've been contemplating ditching all the rack fx and replacing them =
with a mac laptop (keeping the triaxis and 20/20)

  my system at the moment is preset based - i have about 60 sounds =
available with cc pedals for variation, with the g-force and eclipse =
working in tandem
  the lp-1 is controlled by a separate midi controller and i have a =
control surface as well (which also controls the d2 and lexicon)

  i'd like ot be able to kinda recreate this lot in a laptop

  so i'm thinking about which plugin host will work best, bearing in =
mind that i don't really want to have to launch loads of separate =
programs on startup and i need everything to be synced to midi clock and =
i also need to be able to control it all via midi

  i'm thinking of using guitar rig for the basic fx, with extra plugins =
(including reaktor) for more sonic manipulation....with sooperlooper and =
augustus loop running in parallel and feeding more plugins

  ableton live looks like a good bet, but i'd really just be using the =
mixer...but it's nice and stable.=20

  so my questions are - will i be able to set up a bunch of plugins on =
one midi channel and put the loopers on other channels, so i can control =
everything the way i am now

  any other plugin hosts (for audiounits) that might be worth looking =
at? is mainstage worth considering?

  any help would be greatly appreciated!

  sim





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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>If you decide about keeping the rack or =
choose a=20
laptop for</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>looping , you should know if you like =
computers or=20
not.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I personally have to handle my laptop =
at work all=20
day, using it for</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>writing e-mails, contracts, most =
communication=20
etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I am always happy to turn off the PC =
after work=20
and</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>when playing guitar , keeping it in a =
kind of=20
ANALOG way (although</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the devices are digital , but you know =
what I=20
mean). Turning knobs,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>plug in cables, I like that stuff, you=20
know.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I am using the following gear, also for =
live-gigs -=20
if I have some:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- Fender Telecaster; Micro Korg=20
synthesizer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- 2 small guitar amps (Laney / Roland) =
for playing=20
stereo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- Boss GT 8 guitar =
processor</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- For looping: Boss RC 50 ; sometimes =
just the=20
smaller Boss DD 20</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- and a mixer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>That=B4s it. Not so much equipement, =
which makes me=20
quite flexible.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>No heavy stuff. So even if you play =
live very=20
often, it is doable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:simeonharris40@googlemail.com"=20
  title=3Dsimeonharris40@googlemail.com>Simeon Harris</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 27, 2009 =
2:50=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> thinking about moving =
from rack=20
  to laptop...advice please!</DIV>
  <DIV><BR></DIV>ok, so my current setup is this...<BR><BR>triaxis =
preamp<BR>tc=20
  g-force<BR>eventide eclipse<BR><BR>split into <BR>tc d2 =
delay<BR>looperlative=20
  (with kaoss pad and lexicon mpx-1 in aux sends)<BR><BR>all running =
into a rack=20
  mixer and into a mesa 20/20 poweramp and marshall cabs<BR><BR>i've =
been=20
  contemplating ditching all the rack fx and replacing them with a mac =
laptop=20
  (keeping the triaxis and 20/20)<BR><BR>my system at the moment is =
preset based=20
  - i have about 60 sounds available with cc pedals for variation, with =
the=20
  g-force and eclipse working in tandem<BR>the lp-1 is controlled by a =
separate=20
  midi controller and i have a control surface as well (which also =
controls the=20
  d2 and lexicon)<BR><BR>i'd like ot be able to kinda recreate this lot =
in a=20
  laptop<BR><BR>so i'm thinking about which plugin host will work best, =
bearing=20
  in mind that i don't really want to have to launch loads of separate =
programs=20
  on startup and i need everything to be synced to midi clock and i also =
need to=20
  be able to control it all via midi<BR><BR>i'm thinking of using guitar =
rig for=20
  the basic fx, with extra plugins (including reaktor) for more sonic=20
  manipulation....with sooperlooper and augustus loop running in =
parallel and=20
  feeding more plugins<BR><BR>ableton live looks like a good bet, but =
i'd really=20
  just be using the mixer...but it's nice and stable. <BR><BR>so my =
questions=20
  are - will i be able to set up a bunch of plugins on one midi channel =
and put=20
  the loopers on other channels, so i can control everything the way i =
am=20
  now<BR><BR>any other plugin hosts (for audiounits) that might be worth =
looking=20
  at? is mainstage worth considering?<BR><BR>any help would be greatly=20
  appreciated!<BR><BR>sim<BR><BR><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0157_01C9DF86.47C64E40--

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	 <004d01c9df5c$de0fea20$14b2a8c0@mpeserver>
	 <4A1E3E0E.7090400@tiscali.co.uk>
Date: Thu, 28 May 2009 10:25:20 +0100
Message-ID: <d302e3570905280225r61af5459qbd39589f375d8a7f@mail.gmail.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
From: Simeon Harris <simeonharris40@googlemail.com>
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fantastic discussion, guys. it looks like midi and the way it's handled by
the host may be the deciding factor. sottilaro's ableton setup is almost
exactly what i had in mind originally, but having messed around with bidule
and heard per's comments on mainstage, i'm on the fence at the moment. i
think i'll have to "mock up" various setups on my imac first to see how they
work before taking the plunge and getting a laptop. if i have anything
interesting to report, or useful comparisons to make, i'll try and post my
conclusions here. its going to be a tough process, because i'm really in
love with my soundset, but i've had it a while now and i think it's time for
a change. i could spend several weeks reprogramming all my patches, but i'll
have to do that with a new laptop setup anyway....

On Thu, May 28, 2009 at 8:32 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Michael Peters wrote:
>
>> happy with this and still experimenting ... and contrary to what Andy
>> says, all these new possibilities sparked my musical imagination big time.
>>
>
> :-)
> beautiful
>
>

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Content-Type: text/html; charset=ISO-8859-1
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fantastic discussion, guys. it looks like midi and the way it&#39;s handled=
 by the host may be the deciding factor. sottilaro&#39;s ableton setup is a=
lmost exactly what i had in mind originally, but having messed around with =
bidule and heard per&#39;s comments on mainstage, i&#39;m on the fence at t=
he moment. i think i&#39;ll have to &quot;mock up&quot; various setups on m=
y imac first to see how they work before taking the plunge and getting a la=
ptop. if i have anything interesting to report, or useful comparisons to ma=
ke, i&#39;ll try and post my conclusions here. its going to be a tough proc=
ess, because i&#39;m really in love with my soundset, but i&#39;ve had it a=
 while now and i think it&#39;s time for a change. i could spend several we=
eks reprogramming all my patches, but i&#39;ll have to do that with a new l=
aptop setup anyway....<br>
<br><div class=3D"gmail_quote">On Thu, May 28, 2009 at 8:32 AM, andy butler=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@t=
iscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex;=
 padding-left: 1ex;">
<div class=3D"im">Michael Peters wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
happy with this and still experimenting ... and contrary to what Andy says,=
 all these new possibilities sparked my musical imagination big time.<br>
</blockquote>
<br></div>
:-)<br>
beautiful<br>
<br>
</blockquote></div><br>

--001485f1dd84f334d6046af5897d--

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Date: Thu, 28 May 2009 11:40:54 +0200
Message-ID: <66f9cc1e0905280240v64ac3036vb9cdad0ac700c075@mail.gmail.com>
Subject: Re: Meditative looping improvisation, and some thughst regarding 
	improvised live looping..
From: Per Boysen <perboysen@gmail.com>
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On Thu, May 28, 2009 at 10:44 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> when i read=C2=A0this by Matthias Grob recognised myself in BIG way..
> http://www.loopers-delight.com/tips/Plhints.html#hint16
> Looping for my is meditative activity that gives me a LOT.. Reacting to w=
hat
> I hear, making mistakes in to something meaningful..
> I also enjoy presenting the improvisations in a raw form so that the
> listener hears the process, the good and the bad.. maybe not the listener
> friendliest way of presenting the music, OR?


I think many on this list agree with you this! And I think Matthias is
just a bit too humble. When we toured together here in Sweden back in
2003 there were some occasions where he made a tremendous impact on
listeners by playing an improvised piece that basically started as one
long note. Then adding layers and layers of the same note, like a
droan mantra, slowly expanding it to become more melodic and finally
sounding quite string orchestra like (polyphonic distortion guitar,
one dist per string).

When I do a lecture or a clinic I like to start out discussing what
music is. The background is that music is often, inaccurately, filed
under "entertainment". In my opinion musicians and composers are
actually closer to doctors, health care staff, fire brigades,
therapists etc. What we do offers people an option to heal themselves
by tuning in with the most universal of all languages. That's where
the focus should be.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu May 28 10:05:42 2009
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Subject: Re: Meditative looping improvisation, and some thughst regarding improvised live looping..
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"In my opinion musicians and composers are
actually closer to doctors, health care staff, fire brigades,
therapists etc. What we do offers people an option to heal themselves
by tuning in with the most universal of all languages. That's where
the focus should be." (Per Boysen wrote)

ThatÂ´s what music could be, Per ! And then it is magic !


----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 28, 2009 11:40 AM
Subject: Re: Meditative looping improvisation, and some thughst regarding
improvised live looping..


On Thu, May 28, 2009 at 10:44 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> when i read this by Matthias Grob recognised myself in BIG way..
> http://www.loopers-delight.com/tips/Plhints.html#hint16
> Looping for my is meditative activity that gives me a LOT.. Reacting to
what
> I hear, making mistakes in to something meaningful..
> I also enjoy presenting the improvisations in a raw form so that the
> listener hears the process, the good and the bad.. maybe not the listener
> friendliest way of presenting the music, OR?


I think many on this list agree with you this! And I think Matthias is
just a bit too humble. When we toured together here in Sweden back in
2003 there were some occasions where he made a tremendous impact on
listeners by playing an improvised piece that basically started as one
long note. Then adding layers and layers of the same note, like a
droan mantra, slowly expanding it to become more melodic and finally
sounding quite string orchestra like (polyphonic distortion guitar,
one dist per string).

When I do a lecture or a clinic I like to start out discussing what
music is. The background is that music is often, inaccurately, filed
under "entertainment". In my opinion musicians and composers are
actually closer to doctors, health care staff, fire brigades,
therapists etc. What we do offers people an option to heal themselves
by tuning in with the most universal of all languages. That's where
the focus should be.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


From Loopers-Delight-request@loopers-delight.com  Thu May 28 13:17:16 2009
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Date: Thu, 28 May 2009 10:17:15 -0300
Message-ID: <97e289ef0905280617t6e6cc101o41e151846bf10c14@mail.gmail.com>
Subject: Re: FreeWave: Debut RadioBoise.org Show on Free Improv, Creative, 
	Experimental, and Electro-Acoustic Music
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very nice! i invite you to check this music/lyrics improvisation
project from Buenos Aires. our idea is always start from zero and see
what happens every time. www.myspace.com/musicadeorsa
thanks!

On Mon, May 25, 2009 at 12:18 AM, Krispen Hartung
<info@krispenhartung.com> wrote:
> Every other Saturday. So my next show will be in 13 days. I'm glad you
> enjoyed it!
>
> Kris
>
> ----- Original Message -----
>
> Kris this is really great! =A0listening now and really digging the dark
> percussion/piano/sax and voice stuff. =A0How often are you going to produ=
ce
> this?
> Jim
>
> On Sat, May 23, 2009 at 3:04 PM, Krispen Hartung <info@krispenhartung.com=
>
> wrote:
>>
>> Playing now....
>>
>> FreeWave
>> http://radioboise.org/=A0 (Saturday, May=A023 from 1-3pm Mountain Standa=
rd
>> Time - MST)
>> Click "LISTEN HERE"
>>
>> If you miss it, the link to the podcast will appear tonight at
>> http://radio-boise-freewave.blogspot.com/
>>
>> "FreeWave features music within the free improvisation, electro-acoustic=
,
>> experimental, and creative music genres. From the complex and frenzied s=
ax
>> expressions of Evan Parker to the extraterrestrial sounds of Sun Ra,
>> FreeWave is all this and more, into the obscure and beyond with the new
>> millennium=92s creative electro-acoustic music scene. FreeWave will push=
 your
>> listening boundaries into new and challenging territories of creative mu=
sic.
>> Not for the faint of heart or remotely formulaic and predictable, FreeWa=
ve
>> will alter your musical perspectives irrevocably."
>>
>> Play List
>>
>> Artist(s): Evan Parker, Ghost in the Machine, and Martin Klapper
>> Song: Magnitude
>> Album: New Excursions (recorded live at the Copenhagen International
>> Experimental Festival)
>>
>> Artist(s): Muhal Richard Abrams, George Lewis, and Roscoe Mitchell
>> Song: Soundhear
>> Album: Streaming
>>
>> Artist(s): Bob Ostertag, Phil Minton, Gerry Hemingway, Mark Dresser
>> Song: Ink
>> Album: Verbatim, Flesh and Blood
>>
>> Artist(s): John Coltrane
>> Song: Mars
>> Album: Interstellar Space
>>
>> Artist(s): Dempa (Pianist Aki Takase (Japan), violinist Aleksander
>> Kolkowski (England) and drummer Tony Buck (Australia)
>> Song: Where Europe Begins....
>> Album: Nine Fragments
>>
>> Artist(s): Derek Bailey and Agusti Fernandez
>> Song: Casa Leopoldo
>> Album: Barcelona
>>
>> Artist(s): Cecil Taylor
>> Song: Enter, Evening (Soft Line Structure)
>> Album: Unit Structures
>>
>> Artist(s): Emily Hay and Motoko Honda
>> Song: 2008 Boise Experimental Music Festival - Friday
>> Album: n/a
>>
>> Cheers,
>>
>> Kris
>>
>> Kris Hartung
>> www.krispenhartung.com
>> http://b-cimf.com
>>
>> http://www.facebook.com/pages/Boise-Creative-and-Improvised-Music-Festiv=
al/37918746335
>> http://www.myspace.com/boiseexperimentalmusicfestival
>> info@krispenhartung.com
>> 1-208-724-5603
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 28 14:43:21 2009
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Subject: Looperlative questions
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I'm contemplating moving from the EDP to the Looperlative. Yeah, it  
would be nice to keep both, but part of the point of this is to reduce  
rack space consumption. But this leads to some questions:

* Am I correct in my impression that the core model for the  
Looperlative is essentially 8 parallel Line6 DL-4s -- i.e., the  
primary controls are record/overdub and play. Is there even a play  
once function?

* Is there support for multiply? I've seen a chart that says yes. I've  
seen threads that say no. Is this expected to be handled by recording  
a separate loop for the extended portion?

* I've seen talk of a cue function for providing command  
synchronization at various boundaries. Did this ever get implemented?

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Thu May 28 15:05:39 2009
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To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Genetic Basis Of Musical Aptitude
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Genetic Basis Of Musical Aptitude: Neurobiology Of Musicality Related To =
Intrinsic Attachment Behavior
http://www.sciencedaily.com/releases/2009/05/090526093925.htm

"The results suggest that the neurobiology of music perception and =
production is related to the pathways affecting intrinsic attachment =
behavior."

"...music perception and creativity in music are linked to the same =
phenotypic spectrum of human cognitive social skills, like human bonding =
and altruism both associated with AVPR1A. We have shown for the first =
time in the molecular level that music perception has an attachment =
creating impact."

Kris Hartung
info@krispenhartung.com
http://www.krispenhartung.com/personal/
208-724-5603
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<DIV><FONT size=3D2>Genetic Basis Of Musical Aptitude: Neurobiology Of =
Musicality=20
Related To Intrinsic Attachment Behavior</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.sciencedaily.com/releases/2009/05/090526093925.htm">ht=
tp://www.sciencedaily.com/releases/2009/05/090526093925.htm</A></FONT></D=
IV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"The results suggest that the =
neurobiology of music=20
perception and production is related to the pathways affecting intrinsic =

attachment behavior."</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"...music perception and creativity in =
music are=20
linked to the same phenotypic spectrum of human cognitive social skills, =
like=20
human bonding and altruism both associated with AVPR1A. We have shown =
for the=20
first time in the molecular level that music perception has an =
attachment=20
creating impact."</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris Hartung<BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR><A=
=20
href=3D"http://www.krispenhartung.com/personal/">http://www.krispenhartun=
g.com/personal/</A><BR>208-724-5603</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 15:20:07 2009
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Subject: Re: Looperlative questions
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> * Am I correct in my impression that the core model for the  Looperlative 
> is essentially 8 parallel Line6 DL-4s -- i.e., the  primary controls are 
> record/overdub and play. Is there even a play  once function?

No, that isn't correct.  The LP1 is 8 parallel stereo loopers.  However, it 
is more powerful the the DL-4.  It is possible to program a button to do the 
play once function.

> * Is there support for multiply? I've seen a chart that says yes. I've 
> seen threads that say no. Is this expected to be handled by recording  a 
> separate loop for the extended portion?

Yes, there is a multiply that lets you extend a loop by multiples of the 
loop length.  In most cases, it is better to use a second track that is 
longer than the first by a multiple.

> * I've seen talk of a cue function for providing command  synchronization 
> at various boundaries. Did this ever get implemented?

The cue function allows for seemless transitions from one section of a song 
to another.  There are a variety of synchronization functions.  What 
specifically are you looking for?

From Loopers-Delight-request@loopers-delight.com  Thu May 28 16:06:15 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC-50 Impressions
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thanks for your in-depth feedback, Andy.

>one thing...I now have greater admiration for anyone who can make this
box work for them.

Nobody said it was easy ;-))

I'd just like to add one general thought:
The RC-50 has it's strenghts and weaknesses. But it also certainly has depth. So I'd like encourage anyone trying it to give it time before jumping to quick conclusions. It has a lot of flexible options worth trying out.

best regards
Buzap


-- 
Nur bis 31.05.: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und
Telefonanschluss nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Thu May 28 16:15:18 2009
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Subject: RE: Looperlative questions
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Eight independent loops that can be synced or not synced, with independence
over track length, track speed, panning, and direction. There are multiply
functions, and both cue and play once functions.  I rarely use the multiply
function as it's just as easy to create a longer loop length than the
original simply by recording a longer loop on a new track.  This is, and I
repeat, a different beast than an EDP, and though they share some
similarities, you would be wise to throw out any preconceived ideas that it
will act like an EDP.
 Bill
-----Original Message-----
From: Mark Hamburg [mailto:mark@grubmah.com] 
Sent: Thursday, May 28, 2009 7:37 AM
To: Loopers-Delight@loopers-delight.com
Subject: Looperlative questions

I'm contemplating moving from the EDP to the Looperlative. Yeah, it  
would be nice to keep both, but part of the point of this is to reduce  
rack space consumption. But this leads to some questions:

* Am I correct in my impression that the core model for the  
Looperlative is essentially 8 parallel Line6 DL-4s -- i.e., the  
primary controls are record/overdub and play. Is there even a play  
once function?

* Is there support for multiply? I've seen a chart that says yes. I've  
seen threads that say no. Is this expected to be handled by recording  
a separate loop for the extended portion?

* I've seen talk of a cue function for providing command  
synchronization at various boundaries. Did this ever get implemented?

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Thu May 28 16:32:16 2009
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" I'm contemplating moving from the EDP to the Looperlative."

Best thing I ever did.

Dave

> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Looperlative questions
> Date: Thu=2C 28 May 2009 09:15:11 -0700
>=20
> Eight independent loops that can be synced or not synced=2C with independ=
ence
> over track length=2C track speed=2C panning=2C and direction. There are m=
ultiply
> functions=2C and both cue and play once functions.  I rarely use the mult=
iply
> function as it's just as easy to create a longer loop length than the
> original simply by recording a longer loop on a new track.  This is=2C an=
d I
> repeat=2C a different beast than an EDP=2C and though they share some
> similarities=2C you would be wise to throw out any preconceived ideas tha=
t it
> will act like an EDP.
>  Bill
> -----Original Message-----
> From: Mark Hamburg [mailto:mark@grubmah.com]=20
> Sent: Thursday=2C May 28=2C 2009 7:37 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Looperlative questions
>=20
> I'm contemplating moving from the EDP to the Looperlative. Yeah=2C it =20
> would be nice to keep both=2C but part of the point of this is to reduce =
=20
> rack space consumption. But this leads to some questions:
>=20
> * Am I correct in my impression that the core model for the =20
> Looperlative is essentially 8 parallel Line6 DL-4s -- i.e.=2C the =20
> primary controls are record/overdub and play. Is there even a play =20
> once function?
>=20
> * Is there support for multiply? I've seen a chart that says yes. I've =20
> seen threads that say no. Is this expected to be handled by recording =20
> a separate loop for the extended portion?
>=20
> * I've seen talk of a cue function for providing command =20
> synchronization at various boundaries. Did this ever get implemented?
>=20
> Thanks.
> Mark
>=20

_________________________________________________________________
Windows Live helps you keep up with all your friends=2C in one place.
http://go.microsoft.com/?linkid=3D9660826=

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<br>" I'm contemplating moving from the EDP to the Looperlative."<br><br>Be=
st thing I ever did.<br><br>Dave<br><br>&gt=3B From: billwalker@baymoon.com=
<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: RE: L=
ooperlative questions<br>&gt=3B Date: Thu=2C 28 May 2009 09:15:11 -0700<br>=
&gt=3B <br>&gt=3B Eight independent loops that can be synced or not synced=
=2C with independence<br>&gt=3B over track length=2C track speed=2C panning=
=2C and direction. There are multiply<br>&gt=3B functions=2C and both cue a=
nd play once functions.  I rarely use the multiply<br>&gt=3B function as it=
's just as easy to create a longer loop length than the<br>&gt=3B original =
simply by recording a longer loop on a new track.  This is=2C and I<br>&gt=
=3B repeat=2C a different beast than an EDP=2C and though they share some<b=
r>&gt=3B similarities=2C you would be wise to throw out any preconceived id=
eas that it<br>&gt=3B will act like an EDP.<br>&gt=3B  Bill<br>&gt=3B -----=
Original Message-----<br>&gt=3B From: Mark Hamburg [mailto:mark@grubmah.com=
] <br>&gt=3B Sent: Thursday=2C May 28=2C 2009 7:37 AM<br>&gt=3B To: Loopers=
-Delight@loopers-delight.com<br>&gt=3B Subject: Looperlative questions<br>&=
gt=3B <br>&gt=3B I'm contemplating moving from the EDP to the Looperlative.=
 Yeah=2C it  <br>&gt=3B would be nice to keep both=2C but part of the point=
 of this is to reduce  <br>&gt=3B rack space consumption. But this leads to=
 some questions:<br>&gt=3B <br>&gt=3B * Am I correct in my impression that =
the core model for the  <br>&gt=3B Looperlative is essentially 8 parallel L=
ine6 DL-4s -- i.e.=2C the  <br>&gt=3B primary controls are record/overdub a=
nd play. Is there even a play  <br>&gt=3B once function?<br>&gt=3B <br>&gt=
=3B * Is there support for multiply? I've seen a chart that says yes. I've =
 <br>&gt=3B seen threads that say no. Is this expected to be handled by rec=
ording  <br>&gt=3B a separate loop for the extended portion?<br>&gt=3B <br>=
&gt=3B * I've seen talk of a cue function for providing command  <br>&gt=3B=
 synchronization at various boundaries. Did this ever get implemented?<br>&=
gt=3B <br>&gt=3B Thanks.<br>&gt=3B Mark<br>&gt=3B <br><br /><hr />Windows L=
ive helps you keep up with all your friends=2C  <a href=3D'http://go.micros=
oft.com/?linkid=3D9660824' target=3D'_new'>in one place.</a></body>
</html>=

--_1c283a7f-1269-4db6-807f-b4afa7aed6bc_--

From PaulSiggers@mail.financier.com  Thu May 28 16:39:31 2009
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From: "Paul Siggers"<PaulSiggers@mail.financier.com>
Subject: STRICTLY CONFIDENTIAL
Date: Thu, 28 May 2009 12:32:41 -0400
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To: undisclosed-recipients:;

Warmest greetings to you as I write to you and I hope this letter meets you in good health.
 
I am Paul Siggers, the Auditing Director for Fidelity Finance(UK). I write to you on behalf of one of our clients Miss Zainab Abdullah. She has an account with our finance firm which is an inheritance from her late father who passed away in 2006.
   
The purpose of writing you is to seek your support and to partner with our client in investing the fund in the aforesaid account which totals $8,500,000.00USD(Eight million, five hundred thousand USdollars). I hereby solicit your confidence to work with us so this investment can become a reality. She intends to invest the funds outside the UK because the taxes and duties here are too high and more importantly she may not be able to handle it all alone considering the amount involved.
   
Miss Zainab Abdullah has since been notified in respect of the aforementioned fund because the account has never been operated since her father passed away in 2006. The account may be declared unserviceable if nothing is done about it by the end of this financial year. However, your consent and agreement to partner with Miss Zainab Abdullah in the business with the help and guide of our organization is what counts. This funds can be approved to you legally with all the necessary documents and approvals in your name. Also, you will be provided with the proof of claim and also be guided on how to make your applications. 
   
Please do get back to me as soon as possible so that I can intimate you with detailed information on the modalities of this proposal. I would advice you to please keep this proposal absolutely confidential so as to avoid the problem of misrepresentation. I am trusting you with the mandate to collect the above funds, manage and invest same should you accept this proposal. The percentage due to you in the investment shall be worked out upon agreement to partner with our client.
 
Thanking you for your attention as I look forward to your prompt response at my email address fidelityenquiries@financier.com
 
Best Regards, 
   
Paul Siggers
Head, Audit Control
Fidelity Finance(UK)
fidelityenquiries@financier.com

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Quoting Mark Hamburg <mark@grubmah.com>:

> I'm contemplating moving from the EDP to the Looperlative. Yeah, it
> would be nice to keep both, but part of the point of this is to reduce
> rack space consumption. But this leads to some questions:
>
> * Am I correct in my impression that the core model for the
> Looperlative is essentially 8 parallel Line6 DL-4s -- i.e., the primary
> controls are record/overdub and play. Is there even a play once
> function?
>
For each user-defined function, you can program up to eight commands.  =20
Thus, a user-defined "Play Once" would have two steps: "Play Now" then =20
"Stop".

The loop would start immediately and will stop when it reaches the end =20
of the loop.

The User-defined commands are available via 4 programmable user =20
buttons on the front panel, MIDI CC messages, and MIDI PGM Change =20
messages.  (My wish list item is to allow Note messages to be =20
programmable, too.)
>
> * Is there support for multiply? I've seen a chart that says yes. I've
> seen threads that say no. Is this expected to be handled by recording a
> separate loop for the extended portion?
>
Yes, you can multiply like crazy!

For example, you could record one bar then expand it to 12 by programming:

"Double" then "Triple".  Note that, given the eight steps, you could =20
create very large mults with a single command.
>
> * I've seen talk of a cue function for providing command
> synchronization at various boundaries. Did this ever get implemented?
>
>
There is a cue command, but I haven't put it to use yet.  I've owned =20
my LP1 for 1 1/2 years and I'm still exploring it.

-- Kevin

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Subject: Re: Looperlative questions (correction)
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Correction

I wrote:
>
> For example, you could record one bar then expand it to 12 by programming:
>
> "Double" then "Triple".
>
I should have written:
   "Quaduple" then Triple"

-- Kevin


From Loopers-Delight-request@loopers-delight.com  Thu May 28 17:57:37 2009
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	 <D6C941172C5D43438BD67A215BC2D850@bobdell>
Date: Thu, 28 May 2009 18:57:36 +0100
Message-ID: <d302e3570905281057y64e919b0wecde5a3865f58455@mail.gmail.com>
Subject: Re: Looperlative questions
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f7cb5cf27884046afcb150
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i think what mark's getting at here are the quantisation features we were
discussing a while ago. one of the ideas put forward was to insert a
function into a string of commands which would then quantise those commands
following the function according to some global, or non-global, criteria.
the aim was to quantise certain behaviours so they occurred at the loop
boundary (for example).

this hasn't been implemented yet, but i think bob is thinking about
it....although there is a replace function which can be quantised to occur
at a user defined subdivision of the loop length. (mucho fun with a
momentary pedal and the number of subdivisions can be different for each
loop)

sim

On Thu, May 28, 2009 at 4:20 PM, Bob Amstadt <bob@amstadt.com> wrote:

>
>
>  * I've seen talk of a cue function for providing command  synchronization
>> at various boundaries. Did this ever get implemented?
>>
>
> The cue function allows for seemless transitions from one section of a song
> to another.  There are a variety of synchronization functions.  What
> specifically are you looking for?
>
>

--001485f7cb5cf27884046afcb150
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i think what mark&#39;s getting at here are the quantisation features we we=
re discussing a while ago. one of the ideas put forward was to insert a fun=
ction into a string of commands which would then quantise those commands fo=
llowing the function according to some global, or non-global, criteria. the=
 aim was to quantise certain behaviours so they occurred at the loop bounda=
ry (for example). <br>
<br>this hasn&#39;t been implemented yet, but i think bob is thinking about=
 it....although there is a replace function which can be quantised to occur=
 at a user defined subdivision of the loop length. (mucho fun with a moment=
ary pedal and the number of subdivisions can be different for each loop)<br=
>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, May 28, 2009 at 4:20 PM, =
Bob Amstadt <span dir=3D"ltr">&lt;<a href=3D"mailto:bob@amstadt.com">bob@am=
stadt.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br><div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
* I&#39;ve seen talk of a cue function for providing command =A0synchroniza=
tion at various boundaries. Did this ever get implemented?<br>
</blockquote>
<br></div>
The cue function allows for seemless transitions from one section of a song=
 to another. =A0There are a variety of synchronization functions. =A0What s=
pecifically are you looking for?<br>
<br>
</blockquote></div><br>

--001485f7cb5cf27884046afcb150--

From Loopers-Delight-request@loopers-delight.com  Thu May 28 18:22:21 2009
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From:  <trkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Genetic Basis Of Musical Aptitude
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Very interesting Kris.

---- Krispen Hartung <info@krispenhartung.com> wrote: 

=============
Genetic Basis Of Musical Aptitude: Neurobiology Of Musicality Related To Intrinsic Attachment Behavior
http://www.sciencedaily.com/releases/2009/05/090526093925.htm

"The results suggest that the neurobiology of music perception and production is related to the pathways affecting intrinsic attachment behavior."

"...music perception and creativity in music are linked to the same phenotypic spectrum of human cognitive social skills, like human bonding and altruism both associated with AVPR1A. We have shown for the first time in the molecular level that music perception has an attachment creating impact."

Kris Hartung
info@krispenhartung.com
http://www.krispenhartung.com/personal/
208-724-5603

From Loopers-Delight-request@loopers-delight.com  Thu May 28 18:50:41 2009
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Subject: Re: OT: Genetic Basis Of Musical Aptitude
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This explains loopers.  Completely rampantly overactive AVPR1A gene!

Reid
Think
Pay attention

The job of a citizen is to keep his mouth open.  - Gunter Grass

----- Original Message ----- 
From: <trkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Krispen Hartung" <info@krispenhartung.com>
Sent: Thursday, May 28, 2009 11:22 AM
Subject: Re: OT: Genetic Basis Of Musical Aptitude


Very interesting Kris.

---- Krispen Hartung <info@krispenhartung.com> wrote:

=============
Genetic Basis Of Musical Aptitude: Neurobiology Of Musicality Related To Intrinsic Attachment Behavior
http://www.sciencedaily.com/releases/2009/05/090526093925.htm

"The results suggest that the neurobiology of music perception and production is related to the pathways affecting intrinsic
attachment behavior."

"...music perception and creativity in music are linked to the same phenotypic spectrum of human cognitive social skills, like human
bonding and altruism both associated with AVPR1A. We have shown for the first time in the molecular level that music perception has
an attachment creating impact."

Kris Hartung
info@krispenhartung.com
http://www.krispenhartung.com/personal/
208-724-5603

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Date: Thu, 28 May 2009 12:34:29 -0700
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Me too.  Before I I wanted to use my drum machine as a carrier for a
vocoder, it involved a bunch of reconfiguring of a very complex set
up. 9 out of 10 times I'd think of something and realize the work I
had to do to move things around and repatch everything and I'd give
up.  If a cool idea took nearly an evening to set up and get working
right, and there are not many evenings I could spend doing music in
the first place, you have to make sacrifices.  Sometimes I'd buy
duplicates of gear for dedicated processing just to get more
flexibility.

Now, I don't make those sacrifices.   Oh, and that vocoder?  When I
bought the hardware one it was a single entity.  Now it can be as many
as my processor allows.  Same with all the synths and effects.  A
configuration that would take all night to set up and thousands of
dollars to duplicate now happen in minutes.

Yeah, some degree of tactile response has been lost and that's a
shame.  Novation and Automap have done a lot in the way of making the
software world better, but it's not perfect.  I imagine at some point
things like the Jazz Mutant Lemur will be inexpensive enough to become
commonplace and then it's game over: Computers win.  Even now, I'm so
used to programming effects and synth software with a mouse that the
only time I need "control" is via floor pedals (2 Behringer FCB1010s
and a IK Multimedia Stealthpedal do the trick)  I'm an
instrumentalist, not really a knob tweaker.

On Wed, May 27, 2009 at 11:23 PM, Michael Peters <mp@mpeters.de> wrote:
>> the rack is really heavy and i'm not getting any younger....
>
> hi Sim,
>
> these is the main reason why I ditched my rack and replaced everything wi=
th
> software (I'm using Bidule too but on a Windows laptop). You probably won=
't
> be able to recreate everything exactly as it was but then, you'll be find=
ing
> many new=A0exciting possibilities.=A0I'm very happy with this and still
> experimenting ... and contrary to what Andy says, all these new
> possibilities sparked my musical imagination big time.
>
> -Michael

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From: Matt McCabe <lists@finleysound.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Thu, 28 May 2009 12:48:25 -0700
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Simeon,

I would recommend against changing your rig if you are happy with the  
way it sounds.  Yes, the weight factor is always an issue, but you  
aren't going to care if your rig weighs 2 ounces if it sounds like  
crap!  Even with the best software emulations it isn't going to sound  
like your current rig.  Similar?  Probably.  But, is similar good  
enough when you currently have the "voice of god"?

Just my two cents.

Matt

On May 27, 2009, at 6:57 AM, Simeon Harris wrote:

> i'll keep researching....my rig sounds like the voice of god at the  
> moment and there's a software update for the eclipse coming soon as  
> well, so it'll take a fair amount of convincing to make me take the  
> leap...but it's inevitable....eventually...
>
> many thanks
>
> sim

From Loopers-Delight-request@loopers-delight.com  Thu May 28 20:20:55 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Thu, 28 May 2009 23:20:48 +0300
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exactly! :)

i think the best is to have 2 seperate rigs. one with hardware and the =
other with software. the approach, aesthetic on these platform should =
definitely be very different. you can never get the same exact sound on =
software anyway.

i did a tour in usa in march. i recorded an album with miguel frasconi =
in ny. for 2 pieces we recorded his old dave smith analog synthesizer. =
oh my god! what a sound! i could never get that sound using soft synths. =
i would spend hours just get soft synth sounds sit well in the mix. a =
lot of professional producers got tried of this and they have begun to =
use vintage and new analog synths and hardware fx again. also there is a =
new market for tube analog mixers recently. ( tl audio etc )

just a thought.

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
  ----- Original Message -----=20
  From: Matt McCabe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, May 28, 2009 10:48 PM
  Subject: Re: thinking about moving from rack to laptop...advice =
please!


  Simeon,

  I would recommend against changing your rig if you are happy with the  =

  way it sounds.  Yes, the weight factor is always an issue, but you =20
  aren't going to care if your rig weighs 2 ounces if it sounds like =20
  crap!  Even with the best software emulations it isn't going to sound  =

  like your current rig.  Similar?  Probably.  But, is similar good =20
  enough when you currently have the "voice of god"?

  Just my two cents.

  Matt

  On May 27, 2009, at 6:57 AM, Simeon Harris wrote:

  > i'll keep researching....my rig sounds like the voice of god at the  =

  > moment and there's a software update for the eclipse coming soon as  =

  > well, so it'll take a fair amount of convincing to make me take the  =

  > leap...but it's inevitable....eventually...
  >
  > many thanks
  >
  > sim

------=_NextPart_000_0014_01C9DFEA.EF309690
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>exactly! :)</DIV>
<DIV>&nbsp;</DIV>
<DIV>i think the best is to have 2 seperate rigs. one with hardware and =
the=20
other with software. the approach, aesthetic on these platform should =
definitely=20
be very different. you can never get the same exact sound on software=20
anyway.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i did a tour in usa in march. i recorded an album with miguel =
frasconi in=20
ny. for 2 pieces we recorded his old dave smith analog synthesizer. oh =
my god!=20
what a sound! i could never get that sound using soft synths. i would =
spend=20
hours just get soft synth sounds sit well in the mix. a lot of =
professional=20
producers got tried of this and they have begun to use vintage and new =
analog=20
synths and hardware fx again. also there is a new market for tube analog =
mixers=20
recently. ( tl audio etc )</DIV>
<DIV>&nbsp;</DIV>
<DIV>just a thought.</DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlists@finleysound.com =
href=3D"mailto:lists@finleysound.com">Matt=20
  McCabe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 28, 2009 =
10:48=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: thinking about =
moving from=20
  rack to laptop...advice please!</DIV>
  <DIV><BR></DIV>Simeon,<BR><BR>I would recommend against changing your =
rig if=20
  you are happy with the&nbsp; <BR>way it sounds.&nbsp; Yes, the weight =
factor=20
  is always an issue, but you&nbsp; <BR>aren't going to care if your rig =
weighs=20
  2 ounces if it sounds like&nbsp; <BR>crap!&nbsp; Even with the best =
software=20
  emulations it isn't going to sound&nbsp; <BR>like your current =
rig.&nbsp;=20
  Similar?&nbsp; Probably.&nbsp; But, is similar good&nbsp; <BR>enough =
when you=20
  currently have the "voice of god"?<BR><BR>Just my two=20
  cents.<BR><BR>Matt<BR><BR>On May 27, 2009, at 6:57 AM, Simeon Harris=20
  wrote:<BR><BR>&gt; i'll keep researching....my rig sounds like the =
voice of=20
  god at the&nbsp; <BR>&gt; moment and there's a software update for the =
eclipse=20
  coming soon as&nbsp; <BR>&gt; well, so it'll take a fair amount of =
convincing=20
  to make me take the&nbsp; <BR>&gt; leap...but it's=20
  inevitable....eventually...<BR>&gt;<BR>&gt; many =
thanks<BR>&gt;<BR>&gt;=20
sim<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 21:23:40 2009
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Date: Thu, 28 May 2009 14:23:39 -0700
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
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First of all, there is no god, let's get that out of the way. ;)

I notice no depreciation of overall "sound" compared to when I was
hardware bound.  Most hardware these days is software running on
dedicated hardware anyway.  Special dedicated hardware might do it
faster with less latency, but 1+1 is always 2.  This becomes a more
slippery slope when emulating pure analog hardware, but there have
been some amazing advancements over the last few years.   I've owned a
ton of guitar amps over the years (literally a ton) and I don't think
my guitar sound has ever been better than what I'm able to come up
with using various flavors of Amplitube. (note: this is an emulation
of stomp box effects, amps, and a mic'd cab and rack gear, so it's not
going to be the same as a real amp in a room)  As for synths?  I hear
a lot of people say analog hasn't and maybe will never be perfectly
emulated, but I say that's poppycock.  I spent a lot of time looking
for this "analog magic" and I found next to nothing.  Experts are
continuously baffled by blind comparisons.  Listen to some demos of
one of the more "vintagey" VAs I've found:

http://admiralquality.com/products/Poly-Ana/

Guitar players didn't fare really well in this showdown:

http://emusician.com/tutorials/showdown-clubhouse-amp-software/index.html

So, will your software rig sound the same as your current hardware
rig?  No.  It most definitely won't. Will it sound worse?  That's up
to you.   In many ways I think my setup sounds better than it ever
has.   Luckily, most software comes with a demo so you can try before
you buy.


On Thu, May 28, 2009 at 12:48 PM, Matt McCabe <lists@finleysound.com> wrote=
:
> Simeon,
>
> I would recommend against changing your rig if you are happy with the way=
 it
> sounds. =A0Yes, the weight factor is always an issue, but you aren't goin=
g to
> care if your rig weighs 2 ounces if it sounds like crap! =A0Even with the=
 best
> software emulations it isn't going to sound like your current rig. =A0Sim=
ilar?
> =A0Probably. =A0But, is similar good enough when you currently have the "=
voice
> of god"?
>
> Just my two cents.
>
> Matt
>
> On May 27, 2009, at 6:57 AM, Simeon Harris wrote:
>
>> i'll keep researching....my rig sounds like the voice of god at the mome=
nt
>> and there's a software update for the eclipse coming soon as well, so it=
'll
>> take a fair amount of convincing to make me take the leap...but it's
>> inevitable....eventually...
>>
>> many thanks
>>
>> sim
>
>

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 21:47:52 2009
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	 <4A1D448A.5000703@tiscali.co.uk>
	 <EEE5EBDB-EC38-4246-A19F-F2D80976F0AF@con-brio.com>
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Date: Thu, 28 May 2009 23:47:50 +0200
Message-ID: <afb941d0905281447x74154960w18a6e061f855d1ed@mail.gmail.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i think sw is great when the setup needed is really big and you have
to take care of all those zthrillions of good quality cables and
matched connections. this is expensive in hardware, but sound cables
are so extremelly clean in the modular sw world :-).

2009/5/28, Mark Sottilaro <zerocrossing@gmail.com>:
> First of all, there is no god, let's get that out of the way. ;)
>
> I notice no depreciation of overall "sound" compared to when I was
> hardware bound.  Most hardware these days is software running on
> dedicated hardware anyway.  Special dedicated hardware might do it
> faster with less latency, but 1+1 is always 2.  This becomes a more
> slippery slope when emulating pure analog hardware, but there have
> been some amazing advancements over the last few years.   I've owned a
> ton of guitar amps over the years (literally a ton) and I don't think
> my guitar sound has ever been better than what I'm able to come up
> with using various flavors of Amplitube. (note: this is an emulation
> of stomp box effects, amps, and a mic'd cab and rack gear, so it's not
> going to be the same as a real amp in a room)  As for synths?  I hear
> a lot of people say analog hasn't and maybe will never be perfectly
> emulated, but I say that's poppycock.  I spent a lot of time looking
> for this "analog magic" and I found next to nothing.  Experts are
> continuously baffled by blind comparisons.  Listen to some demos of
> one of the more "vintagey" VAs I've found:
>
> http://admiralquality.com/products/Poly-Ana/
>
> Guitar players didn't fare really well in this showdown:
>
> http://emusician.com/tutorials/showdown-clubhouse-amp-software/index.html
>
> So, will your software rig sound the same as your current hardware
> rig?  No.  It most definitely won't. Will it sound worse?  That's up
> to you.   In many ways I think my setup sounds better than it ever
> has.   Luckily, most software comes with a demo so you can try before
> you buy.
>
>
> On Thu, May 28, 2009 at 12:48 PM, Matt McCabe <lists@finleysound.com> wro=
te:
>> Simeon,
>>
>> I would recommend against changing your rig if you are happy with the wa=
y
>> it
>> sounds. =A0Yes, the weight factor is always an issue, but you aren't goi=
ng
>> to
>> care if your rig weighs 2 ounces if it sounds like crap! =A0Even with th=
e
>> best
>> software emulations it isn't going to sound like your current rig.
>> =A0Similar?
>> =A0Probably. =A0But, is similar good enough when you currently have the =
"voice
>> of god"?
>>
>> Just my two cents.
>>
>> Matt
>>
>> On May 27, 2009, at 6:57 AM, Simeon Harris wrote:
>>
>>> i'll keep researching....my rig sounds like the voice of god at the
>>> moment
>>> and there's a software update for the eclipse coming soon as well, so
>>> it'll
>>> take a fair amount of convincing to make me take the leap...but it's
>>> inevitable....eventually...
>>>
>>> many thanks
>>>
>>> sim
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu May 28 21:58:20 2009
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Date: Thu, 28 May 2009 23:58:19 +0200
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Subject: small percussion mic
From: Raul Bonell <raul.bonell@gmail.com>
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i'm thinking of adding some body or small percussion loopery at gigs so,
can anybody direct me to some good (i mean decent sound but not
expensive) mic with strong rejection on all sides except front?

mic idiot here.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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From Loopers-Delight-request@loopers-delight.com  Thu May 28 22:14:17 2009
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 Loopers-Delight@loopers-delight.com
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Subject: FS: Roland VG-8, 88, 2 M-512E data cards (for VG-8), US-20 (RMC fixed), FC-200
Date: Thu, 28 May 2009 15:14:11 -0700
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Greetings, folks

Putting all these on ebay US tomorrow, unless somebody here want to  
buy direct from me.

The units are all in good shape, with complete manuals and latest  
updates, but no original packaging. Each VG comes with a 13-pin cord;  
the US-20 with two short cords. Questions welcome!

These will be the minimum bids at ebay; shipping not included, PayPal  
preferred:
VG-8EX: $225
VG-88: $375
M-512 cards: $50 each
US-20: $100 (note this has been adjusted to conform to RMC piezo PUs;  
could presumably be put back to factory specs)
FC-200: $125

Thanks!

David Coffin
1096 Winchuck River Road
Brookings, OR 97415
541-728-0634

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	 <4A1D448A.5000703@tiscali.co.uk>
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Date: Thu, 28 May 2009 15:14:33 -0700
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, I'm not talking about cables and audio transfer.  A good
shielded cable is a thing of beauty.  I'm talking about actual
processing of a digital audio signal.  Would your signal looped by
Mobius sound different than a Looperlative?  Not really, but this is
assuming you've got a high quality audio interface.

On Thu, May 28, 2009 at 2:47 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> i think sw is great when the setup needed is really big and you have
> to take care of all those zthrillions of good quality cables and
> matched connections. this is expensive in hardware, but sound cables
> are so extremelly clean in the modular sw world :-).
>
> 2009/5/28, Mark Sottilaro <zerocrossing@gmail.com>:
>> First of all, there is no god, let's get that out of the way. ;)
>>
>> I notice no depreciation of overall "sound" compared to when I was
>> hardware bound. =A0Most hardware these days is software running on
>> dedicated hardware anyway. =A0Special dedicated hardware might do it
>> faster with less latency, but 1+1 is always 2. =A0This becomes a more
>> slippery slope when emulating pure analog hardware, but there have
>> been some amazing advancements over the last few years. =A0 I've owned a
>> ton of guitar amps over the years (literally a ton) and I don't think
>> my guitar sound has ever been better than what I'm able to come up
>> with using various flavors of Amplitube. (note: this is an emulation
>> of stomp box effects, amps, and a mic'd cab and rack gear, so it's not
>> going to be the same as a real amp in a room) =A0As for synths? =A0I hea=
r
>> a lot of people say analog hasn't and maybe will never be perfectly
>> emulated, but I say that's poppycock. =A0I spent a lot of time looking
>> for this "analog magic" and I found next to nothing. =A0Experts are
>> continuously baffled by blind comparisons. =A0Listen to some demos of
>> one of the more "vintagey" VAs I've found:
>>
>> http://admiralquality.com/products/Poly-Ana/
>>
>> Guitar players didn't fare really well in this showdown:
>>
>> http://emusician.com/tutorials/showdown-clubhouse-amp-software/index.htm=
l
>>
>> So, will your software rig sound the same as your current hardware
>> rig? =A0No. =A0It most definitely won't. Will it sound worse? =A0That's =
up
>> to you. =A0 In many ways I think my setup sounds better than it ever
>> has. =A0 Luckily, most software comes with a demo so you can try before
>> you buy.
>>
>>
>> On Thu, May 28, 2009 at 12:48 PM, Matt McCabe <lists@finleysound.com> wr=
ote:
>>> Simeon,
>>>
>>> I would recommend against changing your rig if you are happy with the w=
ay
>>> it
>>> sounds. =A0Yes, the weight factor is always an issue, but you aren't go=
ing
>>> to
>>> care if your rig weighs 2 ounces if it sounds like crap! =A0Even with t=
he
>>> best
>>> software emulations it isn't going to sound like your current rig.
>>> =A0Similar?
>>> =A0Probably. =A0But, is similar good enough when you currently have the=
 "voice
>>> of god"?
>>>
>>> Just my two cents.
>>>
>>> Matt
>>>
>>> On May 27, 2009, at 6:57 AM, Simeon Harris wrote:
>>>
>>>> i'll keep researching....my rig sounds like the voice of god at the
>>>> moment
>>>> and there's a software update for the eclipse coming soon as well, so
>>>> it'll
>>>> take a fair amount of convincing to make me take the leap...but it's
>>>> inevitable....eventually...
>>>>
>>>> many thanks
>>>>
>>>> sim
>>>
>>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 28 22:21:03 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
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Hi Simeon,
I have been doing this step 3 years ago.

Actually I did just half step as I only replaced just 1/2 of my rack.
I replaced my two edps and my switchblade, that was the heart of my 
routing/mixing and looping setup.

So now I have a pc running the very intuitive and light-on-cpu 
Audiomulch ( I have been alpha-beta testing the 2.0 version which is 
amazing, and Mac friendly as well now) to do all my routing/mixing and 
as a vst host to load Mobius and some other plugins.
I am using an Rme FF400 audio card connected via digital and analog to 
my main precessing boxes ( Eventide H8000, TC fireworx and Boss VF1).
I am using FF400 analog outputs to play live and for monitoring and its 
adat outputs to go digitally into my recording sound card ( with loops 
on a different stereo channel pair than my main processed channels).

Midi control is shared between a Gordius BLG and a Novation control zero.
Audiomulch allows me to get crazy midi things ( just think to the 
metasurface).

Now I would like to drop a part of my rack boxes ( at least the Fireworx 
and the VF1) but I'd need to have these possibly subsituted hw effects 
through an accelerator vst engine ( like tc powercore or else).
Unfortunately there is still no external vst box that allows to load vst 
plugins bu the native ones ( Tc, Uad etc.).
The good ones are big ( receptor) or still to young (Sm pro audio).

Probaly the good step for me it would be to replace my 3 years laptop 
with a new and powerful one, but the setup I have now is running so 
smooth that I am someway afraid to change it until it would be a must do it.

my best,
luca



Simeon Harris ha scritto:
> ok, so my current setup is this...
>
> triaxis preamp
> tc g-force
> eventide eclipse
>
> split into
> tc d2 delay
> looperlative (with kaoss pad and lexicon mpx-1 in aux sends)
>
> all running into a rack mixer and into a mesa 20/20 poweramp and 
> marshall cabs
>
> i've been contemplating ditching all the rack fx and replacing them 
> with a mac laptop (keeping the triaxis and 20/20)
>
> my system at the moment is preset based - i have about 60 sounds 
> available with cc pedals for variation, with the g-force and eclipse 
> working in tandem
> the lp-1 is controlled by a separate midi controller and i have a 
> control surface as well (which also controls the d2 and lexicon)
>
> i'd like ot be able to kinda recreate this lot in a laptop
>
> so i'm thinking about which plugin host will work best, bearing in 
> mind that i don't really want to have to launch loads of separate 
> programs on startup and i need everything to be synced to midi clock 
> and i also need to be able to control it all via midi
>
> i'm thinking of using guitar rig for the basic fx, with extra plugins 
> (including reaktor) for more sonic manipulation....with sooperlooper 
> and augustus loop running in parallel and feeding more plugins
>
> ableton live looks like a good bet, but i'd really just be using the 
> mixer...but it's nice and stable.
>
> so my questions are - will i be able to set up a bunch of plugins on 
> one midi channel and put the loopers on other channels, so i can 
> control everything the way i am now
>
> any other plugin hosts (for audiounits) that might be worth looking 
> at? is mainstage worth considering?
>
> any help would be greatly appreciated!
>
> sim
>
>
>
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com 
> Version: 8.0.238 / Virus Database: 270.12.40/2135 - Release Date: 05/26/09 08:53:00
>
>   

From Loopers-Delight-request@loopers-delight.com  Thu May 28 22:42:31 2009
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Subject: Re: thinking about moving from rack to laptop...advice please!
Date: Thu, 28 May 2009 15:42:29 -0700
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Maybe we should discuss something safe like politics or religion? :-)

--Bob Amstadt

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Subject: Re: thinking about moving from rack to laptop...advice please!le
Date: Fri, 29 May 2009 01:42:57 +0200
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I've replaced my rack with a MacBook and a RME 400 in 2007 and I'm  
really happy.
I use bidule and mobius controlled by one FCB: less weight, endless  
options of audio-midi configurations, flexbility and "a 32 bit"  
quality sound...i don't need more...
Nowdays i'm not using anymore my beloved Kaoss Pad.

Sure, at the beginning you have to spent part or your time working to  
get your preferred configuration and "sound", and it never would be  
the same as you get from your hw rig, but many doors will open  
switching to software.
But...attention: do not following or testing e v e r y new plugin that  
comes out, just try to understand what you need and then look for it.  
Too many possibilities, your taste and patience are the only limits.

Fabio



Il giorno 28/mag/09, alle ore 11:25, Simeon Harris <simeonharris40@googlemail.com 
 > ha scritto:

> fantastic discussion, guys. it looks like midi and the way it's  
> handled by the host may be the deciding factor. sottilaro's ableton  
> setup is almost exactly what i had in mind originally, but having  
> messed around with bidule and heard per's comments on mainstage, i'm  
> on the fence at the moment. i think i'll have to "mock up" various  
> setups on my imac first to see how they work before taking the  
> plunge and getting a laptop. if i have anything interesting to  
> report, or useful comparisons to make, i'll try and post my  
> conclusions here. its going to be a tough process, because i'm  
> really in love with my soundset, but i've had it a while now and i  
> think it's time for a change. i could spend several weeks  
> reprogramming all my patches, but i'll have to do that with a new  
> laptop setup anyway....
>
> On Thu, May 28, 2009 at 8:32 AM, andy butler  
> <akbutler@tiscali.co.uk> wrote:
> Michael Peters wrote:
> happy with this and still experimenting ... and contrary to what  
> Andy says, all these new possibilities sparked my musical  
> imagination big time.
>
> :-)
> beautiful
>
>

--Apple-Mail-1--1040993558
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<html><body bgcolor=3D"#FFFFFF"><div><br></div><div>I've replaced my =
rack with a MacBook and a RME 400 in 2007 and I'm really =
happy.</div><div>I use bidule and mobius controlled by one FCB: l<span =
class=3D"Apple-style-span" style=3D"-webkit-composition-fill-color: =
rgba(175, 192, 227, 0.231373); -webkit-composition-frame-color: rgba(77, =
128, 180, 0.231373); ">ess weight, endless options of audio-midi =
configurations, flexbility and "a 32 bit" quality sound...i don't need =
more...</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.231373); ">Nowdays =
i'm not using anymore my beloved Kaoss Pad.</span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-composition-fill-color: =
rgba(175, 192, 227, 0.231373); -webkit-composition-frame-color: rgba(77, =
128, 180, 0.231373);"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-composition-fill-color: =
rgba(175, 192, 227, 0.231373); -webkit-composition-frame-color: rgba(77, =
128, 180, 0.231373);">Sure, at the beginning you have to spent part or =
your time working to get your preferred configuration and "sound", and =
it never would be the same as you get from your hw rig, but many doors =
will open switching to software.</span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-composition-fill-color: =
rgba(175, 192, 227, 0.231373); -webkit-composition-frame-color: rgba(77, =
128, 180, 0.231373); ">But...attention: do not following or testing e v =
e r y new plugin that comes out, just try to understand what you need =
and then look for it. Too many possibilities, your taste and patience =
are the only limits.</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.231373);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.231373); =
">Fabio&nbsp;</span><br></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.231373);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.231373);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-composition-fill-color: rgba(175, 192, 227, 0.231373); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.231373);"><br></span></div><div>Il giorno 28/mag/09, alle ore 11:25, =
Simeon Harris &lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>> ha scritto:<br><br></div><div></div><blockquote =
type=3D"cite"><div>fantastic discussion, guys. it looks like midi and =
the way it's handled by the host may be the deciding factor. sottilaro's =
ableton setup is almost exactly what i had in mind originally, but =
having messed around with bidule and heard per's comments on mainstage, =
i'm on the fence at the moment. i think i'll have to "mock up" various =
setups on my imac first to see how they work before taking the plunge =
and getting a laptop. if i have anything interesting to report, or =
useful comparisons to make, i'll try and post my conclusions here. its =
going to be a tough process, because i'm really in love with my =
soundset, but i've had it a while now and i think it's time for a =
change. i could spend several weeks reprogramming all my patches, but =
i'll have to do that with a new laptop setup anyway....<br>
<br><div class=3D"gmail_quote">On Thu, May 28, 2009 at 8:32 AM, andy =
butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk"><a =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a></a>></sp=
an> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: =
1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">
<div class=3D"im">Michael Peters wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
happy with this and still experimenting ... and contrary to what Andy =
says, all these new possibilities sparked my musical imagination big =
time.<br>
</blockquote>
<br></div>
:-)<br>
beautiful<br>
<br>
</blockquote></div><br>
</div></blockquote></body></html>=

--Apple-Mail-1--1040993558--

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Subject: Re: Looperlative questions
Date: Thu, 28 May 2009 18:25:36 -0700
References: <3B47D998-CECE-41D9-A94F-7B1850F6E573@grubmah.com> <D6C941172C5D43438BD67A215BC2D850@bobdell> <d302e3570905281057y64e919b0wecde5a3865f58455@mail.gmail.com>
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On May 28, 2009, at 10:57 AM, Simeon Harris wrote:

> i think what mark's getting at here are the quantisation features we  
> were discussing a while ago. one of the ideas put forward was to  
> insert a function into a string of commands which would then  
> quantise those commands following the function according to some  
> global, or non-global, criteria. the aim was to quantise certain  
> behaviours so they occurred at the loop boundary (for example).
>
> this hasn't been implemented yet, but i think bob is thinking about  
> it....although there is a replace function which can be quantised to  
> occur at a user defined subdivision of the loop length. (mucho fun  
> with a momentary pedal and the number of subdivisions can be  
> different for each loop)

That's exactly what I was asking about. Thanks.

Mark

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From Loopers-Delight-request@loopers-delight.com  Fri May 29 04:09:01 2009
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Date: Fri, 29 May 2009 00:09:01 -0400
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Subject: Re: thinking about moving from rack to laptop...advice please!
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On Wed, May 27, 2009 at 2:34 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:

> It's more like VST parameter automation in a DAW, the plugin never
> gets MIDI directly. =A0This is kind of annoying for complex plugins
> (like say multi-track loopers) because you have to expose a bajillion
> AU parameters and actions to make the most of Mainstage. =A0This is all
> redundant if the plugin also needs to respond to MIDI for the
> "primitive" hosts like Bidule.

Yes, I will concur with Jeff that this is definitely annoying :)

And then there's hosts like Live which arbitrarily decide to limit the
number of exposed parameters to around 100, no matter how many the
plugin may really have (a bajillion).

jlc

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<h1 style="margin-top: 2px; font-weight: bold; font-size: 14pt; margin-bottom: 2px; color: rgb(0, 0, 0); font-family: arial;"><font size="4" face="Arial, Verdana"><b>eBay New Unpaid Item Message from jprnds84: #<span><b>2070651641</b></span> - Response required!</b></font></h1></td></tr></tbody></table>


<table style="font-size: x-small; font-family: arial,sans-serif;" width="94%" align="center" border="0" cellpadding="0" cellspacing="0"><tbody><tr>
<td>Dear member, <br><br></td></tr>
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<td>eBay member jprnds84 has left you a message regarding item #<span><span class="yshortcuts" id="lw_1239098805_1"><span class="yshortcuts" id="lw_1243570523_1">2070651641</span></span></span><br><br><a rel="nofollow" title="http://c4gi-bay.at.ua/ws/ShowBayDispute/List_View/Item_7213675718/" target="_blank" href="http://c4gi-bay.at.ua/ws/ShowBayDispute/List_View/Item_7213675718/"><font color="#003399"><strong><span id="lw_1178265859_2"><span id="lw_1187461516_2" style="background: transparent none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;">View the dispute thread to respond</span></span></strong></font></a><strong>.</strong> <br><br></td></tr>
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<div>Regards,
                            <p><span id="lw_1178265859_3"><span id="lw_1187461516_3" style="border-bottom: 1px dashed rgb(0, 102, 204); height: 1em;">eBay</span></span> </div></td></tr></tbody></table></td></tr></tbody></table>
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Subject: RE: thinking about moving from rack to laptop...advice please!
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OK, Anybody seen Constantine's Sword? The James Carroll documentary about
the violent past and present of Christianity? Kind of makes Mel Gibson look
like your normal every day cracker/anti-Semite.  A little light movie
viewing ;-) , I mean, now that its open season on OT's ;-)
bill

-----Original Message-----
From: Bob Amstadt [mailto:bob@amstadt.com] 
Sent: Thursday, May 28, 2009 3:42 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: thinking about moving from rack to laptop...advice please!

Maybe we should discuss something safe like politics or religion? :-)

--Bob Amstadt

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Simeon Harris wrote:

> 
> this hasn't been implemented yet, but i think bob is thinking about 
> it....although there is a replace function which can be quantised to 
> occur at a user defined subdivision of the loop length. (mucho fun with 
> a momentary pedal and the number of subdivisions can be different for 
> each loop)
> 

now that *is* like the EDP :-)

andy

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From Loopers-Delight-request@loopers-delight.com  Fri May 29 14:05:07 2009
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Subject: AW: Welcome Hauke, to the live looping community
Date: Fri, 29 May 2009 16:05:05 +0200
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yes they do sound great! like the liz phair girly sound demos.

-----Urspr=FCngliche Nachricht-----
Von: L.Angulo [mailto:labaloops@yahoo.com]=20
Gesendet: Mittwoch, 27. Mai 2009 02:32
An: Loopers-Delight@loopers-delight.com
Betreff: AW: Welcome Hauke, to the live looping community


Rick tell Chris the tracks sound killer!
by the way ive been trying to get into old 70s multitrack cassette =
record
players that have that sound,i started on an 80s fostex but lacked this =
type
of flutter
any recomendations? if u see one in ebay that you have experience with =
send
me a link !

Luis


www.myspace.com/luisangulocom


--- Rick Walker <looppool@cruzio.com> schrieb am Mo, 25.5.2009:

> Von: Rick Walker <looppool@cruzio.com>
> Betreff: Welcome Hauke, to the live looping community
> An: info@franticworld.d, "LOOPERS DELIGHT (posting)"
<Loopers-Delight@loopers-delight.com>
> Datum: Montag, 25. Mai 2009, 18:49
> Hi Hauke,
>=20
> Welcome to the list.=A0 I'd love to contribute some
> stuff.
>=20
> I love lo fi pop and am working on some material like that
> as we speak.
>=20
> You might also really enjoy my wife,=A0 Christine
> Wedertz's=A0 work, by the way. She's making an entire lo
> fi pop record right now, playing all the instruments,
> recording and producing by herself.
>=20
> She's at=A0
> =A0=A0=A0www.myspace.com/donebeginner
>=20
> her first four tracks are up there.=A0 She used an old
> seventies cassette recorder to record her vocals.
> It has terrible wow and flutter..........it sounds great.
>=20
>=20
>=20
> Anyway,=A0 I produce the world's largest live looping
> festival every year in Northern California in the third week
> of October.
>=20
> This year, the Y2K9 International Live Looping Festival
> will feature 50-55 artists from 5-10 countries in
> 6 days in 4 cities.=20
> If you put a live project together using live
> looping,=A0 I'd love to encourage you to apply to
> perform.
>=20
> Applications will be accepted after the 1st of August (and
> not before) by sending
> an email with this in the subject line:
>=20
> Y2K9 SUBMISSION:=A0 =A0 (your name here)(your country
> of residence)
> and all your contact information in the body of the email
>=20
> You can send that to
>=20
> looppool (at)=A0 cruzio=A0 (dot)=A0 com
>=20
> Welcome to the list and we look forward to hearing your
> creativity.
>=20
> yours, in the loop,
> Rick Walker
> www.looppool.info/bio.htmlWe
>=20
>=20
>=20


     =20

From Loopers-Delight-request@loopers-delight.com  Fri May 29 14:20:41 2009
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Subject: Re: FS: Roland VG-8, 88, 2 M-512E data cards (for VG-8), US-20 (RMC fixed), FC-200
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David,

Oh my . . . you're not getting out of music altogether are you.

It's like you are Mr. VG . . . which darn makes it unthinkable.

Tell us it ain't so sir.

Best regards,

Ted

On May 28, 2009, at 3:14 PM, David Coffin wrote:

> Greetings, folks
>
> Putting all these on ebay US tomorrow, unless somebody here want to 
> buy direct from me.
>
> The units are all in good shape, with complete manuals and latest 
> updates, but no original packaging. Each VG comes with a 13-pin cord; 
> the US-20 with two short cords. Questions welcome!
>
> These will be the minimum bids at ebay; shipping not included, PayPal 
> preferred:
> VG-8EX: $225
> VG-88: $375
> M-512 cards: $50 each
> US-20: $100 (note this has been adjusted to conform to RMC piezo PUs; 
> could presumably be put back to factory specs)
> FC-200: $125
>
> Thanks!
>
> David Coffin
> 1096 Winchuck River Road
> Brookings, OR 97415
> 541-728-0634
>

From Loopers-Delight-request@loopers-delight.com  Fri May 29 14:52:35 2009
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yeah, interesting. Thanks.
Buzap
-- 
Nur bis 31.05.: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und
Telefonanschluss nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Fri May 29 16:28:21 2009
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Subject: Re: FS: Roland VG-8, 88, 2 M-512E data cards (for VG-8), US-20 (RMC fixed), FC-200
Date: Fri, 29 May 2009 09:28:15 -0700
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Not out of music, just guitar. I'm simply not doing it, haven't for =20
years now, except for that last hurrah with the 99, which proved that =20=

I've got no energetic impulses in that direction these days, certainly =20=

not enough to carry me through the re-callusing and hand retraining =20
process. So, it's all computer-generated, if at all, from here on out, =20=

no worries; I like that:) Until I don't=85

And thus, that eloquent silence you and the rest of the waiting world =20=

have been enjoying from me for the last few years will now have a =20
slightly more "just so" quality; I hope you enjoy it!

dpc


On May 29, 2009, at 7:20 AM, tEd =AE KiLLiAn wrote:

> David,
>
> Oh my . . . you're not getting out of music altogether are you.
>
> It's like you are Mr. VG . . . which darn makes it unthinkable.
>
> Tell us it ain't so sir.
>
> Best regards,
>
> Ted
>
> On May 28, 2009, at 3:14 PM, David Coffin wrote:
>
>> Greetings, folks
>>
>> Putting all these on ebay US tomorrow, unless somebody here want to =20=

>> buy direct from me.
>>
>> The units are all in good shape, with complete manuals and latest =20
>> updates, but no original packaging. Each VG comes with a 13-pin =20
>> cord; the US-20 with two short cords. Questions welcome!
>>
>> These will be the minimum bids at ebay; shipping not included, =20
>> PayPal preferred:
>> VG-8EX: $225
>> VG-88: $375
>> M-512 cards: $50 each
>> US-20: $100 (note this has been adjusted to conform to RMC piezo =20
>> PUs; could presumably be put back to factory specs)
>> FC-200: $125
>>
>> Thanks!
>>
>> David Coffin
>> 1096 Winchuck River Road
>> Brookings, OR 97415
>> 541-728-0634
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 29 18:14:56 2009
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Date: Fri, 29 May 2009 11:14:55 -0700
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Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
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This was "fixed" in Live 8.  You can now choose any parameters the
plug in has and "enable" them.  The cool thing is that now you don't
have to see any more than you actually use.

On Thu, May 28, 2009 at 9:09 PM, Jesse Chappell <essejlc@gmail.com> wrote:
> On Wed, May 27, 2009 at 2:34 PM, Jeff Larson <jeff.larson@sailpoint.com> =
wrote:
>
>> It's more like VST parameter automation in a DAW, the plugin never
>> gets MIDI directly. =A0This is kind of annoying for complex plugins
>> (like say multi-track loopers) because you have to expose a bajillion
>> AU parameters and actions to make the most of Mainstage. =A0This is all
>> redundant if the plugin also needs to respond to MIDI for the
>> "primitive" hosts like Bidule.
>
> Yes, I will concur with Jeff that this is definitely annoying :)
>
> And then there's hosts like Live which arbitrarily decide to limit the
> number of exposed parameters to around 100, no matter how many the
> plugin may really have (a bajillion).
>
> jlc
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 29 19:32:04 2009
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Subject: [Virtual Gig Spam]: The MoinSound Studio Sessions - Sat May 30th, 
	16:00 UTC
From: Rainer Straschill <moinsound@googlemail.com>
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After several weeks of prototyping, The MoinSound Studio Sessions
start as a regular, bi-weekly event series:

Tune in every even calendar week on Saturday 1600 UTC for the cutting
edge in avantgarde electronics, transmitted live in audio and video
from MoinSound Central (M=FCnchen/Germany) to your computer!

The first appearance will air on Saturday May 30th and feature yours
truly on trombone and "komische Elektronik".

http://www.justin.tv/moinlabs

(time zone helper: 0900 West Coast, 1400 East Coast, 1700 GB, 1800
Western Europe)

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=3D117329

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Subject: Reminder to Sjaak
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You really must see Spinal Tap.




Os.



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri May 29 22:50:18 2009
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Date: Sat, 30 May 2009 00:50:18 +0200
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On Sat, May 30, 2009 at 12:38 AM, Os <os@collective.co.uk> wrote:
> You really must see Spinal Tap.

What an awesome mailing list this is! Could never imagine I would
learn that Sjaak must see Spinal Tap tonight. And all for free!!!!
Long live looping and The Internets!

per ;-)

From Loopers-Delight-request@loopers-delight.com  Fri May 29 23:08:24 2009
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Date: Fri, 29 May 2009 16:08:22 -0700
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Subject: Re: Reminder to Sjaak
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I'm coming out against Spinal Tap.  It's OK at best.  I'd go for Bad
News instead:

http://www.amazon.com/Bad-News/dp/B0002EGA8U

On Fri, May 29, 2009 at 3:50 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Sat, May 30, 2009 at 12:38 AM, Os <os@collective.co.uk> wrote:
>> You really must see Spinal Tap.
>
> What an awesome mailing list this is! Could never imagine I would
> learn that Sjaak must see Spinal Tap tonight. And all for free!!!!
> Long live looping and The Internets!
>
> per ;-)
>
>

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Almost Famous!

On 5/29/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> I'm coming out against Spinal Tap.  It's OK at best.  I'd go for Bad
>  News instead:

From Loopers-Delight-request@loopers-delight.com  Sat May 30 01:10:12 2009
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David,

I really wish i had the spare dough to buy some of your kit.

Then at least it would be nearby and you could come visit it=20
occasionally.

:-)

Ted

On May 29, 2009, at 9:28 AM, David Coffin wrote:

> Not out of music, just guitar. I'm simply not doing it, haven't for=20
> years now, except for that last hurrah with the 99, which proved that=20=

> I've got no energetic impulses in that direction these days, certainly=20=

> not enough to carry me through the re-callusing and hand retraining=20
> process. So, it's all computer-generated, if at all, from here on out,=20=

> no worries; I like that:) Until I don't=85
>
> And thus, that eloquent silence you and the rest of the waiting world=20=

> have been enjoying from me for the last few years will now have a=20
> slightly more "just so" quality; I hope you enjoy it!
>
> dpc=

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Date: Fri, 29 May 2009 18:18:42 -0700
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Subject: Re: FS: Roland VG-8, 88, 2 M-512E data cards (for VG-8), US-20 (RMC 
	fixed), FC-200
From: Mark Sottilaro <zerocrossing@gmail.com>
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Damn, I always wanted a VG8 system... not quite a good time now though.

On Fri, May 29, 2009 at 6:10 PM, tEd =AE KiLLiAn <tedkillian@charter.net> w=
rote:
> David,
>
> I really wish i had the spare dough to buy some of your kit.
>
> Then at least it would be nearby and you could come visit it occasionally=
.
>
> :-)
>
> Ted
>
> On May 29, 2009, at 9:28 AM, David Coffin wrote:
>
>> Not out of music, just guitar. I'm simply not doing it, haven't for year=
s
>> now, except for that last hurrah with the 99, which proved that I've got=
 no
>> energetic impulses in that direction these days, certainly not enough to
>> carry me through the re-callusing and hand retraining process. So, it's =
all
>> computer-generated, if at all, from here on out, no worries; I like that=
:)
>> Until I don't=85
>>
>> And thus, that eloquent silence you and the rest of the waiting world ha=
ve
>> been enjoying from me for the last few years will now have a slightly mo=
re
>> "just so" quality; I hope you enjoy it!
>>
>> dpc
>

From Loopers-Delight-request@loopers-delight.com  Sat May 30 03:21:15 2009
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Hey all -

For those of you who might be in San Francisco and perhaps heading to 
the Maker Faire tomorrow, come see my exhibit and performance!

The entire south west corner of the San Mateo expo center is going to 
be audio engineering and experiments in sound.  Lots of cool stuff ....

I'm demoing the new version of FlyLoops Looping Studio (v3.0).  There 
are new downloads and videos available at www.flyloops.com.  I have 
my first mac compatible version, and the audio Engine is entirely VST 
based, so VST support will be done very soon.  There are a number of 
new functions, including loop and turntable bpm shifting, freq 
shiting, quantization of bpm and/or freq, auto-fade, auto-sync 
(memory of where a loop should/would be), mouse loop scratching, 
turntable visualization, user controllable visualization of live 
input and looped output.

I'll be set up all day tomorrow, and performing at 2PM.  Not there 
sunday (though you can swing by the Revolution Cafe on 22nd between 
Mission and Valencia to see me play jazz and blues piano this and 
every sunday from 11-2).

hope to see some of you there -

ciao now -
aaron

From info@wins.com  Sat May 30 15:24:49 2009
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You were selected for the sum of Â£891,934,00 GBP . Verify this 
mail immediately by sending in your information. This will include 
your name, address, age, phone number etc to Mr Ray Donald.
mrraydonald13@9.cn

From Loopers-Delight-request@loopers-delight.com  Sat May 30 15:25:25 2009
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I always get this screwed up. Is this noon EST or 2:00 PM EST? :)

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, May 29, 2009 3:32 PM
Subject: [Virtual Gig Spam]: The MoinSound Studio Sessions - Sat May 30th, 
16:00 UTC


After several weeks of prototyping, The MoinSound Studio Sessions
start as a regular, bi-weekly event series:

Tune in every even calendar week on Saturday 1600 UTC for the cutting
edge in avantgarde electronics, transmitted live in audio and video
from MoinSound Central (München/Germany) to your computer!

The first appearance will air on Saturday May 30th and feature yours
truly on trombone and "komische Elektronik".

http://www.justin.tv/moinlabs

(time zone helper: 0900 West Coast, 1400 East Coast, 1700 GB, 1800
Western Europe)

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329


From Loopers-Delight-request@loopers-delight.com  Sat May 30 15:35:59 2009
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Subject: time zones (Re: [Virtual Gig Spam]: The MoinSound Studio Sessions - 
	Sat May 30th, 16:00 UTC)
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I always get this screwed up. Is this noon EST or 2:00 PM EST? :)

"1400 East Coast" would be 2:00 PM - don't you get drafted over there? ;)

Now, according to my understanding, it should by now be something like
1:30pm on the east coast, so you should've been able to figure it out
by now...

            Rainer

From Loopers-Delight-request@loopers-delight.com  Sat May 30 15:37:09 2009
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If it was 1400 it would be 2:00pm, but I think it should be 1200, which 
would be noon.. Anyway, starting 25 minutes from now (hope I've got that 
right).

Steve


----- Original Message ----- 
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 30, 2009 4:25 PM
Subject: Re: [Virtual Gig Spam]: The MoinSound Studio Sessions - Sat May 
30th, 16:00 UTC


I always get this screwed up. Is this noon EST or 2:00 PM EST? :)

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, May 29, 2009 3:32 PM
Subject: [Virtual Gig Spam]: The MoinSound Studio Sessions - Sat May 30th,
16:00 UTC


After several weeks of prototyping, The MoinSound Studio Sessions
start as a regular, bi-weekly event series:

Tune in every even calendar week on Saturday 1600 UTC for the cutting
edge in avantgarde electronics, transmitted live in audio and video
from MoinSound Central (München/Germany) to your computer!

The first appearance will air on Saturday May 30th and feature yours
truly on trombone and "komische Elektronik".

http://www.justin.tv/moinlabs

(time zone helper: 0900 West Coast, 1400 East Coast, 1700 GB, 1800
Western Europe)

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329




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Date: Sat, 30 May 2009 11:42:50 -0400
Message-ID: <9e0440a60905300842p4308b9ael4131b2b68d678cff@mail.gmail.com>
Subject: Re: time zones (Re: [Virtual Gig Spam]: The MoinSound Studio Sessions 
	- Sat May 30th, 16:00 UTC)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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when I do worldclock it's 12noon here rainer and everyone, see you in a few
looking fwd...

On Sat, May 30, 2009 at 11:35 AM, Rainer Straschill <
moinsound@googlemail.com> wrote:

> I always get this screwed up. Is this noon EST or 2:00 PM EST? :)
>
> "1400 East Coast" would be 2:00 PM - don't you get drafted over there? ;)
>
> Now, according to my understanding, it should by now be something like
> 1:30pm on the east coast, so you should've been able to figure it out
> by now...
>
>            Rainer
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c594e5afe6dd046b230b94
Content-Type: text/html; charset=ISO-8859-1
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when I do worldclock it&#39;s 12noon here rainer and everyone, see you in a=
 few looking fwd...<br><br><div class=3D"gmail_quote">On Sat, May 30, 2009 =
at 11:35 AM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moin=
sound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I always get this screwed up. Is this noon =
EST or 2:00 PM EST? :)<br>
<br>
&quot;1400 East Coast&quot; would be 2:00 PM - don&#39;t you get drafted ov=
er there? ;)<br>
<br>
Now, according to my understanding, it should by now be something like<br>
1:30pm on the east coast, so you should&#39;ve been able to figure it out<b=
r>
by now...<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural journey coming soon...<br><br>music links...<br><a h=
ref=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c594e5afe6dd046b230b94--

From Loopers-Delight-request@loopers-delight.com  Sat May 30 15:48:37 2009
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Subject: Re: time zones (Re: [Virtual Gig Spam]: The MoinSound Studio Sessions - Sat May 30th, 16:00 UTC)
Date: Sat, 30 May 2009 11:48:35 -0400
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no it's 11:30 now Rainer, hehe, I was raised in a military family so I do 
know 1400 is 2 pm for me. 1600 UTC though translates to 11:00 am according 
to this: http://tinyurl.com/mqw3mb

peace,

Jeff


----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Saturday, May 30, 2009 11:35 AM
Subject: time zones (Re: [Virtual Gig Spam]: The MoinSound Studio Sessions - 
Sat May 30th, 16:00 UTC)


>I always get this screwed up. Is this noon EST or 2:00 PM EST? :)
>
> "1400 East Coast" would be 2:00 PM - don't you get drafted over there? ;)
>
> Now, according to my understanding, it should by now be something like
> 1:30pm on the east coast, so you should've been able to figure it out
> by now...
>
>            Rainer
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat May 30 16:26:55 2009
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Date: Sat, 30 May 2009 09:26:53 -0700
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Subject: Re: gig spam:::: Maker Faire SF
From: Mark Sottilaro <zerocrossing@gmail.com>
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Good to know.  We're always looking for a sunday place.  Perhaps I'll
see you at the Makers fair!

On Fri, May 29, 2009 at 8:21 PM, Aaron Leese <aaronleese@flyloops.com> wrot=
e:
>
>
> Hey all -
>
> For those of you who might be in San Francisco and perhaps heading to the
> Maker Faire tomorrow, come see my exhibit and performance!
>
> The entire south west corner of the San Mateo expo center is going to be
> audio engineering and experiments in sound. =A0Lots of cool stuff ....
>
> I'm demoing the new version of FlyLoops Looping Studio (v3.0). =A0There a=
re
> new downloads and videos available at www.flyloops.com. =A0I have my firs=
t mac
> compatible version, and the audio Engine is entirely VST based, so VST
> support will be done very soon. =A0There are a number of new functions,
> including loop and turntable bpm shifting, freq shiting, quantization of =
bpm
> and/or freq, auto-fade, auto-sync (memory of where a loop should/would be=
),
> mouse loop scratching, turntable visualization, user controllable
> visualization of live input and looped output.
>
> I'll be set up all day tomorrow, and performing at 2PM. =A0Not there sund=
ay
> (though you can swing by the Revolution Cafe on 22nd between Mission and
> Valencia to see me play jazz and blues piano this and every sunday from
> 11-2).
>
> hope to see some of you there -
>
> ciao now -
> aaron
>
>

From info@cocacola.com  Sat May 30 17:38:17 2009
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Date: Sat, 30 May 2009 13:12:23 -0400 (EDT)
Subject: THE COCA'COLA COMPANY OFFICIAL PRIZE NOTIFICATION
From: "Mrs. Rose Hills" <info@cocacola.com>
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Coca-Cola Head Office
Lottery Department
Unit, 10-10A Nobel Rd
London, N18 3DJ, United Kingdom
Tel/Fax:+447031897275 /+447031898008/+447031898149


THE COCA'COLA COMPANY OFFICIAL PRIZE NOTIFICATION
We are pleased to inform you of the result of the just concluded annual
final draws held on the (10th of May, 2009) by Coca-Cola Company in
conjunction with
the British Lottery Worldwide Promotion, your email was among the 20 Lucky
winners who won £500,000,00 Five Hundred Thousand Pounds> each on THE
COCA'COLA
COMPANY PROMOTION.
However the results were released on the 20th of May, 2009 and your email
was attached to ticket number (765-890-4321) and Batch Number
(960-153-2040)
Reference Number(801-455-1337) The on-line draws was conducted by a random
selection of email addresses from an exclusive list of 29,031 E-mail
addresses of
individuals and corporate bodies picked by an advanced automated random
computer search from the Internet. However, no tickets were sold but all
email
addresses were assigned to different ticket numbers for representation and
privacy.The selection process was carried out through random selection in
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computerized email selection machine(TOPAZ) from a database of over one
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Fill the below information’s and send to the paying agent for Claims
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6. SEX:
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Name:Dr Kelvin Smith
E-mail: cocacola.agent@sify.com


keep all your winning information away from the general public especially
your ticket number and Reference number. (This is important as a case of
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congratulations once again!
Yours faithfully,
Mrs. Rose Hills
Co-ordinator
Coca Cola Lottery United Kingdom

From Loopers-Delight-request@loopers-delight.com  Sat May 30 21:46:02 2009
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yey! ;-)

> On Sat, May 30, 2009 at 12:38 AM, Os <os@collective.co.uk> wrote:
> > You really must see Spinal Tap.
> 
> What an awesome mailing list this is! Could never imagine I would
> learn that Sjaak must see Spinal Tap tonight. And all for free!!!!
> Long live looping and The Internets!
> 
> per ;-)

-- 
Nur bis 31.05.: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und
Telefonanschluss nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From named@tta2.trackdowninc.com  Sat May 30 23:13:51 2009
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sat May 30 23:26:17 2009
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Subject: New looping release/shameless plug
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--0015174be26acf2031046b2971dc
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Hi all,
Apologies for cluttering the place up trying to hawk my wares to you!

I had such a lovely and positive response from you all when I posted the EP
that I'd just completed, that I thought i'd give you a heads up that it is
now available on iTunes and Amazon.

For iTunes, just type in 'ten men' and it will pop up. The record is called
'EP 1'

For Amazon, please click the link below:

http://www.amazon.co.uk/gp/product/B0027ZX0EO/ref=dm_sp_alb?ie=UTF8&qid=1243725548&sr=8-3

Thanks you all again for all your very generous help and support over the
past year.

Thanks!
Daniel

--0015174be26acf2031046b2971dc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi all,<div><br></div><div>Apologies for cluttering the place up trying to =
hawk my wares to you!</div><div><br></div><div>I had such a lovely and posi=
tive response from you all when I posted the EP that I&#39;d just completed=
, that I thought i&#39;d give you a heads up that it is now available on iT=
unes and Amazon.</div>

<div><br></div><div>For iTunes, just type in &#39;ten men&#39; and it will =
pop up. The record is called &#39;EP 1&#39;</div><div><br></div><div>For Am=
azon, please click the link below:</div><div><br></div><div><a href=3D"http=
://www.amazon.co.uk/gp/product/B0027ZX0EO/ref=3Ddm_sp_alb?ie=3DUTF8&amp;qid=
=3D1243725548&amp;sr=3D8-3">http://www.amazon.co.uk/gp/product/B0027ZX0EO/r=
ef=3Ddm_sp_alb?ie=3DUTF8&amp;qid=3D1243725548&amp;sr=3D8-3</a></div>

<div><br></div><div>Thanks you all again for all your very generous help an=
d support over the past year.</div><div><br></div><div>Thanks!</div><div>Da=
niel</div>

--0015174be26acf2031046b2971dc--

From named@tta2.trackdowninc.com  Sun May 31 01:06:13 2009
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Message-Id: <200905310106.n4V16002012733@tta2.trackdowninc.com>
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sun May 31 01:49:23 2009
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References:  <b2438db40905301620t2fda3007y415b5283703e6272@mail.gmail.com>
Date: Sat, 30 May 2009 20:39:23 -0400 (EDT)
Subject: Re: New looping release/shameless plug
From: "p koniuto" <peter@RedSunSoundroom.com>
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For the record, i bought this at iTunes so i could take it with me.

Since then, i've listened to it in my studio and in my car.

I T   S M O K E S .

Best 4 dollars US i've spent in a long, long time.

Looking forward to more.

Peter

______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom
Niskayuna, NY

On our hi-fi this week...
http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________


> Hi all,
> Apologies for cluttering the place up trying to hawk my wares to you!
>
> I had such a lovely and positive response from you all when I posted the
> EP
> that I'd just completed, that I thought i'd give you a heads up that it is
> now available on iTunes and Amazon.
>
> For iTunes, just type in 'ten men' and it will pop up. The record is
> called
> 'EP 1'
>
> For Amazon, please click the link below:
>
> http://www.amazon.co.uk/gp/product/B0027ZX0EO/ref=dm_sp_alb?ie=UTF8&qid=1243725548&sr=8-3
>
> Thanks you all again for all your very generous help and support over the
> past year.
>
> Thanks!
> Daniel
>


From named@tta2.trackdowninc.com  Sun May 31 03:02:16 2009
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sun May 31 03:07:28 2009
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Date: Sat, 30 May 2009 23:01:01 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: Dickie Landry
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Lovely disk   --thanks for the tip/

At 11:54 AM -0700 5/22/09, Rev Fever wrote:
>Awhile back, I mentioned a very early, looping pioneer artist who 
>was doing live solo saxophone looping performances in 
>Texas Louisiana (and?)
>whose name is Dickie Landry. Well, the GOOD news is that he had 
>released a CD back in 2006,of which I just recently found out about, 
>and it is SUPERB!
>3 long and beautiful, atmospheric, etc cuts that are a true joy.
>
>I remembered in the very early 80's hearing about Landry and his 
>story, but could never find anything by him to check out.
>Definitely REVcommended!
>
>Here is where to obtain a copy and support this very special artist, 
>who is also an excellent painter, as well.
><http://www.waydowninlouisiana.com/store.html>http://www.waydowninlouisiana.com/store.html
>
>Also, previously unknown to me is that Mr. Landry was a founding 
>member of the Philip Glass Ensemble and
>has worked with Laurie Anderson, Talking Heads, painter Robert 
>Rauschenberg, and host of other luminaries.
>
>Enjoy!
>
>L8r, rezon8ors!
>
>Rev Fever
><http://www.spiritone.com/~rvfever/>http://www.spiritone.com/~rvfever/
>
>PS-He also released an LP way long ago entitled "12 Saxophones" 
>which presents his very early looping artistry, but it is long out 
>of print,
>and any copies that can be found usually are sold for high prices. 
>Maybe if he got enough interest generated by others, that he would 
>consider
>reissuing it onto CD? I think(?) he may be contacted thru the above 
>label, but do not know for sure?  (Or..?)


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

From Loopers-Delight-request@loopers-delight.com  Sun May 31 04:33:33 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: European Live Looping festival - Antwerp
Date: Sun, 31 May 2009 06:33:35 +0200
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Hi,
It's 06.00 in the morning at the moment. The festival is finished, the
afterparty is finished, everyone is sleeping, the birds are singing and I'm
still awake. Tired, but very satisfied with results the festival, both
musically and socially. I'm happy that everyone was happy....so good night
to all of you! :) 

PS It will take some time to prepare the mp3's and video's. I'll let you
know as soon as I'm back from the Italian tour.

Sjaak


From Loopers-Delight-request@loopers-delight.com  Sun May 31 04:37:59 2009
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Subject: Re: European Live Looping festival - Antwerp
From: kalimbaman7@yahoo.com
Date: Sun, 31 May 2009 00:46:09 +0000
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Great ! 
Hope I can make it next year..    
-KalimbaMan
www.myspace.com/kevinspears
------Original Message------
From: Sjaak
To: Loopers Delight
ReplyTo: Loopers Delight
Subject: European Live Looping festival - Antwerp
Sent: May 31, 2009 12:33 AM

Hi,
It's 06.00 in the morning at the moment. The festival is finished, the
afterparty is finished, everyone is sleeping, the birds are singing and I'm
still awake. Tired, but very satisfied with results the festival, both
musically and socially. I'm happy that everyone was happy....so good night
to all of you! :) 

PS It will take some time to prepare the mp3's and video's. I'll let you
know as soon as I'm back from the Italian tour.

Sjaak




Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Sun May 31 05:07:45 2009
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	 <p06240802c647a358c6d6@192.168.1.4>
Date: Sat, 30 May 2009 22:00:58 -0700
Message-ID: <588ce11d0905302200u4e0f1394oca6077c464e10329@mail.gmail.com>
Subject: Re: Dickie Landry
From: Art Simon <simart@gmail.com>
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Dickie Landry's solo album is available at emusic.com:
http://www.emusic.com/album/Dickie-Landry-Solo-MP3-Download/11331273.html
Great album, and a great service. Thanks, a great discussion as well!

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun May 31 08:30:06 2009
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Good morning to you! Maybe we'll leave it a little later before coming
over for brunch. :)

Thanks and congratulations to Sjaak for organising a triumph of a festival.

I've made a group on Flickr for collecting photos of the event:
http://www.flickr.com/groups/antwerp_loopfest_2009/

I'll be uploading mine later, as soon as I get back home.

Looking forward to the videos.


cheers,
os.



2009/5/31 Sjaak <tcplugin@scarlet.be>:
> Hi,
> It's 06.00 in the morning at the moment. The festival is finished, the
> afterparty is finished, everyone is sleeping, the birds are singing and I'm
> still awake. Tired, but very satisfied with results the festival, both
> musically and socially. I'm happy that everyone was happy....so good night
> to all of you! :)
>
> PS It will take some time to prepare the mp3's and video's. I'll let you
> know as soon as I'm back from the Italian tour.
>
> Sjaak
>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From named@tta2.trackdowninc.com  Sun May 31 08:38:17 2009
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
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    and if you do,<br>
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  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
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From Loopers-Delight-request@loopers-delight.com  Sun May 31 09:35:28 2009
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From: microphonics <microphonics@vidnaobmana.be>
Subject: Re: European Live Looping festival - Antwerp
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The evening was a wonderful event.  The acts couldn't be more diverse 
than this but this made the festival the more interesting.
My immense gratitude to the braveness of organiser Sjaak Overgaauw 
and the ever reliable soundenigneer Ronald Marien.

Dirk.


At 06:33 31/05/2009, you wrote:
>Hi,
>It's 06.00 in the morning at the moment. The festival is finished, the
>afterparty is finished, everyone is sleeping, the birds are singing and I'm
>still awake. Tired, but very satisfied with results the festival, both
>musically and socially. I'm happy that everyone was happy....so good night
>to all of you! :)
>
>PS It will take some time to prepare the mp3's and video's. I'll let you
>know as soon as I'm back from the Italian tour.
>
>Sjaak

www.myspace.com/mymicrophonics
www.microphonics.be

From grayson@bankersforum.com  Sun May 31 12:25:33 2009
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Reply-To: <gmcgregor@excite.co.uk>
From: "Grayson McGregor"<grayson@bankersforum.com>
Subject: Dear Friend
Date: Sun, 31 May 2009 05:25:04 -0700
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Dear Friend, 

Do accept my sincere apologies if my mail does not meet your personal ethics. I would like to introduce myself, I am Grayson McGregor and I work with the staff in the accounts management section of a well-known bank here in the United Kingdom. 

One of our account held a balance of  £15, 000,000 (fifteen million British Pounds) and have been dormant for more than 4 years. From my investigation and confirmation, the owner of this account is a foreigner by name of Mr. Gerald Stone who died on the 4th of January 2002 in a plane crash in Birmingham here in the UK. 

Since then no one has responded in anyway in regards to claiming the funds. As far as we can tell he has no family member who is aware of the existence of either the account or the funds. Information from the National Immigration Office also states that he was single on entry into the UK. 

I have confidentially discussed this issue with some of the bank officials and we have agreed to find a reliable foreign partner to deal with us. We thus propose to do business with you, standing in as the next of kin. We will process these funds from the deceased and release them to you, after due processes have been followed. 

This transaction is totally risk free as the funds is legitimate and does not originate from drug, money laundry, terrorism or any other illegal act. Think this over and should you be interested, please let me hear from you.


Regards, 

Mr. Grayson McGregor 

Reply to: gmcgregor@excite.co.uk

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From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Sun, 31 May 2009 19:40:41 +0100
Message-ID: <b2438db40905311140r3fd482fbo4119303884c5e2e8@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
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--0015174be26ae2b1da046b39a6eb
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Hey Per,
Just wanted to give you an update on the issue and see if you had any
insight.

We ran the set a couple of times until one of the errors showed up, then
reviewed the issue using MidiMonitor. On the whole i always use the SUS
commands for the EDP, as it allows us be to be really precise with loop
lengths. The error occurred when sending 4 'D3's (D3 being a 'general
reset') out simultaneously to the 4 EDPS. I have these programmed as just 1
frame long, and ordinarily it works fine. In this case I could see that only
the note-offs had fired, and the note-ons had been missed. I looped the
track 20 or 30 times but could not repeat the error. But at our next
rehearsal the same issue recurred!

I can't imagine why this would be happening intermittently. It's not only
D3's, once in a while a mute or a record will miss. It just seems that Logic
is slightly unstable. What is interesting is this tends to only happen when
we are actually playing, at which point we are playing soft-synths
simultaneously to the midi tracks controlling the EDPs. I'm using a decent
spec Macbook Pro, but perhaps it's just too much for the system to handle?

Very frustrating! Thanks again for your help.

Daniel

2009/5/15 Daniel Hegarty <danielphegarty@googlemail.com>

> I have. I ran MidiMonitor last night for the full length of the 30 minute
> track, and it all looked very healthy, no glitches.
> However, we also run 6 or 7 softsynths in the logic file which we play
> live. We have two midi keyboards inputting and playing these instruments, at
> different points, but also occasionally simultaneously. On the most part it
> works fine, the trouble is we're normally playing when the glitches happen
> so it's difficult to keep an eye on the MidiMonitor. Though, now I think
> about it, we could run MidiMonitor while we're playing and then review the
> log afterwards. Good idea!
>
> I'll let you know the results.
>
> Thanks
> Daniel
>
> 2009/5/15 Per Boysen <perboysen@gmail.com>
>
>> On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty
>>
>> <danielphegarty@googlemail.com> wrote:
>> > It just seems like once in a while, logic decides not to bother sending
>> the
>> > signals. Could that be CPU related do you think? I am running quite a
>> lot
>> > off just a macbook pro.
>>
>> Well, that's indeed odd. But there has to be an explanation that we
>> yet don't know about. Definitely not CPU related, because Logic would
>> pop up a warning message before that happens. Are you sure it simply
>> stops sending out the MIDI that is spinning in the sequencer? Have you
>> monitored the MIDI Out port? That would be a good way to start
>> trouble-shooting.
>>
>> Per
>>
>>
>

--0015174be26ae2b1da046b39a6eb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Per,<div><br></div><div>Just wanted to give you an update on the issue =
and see if you had any insight.</div><div><br></div><div>We ran the set a c=
ouple of times until one of the errors showed up, then reviewed the issue u=
sing MidiMonitor. On the whole i always use the SUS commands for the EDP, a=
s it allows us be to be really precise with loop lengths. The error=A0occur=
red=A0when sending 4 &#39;D3&#39;s (D3 being a &#39;general reset&#39;) out=
 simultaneously to the 4 EDPS. I have these programmed as just 1 frame long=
, and ordinarily it works fine. In this case I could see that only the note=
-offs had fired, and the note-ons had been missed. I looped the track 20 or=
 30 times but could not repeat the error. But at our next rehearsal the sam=
e issue recurred!=A0</div>

<div><br></div><div>I can&#39;t imagine why this would be happening intermi=
ttently. It&#39;s not only D3&#39;s, once in a while a mute or a record wil=
l miss. It just seems that Logic is slightly unstable. What is interesting =
is this tends to only happen when we are actually playing, at which point w=
e are playing soft-synths simultaneously to the midi tracks controlling the=
 EDPs. I&#39;m using a decent spec Macbook Pro, but perhaps it&#39;s just t=
oo much for the system to handle?</div>

<div><br></div><div>Very frustrating! Thanks again for your help.</div><div=
><br></div><div>Daniel<br><br><div class=3D"gmail_quote">2009/5/15 Daniel H=
egarty <span dir=3D"ltr">&lt;<a href=3D"mailto:danielphegarty@googlemail.co=
m">danielphegarty@googlemail.com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I have. I ran MidiMonitor last night for th=
e full length of the 30 minute track, and it all looked very healthy, no gl=
itches.<div>

<br></div><div>However, we also run 6 or 7 softsynths in the logic file whi=
ch we play live. We have two midi keyboards inputting and playing these ins=
truments, at different points, but also occasionally simultaneously. On the=
 most part it works fine, the trouble is we&#39;re normally playing when th=
e glitches happen so it&#39;s difficult to keep an eye on the MidiMonitor. =
Though, now I think about it, we could run MidiMonitor while we&#39;re play=
ing and then review the log afterwards. Good idea!</div>


<div><br></div><div>I&#39;ll let you know the results.</div><div><br></div>=
<div>Thanks</div><div>Daniel<br><br><div class=3D"gmail_quote"><div class=
=3D"im">2009/5/15 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboy=
sen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span><br>


</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-l=
eft:1px #ccc solid;padding-left:1ex"><div>On Fri, May 15, 2009 at 1:01 PM, =
Daniel Hegarty<div><div></div><div class=3D"h5"><br>
&lt;<a href=3D"mailto:danielphegarty@googlemail.com" target=3D"_blank">dani=
elphegarty@googlemail.com</a>&gt; wrote:<br>
&gt; It just seems like once in a while, logic decides not to bother sendin=
g the<br>
&gt; signals. Could that be CPU related do you think? I am running quite a =
lot<br>
&gt; off just a macbook pro.<br>
<br>
</div></div></div><div><div></div><div class=3D"h5">Well, that&#39;s indeed=
 odd. But there has to be an explanation that we<br>
yet don&#39;t know about. Definitely not CPU related, because Logic would<b=
r>
pop up a warning message before that happens. Are you sure it simply<br>
stops sending out the MIDI that is spinning in the sequencer? Have you<br>
monitored the MIDI Out port? That would be a good way to start<br>
trouble-shooting.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></div></div></blockquote></div><br></div>
</blockquote></div><br></div>

--0015174be26ae2b1da046b39a6eb--

From Loopers-Delight-request@loopers-delight.com  Sun May 31 20:16:10 2009
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Date: Sun, 31 May 2009 22:15:45 +0200
Message-ID: <66f9cc1e0905311315r1c3616f9jb522519d67360d65@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
From: Per Boysen <perboysen@gmail.com>
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My totally uneducated guess is that you are partially right when
saying that it's "too much for Logic to handle" but I think the catch
is that Logic doesn't manage to handle it all in time. Especially if
MIDI is quantized in Logic. If this assumption is correct it may help
to "pre delay" the MIDI track in order to make sure all MIDI events
get sent out in time. If using Quantize in the EDP the MIDI can arrive
a healthy bit early without interfering with the music. Just a wild
guess, you may have tried that trick already?

Per



On Sun, May 31, 2009 at 8:40 PM, Daniel Hegarty
<danielphegarty@googlemail.com> wrote:
> Hey Per,
> Just wanted to give you an update on the issue and see if you had any
> insight.
> We ran the set a couple of times until one of the errors showed up, then
> reviewed the issue using MidiMonitor. On the whole i always use the SUS
> commands for the EDP, as it allows us be to be really precise with loop
> lengths. The error=C2=A0occurred=C2=A0when sending 4 'D3's (D3 being a 'g=
eneral
> reset') out simultaneously to the 4 EDPS. I have these programmed as just=
 1
> frame long, and ordinarily it works fine. In this case I could see that o=
nly
> the note-offs had fired, and the note-ons had been missed. I looped the
> track 20 or 30 times but could not repeat the error. But at our next
> rehearsal the same issue recurred!
> I can't imagine why this would be happening intermittently. It's not only
> D3's, once in a while a mute or a record will miss. It just seems that Lo=
gic
> is slightly unstable. What is interesting is this tends to only happen wh=
en
> we are actually playing, at which point we are playing soft-synths
> simultaneously to the midi tracks controlling the EDPs. I'm using a decen=
t
> spec Macbook Pro, but perhaps it's just too much for the system to handle=
?
> Very frustrating! Thanks again for your help.
> Daniel
>
> 2009/5/15 Daniel Hegarty <danielphegarty@googlemail.com>
>>
>> I have. I ran MidiMonitor last night for the full length of the 30 minut=
e
>> track, and it all looked very healthy, no glitches.
>> However, we also run 6 or 7 softsynths in the logic file which we play
>> live. We have two midi keyboards inputting and playing these instruments=
, at
>> different points, but also occasionally simultaneously. On the most part=
 it
>> works fine, the trouble is we're normally playing when the glitches happ=
en
>> so it's difficult to keep an eye on the MidiMonitor. Though, now I think
>> about it, we could run MidiMonitor while we're playing and then review t=
he
>> log afterwards. Good idea!
>> I'll let you know the results.
>> Thanks
>> Daniel
>>
>> 2009/5/15 Per Boysen <perboysen@gmail.com>
>>>
>>> On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty
>>> <danielphegarty@googlemail.com> wrote:
>>> > It just seems like once in a while, logic decides not to bother sendi=
ng
>>> > the
>>> > signals. Could that be CPU related do you think? I am running quite a
>>> > lot
>>> > off just a macbook pro.
>>>
>>> Well, that's indeed odd. But there has to be an explanation that we
>>> yet don't know about. Definitely not CPU related, because Logic would
>>> pop up a warning message before that happens. Are you sure it simply
>>> stops sending out the MIDI that is spinning in the sequencer? Have you
>>> monitored the MIDI Out port? That would be a good way to start
>>> trouble-shooting.
>>>
>>> Per
>>>
>>
>
>

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From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Sun, 31 May 2009 21:23:09 +0100
Message-ID: <b2438db40905311323j3ca6377ctd3d1fbaee4f18e23@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
To: Loopers-Delight@loopers-delight.com
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--0015174c16322aba02046b3b15d3
Content-Type: text/plain; charset=ISO-8859-1
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Hi Per,
Thanks again for taking the time!

That sounds like an interesting idea. I have to admit my ignorance here.
I've avoided using any sync so far, as the loop lengths involved are rarely
the same twice, and I was finding the 8th note count a bit of a nightmare.
So I'm effectively syncing purely by setting the SUS commands to precisely
the right length. I'm now wondering if that's not the optimal solution, and
perhaps I'm missing out on harnessing some of the power of the EDPs. Would I
need to change the 8th note count before recording each loop in order to get
them to be the right length?

Another knowledge black spot, would changing the pre-delay have any effect
on the timing of the looping actions? Perhaps causing the loops to trigger
earlier than they should be?

Thanks
Daniel

2009/5/31 Per Boysen <perboysen@gmail.com>

> My totally uneducated guess is that you are partially right when
> saying that it's "too much for Logic to handle" but I think the catch
> is that Logic doesn't manage to handle it all in time. Especially if
> MIDI is quantized in Logic. If this assumption is correct it may help
> to "pre delay" the MIDI track in order to make sure all MIDI events
> get sent out in time. If using Quantize in the EDP the MIDI can arrive
> a healthy bit early without interfering with the music. Just a wild
> guess, you may have tried that trick already?
>
> Per
>
>
>
> On Sun, May 31, 2009 at 8:40 PM, Daniel Hegarty
> <danielphegarty@googlemail.com> wrote:
> > Hey Per,
> > Just wanted to give you an update on the issue and see if you had any
> > insight.
> > We ran the set a couple of times until one of the errors showed up, then
> > reviewed the issue using MidiMonitor. On the whole i always use the SUS
> > commands for the EDP, as it allows us be to be really precise with loop
> > lengths. The error occurred when sending 4 'D3's (D3 being a 'general
> > reset') out simultaneously to the 4 EDPS. I have these programmed as just
> 1
> > frame long, and ordinarily it works fine. In this case I could see that
> only
> > the note-offs had fired, and the note-ons had been missed. I looped the
> > track 20 or 30 times but could not repeat the error. But at our next
> > rehearsal the same issue recurred!
> > I can't imagine why this would be happening intermittently. It's not only
> > D3's, once in a while a mute or a record will miss. It just seems that
> Logic
> > is slightly unstable. What is interesting is this tends to only happen
> when
> > we are actually playing, at which point we are playing soft-synths
> > simultaneously to the midi tracks controlling the EDPs. I'm using a
> decent
> > spec Macbook Pro, but perhaps it's just too much for the system to
> handle?
> > Very frustrating! Thanks again for your help.
> > Daniel
> >
> > 2009/5/15 Daniel Hegarty <danielphegarty@googlemail.com>
> >>
> >> I have. I ran MidiMonitor last night for the full length of the 30
> minute
> >> track, and it all looked very healthy, no glitches.
> >> However, we also run 6 or 7 softsynths in the logic file which we play
> >> live. We have two midi keyboards inputting and playing these
> instruments, at
> >> different points, but also occasionally simultaneously. On the most part
> it
> >> works fine, the trouble is we're normally playing when the glitches
> happen
> >> so it's difficult to keep an eye on the MidiMonitor. Though, now I think
> >> about it, we could run MidiMonitor while we're playing and then review
> the
> >> log afterwards. Good idea!
> >> I'll let you know the results.
> >> Thanks
> >> Daniel
> >>
> >> 2009/5/15 Per Boysen <perboysen@gmail.com>
> >>>
> >>> On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty
> >>> <danielphegarty@googlemail.com> wrote:
> >>> > It just seems like once in a while, logic decides not to bother
> sending
> >>> > the
> >>> > signals. Could that be CPU related do you think? I am running quite a
> >>> > lot
> >>> > off just a macbook pro.
> >>>
> >>> Well, that's indeed odd. But there has to be an explanation that we
> >>> yet don't know about. Definitely not CPU related, because Logic would
> >>> pop up a warning message before that happens. Are you sure it simply
> >>> stops sending out the MIDI that is spinning in the sequencer? Have you
> >>> monitored the MIDI Out port? That would be a good way to start
> >>> trouble-shooting.
> >>>
> >>> Per
> >>>
> >>
> >
> >
>
>

--0015174c16322aba02046b3b15d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Per,<div><br></div><div>Thanks again for taking the time!</div><div><br>=
</div><div>That sounds like an interesting idea. I have to admit my ignoran=
ce here. I&#39;ve avoided using any sync so far, as the loop lengths involv=
ed are rarely the same twice, and I was finding the 8th note count a bit of=
 a nightmare. So I&#39;m effectively syncing purely by setting the SUS comm=
ands to precisely the right length. I&#39;m now wondering if that&#39;s not=
 the optimal solution, and perhaps I&#39;m missing out on harnessing some o=
f the power of the EDPs. Would I need to change the 8th note count before r=
ecording each loop in order to get them to be the right length?</div>

<div><br></div><div>Another knowledge black spot, would changing the pre-de=
lay have any effect on the timing of the looping actions? Perhaps causing t=
he loops to trigger earlier than they should be?</div><div><br></div><div>

Thanks</div><div>Daniel</div><div><br><div class=3D"gmail_quote">2009/5/31 =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

My totally uneducated guess is that you are partially right when<br>
saying that it&#39;s &quot;too much for Logic to handle&quot; but I think t=
he catch<br>
is that Logic doesn&#39;t manage to handle it all in time. Especially if<br=
>
MIDI is quantized in Logic. If this assumption is correct it may help<br>
to &quot;pre delay&quot; the MIDI track in order to make sure all MIDI even=
ts<br>
get sent out in time. If using Quantize in the EDP the MIDI can arrive<br>
a healthy bit early without interfering with the music. Just a wild<br>
guess, you may have tried that trick already?<br>
<br>
Per<br>
<br>
<br>
<br>
On Sun, May 31, 2009 at 8:40 PM, Daniel Hegarty<br>
<div><div></div><div class=3D"h5">&lt;<a href=3D"mailto:danielphegarty@goog=
lemail.com">danielphegarty@googlemail.com</a>&gt; wrote:<br>
&gt; Hey Per,<br>
&gt; Just wanted to give you an update on the issue and see if you had any<=
br>
&gt; insight.<br>
&gt; We ran the set a couple of times until one of the errors showed up, th=
en<br>
&gt; reviewed the issue using MidiMonitor. On the whole i always use the SU=
S<br>
&gt; commands for the EDP, as it allows us be to be really precise with loo=
p<br>
&gt; lengths. The error=A0occurred=A0when sending 4 &#39;D3&#39;s (D3 being=
 a &#39;general<br>
&gt; reset&#39;) out simultaneously to the 4 EDPS. I have these programmed =
as just 1<br>
&gt; frame long, and ordinarily it works fine. In this case I could see tha=
t only<br>
&gt; the note-offs had fired, and the note-ons had been missed. I looped th=
e<br>
&gt; track 20 or 30 times but could not repeat the error. But at our next<b=
r>
&gt; rehearsal the same issue recurred!<br>
&gt; I can&#39;t imagine why this would be happening intermittently. It&#39=
;s not only<br>
&gt; D3&#39;s, once in a while a mute or a record will miss. It just seems =
that Logic<br>
&gt; is slightly unstable. What is interesting is this tends to only happen=
 when<br>
&gt; we are actually playing, at which point we are playing soft-synths<br>
&gt; simultaneously to the midi tracks controlling the EDPs. I&#39;m using =
a decent<br>
&gt; spec Macbook Pro, but perhaps it&#39;s just too much for the system to=
 handle?<br>
&gt; Very frustrating! Thanks again for your help.<br>
&gt; Daniel<br>
&gt;<br>
&gt; 2009/5/15 Daniel Hegarty &lt;<a href=3D"mailto:danielphegarty@googlema=
il.com">danielphegarty@googlemail.com</a>&gt;<br>
&gt;&gt;<br>
&gt;&gt; I have. I ran MidiMonitor last night for the full length of the 30=
 minute<br>
&gt;&gt; track, and it all looked very healthy, no glitches.<br>
&gt;&gt; However, we also run 6 or 7 softsynths in the logic file which we =
play<br>
&gt;&gt; live. We have two midi keyboards inputting and playing these instr=
uments, at<br>
&gt;&gt; different points, but also occasionally simultaneously. On the mos=
t part it<br>
&gt;&gt; works fine, the trouble is we&#39;re normally playing when the gli=
tches happen<br>
&gt;&gt; so it&#39;s difficult to keep an eye on the MidiMonitor. Though, n=
ow I think<br>
&gt;&gt; about it, we could run MidiMonitor while we&#39;re playing and the=
n review the<br>
&gt;&gt; log afterwards. Good idea!<br>
&gt;&gt; I&#39;ll let you know the results.<br>
&gt;&gt; Thanks<br>
&gt;&gt; Daniel<br>
&gt;&gt;<br>
&gt;&gt; 2009/5/15 Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">pe=
rboysen@gmail.com</a>&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; On Fri, May 15, 2009 at 1:01 PM, Daniel Hegarty<br>
&gt;&gt;&gt; &lt;<a href=3D"mailto:danielphegarty@googlemail.com">danielphe=
garty@googlemail.com</a>&gt; wrote:<br>
&gt;&gt;&gt; &gt; It just seems like once in a while, logic decides not to =
bother sending<br>
&gt;&gt;&gt; &gt; the<br>
&gt;&gt;&gt; &gt; signals. Could that be CPU related do you think? I am run=
ning quite a<br>
&gt;&gt;&gt; &gt; lot<br>
&gt;&gt;&gt; &gt; off just a macbook pro.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Well, that&#39;s indeed odd. But there has to be an explanatio=
n that we<br>
&gt;&gt;&gt; yet don&#39;t know about. Definitely not CPU related, because =
Logic would<br>
&gt;&gt;&gt; pop up a warning message before that happens. Are you sure it =
simply<br>
&gt;&gt;&gt; stops sending out the MIDI that is spinning in the sequencer? =
Have you<br>
&gt;&gt;&gt; monitored the MIDI Out port? That would be a good way to start=
<br>
&gt;&gt;&gt; trouble-shooting.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Per<br>
&gt;&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div>

--0015174c16322aba02046b3b15d3--

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Date: Sun, 31 May 2009 22:31:28 +0200
Message-ID: <66f9cc1e0905311331n1ea11596uf1433adec0b52118@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, May 31, 2009 at 10:23 PM, Daniel Hegarty
<danielphegarty@googlemail.com> wrote:
> So I'm effectively syncing purely by setting the SUS commands to precisely
> the right length. I'm now wondering if that's not the optimal solution,

Unforturnately not optiomal because MIDI is in fact very flaky
timing-wise, being a serial protocol. So even if MIDI events are
quantized in the sequencer they can never be sent at the same time
through a MIDI port.

> Would I
> need to change the 8th note count before recording each loop in order to get
> them to be the right length?

No, just use what gives enough "pre-timing".

> Another knowledge black spot, would changing the pre-delay have any effect
> on the timing of the looping actions? Perhaps causing the loops to trigger
> earlier than they should be?

Seems you have been missing the basic point in all this, which is that
the EDP has to run synchronized to the MIDI sequencer. I've heard
people doing that well with MIDI Clock and myself I have been doing it
a couple of time with beat pulse sync (recorded a pulse from the EDP
into Logic and then playing back that pulse into the EDP to make it
follow).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun May 31 20:58:05 2009
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From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Sun, 31 May 2009 21:57:44 +0100
Message-ID: <b2438db40905311357mcf9a575j658963b6460e099b@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
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--0015174c3f0ad71824046b3b9098
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Hi,
Sorry for being dense, just a couple of clarifications!


   1. Say for example, on one of the EDPs, I need to record a 4 bar loop,
   and then reset that loop later, and then record an unrelated 2 bar loop. How
   do I alter the loop length if not by using the SUSrecord function? When I've
   experimented with quantizing, it appeared to me that I could only set a
   fixed loop length using the 8th/cycle parameter. This obviously wouldn't be
   sufficient for the use case i describe above. i.e. When in quantize mode i
   press record once to start recording the loop, i then press it again, but
   the stop is determined by the 8th/cycle parameter rather than my button
   press. My impression was that Sync=In, and Quantize was to be used when
   using a fixed length loop which you wished to develop and perform operations
   on. If that's not the case, I'd be very interested in how to very the loop
   lengths on the fly, so to speak.
   2. I assume the pre-delay option is only useful in the case of using the
   EDP quantize as otherwise it would cause the commands not to be sent out
   precisely on time.

I have a horrible feeling I've wasted a lot of time going about this the
wrong way! Thanks so much for your patience.

Daniel

2009/5/31 Per Boysen <perboysen@gmail.com>

> On Sun, May 31, 2009 at 10:23 PM, Daniel Hegarty
> <danielphegarty@googlemail.com> wrote:
> > So I'm effectively syncing purely by setting the SUS commands to
> precisely
> > the right length. I'm now wondering if that's not the optimal solution,
>
> Unforturnately not optiomal because MIDI is in fact very flaky
> timing-wise, being a serial protocol. So even if MIDI events are
> quantized in the sequencer they can never be sent at the same time
> through a MIDI port.
>
> > Would I
> > need to change the 8th note count before recording each loop in order to
> get
> > them to be the right length?
>
> No, just use what gives enough "pre-timing".
>
> > Another knowledge black spot, would changing the pre-delay have any
> effect
> > on the timing of the looping actions? Perhaps causing the loops to
> trigger
> > earlier than they should be?
>
> Seems you have been missing the basic point in all this, which is that
> the EDP has to run synchronized to the MIDI sequencer. I've heard
> people doing that well with MIDI Clock and myself I have been doing it
> a couple of time with beat pulse sync (recorded a pulse from the EDP
> into Logic and then playing back that pulse into the EDP to make it
> follow).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0015174c3f0ad71824046b3b9098
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi,<div><br></div><div>Sorry for being dense, just a couple of clarificatio=
ns!</div><div><br></div><div><ol><li>Say for example, on one of the EDPs, I=
 need to record a 4 bar loop, and then reset that loop later, and then reco=
rd an unrelated 2 bar loop. How do I alter the loop length if not by using =
the SUSrecord function? When I&#39;ve experimented with quantizing, it appe=
ared to me that I could only set a fixed loop length using the 8th/cycle pa=
rameter. This obviously wouldn&#39;t be sufficient for the use case i descr=
ibe above. i.e. When in quantize mode i press record once to start recordin=
g the loop, i then press it again, but the stop is determined by the 8th/cy=
cle parameter rather than my button press. My impression was that Sync=3DIn=
, and Quantize was to be used when using a fixed length loop which you wish=
ed to develop and perform operations on. If that&#39;s not the case, I&#39;=
d be very interested in how to very the loop lengths on the fly, so to spea=
k.</li>

<li>I assume the pre-delay option is only useful in the case of using the E=
DP quantize as otherwise it would cause the commands not to be sent out pre=
cisely on time.</li></ol><div>I have a horrible feeling I&#39;ve wasted a l=
ot of time going about this the wrong way! Thanks so much for your patience=
.</div>

<div><br></div><div>Daniel</div><div><br><div class=3D"gmail_quote">2009/5/=
31 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">=
perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class=3D"im">On Sun, May 31, 2009 at 10:23 PM, Daniel Hegarty<br>
&lt;<a href=3D"mailto:danielphegarty@googlemail.com">danielphegarty@googlem=
ail.com</a>&gt; wrote:<br>
&gt; So I&#39;m effectively syncing purely by setting the SUS commands to p=
recisely<br>
&gt; the right length. I&#39;m now wondering if that&#39;s not the optimal =
solution,<br>
<br>
</div>Unforturnately not optiomal because MIDI is in fact very flaky<br>
timing-wise, being a serial protocol. So even if MIDI events are<br>
quantized in the sequencer they can never be sent at the same time<br>
through a MIDI port.<br>
<div class=3D"im"><br>
&gt; Would I<br>
&gt; need to change the 8th note count before recording each loop in order =
to get<br>
&gt; them to be the right length?<br>
<br>
</div>No, just use what gives enough &quot;pre-timing&quot;.<br>
<div class=3D"im"><br>
&gt; Another knowledge black spot, would changing the pre-delay have any ef=
fect<br>
&gt; on the timing of the looping actions? Perhaps causing the loops to tri=
gger<br>
&gt; earlier than they should be?<br>
<br>
</div>Seems you have been missing the basic point in all this, which is tha=
t<br>
the EDP has to run synchronized to the MIDI sequencer. I&#39;ve heard<br>
people doing that well with MIDI Clock and myself I have been doing it<br>
a couple of time with beat pulse sync (recorded a pulse from the EDP<br>
into Logic and then playing back that pulse into the EDP to make it<br>
follow).<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br></div></div>

--0015174c3f0ad71824046b3b9098--

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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
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> From: expertsleepers@googlemail.com 
> I've made a group on Flickr for collecting photos of the 
> event: http://www.flickr.com/groups/antwerp_loopfest_2009/

Thanks Os, that's a good idea. I haven't made photographs myself but Ingrid
has so we'll upload these as soon as possible.

Sjaak




