From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 00:17:01 2006
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Subject: Re: Mixer with MIDI scene recall
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God I wish my SIMMONS SPM 8:2... was less noisy and generally better 
quality.. It should rock!!
8 channels, each channel has, gain, pan, bass ,sweepable mid, treble 2 FX 
sends AND an LFO that can be set to pan or sweep the mid. Everything can be 
saved, and heres the good bit... you can have a X-fade time between 
patches... so when you hit a new "scene" it can fade/morph to the new 
settings... quite incredible for an old piece of s*** from the 80's, 
originally designed to mix a Simmons elecronic kit!!!

Now used in my gear as the mixer for my modular stuff... just too hissy for 
anything else... shame... however my main Behringer mixer is also a pile... 
and I have a crackly 20 ch Tascam mixer thats looking sad too... *sigh*... 
should sell the lot really... but who would buy... *cry* ... whats that guy 
called who creates feedback thru mixers... he must need spares???

m

mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 02:53:26 2006
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In the 90's, I was the village MIDIot for a local MI company.  Part of my
job was showing off the equipment and the Peavey MIDI Bass was on of my
favorites.  I used this same configuration with the exception of the 8128
which was already out of production.  Once the rest of the kids got past
snickering at the Peavey name, it was fun to see their faces at what that
setup could do.  Gotta be careful with the segmented frets, though.
(Remember the Guit-Organ? Oy!!!)

The only available rack mount unit I've found that could replace the 8128 is
the Switchblade.  It is a incredible piece of gear.  Still, at $2K, I
suspect the price is driven more by lack of competition then by technology.
Besides the line inputs, I need one good mic preamp and that's the >only<
reason that I'd hesitate to buy one for a rack.


dm

www.fixedfocus.org
====================





-----Original Message-----
From: Doug Wellington [mailto:dougwellington@gmail.com]
Sent: Tuesday, October 31, 2006 5:43 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mixer with MIDI scene recall


Previously:
> Nice idea, I don't know why they dropped it.  ...years ago  ...without
> comment. ...or replacement.

I wondered that myself.  I still have a PLM8128 in my old bass rig,
with the MidiBASE interface, the Spectrum Bass and the BassFex.
Haven't turned it on for ages.  I suppose I've kept it more for
nostalgia than anything...

There was an expansion for the PLM8128 that you could get - IIRC, you
could even add two for a total of 24 channels.  There once was a
time...

Doug  (Hmmm, maybe I'll take that rig to next year's Different Skies.
What do you think Bill?)


From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 03:42:30 2006
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i've been meaning to--I just keep getting unexpected bills! I hope to
get one around new years time though :)

Charlie

On 10/31/06, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> Has anyone picked up a RiffBox yet? Is it as good as it appears from
> the web site and users manual?
> http://www.backline-eng.com/page3.html
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 04:23:15 2006
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From: paul <phaslem@wightman.ca>
Subject: Way OT, midi guitar pickups
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Hi,

I know that some of you use midi guitar. I've been playing with a magnetic 
(the yamaha g1d with the g50 converter) and am having a blast with all the 
sounds that are available. I have a chance to get an rmc midi pickup and 
install it directly into my taylor and wondered if anyone has experience 
with both the mag style and the piezo style midi pickups and if one is 
better (as in the tracking) than the other? The other option I'm 
considering is to pickup a used electric and do a more permanent type of 
midi installation in it with the yamaha pickup that I have.

Thanks, Been enjoying those festival mp3's!!!


Paul Haslem
www.dulcify.ca
Ontario, Canada

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 04:23:26 2006
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On 10/31/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
> Mech, have I noticed you posting on the Looperlative forum? What do you
> think of the LP1? How does it compare to the EDP? I've been looking for a
> stereo looper for awhile, rather than another EDP. The LP1 looks nice, and
> would cost me about the same as two EDPs. Would be interested to hear your
> thoughts.

I'm not Mech, but I have an LP1.  I also have two EDPs and a Repeater.
 Lately, the only thing I've been using is the LP1.  Once you get a
midi controller set up (it's easy to program - the hard part is
deciding exactly what you want to do) and get used to thinking in
terms of separate tracks instead of just one, it's hard to beat!  The
one thing the Repeater has that the other two don't is the storage
capability, but the latest LP1 software lets you access things from a
computer.  Not quite as immediate as the memory card in the Repeater,
but  it sure beats what you can do with the EDP...

Doug

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On 10/31/06, dm <dmont@knology.net> wrote:
> In the 90's, I was the village MIDIot for a local MI company.

:)  Around the time I took my current job, I had a chance to work for
a local music store.  (I'm sure I'd bring home way less cash if I had
taken that job!)

> Part of my job was showing off the equipment and the Peavey MIDI Bass
> was on of my favorites.

Yeah, mine too - once I got the right strings dialed in, and when I
finally gave up on using the E string by itself (that hollowed out
body for the computer just ruined the tone) it was a real hoot to
play!  I especially loved trading off with the drummer - I did the
usual slap on the E and A strings assigned to a kick and pop on the D
and G assigned to a snare.  Hmmm, now that I think of it, some of my
midi modules didn't work with it, and I actually had to write a midi
filter program that captured the pitch bend message and then rewrote
the note on message with the "real" note...

> Gotta be careful with the segmented frets, though.

Yeah, I had to peel off the fretboard ;) and resolder a couple of
those resistors...

Doug

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Date: Tue, 31 Oct 2006 20:44:51 -0800
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Per,

Been reading this thread with great interest.  I too am considering  
diving into Max/MSP, but am waiting for some extended free time to  
explore the demo.  If you have the time, please post your comments/ 
thoughts on your Max/MSP experimenting as things develop.  Thanks!

Matt

---
King Never
http://www.kingnever.com

On Oct 30, 2006, at 10:41 AM, Per Boysen wrote:

> On 30 okt 2006, at 13.53, a k butler wrote:
>> Very good indeed in Bidule.
>> If you have a tap time looper with midi sync out it's no problem  
>> to sync to it.
>> You could even have a number of different loopers, running at  
>> different tempi, each with synced fx
>>
>> Bidule hosts all sorts of vsts, any no. of channels, and lets you  
>> hook them up any way you like (audio, midi, sync), and you can do  
>> that while the audio is actually running.
>> pc & mac ( AU supported on mac)
>>
>> not expensive
>>
>> It has simple midi synced loop components if you needed those too.
>>
>> ........BUT
>> It doesn't have the "support base" here that MAX has :-)
>
>
> I see your point, Andy. But Bidule is so damn easy and fast that it  
> doesn't need any "support base" to let you create things. I have  
> been tinkering half day with Bidule and already made a nice VST  
> host and effect tweaking environment for looping in Mobius. Nice  
> SIR reverb on both live input and Mobius loop output as well as  
> different parallel, or daisy-chained, VST effects that are called  
> up from a MIDI foot pedal. Bidules "Audio Matrix" makes it possible  
> to route effects and assign MIDI bindings.  Not Program Change  
> though, so I'm setting up this pilot system with cc and using an  
> expression pedal to sweep though all my custom made multi effect  
> clusters.
>
> Since tweaking Bidule is so fast I may have time to make a pilot  
> rig in MAX as well, so I can evaluate MAX in 30 days before the  
> demo times out. Both app's are working fine under OS X and XP. I  
> guess MSP has plain pitch shifting modules? Regarding Bidule under  
> XP I still miss the nice pitch-shifters that comes for free on a  
> Mac, but maybe someone can hint me at a plain pitch-shifting VST  
> plug-in for XP?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Per,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Been reading this thread =
with great interest.=A0 I too am considering diving into Max/MSP, but am =
waiting for some extended free time to explore the demo.=A0 If you have =
the time, please post your comments/thoughts on your Max/MSP =
experimenting as things develop.=A0 Thanks!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Matt</DIV><DIV><BR><DIV> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">---</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">King Never</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><A =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P> =
 </DIV><BR><DIV><DIV>On Oct 30, 2006, at 10:41 AM, Per Boysen =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On 30 okt 2006, at 13.53, a k =
butler wrote:</DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Very =
good indeed in Bidule.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">If you have a tap time =
looper with midi sync out it's no problem to sync to it.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">You could even have a number of different loopers, =
running at different tempi, each with synced fx</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Bidule =
hosts all sorts of vsts, any no. of channels, and lets you hook them up =
any way you like (audio, midi, sync), and you can do that while the =
audio is actually running.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">pc &amp; mac =
( AU supported on mac)</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">not expensive</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">It has =
simple midi synced loop components if you needed those too.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">........BUT</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">It doesn't have the "support =
base" here that MAX has :-)</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I see your point, Andy. But =
Bidule is so damn easy and fast that it doesn't need any "support base" =
to let you create things. I have been tinkering half day with Bidule and =
already made a nice VST host and effect tweaking environment for looping =
in Mobius. Nice SIR reverb on both live input and Mobius loop output as =
well as different parallel, or daisy-chained, VST effects that are =
called up from a MIDI foot pedal. Bidules "Audio Matrix" makes it =
possible to route effects and assign MIDI bindings.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>Not Program Change though, so =
I'm setting up this pilot system with cc and using an expression pedal =
to sweep though all my custom made multi effect clusters.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Since =
tweaking Bidule is so fast I may have time to make a pilot rig in MAX as =
well, so I can evaluate MAX in 30 days before the demo times out. Both =
app's are working fine under OS X and XP. I guess MSP has plain pitch =
shifting modules? Regarding Bidule under XP I still miss the nice =
pitch-shifters that comes for free on a Mac, but maybe someone can hint =
me at a plain pitch-shifting VST plug-in for XP?</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Greetings from Sweden</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Per Boysen</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.boysen.se (Swedish)</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.looproom.com (international)</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2--634502131--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 07:21:57 2006
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From: "Nik" <fluke@gotadsl.co.uk>
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Subject: Re: Way OT, midi guitar pickups
Date: Wed, 1 Nov 2006 07:21:53 -0000
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Your Yamaha G50 uses technology licensed from Axon, and so has the fastest 
of any pitch to MIDI tracking, so long as you play fairly cleanly with a 
pick. The Axon converters: AX100 and the Terratec badged MkII version, have 
a piezo setting to get the best performasnce from those pickups such as RMC.

The G50 does NOT have this piezo setting, and so although you would get fast 
tracking with the RMC installation, your note accuracy and glitch rejection 
would actualy get worse. The G50 also has trouble recognising the pick 
position from piezo pickups. Add this to the fact that, unlike Rolands, Axon 
technology tracks magnetic pickups VERY NEARLY as well as it tracks piezos.

I would suggest you look at chopping in the G50 for a Terratec Axon AX100 
MkII before going for a Piezo installation.

Nik - ex-Roland user - ex G50 user -  current Axon and Godin user.

----- Original Message ----- 
From: "paul" <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 01, 2006 4:23 AM
Subject: Way OT, midi guitar pickups


> Hi,
>
> I know that some of you use midi guitar. I've been playing with a magnetic 
> (the yamaha g1d with the g50 converter) and am having a blast with all the 
> sounds that are available. I have a chance to get an rmc midi pickup and 
> install it directly into my taylor and wondered if anyone has experience 
> with both the mag style and the piezo style midi pickups and if one is 
> better (as in the tracking) than the other? The other option I'm 
> considering is to pickup a used electric and do a more permanent type of 
> midi installation in it with the yamaha pickup that I have.
>
> Thanks, Been enjoying those festival mp3's!!!
>
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 09:39:33 2006
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To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: RiffBox - anyone?
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At 23:52 31/10/2006, you wrote:
>Hi,
>
>Has anyone picked up a RiffBox yet? Is it as good as it appears from
>the web site and users manual?
>http://www.backline-eng.com/page3.html
>
>Greetings from Sweden

wasn't that the "Spinal Tap Looper" that was mentioned a while back?

andybutler 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 09:47:48 2006
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Date: Wed, 1 Nov 2006 09:47:46 +0000
From: Os <os@collective.co.uk>
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To: Loopers-Delight@loopers-delight.com
Subject: new sync feature for Augustus Loop/Live users
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Hi,

this might be of interest to some - new in yesterday's release of
Augustus Loop. From the manual:

"Essentially this is a workaround for a limitation in Ableton Live, in
that Live reports rounded tempo values to hosted plug-ins when
externally synced by MIDI clock. For example, if Live receives clocks
at a tempo of 114.6bpm, it will tell its hosted plug-ins that the
tempo is 115bpm. Why it does this remains something of a mystery.

"This is a problem if you are using multiple instances of Augustus
Loop in a Live song, with one AL set to generate MIDI clock, Live
synced to that clock, and the other ALs set to 'Host Tempo' mode. When
you use Tap Record to record your loop in the master AL, the other ALs
will be given a slightly wrong tempo by Live and the loops will be out
of sync.

"Turning on 'rounded tempo' in AL solves this problem by only ever
generating MIDI clock at rounded values. The downside is that the loop
length will not be quite what you wanted, but it may be good enough,
depending largely on your musical style and whether you record the
first loop 'silent' simply to set the tempo.

"With this mode turned on, when you use Tap Record the loop end will
be slightly later than when you tap to close the loop. E.g. if you
record a loop that would have a tempo of 122.3bpm, AL actually keeps
recording until the loop length matches a tempo of 122bpm."


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 11:28:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RiffBox - anyone?
Date: Wed, 1 Nov 2006 12:28:35 +0100
To: Loopers-Delight@loopers-delight.com
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> At 23:52 31/10/2006, you wrote:
>> Hi,
>>
>> Has anyone picked up a RiffBox yet? Is it as good as it appears from
>> the web site and users manual?
>> http://www.backline-eng.com/page3.html
>>
>> Greetings from Sweden

On 1 nov 2006, at 10.40, a k butler wrote:

> wasn't that the "Spinal Tap Looper" that was mentioned a while back?
>
> andybutler

Oh, was it? I must have missed that.

Greetings from Sweden

Per Boysen
"Digital is like glass - analog is like... mud?" (Spinal Tap's bass  
player when I met them at a press conference here in Stockholm)


From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 11:46:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new sync feature for Augustus Loop/Live users
Date: Wed, 1 Nov 2006 12:45:58 +0100
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On 1 nov 2006, at 10.47, Os wrote:

> Hi,
>
> this might be of interest to some - new in yesterday's release of
> Augustus Loop. From the manual:
>
> "Essentially this is a workaround for a limitation in Ableton Live, in
> that Live reports rounded tempo values to hosted plug-ins when
> externally synced by MIDI clock. For example, if Live receives clocks
> at a tempo of 114.6bpm, it will tell its hosted plug-ins that the
> tempo is 115bpm. Why it does this remains something of a mystery.


That's great - for those who don't have an issue with Live's other  
shortcomings. Over here I have decided not to upgrade to version 6  
because the new "rack" function (1) does not support external MIDI  
pre-set recall and because (2) rack presets do not remember any MIDI  
cc bindings. I had high hopes for the rack as a way to swap between  
different setups of multi effect presets during performance (the best  
way to save up CPU cycles and still the reason I use an external  
multi effect processor pre looper) but unfortunately this was not  
considered important from a marketing perspective. I have been using  
a NFS review version of Live 6 extensively and have hands-on  
experience with these shortcomings. Oh well... have to turn to Bidule  
for comfort and to Max for inspiration ;-))

I'm really looking forward to start looping with Augustus Loop as  
soon as Numerology 2 is released (any week now I think). Numerology  
is a modern Mac application that takes full advance of OS X (AU, Core  
MIDI, Core Audio) which in my opinion makes it a better host.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 16:17:49 2006
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There is a lot of talk about Audiomulch, Energy and Bidule) and now that 
i'm moving to software looping with Mobius...i'm a little bit confused 
about  the differences between them as VST hosts.
For what i've read on this list, Max appears complicated and requiring an 
amount of time i miss by now.

So i'm asking if these software have the same features ?
Do they all permits to send  midi control for mobius and to control Vst fx 
(or/and VST synths) before and after mobius with a midi foot controller ?
Thanks

fabio
http://xoomer.alice.it/eterogeneo
www.myspace.com/eterogeneo

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 19:53:49 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule (was: MAX/msp question)
Date: Wed, 1 Nov 2006 20:53:43 +0100
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On 1 nov 2006, at 05.44, Matthew F. McCabe wrote:

> Per,
>
> Been reading this thread with great interest.  I too am considering  
> diving into Max/MSP, but am waiting for some extended free time to  
> explore the demo.  If you have the time, please post your comments/ 
> thoughts on your Max/MSP experimenting as things develop.  Thanks!
>
> Matt

Hi Matt,

At the moment I'm concentrating on Bidule. For a n00b that is a  
faster and easier way to set up a host applications for software  
looping (Mobius) with software instruments and effects. I don't doubt  
that Max can do everything Bidule does and even more, but right now I  
don't need that extra Max power. However, I have been reading the Max  
and Msp manuals as well as tinkering around with some tutorials and  
I'm pretty sure I will buy Max for the direct purpose of creating my  
own playable multi effect plug-ins, as a longtime strategy to replace  
my tc electronics fireworX rack device with a laptop only solution.  
But I can't say right now if I will be running these plug-ins in Max,  
Bidule or Numerology (mac).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 21:39:20 2006
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From: "Art Simon" <simart@gmail.com>
To: "fabio anile" <fabio.anile@tiscali.it>
Subject: Re: Bidule/EnergyTX/Audiomulch (was: MAX/msp question)
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I'll give you my (initial) observations. I can't say I've spent
adequate time with all these, but I've used EnergyXT and Max a bit,
and I've spent a little time with Bidule, Usine and Audiomulch.

EnergyXT is the most straightforward and easy to use. It doesn't offer
any low level modules for mathematical operations. You can't introduce
random midi values (without some sort of VST) for example. It's a
great environment for hooking up VSTs modularly, and it's got a good
built in sequencer. It's audio engine is not as well coded as the
others (though this isn't an issue if you don't use the stand alone
version, and run it as a VST). It doesn't offer right and left audio
cables like Bidule, and lately I've had some small timing issues using
it as a master to sync Stylus RMX.

Bidule offers better audio performance, more flexible routing, low
level math processing (including randomness), more flexible sync
options, but no sequencer.

Audiomulch is great for processing audio, but there are no midi
"cables" limiting midi processing capabilities.

Usine is similar to Bidule, but with a more appealing user interface
IMHO. The guy who wrote it plays acoustic bass, and there is just
something about it that seems particularly well suited for one guy
improvising with a conventional instrument being processed by the
computer. There are a lot of tools for generating midi events (or
other events) based on incoming audio. It's currently problematic with
Mobius.

On 11/1/06, fabio anile <fabio.anile@tiscali.it> wrote:
> There is a lot of talk about Audiomulch, Energy and Bidule) and now that
> i'm moving to software looping with Mobius...i'm a little bit confused
> about  the differences between them as VST hosts.
> For what i've read on this list, Max appears complicated and requiring an
> amount of time i miss by now.
>
> So i'm asking if these software have the same features ?
> Do they all permits to send  midi control for mobius and to control Vst fx
> (or/and VST synths) before and after mobius with a midi foot controller ?
> Thanks
>
> fabio
> http://xoomer.alice.it/eterogeneo
> www.myspace.com/eterogeneo
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:09:12 2006
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Art Simon wrote:

>
> Usine is similar to Bidule, but with a more appealing user interface
> IMHO. The guy who wrote it plays acoustic bass, and there is just
> something about it that seems particularly well suited for one guy
> improvising with a conventional instrument being processed by the
> computer. There are a lot of tools for generating midi events (or
> other events) based on incoming audio. It's currently problematic with
> Mobius.
>
I am using Usine since beginning of this year and found no problems at 
all loading Mobius as a Vst.
Olivier has done a great work to make these two sw working together.
Luca

www.unguitar.com
www.myspace.com/lucaformentini

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:13:18 2006
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Cool! I'll have to try the latest version, I couldn't get Mobius to
sync the last time I tried.

On 11/1/06, Luca Formentini <luca@unguitar.com> wrote:
>
>
> Art Simon wrote:
>
> >
> > Usine is similar to Bidule, but with a more appealing user interface
> > IMHO. The guy who wrote it plays acoustic bass, and there is just
> > something about it that seems particularly well suited for one guy
> > improvising with a conventional instrument being processed by the
> > computer. There are a lot of tools for generating midi events (or
> > other events) based on incoming audio. It's currently problematic with
> > Mobius.
> >
> I am using Usine since beginning of this year and found no problems at
> all loading Mobius as a Vst.
> Olivier has done a great work to make these two sw working together.
> Luca
>
> www.unguitar.com
> www.myspace.com/lucaformentini
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:28:54 2006
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From: Art Simon [mailto:simart@gmail.com]=20
> Cool! I'll have to try the latest version, I couldn't get Mobius to
> sync the last time I tried.

The 1.30c version of Mobius should sync with Usine.  I've been in
contact with the Usine developer, I'm not sure if he made any changes
for the sync issues, but if there was a new release of Usine in the
past month that might fix it too.  It is probably best to get the
latest versions of both.

The last time I checked though there was still an issue with Usine
rouding off the length of a "bar" after it had told me the bar had
ended.  This could result in the Usine bars being slightly longer than
the Mobius cycle length, which will cause gradual sync drift.  The
drift will be corrected, but this correction will happen more often
than usual.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:33:56 2006
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Thanks for the feedback Doug. Have you experimented with software loopers at
all? I'm going to try out SooperLooper on my laptop and see how it performs.
I like the idea of software it terms of flexibility and memory expansion,
but I always have more faith in hardware from a stability point of view.

Greg




> On 10/31/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
>> Mech, have I noticed you posting on the Looperlative forum? What do you
>> think of the LP1? How does it compare to the EDP? I've been looking for a
>> stereo looper for awhile, rather than another EDP. The LP1 looks nice, and
>> would cost me about the same as two EDPs. Would be interested to hear your
>> thoughts.
> 
> I'm not Mech, but I have an LP1.  I also have two EDPs and a Repeater.
>  Lately, the only thing I've been using is the LP1.  Once you get a
> midi controller set up (it's easy to program - the hard part is
> deciding exactly what you want to do) and get used to thinking in
> terms of separate tracks instead of just one, it's hard to beat!  The
> one thing the Repeater has that the other two don't is the storage
> capability, but the latest LP1 software lets you access things from a
> computer.  Not quite as immediate as the memory card in the Repeater,
> but  it sure beats what you can do with the EDP...
> 
> Doug
> 
> 



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:36:54 2006
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At 21:39 01/11/2006, you wrote:
>Bidule offers better audio performance, more flexible routing, low
>level math processing (including randomness), more flexible sync
>options, but no sequencer.

Bidule has a simple step sequencer (doesn't sync though)
...and a MIDI file player
...and a MIDI file recorder
...and some sort of MIDI looper, or at least that's what it's called.

Bidule can be run as a Rewire slave with a sequencing program, but I 
don't know how that works out.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:38:44 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Actually Dan, I overlooked your earlier suggestion of the Yamaha 01x. After
looking around at the second-hand prices and reading the manual, I think
that might be the type of unit I need. I've got a TC Fireworx, which will
interface via the digital send/receive, and I think it may help to sort out
some of the MIDI connectivity problems I'm facing as well. Thanks for the
suggestion.

Greg




> 
> 
> In the 90's, I was the village MIDIot for a local MI company.  Part of my
> job was showing off the equipment and the Peavey MIDI Bass was on of my
> favorites.  I used this same configuration with the exception of the 8128
> which was already out of production.  Once the rest of the kids got past
> snickering at the Peavey name, it was fun to see their faces at what that
> setup could do.  Gotta be careful with the segmented frets, though.
> (Remember the Guit-Organ? Oy!!!)
> 
> The only available rack mount unit I've found that could replace the 8128 is
> the Switchblade.  It is a incredible piece of gear.  Still, at $2K, I
> suspect the price is driven more by lack of competition then by technology.
> Besides the line inputs, I need one good mic preamp and that's the >only<
> reason that I'd hesitate to buy one for a rack.
> 
> 
> dm
> 
> www.fixedfocus.org
> ====================
> 
> 
> 
> 
> 
> -----Original Message-----
> From: Doug Wellington [mailto:dougwellington@gmail.com]
> Sent: Tuesday, October 31, 2006 5:43 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mixer with MIDI scene recall
> 
> 
> Previously:
>> Nice idea, I don't know why they dropped it.  ...years ago  ...without
>> comment. ...or replacement.
> 
> I wondered that myself.  I still have a PLM8128 in my old bass rig,
> with the MidiBASE interface, the Spectrum Bass and the BassFex.
> Haven't turned it on for ages.  I suppose I've kept it more for
> nostalgia than anything...
> 
> There was an expansion for the PLM8128 that you could get - IIRC, you
> could even add two for a total of 24 channels.  There once was a
> time...
> 
> Doug  (Hmmm, maybe I'll take that rig to next year's Different Skies.
> What do you think Bill?)
> 
> 
> 



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 23:11:40 2006
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On 11/1/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
> Thanks for the feedback Doug. Have you experimented with software loopers at
> all? I'm going to try out SooperLooper on my laptop and see how it performs.
> I like the idea of software it terms of flexibility and memory expansion,
> but I always have more faith in hardware from a stability point of view.

I haven't tried any software loopers, unless you consider Live a
looper...  I use some pretty big sample libraries on my laptop (I have
a 300 GB external disk and it's almost full...), so I use hardware
boxes for looping and effects.  Part of it is the user interface too -
I like stepping on buttons and turning knobs more than I like clicking
and dragging...

Doug

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 23:20:47 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Yeah I use live too, and SL can be run as a plug-in. I know exactly what you
mean though, can't stand staring at a screen all the time and a mouse is a
pretty bad interface for musical applications. But many people seem to use
MIDI foot controllers with software loopers successfully. I'm just wondering
about latency issues and stability which I can see being the main problems.

Greg




> On 11/1/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
>> Thanks for the feedback Doug. Have you experimented with software loopers at
>> all? I'm going to try out SooperLooper on my laptop and see how it performs.
>> I like the idea of software it terms of flexibility and memory expansion,
>> but I always have more faith in hardware from a stability point of view.
> 
> I haven't tried any software loopers, unless you consider Live a
> looper...  I use some pretty big sample libraries on my laptop (I have
> a 300 GB external disk and it's almost full...), so I use hardware
> boxes for looping and effects.  Part of it is the user interface too -
> I like stepping on buttons and turning knobs more than I like clicking
> and dragging...
> 
> Doug
> 
> 



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 23:22:27 2006
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Glad it helped.  I've considered going to one of these myself, so if you
take the plunge, send us a review.


dm

www.fixedfocus.org
====================





-----Original Message-----
From: Greg Mills [mailto:gregmills@blueyonder.co.uk]
Sent: Wednesday, November 01, 2006 5:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mixer with MIDI scene recall


Actually Dan, I overlooked your earlier suggestion of the Yamaha 01x. After
looking around at the second-hand prices and reading the manual, I think
that might be the type of unit I need. I've got a TC Fireworx, which will
interface via the digital send/receive, and I think it may help to sort out
some of the MIDI connectivity problems I'm facing as well. Thanks for the
suggestion.

Greg




>
>
> In the 90's, I was the village MIDIot for a local MI company.  Part of my
> job was showing off the equipment and the Peavey MIDI Bass was on of my
> favorites.  I used this same configuration with the exception of the 8128
> which was already out of production.  Once the rest of the kids got past
> snickering at the Peavey name, it was fun to see their faces at what that
> setup could do.  Gotta be careful with the segmented frets, though.
> (Remember the Guit-Organ? Oy!!!)
>
> The only available rack mount unit I've found that could replace the 8128
is
> the Switchblade.  It is a incredible piece of gear.  Still, at $2K, I
> suspect the price is driven more by lack of competition then by
technology.
> Besides the line inputs, I need one good mic preamp and that's the >only<
> reason that I'd hesitate to buy one for a rack.
>
>
> dm
>
> www.fixedfocus.org
> ====================
>
>
>
>
>
> -----Original Message-----
> From: Doug Wellington [mailto:dougwellington@gmail.com]
> Sent: Tuesday, October 31, 2006 5:43 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mixer with MIDI scene recall
>
>
> Previously:
>> Nice idea, I don't know why they dropped it.  ...years ago  ...without
>> comment. ...or replacement.
>
> I wondered that myself.  I still have a PLM8128 in my old bass rig,
> with the MidiBASE interface, the Spectrum Bass and the BassFex.
> Haven't turned it on for ages.  I suppose I've kept it more for
> nostalgia than anything...
>
> There was an expansion for the PLM8128 that you could get - IIRC, you
> could even add two for a total of 24 channels.  There once was a
> time...
>
> Doug  (Hmmm, maybe I'll take that rig to next year's Different Skies.
> What do you think Bill?)
>
>
>




From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 23:26:21 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Sure, I'll keep you posted

Greg




> 
> Glad it helped.  I've considered going to one of these myself, so if you
> take the plunge, send us a review.
> 
> 
> dm
> 
> www.fixedfocus.org
> ====================
> 
> 
> 
> 
> 
> -----Original Message-----
> From: Greg Mills [mailto:gregmills@blueyonder.co.uk]
> Sent: Wednesday, November 01, 2006 5:39 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mixer with MIDI scene recall
> 
> 
> Actually Dan, I overlooked your earlier suggestion of the Yamaha 01x. After
> looking around at the second-hand prices and reading the manual, I think
> that might be the type of unit I need. I've got a TC Fireworx, which will
> interface via the digital send/receive, and I think it may help to sort out
> some of the MIDI connectivity problems I'm facing as well. Thanks for the
> suggestion.
> 
> Greg
> 
> 
> 
> 
>> 
>> 
>> In the 90's, I was the village MIDIot for a local MI company.  Part of my
>> job was showing off the equipment and the Peavey MIDI Bass was on of my
>> favorites.  I used this same configuration with the exception of the 8128
>> which was already out of production.  Once the rest of the kids got past
>> snickering at the Peavey name, it was fun to see their faces at what that
>> setup could do.  Gotta be careful with the segmented frets, though.
>> (Remember the Guit-Organ? Oy!!!)
>> 
>> The only available rack mount unit I've found that could replace the 8128
> is
>> the Switchblade.  It is a incredible piece of gear.  Still, at $2K, I
>> suspect the price is driven more by lack of competition then by
> technology.
>> Besides the line inputs, I need one good mic preamp and that's the >only<
>> reason that I'd hesitate to buy one for a rack.
>> 
>> 
>> dm
>> 
>> www.fixedfocus.org
>> ====================
>> 
>> 
>> 
>> 
>> 
>> -----Original Message-----
>> From: Doug Wellington [mailto:dougwellington@gmail.com]
>> Sent: Tuesday, October 31, 2006 5:43 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Mixer with MIDI scene recall
>> 
>> 
>> Previously:
>>> Nice idea, I don't know why they dropped it.  ...years ago  ...without
>>> comment. ...or replacement.
>> 
>> I wondered that myself.  I still have a PLM8128 in my old bass rig,
>> with the MidiBASE interface, the Spectrum Bass and the BassFex.
>> Haven't turned it on for ages.  I suppose I've kept it more for
>> nostalgia than anything...
>> 
>> There was an expansion for the PLM8128 that you could get - IIRC, you
>> could even add two for a total of 24 channels.  There once was a
>> time...
>> 
>> Doug  (Hmmm, maybe I'll take that rig to next year's Different Skies.
>> What do you think Bill?)
>> 
>> 
>> 
> 
> 
> 
> 
> 



From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 23:45:56 2006
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On 11/1/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
> Yeah I use live too, and SL can be run as a plug-in. I know exactly what you
> mean though, can't stand staring at a screen all the time and a mouse is a
> pretty bad interface for musical applications. But many people seem to use
> MIDI foot controllers with software loopers successfully. I'm just wondering
> about latency issues and stability which I can see being the main problems.

I can't speak to latency (yet), but my laptop seems to be pretty
stable.  (I have a MacBook with 2 GB RAM, running OS X and Windows XP
via Parallels.)  At some point, I'll probably try to write some
computer scripts to control the Looperlative and then trigger them
with my PMC-10 attached to the Macbook...

Doug

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 00:12:56 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Nice setup. I'm still using an old G4 Powerbook so I'm not sure it'll be up
to running Live and a looper as well. I'd be interested to hear how you get
on with the LP1/laptop combo

Greg




> On 11/1/06, Greg Mills <gregmills@blueyonder.co.uk> wrote:
>> Yeah I use live too, and SL can be run as a plug-in. I know exactly what you
>> mean though, can't stand staring at a screen all the time and a mouse is a
>> pretty bad interface for musical applications. But many people seem to use
>> MIDI foot controllers with software loopers successfully. I'm just wondering
>> about latency issues and stability which I can see being the main problems.
> 
> I can't speak to latency (yet), but my laptop seems to be pretty
> stable.  (I have a MacBook with 2 GB RAM, running OS X and Windows XP
> via Parallels.)  At some point, I'll probably try to write some
> computer scripts to control the Looperlative and then trigger them
> with my PMC-10 attached to the Macbook...
> 
> Doug
> 
> 



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 00:27:58 2006
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Date: Wed, 1 Nov 2006 16:27:56 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Bidule/EnergyTX/Audiomulch (was: MAX/msp question)
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Just to let you know, all those (I don't know about
Max) won't let you sync to an outside source clock. 
This was a big issue for me during my quest, which
brought me to Ableton Live.  Rumor says the new
version has lots of cool routing features.

--- fabio anile <fabio.anile@tiscali.it> wrote:

> There is a lot of talk about Audiomulch, Energy and
> Bidule) and now that 
> i'm moving to software looping with Mobius...i'm a
> little bit confused 
> about  the differences between them as VST hosts.
> For what i've read on this list, Max appears
> complicated and requiring an 
> amount of time i miss by now.
> 
> So i'm asking if these software have the same
> features ?
> Do they all permits to send  midi control for mobius
> and to control Vst fx 
> (or/and VST synths) before and after mobius with a
> midi foot controller ?
> Thanks
> 
> fabio
> http://xoomer.alice.it/eterogeneo
> www.myspace.com/eterogeneo
> 
> 



 
____________________________________________________________________________________
Want to start your own business? Learn how on Yahoo! Small Business 
(http://smallbusiness.yahoo.com) 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 00:46:53 2006
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Date: Thu, 02 Nov 2006 00:46:45 +0000
Subject: Tempo control
From: Greg Mills <gregmills@blueyonder.co.uk>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Message-ID: <C16EF075.23F3%gregmills@blueyonder.co.uk>
Thread-Topic: Tempo control
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3245273206_19045984
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I=B9ve pondered and posted this one in the past but never been able to find a
solution. There seem to be a lot of very talented programmer types here so =
I
thought I=B9d ask the question again. I play with an improvisational group
using laptops, guitars and keyboards and we are all starting to use
computers for one reason or another. Computers are great, but there=B9s one
thing that I think limits things, at least in our group. I don=B9t like the
way we all have to be MIDI sync=B9ed together. I=B9d rather we could all use
loops or sequencers but still be in control of our own timebase. When synce=
d
together one of us has to be the clock master and so only he can dictate th=
e
tempo. As well as this, if I want to start or stop my host sequencer, I
can=B9t do this and then rejoin the jam. Here=B9s what I=B9d like to be able to
do.

I would like to use a midi controller such as the Contour Shuttle Express
with some software (maybe a utility such as Plogue Bidule/MAX/Pure
Data/etc). I would like to set up the jog wheel so that it will alter the
tempo and the shuttle control so that when actuated, it will
increase/decrease the tempo by a preset amount (say 5bpm) then return the
tempo to its original value when released. I could use the other five
buttons for tap tempo, start, stop, etc. Then I could nudge the sequncer
forward or backward like a DJ would with decks.

Any ideas?

Greg

--B_3245273206_19045984
Content-type: text/html;
	charset="ISO-8859-1"
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<HTML>
<HEAD>
<TITLE>Tempo control</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>I&#82=
17;ve pondered and posted this one in the past but never been able to find a=
 solution. There seem to be a lot of very talented programmer types here so =
I thought I&#8217;d ask the question again. I play with an improvisational g=
roup using laptops, guitars and keyboards and we are all starting to use com=
puters for one reason or another. Computers are great, but there&#8217;s one=
 thing that I think limits things, at least in our group. I don&#8217;t like=
 the way we all have to be MIDI sync&#8217;ed together. I&#8217;d rather we =
could all use loops or sequencers but still be in control of our own timebas=
e. When synced together one of us has to be the clock master and so only he =
can dictate the tempo. As well as this, if I want to start or stop my host s=
equencer, I can&#8217;t do this and then rejoin the jam. Here&#8217;s what I=
&#8217;d like to be able to do.<BR>
<BR>
I would like to use a midi controller such as the Contour Shuttle Express w=
ith some software (maybe a utility such as Plogue Bidule/MAX/Pure Data/etc).=
 I would like to set up the jog wheel so that it will alter the tempo and th=
e shuttle control so that when actuated, it will increase/decrease the tempo=
 by a preset amount (say 5bpm) then return the tempo to its original value w=
hen released. I could use the other five buttons for tap tempo, start, stop,=
 etc. Then I could nudge the sequncer forward or backward like a DJ would wi=
th decks. <BR>
<BR>
Any ideas?<BR>
<BR>
Greg</SPAN></FONT>
</BODY>
</HTML>


--B_3245273206_19045984--



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<td bgcolor="#e2e0e0"> <span class="SectionTitle">Question from smain1962</span></td>
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From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 01:20:36 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule/EnergyTX/Audiomulch (was: MAX/msp question)
Date: Thu, 2 Nov 2006 02:20:30 +0100
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On 2 nov 2006, at 01.27, mark sottilaro wrote:

> Just to let you know, all those (I don't know about
> Max) won't let you sync to an outside source clock.
> This was a big issue for me during my quest, which
> brought me to Ableton Live.  Rumor says the new
> version has lots of cool routing features.

Bidule should be able to sync to an outside source clock (although  
I'm using Mobius first loop as the sync master for Bidule). It has a  
"MIDI Bidule" object named "MIDI Clock To Sync". Create a MIDI Input  
object referring to the laptop's physical MIDI Interface Input and  
cable from there to the "MIDI Clock To Sync" object. Here's the  
manual's explanation of that object:

> It purpose is to transform a MIDI Timing Clock (Clock,Song  
> Position,Start,Stop and Continue) into Bidule internal sync info.  
> MIDI Clock synchronisation is an old legacy standard thats hard to  
> emulate right in the slave software. The results are a combination  
> of MANY factors including your bidule audio buffer latency, (lower  
> the better), MIDI driver jitter and time stamp precision, and also  
> the following settings:
>
> Forcing the tempo value to be fixed: the sync info will use the  
> fixed tempo and still use the incoming MIDI Clock for start/stop  
> and position.
>
> Specify the time signature you would like to use on bidule's side  
> (time sig is NOT transmitted over MIDI clock) This information cant  
> be changed while the Clock is active on the other end.
>
> Finally, you can tell the algorithm to hard resynch itself at each  
> 1,2,4 or 8 mesures of the user supplied time signature. or never,  
> and let drift.
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 01:38:55 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Tempo control
Date: Thu, 2 Nov 2006 02:38:45 +0100
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On 2 nov 2006, at 01.46, Greg Mills wrote:

> I=92ve pondered and posted this one in the past but never been able =20=

> to find a solution. There seem to be a lot of very talented =20
> programmer types here so I thought I=92d ask the question again. I =20
> play with an improvisational group using laptops, guitars and =20
> keyboards and we are all starting to use computers for one reason =20
> or another. Computers are great, but there=92s one thing that I think =20=

> limits things, at least in our group. I don=92t like the way we all =20=

> have to be MIDI sync=92ed together. I=92d rather we could all use =
loops =20
> or sequencers but still be in control of our own timebase. When =20
> synced together one of us has to be the clock master and so only he =20=

> can dictate the tempo. As well as this, if I want to start or stop =20
> my host sequencer, I can=92t do this and then rejoin the jam. Here=92s =
=20
> what I=92d like to be able to do.
>
> I would like to use a midi controller such as the Contour Shuttle =20
> Express with some software (maybe a utility such as Plogue Bidule/=20
> MAX/Pure Data/etc). I would like to set up the jog wheel so that it =20=

> will alter the tempo and the shuttle control so that when actuated, =20=

> it will increase/decrease the tempo by a preset amount (say 5bpm) =20
> then return the tempo to its original value when released. I could =20
> use the other five buttons for tap tempo, start, stop, etc. Then I =20
> could nudge the sequncer forward or backward like a DJ would with =20
> decks.
>
> Any ideas?
>
> Greg


If you do not MIDI sync the computers everyone can use a local tap =20
tempo function to catch up with the global tempo feel in the group. I =20=

like playing group improvisaiton unsynced, but I prefer another =20
method to catch up with the groups temp that I learned on the EDP. If =20=

you are using a software looper like Augustus Loop or Mobius you can =20
let the looper dictate the global tempo reference for all your =20
software and what you do then to set a new temp is simply to record a =20=

new "first loop". BTW, the best system so far for synchronized group =20
improvisation is the EDP's Brother Sync but I have not heard about =20
any such thing in software.

To do the tempo wacking and getting back on track, as described at =20
the end of your post, you need some tool for Tempo Division. In =20
Ableton Live I have used the audio tremolo function of the plug-in =20
Auto Pan (controlled by a MIDI joy-stick) to do that. On the MIDI =20
side I know that these tempo division techniques are one of the major =20=

principles in Numerology (OS X). You should also be able to make a =20
tempo division tool in Max. Don't know about Bidule - I'd love a =20
tempo division tool for Bidules internal sync but I have not seen one =20=

yet. But then I'm still a Bidule freshman and there might be one. If =20
you're using the non synced group set-up and use the method of =20
recording a new first loop you can just make this new loop in a =20
different length but poly rhythmically musical. Like for example if =20
you're band is playing in 4/4 you make the new first loop one and a =20
half bar long. This will create a new tempo reference for all your =20
local synced stuff that goes in a slower kind of triplet feel.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 03:39:29 2006
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Thanks Jeff! I downloaded the latest versions of both and will give them a try.

On 11/1/06, Jeff Larson <jeff.larson@sailpoint.com> wrote:
> From: Art Simon [mailto:simart@gmail.com]
> > Cool! I'll have to try the latest version, I couldn't get Mobius to
> > sync the last time I tried.
>
> The 1.30c version of Mobius should sync with Usine.  I've been in
> contact with the Usine developer, I'm not sure if he made any changes
> for the sync issues, but if there was a new release of Usine in the
> past month that might fix it too.  It is probably best to get the
> latest versions of both.
>
> The last time I checked though there was still an issue with Usine
> rouding off the length of a "bar" after it had told me the bar had
> ended.  This could result in the Usine bars being slightly longer than
> the Mobius cycle length, which will cause gradual sync drift.  The
> drift will be corrected, but this correction will happen more often
> than usual.
>
> Jeff
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 04:31:43 2006
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I can't comment on Usine, haven't tried it. But I was using energyxt for 
about 6 months and then switched to Bidule that I've been using for nearly 
a year now. I haven't tapped into the midi possibilities as I'm mostly 
playing acoustic instruments. In Bidule I have 12 chains of effects that I 
can select from with a midi foot pedal. Then those chains all go into a 
mixer bidule and the outputs go into mobius which is also controlled with 
the next bank on my foot pedal. I found a tutorial explaining how to put 
this arrangement together and it has worked really well for me.

Paul Haslem
Ontario, Canada
www.dulcify.ca




At 10:39 PM 11/1/2006, you wrote:
>Thanks Jeff! I downloaded the latest versions of both and will give them a 
>try.
>
>On 11/1/06, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>>From: Art Simon [mailto:simart@gmail.com]
>> > Cool! I'll have to try the latest version, I couldn't get Mobius to
>> > sync the last time I tried.

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 11:16:36 2006
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Date: Thu, 02 Nov 2006 06:21:10 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
I have a free double CD to give away to a lucky caller.  Tune in to
find out what CD and hear it on today's show.

Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a the month-long
Special Focus on Synergy, a.k.a. Larry Fast.  The Featured CD at
Midnight will be "Cords" on Third Contact Records.  The Vinyl Starter
will come from the LP "Grand Canyon Suite" by Tomita on RCA Records
and released in 1981.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#nov

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.

All times are EST / GMT-5.

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 12:20:34 2006
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Date: Thu,  2 Nov 2006 13:19:37 +0200
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Thanks for all your opinions, people. Last night i tested Energy and if 
found it very simple...But now i want to try Bidule. I'll let you know
Thanks
fabio
http://xoomer.alice.it/eterogeneo
www.myspace.co /eterogeneo

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 12:34:59 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule/EnergyTX/Audiomulch
Date: Thu, 2 Nov 2006 13:34:54 +0100
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On 2 nov 2006, at 05.31, paul wrote:

>  In Bidule I have 12 chains of effects that I can select from with  
> a midi foot pedal.

Hi Paul,

Very interesting. Would you mind explaining a little more how you  
manage that without overloading the computer's CPU? If you have 12  
chains with each of them containing maybe a dozen VST plug-ins I  
guess you have set up a way to keep the plug-ins in mute mode except  
for when their parent chain is activated by your food pedal - right?  
Are you stuffing the VST plug-ins together as a Bidule Group and then  
muting and unmuting that group? LIke each "effect chain" equalling a  
Group?

It would be interesting to hear from your experience of how much the  
CPU load goes down when keeping plug-ins loaded but muted. This  
knowledge is kind of essential for those who still consider  
eventually going into Bidule.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 15:16:30 2006
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Subject: Re: Bidule/EnergyTX/Audiomulch
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Hi Per,

You're exactly right, initially I had way overloaded my cpu and couldn't 
run anything! The thing to do here is to use a module called audio switcher 
which is connected to your midi pedal. This enables you to select which 
chain you want to use. Then in the paramaters you have to select the output 
processing mode of the audio switcher and link it to the mode of each vst 
in that chain. Once you've done that when you select a chain of effects the 
other chains are switched off and on your screen have a red circle with a 
line through it to show that chain is off. There is a good tutorial at 
http://www.mts.net/~mathers/q1_live.html that explains with pictures the 
whole process.

I had to add one more step to that tutorial and insert a program change 
filter on the line between my midi input and the audio switcher so that I 
could operate mobius without inadvertantly changing my vst chains.

Once I had this all laid out I've only had to tweek it a bit but I've been 
very happy with the results. I generally only have 3 or 4 effects in a 
chain, but some of them already have multiple effects running as in guitar 
rig or freeamp2 and those are quite cpu intensive. I found the chain with 
classic eq followed by freeamp is using about 29% while the chain running 
classic eq, psp vintage warmer, classic chorus, classic delay is running at 
about 12%
of course mobius is running all the time after these effects as all my 
chains are routed into a mixer module and then through mobius before going 
back into my audio card output.

I found that tutorial on this website 
http://www.mts.net/~mathers/FAQ_Index.html it has quite a few different 
tutorials. The biggest problem with Bidule for me has been the lack of 
really clear instructions on how to go about various layouts. I think for 
somebody who already has experience working with midi layouts there are 
great possibilities here, but a lot of it is just over my head.

best of luck with it,

Paul Haslem
Ontario, Canada
www.dulcify.ca



At 07:34 AM 11/2/2006, you wrote:
>On 2 nov 2006, at 05.31, paul wrote:
>
>>  In Bidule I have 12 chains of effects that I can select from with
>>a midi foot pedal.
>
>Hi Paul,
>
>Very interesting. Would you mind explaining a little more how you
>manage that without overloading the computer's CPU? If you have 12
>chains with each of them containing maybe a dozen VST plug-ins I
>guess you have set up a way to keep the plug-ins in mute mode except
>for when their parent chain is activated by your food pedal - right?
>Are you stuffing the VST plug-ins together as a Bidule Group and then
>muting and unmuting that group? LIke each "effect chain" equalling a
>Group?
>
>It would be interesting to hear from your experience of how much the
>CPU load goes down when keeping plug-ins loaded but muted. This
>knowledge is kind of essential for those who still consider
>eventually going into Bidule.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule/EnergyTX/Audiomulch
Date: Thu, 2 Nov 2006 18:38:12 +0100
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On 2 nov 2006, at 16.16, paul wrote:

> audio switcher 8< 8< 8<

aha, that's the trick. Thanks a lot! This means Bidule is now  
blinking all green for me. Feels good to know that you're not wasting  
time when beginning to learn a new application. I can now feel  
comfortable with the decision to keep MAX/Msp as my "audio plug-in  
manufactory" until my available computing power makes it possible to  
replace my pre-loop hardware with all laptop processing.

> I had to add one more step to that tutorial and insert a program  
> change filter on the line between my midi input and the audio  
> switcher so that I could operate mobius without inadvertantly  
> changing my vst chains.

Nice! I too discovered the pc filter bidule yesterday late night when  
reading the manual in bed on a laptop. This is great news to med  
because it means I can keep my FCB1010 pedal with the same MIDI PC  
bindings as I use with the hardware set-up (tc fireworX). And I can  
take my time to replace the twenty fireworX sound patches with  
software multi plug-in setups (eventually also new MAX patches)

> Once I had this all laid out I've only had to tweek it a bit but  
> I've been very happy with the results. I generally only have 3 or 4  
> effects in a chain, but some of them already have multiple effects  
> running as in guitar rig or freeamp2 and those are quite cpu  
> intensive. I found the chain with classic eq followed by freeamp is  
> using about 29% while the chain running classic eq, psp vintage  
> warmer, classic chorus, classic delay is running at about 12%
> of course mobius is running all the time after these effects as all  
> my chains are routed into a mixer module and then through mobius  
> before going back into my audio card output.

I also put chains of effect plug-ins first then through Mobius and  
then the Mobius master through a freeverb. I would like to wrap it up  
with a stereo compressor (Sonalkis, for a more musical mix and to be  
able balance the mix dynamically from the level of my live input in  
relation to the Mobius stuff)) but I had to sacrifice that to save up  
CPU cycles. Instead I still use my external hardware RNC (REally Nice  
Comporessor) as the last unit before the PA.

I'm also having great fun with the SiR convolusion reverb VST plug- 
in! (tip for you that don't know about SiR). I like to keep it in the  
beginning, pre loop, and play though it as a performance effect. I  
have bought amazing convulotion impulses from http:// 
spiritcanyonaudio.com. That's a cheap way to find unusual effect  
sounds to play with.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Paul,

Is it possible to change settings within each effect chain?  For  
example, for non-looping gigs, it's pretty normal for me to run  
chorus and delay patches.  The delay times are different depending on  
the song.  So, instead of having ten effect chains that are the same  
(except some of the parameters are different, i.e. delay time), is it  
possible to pull up the effect chain you need and then select the  
patch for a specific song within that chain...all via MIDI patch  
change.  I can just imagine things getting a little cumbersome if you  
have 75 effect chains.  Maybe I'm over thinking this?

Matt

---
King Never
http://www.kingnever.com

On Nov 2, 2006, at 7:16 AM, paul wrote:

> Hi Per,
>
> You're exactly right, initially I had way overloaded my cpu and  
> couldn't run anything! The thing to do here is to use a module  
> called audio switcher which is connected to your midi pedal. This  
> enables you to select which chain you want to use. Then in the  
> paramaters you have to select the output processing mode of the  
> audio switcher and link it to the mode of each vst in that chain.  
> Once you've done that when you select a chain of effects the other  
> chains are switched off and on your screen have a red circle with a  
> line through it to show that chain is off. There is a good tutorial  
> at http://www.mts.net/~mathers/q1_live.html that explains with  
> pictures the whole process.
>
> I had to add one more step to that tutorial and insert a program  
> change filter on the line between my midi input and the audio  
> switcher so that I could operate mobius without inadvertantly  
> changing my vst chains.
>
> Once I had this all laid out I've only had to tweek it a bit but  
> I've been very happy with the results. I generally only have 3 or 4  
> effects in a chain, but some of them already have multiple effects  
> running as in guitar rig or freeamp2 and those are quite cpu  
> intensive. I found the chain with classic eq followed by freeamp is  
> using about 29% while the chain running classic eq, psp vintage  
> warmer, classic chorus, classic delay is running at about 12%
> of course mobius is running all the time after these effects as all  
> my chains are routed into a mixer module and then through mobius  
> before going back into my audio card output.
>
> I found that tutorial on this website http://www.mts.net/~mathers/ 
> FAQ_Index.html it has quite a few different tutorials. The biggest  
> problem with Bidule for me has been the lack of really clear  
> instructions on how to go about various layouts. I think for  
> somebody who already has experience working with midi layouts there  
> are great possibilities here, but a lot of it is just over my head.
>
> best of luck with it,
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>
>
>
> At 07:34 AM 11/2/2006, you wrote:
>> On 2 nov 2006, at 05.31, paul wrote:
>>
>>>  In Bidule I have 12 chains of effects that I can select from with
>>> a midi foot pedal.
>>
>> Hi Paul,
>>
>> Very interesting. Would you mind explaining a little more how you
>> manage that without overloading the computer's CPU? If you have 12
>> chains with each of them containing maybe a dozen VST plug-ins I
>> guess you have set up a way to keep the plug-ins in mute mode except
>> for when their parent chain is activated by your food pedal - right?
>> Are you stuffing the VST plug-ins together as a Bidule Group and then
>> muting and unmuting that group? LIke each "effect chain" equalling a
>> Group?
>>
>> It would be interesting to hear from your experience of how much the
>> CPU load goes down when keeping plug-ins loaded but muted. This
>> knowledge is kind of essential for those who still consider
>> eventually going into Bidule.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>
>>
>
>


--Apple-Mail-1--499495922
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Paul,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Is it possible to change =
settings within each effect chain?=A0 For example, for non-looping gigs, =
it's pretty normal for me to run chorus and delay patches.=A0 The delay =
times are different depending on the song.=A0 So, instead of having ten =
effect chains that are the same (except some of the parameters are =
different, i.e. delay time), is it possible to pull up the effect chain =
you need and then select the patch for a specific song within that =
chain...all via MIDI patch change.=A0 I can just imagine things getting =
a little cumbersome if you have 75 effect chains.=A0 Maybe I'm over =
thinking this?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Matt</DIV><DIV><BR><DIV> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">---</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">King Never</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><A =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P> =
 </DIV><BR><DIV><DIV>On Nov 2, 2006, at 7:16 AM, paul wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi Per,</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">You're exactly right, initially =
I had way overloaded my cpu and couldn't run anything! The thing to do =
here is to use a module called audio switcher which is connected to your =
midi pedal. This enables you to select which chain you want to use. Then =
in the paramaters you have to select the output processing mode of the =
audio switcher and link it to the mode of each vst in that chain. Once =
you've done that when you select a chain of effects the other chains are =
switched off and on your screen have a red circle with a line through it =
to show that chain is off. There is a good tutorial at <A =
href=3D"http://www.mts.net/~mathers/q1_live.html">http://www.mts.net/~math=
ers/q1_live.html</A> that explains with pictures the whole =
process.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I had to add one more step to that tutorial and =
insert a program change filter on the line between my midi input and the =
audio switcher so that I could operate mobius without inadvertantly =
changing my vst chains.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Once I had this all laid out =
I've only had to tweek it a bit but I've been very happy with the =
results. I generally only have 3 or 4 effects in a chain, but some of =
them already have multiple effects running as in guitar rig or freeamp2 =
and those are quite cpu intensive. I found the chain with classic eq =
followed by freeamp is using about 29% while the chain running classic =
eq, psp vintage warmer, classic chorus, classic delay is running at =
about 12%</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">of course mobius is running all =
the time after these effects as all my chains are routed into a mixer =
module and then through mobius before going back into my audio card =
output.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I found that tutorial on this website <A =
href=3D"http://www.mts.net/~mathers/FAQ_Index.html">http://www.mts.net/~ma=
thers/FAQ_Index.html</A> it has quite a few different tutorials. The =
biggest problem with Bidule for me has been the lack of really clear =
instructions on how to go about various layouts. I think for somebody =
who already has experience working with midi layouts there are great =
possibilities here, but a lot of it is just over my head.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">best of =
luck with it,</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Paul Haslem</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Ontario, =
Canada</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.dulcify.ca</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
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min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
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14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">At 07:34 AM 11/2/2006, you =
wrote:</DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On 2 nov =
2006, at 05.31, paul wrote:</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN =
class=3D"Apple-converted-space">=A0</SPAN>In Bidule I have 12 chains of =
effects that I can select from with</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">a midi foot =
pedal.</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi Paul,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Very =
interesting. Would you mind explaining a little more how you</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">manage that without overloading the computer's CPU? =
If you have 12</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">chains with each of them =
containing maybe a dozen VST plug-ins I</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">guess =
you have set up a way to keep the plug-ins in mute mode except</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">for when their parent chain is activated by your =
food pedal - right?</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Are you stuffing the VST =
plug-ins together as a Bidule Group and then</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">muting and unmuting that group? LIke each "effect =
chain" equalling a</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Group?</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">It would =
be interesting to hear from your experience of how much the</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">CPU load goes down when keeping plug-ins loaded but =
muted. This</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">knowledge is kind of essential =
for those who still consider</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">eventually =
going into Bidule.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Greetings from Sweden</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> </BLOCKQUOTE><DIV =
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</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From: "Matthew F. McCabe" <mmccabe@finleysound.com>
Subject: Re: Bidule/EnergyTX/Audiomulch
Date: Thu, 2 Nov 2006 10:17:39 -0800
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Per,

I'm a little curious as to your rational for using Bidule as your  
host and Max/MSP to create  your own plug-ins.  It seems to me that  
Max/MSP does everything you need, so why bother having to learn two  
programs?  Is Bidule that much faster to create a transitional set- 
up?  (Just playing devil's advocate!!)

Matt

---
King Never
http://www.kingnever.com

On Nov 2, 2006, at 9:38 AM, Per Boysen wrote:

> On 2 nov 2006, at 16.16, paul wrote:
>
>> audio switcher 8< 8< 8<
>
> aha, that's the trick. Thanks a lot! This means Bidule is now  
> blinking all green for me. Feels good to know that you're not  
> wasting time when beginning to learn a new application. I can now  
> feel comfortable with the decision to keep MAX/Msp as my "audio  
> plug-in manufactory" until my available computing power makes it  
> possible to replace my pre-loop hardware with all laptop processing.
>
>> I had to add one more step to that tutorial and insert a program  
>> change filter on the line between my midi input and the audio  
>> switcher so that I could operate mobius without inadvertantly  
>> changing my vst chains.
>
> Nice! I too discovered the pc filter bidule yesterday late night  
> when reading the manual in bed on a laptop. This is great news to  
> med because it means I can keep my FCB1010 pedal with the same MIDI  
> PC bindings as I use with the hardware set-up (tc fireworX). And I  
> can take my time to replace the twenty fireworX sound patches with  
> software multi plug-in setups (eventually also new MAX patches)
>
>> Once I had this all laid out I've only had to tweek it a bit but  
>> I've been very happy with the results. I generally only have 3 or  
>> 4 effects in a chain, but some of them already have multiple  
>> effects running as in guitar rig or freeamp2 and those are quite  
>> cpu intensive. I found the chain with classic eq followed by  
>> freeamp is using about 29% while the chain running classic eq, psp  
>> vintage warmer, classic chorus, classic delay is running at about 12%
>> of course mobius is running all the time after these effects as  
>> all my chains are routed into a mixer module and then through  
>> mobius before going back into my audio card output.
>
> I also put chains of effect plug-ins first then through Mobius and  
> then the Mobius master through a freeverb. I would like to wrap it  
> up with a stereo compressor (Sonalkis, for a more musical mix and  
> to be able balance the mix dynamically from the level of my live  
> input in relation to the Mobius stuff)) but I had to sacrifice that  
> to save up CPU cycles. Instead I still use my external hardware RNC  
> (REally Nice Comporessor) as the last unit before the PA.
>
> I'm also having great fun with the SiR convolusion reverb VST plug- 
> in! (tip for you that don't know about SiR). I like to keep it in  
> the beginning, pre loop, and play though it as a performance  
> effect. I have bought amazing convulotion impulses from http:// 
> spiritcanyonaudio.com. That's a cheap way to find unusual effect  
> sounds to play with.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


--Apple-Mail-2--499334141
Content-Transfer-Encoding: quoted-printable
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Per,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'm a little curious as to =
your rational for using Bidule as your host and Max/MSP to create=A0 =
your own plug-ins.=A0 It seems to me that Max/MSP does everything you =
need, so why bother having to learn two programs?=A0 Is Bidule that much =
faster to create a transitional set-up?=A0 (Just playing devil's =
advocate!!)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Matt</DIV><DIV><BR><DIV> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">---</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">King Never</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><A =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P> =
 </DIV><BR><DIV><DIV>On Nov 2, 2006, at 9:38 AM, Per Boysen =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On 2 nov 2006, at 16.16, paul =
wrote:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">audio switcher 8&lt; 8&lt; =
8&lt;</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">aha, that's the trick. Thanks a =
lot! This means Bidule is now blinking all green for me. Feels good to =
know that you're not wasting time when beginning to learn a new =
application. I can now feel comfortable with the decision to keep =
MAX/Msp as my "audio plug-in manufactory" until my available computing =
power makes it possible to replace my pre-loop hardware with all laptop =
processing.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">I had to add one more step =
to that tutorial and insert a program change filter on the line between =
my midi input and the audio switcher so that I could operate mobius =
without inadvertantly changing my vst chains.</DIV> </BLOCKQUOTE><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Nice! I =
too discovered the pc filter bidule yesterday late night when reading =
the manual in bed on a laptop. This is great news to med because it =
means I can keep my FCB1010 pedal with the same MIDI PC bindings as I =
use with the hardware set-up (tc fireworX). And I can take my time to =
replace the twenty fireworX sound patches with software multi plug-in =
setups (eventually also new MAX patches)</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV> <BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Once I had this all laid out I've only had to tweek =
it a bit but I've been very happy with the results. I generally only =
have 3 or 4 effects in a chain, but some of them already have multiple =
effects running as in guitar rig or freeamp2 and those are quite cpu =
intensive. I found the chain with classic eq followed by freeamp is =
using about 29% while the chain running classic eq, psp vintage warmer, =
classic chorus, classic delay is running at about 12%</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">of course mobius is running all the time after these =
effects as all my chains are routed into a mixer module and then through =
mobius before going back into my audio card output.</DIV> =
</BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I also put chains of effect plug-ins first then =
through Mobius and then the Mobius master through a freeverb. I would =
like to wrap it up with a stereo compressor (Sonalkis, for a more =
musical mix and to be able balance the mix dynamically from the level of =
my live input in relation to the Mobius stuff)) but I had to sacrifice =
that to save up CPU cycles. Instead I still use my external hardware RNC =
(REally Nice Comporessor) as the last unit before the PA.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I'm also =
having great fun with the SiR convolusion reverb VST plug-in! (tip for =
you that don't know about SiR). I like to keep it in the beginning, pre =
loop, and play though it as a performance effect. I have bought amazing =
convulotion impulses from <A =
href=3D"http://spiritcanyonaudio.com">http://spiritcanyonaudio.com</A>. =
That's a cheap way to find unusual effect sounds to play with.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Greetings from Sweden</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Per Boysen</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.boysen.se (Swedish)</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.looproom.com (international)</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule/EnergyTX/Audiomulch
Date: Thu, 2 Nov 2006 19:55:11 +0100
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On 2 nov 2006, at 19.17, Matthew F. McCabe wrote:

> Per,
>
> I'm a little curious as to your rational for using Bidule as your  
> host and Max/MSP to create  your own plug-ins.  It seems to me that  
> Max/MSP does everything you need, so why bother having to learn two  
> programs?  Is Bidule that much faster to create a transitional set- 
> up?  (Just playing devil's advocate!!)


Oh, yes - I read both app's manuals and I'm aware that Max/MSP can do  
everything I need. But Bidule does it faster and I have more fun  
making music than writing patches ;-)) If you know about audio  
processing and routing you almost don't have to "learn Bidule"; the  
modules are there on the screen and you simply have to connect the  
cables. Most kind of routings are already pre-fab, for example there  
is a right-click menu for instant syncing as slave or master (or non  
sync) to Bidules internal tempo clock. Then this Bidule clock can be  
set to follow external sync signal.

I may go all Max/MSP in the future if it will make sense then. Max/ 
MSP is definitely topping my shopping list and enjoys an instant  
spare-time-priority ranking on my to-do list. I already own Bidule  
since years, so I thought I'd begin there. Now when I have a working  
laptop looping rig based on Bidule I can take my time learning Max/ 
MSP for future needs. I still only have a 1 GHz centrino and it  
doesn't make sense to start creating what I have in mind for Max/MSP  
until I get a more powerful machine. On the Mac there is already  
Numerology that would be my dream combination with Mobius. But since  
Mobius only runs on PC I may have to duplicate my most beloved  
Numerology patches with Max to use with Mobius on the PC.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 19:09:36 2006
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Date: Thu, 2 Nov 2006 20:09:34 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: downloading videos youtube
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Hi !

Does someone have time to tell me in detail, how to
download and make dvd of youtube videos?

best regards Rune F 

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 19:45:23 2006
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Date: Thu,  2 Nov 2006 14:45:16 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bidule/EnergyTX/Audiomulch
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Hi Matt,

if you have the various settings saved in your delay program you could run a
midi line to the delay vst and move up or down with your footpedal. I 
have done
that with guitar rig. You'll need to watch what signal your foot pedal
controller is sending or you could end up changing your vst chain, it's taken
some experimenting to accomplish this but if you put that program 
change filter
then the audio switcher will only see the signals you want it too.

hope that helps, You'll want to check out those tutorials, you can 
probably find
the answers you're looking for there.

Paul Haslem
Ontario, Canada
www.dulcify.ca



Quoting "Matthew F. McCabe" <mmccabe@finleysound.com>:

> Paul,
>
> Is it possible to change settings within each effect chain?  For  
> example, for non-looping gigs, it's pretty normal for me to run  
> chorus and delay patches.  The delay times are different depending on 
>  the song.  So, instead of having ten effect chains that are the same 
>  (except some of the parameters are different, i.e. delay time), is 
> it  possible to pull up the effect chain you need and then select the 
>  patch for a specific song within that chain...all via MIDI patch  
> change.  I can just imagine things getting a little cumbersome if you 
>  have 75 effect chains.  Maybe I'm over thinking this?
>
> Matt
>
> ---
> King Never
> http://www.kingnever.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 19:50:05 2006
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Thanks Per,

Nice to be able to help you out for a change, You've given me tons of 
info over
the last couple of years about looping.... I appreciate all the time you've
given to the group.

I've been on a real search in recent months for a better sounding reverb, I'll
check that one out.

Regards,

Paul Haslem
Ontario, Canada
www.dulcify.ca




Quoting Per Boysen <perboysen@gmail.com>:

> I'm also having great fun with the SiR convolusion reverb VST plug- 
> in! (tip for you that don't know about SiR). I like to keep it in the 
>  beginning, pre loop, and play though it as a performance effect. I  
> have bought amazing convulotion impulses from http:// 
> spiritcanyonaudio.com. That's a cheap way to find unusual effect  
> sounds to play with.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 20:24:43 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule/EnergyTX/Audiomulch
Date: Thu, 2 Nov 2006 21:24:37 +0100
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On 2 nov 2006, at 20.50, phaslem@wightman.ca wrote:

> I've been on a real search in recent months for a better sounding  
> reverb, I'll
> check that one out.

It's not the Sir VST plug-in that is "the great reverb". As with all  
convousion impulse based processing it has all to do with the quality  
of the impulses you load it with. I received a lot of useful reverb  
impulses with Logic Pro so I have been a little lazy to hunt for new,  
but if you search the internet there are amazing impulses posted for  
free. You can download an impulse taken from the most expensive  
studio hardware reverb - the only difference is that the hardware  
original has some subtile random processing thrown in which is not  
possible to pull off for a software plug-in like SiR. Some people run  
out with laptops and DAT recorders to record their own impulses but  
I'm totally happy with the crazy stuff you find on the internet.  
Recording your own might be good if you're a pro engineer recording a  
live album and need to be able to exactly duplicate (later in the  
studio) the ambience of that particular venue filled with that  
particular amount of people.
http://spiritcanyonaudio.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 22:09:58 2006
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Date: Thu, 2 Nov 2006 14:09:56 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Guitar Rig 2 as looper or looper feed?
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Hey boys and girls!

As someone who's slowly abandoning "a real setup" and
moving into a virtual one, the below comment about
Guitar Rig piqued my interest.

I recently downloaded the demo... and kind of loved
it.  I'd really been resisting this final plung into
computer based processing... Even now the idea of it
makes me feel uneasy... Is this feeling justified?

I don't know if it was accurate in it's emulations of
all the gear it emulates, but in general with not too
much tweaking I found the sound to be good and it
totally reminded me of a time when all my guitar
processing didn't come from couple of boxes.  There
was my good old rack from years gone by... all
rendered in lovely little LCD pixels.

I was able to insert it in my audio channel next to 4
other channels hosting VSTi's and an insert channel
containing Mobius and it worked like a charm... for 30
minutes. (demo time)  CPU purred away at about 40%.  I
didn't even have time to get to it's looper.  Is it a
good tool or throw-away feature like many add on
loopers are?

So, I guess I don't have any other questions other
than to ask what your experience with Guitar Rig 2 is.
 Is the controller worth it, or should I stick to a
different controller (my audio interface seemed to
work great)

I've read other reviews but I know you peeps are A)
Smarter than the average human and B) Push the limits
of your gear harder than your average musician.

Thanks,

Mark

> On 2 nov 2006, at 16.16, paul wrote:

> Once I had this all laid out I've only had to tweek
it a bit but  
> I've been very happy with the results. I generally
> only have 3 or 4  effects in a chain, but some of
them already have
> multiple effects running as in guitar rig or
freeamp2 and those are
> quite cpu intensive. 


 
____________________________________________________________________________________
Everyone is raving about the all-new Yahoo! Mail 
(http://advision.webevents.yahoo.com/mailbeta/)

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 22:18:09 2006
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Date: Thu, 2 Nov 2006 14:18:07 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: downloading videos youtube
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I think they have the video up their streaming, so
there's no easy way to capture the file on your
machine.  I think they embed it in Flash which makes
it doubly hard. (they don't want you doing this) Even
if you did find some hack to get it, first you'd have
to convert it to a standard video codec and the video
you'd get would look horrible played back on a TV
anyway (losing yet another generation of quality as
it's recompressed and then another when becoming a DVD
file)

If you get that far, I highly recommend the FREE iDVD
software that comes with Macintosh computers.  The
software is too easy to use and the results are good. 
I've used their DVD Studio Pro software for years but
truth be told, when I'm throwing something simple
together I'll use iDVD just for ease and speed.

Mark

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
> 
> Does someone have time to tell me in detail, how to
> download and make dvd of youtube videos?
> 
> best regards Rune F 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 



 
__________________________________________________________________________________________
Check out the New Yahoo! Mail - Fire up a more powerful email and get things done faster. 
(http://advision.webevents.yahoo.com/mailbeta) 

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Subject: Re: downloading videos youtube
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On Nov 2, 2006, at 11:09 AM, rune fagereng wrote:

> how to
> download and make dvd of youtube videos?



You can use Keepvid:

http://keepvid.com

which will let you download the video as an flv file. Can be viewed  
using an flv player.

There is software to convert the flv file to other formats but I have  
no idea of image quality for such translations.


regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 22:37:42 2006
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Date: Thu, 2 Nov 2006 14:34:50 -0800
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Guitar Rig 2 as looper or looper feed?
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If you like your audio interface and have a midi foot controller you
are happy with, it wouldn't hurt to check out Green Machine, my
favorite VST guitar amp simulator. I prefer the sound to Guitar Rig,
but sound is very subjective and I'm not particularly interested in
emulating any particular amp. I think the demo works without any
restrictions for 30 days.

http://www.greenmachine.pwuq.net/

I'm currently using a Line6 TonePort. Since it's doing the amp
simulation outboard of the computer, it's a bit more CPU friendly.

I don't have any experience with the Guitar Rig foot controller, just
the demo software.

On 11/2/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> Hey boys and girls!
>
> As someone who's slowly abandoning "a real setup" and
> moving into a virtual one, the below comment about
> Guitar Rig piqued my interest.
>
> I recently downloaded the demo... and kind of loved
> it.  I'd really been resisting this final plung into
> computer based processing... Even now the idea of it
> makes me feel uneasy... Is this feeling justified?
>
> I don't know if it was accurate in it's emulations of
> all the gear it emulates, but in general with not too
> much tweaking I found the sound to be good and it
> totally reminded me of a time when all my guitar
> processing didn't come from couple of boxes.  There
> was my good old rack from years gone by... all
> rendered in lovely little LCD pixels.
>
> I was able to insert it in my audio channel next to 4
> other channels hosting VSTi's and an insert channel
> containing Mobius and it worked like a charm... for 30
> minutes. (demo time)  CPU purred away at about 40%.  I
> didn't even have time to get to it's looper.  Is it a
> good tool or throw-away feature like many add on
> loopers are?
>
> So, I guess I don't have any other questions other
> than to ask what your experience with Guitar Rig 2 is.
>  Is the controller worth it, or should I stick to a
> different controller (my audio interface seemed to
> work great)
>
> I've read other reviews but I know you peeps are A)
> Smarter than the average human and B) Push the limits
> of your gear harder than your average musician.
>
> Thanks,
>
> Mark
>
> > On 2 nov 2006, at 16.16, paul wrote:
>
> > Once I had this all laid out I've only had to tweek
> it a bit but
> > I've been very happy with the results. I generally
> > only have 3 or 4  effects in a chain, but some of
> them already have
> > multiple effects running as in guitar rig or
> freeamp2 and those are
> > quite cpu intensive.
>
>
>
> ____________________________________________________________________________________
> Everyone is raving about the all-new Yahoo! Mail
> (http://advision.webevents.yahoo.com/mailbeta/)
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 23:06:12 2006
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Date: Thu, 2 Nov 2006 15:06:11 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Guitar Rig 2 as looper or looper feed?
To: Loopers-Delight@loopers-delight.com
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Oh that does sound good indeed.  Part of Guitar Rig's
charm was all the extra gear emulation like the stomp
boxes and rack gear too but if Green Machine sounds
anything like the web demos it might be worth having
as well.

--- Art Simon <simart@gmail.com> wrote:

> If you like your audio interface and have a midi
> foot controller you
> are happy with, it wouldn't hurt to check out Green
> Machine, my
> favorite VST guitar amp simulator. I prefer the
> sound to Guitar Rig,
> but sound is very subjective and I'm not
> particularly interested in
> emulating any particular amp. I think the demo works
> without any
> restrictions for 30 days.
> 
> http://www.greenmachine.pwuq.net/
> 
> I'm currently using a Line6 TonePort. Since it's
> doing the amp
> simulation outboard of the computer, it's a bit more
> CPU friendly.
> 
> I don't have any experience with the Guitar Rig foot
> controller, just
> the demo software.
> 
> On 11/2/06, mark sottilaro
> <zerocrossing2001@yahoo.com> wrote:
> > Hey boys and girls!
> >
> > As someone who's slowly abandoning "a real setup"
> and
> > moving into a virtual one, the below comment about
> > Guitar Rig piqued my interest.
> >
> > I recently downloaded the demo... and kind of
> loved
> > it.  I'd really been resisting this final plung
> into
> > computer based processing... Even now the idea of
> it
> > makes me feel uneasy... Is this feeling justified?
> >
> > I don't know if it was accurate in it's emulations
> of
> > all the gear it emulates, but in general with not
> too
> > much tweaking I found the sound to be good and it
> > totally reminded me of a time when all my guitar
> > processing didn't come from couple of boxes. 
> There
> > was my good old rack from years gone by... all
> > rendered in lovely little LCD pixels.
> >
> > I was able to insert it in my audio channel next
> to 4
> > other channels hosting VSTi's and an insert
> channel
> > containing Mobius and it worked like a charm...
> for 30
> > minutes. (demo time)  CPU purred away at about
> 40%.  I
> > didn't even have time to get to it's looper.  Is
> it a
> > good tool or throw-away feature like many add on
> > loopers are?
> >
> > So, I guess I don't have any other questions other
> > than to ask what your experience with Guitar Rig 2
> is.
> >  Is the controller worth it, or should I stick to
> a
> > different controller (my audio interface seemed to
> > work great)
> >
> > I've read other reviews but I know you peeps are
> A)
> > Smarter than the average human and B) Push the
> limits
> > of your gear harder than your average musician.
> >
> > Thanks,
> >
> > Mark
> >
> > > On 2 nov 2006, at 16.16, paul wrote:
> >
> > > Once I had this all laid out I've only had to
> tweek
> > it a bit but
> > > I've been very happy with the results. I
> generally
> > > only have 3 or 4  effects in a chain, but some
> of
> > them already have
> > > multiple effects running as in guitar rig or
> > freeamp2 and those are
> > > quite cpu intensive.
> >
> >
> >
> >
>
____________________________________________________________________________________
> > Everyone is raving about the all-new Yahoo! Mail
> > (http://advision.webevents.yahoo.com/mailbeta/)
> >
> >
> 
> 
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
> 
> 



 
____________________________________________________________________________________
Want to start your own business? Learn how on Yahoo! Small Business 
(http://smallbusiness.yahoo.com) 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 23:10:56 2006
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Subject: RE: Guitar Rig 2 as looper or looper feed?
Date: Thu, 2 Nov 2006 17:11:03 -0600
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20

> Is the controller worth it, or should I stick to a
> different controller (my audio interface seemed to
> work great)

One thing you have to be careful of with these integrated
hardware/software combos is that the hardware often serves as the
audio interface as well as a control surface for the software.  For
guitar modeling you always want to use an ASIO driver with the audio
interface to get the lowest latency.  But an application can only open
one ASIO device at a time.  This means that if you already have a
multi-channel audio interface you can't use it and the Rig Control at
the same time.  The Rig Control is only a 2 in 2 out interface, so if
you want to record more than one source independently, or want to have
more than one stereo out (for outboard processing, surround, etc) it
won't cut it.  If you're not using it for the audio interface,
it is a relatively pricey MIDI controller though it is cute and small.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 23:42:56 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Yamaha MFC 10
Date: Thu, 2 Nov 2006 15:42:55 -0800
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After having lived with the limitations and quirks of my behringer FCB1010
for several years now, i find myself longing for a new midi pedal to control
my loopers with. I've narrowed it down to two possible contenders, the
Yamaha MFC10, and the Roland FC200. what i like about both is the capability
of having additonal CC pedals. what i don't know is how rugged the Yamaha
is. I'm leaning towards it ,as it is the more reasonably priced, and I like
the yamaha expression pedals (FC7)better than the roland (EV5) which are
also more reasonably priced, and seem a little more substantial. thoughts
anyone??
Thanks
Bill


From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 23:45:43 2006
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Date: Thu, 2 Nov 2006 15:45:41 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Guitar Rig 2 as looper or looper feed?
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--- Jeff Larson <jeff.larson@sailpoint.com> wrote:

> One thing you have to be careful of with these
> integrated hardware/software combos is that the
hardware often
> serves as the audio interface as well as a control
surface for the
> software.

It does.  USB2 I believe.

>For guitar modeling you always want to use an ASIO
> driver with the audio interface to get the lowest
latency.  But an
> application can only open one ASIO device at a time.

Ah, good to know.

> This means that if you already have a
> multi-channel audio interface you can't use it and
> the Rig Control at the same time.  

I do. (actually a couple.  A MOTU 828 hooked to my G5
Mac, and a M-Audio Firewire Solo for the Toshiba
Laptop running XP)  I kind of thought I'd just get
more inputs, but I guess not.

> The Rig Control is only a 2 in 2 out interface, so
if
> you want to record more than one source
independently,
> or want to have
> more than one stereo out (for outboard processing,
> surround, etc) it won't cut it.  If you're not using
it for the audio
> interface, it is a relatively pricey MIDI controller
though it
> is cute and small.

I think the reason I'm considering it at all is
because it's not an MIDI controller at all.  It uses
an audio track to transmit control data to Guitar Rig
to get over limitation in MIDI CC.  I guess I was
wondering how much I'd miss that extra resolution if I
didn't have it.  I'm on an expression pedel of some
sort about 80% of the time...

In the end, it's probably not such a bad thing as the
way I'd use it woudl be in a rig where the only audio
external to the laptop was the guitar anyway.  I
wonder though, if I used it on my Mac if the Core
Audio drivers had the same issue.

Mark


 
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 00:03:49 2006
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Date: Thu, 2 Nov 2006 16:03:48 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mixer with MIDI scene recall
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--- Doug Wellington <dougwellington@gmail.com> wrote:

> The
> one thing the Repeater has that the other two don't
> is the storage
> capability

Don't forget it's pitch and time stretching
abilities... or it's programmable effects loop.  Other
than the Repeater, nothing I'm awear of does this.


 
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Message-ID: <20061103003214.3008.qmail@web81301.mail.mud.yahoo.com>
Date: Thu, 2 Nov 2006 16:32:14 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Yamaha MFC 10
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <OPEGKDJIMPJBOGCKEPDGIEOADBAA.billwalker@baymoon.com>
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I owned the MFC10 and I didn't have it long... I
thought it sucked.  I can't remember all the reasons
why, but I seem to remember there was a long delay
from the time you pressed the button to the time it
sent the command.  Too long for looping, that's for
sure.  I also had the Roland... I can't remember why I
got rid of that, but I do know that the one I ended on
was the FCB1010.  It may have quirks and limitations,
but it seemed to work best out of anything under $500.
 That was a long time ago though, perhaps they've
improved them.

--- William Walker <billwalker@baymoon.com> wrote:

> After having lived with the limitations and quirks
> of my behringer FCB1010
> for several years now, i find myself longing for a
> new midi pedal to control
> my loopers with. I've narrowed it down to two
> possible contenders, the
> Yamaha MFC10, and the Roland FC200. what i like
> about both is the capability
> of having additonal CC pedals. what i don't know is
> how rugged the Yamaha
> is. I'm leaning towards it ,as it is the more
> reasonably priced, and I like
> the yamaha expression pedals (FC7)better than the
> roland (EV5) which are
> also more reasonably priced, and seem a little more
> substantial. thoughts
> anyone??
> Thanks
> Bill
> 
> 
> 



 
__________________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 00:47:12 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Yamaha MFC 10
Date: Thu, 2 Nov 2006 16:47:12 -0800
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Are you talking about the latest version, as i seem to recall earlier
versions with the same name that didn't have on board expression pedal and
round switches like this one does . clarify please.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Thursday, November 02, 2006 4:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Yamaha MFC 10


I owned the MFC10 and I didn't have it long... I
thought it sucked.  I can't remember all the reasons
why, but I seem to remember there was a long delay
from the time you pressed the button to the time it
sent the command.  Too long for looping, that's for
sure.  I also had the Roland... I can't remember why I
got rid of that, but I do know that the one I ended on
was the FCB1010.  It may have quirks and limitations,
but it seemed to work best out of anything under $500.
 That was a long time ago though, perhaps they've
improved them.

--- William Walker <billwalker@baymoon.com> wrote:

> After having lived with the limitations and quirks
> of my behringer FCB1010
> for several years now, i find myself longing for a
> new midi pedal to control
> my loopers with. I've narrowed it down to two
> possible contenders, the
> Yamaha MFC10, and the Roland FC200. what i like
> about both is the capability
> of having additonal CC pedals. what i don't know is
> how rugged the Yamaha
> is. I'm leaning towards it ,as it is the more
> reasonably priced, and I like
> the yamaha expression pedals (FC7)better than the
> roland (EV5) which are
> also more reasonably priced, and seem a little more
> substantial. thoughts
> anyone??
> Thanks
> Bill
>
>
>




____________________________________________________________________________
______________
Check out the New Yahoo! Mail - Fire up a more powerful email and get things
done faster.
(http://advision.webevents.yahoo.com/mailbeta)


From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 03:29:15 2006
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From: paul <phaslem@wightman.ca>
Subject: Re: Guitar Rig 2 as looper or looper feed?
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I'm just using the software, don't have the hardware part at all. The 
looper seems very limited and probably not what anyone here would be much 
interested in especially when you look at other software solutions like 
mobius.
Personally I like the delays, they have some that allow you to do some 
crazy things and I've really enjoyed playing with that. But I'm sure that 
if I dig a bit I can find some free software that will do the same.
The amp simulations are fine but I've been liking the sound of freeamp 
better. You might want to check it out, it also comes with some virtual 
stomp boxes (chorus, reverb, distortion, delay, phasor, and a few more.... 
you'll find it at http://www.frettedsynth.com/ under amp simulators. I also 
like that the developer has a forum going on KVR looking for what people 
would like to see in the next version of freeamp.

Paul Haslem
Ontario, Canada
www.dulcify.ca




At 06:06 PM 11/2/2006, you wrote:
>Oh that does sound good indeed.  Part of Guitar Rig's
>charm was all the extra gear emulation like the stomp
>boxes and rack gear too but if Green Machine sounds
>anything like the web demos it might be worth having
>as well.

From support@wamu.com  Fri Nov  3 03:50:21 2006
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 03:57:48 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Guitar Rig 2 as looper or looper feed?
Date: Thu, 2 Nov 2006 19:57:45 -0800
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Unless it is a mac. Then you can use aggregate device.....

On Nov 2, 2006, at 3:11 PM, Jeff Larson wrote:

> But an application can only open
> one ASIO device at a time. 
>  

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 04:30:56 2006
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Subject: RE: Yamaha MFC 10
Date: Thu, 2 Nov 2006 23:30:52 -0500
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 Don't forget that the Behringer is quite a bit more usable with the UnO
firmware. Check out the FCB Yahoo group for more information.

Dave Eichenberger- 
http://www.hazardfactor.com/collectives    <--- 50 CDs, 50 hours, no copies

 
> 
> Are you talking about the latest version, as i seem to recall 
> earlier versions with the same name that didn't have on board 
> expression pedal and round switches like this one does . 
> clarify please.
> Bill
>  

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 04:31:00 2006
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YouTube uses FLA, Flash Video. I don't think these files can be transcode=
d.
Last month YouTube send me some video to encode into Mobile Phone Format.=
 I
could not find a tool to transcode into a usable format. YouTube had to
transcode Source files into WMV.=0D
 =0D
Sony =0D
 =0D
-------Original Message-------=0D
 =0D
From: rune fagereng=0D
Date: 11/02/2006 11:09:37 AM=0D
To: loopers-delight@loopers-delight.com=0D
Subject: downloading videos youtube=0D
 =0D
Hi !=0D
 =0D
Does someone have time to tell me in detail, how to=0D
download and make dvd of youtube videos?=0D
 =0D
best regards Rune F=0D
 =0D
www.runefagereng.com=0D
Mail:rune_fagereng@yahoo.no=0D
Mob: 917 95 867=0D
=20
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR>
<STYLE>=0Av\:* {behavior:url (#default#vml);}=0A</STYLE>
<style>v\:* {
=09BEHAVIOR: url (#default#vml)
}
</style></HEAD>
<BODY style=3D"FONT-SIZE: 12pt; MARGIN: 5px 10px 10px; FONT-FAMILY: Arial=
" bgColor=3D#ffffff background=3D"" scroll=3Dyes>
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; FONT-FAMILY: Arial" =
width=3D"100%">
<DIV>YouTube uses FLA, Flash Video. I don't think these files can be tran=
scoded. Last month YouTube send me some video to encode into&nbsp;Mobile =
Phone Format. I could not find a tool&nbsp;to transcode into a&nbsp;usabl=
e format. YouTube had to transcode Source files into WMV.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>From:</B></I> <A href=3D"m=
ailto:rune_fagereng@yahoo.no">rune fagereng</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>Date:</B></I> 11/02/2006 1=
1:09:37 AM</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>To:</B></I> <A href=3D"mai=
lto:loopers-delight@loopers-delight.com">loopers-delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>Subject:</B></I> downloadi=
ng videos youtube</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Hi !</DIV>
<DIV>&nbsp;</DIV>
<DIV>Does someone have time to tell me in detail, how to</DIV>
<DIV>download and make dvd of youtube videos?</DIV>
<DIV>&nbsp;</DIV>
<DIV>best regards Rune F</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.runefagereng.com/">www.runefagereng.com</A></D=
IV>
<DIV><A href=3D"mailto:Mail:rune_fagereng@yahoo.no">Mail:rune_fagereng@ya=
hoo.no</A></DIV>
<DIV>Mob: 917 95 867</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
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--------------Boundary-00=_10F4QL80000000000000--

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 06:56:35 2006
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Date: Fri, 3 Nov 2006 07:56:31 +0100
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From: mech <mech@m3ch.net>
Subject: Re: Mixer with MIDI scene recall
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At 10:29 PM +0000 10/31/06, Greg Mills wrote:
>Mech, have I noticed you posting on the Looperlative forum? What do you
>think of the LP1? How does it compare to the EDP? I've been looking for a
>stereo looper for awhile, rather than another EDP. The LP1 looks nice, and
>would cost me about the same as two EDPs. Would be interested to hear your
>thoughts.

I'm out on travel right now, so I'm sorry I keep losing Internet 
access.  But yeah, that's me annoying other people over on the 
Looperlative board.  ;)

As for the LP-1, I love it!!!  I just wish I could get off the road 
and spend more time with it.  I need to get mine sent back in for the 
free noise mod (with the second manufacturing run Bob found a way to 
reduce the noise floor by a further few dB's and offered it as a free 
upgrade for existing users).

In regard to comparisons with the EDP, I'll state up front that I've 
dropped cash on the LP-1 rather than the EDP.  In itself, that fact 
tells you where my biases lie.  However, I have managed to gain some 
respect for the EDP over time.  In the past, I was always rabidly 
irritated by the fact you were forced to buy a second unit merely to 
get stereo functionality.  Prices seem to have dropped on the EDP 
since then, so I've mellowed out on that front somewhat.

I think it's fair to say that both units have their strengths.  As 
far as basic looping functions, you're obviously well covered with 
either.  For differentiators between the two units, I'd say the 
'glitch' functionalities on the EDP, or the asynchronous looping and 
multiple tracks on the LP-1 for major functions not directly mirrored 
on both units.  That said, the Scramble feature on the Looperlative 
does a pretty good job of glitching up the sound, and I've heard some 
people do a darn good job of faking asynchronous loops on an EDP.

While I primarily used the Repeater (amongst other things) prior to 
jumping over to the Looperlative, one of my collaborators uses a pair 
of EDP's, and we've done a quick side-by-side with our units to check 
the fidelity.  Both units sound good, but we both agreed that the 
LP-1 sounds better in terms of frequency response and noise level (it 
should, however, since the basic hardware and design are more 
current).  One of the main things that impressed my pal was that the 
input settings aren't nearly as tweezy as on his Oberheim EDP's, 
where he frequently has to play around a bit to get the input level 
settings just right.

More things I really like about the LP-1 include the ease of setup 
for MIDI control, as well as the ability to set up the commands into 
'macros', or sets of ordered commands executed in sequence.  Also, I 
think the Aux Outs are brilliant!  I'm using them to actually extend 
the capabilities of the LP-1, since I can shoot a particular track(s) 
out one of the Auxes to an effect unit to have it individually 
effected.  Then, if I want to continue manipulating that inside the 
Looperlative, I can manually feed it back into the LP-1 -- the same 
sort of manual "bounce" you used to have to do with, say, an old 4- 
or 8- track recorder -- and re-record it onto a new track or overdub. 
And, of course, having the realtime control over each individual 
track is fantastic.

Also, don't underestimate the ability to update the unit via 
Ethernet.  Bob is committed to its continued development, and can 
implement or change features of the unit nearly instantly merely by 
publishing a software upgrade that can be quickly downloaded into the 
unit.  For example, as Doug mentioned you can now import and export 
your tracks using an external storage device, thanks to a recent 
update.  (Additionally, Bob has mentioned on the board that he 
*might* be able to figure out a hardware upgrade that would allow the 
LP-1 to use something like a CFC/SD card.  As always, stay tuned...).

Anyway, that just scratches the surface, but like Doug, I find myself 
using the Looperlative more-and-more as my primary/sole looper when 
I'm using hardware.  Let me know if you've got any more specific 
questions, though, and I'll be happy to tackle them.

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 07:12:04 2006
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At 4:03 PM -0800 11/2/06, mark sottilaro wrote:
>--- Doug Wellington <dougwellington@gmail.com> wrote:
>
>  > The one thing the Repeater has that the other two don't
>  > is the storage capability
>
>Don't forget it's pitch and time stretching
>abilities... or it's programmable effects loop.  Other
>than the Repeater, nothing I'm awear of does this.

I still love my Repeater, but now that the LP-1 has its Aux Outs 
up-&-running, I've been using an external pitch-shift unit to obtain 
similar -- yet no less interesting -- results.

Also, over on the Looperlative board, Knights also figured out how to 
do quick-and-dirty time shifting by combining a pitch shifter with 
the loop manipulation capabilities already inside the LP-1.  For 
instance, you want to double the length of a loop without affecting 
it's pitch?  Half-speed the loop on the LP-1, then use the pitch 
shifter to bump it up by an octave.  Tres' simple.

Of course, I still love the immediacy and the bizarre artifacting of 
the Repeater, both of which are reasons I keep mine around.  However, 
other hardware is beginning to come closer to some of those functions 
too.

	--m.
-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

From wwwrun@rheinhiphop.de  Fri Nov  3 07:48:46 2006
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	id CB40CA9BE4; Fri,  3 Nov 2006 06:48:10 +0100 (CET)
To: looparc@loopers-delight.com
Subject: S'il vous plaît Mettre à jour Votre Information facturant
From: eBay <aw-confirm@ebay.fr>
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<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 08:17:48 2006
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From: "Michael Peters" <mp@mpeters.de>
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Subject: Re: downloading videos youtube
Date: Fri, 3 Nov 2006 09:17:36 +0100
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I'm on Windows ... I use the Firefox browser and a plugin called "Ook? Video
Ook!" (you can find it on the Mozilla Firefox site) which allows you to
easily store FLV videos ... and then a FLV player by
www.martijndevisser.com.

-Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 08:48:08 2006
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Subject: Re: Yamaha MFC 10
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I had an MFC-10 for a couple of years. It's at least as tough as the
Behringer, but maybe not as flexible apart from the facility for extra
experession pedals.

I don't think the FC200 is programmable at all.

Nik

--------- Original Message --------
From: billwalker@baymoon.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Yamaha MFC 10
Date: 02/11/06 23:42


After having lived with the limitations and quirks of my behringer FCB1010
for several years now, i find myself longing for a new midi pedal to control
my loopers with. I've narrowed it down to two possible contenders, the
Yamaha MFC10, and the Roland FC200. what i like about both is the capability
of having additonal CC pedals. what i don't know is how rugged the Yamaha
is. I'm leaning towards it ,as it is the more reasonably priced, and I like
the yamaha expression pedals (FC7)better than the roland (EV5) which are
also more reasonably priced, and seem a little more substantial. thoughts
anyone??
Thanks
Bill

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 12:39:51 2006
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Subject: Re: converting YourTube vids
Date: Fri, 3 Nov 2006 12:42:04 -0000
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=20
Re: converting YourTube vids

 I recently discovered a method for converting these files:

 I already had a paid for registered copy of Xilisofts 3GP Converter V =
2.51; this inexpensive software converts various video formats to 3GPP, =
3GPP2, Avi, DivX Avi, Mpeg 1,2 & 4 and .wav formats. There are a wide =
range of custom parameters - you can alter bitrate for both audio & =
video, framerate, crop, target video size, choose from available =
installed codecs etc. - the results are great and the process simple.

 The viewed YourTube vid can be found by doing a search for "get_video" =
on the PC. Locate and copy this file to a suitable folder. Then import =
into Xilisoft 3GP Converter; this file can be read and previewed by the =
software even without a file extension. Set the target video parameters =
and press "Encode". The progress bar on the software initially confuses =
because it seems to jump to 100% straight-away; leave it, and in a short =
while it displays a "Completed" message. I forget all the stuff I =
learned about the DVD format but there's bound to be one target vid =
format which you can then use in your DVD authoring/burning software.

=20

Hope this helps,

Ralph


------=_NextPart_000_0005_01C6FF45.7763E6E0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>&nbsp;
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Re:=20
converting YourTube vids<?xml:namespace prefix =3D o ns =3D=20
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">I=20
recently discovered a method for converting these =
files:<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">I=20
already had a paid for registered copy of Xilisofts 3GP Converter V =
2.51; this=20
inexpensive software converts various video formats to 3GPP, 3GPP2, Avi, =
DivX=20
Avi, Mpeg 1,2 &amp; 4 and .wav formats. There are a wide range of custom =

parameters &#8211; you can alter bitrate for both audio &amp; video, =
framerate, crop,=20
target video size, choose from available installed codecs etc. &#8211; =
the results are=20
great and the process simple.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">The=20
viewed YourTube vid can be found by doing a search for =
&#8220;get_video&#8221; on the PC.=20
Locate and copy this file to a suitable folder. Then import into =
Xilisoft 3GP=20
Converter; this file can be read and previewed by the software even =
without a=20
file extension. Set the target video parameters and press =
&#8220;Encode&#8221;. The progress=20
bar on the software initially confuses because it seems to jump to 100%=20
straight-away; leave it, and in a short while it displays a =
&#8220;Completed&#8221; message.=20
I forget all the stuff I learned about the DVD format but there&#8217;s =
bound to be=20
one target vid format which you can then use in your DVD =
authoring/burning=20
software.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Hope=20
this helps,<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Ralph</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 14pt; mso-bidi-font-size: =
12.0pt"><o:p></o:p></SPAN></P></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:23:25 2006
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Message-ID: <ca7838d0611030523nd5f3976we6cee1d9ab231f4b@mail.gmail.com>
Date: Fri, 3 Nov 2006 06:23:18 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mixer with MIDI scene recall
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	 <p0623090dc17098bbccc9@192.168.5.63>
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Previously:
> I still love my Repeater, but now that the LP-1 has its Aux Outs
> up-&-running, I've been using an external pitch-shift unit to obtain
> similar -- yet no less interesting -- results.

Yes, I've been using a GTR 4000 with mine, so I'm pretty spoiled.  I
always figured I'd need an external unit since I never expected a
looper to have that kind of power built in...

Doug

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:25:08 2006
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Subject: Re: downloading videos youtube,
Date: Fri, 3 Nov 2006 13:27:07 -0000
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------=_NextPart_000_000B_01C6FF4B.C2131B60
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Re: converting YourTube vids

 I recently discovered a method for converting these files:

 I already had a paid for registered copy of Xilisofts 3GP Converter V =
2.51; this inexpensive software converts various video formats to 3GPP, =
3GPP2, Avi, DivX Avi, Mpeg 1,2 & 4 and .wav formats. There are a wide =
range of custom parameters - you can alter bitrate for both audio & =
video, framerate, crop, target video size, choose from available =
installed codecs etc. - the results are great and the process simple.

 The viewed YourTube vid can be found by doing a search for "get_video" =
on the PC. Locate and copy this file to a suitable folder. Then import =
into Xilisoft 3GP Converter; this file can be read and previewed by the =
software even without a file extension. Set the target video parameters =
and press "Encode". The progress/status bar on the software initially =
confuses because it seems to jump to 100% straight-away; leave it, and =
in a short while it displays a "Completed" message. I forget all the =
stuff I learned about the DVD format but there's bound to be one target =
vid format which you can then use in your DVD authoring/burning =
software.

 Hope this helps,

Ralph

Apologies if I have double posted this - I've just re-subscribed and I =
got a little confused ;)


------=_NextPart_000_000B_01C6FF4B.C2131B60
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Re:=20
converting YourTube vids<?xml:namespace prefix =3D o ns =3D=20
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">I=20
recently discovered a method for converting these =
files:<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">I=20
already had a paid for registered copy of Xilisofts 3GP Converter V =
2.51; this=20
inexpensive software converts various video formats to 3GPP, 3GPP2, Avi, =
DivX=20
Avi, Mpeg 1,2 &amp; 4 and .wav formats. There are a wide range of custom =

parameters &#8211; you can alter bitrate for both audio &amp; video, =
framerate, crop,=20
target video size, choose from available installed codecs etc. &#8211; =
the results are=20
great and the process simple.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">The=20
viewed YourTube vid can be found by doing a search for =
&#8220;get_video&#8221; on the PC.=20
Locate and copy this file to a suitable folder. Then import into =
Xilisoft 3GP=20
Converter; this file can be read and previewed by the software even =
without a=20
file extension. Set the target video parameters and press =
&#8220;Encode&#8221;. The=20
progress/status bar on the software initially confuses because it seems =
to jump=20
to 100% straight-away; leave it, and in a short while it displays a =
&#8220;Completed&#8221;=20
message. I forget all the stuff I learned about the DVD format but =
there&#8217;s bound=20
to be one target vid format which you can then use in your DVD =
authoring/burning=20
software.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">&nbsp;</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Hope=20
this helps,</SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt"></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Ralph</SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 11pt; mso-bidi-font-size: =
12.0pt">Apologies=20
if I have double posted this - I've just re-subscribed and I got a =
little=20
confused ;)</SPAN></P></FONT></DIV></BODY></HTML>

------=_NextPart_000_000B_01C6FF4B.C2131B60--

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:55:49 2006
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Date: Fri, 03 Nov 2006 09:00:26 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #501 for November 2, 2006
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2006/061102.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #501                November 2, 2006

RECAP:
On this show, I began a month-long focus on Synergy.  The Featured CD
at Midnight was "Cords" on Third Contact Records.

The Vinyl Starter was from the LP "Grand Canyon Suite" by Tomita on RCA
Records and released in 1981.

I played the music of Synthetic Block who will be at The Gate later this
month with special guest Dave Fulton of Dweller at the Threshold.

Synergy - http://wdiy.org/programs/gt/playlists/2006/focus.html#nov
The Gate - http://wdiy.org/programs/gt/events.html#gate


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Tomita               Sunrise              Grand Canyon Suite (RCA)
Cranial Mythos       Coffee Bean          Asphalt Salad (none)
vidnaObmana          IV                   Reflection On Scale (Hypnos)
The Tunnel Singer    Cenote               Cenote (none)
Synthetic Block      Careful With That    CDR (none)
                       Fax Machine
Free System Projekt  Part 2               Moyland (Quantum)
cyberCHUMP           Lighten              Secrets To Tell You (Internal
                                            Combustion)
M. Griffin           Thoughts From        The Pulse Meditations (Secret
                       Another              Sounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Synergy              On Presuming To Be   Cords (Third Contact)
                       Modern
Synergy              Phobos               Cords (Third Contact)
Synergy              Deimos               Cords (Third Contact)
Synergy              Sketches of Mythical Cords (Third Contact)
                       Beasts
Synergy              Disruptions in World Cords (Third Contact)
                       Communications
Synergy              On Presuming To Be   Cords (Third Contact)
                       Modern II
Synergy              A Small Collection   Cords (Third Contact)
                       of Chords
Synergy              Full Moon Flyer      Cords (Third Contact)
Synergy              Terra Incognita      Cords (Third Contact)
Synergy              Trellis              Cords (Third Contact)
Synergy              On Presuming To Be   Cords (Third Contact)
                       Modern III
Free System Projekt  Pre-flight           Passenger 4 (Quantum)
  and Dweller at the
  Threshold

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Synergy.  The Featured CD at Midnight will be "The Jupiter Menace" on
and Third Contact Records.

The Vinyl Starter will be from the LP "In the Gardens of Pharao/Aguirre"
by Popol Vuh on Celestial Harmonies Records and released in 1983.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 23:28:28 2006
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Date: Fri, 3 Nov 2006 15:28:25 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Yamaha MFC 10
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Mine looked exactly like that one.

--- William Walker <billwalker@baymoon.com> wrote:

> Are you talking about the latest version, as i seem
> to recall earlier
> versions with the same name that didn't have on
> board expression pedal and
> round switches like this one does . clarify please.
> Bill
> 
> -----Original Message-----
> From: mark sottilaro
> [mailto:zerocrossing2001@yahoo.com]
> Sent: Thursday, November 02, 2006 4:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Yamaha MFC 10
> 
> 
> I owned the MFC10 and I didn't have it long... I
> thought it sucked.  I can't remember all the reasons
> why, but I seem to remember there was a long delay
> from the time you pressed the button to the time it
> sent the command.  Too long for looping, that's for
> sure.  I also had the Roland... I can't remember why
> I
> got rid of that, but I do know that the one I ended
> on
> was the FCB1010.  It may have quirks and
> limitations,
> but it seemed to work best out of anything under
> $500.
>  That was a long time ago though, perhaps they've
> improved them.
> 
> --- William Walker <billwalker@baymoon.com> wrote:
> 
> > After having lived with the limitations and quirks
> > of my behringer FCB1010
> > for several years now, i find myself longing for a
> > new midi pedal to control
> > my loopers with. I've narrowed it down to two
> > possible contenders, the
> > Yamaha MFC10, and the Roland FC200. what i like
> > about both is the capability
> > of having additonal CC pedals. what i don't know
> is
> > how rugged the Yamaha
> > is. I'm leaning towards it ,as it is the more
> > reasonably priced, and I like
> > the yamaha expression pedals (FC7)better than the
> > roland (EV5) which are
> > also more reasonably priced, and seem a little
> more
> > substantial. thoughts
> > anyone??
> > Thanks
> > Bill
> >
> >
> >
> 
> 
> 
> 
>
____________________________________________________________________________
> ______________
> Check out the New Yahoo! Mail - Fire up a more
> powerful email and get things
> done faster.
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> 
> 
> 



 
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 23:35:11 2006
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Date: Fri, 3 Nov 2006 15:35:10 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Guitar Rig 2 as looper or looper feed?
To: Loopers-Delight@loopers-delight.com
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Yeah, I hear you.  After you strip away a lot of the
cool effects the amp sims left me a little flat.  I
also think it's odd that they don't let you bypass the
mic sim.  IMO, micing a cabinate is the last way I'd
like to effect my tone.  The idea is to capture it as
close to how it sounds to you live.. no?

When I A/B'd them to my Vox Tonelab SE the Tonelab
won.  Considering I like it as a "controller" as well,
it wouldn't make any sense to replace it with
something else (the guitar rig controller) that needs
to be lugged around.

I did love a lot of the other stuff it does though
even though I agree the looper seems like an after
thought they tacked on without really thinking about
what a looper might want it to do.

Anyway, I tried Freeamp... not sure what went wrong
but I get no sound in or out of that plug in. 
Everything else works fine...  Perhaps I need to
reinstall.

Thanks for the info,

Mark

--- paul <phaslem@wightman.ca> wrote:

> The amp simulations are fine but I've been liking
> the sound of freeamp 
> better. You might want to check it out, it also
> comes with some virtual 
> stomp boxes (chorus, reverb, distortion, delay,
> phasor, and a few more.... 
> you'll find it at http://www.frettedsynth.com/ under
> amp simulators. 


 
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From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 00:14:37 2006
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Date: Fri, 3 Nov 2006 16:14:35 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: converting YourTube vids
To: Loopers-Delight@loopers-delight.com
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installing firefox downloading youtube videos is a
breeze i hear.
cheers
Luis

--- rc_firth <rc_firth@ntlworld.com> wrote:

>  
> Re: converting YourTube vids
> 
>  I recently discovered a method for converting these
> files:
> 
>  I already had a paid for registered copy of
> Xilisofts 3GP Converter V 2.51; this inexpensive
> software converts various video formats to 3GPP,
> 3GPP2, Avi, DivX Avi, Mpeg 1,2 & 4 and .wav formats.
> There are a wide range of custom parameters - you
> can alter bitrate for both audio & video, framerate,
> crop, target video size, choose from available
> installed codecs etc. - the results are great and
> the process simple.
> 
>  The viewed YourTube vid can be found by doing a
> search for "get_video" on the PC. Locate and copy
> this file to a suitable folder. Then import into
> Xilisoft 3GP Converter; this file can be read and
> previewed by the software even without a file
> extension. Set the target video parameters and press
> "Encode". The progress bar on the software initially
> confuses because it seems to jump to 100%
> straight-away; leave it, and in a short while it
> displays a "Completed" message. I forget all the
> stuff I learned about the DVD format but there's
> bound to be one target vid format which you can then
> use in your DVD authoring/burning software.
> 
>  
> 
> Hope this helps,
> 
> Ralph
> 
> 


www.myspace.com/luisangulocom


 
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From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 01:11:29 2006
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Subject: RE: Yamaha MFC 10
Date: Fri, 3 Nov 2006 17:11:30 -0800
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That is so lame I can't believe it, hey lets build a midi pedal with a 100ms
latency, shame on yamaha.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Friday, November 03, 2006 3:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Yamaha MFC 10


Mine looked exactly like that one.

--- William Walker <billwalker@baymoon.com> wrote:

> Are you talking about the latest version, as i seem
> to recall earlier
> versions with the same name that didn't have on
> board expression pedal and
> round switches like this one does . clarify please.
> Bill
>
> -----Original Message-----
> From: mark sottilaro
> [mailto:zerocrossing2001@yahoo.com]
> Sent: Thursday, November 02, 2006 4:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Yamaha MFC 10
>
>
> I owned the MFC10 and I didn't have it long... I
> thought it sucked.  I can't remember all the reasons
> why, but I seem to remember there was a long delay
> from the time you pressed the button to the time it
> sent the command.  Too long for looping, that's for
> sure.  I also had the Roland... I can't remember why
> I
> got rid of that, but I do know that the one I ended
> on
> was the FCB1010.  It may have quirks and
> limitations,
> but it seemed to work best out of anything under
> $500.
>  That was a long time ago though, perhaps they've
> improved them.
>
> --- William Walker <billwalker@baymoon.com> wrote:
>
> > After having lived with the limitations and quirks
> > of my behringer FCB1010
> > for several years now, i find myself longing for a
> > new midi pedal to control
> > my loopers with. I've narrowed it down to two
> > possible contenders, the
> > Yamaha MFC10, and the Roland FC200. what i like
> > about both is the capability
> > of having additonal CC pedals. what i don't know
> is
> > how rugged the Yamaha
> > is. I'm leaning towards it ,as it is the more
> > reasonably priced, and I like
> > the yamaha expression pedals (FC7)better than the
> > roland (EV5) which are
> > also more reasonably priced, and seem a little
> more
> > substantial. thoughts
> > anyone??
> > Thanks
> > Bill
> >
> >
> >
>
>
>
>
>
____________________________________________________________________________
> ______________
> Check out the New Yahoo! Mail - Fire up a more
> powerful email and get things
> done faster.
> (http://advision.webevents.yahoo.com/mailbeta)
>
>
>




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________
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From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 11:09:44 2006
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Subject: Re: Guitar Rig 2 as looper or looper feed?
From: Greg Mills <gregmills@blueyonder.co.uk>
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Under Tiger on a Mac, yes aggregate device in Audio Midi setup. On a PC,
there is a shareware utility called ASIO4ALL

http://www.asio4all.com/

Which amongst other things, enables the use of two interfaces with one
application

Greg




> Unless it is a mac. Then you can use aggregate device.....
> 
> On Nov 2, 2006, at 3:11 PM, Jeff Larson wrote:
> 
>> But an application can only open
>> one ASIO device at a time.
>>  
> 
> 



From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 11:45:25 2006
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Subject: Re: Guitar Rig 2 as looper or looper feed?
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At 11:09 04/11/2006, you wrote:
>Under Tiger on a Mac, yes aggregate device in Audio Midi setup. On a PC,
>there is a shareware utility called ASIO4ALL
>
>http://www.asio4all.com/
>
>Which amongst other things, enables the use of two interfaces with one
>application
>
>Greg

hmm,
that's interesting

The difficulty with using more than one interface is that it's hard 
to synchronize the sample rates.

One way to solve this is to use sample rate conversion (like in Mac 
Core Audio), but the problem with this is that
1) Sample rate conversion is a compromise between quality, processor 
power, and latency.
2) Sound quality is always reduced to some extent,

So if you're using  a high quality device, then you might think twice 
about adding another interface to your system.


andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 15:06:19 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Guitar Rig 2 as looper or looper feed?
Date: Sat, 4 Nov 2006 09:06:04 -0600
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On Nov 4, 2006, at 5:09 AM, Greg Mills wrote:
 > On a PC, there is a shareware utility called ASIO4ALL...
 > Which amongst other things, enables the use of two interfaces with  
one
 > application

There are some limitations with this.  First, it does not appear
to recognize every device.  I have a system with an SB Live, a LynxOne,
and a MOTU 828mkII firewire.  The only one that shows up in
the ASIO4ALL device list is the SB Live.  This may be because the other
devices already have ASIO drivers installed, but I uninstalled the
MOTU drivers and that didn't seem to make a difference.

But even if uninstalling the native drivers makes it work, you  
potentially
lose features you were getting from the native drivers, such as
the MOTU CueMix control panel which I find essential.

Second, all the devices need to be synchronized from the same master
clock, otherwise there will be jitter that can result in audible  
artifacts
and drift.  The usual way to do this is with word clock, but very few
consumer audio devices support that.  Supposedly you can accomplish  
something
similar with S/PDIF, but again not all devices have S/PDIF connectors.

I don't have any experience with it, but I would imagine that the Mac's
aggregate device will do a better job of recognizing hardware.  But I
don't see how it can solve the master clock problem without
a physical connection between the devices.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 15:18:51 2006
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At 15:06 04/11/2006, you wrote:
>I don't have any experience with it, but I would imagine that the Mac's
>aggregate device will do a better job of recognizing hardware.  But I
>don't see how it can solve the master clock problem without
>a physical connection between the devices.
>
>Jeff

Sample rate conversion "solves" the problem.
...and I heard that the mac now uses sample rate conversion all the 
time to "synchronize" the sound card with applications.

andy butler

andy butler 

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 15:21:15 2006
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Subject: Re: Guitar Rig 2 as looper or looper feed?
From: Greg Mills <gregmills@blueyonder.co.uk>
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> There are some limitations with this.

I'm sure there are the more you try and push it. I've only used it to help a
friend use his built-in sound card along with a Remote 25 controller so he
can have a cue output from Live. This worked very well but then we weren't
asking very much from it :)

Greg



From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 23:00:43 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule (was: MAX/msp question)
Date: Sun, 5 Nov 2006 00:00:38 +0100
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On 30 okt 2006, at 19.54, Art Simon wrote:

> I like Braindoc's free VST Pitch Shifter:
> http://www.braindoc.de/english/vstEn.html

Yes, they are great! Thanks for the heads up! I ended up using two  
such Pitch Shifters for a patch and it came out exactly as I had  
heard it in my mind. I also use the Brainidoc Stereo Delay, for  
another patch. Can't find any LFO's to drive parameter values from in  
Bidule, though. Guess I'll have to make those things with Max?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 23:13:58 2006
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At 23:00 04/11/2006, you wrote:
>Yes, they are great! Thanks for the heads up! I ended up using two
>such Pitch Shifters for a patch and it came out exactly as I had
>heard it in my mind. I also use the Brainidoc Stereo Delay, for
>another patch. Can't find any LFO's to drive parameter values from in
>Bidule, though. Guess I'll have to make those things with Max?

they're there somewhere,
just keep looking.
(don't remember where..sorry...but I have used them)

I think you'll actually be able to do in Bidule anything you wanted 
to do in max.
(as long as you have a few vst plugs as building blocks)

andy 

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 23:50:03 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule (was: MAX/msp question)
Date: Sun, 5 Nov 2006 00:49:58 +0100
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> At 23:00 04/11/2006, you wrote:
>> Can't find any LFO's to drive parameter values from in
>> Bidule, though. Guess I'll have to make those things with Max?
>
> they're there somewhere,
> just keep looking.
> (don't remember where..sorry...but I have used them)
>
> I think you'll actually be able to do in Bidule anything you wanted  
> to do in max.
> (as long as you have a few vst plugs as building blocks)
>
> andy


There is a "LFO" among the Groups. But there is no way to set a  
division between this LFO's speed and Bidules internal sync clock.  
That's bad. It's a little disappointing with Bidule that they have  
designed this internal tempo clock but no object for mathematical  
division of it. As a comparison you can look at the OSX host  
application Numerology where every parameter of any loaded AU plug-in  
is directly accessible as a target for the internal control data (Num  
still lacking random generator though).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 02:39:20 2006
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Date: Sat, 4 Nov 2006 18:39:17 -0800
From: "Art Simon" <simart@gmail.com>
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Hmmm, that's surprising. Maybe this is one thing Usine can do that
Bidule can't. Usine has low level math modules that should make a
division between the LFO speed and Usine's internal clock
straightforward. I haven't tried it, I just looked it up in the
manual. And hey--there' s another point in Usine's favor--It's got a
good manual in .pdf form.

I've got to say that the recent discussion on Bidule's audio switcher
really intrigued me. Since Bidule has independent sync generators
(with independent tempos) and since with the audio switcher the chains
that aren't in use apparently don't bog the cpu down, it's seems to me
like you could have one Bidule patch for an entire live show. Very,
very cool.

On 11/4/06, Per Boysen <perboysen@gmail.com> wrote:
> > At 23:00 04/11/2006, you wrote:
> >> Can't find any LFO's to drive parameter values from in
> >> Bidule, though. Guess I'll have to make those things with Max?
> >
> > they're there somewhere,
> > just keep looking.
> > (don't remember where..sorry...but I have used them)
> >
> > I think you'll actually be able to do in Bidule anything you wanted
> > to do in max.
> > (as long as you have a few vst plugs as building blocks)
> >
> > andy
>
>
> There is a "LFO" among the Groups. But there is no way to set a
> division between this LFO's speed and Bidules internal sync clock.
> That's bad. It's a little disappointing with Bidule that they have
> designed this internal tempo clock but no object for mathematical
> division of it. As a comparison you can look at the OSX host
> application Numerology where every parameter of any loaded AU plug-in
> is directly accessible as a target for the internal control data (Num
> still lacking random generator though).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 11:36:18 2006
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At 23:49 04/11/2006, you wrote:
>>I think you'll actually be able to do in Bidule anything you wanted
>>to do in max.
>>(as long as you have a few vst plugs as building blocks)
>>
>>andy
>
>
>There is a "LFO" among the Groups. But there is no way to set a
>division between this LFO's speed and Bidules internal sync clock.

seems someone made a Bidule Group for this

http://www.plogue.com/phpBB2/viewtopic.php?t=2003

I haven't tried it tho'



andy

>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule (was: MAX/msp question)
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On 5 nov 2006, at 03.39, Art Simon wrote:

> I've got to say that the recent discussion on Bidule's audio switcher
> really intrigued me. Since Bidule has independent sync generators
> (with independent tempos) and since with the audio switcher the chains
> that aren't in use apparently don't bog the cpu down, it's seems to me
> like you could have one Bidule patch for an entire live show. Very,
> very cool.


Yes, you're right on the point here! I'm almost finished duplicating  
my most beloved tc electronic fireworx patches in Bidule by chaining  
up VST plug-ins. Not bad at all...   I have so far made six multi  
effect patches and it seems as the muted chains do not put any  
restrain at all on the CPU ;-)

Non sync processes are easy, as are straight synced processes too,  
but I have a problem in recreating synced patches that apply some  
division of the global tempo. A typical example is a ping-pong delay  
that bumps on eight notes with the expression pedal fully up and in  
slow triads when the pedal is down. When sweeping the pedal between  
these two "synced" postiion the delay length is changed continuously  
(or rather in 128 steps which is the resolution of MIDI). Another  
typical effect patch I can't do in Bidule is a long reverb run  
through a filter with the filter cutoff value jumping up and down in  
a synced 32 step sequencer hi hat pattern.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Usine, Bidule (was: MAX/msp question)
Date: Sun, 5 Nov 2006 13:01:42 +0100
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On 5 nov 2006, at 03.39, Art Simon wrote:

> Maybe this is one thing Usine can do that
> Bidule can't. Usine has low level math modules that should make a
> division between the LFO speed and Usine's internal clock
> straightforward.


I checked out Usine on the web. No OS specification given but when I  
downloaded the install packages it came down with loads of ".dll"  
files. I guess that means it's only available for Windows? If so,  
this restriction to me means a strong argument for Max/MSP.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Usine, Bidule (was: MAX/msp question)
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Yeah, Usine is windows only--sorry I should have mentioned that.

On 11/5/06, Per Boysen <perboysen@gmail.com> wrote:
> I checked out Usine on the web. No OS specification given but when I
> downloaded the install packages it came down with loads of ".dll"
> files. I guess that means it's only available for Windows? If so,
> this restriction to me means a strong argument for Max/MSP.
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom



-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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<img alt="" src="cid:E42F2498E7C563AE55@refletfleurs.com" height="353"
 width="676"><br>
His name would go on grace the headstock of arguably the most popular
guitar in rock and roll history.<br>
At that point, the competition can either match you or get out.<br>
One day out of curiosity, this young man stuck a phonograph needle into
the top of his acoustic guitar, and in this simple way, created the
first amplified acoustic guitar. The simple answer would be the vast
quantity of trees in this territory.<br>
Yes you read that right, seven! I usually revel in the popcorn-buttered
ambiance of theaters.<br>
With this directive in mind, they put together all of the best people,
recourses and equipment to accomplish this task.<br>
We don't know yet whether there's brain damage.<br>
You may be wondering why I would bring you here for a guitar review.<br>
As you move to the East you find rolling wheat fields and desert
terrain.<br>
His name would go on grace the headstock of arguably the most popular
guitar in rock and roll history. One day out of curiosity, this young
man stuck a phonograph needle into the top of his acoustic guitar, and
in this simple way, created the first amplified acoustic guitar. This
allows you to create recordings that will sound great on a variety of
media playback devices. As you move to the East you find rolling wheat
fields and desert terrain.<br>
With this directive in mind, they put together all of the best people,
recourses and equipment to accomplish this task. We don't know yet
whether there's brain damage.<br>
Frankly, he had all the signs of someone who was going to die. I could
barely believe it, I won. As I was sitting in camp one night, my eyes
were drawn to one of the large cedar trees and I realized that a tree
like this very one was used to build this guitar.<br>
How men frame their own existence has as much to do with their emotional
survival as good nutrition does with their physical well-being.<br>
Then tonight I refresh the page ONE LAST TIME before I headed out to
dinner to meet my brother for his birthday, and nothing. In essence, the
studio monitor is your last line of defense between a great sounding
performance, and a substandard recording.<br>
And yet, I found that the very thought of watching television left me .
Or mined Sunday newspapers articles like a giddy prospector the way that
I used to. Outside the office, I've recently retreated into a sensory
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of entertainment.<br>
It's also possible that he may not wake up.<br>
Quality studio monitors are designed to give you the most accurate
reproduction of your sound.<br>
You may be wondering why I would bring you here for a guitar review.<br>
If Hallowell is right, then his theory belies the worthiness of high
tech's effort to serve us more information better, faster, in more media
and to more places.<br>
Quality studio monitors are designed to give you the most accurate
reproduction of your sound. The area I want to mention in this review is
the west coast peninsula.<br>
<br>
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From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 23:11:14 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Bidule crashes - hunting The Bug
Date: Mon, 6 Nov 2006 00:11:09 +0100
To: zonemobius@yahoogroups.com,
	Loopers <Loopers-Delight@loopers-delight.com>
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Hi,

I'm having nasty crashes all the time with my latest Bidule, a seven  
alternative patches rig also hosting Mobius VST. Luckily the backup  
version before that one was rock solid, so I only have to go back and  
keep re-building from there. Anyway, please post if you have  
experienced anything that can help to nail what is causing this.  
Here's my data:

- Latest Bidule version under Windows XP
- CPU meter in Bidule never higher than 60 percent.
- Seven parallel effect chains; all but the active muted (see picture  
for actual plug-ins used).
- Playing though one active patch into Mobius 1.29 looper (other  
patches are then auto-muted).
- Crashes happen in all patches, not only the latest added, when MIDI  
cc 27 is sent into the laptop.

Picture at http://www.looproom.com/bidule7patch_pboy.JPG. If you see  
something fishy in my Bidule wirings I'd like to hear about it. My  
backup copy with the five first chains never crashes even though I go  
wild with that cc 27 pedal. Maybe the problem was introduced with the  
VST plug-in Psycho-PHaser? It's by Braindoc that also developed the  
Stereo Delay and the Pitch Shifter which are running flawlessly in my  
five-patch-chain version of this rig. I deleted the seventh patch  
chain including Psycho-Phaser, but still had the crashes. Strange.  
Any ideas?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From root@srv10.haisoft.net  Mon Nov  6 07:08:44 2006
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Date: 6 Nov 2006 00:12:49 +0100
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To: looparc@loopers-delight.com
Subject: Verified by Visa
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From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 16:11:46 2006
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Date: Mon, 6 Nov 2006 16:30:32 +0100
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Mixer with MIDI scene recall
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At 6:23 AM -0700 11/3/06, Doug Wellington wrote:
>Previously:
>>I still love my Repeater, but now that the LP-1 has its Aux Outs
>>up-&-running, I've been using an external pitch-shift unit to obtain
>>similar -- yet no less interesting -- results.
>
>Yes, I've been using a GTR 4000 with mine, so I'm pretty spoiled.

Yeah, the LP-1 is so versatile (I'm plugging it in and out from so 
many of my different little "mini-setups") that I just put it in its 
own 3-space rack with dedicated mixer and effect unit.  I opted for 
strapping an Akira to the LP-1, because that was one of the most 
versatile "off-the-wall" units I had around.

Darn it all, I'm still a couple weeks away from getting back home, 
and you guys are really making me miss the little bugger....  ;)

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

From nzj@kohnkehanneken.com  Mon Nov  6 17:01:10 2006
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Date: Mon, 6 Nov 2006 19:01:09 +0200
From: Beatrice Santana <nzj@kohnkehanneken.com>
To: looparc@loopers-delight.com
Subject: infidel
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<img alt="" src="cid:65AEDD37956CAA@xenios.org"><br>
It's always nice to hear from an enthused reader!<br>
He has since changed his residence without leaving me his new address. I
think it'd take some while to answer all the questions in a clear and
coherent fashion. html" as the filename suffix and choose "Don't Append"
when TextEdit helpfully asks if you want to add the . Everything will
work, and you'll have no further hiccups. com - Hurley Deals at PacSun.
A problem with becoming comfortable and adept with something is one
tends to forget there is always more to learn.<br>
I think it'd take some while to answer all the questions in a clear and
coherent fashion.<br>
I come away with the understanding it has to do with quality. When
people asked me why, my answer has been that I like to be in
control.<br>
Now, however, I have a better understanding of why those who
successfully switch from web page building software to manual coding are
such enthusiasts.<br>
Then create an alias and drop it onto your desktop.<br>
Any idea how to fix this? However, it will not let me save the file with
an . In addition to what the title implies, it covers design techniques,
traffic building, CGI, JavaScript, and RSS. And I tried it anyway using
both .<br>
com - ANEW Skincare Super Sale!<br>
He has since changed his residence without leaving me his new address.
You'll learn something.<br>
Just like a PDF bound to Preview, or a JPEG associated with
GraphicConverter. I've changed thepath to the script and now it
complains that the script is not there butstill forceably exits after
failing to execute the original script.<br>
This brings up two columns.<br>
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--6329EA01B617AEEEB20C695--

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 17:01:26 2006
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User-Agent: Microsoft-Entourage/11.2.5.060620
Date: Mon, 06 Nov 2006 12:00:38 -0500
Subject: Gig Spam:  Todd Reynolds loopin' his little heart out in
 Sacramento
From: Todd Reynolds <toddreyn@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Message-ID: <C174D466.1B0CD%toddreyn@gmail.com>
Thread-Topic: Gig Spam:  Todd Reynolds loopin' his little heart out in
 Sacramento
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3245659282_5350081
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	charset="ISO-8859-1"
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Hey all.  My apologies for always forgetting to post to the list til the
last minute.

I=B9ll be presenting a little concert at Sacramento State on Tuesday night,
(tomorrow).  It=B9s the =B3classical avant-garde music infused with everything
but the kitchen sink=B2 looping thang.  Mostly my own music, a few covers.
Don=B9t know who=B9s close, who ain=B9t, but would love to see anyone from the
list most certainly.

I=B9ll be doing all Ableton Live and SooperLooper, with Jitter-driven live
video animation by Luke DuBois, and two pieces with film by Bill Morrison.

Anyone who is further interested, please contact me for more specific
directions if need be, or for links to concert content.  For now, visit the
link below to see more about the Festival of New American Music, of which
I=B9ll be a part.  Today is education day where I get to teach college kids
about what we all do, though more and more =8Ckids=B9 that I encounter already
are doing it, thankfully.

http://www.csus.edu/music/fenam/index.htm    =3D   Festival of New American
Music

I send you all my very best,

Todd Reynolds
http://toddreynolds.com





--B_3245659282_5350081
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Gig Spam: &nbsp;Todd Reynolds loopin' his little heart out in Sacram=
ento</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Hey all. &nbsp;My apologies for always forgetting to post to the l=
ist til the last minute.<BR>
<BR>
I&#8217;ll be presenting a little concert at Sacramento State on Tuesday ni=
ght, (tomorrow). &nbsp;It&#8217;s the &#8220;classical avant-garde music inf=
used with everything but the kitchen sink&#8221; looping thang. &nbsp;Mostly=
 my own music, a few covers. &nbsp;Don&#8217;t know who&#8217;s close, who a=
in&#8217;t, but would love to see anyone from the list most certainly. <BR>
<BR>
I&#8217;ll be doing all Ableton Live and SooperLooper, with Jitter-driven l=
ive video animation by Luke DuBois, and two pieces with film by Bill Morriso=
n.<BR>
<BR>
Anyone who is further interested, please contact me for more specific direc=
tions if need be, or for links to concert content. &nbsp;For now, visit the =
link below to see more about the Festival of New American Music, of which I&=
#8217;ll be a part. &nbsp;Today is education day where I get to teach colleg=
e kids about what we all do, though more and more &#8216;kids&#8217; that I =
encounter already are doing it, thankfully. &nbsp;&nbsp;<BR>
<BR>
<a href=3D"http://www.csus.edu/music/fenam/index.htm">http://www.csus.edu/mus=
ic/fenam/index.htm</a> &nbsp;&nbsp;&nbsp;=3D &nbsp;&nbsp;Festival of New Ameri=
can Music<BR>
<BR>
I send you all my very best,<BR>
<BR>
Todd Reynolds<BR>
<a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><BR>
<BR>
<BR>
<BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3245659282_5350081--


From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 02:08:56 2006
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Message-ID: <20061107020855.45856.qmail@web53308.mail.yahoo.com>
Date: Mon, 6 Nov 2006 21:08:55 -0500 (EST)
From: Richard Dyson <dyson_rich@yahoo.ca>
Subject: FS: korg AM8000R, rc-20xl, rc-20
To: Loopers-Delight@loopers-delight.com
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apologies for taking up the bandwidth

for sale: korg AM8000R, rc-20xl, rc-20

http://search.ebay.com.au/_W0QQsassZnefarious_intentQQhtZ-1

thanks
Richard

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 04:57:58 2006
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Date: Mon, 6 Nov 2006 23:57:36 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Attention Software loopers....
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Take a look at this incredible piece of hardware...

http://www.piengineering.com/custom/xkmatrix.php

It is only $59 and will accept up to 128 switch inputs.


Using the same proven hardware as the X-keys Programmable Keyboards, 
the X-keys Matrix Boards connect to the computer through a standard 
PS/2 or USB port. Your custom switches or keys connect to the board 
via a standard two row header with 0.1'' pin spacing. Programming is 
done with a standard keyboard and memorized commands are fed to your 
computer as if they were coming from a standard keyboard. Any 
sequence or combination of keystrokes may be assigned to any of the 
96 (PS/2) or 128 (USB) possible switches in the matrix. Any switch, 
even toggle and rotary switches, can be connected to the matrix.

Programming and reprogramming the switches is simple and fast. The 
X-keys stores scan codes in its internal memory -- it can be 
programmed on one computer and moved to another with its programming 
intact.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 14:33:53 2006
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Date: Tue, 07 Nov 2006 15:38:13 +0200
Subject: OT: audio to midi converter
From: jayrope <jrploopers@kliklak.net>
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hello all,

i am trying to find an audio to midi hardware convertor for a guitar, which
is tuned down almost into the bass range (starting at F1 - highest notes
around F5)
for this project
http://txp.kliklak.net/artist/scenic-panner
which has music controlling a panning image display.

we currently use midingsolo, linux based software audio 2 midi
ttp://home.gna.org/midingsolo/
but there's loads of issues in correct pitch recognition, not to speak of
something like a polyphone version of this.

can anyone recommend stanalone units or other softwares, preferrably for the
linux or window platform.

muchas gracias!
jayrope
--
kliklak.net

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 15:39:41 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: audio to midi converter
Date: Tue, 7 Nov 2006 07:39:36 -0800
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Well,

A very loooooong time ago I had a Roland CP-40 that worked pretty 
doggone well (as I recall).

They were rare enough to begin with though. I can only imagine how hard 
it would be to find one theses days.

I'm sure there are other devices as well. I just can't think of them.

Best regards,

Ted Killian

On Nov 7, 2006, at 5:38 AM, jayrope wrote:

> hello all,
>
> i am trying to find an audio to midi hardware convertor for a guitar, 
> which
> is tuned down almost into the bass range (starting at F1 - highest 
> notes
> around F5) for this project http://txp.kliklak.net/artist/scenic-panner
> which has music controlling a panning image display.
>
> we currently use midingsolo, linux based software audio 2 midi
> ttp://home.gna.org/midingsolo/ but there's loads of issues in correct
> pitch recognition, not to speak ofsomething like a polyphone version 
> of this.
>
> can anyone recommend stanalone units or other softwares, preferrably 
> for the
> linux or window platform.
>
> muchas gracias!
> jayrope
> --
> kliklak.net
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 17:09:29 2006
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you're probably so much more than on top of this already, but FWIW using a compressor/limiter/gate before the device, and tweaking around with it until it's maximized, made a huge difference on how well a now long gone fairlight voicetracker worked with guitar, voice, etc to midi. That was only mono,but pretty sure this would help any pitch to midi conversion process. 
   
  glenn
jayrope <jrploopers@kliklak.net> wrote:
  hello all,

i am trying to find an audio to midi hardware convertor for a guitar, which
is tuned down almost into the bass range (starting at F1 - highest notes
around F5)
for this project
http://txp.kliklak.net/artist/scenic-panner
which has music controlling a panning image display.

we currently use midingsolo, linux based software audio 2 midi
ttp://home.gna.org/midingsolo/
but there's loads of issues in correct pitch recognition, not to speak of
something like a polyphone version of this.

can anyone recommend stanalone units or other softwares, preferrably for the
linux or window platform.

muchas gracias!
jayrope
--
kliklak.net



--0-54655695-1162919367=:23169
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<div>you're probably so much more than on top of this already, but FWIW using a compressor/limiter/gate before the device, and tweaking around with it until it's maximized, made a huge difference on how well a now long gone fairlight voicetracker worked with guitar, voice, etc to midi. That was only mono,but&nbsp;pretty sure this would help any pitch to midi conversion process. </div>  <div>&nbsp;</div>  <div>glenn<BR><B><I>jayrope &lt;jrploopers@kliklak.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">hello all,<BR><BR>i am trying to find an audio to midi hardware convertor for a guitar, which<BR>is tuned down almost into the bass range (starting at F1 - highest notes<BR>around F5)<BR>for this project<BR>http://txp.kliklak.net/artist/scenic-panner<BR>which has music controlling a panning image display.<BR><BR>we currently use midingsolo, linux based software audio 2
 midi<BR>ttp://home.gna.org/midingsolo/<BR>but there's loads of issues in correct pitch recognition, not to speak of<BR>something like a polyphone version of this.<BR><BR>can anyone recommend stanalone units or other softwares, preferrably for the<BR>linux or window platform.<BR><BR>muchas gracias!<BR>jayrope<BR>--<BR>kliklak.net<BR><BR></BLOCKQUOTE><BR>
--0-54655695-1162919367=:23169--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 17:16:58 2006
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Subject: RE: Attention Software loopers....
Date: Tue, 7 Nov 2006 11:17:07 -0600
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From: Charles Zwicky [mailto:cazwicky@earthlink.net]=20
> Take a look at this incredible piece of hardware...

Yes I've seen this, it looks really cool.  One of my side projects is
trying to build the cheapest possible USB foot controller with easily
available parts.  The problem I have is that all the circuit boards I
can find are at least $50, and by the time you add a case and some
switches you're in the $100 range which is close to the cost of an
FCB1010 only not nearly as rugged and without MIDI and continuous
controller pedals.

That may still be attractive to some, but I was hoping to go even
lower.  A lot of music software is able to associate commands with
arbitrary keys, you don't always need a programmable footswitch.
Ideally we should be able to get a $15 USB keyboard, rip the guts out
and solder switches to the "board".

The problem here is that keyboards don't use easily hackable circuit
boards any more, they use membrane switches and a controller chip=20
mounted on the same membrane with very small leads.  It is possible
to hack but you would have to have good soldering skills.

Anyway, if anyone is interested in discussing this feel free to contact
me off list.  If we could design an under $50 USB footswitch, there
are a lot of bedroom...er, make that "home studio"...musicians that
don't really need an FCB1010 that might be interested in it.

Then again, maybe a $100 device using the PI board but 1/4 the size
of the FCB would be interesting too.

Jeff

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 21:30:07 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Tue, 7 Nov 2006 14:30:03 -0700
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I just got my Boss RC-2 looper, as they are shipping them now...not a =
bad little device for a backup or basic busking gigs.  It is similar to =
the Boss RC-2, but more functionality built into the single button to =
match what can be done with the two buttons of the RC-20.  A few pros: =
it has undo!  It's small and a perfect match for the Roland Microcube. =
It has most of the features of the RC-20, including auto record, loop =
saving, one shot playback, etc. You can hook other Boss foot switches to =
it to control the functions.

A con: Two delete a loop, you have to press and hold the button while =
the looped is stopped or while it is playing (not in overdub mode). The =
problem is that if it is stopped, you have to hear the loop play for a =
few seconds before the press and hold deletes the loop.  You can =
apparently clear the loop out of memory with one of these external =
switches, but you still have to press and hold the button..so I'm not =
sure if it plays the loop for a few seconds or not. I have the manual if =
anyone has any other questions.

Kris


*************************************************************************=
*
Krispen Hartung / Improvisational & Jazz Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just got my Boss RC-2 looper, as they =
are=20
shipping them now...not a bad little device for a backup or basic =
busking=20
gigs.&nbsp; It is similar to the Boss RC-2, but more functionality built =
into=20
the single button to match what can be done with the two buttons of the=20
RC-20.&nbsp; A few pros: it has undo!&nbsp; It's small and a perfect =
match for=20
the Roland Microcube.&nbsp;It has most of the features of the RC-20, =
including=20
auto record, loop saving, one shot playback, etc. You can hook other =
Boss foot=20
switches to it to control the functions.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A con: Two delete a loop, you have to =
press and=20
hold the button while the looped is stopped or while it is playing (not =
in=20
overdub mode). The problem is that if it is stopped, you have to hear =
the loop=20
play for a few seconds before the press and hold deletes the loop.&nbsp; =
You can=20
apparently clear the loop out of memory with one of these external =
switches, but=20
you still have to press and hold the button..so I'm not sure if it plays =
the=20
loop for a few seconds or not. I have the manual if anyone has any other =

questions.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational &amp; Jazz Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Tue, 7 Nov 2006 13:40:49 -0800
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We have these in stock at the store I teach at, Instrumental Music in =20=

Ventura, CA....if anyone wants to try them out. A guy I was talking to =20=

just bought one, and brought it back and upgraded the RC-20 because of =20=

the limits of one button.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Nov 7, 2006, at 1:30 PM, Krispen Hartung wrote:

> I just got my Boss RC-2 looper, as they are shipping them now...not a =20=

> bad little device for a backup or basic busking gigs.=A0 It is similar =
=20
> to the Boss RC-2, but more functionality built into the single button =20=

> to match what can be done with the two buttons of the RC-20.=A0 A few =20=

> pros: it has undo!=A0 It's small and a perfect match for the Roland =20=

> Microcube.=A0It has most of the features of the RC-20, including auto =20=

> record, loop saving, one shot playback, etc. You can hook other Boss =20=

> foot switches to it to control the functions.
> =A0
> A con: Two delete a loop, you have to press and hold the button while =20=

> the looped is stopped or while it is playing (not in overdub mode). =20=

> The problem is that if it is stopped, you have to hear the loop play =20=

> for a few seconds before the press and hold deletes the loop.=A0 You =
can =20
> apparently clear the loop out of memory with one of these external =20
> switches, but you still have to press and hold the button..so I'm not =20=

> sure if it plays the loop for a few seconds or not. I have the manual =20=

> if anyone has any other questions.
> =A0
> Kris
> =A0
> =A0
> =
***********************************************************************=20=

> ***
> Krispen Hartung / Improvisational & Jazz Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> Performance Calendar: =20
> http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography: http://cdbaby.com/all/khartung=20=

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 21:42:00 2006
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What are these guys thinking??  What's so hard about deleting the loop =20
without being audible?
Augh!!

~peace~
Plish

Quoting Krispen Hartung <khartung@cableone.net>:

> I just got my Boss RC-2 looper, as they are shipping them now...not  =20
> a bad little device for a backup or basic busking gigs.  It is  =20
> similar to the Boss RC-2, but more functionality built into the  =20
> single button to match what can be done with the two buttons of the  =20
> RC-20.  A few pros: it has undo!  It's small and a perfect match for =20
>  the Roland Microcube. It has most of the features of the RC-20,  =20
> including auto record, loop saving, one shot playback, etc. You can  =20
> hook other Boss foot switches to it to control the functions.
>
> A con: Two delete a loop, you have to press and hold the button  =20
> while the looped is stopped or while it is playing (not in overdub  =20
> mode). The problem is that if it is stopped, you have to hear the  =20
> loop play for a few seconds before the press and hold deletes the  =20
> loop.  You can apparently clear the loop out of memory with one of  =20
> these external switches, but you still have to press and hold the  =20
> button..so I'm not sure if it plays the loop for a few seconds or  =20
> not. I have the manual if anyone has any other questions.
>
> Kris
>
>
> **************************************************************************
> Krispen Hartung / Improvisational & Jazz Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> Performance Calendar:  =20
> http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography: http://cdbaby.com/all/khartung


From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 22:20:41 2006
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From: Daryl Shawn <highhorse@mhorse.com>
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thanks for the review, Krispen. Does it have: sound-on-sound, reverse, 
any pitch-shifting, or simultaneous loops?

Daryl Shawn
www.swanwelder.com
> I just got my Boss RC-2 looper, as they are shipping them now...not a 
> bad little device for a backup or basic busking gigs.  It is similar 
> to the Boss RC-2, but more functionality built into the single button 
> to match what can be done with the two buttons of the RC-20.  A few 
> pros: it has undo!  It's small and a perfect match for the Roland 
> Microcube. It has most of the features of the RC-20, including auto 
> record, loop saving, one shot playback, etc. You can hook other Boss 
> foot switches to it to control the functions.


--------------020907030206080009070204
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<html>
<head>
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</head>
<body bgcolor="#ffffff" text="#000000">
thanks for the review, Krispen. Does it have: sound-on-sound, reverse,
any pitch-shifting, or simultaneous loops?<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid011601c702b3$e3895be0$38b0ec0f@americas.hpqcorp.net"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta content="MSHTML 6.00.2900.2964" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">I just got my Boss RC-2 looper, as
they are shipping them now...not a bad little device for a backup or
basic busking gigs.&nbsp; It is similar to the Boss RC-2, but more
functionality built into the single button to match what can be done
with the two buttons of the RC-20.&nbsp; A few pros: it has undo!&nbsp; It's
small and a perfect match for the Roland Microcube.&nbsp;It has most of the
features of the RC-20, including auto record, loop saving, one shot
playback, etc. You can hook other Boss foot switches to it to control
the functions.</font></div>
</blockquote>
<br>
</body>
</html>

--------------020907030206080009070204--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 23:21:51 2006
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To: Loopers-Delight@loopers-delight.com
References: <011601c702b3$e3895be0$38b0ec0f@americas.hpqcorp.net> <455106B2.2060809@mhorse.com>
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
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Wouldn't that be nice...a dream the size of a stomp box...maybe in the =
next decade of technological miniaturization we'll get this sort of =
functionality in the same size...would be cool to program a stomp-box =
sized looper via the computer, and then take it along with nothing but a =
MIDI controller. I'm waiting for MAX/MSP for Palm Computers. But I =
digress...

It does not have reverse, pitch shifting, or simultaneous loop, but for =
$179 I bought it primarily for really basic looping gigs, like if I have =
to play a traditional jazz solo gig at a party or event and all I feel =
like bringing is my combo amp. Although, it would be cool to have two of =
these things side by side for some asynchronous looping.=20

I just did some more experimentation, and what you can do to delete a =
loop from memory without having to hear the first few seconds of it, is =
to press the button twice while the loop is playing (which stops the =
loop), but continue holding down the button on the second press. That =
will delete the loop permanently. But there is still no way to silently =
delete the loop, with your foot, while the loop is stopped. Another way =
would be to turn the phrase selection knob to another memory space.=20

Kris

  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, November 07, 2006 3:20 PM
  Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine


  thanks for the review, Krispen. Does it have: sound-on-sound, reverse, =
any pitch-shifting, or simultaneous loops?

  Daryl Shawn
  www.swanwelder.com

    I just got my Boss RC-2 looper, as they are shipping them now...not =
a bad little device for a backup or basic busking gigs.  It is similar =
to the Boss RC-2, but more functionality built into the single button to =
match what can be done with the two buttons of the RC-20.  A few pros: =
it has undo!  It's small and a perfect match for the Roland Microcube. =
It has most of the features of the RC-20, including auto record, loop =
saving, one shot playback, etc. You can hook other Boss foot switches to =
it to control the functions.


------=_NextPart_000_0147_01C70288.D2456700
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wouldn't that be nice...a dream the =
size of a stomp=20
box...maybe in the next decade of technological =
miniaturization&nbsp;we'll get=20
this sort of functionality in the same size...would be cool to program a =

stomp-box sized looper via the computer, and then take it along with =
nothing but=20
a MIDI controller. I'm waiting for MAX/MSP for Palm Computers. But I=20
digress...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It does not have reverse, pitch =
shifting, or=20
simultaneous loop, but for $179 I bought it primarily for really basic =
looping=20
gigs, like if I have to play a traditional jazz solo gig at a party or =
event and=20
all I feel like bringing is my combo amp. Although, it would be cool to =
have two=20
of these things side by side for some asynchronous looping. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I just did some more experimentation, =
and what you=20
can do to delete a loop from memory without having to hear the first few =
seconds=20
of it, is to press the button twice while the loop is playing (which =
stops the=20
loop), but continue holding down the button on the second press. That =
will=20
delete the loop permanently. But there is still no way to silently =
delete the=20
loop, with your foot, while the loop is stopped. Another way would be to =
turn=20
the phrase selection knob to another memory space. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, November 07, =
2006 3:20=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Boss RC-2 Shipping =

  Now...Just Recieved Mine</DIV>
  <DIV><BR></DIV>thanks for the review, Krispen. Does it have: =
sound-on-sound,=20
  reverse, any pitch-shifting, or simultaneous loops?<BR><BR>Daryl =
Shawn<BR><A=20
  class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR>
  <BLOCKQUOTE =
cite=3Dmid011601c702b3$e3895be0$38b0ec0f@americas.hpqcorp.net=20
  type=3D"cite">
    <META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>I just got my Boss RC-2 looper, as =
they are=20
    shipping them now...not a bad little device for a backup or basic =
busking=20
    gigs.&nbsp; It is similar to the Boss RC-2, but more functionality =
built=20
    into the single button to match what can be done with the two =
buttons of the=20
    RC-20.&nbsp; A few pros: it has undo!&nbsp; It's small and a perfect =
match=20
    for the Roland Microcube.&nbsp;It has most of the features of the =
RC-20,=20
    including auto record, loop saving, one shot playback, etc. You can =
hook=20
    other Boss foot switches to it to control the=20
  functions.</FONT></DIV></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 23:22:04 2006
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Date: Tue, 7 Nov 2006 18:22:03 -0500
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
Subject: Southern CA venues
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Hello.  I'm new to this list, got involved with it just before the great
Kyberloopfest which I got to be involved in.  My name is Jim Goodin and I"m
a composer/guitarist based in Brooklyn, NY.  I do a range of music from solo
acoustic to a bit more abstract hence the draw to this community.

I've noticed that several on this list are based in CA so I wanted to bounce
an email fishing for performance leads in mainly southern CA but even
further north as I've been pitching that direction lately.  I'm coming to CA
in January for the NAMM show (I'm a GHS Strings and Godin/Seagull endorser)
in Anaheim.  I've got one clinic performance scheduled (date TBA) at the Sam
Ash in Puente Hills but am still seeking a couple of other gig
possibilities.

Places I've pitched have been Fret House, Genghis Cohen, Coffee Gallery
Backstage (played there last year), house concert hosts from San Diego to
Monterey, Acoustic Expressions in SD, Dizzy's in SD.  I'm looking for a
range from coffee bar worse case or if good room like the Backstage in
Altadena to more experimental turf.  I've played in the LA-area now a dozen
times on various NAMM shows but clearly an "unknown commodity".

So any recommended good rooms?  Do most places in your areas want complete
kits or is that overkill?  In Ny it ranges but many just want a disc.

Thanks for all.  If anyone is coming to NY I can certainly be a source.

For more on me visit http://www.jimgoodinmusic.com and on My Space
http://www.myspace.com/JimGoodinMusic.

Cheers and thanks

Jim Goodin
-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodin.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
MySpace (EoW) - http://www.myspace.com/eastofwhere
Acoustic World Guitar podcast series - http://jimgoodinmusic.libsyn.com
The Language of 3, an introspective performance concept in acoustic music -
http://www.languageof3.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com , Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

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<div>Hello.&nbsp; I'm new to this list, got involved with it just before the great Kyberloopfest which I got to be involved in.&nbsp; My name is Jim Goodin and I&quot;m a composer/guitarist based in Brooklyn, NY.&nbsp; I do a range of music from solo acoustic to a bit more abstract hence the draw to this community. 
</div>
<div>&nbsp;</div>
<div>I've noticed that several on this list are based in CA so I wanted to bounce an email fishing for performance leads in mainly southern CA but even further north as I've been pitching that direction lately.&nbsp; I'm coming to CA in January for the NAMM show (I'm a GHS Strings and Godin/Seagull endorser) in Anaheim.&nbsp; I've got one clinic performance scheduled (date TBA) at the Sam Ash in Puente Hills but am still seeking a couple of other gig possibilities.
</div>
<div>&nbsp;</div>
<div>Places I've pitched have been Fret House, Genghis Cohen, Coffee Gallery Backstage (played there last year), house concert hosts from San Diego to Monterey, Acoustic Expressions in SD, Dizzy's in SD.&nbsp; I'm looking for a range from coffee bar worse case or if good room like the Backstage in Altadena to more experimental turf.&nbsp; I've played in the LA-area now a dozen times on various NAMM shows but clearly an &quot;unknown commodity&quot;.
</div>
<div>&nbsp;</div>
<div>So any recommended good rooms?&nbsp; Do most places in your areas want complete kits or is that overkill?&nbsp; In Ny it ranges but many just want a disc.</div>
<div>&nbsp;</div>
<div>Thanks for all.&nbsp; If anyone is coming to NY I can certainly be a source.</div>
<div>&nbsp;</div>
<div>For more on me visit <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a> and on My Space <a href="http://www.myspace.com/JimGoodinMusic">http://www.myspace.com/JimGoodinMusic</a>.</div>
<div>&nbsp;</div>
<div>Cheers and thanks</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.jimgoodin.com/" target="_blank">http://www.jimgoodin.com</a><br>MySpace (solo) - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/jimgoodinmusic" target="_blank">
http://www.myspace.com/jimgoodinmusic </a><br>MySpace (EoW) - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/eastofwhere" target="_blank">http://www.myspace.com/eastofwhere</a><br>Acoustic World Guitar podcast series - 
<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://jimgoodinmusic.libsyn.com/" target="_blank">http://jimgoodinmusic.libsyn.com </a><br>The Language of 3, an introspective performance concept in acoustic music - 
<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.languageof3.com/" target="_blank">http://www.languageof3.com</a> <br>The Jim Goodin label and home for 7 other creative souls - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.woodandwiremusic.com/" target="_blank">
http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.ghsstrings.com/" target="_blank">http://www.ghsstrings.com</a> and Seagull Guitars - 
<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.seagullguitars.com/" target="_blank">http://www.seagullguitars.com </a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.melbay.com/" target="_blank">
http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Adam Werner - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.adamwerner.com/" target="_blank">http://www.adamwerner.com </a>
<br>John Stowell - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.johnstowell.com/" target="_blank">http://www.johnstowell.com</a><br>Matt Richards - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.mattrichardsmusic.net/" target="_blank">
http://www.mattrichardsmusic.net</a><br>Michael Manring - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.manthing.com/" target="_blank">http://www.manthing.com</a><br>Will Ackerman - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.williamackerman.com/" target="_blank">
http://www.williamackerman.com</a><br>New Land Music - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.newlandmusic.com/" target="_blank">http://www.newlandmusic.com</a> </div>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 01:03:33 2006
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Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Tue, 7 Nov 2006 20:03:30 -0500
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I also don't think (from skimming the manual) you can set up any kind of
fade on a loop- there is no way to hook up an exp pedal to just fade the
loop unless you use a mixer.  It seems really geared towards 'play 3 chords
and repeat' jam-along looping rather than live manipulation of the loop. 

Dave Eichenberger 
http://www.hazardfactor.com               

> -----Original Message-----
 
> 
> Wouldn't that be nice...a dream the size of a stomp 
> box...maybe in the next decade of technological 
> miniaturization we'll get this sort of functionality in the 
> same size...would be cool to program a stomp-box sized looper 
> via the computer, and then take it along with nothing but a 
> MIDI controller. I'm waiting for MAX/MSP for Palm Computers. 
> But I digress...
>  
> It does not have reverse, pitch shifting, or simultaneous 
> loop, but for $179 I bought it primarily for really basic 
> looping gigs, like if I have to play a traditional jazz solo 
> gig at a party or event and all I feel like bringing is my 
> combo amp. Although, it would be cool to have two of these 
> things side by side for some asynchronous looping. 
>  
> I just did some more experimentation, and what you can do to 
> delete a loop from memory without having to hear the first 
> few seconds of it, is to press the button twice while the 
> loop is playing (which stops the loop), but continue holding 
> down the button on the second press. That will delete the 
> loop permanently. But there is still no way to silently 
> delete the loop, with your foot, while the loop is stopped. 
> Another way would be to turn the phrase selection knob to 
> another memory space. 
>  
> Kris
>  
> 
> 	----- Original Message ----- 
> 	From: Daryl Shawn <mailto:highhorse@mhorse.com>  
> 	To: Loopers-Delight@loopers-delight.com 
> 	Sent: Tuesday, November 07, 2006 3:20 PM
> 	Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
> 
> 	thanks for the review, Krispen. Does it have: 
> sound-on-sound, reverse, any pitch-shifting, or simultaneous loops?
> 	
> 	Daryl Shawn
> 	www.swanwelder.com
> 	
> 
> 		I just got my Boss RC-2 looper, as they are 
> shipping them now...not a bad little device for a backup or 
> basic busking gigs.  It is similar to the Boss RC-2, but more 
> functionality built into the single button to match what can 
> be done with the two buttons of the RC-20.  A few pros: it 
> has undo!  It's small and a perfect match for the Roland 
> Microcube. It has most of the features of the RC-20, 
> including auto record, loop saving, one shot playback, etc. 
> You can hook other Boss foot switches to it to control the functions.
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 01:25:09 2006
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Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
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I've been thinking more and more that that little guy could have a niche =
in my rig - primarily for use while traveling. I picked up a Travelers =
Guitar and a Zoom PS04 to use while on the road. However, I realized I =
still need a looper of some sort. The configuration of the traveler's =
rig is still TBD but the RC-2 is looking more interesting...

Paul
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, November 07, 2006 4:30 PM
  Subject: Boss RC-2 Shipping Now...Just Recieved Mine


  I just got my Boss RC-2 looper, as they are shipping them now...not a =
bad little device for a backup or basic busking gigs.  It is similar to =
the Boss RC-2, but more functionality built into the single button to =
match what can be done with the two buttons of the RC-20.  A few pros: =
it has undo!  It's small and a perfect match for the Roland Microcube. =
It has most of the features of the RC-20, including auto record, loop =
saving, one shot playback, etc. You can hook other Boss foot switches to =
it to control the functions.

  A con: Two delete a loop, you have to press and hold the button while =
the looped is stopped or while it is playing (not in overdub mode). The =
problem is that if it is stopped, you have to hear the loop play for a =
few seconds before the press and hold deletes the loop.  You can =
apparently clear the loop out of memory with one of these external =
switches, but you still have to press and hold the button..so I'm not =
sure if it plays the loop for a few seconds or not. I have the manual if =
anyone has any other questions.

  Kris


  =
*************************************************************************=
*
  Krispen Hartung / Improvisational & Jazz Guitar
  www.krispenhartung.com / www.myspace.com/krispenhartung
  Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
  CD Baby Discography: http://cdbaby.com/all/khartung 
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I've been thinking more and more that =
that little=20
guy could have a niche in my rig - primarily for use while traveling. I =
picked=20
up a Travelers Guitar and a Zoom PS04 to use while on the road. However, =
I=20
realized I still need a looper of some sort. The configuration of the =
traveler's=20
rig is still TBD but the RC-2 is looking more =
interesting...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, November 07, =
2006 4:30=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Boss RC-2 Shipping =
Now...Just=20
  Recieved Mine</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I just got my Boss RC-2 looper, as =
they are=20
  shipping them now...not a bad little device for a backup or basic =
busking=20
  gigs.&nbsp; It is similar to the Boss RC-2, but more functionality =
built into=20
  the single button to match what can be done with the two buttons of =
the=20
  RC-20.&nbsp; A few pros: it has undo!&nbsp; It's small and a perfect =
match for=20
  the Roland Microcube.&nbsp;It has most of the features of the RC-20, =
including=20
  auto record, loop saving, one shot playback, etc. You can hook other =
Boss foot=20
  switches to it to control the functions.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>A con: Two delete a loop, you have to =
press and=20
  hold the button while the looped is stopped or while it is playing =
(not in=20
  overdub mode). The problem is that if it is stopped, you have to hear =
the loop=20
  play for a few seconds before the press and hold deletes the =
loop.&nbsp; You=20
  can apparently clear the loop out of memory with one of these external =

  switches, but you still have to press and hold the button..so I'm not =
sure if=20
  it plays the loop for a few seconds or not. I have the manual if =
anyone has=20
  any other questions.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  =
size=3D2>****************************************************************=
**********<BR>Krispen=20
  Hartung / Improvisational &amp; Jazz Guitar<BR><A=20
  href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A =

  =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
  Calendar: <A=20
  =
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
  href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
  1.208.724.5603 <BR>Discography - <A=20
  =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
  Baby Discography: <A=20
  =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
  </FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 03:14:32 2006
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----- Original Message ----- 
From: "hazard factor" <artists@hazardfactor.com>

>  It seems really geared towards 'play 3 chords
> and repeat' jam-along looping rather than live manipulation of the loop.

Well, that could be a bit extreme, but I get your point. It ain't no 
Looperlative, that's for certain! But if I had to play an avant-garde or 
experimental looping gig with the RC-2, I could do it. In one minute I can 
loop enough interesting material on that little red baby to do all sorts of 
bizarre stuff.

Kris


From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 04:06:23 2006
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Thursday night in Raleigh NC at Bickett Gallery
http://www.bickettgallery.com/
is a night of AV oddness: 
Details below.

* Matterlink (France)
http://www.vampler.net/matterlink
  http://www.youtube.com/watch?v=NC903dNsYpc

* Elmapi (France)
http://www.myspace.com/elmapi

* Projexorcism (Hickory NC)
http://www.multiultramedia.com/projexorcism.htm

I'll be playing looped and effected Chapman Stick with the group 
Projexorcism.

I expect the show should start about 9pm, and there's probably a cover 
charge of $5 or so. Art on the walls, full bar (selection ok on beer, good 
on wine, solid on liquor), free wireless Internet, audiovideo weirdness.

Arriving in the United States to perform at Washington, D.C.'s Sonic 
Circuits Festival Elmapi and Matterlink will trickle down the coast for 
the remainder of October and November on tour.

Elmapi plays electronica and sings to a mix of found and synthetic sounds. 
She has integrated quite a bit of video elements into her set, that she 
shot and edited. Her 2nd album she will be touring on is being produced by 
Andy Moor of the legendary Holland band The EX...

Matterlink is a sort of "performed cinema", sampling live from hundreds of 
audio video fragments, both shot and found. Usually he performs one 
developing peice, weaving phrases and song in and out of sound and image 
tornados. It's a very live and raw show and he claims to be pretty excited 
about where it's going, and where it might go for other vamplers (video 
samplers). Along with Lex Everheart, Matterlink co-created a website 
dedicated to the cause:

http://www.vampler.net

where there is also a full description of what Matterlink does, as well as 
some video.

Projexorcism uses four 16mm film projectors with fresnel lenses all hung 
on a frame, mechanically mixing video samples by brute force.

best,
Steve B  Subscape Annex    http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 04:46:26 2006
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>> audio to midi hardware convertor for a guitar, which is tuned down almost into the bass range

The default setting for the Axon AX-100 MKII tracks based on the pick transient rather than the frequency, which reduces the delay usually associated with pitch-to-voltage conversion of low notes.  It works with standard 6-string Roland 13-pin pickups and cables and allows the guitar signal to go through the same cable.  I won't even begin to describe the flexibility of this unit - suffice to say it's probably the most sophisticated unit out there - and not terribly expensive.  

I have the older unit and am pleased (although I'm in standard tuning).  The built-in sounds are standard General MIDI and pretty ho-hum, but even with external modules or soft synths, it tracks the same as with the internal sounds.

Here's a link to the Terratec site http://audioen.terratec.net/modules.php?op=modload&name=News&file=article&sid=1

There's quite a bit of information on the Yahoo Groups site in the midiguitar forum (http://groups.yahoo.com/). You'll need to join the group to view the discussion.  A great resource for midi guitarists of all stripes.

Dan Ash
White Plains, NY







From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 05:10:49 2006
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Right, my concern was 'getting out' of the loop so as not to have an abrupt
end to all of the loops. With the DL4, even with no feedback, I can slowly
fade the loop out with an exp pedal. I don't really like for all of the
sound to stop at once to leave a lone guitar playing. 

Dave Eichenberger- 
http://www.hazardfactor.com              

 
> 
 
> Well, that could be a bit extreme, but I get your point. It 
> ain't no Looperlative, that's for certain! But if I had to 
> play an avant-garde or experimental looping gig with the 
> RC-2, I could do it. In one minute I can loop enough 
> interesting material on that little red baby to do all sorts 
> of bizarre stuff.
> 
> Kris
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 05:34:28 2006
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Got it. I guess with this unit you are stuck with bending down and turning 
the output knob down manually.....sounds fun, eh? Perhaps one could build 
some bizarre contraption that attaches one end of a rubber belt to the 
output knob of the RC-2, and the other end to the gear shaft of a volume 
pedal...heck, it might work. :)

kris


----- Original Message ----- 
From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 07, 2006 10:10 PM
Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine


> Right, my concern was 'getting out' of the loop so as not to have an 
> abrupt
> end to all of the loops. With the DL4, even with no feedback, I can slowly
> fade the loop out with an exp pedal. I don't really like for all of the
> sound to stop at once to leave a lone guitar playing.
>
> Dave Eichenberger-
> http://www.hazardfactor.com
>
>
>>
>
>> Well, that could be a bit extreme, but I get your point. It
>> ain't no Looperlative, that's for certain! But if I had to
>> play an avant-garde or experimental looping gig with the
>> RC-2, I could do it. In one minute I can loop enough
>> interesting material on that little red baby to do all sorts
>> of bizarre stuff.
>>
>> Kris
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 06:03:40 2006
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Does the axiom have any kind of built in programable arpeggiater?
Thanks
Bill

-----Original Message-----
From: Dan Ash [mailto:Daniel.Ash@Verizon.net]
Sent: Tuesday, November 07, 2006 8:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: OT: audio to midi converter


>> audio to midi hardware convertor for a guitar, which is tuned down almost
into the bass range

The default setting for the Axon AX-100 MKII tracks based on the pick
transient rather than the frequency, which reduces the delay usually
associated with pitch-to-voltage conversion of low notes.  It works with
standard 6-string Roland 13-pin pickups and cables and allows the guitar
signal to go through the same cable.  I won't even begin to describe the
flexibility of this unit - suffice to say it's probably the most
sophisticated unit out there - and not terribly expensive.

I have the older unit and am pleased (although I'm in standard tuning).  The
built-in sounds are standard General MIDI and pretty ho-hum, but even with
external modules or soft synths, it tracks the same as with the internal
sounds.

Here's a link to the Terratec site
http://audioen.terratec.net/modules.php?op=modload&name=News&file=article&si
d=1

There's quite a bit of information on the Yahoo Groups site in the
midiguitar forum (http://groups.yahoo.com/). You'll need to join the group
to view the discussion.  A great resource for midi guitarists of all
stripes.

Dan Ash
White Plains, NY








From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 09:05:58 2006
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>Got it. I guess with this unit you are stuck with bending down and 
>turning the output knob down manually.....sounds fun, eh? Perhaps 
>one could build some bizarre contraption that attaches one end of a 
>rubber belt to the output knob of the RC-2, and the other end to the 
>gear shaft of a volume pedal...heck, it might work. :)
>
>kris

Electro Harmonics actually did do that, more or less,
A pedal with a long spring attached to a clip that fitted on the pot shaft. 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 09:23:58 2006
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http://www.musictoyz.com/guitar/pedals/tip.php

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk] 
Sent: 08 November, 2006 10:08
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine


>Got it. I guess with this unit you are stuck with bending down and 
>turning the output knob down manually.....sounds fun, eh? Perhaps 
>one could build some bizarre contraption that attaches one end of a 
>rubber belt to the output knob of the RC-2, and the other end to the 
>gear shaft of a volume pedal...heck, it might work. :)
>
>kris

Electro Harmonics actually did do that, more or less,
A pedal with a long spring attached to a clip that fitted on the pot shaft. 


From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 12:17:02 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: Mixer with MIDI scene recall
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mech wrote:

> I really think Nick got hold of a defective unit (is this the same 
> Nick from the Different Skies list?).

Yes, he is.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 16:04:51 2006
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Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
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Hi Krispen,
I'm a fan of your music and am grateful to you for imparting with the rest of us much valuable knowlege from the world of looping.

Tanx for notifying us about your acquisition of the RC2.Although I've been very fond of the idea of acquiring an Echoplex the cost and lack of local aftersales service makes it a diffult choice. I was excited about the Digitech Jam man but was dissapointed with the eventual layout and whatnot despite the massive memory capacity. I wrote to Digitech and asked if they'd consider a Pro version and their reply was kinda coy so maybe who knows ya. :) If the genius behind the great Plex could somewhat revise his designs to incorporate the use of large memories available at much lower costs these days I'm sure I'll be in the qeue with many of you guys. :)

Currently I'm a happy RC50 user at the moment and the machine has been somwhat of a long time looper dream come true for me. I do find the lack of feedback and multiplier function a strange non inclusion and suspec Boss was aiming for the mass "Karaoke" guitarists out there. Hehe.

I am very interested to see if the much luggage friendly looking RC2 can fit my needs for smaller solo gigs which I currently use the DL4 and DD20 for. One question I have is based on the strange procedure you experienced for deleting a loop. Is it possible to assign the external foot switch to delete instead?

Lastly I would be most grateful if I could receive a copy of the manual from you at your convenience. Thanks to you for your kind attention.

Regards

Randolf Arriola (aka the embryo)
Hp 97584919
http://www.soundclick.com/bands/5/theembryo.htm
http://www.myspace.com/the_embryo
  ----- Original Message ----- 
  From: Krispen Hartung 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Wednesday, November 08, 2006 5:30 AM
  Subject: Boss RC-2 Shipping Now...Just Recieved Mine


  I just got my Boss RC-2 looper, as they are shipping them now...not a bad little device for a backup or basic busking gigs.  It is similar to the Boss RC-2, but more functionality built into the single button to match what can be done with the two buttons of the RC-20.  A few pros: it has undo!  It's small and a perfect match for the Roland Microcube. It has most of the features of the RC-20, including auto record, loop saving, one shot playback, etc. You can hook other Boss foot switches to it to control the functions.

  A con: Two delete a loop, you have to press and hold the button while the looped is stopped or while it is playing (not in overdub mode). The problem is that if it is stopped, you have to hear the loop play for a few seconds before the press and hold deletes the loop.  You can apparently clear the loop out of memory with one of these external switches, but you still have to press and hold the button..so I'm not sure if it plays the loop for a few seconds or not. I have the manual if anyone has any other questions.

  Kris


  **************************************************************************
  Krispen Hartung / Improvisational & Jazz Guitar
  www.krispenhartung.com / www.myspace.com/krispenhartung
  Performance Calendar: http://www.musi-cal.com/search?performers=Krispen%20Hartung
  info@krispenhartung.com / 1.208.724.5603 
  Discography - http://www.krispenhartung.com/catalogue.htm
  CD Baby Discography: http://cdbaby.com/all/khartung 

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<DIV><FONT face=Arial size=2>Hi Krispen,</FONT></DIV>
<DIV><FONT face=Arial size=2>I'm a fan of your music and am grateful to you 
for&nbsp;imparting with the rest of us&nbsp;much valuable knowlege from the 
world of looping.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Tanx for notifying us about&nbsp;your acquisition 
of the&nbsp;RC2.</FONT><FONT face=Arial size=2>Although I've been very fond of 
the idea of acquiring an Echoplex the cost and lack of local aftersales service 
makes it a diffult choice. I was excited about the Digitech Jam man but was 
dissapointed with the eventual layout and whatnot despite the massive memory 
capacity. I wrote to Digitech and asked if they'd consider a Pro version and 
their reply was kinda coy so maybe who knows ya. :) If the genius behind the 
great Plex could somewhat revise his designs to incorporate the use of large 
memories available at much lower costs these days I'm sure I'll be in the qeue 
with many of you guys. :)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Currently I'm a happy RC50 user at the moment and 
the machine has been somwhat of a long time looper dream come true for me. I do 
find the lack of feedback and multiplier function a strange non inclusion and 
suspec Boss was aiming for the mass "Karaoke" guitarists out there. 
Hehe.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I am very interested to see if the much luggage 
friendly looking RC2 can fit my needs for smaller solo gigs which I currently 
use the DL4 and DD20 for. One question I have is based on the strange procedure 
you&nbsp;experienced for deleting a loop. Is it possible to assign the external 
foot switch to delete instead?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Lastly I would be most grateful if I could receive 
a copy of the manual from you at your convenience. Thanks to you for your kind 
attention.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Regards</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV>Randolf Arriola (aka the embryo)<BR>Hp 97584919<BR><A 
href="http://www.soundclick.com/bands/5/theembryo.htm">http://www.soundclick.com/bands/5/theembryo.htm</A><BR><A 
href="http://www.myspace.com/the_embryo">http://www.myspace.com/the_embryo</A></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
  <A title=khartung@cableone.net href="mailto:khartung@cableone.net">Krispen 
  Hartung</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, November 08, 2006 5:30 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Boss RC-2 Shipping Now...Just 
  Recieved Mine</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=Arial size=2>I just got my Boss RC-2 looper, as they are 
  shipping them now...not a bad little device for a backup or basic busking 
  gigs.&nbsp; It is similar to the Boss RC-2, but more functionality built into 
  the single button to match what can be done with the two buttons of the 
  RC-20.&nbsp; A few pros: it has undo!&nbsp; It's small and a perfect match for 
  the Roland Microcube.&nbsp;It has most of the features of the RC-20, including 
  auto record, loop saving, one shot playback, etc. You can hook other Boss foot 
  switches to it to control the functions.</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>A con: Two delete a loop, you have to press and 
  hold the button while the looped is stopped or while it is playing (not in 
  overdub mode). The problem is that if it is stopped, you have to hear the loop 
  play for a few seconds before the press and hold deletes the loop.&nbsp; You 
  can apparently clear the loop out of memory with one of these external 
  switches, but you still have to press and hold the button..so I'm not sure if 
  it plays the loop for a few seconds or not. I have the manual if anyone has 
  any other questions.</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Kris</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial 
  size=2>**************************************************************************<BR>Krispen 
  Hartung / Improvisational &amp; Jazz Guitar<BR><A 
  href="http://www.krispenhartung.com">www.krispenhartung.com</A> / <A 
  href="http://www.myspace.com/krispenhartung">www.myspace.com/krispenhartung</A><BR>Performance 
  Calendar: <A 
  href="http://www.musi-cal.com/search?performers=Krispen%20Hartung">http://www.musi-cal.com/search?performers=Krispen%20Hartung</A><BR><A 
  href="mailto:info@krispenhartung.com">info@krispenhartung.com</A> / 
  1.208.724.5603 <BR>Discography - <A 
  href="http://www.krispenhartung.com/catalogue.htm">http://www.krispenhartung.com/catalogue.htm</A><BR>CD 
  Baby Discography: <A 
  href="http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A> 
  </FONT></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_hcDzmoA2dZ89253QabADZw)--

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Just thought I'd throw out a plug for the new Zoom H4.  It works as a 
great 2x2 audio interface for Mobius (it has some built-in effects I 
haven't tried yet, but will work in audio-interface mode), and the other 
features make it ideal for collecting found-sounds or putting together 
rough song ideas on the fly.  The built-in stereo condenser mic has 
really impressed me so far.  I expected it to pretty much suck for the 
price, but I've been getting some excellent acoustic guitar recordings 
with it.

Anyway, for the price, I'm really happy, so I thought I'd pass it along.

--Josh

--------------000007080406060405090605
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Just thought I'd throw out a plug for the <font size="2"><font
 face="Arial">new Zoom H4.&nbsp; It works as a great 2x2 audio interface for
Mobius (it has some built-in effects I haven't tried yet, but will work
in audio-interface mode), and the other features make it ideal for
collecting found-sounds or putting together rough song ideas on the
fly.&nbsp; The built-in stereo condenser mic has really impressed me so
far.&nbsp; I expected it to pretty much suck for the price, but I've been
getting some excellent acoustic guitar recordings with it.<br>
<br>
Anyway, for the price, I'm really happy, so I thought I'd pass it along.<br>
<br>
--Josh<br>
</font></font>
</body>
</html>

--------------000007080406060405090605--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 16:13:25 2006
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Actually, didn't somebody post that exact sort of contraption on here a 
while back?

http://www.musictoyz.com/guitar/pedals/tip.php

--Josh



Krispen Hartung wrote:
> Got it. I guess with this unit you are stuck with bending down and 
> turning the output knob down manually.....sounds fun, eh? Perhaps one 
> could build some bizarre contraption that attaches one end of a rubber 
> belt to the output knob of the RC-2, and the other end to the gear 
> shaft of a volume pedal...heck, it might work. :)
>
> kris
>
>
> ----- Original Message ----- From: "hazard factor" 
> <artists@hazardfactor.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 07, 2006 10:10 PM
> Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
>
>
>> Right, my concern was 'getting out' of the loop so as not to have an 
>> abrupt
>> end to all of the loops. With the DL4, even with no feedback, I can 
>> slowly
>> fade the loop out with an exp pedal. I don't really like for all of the
>> sound to stop at once to leave a lone guitar playing.
>>
>> Dave Eichenberger-
>> http://www.hazardfactor.com
>>
>>
>>>
>>
>>> Well, that could be a bit extreme, but I get your point. It
>>> ain't no Looperlative, that's for certain! But if I had to
>>> play an avant-garde or experimental looping gig with the
>>> RC-2, I could do it. In one minute I can loop enough
>>> interesting material on that little red baby to do all sorts
>>> of bizarre stuff.
>>>
>>> Kris
>>>
>>>
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 16:18:19 2006
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Date: Wed, 8 Nov 2006 8:18:13 -0800
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Zoom H4 for laptop looping
Cc: Joshua Carroll <josh@infinivert.com>
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Hi:

I was toying with the idea of swapping out the Zoom PS-04 ($149) for this guy ($299) but it appears like the humble PS-04 has a few guitarist-oriented/recording/jamming features that the H4 doesn't have (albeit the stereo mikes look cool a la the very expensive other models I've seen from other companies). 

--
Paul Richards

---- Joshua Carroll <josh@infinivert.com> wrote: 
> Just thought I'd throw out a plug for the new Zoom H4.  It works as a 
> great 2x2 audio interface for Mobius (it has some built-in effects I 
> haven't tried yet, but will work in audio-interface mode), and the other 
> features make it ideal for collecting found-sounds or putting together 
> rough song ideas on the fly.  The built-in stereo condenser mic has 
> really impressed me so far.  I expected it to pretty much suck for the 
> price, but I've been getting some excellent acoustic guitar recordings 
> with it.
> 
> Anyway, for the price, I'm really happy, so I thought I'd pass it along.
> 
> --Josh

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 17:28:23 2006
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Date: Wed, 8 Nov 2006 09:28:21 -0800
From: "Art Simon" <simart@gmail.com>
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What sort of latency and buffer setting are you getting with the H4?

On 11/8/06, Joshua Carroll <josh@infinivert.com> wrote:
>
>  Just thought I'd throw out a plug for the new Zoom H4.  It works as a great
> 2x2 audio interface for Mobius (it has some built-in effects I haven't tried
> yet, but will work in audio-interface mode), and the other features make it
> ideal for collecting found-sounds or putting together rough song ideas on
> the fly.  The built-in stereo condenser mic has really impressed me so far.
> I expected it to pretty much suck for the price, but I've been getting some
> excellent acoustic guitar recordings with it.
>
>  Anyway, for the price, I'm really happy, so I thought I'd pass it along.
>
>  --Josh
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 17:39:17 2006
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I may be doing something wrong, but the device is reporting 0 frames of 
latency to Mobius (which tells me the driver isn't communicating that 
data), but with the Suggested Latency Milliseconds set to 5, I can't 
tell any latency at all.  I can't see any configuration available for 
the H4 driver, so I'm not sure where else to look.

--Josh


Art Simon wrote:
> What sort of latency and buffer setting are you getting with the H4?
>
> On 11/8/06, Joshua Carroll <josh@infinivert.com> wrote:
>>
>>  Just thought I'd throw out a plug for the new Zoom H4.  It works as 
>> a great
>> 2x2 audio interface for Mobius (it has some built-in effects I 
>> haven't tried
>> yet, but will work in audio-interface mode), and the other features 
>> make it
>> ideal for collecting found-sounds or putting together rough song 
>> ideas on
>> the fly.  The built-in stereo condenser mic has really impressed me 
>> so far.
>> I expected it to pretty much suck for the price, but I've been 
>> getting some
>> excellent acoustic guitar recordings with it.
>>
>>  Anyway, for the price, I'm really happy, so I thought I'd pass it 
>> along.
>>
>>  --Josh
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 18:11:33 2006
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Subject: 3rd Hand--was RC-2
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http://reviews.harmony-central.com/reviews/Effects/product/Tone%20in%20Progr
ess/Third%20Hand/10/1

Mixed reviews--better stick with the EH.
Gary

-----Original Message-----
From: Joshua Carroll [mailto:josh@infinivert.com] 
Sent: Wednesday, November 08, 2006 8:13 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine

Actually, didn't somebody post that exact sort of contraption on here a 
while back?

http://www.musictoyz.com/guitar/pedals/tip.php

--Josh



Krispen Hartung wrote:
> Got it. I guess with this unit you are stuck with bending down and 
> turning the output knob down manually.....sounds fun, eh? Perhaps one 
> could build some bizarre contraption that attaches one end of a rubber 
> belt to the output knob of the RC-2, and the other end to the gear 
> shaft of a volume pedal...heck, it might work. :)
>
> kris
>
>
> ----- Original Message ----- From: "hazard factor" 
> <artists@hazardfactor.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 07, 2006 10:10 PM
> Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
>
>
>> Right, my concern was 'getting out' of the loop so as not to have an 
>> abrupt
>> end to all of the loops. With the DL4, even with no feedback, I can 
>> slowly
>> fade the loop out with an exp pedal. I don't really like for all of the
>> sound to stop at once to leave a lone guitar playing.
>>
>> Dave Eichenberger-
>> http://www.hazardfactor.com
>>
>>


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Wed, 8 Nov 2006 20:26:43 +0100
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On 8 nov 2006, at 18.28, Art Simon wrote:

> What sort of latency and buffer setting are you getting with the H4?

It has a hardware direct monitoring function. At least for me that  
makes the AD/DA figures moot, because I'm looping and only use wet  
effects from the software inside the laptop.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 19:32:30 2006
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Yeah, that is a little frustrating.  Right now I'm using Mobius in 
standalone, so no effects anyway.  It seems I've been able to turn it 
off at times, but not all the time.  I'll have to play with it some more 
and see what I can come up with.

If it turns out that the hardware monitoring is always on in 
audio-interface mode, I will be sure to request that they change it.  
The firmware can be updated via the SD card or (presumably) the USB 
connection.

--Josh


Per Boysen wrote:
> On 8 nov 2006, at 18.28, Art Simon wrote:
>
>> What sort of latency and buffer setting are you getting with the H4?
>
> It has a hardware direct monitoring function. At least for me that 
> makes the AD/DA figures moot, because I'm looping and only use wet 
> effects from the software inside the laptop.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 20:55:32 2006
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Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Wed, 8 Nov 2006 13:55:27 -0700
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------=_NextPart_000_031F_01C7033D.8BF02CD0
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---- Original Message -----=20
  From: Randolf Arriola=20
  Hi Krispen,
  I'm a fan of your music and am grateful to you for imparting with the =
rest of us much valuable knowlege from the world of looping.

  Thank you!

  One question I have is based on the strange procedure you experienced =
for deleting a loop. Is it possible to assign the external foot switch =
to delete instead?

  Yes, you can assign a boss foot switch to perform the same function =
has holding the RC-2 pedal down to delete a loop from memory, while the =
loop is stopped or during playback. But, without testing this, I can't =
say what the exact behavior will be. I can only assume that if you hold =
the footswitch down while the loop is stopped, it will still play the =
first few secons of the loop. So, we're back to deleting the loop while =
in playback.

  Lastly I would be most grateful if I could receive a copy of the =
manual from you at your convenience. Thanks to you for your kind =
attention.

  You can download it here: =
http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf

  Kris

------=_NextPart_000_031F_01C7033D.8BF02CD0
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>---- Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drandolf@embryosongs.com =
href=3D"mailto:randolf@embryosongs.com">Randolf=20
  Arriola</A> </DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>Hi Krispen,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I'm a fan of your music and am =
grateful to you=20
  for&nbsp;imparting with the rest of us&nbsp;much valuable knowlege =
from the=20
  world of looping.</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><STRONG>Thank you!</STRONG></DIV></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>One question I have is based on the =
strange=20
  procedure you&nbsp;experienced for deleting a loop. Is it possible to =
assign=20
  the external foot switch to delete instead?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Yes, you can assign a boss =
foot switch to=20
  perform the same function has holding the RC-2 pedal down to delete a =
loop=20
  from memory, while the loop is stopped or during playback. But, =
without=20
  testing this, I can't say what the exact behavior will be. I can only =
assume=20
  that if you hold the footswitch down while the loop is stopped, it =
will still=20
  play the first few secons of the loop. So, we're back to deleting the =
loop=20
  while in playback.</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Lastly I would be most grateful if I =
could=20
  receive a copy of the manual from you at your convenience. Thanks to =
you for=20
  your kind attention.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>You can download it here: =
</STRONG><A=20
  =
href=3D"http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf"><STRON=
G>http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf</STRONG></A><=
/FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_031F_01C7033D.8BF02CD0--


From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 21:00:12 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Wed, 8 Nov 2006 22:00:04 +0100
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Sorry about being unclear. I meant that the hardware direct  
monitoring option is excellent! I wonder if the H4 driver offers some  
software mixer to balance the level of direct the monitoring related  
to the output coming from laptop software applications? I have that  
on my other audio interfaces and appreciate it a lot.

per


On 8 nov 2006, at 20.32, Joshua Carroll wrote:

> Yeah, that is a little frustrating.  Right now I'm using Mobius in  
> standalone, so no effects anyway.  It seems I've been able to turn  
> it off at times, but not all the time.  I'll have to play with it  
> some more and see what I can come up with.
>
> If it turns out that the hardware monitoring is always on in audio- 
> interface mode, I will be sure to request that they change it.  The  
> firmware can be updated via the SD card or (presumably) the USB  
> connection.
>
> --Josh
>
>
> Per Boysen wrote:
>> On 8 nov 2006, at 18.28, Art Simon wrote:
>>
>>> What sort of latency and buffer setting are you getting with the H4?
>>
>> It has a hardware direct monitoring function. At least for me that  
>> makes the AD/DA figures moot, because I'm looping and only use wet  
>> effects from the software inside the laptop.



From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 21:07:36 2006
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Date: Wed, 8 Nov 2006 13:07:33 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
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After years of using products from both companies, I'd suggest that Boss
consider this marketing logo:

"Our UI design isn't quite as bad as Yamaha's"


TH

On 11/8/06, Krispen Hartung <khartung@cableone.net> wrote:
>
>  ---- Original Message -----
>
> *From:* Randolf Arriola <randolf@embryosongs.com>
>  Hi Krispen,
> I'm a fan of your music and am grateful to you for imparting with the rest
> of us much valuable knowlege from the world of looping.
>
> *Thank you!*
>
> One question I have is based on the strange procedure you experienced for
> deleting a loop. Is it possible to assign the external foot switch to delete
> instead?
>
> *Yes, you can assign a boss foot switch to perform the same function has
> holding the RC-2 pedal down to delete a loop from memory, while the loop is
> stopped or during playback. But, without testing this, I can't say what the
> exact behavior will be. I can only assume that if you hold the footswitch
> down while the loop is stopped, it will still play the first few secons of
> the loop. So, we're back to deleting the loop while in playback.*
>
> Lastly I would be most grateful if I could receive a copy of the manual
> from you at your convenience. Thanks to you for your kind attention.
>
> *You can download it here: **
> http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf*<http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf>
>
> Kris
>
>
>

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After years of using products from both companies, I'd suggest that Boss consider this marketing logo:<br><br>&quot;Our UI design isn't quite as bad as Yamaha's&quot;<br><br><br>TH<br><br><div><span class="gmail_quote">On 11/8/06, 
<b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff">
<div>---- Original Message ----- </div>
<blockquote dir="ltr" style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;">
<b>From:</b> 
  <a title="randolf@embryosongs.com" href="mailto:randolf@embryosongs.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Randolf 
  Arriola</a> </div>
  <div><font face="Arial" size="2"><span class="q">
  <div><font face="Arial" size="2">Hi Krispen,</font></div>
  <div><font face="Arial" size="2">I'm a fan of your music and am grateful to you 
  for&nbsp;imparting with the rest of us&nbsp;much valuable knowlege from the 
  world of looping.</font></div>
  <div>&nbsp;</div></span>
  </font><div><font face="Arial" size="2"><strong>Thank you!</strong></font></div></div><span class="q">
  <div><font face="Arial" size="2"></font>&nbsp;</div>
  <div><font face="Arial" size="2">One question I have is based on the strange 
  procedure you&nbsp;experienced for deleting a loop. Is it possible to assign 
  the external foot switch to delete instead?</font></div>
  <div><font face="Arial" size="2"></font>&nbsp;</div></span>
  <div><font face="Arial" size="2"><strong>Yes, you can assign a boss foot switch to 
  perform the same function has holding the RC-2 pedal down to delete a loop 
  from memory, while the loop is stopped or during playback. But, without 
  testing this, I can't say what the exact behavior will be. I can only assume 
  that if you hold the footswitch down while the loop is stopped, it will still 
  play the first few secons of the loop. So, we're back to deleting the loop 
  while in playback.</strong></font></div><span class="q">
  <div><font face="Arial" size="2"></font>&nbsp;</div>
  <div><font face="Arial" size="2">Lastly I would be most grateful if I could 
  receive a copy of the manual from you at your convenience. Thanks to you for 
  your kind attention.</font></div>
  <div><font face="Arial" size="2"></font>&nbsp;</div></span>
  <div><font face="Arial" size="2"><strong>You can download it here: </strong><a href="http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"><strong>
http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf</strong></a></font></div>
  <div><font face="Arial" size="2"></font>&nbsp;</div>
  <div><font face="Arial" size="2">Kris</font></div>
  <div><font face="Arial" size="2"></font>&nbsp;</div></blockquote></div>

</blockquote></div><br>

------=_Part_28338_2905118.1163020053772--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 21:18:10 2006
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Date: Wed, 8 Nov 2006 13:18:08 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: 3rd Hand
To: Loopers-Delight@loopers-delight.com
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They should probably research their product name a
little more thoroughly; it's also the name of the capo
Harvey Reid developed eons ago, which is still in
production.

<http://www.thirdhandcapo.com/>

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>



 
____________________________________________________________________________________
Sponsored Link

Try Netflix today! With plans starting at only $5.99 a month what are you waiting for?
http://www.netflix.com/Signup?mqso=80010030

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 22:17:33 2006
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Subject: Re: Zoom H4 for laptop looping
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It does not have that feature, but it seems pretty much right where I 
want it, so I don't have a problem with it.  Actually the ASIO driver 
(which must be downloaded from their site) and the bundled copy of 
CubaseLE are the only software of any kind that come with it.  
Everything else is in the unit itself.

It's not the perfect situation, but I'm certainly happy with it.

--Josh

Per Boysen wrote:
> Sorry about being unclear. I meant that the hardware direct monitoring 
> option is excellent! I wonder if the H4 driver offers some software 
> mixer to balance the level of direct the monitoring related to the 
> output coming from laptop software applications? I have that on my 
> other audio interfaces and appreciate it a lot.
>
> per
>
>
> On 8 nov 2006, at 20.32, Joshua Carroll wrote:
>
>> Yeah, that is a little frustrating.  Right now I'm using Mobius in 
>> standalone, so no effects anyway.  It seems I've been able to turn it 
>> off at times, but not all the time.  I'll have to play with it some 
>> more and see what I can come up with.
>>
>> If it turns out that the hardware monitoring is always on in 
>> audio-interface mode, I will be sure to request that they change it.  
>> The firmware can be updated via the SD card or (presumably) the USB 
>> connection.
>>
>> --Josh
>>
>>
>> Per Boysen wrote:
>>> On 8 nov 2006, at 18.28, Art Simon wrote:
>>>
>>>> What sort of latency and buffer setting are you getting with the H4?
>>>
>>> It has a hardware direct monitoring function. At least for me that 
>>> makes the AD/DA figures moot, because I'm looping and only use wet 
>>> effects from the software inside the laptop.
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 22:20:39 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Wed, 8 Nov 2006 15:20:34 -0700
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I just found a work-around to the the problem of not being able to =
delete a loop from memory while the loop is stopped, without hearing it =
play again for a few seconds. You can use additional Boss footswitches =
(FS-5Us or FS-6s) to stop loop recording, start playback, overdub, =
setting tempos, clearing loops from memory, and phrase switching. And I =
just succesfully deleted a loop from phrase memory by simply turning the =
phrase select knob to a an empty phrase. Hence, this can be done with a =
footswitch too.=20

Kris

    Yes, you can assign a boss foot switch to perform the same function =
has holding the RC-2 pedal down to delete a loop from memory, while the =
loop is stopped or during playback. But, without testing this, I can't =
say what the exact behavior will be. I can only assume that if you hold =
the footswitch down while the loop is stopped, it will still play the =
first few secons of the loop. So, we're back to deleting the loop while =
in playback.


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just found a work-around to the the =
problem of=20
not being able to delete a loop from memory while the loop is stopped, =
without=20
hearing it play again for a few seconds. You can use =
additional&nbsp;Boss=20
footswitches (FS-5Us or FS-6s)&nbsp;to stop loop recording, start =
playback,=20
overdub, setting tempos, clearing loops from memory, and phrase =
switching. And I=20
just succesfully deleted a loop from phrase memory by simply turning the =
phrase=20
select knob to a an empty phrase. Hence, this can be done with a =
footswitch too.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
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BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><FONT face=3DArial size=3D2><STRONG>Yes, you can assign a boss =
foot switch=20
    to perform the same function has holding the RC-2 pedal down to =
delete a=20
    loop from memory, while the loop is stopped or during playback. But, =
without=20
    testing this, I can't say what the exact behavior will be. I can =
only assume=20
    that if you hold the footswitch down while the loop is stopped, it =
will=20
    still play the first few secons of the loop. So, we're back to =
deleting the=20
    loop while in playback.</STRONG></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 00:30:26 2006
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Date: Wed, 8 Nov 2006 16:30:24 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: 3rd Hand
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I used to use one of those all the time!  Cool little
toy. I wonder if it's buried somewhere in my studio...

--- Tim Nelson <psychle62@yahoo.com> wrote:

> They should probably research their product name a
> little more thoroughly; it's also the name of the
> capo
> Harvey Reid developed eons ago, which is still in
> production.
> 
> <http://www.thirdhandcapo.com/>
> 
> -t-
> 
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective:
> <http://www.ct-collective.com/>
> 
> 
> 
>  
>
____________________________________________________________________________________
> Sponsored Link
> 
> Try Netflix today! With plans starting at only $5.99
> a month what are you waiting for?
> http://www.netflix.com/Signup?mqso=80010030
> 
> 




 
____________________________________________________________________________________
Cheap talk?
Check out Yahoo! Messenger's low PC-to-Phone call rates.
http://voice.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 00:59:24 2006
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Subject: 3/1/07: Rock for Peace (North Korea rock festival)
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http://www.voiceofkorea.org/

I'm sore tempted to make up a band and apply...

-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:14:00 2006
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From: "Paul" <paulrichard10@adelphia.net>
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Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Wed, 8 Nov 2006 19:15:49 -0500
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Yeah, how about the Yamaha UD-Stomp? Messing with that thing would screw =
up the side of my brain that wanted to play music - albeit it had a good =
pedigree (Alan Holdsworth designed patches).

Paul
  ----- Original Message -----=20
  From: Travis Hartnett=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 08, 2006 4:07 PM
  Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine


  After years of using products from both companies, I'd suggest that =
Boss consider this marketing logo:

  "Our UI design isn't quite as bad as Yamaha's"


  TH


  On 11/8/06, Krispen Hartung <khartung@cableone.net> wrote:
    ---- Original Message -----=20
      From: Randolf Arriola=20
      Hi Krispen,
      I'm a fan of your music and am grateful to you for imparting with =
the rest of us much valuable knowlege from the world of looping.

      Thank you!

      One question I have is based on the strange procedure you =
experienced for deleting a loop. Is it possible to assign the external =
foot switch to delete instead?

      Yes, you can assign a boss foot switch to perform the same =
function has holding the RC-2 pedal down to delete a loop from memory, =
while the loop is stopped or during playback. But, without testing this, =
I can't say what the exact behavior will be. I can only assume that if =
you hold the footswitch down while the loop is stopped, it will still =
play the first few secons of the loop. So, we're back to deleting the =
loop while in playback.

      Lastly I would be most grateful if I could receive a copy of the =
manual from you at your convenience. Thanks to you for your kind =
attention.

      You can download it here: =
http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf

      Kris



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<DIV><FONT face=3DArial size=3D2>Yeah, how about the Yamaha UD-Stomp? =
Messing with=20
that thing would screw up the side of my brain that wanted to play music =
-=20
albeit it had a good pedigree (Alan Holdsworth designed =
patches).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtravishartnett@gmail.com=20
  href=3D"mailto:travishartnett@gmail.com">Travis Hartnett</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 08, =
2006 4:07=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Boss RC-2 Shipping =

  Now...Just Recieved Mine</DIV>
  <DIV><BR></DIV>After years of using products from both companies, I'd =
suggest=20
  that Boss consider this marketing logo:<BR><BR>"Our UI design isn't =
quite as=20
  bad as Yamaha's"<BR><BR><BR>TH<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 11/8/06, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV>---- Original Message ----- </DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; =
moz-background-clip: -moz-initial; moz-background-origin: -moz-initial; =
moz-background-inline-policy: -moz-initial; font-size-adjust: =
none"><B>From:</B>=20
      <A title=3Drandolf@embryosongs.com=20
      onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
      href=3D"mailto:randolf@embryosongs.com" target=3D_blank>Randolf =
Arriola</A>=20
      </DIV>
      <DIV><FONT face=3DArial size=3D2><SPAN class=3Dq>
      <DIV><FONT face=3DArial size=3D2>Hi Krispen,</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2>I'm a fan of your music and am =
grateful to=20
      you for&nbsp;imparting with the rest of us&nbsp;much valuable =
knowlege=20
      from the world of looping.</FONT></DIV>
      <DIV>&nbsp;</DIV></SPAN></FONT>
      <DIV><FONT face=3DArial size=3D2><STRONG>Thank=20
      you!</STRONG></FONT></DIV></DIV><SPAN class=3Dq>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>One question I have is based on =
the strange=20
      procedure you&nbsp;experienced for deleting a loop. Is it possible =
to=20
      assign the external foot switch to delete instead?</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></SPAN>
      <DIV><FONT face=3DArial size=3D2><STRONG>Yes, you can assign a =
boss foot=20
      switch to perform the same function has holding the RC-2 pedal =
down to=20
      delete a loop from memory, while the loop is stopped or during =
playback.=20
      But, without testing this, I can't say what the exact behavior =
will be. I=20
      can only assume that if you hold the footswitch down while the =
loop is=20
      stopped, it will still play the first few secons of the loop. So, =
we're=20
      back to deleting the loop while in =
playback.</STRONG></FONT></DIV><SPAN=20
      class=3Dq>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Lastly I would be most grateful =
if I could=20
      receive a copy of the manual from you at your convenience. Thanks =
to you=20
      for your kind attention.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></SPAN>
      <DIV><FONT face=3DArial size=3D2><STRONG>You can download it here: =
</STRONG><A=20
      onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
      href=3D"http://lib.roland.co.jp/manual/en/dl_06-12742/RC-2_e2.pdf" =

      =
target=3D_blank><STRONG>http://lib.roland.co.jp/manual/en/dl_06-12742/RC-=
2_e2.pdf</STRONG></A></FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
      <DIV><FONT face=3DArial=20
  =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></DIV></BLOCKQUOTE></DIV><BR></B=
LOCKQUOTE></BODY></HTML>

------=_NextPart_000_0021_01C7036A.4CC60110--

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:17:53 2006
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 >>Does the axiom have any kind of built in programable arpeggiater?

Yes, the Axon AX100 has an interesting arpeggiator capability which is 
controlled with the hold pedal.  I may not be describing it well, but 
you hold down the pedal and it adds each note you play to a repeating 
pattern (until you get to 16 notes).  The notes are added 'as-played' or 
by ascending or descending pitch, or by some random method. The 
arpeggiator voice can be different from the voice you're using, allowing 
you to solo over the pattern.

It allows you to select the number of steps (up to 16 I think - but it 
might be 32) and from a bunch of standard (equal note value) rhythmic 
patterns or from some with supposedly 'descriptive' names. I found most 
of them to be un-descriptive, but I think that may be because I'm not 
using the feature that plays the built-in drum accompaniment.  In the 16 
additional user patterns, each note in the pattern may have any duration 
or may be a rest of any duration. 

The pattern choices: 1/16 st (short - a stacatto note), 1/16 lg (long - 
more like a legato note), 1/8 st, 1/8 lg, 1/4 st, 1/4 lg, 1/2, 1/8 
triplets, Blues, Blues2, Boogi 1, Boogi 2, Disco 1, Rock 1, Rock 2, 
House 1, plus16 user slots.

The arpeggiator may be sync'd to MIDI clock, but in this mode requires 
both the time code for the tempo and the MIDI Start command to get the 
sequence rolling.  You double-tap the hold pedal to stop the arpeggiator.

Sorry if this vague, but the arpeggiator is only one dimension of this 
controller that I haven't had time to fully explore.

There is a way to get a better idea of the arpeggiator options which is 
to download the free firmware/editor package and install only the 
editor.  there were some screen shots available, but they didn't show 
the values available in the drop-down selection boxes.  I should also 
mention that I am thrilled to have the free graphical software editor 
which runs in both Windows and on the 
Mac.http://supporten.terratec.net/modules.php?op=modload&name=Downloads&file=index&req=viewdownload&cid=139

There is also a user forum that the developers actually manage and they 
have been very responsive when I needed assistance.

To offer a marginally on-topic comment, trying to integrate the 
arpeggiator with my Repeater in order to use it in performance has been 
quite a few hours down the time-sink, but I'm sure bigger brains could 
make it happen.

Dan Ash
White Plains, NY

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:43:22 2006
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Tom Ritchford wrote:
> http://www.voiceofkorea.org/
> 
> I'm sore tempted to make up a band and apply...
> 

Does the band get to wear Kim Jong-il Signature Model hairpieces?

Count me in for sure.

Brian

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:50:29 2006
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hmm... I do have a tendency to get involved in too many things.  but.
it'd be fun.  I already have a bunch of North Korean music, in fact --
it's dreadful.

What's a good name for a rock band that's deliberately trying to do
music for North Korea?

We need at least a bassist and a drummer and probably a guitarist -- I
can do vocals and the electronic wind instrument.  Or we could bring
drum/bass machines.  But it isn't really "rock", is it?

It might be "too late" -- I mean, they go up March 1, that's less than
120 days away.  Not much timeframe to work....

    /t

On 11/8/06, Brian Good <bsgood@adelphia.net> wrote:
> Tom Ritchford wrote:
> > http://www.voiceofkorea.org/
> >
> > I'm sore tempted to make up a band and apply...
> >
>
> Does the band get to wear Kim Jong-il Signature Model hairpieces?
>
> Count me in for sure.
>
> Brian
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:55:51 2006
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On Wed, 8 Nov 2006, Tom Ritchford wrote:

> hmm... I do have a tendency to get involved in too many things.  but.
> it'd be fun.  I already have a bunch of North Korean music, in fact --
> it's dreadful.
>
> What's a good name for a rock band that's deliberately trying to do
> music for North Korea?

They said metal was ok. Harmonious Mindfulness of Pustulence?

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 02:06:14 2006
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I think it'll have to be squeaky clean.  North Korean music is like an
extremely polished and dull version of the music of the 50s.  They are
going to look up all the words and if it says Blood or Pus or Poop
they will reject it.

You'd want to call it "Musical Progress" or "Mindful Workers" or something.

I like Mindful Workers....

On 11/8/06, burnett@pobox.com <burnett@pobox.com> wrote:
> On Wed, 8 Nov 2006, Tom Ritchford wrote:
>
> > hmm... I do have a tendency to get involved in too many things.  but.
> > it'd be fun.  I already have a bunch of North Korean music, in fact --
> > it's dreadful.
> >
> > What's a good name for a rock band that's deliberately trying to do
> > music for North Korea?
>
> They said metal was ok. Harmonious Mindfulness of Pustulence?
>
> best,
> Steve B
> Subscape Annex   http://www.subscapeannex.com/
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 02:12:44 2006
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On Wed, 8 Nov 2006, Tom Ritchford wrote:

> I think it'll have to be squeaky clean.  North Korean music is like an
> extremely polished and dull version of the music of the 50s.  They are
> going to look up all the words and if it says Blood or Pus or Poop
> they will reject it.

Pfui. There goes the plan to translate Baudelaire's "Fleurs du Mal" into 
Korean as a metal concept album for the event.

> You'd want to call it "Musical Progress" or "Mindful Workers" or something.
>
> I like Mindful Workers....

Not bad, not bad. Makes me think of Devo for some reason, but that may 
just be me.

best,
Steve B

>
> On 11/8/06, burnett@pobox.com <burnett@pobox.com> wrote:
>> On Wed, 8 Nov 2006, Tom Ritchford wrote:
>> 
>> > hmm... I do have a tendency to get involved in too many things.  but.
>> > it'd be fun.  I already have a bunch of North Korean music, in fact --
>> > it's dreadful.
>> >
>> > What's a good name for a rock band that's deliberately trying to do
>> > music for North Korea?
>> 
>> They said metal was ok. Harmonious Mindfulness of Pustulence?
>> 
>> best,
>> Steve B
>> Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 02:29:03 2006
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Well, it should be bad -- not bad is not good enough.  Well, some name
will show up.

So the idea would be to acquire a rhythm section, write a lot of
simple songs about workers in a capitalist, oppressive world, then lay
down a few tracks in someone's project studio and send it to the
competition.

Or even better, repurpose the rhythm section of some other functioning
band already playing some form of rock music.... "hey, wanna go to
North Korea?"

"working seven days and the eighth day too/I'm always getting nailed
by the corporate screw"

not quite clean enough.

"I work hard every day and take pleasure in my work/But my rich
supervisor is a selfish, fat jerk."

?

"Don't get distracted from the struggle by class!/Without
organization, you are are a disorganized mass.  Revolution!  The time
is now:  /if you follow the teachings of Chairman Mao."


actually -- I have a candidate for this... :-D



On 11/8/06, burnett@pobox.com <burnett@pobox.com> wrote:
> On Wed, 8 Nov 2006, Tom Ritchford wrote:
>
> > I think it'll have to be squeaky clean.  North Korean music is like an
> > extremely polished and dull version of the music of the 50s.  They are
> > going to look up all the words and if it says Blood or Pus or Poop
> > they will reject it.
>
> Pfui. There goes the plan to translate Baudelaire's "Fleurs du Mal" into
> Korean as a metal concept album for the event.
>
> > You'd want to call it "Musical Progress" or "Mindful Workers" or something.
> >
> > I like Mindful Workers....
>
> Not bad, not bad. Makes me think of Devo for some reason, but that may
> just be me.
>
> best,
> Steve B
>
> >
> > On 11/8/06, burnett@pobox.com <burnett@pobox.com> wrote:
> >> On Wed, 8 Nov 2006, Tom Ritchford wrote:
> >>
> >> > hmm... I do have a tendency to get involved in too many things.  but.
> >> > it'd be fun.  I already have a bunch of North Korean music, in fact --
> >> > it's dreadful.
> >> >
> >> > What's a good name for a rock band that's deliberately trying to do
> >> > music for North Korea?
> >>
> >> They said metal was ok. Harmonious Mindfulness of Pustulence?
> >>
> >> best,
> >> Steve B
> >> Subscape Annex   http://www.subscapeannex.com/
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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I actually just received this morning a 3rd Hand I bought off ebay for $54.
I only got to play with it for a couple hours before heading off to work. I
connected it to the Delay Time knob of a Boss DD-5 that I use in an effects
chain, mainly for vocals, but sometimes rhythms too. It's cool for me
because the delay can create adjustable "pitches" that I can now control
with the pedal instead of bending over and using my hand.

The pedal is large, too large, I think. And it has to be side-by-side with
whatever you hook it up to, which can be frustrating when you already have
a crowded pedalboard. The cable connects awfully close to the pedal in
toe-down position, so Saskatchewan players will be doing some foot-shifting
to avoid stepping on it.

The cable itself is a tightly wound medal spring, not rubber. It does need
to be tightened on either end with a hex wrench. But I do not get any
slippage, and I can control the full range of the effect's knob. The belt
inside does seem kinda cheap, twisted up and all.

Overall, it seems like a pretty superfluous purchase for me. Not sure how
much I'll be using it. Wonder if maybe someday I might transfer the
mechanism into a smaller pedal housing. Then I'd like it a lot more!
David



On 11/8/06, Gary Lehmann <hqr@cox.net> wrote:
>
>
> http://reviews.harmony-central.com/reviews/Effects/product/Tone%20in%20Progr
> ess/Third%20Hand/10/1
>
> Mixed reviews--better stick with the EH.
> Gary
>
> -----Original Message-----
> From: Joshua Carroll [mailto:josh@infinivert.com]
> Sent: Wednesday, November 08, 2006 8:13 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine
>
> Actually, didn't somebody post that exact sort of contraption on here a
> while back?
>
> http://www.musictoyz.com/guitar/pedals/tip.php
>
> --Josh
>
>
>
> Krispen Hartung wrote:
> > Got it. I guess with this unit you are stuck with bending down and
> > turning the output knob down manually.....sounds fun, eh? Perhaps one
> > could build some bizarre contraption that attaches one end of a rubber
> > belt to the output knob of the RC-2, and the other end to the gear
> > shaft of a volume pedal...heck, it might work. :)
> >
> > kris
> >
> >
> > ----- Original Message ----- From: "hazard factor"
> > <artists@hazardfactor.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 07, 2006 10:10 PM
> > Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
> >
> >
> >> Right, my concern was 'getting out' of the loop so as not to have an
> >> abrupt
> >> end to all of the loops. With the DL4, even with no feedback, I can
> >> slowly
> >> fade the loop out with an exp pedal. I don't really like for all of the
> >> sound to stop at once to leave a lone guitar playing.
> >>
> >> Dave Eichenberger-
> >> http://www.hazardfactor.com
> >>
> >>
>
>
>

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<div>I actually just received this morning a 3rd Hand I bought off ebay for $54. I only got to play with it for a couple hours before heading off to work. I connected it to the Delay Time knob of a Boss DD-5 that I use in an effects chain, mainly for vocals, but sometimes rhythms too. It's cool for me because the delay can create adjustable &quot;pitches&quot; that I can now control with the pedal instead of bending over and using my hand. 
</div>
<div>&nbsp;</div>
<div>The pedal is large, too large, I think. And it has to be side-by-side with whatever you hook it up to, which can be frustrating when you already have a&nbsp;crowded pedalboard. The cable connects awfully close to the pedal in toe-down position, so Saskatchewan players will be doing some foot-shifting to avoid stepping on it.
</div>
<div>&nbsp;</div>
<div>The cable itself is a tightly wound medal spring, not rubber. It does need to be tightened on either end with a hex wrench. But I do not get any slippage, and I can control the full range of the effect's knob. The belt inside does seem kinda cheap, twisted up and all. 
</div>
<div>&nbsp;</div>
<div>Overall, it seems like a pretty superfluous purchase for me. Not sure how much I'll be using it. Wonder if maybe someday I might transfer the mechanism into a smaller pedal housing. Then I'd like it a lot more!</div>

<div>David</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 11/8/06, <b class="gmail_sendername">Gary Lehmann</b> &lt;<a href="mailto:hqr@cox.net">hqr@cox.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href="http://reviews.harmony-central.com/reviews/Effects/product/Tone%20in%20Progr">http://reviews.harmony-central.com/reviews/Effects/product/Tone%20in%20Progr
</a><br>ess/Third%20Hand/10/1<br><br>Mixed reviews--better stick with the EH.<br>Gary<br><br>-----Original Message-----<br>From: Joshua Carroll [mailto:<a href="mailto:josh@infinivert.com">josh@infinivert.com</a>]<br>Sent: Wednesday, November 08, 2006 8:13 AM
<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine<br><br>Actually, didn't somebody post that exact sort of contraption on here a
<br>while back?<br><br><a href="http://www.musictoyz.com/guitar/pedals/tip.php">http://www.musictoyz.com/guitar/pedals/tip.php</a><br><br>--Josh<br><br><br><br>Krispen Hartung wrote:<br>&gt; Got it. I guess with this unit you are stuck with bending down and
<br>&gt; turning the output knob down manually.....sounds fun, eh? Perhaps one<br>&gt; could build some bizarre contraption that attaches one end of a rubber<br>&gt; belt to the output knob of the RC-2, and the other end to the gear
<br>&gt; shaft of a volume pedal...heck, it might work. :)<br>&gt;<br>&gt; kris<br>&gt;<br>&gt;<br>&gt; ----- Original Message ----- From: &quot;hazard factor&quot;<br>&gt; &lt;<a href="mailto:artists@hazardfactor.com">artists@hazardfactor.com
</a>&gt;<br>&gt; To: &lt;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>&gt; Sent: Tuesday, November 07, 2006 10:10 PM<br>&gt; Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
<br>&gt;<br>&gt;<br>&gt;&gt; Right, my concern was 'getting out' of the loop so as not to have an<br>&gt;&gt; abrupt<br>&gt;&gt; end to all of the loops. With the DL4, even with no feedback, I can<br>&gt;&gt; slowly<br>&gt;&gt; fade the loop out with an exp pedal. I don't really like for all of the
<br>&gt;&gt; sound to stop at once to leave a lone guitar playing.<br>&gt;&gt;<br>&gt;&gt; Dave Eichenberger-<br>&gt;&gt; <a href="http://www.hazardfactor.com">http://www.hazardfactor.com</a><br>&gt;&gt;<br>&gt;&gt;<br><br>
<br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 02:44:57 2006
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Subject: RE: OT: audio to midi converter
Date: Wed, 8 Nov 2006 18:45:00 -0800
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Wow, thanks for the in depth, I think I get it, I enjoy using a midi
arpeggiator to drive my repeater, and this sounds like something with more
options than what I currently use(a roland GR-30). Thanks again.
Bill

-----Original Message-----
From: Dan Ash [mailto:Daniel.Ash@Verizon.net]
Sent: Wednesday, November 08, 2006 5:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: OT: audio to midi converter


 >>Does the axiom have any kind of built in programable arpeggiater?

Yes, the Axon AX100 has an interesting arpeggiator capability which is
controlled with the hold pedal.  I may not be describing it well, but
you hold down the pedal and it adds each note you play to a repeating
pattern (until you get to 16 notes).  The notes are added 'as-played' or
by ascending or descending pitch, or by some random method. The
arpeggiator voice can be different from the voice you're using, allowing
you to solo over the pattern.

It allows you to select the number of steps (up to 16 I think - but it
might be 32) and from a bunch of standard (equal note value) rhythmic
patterns or from some with supposedly 'descriptive' names. I found most
of them to be un-descriptive, but I think that may be because I'm not
using the feature that plays the built-in drum accompaniment.  In the 16
additional user patterns, each note in the pattern may have any duration
or may be a rest of any duration.

The pattern choices: 1/16 st (short - a stacatto note), 1/16 lg (long -
more like a legato note), 1/8 st, 1/8 lg, 1/4 st, 1/4 lg, 1/2, 1/8
triplets, Blues, Blues2, Boogi 1, Boogi 2, Disco 1, Rock 1, Rock 2,
House 1, plus16 user slots.

The arpeggiator may be sync'd to MIDI clock, but in this mode requires
both the time code for the tempo and the MIDI Start command to get the
sequence rolling.  You double-tap the hold pedal to stop the arpeggiator.

Sorry if this vague, but the arpeggiator is only one dimension of this
controller that I haven't had time to fully explore.

There is a way to get a better idea of the arpeggiator options which is
to download the free firmware/editor package and install only the
editor.  there were some screen shots available, but they didn't show
the values available in the drop-down selection boxes.  I should also
mention that I am thrilled to have the free graphical software editor
which runs in both Windows and on the
Mac.http://supporten.terratec.net/modules.php?op=modload&name=Downloads&file
=index&req=viewdownload&cid=139

There is also a user forum that the developers actually manage and they
have been very responsive when I needed assistance.

To offer a marginally on-topic comment, trying to integrate the
arpeggiator with my Repeater in order to use it in performance has been
quite a few hours down the time-sink, but I'm sure bigger brains could
make it happen.

Dan Ash
White Plains, NY


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From: john floridis <jfloridis@aol.com>
Subject: new boomerang/ nyc pedalboards
Date: Wed, 8 Nov 2006 19:49:45 -0700
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two questions-

1/  any news on the newer version of the boomerang?

2/  i remember being turned on to nyc pedalboards from a post on the
list.  does anyone have one and what are your thoughts?

john floridis

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 03:20:11 2006
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 The Boomerang is supposed to be out in the winter...I am guessing for NAMM?
I have an NYC pedalboard (the Big Shot model)...I use it with a Behringer
FCB-1010, and the EDP foot controller...you can see pics of it here:

http://www.hazardfactor.com/dave/pedalboard.gif
http://www.hazardfactor.com/dave/pedalclosed.gif

I like it, although the covering attracts all sorts of lint and pet hair.
The velcro inside is strong, but like all velcro, the problem is that 
The sticky side doesn't stick to the pedals themselves. I am always
repositioning them after I move it. Still, it is much better than a flight
case. I wish he would have offered it with tolex or some other wipeable
covering though. 

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com     
        
> two questions-
> 
> 1/  any news on the newer version of the boomerang?
> 
> 2/  i remember being turned on to nyc pedalboards from a post 
> on the list.  does anyone have one and what are your thoughts?
> 
> john floridis
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 04:33:45 2006
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performances Boston area, 11.16.06, 11.18.06
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Hi folks,

I'm doing two performances next week. Hope you can come out.

Thursday 11.16.06  at PA's Lounge in Somerville, with at least two of 
the four bands on the bill, and Saturday 11.18.06 at the lovely 119 
Gallery in Lowell with my regular Immersions ensemble.

Details for the two shoes follow below. The Thursday show is descrbed 
by Chris Pearson
At 7:08 AM -0800 11/8/06, Chris Pearson wrote:
>
>just a quick note to inform you that Chris Pearson,
>former guitarist and singer for Green Magnet School,
>is playing Thursday, November 16th at PA's Lounge in
>beautiful Union Sq, Somerville.  Also playing will be
>psychedelic experimentalists Full Grown Spiders,
>Energy, and The
>Fixations.  CP is on at 10PM.
>
>Image Manipulator Dr. T will be providing psychedelic
>projections and visuals for your head.
>
>Show starts at 9PM, tickets are $7.00 for 21+, $10 for
>18+
>
>Chris Pearson (10PM)
>http://www.myspace.com/chrispearsonmusic
>
>Full Grown Spiders (11PM)
>http://www.myspace.com/fullgrownspiders
>
>Energy (12PM)
>http://www.myspace.com/energytime
>
>Fixations (9PM)
>http://www.myspace.com/fixations
>
>Dr. T
>http://www.foryourhead.com/
>
>"Chris Pearson, former guitarist and vocalist for
>Green Magnet School, now does solo material combining
>the organic with the synthetic utilizing guitars,
>effects, synthesizers, and a laptop in a unique,
>primitivist,
>post-rock style.  Surprisingly loud for one person."
>
>also, for those of you who are interested, there is
>now a MySpace site for my old band, Green Magnet
>School:
>
>http://www.myspace.com/greenmagnetschool
>

I'm delighted to announce the next Immersions event, which will 
happen on Nov 18  at 119 Gallery in Lowell, MA.. The last event there 
was exciting and enjoyed by all -- do check this one out. Music and 
video  start at 8 PM.

The lineup

Doctor T -- Video Improvisation
Dean (Deknow) Stiglitz  Electro Flute
Ramona Herboldsheimer - Hammered Dulcimer
Bob McCloskey -- Reeds and Percussion

I'm joining  three of my favorite musical coconspirators in our first 
Immersion show of the fall season. The music will be  a blend of 
jazz, exploratory ambience, and abstract improvisation, and we expect 
a  mind-stretching synergy of music and visuals.

Opening will be

Mitchel Ahern, homebrew electroacoustic instruments
Joe Brown,      guitar looping
with
Walter Wright, Video Shredder

119 Gallery (http://www.119gallery.org) is a splendid, bright 
performance space located at 119 Chelmsford Street in Lowell, phone 
978-452-8138 . Suggested donation is $5.00




-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 08:31:18 2006
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Subject: Re: 3/1/07: Rock for Peace (North Korea rock festival)
Date: Thu, 9 Nov 2006 08:31:03 -0000
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Hopefully someone will perform "I'm So Ronery" from "Team America: World 
Police".

----- Original Message ----- 
From: "Brian Good" <bsgood@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, 9 November, 2006 01:43 AM
Subject: Re: 3/1/07: Rock for Peace (North Korea rock festival)


> Tom Ritchford wrote:
>> http://www.voiceofkorea.org/
>>
>> I'm sore tempted to make up a band and apply...
>>
>
> Does the band get to wear Kim Jong-il Signature Model hairpieces?
>
> Count me in for sure.
>
> Brian
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 11:14:52 2006
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Date: Thu, 09 Nov 2006 06:16:17 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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FoxNet News for Thursday, November 9, 2006.
=======================================================================
Welcome to FoxNet, the newsletter for information about my musical
activities such as Galactic Travels, Pulse, The Municipal Band of
Allentown, Pinnacle, and much more!

Please feel free to send me comments and unsubscribe requests.  If
there's somebody who you think would like to receive these notices,
please give them my email address so they can contact me.  If there's
an item that you feel that should be included, be sure to let me know
that, too.  Thanks!

Bill Fox
http://soundscapes.us/bill


QUICK LOOK - MORE SHOWS AND DETAILS BELOW

Today:
 8:00 am       - Afterglow on WMUH
11:00 pm       - Galactic Travels on WDIY

Coming this week:
November 11    - The AM/FM Show
November 11    - Pulse at Beltzner Hall

Coming up:
November 15    - Bill plays Progressive Rock on WDIY
November 18    - Pulse at the Alburtis Rod and Gun Club
December 10    - Municipal Band Holiday Dinner Concert



EVENTS ARE IN CHRONOLOGICAL ORDER.


TODAY:


AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the the month-long
Special Focus on Synergy, a.k.a. Larry Fast.  The Featured CD at
Midnight will be "The Jupiter Menace" on Third Contact Records.  The
Vinyl Starter will come from the LP "In the Gardens of Pharao/Aguirre"
by Popol Vuh on Celestial Harmonies Records and released in 1983.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#nov

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.



COMING THIS WEEK:


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, November 11 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh


PULSE:                                      http://soundscapes.us/pulse
=======================================================================
We thought that we only had one more show to do this year but life is
interesting.  THIS Saturday, November 11, Pulse will play a benefit at
the First Annual Troy Moyer Memorial Dance at Beltzner Hall on the
Kutztown Fairgrounds.  The doors open at 6:30 and Pulse starts promptly
at 7:00 pm.  Your donation of $15 gets you refreshments, music by
Pulse, and benefits the Troy Moyer Cancer Fund.  (Troy passed away last
year.)  You must be at least 21 to enter.  Call for tickets now:
     Ray Moyer 610-682-6455
     Wert's Beverages: 610-682-2411
     Michelle's Corner Salon: 610-682-6638
Tickets will be available at the door.

On November 18, Pulse returns to the Alburtis Rod and Gun Club for the
final public show of 2006.

PULSE plays at the level of a tribute band without specializing on any
one band.  This is no mean feat!  This high caliber Classic Rock band
plays the music of Steely Dan, Santana, Deep Purple, Pink Floyd, Moody
Blues, Jethro Tull, Blues Brothers, Beatles, and other top shelf
groups.  The group includes Greg Van Allen (guitars and vocals), Rod
Gilkeson (vocals), Bob Ashmore (Keyboards), Bill Fox (bass and vocals),
and Billy Fenstermacher (drums and vocals).



IN THE NEAR FUTURE:


PROGRESSIVE ROCK ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
On Wednesday, November 15, I will fill in on the Wednesday Late Night
Alternative program at 11:04 pm.  The alternative that I will bring to
the Lehigh Valley will be Progressive Rock.


MUNICIPAL BAND OF ALLENTOWN:                   http://MunicipalBand.org
=======================================================================
Please plan to join the band in holiday cheer at the annual Holiday
Dinner Concert on December 10 at the Days Inn Conference Center on
Route 309 at Route 22.  Menu details and reservation form are available
on-line at the band website and from band members.



OTHER STUFF:


PINNACLE:                                       http://pinnacleband.com
=======================================================================
Initial reactions to Meld, our new CD, is overwhelmingly great!  We
think you're in for a real treat when you buy the CD!  Order now
because THEY'RE HERE!!!

WLVR, WDIY/WXLV, and WMUH are already playing tracks from Meld as well
as many internet radio stations!!!!!

The CD was mastered at Star City Recording by Carl Cadden James (of
InsideOut recording group Shadow Gallery) under the supervision of
legendary producer Jeff Glixman (Kansas, Yngwie Malmsteen).  The cover
art was done by Martin Kornick who has done covers for Emerson, Lake &
Palmer, Transatlantic, and the mighty Spock's Beard.

While you're web surfing, check out the Pinnacle web site at the NEW
address: http://pinnacleband.com   You can order Meld there right now!
You can also buy the CD (and our first one, too) at CD Baby.
http://cdbaby.com/group/pinnacleband

Our first CD of five original tunes and one extra bonus surprise is
available there and at CD Baby!  You can also see any member of the
band to buy your very own copy of our first release called "A Man's
Reach..."  We had fun putting it together and still love the results.
Check it out at http://cdbaby.com/pinnacle

You can read the CD's first public review at the ProgGnosis web site:
http://www.proGGnosis.com/MUSIC_DBCDInfo.asp?txtCDID=8302
Their database has an artist listing for us, too, at:
http://www.proGGnosis.com/MUSIC_DBArtist.asp?txtArtistID=3541

Check out our listings at:
MySpace - http://myspace.com/pinnaclegroup
UBL - http://ubl.com/pinnacle


MALARKY:                                    http://www.malarkymusic.com
=======================================================================
You can hear Malarky in Celtic action at your private party.  Contact
Patti Edgar for booking by emailing patti@malarkymusic.com or calling
610-821-2746.


XEROID ENTITY:                                 http://xeroid-entity.com
=======================================================================
Xeroid Entity is an electronic music ensemble consisting of Howard
Moscovitz, Greg Waltzer, and Bill Fox.  Our debut CD is called "Moons
of Saturn" and is available at http://electro-music.com.  We've
captured a lot of good music at our show at the Deer Head Inn and have
released  some of it on our second CD, "Live at the Deer Head Inn."


WDIY FM:                                                http://wdiy.org
=======================================================================
You can hear WDIY at 88.1 FM in the Allentown and Bethlehem area, 93.9
FM in Easton and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown,
and on the internet.

If you value the diverse voice of non-commercial public radio, then
please do your part by becoming a member today.  You can become a
member of WDIY at http://wdiy.org using the secure on-line pledge page.
You can also renew your membership, make an extra gift, or rejoin if
you have let your membership lapse.  And it's TAX DEDUCTIBLE!  For
volunteer opportunities, call Alison at 610-694-8100 extension 8.  YOU
keep adventurous radio on the air that is live and local.

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 15:28:47 2006
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Date: Thu, 9 Nov 2006 15:28:45 +0000 (GMT)
From: Chris Turnpenny <guitarmanturnpenny@yahoo.com>
Subject: digitech pds 8000 electronic buzzing problem
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hi, i recently bought a digitech pds 8000. it seemed
to work fine for a while but now and then when i go
into sampling mode and trigger a sample it just lets
out this huge blast of electric noise [as in, the kind
of noise you _don't_ want]

it seems to work fine when it's just in the delay
mode.

has anybody else had a similar problem? moreover, do
you know how i could fix it?

thanks,
chris.


	
	
		
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: 3rd Hand--was RC-2
Date: Thu, 9 Nov 2006 08:09:42 -0800
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I've got one connected to the feedback knob on a DD-20 delay; bit of =20
an ergonomic kludge and quite shockingly free of =93parameters,=94 but =
it =20
actually works as intended to provide me with a basic but ultra-long =20
foot-controlled stereo looping delay for under $300. If only the DD =20
offered feedback in it=92s SOS mode...
dc

On Nov 8, 2006, at 6:40 PM, D rH wrote:

> I actually just received this morning a 3rd Hand I bought off ebay =20
> for $54. I only got to play with it for a couple hours before =20
> heading off to work. I connected it to the Delay Time knob of a =20
> Boss DD-5 that I use in an effects chain, mainly

[snip]=

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 16:23:38 2006
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Subject: 2880 footswitch
Date: Thu, 9 Nov 2006 17:31:38 +0100
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hi there, anybody by chance have the 2880's footswitch for sale
or knows a place where i can buy it (i.e. they have it in stock)?

all the best, tilmann=20

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<DIV><FONT face=3DArial size=3D2>hi there, anybody by chance have the =
2880's=20
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<DIV><FONT face=3DArial size=3D2>or knows a place where i can buy it =
(i.e. they have=20
it in stock)?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>all the best, =
tilmann&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 19:44:56 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: OT: instrument photo gallery
Date: Thu, 9 Nov 2006 11:44:46 -0800
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Hi All

I have put up a photo gallery of my thumb piano creations at Flickr:

http://www.flickr.com/photos/41969054@N00/sets/72157594240725240


There are 204 photos in the gallery at the moment.
For those who don't want to slog thru the pile, these links might be  
of interest -

Here is the direct link to the very first thumb piano I ever made,  
which uses an Altoid tin:

http://www.flickr.com/photos/41969054@N00/257907748

And here are photos of the prototype thumb piano with built-in amp  
and speaker:

http://www.flickr.com/photos/41969054@N00/271797529/

http://www.flickr.com/photos/41969054@N00/267464411

http://www.flickr.com/photos/41969054@N00/267464408/


There are audio samples for some of the pianos linked to my  
SoundClick page but for those who want to avoid SoundClick, I have  
posted a few MP3 files at Savefile:

http://www.savefile.com/projects/1040543

Savefile might act weird depending on your browser so if the page's  
orange download buttons are not visible, refresh the page.

Here are 2 links to download audio files small enough for dial-up modem:

a link to audio for the Altoid kalimba:
http://www.savefile.com/files/235486

And here is a link to a short track for my prototype built-in amp/ 
speaker thumb piano:
http://www.savefile.com/files/235479


regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 19:58:40 2006
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Awesome, beautiful instruments, and ingenious ideas with the tins, nice 
work. One of my favorite sounds. I've been listening to a Richard 
Crandell mbira recording a lot recently.

Daryl Shawn
www.swanwelder.com

> Hi All
>
> I have put up a photo gallery of my thumb piano creations at Flickr:
>
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:28:13 2006
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Date: Thu, 9 Nov 2006 13:28:11 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
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--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
My girlfriend saw me using mine and thought her father
would like one as a Father's Day gift. So she bought
one, lost it somewhere in her apartment, and bought
him another one. When she found the first one, I was
(and am) able to try those multiple third hand things.

I enjoy messing around with it at home, but have never
really found a use for it live; it's a little too
fussy/high-tweak. Of course, I could say the same for
my hurdy-gurdy as well. :)

-t-

> I used to use one of those all the time!  Cool
> little
> toy. I wonder if it's buried somewhere in my
> studio...
> 
> --- Tim Nelson <psychle62@yahoo.com> wrote:
> 
> > They should probably research their product name a
> > little more thoroughly; it's also the name of the
> > capo
> > Harvey Reid developed eons ago, which is still in
> > production.
> > 
> > <http://www.thirdhandcapo.com/>


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>


 
____________________________________________________________________________________
Do you Yahoo!?
Everyone is raving about the all-new Yahoo! Mail beta.
http://new.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:45:20 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Thu, 9 Nov 2006 22:45:14 +0100
To: Loopers-Delight@loopers-delight.com
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Date: Wed, 08 Nov 2006 10:06:16 -0600

> Just thought I'd throw out a plug for the new Zoom H4.  It works as  
> a great 2x2 audio interface for Mobius (it has some built-in  
> effects I haven't tried yet, but will work in audio-interface  
> mode), and the other features make it ideal for collecting found- 
> sounds or putting together rough song ideas on the fly.  The built- 
> in stereo condenser mic has really impressed me so far.  I expected  
> it to pretty much suck for the price, but I've been getting some  
> excellent acoustic guitar recordings with it.
>
> Anyway, for the price, I'm really happy, so I thought I'd pass it  
> along.
>
> --Josh


Someone posted and asked about latency. I just picked one up this  
morning to check out, and may have some information to share.  
Regarding the option to use the H4 as an audio interface the software  
drivers are bad news. So bad actually that I would rather say that  
the H4 is not usable at all "as laptop sound card". I tested it for  
hours and although I used the largest available buffer I could not  
get a clean sound from it. Not on Mac with OS X and not in Windows XP  
with the dedicated software drivers. I'm glad I don't have to review  
it in a magazine because the marketing of it is partly misleading.

But the H4 is great for other purposes - just forget about that audio  
interface dimension - like for example the stereo recording and the  
effects. Good guitar sounds in there  (Some people might want to use  
it as a four track porta studio as well). H4 is also awesome as a  
USB2 based SD card reader. And it rocks as a portable field recorder.  
I like it so much that I decided to buy one as a replacement for my  
old portable DAT recorder.

And I did actually find a place for it in my laptop looping rig - as  
a mic pre amp, merge box and input reverb unit :-)  I feed the H4  
with one acoustic flute mic and one line level EWI synth clarinet.  
Then I put a simple stereo cable from the H4 into the PCMCIA sound  
card Echo Indigo i/o on my lappy. That's a minimal set-up that sounds  
decently ok. Two instantly connected instruments of which one is  
electric and can be used for heavily distorted sounds that would not  
be possible with a microphone.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 01:22:57 2006
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Ha!  Very cool.

Did you download the ASIO driver for it?  I've not had any problems 
getting a great sound as an interface via ASIO...

--Josh



Per Boysen wrote:
> Date: Wed, 08 Nov 2006 10:06:16 -0600
>
>> Just thought I'd throw out a plug for the new Zoom H4.  It works as a 
>> great 2x2 audio interface for Mobius (it has some built-in effects I 
>> haven't tried yet, but will work in audio-interface mode), and the 
>> other features make it ideal for collecting found-sounds or putting 
>> together rough song ideas on the fly.  The built-in stereo condenser 
>> mic has really impressed me so far.  I expected it to pretty much 
>> suck for the price, but I've been getting some excellent acoustic 
>> guitar recordings with it.
>>
>> Anyway, for the price, I'm really happy, so I thought I'd pass it along.
>>
>> --Josh
>
>
> Someone posted and asked about latency. I just picked one up this 
> morning to check out, and may have some information to share. 
> Regarding the option to use the H4 as an audio interface the software 
> drivers are bad news. So bad actually that I would rather say that the 
> H4 is not usable at all "as laptop sound card". I tested it for hours 
> and although I used the largest available buffer I could not get a 
> clean sound from it. Not on Mac with OS X and not in Windows XP with 
> the dedicated software drivers. I'm glad I don't have to review it in 
> a magazine because the marketing of it is partly misleading.
>
> But the H4 is great for other purposes - just forget about that audio 
> interface dimension - like for example the stereo recording and the 
> effects. Good guitar sounds in there  (Some people might want to use 
> it as a four track porta studio as well). H4 is also awesome as a USB2 
> based SD card reader. And it rocks as a portable field recorder. I 
> like it so much that I decided to buy one as a replacement for my old 
> portable DAT recorder.
>
> And I did actually find a place for it in my laptop looping rig - as a 
> mic pre amp, merge box and input reverb unit :-)  I feed the H4 with 
> one acoustic flute mic and one line level EWI synth clarinet. Then I 
> put a simple stereo cable from the H4 into the PCMCIA sound card Echo 
> Indigo i/o on my lappy. That's a minimal set-up that sounds decently 
> ok. Two instantly connected instruments of which one is electric and 
> can be used for heavily distorted sounds that would not be possible 
> with a microphone.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 03:27:32 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject:  Y2K6 MP3s Update #3
Date: Thu, 9 Nov 2006 20:27:28 -0700
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Here are the newest additions to the Y2K6 MP3 page: =
http://www.y2k6loopfest.com/mp3.html

I have several Sunday performance recordings almost ready to send to =
their owners as well for approval.

"Y2K6 International Live Looping Festival: Main Festival" - Saturday, =
October 21

Ghost7

Part I - http://www.box.net/public/static/fja8vsqd8s.mp3
Part II - http://www.box.net/public/static/qi1l74oaf8.mp3
Part III - http://www.box.net/public/static/sitiaabj0n.mp3

Artis the Spoonman

Part I - http://www.box.net/public/static/8ct498120q.mp3
Part II - http://www.box.net/public/static/upcazeyyht.mp3
Part III - http://www.box.net/public/static/kuxqrehuj7.mp3


Wally Schnalle

http://www.box.net/public/static/mo55ye89t0.mp3

Rainer Straschill

Rick is God (!Fractal) - http://www.box.net/public/static/varf7aeq82.mp3
The Streets - http://www.box.net/public/static/4tx2619uy9.mp3
Parallel Realities (f=FCr Caro) - =
http://www.box.net/public/static/x4eq973fvk.mp3

Kris


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<META http-equiv=3DContent-Type content=3D"text/html; =
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</HEAD>
<BODY bgColor=3D#d1d5d8>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Here are the newest additions to the =
Y2K6 MP3 page:=20
<A=20
href=3D"http://www.y2k6loopfest.com/mp3.html">http://www.y2k6loopfest.com=
/mp3.html</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>I have several Sunday performance recordings almost ready to send =
to their=20
owners as well for approval.</DIV>
<DIV><FONT face=3DArial size=3D2><BR><STRONG>"Y2K6 International Live =
Looping=20
Festival: Main Festival" - Saturday, October=20
21</STRONG></FONT></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ghost7</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/fja8vsqd8s.mp3">http://www.box.n=
et/public/static/fja8vsqd8s.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/static/qi1l74oaf8.mp3">http://www.box.n=
et/public/static/qi1l74oaf8.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/sitiaabj0n.mp3">http://www.box.n=
et/public/static/sitiaabj0n.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Artis the =
Spoonman</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/8ct498120q.mp3">http://www.box.n=
et/public/static/8ct498120q.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/static/upcazeyyht.mp3">http://www.box.n=
et/public/static/upcazeyyht.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/kuxqrehuj7.mp3">http://www.box.n=
et/public/static/kuxqrehuj7.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Wally =
Schnalle</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/mo55ye89t0.mp3">http://www.box.n=
et/public/static/mo55ye89t0.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Rainer =
Straschill</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rick is God (!Fractal) - <A=20
href=3D"http://www.box.net/public/static/varf7aeq82.mp3">http://www.box.n=
et/public/static/varf7aeq82.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The Streets - <A=20
href=3D"http://www.box.net/public/static/4tx2619uy9.mp3">http://www.box.n=
et/public/static/4tx2619uy9.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Parallel Realities (f=FCr Caro) - <A=20
href=3D"http://www.box.net/public/static/x4eq973fvk.mp3">http://www.box.n=
et/public/static/x4eq973fvk.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 03:51:01 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Y2K6 MP3s Update #3
Date: Thu, 9 Nov 2006 19:51:04 -0800
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You are a Prince among Plebes. Seriously, Thanks for all your effort in
helping to make this years loopfest so great.
 Bill
  -----Original Message-----
  From: Krispen Hartung [mailto:khartung@cableone.net]
  Sent: Thursday, November 09, 2006 7:27 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Y2K6 MP3s Update #3


  Here are the newest additions to the Y2K6 MP3 page:
http://www.y2k6loopfest.com/mp3.html

  I have several Sunday performance recordings almost ready to send to their
owners as well for approval.

  "Y2K6 International Live Looping Festival: Main Festival" - Saturday,
October 21

  Ghost7

  Part I - http://www.box.net/public/static/fja8vsqd8s.mp3
  Part II - http://www.box.net/public/static/qi1l74oaf8.mp3
  Part III - http://www.box.net/public/static/sitiaabj0n.mp3

  Artis the Spoonman

  Part I - http://www.box.net/public/static/8ct498120q.mp3
  Part II - http://www.box.net/public/static/upcazeyyht.mp3
  Part III - http://www.box.net/public/static/kuxqrehuj7.mp3


  Wally Schnalle

  http://www.box.net/public/static/mo55ye89t0.mp3

  Rainer Straschill

  Rick is God (!Fractal) - http://www.box.net/public/static/varf7aeq82.mp3
  The Streets - http://www.box.net/public/static/4tx2619uy9.mp3
  Parallel Realities (für Caro) -
http://www.box.net/public/static/x4eq973fvk.mp3

  Kris


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</HEAD>
<BODY bgColor=3D#d1d5d8>
<DIV><SPAN class=3D234184203-10112006><FONT face=3DArial color=3D#0000ff =
size=3D2>You=20
are a Prince among Plebes. Seriously,&nbsp;Thanks for all your effort in =
helping=20
to make this years loopfest so great.&nbsp;</FONT></SPAN></DIV>
<DIV><SPAN class=3D234184203-10112006>&nbsp;</SPAN><SPAN=20
class=3D234184203-10112006><FONT face=3DArial color=3D#0000ff=20
size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Krispen Hartung=20
  [mailto:khartung@cableone.net]<BR><B>Sent:</B> Thursday, November 09, =
2006=20
  7:27 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  Y2K6 MP3s Update #3<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>Here are the newest additions to the =
Y2K6 MP3=20
  page: <A=20
  =
href=3D"http://www.y2k6loopfest.com/mp3.html">http://www.y2k6loopfest.com=
/mp3.html</A></FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I have several Sunday performance recordings almost ready to send =
to=20
  their owners as well for approval.</DIV>
  <DIV><FONT face=3DArial size=3D2><BR><STRONG>"Y2K6 International Live =
Looping=20
  Festival: Main Festival" - Saturday, October=20
  21</STRONG></FONT></FONT></DIV></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Ghost7</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Part I - <A=20
  =
href=3D"http://www.box.net/public/static/fja8vsqd8s.mp3">http://www.box.n=
et/public/static/fja8vsqd8s.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part II - <A=20
  =
href=3D"http://www.box.net/public/static/qi1l74oaf8.mp3">http://www.box.n=
et/public/static/qi1l74oaf8.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part III - <A=20
  =
href=3D"http://www.box.net/public/static/sitiaabj0n.mp3">http://www.box.n=
et/public/static/sitiaabj0n.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Artis the =
Spoonman</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Part I - <A=20
  =
href=3D"http://www.box.net/public/static/8ct498120q.mp3">http://www.box.n=
et/public/static/8ct498120q.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part II - <A=20
  =
href=3D"http://www.box.net/public/static/upcazeyyht.mp3">http://www.box.n=
et/public/static/upcazeyyht.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part III - <A=20
  =
href=3D"http://www.box.net/public/static/kuxqrehuj7.mp3">http://www.box.n=
et/public/static/kuxqrehuj7.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Wally =
Schnalle</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.box.net/public/static/mo55ye89t0.mp3">http://www.box.n=
et/public/static/mo55ye89t0.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Rainer =
Straschill</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Rick is God (!Fractal) - <A=20
  =
href=3D"http://www.box.net/public/static/varf7aeq82.mp3">http://www.box.n=
et/public/static/varf7aeq82.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>The Streets - <A=20
  =
href=3D"http://www.box.net/public/static/4tx2619uy9.mp3">http://www.box.n=
et/public/static/4tx2619uy9.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Parallel Realities (f=FCr Caro) - <A=20
  =
href=3D"http://www.box.net/public/static/x4eq973fvk.mp3">http://www.box.n=
et/public/static/x4eq973fvk.mp3</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 05:43:20 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Cc: "matt davignon" <mattdavignon@hotmail.com>
Subject: Any Looping Performances Going on Next Week in Palo Alto, CA?
Date: Thu, 9 Nov 2006 22:43:16 -0700
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I'm going to be in Palo Alto, California all next week on business. Is =
there anything interesting going on that week in terms of looping? =
Anyone playing nearbye? I thought about bringing my notebook and =
mandolin.

Matt, what's happeing at the Luggage Store next Thursday?

Kris


*************************************************************************=
*
Krispen Hartung / Improvisational & Jazz Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm going to be in Palo Alto, =
California all next=20
week on business. Is there anything interesting going on that week in =
terms of=20
looping? Anyone playing nearbye? I thought about bringing my =
notebook&nbsp;and=20
mandolin.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Matt, what's happeing at the Luggage =
Store next=20
Thursday?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational &amp; Jazz Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?
Date: Thu, 9 Nov 2006 21:47:44 -0800
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I'm playing in Bakersfield Thursday night......a short 3 hour drive.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Nov 9, 2006, at 9:43 PM, Krispen Hartung wrote:

> I'm going to be in Palo Alto, California all next week on business. Is =
=20
> there anything interesting going on that week in terms of looping? =20
> Anyone playing nearbye? I thought about bringing my notebook=A0and =20
> mandolin.
> =A0
> Matt, what's happeing at the Luggage Store next Thursday?
> =A0
> Kris
> =A0
> =A0
> =
***********************************************************************=20=

> ***
> Krispen Hartung / Improvisational & Jazz Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> Performance Calendar: =20
> http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography: http://cdbaby.com/all/khartung=20=

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 05:55:04 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?
Date: Thu, 9 Nov 2006 21:55:00 -0800
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Well, maybe 5 hours.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Nov 9, 2006, at 9:47 PM, Jeff Kaiser wrote:

> I'm playing in Bakersfield Thursday night......a short 3 hour =20
> drive.....
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =95 AngryVegan.com
> On Nov 9, 2006, at 9:43 PM, Krispen Hartung wrote:
>
>> I'm going to be in Palo Alto, California all next week on business. =20=

>> Is there anything interesting going on that week in terms of looping? =
=20
>> Anyone playing nearbye? I thought about bringing my notebook=A0and =20=

>> mandolin.
>> =A0
>> Matt, what's happeing at the Luggage Store next Thursday?
>> =A0
>> Kris
>> =A0
>> =A0
>> =
**********************************************************************=20=

>> ****
>> Krispen Hartung / Improvisational & Jazz Guitar
>> www.krispenhartung.com / www.myspace.com/krispenhartung
>> Performance Calendar: =20
>> http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
>> info@krispenhartung.com / 1.208.724.5603
>> Discography - http://www.krispenhartung.com/catalogue.htm
>> CD Baby Discography: http://cdbaby.com/all/khartung

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 06:10:17 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Any Looping Performances Going on Next Week in Palo Alto, CA?
Date: Thu, 9 Nov 2006 22:10:20 -0800
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I am totally there dude. i'll just call my band leader, tell him I'm bailing
on the fat corporate gig that night, get on a greyhound bus, and get on down
to Bakersfield, to catch Jeff Kaiser..
 Git Er Done!!!


BillyBob Walker

-----Original Message-----
From: Jeff Kaiser [mailto:loopersdelight@pfmentum.com]
Sent: Thursday, November 09, 2006 9:55 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto,
CA?


Well, maybe 5 hours.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com
On Nov 9, 2006, at 9:47 PM, Jeff Kaiser wrote:

> I'm playing in Bakersfield Thursday night......a short 3 hour
> drive.....
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com • AngryVegan.com
> On Nov 9, 2006, at 9:43 PM, Krispen Hartung wrote:
>
>> I'm going to be in Palo Alto, California all next week on business.
>> Is there anything interesting going on that week in terms of looping?
>> Anyone playing nearbye? I thought about bringing my notebook and
>> mandolin.
>>  
>> Matt, what's happeing at the Luggage Store next Thursday?
>>  
>> Kris
>>  
>>  
>> **********************************************************************
>> ****
>> Krispen Hartung / Improvisational & Jazz Guitar
>> www.krispenhartung.com / www.myspace.com/krispenhartung
>> Performance Calendar:
>> http://www.musi-cal.com/search?performers=Krispen%20Hartung
>> info@krispenhartung.com / 1.208.724.5603
>> Discography - http://www.krispenhartung.com/catalogue.htm
>> CD Baby Discography: http://cdbaby.com/all/khartung


From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 07:48:05 2006
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Date: Thu, 9 Nov 2006 23:47:56 -0800
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From: Chris Nandor <tunes@pudge.net>
Subject: Howdy / RC-2
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I'm new to this list.  I've been considering getting into looping just for
the fun of it.  I want to start small, plus, be able to drag it around
easily, so I figure the RC-2 is a good start.

I read up on all the info you've mentioned here, which confirmed my choice
(and thanks for the link the manual; I couldn't find it on the other
BOSS/Roland sites I looked for it).  I am glad to see it is shipping (I had
heard it might not be for awhile).  I'm going to order one from my local
music shop in a few days.

Thanks,

-- 
Chris Nandor             tunes@pudge.net       http://pudge.net/tunes/
Slashdot                 pudge@slashdot.org       http://slashdot.org/

From mrs_marian_padil07@hotmail.com  Fri Nov 10 09:23:36 2006
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From: "mrs marian padilla padilla" <mrs_marian_padil07@hotmail.com>
Subject: Dear beloved,
Date: Fri, 10 Nov 2006 04:21:15 -0500
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To: undisclosed-recipients:;

Dear beloved,

I am Marian padilla from Kuwait. Married to Dr.Dan. Padilla
who worked with Kuwait embassy in Nigeria for nine years
before he died in the year 2005. We were married for eleven
years without a child. He died after a brief illness that
lasted for only four days. Before his death we wereboth born
again Christians. Since his death Decided not to re-marry or
get a child outside my matrimonial home,which the Bible is
against.

When my late husband was alive he deposited the sum of$20.5
Million us dollars with a security company. Presently, his
money is still under the safe keeping of the security
company. Recently, my Doctor told me that I would not last
for the next three months due to my cancer problems. Though
what disturbs me most is my stroke. Having known my
condition, I decided to donate this fund to an organization
or better still a God fearing individual that will utilize
this money the way I am going to instruct here in.

I want a fellow that will use this fund on orphanages and
widows propagating the word of God and to ensure that the
house of God is maintained. The Bible made us to understand
that blessed is the hand that gives. I took this decision
because I don't have any child that will inherit this money
and my husband relatives are not Christians and I don't want
my husband's hard earned money to be misused by unbelievers.
I dont want a situation where this money will be used in an
ungodly manner. Hence the reasons for taking this bold
decision I am not afraid of death hence I know where I am
going.

I know that I am going to be in the blossom of the Lord.
Exodus 14 VS 14 says that the lord will fight my case and I
shall hold my peace. I don't need any telephone
communication in this regard because of my health and as
well because of the presence of my husband's relatives
around me always. I don't want them to know about this
development. With God all things are possible. As soon as I
receive your reply I will forward your personal information
to my lawyer so that he will contact you as the legal owner
of this fund before transferring the fund into your
nominated Bank Account in your country. I will also issue
you a letter of authority that will empower you as the
original-beneficiary of this fund.

I want you and your family to always pray for me because the
lord is my shepherd. My happiness is that I lived worthy
life as a God fearing person. Whoever that wants to serve
the Lord must serve him in spirit and truth. Please always
be prayerful all through your life. Please assure me that
you will act accordingly as I stated here in. Once I hear
from you I will give to you a lawyer that I have contacted
to take care of this transaction, personal contact as to get
in touch with him and know what is required of you, as to be
able to do the needed things. Hoping to read from you as
soon as possible. Remain blessed in the name of God the most
High.

God Bless .

Mrs Marian Padilla.

_________________________________________________________________
Find a local pizza place, music store, museum and more…then map the best 
route!  http://local.live.com?FORM=MGA001

From mrs_marian_padil07@hotmail.com  Fri Nov 10 09:30:20 2006
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From: "mrs marian padilla padilla" <mrs_marian_padil07@hotmail.com>
Subject: Dear beloved,
Date: Fri, 10 Nov 2006 04:18:14 -0500
Mime-Version: 1.0
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X-OriginalArrivalTime: 10 Nov 2006 09:18:16.0172 (UTC) FILETIME=[277B3AC0:01C704A9]
To: undisclosed-recipients:;

Dear beloved,

I am Marian padilla from Kuwait. Married to Dr.Dan. Padilla
who worked with Kuwait embassy in Nigeria for nine years
before he died in the year 2005. We were married for eleven
years without a child. He died after a brief illness that
lasted for only four days. Before his death we wereboth born
again Christians. Since his death Decided not to re-marry or
get a child outside my matrimonial home,which the Bible is
against.

When my late husband was alive he deposited the sum of$20.5
Million us dollars with a security company. Presently, his
money is still under the safe keeping of the security
company. Recently, my Doctor told me that I would not last
for the next three months due to my cancer problems. Though
what disturbs me most is my stroke. Having known my
condition, I decided to donate this fund to an organization
or better still a God fearing individual that will utilize
this money the way I am going to instruct here in.

I want a fellow that will use this fund on orphanages and
widows propagating the word of God and to ensure that the
house of God is maintained. The Bible made us to understand
that blessed is the hand that gives. I took this decision
because I don't have any child that will inherit this money
and my husband relatives are not Christians and I don't want
my husband's hard earned money to be misused by unbelievers.
I dont want a situation where this money will be used in an
ungodly manner. Hence the reasons for taking this bold
decision I am not afraid of death hence I know where I am
going.

I know that I am going to be in the blossom of the Lord.
Exodus 14 VS 14 says that the lord will fight my case and I
shall hold my peace. I don't need any telephone
communication in this regard because of my health and as
well because of the presence of my husband's relatives
around me always. I don't want them to know about this
development. With God all things are possible. As soon as I
receive your reply I will forward your personal information
to my lawyer so that he will contact you as the legal owner
of this fund before transferring the fund into your
nominated Bank Account in your country. I will also issue
you a letter of authority that will empower you as the
original-beneficiary of this fund.

I want you and your family to always pray for me because the
lord is my shepherd. My happiness is that I lived worthy
life as a God fearing person. Whoever that wants to serve
the Lord must serve him in spirit and truth. Please always
be prayerful all through your life. Please assure me that
you will act accordingly as I stated here in. Once I hear
from you I will give to you a lawyer that I have contacted
to take care of this transaction, personal contact as to get
in touch with him and know what is required of you, as to be
able to do the needed things. Hoping to read from you as
soon as possible. Remain blessed in the name of God the most
High.

God Bless .

Mrs Marian Padilla.

_________________________________________________________________
Stay in touch with old friends and meet new ones with Windows Live Spaces 
http://clk.atdmt.com/MSN/go/msnnkwsp0070000001msn/direct/01/?href=http://spaces.live.com/spacesapi.aspx?wx_action=create&wx_url=/friends.aspx&mkt=en-us

From mrs_marian_padil07@hotmail.com  Fri Nov 10 09:32:16 2006
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Reply-To: mrsmarianpadila01@yahoo.com.br
From: "mrs marian padilla padilla" <mrs_marian_padil07@hotmail.com>
Subject: Dear beloved,
Date: Fri, 10 Nov 2006 04:19:57 -0500
Mime-Version: 1.0
Content-Type: text/plain; format=flowed
X-OriginalArrivalTime: 10 Nov 2006 09:20:01.0324 (UTC) FILETIME=[662826C0:01C704A9]
To: undisclosed-recipients:;

Dear beloved,

I am Marian padilla from Kuwait. Married to Dr.Dan. Padilla
who worked with Kuwait embassy in Nigeria for nine years
before he died in the year 2005. We were married for eleven
years without a child. He died after a brief illness that
lasted for only four days. Before his death we wereboth born
again Christians. Since his death Decided not to re-marry or
get a child outside my matrimonial home,which the Bible is
against.

When my late husband was alive he deposited the sum of$20.5
Million us dollars with a security company. Presently, his
money is still under the safe keeping of the security
company. Recently, my Doctor told me that I would not last
for the next three months due to my cancer problems. Though
what disturbs me most is my stroke. Having known my
condition, I decided to donate this fund to an organization
or better still a God fearing individual that will utilize
this money the way I am going to instruct here in.

I want a fellow that will use this fund on orphanages and
widows propagating the word of God and to ensure that the
house of God is maintained. The Bible made us to understand
that blessed is the hand that gives. I took this decision
because I don't have any child that will inherit this money
and my husband relatives are not Christians and I don't want
my husband's hard earned money to be misused by unbelievers.
I dont want a situation where this money will be used in an
ungodly manner. Hence the reasons for taking this bold
decision I am not afraid of death hence I know where I am
going.

I know that I am going to be in the blossom of the Lord.
Exodus 14 VS 14 says that the lord will fight my case and I
shall hold my peace. I don't need any telephone
communication in this regard because of my health and as
well because of the presence of my husband's relatives
around me always. I don't want them to know about this
development. With God all things are possible. As soon as I
receive your reply I will forward your personal information
to my lawyer so that he will contact you as the legal owner
of this fund before transferring the fund into your
nominated Bank Account in your country. I will also issue
you a letter of authority that will empower you as the
original-beneficiary of this fund.

I want you and your family to always pray for me because the
lord is my shepherd. My happiness is that I lived worthy
life as a God fearing person. Whoever that wants to serve
the Lord must serve him in spirit and truth. Please always
be prayerful all through your life. Please assure me that
you will act accordingly as I stated here in. Once I hear
from you I will give to you a lawyer that I have contacted
to take care of this transaction, personal contact as to get
in touch with him and know what is required of you, as to be
able to do the needed things. Hoping to read from you as
soon as possible. Remain blessed in the name of God the most
High.

God Bless .

Mrs Marian Padilla.

_________________________________________________________________
Try Search Survival Kits: Fix up your home and better handle your cash with 
Live Search! 
http://imagine-windowslive.com/search/kits/default.aspx?kit=improve&locale=en-US&source=hmtagline

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 10:46:01 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Fri, 10 Nov 2006 11:45:54 +0100
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Yes, of course. By writing "the dedicated software drivers" I meant  
the "H4 ASIO Driver Version 1.0.0.1". AFAIK there are no other  
drivers for H4 (I tried ASIO4ALL but it did not detect the hardware,  
but on Mac the OS X took care of it right away, although still with  
tiny audio artifacts) . I'm hoping an update to the ASIO driver is  
due soon...  ;-)

per


On 10 nov 2006, at 02.22, Joshua Carroll wrote:

> Ha!  Very cool.
>
> Did you download the ASIO driver for it?  I've not had any problems  
> getting a great sound as an interface via ASIO...
>
> --Josh
>
>
>
> Per Boysen wrote:
>> Date: Wed, 08 Nov 2006 10:06:16 -0600
>>
>>> Just thought I'd throw out a plug for the new Zoom H4.  It works  
>>> as a great 2x2 audio interface for Mobius (it has some built-in  
>>> effects I haven't tried yet, but will work in audio-interface  
>>> mode), and the other features make it ideal for collecting found- 
>>> sounds or putting together rough song ideas on the fly.  The  
>>> built-in stereo condenser mic has really impressed me so far.  I  
>>> expected it to pretty much suck for the price, but I've been  
>>> getting some excellent acoustic guitar recordings with it.
>>>
>>> Anyway, for the price, I'm really happy, so I thought I'd pass it  
>>> along.
>>>
>>> --Josh
>>
>>
>> Someone posted and asked about latency. I just picked one up this  
>> morning to check out, and may have some information to share.  
>> Regarding the option to use the H4 as an audio interface the  
>> software drivers are bad news. So bad actually that I would rather  
>> say that the H4 is not usable at all "as laptop sound card". I  
>> tested it for hours and although I used the largest available  
>> buffer I could not get a clean sound from it. Not on Mac with OS X  
>> and not in Windows XP with the dedicated software drivers. I'm  
>> glad I don't have to review it in a magazine because the marketing  
>> of it is partly misleading.
>>
>> But the H4 is great for other purposes - just forget about that  
>> audio interface dimension - like for example the stereo recording  
>> and the effects. Good guitar sounds in there  (Some people might  
>> want to use it as a four track porta studio as well). H4 is also  
>> awesome as a USB2 based SD card reader. And it rocks as a portable  
>> field recorder. I like it so much that I decided to buy one as a  
>> replacement for my old portable DAT recorder.
>>
>> And I did actually find a place for it in my laptop looping rig -  
>> as a mic pre amp, merge box and input reverb unit :-)  I feed the  
>> H4 with one acoustic flute mic and one line level EWI synth  
>> clarinet. Then I put a simple stereo cable from the H4 into the  
>> PCMCIA sound card Echo Indigo i/o on my lappy. That's a minimal  
>> set-up that sounds decently ok. Two instantly connected  
>> instruments of which one is electric and can be used for heavily  
>> distorted sounds that would not be possible with a microphone.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom

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From: Clark Starr <comfortstarr@mac.com>
Subject: Re: new boomerang/ nyc pedalboards
Date: Fri, 10 Nov 2006 09:20:53 -0500
To: Loopers-Delight@loopers-delight.com
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On Nov 8, 2006, at 9:49 PM, john floridis wrote:

> two questions-
>
> 1/  any news on the newer version of the boomerang?
>
>
I wrote them about a week ago and go the following:

"Hi Clark,
Thanks for you inquiery. We will be releasing a new looper, the 
Rang(TM) III, AND a stereo
chorus/delay pedal in late Jan 07.

The effects pedal has 11 presets and an expression pedal jack for real 
time control of parameters. The looper will have true stereo recording, 
vastly improved audio specs, long record time, 6 loops, multi level 
undo/redo, multiple loops can play synched or unsynched, and a slew of 
"utility" features such as auto fade out, metronome, etc. We will 
insure that the pedal is easy to operate and as intuitive as the 
current one, but it will be deeper if you want to explore the new 
functions. It will be about half the size of the Rang(TM) Plus which 
lists for $599. Right now it looks like the list price will be about 
$539. There will be no MIDI or USB connectivity, and no permanent 
storage of loops.

Lynne @ BMP"

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 14:33:02 2006
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Date: Fri, 10 Nov 2006 09:32:57 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: new boomerang/ nyc pedalboards
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--============_-1048953317==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

>
>"Hi Clark,
>Thanks for you inquiery. We will be releasing a new looper, the 
>Rang(TM) III, AND a stereo
>chorus/delay pedal in late Jan 07.
>
>The effects pedal has 11 presets and an expression pedal jack for 
>real time control of parameters. The looper will have true stereo 
>recording, vastly improved audio specs, long record time, 6 loops, 
>multi level undo/redo, multiple loops can play synched or unsynched, 
>and a slew of "utility" features such as auto fade out, metronome, 
>etc. We will insure that the pedal is easy to operate and as 
>intuitive as the current one, but it will be deeper if you want to 
>explore the new functions. It will be about half the size of the 
>Rang(TM) Plus which lists for $599. Right now it looks like the list 
>price will be about $539. There will be no MIDI or USB connectivity, 
>and no permanent storage of loops.
>
>Lynne @ BMP"


OOOPS!!!!!!

Sounded so nice up to there....



-- 
...
http://www.zmix.net
--============_-1048953317==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: new boomerang/ nyc
pedalboards</title></head><body>
<blockquote type="cite" cite><br>
&quot;Hi Clark,<br>
Thanks for you inquiery. We will be releasing a new looper, the
Rang(TM) III, AND a stereo<br>
chorus/delay pedal in late Jan 07.<br>
</blockquote>
<blockquote type="cite" cite>The effects pedal has 11 presets and an
expression pedal jack for real time control of parameters. The looper
will have true stereo recording, vastly improved audio specs, long
record time, 6 loops, multi level undo/redo, multiple loops can play
synched or unsynched, and a slew of &quot;utility&quot; features such
as auto fade out, metronome, etc. We will insure that the pedal is
easy to operate and as intuitive as the current one, but it will be
deeper if you want to explore the new functions. It will be about half
the size of the Rang(TM) Plus which lists for $599. Right now it looks
like the list price will be about $539.<font size="+1"><b> There will
be no MIDI or USB connectivity, and no permanent storage of
loops.</b></font></blockquote>
<blockquote type="cite" cite><br>
Lynne @ BMP&quot;</blockquote>
<div><br>
<br>
</div>
<div>OOOPS!!!!!!</div>
<div><br></div>
<div>Sounded so nice up to there....</div>
<div><br></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1048953317==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 14:53:52 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: Howdy / RC-2
Date: Fri, 10 Nov 2006 07:53:42 -0700
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Yep, I think it's a great little starter unit.  I plan to use it today for 
the first time at my koto,cello,guitar trio rehearsal....

Kris

----- Original Message ----- 
From: "Chris Nandor" <tunes@pudge.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 10, 2006 12:47 AM
Subject: Howdy / RC-2


> I'm new to this list.  I've been considering getting into looping just for
> the fun of it.  I want to start small, plus, be able to drag it around
> easily, so I figure the RC-2 is a good start.
>
> I read up on all the info you've mentioned here, which confirmed my choice
> (and thanks for the link the manual; I couldn't find it on the other
> BOSS/Roland sites I looked for it).  I am glad to see it is shipping (I 
> had
> heard it might not be for awhile).  I'm going to order one from my local
> music shop in a few days.
>
> Thanks,
>
> -- 
> Chris Nandor             tunes@pudge.net       http://pudge.net/tunes/
> Slashdot                 pudge@slashdot.org       http://slashdot.org/
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 15:46:44 2006
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On Nov 9, 2006, at 11:58 AM, Daryl Shawn wrote:

> nice work. One of my favorite sounds. I've been listening to a  
> Richard Crandell mbira recording a lot recently.

Thanks.
I have only heard a portion of that mbira album, but what I heard I  
liked.

cheers

BobC


http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo


From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 18:36:32 2006
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Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?
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Krispen,

 My bandmate and I have an internet radio program on Tuesday (the 14th) night...
we usually play some mp3's and do some improv... the show is from 6-10pm... at
my place in Cupertino.. it's probably less than 30 minutes from where you will
be.. let me know if you want to join us.. :)

peace
-cpr

Quoting Krispen Hartung <khartung@cableone.net>:

> I'm going to be in Palo Alto, California all next week on business. Is there
> anything interesting going on that week in terms of looping? Anyone playing
> nearbye? I thought about bringing my notebook and mandolin.
> 
> Matt, what's happeing at the Luggage Store next Thursday?
> 
> Kris
> 
> 
> **************************************************************************
> Krispen Hartung / Improvisational & Jazz Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> Performance Calendar:
> http://www.musi-cal.com/search?performers=Krispen%20Hartung
> info@krispenhartung.com / 1.208.724.5603 
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography: http://cdbaby.com/all/khartung 




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From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 20:27:45 2006
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This is a multi-part message in MIME format.
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I'm going to suggest an open Ninjam session at 8 p.m UTC (that's noon 
PSD) on Saturday and Sunday for anyone who can join in. I'll pop in if I 
can, if not then hopefully others can make some music.

Once again, cpr's server:

    host address: 207.44.142.117:2050
    user: privuser
    passwd: notsospecial

Daryl Shawn
www.swanwelder.com


--------------070508040603040503040608
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<div class="moz-text-flowed"
 style="font-family: -moz-fixed; font-size: 13px;" lang="x-western">I'm
going to suggest an open Ninjam session at 8 p.m UTC (that's noon PSD)
on Saturday and Sunday for anyone who can join in. I'll pop in if I
can, if not then hopefully others can make some music.<br>
<br>
Once again, cpr's server:<br>
<br>
&nbsp;&nbsp;&nbsp; host address:
207.44.142.117:<wbr>2050<br>
&nbsp;&nbsp;&nbsp; user: privuser<br>
&nbsp;&nbsp;&nbsp;
passwd: notsospecial<br>
<br>
Daryl Shawn
<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a>
<br>
<br>
</div>
</body>
</html>

--------------070508040603040503040608--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 20:57:47 2006
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Date: Fri, 10 Nov 2006 12:57:46 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?
To: Loopers-Delight@loopers-delight.com
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I'm not doing any loop shows, but I'd sure love to
meet you and buy you a beer (or other beverage of
choice) as you were instrumental (pun intended) in
helping me set up and configure my laptop looping
system.  I'd love to meet up with you (or any loopers
in the area) this weekend for music or social times. 
Now that my part time job as wedding designer/planner
(my own) is over, I finally have some time for this
type of thing.

Mark

--- cpr@musetrap.com wrote:

> Krispen,
> 
>  My bandmate and I have an internet radio program on
> Tuesday (the 14th) night...
> we usually play some mp3's and do some improv... the
> show is from 6-10pm... at
> my place in Cupertino.. it's probably less than 30
> minutes from where you will
> be.. let me know if you want to join us.. :)
> 
> peace
> -cpr
> 
> Quoting Krispen Hartung <khartung@cableone.net>:
> 
> > I'm going to be in Palo Alto, California all next
> week on business. Is there
> > anything interesting going on that week in terms
> of looping? Anyone playing
> > nearbye? I thought about bringing my notebook and
> mandolin.
> > 
> > Matt, what's happeing at the Luggage Store next
> Thursday?
> > 
> > Kris
> > 
> > 
> >
>
**************************************************************************
> > Krispen Hartung / Improvisational & Jazz Guitar
> > www.krispenhartung.com /
> www.myspace.com/krispenhartung
> > Performance Calendar:
> >
>
http://www.musi-cal.com/search?performers=Krispen%20Hartung
> > info@krispenhartung.com / 1.208.724.5603 
> > Discography -
> http://www.krispenhartung.com/catalogue.htm
> > CD Baby Discography:
> http://cdbaby.com/all/khartung 
> 
> 
> 
> 
>
----------------------------------------------------------------
> This message was sent using IMP, the Internet
> Messaging Program.
> 
> 



 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 21:11:07 2006
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Date: Fri, 10 Nov 2006 13:11:05 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: OT: Laptop loopers, what do you do with your favorite rack gear?
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Hi.

My move away from dedicated gear to the land of a G5
and a toshiba laptop is pretty much complete, but
there's one piece of gear that's still in question:

A Lexicon MPX1 multieffects processor.

Now, I love this thing, even though it's interface
isn't the best.  Sounds rich, clean and can do lots of
interesting stuff.  The problem?  It doesn't seem to
have a place in my world any longer.  So much of what
I'm doing is being generated by software.  Pretty much
everything except for my guitar and that's got all the
processing I need being taken care of with a Boss
VF-1.

I guess my question would be, does it make sense to
keep it and use it in some sort of effects loop of my
MOTU 828?  Has anyone tried this?  Is latency too much
of an issue?

Does it make more sense to sell it and go for some
sort of software package.  Maybe one of the hybred
hardware/software ones like the UAD-1?  Will I get
better performance/sound/flexibility this way?

Thanks,

Mark


 
____________________________________________________________________________________
Yahoo! Music Unlimited
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http://music.yahoo.com/unlimited

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 21:16:19 2006
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From: "samba -" <sambacomet@hotmail.com>
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Subject:  Fripp provides 4 seconds for MS
Date: Fri, 10 Nov 2006 13:16:12 -0800
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Nov 10, 3:12 PM EST

Long Process Leads to Short Vista Sound

By ALLISON LINN
AP Business Writer



SEATTLE (AP) -- Some musicians spend 18 months working on a whole album. At 
Microsoft Corp., that's how long it took to perfect just four seconds of 
sound.

Of course, this isn't just any four-second clip. It's the sound - a soft 
da-dum, da-dumm, with a lush fade-out - that millions of computer users will 
hear every day, and perhaps thousands of times in total, when they turn on 
computers running Microsoft's forthcoming Windows Vista operating system.

To set the right tone - clean, simple, but with "some long-term legs," 
according to Microsoft's Steve Ball - the software maker recruited musician 
Robert Fripp.

Fripp, best known for his work with the '70s rock band King Crimson, 
recorded hours of his signature layered, guitar-driven sound for the 
project, under the close direction of Ball and others at Microsoft. Then, it 
was Ball's job to sort through those hours of live recordings to suss out 
just the right few seconds.Fripp's involvement is not surprising. His 
occasional collaborator, Brian Eno, recorded sounds for Windows 95. Also, 
Ball, the Microsoft group program manager for WAVE - Windows Audio Visual 
Excellence - has in the past been Fripp's student and business partner.

Ball, a self-proclaimed renaissance man who is both an engineer and a 
musician, considered the work of about 10 musicians for the project. Some of 
those people were influential in the final four seconds as well.

Redmond-based Microsoft seriously debated several other sounds before 
settling on the final startup sound about three weeks ago. The rejects 
included a longer, lusher clip and a quick, techno-sounding piece. While 
many people liked an upbeat ditty with a clapping rhythm, it was eventually 
nixed for sounding too much like a commercial. Ball said the hand-clapping 
also seemed like too "human" a sound when paired with the new graphic for 
Vista.

"There's nothing that's especially human about our new Windows animation," 
he said.

The short startup clip that was eventually chosen is meant to evoke the 
rhythm of the words "Win-dows Vis-ta!" and Ball hopes the sound will serve 
as a calling card for the operating system. It also consists of four chords 
- one for every color in the new Windows graphic that appears as the sound 
plays. It's no coincidence that it's also four seconds long.

There are a total of 45 Vista sounds that Microsoft has spent the last year 
and a half perfecting, including the dings you hear when you get a new 
e-mail, receive an error message, or log off your computer. Generally, these 
are more muted, less jarring variations of the prompts familiar to Windows 
XP users.

If it seems like overkill to go to all that trouble for a few seconds of 
sound, consider this: Microsoft estimates that the clips such as the e-mail 
alert will be played trillions of times in years to come. That's a lot of 
opportunity to annoy, offend - or, if the job is done right - please or 
appease computer users the world over.

One major concern was that the startup sound not grow grating after a time.

"You want a sound that people will love the first time they hear it, but 
it's a paradox to also say, 'Oh and by the way, we need people to love it 
the tenth, or the hundredth, or the thousandth time they hear it,'" Ball 
said.

That's one reason he was glad to have 18 months to choose the clips.

"We had time to live with the music," Ball said.

Still, for all the time Ball has spent on the sounds, he says one measure of 
success would be if people noticed them very little, if at all.

Ball is the first to admit that the percussive beeps in past Windows 
versions could be jarring enough to bother nearby workers or interrupt 
others in a meeting. With the number of intrusive sounds from cell phones, 
handheld devices and other gadgets only increasing, that's something Ball 
and his colleagues were keen to avoid with Vista.

"We want you to know they're there, and you would miss them if they were 
gone, but we would like them to be just barely noticeable, almost like they 
are part of the environment or part of your wallpaper," he said. "We want 
them in the background, rather than the foreground."

© 2006 The Associated Press. All rights reserved.

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 21:24:50 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT: Laptop loopers, what do you do with your favorite rack gear?
Date: Fri, 10 Nov 2006 13:24:47 -0800
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What would be the purpose of using it in an effects loops? as part of =20=

your DAW? Just curious, because, if there is a software solution, I'd =20=

go that way....less boxes to carry through life....regarding the =20
UAD-1....what does it have that you want? Again, there are probably =20
software solutions out there, unless you really need to save CPU =20
cycles. For what it's worth, the only thing in my DAW rack now are a =20
couple of pre-amps and an 896...Everything else, eBay.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Nov 10, 2006, at 1:11 PM, mark sottilaro wrote:

> Hi.
>
> My move away from dedicated gear to the land of a G5
> and a toshiba laptop is pretty much complete, but
> there's one piece of gear that's still in question:
>
> A Lexicon MPX1 multieffects processor.
>
> Now, I love this thing, even though it's interface
> isn't the best.  Sounds rich, clean and can do lots of
> interesting stuff.  The problem?  It doesn't seem to
> have a place in my world any longer.  So much of what
> I'm doing is being generated by software.  Pretty much
> everything except for my guitar and that's got all the
> processing I need being taken care of with a Boss
> VF-1.
>
> I guess my question would be, does it make sense to
> keep it and use it in some sort of effects loop of my
> MOTU 828?  Has anyone tried this?  Is latency too much
> of an issue?
>
> Does it make more sense to sell it and go for some
> sort of software package.  Maybe one of the hybred
> hardware/software ones like the UAD-1?  Will I get
> better performance/sound/flexibility this way?
>
> Thanks,
>
> Mark
>
>
>
> =
_______________________________________________________________________=20=

> _____________
> Yahoo! Music Unlimited
> Access over 1 million songs.
> http://music.yahoo.com/unlimited
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 21:43:50 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: Laptop loopers, what do you do with your favorite rack gear?
Date: Fri, 10 Nov 2006 22:43:43 +0100
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nothing - I hate my rack gear. My "favorites" never were the gear,  
but the patches I set up with that gear.  I simply leave it to  
collect dust (and eventually for me to place my laptop and coffee cup  
on to adopt a convenient posture while working on duplicating my  
favorite effect patches in software, briefly looking out the window  
every two hours to see if it's snow or leafs that are falling...)

I borrowed an Eventide Eclipse for a month and have owned a Firworx  
for one and a half year and by studying them I found out which way to  
patch effect modules to get the sounds I like (just like changing the  
order of guitar pedals - they all sound different at other positions  
in the chain). Now computers have become powerful enough to handle it  
all in software. I don't have the money to buy the machine I actually  
would need for it, but since I know I can do it later I have started  
to work out a system that is small and easy to manage and play  
fluently with. My "system" is almost the same in hardware and  
software - it's more about "patches"; like how I like to connect for  
example two dual pitch shifters with a stereo delay and compressor.  
Etc etc...

per

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 22:10:57 2006
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References: <20061110205746.92564.qmail@web81304.mail.mud.yahoo.com>
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?
Date: Fri, 10 Nov 2006 15:10:53 -0700
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Great idea. I have Wed and Thursday evenings of next week off. Where could 
we meet in the area? I'm not the best driver or good with directions, so the 
closer to Palo Alto the better.  University Avenue would be a cool 
place..lot's of action there.  Too bad we can't crash a venue for a looping 
performance. :)

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 10, 2006 1:57 PM
Subject: Re: Any Looping Performances Going on Next Week in Palo Alto, CA?


> I'm not doing any loop shows, but I'd sure love to
> meet you and buy you a beer (or other beverage of
> choice) as you were instrumental (pun intended) in
> helping me set up and configure my laptop looping
> system.  I'd love to meet up with you (or any loopers
> in the area) this weekend for music or social times.
> Now that my part time job as wedding designer/planner
> (my own) is over, I finally have some time for this
> type of thing.
>
> Mark
>
> --- cpr@musetrap.com wrote:
>
>> Krispen,
>>
>>  My bandmate and I have an internet radio program on
>> Tuesday (the 14th) night...
>> we usually play some mp3's and do some improv... the
>> show is from 6-10pm... at
>> my place in Cupertino.. it's probably less than 30
>> minutes from where you will
>> be.. let me know if you want to join us.. :)
>>
>> peace
>> -cpr
>>
>> Quoting Krispen Hartung <khartung@cableone.net>:
>>
>> > I'm going to be in Palo Alto, California all next
>> week on business. Is there
>> > anything interesting going on that week in terms
>> of looping? Anyone playing
>> > nearbye? I thought about bringing my notebook and
>> mandolin.
>> >
>> > Matt, what's happeing at the Luggage Store next
>> Thursday?
>> >
>> > Kris
>> >
>> >
>> >
>>
> **************************************************************************
>> > Krispen Hartung / Improvisational & Jazz Guitar
>> > www.krispenhartung.com /
>> www.myspace.com/krispenhartung
>> > Performance Calendar:
>> >
>>
> http://www.musi-cal.com/search?performers=Krispen%20Hartung
>> > info@krispenhartung.com / 1.208.724.5603
>> > Discography -
>> http://www.krispenhartung.com/catalogue.htm
>> > CD Baby Discography:
>> http://cdbaby.com/all/khartung
>>
>>
>>
>>
>>
> ----------------------------------------------------------------
>> This message was sent using IMP, the Internet
>> Messaging Program.
>>
>>
>
>
>
>
> ____________________________________________________________________________________
> Want to start your own business?
> Learn how on Yahoo! Small Business.
> http://smallbusiness.yahoo.com/r-index
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 23:05:00 2006
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Date: Fri, 10 Nov 2006 15:04:58 -0800
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fripp provides 4 seconds for MS
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Microsoft has a video clip of Fripp available for download:
http://download.microsoft.com/download/8/1/c/81cdb151-0aae-4f50-ab44-654b5f7ae0db/Vista_Robert_Fripp_2005.wmv


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 23:37:39 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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> I guess my question would be, does it make sense to keep it 
> and use it in some sort of effects loop of my MOTU 828?  Has 
> anyone tried this?  Is latency too much of an issue?

Don't know the MOTU or the Lexicon, but here's my take on this topic:

I guess you are by now familiar with my laptop setup by now ;), but I'm
still reflecting on the correct route to go, and with several things in
mind:

a) I want to further optimize my laptop-based setup so it's even quicker to
set up and to transport in rough conditions, but still relatively easy to
carry around.
b) I need a new computer for my home use (at least for things that take up
lots of processing power - like music and games).
c) I could use some more processing power in my laptop setup.
d) There are things I might think about regarding the use of outboard gear.
e) My hardware setup does not collect dust, I just used it last week playing
a ninjam with Daryl.
f) I don't want to spend more money than necessary.

So there would be several solutions:

1. Retain the laptop setup as is (perhaps optimizing the interface), and get
a new computer for home use.
Problem: very good in the f) department, but doesn't fulfil c)

2. Blow up the laptop setup with a powerful laptop
Problem: isn't that cost-efficient (so not good in the f) department),
doesn't give me the flexibility to custom-tailor my computer (especially for
gaming, so b) won't be fulfilled)

3. Get an industry-style computer (rackmount case, 1HU keyboard/trackball
solution) and mount it in a rack together with interfaces and perhaps
peripherals.


Currently, I like 3. the best. I could put it in one of the SKB Mini Gig
Rigs, and with a 2HU case for the computer and 1 HU for the interface (like
a Fireface800 (although quite expensive) or a combination of the existing
Multiface and a QuadMic) and another HU for the keyboard/trackball combo,
I'd still have 2HU in front at my disposal - which might house the Eclipse
in an effects loop (connected via ADAT) and a Finalizer or DEQ2496 on the
2bus...or a combo of the (already existing) VF-1 and something else for
preparing vocals (like a half-rack channel strip? or something digital which
does the same?)...or whatever. Now I could mount the BCR2000 in the top
somehow and a monitor in the lid...still need to think about that - did
anyone actually go that route, with a TFT integrated in a rack setup?
Another nice thing with the industry computer as an alternative to the
laptop would be that you're able to use something which actually uses slots
- like creamware hardware or the UAD-1 you mentioned (although I think I
would be looking at the creamware thing).

For the outboard gear: latency won't be that much of a problem if you can do
the routing without actually entering the computer (i.e. in the interface).
The RME stuff allows the mixer to be controlled by MIDI, so this could be
done easily, as long as I'd only need the outboard gear to effect either the
audio ins before they enter the computer or the 2bus before hitting the
mains.

There are things my Eclipse does which none of my software thingies does -
at least not on my current computer while at the same time running Mobius,
one software sampler, two to five software synths, four send effects, guitar
amp simulation and countless insert effects...


So again, not a great solution - but if someone could comment on the
industry PC in rack system - viewscreen issue, I'd be delighted. Any ideas?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 23:56:20 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Don't miss this! Recycle Collective first anniversary gig next week! 
Date: Fri, 10 Nov 2006 23:56:14 +0000
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Hi Loopists,

Next Wednesday is the first anniversary of the Recycle Collective - =20
12 months of some of the most beautiful and deep improvised music =20
I've ever been involved with. It's introduced a heck of a lot of =20
listeners and musicians to some of the possibilities of looping, and =20
has given me an amazing place to try out many of the new features of =20
the Looperlative each month in a proper musical setting.

This month's line-up is me on bass 'n' loops, cleveland watkiss on =20
voice 'n' loops and huw warren on piano/laptop/whatever other =20
weirdness he brings with him. Both incredible musicians - see =20
www.recyclecollective.com for more details, or www.myspace.com/=20
therecyclecollective for our myspace page. Should be lots of special =20
guests, and a marvellous time guaranteed for all.

It's at Darbucka World Music Bar, 182 St John's Street, Clerkenwell, =20
London, EC1 4JZ, on Wednesday 15th November, doors at 7, music starts =20=

at 8, tickets are =A37/=A35 concessions (MU/NUS/OAP/Unemployed).

see you there!

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hi Loopists,=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Next Wednesday is the first =
anniversary of the Recycle Collective - 12 months of some of the most =
beautiful and deep improvised music I've ever been involved with. It's =
introduced a heck of a lot of listeners and musicians to some of the =
possibilities of looping, and has given me an amazing place to try out =
many of the new features of the Looperlative each month in a proper =
musical setting.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>This month's line-up is me =
on bass 'n' loops, cleveland watkiss on voice 'n' loops and huw warren =
on piano/laptop/whatever other weirdness he brings with him. Both =
incredible musicians - see <A =
href=3D"http://www.recyclecollective.com">www.recyclecollective.com</A> =
for more details, or <A =
href=3D"http://www.myspace.com/therecyclecollective">www.myspace.com/there=
cyclecollective</A> for our myspace page. Should be lots of special =
guests, and a marvellous time guaranteed for all.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>It's at Darbucka World =
Music Bar, 182 St John's Street, Clerkenwell, London, EC1 4JZ, on =
Wednesday 15th November, doors at 7, music starts at 8, tickets are =
=A37/=A35 concessions (MU/NUS/OAP/Unemployed).=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>see you =
there!=A0</DIV><DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 00:20:13 2006
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Date: Fri, 10 Nov 2006 18:20:03 -0600
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Subject: Re: Zoom H4 for laptop looping
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That's weird.  I didn't notice any artifacts, but I haven't really run 
it through the ringer yet.  I'll play with it some more and see if I can 
get it to reproduce your results.  If so, I'm going to be all over Zoom 
to fix that as I bought it specifically because it could double as an 
interface and I need it to work.

Thanks for the heads-up!

--Josh


Per Boysen wrote:
> Yes, of course. By writing "the dedicated software drivers" I meant 
> the "H4 ASIO Driver Version 1.0.0.1". AFAIK there are no other drivers 
> for H4 (I tried ASIO4ALL but it did not detect the hardware, but on 
> Mac the OS X took care of it right away, although still with tiny 
> audio artifacts) . I'm hoping an update to the ASIO driver is due 
> soon...  ;-)
>
> per
>
>
> On 10 nov 2006, at 02.22, Joshua Carroll wrote:
>
>> Ha!  Very cool.
>>
>> Did you download the ASIO driver for it?  I've not had any problems 
>> getting a great sound as an interface via ASIO...
>>
>> --Josh
>>
>>
>>
>> Per Boysen wrote:
>>> Date: Wed, 08 Nov 2006 10:06:16 -0600
>>>
>>>> Just thought I'd throw out a plug for the new Zoom H4.  It works as 
>>>> a great 2x2 audio interface for Mobius (it has some built-in 
>>>> effects I haven't tried yet, but will work in audio-interface 
>>>> mode), and the other features make it ideal for collecting 
>>>> found-sounds or putting together rough song ideas on the fly.  The 
>>>> built-in stereo condenser mic has really impressed me so far.  I 
>>>> expected it to pretty much suck for the price, but I've been 
>>>> getting some excellent acoustic guitar recordings with it.
>>>>
>>>> Anyway, for the price, I'm really happy, so I thought I'd pass it 
>>>> along.
>>>>
>>>> --Josh
>>>
>>>
>>> Someone posted and asked about latency. I just picked one up this 
>>> morning to check out, and may have some information to share. 
>>> Regarding the option to use the H4 as an audio interface the 
>>> software drivers are bad news. So bad actually that I would rather 
>>> say that the H4 is not usable at all "as laptop sound card". I 
>>> tested it for hours and although I used the largest available buffer 
>>> I could not get a clean sound from it. Not on Mac with OS X and not 
>>> in Windows XP with the dedicated software drivers. I'm glad I don't 
>>> have to review it in a magazine because the marketing of it is 
>>> partly misleading.
>>>
>>> But the H4 is great for other purposes - just forget about that 
>>> audio interface dimension - like for example the stereo recording 
>>> and the effects. Good guitar sounds in there  (Some people might 
>>> want to use it as a four track porta studio as well). H4 is also 
>>> awesome as a USB2 based SD card reader. And it rocks as a portable 
>>> field recorder. I like it so much that I decided to buy one as a 
>>> replacement for my old portable DAT recorder.
>>>
>>> And I did actually find a place for it in my laptop looping rig - as 
>>> a mic pre amp, merge box and input reverb unit :-)  I feed the H4 
>>> with one acoustic flute mic and one line level EWI synth clarinet. 
>>> Then I put a simple stereo cable from the H4 into the PCMCIA sound 
>>> card Echo Indigo i/o on my lappy. That's a minimal set-up that 
>>> sounds decently ok. Two instantly connected instruments of which one 
>>> is electric and can be used for heavily distorted sounds that would 
>>> not be possible with a microphone.
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se (Swedish)
>>> www.looproom.com (international)
>>> http://tinyurl.com/fauvm (podcast)
>>> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 00:30:42 2006
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Wow!  I heard about this on NPR today, and actually heard the clip, but 
I had no idea who it was.  It is a cool sounding little clip and less 
intrusive, though perhaps not as catchy as the current start-up sound 
for XP IMHO.

--Josh



samba - wrote:
> Nov 10, 3:12 PM EST
>
> Long Process Leads to Short Vista Sound
>
> By ALLISON LINN
> AP Business Writer
>
>
>
> SEATTLE (AP) -- Some musicians spend 18 months working on a whole 
> album. At Microsoft Corp., that's how long it took to perfect just 
> four seconds of sound.
>
> Of course, this isn't just any four-second clip. It's the sound - a 
> soft da-dum, da-dumm, with a lush fade-out - that millions of computer 
> users will hear every day, and perhaps thousands of times in total, 
> when they turn on computers running Microsoft's forthcoming Windows 
> Vista operating system.
>
> To set the right tone - clean, simple, but with "some long-term legs," 
> according to Microsoft's Steve Ball - the software maker recruited 
> musician Robert Fripp.
>
> Fripp, best known for his work with the '70s rock band King Crimson, 
> recorded hours of his signature layered, guitar-driven sound for the 
> project, under the close direction of Ball and others at Microsoft. 
> Then, it was Ball's job to sort through those hours of live recordings 
> to suss out just the right few seconds.Fripp's involvement is not 
> surprising. His occasional collaborator, Brian Eno, recorded sounds 
> for Windows 95. Also, Ball, the Microsoft group program manager for 
> WAVE - Windows Audio Visual Excellence - has in the past been Fripp's 
> student and business partner.
>
> Ball, a self-proclaimed renaissance man who is both an engineer and a 
> musician, considered the work of about 10 musicians for the project. 
> Some of those people were influential in the final four seconds as well.
>
> Redmond-based Microsoft seriously debated several other sounds before 
> settling on the final startup sound about three weeks ago. The rejects 
> included a longer, lusher clip and a quick, techno-sounding piece. 
> While many people liked an upbeat ditty with a clapping rhythm, it was 
> eventually nixed for sounding too much like a commercial. Ball said 
> the hand-clapping also seemed like too "human" a sound when paired 
> with the new graphic for Vista.
>
> "There's nothing that's especially human about our new Windows 
> animation," he said.
>
> The short startup clip that was eventually chosen is meant to evoke 
> the rhythm of the words "Win-dows Vis-ta!" and Ball hopes the sound 
> will serve as a calling card for the operating system. It also 
> consists of four chords - one for every color in the new Windows 
> graphic that appears as the sound plays. It's no coincidence that it's 
> also four seconds long.
>
> There are a total of 45 Vista sounds that Microsoft has spent the last 
> year and a half perfecting, including the dings you hear when you get 
> a new e-mail, receive an error message, or log off your computer. 
> Generally, these are more muted, less jarring variations of the 
> prompts familiar to Windows XP users.
>
> If it seems like overkill to go to all that trouble for a few seconds 
> of sound, consider this: Microsoft estimates that the clips such as 
> the e-mail alert will be played trillions of times in years to come. 
> That's a lot of opportunity to annoy, offend - or, if the job is done 
> right - please or appease computer users the world over.
>
> One major concern was that the startup sound not grow grating after a 
> time.
>
> "You want a sound that people will love the first time they hear it, 
> but it's a paradox to also say, 'Oh and by the way, we need people to 
> love it the tenth, or the hundredth, or the thousandth time they hear 
> it,'" Ball said.
>
> That's one reason he was glad to have 18 months to choose the clips.
>
> "We had time to live with the music," Ball said.
>
> Still, for all the time Ball has spent on the sounds, he says one 
> measure of success would be if people noticed them very little, if at 
> all.
>
> Ball is the first to admit that the percussive beeps in past Windows 
> versions could be jarring enough to bother nearby workers or interrupt 
> others in a meeting. With the number of intrusive sounds from cell 
> phones, handheld devices and other gadgets only increasing, that's 
> something Ball and his colleagues were keen to avoid with Vista.
>
> "We want you to know they're there, and you would miss them if they 
> were gone, but we would like them to be just barely noticeable, almost 
> like they are part of the environment or part of your wallpaper," he 
> said. "We want them in the background, rather than the foreground."
>
> © 2006 The Associated Press. All rights reserved.
>
> _________________________________________________________________
> Get FREE company branded e-mail accounts and business Web site from 
> Microsoft Office Live 
> http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 00:40:03 2006
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Date: Fri, 10 Nov 2006 16:40:01 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: AW: Laptop loopers, what do you do with your favorite rack gear?
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--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> For the outboard gear: latency won't be that much of
> a problem if you can do
> the routing without actually entering the computer
> (i.e. in the interface).

See, that's the deal.  The sound isn't coming from
outside the computer so I'd be leaving the computer
via a stereo pair and then returning via another
stereo pair of my MOTU 828.

I see what the other kids are saying though.  Perhaps
it is time I just sucked it up and moved on.

Mark


 
____________________________________________________________________________________
Cheap talk?
Check out Yahoo! Messenger's low PC-to-Phone call rates.
http://voice.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 01:13:52 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Sat, 11 Nov 2006 02:13:46 +0100
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You won't hear the artifacts when you play an audio input because  
your source audio is "leaking" through the ASIO direct monitoring and  
masking the drop-outs (the analog signal of the H4 is very good). Try  
to set up a long delay or reverb, in your audio application, with  
only wet sound (no direct instrument going   through it). Then you  
can play something and stay silent and listen to what you just played  
coming back through the delay/reverb.

I'm afraid it is not as much a driver issue as it is a USB2 protocol  
issue (for sound cards you should look for Firewire or PCI).  But the  
H4 is great bang for the buck as a field recorder IMO! And I'm  
totally happy with using it as a pre amp, merge box and reverb unit  
before my laptop (with another "clean" audio interface).

per



On 11 nov 2006, at 01.20, Joshua Carroll wrote:

> That's weird.  I didn't notice any artifacts, but I haven't really  
> run it through the ringer yet.  I'll play with it some more and see  
> if I can get it to reproduce your results.  If so, I'm going to be  
> all over Zoom to fix that as I bought it specifically because it  
> could double as an interface and I need it to work.
>
> Thanks for the heads-up!
>
> --Josh
>
>
> Per Boysen wrote:
>> Yes, of course. By writing "the dedicated software drivers" I  
>> meant the "H4 ASIO Driver Version 1.0.0.1". AFAIK there are no  
>> other drivers for H4 (I tried ASIO4ALL but it did not detect the  
>> hardware, but on Mac the OS X took care of it right away, although  
>> still with tiny audio artifacts) . I'm hoping an update to the  
>> ASIO driver is due soon...  ;-)
>>
>> per
>>
>>
>> On 10 nov 2006, at 02.22, Joshua Carroll wrote:
>>
>>> Ha!  Very cool.
>>>
>>> Did you download the ASIO driver for it?  I've not had any  
>>> problems getting a great sound as an interface via ASIO...
>>>
>>> --Josh
>>>
>>>
>>>
>>> Per Boysen wrote:
>>>> Date: Wed, 08 Nov 2006 10:06:16 -0600
>>>>
>>>>> Just thought I'd throw out a plug for the new Zoom H4.  It  
>>>>> works as a great 2x2 audio interface for Mobius (it has some  
>>>>> built-in effects I haven't tried yet, but will work in audio- 
>>>>> interface mode), and the other features make it ideal for  
>>>>> collecting found-sounds or putting together rough song ideas on  
>>>>> the fly.  The built-in stereo condenser mic has really  
>>>>> impressed me so far.  I expected it to pretty much suck for the  
>>>>> price, but I've been getting some excellent acoustic guitar  
>>>>> recordings with it.
>>>>>
>>>>> Anyway, for the price, I'm really happy, so I thought I'd pass  
>>>>> it along.
>>>>>
>>>>> --Josh
>>>>
>>>>
>>>> Someone posted and asked about latency. I just picked one up  
>>>> this morning to check out, and may have some information to  
>>>> share. Regarding the option to use the H4 as an audio interface  
>>>> the software drivers are bad news. So bad actually that I would  
>>>> rather say that the H4 is not usable at all "as laptop sound  
>>>> card". I tested it for hours and although I used the largest  
>>>> available buffer I could not get a clean sound from it. Not on  
>>>> Mac with OS X and not in Windows XP with the dedicated software  
>>>> drivers. I'm glad I don't have to review it in a magazine  
>>>> because the marketing of it is partly misleading.
>>>>
>>>> But the H4 is great for other purposes - just forget about that  
>>>> audio interface dimension - like for example the stereo  
>>>> recording and the effects. Good guitar sounds in there  (Some  
>>>> people might want to use it as a four track porta studio as  
>>>> well). H4 is also awesome as a USB2 based SD card reader. And it  
>>>> rocks as a portable field recorder. I like it so much that I  
>>>> decided to buy one as a replacement for my old portable DAT  
>>>> recorder.
>>>>
>>>> And I did actually find a place for it in my laptop looping rig  
>>>> - as a mic pre amp, merge box and input reverb unit :-)  I feed  
>>>> the H4 with one acoustic flute mic and one line level EWI synth  
>>>> clarinet. Then I put a simple stereo cable from the H4 into the  
>>>> PCMCIA sound card Echo Indigo i/o on my lappy. That's a minimal  
>>>> set-up that sounds decently ok. Two instantly connected  
>>>> instruments of which one is electric and can be used for heavily  
>>>> distorted sounds that would not be possible with a microphone.
>>>>
>>>> Greetings from Sweden
>>>>
>>>> Per Boysen
>>>> www.boysen.se (Swedish)
>>>> www.looproom.com (international)
>>>> http://tinyurl.com/fauvm (podcast)
>>>> http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 01:29:28 2006
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From: RP Collier <skeptikalist@gmail.com>
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On Nov 10, 2006, at 5:13 PM, Per Boysen wrote:

>  But the H4 is great bang for the buck as a field recorder IMO!


Does it come with windscreens for the microphones? I did not notice  
that in the product details.

How do you find the recording in terms of "handling"? Is it overly  
sensitive to handling vibration and sudden directional changes?

regards

BobC



http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://tinyurl.com/cr25j
http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://www.youtube.com/watch?v=sn--iF6a4Xo

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Sat, 11 Nov 2006 02:42:44 +0100
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> On Nov 10, 2006, at 5:13 PM, Per Boysen wrote:
>>  But the H4 is great bang for the buck as a field recorder IMO!


> On 11 nov 2006, at 02.29, RP Collier wrote:

> Does it come with windscreens for the microphones? I did not notice  
> that in the product details.

Yes. A little "foam ball" to wrap over the two mics. Size between a  
golf and tennis ball.


> How do you find the recording in terms of "handling"? Is it overly  
> sensitive to handling vibration and sudden directional changes?

As all sensitive microphones it is not wise to carry it by hand for  
the best recording result. It comes with a bottom plate for a tripod,  
but no tripod, and this is the way to place it if you want to make  
serious recordings in hifi. The stereo mic seems to be very good!

I will use mine a lot as a hand held field recorder when doing  
interviews in noisy environments. Then I typically use the built-in  
compressor and record directly to 128 kbps mp3. Back home I pop in  
the USB cable and lift over the file to the Mac for listening writing  
it out as text. I've been hauling my powerbook for years when doing  
field interviews (set up Audio Hi-Jack with a low cut filter and  
Vintage Warmer directly on the built-in mic iinput) and for me the  
H4's portability is a huge pro. For example: I waited years before  
buying an iPod before I thought there might come one with recording  
capability - but as we know that never happened ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 01:47:13 2006
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References: <20061027100115.latbc7bcn44g4scs@webmail.bluefrog.com> <CF66D0CC-A8DD-404C-9454-ACCF132F5637@gmail.com> <49affd277db3a9d05661f227949255c9@pfmentum.com> <7.0.0.16.0.20061030115754.01ace4d0@tiscali.co.uk> <29324E08-3F15-498E-9A4C-E7686F9D56D6@gmail.com> <588ce11d0610301054r7921a693g1af653aaf474d585@mail.gmail.com> <605F73A5-0BB3-478D-AC27-3851067B4F78@gmail.com> <7.0.0.16.0.20061104231013.01b27170@tiscali.co.uk> <A7D49682-15EE-4522-9BEF-36B502A8E619@gmail.com> <4553D464.4010701@infinivert.com> <17C5259E-4B07-417C-96EC-0B83B47DB782@gmail.com> <45551733.8080106@infinivert.com> <8D5DCF4F-2FA8-48D6-9F35-554F4272139A@gmail.com> <1493BDB6-C843-42A3-84E2-A7B0179F9258@gmail.com>
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This is a multi-part message in MIME format.
--------------080306040901030805060307
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Yes, it does come with a single foam "clown-nose" type windscreen that 
covers both mics.  It is sensitive to handling, but not as bad as I had 
feared.  It comes with an adapter so it can be connected to a camera 
tripod, so I bought a little "Gorillapod" 
<http://www.buydig.com/shop/product.aspx?sku=JOGP> and I try to use it 
whenever possible.  It doesn't seem as sensitive to handling when I hold 
it by the tripod.

--Josh


RP Collier wrote:
>
> On Nov 10, 2006, at 5:13 PM, Per Boysen wrote:
>
>>  But the H4 is great bang for the buck as a field recorder IMO!
>
>
> Does it come with windscreens for the microphones? I did not notice 
> that in the product details.
>
> How do you find the recording in terms of "handling"? Is it overly 
> sensitive to handling vibration and sudden directional changes?
>
> regards
>
> BobC
>
>
>
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
> http://tinyurl.com/cr25j
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
>
>
>

--------------080306040901030805060307
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Yes, it does come with a single foam "clown-nose" type windscreen that
covers both mics.&nbsp; It is sensitive to handling, but not as bad as I had
feared.&nbsp; It comes with an adapter so it can be connected to a camera
tripod, so I bought a little <a
 href="http://www.buydig.com/shop/product.aspx?sku=JOGP">"Gorillapod"</a>
and I try to use it whenever possible.&nbsp; It doesn't seem as sensitive to
handling when I hold it by the tripod.<br>
<br>
--Josh<br>
<br>
<br>
RP Collier wrote:
<blockquote cite="mid1493BDB6-C843-42A3-84E2-A7B0179F9258@gmail.com"
 type="cite"><br>
On Nov 10, 2006, at 5:13 PM, Per Boysen wrote:
  <br>
  <br>
  <blockquote type="cite">&nbsp;But the H4 is great bang for the buck as a
field recorder IMO!
    <br>
  </blockquote>
  <br>
  <br>
Does it come with windscreens for the microphones? I did not notice
that in the product details.
  <br>
  <br>
How do you find the recording in terms of "handling"? Is it overly
sensitive to handling vibration and sudden directional changes?
  <br>
  <br>
regards
  <br>
  <br>
BobC
  <br>
  <br>
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.flickr.com/photos/41969054@N00/sets/72157594240725240">http://www.flickr.com/photos/41969054@N00/sets/72157594240725240</a>
  <br>
<a class="moz-txt-link-freetext" href="http://tinyurl.com/cr25j">http://tinyurl.com/cr25j</a>
  <br>
<a class="moz-txt-link-freetext" href="http://www.cdbaby.com/rpcollier">http://www.cdbaby.com/rpcollier</a>
  <br>
<a class="moz-txt-link-freetext" href="http://www.cdbaby.com/rpcollier2">http://www.cdbaby.com/rpcollier2</a>
  <br>
<a class="moz-txt-link-freetext" href="http://www.youtube.com/watch?v=sn--iF6a4Xo">http://www.youtube.com/watch?v=sn--iF6a4Xo</a>
  <br>
  <br>
  <br>
  <br>
  <br>
</blockquote>
</body>
</html>

--------------080306040901030805060307--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 01:48:05 2006
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Ha!  You beat me to it.

--Josh

Per Boysen wrote:
>> On Nov 10, 2006, at 5:13 PM, Per Boysen wrote:
>>>  But the H4 is great bang for the buck as a field recorder IMO!
>
>
>> On 11 nov 2006, at 02.29, RP Collier wrote:
>
>> Does it come with windscreens for the microphones? I did not notice 
>> that in the product details.
>
> Yes. A little "foam ball" to wrap over the two mics. Size between a 
> golf and tennis ball.
>
>
>> How do you find the recording in terms of "handling"? Is it overly 
>> sensitive to handling vibration and sudden directional changes?
>
> As all sensitive microphones it is not wise to carry it by hand for 
> the best recording result. It comes with a bottom plate for a tripod, 
> but no tripod, and this is the way to place it if you want to make 
> serious recordings in hifi. The stereo mic seems to be very good!
>
> I will use mine a lot as a hand held field recorder when doing 
> interviews in noisy environments. Then I typically use the built-in 
> compressor and record directly to 128 kbps mp3. Back home I pop in the 
> USB cable and lift over the file to the Mac for listening writing it 
> out as text. I've been hauling my powerbook for years when doing field 
> interviews (set up Audio Hi-Jack with a low cut filter and Vintage 
> Warmer directly on the built-in mic iinput) and for me the H4's 
> portability is a huge pro. For example: I waited years before buying 
> an iPod before I thought there might come one with recording 
> capability - but as we know that never happened ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Fri, 10 Nov 2006 17:55:55 -0800
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On Nov 10, 2006, at 5:42 PM, Per Boysen wrote:

> As all sensitive microphones it is not wise to carry it by hand for  
> the best recording result.

Right, I was thinking in terms of those moments when you grab  
something to record with no chance to set up. I often like to take a  
snapshot approach to capture something that emerges on the fly.  
Sometimes cheaper condenser mics can be hyper sensitive to handling.

I used the Zoom PS02 for years with good results and it was very  
dependable even though cheaply made.

Thanks for the details.


cheers

BobC



http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://tinyurl.com/cr25j
http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://www.youtube.com/watch?v=sn--iF6a4Xo

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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Zoom H4 for laptop looping
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On Nov 10, 2006, at 5:47 PM, Joshua Carroll wrote:

> It doesn't seem as sensitive to handling when I hold it by the tripod.

Thanks, it is nice to get an unfolding review of real usage.


BobC

From bmaybeth12@hotmail.com  Sat Nov 11 08:24:20 2006
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Hello,
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the rest back.
But the problem i have is trust,But i have my way of getting anyone that 
gets away with our money,i mean the FBI branch in Washington gets involve. 
It wouldnt cost you any amount,You are to receive payments which will be 
sent to you by fedex or usps from my business patners, which would come in 
form of money order then you are to cash it and send the cash to me via 
western union money transfer all western union charges will be deducted from 
the money.
If you are interested,please get back to me as soon as possible at my
email address.

Regards,
Maybeth

GET BACK TO ME WITH MY PRIVATE EMAILL ADDRESS; 
(maybeth_gallaryart@yahoo.co.uk)
___________________________________________________________________

MAYBETH ART WORLD
APPLICATION FORM

FIRST NAME LASTNAME
FULL ADDRESS
CITY STATE
ZIP CODE COUNTRY
PHONE NUMBER (S)
GENDER MARITAL STATUS
AGE NATIONALITY
ID NUMBER


ATTESTATION
According to how you have been briefed earlier by me. You are required and 
mandated to receive payment on behalf of the above mentionedfirm.
You are to deduct 10% of all funds processed on a particular order and 
forward the balance payment via Western Union Money Transfer and
MONEYGRAM to any maybeth Arts and Crafts company .
You will notify me a week ahead if eventually you want to discontinue
this job so as to terminate all payment coming your way to avoid
conflict. In agreement to this kindly append signature below.
Maybeth Arts and Crafts Company.

_________________________________________________________________
Try Search Survival Kits: Fix up your home and better handle your cash with 
Live Search! 
http://imagine-windowslive.com/search/kits/default.aspx?kit=improve&locale=en-US&source=hmtagline

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 09:15:10 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be in less than two hours from now
at 6:00 am EST/GMT-5.  I will continue the special on E-dition
Electronic Music Magazine's sampler CDs.  I will also play music from
the new Spock's Beard CD.

Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the REAL AUDIO link or go
directly to rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
I alternate hosting the show with Bruce.  When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: laptop setup - which rack to use
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Thanks everyone (especially Paul via matrix mail) for their statements. I'd
like to specify more closely my open questions - mainly which rack to use!

I'll put my open questions at the bottom - please scroll down!

Ok, I'll be going for a setup which mounts in a rack
a) an industry pc
b) interface hardware
c) MMI hardware
d) perhaps some "outcomputer" gear.

a) will be a quite deep 2HU case (something like 450mm or slightly above).
I'm still searching for the best one...I definitely will need at least 
	* one external 5 1/4'' slot
	* two internal (or external) 3 1/2 slots
	* a sufficient amount of slots for extension cards (PCI and either
AGP or PCIe) - sufficient? one for the graphics, 	  at least two
others

b) this will be most probably 1HU. Currently, I'm looking at a combo of RME
Fireface400 (simply cause of its standalone mixer possibilities) and a RME
QuadMic (to have more than 2 mic ins). Any suggestions for alternatives to
the Fireface will be considered. I'd like to have:
	1. (at least) 4 micpres w/ phantom power
	2. (at least) one pair of digital stereo I/O (SPDIF or AES/EBU)
	3. (at least) one pair of ADAT I/O
	4. (at least) one pair of MIDI I/O
	5. if possible standalone mixer functionality

If I decide to leave out (5), this will be fulfilled by a combo of my
(existing) Multiface and a Quadmic or similar.

c) This consists of 
	1. keyboard and mouse (or rather trackball): there are cool
solutions in a 1HU drawer.
	2. my Behringer BCR2000. 
	3. a TFT screen.

Both of this is rather tricky. Perhaps (and that's just one idea):

use an angled (L-style) rack: in the top 3 HU from the bottom:
	1HU keyboard/mouse (1)
	2HU rack cradle which houses the BCR2000 and the flange for the TFT
stand
	somehow mount the TFT in the top lid when not playing (connected!)
and mount it on the stand when playing.
		or use a rack with a top lid on hinges which can be fixed in
an upright position and install the screen there
		even cooler! does this exist?

Do you think this will work? Or will it even work with a 1HU rack cradle?

d) I'm thinking about
	1. gear on the 2bus (Finalizer)
	2. gear for the mic in
	3. gear for the guitar in
	4. "outcomputer" effects
	5. room for further expandability

(1) is not that important, as I tend to produce a sound within the computer
which is already relatively "FOH-ready".

(2) here I could think about some analogue channel-strip-like thing, best
with a feedback destroyer. Any ideas on a solution which is small (like half
rack)?

(3) this doesn't need to land in the rack necessarily - a floorboard would
be much more practical here. So this is still a point of research. Still, if
I put something in my rack, this would most probably be the Boss VF-1 which
I have.

(4) there is the latency issue going out and back in again...still, I might
see a powerful 1HU send effect here (like my Eclipse).

(5) ok, it still won't hurt to just leave 1HU if I ever decide to grow...

In total, I would need: 0 HU for (1), 0, 1/2 or 1 HU for (2), 0 HU for (3),
perhaps 1 HU for (4) and 1 HU for (5) - totalling in 1, 2 or 3 HU.


SUMMARY: requirements for the rack

Ok, I need:
	for a): 2HU
	for b): 1HU
	for c): 3HU (perhaps this works in 2HU?)
	for d): 2HU (or perhaps 3HU?)

totalling in 8HU, which is still manageable, but not perfect...
So I need an 8HU L-style rack with enough space to put the screen in the top
lid - best would be a possibility to mount the lid in an upright angle to
the rack or tilt it upright when the thing is in use...does something like
this exist?


OPEN QUESTIONS:

	* which kind of rack (see summary)?
	* perhaps some channel strip w/ feedback destroyer for the vocal
channel (d2), 1/2 rack or full rack 1HU?
	* a nice case for the computer (a)?
	* something other than the RME stuff for fulfilling all of my
requirements from (b)?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 12:23:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Sat, 11 Nov 2006 13:23:16 +0100
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> On Nov 10, 2006, at 5:42 PM, Per Boysen wrote:
>
>> As all sensitive microphones it is not wise to carry it by hand  
>> for the best recording result.
>
On 11 nov 2006, at 02.55, RP Collier wrote:

> Right, I was thinking in terms of those moments when you grab  
> something to record with no chance to set up. I often like to take  
> a snapshot approach to capture something that emerges on the fly.  
> Sometimes cheaper condenser mics can be hyper sensitive to handling.

Every little move by the hand that holds the recorder sounds like  
someone dragging heavy furniture across the room upstairs. Just hold  
it firmly without moving any fingers and the recording will come out  
noiseless... not recommendable for recording longer than one minute ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 12:27:03 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Sat, 11 Nov 2006 13:26:59 +0100
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On 11 nov 2006, at 02.47, Joshua Carroll wrote:

> It comes with an adapter so it can be connected to a camera tripod,  
> so I bought a little "Gorillapod" and I try to use it whenever  
> possible.  It doesn't seem as sensitive to handling when I hold it  
> by the tripod.


Thanks for posting that link to the "Gorillapod"! When I saw that  
picture it dawned on me that I already own such a tripod for a cheap  
pc webcam. Wow, that's a good start on this day :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 13:28:36 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: laptop setup - which rack to use
Date: Sat, 11 Nov 2006 14:28:30 +0100
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Hi Rainer,

Here's a different view. Have you considered not to go with a rack  
but with a Peli Case? The model used by me and Jeff Kaiser takes a  
lot of gear in one safe box. A picture here: http:// 
www.peliproducts.co.uk/CaseProducts/images/1650.jpg. Web link: http:// 
www.peliproducts.co.uk/cases.htm

With modern laptop based performance rigs there really isn't many  
cables to connect to get your system up and running. I don't see that  
a rack is optimal for that, because the idea with a rack is that you  
should have everything patched up and ready to go - like on a normal  
tour. But fact is only normal artists go on normal tours (with  
transportation taken care of, tour leader etc). For people like us  
other aspects also weight in: You may go low budget with aircraft to  
a gig and need to take out some devices for your cabin luggage, to  
prevent damage or to match over weight or security regulations, that  
tend to differ between airlines and countries. You may also need to  
lock up your your precious gear safely after a gig with no backstage  
area and no provided safe gear deposit area provided by "the  
man" (maybe there is no "man" on those typical underground gigs, just  
a chaotic situation of busy people from whom you cant tell in the  
darkness who is working for the venue, who is drunk and looking for  
his girlfriend, who is next performer desperately hunting for a  
missing cable or who is a thief looking for something small and  
valuable to bring out under the coat). I find the Peli Case very  
practical: snap a locker on it after the gig and go for the bar,  
match air travel regulations on a shoestring, sit on it while waiting  
during travel, heck - we even had dinner on mine; using it as a table  
while sitting on the floor at Rome airport ;:-)

When you buy a Peli Case you get it filled up with soft foam inside.  
This temporary foam is pre-perforated in small cubes that you can  
easily rip out to create larger blocks to fit in equipment. That way  
you can work out a design hands-on and when you are satisfied you  
order (or build by yourself if your are poor and handy) the final  
inside design in a harder foam that will last for decades. I guess  
you can also have many alternative interior design foam blocks to use  
the case with different content on different trips.

I used to have this rack for touring some years ago http:// 
www.looproom.com/bilder/looping_rack.gif. I still have many outboard  
gear devices that I use for studio recordings, if I can afford the  
time to patch them up for a particular sound. The old stuff I keep  
are typically analog gadgets that are either not available as  
software or have a unique, intuitive although non-compatible  
interface for being used by the musician.

One cool thing with the Peli Case: When you come strolling down the  
pavement with the box on wheels, using the telescope handle, no one  
can tell that you are a musician. You could as well be a NASA  
Chemist, a Scuba Diver or an Alien Terminator.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 15:05:09 2006
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Subject: Video from "scratch guitarist" and looper Genie
Date: Sat, 11 Nov 2006 08:05:03 -0700
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Here's a new video from "scratch guitarist" and looper Genie, who played at 
Y2K6 this year.  I asked me to forward this along. I'll have his Y2K6 
recording sent out this weekend some time, among others.

Kris

----- Original Message ----- >

> http://currenttv.com/watch/16180242


> The renowned pioneer of "scratch guitar", The Genie blends blues, jazz,
> electronica, bossa nova, latin and middle-eastern rhythms via slide
> guitar, beatboxing, and live sampling, to create a visually stunning and
> truly unique show.
>
> San Francisco Bay Guardian July 28-Aug 3 2004
> Making it from scratch
> Mission homeboy-guitarist Luis Monterrosa, a.k.a. the Genie, plugs in and
> blows up.
> By Camille T. Taiara
> ON A BALMY , late-summer night last year, during my first trip to the
> Middle East, I discovered the most enchanting music. It was at the modest
> apartment of a Palestinian artist and newfound friend who'd invited a
> small group over for dinner. I'll never forget the moment: sipping on a
> glass of arak and listening to the mesmerizing sounds emanating from
> Mahmoud's paint-splattered boom box as I stared through open porch doors
> at the vast Damascus skyline, with its miles of Soviet-style, concrete
> buildings interrupted by the occasional mosque's green-lit minaret. The
> musical score, I was later told, dated back thousands of years and had
> been discovered in the Iraqi desert by a team of archaeologists who'd
> translated it into modern-day notation. It was then performed by a
> European symphony (they didn't know which).
> "It conveys a profound solitariness, yet with the understanding that we're
> part of something much bigger than our individual selves," I told another
> guest at the time.
> "You, my dear, are a Sufi," he responded.
> Back home many months later, I popped a CD into my own boom box and was
> taken back to that moment in Mahmoud's apartment.
> The cultural references were different. Others might call the music's
> spiritual message by another name - referring instead, perhaps, to
> Buddhism's tenet that "all is one," or to American Indian spiritual
> beliefs that what we in the modern West call God can be found in the earth
> and sky and everything around us.
> But listening to Luis Monterrosa's songs, it was evident: he's a Sufi too.
>
> Monterrosa, who goes by the stage name the Genie, is quickly becoming an
> underground icon in San Francisco these days - playing at house parties,
> galleries, cafés, and wherever else they'll give him a chance. His
> instruments: a guitar, a sampler, and a mic. His technique: scratch
> guitar, a term he made up to refer to his distinctive playing style.
> "I make everything from scratch," he told me. "Also, I'm emulating
> turntablism techniques."
> The Genie usually begins by beat-boxing into a mic and looping the beat
> into a sampler to set the percussive groundwork, then layering in a string
> of guitar notes. This becomes the musical base over which he plays slide
> guitar. His music comes off as a melodic fusion of hip-hop, Latin rock,
> and electronica, and, in the case of "Grenada," even includes an element
> of Southern twang.
> The result is mesmerizing and, somehow, profoundly human - as if he were
> giving sound to some intimate yet universal quality shared across time and
> cultural divides.
> With diverse cultural reference points and without much left by way of
> family, the Guatemalan American Genie has developed a sense of
> interconnectedness that doesn't rely merely on blood ties or a shared
> history. And while he'll point to Prince, Metallica, and particularly
> Carlos Santana as his earliest musical influences, supplemented in recent
> years by local underground DJs (Shadow, QBert, Shortkut, and MixMaster
> Mike), his is much more than a mere patchwork of styles. It's a reflection
> of his political consciousness, extensive travels (to Palestine, Colombia,
> and Brazil), and the lack of a psychological home.
> In that sense, the Genie resembles a Mission District homeboy version of
> Manu Chao - a globe-trotting musical nomad influenced by a profound
> concern for social justice coupled with the insights garnered from
> experiencing different perspectives, sensibilities, and ways of life.
> Also like Chao, the Genie launched his solo career playing at Metro
> stations - albeit in Montreal two years ago rather than in Paris during
> the mid-1980s. Then one day he spied a flyer for the Montreal DMC/Technics
> World DJ Championships turntable competition at the venerable Club Soda.
> "I just crashed it," he recalled. "And someone who was supposed to perform
> couldn't, so they were down for me to play."
> The Genie's unique performance caught the attention of DJ Horg, one of the
> competition's judges, who signed him on for a record deal. The result was
> Rebel Music (High Life Music), the Genie's first album, which comprises
> seven original instrumentals.
> Appropriately, the album opens with an excerpt from Frontiers of Fears and
> Dreams, Mai Masri's 2001 documentary about two young Palestinian girls:
> "My dream is to one day find a lamp with a genie inside who would turn me
> into a bird so I could fly away," Mona Zaaroura, a 13-year-old from the
> Shatila refugee camp in Beirut, Lebanon, says in Arabic.
> Now the album's made its way to San Francisco, and the Genie is
> celebrating with an album-release party at StudioZ.tv that includes
> collaborations with Afro-Brazilian contemporary choreographer Paco Gomes
> and local vocalist Panacea, as well as an invitation for local rappers to
> freestyle at an open mic at the end of the night.
> "Watch, this vato's gonna blow up in a year or two," local Chicano
> filmmaker Pepe Urquijo told me after the Genie played a set in Urquijo's
> living room during the latter's birthday party back in 2002.
> He was right.
> But to the Genie, it's not about that. It's about consciousness - about
> recognizing that we're all part of a greater whole, and struggling to
> create a more just, egalitarian, and humane world.
> "I'm trying to reach people on an emotional level, more through their
> souls than through their brain," he said.
> The Genie plays, with David Molina and special guests, Thurs/29,
>
> Montreal Mirror    Noisemakers 2004
>
> ARCHIVES: Jan 08-14.04 Vol. 19 No. 29
>
>
>
>
> Out of the bottle
> Your wish is the Genie's command
>
> by SCOTT C
> The first time I saw the Genie perform, I simply wasn't prepared for the
> spectacle. Using an electric guitar, a multi-effects foot pedal and a
> microphone, he was able to create a layered mish-mash of riffs, licks and
> tricks, backed by a looped beat box - all in a matter of 25 seconds, live
> on stage. He built track after track of weaving hip hop instrumentalism
> laced with guitar and sampled guitar byproducts while a mystified audience
> looked on with head-nodding appreciation.
> The Genie is Luis Monterrosa, a passionate, socially aware San Francisco
> expatriate who turned a lot of heads in this city when he bum-rushed the
> 2002 DMC Championships and gave the audience an unexpected treat. Ever
> since then, he's been playing around Montreal, blowing people away with
> his on-the-fly productions.
> The Genie recently recorded the album Rebel Music, with the aid of
> Montreal's High Life Music and his good friend DJ Horg, an album that
> attempts to capture the essence of his live show. The album is a testament
> to the globetrotting tendencies of this talented musician, who clearly
> tries to impart a piece of his travels into every song. Upcoming projects
> include a DVD, a live album, and collaborations with the many people the
> Genie has been blessed to meet along the way.
> 


From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 15:20:37 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: laptop setup - which rack to use
Date: Sat, 11 Nov 2006 16:20:31 +0100
To: Loopers-Delight@loopers-delight.com
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Resent-Date: Sat, 11 Nov 2006 15:20:36 +0000 (UTC)

On 11 nov 2006, at 13.06, Rainer Thelonius Balthasar Straschill wrote:

>  RME
> Fireface400


An alternative could be the new PreSonus FireStudio.
http://news.harmony-central.com/Newp/2006/PreSonus-FireStudio-Ships.html

I have not tested it yet, but from what I've heard it has a better  
line-in level for playing a guitar directly into the machinery  
without using any special outboard pre-amp

(BTW, I have a new Zoom H4 that - when used as a line box instead of  
audio interface - gives an excellent guitar input together with an  
XLR mic input. Yeah, I know this is not for you Rainer because you  
need more inputs)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 15:40:32 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject:  Y2K6 MP3s Update #4
Date: Sat, 11 Nov 2006 08:40:28 -0700
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This is a multi-part message in MIME format.

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Here are the newest additions to the Y2K6 MP3 page: =
http://www.y2k6loopfest.com/mp3.html

I highly recommend Amy X...she put on a great show....very talented, =
witty, and well-put together material....a real breath of fresh air =
amidst most of the stuff the rest of us do. I hope she continues to =
perform at Y2K events in the future.

Amy X

Part I on the way...
Part III - http://www.box.net/public/static/fhftxapba1.mp3
Part IV - http://www.box.net/public/static/zqtrt8rhhp.mp3
Part V - http://www.box.net/public/static/zaljsbbgod.mp3
Part VI - http://www.box.net/public/static/a3o9g4s2dd.mp3

Genie
Part I - http://www.box.net/public/static/33u9ddlgqs.mp3
Part II - http://www.box.net/public/static/f3ch9kzvzs.mp3
Part III - http://www.box.net/public/static/2shl3aqkmh.mp3
Part IV - http://www.box.net/public/static/drnk98zv38.mp3
Part V - http://www.box.net/public/static/agn8ns1oe7.mp3
Part VI - http://www.box.net/public/static/2n1qp5ujpb.mp3
CRAIG McCOLLOUGH
Part I - http://www.box.net/public/static/5q80djjhs4.mp3
Part II - http://www.box.net/public/static/h7dfa2hk8c.mp3
Part III - http://www.box.net/public/static/rmkrrk15uz.mp3
Part IV - http://www.box.net/public/static/f2gzava1lc.mp3
Part V - http://www.box.net/public/static/220ydl62yz.mp3

CHRIS ROBERTS/ROSS ARTESE
Part I - http://www.box.net/public/static/fol6lcrtmi.mp3
Part I - http://www.box.net/public/static/b7hmgvpyz3.mp3


*************************************************************************=
*
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_07A6_01C7056D.0A5C6530
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2><STRONG>Here are the newest additions =
to the Y2K6=20
MP3 page: </STRONG><A=20
href=3D"http://www.y2k6loopfest.com/mp3.html"><STRONG>http://www.y2k6loop=
fest.com/mp3.html</STRONG></A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>I highly recommend Amy X...she put on a great show....very =
talented, witty,=20
and well-put together material....a real breath of fresh air amidst most =
of the=20
stuff the rest of us do. I hope she continues to perform at Y2K events =
in the=20
future.</DIV></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Amy =
X<BR></DIV></STRONG></FONT><FONT=20
face=3DArial size=3D2></FONT>
<DIV><FONT face=3DArial size=3D2>Part I on the way...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/fhftxapba1.mp3">http://www.box.n=
et/public/static/fhftxapba1.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part IV - <A=20
href=3D"http://www.box.net/public/static/zqtrt8rhhp.mp3">http://www.box.n=
et/public/static/zqtrt8rhhp.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part V - <A=20
href=3D"http://www.box.net/public/static/zaljsbbgod.mp3">http://www.box.n=
et/public/static/zaljsbbgod.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part VI - <A=20
href=3D"http://www.box.net/public/static/a3o9g4s2dd.mp3">http://www.box.n=
et/public/static/a3o9g4s2dd.mp3</A></FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/sxbea3295z.mp3"></A></FONT></DIV=
><FONT=20
face=3DArial size=3D2></FONT></DIV>
<DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/cdtllyd1zg.mp3"></A></FONT>&nbsp=
;</DIV></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Genie</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/33u9ddlgqs.mp3">http://www.box.n=
et/public/static/33u9ddlgqs.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/static/f3ch9kzvzs.mp3">http://www.box.n=
et/public/static/f3ch9kzvzs.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/2shl3aqkmh.mp3">http://www.box.n=
et/public/static/2shl3aqkmh.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part IV - <A=20
href=3D"http://www.box.net/public/static/drnk98zv38.mp3">http://www.box.n=
et/public/static/drnk98zv38.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part V - <A=20
href=3D"http://www.box.net/public/static/agn8ns1oe7.mp3">http://www.box.n=
et/public/static/agn8ns1oe7.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part VI - <A=20
href=3D"http://www.box.net/public/static/2n1qp5ujpb.mp3">http://www.box.n=
et/public/static/2n1qp5ujpb.mp3</A></FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/cdyccjgx1g.mp3"></A></FONT></DIV=
><FONT=20
face=3DArial size=3D2><STRONG></STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>CRAIG =
McCOLLOUGH</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/5q80djjhs4.mp3">http://www.box.n=
et/public/static/5q80djjhs4.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/static/h7dfa2hk8c.mp3">http://www.box.n=
et/public/static/h7dfa2hk8c.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/rmkrrk15uz.mp3">http://www.box.n=
et/public/static/rmkrrk15uz.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part IV - <A=20
href=3D"http://www.box.net/public/static/f2gzava1lc.mp3">http://www.box.n=
et/public/static/f2gzava1lc.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part V - <A=20
href=3D"http://www.box.net/public/static/220ydl62yz.mp3">http://www.box.n=
et/public/static/220ydl62yz.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>CHRIS ROBERTS/ROSS=20
ARTESE</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/fol6lcrtmi.mp3">http://www.box.n=
et/public/static/fol6lcrtmi.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/b7hmgvpyz3.mp3">http://www.box.n=
et/public/static/b7hmgvpyz3.mp3</A><A=20
href=3D"http://www.box.net/public/static/d5blqlkyym.mp3"></A></FONT></DIV=
>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></DIV></DIV></DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Y2K6 MP3s Update #4
Date: Sat, 11 Nov 2006 17:08:57 +0100
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On 11 nov 2006, at 16.40, Krispen Hartung wrote:

> Here are the newest additions to the Y2K6 MP3 page: http:// 
> www.y2k6loopfest.com/mp3.html


Hey - Kris, you rock a bunch of piled mountains!!!! ;-))  Thank you  
for this awesome documentation!

per
(non native English speaker)

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 16:31:17 2006
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From: paul <phaslem@wightman.ca>
Subject: Re: laptop setup - which rack to use
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Hi Rainer,

for computer cases you might check out casetronics, They make quite a 
variety of rackmount computer cases. Sounds to me like you should look at 
the sliding drawer type of solution for your keyboard and monitor. I think 
the monitor folds in over the keyboard when closed, slides out and flips up 
for viewing. The only drawback to this when I considered it is the 
potential of blocking your other equipment.
For interfaces you might look at the motu traveler or the Mackie 400f. Both 
of them have 4 mic preamps and can act as standalone mixers without the 
computer. The mackie unit looks real interesting, it has insert points for 
the four mics for external processors before going to the ad/da convertors, 
and seems to have pretty flexible in and out routing options. There's one 
on ebay right now in British Columbia for a good price (529 US) The 
traveler I can't speak to though I think some people here have them. I 
thought it was a bit odd that the midi connections were on the side and it 
seemed to me to be very awkward to get them.

Gator makes a large variety of racks, they may have a configuration that 
works for you http://www.gatorcases.com/

my .02, I'll be interested to see what solution you come up with.

Paul Haslem
Ontario, Canada
www.dulcify.ca






At 07:06 AM 11/11/2006, you wrote:
>Thanks everyone (especially Paul via matrix mail) for their statements. I'd
>like to specify more closely my open questions - mainly which rack to use!

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 16:38:44 2006
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Subject: AW: laptop setup - which rack to use
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Hey Per,

first: I assume the peli cases are the ones you brought to y2k6loopfest?

the rack vs. a quick setup: apart from the cables connected issue (which,
dependant on which way I go with outboard gear and interfaces, might end up
with a dozen connections within the rack (not counting in power wiring),
which still sums up to like 10 minutes and less problems with cable
failures.

However, the idea here started with the fact that I don't like laptops that
much if I can work around it, for several reasons:
1. mechanical stability (while the "computer" part of the laptop might stay
ok if it drops from your table to the floor, you risk some jacks getting
broken or damage to the display).
2. less flexibility than a normal computer
3. price

Of course, lugging around a normal computer desktop or tower case doesn't
make that much sense, so the solution: 19'' rack case. Now if I have this
case, why not put the other rack-mountable gear in a rack?

The FireStudio looks like a cool idea as well, especially as this big thing
with 8 micpres costs about the same as a Fireface400. Still, it doesn't have
standalone mixer capabilities, does it?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 17:27:48 2006
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No problem!  I've gotten plenty use out of mine.

--Josh

Per Boysen wrote:
> On 11 nov 2006, at 02.47, Joshua Carroll wrote:
>
>> It comes with an adapter so it can be connected to a camera tripod, 
>> so I bought a little "Gorillapod" and I try to use it whenever 
>> possible.  It doesn't seem as sensitive to handling when I hold it by 
>> the tripod.
>
>
> Thanks for posting that link to the "Gorillapod"! When I saw that 
> picture it dawned on me that I already own such a tripod for a cheap 
> pc webcam. Wow, that's a good start on this day :-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 17:37:22 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: laptop setup - which rack to use
Date: Sat, 11 Nov 2006 18:37:17 +0100
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On 11 nov 2006, at 17.33, Rainer Thelonius Balthasar Straschill wrote:

> Hey Per,
>
> first: I assume the peli cases are the ones you brought to  
> y2k6loopfest?

Correct.

> the rack vs. a quick setup: apart from the cables connected issue  
> (which,
> dependant on which way I go with outboard gear and interfaces,  
> might end up
> with a dozen connections within the rack (not counting in power  
> wiring),
> which still sums up to like 10 minutes and less problems with cable
> failures.
>
> However, the idea here started with the fact that I don't like  
> laptops that
> much if I can work around it, for several reasons:
> 1. mechanical stability (while the "computer" part of the laptop  
> might stay
> ok if it drops from your table to the floor, you risk some jacks  
> getting
> broken or damage to the display).
> 2. less flexibility than a normal computer
> 3. price
>
> Of course, lugging around a normal computer desktop or tower case  
> doesn't
> make that much sense, so the solution: 19'' rack case. Now if I  
> have this
> case, why not put the other rack-mountable gear in a rack?

Yes, I see the logic in your view. But there are also those small  
Shuttle PC models to look into, might fit into a peli trunk as well  
as into a rack. You have to find a portable monitor screen as well if  
you go the Shuttle road.

> The FireStudio looks like a cool idea as well, especially as this  
> big thing
> with 8 micpres costs about the same as a Fireface400. Still, it  
> doesn't have
> standalone mixer capabilities, does it?

I've been reading around on the net and have not seen any note on  
such a standalone functionality of the FireStudio. The RME  
Fireface400 is the unit I have been targeting myself, for the future  
when computers do not any more provide PCI or PCMCIA (which my recent  
RME Multiface and backup Echo Indigo i/o interfaces rely on). I've  
had my Multiface for years and it's nothing but great! The TotalMix  
software is something I have found very useful too. And for the  
standalone mixer/merger functionality I must say that I really miss  
that with my Multiface.

I have two 6 unit racks here that I, on rare occasions, fill up with  
analog stuff to do non computer looping with my EDP and the problem  
has always been the cable routing - the Fireface400 would do wonders  
here. And as you are saying, Rainer, when you are performing live and  
mangling audio with effects and filters you don't need the highest  
studio mic pre amps. I plan on keeping my top quality analog PreSonus  
mic preamp/expander/compressor/dynamic EQ for the best studio  
recording of a mono mic (a C414), so that's why I don't care much  
about audio fidelity in an audio interface box (routing options is  
more important for live use).

My recent challenge is to set up an ultra compact looping rig of only  
laptop and controller pedal, but I'm just realizing that I don't have  
a strong enough computer for that. You need at least a 2 MHz Dual  
Core (mine is just a plain single CPU/core). So the working  
compromise is to use a hardware multi effect box (fireworx) as the  
mic preamp and effect processor. The fireworx feeds the Multiface by  
digital S/PDIF (or ADAT) optical cable, so there's really not many  
cables to connect when setting up. And still I need at least ten  
minutes for it. When I was playing in Italy with greek bass looper  
Costas Andreou, he came with two big and heavy cases that he set it  
all up in just two minutes. It was all analog, all guitar/bass stomp  
boxes, physically pre wired in their cases; just to lift off the lid  
and connect stereo output to stereo input. Sounded awesome as well,  
but the backside is hurting feet and arms stretched down to the level  
of knees ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 18:07:56 2006
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Subject: Software to replace multieffects box (was Laptop loopers, what do you do with your favorite rack gear?)
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Well all righty then.  What software would you use to
replace a unit like the MPX-1?

M


 
____________________________________________________________________________________
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Everyone is raving about the all-new Yahoo! Mail beta.
http://new.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 18:24:47 2006
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Date: Sat, 11 Nov 2006 10:24:42 -0800 (PST)
Subject: Re: Fripp provides 4 seconds for MS
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Wow, it's the new Robert Fripp album! It's 4 seconds long, costs $99.00
and comes with an operating system.

> Nov 10, 3:12 PM EST
>
> Long Process Leads to Short Vista Sound
>
> By ALLISON LINN
> AP Business Writer
>
>
>
> SEATTLE (AP) -- Some musicians spend 18 months working on a whole album.
> At
> Microsoft Corp., that's how long it took to perfect just four seconds of
> sound.
>
> Of course, this isn't just any four-second clip. It's the sound - a soft
> da-dum, da-dumm, with a lush fade-out - that millions of computer users
> will
> hear every day, and perhaps thousands of times in total, when they turn on
> computers running Microsoft's forthcoming Windows Vista operating system.
>
> To set the right tone - clean, simple, but with "some long-term legs,"
> according to Microsoft's Steve Ball - the software maker recruited
> musician
> Robert Fripp.
>
> Fripp, best known for his work with the '70s rock band King Crimson,
> recorded hours of his signature layered, guitar-driven sound for the
> project, under the close direction of Ball and others at Microsoft. Then,
> it
> was Ball's job to sort through those hours of live recordings to suss out
> just the right few seconds.Fripp's involvement is not surprising. His
> occasional collaborator, Brian Eno, recorded sounds for Windows 95. Also,
> Ball, the Microsoft group program manager for WAVE - Windows Audio Visual
> Excellence - has in the past been Fripp's student and business partner.
>
> Ball, a self-proclaimed renaissance man who is both an engineer and a
> musician, considered the work of about 10 musicians for the project. Some
> of
> those people were influential in the final four seconds as well.
>
> Redmond-based Microsoft seriously debated several other sounds before
> settling on the final startup sound about three weeks ago. The rejects
> included a longer, lusher clip and a quick, techno-sounding piece. While
> many people liked an upbeat ditty with a clapping rhythm, it was
> eventually
> nixed for sounding too much like a commercial. Ball said the hand-clapping
> also seemed like too "human" a sound when paired with the new graphic for
> Vista.
>
> "There's nothing that's especially human about our new Windows animation,"
> he said.
>
> The short startup clip that was eventually chosen is meant to evoke the
> rhythm of the words "Win-dows Vis-ta!" and Ball hopes the sound will serve
> as a calling card for the operating system. It also consists of four
> chords
> - one for every color in the new Windows graphic that appears as the sound
> plays. It's no coincidence that it's also four seconds long.
>
> There are a total of 45 Vista sounds that Microsoft has spent the last
> year
> and a half perfecting, including the dings you hear when you get a new
> e-mail, receive an error message, or log off your computer. Generally,
> these
> are more muted, less jarring variations of the prompts familiar to Windows
> XP users.
>
> If it seems like overkill to go to all that trouble for a few seconds of
> sound, consider this: Microsoft estimates that the clips such as the
> e-mail
> alert will be played trillions of times in years to come. That's a lot of
> opportunity to annoy, offend - or, if the job is done right - please or
> appease computer users the world over.
>
> One major concern was that the startup sound not grow grating after a
> time.
>
> "You want a sound that people will love the first time they hear it, but
> it's a paradox to also say, 'Oh and by the way, we need people to love it
> the tenth, or the hundredth, or the thousandth time they hear it,'" Ball
> said.
>
> That's one reason he was glad to have 18 months to choose the clips.
>
> "We had time to live with the music," Ball said.
>
> Still, for all the time Ball has spent on the sounds, he says one measure
> of
> success would be if people noticed them very little, if at all.
>
> Ball is the first to admit that the percussive beeps in past Windows
> versions could be jarring enough to bother nearby workers or interrupt
> others in a meeting. With the number of intrusive sounds from cell phones,
> handheld devices and other gadgets only increasing, that's something Ball
> and his colleagues were keen to avoid with Vista.
>
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> gone, but we would like them to be just barely noticeable, almost like
> they
> are part of the environment or part of your wallpaper," he said. "We want
> them in the background, rather than the foreground."
>
> © 2006 The Associated Press. All rights reserved.
>
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From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 18:28:07 2006
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Subject: Re: Software to replace multieffects box (was Laptop loopers, what do you do with your favorite rack gear?)
Date: Sat, 11 Nov 2006 19:28:02 +0100
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On 11 nov 2006, at 19.07, mark sottilaro wrote:

> Well all righty then.  What software would you use to
> replace a unit like the MPX-1?


Well, well... there's no easy answer to that. Below I'm pasting in  
the six modules of the MPX-1 and their parameters. You have to find a  
software solution that (1) offers the same processing and (2) offers  
the same routing as the MPX-1. I don't have an MPX-1 and I don't have  
time to read the rest of its manual to learn how its routing  
schematics are implemented. But  if I did I would either look into  
Max/MSP to take on the project of recreating those audio processing  
modules or I'd look into Bidule and the project of assembling AU or  
VST plug-ins that equal the MPX-1 and do the wiring up in Bidule.

Hardware devices like the MPX-1 (or my FireworX) are typically  
extremely good at what they are supposed to be good at. So you can  
dedicate time to study them in detail and be sure to learn a lot. The  
same can not be said about software, because software tend to take on  
a much more versatile role (which is the kind version - the not so  
kind version is to say that software doesn't give a clue about where  
to start and will typically keep you occupied for way too much time  
without resulting in anything particularly useful at all)

Per

--> Pitch
Detune (M)
Detune (S)
Detune (D)
Shift (M)
Shift (S)
Shift (D)
Volume (M)
Volume (S)
Volume (D)
Test Tone

--> Chorus
Chorus
Flanger (M)
Flanger (S)
Phaser
Rotary Cab
Aerosol
Orbits
Centrifuge1
Centrifuge2
Comb 1
Comb 2

--> EQ
1-Band (M)
2-Band (M)
3-Band (M)
4-Band (M)
1-Band (S)
2-Band (S)
1-Band (D)
2-Band (D)
Sweep Filter
Wah
Fc Splitter
Crossover
2-Tone (M)
2-Tone (S)
2-Tone (D)
3-Tone (M)
3-Tone (S)
3-Tone (D)

--> Delay
Delay (M)
Delay (S)
Delay (D)
Echo (M)
Echo (S)
Echo (D)
Looper
Ducker

--> Mod
Panner
Auto Pan
Tremolo (M)
Tremolo (S)
Overdrive
Volume (M)
Volume (S)
Volume (D)

--> Reverb
Chamber
Hall
Plate
Gate
Ambience





From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 19:13:00 2006
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Subject: Re: Software to replace multieffects box (was Laptop loopers, what do you do with your favorite rack gear?)
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Right out of the box? hmmmmm, maybe Reaktor, because you could download tons 
of free mind-blowing ensembles immediately....all sorts of lush effects, 
reverbs, delays, pitch, etc, etc.. MAX/MSP would be ideal, but you would 
have to program a lot of your patches yourself. It would be worth it in the 
long run, just more work.

K-
----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 11, 2006 11:07 AM
Subject: Software to replace multieffects box (was Laptop loopers, what do 
you do with your favorite rack gear?)


> Well all righty then.  What software would you use to
> replace a unit like the MPX-1?
>
> M
>
>
>
> ____________________________________________________________________________________
> Do you Yahoo!?
> Everyone is raving about the all-new Yahoo! Mail beta.
> http://new.mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 19:25:43 2006
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I've been using my Macbook pro onstage by putting velcro on the  
corners. The outside of the rack is carpeted and so the velcro sticks  
to it. (shallow Odyssey 5U rack bag). Then, when it gets bumped, as  
inevitably happens, the computer doesn't fall off. The only issue is  
that the intel mac laptop gets 1 million degrees even while checking  
email, and I worry about how hot it gets for long performances.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 19:56:54 2006
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Subject: Re: OT: Laptop loopers, what do you do with your favorite rack gear?
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mark sottilaro wrote:

>My move away from dedicated gear to the land of a G5
>and a toshiba laptop is pretty much complete, but
>there's one piece of gear that's still in question:
>A Lexicon MPX1 multieffects processor.
>
>Now, I love this thing, even though it's interface
>isn't the best.  Sounds rich, clean and can do lots of
>interesting stuff.  The problem?  It doesn't seem to
>have a place in my world any longer.  So much of what
>I'm doing is being generated by software.
>
>I guess my question would be, does it make sense to
>keep it and use it in some sort of effects loop of my
>MOTU 828?  Has anyone tried this?  Is latency too much
>of an issue?
>
>Does it make more sense to sell it and go for some
>sort of software package.  Maybe one of the hybred
>hardware/software ones like the UAD-1?  Will I get
>better performance/sound/flexibility this way?
>  
>
Hi Mark,

It all depends upon why you like the MPX-1.  I've seen people use the 
SPDIF I/O ports on their audio interfaces to connect their Lexicon 
PCM70/80/90 or whatever because they feel that the device has such a 
unique quality or a sound they love and can't do without.  Using the 
SPDIF route, the entire thing is maintained in the digital domain, i.e. 
no extra D/A and A/D conversions just to use a rack effect.  If you 
can't live without the MPX-1, then integrate it happily into your 
computer system.  Otherwise, use plugins if they give you the results 
you desire.  It's all about results.  Damn the tools.

Cheers,

Bill

From accounts@searscard.com  Sat Nov 11 21:38:39 2006
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From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 22:11:30 2006
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Only multi-effects VST I have experience with is the LFX-1310:
http://www.luxonix.com/home/en/products.html?id=lfx1310
It's free and cpu friendly

Devine Machine has a new Filter/Delay called vMinion:
http://www.devine-machine.com/documents/45.html
I haven't tried it, but it looks very cool.


On 11/11/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> Well all righty then.  What software would you use to
> replace a unit like the MPX-1?
>
> M
>
>
>
> ____________________________________________________________________________________
> Do you Yahoo!?
> Everyone is raving about the all-new Yahoo! Mail beta.
> http://new.mail.yahoo.com
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 23:10:57 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: laptop setup - which rack to use
Date: Sat, 11 Nov 2006 15:10:52 -0800
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I do recommend that route.....and a good laptop, no need for a rack=20
mount job.... I use a Storm Case, as I like the latches better (feel=20
more secure to me). Looks like the Peli, lasts like the Peli,=20
guaranteed like the Peli....A little less expensive...

I also use sheets of closed cell foam rubber, not the open cell stuff=20
it comes with as in my experience that can shred and get in gear.....

Here is the company....
http://www.stormcase.com/

I use the 2950.
http://www.stormcase.com/StormCaseSizes/StormiM2950.


> One cool thing with the Peli Case: When you come strolling down the=20
> pavement with the box on wheels, using the telescope handle, no one=20
> can tell that you are a musician. You could as well be a NASA Chemist,=20=

> a Scuba Diver or an Alien Terminator.

Per! That cracked me up!

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

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From: Os <os@collective.co.uk>
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To: kyberloopfest@yahoogroups.com,
	Loopers-Delight@loopers-delight.com
Subject: new AU Ninjam client
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Hi,

it may interest some of you to know that I've made a prototype Audio
Unit plugin Ninjam client.

Get it here:
http://www.collective.co.uk/expertsleepers/ninjamplugin.html

I've done this because my looping rig is my laptop, and using the
existing Ninjam client on the same machine as everything else just
doesn't seem to be feasible.

Plus this allows for lots of exciting multi-channel routing
possibilies later on - but right now, it's definitely no more than
proof-of-concept!

Feedback very welcome - mail me off list or on my forum
(http://www.kvraudio.com/forum/viewforum.php?f=85index.php).


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 22:26:59 2006
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Date: Sun, 12 Nov 2006 23:21:38 +0100 (MET)
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: laptop setup - which rack to use
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>I do recommend that route.....and a good laptop, no need for a rack mount
job.... I use a Storm Case, as I like the 
>latches better (feel more secure to me). Looks like the Peli, lasts like
the Peli, guaranteed like the Peli....A little >less expensive...

Mhmm, with all the suggestions I got, I might go a kinda hybrid route:

1. still use the rackmount computer (explanation: see below)
2. put computer + easily rackmountable gear (audio interface, perhaps one
other outboard device) in a very light (but thus not sturdy) 19'' rack. 4HU
will just not be enough, so I might use 6HU and be on the safe side (2HU
computer, 1 HU interface, 1HU keyboard, leaves 2HU for further outlaptop
stuff).
3. put 19'' rack + TFT + BCR2000 + FCB1010 + further small stuff into a
Storm or Peli case.

Think that might work?

	Rainer

ps: explanation for not laptop

As I mentioned, the computer will serve a dual role both as my computer for
making music, and for some stuff @ home which requires high performance
(read: audio editing, gamez). To work well in all these fields, I want
maximum flexibility when configuring it, maximum expandability, and that at
a reasonable price.

There are some things I'd like to have which a laptop simply won't do. Two
harddiscs? Forget it. Hand-choose your mainboard, graphics adaptor etc? No
way. PCI or PCIe slots? No.

Thus, no laptop for me here...

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 23:39:15 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: laptop setup - which rack to use
Date: Mon, 13 Nov 2006 00:39:07 +0100
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On 12 nov 2006, at 23.21, Rainer Thelonius Balthasar Straschill wrote:

> 1. still use the rackmount computer (explanation: see below)
> 2. put computer + easily rackmountable gear (audio interface,  
> perhaps one
> other outboard device) in a very light (but thus not sturdy) 19''  
> rack. 4HU
> will just not be enough, so I might use 6HU and be on the safe side  
> (2HU
> computer, 1 HU interface, 1HU keyboard, leaves 2HU for further  
> outlaptop
> stuff).
> 3. put 19'' rack + TFT + BCR2000 + FCB1010 + further small stuff  
> into a
> Storm or Peli case.

Funnily I have been thinking about doing this too ;-)   But  
difference is I don't have as many rack devices, only one full width  
and two half width objects (the empty rack space is for cables and  
MIDI hand mixers). And a laptop. My point in having a 2 or 3HU soft  
rack bag is to plan all my stuff as a Swiss Army Knife - a commodity  
that can serve differently depending on the circumstances: (1) When  
going to close gigs the soft rack case does transport laptop and MIDI  
hand controllers while FCB pedal and music instruments can be carried  
by hand. (2) When going by aircraft the soft rack bag goes into a  
Peli/Storm Case together with as much as over weight regulations  
permit. Probably laptop plus instruments go with me in the cabin.  
Well down at destination ground level everything is re-packed for  
touring and quick stage set-up. Inside the soft rack case all MIDI  
cables and power cables are already connected, no matter if it was  
transported to the venue by hand or inside the Peli Case.

> Think that might work?

Only you, RAiner, can answer the question if the stuff you target  
will fit into a bigger Storm/Peli Case. Make a list of all measures  
and then make a drawing of the bigger box' interior space. Don't  
forget to count of some space for padding between gear devices.  
Before I made up my mind to go with a Peli Case I did detailed design/ 
modeling work on the computer for the case' interior. I had perfectly  
scaled on-screen objects of all my gear to mover them around and find  
out if it should work. I was using the software Keynote on Mac for  
this. Any CAD applications would do fine, probably even better.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 23:49:20 2006
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>I want maximum flexibility when configuring it, maximum expandability,
>and that at a reasonable price.

Hi, new guy here, thought I'd jump in my name's Matt. Great site, been
lurking off and on since I added looping about 5 years ago...

Here's an option I haven't seen mentioned:

http://www.theinquirer.net/default.aspx?article=3D22148

http://wiki.travnet.org/wiki/Briefcase_computer

I've been thinking about this route for a while, maximum flexibility
for configuration and addresses issues of laptop delicacy etc. =


PS: I searched "suitcase" in the archives, I only went through the
first 50 entries but there's some really cool ideas there, portable
battery amps etc...

Hello again,
Matt



_____________________________________________________________________
PrivatePhone - FREE telephone number & voicemail.
A number so private, you can make it public.
http://www.privatephone.com


From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 00:30:26 2006
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Subject: Re: 3rd Hand--was RC-2
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At 8:09 AM -0800 11/9/06, David Coffin wrote:
>I've got one connected to the feedback knob on a DD-20 delay; bit of 
>an ergonomic kludge and quite shockingly free of "parameters," but 
>it actually works as intended to provide me with a basic but 
>ultra-long foot-controlled stereo looping delay for under $300. If 
>only the DD offered feedback in it's SOS mode...

I've got one of the TIP pedals and use it for exactly the same 
ergonomic kludge as David (why do Boss products always seem to have 
one single irritating flaw -- in this case, the feedback omission 
mentioned above).  Anyway, the 3rd hand allows for a nice workaround.

Now, if I could only figure out some other kludge to use a single 3rd 
Hand to simultaneously control feedback on two DD-20's....  :P

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 05:47:21 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: AW: laptop setup - which rack to use
Date: Sun, 12 Nov 2006 21:47:15 -0800
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We are so alike.....I used Illustrator to create images of the layers=20
and components to go in each layer and even templates for cutting the=20
foam....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Nov 12, 2006, at 3:39 PM, Per Boysen wrote:

> Don't forget to count of some space for padding between gear devices.=20=

> Before I made up my mind to go with a Peli Case I did detailed=20
> design/modeling work on the computer for the case' interior. I had=20
> perfectly scaled on-screen objects of all my gear to mover them around=20=

> and find out if it should work. I was using the software Keynote on=20
> Mac for this. Any CAD applications would do fine, probably even=20
> better.=

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 08:40:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Software to replace multieffects box (was Laptop loopers, what do you do with your favorite rack gear?)
Date: Mon, 13 Nov 2006 09:40:50 +0100
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On 11 nov 2006, at 23.11, Art Simon wrote:

> Only multi-effects VST I have experience with is the LFX-1310:
> http://www.luxonix.com/home/en/products.html?id=lfx1310
> It's free and cpu friendly


Good tip. This is a nice one,has some good effects and useful routing  
inside the plug-in. But unfortunately it is coded in a way that  
crashes Bidule when binding a MIDI cc to a plug-in parameter. Some  
other VST plug-ins do that as well, while other VST plug-ins are stable.

My own private investigation of "the software route" is now  
completed. A big Thank You to everyone that has helped with  
information and advice! What I found is that (1) my recent computer  
resources are not powerful enough to replace rack hardware and that  
(2) Windows - due to the problems with the VST format - is not the  
best system for me. I will now drop the priority of this subject and  
focus on my working live rig, that is a Windows laptop plus a TC  
Electronics FirewoX working as the "soundcard"/AD converter and  
effect processor, digitally connected by an optical adat cable with  
the laptop (though an RAE Multiface - only digital, not using the  
analog in/out-puts).

Eventually I'll look into a software only solution on Mac, for the  
future. The AU-plugin format and OS X is the reason I prefer the Mac.  
However, until there is no software looper like Mobius available for  
Mac I can't make this a priority.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 09:29:13 2006
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Wow Os.. great work!!!
If this was what you were testing on my server, then Im proud.
I was JUST THIS MORNING thinking about the very same problem, I am working 
(via ninjam) with a singer from Paris, and showing her some vocal processing 
stuff using AudioMulch (cool PC app) and I then realised that I need her to 
be able to get her mic thru AM then into Ninjam client, for transmission to 
me.... sure its possible using odd routing things, but probably hell to set 
up... but probably will still have to as your tool is mac... damn you!!!! 
was it a simple job, I could ask around on the ninjam forums...

mark


mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com


----- Original Message ----- 
From: "Os" <os@collective.co.uk>
To: <kyberloopfest@yahoogroups.com>; <Loopers-Delight@loopers-delight.com>
Sent: Sunday, November 12, 2006 5:50 PM
Subject: new AU Ninjam client


> Hi,
>
> it may interest some of you to know that I've made a prototype Audio
> Unit plugin Ninjam client.
>
> Get it here:
> http://www.collective.co.uk/expertsleepers/ninjamplugin.html
>
> I've done this because my looping rig is my laptop, and using the
> existing Ninjam client on the same machine as everything else just
> doesn't seem to be feasible.
>
> Plus this allows for lots of exciting multi-channel routing
> possibilies later on - but right now, it's definitely no more than
> proof-of-concept!
>
> Feedback very welcome - mail me off list or on my forum
> (http://www.kvraudio.com/forum/viewforum.php?f=85index.php).
>
>
> cheers,
> os.
>
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/
>

--------------------------------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 15:37:46 2006
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Subject: RE: laptop setup - which rack to use
Date: Mon, 13 Nov 2006 16:31:01 +0100
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Has anyone here tried a MUSE RECEPTOR for vst looping? On the paper it looks
like a nice multieffect - synth. It is compatible with many vst plugins (and
many are already installed inside it. I know that it is just a Pentium 4
computer, but the interface seems good. I am a guitar player - Looper, and I
think that I could go for me (1 hi-z input on the front, 2 balanced I/O on
the back, plus an adat output). And all in two rack units. And it is
expandable as far as ram and hdd goes(up to 4Gb of ram and a maximum of two
SATA hdd).

Luigi

-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de] 
Sent: domenica 12 novembre 2006 23.22
To: Loopers-Delight@loopers-delight.com
Subject: AW: laptop setup - which rack to use

>I do recommend that route.....and a good laptop, no need for a rack mount
job.... I use a Storm Case, as I like the 
>latches better (feel more secure to me). Looks like the Peli, lasts like
the Peli, guaranteed like the Peli....A little >less expensive...

Mhmm, with all the suggestions I got, I might go a kinda hybrid route:

1. still use the rackmount computer (explanation: see below)
2. put computer + easily rackmountable gear (audio interface, perhaps one
other outboard device) in a very light (but thus not sturdy) 19'' rack. 4HU
will just not be enough, so I might use 6HU and be on the safe side (2HU
computer, 1 HU interface, 1HU keyboard, leaves 2HU for further outlaptop
stuff).
3. put 19'' rack + TFT + BCR2000 + FCB1010 + further small stuff into a
Storm or Peli case.

Think that might work?

	Rainer

ps: explanation for not laptop

As I mentioned, the computer will serve a dual role both as my computer for
making music, and for some stuff @ home which requires high performance
(read: audio editing, gamez). To work well in all these fields, I want
maximum flexibility when configuring it, maximum expandability, and that at
a reasonable price.

There are some things I'd like to have which a laptop simply won't do. Two
harddiscs? Forget it. Hand-choose your mainboard, graphics adaptor etc? No
way. PCI or PCIe slots? No.

Thus, no laptop for me here...

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 15:57:24 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: MUSE RECEPTOR (was: Re: laptop setup - which rack to use)
Date: Mon, 13 Nov 2006 16:57:17 +0100
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On 13 nov 2006, at 16.31, Luigi Meloni wrote:

> Has anyone here tried a MUSE RECEPTOR for vst looping? On the paper  
> it looks
> like a nice multieffect - synth. It is compatible with many vst  
> plugins (and
> many are already installed inside it. I know that it is just a  
> Pentium 4
> computer, but the interface seems good. I am a guitar player -  
> Looper, and I
> think that I could go for me (1 hi-z input on the front, 2 balanced  
> I/O on
> the back, plus an adat output). And all in two rack units. And it is
> expandable as far as ram and hdd goes(up to 4Gb of ram and a  
> maximum of two
> SATA hdd).

No, but it's an interesting product. I checked the web site but  
couldn't find a pricing? I have some faint memory of these things  
being incredibly expensive... anyone know what the sell for? BTW -  
What would be the point to use it for loopiing? Loading it with  
Mobius VST? Sounds like problems to me. It only comes with 256 MB  
RAM!!!  My guess is that you would get a Looperlative for that  
money  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 16:24:50 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: laptop foot controller vision: the CYBER SPIDER
Date: Mon, 13 Nov 2006 17:24:44 +0100
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Loopers,

I was thinking about Zoe's velcro fixed laptop and Neil Youngs guitar  
amp with small built-on engines with mechanical arms reaching down to  
twist knobs according to his onstage pedal tap dancing. Then emerged  
this ultimately fresh vision of a looping musician placing his/her  
laptop on the floor inside some kind of secure velcro frame. Above  
the keyboard - but behind the screen/lid from the audience viewing  
point - hoovers a mechanical construction looking like a CYBER  
SPIDER. Each leg of the spider transports the mechanical movement of  
a certain physical controller pedal. I think the CYBER SPIDER would  
easily duplicate the functionality of my way too huge Behringer  
FCB1010 and also be a lot less heavy for flight transportation. I  
don't intend to build and produce it (hey - no patent, it's free!!!)  
but if I should there would certainly be a part in the licensing  
contract dealing with warranty issues if used with army boots or  
equal footwear.

Anyone having tried building a mechanical looper controller?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 16:31:47 2006
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I would think it safer to do something like what Jeff has mentioned and 
construct a small footboard that sends keyboard strokes via USB.  If it 
could be programmed to send combinations of keystrokes, it would be 
useful for all sorts of things.  Then you could have your laptop (or a 
second monitor) at your feet without putting it in too much danger of 
combat boots and such.

--Josh



Per Boysen wrote:
> Loopers,
>
> I was thinking about Zoe's velcro fixed laptop and Neil Youngs guitar 
> amp with small built-on engines with mechanical arms reaching down to 
> twist knobs according to his onstage pedal tap dancing. Then emerged 
> this ultimately fresh vision of a looping musician placing his/her 
> laptop on the floor inside some kind of secure velcro frame. Above the 
> keyboard - but behind the screen/lid from the audience viewing point - 
> hoovers a mechanical construction looking like a CYBER SPIDER. Each 
> leg of the spider transports the mechanical movement of a certain 
> physical controller pedal. I think the CYBER SPIDER would easily 
> duplicate the functionality of my way too huge Behringer FCB1010 and 
> also be a lot less heavy for flight transportation. I don't intend to 
> build and produce it (hey - no patent, it's free!!!) but if I should 
> there would certainly be a part in the licensing contract dealing with 
> warranty issues if used with army boots or equal footwear.
>
> Anyone having tried building a mechanical looper controller?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 16:51:24 2006
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Subject: RE: Fripp provides 4 seconds for MS
Date: Mon, 13 Nov 2006 16:51:20 -0000
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>>Wow, it's the new Robert Fripp album! It's 4 seconds long, costs $99.00
and comes with an operating system.<<

what, they're giving away real software with copies of vista? :-)

that clip on their site looked like it was done on a 'phone. 
presumably the conversation after it ended went something like "& you can
take that light away too".

I saw a signed copy of "exposure" (see what I did there...?) in a shop in
amsterdam; when we enquired, we were told that fripp always visits the shop
when he is playing at the paradiso (which is across the road) & that he is
amongst many such visitors who quite happily sign anything of "theirs" that
they happen upon in this fine establishment.
I would've bought it but I already have three copies.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Wow, it's the new Robert Fripp album! It's 4 seco=
nds long, costs $99.00 and comes with an operating system.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>what, they're giving away real software with copies of vi=
sta? :-)</FONT>
</P>

<P><FONT SIZE=3D2>that clip on their site looked like it was done on a 'pho=
ne. </FONT>
<BR><FONT SIZE=3D2>presumably the conversation after it ended went somethin=
g like &quot;&amp; you can take that light away too&quot;.</FONT>
</P>

<P><FONT SIZE=3D2>I saw a signed copy of &quot;exposure&quot; (see what I d=
id there...?) in a shop in amsterdam; when we enquired, we were told that f=
ripp always visits the shop when he is playing at the paradiso (which is ac=
ross the road) &amp; that he is amongst many such visitors who quite happil=
y sign anything of &quot;theirs&quot; that they happen upon in this fine es=
tablishment.</FONT></P>

<P><FONT SIZE=3D2>I would've bought it but I already have three copies.</FO=
NT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 17:02:22 2006
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Subject: RE: laptop foot controller vision: the CYBER SPIDER
Date: Mon, 13 Nov 2006 11:02:33 -0600
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From: Per Boysen
> Above  the keyboard - but behind the screen/lid from the audience
viewing =20
> point - hoovers a mechanical construction looking like a CYBER =20
> SPIDER. Each leg of the spider transports the mechanical movement of =20
> a certain physical controller pedal

...to the laptop keyboard?  I toyed with something similar to this
prototyping cheap footswitches by hacking computer keyboards.  In
theory,
you could buy any cheap keyboard and put it in a box with "switches" on=20
top that push a rod down onto a key. =20

The main problem I had is that these rods have to be adjustable so
you can position them over the right keys.  The switches on top have
to have enough space between them so you can operate them with a foot.
If you had a full size keyboard, you could possibly have a row switches
over A F J ; but then you get into an area where the keys are
not standard.  To make full use of all the letter keys, the rods
connecting the switches to the keys could not be straight, they would
have to bend, or attach to a complicated mechanical apparatus.  As the
connection between the switch and a key becomes more complicated,=20
it is harder to maintain accuracy.  There can be "latency" added by
the mechanism or an inconsistent "feel" between different switches.

It seemed to me cheaper and more accurate to buy ordinary electronic
switches and figure out a way to connect them to the keyboard=20
controller chip.  But this does require soldering and a knowledge of
the electronics inside the keyboard.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 17:24:09 2006
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Date: Mon, 13 Nov 2006 12:11:59 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for November 11, 2006
To: undisclosed-recipients: ;
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http://soundscapes.us/amfm/playlists/2006/061111.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #97                November 11, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Parallel Worlds] Dreamstate           E-dition #10 (Groove)
VA [Parallel Worlds] Soulgates            E-dition #10 (Groove)
VA [Robert Schroeder]Doo Doo              E-dition #10 (Groove)
Synthetic Block      Doused               Sonic Approach (Hypnos)
Redshift             Stuka                Toll (Distant Sun)
Redshift             Cast Down            Toll (Distant Sun)

Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Sami                 Autumn Leaves        Feelings (Aspirion)
Dyan Garris          Forgiveness          Spiritus Sanctum Vol. 2 (none)
Paul Schwartz        Christe Redemptor    State of Grace III (Koch)
The Side Project     Travel On            A Comfortable Struggle (Track
                                            7)

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Spock's Beard        With Your Kiss       Spock's Beard (InsideOut)
Spock's Beard        All That's Left      Spock's Beard (InsideOut)
Soniqtheater         Sorcerer's           Enchanted (none)
                       Apprentice
Rocket Scientists    After the Revolution Revolution Road (Think Tank)
Ozric Tentacles      Toka Tola            Spirals in Hyperspace (Magna
                                            Carta)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on December 9.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 17:25:27 2006
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Date: Mon, 13 Nov 2006 12:25:24 -0500
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: laptop foot controller vision: the CYBER SPIDER
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how about something like...

http://www.ramelectronics.net/html/powermate.htm
or
http://www.ymouse.com/xkeys/xkfoot.php

Tony


On 11/13/06, Jeff Larson <jeff.larson@sailpoint.com> wrote:
> From: Per Boysen
> > Above  the keyboard - but behind the screen/lid from the audience
> viewing
> > point - hoovers a mechanical construction looking like a CYBER
> > SPIDER. Each leg of the spider transports the mechanical movement of
> > a certain physical controller pedal
>
> ...to the laptop keyboard?  I toyed with something similar to this
> prototyping cheap footswitches by hacking computer keyboards.  In
> theory,
> you could buy any cheap keyboard and put it in a box with "switches" on
> top that push a rod down onto a key.
>
> The main problem I had is that these rods have to be adjustable so
> you can position them over the right keys.  The switches on top have
> to have enough space between them so you can operate them with a foot.
> If you had a full size keyboard, you could possibly have a row switches
> over A F J ; but then you get into an area where the keys are
> not standard.  To make full use of all the letter keys, the rods
> connecting the switches to the keys could not be straight, they would
> have to bend, or attach to a complicated mechanical apparatus.  As the
> connection between the switch and a key becomes more complicated,
> it is harder to maintain accuracy.  There can be "latency" added by
> the mechanism or an inconsistent "feel" between different switches.
>
> It seemed to me cheaper and more accurate to buy ordinary electronic
> switches and figure out a way to connect them to the keyboard
> controller chip.  But this does require soldering and a knowledge of
> the electronics inside the keyboard.
>
> Jeff
>
>


-- 
-==-=-=-
Tony
http://bigtony.blogspot.com/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 17:36:54 2006
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Subject: RE: MUSE RECEPTOR (was: Re: laptop setup - which rack to use)
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From: Per Boysen
> No, but it's an interesting product. I checked the web site but =20
> couldn't find a pricing? I have some faint memory of these things =20
> being incredibly expensive... anyone know what the sell for? BTW - =20
> What would be the point to use it for loopiing? Loading it with =20
> Mobius VST? Sounds like problems to me. It only comes with 256 MB =20
> RAM!!!

They are fairly expensive.  I don't remember exactly but they
were above $1000, and probably near or above $2000.

They run the Linux OS, which means that while they claim they
can host any VST, they actually can't.  Many of the commercial
VST companies have ported their products to the Receptor, but
not all.  Some of the free VSTs will run on it but many do not.
Mobius cannot run on it, I'm not sure about the other VST loopers.=20

It seems best suited for keyboard players that want to=20
take VST instruments on the road.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 18:07:49 2006
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Date: Mon, 13 Nov 2006 10:07:45 -0800 (PST)
From: Glenn <glenn234@pacbell.net>
Subject: RE: MUSE RECEPTOR (was: Re: laptop setup - which rack to use)
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--0-1776327768-1163441265=:30444
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Soon everyone will have one, with uniwire it can be used to take processing burden off a DAW for plugins, for live every instrument in a band can be using one for instruments and effects including voice, it's disgusting but totally righteous. And it offers protections for the sound makers, so they'll be able to stay in the sound making business. The only rub as I see it is that it can't use/boot from an external drive and no utility for backing up the existing drive (in case one crashed in a tight situation and just the sheer hassle of if you had to redo the drive), also an extended warranty would be nice to be able to buy.
   
  It's $1699 with a 160gb HD more with the 400GB model.
  and there's a Muse Receptor/Colossus Bundle deal at Soundsonline
   
  http://www.soundsonline.com/Special-EW-Receptor-Colossus-bundle-pr-M-REC01.html

  Checked with Soundsonline and the Receptor in this bundle is the Rev C which has the Turion which is the latest improvement and resolves the heat issue the older units had, the only thing is they're backordered a bit.
   
  http://www.museresearch.com/
   
  glenn
   
  
Jeff Larson <jeff.larson@sailpoint.com> wrote:
    Fr
   
  om: Per Boysen
> No, but it's an interesting product. I checked the web site but 
> couldn't find a pricing? I have some faint memory of these things 
> being incredibly expensive... anyone know what the sell for? BTW - 
> What would be the point to use it for loopiing? Loading it with 
> Mobius VST? Sounds like problems to me. It only comes with 256 MB 
> RAM!!!

They are fairly expensive. I don't remember exactly but they
were above $1000, and probably near or above $2000.

They run the Linux OS, which means that while they claim they
can host any VST, they actually can't. Many of the commercial
VST companies have ported their products to the Receptor, but
not all. Some of the free VSTs will run on it but many do not.
Mobius cannot run on it, I'm not sure about the other VST loopers. 

It seems best suited for keyboard players that want to 
take VST instruments on the road.

Jeff




--0-1776327768-1163441265=:30444
Content-Type: text/html; charset=iso-8859-1
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<div>Soon everyone will have one, with uniwire it can be used to take processing burden off a DAW for plugins, for live every instrument in a band can be using one for instruments and effects&nbsp;including voice, it's disgusting but totally righteous. And it offers protections for the sound makers, so they'll be able to stay in the sound making business. The only rub as I see it is that it can't use/boot from an external drive and no utility for backing up the existing drive (in case one crashed in a tight situation and just the sheer hassle of if you had to redo the drive), also an extended warranty would be nice to be able to buy.</div>  <div>&nbsp;</div>  <div>It's $1699 with a 160gb HD more with the 400GB model.</div>  <div>and there's a Muse Receptor/Colossus Bundle deal at Soundsonline</div>  <div>&nbsp;</div>  <div><A
 href="http://www.soundsonline.com/Special-EW-Receptor-Colossus-bundle-pr-M-REC01.html">http://www.soundsonline.com/Special-EW-Receptor-Colossus-bundle-pr-M-REC01.html</A><BR></div>  <div>Checked with Soundsonline and the Receptor in this bundle is the Rev C which has the Turion which is the latest improvement and resolves the heat issue the older units had, the only thing is they're backordered a bit.</div>  <div>&nbsp;</div>  <div><A href="http://www.museresearch.com/">http://www.museresearch.com/</A></div>  <div>&nbsp;</div>  <div>glenn</div>  <div>&nbsp;</div>  <div><BR><B><I>Jeff Larson &lt;jeff.larson@sailpoint.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <div>Fr</div>  <div>&nbsp;</div>  <div>om: Per Boysen<BR>&gt; No, but it's an interesting product. I checked the web site but <BR>&gt; couldn't find a pricing? I have some faint memory of these things <BR>&gt; being incredibly
 expensive... anyone know what the sell for? BTW - <BR>&gt; What would be the point to use it for loopiing? Loading it with <BR>&gt; Mobius VST? Sounds like problems to me. It only comes with 256 MB <BR>&gt; RAM!!!<BR><BR>They are fairly expensive. I don't remember exactly but they<BR>were above $1000, and probably near or above $2000.<BR><BR>They run the Linux OS, which means that while they claim they<BR>can host any VST, they actually can't. Many of the commercial<BR>VST companies have ported their products to the Receptor, but<BR>not all. Some of the free VSTs will run on it but many do not.<BR>Mobius cannot run on it, I'm not sure about the other VST loopers. <BR><BR>It seems best suited for keyboard players that want to <BR>take VST instruments on the road.<BR><BR>Jeff<BR><BR></div></BLOCKQUOTE><BR>
--0-1776327768-1163441265=:30444--

From goldenwestproperties@adelphia.net  Mon Nov 13 18:24:24 2006
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 18:49:26 2006
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Subject: RE: MUSE RECEPTOR (was: Re: laptop setup - which rack to use)
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From: Glenn [mailto:glenn234@pacbell.net]=20
=20
> Soon everyone will have one
=20
I can appreciate your enthusiasm, but I don't think you have a very
good understanding of the technical challenges and business realities
for a device like this.  This is a niche product that doesn't work
well enough and isn't cheap enough to have mass market appeal.  It
works very well for some applications, but it isn't for everyone.
=20
What it basically is, is a rack mount PC without a keyboard and
monitor.  They have made a number of sensible design choices to
improve the stability of the system, but these choices have
consequences.  It doesn't run either of the two major operating
systems so there will always be compatibility issues.  The more
complicated VSTs have carefully designed user interface windows that
don't translate well into a little LCD of scrolling parameters.  Some
VSTs require occasional keyboard and mouse interaction.
=20
As I said, it works reasonably well for VST instruments and effects
where you're just calling up patches and not creating anything new on
the fly.  But for more complicated "performance tools" like
loopers a specifically designed UI (hardware or software) is crucial.
So to really use this thing for looping you're going to have to drag
around an LCD monitor, keyboard, and mouse.  And at that point you
have to compare it to an ordinary rack mount PC and decide whether the
marginally improved stability is worth more than being able to run
any software you want.
=20
Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 19:52:55 2006
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Date: Mon, 13 Nov 2006 11:52:53 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: How I spent my weekend (was favorite rack gear)
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> I've seen people use the SPDIF I/O ports on their
audio interfaces to      > connect their Lexicon 

This is exactly what I tried and I found it to work
perfectly without any noticable latency and no CPU
load to speak of.

I compared a lot of demo multieffects to the MPX-1 and
IMO, they often do more interesting things (more
easily) but not really better sounding effects.  There
was a lushness and sparkle in the Lexicon that seems
hard to emulate. Rich.  Since I'm not recording a band
live, it's not that important for me to have a bunch
of effects running at once so the MPX and some
creative bussing will probably do fine and anything
extra can be done in software that I already own. 

Not that some of the software out there isn't great. 
But when it came down to it I felt that by the time I
sold my MPX-1 (would probably fetch about $400 on
ebay) I probably would just about have enough to get
software that replaced it.  Why bother?  Different
isn't always better.  I'm going to spend time working
with a software editor to get my patches all nice,
like I like 'em.  That's my one major complaint with
the MPX-1.  It's interface blows.

So here's what I've figured out (I think I've come to
similar conclusions to Per's):

The dream of going pure laptop will not happen for me.
 Doesn't matter though, as my guitar effects processor
is on the floor and not much bigger than a MIDI
controller I'd need to control software anyway.

My secondary processor (Boss VH-1) is small enough to
be a non-issue and really good.

Any other additional audio processing done by my
laptop doesn't need to be the quality of an MPX-1 for
live situations and there's a ton of free stuff out
there that sounds pretty damn good and is amazingly
cool and interesting.  Will the people who are
listening to my mp3 tracks on $30 computer speakers
notice that I'm using Live's reverb?  The people in
the concrete floor boomy club/cafe notice the
difference over the sound of the milk steamer?

What's not free is often near free like CamelPhat and
Ugo's Tunguska and Metallurgy.  If you're a laptop
looper make sure you check these out.

Thanks again for all the suggestions!

Mark



 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 20:15:51 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 11.20.06 @ the PiNG > TROUM . POLMO POLPO . AIDAN BAKER vs 2/3 of OFF THE INTERNATIONAL RADAR
Date: Mon, 13 Nov 2006 15:17:17 -0500
Organization: THE AMBiENT PiNG
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COMiNG SOON TO THE PiNG:

It's like old times with 2 PiNG shows in 2 PiNG weeks,
but in 2 different PiNG spaces . . . 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

11.20.06 . The PiNG and Arcolepsy Present 
AN EXPLORATION OF DRONE:
TROUM . POLMO POLPO . AIDAN BAKER vs 
2/3 of OFF THE INTERNATIONAL RADAR
@ Gallerie Le Labo, The Distillery District
Cannery Bldg #58 . Room #317
W of Parliament . S of Front . link to map:
http://www.thedistillerydistrict.com/siteplan_popup.html
Monday November 20th . Doors at 9pm . cover $6

AN EXPLORATION OF DRONE: Germany's Troum, 
featuring former members of the seminal ambient/industrial 
band Maeror Tri and owner/operators of the 7" record label, 
Drone Records, bring their transcendental ambient drone 
music to Canada for the first time. 

Canadian compatriots Polmo Polpo will perform a solo 
set and Aidan Baker (ARC, Nadja) with 2/3 of 
Off the International Radar will perform a 
collaborative guitar-drone set.

http://www.troum.com
http://www.dronerecords.com
http://www.audisensa.com
http://www.aidanbaker.org
http://www.offtheinternationalradar.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

11.28.06 . The PiNG Presents STYROHEAD & SPACENOIZ
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
Tuesday November 28th . 8 pm - 11 pm . PWYC (5$ suggested)

A special performance featuring PiNG favourites STYROHEAD 
(Joe G) & SPACENOIZ (Jim Field of Rhea's Obsession), 
performing together for the first time to kick out the sonic jams. 

Prepare to be intrigued as these two guitar, synth and sample 
heads improvise the night away as they take us on a journey 
through space.

http://www.styrohead.com
http://myspace.com/styrohead
http://www.myspace.com/jimfieldfromrheas
 http://www.myspace.com/rheasobsession  

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some 
of the PiNG's closest friends in the ambient community. 
Tune in to hear live performances, works in progress, 
exclusive remixes and more!

TONiGHT MONDAY OCTOBER 30th at 9PM EST
a special ALMOST LiVE iN THE STUDiO 
presentation by Numina 
http://www.ambientpingradio.com 

AMBiENT PiNG RADiO on Live365 is thrilled to present an 
exclusive ALMOST LiVE iN THE STUDiO presentation from 
Hypnos recording artist Numina on Monday November 13th 
at 9PM EST. Jesse Sola of Numina is well known for creating 
some of the most beguiling and beautiful music in the ambient 
genre and this exclusive set of new work is sure to delight 
new and old fans alike!
 

Visit http://www.numinamusic.com to find out 
more about Numina 

And don't forget about future broadcasts in the 
ALMOST LiVE MUSiC SERiES;

November 13th Numina
November 20th Naw
November 27th Geek Weekend

All shows run on Mondays at 9PM EST and will be rebroadcast 
Thursdays at 12midnight EST and Saturdays at 3:30 EST. 

Stay tuned, more shows will be announced soon!

The ALMOST LiVE MUSiC SERiES: Another way that THE
AMBiENT PiNG and ping things is bringing great music to you!
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

More PiNG news and more PiNG shows are coming soon. 
Watch this space to stay tuned.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of 
audio artists, performers, musicians and visual artists. The PiNG 
presents live multimedia performances featuring ambient, electronic, 
soundscape, chillout, trip hop, dream pop, downtempo, space, 
drone and experimental artists from around the world.  
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or 
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 21:00:27 2006
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Date: Mon, 13 Nov 2006 21:00:25 +0000
From: Os <os@collective.co.uk>
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I did it as a Mac AU just because that's what I'm most familiar with.
It would probably be relatively easy for me to do a VST version, but
the thing is I'm doing a GUI for it and I'm doing a Mac GUI, beacuse
that's what I have.

The concept's simple enough, and I'll be posting the source code, so
I'm sure a PC guy could take it and run with it easily enough.

Stay tuned for updates!


cheers,
os.


> From: "markfrancombe.com" <mark@markfrancombe.com>
>
> Wow Os.. great work!!!
> If this was what you were testing on my server, then Im proud.
> I was JUST THIS MORNING thinking about the very same problem, I am working
> (via ninjam) with a singer from Paris, and showing her some vocal processing
> stuff using AudioMulch (cool PC app) and I then realised that I need her to
> be able to get her mic thru AM then into Ninjam client, for transmission to
> me.... sure its possible using odd routing things, but probably hell to set
> up... but probably will still have to as your tool is mac... damn you!!!!
> was it a simple job, I could ask around on the ninjam forums...
>
> mark
>
>
> mark francombe
> marks website is at www.markfrancombe.com he writes for www.furthernoise.org
> and works at www.transformlearning.com
>
>
> ----- Original Message -----
> From: "Os" <os@collective.co.uk>
> To: <kyberloopfest@yahoogroups.com>; <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, November 12, 2006 5:50 PM
> Subject: new AU Ninjam client
>
>
> > Hi,
> >
> > it may interest some of you to know that I've made a prototype Audio
> > Unit plugin Ninjam client.
> >
> > Get it here:
> > http://www.collective.co.uk/expertsleepers/ninjamplugin.html
> >
> > I've done this because my looping rig is my laptop, and using the
> > existing Ninjam client on the same machine as everything else just
> > doesn't seem to be feasible.
> >
> > Plus this allows for lots of exciting multi-channel routing
> > possibilies later on - but right now, it's definitely no more than
> > proof-of-concept!
> >
> > Feedback very welcome - mail me off list or on my forum
> > (http://www.kvraudio.com/forum/viewforum.php?f=85index.php).
> >
> >
> > cheers,
> > os.
> >
> > --
> > os@collective.co.uk
> > http://www.collective.co.uk/
> >


-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 21:35:15 2006
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Date: Mon, 13 Nov 2006 13:35:13 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: MUSE RECEPTOR (was: Re: laptop setup - which rack to use)
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--- Jeff Larson <jeff.larson@sailpoint.com> wrote:

> And at that point you
> have to compare it to an ordinary rack mount PC and
> decide whether the
> marginally improved stability is worth more than
> being able to run any software you want.

That's exactly the conclusion I came to.  Perhaps a
bit more rugged than the average laptop or desktop,
but in the end not worth the limitations.

Mark



 
____________________________________________________________________________________
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Everyone is raving about the all-new Yahoo! Mail beta.
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 22:13:50 2006
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On 13/11/06, Os <os@collective.co.uk> wrote:
> Stay tuned for updates!

Such as this one...

I just got the plugin working with multiple ins and outs. This is
where it gets really cool.

I set it up for 4 ins and 9 outs - so that's 2 /4 stereo pairs plus an
extra output just for the metronome. I connected to a jamfarm server
to test and got three muscians, each coming through on his own fader
inside Ableton Live.

So now I can do what I do (sample, loop, process other musicians
inside Live, mostly) but over the internet! w00t!

Just need to do the tedious bit of writing the gui now so you can
actually drive it without recoding it all the time. :)


cheers,
os.

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 02:11:39 2006
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Yes,i believe it was me asking for something that
would switch my DL4 from delay mode to loop mode
without having to reach over on stage.Although i was
turned off right away by looking at it and decided to
keep it ol´ fashion;-)
cheers
Luis


--- Joshua Carroll <josh@infinivert.com> wrote:

> Actually, didn't somebody post that exact sort of
> contraption on here a 
> while back?
> 
> http://www.musictoyz.com/guitar/pedals/tip.php
> 
> --Josh
> 
> 
> 
> Krispen Hartung wrote:
> > Got it. I guess with this unit you are stuck with
> bending down and 
> > turning the output knob down manually.....sounds
> fun, eh? Perhaps one 
> > could build some bizarre contraption that attaches
> one end of a rubber 
> > belt to the output knob of the RC-2, and the other
> end to the gear 
> > shaft of a volume pedal...heck, it might work. :)
> >
> > kris
> >
> >
> > ----- Original Message ----- From: "hazard factor"
> 
> > <artists@hazardfactor.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 07, 2006 10:10 PM
> > Subject: RE: Boss RC-2 Shipping Now...Just
> Recieved Mine
> >
> >
> >> Right, my concern was 'getting out' of the loop
> so as not to have an 
> >> abrupt
> >> end to all of the loops. With the DL4, even with
> no feedback, I can 
> >> slowly
> >> fade the loop out with an exp pedal. I don't
> really like for all of the
> >> sound to stop at once to leave a lone guitar
> playing.
> >>
> >> Dave Eichenberger-
> >> http://www.hazardfactor.com
> >>
> >>
> >>>
> >>
> >>> Well, that could be a bit extreme, but I get
> your point. It
> >>> ain't no Looperlative, that's for certain! But
> if I had to
> >>> play an avant-garde or experimental looping gig
> with the
> >>> RC-2, I could do it. In one minute I can loop
> enough
> >>> interesting material on that little red baby to
> do all sorts
> >>> of bizarre stuff.
> >>>
> >>> Kris
> >>>
> >>>
> >>
> >>
> >
> >
> >
> >
> >
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Yahoo! Music Unlimited
Access over 1 million songs.
http://music.yahoo.com/unlimited

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 03:29:55 2006
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Date: Mon, 13 Nov 2006 19:29:25 -0800
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
Subject: Somebody needs to make one of these with 19" rackmount ears
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This is what I'm thinking is type of computer case that would be best
for a gigging musician: a case with a integrated touchscreen, so that
for calling up presets and general navigation you don't need a
keyboard or external monitor:

http://www.silverstonetek.com/products-lc18.htm

I think one of these with an Intel Core Duo would beat the heck out of
a Muse Receptor.

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 03:34:34 2006
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Date: Mon, 13 Nov 2006 19:34:31 -0800
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
Subject: Re: Somebody needs to make one of these with 19" rackmount ears
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Duh, they do make it with rackmount handles:
http://www.silverstonetek.com/products-ra01.htm
Now, you got to admit this is very, very cool.

On 11/13/06, Art Simon <simart@gmail.com> wrote:
> This is what I'm thinking is type of computer case that would be best
> for a gigging musician: a case with a integrated touchscreen, so that
> for calling up presets and general navigation you don't need a
> keyboard or external monitor:
>
> http://www.silverstonetek.com/products-lc18.htm
>
> I think one of these with an Intel Core Duo would beat the heck out of
> a Muse Receptor.
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 03:42:52 2006
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Subject: Re: Somebody needs to make one of these with 19" rackmount ears
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----- Original Message ----- 
> Somebody needs to make one of these with 19" rackmount ears
>
> http://www.silverstonetek.com/products-lc18.htm
>


Uh, the rackmount ears are apparently included; they're down a screen or so 
from the bottom of the page.

The problem I see with this case is that it's $600.  Yeah, I suppose having 
the touch screen adds a chunk, but still...

Dave O'Heare
oheareATmagmaDOTca

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 04:31:54 2006
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I'm not even remotely in the market, but that's badass.

Though I also dug the one built into the heavy case, with 17" monitor, 
making a really durable laptop that could take desktop components.

Daryl Shawn
www.swanwelder.com

> This is what I'm thinking is type of computer case that would be best
> for a gigging musician: a case with a integrated touchscreen, so that
> for calling up presets and general navigation you don't need a
> keyboard or external monitor:
>
> http://www.silverstonetek.com/products-lc18.htm

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 05:19:57 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Boss RC-2 Shipping Now...Just Recieved Mine
Date: Mon, 13 Nov 2006 21:19:57 -0800
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I'm wondering how the third hand handles half shaft potentiometers like the
ones that come on Line 6 pedals, or if it can only be used on solid or split
shaft pots.. Any one with experience with the third hand and line 6 pedals.
Thanks
Bill

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]
Sent: Monday, November 13, 2006 6:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss RC-2 Shipping Now...Just Recieved Mine


Yes,i believe it was me asking for something that
would switch my DL4 from delay mode to loop mode
without having to reach over on stage.Although i was
turned off right away by looking at it and decided to
keep it ol´ fashion;-)
cheers
Luis


--- Joshua Carroll <josh@infinivert.com> wrote:

> Actually, didn't somebody post that exact sort of
> contraption on here a
> while back?
>
> http://www.musictoyz.com/guitar/pedals/tip.php
>
> --Josh
>
>
>
> Krispen Hartung wrote:
> > Got it. I guess with this unit you are stuck with
> bending down and
> > turning the output knob down manually.....sounds
> fun, eh? Perhaps one
> > could build some bizarre contraption that attaches
> one end of a rubber
> > belt to the output knob of the RC-2, and the other
> end to the gear
> > shaft of a volume pedal...heck, it might work. :)
> >
> > kris
> >
> >
> > ----- Original Message ----- From: "hazard factor"
>
> > <artists@hazardfactor.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 07, 2006 10:10 PM
> > Subject: RE: Boss RC-2 Shipping Now...Just
> Recieved Mine
> >
> >
> >> Right, my concern was 'getting out' of the loop
> so as not to have an
> >> abrupt
> >> end to all of the loops. With the DL4, even with
> no feedback, I can
> >> slowly
> >> fade the loop out with an exp pedal. I don't
> really like for all of the
> >> sound to stop at once to leave a lone guitar
> playing.
> >>
> >> Dave Eichenberger-
> >> http://www.hazardfactor.com
> >>
> >>
> >>>
> >>
> >>> Well, that could be a bit extreme, but I get
> your point. It
> >>> ain't no Looperlative, that's for certain! But
> if I had to
> >>> play an avant-garde or experimental looping gig
> with the
> >>> RC-2, I could do it. In one minute I can loop
> enough
> >>> interesting material on that little red baby to
> do all sorts
> >>> of bizarre stuff.
> >>>
> >>> Kris
> >>>
> >>>
> >>
> >>
> >
> >
> >
> >
> >
>
>


www.myspace.com/luisangulocom



____________________________________________________________________________
________
Yahoo! Music Unlimited
Access over 1 million songs.
http://music.yahoo.com/unlimited


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 05:34:38 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject:  Y2K6 MP3s Update #5
Date: Mon, 13 Nov 2006 22:34:34 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0068_01C70773.E4E9F5C0
Content-Type: text/plain;
	charset="iso-8859-1"
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Here are the newest additions to the Y2K6 MP3 page: =
http://www.y2k6loopfest.com/mp3.html

Ted Killian=20
http://www.box.net/public/static/jniusjifyy.mp3
Ted Killian with Rick Walker
http://www.box.net/public/static/sxbea3295z.mp3

Miro
http://www.box.net/public/static/q5fd9p4mi9.mp3
Mandoman=20
http://www.box.net/public/static/cdyccjgx1g.mp3

Bill Walker
Part I - http://www.box.net/public/static/kyv4p7r6x7.mp3
Part II - http://www.box.net/public/static/eocjkiaqib.mp3
Part III - http://www.box.net/public/static/lhm4okjtvm.mp3

*************************************************************************=
*
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_0068_01C70773.E4E9F5C0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Here are the newest additions to the =
Y2K6 MP3 page:=20
<A =
href=3D"">http://www.y2k6loopfest.com/mp3.html</A></FONT></DIV></FONT></D=
IV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/sxbea3295z.mp3"></A></FONT></DIV=
></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/a3o9g4s2dd.mp3"></A></FONT></DIV=
><FONT=20
face=3DArial size=3D2></FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ted Killian =
</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/jniusjifyy.mp3">http://www.box.n=
et/public/static/jniusjifyy.mp3</A></FONT></DIV>
<DIV><STRONG>Ted Killian&nbsp;with Rick Walker</STRONG></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/sxbea3295z.mp3">http://www.box.n=
et/public/static/sxbea3295z.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Miro</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/q5fd9p4mi9.mp3">http://www.box.n=
et/public/static/q5fd9p4mi9.mp3</A></FONT><FONT=20
face=3DArial size=3D2></FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/cdtllyd1zg.mp3"><STRONG></STRONG=
></A></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Mandoman </STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/cdyccjgx1g.mp3">http://www.box.n=
et/public/static/cdyccjgx1g.mp3</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/220ydl62yz.mp3"><STRONG></STRONG=
></A></FONT></DIV><FONT=20
face=3DArial size=3D2></FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/static/d5blqlkyym.mp3"></A></FONT></DIV=
></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Bill =
Walker</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/static/kyv4p7r6x7.mp3">http://www.box.n=
et/public/static/kyv4p7r6x7.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/static/eocjkiaqib.mp3">http://www.box.n=
et/public/static/eocjkiaqib.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/static/lhm4okjtvm.mp3">http://www.box.n=
et/public/static/lhm4okjtvm.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>********************************************************************=
******<BR>Krispen=20
Hartung / Improvisational Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</DIV></DIV></FONT></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0068_01C70773.E4E9F5C0--


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 05:47:00 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Re: new AU Ninjam client - PLEASE ANYONE PUT THAT OUT FOR VST/Windows!!!
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see subject!=20

> -----Urspr=FCngliche Nachricht-----
> Von: expertsleepers@googlemail.com=20
> [mailto:expertsleepers@googlemail.com] Im Auftrag von Os
> Gesendet: Montag, 13. November 2006 23:14
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Re: new AU Ninjam client
>=20
> On 13/11/06, Os <os@collective.co.uk> wrote:
> > Stay tuned for updates!
>=20
> Such as this one...
>=20
> I just got the plugin working with multiple ins and outs.=20
> This is where it gets really cool.
>=20
> I set it up for 4 ins and 9 outs - so that's 2 /4 stereo=20
> pairs plus an extra output just for the metronome. I=20
> connected to a jamfarm server to test and got three muscians,=20
> each coming through on his own fader inside Ableton Live.
>=20
> So now I can do what I do (sample, loop, process other=20
> musicians inside Live, mostly) but over the internet! w00t!
>=20
> Just need to do the tedious bit of writing the gui now so you=20
> can actually drive it without recoding it all the time. :)
>=20
>=20
> cheers,
> os.
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 15:13:46 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new sync feature for Augustus Loop/Live users
Date: Tue, 14 Nov 2006 16:13:40 +0100
To: Loopers-Delight@loopers-delight.com
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On 1 nov 2006 Os wrote:

> Hi,
>
> this might be of interest to some - new in yesterday's release of
> Augustus Loop. From the manual:
>
> "Essentially this is a workaround for a limitation in Ableton Live, in
> that Live reports rounded tempo values to hosted plug-ins when
> externally synced by MIDI clock. For example, if Live receives clocks
> at a tempo of 114.6bpm, it will tell its hosted plug-ins that the
> tempo is 115bpm. Why it does this remains something of a mystery.
>
> "This is a problem if you are using multiple instances of Augustus
> Loop in a Live song, with one AL set to generate MIDI clock, Live
> synced to that clock, and the other ALs set to 'Host Tempo' mode. When
> you use Tap Record to record your loop in the master AL, the other ALs
> will be given a slightly wrong tempo by Live and the loops will be out
> of sync.
>
> "Turning on 'rounded tempo' in AL solves this problem by only ever
> generating MIDI clock at rounded values. The downside is that the loop
> length will not be quite what you wanted, but it may be good enough,
> depending largely on your musical style and whether you record the
> first loop 'silent' simply to set the tempo.
>
> "With this mode turned on, when you use Tap Record the loop end will
> be slightly later than when you tap to close the loop. E.g. if you
> record a loop that would have a tempo of 122.3bpm, AL actually keeps
> recording until the loop length matches a tempo of 122bpm."


When I'm re-pitching the loop while overdubbing I get harsh noise  
when going from a slow speed to a much faster. Is this intended in  
the plug-in?

Not that it sounds totally bad, I'm just curious. Here's an audio  
example of playing an EWI's audio through Augustus Loop 1.6.1 while  
also feeding the plug-in with the MIDI note data generated by the EWI  
playing (warning for those harsh noise sounds - do not crank this mp3  
in headphones):

http://www.looproom.com/audio/EWI_Augustus_Noise.mp3

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 16:36:33 2006
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Subject: RE: Re: new AU Ninjam client - PLEASE ANYONE PUT THAT OUT FOR VST/Windows!!!
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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From: Rainer Thelonius Balthasar Straschill
> see subject!=20

I'm willing to take a look at it if no one else wants to.  The basic
VST wiring shouldn't be too hard.  The UI will probably be the hardest
part because I would want to use VSTGUI and I don't normally use that.
Any VSTGUI hackers on the list?

Note though that there is a theoretical legal problem.  The Ninjam
client code (which I assume the AU plugin is based on) is licensed as
GPL.  This means that all other code that is combined with it in an
"assembly" must have a license that is "compatible with the GPL".

Steinberg's VST SDK uses a license that is not compatible with GPL.
This has been a long standing complaint on the VST forum, but
Steinberg shows no signs of changing this.  What this means is that if
there was some asshole with too much free time and a lawyer, they
could prevent us from distributing the VST Ninjam plugin.

I seriously doubt anyone from Cockos is going to have a problem with
this, but it would be good manners to tell them about it.

A big thanks to Os for doing this!

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 17:34:02 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: new AU Ninjam client - PLEASE ANYONE PUT THAT OUT FOR VST/Windows!!!
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I've already told Os that I'd take a look when he gets it done.  I've
done a little VST programming, so I figured I'd take a shot at it.

I do have to read up more on the VSTGUI stuff. It's been a while since
I dug into VST.

Tony

On 11/14/06, Jeff Larson <jeff.larson@sailpoint.com> wrote:
> From: Rainer Thelonius Balthasar Straschill
> > see subject!
>
> I'm willing to take a look at it if no one else wants to.  The basic
> VST wiring shouldn't be too hard.  The UI will probably be the hardest
> part because I would want to use VSTGUI and I don't normally use that.
> Any VSTGUI hackers on the list?
>
> Note though that there is a theoretical legal problem.  The Ninjam
> client code (which I assume the AU plugin is based on) is licensed as
> GPL.  This means that all other code that is combined with it in an
> "assembly" must have a license that is "compatible with the GPL".
>
> Steinberg's VST SDK uses a license that is not compatible with GPL.
> This has been a long standing complaint on the VST forum, but
> Steinberg shows no signs of changing this.  What this means is that if
> there was some asshole with too much free time and a lawyer, they
> could prevent us from distributing the VST Ninjam plugin.
>
> I seriously doubt anyone from Cockos is going to have a problem with
> this, but it would be good manners to tell them about it.
>
> A big thanks to Os for doing this!
>
> Jeff
>
>


-- 
-==-=-=-
Tony
http://bigtony.blogspot.com/

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 17:41:45 2006
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Subject: RE: Re: new AU Ninjam client - PLEASE ANYONE PUT THAT OUT FOR VST/Windows!!!
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From: Tony K
> I've already told Os that I'd take a look when he gets it done.  I've
> done a little VST programming, so I figured I'd take a shot at it.

Great!  Let me know if you would like any help.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 20:24:46 2006
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Date: Tue, 14 Nov 2006 14:23:11 -0600
From: Henry Heine <henry@bagend.com>
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Sorry if anyone else already mentioned these.

FYI you can fit most PCI buss cards in a 3 ru chassis without a riser card.

I have built 6 or 7 rack mount computers, and the latest ones use this 
chassis:

http://www.plinkusa.net/webal4032.htm#

this place has lightweight and shallower chassis, too:

http://www.directron.com/raccas.html

Here is the KVM setup I like for portable racks:

http://www.middleatlantic.com/dcm/rackmount/lcdmonitorKeyboard.htm

Portable rack cases that are deep enough for PC's are a little scarce 
off the shelf. These are the best:

http://www.hardigg.com/hardigg_cases/rackmount_cases.htm

We've got lots of Hardigg shipping cases, and they are fantastic. 
Spendy, though.

-Henry

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 21:11:41 2006
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Date: Mon, 13 Nov 2006 14:46:25 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Software to replace multieffects box (was Laptop loopers,
 what do you do with your favorite rack gear?)
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At 2:11 PM -0800 11/11/06, Art Simon wrote:
>
>Devine Machine has a new Filter/Delay called vMinion:
>http://www.devine-machine.com/documents/45.html
>I haven't tried it, but it looks very cool.

I've been using Minion for about a year now, and it's a blast for 
cool filtering effects.  I pull it out first thing whenever I need 
some sort of dynamic filter.  It rarely fails to take me in some 
interesting new direction.

	--m.
-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 21:24:38 2006
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Subject: RE: Re: new AU Ninjam client - PLEASE ANYONE PUT THAT OUT FOR VST/Windows!!!
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Jeff,

 I'm willing to lend a hand if needed.. :) I'm not VSTGUI savvy, but I'm coding
proficient.. ;)

peace
-cpr

Quoting Jeff Larson <jeff.larson@sailpoint.com>:

> From: Rainer Thelonius Balthasar Straschill
> > see subject! 
> 
> I'm willing to take a look at it if no one else wants to.  The basic
> VST wiring shouldn't be too hard.  The UI will probably be the hardest
> part because I would want to use VSTGUI and I don't normally use that.
> Any VSTGUI hackers on the list?
> 
> Note though that there is a theoretical legal problem.  The Ninjam
> client code (which I assume the AU plugin is based on) is licensed as
> GPL.  This means that all other code that is combined with it in an
> "assembly" must have a license that is "compatible with the GPL".
> 
> Steinberg's VST SDK uses a license that is not compatible with GPL.
> This has been a long standing complaint on the VST forum, but
> Steinberg shows no signs of changing this.  What this means is that if
> there was some asshole with too much free time and a lawyer, they
> could prevent us from distributing the VST Ninjam plugin.
> 
> I seriously doubt anyone from Cockos is going to have a problem with
> this, but it would be good manners to tell them about it.
> 
> A big thanks to Os for doing this!
> 
> Jeff
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 21:52:50 2006
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Date: Tue, 14 Nov 2006 13:52:49 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: new sync feature for Augustus Loop/Live users
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Woah.  At first I was all, "Oh that's not too bad" but
by the end I was holding my ears yelling "SPOCK!"

--- Per Boysen <perboysen@gmail.com> wrote:

> On 1 nov 2006 Os wrote:
> 
> > Hi,
> >
> > this might be of interest to some - new in
> yesterday's release of
> > Augustus Loop. From the manual:
> >
> > "Essentially this is a workaround for a limitation
> in Ableton Live, in
> > that Live reports rounded tempo values to hosted
> plug-ins when
> > externally synced by MIDI clock. For example, if
> Live receives clocks
> > at a tempo of 114.6bpm, it will tell its hosted
> plug-ins that the
> > tempo is 115bpm. Why it does this remains
> something of a mystery.
> >
> > "This is a problem if you are using multiple
> instances of Augustus
> > Loop in a Live song, with one AL set to generate
> MIDI clock, Live
> > synced to that clock, and the other ALs set to
> 'Host Tempo' mode. When
> > you use Tap Record to record your loop in the
> master AL, the other ALs
> > will be given a slightly wrong tempo by Live and
> the loops will be out
> > of sync.
> >
> > "Turning on 'rounded tempo' in AL solves this
> problem by only ever
> > generating MIDI clock at rounded values. The
> downside is that the loop
> > length will not be quite what you wanted, but it
> may be good enough,
> > depending largely on your musical style and
> whether you record the
> > first loop 'silent' simply to set the tempo.
> >
> > "With this mode turned on, when you use Tap Record
> the loop end will
> > be slightly later than when you tap to close the
> loop. E.g. if you
> > record a loop that would have a tempo of 122.3bpm,
> AL actually keeps
> > recording until the loop length matches a tempo of
> 122bpm."
> 
> 
> When I'm re-pitching the loop while overdubbing I
> get harsh noise  
> when going from a slow speed to a much faster. Is
> this intended in  
> the plug-in?
> 
> Not that it sounds totally bad, I'm just curious.
> Here's an audio  
> example of playing an EWI's audio through Augustus
> Loop 1.6.1 while  
> also feeding the plug-in with the MIDI note data
> generated by the EWI  
> playing (warning for those harsh noise sounds - do
> not crank this mp3  
> in headphones):
> 
> http://www.looproom.com/audio/EWI_Augustus_Noise.mp3
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 



 
____________________________________________________________________________________
Cheap talk?
Check out Yahoo! Messenger's low PC-to-Phone call rates.
http://voice.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 22:40:42 2006
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Hi Per,

no, it shouldn't do that, that sounds horrid. I guess I'll take a
look, see if I can reproduce it. It might help if you could mail me
the AU preset so I know I'm using the same settings.

By the way, please mail me direct or use my forum for bug reports - I
only check this list in digest mode and it's easy to miss stuff.


cheers,
os.


>
> Date: Tue, 14 Nov 2006 16:13:40 +0100
> From: Per Boysen <perboysen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: new sync feature for Augustus Loop/Live users
> Message-Id: <35519F5A-D6A0-49BF-B8D1-800B1CD7DD78@gmail.com>
> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
> Content-Transfer-Encoding: 7bit
>
> On 1 nov 2006 Os wrote:
>
> > Hi,
> >
> > this might be of interest to some - new in yesterday's release of
> > Augustus Loop. From the manual:
> >
> > "Essentially this is a workaround for a limitation in Ableton Live, in
> > that Live reports rounded tempo values to hosted plug-ins when
> > externally synced by MIDI clock. For example, if Live receives clocks
> > at a tempo of 114.6bpm, it will tell its hosted plug-ins that the
> > tempo is 115bpm. Why it does this remains something of a mystery.
> >
> > "This is a problem if you are using multiple instances of Augustus
> > Loop in a Live song, with one AL set to generate MIDI clock, Live
> > synced to that clock, and the other ALs set to 'Host Tempo' mode. When
> > you use Tap Record to record your loop in the master AL, the other ALs
> > will be given a slightly wrong tempo by Live and the loops will be out
> > of sync.
> >
> > "Turning on 'rounded tempo' in AL solves this problem by only ever
> > generating MIDI clock at rounded values. The downside is that the loop
> > length will not be quite what you wanted, but it may be good enough,
> > depending largely on your musical style and whether you record the
> > first loop 'silent' simply to set the tempo.
> >
> > "With this mode turned on, when you use Tap Record the loop end will
> > be slightly later than when you tap to close the loop. E.g. if you
> > record a loop that would have a tempo of 122.3bpm, AL actually keeps
> > recording until the loop length matches a tempo of 122bpm."
>
>
> When I'm re-pitching the loop while overdubbing I get harsh noise
> when going from a slow speed to a much faster. Is this intended in
> the plug-in?
>
> Not that it sounds totally bad, I'm just curious. Here's an audio
> example of playing an EWI's audio through Augustus Loop 1.6.1 while
> also feeding the plug-in with the MIDI note data generated by the EWI
> playing (warning for those harsh noise sounds - do not crank this mp3
> in headphones):
>
> http://www.looproom.com/audio/EWI_Augustus_Noise.mp3
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 23:11:02 2006
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Really glad this has sparked so much interest!

Thanks to all who've offered to help. The proper GUI version is
progressing well - I'll try to post it asap so everyone else can start
looking at it. It involves a few small edits to the underlying ninjam
client code, so even if the windows guys completely rewrite my GUI, it
would be good if we could all use these same mods.

I posted on the ninjam developers forum this morning, so the rest of
the community is kept informed.

Another intriguing possibility this opens up occurred to me - since
you can host more than one of these plug-ins in an app at once, you
could easily connect to multiple ninjam servers and pass audio between
them. Useful? Maybe not, but fun, I'm sure.


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 01:54:38 2006
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Date: Tue, 14 Nov 2006 19:54:36 -0600
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Somebody needs to make one of these with 19" rackmount ears
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that would be a pretty sweet looping setup :)
i'd do it

Charlie

On 11/13/06, David O'Heare <oheare@magma.ca> wrote:
>
> ----- Original Message -----
> > Somebody needs to make one of these with 19" rackmount ears
> >
> > http://www.silverstonetek.com/products-lc18.htm
> >
>
>
> Uh, the rackmount ears are apparently included; they're down a screen or so
> from the bottom of the page.
>
> The problem I see with this case is that it's $600.  Yeah, I suppose having
> the touch screen adds a chunk, but still...
>
> Dave O'Heare
> oheareATmagmaDOTca
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 02:25:09 2006
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From: paul <phaslem@wightman.ca>
Subject: Re: Re: Somebody needs to make one of these with 19" rackmount
  ears
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That is essentially what I have.... except that mine is a 1u rackmount with 
a 7" touchscreen that I set on top of the rack. But this setup would be 
great, those extra pci slots..... it may have to be my next computer project!

Paul Haslem
Ontario, Canada
www.dulcify.ca




At 08:54 PM 11/14/2006, you wrote:
>that would be a pretty sweet looping setup :)
>i'd do it
>
>Charlie
>
>On 11/13/06, David O'Heare <oheare@magma.ca> wrote:
>>
>>----- Original Message -----
>> > Somebody needs to make one of these with 19" rackmount ears
>> >
>> > http://www.silverstonetek.com/products-lc18.htm
>> >
>>
>>
>>Uh, the rackmount ears are apparently included; they're down a screen or so
>>from the bottom of the page.
>>
>>The problem I see with this case is that it's $600.  Yeah, I suppose having
>>the touch screen adds a chunk, but still...
>>
>>Dave O'Heare
>>oheareATmagmaDOTca
>>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 03:20:21 2006
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Date: Tue, 14 Nov 2006 22:19:47 -0500
To: <Loopers-Delight@loopers-delight.com>
From: mech <mech@m3ch.net>
Subject: Re: 3rd Hand + DL-4(was: Boss RC-2 Shipping Now...Just Recieved
 Mine)
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At 9:19 PM -0800 11/13/06, William Walker wrote:
>I'm wondering how the third hand handles half shaft potentiometers like the
>ones that come on Line 6 pedals, or if it can only be used on solid or split
>shaft pots.. Any one with experience with the third hand and line 6 pedals.

Well, I'll be happy to actually try out that combination when I 
finally get back home, but it's going to be a coupla weeks yet.  :P

However, the 3rd Hand terminates in a cylindrical socket secured with 
a single side-screw, IIRC.  As long as the shaft can fit inside the 
socket in the first place, I think it ought to work okay.  If 
anything, you might only need to replace the current side-screw with 
a longer one that would reach far enough to rest against the flat 
side of the half-shaft.

Or, if that were still an issue, I wouldn't imagine it being much 
more than about a 20 minute job to have a local machine shop rough 
out an "adapter" that would firmly hold the half-shaft in the socket.

Since the pots have a smooth continuous flow, I could envision the 
3rd Hand working okay with the Tweek, Tweeze, and Mix knobs. 
However, I wonder if you might get into trouble using it for the 
DL-4's Algorithm knob.  With a detented knob like that one, I'd think 
it would be an enormous pain to use your foot to zero in on the 
"notch" for a particular algorithm.

	--m.
-- 
_______
"The revolution may be someone somewhere else..."

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 03:33:38 2006
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Date: Tue, 14 Nov 2006 19:33:36 -0800
From: "Art Simon" <simart@gmail.com>
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Subject: Re: Re: Somebody needs to make one of these with 19" rackmount ears
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Paul,

Do you have any photos of your setup? I'm trying to visualize my next build. .

On 11/14/06, paul <phaslem@wightman.ca> wrote:
> That is essentially what I have.... except that mine is a 1u rackmount with
> a 7" touchscreen that I set on top of the rack. But this setup would be
> great, those extra pci slots..... it may have to be my next computer project!
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>
>
>
>
> At 08:54 PM 11/14/2006, you wrote:
> >that would be a pretty sweet looping setup :)
> >i'd do it
> >
> >Charlie
> >
> >On 11/13/06, David O'Heare <oheare@magma.ca> wrote:
> >>
> >>----- Original Message -----
> >> > Somebody needs to make one of these with 19" rackmount ears
> >> >
> >> > http://www.silverstonetek.com/products-lc18.htm
> >> >
> >>
> >>
> >>Uh, the rackmount ears are apparently included; they're down a screen or so
> >>from the bottom of the page.
> >>
> >>The problem I see with this case is that it's $600.  Yeah, I suppose having
> >>the touch screen adds a chunk, but still...
> >>
> >>Dave O'Heare
> >>oheareATmagmaDOTca
> >>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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Subject: Re: Zoom H4 for laptop looping
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Per,

Sadly, I heard the artifacts you described tonight.  Horrible!  I wasn't 
using the ASIO drivers either.  I'm on an old version of Adobe audition 
that doesn't recognize ASIO, so I'm just using it plug-and-play.  Makes 
me think it's possibly a hardware issue.  However, I've successfully 
used a USB interface, so I don't think that's the issue.  I just wish I 
had known about this up front.  I need an interface more than I need an 
portable recorder.

I'll be on the phone with their support tomorrow.

--Josh



Per Boysen wrote:
> You won't hear the artifacts when you play an audio input because your 
> source audio is "leaking" through the ASIO direct monitoring and 
> masking the drop-outs (the analog signal of the H4 is very good). Try 
> to set up a long delay or reverb, in your audio application, with only 
> wet sound (no direct instrument going   through it). Then you can play 
> something and stay silent and listen to what you just played coming 
> back through the delay/reverb.
>
> I'm afraid it is not as much a driver issue as it is a USB2 protocol 
> issue (for sound cards you should look for Firewire or PCI).  But the 
> H4 is great bang for the buck as a field recorder IMO! And I'm totally 
> happy with using it as a pre amp, merge box and reverb unit before my 
> laptop (with another "clean" audio interface).
>
> per
>
>
>
> On 11 nov 2006, at 01.20, Joshua Carroll wrote:
>
>> That's weird.  I didn't notice any artifacts, but I haven't really 
>> run it through the ringer yet.  I'll play with it some more and see 
>> if I can get it to reproduce your results.  If so, I'm going to be 
>> all over Zoom to fix that as I bought it specifically because it 
>> could double as an interface and I need it to work.
>>
>> Thanks for the heads-up!
>>
>> --Josh
>>
>>
>> Per Boysen wrote:
>>> Yes, of course. By writing "the dedicated software drivers" I meant 
>>> the "H4 ASIO Driver Version 1.0.0.1". AFAIK there are no other 
>>> drivers for H4 (I tried ASIO4ALL but it did not detect the hardware, 
>>> but on Mac the OS X took care of it right away, although still with 
>>> tiny audio artifacts) . I'm hoping an update to the ASIO driver is 
>>> due soon...  ;-)
>>>
>>> per
>>>
>>>
>>> On 10 nov 2006, at 02.22, Joshua Carroll wrote:
>>>
>>>> Ha!  Very cool.
>>>>
>>>> Did you download the ASIO driver for it?  I've not had any problems 
>>>> getting a great sound as an interface via ASIO...
>>>>
>>>> --Josh
>>>>
>>>>
>>>>
>>>> Per Boysen wrote:
>>>>> Date: Wed, 08 Nov 2006 10:06:16 -0600
>>>>>
>>>>>> Just thought I'd throw out a plug for the new Zoom H4.  It works 
>>>>>> as a great 2x2 audio interface for Mobius (it has some built-in 
>>>>>> effects I haven't tried yet, but will work in audio-interface 
>>>>>> mode), and the other features make it ideal for collecting 
>>>>>> found-sounds or putting together rough song ideas on the fly.  
>>>>>> The built-in stereo condenser mic has really impressed me so 
>>>>>> far.  I expected it to pretty much suck for the price, but I've 
>>>>>> been getting some excellent acoustic guitar recordings with it.
>>>>>>
>>>>>> Anyway, for the price, I'm really happy, so I thought I'd pass it 
>>>>>> along.
>>>>>>
>>>>>> --Josh
>>>>>
>>>>>
>>>>> Someone posted and asked about latency. I just picked one up this 
>>>>> morning to check out, and may have some information to share. 
>>>>> Regarding the option to use the H4 as an audio interface the 
>>>>> software drivers are bad news. So bad actually that I would rather 
>>>>> say that the H4 is not usable at all "as laptop sound card". I 
>>>>> tested it for hours and although I used the largest available 
>>>>> buffer I could not get a clean sound from it. Not on Mac with OS X 
>>>>> and not in Windows XP with the dedicated software drivers. I'm 
>>>>> glad I don't have to review it in a magazine because the marketing 
>>>>> of it is partly misleading.
>>>>>
>>>>> But the H4 is great for other purposes - just forget about that 
>>>>> audio interface dimension - like for example the stereo recording 
>>>>> and the effects. Good guitar sounds in there  (Some people might 
>>>>> want to use it as a four track porta studio as well). H4 is also 
>>>>> awesome as a USB2 based SD card reader. And it rocks as a portable 
>>>>> field recorder. I like it so much that I decided to buy one as a 
>>>>> replacement for my old portable DAT recorder.
>>>>>
>>>>> And I did actually find a place for it in my laptop looping rig - 
>>>>> as a mic pre amp, merge box and input reverb unit :-)  I feed the 
>>>>> H4 with one acoustic flute mic and one line level EWI synth 
>>>>> clarinet. Then I put a simple stereo cable from the H4 into the 
>>>>> PCMCIA sound card Echo Indigo i/o on my lappy. That's a minimal 
>>>>> set-up that sounds decently ok. Two instantly connected 
>>>>> instruments of which one is electric and can be used for heavily 
>>>>> distorted sounds that would not be possible with a microphone.
>>>>>
>>>>> Greetings from Sweden
>>>>>
>>>>> Per Boysen
>>>>> www.boysen.se (Swedish)
>>>>> www.looproom.com (international)
>>>>> http://tinyurl.com/fauvm (podcast)
>>>>> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 04:25:29 2006
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From: "raul bonell" <RAULBONELL@telefonica.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: OT: videos at random?
Date: Wed, 15 Nov 2006 05:25:21 +0100
Organization: paciencia records
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Maybe it's been asked so many times but ...
May somebody tell me about some video tool capable
of choosing at random among a pool of short videos?

Thanks in advance,
RBT

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 04:28:09 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT: videos at random?
Date: Tue, 14 Nov 2006 20:28:05 -0800
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Jitter

cycling74.com


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Nov 14, 2006, at 8:25 PM, raul bonell wrote:

> Maybe it's been asked so many times but ...
> May somebody tell me about some video tool capable
> of choosing at random among a pool of short videos?
>
> Thanks in advance,
> RBT
>
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 08:05:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new AU Ninjam client
Date: Wed, 15 Nov 2006 09:05:37 +0100
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On 15 nov 2006, at 00.10, Os wrote:

> Another intriguing possibility this opens up occurred to me - since
> you can host more than one of these plug-ins in an app at once, you
> could easily connect to multiple ninjam servers and pass audio between
> them. Useful? Maybe not, but fun, I'm sure.

Like a looper or a multi tap delay? Can't think about any useful  
application but it's a fascinating idea!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
Date: Wed, 15 Nov 2006 09:11:26 +0100
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On 15 nov 2006, at 04.55, Joshua Carroll wrote:

> Per,
>
> Sadly, I heard the artifacts you described tonight.  Horrible!  I  
> wasn't using the ASIO drivers either.  I'm on an old version of  
> Adobe audition that doesn't recognize ASIO, so I'm just using it  
> plug-and-play.  Makes me think it's possibly a hardware issue.   
> However, I've successfully used a USB interface, so I don't think  
> that's the issue.  I just wish I had known about this up front.  I  
> need an interface more than I need an portable recorder.
>
> I'll be on the phone with their support tomorrow.

Ouch, that's bad news. Maybe you can get you're money back. It IS  
actually marketed as a viable audio interface.

I'm still happy with the excellent stereo recording facility and the  
portability. Don't think I will use it as four track recorder though,  
only for stereo. I picked up a bigger cartridge for longer recording  
time. Now I just need to remember to take the thing with me wherever  
I go so I won't miss great sound spaces when I stumble into them ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 08:15:23 2006
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Date: Wed, 15 Nov 2006 00:15:19 -0800
Subject: Re: 3rd Hand + DL-4(was: Boss RC-2 Shipping Now...Just Recieved
 Mine)
From: Larry Stites <ncnet@sbcglobal.net>
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Gives me a hard on just reading it! (cylindrical socket, shaft, side-screw,
20 minute job, firmly hold the half-shaft in the socket, 3rd Hand, Tweek,
Tweeze, and Mix, might get into trouble, Algorithm knob, detented knob,
enormous pain, use your foot and zero in on the "notch"??!!

Whachusay?!


... By the way, Recevied is misspelled in the subject line... And so is
detented - what ever that means.



L


on 11/14/06 7:19 PM, mech wrote:

> At 9:19 PM -0800 11/13/06, William Walker wrote:
>> I'm wondering how the third hand handles half shaft potentiometers like the
>> ones that come on Line 6 pedals, or if it can only be used on solid or split
>> shaft pots.. Any one with experience with the third hand and line 6 pedals.
> 
> Well, I'll be happy to actually try out that combination when I
> finally get back home, but it's going to be a coupla weeks yet.  :P
> 
> However, the 3rd Hand terminates in a cylindrical socket secured with
> a single side-screw, IIRC.  As long as the shaft can fit inside the
> socket in the first place, I think it ought to work okay.  If
> anything, you might only need to replace the current side-screw with
> a longer one that would reach far enough to rest against the flat
> side of the half-shaft.
> 
> Or, if that were still an issue, I wouldn't imagine it being much
> more than about a 20 minute job to have a local machine shop rough
> out an "adapter" that would firmly hold the half-shaft in the socket.
> 
> Since the pots have a smooth continuous flow, I could envision the
> 3rd Hand working okay with the Tweek, Tweeze, and Mix knobs.
> However, I wonder if you might get into trouble using it for the
> DL-4's Algorithm knob.  With a detented knob like that one, I'd think
> it would be an enormous pain to use your foot to zero in on the
> "notch" for a particular algorithm.
> 
> --m.




From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 10:42:29 2006
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From: fabio anile <fabio.anile@tiscali.it>
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To: Loopers-Delight@loopers-delight.com
Subject: Audio/video midi interaction
Date: Wed, 15 Nov 2006 11:42:04 +0200
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I'm working with a spanish VJ  in these days, trying new (for me) live midi 
data interactions between audio and video that maybe could be interesting 
for someone in this list.

My FCB midi out controls the Repeater and my keyboard. Midi signal 
destination is the Behringer BCR200, a Midi controller with fader and 
buttons that my friend uses to control some parameter and functions related 
to MODUL8, a Mac video software for live performance.
We are associating some midi controls i use with the RPTR with some video 
control, so when i trigger a midi data it affects the video output.
For example:
- my volume cc is associated to the luminosity parameter of the video 
software, so, when i decrease the volume, the immages on screen become 
progressively dark (a sort of audio/midi fade out in syncro);
- with the reverse/forward function i get the same effect on video 
(perfectly in sync). 
- or i can control blur, saturation, trasparency, etc...with my fcb sending 
midi controls to my Rptr.
(Another interesting thing i want to test is feedback control associated to 
a video function that let me remove video layers ...)

Not new, obviously, but intreresting, i think...
Anyone trying something like this ? experiences ?

Fabio
http://xoomer.alice.it/eterogeneo
www.myspace.com/eterogeneo

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 12:15:29 2006
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Date: Wed, 15 Nov 2006 07:19:22 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #502 for November 9, 2006
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http://wdiy.org/programs/gt/playlists/2006/061109.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #502                November 9, 2006

RECAP:
On this show, I continued the month-long focus on Synergy.  The Featured
CD at Midnight was "The Jupiter Menace" on and Third Contact Records.

The Vinyl Starter was from the LP "In the Gardens of Pharao/Aguirre" by
Popol Vuh on Celestial Harmonies Records and released in 1983.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Popol Vuh            In the Gardens of    In the Gardens of Pharao
                       Pharao               (Celestial Harmonies)
Redshift             Fuel                 RW2 (Distant Sun)
Didymos              Arduous Distance     Grief Distance (Elodraama)
Aetopus              Era Trans            Tempula (12 Ton)
Free System Projekt  And Then There Were  Impulse (Strange Charm)
                       2 *

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Synergy              The Alignment        Jupiter Menace (Third Contact)
Synergy              Alien Earth          Jupiter Menace (Third Contact)
Synergy              Rampage of the       Jupiter Menace (Third Contact)
                       Elements
Synergy              The Jupiter Menace   Jupiter Menace (Third Contact)
Synergy              Pueblo Bonito        Jupiter Menace (Third Contact)
Synergy              The Prophecy         Jupiter Menace (Third Contact)
Synergy              Warriors             Jupiter Menace (Third Contact)
Synergy              Earth in Space       Jupiter Menace (Third Contact)
Synergy              Ancient Gods         Jupiter Menace (Third Contact)
Synergy              The Plunge/Earth-    Jupiter Menace (Third Contact)
                       quake Simulation
Synergy              Solar Observatory    Jupiter Menace (Third Contact)
Synergy              San Francisco 1906   Jupiter Menace (Third Contact)
Synergy              The Survivalists     Jupiter Menace (Third Contact)
Synergy              Cities On the Brink  Jupiter Menace (Third Contact)
Synergy              The Mystery of Piri  Jupiter Menace (Third Contact)
                       Reis
Synergy              Return to Admiral    Jupiter Menace (Third Contact)
                       Byrd's Camp
Synergy              The Final Alignment  Jupiter Menace (Third Contact)
Synergy              Closing Theme        Jupiter Menace (Third Contact)
Free System Projekt  And Then There Were  Impulse (Strange Charm)
                       2 *
Viridian Sun         *                    Live, Paris Theater (Hypnos
                                            Secret Sounds)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Synergy.  The Featured CD at Midnight will be "Computer Experiments
Volume One" on and Third Contact Records.

The Vinyl Starter will be from the LP "Firebird" by Tomita on RCA
Records and released in 1976.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 12:38:42 2006
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Sounds interesting, Fabio!

We've worked in a similar direction, although not influencing video but
rather a realtime 3D animation:

Short description (German):
http://xmlizer.biz/parascape/index.html

Longer paper (Engish):
http://xmlizer.biz/ICMC97.pdf

Also the other way around: Generating music out of an existing movie:
http://xmlizer.biz/barlow/index.html

>
> Not new, obviously, but intreresting, i think...
> Anyone trying something like this ? experiences ?
>
> Fabio
> http://xoomer.alice.it/eterogeneo
> www.myspace.com/eterogeneo
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:08:23 2006
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Date: Wed, 15 Nov 2006 09:07:47 -0500
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From: mech <mech@m3ch.net>
Subject: Re: 3rd Hand + DL-4(was: Boss RC-2 Shipping Now...Just Recieved 
 Mine)
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At 12:15 AM -0800 11/15/06, Larry Stites wrote:
>Gives me a hard on just reading it! (cylindrical socket, shaft, side-screw,
>20 minute job, firmly hold the half-shaft in the socket, 3rd Hand, Tweek,
>Tweeze, and Mix, might get into trouble, Algorithm knob, detented knob,
>enormous pain, use your foot and zero in on the "notch"??!!
>
>Whachusay?!

ROTF LMAO!

Why am I thinking you probably have a Snap-On Tools calendar on the 
wall above your mixing board.

And mebbe even an old Rosie the Riveter poster too....  ;)

>... And so is detented - what ever that means.

Detented, from "detent".  According to Wikipedia:

"A detent is a method of dividing a smooth range of movement into one 
or more discrete "steps". The most common example would be that of a 
balance control on a piece of stereo equipment which seems to "click" 
or "snap" into the center position of its rotation, indicating the 
point where the volumes of the left and right channels are equal or 
"balanced" (hence the name )...."

(okay, so I made an adjective up out of a noun/verb -- shoot me.)

I had nothing to do with "Recieved", though, since that typo was in 
the subject line before I got to it.  After 12 years in a podunk 
public school with no budget for anything except drilling us over and 
over in the 'three R's', I can almost always remember the "i before e 
except after c" rule.  :)

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:47:05 2006
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Date: Wed, 15 Nov 2006 08:46:49 -0600
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Yeah, I upgraded to the 2GB card myself, and I've been carrying it with 
me.  Transporting it safely is a pain though.  I have a  large plastic 
mic case I've been carrying it in, along with all the accessories.  It's 
nice, but it's bulky and makes setup time a little too slow for 
capturing some things.

Worked well for my sis-in-law's clarinet recital this weekend, though.

--Josh


Per Boysen wrote:
> On 15 nov 2006, at 04.55, Joshua Carroll wrote:
>
>> Per,
>>
>> Sadly, I heard the artifacts you described tonight.  Horrible!  I 
>> wasn't using the ASIO drivers either.  I'm on an old version of Adobe 
>> audition that doesn't recognize ASIO, so I'm just using it 
>> plug-and-play.  Makes me think it's possibly a hardware issue.  
>> However, I've successfully used a USB interface, so I don't think 
>> that's the issue.  I just wish I had known about this up front.  I 
>> need an interface more than I need an portable recorder.
>>
>> I'll be on the phone with their support tomorrow.
>
> Ouch, that's bad news. Maybe you can get you're money back. It IS 
> actually marketed as a viable audio interface.
>
> I'm still happy with the excellent stereo recording facility and the 
> portability. Don't think I will use it as four track recorder though, 
> only for stereo. I picked up a bigger cartridge for longer recording 
> time. Now I just need to remember to take the thing with me wherever I 
> go so I won't miss great sound spaces when I stumble into them ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 19:25:52 2006
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Date: Wed, 15 Nov 2006 10:29:54 -0800
Subject: Re: 3rd Hand + DL-4(was: Boss RC-2 Shipping Now...Just Recieved 
 Mine)
From: Larry Stites <ncnet@sbcglobal.net>
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Glad you liked it - how'd you know about the calendar?

L

on 11/15/06 6:07 AM, mech wrote:

> At 12:15 AM -0800 11/15/06, Larry Stites wrote:
>> Gives me a hard on just reading it! (cylindrical socket, shaft, side-screw,
>> 20 minute job, firmly hold the half-shaft in the socket, 3rd Hand, Tweek,
>> Tweeze, and Mix, might get into trouble, Algorithm knob, detented knob,
>> enormous pain, use your foot and zero in on the "notch"??!!
>> 
>> Whachusay?!
> 
> ROTF LMAO!
> 
> Why am I thinking you probably have a Snap-On Tools calendar on the
> wall above your mixing board.
> 
> And mebbe even an old Rosie the Riveter poster too....  ;)
> 
>> ... And so is detented - what ever that means.
> 
> Detented, from "detent".  According to Wikipedia:
> 
> "A detent is a method of dividing a smooth range of movement into one
> or more discrete "steps". The most common example would be that of a
> balance control on a piece of stereo equipment which seems to "click"
> or "snap" into the center position of its rotation, indicating the
> point where the volumes of the left and right channels are equal or
> "balanced" (hence the name )...."
> 
> (okay, so I made an adjective up out of a noun/verb -- shoot me.)
> 
> I had nothing to do with "Recieved", though, since that typo was in
> the subject line before I got to it.  After 12 years in a podunk
> public school with no budget for anything except drilling us over and
> over in the 'three R's', I can almost always remember the "i before e
> except after c" rule.  :)
> 
> --m.




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	ine)
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>>... By the way, Recevied is misspelled in the subject line... And so is
detented - what ever that means.<<

but you spelt "received" wrong too, & "detented" IS spelt like that. :-) 

it means there are little notches to hold the switch in the right
position.... like the ones in a stratocaster pickup switch..... that would
make the 3rd-hand device difficult to use with it. anyway, if you took the
knob off to fit the 3rd-hand, you wouldn't know which way it was pointing.

besides, you'd only really need to do this if you were frequently going from
one of the delay emulations into & out of looper mode, & an additional
"proper" footswitch might be better for this. or a 2nd DL4.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;... By the way, Recevied is misspelled in the sub=
ject line... And so is detented - what ever that means.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>but you spelt &quot;received&quot; wrong too, &amp; &quot=
;detented&quot; IS spelt like that. :-) </FONT>
</P>

<P><FONT SIZE=3D2>it means there are little notches to hold the switch in t=
he right position.... like the ones in a stratocaster pickup switch..... th=
at would make the 3rd-hand device difficult to use with it. anyway, if you =
took the knob off to fit the 3rd-hand, you wouldn't know which way it was p=
ointing.</FONT></P>

<P><FONT SIZE=3D2>besides, you'd only really need to do this if you were fr=
equently going from one of the delay emulations into &amp; out of looper mo=
de, &amp; an additional &quot;proper&quot; footswitch might be better for t=
his. or a 2nd DL4.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 03:13:23 2006
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Hey, I fixed the artifact issue (at least as it applies to the recording 
I'm working on).  The file in question was recorded at 24-bit / 48k, and 
I was using the interface in 44.1k mode.  I switched it to 48k, and now 
everything works.

I'll have to play with mobius and see how that works since it needs 44.1

--Josh



Per Boysen wrote:
> You won't hear the artifacts when you play an audio input because your 
> source audio is "leaking" through the ASIO direct monitoring and 
> masking the drop-outs (the analog signal of the H4 is very good). Try 
> to set up a long delay or reverb, in your audio application, with only 
> wet sound (no direct instrument going   through it). Then you can play 
> something and stay silent and listen to what you just played coming 
> back through the delay/reverb.
>
> I'm afraid it is not as much a driver issue as it is a USB2 protocol 
> issue (for sound cards you should look for Firewire or PCI).  But the 
> H4 is great bang for the buck as a field recorder IMO! And I'm totally 
> happy with using it as a pre amp, merge box and reverb unit before my 
> laptop (with another "clean" audio interface).
>
> per
>
>
>
> On 11 nov 2006, at 01.20, Joshua Carroll wrote:
>
>> That's weird.  I didn't notice any artifacts, but I haven't really 
>> run it through the ringer yet.  I'll play with it some more and see 
>> if I can get it to reproduce your results.  If so, I'm going to be 
>> all over Zoom to fix that as I bought it specifically because it 
>> could double as an interface and I need it to work.
>>
>> Thanks for the heads-up!
>>
>> --Josh
>>
>>
>> Per Boysen wrote:
>>> Yes, of course. By writing "the dedicated software drivers" I meant 
>>> the "H4 ASIO Driver Version 1.0.0.1". AFAIK there are no other 
>>> drivers for H4 (I tried ASIO4ALL but it did not detect the hardware, 
>>> but on Mac the OS X took care of it right away, although still with 
>>> tiny audio artifacts) . I'm hoping an update to the ASIO driver is 
>>> due soon...  ;-)
>>>
>>> per
>>>
>>>
>>> On 10 nov 2006, at 02.22, Joshua Carroll wrote:
>>>
>>>> Ha!  Very cool.
>>>>
>>>> Did you download the ASIO driver for it?  I've not had any problems 
>>>> getting a great sound as an interface via ASIO...
>>>>
>>>> --Josh
>>>>
>>>>
>>>>
>>>> Per Boysen wrote:
>>>>> Date: Wed, 08 Nov 2006 10:06:16 -0600
>>>>>
>>>>>> Just thought I'd throw out a plug for the new Zoom H4.  It works 
>>>>>> as a great 2x2 audio interface for Mobius (it has some built-in 
>>>>>> effects I haven't tried yet, but will work in audio-interface 
>>>>>> mode), and the other features make it ideal for collecting 
>>>>>> found-sounds or putting together rough song ideas on the fly.  
>>>>>> The built-in stereo condenser mic has really impressed me so 
>>>>>> far.  I expected it to pretty much suck for the price, but I've 
>>>>>> been getting some excellent acoustic guitar recordings with it.
>>>>>>
>>>>>> Anyway, for the price, I'm really happy, so I thought I'd pass it 
>>>>>> along.
>>>>>>
>>>>>> --Josh
>>>>>
>>>>>
>>>>> Someone posted and asked about latency. I just picked one up this 
>>>>> morning to check out, and may have some information to share. 
>>>>> Regarding the option to use the H4 as an audio interface the 
>>>>> software drivers are bad news. So bad actually that I would rather 
>>>>> say that the H4 is not usable at all "as laptop sound card". I 
>>>>> tested it for hours and although I used the largest available 
>>>>> buffer I could not get a clean sound from it. Not on Mac with OS X 
>>>>> and not in Windows XP with the dedicated software drivers. I'm 
>>>>> glad I don't have to review it in a magazine because the marketing 
>>>>> of it is partly misleading.
>>>>>
>>>>> But the H4 is great for other purposes - just forget about that 
>>>>> audio interface dimension - like for example the stereo recording 
>>>>> and the effects. Good guitar sounds in there  (Some people might 
>>>>> want to use it as a four track porta studio as well). H4 is also 
>>>>> awesome as a USB2 based SD card reader. And it rocks as a portable 
>>>>> field recorder. I like it so much that I decided to buy one as a 
>>>>> replacement for my old portable DAT recorder.
>>>>>
>>>>> And I did actually find a place for it in my laptop looping rig - 
>>>>> as a mic pre amp, merge box and input reverb unit :-)  I feed the 
>>>>> H4 with one acoustic flute mic and one line level EWI synth 
>>>>> clarinet. Then I put a simple stereo cable from the H4 into the 
>>>>> PCMCIA sound card Echo Indigo i/o on my lappy. That's a minimal 
>>>>> set-up that sounds decently ok. Two instantly connected 
>>>>> instruments of which one is electric and can be used for heavily 
>>>>> distorted sounds that would not be possible with a microphone.
>>>>>
>>>>> Greetings from Sweden
>>>>>
>>>>> Per Boysen
>>>>> www.boysen.se (Swedish)
>>>>> www.looproom.com (international)
>>>>> http://tinyurl.com/fauvm (podcast)
>>>>> http://www.myspace.com/looproom
>
>
>
>

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NB: PLEASE FOR CONFIDENTIALITY REASONS CONTACT ME THROUGH MY SECURED EMAIL ADDRESS: a_unit8133@excite.com
 
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zoom H4 for laptop looping
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On 16 nov 2006, at 04.12, Joshua Carroll wrote:

> Hey, I fixed the artifact issue (at least as it applies to the  
> recording I'm working on).  The file in question was recorded at 24- 
> bit / 48k, and I was using the interface in 44.1k mode.  I switched  
> it to 48k, and now everything works.


That's neat! Good to know if you need it as an audio interface  
without needing to use its effects. You can't use the nice built-in  
effects of the H4 other in 44.1 kHz. I think the reverb is excellent  
and so are the different guitar amp simulations.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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And reach an understanding with the dark side of her cashier.

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 11:21:28 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Industrial Belly Dancing meets Live Looping
Date: Thu, 16 Nov 2006 03:21:26 -0800
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How's this for an unusual mixture of live looping, industrial, gothic and 
world ethnic music.

I'm debuting a project with Switchblade Symphony founding member, Robin 
Jacobs and
the amazing multi-instrumentalist John Connell playing Industrial Belly 
Dancing music
on Friday at Club Caution in Santa Cruz (516 Front Street).

I'll be playing traditional middleeastern instruments from Egypt , west, to 
the Maghreb;
playing traditional belly dancing rhythms but I"m going to be using
a lot of live DSP processing and live looping to f*ck those sounds up and 
make them
very dark and intense.

I'm calling the project   nO thiN - g.

We go on at midnight if anyone wants to catch it.   Any beginning beginner 
belly dancer will be
able to dance to the rhythms and I have a plethora of beautiful dancers 
coming from all over to perform.

See you there?

Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 11:29:17 2006
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Date: Thu, 16 Nov 2006 06:33:08 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the the month-long
Special Focus on Synergy, a.k.a. Larry Fast.  The Featured CD at
Midnight will be "Computer Experiments Volume One" on Third Contact
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#nov

The Vinyl Starter will come from the LP "Firebird" by Tomita on RCA
Records and released in 1976.  I wil also play music by AirSculpture
who will be in concert in Philadelphia Saturday night.  I will also
play the music of Synthetic Block who will be at The Gate on Friday
with special guest Dave Fulton of Dweller at the Threshold.  Details
at: http://wdiy.org/programs/gt/events.html

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.

All times are EST / GMT-5.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 11:44:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Industrial Belly Dancing meets Live Looping
Date: Thu, 16 Nov 2006 12:44:23 +0100
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On 16 nov 2006, at 12.21, loop.pool wrote:

> on Friday at Club Caution in Santa Cruz (516 Front Street).
>
> I'll be playing traditional middleeastern instruments from Egypt ,  
> west, to the Maghreb;
> playing traditional belly dancing rhythms but I"m going to be using
> a lot of live DSP processing and live looping to f*ck those sounds  
> up and make them
> very dark and intense.
>
> I'm calling the project   nO thiN - g.
>
> We go on at midnight if anyone wants to catch it.   Any beginning  
> beginner belly dancer will be
> able to dance to the rhythms and I have a plethora of beautiful  
> dancers coming from all over to perform.
>
> See you there?

Would love to, but it's a bit too far away. Please post a subjective  
review after the gig. I've been doing rock gigs with human belly  
dancers ;-)  and would love to hear how this industrial thing worked  
out.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From anonymous@chibiz.jp  Thu Nov 16 12:43:13 2006
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<br>
  Dear eBay member<br>
<br>
<br>
    We recently noticed one or more attempts to log in to your eBay account from a <br>
foreign IP address by a third party without your authorization.<br>
<br>
    If you recently accessed your account while traveling,the unusual log in attempts<br>
may have been initiated by you.<br>
    If you are the rightfull holder of the account, click on the link below and<br>
fill the form and then submit as we need to verify your identity . <br>
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<br>
The log in attempt was made from: <br>
IP address: 205.188.209.166<br>
ISP host: cache-dq04.proxy.aol.com<br>
<br>
<br>
    Your account is temporarily suspended <br>
<br>

     If you received this notice and you are not the authorized account <br>
holder, please be aware that it is in violation of eBay policy to represent <br>
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From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 19:18:11 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: No Belly Dancing in Bakersfield......
Date: Thu, 16 Nov 2006 11:18:07 -0800
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I'm playing tonight in Bakersfield.....no belly dancing like=20
rick...rick, are YOU belly dancing?


Thursday, November 16, 7:30 p.m.

Kris Tiner/Jeff Kaiser Duo - two trumpets + two laptops =3D SONIC MAYHEM
Los Angeles poet Dottie Grossman with the amazing trombonist Michael=20
Vlatkovich from Portland, Oregon
Ragamuffin - local drums + electronics duo

Metro Galleries
1920 20th St. @ Eye St.
Bakersfield, CA 93301
$5 Admission (includes free refreshments)


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 18:54:21 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #503 for November 16, 2006
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http://wdiy.org/programs/gt/playlists/2006/061116.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #503                November 16, 2006

RECAP:
On this show, I continued the month-long focus on Synergy.  The Featured
CD at Midnight was "Computer Experiments Volume One" on Third Contact
Records.

The Vinyl Starter was from the LP "Firebird" by Tomita on RCA Records
and released in 1976.

I played the music of Synthetic Block who will be playing at The Gate on
Friday and the music of AirSculpture who will be at the Gatherings on
Saturday.

Synergy - http://wdiy.org/programs/gt/playlists/2006/focus.html#nov
Events - http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Tomita               Round of the         Firebird (RCA)
                       Princesses
Redshift             Toll                 Toll (Distant Sun)
AirSculpture         Dubbel               Quark Soup (NeuHarmony)
Synthetic Block      Bed of Sphinxes      Sonic Approach (Hypnos/Binary)
Synthetic Block      The Square Triangle  Sonic Approach (Hypnos/Binary)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Synergy              Artificial           Computer Experiments Volume
                       Intelligence         One (Third Contact)
Synergy              Artificial           Computer Experiments Volume
                       Intelligence         One (Third Contact)
Synergy              The World After      Computer Experiments Volume
                       April                One (Third Contact)
Ricochet Musos       Vallehermoso         2005 Demo Sessions (Ricochet
                                            Dreams)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Synergy.  The Featured CD at Midnight will be "Metropolitan Suite"
on Third Contact Records.

The Vinyl Starter will be from the LP "Firebird" by Tomita on RCA
Records and released in 1976.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 01:40:27 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: OT: rare Indian music tracks
Date: Fri, 17 Nov 2006 17:40:20 -0800
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For another list, I uploaded some of my all time favorite tracks of  
classical Indian music to share.  So just in case there is anyone on  
this list who likes Indian music:

These tracks are from records I used to own 30 years old and the  
audio files are rescued from well used cassette tapes of the records,  
so audio quality is not great.
The Mani Ayer *Navarasa* is from an old LP and can probably be  
classified as rare. A largish file but wonderful and I think well  
worth hearing.

The files:

http://savefile.com/projects/1044119

(if the orange download buttons aren't visible, refresh the page)

The Savefile site will delete the files after a period of non- 
activity so this is in a sense just sharing with a select group of  
friends.

Hope you enjoy

cheers

BobC




http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://tinyurl.com/cr25j
http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 11:48:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: rare Indian music tracks
Date: Sat, 18 Nov 2006 12:48:42 +0100
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On 18 nov 2006, at 02.40, RP Collier wrote:
> For another list, I uploaded some of my all time favorite tracks of  
> classical Indian music to share.

Thank you for sharing! I really appreciate Bismillah 1 and 2. Very  
inspiring music to listen to!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 17:31:38 2006
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On Nov 18, 2006, at 3:48 AM, Per Boysen wrote:

>  Bismillah 1 and 2. Very inspiring music

As a reed player, I thought you might like those :-)

  He is a true master - amazing range, fluidity, delicacy, strength,  
emotion and inventiveness.

Going from memory, I think #1 is  Pahadi Dhun and #2 is Sindhu  
Bhairavi, although I might have that reversed or may be wrong  
altogether. There was no room on the cassette for all the info at the  
time.

Many of his albums are available on CD and I think he played in  
Europe several times.


cheers


BobC


http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://tinyurl.com/cr25j
http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 17:49:00 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: rare Indian music tracks
Date: Sat, 18 Nov 2006 18:48:52 +0100
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> On Nov 18, 2006, at 3:48 AM, Per Boysen wrote:
>
>>  Bismillah 1 and 2. Very inspiring music
>
On 18 nov 2006, at 18.31, RP Collier wrote:

> As a reed player, I thought you might like those :-)

Might be so... but given his outstanding reed technique (mine being  
closer to "lousy") I do feel more inspired to play the EWI, where you  
can imply those multi octave span glissandi much easier ;-))

But I also like the time flow of this music, no matter which  
particular instrument being played. As soon as you hear one note you  
get instantly curious on where the music will go next. It doesn't  
move too slow and it doesn't move too fast either. It's like a big  
rock rolling downhill: its speed is just what it is, given the shape  
of the rock and the surrounding terrain. I think a good  
implementation of that dimension is what I like most in all musical  
styles.

>  He is a true master - amazing range, fluidity, delicacy, strength,  
> emotion and inventiveness.
>
> Going from memory, I think #1 is  Pahadi Dhun and #2 is Sindhu  
> Bhairavi, although I might have that reversed or may be wrong  
> altogether. There was no room on the cassette for all the info at  
> the time.

Ok. I'll paste your complete post into the file notes area on my iTunes.

per



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From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 18:12:39 2006
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	id E5EED3BEDF; Sun, 19 Nov 2006 18:12:38 +0000 (UTC)
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: kyma
Date: Sun, 19 Nov 2006 19:12:31 +0100
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anyone interested in buying my Kyma/Capybara system? I had bought mine a
while ago from another looper but just don't have the time for it. It is a
very deep box, maybe the deepest you can get for sound design - yes, it can
be used for looping as John Paul Jones demonstrated:
http://www.symbolicsound.com/cgi-bin/bin/view/Company/PressCoverage8799

but it can do a million times more than that.

Here's the details of what I'd like to sell:
http://www.michaelpeters.de/temp/kyma.htm

Michael www.michaelpeters.de
I'm in Germany. 

please contact me off-list




From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 03:09:26 2006
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To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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	<vaguediscuss@vagueterrain.net>
Subject: 11.20.06 @ the PiNG > TROUM . POLMO POLPO . AIDAN BAKER vs 2/3 of OFF THE INTERNATIONAL RADAR
Date: Sun, 19 Nov 2006 22:11:33 -0500
Organization: THE AMBiENT PiNG
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ThiS WEEK @ THE PiNG:

Monday November 20th at 9PM we have two PiNG things.

. Locally, here in TO, we are presenting with Arcolepsy, a live 
drone extravaganza with Troum, Polmo Polpo and Aidan Baker 
with 2/3's of Off The International Radar at Gallerie Le Labo's 
funky performance space deep within Toronto's Distillery District. 

Don't miss this rare local opportunity to catch Troum's sound 
of modern experimental drone and ethereal ambient music.

. Globally we are presenting an ALMOST LiVE naw performance 
on AMBiENT PiNG RADiO. As with all other ALMOST LIVE 
programmes, this naw show will be repeated on Thursday at 
12midnight EST and Saturday at 3:30PM EST, so locals can 
come out to see Troum and still be able to catch one of the 
rebroadcasts of naw's generative sound compositions on 
http://AMBiENTPiNGRADiO.com

Details below along with info about next's week's 
AMBiENT PiNG TUESDAY (11.28.06) with 
STYROHEAD and SPACENOIZ at the DRAKE.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

11.20.06 . The PiNG and Arcolepsy Present 
AN EXPLORATION OF DRONE:
TROUM . POLMO POLPO . AIDAN BAKER vs 
2/3 of OFF THE INTERNATIONAL RADAR
@ Gallerie Le Labo, The Distillery District
Cannery Bldg #58 . Room #317
W of Parliament . S of Front . link to map:
http://www.thedistillerydistrict.com/siteplan_popup.html
Monday November 20th . Doors at 9PM . cover $6

AN EXPLORATION OF DRONE: Germany's Troum, 
featuring former members of the seminal ambient/industrial 
band Maeror Tri and owner/operators of the 7" record label, 
Drone Records, bring their transcendental ambient drone 
music to Canada for the first time. 

Canadian compatriots Polmo Polpo will perform a solo 
set and Aidan Baker (ARC, Nadja) with 2/3 of 
Off the International Radar will perform a 
collaborative guitar-drone set.

http://www.troum.com
http://www.dronerecords.com
http://www.audisensa.com
http://www.aidanbaker.org
http://www.offtheinternationalradar.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

11.28.06 . The PiNG Presents STYROHEAD & SPACENOIZ
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
Tuesday November 28th . 8PM - 11PM . PWYC (5$ suggested)

A special performance featuring PiNG favourites STYROHEAD 
(Joe G) & SPACENOIZ (Jim Field of Rhea's Obsession), 
performing together for the first time to kick out the sonic jams. 

Prepare to be intrigued as these two guitar, synth and sample 
heads improvise the night away as they take us on a journey 
through space.

http://www.styrohead.com
http://myspace.com/styrohead
http://www.myspace.com/jimfieldfromrheas
 http://www.myspace.com/rheasobsession  

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some 
of the PiNG's closest friends in the ambient, darkwave, chill and 
electronic communities. Tune in to hear live performances, 
works in progress, exclusive remixes and more!

MONDAY NOVEMBER 20th at 9PM EST
ALMOST LiVE iN THE STUDiO . naw
http://www.ambientpingradio.com 

Tune in for a very special ALMOST LiVE iN THE STUDiO 
performance by naw! Specially created for AMBiENT PiNG RADiO, 
this performance is a stunning and evocative work that fully 
demonstrates the artistry and wonder that is naw. 

The following press release from Neil Wiernik of naw 
elaborates on this performance. 

10pm on a dark rainy November evening 13 stories high 

This work was generated, composed and recorded in real time by 
naw (neil wiernik), 13 stories above Toronto overlooking the city. 
The composition is based on a series of real time improvisations, 
based on my interpretation of the cityscape I was looking out on, 
at the time, creating a real time soundtrack to the city.

This work is part of my ongoing research into generative 
soundtrack composition. Having worked with various different 
kinds of languages to try to create generative aural landscapes 
over the years I have realized that the language used to create 
self-evolving work has as much to do with the results as the 
source data. What I tried to do with this work was create a 
series of data circumstances that would interact with the 
software environment I created. I wanted to explore the 
various algorithmic changes that the data would serve 
to this software environment and, in turn, the results 
of the different interactions between inputs, similarly 
to how we as people interact with various stimuli 
in our daily routines. 

I created a space where audio data and numeric data could 
interact and play off each other to create the final result, which 
is one such landscape soundtrack, where field recordings and 
generated sounds can all co-exist as they might or might not in any 
given environment.The main premise of these soundtracks are to 
explore how these aural landscapes, even when created by a 
digital mediator are natural, organic occurrences, much like 
walking down the street or driving down a highway we piece 
together the sounds around us to create a soundtrack. 

This work was created exclusively for AMBiENT PiNG RADiO,
November 10th 2006. 

For more on naw - http://phoniq.net
http://www.vagueterrain.net

And don't forget to tune in for future broadcasts 
in the ALMOST LiVE MUSiC SERiES!

November 27th . Geek Weekend 
December 11th . Sensitive Chaos 
December 18th . Michael Sandler 
January 8th . TouchXtone 
January 15th . Anomalous Disturbances 
January 22nd . Remora 

All shows run on Mondays at 9PM EST and will be rebroadcast 
the following Thursdays at 12midnight EST and again on 
Saturdays at 3:30PM EST. 

The ALMOST LiVE MUSiC SERiES: Another way that THE
AMBiENT PiNG and ping things is bringing great music to you!
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

More PiNG news and more PiNG shows are coming soon. 
Watch this space to stay spaced.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of 
audio artists, performers, musicians and visual artists. The PiNG 
presents live multimedia performances featuring ambient, electronic, 
soundscape, chillout, trip hop, dream pop, downtempo, space, 
darkwave, drone and experimental artists from around the world.  
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or 
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 07:22:23 2006
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Glenn wrote:
> you're probably so much more than on top of this already, but FWIW using 
> a compressor/limiter/gate before the device, and tweaking around with it 
> until it's maximized, made a huge difference on how well a now long gone 
> fairlight voicetracker worked with guitar, voice, etc to midi. That was 
> only mono,but pretty sure this would help any pitch to midi conversion 
> process.

I still have a Voicetracker. I don't use it anymore. But it won't be 
cheap, as its a colectors item... I also used VP-70 from Roland which 
should also be around. I should get rid of all that old gear...
Probably christmas ith the best time to put it on ebay...

For software: look at Pd and fiddle~ it could even get you more than one 
pitch. But its not at all easy to tweak it and Pd is the cousin of Max, 
that said, you face a learning curve, but I am sure someone on the Pd 
list has done it already and might tweak her patch for you...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:12:07 2006
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Date: Mon, 20 Nov 2006 18:12:03 +0000
From: Os <os@collective.co.uk>
Sender: expertsleepers@googlemail.com
To: Loopers-Delight@loopers-delight.com,
	kyberloopfest@yahoogroups.com
Subject: NINJAM plugin released
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Hi,

I released the (almost) complete version:
http://www.collective.co.uk/expertsleepers/ninjamplugin.html

It's usable but there are a few issues. The source code is released
too, so perhaps someone can help me fix them up.

That said, this has completely transformed my ability to use NINJAM,
being a laptop-musician kind of guy.


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:29:12 2006
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Subject: RE: OT: audio to midi converter
Date: Mon, 20 Nov 2006 19:29:07 +0100
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http://www.mp3towav.org/WIDI-Recognition-System/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:57:48 2006
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Great work Os, Now will some clever person PLEASE hurry up and do the same 
for PC... Ive been in all kinds of "Virtual Cable" Hell... none of which 
really worked satisfactorily... all i want is a plug for AudioMulch... 
please Windows peeple..

mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com
----- Original Message ----- 
From: "Os" <os@collective.co.uk>
To: <Loopers-Delight@loopers-delight.com>; <kyberloopfest@yahoogroups.com>
Sent: Monday, November 20, 2006 7:12 PM
Subject: NINJAM plugin released


> Hi,
>
> I released the (almost) complete version:
> http://www.collective.co.uk/expertsleepers/ninjamplugin.html
>
> It's usable but there are a few issues. The source code is released
> too, so perhaps someone can help me fix them up.
>
> That said, this has completely transformed my ability to use NINJAM,
> being a laptop-musician kind of guy.
>
>
> cheers,
> os.
>
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/
> 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:13:56 2006
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Hello,
I'm just trying to find a good Mobius-setup with my new Foot-Controller. 
Bought a Boss FC-50 to control Mobius. The FC-50 features five buttons 
that can send program-change, two additional connectors for external 
footswitches that can send control-change #64 and #80 and two connectors 
for expression-pedals (#7 and #16).

Right now I'm using the following setup:
Button 1: Record
Button 2: Overdub
Button 3: Mute
Button 4: ??? unassigned > is there a "Stop"-Function? couldn't find it 
until now...
Button 5: Reset

external footswitch 1: Undo
external footswitch 2: Redo

external pedal 1: Feedback
external pedal 2: ??? unassigned > maybe "Global Volume" or something 
similar, if available

Do you have some suggestions, how I could get the most out of the 
FC50/Mobius-combination? Or maybe some examples, which functions you use 
with Mobius or the EDP...

Thanks in advance,
Dirk

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:24:11 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: NINJAM plugin released
Date: Mon, 20 Nov 2006 21:23:57 +0100
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On 20 nov 2006, at 19.12, Os wrote:

> That said, this has completely transformed my ability to use NINJAM,
> being a laptop-musician kind of guy.


Do you think this AU plug-in version would be the best choice if I  
only want to use the Mac as the interface to Ninjam but keep the the  
noise-making happening on a Windows box? (I don't want to install  
Ninjam or other software on the Windows system) Or would the  
standalone OS X Ninjam do well for that purpose?

The other day I noticed a temple block like click track sound in  
Ninjam - do people use that to sync? My understanding is that it  
might be as fun to sync by ear while you play, eventually playing a  
tap tempo button with a foot for electronics. I mean, it's only one  
or two bar wrong so the tempo can't go that wrong?

Any one tried to use the click track sound of Ninjam to create a MIDI  
Clock pulse? The Repeater has a "follow beat" sync option and I'm  
sure there must be some software that converts a simple audio pulse  
into MIDI Clock?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:39:21 2006
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At 20:23 20/11/2006, you wrote:
>On 20 nov 2006, at 19.12, Os wrote:
>
>>That said, this has completely transformed my ability to use NINJAM,
>>being a laptop-musician kind of guy.
>
>
>Do you think this AU plug-in version would be the best choice if I
>only want to use the Mac as the interface to Ninjam but keep the the
>noise-making happening on a Windows box? (I don't want to install
>Ninjam or other software on the Windows system) Or would the
>standalone OS X Ninjam do well for that purpose?
>
>The other day I noticed a temple block like click track sound in
>Ninjam - do people use that to sync?

yes

well some do, most didn't think about that  ;-)
(or didn't care)

>My understanding is that it
>might be as fun to sync by ear while you play, eventually playing a
>tap tempo button with a foot for electronics.

I don't think that will work

>I mean, it's only one
>or two bar wrong so the tempo can't go that wrong?

some sort of reference to the tempo is needed.

(like setting edp to the correct bpm)


>Any one tried to use the click track sound of Ninjam to create a MIDI
>Clock pulse?

no, it's not available separate from the other audio (apart from 
os-client on mac)

>The Repeater has a "follow beat" sync option and I'm
>sure there must be some software that converts a simple audio pulse
>into MIDI Clock?

:-) and then you need a strategy to get yourself in time with the looper

andy


>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:45:29 2006
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Dear Loopfest Participants.
Sorry its taken me so long to send out a general thanks you, but it took me
a while after the fest to get over myself and the personal calamities that
seemed to come at me in bunches this year.
I took a larger role this year in helping Rick organize the festival  and I
finally understand why it takes him a few weeks to recover from it once its
through. Kudos to you Rick for all your hard work. I thought it was a great
festival this year with many highlights, performance wise and a great
general camaraderie all around. I'd like to thank everyone who came and
played or helped out, but I won't list you individually, as I don't want to
bore you or leave any one out accidentally, but this festival really is the
sum of its parts and I feel very grateful to everyone involved.
 ATTENTION PLEASE!!!
  I would like to find out if anyone on this list might have grabbed the
wrong ultimate support keyboard stand, as Daniel Thomas, the man I borrowed
a keyboard stand from for the Fest has some one else's instead of his own.
One of you out there must have grabbed his by mistake from the staging room.
Thanks
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:51:14 2006
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On 11/20/06, markfrancombe.com <mark@markfrancombe.com> wrote:
> Great work Os, Now will some clever person PLEASE hurry up and do the same
> for PC... Ive been in all kinds of "Virtual Cable" Hell... none of which
> really worked satisfactorily... all i want is a plug for AudioMulch...
> please Windows peeple..

I downloaded Os's code and the NJ client code from Cockos site.  I'll
start taking a look at what it needs to make it a VST as soon as I
can.


-- 
-==-=-=-
Tony
http://bigtony.blogspot.com/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 21:28:45 2006
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There's a "Pause," but not a "Stop" that I know of.

--Josh


Dirk Wilbert wrote:
> Hello,
> I'm just trying to find a good Mobius-setup with my new 
> Foot-Controller. Bought a Boss FC-50 to control Mobius. The FC-50 
> features five buttons that can send program-change, two additional 
> connectors for external footswitches that can send control-change #64 
> and #80 and two connectors for expression-pedals (#7 and #16).
>
> Right now I'm using the following setup:
> Button 1: Record
> Button 2: Overdub
> Button 3: Mute
> Button 4: ??? unassigned > is there a "Stop"-Function? couldn't find 
> it until now...
> Button 5: Reset
>
> external footswitch 1: Undo
> external footswitch 2: Redo
>
> external pedal 1: Feedback
> external pedal 2: ??? unassigned > maybe "Global Volume" or something 
> similar, if available
>
> Do you have some suggestions, how I could get the most out of the 
> FC50/Mobius-combination? Or maybe some examples, which functions you 
> use with Mobius or the EDP...
>
> Thanks in advance,
> Dirk
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 22:50:37 2006
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Hi, I have found "Pause" in the online documentation but not in 
Mobius... so I upgraded to 1.29 (was on 1.24 before) - now there is a 
Pause function but Mobius won't start recording any more ;-)
Which version do you use?

Dirk

Joshua Carroll schrieb:
> There's a "Pause," but not a "Stop" that I know of.
>
> --Josh
>
>
> Dirk Wilbert wrote:
>> Hello,
>> I'm just trying to find a good Mobius-setup with my new 
>> Foot-Controller. Bought a Boss FC-50 to control Mobius. The FC-50 
>> features five buttons that can send program-change, two additional 
>> connectors for external footswitches that can send control-change #64 
>> and #80 and two connectors for expression-pedals (#7 and #16).
>>
>> Right now I'm using the following setup:
>> Button 1: Record
>> Button 2: Overdub
>> Button 3: Mute
>> Button 4: ??? unassigned > is there a "Stop"-Function? couldn't find 
>> it until now...
>> Button 5: Reset
>>
>> external footswitch 1: Undo
>> external footswitch 2: Redo
>>
>> external pedal 1: Feedback
>> external pedal 2: ??? unassigned > maybe "Global Volume" or something 
>> similar, if available
>>
>> Do you have some suggestions, how I could get the most out of the 
>> FC50/Mobius-combination? Or maybe some examples, which functions you 
>> use with Mobius or the EDP...
>>
>> Thanks in advance,
>> Dirk
>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 22:58:22 2006
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I'm on 1.29 and record is working fine here.   That's strange...

--Josh


Dirk Wilbert wrote:
> Hi, I have found "Pause" in the online documentation but not in 
> Mobius... so I upgraded to 1.29 (was on 1.24 before) - now there is a 
> Pause function but Mobius won't start recording any more ;-)
> Which version do you use?
>
> Dirk
>
> Joshua Carroll schrieb:
>> There's a "Pause," but not a "Stop" that I know of.
>>
>> --Josh
>>
>>
>> Dirk Wilbert wrote:
>>> Hello,
>>> I'm just trying to find a good Mobius-setup with my new 
>>> Foot-Controller. Bought a Boss FC-50 to control Mobius. The FC-50 
>>> features five buttons that can send program-change, two additional 
>>> connectors for external footswitches that can send control-change 
>>> #64 and #80 and two connectors for expression-pedals (#7 and #16).
>>>
>>> Right now I'm using the following setup:
>>> Button 1: Record
>>> Button 2: Overdub
>>> Button 3: Mute
>>> Button 4: ??? unassigned > is there a "Stop"-Function? couldn't find 
>>> it until now...
>>> Button 5: Reset
>>>
>>> external footswitch 1: Undo
>>> external footswitch 2: Redo
>>>
>>> external pedal 1: Feedback
>>> external pedal 2: ??? unassigned > maybe "Global Volume" or 
>>> something similar, if available
>>>
>>> Do you have some suggestions, how I could get the most out of the 
>>> FC50/Mobius-combination? Or maybe some examples, which functions you 
>>> use with Mobius or the EDP...
>>>
>>> Thanks in advance,
>>> Dirk
>>>
>>>
>>>
>>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 23:11:35 2006
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From: Dirk Wilbert
> Hi, I have found "Pause" in the online documentation but not in=20
> Mobius... so I upgraded to 1.29 (was on 1.24 before) - now there is a=20
> Pause function but Mobius won't start recording any more ;-)
> Which version do you use?

The concept of "stop" in Mobius can have several meanings:

  1) Stop playing, and erase the loop (Reset)
  2) Stop playing, but continue advancing the loop (Mute)
  3) Stop playing, and resume from the same location (Pause)

What were you trying to do?  Pause is like pause on a CD player (or
tape deck for the elderly), it temporarily halts the playback of the
loop, then when you unpause it resumes playing from the same location.
You have to use Pause again to get out of pause, just pressing Record
may not be enough.  If that is what you want I can add that to the
feature list.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 23:12:26 2006
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Subject: Re: NINJAM plugin released
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On 20 nov 2006, at 21.37, a k butler wrote:

> some sort of reference to the tempo is needed.

I was thinking about listening to what the other musicians play. If  
they play in a certain tempo you I'm sure you may be able to play in  
the same tempo. I think it would work fine although someone will  
always be one or two bars late... or someone else being one or two  
bars early ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 23:57:37 2006
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Jeff Larson schrieb:
> From: Dirk Wilbert
>   
>> Hi, I have found "Pause" in the online documentation but not in 
>> Mobius... so I upgraded to 1.29 (was on 1.24 before) - now there is a 
>> Pause function but Mobius won't start recording any more ;-)
>> Which version do you use?
>>     
>
> The concept of "stop" in Mobius can have several meanings:
>
>   1) Stop playing, and erase the loop (Reset)
>   2) Stop playing, but continue advancing the loop (Mute)
>   3) Stop playing, and resume from the same location (Pause)
>
> What were you trying to do?  Pause is like pause on a CD player (or
> tape deck for the elderly), it temporarily halts the playback of the
> loop, then when you unpause it resumes playing from the same location.
> You have to use Pause again to get out of pause, just pressing Record
> may not be enough.  If that is what you want I can add that to the
> feature list.
>
> Jeff
>
>
>
>   
Hello Jeff,
I was trying to do the third one > "Pause". As I used (and still use) 
the Digitech Jamman Looper before, I was confused because I didn't find 
a "Stop"-function. I think I have to get into this "other kind" of 
looping, which was sometimes called "delay-like" here on the list.
Mobius (and the EDP) offer a lot of functions; I want to use the "right 
ones" in my setup (for instance, does anybody use "Play" or is this the 
concept of a "delay-like" looper, that it is alway playing...?)

I added "Pause" to the list - thank you for your advice. Until now I 
didn't think of reset as a "stop mode", although I already used it that way.

Mobius is now recording again; had to switch from ASIO to the MME-Driver 
of my soundcard. Unfortunately I can't remember which one I was using 
with 1.24 ...

The current setup:

Button 1: Record
Button 2: Pause
Button 3: Overdub
Button 4: Mute
Button 5: Reset
(trying to keep some physical space between the buttons for the 
'destructive' functions Record and Reset and the often used Overdub button)

external footswitch 1: Undo (ten steps)
external footswitch 2: Redo (one step)
(have to figure out how this works in combination with overdubbing; keep 
loosing orientation at the moment)

external pedal 1: Feedback
external pedal 2: Output Level

Dirk

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 23:59:56 2006
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Now it works (with "Pause") - had to switch from ASIO to MME...
Dirk

Joshua Carroll schrieb:
> I'm on 1.29 and record is working fine here.   That's strange...
>
> --Josh
>
>
> Dirk Wilbert wrote:
>> Hi, I have found "Pause" in the online documentation but not in 
>> Mobius... so I upgraded to 1.29 (was on 1.24 before) - now there is a 
>> Pause function but Mobius won't start recording any more ;-)
>> Which version do you use?
>>
>> Dirk
>>
>> Joshua Carroll schrieb:
>>> There's a "Pause," but not a "Stop" that I know of.
>>>
>>> --Josh
>>>
>>>
>>> Dirk Wilbert wrote:
>>>> Hello,
>>>> I'm just trying to find a good Mobius-setup with my new 
>>>> Foot-Controller. Bought a Boss FC-50 to control Mobius. The FC-50 
>>>> features five buttons that can send program-change, two additional 
>>>> connectors for external footswitches that can send control-change 
>>>> #64 and #80 and two connectors for expression-pedals (#7 and #16).
>>>>
>>>> Right now I'm using the following setup:
>>>> Button 1: Record
>>>> Button 2: Overdub
>>>> Button 3: Mute
>>>> Button 4: ??? unassigned > is there a "Stop"-Function? couldn't 
>>>> find it until now...
>>>> Button 5: Reset
>>>>
>>>> external footswitch 1: Undo
>>>> external footswitch 2: Redo
>>>>
>>>> external pedal 1: Feedback
>>>> external pedal 2: ??? unassigned > maybe "Global Volume" or 
>>>> something similar, if available
>>>>
>>>> Do you have some suggestions, how I could get the most out of the 
>>>> FC50/Mobius-combination? Or maybe some examples, which functions 
>>>> you use with Mobius or the EDP...
>>>>
>>>> Thanks in advance,
>>>> Dirk
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 00:25:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius / EDP -Settings
Date: Tue, 21 Nov 2006 01:25:34 +0100
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On 21 nov 2006, at 00.57, Dirk Wilbert wrote:

> Mobius (and the EDP) offer a lot of functions; I want to use the  
> "right ones" in my setup (for instance, does anybody use "Play" or  
> is this the concept of a "delay-like" looper, that it is alway  
> playing...?)


As you described the function you call "Play" in your other post I  
recognize it as a function I use - but usually call "Retrigger". That  
is if I have understood you correctly, of course. However, it might  
as well be called "Play" and on some loopers, for example the  
Electrixpro Repeater, the Play button is in fact re-triggering the  
loop (if already playing - and starting it if being in stop mode).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 00:42:28 2006
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Per Boysen schrieb:
> On 21 nov 2006, at 00.57, Dirk Wilbert wrote:
>
>> Mobius (and the EDP) offer a lot of functions; I want to use the 
>> "right ones" in my setup (for instance, does anybody use "Play" or is 
>> this the concept of a "delay-like" looper, that it is alway playing...?)
>
>
> As you described the function you call "Play" in your other post I 
> recognize it as a function I use - but usually call "Retrigger". That 
> is if I have understood you correctly, of course. However, it might as 
> well be called "Play" and on some loopers, for example the Electrixpro 
> Repeater, the Play button is in fact re-triggering the loop (if 
> already playing - and starting it if being in stop mode).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
Hello Per,
I'm referring to the "Play" function in Mobius. I think it would 
normally be used after having pressed Mute or Pause before - but there 
seems to be no difference to pressing Mute or Pause again. So I think it 
can be omitted and I don't have to spend a dedicated button on my 
controller for this function.
Pressing "Play" doesn't retrigger the loop (if already playing), maybe 
there is an option for this I haven't found yet.

Dirk

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius / EDP -Settings
Date: Tue, 21 Nov 2006 01:53:43 +0100
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On 21 nov 2006, at 01.42, Dirk Wilbert wrote:

> Hello Per,
> I'm referring to the "Play" function in Mobius.

Yes of course. I'm not very familiar with what exactly it does. I  
only use a chosen set of commands in Mobius and Play is not among them.

> I think it would normally be used after having pressed Mute or  
> Pause before - but there seems to be no difference to pressing Mute  
> or Pause again. So I think it can be omitted and I don't have to  
> spend a dedicated button on my controller for this function.

Good point!

> Pressing "Play" doesn't retrigger the loop (if already playing),  
> maybe there is an option for this I haven't found yet.

What I remember from reading the Mobius manual long ago is that Play  
stops any process right away and kicks Mobius back into just playing  
back whatever is looping. I memorized that because I thought it could  
be useful but truth is I haven't got back on it yet after more than a  
year ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Mobius / EDP -Settings
Date: Mon, 20 Nov 2006 20:31:22 -0600
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On Nov 20, 2006, at 6:53 PM, Per Boysen wrote:
 > What I remember from reading the Mobius manual long ago is that Play
 > stops any process right away and kicks Mobius back into just playing
 > back whatever is looping.

Yes.  I had a few requests for a function that just canceled whatever
mode you were in (Overdub, Insert, Multiply, etc).  without needing
to remember to press the switch that got you into that mode.  This
can be handy for LoopCopy since it's easy to forget what mode you
will end up in (LoopCopy=Sound, we're in Multiply, LoopCopy=Time
we're in Insert, LoopCopyMode=? we're in anything).

If you don't have many foot switches, this is a good one to leave off.

Dirk, I'm curious, did you look at the FCB-1010 when you were shopping
for a foot controller?  It is *much* better than the FC-50 for
controlling a looper with lots of functions.    It is larger, but
after you've added the 4 external pedals to the FC-50 they're about
the same size.

Jeff


From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 08:43:52 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: NINJAM plugin released
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At 23:12 20/11/2006, you wrote:
>>some sort of reference to the tempo is needed.
>
>I was thinking about listening to what the other musicians play. If
>they play in a certain tempo you I'm sure you may be able to play in
>the same tempo. I think it would work fine although someone will
>always be one or two bars late... or someone else being one or two
>bars early ;-)
>
>Per

So you just let them do all the work :-)
..with Ninjam-metronome, or whatever.

...and if they get it wrong they hear you out of time, but it sounds ok to you

andy 

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 11:26:59 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: more KaiserLooper...
Date: Tue, 21 Nov 2006 03:26:54 -0800
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howdy all,

I added the new version of my KaiserLooper to my website....I added a=20
tape-style delay with transposition on the feedback, which can be=20
enjoyable. It also has the midi mapped for an Oxygen 8. If anyone is=20
interested I can get the controller info to them...Mac only....

Let me know if it works.

best,

Jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: NINJAM plugin released
Date: Tue, 21 Nov 2006 12:26:59 +0100
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> At 23:12 20/11/2006, you wrote:
>>> some sort of reference to the tempo is needed.
>>
>> I was thinking about listening to what the other musicians play. If
>> they play in a certain tempo you I'm sure you may be able to play in
>> the same tempo. I think it would work fine although someone will
>> always be one or two bars late... or someone else being one or two
>> bars early ;-)
>>
>> Per
>
On 21 nov 2006, at 09.46, a k butler wrote:
> So you just let them do all the work :-)
> ..with Ninjam-metronome, or whatever.
>
> ...and if they get it wrong they hear you out of time, but it  
> sounds ok to you



Well, those questions have been circulating in my mind since the Y2K6  
Ninjam. After the festival I listened back to recordings and it  
seemed as every recording sounded uniquely different - and also  
different from what I heard while playing :-))  I don't see this as  
total flaw, because you may stick to a musical style where such  
discrepancy doesn't matter much or even plays a contextual role?

I think we're eventually misunderstanding each other somewhere in  
this discussion? It shouldn't be associated with "doing a lot of  
work" to play musically, listening to each other to stick with the  
same tempo and key etc. Normally that's the most easy task in music  
because that's what sounds best to every one and simply the direction  
any group improvisation naturally gravitates to.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 12:16:58 2006
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> From: Per Boysen <perboysen@gmail.com>
>
> Do you think this AU plug-in version would be the best choice if I
> only want to use the Mac as the interface to Ninjam but keep the the
> noise-making happening on a Windows box? (I don't want to install
> Ninjam or other software on the Windows system) Or would the
> standalone OS X Ninjam do well for that purpose?

It depends whether you need the audio routing possibilities of the
plugin version. In my experience the standalone client only does
stereo in/out reliably. Though of course that could be improved.

> Any one tried to use the click track sound of Ninjam to create a MIDI
> Clock pulse? The Repeater has a "follow beat" sync option and I'm
> sure there must be some software that converts a simple audio pulse
> into MIDI Clock?

It would be really easy to add some code to the client to output a
MIDI clock pulse, locked to the internal metronome (much as Augustus
Loop does). Let me know if you're keen for this feature, as I
otherwise don't plan to work on this plugin much for a while - other,
money-making, plugins to write! :)


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 13:05:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: NINJAM plugin released
Date: Tue, 21 Nov 2006 14:05:18 +0100
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>> Any one tried to use the click track sound of Ninjam to create a MIDI
>> Clock pulse? The Repeater has a "follow beat" sync option and I'm
>> sure there must be some software that converts a simple audio pulse
>> into MIDI Clock?

On 21 nov 2006, at 13.16, Os wrote:

> It would be really easy to add some code to the client to output a
> MIDI clock pulse, locked to the internal metronome (much as Augustus
> Loop does). Let me know if you're keen for this feature, as I
> otherwise don't plan to work on this plugin much for a while - other,
> money-making, plugins to write! :)


Ok, if that should happen (me becoming keen on such a feature) I'l  
let you know. Not probable though, because I have not yet tried out  
Ninjam enough and I'm generally much more interested in real-life  
ensemble playing. Good luck with the new money-making plug-ins and  
hope you get a chance to fix the "Re-Pitch Noise Attack" bug in  
Augustus Loop ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Hi all
I have a problem with the pedals of my FCB1010.
I correctly programming the MIN value =3D 0 but when the pedal is up
completely the FCB1010 trasmits a value about =3D 30
=20
How can i do to calibrate the pedal?
=20
=20
=20
=20
Montagna M Mr (Milco)  =20
=20

http://xoomer.alice.it/milco.montagna/
=20

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<DIV><FONT face=3DVerdana size=3D2><SPAN class=3D167550513-21112006>Hi=20
all</SPAN></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><SPAN class=3D167550513-21112006>I =
have a problem=20
with the pedals of my FCB1010.</SPAN></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><SPAN class=3D167550513-21112006>I =
correctly=20
programming the MIN value =3D 0 but when the pedal is up completely the =
FCB1010=20
trasmits a value about =3D 30</SPAN></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><SPAN=20
class=3D167550513-21112006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2><SPAN class=3D167550513-21112006>How =
can i do to=20
calibrate the pedal?</SPAN></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><SPAN=20
class=3D167550513-21112006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
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      <DIV><FONT size=3D1><FONT face=3DVerdana><SPAN =
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<DIV align=3Dleft><FONT face=3DVerdana>&nbsp;</FONT><FONT=20
face=3DVerdana><BR></FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 16:41:29 2006
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Subject: Re: FCB1010 EXPRESSION PEDAL PROBLEM
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Calibrating the expression pedals:

Many units ship with the exprssion pedals not correctly calibrated. This
requires that you perform a manual calibration before the pedals will work
correctly. The following procedure was provided by Behringer:
    1.    Keep footswitches 1 and 3 pressed while switching on the unit
(This bit you can't do standing up!). Release the switches when the display
blanks. The LEDs on the footswitches, the ones on the display and each
segment of the two numeric displays will turn on and off in sequence.
    2.    Wait until all footswitch LEDs are on. Depress all footswitches
one at a time, including UP and DOWN, until all LEDs are off.
    3.    Wait until relay switch test is finished. (There will be a couple
of mechanical clicks, and the display will end up reading "F1" (at least, it
did on mine)). [Also, if you have connected a MIDI cable between the MIDI in
and out, the display will show "A1" before this, meaning the midi ports work
correctly.]
    4.    Press DOWN once.
    5.    Adjust the left expression pedal (A) to the lowest value (heel
down). Once adjusted press UP.
    6.    Adjust the left expression pedal (A) to the highest value (toe
down). Once adjusted press UP.
    7.    Adjust the right expression pedal (B) to the lowest value (heel
down). Once adjusted press UP.
    8.    Adjust the right expression pedal (B) to the highest value (toe
down). Once adjusted press UP.
    9.    Select a patch which has both pedals set to their full range, and
check the expression pedals now send 0-127 (0x00-0x7F)


On 11/21/06, milco.montagna@bt.com <milco.montagna@bt.com> wrote:
>
>  Hi all
> I have a problem with the pedals of my FCB1010.
> I correctly programming the MIN value = 0 but when the pedal is up
> completely the FCB1010 trasmits a value about = 30
>
> How can i do to calibrate the pedal?
>
>
>
>
>    Montagna M Mr (Milco)
>
> http://xoomer.alice.it/milco.montagna/
>
>

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<br><br>Calibrating the expression pedals:<br><br>Many units ship with the exprssion pedals not correctly calibrated. This requires that you perform a manual calibration before the pedals will work correctly. The following procedure was provided by Behringer:
<br>&nbsp;&nbsp;&nbsp; 1.&nbsp;&nbsp;&nbsp; Keep footswitches 1 and 3 pressed while switching on the unit (This bit you can't do standing up!). Release the switches when the display blanks. The LEDs on the footswitches, the ones on the display and each segment of the two numeric displays will turn on and off in sequence.
<br>&nbsp;&nbsp;&nbsp; 2.&nbsp;&nbsp;&nbsp; Wait until all footswitch LEDs are on. Depress all footswitches one at a time, including UP and DOWN, until all LEDs are off.<br>&nbsp;&nbsp;&nbsp; 3.&nbsp;&nbsp;&nbsp; Wait until relay switch test is finished. (There will be a couple of mechanical clicks, and the display will end up reading &quot;F1&quot; (at least, it did on mine)). [Also, if you have connected a MIDI cable between the MIDI in and out, the display will show &quot;A1&quot; before this, meaning the midi ports work correctly.]
<br>&nbsp;&nbsp;&nbsp; 4.&nbsp;&nbsp;&nbsp; Press DOWN once.<br>&nbsp;&nbsp;&nbsp; 5.&nbsp;&nbsp;&nbsp; Adjust the left expression pedal (A) to the lowest value (heel down). Once adjusted press UP.<br>&nbsp;&nbsp;&nbsp; 6.&nbsp;&nbsp;&nbsp; Adjust the left expression pedal (A) to the highest value (toe down). Once adjusted press UP.
<br>&nbsp;&nbsp;&nbsp; 7.&nbsp;&nbsp;&nbsp; Adjust the right expression pedal (B) to the lowest value (heel down). Once adjusted press UP.<br>&nbsp;&nbsp;&nbsp; 8.&nbsp;&nbsp;&nbsp; Adjust the right expression pedal (B) to the highest value (toe down). Once adjusted press UP.<br>&nbsp;&nbsp;&nbsp; 9.&nbsp;&nbsp;&nbsp; Select a patch which has both pedals set to their full range, and check the expression pedals now send 0-127 (0x00-0x7F)
<br><br><br><div><span class="gmail_quote">On 11/21/06, <b class="gmail_sendername"><a href="mailto:milco.montagna@bt.com">milco.montagna@bt.com</a></b> &lt;<a href="mailto:milco.montagna@bt.com">milco.montagna@bt.com</a>
&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
<div><font face="Verdana" size="2"><span>Hi 
all</span></font></div>
<div><font face="Verdana" size="2"><span>I have a problem 
with the pedals of my FCB1010.</span></font></div>
<div><font face="Verdana" size="2"><span>I correctly 
programming the MIN value = 0 but when the pedal is up completely the FCB1010 
trasmits a value about = 30</span></font></div>
<div><font face="Verdana" size="2"><span></span></font>&nbsp;</div>
<div><font face="Verdana" size="2"><span>How can i do to 
calibrate the pedal?</span></font></div>
<div><font face="Verdana" size="2"><span></span></font>&nbsp;</div>
<div><font face="Verdana" size="2"></font>&nbsp;</div>
<div><font face="Verdana" size="2"></font>&nbsp;</div>
<div align="left"><font face="Verdana" size="2"></font>&nbsp;</div><font size="2">
<div align="left">
<table border="0" cellpadding="4" cellspacing="0">
  <tbody>
  <tr>
    <td>
      <div><font size="1"><font face="Verdana"><span><font size="2">Montagna M Mr (Milco)</font></span>&nbsp;&nbsp; 
    </font></font></div></td></tr></tbody></table></div>
<div align="left"><font face="Verdana">&nbsp;</font><font face="Verdana"><br></font></div>
<div align="left"><font face="Verdana"><a href="http://xoomer.alice.it/milco.montagna/" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://xoomer.alice.it/milco.montagna/</a></font></div></font>

<div>&nbsp;</div></div>

</blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 16:41:35 2006
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From: Panagiotis Melidis <pmelidis@uth.gr>
To: Loopers-Delight@loopers-delight.com
Subject: Mobius Loop quantize?
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Hello,

i want to be able to perform as follows

loop something, calculate its tempo, and then every other thing i overdub is
quantized on this particular tempo.

is it the function rc-20xl has or am i wrong?

and most importantly, can i do this in mobius, without syncing to host tempo but
making all my tracks sync to the first one i just recorded?

i hope you made out what i wanted to say.

thanks in advance for your patience in any case!!!


-- 
panagiotis melidis




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From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 17:27:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius Loop quantize?
Date: Tue, 21 Nov 2006 18:26:53 +0100
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On 21 nov 2006, at 18.43, Panagiotis Melidis wrote:

> Hello,
>
> i want to be able to perform as follows
>
> loop something, calculate its tempo, and then every other thing i  
> overdub is
> quantized on this particular tempo.
>
> is it the function rc-20xl has or am i wrong?

As far as I understand the RC-20xl you are wrong, because it only  
synchronizes according to tap tempo.


> and most importantly, can i do this in mobius, without syncing to  
> host tempo but
> making all my tracks sync to the first one i just recorded?

The answer depends on what you mean by your question, which I'm  
afraid is a bit unclear. So I will "safe up" by giving two answers:

- If you intend to have the audio you are overdubbing quantized the  
answer is "no".


- If you mean the actions you perform the answer is "yes". And it  
working even smoother without syncing to host tempo. Mobius can sync  
the actions performed on all tracks to the tempo calculated according  
to the first loop created on the first track. Quantizing of actions  
work like this: If you for example has set the quantize value to one  
cycle every action you take (like hitting "reverse" or "overdub" etc)  
is performed when the music reaches the next loop cycle.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 17:40:03 2006
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From: Panagiotis Melidis <pmelidis@uth.gr>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mobius Loop quantize?
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First of all thanks for the quick answer Per and, by the way, i have 
listened to
your myspace songs, great sounds there...quite an inspiration, and in 
technical
aspects sure. anyway...


Quoting Per Boysen <perboysen@gmail.com>:

> As far as I understand the RC-20xl you are wrong, because it only  
> synchronizes according to tap tempo.
>
>

yeah, i checked the manual and i thought it did something like that which is
exactly the following:

i play a piano riff, without a predefined tempo.
then mobius detects the tempo(or it doesnt, it doesnt matter, anyway...)
and then, every other loop i record is in sync with the first one.

i use audiomulch and i dont want for every song i play to have a beat play and
follow its tempo but play a melody and then RecordEnd quantizes on the end of
the first loop.

i just checked more thoroughly the mobius manual.
is this what im talkin about?

http://zonemobius.com/mobiusdoc.htm#Track%20Synchronization

im trying to learn mobius in detail, im having a show on 14th of 
december and im
in a state of panic.

i know what to do in the context of audiomulch but i have serious 
problems with
mobius and programming the fcb1010.

anyway, i hope it all works out fine in the end, you guys here are a 
big helpin'
hand and quite an influence.

thanks for your time


>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>

-- 
panagiotis melidis
http://myspace.com/larrygus






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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius Loop quantize?
Date: Tue, 21 Nov 2006 18:57:33 +0100
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On 21 nov 2006, at 19.41, Panagiotis Melidis wrote:

> i use audiomulch and i dont want for every song i play to have a  
> beat play and
> follow its tempo but play a melody and then RecordEnd quantizes on  
> the end of
> the first loop.

I don't know if Audiomulch can sync to MIDI Clock, but if that is  
possible you can set up Audiomuch to pick up the tempo set by Mobius  
from your first created loop. That's the way I prefer to loop too :-))


> i just checked more thoroughly the mobius manual.
> is this what im talkin about?
>
> http://zonemobius.com/mobiusdoc.htm#Track%20Synchronization

Yes, that's the Mobius manual. If you are not already familiar with  
the Loop4 manual of the Echoplex you may check it out as well. Mobius  
kind of builds on the concept established with Loop4. There is a link  
at the Mobius site.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Quoting Per Boysen <perboysen@gmail.com>:

>>
>> http://zonemobius.com/mobiusdoc.htm#Track%20Synchronization
>
> Yes, that's the Mobius manual. If you are not already familiar with  
> the Loop4 manual of the Echoplex you may check it out as well. Mobius 
>  kind of builds on the concept established with Loop4. There is a 
> link  at the Mobius site.

yes, :-)

i meant, is this the exact part of the manual which refers to the synchro
solutions or am i wrong?

it says something about all tracks following the master track etc

bike


-- 
panagiotis melidis
myspace.com/larrygus




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Jeffrey Larson schrieb:
> On Nov 20, 2006, at 6:53 PM, Per Boysen wrote:
> > What I remember from reading the Mobius manual long ago is that Play
> > stops any process right away and kicks Mobius back into just playing
> > back whatever is looping.
>
> Yes.  I had a few requests for a function that just canceled whatever
> mode you were in (Overdub, Insert, Multiply, etc).  without needing
> to remember to press the switch that got you into that mode.  This
> can be handy for LoopCopy since it's easy to forget what mode you
> will end up in (LoopCopy=Sound, we're in Multiply, LoopCopy=Time
> we're in Insert, LoopCopyMode=? we're in anything).
>
> If you don't have many foot switches, this is a good one to leave off.
>
> Dirk, I'm curious, did you look at the FCB-1010 when you were shopping
> for a foot controller?  It is *much* better than the FC-50 for
> controlling a looper with lots of functions.    It is larger, but
> after you've added the 4 external pedals to the FC-50 they're about
> the same size.
>
> Jeff
>
>
>
Hello Jeff,
yes, I looked at the FCB-1010 - and decided to buy the FC-50 for two 
reasons:
1) There is no space left on the floor under my keystand. I've just 
counted pieces of gear (without the new controller for Mobius) on the 
floor - from various Switches over Wah/Volume to a Midi-Basspedal, so I 
needed something small and with the ability to connect the expression 
pedals in a flexible way - so that they can stand where they just fit in...
2) I wanted something I don't have to program as I often found myself 
doing Midi-Troubleshooting rather than playing my instruments. The FC-50 
is indeed of a very "static" character. Somehow I have the feeling my 
setup is a bit too flexible for me to handle ;-)))

I thought that Mobius would do the flexible part here - and I still 
think it does, just reading things about Mobius scripts on the list. For 
instance: is Record/Play/Overdub with only one button possible? Or would 
I need  a programmable foot controller like the FCB1010 for this? If 
this is the case I went in the wrong direction...

Dirk


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius Loop quantize?
Date: Tue, 21 Nov 2006 19:26:47 +0100
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> Quoting Per Boysen <perboysen@gmail.com>:
>
>>> http://zonemobius.com/mobiusdoc.htm#Track%20Synchronization
>>
>> Yes, that's the Mobius manual. If you are not already familiar  
>> with  the Loop4 manual of the Echoplex you may check it out as  
>> well. Mobius  kind of builds on the concept established with  
>> Loop4. There is a link  at the Mobius site.
>
On 21 nov 2006, at 20.05, Panagiotis Melidis wrote:

> yes, :-)
>
> i meant, is this the exact part of the manual which refers to the  
> synchro
> solutions or am i wrong?

Yes, this general area of the manual deals with different aspects of  
synchronization. The headlines says what each part is about in detail.

Per

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Subject: Re: FCB1010 EXPRESSION PEDAL PROBLEM
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This procedure may need to be repeated periodically as the FCB ages so it's
handy to keep around.  Also, even after calibration it's not uncommon for
pedals to not quite reach "0" in normal operation.  If you find this to be
the case, stick a pencil under the heel side of the pedal while
calibrating.  This will give you a buffer at the bottom of the pedal's
travel and insure that the minimum value is reached easily.

Todd

On 11/21/06, Travis Hartnett <travishartnett@gmail.com> wrote:
>
>
>
> Calibrating the expression pedals:
>
> Many units ship with the exprssion pedals not correctly calibrated. This
> requires that you perform a manual calibration before the pedals will work
> correctly. The following procedure was provided by Behringer:
>     1.    Keep footswitches 1 and 3 pressed while switching on the unit
> (This bit you can't do standing up!). Release the switches when the display
> blanks. The LEDs on the footswitches, the ones on the display and each
> segment of the two numeric displays will turn on and off in sequence.
>     2.    Wait until all footswitch LEDs are on. Depress all footswitches
> one at a time, including UP and DOWN, until all LEDs are off.
>     3.    Wait until relay switch test is finished. (There will be a
> couple of mechanical clicks, and the display will end up reading "F1" (at
> least, it did on mine)). [Also, if you have connected a MIDI cable between
> the MIDI in and out, the display will show "A1" before this, meaning the
> midi ports work correctly.]
>     4.    Press DOWN once.
>     5.    Adjust the left expression pedal (A) to the lowest value (heel
> down). Once adjusted press UP.
>     6.    Adjust the left expression pedal (A) to the highest value (toe
> down). Once adjusted press UP.
>     7.    Adjust the right expression pedal (B) to the lowest value (heel
> down). Once adjusted press UP.
>     8.    Adjust the right expression pedal (B) to the highest value (toe
> down). Once adjusted press UP.
>     9.    Select a patch which has both pedals set to their full range,
> and check the expression pedals now send 0-127 (0x00-0x7F)
>
>
> On 11/21/06, milco.montagna@bt.com <milco.montagna@bt.com > wrote:
> >
> >  Hi all
> > I have a problem with the pedals of my FCB1010.
> > I correctly programming the MIN value = 0 but when the pedal is up
> > completely the FCB1010 trasmits a value about = 30
> >
> > How can i do to calibrate the pedal?
> >
> >
> >
> >
> >    Montagna M Mr (Milco)
> >
> > http://xoomer.alice.it/milco.montagna/
> >
> >
>
>

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This procedure may need to be repeated periodically as the FCB ages so it's handy to keep around.&nbsp; Also, even after calibration it's not uncommon for pedals to not quite reach &quot;0&quot; in normal operation.&nbsp; If you find this to be the case, stick a pencil under the heel side of the pedal while calibrating.&nbsp; This will give you a buffer at the bottom of the pedal's travel and insure that the minimum value is reached easily.
<br><br>Todd<br><br><div><span class="gmail_quote">On 11/21/06, <b class="gmail_sendername">Travis Hartnett</b> &lt;<a href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br><br>Calibrating the expression pedals:<br><br>Many units ship with the exprssion pedals not correctly calibrated. This requires that you perform a manual calibration before the pedals will work correctly. The following procedure was provided by Behringer:
<br>&nbsp;&nbsp;&nbsp; 1.&nbsp;&nbsp;&nbsp; Keep footswitches 1 and 3 pressed while switching on the unit (This bit you can't do standing up!). Release the switches when the display blanks. The LEDs on the footswitches, the ones on the display and each segment of the two numeric displays will turn on and off in sequence.
<br>&nbsp;&nbsp;&nbsp; 2.&nbsp;&nbsp;&nbsp; Wait until all footswitch LEDs are on. Depress all footswitches one at a time, including UP and DOWN, until all LEDs are off.<br>&nbsp;&nbsp;&nbsp; 3.&nbsp;&nbsp;&nbsp; Wait until relay switch test is finished. (There will be a couple of mechanical clicks, and the display will end up reading &quot;F1&quot; (at least, it did on mine)). [Also, if you have connected a MIDI cable between the MIDI in and out, the display will show &quot;A1&quot; before this, meaning the midi ports work correctly.]
<br>&nbsp;&nbsp;&nbsp; 4.&nbsp;&nbsp;&nbsp; Press DOWN once.<br>&nbsp;&nbsp;&nbsp; 5.&nbsp;&nbsp;&nbsp; Adjust the left expression pedal (A) to the lowest value (heel down). Once adjusted press UP.<br>&nbsp;&nbsp;&nbsp; 6.&nbsp;&nbsp;&nbsp; Adjust the left expression pedal (A) to the highest value (toe down). Once adjusted press UP.
<br>&nbsp;&nbsp;&nbsp; 7.&nbsp;&nbsp;&nbsp; Adjust the right expression pedal (B) to the lowest value (heel down). Once adjusted press UP.<br>&nbsp;&nbsp;&nbsp; 8.&nbsp;&nbsp;&nbsp; Adjust the right expression pedal (B) to the highest value (toe down). Once adjusted press UP.<br>
&nbsp;&nbsp;&nbsp; 9.&nbsp;&nbsp;&nbsp; Select a patch which has both pedals set to their full range, and check the expression pedals now send 0-127 (0x00-0x7F)
<div><span class="e" id="q_10f0b64e703221e5_1"><br><br><br><div><span class="gmail_quote">On 11/21/06, <b class="gmail_sendername"><a href="mailto:milco.montagna@bt.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
milco.montagna@bt.com</a></b> &lt;<a href="mailto:milco.montagna@bt.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">milco.montagna@bt.com</a>
&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
<div><font face="Verdana" size="2"><span>Hi 
all</span></font></div>
<div><font face="Verdana" size="2"><span>I have a problem 
with the pedals of my FCB1010.</span></font></div>
<div><font face="Verdana" size="2"><span>I correctly 
programming the MIN value = 0 but when the pedal is up completely the FCB1010 
trasmits a value about = 30</span></font></div>
<div><font face="Verdana" size="2"><span></span></font>&nbsp;</div>
<div><font face="Verdana" size="2"><span>How can i do to 
calibrate the pedal?</span></font></div>
<div><font face="Verdana" size="2"><span></span></font>&nbsp;</div>
<div><font face="Verdana" size="2"></font>&nbsp;</div>
<div><font face="Verdana" size="2"></font>&nbsp;</div>
<div align="left"><font face="Verdana" size="2"></font>&nbsp;</div><font size="2">
<div align="left">
<table border="0" cellpadding="4" cellspacing="0">
  <tbody>
  <tr>
    <td>
      <div><font size="1"><font face="Verdana"><span><font size="2">Montagna M Mr (Milco)</font></span>&nbsp;&nbsp; 
    </font></font></div></td></tr></tbody></table></div>
<div align="left"><font face="Verdana">&nbsp;</font><font face="Verdana"><br></font></div>
<div align="left"><font face="Verdana"><a href="http://xoomer.alice.it/milco.montagna/" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://xoomer.alice.it/milco.montagna/</a></font></div></font>


<div>&nbsp;</div></div>

</blockquote></div><br>

</span></div></blockquote></div><br>

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From: Dirk Wilbert
> 2) I wanted something I don't have to program as I often found myself=20
> doing Midi-Troubleshooting rather than playing my instruments. The
FC-50=20
> is indeed of a very "static" character. Somehow I have the feeling my=20
> setup is a bit too flexible for me to handle ;-)))

You don't have to program the FCB, Mobius can be trained to respond
to whatever the switches are sending.  Usually however you do program it
to send notes rather than program changes.  The big advantage of using
notes is that you can use "long presses" where the switch changes
behavior
as you hold it down.  One example is a long-press of Record which will
perform a Reset.  You can also write scripts that do different things
each second a switch is down.  This can reduce the number of switches
you need since one switch can do several things.

The other advantage of using notes is that you can use the "sustain"
functions where the function starts when the switch goes down and
stops when the switch goes up.  You can't do this with program changes.

> For instance: is Record/Play/Overdub with only one button possible?=20

Yes, a few scripts have been written to do this.  I encourage you
to join the Yahoo group at groups.yahoo.com/group/zonemobius, there
is a file section there with some example scripts.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 19:39:16 2006
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At 11:26 21/11/2006, you wrote:
>>At 23:12 20/11/2006, you wrote:
>>>>some sort of reference to the tempo is needed.
>>>
>>>I was thinking about listening to what the other musicians play. If
>>>they play in a certain tempo you I'm sure you may be able to play in
>>>the same tempo. I think it would work fine although someone will
>>>always be one or two bars late... or someone else being one or two
>>>bars early ;-)
>>>
>>>Per
>On 21 nov 2006, at 09.46, a k butler wrote:
>>So you just let them do all the work :-)
>>..with Ninjam-metronome, or whatever.
>>
>>...and if they get it wrong they hear you out of time, but it
>>sounds ok to you
>
>
>
>Well, those questions have been circulating in my mind since the Y2K6
>Ninjam. After the festival I listened back to recordings and it
>seemed as every recording sounded uniquely different - and also
>different from what I heard while playing :-))  I don't see this as
>total flaw, because you may stick to a musical style where such
>discrepancy doesn't matter much or even plays a contextual role?
>
>I think we're eventually misunderstanding each other somewhere in
>this discussion? It shouldn't be associated with "doing a lot of
>work" to play musically, listening to each other to stick with the
>same tempo and key etc. Normally that's the most easy task in music
>because that's what sounds best to every one and simply the direction
>any group improvisation naturally gravitates to.

Hi Per

Sure, but with the Ninjam delay things aren't normal.
Either you conform to the delay, or you don't sync with the other guy.

In a way it's like using a fixed delay, and learning to sync your 
playing with it.
With a whole bar delay it takes a bit of practice to get things going.
There are a number of strategies to use:-
1) get to know that delay length very well
2) feed in non-rhythm sounds till you start to feel a beat in there
3)....and so on

..but the situation is different with Ninjam (unless Stefan is 
involved) because you're responding
not to your own playing directly, but to someone else's 
interpretation of your playing.

It would be really interesting to just play, and see if it was 
possible to sync up.
I'm thinking it would be quite hard to achieve sync, and then easy to lose it.
We should try it.

andy butler





   

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 19:56:50 2006
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From: Panagiotis Melidis
> i play a piano riff, without a predefined tempo.
> then mobius detects the tempo(or it doesnt, it doesnt matter,
anyway...)
> and then, every other loop i record is in sync with the first one.

It sounds like you want simple track synchronization.  Most of what is
in the Synchronization chapter in the manual is about MIDI sync or VST
Host sync which you don't need, look at section 16.9 "Track
Synchronization".

Start by defining a preset with the Sync Mode parameter set to Out
and the Track Sync Mode parameter set to Loop.  Record the first track,=20
this becomes the "master" track.  Move to another track and press
Record.
The recording will automatically start when the master track reaches
its start point.  Play something, then press Record again.  The
recording
will automatically end when the master track reaches the end point.

> i use audiomulch and i dont want for every song i play to have a beat=20
> play and follow its tempo but play a melody and then RecordEnd
quantizes
> on the end of the first loop.

Using track sync as I described, you don't have to do anything special
in AudioMulch.  The sync is done inside Mobius, AudioMulch doesn't know
about it. =20

If you have further questions, feel free to join the Mobius Yahoo group,
groups.yahoo.com/group/zonemobius.  I don't mind answering questions=20
over here, but most of the Mobius discussion happens on the Yahoo group.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 00:37:10 2006
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>> For instance: is Record/Play/Overdub with only one button possible? 
>>     
>
> Yes, a few scripts have been written to do this.  I encourage you
> to join the Yahoo group at groups.yahoo.com/group/zonemobius, there
> is a file section there with some example scripts.
>
> Jeff
>
>
>
>   
Thank you, Jeff - I joined the group and managed to alter a "DL4-script" 
to a "JamMan"-script. The Record-Button now has the desired function 
"Record/Play/Overdub (... /Play/Overdub/Play ... and so on) just like 
the Digitech JamMan Looper.
This is what I got used to, for now that's really fine for me. So I 
don't need the dedicated Overdub switch anymore.

The current setup:

Button 1: Record/Play/Overdub
Button 2: Pause
Button 3: Mute
Button 4: Next Loop
Button 5: Reset

external footswitch 1: Undo
external footswitch 2: Redo

external pedal 1: Feedback
external pedal 2: Output Level

I'm having a lot of fun with this Mobius setup! Think I will keep the 
FC-50 (until I really need long presses). As I'm just starting with 
Mobius I'm curious what I will learn about it in the future - especially 
about scripting. Is there a special documentation about scripting 
available on zonemobius; haven't found it.
Thank you again!
Dirk


From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 00:54:23 2006
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Per Boysen schrieb:
> On 21 nov 2006, at 01.42, Dirk Wilbert wrote:
>
>> Hello Per,
>> I'm referring to the "Play" function in Mobius.
>
> Yes of course. I'm not very familiar with what exactly it does. I only 
> use a chosen set of commands in Mobius and Play is not among them.
>
>> I think it would normally be used after having pressed Mute or Pause 
>> before - but there seems to be no difference to pressing Mute or 
>> Pause again. So I think it can be omitted and I don't have to spend a 
>> dedicated button on my controller for this function.
>
> Good point!
>
>> Pressing "Play" doesn't retrigger the loop (if already playing), 
>> maybe there is an option for this I haven't found yet.
>
> What I remember from reading the Mobius manual long ago is that Play 
> stops any process right away and kicks Mobius back into just playing 
> back whatever is looping. I memorized that because I thought it could 
> be useful but truth is I haven't got back on it yet after more than a 
> year ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
Thank you, Per.
For now I'm happy with the current setup. Will try it that way for a 
couple of days and then think about improvements. Maybe it's the final 
version?!
I did some "research" and found the "Tech21 Midi Moose"-thread - was 
quite impressed by the complexity of your controller assignments for 
Mobius and the way you handle it (inspired me to try my 
PocketDial-Controller with Mobius).
Besides technology, there were some really interesting thoughts about 
the approach to making music in this thread.

Dirk


From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 07:35:16 2006
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Sorry to all for taking up this bandwidth, but:
 
I have been trying several times in the past days to reach Ted Killian via
his usual email address, but it bounced back.
 
So...if anyone knows about Ted's email-technical whereabouts, would you
please drop me a line?
 
And Ted, if you read this - I was inquiring about a possible use of your
logo of the y2k6loopfest for my CD cover art. Could you get in contact via
private mail?
 
And btw (to Ted an everyone). Ted's CD rocks!
 
    Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 09:34:05 2006
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I will play tomorrow at the cinémathèque française with Yan Gueguen to 
an old silent movie "Das Wachsfigurenkabinett" of Paul Leni.

http://www.cinematheque.fr/

51, rue de Bercy
75012 Paris
23rd Nov 2006 at 20:30

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 09:39:03 2006
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Damn, and here I am stuck in Ventucky, CA......


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Nov 22, 2006, at 1:33 AM, Stefan Tiedje wrote:

> I will play tomorrow at the cin=E9math=E8que fran=E7aise with Yan =
Gueguen to=20
> an old silent movie "Das Wachsfigurenkabinett" of Paul Leni.
>
> http://www.cinematheque.fr/
>
> 51, rue de Bercy
> 75012 Paris
> 23rd Nov 2006 at 20:30
>
> Stefan
>
> --=20
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 15:52:29 2006
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Jeff Kaiser wrote:
> Damn, and here I am stuck in Ventucky, CA......

I'll record it, if I don't forget to hit the magic button... (happens 
too often, but I consider music any way a volatile artform)
And we should still get together for our redo of the missed out y2k6 
Ninjam session...
You do not seem to be in Boise at the moment, Ventucky sounds at least 
warmer than Paris...

Stefan

-- 
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--_____-----------|--------------
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 16:10:43 2006
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From: Bobby <bobby@deepsoda.com>
Subject: Electro Harmonix 2880
Date: Wed, 22 Nov 2006 10:51:23 -0500
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Has anyone had any luck running the 2880 slaved to another device?   
I've tried a few configurations but nothing's working.

My band plays live with a Midi network on stage.  The midi chain is  
as follows:

<master> Korg ER-1 Drum machine (Drummer sets song tempo and listens  
to click) <midi out>---->
<midi in> Echoplex (git loops) <midi thru> ---->
<midi in> Korg MS2000B (arpeggiator or tempo delay with bass fed  
through audio in of keys.)<midi thru> ---->
<midi in> Electro Harmonix 2880<end>

If you record in the first bank it stretches the audio all over the  
place.  I tried leaving that bank 1 empty and starting the loop in  
bank 2 .  That worked once but it eventually lost sync with the other  
devices and I couldn't make it happen again.

I'm about to sell it and get an Echoplex if nobody has any ideas.   
I'm no "Midiot".   I just think this little machine is trying to be  
smarter than it needs to be.

Rob
www.myspace.com/deepsoda
www.deepsoda.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 17:52:44 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Electro Harmonix 2880
Date: Wed, 22 Nov 2006 18:52:37 +0100
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On 22 nov 2006, at 16.51, Bobby wrote:

> Has anyone had any luck running the 2880 slaved to another device?   
> I've tried a few configurations but nothing's working.
> If you record in the first bank it stretches the audio all over the  
> place.
>

Yes. When I was playing with bass loopist Costas Andreou he brought a  
2880 for looping. I provided a MIDI clock sync signal sent out from  
my laptop running Mobius and the 2880 seemed to follow tempo well.  
The loopers were always empty when we started to play and then we  
filled them up with noise, so I can't tell if the 2880 was  
"stretching  the audio all over the place" when it kicked in.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 18:07:55 2006
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I was in the pub until pretty late last thursday night, & had quite a few
beers. I got an sms message just after midnight: "here & now have pulled out
& damo wants us to play instead". this was for a gig in sheffield (200 miles
away) the following night.
long story short- our guitarist couldn't make it, & we couldn't retrieve any
of our equipment from the rehearsal studio (60-odd miles from the gig)
because it was closed until 7pm.
so all I had with me was my fretless rickenbacker & a DL4.
 
I guess my point is.... sometimes less is more.
 
were any of you there?
 
duncan/r.m.i. 



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<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>I was in the pub until pretty 
late last thursday night, &amp; had quite a few beers. I got an sms message just 
after midnight: "here &amp; now have pulled out &amp; damo wants us to play 
instead". this was for a gig in sheffield (200 miles away) the following 
night.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>long story short- our guitarist 
couldn't make it, &amp; we couldn't retrieve any of our equipment from the 
rehearsal studio (60-odd miles from the gig) because it was closed until 
7pm.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>so all I had with me was my 
fretless rickenbacker &amp; a DL4.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN 
class=216380318-22112006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>I guess my point is.... sometimes 
less is more.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN 
class=216380318-22112006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>were any of you 
there?</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN 
class=216380318-22112006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN class=216380318-22112006><FONT 
face="AmericanTypewriter Medium" 
color=#0000ff>duncan/r.m.i.</FONT>&nbsp;</SPAN><BR></DIV></FONT></FONT><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 20:09:31 2006
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From: "Thomas Wingren" <thomas.wingren@bredband.net>
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Subject: SV: Electro Harmonix 2880
Date: Wed, 22 Nov 2006 21:09:26 +0100
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Hi Bobby,

I have the 2880 and use it to loop percussion in sync with a laptop =
running
Ableton Live. Midi out from the 2880 is connected to a Roland 404. Both =
the
2880 and the 404 is in perfect sync with Ableton.

But I have had problems with other equipment when the midi network is =
very
long. Do you have the same problem if you connect the ER-1 direct into =
the
2880?

/
Thomas
www.expansionsmusic.com



-----Ursprungligt meddelande-----
Fr=E5n: Bobby [mailto:bobby@deepsoda.com]=20
Skickat: den 22 november 2006 16:51
Till: Loopers-Delight@loopers-delight.com
=C4mne: Electro Harmonix 2880

Has anyone had any luck running the 2880 slaved to another device?  =20
I've tried a few configurations but nothing's working.

My band plays live with a Midi network on stage.  The midi chain is as
follows:

<master> Korg ER-1 Drum machine (Drummer sets song tempo and listens to
click) <midi out>----> <midi in> Echoplex (git loops) <midi thru> ---->
<midi in> Korg MS2000B (arpeggiator or tempo delay with bass fed through
audio in of keys.)<midi thru> ----> <midi in> Electro Harmonix 2880<end>

If you record in the first bank it stretches the audio all over the =
place.
I tried leaving that bank 1 empty and starting the loop in bank 2 .  =
That
worked once but it eventually lost sync with the other devices and I
couldn't make it happen again.

I'm about to sell it and get an Echoplex if nobody has any ideas.  =20
I'm no "Midiot".   I just think this little machine is trying to be =20
smarter than it needs to be.

Rob
www.myspace.com/deepsoda
www.deepsoda.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 21:04:57 2006
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From: Rob O'Dea <bobby@deepsoda.com>
Subject: Re: SV: Electro Harmonix 2880
Date: Wed, 22 Nov 2006 16:04:47 -0500
To: Loopers-Delight@loopers-delight.com
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I tried that, same problem.  The time still wavers.  The "midi out" =20
also doesn't act like a "midi thru".  Anything I put after it wasn't =20
receiving the proper time.

I have live but that's not gonna help out the live setup.

On Nov 22, 2006, at 3:09 PM, Thomas Wingren wrote:

> Hi Bobby,
>
> I have the 2880 and use it to loop percussion in sync with a laptop =20=

> running
> Ableton Live. Midi out from the 2880 is connected to a Roland 404. =20
> Both the
> 2880 and the 404 is in perfect sync with Ableton.
>
> But I have had problems with other equipment when the midi network =20
> is very
> long. Do you have the same problem if you connect the ER-1 direct =20
> into the
> 2880?
>
> /
> Thomas
> www.expansionsmusic.com
>
>
>
> -----Ursprungligt meddelande-----
> Fr=E5n: Bobby [mailto:bobby@deepsoda.com]
> Skickat: den 22 november 2006 16:51
> Till: Loopers-Delight@loopers-delight.com
> =C4mne: Electro Harmonix 2880
>
> Has anyone had any luck running the 2880 slaved to another device?
> I've tried a few configurations but nothing's working.
>
> My band plays live with a Midi network on stage.  The midi chain is as
> follows:
>
> <master> Korg ER-1 Drum machine (Drummer sets song tempo and =20
> listens to
> click) <midi out>----> <midi in> Echoplex (git loops) <midi thru> =20
> ---->
> <midi in> Korg MS2000B (arpeggiator or tempo delay with bass fed =20
> through
> audio in of keys.)<midi thru> ----> <midi in> Electro Harmonix =20
> 2880<end>
>
> If you record in the first bank it stretches the audio all over the =20=

> place.
> I tried leaving that bank 1 empty and starting the loop in bank =20
> 2 .  That
> worked once but it eventually lost sync with the other devices and I
> couldn't make it happen again.
>
> I'm about to sell it and get an Echoplex if nobody has any ideas.
> I'm no "Midiot".   I just think this little machine is trying to be
> smarter than it needs to be.
>
> Rob
> www.myspace.com/deepsoda
> www.deepsoda.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 23:59:09 2006
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Date: Wed, 22 Nov 2006 15:59:04 -0800
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
Subject: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
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OK, maybe this is geeky, but it's on topic and hopefully of interest.
I just assembled a new computer that I plan to use with Mobius and
Bidule or Usine. It's got the Core 2 Duo E6400 processor.

http://art.simon.tripod.com/LoopingRig/

If anyone is familiar with the Live5 Performance Test, this processor
has been generating some impressive numbers. My old 3.2Ghz P4 Prescott
based system (overclocked to 3.46Ghz) generated a score of 37% on the
test. My new Core 2 Duo system with the E6400 processor (no
overclocking) is scoring 20%. That drops to 12% if I use Live 6 with
multiple processor support. Overclocked, at least one ableton forum
poster is getting a score of 8% with this CPU.
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 00:12:05 2006
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Last minute gig notice, cuz it just got
booked...Opening for La Resistance & Serpent Throne,
Baptist Preachers! http://www.myspace.com/baptistpreachers 
BP goes on promptly@9pm-sharp@a place called, johnny Brenda's:
http://www.johnnybrendas.com/ 
JB's is located on the
corner of Frankford & Girard, in the Fishtown section
of The City of Phila; admission: $7.00...Happy Holidays!

"remember to always kill your expectations"
http://www.johncecilprice.com




From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 00:28:01 2006
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To: Loopers-Delight@loopers-delight.com
References: <588ce11d0611221559v564a9414k6f0339d4334a9375@mail.gmail.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Wed, 22 Nov 2006 17:27:57 -0700
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Yeah, that duo core 2 performs something 40% more efficiently than the first 
duo core processors.  What the hell are you going to do with all that horse 
power, man? : ) Are you going to write a program that solves the 
mathematical riddles of the universe?  Oh sorry, I think MAX does that....

I can't even get my duo core to go over 55% processor utilization...and 
that's with stacking reaktor vst, mobius vst, reverb, delay, amp, and chorus 
vst's, and some other high power vst effect, like PSP84.

Cool page, Simon. I thinki everyone should post their rig on a webpage like 
that, like mine: http://www.krispenhartung.com/gear.htm (it's already out of 
date...need to update this weekend)

Kris

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" 
<loopers-delight@loopers-delight.com>
Sent: Wednesday, November 22, 2006 4:59 PM
Subject: My Thanksgiving Vacation Project: Building a new looping computer 
w/Core 2 Duo


> OK, maybe this is geeky, but it's on topic and hopefully of interest.
> I just assembled a new computer that I plan to use with Mobius and
> Bidule or Usine. It's got the Core 2 Duo E6400 processor.
>
> http://art.simon.tripod.com/LoopingRig/
>
> If anyone is familiar with the Live5 Performance Test, this processor
> has been generating some impressive numbers. My old 3.2Ghz P4 Prescott
> based system (overclocked to 3.46Ghz) generated a score of 37% on the
> test. My new Core 2 Duo system with the E6400 processor (no
> overclocking) is scoring 20%. That drops to 12% if I use Live 6 with
> multiple processor support. Overclocked, at least one ableton forum
> poster is getting a score of 8% with this CPU.
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 08:18:53 2006
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Subject: R: FCB1010 EXPRESSION PEDAL PROBLEM
Date: Thu, 23 Nov 2006 08:18:46 -0000
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From: <milco.montagna@bt.com>
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Todd, Travis, Fabio many many thanks
The procedure is perfect and now my pedals works correctly.
=20
=20
Montagna M Mr (Milco)  =20
(BT Global Services <http://globalservices.intra.bt.com/> , JBK2I =
<http://directory.intra.bt.com/pls/ids/staff?id=3D673007> )=20
http://xoomer.alice.it/milco.montagna/

=20
=20

________________________________

Da: Todd Pafford [mailto:calenlas@gmail.com]=20
Inviato: marted=EC 21 novembre 2006 20.37
A: Loopers-Delight@loopers-delight.com
Oggetto: Re: FCB1010 EXPRESSION PEDAL PROBLEM


This procedure may need to be repeated periodically as the FCB ages so =
it's handy to keep around.  Also, even after calibration it's not =
uncommon for pedals to not quite reach "0" in normal operation.  If you =
find this to be the case, stick a pencil under the heel side of the =
pedal while calibrating.  This will give you a buffer at the bottom of =
the pedal's travel and insure that the minimum value is reached easily.=20

Todd


On 11/21/06, Travis Hartnett <travishartnett@gmail.com> wrote:=20



	Calibrating the expression pedals:
=09
	Many units ship with the exprssion pedals not correctly calibrated. =
This requires that you perform a manual calibration before the pedals =
will work correctly. The following procedure was provided by Behringer:=20
	    1.    Keep footswitches 1 and 3 pressed while switching on the unit =
(This bit you can't do standing up!). Release the switches when the =
display blanks. The LEDs on the footswitches, the ones on the display =
and each segment of the two numeric displays will turn on and off in =
sequence.=20
	    2.    Wait until all footswitch LEDs are on. Depress all =
footswitches one at a time, including UP and DOWN, until all LEDs are =
off.
	    3.    Wait until relay switch test is finished. (There will be a =
couple of mechanical clicks, and the display will end up reading "F1" =
(at least, it did on mine)). [Also, if you have connected a MIDI cable =
between the MIDI in and out, the display will show "A1" before this, =
meaning the midi ports work correctly.]=20
	    4.    Press DOWN once.
	    5.    Adjust the left expression pedal (A) to the lowest value =
(heel down). Once adjusted press UP.
	    6.    Adjust the left expression pedal (A) to the highest value =
(toe down). Once adjusted press UP.=20
	    7.    Adjust the right expression pedal (B) to the lowest value =
(heel down). Once adjusted press UP.
	    8.    Adjust the right expression pedal (B) to the highest value =
(toe down). Once adjusted press UP.
	    9.    Select a patch which has both pedals set to their full range, =
and check the expression pedals now send 0-127 (0x00-0x7F)=20
=09
=09
=09
=09
	On 11/21/06, milco.montagna@bt.com <milco.montagna@bt.com > wrote:=20

		Hi all
		I have a problem with the pedals of my FCB1010.
		I correctly programming the MIN value =3D 0 but when the pedal is up =
completely the FCB1010 trasmits a value about =3D 30
		=20
		How can i do to calibrate the pedal?
		=20
		=20
		=20
		=20
	=09
Montagna M Mr (Milco)  =20
	=09
		=20
		http://xoomer.alice.it/milco.montagna/
		=20




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1561" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D711520908-23112006>Todd, Travis, Fabio many many=20
thanks</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D711520908-23112006>The procedure is perfect and now my pedals =
works=20
correctly.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV align=3Dleft><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV><FONT =
size=3D2>
<DIV align=3Dleft>
<TABLE cellSpacing=3D0 cellPadding=3D4 border=3D0>
  <TBODY>
  <TR>
    <TD>
      <DIV><FONT size=3D1><FONT face=3DVerdana><SPAN =
class=3DSectionTitle><FONT=20
      size=3D2>Montagna M Mr (Milco)</FONT></SPAN>&nbsp;&nbsp;=20
</FONT></FONT></DIV>
      <DIV><FONT size=3D1><FONT face=3DVerdana>(</FONT></FONT><A=20
      href=3D"http://globalservices.intra.bt.com/" target=3D_top><FONT =
face=3DVerdana=20
      size=3D1>BT&nbsp;Global&nbsp;Services</FONT></A><FONT =
face=3DVerdana size=3D1>,=20
      </FONT><A=20
      =
href=3D"http://directory.intra.bt.com/pls/ids/staff?id=3D673007"><FONT=20
      face=3DVerdana size=3D1>JBK2I</FONT></A><FONT face=3DVerdana><FONT =

      size=3D1>)</FONT> </FONT></DIV></TD></TR></TBODY></TABLE></DIV>
<DIV align=3Dleft><FONT face=3DVerdana><A=20
href=3D"http://xoomer.alice.it/milco.montagna/">http://xoomer.alice.it/mi=
lco.montagna/</A><BR></FONT></DIV>
<DIV align=3Dleft><FONT face=3DVerdana></FONT>&nbsp;</DIV></FONT>
<DIV>&nbsp;</DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Dit dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>Da:</B> Todd Pafford =
[mailto:calenlas@gmail.com]=20
<BR><B>Inviato:</B> marted=EC 21 novembre 2006 20.37<BR><B>A:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Oggetto:</B> Re: FCB1010 =
EXPRESSION=20
PEDAL PROBLEM<BR></FONT><BR></DIV>
<DIV></DIV>This procedure may need to be repeated periodically as the =
FCB ages=20
so it's handy to keep around.&nbsp; Also, even after calibration it's =
not=20
uncommon for pedals to not quite reach "0" in normal operation.&nbsp; If =
you=20
find this to be the case, stick a pencil under the heel side of the =
pedal while=20
calibrating.&nbsp; This will give you a buffer at the bottom of the =
pedal's=20
travel and insure that the minimum value is reached easily. =
<BR><BR>Todd<BR><BR>
<DIV><SPAN class=3Dgmail_quote>On 11/21/06, <B =
class=3Dgmail_sendername>Travis=20
Hartnett</B> &lt;<A=20
href=3D"mailto:travishartnett@gmail.com">travishartnett@gmail.com</A>&gt;=
=20
wrote:</SPAN>
<BLOCKQUOTE class=3Dgmail_quote=20
style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid"><BR><BR>Calibrating=20
  the expression pedals:<BR><BR>Many units ship with the exprssion =
pedals not=20
  correctly calibrated. This requires that you perform a manual =
calibration=20
  before the pedals will work correctly. The following procedure was =
provided by=20
  Behringer: <BR>&nbsp;&nbsp;&nbsp; 1.&nbsp;&nbsp;&nbsp; Keep =
footswitches 1 and=20
  3 pressed while switching on the unit (This bit you can't do standing =
up!).=20
  Release the switches when the display blanks. The LEDs on the =
footswitches,=20
  the ones on the display and each segment of the two numeric displays =
will turn=20
  on and off in sequence. <BR>&nbsp;&nbsp;&nbsp; 2.&nbsp;&nbsp;&nbsp; =
Wait until=20
  all footswitch LEDs are on. Depress all footswitches one at a time, =
including=20
  UP and DOWN, until all LEDs are off.<BR>&nbsp;&nbsp;&nbsp;=20
  3.&nbsp;&nbsp;&nbsp; Wait until relay switch test is finished. (There =
will be=20
  a couple of mechanical clicks, and the display will end up reading =
"F1" (at=20
  least, it did on mine)). [Also, if you have connected a MIDI cable =
between the=20
  MIDI in and out, the display will show "A1" before this, meaning the =
midi=20
  ports work correctly.] <BR>&nbsp;&nbsp;&nbsp; 4.&nbsp;&nbsp;&nbsp; =
Press DOWN=20
  once.<BR>&nbsp;&nbsp;&nbsp; 5.&nbsp;&nbsp;&nbsp; Adjust the left =
expression=20
  pedal (A) to the lowest value (heel down). Once adjusted press=20
  UP.<BR>&nbsp;&nbsp;&nbsp; 6.&nbsp;&nbsp;&nbsp; Adjust the left =
expression=20
  pedal (A) to the highest value (toe down). Once adjusted press UP.=20
  <BR>&nbsp;&nbsp;&nbsp; 7.&nbsp;&nbsp;&nbsp; Adjust the right =
expression pedal=20
  (B) to the lowest value (heel down). Once adjusted press=20
  UP.<BR>&nbsp;&nbsp;&nbsp; 8.&nbsp;&nbsp;&nbsp; Adjust the right =
expression=20
  pedal (B) to the highest value (toe down). Once adjusted press=20
  UP.<BR>&nbsp;&nbsp;&nbsp; 9.&nbsp;&nbsp;&nbsp; Select a patch which =
has both=20
  pedals set to their full range, and check the expression pedals now =
send 0-127=20
  (0x00-0x7F)=20
  <DIV><SPAN class=3De id=3Dq_10f0b64e703221e5_1><BR><BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 11/21/06, <B =
class=3Dgmail_sendername><A=20
  onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
  href=3D"mailto:milco.montagna@bt.com"=20
  target=3D_blank>milco.montagna@bt.com</A></B> &lt;<A=20
  onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
  href=3D"mailto:milco.montagna@bt.com" =
target=3D_blank>milco.montagna@bt.com</A>=20
  &gt; wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN>Hi all</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN>I have a problem with the =
pedals of my=20
    FCB1010.</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN>I correctly programming the =
MIN value =3D=20
    0 but when the pedal is up completely the FCB1010 trasmits a value =
about =3D=20
    30</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN>How can i do to calibrate =
the=20
    pedal?</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
    <DIV align=3Dleft><FONT face=3DVerdana =
size=3D2></FONT>&nbsp;</DIV><FONT size=3D2>
    <DIV align=3Dleft>
    <TABLE cellSpacing=3D0 cellPadding=3D4 border=3D0>
      <TBODY>
      <TR>
        <TD>
          <DIV><FONT size=3D1><FONT face=3DVerdana><SPAN><FONT =
size=3D2>Montagna M Mr=20
          (Milco)</FONT></SPAN>&nbsp;&nbsp;=20
    </FONT></FONT></DIV></TD></TR></TBODY></TABLE></DIV>
    <DIV align=3Dleft><FONT face=3DVerdana></FONT><FONT=20
    face=3DVerdana><BR></FONT>&nbsp;</DIV>
    <DIV align=3Dleft><FONT face=3DVerdana><A=20
    onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
    href=3D"http://xoomer.alice.it/milco.montagna/"=20
    =
target=3D_blank>http://xoomer.alice.it/milco.montagna/</A></FONT></DIV></=
FONT>
    =
<DIV>&nbsp;</DIV></DIV></BLOCKQUOTE></DIV><BR></SPAN></DIV></BLOCKQUOTE><=
/DIV><BR></BODY></HTML>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 11:14:56 +0100
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----- Original Message ----- From: "Art Simon"

> OK, maybe this is geeky, but it's on topic and hopefully of interest.
> I just assembled a new computer that I plan to use with Mobius and
> Bidule or Usine. It's got the Core 2 Duo E6400 processor.
>
> http://art.simon.tripod.com/LoopingRig/


Nice and informative web site, Art! That Rolls audio interface looks  
nice, I didn't know about that one. This looks like a good start. For  
gigs you'll need to come up with some transportation trunk that also  
carries a flat screen, your FCB and all cables. Any plans on the  
drawing desk? :-)

I think you will need that extra CPU power. From my own test lab  
activities I have come to the conclusion that the type of sound  
effect patches I like to play with in my TC Electronic FireworX takes  
up to the full hundred percent of my one processor 2 GHz Centrino.  
This means I would weight in at about half the available CPU recourse  
level, on a core 2 duo, and 50 % is pretty much the limit I've found  
you should not go over if you want to have a rock solid system for  
performing live with.

However, besides this geeky stuff looking quite good, I've found  
another drawback with going software only and that is me loosing  
valuable time into testing and trouble-shooting. When working with  
VSTs (as is the only option under Windows and I need to use Windows  
because of Mobius) you have to test every combination of chaining  
different VST plug-ins because some are badly written and tend to  
crash the system in certain situations. For example, I needed a noise  
gate that closes and opens at a certain pace given by a LFO and then  
this LFO syncing to the global tempo (given by Looper Mobius) but  
rhythmically modulated (tempo division) by MIDI cc data from an  
expression pedal. On the FireworX it takes me a couple of minutes to  
set up such a patch but with VST's I was only able to find one noise  
gate that fitted the bill - but as soon as this particular plug-in is  
chained in Bidule the MIDI cc data crashes Bidule. Without that plug- 
in the Bidule rig is totally stable. Bad luck.

So, even if it's both fun and rewarding to design your own patches in  
software I'm reverting back to using the laptop with the FirworX  
digitally connecting and doubling as the audio interface. For the  
digital input and bringing out the master into the PA I need to carry  
a third little box, the RME Multiface. Three small boxes plus  
instruments, pedals and cables is not that heavy but the software  
only laptop rig still the dream of the future ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 12:11:12 2006
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Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
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----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
> s I have come to the conclusion that the type of sound  effect patches I 
> like to play with in my TC Electronic FireworX takes  up to the full 
> hundred percent of my one processor 2 GHz Centrino.  This means I would 
> weight in at about half the available CPU recourse  level, on a core 2 
> duo, and 50 % is pretty much the limit I've found  you should not go over 
> if you want to have a rock solid system for  performing live with.

What sort of effects or stacks of effects are you proposing would take 100% 
of your CPU power, Per?
I assume you mean that of a single core, based on the above.  I'm confused 
why you would say that
50% is a criteria for a rock solid performance system. That's like saying 
the max speed of your car is 120
miles per hour, but you better only drive if 60 miles per hour if you want 
it to perform optimally.  Have
you experienced crashes with the meter at over 50% on a duo core?  This is 
the type of behavior that
Intil ingineers would want to know about, becaues I'm certain they didn't 
design the duo core to become
unstable above 50% processor utilization.

Kris




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From: "Art Simon" <simart@gmail.com>
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Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
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On 11/23/06, Per Boysen <perboysen@gmail.com> wrote:
> However, besides this geeky stuff looking quite good, I've found
> another drawback with going software only and that is me loosing
> valuable time into testing and trouble-shooting. When working with
> VSTs (as is the only option under Windows and I need to use Windows
> because of Mobius) you have to test every combination of chaining
> different VST plug-ins because some are badly written and tend to
> crash the system in certain situations.

Good Point. I've actually had pretty good luck, and I haven't had any
crashes yet (my fx chains are probably pretty crude compared to
yours). I've certainly had problems getting plug-ins to talk to each
other, particularly getting everything to sync with my VST host.

One of my main goals with the increased processing power is to get
latency down as far as it can go. And (as you can probably tell) I
just like messing around with this stuff : )
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 13:00:34 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 14:00:30 +0100
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> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
>> s I have come to the conclusion that the type of sound  effect  
>> patches I like to play with in my TC Electronic FireworX takes  up  
>> to the full hundred percent of my one processor 2 GHz Centrino.   
>> This means I would weight in at about half the available CPU  
>> recourse  level, on a core 2 duo, and 50 % is pretty much the  
>> limit I've found  you should not go over if you want to have a  
>> rock solid system for  performing live with.

On 23 nov 2006, at 13.11, Krispen Hartung wrote:

> What sort of effects or stacks of effects are you proposing would  
> take 100% of your CPU power, Per?

I gave one example on the last post. Typically the effect patches you  
find in a FirworX or Eclipse.

> I assume you mean that of a single core, based on the above.  I'm  
> confused why you would say that
> 50% is a criteria for a rock solid performance system. That's like  
> saying the max speed of your car is 120
> miles per hour, but you better only drive if 60 miles per hour if  
> you want it to perform optimally.  Have
> you experienced crashes with the meter at over 50% on a duo core?   
> This is the type of behavior that
> Intil ingineers would want to know about, becaues I'm certain they  
> didn't design the duo core to become
> unstable above 50% processor utilization.

Not only "unstable" but also increasing the risk of artifacts in the  
audio streams. With some applications you can simply hear that and  
listen "by ear" to where the CPU strain limit kicks in for fidelity.  
Also, on these matters you just can not compare engineers and  
musicians -  as well as you can not compare cars and computers ;-))   
The Intel or Apple engineers are not putting one percent of their  
working hours into matching the needs of musicians, simply because  
this is such a tiny segment of the market (you may not believe that  
by briefly looking at Apple's advertising, but truth is those ads  
rely on a lot of hype referring creative artists and this does spill  
over into sales to customers that are not in fact working audio  
artists themselves, but maybe fans). The applications typically  
addressed by Intel, Apple and other manufacturers are the normal  
office suites and as for multi media applications mostly following  
the non-real-time context where your final work is rendered to disk.  
This "manufacturer's bias" is not a problem for DAW applications  
(ProoTools, SX, Logic) but for real-time applications in music I  
would definitely say it makes the line blurred.

I'm just saying that I like the Firewor'x better than my one core 2  
GHz centrino, because with that hardware I can do sound design up to  
99.9 percent of its CPU recourses and the audio sounds good all the  
way. In software you have to trust the developers and if they were  
serious they put some code into your software that puts other  
routines on hold (like the graphics for example) when the CPU is  
under heavy strain from audio processing. But not all audi app's or  
plug-ins are designed in such a "smart" way. When you rely on a  
system like Bidule plus VST plug-ins the computer needs that big CPU  
headroom. Headroom is also essential when looping in Mobius (or other  
looping applications) because when you get to eight tracks playing  
back eight one minute loops simultaneously it will tax the CPU a lot  
more than in the beginning of the concert where you were only using  
two loops.

As soon as I get rich I will buy a faster laptop - hopefully a Four  
Core or a Double Duo... thingy  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 14:02:48 +0100
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On 23 nov 2006, at 13.55, Art Simon wrote:

> I've certainly had problems getting plug-ins to talk to each
> other, particularly getting everything to sync with my VST host.

But... don't you use Bidule? Didn't you give me some valuable Bidule  
help some weeks ago? Sync seems to be implemented very well in  
Bidule. But you need to sort out "bad VST's" ;-)

> One of my main goals with the increased processing power is to get
> latency down as far as it can go. And (as you can probably tell) I
> just like messing around with this stuff : )

Yeah, that's the big bonus with software!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 17:30:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: EWI looping by Jeff Kashiwa on youtube
Date: Thu, 23 Nov 2006 18:30:52 +0100
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Hi guys,

I just noticed there is a video clip of Jeff Kashiwa live-looping on  
a Lexicon Jamman (?) with an EWI 4000s:
http://www.youtube.com/watch?v=rUtdP3jQKUA

It's not very spectacular music style-wise, pretty traditional  
Weather Report influenced fusion jazz, but Jeff is such a good player  
and this is a great chance to see this new model of the EWI (Electric  
Wind Controller) that has good built-in synth sounds. In this video  
you can see how Jeff plays deep bass lines and high pitched "soprano  
sax" melodies almost at the same time by using the same synth patch,  
only jumping up and down in octave while overdubbing into the jamman.  
The new EWI also has good "synth-like" performing options like  
portamento and breath controlled attack- or filter cutoff envelopes  
which you don't see demonstrated in this video.

Myself I was incredibly lucky to pick up an EWI 4000s for a very  
friendly price in San Jose and since I got back and started playing  
it I think I have never used my pitch-down-octave patches at all!  
It's so cool to loop with an instrument that covers over eight  
octaves. Earlier this year I was very interested in getting a Chapman  
Stick to loop with, for the huge octave span, but my EWI has  
completely seduced me to forget about that Stick Crush ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 17:58:01 2006
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Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 10:57:56 -0700
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> On 23 nov 2006, at 13.11, Krispen Hartung wrote:
>
>> What sort of effects or stacks of effects are you proposing would  take 
>> 100% of your CPU power, Per?
>
> I gave one example on the last post. Typically the effect patches you 
> find in a FireworX or Eclipse.

I missed that. Sorry.  I'm inclined to think that a combination of Reaktor 
ensembles, MAX/MSP patches, and other high quality VSTs can work together to 
do what a FireworX or Eclipse can do in principle (though wiht not the exact 
propietary sound), with 50% CPU utilization or less (in fact, I think I'm 
doing it now)....of course, they won't produce that "it" factor that an 
Eclipse makes that allows everyone to identify it in someone's overall 
sound.  This is why some folks go to software and MAX/MSP, because they want 
to be in in control of their sound and develop their own unique effect 
personality.  I got rid of my FireworX because I thought it was limited. I 
can stack and combine many more effects in my PC VST system....but I don't 
doubt that there are FireworX patches that you can't emulate right now with 
your PC system, for whatever reasons.

> As soon as I get rich I will buy a faster laptop - hopefully a Four  Core 
> or a Double Duo... thingy  ;-)

Four core would be screamin'. I'd buy that. But I just wish some music 
software companies would start writing their apps to take advantage of the 
entire duo core design. There are default benefits of having the duo core 
system that do not require the app to be updated (just in the way the cores 
operate, they run more efficiently  with a single app than a single core), 
but if the apps were updated, you'd see improvement. We had this discussion 
on the MAX/MSP discussion group.

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 18:44:16 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 19:44:08 +0100
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On 23 nov 2006, at 18.57, Krispen Hartung wrote:

>  I'm inclined to think that a combination of Reaktor ensembles, MAX/ 
> MSP patches, and other high quality VSTs can work together to do  
> what a FireworX or Eclipse can do in principle (though wiht not the  
> exact propietary sound), with 50% CPU utilization or less (in fact,  
> I think I'm doing it now)....

Yes you're right, that's what I said in my first post ;-)  (but with  
my recent laptop it would mean 100 to 120 % CPU utilization which is  
a bit over the top for a single core centrino)

> of course, they won't produce that "it" factor that an Eclipse  
> makes that allows everyone to identify it in someone's overall  
> sound.  This is why some folks go to software and MAX/MSP, because  
> they want to be in in control of their sound and develop their own  
> unique effect personality.

I know my patches down to every detail and I'm sure I would be able  
to copy them in Max/MSP too (as I did on the FireworX, that BTW comes  
with rather plain default settings). It would just be a matter of  
time though - time that I'd rather spend making music since I happen  
to have a FireworX handy and ready to go - and of course it's also a  
question of getting enough computing power.

> I got rid of my FireworX because I thought it was limited. I can  
> stack and combine many more effects in my PC VST system....but I  
> don't doubt that there are FireworX patches that you can't emulate  
> right now with your PC system, for whatever reasons.

The reason for not being able to emulate what happens inside a rack  
device is only lack of raw CPU power IMHO. I mean, a ring modulator  
is always a ring modulator and an LFO works the same on both computer  
software based and dedicated hardware systems like Eclipse/FireworX.  
There's nothing magical about an effect device or Max/MSP, they all  
have those classic effect modules that give certain complex sounds if  
wired up properly. What I like in the TC is that the wiring options  
are very musically designed and what I like with Max is that the  
options are all open. Bidule is somewhere in between; it's software  
based but has the musical "pre-fab" simplicity of hardware when  
dealing with tempo and sync in sound design.

My understanding of Max/MSP is that to really take advantage of that  
system you should stay free from VST plug-ins (heck, it doesn't even  
support AU!) and wire up your patches from scratch by using only Max/ 
MSP objects. But that's what makes it too time consuming for me right  
now, since you also have to come up with custom workarounds to deal  
with tempo and sync implementation.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 21:42:08 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
Date: Thu, 23 Nov 2006 13:42:05 -0800
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Not necessarily true. VSTs are fine in Max... and I would bet that AU=20
is not far behind. There are also third party objects which you can use=20=

in max the same way you use VSTs in other programs.....from granular=20
objects to reverbs, which are pretty nice. For those that don't know (I=20=

know Per and Krispen know about it) MaxObjects.com has them.

Jeez, Per, all this time writing these posts could've been put to=20
making your Max rig! ;-)

It's funny how we set these deadlines, I wanted to have the new version=20=

of my rig done today...which I do....I'll post specs and a screen shot=20=

later.

Happy Thanksgiving all.....time to put the Tofurkey in the oven.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Nov 23, 2006, at 10:44 AM, Per Boysen wrote:

> My understanding of Max/MSP is that to really take advantage of that=20=

> system you should stay free from VST plug-ins (heck, it doesn't even=20=

> support AU!) and wire up your patches from scratch by using only=20
> Max/MSP objects. But that's what makes it too time consuming for me=20
> right now, since you also have to come up with custom workarounds to=20=

> deal with tempo and sync implementation.=

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 21:49:12 2006
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Subject: Re: EWI looping by Jeff Kashiwa on youtube
Date: Thu, 23 Nov 2006 22:48:51 +0100
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completely un-loop-oriented, but if you want to check out the ewi,
you might be interested also in the following little vid of michael brecker:
http://www.youtube.com/watch?v=N4Ex1sC4xMc
(as far as i know, he uses the boomerang for looping)

all the best, tilmann

----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, November 23, 2006 6:30 PM
Subject: EWI looping by Jeff Kashiwa on youtube


> Hi guys,
>
> I just noticed there is a video clip of Jeff Kashiwa live-looping on
> a Lexicon Jamman (?) with an EWI 4000s:
> http://www.youtube.com/watch?v=rUtdP3jQKUA
>
> It's not very spectacular music style-wise, pretty traditional
> Weather Report influenced fusion jazz, but Jeff is such a good player
> and this is a great chance to see this new model of the EWI (Electric
> Wind Controller) that has good built-in synth sounds. In this video
> you can see how Jeff plays deep bass lines and high pitched "soprano
> sax" melodies almost at the same time by using the same synth patch,
> only jumping up and down in octave while overdubbing into the jamman.
> The new EWI also has good "synth-like" performing options like
> portamento and breath controlled attack- or filter cutoff envelopes
> which you don't see demonstrated in this video.
>
> Myself I was incredibly lucky to pick up an EWI 4000s for a very
> friendly price in San Jose and since I got back and started playing
> it I think I have never used my pitch-down-octave patches at all!
> It's so cool to loop with an instrument that covers over eight
> octaves. Earlier this year I was very interested in getting a Chapman
> Stick to loop with, for the huge octave span, but my EWI has
> completely seduced me to forget about that Stick Crush ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 22:46:46 2006
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Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
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Well, then, I can't wait until you get a new computer! You'll be set!

> My understanding of Max/MSP is that to really take advantage of that 
> system you should stay free from VST plug-ins (heck, it doesn't even 
> support AU!) and wire up your patches from scratch by using only Max/ MSP 
> objects.

That's right, but once you create your beautiful MAX/MSP patch, which is 
OS/platform neutral, you can build your own VST out of it. That's what I'm 
doing now...works great, plus I can share my effects with non-MAX/MSP users. 
I'm finding that a MAX/MSP patch consumes no more or less CPU power than the 
same patch converted to VST and running in my VST host...seems odd, but 
that's what my meters show. Creating my own VSTs is really fun. I've been 
making them, popping them in Chainer, and then Chainer allows me to map (in 
just a few seconds) any parameter to my two FCB expression pedals....for 
example, a stereo ring mod conrollable with the two expresss pedals, or 
stereo pitch, etc.

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 22:48:27 2006
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Subject: Re: My Thanksgiving Vacation Project: Building a new looping computer w/Core 2 Duo
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You have to cook Tofurkey?   I bet it would taste great deep fried in bacon 
fat. :) Hmmmmm.

Kris

From: "Jeff Kaiser" <loopersdelight@pfmentum.com>

Happy Thanksgiving all.....time to put the Tofurkey in the oven.....



From Loopers-Delight-request@loopers-delight.com  Fri Nov 24 14:31:29 2006
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Hi !

Please listen to my last music. I play most
instruments, but not the drums.
Remi fagereng play the drums.
 
http://www.runefagereng.com/remember.mp3

best regards 

Rune Fagereng, Norway 

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 19:33:42 2006
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Subject: Re: EWI looping by Jeff Kashiwa on youtube
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Yeah, I saw Brecker playing the EWI with HErbie Hancock a couple years back 
... made everyone in the audience want to run out and buy one.  I was 
checking ebay the next morning ....

on another note .... I am suprised I never hear anyone hear mention Keller 
Williams .... arguably one of the best loop musicians out there .....

http://www.youtube.com/watch?v=jofmV7LrhpA&mode=related&search=

this is part two of "juggler" ... you can see him build the initial loop in 
part one ...

just wondering if anyone else has seen this guy ??



>From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: EWI looping by Jeff Kashiwa on youtube
>Date: Thu, 23 Nov 2006 22:48:51 +0100
>
>completely un-loop-oriented, but if you want to check out the ewi,
>you might be interested also in the following little vid of michael 
>brecker:
>http://www.youtube.com/watch?v=N4Ex1sC4xMc
>(as far as i know, he uses the boomerang for looping)
>
>all the best, tilmann
>
>----- Original Message -----
>From: "Per Boysen" <perboysen@gmail.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Thursday, November 23, 2006 6:30 PM
>Subject: EWI looping by Jeff Kashiwa on youtube
>
>
> > Hi guys,
> >
> > I just noticed there is a video clip of Jeff Kashiwa live-looping on
> > a Lexicon Jamman (?) with an EWI 4000s:
> > http://www.youtube.com/watch?v=rUtdP3jQKUA
> >
> > It's not very spectacular music style-wise, pretty traditional
> > Weather Report influenced fusion jazz, but Jeff is such a good player
> > and this is a great chance to see this new model of the EWI (Electric
> > Wind Controller) that has good built-in synth sounds. In this video
> > you can see how Jeff plays deep bass lines and high pitched "soprano
> > sax" melodies almost at the same time by using the same synth patch,
> > only jumping up and down in octave while overdubbing into the jamman.
> > The new EWI also has good "synth-like" performing options like
> > portamento and breath controlled attack- or filter cutoff envelopes
> > which you don't see demonstrated in this video.
> >
> > Myself I was incredibly lucky to pick up an EWI 4000s for a very
> > friendly price in San Jose and since I got back and started playing
> > it I think I have never used my pitch-down-octave patches at all!
> > It's so cool to loop with an instrument that covers over eight
> > octaves. Earlier this year I was very interested in getting a Chapman
> > Stick to loop with, for the huge octave span, but my EWI has
> > completely seduced me to forget about that Stick Crush ;-)
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
>

_________________________________________________________________
Get FREE company branded e-mail accounts and business Web site from 
Microsoft Office Live 
http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 02:11:36 2006
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Per Boysen wrote:
> Hi guys,
> 
> I just noticed there is a video clip of Jeff Kashiwa live-looping on  a 
> Lexicon Jamman (?) with an EWI 4000s:
> http://www.youtube.com/watch?v=rUtdP3jQKUA
> 
> It's not very spectacular music style-wise, pretty traditional  Weather 
> Report influenced fusion jazz, but Jeff is such a good player  and this 
> is a great chance to see this new model of the EWI (Electric  Wind 
> Controller) that has good built-in synth sounds. In this video  you can 
> see how Jeff plays deep bass lines and high pitched "soprano  sax" 
> melodies almost at the same time by using the same synth patch,  only 
> jumping up and down in octave while overdubbing into the jamman.  The 
> new EWI also has good "synth-like" performing options like  portamento 
> and breath controlled attack- or filter cutoff envelopes  which you 
> don't see demonstrated in this video.
> 
> Myself I was incredibly lucky to pick up an EWI 4000s for a very  
> friendly price in San Jose and since I got back and started playing  it 
> I think I have never used my pitch-down-octave patches at all!  It's so 
> cool to loop with an instrument that covers over eight  octaves. Earlier 
> this year I was very interested in getting a Chapman  Stick to loop 
> with, for the huge octave span, but my EWI has  completely seduced me to 
> forget about that Stick Crush ;-)

Hi, Per;

Congratulations on the EWI purchase. I think you've managed to find 
something even niche-ier than a looper.

I've been playing a 4000s since last spring (and a 3000 for about 
fifteen years before that);  in fact, I think I played a bit of EWI/Nord 
Micromodular on the Y2K6 Kyberloopfest session.

I haven't made up my mind yet about the 4000's onboard analog modeling 
synth. It doesn't seem as rich as the real analog module that came with 
the 3000, though I have to admit that I haven't had time to fully 
explore the new one. Still, the 3000's module could get pretty fat; 
after hyperventilating on tenor for years in a futile attempt to be 
heard over guitarists, four oscillators worth of analog synth was... 
empowering.

Matt Traum's company is a good resource for wind synth-specific patches, 
accessories and advice.

http://www.patchmanmusic.com/


Brian

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 02:44:37 2006
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Okay, I'll throw my cynical two cents out there...  :-)

I think we've talked about Keller before, plus many other guys doing this 
sort of thing. I can't speak for anyone else, and this is only my own 
feeling on the topic, but I'm not that fond of most the 
multi-instrumentalist, one-man-band loopers.  He's a great technical player, 
obviously, but to me the highlight isn't the looping, but his showmanship 
and multi-instrumentalist ability.  I think it's a great thing for the 
general public, who still finds this one-man approach intriguing....the 
public always has flocked to this sort of performance...I still see one-man 
bands at festivals and carnivals with their crazy contraptions on their 
backs, ropes and pulleys attached to cymbals, violins, bass drums, etc, 
etc....the crowd just eats it up.   But the overall output, if I ignore the 
fact that he's doing it by himself, just focusing on the music, doesn't 
inspire me much. I'm not trying to be a scrooge or anything so close to the 
holidays...it's just not my cup of tea artistically.  I think folks would go 
bonkers over guys  like this at Vegas.

Kris
----- Original Message ----- 
From: "aaron leese" <aaronleese@hotmail.com>
> on another note .... I am suprised I never hear anyone hear mention Keller 
> Williams .... arguably one of the best loop musicians out there .....
>
> http://www.youtube.com/watch?v=jofmV7LrhpA&mode=related&search=
>
> this is part two of "juggler" ... you can see him build the initial loop 
> in part one ...
>
> just wondering if anyone else has seen this guy ??
>
>
>
>>From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>To: <Loopers-Delight@loopers-delight.com>
>>Subject: Re: EWI looping by Jeff Kashiwa on youtube
>>Date: Thu, 23 Nov 2006 22:48:51 +0100
>>
>>completely un-loop-oriented, but if you want to check out the ewi,
>>you might be interested also in the following little vid of michael 
>>brecker:
>>http://www.youtube.com/watch?v=N4Ex1sC4xMc
>>(as far as i know, he uses the boomerang for looping)
>>
>>all the best, tilmann
>>
>>----- Original Message -----
>>From: "Per Boysen" <perboysen@gmail.com>
>>To: <Loopers-Delight@loopers-delight.com>
>>Sent: Thursday, November 23, 2006 6:30 PM
>>Subject: EWI looping by Jeff Kashiwa on youtube
>>
>>
>> > Hi guys,
>> >
>> > I just noticed there is a video clip of Jeff Kashiwa live-looping on
>> > a Lexicon Jamman (?) with an EWI 4000s:
>> > http://www.youtube.com/watch?v=rUtdP3jQKUA
>> >
>> > It's not very spectacular music style-wise, pretty traditional
>> > Weather Report influenced fusion jazz, but Jeff is such a good player
>> > and this is a great chance to see this new model of the EWI (Electric
>> > Wind Controller) that has good built-in synth sounds. In this video
>> > you can see how Jeff plays deep bass lines and high pitched "soprano
>> > sax" melodies almost at the same time by using the same synth patch,
>> > only jumping up and down in octave while overdubbing into the jamman.
>> > The new EWI also has good "synth-like" performing options like
>> > portamento and breath controlled attack- or filter cutoff envelopes
>> > which you don't see demonstrated in this video.
>> >
>> > Myself I was incredibly lucky to pick up an EWI 4000s for a very
>> > friendly price in San Jose and since I got back and started playing
>> > it I think I have never used my pitch-down-octave patches at all!
>> > It's so cool to loop with an instrument that covers over eight
>> > octaves. Earlier this year I was very interested in getting a Chapman
>> > Stick to loop with, for the huge octave span, but my EWI has
>> > completely seduced me to forget about that Stick Crush ;-)
>> >
>> > Greetings from Sweden
>> >
>> > Per Boysen
>> > www.boysen.se (Swedish)
>> > www.looproom.com (international)
>> > http://tinyurl.com/fauvm (podcast)
>> > http://www.myspace.com/looproom
>> >
>> >
>> >
>>
>
> _________________________________________________________________
> Get FREE company branded e-mail accounts and business Web site from 
> Microsoft Office Live 
> http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 02:59:18 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: EWI looping by Jeff Kashiwa on youtube
Date: Sat, 25 Nov 2006 18:59:10 -0800
To: Loopers-Delight@loopers-delight.com
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d00d. I'm with you. I've got your back.

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Nov 25, 2006, at 6:44 PM, Krispen Hartung wrote:

> Okay, I'll throw my cynical two cents out there...  :-)
>
> I think we've talked about Keller before, plus many other guys doing=20=

> this sort of thing. I can't speak for anyone else, and this is only my=20=

> own feeling on the topic, but I'm not that fond of most the=20
> multi-instrumentalist, one-man-band loopers.  He's a great technical=20=

> player, obviously, but to me the highlight isn't the looping, but his=20=

> showmanship and multi-instrumentalist ability.  I think it's a great=20=

> thing for the general public, who still finds this one-man approach=20
> intriguing....the public always has flocked to this sort of=20
> performance...I still see one-man bands at festivals and carnivals=20
> with their crazy contraptions on their backs, ropes and pulleys=20
> attached to cymbals, violins, bass drums, etc, etc....the crowd just=20=

> eats it up.   But the overall output, if I ignore the fact that he's=20=

> doing it by himself, just focusing on the music, doesn't inspire me=20
> much. I'm not trying to be a scrooge or anything so close to the=20
> holidays...it's just not my cup of tea artistically.  I think folks=20
> would go bonkers over guys  like this at Vegas.
>
> Kris
> ----- Original Message ----- From: "aaron leese"=20
> <aaronleese@hotmail.com>
>> on another note .... I am suprised I never hear anyone hear mention=20=

>> Keller Williams .... arguably one of the best loop musicians out=20
>> there .....
>>
>> http://www.youtube.com/watch?v=3DjofmV7LrhpA&mode=3Drelated&search=3D
>>
>> this is part two of "juggler" ... you can see him build the initial=20=

>> loop in part one ...
>>
>> just wondering if anyone else has seen this guy ??
>>
>>
>>
>>> From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>> Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Subject: Re: EWI looping by Jeff Kashiwa on youtube
>>> Date: Thu, 23 Nov 2006 22:48:51 +0100
>>>
>>> completely un-loop-oriented, but if you want to check out the ewi,
>>> you might be interested also in the following little vid of michael=20=

>>> brecker:
>>> http://www.youtube.com/watch?v=3DN4Ex1sC4xMc
>>> (as far as i know, he uses the boomerang for looping)
>>>
>>> all the best, tilmann
>>>
>>> ----- Original Message -----
>>> From: "Per Boysen" <perboysen@gmail.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Thursday, November 23, 2006 6:30 PM
>>> Subject: EWI looping by Jeff Kashiwa on youtube
>>>
>>>
>>> > Hi guys,
>>> >
>>> > I just noticed there is a video clip of Jeff Kashiwa live-looping=20=

>>> on
>>> > a Lexicon Jamman (?) with an EWI 4000s:
>>> > http://www.youtube.com/watch?v=3DrUtdP3jQKUA
>>> >
>>> > It's not very spectacular music style-wise, pretty traditional
>>> > Weather Report influenced fusion jazz, but Jeff is such a good=20
>>> player
>>> > and this is a great chance to see this new model of the EWI=20
>>> (Electric
>>> > Wind Controller) that has good built-in synth sounds. In this =
video
>>> > you can see how Jeff plays deep bass lines and high pitched=20
>>> "soprano
>>> > sax" melodies almost at the same time by using the same synth=20
>>> patch,
>>> > only jumping up and down in octave while overdubbing into the=20
>>> jamman.
>>> > The new EWI also has good "synth-like" performing options like
>>> > portamento and breath controlled attack- or filter cutoff =
envelopes
>>> > which you don't see demonstrated in this video.
>>> >
>>> > Myself I was incredibly lucky to pick up an EWI 4000s for a very
>>> > friendly price in San Jose and since I got back and started =
playing
>>> > it I think I have never used my pitch-down-octave patches at all!
>>> > It's so cool to loop with an instrument that covers over eight
>>> > octaves. Earlier this year I was very interested in getting a=20
>>> Chapman
>>> > Stick to loop with, for the huge octave span, but my EWI has
>>> > completely seduced me to forget about that Stick Crush ;-)
>>> >
>>> > Greetings from Sweden
>>> >
>>> > Per Boysen
>>> > www.boysen.se (Swedish)
>>> > www.looproom.com (international)
>>> > http://tinyurl.com/fauvm (podcast)
>>> > http://www.myspace.com/looproom
>>> >
>>> >
>>> >
>>>
>>
>> _________________________________________________________________
>> Get FREE company branded e-mail accounts and business Web site from=20=

>> Microsoft Office Live=20
>> http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 03:47:28 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Voodoo Pedal Power AC
Date: Sat, 25 Nov 2006 19:47:20 -0800
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It is the AC version.....I've got one on eBay for sale....like=20
new...used it to power my DL4s.....and Alesis and Boss stuff......

http://tinyurl.com/yh5l9j

cheers,

Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 06:28:47 2006
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From: "aaron leese" <aaronleese@hotmail.com>
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Subject: Re: EWI looping by Jeff Kashiwa on youtube
Date: Sun, 26 Nov 2006 01:28:41 -0500
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Love it, I knew I could get a controvesy going here if I used words like 
"arguably one of the best .."

Anyway, his approach lends to that showboat feel, since it's all purposely 
goofy and kinda fluffy ... so I can definetely agree with you one that ... 
he's hard to take seriously ....... however .... one man band style ... love 
it.  After all .... I haven't seen very many bands making good use of 
looping.  Seems to me that most of us are interested in how much noise one 
person can make.

Personally, I find that there is a lot of very ambient loop music out there 
... while it's all well and good, and certainly has its place ... ambient, 
sort of jazzy (good or bad jazzy .. either way) ... experimental music seems 
to be the default for most live loop musicians.  I simply enjoy seeing 
someon do something that is not that.

If nothing else, Keller does well to exploit a loop pedal in a different way 
...as does Vicotor Wooten, John Scofield, Kaki King, and many of the people 
on this list.




>From: Jeff Kaiser <loopersdelight@pfmentum.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: EWI looping by Jeff Kashiwa on youtube
>Date: Sat, 25 Nov 2006 18:59:10 -0800
>
>d00d. I'm with you. I've got your back.
>
>Jeff Kaiser
>http://www.JeffKaiser.com
>pfMENTUM.com • AngryVegan.com
>
>On Nov 25, 2006, at 6:44 PM, Krispen Hartung wrote:
>
>>Okay, I'll throw my cynical two cents out there...  :-)
>>
>>I think we've talked about Keller before, plus many other guys doing this 
>>sort of thing. I can't speak for anyone else, and this is only my own 
>>feeling on the topic, but I'm not that fond of most the 
>>multi-instrumentalist, one-man-band loopers.  He's a great technical 
>>player, obviously, but to me the highlight isn't the looping, but his 
>>showmanship and multi-instrumentalist ability.  I think it's a great thing 
>>for the general public, who still finds this one-man approach 
>>intriguing....the public always has flocked to this sort of 
>>performance...I still see one-man bands at festivals and carnivals with 
>>their crazy contraptions on their backs, ropes and pulleys attached to 
>>cymbals, violins, bass drums, etc, etc....the crowd just eats it up.   But 
>>the overall output, if I ignore the fact that he's doing it by himself, 
>>just focusing on the music, doesn't inspire me much. I'm not trying to be 
>>a scrooge or anything so close to the holidays...it's just not my cup of 
>>tea artistically.  I think folks would go bonkers over guys  like this at 
>>Vegas.
>>
>>Kris
>>----- Original Message ----- From: "aaron leese" <aaronleese@hotmail.com>
>>>on another note .... I am suprised I never hear anyone hear mention 
>>>Keller Williams .... arguably one of the best loop musicians out there 
>>>.....
>>>
>>>http://www.youtube.com/watch?v=jofmV7LrhpA&mode=related&search=
>>>
>>>this is part two of "juggler" ... you can see him build the initial loop 
>>>in part one ...
>>>
>>>just wondering if anyone else has seen this guy ??
>>>
>>>
>>>
>>>>From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>>>Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
>>>>To: <Loopers-Delight@loopers-delight.com>
>>>>Subject: Re: EWI looping by Jeff Kashiwa on youtube
>>>>Date: Thu, 23 Nov 2006 22:48:51 +0100
>>>>
>>>>completely un-loop-oriented, but if you want to check out the ewi,
>>>>you might be interested also in the following little vid of michael 
>>>>brecker:
>>>>http://www.youtube.com/watch?v=N4Ex1sC4xMc
>>>>(as far as i know, he uses the boomerang for looping)
>>>>
>>>>all the best, tilmann
>>>>
>>>>----- Original Message -----
>>>>From: "Per Boysen" <perboysen@gmail.com>
>>>>To: <Loopers-Delight@loopers-delight.com>
>>>>Sent: Thursday, November 23, 2006 6:30 PM
>>>>Subject: EWI looping by Jeff Kashiwa on youtube
>>>>
>>>>
>>>> > Hi guys,
>>>> >
>>>> > I just noticed there is a video clip of Jeff Kashiwa live-looping on
>>>> > a Lexicon Jamman (?) with an EWI 4000s:
>>>> > http://www.youtube.com/watch?v=rUtdP3jQKUA
>>>> >
>>>> > It's not very spectacular music style-wise, pretty traditional
>>>> > Weather Report influenced fusion jazz, but Jeff is such a good player
>>>> > and this is a great chance to see this new model of the EWI (Electric
>>>> > Wind Controller) that has good built-in synth sounds. In this video
>>>> > you can see how Jeff plays deep bass lines and high pitched "soprano
>>>> > sax" melodies almost at the same time by using the same synth patch,
>>>> > only jumping up and down in octave while overdubbing into the jamman.
>>>> > The new EWI also has good "synth-like" performing options like
>>>> > portamento and breath controlled attack- or filter cutoff envelopes
>>>> > which you don't see demonstrated in this video.
>>>> >
>>>> > Myself I was incredibly lucky to pick up an EWI 4000s for a very
>>>> > friendly price in San Jose and since I got back and started playing
>>>> > it I think I have never used my pitch-down-octave patches at all!
>>>> > It's so cool to loop with an instrument that covers over eight
>>>> > octaves. Earlier this year I was very interested in getting a Chapman
>>>> > Stick to loop with, for the huge octave span, but my EWI has
>>>> > completely seduced me to forget about that Stick Crush ;-)
>>>> >
>>>> > Greetings from Sweden
>>>> >
>>>> > Per Boysen
>>>> > www.boysen.se (Swedish)
>>>> > www.looproom.com (international)
>>>> > http://tinyurl.com/fauvm (podcast)
>>>> > http://www.myspace.com/looproom
>>>> >
>>>> >
>>>> >
>>>>
>>>
>>>_________________________________________________________________
>>>Get FREE company branded e-mail accounts and business Web site from 
>>>Microsoft Office Live 
>>>http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/
>>>
>>
>>
>>
>

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From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 06:39:26 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: EWI looping by Jeff Kashiwa on youtube
Date: Sat, 25 Nov 2006 22:39:22 -0800
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On Nov 25, 2006, at 10:28 PM, aaron leese wrote:

> Seems to me that most of us are interested in how much noise one=20
> person can make.

and the problem is....?

:-)

cheers,
Jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 06:49:13 2006
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haha ... it keeps us up all night and makes us neglect our jobs.

no sorry, thats not a problem either ... guess there aint one.

lets get back to musicating.



>From: Jeff Kaiser <loopersdelight@pfmentum.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: EWI looping by Jeff Kashiwa on youtube
>Date: Sat, 25 Nov 2006 22:39:22 -0800
>
>
>On Nov 25, 2006, at 10:28 PM, aaron leese wrote:
>
>>Seems to me that most of us are interested in how much noise one person 
>>can make.
>
>and the problem is....?
>
>:-)
>
>cheers,
>Jeff
>
>Jeff Kaiser
>http://www.JeffKaiser.com
>pfMENTUM.com • AngryVegan.com
>

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From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 12:03:29 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Keller Williams  ( Re: EWI looping by Jeff Kashiwa on youtube)
Date: Sun, 26 Nov 2006 13:03:23 +0100
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On 25 nov 2006, at 20.33, aaron leese wrote:

> on another note .... I am suprised I never hear anyone hear mention  
> Keller Williams .... arguably one of the best loop musicians out  
> there .....
> http://www.youtube.com/watch?v=jofmV7LrhpA&mode=related&search=


Great video! It's always a joy to see a brilliant musician play, but  
it wasn't really much of looping happening? I mean, he is hardly  
playing the loopers at all - only traditional instruments that he  
records on loopers. I was particularly amused by his thermin solo.  
What a funny guy and a great player!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 16:12:42 2006
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----- Original Message ----- 

> I haven't seen very many bands making good use of looping.

I'd agree with that, and I'd put Keller in this category, one because he 
isn't a band, and two his looping technique isn't really the highlight (as 
Per poins out). And especially the type where multple people are linked 
together via the same looping grid...like with Echoplexes linked...I was 
really hoping to see someone doing that at Y2K6, but no such luck...a lot of 
duos looping asynchronously. Wasn't it Per, Mathias, Rick, and several 
others who did this true group/loop thing in Europe several years ago?

> Personally, I find that there is a lot of very ambient loop music out 
> there ... while it's all well and good, and certainly has its place ... 
> ambient, sort of jazzy (good or bad jazzy .. either way) ... experimental 
> music seems to be the default for most live loop musicians.  I simply 
> enjoy seeing someon do something that is not that.

I think the experimental stands on its own sepearate from the ambient/jazzy 
species you
site above. There aren't a lot of people doing really experimental looping 
in the strict sense
of the approach, but certainly ambient is very pervasive....probably because 
it is much easier
to pull off with a lot of cool gear and looping devices.

K- 


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Subject: Re: Keller Williams  ( Re: EWI looping by Jeff Kashiwa on youtube)
Date: Sun, 26 Nov 2006 09:15:49 -0700
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I think he ought to bag the Theremin....icky, cheesiosity. It sounds 
horrendous to me....though for a second there he had this turn-table scratch 
thing going on with it...I like that. Hey, that could be a new 
style....Genie has scratch guitar...someone could take scratch 
Theremin....because  you don't have to play in tune, which seems to be the 
downfall of amateur Theremin players....again, another gimick for the Vegas 
showman.

K-


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, November 26, 2006 5:03 AM
Subject: Keller Williams ( Re: EWI looping by Jeff Kashiwa on youtube)


> On 25 nov 2006, at 20.33, aaron leese wrote:
>
>> on another note .... I am suprised I never hear anyone hear mention 
>> Keller Williams .... arguably one of the best loop musicians out  there 
>> .....
>> http://www.youtube.com/watch?v=jofmV7LrhpA&mode=related&search=
>
>
> Great video! It's always a joy to see a brilliant musician play, but  it 
> wasn't really much of looping happening? I mean, he is hardly  playing the 
> loopers at all - only traditional instruments that he  records on loopers. 
> I was particularly amused by his thermin solo.  What a funny guy and a 
> great player!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 19:18:45 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: very OT: Ted, are you there?
Date: Sun, 26 Nov 2006 11:18:37 -0800
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Rainer,

Did you get my reply? I did send one.

Best regards,

Ted Killian

On Nov 21, 2006, at 11:34 PM, Rainer Thelonius Balthasar Straschill 
wrote:

> Sorry to all for taking up this bandwidth, but:
>
> I have been trying several times in the past days to reach Ted Killian 
> via
> his usual email address, but it bounced back.
>
> So...if anyone knows about Ted's email-technical whereabouts, would you
> please drop me a line?
>
> And Ted, if you read this - I was inquiring about a possible use of 
> your
> logo of the y2k6loopfest for my CD cover art. Could you get in contact 
> via
> private mail?
>
> And btw (to Ted an everyone). Ted's CD rocks!
>
>     Rainer
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 19:41:32 2006
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	=?iso-8859-1?Q?'tEd_=AE_kiLLiAn'?= <tedkillian@charter.net>
Subject: very OT: Ted, are you there?
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Hey Ted,

yes, got your reply, thanks! I'm sending this to the list again, because =
I
just also got the following reply from one of the mails I sent to you
directly:

The original message was received at Tue, 21 Nov 2006 19:19:47 +0100 =
(MET)
from succubus [84.56.21.132]

   ----- The following addresses had permanent fatal errors -----
<tedkillian@charter.net>
    (reason: 451 4.4.1 Timeout connecting to mail.charter.net)

Don't know what the reason was - I'll use another email account in the
future...

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: tEd =AE kiLLiAn [mailto:tedkillian@charter.net]=20
> Gesendet: Sonntag, 26. November 2006 20:19
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: very OT: Ted, are you there?
>=20
> Rainer,
>=20
> Did you get my reply? I did send one.
>=20
> Best regards,
>=20
> Ted Killian
>=20
> On Nov 21, 2006, at 11:34 PM, Rainer Thelonius Balthasar Straschill
> wrote:
>=20
> > Sorry to all for taking up this bandwidth, but:
> >
> > I have been trying several times in the past days to reach=20
> Ted Killian=20
> > via his usual email address, but it bounced back.
> >
> > So...if anyone knows about Ted's email-technical whereabouts, would=20
> > you please drop me a line?
> >
> > And Ted, if you read this - I was inquiring about a possible use of=20
> > your logo of the y2k6loopfest for my CD cover art. Could you get in=20
> > contact via private mail?
> >
> > And btw (to Ted an everyone). Ted's CD rocks!
> >
> >     Rainer
> >
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 20:14:59 2006
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Date: Sun, 26 Nov 2006 12:12:47 -0800
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Subject: Re: Keller Williams  ( Re: EWI looping by Jeff Kashiwa on youtube)
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>>he is hardly  playing the loopers at all - only traditional 
>>instruments that he records on loopers.

Huh?  Is that a problem?



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 20:25:09 2006
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At 9:12 AM -0700 11/26/06, Krispen Hartung wrote:
>And especially the type where multple people are linked together via 
>the same looping grid...like with Echoplexes linked...

I'm very much interested in trying htat.  Anyone in the Bay Arae with 
an Echoplex who'd like to get together?



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 20:44:14 2006
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Date: Sun, 26 Nov 2006 12:44:10 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
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Subject: Re: Keller Williams ( Re: EWI looping by Jeff Kashiwa on youtube)
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It's not terribly interesting from a looping perspective at this point in
time, when looping technology has been widely available for more than a
decade.  He records a snippet, he overdubs a few things, he sings.  it's
easy to imagine all of his tunes played the same way with a four piece band
who could switch off on instruments.  Contrast that with Andre LaFosse, who
produces music which could not exist in realtime without significant skill
with a looping device and an uncommon approach to the guitar.

Folks who aren't used to the concept of looping are taken the newness of
Keller's thing (to their ears) but once you get past the fact that he's
using some box to record his playing, then you just focus on his actual
music, which I personally found to be standard singer-songwriter fare, based
on the one live CD of his that I bought, which is where I expected to find
the big display of looping that I'd heard about for several years.  He's
unlikely to be raved about on a guitar or bass discussion list either, which
isn't a problem...unless the focus of the list itself is guitar or bass
playing, in which case that aspect receives primary consideration in most
cases.

More power to Keller for finding a supportive audience for what he loves to
do, but I doubt he expects people to be blown away by the looping aspect of
his music either--it's all just means to an end.

TravisH

On 11/26/06, David Gans <david@trufun.com> wrote:
>
>
>
> >>he is hardly  playing the loopers at all - only traditional
> >>instruments that he records on loopers.
>
> Huh?  Is that a problem?
>
>
>
> --
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>
>

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It's not terribly interesting from a looping perspective at this point in time, when looping technology has been widely available for more than a decade.&nbsp; He records a snippet, he overdubs a few things, he sings.&nbsp; it's easy to imagine all of his tunes played the same way with a four piece band who could switch off on instruments.&nbsp; Contrast that with Andre LaFosse, who produces music which could not exist in realtime without significant skill with a looping device and an uncommon approach to the guitar.
<br><br>Folks who aren't used to the concept of looping are taken the newness of Keller's thing (to their ears) but once you get past the fact that he's using some box to record his playing, then you just focus on his actual music, which I personally found to be standard singer-songwriter fare, based on the one live CD of his that I bought, which is where I expected to find the big display of looping that I'd heard about for several years.&nbsp; He's unlikely to be raved about on a guitar or bass discussion list either, which isn't a problem...unless the focus of the list itself is guitar or bass playing, in which case that aspect receives primary consideration in most cases.
<br><br>More power to Keller for finding a supportive audience for what he loves to do, but I doubt he expects people to be blown away by the looping aspect of his music either--it's all just means to an end.<br><br>TravisH
<br><br><div><span class="gmail_quote">On 11/26/06, <b class="gmail_sendername">David Gans</b> &lt;<a href="mailto:david@trufun.com">david@trufun.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br><br>&gt;&gt;he is hardly&nbsp;&nbsp;playing the loopers at all - only traditional<br>&gt;&gt;instruments that he records on loopers.<br><br>Huh?&nbsp;&nbsp;Is that a problem?<br><br><br><br>--<br><br>David Gans - <a href="mailto:david@trufun.com">
david@trufun.com</a> or <a href="mailto:david@gdhour.com">david@gdhour.com</a><br>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730<br>Blog:&nbsp;&nbsp;<a href="http://logblog.gdhour.com">http://logblog.gdhour.com
</a><br>Web site: <a href="http://www.dgans.com">http://www.dgans.com</a><br><br></blockquote></div><br>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EWI looping by Jeff Kashiwa on youtube
Date: Sun, 26 Nov 2006 22:14:20 +0100
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On 26 nov 2006, at 17.12, Krispen Hartung wrote:

> Wasn't it Per, Mathias, Rick, and several others who did this true =20
> group/loop thing in Europe several years ago?

Yes, we did that here in Sweden in 2003. Bernhard Wagner and me also =20
played synced duo looping in Z=FCrich last year. It's great fun - but =20=

it's also fun to play without any technical sync, only the musical =20
instinct... which isn't a bad sync clock either to hook up with ;-)

What I like with group looping under a house clock is that you are =20
free to get totally off tempo and still have the option to get back =20
right on the beat, if needed. You can let go of some more control and =20=

enjoy chaos better.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 21:35:07 2006
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At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:

>Folks who aren't used to the concept of looping are taken the 
>newness of Keller's thing (to their ears) but once you get past the 
>fact that he's using some box to record his playing, then you just 
>focus on his actual music, which I personally found to be standard 
>singer-songwriter fare, based on the one live CD of his that I 
>bought, which is where I expected to find the big display of looping 
>that I'd heard about for several years.  He's unlikely to be raved 
>about on a guitar or bass discussion list either, which isn't a 
>problem...unless the focus of the list itself is guitar or bass 
>playing, in which case that aspect receives primary consideration in 
>most cases.

Yeah, I understand that.  He's not pushing the many limits, for sure.


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 23:49:54 2006
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Subject: Linking Multiple EDPs for Group Looping/Improv
Date: Sun, 26 Nov 2006 16:49:49 -0700
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Per, can you share any of those recordings with the group? I thought they 
were online somewhere.

Regarding the syncing of multiple EDPs...you could do it so that you aren't 
synced to a meter, correct?  I don't understand this feature of the EDPs 
that well, but is it true that one of the EDPs (or the first one that starts 
the looping) sort of sets the initial looping framework for everyone else? 
For example, if Looper A starts the looping and creates a 30 second 
non-metered loop, then when Looper B adds his part, it gets looped within 
that 30 seconds, correct? (assuming he doesn't Multiply).  If this is 
correct, then the beauty of linking the EDPs is that you can do whatever you 
want with the group, metered or non-metered...it depends on what the first 
person does.  I wouldn't even use any MIDI or beat syncing if I were to do 
this with a group.   What happens if two people press Overdub on their 
contollers at the same time? I'm assuming it overdubs on their own EDP 
memory, but still abides by the original EDP loop framework.  This is 
intriguing.

It would be cool if Mobius has a features like this, to be able to connect 
multiple Mobius apps on many laptops.

K-
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, November 26, 2006 2:14 PM
Subject: Re: EWI looping by Jeff Kashiwa on youtube


On 26 nov 2006, at 17.12, Krispen Hartung wrote:

> Wasn't it Per, Mathias, Rick, and several others who did this true 
> group/loop thing in Europe several years ago?

Yes, we did that here in Sweden in 2003. Bernhard Wagner and me also
played synced duo looping in Zürich last year. It's great fun - but
it's also fun to play without any technical sync, only the musical
instinct... which isn't a bad sync clock either to hook up with ;-)

What I like with group looping under a house clock is that you are
free to get totally off tempo and still have the option to get back
right on the beat, if needed. You can let go of some more control and
enjoy chaos better.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom





From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 00:10:07 2006
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Subject: Re: Linking Multiple EDPs for Group Looping/Improv
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At 4:49 PM -0700 11/26/06, Krispen Hartung wrote:

>Regarding the syncing of multiple EDPs...you could do it so that you 
>aren't synced to a meter, correct? .... is it true that one of the 
>EDPs (or the first one that starts the looping) sort of sets the 
>initial looping framework for everyone else?

That's how it worked the one time I tried it.  Once the initial 
period has been defined, each player has control of his own contents.


>What happens if two people press Overdub on their contollers at the 
>same time? I'm assuming it overdubs on their own EDP memory, but 
>still abides by the original EDP loop framework.

Yes.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 01:16:54 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Linking Multiple EDPs for Group Looping/Improv
Date: Mon, 27 Nov 2006 02:16:48 +0100
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On 27 nov 2006, at 00.49, Krispen Hartung wrote:

> Per, can you share any of those recordings with the group? I  
> thought they were online somewhere.
'
Sure! I found this unlinked old page: http://www.looproom.com/ 
looptour2003/edu.php



> Regarding the syncing of multiple EDPs...you could do it so that  
> you aren't synced to a meter, correct?  I don't understand this  
> feature of the EDPs that well,

Simply connect a stereo cable between the two brother sync jacks.  
This is not syncing a specific meter, the meter is what you play  
(eventually...), but rather a "global timing base". It's established  
by the first EDP that creates a cycle. Other brother synced musicians  
can start loops on their local EDPs and depending on what 8ths/cycle  
setting they are using their own EDP makes up a cycle length (and a  
BPM tempo) related to the global beat. If a local musician have other  
gear synced to his EDP by MIDI clock this slaving gear will follow  
his own local tempo, which may be the same or a division of the  
global tempo.

> It would be cool if Mobius has a features like this, to be able to  
> connect multiple Mobius apps on many laptops.

Mobius already has that, because each track in Mobius is like a  
brother synced EDP. You can create parallel loops on different tracks  
that do not have the same length and eventually get back on the same  
down beat only after many, many rounds. So if you MIDI Clock sync a  
bunch of EDPs running Mobius it equals a bunch of brother synced EDP  
racks ;-))

Kris, I don't understand your constant implications that "sync" would  
be something statical or mechanical in musicianship. You don't have  
to play stiff just because there is a global tempo somewhere! The  
best "free, non-meter," improvisations usually follow a tempo pretty  
close - it's just that no one in the group plays it out explicitly.  
Rick Walker is a good example of a great musician that can play  
ritardando or accelerando over a stiff tempo - I mean actually slowly  
change his playing tempo until he hooks up with the sync in double-  
or halfspeed. Charlie Watts of the Rolling Stones is a drummer that  
has always done that in a more minimal approach... well, he, he...  
maybe we should just say that he was temporarily absent minded behind  
his drum kit and fell back into a slower tempo and then woke up a bit  
and started to catch up with the rest of the band over quite a long  
period. I have always loved that drum playing. One drummer that is on  
many Ry Cooder records have the same elastic tempo feel - don't know  
his name but it sounds great to me (and STuart Copeland, not to  
forget)! One time I was talking with a Death Metal producer here and  
this guy told me that he never wants the drummer in the band to  
overdub a tambourine in the studio, because "drummers play too  
perfectly on the beat". He wants guitarists to lay down the  
tambourine because " for a guitarist, or a singer, the important  
thing is not to lay down a steady beat - it is to put on a show and  
create tension".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 03:03:15 2006
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----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
>
>> It would be cool if Mobius has a features like this, to be able to 
>> connect multiple Mobius apps on many laptops.
>
> Mobius already has that, because each track in Mobius is like a  brother 
> synced EDP. You can create parallel loops on different tracks  that do not 
> have the same length and eventually get back on the same  down beat only 
> after many, many rounds. So if you MIDI Clock sync a  bunch of EDPs 
> running Mobius it equals a bunch of brother synced EDP  racks ;-))

Got it, but I meant connecting more than one Mobius application on a 
computer, via MIDI,
and between multiple computers. I suppose anything is possible with MIDI and 
a MIDI
junction (grand central station) box of some sort.

> Kris, I don't understand your constant implications that "sync" would  be 
> something statical or mechanical in musicianship. You don't have  to play 
> stiff just because there is a global tempo somewhere! The  best "free, 
> non-meter," improvisations usually follow a tempo pretty  close - it's 
> just that no one in the group plays it out explicitly. [cut]

I think we are just talking about different things here. I'm talking more 
about using
sync to quantize what we play and force it into a meter, or making it easier 
for multiple
people to play in meter, or to a pre-set pattern. I do understand that 
regardless of there being a
meter in place, you can nonetheless do what you want...I do it frequently in 
jazz.  I guess I'm
speaking more of meter syncing when that function alters what we originally 
play. It basically
comes down to control for me....I'm a conrol freak. :)  I like to control 
the flow of
music myself, so a constant meter in the background, even if I can play 
outside of it
would serve no purpose for me, unless I want it to change what I play (whic 
isn't the
case).

Sorry for the confusion. I probably never explained myself on this one that 
well.

K- 


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Subject: Re: Linking Multiple EDPs for Group Looping/Improv
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[Kris]
 > It would be cool if Mobius has a features like this, to be able to
 > connect multiple Mobius apps on many laptops.

[Per]
 > So if you MIDI Clock sync a bunch of EDPs running Mobius it equals a
 > bunch of brother synced EDP racks ;-))

Yes, in one configuration, you have a drum machine or another master
clock source, send it to a MIDI splitter to route the clocks to each
laptop, then set each Mobius to Sync=In.  The downside here is that
the looper doesn't define the tempo.

Another configuration that is more like EDP brother sync is to
designate one laptop as the master and have the MIDI out from that
laptop patched to the MIDI in of the other laptops.  The master uses
Sync=Out and the others use Sync=In.  As soon as the master loop is
recorded, it defines the tempo and starts sending MIDI clocks that the
others can sync to.

This is not nearly as elegant as EDP brother sync though, because it
is difficult to change the master laptop.  You have to stop and change
presets so that everyone agrees who should be Sync=Out and who should
be Sync=In.  Then you have to re-cable everyone so the right MIDI out is
connected to all the MIDI ins.  If each laptop had a MIDI splitter/ 
merger
box you could in theory have them all connected to each other in every
possible way, but this gets complicated as the number of musicians
increases.

Something I've thought about but haven't made any progress on is
allowing Mobius instances to synchronize over an ethernet connection.
You would need a basic ethernet router (such as those you get to
share a high-speed internet connection), and one ethernet cable
for each laptop.  This would be much simpler to set up than a MIDI
network.  The Mobius instances would discover each other, and could
pass master control around without having to reconfigure.  Someday  
maybe.

Jeff

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 04:28:06 2006
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	id 31B4C3BEF3; Mon, 27 Nov 2006 04:28:06 +0000 (UTC)
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From: "twglabmotories research facility" <twglabmotories@bigvalley.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: linking EDPs
Date: Sun, 26 Nov 2006 20:28:12 -0800
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When you say "Echoplexes" you refer to the non-tape based model
correct=3F I'can't say I'm very savvy in this department but I've
enjoyed looping for years=2E Both of my Echoplexes are old school but I
do have the digital Boomerang w/ fattened memory chippage=2E Just no
computer interface for it=2E

---- Original Message ----
From: david@trufun=2Ecom
To: Loopers-Delight@loopers-delight=2Ecom
Subject: linking EDPs
Date: Sun, 26 Nov 2006 12:16:44 -0800

>At 9:12 AM -0700 11/26/06, Krispen Hartung wrote:
>>And especially the type where multple people are linked together via
>
>>the same looping grid=2E=2E=2Elike with Echoplexes linked=2E=2E=2E
>
>I'm very much interested in trying htat=2E  Anyone in the Bay Arae with
>
>an Echoplex who'd like to get together=3F
>
>
>
>--=20
>
>David Gans - david@trufun=2Ecom or david@gdhour=2Ecom
>Truth and Fun, Inc=2E, 484 Lake Park Ave=2E #102, Oakland CA 94610-2730
>Blog:  http://logblog=2Egdhour=2Ecom
>Web site: http://www=2Edgans=2Ecom
>



=
Dial Broadband has arrived Nationwide! Up to 5 times faster than traditio=
nal dialup connections from $13.33/month! See the demo for yourself at <a=
 href=3D"http://www.BigValley.net">www.BigValley.net</a> =


From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 05:13:55 2006
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	id 06A0A3BEEA; Mon, 27 Nov 2006 05:13:54 +0000 (UTC)
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	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 11.28.06 @ the PiNG > STYROHEAD & SPACENOIZ
Date: Mon, 27 Nov 2006 00:14:32 -0500
Organization: THE AMBiENT PiNG
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Hi everyone,

Last PiNG note and LiVE in-club show before the holidays, 
but we'll be back soon as we settle into our regular 
last Tuesday of the month space at the 
DRAKE UNDERGROUND.

Until next time, be safe, be happy and keep listening 
to the space around you.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

11.28.06 . The PiNG Presents STYROHEAD & SPACENOIZ
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
Tuesday November 28th . 8PM - 11PM . PWYC (5$ suggested)

A special performance featuring PiNG favourites STYROHEAD 
(Joe G) & SPACENOIZ (Jim Field of Rhea's Obsession), 
performing together for the first time to kick out the sonic jams. 

Prepare to be intrigued as these two guitar, synth and sample 
heads improvise the night away as they take us on a journey 
through space.

http://www.styrohead.com
http://myspace.com/styrohead
http://www.myspace.com/jimfieldfromrheas
 http://www.myspace.com/rheasobsession  
 

Between Sets we'll be featuring some of "Kairos" the splendid new 
DVD from Steve Roach featuring his magnificent music merged with 
imagery from a variety of visual artists: Lynn Augustein, Steve Lazur, 
Steven Rooke, John Wadsworth and John Vega with Roger King. 
A gorgeous synthesis of sound and visions.

To set the mood before the first set, we'll be spinning Roach's 
latest live CD release "Storm Surge" a recording of his 
performance at the 2005 NEARfest.
http://www.steveroach.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some 
of the PiNG's closest friends in the ambient, darkwave, chill and 
electronic communities. Tune in to hear live performances, 
works in progress, exclusive remixes and more!

MONDAY NOVEMBER 27th at 9PM EST
GEEKWEEKEND
http://www.ambientpingradio.com 

"GeekWeekend? - Two musicians, two computers, and virtually no 
restraint! GeekWeekend (Rob Hoare and Steven Sauve) return for 
another PiNG webcast of slightly ludicrous, but wholly 
entertaining noises. 


Don't forget to tune in for future broadcasts 
in the ALMOST LiVE MUSiC SERiES!

December 11th . Sensitive Chaos 
December 18th . Michael Sandler 
January 8th . TouchXtone 
January 15th . Anomalous Disturbances 
January 22nd . Remora 

All shows run on Mondays at 9PM EST and will be rebroadcast 
the following Thursdays at 12midnight EST and again on 
Saturdays at 3:30PM EST. 

The ALMOST LiVE MUSiC SERiES: 
Another way that http://www.ambientpingradio.com 
is bringing great new music to you!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

More PiNG news and more PiNG shows are coming soon. 
Watch this space to stay spaced.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of 
audio artists, performers, musicians and visual artists. The PiNG 
presents live multimedia performances featuring ambient, electronic, 
soundscape, chillout, trip hop, dream pop, downtempo, space, 
darkwave, drone and experimental artists from around the world.  
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or 
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 17:48:25 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Keller Williams / jam bands/ rc50
Date: Mon, 27 Nov 2006 09:48:14 -0800
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Well... I found Keller interesting because he draws a decent crowd.  
What's about this jam band thing?  Is HE a jam band?  Do any of you 
besides David (Gans) pursue this avenue? Seems like fertile ground for 
loopers.

I've finally gotten pretty deep into the RC50 and am already deeply 
lusting for a Looperlative.  The inability to switch between multi mode 
(loops playing simultaneously - like layering) and single (loops 
playing linear - one after the other) within one set of loops is kind 
of frustrating.  I'd like one loop to be the guide track that plays 
under all the other loops... but not have all the other loops layer on 
top of each other.  (I wonder if you can do that with the 
Looperlative?)
OR, in the RC 50,  if you could replace the dorky preset guide tracks 
would be sweet.   Haven't found that in any documentation.  Seems 
possible, though.

The limitation of three loops is a bomb - especially for a non layering 
looper!  And the well known RC50 glitch is a pain in the butt 
sometimes.  But it sounds good enough.  And I am definitely now fully 
addicted to looping!

Haven't tried looping in the (nonMIDI) band setting yet because I think 
we might need in ear monitors to hear the click track and stay in sync. 
  Might experiment with it when all the members are together again, 
though.

Hayley's record will be out in March and that's going very very well.  
We're remixing, recorded new songs and new drums on some of the old 
songs.  Crazy because the original was - I think - perfect, but the 
record company wanted the new songs and Hayley wanted a different drum 
sound on some of the songs - less pop, more 'live' feeling.

Every day is a new measure!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 26-Nov-06, at 1:29 PM, David Gans wrote:

> At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:
>
>> Folks who aren't used to the concept of looping are taken the newness 
>> of Keller's thing (to their ears) but once you get past the fact that 
>> he's using some box to record his playing, then you just focus on his 
>> actual music, which I personally found to be standard 
>> singer-songwriter fare, based on the one live CD of his that I 
>> bought, which is where I expected to find the big display of looping 
>> that I'd heard about for several years.  He's unlikely to be raved 
>> about on a guitar or bass discussion list either, which isn't a 
>> problem...unless the focus of the list itself is guitar or bass 
>> playing, in which case that aspect receives primary consideration in 
>> most cases.
>
> Yeah, I understand that.  He's not pushing the many limits, for sure.
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>


--Apple-Mail-1--488582695
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Well... I found Keller interesting because he draws a decent crowd. 
What's about this jam band thing?  Is <italic>HE</italic> a jam band? 
Do any of you besides David (Gans) pursue this avenue? Seems like
fertile ground for loopers.


I've finally gotten pretty deep into the RC50 and am already
<italic>deeply</italic> lusting for a Looperlative.  The inability to
switch between multi mode (loops playing simultaneously - like
layering) and single (loops playing linear - one after the other)
within one set of loops is kind of frustrating.  I'd like one loop to
be the guide track that plays under all the other loops... but not
have all the other loops layer on top of each other.  (I wonder if you
can do that with the Looperlative?) 

OR, in the RC 50,  if you could replace the dorky preset guide tracks
would be sweet.   Haven't found that in any documentation.  Seems
possible, though.


The limitation of three loops is a bomb - especially for a non
layering looper!  And the well known RC50 glitch is a pain in the butt
sometimes.  But it sounds good enough.  And I am definitely now fully
addicted to looping!


Haven't tried looping in the (nonMIDI) band setting yet because I
think we might need in ear monitors to hear the click track and stay
in sync.  Might experiment with it when all the members are together
again, though. 


Hayley's record will be out in March and that's going very very well. 
We're remixing, recorded new songs and new drums on some of the old
songs.  Crazy because the original was - I think - perfect, but the
record company wanted the new songs and Hayley wanted a different drum
sound on some of the songs - less pop, more 'live' feeling. 


Every day is a new measure!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 26-Nov-06, at 1:29 PM, David Gans wrote:


<excerpt>At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:


<excerpt>Folks who aren't used to the concept of looping are taken the
newness of Keller's thing (to their ears) but once you get past the
fact that he's using some box to record his playing, then you just
focus on his actual music, which I personally found to be standard
singer-songwriter fare, based on the one live CD of his that I bought,
which is where I expected to find the big display of looping that I'd
heard about for several years.  He's unlikely to be raved about on a
guitar or bass discussion list either, which isn't a problem...unless
the focus of the list itself is guitar or bass playing, in which case
that aspect receives primary consideration in most cases.

</excerpt>

Yeah, I understand that.  He's not pushing the many limits, for sure.



-- 


David Gans - david@trufun.com or david@gdhour.com

Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730

Blog:  http://logblog.gdhour.com

Web site: http://www.dgans.com


</excerpt>


--Apple-Mail-1--488582695--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 19:57:24 2006
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Keller Williams / jam bands/ rc50
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Yeah, the jam band scene is Kellers bread and butter ..... I first saw him 
play at a jam band festival a number of years back.  It was the first time I 
saw anyone loop .... actually he looped a good bit more back then.

Keller, on the other hand, credits Victor Wooten as the first person he saw 
loop.

Speaking of which, I saw Bela fleck this past year.  Every member of that 
group (minus the saxophonist) has a solo performance for every show.  
Victors was a long looped piece on the RC50.  He managed to play all the 
parts to a Bela fleck song himself, then just float off into a bunch of fun 
looped jams.  VW is amazing man.

Anyway ... your right, the jam band scene has taken to looping pretty 
heavily now.  There are a number of jam bands that use loop pedals.





>From: Richard Sales <richard@glasswing.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Keller Williams / jam bands/ rc50
>Date: Mon, 27 Nov 2006 09:48:14 -0800
>
>Well... I found Keller interesting because he draws a decent crowd.  What's 
>about this jam band thing?  Is HE a jam band?  Do any of you besides David 
>(Gans) pursue this avenue? Seems like fertile ground for loopers.
>
>I've finally gotten pretty deep into the RC50 and am already deeply lusting 
>for a Looperlative.  The inability to switch between multi mode (loops 
>playing simultaneously - like layering) and single (loops playing linear - 
>one after the other) within one set of loops is kind of frustrating.  I'd 
>like one loop to be the guide track that plays under all the other loops... 
>but not have all the other loops layer on top of each other.  (I wonder if 
>you can do that with the Looperlative?)
>OR, in the RC 50,  if you could replace the dorky preset guide tracks would 
>be sweet.   Haven't found that in any documentation.  Seems possible, 
>though.
>
>The limitation of three loops is a bomb - especially for a non layering 
>looper!  And the well known RC50 glitch is a pain in the butt sometimes.  
>But it sounds good enough.  And I am definitely now fully addicted to 
>looping!
>
>Haven't tried looping in the (nonMIDI) band setting yet because I think we 
>might need in ear monitors to hear the click track and stay in sync.  Might 
>experiment with it when all the members are together again, though.
>
>Hayley's record will be out in March and that's going very very well.  
>We're remixing, recorded new songs and new drums on some of the old songs.  
>Crazy because the original was - I think - perfect, but the record company 
>wanted the new songs and Hayley wanted a different drum sound on some of 
>the songs - less pop, more 'live' feeling.
>
>Every day is a new measure!
>
>richard sales
>glassWing farm and studio
>vancouver island, b.c.
>800.545.6846
>250.752.4816
>www.glassWing.com
>www.richardsales.com
>www.hayleysales.com
>www.blueberryfieldsfarm.com
>On 26-Nov-06, at 1:29 PM, David Gans wrote:
>
>>At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:
>>
>>>Folks who aren't used to the concept of looping are taken the newness of 
>>>Keller's thing (to their ears) but once you get past the fact that he's 
>>>using some box to record his playing, then you just focus on his actual 
>>>music, which I personally found to be standard singer-songwriter fare, 
>>>based on the one live CD of his that I bought, which is where I expected 
>>>to find the big display of looping that I'd heard about for several 
>>>years.  He's unlikely to be raved about on a guitar or bass discussion 
>>>list either, which isn't a problem...unless the focus of the list itself 
>>>is guitar or bass playing, in which case that aspect receives primary 
>>>consideration in most cases.
>>
>>Yeah, I understand that.  He's not pushing the many limits, for sure.
>>
>>
>>--
>>
>>David Gans - david@trufun.com or david@gdhour.com
>>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>>Blog:  http://logblog.gdhour.com
>>Web site: http://www.dgans.com
>>
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 20:08:41 2006
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From: greenscene@earthlink.net
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Subject: Custom Linc Luthier guitar for sale
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Hi,

I have a beautiful, handmade Linc Luthier custom-electric guitar for sale. The neck and chambered body are made of exotic hardwoods and there is no plastic to be found anywhere--even the pickups have figured-wood caps. It is virtually brand-new and has only been played a few times. Here is the Linc Luthier guitar page:

http://members.aol.com/lincinc/guitars.html

Also comes with a super-plush, handmade hard case and footswitch for the magnetic & piezo-pickup system. Plays like a dream--this is indeed a once-in-a-lifetime guitar. I paid over $3,000 for it, but will consider all serious offers. Please email me offline for more info and photos.

thanks,

Pete

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 20:58:01 2006
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Date: Mon, 27 Nov 2006 14:57:58 -0600
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Victor Wooten was: Keller Williams / jam bands/ rc50
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Speaking of Victor Wooten, I know this came out before I got on the LD
list, but Victor Wooten has a DVD out called "Live at Bass Day '98"
where he uses a looper for a few songs--very cool show :)
He doesn't go crazy with looping like some, but he does in fact use a
looper, and it sounds pretty good imo :)

Charlie

On 11/27/06, aaron leese <aaronleese@hotmail.com> wrote:
>
>
>
> Yeah, the jam band scene is Kellers bread and butter ..... I first saw him
> play at a jam band festival a number of years back.  It was the first time I
> saw anyone loop .... actually he looped a good bit more back then.
>
> Keller, on the other hand, credits Victor Wooten as the first person he saw
> loop.
>
> Speaking of which, I saw Bela fleck this past year.  Every member of that
> group (minus the saxophonist) has a solo performance for every show.
> Victors was a long looped piece on the RC50.  He managed to play all the
> parts to a Bela fleck song himself, then just float off into a bunch of fun
> looped jams.  VW is amazing man.
>
> Anyway ... your right, the jam band scene has taken to looping pretty
> heavily now.  There are a number of jam bands that use loop pedals.
>
>
>
>
>
> >From: Richard Sales <richard@glasswing.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: Keller Williams / jam bands/ rc50
> >Date: Mon, 27 Nov 2006 09:48:14 -0800
> >
> >Well... I found Keller interesting because he draws a decent crowd.  What's
> >about this jam band thing?  Is HE a jam band?  Do any of you besides David
> >(Gans) pursue this avenue? Seems like fertile ground for loopers.
> >
> >I've finally gotten pretty deep into the RC50 and am already deeply lusting
> >for a Looperlative.  The inability to switch between multi mode (loops
> >playing simultaneously - like layering) and single (loops playing linear -
> >one after the other) within one set of loops is kind of frustrating.  I'd
> >like one loop to be the guide track that plays under all the other loops...
> >but not have all the other loops layer on top of each other.  (I wonder if
> >you can do that with the Looperlative?)
> >OR, in the RC 50,  if you could replace the dorky preset guide tracks would
> >be sweet.   Haven't found that in any documentation.  Seems possible,
> >though.
> >
> >The limitation of three loops is a bomb - especially for a non layering
> >looper!  And the well known RC50 glitch is a pain in the butt sometimes.
> >But it sounds good enough.  And I am definitely now fully addicted to
> >looping!
> >
> >Haven't tried looping in the (nonMIDI) band setting yet because I think we
> >might need in ear monitors to hear the click track and stay in sync.  Might
> >experiment with it when all the members are together again, though.
> >
> >Hayley's record will be out in March and that's going very very well.
> >We're remixing, recorded new songs and new drums on some of the old songs.
> >Crazy because the original was - I think - perfect, but the record company
> >wanted the new songs and Hayley wanted a different drum sound on some of
> >the songs - less pop, more 'live' feeling.
> >
> >Every day is a new measure!
> >
> >richard sales
> >glassWing farm and studio
> >vancouver island, b.c.
> >800.545.6846
> >250.752.4816
> >www.glassWing.com
> >www.richardsales.com
> >www.hayleysales.com
> >www.blueberryfieldsfarm.com
> >On 26-Nov-06, at 1:29 PM, David Gans wrote:
> >
> >>At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:
> >>
> >>>Folks who aren't used to the concept of looping are taken the newness of
> >>>Keller's thing (to their ears) but once you get past the fact that he's
> >>>using some box to record his playing, then you just focus on his actual
> >>>music, which I personally found to be standard singer-songwriter fare,
> >>>based on the one live CD of his that I bought, which is where I expected
> >>>to find the big display of looping that I'd heard about for several
> >>>years.  He's unlikely to be raved about on a guitar or bass discussion
> >>>list either, which isn't a problem...unless the focus of the list itself
> >>>is guitar or bass playing, in which case that aspect receives primary
> >>>consideration in most cases.
> >>
> >>Yeah, I understand that.  He's not pushing the many limits, for sure.
> >>
> >>
> >>--
> >>
> >>David Gans - david@trufun.com or david@gdhour.com
> >>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> >>Blog:  http://logblog.gdhour.com
> >>Web site: http://www.dgans.com
> >>
> >
>
> _________________________________________________________________
> MSN Shopping has everything on your holiday list. Get expert picks by style,
> age, and price. Try it!
> http://shopping.msn.com/content/shp/?ctId=8000,ptnrid=176,ptnrdata=200601&tcode=wlmtagline
>
>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 21:55:10 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: EWI looping clip posted
Date: Mon, 27 Nov 2006 22:55:01 +0100
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http://www.looproom.com/audio/ewi_jam_nov2006.mp3
If anyone should be interested...

Musically:
Just jamming with myself into a long loop. No defined tempo, key or  
chord structure. Only goofing around, reacting to sound and gestures,  
layering whatever comes into my mind.

Technically:
Using the EWI4000s to play samples lifted off the tape loops of the  
original mellotrones MK2 and M300. Oh, there's one exception, the  
trumpet sound which I picked from the Logic default sample library  
(and tweaked a lot). The sound unit you hear is my Powerbook laptop  
recorded straight from the stereo output. On the powerbook I used  
Logic and its sampler EXS24, which by the way is an excellent sampler  
for EWI playing because it lets you custom the sound patches to  
react, soundwise, to all MIDI data sent out from the EWI when you are  
playing it. I reworked all the mellotrone sample patches - and the  
trumpet patch - to fit my personal playing style, which I guess is  
something you have to do to feel ok with playing an EWI. The looper  
used was Expert Sleepers AU plug-in Augustus Loop. The ticking sound  
noise you hear (that sounds a bit like a damaged vinyl disk) is  
caused by a the Pluggo plug-in "SpeedShifter" (Cycling74). I love the  
undertones SpeedShifter can add so I can live with those artifacts.

Because I can't find any other sampler, than the EXS24, to match the  
sensitivity of the EWI I have been using the G4 Powerbook a lot for  
some days now and I must say I'm amazed how efficient it is with  
Logic and the Cycling74 plug-ins! When I bought Pluggo  I was mainly  
using them on a dual G5 and had a lot of issues. The good guys at  
Cyclinig74 tried to help me out but they had a hard time since they  
didn't even have a G5 machine to troubleshoot their software on. So  
for some years I have been living with the false assumption that  
Cycling74 software is unstable and risky to use. But in fact  
Cycling74 stuff rocks on a G4 powerbook that should be "a slow  
laptop" compared to the new machines (so does Logic).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:03:12 2006
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What's the hype about jam bands, anyway?  And adding looping to boot? How 
much burnt sage, petrulli oil, and hours of noodling can folks actually 
tolerate?  :)  Heh heh...sorry, I had to get that one in.

I guess I don't understand what more looping can add to the jam band thing, 
unless it is to replace a band member, which would be fairly easy to do 
given how repetitive most jam band "jams" are...and folks want to add more 
repetition to an already repetitious structure?

Now, if we're talking the really good Phish improvs, that is a different 
story....those guys know how to jam without it being a mind numbing, THC 
induced, drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could 
take a nap, wake up and hear the same shit playing.  Most jam bands I've 
seen are virtually devoid of any creativity. It's a social thing, albeit, 
like sex, drugs, and alcohol with Rock n' Roll...no one expects artistic 
genius.  Even Keller's set is not that inspiring from a creativity 
standpoint. The final music output is entirely unoriginal...the chops are 
standard (except the vocals and therimin playing, which have much to be 
desired), and the looping technique is fundamental. That's his bag I guess, 
but I'd wager that any of the competant multi-instrumentalists out there 
(thousands) could pull a similar set off with little effort, after learning 
the basic functions of the looping device. What is left after stripping 
every other possible unique factor away from his set is that he appears to 
be one of the only successful guys doing it for large crowds...this says 
nothing of the music, by the way, just marketing, time, and energy to create 
a niche. I'm sure it works for him...I'd comittt suicide if my musical 
career came down to that.   I hope this gets someone bent out of shape...I 
like bending people out of shape!  :)

K-


----- Original Message ----- 
From: "aaron leese" <aaronleese@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2006 12:57 PM
Subject: Re: Keller Williams / jam bands/ rc50


>
>
>
> Yeah, the jam band scene is Kellers bread and butter ..... I first saw him 
> play at a jam band festival a number of years back.  It was the first time 
> I saw anyone loop .... actually he looped a good bit more back then.
>
> Keller, on the other hand, credits Victor Wooten as the first person he 
> saw loop.
>
> Speaking of which, I saw Bela fleck this past year.  Every member of that 
> group (minus the saxophonist) has a solo performance for every show. 
> Victors was a long looped piece on the RC50.  He managed to play all the 
> parts to a Bela fleck song himself, then just float off into a bunch of 
> fun looped jams.  VW is amazing man.
>
> Anyway ... your right, the jam band scene has taken to looping pretty 
> heavily now.  There are a number of jam bands that use loop pedals.
>
>
>
>
>
>>From: Richard Sales <richard@glasswing.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: Keller Williams / jam bands/ rc50
>>Date: Mon, 27 Nov 2006 09:48:14 -0800
>>
>>Well... I found Keller interesting because he draws a decent crowd. 
>>What's about this jam band thing?  Is HE a jam band?  Do any of you 
>>besides David (Gans) pursue this avenue? Seems like fertile ground for 
>>loopers.
>>
>>I've finally gotten pretty deep into the RC50 and am already deeply 
>>lusting for a Looperlative.  The inability to switch between multi mode 
>>(loops playing simultaneously - like layering) and single (loops playing 
>>linear - one after the other) within one set of loops is kind of 
>>frustrating.  I'd like one loop to be the guide track that plays under all 
>>the other loops... but not have all the other loops layer on top of each 
>>other.  (I wonder if you can do that with the Looperlative?)
>>OR, in the RC 50,  if you could replace the dorky preset guide tracks 
>>would be sweet.   Haven't found that in any documentation.  Seems 
>>possible, though.
>>
>>The limitation of three loops is a bomb - especially for a non layering 
>>looper!  And the well known RC50 glitch is a pain in the butt sometimes. 
>>But it sounds good enough.  And I am definitely now fully addicted to 
>>looping!
>>
>>Haven't tried looping in the (nonMIDI) band setting yet because I think we 
>>might need in ear monitors to hear the click track and stay in sync. 
>>Might experiment with it when all the members are together again, though.
>>
>>Hayley's record will be out in March and that's going very very well. 
>>We're remixing, recorded new songs and new drums on some of the old songs. 
>>Crazy because the original was - I think - perfect, but the record company 
>>wanted the new songs and Hayley wanted a different drum sound on some of 
>>the songs - less pop, more 'live' feeling.
>>
>>Every day is a new measure!
>>
>>richard sales
>>glassWing farm and studio
>>vancouver island, b.c.
>>800.545.6846
>>250.752.4816
>>www.glassWing.com
>>www.richardsales.com
>>www.hayleysales.com
>>www.blueberryfieldsfarm.com
>>On 26-Nov-06, at 1:29 PM, David Gans wrote:
>>
>>>At 12:44 PM -0800 11/26/06, Travis Hartnett wrote:
>>>
>>>>Folks who aren't used to the concept of looping are taken the newness of 
>>>>Keller's thing (to their ears) but once you get past the fact that he's 
>>>>using some box to record his playing, then you just focus on his actual 
>>>>music, which I personally found to be standard singer-songwriter fare, 
>>>>based on the one live CD of his that I bought, which is where I expected 
>>>>to find the big display of looping that I'd heard about for several 
>>>>years.  He's unlikely to be raved about on a guitar or bass discussion 
>>>>list either, which isn't a problem...unless the focus of the list itself 
>>>>is guitar or bass playing, in which case that aspect receives primary 
>>>>consideration in most cases.
>>>
>>>Yeah, I understand that.  He's not pushing the many limits, for sure.
>>>
>>>
>>>--
>>>
>>>David Gans - david@trufun.com or david@gdhour.com
>>>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>>>Blog:  http://logblog.gdhour.com
>>>Web site: http://www.dgans.com
>>>
>>
>
> _________________________________________________________________
> MSN Shopping has everything on your holiday list. Get expert picks by 
> style, age, and price. Try it! 
> http://shopping.msn.com/content/shp/?ctId=8000,ptnrid=176,ptnrdata=200601&tcode=wlmtagline
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:05:49 2006
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Subject: Re: EWI looping clip posted
Date: Mon, 27 Nov 2006 15:05:46 -0700
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I love it, Per...I think you should play that thing all of the time. Saves 
on reeds, right? The articulation is really nice.

Kris


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2006 2:55 PM
Subject: EWI looping clip posted


> http://www.looproom.com/audio/ewi_jam_nov2006.mp3
> If anyone should be interested...
>
> Musically:
> Just jamming with myself into a long loop. No defined tempo, key or  chord 
> structure. Only goofing around, reacting to sound and gestures,  layering 
> whatever comes into my mind.
>
> Technically:
> Using the EWI4000s to play samples lifted off the tape loops of the 
> original mellotrones MK2 and M300. Oh, there's one exception, the  trumpet 
> sound which I picked from the Logic default sample library  (and tweaked a 
> lot). The sound unit you hear is my Powerbook laptop  recorded straight 
> from the stereo output. On the powerbook I used  Logic and its sampler 
> EXS24, which by the way is an excellent sampler  for EWI playing because 
> it lets you custom the sound patches to  react, soundwise, to all MIDI 
> data sent out from the EWI when you are  playing it. I reworked all the 
> mellotrone sample patches - and the  trumpet patch - to fit my personal 
> playing style, which I guess is  something you have to do to feel ok with 
> playing an EWI. The looper  used was Expert Sleepers AU plug-in Augustus 
> Loop. The ticking sound  noise you hear (that sounds a bit like a damaged 
> vinyl disk) is  caused by a the Pluggo plug-in "SpeedShifter" (Cycling74). 
> I love the  undertones SpeedShifter can add so I can live with those 
> artifacts.
>
> Because I can't find any other sampler, than the EXS24, to match the 
> sensitivity of the EWI I have been using the G4 Powerbook a lot for  some 
> days now and I must say I'm amazed how efficient it is with  Logic and the 
> Cycling74 plug-ins! When I bought Pluggo  I was mainly  using them on a 
> dual G5 and had a lot of issues. The good guys at  Cyclinig74 tried to 
> help me out but they had a hard time since they  didn't even have a G5 
> machine to troubleshoot their software on. So  for some years I have been 
> living with the false assumption that  Cycling74 software is unstable and 
> risky to use. But in fact  Cycling74 stuff rocks on a G4 powerbook that 
> should be "a slow  laptop" compared to the new machines (so does Logic).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:19:07 2006
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Hey Kris-i resemble that remark :-)
can i use that in my promo stuff?

S T A N O S A U R

... a mind numbing, THC 
>induced, drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could 
>take a nap, wake up and hear the same shit playing. >
>K-

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:28:49 2006
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At 3:03 PM -0700 11/27/06, Krispen Hartung wrote:



>Now, if we're talking the really good Phish improvs, that is a 
>different story....those guys know how to jam without it being a 
>mind numbing, THC induced, 
>drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could 
>take a nap, wake up and hear the same shit playing.

Ain't that the truth.  Much of what I hear in the "jam band" world is 
pretty dismal stuff.



>What is left after stripping every other possible unique factor away 
>from his set is that he appears to be one of the only successful 
>guys doing it for large crowds...

That is worth something.

I am a songwriter first an foremost.  I use my loop devices for both 
accompaniment and improvisation.  I don't think everyone who uses 
loops has to spend their life at the bleeding edge of looping 
technology - it's okay for it to be a tool in service of their own 
muse.

It's likely that my music isn't weird enough for some of you.  I can 
live with that.  But I feel that I'm making good use of the tools.






-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:30:44 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EWI looping clip posted
Date: Mon, 27 Nov 2006 23:30:32 +0100
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On 27 nov 2006, at 23.05, Krispen Hartung wrote:

> I love it, Per...I think you should play that thing all of the  
> time. Saves on reeds, right? The articulation is really nice.
>
> Kris


Thank you Krispen. Yes, the EWI is as expressive as most acoustic  
wind instrument. And it saves some money on reeds. But only if you  
play it on AC, otherwise it will eat your wallet out in batteries ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 22:30:55 2006
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Absolutely, man. If you become a millionaire, just send me a case of fine 
red wine and some Cuban cigars :)


----- Original Message ----- 
From: <stanitarium@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2006 3:18 PM
Subject: Re: Keller Williams / jam bands/ rc50


> Hey Kris-i resemble that remark :-)
> can i use that in my promo stuff?
>
> S T A N O S A U R
>
> ... a mind numbing, THC
>>induced, drone-on-the-same-string/scale-for-a-fucking-hour fest.  You 
>>could
>>take a nap, wake up and hear the same shit playing. >
>>K-
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 23:05:34 2006
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----- Original Message ----- >
>>What is left after stripping every other possible unique factor away from 
>>his set is that he appears to be one of the only successful guys doing it 
>>for large crowds...
>
> That is worth something.

True enough.  If I had to make my living at music, I suppose that would be 
an option, provided you gave me enough vallium to make it thorugh each 
night....

> I am a songwriter first an foremost.  I use my loop devices for both 
> accompaniment and improvisation.  I don't think everyone who uses loops 
> has to spend their life at the bleeding edge of looping technology - it's 
> okay for it to be a tool in service of their own muse.
>
> It's likely that my music isn't weird enough for some of you.  I can live 
> with that.  But I feel that I'm making good use of the tools.

that's cool. different strokes for different folks.

Kris


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From: Richard Sales <richard@glasswing.com>
Subject: Re: Keller Williams / jam bands/ rc50
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On 27-Nov-06, at 2:27 PM, David Gans wrote:

> At 3:03 PM -0700 11/27/06, Krispen Hartung wrote:
>
>> Now, if we're talking the really good Phish improvs, that is a 
>> different story....those guys know how to jam without it being a mind 
>> numbing, THC induced, 
>> drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could 
>> take a nap, wake up and hear the same shit playing.
>
> Ain't that the truth.  Much of what I hear in the "jam band" world is 
> pretty dismal stuff.

I don't know anything about jam bands other than the little bit of work 
I did for the Grateful Dead.  I'm an old timer, so my favorite jam band 
would be John Coltrane and friends, maybe Miles Davis.  But whenever 
there's a big audience like that, strikes me that if you have the 
skills, which most of you do, why not play for those folks?
>
>> What is left after stripping every other possible unique factor away 
>> from his set is that he appears to be one of the only successful guys 
>> doing it for large crowds...
>
> That is worth something.
>
> I am a songwriter first an foremost.  I use my loop devices for both 
> accompaniment and improvisation.  I don't think everyone who uses 
> loops has to spend their life at the bleeding edge of looping 
> technology - it's okay for it to be a tool in service of their own 
> muse.
>
> It's likely that my music isn't weird enough for some of you.  I can 
> live with that.  But I feel that I'm making good use of the tools.
>>

I'm losing the formatting so... Richard says:

>> What counts is the music, David!  I'm with you.  My criteria for 
>> music is, "How long does it hold my attention?"  I don't care if it's 
>> recorded on limestone and looped with WIll Rogers lasso.  If it keeps 
>> me there then hallelujah!  If not, it's on to the next.  It's only 
>> music and the rest is for the 'academics'.  So even though I've been 
>> doing music for a very long time, I still see myself as a listener 
>> who happens to play & record music.  For a living.  The tool thing 
>> can be a real trap - that equipment makers LOVE... and in the world 
>> of studios it can be a corn maze that you never get out of.

>> Once you hear an audience go wild and have folks come up to you 
>> afterward and tell you how much meaning you've brought to their lives 
>> you know what it's all about.  The rest is for pundits, professors 
>> and Consumer's Reports.

peace :)

Richard





>
>
>
>
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>

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On 27-Nov-06, at 2:27 PM, David Gans wrote:


<excerpt>At 3:03 PM -0700 11/27/06, Krispen Hartung wrote:


<excerpt>Now, if we're talking the really good Phish improvs, that is
a different story....those guys know how to jam without it being a
mind numbing, THC induced,
drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could
take a nap, wake up and hear the same shit playing.

</excerpt>

Ain't that the truth.  Much of what I hear in the "jam band" world is
pretty dismal stuff.

</excerpt>

<color><param>6A2C,4A1A,13D9</param>I don't know anything about jam
bands other than the little bit of work I did for the Grateful Dead. 
I'm an old timer, so my favorite jam band would be John Coltrane and
friends, maybe Miles Davis.  But whenever there's a big audience like
that, strikes me that if you have the skills, which most of you do,
why not play for those folks?  

</color><excerpt>

<excerpt>What is left after stripping every other possible unique
factor away from his set is that he appears to be one of the only
successful guys doing it for large crowds...

</excerpt>

That is worth something.


I am a songwriter first an foremost.  I use my loop devices for both
accompaniment and improvisation.  I don't think everyone who uses
loops has to spend their life at the bleeding edge of looping
technology - it's okay for it to be a tool in service of their own
muse.


It's likely that my music isn't weird enough for some of you.  I can
live with that.  But I feel that I'm making good use of the tools.

<excerpt>

</excerpt></excerpt>

I'm losing the formatting so... Richard says:


<excerpt><excerpt><color><param>6A2A,48FB,1414</param>What counts is
the music, David!  I'm with you.  My criteria for music is, "How long
does it hold my attention?"  I don't care if it's recorded on
limestone and looped with WIll Rogers lasso.  If it keeps me there
then hallelujah!  If not, it's on to the next.  It's only music and
the rest is for the 'academics'.  So even though I've been doing music
for a very long time, I still see myself as a listener who happens to
play & record music.  For a living.  The tool thing can be a real trap
- that equipment makers LOVE... and in the world of studios it can be
a corn maze that you never get out of.    </color>

</excerpt></excerpt>

<excerpt><excerpt><color><param>6A2C,47DE,144E</param>Once you hear an
audience go wild and have folks come up to you afterward and tell you
how much meaning you've brought to their lives you know what it's all
about.  The rest is for pundits, professors and Consumer's Reports.

</color></excerpt></excerpt>

peace :)


Richard

 





<excerpt>






-- 


David Gans - david@trufun.com or david@gdhour.com

Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730

Blog:  http://logblog.gdhour.com

Web site: http://www.dgans.com


</excerpt>
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Date: Mon, 27 Nov 2006 15:45:37 -0800
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At 3:38 PM -0800 11/27/06, Richard Sales wrote:
>What counts is the music, David!  I'm with you.  My criteria for 
>music is, "How long does it hold my attention?"  I don't care if 
>it's recorded on limestone and looped with WIll Rogers lasso.  If it 
>keeps me there then hallelujah!  If not, it's on to the next.  It's 
>only music and the rest is for the 'academics'.  So even though I've 
>been doing music for a very long time, I still see myself as a 
>listener who happens to play & record music.  For a living.  The 
>tool thing can be a real trap - that equipment makers LOVE... and in 
>the world of studios it can be a corn maze that you never get out 
>of.   

>Once you hear an audience go wild and have folks come up to you 
>afterward and tell you how much meaning you've brought to their 
>lives you know what it's all about.  The rest is for pundits, 
>professors and Consumer's Reports.

Hear, hear!

I'm pretty satisfied with how my career is going.  I enjoy having 
audience members step up to look at my feet to figure out how I'm 
making four guitars happen at once and all that, but I don't care how 
good you are with the toys and the hot licks - it all begins with a 
good song.


Here's me and Joe Craven dong a loop jam:

http://grouper.com/video/MediaDetails.aspx?id=1608337


Here's me and John Skehan of Raiload Earth doing a loop jam:

http://dgans.com/audio/afterbird.mp3



Here's me using an RC-20 to accompany myself on a straightforward 
song ca;;ed "Ran Into God":

http://dgans.com/audio/RanIntoGod_061112.mp3


Here's me jamming electric with Donna the Buffalo:

http://dgans.com/audio/DTB-DG_061022.mp3





-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

--============_-1047451172==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Keller Williams / jam bands/
rc50</title></head><body>
<div>At 3:38 PM -0800 11/27/06, Richard Sales wrote:</div>
<blockquote type="cite" cite><font color="#6A4814">What counts is the
music, David!&nbsp; I'm with you.&nbsp; My criteria for music is,
&quot;How long does it hold my attention?&quot;&nbsp; I don't care if
it's recorded on limestone and looped with WIll Rogers lasso.&nbsp; If
it keeps me there then hallelujah!&nbsp; If not, it's on to the next.&nbsp;
It's only music and the rest is for the 'academics'.&nbsp; So even
though I've been doing music for a very long time, I still see myself
as a listener who happens to play &amp; record music.&nbsp; For a
living.&nbsp; The tool thing can be a real trap - that equipment
makers LOVE... and in the world of studios it can be a corn maze that
you never get out of.&nbsp;&nbsp;&nbsp;</font></blockquote>
<div><br></div>
<blockquote type="cite" cite><font color="#6A4714">Once you hear an
audience go wild and have folks come up to you afterward and tell you
how much meaning you've brought to their lives you know what it's all
about.&nbsp; The rest is for pundits, professors and Consumer's
Reports.</font></blockquote>
<div><br></div>
<div>Hear, hear!</div>
<div><br></div>
<div>I'm pretty satisfied with how my career is going.&nbsp; I enjoy
having audience members step up to look at my feet to figure out how
I'm making four guitars happen at once and all that, but I don't care
how good you are with the toys and the hot licks - it all begins with
a good song.</div>
<div><br></div>
<div><br></div>
<div>Here's me and Joe Craven dong a loop jam:</div>
<div><br></div>
<div>http://grouper.com/video/MediaDetails.aspx?id=1608337</div>
<div><br></div>
<div><br></div>
<div>Here's me and John Skehan of Raiload Earth doing a loop
jam:</div>
<div><br></div>
<div>http://dgans.com/audio/afterbird.mp3</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>Here's me using an RC-20 to accompany myself on a straightforward
song ca;;ed &quot;Ran Into God&quot;:</div>
<div><br></div>
<div>http://dgans.com/audio/RanIntoGod_061112.mp3</div>
<div><br></div>
<div><br></div>
<div>Here's me jamming electric with Donna the Buffalo:</div>
<div><br></div>
<div>http://dgans.com/audio/DTB-DG_061022.mp3</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://logblog.gdhour.com<br>
Web site: http://www.dgans.com<br>
</div>
</body>
</html>
--============_-1047451172==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 00:48:35 2006
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Subject: Re: Keller Williams / jam bands/ rc50
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I'm amazed someone else knows who Donna the Buffalo is .... good job.  
Zydeco needs to happen more often.  They hail from near my hometown ... so I 
grew up watching them make it.

Also ... I think there is good value in skill for the sake of skill, and 
style for he sake of style ... whatever balance we each can find is good 
with me.  And some of those jam bands are damn good ..phish of course ... 
but string cheese incident is another one worth checking out .. they do a 
lot of classical and jazz covers ... not to mention a lot of bluegrass 
(which I friggin love).

Keller does a nice looped version of take five .... wish I could find a link 
for that.

But .. yeah ... he's cheesy as hell, no doubt about that.  Don't know about 
the "any multi-instrumentalist in the world could do that ..." comment, but 
hey.

sorry you couldn't get more people bent out of shape .. guess were all just 
to easy going (damn musicians).

Peace, love and hippies ..... hahaha
Aaron






>From: David Gans <david@trufun.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Keller Williams / jam bands/ rc50
>Date: Mon, 27 Nov 2006 15:45:37 -0800
>
>At 3:38 PM -0800 11/27/06, Richard Sales wrote:
>>What counts is the music, David!  I'm with you.  My criteria for music is, 
>>"How long does it hold my attention?"  I don't care if it's recorded on 
>>limestone and looped with WIll Rogers lasso.  If it keeps me there then 
>>hallelujah!  If not, it's on to the next.  It's only music and the rest is 
>>for the 'academics'.  So even though I've been doing music for a very long 
>>time, I still see myself as a listener who happens to play & record music. 
>>  For a living.  The tool thing can be a real trap - that equipment makers 
>>LOVE... and in the world of studios it can be a corn maze that you never 
>>get out of.
>
>>Once you hear an audience go wild and have folks come up to you afterward 
>>and tell you how much meaning you've brought to their lives you know what 
>>it's all about.  The rest is for pundits, professors and Consumer's 
>>Reports.
>
>Hear, hear!
>
>I'm pretty satisfied with how my career is going.  I enjoy having audience 
>members step up to look at my feet to figure out how I'm making four 
>guitars happen at once and all that, but I don't care how good you are with 
>the toys and the hot licks - it all begins with a good song.
>
>
>Here's me and Joe Craven dong a loop jam:
>
>http://grouper.com/video/MediaDetails.aspx?id=1608337
>
>
>Here's me and John Skehan of Raiload Earth doing a loop jam:
>
>http://dgans.com/audio/afterbird.mp3
>
>
>
>Here's me using an RC-20 to accompany myself on a straightforward song 
>ca;;ed "Ran Into God":
>
>http://dgans.com/audio/RanIntoGod_061112.mp3
>
>
>Here's me jamming electric with Donna the Buffalo:
>
>http://dgans.com/audio/DTB-DG_061022.mp3
>
>
>
>
>
>--
>
>David Gans - david@trufun.com or david@gdhour.com
>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>Blog:  http://logblog.gdhour.com
>Web site: http://www.dgans.com

_________________________________________________________________
Get the latest Windows Live Messenger 8.1 Beta version. Join now. 
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 14:36:10 2006
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>>>Well... I found Keller interesting because he draws a decent crowd.
What's about this jam band thing?  Is HE a jam band?  Do any of you
besides David (Gans) pursue this avenue? Seems like fertile ground for
loopers.



Ha ha- that was the first thing I thought- If nothing else, Keller makes a
damn good living at doing something most of us only *spend* money on.  ; )

I love jam bands, and my approach to looping is equally influenced by bands
like Phish & the Disco Biscuits, electronic music (specifically Aphex
Twin), and hip hop.

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>>>Anyway ... your right, the jam band scene has taken to looping pretty
heavily now.  There are a number of jam bands that use loop pedals.



All the ones I see tend to use them in a more 'Trey-ish' asynchronous way
though- just sort of background swirling textures to jams, which is cool.
I'm interested in more song like use of looping personally, but I do love
an off beat Ghost intro loop.....

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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 14:55:42 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Keller Williams / jam bands/ rc50
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Good stuff David.  Esp like the mandolin and guitar piece.

I know a very good cello (and bass) player in the Marin (Fairfax) area=20=

who's a good jammer & player in general.  Name's Ken.  He's very good. =20=

(You might know him already... Ken and Theressa?!)  I'll see if I can=20
find his email address and forward it to you if you're interested.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 27-Nov-06, at 3:45 PM, David Gans wrote:

> At 3:38 PM -0800 11/27/06, Richard Sales wrote:
>> What counts is the music, David!=A0 I'm with you.=A0 My criteria for=20=

>> music is, "How long does it hold my attention?"=A0 I don't care if =
it's=20
>> recorded on limestone and looped with WIll Rogers lasso.=A0 If it =
keeps=20
>> me there then hallelujah!=A0 If not, it's on to the next.=A0 It's =
only=20
>> music and the rest is for the 'academics'.=A0 So even though I've =
been=20
>> doing music for a very long time, I still see myself as a listener=20
>> who happens to play & record music.=A0 For a living.=A0 The tool =
thing=20
>> can be a real trap - that equipment makers LOVE... and in the world=20=

>> of studios it can be a corn maze that you never get out of.=A0=A0=A0
>> Once you hear an audience go wild and have folks come up to you=20
>> afterward and tell you how much meaning you've brought to their lives=20=

>> you know what it's all about.=A0 The rest is for pundits, professors=20=

>> and Consumer's Reports.
> Hear, hear!
>
> I'm pretty satisfied with how my career is going.=A0 I enjoy having=20
> audience members step up to look at my feet to figure out how I'm=20
> making four guitars happen at once and all that, but I don't care how=20=

> good you are with the toys and the hot licks - it all begins with a=20
> good song.
>
>
> Here's me and Joe Craven dong a loop jam:
>
> http://grouper.com/video/MediaDetails.aspx?id=3D1608337
>
>
> Here's me and John Skehan of Raiload Earth doing a loop jam:
>
> http://dgans.com/audio/afterbird.mp3
>
>
>
> Here's me using an RC-20 to accompany myself on a straightforward song=20=

> ca;;ed "Ran Into God":
>
> http://dgans.com/audio/RanIntoGod_061112.mp3
>
>
> Here's me jamming electric with Donna the Buffalo:
>
> http://dgans.com/audio/DTB-DG_061022.mp3
>
>
>
>
>
> --=20
>
>
>
>  David Gans - david@trufun.com or david@gdhour.com
>  Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>  Blog:=A0 http://logblog.gdhour.com
>  Web site: http://www.dgans.com

--Apple-Mail-2--412546016
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Good stuff David.  Esp like the mandolin and guitar piece.=20


I know a very good cello (and bass) player in the Marin (Fairfax) area
who's a good jammer & player in general.  Name's Ken.  He's very good.=20=

(You might know him already... Ken and Theressa?!)  I'll see if I can
find his email address and forward it to you if you're interested.

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 27-Nov-06, at 3:45 PM, David Gans wrote:


<excerpt>At 3:38 PM -0800 11/27/06, Richard Sales wrote:

<excerpt><color><param>6A6A,4848,1414</param>What counts is the music,
David!=A0 I'm with you.=A0 My criteria for music is, "How long does it
hold my attention?"=A0 I don't care if it's recorded on limestone and
looped with WIll Rogers lasso.=A0 If it keeps me there then hallelujah!=A0=

If not, it's on to the next.=A0 It's only music and the rest is for the
'academics'.=A0 So even though I've been doing music for a very long
time, I still see myself as a listener who happens to play & record
music.=A0 For a living.=A0 The tool thing can be a real trap - that
equipment makers LOVE... and in the world of studios it can be a corn
maze that you never get out of.=A0=A0=A0</color>

<color><param>6A6A,4747,1414</param>Once you hear an audience go wild
and have folks come up to you afterward and tell you how much meaning
you've brought to their lives you know what it's all about.=A0 The rest
is for pundits, professors and Consumer's Reports.</color>

</excerpt>Hear, hear!


I'm pretty satisfied with how my career is going.=A0 I enjoy having
audience members step up to look at my feet to figure out how I'm
making four guitars happen at once and all that, but I don't care how
good you are with the toys and the hot licks - it all begins with a
good song.



Here's me and Joe Craven dong a loop jam:


http://grouper.com/video/MediaDetails.aspx?id=3D1608337



Here's me and John Skehan of Raiload Earth doing a loop jam:


http://dgans.com/audio/afterbird.mp3




Here's me using an RC-20 to accompany myself on a straightforward song
ca;;ed "Ran Into God":


http://dgans.com/audio/RanIntoGod_061112.mp3



Here's me jamming electric with Donna the Buffalo:


http://dgans.com/audio/DTB-DG_061022.mp3






<fixed>--=20

</fixed>



 David Gans - david@trufun.com or david@gdhour.com

 Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730

 Blog:=A0 http://logblog.gdhour.com

 Web site: http://www.dgans.com

</excerpt>=

--Apple-Mail-2--412546016--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:18:09 2006
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Sending for the 2nd time - I was bounced earlier - fingers crossed.

Add a vid to my website of a gig with Canadian duo Outward Sound 
Ensemble at a church in Leeds. You won't hear much guitar, since I'm 
adding atmospherics and Chris Meloche is playing one of my standbys 
through means of a circular saw blade a and a mallet ;)

http://www.nickrobinson.info/music/audio.htm

There's also a track from a forthcoming collaborative project with 
Bernhard Wagner - I'd like to have this released in "hard" format - 
sleeve etc, if anyone has any bright ideas about possible 
distributors, let me know!


All the best,

Nick Robinson

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:37:26 2006
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Date: Tue, 28 Nov 2006 08:23:57 -0800
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At 6:55 AM -0800 11/28/06, Richard Sales wrote:
>Good stuff David.  Esp like the mandolin and guitar piece.

Thanks.  John Skehan has the big ears, and we did several really 
satisfying loop improvs together that night.



>I know a very good cello (and bass) player in the Marin (Fairfax) 
>area who's a good jammer & player in general.  Name's Ken.  He's 
>very good.  (You might know him already... Ken and Theressa?!)  I'll 
>see if I can find his email address and forward it to you if you're 
>interested.

Please do!


I find it pretty hard to use loops in a band context.  It is fun to 
use the RC-20 once in a while to play a line and then harmonize with 
it, but it'll only go for a few bars.  Music made by several humans 
at once tends not to stay locked in tight to the loop.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

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Date: Tue, 28 Nov 2006 10:47:12 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: my last music
To: Loopers-Delight@loopers-delight.com
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Really really nice.  I hope by "last music" you mean
the last music you made, not the last music you'll
ever make.

Mark

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
> 
> Please listen to my last music. I play most
> instruments, but not the drums.
> Remi fagereng play the drums.
>  
> http://www.runefagereng.com/remember.mp3
> 
> best regards 
> 
> Rune Fagereng, Norway 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 
> 	
> 	
> 		
>
_________________________________________________________
> Alt i én. Få Yahoo! Mail med adressekartotek,
> kalender og
> notisblokk. http://no.mail.yahoo.com
> 
> 



 
____________________________________________________________________________________
Do you Yahoo!?
Everyone is raving about the all-new Yahoo! Mail beta.
http://new.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 19:41:52 2006
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Message-ID: <20061128194150.38475.qmail@web81304.mail.mud.yahoo.com>
Date: Tue, 28 Nov 2006 11:41:50 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: FS: Elextrix Repeater
To: Loopers-Delight@loopers-delight.com
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Have at it kids:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=190057032942

Mark


 
____________________________________________________________________________________
Want to start your own business?
Learn how on Yahoo! Small Business.
http://smallbusiness.yahoo.com/r-index

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 20:34:23 2006
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Date: Tue, 28 Nov 2006 20:32:38 GMT
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Subject: Digitech Jamman as Analog/digital converter?
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i was wondering if anyone has figured out if it is possible to use the d=
igitech
jamman as an analog to digital converter, recording straight to the comp=
uter through the =

jamman. it seems like it should be possible, but i can't find any info o=
n the subject. =

can anyone help?
thanks,
-Ryan


________________________________________________________________________=

Try Juno Platinum for Free! Then, only $9.95/month!
Unlimited Internet Access with 1GB of Email Storage.
Visit http://www.juno.com/value to sign up today!


From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 20:44:12 2006
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In-Reply-To: <20061128.123320.3967.1556068@webmail05.lax.untd.com>
Subject: RE: Digitech Jamman as Analog/digital converter?
Date: Tue, 28 Nov 2006 12:43:50 -0800
Organization: On-The-Mark Systems, Inc.
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The JamMan does its own thing, only connecting to the PC as an external disk
drive.  There is no facility that I know of for controlling the JamMan from
the PC, or vice-versa (hence no streaming).

Steve Mark
LooperToolsT
www.LooperTools.com 

> -----Original Message-----
> From: ryang@juno.com [mailto:ryang@juno.com]
> Sent: Tuesday, November 28, 2006 12:33 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Digitech Jamman as Analog/digital converter?
> 
> i was wondering if anyone has figured out if it is possible to use the
> digitech
> jamman as an analog to digital converter, recording straight to the
> computer through the
> jamman. it seems like it should be possible, but i can't find any info
> on the subject.
> can anyone help?
> thanks,
> -Ryan
> 
> 
> _______________________________________________________________________
> _
> Try Juno Platinum for Free! Then, only $9.95/month!
> Unlimited Internet Access with 1GB of Email Storage.
> Visit http://www.juno.com/value to sign up today!
> 



From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 20:47:50 2006
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Subject: RE: Elextrix Repeater
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WOW!!   It's the end of an era!!

dm
www.fixedfocus.org



-----Original Message-----
From: mark sottilaro
Subject: FS: Elextrix Repeater


Have at it kids:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=190057032942

Mark

From mrsmchuck6@adinet.com.uy  Tue Nov 28 21:06:09 2006
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From: MRS MARGARET CHUCK <mrsmchuck6@adinet.com.uy>
Reply-To: margaret000chuck@yahoo.it
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To: undisclosed-recipients:;

The National Lottery
PO Box 1290,129012901290
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Ref: XYC/26500460037/08
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From balanceconsult@balanceconsult.com  Wed Nov 29 01:43:37 2006
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To: looparc@loopers-delight.com
Subject: Attn:LUCKY WINNER DO CONTACT US FOR YOUR CLAIMS /Ref No.: PBL/CN/6654/CP!!!!
From: POWERBALL-WHEEL E-GAME 2006 <powerballaward@powerballgames.co.uk>
Reply-To: powerball_claims208@yahoo.co.uk
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X-MailScanner-From: balanceconsult@balanceconsult.com

      

                                      POWERBALL LOTTO. UK
                               POWERBALL-WHEEL E-GAME 2006 
 
 
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(Lottery Coordinator)




From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 06:19:24 2006
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Subject: Re: Keller Williams / jam bands/ rc50
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> From: "Krispen Hartung" <khartung@cableone.net>
> Even Keller's set is not that inspiring from a creativity standpoint. The
final music output is entirely unoriginal...the chops are standard (except
the vocals and therimin playing, which have much to be desired), and the
looping technique is fundamental. That's his bag I guess, but I'd wager that
any of the competant multi-instrumentalists out there (thousands) could pull
a similar set off with little effort, after learning the basic functions of
the looping device. What is left after stripping every other possible unique
factor away from his set is that he appears to be one of the only successful
guys doing it for large crowds...this says nothing of the music, by the way,
just marketing, time, and energy to create a niche. I'm sure it works for
him...I'd comittt suicide if my musical career came down to that.   I hope
this gets someone bent out of shape...I like bending people out of shape!
:)

I guess I'll bite for a short moment. . .

So yeah, maybe thousands could pull it off, but what would be the point?  It
would be insincere, and most audiences can smell that a mile away-so while
it might sound similar: competently played, no offensive mistakes, even some
fake passion-there would probably still be something missing.

When music is distilled down to it's mechanical nuts-and-bolts, it's easy to
think you might be able to quantify and decode an event-I find it hard to
believe that maybe you've never witnessed a magical moment where "simple"
music, played by an "ordinary" player, (maybe even with a few clams thrown
in) moved an entire roomful of people.  For a creative guy, you're sounding
somewhat intolerant.

I'd just like to suggest that intent and context might be important aspects
of a performance and those admiring audients appreciate something the
performer provides; to quantify them as stoned simpletons only highlights
your own prejudice.

Oh ja . . . there's my boring 2 cents.


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 09:04:25 2006
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Subject: Re: Keller Williams / jam bands/ rc50
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Thank you Miko
I agree 200 %
Krispen
Keller W. is not here for the hugest plug in farm, the most creative 7/8
meter. he is not a shooe or gear gazer,  he looks at people and in the eyes
and brings them pleasure.
he may be much more creative in his own style than you are in yours but
without reevaluating your ego you may never know

Claude




>> From: "Krispen Hartung" <khartung@cableone.net>
>> Even Keller's set is not that inspiring from a creativity standpoint. The
> final music output is entirely unoriginal...the chops are standard (except
> the vocals and therimin playing, which have much to be desired), and the
> looping technique is fundamental. That's his bag I guess, but I'd wager
> that
> any of the competant multi-instrumentalists out there (thousands) could
> pull
> a similar set off with little effort, after learning the basic functions
> of
> the looping device. What is left after stripping every other possible
> unique
> factor away from his set is that he appears to be one of the only
> successful
> guys doing it for large crowds...this says nothing of the music, by the
> way,
> just marketing, time, and energy to create a niche. I'm sure it works for
> him...I'd comittt suicide if my musical career came down to that.   I hope
> this gets someone bent out of shape...I like bending people out of shape!
> :)
>
> I guess I'll bite for a short moment. . .
>
> So yeah, maybe thousands could pull it off, but what would be the point?
> It
> would be insincere, and most audiences can smell that a mile away-so while
> it might sound similar: competently played, no offensive mistakes, even
> some
> fake passion-there would probably still be something missing.
>
> When music is distilled down to it's mechanical nuts-and-bolts, it's easy
> to
> think you might be able to quantify and decode an event-I find it hard to
> believe that maybe you've never witnessed a magical moment where "simple"
> music, played by an "ordinary" player, (maybe even with a few clams thrown
> in) moved an entire roomful of people.  For a creative guy, you're
> sounding
> somewhat intolerant.
>
> I'd just like to suggest that intent and context might be important
> aspects
> of a performance and those admiring audients appreciate something the
> performer provides; to quantify them as stoned simpletons only highlights
> your own prejudice.
>
> Oh ja . . . there's my boring 2 cents.
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 15:00:51 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
References: <388752.29957.qm@web26208.mail.ukl.yahoo.com> <34FAC699-C485-4E9A-A237-895CC20701FF@gmail.com>
Subject: Re: EWI looping clip posted
Date: Wed, 29 Nov 2006 16:00:43 +0100
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Very expressive !
I like it very much, Per. Ewi sound is very interesting !.
fabio 


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2006 10:55 PM
Subject: EWI looping clip posted


> http://www.looproom.com/audio/ewi_jam_nov2006.mp3
> If anyone should be interested...
> 
> Musically:
> Just jamming with myself into a long loop. No defined tempo, key or  
> chord structure. Only goofing around, reacting to sound and gestures,  
> layering whatever comes into my mind.
> 
> Technically:
> Using the EWI4000s to play samples lifted off the tape loops of the  
> original mellotrones MK2 and M300. Oh, there's one exception, the  
> trumpet sound which I picked from the Logic default sample library  
> (and tweaked a lot). The sound unit you hear is my Powerbook laptop  
> recorded straight from the stereo output. On the powerbook I used  
> Logic and its sampler EXS24, which by the way is an excellent sampler  
> for EWI playing because it lets you custom the sound patches to  
> react, soundwise, to all MIDI data sent out from the EWI when you are  
> playing it. I reworked all the mellotrone sample patches - and the  
> trumpet patch - to fit my personal playing style, which I guess is  
> something you have to do to feel ok with playing an EWI. The looper  
> used was Expert Sleepers AU plug-in Augustus Loop. The ticking sound  
> noise you hear (that sounds a bit like a damaged vinyl disk) is  
> caused by a the Pluggo plug-in "SpeedShifter" (Cycling74). I love the  
> undertones SpeedShifter can add so I can live with those artifacts.
> 
> Because I can't find any other sampler, than the EXS24, to match the  
> sensitivity of the EWI I have been using the G4 Powerbook a lot for  
> some days now and I must say I'm amazed how efficient it is with  
> Logic and the Cycling74 plug-ins! When I bought Pluggo  I was mainly  
> using them on a dual G5 and had a lot of issues. The good guys at  
> Cyclinig74 tried to help me out but they had a hard time since they  
> didn't even have a G5 machine to troubleshoot their software on. So  
> for some years I have been living with the false assumption that  
> Cycling74 software is unstable and risky to use. But in fact  
> Cycling74 stuff rocks on a G4 powerbook that should be "a slow  
> laptop" compared to the new machines (so does Logic).
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 15:22:42 2006
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Subject: OT: Keller Williams / jam bands/ rc50
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Okay, I admit this is getting a bit off topic now....

----- Original Message ----- 
From: "Miko Biffle" <biffoz@arczip.com>
>
> So yeah, maybe thousands could pull it off, but what would be the point? 
> It
> would be insincere, and most audiences can smell that a mile away-so while

Do you think this is a true statement? Hmmmm.  I guess I'm skeptical. Given 
how well marketing, even the most blatant and superficial, works with the 
masses, I've always been inclined to think that the "herd" falls for just 
about anything if it is pitched right. How many pop stars can you think of 
that are completely contrived in their show and act, but the crowd just eats 
them up. The herd loves in insincere. Since when was honesty in the 
entertainment business a plus for the hoi polloi? This is why people 
looooove Vegas so much...it's pure cheese and superficially. Now maybe 
Keller has a unique following of special people who managed to weed out the 
herd instinct, but  that would be surprising. I would take the newer dead or 
phish head scene (even with the neo-hippie punks who drive to concerns in 
their parents BMWs, but haven't showered for weeks and are wearing dirty, 
filthy dreds) as an example of a crowd that flocks to the contrived, but 
that would be a thread on its own. :)  Again, this does not reflect 
negatively on Keller. I think he knows what he is doing. All people with a 
good business mind and an understanding of the mass mentality do know what 
they are doing.  The herd is a massive potential of untapped financial 
potential. And if I was comfortable with playing mediocre music and dancing 
around like a white-boy clown, I'd be doing the same thing!  Heh 
heh....sorry, I haven't had my coffee and I'm sleep deprived from staying up 
with a sick kids...

> it might sound similar: competently played, no offensive mistakes, even 
> some
> fake passion-there would probably still be something missing.

Fake passion, real passion, purple passion, purple people eater 
passion....the entertainment industry could care less. Like I said, 
sometimes playing the "I'm sincere" card backfires, because people flock to 
insincerity. It adds touch of mystery and inaccessibility to the artist that 
keeps fans guessing and hoping.  Good entertainers are often good actors as 
well, so it is difficult to tell whether what they are doing is a real 
reflection of their selves and personal life story.

> When music is distilled down to it's mechanical nuts-and-bolts, it's easy 
> to
> think you might be able to quantify and decode an event-I find it hard to
> believe that maybe you've never witnessed a magical moment where "simple"
> music, played by an "ordinary" player, (maybe even with a few clams thrown
> in) moved an entire roomful of people.  For a creative guy, you're 
> sounding
> somewhat intolerant.

It's not intolerance...it's sincerity. Couldn't you tell that I was playing 
a role of the devil's advocate? Partly, and partly not...that's for you to 
figure out, I guess...but you sort of validate my point above. With little 
effort on this list, I "could" write response after response and no one will 
ever know whether I actually believe what I'm writing or not...this can be 
the case for anyone, and even music performance....looping or not.  I can 
take on any persona I choose, and in the end only my closest friends and 
musical colleagues understand my motives and thinking processes.  But, 
seriously, yes, I have experienced many magical moments from utterly simple 
pieces of performances.  I don't see your point, though. I was intentionally 
marginalizing his performance with the observation that what he does is not 
particular difficult to do or that original and creative, and magical 
moments don't negate that fact.  But it does stand true that he is 
successful at what he is doing. I'm just not going to put him on another 
type of pedestal when his act doesn't warrant it. From entertainment value, 
yes, he's a winner...from a creative music, artistic value...he's lost the 
race, in my opinion.  I wasn't at Keller's concert, the one in the video), 
but it certainly doesn't sound like one that would give me any of those 
magical moments (it's all subjective). But I admit, it is hard to tell what 
can happen at a live event. One can't always control his/her own emotions. 
Who knows, maybe I could become a Keller fan! I could learn to love Vegas 
afterall.

>
> I'd just like to suggest that intent and context might be important 
> aspects
> of a performance and those admiring audients appreciate something the
> performer provides; to quantify them as stoned simpletons only highlights
> your own prejudice.

> Oh ja . . . there's my boring 2 cents.

Well, it's more than 2 cents. I've managed to write all this criticism of a 
performer, fully admitting it is my own perspective, without personal 
attack - suggesting someone is intolerant or prejudice. That is one skill in 
the art of debate, being able to argue a point without committing the 
fallacy of Argumentum ad Hominem. We are exchanging ideas here (true or not, 
probable or improbable), which is a 2000 year old tradition that has proven 
success without personal attack. The beauty of respective discourse is the 
ability to stay at the level of ideas, and not involve the character or 
alleged character of the person, which has no bearing on the facts.  No 
respect take, however. I'm used to it given my academic background.

....now back to looping.

K- 


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Subject: Re: Keller Williams / jam bands/ rc50
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----- Original Message ----- 
From: "CV" <c.voit@vtx.ch>
>
> Thank you Miko
> I agree 200 %
> Krispen
> Keller W. is not here for the hugest plug in farm, the most creative 7/8
> meter. he is not a shooe or gear gazer,  he looks at people and in the 
> eyes
> and brings them pleasure.
> he may be much more creative in his own style than you are in yours but
> without reevaluating your ego you may never know
>
> Claude

You guys are so hypersensitive! Good grief.  I agree with your points, 
partly because I think they are obvious and don't require debate. I'm not 
going to debate that any popular rock/pop artist isn't successful based on 
one set of criteria. I'm  not fucking stupid, but what I don't see here is 
folks continuously affirming the obvious rather than trying to understand 
that there is another story to be told, from a different set of criteria. 
>From the outset of my first comments on Keller, I stated things that affirm 
everything you and Mike say above. Yet, not once am I hearing anyone 
compromise and admit that there is another perspective. What I see, instead, 
is Argumentum ad Hominems in place of compromise (and I think any sort of 
direct personal attacks in this sort of forum are disgusting and uncalled 
for).  So, I'll fully state again for the record: Keller is successful at 
what he does and given his audience. BUT, what he's doing, historically, is 
not that creative or inspiring to me artistically or from a looping 
perspective (the topic of this discussion forum).  If folks have a problem 
admitting that there are two sides to the story, then I'd  question who 
really is intolerant, prejudice, or not evaluating their egos.  I'm not 
seeing a lot of acceptance of multiple ideas here, but  continuous focus on 
a single perspective. I'd make my point and admitted both sides.

K- 


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 15:46:34 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: my last music
Date: Wed, 29 Nov 2006 16:46:27 +0100
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On 24 nov 2006, at 15.31, rune fagereng wrote:

> Please listen to my last music. I play most
> instruments, but not the drums.
> Remi fagereng play the drums.
>
> http://www.runefagereng.com/remember.mp3


Hi Rune,

That music sounds good! Nice with drums! Thanks for posting a clip ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Subject: Re: OT: Keller Williams / jam bands/ rc50
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The mainstream pop audience looks at experimental music and says "The
emperor has no clothes...my five year old could do this, this stuff is
crap".  Imagine trying to explain that, say,  Derek Bailey is one of the
most important musicians of the last fifty years to someone just by playing
one of his albums, without the twenty pounds of glowing "Wire" mentions he
accumulated every year.  That's marketing too.

The avant garde audience looks at the mainstream pop success (or even cult
favorite Keller Williams) and says "The emperor has no clothes...anyone
could do this, this stuff is crap".

Both sides are missing out on something valuable from the other side of the
fence.

But to me, if I look at a cooking Keller Williams show, I see a performer
and an audience who are experiencing a joy at the event which greatly
exceeds the joy factor of any Derek Bailey show I could imagine.  If the
combination of "joy" and "music" are important to you in assessing musical
events, then KW wins out.  If there's something more important than "joy",
then he may not rate so highly.

For me, there is no "wrong sort" of joy generated by a musical
experience--the purpose of the musical event is to use whatever tricks and
techniques the performer has available to transport him or her and as much
of the audience as possible into a glimpse of the divine.  That is my
standard for a successful musical performance--not whether I played anything
new or challenging (while not excluding those possibilities either).

TravisH

On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:
>
> Okay, I admit this is getting a bit off topic now....
>
> ----- Original Message -----
> From: "Miko Biffle" <biffoz@arczip.com>
> >
> > So yeah, maybe thousands could pull it off, but what would be the point?
> > It
> > would be insincere, and most audiences can smell that a mile away-so
> while
>
> Do you think this is a true statement? Hmmmm.  I guess I'm skeptical.
> Given
> how well marketing, even the most blatant and superficial, works with the
> masses, I've always been inclined to think that the "herd" falls for just
> about anything if it is pitched right. How many pop stars can you think of
> that are completely contrived in their show and act, but the crowd just
> eats
> them up. The herd loves in insincere. Since when was honesty in the
> entertainment business a plus for the hoi polloi? This is why people
> looooove Vegas so much...it's pure cheese and superficially. Now maybe
> Keller has a unique following of special people who managed to weed out
> the
> herd instinct, but  that would be surprising. I would take the newer dead
> or
> phish head scene (even with the neo-hippie punks who drive to concerns in
> their parents BMWs, but haven't showered for weeks and are wearing dirty,
> filthy dreds) as an example of a crowd that flocks to the contrived, but
> that would be a thread on its own. :)  Again, this does not reflect
> negatively on Keller. I think he knows what he is doing. All people with a
> good business mind and an understanding of the mass mentality do know what
> they are doing.  The herd is a massive potential of untapped financial
> potential. And if I was comfortable with playing mediocre music and
> dancing
> around like a white-boy clown, I'd be doing the same thing!  Heh
> heh....sorry, I haven't had my coffee and I'm sleep deprived from staying
> up
> with a sick kids...
>
>

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The mainstream pop audience looks at experimental music and says &quot;The emperor has no clothes...my five year old could do this, this stuff is crap&quot;.&nbsp; Imagine trying to explain that, say,&nbsp; Derek Bailey is one of the most important musicians of the last fifty years to someone just by playing one of his albums, without the twenty pounds of glowing &quot;Wire&quot; mentions he accumulated every year.&nbsp; That's marketing too.
<br><br>The avant garde audience looks at the mainstream pop success (or even cult favorite Keller Williams) and says &quot;The emperor has no clothes...anyone could do this, this stuff is crap&quot;.&nbsp; <br><br>Both sides are missing out on something valuable from the other side of the fence.
<br><br>But to me, if I look at a cooking Keller Williams show, I see a performer and an audience who are experiencing a joy at the event which greatly exceeds the joy factor of any Derek Bailey show I could imagine.&nbsp; If the combination of &quot;joy&quot; and &quot;music&quot; are important to you in assessing musical events, then KW wins out.&nbsp; If there's something more important than &quot;joy&quot;, then he may not rate so highly.
<br><br>For me, there is no &quot;wrong sort&quot; of joy generated by a musical experience--the purpose of the musical event is to use whatever tricks and techniques the performer has available to transport him or her and as much of the audience as possible into a glimpse of the divine.&nbsp; That is my standard for a successful musical performance--not whether I played anything new or challenging (while not excluding those possibilities either).
<br><br>TravisH<br><br><div><span class="gmail_quote">On 11/29/06, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Okay, I admit this is getting a bit off topic now....<br><br>----- Original Message -----<br>From: &quot;Miko Biffle&quot; &lt;<a href="mailto:biffoz@arczip.com">biffoz@arczip.com</a>&gt;<br>&gt;<br>&gt; So yeah, maybe thousands could pull it off, but what would be the point?
<br>&gt; It<br>&gt; would be insincere, and most audiences can smell that a mile away-so while<br><br>Do you think this is a true statement? Hmmmm.&nbsp;&nbsp;I guess I'm skeptical. Given<br>how well marketing, even the most blatant and superficial, works with the
<br>masses, I've always been inclined to think that the &quot;herd&quot; falls for just<br>about anything if it is pitched right. How many pop stars can you think of<br>that are completely contrived in their show and act, but the crowd just eats
<br>them up. The herd loves in insincere. Since when was honesty in the<br>entertainment business a plus for the hoi polloi? This is why people<br>looooove Vegas so much...it's pure cheese and superficially. Now maybe<br>
Keller has a unique following of special people who managed to weed out the<br>herd instinct, but&nbsp;&nbsp;that would be surprising. I would take the newer dead or<br>phish head scene (even with the neo-hippie punks who drive to concerns in
<br>their parents BMWs, but haven't showered for weeks and are wearing dirty,<br>filthy dreds) as an example of a crowd that flocks to the contrived, but<br>that would be a thread on its own. :)&nbsp;&nbsp;Again, this does not reflect
<br>negatively on Keller. I think he knows what he is doing. All people with a<br>good business mind and an understanding of the mass mentality do know what<br>they are doing.&nbsp;&nbsp;The herd is a massive potential of untapped financial
<br>potential. And if I was comfortable with playing mediocre music and dancing<br>around like a white-boy clown, I'd be doing the same thing!&nbsp;&nbsp;Heh<br>heh....sorry, I haven't had my coffee and I'm sleep deprived from staying up
<br>with a sick kids...<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 15:51:29 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: my last music
Date: Wed, 29 Nov 2006 07:51:16 -0800
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yeah Rune... I liked it too!  Nice tone, melodies etc.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 29-Nov-06, at 7:46 AM, Per Boysen wrote:

> On 24 nov 2006, at 15.31, rune fagereng wrote:
>
>> Please listen to my last music. I play most
>> instruments, but not the drums.
>> Remi fagereng play the drums.
>>
>> http://www.runefagereng.com/remember.mp3
>
>
> Hi Rune,
>
> That music sounds good! Nice with drums! Thanks for posting a clip ;-))
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>

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yeah Rune... I liked it too!  Nice tone, melodies etc. 

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 29-Nov-06, at 7:46 AM, Per Boysen wrote:


<excerpt>On 24 nov 2006, at 15.31, rune fagereng wrote:


<excerpt>Please listen to my last music. I play most

instruments, but not the drums.

Remi fagereng play the drums.


http://www.runefagereng.com/remember.mp3

</excerpt>


Hi Rune,


That music sounds good! Nice with drums! Thanks for posting a clip ;-))


Greetings from Sweden


Per Boysen

www.boysen.se (Swedish)

www.looproom.com (international)

http://tinyurl.com/fauvm (podcast)

http://www.myspace.com/looproom



</excerpt>
--Apple-Mail-1--322800297--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:10:43 2006
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>>he may be much more creative in his own style than you are in yours but
>>without reevaluating your ego you may never know
>>
>>Claude
>
>You guys are so hypersensitive! Good grief. -Kris

Kris also said:-

>   I hope this gets someone bent out of shape...I like bending 
> people out of shape!  :)

Aw, c'mon Kris, I'm sure Claude had a twinkle in his eye when he said that.
..and I rather opine that you asked for it.


andy

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Hey Rune,

I like it...very moody.  Nice job!


Brittany Frompovich
www.ladybassmusic.com
myspace.com/ladybassmusic


>
>On 24 nov 2006, at 15.31, rune fagereng wrote:
>
>>Please listen to my last music. I play most
>>instruments, but not the drums.
>>Remi fagereng play the drums.
>>
>>http://www.runefagereng.com/remember.mp3
>
>
>Hi Rune,
>
>That music sounds good! Nice with drums! Thanks for posting a clip ;-))
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:19:30 2006
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Yeah, great guitar sound!  What were you playing through?

--Josh

Brittany Frompovich wrote:
>
> Hey Rune,
>
> I like it...very moody.  Nice job!
>
>
> Brittany Frompovich
> www.ladybassmusic.com
> myspace.com/ladybassmusic
>
>
>>
>> On 24 nov 2006, at 15.31, rune fagereng wrote:
>>
>>> Please listen to my last music. I play most
>>> instruments, but not the drums.
>>> Remi fagereng play the drums.
>>>
>>> http://www.runefagereng.com/remember.mp3
>>
>>
>> Hi Rune,
>>
>> That music sounds good! Nice with drums! Thanks for posting a clip ;-))
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>
>>
>>
>
> _________________________________________________________________
> All-in-one security and maintenance for your PC.  Get a free 90-day 
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:28:12 2006
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 Hi,=0D
 About a year ago someone posted links to tracks with Project Management
Training voice tracks layers within. Does anyone recall who posted these
track or where I can find them?=0D
 =0D
I think it was someone from Europe. =0D
 =0D
TX,=0D
Sony=0D
=20
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<DIV>&nbsp;Hi,</DIV>
<DIV>&nbsp;About a year ago someone posted links to&nbsp;tracks with Proj=
ect Management Training voice tracks layers within. Does anyone recall wh=
o posted these track or where I can find them?</DIV>
<DIV>&nbsp;</DIV>
<DIV>I think it was someone from Europe. </DIV>
<DIV>&nbsp;</DIV>
<DIV>TX,</DIV>
<DIV>Sony</DIV>
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--------------Boundary-00=_M33IQL80000000000000--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:34:12 2006
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Date: Wed, 29 Nov 2006 17:34:09 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: re last music- nice that someone listens-
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <456DB2F7.1000507@infinivert.com>
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Hi and thanks !

I am playing with;  strat, rat dist, tc. 2290 digital
delay, mesa. I have a repeater in the mesa fx-chain.
Lead sound are the rat with a little echo.
I uses ableton live 6, with frozen reverb preset
(thank you Mr Boysen for the tip). Macbook pro with
Moto travler, and ozon midikeyboard.
The soundscapes on the tune are made with live 6
sampler, and are reversed and pitched guitarchords.
Using lives sampler are new to me, but very
interesting.

Its nice that somebody takes the time to listen to the
things I make in my homestudio, the "blue room". 

http://www.runefagereng.com/sound.htm

Thank you !

best regards Rune Fagereng. Norway  
    

--- Joshua Carroll <josh@infinivert.com> skrev:

> Yeah, great guitar sound!  What were you playing
> through?
> 
> --Josh
> 
> Brittany Frompovich wrote:
> >
> > Hey Rune,
> >
> > I like it...very moody.  Nice job!
> >
> >
> > Brittany Frompovich
> > www.ladybassmusic.com
> > myspace.com/ladybassmusic
> >
> >
> >>
> >> On 24 nov 2006, at 15.31, rune fagereng wrote:
> >>
> >>> Please listen to my last music. I play most
> >>> instruments, but not the drums.
> >>> Remi fagereng play the drums.
> >>>
> >>> http://www.runefagereng.com/remember.mp3
> >>
> >>
> >> Hi Rune,
> >>
> >> That music sounds good! Nice with drums! Thanks
> for posting a clip ;-))
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se (Swedish)
> >> www.looproom.com (international)
> >> http://tinyurl.com/fauvm (podcast)
> >> http://www.myspace.com/looproom
> >>
> >>
> >>
> >
> >
>
_________________________________________________________________
> > All-in-one security and maintenance for your PC. 
> Get a free 90-day 
> > trial! 
> >
>
http://clk.atdmt.com/MSN/go/msnnkwlo0050000002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo0050000001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail
> 
> >
> >
> >
> >
> >
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:43:37 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <BAY109-F18D8F2806473BB669B8E76C6E60@phx.gbl> <03c801c7126f$d25ae2f0$b5b1ec0f@americas.hpqcorp.net> <006901c7137e$3de6ee60$b3f49643@Biffoz> <04d501c713ca$33c02360$b5b1ec0f@americas.hpqcorp.net> <d1396fc00611290749w70b5bc66qbe9ed2815346a562@mail.gmail.com>
Subject: Re: OT: Keller Williams / jam bands/ rc50
Date: Wed, 29 Nov 2006 09:43:32 -0700
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That's a fair assessment, Travis. You reinforce both sides of the fence. =
That there are, and they are based on relative / varying criteria is the =
key.

K-
  ----- Original Message -----=20
  From: Travis Hartnett=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 29, 2006 8:49 AM
  Subject: Re: OT: Keller Williams / jam bands/ rc50


  The mainstream pop audience looks at experimental music and says "The =
emperor has no clothes...my five year old could do this, this stuff is =
crap".  Imagine trying to explain that, say,  Derek Bailey is one of the =
most important musicians of the last fifty years to someone just by =
playing one of his albums, without the twenty pounds of glowing "Wire" =
mentions he accumulated every year.  That's marketing too.=20

  The avant garde audience looks at the mainstream pop success (or even =
cult favorite Keller Williams) and says "The emperor has no =
clothes...anyone could do this, this stuff is crap". =20

  Both sides are missing out on something valuable from the other side =
of the fence.=20

  But to me, if I look at a cooking Keller Williams show, I see a =
performer and an audience who are experiencing a joy at the event which =
greatly exceeds the joy factor of any Derek Bailey show I could imagine. =
 If the combination of "joy" and "music" are important to you in =
assessing musical events, then KW wins out.  If there's something more =
important than "joy", then he may not rate so highly.=20

  For me, there is no "wrong sort" of joy generated by a musical =
experience--the purpose of the musical event is to use whatever tricks =
and techniques the performer has available to transport him or her and =
as much of the audience as possible into a glimpse of the divine.  That =
is my standard for a successful musical performance--not whether I =
played anything new or challenging (while not excluding those =
possibilities either).=20

  TravisH


  On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:
    Okay, I admit this is getting a bit off topic now....

    ----- Original Message -----
    From: "Miko Biffle" <biffoz@arczip.com>
    >
    > So yeah, maybe thousands could pull it off, but what would be the =
point?=20
    > It
    > would be insincere, and most audiences can smell that a mile =
away-so while

    Do you think this is a true statement? Hmmmm.  I guess I'm =
skeptical. Given
    how well marketing, even the most blatant and superficial, works =
with the=20
    masses, I've always been inclined to think that the "herd" falls for =
just
    about anything if it is pitched right. How many pop stars can you =
think of
    that are completely contrived in their show and act, but the crowd =
just eats=20
    them up. The herd loves in insincere. Since when was honesty in the
    entertainment business a plus for the hoi polloi? This is why people
    looooove Vegas so much...it's pure cheese and superficially. Now =
maybe
    Keller has a unique following of special people who managed to weed =
out the
    herd instinct, but  that would be surprising. I would take the newer =
dead or
    phish head scene (even with the neo-hippie punks who drive to =
concerns in=20
    their parents BMWs, but haven't showered for weeks and are wearing =
dirty,
    filthy dreds) as an example of a crowd that flocks to the contrived, =
but
    that would be a thread on its own. :)  Again, this does not reflect=20
    negatively on Keller. I think he knows what he is doing. All people =
with a
    good business mind and an understanding of the mass mentality do =
know what
    they are doing.  The herd is a massive potential of untapped =
financial=20
    potential. And if I was comfortable with playing mediocre music and =
dancing
    around like a white-boy clown, I'd be doing the same thing!  Heh
    heh....sorry, I haven't had my coffee and I'm sleep deprived from =
staying up=20
    with a sick kids...




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2995" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That's a fair assessment, Travis. You =
reinforce=20
both sides of the fence. That there are, and they are based on relative =
/=20
varying criteria is the key.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtravishartnett@gmail.com=20
  href=3D"mailto:travishartnett@gmail.com">Travis Hartnett</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 29, =
2006 8:49=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: Keller =
Williams / jam=20
  bands/ rc50</DIV>
  <DIV><BR></DIV>The mainstream pop audience looks at experimental music =
and=20
  says "The emperor has no clothes...my five year old could do this, =
this stuff=20
  is crap".&nbsp; Imagine trying to explain that, say,&nbsp; Derek =
Bailey is one=20
  of the most important musicians of the last fifty years to someone =
just by=20
  playing one of his albums, without the twenty pounds of glowing "Wire" =

  mentions he accumulated every year.&nbsp; That's marketing too. =
<BR><BR>The=20
  avant garde audience looks at the mainstream pop success (or even cult =

  favorite Keller Williams) and says "The emperor has no =
clothes...anyone could=20
  do this, this stuff is crap".&nbsp; <BR><BR>Both sides are missing out =
on=20
  something valuable from the other side of the fence. <BR><BR>But to =
me, if I=20
  look at a cooking Keller Williams show, I see a performer and an =
audience who=20
  are experiencing a joy at the event which greatly exceeds the joy =
factor of=20
  any Derek Bailey show I could imagine.&nbsp; If the combination of =
"joy" and=20
  "music" are important to you in assessing musical events, then KW wins =

  out.&nbsp; If there's something more important than "joy", then he may =
not=20
  rate so highly. <BR><BR>For me, there is no "wrong sort" of joy =
generated by a=20
  musical experience--the purpose of the musical event is to use =
whatever tricks=20
  and techniques the performer has available to transport him or her and =
as much=20
  of the audience as possible into a glimpse of the divine.&nbsp; That =
is my=20
  standard for a successful musical performance--not whether I played =
anything=20
  new or challenging (while not excluding those possibilities either).=20
  <BR><BR>TravisH<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 11/29/06, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Okay,=20
    I admit this is getting a bit off topic now....<BR><BR>----- =
Original=20
    Message -----<BR>From: "Miko Biffle" &lt;<A=20
    =
href=3D"mailto:biffoz@arczip.com">biffoz@arczip.com</A>&gt;<BR>&gt;<BR>&g=
t; So=20
    yeah, maybe thousands could pull it off, but what would be the =
point?=20
    <BR>&gt; It<BR>&gt; would be insincere, and most audiences can smell =
that a=20
    mile away-so while<BR><BR>Do you think this is a true statement?=20
    Hmmmm.&nbsp;&nbsp;I guess I'm skeptical. Given<BR>how well =
marketing, even=20
    the most blatant and superficial, works with the <BR>masses, I've =
always=20
    been inclined to think that the "herd" falls for just<BR>about =
anything if=20
    it is pitched right. How many pop stars can you think of<BR>that are =

    completely contrived in their show and act, but the crowd just eats =
<BR>them=20
    up. The herd loves in insincere. Since when was honesty in=20
    the<BR>entertainment business a plus for the hoi polloi? This is why =

    people<BR>looooove Vegas so much...it's pure cheese and =
superficially. Now=20
    maybe<BR>Keller has a unique following of special people who managed =
to weed=20
    out the<BR>herd instinct, but&nbsp;&nbsp;that would be surprising. I =
would=20
    take the newer dead or<BR>phish head scene (even with the neo-hippie =
punks=20
    who drive to concerns in <BR>their parents BMWs, but haven't =
showered for=20
    weeks and are wearing dirty,<BR>filthy dreds) as an example of a =
crowd that=20
    flocks to the contrived, but<BR>that would be a thread on its own.=20
    :)&nbsp;&nbsp;Again, this does not reflect <BR>negatively on Keller. =
I think=20
    he knows what he is doing. All people with a<BR>good business mind =
and an=20
    understanding of the mass mentality do know what<BR>they are=20
    doing.&nbsp;&nbsp;The herd is a massive potential of untapped =
financial=20
    <BR>potential. And if I was comfortable with playing mediocre music =
and=20
    dancing<BR>around like a white-boy clown, I'd be doing the same=20
    thing!&nbsp;&nbsp;Heh<BR>heh....sorry, I haven't had my coffee and =
I'm sleep=20
    deprived from staying up <BR>with a sick=20
kids...<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_050D_01C7139A.D55BC100--


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:48:13 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <BAY109-F18D8F2806473BB669B8E76C6E60@phx.gbl> <03c801c7126f$d25ae2f0$b5b1ec0f@americas.hpqcorp.net> <006901c7137e$3de6ee60$b3f49643@Biffoz> <001401c71395$5dd47cd0$4001a8c0@mini> <04e401c713cc$26c17fe0$b5b1ec0f@americas.hpqcorp.net> <7.0.0.16.0.20061129160410.01c017e0@tiscali.co.uk>
Subject: Re: Keller Williams / jam bands/ rc50
Date: Wed, 29 Nov 2006 09:48:08 -0700
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I hope he has that twinkle!  :) Well, this is the disadvantage of email 
communication...we miss the other 75% of non-verbal communication, or 
whatever the percentage is. It's much easier to have this discussion over a 
nice pint so that we can see each other smiling, or grinding his/her 
teeth...whatever happens as result of the offending, delightful, or 
uninteresting commentary.

But I guarantee that if someone is talking to me face to face and we are 
smiling and conversing freely, they won't so readily jump to ad hominems.

K-

>
>>   I hope this gets someone bent out of shape...I like bending people out 
>> of shape!  :)
>
> Aw, c'mon Kris, I'm sure Claude had a twinkle in his eye when he said 
> that.
> ..and I rather opine that you asked for it.
>
>
> andy
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:48:36 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <C1722571.243C%gregmills@blueyonder.co.uk> <456DB532.000001.01748@MIXER>
Subject: Re: Project Management Loops
Date: Wed, 29 Nov 2006 09:48:31 -0700
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This is a MIME-formatted message.  If you see this text it means that your
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Per.
  ----- Original Message -----=20
  From: Sony Felberg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 29, 2006 9:28 AM
  Subject: Project Management Loops


         Hi,
         About a year ago someone posted links to tracks with Project =
Management Training voice tracks layers within. Does anyone recall who =
posted these track or where I can find them?

        I think it was someone from Europe.=20

        TX,
        Sony
      =20
              =20
      =20

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  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsonyart@comcast.net =
href=3D"mailto:sonyart@comcast.net">Sony=20
  Felberg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 29, =
2006 9:28=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Project Management =
Loops</DIV>
  <DIV><BR></DIV>
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Arial"=20
      width=3D"100%">
        <DIV>&nbsp;Hi,</DIV>
        <DIV>&nbsp;About a year ago someone posted links to&nbsp;tracks =
with=20
        Project Management Training voice tracks layers within. Does =
anyone=20
        recall who posted these track or where I can find them?</DIV>
        <DIV>&nbsp;</DIV>
        <DIV>I think it was someone from Europe. </DIV>
        <DIV>&nbsp;</DIV>
        <DIV>TX,</DIV>
        <DIV>Sony</DIV>
        <DIV>&nbsp;</DIV></TD></TR>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:49:40 2006
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Date: Wed, 29 Nov 2006 08:49:15 -0800
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From: David Gans <david@trufun.com>
Subject: Re: OT: Keller Williams / jam bands/ RT
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At 7:49 AM -0800 11/29/06, Travis Hartnett wrote:
>
>Both sides are missing out on something valuable from the other side 
>of the fence.
>
>But to me, if I look at a cooking Keller Williams show, I see a 
>performer and an audience who are experiencing a joy at the event 
>which greatly exceeds the joy factor of any Derek Bailey show I 
>could imagine.  If the combination of "joy" and "music" are 
>important to you in assessing musical events, then KW wins out.  If 
>there's something more important than "joy", then he may not rate so 
>highly.
>
>For me, there is no "wrong sort" of joy generated by a musical 
>experience--the purpose of the musical event is to use whatever 
>tricks and techniques the performer has available to transport him 
>or her and as much of the audience as possible into a glimpse of the 
>divine.  That is my standard for a successful musical 
>performance--not whether I played anything new or challenging (while 
>not excluding those possibilities either).

Well said, Travis.

Last night I saw Richard Thompson play a solo show that satisfied as 
deeply as any performance I've witnessed in years.  I could have say 
there for hours.  Just RT and his guitar and a stomp box or two. 
Every song a gem, and every one worked on numerous levels: you can 
just listen to the story he's telling, feel the emotions in the drama 
he's revealing; or you can note that every one of his songs has 
something unique and new in it, some musical problem that he solves 
ingeniously.  There is a depth of feeling in RT's performance that 
I've never seen Keller Williams, or Phish, (etc.) come anywhere near 
to.  The man is a true genius, and what he has done is something we 
all should aspire to: he has become someone in particular.  He's 
created a musical persona and a body of work that appeal to a modest 
but devoted following, and he delivers the goods to that audience 
with genuine passion and power.

Keller is someone in particular, too.  Not as fiercely passionate as 
RT by any means, but he has created a persona and a style of music 
that very obviously works for him and for his audience.  He'll never 
make you cry onstage, but he's delivering the goods and keeping his 
customers satisfied.

I've come to the conclusion that the "herd" problem is a problem for 
every artist.  You begin by making the music you really want to make, 
or need to make; you attract an audience of people who get what 
you're doing and, if you're lucky, evangelize you to their friends 
and community.  More people come to hear you play, and your audience 
grows.  Eventually you will start drawing some people who don't 
really understand what you're doing, but they're there because their 
friends are into you or because they think it's cool to be seen at 
your show.  And the bigger you get, the greater the percentage of 
fans you'll have who aren't on the same page with you creatively. 
You'll feel some pressure to play the familiar stuff and you'll chafe 
because you'd rather do the new music.

You'd better hope that happens, because anyone whose audience 
consists entirely of people who are right beside you on on your 
creative journey is playing for a very small audience and probably 
won't be quitting his day job any time soon.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 17:28:00 2006
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Awesome!  I have a little RAT pedal that I use myself, and I love it!

--Josh

rune fagereng wrote:
> Hi and thanks !
>
> I am playing with;  strat, rat dist, tc. 2290 digital
> delay, mesa. I have a repeater in the mesa fx-chain.
> Lead sound are the rat with a little echo.
> I uses ableton live 6, with frozen reverb preset
> (thank you Mr Boysen for the tip). Macbook pro with
> Moto travler, and ozon midikeyboard.
> The soundscapes on the tune are made with live 6
> sampler, and are reversed and pitched guitarchords.
> Using lives sampler are new to me, but very
> interesting.
>
> Its nice that somebody takes the time to listen to the
> things I make in my homestudio, the "blue room". 
>
> http://www.runefagereng.com/sound.htm
>
> Thank you !
>
> best regards Rune Fagereng. Norway  
>     
>
> --- Joshua Carroll <josh@infinivert.com> skrev:
>
>   
>> Yeah, great guitar sound!  What were you playing
>> through?
>>
>> --Josh
>>
>> Brittany Frompovich wrote:
>>     
>>> Hey Rune,
>>>
>>> I like it...very moody.  Nice job!
>>>
>>>
>>> Brittany Frompovich
>>> www.ladybassmusic.com
>>> myspace.com/ladybassmusic
>>>
>>>
>>>       
>>>> On 24 nov 2006, at 15.31, rune fagereng wrote:
>>>>
>>>>         
>>>>> Please listen to my last music. I play most
>>>>> instruments, but not the drums.
>>>>> Remi fagereng play the drums.
>>>>>
>>>>> http://www.runefagereng.com/remember.mp3
>>>>>           
>>>> Hi Rune,
>>>>
>>>> That music sounds good! Nice with drums! Thanks
>>>>         
>> for posting a clip ;-))
>>     
>>>> Greetings from Sweden
>>>>
>>>> Per Boysen
>>>> www.boysen.se (Swedish)
>>>> www.looproom.com (international)
>>>> http://tinyurl.com/fauvm (podcast)
>>>> http://www.myspace.com/looproom
>>>>
>>>>
>>>>
>>>>         
>>>       
> _________________________________________________________________
>   
>>> All-in-one security and maintenance for your PC. 
>>>       
>> Get a free 90-day 
>>     
>>> trial! 
>>>
>>>       
> http://clk.atdmt.com/MSN/go/msnnkwlo0050000002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo0050000001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail
>   
>>>
>>>
>>>
>>>       
>>     
>
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>
>
> 	
> 	
> 		
> _________________________________________________________
> Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
> notisblokk. http://no.mail.yahoo.com
>
>
>
>
>   

--------------050800090101090406060007
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Awesome!&nbsp; I have a little RAT pedal that I use myself, and I love it!<br>
<br>
--Josh<br>
<br>
rune fagereng wrote:
<blockquote cite="mid586230.67533.qm@web26215.mail.ukl.yahoo.com"
 type="cite">
  <pre wrap="">Hi and thanks !

I am playing with;  strat, rat dist, tc. 2290 digital
delay, mesa. I have a repeater in the mesa fx-chain.
Lead sound are the rat with a little echo.
I uses ableton live 6, with frozen reverb preset
(thank you Mr Boysen for the tip). Macbook pro with
Moto travler, and ozon midikeyboard.
The soundscapes on the tune are made with live 6
sampler, and are reversed and pitched guitarchords.
Using lives sampler are new to me, but very
interesting.

Its nice that somebody takes the time to listen to the
things I make in my homestudio, the "blue room". 

<a class="moz-txt-link-freetext" href="http://www.runefagereng.com/sound.htm">http://www.runefagereng.com/sound.htm</a>

Thank you !

best regards Rune Fagereng. Norway  
    

--- Joshua Carroll <a class="moz-txt-link-rfc2396E" href="mailto:josh@infinivert.com">&lt;josh@infinivert.com&gt;</a> skrev:

  </pre>
  <blockquote type="cite">
    <pre wrap="">Yeah, great guitar sound!  What were you playing
through?

--Josh

Brittany Frompovich wrote:
    </pre>
    <blockquote type="cite">
      <pre wrap="">Hey Rune,

I like it...very moody.  Nice job!


Brittany Frompovich
<a class="moz-txt-link-abbreviated" href="http://www.ladybassmusic.com">www.ladybassmusic.com</a>
myspace.com/ladybassmusic


      </pre>
      <blockquote type="cite">
        <pre wrap="">On 24 nov 2006, at 15.31, rune fagereng wrote:

        </pre>
        <blockquote type="cite">
          <pre wrap="">Please listen to my last music. I play most
instruments, but not the drums.
Remi fagereng play the drums.

<a class="moz-txt-link-freetext" href="http://www.runefagereng.com/remember.mp3">http://www.runefagereng.com/remember.mp3</a>
          </pre>
        </blockquote>
        <pre wrap="">
Hi Rune,

That music sounds good! Nice with drums! Thanks
        </pre>
      </blockquote>
    </blockquote>
    <pre wrap="">for posting a clip ;-))
    </pre>
    <blockquote type="cite">
      <blockquote type="cite">
        <pre wrap="">Greetings from Sweden

Per Boysen
<a class="moz-txt-link-abbreviated" href="http://www.boysen.se">www.boysen.se</a> (Swedish)
<a class="moz-txt-link-abbreviated" href="http://www.looproom.com">www.looproom.com</a> (international)
<a class="moz-txt-link-freetext" href="http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</a> (podcast)
<a class="moz-txt-link-freetext" href="http://www.myspace.com/looproom">http://www.myspace.com/looproom</a>



        </pre>
      </blockquote>
      <pre wrap="">
      </pre>
    </blockquote>
  </blockquote>
  <pre wrap=""><!---->_________________________________________________________________
  </pre>
  <blockquote type="cite">
    <blockquote type="cite">
      <pre wrap="">All-in-one security and maintenance for your PC. 
      </pre>
    </blockquote>
    <pre wrap="">Get a free 90-day 
    </pre>
    <blockquote type="cite">
      <pre wrap="">trial! 

      </pre>
    </blockquote>
  </blockquote>
  <pre wrap=""><!----><a class="moz-txt-link-freetext" href="http://clk.atdmt.com/MSN/go/msnnkwlo0050000002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo0050000001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail">http://clk.atdmt.com/MSN/go/msnnkwlo0050000002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo0050000001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail</a>
  </pre>
  <blockquote type="cite">
    <blockquote type="cite">
      <pre wrap="">



      </pre>
    </blockquote>
    <pre wrap="">
    </pre>
  </blockquote>
  <pre wrap=""><!---->

<a class="moz-txt-link-abbreviated" href="http://www.runefagereng.com">www.runefagereng.com</a>
<a class="moz-txt-link-abbreviated" href="mailto:Mail:rune_fagereng@yahoo.no">Mail:rune_fagereng@yahoo.no</a>
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i &eacute;n. F&aring; Yahoo! Mail med adressekartotek, kalender og
notisblokk. <a class="moz-txt-link-freetext" href="http://no.mail.yahoo.com">http://no.mail.yahoo.com</a>




  </pre>
</blockquote>
</body>
</html>

--------------050800090101090406060007--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 17:56:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Project Management Loops
Date: Wed, 29 Nov 2006 18:56:20 +0100
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> ----- Original Message -----
> From: Sony Felberg
>  Hi,
>  About a year ago someone posted links to tracks with Project  
> Management Training voice tracks layers within. Does anyone recall  
> who posted these track or where I can find them?
>
> I think it was someone from Europe.
>
> TX,
> Sony


On 29 nov 2006, at 17.48, Krispen Hartung wrote:
> Per.


Oops, sorry - I didn't see that one. Yes, that was me. Here's the link:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum? 
id=45130133&s=143456

Greetings from Sweden

Per


From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 20:17:53 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: pop v avant jambands etc.
Date: Wed, 29 Nov 2006 12:17:47 -0800
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   I think there's a false polarity in the distinction between popular and 
Art. Sure it's enacted everyday in the marketplace,but it;s not the only 
possibility.The Beatles and Grateful Dead, Jimi Hendrix,Some would perhaps 
put Radiohead,or Beck here, all had huge popular success and did things that 
were truly experimental.I am the Walrus was played on a.m. radio.All of 'em 
employed superficial gimmicks to get noticed,and delivered the goods once 
the were noticed   The jamband scene is really ripe ,it's an audience that 
expects musicians to take chances and try to go somewhere unexpected,and 
they listen.If their ears can be a bit unsophisticated it need not be an 
obstacle,one needs only to provide them a way in.For instance by starting 
simple and developing in stages,employing infectious grooves ,etc.Paying 
attention to and working with the attention level of the audience is not 
necessarily pandering,it's performing. The challenge of engaging an audience 
that's willing to listen and is ready for you to take chances-What more do 
you want? I think the real trick is to tune into and feel the audiences' 
mood,attention,energy, vibe,and invent music that expresses that. It's not 
the audiences job to understand the artist,it's the other way around,at 
least in the art of performing.
When I saw KW the audience's attention was really caught by him building all 
these tracks live right in front of them.Yes anyone who loops could do 
it,and get the attention of an audience.Show 'em something they haven't seen 
before and they'll pay attention,then you have the chance to take 'em 
somewhere.I think audiences want something familiar,so they feel 
connected,and something new that surprises ,and delights them,some energy to 
make them feel excited,and most of all to have their attention so 
engaged,that they forget their troubles for a minute,which makes them feel 
refreshed. These are compositional elements as much as pitches,patches,beats 
, measures etc.Colors on the pal

_________________________________________________________________
Talk now to your Hotmail contacts with Windows Live Messenger. 
http://clk.atdmt.com/MSN/go/msnnkwme0020000001msn/direct/01/?href=http://get.live.com/messenger/overview

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 20:34:02 2006
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: pop v avant jambands etc.
Date: Wed, 29 Nov 2006 15:33:54 -0500
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well said.




>From: "samba -" <sambacomet@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: pop v avant jambands etc.
>Date: Wed, 29 Nov 2006 12:17:47 -0800
>
>   I think there's a false polarity in the distinction between popular and 
>Art. Sure it's enacted everyday in the marketplace,but it;s not the only 
>possibility.The Beatles and Grateful Dead, Jimi Hendrix,Some would perhaps 
>put Radiohead,or Beck here, all had huge popular success and did things 
>that were truly experimental.I am the Walrus was played on a.m. radio.All 
>of 'em employed superficial gimmicks to get noticed,and delivered the goods 
>once the were noticed   The jamband scene is really ripe ,it's an audience 
>that expects musicians to take chances and try to go somewhere 
>unexpected,and they listen.If their ears can be a bit unsophisticated it 
>need not be an obstacle,one needs only to provide them a way in.For 
>instance by starting simple and developing in stages,employing infectious 
>grooves ,etc.Paying attention to and working with the attention level of 
>the audience is not necessarily pandering,it's performing. The challenge of 
>engaging an audience that's willing to listen and is ready for you to take 
>chances-What more do you want? I think the real trick is to tune into and 
>feel the audiences' mood,attention,energy, vibe,and invent music that 
>expresses that. It's not the audiences job to understand the artist,it's 
>the other way around,at least in the art of performing.
>When I saw KW the audience's attention was really caught by him building 
>all these tracks live right in front of them.Yes anyone who loops could do 
>it,and get the attention of an audience.Show 'em something they haven't 
>seen before and they'll pay attention,then you have the chance to take 'em 
>somewhere.I think audiences want something familiar,so they feel 
>connected,and something new that surprises ,and delights them,some energy 
>to make them feel excited,and most of all to have their attention so 
>engaged,that they forget their troubles for a minute,which makes them feel 
>refreshed. These are compositional elements as much as 
>pitches,patches,beats , measures etc.Colors on the pal
>
>_________________________________________________________________
>Talk now to your Hotmail contacts with Windows Live Messenger. 
>http://clk.atdmt.com/MSN/go/msnnkwme0020000001msn/direct/01/?href=http://get.live.com/messenger/overview
>

_________________________________________________________________
Get FREE company branded e-mail accounts and business Web site from 
Microsoft Office Live 
http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 23:10:13 2006
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From: stanitarium@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: Re: re last music- nice that someone listens-
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I Also Rat (since the 80s:-)

-----Original Message-----
>From: Joshua Carroll <josh@infinivert.com>
>Sent: Nov 29, 2006 9:27 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: re last music- nice that someone listens-
>
>Awesome!  I have a little RAT pedal that I use myself, and I love it!
>
>--Josh
>
>rune fagereng wrote:
>> Hi and thanks !
>>
>> I am playing with;  strat, rat dist, tc. 2290 digital
>> delay, mesa. I have a repeater in the mesa fx-chain.
>> Lead sound are the rat with a little echo.
>> I uses ableton live 6, with frozen reverb preset
>> (thank you Mr Boysen for the tip). Macbook pro with
>> Moto travler, and ozon midikeyboard.
>> The soundscapes on the tune are made with live 6
>> sampler, and are reversed and pitched guitarchords.
>> Using lives sampler are new to me, but very
>> interesting.
>>
>> Its nice that somebody takes the time to listen to the
>> things I make in my homestudio, the "blue room". 
>>
>> http://www.runefagereng.com/sound.htm
>>
>> Thank you !
>>
>> best regards Rune Fagereng. Norway  
>>     
>>
>> --- Joshua Carroll <josh@infinivert.com> skrev:
>>
>>   
>>> Yeah, great guitar sound!  What were you playing
>>> through?
>>>
>>> --Josh
>>>
>>> Brittany Frompovich wrote:
>>>     
>>>> Hey Rune,
>>>>
>>>> I like it...very moody.  Nice job!
>>>>
>>>>
>>>> Brittany Frompovich
>>>> www.ladybassmusic.com
>>>> myspace.com/ladybassmusic
>>>>
>>>>
>>>>       
>>>>> On 24 nov 2006, at 15.31, rune fagereng wrote:
>>>>>
>>>>>         
>>>>>> Please listen to my last music. I play most
>>>>>> instruments, but not the drums.
>>>>>> Remi fagereng play the drums.
>>>>>>
>>>>>> http://www.runefagereng.com/remember.mp3
>>>>>>           
>>>>> Hi Rune,
>>>>>
>>>>> That music sounds good! Nice with drums! Thanks
>>>>>         
>>> for posting a clip ;-))
>>>     
>>>>> Greetings from Sweden
>>>>>
>>>>> Per Boysen
>>>>> www.boysen.se (Swedish)
>>>>> www.looproom.com (international)
>>>>> http://tinyurl.com/fauvm (podcast)
>>>>> http://www.myspace.com/looproom
>>>>>
>>>>>
>>>>>
>>>>>         
>>>>       
>> _________________________________________________________________
>>   
>>>> All-in-one security and maintenance for your PC. 
>>>>       
>>> Get a free 90-day 
>>>     
>>>> trial! 
>>>>
>>>>       
>> http://clk.atdmt.com/MSN/go/msnnkwlo0050000002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo0050000001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail
>>   
>>>>
>>>>
>>>>
>>>>       
>>>     
>>
>>
>> www.runefagereng.com
>> Mail:rune_fagereng@yahoo.no
>> Mob: 917 95 867
>>
>>
>> 	
>> 	
>> 		
>> _________________________________________________________
>> Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
>> notisblokk. http://no.mail.yahoo.com
>>
>>
>>
>>
>>   

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 01:58:11 2006
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Date: Wed, 29 Nov 2006 17:58:08 -0800
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Back on LD
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Hi everyone,

I'm back on the list. I used to be a member a few years ago.

I've worked with a large number of sound sources ofver the last 10 years,
including records, field recordings, found objects, musical instruments and
electronics. For the last 3 years or so I've been focusing on drum machine.
Sounds dumb in print, I know, but it's nothing like what you're probably
thinking of. It has more in common with modern max-msp composition (laptop
stuff), drone music or 70's synthesizer space music than anything with
traditional rhythms.

I've got a new cd out this year ("SoftWetFish"), which is still making
modest rounds on college stations around the USA. As a resident of Oakland,
California, I'm a frequent performer in the vibrant San Francisco bay area
experimental & improvised music scene. ...And some of you may know me from
theY2K looping festivals in Santa Cruz.

Just saying hello for now. If anyone's curious about the drum machine stuff,
there are samples at: www.ribosomemusic.com

Matt Davignon

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Hi everyone, <br><br>I'm back on the list. I used to be a member a few years ago.<br><br>I've worked with a large number of sound sources ofver the last 10 years, including records, field recordings, found objects, musical instruments and electronics. For the last 3 years or so I've been focusing on drum machine. Sounds dumb in print, I know, but it's nothing like what you're probably thinking of. It has more in common with modern max-msp composition (laptop stuff), drone music or 70's synthesizer space music than anything with traditional rhythms. 
<br><br>I've got a new cd out this year (&quot;SoftWetFish&quot;), which is still making modest rounds on college stations around the USA. As a resident of Oakland, California, I'm a frequent performer in the vibrant San Francisco bay area experimental &amp; improvised music scene. ...And some of you may know me from theY2K looping festivals in Santa Cruz. 
<br><br>Just saying hello for now. If anyone's curious about the drum machine stuff, there are samples at: <a href="http://www.ribosomemusic.com">www.ribosomemusic.com</a><br><br>Matt Davignon<br><br>

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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: Back on LD
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hi matt!
best
bruce

On Nov 29, 2006, at 8:58 PM, Matt Davignon wrote:

> Just saying hello for now.

bruce tovsky
www.skeletonhome.com

"Flying is learning how to throw yourself at the ground and miss."
Douglas Adams


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">hi =
matt!<DIV>best</DIV><DIV>bruce</DIV><DIV><BR><DIV><DIV>On Nov 29, 2006, =
at 8:58 PM, Matt Davignon wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; ">Just saying hello =
for now.</SPAN></BLOCKQUOTE></DIV><BR><DIV> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">bruce tovsky</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">www.skeletonhome.com</FONT></P> <P style=3D"margin: =
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face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">"Flying =
is learning how to throw yourself at the ground and miss."</FONT></P> <P =
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size=3D"3" style=3D"font: 12.0px Helvetica">Douglas Adams</FONT></P>  =
</DIV><BR></DIV></BODY></HTML>=

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hi matt!
welcome back.

On Nov 29, 2006, at 5:58 PM, Matt Davignon wrote:

> Hi everyone,
>
> I'm back on the list. I used to be a member a few years ago.
>
> I've worked with a large number of sound sources ofver the last 10  
> years, including records, field recordings, found objects, musical  
> instruments and electronics. For the last 3 years or so I've been  
> focusing on drum machine. Sounds dumb in print, I know, but it's  
> nothing like what you're probably thinking of. It has more in  
> common with modern max-msp composition (laptop stuff), drone music  
> or 70's synthesizer space music than anything with traditional  
> rhythms.
>
> I've got a new cd out this year ("SoftWetFish"), which is still  
> making modest rounds on college stations around the USA. As a  
> resident of Oakland, California, I'm a frequent performer in the  
> vibrant San Francisco bay area experimental & improvised music  
> scene. ...And some of you may know me from theY2K looping festivals  
> in Santa Cruz.
>
> Just saying hello for now. If anyone's curious about the drum  
> machine stuff, there are samples at: www.ribosomemusic.com
>
> Matt Davignon
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">hi matt!=A0<DIV>welcome =
back.=A0</DIV><DIV><BR><DIV><DIV>On Nov 29, 2006, at 5:58 PM, Matt =
Davignon wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">Hi everyone, <BR><BR>I'm back on the list. I used to be a =
member a few years ago.<BR><BR>I've worked with a large number of sound =
sources ofver the last 10 years, including records, field recordings, =
found objects, musical instruments and electronics. For the last 3 years =
or so I've been focusing on drum machine. Sounds dumb in print, I know, =
but it's nothing like what you're probably thinking of. It has more in =
common with modern max-msp composition (laptop stuff), drone music or =
70's synthesizer space music than anything with traditional rhythms. =
<BR><BR>I've got a new cd out this year ("SoftWetFish"), which is still =
making modest rounds on college stations around the USA. As a resident =
of Oakland, California, I'm a frequent performer in the vibrant San =
Francisco bay area experimental &amp; improvised music scene. ...And =
some of you may know me from theY2K looping festivals in Santa Cruz. =
<BR><BR>Just saying hello for now. If anyone's curious about the drum =
machine stuff, there are samples at: <A =
href=3D"http://www.ribosomemusic.com">www.ribosomemusic.com</A><BR><BR>Mat=
t Davignon<BR><BR></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 06:12:40 2006
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Subject: Re: Keller Williams / jam bands/ rc50
Date: Wed, 29 Nov 2006 22:11:42 -0800
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> You guys are so hypersensitive! Good grief.  I agree with your points,
partly because I think they are obvious and don't require debate. I'm not
going to debate that any popular rock/pop artist isn't successful based on
one set of criteria. I'm  not fucking stupid, but what I don't see here is
folks continuously affirming the obvious rather than trying to understand
that there is another story to be told, from a different set of criteria.

You're using an awful lot of words "not debating" the obvious.  I'm not
denying you or anyone else their alternative viewpoint.  We all have one.
Why belittle success or simplicity, and call it a scam or pose-you make it
sound like scheming accountants are choosing to play music to pull off some
big money scam . . . that's for the A/R guys and label owners to do.

I'm just questioning some of the so-called obvious assertions you're writing
reams about.  I don't buy the no-talent, anyone-can-do-it theory.  I DO
believe it's all about integrity and that insincerity is the slippery
foundation that will destroy anything in it's path.  I'm not calling you a
fakir-I'm completely convinced of your creativity and honesty.  I'm just
debating what you're calling obvious; that there's more to this simple stuff
than we really think.

If you want to talk about insincerity and opportunists, let's talk about how
Clear Channel is packaging rap and rock and shoving it down our throats.


From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 06:12:47 2006
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Subject: Re: Keller Williams / jam bands/ rc50
Date: Wed, 29 Nov 2006 22:11:52 -0800
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> Fake passion, real passion, purple passion, purple people eater
passion....the entertainment industry could care less. Like I said,
sometimes playing the "I'm sincere" card backfires, because people flock to
insincerity.

How do you know it's insincere?  Because *you* think it is?  And if you're
"playing the sincere card", that's insincere!  Dude . . . word up man.  Quit
playing and start being real.

Many actors step into and out of character, yet still retain their
integrity. How?  They still have an honest desire to either entertain,
transcend, communicate, inspire, incite. There's something they're trying to
accomplish. At lower levels, they commit all sorts of apprentice mishaps,
and will probably admit they've compromised in some way.  The good ones
retain their integrity and move on, and I believe *most* of the fakers don't
thrive. (This is all just my opinion). So that still leaves a few that make
it. But I believe they're the exception.

> > . . . For a creative guy, you're sounding somewhat intolerant.

> It's not intolerance...it's sincerity. Couldn't you tell that I was
playing a role of the devil's advocate? Partly, and partly not...that's for
you to figure out, I guess...but you sort of validate my point above. With
little effort on this list, I "could" write response after response and no
one will ever know whether I actually believe what I'm writing or not...this
can be the case for anyone, and even music performance....looping or not.  I
can take on any persona I choose, and in the end only my closest friends and
musical colleagues understand my motives and thinking processes.

It doesn't matter what *we*, *others* or *I* know . . . it's about you. If
your intent isn't to communicate honestly, it's about deceit. You may have
artistic reasons for the guise, and that may have an integrity artistically
that will carry the day. But you'll have to live with that, and *real*
insincerity will taint your communication, actor-artist or otherwise. It's
on YOU.

My belief is that however corny, contrived, or schlocky others perceive
someone's act to be, that person gets up in the morning and intends to do
their best. If their best is cheesy to you, so what? They're being honest,
and commiting to a plan of action. More power to them, and their honest
effort deserves respect. You don't have to like it, but it's worthy. Is a
devil's advocate and poseur just-for-the-fake-of-it worthy?

> But, seriously, yes, I have experienced many magical moments from utterly
simple pieces of performances.  I don't see your point, though. I was
intentionally marginalizing his performance with the observation that what
he does is not particular difficult to do or that original and creative, and
magical moments don't negate that fact.

My point is to ask:  If it's so easy-if there's nothing unusual-if it's all
ordinary and bland; what IS it that draws people and inspires them?  Is it
intangible?  Spiritual?  Honest?  Pertinent?  I'm not really attracted to
the Jam Band genre either!  But I'm not willing to dismiss other's success
and hard work and question their integrity; It turns our discussion into a
pissing contest.  I hope to retain a sense of curiosity about the
possiblities of the many paths open to me rather than close them all off.

My final question is:  Do we all have to be prodigies?  Must we be mentally,
mechanically and technologically better than . . . who?  What kind of
contest is this?  I may have found myself in entirely the wrong forum, but I
AM a looper, and have spent some serious time experimentally and
technologically so I guess I have a right to ask.


From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 06:42:52 2006
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Subject: Re: Keller Williams / jam bands/ rc50
Date: Wed, 29 Nov 2006 23:42:43 -0700
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----- Original Message ----- 
From: "Miko Biffle" <biffoz@arczip.com>
> I'm just questioning some of the so-called obvious assertions you're 
> writing
> reams about.  I don't buy the no-talent, anyone-can-do-it theory.

I never claimed that anyone had no talent. You must be referring to someone 
else
or misrepresenting my points to conveniently, albeit fallaciously refute 
them.

What is obvious is that what Keller was doing, the actual playing part, is 
something
that many, many multi-instrumentalists could do if they chose to do so. 
Note, I don't
mean the effort part in getting the following and crowed, etc.  What is also 
oblivious, at least to
me, is that if you establish your own set of criteria for success, go out 
and perform
according to those criteria, then of course you are achieving 
success...because it follows
logically from the criteria.   Anyone can define success in anyway they 
want, and therefore
if they claim success according to those criteria, you can't deny that form 
of success, only the criteria.
In short, I proposed one set of criteria from which I thought Keller wasn't 
anything special.
Other folks suggested another set of criteria, which led to the 
contrary...and I accepted this
based on the criteria. So, what obvious part do you not get here?  I agree 
with you, and
now you are arguing with the way I agree with you?  Puzzling.  How far do 
you want to
propagate the debate here?

> DO believe it's all about integrity and that insincerity is the slippery
> foundation that will destroy anything in it's path.

Good for you. That's one set of criteria you use to evaluate...but it's not
an objective algorithm for truth. Anyone is entitled to disagree with you
based on another set of rules. Note, before you leap into an other ad
hominem, I'm not suggesting I disagree with you here...unless you want
to argue that I can't agree with you in "that way". . :)

I'm not calling you a
> fakir-I'm completely convinced of your creativity and honesty.  I'm just
> debating what you're calling obvious; that there's more to this simple 
> stuff
> than we really think.

Well, maybe now that I've explained what I think is obvious, you will 
empathize
with my approach here. It's like me arguing that tomatoes are bad because I 
hate
the way they taste, and then someone saying tomatoes are good because they
like the way they taste. What is obvious here is that there are two 
different sets
of criteria being used to derive contradictory statements, just like there 
many,
many sets of criteria to define musical success. Once we understand those
criteria, then it's easy to understand why people draw the conclusions they
do from them. Once you explained yourself and why you thought Keller was
successful....I immediately got it....no convincing required.  But, heck, I 
can
multitask all day long if you want to practice arguing with semantics.

Kris


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Date: Wed, 29 Nov 2006 23:06:14 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Keller Williams / jam bands/ rc50
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On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:-----
Original Message -----
From: "Miko Biffle" <biffoz@arczip.com>
> I'm just questioning some of the so-called obvious assertions you're
> writing
> reams about.  I don't buy the no-talent, anyone-can-do-it theory.

I never claimed that anyone had no talent. You must be referring to someone
else or misrepresenting my points to conveniently, albeit fallaciously
refute
them.

-------------------------

Krispen Hartung, not twenty-four hours earlier: "[referring to nameless jam
bands, other than, at times, Phish]...a mind numbing, THC induced,
drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could take a
nap, wake up and hear the same shit playing.  Most jam bands I've seen are
virtually devoid of any creativity. It's a social thing, albeit, like sex,
drugs, and alcohol with Rock n' Roll...no one expects artistic genius.  Even
Keller's set is not that inspiring from a creativity standpoint. The final
music output is entirely unoriginal...the chops are standard (except the
vocals and therimin playing, which have much to be desired), and the looping
technique is fundamental. That's his bag I guess,but I'd wager that any of
the competant multi-instrumentalists out there (thousands) could pull a
similar set off with little effort, after learning the basic functions of
the looping device. What is left after stripping every other possible unique
factor away from his set is that he appears to be one of the only successful
guys doing it for large crowds...this says
nothing of the music, by the way, just marketing, time, and energy to create
a niche. I'm sure it works for him...I'd comittt suicide if my musical
career came down to that.   I hope this gets someone bent out of shape...I
like bending people out of shape!  :)"




>

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<span class=3D"gmail_quote">On 11/29/06, <b class=3D"gmail_sendername">Kris=
pen Hartung</b> &lt;<a href=3D"mailto:khartung@cableone.net">khartung@cable=
one.net</a>&gt; wrote:</span>----- <br>Original Message -----<br>From: &quo=
t;Miko Biffle&quot; &lt;
<a href=3D"mailto:biffoz@arczip.com">biffoz@arczip.com</a>&gt;<br>&gt; I'm =
just questioning some of the so-called obvious assertions you're<br>&gt; wr=
iting<br>&gt; reams about.&nbsp;&nbsp;I don't buy the no-talent, anyone-can=
-do-it theory.
<br><br>I never claimed that anyone had no talent. You must be referring to=
 someone<br>else or misrepresenting my points to conveniently, albeit falla=
ciously refute<br>them.<br><br>-------------------------<span class=3D"gmai=
l_quote">
<b class=3D"gmail_sendername"><span style=3D"font-weight: bold;"></span></b=
></span><br><br><span class=3D"gmail_quote"><b class=3D"gmail_sendername">K=
rispen Hartung, not twenty-four hours earlier:</b></span> &quot;[referring =
to nameless jam bands, other than, at times, Phish]...a mind numbing, THC i=
nduced, drone-on-the-same-string/scale-for-a-fucking-hour fest. &nbsp;You c=
ould take a nap, wake up and hear the same shit playing. &nbsp;Most jam ban=
ds I've seen are virtually devoid of any creativity. It's a social thing, a=
lbeit, like sex, drugs, and alcohol with Rock n' Roll...no one expects arti=
stic genius. &nbsp;Even Keller's set is not that inspiring from a creativit=
y standpoint. The final music output is entirely unoriginal...the chops are=
 standard (except the vocals and therimin playing, which have much to be de=
sired), and the looping technique is fundamental. That's his bag I guess,bu=
t I'd wager that any of the competant multi-instrumentalists out there (tho=
usands) could pull a similar set off with little effort, after learning the=
 basic functions of the looping device. What is left after stripping every =
other possible unique factor away from his set is that he appears to be one=
 of the only successful guys doing it for large crowds...this says
<br><div style=3D"direction: ltr;">nothing of the music, by the way, just m=
arketing, time, and energy to create<br>a niche. I'm sure it works for him.=
..I'd comittt suicide if my musical<br>career came down to that. &nbsp; I h=
ope this gets someone bent out of shape...I
<br>like bending people out of shape! &nbsp;:)&quot;</div><br><br><div><spa=
n class=3D"gmail_quote"><br></span><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br></blockquote></div><br>

------=_Part_53852_27144392.1164870374753--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 07:10:52 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: OT: Re: Keller Williams / jam bands/ rc50
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I'm just waiting for someone to say "enough already" with this non-looping 
rant...but I'm bored and will continue just once more, because I so much 
enjoy responding to Miko....


----- Original Message ----- 
From: "Miko Biffle" <biffoz@arczip.com>

>> Fake passion, real passion, purple passion, purple people eater
> passion....the entertainment industry could care less. Like I said,
> sometimes playing the "I'm sincere" card backfires, because people flock 
> to
> insincerity.
>
> How do you know it's insincere?  Because *you* think it is?  And if you're
> "playing the sincere card", that's insincere!

Hmmmm....maybe because they admit it?  I said "sometimes". So are you 
therefore
saying that all people in the entertainment industry are always 
intentionally sincere?
That appears to be the contrary of my claim, and quite an extrodinary one at 
that.

> Many actors step into and out of character, yet still retain their
> integrity.

You  just confimed my original point by saying "many"...that implies there 
are
some who don't. Thank sfor doing my work for me. The world is not all roses
and cream. "Some" people out there don't have integrity or are intentionally
incincere, by our most common definitions of these terms.

> > . . . For a creative guy, you're sounding somewhat intolerant.
>
> It doesn't matter what *we*, *others* or *I* know . . . it's about you. If
> your intent isn't to communicate honestly, it's about deceit.

It's not about me, in this case.  I'm communicating
a set of ideas, and it is irrelevant whether I believe in them or not. It's 
about
the stimulation of discourse. One can communicate thoughts and ideas without
believing in all of them or taking everything personal.  Do you believe that
advancements in thought and understanding arise partly by heathly debate, 
synthesis,
antithesis, etc?  I do. Or do I need to put a sticky note on my computer 
screen that
says, "Note to self: When communicating with Miko, please ensure everything 
I
say is a personal statement about myself and is utterly sincere and 
honest".  :)
It's note even the right context to ask for that sort  of thing...we're 
exhanging ideas.
man.....I'm not asking for a psychoanalysis. It's words on a computer screen 
that
makes us think and feel. That I got a reaction out of you makes me happy 
[note, I'm
being sincere here].

> My belief is that however corny, contrived, or schlocky others perceive
> someone's act to be, that person gets up in the morning and intends to do
> their best. If their best is cheesy to you, so what? They're being honest,
> and commiting to a plan of action. More power to them, and their honest
> effort deserves respect. You don't have to like it, but it's worthy. Is a
> devil's advocate and poseur just-for-the-fake-of-it worthy?

That's great. And you think someone here is disagreeing with you? I don't 
recall
anyone saying Keller didn't deserve repect. I don't think you even need to
argue your point above. Doesn't most everyone deserve this sort of respect?
Perhaps you should go back and read some of my original points, because it
seems like this thread become fuzzy in light of what people are actually 
claiming
and why.

>> But, seriously, yes, I have experienced many magical moments from utterly
> simple pieces of performances.  I don't see your point, though. I was
> intentionally marginalizing his performance with the observation that what
> he does is not particular difficult to do or that original and creative, 
> and
> magical moments don't negate that fact.
>
> My point is to ask:  If it's so easy-if there's nothing unusual-if it's 
> all
> ordinary and bland; what IS it that draws people and inspires them?  Is it
> intangible?  Spiritual?  Honest?  Pertinent?

It could be a lot of things. And how does this relate to my original points?
I seem to have lost how your comments map back to the original points.
Sorry.

K-


From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 07:15:57 2006
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Subject: Re: Keller Williams / jam bands/ rc50
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Very observant, Travis, but I never said that anyone had "no talent".  =
nice try.  Even an amateur guitar player has talent. Whether they are =
inspiring and creative is a different matter, in my opinion.=20

Kris

  ----- Original Message -----=20


  On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:-----=20
  Original Message -----
  From: "Miko Biffle" < biffoz@arczip.com>
  > I'm just questioning some of the so-called obvious assertions you're
  > writing
  > reams about.  I don't buy the no-talent, anyone-can-do-it theory.=20

  I never claimed that anyone had no talent. You must be referring to =
someone
  else or misrepresenting my points to conveniently, albeit fallaciously =
refute
  them.

  -------------------------=20

  Krispen Hartung, not twenty-four hours earlier: "[referring to =
nameless jam bands, other than, at times, Phish]...a mind numbing, THC =
induced, drone-on-the-same-string/scale-for-a-fucking-hour fest.  You =
could take a nap, wake up and hear the same shit playing.  Most jam =
bands I've seen are virtually devoid of any creativity. It's a social =
thing, albeit, like sex, drugs, and alcohol with Rock n' Roll...no one =
expects artistic genius.  Even Keller's set is not that inspiring from a =
creativity standpoint. The final music output is entirely =
unoriginal...the chops are standard (except the vocals and therimin =
playing, which have much to be desired), and the looping technique is =
fundamental. That's his bag I guess,but I'd wager that any of the =
competant multi-instrumentalists out there (thousands) could pull a =
similar set off with little effort, after learning the basic functions =
of the looping device. What is left after stripping every other possible =
unique factor away from his set is that he appears to be one of the only =
successful guys doing it for large crowds...this says=20

  nothing of the music, by the way, just marketing, time, and energy to =
create
  a niche. I'm sure it works for him...I'd comittt suicide if my musical
  career came down to that.   I hope this gets someone bent out of =
shape...I=20
  like bending people out of shape!  :)"









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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Very observant, Travis, but I never =
said that=20
anyone had "no talent".&nbsp; nice try.&nbsp; Even an amateur guitar =
player has=20
talent. Whether they are inspiring and creative is a different matter, =
in my=20
opinion.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV><SPAN=20
  class=3Dgmail_quote>On 11/29/06, <B class=3Dgmail_sendername>Krispen =
Hartung</B>=20
  &lt;<A =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
  wrote:</SPAN>----- <BR>Original Message -----<BR>From: "Miko Biffle" =
&lt; <A=20
  href=3D"mailto:biffoz@arczip.com">biffoz@arczip.com</A>&gt;<BR>&gt; =
I'm just=20
  questioning some of the so-called obvious assertions you're<BR>&gt;=20
  writing<BR>&gt; reams about.&nbsp;&nbsp;I don't buy the no-talent,=20
  anyone-can-do-it theory. <BR><BR>I never claimed that anyone had no =
talent.=20
  You must be referring to someone<BR>else or misrepresenting my points =
to=20
  conveniently, albeit fallaciously=20
  refute<BR>them.<BR><BR>-------------------------<SPAN =
class=3Dgmail_quote> <B=20
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times,=20
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  are virtually devoid of any creativity. It's a social thing, albeit, =
like sex,=20
  drugs, and alcohol with Rock n' Roll...no one expects artistic genius. =

  &nbsp;Even Keller's set is not that inspiring from a creativity =
standpoint.=20
  The final music output is entirely unoriginal...the chops are standard =
(except=20
  the vocals and therimin playing, which have much to be desired), and =
the=20
  looping technique is fundamental. That's his bag I guess,but I'd wager =
that=20
  any of the competant multi-instrumentalists out there (thousands) =
could pull a=20
  similar set off with little effort, after learning the basic functions =
of the=20
  looping device. What is left after stripping every other possible =
unique=20
  factor away from his set is that he appears to be one of the only =
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  <DIV style=3D"DIRECTION: ltr">nothing of the music, by the way, just =
marketing,=20
  time, and energy to create<BR>a niche. I'm sure it works for him...I'd =
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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 08:20:01 2006
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Date: Thu, 30 Nov 2006 00:19:57 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Keller Williams / jam bands/ rc50
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That's true, you never said they had no talent.

However, the description you did offer comes doesn't come across as someone
with a differing sense of aesthetics offering an even-handed assessment of
something that doesn't rank highly based on those criteria, but a slagfest
on what you perceive as...practically worthless.

Reading your assessment of Keller Williams leads me to believe that the only
things he has going for him is that 1) he enjoys what he's doing and 2) his
large fan base enjoys what he's doing.  When you throw in the fact that he
earns a living doing this, I'd have to say that's what I consider a very
successful musician, on all levels.   Here's the criteria I use:

Doing something you love, having lots of people appreciate it (in my
personal criteria having "more" people liking what I love to do is
preferable to "few" or "none") and getting paid for it (again, "more money
for what I love to do" being preferable to "less" or "none")--that's as good
as it gets.

The particulars of "what you love to do" are irrelevant in this case, but
who wouldn't want all three of the the above?


TH

On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:
>
>  Very observant, Travis, but I never said that anyone had "no talent".
> nice try.  Even an amateur guitar player has talent. Whether they are
> inspiring and creative is a different matter, in my opinion.
>
> Kris
>
>
> ----- Original Message -----
>
>
> On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:-----
> Original Message -----
> From: "Miko Biffle" < biffoz@arczip.com>
> > I'm just questioning some of the so-called obvious assertions you're
> > writing
> > reams about.  I don't buy the no-talent, anyone-can-do-it theory.
>
> I never claimed that anyone had no talent. You must be referring to
> someone
> else or misrepresenting my points to conveniently, albeit fallaciously
> refute
> them.
>
> -------------------------
>
> Krispen Hartung, not twenty-four hours earlier: "[referring to nameless
> jam bands, other than, at times, Phish]...a mind numbing, THC induced,
> drone-on-the-same-string/scale-for-a-fucking-hour fest.  You could take a
> nap, wake up and hear the same shit playing.  Most jam bands I've seen are
> virtually devoid of any creativity. It's a social thing, albeit, like sex,
> drugs, and alcohol with Rock n' Roll...no one expects artistic genius.  Even
> Keller's set is not that inspiring from a creativity standpoint. The final
> music output is entirely unoriginal...the chops are standard (except the
> vocals and therimin playing, which have much to be desired), and the looping
> technique is fundamental. That's his bag I guess,but I'd wager that any of
> the competant multi-instrumentalists out there (thousands) could pull a
> similar set off with little effort, after learning the basic functions of
> the looping device. What is left after stripping every other possible unique
> factor away from his set is that he appears to be one of the only successful
> guys doing it for large crowds...this says
> nothing of the music, by the way, just marketing, time, and energy to
> create
> a niche. I'm sure it works for him...I'd comittt suicide if my musical
> career came down to that.   I hope this gets someone bent out of shape...I
>
> like bending people out of shape!  :)"
>
>
>
>
> >
>

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That's true, you never said they had no talent.&nbsp; <br><br>However, the description you did offer comes doesn't come across as someone with a differing sense of aesthetics offering an even-handed assessment of something that doesn't rank highly based on those criteria, but a slagfest on what you perceive as...practically worthless.&nbsp; 
<br><br>Reading your assessment of Keller Williams leads me to believe that the only things he has going for him is that 1) he enjoys what he's doing and 2) his large fan base enjoys what he's doing.&nbsp; When you throw in the fact that he earns a living doing this, I'd have to say that's what I consider a very successful musician, on all levels.&nbsp;&nbsp; Here's the criteria I use:
<br><br>Doing something you love, having lots of people appreciate it (in my personal criteria having &quot;more&quot; people liking what I love to do is preferable to &quot;few&quot; or &quot;none&quot;) and getting paid for it (again, &quot;more money for what I love to do&quot; being preferable to &quot;less&quot; or &quot;none&quot;)--that's as good as it gets.&nbsp; 
<br><br>The particulars of &quot;what you love to do&quot; are irrelevant in this case, but who wouldn't want all three of the the above?<br><br><br><span class="e" id="q_10f37b83d5e011b2_1">TH<br></span><br><div><span class="gmail_quote">
On 11/29/06, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff">
<div><font face="Arial" size="2">Very observant, Travis, but I never said that 
anyone had &quot;no talent&quot;.&nbsp; nice try.&nbsp; Even an amateur guitar player has 
talent. Whether they are inspiring and creative is a different matter, in my 
opinion.&nbsp;</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Kris</font></div><div><span class="e" id="q_10f37b83d5e011b2_1">
<div><font face="Arial" size="2"></font>&nbsp;</div>
<blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;">----- Original Message ----- </div>
  <div style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;">
<br>&nbsp;</div><span class="gmail_quote">On 11/29/06, <b class="gmail_sendername">Krispen Hartung</b> 
  &lt;<a href="mailto:khartung@cableone.net" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">khartung@cableone.net</a>&gt; 
  wrote:</span>----- <br>Original Message -----<br>From: &quot;Miko Biffle&quot; &lt; <a href="mailto:biffoz@arczip.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">biffoz@arczip.com</a>&gt;<br>
&gt; I'm just 
  questioning some of the so-called obvious assertions you're<br>&gt; 
  writing<br>&gt; reams about.&nbsp;&nbsp;I don't buy the no-talent, 
  anyone-can-do-it theory. <br><br>I never claimed that anyone had no talent. 
  You must be referring to someone<br>else or misrepresenting my points to 
  conveniently, albeit fallaciously 
  refute<br>them.<br><br>-------------------------<span class="gmail_quote"> <b class="gmail_sendername"><span style="font-weight: bold;"></span></b></span><br><br><span class="gmail_quote"><b class="gmail_sendername">Krispen Hartung, not twenty-four hours 
  earlier:</b></span> &quot;[referring to nameless jam bands, other than, at times, 
  Phish]...a mind numbing, THC induced, 
  drone-on-the-same-string/scale-for-a-fucking-hour fest. &nbsp;You could take a 
  nap, wake up and hear the same shit playing. &nbsp;Most jam bands I've seen 
  are virtually devoid of any creativity. It's a social thing, albeit, like sex, 
  drugs, and alcohol with Rock n' Roll...no one expects artistic genius. 
  &nbsp;Even Keller's set is not that inspiring from a creativity standpoint. 
  The final music output is entirely unoriginal...the chops are standard (except 
  the vocals and therimin playing, which have much to be desired), and the 
  looping technique is fundamental. That's his bag I guess,but I'd wager that 
  any of the competant multi-instrumentalists out there (thousands) could pull a 
  similar set off with little effort, after learning the basic functions of the 
  looping device. What is left after stripping every other possible unique 
  factor away from his set is that he appears to be one of the only successful 
  guys doing it for large crowds...this says <br>
  <div style="direction: ltr;">nothing of the music, by the way, just marketing, 
  time, and energy to create<br>a niche. I'm sure it works for him...I'd comittt 
  suicide if my musical<br>career came down to that. &nbsp; I hope this gets 
  someone bent out of shape...I <br>like bending people out of shape! 
  &nbsp;:)&quot;</div><br><br>
  <div><span class="gmail_quote"><br></span>
  <blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br></blockquote></div><br></blockquote></span></div></div>

</blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 09:23:27 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Back on LD
Date: Thu, 30 Nov 2006 10:23:24 +0100
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On 30 nov 2006, at 02.58, Matt Davignon wrote:

> I'm back on the list

Hi, Matt :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 10:26:37 2006
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I have to give an enthusiastic thumbs up to Matt Davignon's latest recorded 
project
'SoftWetFish'.

What Matt does with extremely simple looping devices and stomp box pedals 
using only a
cheap drum machine as a sound source is nothing less than astonishing.

He make beautiful music and every time I see him live, he makes a completely 
different set of music.

I fell in love with his last CD,  "Bwoo"  and can also highly recommend it.
I also encourage you to see his live shows.

To add to this rave review I also have to say that he has been curating and 
leading the longest running
new and experimental music venue in San Francisco,  the Luggage Store 
Experimental Music Series
which truly ranks amongst the world's wonderful and creative new music 
series.

He has also done a ton to promote new musical artistry in the looping artist 
and has hosted Experimental
Looping shows.

By his CDs,  you'll be glad, aesthetically and you'll also be supporting one 
of the true 'good ones' in our looping scene.

sincerely,   Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 10:34:40 2006
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Welcome back!

----- Original Message ----- 
From: Matt Davignon
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, 30 November, 2006 01:58 AM
Subject: Back on LD


Hi everyone,

I'm back on the list. I used to be a member a few years ago.

I've worked with a large number of sound sources ofver the last 10 years, 
including records, field recordings, found objects, musical instruments and 
electronics. For the last 3 years or so I've been focusing on drum machine. 
Sounds dumb in print, I know, but it's nothing like what you're probably 
thinking of. It has more in common with modern max-msp composition (laptop 
stuff), drone music or 70's synthesizer space music than anything with 
traditional rhythms.

I've got a new cd out this year ("SoftWetFish"), which is still making 
modest rounds on college stations around the USA. As a resident of Oakland, 
California, I'm a frequent performer in the vibrant San Francisco bay area 
experimental & improvised music scene. ...And some of you may know me from 
theY2K looping festivals in Santa Cruz.

Just saying hello for now. If anyone's curious about the drum machine stuff, 
there are samples at: www.ribosomemusic.com

Matt Davignon 

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 11:27:12 2006
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Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the the month-long
Special Focus on Synergy, a.k.a. Larry Fast.  The Featured CD at
Midnight will be "Reconstructed Artifacts" on Third Contact
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#nov

The Vinyl Starter will come from the LP "Spirals" by Vangelis on RCA
Records and released in 1977.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.

All times are EST / GMT-5.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 14:51:03 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <BAY109-F18D8F2806473BB669B8E76C6E60@phx.gbl> <03c801c7126f$d25ae2f0$b5b1ec0f@americas.hpqcorp.net> <006901c7137e$3de6ee60$b3f49643@Biffoz> <001401c71395$5dd47cd0$4001a8c0@mini> <04e401c713cc$26c17fe0$b5b1ec0f@americas.hpqcorp.net> <001b01c71446$6ac1cae0$12fe9643@Biffoz> <063e01c7144a$bfc01340$b5b1ec0f@americas.hpqcorp.net> <d1396fc00611292306u57a1f4c3uef9659f09a8e25ec@mail.gmail.com> <065601c7144f$5fd95900$b5b1ec0f@americas.hpqcorp.net> <d1396fc00611300019k9a498a3ra898cb187fce6613@mail.gmail.com>
Subject: Re: Keller Williams / jam bands/ rc50
Date: Thu, 30 Nov 2006 07:50:56 -0700
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Absolutlely, my paragraph you sited below had some extremely emotively =
charged languange in it, based on my own subjective feelings of the =
music, mixed with some not-so creative observations about a performances =
creative character.  I rather enjoyed writing it and would write it =
again if the context fit.  It was also partly humorious, which doesn't =
come across in email...sometimes a simple :) doesn't cut it.  =20

I like your criteria. It's is generic l enough to fit to a large =
percentage of us loopers and musicians. If you stood a pyramid on its =
head, which broadly applied critera on the top and narrow below, I think =
your would rank one of the top.=20

Kris

  ----- Original Message -----=20
  From: Travis Hartnett=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, November 30, 2006 1:19 AM
  Subject: Re: Keller Williams / jam bands/ rc50


  That's true, you never said they had no talent. =20

  However, the description you did offer comes doesn't come across as =
someone with a differing sense of aesthetics offering an even-handed =
assessment of something that doesn't rank highly based on those =
criteria, but a slagfest on what you perceive as...practically =
worthless. =20

  Reading your assessment of Keller Williams leads me to believe that =
the only things he has going for him is that 1) he enjoys what he's =
doing and 2) his large fan base enjoys what he's doing.  When you throw =
in the fact that he earns a living doing this, I'd have to say that's =
what I consider a very successful musician, on all levels.   Here's the =
criteria I use:=20

  Doing something you love, having lots of people appreciate it (in my =
personal criteria having "more" people liking what I love to do is =
preferable to "few" or "none") and getting paid for it (again, "more =
money for what I love to do" being preferable to "less" or =
"none")--that's as good as it gets. =20

  The particulars of "what you love to do" are irrelevant in this case, =
but who wouldn't want all three of the the above?


  TH


  On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:
    Very observant, Travis, but I never said that anyone had "no =
talent".  nice try.  Even an amateur guitar player has talent. Whether =
they are inspiring and creative is a different matter, in my opinion.=20

    Kris

      ----- Original Message -----=20

      =20
      On 11/29/06, Krispen Hartung <khartung@cableone.net> wrote:-----=20
      Original Message -----
      From: "Miko Biffle" < biffoz@arczip.com>
      > I'm just questioning some of the so-called obvious assertions =
you're
      > writing
      > reams about.  I don't buy the no-talent, anyone-can-do-it =
theory.=20

      I never claimed that anyone had no talent. You must be referring =
to someone
      else or misrepresenting my points to conveniently, albeit =
fallaciously refute
      them.

      -------------------------=20

      Krispen Hartung, not twenty-four hours earlier: "[referring to =
nameless jam bands, other than, at times, Phish]...a mind numbing, THC =
induced, drone-on-the-same-string/scale-for-a-fucking-hour fest.  You =
could take a nap, wake up and hear the same shit playing.  Most jam =
bands I've seen are virtually devoid of any creativity. It's a social =
thing, albeit, like sex, drugs, and alcohol with Rock n' Roll...no one =
expects artistic genius.  Even Keller's set is not that inspiring from a =
creativity standpoint. The final music output is entirely =
unoriginal...the chops are standard (except the vocals and therimin =
playing, which have much to be desired), and the looping technique is =
fundamental. That's his bag I guess,but I'd wager that any of the =
competant multi-instrumentalists out there (thousands) could pull a =
similar set off with little effort, after learning the basic functions =
of the looping device. What is left after stripping every other possible =
unique factor away from his set is that he appears to be one of the only =
successful guys doing it for large crowds...this says=20

      nothing of the music, by the way, just marketing, time, and energy =
to create
      a niche. I'm sure it works for him...I'd comittt suicide if my =
musical
      career came down to that.   I hope this gets someone bent out of =
shape...I=20
      like bending people out of shape!  :)"











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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2995" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Absolutlely, my paragraph you sited =
below had some=20
extremely emotively charged languange in it, based on my own subjective =
feelings=20
of the music, mixed with some not-so creative observations about a =
performances=20
creative character.&nbsp; I rather enjoyed writing it and =
would&nbsp;write it=20
again if the context fit. &nbsp;It was also partly humorious, which =
doesn't come=20
across in email...sometimes a simple :) doesn't cut it.&nbsp;&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I like your criteria. It's is generic l =
enough to=20
fit to a large percentage of us loopers and musicians. If you stood a =
pyramid on=20
its head, which broadly applied critera on the top and narrow below, I =
think=20
your would rank one of the top. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtravishartnett@gmail.com=20
  href=3D"mailto:travishartnett@gmail.com">Travis Hartnett</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, November 30, =
2006 1:19=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Keller Williams / =
jam bands/=20
  rc50</DIV>
  <DIV><BR></DIV>That's true, you never said they had no talent.&nbsp;=20
  <BR><BR>However, the description you did offer comes doesn't come =
across as=20
  someone with a differing sense of aesthetics offering an even-handed=20
  assessment of something that doesn't rank highly based on those =
criteria, but=20
  a slagfest on what you perceive as...practically worthless.&nbsp;=20
  <BR><BR>Reading your assessment of Keller Williams leads me to believe =
that=20
  the only things he has going for him is that 1) he enjoys what he's =
doing and=20
  2) his large fan base enjoys what he's doing.&nbsp; When you throw in =
the fact=20
  that he earns a living doing this, I'd have to say that's what I =
consider a=20
  very successful musician, on all levels.&nbsp;&nbsp; Here's the =
criteria I=20
  use: <BR><BR>Doing something you love, having lots of people =
appreciate it (in=20
  my personal criteria having "more" people liking what I love to do is=20
  preferable to "few" or "none") and getting paid for it (again, "more =
money for=20
  what I love to do" being preferable to "less" or "none")--that's as =
good as it=20
  gets.&nbsp; <BR><BR>The particulars of "what you love to do" are =
irrelevant in=20
  this case, but who wouldn't want all three of the the =
above?<BR><BR><BR><SPAN=20
  class=3De id=3Dq_10f37b83d5e011b2_1>TH<BR></SPAN><BR>
  <DIV><SPAN class=3Dgmail_quote>On 11/29/06, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>Very observant, Travis, but I never =
said that=20
    anyone had "no talent".&nbsp; nice try.&nbsp; Even an amateur guitar =
player=20
    has talent. Whether they are inspiring and creative is a different =
matter,=20
    in my opinion.&nbsp;</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><SPAN class=3De id=3Dq_10f37b83d5e011b2_1>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial; font-size-adjust: none">----- =
Original=20
      Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; =
font-size-adjust: none; moz-background-clip: -moz-initial; =
moz-background-origin: -moz-initial; moz-background-inline-policy: =
-moz-initial"><BR>&nbsp;</DIV><SPAN=20
      class=3Dgmail_quote>On 11/29/06, <B =
class=3Dgmail_sendername>Krispen=20
      Hartung</B> &lt;<A onclick=3D"return =
top.js.OpenExtLink(window,event,this)"=20
      href=3D"mailto:khartung@cableone.net"=20
      target=3D_blank>khartung@cableone.net</A>&gt; wrote:</SPAN>-----=20
      <BR>Original Message -----<BR>From: "Miko Biffle" &lt; <A=20
      onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
      href=3D"mailto:biffoz@arczip.com"=20
      target=3D_blank>biffoz@arczip.com</A>&gt;<BR>&gt; I'm just =
questioning some=20
      of the so-called obvious assertions you're<BR>&gt; writing<BR>&gt; =
reams=20
      about.&nbsp;&nbsp;I don't buy the no-talent, anyone-can-do-it =
theory.=20
      <BR><BR>I never claimed that anyone had no talent. You must be =
referring=20
      to someone<BR>else or misrepresenting my points to conveniently, =
albeit=20
      fallaciously refute<BR>them.<BR><BR>-------------------------<SPAN =

      class=3Dgmail_quote> <B class=3Dgmail_sendername><SPAN=20
      style=3D"FONT-WEIGHT: bold"></SPAN></B></SPAN><BR><BR><SPAN=20
      class=3Dgmail_quote><B class=3Dgmail_sendername>Krispen Hartung, =
not=20
      twenty-four hours earlier:</B></SPAN> "[referring to nameless jam =
bands,=20
      other than, at times, Phish]...a mind numbing, THC induced,=20
      drone-on-the-same-string/scale-for-a-fucking-hour fest. &nbsp;You =
could=20
      take a nap, wake up and hear the same shit playing. &nbsp;Most jam =
bands=20
      I've seen are virtually devoid of any creativity. It's a social =
thing,=20
      albeit, like sex, drugs, and alcohol with Rock n' Roll...no one =
expects=20
      artistic genius. &nbsp;Even Keller's set is not that inspiring =
from a=20
      creativity standpoint. The final music output is entirely =
unoriginal...the=20
      chops are standard (except the vocals and therimin playing, which =
have=20
      much to be desired), and the looping technique is fundamental. =
That's his=20
      bag I guess,but I'd wager that any of the competant =
multi-instrumentalists=20
      out there (thousands) could pull a similar set off with little =
effort,=20
      after learning the basic functions of the looping device. What is =
left=20
      after stripping every other possible unique factor away from his =
set is=20
      that he appears to be one of the only successful guys doing it for =
large=20
      crowds...this says <BR>
      <DIV style=3D"DIRECTION: ltr">nothing of the music, by the way, =
just=20
      marketing, time, and energy to create<BR>a niche. I'm sure it =
works for=20
      him...I'd comittt suicide if my musical<BR>career came down to =
that.=20
      &nbsp; I hope this gets someone bent out of shape...I <BR>like =
bending=20
      people out of shape! &nbsp;:)"</DIV><BR><BR>
      <DIV><SPAN class=3Dgmail_quote><BR></SPAN>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px =
solid"><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></SPAN></DIV></DIV></BLOCK=
QUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0696_01C71454.447846D0--


From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 17:26:58 2006
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Date: Thu, 30 Nov 2006 12:30:44 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #504 for November 23, 2006
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http://wdiy.org/programs/gt/playlists/2006/061123.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #504                November 23, 2006

RECAP:
On this show, I continued the month-long focus on Synergy.  The Featured
CD at Midnight was "Metropolitan Suite" on Third Contact Records.

The Vinyl Starter was from the LP "Firebird" by Tomita on RCA Records
and released in 1976.

Synergy - http://wdiy.org/programs/gt/playlists/2006/focus.html#nov


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Tomita               Infernal Dance of    Firebird (RCA)
                       King Kastchei
Tomita               Berceuse and Finale  Firebird (RCA)
Keith Fullerton      Stereo Music for     Multiples (Kranky)
  Whitman              Serge Prototype - Part Two
Bionight             Daybreak             Daybreak (none)
Michael Sandler      1                    Leaf Showers (Blue Water)
Mingo                The Hum of Land's    This Side of the Night (none)
Ian Boddy            Never Forever        Elemental (DiN)
Ian Boddy            Stormfront           Elemental (DiN)
Ian Boddy            If All the World     Elemental (DiN)
                       Was Blue

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ian Boddy            Foundry *            Elemental (DiN)
Synergy              North River          Metropolitan Suite (Third
                                            Contact)
Synergy              Steam and Steel      Met. Suite (Third Contact)
                       Towers
Synergy              City Goes to War     Met. Suite (Third Contact)
Synergy              Metropolitan Theme   Met. Suite (Third Contact)
Synergy              The End of an Era    Met. Suite (Third Contact)
Synergy              Into the Abyss       Met. Suite (Third Contact)
Synergy              Prairie Light        Met. Suite (Third Contact)
Synergy              West Side Nights     Met. Suite (Third Contact)
Synergy              Redstone             Met. Suite (Third Contact)
Stephen Philips      Dagboken             Dagboken (Hypnos /
                                            Secret Sounds)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Synergy.  The Featured CD at Midnight will be "Reconstructed Artifacts"
on Third Contact Records.

The Vinyl Starter will be from the LP "Spiral" by Vangelis on RCA
Records and released in 1977.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 18:11:35 2006
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Date: Thu, 30 Nov 2006 10:11:30 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Back on LD
Cc: Matt Davignon <mattdavignon@gmail.com>
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Welcome back Matt!

I really dig/dug "BWOO" and have always enjoyed your annual Santa Cruz perf=
ormances.

One of these days I might take a break from LD too, but not today.

I guess now that I am one of the dwindling few 10-year veterans of the list=
 I have that to consider too . . . not that I hardly ever post any more.

Glad to see you back aboard!

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 18:36:17 2006
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Keller Williams / jam bands/ rc50
Date: Thu, 30 Nov 2006 13:36:11 -0500
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I agree with everyone .......

oh ... and ... enough already !


PS - I would like to direct you to this one if you got a minute ... (Keller 
again)

http://www.youtube.com/watch?v=QHDupqwy-nA

I think the guys got a bit more guitar skill than we may be giving credit 
for.  But maybe I just like the triplet arpeggios with harmonics ... hmmm 
....if that makes sense.  Anyway, check it out .... thats gotta be one of 
the coolest new tricks I've seen on guitar .....  He does also set up a nice 
loop jam about 2/3 the way through.  I dig it.  Still a cheeseball though.

_________________________________________________________________
Get free, personalized commercial-free online radio with MSN Radio powered 
by Pandora http://radio.msn.com/?icid=T002MSN03A07001

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 18:52:08 2006
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Date: Thu, 30 Nov 2006 10:50:54 -0800
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Keller Williams / jam bands/ rc50
Cc: aaron leese <aaronleese@hotmail.com>
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Wow. I had a similar hairdo in about 1966 about the time I attended an Iron Butterfly concert. 
--
Paul Richards

---- aaron leese <aaronleese@hotmail.com> wrote: 
> 
> 
> I agree with everyone .......
> 
> oh ... and ... enough already !
> 
> 
> PS - I would like to direct you to this one if you got a minute ... (Keller 
> again)
> 
> http://www.youtube.com/watch?v=QHDupqwy-nA
> 
> I think the guys got a bit more guitar skill than we may be giving credit 
> for.  But maybe I just like the triplet arpeggios with harmonics ... hmmm 
> ....if that makes sense.  Anyway, check it out .... thats gotta be one of 
> the coolest new tricks I've seen on guitar .....  He does also set up a nice 
> loop jam about 2/3 the way through.  I dig it.  Still a cheeseball though.
> 
> _________________________________________________________________
> Get free, personalized commercial-free online radio with MSN Radio powered 
> by Pandora http://radio.msn.com/?icid=T002MSN03A07001
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 19:22:49 2006
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Date: Thu, 30 Nov 2006 11:23:02 -0800
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: Keller Williams / jam bands/ rc50
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mmm, I'll take an order of triplet arpeggios with harmonics to go please.


At 2006.11.30 10:36 AM, aaron leese wrote:
>I think the guys got a bit more guitar skill than we may be giving credit 
>for.  But maybe I just like the triplet arpeggios with harmonics ... hmmm 
>....if that makes sense.  Anyway, check it out .... thats gotta be one of 
>the coolest new tricks I've seen on guitar .....  He does also set up a 
>nice loop jam about 2/3 the way through.  I dig it.  Still a cheeseball though.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 19:41:08 2006
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Date: Thu, 30 Nov 2006 11:41:07 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject: Krispen's LD site
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     Hey Krispen,

     I've always enjoyed your banter, quick, witty, rather intelligent, and my goodness, so
prolific.  And this latest round of so very enjoyable diatribe on how much you don't care for
Musician X Y or Z.

     Perhaps we should rename this list "Krispen's Looper's Delight"  I'm sure that Kim Flint has
had quite enough of it and would be willing to pass the torch.  In some ways, you are the perfect
candidate for the job, hard working, supportive of the music that you like, and my goodness, so
very very prolific.  I'm sure that Kim would love to pass on the financial burden as well.  Since
the very large majority of posts here are either about you or written by you, this seems a logical
move.

     So, whaddya say?  You up for it?

     Be well,

          Stephen









 
____________________________________________________________________________________
Yahoo! Music Unlimited
Access over 1 million songs.
http://music.yahoo.com/unlimited

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 20:48:55 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Krispen's LD site
Date: Thu, 30 Nov 2006 13:48:49 -0700
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I'd say you are generalizing from this instance to something outrageous. If 
you want to propose that, then I'd do a more thorough analysis on top 
posters besides myself in the last few years, and rename it "Person A, 
Person B, Person C....etc, etc, Looper's Delight". I'm sure that wouldn't 
fly.

K-
----- Original Message ----- 
From: "S V G" <vsyevolod@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, November 30, 2006 12:41 PM
Subject: Krispen's LD site


>
>     Hey Krispen,
>
>     I've always enjoyed your banter, quick, witty, rather intelligent, and 
> my goodness, so
> prolific.  And this latest round of so very enjoyable diatribe on how much 
> you don't care for
> Musician X Y or Z.
>
>     Perhaps we should rename this list "Krispen's Looper's Delight"  I'm 
> sure that Kim Flint has
> had quite enough of it and would be willing to pass the torch.  In some 
> ways, you are the perfect
> candidate for the job, hard working, supportive of the music that you 
> like, and my goodness, so
> very very prolific.  I'm sure that Kim would love to pass on the financial 
> burden as well.  Since
> the very large majority of posts here are either about you or written by 
> you, this seems a logical
> move.
>
>     So, whaddya say?  You up for it?
>
>     Be well,
>
>          Stephen
>
>
>
>
>
>
>
>
>
>
> ____________________________________________________________________________________
> Yahoo! Music Unlimited
> Access over 1 million songs.
> http://music.yahoo.com/unlimited
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 21:23:19 2006
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Date: Thu, 30 Nov 2006 13:23:34 -0800
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: Krispen's LD site
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Kevin has a script ready to go!
http://www.loopersdelight.com/LDarchive/200607/msg00864.html

At any rate, I think LD rolls off the tongue better...


At 2006.11.30 12:48 PM, Krispen Hartung wrote:
>I'd say you are generalizing from this instance to something outrageous. 
>If you want to propose that, then I'd do a more thorough analysis on top 
>posters besides myself in the last few years, and rename it "Person A, 
>Person B, Person C....etc, etc, Looper's Delight". I'm sure that wouldn't fly.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 21:46:12 2006
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <629681.3445.qm@web52806.mail.yahoo.com> <5.2.1.1.0.20061130131435.01196138@pop.powweb.com>
Subject: gear question
Date: Thu, 30 Nov 2006 22:46:00 +0100
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here is a true looper's question:
i use the line6 and the 2880 (and i have a repeater somewhere, stopped using
it because of the clicking display).
i would like to record a loop, improvise on it, record a different loop
(like a b part) and be able to switch between them ad lib via footswitch..

which loopers can do that for me?

all the best, smooth loops, tilmann

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 22:24:03 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: drone on
Date: Thu, 30 Nov 2006 14:23:58 -0800
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, drone-on-the-same-string/scale-for-a-fucking-hour fest

Could describe Ravi Shankar or any Indian, Persian, or Turkish classical 
music.

_________________________________________________________________
MSN Shopping has everything on your holiday list. Get expert picks by style, 
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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 22:30:38 2006
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: gear question
Date: Thu, 30 Nov 2006 23:30:27 +0100
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This is a multi-part message in MIME format.

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thanx for the quick replys everybody!
tilmann

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<DIV><FONT face=3DArial size=3D2>thanx for the quick replys =
everybody!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>tilmann</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 22:33:05 2006
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Date: Thu, 30 Nov 2006 17:32:58 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: drone on
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That whole drone thing works wonderful for a very large portion of celtic/trad
music as well. It's one of the reasons I use an open tuning on my guitar.
(DADADA) This tuning produces that same sort of open fifths tuning that
bagpipers prefer. Of course, given this small amount of info, you can just
imagine how dull my looping efforts are........


droning on in Canada
Paul Haslem
Ontario, Canada
www.dulcify.ca




Quoting samba - <sambacomet@hotmail.com>:

> , drone-on-the-same-string/scale-for-a-fucking-hour fest
>
> Could describe Ravi Shankar or any Indian, Persian, or Turkish 
> classical music.
>
> _________________________________________________________________
> MSN Shopping has everything on your holiday list. Get expert picks by 
> style, age, and price. Try it! 
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>
>


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I like CGCGGD for guitar. (2nd and 3rd strings are unison G, like the 3rd string is normally tuned) When you play on the same fret two strings apart you get either octaves or fifths. I went nuts with this doing 2-handed tapping on 2 strings at a time:

http://www.marksmart.net/bands/iconoclast/dusk/dusk.html

But sounds really cool with distortion, too.

Mark Smart
http://www.marksmart.net

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<DIV>I like CGCGGD for guitar. (2nd and 3rd strings are unison G, like the 3rd string is normally tuned) When you play on the same fret two strings apart you get either octaves or fifths. I went nuts with this doing 2-handed tapping on 2 strings at a time:</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href="http://www.marksmart.net/bands/iconoclast/dusk/dusk.html">http://www.marksmart.net/bands/iconoclast/dusk/dusk.html</A><BR></DIV>
<DIV>But sounds really cool with distortion, too.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Mark Smart</DIV>
<DIV><A href="http://www.marksmart.net">http://www.marksmart.net</A></DIV>
<DIV>&nbsp;</DIV>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 23:40:27 2006
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From: john floridis <jfloridis@aol.com>
Subject: Re: Keller Williams- guitar tone??
Date: Thu, 30 Nov 2006 16:40:11 -0700
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i've been tempted to chime in several times here on this thread, but  
after going to the youtube video that aaron refered us to, i have a  
question for keller fans or otherwise about something that has  
mystified me for some time about keller williams-

why in this day and age of acoustic guitar amplification with the  
multitude of pretty damn good pickup systems does he insist on  
relying on, what sounds like to me, the most generic donald duck  
piezo pickup sound.  to me it sounds like he's playing well tuned  
rubber bands.

i confess i'm not a fan, don't like the corny stuff, DO think he's  
creative within what he's trying to do (whether you go for it or  
not), do think he's  a fine player (rythym skills  
particularly)......just not my cup of tea.  i think part of what this  
guy is about is creating community with the folks who come to his  
shows, and though i'm not in that genre, i have to say that the jam  
bandaholics, hippies, whatever you want to call them are some of the  
coolest people i've met,......AND most of them, despite the stoner  
stereotype, actually listen to what's going on and value music and  
PARTICIPATE in music on some level more so than the average joe or  
jane.  there also some of the most open-minded folks you're going to  
meet as well.

but about that tone......yikes, i know the guy does michael hedges  
covers, so he knows there's better pickup systems......
my two cents,
john



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-=
line-break: after-white-space; ">i've been tempted to chime in several times=
 here on this thread, but after going to the youtube video that aaron refere=
d us to, i have a question for keller fans or otherwise about something that=
 has mystified me for some time about keller williams-<DIV><BR class=3D"khtm=
l-block-placeholder"></DIV><DIV>why in this day and age of acoustic guitar a=
mplification with the multitude of pretty damn good pickup systems does he i=
nsist on relying on, what sounds like to me, the most generic donald duck pi=
ezo pickup sound.=A0 to me it sounds like he's playing well tuned rubber ban=
ds.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><SPAN class=
=3D"Apple-style-span">i confess i'm not a fan, don't like the corny stuff, D=
O think he's creative within what he's <I>trying to do (</I>whether you go f=
or it or not), do think he's=A0 a fine player (rythym skills particularly)..=
....just not my cup of tea.=A0 i think part of what this guy is about is cre=
ating community with the folks who come to his shows, and though i'm not in=20=
that genre, i have to say that the jam bandaholics, hippies, whatever you wa=
nt to call them are some of the coolest people i've met,......AND most of th=
em, despite the stoner stereotype, actually listen to what's going on and va=
lue music and PARTICIPATE in music on some level more so than the average jo=
e or jane.=A0 there also some of the most open-minded folks you're going to=20=
meet as well.</SPAN></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><=
DIV>but about that tone......yikes, i know the guy does michael hedges cover=
s, so he knows there's better pickup systems......</DIV><DIV>my two cents,</=
DIV><DIV>john</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR=
 class=3D"khtml-block-placeholder"></DIV></BODY></HTML>=3D

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