From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 00:02:04 2006
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From: "murkie" <sinister_footwear@yahoo.com>
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Subject: RE: Quick poll
Date: Mon, 31 Jul 2006 20:01:59 -0400
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Guitar rig: JamMan and EH2880
Bass rig:  Headrush
 
m
 
 
http://www.twistedapplerecords.com <http://www.twistedapplerecords.com/> 

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<DIV align=3Dleft><FONT face=3DArial size=3D2><A=20
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 00:46:11 2006
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Date: Mon, 31 Jul 2006 19:46:09 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: a cool online looping program (sort-of)
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well, it probably wasn't made with looping in mind, but it's a cool
little site where you can make some cool piano loops :)

http://www.grotrian.de/spiel/e/spiel_win.html

check it out :)

Charlie

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DL-4, RC-20, DD-20, Vortex

 

  _____  

From: markfrancombe.com [mailto:mark@markfrancombe.com] 
Sent: Monday, July 31, 2006 7:40 AM
To: loopers-Delight@loopers-delight.com
Subject: Quick poll

 

Due to the phenomenal jump in available loopers, this list has widened it
breath of topics to discuss loads of different subjects recently, so much so
that I havent HEARD of some of you lots technology... It used to be that
this list was predominately an EDP list, with a bit of my loopers better
that your looper convo's, and a bit of philosophising and politicising...

 

I'm still interested, facinated by this list.. but lets ahve a quick poll

 

Whos using what now?

I'll start... (looping products mentioned only please)

 

Vortex  split into EDP and Repeater

 

 

your turn...

 

 

mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org
and works at www.transformlearning.com


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>DL-4, RC-20, DD-20, =
Vortex<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>
markfrancombe.com [mailto:mark@markfrancombe.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 31, =
2006 7:40
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Quick =
poll</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Due to the phenomenal jump in available loopers, this =
list
has widened it breath of topics to discuss loads of different subjects
recently, so much so that I havent HEARD of some of you lots =
technology... It
used to be that this list was predominately an EDP list, with a bit of =
my
loopers better that your looper convo's, and a bit of philosophising and
politicising...</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I'm still interested, facinated by this list.. but =
lets ahve
a quick poll</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Whos using what now?<br>
<br>
I'll start... (looping products mentioned only =
please)</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Vortex&nbsp; split into&nbsp;EDP and =
Repeater</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>your turn...</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>mark francombe<br>
marks website is at <a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a>
he writes for <a =
href=3D"http://www.furthernoise.org">www.furthernoise.org</a>
and works at <a =
href=3D"http://www.transformlearning.com">www.transformlearning.com</a></=
span></font><o:p></o:p></p>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 02:39:27 2006
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From: "Michael Plishka" <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 21:40:56 -0500
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Minidiscs are bigger in other parts of the world.  I believe they are still
the rage in Japan, if memory serves me, I could be wrong though.

~peace~

Plish

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]
Sent: Monday, July 31, 2006 5:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: All My CDs Marked down to $5.00


its also amazing that cassettes are still around while
mini disc didnt quite see the light of day!
i am still sentimentally hanging on to mines:-)
Luis

-

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 02:46:53 2006
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Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 22:46:49 -0400
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Minidiscs are cool. I still have a mini minidisc-recorder that comes in 
handy as a field recorder. I had a pro unit too and sold it recently. I used 
the recorder to archive a bunch of reel-to-reel tapes. What a bizarre trail. 
Mono recorded jazz albums, ancient guitar jams by myself and 50's-60's 
instrumentals copied to minidisc.And one Genesis concert!

----- Original Message ----- 
From: "Michael Plishka" <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 10:40 PM
Subject: RE: All My CDs Marked down to $5.00


> Minidiscs are bigger in other parts of the world.  I believe they are 
> still
> the rage in Japan, if memory serves me, I could be wrong though.
>
> ~peace~
>
> Plish
>
> -----Original Message-----
> From: L.A. Angulo [mailto:labaloops@yahoo.com]
> Sent: Monday, July 31, 2006 5:25 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: All My CDs Marked down to $5.00
>
>
> its also amazing that cassettes are still around while
> mini disc didnt quite see the light of day!
> i am still sentimentally hanging on to mines:-)
> Luis
>
> -
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 02:51:55 2006
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Subject: RE: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 21:53:24 -0500
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I use my mini mini for live concerts (mine) as well as the occasional other
concert when I'm feeling naughty...
Can't go wrong...


-----Original Message-----
From: Paul [mailto:paulrichard10@adelphia.net]
Sent: Monday, July 31, 2006 9:47 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: All My CDs Marked down to $5.00


Minidiscs are cool. I still have a mini minidisc-recorder that comes in
handy as a field recorder. I had a pro unit too and sold it recently. I used
the recorder to archive a bunch of reel-to-reel tapes. What a bizarre trail.
Mono recorded jazz albums, ancient guitar jams by myself and 50's-60's
instrumentals copied to minidisc.And one Genesis concert!

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 03:04:30 2006
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Date: Mon, 31 Jul 2006 20:04:26 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: All My CDs Marked down to $5.00
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Second law of thermodynamics: The entropy of an
isolated system not at equilibrium will tend to
increase over time, approaching a maximum value.

Fight it while you can, but it's all going to crap.

--- Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> Totally agree with the sentiment and personally pass
> things along as 
> opposed to trashing them.  The problem is still that
> any material 
> purchase is going to wind up in a landfill
> eventually -

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 03:05:38 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Cc: aleatoric12@gmail.com, "Daryl Shawn" <highhorse@mhorse.com>
References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net> <010801c6af32$42c8a870$e701a8c0@pcfabio> <07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net> <44C5041B.2090205@mhorse.com>
Subject: OT: New Nylon String Through my Laptop system....oh my!!!
Date: Mon, 31 Jul 2006 21:05:33 -0600
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I just bought a new Taylor Nylon string today, oh my....why I didn't I =
buy a nylon strong years ago baffles me, even when I had a traditional =
classical guitar sitting in my corner for years and years.  This may =
very well be my main guitar now for looping. These Taylor's are really =
interesting guitars, because even though they are often shunned by =
traditional classical guitarists and even some acoustic jazz players =
(based on some reviews I read) as sounding very flat and sterile =
unamplified (which I agree is partly true), they sound tremendous =
through the electronic pickup system.  I believe these guitars were =
designed to be played amplified, not "unplugged".  In fact, my =
inexpensive Yamaha classical guitar sounds better unplugged...but that =
is not the point here.

I bought the NS32-CE, which is the entry level model for Taylor nylon =
strings....after weighing the options I got with higher models, and the =
fact that the neck and fretboard (playability) is basically the same on =
all the models, I went this route because I prefer a simple guitar, =
rather than one with exotic woods and all the other bells and whistles.  =
This guitar is basically the sibling of my Taylor steel string electric, =
the 310 CE. They look very similar.

http://www.taylorguitars.com/guitars/model.aspx?model=3DNS32-CE

What I like most about the nylon string and what I like to do =
looping-wise is that the tone of the nylon string sounds very =
traditional and authentic (maybe because I was trained on the classical =
guitar and it is often considered the instrument for academic study), =
yet I am placing this in juxtaposition with some serious tone mangling =
and experimental effects. I just love the contrast of these two =
extremes. It would be analogous to placing a microphone on a grand piano =
and running it through a bunch of insane soft synths. You have this =
beautiful and warm bell-like tone of a nylon string guitar, but driving =
the most wild and bizarre VST effects.  It really is a wonderful thing. =
The tone of the guitar can be so soft and warm, yet the effects it =
triggers can take a whole new course of action and life of their own.

I hope to bring this to Y2K6, unless I think I might not be able to get =
it on the plane safely. I had no problems last year.

Kris

----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 24, 2006 11:32 AM
  Subject: Re: Selling my hardware effect/looping system! (2 VF1s, =
Fireworx, Looperlative)


  Krispen, you gotta let me know when you start amping a nylon-string =
through that setup. It's my favorite guitar tone (it's the only guitar I =
play at this point) and I like its effected sound too. I have a lot of =
fun sending it through an Effector 13 fuzzbox, just a sick thing (the =
Truly Beautiful Disaster), it works great.

  Daryl Shawn
  www.swanwelder.com


     And like I said, I really want to get a Taylor Nylon string. It is =
surprising that I haven't bought a nice electric nylon string after all =
these years, because the classical guitar was my first instrument, and I =
studies it for several years, from age 12 onward. Not that I plan to =
play Bach again (good grief, no....my brain is too full and I've =
forgotten that sheet music long ago), but it is the tone of the nylon =
string that I adore so much...and I am really looking forward to hearing =
it through my VST system.=20


------=_NextPart_000_06AE_01C6B4E5.103FB980
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just bought a new Taylor Nylon string =
today, oh=20
my....why&nbsp;I didn't&nbsp;I buy a nylon strong years ago baffles me, =
even=20
when I had a traditional classical guitar sitting in my corner for years =
and=20
years.&nbsp; This may very well be my main guitar now for looping. These =

Taylor's are really interesting guitars, because even though they are =
often=20
shunned by traditional classical guitarists and even some acoustic jazz =
players=20
(based on some reviews I read)&nbsp;as sounding very flat and sterile=20
unamplified (which I agree is partly true), they sound tremendous =
through the=20
electronic pickup system.&nbsp; I believe these guitars were designed to =
be=20
played amplified, not "unplugged".&nbsp; In fact, my inexpensive Yamaha=20
classical guitar sounds better unplugged...but that is not the point=20
here.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I bought the NS32-CE, which is the =
entry level=20
model for Taylor nylon strings....after weighing the options I got with =
higher=20
models, and the fact that the neck and fretboard (playability) is =
basically the=20
same on all the models, I went this route because I prefer a simple =
guitar,=20
rather than one with exotic woods and all the other bells and whistles.=20
&nbsp;This guitar is basically the sibling of my Taylor steel string =
electric,=20
the 310 CE. They look very similar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.taylorguitars.com/guitars/model.aspx?model=3DNS32-CE">=
http://www.taylorguitars.com/guitars/model.aspx?model=3DNS32-CE</A></FONT=
></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>What I like most about the nylon string =
and what I=20
like to do looping-wise is that the tone of the nylon string sounds very =

traditional and authentic (maybe because I was trained on the classical =
guitar=20
and it is often considered the instrument for academic study), yet I am =
placing=20
this in juxtaposition with some serious tone mangling and experimental =
effects.=20
I just love the contrast of these two extremes. It would be analogous to =
placing=20
a microphone on a grand piano and running it through a bunch of insane =
soft=20
synths. You have this beautiful and warm bell-like tone of a nylon =
string=20
guitar, but driving the most wild and bizarre VST effects.&nbsp; It =
really is a=20
wonderful thing. The tone of the guitar can be so soft and warm, yet the =
effects=20
it triggers can take a whole new course of action and life of their=20
own.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I hope to bring this to Y2K6, unless I =
think I=20
might not be able to get it on the plane safely. I had no problems last=20
year.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 24, 2006 =
11:32=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Selling my =
hardware=20
  effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
  <DIV><BR></DIV>Krispen, you gotta let me know when you start amping a=20
  nylon-string through that setup. It's my favorite guitar tone (it's =
the only=20
  guitar I play at this point) and I like its effected sound too. I have =
a lot=20
  of fun sending it through an Effector 13 fuzzbox, just a sick thing =
(the Truly=20
  Beautiful Disaster), it works great.<BR><BR>Daryl Shawn<BR><A=20
  class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR><BR>
  <BLOCKQUOTE =
cite=3Dmid07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net=20
  type=3D"cite">
    <DIV>&nbsp;<FONT face=3DArial size=3D2>And like I said, I really =
want to get a=20
    Taylor Nylon string. It is surprising that I haven't bought a nice =
electric=20
    nylon string after all these years, because the classical guitar was =
my=20
    first instrument, and I studies it for several years, from age 12 =
onward.=20
    Not that I plan to play Bach again (good grief, no....my brain is =
too full=20
    and I've forgotten that sheet music long ago), but it is the tone of =
the=20
    nylon string that I adore so much...and I am really looking forward =
to=20
    hearing it through my VST=20
system.</FONT>&nbsp;</DIV></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_06AE_01C6B4E5.103FB980--


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 03:10:33 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060801030426.37913.qmail@web81307.mail.mud.yahoo.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 21:10:29 -0600
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Right on, Mark, my fine fatalist friend....and eventually our sun will 
supernova or collapse into a black-hole (depending on its mass, which I 
can't remember off hand)....and the human race will evaporate into ether. 
Live life and squander while you can... :)  It's all going back to star 
stuff eventually, into the grand ol' recyclig machine of eternity.

K-
----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 9:04 PM
Subject: Re: All My CDs Marked down to $5.00


> Second law of thermodynamics: The entropy of an
> isolated system not at equilibrium will tend to
> increase over time, approaching a maximum value.
>
> Fight it while you can, but it's all going to crap.
>
> --- Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
>> Totally agree with the sentiment and personally pass
>> things along as
>> opposed to trashing them.  The problem is still that
>> any material
>> purchase is going to wind up in a landfill
>> eventually -
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 03:19:55 2006
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Date: Mon, 31 Jul 2006 23:19:51 -0400
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Subject: Re: Midi looper ... anyone know one?
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At 12:17 PM -0400 7/31/06, Charles Zwicky wrote:
Oberheim used to have just such a device=2E=2E=2E=2E a MIDI delay=2E=2E=2E=
 (er or was it
alesis=3F=3F)

Are you thinking of the Akai ME10D MIDI Delay=3F

I thought it seemed like a cool box, but something always ended up putting=

it on the back burner every time I'd go to try finding one=2E  It features=

dynamics (velocity control on repeats) as well as an octave transpose
feature, IIRC=2E

It's been a while since I looked at it, but I seem to remember there was
*something* that got in the way of it being a really viable MIDI Looper
(delay time, maybe=2E=2E=2E=3F)=2E  I wish I recalled more, but my brain's=
 swiss
cheese=2E  Sorry=2E

=09--m=2E

=5F=5F=5F=5F=5F=5F=5F
"Snakes on a Plane=2E=2E=2E"


--------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web=2Ecom/ =2E


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 03:43:08 2006
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Date: Mon, 31 Jul 2006 22:43:06 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: lexicon with 32 second upgrade for sale
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hello fellow loopers!

well, its about that time to upgrade my looping device, and so to fund
that project, i am going to sell my Lexicon Jamman. It has the 32
second upgrade and I don't think i need to put much information about
it on LD, because i am sure you folks know more about it than i do :)

i don't want to waste any bandwidth with pics or anything like that,
so feel free to contact me and i will send you pics or any other
information that you may need

I would like to get 390 US dollars for it :)
i would like to keep this to the US or canada, mainly because i don't
know what it takes to ship it overseas, so no offense :)


Thanks for looking! :)

Charlie

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 04:24:45 2006
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Subject: [OT] Recycling & CD's (was Re: All My CDs Marked down to $5.00)
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At 1:08 PM -0600 7/31/06, Paul Mimlitsch wrote:
> Yes, but I'd bet the amount of CD's that are trashed everyday in this
"throw away society" we live in=20
> is staggering and I'm on the side of anything that cuts waste=2E=20

If you're concerned with old CD's going to waste, you should see what
happens to them in Asia (Southeast Asia and India, in particular)=2E  Over=

there, they flip a CD reflective side out, then paste them all over the
backs of the "tuk-tuks" -- little motorized pedicabs, sort of like
souped-up golf carts that you use as taxis=2E  This helps add rear reflect=
ors
so that the tuk-tuk is more visible to normal automobiles=2E

Occasionally, you see somebody who goes a little overboard and pastes the
things all over the entire body of the tuk-tuk=2E  This turns it into this=

weird kind of psychedelic, rainbow, 70's-art-project vehicle=2E=20

If you're at all interested in recycling, you wouldn't believe how most
everything gets at least two or three different uses=2E

So, in summary, just send all your used CD's to Thailand=2E  They'll use '=
em=2E
:D

=09--m=2E

=5F=5F=5F=5F=5F=5F=5F
"If Television is a babysitter, then the Internet is a drunk librarian who=

won't shut up=2E=2E=2E"


--------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web=2Ecom/ =2E


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 06:47:33 2006
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From: JoJo Razor <jojorazor@jojorazor.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 23:47:31 -0700
To: Loopers-Delight@loopers-delight.com
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you can now trade those cds on-line at     www.lala.com

they will even give the artist a percentage of the trade costs ($1.00=20
per trade + $.25 shipping cost)


On Jul 31, 2006, at 12:18 PM, Krispen Hartung wrote:

> Next to diapers, none of this matter. :)=A0
> =A0
> Seriously, though, if anyone is generating a product that they are=20
> certain will be trashed, then that seems a bit futile and wasteful.=A0=20=

> But there are also a lot of folks who keep their CDs or albums for a=20=

> long time. And if they do get rid of them, they don't sell them, but=20=

> trade them in. I don't think I've ever thrown away a music CD. Has=20
> anyone on the list thrown several music CDs away? You can at least=20
> take them to a record store and trade them in, or donate them to a=20
> charity...there are many people much more unfortuante that us that=20
> can't afford to buy new CDs, and can't afford iPods or computers, but=20=

> might have an old CD payer or CD radio/boombox. They rely on being=20
> able to get a used CD for $2 or getting them from a benefit.
> =A0
> I hope no one is throwing away music CDs.=A0 That's not very =
thoughtful.
>
>
> Kris
> =A0
>> ----- Original Message -----
>> From: Paul Mimlitsch
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Monday, July 31, 2006 1:08 PM
>> Subject: Re: All My CDs Marked down to $5.00
>>
>> Yes, but I'd bet the amount of CD's that are trashed everyday in this=20=

>> "throw away society" we live in is staggering and I'm on the side of=20=

>> anything that cuts waste.
>>
>> On Aug 2, 2006, at 9:22 AM, Matthew F. McCabe wrote:
>>
>>> I agree.=A0 I'd much rather own a physical CD.=A0 It's almost as if =
mp3s=20
>>> cheapen music...in that it's much easier to delete a couple of files=20=

>>> than it is to throw a CD in the trash.
>>>
>>> Matt
>>>
>>>
>>> On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:
>>>
>>>> I sure am. I have all of the CDs going through all of the digital=20=

>>>> distribution as well.
>>>> =A0
>>>> All in all, I don't really do this for the money, yet I have=20
>>>> waffled back and forth on this notion of whether I should give my=20=

>>>> CDs away, sell them for standard market price, or severely=20
>>>> discounted. It is a tough call, and pretty much based on one's=20
>>>> personal values on the matter....BUT, for me, the gist is that I=20
>>>> never want to generate a situation as an artist when someone can't=20=

>>>> own one of my CDs simply because they can't afford it, or because=20=

>>>> they have too many other CDs on their list and mine isn't the the=20=

>>>> highest priority. I'd rather give my CDs away or mark them down to=20=

>>>> CD Baby's cost, then not have folks listening to my music. And,=20
>>>> believe it or not, I am of the generation who still enjoys owning=20=

>>>> and having a physical CD. When I produce a CD, the artwork on the=20=

>>>> sleeves is just as much a part of the production as the music. It=20=

>>>> all fits together into a theme. I like for people to have my=20
>>>> physical CDs, not just the MP3s and digital art. If they don't they=20=

>>>> are missing a significant element of the production.
>>>> =A0
>>>> Kris
>>>>
>>>>
____________________________________
"The purpose of a border is to go beyond it."

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 07:33:54 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <E1G7k1v-0002Qf-9L@elasmtp-banded.atl.sa.earthlink.net>
Subject: Re: Quick poll
Date: Tue, 1 Aug 2006 09:23:07 +0200
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Zoom G2
Digitech Jamman
Mobius Stand Alone + FCB 1010.


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1010.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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___________________________________________________________________________ 
Découvrez un nouveau moyen de poser toutes vos questions quelque soit le sujet ! 
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 07:33:58 2006
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Subject: Re: [Bulk] Re: Midi looper ... anyone know one?
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----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 7:10 PM
Subject: [Bulk] Re: Midi looper ... anyone know one?


> On 31 jul 2006, at 18.17, Charles Zwicky wrote:
>
>>
>> Oberheim used to have just such a device.... a MIDI delay... (er or  was 
>> it alesis??)
>
>
> Twelve years ago I was using a MIDI arpeggiator box from Oberheim  named 
> "Cyclone" (with a MIDI guitar). Maybe that's the device you're  thinking 
> of? Cool thing, but probably hard to find today.

There were also the waldorf gekkos.
I think there was 2 models: an arpeggiator and a chord memory.
Waldorf is coming back... who knows if they 'll be still selling these 
again.
Far from a "midi EDP" anyway.


Ben.



	

	
		
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 10:20:26 2006
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Subject: Re: All My CDs Marked down to $5.00
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My take on the CD disposal situation:
http://www.earthlight.net/images/HiddenTrack/HiddenTrack26big.jpg

  ----- Original Message -----=20
  From: Matthew F. McCabe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, 2 August, 2006 16:22 PM
  Subject: Re: All My CDs Marked down to $5.00


  I agree.  I'd much rather own a physical CD.  It's almost as if mp3s =
cheapen music...in that it's much easier to delete a couple of files =
than it is to throw a CD in the trash.


  Matt




  On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:


    I sure am. I have all of the CDs going through all of the digital =
distribution as well.

    All in all, I don't really do this for the money, yet I have waffled =
back and forth on this notion of whether I should give my CDs away, sell =
them for standard market price, or severely discounted. It is a tough =
call, and pretty much based on one's personal values on the =
matter....BUT, for me, the gist is that I never want to generate a =
situation as an artist when someone can't own one of my CDs simply =
because they can't afford it, or because they have too many other CDs on =
their list and mine isn't the the highest priority.  I'd rather give my =
CDs away or mark them down to CD Baby's cost, then not have folks =
listening to my music.  And, believe it or not, I am of the generation =
who still enjoys owning and having a physical CD. When I produce a CD, =
the artwork on the sleeves is just as much a part of the production as =
the music. It all fits together into a theme. I like for people to have =
my physical CDs, not just the MP3s and digital art. If they don't they =
are missing a significant element of the production.

    Kris


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<DIV><FONT size=3D2>My take on the CD disposal situation:</FONT></DIV>
<DIV><FONT size=3D2><A=20
href=3D"http://www.earthlight.net/images/HiddenTrack/HiddenTrack26big.jpg=
">http://www.earthlight.net/images/HiddenTrack/HiddenTrack26big.jpg</A></=
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  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmmccabe@finleysound.com =
href=3D"mailto:mmccabe@finleysound.com">Matthew=20
  F. McCabe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, 2 August, 2006 =
16:22=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: All My CDs Marked =
down to=20
  $5.00</DIV>
  <DIV><BR></DIV>
  <DIV>I agree.&nbsp; I'd much rather own a physical CD.&nbsp; It's =
almost as if=20
  mp3s cheapen music...in that it's much easier to delete a couple of =
files than=20
  it is to throw a CD in the trash.</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Matt</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR>
  <DIV>
  <DIV>On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">I sure am. I have all =
of the CDs=20
    going through all of the digital distribution as =
well.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">All in all, I don't =
really do=20
    this for the money, yet I have waffled back and forth on this notion =
of=20
    whether I should give my CDs away, sell them for standard market =
price, or=20
    severely discounted. It is a tough call, and pretty much based on =
one's=20
    personal values on the matter....BUT, for me, the gist is that I =
never want=20
    to generate a situation as an artist when someone can't own one of =
my CDs=20
    simply because they can't afford it, or because they have too many =
other CDs=20
    on their list and mine isn't the the highest priority.&nbsp; I'd =
rather give=20
    my CDs away or mark them down to CD Baby's cost, then not have folks =

    listening to my music.&nbsp; And, believe it or not, I am of the =
generation=20
    who still enjoys owning and having a physical CD. When I produce a =
CD, the=20
    artwork on the sleeves is just as much a part of the production as =
the=20
    music. It all fits together into a theme. I like for people to have =
my=20
    physical CDs, not just the MP3s&nbsp;and digital art. If they don't =
they are=20
    missing a significant element of the production.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial">Kris</SPAN></FONT></DIV>
    <DIV><BR=20
class=3Dkhtml-block-placeholder></DIV></SPAN></BLOCKQUOTE></DIV></BLOCKQU=
OTE></BODY></HTML>

------=_NextPart_000_0093_01C6B55C.6EB9D910--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 12:08:26 2006
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At 8:20 PM +0200 7/31/06, markfrancombe=2Ecom wrote:

1st prize, just too many loopers "I  have too much money, I cant make up m=
y
bloody mind"  =3D MECH!!!

Hah!!!  All right, guilty as charged: you nailed that one right on (okay,
so who's got an EDP they wanna get rid of=2E  NEED LOOPER FIX=2E=2E=2E)   =
;^)

=09--m=2E

=5F=5F=5F=5F=5F=5F=5F
"No more building up; it is time to dissolve=2E=2E=2E"

--------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web=2Ecom/ =2E


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 13:32:52 2006
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Subject: Re: Re: show: The Subliminator@badgerhaus, Friday 28 July 2006
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On Sat, 29 Jul 2006, enat21213@aol.com wrote:

> hey steve!
> have any further information on this venue/space.

Umm, sure. It's my house, I live here. You want the history of the 
construction changes over the last 31 years? I've only been in it for 
five :).

Ok, more seriously: I host shows on an irregular basis here, mostly for 
performers that either a) contact me wanting help setting up a gig on a 
specific day, say next Tuesday, and every remotely appropriate venue in 
the area is already booked, b) I'm personally interested in seeing them 
and and don't want to drive out-of-state on a weeknight to do so.

(That's a general offer, by the way: anyone coming through southeast US 
send me an email and I'll at a minimum suggest current locations for you 
to play, and help get the word out.)

The show Friday night went great, by the way: the opening act Automatic 
Caution Door was using Ableton on a laptop and looping guitar w/Line 6 
DL-4, (I think, on both).
The Subliminator uses a Boomerang to loop vocals in a mostly spoken word 
with layers approach, playing a pair of Alesis AirSynths into a pair of 
AirFXs.

regards,
Steve B  Subscape Annex, Phasmatodea
http://www.subscapeannex.com/    http://www.phasmatodea.net/

> really like to get something cooking in raleigh sometime soon. >
> thanks!
> brian
> electric bird noise
>
> -----Original Message-----
> From: burnett@pobox.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Wed, 26 Jul 2006 8:31 PM
> Subject: show: The Subliminator@badgerhaus, Friday 28 July 2006
>
>  In addition to performing, I occasionally host house concerts. Both performers are live-loop-friendly. Hope this is an acceptable announcement for this list. Info below the line of octothorps.
>
> best,
> Steve B
> Subscape Annex, Phasmatodea
>
> ###########################
> badgerhaus hosts a psychedelic rock/spacerock/spoken word performance by The Subliminator Friday July 28th. Automatic Caution Door opens. Other acts possibly to be added for the evening.
>
> Location: badgerhaus, Raleigh NC
> Time: 9pm
> Cover: voluntary donation, going entirely to the performer(s)
>
> Links:
> http://www.badgerhaus.com/
> http://www.myspace.com/thesubliminator
> http://thesubliminator.com/
>
> Thanks to Xopher Thurston for use of the PA.

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 14:39:31 2006
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Date: Tue, 01 Aug 2006 10:39:05 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: Quick poll
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Seems silly not to be using that survey tool - I didn't get the 
impression anyone was going to tabulate the group's preferences.  Oh well...

Axon AX100 w/upgrade
Johnson J-Station or Line 6 Pod XT
Roland Fantom XR
Roland VK-8M
Electrix Repeater
Behringer FCB1010
Boss DR-660 (MIDI clock and rhythm start/stop triggers)

I'm experimenting with running Mobius under REAPER as a VST host, but so 
far have found this to be not been totally stable.


Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 14:48:22 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: [Bulk] Re: Midi looper ... anyone know one?
Date: Tue, 1 Aug 2006 07:48:18 -0700
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--Apple-Mail-8-42839902
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=WINDOWS-1252;
	delsp=yes;
	format=flowed

Hi all,

Akai used to make a couple of little rack units, one was a MIDI =20
arpeggiator  and the other was a MIDI delay. The later was what you =20
might be thinking about as a MIDI "looper" though I don't remember =20
there being multiple repeats . . .just one repeat (therefore, not much =20=

of a looper). I owned them both for a time. Found them modestly useful. =20=

When I went through  a "gear purge" a few years later I either sold =20
them (very cheaply) or gave them to a keyboardist friend of mine. I =20
don't know if she still has them or not. I think it's been over 15 =20
years. Anyhoo, they were black, single rack space do-dahs, very shallow =20=

(might've been only 2-3 inches deep) had only a knob or two and a 2 =20
digit LED display. I wish I could recall the model numbers.

Peace,

tEd =AE kiLLiAn

=93It may be true that my desk here is really "nothing but" a transient =20=

eddy of electrons in the flux of universal process. Nevertheless, I =20
find that it continues to support my feet, my revolver, and my cigars =20=

all day long. What happens when my back is turned I don't know. Or much =20=

care. That's no concern of mine.=94 -- Edward Abbey

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"


On Aug 1, 2006, at 12:33 AM, Ben wrote:

>
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 31, 2006 7:10 PM
> Subject: [Bulk] Re: Midi looper ... anyone know one?
>
>
>> On 31 jul 2006, at 18.17, Charles Zwicky wrote:
>>
>>>
>>> Oberheim used to have just such a device.... a MIDI delay... (er or  =
=20
>>> was it alesis??)
>>
>>
>> Twelve years ago I was using a MIDI arpeggiator box from Oberheim  =20=

>> named "Cyclone" (with a MIDI guitar). Maybe that's the device you're  =
=20
>> thinking of? Cool thing, but probably hard to find today.
>
> There were also the waldorf gekkos.
> I think there was 2 models: an arpeggiator and a chord memory.
> Waldorf is coming back... who knows if they 'll be still selling these =
=20
> again.
> Far from a "midi EDP" anyway.
>
>
> Ben.
>
>
>
> =09
>
> =09
> 	=09
> =
_______________________________________________________________________=20=

> ____ D=E9couvrez un nouveau moyen de poser toutes vos questions =
quelque =20
> soit le sujet ! Yahoo! Questions/R=E9ponses pour partager vos =20
> connaissances, vos opinions et vos exp=E9riences. =20
> http://fr.answers.yahoo.com

--Apple-Mail-8-42839902
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Hi all,


Akai used to make a couple of little rack units, one was a MIDI
arpeggiator  and the other was a MIDI delay. The later was what you
might be thinking about as a MIDI "looper" though I don't remember
there being multiple repeats . . .just one repeat (therefore, not much
of a looper). I owned them both for a time. Found them modestly
useful. When I went through  a "gear purge" a few years later I either
sold them (very cheaply) or gave them to a keyboardist friend of mine.
I don't know if she still has them or not. I think it's been over 15
years. Anyhoo, they were black, single rack space do-dahs, very
shallow (might've been only 2-3 inches deep) had only a knob or two
and a 2 digit LED display. I wish I could recall the model numbers.


<color><param>0000,0000,0000</param>Peace,


tEd =AE kiLLiAn


=
</color><color><param>807F,0000,0000</param>=93</color><color><param>807E,=
0000,0000</param>It
may be true that my desk here is really "nothing but" a transient eddy
of electrons in the flux of universal process. Nevertheless, I find
that it continues to support my feet, my revolver, and my cigars all
day long. What happens when my back is turned I don't know. Or much
care. That's no concern of
mine.</color><color><param>807F,0000,0000</param>=94 -- Edward Abbey

</color><color><param>0000,0000,0000</param>

</color><color><param>807F,807F,807F</param>
http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. =
So???</color><color><param>0000,0000,0000</param>


</color><color><param>807F,0000,0000</param>"Different is not always
better, but better is always different"</color>



On Aug 1, 2006, at 12:33 AM, Ben wrote:


<excerpt>

----- Original Message ----- From: "Per Boysen" <<perboysen@gmail.com>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Monday, July 31, 2006 7:10 PM

Subject: [Bulk] Re: Midi looper ... anyone know one?



<excerpt>On 31 jul 2006, at 18.17, Charles Zwicky wrote:


<excerpt>

Oberheim used to have just such a device.... a MIDI delay... (er or=20
was it alesis??)

</excerpt>


Twelve years ago I was using a MIDI arpeggiator box from Oberheim=20
named "Cyclone" (with a MIDI guitar). Maybe that's the device you're=20
thinking of? Cool thing, but probably hard to find today.

</excerpt>

There were also the waldorf gekkos.

I think there was 2 models: an arpeggiator and a chord memory.

Waldorf is coming back... who knows if they 'll be still selling these
again.

Far from a "midi EDP" anyway.



Ben.




=09


=09

	=09

=
__________________________________________________________________________=
_
D=E9couvrez un nouveau moyen de poser toutes vos questions quelque soit
le sujet ! Yahoo! Questions/R=E9ponses pour partager vos connaissances,
vos opinions et vos exp=E9riences. http://fr.answers.yahoo.com=20

</excerpt>=

--Apple-Mail-8-42839902--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 14:59:50 2006
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Date: Tue, 01 Aug 2006 10:59:36 -0400
From: noone@jbro.us
Subject: Loooong, stereo, analog/tape style hardware delay... such a thing?
To: Loopers-Delight@loopers-delight.com
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This is a multi-part message in MIME format.

--Boundary_(ID_bnqHnSu1QmTTPwQr34rGNQ)
Content-type: text/plain; charset=us-ascii
Content-transfer-encoding: 7BIT

Hey everyone-

 

I'm looking for a long (between 5-30 seconds, depending on the situation)
stereo (pan/pingpong) delay.  The catch is, I need it to attenuate some
highs, degrade, or add some warmth and warble.  I also need the delay time
and feedback level to be adjustable in real time, with a physical knob or
with MIDI control.

 

Basically I'm looking to replicate the old Frippertronics setup.  Using a
digital delay for this sounds too cold and inorganic to me (sorry for the
cliche).  I'll be using a Memory Lane for a shorter, modulated delay, and
then using the long pingpong delay as a looper, of sorts.

 

Anyone know of a rackmount unit or pedal that can do this?  I know the DD-20
has enough delay time, but there's no filtering or EQ adjustments in
pingpong mode.  I don't have much experience with rack delays, so I'm not
really sure what's out there.  Also it would be great if I could bypass the
delay input while still retaining the feedback (so I would be able to make a
"loop", then play over it without adding to it).  I have a nice chain of VST
plugins that do exactly what I want, but I don't like the stability,
fragility, and latency issues that come with using a laptop live (for my
application).

 

Ideas?

 

Thanks,

Jesse


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<div class=Section1>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Hey everyone-<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I'm looking for a long (between 5-30 seconds, depending on
the situation) stereo (pan/pingpong) delay. &nbsp;The catch is, I need it to
attenuate some highs, degrade, or add some warmth and warble. &nbsp;I also need
the delay time and feedback level to be adjustable in real time, with a
physical knob or with <st1:place w:st="on">MIDI</st1:place> control.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Basically I'm looking to replicate the old Frippertronics
setup. &nbsp;Using a digital delay for this sounds too cold and inorganic to me
(sorry for the cliche). &nbsp;I'll be using a <st1:Street w:st="on"><st1:address
 w:st="on">Memory Lane</st1:address></st1:Street> for a shorter, modulated
delay, and then using the long pingpong delay as a looper, of sorts.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Anyone know of a rackmount unit or pedal that can do this?
&nbsp;I know the DD-20 has enough delay time, but there's no filtering or EQ
adjustments in pingpong mode. &nbsp;I don&#8217;t have much experience with
rack delays, so I&#8217;m not really sure what&#8217;s out there.&nbsp; Also it
would be great if I could bypass the delay input while still retaining the
feedback (so I would be able to make a &quot;loop&quot;, then play over it without
adding to it). &nbsp;I have a nice chain of VST plugins that do exactly what I
want, but I don't like the stability, fragility, and latency issues that come
with using a laptop live (for my application).<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Ideas?<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Thanks,<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Jesse<o:p></o:p></span></font></p>

</div>

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In a message dated 8/1/06 9:33:01 AM, burnett@pobox.com writes:


> The Subliminator uses a Boomerang to loop vocals in a mostly spoken word
> with layers approach, playing a pair of Alesis AirSynths into a pair of
> AirFXs.
> 
> 

sounds like my kind of band!.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/1/06 9:33:01 AM, burnett@pobox.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">The Subliminator uses=
 a Boomerang to loop vocals in a mostly spoken word<BR>
with layers approach, playing a pair of Alesis AirSynths into a pair of<BR>
AirFXs.<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">sounds like my kind of band!.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 15:11:37 2006
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Date: Tue, 01 Aug 2006 10:11:26 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com,
	Krispen Hartung <khartung@cableone.net>
Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net> <010801c6af32$42c8a870$e701a8c0@pcfabio> <07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net> <44C5041B.2090205@mhorse.com> <06b301c6b517$5bd02240$54b2ec0f@americas.hpqcorp.net>
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Awesome, Krispen! I'm really excited to hear what you do with it.

What I like about messing with the nylon-string, besides the contrast of 
the rich tone, is the fingerstyle possibilities. It's possible to play 
fingerstyle on electrics or steel-strings, of course, but to really dig 
in without destroying your nails you need one of these. And I haven't 
heard many people really going in an experimental direction with one. 
Though there's Dominic Frasca (who I found out about here), who I hear 
uses a laptop for his effects, and does /amazing /things on nylon-string.

Someday I hope we can play together, I'll bring my four-track, you bring 
your laptop and we'll have a super-lo/super-hi-fi nylon-string duet...!

Daryl Shawn
www.swanwelder.com
> I just bought a new Taylor Nylon string today, oh my....why I didn't I 
> buy a nylon strong years ago baffles me, even when I had a traditional 
> classical guitar sitting in my corner for years and years.  This may 
> very well be my main guitar now for looping. These Taylor's are really 
> interesting guitars, because even though they are often shunned by 
> traditional classical guitarists and even some acoustic jazz players 
> (based on some reviews I read) as sounding very flat and sterile 
> unamplified (which I agree is partly true), they sound tremendous 
> through the electronic pickup system.  I believe these guitars were 
> designed to be played amplified, not "unplugged".  In fact, my 
> inexpensive Yamaha classical guitar sounds better unplugged...but that 
> is not the point here.
>  
> I bought the NS32-CE, which is the entry level model for Taylor nylon 
> strings....after weighing the options I got with higher models, and 
> the fact that the neck and fretboard (playability) is basically the 
> same on all the models, I went this route because I prefer a simple 
> guitar, rather than one with exotic woods and all the other bells and 
> whistles.  This guitar is basically the sibling of my Taylor steel 
> string electric, the 310 CE. They look very similar.
>  
> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
>  
> What I like most about the nylon string and what I like to do 
> looping-wise is that the tone of the nylon string sounds very 
> traditional and authentic (maybe because I was trained on the 
> classical guitar and it is often considered the instrument for 
> academic study), yet I am placing this in juxtaposition with some 
> serious tone mangling and experimental effects. I just love the 
> contrast of these two extremes. It would be analogous to placing a 
> microphone on a grand piano and running it through a bunch of insane 
> soft synths. You have this beautiful and warm bell-like tone of a 
> nylon string guitar, but driving the most wild and bizarre VST 
> effects.  It really is a wonderful thing. The tone of the guitar can 
> be so soft and warm, yet the effects it triggers can take a whole new 
> course of action and life of their own.
>  
> I hope to bring this to Y2K6, unless I think I might not be able to 
> get it on the plane safely. I had no problems last year.
>  
> Kris
>  


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<body bgcolor="#ffffff" text="#000000">
Awesome, Krispen! I'm really excited to hear what you do with it. <br>
<br>
What I like about messing with the nylon-string, besides the contrast
of the rich tone, is the fingerstyle possibilities. It's possible to
play fingerstyle on electrics or steel-strings, of course, but to
really dig in without destroying your nails you need one of these. And
I haven't heard many people really going in an experimental direction
with one. Though there's Dominic Frasca (who I found out about here),
who I hear uses a laptop for his effects, and does <i>amazing </i>things
on nylon-string.<br>
<br>
Someday I hope we can play together, I'll bring my four-track, you
bring your laptop and we'll have a super-lo/super-hi-fi nylon-string
duet...!<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid06b301c6b517$5bd02240$54b2ec0f@americas.hpqcorp.net"
 type="cite">
  <title></title>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2900.2914" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">I just bought a new Taylor Nylon
string today, oh my....why&nbsp;I didn't&nbsp;I buy a nylon strong years ago
baffles me, even when I had a traditional classical guitar sitting in
my corner for years and years.&nbsp; This may very well be my main guitar
now for looping. These Taylor's are really interesting guitars, because
even though they are often shunned by traditional classical guitarists
and even some acoustic jazz players (based on some reviews I read)&nbsp;as
sounding very flat and sterile unamplified (which I agree is partly
true), they sound tremendous through the electronic pickup system.&nbsp; I
believe these guitars were designed to be played amplified, not
"unplugged".&nbsp; In fact, my inexpensive Yamaha classical guitar sounds
better unplugged...but that is not the point here.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">I bought the NS32-CE, which is the
entry level model for Taylor nylon strings....after weighing the
options I got with higher models, and the fact that the neck and
fretboard (playability) is basically the same on all the models, I went
this route because I prefer a simple guitar, rather than one with
exotic woods and all the other bells and whistles. &nbsp;This guitar is
basically the sibling of my Taylor steel string electric, the 310 CE.
They look very similar.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2"><a
 href="http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE">http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE</a></font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">What I like most about the nylon
string and what I like to do looping-wise is that the tone of the nylon
string sounds very traditional and authentic (maybe because I was
trained on the classical guitar and it is often considered the
instrument for academic study), yet I am placing this in juxtaposition
with some serious tone mangling and experimental effects. I just love
the contrast of these two extremes. It would be analogous to placing a
microphone on a grand piano and running it through a bunch of insane
soft synths. You have this beautiful and warm bell-like tone of a nylon
string guitar, but driving the most wild and bizarre VST effects.&nbsp; It
really is a wonderful thing. The tone of the guitar can be so soft and
warm, yet the effects it triggers can take a whole new course of action
and life of their own.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">I hope to bring this to Y2K6, unless
I think I might not be able to get it on the plane safely. I had no
problems last year.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Kris</font></div>
  <div>&nbsp;</div>
</blockquote>
<br>
</body>
</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 16:19:23 2006
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: All My CDs Marked down to $5.00
Date: Tue, 1 Aug 2006 17:19:18 +0100
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(back into text mode!)
It's not just the physical quality though.  After six years away from my old 
CD collection in storage, and just as long accumulating MP3 copies of some 
of the more beloved tracks, I found an old cassette of a combination of 
songs not only about driving, but also containing the kind of guitar bits 
that make me like to play.  There was no label, and I popped it into a deck 
to see what it was, to hear Cross-town Traffic and Easy Rider, for a start.

On one level I found it cosmically encouraging given the timing of my 
getting back to playing the acoustic this week; on another different level, 
I found myself far more satisfied with the sound quality of my cassettes 
than MP3s.  Sure, I used to take pains to assure max quality when I made 
tapes for myself, but it was as much of a difference as I experience between 
cassettes and CDs.  And made me begin to question the use of the format at 
all, except as a promotional or sales sample.  Or it's a down week.  I had 
to fire another plumber today!  Ugh!

S.


----- Original Message ----- 
From: Matthew F. McCabe
To: Loopers-Delight@loopers-delight.com
Sent: Wednesday, 2 August, 2006 16:22 PM
Subject: Re: All My CDs Marked down to $5.00


I agree.  I'd much rather own a physical CD.  It's almost as if mp3s cheapen 
music...in that it's much easier to delete a couple of files than it is to 
throw a CD in the trash.


Matt




On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:


I sure am. I have all of the CDs going through all of the digital 
distribution as well.

All in all, I don't really do this for the money, yet I have waffled back 
and forth on this notion of whether I should give my CDs away, sell them for 
standard market price, or severely discounted. It is a tough call, and 
pretty much based on one's personal values on the matter....BUT, for me, the 
gist is that I never want to generate a situation as an artist when someone 
can't own one of my CDs simply because they can't afford it, or because they 
have too many other CDs on their list and mine isn't the the highest 
priority.  I'd rather give my CDs away or mark them down to CD Baby's cost, 
then not have folks listening to my music.  And, believe it or not, I am of 
the generation who still enjoys owning and having a physical CD. When I 
produce a CD, the artwork on the sleeves is just as much a part of the 
production as the music. It all fits together into a theme. I like for 
people to have my physical CDs, not just the MP3s and digital art. If they 
don't they are missing a significant element of the production.

Kris 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 16:33:03 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: a cool online looping program (sort-of)
Date: Tue, 1 Aug 2006 18:32:54 +0200
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hey, a great example of a Digital Karlheinz! Arranging the notes and =
chords
in a way so they bump into each other frequently makes the result (and =
also
the period) nearly impredictable...

> -----Urspr=FCngliche Nachricht-----
> Von: Charlie Milkey [mailto:pilotcp@gmail.com]=20
> Gesendet: Dienstag, 1. August 2006 02:46
> An: Loopers-Delight@loopers-delight.com
> Betreff: a cool online looping program (sort-of)
>=20
> well, it probably wasn't made with looping in mind, but it's=20
> a cool little site where you can make some cool piano loops :)
>=20
> http://www.grotrian.de/spiel/e/spiel_win.html
>=20
> check it out :)
>=20
> Charlie
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 16:45:45 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
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yeah, i've been interested with motion-based sound like that (i dunno
if thats the name for it, but thats what i am calling it)
I have been interested in it ever since i discovered sonasphere (even
though i can't get it to work)

i think it's fun :)

Charlie

On 8/1/06, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> hey, a great example of a Digital Karlheinz! Arranging the notes and chor=
ds
> in a way so they bump into each other frequently makes the result (and al=
so
> the period) nearly impredictable...
>
> > -----Urspr=FCngliche Nachricht-----
> > Von: Charlie Milkey [mailto:pilotcp@gmail.com]
> > Gesendet: Dienstag, 1. August 2006 02:46
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: a cool online looping program (sort-of)
> >
> > well, it probably wasn't made with looping in mind, but it's
> > a cool little site where you can make some cool piano loops :)
> >
> > http://www.grotrian.de/spiel/e/spiel_win.html
> >
> > check it out :)
> >
> > Charlie
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 16:50:48 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Loooong, stereo, analog/tape style hardware delay... such a thing?
Date: Tue, 1 Aug 2006 18:50:39 +0200
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You might look at the possibility to separate both requirements (delay with
realtime feedback adjust and warmth/warble/degrade) into separate devices.
Basically, use two devices, a loong delay (like a DD20), here called "1" and
a warbler (like any multifx, or even a DL4 in delay mode, here called "2",
and set them up like this

Instrument ---->+---> "1" --> "2" --+---> Mains
		    |				|

		    +--Volume Pedal-----+

or like this

Instrument ---->+---> "1" --> ------+---> Mains
		    |				|

		    +-"2"-Volume Pedal--+


Your volume pedal is feedback. The tricky part might be to find a looong
delay which has the realtime delay time change the way you want it to work -
would the DD20 do the trick for you?

	Rainer


> I'm looking for a long (between 5-30 seconds, depending on the situation)
stereo (pan/pingpong) delay.  The catch 
> is, I need it to attenuate some highs, degrade, or add some warmth and
warble.  I also need the delay time and feedback 
> level to be adjustable in real time, with a physical knob or with MIDI
control.

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 17:01:58 2006
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Date: Tue, 1 Aug 2006 13:01:55 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
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What I've never liked about running my nylon classicals through my
effects rig is the disparity between the accoustic sound of the guitar
riding over the sound coming from the speakers.  For example, when
laying down a loop, I'm hearing both the accoustic sound plus the
electric passed through the looper (& effects).  The sum, in this
situation, is greater than what actually gets layed down in the loop
and subsequently played back.  It makes it a pain to balance the
levels.

Of course, there's also the feedback issues as well.  Gotta have those
notch filters tuned up.

I've considered (when I win the lottery) picking up a Godin Multiac.
Nylon strings full classical scale & neck width, but built to be
plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
sell off some of my old gear.

Todd


On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
>
>  Awesome, Krispen! I'm really excited to hear what you do with it.
>
>  What I like about messing with the nylon-string, besides the contrast of
> the rich tone, is the fingerstyle possibilities. It's possible to play
> fingerstyle on electrics or steel-strings, of course, but to really dig in
> without destroying your nails you need one of these. And I haven't heard
> many people really going in an experimental direction with one. Though
> there's Dominic Frasca (who I found out about here), who I hear uses a
> laptop for his effects, and does amazing things on nylon-string.
>
>  Someday I hope we can play together, I'll bring my four-track, you bring
> your laptop and we'll have a super-lo/super-hi-fi nylon-string duet...!
>
>
>  Daryl Shawn
>  www.swanwelder.com
>
>
> I just bought a new Taylor Nylon string today, oh my....why I didn't I buy a
> nylon strong years ago baffles me, even when I had a traditional classical
> guitar sitting in my corner for years and years.  This may very well be my
> main guitar now for looping. These Taylor's are really interesting guitars,
> because even though they are often shunned by traditional classical
> guitarists and even some acoustic jazz players (based on some reviews I
> read) as sounding very flat and sterile unamplified (which I agree is partly
> true), they sound tremendous through the electronic pickup system.  I
> believe these guitars were designed to be played amplified, not "unplugged".
>  In fact, my inexpensive Yamaha classical guitar sounds better
> unplugged...but that is not the point here.
>
> I bought the NS32-CE, which is the entry level model for Taylor nylon
> strings....after weighing the options I got with higher models, and the fact
> that the neck and fretboard (playability) is basically the same on all the
> models, I went this route because I prefer a simple guitar, rather than one
> with exotic woods and all the other bells and whistles.  This guitar is
> basically the sibling of my Taylor steel string electric, the 310 CE. They
> look very similar.
>
> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
>
> What I like most about the nylon string and what I like to do looping-wise
> is that the tone of the nylon string sounds very traditional and authentic
> (maybe because I was trained on the classical guitar and it is often
> considered the instrument for academic study), yet I am placing this in
> juxtaposition with some serious tone mangling and experimental effects. I
> just love the contrast of these two extremes. It would be analogous to
> placing a microphone on a grand piano and running it through a bunch of
> insane soft synths. You have this beautiful and warm bell-like tone of a
> nylon string guitar, but driving the most wild and bizarre VST effects.  It
> really is a wonderful thing. The tone of the guitar can be so soft and warm,
> yet the effects it triggers can take a whole new course of action and life
> of their own.
>
> I hope to bring this to Y2K6, unless I think I might not be able to get it
> on the plane safely. I had no problems last year.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 17:13:30 2006
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great cartoon, Stephen!

I fully agree with you on MP3's. I hear my own tunes go from cassette to 
WAV to MP3, and can hear the dramatic changes in each stage. Even at the 
highest-bit encoding, there's just something missing with MP3. 
(personally, I prefer cassette even to WAV, but I think that's more of a 
personal taste thing...I still prefer vinyl to anything else).

Daryl Shawn
www.swanwelder.com

> (back into text mode!)
> It's not just the physical quality though.  After six years away from 
> my old CD collection in storage, and just as long accumulating MP3 
> copies of some of the more beloved tracks, I found an old cassette of 
> a combination of songs not only about driving, but also containing the 
> kind of guitar bits that make me like to play.  There was no label, 
> and I popped it into a deck to see what it was, to hear Cross-town 
> Traffic and Easy Rider, for a start.
>
> On one level I found it cosmically encouraging given the timing of my 
> getting back to playing the acoustic this week; on another different 
> level, I found myself far more satisfied with the sound quality of my 
> cassettes than MP3s.  Sure, I used to take pains to assure max quality 
> when I made tapes for myself, but it was as much of a difference as I 
> experience between cassettes and CDs.  And made me begin to question 
> the use of the format at all, except as a promotional or sales 
> sample.  Or it's a down week.  I had to fire another plumber today!  Ugh!

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 17:19:45 2006
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This is a multi-part message in MIME format.
--------------070105070807020100000301
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Todd, there's always the solidbody Epiphone Chet Atkins - you can find 
them for $200 or so. They're a far sight below the Gibson version in 
terms of build quality, but I figure at that price one could mess around 
with pickups and try to get a better sound. And there's almost /zero 
/acoustic projection or feedback issues. I'd like to get one just for 
late-night quiet-time playing.

(crap, over-OT-posting again! back to my hole!)

Daryl Shawn
www.swanwelder.com
> What I've never liked about running my nylon classicals through my
> effects rig is the disparity between the accoustic sound of the guitar
> riding over the sound coming from the speakers.  For example, when
> laying down a loop, I'm hearing both the accoustic sound plus the
> electric passed through the looper (& effects).  The sum, in this
> situation, is greater than what actually gets layed down in the loop
> and subsequently played back.  It makes it a pain to balance the
> levels.
>
> Of course, there's also the feedback issues as well.  Gotta have those
> notch filters tuned up.
>
> I've considered (when I win the lottery) picking up a Godin Multiac.
> Nylon strings full classical scale & neck width, but built to be
> plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> sell off some of my old gear.
>
> Todd


--------------070105070807020100000301
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Todd, there's always the solidbody Epiphone Chet Atkins - you can find
them for $200 or so. They're a far sight below the Gibson version in
terms of build quality, but I figure at that price one could mess
around with pickups and try to get a better sound. And there's almost <i>zero
</i>acoustic projection or feedback issues. I'd like to get one just
for late-night quiet-time playing.<br>
<br>
(crap, over-OT-posting again! back to my hole!)<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid64b81a780608011001u13025316u25ddbb6a584f3e3f@mail.gmail.com"
 type="cite">What I've never liked about running my nylon classicals
through my
  <br>
effects rig is the disparity between the accoustic sound of the guitar
  <br>
riding over the sound coming from the speakers.&nbsp; For example, when
  <br>
laying down a loop, I'm hearing both the accoustic sound plus the
  <br>
electric passed through the looper (&amp; effects).&nbsp; The sum, in this
  <br>
situation, is greater than what actually gets layed down in the loop
  <br>
and subsequently played back.&nbsp; It makes it a pain to balance the
  <br>
levels.
  <br>
  <br>
Of course, there's also the feedback issues as well.&nbsp; Gotta have those
  <br>
notch filters tuned up.
  <br>
  <br>
I've considered (when I win the lottery) picking up a Godin Multiac.
  <br>
Nylon strings full classical scale &amp; neck width, but built to be
  <br>
plugged in with minimal accoustic projection.&nbsp; Dreamy.&nbsp; Maybe I'll
  <br>
sell off some of my old gear.
  <br>
  <br>
Todd
  <br>
</blockquote>
<br>
</body>
</html>

--------------070105070807020100000301--

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Todd, there's always the solidbody Epiphone Chet Atkins - you can find 
them for $200 or so. They're a far sight below the Gibson version in 
terms of build quality, but I figure at that price one could mess around 
with pickups and try to get a better sound. And there's almost /zero 
/acoustic projection or feedback issues. I'd like to get one just for 
late-night quiet-time playing.

(crap, over-OT-posting again! back to my hole!)

Daryl
> What I've never liked about running my nylon classicals through my
> effects rig is the disparity between the accoustic sound of the guitar
> riding over the sound coming from the speakers.  For example, when
> laying down a loop, I'm hearing both the accoustic sound plus the
> electric passed through the looper (& effects).  The sum, in this
> situation, is greater than what actually gets layed down in the loop
> and subsequently played back.  It makes it a pain to balance the
> levels.
>
> Of course, there's also the feedback issues as well.  Gotta have those
> notch filters tuned up.
>
> I've considered (when I win the lottery) picking up a Godin Multiac.
> Nylon strings full classical scale & neck width, but built to be
> plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> sell off some of my old gear.
>
> Todd


--------------070206070400010203050806
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Todd, there's always the solidbody Epiphone Chet Atkins - you can find
them for $200 or so. They're a far sight below the Gibson version in
terms of build quality, but I figure at that price one could mess
around with pickups and try to get a better sound. And there's almost <i>zero
</i>acoustic projection or feedback issues. I'd like to get one just
for late-night quiet-time playing.<br>
<br>
(crap, over-OT-posting again! back to my hole!)<br>
<br>
Daryl<br>
<blockquote
 cite="mid64b81a780608011001u13025316u25ddbb6a584f3e3f@mail.gmail.com"
 type="cite">What I've never liked about running my nylon classicals
through my
  <br>
effects rig is the disparity between the accoustic sound of the guitar
  <br>
riding over the sound coming from the speakers.&nbsp; For example, when
  <br>
laying down a loop, I'm hearing both the accoustic sound plus the
  <br>
electric passed through the looper (&amp; effects).&nbsp; The sum, in this
  <br>
situation, is greater than what actually gets layed down in the loop
  <br>
and subsequently played back.&nbsp; It makes it a pain to balance the
  <br>
levels.
  <br>
  <br>
Of course, there's also the feedback issues as well.&nbsp; Gotta have those
  <br>
notch filters tuned up.
  <br>
  <br>
I've considered (when I win the lottery) picking up a Godin Multiac.
  <br>
Nylon strings full classical scale &amp; neck width, but built to be
  <br>
plugged in with minimal accoustic projection.&nbsp; Dreamy.&nbsp; Maybe I'll
  <br>
sell off some of my old gear.
  <br>
  <br>
Todd
  <br>
</blockquote>
<br>
</body>
</html>

--------------070206070400010203050806--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 17:19:59 2006
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Subject: RE:  Midi looper ... anyone know one?
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There is a genuine MIDI looper in the Ztar, but overdub IS a problem. 
Also I don't know if it records the MIDI in.
http://www.starrlabs.com/
Gary


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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
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On 1-Aug-06, at 10:01 AM, Todd Pafford wrote:
> I've considered (when I win the lottery) picking up a Godin Multiac.
> Nylon strings full classical scale & neck width, but built to be
> plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> sell off some of my old gear.

Played one in Halifax at a festival recently.  VERY very nice.  Like 
playing butter after so many years of steel strings.  And it sounded 
very good.   Don't know if it could ever replace the thunder and growl 
of quality steel strings, though.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

>
> Todd
>
>
> On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
>>
>>  Awesome, Krispen! I'm really excited to hear what you do with it.
>>
>>  What I like about messing with the nylon-string, besides the 
>> contrast of
>> the rich tone, is the fingerstyle possibilities. It's possible to play
>> fingerstyle on electrics or steel-strings, of course, but to really 
>> dig in
>> without destroying your nails you need one of these. And I haven't 
>> heard
>> many people really going in an experimental direction with one. Though
>> there's Dominic Frasca (who I found out about here), who I hear uses a
>> laptop for his effects, and does amazing things on nylon-string.
>>
>>  Someday I hope we can play together, I'll bring my four-track, you 
>> bring
>> your laptop and we'll have a super-lo/super-hi-fi nylon-string 
>> duet...!
>>
>>
>>  Daryl Shawn
>>  www.swanwelder.com
>>
>>
>> I just bought a new Taylor Nylon string today, oh my....why I didn't 
>> I buy a
>> nylon strong years ago baffles me, even when I had a traditional 
>> classical
>> guitar sitting in my corner for years and years.  This may very well 
>> be my
>> main guitar now for looping. These Taylor's are really interesting 
>> guitars,
>> because even though they are often shunned by traditional classical
>> guitarists and even some acoustic jazz players (based on some reviews 
>> I
>> read) as sounding very flat and sterile unamplified (which I agree is 
>> partly
>> true), they sound tremendous through the electronic pickup system.  I
>> believe these guitars were designed to be played amplified, not 
>> "unplugged".
>>  In fact, my inexpensive Yamaha classical guitar sounds better
>> unplugged...but that is not the point here.
>>
>> I bought the NS32-CE, which is the entry level model for Taylor nylon
>> strings....after weighing the options I got with higher models, and 
>> the fact
>> that the neck and fretboard (playability) is basically the same on 
>> all the
>> models, I went this route because I prefer a simple guitar, rather 
>> than one
>> with exotic woods and all the other bells and whistles.  This guitar 
>> is
>> basically the sibling of my Taylor steel string electric, the 310 CE. 
>> They
>> look very similar.
>>
>> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
>>
>> What I like most about the nylon string and what I like to do 
>> looping-wise
>> is that the tone of the nylon string sounds very traditional and 
>> authentic
>> (maybe because I was trained on the classical guitar and it is often
>> considered the instrument for academic study), yet I am placing this 
>> in
>> juxtaposition with some serious tone mangling and experimental 
>> effects. I
>> just love the contrast of these two extremes. It would be analogous to
>> placing a microphone on a grand piano and running it through a bunch 
>> of
>> insane soft synths. You have this beautiful and warm bell-like tone 
>> of a
>> nylon string guitar, but driving the most wild and bizarre VST 
>> effects.  It
>> really is a wonderful thing. The tone of the guitar can be so soft 
>> and warm,
>> yet the effects it triggers can take a whole new course of action and 
>> life
>> of their own.
>>
>> I hope to bring this to Y2K6, unless I think I might not be able to 
>> get it
>> on the plane safely. I had no problems last year.
>>
>> Kris
>>
>>
>>
>

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On 1-Aug-06, at 10:01 AM, Todd Pafford wrote:

<excerpt>I've considered (when I win the lottery) picking up a Godin
Multiac.

Nylon strings full classical scale & neck width, but built to be

plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll

sell off some of my old gear.

</excerpt>

Played one in Halifax at a festival recently.  VERY very nice.  Like
playing butter after so many years of steel strings.  And it sounded
very good.   Don't know if it could ever replace the thunder and growl
of quality steel strings, though.


<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

</color></fontfamily>

<excerpt>

Todd



On 8/1/06, Daryl Shawn <<highhorse@mhorse.com> wrote:

<excerpt>

 Awesome, Krispen! I'm really excited to hear what you do with it.


 What I like about messing with the nylon-string, besides the contrast
of

the rich tone, is the fingerstyle possibilities. It's possible to play

fingerstyle on electrics or steel-strings, of course, but to really
dig in

without destroying your nails you need one of these. And I haven't
heard

many people really going in an experimental direction with one. Though

there's Dominic Frasca (who I found out about here), who I hear uses a

laptop for his effects, and does amazing things on nylon-string.


 Someday I hope we can play together, I'll bring my four-track, you
bring

your laptop and we'll have a super-lo/super-hi-fi nylon-string duet...!



 Daryl Shawn

 www.swanwelder.com



I just bought a new Taylor Nylon string today, oh my....why I didn't I
buy a

nylon strong years ago baffles me, even when I had a traditional
classical

guitar sitting in my corner for years and years.  This may very well
be my

main guitar now for looping. These Taylor's are really interesting
guitars,

because even though they are often shunned by traditional classical

guitarists and even some acoustic jazz players (based on some reviews I

read) as sounding very flat and sterile unamplified (which I agree is
partly

true), they sound tremendous through the electronic pickup system.  I

believe these guitars were designed to be played amplified, not
"unplugged".

 In fact, my inexpensive Yamaha classical guitar sounds better

unplugged...but that is not the point here.


I bought the NS32-CE, which is the entry level model for Taylor nylon

strings....after weighing the options I got with higher models, and
the fact

that the neck and fretboard (playability) is basically the same on all
the

models, I went this route because I prefer a simple guitar, rather
than one

with exotic woods and all the other bells and whistles.  This guitar is

basically the sibling of my Taylor steel string electric, the 310 CE.
They

look very similar.


http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE


What I like most about the nylon string and what I like to do
looping-wise

is that the tone of the nylon string sounds very traditional and
authentic

(maybe because I was trained on the classical guitar and it is often

considered the instrument for academic study), yet I am placing this in

juxtaposition with some serious tone mangling and experimental
effects. I

just love the contrast of these two extremes. It would be analogous to

placing a microphone on a grand piano and running it through a bunch of

insane soft synths. You have this beautiful and warm bell-like tone of a

nylon string guitar, but driving the most wild and bizarre VST
effects.  It

really is a wonderful thing. The tone of the guitar can be so soft and
warm,

yet the effects it triggers can take a whole new course of action and
life

of their own.


I hope to bring this to Y2K6, unless I think I might not be able to
get it

on the plane safely. I had no problems last year.


Kris




</excerpt>

</excerpt>
--Apple-Mail-5-52059150--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 17:26:13 2006
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From: Paul Richards <paulrichard10@adelphia.net>
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Subject: Re: All My CDs Marked down to $5.00
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Interesting. I had a similar experience recently. I found a cassette in pristine condition and the label only said Airplane?. I popped it into my auto cassette deck and heard the old live album by the Airplane and another by  the 'super group' Blind Faith. Great tunes to drive into the backwoods of the Shenadoah valley.

As regards quality, I also went through great pains to get a decent signal-to-noise ration when recording cassettes, hence, the sound quality is still very good (especially compared to MP3's). I always used premium tapes as well. I was chatting with an associate recently about some other cassettes I had been listening to and he was kind of smiling because of the apparent obsolescence of the format. But, the pre-recorded tapes of their day that used cobalt tape, etc. still sound pretty darn good.
--
Paul Richards

---- Stephen Goodman <spgoodman@earthlight.net> wrote: 
> (back into text mode!)
> It's not just the physical quality though.  After six years away from my old 
> CD collection in storage, and just as long accumulating MP3 copies of some 
> of the more beloved tracks, I found an old cassette of a combination of 
> songs not only about driving, but also containing the kind of guitar bits 
> that make me like to play.  There was no label, and I popped it into a deck 
> to see what it was, to hear Cross-town Traffic and Easy Rider, for a start.
> 
> On one level I found it cosmically encouraging given the timing of my 
> getting back to playing the acoustic this week; on another different level, 
> I found myself far more satisfied with the sound quality of my cassettes 
> than MP3s.  Sure, I used to take pains to assure max quality when I made 
> tapes for myself, but it was as much of a difference as I experience between 
> cassettes and CDs.  And made me begin to question the use of the format at 
> all, except as a promotional or sales sample.  Or it's a down week.  I had 
> to fire another plumber today!  Ugh!
> 
> S.
> 
> 
> ----- Original Message ----- 
> From: Matthew F. McCabe
> To: Loopers-Delight@loopers-delight.com
> Sent: Wednesday, 2 August, 2006 16:22 PM
> Subject: Re: All My CDs Marked down to $5.00
> 
> 
> I agree.  I'd much rather own a physical CD.  It's almost as if mp3s cheapen 
> music...in that it's much easier to delete a couple of files than it is to 
> throw a CD in the trash.
> 
> 
> Matt
> 
> 
> 
> 
> On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:
> 
> 
> I sure am. I have all of the CDs going through all of the digital 
> distribution as well.
> 
> All in all, I don't really do this for the money, yet I have waffled back 
> and forth on this notion of whether I should give my CDs away, sell them for 
> standard market price, or severely discounted. It is a tough call, and 
> pretty much based on one's personal values on the matter....BUT, for me, the 
> gist is that I never want to generate a situation as an artist when someone 
> can't own one of my CDs simply because they can't afford it, or because they 
> have too many other CDs on their list and mine isn't the the highest 
> priority.  I'd rather give my CDs away or mark them down to CD Baby's cost, 
> then not have folks listening to my music.  And, believe it or not, I am of 
> the generation who still enjoys owning and having a physical CD. When I 
> produce a CD, the artwork on the sleeves is just as much a part of the 
> production as the music. It all fits together into a theme. I like for 
> people to have my physical CDs, not just the MP3s and digital art. If they 
> don't they are missing a significant element of the production.
> 
> Kris 
> 

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From: "Neil Goldstein" <swamilove@gmail.com>
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Multiac is my main looping guitar (into EDP). Surprisingly wide range of
tones, No worries about feedback, and the midi tracking (via its hex pickup
to GR30) is pretty decent.

Neil

On 8/1/06, Richard Sales <richard@glasswing.com> wrote:
>
>
> On 1-Aug-06, at 10:01 AM, Todd Pafford wrote:
> > I've considered (when I win the lottery) picking up a Godin Multiac.
> > Nylon strings full classical scale & neck width, but built to be
> > plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> > sell off some of my old gear.
>
> Played one in Halifax at a festival recently.  VERY very nice.  Like
> playing butter after so many years of steel strings.  And it sounded
> very good.   Don't know if it could ever replace the thunder and growl
> of quality steel strings, though.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
>
> >
> > Todd
> >
> >
> > On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> >>
> >>  Awesome, Krispen! I'm really excited to hear what you do with it.
> >>
> >>  What I like about messing with the nylon-string, besides the
> >> contrast of
> >> the rich tone, is the fingerstyle possibilities. It's possible to play
> >> fingerstyle on electrics or steel-strings, of course, but to really
> >> dig in
> >> without destroying your nails you need one of these. And I haven't
> >> heard
> >> many people really going in an experimental direction with one. Though
> >> there's Dominic Frasca (who I found out about here), who I hear uses a
> >> laptop for his effects, and does amazing things on nylon-string.
> >>
> >>  Someday I hope we can play together, I'll bring my four-track, you
> >> bring
> >> your laptop and we'll have a super-lo/super-hi-fi nylon-string
> >> duet...!
> >>
> >>
> >>  Daryl Shawn
> >>  www.swanwelder.com
> >>
> >>
> >> I just bought a new Taylor Nylon string today, oh my....why I didn't
> >> I buy a
> >> nylon strong years ago baffles me, even when I had a traditional
> >> classical
> >> guitar sitting in my corner for years and years.  This may very well
> >> be my
> >> main guitar now for looping. These Taylor's are really interesting
> >> guitars,
> >> because even though they are often shunned by traditional classical
> >> guitarists and even some acoustic jazz players (based on some reviews
> >> I
> >> read) as sounding very flat and sterile unamplified (which I agree is
> >> partly
> >> true), they sound tremendous through the electronic pickup system.  I
> >> believe these guitars were designed to be played amplified, not
> >> "unplugged".
> >>  In fact, my inexpensive Yamaha classical guitar sounds better
> >> unplugged...but that is not the point here.
> >>
> >> I bought the NS32-CE, which is the entry level model for Taylor nylon
> >> strings....after weighing the options I got with higher models, and
> >> the fact
> >> that the neck and fretboard (playability) is basically the same on
> >> all the
> >> models, I went this route because I prefer a simple guitar, rather
> >> than one
> >> with exotic woods and all the other bells and whistles.  This guitar
> >> is
> >> basically the sibling of my Taylor steel string electric, the 310 CE.
> >> They
> >> look very similar.
> >>
> >> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
> >>
> >> What I like most about the nylon string and what I like to do
> >> looping-wise
> >> is that the tone of the nylon string sounds very traditional and
> >> authentic
> >> (maybe because I was trained on the classical guitar and it is often
> >> considered the instrument for academic study), yet I am placing this
> >> in
> >> juxtaposition with some serious tone mangling and experimental
> >> effects. I
> >> just love the contrast of these two extremes. It would be analogous to
> >> placing a microphone on a grand piano and running it through a bunch
> >> of
> >> insane soft synths. You have this beautiful and warm bell-like tone
> >> of a
> >> nylon string guitar, but driving the most wild and bizarre VST
> >> effects.  It
> >> really is a wonderful thing. The tone of the guitar can be so soft
> >> and warm,
> >> yet the effects it triggers can take a whole new course of action and
> >> life
> >> of their own.
> >>
> >> I hope to bring this to Y2K6, unless I think I might not be able to
> >> get it
> >> on the plane safely. I had no problems last year.
> >>
> >> Kris
> >>
> >>
> >>
> >
>
>

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<div>Multiac is my main looping guitar (into EDP). Surprisingly wide range of tones, No worries about feedback, and the midi tracking (via its hex pickup to GR30)&nbsp;is pretty decent.<br>&nbsp;</div>
<div>Neil<br>&nbsp;</div>
<div><span class="gmail_quote">On 8/1/06, <b class="gmail_sendername">Richard Sales</b> &lt;<a href="mailto:richard@glasswing.com">richard@glasswing.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>On 1-Aug-06, at 10:01 AM, Todd Pafford wrote:<br>&gt; I've considered (when I win the lottery) picking up a Godin Multiac.
<br>&gt; Nylon strings full classical scale &amp; neck width, but built to be<br>&gt; plugged in with minimal accoustic projection.&nbsp;&nbsp;Dreamy.&nbsp;&nbsp;Maybe I'll<br>&gt; sell off some of my old gear.<br><br>Played one in Halifax at a festival recently.&nbsp;&nbsp;VERY very nice.&nbsp;&nbsp;Like
<br>playing butter after so many years of steel strings.&nbsp;&nbsp;And it sounded<br>very good.&nbsp;&nbsp; Don't know if it could ever replace the thunder and growl<br>of quality steel strings, though.<br><br>richard sales<br>glassWing farm and studio
<br>vancouver island, b.c.<br>800.545.6846<br>250.752.4816<br><a href="http://www.glassWing.com">www.glassWing.com</a><br><a href="http://www.richardsales.com">www.richardsales.com</a><br><a href="http://www.hayleysales.com">
www.hayleysales.com</a><br><a href="http://www.blueberryfieldsfarm.com">www.blueberryfieldsfarm.com</a><br><br>&gt;<br>&gt; Todd<br>&gt;<br>&gt;<br>&gt; On 8/1/06, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com
</a>&gt; wrote:<br>&gt;&gt;<br>&gt;&gt;&nbsp;&nbsp;Awesome, Krispen! I'm really excited to hear what you do with it.<br>&gt;&gt;<br>&gt;&gt;&nbsp;&nbsp;What I like about messing with the nylon-string, besides the<br>&gt;&gt; contrast of<br>&gt;&gt; the rich tone, is the fingerstyle possibilities. It's possible to play
<br>&gt;&gt; fingerstyle on electrics or steel-strings, of course, but to really<br>&gt;&gt; dig in<br>&gt;&gt; without destroying your nails you need one of these. And I haven't<br>&gt;&gt; heard<br>&gt;&gt; many people really going in an experimental direction with one. Though
<br>&gt;&gt; there's Dominic Frasca (who I found out about here), who I hear uses a<br>&gt;&gt; laptop for his effects, and does amazing things on nylon-string.<br>&gt;&gt;<br>&gt;&gt;&nbsp;&nbsp;Someday I hope we can play together, I'll bring my four-track, you
<br>&gt;&gt; bring<br>&gt;&gt; your laptop and we'll have a super-lo/super-hi-fi nylon-string<br>&gt;&gt; duet...!<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&nbsp;&nbsp;Daryl Shawn<br>&gt;&gt;&nbsp;&nbsp;<a href="http://www.swanwelder.com">www.swanwelder.com
</a><br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt; I just bought a new Taylor Nylon string today, oh my....why I didn't<br>&gt;&gt; I buy a<br>&gt;&gt; nylon strong years ago baffles me, even when I had a traditional<br>&gt;&gt; classical
<br>&gt;&gt; guitar sitting in my corner for years and years.&nbsp;&nbsp;This may very well<br>&gt;&gt; be my<br>&gt;&gt; main guitar now for looping. These Taylor's are really interesting<br>&gt;&gt; guitars,<br>&gt;&gt; because even though they are often shunned by traditional classical
<br>&gt;&gt; guitarists and even some acoustic jazz players (based on some reviews<br>&gt;&gt; I<br>&gt;&gt; read) as sounding very flat and sterile unamplified (which I agree is<br>&gt;&gt; partly<br>&gt;&gt; true), they sound tremendous through the electronic pickup system.&nbsp;&nbsp;I
<br>&gt;&gt; believe these guitars were designed to be played amplified, not<br>&gt;&gt; &quot;unplugged&quot;.<br>&gt;&gt;&nbsp;&nbsp;In fact, my inexpensive Yamaha classical guitar sounds better<br>&gt;&gt; unplugged...but that is not the point here.
<br>&gt;&gt;<br>&gt;&gt; I bought the NS32-CE, which is the entry level model for Taylor nylon<br>&gt;&gt; strings....after weighing the options I got with higher models, and<br>&gt;&gt; the fact<br>&gt;&gt; that the neck and fretboard (playability) is basically the same on
<br>&gt;&gt; all the<br>&gt;&gt; models, I went this route because I prefer a simple guitar, rather<br>&gt;&gt; than one<br>&gt;&gt; with exotic woods and all the other bells and whistles.&nbsp;&nbsp;This guitar<br>&gt;&gt; is<br>&gt;&gt; basically the sibling of my Taylor steel string electric, the 310 CE.
<br>&gt;&gt; They<br>&gt;&gt; look very similar.<br>&gt;&gt;<br>&gt;&gt; <a href="http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE">http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE</a><br>&gt;&gt;
<br>&gt;&gt; What I like most about the nylon string and what I like to do<br>&gt;&gt; looping-wise<br>&gt;&gt; is that the tone of the nylon string sounds very traditional and<br>&gt;&gt; authentic<br>&gt;&gt; (maybe because I was trained on the classical guitar and it is often
<br>&gt;&gt; considered the instrument for academic study), yet I am placing this<br>&gt;&gt; in<br>&gt;&gt; juxtaposition with some serious tone mangling and experimental<br>&gt;&gt; effects. I<br>&gt;&gt; just love the contrast of these two extremes. It would be analogous to
<br>&gt;&gt; placing a microphone on a grand piano and running it through a bunch<br>&gt;&gt; of<br>&gt;&gt; insane soft synths. You have this beautiful and warm bell-like tone<br>&gt;&gt; of a<br>&gt;&gt; nylon string guitar, but driving the most wild and bizarre VST
<br>&gt;&gt; effects.&nbsp;&nbsp;It<br>&gt;&gt; really is a wonderful thing. The tone of the guitar can be so soft<br>&gt;&gt; and warm,<br>&gt;&gt; yet the effects it triggers can take a whole new course of action and<br>&gt;&gt; life
<br>&gt;&gt; of their own.<br>&gt;&gt;<br>&gt;&gt; I hope to bring this to Y2K6, unless I think I might not be able to<br>&gt;&gt; get it<br>&gt;&gt; on the plane safely. I had no problems last year.<br>&gt;&gt;<br>&gt;&gt; Kris
<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;<br><br></blockquote></div><br>

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Subject: RE: OT: New Nylon String Through my Laptop system....
Date: Tue, 1 Aug 2006 13:43:09 -0400
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Consider, in lieu of the Godin, adding the same pickup system (RMC) to
your nylon of choice.  The pickup set is $250, I'd guess installation
would be another $200.
=20
I had a classical guitar made by William Cumpiano, with the RMC pickups
installed. This is the guitar I'll be playing the last day I'm on Earth.
=20
The Godin instruments are great, though.
=20
Hal Dean

	-----Original Message-----
	From: Daryl Shawn [mailto:highhorse@mhorse.com]=20
	Sent: Tuesday, August 01, 2006 1:20 PM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: OT: New Nylon String Through my Laptop system....
=09
=09
	Todd, there's always the solidbody Epiphone Chet Atkins - you
can find them for $200 or so. They're a far sight below the Gibson
version in terms of build quality, but I figure at that price one could
mess around with pickups and try to get a better sound. And there's
almost zero acoustic projection or feedback issues. I'd like to get one
just for late-night quiet-time playing.
=09
	(crap, over-OT-posting again! back to my hole!)
=09
	Daryl Shawn
	www.swanwelder.com
=09

		What I've never liked about running my nylon classicals
through my=20
		effects rig is the disparity between the accoustic sound
of the guitar=20
		riding over the sound coming from the speakers.  For
example, when=20
		laying down a loop, I'm hearing both the accoustic sound
plus the=20
		electric passed through the looper (& effects).  The
sum, in this=20
		situation, is greater than what actually gets layed down
in the loop=20
		and subsequently played back.  It makes it a pain to
balance the=20
		levels.=20
	=09
		Of course, there's also the feedback issues as well.
Gotta have those=20
		notch filters tuned up.=20
	=09
		I've considered (when I win the lottery) picking up a
Godin Multiac.=20
		Nylon strings full classical scale & neck width, but
built to be=20
		plugged in with minimal accoustic projection.  Dreamy.
Maybe I'll=20
		sell off some of my old gear.=20
	=09
		Todd=20
	=09



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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D987553917-01082006>Consider, in lieu of the Godin, adding the =
same pickup=20
system (RMC) to your nylon of choice.&nbsp; The pickup set is $250, I'd =
guess=20
installation would be another $200.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D987553917-01082006><FONT face=3D"Book Antiqua" =
color=3D#0000ff>I=20
had a classical guitar made by William Cumpiano, with the RMC pickups =
installed.=20
This is the guitar I'll be playing the last day I'm on=20
Earth.</FONT></SPAN></DIV>
<DIV><SPAN class=3D987553917-01082006><FONT face=3D"Book Antiqua"=20
color=3D#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D987553917-01082006><FONT face=3D"Book Antiqua" =
color=3D#0000ff>The=20
Godin instruments are great, though.</FONT></SPAN></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff></FONT>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN=20
class=3D954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Daryl Shawn=20
  [mailto:highhorse@mhorse.com] <BR><B>Sent:</B> Tuesday, August 01, =
2006 1:20=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  OT: New Nylon String Through my Laptop =
system....<BR><BR></FONT></DIV>Todd,=20
  there's always the solidbody Epiphone Chet Atkins - you can find them =
for $200=20
  or so. They're a far sight below the Gibson version in terms of build =
quality,=20
  but I figure at that price one could mess around with pickups and try =
to get a=20
  better sound. And there's almost <I>zero </I>acoustic projection or =
feedback=20
  issues. I'd like to get one just for late-night quiet-time=20
  playing.<BR><BR>(crap, over-OT-posting again! back to my =
hole!)<BR><BR>Daryl=20
  Shawn<BR><A class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR>
  <BLOCKQUOTE=20
  cite=3Dmid64b81a780608011001u13025316u25ddbb6a584f3e3f@mail.gmail.com=20
  type=3D"cite">What I've never liked about running my nylon classicals =
through=20
    my <BR>effects rig is the disparity between the accoustic sound of =
the=20
    guitar <BR>riding over the sound coming from the speakers.&nbsp; For =

    example, when <BR>laying down a loop, I'm hearing both the accoustic =
sound=20
    plus the <BR>electric passed through the looper (&amp; =
effects).&nbsp; The=20
    sum, in this <BR>situation, is greater than what actually gets layed =
down in=20
    the loop <BR>and subsequently played back.&nbsp; It makes it a pain =
to=20
    balance the <BR>levels. <BR><BR>Of course, there's also the feedback =
issues=20
    as well.&nbsp; Gotta have those <BR>notch filters tuned up. =
<BR><BR>I've=20
    considered (when I win the lottery) picking up a Godin Multiac. =
<BR>Nylon=20
    strings full classical scale &amp; neck width, but built to be =
<BR>plugged=20
    in with minimal accoustic projection.&nbsp; Dreamy.&nbsp; Maybe I'll =

    <BR>sell off some of my old gear. <BR><BR>Todd=20
<BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>
=00
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Subject: RE: Loooong, stereo, analog/tape style hardware delay... such a thing?
Date: Tue, 1 Aug 2006 20:25:18 +0200
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have you checked the Line6 DL4 delay modeler? maybe it doesn't exactly do
what you're after but there are many delay possibilities, including the
warble.
 
Michael www.michaelpeters.de
 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D515292218-01082006><FONT =
face=3DArial><FONT=20
size=3D2>h<SPAN class=3D515292218-01082006>ave you checked the Line6 DL4 =
delay=20
modeler? maybe it doesn't exactly do what you're after but there are =
many delay=20
possibilities, including the warble.</SPAN></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D515292218-01082006><FONT =
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size=3D2><SPAN class=3D515292218-01082006>Michael <A=20
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T></FONT></SPAN></DIV>
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Date: Tue, 1 Aug 2006 11:36:53 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
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Stereo EDPs Loop IV, with PMC 10

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 18:50:42 2006
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From: "Neil Goldstein" <swamilove@gmail.com>
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Subject: EDP SUS reverse
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I  love discussion  of techniques using EDP Loop IV. Guess the
audience for this includes users of Mobius too.

I just stumbled onto something new (for me) and thought I'd pass it
along. For some reason I hadn't messed with SUS Reverse until
recently.

Programmed a couple of adjacent footswitches to trigger momentary
reverse and overdub.
So no matter what the Quantize settings are you can instantly and
temporarily go into reverse and then if you want press overdub for
what will then be backwards after you release the SUS reverse pedal.

With these I could overdub short sections of backward audio to taste. Nice.

Neil

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 19:00:46 2006
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From: "Weg" <theweg@netzero.net>
Date: Tue, 1 Aug 2006 18:58:58 GMT
To: Loopers-Delight@loopers-delight.com
Subject: RE: OT: New Nylon String Through my Laptop system....
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----__JWM__J2a7e.11f0S.1d5fM
Content-Transfer-Encoding: quoted-printable
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I've considered (when I win the lottery) picking up a Godin Multiac. =

Nylon strings full classical scale & neck width, but built to be =

plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll =

sell off some of my old gear. =


Todd =


 =

I own one of the Multiac Nylons and they are sweet!  I bought it after p=
laying the Multiac Steel for a couple of years.  I love both of them and=
 doubt I will ever sell them.  I am tempted to get the Glissintar 11 str=
ing, anyone have one of those?  Both guitars sound great using my loopin=
g rig of:
2 EDP's
Lex. Vortex
1 Repeater =

Lex 110
and waiting for my LP1 (Hey Bob, any word on the parts???)
I also use 2 Boss DD20's and a LoopstationXL along with a Digitech Jamma=
n.
 =

so far I use the EDP's the most when practicing but I haven't played out=
 in over a year, too much work work..........
I would like to start working on a laptop setup.  I recently purchased t=
he M-audio Delta 1010lt card for my PC and will start working  with the =
Ableton Live lite and hope to get enough knowledge to setup a pc later i=
n the year.  With all the talk on this list I am sure I can get some goo=
d ideas!
Peace,
 =

Weg

----__JWM__J2a7e.11f0S.1d5fM
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<html><P>I've considered (when I win the lottery) picking up a Godin Mul=
tiac. <BR>Nylon strings full classical scale &amp; neck width, but built=
 to be <BR>plugged in with minimal accoustic projection.&nbsp; Dreamy.&n=
bsp; Maybe I'll <BR>sell off some of my old gear. <BR><BR>Todd <BR><BR>&=
nbsp;</P>
<P>I own one of the Multiac Nylons and they are sweet!&nbsp; I bought it=
 after playing the Multiac Steel for a couple of years.&nbsp; I love bot=
h of them and doubt I will ever sell them.&nbsp; I am tempted to get the=
 Glissintar 11 string, anyone have one of those?&nbsp; Both guitars soun=
d great using my looping rig of:</P>
<P>2 EDP's</P>
<P>Lex. Vortex</P>
<P>1 Repeater </P>
<P>Lex 110</P>
<P>and waiting for my LP1 (Hey Bob, any word on the parts???)</P>
<P>I also use 2 Boss DD20's and a LoopstationXL along with a Digitech Ja=
mman.</P>
<P>&nbsp;</P>
<P>so far I use the EDP's the most when practicing but I haven't played =
out in over a year, too much work work..........</P>
<P>I would like to start working on a laptop setup.&nbsp; I recently pur=
chased the M-audio Delta 1010lt card for my PC and will start working&nb=
sp; with the Ableton Live lite and hope to get enough knowledge to setup=
 a pc later in the year.&nbsp; With all the talk on this list I am sure =
I can get some good ideas!</P>
<P>Peace,</P>
<P>&nbsp;</P>
<P>Weg</P></html>

----__JWM__J2a7e.11f0S.1d5fM--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 19:23:30 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
Date: Tue, 1 Aug 2006 13:23:25 -0600
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This is what I love about it...I actually like hearing the acoustic sound 
and the amplified/effected sound...it gives me a few milliseconds of time to 
comprehend my playing before it comes out of the PA. I can see how it would 
be awkward for others.

Kris

----- Original Message ----- 
From: "Todd Pafford" <calenlas@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 01, 2006 11:01 AM
Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!


> What I've never liked about running my nylon classicals through my
> effects rig is the disparity between the accoustic sound of the guitar
> riding over the sound coming from the speakers.  For example, when
> laying down a loop, I'm hearing both the accoustic sound plus the
> electric passed through the looper (& effects).  The sum, in this
> situation, is greater than what actually gets layed down in the loop
> and subsequently played back.  It makes it a pain to balance the
> levels.
>
> Of course, there's also the feedback issues as well.  Gotta have those
> notch filters tuned up.
>
> I've considered (when I win the lottery) picking up a Godin Multiac.
> Nylon strings full classical scale & neck width, but built to be
> plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> sell off some of my old gear.
>
> Todd
>
>
> On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
>>
>>  Awesome, Krispen! I'm really excited to hear what you do with it.
>>
>>  What I like about messing with the nylon-string, besides the contrast of
>> the rich tone, is the fingerstyle possibilities. It's possible to play
>> fingerstyle on electrics or steel-strings, of course, but to really dig 
>> in
>> without destroying your nails you need one of these. And I haven't heard
>> many people really going in an experimental direction with one. Though
>> there's Dominic Frasca (who I found out about here), who I hear uses a
>> laptop for his effects, and does amazing things on nylon-string.
>>
>>  Someday I hope we can play together, I'll bring my four-track, you bring
>> your laptop and we'll have a super-lo/super-hi-fi nylon-string duet...!
>>
>>
>>  Daryl Shawn
>>  www.swanwelder.com
>>
>>
>> I just bought a new Taylor Nylon string today, oh my....why I didn't I 
>> buy a
>> nylon strong years ago baffles me, even when I had a traditional 
>> classical
>> guitar sitting in my corner for years and years.  This may very well be 
>> my
>> main guitar now for looping. These Taylor's are really interesting 
>> guitars,
>> because even though they are often shunned by traditional classical
>> guitarists and even some acoustic jazz players (based on some reviews I
>> read) as sounding very flat and sterile unamplified (which I agree is 
>> partly
>> true), they sound tremendous through the electronic pickup system.  I
>> believe these guitars were designed to be played amplified, not 
>> "unplugged".
>>  In fact, my inexpensive Yamaha classical guitar sounds better
>> unplugged...but that is not the point here.
>>
>> I bought the NS32-CE, which is the entry level model for Taylor nylon
>> strings....after weighing the options I got with higher models, and the 
>> fact
>> that the neck and fretboard (playability) is basically the same on all 
>> the
>> models, I went this route because I prefer a simple guitar, rather than 
>> one
>> with exotic woods and all the other bells and whistles.  This guitar is
>> basically the sibling of my Taylor steel string electric, the 310 CE. 
>> They
>> look very similar.
>>
>> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
>>
>> What I like most about the nylon string and what I like to do 
>> looping-wise
>> is that the tone of the nylon string sounds very traditional and 
>> authentic
>> (maybe because I was trained on the classical guitar and it is often
>> considered the instrument for academic study), yet I am placing this in
>> juxtaposition with some serious tone mangling and experimental effects. I
>> just love the contrast of these two extremes. It would be analogous to
>> placing a microphone on a grand piano and running it through a bunch of
>> insane soft synths. You have this beautiful and warm bell-like tone of a
>> nylon string guitar, but driving the most wild and bizarre VST effects. 
>> It
>> really is a wonderful thing. The tone of the guitar can be so soft and 
>> warm,
>> yet the effects it triggers can take a whole new course of action and 
>> life
>> of their own.
>>
>> I hope to bring this to Y2K6, unless I think I might not be able to get 
>> it
>> on the plane safely. I had no problems last year.
>>
>> Kris
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 19:37:33 2006
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Date: Tue, 1 Aug 2006 12:37:27 -0700 (PDT)
Subject: OT: Cool jam sessions, improv, or clubs in Nagoya, Japan?
From: "Daren Burns" <daren@darenburns.com>
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Hey all,

I thought maybe some of you on the list could help me. I'm going to be in
Nagoya for two weeks between 8-8 and 8-22. I played at one last time at a
place called Swing Dragon, but I don't know if it is still there or not
and I was wondering if there might be anything else happening during that
time or anywhere else that there might be to go to.


Thanks in advance!



-- 
Daren Burns
bassist/composer/teacher/good guy
http://www.darenburns.com
http://www.darknumbers.com
"I can't understand why people are frightened of new ideas. I'm frightened
of the old ones."
- John Cage





From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 19:44:31 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EDP SUS reverse
Date: Tue, 1 Aug 2006 21:44:27 +0200
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On 1 aug 2006, at 20.50, Neil Goldstein wrote:

> Programmed a couple of adjacent footswitches to trigger momentary
> reverse and overdub.

Nice trick! I have not tried that with my EDP, only the toggle  
Reverse (which I love for guitar to make long backwards sounding parts).

But in Mobius I did something related. I scripted the following actions:
- overdub for a 32d note
- reverse a 32d note
- reverse into forward playback
- change (pitch) rate
- overdub for a 32d note (over the same place, stacking a second note)
- (repeat all actions a couple of times, but with a different rate  
value to create more notes to form a chord)

This scripted sequence of actions creates a 32d note stab chord out  
of one played note. Very fun and handy for creating punchy reggae  
chords with a flute or other monophonic instruments. I play with  
three variations; minor chord, major chord and sus4 chord - all in  
the basic four note voicing.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 19:57:12 2006
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> But in Mobius I did something related. I scripted the following actions:
> - overdub for a 32d note
> - reverse a 32d note
> - reverse into forward playback
> - change (pitch) rate
> - overdub for a 32d note (over the same place, stacking a second note)
> - (repeat all actions a couple of times, but with a different rate
> value to create more notes to form a chord)
>
> This scripted sequence of actions creates a 32d note stab chord out
> of one played note. Very fun and handy for creating punchy reggae
> chords with a flute or other monophonic instruments. I play with
> three variations; minor chord, major chord and sus4 chord - all in
> the basic four note voicing.
>

You have an audio sample off this somewhere?

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 20:04:02 2006
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Date: Tue, 1 Aug 2006 15:04:01 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: sonasphere
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Hello loopers!

i know this isn't about a looper, but i know there is a group of loop
manglers here, so i was just wondering if anyone has tried the OSX
software "sonasphere" It looks like a really cool  semi-randomized
mangling for loops. Its not really random because there is a pattern
that the program follows, but its is sort of radom because the pattern
is hard to predict without using some big math functions :)

so has anyone tried it? i tried it, but i can't get it to work...i
can't get any sound to come out :)

Charlie

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Subject: Re: EDP SUS reverse
Date: Tue, 1 Aug 2006 22:08:46 +0200
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>> But in Mobius I did something related. I scripted the following  
>> actions:
>> - overdub for a 32d note
>> - reverse a 32d note
>> - reverse into forward playback
>> - change (pitch) rate
>> - overdub for a 32d note (over the same place, stacking a second  
>> note)
>> - (repeat all actions a couple of times, but with a different rate
>> value to create more notes to form a chord)
>>
>> This scripted sequence of actions creates a 32d note stab chord out
>> of one played note. Very fun and handy for creating punchy reggae
>> chords with a flute or other monophonic instruments. I play with
>> three variations; minor chord, major chord and sus4 chord - all in
>> the basic four note voicing.
>>
> On 1 aug 2006, at 21.57, Neil Goldstein wrote:

> You have an audio sample off this somewhere?

In this sax looping piece: http://www.looproom.com/audio/ 
busonetothere.mp3
Nothing fancy, sounds just like some kind of organ stabbing short  
chord hits. Starting 40 seconds into the piece.

per



From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 20:17:25 2006
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Date: Tue, 1 Aug 2006 16:17:23 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loooong, stereo, analog/tape style hardware delay... such a thing?
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The DL4's big brother, the Echo Pro, has filtering options out the
wazoo.  Sounds exactly like what Jesse's looking for.  The only
problem is that max stereo delay time is like 2.5 seconds and even
shorter I think in the DL4.  Still, I love the tube & tape echo models
and some of the weirder ones like the platter (...instant Pink
Floyd...)  Definitely worth checking out despite the delay length.

Todd

On 8/1/06, Michael Peters <mp@mpeters.de> wrote:
>
>
> have you checked the Line6 DL4 delay modeler? maybe it doesn't exactly do
> what you're after but there are many delay possibilities, including the
> warble.
>
> Michael www.michaelpeters.de
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 20:28:49 2006
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Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
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Yeah, the effect is similar to having a constant straight dry line
from the guitar that all of the effects are run parallel to.
Honestly, I'm sure if I played with it more I'd find a sweet spot and
learn to take advantage of the situation.  Lately though, I've been
consumed with playing completely accoustically, learning flamenco,
reapplying myself to my classical guitar studies, etc.  There's
something satisfyingly natural, almost primal, about sitting down with
just you and the guitar and making music.  Guess I'm living the
ludite's life at the moment. :)

(Allow me to brag for a moment....I just got a new Pavan TP-30
classical and I'm in heaven.  If anyone's in the market for a great
classical guitar at an unbelievably affordable price check out Tom
Prisloe's Pavan guitars.  Such a sweet well rounded voice in these
guitars.  I had him install an L.R. Baggs IBeam pickup under the
saddle, but I haven't even tried it yet.  Too busy just playing.)

Todd


On 8/1/06, Krispen Hartung <khartung@cableone.net> wrote:
> This is what I love about it...I actually like hearing the acoustic sound
> and the amplified/effected sound...it gives me a few milliseconds of time to
> comprehend my playing before it comes out of the PA. I can see how it would
> be awkward for others.
>
> Kris
>
> ----- Original Message -----
> From: "Todd Pafford" <calenlas@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 01, 2006 11:01 AM
> Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
>
>
> > What I've never liked about running my nylon classicals through my
> > effects rig is the disparity between the accoustic sound of the guitar
> > riding over the sound coming from the speakers.  For example, when
> > laying down a loop, I'm hearing both the accoustic sound plus the
> > electric passed through the looper (& effects).  The sum, in this
> > situation, is greater than what actually gets layed down in the loop
> > and subsequently played back.  It makes it a pain to balance the
> > levels.
> >
> > Of course, there's also the feedback issues as well.  Gotta have those
> > notch filters tuned up.
> >
> > I've considered (when I win the lottery) picking up a Godin Multiac.
> > Nylon strings full classical scale & neck width, but built to be
> > plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
> > sell off some of my old gear.
> >
> > Todd
> >
> >
> > On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> >>
> >>  Awesome, Krispen! I'm really excited to hear what you do with it.
> >>
> >>  What I like about messing with the nylon-string, besides the contrast of
> >> the rich tone, is the fingerstyle possibilities. It's possible to play
> >> fingerstyle on electrics or steel-strings, of course, but to really dig
> >> in
> >> without destroying your nails you need one of these. And I haven't heard
> >> many people really going in an experimental direction with one. Though
> >> there's Dominic Frasca (who I found out about here), who I hear uses a
> >> laptop for his effects, and does amazing things on nylon-string.
> >>
> >>  Someday I hope we can play together, I'll bring my four-track, you bring
> >> your laptop and we'll have a super-lo/super-hi-fi nylon-string duet...!
> >>
> >>
> >>  Daryl Shawn
> >>  www.swanwelder.com
> >>
> >>
> >> I just bought a new Taylor Nylon string today, oh my....why I didn't I
> >> buy a
> >> nylon strong years ago baffles me, even when I had a traditional
> >> classical
> >> guitar sitting in my corner for years and years.  This may very well be
> >> my
> >> main guitar now for looping. These Taylor's are really interesting
> >> guitars,
> >> because even though they are often shunned by traditional classical
> >> guitarists and even some acoustic jazz players (based on some reviews I
> >> read) as sounding very flat and sterile unamplified (which I agree is
> >> partly
> >> true), they sound tremendous through the electronic pickup system.  I
> >> believe these guitars were designed to be played amplified, not
> >> "unplugged".
> >>  In fact, my inexpensive Yamaha classical guitar sounds better
> >> unplugged...but that is not the point here.
> >>
> >> I bought the NS32-CE, which is the entry level model for Taylor nylon
> >> strings....after weighing the options I got with higher models, and the
> >> fact
> >> that the neck and fretboard (playability) is basically the same on all
> >> the
> >> models, I went this route because I prefer a simple guitar, rather than
> >> one
> >> with exotic woods and all the other bells and whistles.  This guitar is
> >> basically the sibling of my Taylor steel string electric, the 310 CE.
> >> They
> >> look very similar.
> >>
> >> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
> >>
> >> What I like most about the nylon string and what I like to do
> >> looping-wise
> >> is that the tone of the nylon string sounds very traditional and
> >> authentic
> >> (maybe because I was trained on the classical guitar and it is often
> >> considered the instrument for academic study), yet I am placing this in
> >> juxtaposition with some serious tone mangling and experimental effects. I
> >> just love the contrast of these two extremes. It would be analogous to
> >> placing a microphone on a grand piano and running it through a bunch of
> >> insane soft synths. You have this beautiful and warm bell-like tone of a
> >> nylon string guitar, but driving the most wild and bizarre VST effects.
> >> It
> >> really is a wonderful thing. The tone of the guitar can be so soft and
> >> warm,
> >> yet the effects it triggers can take a whole new course of action and
> >> life
> >> of their own.
> >>
> >> I hope to bring this to Y2K6, unless I think I might not be able to get
> >> it
> >> on the plane safely. I had no problems last year.
> >>
> >> Kris
> >>
> >>
> >>
> >
> >
>
>
>

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On 1-Aug-06, at 1:28 PM, Todd Pafford wrote:

>  There's
> something satisfyingly natural, almost primal, about sitting down with
> just you and the guitar and making music.  Guess I'm living the
> ludite's life at the moment. :)

Oh boy!  I can identify with that.  After so many years staring at the 
monitor doing MIDI music, steeped in blinking LEDs and VU meters,  it 
DOES feel good to not have to throw ONE SWITCH to enter paradise.    
But I'm trying to de-Luddite myself and get back at it.  LOTS of 
resistance though.

But there's also something really sweet about walking into a gig with 
just an acoustic guitar, plugging it in or mic'ing it, and going to 
town.   And then leaving town with just the same guitar and a little 
more lettuce in the wallet.

We'll see for me how it all ends up.  The jury's still out.   I'm 
enjoying looping for now and think it will help a lot with my 
performance with my daughter live.  I layered so many parts on her CD I 
just don't have enough fingers to play them.  So I'm hoping the looper 
will help on that front.

Met a great flamenco player from Spain recently, Juan Martinez.  He 
humbled all of us string wranglers at the festival back east.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

>
>
> On 8/1/06, Krispen Hartung <khartung@cableone.net> wrote:
>> This is what I love about it...I actually like hearing the acoustic 
>> sound
>> and the amplified/effected sound...it gives me a few milliseconds of 
>> time to
>> comprehend my playing before it comes out of the PA. I can see how it 
>> would
>> be awkward for others.
>>
>> Kris
>>
>> ----- Original Message -----
>> From: "Todd Pafford" <calenlas@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, August 01, 2006 11:01 AM
>> Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!
>>
>>
>> > What I've never liked about running my nylon classicals through my
>> > effects rig is the disparity between the accoustic sound of the 
>> guitar
>> > riding over the sound coming from the speakers.  For example, when
>> > laying down a loop, I'm hearing both the accoustic sound plus the
>> > electric passed through the looper (& effects).  The sum, in this
>> > situation, is greater than what actually gets layed down in the loop
>> > and subsequently played back.  It makes it a pain to balance the
>> > levels.
>> >
>> > Of course, there's also the feedback issues as well.  Gotta have 
>> those
>> > notch filters tuned up.
>> >
>> > I've considered (when I win the lottery) picking up a Godin Multiac.
>> > Nylon strings full classical scale & neck width, but built to be
>> > plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll
>> > sell off some of my old gear.
>> >
>> > Todd
>> >
>> >
>> > On 8/1/06, Daryl Shawn <highhorse@mhorse.com> wrote:
>> >>
>> >>  Awesome, Krispen! I'm really excited to hear what you do with it.
>> >>
>> >>  What I like about messing with the nylon-string, besides the 
>> contrast of
>> >> the rich tone, is the fingerstyle possibilities. It's possible to 
>> play
>> >> fingerstyle on electrics or steel-strings, of course, but to 
>> really dig
>> >> in
>> >> without destroying your nails you need one of these. And I haven't 
>> heard
>> >> many people really going in an experimental direction with one. 
>> Though
>> >> there's Dominic Frasca (who I found out about here), who I hear 
>> uses a
>> >> laptop for his effects, and does amazing things on nylon-string.
>> >>
>> >>  Someday I hope we can play together, I'll bring my four-track, 
>> you bring
>> >> your laptop and we'll have a super-lo/super-hi-fi nylon-string 
>> duet...!
>> >>
>> >>
>> >>  Daryl Shawn
>> >>  www.swanwelder.com
>> >>
>> >>
>> >> I just bought a new Taylor Nylon string today, oh my....why I 
>> didn't I
>> >> buy a
>> >> nylon strong years ago baffles me, even when I had a traditional
>> >> classical
>> >> guitar sitting in my corner for years and years.  This may very 
>> well be
>> >> my
>> >> main guitar now for looping. These Taylor's are really interesting
>> >> guitars,
>> >> because even though they are often shunned by traditional classical
>> >> guitarists and even some acoustic jazz players (based on some 
>> reviews I
>> >> read) as sounding very flat and sterile unamplified (which I agree 
>> is
>> >> partly
>> >> true), they sound tremendous through the electronic pickup system. 
>>  I
>> >> believe these guitars were designed to be played amplified, not
>> >> "unplugged".
>> >>  In fact, my inexpensive Yamaha classical guitar sounds better
>> >> unplugged...but that is not the point here.
>> >>
>> >> I bought the NS32-CE, which is the entry level model for Taylor 
>> nylon
>> >> strings....after weighing the options I got with higher models, 
>> and the
>> >> fact
>> >> that the neck and fretboard (playability) is basically the same on 
>> all
>> >> the
>> >> models, I went this route because I prefer a simple guitar, rather 
>> than
>> >> one
>> >> with exotic woods and all the other bells and whistles.  This 
>> guitar is
>> >> basically the sibling of my Taylor steel string electric, the 310 
>> CE.
>> >> They
>> >> look very similar.
>> >>
>> >> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE
>> >>
>> >> What I like most about the nylon string and what I like to do
>> >> looping-wise
>> >> is that the tone of the nylon string sounds very traditional and
>> >> authentic
>> >> (maybe because I was trained on the classical guitar and it is 
>> often
>> >> considered the instrument for academic study), yet I am placing 
>> this in
>> >> juxtaposition with some serious tone mangling and experimental 
>> effects. I
>> >> just love the contrast of these two extremes. It would be 
>> analogous to
>> >> placing a microphone on a grand piano and running it through a 
>> bunch of
>> >> insane soft synths. You have this beautiful and warm bell-like 
>> tone of a
>> >> nylon string guitar, but driving the most wild and bizarre VST 
>> effects.
>> >> It
>> >> really is a wonderful thing. The tone of the guitar can be so soft 
>> and
>> >> warm,
>> >> yet the effects it triggers can take a whole new course of action 
>> and
>> >> life
>> >> of their own.
>> >>
>> >> I hope to bring this to Y2K6, unless I think I might not be able 
>> to get
>> >> it
>> >> on the plane safely. I had no problems last year.
>> >>
>> >> Kris
>> >>
>> >>
>> >>
>> >
>> >
>>
>>
>>
>

--Apple-Mail-9-67612853
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On 1-Aug-06, at 1:28 PM, Todd Pafford wrote:


<excerpt> There's

something satisfyingly natural, almost primal, about sitting down with

just you and the guitar and making music.  Guess I'm living the

ludite's life at the moment. :)

</excerpt>

Oh boy!  I can identify with <italic>that</italic>.  After so many
years staring at the monitor doing MIDI music, steeped in blinking
LEDs and VU meters,  it DOES feel good to not have to throw ONE SWITCH
to enter paradise.    But I'm trying to de-Luddite myself and get back
at it.  LOTS of resistance though.


But there's also something really sweet about walking into a gig with
just an acoustic guitar, plugging it in or mic'ing it, and going to
town.   And then leaving town with just the same guitar and a little
more lettuce in the wallet.  


We'll see for me how it all ends up.  The jury's still out.   I'm
enjoying looping for now and think it will help a lot with my
performance with my daughter live.  I layered so many parts on her CD
I just don't have enough fingers to play them.  So I'm hoping the
looper will help on that front.   


Met a great flamenco player from Spain recently, Juan Martinez.  He
humbled all of us string wranglers at the festival back east.  


<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>


<excerpt>


On 8/1/06, Krispen Hartung <<khartung@cableone.net> wrote:

<excerpt>This is what I love about it...I actually like hearing the
acoustic sound

and the amplified/effected sound...it gives me a few milliseconds of
time to

comprehend my playing before it comes out of the PA. I can see how it
would

be awkward for others.


Kris


----- Original Message -----

From: "Todd Pafford" <<calenlas@gmail.com>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Tuesday, August 01, 2006 11:01 AM

Subject: Re: OT: New Nylon String Through my Laptop system....oh my!!!



> What I've never liked about running my nylon classicals through my

> effects rig is the disparity between the accoustic sound of the
guitar

> riding over the sound coming from the speakers.  For example, when

> laying down a loop, I'm hearing both the accoustic sound plus the

> electric passed through the looper (& effects).  The sum, in this

> situation, is greater than what actually gets layed down in the loop

> and subsequently played back.  It makes it a pain to balance the

> levels.

>

> Of course, there's also the feedback issues as well.  Gotta have
those

> notch filters tuned up.

>

> I've considered (when I win the lottery) picking up a Godin Multiac.

> Nylon strings full classical scale & neck width, but built to be

> plugged in with minimal accoustic projection.  Dreamy.  Maybe I'll

> sell off some of my old gear.

>

> Todd

>

>

> On 8/1/06, Daryl Shawn <<highhorse@mhorse.com> wrote:

>>

>>  Awesome, Krispen! I'm really excited to hear what you do with it.

>>

>>  What I like about messing with the nylon-string, besides the
contrast of

>> the rich tone, is the fingerstyle possibilities. It's possible to
play

>> fingerstyle on electrics or steel-strings, of course, but to really
dig

>> in

>> without destroying your nails you need one of these. And I haven't
heard

>> many people really going in an experimental direction with one.
Though

>> there's Dominic Frasca (who I found out about here), who I hear
uses a

>> laptop for his effects, and does amazing things on nylon-string.

>>

>>  Someday I hope we can play together, I'll bring my four-track, you
bring

>> your laptop and we'll have a super-lo/super-hi-fi nylon-string
duet...!

>>

>>

>>  Daryl Shawn

>>  www.swanwelder.com

>>

>>

>> I just bought a new Taylor Nylon string today, oh my....why I
didn't I

>> buy a

>> nylon strong years ago baffles me, even when I had a traditional

>> classical

>> guitar sitting in my corner for years and years.  This may very
well be

>> my

>> main guitar now for looping. These Taylor's are really interesting

>> guitars,

>> because even though they are often shunned by traditional classical

>> guitarists and even some acoustic jazz players (based on some
reviews I

>> read) as sounding very flat and sterile unamplified (which I agree
is

>> partly

>> true), they sound tremendous through the electronic pickup system.  I

>> believe these guitars were designed to be played amplified, not

>> "unplugged".

>>  In fact, my inexpensive Yamaha classical guitar sounds better

>> unplugged...but that is not the point here.

>>

>> I bought the NS32-CE, which is the entry level model for Taylor
nylon

>> strings....after weighing the options I got with higher models, and
the

>> fact

>> that the neck and fretboard (playability) is basically the same on
all

>> the

>> models, I went this route because I prefer a simple guitar, rather
than

>> one

>> with exotic woods and all the other bells and whistles.  This
guitar is

>> basically the sibling of my Taylor steel string electric, the 310
CE.

>> They

>> look very similar.

>>

>> http://www.taylorguitars.com/guitars/model.aspx?model=NS32-CE

>>

>> What I like most about the nylon string and what I like to do

>> looping-wise

>> is that the tone of the nylon string sounds very traditional and

>> authentic

>> (maybe because I was trained on the classical guitar and it is often

>> considered the instrument for academic study), yet I am placing
this in

>> juxtaposition with some serious tone mangling and experimental
effects. I

>> just love the contrast of these two extremes. It would be analogous
to

>> placing a microphone on a grand piano and running it through a
bunch of

>> insane soft synths. You have this beautiful and warm bell-like tone
of a

>> nylon string guitar, but driving the most wild and bizarre VST
effects.

>> It

>> really is a wonderful thing. The tone of the guitar can be so soft
and

>> warm,

>> yet the effects it triggers can take a whole new course of action
and

>> life

>> of their own.

>>

>> I hope to bring this to Y2K6, unless I think I might not be able to
get

>> it

>> on the plane safely. I had no problems last year.

>>

>> Kris

>>

>>

>>

>

>




</excerpt>

</excerpt>
--Apple-Mail-9-67612853--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 23:02:49 2006
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Subject: RE: Midi looper ... anyone know one?
Date: Tue, 1 Aug 2006 19:02:47 -0400
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I was thinking along these lines but have simpler requirements. A lot of
traditional tunes (and not so traditional) set one or two bass patterns and
'loop' them. the twist is that they will transpose thru a chord progression.


So even a simple mono midi looper to create basslines (and let me set the
root note to transpose once I've captured the loops) would be huge.

> -----Original Message-----
> From: Gary Lehmann [mailto:hqr@cox.net]
> Sent: Tuesday, August 01, 2006 1:20 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Midi looper ... anyone know one?
> 
> There is a genuine MIDI looper in the Ztar, but overdub IS a problem.
> Also I don't know if it records the MIDI in.
> http://www.starrlabs.com/
> Gary


From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 23:06:43 2006
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From: RP Collier <skeptikalist@gmail.com>
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On Aug 1, 2006, at 1:04 PM, Charlie Milkey wrote:

> so has anyone tried it? i tried it, but i can't get it to work...i
> can't get any sound to come out :)


Not immediately obvious to me, I had to watch the movie to get it to  
work.
You have to drag in a sample and then choose an effect and set the  
XYZ parameters, so it goes:

choose sample loop object >
choose fx object >
choose mixer object
then use the connection tool to connect them in that order, then  
click the output button.
Pretty interesting, a bit like some of the ixi software object stuff.

For glitchy loop mangling I rather like [gleetchLAB]1.0.3.

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

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yeah, i don't know what i am doing wrong, i did it all exactly how the
website explained it, but still nothing...cool concept though...

l will check out that gleetchlab :)

Charlie

On 8/1/06, RP Collier <skeptikalist@gmail.com> wrote:
>
> On Aug 1, 2006, at 1:04 PM, Charlie Milkey wrote:
>
> > so has anyone tried it? i tried it, but i can't get it to work...i
> > can't get any sound to come out :)
>
>
> Not immediately obvious to me, I had to watch the movie to get it to
> work.
> You have to drag in a sample and then choose an effect and set the
> XYZ parameters, so it goes:
>
> choose sample loop object >
> choose fx object >
> choose mixer object
> then use the connection tool to connect them in that order, then
> click the output button.
> Pretty interesting, a bit like some of the ixi software object stuff.
>
> For glitchy loop mangling I rather like [gleetchLAB]1.0.3.
>
> regards
>
> BobC
>
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 23:28:26 2006
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Subject: Re: Midi looper ... anyone know one?
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I=92d post a query on a Max list; if such a thing hasn=92t been built =
yet =20
by those folks, there may be somebody there who=92d enjoy the =20
challenge, or even want to take on the job.
dc


On Aug 1, 2006, at 4:02 PM, Bill Edmondson wrote:

> I was thinking along these lines but have simpler requirements.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I=92d post a query on a Max =
list; if such a thing hasn=92t been built yet by those folks, there may =
be somebody there who=92d enjoy the challenge, or even want to take on =
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class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Aug 1, =
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--Apple-Mail-1-74042906--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  1 23:54:37 2006
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Date: Tue, 1 Aug 2006 19:43:45 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: Midi looper ... anyone know one?
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Any sequencer can do this

>I was thinking along these lines but have simpler requirements. A lot of
>traditional tunes (and not so traditional) set one or two bass patterns and
>'loop' them. the twist is that they will transpose thru a chord progression.
>
>
>So even a simple mono midi looper to create basslines (and let me set the
>root note to transpose once I've captured the loops) would be huge.
>
>>  -----Original Message-----
>>  From: Gary Lehmann [mailto:hqr@cox.net]
>>  Sent: Tuesday, August 01, 2006 1:20 PM
>>  To: Loopers-Delight@loopers-delight.com
>>  Subject: RE: Midi looper ... anyone know one?
>>
>>  There is a genuine MIDI looper in the Ztar, but overdub IS a problem.
>>  Also I don't know if it records the MIDI in.
>>  http://www.starrlabs.com/
>>  Gary


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 00:00:50 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Midi looper ... anyone know one?
Date: Tue, 1 Aug 2006 20:00:47 -0400
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True. I tend to think in terms of hardware loopers. But you're right. It
should be possible to have ableton live do this sort of thing.

> -----Original Message-----
> From: Charles Zwicky [mailto:cazwicky@earthlink.net]
> Sent: Tuesday, August 01, 2006 7:44 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Midi looper ... anyone know one?
> 
> Any sequencer can do this
> 
> >I was thinking along these lines but have simpler requirements. A lot of
> >traditional tunes (and not so traditional) set one or two bass patterns
> and
> >'loop' them. the twist is that they will transpose thru a chord
> progression.
> >
> >
> >So even a simple mono midi looper to create basslines (and let me set the
> >root note to transpose once I've captured the loops) would be huge.
> >
> >>  -----Original Message-----
> >>  From: Gary Lehmann [mailto:hqr@cox.net]
> >>  Sent: Tuesday, August 01, 2006 1:20 PM
> >>  To: Loopers-Delight@loopers-delight.com
> >>  Subject: RE: Midi looper ... anyone know one?
> >>
> >>  There is a genuine MIDI looper in the Ztar, but overdub IS a problem.
> >>  Also I don't know if it records the MIDI in.
> >>  http://www.starrlabs.com/
> >>  Gary
> 
> 
> --
> ...
> http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 00:13:38 2006
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Date: Tue, 1 Aug 2006 17:13:35 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Loooong, stereo, analog/tape style hardware delay... such a thing?
To: Loopers-Delight@loopers-delight.com
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It wasn't supposed to do this, but if you tried to
sync your Echo Pro delay to MIDI (you were supposed
to) it would get grungier and grungier and weirder as
time went on... at first I thought I was in some odd
emulation but then I realized that it was just the
standard digital delay and as soon as I yanked the
midi cable the effect went away.  It broke but in a
cool way.  Wouldn't know it on short delays but if you
set them to repeat for a long time you'd hear it for
sure.

--- Todd Pafford <calenlas@gmail.com> wrote:

> The DL4's big brother, the Echo Pro, has filtering
> options out the
> wazoo.  Sounds exactly like what Jesse's looking
> for.  The only
> problem is that max stereo delay time is like 2.5
> seconds and even
> shorter I think in the DL4.  Still, I love the tube
> & tape echo models
> and some of the weirder ones like the platter
> (...instant Pink
> Floyd...)  Definitely worth checking out despite the
> delay length.
> 
> Todd
> 
> On 8/1/06, Michael Peters <mp@mpeters.de> wrote:
> >
> >
> > have you checked the Line6 DL4 delay modeler?
> maybe it doesn't exactly do
> > what you're after but there are many delay
> possibilities, including the
> > warble.
> >
> > Michael www.michaelpeters.de
> >
> 
> 


__________________________________________________
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Repeater and Boomerang



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EDP ; Repeater

http://xoomer.alice.it/milco.montagna/Equipment.html

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Pod-GT6-Gr33-Repeater

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 15:11:11 2006
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--Apple-Mail-2-130604606
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Wow!  The Switchblade looks really cool!  How do you like it?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 2-Aug-06, at 12:03 AM, <milco.montagna@bt.com> wrote:

> EDP ; Repeater
>
> http://xoomer.alice.it/milco.montagna/Equipment.html
> <winmail.dat>
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Wow!  The Switchblade looks really cool!  How do you like it?


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 2-Aug-06, at 12:03 AM, <<milco.montagna@bt.com> wrote:


<excerpt>EDP ; Repeater


http://xoomer.alice.it/milco.montagna/Equipment.html

<<winmail.dat></excerpt>
--Apple-Mail-2-130604606--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 15:21:25 2006
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From: "Michael Peters" <mp@mpeters.de>
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Subject: OT Flamenco percussion dance instrument
Date: Wed, 2 Aug 2006 17:21:15 +0200
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for those who like minimalist percussive music and dance: 
http://www.xala.ch/450_video.php?lang_choose=1
check this out. Amazing stuff. Be sure to watch the videos.

Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 17:43:34 2006
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Date: Wed, 2 Aug 2006 10:43:32 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Midi looper ... anyone know one?
To: Loopers-Delight@loopers-delight.com
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I just sold an E-MU XL-7 Command Station that did some
pretty cool MIDI looping.  One issue is you had to
predefine your loop length.

M

--- Bill Edmondson <edmondson5@comcast.net> wrote:

> True. I tend to think in terms of hardware loopers.
> But you're right. It
> should be possible to have ableton live do this sort
> of thing.
> 
> > -----Original Message-----
> > From: Charles Zwicky
> [mailto:cazwicky@earthlink.net]
> > Sent: Tuesday, August 01, 2006 7:44 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: Midi looper ... anyone know one?
> > 
> > Any sequencer can do this
> > 
> > >I was thinking along these lines but have simpler
> requirements. A lot of
> > >traditional tunes (and not so traditional) set
> one or two bass patterns
> > and
> > >'loop' them. the twist is that they will
> transpose thru a chord
> > progression.
> > >
> > >
> > >So even a simple mono midi looper to create
> basslines (and let me set the
> > >root note to transpose once I've captured the
> loops) would be huge.
> > >
> > >>  -----Original Message-----
> > >>  From: Gary Lehmann [mailto:hqr@cox.net]
> > >>  Sent: Tuesday, August 01, 2006 1:20 PM
> > >>  To: Loopers-Delight@loopers-delight.com
> > >>  Subject: RE: Midi looper ... anyone know one?
> > >>
> > >>  There is a genuine MIDI looper in the Ztar,
> but overdub IS a problem.
> > >>  Also I don't know if it records the MIDI in.
> > >>  http://www.starrlabs.com/
> > >>  Gary
> > 
> > 
> > --
> > ...
> > http://www.zmix.net
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 17:59:16 2006
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From: "Tony K" <bigtony@softhome.net>
To: loopers-Delight@loopers-delight.com
References: <007201c6b495$febfd770$5a01a8c0@mark>
Subject: Re: Quick poll
Date: Wed, 2 Aug 2006 13:53:45 -0400
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I know I'm coming into this late, but can I still play? =20

Delay/Loopers:

Digitech RP2000 (delay on infinte repeat)
Digitech 2 sec delay (with sample/hold)
GigaDelay
RC20XL
DL4
Arion Stero Delay

FX:

Vortex
Roland RSP-550
Alesis ModFX
Adrenalinn

I also have my mixer & patch bay setup so I can route the aux =
sent/returns between each other (and through the loopers/delays/fx) to =
get feedback loops.

Tony K
  ----- Original Message -----=20
  From: markfrancombe.com=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 7:39 AM
  Subject: Quick poll


  Due to the phenomenal jump in available loopers, this list has widened =
it breath of topics to discuss loads of different subjects recently, so =
much so that I havent HEARD of some of you lots technology... It used to =
be that this list was predominately an EDP list, with a bit of my =
loopers better that your looper convo's, and a bit of philosophising and =
politicising...

  I'm still interested, facinated by this list.. but lets ahve a quick =
poll

  Whos using what now?

  I'll start... (looping products mentioned only please)

  Vortex  split into EDP and Repeater


  your turn...


  mark francombe
  marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I know I'm coming into this late, but =
can I still=20
play?&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Delay/Loopers:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Digitech RP2000 (delay on infinte=20
repeat)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Digitech 2 sec delay (with=20
sample/hold)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>GigaDelay</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>RC20XL</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>DL4</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Arion Stero Delay</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>FX:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Vortex</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Roland RSP-550</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Alesis ModFX</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Adrenalinn</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I also have my mixer &amp; patch bay =
setup so I can=20
route the aux sent/returns between each other (and through the=20
loopers/delays/fx) to get feedback loops.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tony K</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com=20
  href=3D"mailto:mark@markfrancombe.com">markfrancombe.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
7:39 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Quick poll</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in =
available loopers,=20
  this list has widened it breath of topics to discuss loads of =
different=20
  subjects recently, so much so that I havent HEARD of some of you lots=20
  technology... It used to be that this list was predominately an EDP =
list, with=20
  a bit of my loopers better that your looper convo's, and a bit of=20
  philosophising and politicising...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I'm still interested, facinated by =
this list..=20
  but lets ahve a quick poll</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start...=20
  (looping products mentioned only please)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP and=20
  Repeater</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
  href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and =
works at <A=20
  =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 20:18:12 2006
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Subject: Re: OT Flamenco percussion dance instrument
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In a message dated 8/2/06 11:21:34 AM, mp@mpeters.de writes:


> http://www.xala.ch/450_video.php?lang_choose=1
> 

brilliant!.....it said that her instrument was built in 1999.....perhaps 
today she shows up and dances on a laptop!.....:).....thanx michael.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/2/06 11:21:34 AM, mp@mpeters.de writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.xala.ch/45=
0_video.php?lang_choose=3D1<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">brilliant!.....it said that her instrument was built in 1999.....perhaps=20=
today she shows up and dances on a laptop!.....:).....thanx michael.....mich=
ael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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Subject: death of a rang
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my rang is very ill.....it is either dying or it has become very 
psychotic.....i record a loop and it may play for a long time or just for a few repeats 
then just stops and the loop is lost.....if i hit the stack button the loop 
stops and disappears.....very irratic behavior.....i've been running an 
air-conditioner in my studio for several daze and perhaps due to the dryness there may 
be a "static" electricty problem coming from my carpeting.....am i 
reaching?.....i know i'm freakin.....let me see what you rangers (boomers) have to say 
then i'll call mike n.....:(.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">my rang is very ill.....it is either dy=
ing or it has become very psychotic.....i record a loop and it may play for=20=
a long time or just for a few repeats then just stops and the loop is lost..=
...if i hit the stack button the loop stops and disappears.....very irratic=20=
behavior.....i've been running an air-conditioner in my studio for several d=
aze and perhaps due to the dryness there may be a "static" electricty proble=
m coming from my carpeting.....am i reaching?.....i know i'm freakin.....let=
 me see what you rangers (boomers) have to say then i'll call mike n.....:(.=
....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 20:39:08 2006
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Date: Wed, 02 Aug 2006 22:35:06 +0200
From: Luca Formentini <luca@unguitar.com>
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Hi,
before doing any other step, I think it is correct to inform you that I 
am selling my Sound Sculpture Switchblade.
It is the second one I got and it's here since a couple of years.
I am in Italy and I think that it would be interesting to european 
friends more than those on the other side of the world ...
Just mail me privately if interested.
My best,
Luca
www.unguitar.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  2 21:43:06 2006
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Could be static, could also be that it needs a cleaning.  I have the  
procedure for cleaning listed somewhere. I can dig it up if you like.

~peace~

Plish

Quoting Nemoguitt@aol.com:

> my rang is very ill.....it is either dying or it has become very
> psychotic.....i record a loop and it may play for a long time or   
> just for a few repeats
> then just stops and the loop is lost.....if i hit the stack button the loop
> stops and disappears.....very irratic behavior.....i've been running an
> air-conditioner in my studio for several daze and perhaps due to the  
>  dryness there may
> be a "static" electricty problem coming from my carpeting.....am i
> reaching?.....i know i'm freakin.....let me see what you rangers   
> (boomers) have to say
> then i'll call mike n.....:(.....michael
>
>
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>


From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 01:48:05 2006
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References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1> <0df101c6ac26$29976440$f3b0ec0f@americas.hpqcorp.net>
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
Date: Wed, 2 Aug 2006 19:47:56 -0600
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Hello all -

We now have twenty 30-second sound clips on the LD 10-Year Reunion streaming 
file.  Keep em' coming! See instructions below.

Kris


----- Original Message ----- 



> Here you go:
>
> All streamed here: 
> http://www.krispenhartung.com/loopers-delight-10year.m3u
>
> Create your 30 sec. MP3s in 128 rate format and upload them here:
>
> http://www.box.net/
> Login: loopersdelight
> Password: loopersdelight
>
> Title the MP3 with your name and location, like Krispen Hartung - Boise - 
> Idaho - USA.mp3
>
> Kris


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Date: Thu, 3 Aug 2006 00:05:57 -0700 (PDT)
From: Glenn Javaheri <glenn234@pacbell.net>
Subject: [LD]RME fireface 800 for sale (OT gear for sale)
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--0-202215363-1154588757=:38001
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Hello all.
   
  Well, continuing health problems (nothing contagious, mind) forcing me to sell this as new RME fireface 800
  Bought Mid April as NOS (New old stock) from one of the few merchants that is up front about that (RME is now telling Synthax date of manufacture is when the warranty starts,merchants are telling people "full warranty", but it's not true, if pressed they'll say "oh don't worry Synthax will take care of you but that's a big maybe) What's certain is that I'm the original owner, pulled the unit out of it's box just over 3 months ago in which time it's sat in a smoke free, filtered air studio, that it works perfectly, and comes "as new" with all cables, driver disk, manual, etc. and that this unit has at least 8 plus months of fully transferable warranty. 
   
  If you've been on the fence on getting one of these, this is a great opportunity.
   
  $1000 even, no shipping (if you're in the {hopefuly south} bay area), no tax, no worries, you'll see this unit is immaculate. Posting here to see if someone on list and preferable local can use it and would find it a good deal, plus would rather not mess with ebay.
   
  Can bring it by if you're in the south bay.
   
   
  Thanks.
  Sincerely,
  glenn j
  408-971-3397

--0-202215363-1154588757=:38001
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<div>Hello all.</div>  <div>&nbsp;</div>  <div>Well, continuing health problems (nothing contagious, mind)&nbsp;forcing me to sell this as new RME fireface 800</div>  <div>Bought Mid April as NOS (New old stock) from one of the few merchants that is up front about that (RME is now telling Synthax date of manufacture is when the warranty starts,merchants are telling people "full warranty", but it's not true, if pressed they'll say "oh don't worry Synthax will take care of you but that's a big maybe) What's certain is that I'm the original owner, pulled the unit out of it's box just over 3 months ago in which time it's sat in a smoke free, filtered air studio, that it works perfectly, and comes "as new" with all cables, driver disk, manual, etc. and that this unit has at least 8 plus months of fully transferable warranty. </div>  <div>&nbsp;</div>  <div>If you've been on the fence on getting one of these, this is a great opportunity.</div>  <div>&nbsp;</div>  <div>$1000 even,
 no shipping (if you're in the {hopefuly south}&nbsp;bay area), no tax, no worries, you'll see this unit is immaculate. Posting here to see if someone on list and preferable local can use it and would find it a good deal, plus would rather not mess with ebay.</div>  <div>&nbsp;</div>  <div>Can&nbsp;bring it by&nbsp;if you're in the south bay.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>Thanks.</div>  <div>Sincerely,</div>  <div>glenn j</div>  <div>408-971-3397</div>
--0-202215363-1154588757=:38001--

From ncf57@eden3.netclusive.de  Thu Aug  3 09:50:09 2006
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To: looparc@loopers-delight.com
Subject: Part Time Job Offer
From: Henry Malcon <henry_malcon@yahoo.co.uk>
Reply-To: 
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Dear sir/ma,

     My name is Henry Malcon and I am an artist.I live in United 
Kingdom,with my two kids, four cats,one dog and the love of my life.
It is definitely a full house. I have been doing artwork since I was a small child. That gives me about 23 years of experience. I majored in art in high school and took a few college art courses.
 
Most of my work is done in either pencil or airbrush mixed with color pencils. I have recently added designing and creating artwork on the computer.I have been selling my art for the last 3 years and have had my work featured on trading cards, prints and in magazines.
 
I have sold in galleries and to private collectors from all around 
the world.I am always facing serious difficulties when it comes to selling my art works to Americans,they are always offering to pay witha US POSTAL MONEY ORDER,which is difficult for me to cash here in United Kingdom.
 
I am looking for a representative in the states who will be working 
for me as a partime worker and i will be willing to pay %10 for every transaction,which wouldnt affect your present state of work,someone who would help me recieve payments from my customers in the states.
 
I mean someone that is responsible and reliable,cause the cost of 
coming to the state and getting payments is very expensive,i am working on setting up a branch in the states,so for now i need a representative in the united states who will be handling the payment aspect.
 
These payments are in money order and they would come to you in your 
name, so all you need do is cash the money order deduct your percentage and wire the rest back. But the problem i have is trust,But i have my way of getting anyone that gets away with my money,i mean the FBI branch in Washington gets involved. 
It wouldnt cost you any amount,u are to receive payments which will be 
sent to you from my business patners,then you are to cash it and send the cash to me via western union money transfer or moneygram money transfer,all transfer
fees should be deducted from the money.
 
If you are interested please get back to me as soon as possible.

I AWAIT YOUR URGENT RESPONSE. 
Warmest Regards,
H Malcon



From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 10:39:30 2006
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Date: Thu, 03 Aug 2006 06:34:57 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

Today, I have new releases from InsideOut and Unicorn Digital record
labels.


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
Focus on Klaus Schulze and his recent reissed work on Revisited
Records.  The Featured CD at Midnight will be "Das Wagner Desaster."
The Vinyl Starter will come from the LP "Tyger" by Tangerine Dream on
Caroline Records and released in 1987.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and on the
internet.  WDIY now simulcasts on WXLV on 90.3 FM in Schnecksville,
Pennsylvania.

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 14:50:07 2006
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Date: Thu, 3 Aug 2006 15:50:04 +0100 (BST)
From: matthew gregory <ixlramp@yahoo.co.uk>
Subject: RC-50 : maximum loop time?
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has anyone discovered a maximum loop time for the RC-50? i'm thinking very long scale ambient pieces and would need several minutes..
   
  i'm hoping 49 mins (mono) divided by 3 is roughly 16 mins per loop (mono) or 8 mins per loop (stereo)

 		
---------------------------------
 All new Yahoo! Mail "The new Interface is stunning in its simplicity and ease of use." - PC Magazine
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<div>has anyone discovered a maximum loop time for the RC-50? i'm thinking very long scale ambient pieces and would need several minutes..</div>  <div>&nbsp;</div>  <div>i'm hoping 49 mins (mono) divided by 3 is roughly 16 mins per loop (mono) or 8 mins per loop (stereo)</div><p>&#32;
		<hr size=1> 
<a href="http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/pc_mag/*http://us.rd.yahoo.com/evt=40565/*http://uk.docs.yahoo.com/nowyoucan.html">All new Yahoo! Mail</a> "The new Interface is stunning in its simplicity and ease of use." - PC Magazine
--0-76347042-1154616604=:48604--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 18:41:18 2006
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Subject: RE: RC-50 : maximum loop time?
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This is a multi-part message in MIME format.

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There's no maximum time per phrase. you can record one 49 minute loop if you
want (in mono).

 

Jesse

 

  _____  

From: matthew gregory [mailto:ixlramp@yahoo.co.uk] 
Sent: Thursday, August 03, 2006 10:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: RC-50 : maximum loop time?

 

has anyone discovered a maximum loop time for the RC-50? i'm thinking very
long scale ambient pieces and would need several minutes..

 

i'm hoping 49 mins (mono) divided by 3 is roughly 16 mins per loop (mono) or
8 mins per loop (stereo)

  

  _____  

All
<http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/pc_mag/*http:/us.
rd.yahoo.com/evt=40565/*http:/uk.docs.yahoo.com/nowyoucan.html>  new Yahoo!
Mail "The new Interface is stunning in its simplicity and ease of use." - PC
Magazine


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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>There&#8217;s no maximum time per phrase&#8230;
you can record one 49 minute loop if you want (in mono).<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Jesse<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>

<hr size=2 width="100%" align=center tabindex=-1>

</span></font></div>

<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> matthew gregory
[mailto:ixlramp@yahoo.co.uk] <br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, August 03, 2006
10:50 AM<br>
<b><span style='font-weight:bold'>To:</span></b> <st1:PersonName w:st="on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style='font-weight:bold'>Subject:</span></b> RC-50 : maximum loop
time?</span></font><o:p></o:p></p>

</div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>has anyone discovered a maximum loop time for the RC-50? i'm thinking
very long scale ambient pieces and would need several minutes..<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>i'm hoping 49 mins (mono) divided by 3 is roughly 16 mins per loop
(mono) or 8 mins per loop (stereo)<o:p></o:p></span></font></p>

</div>

<p><font size=3 face="Times New Roman"><span style='font-size:12.0pt'>&nbsp; <o:p></o:p></span></font></p>

<div class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>

<hr size=1 width="100%" align=center>

</span></font></div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><a
href="http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/pc_mag/*http:/us.rd.yahoo.com/evt=40565/*http:/uk.docs.yahoo.com/nowyoucan.html">All
new Yahoo! Mail</a> &quot;The new Interface is stunning in its simplicity and
ease of use.&quot; - PC Magazine<o:p></o:p></span></font></p>

</div>

</body>

</html>

--Boundary_(ID_L/e7Ybgp/0UgV4HTd4uKHA)--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 20:55:24 2006
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Cool vids of kaoss pad usage:
http://musicthing.blogspot.com/2006/08/hardcore-kaoss-pad-video-pron.html

From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 20:59:58 2006
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very cool :)

everyone has seen the new one right?

http://www.korg.com/gear/info.asp?A_PROD_NO=KP3

Charlie

On 8/3/06, Sean Echevarria <sean.loop@creepingfog.com> wrote:
> Cool vids of kaoss pad usage:
> http://musicthing.blogspot.com/2006/08/hardcore-kaoss-pad-video-pron.html
>
>

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Oh yeah, well look at this:

http://www.sonicstate.com/news/shownews.cfm?newsid=3321

Not off topic.  It loops.

--- Sean Echevarria <sean.loop@creepingfog.com> wrote:

> Cool vids of kaoss pad usage:
>
http://musicthing.blogspot.com/2006/08/hardcore-kaoss-pad-video-pron.html
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Aug  3 23:36:44 2006
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Thanks for the link, Michael.  Very cool stuff.  Of course, I couldn't
understand a word of what was said, but the music was cool.

On 8/2/06, Michael Peters <mp@mpeters.de> wrote:
> for those who like minimalist percussive music and dance:
> http://www.xala.ch/450_video.php?lang_choose=1
> check this out. Amazing stuff. Be sure to watch the videos.
>
> Michael www.michaelpeters.de
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 07:06:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: praising the X/Y vector concept (was: kaoss pad porn (NOT OT IT LOOPS)
Date: Fri, 4 Aug 2006 09:06:01 +0200
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On 4 aug 2006, at 01.13, mark sottilaro wrote:

> http://www.sonicstate.com/news/shownews.cfm?newsid=3321
> Not off topic.  It loops.


Yes, definitely. And also: X/Y parameter vector control totally rocks  
for live looping! ;-)  So far I only have one such device, a  
joystick, but I love it and wish I had more MIDI controllers of that  
type. I would like to get only the kaoss' touch pad (without all the  
electronics) and use it on the floor to draw control data with a toe  
while playing instrument with hands. That would be awesome!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 07:56:39 2006
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Subject: R: R: Quick poll
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Hi Richard
The Switchbade is a wonderfull device, you can connect all your gear to =
it and route, split, and mix the audio signal.

It's also easy to configure using Winblade software.

I'm very happy to have recently bought it.


Milco Montagna
http://xoomer.alice.it/milco.montagna/
=20


-----Messaggio originale-----
Da: Richard Sales [mailto:richard@glasswing.com]
Inviato: mer 02/08/2006 16.11
A: Loopers-Delight@loopers-delight.com
Oggetto: Re: R: Quick poll
=20
Wow!  The Switchblade looks really cool!  How do you like it?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 2-Aug-06, at 12:03 AM, <milco.montagna@bt.com> wrote:

> EDP ; Repeater
>
> http://xoomer.alice.it/milco.montagna/Equipment.html
> <winmail.dat>

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>
> It's also easy to configure using Winblade software.

There is also a Mac version, Javablade, that is currently in a beta  
version and being tested for quirks and bugs. Should be available  
pretty soon, though.

Jeff

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Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT IT LOOPS)
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you should check out Cycling 74's Hipno vst...it has a hipnoscope on the 
screen that you can manipulate with your mouse, with your hand in the air 
via a webcam. You can customize how the x/y axis maps to different 
parameters of the effect and preset.  With a switch of wave of your hand you 
can morph your sound across several paramter changes. I haven't got around 
to doing this myself with the web cam, but I use my mouse.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 04, 2006 1:06 AM
Subject: praising the X/Y vector concept (was: kaoss pad porn (NOT OT IT 
LOOPS)


> On 4 aug 2006, at 01.13, mark sottilaro wrote:
>
>> http://www.sonicstate.com/news/shownews.cfm?newsid=3321
>> Not off topic.  It loops.
>
>
> Yes, definitely. And also: X/Y parameter vector control totally rocks  for 
> live looping! ;-)  So far I only have one such device, a  joystick, but I 
> love it and wish I had more MIDI controllers of that  type. I would like 
> to get only the kaoss' touch pad (without all the  electronics) and use it 
> on the floor to draw control data with a toe  while playing instrument 
> with hands. That would be awesome!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 14:02:05 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT IT LOOPS)
Date: Fri, 4 Aug 2006 16:01:55 +0200
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Thanks for the reminder, Kris. Hipno's looking way cool! :-)  My next  
gig (quartet in Italy) will utilize spy cameras for projection. If I  
can find money to get Hipno I may look into it after that (not  
probable though, since I'm saving up for an EWI first hand)

per


On 4 aug 2006, at 14.55, Krispen Hartung wrote:

> you should check out Cycling 74's Hipno vst...it has a hipnoscope  
> on the screen that you can manipulate with your mouse, with your  
> hand in the air via a webcam. You can customize how the x/y axis  
> maps to different parameters of the effect and preset.  With a  
> switch of wave of your hand you can morph your sound across several  
> paramter changes. I haven't got around to doing this myself with  
> the web cam, but I use my mouse.
>
> Kris
>
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, August 04, 2006 1:06 AM
> Subject: praising the X/Y vector concept (was: kaoss pad porn (NOT  
> OT IT LOOPS)
>
>
>> On 4 aug 2006, at 01.13, mark sottilaro wrote:
>>
>>> http://www.sonicstate.com/news/shownews.cfm?newsid=3321
>>> Not off topic.  It loops.
>>
>>
>> Yes, definitely. And also: X/Y parameter vector control totally  
>> rocks  for live looping! ;-)  So far I only have one such device,  
>> a  joystick, but I love it and wish I had more MIDI controllers of  
>> that  type. I would like to get only the kaoss' touch pad (without  
>> all the  electronics) and use it on the floor to draw control data  
>> with a toe  while playing instrument with hands. That would be  
>> awesome!
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 14:29:34 2006
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Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT IT LOOPS)
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I agree, the x/y controller is great.  One of the
reasons I went with the Novation Remote 61 for a midi
controller.  Also it has a "z" control too if you
consider aftertouch.  

I wish it had an Alesis style "air" control though. 
Man that's fun.  I might even buy their midi
controller just for that.

--- Per Boysen <perboysen@gmail.com> wrote:

> On 4 aug 2006, at 01.13, mark sottilaro wrote:
> 
> >
>
http://www.sonicstate.com/news/shownews.cfm?newsid=3321
> > Not off topic.  It loops.
> 
> 
> Yes, definitely. And also: X/Y parameter vector
> control totally rocks  
> for live looping! ;-)  So far I only have one such
> device, a  
> joystick, but I love it and wish I had more MIDI
> controllers of that  
> type. I would like to get only the kaoss' touch pad
> (without all the  
> electronics) and use it on the floor to draw control
> data with a toe  
> while playing instrument with hands. That would be
> awesome!
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 15:04:45 2006
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I love that kind of control, too. I tend to blab too much about this 
maker, but there's two things from Effector 13 like this. One is their 
Truly Beautiful Disaster fuzzbox, which has a feedback loop in it (see, 
LOOPING!) with a photo eye for controlling the intensity of the 
feedback. I think they also do a standalone version...then there's also 
the Synth Mangler, a kind of dual fuzzbox (and a really sick, 
oscillating fuzz it is, too) with a joystick control for blending the 
two. It also has a photo eye, which works kinda like a noise theremin in 
this case.

http://www.effector13.com/pedals/synthmangler/index.html

Daryl Shawn
www.swanwelder.com

>> Yes, definitely. And also: X/Y parameter vector
>> control totally rocks  
>> for live looping! ;-)

From Loopers-Delight-request@loopers-delight.com  Fri Aug  4 17:59:31 2006
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 T LOOPS)
Date: Fri,  4 Aug 2006 19:58:03 +0200
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Surely, it loops and it's definitively one of my preferred piece of gear. =

With its X/Y vectors I've got a usefull control of effects. About what Per =
said, I've see a cellist in the M. Stockausen band playing it with her nude =
foot.. Sreange but interesting!=20
My best
Fabio Anile=20

http://xoomer. alice. it/eterogeneo

From Loopers-Delight-request@loopers-delight.com  Sat Aug  5 09:05:35 2006
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From: geoff smith <geoff.smith97@virgin.net>
Subject: Re: Richard Zvonar - Aug 3
Date: Tue, 1 Aug 2006 17:52:22 +0100
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The biggest loss from the list, I believe someone once said here when  
he passed away it was like losing a library of books that was so true.
wonderful interesting man.
geoff
On 30 Jul 2006, at 02:24, Kim Flint wrote:

> August 3rd will mark the 1 year anniversary since Richard Zvonar  
> passed away.
>
> Richard's family and friends are each planning to light a candle on  
> that day in his remembrance. They have asked if the Looper's Delight  
> community would like to join them in lighting a candle to honor his  
> memory. Please light one if you can.
>
> Richard was an amazing person, and a pleasure to have as a friend and  
> member of this community. I miss him often.
>
> If you didn't know Richard, or wish to remember, here the ultimate  
> Richard Zvonar search link so you can do your own research (as Richard  
> would have wanted you to!):
>
> http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive? 
> query=zvonar%2Casterion&Search=Search&errors=0&maxfiles=5000&maxlines=0 
> &.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cg 
> ifields=partial&.cgifields=case
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug  5 19:21:00 2006
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Subject: coping with latency when using acoustic instruments
Date: Sat, 5 Aug 2006 21:20:55 +0200
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Another latency/laptop-related topic:

Most of the time when doing my laptop looping stuff, I use
electric/electronic instruments (electric guitars and basses, softsynths) as
the sound sources. With that, latency is not a problem for me as I hear
their sound from the mains exclusively and can adapt my playing so it fits
in with the other things happening.

I do however have a problem when singing: as I hear my voice acoustically
(i.e. not through the laptop) first, I do my timing/phrasing according to
how the voice I hear sits with the rest of the sound - and thus, its
reproduction over the mains (and in loops) is always late.

Does anyone have a recommendation how to work around this problem (e.g. by
some clever way of training your hearing/singing?)

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Aug  5 20:36:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: coping with latency when using acoustic instruments
Date: Sat, 5 Aug 2006 22:36:53 +0200
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On 5 aug 2006, at 21.20, Rainer Thelonius Balthasar Straschill wrote:

> Another latency/laptop-related topic:
>
> Most of the time when doing my laptop looping stuff, I use
> electric/electronic instruments (electric guitars and basses,  
> softsynths) as
> the sound sources. With that, latency is not a problem for me as I  
> hear
> their sound from the mains exclusively and can adapt my playing so  
> it fits
> in with the other things happening.
>
> I do however have a problem when singing: as I hear my voice  
> acoustically
> (i.e. not through the laptop) first, I do my timing/phrasing  
> according to
> how the voice I hear sits with the rest of the sound - and thus, its
> reproduction over the mains (and in loops) is always late.
>
> Does anyone have a recommendation how to work around this problem  
> (e.g. by
> some clever way of training your hearing/singing?)
>
> 	Rainer


1. Using a looper/recorder that compensates for input A/D latency.
2. Do not listen to the direct input through the computer system,  
because it won't be compensated until it's been recorded (looped).

Listen to the direct acoustic sound. or direct PA amplified sound, of  
your voice/instrument. If you do it right then it will be right when  
recorded/looped, given you have set up your software for the correct  
amount of latency compensation.

I do this every day with Mobius and it's working like a charm.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Matthew.Quinn@sunlife.com wrote:
> I've thrown away a ton. It's generally not worth the time & effort to
> get to a store  for the $10 you generally go home with.

You seem to be wealthy.

> And that's for good, mainstream CD's. Most of the stuff I have record
> stores simply wouldn't give you anything for.

But you could get something which would be worth more than $10 seem to 
be worth for you: a smile ;-)

> I'm not that concerned with charity or making sure that people who
> can't afford CD's have access to cheap used CD"s.

But I do, before you want to throw it away, just give it to somebody. It
will flow back...
And of course, just don't buy crap, download it instead, much better for 
the environment.
In Germany, by the way, old CDs can be collected and get entirely recycled.

But I've thrown away also a lot, but mostly those add-on CD-ROM's from 
Magazines...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 09:52:54 2006
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Krispen Hartung wrote:
> Ah, but not when you drink free coffee all night (50% of your 
> compensation, btw), and lest you pee your pants you have to quite your 
> set 1 minute early....THAT is where feedback comes in handy.  Very 
> practical indeed, not peeing your pants at a looping gig.  :)

Feedback is dangerous if you don't know how close it is to 100% (I 
always want control of my 8 independent feedback knobs as I tend to go 
close to 100% from time to time). A looked loop of 90 seconds though 
definitely would let you go for a pee...

In general feedback is always possible with a mixer, but those who 
demand it in the box probably want it without a mixer.

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 12:01:37 2006
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On 6 aug 2006, at 11.48, Stefan Tiedje wrote:

> But I've thrown away also a lot, but mostly those add-on CD-ROM's  
> from Magazines...

I save all CDs that are shiny on both sides for the purpose of  
building sculptures out of them. If you hang such a thing in a window  
it will send the sun into the flat as hundreds of randomly moving  
reflections.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 15:46:08 2006
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Subject: AW: coping with latency when using acoustic instruments
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> 1. Using a looper/recorder that compensates for input A/D latency.
> 2. Do not listen to the direct input through the computer 
> system, because it won't be compensated until it's been 
> recorded (looped).

You're right and this would work for me if I had a hardware channel strip
(and hardware guitar amp), but this is not the case and not something I want
to change (it's all-laptop in my case). So most of the time, I want the
audience to hear the voice sound through all the latency things. And so
using latency compensation in Mobius (yes, I'm using Mobius as well)...

I was thinking more of some way of tricky training or "way of thinking" or
whatever that helps you not to listen to the sound of your own voice, only
what you hear from the mains/monitors. Unfortunately, the human brain uses
the timing information of the first signal, not of the loudest signal for
deciding when we hear something, so to overcome this, I'd have to listen to
the mains/monitors at deafening levels, which I do not want to do.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 17:09:55 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: coping with latency when using acoustic instruments
Date: Sun, 6 Aug 2006 19:09:50 +0200
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On 6 aug 2006, at 17.46, Rainer Thelonius Balthasar Straschill wrote:

> I was thinking more of some way of tricky training or "way of  
> thinking" or
> whatever that helps you not to listen to the sound of your own  
> voice, only
> what you hear from the mains/monitors. Unfortunately, the human  
> brain uses
> the timing information of the first signal, not of the loudest  
> signal for
> deciding when we hear something, so to overcome this, I'd have to  
> listen to
> the mains/monitors at deafening levels, which I do not want to do.


Hi Rainer,

It's an old discipline among musicians to learn to play before or  
after the general beat. It's regarded as "a pro skill" because it's  
definitely not fun for the player, only for the listening  
audience ;-))  In the symphonic orchestra, for example, some  
instruments (like the trumpet) are target directly at the listeners  
while other instruments may be targeted towards the rear ceiling for  
a more diffused sound. These two instruments can not be played with  
the same general timing to be heard in time by the audience.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 18:21:38 2006
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Let me add my two cents and say that the RC-50 is just not ready for prime-time.

The fact that I can't simply record a loop freely without a glitch is
unacceptable (see discussions of the RC-50 glitch).

The lack of feedback is very annoying.

My unit is 16dB louder in the left output than the right.  I am
debating sending it to the manufacturer.

I'd describe myself as "very disappointed" in this unit.


On 8/6/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
> Krispen Hartung wrote:
> > Ah, but not when you drink free coffee all night (50% of your
> > compensation, btw), and lest you pee your pants you have to quite your
> > set 1 minute early....THAT is where feedback comes in handy.  Very
> > practical indeed, not peeing your pants at a looping gig.  :)
>
> Feedback is dangerous if you don't know how close it is to 100% (I
> always want control of my 8 independent feedback knobs as I tend to go
> close to 100% from time to time). A looked loop of 90 seconds though
> definitely would let you go for a pee...
>
> In general feedback is always possible with a mixer, but those who
> demand it in the box probably want it without a mixer.
>
> Stefan
>
> --
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Sun Aug  6 21:09:46 2006
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Subject: Re: AW: coping with latency when using acoustic instruments
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You might try in ear type monitors, I can't afford the fancy wireless type 
but I found that a decent wired in ear headphone a great deal of help, also 
lets you listen at lower decibels.

Paul Haslem
www.dulcify.ca



At 11:46 AM 8/6/2006, you wrote:

> > 1. Using a looper/recorder that compensates for input A/D latency.
> > 2. Do not listen to the direct input through the computer
> > system, because it won't be compensated until it's been
> > recorded (looped).
>
>You're right and this would work for me if I had a hardware channel strip
>(and hardware guitar amp), but this is not the case and not something I want
>to change (it's all-laptop in my case). So most of the time, I want the
>audience to hear the voice sound through all the latency things. And so
>using latency compensation in Mobius (yes, I'm using Mobius as well)...
>
>I was thinking more of some way of tricky training or "way of thinking" or
>whatever that helps you not to listen to the sound of your own voice, only
>what you hear from the mains/monitors. Unfortunately, the human brain uses
>the timing information of the first signal, not of the loudest signal for
>deciding when we hear something, so to overcome this, I'd have to listen to
>the mains/monitors at deafening levels, which I do not want to do.
>
>         Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 05:16:44 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: best interface/controller for mobius/Live
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hey

My FCB1010 is as programmed as I think I want it, but
there are lots of times I'd like to be able to control
aspects of Live via some knob/fader style device... my
hopes and dreams would have it be able to display my
perameters as I change them, but there's always my
white electrical tape...

What are people using for such things?  I feel like
I'm mousing around far too much.  Has anyone tried
NI's KORE?  I know it's for VSTi's but I'll be using
them inside of Live too.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Richard Zvonar - Aug 3
In-Reply-To: <8b2fc001e3dc346be132aa374aa60f81@virgin.net>
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Hi folks,

Richard Zvonar's sister, Dorie Griggs saw many of the kind things folks 
here had to say in reference to her brother. She wished to thank you all 
for that.

Also, she was interested in the idea of a wikipedia entry for her brother, 
as some suggested here. Dorie can contribute details from Richard's life, 
and is in touch with many other people connected to him who can also 
contribute. She would like to hear from people in the Looper's Delight 
community who can contribute something.

Can you help her out?

Let me know. I can give you Dorie's contact info so you can participate in 
this project if you are interested. Please send me a mail if you are 
interested in helping with this.

thanks,
kim



At 09:52 AM 8/1/2006, geoff smith wrote:
>The biggest loss from the list, I believe someone once said here when
>he passed away it was like losing a library of books that was so true.
>wonderful interesting man.
>geoff
>On 30 Jul 2006, at 02:24, Kim Flint wrote:
>
>>August 3rd will mark the 1 year anniversary since Richard Zvonar
>>passed away.
>>
>>Richard's family and friends are each planning to light a candle on
>>that day in his remembrance. They have asked if the Looper's Delight
>>community would like to join them in lighting a candle to honor his
>>memory. Please light one if you can.
>>
>>Richard was an amazing person, and a pleasure to have as a friend and
>>member of this community. I miss him often.
>>
>>If you didn't know Richard, or wish to remember, here the ultimate
>>Richard Zvonar search link so you can do your own research (as Richard
>>would have wanted you to!):
>>
>>http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive? 
>>query=zvonar%2Casterion&Search=Search&errors=0&maxfiles=5000&maxlines=0 
>>&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cg 
>>ifields=partial&.cgifields=case
>>
>>kim
>>
>>
>>______________________________________________________________________
>>Kim Flint                     | Looper's Delight
>>kflint@loopers-delight.com    | http://www.loopers-delight.com

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 06:46:59 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: best interface/controller for mobius/Live
Date: Mon, 7 Aug 2006 08:46:50 +0200
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Behringer BCR2000 (together with a FCB1010)

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 07:57:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: best interface/controller for mobius/Live
Date: Mon, 7 Aug 2006 09:57:01 +0200
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On 7 aug 2006, at 07.16, mark sottilaro wrote:

> My FCB1010 is as programmed as I think I want it, but
> there are lots of times I'd like to be able to control
> aspects of Live via some knob/fader style device... my
> hopes and dreams would have it be able to display my
> perameters as I change them, but there's always my
> white electrical tape...
>
> What are people using for such things?  I feel like
> I'm mousing around far too much.  Has anyone tried
> NI's KORE?  I know it's for VSTi's but I'll be using
> them inside of Live too.


That's an important question you bring up here. For a while I was  
thinking about it a lot, trying to find out the best solution for  
visible display of my looping actions. But then it suddenly hit me  
that you can also take the opposite view, by only implementing those  
function/actions that are already existing your active musical mind -  
i.e. part of your improvisational imagination. According to this  
method you should keep on viewing the tech rig as an instrument;  
closely tied up with your body and instincts. And only induce new  
functions as you rehears them to slowly make them part of your unique  
flow. Personally I find that take more musically creative and I guess  
I will stay with it.

BAck when I was using Live I tended to address your question by not  
just binding the midi events directly to the graphical display of the  
functions. Instead I set up a MIDI clip containing the event (or a  
clip envelope) to be sent either directly, or though the IAC Bus  
(yes, that was on Mac) to control the actual function. Then I kept  
one scene for each controller clip and made the binding from my MIDI  
controller (mostly the FCB but also others) not to the actual MIDI  
clip but to the scene. Ok, "why all this?" you may ask. The point is  
that the scenes are launched by activating the slots on the master  
track and these slots can be explicitly named. This means whatever  
pedal or button I pressed the corresponding scene would come up on  
the display with my own label of the function.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 13:14:01 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #488 for August 3, 2006
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http://wdiy.org/programs/gt/playlists/2006/060803.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #488                    August 3, 2006

RECAP:
On this show, I began a month-long focus on Klaus Schulze.  The Featured 
CD at
Midnight was disc one of "Das Wagner Desaster" on Revisited Records.

The Vinyl Starter was from the LP "Tyger" by Tangerine Dream on Caroline 
Records
and released in 1987.

Klaus Schulze - http://wdiy.org/programs/gt/playlists/2006/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Tangerine Dream         Smile                    Tyger (Caroline)
Free System Projekt     Moyland Part 1           Moyland (Quantum)
Tor Lundvall            Scrap Yard               Empty City (Strange 
Fortune)
William Edge            Steel My Soul            Smokin (Sounds Blue)
VA [Create]             Saturn Dreaming Mercury  Awakenings 2006 Vol. 2
                                                   (AmbientLive)
Max Corbacho            Three Circles            The Talisman (ad21)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Wagner                   Das Wagner Desaster - CD1
                                                   (Revisited)
Klaus Schulze           Nietzsche                Das Wagner Desaster - CD1
                                                   (Revisited)
Klaus Schulze           Entfremdung *            Das Wagner Desaster - CD1
                                                   (Revisited)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Klaus Schulze.
The Featured CD at Midnight will be disc two from "Das Wagner Desaster" on
Revisited Records.

The Vinyl Starter will be from the LP "Exit" by Tangerine Dream on 
Virgin Records
and released in 1981.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, on 92.9 FM on Service Electric Cable, and
on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 14:29:14 2006
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1> <0df101c6ac26$29976440$f3b0ec0f@americas.hpqcorp.net> <006c01c6b69e$da5242f0$60b0ec0f@americas.hpqcorp.net>
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Krispen Hartung wrote:
> We now have twenty 30-second sound clips on the LD 10-Year Reunion 
> streaming file.  Keep em' coming! 

Uploaded a short exerpt of an Ondes Memorielles impro with my friend 
Lutz Wernicke...

I wanted to create a program to play 30 second snippets automatically 
out of a folder of sound files, as I had difficulties to choose my 30 
seconds, that would play an ever changing stream forever and 
could/should be fed with longer pieces.
It does work on a Mac, but on a PC it doesn't (Its a Max patch...).
Krispen, if you happen to have a Mac around as well, I'll send it as 
standalone to you. The PC version probably has to be redesigned 
completely. At the moment I import the mp3 files into memory, the other 
version would probably just play them through Quicktime...

Let me know what you think about the idea in general. We could just fill 
a folder on your harddrive and constantly create a neverending medley 
out of a lot of loopmusic and stream it to the web...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 14:29:32 2006
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Date: Mon, 7 Aug 2006 16:29:30 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: saving loops on the repeater
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	repeater-users@yahoogroups.com
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Hi !
   
  I have some problems storing my loops on the repeater. Both on the repeater and the card.
   
  Can some one tell me how to store on the card and on the repeater?
   
  best regards Rune F 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1597827851-1154960970=:84760
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I have some problems storing my loops on the repeater. Both on the repeater and the card.</div>  <div>&nbsp;</div>  <div>Can some one tell me how to store on the card and on the repeater?</div>  <div>&nbsp;</div>  <div>best regards Rune F&nbsp;</div><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1597827851-1154960970=:84760--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:04:22 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1> <0df101c6ac26$29976440$f3b0ec0f@americas.hpqcorp.net> <006c01c6b69e$da5242f0$60b0ec0f@americas.hpqcorp.net> <44D74E38.1040102@addcom.de>
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
Date: Mon, 7 Aug 2006 09:52:09 -0600
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Unfortunately, I don't have a Mac. And Windows XP doesn't seem to make 
playing 30 sec samples a part of the file and folder options set. It will 
play all the files in a folder using Windows Media Player (without popping 
up the player and with play and stop in the left navigation window of the 
file manager), but that is the extent of it.

Try this. It looks like box.net added a new feature, similar ot theh photo 
slideshow function. I shared the overall loopersdelight folder here:

http://www.box.net/public/i8mm09190d#main

Click on th arrow and then click play. I just tried it and it plays all the 
files of the folder in sequence.

Kris

----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 07, 2006 8:29 AM
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?


> Krispen Hartung wrote:
>> We now have twenty 30-second sound clips on the LD 10-Year Reunion 
>> streaming file.  Keep em' coming!
>
> Uploaded a short exerpt of an Ondes Memorielles impro with my friend Lutz 
> Wernicke...
>
> I wanted to create a program to play 30 second snippets automatically out 
> of a folder of sound files, as I had difficulties to choose my 30 seconds, 
> that would play an ever changing stream forever and could/should be fed 
> with longer pieces.
> It does work on a Mac, but on a PC it doesn't (Its a Max patch...).
> Krispen, if you happen to have a Mac around as well, I'll send it as 
> standalone to you. The PC version probably has to be redesigned 
> completely. At the moment I import the mp3 files into memory, the other 
> version would probably just play them through Quicktime...
>
> Let me know what you think about the idea in general. We could just fill a 
> folder on your harddrive and constantly create a neverending medley out of 
> a lot of loopmusic and stream it to the web...
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:06:40 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: saving loops on the repeater
Date: Mon, 7 Aug 2006 17:11:58 +0200
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On 7 aug 2006, at 16.29, rune fagereng wrote:

> I have some problems storing my loops on the repeater. Both on the  
> repeater

Not surprising you're having a problem with that. The moment you even  
record any sound it is instantly stored into the RAM (which is what I  
guess you mean by saying "the Repeater"?)

> and the card.

The display should read out when you are targeting storage space on  
the card. When I had a Repeater I avoided storing anything on the  
card because it made the machine so slow. So I learned looping  
techniques to never exceed the 8 MB RAM. If you should happen to  
record a long loop that doesn't fit into the RAM the Repeater  
automatically puts it on the card (at least mine did so)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From do-not-reply@becu.org  Mon Aug  7 16:08:33 2006
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<html>
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<title>Boeing Employees Credit Union $100 Survey</title>
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From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:11:10 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: RC-50 glitch and LR levels
Date: Mon, 7 Aug 2006 09:10:55 -0700
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--Apple-Mail-5-566196460
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I heard the glitch when trying to loop slower more sustain gtr stuff.  
Will check my LR levels.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Aug-06, at 11:21 AM, Tom Ritchford wrote:

> Let me add my two cents and say that the RC-50 is just not ready for 
> prime-time.
>
> The fact that I can't simply record a loop freely without a glitch is
> unacceptable (see discussions of the RC-50 glitch).
>
> The lack of feedback is very annoying.
>
> My unit is 16dB louder in the left output than the right.  I am
> debating sending it to the manufacturer.
>
> I'd describe myself as "very disappointed" in this unit.
>
>
> On 8/6/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
>> Krispen Hartung wrote:
>> > Ah, but not when you drink free coffee all night (50% of your
>> > compensation, btw), and lest you pee your pants you have to quite 
>> your
>> > set 1 minute early....THAT is where feedback comes in handy.  Very
>> > practical indeed, not peeing your pants at a looping gig.  :)
>>
>> Feedback is dangerous if you don't know how close it is to 100% (I
>> always want control of my 8 independent feedback knobs as I tend to go
>> close to 100% from time to time). A looked loop of 90 seconds though
>> definitely would let you go for a pee...
>>
>> In general feedback is always possible with a mixer, but those who
>> demand it in the box probably want it without a mixer.
>>
>> Stefan
>>
>> --
>> Stefan Tiedje------------x-------
>> --_____-----------|--------------
>> --(_|_ ----|\-----|-----()-------
>> -- _|_)----|-----()--------------
>> ----------()--------www.ccmix.com
>>
>>
>
>
> -- 
>     /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>

--Apple-Mail-5-566196460
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I heard the glitch when trying to loop slower more sustain gtr stuff. 
Will check my LR levels. 


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Aug-06, at 11:21 AM, Tom Ritchford wrote:


<excerpt>Let me add my two cents and say that the RC-50 is just not
ready for prime-time.


The fact that I can't simply record a loop freely without a glitch is

unacceptable (see discussions of the RC-50 glitch).


The lack of feedback is very annoying.


My unit is 16dB louder in the left output than the right.  I am

debating sending it to the manufacturer.


I'd describe myself as "very disappointed" in this unit.



On 8/6/06, Stefan Tiedje <<Stefan-Tiedje@addcom.de> wrote:

<excerpt>Krispen Hartung wrote:

> Ah, but not when you drink free coffee all night (50% of your

> compensation, btw), and lest you pee your pants you have to quite
your

> set 1 minute early....THAT is where feedback comes in handy.  Very

> practical indeed, not peeing your pants at a looping gig.  :)


Feedback is dangerous if you don't know how close it is to 100% (I

always want control of my 8 independent feedback knobs as I tend to go

close to 100% from time to time). A looked loop of 90 seconds though

definitely would let you go for a pee...


In general feedback is always possible with a mixer, but those who

demand it in the box probably want it without a mixer.


Stefan


--

Stefan Tiedje------------x-------

--_____-----------|--------------

--(_|_ ----|\-----|-----()-------

-- _|_)----|-----()--------------

----------()--------www.ccmix.com



</excerpt>


-- 

    /t


http://ax.to ......... extreme NY arts and music calendar

http://ax.to/tr ....... my secret little little...

http://ax.to/radio ... my little radio station (on intermittently)


</excerpt>
--Apple-Mail-5-566196460--

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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Recycling old CDs (was: Re: All My CDs Marked down to $5.00)
Date: Mon, 7 Aug 2006 09:13:59 -0700
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--Apple-Mail-6-566380567
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Don't put CDs out in the weather.  I tried to use them to scare away 
deer from our blueberries.  Looked cool and twinkled in the sun! But 
they biodegrade in the sun/rain and shed all kinds of gnarly sliver 
flakes of modern chemistry everywhere.  In a window is probably okay, 
though.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Aug-06, at 5:01 AM, Per Boysen wrote:

> On 6 aug 2006, at 11.48, Stefan Tiedje wrote:
>
>> But I've thrown away also a lot, but mostly those add-on CD-ROM's 
>> from Magazines...
>
> I save all CDs that are shiny on both sides for the purpose of 
> building sculptures out of them. If you hang such a thing in a window 
> it will send the sun into the flat as hundreds of randomly moving 
> reflections.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>

--Apple-Mail-6-566380567
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	charset=US-ASCII

Don't put CDs out in the weather.  I tried to use them to scare away
deer from our blueberries.  Looked cool and twinkled in the sun! But
they biodegrade in the sun/rain and shed all kinds of gnarly sliver
flakes of modern chemistry everywhere.  In a window is probably okay,
though. 


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Aug-06, at 5:01 AM, Per Boysen wrote:


<excerpt>On 6 aug 2006, at 11.48, Stefan Tiedje wrote:


<excerpt>But I've thrown away also a lot, but mostly those add-on
CD-ROM's from Magazines...

</excerpt>

I save all CDs that are shiny on both sides for the purpose of
building sculptures out of them. If you hang such a thing in a window
it will send the sun into the flat as hundreds of randomly moving
reflections.


Greetings from Sweden


Per Boysen

www.boysen.se (Swedish)

www.looproom.com (international)

http://tinyurl.com/fauvm (podcast)

http://www.myspace.com/looproom



</excerpt>
--Apple-Mail-6-566380567--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:29:47 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: saving loops on the repeater
Date: Mon, 7 Aug 2006 18:29:30 +0200
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I'm not sure if I understand your question here...you store a loop to the
Repeater (or to the memory card) by recording it. So if you can record a
loop, it is stored. If you want to transfer it e.g. from the Repeater's
internal memory to the card, use the copy function (it has a dedicated
button). Loop numbers with a leading apostrophe are for internal memory
locations, without the ' they reside on the card.

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:30:21 2006
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Date: Mon, 07 Aug 2006 12:30:59 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Richard Zvonar - Aug 3
To: Kim Flint <kflint@loopers-delight.com>,
	Loopers-Delight@loopers-delight.com
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Kim wrote:


> Hi folks,
>
> Richard Zvonar's sister, Dorie Griggs saw many of the kind things folks
> here had to say in reference to her brother. She wished to thank you all
> for that.
>
> Also, she was interested in the idea of a wikipedia entry for her brother,
> as some suggested here. Dorie can contribute details from Richard's life,
> and is in touch with many other people connected to him who can also
> contribute. She would like to hear from people in the Looper's Delight
> community who can contribute something.
>
> Can you help her out?

Although I would LOVE to pick up the ball on this, I am heavily booked for
another week or so. Anyone with adequate writing chops should jump on this.
But if nobody else raises their haand, maybe I'll be able to fiti it in next
week sometime...

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 16:37:16 2006
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 <8b2fc001e3dc346be132aa374aa60f81@virgin.net>
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Date: Mon, 7 Aug 2006 11:59:38 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: FS: Lexicon Jam-Man Delay / Looper
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--============_-1057156112==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Lexicon Jam-Man Delay / Looper

I have a fully upgraded Lexicon Jam-Man Delay / Looper for sale.

Comes with all original documentation and software plus new Sellon software.

It has the non-volitile p-ram installed, plus full memory expansion.

It also features the latest software update from Bob Sellon (4 tracks 
of looping!)

The sound quality is notably better than my Electrix repeater or 
EH-16 second delay reissue, plus the Jam-Man has ZERO 
latency...unlike the repeater and the stock 16 second delay...

http://www.loopers-delight.com/LDarchive/199903/msg00018.html

http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm

$350
-- 
...
http://www.zmix.net
--============_-1057156112==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>FS: Lexicon Jam-Man Delay /
Looper</title></head><body>
<div><font face="Lucida Grande" size="-1" color="#000000">Lexicon
Jam-Man Delay / Looper</font></div>
<div><font face="Lucida Grande" size="-1" color="#000000"><br>
I have a fully upgraded Lexicon Jam-Man Delay / Looper for sale.<br>
<br>
Comes with all original documentation and software plus new Sellon
software.<br>
<br>
It has the non-volitile p-ram installed, plus full memory
expansion.<br>
<br>
It also features the latest software update from Bob Sellon (4 tracks
of looping!)<br>
<br>
The sound quality is notably better than my Electrix repeater or EH-16
second delay reissue, plus the Jam-Man has ZERO latency...unlike the
repeater and the stock 16 second delay...<br>
<br>
http://www.loopers-delight.com/LDarchive/199903/msg00018.html<br>
<br>
http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm<br>
<br>
$350</font></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1057156112==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 17:04:32 2006
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Subject: Re: best interface/controller for mobius/Live
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> Sujet:
> best interface/controller for mobius/Live
> Expéditeur:
> mark sottilaro <zerocrossing2001@yahoo.com>
> Date:
> Sun, 6 Aug 2006 22:16:42 -0700 (PDT)
> Destinataire:
> Loopers-Delight@loopers-delight.com
>
>
> hey
>
> My FCB1010 is as programmed as I think I want it, but
> there are lots of times I'd like to be able to control
> aspects of Live via some knob/fader style device... my
> hopes and dreams would have it be able to display my
> perameters as I change them, but there's always my
> white electrical tape...
>   
Take a look at the Faderfox controllers : www.faderfox.de
No display but they're optimized and labeled for Live, are quite small 
(which is a good thing) and look great...

</daviD>

"Simulating the true styles and making carefully.
 Many colours a lot, selected freely by you."

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 18:35:00 2006
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From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
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Subject: Re: RC-50 glitch and LR levels
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	 <0c4d01c6abb6$8a907b80$f3b0ec0f@americas.hpqcorp.net>
	 <44D5BBF2.9010701@addcom.de>
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I think the levels have to be some sort of hardware issue.  As for the
glitch, I hear it every time.  It's maddening.

On 8/7/06, Richard Sales <richard@glasswing.com> wrote:
> I heard the glitch when trying to loop slower more sustain gtr stuff.
> Will check my LR levels.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 6-Aug-06, at 11:21 AM, Tom Ritchford wrote:
>
> > Let me add my two cents and say that the RC-50 is just not ready for
> > prime-time.
> >
> > The fact that I can't simply record a loop freely without a glitch is
> > unacceptable (see discussions of the RC-50 glitch).
> >
> > The lack of feedback is very annoying.
> >
> > My unit is 16dB louder in the left output than the right.  I am
> > debating sending it to the manufacturer.
> >
> > I'd describe myself as "very disappointed" in this unit.
> >
> >
> > On 8/6/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
> >> Krispen Hartung wrote:
> >> > Ah, but not when you drink free coffee all night (50% of your
> >> > compensation, btw), and lest you pee your pants you have to quite
> >> your
> >> > set 1 minute early....THAT is where feedback comes in handy.  Very
> >> > practical indeed, not peeing your pants at a looping gig.  :)
> >>
> >> Feedback is dangerous if you don't know how close it is to 100% (I
> >> always want control of my 8 independent feedback knobs as I tend to go
> >> close to 100% from time to time). A looked loop of 90 seconds though
> >> definitely would let you go for a pee...
> >>
> >> In general feedback is always possible with a mixer, but those who
> >> demand it in the box probably want it without a mixer.
> >>
> >> Stefan
> >>
> >> --
> >> Stefan Tiedje------------x-------
> >> --_____-----------|--------------
> >> --(_|_ ----|\-----|-----()-------
> >> -- _|_)----|-----()--------------
> >> ----------()--------www.ccmix.com
> >>
> >>
> >
> >
> > --
> >     /t
> >
> > http://ax.to ......... extreme NY arts and music calendar
> > http://ax.to/tr ....... my secret little little...
> > http://ax.to/radio ... my little radio station (on intermittently)
> >
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 18:35:45 2006
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References: <20060807142930.91797.qmail@web26213.mail.ukl.yahoo.com>
Subject: Re: saving loops on the repeater
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Loops stored on the repeater are not saved when you power down, so you =
must store them on a card. Either you have recorded them ON the card... =
this happens when you turn the loop knob to a number 1, 2 ,3, 4 etc =
which DOES NOT have the small tick mark next to it, or you coppy from a =
repeater memory location TO a card location. to do this, press COPY and =
then turn the TEMPO knob (Its not a TEMPO know now, its a choose copy =
location knob) to the CARD location you wish and then press COPY a =
second time.

HOWEVER there is an issue of WHAT cards you can use and those you can't, =

this is a monefield that I wont go into, but the card that came with =
your repeater should work...
  ----- Original Message -----=20
  From: rune fagereng=20
  To: loopers-delight@loopers-delight.com ; =
repeater-users@yahoogroups.com=20
  Sent: Monday, August 07, 2006 4:29 PM
  Subject: saving loops on the repeater


  Hi !

  I have some problems storing my loops on the repeater. Both on the =
repeater and the card.

  Can some one tell me how to store on the card and on the repeater?

  best regards Rune F=20


  www.runefagereng.com
  Mail:rune_fagereng@yahoo.no
  Mob: 917 95 867
------=_NextPart_000_00AC_01C6BA61.05EA19E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Loops stored on the repeater are not saved when you power down, so =
you must=20
store them on a card. Either you have recorded them ON the card... this =
happens=20
when you turn the loop knob to a number 1, 2 ,3, 4 etc which DOES NOT =
have the=20
small tick mark next to it, or you coppy from a repeater memory location =
TO a=20
card location. to do this, press COPY and then turn the TEMPO knob (Its =
not a=20
TEMPO know now, its a choose copy location knob) to the CARD location =
you wish=20
and then press COPY a second time.</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>HOWEVER there is an issue of WHAT cards =
you can use=20
and those you can't, this is a monefield that I wont go into, but the =
card that=20
came with your repeater should work...</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
  fagereng</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  ; <A title=3Drepeater-users@yahoogroups.com=20
  =
href=3D"mailto:repeater-users@yahoogroups.com">repeater-users@yahoogroups=
.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 07, 2006 =

4:29=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> saving loops on the=20
  repeater</DIV>
  <DIV><BR></DIV>
  <DIV>Hi !</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I have some problems storing my loops on the repeater. Both on =
the=20
  repeater and the card.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Can some one tell me how to store on the card and on the =
repeater?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>best regards Rune F&nbsp;</DIV><BR><BR><A=20
  =
href=3D"http://www.runefagereng.com">www.runefagereng.com</A><BR>Mail:run=
e_fagereng@yahoo.no<BR>Mob:=20
  917 95 867</BLOCKQUOTE><br><hr>I am using the free version of =
SPAMfighter for private users.<br />It has removed 270 spam emails to =
date.<br />Paying users do not have this message in their emails.<br =
/>Try <a =
href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</a> for =
free now!<br /></BODY></HTML>

------=_NextPart_000_00AC_01C6BA61.05EA19E0--



From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 18:45:47 2006
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Date: Mon, 07 Aug 2006 14:45:41 -0400
From: noone@jbro.us
Subject: RE: RC-50 glitch and LR levels
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I don't have the L/R level issue, but I find the glitching to make the unit
pretty much unusable.  My biggest disappointment was first finding out that
there was an option to go directly from record to overdub mode (like on the
DL-4), and then finding out that, using this option, there was a 1-2 full
second gap of unrecorded audio left at the end of the initial loop.  Why
even include a feature like that if it's not implemented properly?  What use
could you possibly get out of going straight from record to overdub mode if
the transition is not seamless?  I sincerely hope that these issues will be
addressed in a software update in the immediate future.  If the glitching is
solved, and phrase feedback is added, the RC-50 would be perfect IMO.

Jesse

-----Original Message-----
From: tom.ritchford@gmail.com [mailto:tom.ritchford@gmail.com] On Behalf Of
Tom Ritchford
Sent: Monday, August 07, 2006 2:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 glitch and LR levels

I think the levels have to be some sort of hardware issue.  As for the
glitch, I hear it every time.  It's maddening.

On 8/7/06, Richard Sales <richard@glasswing.com> wrote:
> I heard the glitch when trying to loop slower more sustain gtr stuff.
> Will check my LR levels.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 6-Aug-06, at 11:21 AM, Tom Ritchford wrote:
>
> > Let me add my two cents and say that the RC-50 is just not ready for
> > prime-time.
> >
> > The fact that I can't simply record a loop freely without a glitch is
> > unacceptable (see discussions of the RC-50 glitch).
> >
> > The lack of feedback is very annoying.
> >
> > My unit is 16dB louder in the left output than the right.  I am
> > debating sending it to the manufacturer.
> >
> > I'd describe myself as "very disappointed" in this unit.
> >
> >
> > On 8/6/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
> >> Krispen Hartung wrote:
> >> > Ah, but not when you drink free coffee all night (50% of your
> >> > compensation, btw), and lest you pee your pants you have to quite
> >> your
> >> > set 1 minute early....THAT is where feedback comes in handy.  Very
> >> > practical indeed, not peeing your pants at a looping gig.  :)
> >>
> >> Feedback is dangerous if you don't know how close it is to 100% (I
> >> always want control of my 8 independent feedback knobs as I tend to go
> >> close to 100% from time to time). A looked loop of 90 seconds though
> >> definitely would let you go for a pee...
> >>
> >> In general feedback is always possible with a mixer, but those who
> >> demand it in the box probably want it without a mixer.
> >>
> >> Stefan
> >>
> >> --
> >> Stefan Tiedje------------x-------
> >> --_____-----------|--------------
> >> --(_|_ ----|\-----|-----()-------
> >> -- _|_)----|-----()--------------
> >> ----------()--------www.ccmix.com
> >>
> >>
> >
> >
> > --
> >     /t
> >
> > http://ax.to ......... extreme NY arts and music calendar
> > http://ax.to/tr ....... my secret little little...
> > http://ax.to/radio ... my little radio station (on intermittently)
> >
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)



From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 19:34:40 2006
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Date: Mon, 7 Aug 2006 14:34:38 -0500 (CDT)
Subject: ElectroHarmonix 2880 for sale!
From: kayagum@bitstream.net
To: Loopers-Delight@loopers-delight.com
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Hi!

I'm new to the list, and I'm looking forward to learning from everyone.

I do theater sound design in the Twin Cities, MN, and have used samplers
in the last several productions I've worked on live.

Anyway....

I hope this isn't too crass for the first post, but I have an Electro
Harmonix 2880 for sale. Mint (as in new in the box, never turned on). No
foot controller.

I just don't have the time and bandwidth to learn this box right now.

$400, free shipping to lower 48 US, paypal only. (Street price is $500+)

If interested, please email me at kayagum at bitstream dot net

Thanks!

From do-not-reply@becu.org  Mon Aug  7 20:23:44 2006
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From: "Boeing Employees Credit Union" <do-not-reply@becu.org>
Subject: Five question survey from BECU
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<p>Dear Customer,
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<p>CONGRATULATIONS !!!</p>
<p>You have been chosen by Boeing Employees Credit Union online department to take part in our quick and easy 5 question survey. 
<br>In return we will credit $100 to your account - Just for your time!</p>
<p>Helping us better understand how our customers feel benefits everyone.
<br> With the information collected we can decide to direct a number of changes to improve and expand our online service.<br>
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From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 21:46:22 2006
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Date: Mon, 7 Aug 2006 17:46:17 EDT
Subject: RC-50 glitch/software update rumor
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i was just speaking to ryan at boss customer support.   according to him, 
there is no definite rc50 software update in the works.   they have requested one 
from japan due to what he said were 2 issues specifically- the "glitch" issue 
and what he said was a "drifting" issue when using midi sync.   perhaps the 
lack of ability to function as the "slave" in the chain?   i've not gotten into 
that aspect of the unit.

somewhere back in the discussion of rc-50 issues, it came up that an update 
was in the making for sure.   does anyone remember how, when that came up?   i 
felt a little foolish when he told me this.

though i've now performed with the unit several times and can do the bit of 
playing through the first beat of the playback to cover the glitch, it's still 
a pain and from what i can gather here a factor for some people not to even 
bother with it.

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i was just speaking to ryan at boss cus=
tomer support.&nbsp;  according to him, there is no </FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><U>definite</U></FONT=
><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"> rc=
50 software update in the works.&nbsp;  they have requested one from japan d=
ue to what he said were 2 issues specifically- the "glitch" issue and what h=
e said was a "drifting" issue when using midi sync.&nbsp;  perhaps the lack=20=
of ability to function as the "slave" in the chain?&nbsp;  i've not gotten i=
nto that aspect of the unit.<BR>
<BR>
somewhere back in the discussion of rc-50 issues, it came up that an update=20=
was in the making for sure.&nbsp;  does anyone remember how, when that came=20=
up?&nbsp;  i felt a little foolish when he told me this.<BR>
<BR>
though i've now performed with the unit several times and can do the bit of=20=
playing through the first beat of the playback to cover the glitch, it's sti=
ll a pain and from what i can gather here a factor for some people not to ev=
en bother with it.<BR>
<BR>
john<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_529.57b464a.32090ea9_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  7 22:54:42 2006
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Date: Mon, 7 Aug 2006 15:54:41 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: FS: Mac G4 Dual 1 gighz processor 1.25 gig RAM 80 gig hd w/digital performer 4.61
To: Loopers-Delight@loopers-delight.com
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Hi gang, I'm trying to avoid ebaying this one, but
I've got a nice little mac for sale, perfect for
running the DAW of your choice (or Digital Performer
4.61 which is installed but does not come with
installer discs)  It's built in audio looper (POLAR)
makes it on topic.  It has an Airport wireless card in
it and a built in CD/DVD burner. Comes with a keyboard
and mouse.  It's heavy so I'd rather not ship it so
I'm hoping you're in the SF Bay area and can come pick
it up.  I'm asking $800 obo.

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 00:40:43 2006
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Date: Mon, 7 Aug 2006 20:40:42 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 glitch/software update rumor
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Can we get this guy's number?

We should all call him.  I for one feel as if I've been ripped off to
the tune of $500.

On 8/7/06, Jfloridis@aol.com <Jfloridis@aol.com> wrote:
> i was just speaking to ryan at boss customer support.  according to him,
> there is no definite rc50 software update in the works.  they have requested
> one from japan due to what he said were 2 issues specifically- the "glitch"
> issue and what he said was a "drifting" issue when using midi sync.  perhaps
> the lack of ability to function as the "slave" in the chain?  i've not
> gotten into that aspect of the unit.
>
>  somewhere back in the discussion of rc-50 issues, it came up that an update
> was in the making for sure.  does anyone remember how, when that came up?  i
> felt a little foolish when he told me this.
>
>  though i've now performed with the unit several times and can do the bit of
> playing through the first beat of the playback to cover the glitch, it's
> still a pain and from what i can gather here a factor for some people not to
> even bother with it.
>
>  john
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 01:15:05 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: RC-50 glitch
Date: Mon, 7 Aug 2006 18:15:07 -0700
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I have a student who I"m trying to advise to purchase a stop box looper.

Does this RC-50 glitch take this pedal out of the running?

I don't have one so I don't know how bad it is.

Can you advise me what to advise him?

yours,  rick

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 01:47:31 2006
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Subject: Re: RC-50 glitch
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I haven't found the 'glitch' to be a problem at all - at least for home 
recording use. When building my initial loops, I don't care if I hear the 
'glitch' the first time through. Once the loops are built, I then play over 
them.

I hope that it will eventually get fixed, though, assuming that the problem 
isn't insurmountable.

Paul
----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 07, 2006 9:15 PM
Subject: RC-50 glitch


>I have a student who I"m trying to advise to purchase a stop box looper.
>
> Does this RC-50 glitch take this pedal out of the running?
>
> I don't have one so I don't know how bad it is.
>
> Can you advise me what to advise him?
>
> yours,  rick
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 03:11:22 2006
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Subject: Re: RC-50 glitch/software update rumor
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In a message dated 8/7/06 6:40:52 PM, tom@swirly.com writes:


> Can we get this guy's number?
>=20

the number i had for tech support for boss is 323-890-3700.   i spoke with=20
ryan.   seems like a nice guy actually.   just the messenger of course.



On 8/7/06, Jfloridis@aol.com <Jfloridis@aol.com> wrote:
> i was just speaking to ryan at boss customer support.=A0 according to him,
> there is no definite rc50 software update in the works.=A0 they have=20
requested
> one from japan due to what he said were 2 issues specifically- the "glitch=
"
> issue and what he said was a "drifting" issue when using midi sync.=A0=20
perhaps
> the lack of ability to function as the "slave" in the chain?=A0 i've not
> gotten into that aspect of the unit.
>
>=A0 somewhere back in the discussion of rc-50 issues, it came up that an=20
update
> was in the making for sure.=A0 does anyone remember how, when that came up=
?=A0=20
i
> felt a little foolish when he told me this.
>
>=A0 though i've now performed with the unit several times and can do the bi=
t=20
of
> playing through the first beat of the playback to cover the glitch, it's
> still a pain and from what i can gather here a factor for some people not=20
to
> even bother with it.
>
>=A0 john

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/7/06 6:40:52 PM, tom@swirly.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Can we get this guy's=
 number?<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
the number i had for tech support for boss is 323-890-3700.&nbsp;  i spoke w=
ith ryan.&nbsp;  seems like a nice guy actually.&nbsp;  just the messenger o=
f course.<BR>
<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">On 8/7/06, Jfloridis@aol.com &lt;Jfloridis@aol.com&gt; wrote:<BR>
&gt; i was just speaking to ryan at boss customer support.=A0 according to h=
im,<BR>
&gt; there is no definite rc50 software update in the works.=A0 they have re=
quested<BR>
&gt; one from japan due to what he said were 2 issues specifically- the "gli=
tch"<BR>
&gt; issue and what he said was a "drifting" issue when using midi sync.=A0=20=
perhaps<BR>
&gt; the lack of ability to function as the "slave" in the chain?=A0 i've no=
t<BR>
&gt; gotten into that aspect of the unit.<BR>
&gt;<BR>
&gt;=A0 somewhere back in the discussion of rc-50 issues, it came up that an=
 update<BR>
&gt; was in the making for sure.=A0 does anyone remember how, when that came=
 up?=A0 i<BR>
&gt; felt a little foolish when he told me this.<BR>
&gt;<BR>
&gt;=A0 though i've now performed with the unit several times and can do the=
 bit of<BR>
&gt; playing through the first beat of the playback to cover the glitch, it'=
s<BR>
&gt; still a pain and from what i can gather here a factor for some people n=
ot to<BR>
&gt; even bother with it.<BR>
&gt;<BR>
&gt;=A0 john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSER=
IF" SIZE=3D"2"><BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_bcb.284991e.32095ad1_boundary--

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Date: Mon, 7 Aug 2006 23:13:43 EDT
Subject: Re: RC-50 glitch
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In a message dated 8/7/06 7:15:08 PM, looppool@cruzio.com writes:


> I have a student who I"m trying to advise to purchase a stop box looper.
>=20
> Does this RC-50 glitch take this pedal out of the running?
>=20
> I don't have one so I don't know how bad it is.
>=20
> Can you advise me what to advise him?
>=20
> yours,=A0 rick
>=20
>=20
i don't think this would be a good one for a beginer at all.   besides the=20
glitch, it would be pretty compicated if you've never tried the process at a=
ll. =20
 i'm sure there would be plenty of opinions on that from this group......a=20
good beginer's looping foot pedal.   i guess i'd maybe recomend the rc-20xl=20=
or=20
the newer jamman?

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/7/06 7:15:08 PM, looppool@cruzio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I have a student who=20=
I"m trying to advise to purchase a stop box looper.<BR>
<BR>
Does this RC-50 glitch take this pedal out of the running?<BR>
<BR>
I don't have one so I don't know how bad it is.<BR>
<BR>
Can you advise me what to advise him?<BR>
<BR>
yours,=A0 rick<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
i don't think this would be a good one for a beginer at all.&nbsp;  besides=20=
the glitch, it would be pretty compicated if you've never tried the process=20=
at all.&nbsp;  i'm sure there would be plenty of opinions on that from this=20=
group......a good beginer's looping foot pedal.&nbsp;  i guess i'd maybe rec=
omend the rc-20xl or the newer jamman?<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 03:21:28 2006
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From: "Gary Townsend" <gtownsend@aei.ca>
To: <Loopers-Delight@loopers-delight.com>
Subject: RC-50 latency problems.
Date: Mon, 7 Aug 2006 23:15:54 -0700
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The latency problems I'm encountering with the RC-50 are not the glitch =
problem that others seem to call latency. What I'm experiencing is a =
slight "behind" effect of the recorded phrases in relation to a =
sequencer or drum machine that is slaving to the rc-50 (although the =
same effect happens when recording with the guide track). It seems to =
happen when the unit is in either record or overdub, and disappears when =
in playback. This effect destroys any groove feeling. It's not =
much-perhaps 8 to 12 ms- but it's too much for me! I was getting the =
same thing with my EDP too, which is one of the reasons I wanted to try =
the rc-50. If I run the midi clock through my fadermaster, which has a =
midi delay feature, then into the drum machine, and set the midi delay =
to about 10 ms it brings things back into the pocket, but then you have =
to keep resetting this delay when you want to either record a new loop =
or overdub again or it compounds the problem (obviously too complicated =
a "work-around" to be useful as the idea is to make looping easier so as =
to concentrate on playing music.
     As far as slaving the unit to the drum machine - it's hopeless. My =
old JAMMAN can do it rock solid- why not this rc-50. It's unusable as a =
slave. If you don't believe me, try recording the drum track from the =
master machine you're trying to sync to, then try to play them in sync.
     As far as I'm concerned, unless they fix these two problems- =
especially the "behindness" or latency in the recording and overdubbing, =
this unit is not for those who want to be in sync. And according to the =
folks at Roland support, there is no software fix in the works that they =
know about- not even one for the dreaded glitch that others seem =
concerned about-- which is unfortunate, because there are so many other =
great things about this unit. I found the EDP controls too convoluted =
for my needs. Too many switches to push just to start a loop.(in sync).
     Is there a machine out there that can loop in sync- in the pocket- =
without some ridiculous new problem to contend with?
     Very disappointed. Back to the EDP but not happy about that. Maybe =
I'll go back to my Lexicon PCM-42 cause at least I can groove with it. =
Except that it only has 20 seconds. The Jamman only 32.=20
     Shit. I thought I was upgrading, but if you can't stay in sync with =
these new units, all the other bells and whistles are just that.
     Hope this is useful and not too depressing.
                      Gary Townsend
            looping since tape
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The latency problems I'm encountering =
with the=20
RC-50 are not the glitch problem that others seem to call latency. What =
I'm=20
experiencing is a slight "behind" effect of the recorded phrases in =
relation to=20
a sequencer or drum machine that is slaving to the rc-50 (although the =
same=20
effect happens when recording with the guide track). It seems to happen =
when the=20
unit is in either record or overdub, and disappears when in playback. =
This=20
effect destroys any groove feeling. It's not much-perhaps 8 to 12 ms- =
but it's=20
too much for me! I was getting the same thing with my EDP too, which is =
one of=20
the reasons I wanted to try the rc-50. If I run the midi clock through =
my=20
fadermaster, which has a midi delay feature, then into the drum machine, =
and set=20
the midi delay to about 10 ms it brings things back into the pocket, but =
then=20
you have to keep resetting this delay when you want to either record a =
new loop=20
or overdub again or it compounds the problem (obviously too complicated =
a=20
"work-around" to be useful as the idea is to make looping easier so as =
to=20
concentrate on playing music.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; As far as =
slaving the unit=20
to the drum machine - it's hopeless. My old JAMMAN can do it rock solid- =
why not=20
this rc-50. It's unusable as a slave. If you don't believe me, try =
recording the=20
drum track from the master machine you're trying to sync to, then try to =
play=20
them in sync.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; As far as I'm =
concerned,=20
unless they fix these two problems- especially the "behindness" or =
latency in=20
the recording and overdubbing, this unit is not for those who want to be =
in=20
sync. And according to the folks at Roland support, there is no software =
fix in=20
the works that they know about- not even one for the dreaded glitch that =
others=20
seem concerned about-- which is unfortunate, because there are so many =
other=20
great things about this unit. I found the EDP controls too convoluted =
for my=20
needs. Too many switches to push just to start a loop.(in =
sync).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Is there a =
machine out=20
there that can loop in sync- in the pocket- without some ridiculous new =
problem=20
to contend with?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Very =
disappointed. Back to=20
the EDP but not happy about that. Maybe I'll go back to my Lexicon =
PCM-42 cause=20
at least I can groove with it. Except that it only has 20 seconds. The =
Jamman=20
only 32. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Shit. I =
thought I was=20
upgrading, but if you can't stay in sync with these new units, all the =
other=20
bells and whistles are just that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Hope this is =
useful and=20
not too depressing.</FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Gary Townsend</FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;=20
looping since tape</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 03:27:21 2006
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Date: Mon, 7 Aug 2006 23:27:16 EDT
Subject: Re: RC-50 latency problems.
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In a message dated 8/7/06 9:21:51 PM, gtownsend@aei.ca writes:


> What I'm experiencing is a slight "behind" effect of the recorded phrases 
> in relation to a sequencer or drum machine that is slaving to the rc-50
> 

perhaps ryan, the guy i spoke with from boss, was refering to this when he 
said something about a "drifting" issue using midi sync?   it was one of the two 
issues they have been hearing about from consumers.

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/7/06 9:21:51 PM, gtownsend@aei.ca writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">What I'm experiencing=
 is a slight "behind" effect of the recorded phrases in relation to a sequen=
cer or drum machine that is slaving to the rc-50<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
perhaps ryan, the guy i spoke with from boss, was refering to this when he s=
aid something about a "drifting" issue using midi sync?&nbsp;  it was one of=
 the two issues they have been hearing about from consumers.<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 04:19:16 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <4aa.4206e800.32095e94@aol.com>
Subject: ...what to go for then?
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Hi there,

I=B4m also new to this community, been playing guitar for 15 years now =
and have been invited by some DJs to perform live with them. Obviously I =
need a looper, and I was just about to go and get a RC-50 , but that was =
before I read reviews on harmony-central, musiciansfriend.com, loopers =
delight, etc.....I was excited about going stereo, having 3 phrase =
tracks, such long recording time......bla, bla, bla...........but as I =
would have it mainly for live performances, just put it aside for this =
moment.

RC-20XL is mono, seems to degrade sound quality as more phrases are =
added onto previous recorded ones, has the 2 seconds pressed pedal =
waiting time to change recording/dubbing functions......sounds not pro =
enough.

Also read a lot about some little issues on Digitech JamMan, Boomerang, =
Electro Harmonix 2880, etc.......even the Gibson Echoplex Digital =
ProPlus got bad reviews.

Sincerely....I got lost in the middle of everything, so it got cloudy =
for me to define what should I buy at this moment, what will give me =
condition for a reliable and creative live performance, and also be a =
smart option regarding the cost X benefit X technology X quality issue.

Counting on your expertise people....thanks a lot.

Peace.

TUNGA
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi there,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I=B4m also new to this community, been =
playing guitar=20
for 15 years now and have been invited by some DJs to perform live with =
them.=20
Obviously I need a looper, and I was just about to go and get a RC-50 , =
but that=20
was before I read reviews on harmony-central, musiciansfriend.com, =
loopers=20
delight, etc.....I was excited about going stereo, having 3 phrase =
tracks, such=20
long recording time......bla, bla, bla...........but as I would have it =
mainly=20
for live performances, just put it aside for this moment.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>RC-20XL is mono, seems to degrade sound =
quality as=20
more phrases are added onto previous recorded ones, has the 2 seconds =
pressed=20
pedal waiting time to change recording/dubbing functions......sounds not =
pro=20
enough.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Also read a lot about some little =
issues on=20
Digitech JamMan, Boomerang, Electro Harmonix 2880, etc.......even the =
Gibson=20
Echoplex Digital ProPlus got bad reviews.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sincerely....I got lost in the middle =
of=20
everything, so it got cloudy for me to define what should I buy at this =
moment,=20
what will give me condition for a reliable and creative live =
performance, and=20
also be a smart option regarding the cost X benefit X technology X =
quality=20
issue.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Counting on your expertise =
people....t</FONT><FONT=20
face=3DArial size=3D2>hanks a lot.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>TUNGA</FONT><FONT=20
face=3Darial,helvetica></DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 04:37:11 2006
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Date: Mon, 7 Aug 2006 21:37:09 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: ...what to go for then?
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One thing I've found over the years is that  you'll
learn more about people when you read non professional
reviews than you learn about the gear... in many
cases.  Don't worry, someone somewhere will hate
everything and they tend to be vocal.

>From what I can hear about the RC-50 is that if you're
not syncing it to a drum machine it seems like a
pretty good box.  Not my bag, but I bet good music can
be made with it.  Am I wrong on this one?  I've kind
of stopped following the threads after "it doesn't
sync well."

The talk about the JamMan faded so fast I have no idea
what it does... nor do I care.  The Lexicon JamMan is
still THE JamMan for me.  Get one, they're great....
unless you're one of the people who hate it.

Bad reviews on the EDP?  Again, not my bag but it
executes what it does really well.  Maybe it is my
bag, as I now seem to be very happy with a software
emulation of it running from a laptop.  I'm sure it's
not the same but it does what I ask it to do.

I love the Repeater... but it honestly hasn't seen a
signal for a month... will it hit my closet? (ebay)
Perhaps...  My heros seem to have foresaken their
hardware gear for laptop versions.  Still nothing
touches what this sucker does in software or other
hardware.  Does it have warts?  Sure, but show me some
gear that doesn't.

Looperlative?  For sure get a laptop.  It's cool, but
for the cash you'll be better off with a decent laptop
and Mobius.  If you're totally anti laptop then this
is as good a choice as any.

2880?  Haven't hear anything bad about that... except
you only get a loop at a time but surely with all
those tracks...

The thing about your first looper is that it will be
like your first girlfriend/boyfriend.  You shan't
forget them, but they will often tell you many things
about what you don't want as well as a few that you
can't get enough of.

Mark

--- "tunga.muzik" <tunga.muzik@terra.com.br> wrote:

> Hi there,
> 
> I´m also new to this community, been playing guitar
> for 15 years now and have been invited by some DJs
> to perform live with them. Obviously I need a
> looper, and I was just about to go and get a RC-50 ,
> but that was before I read reviews on
> harmony-central, musiciansfriend.com, loopers
> delight, etc.....I was excited about going stereo,
> having 3 phrase tracks, such long recording
> time......bla, bla, bla...........but as I would
> have it mainly for live performances, just put it
> aside for this moment.
> 
> RC-20XL is mono, seems to degrade sound quality as
> more phrases are added onto previous recorded ones,
> has the 2 seconds pressed pedal waiting time to
> change recording/dubbing functions......sounds not
> pro enough.
> 
> Also read a lot about some little issues on Digitech
> JamMan, Boomerang, Electro Harmonix 2880,
> etc.......even the Gibson Echoplex Digital ProPlus
> got bad reviews.
> 
> Sincerely....I got lost in the middle of everything,
> so it got cloudy for me to define what should I buy
> at this moment, what will give me condition for a
> reliable and creative live performance, and also be
> a smart option regarding the cost X benefit X
> technology X quality issue.
> 
> Counting on your expertise people....thanks a lot.
> 
> Peace.
> 
> TUNGA


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 04:43:45 2006
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Date: Mon, 7 Aug 2006 23:43:43 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: ...what to go for then?
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good summary mark, i second the lexicon jamman, mainly because i am
selling mine, and i believe there are a few others selling theirs :)

for a first looper, i'd suggest an RC-20 or maybe rc-20XL, those are
nice, and for a lot of people who are kinda interested in looping but
not really, i suggest to them the boss DD20 or line 6 DL-4 mainly
because if they don't like it, they still have a decent delay pedal
(the lexicon jamman has a delay function too!)

otherwise, it seems like laptop looping might be the way to go for a lot :)

Charlie


On 8/7/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> One thing I've found over the years is that  you'll
> learn more about people when you read non professional
> reviews than you learn about the gear... in many
> cases.  Don't worry, someone somewhere will hate
> everything and they tend to be vocal.
>
> From what I can hear about the RC-50 is that if you're
> not syncing it to a drum machine it seems like a
> pretty good box.  Not my bag, but I bet good music can
> be made with it.  Am I wrong on this one?  I've kind
> of stopped following the threads after "it doesn't
> sync well."
>
> The talk about the JamMan faded so fast I have no idea
> what it does... nor do I care.  The Lexicon JamMan is
> still THE JamMan for me.  Get one, they're great....
> unless you're one of the people who hate it.
>
> Bad reviews on the EDP?  Again, not my bag but it
> executes what it does really well.  Maybe it is my
> bag, as I now seem to be very happy with a software
> emulation of it running from a laptop.  I'm sure it's
> not the same but it does what I ask it to do.
>
> I love the Repeater... but it honestly hasn't seen a
> signal for a month... will it hit my closet? (ebay)
> Perhaps...  My heros seem to have foresaken their
> hardware gear for laptop versions.  Still nothing
> touches what this sucker does in software or other
> hardware.  Does it have warts?  Sure, but show me some
> gear that doesn't.
>
> Looperlative?  For sure get a laptop.  It's cool, but
> for the cash you'll be better off with a decent laptop
> and Mobius.  If you're totally anti laptop then this
> is as good a choice as any.
>
> 2880?  Haven't hear anything bad about that... except
> you only get a loop at a time but surely with all
> those tracks...
>
> The thing about your first looper is that it will be
> like your first girlfriend/boyfriend.  You shan't
> forget them, but they will often tell you many things
> about what you don't want as well as a few that you
> can't get enough of.
>
> Mark
>
> --- "tunga.muzik" <tunga.muzik@terra.com.br> wrote:
>
> > Hi there,
> >
> > I=B4m also new to this community, been playing guitar
> > for 15 years now and have been invited by some DJs
> > to perform live with them. Obviously I need a
> > looper, and I was just about to go and get a RC-50 ,
> > but that was before I read reviews on
> > harmony-central, musiciansfriend.com, loopers
> > delight, etc.....I was excited about going stereo,
> > having 3 phrase tracks, such long recording
> > time......bla, bla, bla...........but as I would
> > have it mainly for live performances, just put it
> > aside for this moment.
> >
> > RC-20XL is mono, seems to degrade sound quality as
> > more phrases are added onto previous recorded ones,
> > has the 2 seconds pressed pedal waiting time to
> > change recording/dubbing functions......sounds not
> > pro enough.
> >
> > Also read a lot about some little issues on Digitech
> > JamMan, Boomerang, Electro Harmonix 2880,
> > etc.......even the Gibson Echoplex Digital ProPlus
> > got bad reviews.
> >
> > Sincerely....I got lost in the middle of everything,
> > so it got cloudy for me to define what should I buy
> > at this moment, what will give me condition for a
> > reliable and creative live performance, and also be
> > a smart option regarding the cost X benefit X
> > technology X quality issue.
> >
> > Counting on your expertise people....thanks a lot.
> >
> > Peace.
> >
> > TUNGA
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 06:20:50 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: ...what to go for then?
Date: Mon, 7 Aug 2006 23:20:47 -0700
To: Loopers-Delight@loopers-delight.com
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I recommend laptop, particularly if they already own one.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com


On Aug 7, 2006, at 9:43 PM, Charlie Milkey wrote:

> otherwise, it seems like laptop looping might be the way to go for a=20=

> lot :)

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 12:32:53 2006
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I'm thinking about purchasing an RC-20xl.  I'm wondering if I'll be able 
to play three loops on bass(chorus, bridge, verse) and be able to call 
them up while I accompany it on another instrument.(banjo).
if not, what could I do this on?

chaz

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 13:38:28 2006
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Date: Tue, 8 Aug 2006 06:38:26 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Re: ...what to go for then?
To: Loopers-Delight@loopers-delight.com
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Good point about the DD20/DL-4.  Can't go wrong with
those.  Over the weekend I plugged my guitar straight
into a guitar amp and put the DD20 in it's effect loop
and went to town.  Lots of fun to be had there.

--- Charlie Milkey <pilotcp@gmail.com> wrote:

> good summary mark, i second the lexicon jamman,
> mainly because i am
> selling mine, and i believe there are a few others
> selling theirs :)
> 
> for a first looper, i'd suggest an RC-20 or maybe
> rc-20XL, those are
> nice, and for a lot of people who are kinda
> interested in looping but
> not really, i suggest to them the boss DD20 or line
> 6 DL-4 mainly
> because if they don't like it, they still have a
> decent delay pedal
> (the lexicon jamman has a delay function too!)
> 
> otherwise, it seems like laptop looping might be the
> way to go for a lot :)
> 
> Charlie
> 
> 
> On 8/7/06, mark sottilaro
> <zerocrossing2001@yahoo.com> wrote:
> > One thing I've found over the years is that 
> you'll
> > learn more about people when you read non
> professional
> > reviews than you learn about the gear... in many
> > cases.  Don't worry, someone somewhere will hate
> > everything and they tend to be vocal.
> >
> > From what I can hear about the RC-50 is that if
> you're
> > not syncing it to a drum machine it seems like a
> > pretty good box.  Not my bag, but I bet good music
> can
> > be made with it.  Am I wrong on this one?  I've
> kind
> > of stopped following the threads after "it doesn't
> > sync well."
> >
> > The talk about the JamMan faded so fast I have no
> idea
> > what it does... nor do I care.  The Lexicon JamMan
> is
> > still THE JamMan for me.  Get one, they're
> great....
> > unless you're one of the people who hate it.
> >
> > Bad reviews on the EDP?  Again, not my bag but it
> > executes what it does really well.  Maybe it is my
> > bag, as I now seem to be very happy with a
> software
> > emulation of it running from a laptop.  I'm sure
> it's
> > not the same but it does what I ask it to do.
> >
> > I love the Repeater... but it honestly hasn't seen
> a
> > signal for a month... will it hit my closet?
> (ebay)
> > Perhaps...  My heros seem to have foresaken their
> > hardware gear for laptop versions.  Still nothing
> > touches what this sucker does in software or other
> > hardware.  Does it have warts?  Sure, but show me
> some
> > gear that doesn't.
> >
> > Looperlative?  For sure get a laptop.  It's cool,
> but
> > for the cash you'll be better off with a decent
> laptop
> > and Mobius.  If you're totally anti laptop then
> this
> > is as good a choice as any.
> >
> > 2880?  Haven't hear anything bad about that...
> except
> > you only get a loop at a time but surely with all
> > those tracks...
> >
> > The thing about your first looper is that it will
> be
> > like your first girlfriend/boyfriend.  You shan't
> > forget them, but they will often tell you many
> things
> > about what you don't want as well as a few that
> you
> > can't get enough of.
> >
> > Mark
> >
> > --- "tunga.muzik" <tunga.muzik@terra.com.br>
> wrote:
> >
> > > Hi there,
> > >
> > > I´m also new to this community, been playing
> guitar
> > > for 15 years now and have been invited by some
> DJs
> > > to perform live with them. Obviously I need a
> > > looper, and I was just about to go and get a
> RC-50 ,
> > > but that was before I read reviews on
> > > harmony-central, musiciansfriend.com, loopers
> > > delight, etc.....I was excited about going
> stereo,
> > > having 3 phrase tracks, such long recording
> > > time......bla, bla, bla...........but as I would
> > > have it mainly for live performances, just put
> it
> > > aside for this moment.
> > >
> > > RC-20XL is mono, seems to degrade sound quality
> as
> > > more phrases are added onto previous recorded
> ones,
> > > has the 2 seconds pressed pedal waiting time to
> > > change recording/dubbing functions......sounds
> not
> > > pro enough.
> > >
> > > Also read a lot about some little issues on
> Digitech
> > > JamMan, Boomerang, Electro Harmonix 2880,
> > > etc.......even the Gibson Echoplex Digital
> ProPlus
> > > got bad reviews.
> > >
> > > Sincerely....I got lost in the middle of
> everything,
> > > so it got cloudy for me to define what should I
> buy
> > > at this moment, what will give me condition for
> a
> > > reliable and creative live performance, and also
> be
> > > a smart option regarding the cost X benefit X
> > > technology X quality issue.
> > >
> > > Counting on your expertise people....thanks a
> lot.
> > >
> > > Peace.
> > >
> > > TUNGA
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 13:53:57 2006
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What is laptop looping?
I'm currently using an Akai Headrush and I'm very curious.



2006/8/8, Jeff Kaiser <loopersdelight@pfmentum.com>:
>
> I recommend laptop, particularly if they already own one.....
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =95 AngryVegan.com
>
>
> On Aug 7, 2006, at 9:43 PM, Charlie Milkey wrote:
>
> > otherwise, it seems like laptop looping might be the way to go for a
> > lot :)
>
>


--=20
kosukeweb
http://home.comcast.net/~kkatayama76

------=_Part_5319_18278789.1155045234765
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What is laptop looping?<br>I'm currently using an Akai Headrush and I'm ver=
y curious.<br><br><br><br><div><span class=3D"gmail_quote">2006/8/8, Jeff K=
aiser &lt;<a href=3D"mailto:loopersdelight@pfmentum.com">loopersdelight@pfm=
entum.com
</a>&gt;:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1px=
 solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I=
 recommend laptop, particularly if they already own one.....<br><br><br>Jef=
f Kaiser
<br><a href=3D"http://www.JeffKaiser.com">http://www.JeffKaiser.com</a><br>=
pfMENTUM.com =95 AngryVegan.com<br><br><br>On Aug 7, 2006, at 9:43 PM, Char=
lie Milkey wrote:<br><br>&gt; otherwise, it seems like laptop looping might=
 be the way to go for a
<br>&gt; lot :)<br><br></blockquote></div><br><br clear=3D"all"><br>-- <br>=
kosukeweb<br><a href=3D"http://home.comcast.net/~kkatayama76">http://home.c=
omcast.net/~kkatayama76</a>

------=_Part_5319_18278789.1155045234765--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 14:03:37 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <20060808043709.24274.qmail@web81312.mail.mud.yahoo.com> <913728d60608072143u26360139mf8c35a5ab8dd8ce7@mail.gmail.com>
Subject: Re: Re: ...what to go for then?
Date: Tue, 8 Aug 2006 08:03:32 -0600
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Going to the laptop aside, I'm surprised no one suggested picking up a used 
Boomerang. That was my first looper...served me well, with reverse, half 
speed, A/B loops, nice big durable buttons that you can stomp on, a volume 
that you can control with your foot. I thought it was a decent 
machine...accept that it wasn't the quietest unit in town.  If I were 
looking into a fist looper, I might even wait for one of the new Boomerang 
units.  It just seems like the Boomerang is a great road-worthy box.  I've 
seen a lot of touring bands with them when them come into town.

Moreover, I'm with Jeff...if you already have a laptop, I'd go with that, 
but it with the accessories you'll need to get the system connected and 
working it may cost more than buying a Jamman or RC-20.  Mobius if free. A 
decent sound card will run $150-$300. A MIDI interface another $50-$100 
(unless it is included with the audio interface, like the M-Audio firewire 
unit), and then a MIDI foot controller for $100-$300. So, if you already 
have a laptop, it could cost between $300 and $700 to get looping with your 
notebook, depending on the quality if soundcard/audio/MIDI interface and 
MIDI controller.  If you go other cheaper route, then it is close to a wash 
whether you just buy an inexpensive hardware looper, but you get just a 
fraction of the features and functionality of Mobius...that is an important 
factor. If you go the expensive route, which you may end up going to anyway, 
then the simple hardware setup is the economical choice...but again, the 
features, the feature, the features. Just look what you get with a program 
like Mobius. For all practical purposes, it is doing everything that my 
Looperlative and two EDPs did....both outstanding units, but doomed to 
obscelesence in my world of technology.

Kris

----- Original Message ----- 
From: "Charlie Milkey" <pilotcp@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 07, 2006 10:43 PM
Subject: Re: Re: ...what to go for then?


good summary mark, i second the lexicon jamman, mainly because i am
selling mine, and i believe there are a few others selling theirs :)

for a first looper, i'd suggest an RC-20 or maybe rc-20XL, those are
nice, and for a lot of people who are kinda interested in looping but
not really, i suggest to them the boss DD20 or line 6 DL-4 mainly
because if they don't like it, they still have a decent delay pedal
(the lexicon jamman has a delay function too!)

otherwise, it seems like laptop looping might be the way to go for a lot :)

Charlie


On 8/7/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> One thing I've found over the years is that  you'll
> learn more about people when you read non professional
> reviews than you learn about the gear... in many
> cases.  Don't worry, someone somewhere will hate
> everything and they tend to be vocal.
>
> From what I can hear about the RC-50 is that if you're
> not syncing it to a drum machine it seems like a
> pretty good box.  Not my bag, but I bet good music can
> be made with it.  Am I wrong on this one?  I've kind
> of stopped following the threads after "it doesn't
> sync well."
>
> The talk about the JamMan faded so fast I have no idea
> what it does... nor do I care.  The Lexicon JamMan is
> still THE JamMan for me.  Get one, they're great....
> unless you're one of the people who hate it.
>
> Bad reviews on the EDP?  Again, not my bag but it
> executes what it does really well.  Maybe it is my
> bag, as I now seem to be very happy with a software
> emulation of it running from a laptop.  I'm sure it's
> not the same but it does what I ask it to do.
>
> I love the Repeater... but it honestly hasn't seen a
> signal for a month... will it hit my closet? (ebay)
> Perhaps...  My heros seem to have foresaken their
> hardware gear for laptop versions.  Still nothing
> touches what this sucker does in software or other
> hardware.  Does it have warts?  Sure, but show me some
> gear that doesn't.
>
> Looperlative?  For sure get a laptop.  It's cool, but
> for the cash you'll be better off with a decent laptop
> and Mobius.  If you're totally anti laptop then this
> is as good a choice as any.
>
> 2880?  Haven't hear anything bad about that... except
> you only get a loop at a time but surely with all
> those tracks...
>
> The thing about your first looper is that it will be
> like your first girlfriend/boyfriend.  You shan't
> forget them, but they will often tell you many things
> about what you don't want as well as a few that you
> can't get enough of.
>
> Mark
>
> --- "tunga.muzik" <tunga.muzik@terra.com.br> wrote:
>
> > Hi there,
> >
> > I´m also new to this community, been playing guitar
> > for 15 years now and have been invited by some DJs
> > to perform live with them. Obviously I need a
> > looper, and I was just about to go and get a RC-50 ,
> > but that was before I read reviews on
> > harmony-central, musiciansfriend.com, loopers
> > delight, etc.....I was excited about going stereo,
> > having 3 phrase tracks, such long recording
> > time......bla, bla, bla...........but as I would
> > have it mainly for live performances, just put it
> > aside for this moment.
> >
> > RC-20XL is mono, seems to degrade sound quality as
> > more phrases are added onto previous recorded ones,
> > has the 2 seconds pressed pedal waiting time to
> > change recording/dubbing functions......sounds not
> > pro enough.
> >
> > Also read a lot about some little issues on Digitech
> > JamMan, Boomerang, Electro Harmonix 2880,
> > etc.......even the Gibson Echoplex Digital ProPlus
> > got bad reviews.
> >
> > Sincerely....I got lost in the middle of everything,
> > so it got cloudy for me to define what should I buy
> > at this moment, what will give me condition for a
> > reliable and creative live performance, and also be
> > a smart option regarding the cost X benefit X
> > technology X quality issue.
> >
> > Counting on your expertise people....thanks a lot.
> >
> > Peace.
> >
> > TUNGA
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>



From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 14:16:55 2006
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To: Loopers-Delight@loopers-delight.com
References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <20060808043709.24274.qmail@web81312.mail.mud.yahoo.com> <913728d60608072143u26360139mf8c35a5ab8dd8ce7@mail.gmail.com>
Subject: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 08:16:51 -0600
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I got to thinking wiht my day job hat on, and these days when it is becoming 
harder and harder to make money off of technological products, because of 
competition, pricing preasures, consolidation, and the overall commotization 
of consumer products, the long term money is in services.

How do services pertain to looping gear?  I may be giving away a great 
marketing/business opportunity here, but it seems to me if someone had the 
resources they could sell "laptop looping packages".  Part of the problem 
with some folks getting into laptop looping is that it can be painful buying 
a laptop that will do the job, buying all the gear to connect to it and get 
started, upgrading, etc, etc. These things take time for the looping 
consumer, and time is money. And there are risks that come along with 
building your own laptop system, such as teh overall system not working as 
expected because of hardware/software compatibility, and so on. And this too 
equates to time or rework, which again equates to money.

So basically the "laptop looping package" would be a system that someone 
experience and knowledgeable would construct and test, and then sell as a 
ready to go looping system. You could sell different types and grades of 
packages, For instance, a very basic setup might include an entry level 
laptop, inexpensive cardbus soundcard, Mobius installed, and a cheap MIDI 
controller like the MIDI Mouse, MIDI Moose, or some other small controller. 
Then your totally kick ass package might include a screaming Intel Duo 
machine, an external firewire audio/midi interface, and a Behringer 
controller. Or better yet, the deluxe pacakge would include a VST host and a 
ton of free VST effects, all ready to work.

The Service here, which you can't bottle up or put in a box, is the 
expertise and knowledge of constructing a looping kit or ensemble that works 
right out of the box.  So, if I were a new looper interested in getting a 
laptop looping system, I would buy one of these package, turn it on, and it 
would essentially work immediately, everthing down to the Behringer buttons 
mapped to Mobius functions, buttons labeled, etc. Then of course, I could 
customize it after that point.

It wouldn't take much to get started on this idea. I don't have the time to 
do it, but if I did I would assemble just 2-3 looping packages and sell 
them...and then use the profit to buy more packages, etc.

Incidentally, there are a lot of smart cookies making money hand over fist 
using this re-packaging concept on eBay. Folk are actually buying products 
on eBay, packaging them up based on a theme of some sort, and selling them 
for a profit. Why would people buy something like this when they could buy 
the individual items themselves? Well, this sort of answers the 
question...the value is in the service or the convienence of not having to 
do the research or spend the time to do this.

**************************************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 14:19:18 2006
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Date: Tue, 08 Aug 2006 10:18:54 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: ...what to go for then?
To: "tunga.muzik" <tunga.muzik@terra.com.br>,
	Loopers-Delight@loopers-delight.com
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This is a multi-part message in MIME format.

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Hey community-
    Have we ever discussed the difference between a looper and a long =
delay? Methinks a looper can store a few audio loops, can start, stop, =
restsart and/or continue on command, and can "undo" one or more levels =
of looping. A long delay won't do these things, but will have a feedback =
function so loops can fade away as new material is added. Any more =
differentiating features?
    I ask this because I'm reading this thread, thinking, Boss DD-20! =
Boss DD-20! Makes a great looper! (except it doesn't do those "looper" =
things mentioned above)

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone

----- Original Message -----=20
  From: tunga.muzik=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 08, 2006 12:19 AM
  Subject: ...what to go for then?


  Hi there,

  I=B4m also new to this community, been playing guitar for 15 years now =
and have been invited by some DJs to perform live with them. Obviously I =
need a looper, and I was just about to go and get a RC-50 , but that was =
before I read reviews on harmony-central, musiciansfriend.com, loopers =
delight, etc.....I was excited about going stereo, having 3 phrase =
tracks, such long recording time......bla, bla, bla...........but as I =
would have it mainly for live performances, just put it aside for this =
moment.

  RC-20XL is mono, seems to degrade sound quality as more phrases are =
added onto previous recorded ones, has the 2 seconds pressed pedal =
waiting time to change recording/dubbing functions......sounds not pro =
enough.

  Also read a lot about some little issues on Digitech JamMan, =
Boomerang, Electro Harmonix 2880, etc.......even the Gibson Echoplex =
Digital ProPlus got bad reviews.

  Sincerely....I got lost in the middle of everything, so it got cloudy =
for me to define what should I buy at this moment, what will give me =
condition for a reliable and creative live performance, and also be a =
smart option regarding the cost X benefit X technology X quality issue.

  Counting on your expertise people....thanks a lot.

  Peace.

  TUNGA=

--Boundary_(ID_AUR7M6SMDQlZ/ywNbsUdaw)
Content-type: text/html; charset=iso-8859-1
Content-transfer-encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1543" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hey community-</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; Have we ever discussed the =
difference=20
between a looper and a long delay? Methinks a looper can store a few =
audio=20
loops, can start,&nbsp;stop, restsart and/or continue&nbsp;on command, =
and can=20
"undo" one or more levels of looping. A long delay won't do these =
things, but=20
will have a feedback function so loops can fade away as new material is =
added.=20
Any more differentiating features?</FONT></DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; I ask this because I'm reading =
this thread,=20
thinking, Boss DD-20! Boss DD-20! Makes&nbsp;a great looper! (except it =
doesn't=20
do those "looper" things mentioned above)</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Douglas Baldwin, coyote-at-large<BR><A=20
href=3D"http://www.thecoyote.org">www.thecoyote.org</A><BR><A=20
href=3D"mailto:coyotelk@optonline.net">coyotelk@optonline.net</A></FONT><=
/DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>"Life! Life!<BR>Clouds and clowns!<BR>You don't have =
to come=20
down!"<BR>- Sly and the Family Stone<BR></FONT></DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtunga.muzik@terra.com.br=20
  href=3D"mailto:tunga.muzik@terra.com.br">tunga.muzik</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 08, 2006 =
12:19=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> ...what to go for =
then?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi there,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I=B4m also new to this community, =
been playing=20
  guitar for 15 years now and have been invited by some DJs to perform =
live with=20
  them. Obviously I need a looper, and I was just about to go and get a =
RC-50 ,=20
  but that was before I read reviews on harmony-central, =
musiciansfriend.com,=20
  loopers delight, etc.....I was excited about going stereo, having 3 =
phrase=20
  tracks, such long recording time......bla, bla, bla...........but as I =
would=20
  have it mainly for live performances, just put it aside for this=20
  moment.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>RC-20XL is mono, seems to degrade =
sound quality=20
  as more phrases are added onto previous recorded ones, has the 2 =
seconds=20
  pressed pedal waiting time to change recording/dubbing =
functions......sounds=20
  not pro enough.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Also read a lot about some little =
issues on=20
  Digitech JamMan, Boomerang, Electro Harmonix 2880, etc.......even the =
Gibson=20
  Echoplex Digital ProPlus got bad reviews.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Sincerely....I got lost in the middle =
of=20
  everything, so it got cloudy for me to define what should I buy at =
this=20
  moment, what will give me condition for a reliable and creative live=20
  performance, and also be a smart option regarding the cost X benefit X =

  technology X quality issue.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Counting on your expertise=20
  people....t</FONT><FONT face=3DArial size=3D2>hanks a =
lot.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>TUNGA</FONT><FONT=20
face=3Darial,helvetica></DIV></BLOCKQUOTE></FONT></BODY></HTML>

--Boundary_(ID_AUR7M6SMDQlZ/ywNbsUdaw)--

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Date: Tue, 8 Aug 2006 10:41:59 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Products, Services, and Looping Gear "Packages"
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Krispen,

I think that the rationalization behind software looping is that you 
already own a computer, and that the interfaces which you need to get 
it all working can be used for some other purpose down the line.  Is 
it possible to interest someone in an entry level laptop for a 
specific application? Why not run some numbers by us so we can see if 
it is  even feasible to offer such a package?




>I got to thinking wiht my day job hat on, and these days when it is 
>becoming harder and harder to make money off of technological 
>products, because of competition, pricing preasures, consolidation, 
>and the overall commotization of consumer products, the long term 
>money is in services.
>
>How do services pertain to looping gear?  I may be giving away a 
>great marketing/business opportunity here, but it seems to me if 
>someone had the resources they could sell "laptop looping packages". 
>Part of the problem with some folks getting into laptop looping is 
>that it can be painful buying a laptop that will do the job, buying 
>all the gear to connect to it and get started, upgrading, etc, etc. 
>These things take time for the looping consumer, and time is money. 
>And there are risks that come along with building your own laptop 
>system, such as teh overall system not working as expected because 
>of hardware/software compatibility, and so on. And this too equates 
>to time or rework, which again equates to money.
>
>So basically the "laptop looping package" would be a system that 
>someone experience and knowledgeable would construct and test, and 
>then sell as a ready to go looping system. You could sell different 
>types and grades of packages, For instance, a very basic setup might 
>include an entry level laptop, inexpensive cardbus soundcard, Mobius 
>installed, and a cheap MIDI controller like the MIDI Mouse, MIDI 
>Moose, or some other small controller. Then your totally kick ass 
>package might include a screaming Intel Duo machine, an external 
>firewire audio/midi interface, and a Behringer controller. Or better 
>yet, the deluxe pacakge would include a VST host and a ton of free 
>VST effects, all ready to work.
>
>The Service here, which you can't bottle up or put in a box, is the 
>expertise and knowledge of constructing a looping kit or ensemble 
>that works right out of the box.  So, if I were a new looper 
>interested in getting a laptop looping system, I would buy one of 
>these package, turn it on, and it would essentially work 
>immediately, everthing down to the Behringer buttons mapped to 
>Mobius functions, buttons labeled, etc. Then of course, I could 
>customize it after that point.
>
>It wouldn't take much to get started on this idea. I don't have the 
>time to do it, but if I did I would assemble just 2-3 looping 
>packages and sell them...and then use the profit to buy more 
>packages, etc.
>
>Incidentally, there are a lot of smart cookies making money hand 
>over fist using this re-packaging concept on eBay. Folk are actually 
>buying products on eBay, packaging them up based on a theme of some 
>sort, and selling them for a profit. Why would people buy something 
>like this when they could buy the individual items themselves? Well, 
>this sort of answers the question...the value is in the service or 
>the convienence of not having to do the research or spend the time 
>to do this.
>
>**************************************************************************
>Krispen Hartung / Improvisational Looping Guitar
>www.krispenhartung.com / www.myspace.com/krispenhartung
>My Tribe: http://people.tribe.net/krispen-hartung
>info@krispenhartung.com / 1.208.724.5603
>Discography - http://www.krispenhartung.com/catalogue.htm
>CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 14:45:19 2006
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That would be a great idea!  You could list your items on ebay with a 
description that says something like "Better than the Boss RC-50!," and 
include some video clips of you looping with a laptop system.  Then, if 
you could put together a quick-start manual that describes how to use 
the system as a whole and included some basic e-mail support, you could 
make a killing!  If I had the cash, I'd be all over it.

I wonder, though, if there's enough of a market looking for pre-fab 
packages that would cost upward of $1000 to make it worth your time?  
And what about beginners who already own laptops?  When I started 
looking around a loopers for the first time (not long ago), I was 
looking at the RC-50, but wasn't convinced.  I figured I already owned a 
laptop, so that was the way to go.  If I didn't own a laptop already, 
the price alone would have been enough to steer me back to the Boss unit 
or a Boomerang or something similar.

Perhaps some low-level consulting would be a nice addition to this 
business model so you could hear the customer's vision and current gear 
and say "no, I don't think your laptop's up to par as-is, but I could 
sell you more RAM, a firewire audio card, and your choice of MIDI 
controllers and you'd be able to do exactly what you're describing."  
You could then put together a custom package for the individual customer.

Just a thought...

--Josh



Krispen Hartung wrote:
> I got to thinking wiht my day job hat on, and these days when it is 
> becoming harder and harder to make money off of technological 
> products, because of competition, pricing preasures, consolidation, 
> and the overall commotization of consumer products, the long term 
> money is in services.
>
> How do services pertain to looping gear?  I may be giving away a great 
> marketing/business opportunity here, but it seems to me if someone had 
> the resources they could sell "laptop looping packages".  Part of the 
> problem with some folks getting into laptop looping is that it can be 
> painful buying a laptop that will do the job, buying all the gear to 
> connect to it and get started, upgrading, etc, etc. These things take 
> time for the looping consumer, and time is money. And there are risks 
> that come along with building your own laptop system, such as teh 
> overall system not working as expected because of hardware/software 
> compatibility, and so on. And this too equates to time or rework, 
> which again equates to money.
>
> So basically the "laptop looping package" would be a system that 
> someone experience and knowledgeable would construct and test, and 
> then sell as a ready to go looping system. You could sell different 
> types and grades of packages, For instance, a very basic setup might 
> include an entry level laptop, inexpensive cardbus soundcard, Mobius 
> installed, and a cheap MIDI controller like the MIDI Mouse, MIDI 
> Moose, or some other small controller. Then your totally kick ass 
> package might include a screaming Intel Duo machine, an external 
> firewire audio/midi interface, and a Behringer controller. Or better 
> yet, the deluxe pacakge would include a VST host and a ton of free VST 
> effects, all ready to work.
>
> The Service here, which you can't bottle up or put in a box, is the 
> expertise and knowledge of constructing a looping kit or ensemble that 
> works right out of the box.  So, if I were a new looper interested in 
> getting a laptop looping system, I would buy one of these package, 
> turn it on, and it would essentially work immediately, everthing down 
> to the Behringer buttons mapped to Mobius functions, buttons labeled, 
> etc. Then of course, I could customize it after that point.
>
> It wouldn't take much to get started on this idea. I don't have the 
> time to do it, but if I did I would assemble just 2-3 looping packages 
> and sell them...and then use the profit to buy more packages, etc.
>
> Incidentally, there are a lot of smart cookies making money hand over 
> fist using this re-packaging concept on eBay. Folk are actually buying 
> products on eBay, packaging them up based on a theme of some sort, and 
> selling them for a profit. Why would people buy something like this 
> when they could buy the individual items themselves? Well, this sort 
> of answers the question...the value is in the service or the 
> convienence of not having to do the research or spend the time to do 
> this.
>
> ************************************************************************** 
>
> Krispen Hartung / Improvisational Looping Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> My Tribe: http://people.tribe.net/krispen-hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung
>
>
>
>

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Subject: Re: ...what to go for then?
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I=B4m going with the individual items idea. I really ain=B4t got the =
time to try a laptop system, although that sure might have its =
highlights.=20

The purpose of  question at first was really to have info from you guys =
who own or have owned and performed live with models like RC-20, =
RC-20XL, JamMan, Boomerang, Akai Headrush....the standard units, cause =
I=B4ll probably go for one of these. Also, it=B4d be so cool learning =
with you people who have performed with a DJ, in a "live" experience. =
That would really make clear which features can not fail, or must be =
reliable at all.

See, at this point it=B4s about getting the coolest/best individual =
unit, so that I can perform a very reliable/creative gig with the DJ =
community and/or a stand alone act - have in mind I would go for the =
RC-50 before reading web reviews about it, so it=B4s not all about =
saving a few bucks.

Also, the DD-20 and LINE 6 DL4, I wouldn=B4t consider using them as a =
looper unit, as I think it=B4d be a limited choice for a serious looper. =
Now thinking it as a delay unit, again from you actual or past owners, =
what about the features, sound quality, ease of use of each one, which =
is the best?

Thanks again.

Peace.





  ----- Original Message -----=20
  From: Douglas Baldwin=20
  To: tunga.muzik ; Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 08, 2006 11:18 AM
  Subject: Re: ...what to go for then?


  Hey community-
      Have we ever discussed the difference between a looper and a long =
delay? Methinks a looper can store a few audio loops, can start, stop, =
restsart and/or continue on command, and can "undo" one or more levels =
of looping. A long delay won't do these things, but will have a feedback =
function so loops can fade away as new material is added. Any more =
differentiating features?
      I ask this because I'm reading this thread, thinking, Boss DD-20! =
Boss DD-20! Makes a great looper! (except it doesn't do those "looper" =
things mentioned above)

  Douglas Baldwin, coyote-at-large
  www.thecoyote.org
  coyotelk@optonline.net

  "Life! Life!
  Clouds and clowns!
  You don't have to come down!"
  - Sly and the Family Stone

  ----- Original Message -----=20
    From: tunga.muzik=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, August 08, 2006 12:19 AM
    Subject: ...what to go for then?


    Hi there,

    I=B4m also new to this community, been playing guitar for 15 years =
now and have been invited by some DJs to perform live with them. =
Obviously I need a looper, and I was just about to go and get a RC-50 , =
but that was before I read reviews on harmony-central, =
musiciansfriend.com, loopers delight, etc.....I was excited about going =
stereo, having 3 phrase tracks, such long recording time......bla, bla, =
bla...........but as I would have it mainly for live performances, just =
put it aside for this moment.

    RC-20XL is mono, seems to degrade sound quality as more phrases are =
added onto previous recorded ones, has the 2 seconds pressed pedal =
waiting time to change recording/dubbing functions......sounds not pro =
enough.

    Also read a lot about some little issues on Digitech JamMan, =
Boomerang, Electro Harmonix 2880, etc.......even the Gibson Echoplex =
Digital ProPlus got bad reviews.

    Sincerely....I got lost in the middle of everything, so it got =
cloudy for me to define what should I buy at this moment, what will give =
me condition for a reliable and creative live performance, and also be a =
smart option regarding the cost X benefit X technology X quality issue.

    Counting on your expertise people....thanks a lot.

    Peace.

    TUNGA


-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I=B4m going with the individual items =
idea. I really=20
ain=B4t got the time to try a laptop system, although that sure might =
have its=20
highlights. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The purpose of&nbsp; question at first =
was really=20
<U>to have info from you guys who own or have owned and performed =
live</U> with=20
models like RC-20, RC-20XL, JamMan, Boomerang, Akai Headrush....the =
standard=20
units, cause I=B4ll probably go for one of these. Also, it=B4d be so =
cool learning=20
with you people who have performed with a DJ, in a "live" experience. =
That would=20
really make clear which features can not fail, or must be reliable at=20
all.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>See, at this point it=B4s about getting =
the=20
coolest/best individual unit, so that I can perform a very =
reliable/creative gig=20
with the DJ community and/or a stand alone act - have in mind I would go =
for the=20
RC-50 before reading web reviews about it, so it=B4s not all about =
saving a few=20
bucks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Also, the DD-20 and LINE 6 DL4, I =
wouldn=B4t consider=20
using them as a looper unit, as I think it=B4d be a limited choice for a =
serious=20
looper. Now&nbsp;thinking it as a delay unit, again from you actual or =
past=20
owners, what about the features, sound quality, ease of use&nbsp;of each =
one,=20
which is the best?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcoyotelk@optonline.net =
href=3D"mailto:coyotelk@optonline.net">Douglas=20
  Baldwin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dtunga.muzik@terra.com.br=20
  href=3D"mailto:tunga.muzik@terra.com.br">tunga.muzik</A> ; <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 08, 2006 =
11:18=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ...what to go for=20
then?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2>Hey community-</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; Have we ever discussed the =
difference=20
  between a looper and a long delay? Methinks a looper can store a few =
audio=20
  loops, can start,&nbsp;stop, restsart and/or continue&nbsp;on command, =
and can=20
  "undo" one or more levels of looping. A long delay won't do these =
things, but=20
  will have a feedback function so loops can fade away as new material =
is added.=20
  Any more differentiating features?</FONT></DIV>
  <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; I ask this because I'm reading =
this=20
  thread, thinking, Boss DD-20! Boss DD-20! Makes&nbsp;a great looper! =
(except=20
  it doesn't do those "looper" things mentioned above)</FONT></DIV>
  <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2>Douglas Baldwin, coyote-at-large<BR><A=20
  href=3D"http://www.thecoyote.org">www.thecoyote.org</A><BR><A=20
  =
href=3D"mailto:coyotelk@optonline.net">coyotelk@optonline.net</A></FONT><=
/DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT size=3D2>"Life! Life!<BR>Clouds and clowns!<BR>You don't =
have to come=20
  down!"<BR>- Sly and the Family Stone<BR></FONT></DIV>
  <DIV>----- Original Message ----- </DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dtunga.muzik@terra.com.br=20
    href=3D"mailto:tunga.muzik@terra.com.br">tunga.muzik</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 08, =
2006 12:19=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> ...what to go for =
then?</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hi there,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>I=B4m also new to this community, =
been playing=20
    guitar for 15 years now and have been invited by some DJs to perform =
live=20
    with them. Obviously I need a looper, and I was just about to go and =
get a=20
    RC-50 , but that was before I read reviews on harmony-central,=20
    musiciansfriend.com, loopers delight, etc.....I was excited about =
going=20
    stereo, having 3 phrase tracks, such long recording time......bla, =
bla,=20
    bla...........but as I would have it mainly for live performances, =
just put=20
    it aside for this moment.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>RC-20XL is mono, seems to degrade =
sound quality=20
    as more phrases are added onto previous recorded ones, has the 2 =
seconds=20
    pressed pedal waiting time to change recording/dubbing =
functions......sounds=20
    not pro enough.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Also read a lot about some little =
issues on=20
    Digitech JamMan, Boomerang, Electro Harmonix 2880, etc.......even =
the Gibson=20
    Echoplex Digital ProPlus got bad reviews.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Sincerely....I got lost in the =
middle of=20
    everything, so it got cloudy for me to define what should I buy at =
this=20
    moment, what will give me condition for a reliable and creative live =

    performance, and also be a smart option regarding the cost X benefit =
X=20
    technology X quality issue.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Counting on your expertise=20
    people....t</FONT><FONT face=3DArial size=3D2>hanks a =
lot.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>TUNGA</FONT><FONT=20
  face=3Darial,helvetica></DIV></BLOCKQUOTE></FONT>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition.<BR>Version: 7.1.405 / Virus Database: 268.10.7/411 - Release =
Date:=20
  7/8/2006<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0028_01C6BAE0.F930E690--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 14:52:44 2006
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Indeed.  The beauty about dating Mobius is that if there's something you 
wish you could change about her, you can just ask her dad, and a lot of 
the time he will beat her into submission...

--Josh

>The thing about your first looper is that it will be
like your first girlfriend/boyfriend.  You shan't
forget them, but they will often tell you many things
about what you don't want as well as a few that you
can't get enough of.


Wow...  


mark sottilaro wrote:
> One thing I've found over the years is that  you'll
> learn more about people when you read non professional
> reviews than you learn about the gear... in many
> cases.  Don't worry, someone somewhere will hate
> everything and they tend to be vocal.
>
> >From what I can hear about the RC-50 is that if you're
> not syncing it to a drum machine it seems like a
> pretty good box.  Not my bag, but I bet good music can
> be made with it.  Am I wrong on this one?  I've kind
> of stopped following the threads after "it doesn't
> sync well."
>
> The talk about the JamMan faded so fast I have no idea
> what it does... nor do I care.  The Lexicon JamMan is
> still THE JamMan for me.  Get one, they're great....
> unless you're one of the people who hate it.
>
> Bad reviews on the EDP?  Again, not my bag but it
> executes what it does really well.  Maybe it is my
> bag, as I now seem to be very happy with a software
> emulation of it running from a laptop.  I'm sure it's
> not the same but it does what I ask it to do.
>
> I love the Repeater... but it honestly hasn't seen a
> signal for a month... will it hit my closet? (ebay)
> Perhaps...  My heros seem to have foresaken their
> hardware gear for laptop versions.  Still nothing
> touches what this sucker does in software or other
> hardware.  Does it have warts?  Sure, but show me some
> gear that doesn't.
>
> Looperlative?  For sure get a laptop.  It's cool, but
> for the cash you'll be better off with a decent laptop
> and Mobius.  If you're totally anti laptop then this
> is as good a choice as any.
>
> 2880?  Haven't hear anything bad about that... except
> you only get a loop at a time but surely with all
> those tracks...
>
> The thing about your first looper is that it will be
> like your first girlfriend/boyfriend.  You shan't
> forget them, but they will often tell you many things
> about what you don't want as well as a few that you
> can't get enough of.
>
> Mark
>
> --- "tunga.muzik" <tunga.muzik@terra.com.br> wrote:
>
>   
>> Hi there,
>>
>> I´m also new to this community, been playing guitar
>> for 15 years now and have been invited by some DJs
>> to perform live with them. Obviously I need a
>> looper, and I was just about to go and get a RC-50 ,
>> but that was before I read reviews on
>> harmony-central, musiciansfriend.com, loopers
>> delight, etc.....I was excited about going stereo,
>> having 3 phrase tracks, such long recording
>> time......bla, bla, bla...........but as I would
>> have it mainly for live performances, just put it
>> aside for this moment.
>>
>> RC-20XL is mono, seems to degrade sound quality as
>> more phrases are added onto previous recorded ones,
>> has the 2 seconds pressed pedal waiting time to
>> change recording/dubbing functions......sounds not
>> pro enough.
>>
>> Also read a lot about some little issues on Digitech
>> JamMan, Boomerang, Electro Harmonix 2880,
>> etc.......even the Gibson Echoplex Digital ProPlus
>> got bad reviews.
>>
>> Sincerely....I got lost in the middle of everything,
>> so it got cloudy for me to define what should I buy
>> at this moment, what will give me condition for a
>> reliable and creative live performance, and also be
>> a smart option regarding the cost X benefit X
>> technology X quality issue.
>>
>> Counting on your expertise people....thanks a lot.
>>
>> Peace.
>>
>> TUNGA
>>     
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>
>
>
>
>   

--------------080706020002000806030504
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</head>
<body bgcolor="#ffffff" text="#000000">
Indeed.&nbsp; The beauty about dating Mobius is that if there's something
you wish you could change about her, you can just ask her dad, and a
lot of the time he will beat her into submission...<br>
<br>
--Josh<br>
<br>
<pre wrap="">&gt;The thing about your first looper is that it will be
like your first girlfriend/boyfriend.  You shan't
forget them, but they will often tell you many things
about what you don't want as well as a few that you
can't get enough of.


Wow...  
</pre>
<br>
mark sottilaro wrote:
<blockquote
 cite="mid20060808043709.24274.qmail@web81312.mail.mud.yahoo.com"
 type="cite">
  <pre wrap="">One thing I've found over the years is that  you'll
learn more about people when you read non professional
reviews than you learn about the gear... in many
cases.  Don't worry, someone somewhere will hate
everything and they tend to be vocal.

&gt;From what I can hear about the RC-50 is that if you're
not syncing it to a drum machine it seems like a
pretty good box.  Not my bag, but I bet good music can
be made with it.  Am I wrong on this one?  I've kind
of stopped following the threads after "it doesn't
sync well."

The talk about the JamMan faded so fast I have no idea
what it does... nor do I care.  The Lexicon JamMan is
still THE JamMan for me.  Get one, they're great....
unless you're one of the people who hate it.

Bad reviews on the EDP?  Again, not my bag but it
executes what it does really well.  Maybe it is my
bag, as I now seem to be very happy with a software
emulation of it running from a laptop.  I'm sure it's
not the same but it does what I ask it to do.

I love the Repeater... but it honestly hasn't seen a
signal for a month... will it hit my closet? (ebay)
Perhaps...  My heros seem to have foresaken their
hardware gear for laptop versions.  Still nothing
touches what this sucker does in software or other
hardware.  Does it have warts?  Sure, but show me some
gear that doesn't.

Looperlative?  For sure get a laptop.  It's cool, but
for the cash you'll be better off with a decent laptop
and Mobius.  If you're totally anti laptop then this
is as good a choice as any.

2880?  Haven't hear anything bad about that... except
you only get a loop at a time but surely with all
those tracks...

The thing about your first looper is that it will be
like your first girlfriend/boyfriend.  You shan't
forget them, but they will often tell you many things
about what you don't want as well as a few that you
can't get enough of.

Mark

--- "tunga.muzik" <a class="moz-txt-link-rfc2396E" href="mailto:tunga.muzik@terra.com.br">&lt;tunga.muzik@terra.com.br&gt;</a> wrote:

  </pre>
  <blockquote type="cite">
    <pre wrap="">Hi there,

I&acute;m also new to this community, been playing guitar
for 15 years now and have been invited by some DJs
to perform live with them. Obviously I need a
looper, and I was just about to go and get a RC-50 ,
but that was before I read reviews on
harmony-central, musiciansfriend.com, loopers
delight, etc.....I was excited about going stereo,
having 3 phrase tracks, such long recording
time......bla, bla, bla...........but as I would
have it mainly for live performances, just put it
aside for this moment.

RC-20XL is mono, seems to degrade sound quality as
more phrases are added onto previous recorded ones,
has the 2 seconds pressed pedal waiting time to
change recording/dubbing functions......sounds not
pro enough.

Also read a lot about some little issues on Digitech
JamMan, Boomerang, Electro Harmonix 2880,
etc.......even the Gibson Echoplex Digital ProPlus
got bad reviews.

Sincerely....I got lost in the middle of everything,
so it got cloudy for me to define what should I buy
at this moment, what will give me condition for a
reliable and creative live performance, and also be
a smart option regarding the cost X benefit X
technology X quality issue.

Counting on your expertise people....thanks a lot.

Peace.

TUNGA
    </pre>
  </blockquote>
  <pre wrap=""><!---->

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
<a class="moz-txt-link-freetext" href="http://mail.yahoo.com">http://mail.yahoo.com</a> 




  </pre>
</blockquote>
</body>
</html>

--------------080706020002000806030504--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:06:43 2006
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Date: Tue, 08 Aug 2006 10:06:19 -0500
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To: Loopers-Delight@loopers-delight.com
Subject: Re: ...what to go for then?
References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <009b01c6baf5$d70f5d20$9715be18@oemcomputer> <002b01c6bafa$1ee6f280$8386000a@OFFICE>
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Well, what do you want to do?  Are you playing an instrument, singing, 
beatboxing?  Is it important for you to be able to have seperate loops 
for verse/chorus type structures or to overdub longer phrases overtop of 
shorter ones?  Do you need to be able to control volumes of seperate 
loops simultaneously?

--Josh



tunga.muzik wrote:
> I´m going with the individual items idea. I really ain´t got the time 
> to try a laptop system, although that sure might have its highlights.
>  
> The purpose of  question at first was really _to have info from you 
> guys who own or have owned and performed live_ with models like RC-20, 
> RC-20XL, JamMan, Boomerang, Akai Headrush....the standard units, cause 
> I´ll probably go for one of these. Also, it´d be so cool learning with 
> you people who have performed with a DJ, in a "live" experience. That 
> would really make clear which features can not fail, or must be 
> reliable at all.
>  
> See, at this point it´s about getting the coolest/best individual 
> unit, so that I can perform a very reliable/creative gig with the DJ 
> community and/or a stand alone act - have in mind I would go for the 
> RC-50 before reading web reviews about it, so it´s not all about 
> saving a few bucks.
>  
> Also, the DD-20 and LINE 6 DL4, I wouldn´t consider using them as a 
> looper unit, as I think it´d be a limited choice for a serious looper. 
> Now thinking it as a delay unit, again from you actual or past owners, 
> what about the features, sound quality, ease of use of each one, which 
> is the best?
>  
> Thanks again.
>  
> Peace.
>  
>  
>  
>  
>  
>
>     ----- Original Message -----
>     *From:* Douglas Baldwin <mailto:coyotelk@optonline.net>
>     *To:* tunga.muzik <mailto:tunga.muzik@terra.com.br> ;
>     Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* Tuesday, August 08, 2006 11:18 AM
>     *Subject:* Re: ...what to go for then?
>
>     Hey community-
>         Have we ever discussed the difference between a looper and a
>     long delay? Methinks a looper can store a few audio loops, can
>     start, stop, restsart and/or continue on command, and can "undo"
>     one or more levels of looping. A long delay won't do these things,
>     but will have a feedback function so loops can fade away as new
>     material is added. Any more differentiating features?
>         I ask this because I'm reading this thread, thinking, Boss
>     DD-20! Boss DD-20! Makes a great looper! (except it doesn't do
>     those "looper" things mentioned above)
>      
>     Douglas Baldwin, coyote-at-large
>     www.thecoyote.org <http://www.thecoyote.org>
>     coyotelk@optonline.net <mailto:coyotelk@optonline.net>
>      
>     "Life! Life!
>     Clouds and clowns!
>     You don't have to come down!"
>     - Sly and the Family Stone
>     ----- Original Message -----
>
>         *From:* tunga.muzik <mailto:tunga.muzik@terra.com.br>
>         *To:* Loopers-Delight@loopers-delight.com
>         <mailto:Loopers-Delight@loopers-delight.com>
>         *Sent:* Tuesday, August 08, 2006 12:19 AM
>         *Subject:* ...what to go for then?
>
>         Hi there,
>          
>         I´m also new to this community, been playing guitar for 15
>         years now and have been invited by some DJs to perform live
>         with them. Obviously I need a looper, and I was just about to
>         go and get a RC-50 , but that was before I read reviews on
>         harmony-central, musiciansfriend.com, loopers delight,
>         etc.....I was excited about going stereo, having 3 phrase
>         tracks, such long recording time......bla, bla,
>         bla...........but as I would have it mainly for live
>         performances, just put it aside for this moment.
>          
>         RC-20XL is mono, seems to degrade sound quality as more
>         phrases are added onto previous recorded ones, has the 2
>         seconds pressed pedal waiting time to change recording/dubbing
>         functions......sounds not pro enough.
>          
>         Also read a lot about some little issues on Digitech JamMan,
>         Boomerang, Electro Harmonix 2880, etc.......even the Gibson
>         Echoplex Digital ProPlus got bad reviews.
>          
>         Sincerely....I got lost in the middle of everything, so it got
>         cloudy for me to define what should I buy at this moment, what
>         will give me condition for a reliable and creative live
>         performance, and also be a smart option regarding the cost X
>         benefit X technology X quality issue.
>          
>         Counting on your expertise people....thanks a lot.
>          
>         Peace.
>          
>         TUNGA
>
>     ------------------------------------------------------------------------
>     No virus found in this incoming message.
>     Checked by AVG Free Edition.
>     Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date:
>     7/8/2006
>

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</head>
<body bgcolor="#ffffff" text="#000000">
Well, what do you want to do?&nbsp; Are you playing an instrument, singing,
beatboxing?&nbsp; Is it important for you to be able to have seperate loops
for verse/chorus type structures or to overdub longer phrases overtop
of shorter ones?&nbsp; Do you need to be able to control volumes of seperate
loops simultaneously?<br>
<br>
--Josh<br>
<br>
<br>
<br>
tunga.muzik wrote:
<blockquote cite="mid002b01c6bafa$1ee6f280$8386000a@OFFICE" type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta content="MSHTML 6.00.2900.2912" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">I&acute;m going with the individual items
idea. I really ain&acute;t got the time to try a laptop system, although that
sure might have its highlights. </font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">The purpose of&nbsp; question at first
was really <u>to have info from you guys who own or have owned and
performed live</u> with models like RC-20, RC-20XL, JamMan, Boomerang,
Akai Headrush....the standard units, cause I&acute;ll probably go for one of
these. Also, it&acute;d be so cool learning with you people who have
performed with a DJ, in a "live" experience. That would really make
clear which features can not fail, or must be reliable at all.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">See, at this point it&acute;s about
getting the coolest/best individual unit, so that I can perform a very
reliable/creative gig with the DJ community and/or a stand alone act -
have in mind I would go for the RC-50 before reading web reviews about
it, so it&acute;s not all about saving a few bucks.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Also, the DD-20 and LINE 6 DL4, I
wouldn&acute;t consider using them as a looper unit, as I think it&acute;d be a
limited choice for a serious looper. Now&nbsp;thinking it as a delay unit,
again from you actual or past owners, what about the features, sound
quality, ease of use&nbsp;of each one, which is the best?</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Thanks again.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Peace.</font></div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
    <div
 style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
    <a title="coyotelk@optonline.net"
 href="mailto:coyotelk@optonline.net">Douglas Baldwin</a> </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
    <a title="tunga.muzik@terra.com.br"
 href="mailto:tunga.muzik@terra.com.br">tunga.muzik</a> ; <a
 title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
    </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 08, 2006 11:18 AM</div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
Re: ...what to go for then?</div>
    <div><br>
    </div>
    <div><font size="2">Hey community-</font></div>
    <div><font size="2">&nbsp;&nbsp;&nbsp; Have we ever discussed the difference
between a looper and a long delay? Methinks a looper can store a few
audio loops, can start,&nbsp;stop, restsart and/or continue&nbsp;on command, and
can "undo" one or more levels of looping. A long delay won't do these
things, but will have a feedback function so loops can fade away as new
material is added. Any more differentiating features?</font></div>
    <div><font size="2">&nbsp;&nbsp;&nbsp; I ask this because I'm reading this thread,
thinking, Boss DD-20! Boss DD-20! Makes&nbsp;a great looper! (except it
doesn't do those "looper" things mentioned above)</font></div>
    <div>&nbsp;</div>
    <div><font size="2">Douglas Baldwin, coyote-at-large<br>
    <a href="http://www.thecoyote.org">www.thecoyote.org</a><br>
    <a href="mailto:coyotelk@optonline.net">coyotelk@optonline.net</a></font></div>
    <div>&nbsp;</div>
    <div><font size="2">"Life! Life!<br>
Clouds and clowns!<br>
You don't have to come down!"<br>
- Sly and the Family Stone<br>
    </font></div>
    <div>----- Original Message ----- </div>
    <blockquote dir="ltr"
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
      <div
 style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
      <a title="tunga.muzik@terra.com.br"
 href="mailto:tunga.muzik@terra.com.br">tunga.muzik</a> </div>
      <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
      <a title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
      </div>
      <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 08, 2006 12:19 AM</div>
      <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
...what to go for then?</div>
      <div><br>
      </div>
      <div><font face="Arial" size="2">Hi there,</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">I&acute;m also new to this community,
been playing guitar for 15 years now and have been invited by some DJs
to perform live with them. Obviously I need a looper, and I was just
about to go and get a RC-50 , but that was before I read reviews on
harmony-central, musiciansfriend.com, loopers delight, etc.....I was
excited about going stereo, having 3 phrase tracks, such long recording
time......bla, bla, bla...........but as I would have it mainly for
live performances, just put it aside for this moment.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">RC-20XL is mono, seems to
degrade sound quality as more phrases are added onto previous recorded
ones, has the 2 seconds pressed pedal waiting time to change
recording/dubbing functions......sounds not pro enough.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Also read a lot about some
little issues on Digitech JamMan, Boomerang, Electro Harmonix 2880,
etc.......even the Gibson Echoplex Digital ProPlus got bad reviews.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Sincerely....I got lost in the
middle of everything, so it got cloudy for me to define what should I
buy at this moment, what will give me condition for a reliable and
creative live performance, and also be a smart option regarding the
cost X benefit X technology X quality issue.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Counting on your expertise
people....t</font><font face="Arial" size="2">hanks a lot.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Peace.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">TUNGA</font></div>
    </blockquote>
    <p> </p>
    <hr> No virus found in this incoming message.<br>
Checked by AVG Free Edition.<br>
Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date: 7/8/2006<br>
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:07:31 2006
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Date: Tue, 08 Aug 2006 08:07:18 -0700
From: Bob Amstadt <bob@looperlative.com>
Reply-To: Bob Amstadt <bob@looperlative.com>
To: "tunga.muzik" <tunga.muzik@terra.com.br>,
	Loopers-Delight@loopers-delight.com
Subject: Re: ...what to go for then?
Message-ID: <044C45505F0AA43150348433@[192.168.1.104]>
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> The purpose of  question at first was really to have info from you guys
> who own or have owned and performed live with models like RC-20, RC-20XL,
> JamMan, Boomerang, Akai Headrush....the standard units, cause I=B4ll
> probably go for one of these.

There is a wealth of knowledge in the archives of this list regarding these =

loopers.  Like all products, each is a little different.  Some things about =

them you will like and others you won't.  No matter what device you get,=20
you will wish it does at least one more thing that it doesn't currently do. =

No matter which device you get, you will learn to use it to its limits.

My recommendation is start small and move up as you gain experience.  Of=20
those listed above, I prefer the JamMan, but that is my personal=20
preference.  The JamMan has MIDI sync capabilities which can be important=20
if you decide you'd like to expand by adding additional boxes.

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:16:32 2006
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Message-ID: <006801c6bafd$a0b27520$8386000a@OFFICE>
From: "tunga.muzik" <tunga.muzik@terra.com.br>
To: <Loopers-Delight@loopers-delight.com>
References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <009b01c6baf5$d70f5d20$9715be18@oemcomputer><002b01c6bafa$1ee6f280$8386000a@OFFICE> <44D8A86B.2000706@infinivert.com>
Subject: Re: ...what to go for then?
Date: Tue, 8 Aug 2006 12:16:30 -0300
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Well, what do you want to do?
- Mostly to be able to loop in sync to what a Dj is playing.

Are you playing an instrument, singing, beatboxing?=20
- Yes, I=B4d be playing guitars, bass guitar and singing.

Is it important for you to be able to have seperate loops for =
verse/chorus type structures or to overdub longer phrases overtop of =
shorter ones?
- Yes this is very important.

Do you need to be able to control volumes of seperate loops =
simultaneously?
- Not so important at first, but really cool.

Also, it=B4d be cool to go stereo, but as far as I know, the RC-50 is =
the only that would go stereo, and RC-50 is not a choice now. All others =
I guess would cost me double to do so.

--Josh



tunga.muzik wrote:=20
    I=B4m going with the individual items idea. I really ain=B4t got the =
time to try a laptop system, although that sure might have its =
highlights.=20

    The purpose of  question at first was really to have info from you =
guys who own or have owned and performed live with models like RC-20, =
RC-20XL, JamMan, Boomerang, Akai Headrush....the standard units, cause =
I=B4ll probably go for one of these. Also, it=B4d be so cool learning =
with you people who have performed with a DJ, in a "live" experience. =
That would really make clear which features can not fail, or must be =
reliable at all.

    See, at this point it=B4s about getting the coolest/best individual =
unit, so that I can perform a very reliable/creative gig with the DJ =
community and/or a stand alone act - have in mind I would go for the =
RC-50 before reading web reviews about it, so it=B4s not all about =
saving a few bucks.

    Also, the DD-20 and LINE 6 DL4, I wouldn=B4t consider using them as =
a looper unit, as I think it=B4d be a limited choice for a serious =
looper. Now thinking it as a delay unit, again from you actual or past =
owners, what about the features, sound quality, ease of use of each one, =
which is the best?

    Thanks again.

    Peace.





      ----- Original Message -----=20
      From: Douglas Baldwin=20
      To: tunga.muzik ; Loopers-Delight@loopers-delight.com=20
      Sent: Tuesday, August 08, 2006 11:18 AM
      Subject: Re: ...what to go for then?


      Hey community-
          Have we ever discussed the difference between a looper and a =
long delay? Methinks a looper can store a few audio loops, can start, =
stop, restsart and/or continue on command, and can "undo" one or more =
levels of looping. A long delay won't do these things, but will have a =
feedback function so loops can fade away as new material is added. Any =
more differentiating features?
          I ask this because I'm reading this thread, thinking, Boss =
DD-20! Boss DD-20! Makes a great looper! (except it doesn't do those =
"looper" things mentioned above)

      Douglas Baldwin, coyote-at-large
      www.thecoyote.org
      coyotelk@optonline.net

      "Life! Life!
      Clouds and clowns!
      You don't have to come down!"
      - Sly and the Family Stone

      ----- Original Message -----=20
        From: tunga.muzik=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Tuesday, August 08, 2006 12:19 AM
        Subject: ...what to go for then?


        Hi there,

        I=B4m also new to this community, been playing guitar for 15 =
years now and have been invited by some DJs to perform live with them. =
Obviously I need a looper, and I was just about to go and get a RC-50 , =
but that was before I read reviews on harmony-central, =
musiciansfriend.com, loopers delight, etc.....I was excited about going =
stereo, having 3 phrase tracks, such long recording time......bla, bla, =
bla...........but as I would have it mainly for live performances, just =
put it aside for this moment.

        RC-20XL is mono, seems to degrade sound quality as more phrases =
are added onto previous recorded ones, has the 2 seconds pressed pedal =
waiting time to change recording/dubbing functions......sounds not pro =
enough.

        Also read a lot about some little issues on Digitech JamMan, =
Boomerang, Electro Harmonix 2880, etc.......even the Gibson Echoplex =
Digital ProPlus got bad reviews.

        Sincerely....I got lost in the middle of everything, so it got =
cloudy for me to define what should I buy at this moment, what will give =
me condition for a reliable and creative live performance, and also be a =
smart option regarding the cost X benefit X technology X quality issue.

        Counting on your expertise people....thanks a lot.

        Peace.

        TUNGA


-------------------------------------------------------------------------=
-
      No virus found in this incoming message.
      Checked by AVG Free Edition.
      Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date: =
7/8/2006



-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG Free Edition.
  Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date: =
7/8/2006

------=_NextPart_000_0065_01C6BAE4.7B29BAC0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV>Well, what do you want to do?</DIV>
<DIV><FONT face=3DArial size=3D2>- Mostly to be able to loop in sync to =
what a Dj is=20
playing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Are you playing an instrument, singing, beatboxing?&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>- Yes, I=B4d be playing guitars, bass =
guitar and=20
singing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Is it important for you to be able to have seperate loops for =
verse/chorus=20
type structures or to overdub longer phrases overtop of shorter =
ones?</DIV>
<DIV>- Yes this is very important.</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Do you need to be able to control volumes of seperate loops=20
simultaneously?</DIV>
<DIV>- Not so important at first, but really cool.</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Also, it=B4d be cool to go stereo, but =
as far as I=20
know, the RC-50 is the only that would go stereo, and RC-50 is not a =
choice now.=20
All others I guess would cost me double to do=20
so.</FONT><BR><BR>--Josh<BR><BR><BR><BR>tunga.muzik wrote: </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE cite=3Dmid002b01c6bafa$1ee6f280$8386000a@OFFICE =
type=3D"cite">
    <META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>I=B4m going with the individual =
items idea. I=20
    really ain=B4t got the time to try a laptop system, although that =
sure might=20
    have its highlights. </FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>The purpose of&nbsp; question at =
first was=20
    really <U>to have info from you guys who own or have owned and =
performed=20
    live</U> with models like RC-20, RC-20XL, JamMan, Boomerang, Akai=20
    Headrush....the standard units, cause I=B4ll probably go for one of =
these.=20
    Also, it=B4d be so cool learning with you people who have performed =
with a DJ,=20
    in a "live" experience. That would really make clear which features =
can not=20
    fail, or must be reliable at all.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>See, at this point it=B4s about =
getting the=20
    coolest/best individual unit, so that I can perform a very =
reliable/creative=20
    gig with the DJ community and/or a stand alone act - have in mind I =
would go=20
    for the RC-50 before reading web reviews about it, so it=B4s not all =
about=20
    saving a few bucks.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Also, the DD-20 and LINE 6 DL4, I =
wouldn=B4t=20
    consider using them as a looper unit, as I think it=B4d be a limited =
choice=20
    for a serious looper. Now&nbsp;thinking it as a delay unit, again =
from you=20
    actual or past owners, what about the features, sound quality, ease =
of=20
    use&nbsp;of each one, which is the best?</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Thanks again.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
      Original Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; =
font-size-adjust: none; font-stretch: normal; moz-background-clip: =
-moz-initial; moz-background-origin: -moz-initial; =
moz-background-inline-policy: -moz-initial"><B>From:</B>=20
      <A title=3Dcoyotelk@optonline.net=20
      href=3D"mailto:coyotelk@optonline.net">Douglas Baldwin</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
      <A title=3Dtunga.muzik@terra.com.br=20
      href=3D"mailto:tunga.muzik@terra.com.br">tunga.muzik</A> ; <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
      Tuesday, August 08, 2006 11:18 AM</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
      Re: ...what to go for then?</DIV>
      <DIV><BR></DIV>
      <DIV><FONT size=3D2>Hey community-</FONT></DIV>
      <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; Have we ever discussed the =
difference=20
      between a looper and a long delay? Methinks a looper can store a =
few audio=20
      loops, can start,&nbsp;stop, restsart and/or continue&nbsp;on =
command, and=20
      can "undo" one or more levels of looping. A long delay won't do =
these=20
      things, but will have a feedback function so loops can fade away =
as new=20
      material is added. Any more differentiating features?</FONT></DIV>
      <DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; I ask this because I'm =
reading this=20
      thread, thinking, Boss DD-20! Boss DD-20! Makes&nbsp;a great =
looper!=20
      (except it doesn't do those "looper" things mentioned =
above)</FONT></DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT size=3D2>Douglas Baldwin, coyote-at-large<BR><A=20
      href=3D"http://www.thecoyote.org">www.thecoyote.org</A><BR><A=20
      =
href=3D"mailto:coyotelk@optonline.net">coyotelk@optonline.net</A></FONT><=
/DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT size=3D2>"Life! Life!<BR>Clouds and clowns!<BR>You =
don't have to=20
      come down!"<BR>- Sly and the Family Stone<BR></FONT></DIV>
      <DIV>----- Original Message ----- </DIV>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
        <DIV=20
        style=3D"BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; =
font-size-adjust: none; font-stretch: normal; moz-background-clip: =
-moz-initial; moz-background-origin: -moz-initial; =
moz-background-inline-policy: -moz-initial"><B>From:</B>=20
        <A title=3Dtunga.muzik@terra.com.br=20
        href=3D"mailto:tunga.muzik@terra.com.br">tunga.muzik</A> </DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
        <A title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
        Tuesday, August 08, 2006 12:19 AM</DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
        ...what to go for then?</DIV>
        <DIV><BR></DIV>
        <DIV><FONT face=3DArial size=3D2>Hi there,</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>I=B4m also new to this =
community, been=20
        playing guitar for 15 years now and have been invited by some =
DJs to=20
        perform live with them. Obviously I need a looper, and I was =
just about=20
        to go and get a RC-50 , but that was before I read reviews on=20
        harmony-central, musiciansfriend.com, loopers delight, etc.....I =
was=20
        excited about going stereo, having 3 phrase tracks, such long =
recording=20
        time......bla, bla, bla...........but as I would have it mainly =
for live=20
        performances, just put it aside for this moment.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>RC-20XL is mono, seems to =
degrade sound=20
        quality as more phrases are added onto previous recorded ones, =
has the 2=20
        seconds pressed pedal waiting time to change recording/dubbing=20
        functions......sounds not pro enough.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Also read a lot about some =
little issues on=20
        Digitech JamMan, Boomerang, Electro Harmonix 2880, =
etc.......even the=20
        Gibson Echoplex Digital ProPlus got bad reviews.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Sincerely....I got lost in the =
middle of=20
        everything, so it got cloudy for me to define what should I buy =
at this=20
        moment, what will give me condition for a reliable and creative =
live=20
        performance, and also be a smart option regarding the cost X =
benefit X=20
        technology X quality issue.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Counting on your expertise=20
        people....t</FONT><FONT face=3DArial size=3D2>hanks a =
lot.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Peace.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>TUNGA</FONT></DIV></BLOCKQUOTE>
      <P></P>
      <HR>
      No virus found in this incoming message.<BR>Checked by AVG Free=20
      Edition.<BR>Version: 7.1.405 / Virus Database: 268.10.7/411 - =
Release=20
      Date: 7/8/2006<BR></BLOCKQUOTE></BLOCKQUOTE>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition.<BR>Version: 7.1.405 / Virus Database: 268.10.7/411 - Release =
Date:=20
  7/8/2006<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:27:49 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <20060808043709.24274.qmail@web81312.mail.mud.yahoo.com> <913728d60608072143u26360139mf8c35a5ab8dd8ce7@mail.gmail.com> <02ee01c6baf5$4bbb2e70$1cb0ec0f@americas.hpqcorp.net> <p06230907c0fe507e0e9a@[24.215.166.178]>
Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 09:27:44 -0600
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If that were the case, then it would be a no brainer, and we wouldn't =
have so many people asking how they can start looping with thier =
laptops. They obviosly don't have all the accessories together to start =
looping immediately.  This pakage concept is, theortically at this =
point, for folks who don't own laptops already, or who will be willing =
to upgrade to a new one that is in the package. I suppose there could be =
an accessory package too...everything but the laptop (e.g., Indigo IO =
card, Behringer, USB MIDI connector, Mobius files with configuration =
already mapped to the Behringer, etc).

It is not always the case the the interfaces used for laptop looping =
will be used for other applications. For instance, I use my laptop for =
nothing but looping and effect processing. I have another laptop for =
sound editing, graphics, etc.  I bought the FCB to conroll Mobius...what =
else am I going to use it for? I bought the sound card specifically for =
looping. I could have easily used the stock sound-card for other =
applications and it would have been fine...and so on. My accessories =
were specifically purchased for looping, and doing it efficiently and to =
function efficiently as a system rather than a hodge podge of devices =
that may or may not play well together.

A starter package might include the following:

- Hewlett-Packard Pavilion Notebook with Intel=AE Celeron=AE M Processor =
410 (http://tinyurl.com/pbm47) - $750
- Echo Indigo IO cardbus sound card (http://tinyurl.com/qs87o) - $178
- AudioTrak MIDI Mate MIDI to USB connector (http://tinyurl.com/fmvn2) - =
$40
- Behringer FCB (http://www.zzounds.com/item--BEHFCB1010) - $150
Product Sub TOTAL: $ 1118
Setup, Installation, Configuration, Testing: $180 (rough estimate based =
on 3 hours of work and an hourly consulting/technical fee of $60 per =
hour)
TOTAL PACKAGE: $1298

It's just a rought estimate, of course. The Setup, Installation, =
etc...would go down as more systems are built. Some folks might say, why =
would I pay $180 when I can do that myself? Well, the answer is that if =
that were the case, then you are not the target market for the package. =
This is for folks who want to buy a system and have it work right out of =
the box.

And of course, the system would come completely setup, configured, and =
ready to loop.

Kris

----- Original Message -----=20
From: "Charles Zwicky" <cazwicky@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 8:41 AM
Subject: Re: Products, Services, and Looping Gear "Packages"


> Krispen,
>=20
> I think that the rationalization behind software looping is that you=20
> already own a computer, and that the interfaces which you need to get=20
> it all working can be used for some other purpose down the line.  Is=20
> it possible to interest someone in an entry level laptop for a=20
> specific application? Why not run some numbers by us so we can see if=20
> it is  even feasible to offer such a package?
>=20
>=20
>=20
>=20
>>I got to thinking wiht my day job hat on, and these days when it is=20
>>becoming harder and harder to make money off of technological=20
>>products, because of competition, pricing preasures, consolidation,=20
>>and the overall commotization of consumer products, the long term=20
>>money is in services.
>>
>>How do services pertain to looping gear?  I may be giving away a=20
>>great marketing/business opportunity here, but it seems to me if=20
>>someone had the resources they could sell "laptop looping packages".=20
>>Part of the problem with some folks getting into laptop looping is=20
>>that it can be painful buying a laptop that will do the job, buying=20
>>all the gear to connect to it and get started, upgrading, etc, etc.=20
>>These things take time for the looping consumer, and time is money.=20
>>And there are risks that come along with building your own laptop=20
>>system, such as teh overall system not working as expected because=20
>>of hardware/software compatibility, and so on. And this too equates=20
>>to time or rework, which again equates to money.
>>
>>So basically the "laptop looping package" would be a system that=20
>>someone experience and knowledgeable would construct and test, and=20
>>then sell as a ready to go looping system. You could sell different=20
>>types and grades of packages, For instance, a very basic setup might=20
>>include an entry level laptop, inexpensive cardbus soundcard, Mobius=20
>>installed, and a cheap MIDI controller like the MIDI Mouse, MIDI=20
>>Moose, or some other small controller. Then your totally kick ass=20
>>package might include a screaming Intel Duo machine, an external=20
>>firewire audio/midi interface, and a Behringer controller. Or better=20
>>yet, the deluxe pacakge would include a VST host and a ton of free=20
>>VST effects, all ready to work.
>>
>>The Service here, which you can't bottle up or put in a box, is the=20
>>expertise and knowledge of constructing a looping kit or ensemble=20
>>that works right out of the box.  So, if I were a new looper=20
>>interested in getting a laptop looping system, I would buy one of=20
>>these package, turn it on, and it would essentially work=20
>>immediately, everthing down to the Behringer buttons mapped to=20
>>Mobius functions, buttons labeled, etc. Then of course, I could=20
>>customize it after that point.
>>
>>It wouldn't take much to get started on this idea. I don't have the=20
>>time to do it, but if I did I would assemble just 2-3 looping=20
>>packages and sell them...and then use the profit to buy more=20
>>packages, etc.
>>
>>Incidentally, there are a lot of smart cookies making money hand=20
>>over fist using this re-packaging concept on eBay. Folk are actually=20
>>buying products on eBay, packaging them up based on a theme of some=20
>>sort, and selling them for a profit. Why would people buy something=20
>>like this when they could buy the individual items themselves? Well,=20
>>this sort of answers the question...the value is in the service or=20
>>the convienence of not having to do the research or spend the time=20
>>to do this.
>>
>>***********************************************************************=
***
>>Krispen Hartung / Improvisational Looping Guitar
>>www.krispenhartung.com / www.myspace.com/krispenhartung
>>My Tribe: http://people.tribe.net/krispen-hartung
>>info@krispenhartung.com / 1.208.724.5603
>>Discography - http://www.krispenhartung.com/catalogue.htm
>>CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung
>=20
>=20
> --=20
> ...
> http://www.zmix.net
>=20
>
------=_NextPart_000_0315_01C6BACC.E78F70F0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>If that were the case, then it would be =
a=20
no&nbsp;brainer, and we wouldn't have so many people asking how they can =
start=20
looping with thier laptops. They obviosly don't have all the accessories =

together to start looping immediately.&nbsp; This pakage concept is,=20
theortically at this point,&nbsp;for folks who don't own laptops =
already, or who=20
will be willing to upgrade to a new one that is in the package. I =
suppose there=20
could be an accessory package too...everything but the laptop (e.g., =
Indigo IO=20
card, Behringer, USB MIDI connector, Mobius files with configuration =
already=20
mapped to the Behringer, etc).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It is not always the case the the =
interfaces used=20
for laptop looping will be used for other applications. For instance, I =
use my=20
laptop for nothing but looping and effect processing. I have another =
laptop for=20
sound editing, graphics, etc.&nbsp; I bought the FCB to conroll =
Mobius...what=20
else am I going to use it for? I bought the sound card specifically for =
looping.=20
I could have easily used the stock sound-card for other applications and =
it=20
would have been fine...and so on. My accessories were specifically =
purchased for=20
looping, and doing it efficiently and to function efficiently as a =
system rather=20
than a hodge podge of devices that may or may not play well=20
together.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A starter package might include the=20
following:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>- Hewlett-Packard Pavilion Notebook =
with Intel=AE=20
Celeron=AE M Processor 410 (</FONT><A =
href=3D"http://tinyurl.com/pbm47"><FONT=20
face=3DArial size=3D2>http://tinyurl.com/pbm47</FONT></A><FONT =
face=3DArial size=3D2>) -=20
<STRONG>$750</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- Echo Indigo IO cardbus sound card =
(</FONT><A=20
href=3D"http://tinyurl.com/qs87o"><FONT face=3DArial=20
size=3D2>http://tinyurl.com/qs87o</FONT></A><FONT face=3DArial =
size=3D2>) -=20
<STRONG>$178</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- AudioTrak MIDI Mate MIDI to USB =
connector=20
(</FONT><A href=3D"http://tinyurl.com/fmvn2"><FONT face=3DArial=20
size=3D2>http://tinyurl.com/fmvn2</FONT></A><FONT face=3DArial =
size=3D2>) -=20
<STRONG>$40</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- Behringer FCB (</FONT><A=20
href=3D"http://www.zzounds.com/item--BEHFCB1010"><FONT face=3DArial=20
size=3D2>http://www.zzounds.com/item--BEHFCB1010</FONT></A><FONT =
face=3DArial=20
size=3D2>) - <STRONG>$150</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Product Sub TOTAL: $=20
1118</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Setup, Installation, =
Configuration,=20
Testing: $180 </STRONG>(rough estimate based on 3 hours of work and an =
hourly=20
consulting/technical fee of $60 per hour)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>TOTAL PACKAGE: =
$1298</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's just a rought estimate, of course. =
The Setup,=20
Installation, etc...would go down as more systems are built. Some folks =
might=20
say, why would I pay $180 when I can do that myself? Well, the answer is =
that if=20
that were the case, then you are not the target market for the package. =
This is=20
for folks who want to buy a system and have it work right out of the=20
box.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And of course, the system would come =
completely=20
setup, configured, and ready to loop.</FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Charles Zwicky" &lt;</FONT><A=20
href=3D"mailto:cazwicky@earthlink.net"><FONT face=3DArial=20
size=3D2>cazwicky@earthlink.net</FONT></A><FONT face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Tuesday, August 08, 2006 8:41 =
AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Re: Products, Services, and =
Looping Gear=20
"Packages"</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; Krispen,<BR>&gt; <BR>&gt; I think that the rationalization =
behind=20
software looping is that you <BR>&gt; already own a computer, and that =
the=20
interfaces which you need to get <BR>&gt; it all working can be used for =
some=20
other purpose down the line.&nbsp; Is <BR>&gt; it possible to interest =
someone=20
in an entry level laptop for a <BR>&gt; specific application? Why not =
run some=20
numbers by us so we can see if <BR>&gt; it is&nbsp; even feasible to =
offer such=20
a package?<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&gt;I got to =
thinking wiht=20
my day job hat on, and these days when it is <BR>&gt;&gt;becoming harder =
and=20
harder to make money off of technological <BR>&gt;&gt;products, because =
of=20
competition, pricing preasures, consolidation, <BR>&gt;&gt;and the =
overall=20
commotization of consumer products, the long term <BR>&gt;&gt;money is =
in=20
services.<BR>&gt;&gt;<BR>&gt;&gt;How do services pertain to looping =
gear?&nbsp;=20
I may be giving away a <BR>&gt;&gt;great marketing/business opportunity =
here,=20
but it seems to me if <BR>&gt;&gt;someone had the resources they could =
sell=20
"laptop looping packages". <BR>&gt;&gt;Part of the problem with some =
folks=20
getting into laptop looping is <BR>&gt;&gt;that it can be painful buying =
a=20
laptop that will do the job, buying <BR>&gt;&gt;all the gear to connect =
to it=20
and get started, upgrading, etc, etc. <BR>&gt;&gt;These things take time =
for the=20
looping consumer, and time is money. <BR>&gt;&gt;And there are risks =
that come=20
along with building your own laptop <BR>&gt;&gt;system, such as teh =
overall=20
system not working as expected because <BR>&gt;&gt;of hardware/software=20
compatibility, and so on. And this too equates <BR>&gt;&gt;to time or =
rework,=20
which again equates to money.<BR>&gt;&gt;<BR>&gt;&gt;So basically the =
"laptop=20
looping package" would be a system that <BR>&gt;&gt;someone experience =
and=20
knowledgeable would construct and test, and <BR>&gt;&gt;then sell as a =
ready to=20
go looping system. You could sell different <BR>&gt;&gt;types and grades =
of=20
packages, For instance, a very basic setup might <BR>&gt;&gt;include an =
entry=20
level laptop, inexpensive cardbus soundcard, Mobius =
<BR>&gt;&gt;installed, and a=20
cheap MIDI controller like the MIDI Mouse, MIDI <BR>&gt;&gt;Moose, or =
some other=20
small controller. Then your totally kick ass <BR>&gt;&gt;package might =
include a=20
screaming Intel Duo machine, an external <BR>&gt;&gt;firewire audio/midi =

interface, and a Behringer controller. Or better <BR>&gt;&gt;yet, the =
deluxe=20
pacakge would include a VST host and a ton of free <BR>&gt;&gt;VST =
effects, all=20
ready to work.<BR>&gt;&gt;<BR>&gt;&gt;The Service here, which you can't =
bottle=20
up or put in a box, is the <BR>&gt;&gt;expertise and knowledge of =
constructing a=20
looping kit or ensemble <BR>&gt;&gt;that works right out of the =
box.&nbsp; So,=20
if I were a new looper <BR>&gt;&gt;interested in getting a laptop =
looping=20
system, I would buy one of <BR>&gt;&gt;these package, turn it on, and it =
would=20
essentially work <BR>&gt;&gt;immediately, everthing down to the =
Behringer=20
buttons mapped to <BR>&gt;&gt;Mobius functions, buttons labeled, etc. =
Then of=20
course, I could <BR>&gt;&gt;customize it after that=20
point.<BR>&gt;&gt;<BR>&gt;&gt;It wouldn't take much to get started on =
this idea.=20
I don't have the <BR>&gt;&gt;time to do it, but if I did I would =
assemble just=20
2-3 looping <BR>&gt;&gt;packages and sell them...and then use the profit =
to buy=20
more <BR>&gt;&gt;packages, etc.<BR>&gt;&gt;<BR>&gt;&gt;Incidentally, =
there are a=20
lot of smart cookies making money hand <BR>&gt;&gt;over fist using this=20
re-packaging concept on eBay. Folk are actually <BR>&gt;&gt;buying =
products on=20
eBay, packaging them up based on a theme of some <BR>&gt;&gt;sort, and =
selling=20
them for a profit. Why would people buy something <BR>&gt;&gt;like this =
when=20
they could buy the individual items themselves? Well, <BR>&gt;&gt;this =
sort of=20
answers the question...the value is in the service or <BR>&gt;&gt;the=20
convienence of not having to do the research or spend the time =
<BR>&gt;&gt;to do=20
this.<BR>&gt;&gt;<BR>&gt;&gt;********************************************=
******************************<BR>&gt;&gt;Krispen=20
Hartung / Improvisational Looping =
Guitar<BR>&gt;&gt;www.krispenhartung.com /=20
</FONT><A href=3D"http://www.myspace.com/krispenhartung"><FONT =
face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><FONT face=3DArial =

size=3D2>&gt;&gt;My Tribe: </FONT><A=20
href=3D"http://people.tribe.net/krispen-hartung"><FONT face=3DArial=20
size=3D2>http://people.tribe.net/krispen-hartung</FONT></A><BR><FONT =
face=3DArial=20
size=3D2>&gt;&gt;info@krispenhartung.com / =
1.208.724.5603<BR>&gt;&gt;Discography -=20
</FONT><A href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>&gt;&gt;CD Baby Discography (CDs for only $5): =
</FONT><A=20
href=3D"http://cdbaby.com/all/khartung"><FONT face=3DArial=20
size=3D2>http://cdbaby.com/all/khartung</FONT></A><BR><FONT face=3DArial =
size=3D2>&gt;=20
<BR>&gt; <BR>&gt; -- <BR>&gt; ...<BR>&gt; </FONT><A=20
href=3D"http://www.zmix.net"><FONT face=3DArial=20
size=3D2>http://www.zmix.net</FONT></A><BR><FONT face=3DArial =
size=3D2>&gt;=20
<BR>&gt;</FONT></BODY></HTML>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 17:36:51 +0200
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On 8 aug 2006, at 16.16, Krispen Hartung wrote:

> So basically the "laptop looping package" would be a system that  
> someone experience and knowledgeable would construct and test, and  
> then sell as a ready to go looping system.  8< 8< 8< 8< 8<


This is an interesting business idea, but it misses the point -   
which is that people do not need ready made laptops as much as they  
need the knowledge of how to maintain the machine as the ultra sharp  
looper it was delivered as. So I would prefer to charge for my time  
instead and spend it with the aspiring laptop looper to make sure he/ 
she understands the system. Without having done any marketing at all  
I'm already hired, here locally, by private students and music  
schools for exactly that type of services.

I would not like to sell people computer systems without also  
teaching them. But maybe your business model also includes the option  
of also becoming "the urgency service engineer"? ;-)D

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:37:05 2006
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Cool!  Sounds like a fun show.

I'm no hardware expert, but I'd look at the Gibson Echoplex Digital Pro 
I know it does all you want.  If you ask around on this list, there may 
be one or two up for sale.  If you want to do multiple loops with 
separate volumes, etc., you'll have to look at the Looperlative or go 
the laptop route.  The Boomerang might also work.  I believe it does 
Verse/Chorus type "Or" loops, but I don't know if it has a multiply 
function for laying longer loops over shorter ones.  The Repeater might 
also be cool to use with a DJ since I hear it has some pretty cool 
time-stretching capabilities, but beyond that I don't know any of it's 
functionality.  Other people on here might be able to make other 
suggestions.

Also, be aware that I believe most of the hardware loopers out there are 
mono, not stereo.

Good luck!

--Josh



tunga.muzik wrote:
> Well, what do you want to do?
> - Mostly to be able to loop in sync to what a Dj is playing.
>  
> Are you playing an instrument, singing, beatboxing? 
> - Yes, I´d be playing guitars, bass guitar and singing.
>  
> Is it important for you to be able to have seperate loops for 
> verse/chorus type structures or to overdub longer phrases overtop of 
> shorter ones?
> - Yes this is very important.
>  
> Do you need to be able to control volumes of seperate loops 
> simultaneously?
> - Not so important at first, but really cool.
>  
> Also, it´d be cool to go stereo, but as far as I know, the RC-50 is 
> the only that would go stereo, and RC-50 is not a choice now. All 
> others I guess would cost me double to do so.
>
> --Josh
>
>
>
> tunga.muzik wrote:
>
>>     I´m going with the individual items idea. I really ain´t got the
>>     time to try a laptop system, although that sure might have its
>>     highlights.
>>      
>>     The purpose of  question at first was really _to have info from
>>     you guys who own or have owned and performed live_ with models
>>     like RC-20, RC-20XL, JamMan, Boomerang, Akai Headrush....the
>>     standard units, cause I´ll probably go for one of these. Also,
>>     it´d be so cool learning with you people who have performed with
>>     a DJ, in a "live" experience. That would really make clear which
>>     features can not fail, or must be reliable at all.
>>      
>>     See, at this point it´s about getting the coolest/best individual
>>     unit, so that I can perform a very reliable/creative gig with the
>>     DJ community and/or a stand alone act - have in mind I would go
>>     for the RC-50 before reading web reviews about it, so it´s not
>>     all about saving a few bucks.
>>      
>>     Also, the DD-20 and LINE 6 DL4, I wouldn´t consider using them as
>>     a looper unit, as I think it´d be a limited choice for a serious
>>     looper. Now thinking it as a delay unit, again from you actual or
>>     past owners, what about the features, sound quality, ease of
>>     use of each one, which is the best?
>>      
>>     Thanks again.
>>      
>>     Peace.
>>      
>>      
>>      
>>      
>>      
>>
>>         ----- Original Message -----
>>         *From:* Douglas Baldwin <mailto:coyotelk@optonline.net>
>>         *To:* tunga.muzik <mailto:tunga.muzik@terra.com.br> ;
>>         Loopers-Delight@loopers-delight.com
>>         <mailto:Loopers-Delight@loopers-delight.com>
>>         *Sent:* Tuesday, August 08, 2006 11:18 AM
>>         *Subject:* Re: ...what to go for then?
>>
>>         Hey community-
>>             Have we ever discussed the difference between a looper
>>         and a long delay? Methinks a looper can store a few audio
>>         loops, can start, stop, restsart and/or continue on command,
>>         and can "undo" one or more levels of looping. A long delay
>>         won't do these things, but will have a feedback function so
>>         loops can fade away as new material is added. Any more
>>         differentiating features?
>>             I ask this because I'm reading this thread, thinking,
>>         Boss DD-20! Boss DD-20! Makes a great looper! (except it
>>         doesn't do those "looper" things mentioned above)
>>          
>>         Douglas Baldwin, coyote-at-large
>>         www.thecoyote.org <http://www.thecoyote.org>
>>         coyotelk@optonline.net <mailto:coyotelk@optonline.net>
>>          
>>         "Life! Life!
>>         Clouds and clowns!
>>         You don't have to come down!"
>>         - Sly and the Family Stone
>>         ----- Original Message -----
>>
>>             *From:* tunga.muzik <mailto:tunga.muzik@terra.com.br>
>>             *To:* Loopers-Delight@loopers-delight.com
>>             <mailto:Loopers-Delight@loopers-delight.com>
>>             *Sent:* Tuesday, August 08, 2006 12:19 AM
>>             *Subject:* ...what to go for then?
>>
>>             Hi there,
>>              
>>             I´m also new to this community, been playing guitar for
>>             15 years now and have been invited by some DJs to perform
>>             live with them. Obviously I need a looper, and I was just
>>             about to go and get a RC-50 , but that was before I read
>>             reviews on harmony-central, musiciansfriend.com, loopers
>>             delight, etc.....I was excited about going stereo, having
>>             3 phrase tracks, such long recording time......bla, bla,
>>             bla...........but as I would have it mainly for live
>>             performances, just put it aside for this moment.
>>              
>>             RC-20XL is mono, seems to degrade sound quality as more
>>             phrases are added onto previous recorded ones, has the 2
>>             seconds pressed pedal waiting time to change
>>             recording/dubbing functions......sounds not pro enough.
>>              
>>             Also read a lot about some little issues on Digitech
>>             JamMan, Boomerang, Electro Harmonix 2880, etc.......even
>>             the Gibson Echoplex Digital ProPlus got bad reviews.
>>              
>>             Sincerely....I got lost in the middle of everything, so
>>             it got cloudy for me to define what should I buy at this
>>             moment, what will give me condition for a reliable and
>>             creative live performance, and also be a smart option
>>             regarding the cost X benefit X technology X quality issue.
>>              
>>             Counting on your expertise people....thanks a lot.
>>              
>>             Peace.
>>              
>>             TUNGA
>>
>>         ------------------------------------------------------------------------
>>         No virus found in this incoming message.
>>         Checked by AVG Free Edition.
>>         Version: 7.1.405 / Virus Database: 268.10.7/411 - Release
>>         Date: 7/8/2006
>>
>     ------------------------------------------------------------------------
>     No virus found in this incoming message.
>     Checked by AVG Free Edition.
>     Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date:
>     7/8/2006
>

--------------030403050201040805020206
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<body bgcolor="#ffffff" text="#000000">
Cool!&nbsp; Sounds like a fun show.<br>
<br>
I'm no hardware expert, but I'd look at the Gibson Echoplex Digital Pro
I know it does all you want.&nbsp; If you ask around on this list, there may
be one or two up for sale.&nbsp; If you want to do multiple loops with
separate volumes, etc., you'll have to look at the Looperlative or go
the laptop route.&nbsp; The Boomerang might also work.&nbsp; I believe it does
Verse/Chorus type "Or" loops, but I don't know if it has a multiply
function for laying longer loops over shorter ones.&nbsp; The Repeater might
also be cool to use with a DJ since I hear it has some pretty cool
time-stretching capabilities, but beyond that I don't know any of it's
functionality.&nbsp; Other people on here might be able to make other
suggestions.<br>
<br>
Also, be aware that I believe most of the hardware loopers out there
are mono, not stereo.<br>
<br>
Good luck!<br>
<br>
--Josh<br>
<br>
<br>
<br>
tunga.muzik wrote:
<blockquote cite="mid006801c6bafd$a0b27520$8386000a@OFFICE" type="cite">
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2900.2912" name="GENERATOR">
  <div>Well, what do you want to do?</div>
  <div><font face="Arial" size="2">- Mostly to be able to loop in sync
to what a Dj is playing.</font></div>
  <div>&nbsp;</div>
  <div>Are you playing an instrument, singing, beatboxing?&nbsp;</div>
  <div><font face="Arial" size="2">- Yes, I&acute;d be playing guitars, bass
guitar and singing.</font></div>
  <div>&nbsp;</div>
  <div>Is it important for you to be able to have seperate loops for
verse/chorus type structures or to overdub longer phrases overtop of
shorter ones?</div>
  <div>- Yes this is very important.</div>
  <div>&nbsp;</div>
  <div>Do you need to be able to control volumes of seperate loops
simultaneously?</div>
  <div>- Not so important at first, but really cool.</div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Also, it&acute;d be cool to go stereo, but
as far as I know, the RC-50 is the only that would go stereo, and RC-50
is not a choice now. All others I guess would cost me double to do so.</font><br>
  <br>
--Josh<br>
  <br>
  <br>
  <br>
tunga.muzik wrote: </div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
    <blockquote cite="mid002b01c6bafa$1ee6f280$8386000a@OFFICE"
 type="cite">
      <meta content="MSHTML 6.00.2900.2912" name="GENERATOR">
      <style></style>
      <div><font face="Arial" size="2">I&acute;m going with the individual
items idea. I really ain&acute;t got the time to try a laptop system,
although that sure might have its highlights. </font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">The purpose of&nbsp; question at
first was really <u>to have info from you guys who own or have owned
and performed live</u> with models like RC-20, RC-20XL, JamMan,
Boomerang, Akai Headrush....the standard units, cause I&acute;ll probably go
for one of these. Also, it&acute;d be so cool learning with you people who
have performed with a DJ, in a "live" experience. That would really
make clear which features can not fail, or must be reliable at all.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">See, at this point it&acute;s about
getting the coolest/best individual unit, so that I can perform a very
reliable/creative gig with the DJ community and/or a stand alone act -
have in mind I would go for the RC-50 before reading web reviews about
it, so it&acute;s not all about saving a few bucks.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Also, the DD-20 and LINE 6 DL4,
I wouldn&acute;t consider using them as a looper unit, as I think it&acute;d be a
limited choice for a serious looper. Now&nbsp;thinking it as a delay unit,
again from you actual or past owners, what about the features, sound
quality, ease of use&nbsp;of each one, which is the best?</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Thanks again.</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Peace.</font></div>
      <div>&nbsp;</div>
      <div>&nbsp;</div>
      <div>&nbsp;</div>
      <div>&nbsp;</div>
      <div>&nbsp;</div>
      <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
        <div
 style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
        <a title="coyotelk@optonline.net"
 href="mailto:coyotelk@optonline.net">Douglas Baldwin</a> </div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
        <a title="tunga.muzik@terra.com.br"
 href="mailto:tunga.muzik@terra.com.br">tunga.muzik</a> ; <a
 title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
        </div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 08, 2006 11:18 AM</div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
Re: ...what to go for then?</div>
        <div><br>
        </div>
        <div><font size="2">Hey community-</font></div>
        <div><font size="2">&nbsp;&nbsp;&nbsp; Have we ever discussed the difference
between a looper and a long delay? Methinks a looper can store a few
audio loops, can start,&nbsp;stop, restsart and/or continue&nbsp;on command, and
can "undo" one or more levels of looping. A long delay won't do these
things, but will have a feedback function so loops can fade away as new
material is added. Any more differentiating features?</font></div>
        <div><font size="2">&nbsp;&nbsp;&nbsp; I ask this because I'm reading this
thread, thinking, Boss DD-20! Boss DD-20! Makes&nbsp;a great looper! (except
it doesn't do those "looper" things mentioned above)</font></div>
        <div>&nbsp;</div>
        <div><font size="2">Douglas Baldwin, coyote-at-large<br>
        <a href="http://www.thecoyote.org">www.thecoyote.org</a><br>
        <a href="mailto:coyotelk@optonline.net">coyotelk@optonline.net</a></font></div>
        <div>&nbsp;</div>
        <div><font size="2">"Life! Life!<br>
Clouds and clowns!<br>
You don't have to come down!"<br>
- Sly and the Family Stone<br>
        </font></div>
        <div>----- Original Message ----- </div>
        <blockquote dir="ltr"
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
          <div
 style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
          <a title="tunga.muzik@terra.com.br"
 href="mailto:tunga.muzik@terra.com.br">tunga.muzik</a> </div>
          <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
          <a title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
          </div>
          <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 08, 2006 12:19 AM</div>
          <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
...what to go for then?</div>
          <div><br>
          </div>
          <div><font face="Arial" size="2">Hi there,</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">I&acute;m also new to this
community, been playing guitar for 15 years now and have been invited
by some DJs to perform live with them. Obviously I need a looper, and I
was just about to go and get a RC-50 , but that was before I read
reviews on harmony-central, musiciansfriend.com, loopers delight,
etc.....I was excited about going stereo, having 3 phrase tracks, such
long recording time......bla, bla, bla...........but as I would have it
mainly for live performances, just put it aside for this moment.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">RC-20XL is mono, seems to
degrade sound quality as more phrases are added onto previous recorded
ones, has the 2 seconds pressed pedal waiting time to change
recording/dubbing functions......sounds not pro enough.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Also read a lot about some
little issues on Digitech JamMan, Boomerang, Electro Harmonix 2880,
etc.......even the Gibson Echoplex Digital ProPlus got bad reviews.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Sincerely....I got lost in
the middle of everything, so it got cloudy for me to define what should
I buy at this moment, what will give me condition for a reliable and
creative live performance, and also be a smart option regarding the
cost X benefit X technology X quality issue.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Counting on your expertise
people....t</font><font face="Arial" size="2">hanks a lot.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Peace.</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">TUNGA</font></div>
        </blockquote>
        <hr> No virus found in this incoming message.<br>
Checked by AVG Free Edition.<br>
Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date: 7/8/2006<br>
      </blockquote>
    </blockquote>
    <p> </p>
    <hr> No virus found in this incoming message.<br>
Checked by AVG Free Edition.<br>
Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date: 7/8/2006<br>
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>>>>>>>Some folks might say, why would I pay $180 when I can do that
myself? Well, the answer is that if that were the case, then you are not
the target market for the package. This is for folks who want to buy a
system and have it work right out of the box.

And of course, the system would come completely setup, configured, and
ready to loop.



Isn't this the main inherent advantage of a hardware looper?  All the
advantages of this system are just really duplicating what you get when you
buy a new (to you) Repeater of an EDP. The advantages of being able to
tweak that system specifically for your needs would probably require that
you learn everything about all of the components of the system, sort of
negating the 'advantage' of having someone else initially set it up for
you, since you're gonna have to learn how it works anyway.

Oh, I'd say the best line of attack from a business proposition POV would
be to find the cheapest laptop that you can get with the necessary specs,
configure  it specifically for looping/audio editing, and sell those by
themselves. Pick one software looper (people seem to like Mobius), throw it
on there, and from there maybe reccomend an interface, you could probably
make some money in offering some additional set up based on the interface
they choose- or they could do it themselves. I think most loopers wouldn't
mind learning the 'music' systems on their own machines (the looping & any
effects/plug ins etc), it's making the OS run most efficiently (the
'computer' part, if you will) that I don't think they have the
time/patience for.   Just a thought.......



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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 15:55:40 2006
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Subject: RE: Products, Services, and Looping Gear "Packages"
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I agree... with the I/O latency issues that plague current computer audio
setups, I can't see going out of my way to buy a laptop for use as a looper.
Since I already own one, though, I use Live and Mobius occasionally at home.
However, the latency issue keeps me from incorporating it into my live rig.
This is, in my opinion, the primary advantage hardware units have over
software setups right now (aside from perhaps durability/stability issues to
some extent).  Personally I have never quite grasped why cheaper, slower
hardware units measure their I/O latency in picoseconds, while our much more
powerful computer systems have noticeable delays.  That's a bit OT, though.

Krispen - are you running some type of parallel setup with delay
compensation to combat the monitoring latency?

Jesse

-----Original Message-----
From: Charles Zwicky [mailto:cazwicky@earthlink.net] 
Sent: Tuesday, August 08, 2006 10:42 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Products, Services, and Looping Gear "Packages"

Krispen,

I think that the rationalization behind software looping is that you 
already own a computer, and that the interfaces which you need to get 
it all working can be used for some other purpose down the line.  Is 
it possible to interest someone in an entry level laptop for a 
specific application? Why not run some numbers by us so we can see if 
it is  even feasible to offer such a package?




>I got to thinking wiht my day job hat on, and these days when it is 
>becoming harder and harder to make money off of technological 
>products, because of competition, pricing preasures, consolidation, 
>and the overall commotization of consumer products, the long term 
>money is in services.
>
>How do services pertain to looping gear?  I may be giving away a 
>great marketing/business opportunity here, but it seems to me if 
>someone had the resources they could sell "laptop looping packages". 
>Part of the problem with some folks getting into laptop looping is 
>that it can be painful buying a laptop that will do the job, buying 
>all the gear to connect to it and get started, upgrading, etc, etc. 
>These things take time for the looping consumer, and time is money. 
>And there are risks that come along with building your own laptop 
>system, such as teh overall system not working as expected because 
>of hardware/software compatibility, and so on. And this too equates 
>to time or rework, which again equates to money.
>
>So basically the "laptop looping package" would be a system that 
>someone experience and knowledgeable would construct and test, and 
>then sell as a ready to go looping system. You could sell different 
>types and grades of packages, For instance, a very basic setup might 
>include an entry level laptop, inexpensive cardbus soundcard, Mobius 
>installed, and a cheap MIDI controller like the MIDI Mouse, MIDI 
>Moose, or some other small controller. Then your totally kick ass 
>package might include a screaming Intel Duo machine, an external 
>firewire audio/midi interface, and a Behringer controller. Or better 
>yet, the deluxe pacakge would include a VST host and a ton of free 
>VST effects, all ready to work.
>
>The Service here, which you can't bottle up or put in a box, is the 
>expertise and knowledge of constructing a looping kit or ensemble 
>that works right out of the box.  So, if I were a new looper 
>interested in getting a laptop looping system, I would buy one of 
>these package, turn it on, and it would essentially work 
>immediately, everthing down to the Behringer buttons mapped to 
>Mobius functions, buttons labeled, etc. Then of course, I could 
>customize it after that point.
>
>It wouldn't take much to get started on this idea. I don't have the 
>time to do it, but if I did I would assemble just 2-3 looping 
>packages and sell them...and then use the profit to buy more 
>packages, etc.
>
>Incidentally, there are a lot of smart cookies making money hand 
>over fist using this re-packaging concept on eBay. Folk are actually 
>buying products on eBay, packaging them up based on a theme of some 
>sort, and selling them for a profit. Why would people buy something 
>like this when they could buy the individual items themselves? Well, 
>this sort of answers the question...the value is in the service or 
>the convienence of not having to do the research or spend the time 
>to do this.
>
>**************************************************************************
>Krispen Hartung / Improvisational Looping Guitar
>www.krispenhartung.com / www.myspace.com/krispenhartung
>My Tribe: http://people.tribe.net/krispen-hartung
>info@krispenhartung.com / 1.208.724.5603
>Discography - http://www.krispenhartung.com/catalogue.htm
>CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung


-- 
...
http://www.zmix.net



From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:02:20 2006
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Subject: Re: Products, Services, and Looping Gear "Packages"
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> This is an interesting business idea, but it misses the point -   which is 
> that people do not need ready made laptops as much as they  need the 
> knowledge of how to maintain the machine as the ultra sharp  looper it was 
> delivered as.  So I would prefer to charge for my time  instead and spend 
> it with the aspiring laptop looper to make sure he/ she understands the 
> system. Without having done any marketing at all  I'm already hired, here 
> locally, by private students and music  schools for exactly that type of 
> services.

You can do that Per...you are just talking about a new package. This is not 
a new idea. It's done all of the time with other technology. Thousands of 
people buy packaged up systems every day, with or without education bundled 
up....they may not be for looping, but they do involve components that 
people don't wan to hunt down and configure themselves, or where they do or 
do not want to be taught how to use the system.

So, to build on that basic system...remember, it was a basic system, you 
could add an education component, which is my line of work. I would add a 
series of virtual classroom sessions that show how to use the software, such 
as Mobius, etc. Or I suppose a face-to-face workshop could be part of the 
package. All this would have to be priced out and ROI demonstrated. Again, 
nothing new here.

I'm not about to convey an entire marketing plan for this over email, but I 
know it can be done, only because it is being done in other areas of 
technology, and the user need is similar.  It may not make millions, but I'm 
confident that some folks would buy a package, because there is power in 
convenience. For instance, people buy package home entertainment systems, 
which they could just as well go out and buy themselves but piecemeal one 
component at time, but they choose the packages. You can buy them like this, 
unconfigured, or you can pay to have someone come to your home and setup it 
up and train you. It depends on the user need, the value of the service, 
good pricing vs. value, etc. The same with systems that include a desktop 
computer, printer, scanner, etc. You can buy systems together, unconfigured, 
or pay someone to do it on site or at your home.  A poor marketing plan 
would only include the package that includes a technician setting it up at 
the user's home, teaching them, etc...that completely blows off a huge 
target market that wants the convenience of buying a system, but has the 
expertise to configure it themselves. It doesn't cost anything more to offer 
this more basic package.

Kris


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 9:36 AM
Subject: Re: Products, Services, and Looping Gear "Packages"


> On 8 aug 2006, at 16.16, Krispen Hartung wrote:
>
>> So basically the "laptop looping package" would be a system that  someone 
>> experience and knowledgeable would construct and test, and  then sell as 
>> a ready to go looping system.  8< 8< 8< 8< 8<
>
>
> This is an interesting business idea, but it misses the point -   which is 
> that people do not need ready made laptops as much as they  need the 
> knowledge of how to maintain the machine as the ultra sharp  looper it was 
> delivered as. So I would prefer to charge for my time  instead and spend 
> it with the aspiring laptop looper to make sure he/ she understands the 
> system. Without having done any marketing at all  I'm already hired, here 
> locally, by private students and music  schools for exactly that type of 
> services.
>
> I would not like to sell people computer systems without also  teaching 
> them. But maybe your business model also includes the option  of also 
> becoming "the urgency service engineer"? ;-)D
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:04:41 2006
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I don't know.  I mean, like I said, I'm not sure I could have bought an 
entire system, but I would have paid more for an FCB1010 and a copy of 
Mobius that were already set up to play nice with eachother, especially 
if it included a little quick-start guide that explained how they worked 
together and point me at some resources for learning more about how to 
tweak the hardware/software to my own needs.

--Josh



Matthew.Quinn@sunlife.com wrote:
>>>>>>>> Some folks might say, why would I pay $180 when I can do that
>>>>>>>>                 
> myself? Well, the answer is that if that were the case, then you are not
> the target market for the package. This is for folks who want to buy a
> system and have it work right out of the box.
>
> And of course, the system would come completely setup, configured, and
> ready to loop.
>
>
>
> Isn't this the main inherent advantage of a hardware looper?  All the
> advantages of this system are just really duplicating what you get when you
> buy a new (to you) Repeater of an EDP. The advantages of being able to
> tweak that system specifically for your needs would probably require that
> you learn everything about all of the components of the system, sort of
> negating the 'advantage' of having someone else initially set it up for
> you, since you're gonna have to learn how it works anyway.
>
> Oh, I'd say the best line of attack from a business proposition POV would
> be to find the cheapest laptop that you can get with the necessary specs,
> configure  it specifically for looping/audio editing, and sell those by
> themselves. Pick one software looper (people seem to like Mobius), throw it
> on there, and from there maybe reccomend an interface, you could probably
> make some money in offering some additional set up based on the interface
> they choose- or they could do it themselves. I think most loopers wouldn't
> mind learning the 'music' systems on their own machines (the looping & any
> effects/plug ins etc), it's making the OS run most efficiently (the
> 'computer' part, if you will) that I don't think they have the
> time/patience for.   Just a thought.......
>
>
>
> ---------------------------------------------------------------------------
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> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt from
> disclosure.  If you are not the intended recipient, you are notified that
> any dissemination, distribution or copying of this communication is
> strictly prohibited.  If you have received this communication in error,
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>
>
>
>
>   

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
I don't know.&nbsp; I mean, like I said, I'm not sure I could have bought an
entire system, but I would have paid more for an FCB1010 and a copy of
Mobius that were already set up to play nice with eachother, especially
if it included a little quick-start guide that explained how they
worked together and point me at some resources for learning more about
how to tweak the hardware/software to my own needs.<br>
<br>
--Josh<br>
<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:Matthew.Quinn@sunlife.com">Matthew.Quinn@sunlife.com</a> wrote:
<blockquote
 cite="midOFDBB7D80E.CD0A8CC2-ON852571C4.00551269-852571C4.0055DE37@ca.sunlife"
 type="cite">
  <blockquote type="cite">
    <blockquote type="cite">
      <blockquote type="cite">
        <blockquote type="cite">
          <blockquote type="cite">
            <blockquote type="cite">
              <blockquote type="cite">
                <pre wrap="">Some folks might say, why would I pay $180 when I can do that
                </pre>
              </blockquote>
            </blockquote>
          </blockquote>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
  <pre wrap=""><!---->myself? Well, the answer is that if that were the case, then you are not
the target market for the package. This is for folks who want to buy a
system and have it work right out of the box.

And of course, the system would come completely setup, configured, and
ready to loop.



Isn't this the main inherent advantage of a hardware looper?  All the
advantages of this system are just really duplicating what you get when you
buy a new (to you) Repeater of an EDP. The advantages of being able to
tweak that system specifically for your needs would probably require that
you learn everything about all of the components of the system, sort of
negating the 'advantage' of having someone else initially set it up for
you, since you're gonna have to learn how it works anyway.

Oh, I'd say the best line of attack from a business proposition POV would
be to find the cheapest laptop that you can get with the necessary specs,
configure  it specifically for looping/audio editing, and sell those by
themselves. Pick one software looper (people seem to like Mobius), throw it
on there, and from there maybe reccomend an interface, you could probably
make some money in offering some additional set up based on the interface
they choose- or they could do it themselves. I think most loopers wouldn't
mind learning the 'music' systems on their own machines (the looping &amp; any
effects/plug ins etc), it's making the OS run most efficiently (the
'computer' part, if you will) that I don't think they have the
time/patience for.   Just a thought.......



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  </pre>
</blockquote>
</body>
</html>

--------------010206050900000208070707--

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Jesse,

What audio I/O hardware are you using?  Is it ASIO?  I'm using the 
ASIO4ALL driver with my laptop's built-in sound card right now, and 
latency isn't an issue at all.  Sound quality is, and that's why I'm 
saving/shopping for a firewire interface (anybody got one for sale?), 
but the latency just isn't a problem, and I'm a pretty rhythmic player.  
Of course, my machine has one of the new CoreDuo processors, so maybe 
that helps too.

--Josh



noone@jbro.us wrote:
> I agree... with the I/O latency issues that plague current computer audio
> setups, I can't see going out of my way to buy a laptop for use as a looper.
> Since I already own one, though, I use Live and Mobius occasionally at home.
> However, the latency issue keeps me from incorporating it into my live rig.
> This is, in my opinion, the primary advantage hardware units have over
> software setups right now (aside from perhaps durability/stability issues to
> some extent).  Personally I have never quite grasped why cheaper, slower
> hardware units measure their I/O latency in picoseconds, while our much more
> powerful computer systems have noticeable delays.  That's a bit OT, though.
>
> Krispen - are you running some type of parallel setup with delay
> compensation to combat the monitoring latency?
>
> Jesse
>
> -----Original Message-----
> From: Charles Zwicky [mailto:cazwicky@earthlink.net] 
> Sent: Tuesday, August 08, 2006 10:42 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Products, Services, and Looping Gear "Packages"
>
> Krispen,
>
> I think that the rationalization behind software looping is that you 
> already own a computer, and that the interfaces which you need to get 
> it all working can be used for some other purpose down the line.  Is 
> it possible to interest someone in an entry level laptop for a 
> specific application? Why not run some numbers by us so we can see if 
> it is  even feasible to offer such a package?
>
>
>
>
>   
>> I got to thinking wiht my day job hat on, and these days when it is 
>> becoming harder and harder to make money off of technological 
>> products, because of competition, pricing preasures, consolidation, 
>> and the overall commotization of consumer products, the long term 
>> money is in services.
>>
>> How do services pertain to looping gear?  I may be giving away a 
>> great marketing/business opportunity here, but it seems to me if 
>> someone had the resources they could sell "laptop looping packages". 
>> Part of the problem with some folks getting into laptop looping is 
>> that it can be painful buying a laptop that will do the job, buying 
>> all the gear to connect to it and get started, upgrading, etc, etc. 
>> These things take time for the looping consumer, and time is money. 
>> And there are risks that come along with building your own laptop 
>> system, such as teh overall system not working as expected because 
>> of hardware/software compatibility, and so on. And this too equates 
>> to time or rework, which again equates to money.
>>
>> So basically the "laptop looping package" would be a system that 
>> someone experience and knowledgeable would construct and test, and 
>> then sell as a ready to go looping system. You could sell different 
>> types and grades of packages, For instance, a very basic setup might 
>> include an entry level laptop, inexpensive cardbus soundcard, Mobius 
>> installed, and a cheap MIDI controller like the MIDI Mouse, MIDI 
>> Moose, or some other small controller. Then your totally kick ass 
>> package might include a screaming Intel Duo machine, an external 
>> firewire audio/midi interface, and a Behringer controller. Or better 
>> yet, the deluxe pacakge would include a VST host and a ton of free 
>> VST effects, all ready to work.
>>
>> The Service here, which you can't bottle up or put in a box, is the 
>> expertise and knowledge of constructing a looping kit or ensemble 
>> that works right out of the box.  So, if I were a new looper 
>> interested in getting a laptop looping system, I would buy one of 
>> these package, turn it on, and it would essentially work 
>> immediately, everthing down to the Behringer buttons mapped to 
>> Mobius functions, buttons labeled, etc. Then of course, I could 
>> customize it after that point.
>>
>> It wouldn't take much to get started on this idea. I don't have the 
>> time to do it, but if I did I would assemble just 2-3 looping 
>> packages and sell them...and then use the profit to buy more 
>> packages, etc.
>>
>> Incidentally, there are a lot of smart cookies making money hand 
>> over fist using this re-packaging concept on eBay. Folk are actually 
>> buying products on eBay, packaging them up based on a theme of some 
>> sort, and selling them for a profit. Why would people buy something 
>> like this when they could buy the individual items themselves? Well, 
>> this sort of answers the question...the value is in the service or 
>> the convienence of not having to do the research or spend the time 
>> to do this.
>>
>> **************************************************************************
>> Krispen Hartung / Improvisational Looping Guitar
>> www.krispenhartung.com / www.myspace.com/krispenhartung
>> My Tribe: http://people.tribe.net/krispen-hartung
>> info@krispenhartung.com / 1.208.724.5603
>> Discography - http://www.krispenhartung.com/catalogue.htm
>> CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung
>>     
>
>
>   

--------------030308080702060100060509
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Jesse,<br>
<br>
What audio I/O hardware are you using?&nbsp; Is it ASIO?&nbsp; I'm using the
ASIO4ALL driver with my laptop's built-in sound card right now, and
latency isn't an issue at all.&nbsp; Sound quality is, and that's why I'm
saving/shopping for a firewire interface (anybody got one for sale?),
but the latency just isn't a problem, and I'm a pretty rhythmic
player.&nbsp; Of course, my machine has one of the new CoreDuo processors,
so maybe that helps too.<br>
<br>
--Josh<br>
<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:noone@jbro.us">noone@jbro.us</a> wrote:
<blockquote cite="mid0J3O00MUNS6O6PC0@mta8.srv.hcvlny.cv.net"
 type="cite">
  <pre wrap="">I agree... with the I/O latency issues that plague current computer audio
setups, I can't see going out of my way to buy a laptop for use as a looper.
Since I already own one, though, I use Live and Mobius occasionally at home.
However, the latency issue keeps me from incorporating it into my live rig.
This is, in my opinion, the primary advantage hardware units have over
software setups right now (aside from perhaps durability/stability issues to
some extent).  Personally I have never quite grasped why cheaper, slower
hardware units measure their I/O latency in picoseconds, while our much more
powerful computer systems have noticeable delays.  That's a bit OT, though.

Krispen - are you running some type of parallel setup with delay
compensation to combat the monitoring latency?

Jesse

-----Original Message-----
From: Charles Zwicky [<a class="moz-txt-link-freetext" href="mailto:cazwicky@earthlink.net">mailto:cazwicky@earthlink.net</a>] 
Sent: Tuesday, August 08, 2006 10:42 AM
To: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
Subject: Re: Products, Services, and Looping Gear "Packages"

Krispen,

I think that the rationalization behind software looping is that you 
already own a computer, and that the interfaces which you need to get 
it all working can be used for some other purpose down the line.  Is 
it possible to interest someone in an entry level laptop for a 
specific application? Why not run some numbers by us so we can see if 
it is  even feasible to offer such a package?




  </pre>
  <blockquote type="cite">
    <pre wrap="">I got to thinking wiht my day job hat on, and these days when it is 
becoming harder and harder to make money off of technological 
products, because of competition, pricing preasures, consolidation, 
and the overall commotization of consumer products, the long term 
money is in services.

How do services pertain to looping gear?  I may be giving away a 
great marketing/business opportunity here, but it seems to me if 
someone had the resources they could sell "laptop looping packages". 
Part of the problem with some folks getting into laptop looping is 
that it can be painful buying a laptop that will do the job, buying 
all the gear to connect to it and get started, upgrading, etc, etc. 
These things take time for the looping consumer, and time is money. 
And there are risks that come along with building your own laptop 
system, such as teh overall system not working as expected because 
of hardware/software compatibility, and so on. And this too equates 
to time or rework, which again equates to money.

So basically the "laptop looping package" would be a system that 
someone experience and knowledgeable would construct and test, and 
then sell as a ready to go looping system. You could sell different 
types and grades of packages, For instance, a very basic setup might 
include an entry level laptop, inexpensive cardbus soundcard, Mobius 
installed, and a cheap MIDI controller like the MIDI Mouse, MIDI 
Moose, or some other small controller. Then your totally kick ass 
package might include a screaming Intel Duo machine, an external 
firewire audio/midi interface, and a Behringer controller. Or better 
yet, the deluxe pacakge would include a VST host and a ton of free 
VST effects, all ready to work.

The Service here, which you can't bottle up or put in a box, is the 
expertise and knowledge of constructing a looping kit or ensemble 
that works right out of the box.  So, if I were a new looper 
interested in getting a laptop looping system, I would buy one of 
these package, turn it on, and it would essentially work 
immediately, everthing down to the Behringer buttons mapped to 
Mobius functions, buttons labeled, etc. Then of course, I could 
customize it after that point.

It wouldn't take much to get started on this idea. I don't have the 
time to do it, but if I did I would assemble just 2-3 looping 
packages and sell them...and then use the profit to buy more 
packages, etc.

Incidentally, there are a lot of smart cookies making money hand 
over fist using this re-packaging concept on eBay. Folk are actually 
buying products on eBay, packaging them up based on a theme of some 
sort, and selling them for a profit. Why would people buy something 
like this when they could buy the individual items themselves? Well, 
this sort of answers the question...the value is in the service or 
the convienence of not having to do the research or spend the time 
to do this.

**************************************************************************
Krispen Hartung / Improvisational Looping Guitar
<a class="moz-txt-link-abbreviated" href="http://www.krispenhartung.com">www.krispenhartung.com</a> / <a class="moz-txt-link-abbreviated" href="http://www.myspace.com/krispenhartung">www.myspace.com/krispenhartung</a>
My Tribe: <a class="moz-txt-link-freetext" href="http://people.tribe.net/krispen-hartung">http://people.tribe.net/krispen-hartung</a>
<a class="moz-txt-link-abbreviated" href="mailto:info@krispenhartung.com">info@krispenhartung.com</a> / 1.208.724.5603
Discography - <a class="moz-txt-link-freetext" href="http://www.krispenhartung.com/catalogue.htm">http://www.krispenhartung.com/catalogue.htm</a>
CD Baby Discography (CDs for only $5): <a class="moz-txt-link-freetext" href="http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</a>
    </pre>
  </blockquote>
  <pre wrap=""><!---->

  </pre>
</blockquote>
</body>
</html>

--------------030308080702060100060509--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:11:43 2006
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To: Loopers-Delight@loopers-delight.com
References: <0J3O00MUNS6O6PC0@mta8.srv.hcvlny.cv.net>
Subject: Re: Products, Services, and Looping Gear "Packages"
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Yes, latency can certainly be a showstopper! I don't experience any 
significant latency on my system, mainly cause I did the research to find an 
audio interface and driver that would minimize it, plus ensured my system 
had the performance to support it. I plug directly into my laptop and Indigo 
IO card...not major latency problems, and I use this system to perform, 
record, etc...with headphones, through a PA, and so on.

I am fairly compulsive about these things, and I wouldn't have sold 
thousands of dollars of gear and put my Looperlative laptop rack system up 
for sale if the laptop system didn't meet my technological and usability 
needs.

But a buyer of this laptop system package wouldn't have to worry about this. 
That's part of the package...getting a system that doesn't sound like crap 
out of the box.  I suppose part of the testing would include some specs on 
the overall system latency...there is always some present, so that really 
compulsive users with stringent latency requirements can decide whether the 
system meets their needs. You get what you pay for. If the Indigo IO card 
doesn't meet someone's requirements, then add one of those fancy firewire 
interfaces to the package...just adds to the cost.

Kris


----- Original Message ----- 
From: <noone@jbro.us>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 9:55 AM
Subject: RE: Products, Services, and Looping Gear "Packages"


>I agree... with the I/O latency issues that plague current computer audio
> setups, I can't see going out of my way to buy a laptop for use as a 
> looper.
> Since I already own one, though, I use Live and Mobius occasionally at 
> home.
> However, the latency issue keeps me from incorporating it into my live 
> rig.
> This is, in my opinion, the primary advantage hardware units have over
> software setups right now (aside from perhaps durability/stability issues 
> to
> some extent).  Personally I have never quite grasped why cheaper, slower
> hardware units measure their I/O latency in picoseconds, while our much 
> more
> powerful computer systems have noticeable delays.  That's a bit OT, 
> though.
>
> Krispen - are you running some type of parallel setup with delay
> compensation to combat the monitoring latency?
>
> Jesse
>
> -----Original Message-----
> From: Charles Zwicky [mailto:cazwicky@earthlink.net]
> Sent: Tuesday, August 08, 2006 10:42 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Products, Services, and Looping Gear "Packages"
>
> Krispen,
>
> I think that the rationalization behind software looping is that you
> already own a computer, and that the interfaces which you need to get
> it all working can be used for some other purpose down the line.  Is
> it possible to interest someone in an entry level laptop for a
> specific application? Why not run some numbers by us so we can see if
> it is  even feasible to offer such a package?
>
>
>
>
>>I got to thinking wiht my day job hat on, and these days when it is
>>becoming harder and harder to make money off of technological
>>products, because of competition, pricing preasures, consolidation,
>>and the overall commotization of consumer products, the long term
>>money is in services.
>>
>>How do services pertain to looping gear?  I may be giving away a
>>great marketing/business opportunity here, but it seems to me if
>>someone had the resources they could sell "laptop looping packages".
>>Part of the problem with some folks getting into laptop looping is
>>that it can be painful buying a laptop that will do the job, buying
>>all the gear to connect to it and get started, upgrading, etc, etc.
>>These things take time for the looping consumer, and time is money.
>>And there are risks that come along with building your own laptop
>>system, such as teh overall system not working as expected because
>>of hardware/software compatibility, and so on. And this too equates
>>to time or rework, which again equates to money.
>>
>>So basically the "laptop looping package" would be a system that
>>someone experience and knowledgeable would construct and test, and
>>then sell as a ready to go looping system. You could sell different
>>types and grades of packages, For instance, a very basic setup might
>>include an entry level laptop, inexpensive cardbus soundcard, Mobius
>>installed, and a cheap MIDI controller like the MIDI Mouse, MIDI
>>Moose, or some other small controller. Then your totally kick ass
>>package might include a screaming Intel Duo machine, an external
>>firewire audio/midi interface, and a Behringer controller. Or better
>>yet, the deluxe pacakge would include a VST host and a ton of free
>>VST effects, all ready to work.
>>
>>The Service here, which you can't bottle up or put in a box, is the
>>expertise and knowledge of constructing a looping kit or ensemble
>>that works right out of the box.  So, if I were a new looper
>>interested in getting a laptop looping system, I would buy one of
>>these package, turn it on, and it would essentially work
>>immediately, everthing down to the Behringer buttons mapped to
>>Mobius functions, buttons labeled, etc. Then of course, I could
>>customize it after that point.
>>
>>It wouldn't take much to get started on this idea. I don't have the
>>time to do it, but if I did I would assemble just 2-3 looping
>>packages and sell them...and then use the profit to buy more
>>packages, etc.
>>
>>Incidentally, there are a lot of smart cookies making money hand
>>over fist using this re-packaging concept on eBay. Folk are actually
>>buying products on eBay, packaging them up based on a theme of some
>>sort, and selling them for a profit. Why would people buy something
>>like this when they could buy the individual items themselves? Well,
>>this sort of answers the question...the value is in the service or
>>the convienence of not having to do the research or spend the time
>>to do this.
>>
>>**************************************************************************
>>Krispen Hartung / Improvisational Looping Guitar
>>www.krispenhartung.com / www.myspace.com/krispenhartung
>>My Tribe: http://people.tribe.net/krispen-hartung
>>info@krispenhartung.com / 1.208.724.5603
>>Discography - http://www.krispenhartung.com/catalogue.htm
>>CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung
>
>
> -- 
> ...
> http://www.zmix.net
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:16:33 2006
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Actually, wouldn't Indigo would actually be faster than a firewire 
system?  I think CardBus is faster than Firewire (I could be wrong).

Wow... I'm posting too much today... must stop...

--Josh



Krispen Hartung wrote:
> Yes, latency can certainly be a showstopper! I don't experience any 
> significant latency on my system, mainly cause I did the research to 
> find an audio interface and driver that would minimize it, plus 
> ensured my system had the performance to support it. I plug directly 
> into my laptop and Indigo IO card...not major latency problems, and I 
> use this system to perform, record, etc...with headphones, through a 
> PA, and so on.
>
> I am fairly compulsive about these things, and I wouldn't have sold 
> thousands of dollars of gear and put my Looperlative laptop rack 
> system up for sale if the laptop system didn't meet my technological 
> and usability needs.
>
> But a buyer of this laptop system package wouldn't have to worry about 
> this. That's part of the package...getting a system that doesn't sound 
> like crap out of the box.  I suppose part of the testing would include 
> some specs on the overall system latency...there is always some 
> present, so that really compulsive users with stringent latency 
> requirements can decide whether the system meets their needs. You get 
> what you pay for. If the Indigo IO card doesn't meet someone's 
> requirements, then add one of those fancy firewire interfaces to the 
> package...just adds to the cost.
>
> Kris
>
>
> ----- Original Message ----- From: <noone@jbro.us>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 08, 2006 9:55 AM
> Subject: RE: Products, Services, and Looping Gear "Packages"
>
>
>> I agree... with the I/O latency issues that plague current computer 
>> audio
>> setups, I can't see going out of my way to buy a laptop for use as a 
>> looper.
>> Since I already own one, though, I use Live and Mobius occasionally 
>> at home.
>> However, the latency issue keeps me from incorporating it into my 
>> live rig.
>> This is, in my opinion, the primary advantage hardware units have over
>> software setups right now (aside from perhaps durability/stability 
>> issues to
>> some extent).  Personally I have never quite grasped why cheaper, slower
>> hardware units measure their I/O latency in picoseconds, while our 
>> much more
>> powerful computer systems have noticeable delays.  That's a bit OT, 
>> though.
>>
>> Krispen - are you running some type of parallel setup with delay
>> compensation to combat the monitoring latency?
>>
>> Jesse
>>
>> -----Original Message-----
>> From: Charles Zwicky [mailto:cazwicky@earthlink.net]
>> Sent: Tuesday, August 08, 2006 10:42 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Products, Services, and Looping Gear "Packages"
>>
>> Krispen,
>>
>> I think that the rationalization behind software looping is that you
>> already own a computer, and that the interfaces which you need to get
>> it all working can be used for some other purpose down the line.  Is
>> it possible to interest someone in an entry level laptop for a
>> specific application? Why not run some numbers by us so we can see if
>> it is  even feasible to offer such a package?
>>
>>
>>
>>
>>> I got to thinking wiht my day job hat on, and these days when it is
>>> becoming harder and harder to make money off of technological
>>> products, because of competition, pricing preasures, consolidation,
>>> and the overall commotization of consumer products, the long term
>>> money is in services.
>>>
>>> How do services pertain to looping gear?  I may be giving away a
>>> great marketing/business opportunity here, but it seems to me if
>>> someone had the resources they could sell "laptop looping packages".
>>> Part of the problem with some folks getting into laptop looping is
>>> that it can be painful buying a laptop that will do the job, buying
>>> all the gear to connect to it and get started, upgrading, etc, etc.
>>> These things take time for the looping consumer, and time is money.
>>> And there are risks that come along with building your own laptop
>>> system, such as teh overall system not working as expected because
>>> of hardware/software compatibility, and so on. And this too equates
>>> to time or rework, which again equates to money.
>>>
>>> So basically the "laptop looping package" would be a system that
>>> someone experience and knowledgeable would construct and test, and
>>> then sell as a ready to go looping system. You could sell different
>>> types and grades of packages, For instance, a very basic setup might
>>> include an entry level laptop, inexpensive cardbus soundcard, Mobius
>>> installed, and a cheap MIDI controller like the MIDI Mouse, MIDI
>>> Moose, or some other small controller. Then your totally kick ass
>>> package might include a screaming Intel Duo machine, an external
>>> firewire audio/midi interface, and a Behringer controller. Or better
>>> yet, the deluxe pacakge would include a VST host and a ton of free
>>> VST effects, all ready to work.
>>>
>>> The Service here, which you can't bottle up or put in a box, is the
>>> expertise and knowledge of constructing a looping kit or ensemble
>>> that works right out of the box.  So, if I were a new looper
>>> interested in getting a laptop looping system, I would buy one of
>>> these package, turn it on, and it would essentially work
>>> immediately, everthing down to the Behringer buttons mapped to
>>> Mobius functions, buttons labeled, etc. Then of course, I could
>>> customize it after that point.
>>>
>>> It wouldn't take much to get started on this idea. I don't have the
>>> time to do it, but if I did I would assemble just 2-3 looping
>>> packages and sell them...and then use the profit to buy more
>>> packages, etc.
>>>
>>> Incidentally, there are a lot of smart cookies making money hand
>>> over fist using this re-packaging concept on eBay. Folk are actually
>>> buying products on eBay, packaging them up based on a theme of some
>>> sort, and selling them for a profit. Why would people buy something
>>> like this when they could buy the individual items themselves? Well,
>>> this sort of answers the question...the value is in the service or
>>> the convienence of not having to do the research or spend the time
>>> to do this.
>>>
>>> ************************************************************************** 
>>>
>>> Krispen Hartung / Improvisational Looping Guitar
>>> www.krispenhartung.com / www.myspace.com/krispenhartung
>>> My Tribe: http://people.tribe.net/krispen-hartung
>>> info@krispenhartung.com / 1.208.724.5603
>>> Discography - http://www.krispenhartung.com/catalogue.htm
>>> CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung
>>
>>
>> -- 
>> ...
>> http://www.zmix.net
>>
>>
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:18:15 2006
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From: Bob Amstadt <bob@looperlative.com>
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To: Matthew.Quinn@sunlife.com, Loopers-Delight@loopers-delight.com
Subject: Re: Products, Services, and Looping Gear "Packages"
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> Oh, I'd say the best line of attack from a business proposition POV would
> be to find the cheapest laptop that you can get with the necessary specs,

In an unrelated business, we tried this at my day job.  We purchased laptop 
computers because of their size and built-in battery.  What we discovered 
quickly is that manufacturers change models of laptops faster than we 
liked.  Each new installation had a new learning curve because the laptop 
was slightly different each time.

I'm not saying that you could succeed selling ready-made looping laptops, 
but I am saying that it may not be easy.  This is especially the case when 
your customers start calling you months later because their laptop stopped 
working.  So, if any of you decide to go into this business, I would highly 
recommend designing the pricing structure to cover yourself in the worst 
case because it will come up.

Before I went out and designed a hardware looper, I seriously considered 
creating a software looper.  I decided against it because I didn't want to 
deal with the headaches of having to support all the different 
configurations of computers and audio devices.

Of course, your mileage may vary.

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 16:45:16 2006
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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> From: noone@jbro.us [mailto:noone@jbro.us]=20
> This is, in my opinion, the primary advantage hardware units have over
> software setups right now (aside from perhaps durability/stability
issues
> to some extent).  Personally I have never quite grasped why=20
> cheaper, slower hardware units measure their I/O latency in
picoseconds,=20
> while our much more powerful computer systems have noticeable delays.

Latency in laptop systems is undeniably real and greater than what
you will experience with most dedicated hardware units (with the
apparent exception of the RC-50 :-). =20

I don't know of any hardware units that do analog/digital conversion
that measure their latency in picoseconds, unless we're talking
about 1,000,000,000 picoseconds.  Latency is normally measured
in milliseconds or microseconds.  At a standard sampling rate of 44.1K
we have .02268 milliseconds per sample.  With a typical buffer size
of 16 samples, that becomes about 1/3 millisecond of latency.

Humans cannot reliably detect the difference between 1ms of latency
and .3ms of latency when it is held constant.  Few can detect the
difference between 1ms and 5ms.  10ms seems to be the magic number
where most people can start to sense that something is "off".

I find that most of the time, people that complain about laptop
latency haven't tuned it properly.  On a modern laptop with ASIO
drivers, you can expect to achieve latency on the order of 5
milliseconds
and sometimes lower.  This may bother some people but there are
obviously
many thousands of soft-synth and Guitar Rig users that either don't
notice
it, or can adapt to it.

Apologies for being OT.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 17:03:01 2006
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Date: Tue, 08 Aug 2006 12:02:36 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping Laptops in general (WAS Products, Services, and Looping
 Gear "Packages")
References: <004901c6baa1$cf2d6ec0$8386000a@OFFICE> <20060808043709.24274.qmail@web81312.mail.mud.yahoo.com> <913728d60608072143u26360139mf8c35a5ab8dd8ce7@mail.gmail.com> <02ee01c6baf5$4bbb2e70$1cb0ec0f@americas.hpqcorp.net> <F4F473E8-79CE-4591-9376-C3646A4F2475@gmail.com>
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This is a multi-part message in MIME format.
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These discussions of laptop looping are fascinating to me...but still, 
if I was a touring musician and had the $1200 to spend on a looper, I'd 
save up just a bit more and get a Looperlative, which seems to cover an 
awful lot of the possible looping bases. First consideration is that I'd 
want to have a laptop with me for communication and everything else 
associated with touring, but, I'd want to keep my looping machine off 
the Net to avoid viruses (at all costs). So then I've got two very 
expensive, desirable, not-very-roadworthy-or-handy-to-carry pieces of 
gear to deal with, watch in restaurants, hope that the club has a sturdy 
table to hold onstage, etc.

Busking outdoors with a laptop? terrifying thought.

And if something does go wrong, with something like the Looperlative I 
can get in touch with the developer and get assistance that will cover 
anything that has gone amiss. Worst case scenario, I can get another 
unit just like it, plug in, and be good to go. But with a laptop system, 
the question always is; what went wrong? Something in the hardware? The 
OS? The software, each of which comes from a different manufacturer? The 
interface? If I can narrow it down, if it's something with the computer 
itself then I have to find a model similiar to the one I already have, 
take the time to install all of my pieces of gear, hope it all works 
again, and of course forget about "borrowing" one to do all of this to.

Then there's the latency. Any perceptible amount seems insurmountable to 
me. I wouldn't want to have to do a workaround if one day I decided to 
start singing into the thing, then realizing I need to "adjust" to 
compensate, as was discussed earlier this week.

/However...

/If I were ever convinced that a laptop were the way to go, I'd look 
into something like the OQO <http://www.oqo.com/hardware/basics/>. It's 
a small palmtop (5" x 3.5") with full XP. The size means it would be no 
problem to carry on my person and to stabilize for performance. I'm not 
sure how much visual interaction is needed with the screen that couldn't 
be compensated for with the MIDI interface/ pedal, but one could carry a 
flatscreen monitor, which is cheaper and more universally replaceable 
than the full machine.

randomly,

Daryl Shawn
www.swanwelder.com

--------------030309080202060700080004
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<body bgcolor="#ffffff" text="#000000">
These discussions of laptop looping are fascinating to me...but still,
if I was a touring musician and had the $1200 to spend on a looper, I'd
save up just a bit more and get a Looperlative, which seems to cover an
awful lot of the possible looping bases. First consideration is that
I'd want to have a laptop with me for communication and everything else
associated with touring, but, I'd want to keep my looping machine off
the Net to avoid viruses (at all costs). So then I've got two very
expensive, desirable, not-very-roadworthy-or-handy-to-carry pieces of
gear to deal with, watch in restaurants, hope that the club has a
sturdy table to hold onstage, etc. <br>
<br>
Busking outdoors with a laptop? terrifying thought. <br>
<br>
And if something does go wrong, with something like the Looperlative I
can get in touch with the developer and get assistance that will cover
anything that has gone amiss. Worst case scenario, I can get another
unit just like it, plug in, and be good to go. But with a laptop
system, the question always is; what went wrong? Something in the
hardware? The OS? The software, each of which comes from a different
manufacturer? The interface? If I can narrow it down, if it's something
with the computer itself then I have to find a model similiar to the
one I already have, take the time to install all of my pieces of gear,
hope it all works again, and of course forget about "borrowing" one to
do all of this to.<br>
<br>
Then there's the latency. Any perceptible amount seems insurmountable
to me. I wouldn't want to have to do a workaround if one day I decided
to start singing into the thing, then realizing I need to "adjust" to
compensate, as was discussed earlier this week.<br>
<br>
<i>However...<br>
<br>
</i>If I were ever convinced that a laptop were the way to go, I'd look
into something like the <a href="http://www.oqo.com/hardware/basics/">OQO</a>.
It's a small palmtop (5" x 3.5") with full XP. The size means it would
be no problem to carry on my person and to stabilize for performance.
I'm not sure how much visual interaction is needed with the screen that
couldn't be compensated for with the MIDI interface/ pedal, but one
could carry a flatscreen monitor, which is cheaper and more universally
replaceable than the full machine.<br>
<br>
randomly,<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
</body>
</html>

--------------030309080202060700080004--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 17:13:04 2006
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Subject: RE: Products, Services, and Looping Gear "Packages"
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	<Matthew.Quinn@sunlife.com>, <Loopers-Delight@loopers-delight.com>
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> From: Bob Amstadt [mailto:bob@looperlative.com]=20
> Before I went out and designed a hardware looper, I seriously=20
> considered creating a software looper.  I decided against it=20
> because I didn't want to deal with the headaches of having to
> support all the different configurations of computers=20
> and audio devices.

FWIW, I've found supporting different computers and audio devices
relatively easy.  The absolute *fu&^XUBG* nightmare is supporting all
the various VST hosts.  This would be the single most critical
packaging decision.
=20
> I'm not saying that you could succeed selling ready-made=20
> looping laptops, but I am saying that it may not be easy.  This=20
> is especially the case when your customers start calling you months
> later because their laptop stopped working.

Right on.  When people start paying thousands of dollars for an
"appliance" they expect you to fix it.  This is especially problematic
for computers not just because of hardware variability, but
because it is almost impossible to prevent people from doing stupid
things to them.

You could try to take the "installing uncertified software voids
the warranty" stance, but this may be difficult in practice.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 17:20:49 2006
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Date: Tue, 8 Aug 2006 10:20:43 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: ...what to go for then?
Cc: Joshua Carroll <josh@infinivert.com>
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"Also, it=C2=B4d be cool to go stereo, but as far as I know, the RC-50 is t=
he only that would go stereo, and RC-50 is not a choice now. "


But the Boomerang IS a choice!? If one doesn't care about sound quality, I =
guess. I bought one once and sent it back as it sounded very muddy.

Paul=20

---- Joshua Carroll <josh@infinivert.com> wrote:=20
> Cool!  Sounds like a fun show.
>=20
> I'm no hardware expert, but I'd look at the Gibson Echoplex Digital Pro=
=20
> I know it does all you want.  If you ask around on this list, there may=
=20
> be one or two up for sale.  If you want to do multiple loops with=20
> separate volumes, etc., you'll have to look at the Looperlative or go=20
> the laptop route.  The Boomerang might also work.  I believe it does=20
> Verse/Chorus type "Or" loops, but I don't know if it has a multiply=20
> function for laying longer loops over shorter ones.  The Repeater might=
=20
> also be cool to use with a DJ since I hear it has some pretty cool=20
> time-stretching capabilities, but beyond that I don't know any of it's=20
> functionality.  Other people on here might be able to make other=20
> suggestions.
>=20
> Also, be aware that I believe most of the hardware loopers out there are=
=20
> mono, not stereo.
>=20
> Good luck!
>=20
> --Josh
>=20
>=20
>=20
> tunga.muzik wrote:
> > Well, what do you want to do?
> > - Mostly to be able to loop in sync to what a Dj is playing.
> > =20
> > Are you playing an instrument, singing, beatboxing?=20
> > - Yes, I=C2=B4d be playing guitars, bass guitar and singing.
> > =20
> > Is it important for you to be able to have seperate loops for=20
> > verse/chorus type structures or to overdub longer phrases overtop of=20
> > shorter ones?
> > - Yes this is very important.
> > =20
> > Do you need to be able to control volumes of seperate loops=20
> > simultaneously?
> > - Not so important at first, but really cool.
> > =20
> > Also, it=C2=B4d be cool to go stereo, but as far as I know, the RC-50 i=
s=20
> > the only that would go stereo, and RC-50 is not a choice now. All=20
> > others I guess would cost me double to do so.
> >
> > --Josh
> >
> >
> >
> > tunga.muzik wrote:
> >
> >>     I=C2=B4m going with the individual items idea. I really ain=C2=B4t=
 got the
> >>     time to try a laptop system, although that sure might have its
> >>     highlights.
> >>     =20
> >>     The purpose of  question at first was really _to have info from
> >>     you guys who own or have owned and performed live_ with models
> >>     like RC-20, RC-20XL, JamMan, Boomerang, Akai Headrush....the
> >>     standard units, cause I=C2=B4ll probably go for one of these. Also=
,
> >>     it=C2=B4d be so cool learning with you people who have performed w=
ith
> >>     a DJ, in a "live" experience. That would really make clear which
> >>     features can not fail, or must be reliable at all.
> >>     =20
> >>     See, at this point it=C2=B4s about getting the coolest/best indivi=
dual
> >>     unit, so that I can perform a very reliable/creative gig with the
> >>     DJ community and/or a stand alone act - have in mind I would go
> >>     for the RC-50 before reading web reviews about it, so it=C2=B4s no=
t
> >>     all about saving a few bucks.
> >>     =20
> >>     Also, the DD-20 and LINE 6 DL4, I wouldn=C2=B4t consider using the=
m as
> >>     a looper unit, as I think it=C2=B4d be a limited choice for a seri=
ous
> >>     looper. Now thinking it as a delay unit, again from you actual or
> >>     past owners, what about the features, sound quality, ease of
> >>     use of each one, which is the best?
> >>     =20
> >>     Thanks again.
> >>     =20
> >>     Peace.
> >>     =20
> >>     =20
> >>     =20
> >>     =20
> >>     =20
> >>
> >>         ----- Original Message -----
> >>         *From:* Douglas Baldwin <mailto:coyotelk@optonline.net>
> >>         *To:* tunga.muzik <mailto:tunga.muzik@terra.com.br> ;
> >>         Loopers-Delight@loopers-delight.com
> >>         <mailto:Loopers-Delight@loopers-delight.com>
> >>         *Sent:* Tuesday, August 08, 2006 11:18 AM
> >>         *Subject:* Re: ...what to go for then?
> >>
> >>         Hey community-
> >>             Have we ever discussed the difference between a looper
> >>         and a long delay? Methinks a looper can store a few audio
> >>         loops, can start, stop, restsart and/or continue on command,
> >>         and can "undo" one or more levels of looping. A long delay
> >>         won't do these things, but will have a feedback function so
> >>         loops can fade away as new material is added. Any more
> >>         differentiating features?
> >>             I ask this because I'm reading this thread, thinking,
> >>         Boss DD-20! Boss DD-20! Makes a great looper! (except it
> >>         doesn't do those "looper" things mentioned above)
> >>         =20
> >>         Douglas Baldwin, coyote-at-large
> >>         www.thecoyote.org <http://www.thecoyote.org>
> >>         coyotelk@optonline.net <mailto:coyotelk@optonline.net>
> >>         =20
> >>         "Life! Life!
> >>         Clouds and clowns!
> >>         You don't have to come down!"
> >>         - Sly and the Family Stone
> >>         ----- Original Message -----
> >>
> >>             *From:* tunga.muzik <mailto:tunga.muzik@terra.com.br>
> >>             *To:* Loopers-Delight@loopers-delight.com
> >>             <mailto:Loopers-Delight@loopers-delight.com>
> >>             *Sent:* Tuesday, August 08, 2006 12:19 AM
> >>             *Subject:* ...what to go for then?
> >>
> >>             Hi there,
> >>             =20
> >>             I=C2=B4m also new to this community, been playing guitar f=
or
> >>             15 years now and have been invited by some DJs to perform
> >>             live with them. Obviously I need a looper, and I was just
> >>             about to go and get a RC-50 , but that was before I read
> >>             reviews on harmony-central, musiciansfriend.com, loopers
> >>             delight, etc.....I was excited about going stereo, having
> >>             3 phrase tracks, such long recording time......bla, bla,
> >>             bla...........but as I would have it mainly for live
> >>             performances, just put it aside for this moment.
> >>             =20
> >>             RC-20XL is mono, seems to degrade sound quality as more
> >>             phrases are added onto previous recorded ones, has the 2
> >>             seconds pressed pedal waiting time to change
> >>             recording/dubbing functions......sounds not pro enough.
> >>             =20
> >>             Also read a lot about some little issues on Digitech
> >>             JamMan, Boomerang, Electro Harmonix 2880, etc.......even
> >>             the Gibson Echoplex Digital ProPlus got bad reviews.
> >>             =20
> >>             Sincerely....I got lost in the middle of everything, so
> >>             it got cloudy for me to define what should I buy at this
> >>             moment, what will give me condition for a reliable and
> >>             creative live performance, and also be a smart option
> >>             regarding the cost X benefit X technology X quality issue.
> >>             =20
> >>             Counting on your expertise people....thanks a lot.
> >>             =20
> >>             Peace.
> >>             =20
> >>             TUNGA
> >>
> >>         --------------------------------------------------------------=
----------
> >>         No virus found in this incoming message.
> >>         Checked by AVG Free Edition.
> >>         Version: 7.1.405 / Virus Database: 268.10.7/411 - Release
> >>         Date: 7/8/2006
> >>
> >     -------------------------------------------------------------------=
-----
> >     No virus found in this incoming message.
> >     Checked by AVG Free Edition.
> >     Version: 7.1.405 / Virus Database: 268.10.7/411 - Release Date:
> >     7/8/2006
> >

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Date: Tue, 8 Aug 2006 11:18:50 -0700 (PDT)
From: Scott Murchison <murch33@yahoo.com>
Subject: Re: ...what to go for then?
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Mine's got no issues with sound quality.  I run it in
the loop of my amp and it's dead silent.  Out front
it's hissy as hell, but that's not where I put it. 
And for some reason, if I put it in front of my little
solid state Crate practice amp I don't get noise.  So
it's not simply a matter of placement, either.

Scott

> But the Boomerang IS a choice!? If one doesn't care
> about sound quality, I guess. I bought one once and
> sent it back as it sounded very muddy.
> 
> Paul 
> 
> ---- Joshua Carroll <josh@infinivert.com> wrote: 
> > Cool!  Sounds like a fun show.
> > 
> > I'm no hardware expert, but I'd look at the Gibson
> Echoplex Digital Pro 
> > I know it does all you want.  If you ask around on
> this list, there may 
> > be one or two up for sale.  If you want to do
> multiple loops with 
> > separate volumes, etc., you'll have to look at the
> Looperlative or go 
> > the laptop route.  The Boomerang might also work. 
> I believe it does 
> > Verse/Chorus type "Or" loops, but I don't know if
> it has a multiply 
> > function for laying longer loops over shorter
> ones.  The Repeater might 
> > also be cool to use with a DJ since I hear it has
> some pretty cool 
> > time-stretching capabilities, but beyond that I
> don't know any of it's 
> > functionality.  Other people on here might be able
> to make other 
> > suggestions.
> > 
> > Also, be aware that I believe most of the hardware
> loopers out there are 
> > mono, not stereo.
> > 
> > Good luck!
> > 
> > --Josh
> > 
> > 
> > 
> > tunga.muzik wrote:
> > > Well, what do you want to do?
> > > - Mostly to be able to loop in sync to what a Dj
> is playing.
> > >  
> > > Are you playing an instrument, singing,
> beatboxing? 
> > > - Yes, I´d be playing guitars, bass guitar and
> singing.
> > >  
> > > Is it important for you to be able to have
> seperate loops for 
> > > verse/chorus type structures or to overdub
> longer phrases overtop of 
> > > shorter ones?
> > > - Yes this is very important.
> > >  
> > > Do you need to be able to control volumes of
> seperate loops 
> > > simultaneously?
> > > - Not so important at first, but really cool.
> > >  
> > > Also, it´d be cool to go stereo, but as far as I
> know, the RC-50 is 
> > > the only that would go stereo, and RC-50 is not
> a choice now. All 
> > > others I guess would cost me double to do so.
> > >
> > > --Josh
> > >
> > >
> > >
> > > tunga.muzik wrote:
> > >
> > >>     I´m going with the individual items idea. I
> really ain´t got the
> > >>     time to try a laptop system, although that
> sure might have its
> > >>     highlights.
> > >>      
> > >>     The purpose of  question at first was
> really _to have info from
> > >>     you guys who own or have owned and
> performed live_ with models
> > >>     like RC-20, RC-20XL, JamMan, Boomerang,
> Akai Headrush....the
> > >>     standard units, cause I´ll probably go for
> one of these. Also,
> > >>     it´d be so cool learning with you people
> who have performed with
> > >>     a DJ, in a "live" experience. That would
> really make clear which
> > >>     features can not fail, or must be reliable
> at all.
> > >>      
> > >>     See, at this point it´s about getting the
> coolest/best individual
> > >>     unit, so that I can perform a very
> reliable/creative gig with the
> > >>     DJ community and/or a stand alone act -
> have in mind I would go
> > >>     for the RC-50 before reading web reviews
> about it, so it´s not
> > >>     all about saving a few bucks.
> > >>      
> > >>     Also, the DD-20 and LINE 6 DL4, I wouldn´t
> consider using them as
> > >>     a looper unit, as I think it´d be a limited
> choice for a serious
> > >>     looper. Now thinking it as a delay unit,
> again from you actual or
> > >>     past owners, what about the features, sound
> quality, ease of
> > >>     use of each one, which is the best?
> > >>      
> > >>     Thanks again.
> > >>      
> > >>     Peace.
> > >>      
> > >>      
> > >>      
> > >>      
> > >>      
> > >>
> > >>         ----- Original Message -----
> > >>         *From:* Douglas Baldwin
> <mailto:coyotelk@optonline.net>
> > >>         *To:* tunga.muzik
> <mailto:tunga.muzik@terra.com.br> ;
> > >>         Loopers-Delight@loopers-delight.com
> > >>        
> <mailto:Loopers-Delight@loopers-delight.com>
> > >>         *Sent:* Tuesday, August 08, 2006 11:18
> AM
> > >>         *Subject:* Re: ...what to go for then?
> > >>
> > >>         Hey community-
> > >>             Have we ever discussed the
> difference between a looper
> > >>         and a long delay? Methinks a looper can
> store a few audio
> > >>         loops, can start, stop, restsart and/or
> continue on command,
> > >>         and can "undo" one or more levels of
> looping. A long delay
> > >>         won't do these things, but will have a
> feedback function so
> > >>         loops can fade away as new material is
> added. Any more
> > >>         differentiating features?
> > >>             I ask this because I'm reading this
> thread, thinking,
> > >>         Boss DD-20! Boss DD-20! Makes a great
> looper! (except it
> > >>         doesn't do those "looper" things
> mentioned above)
> > >>          
> > >>         Douglas Baldwin, coyote-at-large
> > >>         www.thecoyote.org
> <http://www.thecoyote.org>
> > >>         coyotelk@optonline.net
> <mailto:coyotelk@optonline.net>
> > >>          
> > >>         "Life! Life!
> > >>         Clouds and clowns!
> > >>         You don't have to come down!"
> > >>         - Sly and the Family Stone
> > >>         ----- Original Message -----
> > >>
> > >>             *From:* tunga.muzik
> <mailto:tunga.muzik@terra.com.br>
> > >>             *To:*
> Loopers-Delight@loopers-delight.com
> > >>            
> <mailto:Loopers-Delight@loopers-delight.com>
> > >>             *Sent:* Tuesday, August 08, 2006
> 12:19 AM
> > >>             *Subject:* ...what to go for then?
> > >>
> > >>             Hi there,
> > >>              
> > >>             I´m also new to this community,
> been playing guitar for
> > >>             15 years now and have been invited
> by some DJs to perform
> > >>             live with them. Obviously I need a
> looper, and I was just
> > >>             about to go and get a RC-50 , but
> that was before I read
> > >>             reviews on harmony-central,
> musiciansfriend.com, loopers
> > >>             delight, etc.....I was excited
> about going stereo, having
> > >>             3 phrase tracks, such long
> recording time......bla, bla,
> > >>             bla...........but as I would have
> it mainly for live
> > >>             performances, just put it aside for
> this moment.
> > >>              
> > >>             RC-20XL is mono, seems to degrade
> sound quality as more
> > >>             phrases are added onto previous
> recorded ones, has the 2
> > >>             seconds pressed pedal waiting time
> to change
> > >>             recording/dubbing
> functions......sounds not pro enough.
> > >>              
> > >>             Also read a lot about some little
> issues on Digitech
> > >>             JamMan, Boomerang, Electro Harmonix
> 2880, etc.......even
> > >>             the Gibson Echoplex Digital ProPlus
> got bad reviews.
> > >>              
> > >>             Sincerely....I got lost in the
> middle of everything, so
> > >>             it got cloudy for me to define what
> should I buy at this
> > >>             moment, what will give me condition
> for a reliable and
> > >>             creative live performance, and also
> be a smart option
> > >>             regarding the cost X benefit X
> technology X quality issue.
> > >>              
> > >>             Counting on your expertise
> people....thanks a lot.
> > >>              
> > >>             Peace.
> > >>              
> > >>             TUNGA
> > >>
> > >>        
>
------------------------------------------------------------------------
> > >>         No virus found in this incoming
> message.
> > >>         Checked by AVG Free Edition.
> > >>         Version: 7.1.405 / Virus Database:
> 268.10.7/411 - Release
> > >>         Date: 7/8/2006
> > >>
> > >    
>
------------------------------------------------------------------------
> > >     No virus found in this incoming message.
> > >     Checked by AVG Free Edition.
> > >     Version: 7.1.405 / Virus Database:
> 268.10.7/411 - Release Date:
> > >     7/8/2006
> > >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 18:19:31 2006
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Date: Tue, 8 Aug 2006 14:19:22 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
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Subject: Re: RC-50 glitch/software update rumor
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Thanks!  I'll do this this week and let you know the results...

On 8/7/06, Jfloridis@aol.com <Jfloridis@aol.com> wrote:
>
>
>  In a message dated 8/7/06 6:40:52 PM, tom@swirly.com writes:
>
>
>
> Can we get this guy's number?
>
>
>
>  the number i had for tech support for boss is 323-890-3700.  i spoke with
> ryan.  seems like a nice guy actually.  just the messenger of course.
>
>
>
>
> On 8/7/06, Jfloridis@aol.com <Jfloridis@aol.com> wrote:
>  > i was just speaking to ryan at boss customer support.  according to him,
>  > there is no definite rc50 software update in the works.  they have
> requested
>  > one from japan due to what he said were 2 issues specifically- the
> "glitch"
>  > issue and what he said was a "drifting" issue when using midi sync.
> perhaps
>  > the lack of ability to function as the "slave" in the chain?  i've not
>  > gotten into that aspect of the unit.
>  >
>  >  somewhere back in the discussion of rc-50 issues, it came up that an
> update
>  > was in the making for sure.  does anyone remember how, when that came up?
>  i
>  > felt a little foolish when he told me this.
>  >
>  >  though i've now performed with the unit several times and can do the bit
> of
>  > playing through the first beat of the playback to cover the glitch, it's
>  > still a pain and from what i can gather here a factor for some people not
> to
>  > even bother with it.
>  >
>  >  john
>
>
>  john


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 18:22:21 2006
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From: "Tom Ritchford" <tom@swirly.com>
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It really depends on whether you want to start with pre-recorded
loops, in which case it's fine, or you want to start with a live loop,
in which case it is not.

Since I don't pre-record material, I'm out of luck.

Generally, it's hard to understand people who don't find this an
issue.  The first thing I do with a loop pedal is simply play into it
and grab a loop.  It doesn't do that right.

     /t


On 8/7/06, Paul <paulrichard10@adelphia.net> wrote:
> I haven't found the 'glitch' to be a problem at all - at least for home
> recording use. When building my initial loops, I don't care if I hear the
> 'glitch' the first time through. Once the loops are built, I then play over
> them.
>
> I hope that it will eventually get fixed, though, assuming that the problem
> isn't insurmountable.
>
> Paul
> ----- Original Message -----
> From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Monday, August 07, 2006 9:15 PM
> Subject: RC-50 glitch
>
>
> >I have a student who I"m trying to advise to purchase a stop box looper.
> >
> > Does this RC-50 glitch take this pedal out of the running?
> >
> > I don't have one so I don't know how bad it is.
> >
> > Can you advise me what to advise him?
> >
> > yours,  rick
> >
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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Date: Tue, 8 Aug 2006 13:54:06 -0500
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From: Daryl Shawn [mailto:highhorse@mhorse.com]=20
=20
> These discussions of laptop looping are fascinating to me...
=20
I think your points are sound, except perhaps for this one:
=20
> And if something does go wrong, with something like the Looperlative I
> can get in touch with the developer and get assistance that will cover
> anything that has gone amiss.=20
=20
The Looperlative  is the exception here.  If your EDP or  Repeater
breaks
down in Des Moines Iowa, who you gonna call?  Assuming you can have a=20
replacement Fedexd to you, you're still looking at a day of down time,
and if you need it fixed it's at least a week. =20
=20
It certainly takes planning and discipline, but if I were a touring
musician I'm confident I could resurrect my entire system on a
borrowed laptop in a few hours provided I could reinstall the OS.
If the problem was in the audio interface, any Best Buy carries
products that will do in a pinch.  But you do have to know what
you're doing and plan for this.
=20
> Then there's the latency. Any perceptible amount seems insurmountable
> to me. I wouldn't want to have to do a workaround if one day I decided
> to start singing into the thing, then realizing I need to "adjust" to
> compensate, as was discussed earlier this week.
=20
If I understood correctly, the latency issue being discussed had
nothing to do with laptops, but with the "air latency" between an
accoustic instrument (such as a voice) and a monitor speaker
far enough away that the speed of sound causes  a  perceptable delay.
You would have the same problem with a dedicated hardware device.
=20
Jeff


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<DIV><FONT face=3DArial color=3D#0000ff size=3D2>From: Daryl Shawn=20
[mailto:highhorse@mhorse.com] </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>&gt; These discussions =
of laptop=20
looping are fascinating to me...</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>I think your points are =
sound, except=20
perhaps for this one:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>&gt; And if something =
does go wrong,=20
with something like the Looperlative I<BR>&gt; can get in touch with the =

developer and get assistance that will cover<BR>&gt; anything that has =
gone=20
amiss. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>The =
Looperlative&nbsp;<SPAN=20
class=3D378532818-08082006>&nbsp;is</SPAN> the exception here.&nbsp; If =
your EDP=20
or&nbsp;<SPAN class=3D378532818-08082006> Repeater</SPAN> breaks<BR>down =
in Des=20
Moines Iowa, who you gonna call?&nbsp; Assuming you can have a =
<BR>replacement=20
Fedexd to you, you're still looking at a day of down time,<BR>and if you =
need it=20
fixed it's at least a week.&nbsp; </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>It certainly takes =
planning and=20
discipline, but if I were a touring<BR>musician I'm confident I could =
resurrect=20
my entire system on a<BR>borrowed laptop in a few hours provided I could =

reinstall the OS.<BR>If the problem was in the audio =
interface,&nbsp;<SPAN=20
class=3D378532818-08082006>any Best Buy carries</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D378532818-08082006>products that will do in a pinch.&nbsp; But =
you do have=20
to know what</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D378532818-08082006>you're=20
doing and plan for this.</SPAN></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>&gt; Then there's the =
latency. Any=20
perceptible amount seems insurmountable<BR>&gt; to me. I wouldn't want =
to have=20
to do a workaround if one day I decided<BR>&gt; to start singing into =
the thing,=20
then realizing I need to "adjust" to<BR>&gt; compensate, as was =
discussed=20
earlier this week.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>If I understood =
correctly, the=20
latency issue being discussed had<BR>nothing to do with laptops, but =
with the=20
"air latency" between an<BR>accoustic instrument (such as a voice) and a =
monitor=20
speaker<BR>far enough away that the speed of sound causes&nbsp;<SPAN=20
class=3D378532818-08082006>&nbsp;a &nbsp;</SPAN>perceptable<SPAN=20
class=3D378532818-08082006>&nbsp;delay</SPAN>.<BR>You would have the =
same problem=20
with a dedicated hardware device.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff =
size=3D2>Jeff<BR></FONT></DIV></BODY></HTML>

------_=_NextPart_001_01C6BB1C.05F7D7F9--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 18:54:09 2006
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Stereo folks, stereo individual units!! For my taste the coolest is to have 
the possibility to create in stereo, both live and in studio. As I really 
like Andre Lafosse music, I´ve been doing quite some reading on the EDP. EDP 
is killer, but having such a killer unit in mono is quite ridiculous (I 
wonder Andre´s got many echoplexes, or ate least 2), and it sounds really 
strange Gibson having not cared about it yet. Electro Harmonix 2880 is 
stereo. What you guys know about it? Any actual/past owners?



----- Original Message ----- 
From: "Scott Murchison" <murch33@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 3:18 PM
Subject: Re: ...what to go for then?


> Mine's got no issues with sound quality.  I run it in
> the loop of my amp and it's dead silent.  Out front
> it's hissy as hell, but that's not where I put it.
> And for some reason, if I put it in front of my little
> solid state Crate practice amp I don't get noise.  So
> it's not simply a matter of placement, either.
>
> Scott
>
>> But the Boomerang IS a choice!? If one doesn't care
>> about sound quality, I guess. I bought one once and
>> sent it back as it sounded very muddy.
>>
>> Paul
>>
>> ---- Joshua Carroll <josh@infinivert.com> wrote:
>> > Cool!  Sounds like a fun show.
>> >
>> > I'm no hardware expert, but I'd look at the Gibson
>> Echoplex Digital Pro
>> > I know it does all you want.  If you ask around on
>> this list, there may
>> > be one or two up for sale.  If you want to do
>> multiple loops with
>> > separate volumes, etc., you'll have to look at the
>> Looperlative or go
>> > the laptop route.  The Boomerang might also work.
>> I believe it does
>> > Verse/Chorus type "Or" loops, but I don't know if
>> it has a multiply
>> > function for laying longer loops over shorter
>> ones.  The Repeater might
>> > also be cool to use with a DJ since I hear it has
>> some pretty cool
>> > time-stretching capabilities, but beyond that I
>> don't know any of it's
>> > functionality.  Other people on here might be able
>> to make other
>> > suggestions.
>> >
>> > Also, be aware that I believe most of the hardware
>> loopers out there are
>> > mono, not stereo.
>> >
>> > Good luck!
>> >
>> > --Josh
>> >
>> >
>> >
>> > tunga.muzik wrote:
>> > > Well, what do you want to do?
>> > > - Mostly to be able to loop in sync to what a Dj
>> is playing.
>> > >
>> > > Are you playing an instrument, singing,
>> beatboxing?
>> > > - Yes, I´d be playing guitars, bass guitar and
>> singing.
>> > >
>> > > Is it important for you to be able to have
>> seperate loops for
>> > > verse/chorus type structures or to overdub
>> longer phrases overtop of
>> > > shorter ones?
>> > > - Yes this is very important.
>> > >
>> > > Do you need to be able to control volumes of
>> seperate loops
>> > > simultaneously?
>> > > - Not so important at first, but really cool.
>> > >
>> > > Also, it´d be cool to go stereo, but as far as I
>> know, the RC-50 is
>> > > the only that would go stereo, and RC-50 is not
>> a choice now. All
>> > > others I guess would cost me double to do so.
>> > >
>> > > --Josh
>> > >
>> > >
>> > >
>> > > tunga.muzik wrote:
>> > >
>> > >>     I´m going with the individual items idea. I
>> really ain´t got the
>> > >>     time to try a laptop system, although that
>> sure might have its
>> > >>     highlights.
>> > >>
>> > >>     The purpose of  question at first was
>> really _to have info from
>> > >>     you guys who own or have owned and
>> performed live_ with models
>> > >>     like RC-20, RC-20XL, JamMan, Boomerang,
>> Akai Headrush....the
>> > >>     standard units, cause I´ll probably go for
>> one of these. Also,
>> > >>     it´d be so cool learning with you people
>> who have performed with
>> > >>     a DJ, in a "live" experience. That would
>> really make clear which
>> > >>     features can not fail, or must be reliable
>> at all.
>> > >>
>> > >>     See, at this point it´s about getting the
>> coolest/best individual
>> > >>     unit, so that I can perform a very
>> reliable/creative gig with the
>> > >>     DJ community and/or a stand alone act -
>> have in mind I would go
>> > >>     for the RC-50 before reading web reviews
>> about it, so it´s not
>> > >>     all about saving a few bucks.
>> > >>
>> > >>     Also, the DD-20 and LINE 6 DL4, I wouldn´t
>> consider using them as
>> > >>     a looper unit, as I think it´d be a limited
>> choice for a serious
>> > >>     looper. Now thinking it as a delay unit,
>> again from you actual or
>> > >>     past owners, what about the features, sound
>> quality, ease of
>> > >>     use of each one, which is the best?
>> > >>
>> > >>     Thanks again.
>> > >>
>> > >>     Peace.
>> > >>
>> > >>
>> > >>
>> > >>
>> > >>
>> > >>
>> > >>         ----- Original Message -----
>> > >>         *From:* Douglas Baldwin
>> <mailto:coyotelk@optonline.net>
>> > >>         *To:* tunga.muzik
>> <mailto:tunga.muzik@terra.com.br> ;
>> > >>         Loopers-Delight@loopers-delight.com
>> > >>
>> <mailto:Loopers-Delight@loopers-delight.com>
>> > >>         *Sent:* Tuesday, August 08, 2006 11:18
>> AM
>> > >>         *Subject:* Re: ...what to go for then?
>> > >>
>> > >>         Hey community-
>> > >>             Have we ever discussed the
>> difference between a looper
>> > >>         and a long delay? Methinks a looper can
>> store a few audio
>> > >>         loops, can start, stop, restsart and/or
>> continue on command,
>> > >>         and can "undo" one or more levels of
>> looping. A long delay
>> > >>         won't do these things, but will have a
>> feedback function so
>> > >>         loops can fade away as new material is
>> added. Any more
>> > >>         differentiating features?
>> > >>             I ask this because I'm reading this
>> thread, thinking,
>> > >>         Boss DD-20! Boss DD-20! Makes a great
>> looper! (except it
>> > >>         doesn't do those "looper" things
>> mentioned above)
>> > >>
>> > >>         Douglas Baldwin, coyote-at-large
>> > >>         www.thecoyote.org
>> <http://www.thecoyote.org>
>> > >>         coyotelk@optonline.net
>> <mailto:coyotelk@optonline.net>
>> > >>
>> > >>         "Life! Life!
>> > >>         Clouds and clowns!
>> > >>         You don't have to come down!"
>> > >>         - Sly and the Family Stone
>> > >>         ----- Original Message -----
>> > >>
>> > >>             *From:* tunga.muzik
>> <mailto:tunga.muzik@terra.com.br>
>> > >>             *To:*
>> Loopers-Delight@loopers-delight.com
>> > >>
>> <mailto:Loopers-Delight@loopers-delight.com>
>> > >>             *Sent:* Tuesday, August 08, 2006
>> 12:19 AM
>> > >>             *Subject:* ...what to go for then?
>> > >>
>> > >>             Hi there,
>> > >>
>> > >>             I´m also new to this community,
>> been playing guitar for
>> > >>             15 years now and have been invited
>> by some DJs to perform
>> > >>             live with them. Obviously I need a
>> looper, and I was just
>> > >>             about to go and get a RC-50 , but
>> that was before I read
>> > >>             reviews on harmony-central,
>> musiciansfriend.com, loopers
>> > >>             delight, etc.....I was excited
>> about going stereo, having
>> > >>             3 phrase tracks, such long
>> recording time......bla, bla,
>> > >>             bla...........but as I would have
>> it mainly for live
>> > >>             performances, just put it aside for
>> this moment.
>> > >>
>> > >>             RC-20XL is mono, seems to degrade
>> sound quality as more
>> > >>             phrases are added onto previous
>> recorded ones, has the 2
>> > >>             seconds pressed pedal waiting time
>> to change
>> > >>             recording/dubbing
>> functions......sounds not pro enough.
>> > >>
>> > >>             Also read a lot about some little
>> issues on Digitech
>> > >>             JamMan, Boomerang, Electro Harmonix
>> 2880, etc.......even
>> > >>             the Gibson Echoplex Digital ProPlus
>> got bad reviews.
>> > >>
>> > >>             Sincerely....I got lost in the
>> middle of everything, so
>> > >>             it got cloudy for me to define what
>> should I buy at this
>> > >>             moment, what will give me condition
>> for a reliable and
>> > >>             creative live performance, and also
>> be a smart option
>> > >>             regarding the cost X benefit X
>> technology X quality issue.
>> > >>
>> > >>             Counting on your expertise
>> people....thanks a lot.
>> > >>
>> > >>             Peace.
>> > >>
>> > >>             TUNGA
>> > >>
>> > >>
>>
> ------------------------------------------------------------------------
>> > >>         No virus found in this incoming
>> message.
>> > >>         Checked by AVG Free Edition.
>> > >>         Version: 7.1.405 / Virus Database:
>> 268.10.7/411 - Release
>> > >>         Date: 7/8/2006
>> > >>
>> > >
>>
> ------------------------------------------------------------------------
>> > >     No virus found in this incoming message.
>> > >     Checked by AVG Free Edition.
>> > >     Version: 7.1.405 / Virus Database:
>> 268.10.7/411 - Release Date:
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>> > >
>>
>>
>
>
> __________________________________________________
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>
>
>
> -- 
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>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 18:56:40 2006
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Date: Tue,  8 Aug 2006 14:56:39 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: RE: Products, Services, and Looping Gear "Packages"
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I haven't been able to follow the entire thread on this one, but I hope in the
business model of this sort of venture that somebody considers compensating
Jeff, especially if you're going to make money off of a laptop looper that has
Mobius as it's central core.
In fact I've wondered about the personal ethics of using Mobius as my primary
looper, making money off my performance and not paying something for the
software that enables me to do what I do. Personally, I made the choice that
when I did sell off my hardware looper, I paid a portion to Jeff, I mean after
all, I've paid good cash for other programs that I don't use nearly as much,
and don't have as good support, and aren't as good as Mobius. So maybe the
question to ask is: how much is it worth to you to have a software looper that
is as good as Mobius?
I believe Jeff does have a donation button on his website.....

My two cents worth

Paul Haslem
www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:09:55 2006
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Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 13:09:51 -0600
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Good points. I think what Jeff has developed is an amazing service to the 
looping community. He is like the software version of Bob and LP1, 
constantly listening to users, updating, improving, etc. Who else is doing 
this for us?

At least, I think Jeff should put a PayPal donation section on his site to 
compensate his time, in case he can't charge for Mobius because of the EDP 
connection. I'd donate in an instant, given the benefits I'm geting out of 
Mobius.

But sometimes developers don't like to take this route....these tools are 
the love of their trade, and they do it unselfishly and unconditionally. 
Look at all the folks wo develop Reaktor 5 ensembles and post them for free. 
They could charge if they wanted, but the don't. And some of these effects 
are mind blowing. Loopy Llama is free too....a really good software 
emulation of the Jamman or DL-4.

So, yes, if someone were to package up Mobius or any of these free looping 
software programs in a notebook looping system, then I by al means it would 
be a good idea to talk to the owners of the programs and get their 
permission, or work out a deal of some sort. In fact, if someone were really 
serious about this, they would figure out how to get the nootbooks, 
conrollers, and audio interface at cost (as a retailer), so that they could 
offer a more competetive price and focus on more valuable services.

Kris


----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 12:56 PM
Subject: RE: Products, Services, and Looping Gear "Packages"


>I haven't been able to follow the entire thread on this one, but I hope in 
>the
> business model of this sort of venture that somebody considers 
> compensating
> Jeff, especially if you're going to make money off of a laptop looper that 
> has
> Mobius as it's central core.
> In fact I've wondered about the personal ethics of using Mobius as my 
> primary
> looper, making money off my performance and not paying something for the
> software that enables me to do what I do. Personally, I made the choice 
> that
> when I did sell off my hardware looper, I paid a portion to Jeff, I mean 
> after
> all, I've paid good cash for other programs that I don't use nearly as 
> much,
> and don't have as good support, and aren't as good as Mobius. So maybe the
> question to ask is: how much is it worth to you to have a software looper 
> that
> is as good as Mobius?
> I believe Jeff does have a donation button on his website.....
>
> My two cents worth
>
> Paul Haslem
> www.dulcify.ca
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:13:58 2006
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>> And if something does go wrong, with something like the Looperlative I
>> can get in touch with the developer and get assistance that will cover
>> anything that has gone amiss.
>

Actually, this is exactly the reason I ended up going with a software looper.
Last summer I had several shows to do and my edp went down, there was no one
that could service it here in Canada, the company wanted me to ship it to
Nashville and told me it would be 3 months minimum before I got it back. So I
looked into the software solutions. At first I was using an old compac m300
that worked quite fine even though it had certain limitations due to the speed
and ram (600mhz and 276 mgram). I did share in some of the concerns about the
fragile nature of laptops in general and eventually settled on building my own
rackmount computer. I was able to build a 1u rackmount p4 with a 3.06 cpu, 1
gig ram, 120 gig 7600rpm hard drive, a used aardvark q10 pci interface 
that has
8 decent quality mic pre's, and a small 8" touch screen monitor for about
$900.00. I know the monitor is kinda of small and you don't want to do any
reading with it, but this computer is only for music. no internet hookup at
all. I've been using it quite a bit for 4 months now and no problems. The only
thing that can fall off the rack and get damaged is the touch screen monitor
and it can be replaced for about $150.00. Because it is a computer I can
upgrade the motherboard, cpu, memory all with minimal problems.
For me this was a great solution over the rig that I was using, gave me more
flexibility and greater potentials for sounds that I was seeking to utilize.

Of course there are reasons for going with hardware loopers, but for me 
this was
the best overall solution.

Paul Haslem

www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:16:13 2006
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From: "Stefan Smulovitz" <stefan@kenaxis.com>
To: Loopers-Delight@loopers-delight.com
Subject: New podcast
Date: Tue, 8 Aug 2006 14:16:10 -0500
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Hello all,

I've just started a new podcast that some of you might enjoy listening to. 

website: http://lotfive.ca/
feed: feed://www.kenaxis.com/lotfive/Podcast/rss.xml
direct itunes link: itpc://www.kenaxis.com/lotfive/Podcast/rss.xml

The first track released is a duet with Viviane Houle on Voice and myself on laptop using Kenaxis VBAP 
software ((http://www.kenaxis.com/) ) to loop her voice and some prerecorded samples in 8 channels. 
It was performed live at the Simon Fraser University Electo-acoustic show.

Enjoy,

Stefan Smulovitz
stefan@kenaxis.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:23:59 2006
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Date: Tue, 8 Aug 2006 12:23:57 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: ...what to go for then?
Cc: Scott Murchison <murch33@yahoo.com>
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I had one of the older ones and I'm not referring to hiss but just the samp=
ling/bit rate/etc. of the sound.=20

I've heard guys sound fine onstage with it but at home recording, I thought=
 it was too lo-fi. I wanted to like the unit as it's priced right and it's =
made in the US. The new ones coming out look intriguing.
--
Paul =20

---- Scott Murchison <murch33@yahoo.com> wrote:=20
> Mine's got no issues with sound quality.  I run it in
> the loop of my amp and it's dead silent.  Out front
> it's hissy as hell, but that's not where I put it.=20
> And for some reason, if I put it in front of my little
> solid state Crate practice amp I don't get noise.  So
> it's not simply a matter of placement, either.
>=20
> Scott
>=20
> > But the Boomerang IS a choice!? If one doesn't care
> > about sound quality, I guess. I bought one once and
> > sent it back as it sounded very muddy.
> >=20
> > Paul=20
> >=20
> > ---- Joshua Carroll <josh@infinivert.com> wrote:=20
> > > Cool!  Sounds like a fun show.
> > >=20
> > > I'm no hardware expert, but I'd look at the Gibson
> > Echoplex Digital Pro=20
> > > I know it does all you want.  If you ask around on
> > this list, there may=20
> > > be one or two up for sale.  If you want to do
> > multiple loops with=20
> > > separate volumes, etc., you'll have to look at the
> > Looperlative or go=20
> > > the laptop route.  The Boomerang might also work.=20
> > I believe it does=20
> > > Verse/Chorus type "Or" loops, but I don't know if
> > it has a multiply=20
> > > function for laying longer loops over shorter
> > ones.  The Repeater might=20
> > > also be cool to use with a DJ since I hear it has
> > some pretty cool=20
> > > time-stretching capabilities, but beyond that I
> > don't know any of it's=20
> > > functionality.  Other people on here might be able
> > to make other=20
> > > suggestions.
> > >=20
> > > Also, be aware that I believe most of the hardware
> > loopers out there are=20
> > > mono, not stereo.
> > >=20
> > > Good luck!
> > >=20
> > > --Josh
> > >=20
> > >=20
> > >=20
> > > tunga.muzik wrote:
> > > > Well, what do you want to do?
> > > > - Mostly to be able to loop in sync to what a Dj
> > is playing.
> > > > =20
> > > > Are you playing an instrument, singing,
> > beatboxing?=20
> > > > - Yes, I=C2=B4d be playing guitars, bass guitar and
> > singing.
> > > > =20
> > > > Is it important for you to be able to have
> > seperate loops for=20
> > > > verse/chorus type structures or to overdub
> > longer phrases overtop of=20
> > > > shorter ones?
> > > > - Yes this is very important.
> > > > =20
> > > > Do you need to be able to control volumes of
> > seperate loops=20
> > > > simultaneously?
> > > > - Not so important at first, but really cool.
> > > > =20
> > > > Also, it=C2=B4d be cool to go stereo, but as far as I
> > know, the RC-50 is=20
> > > > the only that would go stereo, and RC-50 is not
> > a choice now. All=20
> > > > others I guess would cost me double to do so.
> > > >
> > > > --Josh
> > > >
> > > >
> > > >
> > > > tunga.muzik wrote:
> > > >
> > > >>     I=C2=B4m going with the individual items idea. I
> > really ain=C2=B4t got the
> > > >>     time to try a laptop system, although that
> > sure might have its
> > > >>     highlights.
> > > >>     =20
> > > >>     The purpose of  question at first was
> > really _to have info from
> > > >>     you guys who own or have owned and
> > performed live_ with models
> > > >>     like RC-20, RC-20XL, JamMan, Boomerang,
> > Akai Headrush....the
> > > >>     standard units, cause I=C2=B4ll probably go for
> > one of these. Also,
> > > >>     it=C2=B4d be so cool learning with you people
> > who have performed with
> > > >>     a DJ, in a "live" experience. That would
> > really make clear which
> > > >>     features can not fail, or must be reliable
> > at all.
> > > >>     =20
> > > >>     See, at this point it=C2=B4s about getting the
> > coolest/best individual
> > > >>     unit, so that I can perform a very
> > reliable/creative gig with the
> > > >>     DJ community and/or a stand alone act -
> > have in mind I would go
> > > >>     for the RC-50 before reading web reviews
> > about it, so it=C2=B4s not
> > > >>     all about saving a few bucks.
> > > >>     =20
> > > >>     Also, the DD-20 and LINE 6 DL4, I wouldn=C2=B4t
> > consider using them as
> > > >>     a looper unit, as I think it=C2=B4d be a limited
> > choice for a serious
> > > >>     looper. Now thinking it as a delay unit,
> > again from you actual or
> > > >>     past owners, what about the features, sound
> > quality, ease of
> > > >>     use of each one, which is the best?
> > > >>     =20
> > > >>     Thanks again.
> > > >>     =20
> > > >>     Peace.
> > > >>     =20
> > > >>     =20
> > > >>     =20
> > > >>     =20
> > > >>     =20
> > > >>
> > > >>         ----- Original Message -----
> > > >>         *From:* Douglas Baldwin
> > <mailto:coyotelk@optonline.net>
> > > >>         *To:* tunga.muzik
> > <mailto:tunga.muzik@terra.com.br> ;
> > > >>         Loopers-Delight@loopers-delight.com
> > > >>       =20
> > <mailto:Loopers-Delight@loopers-delight.com>
> > > >>         *Sent:* Tuesday, August 08, 2006 11:18
> > AM
> > > >>         *Subject:* Re: ...what to go for then?
> > > >>
> > > >>         Hey community-
> > > >>             Have we ever discussed the
> > difference between a looper
> > > >>         and a long delay? Methinks a looper can
> > store a few audio
> > > >>         loops, can start, stop, restsart and/or
> > continue on command,
> > > >>         and can "undo" one or more levels of
> > looping. A long delay
> > > >>         won't do these things, but will have a
> > feedback function so
> > > >>         loops can fade away as new material is
> > added. Any more
> > > >>         differentiating features?
> > > >>             I ask this because I'm reading this
> > thread, thinking,
> > > >>         Boss DD-20! Boss DD-20! Makes a great
> > looper! (except it
> > > >>         doesn't do those "looper" things
> > mentioned above)
> > > >>         =20
> > > >>         Douglas Baldwin, coyote-at-large
> > > >>         www.thecoyote.org
> > <http://www.thecoyote.org>
> > > >>         coyotelk@optonline.net
> > <mailto:coyotelk@optonline.net>
> > > >>         =20
> > > >>         "Life! Life!
> > > >>         Clouds and clowns!
> > > >>         You don't have to come down!"
> > > >>         - Sly and the Family Stone
> > > >>         ----- Original Message -----
> > > >>
> > > >>             *From:* tunga.muzik
> > <mailto:tunga.muzik@terra.com.br>
> > > >>             *To:*
> > Loopers-Delight@loopers-delight.com
> > > >>           =20
> > <mailto:Loopers-Delight@loopers-delight.com>
> > > >>             *Sent:* Tuesday, August 08, 2006
> > 12:19 AM
> > > >>             *Subject:* ...what to go for then?
> > > >>
> > > >>             Hi there,
> > > >>             =20
> > > >>             I=C2=B4m also new to this community,
> > been playing guitar for
> > > >>             15 years now and have been invited
> > by some DJs to perform
> > > >>             live with them. Obviously I need a
> > looper, and I was just
> > > >>             about to go and get a RC-50 , but
> > that was before I read
> > > >>             reviews on harmony-central,
> > musiciansfriend.com, loopers
> > > >>             delight, etc.....I was excited
> > about going stereo, having
> > > >>             3 phrase tracks, such long
> > recording time......bla, bla,
> > > >>             bla...........but as I would have
> > it mainly for live
> > > >>             performances, just put it aside for
> > this moment.
> > > >>             =20
> > > >>             RC-20XL is mono, seems to degrade
> > sound quality as more
> > > >>             phrases are added onto previous
> > recorded ones, has the 2
> > > >>             seconds pressed pedal waiting time
> > to change
> > > >>             recording/dubbing
> > functions......sounds not pro enough.
> > > >>             =20
> > > >>             Also read a lot about some little
> > issues on Digitech
> > > >>             JamMan, Boomerang, Electro Harmonix
> > 2880, etc.......even
> > > >>             the Gibson Echoplex Digital ProPlus
> > got bad reviews.
> > > >>             =20
> > > >>             Sincerely....I got lost in the
> > middle of everything, so
> > > >>             it got cloudy for me to define what
> > should I buy at this
> > > >>             moment, what will give me condition
> > for a reliable and
> > > >>             creative live performance, and also
> > be a smart option
> > > >>             regarding the cost X benefit X
> > technology X quality issue.
> > > >>             =20
> > > >>             Counting on your expertise
> > people....thanks a lot.
> > > >>             =20
> > > >>             Peace.
> > > >>             =20
> > > >>             TUNGA
> > > >>
> > > >>       =20
> >
> ------------------------------------------------------------------------
> > > >>         No virus found in this incoming
> > message.
> > > >>         Checked by AVG Free Edition.
> > > >>         Version: 7.1.405 / Virus Database:
> > 268.10.7/411 - Release
> > > >>         Date: 7/8/2006
> > > >>
> > > >   =20
> >
> ------------------------------------------------------------------------
> > > >     No virus found in this incoming message.
> > > >     Checked by AVG Free Edition.
> > > >     Version: 7.1.405 / Virus Database:
> > 268.10.7/411 - Release Date:
> > > >     7/8/2006
> > > >
> >=20
> >=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:24:03 2006
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Date: Tue, 8 Aug 2006 12:24:01 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Looping Laptops in general (WAS Products, Services, and Looping Gear "Packages")
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <20060808151357.r3xv7bpx2cskc8g8@www.wightman.ca>
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I've found Jeff (the author of Mobius) to be amazing
in the support and development department.  Maybe the
best. In fact I was able to buy, have Toshiba
configure (one month including shipping) install and
configure and learn mobius on my laptop in less time
than it took to have Looperlative Audio fix the bug
that was preventing me from using the Looperlative for
synced looping applications.  Perhaps now, the
looperlative has more capability than my laptop, but I
got frustrated waiting.

Mark

--- phaslem@wightman.ca wrote:

> >> And if something does go wrong, with something
> like the Looperlative I
> >> can get in touch with the developer and get
> assistance that will cover
> >> anything that has gone amiss.
> >
> 
> Actually, this is exactly the reason I ended up
> going with a software looper.
> Last summer I had several shows to do and my edp
> went down, there was no one
> that could service it here in Canada, the company
> wanted me to ship it to
> Nashville and told me it would be 3 months minimum
> before I got it back. So I
> looked into the software solutions. At first I was
> using an old compac m300
> that worked quite fine even though it had certain
> limitations due to the speed
> and ram (600mhz and 276 mgram). I did share in some
> of the concerns about the
> fragile nature of laptops in general and eventually
> settled on building my own
> rackmount computer. I was able to build a 1u
> rackmount p4 with a 3.06 cpu, 1
> gig ram, 120 gig 7600rpm hard drive, a used aardvark
> q10 pci interface 
> that has
> 8 decent quality mic pre's, and a small 8" touch
> screen monitor for about
> $900.00. I know the monitor is kinda of small and
> you don't want to do any
> reading with it, but this computer is only for
> music. no internet hookup at
> all. I've been using it quite a bit for 4 months now
> and no problems. The only
> thing that can fall off the rack and get damaged is
> the touch screen monitor
> and it can be replaced for about $150.00. Because it
> is a computer I can
> upgrade the motherboard, cpu, memory all with
> minimal problems.
> For me this was a great solution over the rig that I
> was using, gave me more
> flexibility and greater potentials for sounds that I
> was seeking to utilize.
> 
> Of course there are reasons for going with hardware
> loopers, but for me 
> this was
> the best overall solution.
> 
> Paul Haslem
> 
> www.dulcify.ca
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:28:28 2006
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Date: Tue, 8 Aug 2006 12:28:26 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 glitch
Cc: Tom Ritchford <tom@swirly.com>
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What do you mean by pre-recorded material? Loading the RC-50 via USB port with loops? I do live loops and I haven't noticed a problem.

The one thing I don't like, however, is there doesn't seem to be a good way, that I can see, to determine the end of a loop when playing, i.e. visual feedback. When I hit the 'next loop' button for loop 2 or loop 3, I have trouble determining when the next loop is going to fire as I have END LOOP settings for indivdual loops.
--
Paul 

---- Tom Ritchford <tom@swirly.com> wrote: 
> It really depends on whether you want to start with pre-recorded
> loops, in which case it's fine, or you want to start with a live loop,
> in which case it is not.
> 
> Since I don't pre-record material, I'm out of luck.
> 
> Generally, it's hard to understand people who don't find this an
> issue.  The first thing I do with a loop pedal is simply play into it
> and grab a loop.  It doesn't do that right.
> 
>      /t
> 
> 
> On 8/7/06, Paul <paulrichard10@adelphia.net> wrote:
> > I haven't found the 'glitch' to be a problem at all - at least for home
> > recording use. When building my initial loops, I don't care if I hear the
> > 'glitch' the first time through. Once the loops are built, I then play over
> > them.
> >
> > I hope that it will eventually get fixed, though, assuming that the problem
> > isn't insurmountable.
> >
> > Paul
> > ----- Original Message -----
> > From: "loop.pool" <looppool@cruzio.com>
> > To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, August 07, 2006 9:15 PM
> > Subject: RC-50 glitch
> >
> >
> > >I have a student who I"m trying to advise to purchase a stop box looper.
> > >
> > > Does this RC-50 glitch take this pedal out of the running?
> > >
> > > I don't have one so I don't know how bad it is.
> > >
> > > Can you advise me what to advise him?
> > >
> > > yours,  rick
> > >
> >
> >
> 
> 
> -- 
>      /t
> 
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 19:47:02 2006
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From: "David O'Heare" <oheare@magma.ca>
To: <Loopers-Delight@loopers-delight.com>
References: <3B760999C264454D82652640BB74075C0ABE04@keel.sailpoint.com> <20060808151357.r3xv7bpx2cskc8g8@www.wightman.ca>
Subject: Re: Looping Laptops in general (WAS Products, Services, andLooping Gear "Packages")
Date: Tue, 8 Aug 2006 15:46:42 -0400
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Paul:

What sort of monitor did you get, and where?

Dave O'Heare
oheareATmagmaDOTca

----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 3:13 PM
Subject: RE: Looping Laptops in general (WAS Products, Services, andLooping 
Gear "Packages")


>>> And if something does go wrong, with something like the Looperlative I
>>> can get in touch with the developer and get assistance that will cover
>>> anything that has gone amiss.
>>
>
> Actually, this is exactly the reason I ended up going with a software 
> looper.
> Last summer I had several shows to do and my edp went down, there was no 
> one
> that could service it here in Canada, the company wanted me to ship it to
> Nashville and told me it would be 3 months minimum before I got it back. 
> So I
> looked into the software solutions. At first I was using an old compac 
> m300
> that worked quite fine even though it had certain limitations due to the 
> speed
> and ram (600mhz and 276 mgram). I did share in some of the concerns about 
> the
> fragile nature of laptops in general and eventually settled on building my 
> own
> rackmount computer. I was able to build a 1u rackmount p4 with a 3.06 cpu, 
> 1
> gig ram, 120 gig 7600rpm hard drive, a used aardvark q10 pci interface 
> that has
> 8 decent quality mic pre's, and a small 8" touch screen monitor for about
> $900.00. I know the monitor is kinda of small and you don't want to do any
> reading with it, but this computer is only for music. no internet hookup 
> at
> all. I've been using it quite a bit for 4 months now and no problems. The 
> only
> thing that can fall off the rack and get damaged is the touch screen 
> monitor
> and it can be replaced for about $150.00. Because it is a computer I can
> upgrade the motherboard, cpu, memory all with minimal problems.
> For me this was a great solution over the rig that I was using, gave me 
> more
> flexibility and greater potentials for sounds that I was seeking to 
> utilize.
>
> Of course there are reasons for going with hardware loopers, but for me 
> this was
> the best overall solution.
>
> Paul Haslem
>
> www.dulcify.ca
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 20:47:19 2006
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Wow, that's a great solution, Paul. I was wondering if anyone had done 
that...I know rack-mounted servers exist, but their cases are very very 
long. It obviously presupposes a good deal of expertise...maybe this 
could be combined with a good racked patchbay/interface for plugging in, 
and set up completely a la Krispen's ideas, and the whole thing sold in 
a two-space Anvil. That would make a pretty damn attractive package.

Daryl Shawn
www.swanwelder.com
 
> I was able to build a 1u rackmount p4 with a 3.06 cpu, 1
> gig ram, 120 gig 7600rpm hard drive, a used aardvark q10 pci interface 
> that has
> 8 decent quality mic pre's, and a small 8" touch screen monitor for about
> $900.00. I know the monitor is kinda of small and you don't want to do 
> any
> reading with it, but this computer is only for music. no internet 
> hookup at
> all. I've been using it quite a bit for 4 months now and no problems. 
> The only
> thing that can fall off the rack and get damaged is the touch screen 
> monitor
> and it can be replaced for about $150.00. Because it is a computer I can
> upgrade the motherboard, cpu, memory all with minimal problems.
> For me this was a great solution over the rig that I was using, gave 
> me more
> flexibility and greater potentials for sounds that I was seeking to 
> utilize.
>
> Of course there are reasons for going with hardware loopers, but for 
> me this was
> the best overall solution.
>
> Paul Haslem
>
> www.dulcify.ca
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 20:55:09 2006
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Yeah, these are good points. EDP is a bit easier probably, as they can 
be had at a lot of music stores, the Repeater /not /so much.

That'd be a good friend that would allow you to re-install their OS...! 
But that's good to hear that it's possible to pull things together again 
without too much time.   Probably the caveat - as with touring in your 
own bus - is that you gotta know how to maintain your own stuff, 
especially so with a computer system.

I thought the latency discussed by Rainer was that created by the 
laptop, but I may have misunderstood.

Daryl Shawn
www.swanwelder.com
> The Looperlative  is the exception here.  If your EDP or  Repeater breaks
> down in Des Moines Iowa, who you gonna call?  Assuming you can have a
> replacement Fedexd to you, you're still looking at a day of down time,
> and if you need it fixed it's at least a week. 
>  
> It certainly takes planning and discipline, but if I were a touring
> musician I'm confident I could resurrect my entire system on a
> borrowed laptop in a few hours provided I could reinstall the OS.
> If the problem was in the audio interface, any Best Buy carries
> products that will do in a pinch.  But you do have to know what
> you're doing and plan for this.
>  
> > Then there's the latency. Any perceptible amount seems insurmountable
> > to me. I wouldn't want to have to do a workaround if one day I decided
> > to start singing into the thing, then realizing I need to "adjust" to
> > compensate, as was discussed earlier this week.
>  
> If I understood correctly, the latency issue being discussed had
> nothing to do with laptops, but with the "air latency" between an
> accoustic instrument (such as a voice) and a monitor speaker
> far enough away that the speed of sound causes  a  perceptable delay.
> You would have the same problem with a dedicated hardware device.
>  
> Jeff


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Yeah, these are good points. EDP is a bit easier probably, as they can
be had at a lot of music stores, the Repeater <i>not </i>so much.<br>
<br>
That'd be a good friend that would allow you to re-install their OS...!
But that's good to hear that it's possible to pull things together
again without too much time.&nbsp;&nbsp; Probably the caveat - as with touring in
your own bus - is that you gotta know how to maintain your own stuff,
especially so with a computer system.<br>
<br>
I thought the latency discussed by Rainer was that created by the
laptop, but I may have misunderstood.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid3B760999C264454D82652640BB74075C0ABE04@keel.sailpoint.com"
 type="cite">
  <div><font color="#0000ff" face="Arial" size="2">The Looperlative&nbsp;<span
 class="378532818-08082006">&nbsp;is</span> the exception here.&nbsp; If your EDP
or&nbsp;<span class="378532818-08082006"> Repeater</span> breaks<br>
down in Des Moines Iowa, who you gonna call?&nbsp; Assuming you can have a <br>
replacement Fedexd to you, you're still looking at a day of down time,<br>
and if you need it fixed it's at least a week.&nbsp; </font></div>
  <div>&nbsp; <br>
  </div>
  <div><font color="#0000ff" face="Arial" size="2">It certainly takes
planning and discipline, but if I were a touring<br>
musician I'm confident I could resurrect my entire system on a<br>
borrowed laptop in a few hours provided I could reinstall the OS.<br>
If the problem was in the audio interface,&nbsp;<span
 class="378532818-08082006">any Best Buy carries</span></font></div>
  <div><font color="#0000ff" face="Arial" size="2"><span
 class="378532818-08082006">products that will do in a pinch.&nbsp; But you
do have to know what</span></font></div>
  <div><font color="#0000ff" face="Arial" size="2"><span
 class="378532818-08082006">you're doing and plan for this.</span></font></div>
  <div>&nbsp;</div>
  <div><font color="#0000ff" face="Arial" size="2">&gt; Then there's
the latency. Any perceptible amount seems insurmountable<br>
&gt; to me. I wouldn't want to have to do a workaround if one day I
decided<br>
&gt; to start singing into the thing, then realizing I need to "adjust"
to<br>
&gt; compensate, as was discussed earlier this week.</font></div>
  <div>&nbsp;</div>
  <div><font color="#0000ff" face="Arial" size="2">If I understood
correctly, the latency issue being discussed had<br>
nothing to do with laptops, but with the "air latency" between an<br>
accoustic instrument (such as a voice) and a monitor speaker<br>
far enough away that the speed of sound causes&nbsp;<span
 class="378532818-08082006">&nbsp;a &nbsp;</span>perceptable<span
 class="378532818-08082006">&nbsp;delay</span>.<br>
You would have the same problem with a dedicated hardware device.</font></div>
  <div>&nbsp;</div>
  <div><font color="#0000ff" face="Arial" size="2">Jeff<br>
  </font></div>
</blockquote>
<br>
</body>
</html>

--------------020303080300060102030905--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 21:00:26 2006
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Date: Tue, 8 Aug 2006 14:00:25 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Looping Laptops in general (WAS Products, Services, and Looping Gear "Packages")
To: Loopers-Delight@loopers-delight.com
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I once figured out that the 8ms latency of a good
laptop system would make it appear that your sound was
happening about 2.7 meters away from its true origin.

Think of it as getting a bigger studio.

--- Jeff Larson <jeff.larson@sailpoint.com> wrote:


> > Then there's the latency. Any perceptible amount
> seems insurmountable
> > to me. I wouldn't want to have to do a workaround
> if one day I decided
> > to start singing into the thing, then realizing I
> need to "adjust" to
> > compensate, as was discussed earlier this week.
>  
> If I understood correctly, the latency issue being
> discussed had
> nothing to do with laptops, but with the "air
> latency" between an
> accoustic instrument (such as a voice) and a monitor
> speaker
> far enough away that the speed of sound causes  a 
> perceptable delay.
> You would have the same problem with a dedicated
> hardware device.
>  
> Jeff
> 
> 


__________________________________________________
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Date: Tue, 8 Aug 2006 16:10:16 -0500
From: "Dan Katayama" <dan.katayama@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 glitch
Cc: "Tom Ritchford" <tom@swirly.com>
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Agreed.
I really don't feel like waiting up for Boss.
I think I'm going to get 2 more Akai Headrush units to get the job done.



2006/8/8, Paul Richards <paulrichard10@adelphia.net>:
>
> What do you mean by pre-recorded material? Loading the RC-50 via USB port
> with loops? I do live loops and I haven't noticed a problem.
>
> The one thing I don't like, however, is there doesn't seem to be a good
> way, that I can see, to determine the end of a loop when playing, i.e.
> visual feedback. When I hit the 'next loop' button for loop 2 or loop 3, I
> have trouble determining when the next loop is going to fire as I have END
> LOOP settings for indivdual loops.
> --
> Paul
>
> ---- Tom Ritchford <tom@swirly.com> wrote:
> > It really depends on whether you want to start with pre-recorded
> > loops, in which case it's fine, or you want to start with a live loop,
> > in which case it is not.
> >
> > Since I don't pre-record material, I'm out of luck.
> >
> > Generally, it's hard to understand people who don't find this an
> > issue.  The first thing I do with a loop pedal is simply play into it
> > and grab a loop.  It doesn't do that right.
> >
> >      /t
> >
> >
> > On 8/7/06, Paul <paulrichard10@adelphia.net> wrote:
> > > I haven't found the 'glitch' to be a problem at all - at least for
> home
> > > recording use. When building my initial loops, I don't care if I hear
> the
> > > 'glitch' the first time through. Once the loops are built, I then play
> over
> > > them.
> > >
> > > I hope that it will eventually get fixed, though, assuming that the
> problem
> > > isn't insurmountable.
> > >
> > > Paul
> > > ----- Original Message -----
> > > From: "loop.pool" <looppool@cruzio.com>
> > > To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> > > Sent: Monday, August 07, 2006 9:15 PM
> > > Subject: RC-50 glitch
> > >
> > >
> > > >I have a student who I"m trying to advise to purchase a stop box
> looper.
> > > >
> > > > Does this RC-50 glitch take this pedal out of the running?
> > > >
> > > > I don't have one so I don't know how bad it is.
> > > >
> > > > Can you advise me what to advise him?
> > > >
> > > > yours,  rick
> > > >
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ......... extreme NY arts and music calendar
> > http://ax.to/tr ....... my secret little little...
> > http://ax.to/radio ... my little radio station (on intermittently)
> >
>
>


-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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Agreed.<br>I really don't feel like waiting up for Boss.<br>I think I'm going to get 2 more Akai Headrush units to get the job done.<br><br><br><br><div><span class="gmail_quote">2006/8/8, Paul Richards &lt;<a href="mailto:paulrichard10@adelphia.net">
paulrichard10@adelphia.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">What do you mean by pre-recorded material? Loading the RC-50 via USB port with loops? I do live loops and I haven't noticed a problem.
<br><br>The one thing I don't like, however, is there doesn't seem to be a good way, that I can see, to determine the end of a loop when playing, i.e. visual feedback. When I hit the 'next loop' button for loop 2 or loop 3, I have trouble determining when the next loop is going to fire as I have END LOOP settings for indivdual loops.
<br>--<br>Paul<br><br>---- Tom Ritchford &lt;<a href="mailto:tom@swirly.com">tom@swirly.com</a>&gt; wrote:<br>&gt; It really depends on whether you want to start with pre-recorded<br>&gt; loops, in which case it's fine, or you want to start with a live loop,
<br>&gt; in which case it is not.<br>&gt;<br>&gt; Since I don't pre-record material, I'm out of luck.<br>&gt;<br>&gt; Generally, it's hard to understand people who don't find this an<br>&gt; issue.&nbsp;&nbsp;The first thing I do with a loop pedal is simply play into it
<br>&gt; and grab a loop.&nbsp;&nbsp;It doesn't do that right.<br>&gt;<br>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;/t<br>&gt;<br>&gt;<br>&gt; On 8/7/06, Paul &lt;<a href="mailto:paulrichard10@adelphia.net">paulrichard10@adelphia.net</a>&gt; wrote:<br>&gt; &gt; I haven't found the 'glitch' to be a problem at all - at least for home
<br>&gt; &gt; recording use. When building my initial loops, I don't care if I hear the<br>&gt; &gt; 'glitch' the first time through. Once the loops are built, I then play over<br>&gt; &gt; them.<br>&gt; &gt;<br>&gt; &gt; I hope that it will eventually get fixed, though, assuming that the problem
<br>&gt; &gt; isn't insurmountable.<br>&gt; &gt;<br>&gt; &gt; Paul<br>&gt; &gt; ----- Original Message -----<br>&gt; &gt; From: &quot;loop.pool&quot; &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;<br>
&gt; &gt; To: &quot;LOOPERS DELIGHT (posting)&quot; &lt;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>&gt; &gt; Sent: Monday, August 07, 2006 9:15 PM<br>&gt; &gt; Subject: RC-50 glitch
<br>&gt; &gt;<br>&gt; &gt;<br>&gt; &gt; &gt;I have a student who I&quot;m trying to advise to purchase a stop box looper.<br>&gt; &gt; &gt;<br>&gt; &gt; &gt; Does this RC-50 glitch take this pedal out of the running?<br>&gt; &gt; &gt;
<br>&gt; &gt; &gt; I don't have one so I don't know how bad it is.<br>&gt; &gt; &gt;<br>&gt; &gt; &gt; Can you advise me what to advise him?<br>&gt; &gt; &gt;<br>&gt; &gt; &gt; yours,&nbsp;&nbsp;rick<br>&gt; &gt; &gt;<br>&gt; &gt;<br>
&gt; &gt;<br>&gt;<br>&gt;<br>&gt; --<br>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;/t<br>&gt;<br>&gt; <a href="http://ax.to">http://ax.to</a> ......... extreme NY arts and music calendar<br>&gt; <a href="http://ax.to/tr">http://ax.to/tr</a> ....... my secret little little...
<br>&gt; <a href="http://ax.to/radio">http://ax.to/radio</a> ... my little radio station (on intermittently)<br>&gt;<br><br></blockquote></div><br><br clear="all"><br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">
http://home.comcast.net/~kkatayama76</a>

------=_Part_10832_9172715.1155071416037--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 21:29:50 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 14:29:45 -0700
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--Apple-Mail-1-671726902
Content-Transfer-Encoding: quoted-printable
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	charset=WINDOWS-1252;
	delsp=yes;
	format=flowed

Ahhhhh,

And then there are those Mac-o-philes among us (you can also read that
as PC-o-phobe if you want) who might find what yer talking about kinda
attractive but are helpless on systems other than what we're familiar =20=

with.

Anybody want to help a guy configure a crakerjack looper/tone =20
transmogrifier
on a current off-the-shelf MacBook? Heheheh. I don't want no =20
Toe-she-bah,
Var-Eye-Oh, Wind-Dohs whatever. Heheheh . . . . jus' kiddin'.

Peace,

tEd =AE kiLLiAn

=93In this glare of brilliant emptiness, in this arid intensity of pure =20=

heat, in the heart of a weird solitude, great silence and grand =20
desolation, all things recede to distances out of reach, reflecting =20
light but impossible to touch, annihilating all thought and all that =20
men have made to a spasm of whirling dust far out on the golden =20
desert.=94 -- Edward Abbey, from Desert Solitaire

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"=

--Apple-Mail-1-671726902
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Ahhhhh,


And then there are those Mac-o-philes among us (you can also read that=20=


as PC-o-phobe if you want) who might find what yer talking about kinda

attractive but are helpless on systems other than what we're familiar
with.


Anybody want to help a guy configure a crakerjack looper/tone
transmogrifier

on a current off-the-shelf MacBook? Heheheh. I don't want no
Toe-she-bah,

Var-Eye-Oh, Wind-Dohs whatever. Heheheh . . . . jus' kiddin'.


Peace,


tEd =AE kiLLiAn


<color><param>8080,0000,0000</param>=93In this glare of brilliant
emptiness, in this arid intensity of pure heat, in the heart of a
weird solitude, great silence and grand desolation, all things recede
to distances out of reach, reflecting light but impossible to touch,
annihilating all thought and all that men have made to a spasm of
whirling dust far out on the golden desert.=94 -- Edward Abbey, from
<italic>Desert Solitaire</italic></color>


<color><param>8080,8080,8080</param> http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


<color><param>8080,0000,0000</param>"Different is not always better,
but better is always different"</color>=

--Apple-Mail-1-671726902--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 21:33:39 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Looping Laptops in general (WAS Products, Services, and Looping Gear "Packages")
Date: Tue, 8 Aug 2006 23:33:35 +0200
To: Loopers-Delight@loopers-delight.com
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>>> And if something does go wrong, with something like the  
>>> Looperlative I
>>> can get in touch with the developer and get assistance that will  
>>> cover
>>> anything that has gone amiss.
>>

On 8 aug 2006, at 21.13, phaslem@wightman.ca wrote:

> Actually, this is exactly the reason I ended up going with a  
> software looper.


Jup, me too. I carry back-up CD's of my software installation files,  
audio interface drivers and SYSEX dumps of my MIDI controllers and  
effect patches. Actually two copies of that back-up CD, stored into  
different bags (as well as on the INternet). Just the same basic  
instinct that makes me carry my sax mouthpiece safely in a pocket and  
not within the instrument bag. Spreading out the risks makes it  
easier to pick up the pieces and get back on track if bad things  
should happen. I can pick up any computer and restore my looping rig,  
pick up (almost) any tenor to restore my sax sound.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 21:42:16 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Tue, 8 Aug 2006 23:42:11 +0200
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On 8 aug 2006, at 18.45, Jeff Larson wrote:

> I find that most of the time, people that complain about laptop
> latency haven't tuned it properly.  On a modern laptop with ASIO
> drivers, you can expect to achieve latency on the order of 5
> milliseconds
> and sometimes lower.


I have been playing a lot live, so I can adopt to latency as a =20
musician (differently sized stages, different back-line etc). But I =20
do have a problem with latency in laptop systems and this problem has =20=

to do with "bad sound" when my direct signal is being mixed with the =20
latency affected sound. I.e. the good old "phasing issue". Just =20
posting this for the record, to help people speak about the same =20
thing - or realize they don't ;-))  For my own praxis the latency =20
problem is easily fixed by not mixing any delayed instrument with my =20
direct instrument sound. Only the loops pass by through the laptop =20
and since I use Mobius they will be compensated for the short time it =20=

takes the audio interface hardware to digitize my analog instrument =20
input signal (AD conversion latency) and shuffle it into Mobius as =20
well for the delay caused by the opposite process (DA conversion) =20
that makes all that digital looping madness analog again so speakers =20
will be able to move air accordingly.

Then there is also the personal taste about different instruments. I =20
have a red Line-6 POD and it has a quite uncomfortable latency, so =20
"hardware" can definitely be slow. When I was going to buy a guitar =20
amp I picked the little 2x10" solid state Gallien Kr=FCger only because =20=

it answered back quicker "by air" to what I was feeling by steel and =20
wood with my fingers. It felt good to not have to adapt my brain too =20
much to the latency I now experience with my fat tube amp top =20
(although that one sounds great). I think this is a matter of taste; =20
I also like it very much to play tenor sax because I can directly =20
feel the note pitch and attack with my belly (no latency guaranteed =20
since I'm quite skinny ;-). And I like playing the flute because the =20
sound source is then located close to my ears, as is the mic that is =20
providing the electronic signal for amplification. You can definitely =20=

learn to play with latency, pro musicians do that every day in all =20
the symphonic orchestras. IMHO it's just not very fun ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 21:48:15 2006
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Subject: Re: Looping Laptops in general (WAS Products, Services, and Looping Gear "Packages")
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I think the stress of my system crashing at gig or on the road would be so 
psychological disruptive to my creative process that I would likely just 
seek out a nearest music store, buy a Boss RC20 or Jamman, and just go back 
to basics...call it my looping version of the Derek Bailey approach!  I can 
barely get in the right state of mind for a performance when minor stuff 
happens like one of my stereo channels is not coming through and I have to 
troubleshoot my chords...another reason why I am happy to ditch the rack. I 
have a very fragile psyche when it comes to experiencing technical 
difficulties shortly before a gig.

K-

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 08, 2006 3:33 PM
Subject: Re: Looping Laptops in general (WAS Products, Services, and Looping 
Gear "Packages")


>>>> And if something does go wrong, with something like the  Looperlative I
>>>> can get in touch with the developer and get assistance that will  cover
>>>> anything that has gone amiss.
>>>
>
> On 8 aug 2006, at 21.13, phaslem@wightman.ca wrote:
>
>> Actually, this is exactly the reason I ended up going with a  software 
>> looper.
>
>
> Jup, me too. I carry back-up CD's of my software installation files, 
> audio interface drivers and SYSEX dumps of my MIDI controllers and  effect 
> patches. Actually two copies of that back-up CD, stored into  different 
> bags (as well as on the INternet). Just the same basic  instinct that 
> makes me carry my sax mouthpiece safely in a pocket and  not within the 
> instrument bag. Spreading out the risks makes it  easier to pick up the 
> pieces and get back on track if bad things  should happen. I can pick up 
> any computer and restore my looping rig,  pick up (almost) any tenor to 
> restore my sax sound.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Aug  8 22:18:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Products, Services, and Looping Gear "Packages"
Date: Wed, 9 Aug 2006 00:18:01 +0200
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On 8 aug 2006, at 18.16, Joshua Carroll wrote:

> Actually, wouldn't Indigo would actually be faster than a firewire  
> system?  I think CardBus is faster than Firewire (I could be wrong).


Yes, an Indigo, as PCMCIA based, is faster than Firewire. But I doubt  
that would make any difference for looping application. Such speed  
matters for increased track count when doing multi track recording,  
which is not what you can do with a two channel Indigo card anyway. I  
use my Indigo Echo as the back-up interface but I perform with my RME  
Multiface because I like its sound better. The Multiface has a  
cardbus connector but is also doubling as the studio recording audio  
interface when hooked up to a PCI connector (card). I like it when  
one piece of gear can be used in many ways.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 05:36:16 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Tue, 8 Aug 2006 23:36:09 -0600
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I know it's off topic, but for those loopers out there using acoustic =
guitars like myself, are you using amps (not PA), and if so what?  I'm =
doing research and found about 10 different acoustic guitar amplifiers =
to choose from. This one had some good reviews for transparency, has =
digital effects and level control, etc:

http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html

I also read up on the Roland, Fender, Ibanez, and Crate acoustic guitar =
amps.=20

I'm looking for a very small amp, like the size of the Roland Cube 30, =
but full range with a tweeter or coaxial speaker.

Played my new Taylor nylon string at my jazz gig last night, through the =
Roland Cube 30...not bad, but not ideal.=20

Kris


------=_NextPart_000_0526_01C6BB43.6D55F2B0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I know it's off topic, but for those =
loopers out=20
there using acoustic guitars like myself, are you using amps (not PA), =
and if so=20
what?&nbsp; I'm doing research and found about 10 different acoustic =
guitar=20
amplifiers to choose from. This one had some good reviews for =
transparency, has=20
digital effects and level control, etc:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html">http://=
www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I also read up on the Roland, Fender, =
Ibanez, and=20
Crate acoustic guitar amps. </FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>I'm looking for a very small amp, like the size of the Roland =
Cube 30,=20
but full range with a tweeter or coaxial speaker.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Played my new Taylor nylon string at my jazz gig last night, =
through the=20
Roland Cube 30...not bad, but not ideal. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 05:54:30 2006
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Hi Kris,

A while back I ran across a site that had good things to say about AER=20=

amps.

You might want to check them out. I think their compact 60 might work=20
for you.

http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm

Good luck,

   joe
On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:

> I know it's off topic, but for those loopers out there using acoustic=20=

> guitars like myself, are you using amps (not PA), and if so what?=A0 =
I'm=20
> doing research and found about 10 different acoustic guitar amplifiers=20=

> to choose from. This one had some good reviews for transparency, has=20=

> digital effects and level control, etc:
> =A0
> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
> =A0
> I also read up on the Roland, Fender, Ibanez, and Crate acoustic=20
> guitar amps.
>
> I'm looking for a very small amp, like the size of the Roland Cube 30,=20=

> but full range with a tweeter or coaxial speaker.
> =A0
> Played my new Taylor nylon string at my jazz gig last night, through=20=

> the Roland Cube 30...not bad, but not ideal.
> =A0
> Kris
> =A0
> =A0

--Apple-Mail-2-702375018
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi Kris,


A while back I ran across a site that had good things to say about AER
amps.


You might want to check them out. I think their compact 60 might work
for you.


http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm


Good luck,


  joe

On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I know it's off
topic, but for those loopers out there using acoustic guitars like
myself, are you using amps (not PA), and if so what?=A0 I'm doing
research and found about 10 different acoustic guitar amplifiers to
choose from. This one had some good reviews for transparency, has
digital effects and level control, etc:</smaller></fontfamily>

=A0

=
<underline><fontfamily><param>Arial</param><color><param>0000,6666,0000</p=
aram><smaller>http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</sm=
aller></color></fontfamily></underline>

=A0

<fontfamily><param>Arial</param><smaller>I also read up on the Roland,
Fender, Ibanez, and Crate acoustic guitar amps.</smaller></fontfamily>


<fontfamily><param>Arial</param><smaller>I'm looking for a very small
amp, like the size of the Roland Cube 30, but full range with a
tweeter or coaxial speaker.

=A0

Played my new Taylor nylon string at my jazz gig last night, through
the Roland Cube 30...not bad, but not ideal.

=A0

Kris

=A0

=A0

</smaller></fontfamily></excerpt>=

--Apple-Mail-2-702375018--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 05:59:26 2006
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--Apple-Mail-4-702672281
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Hey,  they also have a classic model

http://www.aer-amps.de/Sites/sites_ENG/productpages/compactclassic.htm


Hi Kris,

A while back I ran across a site that had good things to say about AER=20=

amps.

You might want to check them out. I think their compact 60 might work=20
for you.

http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm

Good luck,

   joeOn Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:

> I know it's off topic, but for those loopers out there using acoustic=20=

> guitars like myself, are you using amps (not PA), and if so what?=A0 =
I'm=20
> doing research and found about 10 different acoustic guitar amplifiers=20=

> to choose from. This one had some good reviews for transparency, has=20=

> digital effects and level control, etc:
> =A0
> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
> =A0
> I also read up on the Roland, Fender, Ibanez, and Crate acoustic=20
> guitar amps.
>
> I'm looking for a very small amp, like the size of the Roland Cube 30,=20=

> but full range with a tweeter or coaxial speaker.
> =A0
> Played my new Taylor nylon string at my jazz gig last night, through=20=

> the Roland Cube 30...not bad, but not ideal.
> =A0
> Kris
> =A0
> =A0

--Apple-Mail-4-702672281
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hey,  they also have a classic model


http://www.aer-amps.de/Sites/sites_ENG/productpages/compactclassic.htm



Hi Kris,


A while back I ran across a site that had good things to say about AER
amps.


You might want to check them out. I think their compact 60 might work
for you.


http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm


Good luck,


  joeOn Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I know it's off
topic, but for those loopers out there using acoustic guitars like
myself, are you using amps (not PA), and if so what?=A0 I'm doing
research and found about 10 different acoustic guitar amplifiers to
choose from. This one had some good reviews for transparency, has
digital effects and level control, etc:</smaller></fontfamily>

=A0

=
<underline><fontfamily><param>Arial</param><color><param>0000,6666,0000</p=
aram><smaller>http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</sm=
aller></color></fontfamily></underline>

=A0

<fontfamily><param>Arial</param><smaller>I also read up on the Roland,
Fender, Ibanez, and Crate acoustic guitar amps.</smaller></fontfamily>


<fontfamily><param>Arial</param><smaller>I'm looking for a very small
amp, like the size of the Roland Cube 30, but full range with a
tweeter or coaxial speaker.

=A0

Played my new Taylor nylon string at my jazz gig last night, through
the Roland Cube 30...not bad, but not ideal.

=A0

Kris

=A0

=A0

</smaller></fontfamily></excerpt>=

--Apple-Mail-4-702672281--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 06:10:35 2006
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Date: Wed, 09 Aug 2006 02:10:11 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: Excuse my ignorance
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Chaz Worm wrote:

> I'm thinking about purchasing an RC-20xl.  I'm wondering if I'll be 
> able to play three loops on bass(chorus, bridge, verse) and be able to 
> call them up while I accompany it on another instrument.(banjo).
> if not, what could I do this on?

Hey Chaz,

IIRC, changing loops on an RC-20(XL or not XL) requires that you use 
your hand to turn a knob.  If that's OK and the loops are prerecorded, 
then the RC-20(XL) will be just fine.  But if you want to record each 
loop in real time and select which one plays without using your hands, 
then you'll need a different looper.  Perhaps Mobius (on a laptop), 
Echoplex EDP, etc.

Cheers,

Bill Fox

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 06:40:13 2006
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Date: Wed, 9 Aug 2006 15:40:04 +0900
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: [OT] Trianguli Zona & Sunao Inami Summer Tour in Croatia
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Hi LD,

Sorry for off topic.
This is my Croatia Tour information in 19th -26th August.

[Trianguli Zona & Sunao Inami Summer Tour in Croatia]
Multimedia performance electroacoustic and video work in progress

Ivan Kapec (guitar, looping)
Andrej Jakus (trumpet, flugelhorn)
Vladimir Koncar (video installation)
Sunao Inami (computer)

more info:
http://www.triangulizona.com
http://www.cavestudio.com


- - - - - - - - - - - - - - - - - - - -

19  Sat Aug '06
Live at Rijeka,Croatia MMC Palach

21:30h
35 HRK

MMC Palach
  Kruzna 6, Rijeka
  Tel : (+385-51) 215 063
  Fax : (+385-51) 320 868
  Email : mmc@ri.htnet.hr

- - - - - - - - - - - - - - - - - - - -

20  Sun Aug '06
Live at Petrcane, Zadar,Croatia Pinija Club

  22.00h
  free

Pinija club
  Address : Petrcane bb HR - 23231 (Hotel Pinija beach)
  Tel : (+385 ) 098 30 97 39

- - - - - - - - - - - - - - - - - - - -

22  Tue Aug '06
Live at Dubrovnik, Lazareti,Croatia Club Lazareti

22.00h
35 HRK

Club Lazareti
  Frana Supila 8 Lazareti, HR-20000 Dubrovnik
  +385 20 423-497 ili +385 20 421-114
art-lazareti@du.tel.hr

- - - - - - - - - - - - - - - - - - - -

24  Thu Aug '06
Live at Zagreb,Croatia Museum of arts and crafts

  21.00h
  40/50 HRK

Museum of arts and crafts
  Trg marsala Tita 10,Zagreb
  tel : 091 16 85 795

- - - - - - - - - - - - - - - - - - - -

26  Sat Aug '06
Live at Varazdin,Croatia Centar Mrazovic
  22.00h
  free

Centar Mrazovic
http://www.spancirfest.com
  Franjevacki trg 1
tzg-varazdina@vz.t-com.hr
  tel 00 385 42 210-987

- - - - - - - - - - - - - - - - - - - -


  Regards

  Sunao Inami
http://www.cavestudio.com
http://www.electr-ohm.com
http://www.myspace.com/sunao




From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 07:21:41 2006
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	"Marcus Obst" <info@marcus-obst.de>,
	"Rick Walker" <looppool@cruzio.com>,
	"Matthias Becker" <m.becker@netcologne.de>,
	"Matt Davignon" <mattdavignon@hotmail.com>,
	"Harold Schellinx" <chronson@harsmedia.com>,
	"Dirk Bell" <dirk-bell@t-online.de>,
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I know that many of us love unusual and rare instruments. If you do, this is
an invitation for you:

I have just set up a new flickr group for photos of unusual instruments. So
if you have photos of unusual instruments, please log in to flickr (you have
to become a member if you aren't already, but membership is free) and upload
them. 

http://www.flickr.com/groups/unusualinstruments/

Here are the group rules:

The photographed instruments can be acoustic or electric.

Rule 1: please don't simply post photos of instruments that you don't know,
or that seem exotic to you. They might not be that unusual, and they might
be not that exotic in other parts of the world. A gamelan orchestra would
not be considered unusual in Indonesia.
Please only post photos that are really unusual and really rare, such as
prototypes, self-built instruments etc. I'd say that really interesting
vintage instruments (antique synthesizers etc) would also qualify.

Rule 2: If possible, please add a description. Did you build the instrument
yourself? If not, where did you find it? Links to websites and mp3 samples
would be great


I'm looking forward to your contributions!

Michael www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 12:39:47 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1> <0df101c6ac26$29976440$f3b0ec0f@americas.hpqcorp.net> <006c01c6b69e$da5242f0$60b0ec0f@americas.hpqcorp.net> <44D74E38.1040102@addcom.de> <013301c6ba39$726a7740$1cb0ec0f@americas.hpqcorp.net>
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Krispen Hartung wrote:
> Click on th arrow and then click play. I just tried it and it plays all 
> the files of the folder in sequence.

Though my idea was to grab randomly a file and just play a random 30 sec 
portion of it. It worked marvelously with a folder of Michael Manring 
mp3's (don't tell him that DJ Shredder is playing his music... ;-)...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 12:40:03 2006
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rune fagereng wrote:
> Any knowledge on how Hassell does this Live, and what gear he uses ?

I've seen him recently in Paris and I am pretty sure he was using 
Eventides, don't know which model...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 12:40:44 2006
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Date: Wed, 09 Aug 2006 08:42:57 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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I gotta say, I love my little PolyTone Mega-Brute. It's not specifically an
acoustic guitar amp, and the only effect it has is reverb (plus some nicely
done, finely-tunable solid-state overdrive from its "Sonic Circuit" preamp
channel). However, it's really small and light (<30 pounds), and everything
seems to sound good through it. I use it with my Godin nylon-string - with
and without the guitar synth module, with my jazz guitar, and with my rock
guitar. It has even held it's own with a rather loud full-tilt reggae band
(they laughed when I walked in with it. when I played, they cried :-) ). It
even can handle a preamped guitar and high-impedance microphone
simultaneously at moderate volumes, so it works if I temporarily enter
"singer-songmangler" mode. The synth tones sound much better than I'd expect
from a guitar amp, and the nylon sound is great. And of course, it's
terrific for jazz.
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Wednesday, August 09, 2006 1:36 AM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars


I know it's off topic, but for those loopers out there using acoustic
guitars like myself, are you using amps (not PA), and if so what?  I'm doing
research and found about 10 different acoustic guitar amplifiers to choose
from. This one had some good reviews for transparency, has digital effects
and level control, etc:
 
http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
 
I also read up on the Roland, Fender, Ibanez, and Crate acoustic guitar
amps. 


I'm looking for a very small amp, like the size of the Roland Cube 30, but
full range with a tweeter or coaxial speaker.
 
Played my new Taylor nylon string at my jazz gig last night, through the
Roland Cube 30...not bad, but not ideal. 
 
Kris
 
 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<TITLE>Message</TITLE>

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><SPAN class=390393512-09082006><FONT face=Arial color=#0000ff size=2>I 
gotta say, I love my little PolyTone Mega-Brute. It's not specifically an 
acoustic guitar amp, and the only effect it has is reverb (plus some nicely 
done, finely-tunable solid-state overdrive from its "Sonic Circuit" preamp 
channel). However, it's really small and light (&lt;30 pounds), and 
<EM>everything </EM>seems to sound good through it. I use it with my Godin 
nylon-string - with and without the guitar synth module, with my jazz guitar, 
and with my rock guitar. It has even held it's own with a rather loud full-tilt 
reggae band (they laughed when I walked in with it. when I played, they cried 
:-) ). It even can handle a preamped guitar and high-impedance microphone 
simultaneously at moderate volumes, so it works if I temporarily enter 
"singer-songmangler" mode. The synth tones sound much better than I'd expect 
from a guitar amp, and the nylon sound is great. And of course, it's terrific 
for jazz.</FONT></SPAN></DIV>
<DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Krispen Hartung 
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Wednesday, August 09, 2006 
  1:36 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  OT: Small/Light Acoustic Guitar Amps for Nylon String 
  Guitars<BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>I know it's off topic, but for those loopers out 
  there using acoustic guitars like myself, are you using amps (not PA), and if 
  so what?&nbsp; I'm doing research and found about 10 different acoustic guitar 
  amplifiers to choose from. This one had some good reviews for transparency, 
  has digital effects and level control, etc:</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2><A 
  href="http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html">http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</A></FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>I also read up on the Roland, Fender, Ibanez, and 
  Crate acoustic guitar amps. </FONT></DIV><FONT face=Arial size=2>
  <DIV><BR>I'm looking for a very small amp, like the size of the Roland Cube 
  30, but full range with a tweeter or coaxial speaker.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Played my new Taylor nylon string at my jazz gig last night, through the 
  Roland Cube 30...not bad, but not ideal. </FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Kris</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_kyUxH4GJNKRJ81uReDeUug)--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 13:05:22 2006
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Sorry for getting into this nice thread late, almost a month behind with 
enjoying the list...

Krispen Hartung wrote:
> Ted, don't make us have a group intervention at Y2K6. :)   Addiction to 
> hardware is a serious thing.

Yeah, I abbandoned this addiction some 10 years ago with the aid of AHA 
(the anonymus hardware addicts). Not quite clean yet, as I still use a 
laptop and an interface + faderboxes for my music.
And Krispen, you're probably the perfect guy to found the AVA (Anonymus 
VST addicts)...
Let us know when you set up the first AVA web site, I don't have 
problems yet, but I am seriously in danger - I should get into MAMA 
(Many Anonymus Max Addicts) with Jeff probably as well...

I made a VST-morphing patch recently to morph between VST's or VST 
presets. As soon its cleaned up I'll post it. Don't know how much 
interest this would create...

(I still resist to join ALDA by the way, though I am an addict... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:12:28 2006
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In a message dated 8/8/06 1:21:25 PM, paulrichard10@adelphia.net writes:


> But the Boomerang IS a choice!? If one doesn't care about sound quality, I 
> guess. I bought one once and sent it back as it sounded very muddy.
> 

perhaps you didn't set it up properly (trim level).....in fact i would 
recomend one of the "buggy" rangs, under $300.....no midi nothing though.....i can't 
wait for the new rang.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/8/06 1:21:25 PM, paulrichard10@adelphia.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">But the Boomerang IS=20=
a choice!? If one doesn't care about sound quality, I guess. I bought one on=
ce and sent it back as it sounded very muddy.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">perhaps you didn't set it up properly (trim level).....in fact i would re=
comend one of the "buggy" rangs, under $300.....no midi nothing though.....i=
 can't wait for the new rang.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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Date: Wed, 9 Aug 2006 10:18:35 EDT
Subject: Re: [OT] Trianguli Zona & Sunao Inami Summer Tour in Croatia
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In a message dated 8/9/06 2:40:33 AM, webmaster@cavestudio.com writes:


> This is my Croatia Tour information in 19th -26th August.
> 

i am sooooo envious!.....what great fellows, ivan and andrej.....i love their 
music as well as yours sunao.....i want to come!.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/9/06 2:40:33 AM, webmaster@cavestudio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">This is my Croatia To=
ur information in 19th -26th August.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i am sooooo envious!.....what great fellows, ivan and andrej.....i love t=
heir music as well as yours sunao.....i want to come!.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:19:54 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Wed, 9 Aug 2006 07:19:41 -0700
To: Loopers-Delight@loopers-delight.com
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Our bass player (www.marionbass.com) uses a little AER amp and it=20
sounds incredibly good!  Teeny tiny but very big sound.  Expensive,=20
though ($3K!).  Let me know if you find a good price on AER stuff.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 8-Aug-06, at 11:00 PM, Sheila Olson wrote:

> Hi Kris,
>
> A while back I ran across a site that had good things to say about AER=20=

> amps.
>
> You might want to check them out. I think their compact 60 might work=20=

> for you.
>
> http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm
>
> Good luck,
>
>   joe
> On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:
>
>> I know it's off topic, but for those loopers out there using acoustic=20=

>> guitars like myself, are you using amps (not PA), and if so what?=A0=20=

>> I'm doing research and found about 10 different acoustic guitar=20
>> amplifiers to choose from. This one had some good reviews for=20
>> transparency, has digital effects and level control, etc:
>> =A0
>> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
>> =A0
>> I also read up on the Roland, Fender, Ibanez, and Crate acoustic=20
>> guitar amps.
>>
>> I'm looking for a very small amp, like the size of the Roland Cube=20
>> 30, but full range with a tweeter or coaxial speaker.
>> =A0
>> Played my new Taylor nylon string at my jazz gig last night, through=20=

>> the Roland Cube 30...not bad, but not ideal.
>> =A0
>> Kris
>> =A0
>> =A0

--Apple-Mail-1-732321965
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	charset=ISO-8859-1

Our bass player (www.marionbass.com) uses a little AER amp and it
sounds incredibly good!  Teeny tiny but very big sound.  Expensive,
though ($3K!).  Let me know if you find a good price on AER stuff.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 8-Aug-06, at 11:00 PM, Sheila Olson wrote:


<excerpt>Hi Kris,


A while back I ran across a site that had good things to say about AER
amps.


You might want to check them out. I think their compact 60 might work
for you.


http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm


Good luck,


  joe

On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I know it's off
topic, but for those loopers out there using acoustic guitars like
myself, are you using amps (not PA), and if so what?=A0 I'm doing
research and found about 10 different acoustic guitar amplifiers to
choose from. This one had some good reviews for transparency, has
digital effects and level control, etc:</smaller></fontfamily>

=A0

=
<underline><fontfamily><param>Arial</param><color><param>0000,6665,0000</p=
aram><smaller>http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</sm=
aller></color></fontfamily></underline>

=A0

<fontfamily><param>Arial</param><smaller>I also read up on the Roland,
Fender, Ibanez, and Crate acoustic guitar amps.</smaller></fontfamily>


<fontfamily><param>Arial</param><smaller>I'm looking for a very small
amp, like the size of the Roland Cube 30, but full range with a
tweeter or coaxial speaker.

=A0

Played my new Taylor nylon string at my jazz gig last night, through
the Roland Cube 30...not bad, but not ideal.

=A0

Kris

=A0

=A0

</smaller></fontfamily></excerpt></excerpt>=

--Apple-Mail-1-732321965--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:27:35 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <00ca01c6bbb1$57a8e5d0$0302a8c0@Lightning>
Subject: Re: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Wed, 9 Aug 2006 08:27:30 -0600
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MessageI've read a few news group threads by jazzers suggesting that the =
Polytones, especially the old ones, were good for nylong strings. That's =
interesting, for a non-full range speaker, but not surprising.  I may =
come back to this one, being a huge Polytone amp. It just gives me an =
excuse to buy one!

Kris

  ----- Original Message -----=20
  From: Warren Sirota=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, August 09, 2006 6:42 AM
  Subject: RE: Small/Light Acoustic Guitar Amps for Nylon String Guitars


  I gotta say, I love my little PolyTone Mega-Brute. It's not =
specifically an acoustic guitar amp, and the only effect it has is =
reverb (plus some nicely done, finely-tunable solid-state overdrive from =
its "Sonic Circuit" preamp channel). However, it's really small and =
light (<30 pounds), and everything seems to sound good through it. I use =
it with my Godin nylon-string - with and without the guitar synth =
module, with my jazz guitar, and with my rock guitar. It has even held =
it's own with a rather loud full-tilt reggae band (they laughed when I =
walked in with it. when I played, they cried :-) ). It even can handle a =
preamped guitar and high-impedance microphone simultaneously at moderate =
volumes, so it works if I temporarily enter "singer-songmangler" mode. =
The synth tones sound much better than I'd expect from a guitar amp, and =
the nylon sound is great. And of course, it's terrific for jazz.

  Best wishes,
  Warren Sirota
    -----Original Message-----
    From: Krispen Hartung [mailto:khartung@cableone.net]=20
    Sent: Wednesday, August 09, 2006 1:36 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: OT: Small/Light Acoustic Guitar Amps for Nylon String =
Guitars


    I know it's off topic, but for those loopers out there using =
acoustic guitars like myself, are you using amps (not PA), and if so =
what?  I'm doing research and found about 10 different acoustic guitar =
amplifiers to choose from. This one had some good reviews for =
transparency, has digital effects and level control, etc:

    http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html

    I also read up on the Roland, Fender, Ibanez, and Crate acoustic =
guitar amps.=20

    I'm looking for a very small amp, like the size of the Roland Cube =
30, but full range with a tweeter or coaxial speaker.

    Played my new Taylor nylon string at my jazz gig last night, through =
the Roland Cube 30...not bad, but not ideal.=20

    Kris


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<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I've read a few news group threads by =
jazzers=20
suggesting that the Polytones, especially the old ones, were good for =
nylong=20
strings. That's interesting, for a non-full range speaker, but not=20
surprising.&nbsp; I may come back to this one, being a huge Polytone =
amp. It=20
just gives me an excuse to buy one!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwsirota@wsdesigns.com =
href=3D"mailto:wsirota@wsdesigns.com">Warren=20
  Sirota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 09, =
2006 6:42=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Small/Light =
Acoustic Guitar=20
  Amps for Nylon String Guitars</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D390393512-09082006><FONT face=3DArial =
color=3D#0000ff size=3D2>I=20
  gotta say, I love my little PolyTone Mega-Brute. It's not specifically =
an=20
  acoustic guitar amp, and the only effect it has is reverb (plus some =
nicely=20
  done, finely-tunable solid-state overdrive from its "Sonic Circuit" =
preamp=20
  channel). However, it's really small and light (&lt;30 pounds), and=20
  <EM>everything </EM>seems to sound good through it. I use it with my =
Godin=20
  nylon-string - with and without the guitar synth module, with my jazz =
guitar,=20
  and with my rock guitar. It has even held it's own with a rather loud=20
  full-tilt reggae band (they laughed when I walked in with it. when I =
played,=20
  they cried :-) ). It even can handle a preamped guitar and =
high-impedance=20
  microphone simultaneously at moderate volumes, so it works if I =
temporarily=20
  enter "singer-songmangler" mode. The synth tones sound much better =
than I'd=20
  expect from a guitar amp, and the nylon sound is great. And of course, =
it's=20
  terrific for jazz.</FONT></SPAN></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV align=3Dleft><FONT face=3DArial color=3D#0000ff size=3D2>Best=20
wishes,</FONT></DIV>
  <DIV align=3Dleft><FONT face=3DArial color=3D#0000ff size=3D2>Warren=20
  Sirota</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV></DIV>
    <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
    face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Krispen=20
    Hartung [mailto:khartung@cableone.net] <BR><B>Sent:</B> Wednesday, =
August=20
    09, 2006 1:36 AM<BR><B>To:</B>=20
    Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> OT: =
Small/Light=20
    Acoustic Guitar Amps for Nylon String Guitars<BR><BR></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I know it's off topic, but for =
those loopers=20
    out there using acoustic guitars like myself, are you using amps =
(not PA),=20
    and if so what?&nbsp; I'm doing research and found about 10 =
different=20
    acoustic guitar amplifiers to choose from. This one had some good =
reviews=20
    for transparency, has digital effects and level control, =
etc:</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><A=20
    =
href=3D"http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html">http://=
www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>I also read up on the Roland, =
Fender, Ibanez,=20
    and Crate acoustic guitar amps. </FONT></DIV><FONT face=3DArial =
size=3D2>
    <DIV><BR>I'm looking for a very small amp, like the size of the =
Roland Cube=20
    30, but full range with a tweeter or coaxial speaker.</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Played my new Taylor nylon string at my jazz gig last night, =
through=20
    the Roland Cube 30...not bad, but not ideal. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0066_01C6BB8D.A77A22A0--


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:31:24 2006
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To: Loopers-Delight@loopers-delight.com
References: <00ca01c6bbb1$57a8e5d0$0302a8c0@Lightning>
Subject: OT:  Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Wed, 9 Aug 2006 08:31:19 -0600
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MessageAh hah...the Mini-Brute V...looks like it can come configured =
with a horn for acoustic guitars.

Mini-Brute V

Extreme versatility in a small lightweight package.  Acoustic =
Reflections - a stereo-like effect.

This amp is perfect for someone that has a nice acoustic guitar and =
would like the versatility of a switchable tweeter to reproduce those =
high frequencies !!

140 watts RMS
2 separate independent channels:
Ch. 1 features the "Edge"
MASTER VOLUME
2 Inputs per channel - Hi & Lo Gain
Boost/Cut Switch per channel
3 spring Hammond Reverb
3 position switch for reverb for Ch. 1, Ch 2 or both
Normal/Combine and Horn on/off switches
Jacks for Preamp Signal Out and Stereo Footswitch
Remote control of Reverb and "EDGE"
Lower rear panel jacks for Ext. Spkr & headphone
Available in either 12" or 15" spkr  with a switchable horn !!

  ----- Original Message -----=20
  From: Warren Sirota=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, August 09, 2006 6:42 AM
  Subject: RE: Small/Light Acoustic Guitar Amps for Nylon String Guitars


  I gotta say, I love my little PolyTone Mega-Brute. It's not =
specifically an acoustic guitar amp, and the only effect it has is =
reverb (plus some nicely done, finely-tunable solid-state overdrive from =
its "Sonic Circuit" preamp channel). However, it's really small and =
light (<30 pounds), and everything seems to sound good through it. I use =
it with my Godin nylon-string - with and without the guitar synth =
module, with my jazz guitar, and with my rock guitar. It has even held =
it's own with a rather loud full-tilt reggae band (they laughed when I =
walked in with it. when I played, they cried :-) ). It even can handle a =
preamped guitar and high-impedance microphone simultaneously at moderate =
volumes, so it works if I temporarily enter "singer-songmangler" mode. =
The synth tones sound much better than I'd expect from a guitar amp, and =
the nylon sound is great. And of course, it's terrific for jazz.

  Best wishes,
  Warren Sirota
    -----Original Message-----
    From: Krispen Hartung [mailto:khartung@cableone.net]=20
    Sent: Wednesday, August 09, 2006 1:36 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: OT: Small/Light Acoustic Guitar Amps for Nylon String =
Guitars


    I know it's off topic, but for those loopers out there using =
acoustic guitars like myself, are you using amps (not PA), and if so =
what?  I'm doing research and found about 10 different acoustic guitar =
amplifiers to choose from. This one had some good reviews for =
transparency, has digital effects and level control, etc:

    http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html

    I also read up on the Roland, Fender, Ibanez, and Crate acoustic =
guitar amps.=20

    I'm looking for a very small amp, like the size of the Roland Cube =
30, but full range with a tweeter or coaxial speaker.

    Played my new Taylor nylon string at my jazz gig last night, through =
the Roland Cube 30...not bad, but not ideal.=20

    Kris


------=_NextPart_000_006D_01C6BB8E.3056C1A0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Ah hah...the Mini-Brute V...looks like =
it can come=20
configured with a horn for acoustic guitars.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<P><B><I><FONT color=3D#800000 size=3D5><U>Mini-Brute =
V</U></FONT></I></B></P>
<P>Extreme versatility in a small lightweight package.&nbsp; Acoustic=20
Reflections - a stereo-like effect.</P>
<P>This amp is perfect for someone that has a nice acoustic guitar and =
would=20
like the versatility of a <B><I>switchable tweeter t</I></B>o reproduce =
those=20
high frequencies !!</P>
<P>140 watts RMS<BR>2 separate independent channels:<BR>Ch. 1 features =
the=20
"Edge"<BR>MASTER VOLUME<BR>2 Inputs per channel - Hi &amp; Lo =
Gain<BR>Boost/Cut=20
Switch per channel<BR>3 spring Hammond Reverb<BR>3 position switch for =
reverb=20
for Ch. 1, Ch 2 or both<BR>Normal/Combine and Horn on/off =
switches<BR>Jacks for=20
Preamp Signal Out and Stereo Footswitch<BR>Remote control of Reverb and=20
"EDGE"<BR>Lower rear panel jacks for Ext. Spkr &amp; =
headphone<BR>Available in=20
either 12" or 15" spkr&nbsp; with a <B>switchable horn</B> !!</P></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwsirota@wsdesigns.com =
href=3D"mailto:wsirota@wsdesigns.com">Warren=20
  Sirota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 09, =
2006 6:42=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Small/Light =
Acoustic Guitar=20
  Amps for Nylon String Guitars</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D390393512-09082006><FONT face=3DArial =
color=3D#0000ff size=3D2>I=20
  gotta say, I love my little PolyTone Mega-Brute. It's not specifically =
an=20
  acoustic guitar amp, and the only effect it has is reverb (plus some =
nicely=20
  done, finely-tunable solid-state overdrive from its "Sonic Circuit" =
preamp=20
  channel). However, it's really small and light (&lt;30 pounds), and=20
  <EM>everything </EM>seems to sound good through it. I use it with my =
Godin=20
  nylon-string - with and without the guitar synth module, with my jazz =
guitar,=20
  and with my rock guitar. It has even held it's own with a rather loud=20
  full-tilt reggae band (they laughed when I walked in with it. when I =
played,=20
  they cried :-) ). It even can handle a preamped guitar and =
high-impedance=20
  microphone simultaneously at moderate volumes, so it works if I =
temporarily=20
  enter "singer-songmangler" mode. The synth tones sound much better =
than I'd=20
  expect from a guitar amp, and the nylon sound is great. And of course, =
it's=20
  terrific for jazz.</FONT></SPAN></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV align=3Dleft><FONT face=3DArial color=3D#0000ff size=3D2>Best=20
wishes,</FONT></DIV>
  <DIV align=3Dleft><FONT face=3DArial color=3D#0000ff size=3D2>Warren=20
  Sirota</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV></DIV>
    <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
    face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Krispen=20
    Hartung [mailto:khartung@cableone.net] <BR><B>Sent:</B> Wednesday, =
August=20
    09, 2006 1:36 AM<BR><B>To:</B>=20
    Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> OT: =
Small/Light=20
    Acoustic Guitar Amps for Nylon String Guitars<BR><BR></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I know it's off topic, but for =
those loopers=20
    out there using acoustic guitars like myself, are you using amps =
(not PA),=20
    and if so what?&nbsp; I'm doing research and found about 10 =
different=20
    acoustic guitar amplifiers to choose from. This one had some good =
reviews=20
    for transparency, has digital effects and level control, =
etc:</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><A=20
    =
href=3D"http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html">http://=
www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>I also read up on the Roland, =
Fender, Ibanez,=20
    and Crate acoustic guitar amps. </FONT></DIV><FONT face=3DArial =
size=3D2>
    <DIV><BR>I'm looking for a very small amp, like the size of the =
Roland Cube=20
    30, but full range with a tweeter or coaxial speaker.</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Played my new Taylor nylon string at my jazz gig last night, =
through=20
    the Roland Cube 30...not bad, but not ideal. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_006D_01C6BB8E.3056C1A0--


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:35:07 2006
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Date: Wed, 09 Aug 2006 15:21:07 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Attitudes to instruments/loopers (Derek Bailey)
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"There seem to be two main attitudes to the instrument among 
improvisors. One is that the instrument is man's best friend, both as 
a tool and a helper; a collaborator. The other attitude is that the 
instrument is unnecessary, at worst a liability, intruding between 
the player and his music."
...Derek Bailey in "Improvisation, It's Nature and Practise in Music".

So I take that to mean that the instrument is either a means to 
produce "the correct notes", or that is something that can be 
explored to find new sounds and new music.
Musicians who develop extended technique presumably have a certain 
curiosity about their instrument which is not shared by others.



It struck me too that this applies to looping, there seem to be a lot 
of loopers who want their looping gear to perform in certain 
pre-defined ways, and not many who are not tempted to 
experiment/improvise with the looping device itself.


andy butler
www.andybutler.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 14:46:01 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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--Apple-Mail-1-733890184
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Ultrasound AG-50DS3 gets my vote.  Lightweight, great sound, lots of=20
ins/ outs.  Been using one for a year now and hasn't let me down on any=20=

front yet.  Very versatile.  Recently picked up a Traynor YCV20 II for=20=

that tube amp sound (retubed w/ eurotubes) and it's another fantastic=20
amp in a small package - same ins/outs, sends etc as the ultrasound=20
though a little heavier.  - Paul

On Aug 8, 2006, at 11:36 PM, Krispen Hartung wrote:

> I know it's off topic, but for those loopers out there using acoustic=20=

> guitars like myself, are you using amps (not PA), and if so what?=A0 =
I'm=20
> doing research and found about 10 different acoustic guitar amplifiers=20=

> to choose from. This one had some good reviews for transparency, has=20=

> digital effects and level control, etc:
> =A0
> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
> =A0
> I also read up on the Roland, Fender, Ibanez, and Crate acoustic=20
> guitar amps.
>
>
> I'm looking for a very small amp, like the size of the Roland Cube 30,=20=

> but full range with a tweeter or coaxial speaker.
> =A0
> Played my new Taylor nylon string at my jazz gig last night, through=20=

> the Roland Cube 30...not bad, but not ideal.
> =A0
> Kris
> =A0
> =A0=

--Apple-Mail-1-733890184
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	charset=ISO-8859-1

Ultrasound AG-50DS3 gets my vote.  Lightweight, great sound, lots of
ins/ outs.  Been using one for a year now and hasn't let me down on
any front yet.  Very versatile.  Recently picked up a Traynor YCV20 II
for that tube amp sound (retubed w/ eurotubes) and it's another
fantastic amp in a small package - same ins/outs, sends etc as the
ultrasound though a little heavier.  - Paul


On Aug 8, 2006, at 11:36 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I know it's off
topic, but for those loopers out there using acoustic guitars like
myself, are you using amps (not PA), and if so what?=A0 I'm doing
research and found about 10 different acoustic guitar amplifiers to
choose from. This one had some good reviews for transparency, has
digital effects and level control, etc:</smaller></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,EEEE</param><small=
er>http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</smaller></col=
or></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>I also read up on the Roland,
Fender, Ibanez, and Crate acoustic guitar amps.</smaller></fontfamily>



<fontfamily><param>Arial</param><smaller>I'm looking for a very small
amp, like the size of the Roland Cube 30, but full range with a
tweeter or coaxial speaker.</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>=A0</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>Played my new Taylor nylon
string at my jazz gig last night, through the Roland Cube 30...not
bad, but not ideal.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>

=A0

=A0</excerpt>=

--Apple-Mail-1-733890184--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 15:27:58 2006
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Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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This is a really interesting quote, Andy. I think I vacillate between the 
two approaches, but the older and more seasoned I get a human being and 
musician, the more I tend to resonate well with the approach that the 
instrument is only a tool and not essential for improvisation. This is 
because I consider improvisation not just something inextricably tied to 
music, but a way of life and approaching the world, both physically and 
intellectually.  Sometimes I find it just as gratifying to set the guitar 
down and vocalize through a mic and my looping setup....or pickup a drum 
like a kinjira, or whatever. I'd rather have the improv music be defined by 
my own creativity and mind rather than the instrument.

Years ago, I would have said something different and much more idealistic 
(naive?), suggesting that I have this faithful bond with my instrument (gear 
worship) as if I have become one with it, more obsessed with the means and 
object rather than the end....but afterall, it is just a material thing made 
out of wood and metal. If I lost the use of my hands tomorrow, I'd still be 
looping the next month at gigs...but with my voice, feet, and whatever I can 
find to express myself.  You could disconnect my brain from my body and keep 
it alive it in a vat, and I'd still improvise musically in my mind. With 
this approach, nothing can come between the player and his music, because 
they are both internal and part of one's psyche.

I agree, this all applies to looping as you say. We often get so obsessed in 
the features and functionality of our looping systems, but in the end it 
seems that one can ultimately sit down and do some amazing and creative 
things with an utterly basic system or one that is complex. I love my laptop 
because of its power and flexibility, but if you gave me nothing but an 
acoustic guitar and a 30 second delay unit with infinite feedback, I'd made 
it work.

Kris

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 09, 2006 8:21 AM
Subject: Attitudes to instruments/loopers (Derek Bailey)


> "There seem to be two main attitudes to the instrument among improvisors. 
> One is that the instrument is man's best friend, both as a tool and a 
> helper; a collaborator. The other attitude is that the instrument is 
> unnecessary, at worst a liability, intruding between the player and his 
> music."
> ...Derek Bailey in "Improvisation, It's Nature and Practise in Music".
>
> So I take that to mean that the instrument is either a means to produce 
> "the correct notes", or that is something that can be explored to find new 
> sounds and new music.
> Musicians who develop extended technique presumably have a certain 
> curiosity about their instrument which is not shared by others.
>
>
>
> It struck me too that this applies to looping, there seem to be a lot of 
> loopers who want their looping gear to perform in certain pre-defined 
> ways, and not many who are not tempted to experiment/improvise with the 
> looping device itself.
>
>
> andy butler
> www.andybutler.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 15:41:04 2006
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Subject: OT: AER was OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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I heard Dave Young play through one and some players on the bassist list-serv's I'm on have played through these amps as well.  All say it's a sweet sound but, yes, not for the faint of wallet...
   
   
  ted harms.
  

Richard Sales <richard@glasswing.com> wrote:
  Our bass player (www.marionbass.com) uses a little AER amp and it 
sounds incredibly good! Teeny tiny but very big sound. Expensive, 
though ($3K!). Let me know if you find a good price on AER stuff.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 8-Aug-06, at 11:00 PM, Sheila Olson wrote:

> Hi Kris,
>
> A while back I ran across a site that had good things to say about AER 
> amps.
>
> You might want to check them out. I think their compact 60 might work 
> for you.
>
> http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm
>
> Good luck,
>
> joe
> On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:
>
>> I know it's off topic, but for those loopers out there using acoustic 
>> guitars like myself, are you using amps (not PA), and if so what?  
>> I'm doing research and found about 10 different acoustic guitar 
>> amplifiers to choose from. This one had some good reviews for 
>> transparency, has digital effects and level control, etc:
>>  
>> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
>>  
>> I also read up on the Roland, Fender, Ibanez, and Crate acoustic 
>> guitar amps.
>>
>> I'm looking for a very small amp, like the size of the Roland Cube 
>> 30, but full range with a tweeter or coaxial speaker.
>>  
>> Played my new Taylor nylon string at my jazz gig last night, through 
>> the Roland Cube 30...not bad, but not ideal.
>>  
>> Kris
>>  
>>  


 		
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<div>I heard Dave Young play through one and&nbsp;some&nbsp;players on the bassist list-serv's I'm on have played through&nbsp;these amps&nbsp;as well.&nbsp; All say it's a&nbsp;sweet sound but, yes, not for the&nbsp;faint of wallet...</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.</div>  <div><BR><BR><B><I>Richard Sales &lt;richard@glasswing.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Our bass player (www.marionbass.com) uses a little AER amp and it <BR>sounds incredibly good! Teeny tiny but very big sound. Expensive, <BR>though ($3K!). Let me know if you find a good price on AER stuff.<BR><BR>richard sales<BR>glassWing farm and studio<BR>vancouver island, b.c.<BR>800.545.6846<BR>250.752.4816<BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayleysales.com<BR>www.blueberryfieldsfarm.com<BR>On 8-Aug-06, at 11:00 PM, Sheila Olson wrote:<BR><BR>&gt; Hi Kris,<BR>&gt;<BR>&gt;
 A while back I ran across a site that had good things to say about AER <BR>&gt; amps.<BR>&gt;<BR>&gt; You might want to check them out. I think their compact 60 might work <BR>&gt; for you.<BR>&gt;<BR>&gt; http://www.aer-amps.de/Sites/sites_ENG/productpages/compact60.htm<BR>&gt;<BR>&gt; Good luck,<BR>&gt;<BR>&gt; joe<BR>&gt; On Tuesday, August 8, 2006, at 10:36 PM, Krispen Hartung wrote:<BR>&gt;<BR>&gt;&gt; I know it's off topic, but for those loopers out there using acoustic <BR>&gt;&gt; guitars like myself, are you using amps (not PA), and if so what?&nbsp; <BR>&gt;&gt; I'm doing research and found about 10 different acoustic guitar <BR>&gt;&gt; amplifiers to choose from. This one had some good reviews for <BR>&gt;&gt; transparency, has digital effects and level control, etc:<BR>&gt;&gt; &nbsp;<BR>&gt;&gt; http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html<BR>&gt;&gt; &nbsp;<BR>&gt;&gt; I also read up on the Roland, Fender, Ibanez, and Crate acoustic <BR>&gt;&gt;
 guitar amps.<BR>&gt;&gt;<BR>&gt;&gt; I'm looking for a very small amp, like the size of the Roland Cube <BR>&gt;&gt; 30, but full range with a tweeter or coaxial speaker.<BR>&gt;&gt; &nbsp;<BR>&gt;&gt; Played my new Taylor nylon string at my jazz gig last night, through <BR>&gt;&gt; the Roland Cube 30...not bad, but not ideal.<BR>&gt;&gt; &nbsp;<BR>&gt;&gt; Kris<BR>&gt;&gt; &nbsp;<BR>&gt;&gt; &nbsp;<BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman1/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Make PC-to-Phone Calls</a> to the US (and 30+ countries) for 2¢/min or less.
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Date: Wed, 9 Aug 2006 11:10:24 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: live looping concerts
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Hello all!

i don't mean to ruffle any feathers, but i am also a jamband fan, and
i love live concerts. One thing about a good jamband is that you can
go see them many times and never see the same concert twice...not
because of a large library of songs, but because a lot of them
improvise and play different lines a lot. Because of this (and there
are probably other reasons too) jambands are ok with tapers, and don't
mind if you record an entire concert and put it on the internet. I
know with bands like Phish and Grateful Dead they played a lot of
covers and jammed on those, and then there are bands like Jacob Fred
Jazz Oddysey (a great band to check out...they even are slowly getting
onto looping!) and Cream (well, i know they aren't a jamband, but they
were known to jam on a song for 20-30 minutes...check out live cream
vol. I and II) and they only started a familiar song's hook or just
laid out the structure at the beginning, but the song would be played
completly different then what was on the studio version, and that
would be good for fans of the band, because its a wealth of unreleased
material :)

What does this have to do with looping? well, i know with my looping
and i am sure this is the case for at least 50% of the loopers here
that i hardly ever play the same thing twice. what i play is largely
dependent on how i am feeling at the moment. So i was just wondering
if there is anywhere on the internet that shares any live looping
concerts (that are ok'ed by the band)?


Charlie

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 16:49:46 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: (beginners' best loopers)
Date: Wed, 9 Aug 2006 18:49:38 +0200
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> I ask this because I'm reading this thread, thinking, Boss DD-20! Boss
DD-20! Makes a great looper! (except it doesn't 
> do those "looper" things mentioned above)

I'd like to second the DD20 recommendation. Having played around a little
with mine (together with an OD-2 and a guitar, it's my "quick and dirty mini
loop setup"), my experience is that

1) the so-called "sound on sound" mode is not that useful. They obviously
didn't make use of the optional footswitch here.
2) having two different delay effects at once is just killer! I only wish
there was a mode where you could return to your first delay...
3) about the coolest thing is that if you use one of the normal delay modes,
you got a proper looper, even with adjustable feedback (in the way the
standard EDP mode works). And you can do unrounded multiplys, simply by
tapping a new tempo when the delay is already filled.

I'm currently thinking about a possible super-small, super-powerful looping
setup. It might be e.g. VF-1, DL4 and DD20.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 16:51:09 2006
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Date: Wed, 09 Aug 2006 12:53:39 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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This is a multi-part message in MIME format.

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yeah, but that page doesn't show the weight. I don't know what "lightweight"
means to you, but it means lighter and lighter every year for me...
 
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Wednesday, August 09, 2006 10:31 AM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars


Ah hah...the Mini-Brute V...looks like it can come configured with a horn
for acoustic guitars.
 

Mini-Brute V


--Boundary_(ID_0Nt8OaZZpDcA9D4h9PJU6g)
Content-type: text/html; charset=us-ascii
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2912" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><SPAN class=359485216-09082006><FONT face=Arial color=#0000ff size=2>yeah, 
but that page doesn't show the weight. I don't know what "lightweight" means to 
you, but it means lighter and lighter every year for me...</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Krispen Hartung 
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Wednesday, August 09, 2006 
  10:31 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  OT: Small/Light Acoustic Guitar Amps for Nylon String 
  Guitars<BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>Ah hah...the Mini-Brute V...looks like it can 
  come configured with a horn for acoustic guitars.</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV>
  <P><B><I><FONT color=#800000 size=5><U>Mini-Brute 
  V</U></FONT></I></B></P></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_0Nt8OaZZpDcA9D4h9PJU6g)--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 16:58:29 2006
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Date: Wed, 9 Aug 2006 09:58:28 -0700 (PDT)
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Subject: Re: Looping Laptops in general (WAS Products, Services, and Looping Gear "Packages")
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I hear you.  It was my intention to get an RC-50 for
just such an event... until I found out it's sync
capabilities sucked.  My idea was if I had one real
synth with sequencing (Alesis Micron) and a MIDI
syncable looper the show would go on and no one would
be the wiser.

It's actually got me thinking that I might fashion a
dedicated MIDI control pedal and velcro my Repeater to
it.  Wouldn't be that big if I used something like the
MIDI Buddy.  Put it in some sort of case and there you
have it.  I could make a lot of noise with a Repeater,
Micron and a guitar.

--- Krispen Hartung <khartung@cableone.net> wrote:

> I think the stress of my system crashing at gig or
> on the road would be so 
> psychological disruptive to my creative process that
> I would likely just 
> seek out a nearest music store, buy a Boss RC20 or
> Jamman, and just go back 
> to basics...call it my looping version of the Derek
> Bailey approach!  I can 
> barely get in the right state of mind for a
> performance when minor stuff 
> happens like one of my stereo channels is not coming
> through and I have to 
> troubleshoot my chords...another reason why I am
> happy to ditch the rack. I 
> have a very fragile psyche when it comes to
> experiencing technical 
> difficulties shortly before a gig.
> 
> K-
> 
> ----- Original Message ----- 
> From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 08, 2006 3:33 PM
> Subject: Re: Looping Laptops in general (WAS
> Products, Services, and Looping 
> Gear "Packages")
> 
> 
> >>>> And if something does go wrong, with something
> like the  Looperlative I
> >>>> can get in touch with the developer and get
> assistance that will  cover
> >>>> anything that has gone amiss.
> >>>
> >
> > On 8 aug 2006, at 21.13, phaslem@wightman.ca
> wrote:
> >
> >> Actually, this is exactly the reason I ended up
> going with a  software 
> >> looper.
> >
> >
> > Jup, me too. I carry back-up CD's of my software
> installation files, 
> > audio interface drivers and SYSEX dumps of my MIDI
> controllers and  effect 
> > patches. Actually two copies of that back-up CD,
> stored into  different 
> > bags (as well as on the INternet). Just the same
> basic  instinct that 
> > makes me carry my sax mouthpiece safely in a
> pocket and  not within the 
> > instrument bag. Spreading out the risks makes it 
> easier to pick up the 
> > pieces and get back on track if bad things  should
> happen. I can pick up 
> > any computer and restore my looping rig,  pick up
> (almost) any tenor to 
> > restore my sax sound.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 16:59:25 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Wed, 9 Aug 2006 09:59:13 -0700
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For me, it's the pickup that counts in an acoustic instrument!  I use=20
the K&K Trinity Plus (3 way) and it sounds incredible through my very=20
very old Panaramic (Magnatone) tube amp.  Mike Gillies, engineer for=20
Metallica, when he heard our guitars with K&Ks said, "You don't need=20
mic's" (for recording).  This was so disappointing because I'd just=20
bought $9K worth of mics for just that!  I heard Kelly Joe Phelps using=20=

a Sunrise that sounded good through the PA.  I know that last I saw Leo=20=

Kottke was using a Fender Deluxe Reverb.  I really respect his talent=20
and ears.

Haven't heard the Ultrasounds... but I've heard good things about them.=20=

  If they're made by the guys who used to own Ultrasound PA company (Bay=20=

Area) they MUST be very good.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Aug-06, at 7:45 AM, Paul Mimlitsch wrote:

> Ultrasound AG-50DS3 gets my vote.  Lightweight, great sound, lots of=20=

> ins/ outs.  Been using one for a year now and hasn't let me down on=20
> any front yet.  Very versatile.  Recently picked up a Traynor YCV20 II=20=

> for that tube amp sound (retubed w/ eurotubes) and it's another=20
> fantastic amp in a small package - same ins/outs, sends etc as the=20
> ultrasound though a little heavier.  - Paul
>
> On Aug 8, 2006, at 11:36 PM, Krispen Hartung wrote:
>
>> I know it's off topic, but for those loopers out there using acoustic=20=

>> guitars like myself, are you using amps (not PA), and if so what?=A0=20=

>> I'm doing research and found about 10 different acoustic guitar=20
>> amplifiers to choose from. This one had some good reviews for=20
>> transparency, has digital effects and level control, etc:
>> =A0
>> http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html
>> =A0
>> I also read up on the Roland, Fender, Ibanez, and Crate acoustic=20
>> guitar amps.
>>
>>
>> I'm looking for a very small amp, like the size of the Roland Cube=20
>> 30, but full range with a tweeter or coaxial speaker.
>> =A0
>> Played my new Taylor nylon string at my jazz gig last night, through=20=

>> the Roland Cube 30...not bad, but not ideal.
>> =A0
>> Kris
>> =A0
>> =A0=

--Apple-Mail-3-741894224
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For me, it's the pickup that counts in an acoustic instrument!  I use
the K&K Trinity Plus (3 way) and it sounds incredible through my very
very old Panaramic (Magnatone) tube amp.  Mike Gillies, engineer for
Metallica, when he heard our guitars with K&Ks said, "You don't need
mic's" (for recording).  This was so disappointing because I'd just
bought $9K worth of mics for just that!  I heard Kelly Joe Phelps
using a Sunrise that sounded good through the PA.  I know that last I
saw Leo Kottke was using a Fender Deluxe Reverb.  I really respect his
talent and ears.


Haven't heard the Ultrasounds... but I've heard good things about
them.  If they're made by the guys who used to own Ultrasound PA
company (Bay Area) they MUST be very good.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Aug-06, at 7:45 AM, Paul Mimlitsch wrote:


<excerpt>Ultrasound AG-50DS3 gets my vote.  Lightweight, great sound,
lots of ins/ outs.  Been using one for a year now and hasn't let me
down on any front yet.  Very versatile.  Recently picked up a Traynor
YCV20 II for that tube amp sound (retubed w/ eurotubes) and it's
another fantastic amp in a small package - same ins/outs, sends etc as
the ultrasound though a little heavier.  - Paul


On Aug 8, 2006, at 11:36 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I know it's off
topic, but for those loopers out there using acoustic guitars like
myself, are you using amps (not PA), and if so what?=A0 I'm doing
research and found about 10 different acoustic guitar amplifiers to
choose from. This one had some good reviews for transparency, has
digital effects and level control, etc:</smaller></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,EEED</param><small=
er>http://www.stevesmusiccenter.com/UltrasoundAG-50DS3.html</smaller></col=
or></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>I also read up on the Roland,
Fender, Ibanez, and Crate acoustic guitar amps.</smaller></fontfamily>



<fontfamily><param>Arial</param><smaller>I'm looking for a very small
amp, like the size of the Roland Cube 30, but full range with a
tweeter or coaxial speaker.</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>=A0</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>Played my new Taylor nylon
string at my jazz gig last night, through the Roland Cube 30...not
bad, but not ideal.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>

=A0

=A0</excerpt></excerpt>=

--Apple-Mail-3-741894224--

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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: (beginners' best loopers)
To: Rainer Thelonius Balthasar Straschill <rs@moinlabs.de>,
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 "Rainer Thelonius Balthasar Straschill" wrote:
> I'm currently thinking about a possible super-small, super-powerful
looping
> setup. It might be e.g. VF-1, DL4 and DD20.

Yeah! I'm using a Boss GT-3 (essentially a floor-pedal VF-1), a Digitech
Whammy, and two DD-20s. I never tire of the possibilities. I bet a clever
shopper could put these pices of gear together for around $500.

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 17:56:54 2006
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Kris wrote:
>This is because I consider improvisation not just something 
>inextricably tied to music, but a way of life and approaching the 
>world, both physically and intellectually.  I'd rather have the 
>improv music be defined by my own creativity and mind rather than 
>the instrument.

The instrument is a set of unrealised possibilities,
just waiting to be unlocked by a creative person.

Whether the instrument is a guitar, a hand-drum, a looping device or 
just the stuff in your head.

( ah... that'll get him going :-)

andybutler

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Date: Wed, 9 Aug 2006 12:58:48 -0500
From: "Dan Katayama" <dan.katayama@gmail.com>
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Subject: electro-harmonix 2880
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I have a question on the electro-harmonix 2880.
In the manual it says that after recording your first new loop
the 2880 advances automatically to record onto track 2.

that means all overdubs will go to track 2.

can you setup the 2880 so that after you've recorded your first new loop on
track 1
you STAY on track 1 and overdub the hell out of track 1 before moving onto
track 2 and beyond?

thanks for your help.

-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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I have a question on the electro-harmonix 2880.<br>In the manual it says that after recording your first new loop<br>the 2880 advances automatically to record onto track 2.<br><br>that means all overdubs will go to track 2.
<br><br>can you setup the 2880 so that after you've recorded your first new loop on track 1<br>you STAY on track 1 and overdub the hell out of track 1 before moving onto track 2 and beyond?<br><br>thanks for your help.<br clear="all">
<br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkatayama76</a>

------=_Part_22245_4165932.1155146328435--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 18:03:22 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
Date: Wed, 9 Aug 2006 11:03:15 -0700
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One of my favorite reviews (LA Weekly's Greg Burk) said this: "Jeff=20
Kaiser's trumpet is nearly incidental to his overall concept"......

That actually made me happy.

It seem's that many people's musical identities are tied to their=20
instrument....but what really counts is the music....and the source of=20=

that (in a player) is always internal, away from the instrument....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 9, 2006, at 10:50 AM, a k butler wrote:

> Kris wrote:
>> This is because I consider improvisation not just something=20
>> inextricably tied to music, but a way of life and approaching the=20
>> world, both physically and intellectually.  I'd rather have the=20
>> improv music be defined by my own creativity and mind rather than the=20=

>> instrument.
>
> The instrument is a set of unrealised possibilities,
> just waiting to be unlocked by a creative person.
>
> Whether the instrument is a guitar, a hand-drum, a looping device or=20=

> just the stuff in your head.
>
> ( ah... that'll get him going :-)
>
> andybutler

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 18:43:07 2006
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Date: Wed, 9 Aug 2006 14:43:02 -0400
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Subject: Re: electro-harmonix 2880
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If you press play after recording the first pass, track 2 will go 
into record ready. If you press the track select button you can 
re-select track 1 and continue overdubbing


>I have a question on the electro-harmonix 2880.
>In the manual it says that after recording your first new loop
>the 2880 advances automatically to record onto track 2.
>
>that means all overdubs will go to track 2.
>
>can you setup the 2880 so that after you've recorded your first new 
>loop on track 1
>you STAY on track 1 and overdub the hell out of track 1 before 
>moving onto track 2 and beyond?
>
>thanks for your help.
>
>--
>kosukeweb
><http://home.comcast.net/~kkatayama76>http://home.comcast.net/~kkatayama76


-- 
...
http://www.zmix.net
--============_-1056973510==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: electro-harmonix 2880</title></head><body>
<div>If you press play after recording the first pass, track 2 will go
into record ready. If you press the track select button you can
re-select track 1 and continue overdubbing</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>I have a question on the electro-harmonix
2880.<br>
In the manual it says that after recording your first new loop<br>
the 2880 advances automatically to record onto track 2.<br>
<br>
that means all overdubs will go to track 2.<br>
<br>
can you setup the 2880 so that after you've recorded your first new
loop on track 1<br>
you STAY on track 1 and overdub the hell out of track 1 before moving
onto track 2 and beyond?<br>
<br>
thanks for your help.<br>
<br>
--<br>
kosukeweb<br>
<a
href="http://home.comcast.net/~kkatayama76"
>http://home.comcast.net/~kkatayama76</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1056973510==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 19:00:29 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
Cc: Jeff Kaiser <loopersdelight@pfmentum.com>
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I think this is particularly a problem for guitarists. Heheh. I'm one.
I don't like playing strange guitars in public. I do develop a certain
attachment/raport with a particular instrument -- mostly based on=20
familarity with all of it's quirks (and, of course, my own).=20

The same could be said about looping gear regarding this "familiarity."=20
However, I have used several hardware loopers over the years . . . and feel=
=20
I could make valid music with any of them (or no looper at all). It really
doesn't matter to me.=20

On the other hand I have no problem whatsoever playing in public
on a non-guitar instrument that I have only passing or no familiarity
at all with. It's very fun and freeing to play in a situation where I am
not just partially, but TOTALLY naive when it comes to playing something
propperly. I can become absolutely fearless . . . in a REALLY odd sort of w=
ay.

Maybe someone should organize a festival for musicians to play "Mystery=20
Instruments" (by blindly pulling slips of paper from a bag or something).
I'd be all for it. It could be really, really fun.

Cheers

tEd =C2=AE kiLLiAn

"For a successful technology, reality must take precedence over public rela=
tions, for Nature cannot be fooled." -- Richard Feynman

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Jeff Kaiser <loopersdelight@pfmentum.com> wrote:=20
> One of my favorite reviews (LA Weekly's Greg Burk) said this: "Jeff=20
> Kaiser's trumpet is nearly incidental to his overall concept"......
>=20
> That actually made me happy.
>=20
> It seem's that many people's musical identities are tied to their=20
> instrument....but what really counts is the music....and the source of=20
> that (in a player) is always internal, away from the instrument....
>=20
>=20
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =E2=80=A2 AngryVegan.com
>=20
> On Aug 9, 2006, at 10:50 AM, a k butler wrote:
>=20
> > Kris wrote:
> >> This is because I consider improvisation not just something=20
> >> inextricably tied to music, but a way of life and approaching the=20
> >> world, both physically and intellectually.  I'd rather have the=20
> >> improv music be defined by my own creativity and mind rather than the=
=20
> >> instrument.
> >
> > The instrument is a set of unrealised possibilities,
> > just waiting to be unlocked by a creative person.
> >
> > Whether the instrument is a guitar, a hand-drum, a looping device or=20
> > just the stuff in your head.
> >
> > ( ah... that'll get him going :-)
> >
> > andybutler

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 19:01:35 2006
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Subject: Re: Re: Attitudes to instruments/loopers (Derek Bailey)
Date: Wed, 9 Aug 2006 13:01:29 -0600
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Yeah, it got me going. :)  An instrument is a possibility? Or a set? How is 
that possible? (no pun intended). I consider it an object, nor more or no 
less.  I mean, let's get literal and clear here: if I break my guitar up 
into bits, I find pieces of wood, metal, glue, and eventually I can put it 
under a microscope and find organic molecules, etc...but, low and behold, I 
can find no possibilities! They appear to be eluding the lens of the 
microscope.  Those clever possibilities, hiding inside the guitar 
somewhere....damn them to hell.

I suspect the realm of possibilities is in the mind. The instrument is 
subservient to the mind in my opinion.  I think saying an instrument is a 
set of possiblities is a semantic oxymoron. Maybe the guitar itself as an 
instrument can inspire possibiliies in the mind of the looper....I'll buy 
that. But it's still an object, vs. the life of the mind (recall what movie 
that is from?)

Kris

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>

> Kris wrote:
>>This is because I consider improvisation not just something inextricably 
>>tied to music, but a way of life and approaching the world, both 
>>physically and intellectually.  I'd rather have the improv music be 
>>defined by my own creativity and mind rather than the instrument.
>
> The instrument is a set of unrealised possibilities,
> just waiting to be unlocked by a creative person.
>
> Whether the instrument is a guitar, a hand-drum, a looping device or just 
> the stuff in your head.
>
> ( ah... that'll get him going :-)
>
> andybutler
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 19:08:52 2006
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Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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amen, brother...did you ask LA Weekly to analyze that metaphysical 
pseudo-statement for you?

How about this one:  My guitar's artistic singularity is tantamount to the 
ontological duality of that of a perfect flower (the Platonic Form, that is) 
immersed in the beauty and presence of quantum entanglement, whose corollary 
and inferential counter-part is the result of a phenomenological reduction 
and consequential residuum of artistic purity.

You gotta love metaphysical poetry....

K-


----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 09, 2006 12:03 PM
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)


One of my favorite reviews (LA Weekly's Greg Burk) said this: "Jeff
Kaiser's trumpet is nearly incidental to his overall concept"......

That actually made me happy.

It seem's that many people's musical identities are tied to their
instrument....but what really counts is the music....and the source of
that (in a player) is always internal, away from the instrument....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com

On Aug 9, 2006, at 10:50 AM, a k butler wrote:

> Kris wrote:
>> This is because I consider improvisation not just something inextricably 
>> tied to music, but a way of life and approaching the world, both 
>> physically and intellectually.  I'd rather have the improv music be 
>> defined by my own creativity and mind rather than the instrument.
>
> The instrument is a set of unrealised possibilities,
> just waiting to be unlocked by a creative person.
>
> Whether the instrument is a guitar, a hand-drum, a looping device or just 
> the stuff in your head.
>
> ( ah... that'll get him going :-)
>
> andybutler



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
Date: Wed, 9 Aug 2006 21:51:01 +0200
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> ----- Original Message ----- From: "a k butler"  
> <akbutler@tiscali.co.uk>
>
>> It struck me too that this applies to looping, there seem to be a  
>> lot of loopers who want their looping gear to perform in certain  
>> pre-defined ways, and not many who are not tempted to experiment/ 
>> improvise with the looping device itself.


That seems reasonable to me. I heard that around ten percent of a  
population (and this doesn't just apply to humans) are "improvisors",  
"explorers", or whatever you call them. Those curious souls who keep  
destroying things to "see what's inside" but on some rare occasions  
come up with very good solutions that are being copied by the other  
individuals and made part of the culture.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Subject: RE: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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' tho I am a bassist, I primarily play acoustic and semi-acoustic acoustic 
bass guitars.  Have tried a bunch of acoustic amps, too.  UltraSound is 
quite good (alas, not so great for bass, by killer for regular ol' geetars). 
  AER is incredible (and they have a variety of models to choose from...all 
quite compact with great tone)...but are also great expensive.

I used to have a Polytone which I really liked.....but I have found new joy 
with Acoustic Image amps.  Right now I use an older model Contra with a 
Contra Ex extesnsion cab.  The combo is only 22  lbs and 350w!  Sounds very 
good with guitar as well (tho, for nylon acoustic you might want to check 
into some of their other models, such as the New Yorker).

For greater flexibility, I run into the fx return jack of the Contra from a 
D-TAR Solstice Mixer/Blender which allows me to run my basses as well a a 
vocal mic (and my looper in the aux send/ret).  Fantastic unit with a great 
sound on whatever is fed thru it (also use a DTAR Equinox parametric and 
MamaBear preamp...all sound great!).

A thought I have had...and this would be good for gtr as well...is to run 
one (any) of the DTAR preamps to one of the new Bose ultra small and 
lightweight power amps and onto a small (2x8 neo) cab.

And....another contender, which I have tried with acoustic gtr (and was 
quite surprsied at just how good is sounded) is the new Fender UltraLight 
Acosustic head and 2x8 cab.  Very small, lightweight, very decent onboard fx 
(delay, verb chorus...just basic) two channels one optimised for piezos the 
other for microphones (bal xlr input), and something like 2x150 watts.

Just some thoughts,
Max


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 20:20:40 2006
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Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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At 1:08 PM -0600 8/9/06, Krispen Hartung wrote:
>
>How about this one:  My guitar's artistic singularity is tantamount 
>to the ontological duality of that of a perfect flower (the Platonic 
>Form, that is) immersed in the beauty and presence of quantum 
>entanglement, whose corollary and inferential counter-part is the 
>result of a phenomenological reduction and consequential residuum of 
>artistic purity.

Wow!  I pretty much understood that.

I must be drunk...

	--m.

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 20:32:49 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: "The Mystery Instrument Festival"  (Re: Attitudes to instruments/loopers (Derek Bailey)
Date: Wed, 9 Aug 2006 22:32:45 +0200
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On 9 aug 2006, at 21.00, tEd =AE kiLLiAn wrote:

> Maybe someone should organize a festival for musicians to play =20
> "Mystery
> Instruments" (by blindly pulling slips of paper from a bag or =20
> something).
> I'd be all for it. It could be really, really fun.


Hats off for a splendid idea!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Hi loopers-Anyone have any experience using this one?

Gary


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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 21:31:07 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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I know this sounds crazy (but it might just work!),
but why not get a full range pa style speaker of good
quality and use a good preamp or amp modeler before
it?  This way you'll be able to get good electric
guitar, bass, acoustic and synths all from one
speaker.  Lighten your load a bit too as some of them,
like the Mackie's are a bit lighter than a full on
guitar combo amp.

I can understand having a nice amp for home/studio
work but in todays topsy turvy world if you don't have
a roady I don't see the point in lugging one around. 
Also, as sad as it may be, I doubt your audience would
notice the difference in most situations (except for
those on this list)

--- Krispen Hartung <khartung@cableone.net> wrote:

> I know it's off topic, but for those loopers out
> there using acoustic guitars like myself, are you
> using amps (not PA), and if so what? 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 21:34:05 2006
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what about only 1 project per card? then if you=B4re switching projects =
during live presentation you=B4d have top be switching cards all the =
time?.......bad news huh....

  ----- Original Message -----=20
  From: Dan Katayama=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, August 09, 2006 2:58 PM
  Subject: electro-harmonix 2880


  I have a question on the electro-harmonix 2880.
  In the manual it says that after recording your first new loop
  the 2880 advances automatically to record onto track 2.

  that means all overdubs will go to track 2.=20

  can you setup the 2880 so that after you've recorded your first new =
loop on track 1
  you STAY on track 1 and overdub the hell out of track 1 before moving =
onto track 2 and beyond?

  thanks for your help.

  --=20
  kosukeweb
  http://home.comcast.net/~kkatayama76=20


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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>what about only 1 project per card? =
then if you=B4re=20
switching projects during live presentation you=B4d have top be =
switching cards=20
all the time?.......bad news huh....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddan.katayama@gmail.com =
href=3D"mailto:dan.katayama@gmail.com">Dan=20
  Katayama</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 09, =
2006 2:58=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> electro-harmonix =
2880</DIV>
  <DIV><BR></DIV>I have a question on the electro-harmonix 2880.<BR>In =
the=20
  manual it says that after recording your first new loop<BR>the 2880 =
advances=20
  automatically to record onto track 2.<BR><BR>that means all overdubs =
will go=20
  to track 2. <BR><BR>can you setup the 2880 so that after you've =
recorded your=20
  first new loop on track 1<BR>you STAY on track 1 and overdub the hell =
out of=20
  track 1 before moving onto track 2 and beyond?<BR><BR>thanks for your =
help.<BR=20
  clear=3Dall><BR>-- <BR>kosukeweb<BR><A=20
  =
href=3D"http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kk=
atayama76</A>=20

  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition.<BR>Version: 7.1.405 / Virus Database: 268.10.8/414 - Release =
Date:=20
  9/8/2006<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00AF_01C6BBE2.63089E30--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 21:35:06 2006
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From: "Ritchie" <rdomain@in.com.au>
To: <Loopers-Delight@loopers-delight.com>
References: <44D9D7A0.5030206@addcom.de>
Subject: portable looper
Date: Thu, 10 Aug 2006 07:05:04 +0930
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Hi all,

I'm looking for a portable looper (one I can throw in my bag and use for 
teaching also) as I already have a Repeater and laptop setup plus others. 
I'd like it to be able to have feedback control and long loop/delay times 
(for performance and song writing).  Does the Digitech Jamman have  feedback 
control?  eg.  can you set the loop to fade as new material is added?  If 
not, I might have to go the Giga Delay.  The Digitech Jamman is attractive 
due to the storage and long loop times.  With the Giga Delay; can you 
overdub in the loop mode at it's maximum length qouted with feedback control 
also?

Thanks for any info.

Ritchie
http://murdergrin.blogspot.com


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 21:40:20 2006
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Message-ID: <20060809214019.83817.qmail@web81312.mail.mud.yahoo.com>
Date: Wed, 9 Aug 2006 14:40:19 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: portable looper
To: Loopers-Delight@loopers-delight.com
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The JamMan sadly doesn't have feedback like the
original.

The DD20 does and yes, it works in loop mode too. 
It's my tiny looper of choise over the DL-4 for that
exact reason (also stereo!)

--- Ritchie <rdomain@in.com.au> wrote:

> Hi all,
> 
> I'm looking for a portable looper (one I can throw
> in my bag and use for 
> teaching also) as I already have a Repeater and
> laptop setup plus others. 
> I'd like it to be able to have feedback control and
> long loop/delay times 
> (for performance and song writing).  Does the
> Digitech Jamman have  feedback 
> control?  eg.  can you set the loop to fade as new
> material is added?  If 
> not, I might have to go the Giga Delay.  The
> Digitech Jamman is attractive 
> due to the storage and long loop times.  With the
> Giga Delay; can you 
> overdub in the loop mode at it's maximum length
> qouted with feedback control 
> also?
> 
> Thanks for any info.
> 
> Ritchie
> http://murdergrin.blogspot.com
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 21:56:21 2006
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Date: Wed, 9 Aug 2006 17:56:19 EDT
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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In a message dated 8/9/06 11:28:29 AM, khartung@cableone.net writes:


> If I lost the use of my hands tomorrow, I'd still be
> looping the next month at gigs...but with my voice, feet, and whatever I can
> find to express myself.
> 

truth!



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/9/06 11:28:29 AM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">If I lost the use of=20=
my hands tomorrow, I'd still be<BR>
looping the next month at gigs...but with my voice, feet, and whatever I can=
<BR>
find to express myself.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">truth!<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:06:47 2006
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Date: Wed, 9 Aug 2006 18:06:44 EDT
Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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In a message dated 8/9/06 3:00:57 PM, tedkillian@charter.net writes:


> On the other hand I have no problem whatsoever playing in public
> on a non-guitar instrument that I have only passing or no familiarity
> at all with.
> 

tedzo.....i had the oppurtunity to do this floating over the ALPS with 
mathias and company last year at the zurich loopfest.....i played "piano" and "bass" 
with several loopers of the "first" caliber!.....somehow none of this got 
recorded......we tried, LORD knows we tried but alas, no 
recording.....HEARTBROKEN, yes, but what an offering to the muses.....i will loop with anything, 
anytime with anyone.....yipee.....LOOPS!.....michael
p.s. please send for me!.....:)



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/9/06 3:00:57 PM, tedkillian@charter.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">On the other hand I h=
ave no problem whatsoever playing in public<BR>
on a non-guitar instrument that I have only passing or no familiarity<BR>
at all with.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">tedzo.....i had the oppurtunity to do this floating over the ALPS with ma=
thias and company last year at the zurich loopfest.....i played "piano" and=20=
"bass" with several loopers of the "first" caliber!.....somehow none of this=
 got recorded......we tried, LORD knows we tried but alas, no recording.....=
HEARTBROKEN, yes, but what an offering to the muses.....i will loop with any=
thing, anytime with anyone.....yipee.....LOOPS!.....michael<BR>
p.s. please send for me!.....:)<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:09:29 2006
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Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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In a message dated 8/9/06 4:20:51 PM, mech@m3ch.net writes:


> I must be drunk..
> 

me too!.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/9/06 4:20:51 PM, mech@m3ch.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I must be drunk..<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">me too!.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:14:42 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060809213106.11172.qmail@web81308.mail.mud.yahoo.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Wed, 9 Aug 2006 16:14:36 -0600
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Ah..there is some synchronicity occurring here, Mark. I just read on an 
acoustic guitar forum (used to be the Taylor Forum), where this guy 
recommended this same approach, suggesting that the quality of your poweramp 
and speaker would be better, better frequency response, more transparent, 
etc.  Now I tend to agree with you here. I am looking into buying one of the 
Mackie or JBL powered 1X10" full range powered cabs....because I can kill 
two birds with one stone...I've been wanting another set of smaller powered 
PA cabs for monitors at the events I coordinate. I may not even need a 
preamp or modeler, because this Taylor of mine already has the preamp/EQ 
system in it. The PA should reproduce exactly what it gets from the guitar, 
and right now this Taylor nylon string of mine sounds spectacular just 
direct into a mixer board with headphones....no reason to colorize it even 
more with yet another set of circuitry.

Kris


----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 09, 2006 3:31 PM
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars


>I know this sounds crazy (but it might just work!),
> but why not get a full range pa style speaker of good
> quality and use a good preamp or amp modeler before
> it?  This way you'll be able to get good electric
> guitar, bass, acoustic and synths all from one
> speaker.  Lighten your load a bit too as some of them,
> like the Mackie's are a bit lighter than a full on
> guitar combo amp.
>
> I can understand having a nice amp for home/studio
> work but in todays topsy turvy world if you don't have
> a roady I don't see the point in lugging one around.
> Also, as sad as it may be, I doubt your audience would
> notice the difference in most situations (except for
> those on this list)
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> I know it's off topic, but for those loopers out
>> there using acoustic guitars like myself, are you
>> using amps (not PA), and if so what?
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:21:04 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
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: mark sottilaro sayeth:...
>I can understand having a nice amp for home/studio
>work but in todays topsy turvy world if you don't have
>a roady I don't see the point in lugging one around. 
>Also, as sad as it may be, I doubt your audience would
>notice the difference in most situations (except for
>those on this list)


ummm...me doth protest just a little :-)
"dont see the point"?
fer me its about the quality of the SOUND you are creating and making you happy
i think its sad if you sacrifice your particular sound for the ease of moving it-loading in/out.
there is a price to pay for all good things
and i dont know if audiences notice differences or anything but i do.
seeya
stan(Tube Amp(s) Enthusiast and analogue looperguy)

From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:24:35 2006
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In a message dated 8/9/06 5:31:10 PM, zerocrossing2001@yahoo.com writes:


> I doubt your audience would
> notice the difference in most situations
> 

i disagree.....and you would be there also, no?.....it's all about the sound 
imho.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/9/06 5:31:10 PM, zerocrossing2001@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I doubt your audience=
 would<BR>
notice the difference in most situations<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i disagree.....and you would be there also, no?.....it's all about the so=
und imho.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:40:05 2006
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Date: Wed, 9 Aug 2006 17:39:47 -0500
From: "Dan Katayama" <dan.katayama@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: electro-harmonix 2880
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I do everyone on the fly so it's really no big deal.



2006/8/9, tunga.muzik <tunga.muzik@terra.com.br>:
>
>  what about only 1 project per card? then if you=B4re switching projects
> during live presentation you=B4d have top be switching cards all the
> time?.......bad news huh....
>
>
> ----- Original Message -----
> *From:* Dan Katayama <dan.katayama@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, August 09, 2006 2:58 PM
> *Subject:* electro-harmonix 2880
>
> I have a question on the electro-harmonix 2880.
> In the manual it says that after recording your first new loop
> the 2880 advances automatically to record onto track 2.
>
> that means all overdubs will go to track 2.
>
> can you setup the 2880 so that after you've recorded your first new loop
> on track 1
> you STAY on track 1 and overdub the hell out of track 1 before moving ont=
o
> track 2 and beyond?
>
> thanks for your help.
>
> --
> kosukeweb
> http://home.comcast.net/~kkatayama76<http://home.comcast.net/%7Ekkatayama=
76>
>
> ------------------------------
>
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.405 / Virus Database: 268.10.8/414 - Release Date: 9/8/2006
>
>


--=20
kosukeweb
http://home.comcast.net/~kkatayama76

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I do everyone on the fly so it's really no big deal.<br><br><br><br><div><s=
pan class=3D"gmail_quote">2006/8/9, tunga.muzik &lt;<a href=3D"mailto:tunga=
.muzik@terra.com.br">tunga.muzik@terra.com.br</a>&gt;:</span><blockquote cl=
ass=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); mar=
gin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">what about only 1 project per card? th=
en if you=B4re=20
switching projects during live presentation you=B4d have top be switching c=
ards=20
all the time?.......bad news huh....</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;"></blockquote></=
div><div><span class=3D"e" id=3D"q_10cf4db8c0f15576_1">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 50%; -=
moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -m=
oz-background-inline-policy: -moz-initial; font-family: arial; font-style: =
normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-he=
ight: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"dan.katayama@gmail.com" href=3D"mailto:dan.katayama@gmail.com=
" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)=
">Dan=20
  Katayama</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)">
Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Wednesday, August 09, 2006 2=
:58=20
  PM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> electro-harmonix 2880</di=
v>

  <div><br></div>I have a question on the electro-harmonix 2880.<br>In the=
=20
  manual it says that after recording your first new loop<br>the 2880 advan=
ces=20
  automatically to record onto track 2.<br><br>that means all overdubs will=
 go=20
  to track 2. <br><br>can you setup the 2880 so that after you've recorded =
your=20
  first new loop on track 1<br>you STAY on track 1 and overdub the hell out=
 of=20
  track 1 before moving onto track 2 and beyond?<br><br>thanks for your hel=
p.<br clear=3D"all"><br>-- <br>kosukeweb<br><a href=3D"http://home.comcast.=
net/%7Ekkatayama76" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(=
window,event,this)">
http://home.comcast.net/~kkatayama76</a>=20

  </span></div><div><p>
  </p><hr>

  <p></p>No virus found in this incoming message.<br>Checked by AVG Free=20
  Edition.<br>Version: 7.1.405 / Virus Database: 268.10.8/414 - Release Dat=
e:=20
  9/8/2006<br><p></p></div>

</div></blockquote></div><br><br clear=3D"all"><br>-- <br>kosukeweb<br><a h=
ref=3D"http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkata=
yama76</a>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 22:42:57 2006
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Date: Wed, 9 Aug 2006 15:42:52 -0700
From: "D rH" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: play guitar like a drum
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Tapping the collective:

Is there a simple way to make an acoustic/electic guitar sound more like
drum when you beat on it, or more like a bass even if it's tuned down a
whole step and you're playing with the pad of your thumb? How about at the
same time, hmm?

I'm talking hardware, specifically footswitch-ware, not software... that'd
be too easy! Will one of those cheapo 7-band EQ's work? Never tried one...
I'm wary. Ideas? Common practices?

David

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<div>Tapping the collective:</div>
<div>&nbsp;</div>
<div>Is there a simple way to make an acoustic/electic guitar sound more like drum when you beat on it, or more like a bass even if it's tuned down a whole step and you're playing with the pad of your thumb? How about at the same time, hmm? 
</div>
<div>&nbsp;</div>
<div>I'm talking hardware, specifically footswitch-ware, not software... that'd be too easy! Will one of those cheapo 7-band EQ's work? Never tried one... I'm wary. Ideas? Common practices?</div>
<div>&nbsp;</div>
<div>David</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 23:01:55 2006
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Date: Wed,  9 Aug 2006 19:01:50 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Rolls RM65B 6 x 4 Mixer
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I've been using one for a couple of years and there's things I like and 
things I
don't like....
Things I like:
compact size only 1u in the rack,
if you're using the xlr imputs you can reconfigure the 1/4 inputs to be 
inserts
effects loop for all channels with a stereo return controllable from the front
mono monitor send controllable for each channel also on the front, (I 
used it as
a 2nd effects loop)
you can chain to a second unit without giving up channels
pretty decent sound

Things I don't like:
all the inputs and outputs are on the back, it's a shallow unit so you 
need long
skinny hands if it happens to be inbetween deeper units
the mic sensitivity controls are little tiny knobs also on the back and nearly
impossible to adjust when it's in the rack
no seperate volumne contol for the headphone jack


Paul Haslem
www.dulcify.ca





Quoting Gary Lehmann <hqr@cox.net>:

> Hi loopers-Anyone have any experience using this one?
>
> Gary
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 23:27:37 2006
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Date: Wed,  9 Aug 2006 19:27:36 -0400
From: phaslem@wightman.ca
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Subject: Re: Rolls RM65B 6 x 4 Mixer
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oh, I forgot to mention that it does have phantom power which you can set for
each of the 6 channels.... but the switch is again on the back and is a little
tiny set of dip switches that are impossible to get to if the unit is in the
rack.



Quoting phaslem@wightman.ca:

> I've been using one for a couple of years and there's things I like 
> and things I
> don't like....
> Things I like:
> compact size only 1u in the rack,
> if you're using the xlr imputs you can reconfigure the 1/4 inputs to 
> be inserts
> effects loop for all channels with a stereo return controllable from 
> the front
> mono monitor send controllable for each channel also on the front, (I 
> used it as
> a 2nd effects loop)
> you can chain to a second unit without giving up channels
> pretty decent sound
>
> Things I don't like:
> all the inputs and outputs are on the back, it's a shallow unit so 
> you need long
> skinny hands if it happens to be inbetween deeper units
> the mic sensitivity controls are little tiny knobs also on the back 
> and nearly
> impossible to adjust when it's in the rack
> no seperate volumne contol for the headphone jack
>
>
> Paul Haslem
> www.dulcify.ca
>
>
>
>
>
> Quoting Gary Lehmann <hqr@cox.net>:
>
>> Hi loopers-Anyone have any experience using this one?
>>
>> Gary
>>
>>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Aug  9 23:52:52 2006
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Subject: gig tonight (Wednesday) RICK WALKER, MATT DAVIGNON  zeroONE Festival 
Date: Wed, 9 Aug 2006 16:52:56 -0700
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Last minute invite for anyone in the South Bay, Monterey Bay or 
SF/Oakland/Berkeley region
who has nothing better to do than go see experimental music and visuals.

Matt Davignon and I will both do solo sets (and a collaborative improv set)
at tonights  ZeroONE festival at the Anno Domini Gallery located at
   366 South First Street (between San Carlos and San Salvador) in Downtown 
San Jose.

I will be debuting my lo fi loop videos as well as doing several pieces 
featuring entirely
different sets of instruments,   including   door-stop-a-phone, melodica, 
omnichord,
casio cs-1 crummy sampler,  various and sundry plastic bits, trumpet (with 
apologies
to Jeff Kaiser in advance),  fretless bass,  and various vocal techniques.

Matt will balance my GAS approach (gear acquisition syndrome),  utilizing 
only a drum machine as a source for sound

I'm looking forward to it.

We go on late     Matt at 10    me at 10:45

yours,  Rick WAlker 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 00:05:06 2006
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Subject: RE: play guitar like a drum
Date: Wed, 9 Aug 2006 19:06:38 -0500
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This is a multi-part message in MIME format.

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You really don't have to do much if the guitar is mic'ed properly.  Internal
mics are much better at picking up the sounds of hands on wood than pickups
although since you're mangling the sound (relatively speaking) it might not
matter much-I just found internal mics much warmer and giving better
results.  Using your thumb at various places on the guitar will give you
different pitches and timbre and alittle eq will perfect it for you.  If you
go to www.myspace.com/michaelplishka and play Einstein's time I bang chords
and guitar at the same time to create a string sound with a drum sound in
the background.  There are other songs that are even more percussive but
they're not up on the site yet.

~Peace~

Plish

Music from the Infinite Horizon...
  -----Original Message-----
  From: D rH [mailto:the.31st@gmail.com]
  Sent: Wednesday, August 09, 2006 5:43 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: play guitar like a drum


  Tapping the collective:

  Is there a simple way to make an acoustic/electic guitar sound more like
drum when you beat on it, or more like a bass even if it's tuned down a
whole step and you're playing with the pad of your thumb? How about at the
same time, hmm?

  I'm talking hardware, specifically footswitch-ware, not software... that'd
be too easy! Will one of those cheapo 7-band EQ's work? Never tried one...
I'm wary. Ideas? Common practices?

  David

------=_NextPart_000_00B4_01C6BBE6.F0DD3960
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =
size=3D2>You=20
really don't have to do much if the guitar is mic'ed properly.&nbsp; =
Internal=20
mics are much better at picking up the sounds of hands on wood than =
pickups=20
although since you're mangling the sound (relatively speaking) it might =
not=20
matter much-I just found internal mics much warmer and giving better=20
results.&nbsp; Using your thumb at various places on the guitar will =
give you=20
different pitches and timbre and alittle eq will perfect it for =
you.&nbsp; If=20
you go to <A=20
href=3D"http://www.myspace.com/michaelplishka">www.myspace.com/michaelpli=
shka</A>=20
and play Einstein's time I bang chords and guitar at the same time to =
create a=20
string sound with a drum sound in the background.&nbsp; There are other =
songs=20
that are even more percussive but they're not up on the site=20
yet.</FONT></SPAN></DIV>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =

size=3D2>~Peace~<BR></FONT></SPAN></DIV>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =

size=3D2>Plish</DIV></FONT></SPAN>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D567110000-10082006><FONT face=3DArial color=3D#0000ff =
size=3D2>Music=20
from the Infinite Horizon...</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> D rH=20
  [mailto:the.31st@gmail.com]<BR><B>Sent:</B> Wednesday, August 09, 2006 =
5:43=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> play=20
  guitar like a drum<BR><BR></FONT></DIV>
  <DIV>Tapping the collective:</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Is there a simple way to make an acoustic/electic guitar sound =
more like=20
  drum when you beat on it, or more like a bass even if it's tuned down =
a whole=20
  step and you're playing with the pad of your thumb? How about at the =
same=20
  time, hmm? </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I'm talking hardware, specifically footswitch-ware, not =
software...=20
  that'd be too easy! Will one of those cheapo 7-band EQ's work? Never =
tried=20
  one... I'm wary. Ideas? Common practices?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>David</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00B4_01C6BBE6.F0DD3960--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 01:51:52 2006
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From: "Dave Lauzon" <davelauz@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: play guitar like a drum
Date: Wed, 09 Aug 2006 21:51:46 -0400
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<html><div style='background-color:'><P>I'm doing quite a bit of this.&nbsp; The first thing that really helps is my pickup system which is the taylor es system.&nbsp; There's a sensor on the top so the whole guitar is really active instead of just the bridge.&nbsp; I find I can get a great kick drum sound by using the EH POG.&nbsp; You can also dial in some half decent bass sounds with it.</P>
<P>Of course processing the percussion loop with the Kaoss pad after this is really the icing on the cake.</P>
<P>Hope that may give you some ideas.</P>
<P>Cheers,</P>
<P>Dave</P>
<P><A href="http://www.myspace.com/davidlauzon">www.myspace.com/davidlauzon</A> </P>
<P><BR><BR>&nbsp;</P>
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<HR color=#a0c6e5 SIZE=1>
From: <I>"Michael Plishka" &lt;mike@michaelplishka.com&gt;</I><BR>Reply-To: <I>Loopers-Delight@loopers-delight.com</I><BR>To: <I>&lt;Loopers-Delight@loopers-delight.com&gt;</I><BR>Subject: <I>RE: play guitar like a drum</I><BR>Date: <I>Wed, 9 Aug 2006 19:06:38 -0500</I><BR><BR>
<META content="Microsoft SafeHTML" name=Generator>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2>You really don't have to do much if the guitar is mic'ed properly.&nbsp; Internal mics are much better at picking up the sounds of hands on wood than pickups although since you're mangling the sound (relatively speaking) it might not matter much-I just found internal mics much warmer and giving better results.&nbsp; Using your thumb at various places on the guitar will give you different pitches and timbre and alittle eq will perfect it for you.&nbsp; If you go to <A href="http://www.myspace.com/michaelplishka">www.myspace.com/michaelplishka</A> and play Einstein's time I bang chords and guitar at the same time to create a string sound with a drum sound in the background.&nbsp; There are other songs that are even more percussive but they're not up on the site yet.</FONT></SPAN></DIV>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2>~Peace~<BR></FONT></SPAN></DIV>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2>Plish</DIV></FONT></SPAN>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=567110000-10082006><FONT face=Arial color=#0000ff size=2>Music from the Infinite Horizon...</FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> D rH [mailto:the.31st@gmail.com]<BR><B>Sent:</B> Wednesday, August 09, 2006 5:43 PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> play guitar like a drum<BR><BR></FONT></DIV>
<DIV>Tapping the collective:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Is there a simple way to make an acoustic/electic guitar sound more like drum when you beat on it, or more like a bass even if it's tuned down a whole step and you're playing with the pad of your thumb? How about at the same time, hmm? </DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm talking hardware, specifically footswitch-ware, not software... that'd be too easy! Will one of those cheapo 7-band EQ's work? Never tried one... I'm wary. Ideas? Common practices?</DIV>
<DIV>&nbsp;</DIV>
<DIV>David</DIV></BLOCKQUOTE><BR></FONT></BLOCKQUOTE></div></html>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 01:58:13 2006
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<html><div style='background-color:'><DIV class=RTE>Hey,</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>I thought I'd send this out.&nbsp; This is a show I'm doing this Saturday August 12, 2006 in Ottawa Canada at Cafe Dekcuf.</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>What I'm currently up to is a one man acoustic.electric.synth.livelooping thing.&nbsp; </DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>Here's the press release for the show.&nbsp; If your in Ottawa come out and say hey!</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE><STRONG><FONT color=#a52a2a>You want to be there.<BR>Solo Artists and Musical Wizards:Dave Lauzon, Marc Charron, Mike Sasso<BR><!--BLURB_START--><BR></FONT></STRONG>In a time when so much sounds the same and every new artist is a replica of their influences, true creativity in music is rare. Even rarer are those embarking on a solo career, with the vision to explore new musical territory. On August 12th, Café Dekcuf will be indulging in a night of musical wizardry featuring solo artists, Mike Sasso, Marc Charron and Dave Lauzon.<!--BLURB_END--><BR><BR>Opening act, Mike Sasso is an eclectic folk musician and gifted guitarist. As one who normally chooses song writing and studio work over performing, this is a rare appearance and the opportunity to hear truly unique ideas.<BR><BR>Following Sasso will be popular singer-songwriter, Marc Charron. A vibrant and spontaneous 
musician Charron has successfully toured Canada and Australia, winning over new fans through his catchy songs and creative musicianship. Now the guitarist and vocals for Lure, Charron still thrives on the energy created between himself and the crowd during his solo performances.<BR><BR>Headlining act, Dave Lauzon, is a talented guitarist, sonic experimentalist and fearless improviser. Formerly the lead guitarist of nero, Dave Lauzon’s new solo work combines both electric and acoustic instrumental pieces in a jazz–rock blend, succinct and original percussion, swirling, melodic guitar riffs and the heady, ambient use of effects. As Lauzon moves from a touching acoustic piece to a soaring guitar solo then envelopes the room in layers of rocking percussion, the result is a dancing, expansive and emotional sound that is sure to capture your attention and imagination. You’ve never listened as 
closely, you’ve never danced as hard to just one guy.<BR><BR>What makes this night a unique experience is not only the talent, creativity and diversity of the three acts, but also the amazing fact that they each call Ottawa home. <BR><BR>Details: Doors open 8pm. Show 9pm Cover $7. <!--POLLS--><!--FILES--><!--SIGNATURE--><BR><BR>Cheers,</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>Dave</DIV></div></html>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 01:59:19 2006
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<html><div style='background-color:'><DIV>
<DIV class=RTE>Hey,</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>I thought I'd send this out.&nbsp; This is a show I'm doing this Saturday August 12, 2006 in Ottawa Canada at Cafe Dekcuf.</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>What I'm currently up to is a one man acoustic.electric.synth.livelooping thing.&nbsp; </DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>Here's the press release for the show.&nbsp; If your in Ottawa come out and say hey!</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE><STRONG><FONT color=#a52a2a>You want to be there.<BR>Solo Artists and Musical Wizards:Dave Lauzon, Marc Charron, Mike Sasso<BR><!--BLURB_START--><BR></FONT></STRONG>In a time when so much sounds the same and every new artist is a replica of their influences, true creativity in music is rare. Even rarer are those embarking on a solo career, with the vision to explore new musical territory. On August 12th, Café Dekcuf will be indulging in a night of musical wizardry featuring solo artists, Mike Sasso, Marc Charron and Dave Lauzon.<!--BLURB_END--><BR><BR>Opening act, Mike Sasso is an eclectic folk musician and gifted guitarist. As one who normally chooses song writing and studio work over performing, this is a rare appearance and the opportunity to hear truly unique ideas.<BR><BR>Following Sasso will be popular singer-songwriter, Marc Charron. A vibrant and spontaneous 
musician Charron has successfully toured Canada and Australia, winning over new fans through his catchy songs and creative musicianship. Now the guitarist and vocals for Lure, Charron still thrives on the energy created between himself and the crowd during his solo performances.<BR><BR>Headlining act, Dave Lauzon, is a talented guitarist, sonic experimentalist and fearless improviser. Formerly the lead guitarist of nero, Dave Lauzon’s new solo work combines both electric and acoustic instrumental pieces in a jazz–rock blend, succinct and original percussion, swirling, melodic guitar riffs and the heady, ambient use of effects. As Lauzon moves from a touching acoustic piece to a soaring guitar solo then envelopes the room in layers of rocking percussion, the result is a dancing, expansive and emotional sound that is sure to capture your attention and imagination. You’ve never listened as 
closely, you’ve never danced as hard to just one guy.<BR><BR>What makes this night a unique experience is not only the talent, creativity and diversity of the three acts, but also the amazing fact that they each call Ottawa home. <BR><BR>Details: Doors open 8pm. Show 9pm Cover $7. <!--POLLS--><!--FILES--><!--SIGNATURE--><BR><BR>Cheers,</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>Dave</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE><A href="http://www.myspace.com/davidlauzon">www.myspace.com/davidlauzon</A> </DIV></DIV></div></html>

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <030b01c6adc3$4d3191c0$10b0ec0f@americas.hpqcorp.net> <44D9DD81.7050709@addcom.de>
Subject: Re: Sample sound clip from my notebook computer system
Date: Wed, 9 Aug 2006 21:09:10 -0600
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Addiction:  I just calculated that I've spent approximatley $1600 on VST 
effects in the last year and a half. What the.....???  Have I been blacking 
out and using my Visa card?  I lost track of that. But I believe I'd have to 
spend $6000  at least on hardware effects to match what I can do with my 
notebook system.

K-


----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 09, 2006 7:05 AM
Subject: Re: Sample sound clip from my notebook computer system


> Sorry for getting into this nice thread late, almost a month behind with 
> enjoying the list...
>
> Krispen Hartung wrote:
>> Ted, don't make us have a group intervention at Y2K6. :)   Addiction to 
>> hardware is a serious thing.
>
> Yeah, I abbandoned this addiction some 10 years ago with the aid of AHA 
> (the anonymus hardware addicts). Not quite clean yet, as I still use a 
> laptop and an interface + faderboxes for my music.
> And Krispen, you're probably the perfect guy to found the AVA (Anonymus 
> VST addicts)...
> Let us know when you set up the first AVA web site, I don't have problems 
> yet, but I am seriously in danger - I should get into MAMA (Many Anonymus 
> Max Addicts) with Jeff probably as well...
>
> I made a VST-morphing patch recently to morph between VST's or VST 
> presets. As soon its cleaned up I'll post it. Don't know how much interest 
> this would create...
>
> (I still resist to join ALDA by the way, though I am an addict... ;-)
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 03:15:44 2006
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Date: Wed, 9 Aug 2006 20:15:32 -0700
From: magicicada <magicicada@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sample sound clip from my notebook computer system
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awesome, yeah i downloaded a bunch of those plugs tonight. i really like  a
large majority of what i found on that site.
would love to hear some of your songs.
did you modify your setting on your thinkpad? i ended up following some
instructions someone posted about optimization in the past.
seems to do the trick.

i  never use the fingerprint reader as it makes me very paranoid!
ha!

spending money online is always a weird thing. especially on plugins as you
never touch the cash or actually touch the device you just paid for. i sound
like i am 85.
yeehaw!
c.



On 8/9/06, Krispen Hartung <khartung@cableone.net> wrote:
>
> Addiction:  I just calculated that I've spent approximatley $1600 on VST
> effects in the last year and a half. What the.....???  Have I been
> blacking
> out and using my Visa card?  I lost track of that. But I believe I'd have
> to
> spend $6000  at least on hardware effects to match what I can do with my
> notebook system.
>
> K-
>
>
> ----- Original Message -----
> From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, August 09, 2006 7:05 AM
> Subject: Re: Sample sound clip from my notebook computer system
>
>
> > Sorry for getting into this nice thread late, almost a month behind with
> > enjoying the list...
> >
> > Krispen Hartung wrote:
> >> Ted, don't make us have a group intervention at Y2K6. :)   Addiction to
> >> hardware is a serious thing.
> >
> > Yeah, I abbandoned this addiction some 10 years ago with the aid of AHA
> > (the anonymus hardware addicts). Not quite clean yet, as I still use a
> > laptop and an interface + faderboxes for my music.
> > And Krispen, you're probably the perfect guy to found the AVA (Anonymus
> > VST addicts)...
> > Let us know when you set up the first AVA web site, I don't have
> problems
> > yet, but I am seriously in danger - I should get into MAMA (Many
> Anonymus
> > Max Addicts) with Jeff probably as well...
> >
> > I made a VST-morphing patch recently to morph between VST's or VST
> > presets. As soon its cleaned up I'll post it. Don't know how much
> interest
> > this would create...
> >
> > (I still resist to join ALDA by the way, though I am an addict... ;-)
> >
> > Stefan
> >
> > --
> > Stefan Tiedje------------x-------
> > --_____-----------|--------------
> > --(_|_ ----|\-----|-----()-------
> > -- _|_)----|-----()--------------
> > ----------()--------www.ccmix.com
> >
> >
>
>
>

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<div>awesome, yeah i downloaded a bunch of those plugs tonight. i really like&nbsp; a large majority of what i found on that site.</div>
<div>would love to hear some of your songs.</div>
<div>did you modify your setting on your thinkpad? i ended up following some instructions someone posted about optimization in the past.</div>
<div>seems to do the trick.</div>
<div>&nbsp;</div>
<div>i&nbsp; never use the fingerprint reader as it makes me very paranoid!</div>
<div>ha!</div>
<div>&nbsp;</div>
<div>spending money online is always a weird thing. especially on plugins as you never touch the cash or actually touch the device you just paid for. i sound like i am 85.</div>
<div>yeehaw!</div>
<div>c.</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 8/9/06, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Addiction:&nbsp;&nbsp;I just calculated that I've spent approximatley $1600 on VST<br>effects in the last year and a half. What the.....???&nbsp;&nbsp;Have I been blacking
<br>out and using my Visa card?&nbsp;&nbsp;I lost track of that. But I believe I'd have to<br>spend $6000&nbsp;&nbsp;at least on hardware effects to match what I can do with my<br>notebook system.<br><br>K-<br><br><br>----- Original Message -----
<br>From: &quot;Stefan Tiedje&quot; &lt;<a href="mailto:Stefan-Tiedje@addcom.de">Stefan-Tiedje@addcom.de</a>&gt;<br>To: &lt;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Wednesday, August 09, 2006 7:05 AM<br>Subject: Re: Sample sound clip from my notebook computer system<br><br><br>&gt; Sorry for getting into this nice thread late, almost a month behind with<br>&gt; enjoying the list...
<br>&gt;<br>&gt; Krispen Hartung wrote:<br>&gt;&gt; Ted, don't make us have a group intervention at Y2K6. :)&nbsp;&nbsp; Addiction to<br>&gt;&gt; hardware is a serious thing.<br>&gt;<br>&gt; Yeah, I abbandoned this addiction some 10 years ago with the aid of AHA
<br>&gt; (the anonymus hardware addicts). Not quite clean yet, as I still use a<br>&gt; laptop and an interface + faderboxes for my music.<br>&gt; And Krispen, you're probably the perfect guy to found the AVA (Anonymus<br>
&gt; VST addicts)...<br>&gt; Let us know when you set up the first AVA web site, I don't have problems<br>&gt; yet, but I am seriously in danger - I should get into MAMA (Many Anonymus<br>&gt; Max Addicts) with Jeff probably as well...
<br>&gt;<br>&gt; I made a VST-morphing patch recently to morph between VST's or VST<br>&gt; presets. As soon its cleaned up I'll post it. Don't know how much interest<br>&gt; this would create...<br>&gt;<br>&gt; (I still resist to join ALDA by the way, though I am an addict... ;-)
<br>&gt;<br>&gt; Stefan<br>&gt;<br>&gt; --<br>&gt; Stefan Tiedje------------x-------<br>&gt; --_____-----------|--------------<br>&gt; --(_|_ ----|\-----|-----()-------<br>&gt; -- _|_)----|-----()--------------<br>&gt; ----------()--------
<a href="http://www.ccmix.com">www.ccmix.com</a><br>&gt;<br>&gt;<br><br><br></blockquote></div><br>

------=_Part_75926_18128972.1155179732382--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 05:19:27 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <030b01c6adc3$4d3191c0$10b0ec0f@americas.hpqcorp.net> <44D9DD81.7050709@addcom.de> <01ec01c6bc2a$5aa7c2f0$efb1ec0f@americas.hpqcorp.net> <adea2ce80608092015q34203bbar173947697883e31d@mail.gmail.com>
Subject: Re: Sample sound clip from my notebook computer system
Date: Wed, 9 Aug 2006 23:19:22 -0600
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---- Original Message -----=20
  From: magicicada=20

  awesome, yeah i downloaded a bunch of those plugs tonight. i really =
like  a large majority of what i found on that site.
  would love to hear some of your songs.

  KH: Sure. I have tons of free live and studio MP3s for download here: =
http://www.krispenhartung.com/mp3.htm

  did you modify your setting on your thinkpad? i ended up following =
some instructions someone posted about optimization in the past.
  seems to do the trick.

  KH: I made some minor modifications, probably some of the same ones =
you found on the web, and I have a program and makes some changes to =
msconfig that keep a few things from running in the background and in =
the system tray. However, I've found that the ThinkPad T60p is so damn =
efficient that I can run it with no modifications and my VST =
looping/effect system runs seemlessly. I can't even get the thing to get =
to 50% processor utilization, and I have 2gig of RAM that is probably =
barely utilized as well. It's nice to have that sort of =
memory/processing headroom.

  i  never use the fingerprint reader as it makes me very paranoid!
  ha!

  KH: I love it... you can setup it up so that you can over-ride it with =
the standard password entry. Being able to swip my finger over the =
reader to login is is ver convenient...anything to avoid typing.

  spending money online is always a weird thing. especially on plugins =
as you never touch the cash or actually touch the device you just paid =
for. i sound like i am 85.

  KH:  I got over that fairly quick. Now I am probably way too liberal =
in my internet purchases. I'll buy stuff from just about any online =
retailer...yikes!  haven't been burned yet though. I won't buy guitars =
over the internet though...I have to play them first.

  Kris

  yeehaw!
  c.


  =20
  On 8/9/06, Krispen Hartung <khartung@cableone.net> wrote:=20
    Addiction:  I just calculated that I've spent approximatley $1600 on =
VST
    effects in the last year and a half. What the.....???  Have I been =
blacking=20
    out and using my Visa card?  I lost track of that. But I believe I'd =
have to
    spend $6000  at least on hardware effects to match what I can do =
with my
    notebook system.

    K-


    ----- Original Message -----=20
    From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Wednesday, August 09, 2006 7:05 AM
    Subject: Re: Sample sound clip from my notebook computer system


    > Sorry for getting into this nice thread late, almost a month =
behind with
    > enjoying the list...=20
    >
    > Krispen Hartung wrote:
    >> Ted, don't make us have a group intervention at Y2K6. :)   =
Addiction to
    >> hardware is a serious thing.
    >
    > Yeah, I abbandoned this addiction some 10 years ago with the aid =
of AHA=20
    > (the anonymus hardware addicts). Not quite clean yet, as I still =
use a
    > laptop and an interface + faderboxes for my music.
    > And Krispen, you're probably the perfect guy to found the AVA =
(Anonymus
    > VST addicts)...
    > Let us know when you set up the first AVA web site, I don't have =
problems
    > yet, but I am seriously in danger - I should get into MAMA (Many =
Anonymus
    > Max Addicts) with Jeff probably as well...=20
    >
    > I made a VST-morphing patch recently to morph between VST's or VST
    > presets. As soon its cleaned up I'll post it. Don't know how much =
interest
    > this would create...
    >
    > (I still resist to join ALDA by the way, though I am an addict... =
;-)=20
    >
    > Stefan
    >
    > --
    > Stefan Tiedje------------x-------
    > --_____-----------|--------------
    > --(_|_ ----|\-----|-----()-------
    > -- _|_)----|-----()--------------
    > ----------()-------- www.ccmix.com
    >
    >





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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>---- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmagicicada@gmail.com=20
  href=3D"mailto:magicicada@gmail.com">magicicada</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><BR>awesome, yeah i downloaded a bunch =
of those=20
  plugs tonight. i really like&nbsp; a large majority of what i found on =
that=20
  site.</DIV>
  <DIV>would love to hear some of your songs.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>KH: Sure. <FONT face=3DArial =
size=3D2>I have tons of=20
  free live and studio MP3s for download here: </FONT><FONT face=3DArial =
size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/mp3.htm">http://www.krispenhartung.=
com/mp3.htm</A></FONT></DIV>
  <DIV></FONT>&nbsp;</DIV>
  <DIV>did you modify your setting on your thinkpad? i ended up =
following some=20
  instructions someone posted about optimization in the past.</DIV>
  <DIV>seems to do the trick.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>KH: I made some minor modifications, =
probably=20
  some of the same ones you found on the web, and I have a program and =
makes=20
  some changes to msconfig that keep a few things from running in the =
background=20
  and in the system tray. However, I've found that the ThinkPad T60p is =
so damn=20
  efficient that I can run it with no modifications and my VST =
looping/effect=20
  system runs seemlessly. I can't even get the thing to get to 50% =
processor=20
  utilization, and I have 2gig of RAM that is probably barely utilized =
as well.=20
  It's nice to have that sort of memory/processing =
headroom.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>i&nbsp; never use the fingerprint reader as it makes me very=20
  paranoid!</DIV>
  <DIV>ha!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>KH: I love it... you can setup it up =
so that you=20
  can over-ride it with the standard password entry. Being able to swip =
my=20
  finger over the reader to login is is ver convenient...anything to =
avoid=20
  typing.</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>spending money online is always a weird thing. especially on =
plugins as=20
  you never touch the cash or actually touch the device you just paid =
for. i=20
  sound like i am 85.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>KH:&nbsp; I got over that fairly =
quick. Now I am=20
  probably way too liberal in my internet purchases. I'll buy stuff from =
just=20
  about any online retailer...yikes!&nbsp; haven't been burned yet =
though. I=20
  won't buy guitars over the internet though...I have to play them=20
  first.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>yeehaw!</DIV>
  <DIV>c.</DIV>
  <DIV><BR><BR>&nbsp;</DIV>
  <DIV><SPAN class=3Dgmail_quote>On 8/9/06, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
  wrote:</SPAN>=20
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">Addiction:&nbsp;&nbsp;I=20
    just calculated that I've spent approximatley $1600 on =
VST<BR>effects in the=20
    last year and a half. What the.....???&nbsp;&nbsp;Have I been =
blacking=20
    <BR>out and using my Visa card?&nbsp;&nbsp;I lost track of that. But =
I=20
    believe I'd have to<BR>spend $6000&nbsp;&nbsp;at least on hardware =
effects=20
    to match what I can do with my<BR>notebook=20
    system.<BR><BR>K-<BR><BR><BR>----- Original Message ----- <BR>From: =
"Stefan=20
    Tiedje" &lt;<A=20
    =
href=3D"mailto:Stefan-Tiedje@addcom.de">Stefan-Tiedje@addcom.de</A>&gt;<B=
R>To:=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Sent:=20
    Wednesday, August 09, 2006 7:05 AM<BR>Subject: Re: Sample sound clip =
from my=20
    notebook computer system<BR><BR><BR>&gt; Sorry for getting into this =
nice=20
    thread late, almost a month behind with<BR>&gt; enjoying the list... =

    <BR>&gt;<BR>&gt; Krispen Hartung wrote:<BR>&gt;&gt; Ted, don't make =
us have=20
    a group intervention at Y2K6. :)&nbsp;&nbsp; Addiction =
to<BR>&gt;&gt;=20
    hardware is a serious thing.<BR>&gt;<BR>&gt; Yeah, I abbandoned this =

    addiction some 10 years ago with the aid of AHA <BR>&gt; (the =
anonymus=20
    hardware addicts). Not quite clean yet, as I still use a<BR>&gt; =
laptop and=20
    an interface + faderboxes for my music.<BR>&gt; And Krispen, you're =
probably=20
    the perfect guy to found the AVA (Anonymus<BR>&gt; VST =
addicts)...<BR>&gt;=20
    Let us know when you set up the first AVA web site, I don't have=20
    problems<BR>&gt; yet, but I am seriously in danger - I should get =
into MAMA=20
    (Many Anonymus<BR>&gt; Max Addicts) with Jeff probably as well...=20
    <BR>&gt;<BR>&gt; I made a VST-morphing patch recently to morph =
between VST's=20
    or VST<BR>&gt; presets. As soon its cleaned up I'll post it. Don't =
know how=20
    much interest<BR>&gt; this would create...<BR>&gt;<BR>&gt; (I still =
resist=20
    to join ALDA by the way, though I am an addict... ;-) =
<BR>&gt;<BR>&gt;=20
    Stefan<BR>&gt;<BR>&gt; --<BR>&gt; Stefan =
Tiedje------------x-------<BR>&gt;=20
    --_____-----------|--------------<BR>&gt; --(_|_=20
    ----|\-----|-----()-------<BR>&gt; -- =
_|_)----|-----()--------------<BR>&gt;=20
    ----------()-------- <A=20
    =
href=3D"http://www.ccmix.com">www.ccmix.com</A><BR>&gt;<BR>&gt;<BR><BR><B=
R></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 06:45:48 2006
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I've heard that AER amps are some of the best, lightest, loudest, and most
dynamic acoustic guitar amps around. I've heard this fromseveral sources,
but haven't tried one, just seen a few around. One of their cube amps is
even battery powered.
They're not cheap though.
Checked here just now:
http://www.dreamguitars.com/aer/aer.htm

-trey

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 07:28:21 2006
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Subject: RE: Attitudes to instruments/loopers (Derek Bailey)
Date: Thu, 10 Aug 2006 09:28:17 +0200
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> How about this one:  My guitar's artistic singularity is 
> tantamount to the ontological duality of that of a perfect 
> flower (the Platonic Form, that is) immersed in the beauty 
> and presence of quantum entanglement, whose corollary and 
> inferential counter-part is the result of a phenomenological 
> reduction and consequential residuum of artistic purity.

ROFL !

-Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 07:28:39 2006
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Subject: RE: Attitudes to instruments/loopers (Derek Bailey)
Date: Thu, 10 Aug 2006 09:28:37 +0200
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> How about this one:  My guitar's artistic singularity is 
> tantamount to the ontological duality of that of a perfect 
> flower (the Platonic Form, that is) immersed in the beauty 
> and presence of quantum entanglement, whose corollary and 
> inferential counter-part is the result of a phenomenological 
> reduction and consequential residuum of artistic purity.

ROFL !

-Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 07:59:35 2006
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Subject: BOSS RC-50 patch editor?
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Hail!
I just joined after buying this here thingy.
I am finding that some of the settings that i have to make each time i =
make a new patch are things that might be done faster in some sort of =
patch editor.
anyone know of one that might work for this here thingy?
thanks --Jason
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hail!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I just joined after buying this here=20
thingy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I am finding that some of the settings =
that i have=20
to make each time i make a new patch are things that might be done =
faster in=20
some sort of patch editor.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>anyone know of one that might work for =
this here=20
thingy?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks =
--Jason</FONT></DIV></BODY></HTML>

------=_NextPart_000_0005_01C6BC18.3CE893F0--


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 08:00:04 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Re: Attitudes to instruments/loopers (Derek Bailey)
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 <7.0.0.16.0.20060809183929.01b0bcb8@tiscali.co.uk>
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andy's version of what Derek Bailey seemed to say:-
>>The instrument is a set of unrealised possibilities,
>>just waiting to be unlocked by a creative person.

Which is how some people approach their instruments some of the time.


Kris wrote
>Yeah, it got me going. :)  An instrument is a possibility? Or a set? 
>How is that possible? (no pun intended). I consider it an object, 
>nor more or no less.  I mean, let's get literal and clear here: if I 
>break my guitar up into bits, I find pieces of wood, metal, glue, 
>and eventually I can put it under a microscope and find organic 
>molecules, etc...but, low and behold, I can find no possibilities! 
>They appear to be eluding the lens of the microscope.  Those clever 
>possibilities, hiding inside the guitar somewhere....damn them to hell.

Well yes, if you break it into molecules you won't be able to play at all :-)
...and there won't be a guitar there anymore.
So your "refutation" doesn't add up.

On the other hand, if you leave your guitar intact you'll be able to 
get new sounds out of it that you never heard before. All those bits 
of wood, metal & glue add up to an instrument that is capable of 
producing  not only those sounds you already know it can make, but 
also quite a few others. Can you find those other sounds?

andybutler
www.andybutler.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 08:33:20 2006
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Subject: Re: Attitudes to instruments/loopers (Derek Bailey)
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----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, 9 August, 2006 15:21 PM
Subject: Attitudes to instruments/loopers (Derek Bailey)


> "There seem to be two main attitudes to the instrument among improvisors. 
> One is that the instrument is man's best friend, both as a tool and a 
> helper; a collaborator. The other attitude is that the instrument is 
> unnecessary, at worst a liability, intruding between the player and his 
> music."
> ...Derek Bailey in "Improvisation, It's Nature and Practise in Music".
>
> So I take that to mean that the instrument is either a means to produce 
> "the correct notes", or that is something that can be explored to find new 
> sounds and new music.
> Musicians who develop extended technique presumably have a certain 
> curiosity about their instrument which is not shared by others.
>
> It struck me too that this applies to looping, there seem to be a lot of 
> loopers who want their looping gear to perform in certain pre-defined 
> ways, and not many who are not tempted to experiment/improvise with the 
> looping device itself.

On that level one I think likes to have defined perimeters to work within, 
and a result that is what one expects, when using an instrument or looper 
device.  No doubt it makes for more control on the performer, though it runs 
the risk of being occasionally predictable if the listener is a gear-head 
who's paying more attention to "What patch is that?" to just enjoying the 
performance for its musical etc. quality.

I happened to be thinking about something similar to this when vacuuming up 
a massive amount of workman's debris from under the floorboards yesterday. 
As you might recall I am slowly getting back to playing guitar after 
smashing my middle finger in early May, and have been sticking with the old 
acoustic since it makes you work harder... As a side effect I find myself 
occasionally recalling bits of electric playing, which in my case usually 
involves my beloved QuadraVerb.  Given certain patches to the QV one can 
recreate some lovely tones - and so I pondered the fact that I'm also 
'playing' the effects unit as well as the strat, yes?

Is this a degradation of guitar play?  Not in the electric sense, though I 
could envision a situation where one 'needed' to use the effects unit(s) to 
play - for whatever reason, be it 'only wanting it to sound like _this_', or 
the other end, 'hiding behind the effects while playing'.

I can remember a time when I was indeed 'hiding behind the effects', but it 
was a long time ago.  I started playing electric with the only non-cheap 
effects being my Cry-Baby and my Small Stone... and the occasional Dan 
Armstrong thingie.  For distortion I used an unfortunate (for the device, 
not me) Panasonic cassette recorder-FM radio, which had a mono line-in and a 
monitor function, and allowed me to bang out some really saturated 
distortion.  I couldn't afford a compressor or a good fuzz box at the time, 
and it was a happy accident that it happened, as I had no idea what I was 
doing.  Eventually the circuits on the recorder-radio got so fried that a 
bad feedback situation would occasionally happen, the only resolution being 
to hit it (and for a few years this actually worked!).

And so from such minimalistic beginnings, yada gabba hey.  But in any event 
I had to wonder if others using effects, vsts etc had thought of the fact 
that one is playing everything in the signal path at times.  Does this only 
involve when one is seeking a deliberate result?

Well, there's my firecracker tossed into this room of cool cats for this 
morning.  Off to look for victorian-style radiator-towel rail valves...

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 08:35:56 2006
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Subject: Re: live looping concerts
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----- Original Message ----- 
From: "Charlie Milkey" <pilotcp@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, 9 August, 2006 17:10 PM
Subject: live looping concerts


> Hello all!
>
> i don't mean to ruffle any feathers, but i am also a jamband fan, and
> i love live concerts. One thing about a good jamband is that you can
> go see them many times and never see the same concert twice...not
> because of a large library of songs, but because a lot of them
> improvise and play different lines a lot. Because of this (and there
> are probably other reasons too) jambands are ok with tapers, and don't
> mind if you record an entire concert and put it on the internet. I
> know with bands like Phish and Grateful Dead they played a lot of
> covers and jammed on those, and then there are bands like Jacob Fred
> Jazz Oddysey (a great band to check out...they even are slowly getting
> onto looping!) and Cream (well, i know they aren't a jamband, but they
> were known to jam on a song for 20-30 minutes...check out live cream
> vol. I and II) and they only started a familiar song's hook or just
> laid out the structure at the beginning, but the song would be played
> completly different then what was on the studio version, and that
> would be good for fans of the band, because its a wealth of unreleased
> material :)
>
> What does this have to do with looping? well, i know with my looping
> and i am sure this is the case for at least 50% of the loopers here
> that i hardly ever play the same thing twice. what i play is largely
> dependent on how i am feeling at the moment. So i was just wondering
> if there is anywhere on the internet that shares any live looping
> concerts (that are ok'ed by the band)?

Indeedy-do on the looping with unpredictable jam-oriented results... Though 
in the beginning of my using the Time Machine I decided to do a set of 
pieces that could be recreated during performance, and was able to get what 
I wanted despite the potentially-chaotic element of a looping device coupled 
with effects.
Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 10:26:59 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Klaus Schulze and his recent reissed work on Revisited
Records.  The Featured CD at Midnight will be disc two of "Das Wagner
Desaster."  The Vinyl Starter will come from the LP "Exit" by Tangerine
Dream on Virgin Records and released in 1981.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and on the
internet.  WDIY now simulcasts on WXLV on 90.3 FM in Schnecksville,
Pennsylvania.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, August 12 at 6:00 am.
I will continue the special on E-dition Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh

All times are EDT / GMT-4

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 11:03:05 2006
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Subject: Vedr. Re: portable looper
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Hi !
   
  Is it possible to use a expression-pedal with the dd-20 for the feedback as with the line 6. How long samplingtime has it (dd-20) ?
   
  best regards Rune F  

mark sottilaro <zerocrossing2001@yahoo.com> skrev:
  The JamMan sadly doesn't have feedback like the
original.

The DD20 does and yes, it works in loop mode too. 
It's my tiny looper of choise over the DL-4 for that
exact reason (also stereo!)

--- Ritchie wrote:

> Hi all,
> 
> I'm looking for a portable looper (one I can throw
> in my bag and use for 
> teaching also) as I already have a Repeater and
> laptop setup plus others. 
> I'd like it to be able to have feedback control and
> long loop/delay times 
> (for performance and song writing). Does the
> Digitech Jamman have feedback 
> control? eg. can you set the loop to fade as new
> material is added? If 
> not, I might have to go the Giga Delay. The
> Digitech Jamman is attractive 
> due to the storage and long loop times. With the
> Giga Delay; can you 
> overdub in the loop mode at it's maximum length
> qouted with feedback control 
> also?
> 
> Thanks for any info.
> 
> Ritchie
> http://murdergrin.blogspot.com
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 




www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1105756866-1155207782=:66391
Content-Type: text/html; charset=iso-8859-1
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Is it possible to use a expression-pedal with the dd-20 for the feedback as with the line 6. How long samplingtime has it (dd-20)&nbsp;?</div>  <div>&nbsp;</div>  <div>best regards Rune F&nbsp;&nbsp;<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">The JamMan sadly doesn't have feedback like the<BR>original.<BR><BR>The DD20 does and yes, it works in loop mode too. <BR>It's my tiny looper of choise over the DL-4 for that<BR>exact reason (also stereo!)<BR><BR>--- Ritchie <RDOMAIN@IN.COM.AU>wrote:<BR><BR>&gt; Hi all,<BR>&gt; <BR>&gt; I'm looking for a portable looper (one I can throw<BR>&gt; in my bag and use for <BR>&gt; teaching also) as I already have a Repeater and<BR>&gt; laptop setup plus others. <BR>&gt; I'd like it to be able to have feedback control and<BR>&gt; long loop/delay times <BR>&gt;
 (for performance and song writing). Does the<BR>&gt; Digitech Jamman have feedback <BR>&gt; control? eg. can you set the loop to fade as new<BR>&gt; material is added? If <BR>&gt; not, I might have to go the Giga Delay. The<BR>&gt; Digitech Jamman is attractive <BR>&gt; due to the storage and long loop times. With the<BR>&gt; Giga Delay; can you <BR>&gt; overdub in the loop mode at it's maximum length<BR>&gt; qouted with feedback control <BR>&gt; also?<BR>&gt; <BR>&gt; Thanks for any info.<BR>&gt; <BR>&gt; Ritchie<BR>&gt; http://murdergrin.blogspot.com<BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1105756866-1155207782=:66391--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 12:04:06 2006
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT: play guitar like a drum
Date: Thu, 10 Aug 2006 05:04:10 -0700
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I'd advise the use of  a good one space
parametric equalizer with at least 2, if not 4 bands of equalization.


set your Q to be very small..................turn up the volume to the band
and then sweep it slowly as you bang on the most resonant
places on the body (or neck of the guitar).

New digital equalizers (like the Berhringer)  have customizeable
presets that are really handy.

Make your drum sound  EQ setting and merely engage it as you play your loop
then disengage it as you go back to guitar playing.

I play found sound all the time and being a drummer/percussionist 
professionally
I always immediately look at an object  looking for at
least 2 if not three resonances that correspond as much as possible
to the frequency bands of the three basic concepts of a drumset

the bass

the middle (snares to tom toms)

the highs (hi hats)


by finding three resonant places on the guitar that correspond roughly to 
those frequency bands,
a little (or a lot) of judicious EQ-ing will really bring out the 
differences between the frequencies.

The fantastic and innovative looper, Claude Voit of Switzerland even went so 
far as to put a piezo
pickup hi on the back side of the neck of the guitar so he could really 
amplify all the percussive
noises that exist up there.

There's a lot of   ersatz hi hat/wood block/  string noise/ weird harp 
sounds behind the nut   action going
on up there and Claude really exploited it the last time I heard him play 
(regretfully,  three years about
now)

*******

Additionally,   I liberally use a Digitech Red Whammy pedal to be able to 
change the pitch
of non melodic sounds.    There's a fair amount of latency when utilizing 
the one and
two octave down modes so I just make my first loop with these pitches 
engaged
and then build on top of them once the tuning is back to normal.

A great way to find good bass drum sounds in any object, really.

*********************************

Also,  said and done........................this is one of those
OFFTOPIC topics that Kim Flint our fearless moderator was complaining about
and that we debated so much in the past month

for the sake of future loopers coming here,   we should be dilligent and 
list these things as OFF TOPIC
or even ask for response, individually,  off the list.

Just  a respectful suggestion,

Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 13:09:04 2006
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 10 Aug 2006 15:09:12 +0200
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Another delivery

Claude


and if you want to join all those cool dudes that recorded something for the 
10 anniversary

Create your 30 sec. MP3s in 128 rate format and upload them here:

http://www.box.net/
Login: loopersdelight
Password: loopersdelight

Title the MP3 with your name and location, like Kris Hartung - Boise Idaho 
USA.mp3


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 13:12:37 2006
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
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I forgot its all here

http://www.box.net/public/i8mm09190d#main

Claude

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 13:33:05 2006
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Subject: Re: [LOOP] Re: Attitudes to instruments/loopers (Derek Bailey)
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On Thu, 10 Aug 2006, Stephen Goodman wrote:

> And so from such minimalistic beginnings, yada gabba hey.  But in any event I 
> had to wonder if others using effects, vsts etc had thought of the fact that 
> one is playing everything in the signal path at times.  Does this only 
> involve when one is seeking a deliberate result?

My opinion:
Depends on if you define "playing" as with conscious intent. Everything in 
the signal path can affect the output, but whether or not you're mindful 
of it is optional.

On reread, I think I'm saying much the same as you just did, only 
differently worded. Good question, thanks.

best,
Steve B
Subscape Annex / Phasmatodea
http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 14:24:29 2006
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 10 Aug 2006 08:24:23 -0600
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Got it. It's in the streaming file now. / K

----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 10, 2006 7:12 AM
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?


>I forgot its all here
> 
> http://www.box.net/public/i8mm09190d#main
> 
> Claude
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 14:30:56 2006
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Subject: Re: Re: Attitudes to instruments/loopers (Derek Bailey)
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 Kris wrote
>>Yeah, it got me going. :)  An instrument is a possibility? Or a set? How 
>>is that possible? (no pun intended). I consider it an object, nor more or 
>>no less.  I mean, let's get literal and clear here: if I break my guitar 
>>up into bits, I find pieces of wood, metal, glue, and eventually I can put 
>>it under a microscope and find organic molecules, etc...but, low and 
>>behold, I can find no possibilities! They appear to be eluding the lens of 
>>the microscope.  Those clever possibilities, hiding inside the guitar 
>>somewhere....damn them to hell.
>
> Well yes, if you break it into molecules you won't be able to play at all 
> :-)
> ...and there won't be a guitar there anymore. > So your "refutation" 
> doesn't add up.

Well, it wasn't really a refutation, but poking fun and literally 
interpreting your statement that a guitar "is" a set of possibilities. I'm 
saying that is impossible and absurd, but I know what you mean and agree 
with you. The possibilities come from our minds, and guitar can inspire them 
and obviously be an critical part in actualizing them because of it's 
diverse functionality. But you don't find possibilities, literally, "inside" 
the guitar as a physical object, anymore than you would beauty "in" the eye 
of the beholder. These are subtle inefficiencies of the English language 
that get us into trouble sometimes.  The language is metaphoric, but taken 
literally can imply all sorts of ludicrous absurdities.

K


>
> On the other hand, if you leave your guitar intact you'll be able to get 
> new sounds out of it that you never heard before. All those bits of wood, 
> metal & glue add up to an instrument that is capable of producing  not 
> only those sounds you already know it can make, but also quite a few 
> others. Can you find those other sounds?
>
> andybutler
> www.andybutler.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 15:07:23 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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Yeah, they are definitely not cheap, that's for sure.  I have to wonder how 
much these expensive amps colorize or "enhance" the tone of the acoustic 
guitar, and that what folks are buying is the technology to produce a 
proprietary tone, like that of a tube amp or preamp. After all, some of us 
acoustic guitar players just want an amp to transparently reproduce the 
sound of the acoustic guitar, not alter it.  And in light of this, I would 
ask, isn't that what a high quality full range powered PA speaker is 
supposed to do?

What am I getting in a boutique acoustic guitar amp for $1000 + that I am 
not getting in a decent powered full range PA speaker? I don't need EQ or a 
preamp, as I have that built into the guitar.  Is it odd that we would 
preamp and EQ an acoustic guitar with its onboard electronics, and then do 
this yet again with the EQ and preamp section on an amp? Seems redundant. 
Rhetorical questions, of course...but enquiring minds want to know. :)

Kris


----- Original Message ----- 
From: "Trey Donovan" <tdonovan@powerhat.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 10, 2006 12:45 AM
Subject: Re: OT: Small/Light Acoustic Guitar Amps


>
> I've heard that AER amps are some of the best, lightest, loudest, and most
> dynamic acoustic guitar amps around. I've heard this fromseveral sources,
> but haven't tried one, just seen a few around. One of their cube amps is
> even battery powered.
> They're not cheap though.
> Checked here just now:
> http://www.dreamguitars.com/aer/aer.htm
>
> -trey
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 18:03:24 2006
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> From: Krispen Hartung
>=20
> What am I getting in a boutique acoustic guitar amp for $1000=20
> that I am  not getting in a decent powered full range PA speaker?

I've also become interested in this recently.  The JBL EON10 G2
looked nice, but I was thinking of getting two of them for stereo
which would be more than I want to spend.  I saw the Roland CM-30
CUBE Monitor which is cheap enough to get two, but it only has 6.5"
speakers.  Does anyone have any experience with these?

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 18:50:51 2006
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At 15:30 10/08/2006, you wrote:
>Kris wrote
>>>Yeah, it got me going. :)  An instrument is a possibility? Or a 
>>>set? How is that possible? (no pun intended). I consider it an 
>>>object, nor more or no less.  I mean, let's get literal and clear 
>>>here: if I break my guitar up into bits, I find pieces of wood, 
>>>metal, glue, and eventually I can put it under a microscope and 
>>>find organic molecules, etc...but, low and behold, I can find no 
>>>possibilities! They appear to be eluding the lens of the 
>>>microscope.  Those clever possibilities, hiding inside the guitar 
>>>somewhere....damn them to hell.
>>
>>Well yes, if you break it into molecules you won't be able to play at all :-)
>>...and there won't be a guitar there anymore. > So your 
>>"refutation" doesn't add up.
>
>Well, it wasn't really a refutation, but poking fun and literally 
>interpreting your statement that a guitar "is" a set of possibilities.

that wasn't my statement at all,
you changed it in 3 different ways ;-)

>I'm saying that is impossible and absurd, but I know what you mean 
>and agree with you. The possibilities come from our minds, and 
>guitar can inspire them and obviously be an critical part in 
>actualizing them because of it's diverse functionality.

Over the years I've spent a lot of time just exploring the guitar 
(and other instruments)
In a lot of my music, even including regular type classic guitar 
pieces, there's been things I found "on the guitar" which sounded 
quite a lot different to the expectation of my mind, these would 
invariably be incorporated into compositions.
..and when I met the Vortex and EDP........

To quote Derek Bailey again (rather than risk trying to explain my own version)
"The instrument is not just a tool but an ally. It is not only a 
means to an end, it is a source of material, and the technique for 
the improvisor is often an exploitation of the natural resources of 
the instrument."

>>capable of producing  not only those sounds you already know it can 
>>make, but also quite a few others. Can you find those other sounds?

try it :-)

andy 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 19:41:11 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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I am comparing the specs now between the JBL EON 10" and the complementary 
Mackie cab, and the Mackie seems to have slightly better specs, such as in 
frequency response/range, etc...but not by far.  The Mackie has more wattage 
going into the woofer, whereas the JBL has relatively more wattage going 
into the horn.   I may start by buying just one Mackie, then when I can 
afford it, get the other.

This Fender powered monitor looks sort of interesting: 
http://www.sweetwater.com/store/detail/1271PowMon/

Kris

----- Original Message ----- 
From: "Jeff Larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 10, 2006 12:03 PM
Subject: RE: OT: Small/Light Acoustic Guitar Amps



> From: Krispen Hartung
>
> What am I getting in a boutique acoustic guitar amp for $1000
> that I am  not getting in a decent powered full range PA speaker?

I've also become interested in this recently.  The JBL EON10 G2
looked nice, but I was thinking of getting two of them for stereo
which would be more than I want to spend.  I saw the Roland CM-30
CUBE Monitor which is cheap enough to get two, but it only has 6.5"
speakers.  Does anyone have any experience with these?

Jeff



From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 19:43:13 2006
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Date: Thu, 10 Aug 2006 14:43:06 -0500
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Subject: RE: OT: Small/Light Acoustic Guitar Amps
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At 1:03 PM -0500 8/10/06, Jeff Larson wrote:
>  > From: Krispen Hartung
>>
>>  What am I getting in a boutique acoustic guitar amp for $1000
>>  that I am  not getting in a decent powered full range PA speaker?
>
>I've also become interested in this recently.  The JBL EON10 G2
>looked nice, but I was thinking of getting two of them for stereo
>which would be more than I want to spend.  I saw the Roland CM-30
>CUBE Monitor which is cheap enough to get two, but it only has 6.5"
>speakers.  Does anyone have any experience with these?

Yeah, I've actually got experience with both.

First, the electronic music collective in which I play (M.E.M.E.) 
uses the JBL EON's for our monitors.  They do sound very good, and 
are worth the money if you're willing to spend that much cash on a 
pair.  Not much else to add, other than if you can afford to spring 
~$1200 for a pair, they're worth it.

Alternately, I came to the exact same conclusion you did, and instead 
use a pair of the Roland CM-30 CUBE Monitors myself.  They sound 
good, but with some caveats.  You're going to have to compensate for 
some frequency loss at both the top and bottom of the spectrum.  For 
the top end, it seems like they start to roll off at around 14-15k. 
For playing out live, I don't really mind this all that much (most of 
what's lost seems merely to be hiss and noise) but if you A/B them 
against flat frequency monitors in the studio, you will notice a 
difference.

More concerning is that, as you might expect, they're a little light 
on the low end.  The Roland's do a pretty good job down through the 
low-mids, but don't expect earth-shaking bottom end from them.  One 
good thing is that when confronted with a source signal containing a 
large amount of low frequencies, the speakers don't pop or fart in 
trying to handle it.  Rather, the audio merely comes across a little 
light in the lows.

Build quality is excellent, and they're very light and portable. 
They're also LOUD.  Even individually, the CM-30's sound like they're 
louder than a mere 30 watts.  And when you've got two set up to cover 
the left and right halves of the stage, you're going to find them 
more than adequate for most solo gigs.  If you're using them for a 
standard instrument signal (like guitar) they should work pretty well 
for a full-range [sic] solution in-and-of themselves.

However if, like me, you're using something that has a good amount of 
bass information (I'm running synths and Chapman Stick though my 
setup), you're going to need to add another component.  In that case, 
read on, pilgrim...

For a true full-range solution, I'm using my pair of CM-30's in 
conjunction with a single Gemini GX-350 powered speaker to form a 
makeshift 2.1 configuration.  This works out great, since the Gemini 
is an excellent affordable powered speaker.  I'd put the Gemini stuff 
up against the Mackie's any day, but I don't think it's up to the 
level of the JBL's.  (And if it's not already apparent, I consider 
the Mackie's over-rated and not worth their inflated price tag.) 
However, when I let the GX-350 handle the low-end and use the CM-30's 
for the mid's, high-end, and stereo separation, it sounds great!

The best part is that I was able to put the whole 2.1 setup together 
for less than what a single EON would cost.  :)

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 20:00:42 2006
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Date: Thu, 10 Aug 2006 15:00:21 -0500
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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At 1:41 PM -0600 8/10/06, Krispen Hartung wrote:
>I am comparing the specs now between the JBL EON 10" and the 
>complementary Mackie cab, and the Mackie seems to have slightly 
>better specs, such as in frequency response/range, etc...but not by 
>far.  The Mackie has more wattage going into the woofer, whereas the 
>JBL has relatively more wattage going into the horn.   I may start 
>by buying just one Mackie, then when I can afford it, get the other.

Kris, check out these before blowing cash on the Mackie:

	http://www.geminidj.com/gx250.html

Also, if you need more low end (12" speakers):

	http://www.geminidj.com/gx350.html

Gemini are well-respected for producing gear for the DJ market, but 
don't have a whole lot of visibility amongst regular musicians (their 
iKey recorder is about the only thing that most rank-&-file guys 
see).  This doesn't mean they don't produce decent product, though.

These are a viable alternative to the Mackie's, IMNSHO, and are half 
the price.  Personally, as mentioned by somebody else here 
previously, I also find the Mackie's "honky" (I think that was the 
word used).  While they're not horrid, I don't find their price 
justified by anything other than Mackie's name.

I currently use one of the Gemini GX-350's myself.  I actually tried 
out the Gemini GX-250's for a little while (the local dealer was out 
of stock on the 350's, and talked me into taking a pair of 250's for 
a week to see if they'd work out).  The 250's would sound great if I 
were only using guitar and effects.  I also wanted the GX-250 because 
it's a mere 29 pounds.  Unfortunately, I need a bit more bass range 
(synth, Stick, drum machine) than it's able to produce, so I upgraded 
to the GX-350's.

The GX-250 is going for around $200 each.  GX-350, I picked up for $250.

	--m.
-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

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Thanks! The prices are great. I'm looking at the frequency responses of the 
Gemni, Mackie, and JBL 10"  powered cabs (since this is the only speaker 
size they all share in common)

Gemni GX250 cab Frequency Response:  50-20 KHz (actually they say response, 
but this is stated as a range...a response has to have a +/- figure...that 
is suspicious, but I'll assume +/- 3db) - $199
Mackie SRM350 Frequence Response: (-3 dB) 83 Hz - 18.5 kHz - $550
JBL EON10 G2 cab Frequency repsonse: (±3 dB): 90 Hz - 16 kHz - $500

Gemini beats both JBL and Mackie on this spec, but I'd like to know how 
quiet they are. I have two powered EV speakers, which sound great, but they 
have a little bit of a hiss.

Kris

----- Original Message ----- 
From: "mech" mech@m3ch.net

> At 1:41 PM -0600 8/10/06, Krispen Hartung wrote:
>>I am comparing the specs now between the JBL EON 10" and the complementary 
>>Mackie cab, and the Mackie seems to have slightly better specs, such as in 
>>frequency response/range, etc...but not by far.  The Mackie has more 
>>wattage going into the woofer, whereas the JBL has relatively more wattage 
>>going into the horn.   I may start by buying just one Mackie, then when I 
>>can afford it, get the other.
>
> Kris, check out these before blowing cash on the Mackie:
>
> http://www.geminidj.com/gx250.html
>
> Also, if you need more low end (12" speakers):
>
> http://www.geminidj.com/gx350.html
>
> Gemini are well-respected for producing gear for the DJ market, but don't 
> have a whole lot of visibility amongst regular musicians (their iKey 
> recorder is about the only thing that most rank-&-file guys see).  This 
> doesn't mean they don't produce decent product, though.
>
> These are a viable alternative to the Mackie's, IMNSHO, and are half the 
> price.  Personally, as mentioned by somebody else here previously, I also 
> find the Mackie's "honky" (I think that was the word used).  While they're 
> not horrid, I don't find their price justified by anything other than 
> Mackie's name.
>
> I currently use one of the Gemini GX-350's myself.  I actually tried out 
> the Gemini GX-250's for a little while (the local dealer was out of stock 
> on the 350's, and talked me into taking a pair of 250's for a week to see 
> if they'd work out).  The 250's would sound great if I were only using 
> guitar and effects.  I also wanted the GX-250 because it's a mere 29 
> pounds.  Unfortunately, I need a bit more bass range (synth, Stick, drum 
> machine) than it's able to produce, so I upgraded to the GX-350's.
>
> The GX-250 is going for around $200 each.  GX-350, I picked up for $250.
>
> --m.
> -- 
> _______
> "Take a packet of seeds.  Take yourself out to play
>  I want to see river of orchids where we had a motorway..."
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 20:37:44 2006
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From: "Tom Ritchford" <tom@swirly.com>
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Oops, I missed this.

On 8/8/06, Paul Richards <paulrichard10@adelphia.net> wrote:
> What do you mean by pre-recorded material? Loading the RC-50 via USB port with loops?

Yes.

> I do live loops and I haven't noticed a problem.

Well, perhaps there's something I'm doing wrong.

I start with an empty patch, start to record, but when I finish
recording, on the first pass through the loop, the first second or two
is missing.  After that it's fine.

Now, if you always start with a pre-recorded loop in the machine, this
doesn't happen.  But if you don't have any pre-recorded material, it
seems that the glitch occurs every time...

    /t




>
> The one thing I don't like, however, is there doesn't seem to be a good way, that I can see, to determine the end of a loop when playing, i.e. visual feedback. When I hit the 'next loop' button for loop 2 or loop 3, I have trouble determining when the next loop is going to fire as I have END LOOP settings for indivdual loops.
> --
> Paul
>
> ---- Tom Ritchford <tom@swirly.com> wrote:
> > It really depends on whether you want to start with pre-recorded
> > loops, in which case it's fine, or you want to start with a live loop,
> > in which case it is not.
> >
> > Since I don't pre-record material, I'm out of luck.
> >
> > Generally, it's hard to understand people who don't find this an
> > issue.  The first thing I do with a loop pedal is simply play into it
> > and grab a loop.  It doesn't do that right.
> >
> >      /t
> >
> >
> > On 8/7/06, Paul <paulrichard10@adelphia.net> wrote:
> > > I haven't found the 'glitch' to be a problem at all - at least for home
> > > recording use. When building my initial loops, I don't care if I hear the
> > > 'glitch' the first time through. Once the loops are built, I then play over
> > > them.
> > >
> > > I hope that it will eventually get fixed, though, assuming that the problem
> > > isn't insurmountable.
> > >
> > > Paul
> > > ----- Original Message -----
> > > From: "loop.pool" <looppool@cruzio.com>
> > > To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> > > Sent: Monday, August 07, 2006 9:15 PM
> > > Subject: RC-50 glitch
> > >
> > >
> > > >I have a student who I"m trying to advise to purchase a stop box looper.
> > > >
> > > > Does this RC-50 glitch take this pedal out of the running?
> > > >
> > > > I don't have one so I don't know how bad it is.
> > > >
> > > > Can you advise me what to advise him?
> > > >
> > > > yours,  rick
> > > >
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ......... extreme NY arts and music calendar
> > http://ax.to/tr ....... my secret little little...
> > http://ax.to/radio ... my little radio station (on intermittently)
> >
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 21:13:18 2006
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Date: Thu, 10 Aug 2006 17:13:12 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Small/Light Acoustic Guitar Amps
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I realize you're leaning towards pa speakers now instead of the guitar amp,
however I was playing with a jazz guy the other night and he had an amp that
floored me as to how good it sounded, and it was dinky tiny. roughly 14 x 15 x
10 and only weighs 24 lbs. built in di and spring reverb, biamped...

it was called a David, made in Europe by Schertler. Not for the faint 
of wallet
as someone else said but did it ever sound good.

http://www.schertlerusa.com/david.htm


Paul Haslem

www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 21:19:12 2006
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Subject: Re: [LOOP] Re: Attitudes to instruments/loopers (Derek Bailey)
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>> And so from such minimalistic beginnings, yada gabba hey.  But in any 
>> event I had to wonder if others using effects, vsts etc had thought of 
>> the fact that one is playing everything in the signal path at times. 
>> Does this only involve when one is seeking a deliberate result?

I consider all my effects 'playable' as anything with a knob is fair game. 
I've gotten some weird results by turning the patch selection knob on my 
Adrenalinn run through a looper.  Just the process of playing with my 
effects turns up interesting results, unfortunately, I'm usually so 'into' 
what I'm doing, that I forget what I did and it's gone into the ether. 
Hopefully, it's been recorded so I can play with THAT later. :)

I haven't mastered any of my effects/loopers, so doing something deliberate 
is, uh, well... intermittent at best. Maybe to my detriment, but it's always 
an interesting ride while I'm experimenting.

So, I guess I'm on the side that doesn't look at loopers having limitations 
or lack of features, I just use them for what they do have.  It's just 
another tool with given parameters.  I guess in the same way I like having 
several different guitars and synths and not a Variax or an all-in-one 
synth.  ya know?


Tony

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 21:58:14 2006
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Date: Thu, 10 Aug 2006 17:56:34 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Small/Light Acoustic Guitar Amps
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Kris,

I've mentioned my setup before to the list and I'd hate to sound like
a Carvin shill, but as you're focusing on PAs now, you might be
interested in another option.

A couple years back I picked up a Carvin DCM150 (1U rack 150W stereo
power amp) and a pair of their 805 Club Speakers.  The whole shebang
cost me in the neighborhood of $500.  I've now got beautifully
transparent amplification in true stereo.  The speakers are fairly
light as they're 10 inchers (plus tweeters).   If you didn't want
stereo, the amp can run bridged mono to a single speaker.

Todd


On 8/10/06, Krispen Hartung <khartung@cableone.net> wrote:
> Thanks! The prices are great. I'm looking at the frequency responses of t=
he
> Gemni, Mackie, and JBL 10"  powered cabs (since this is the only speaker
> size they all share in common)
>
> Gemni GX250 cab Frequency Response:  50-20 KHz (actually they say respons=
e,
> but this is stated as a range...a response has to have a +/- figure...tha=
t
> is suspicious, but I'll assume +/- 3db) - $199
> Mackie SRM350 Frequence Response: (-3 dB) 83 Hz - 18.5 kHz - $550
> JBL EON10 G2 cab Frequency repsonse: (=B13 dB): 90 Hz - 16 kHz - $500
>
> Gemini beats both JBL and Mackie on this spec, but I'd like to know how
> quiet they are. I have two powered EV speakers, which sound great, but th=
ey
> have a little bit of a hiss.
>
> Kris
>
> ----- Original Message -----
> From: "mech" mech@m3ch.net
>
> > At 1:41 PM -0600 8/10/06, Krispen Hartung wrote:
> >>I am comparing the specs now between the JBL EON 10" and the complement=
ary
> >>Mackie cab, and the Mackie seems to have slightly better specs, such as=
 in
> >>frequency response/range, etc...but not by far.  The Mackie has more
> >>wattage going into the woofer, whereas the JBL has relatively more watt=
age
> >>going into the horn.   I may start by buying just one Mackie, then when=
 I
> >>can afford it, get the other.
> >
> > Kris, check out these before blowing cash on the Mackie:
> >
> > http://www.geminidj.com/gx250.html
> >
> > Also, if you need more low end (12" speakers):
> >
> > http://www.geminidj.com/gx350.html
> >
> > Gemini are well-respected for producing gear for the DJ market, but don=
't
> > have a whole lot of visibility amongst regular musicians (their iKey
> > recorder is about the only thing that most rank-&-file guys see).  This
> > doesn't mean they don't produce decent product, though.
> >
> > These are a viable alternative to the Mackie's, IMNSHO, and are half th=
e
> > price.  Personally, as mentioned by somebody else here previously, I al=
so
> > find the Mackie's "honky" (I think that was the word used).  While they=
're
> > not horrid, I don't find their price justified by anything other than
> > Mackie's name.
> >
> > I currently use one of the Gemini GX-350's myself.  I actually tried ou=
t
> > the Gemini GX-250's for a little while (the local dealer was out of sto=
ck
> > on the 350's, and talked me into taking a pair of 250's for a week to s=
ee
> > if they'd work out).  The 250's would sound great if I were only using
> > guitar and effects.  I also wanted the GX-250 because it's a mere 29
> > pounds.  Unfortunately, I need a bit more bass range (synth, Stick, dru=
m
> > machine) than it's able to produce, so I upgraded to the GX-350's.
> >
> > The GX-250 is going for around $200 each.  GX-350, I picked up for $250=
.
> >
> > --m.
> > --
> > _______
> > "Take a packet of seeds.  Take yourself out to play
> >  I want to see river of orchids where we had a motorway..."
> >
> >
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 23:11:27 2006
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Date: Thu, 10 Aug 2006 18:11:21 -0500
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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At 2:26 PM -0600 8/10/06, Krispen Hartung wrote:
>50-20 KHz (actually they say response, but this is stated as a 
>range...a response has to have a +/- figure...that is suspicious, 
>but I'll assume +/- 3db)

Hrm, nice catch.  I should have noticed that before.  I can say that 
there seems to be a slight bit of non-linearity in the mids on the 
GX-250, but not unflatteringly so.  The 10"s actually seemed to add a 
little extra character to many of the guitar patches which I tried it 
with.  That's why I made a mental note that these should work well 
for any guitar-oriented musicians.

>Gemini beats both JBL and Mackie on this spec, but I'd like to know 
>how quiet they are. I have two powered EV speakers, which sound 
>great, but they have a little bit of a hiss.

This is going to be entirely subjective, so you really need to try 
one for yourself.  However, I'd say that the noise level is pretty 
good.  If I'm just using it myself in my living room, I can fill up 
the space and practice adequately without hearing any hiss, unless I 
put my ear all the way into the speaker.  If I have my GX-350 turned 
up to about half-volume (loud enough for most venues), I can make out 
a little hiss when I'm sitting right next to it and not playing.

If you try one out, you should know that the gain staging is a little 
weird.  For the least amount of hiss, I'm used to turning the Master 
Gain as far up as possible before hearing hiss, then very gradually 
bringing the Preamp/Individual Channel Gain up from zero until I get 
to the level I want.  The Gemini's are the first monitors I've used 
that are actually the exact opposite: Set the Master to zero and 
bring up the Channel Gain to about 3 o'clock, then gradually increase 
the Master Gain until you get to your desired level.

Also, you might want to A/B the hiss between the GX-250's and 
GX-350's.  I seem to remember the 250's as being a tiny bit noisier, 
but that may just be because the 350's are more powerful and don't 
need to be turned up as loud to obtain the needed SPL's.

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

From Loopers-Delight-request@loopers-delight.com  Thu Aug 10 23:40:10 2006
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Date: Thu, 10 Aug 2006 16:40:08 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps
To: Loopers-Delight@loopers-delight.com
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I found the JBLs to be really lacking in the deeper
range of bass freq.  Probably wouldn't notice it if
your'e doing mostly guitar but I do a lot of
electronic instruments where getting down deep is
important.

--- Krispen Hartung <khartung@cableone.net> wrote:

> I am comparing the specs now between the JBL EON 10"
> and the complementary 
> Mackie cab, and the Mackie seems to have slightly
> better specs, such as in 
> frequency response/range, etc...but not by far.  The
> Mackie has more wattage 
> going into the woofer, whereas the JBL has
> relatively more wattage going 
> into the horn.   I may start by buying just one
> Mackie, then when I can 
> afford it, get the other.
> 
> This Fender powered monitor looks sort of
> interesting: 
> http://www.sweetwater.com/store/detail/1271PowMon/
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Jeff Larson" <jeff.larson@sailpoint.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 10, 2006 12:03 PM
> Subject: RE: OT: Small/Light Acoustic Guitar Amps
> 
> 
> 
> > From: Krispen Hartung
> >
> > What am I getting in a boutique acoustic guitar
> amp for $1000
> > that I am  not getting in a decent powered full
> range PA speaker?
> 
> I've also become interested in this recently.  The
> JBL EON10 G2
> looked nice, but I was thinking of getting two of
> them for stereo
> which would be more than I want to spend.  I saw the
> Roland CM-30
> CUBE Monitor which is cheap enough to get two, but
> it only has 6.5"
> speakers.  Does anyone have any experience with
> these?
> 
> Jeff
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 00:32:35 2006
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From: "Dave Lauzon" <davelauz@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: upcoming looping gig - Ottawa
Date: Thu, 10 Aug 2006 20:32:29 -0400
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<html><div style='background-color:'><DIV class=RTE>Hey Everybody,</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>I thought I'd send out a note and let people know of a upcoming looping gig I'm doing this Saturday in Ottawa Canada.&nbsp; I sent one of these out yesterday but I don't think it made it.&nbsp; If you're getting two, my appologies!</DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE>Here is the press release.&nbsp; </DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE><STRONG><FONT color=#a52a2a>You want to be there.<BR>Solo Artists and Musical Wizards:Dave Lauzon, Marc Charron, Mike Sasso<BR><!--BLURB_START--><BR></FONT></STRONG>In a time when so much sounds the same and every new artist is a replica of their influences, true creativity in music is rare. Even rarer are those embarking on a solo career, with the vision to explore new musical territory. On August 12th, Café Dekcuf will be indulging in a night of musical wizardry featuring solo artists, Mike Sasso, Marc Charron and Dave Lauzon.<!--BLURB_END--><BR><BR>Opening act, Mike Sasso is an eclectic folk musician and gifted guitarist. As one who normally chooses song writing and studio work over performing, this is a rare appearance and the opportunity to hear truly unique ideas.<BR><BR>Following Sasso will be popular singer-songwriter, Marc Charron. A vibrant and spontaneous 
musician Charron has successfully toured Canada and Australia, winning over new fans through his catchy songs and creative musicianship. Now the guitarist and vocals for Lure, Charron still thrives on the energy created between himself and the crowd during his solo performances.<BR><BR>Headlining act, Dave Lauzon, is a talented guitarist, sonic experimentalist and fearless improviser. Formerly the lead guitarist of nero, Dave Lauzon’s new solo work combines both electric and acoustic instrumental pieces in a jazz–rock blend, succinct and original percussion, swirling, melodic guitar riffs and the heady, ambient use of effects. As Lauzon moves from a touching acoustic piece to a soaring guitar solo then envelopes the room in layers of rocking percussion, the result is a dancing, expansive and emotional sound that is sure to capture your attention and imagination. You’ve never listened as 
closely, you’ve never danced as hard to just one guy.<BR><BR>What makes this night a unique experience is not only the talent, creativity and diversity of the three acts, but also the amazing fact that they each call Ottawa home. <BR><BR>Details: Doors open 8pm. Show 9pm Cover $7. <!--POLLS--><!--FILES--><!--SIGNATURE--><BR></DIV>
<DIV class=RTE>&nbsp;</DIV>
<DIV class=RTE><A href="http://www.myspace.com/davidlauzon">www.myspace.com/davidlauzon</A></DIV>
<DIV class=RTE><BR>&nbsp;</DIV></div></html>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 01:39:58 2006
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Message-ID: <913728d60608101839x18596b0ah5d96d287f787896e@mail.gmail.com>
Date: Thu, 10 Aug 2006 20:39:49 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: lexicon with 32 second upgrade for sale
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i am dropping the price to 350 shipped :)

Charlie

On 7/31/06, Charlie Milkey <pilotcp@gmail.com> wrote:
> hello fellow loopers!
>
> well, its about that time to upgrade my looping device, and so to fund
> that project, i am going to sell my Lexicon Jamman. It has the 32
> second upgrade and I don't think i need to put much information about
> it on LD, because i am sure you folks know more about it than i do :)
>
> i don't want to waste any bandwidth with pics or anything like that,
> so feel free to contact me and i will send you pics or any other
> information that you may need
>
> I would like to get 390 US dollars for it :)
> i would like to keep this to the US or canada, mainly because i don't
> know what it takes to ship it overseas, so no offense :)
>
>
> Thanks for looking! :)
>
> Charlie
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 04:11:26 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Thu, 10 Aug 2006 23:11:26 -0500
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This is very interesting (for me anyway).

My goal is a compact, light weight, relatively cheap, full range amp for
acoustic instruments, VST instruments, and of course loopers.  An  
integrated
mixer with at least 3 channels (guitar, mic, looper output) is desired,
an aux send to the looper input is required, and stereo is preferred
(at least as an option with an extra cab).

I'm not a keyboard player, but I started looking at keyboard amps
thinking these would tend to be full-range like PA amps.  These looked
interesting:

    Traynor K4
    Motion Sound KP100S

These are both "stereo" but since the speakers reside in the same cab,
I'm not expecting much.  The Motion Sound looks especially interesting
as it is cheaper and only 38 pounds, and about the same price as
a single JBL/Mackie 10".    If these had an even passable stereo spread
I would prefer them over a pair of PA speakers for the size/weight.

Anyone familiar with these?

Thanks,
Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 04:11:27 2006
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From: Richard Roberts <zeroohms@surfbest.net>
Subject: RE: OT: Small/Light Acoustic Guitar Amps
Date: Thu, 10 Aug 2006 23:12:26 -0500
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--Apple-Mail-1-868687469
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I actually have a pair of JBL Eon G2's with the 10" woofer. I really  
like them for their power and clarity. I know the Mackies spec out a  
bit better, but they're also a little more than a bit more expensive.  
The G2 10" is fine by itself for my various flutes and wind  
instruments. However, when I would set up a very deep, bassy drone on  
my wind-controlled synth and looped it through my Lexicon JamMans,  
the bottom end would tend to get a little muddy sometimes. So, I  
added a small, 200Watt sub-woofer, and this combination seems to  
handle everything just right.
I looked at the Eon's with the 15", but they were heavier, just  
hernias with handles. But the Eon G2 10s are light weight, which  
saves my not-as-young-as it-used-to-be back, small enough to use in  
very small venues like coffeehouses, and yet loud enough to cover a  
couple of hundred folks in a medium-sized hall when they're up on  
stands.

Richard Roberts
ZERO OHMS

"We are no longer the same after hearing certain sounds, and this is  
more the case when we hear organized sounds, sounds organized by  
another human being: music."
- Karlheinz Stockhausen




On Aug 10, 2006, at 3:00 PM, Loopers-Delight-d-request@loopers- 
delight.com wrote:

>
> ----- Original Message ----- From: "Jeff Larson"  
> <jeff.larson@sailpoint.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 10, 2006 12:03 PM
> Subject: RE: OT: Small/Light Acoustic Guitar Amps
>
>
>
>> From: Krispen Hartung
>>
>> What am I getting in a boutique acoustic guitar amp for $1000
>> that I am  not getting in a decent powered full range PA speaker?
>
> I've also become interested in this recently.  The JBL EON10 G2
> looked nice, but I was thinking of getting two of them for stereo
> which would be more than I want to spend.  I saw the Roland CM-30
> CUBE Monitor which is cheap enough to get two, but it only has 6.5"
> speakers.  Does anyone have any experience with these?
>
> Jeff


--Apple-Mail-1-868687469
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I actually have a pair of JBL =
Eon G2's with the 10" woofer. I really like them for their power and =
clarity. I know the Mackies spec out a bit better, but they're also a =
little more than a bit more expensive. The G2 10" is fine by itself for =
my various flutes and wind instruments. However, when I would set up a =
very deep, bassy drone on my wind-controlled synth and=A0looped =
it=A0through my Lexicon JamMans, the bottom end would tend to get a =
little muddy sometimes. So, I added a small, 200Watt sub-woofer, and =
this combination seems to handle everything just right.=A0<DIV>I looked =
at the Eon's with the 15", but they were heavier, just hernias with =
handles. But the Eon G2 10s are light weight, which saves my =
not-as-young-as it-used-to-be back, small enough to use in very small =
venues like coffeehouses, and yet loud enough to cover a couple of =
hundred folks in a medium-sized hall when they're up on =
stands.</DIV><DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Richard =
Roberts</DIV><DIV>ZERO OHMS</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"We are no =
longer the same after hearing certain sounds, and this is more the case =
when we hear organized sounds, sounds organized by another human being: =
music."=A0=A0</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Karlheinz =
Stockhausen</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR=
 class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Aug 10, 2006, at 3:00 PM, <A =
href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com">Loopers-Deli=
ght-d-request@loopers-delight.com</A> wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">----- Original Message ----- From: "Jeff Larson" &lt;<A =
href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</A>&gt=
;</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">To: =
&lt;<A =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</A>&gt;</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">Sent: Thursday, August 10, 2006 12:03 PM</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Subject: RE: OT: Small/Light =
Acoustic Guitar Amps</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 10.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">From: =
Krispen Hartung</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 10.0px; =
font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 10.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">What am I getting in a boutique =
acoustic guitar amp for $1000</FONT></P> <P style=3D"margin: 0.0px 0.0px =
0.0px 10.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">that I am<SPAN class=3D"Apple-converted-space">=A0 </SPAN>not =
getting in a decent powered full range PA speaker?</FONT></P> =
</BLOCKQUOTE><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px =
Helvetica; min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">I've also become interested in this recently.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>The JBL EON10 G2</FONT></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">looked nice, but I was =
thinking of getting two of them for stereo</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">which would be more than I want to =
spend.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>I saw the Roland =
CM-30</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">CUBE =
Monitor which is cheap enough to get two, but it only has =
6.5"</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">speakers.<SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>Does anyone have any experience with these?</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">Jeff</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1-868687469--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 04:18:27 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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The motion sound looks really interesting. I have similar requirements as 
you, but what I am really finding annoying now is the amps that have built 
in effects. None of them have the combination that I need...I see Reverb 
with Chorus, Reverb only, Chorus only, etc, etc...but what I really want is 
Reverb and Delay, and level for each. The Roland AC-60 doesn't even have 
this...the Ultrasound gets closer, but still not there. I'd rather not  have 
to buy an effects processor acoustic guitar jazz setup...I prefer to just 
plug in and get what I want.

Kris

----- Original Message ----- 
From: "Jeffrey Larson" <jeff@zonemobius.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 10, 2006 10:11 PM
Subject: Re: OT: Small/Light Acoustic Guitar Amps


>
> This is very interesting (for me anyway).
>
> My goal is a compact, light weight, relatively cheap, full range amp for
> acoustic instruments, VST instruments, and of course loopers.  An 
> integrated
> mixer with at least 3 channels (guitar, mic, looper output) is desired,
> an aux send to the looper input is required, and stereo is preferred
> (at least as an option with an extra cab).
>
> I'm not a keyboard player, but I started looking at keyboard amps
> thinking these would tend to be full-range like PA amps.  These looked
> interesting:
>
>    Traynor K4
>    Motion Sound KP100S
>
> These are both "stereo" but since the speakers reside in the same cab,
> I'm not expecting much.  The Motion Sound looks especially interesting
> as it is cheaper and only 38 pounds, and about the same price as
> a single JBL/Mackie 10".    If these had an even passable stereo spread
> I would prefer them over a pair of PA speakers for the size/weight.
>
> Anyone familiar with these?
>
> Thanks,
> Jeff
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 04:37:32 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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I know some folks knock Behringer for being cheap and low end stuff, but =
check this out....these are the ONLY acoustic amps I've found in two =
days that allow both delay and reverb at the same time. In fact their =
effect combinations are outstanding:

http://www.behringer.com/ACX1000/index.cfm?lang=3DENG - $439.99 USD*=20

http://www.behringer.com/ACX450/index.cfm?lang=3DENG (has two =
independent effect processors) - $269.99 USD*=20

Anyone using these? The prices are excellent, and not a HUGE investment.

Kris

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I know some folks knock Behringer for =
being cheap=20
and low end stuff, but check this out....these are the ONLY acoustic =
amps I've=20
found in two days that allow both delay and reverb at the same time. In =
fact=20
their effect combinations are outstanding:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.behringer.com/ACX1000/index.cfm?lang=3DENG">http://www=
.behringer.com/ACX1000/index.cfm?lang=3DENG</A>&nbsp;-=20
$439.99 USD* </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.behringer.com/ACX450/index.cfm?lang=3DENG">http://www.=
behringer.com/ACX450/index.cfm?lang=3DENG</A>&nbsp;(has=20
two independent effect processors) - $269.99 USD* </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone using these? The prices are =
excellent, and=20
not a HUGE investment.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0401_01C6BCCD.8EB3BF60--


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 08:02:18 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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fwiw-i use EON powered subs w/ the 15s for my wacko 70s ElectroHarmonix MicroSynth single hertz drones and it makes me innards shudder-
stan

-----Original Message-----
>From: mark sottilaro <zerocrossing2001@yahoo.com>
>Sent: Aug 10, 2006 4:40 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OT: Small/Light Acoustic Guitar Amps
>
>I found the JBLs to be really lacking in the deeper
>range of bass freq.  Probably wouldn't notice it if
>your'e doing mostly guitar but I do a lot of
>electronic instruments where getting down deep is
>important.
>
>--- Krispen Hartung <khartung@cableone.net> wrote:
>
>> I am comparing the specs now between the JBL EON 10"
>> and the complementary 
>> Mackie cab, and the Mackie seems to have slightly
>> better specs, such as in 
>> frequency response/range, etc...but not by far.  The
>> Mackie has more wattage 
>> going into the woofer, whereas the JBL has
>> relatively more wattage going 
>> into the horn.   I may start by buying just one
>> Mackie, then when I can 
>> afford it, get the other.
>> 
>> This Fender powered monitor looks sort of
>> interesting: 
>> http://www.sweetwater.com/store/detail/1271PowMon/
>> 
>> Kris
>> 
>> ----- Original Message ----- 
>> From: "Jeff Larson" <jeff.larson@sailpoint.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, August 10, 2006 12:03 PM
>> Subject: RE: OT: Small/Light Acoustic Guitar Amps
>> 
>> 
>> 
>> > From: Krispen Hartung
>> >
>> > What am I getting in a boutique acoustic guitar
>> amp for $1000
>> > that I am  not getting in a decent powered full
>> range PA speaker?
>> 
>> I've also become interested in this recently.  The
>> JBL EON10 G2
>> looked nice, but I was thinking of getting two of
>> them for stereo
>> which would be more than I want to spend.  I saw the
>> Roland CM-30
>> CUBE Monitor which is cheap enough to get two, but
>> it only has 6.5"
>> speakers.  Does anyone have any experience with
>> these?
>> 
>> Jeff
>> 
>> 
>> 
>> 
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 08:59:46 2006
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Krispen Hartung wrote:
> What would be cool, to prevent having a redundant system, is a program 
> that used the data from the LD archive to show a web-based discussion 
> thread view of the list...and then make it so that you can view a 
> message and click a "respond" button.  I don't know how Kim has the 
> database setup, but it seems like the technology is out there to do 
> this. So, it wouldn't be a separate forum, but just another view and 
> user interface of the LD list.

The Max list went this way and it seemed to be a big change. I guess at 
least one person was doing a fulltime job for several months to make it 
happen. In the end it was open for spambots for one or two days which 
was enough to flood my inbox since then with significantly more and 
annoying spam. I probably have to change my e-mail adress...

The only advantage was the opening for less community aware members. (I 
still wellcome them, but it needed a lot more "educational" explanations 
how a list community works, and the fluctuation on the list of course is 
much bigger as well.)

This made a lot of sense for cycling, as they do sell software and there 
is a need for this sort of support.

I doubt the loopers-delight community would benefit much from it...

Stefan

-- 
Stefan Tiedje------------x-------
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 09:02:54 2006
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Jeff Kaiser wrote:
> Laptop and MAX/MSP

me too...

-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 09:03:39 2006
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Krispen Hartung wrote:
> That's my bag all right....everything I do these days is totally
> spontaneous. It's like doing drugs, but it's legal.

The only fun with drugs I had was because they were illegal...
Coming to my next project: illegal music. I am just starting into my
hollidays and therfore have probably only phone connections, but I'll
put it up when I come back.

Stefan

-- 
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Favorite Five Threads on L.D. and Quick Poll
Date: Fri, 11 Aug 2006 02:15:34 -0700
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On Aug 11, 2006, at 2:03 AM, Stefan Tiedje wrote:

> Coming to my next project: illegal music.


Count me in. I've had the cops visit a few gigs....but, man, this would=20=

take it to a whole new level....

Anybody besides Stefan and I using much max for looping? I think Todd=20
is using it for some things...?

(BTW, Stefan, have a great holiiday.)

jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 13:21:05 2006
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Date: Fri, 11 Aug 2006 09:20:34 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #489 for August 10, 2006
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http://wdiy.org/programs/gt/playlists/2006/060810.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, webcasting on the
internet, and simulcasting on WXLV 90.3 FM in Schnecksville at Lehigh
Carbon County Community College.

                Show #489                August 10, 2006

RECAP:
On this show, I continued the month-long focus on Klaus Schulze.  The
Featured CD at Midnight was disc two of "Das Wagner Desaster" on
Revisited Records.

The Vinyl Starter was from the LP "Exit" by Tangerine Dream on Virgin
Records and released in 1981.

Klaus Schulze:
http://wdiy.org/programs/gt/playlists/2006/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Tangerine Dream      Pilots of Purple     Exit (Virgin)
                       Twilight
Paul Ellis           Forever Endeavor     The Infinity Room (Groove)
Nattefrost           Absorbed in Dreams   Absorbed in Dreams and
                       and Yearning         Yearning (Groove)
Bruno Sanfilippo     InTROmental          InTRO (ad21)
Jeff Sampson and     Not Even All the     Thrice Thy Heart Shall Broken
  Sara Ayers           Stars                Be (Atmo Works)
Touch X Tone         Astroboy             Astroboy (none)
Une Voce             Thosting One         Butterfly Phantasmagoria
                                            (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Klaus Schulze        Liebe                Das Wagner Desaster - CD2
                                            (Revisited)
Klaus Schulze        Hass                 Das Wagner Desaster - CD2
                                            (Revisited)
Klaus Schulze        Encore Sevilla *     Das Wagner Desaster - CD2
                                            (Revisited)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Klaus Schulze.  The Featured CD at Midnight will be "Mirage" on
Revisited Records.

The Vinyl Starter will be from the LP "Departure from the Northern
Wasteland" by Michael Hoenig on Kuckuck Records and released in 1978.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, on 92.9 FM on Service Electric Cable, and
on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 14:07:42 2006
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Date: Fri, 11 Aug 2006 10:07:37 -0400
Subject: Re: Favorite Five Threads on L.D. and Quick Poll
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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This todd is using it too...

My patch written by Jody Elff, but I'm going to try to rewrite it using
groove~ for the 5 loops.

T.



On 8/11/06 5:15 AM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:

>=20
> On Aug 11, 2006, at 2:03 AM, Stefan Tiedje wrote:
>=20
>> Coming to my next project: illegal music.
>=20
>=20
> Count me in. I've had the cops visit a few gigs....but, man, this would
> take it to a whole new level....
>=20
> Anybody besides Stefan and I using much max for looping? I think Todd
> is using it for some things...?
>=20
> (BTW, Stefan, have a great holiiday.)
>=20
> jeff
>=20
>=20
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =80 AngryVegan.com
>=20

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::=
:
::::::::::::::::::::::::::::::
Todd Reynolds Music
todd@toddreynolds.com
http://toddreynolds.com
:::::::::
9175766166@vtext.com (155 characters or less)
IM: toddreyn                     Skype: toddreyn
:::::::::::::::
42-09 47th Ave 1C
Sunnyside, NY  11104
:::::::::::::::::::::::::::::::::::::::::::::::::
PO Box 351
N. Adams MA 01247-0351
 ::::::::::::::::::
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::=
:
::=20



From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 14:22:40 2006
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Date: Fri, 11 Aug 2006 07:22:38 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: play guitar like a drum
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This could help:
http://www.guitarampkeyboard.com/categories.php?m=BELCAT
cheers
Luis




> 
>   Tapping the collective:
> 
>   Is there a simple way to make an acoustic/electic
> guitar sound more like
> drum when you beat on it, or more like a bass even
> if it's tuned down a
> whole step and you're playing with the pad of your
> thumb? How about at the
> same time, hmm?
> 
>   I'm talking hardware, specifically
> footswitch-ware, not software... that'd
> be too easy! Will one of those cheapo 7-band EQ's
> work? Never tried one...
> I'm wary. Ideas? Common practices?
> 
>   David
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 14:33:05 2006
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Date: Fri, 11 Aug 2006 07:33:04 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
To: Loopers-Delight@loopers-delight.com
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I get a very nice sound going directly into a Mackie
cfx 1202 with a bit of reverb and 2 active yamahas
sm450´s,really no need for efx,eqs etc.
Luis

--- Krispen Hartung <khartung@cableone.net> wrote:

> Ah..there is some synchronicity occurring here,
> Mark. I just read on an 
> acoustic guitar forum (used to be the Taylor Forum),
> where this guy 
> recommended this same approach, suggesting that the
> quality of your poweramp 
> and speaker would be better, better frequency
> response, more transparent, 
> etc.  Now I tend to agree with you here. I am
> looking into buying one of the 
> Mackie or JBL powered 1X10" full range powered
> cabs....because I can kill 
> two birds with one stone...I've been wanting another
> set of smaller powered 
> PA cabs for monitors at the events I coordinate. I
> may not even need a 
> preamp or modeler, because this Taylor of mine
> already has the preamp/EQ 
> system in it. The PA should reproduce exactly what
> it gets from the guitar, 
> and right now this Taylor nylon string of mine
> sounds spectacular just 
> direct into a mixer board with headphones....no
> reason to colorize it even 
> more with yet another set of circuitry.
> 
> Kris
> 
> 
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, August 09, 2006 3:31 PM
> Subject: Re: OT: Small/Light Acoustic Guitar Amps
> for Nylon String Guitars
> 
> 
> >I know this sounds crazy (but it might just work!),
> > but why not get a full range pa style speaker of
> good
> > quality and use a good preamp or amp modeler
> before
> > it?  This way you'll be able to get good electric
> > guitar, bass, acoustic and synths all from one
> > speaker.  Lighten your load a bit too as some of
> them,
> > like the Mackie's are a bit lighter than a full on
> > guitar combo amp.
> >
> > I can understand having a nice amp for home/studio
> > work but in todays topsy turvy world if you don't
> have
> > a roady I don't see the point in lugging one
> around.
> > Also, as sad as it may be, I doubt your audience
> would
> > notice the difference in most situations (except
> for
> > those on this list)
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> I know it's off topic, but for those loopers out
> >> there using acoustic guitars like myself, are you
> >> using amps (not PA), and if so what?
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 14:50:39 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060811143304.71217.qmail@web38605.mail.mud.yahoo.com>
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars
Date: Fri, 11 Aug 2006 08:50:35 -0600
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You are right, and I have a simliar system that I've used: Two powered EV 
Sx100 12" cabs and my mackie board...but it doesn't meet my jazz gig 
criteria setup time of 5 minutes or less, nor does it meet my system weight 
criteria...30 pounds or less. :)

Other than this, I totally agree. That setup is good as any, plus stereo.

Kris

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 11, 2006 8:33 AM
Subject: Re: OT: Small/Light Acoustic Guitar Amps for Nylon String Guitars


>I get a very nice sound going directly into a Mackie
> cfx 1202 with a bit of reverb and 2 active yamahas
> sm450´s,really no need for efx,eqs etc.
> Luis
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Ah..there is some synchronicity occurring here,
>> Mark. I just read on an
>> acoustic guitar forum (used to be the Taylor Forum),
>> where this guy
>> recommended this same approach, suggesting that the
>> quality of your poweramp
>> and speaker would be better, better frequency
>> response, more transparent,
>> etc.  Now I tend to agree with you here. I am
>> looking into buying one of the
>> Mackie or JBL powered 1X10" full range powered
>> cabs....because I can kill
>> two birds with one stone...I've been wanting another
>> set of smaller powered
>> PA cabs for monitors at the events I coordinate. I
>> may not even need a
>> preamp or modeler, because this Taylor of mine
>> already has the preamp/EQ
>> system in it. The PA should reproduce exactly what
>> it gets from the guitar,
>> and right now this Taylor nylon string of mine
>> sounds spectacular just
>> direct into a mixer board with headphones....no
>> reason to colorize it even
>> more with yet another set of circuitry.
>>
>> Kris
>>
>>
>> ----- Original Message ----- 
>> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, August 09, 2006 3:31 PM
>> Subject: Re: OT: Small/Light Acoustic Guitar Amps
>> for Nylon String Guitars
>>
>>
>> >I know this sounds crazy (but it might just work!),
>> > but why not get a full range pa style speaker of
>> good
>> > quality and use a good preamp or amp modeler
>> before
>> > it?  This way you'll be able to get good electric
>> > guitar, bass, acoustic and synths all from one
>> > speaker.  Lighten your load a bit too as some of
>> them,
>> > like the Mackie's are a bit lighter than a full on
>> > guitar combo amp.
>> >
>> > I can understand having a nice amp for home/studio
>> > work but in todays topsy turvy world if you don't
>> have
>> > a roady I don't see the point in lugging one
>> around.
>> > Also, as sad as it may be, I doubt your audience
>> would
>> > notice the difference in most situations (except
>> for
>> > those on this list)
>> >
>> > --- Krispen Hartung <khartung@cableone.net> wrote:
>> >
>> >> I know it's off topic, but for those loopers out
>> >> there using acoustic guitars like myself, are you
>> >> using amps (not PA), and if so what?
>> >
>> > __________________________________________________
>> > Do You Yahoo!?
>> > Tired of spam?  Yahoo! Mail has the best spam
>> protection around
>> > http://mail.yahoo.com
>> >
>> >
>>
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 14:58:41 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060810200043.375003BEF5@arsenic.violacea.com> <D42BE685-100B-4A75-981B-5B3A8AACE663@surfbest.net> <040401c6bcff$da297430$efb1ec0f@americas.hpqcorp.net>
Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Fri, 11 Aug 2006 08:58:37 -0600
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no comment on these items?
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, August 10, 2006 10:37 PM
  Subject: Re: OT: Small/Light Acoustic Guitar Amps


  I know some folks knock Behringer for being cheap and low end stuff, =
but check this out....these are the ONLY acoustic amps I've found in two =
days that allow both delay and reverb at the same time. In fact their =
effect combinations are outstanding:

  http://www.behringer.com/ACX1000/index.cfm?lang=3DENG - $439.99 USD*=20

  http://www.behringer.com/ACX450/index.cfm?lang=3DENG (has two =
independent effect processors) - $269.99 USD*=20

  Anyone using these? The prices are excellent, and not a HUGE =
investment.

  Kris

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>no comment on these items?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, August 10, 2006 =
10:37=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: Small/Light =
Acoustic=20
  Guitar Amps</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I know some folks knock Behringer for =
being cheap=20
  and low end stuff, but check this out....these are the ONLY acoustic =
amps I've=20
  found in two days that allow both delay and reverb at the same time. =
In fact=20
  their effect combinations are outstanding:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.behringer.com/ACX1000/index.cfm?lang=3DENG">http://www=
.behringer.com/ACX1000/index.cfm?lang=3DENG</A>&nbsp;-=20
  $439.99 USD* </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.behringer.com/ACX450/index.cfm?lang=3DENG">http://www.=
behringer.com/ACX450/index.cfm?lang=3DENG</A>&nbsp;(has=20
  two independent effect processors) - $269.99 USD* </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Anyone using these? The prices are =
excellent, and=20
  not a HUGE investment.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_049B_01C6BD24.55A0ED40--


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 15:24:02 2006
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 <913728d60608101839x18596b0ah5d96d287f787896e@mail.gmail.com>
Date: Fri, 11 Aug 2006 11:23:27 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: lexicon with 32 second upgrade for sale
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Good luck. I priced mine for sale at $350, full 32 seconds, latest 
Bob Sellon O/S for 4 tracks of looping, original OS and manuals.... 
no bites. Probably the best 'sounding' looper in my collection...


>i am dropping the price to 350 shipped :)
>
>Charlie
>
>On 7/31/06, Charlie Milkey <pilotcp@gmail.com> wrote:
>>hello fellow loopers!
>>
>>well, its about that time to upgrade my looping device, and so to fund
>>that project, i am going to sell my Lexicon Jamman. It has the 32
>>second upgrade and I don't think i need to put much information about
>>it on LD, because i am sure you folks know more about it than i do :)
>>
>>i don't want to waste any bandwidth with pics or anything like that,
>>so feel free to contact me and i will send you pics or any other
>>information that you may need
>>
>>I would like to get 390 US dollars for it :)
>>i would like to keep this to the US or canada, mainly because i don't
>>know what it takes to ship it overseas, so no offense :)
>>
>>
>>Thanks for looking! :)
>>
>>Charlie


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 16:08:03 2006
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From: "Andrew Koenig" <ark@acm.org>
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Subject: RE: OT: Small/Light Acoustic Guitar Amps
Date: Fri, 11 Aug 2006 12:07:10 -0400
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> What am I getting in a boutique acoustic guitar amp for $1000 + that I am
> not getting in a decent powered full range PA speaker?

I have one of these on order:

http://acousticimg.com/products/prod_coda.html

It should show up in September.  They've told me I can return it if I don't
like it.

What does it offer instead of a full range PA speaker?

	1) Two channels of amplification plus EQ.
	2) Claimed to be capable of covering the entire bass range
	   (in exchange for loss of efficiency).
	3) Weighs about 20 pounds, complete.

The reviews I've been able to find on the web are glowing.  We shall see.




From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 16:14:53 2006
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Date: Fri, 11 Aug 2006 12:14:47 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Small/Light Acoustic Guitar Amps
References: <20060810200043.375003BEF5@arsenic.violacea.com>
	<D42BE685-100B-4A75-981B-5B3A8AACE663@surfbest.net>
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I had an acx1000 last year, just sold it recently. yes it did have lots 
of delay
and reverb settings, built in tube.... but I never did like the sound. It was
heavy to lug around and almost any other amp of similar size that I played
sounded better. I never would have bought it, but my wife knew that I was
looking at acoustic amps and bought it as an anniversery gift, then the store
wouldn't take it back.... They would have done an exchange but at the 
time they
didn't have anything else that was useful to me.

Paul Haslem
www.dulcify.ca



Quoting Krispen Hartung <khartung@cableone.net>:

> no comment on these items?
>  ----- Original Message -----
>  From: Krispen Hartung
>  To: Loopers-Delight@loopers-delight.com
>  Sent: Thursday, August 10, 2006 10:37 PM
>  Subject: Re: OT: Small/Light Acoustic Guitar Amps
>
>
>  I know some folks knock Behringer for being cheap and low end stuff, 
> but check this out....these are the ONLY acoustic amps I've found in 
> two days that allow both delay and reverb at the same time. In fact 
> their effect combinations are outstanding:
>
>  http://www.behringer.com/ACX1000/index.cfm?lang=ENG - $439.99 USD*
>
>  http://www.behringer.com/ACX450/index.cfm?lang=ENG (has two 
> independent effect processors) - $269.99 USD*
>
>  Anyone using these? The prices are excellent, and not a HUGE investment.
>
>  Kris
>


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 16:16:43 2006
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Date: Fri, 11 Aug 2006 09:14:57 -0700 (PDT)
From: Legion <legion@helpwantedproductions.com>
X-Sender: legion@bunsen.sv1.telcogurus.net
To: analogue@hyperreal.org, Loopers-Delight@loopers-delight.com
Subject: New "Acid" CD out!
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I've been revamping my catalog and put some older live abums and CDs to
rest. They might come back as the long rumored Music For Isolation Tanks
Double LIVE CD (how 70s!) at some point. In the meantime I'm excited about
the new stuff which is unlike anything I've released so far. Thsi one is
based in Acid techno but has some looping and experimental noise stuff
(you know like Acid used to be :)) Only two instruments, lots of mayhem.

Here's the scoop:
--------------------------------

New CD release only $10 available online at:
http://www.helpwantedproductions.com/catalog.htm

David Talento -  ACID 2006 (limited edition of 25 Full Color copies)
After years of live gigs and studio jams HWP is proud to offer a live
nonstop CD of David Talento performing minimal, raw, and unapologetic Acid
techno using unconventional but effective newer instruments.

Here is an Excerpt
http://www.helpwantedproductions.com/songz/legion_acid_2006.mp3

View the  Limited Edition release packaging:
http://www.helpwantedproductions.com/acid_2006.jpg

Thanks!

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 16:22:53 2006
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To: Loopers-Delight@loopers-delight.com
References: <000d01c6bd60$4551d9e0$6402a8c0@arkdesktop>
Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Fri, 11 Aug 2006 10:22:49 -0600
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>> What am I getting in a boutique acoustic guitar amp for $1000 + that I am
>> not getting in a decent powered full range PA speaker?
>
> I have one of these on order:
>
> http://acousticimg.com/products/prod_coda.html

They look really nice.

> It should show up in September.  They've told me I can return it if I 
> don't like it.

> What does it offer instead of a full range PA speaker?
>
> 1) Two channels of amplification plus EQ.

If we have an acoustic guitar with a decent preamp/EQ built in (like a 
Fishman, etc), why do we need yet another layer of EQ in an amp? this is 
what has me baffled. How much redundant EQ do we need superimposed on an 
acoustic guitar?...seems like a lot of added circuitry to create divergence 
between the natural sound of the guitar and what comes out of the amp.

The two channel thing is a differientiator, unless you are running your 
guitar through a small mixer board before ou powered PA cab, whichh case 
that approach offers a lot more flexibility.

> 2) Claimed to be capable of covering the entire bass range
>    (in exchange for loss of efficiency).

Something that any high quality powered PA cab can do, give their specs.

> 3) Weighs about 20 pounds, complete.

This is the on hard to compete with. But then again, if we are comparing a 
powered 10" PA cab with the above amp, weight is not that much different.

Interesting thread here. Makes me want an article on the myths and 
misconceptions of amplifying an acoustic instrument, comparing full range PA 
cabs with boutique amp, relative to user needs (preserving natural tone vs. 
colorizing the tone).

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 16:33:13 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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Damn, why don't thing guys make an effect preset with both reverb and 
delay!! Arggggg....everytime, I find an acoustic guitar amp with built in 
effects, the flexiblity in combination of effects sucks. This Coda R would 
be the nirvana of amps if it had Reverb presets, and then an independent 
effects section for chorus and delay single or combo presets.  Are the 
Behringer amps the only ones in the market that provide this flexibility? 
Seems odd.

Kris

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 11, 2006 10:22 AM
Subject: Re: OT: Small/Light Acoustic Guitar Amps


>>> What am I getting in a boutique acoustic guitar amp for $1000 + that I 
>>> am
>>> not getting in a decent powered full range PA speaker?
>>
>> I have one of these on order:
>>
>> http://acousticimg.com/products/prod_coda.html
>
> They look really nice.
>
>> It should show up in September.  They've told me I can return it if I 
>> don't like it.
>
>> What does it offer instead of a full range PA speaker?
>>
>> 1) Two channels of amplification plus EQ.
>
> If we have an acoustic guitar with a decent preamp/EQ built in (like a 
> Fishman, etc), why do we need yet another layer of EQ in an amp? this is 
> what has me baffled. How much redundant EQ do we need superimposed on an 
> acoustic guitar?...seems like a lot of added circuitry to create 
> divergence between the natural sound of the guitar and what comes out of 
> the amp.
>
> The two channel thing is a differientiator, unless you are running your 
> guitar through a small mixer board before ou powered PA cab, whichh case 
> that approach offers a lot more flexibility.
>
>> 2) Claimed to be capable of covering the entire bass range
>>    (in exchange for loss of efficiency).
>
> Something that any high quality powered PA cab can do, give their specs.
>
>> 3) Weighs about 20 pounds, complete.
>
> This is the on hard to compete with. But then again, if we are comparing a 
> powered 10" PA cab with the above amp, weight is not that much different.
>
> Interesting thread here. Makes me want an article on the myths and 
> misconceptions of amplifying an acoustic instrument, comparing full range 
> PA cabs with boutique amp, relative to user needs (preserving natural tone 
> vs. colorizing the tone).
>
> Kris
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 18:03:34 2006
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Date: Fri, 11 Aug 2006 11:03:27 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: lexicon with 32 second upgrade for sale
Cc: Charlie Milkey <pilotcp@gmail.com>
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Would you be interested in some alternate form of a deal?

"Easy pay"? Trade & cash?

Paul
--
Paul Richards

---- Charlie Milkey <pilotcp@gmail.com> wrote: 
> i am dropping the price to 350 shipped :)
> 
> Charlie
> 
> On 7/31/06, Charlie Milkey <pilotcp@gmail.com> wrote:
> > hello fellow loopers!
> >
> > well, its about that time to upgrade my looping device, and so to fund
> > that project, i am going to sell my Lexicon Jamman. It has the 32
> > second upgrade and I don't think i need to put much information about
> > it on LD, because i am sure you folks know more about it than i do :)
> >
> > i don't want to waste any bandwidth with pics or anything like that,
> > so feel free to contact me and i will send you pics or any other
> > information that you may need
> >
> > I would like to get 390 US dollars for it :)
> > i would like to keep this to the US or canada, mainly because i don't
> > know what it takes to ship it overseas, so no offense :)
> >
> >
> > Thanks for looking! :)
> >
> > Charlie
> >
> 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 18:29:05 2006
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Date: Fri, 11 Aug 2006 14:28:11 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Monthly Top 20 Report for July, 2006
To: undisclosed-recipients: ;
Message-id: <44DCCC3B.1080506@soundscapes.us>
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http://wdiy.org/programs/gt/playlists/2006/top20jul.html

WDIY 88.1 FM "Galactic Travels" Top 20 for July, 2006.
Shows #484 to #487; 6-July-2006 to 27-July-2006
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml


ARTIST - ALBUM TITLE - LABEL
===========================================================
Bruno Sanfilippo - InTRO - ad21
Conrad Schnitzler - Conviction - Ricochet Dream
Create - Biospherical Imagery - Groove
Hemisphere - Destination Infinity - Groove
Jason Sloan - A Quiet Return - none
Johan Timman - Trip Into the Body - Groove
Klaus Schulze - The Crime of Suspense - Revisited
Matt Borghi - The Phantom Light - SLO BOR
Nattefrost - Absorbed in Dreams and Yearning - Groove
Numina - Evolving Visions - none
Numina - Eye of the Nautilus - Hypnos
Numina - Trancension Vol. 3 - none
Numina & IXOHOXI - Starfarer's Tales Vol. 1 - none
Paul Ellis - The Infinity Room - Groove
Remy - Sense - AKH
Robert Scott Thompson - At the Still Point of the Turning World - Hypnos
Ron Boots - Acoustic Shadows - Groove
Surface 10 - Surface Tensions - DiN
Various Artists - Awakenings 2006 Volume 2.5 - Ambient Live
Various Artists - electro-music 2006 - electro-music media

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, on 92.9 FM on Service Electric Cable, and
on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 19:26:54 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Small/Light Acoustic Guitar Amps
Cc: Krispen Hartung <khartung@cableone.net>
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Kris,

I have not used (or heard used) either of these amps. I do have a 65W close=
d-back Behringer combo amp though that has great tone for acoustic guitar -=
- though it falls a little short when it comes to electric (lacking somethi=
ng in the "warmth" dept). The configuration of that larger "accoustic" amp =
looks a lot like my Behringer and I'd bet there would be a lot of similarit=
y in the sound. The on-board FX are semi-decent too. I very much prefer a d=
igital reverb to a spring reverb (of any sort) any day. And yes, you can ge=
t delay and reverb at the same time (though I never use it that way).

:-)

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Krispen Hartung <khartung@cableone.net> wrote:=20
> no comment on these items?
>   ----- Original Message -----=20
>   From: Krispen Hartung=20
>   To: Loopers-Delight@loopers-delight.com=20
>   Sent: Thursday, August 10, 2006 10:37 PM
>   Subject: Re: OT: Small/Light Acoustic Guitar Amps
>=20
>=20
>   I know some folks knock Behringer for being cheap and low end stuff, bu=
t check this out....these are the ONLY acoustic amps I've found in two days=
 that allow both delay and reverb at the same time. In fact their effect co=
mbinations are outstanding:
>=20
>   http://www.behringer.com/ACX1000/index.cfm?lang=3DENG - $439.99 USD*=20
>=20
>   http://www.behringer.com/ACX450/index.cfm?lang=3DENG (has two independe=
nt effect processors) - $269.99 USD*=20
>=20
>   Anyone using these? The prices are excellent, and not a HUGE investment=
.
>=20
>   Kris

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 19:27:54 2006
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Date: Fri, 11 Aug 2006 12:27:52 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: lexicon with 32 second upgrade for sale
To: Loopers-Delight@loopers-delight.com
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No offense to you chaps but I've found in the past
that posting items for sale here is usually futile. 
Put it on ebay and let the public decide what it's
worse and post your link here.

Also, take into account that your item, for as good as
shape as it may be in, is at least 14 years old.  Why
would I pay $350 for a mono JamMan when I can get a
stereo looper (2880 or RC-50) for a bit more.  True,
they're not the same thing and the JamMan does stuff
they don't do (WHY?) but that's the mentality you'll
find in the marketplace.

I paid $399 brand new for my JamMan.



--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> 
> 
> Good luck. I priced mine for sale at $350, full 32
> seconds, latest 
> Bob Sellon O/S for 4 tracks of looping, original OS
> and manuals.... 
> no bites. Probably the best 'sounding' looper in my
> collection...
> 
> 
> >i am dropping the price to 350 shipped :)
> >
> >Charlie
> >
> >On 7/31/06, Charlie Milkey <pilotcp@gmail.com>
> wrote:
> >>hello fellow loopers!
> >>
> >>well, its about that time to upgrade my looping
> device, and so to fund
> >>that project, i am going to sell my Lexicon
> Jamman. It has the 32
> >>second upgrade and I don't think i need to put
> much information about
> >>it on LD, because i am sure you folks know more
> about it than i do :)
> >>
> >>i don't want to waste any bandwidth with pics or
> anything like that,
> >>so feel free to contact me and i will send you
> pics or any other
> >>information that you may need
> >>
> >>I would like to get 390 US dollars for it :)
> >>i would like to keep this to the US or canada,
> mainly because i don't
> >>know what it takes to ship it overseas, so no
> offense :)
> >>
> >>
> >>Thanks for looking! :)
> >>
> >>Charlie
> 
> 
> -- 
> ...
> http://www.zmix.net
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 19:37:14 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: New AER Amp for sale
Date: Fri, 11 Aug 2006 12:37:00 -0700
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--Apple-Mail-5-924161023
Content-Transfer-Encoding: 7bit
Content-Type: text/plain;
	charset=US-ASCII;
	format=flowed

Say!  My friend Rufus (Rufus Guitars) is selling a new AER Compact 60 
amp for S1,444 Canadian.  Haven't heard it, don't know beans about 
it... but I'm betting it sounds good based on how good their bass amps 
sound.   Lists for $1600 CDN.  He's going out of business and selling 
his stock.

In Victoria, B.C. Canada

See it here:
http://www.rufusguitars.com/forsale.htm

Tell him Richard Sales sent you.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:

>> What am I getting in a boutique acoustic guitar amp for $1000 + that 
>> I am
>> not getting in a decent powered full range PA speaker?
>
> I have one of these on order:
>
> http://acousticimg.com/products/prod_coda.html
>
> It should show up in September.  They've told me I can return it if I 
> don't
> like it.
>
> What does it offer instead of a full range PA speaker?
>
> 	1) Two channels of amplification plus EQ.
> 	2) Claimed to be capable of covering the entire bass range
> 	   (in exchange for loss of efficiency).
> 	3) Weighs about 20 pounds, complete.
>
> The reviews I've been able to find on the web are glowing.  We shall 
> see.
>
>
>

--Apple-Mail-5-924161023
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Say!  My friend Rufus (Rufus Guitars) is selling a new AER Compact 60
amp for S1,444 Canadian.  Haven't heard it, don't know beans about
it... but I'm betting it sounds good based on how good their bass amps
sound.   Lists for $1600 CDN.  He's going out of business and selling
his stock. 


In Victoria, B.C. Canada


See it here:

http://www.rufusguitars.com/forsale.htm


Tell him Richard Sales sent you.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:


<excerpt><excerpt>What am I getting in a boutique acoustic guitar amp
for $1000 + that I am

not getting in a decent powered full range PA speaker?

</excerpt>

I have one of these on order:


http://acousticimg.com/products/prod_coda.html


It should show up in September.  They've told me I can return it if I
don't

like it.


What does it offer instead of a full range PA speaker?


	1) Two channels of amplification plus EQ.

	2) Claimed to be capable of covering the entire bass range

	   (in exchange for loss of efficiency).

	3) Weighs about 20 pounds, complete.


The reviews I've been able to find on the web are glowing.  We shall
see.




</excerpt>
--Apple-Mail-5-924161023--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 21:19:12 2006
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Date: Fri, 11 Aug 2006 14:19:11 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: lexicon with 32 second upgrade for sale
Cc: mark sottilaro <zerocrossing2001@yahoo.com>
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How true. I'm hoping the new loopers coming out will drive down the price of the older units. No offense. But, the prices seem high to me for a lot of the used gear.

-
Paul Richards

---- mark sottilaro <zerocrossing2001@yahoo.com> wrote: 
> No offense to you chaps but I've found in the past
> that posting items for sale here is usually futile. 
> Put it on ebay and let the public decide what it's
> worse and post your link here.
> 
> Also, take into account that your item, for as good as
> shape as it may be in, is at least 14 years old.  Why
> would I pay $350 for a mono JamMan when I can get a
> stereo looper (2880 or RC-50) for a bit more.  True,
> they're not the same thing and the JamMan does stuff
> they don't do (WHY?) but that's the mentality you'll
> find in the marketplace.
> 
> I paid $399 brand new for my JamMan.
> 
> 
> 
> --- Charles Zwicky <cazwicky@earthlink.net> wrote:
> 
> > 
> > 
> > Good luck. I priced mine for sale at $350, full 32
> > seconds, latest 
> > Bob Sellon O/S for 4 tracks of looping, original OS
> > and manuals.... 
> > no bites. Probably the best 'sounding' looper in my
> > collection...
> > 
> > 
> > >i am dropping the price to 350 shipped :)
> > >
> > >Charlie
> > >
> > >On 7/31/06, Charlie Milkey <pilotcp@gmail.com>
> > wrote:
> > >>hello fellow loopers!
> > >>
> > >>well, its about that time to upgrade my looping
> > device, and so to fund
> > >>that project, i am going to sell my Lexicon
> > Jamman. It has the 32
> > >>second upgrade and I don't think i need to put
> > much information about
> > >>it on LD, because i am sure you folks know more
> > about it than i do :)
> > >>
> > >>i don't want to waste any bandwidth with pics or
> > anything like that,
> > >>so feel free to contact me and i will send you
> > pics or any other
> > >>information that you may need
> > >>
> > >>I would like to get 390 US dollars for it :)
> > >>i would like to keep this to the US or canada,
> > mainly because i don't
> > >>know what it takes to ship it overseas, so no
> > offense :)
> > >>
> > >>
> > >>Thanks for looking! :)
> > >>
> > >>Charlie
> > 
> > 
> > -- 
> > ...
> > http://www.zmix.net
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 22:02:00 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: ZOE KEATING SIGHTING (WELL ALMOST)
Cc: Richard Sales <richard@glasswing.com>
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HI all,

I just got a calendar posting e-mail from a local venue in Ashland Oregon=
=20
(only 10 miles away). Our own Zoe Keating will be sharing the stage
with the California Guitar Trio in Novenber!!! I am rather stoked.

Hey Zoe, I'll see you there!!

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 22:09:16 2006
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Title sez it. I'm going to the Phila Pa show on monday.  On his site it
shows he's got a trio and will be doing solo and various band material.  
I'm curious what he's up to and who the other musicians are.


___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 23:02:47 2006
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Date: Fri, 11 Aug 2006 16:02:46 -0700 (PDT)
From: Scott Murchison <murch33@yahoo.com>
Subject: Re: ZOE KEATING SIGHTING (WELL ALMOST)
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There are loopers in Ashland?!?  Where the hell have I
been?  I'm over in Klamath Falls, and I had no idea
there was any sort of music "scene" nearby.  I've been
driving up to Portland for all my musical
entertainment.

I'm going to have to check that show out in a couple
months.

Scott

--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> HI all,
> 
> I just got a calendar posting e-mail from a local
> venue in Ashland Oregon 
> (only 10 miles away). Our own Zoe Keating will be
> sharing the stage
> with the California Guitar Trio in Novenber!!! I am
> rather stoked.
> 
> Hey Zoe, I'll see you there!!
> 
> --
> tEd ® kiLLiAn
> 
> "Different is not always better, but better is
> always different"
> 
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
> 
> Ted Killian's "Flux Aeterna" is also available at:
> Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic,
> Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
> So???
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 11 23:56:23 2006
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To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: EDP Ignorance
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Loopists!

I am an occasional poster who has recently been blessed with an EDP Plus. In fiddling with it, I've managed to put it into a mode where it'll play the loop perhaps four times while slowly fading out to silence. What function have I managed to activate and how do I get it back to "normal" function? I have read alot of the manual but can't seem to understand alot of the terminology that would help me to solve this. I am sure that it is something simple and I am too dense to suss it out.

Greetings and Gratitude,

Todd Howell

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 01:31:25 2006
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Date: Fri, 11 Aug 2006 20:31:22 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: lexicon with 32 second upgrade for sale
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well, i'm sorry that i've seemed to insult some of the loopers here,
but i am just a college student trying to afford being a looper, which
is hard, especially when there is no need for any kind of looping
needed in northern wisconsin...everyone wants to hear freebird up
here, and there isn't much looping involved in a lynrd skynrd cover
band.
i want to be a looper :)

so please, make an offer. money, trades, meade, whatever you've got :)
i just want a riff box :) i am not going to be insulted if its a
lowball offer, just please, offer what you think it's worth and be
fair :) invest in a looping future :)

Charlie

On 8/11/06, Paul Richards <paulrichard10@adelphia.net> wrote:
> How true. I'm hoping the new loopers coming out will drive down the price of the older units. No offense. But, the prices seem high to me for a lot of the used gear.
>
> -
> Paul Richards
>
> ---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> > No offense to you chaps but I've found in the past
> > that posting items for sale here is usually futile.
> > Put it on ebay and let the public decide what it's
> > worse and post your link here.
> >
> > Also, take into account that your item, for as good as
> > shape as it may be in, is at least 14 years old.  Why
> > would I pay $350 for a mono JamMan when I can get a
> > stereo looper (2880 or RC-50) for a bit more.  True,
> > they're not the same thing and the JamMan does stuff
> > they don't do (WHY?) but that's the mentality you'll
> > find in the marketplace.
> >
> > I paid $399 brand new for my JamMan.
> >
> >
> >
> > --- Charles Zwicky <cazwicky@earthlink.net> wrote:
> >
> > >
> > >
> > > Good luck. I priced mine for sale at $350, full 32
> > > seconds, latest
> > > Bob Sellon O/S for 4 tracks of looping, original OS
> > > and manuals....
> > > no bites. Probably the best 'sounding' looper in my
> > > collection...
> > >
> > >
> > > >i am dropping the price to 350 shipped :)
> > > >
> > > >Charlie
> > > >
> > > >On 7/31/06, Charlie Milkey <pilotcp@gmail.com>
> > > wrote:
> > > >>hello fellow loopers!
> > > >>
> > > >>well, its about that time to upgrade my looping
> > > device, and so to fund
> > > >>that project, i am going to sell my Lexicon
> > > Jamman. It has the 32
> > > >>second upgrade and I don't think i need to put
> > > much information about
> > > >>it on LD, because i am sure you folks know more
> > > about it than i do :)
> > > >>
> > > >>i don't want to waste any bandwidth with pics or
> > > anything like that,
> > > >>so feel free to contact me and i will send you
> > > pics or any other
> > > >>information that you may need
> > > >>
> > > >>I would like to get 390 US dollars for it :)
> > > >>i would like to keep this to the US or canada,
> > > mainly because i don't
> > > >>know what it takes to ship it overseas, so no
> > > offense :)
> > > >>
> > > >>
> > > >>Thanks for looking! :)
> > > >>
> > > >>Charlie
> > >
> > >
> > > --
> > > ...
> > > http://www.zmix.net
> > >
> > >
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 04:12:42 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Fri, 11 Aug 2006 22:12:38 -0600
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Here is a somewhat acoustic guitar amp from Germany. The Acoustic Jazz 
Quartet came to play at Boise several years ago and their guitarist Jamie 
Findley was playing one of these with a nylon string. The tone was 
unbelievable. I emailed him today and got a response, asking him what amp he 
was using. It was the Framus Acoustifier. He said there were only a few in 
the world.

I found this page, in German: 
http://www1.gitarrebass.de/magazine/9901/framus.htm

And I even found one for sale somewhere else for 399 Euro, roughly $642 USD.
http://www.berlin-guitars.com/cms.php?id=akustik_verstaerker

Is anyone near Berlin? I would be interested in hearing your thoughts on 
this amp, if you were close and could try it out.

Kris 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 04:16:21 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: lexicon with 32 second upgrade for sale
Date: Fri, 11 Aug 2006 21:16:09 -0700
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--Apple-Mail-2-955310035
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There's nothing wrong with asking that much for your JamMan.  I have a 
guitar that's worth one hundred times what I paid for it.  All are 
worth quite a bit more than I paid for them.  My house doubled in three 
years.

It's worth whatever someone will pay for it.  I think Ebay isn't a bad 
idea.  Craigs List might be good too.  Don't panic.

Is Madison near you?  Milwaukee?  I remember those places as fairly 
swimming with creative stuff.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Aug-06, at 6:31 PM, Charlie Milkey wrote:

> well, i'm sorry that i've seemed to insult some of the loopers here,
> but i am just a college student trying to afford being a looper, which
> is hard, especially when there is no need for any kind of looping
> needed in northern wisconsin...everyone wants to hear freebird up
> here, and there isn't much looping involved in a lynrd skynrd cover
> band.
> i want to be a looper :)
>
> so please, make an offer. money, trades, meade, whatever you've got :)
> i just want a riff box :) i am not going to be insulted if its a
> lowball offer, just please, offer what you think it's worth and be
> fair :) invest in a looping future :)
>
> Charlie
>
> On 8/11/06, Paul Richards <paulrichard10@adelphia.net> wrote:
>> How true. I'm hoping the new loopers coming out will drive down the 
>> price of the older units. No offense. But, the prices seem high to me 
>> for a lot of the used gear.
>>
>> -
>> Paul Richards
>>
>> ---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>> > No offense to you chaps but I've found in the past
>> > that posting items for sale here is usually futile.
>> > Put it on ebay and let the public decide what it's
>> > worse and post your link here.
>> >
>> > Also, take into account that your item, for as good as
>> > shape as it may be in, is at least 14 years old.  Why
>> > would I pay $350 for a mono JamMan when I can get a
>> > stereo looper (2880 or RC-50) for a bit more.  True,
>> > they're not the same thing and the JamMan does stuff
>> > they don't do (WHY?) but that's the mentality you'll
>> > find in the marketplace.
>> >
>> > I paid $399 brand new for my JamMan.
>> >
>> >
>> >
>> > --- Charles Zwicky <cazwicky@earthlink.net> wrote:
>> >
>> > >
>> > >
>> > > Good luck. I priced mine for sale at $350, full 32
>> > > seconds, latest
>> > > Bob Sellon O/S for 4 tracks of looping, original OS
>> > > and manuals....
>> > > no bites. Probably the best 'sounding' looper in my
>> > > collection...
>> > >
>> > >
>> > > >i am dropping the price to 350 shipped :)
>> > > >
>> > > >Charlie
>> > > >
>> > > >On 7/31/06, Charlie Milkey <pilotcp@gmail.com>
>> > > wrote:
>> > > >>hello fellow loopers!
>> > > >>
>> > > >>well, its about that time to upgrade my looping
>> > > device, and so to fund
>> > > >>that project, i am going to sell my Lexicon
>> > > Jamman. It has the 32
>> > > >>second upgrade and I don't think i need to put
>> > > much information about
>> > > >>it on LD, because i am sure you folks know more
>> > > about it than i do :)
>> > > >>
>> > > >>i don't want to waste any bandwidth with pics or
>> > > anything like that,
>> > > >>so feel free to contact me and i will send you
>> > > pics or any other
>> > > >>information that you may need
>> > > >>
>> > > >>I would like to get 390 US dollars for it :)
>> > > >>i would like to keep this to the US or canada,
>> > > mainly because i don't
>> > > >>know what it takes to ship it overseas, so no
>> > > offense :)
>> > > >>
>> > > >>
>> > > >>Thanks for looking! :)
>> > > >>
>> > > >>Charlie
>> > >
>> > >
>> > > --
>> > > ...
>> > > http://www.zmix.net
>> > >
>> > >
>> >
>> >
>> > __________________________________________________
>> > Do You Yahoo!?
>> > Tired of spam?  Yahoo! Mail has the best spam protection around
>> > http://mail.yahoo.com
>> >
>>
>>
>

--Apple-Mail-2-955310035
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

There's nothing wrong with asking that much for your JamMan.  I have a
guitar that's worth one hundred times what I paid for it.  All are
worth quite a bit more than I paid for them.  My house doubled in
three years.   


It's worth whatever someone will pay for it.  I think Ebay isn't a bad
idea.  Craigs List might be good too.  Don't panic.    


Is Madison near you?  Milwaukee?  I remember those places as fairly
swimming with creative stuff.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 11-Aug-06, at 6:31 PM, Charlie Milkey wrote:


<excerpt>well, i'm sorry that i've seemed to insult some of the
loopers here,

but i am just a college student trying to afford being a looper, which

is hard, especially when there is no need for any kind of looping

needed in northern wisconsin...everyone wants to hear freebird up

here, and there isn't much looping involved in a lynrd skynrd cover

band.

i want to be a looper :)


so please, make an offer. money, trades, meade, whatever you've got :)

i just want a riff box :) i am not going to be insulted if its a

lowball offer, just please, offer what you think it's worth and be

fair :) invest in a looping future :)


Charlie


On 8/11/06, Paul Richards <<paulrichard10@adelphia.net> wrote:

<excerpt>How true. I'm hoping the new loopers coming out will drive
down the price of the older units. No offense. But, the prices seem
high to me for a lot of the used gear.


-

Paul Richards


---- mark sottilaro <<zerocrossing2001@yahoo.com> wrote:

> No offense to you chaps but I've found in the past

> that posting items for sale here is usually futile.

> Put it on ebay and let the public decide what it's

> worse and post your link here.

>

> Also, take into account that your item, for as good as

> shape as it may be in, is at least 14 years old.  Why

> would I pay $350 for a mono JamMan when I can get a

> stereo looper (2880 or RC-50) for a bit more.  True,

> they're not the same thing and the JamMan does stuff

> they don't do (WHY?) but that's the mentality you'll

> find in the marketplace.

>

> I paid $399 brand new for my JamMan.

>

>

>

> --- Charles Zwicky <<cazwicky@earthlink.net> wrote:

>

> >

> >

> > Good luck. I priced mine for sale at $350, full 32

> > seconds, latest

> > Bob Sellon O/S for 4 tracks of looping, original OS

> > and manuals....

> > no bites. Probably the best 'sounding' looper in my

> > collection...

> >

> >

> > >i am dropping the price to 350 shipped :)

> > >

> > >Charlie

> > >

> > >On 7/31/06, Charlie Milkey <<pilotcp@gmail.com>

> > wrote:

> > >>hello fellow loopers!

> > >>

> > >>well, its about that time to upgrade my looping

> > device, and so to fund

> > >>that project, i am going to sell my Lexicon

> > Jamman. It has the 32

> > >>second upgrade and I don't think i need to put

> > much information about

> > >>it on LD, because i am sure you folks know more

> > about it than i do :)

> > >>

> > >>i don't want to waste any bandwidth with pics or

> > anything like that,

> > >>so feel free to contact me and i will send you

> > pics or any other

> > >>information that you may need

> > >>

> > >>I would like to get 390 US dollars for it :)

> > >>i would like to keep this to the US or canada,

> > mainly because i don't

> > >>know what it takes to ship it overseas, so no

> > offense :)

> > >>

> > >>

> > >>Thanks for looking! :)

> > >>

> > >>Charlie

> >

> >

> > --

> > ...

> > http://www.zmix.net

> >

> >

>

>

> __________________________________________________

> Do You Yahoo!?

> Tired of spam?  Yahoo! Mail has the best spam protection around

> http://mail.yahoo.com

>



</excerpt>

</excerpt>
--Apple-Mail-2-955310035--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 04:24:32 2006
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Message-ID: <913728d60608112124m29c3cd8fp39a62f857e36404b@mail.gmail.com>
Date: Fri, 11 Aug 2006 23:24:24 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: lexicon with 32 second upgrade for sale
In-Reply-To: <acff555b4f306978508f9a0afc5925cc@glasswing.com>
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yeah, i am in SE wisconsin, and madison and milwaukee is, but not
close enough to get gigs... :)

Charlie

On 8/11/06, Richard Sales <richard@glasswing.com> wrote:
> There's nothing wrong with asking that much for your JamMan.  I have a
> guitar that's worth one hundred times what I paid for it.  All are
> worth quite a bit more than I paid for them.  My house doubled in three
> years.
>
> It's worth whatever someone will pay for it.  I think Ebay isn't a bad
> idea.  Craigs List might be good too.  Don't panic.
>
> Is Madison near you?  Milwaukee?  I remember those places as fairly
> swimming with creative stuff.
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 11-Aug-06, at 6:31 PM, Charlie Milkey wrote:
>
> > well, i'm sorry that i've seemed to insult some of the loopers here,
> > but i am just a college student trying to afford being a looper, which
> > is hard, especially when there is no need for any kind of looping
> > needed in northern wisconsin...everyone wants to hear freebird up
> > here, and there isn't much looping involved in a lynrd skynrd cover
> > band.
> > i want to be a looper :)
> >
> > so please, make an offer. money, trades, meade, whatever you've got :)
> > i just want a riff box :) i am not going to be insulted if its a
> > lowball offer, just please, offer what you think it's worth and be
> > fair :) invest in a looping future :)
> >
> > Charlie
> >
> > On 8/11/06, Paul Richards <paulrichard10@adelphia.net> wrote:
> >> How true. I'm hoping the new loopers coming out will drive down the
> >> price of the older units. No offense. But, the prices seem high to me
> >> for a lot of the used gear.
> >>
> >> -
> >> Paul Richards
> >>
> >> ---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> >> > No offense to you chaps but I've found in the past
> >> > that posting items for sale here is usually futile.
> >> > Put it on ebay and let the public decide what it's
> >> > worse and post your link here.
> >> >
> >> > Also, take into account that your item, for as good as
> >> > shape as it may be in, is at least 14 years old.  Why
> >> > would I pay $350 for a mono JamMan when I can get a
> >> > stereo looper (2880 or RC-50) for a bit more.  True,
> >> > they're not the same thing and the JamMan does stuff
> >> > they don't do (WHY?) but that's the mentality you'll
> >> > find in the marketplace.
> >> >
> >> > I paid $399 brand new for my JamMan.
> >> >
> >> >
> >> >
> >> > --- Charles Zwicky <cazwicky@earthlink.net> wrote:
> >> >
> >> > >
> >> > >
> >> > > Good luck. I priced mine for sale at $350, full 32
> >> > > seconds, latest
> >> > > Bob Sellon O/S for 4 tracks of looping, original OS
> >> > > and manuals....
> >> > > no bites. Probably the best 'sounding' looper in my
> >> > > collection...
> >> > >
> >> > >
> >> > > >i am dropping the price to 350 shipped :)
> >> > > >
> >> > > >Charlie
> >> > > >
> >> > > >On 7/31/06, Charlie Milkey <pilotcp@gmail.com>
> >> > > wrote:
> >> > > >>hello fellow loopers!
> >> > > >>
> >> > > >>well, its about that time to upgrade my looping
> >> > > device, and so to fund
> >> > > >>that project, i am going to sell my Lexicon
> >> > > Jamman. It has the 32
> >> > > >>second upgrade and I don't think i need to put
> >> > > much information about
> >> > > >>it on LD, because i am sure you folks know more
> >> > > about it than i do :)
> >> > > >>
> >> > > >>i don't want to waste any bandwidth with pics or
> >> > > anything like that,
> >> > > >>so feel free to contact me and i will send you
> >> > > pics or any other
> >> > > >>information that you may need
> >> > > >>
> >> > > >>I would like to get 390 US dollars for it :)
> >> > > >>i would like to keep this to the US or canada,
> >> > > mainly because i don't
> >> > > >>know what it takes to ship it overseas, so no
> >> > > offense :)
> >> > > >>
> >> > > >>
> >> > > >>Thanks for looking! :)
> >> > > >>
> >> > > >>Charlie
> >> > >
> >> > >
> >> > > --
> >> > > ...
> >> > > http://www.zmix.net
> >> > >
> >> > >
> >> >
> >> >
> >> > __________________________________________________
> >> > Do You Yahoo!?
> >> > Tired of spam?  Yahoo! Mail has the best spam protection around
> >> > http://mail.yahoo.com
> >> >
> >>
> >>
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 05:21:49 2006
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References: <Pine.LNX.4.21.0608111504490.3294-100000@bunsen.sv1.telcogurus.net>
Subject: Re: Anyone see Adrian Belew on this tour?
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Well I saw Belew when he toured Australia.  In the trio, he hired an aussie 
drummer and a bass player from Austria or somewhere who happened to have 
been in Australia at the time.  I spoke to Adrian and he said they had 3 
jams before they started the tour!  So a good chance he'll have a different 
band again utilizing some local players perhaps??   It's a great show.  Some 
Belew material and some Crimson also.  A very laidback affair.  He does one 
solo section which had some cool loops happening.  Great player, friendly 
guy and highly recommended!!

But I am a King Crimson junkie so.......  :-)

Ritchie
http://murdergrin.blogspot.com



> Title sez it. I'm going to the Phila Pa show on monday.  On his site it
> shows he's got a trio and will be doing solo and various band material.
> I'm curious what he's up to and who the other musicians are.
>

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From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 08:10:05 2006
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, August 12 at 6:00 am
EDT / GMT-4.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh

Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com

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Date: Sat, 12 Aug 2006 01:14:24 -0700
From: "Grayson Pitcher" <glarestreak@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Need a Manecolooper! WTB
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Will pay cash for a Manecolooper.  I have had troubles going through Maneco
and Tom and don't want to wait anymore.  Any of the Manecoloopers would be
awesome.  Email is glarestreak@gmail.com

------=_Part_86264_21124146.1155370464747
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Will pay cash for a Manecolooper.&nbsp; I have had troubles going through Maneco and Tom and don't want to wait anymore.&nbsp; Any of the Manecoloopers would be awesome.&nbsp; Email is <a href="mailto:glarestreak@gmail.com">glarestreak@gmail.com
</a>

------=_Part_86264_21124146.1155370464747--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 08:50:53 2006
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I love Imogen Heap's voice, and just stumbled on this clip with her 
fully rocking a Repeater. (It's on Rhapsody, so you may need the 
RealPlayer to watch it). The other videos there are very cool too; 
between the Electrix box, a piano, a bass mbira and her amazing voice, 
she does quite the solo show.

http://www.rhapsody.com/imogenheap/videos/justfornowlive

all this and great hair too!

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 08:51:05 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: ZOE KEATING SIGHTING (WELL ALMOST)
Date: Sat, 12 Aug 2006 01:51:01 -0700
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--Apple-Mail-1-971802331
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1;
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Scott,

Actually . . . I'm in Medford. There is no "scene" in Ashland or here =20=

in Medville either.
Though I do play hereabouts every once in a blue while. I drive to =20
Eugene. I drive to
Boise. I drive to Portland. I drive to Santa Cruz, I drive all the way =20=

down to Ventura,
Santa Barbara, and San Luis Obispo to perform with and/or for for folks =20=

who are much
more receptive to what I do . . . which is (admittedly) a little =20
outside the norm. Medford
is pretty culturally backward. I'm not from around here . . . but this =20=

is where I am.

There are a couple of venues in Ashland that have (within the past year =20=

or so) started
to deviate from the classic crock, pop and country mold in this very =20
conservative
little corner of the "State of Jefferson." But, if you are going up to =20=

Portland for you musical
and/or looping exposure you are doing well. Even the locals call this =20=

Deathford, or
Dreadford (or sometimes Methford). Nearby Ashland (Hashland) is a =20
little more college-y . . .
and they do try to be hip. But they usually only manage to be just a =20
little more hip than
Medford (or in your case, Klamath Falls) which isn't very hard to do . =20=

. . or very hip.

If you want to talk, compare notes, or otherwise communicate off-list =20=

you now know my
e-mail address. I'm in the local phonebook too . . . for that matter. =20=

Long time LDer Dave
Trenkle is up there in Corvalis. David Coffin is over in Coos Bay (or =20=

Bandon , or somewhere
on the Oregon Coast). I think there have been a couple of LDers (on and =20=

off) up in the
Portland area . . . just so's you don't feel all alone out here in the =20=

boondocks. There are a
few of us around -- even if most of us are transplants from other =20
galaxies (as it were).

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

On Aug 11, 2006, at 4:02 PM, Scott Murchison wrote:

> There are loopers in Ashland?!?  Where the hell have I
> been?  I'm over in Klamath Falls, and I had no idea
> there was any sort of music "scene" nearby.  I've been
> driving up to Portland for all my musical
> entertainment.=

--Apple-Mail-1-971802331
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Scott,


Actually . . . I'm in Medford. There is no "scene" in Ashland or here
in Medville either.

Though I do play hereabouts every once in a blue while. I drive to
Eugene. I drive to=20

Boise. I drive to Portland. I drive to Santa Cruz, I drive all the way
down to Ventura,

Santa Barbara, and San Luis Obispo to perform with and/or for for
folks who are much

more receptive to what I do . . . which is (admittedly) a little
outside the norm. Medford=20

is pretty culturally backward. I'm not from around here . . . but this
is where I am.


There are a couple of venues in Ashland that have (within the past
year or so) started

to deviate from the classic crock, pop and country mold in this very
conservative=20

little corner of the "State of Jefferson." But, if you are going up to
Portland for you musical=20

and/or looping exposure you are doing well. Even the locals call this
Deathford, or

Dreadford (or sometimes Methford). Nearby Ashland (Hashland) is a
little more college-y . . .=20

and they do <italic>try</italic> to be hip. But they usually only
manage to be just a little more hip than=20

Medford (or in your case, Klamath Falls) which isn't very hard to do .
. . or very hip.


If you want to talk, compare notes, or otherwise communicate off-list
you now know my=20

e-mail address. I'm in the local phonebook too . . . for that matter.
Long time LDer Dave=20

Trenkle is up there in Corvalis. David Coffin is over in Coos Bay (or
Bandon , or somewhere

on the Oregon Coast). I think there have been a couple of LDers (on
and off) up in the=20

Portland area . . . just so's you don't feel all alone out here in the
boondocks. There are a=20

few of us around -- even if most of us are transplants from other
galaxies (as it were).


Peace,


tEd =AE kiLLiAn

<color><param>8080,0000,0000</param>

</color><color><param>807F,0000,0000</param>"Different is not always
better, but better is always =
different"</color><color><param>9B9B,9B9B,9B9B</param>


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


</color>On Aug 11, 2006, at 4:02 PM, Scott Murchison wrote:


<excerpt>There are loopers in Ashland?!?  Where the hell have I

been?  I'm over in Klamath Falls, and I had no idea

there was any sort of music "scene" nearby.  I've been

driving up to Portland for all my musical

entertainment.</excerpt>=

--Apple-Mail-1-971802331--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 09:20:27 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Imogen Heap
Date: Sat, 12 Aug 2006 11:20:22 +0200
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On 12 aug 2006, at 10.50, Daryl Shawn wrote:

> I love Imogen Heap's voice, and just stumbled on this clip with her  
> fully rocking a Repeater. (It's on Rhapsody, so you may need the  
> RealPlayer to watch it). The other videos there are very cool too;  
> between the Electrix box, a piano, a bass mbira and her amazing  
> voice, she does quite the solo show.
>
> http://www.rhapsody.com/imogenheap/videos/justfornowlive


Thanks, that was great! All of it. I bought her latest record the  
other month and must say that I really like the way she  arranges too.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 09:20:42 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Sat, 12 Aug 2006 02:20:36 -0700
To: Loopers-Delight@loopers-delight.com
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KH,

Framus, is a pretty good company (a division of Warwick GMbH & Co . . . 
of Warwick Bass and
Bass Amp fame). I used to do all of their North American magazine 
advertising. I stopped about
a year ago.

If the amp is of similar quality to their guitars and other "regular" 
electric guitar combos and stacks
they ought to be first-rate. You might try to contact someone I know at 
the company that does
their North American distribution. The company is called Dana B Goods 
and the person to call is
Craig Costigan (he's the Rep that handles Framus). He could tell you if 
they import that particular
model or not . . . or if they ever plan to (in case they don't 
currently).

Craig Costigan @ Dana B Goods: 1-800-741-0109 Ext 1705

Best regards,

Ted Killian
On Aug 11, 2006, at 9:12 PM, Krispen Hartung wrote:

> Here is a somewhat acoustic guitar amp from Germany. The Acoustic Jazz 
> Quartet came to play at Boise several years ago and their guitarist 
> Jamie Findley was playing one of these with a nylon string. The tone 
> was unbelievable. I emailed him today and got a response, asking him 
> what amp he was using. It was the Framus Acoustifier. He said there 
> were only a few in the world.
>
> I found this page, in German: 
> http://www1.gitarrebass.de/magazine/9901/framus.htm
>
> And I even found one for sale somewhere else for 399 Euro, roughly 
> $642 USD.
> http://www.berlin-guitars.com/cms.php?id=akustik_verstaerker
>
> Is anyone near Berlin? I would be interested in hearing your thoughts 
> on this amp, if you were close and could try it out.
>
> Kris

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 09:24:10 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
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Kris forget framus (just my opinion) The AERs are
awesome but way too expensive for what they do and not
so flexible efx wise.
Luis

--- Krispen Hartung <khartung@cableone.net> wrote:

> Here is a somewhat acoustic guitar amp from Germany.
> The Acoustic Jazz 
> Quartet came to play at Boise several years ago and
> their guitarist Jamie 
> Findley was playing one of these with a nylon
> string. The tone was 
> unbelievable. I emailed him today and got a
> response, asking him what amp he 
> was using. It was the Framus Acoustifier. He said
> there were only a few in 
> the world.
> 
> I found this page, in German: 
> http://www1.gitarrebass.de/magazine/9901/framus.htm
> 
> And I even found one for sale somewhere else for 399
> Euro, roughly $642 USD.
>
http://www.berlin-guitars.com/cms.php?id=akustik_verstaerker
> 
> Is anyone near Berlin? I would be interested in
> hearing your thoughts on 
> this amp, if you were close and could try it out.
> 
> Kris 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 10:02:24 2006
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Todd Howell wrote:
 "I am an occasional poster who has recently been blessed with an EDP Plus. 
In fiddling with it, I've managed to put it into a mode where it'll play the 
loop perhaps four times while slowly fading out to silence. What function 
have I managed to activate and how do I get it back to "normal" function? I 
have read alot of the manual but can't seem to understand alot of the 
terminology that would help me to solve this. I am sure that it is something 
simple and I am too dense to suss it out."

Three pieces of gratuitous advice about this problem and how to solve it:

1) Your feedback knob on the front panel is turned down.
At 100%  (full up)  the loop will repeat forever without losing volume.

set it to different lesser settings to achieve a layered approach in your 
looping (the loops will fade out after a set number of repititions)
(listen to the CDs of Matthias Grob, the original inventor of this amazing 
instrument)

2) Work with your EDP until you have several things that you have questions 
about and then arrange
to take a paid online tutorial from one of the true masters of the unit, 
Andre LaFosse.

Andre has put thousands of hours into this instrument and is a good teacher 
of an instrument that, in my humble opinion, has
a fairly confusing manual (in terms of having musical effects that it can 
create explained).

by the same token,   purchase one of Andre's CDs to hear just some of the 
enormous power this unit has.
They are available through  http://www.altruistmusic.com/

Also,   check out his wonderful echoplex analysis pages (subtitled: inside 
the craft of real-time looping).
this link is a little ways down on the right hand side of his homepage

3) Come to Santa Cruz, if it's possible,  on October 21st and 22nd, to hear 
some of the world's top looping artists
(tentatively 54 of them are coming as of now from 7 countries and all over 
the US) at
the Y2K6 International Live Looping Festival.   You'll leave with dozens of 
stimulating ideas about how to get
deeper into the world of live looping for yourself.

Good luck with everything.   It's a deep instrument and a wonderful one.

yours,
Rick Walker  aka |()()p.p()()|
www.looppool.info

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 11:07:36 2006
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At 11:02 12/08/2006, you wrote:
>Todd Howell wrote:
>"I am an occasional poster who has recently been blessed with an EDP 
>Plus. In fiddling with it, I've managed to put it into a mode where 
>it'll play the loop perhaps four times while slowly fading out to 
>silence. What function have I managed to activate and how do I get 
>it back to "normal" function?
>1) Your feedback knob on the front panel is turned down.
>At 100%  (full up)  the loop will repeat forever without losing volume.

good ol' Rick :-)


>by the same token,   purchase one of Andre's CDs to hear just some 
>of the enormous power this unit has.
>They are available through  http://www.altruistmusic.com/

If Andre spins your head too much (and you certainly should let him) then
be sure and get Luis Angulo's Primeros Ciclos
http://www.luis-angulo.com/new-projects.htm
which has the edp features used very musically too, but easier to follow.


Rick's right, the edp manual isn't full of "this is how you get that" 
tutorials.
If it was it could go to several volumes. In order to cover all the 
functions the manual has to be a fair size, that doesn't leave a lot 
of room for step by step guidance.
It doesn't hurt you to read right through the manual, even though 
some of it will be incomprehensible to start with it's easy to pick 
up the basic stuff.(miss out the in depth midi stuff though ;-)
Usual recommended way to tackle the edp is to start with learning 
about Record, then Overdub, then Multiply and so on
(from left to right in terms of the buttons)

The edp is designed so you can flexibly with it, to do things that 
the designers didn't realize was possible.
..but still easy to use if you want to stick to the basic functions.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 12:59:51 2006
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Date: Sat, 12 Aug 2006 15:59:49 +0300 (EEST)
Subject: Cabin baggage ban hits musicians
From: "Costas Andreou" <contact@costasandreou.com>
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Hello everyone. Here is a BBC article about musicians' problems because of
the new cabin baggage ban on planes.
http://news.bbc.co.uk/1/hi/world/europe/4784225.stm?ls

Costas Andreou

http://www.costasandreou.com
contact@costasandreou.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 14:22:10 2006
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Subject: Re: Anyone see Adrian Belew on this tour?
Date: Sat, 12 Aug 2006 16:19:32 +0200
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Yes!!!=20
I've saw that trio in Rome a few weeks ago and the show was great.=20
He presented with a brother and sister  (as he said), the drummer is great =
and the KC songs are great, even in the AB reinterpretation.=20
The strange but interesting thing is that he just played an el.  guitar =
with a pedal distortion, and not the vaste gear he usually uses. But he was =
great, great, great, because he's as crazy as a genius.=20
Strongly raccomended.=20
Fabio

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 15:12:14 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Sat, 12 Aug 2006 09:12:09 -0600
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I have my eye on the AER Alpha too...it's just a cute and compact little 
thing (10" cube basically)....perfect match for my Roland Cube-30.

k-
----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 12, 2006 3:24 AM
Subject: Re: OT: Small/Light Acoustic Guitar Amps


> Kris forget framus (just my opinion) The AERs are
> awesome but way too expensive for what they do and not
> so flexible efx wise.
> Luis
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Here is a somewhat acoustic guitar amp from Germany.
>> The Acoustic Jazz
>> Quartet came to play at Boise several years ago and
>> their guitarist Jamie
>> Findley was playing one of these with a nylon
>> string. The tone was
>> unbelievable. I emailed him today and got a
>> response, asking him what amp he
>> was using. It was the Framus Acoustifier. He said
>> there were only a few in
>> the world.
>>
>> I found this page, in German:
>> http://www1.gitarrebass.de/magazine/9901/framus.htm
>>
>> And I even found one for sale somewhere else for 399
>> Euro, roughly $642 USD.
>>
> http://www.berlin-guitars.com/cms.php?id=akustik_verstaerker
>>
>> Is anyone near Berlin? I would be interested in
>> hearing your thoughts on
>> this amp, if you were close and could try it out.
>>
>> Kris
>>
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 15:52:37 2006
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Date: Sat, 12 Aug 2006 08:52:34 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Subject: Live Looping in Portland (Oregon) tonight
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I'll be playing at the 9 Muses Acoustic Tavern (2715 SE Belmont St)
tonight (August 12th) sometime between 7 and 9PM.  I'm splitting the
evening with some singer-songwriter, and the details are unknown at
this point.  I'll be doing a set of instrumental acoustic guitar with
Echoplex accompaniment.  There may also be a second set, I'm not sure.

Be seeing you,

Travis Hartnett

www.travishartnett.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 16:58:00 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Sat, 12 Aug 2006 09:57:56 -0700
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Kris,

Do you remember the guitarist playing in the restaurant during the 
post-BEMF breakfast?
I believe he was playing through an AER amp. I forget his name . . . 
heck I even forget
the name of the restaurant (which is pretty darn remarkable 
considering) . . . but if the
guy is a local you might try seeking his advice and/or opinion. His 
tone was pretty good
(I thought) and I remember taking note of his setup. In another 
lifetime I played Leo
Kottke-style, finger-picked, bottle-neck slide guitar like he was 
playing (about 25
years ago . . . and much less expertly).

BTW, Jamie Findley used to play/endorse Lakewood guitars. I also did 
their advertising
and have met Jamie on several occassions . . . both then and when I 
worked for Seymour
Duncan. He also (at some point) used/endorsed their acoustic pickups 
and amplification products.
Duncan used to produce an amp called the TARA. Guitar Player magazine 
once described it in
a product "shootout" literally as the acoustic amp that all others 
should be judged against.
Ironically, within about a month or two Duncan stopped producing them.

If you could find one of THOSE . . . particularly one of their nifty 
closed-back combos . . .
ah . . . sighs whistfully.

Best regards,

Ted Killian

On Aug 12, 2006, at 8:12 AM, Krispen Hartung wrote:

> I have my eye on the AER Alpha too...it's just a cute and compact 
> little thing (10" cube basically)....perfect match for my Roland 
> Cube-30.

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 17:06:05 2006
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Andy astutely wrote:

"Rick's right, the edp manual isn't full of "this is how you get that"
tutorials.If it was it could go to several volumes. In order to cover all 
the
functions the manual has to be a fair size, that doesn't leave a lot
of room for step by step guidance.
It doesn't hurt you to read right through the manual, even though
some of it will be incomprehensible to start with it's easy to pick
up the basic stuff.(miss out the in depth midi stuff though ;-)
Usual recommended way to tackle the edp is to start with learning
about Record, then Overdub, then Multiply and so on
(from left to right in terms of the buttons)"


I was thinking that it might be cool to have Gibson or Aurisis sponsor a
webpage where users explained musical techniques,   how to achieve them
and why they are useful aesthetically to augment the EDP manual.

There are still tons of funtions that I don't use in the EDP but when I 
first started learning
it I just had it in the john and I'd read it everytime I went in there, so I 
concur
with Andy's advice to read through the entire manual.

Still,  it was very confusing to me because it didn't have connection to 
musicality.
It has always felt like a manual written for techies,  and I just have never 
been much of
a techie myself.

In it's defense,  Andy is correct...........it would have been several times 
as large but
I still think a lot of beginning users don't get what this thing can do 
until they see someone
use it really well.

And I'd also add to Andy's recommendation for the beginning EDP owner to 
hear Luis Angulos superb CD, Andy's own
solo CD, 'Live Looping' which is a wonderful and musical record that is a 
tour de force of echoplex techniques,
available at http://www.andybutler.com/. 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 18:46:07 2006
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ha! yes, she's amazing. when i sat in with her, we would sync our  
repeaters (all slaved to computer)...

can't see or hear much, but there are a few videos on YouTube...

http://www.youtube.com/watch?v=8nLrFvtq57E

On Aug 12, 2006, at 1:50 AM, Daryl Shawn wrote:

> I love Imogen Heap's voice, and just stumbled on this clip with her  
> fully rocking a Repeater. (It's on Rhapsody, so you may need the  
> RealPlayer to watch it). The other videos there are very cool too;  
> between the Electrix box, a piano, a bass mbira and her amazing  
> voice, she does quite the solo show.
>
> http://www.rhapsody.com/imogenheap/videos/justfornowlive
>
> all this and great hair too!
>
> Daryl Shawn
> www.swanwelder.com
>

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From: "Grayson Pitcher" <glarestreak@gmail.com>
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Subject: I need a Manecolooper! WTB
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I need a Manecolooper and I have become tired of waiting to go through Juan
and Tom for one.  If anyone has one they would be willing to sell email me
at glarestreak@gmail.com

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I need a Manecolooper and I have become tired of waiting to go through Juan and Tom for one.&nbsp; If anyone has one they would be willing to sell email me at <a href="mailto:glarestreak@gmail.com">glarestreak@gmail.com</a>

------=_Part_89575_30046203.1155409269361--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 19:47:18 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: Cabin baggage ban hits musicians
Date: Sat, 12 Aug 2006 12:47:10 -0700
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horrible, horrible times.

traveling for a musician was already a nightmare, and now it is  
worse. i worry more about flying with the cello than i do about the  
performance on the other end.

as for the repeaters...i never put them in the hold. i always put  
them in my carry-on with my laptop. i think it is more likely that i  
can find a replacement cello than replacement repeaters!! (how weird  
is that! the cello is about 20 times more valuable)

maybe one outcome of the ban on cabin baggage will be that hold  
baggage is treated better. in any other business such mistreatment of  
property would not be considered acceptable. but now if people have  
no choice but to check fragile and expensive items? the airlines  
themselves recommend that you carry on anything valuable.

i used to buy an extra seat for the cello, but after Sept 11,  
sometimes i would be denied boarding by ignorant staff. i started  
putting it in the hold inside a flight case and insisted on gate- 
checking it. without fail, i would be yelled at by TSA during  
screening. "you can't bring that through here". at one airport they  
unpacked the cello and left it naked on a metal table (not letting me  
anywhere near it) while crowds of people jostled past in the security  
line. they wanted to run it this way through the xray machine. my  
tearful entreaties had an effect and they ended up with one person  
holding it upside down while 2 others searched inside with  
flashlights. the endpin and bows were removed and i was told to check  
them into my baggage. i replied they are too long to fit in my  
suitcase, and a TSA person said "well you should of thought of that  
before". that the cello was going in the hold and not the cabin made  
not the slightest difference. if it wasn't so stressful it would be  
comical.

gate checking in that instance caused me to miss my flight, so now i  
check it at the ticket desk. the flight case is very good, but being  
so enormous, it must be hand inspected by the TSA (leaving their  
little calling card inside). i always ask nicely if i can be present,  
mostly to verifying that they repack if properly. if not repacked  
exactly right, the cello might not survive the baggage handling. on a  
recent flight the TSA closed the case, but never strapped in the  
cello inside.  amazingly, other than the soundpost falling out and  
the bridge knocked out of place, it was fine. and if i have a  
connection to make when coming from overseas  (say london to philly  
to seattle). because of the hand inspection, the cello never makes it  
to the connecting flight. when possible, i always try to get to my  
destination a day earlier, so that i have time to wait for the poor  
cello to arrive, or get any repairs done.

sometimes the stress is too much, and i think "i can't handle this  
any more!!", but what is the alternative???

i try to remind myself, "oh but thanks to all this inconvenience, i'm  
safer now". but, on that journey where the inspection caused me to  
miss my flight...i realized, while waiting for the next plane, that i  
still had my LEATHERMAN in my purse.

aargh.

On Aug 12, 2006, at 5:59 AM, Costas Andreou wrote:

> Hello everyone. Here is a BBC article about musicians' problems  
> because of
> the new cabin baggage ban on planes.
> http://news.bbc.co.uk/1/hi/world/europe/4784225.stm?ls
>
> Costas Andreou
>
> http://www.costasandreou.com
> contact@costasandreou.com
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 20:03:13 2006
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From: Brian Cass <b@the0verclock.com>
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I T LOOPS)
Date: Sat, 12 Aug 2006 16:03:15 -0400
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I love the KP and the KP-2, I own several and use them for all sorts  
of things.

I recently took one of the older KP-1 boxes apart in hopes of using  
the x/y pad for a homemade controller. It didn't work as I hoped and  
I'm curious if anyone has messed with this before. Of course I  
removed the pad very carefully and I can put the KP back together  
pretty easily, but I'd really like to just use the x/y for part of a  
midi controller I am building. Any experience?

- b



On Aug 4, 2006, at 1:58 PM, fabio anile wrote:

> Surely, it loops and it's definitively one of my preferred piece of  
> gear.
> With its X/Y vectors I've got a usefull control of effects. About  
> what Per said, I've see a cellist in the M. Stockausen band playing  
> it with her nude foot.. Sreange but interesting!
> My best
> Fabio Anile
>
> http://xoomer. alice. it/eterogeneo
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 20:58:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Cabin baggage ban hits musicians
Date: Sat, 12 Aug 2006 22:58:41 +0200
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On 12 aug 2006, at 21.47, Zoe Keating wrote:

> aargh.


Agreed.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 21:20:37 2006
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--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> I'm not from around
> here . . . but this  
> is where I am.



i like this statement a lot and will use it often.
       kudos,
           Dan boo cha loop




__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 22:17:41 2006
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Subject: Re: OT: Small/Light Acoustic Guitar Amps
Date: Sat, 12 Aug 2006 16:17:35 -0600
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Yes, that was my good buddie that wrote the review of my CD "Live at the 
Kulture Klatsch", which I disputed with him on line. :) ....great blues 
guitarist nonetheless!  His name is.....Larry Conklin. I think Old Boise 
Guitar here can get those AERs.

I'll check out your leads below....that David amp was sure nice this 
morning, though...very tiny..about 10" by 10" by 9" or so...HUGE sound, a 
swiss amp built like a tank.

Kris

----- Original Message ----- 
From: "tEd ® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 12, 2006 10:57 AM
Subject: Re: OT: Small/Light Acoustic Guitar Amps


> Kris,
>
> Do you remember the guitarist playing in the restaurant during the 
> post-BEMF breakfast?
> I believe he was playing through an AER amp. I forget his name . . . heck 
> I even forget
> the name of the restaurant (which is pretty darn remarkable considering) . 
> . . but if the
> guy is a local you might try seeking his advice and/or opinion. His tone 
> was pretty good
> (I thought) and I remember taking note of his setup. In another lifetime I 
> played Leo
> Kottke-style, finger-picked, bottle-neck slide guitar like he was playing 
> (about 25
> years ago . . . and much less expertly).
>
> BTW, Jamie Findley used to play/endorse Lakewood guitars. I also did their 
> advertising
> and have met Jamie on several occassions . . . both then and when I worked 
> for Seymour
> Duncan. He also (at some point) used/endorsed their acoustic pickups and 
> amplification products.
> Duncan used to produce an amp called the TARA. Guitar Player magazine once 
> described it in
> a product "shootout" literally as the acoustic amp that all others should 
> be judged against.
> Ironically, within about a month or two Duncan stopped producing them.
>
> If you could find one of THOSE . . . particularly one of their nifty 
> closed-back combos . . .
> ah . . . sighs whistfully.
>
> Best regards,
>
> Ted Killian
>
> On Aug 12, 2006, at 8:12 AM, Krispen Hartung wrote:
>
>> I have my eye on the AER Alpha too...it's just a cute and compact little 
>> thing (10" cube basically)....perfect match for my Roland Cube-30.
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 22:38:19 2006
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From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I T
 LOOPS)
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I think someone built a Kaoss Pad into a guitar, no?


----- Original Message ----- 
From: "Brian Cass" <b@the0verclock.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 12, 2006 4:03 PM
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I
T LOOPS)


> I love the KP and the KP-2, I own several and use them for all sorts
> of things.
>
> I recently took one of the older KP-1 boxes apart in hopes of using
> the x/y pad for a homemade controller. It didn't work as I hoped and
> I'm curious if anyone has messed with this before. Of course I
> removed the pad very carefully and I can put the KP back together
> pretty easily, but I'd really like to just use the x/y for part of a
> midi controller I am building. Any experience?
>
> - b
>
>
>
> On Aug 4, 2006, at 1:58 PM, fabio anile wrote:
>
> > Surely, it loops and it's definitively one of my preferred piece of
> > gear.
> > With its X/Y vectors I've got a usefull control of effects. About
> > what Per said, I've see a cellist in the M. Stockausen band playing
> > it with her nude foot.. Sreange but interesting!
> > My best
> > Fabio Anile
> >
> > http://xoomer. alice. it/eterogeneo
> >
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 23:23:51 2006
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From: Bob Amstadt <bob@looperlative.com>
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Subject: Free Mackie mixer bag for anybody that wants to pick it up
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I have a hardly ever used Mackie mixer bag for a 1604 mixer that I used 
years ago and haven't used since.  I'm using all rack mounted mixers these 
days.  So, I will never need this bag again.  It isn't worth enough cash to 
be worth my time to sell it, but if anybody around San Jose wants to come 
get it, it is yours.

---
Bob Amstadt
http://www.looperlative.com
http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Sat Aug 12 23:40:41 2006
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Date: Sun, 13 Aug 2006 01:40:36 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I T
 LOOPS)
To: Loopers-Delight@loopers-delight.com
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 <29BD2CCA-1792-4E59-8A07-E8AEBB89A1AE@the0verclock.com>
 <001401c6be61$403ecb00$3ba0a344@hppav>
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There`s a custom built one here but I think I`ve heard of another too
http://www.mjguitar.com/photo/kaoss.jpg
http://www.mjguitar.com/customshop.html

----- Original Message ----- 
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 13, 2006 12:47 AM
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I 
T LOOPS)


>I think someone built a Kaoss Pad into a guitar, no?
>
>
> ----- Original Message ----- 
> From: "Brian Cass" <b@the0verclock.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, August 12, 2006 4:03 PM
> Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT 
> I
> T LOOPS)
>
>
>> I love the KP and the KP-2, I own several and use them for all sorts
>> of things.
>>
>> I recently took one of the older KP-1 boxes apart in hopes of using
>> the x/y pad for a homemade controller. It didn't work as I hoped and
>> I'm curious if anyone has messed with this before. Of course I
>> removed the pad very carefully and I can put the KP back together
>> pretty easily, but I'd really like to just use the x/y for part of a
>> midi controller I am building. Any experience?
>>
>> - b
>>
>>
>>
>> On Aug 4, 2006, at 1:58 PM, fabio anile wrote:
>>
>> > Surely, it loops and it's definitively one of my preferred piece of
>> > gear.
>> > With its X/Y vectors I've got a usefull control of effects. About
>> > what Per said, I've see a cellist in the M. Stockausen band playing
>> > it with her nude foot.. Sreange but interesting!
>> > My best
>> > Fabio Anile
>> >
>> > http://xoomer. alice. it/eterogeneo
>> >
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 00:12:38 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: praising the X/Y vector concept (was: kaoss pad porn (NOT OT I T LOOPS)
Date: Sat, 12 Aug 2006 17:12:31 -0700
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On Aug 12, 2006, at 3:47 PM, David Kirkdorffer wrote:

> I think someone built a Kaoss Pad into a guitar, no?


This is from Music Thing blogspot Aug. 3:

Manson guitar
http://www.youtube.com/watch?v=VZ022eXOK2Q


Muse
  http://www.youtube.com/watch?v=26j8hbIxHnM


Radiohead
http://www.youtube.com/watch?v=PwdWfPxpq8g

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 00:49:22 2006
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I had my first street gig (laptop looping setup) today here in Boise.  I 
used my Taylor nylon string, Roland Microcube, notebook, and the MIDI Mouse. 
Everything went great, sold a fair amount of CDs, lots of compleents, tips 
etc. But I had some problems with the Microcube during my first set. It 
sounded like crap, tinny, unclear, distorting, and so on....I discovered 
that it sounded 100% better by going from my laptop to the Aux in of the 
Microcube...very crisp, full, and clear, bypassing all the amp's simulation, 
EQ, and everthing.  Wow, what a big difference.  So if any of you plan to 
busk with a Microcube, and a laptop or a bunch of gear that pre-processes 
your tone the way you like it and ready to feed to a mixer, try using the 
Aux of of the MicroCube....made a hell of a difference. This should have 
occured to me before...that I'm already producing a great sound out of my 
laptop, so I don't need all the amp simulation and EQ of the Microcube.

Kris 


From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 01:57:48 2006
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At 10:06 AM 8/12/2006, loop.pool wrote:
>I was thinking that it might be cool to have Gibson or Aurisis sponsor a
>webpage where users explained musical techniques,   how to achieve them
>and why they are useful aesthetically to augment the EDP manual.

I thought I did that already, about 10 years ago!

It would be nice if people used the site for discussing looping rather than 
say, acoustic guitar amps. :-) (or whatever the latest non-looping thread is)


>Still,  it was very confusing to me because it didn't have connection to 
>musicality. It has always felt like a manual written for techies,  and I 
>just have never been much of a techie myself.

Are you talking about the old manual or the new one? I almost completely 
rewrote it for the EDP plus, and tried to reorganize it. It seems to me the 
volume of complaining about the manual went down after that.


>In it's defense,  Andy is correct...........it would have been several 
>times as large

it is already 310 pages long!


>but I still think a lot of beginning users don't get what this thing can 
>do until they see someone use it really well.

Isn't this true of any instrument? When I've bought guitars they rarely 
came with more than 1 page of instructions. And those just explained how to 
set intonation or what each knob did. I learned how to play from teachers, 
practicing, studying, listening, watching, etc. There is a whole ecosystem 
for learning.

It seems to me there is plenty of opportunity for talented loopers to teach 
lessons or write books or make instructional videos. Why not you? What are 
you all waiting for?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 05:04:08 2006
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Subject: RE: Anyone see Adrian Belew on this tour?
Date: Sun, 13 Aug 2006 01:04:04 -0400
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He's touring with a brother and sister: Julie and Eric Slick.  They are
graduates from the School of Rock.  I think Eric has been blogging about the
tour.  Check on Adrian's website www.adrianbelew.net 

I wonder if there are still tix for the Philly show.  I was thinking about
running down to see him but none of my regular concert buds wanted to go.  

Tony

-----Original Message-----
From: Legion [mailto:legion@helpwantedproductions.com] 
Sent: Friday, August 11, 2006 6:08 PM
To: Loopers-Delight@loopers-delight.com
Subject: Anyone see Adrian Belew on this tour?

Title sez it. I'm going to the Phila Pa show on monday.  On his site it
shows he's got a trio and will be doing solo and various band material.  
I'm curious what he's up to and who the other musicians are.


___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 06:23:45 2006
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Date: Sun, 13 Aug 2006 02:23:42 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Amazingly, none of these jack asses seem to realize or care that this
cello is worth more than most luxury cars or that it's your livelyhood
they're screwing around with.  Ultimately, it's probably safer and
easier to ship your gear FedEx or UPS.  I can't imagine checking my
guitar into the hold, flight case or not.  Just the thought of some
baboon opening up and man-handling....er....inspecting her gives me
the willies, then hoping they repack her correctly.  Forget it.

Todd

On 8/12/06, Zoe Keating <cello@zoekeating.com> wrote:
> traveling for a musician was already a nightmare, and now it is
> worse. i worry more about flying with the cello than i do about the
> performance on the other end.

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 09:10:39 2006
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A way avoid this stress is thinking about the ecologic impact of one of 
this music trip for the earth and the other species sharing this space 
with us.. Then you may think that playing around the world cause so much 
pollution that it's not worth doing this...
You will have more time then for your family and local gigs..
> horrible, horrible times.
>
> traveling for a musician was already a nightmare, and now it is worse. 
> i worry more about flying with the cello than i do about the 
> performance on the other end.
>
> as for the repeaters...i never put them in the hold. i always put them 
> in my carry-on with my laptop. i think it is more likely that i can 
> find a replacement cello than replacement repeaters!! (how weird is 
> that! the cello is about 20 times more valuable)
>
> maybe one outcome of the ban on cabin baggage will be that hold 
> baggage is treated better. in any other business such mistreatment of 
> property would not be considered acceptable. but now if people have no 
> choice but to check fragile and expensive items? the airlines 
> themselves recommend that you carry on anything valuable.
>
> i used to buy an extra seat for the cello, but after Sept 11, 
> sometimes i would be denied boarding by ignorant staff. i started 
> putting it in the hold inside a flight case and insisted on 
> gate-checking it. without fail, i would be yelled at by TSA during 
> screening. "you can't bring that through here". at one airport they 
> unpacked the cello and left it naked on a metal table (not letting me 
> anywhere near it) while crowds of people jostled past in the security 
> line. they wanted to run it this way through the xray machine. my 
> tearful entreaties had an effect and they ended up with one person 
> holding it upside down while 2 others searched inside with 
> flashlights. the endpin and bows were removed and i was told to check 
> them into my baggage. i replied they are too long to fit in my 
> suitcase, and a TSA person said "well you should of thought of that 
> before". that the cello was going in the hold and not the cabin made 
> not the slightest difference. if it wasn't so stressful it would be 
> comical.
>
> gate checking in that instance caused me to miss my flight, so now i 
> check it at the ticket desk. the flight case is very good, but being 
> so enormous, it must be hand inspected by the TSA (leaving their 
> little calling card inside). i always ask nicely if i can be present, 
> mostly to verifying that they repack if properly. if not repacked 
> exactly right, the cello might not survive the baggage handling. on a 
> recent flight the TSA closed the case, but never strapped in the cello 
> inside.  amazingly, other than the soundpost falling out and the 
> bridge knocked out of place, it was fine. and if i have a connection 
> to make when coming from overseas  (say london to philly to seattle). 
> because of the hand inspection, the cello never makes it to the 
> connecting flight. when possible, i always try to get to my 
> destination a day earlier, so that i have time to wait for the poor 
> cello to arrive, or get any repairs done.
>
> sometimes the stress is too much, and i think "i can't handle this any 
> more!!", but what is the alternative???
>
> i try to remind myself, "oh but thanks to all this inconvenience, i'm 
> safer now". but, on that journey where the inspection caused me to 
> miss my flight...i realized, while waiting for the next plane, that i 
> still had my LEATHERMAN in my purse.
>
> aargh.
>
> On Aug 12, 2006, at 5:59 AM, Costas Andreou wrote:
>
>> Hello everyone. Here is a BBC article about musicians' problems 
>> because of
>> the new cabin baggage ban on planes.
>> http://news.bbc.co.uk/1/hi/world/europe/4784225.stm?ls
>>
>> Costas Andreou
>>
>> http://www.costasandreou.com
>> contact@costasandreou.com
>>
>
>
>
>
> --No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.405 / Virus Database: 268.10.9/417 - Release Date: 
> 11/08/2006
>
>


-- 

_____________________________________________________________________
plateforme de téléchargement libre, label autogéré, média indépendant
-----------------------
http://www.dadaprod.org
_____________________________________________________________________

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 09:53:20 2006
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Date: Sun, 13 Aug 2006 02:53:17 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Cabin baggage ban hits musicians
To: Loopers-Delight@loopers-delight.com
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the situation is really depressing,i travel every year
to California and is turning into a nightmare,last
year i took my acoustic guitar with me
onboard,although they kept telling me i was at my own
risk so i took my chance but luckily it went through
ok.But now its over damn!
many thanks to the war pigs who travel in their own
fat jetplanes!
Luis

--- sonic steph <ml@dadaprod.org> wrote:

> A way avoid this stress is thinking about the
> ecologic impact of one of 
> this music trip for the earth and the other species
> sharing this space 
> with us.. Then you may think that playing around the
> world cause so much 
> pollution that it's not worth doing this...
> You will have more time then for your family and
> local gigs..
> > horrible, horrible times.
> >
> > traveling for a musician was already a nightmare,
> and now it is worse. 
> > i worry more about flying with the cello than i do
> about the 
> > performance on the other end.
> >
> > as for the repeaters...i never put them in the
> hold. i always put them 
> > in my carry-on with my laptop. i think it is more
> likely that i can 
> > find a replacement cello than replacement
> repeaters!! (how weird is 
> > that! the cello is about 20 times more valuable)
> >
> > maybe one outcome of the ban on cabin baggage will
> be that hold 
> > baggage is treated better. in any other business
> such mistreatment of 
> > property would not be considered acceptable. but
> now if people have no 
> > choice but to check fragile and expensive items?
> the airlines 
> > themselves recommend that you carry on anything
> valuable.
> >
> > i used to buy an extra seat for the cello, but
> after Sept 11, 
> > sometimes i would be denied boarding by ignorant
> staff. i started 
> > putting it in the hold inside a flight case and
> insisted on 
> > gate-checking it. without fail, i would be yelled
> at by TSA during 
> > screening. "you can't bring that through here". at
> one airport they 
> > unpacked the cello and left it naked on a metal
> table (not letting me 
> > anywhere near it) while crowds of people jostled
> past in the security 
> > line. they wanted to run it this way through the
> xray machine. my 
> > tearful entreaties had an effect and they ended up
> with one person 
> > holding it upside down while 2 others searched
> inside with 
> > flashlights. the endpin and bows were removed and
> i was told to check 
> > them into my baggage. i replied they are too long
> to fit in my 
> > suitcase, and a TSA person said "well you should
> of thought of that 
> > before". that the cello was going in the hold and
> not the cabin made 
> > not the slightest difference. if it wasn't so
> stressful it would be 
> > comical.
> >
> > gate checking in that instance caused me to miss
> my flight, so now i 
> > check it at the ticket desk. the flight case is
> very good, but being 
> > so enormous, it must be hand inspected by the TSA
> (leaving their 
> > little calling card inside). i always ask nicely
> if i can be present, 
> > mostly to verifying that they repack if properly.
> if not repacked 
> > exactly right, the cello might not survive the
> baggage handling. on a 
> > recent flight the TSA closed the case, but never
> strapped in the cello 
> > inside.  amazingly, other than the soundpost
> falling out and the 
> > bridge knocked out of place, it was fine. and if i
> have a connection 
> > to make when coming from overseas  (say london to
> philly to seattle). 
> > because of the hand inspection, the cello never
> makes it to the 
> > connecting flight. when possible, i always try to
> get to my 
> > destination a day earlier, so that i have time to
> wait for the poor 
> > cello to arrive, or get any repairs done.
> >
> > sometimes the stress is too much, and i think "i
> can't handle this any 
> > more!!", but what is the alternative???
> >
> > i try to remind myself, "oh but thanks to all this
> inconvenience, i'm 
> > safer now". but, on that journey where the
> inspection caused me to 
> > miss my flight...i realized, while waiting for the
> next plane, that i 
> > still had my LEATHERMAN in my purse.
> >
> > aargh.
> >
> > On Aug 12, 2006, at 5:59 AM, Costas Andreou wrote:
> >
> >> Hello everyone. Here is a BBC article about
> musicians' problems 
> >> because of
> >> the new cabin baggage ban on planes.
> >>
>
http://news.bbc.co.uk/1/hi/world/europe/4784225.stm?ls
> >>
> >> Costas Andreou
> >>
> >> http://www.costasandreou.com
> >> contact@costasandreou.com
> >>
> >
> >
> >
> >
> > --No virus found in this incoming message.
> > Checked by AVG Free Edition.
> > Version: 7.1.405 / Virus Database: 268.10.9/417 -
> Release Date: 
> > 11/08/2006
> >
> >
> 
> 
> -- 
> 
>
_____________________________________________________________________
> plateforme de téléchargement libre, label autogéré,
> média indépendant
> -----------------------
> http://www.dadaprod.org
>
_____________________________________________________________________
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 09:59:33 2006
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Date: Sun, 13 Aug 2006 02:59:32 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Cabin baggage ban hits musicians
To: Loopers-Delight@loopers-delight.com
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id also like to mention that if you check equipment
in, take a quick look at it when you claim your
baggs,a couple of years ago i had a talk box effect
opened,it arrived without screws and it seems like one
of my acoustic guitar internal pickups was inspected
as well since one of the cables inside was dettatched!
Luis

--- Todd Pafford <calenlas@gmail.com> wrote:

> Amazingly, none of these jack asses seem to realize
> or care that this
> cello is worth more than most luxury cars or that
> it's your livelyhood
> they're screwing around with.  Ultimately, it's
> probably safer and
> easier to ship your gear FedEx or UPS.  I can't
> imagine checking my
> guitar into the hold, flight case or not.  Just the
> thought of some
> baboon opening up and
> man-handling....er....inspecting her gives me
> the willies, then hoping they repack her correctly. 
> Forget it.
> 
> Todd
> 
> On 8/12/06, Zoe Keating <cello@zoekeating.com>
> wrote:
> > traveling for a musician was already a nightmare,
> and now it is
> > worse. i worry more about flying with the cello
> than i do about the
> > performance on the other end.
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 10:28:36 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: OT Cabin baggage ban hits musicians
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>id also like to mention that if you check equipment
>in, take a quick look at it when you claim your
>baggs,a couple of years ago i had a talk box effect
>opened,it arrived without screws and it seems like one
>of my acoustic guitar internal pickups was inspected
>as well since one of the cables inside was dettatched!
>Luis

yep, I had my guitar tuner pulled open for inspection
( and it wasn't designed to open )

If you spot the damage right away and report it,=20
it's possible to get compensation from the airline,
..but absurdly limited to the weight of the item.
My acoustic guitar sustained a crack once, and=20
compensation was about =A3140, corresponding
to the maximum baggage weight allowed. ( though the guitar weighed much less=
 )

andy=20

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 10:57:15 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Selling: Gator Rack and 1604A mixer (Europe, Sweden)
Date: Sun, 13 Aug 2006 12:57:11 +0200
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If anyone close to Stockholm/Sweden is interested, I'm selling the  
rack and/or the mixer on the picture:
http://www.boysen.se/bilder/looping_rack.gif

I hardly think it would be worth the cost to ship it too far ;-)
(I need my time better working for income than working to sell this  
thing)

Oh, got an old Roland MC-303 groovebox to throw out as well...

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 11:00:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI Mouse
Date: Sun, 13 Aug 2006 13:00:17 +0200
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On 13 aug 2006, at 02.49, Krispen Hartung wrote:

> .I discovered that it sounded 100% better by going from my laptop  
> to the Aux in of the Microcube...

Interesting. Will memorize that. How did you provide the power for  
your gadgets? All batteries?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 11:07:52 2006
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kim wrote:
"It seems to me there is plenty of opportunity for talented loopers to teach
lessons or write books or make instructional videos. Why not you? What are
you all waiting for?"

I know that Hans Lindauer shot a video of Andre LaFosse and I have not idea 
why it never
came out (or maybe, I should say,  if it ever came out).

Bernhard Wagner has also been working on a documentary about the EDP.  Has 
that ever seen the
light of day?

Anyone know the status of these events?

kim wrote:
"Are you talking about the old manual or the new one? I almost completely
rewrote it for the EDP plus, and tried to reorganize it. It seems to me the
volume of complaining about the manual went down after that."

and, yes, Kim,  the new manual is really much better than the old one and 
you did a good job on
it, to give ample credit where credit is do.   I still wish there was 
perhaps a glossary of musical techniques and the specific tools to use to 
accomplish them.      But, as you say,  if I really want it that badly, I 
can do it myself.

**************************************

I also hear what you say that you can buy a guitar without much of a manual, 
but the techniques that
are possible with the Loop IV software are paradigm breaking in any digital 
instrument in my opinion
and it has taken me seeing people like Andy,Claude,  Andre, Luis and 
Matthias to get a handle on some of the techniques.

In my early days of trying to sell people on the concept of the EDP and it's 
power, I always found it difficult to do because
people almost have to see it used to get what it can do..............but 
that's the territory with a powerful and complex tool.

Some people find Andre's music to be too challenging, but I myself got 
really turned on seeing him play
and his approach set the bar for me for the use of the instrument.

It's funny, but two artists I know,  Andre  and Claude Voit no longer use 
techniques that they used to use that are
techniques that really turned me on.    Specifically,  Andre's use of an old 
roland drummachine to play his loop fragments like melodic jungle patterns 
and Claude's use of sequencing to control the EDP)

I guess artists have to grow.............but the things they did could only 
be done with the EDP
(or I guess, now,  Mobius in software).

sorry for the babble, but I love the EDP. 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 11:16:17 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Cabin baggage ban hits musicians
Date: Sun, 13 Aug 2006 13:16:13 +0200
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On 13 aug 2006, at 11.59, L.A. Angulo wrote:
> a couple of years ago i had a talk box effect
> opened,

On 13 aug 2006, at 12.28, a k butler wrote:
> yep, I had my guitar tuner pulled open for inspection


These are horror stories... Can't you keep the trunk locked and offer  
to go with it into the security area to open it up for inspection?  
Last year I travelled with studio gear in a locked trunk that I  
checked in and while waiting for my boarding I was called in by the  
public airport speakers to show off and explain my luggage (genlec  
speakers probably looking suspect on x-ray). Is it now a rule that  
you are not allowed to lock the trunks you check in?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 12:42:00 2006
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snip
--rick-- 
> It's funny, but two artists I know,  Andre  and Claude Voit no longer use 
> techniques that they used to use that are
> techniques that really turned me on.    Specifically,  Andre's use of an 
> old roland drummachine to play his loop fragments like melodic jungle 
> patterns and Claude's use of sequencing to control the EDP)
>
> I guess artists have to grow.............but the things they did could 
> only be done with the EDP
> (or I guess, now,  Mobius in software).

nono Rick
My happy birthday LD song was done this way 
http://www.box.net/public/i8mm09190d#main
with the help of an old Dennis Leas post about change ringing 
http://www.loopersdelight.com/LDarchive/199901/msg00461.html
I use the 4 plain hunt sequence with 4 loops/bells in delay mode
panned L, 20%, -20%, R.   the dry guitar is center.
recorded as exactly as played (no multitrack or editing whatsoever)

I still do a lot of experiments this way (sequenced EDP), 2 tunes in Zurich 
where done this way.

Claude


From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 13:04:16 2006
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At 12:16 13/08/2006, you wrote:
>.. Can't you keep the trunk locked and offer
>to go with it into the security area to open it up for inspection?

I thought you're not allowed to lock things,
...and if you do, they can be forced open.

I guess you got lucky, some nice guy had time to call you on that occasion.

andy

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Having handled packages for UPS and also delivered for them, it has been my observation that your packages are no more or less safe than in the hold of a commercial airliner. Despite my best efforts, packages oftentimes rolled and shifted, sat in the cold for ridiculous amounts of time, etc. etc........ My campadres at Fed Ex tell me of similar stories, especially in the winter, around holidays and the like. 

I have checked alot of guitars through baggage before, including an Alvarez acoustic that was in a gig bag that I had to put in the hold. It not only survived the flight ( Toronto-Oslo-Stockholm) but was relatively in tune when I got it out of the case when arriving. Weird. I guess that I have been very lucky in that regard.

Todd

-----Original Message-----
>From: Todd Pafford <calenlas@gmail.com>
>Sent: Aug 13, 2006 12:23 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Cabin baggage ban hits musicians
>
>Amazingly, none of these jack asses seem to realize or care that this
>cello is worth more than most luxury cars or that it's your livelyhood
>they're screwing around with.  Ultimately, it's probably safer and
>easier to ship your gear FedEx or UPS.  I can't imagine checking my
>guitar into the hold, flight case or not.  Just the thought of some
>baboon opening up and man-handling....er....inspecting her gives me
>the willies, then hoping they repack her correctly.  Forget it.
>
>Todd
>
>On 8/12/06, Zoe Keating <cello@zoekeating.com> wrote:
>> traveling for a musician was already a nightmare, and now it is
>> worse. i worry more about flying with the cello than i do about the
>> performance on the other end.
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 16:12:33 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: a quote from tEd 
Date: Sun, 13 Aug 2006 09:12:30 -0700
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You are welcome.

Best regards,

Ted Killian

On Aug 12, 2006, at 2:20 PM, daniel stevenson wrote:

>
>
> --- tEd =AE kiLLiAn <tedkillian@charter.net> wrote:
>
>> I'm not from around
>> here . . . but this
>> is where I am.
>
>
>
> i like this statement a lot and will use it often.
>        kudos,
>            Dan boo cha loop
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 16:45:46 2006
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Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI Mouse
Date: Sun, 13 Aug 2006 10:45:42 -0600
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Yeah, I thought it was interesting too...makes me wonder if I should just 
bought a tiny battery powered mini PA speaker rather than the Roland 
MicroCube with all the bells and whistles....given that all I need is clean 
amplification to reproduce what comes out of my laptop.  I live and learn, I 
guess.

Yes, I was all batter powered. My ThinkPad has the larger batter in it which 
get about 4 hours of live, plus I have an extra standard battery for it just 
in case. The MicroCube is obviously battery powered, and then my MIDI Mouse 
midi controller is powered on a 9 volt.

I'm a little annoyed by the MIDI Mouse now...I may invest in the MIDI Moose 
afterall...just that one single button can force me into a tap dance too 
often...trying to get from Record to Overdub, to Multiply, etc.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 13, 2006 5:00 AM
Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI 
Mouse


> On 13 aug 2006, at 02.49, Krispen Hartung wrote:
>
>> .I discovered that it sounded 100% better by going from my laptop  to the 
>> Aux in of the Microcube...
>
> Interesting. Will memorize that. How did you provide the power for  your 
> gadgets? All batteries?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 18:21:06 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: OFF T: musical environmentalism; ON T: stage "neatness"
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I'm an urban dwelling, bicycle riding, renewable energy user but I  
still have guilt. Luckily there is this:

Terrapass (http://www.terrapass.com)

One could perversely argue that it's very environmentally conscious  
to be a traveling musician....because I travel so much, my sweetie  
and I don't have any energy guzzling North American children! (but  
maybe if we do, we should take the Brangelina phenom a step farther  
and actually raise them in Namibia) ;-)

Ok, sorry Loopers ...

I saw Travis Hartnett last night and he was very good.

I enjoyed ogling his setup (sorry if I made you nervous Travis!) and  
it occurred to me that every looper I know is so "neat" on stage.  
Must go with the territory I guess. I know I'm fanatical about having  
everything perfectly rack mounted, and as "plug n play" as possible.  
Maybe the next Loopstock should have a perfect-stage-setup symposium?


On Aug 13, 2006, at 2:10 AM, sonic steph wrote:

> A way avoid this stress is thinking about the ecologic impact of  
> one of this music trip for the earth and the other species sharing  
> this space with us.. Then you may think that playing around the  
> world cause so much pollution that it's not worth doing this...
> You will have more time then for your family and local gigs..


--Apple-Mail-1--1055083969
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>I'm an urban dwelling, =
bicycle riding, renewable energy user but I still have guilt. Luckily =
there is this:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Terrapass (<A =
href=3D"http://www.terrapass.com">http://www.terrapass.com</A>)</DIV><DIV>=
<BR class=3D"khtml-block-placeholder"></DIV><DIV>One could perversely =
argue that it's very environmentally conscious to be a traveling =
musician....because I travel so much, my sweetie and I don't have any =
energy guzzling North American children! (but maybe if we do, we should =
take the Brangelina phenom a step farther and actually raise them in =
Namibia) ;-)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Ok, sorry Loopers =
...=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I saw =
Travis Hartnett last night and he was very good.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I enjoyed ogling his setup =
(sorry if I made you nervous Travis!) and it occurred to me that every =
looper I know is so "neat" on stage. Must go with the territory I guess. =
I know I'm fanatical about having everything perfectly rack mounted, and =
as "plug n play" as possible. Maybe the next Loopstock should have a =
perfect-stage-setup symposium?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><DIV><DIV>On Aug 13, 2006, =
at 2:10 AM, sonic steph wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">A way avoid this stress is =
thinking about the ecologic impact of one of this music trip for the =
earth and the other species sharing this space with us.. Then you may =
think that playing around the world cause so much pollution that it's =
not worth doing this...</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">You will have more time then for your family and local =
gigs..</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1--1055083969--

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Date: Sun, 13 Aug 2006 14:30:48 EDT
Subject: Re: EDP knowledge
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-------------------------------1155493848
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Kim writes:

It seems  to me there is plenty of opportunity for talented loopers to teach 
lessons  or write books or make instructional videos. Why not you? What are 
you all  waiting for?


Are there any existing beginner videos of how to use the EDP plus?  I  need 
help getting going. Alternately, if someone is in the DC area I'll take  some 
lessons!
cheers
Dave

-------------------------------1155493848
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>
<DIV>Kim&nbsp;writes:</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT=20
  style=3D"BACKGROUND-COLOR: transparent" face=3DArial color=3D#000000 size=
=3D2>It seems=20
  to me there is plenty of opportunity for talented loopers to teach <BR>les=
sons=20
  or write books or make instructional videos. Why not you? What are <BR>you=
 all=20
  waiting for?</FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV>Are there any existing beginner videos of how to use the EDP plus?&nbsp=
; I=20
need help getting going. Alternately, if someone is in the DC area I'll take=
=20
some lessons!</DIV>
<DIV>cheers</DIV>
<DIV>Dave</DIV></FONT></BODY></HTML>

-------------------------------1155493848--

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Date: Sun, 13 Aug 2006 16:47:21 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for August 12, 2006
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http://soundscapes.us/amfm/playlists/2006/060812.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #93                August 12, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  Phase
II was preempted to expand Phases I and III.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach          This Planet          Storm Surge (NEARfest)
Steve Roach          Mystic Passage       Storm Surge (NEARfest)
Steve Roach          Wings of Icarus      Storm Surge (NEARfest)
Steve Roach          Core Meditation      Storm Surge (NEARfest)
John Duval           Approaching the Rim  Hell's Canyon (Binary)
John Duval           Hell's Canyon        Hell's Canyon (Binary)
VA [Gert Emmens]     Requiem pour Mama    E-dition #9 (Groove)
VA [Volt]            Journey to the Rim   E-dition #9 (Groove)
Slaw                 God Told Me To Eat   Snakes and Ladders (Doubtful
                       Your Furniture       Palace)
Philip Glass         Bukiding Bed         Einstein On the Beach
                                            (Elektra/Nonsuch)

Phase II/Eclectic:
Preempted to expand Phases 1 and 3.

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Univers Zero         Civic Circus         Live (Cuneiform)
Zaar                 Zolg                 Zaar (Cuneiform)
Zaar                 Ce n'est pas triste  Zaar (Cuneiform)
Pictorial Wand       Wrath part II - The  A Sleeper's Awakening
                       Beast Within         (Unicorn Digital)
Pictorial Wand       Gluttony - Corrosion A Sleeper's Awakening
                       of Flesh             (Unicorn Digital)
Karcius              Hypothese C          Kaleidoscope (Unicorn Digital)
The Flower Kings     Monsters and Men     Paradox Hotel (InsideOut)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on September 23.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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Unsubscribe me please.

On 8/13/06, Bill Fox <billyfox@soundscapes.us> wrote:
>
> http://soundscapes.us/amfm/playlists/2006/060812.html
>
> I host the Saturday AM/FM Show every other week where I play electronic,
> ambient, spacemusic, Progressive Rock, and an eclectic mix of other
> genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
> FM and on the internet.  I also host Afterglow every Thursday from 8:00
> am to 9:30 am.
>
>                Show #93                August 12, 2006.
>
> During Phase I of this show, I continued the special on the sampler CDs
> that come with each issue of E-dition electronic music magazine.  Phase
> II was preempted to expand Phases I and III.
>
>
> Phase I/Space:
>
> ARTIST               TRACK                ALBUM (label)
> ==================== ==================== ==============================
> Steve Roach          This Planet          Storm Surge (NEARfest)
> Steve Roach          Mystic Passage       Storm Surge (NEARfest)
> Steve Roach          Wings of Icarus      Storm Surge (NEARfest)
> Steve Roach          Core Meditation      Storm Surge (NEARfest)
> John Duval           Approaching the Rim  Hell's Canyon (Binary)
> John Duval           Hell's Canyon        Hell's Canyon (Binary)
> VA [Gert Emmens]     Requiem pour Mama    E-dition #9 (Groove)
> VA [Volt]            Journey to the Rim   E-dition #9 (Groove)
> Slaw                 God Told Me To Eat   Snakes and Ladders (Doubtful
>                       Your Furniture       Palace)
> Philip Glass         Bukiding Bed         Einstein On the Beach
>                                            (Elektra/Nonsuch)
>
> Phase II/Eclectic:
> Preempted to expand Phases 1 and 3.
>
> Phase III/Progressive Rock:
>
> ARTIST               TRACK                ALBUM (label)
> ==================== ==================== ==============================
> Univers Zero         Civic Circus         Live (Cuneiform)
> Zaar                 Zolg                 Zaar (Cuneiform)
> Zaar                 Ce n'est pas triste  Zaar (Cuneiform)
> Pictorial Wand       Wrath part II - The  A Sleeper's Awakening
>                       Beast Within         (Unicorn Digital)
> Pictorial Wand       Gluttony - Corrosion A Sleeper's Awakening
>                       of Flesh             (Unicorn Digital)
> Karcius              Hypothese C          Kaleidoscope (Unicorn Digital)
> The Flower Kings     Monsters and Men     Paradox Hotel (InsideOut)
>
> 8:00 am
>
> * = excerpt
> ++ = Advanced CDR from artist
> VA = Various Artists (compilation)
>
> I return to the AM/FM Show on September 23.
>
> On the next show, I will continue the special on the sampler CDs that
> come with
> each issue of E-dition electronic music magazine.
>
> Bill
> ======================================================================
> Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
> Phase 1: Electronic, ambient, and space music to bring you back from
> "Beyond the Barriers."
> Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
> Phase 3: Progressive rock from past masters to contemporary releases.
> Web Site - http://soundscapes.us/amfm
> Listen to WMUH Allentown locally at 91.7 FM or on-line at
> http://www.muhlenberg.edu/wmuh and click the
> REAL AUDIO link or go directly to
> rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
> Playlists are also published at http://billfox.blogspot.com
> RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
> Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
> ======================================================================
> The progdj list is the central clearing house for radio playlists of
> Progressive Rock programs. Tired of joining dozens of mailing lists to
> post playlists or track airplay?  The progdj list solves that problem.
>
> The progdj list is the place to go in order to see playlists and CD
> and concert reviews by DJs of progressive rock-friendly radio
> programs. Anyone interested in seeing playlists can join. There is NO
> SPAM because I keep the spammers out before the members ever see any
> hint of it.
>
> The progdj list is for DJs (obviously!) and band members, record label
> personnel, promoters, managers, and anyone else interested in seeing
> what gets played on the air. Need to find who is playing prog on the
> radio? Go to the progdj list.
>
> To join, go to http://groups.yahoo.com/group/progdj and click on the
> [Join This Group!] link.
> ======================================================================
>
>

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Unsubscribe me please.<br><br>
<div><span class="gmail_quote">On 8/13/06, <b class="gmail_sendername">Bill Fox</b> &lt;<a href="mailto:billyfox@soundscapes.us">billyfox@soundscapes.us</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href="http://soundscapes.us/amfm/playlists/2006/060812.html">http://soundscapes.us/amfm/playlists/2006/060812.html
</a><br><br>I host the Saturday AM/FM Show every other week where I play electronic,<br>ambient, spacemusic, Progressive Rock, and an eclectic mix of other<br>genres.&nbsp;&nbsp;The show airs from 6:00 am to 8:00 am on WMUH Allentown, 
91.7<br>FM and on the internet.&nbsp;&nbsp;I also host Afterglow every Thursday from 8:00<br>am to 9:30 am.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Show #93&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;August 12, 2006.<br><br>During Phase I of this show, I continued the special on the sampler CDs
<br>that come with each issue of E-dition electronic music magazine.&nbsp;&nbsp;Phase<br>II was preempted to expand Phases I and III.<br><br><br>Phase I/Space:<br><br>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ALBUM (label)<br>==================== ==================== ==============================
<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;This Planet&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Mystic Passage&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Wings of Icarus&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Core Meditation&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest)
<br>John Duval&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Approaching the Rim&nbsp;&nbsp;Hell's Canyon (Binary)<br>John Duval&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hell's Canyon&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hell's Canyon (Binary)<br>VA [Gert Emmens]&nbsp;&nbsp;&nbsp;&nbsp; Requiem pour Mama&nbsp;&nbsp;&nbsp;&nbsp;E-dition #9 (Groove)<br>VA [Volt]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Journey to the Rim&nbsp;&nbsp; E-dition #9 (Groove)
<br>Slaw&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; God Told Me To Eat&nbsp;&nbsp; Snakes and Ladders (Doubtful<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Your Furniture&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Palace)<br>Philip Glass&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bukiding Bed&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Einstein On the Beach<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Elektra/Nonsuch)
<br><br>Phase II/Eclectic:<br>Preempted to expand Phases 1 and 3.<br><br>Phase III/Progressive Rock:<br><br>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ALBUM (label)<br>==================== ==================== ==============================
<br>Univers Zero&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Civic Circus&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Live (Cuneiform)<br>Zaar&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zolg&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zaar (Cuneiform)<br>Zaar&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ce n'est pas triste&nbsp;&nbsp;Zaar (Cuneiform)<br>Pictorial Wand&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Wrath part II - The&nbsp;&nbsp;A Sleeper's Awakening
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Beast Within&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Unicorn Digital)<br>Pictorial Wand&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gluttony - Corrosion A Sleeper's Awakening<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;of Flesh&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Unicorn Digital)<br>Karcius&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hypothese C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kaleidoscope (Unicorn Digital)
<br>The Flower Kings&nbsp;&nbsp;&nbsp;&nbsp; Monsters and Men&nbsp;&nbsp;&nbsp;&nbsp; Paradox Hotel (InsideOut)<br><br>8:00 am<br><br>* = excerpt<br>++ = Advanced CDR from artist<br>VA = Various Artists (compilation)<br><br>I return to the AM/FM Show on September 23.
<br><br>On the next show, I will continue the special on the sampler CDs that<br>come with<br>each issue of E-dition electronic music magazine.<br><br>Bill<br>======================================================================
<br>Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).<br>Phase 1: Electronic, ambient, and space music to bring you back from<br>&quot;Beyond the Barriers.&quot;<br>Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
<br>Phase 3: Progressive rock from past masters to contemporary releases.<br>Web Site - <a href="http://soundscapes.us/amfm">http://soundscapes.us/amfm</a><br>Listen to WMUH Allentown locally at 91.7 FM or on-line at<br><a href="http://www.muhlenberg.edu/wmuh">
http://www.muhlenberg.edu/wmuh</a> and click the<br>REAL AUDIO link or go directly to<br>rtsp://helix.muhlenberg.edu:554/broadcast/live.rm<br>Playlists are also published at <a href="http://billfox.blogspot.com">http://billfox.blogspot.com
</a><br>RSS (2.0) feed from <a href="http://billfox.blogspot.com/rss.xml">http://billfox.blogspot.com/rss.xml</a><br>Atom (0.3) feed from <a href="http://billfox.blogspot.com/atom.xml">http://billfox.blogspot.com/atom.xml
</a><br>======================================================================<br>The progdj list is the central clearing house for radio playlists of<br>Progressive Rock programs. Tired of joining dozens of mailing lists to
<br>post playlists or track airplay?&nbsp;&nbsp;The progdj list solves that problem.<br><br>The progdj list is the place to go in order to see playlists and CD<br>and concert reviews by DJs of progressive rock-friendly radio<br>programs. Anyone interested in seeing playlists can join. There is NO
<br>SPAM because I keep the spammers out before the members ever see any<br>hint of it.<br><br>The progdj list is for DJs (obviously!) and band members, record label<br>personnel, promoters, managers, and anyone else interested in seeing
<br>what gets played on the air. Need to find who is playing prog on the<br>radio? Go to the progdj list.<br><br>To join, go to <a href="http://groups.yahoo.com/group/progdj">http://groups.yahoo.com/group/progdj</a> and click on the
<br>[Join This Group!] link.<br>======================================================================<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 20:57:29 2006
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Date: Sun, 13 Aug 2006 13:57:26 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Didn't see this is broadcast to Loopers Delight. I just wanted to
unsubscribe to the radio playlist spam.

On 8/13/06, Neil Goldstein <swamilove@gmail.com> wrote:
>
> Unsubscribe me please.
>
>
> On 8/13/06, Bill Fox <billyfox@soundscapes.us> wrote:
> >
> > http://soundscapes.us/amfm/playlists/2006/060812.html
> >
> > I host the Saturday AM/FM Show every other week where I play electronic,
> > ambient, spacemusic, Progressive Rock, and an eclectic mix of other
> > genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
> > FM and on the internet.  I also host Afterglow every Thursday from 8:00
> > am to 9:30 am.
> >
> >                Show #93                August 12, 2006.
> >
> > During Phase I of this show, I continued the special on the sampler CDs
> > that come with each issue of E-dition electronic music magazine.  Phase
> > II was preempted to expand Phases I and III.
> >
> >
> > Phase I/Space:
> >
> > ARTIST               TRACK                ALBUM (label)
> > ==================== ==================== ==============================
> >
> > Steve Roach          This Planet          Storm Surge (NEARfest)
> > Steve Roach          Mystic Passage       Storm Surge (NEARfest)
> > Steve Roach          Wings of Icarus      Storm Surge (NEARfest)
> > Steve Roach          Core Meditation      Storm Surge (NEARfest)
> > John Duval           Approaching the Rim  Hell's Canyon (Binary)
> > John Duval           Hell's Canyon        Hell's Canyon (Binary)
> > VA [Gert Emmens]     Requiem pour Mama    E-dition #9 (Groove)
> > VA [Volt]            Journey to the Rim   E-dition #9 (Groove)
> > Slaw                 God Told Me To Eat   Snakes and Ladders (Doubtful
> >                       Your Furniture       Palace)
> > Philip Glass         Bukiding Bed         Einstein On the Beach
> >                                            (Elektra/Nonsuch)
> >
> > Phase II/Eclectic:
> > Preempted to expand Phases 1 and 3.
> >
> > Phase III/Progressive Rock:
> >
> > ARTIST               TRACK                ALBUM (label)
> > ==================== ==================== ==============================
> >
> > Univers Zero         Civic Circus         Live (Cuneiform)
> > Zaar                 Zolg                 Zaar (Cuneiform)
> > Zaar                 Ce n'est pas triste  Zaar (Cuneiform)
> > Pictorial Wand       Wrath part II - The  A Sleeper's Awakening
> >                       Beast Within         (Unicorn Digital)
> > Pictorial Wand       Gluttony - Corrosion A Sleeper's Awakening
> >                       of Flesh             (Unicorn Digital)
> > Karcius              Hypothese C          Kaleidoscope (Unicorn Digital)
> >
> > The Flower Kings     Monsters and Men     Paradox Hotel (InsideOut)
> >
> > 8:00 am
> >
> > * = excerpt
> > ++ = Advanced CDR from artist
> > VA = Various Artists (compilation)
> >
> > I return to the AM/FM Show on September 23.
> >
> > On the next show, I will continue the special on the sampler CDs that
> > come with
> > each issue of E-dition electronic music magazine.
> >
> > Bill
> > ======================================================================
> > Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
> > Phase 1: Electronic, ambient, and space music to bring you back from
> > "Beyond the Barriers."
> > Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
> > Phase 3: Progressive rock from past masters to contemporary releases.
> > Web Site - http://soundscapes.us/amfm
> > Listen to WMUH Allentown locally at 91.7 FM or on-line at
> > http://www.muhlenberg.edu/wmuh and click the
> > REAL AUDIO link or go directly to
> > rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
> > Playlists are also published at http://billfox.blogspot.com
> > RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
> > Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
> > ======================================================================
> > The progdj list is the central clearing house for radio playlists of
> > Progressive Rock programs. Tired of joining dozens of mailing lists to
> > post playlists or track airplay?  The progdj list solves that problem.
> >
> > The progdj list is the place to go in order to see playlists and CD
> > and concert reviews by DJs of progressive rock-friendly radio
> > programs. Anyone interested in seeing playlists can join. There is NO
> > SPAM because I keep the spammers out before the members ever see any
> > hint of it.
> >
> > The progdj list is for DJs (obviously!) and band members, record label
> > personnel, promoters, managers, and anyone else interested in seeing
> > what gets played on the air. Need to find who is playing prog on the
> > radio? Go to the progdj list.
> >
> > To join, go to http://groups.yahoo.com/group/progdj and click on the
> > [Join This Group!] link.
> > ======================================================================
> >
> >
>

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Didn't see this is broadcast to Loopers Delight. I just wanted to unsubscribe to the radio playlist spam.<br><br>
<div><span class="gmail_quote">On 8/13/06, <b class="gmail_sendername">Neil Goldstein</b> &lt;<a href="mailto:swamilove@gmail.com">swamilove@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>Unsubscribe me please.</div>
<div><span class="e" id="q_10d0950d407cea10_1"><br><br>
<div><span class="gmail_quote">On 8/13/06, <b class="gmail_sendername">Bill Fox</b> &lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:billyfox@soundscapes.us" target="_blank">billyfox@soundscapes.us
</a>&gt; wrote:</span> 
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://soundscapes.us/amfm/playlists/2006/060812.html" target="_blank">
http://soundscapes.us/amfm/playlists/2006/060812.html </a><br><br>I host the Saturday AM/FM Show every other week where I play electronic,<br>ambient, spacemusic, Progressive Rock, and an eclectic mix of other<br>genres.&nbsp;&nbsp;The show airs from 6:00 am to 8:00 am on WMUH Allentown, 
91.7<br>FM and on the internet.&nbsp;&nbsp;I also host Afterglow every Thursday from 8:00<br>am to 9:30 am.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Show #93&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;August 12, 2006.<br><br>During Phase I of this show, I continued the special on the sampler CDs 
<br>that come with each issue of E-dition electronic music magazine.&nbsp;&nbsp;Phase<br>II was preempted to expand Phases I and III.<br><br><br>Phase I/Space:<br><br>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ALBUM (label)<br>==================== ==================== ============================== 
<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;This Planet&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Mystic Passage&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Wings of Icarus&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest)<br>Steve Roach&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Core Meditation&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Storm Surge (NEARfest) 
<br>John Duval&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Approaching the Rim&nbsp;&nbsp;Hell's Canyon (Binary)<br>John Duval&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hell's Canyon&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hell's Canyon (Binary)<br>VA [Gert Emmens]&nbsp;&nbsp;&nbsp;&nbsp; Requiem pour Mama&nbsp;&nbsp;&nbsp;&nbsp;E-dition #9 (Groove)<br>VA [Volt]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Journey to the Rim&nbsp;&nbsp; E-dition #9 (Groove) 
<br>Slaw&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; God Told Me To Eat&nbsp;&nbsp; Snakes and Ladders (Doubtful<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Your Furniture&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Palace)<br>Philip Glass&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bukiding Bed&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Einstein On the Beach<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Elektra/Nonsuch) 
<br><br>Phase II/Eclectic:<br>Preempted to expand Phases 1 and 3.<br><br>Phase III/Progressive Rock:<br><br>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ALBUM (label)<br>==================== ==================== ============================== 
<br>Univers Zero&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Civic Circus&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Live (Cuneiform)<br>Zaar&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zolg&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zaar (Cuneiform)<br>Zaar&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ce n'est pas triste&nbsp;&nbsp;Zaar (Cuneiform)<br>Pictorial Wand&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Wrath part II - The&nbsp;&nbsp;A Sleeper's Awakening 
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Beast Within&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Unicorn Digital)<br>Pictorial Wand&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gluttony - Corrosion A Sleeper's Awakening<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;of Flesh&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Unicorn Digital)<br>Karcius&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hypothese C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kaleidoscope (Unicorn Digital) 
<br>The Flower Kings&nbsp;&nbsp;&nbsp;&nbsp; Monsters and Men&nbsp;&nbsp;&nbsp;&nbsp; Paradox Hotel (InsideOut)<br><br>8:00 am<br><br>* = excerpt<br>++ = Advanced CDR from artist<br>VA = Various Artists (compilation)<br><br>I return to the AM/FM Show on September 23. 
<br><br>On the next show, I will continue the special on the sampler CDs that<br>come with<br>each issue of E-dition electronic music magazine.<br><br>Bill<br>====================================================================== 
<br>Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).<br>Phase 1: Electronic, ambient, and space music to bring you back from<br>&quot;Beyond the Barriers.&quot;<br>Phase 2: Mixed bag of acoustic, electric, pop, or New Age. 
<br>Phase 3: Progressive rock from past masters to contemporary releases.<br>Web Site - <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://soundscapes.us/amfm" target="_blank">http://soundscapes.us/amfm
</a><br>Listen to WMUH Allentown locally at 91.7 FM or on-line at<br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.muhlenberg.edu/wmuh" target="_blank">http://www.muhlenberg.edu/wmuh</a> and click the
<br>REAL AUDIO link or go directly to<br>rtsp://helix.muhlenberg.edu:554/broadcast/live.rm<br>Playlists are also published at <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://billfox.blogspot.com/" target="_blank">
http://billfox.blogspot.com </a><br>RSS (2.0) feed from <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://billfox.blogspot.com/rss.xml" target="_blank">http://billfox.blogspot.com/rss.xml</a><br>Atom (
0.3) feed from <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://billfox.blogspot.com/atom.xml" target="_blank">http://billfox.blogspot.com/atom.xml </a><br>======================================================================
<br>The progdj list is the central clearing house for radio playlists of<br>Progressive Rock programs. Tired of joining dozens of mailing lists to <br>post playlists or track airplay?&nbsp;&nbsp;The progdj list solves that problem.
<br><br>The progdj list is the place to go in order to see playlists and CD<br>and concert reviews by DJs of progressive rock-friendly radio<br>programs. Anyone interested in seeing playlists can join. There is NO <br>SPAM because I keep the spammers out before the members ever see any
<br>hint of it.<br><br>The progdj list is for DJs (obviously!) and band members, record label<br>personnel, promoters, managers, and anyone else interested in seeing <br>what gets played on the air. Need to find who is playing prog on the
<br>radio? Go to the progdj list.<br><br>To join, go to <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://groups.yahoo.com/group/progdj" target="_blank">http://groups.yahoo.com/group/progdj</a> and click on the 
<br>[Join This Group!] link.<br>======================================================================<br><br></blockquote></div><br></span></div></blockquote></div><br>

------=_Part_123572_30471414.1155502646772--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 22:49:05 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <20060813182107.57B813BEE4@arsenic.violacea.com>
Subject: Question to Claude (Was EDP ignorance)
Date: Mon, 14 Aug 2006 00:48:56 +0200
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Claude Im facinated, can you explain the exact way you "sequence the =
edp) I=20
myself have been doing something like this. Using a drummachine, that =
sends=20
midi notes I program sequences of "virtual button presses" so I can do=20
things like undo super fast (filling a pattern with undo commands) I =
then=20
fill up a log loop with many cycles as poss, THEN loop devide back down =
and=20
do the windowing thing...  Ive also use the drummachine to chain other =
stuff=20
like the half speed and also quite complex ones where I grab a new loop =
at=20
the begining of the pattern, mult insert, reverse and.... snippity =
chop...

Is this what you mean? or what... ? panned? are you using 2 EDPs? (gotta =
get=20
me a second one) I understand Dennis' post, but what did YOU mean, when =
you=20
say I use the 4 plain hunt sequence... us it how???

Spill the beans mate? Im facinated!!


Mark

mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org=20
and works at www.transformlearning.com


nono Rick
My happy birthday LD song was done this way
http://www.box.net/public/i8mm09190d#main
with the help of an old Dennis Leas post about change ringing
http://www.loopersdelight.com/LDarchive/199901/msg00461.html
I use the 4 plain hunt sequence with 4 loops/bells in delay mode
panned L, 20%, -20%, R.   the dry guitar is center.
recorded as exactly as played (no multitrack or editing whatsoever)

I still do a lot of experiments this way (sequenced EDP), 2 tunes in =
Zurich
where done this way.

----- Original Message -----=20
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Sent: Sunday, August 13, 2006 8:21 PM
Subject: Loopers-Delight-d Digest V06 #707


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From Loopers-Delight-request@loopers-delight.com  Sun Aug 13 23:00:56 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: latency discussions
Date: Mon, 14 Aug 2006 01:00:52 +0200
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I wrote a little bit about this latency thing...you can find it at
http://www.moinlabs.de/e_lat.htm, comments welcome!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 00:02:54 2006
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Subject: Re: OT Cabin baggage ban hits musicians
To: Loopers-Delight@loopers-delight.com
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I understand Delta Airlines will refund you 50.00dlls
right away for any small inconvenience damage(like
soken underwear from a german beer exploded mini
keg)which ive been through;-)
this whole traveling hassle is making me think about
building a small reliable traveling pedalboard looper
rig and a decent guitar.Perhaps the limitations will
create new and sophisticated ideas with for the deluxe
looping rig.
i feel slowly going back to basics....
Luis


--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> >id also like to mention that if you check equipment
> >in, take a quick look at it when you claim your
> >baggs,a couple of years ago i had a talk box effect
> >opened,it arrived without screws and it seems like
> one
> >of my acoustic guitar internal pickups was
> inspected
> >as well since one of the cables inside was
> dettatched!
> >Luis
> 
> yep, I had my guitar tuner pulled open for
> inspection
> ( and it wasn't designed to open )
> 
> If you spot the damage right away and report it, 
> it's possible to get compensation from the airline,
> ..but absurdly limited to the weight of the item.
> My acoustic guitar sustained a crack once, and 
> compensation was about £140, corresponding
> to the maximum baggage weight allowed. ( though the
> guitar weighed much less )
> 
> andy 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 00:52:35 2006
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Date: Sun, 13 Aug 2006 20:52:34 -0400 (EDT)
Subject: Thursday! The PiNG's 7th Ann. w/ mara's torment, dreamSTATE,
      naw & Genereal Chaos Visuals
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THE AMBiENT PiNG's 7th Anniversary Special featuring:
mara's torment . dreamSTATE . naw . General Chaos Visuals

This Thursday August 17th . Doors open 8PM . 1st set 8:30PM
PayWhatYouCan at the door . $5 suggested

Tranzac (Main Hall) . 292 Brunswick Ave. Toronto (just S. of Bloor
and 3 blocks from either the Bathurst or Spadina stations)
http://www.theambientping.com/maps/tranzac.gif

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Has it really been a year since Dread Pirate rik and Sovaak the Scurvy
Sock Monkey of mara's torment took to the high seas in search of the
mythic Jade Llama? Whoa, time sure does fly! In celebration of their
return to the AMBiENT PiNG stage the pair have put together an eclectic
collection of sea shanties and singalongs designed to celebrate both the
excitement of their days at sea and the PiNG's Seventh Anniversary.
Needless to say rik and Sovaak look forward to sharing a bill with both
dreamSTATE and naw, and to reaquainting themselves with some old familiar
faces. Yaaaarrrrr!!!!
http://www.marastorment.com

Electronic soundartists dreamSTATE celebrate the launch of "OM", their 3rd
CD and their 1st live performance release, with (what else!) a fresh live
performance. "OM" is an ambient soundscape journey recorded live at the OM
Festival 2000 in Trudeau Park, Tweed, Ontario and in the spirit of that
performance, dreamSTATE will create a freeranging soundflow to carry the
audience off into an alternative mindspace. They're very happy that
psychedelic lightlords General Chaos Visuals will be along for the trip!
http://www.dreamSTATE.to

naw is Neil Wiernik (co-curator of the online digital arts quarterly
vagueterrain.net) and his sound is warm, atmospheric and cinematic -
firmly grounded in both the rich traditions of dub studio culture and
formal contemporary composition. 'The Wire' recently described it as
having "the kind of sharpness and clarity usually lost amid the murk and
decay of clicks and cuts and digital delays." Upon learning that the
Tranzac has a high quality stereo PA, Neil has decided to perform the
pieces he presented at his second show at Mutek this year - works
originally arranged for immersive headphone listening.
http://www.phoniq.net

Look for the ping things table to get your fix of ambient, electronic,
trip hop, dream pop and chill music until the next PiNG - or go online to:
http://www.pingthings.com  *ping things will be the exclusive source for
dreamSTATE's new "OM" CD from August 18th until October. Visit the site
now for an extensive "summer heat" sale on over 50 discs. Yep, they're
craaaazy!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG periodically presents live performances featuring
ambient, electronic, soundscape, chillout, downtempo and experimental
artists from around the world.  http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested in live
ambient, chillout and experimental music performances or to
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 02:09:37 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: OT Cabin baggage ban hits musicians
Date: Sun, 13 Aug 2006 19:09:29 -0700
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well if i ever hit it bigtime, i'll buy a loopers-only plane  
(LoopAir? AeroLoop? LuftLoopa?). the gear will travel first class and  
have its own drinks.

On Aug 13, 2006, at 5:02 PM, L.A. Angulo wrote:

> I understand Delta Airlines will refund you 50.00dlls
> right away for any small inconvenience damage(like
> soken underwear from a german beer exploded mini
> keg)which ive been through;-)
> this whole traveling hassle is making me think about
> building a small reliable traveling pedalboard looper
> rig and a decent guitar.Perhaps the limitations will
> create new and sophisticated ideas with for the deluxe
> looping rig.
> i feel slowly going back to basics....
> Luis
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 07:09:18 2006
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Subject: Re: Question to Claude (Was EDP ignorance)
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Mark

the edp is sequenced by a clavia G2 (any sequencer will do) in wich I 
created the following pattern relating to 4 loops (moreloop:4)

4 plain hunt sequence :
1 2 3 4
 -------
 2 1 4 3
 2 4 1 3
 4 2 3 1
 4 3 2 1
 3 4 1 2
 3 1 4 2
 1 3 2 4
 1 2 3 4

the loops are switched by the sequencer and the music snippets reordered as 
you play along
add to this: half/full speed  and forward/reverse switching 1 clean, 2 half, 
3 reverse, 4 half reverse.
the panning is provided by the G2: the EDP audio out goes into the G2 where 
the panning occurs 1=L, 2=20%, 3=-20%, 4=R
the icing of the cake is a dynamic feedback regulator wich lowers the 
feedback according to the input volume (G2 also)
the feedback regulator avoids the loop beeing too full after a while and 
dynamic replace ala vortex.

this must help

have fun

Claude

PS: there is no video of all that
:=)




----- Original Message ----- 
From: "markfrancombe.com" <mark@markfrancombe.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 14, 2006 12:48 AM
Subject: Question to Claude (Was EDP ignorance)


Claude Im facinated, can you explain the exact way you "sequence the edp) I
myself have been doing something like this. Using a drummachine, that sends
midi notes I program sequences of "virtual button presses" so I can do
things like undo super fast (filling a pattern with undo commands) I then
fill up a log loop with many cycles as poss, THEN loop devide back down and
do the windowing thing...  Ive also use the drummachine to chain other stuff
like the half speed and also quite complex ones where I grab a new loop at
the begining of the pattern, mult insert, reverse and.... snippity chop...

Is this what you mean? or what... ? panned? are you using 2 EDPs? (gotta get
me a second one) I understand Dennis' post, but what did YOU mean, when you
say I use the 4 plain hunt sequence... us it how???

Spill the beans mate? Im facinated!!


Mark

mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org
and works at www.transformlearning.com


nono Rick
My happy birthday LD song was done this way
http://www.box.net/public/i8mm09190d#main
with the help of an old Dennis Leas post about change ringing
http://www.loopersdelight.com/LDarchive/199901/msg00461.html
I use the 4 plain hunt sequence with 4 loops/bells in delay mode
panned L, 20%, -20%, R.   the dry guitar is center.
recorded as exactly as played (no multitrack or editing whatsoever)

I still do a lot of experiments this way (sequenced EDP), 2 tunes in Zurich
where done this way.




From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 07:23:47 2006
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Subject: Re: Question to Claude (Was EDP ignorance)
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forgot
loop/Delay =delay

Claude

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 08:06:10 2006
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Subject: Re: OT Cabin baggage ban hits musicians
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I keep remembering that scene in "Hail! Hail! Rock n' Roll!" where Chuck 
Berry's talking to the camera while going through St Louis airport with his 
guitar-in-case: When asked how he could check his precious guitar, he says, 
"Business expense!" and smiles.

----- Original Message ----- 
From: "Zoe Keating" <cello@zoekeating.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 14 August, 2006 03:09 AM
Subject: Re: OT Cabin baggage ban hits musicians


> well if i ever hit it bigtime, i'll buy a loopers-only plane  (LoopAir? 
> AeroLoop? LuftLoopa?). the gear will travel first class and  have its own 
> drinks.
>
> On Aug 13, 2006, at 5:02 PM, L.A. Angulo wrote:
>
>> I understand Delta Airlines will refund you 50.00dlls
>> right away for any small inconvenience damage(like
>> soken underwear from a german beer exploded mini
>> keg)which ive been through;-)
>> this whole traveling hassle is making me think about
>> building a small reliable traveling pedalboard looper
>> rig and a decent guitar.Perhaps the limitations will
>> create new and sophisticated ideas with for the deluxe
>> looping rig.
>> i feel slowly going back to basics....
>> Luis
>>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 10:17:28 2006
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Subject: AW: Question to Claude (Was EDP ignorance)
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ah, great, now that I finally got my setup with Mobius in Live more or less
working, you immediately got me working on some other crazy thing... 

> the edp is sequenced by a clavia G2 (any sequencer will do) 
> in wich I created the following pattern relating to 4 loops 
> (moreloop:4)

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 10:21:27 2006
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a k butler wrote:
> The big problem is that every Note-On needs a corresponding Note-Off.

I've done things like that in Max... means, its possible...
but I doubt there is much of a market for a hardware box there...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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Subject: Re: Question to Claude (Was EDP ignorance)
Date: Mon, 14 Aug 2006 03:34:57 -0700
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Wow, Claude,  that is a really cool piece!

I said what I did based on something you said to me in Lago Di Garda
three years ago when I asked you about your EDP sequencing and
you said that you were sick of that technique and getting more into
acoustic playing with your looping.

Silly me to run on information that is that old.     I didn't realize that 
you had used it
in Zurich (though I heard and really enjoyed  your set) just because it is
very difficult with EDP users to tell exactly what they are doing 
live............god,
trying to figure out Andre LaFosse's command chain while watching live is
a headache producer for sure.

So,  sorry about misrepresenting you, buddy.


I also have a question:     Does using the sequencer rope you into a 
predefined tempo
when you play or can you use the EDP's midi ascertained BPM to drive the 
sequence
chain?

I've never used this technique but it seems like a really fascinating 
approach and I may
dust off my old MMT-8 Alessis 8 track sequencer to try it out.

thanks for the music..............sorry for the misrepresentation.

cheers,  Rick 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 11:31:21 2006
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Subject: Re: Question to Claude (Was EDP ignorance)
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> Wow, Claude,  that is a really cool piece!
>
> I said what I did based on something you said to me in Lago Di Garda
> three years ago when I asked you about your EDP sequencing and
> you said that you were sick of that technique and getting more into
> acoustic playing with your looping.

yes the pounding techno beat are gone and the next CD (this winter) will 
feature accoustic guitar playing not looping but
I am still working on strange melodies sounds and processes (sounds more 
like Giacinto Scelsi than RF though...)

> Silly me to run on information that is that old.     I didn't realize that 
> you had used it
> in Zurich (though I heard and really enjoyed  your set) just because it is
> very difficult with EDP users to tell exactly what they are doing 
> live............god,
> trying to figure out Andre LaFosse's command chain while watching live is
> a headache producer for sure.
>
> So,  sorry about misrepresenting you, buddy.

If I had to choose my audience I'll surely prefer the closed eyes one than 
the geeky giiiitarrr one :=)



> I also have a question:     Does using the sequencer rope you into a 
> predefined tempo
> when you play or can you use the EDP's midi ascertained BPM to drive the 
> sequence
> chain?

my edp is sync OFF as the sequ retrigers continuously there is no need to 
sync. I can even change tempo: if I go slower you may get into the loop 
playin 1 and some before the next fires. if I go faster it  just reads a 
part of the loop time


> I've never used this technique but it seems like a really fascinating 
> approach and I may
> dust off my old MMT-8 Alessis 8 track sequencer to try it out.
>
> thanks for the music..............sorry for the misrepresentation.
>
> cheers,  Rick
>
hava nice day

Claude 


From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 11:52:07 2006
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Subject: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 04:52:09 -0700
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I just went to Krispen's site for the 10th Anniversary 30 second looping 
project
and was really blown away at all the really interesting and cutting edge 
music
I hear there.

I thought it would be very educational for everyone to explain how they put 
their
particular piece together.


   I record a lot of my live improvisational shows and for the last
seven years I have only improvised live and not done any compositions 
(though
I revisit sets of instruments and will have set scales/modes/rags/maqams 
and
rhythms that I'm in love with for a while).

Frequently,  I'll go back to those shows and hunt down loops that I do want 
to use
in my abstract electronica CDs (I have a tendency to alternate composed, 
computer
driven abstract electronica recordings with live looping recordings).

I did the same with this particular piece,  throwing it into ACID to 
manipulate the loops
I 'sampled' from my self.

Anyway,  this particular track was from a one off theme show that I did (I 
love to do
theme oriented shows just once or twice)  called  'Weird Kalimba" where, for 
the
first time since the turn of the millennium I used only traditional West 
African, North
African and Middleeastern instruments and did a very avant garde show with 
them.

On this piece I used just West African rattles (several different kinds from 
bamboo rattles
to seed pod gourds to even a South African set of rattles made out of the 
husks of
Moth chrysalises).

I then used the Echoplex with INERT equaling SUBSTITUTE (one of my favorite 
techniques)
and rounded to 8th notes so that singing long tones in a particular scale 
the EDP would
grab individual 8th note values of long tones I was singing, randomly.

I love to play this game randomly because the piece starts sound really 
weird and without form
and the more you play the game, the more all 8 notes (or however many you 
choose) will fill
up.

By singing in falsetto,  I can effect a loop that sounds as if the  Pygmies 
of the Ituri Forest
had accidentally drunk some  on LSD spiked punch.

The 'melody'  is just me using a couple of different extended vocal 
techniques  (warble singing and trill singing)
along with a couple of  interesting technique where
1)   I pound rhythmically on my chest with my fist which causes
very quick comb filtering effects to change the timbre of my voice as I also 
manipulate the overtones
of my falsetto notes and
2)  where is grab the loose skin just above my adams apple and shake it 
rhythmical which causes a very
interesting modulation effect on the voice.

both of these techniques  look really strange (as it does when I play my 
Filipino nose flute or manipulate the overtones
of my horribly phallic looking toy voice changer)  and the audience will 
sometimes laugh when I do this but
I think it produces really cool vocal effects.

yours,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 13:51:05 2006
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Subject: Re: AW: Question to Claude (Was EDP ignorance)
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Hey Rainer...

What do you mean by "more or less?"  I've been using
Mobius within Live 5 and it seems glitch free so far. 
Truth be told I'm not trying anything earth shattering
but it seems to work like a charm.

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> ah, great, now that I finally got my setup with
> Mobius in Live more or less
> working, you immediately got me working on some
> other crazy thing... 
> 
> > the edp is sequenced by a clavia G2 (any sequencer
> will do) 
> > in wich I created the following pattern relating
> to 4 loops 
> > (moreloop:4)
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 14:11:16 2006
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Date: Mon, 14 Aug 2006 10:07:52 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: The AM/FM Show Playlist for August 12, 2006
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Neil Goldstein wrote:

> Didn't see this is broadcast to Loopers Delight. I just wanted to 
> unsubscribe to the radio playlist spam.
>
> On 8/13/06, *Neil Goldstein* <swamilove@gmail.com 
> <mailto:swamilove@gmail.com>> wrote:
>
>     Unsubscribe me please.
>
>     On 8/13/06, *Bill Fox* <billyfox@soundscapes.us
>     <mailto:billyfox@soundscapes.us>> wrote:
>
>         http://soundscapes.us/amfm/playlists/2006/060812.html
>         <http://soundscapes.us/amfm/playlists/2006/060812.html>
>
>         I host the Saturday AM/FM Show...
>
I'm afraid that posting my playlists to LD is valid and accepted by the 
list owner.  Just like anything else sent to LD, all members see it.  I 
cannot select any particular member to see or not see it.  You'll just 
have to set up a filter.  For people like you, I use a standardized 
Subject: to allow easy filtering that grabs only my playlists and, 
hopefully, nothing important.  Just filter for:
"The AM/FM Show Playlist for"
or
"Afterglow Playlist for"
and you should be OK.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 14:14:44 2006
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This is a multi-part message in MIME format.
--------------040807060903030406040205
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"PS: there is no video of all that"

Well there should be!  I'd love to see it as I can't quite wrap my brain 
around it just yet...

--Josh


Claude Voit wrote:
> Mark
>
> the edp is sequenced by a clavia G2 (any sequencer will do) in wich I 
> created the following pattern relating to 4 loops (moreloop:4)
>
> 4 plain hunt sequence :
> 1 2 3 4
> -------
> 2 1 4 3
> 2 4 1 3
> 4 2 3 1
> 4 3 2 1
> 3 4 1 2
> 3 1 4 2
> 1 3 2 4
> 1 2 3 4
>
> the loops are switched by the sequencer and the music snippets 
> reordered as you play along
> add to this: half/full speed  and forward/reverse switching 1 clean, 2 
> half, 3 reverse, 4 half reverse.
> the panning is provided by the G2: the EDP audio out goes into the G2 
> where the panning occurs 1=L, 2=20%, 3=-20%, 4=R
> the icing of the cake is a dynamic feedback regulator wich lowers the 
> feedback according to the input volume (G2 also)
> the feedback regulator avoids the loop beeing too full after a while 
> and dynamic replace ala vortex.
>
> this must help
>
> have fun
>
> Claude
>
> PS: there is no video of all that
> :=)
>
>
>
>
> ----- Original Message ----- From: "markfrancombe.com" 
> <mark@markfrancombe.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, August 14, 2006 12:48 AM
> Subject: Question to Claude (Was EDP ignorance)
>
>
> Claude Im facinated, can you explain the exact way you "sequence the 
> edp) I
> myself have been doing something like this. Using a drummachine, that 
> sends
> midi notes I program sequences of "virtual button presses" so I can do
> things like undo super fast (filling a pattern with undo commands) I then
> fill up a log loop with many cycles as poss, THEN loop devide back 
> down and
> do the windowing thing...  Ive also use the drummachine to chain other 
> stuff
> like the half speed and also quite complex ones where I grab a new 
> loop at
> the begining of the pattern, mult insert, reverse and.... snippity 
> chop...
>
> Is this what you mean? or what... ? panned? are you using 2 EDPs? 
> (gotta get
> me a second one) I understand Dennis' post, but what did YOU mean, 
> when you
> say I use the 4 plain hunt sequence... us it how???
>
> Spill the beans mate? Im facinated!!
>
>
> Mark
>
> mark francombe
> marks website is at www.markfrancombe.com he writes for 
> www.furthernoise.org
> and works at www.transformlearning.com
>
>
> nono Rick
> My happy birthday LD song was done this way
> http://www.box.net/public/i8mm09190d#main
> with the help of an old Dennis Leas post about change ringing
> http://www.loopersdelight.com/LDarchive/199901/msg00461.html
> I use the 4 plain hunt sequence with 4 loops/bells in delay mode
> panned L, 20%, -20%, R.   the dry guitar is center.
> recorded as exactly as played (no multitrack or editing whatsoever)
>
> I still do a lot of experiments this way (sequenced EDP), 2 tunes in 
> Zurich
> where done this way.
>
>
>
>
>
>
>

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<q>PS: there is no video of all that</q><br>
<br>
Well there should be!&nbsp; I'd love to see it as I can't quite wrap my
brain around it just yet...<br>
<br>
--Josh<br>
<br>
<br>
Claude Voit wrote:
<blockquote cite="mid002201c6bf70$97dbbac0$0400000a@mini" type="cite">Mark
  <br>
  <br>
the edp is sequenced by a clavia G2 (any sequencer will do) in wich I
created the following pattern relating to 4 loops (moreloop:4)
  <br>
  <br>
4 plain hunt sequence :
  <br>
1 2 3 4
  <br>
-------
  <br>
2 1 4 3
  <br>
2 4 1 3
  <br>
4 2 3 1
  <br>
4 3 2 1
  <br>
3 4 1 2
  <br>
3 1 4 2
  <br>
1 3 2 4
  <br>
1 2 3 4
  <br>
  <br>
the loops are switched by the sequencer and the music snippets
reordered as you play along
  <br>
add to this: half/full speed&nbsp; and forward/reverse switching 1 clean, 2
half, 3 reverse, 4 half reverse.
  <br>
the panning is provided by the G2: the EDP audio out goes into the G2
where the panning occurs 1=L, 2=20%, 3=-20%, 4=R
  <br>
the icing of the cake is a dynamic feedback regulator wich lowers the
feedback according to the input volume (G2 also)
  <br>
the feedback regulator avoids the loop beeing too full after a while
and dynamic replace ala vortex.
  <br>
  <br>
this must help
  <br>
  <br>
have fun
  <br>
  <br>
Claude
  <br>
  <br>
PS: there is no video of all that
  <br>
:=)
  <br>
  <br>
  <br>
  <br>
  <br>
----- Original Message ----- From: "markfrancombe.com"
<a class="moz-txt-link-rfc2396E" href="mailto:mark@markfrancombe.com">&lt;mark@markfrancombe.com&gt;</a>
  <br>
To: <a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
  <br>
Sent: Monday, August 14, 2006 12:48 AM
  <br>
Subject: Question to Claude (Was EDP ignorance)
  <br>
  <br>
  <br>
Claude Im facinated, can you explain the exact way you "sequence the
edp) I
  <br>
myself have been doing something like this. Using a drummachine, that
sends
  <br>
midi notes I program sequences of "virtual button presses" so I can do
  <br>
things like undo super fast (filling a pattern with undo commands) I
then
  <br>
fill up a log loop with many cycles as poss, THEN loop devide back down
and
  <br>
do the windowing thing...&nbsp; Ive also use the drummachine to chain other
stuff
  <br>
like the half speed and also quite complex ones where I grab a new loop
at
  <br>
the begining of the pattern, mult insert, reverse and.... snippity
chop...
  <br>
  <br>
Is this what you mean? or what... ? panned? are you using 2 EDPs?
(gotta get
  <br>
me a second one) I understand Dennis' post, but what did YOU mean, when
you
  <br>
say I use the 4 plain hunt sequence... us it how???
  <br>
  <br>
Spill the beans mate? Im facinated!!
  <br>
  <br>
  <br>
Mark
  <br>
  <br>
mark francombe
  <br>
marks website is at <a class="moz-txt-link-abbreviated" href="http://www.markfrancombe.com">www.markfrancombe.com</a> he writes for
<a class="moz-txt-link-abbreviated" href="http://www.furthernoise.org">www.furthernoise.org</a>
  <br>
and works at <a class="moz-txt-link-abbreviated" href="http://www.transformlearning.com">www.transformlearning.com</a>
  <br>
  <br>
  <br>
nono Rick
  <br>
My happy birthday LD song was done this way
  <br>
<a class="moz-txt-link-freetext" href="http://www.box.net/public/i8mm09190d#main">http://www.box.net/public/i8mm09190d#main</a>
  <br>
with the help of an old Dennis Leas post about change ringing
  <br>
<a class="moz-txt-link-freetext" href="http://www.loopersdelight.com/LDarchive/199901/msg00461.html">http://www.loopersdelight.com/LDarchive/199901/msg00461.html</a>
  <br>
I use the 4 plain hunt sequence with 4 loops/bells in delay mode
  <br>
panned L, 20%, -20%, R.&nbsp;&nbsp; the dry guitar is center.
  <br>
recorded as exactly as played (no multitrack or editing whatsoever)
  <br>
  <br>
I still do a lot of experiments this way (sequenced EDP), 2 tunes in
Zurich
  <br>
where done this way.
  <br>
  <br>
  <br>
  <br>
  <br>
  <br>
  <br>
  <br>
</blockquote>
</body>
</html>

--------------040807060903030406040205--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 14:51:39 2006
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Rainer, thanks for writing this, fascinating! Cleared up a lot of 
misconceptions for me. I've always heard about latency in computer 
setups and how to accommodate for it (and actually, I thought I 
remembered hearing that manufacturers would publish latencies), and it's 
interesting to see how to reduce or nearly eliminate it.

I'd be very curious in knowing the latencies of various popular hardware 
effects boxes - the Pod, Fireworx, Vortex, (hell, the EDP), DD20, etc - 
just to get a sense of what we've become used to in that regard. I'd 
also like to know some of the specifics of some VST plugins, and also, 
how much you have to stack up effects before the latency becomes 
apparent, 20-30 ms or so.

great work!

Daryl Shawn
www.swanwelder.com


> I wrote a little bit about this latency thing...you can find it at
> http://www.moinlabs.de/e_lat.htm, comments welcome!
>
> 	Rainer
>
>   

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 14:52:42 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Mobius and Live (was "questions to Claude")
Date: Mon, 14 Aug 2006 16:52:39 +0200
Organization: Moinlabs
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I have problems syncing in both directions, so to speak. Meaning:
When I use Live as the sync master and Mobius as the slave (setting sync =
to
host beat or host bar), sometimes the loop retriggers on a beat other =
than
the one it is supposed to. Mobius god Per has reported something similar =
on
the Mobius group, but for him some hideous trick (like setting 8ths per
cycle first to one, then recording a short loop, settings 8ths per cycle =
to
8 and then recording a new loop) worked around this. Jeff promised to =
have a
look at this...

When using Mobius as the sync master and Live as the slave (by setting =
sync
to out, defining MIDI yoke as a MIDI output in Mobius and then syncing =
Live
to that virtual MIDI port), the loop will always "stutter" at its =
beginning
(except for the first time running through).
I believe this to be caused by the fact that Mobius does not handle the
rounding of the determined bpm properly; also, Jeff has promised to look =
at
it.

I'm still hoping it will work until Y2K6loopfest, especially the latter =
one,
because I'd really enjoy syncing Live to Mobius.

When

> -----Urspr=FCngliche Nachricht-----
> Von: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20
> Gesendet: Montag, 14. August 2006 15:51
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: AW: Question to Claude (Was EDP ignorance)
>=20
> Hey Rainer...
>=20
> What do you mean by "more or less?"  I've been using Mobius=20
> within Live 5 and it seems glitch free so far.=20
> Truth be told I'm not trying anything earth shattering but it=20
> seems to work like a charm.

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 15:04:03 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Plain Hunt Sequence (Was: Re: Question to Claude (Was EDP ignorance))
Date: Mon, 14 Aug 2006 08:01:39 -0700
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--Apple-Mail-2--980642855
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII;
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Hi,

This pattern reminds me of traditional English church bell ringing 
patterns
that I was reading about recently. How fascinating! Even as I read 
about it
it never occurred to me that it could be useful in looping. Heheheh.

Best regards,

Ted Killian

On Aug 14, 2006, at 7:14 AM, Joshua Carroll wrote:

>  4 plain hunt sequence :
>  1 2 3 4
>  -------
>  2 1 4 3
>  2 4 1 3
>  4 2 3 1
>  4 3 2 1
>  3 4 1 2
>  3 1 4 2
>  1 3 2 4
>  1 2 3 4 
--Apple-Mail-2--980642855
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Hi,


This pattern reminds me of traditional English church bell ringing
patterns

that I was reading about recently. How fascinating! Even as I read
about it 

it never occurred to me that it could be useful in looping. Heheheh.


Best regards,


Ted Killian


On Aug 14, 2006, at 7:14 AM, Joshua Carroll wrote:


<excerpt><color><param>0000,0000,DDDD</param> 4 plain hunt sequence : </color>

<color><param>0000,0000,DDDD</param> 1 2 3 4 </color>

<color><param>0000,0000,DDDD</param> ------- </color>

<color><param>0000,0000,DDDD</param> 2 1 4 3 </color>

<color><param>0000,0000,DDDD</param> 2 4 1 3 </color>

<color><param>0000,0000,DDDD</param> 4 2 3 1 </color>

<color><param>0000,0000,DDDD</param> 4 3 2 1 </color>

<color><param>0000,0000,DDDD</param> 3 4 1 2 </color>

<color><param>0000,0000,DDDD</param> 3 1 4 2 </color>

<color><param>0000,0000,DDDD</param> 1 3 2 4 </color>

<color><param>0000,0000,DDDD</param> 1 2 3 4 </color></excerpt>
--Apple-Mail-2--980642855--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 15:10:02 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Plain Hunt Sequence (Was: Re: Question to Claude (Was EDP
  ignorance))
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At 16:01 14/08/2006, you wrote:
>Hi,
>
>This pattern reminds me of traditional English church bell ringing patterns
>that I was reading about recently. How fascinating! Even as I read about it
>it never occurred to me that it could be useful in looping. Heheheh.
>
>Best regards,
>
>Ted Killian

yep, that's Plain Bob Minimum.

andy butler (from Norwich, where the bells ring like that since the 
16th Century) 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 15:49:59 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: latency discussions
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On 14 aug 2006, at 16.51, Daryl Shawn wrote:

> I'd be very curious in knowing the latencies of various popular  
> hardware effects boxes - the Pod, Fireworx, Vortex, (hell, the EDP),


I'm not taking time off to perform clinic tests, measuring  
milliseconds etc, but according to my ears the my Pod (line-6 model  
1) is pretty bad (much slower than a tube amp, kind of "tube amp plus  
two, three meters distance). The Fireworx is no recognizable latency  
at all, and that excellent feel goes for the EDP as well. That were  
the devices I own and use here. Can't tell about the Vortex.

A final word on the TC Electronic FirewoX:
If you program patches that make use of an external output/insert  
loop the latency involved makes it totally useless. Good to know for  
anyone that plans to get one because of that feature.

This built-in insert option works like this: If you use the analog in/ 
out-puts you are free to create patches with "virtual send/receive  
jack" blocks that use the digital in/out-puts. Vice versa if you are  
using the digital in/out-puts; then you can program insert loops for  
the analog in/out-puts. But, as stated, the audio is way too much  
delayed when sent out to the connected gear and it comes back way too  
late, creating a kind of slap delay effect.

On the other hand, playing into the Fireworx though the analog input  
directly results in perfectly synced audio going out the analog and  
digital ports, with no appeared latency at all. With my recent  
looping rig I play into the Fireworx and use a digital ADAT optical  
cable to bring the audio into the laptop digitally. That trick  
increases the experienced audio fidelity a lot, compared to having  
the audio go D/A from the Fireworx and then another A/D upon arrival  
into the laptop.

I have also hooked up the Fireworx digitally in both directions to  
Logic and used it as a "virtual software plugin". No latency  
experienced then either.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius and Live (was "questions to Claude")
Date: Mon, 14 Aug 2006 18:07:08 +0200
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On 14 aug 2006, at 16.52, Rainer Thelonius Balthasar Straschill wrote:

> Mobius god Per has reported something similar on
> the Mobius group, but for him some hideous trick (like setting 8ths  
> per
> cycle first to one, then recording a short loop, settings 8ths per  
> cycle to
> 8 and then recording a new loop) worked around this.

Not quite correct. I was actually able to get rid of that stuttering  
by only using the setting "8ths Per Cycle = 16".

I now use a different approach and never experience stuttering. I  
always set the Switch Quantize to "cycle", Quantize Mode to  
"Subcycle" and use different 8ths Per Cycle settings depending on  
which timing measure I'm playing in (16 for 4/4, 10 for 5/4, 12 for  
6/8 and 14 for 7/8). I noticed that some of these non-4/4 timings  
give that stuttering, but it only happens to Track one: the "Sync  
Master Track". So I work around that issue by using, for my "first  
loop", a script that when going out of recording mode mutes the track  
and copies the loop to the next track and also selects that track. So  
whatever bad stuttering will happen on that old Sync Master Track no  
one's gonna hear it.

I like this concept a lot, because as a free gift it gives you a back- 
up of the global tempo. This means you are free to trash the sync  
timing as much as you want on all tracks, doing un-quantized cuts, re- 
tunings and bizarre stuff. You can always get back to the initially  
correct "first loop" length by simply selecting the muted first track  
and then selecting an empty track (I use this pref setting; create a  
new one cycle empty loop when selecting a track in Reset Mode.... or  
whatever that's called).

This all, above, is written according to the standalone version of  
Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 16:27:31 2006
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> "PS: there is no video of all that"
>
> Well there should be!  I'd love to see it as I can't quite wrap my brain
> around it just yet...
>
> --Josh
>

why would I waste my time doing that ? If you cannot grasp it like that : 
youre not there yet
and a video wont change much

keep working at it. There is no fast goal only a genuine path.

Claude

Yes the above PS was a provocation towards "fast looper"







From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 16:42:22 2006
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Oh for sure I'm not there.  No arguments there!  I'm just starting out, 
and I know have a ton to learn.  I'd just like to see it in action, 
honestly.  I love the videos that are out of Zoe, Krispen, Arthur Lee, 
Kid Beyond, etc. because I get to somewhat experience the performance 
and I get inspired to try all sorts of new stuff!

--Josh



Claude Voit wrote:
>
>
>
>> "PS: there is no video of all that"
>>
>> Well there should be!  I'd love to see it as I can't quite wrap my brain
>> around it just yet...
>>
>> --Josh
>>
>
> why would I waste my time doing that ? If you cannot grasp it like 
> that : youre not there yet
> and a video wont change much
>
> keep working at it. There is no fast goal only a genuine path.
>
> Claude
>
> Yes the above PS was a provocation towards "fast looper"
>
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 17:09:37 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject:  EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 19:09:30 +0200
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Thanks for this suggestion, Rick...now here goes:

As some of you may know, I did not do any written compositions ever since
the turn of the century...so this is, as all my stuff since then, more or
less improvised (more or less means: for some of the stuff, I used some
patches of a groove box, but not here, and not anymore).

It's from part ii of my Ninjam session with Tony K, of which Tony has
already posted the first part here:
http://www.thinginajar.com/bigtony/RainerAndTony.mp3

So why didn't he post the second part as well? Sometime in the mid of the
performance, I experienced some problems with tracks dropping out and
returning. This is usually a result of high CPU load or network load on
either end. So I went and configured around a little on my side, looking to
get rid of the problem.

When I did, I decided to do some a capella stuff (I guess this is even the
first recorded a capella performance of mine). So what can you do with
vocals, MadShifta, OhmBoyz Delay and Mobius? See my clip.

This is a loop cut out from about ten minutes of performance, after which I
started to wonder why Tony didn't play anything. Turned out that I had
deactivated his stream on my side during my troubleshooting.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 17:59:45 2006
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This is a multi-part message in MIME format.
--------------070005070104000300020907
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

I'm /very /partial to acapella vocal looping stuff, I love what I hear 
from Rick (I wanna hear more from that show, Rick!) and Rainer in the 
collection. I'm familiar with what Bjork and Imogen Heap have done in 
this direction, if anyone has recommendations (your own music included) 
I'd love to hear them.

It'd be nice to have the explanations together on a page. Krispen, could 
we host a page on your site, or on Box.net? Or LD, Kim?

About my own submission: I'm lucky in that 30 seconds is the normal 
length of the loops I make, since they're 30-second cassettes. I did 
four tracks of improv nylon-string direct through a Studio Projects tube 
mic pre, into a Yamaha four-track. Two tracks are clean, two are fuzz 
(Effector13 TBD). I did a lot of pitch-shifting with the speed control, 
which shoots the tracks up an octave with a bit of a "whoosh" which I'm 
partial to. Overall, the low fidelity stands out compared to a lot of 
the other tracks, but that's part of what I like about the medium.

Two weeks left! C'mon, more submissions! We should aim for 100 loops.

Daryl Shawn
www.swanwelder.com


> I just went to Krispen's site for the 10th Anniversary 30 second 
> looping project
> and was really blown away at all the really interesting and cutting 
> edge music
> I hear there.
>
> I thought it would be very educational for everyone to explain how 
> they put their
> particular piece together.


--------------070005070104000300020907
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
I'm <i>very </i>partial to acapella vocal looping stuff, I love what
I hear from Rick (I wanna hear more from that show, Rick!) and Rainer
in the collection. I'm familiar with what Bjork and Imogen Heap have
done in this direction, if anyone has recommendations (your own music
included) I'd love to hear them.<br>
<br>
It'd be nice to have the explanations together on a page. Krispen,
could we host a page on your site, or on Box.net? Or LD, Kim?<br>
<br>
About my own submission: I'm lucky in that 30 seconds is the normal
length of the loops I make, since they're 30-second cassettes. I did
four tracks of improv nylon-string direct through a Studio Projects
tube mic pre, into a Yamaha four-track.
Two tracks are clean, two are fuzz (Effector13 TBD). I did a lot of
pitch-shifting with the speed control, which shoots the tracks up an
octave with a bit of a "whoosh" which I'm partial to. Overall, the low
fidelity stands out compared to a lot of the other tracks, but that's
part of what I like about the medium.<br>
<br>
Two weeks left! C'mon, more submissions! We should aim for 100 loops.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<br>
<blockquote cite="mid010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN"
 type="cite">I just went to Krispen's site for the 10th Anniversary 30
second looping project <br>
and was really blown away at all the really interesting and cutting
edge music <br>
I hear there. <br>
  <br>
I thought it would be very educational for everyone to explain how they
put their <br>
particular piece together. <br>
</blockquote>
<br>
</body>
</html>

--------------070005070104000300020907--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 18:56:10 2006
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 possibilty
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As a quick note to Claude:

> Yes the above PS was a provocation towards "fast looper" 
I guess I missed that vibe...  I don't always pick on sarcasm so well, 
especially in e-mail.

Just for the record, my statement was not meant as some sort of 
retaliation, but as admiration and awe.  I certainly didn't feel 
provoked in anyway.  I may never have the chance to see you perform 
live, and I'd love the opportunity to catch a glimpse via video if you 
were to ever record something, and I'd love to see how you perform with 
this particular technique.  I just understood your PS as a statement of 
fact, and so my response was meant to be a compliment to show respect 
for implementing such a creative idea.  No offense inteded, and I hope 
you understand that I'm not looking for some quick-fix method of 
looping.  I know it's a long learning process that I fully intend to 
venture.  I've certainly enjoyed and appreciated the benefit of gleaning 
from more experienced loopers like yourself on this list.

-------------------------------------------------

Moving on, as a web-technology nut, I'd like to offer to help promote 
the live looping experience at large by setting up a podcast that any 
live-looping artist could post to.  The idea just occurred to me today 
as I was enjoying all the 30 second snippets that have been contributed 
to the LD 10th Anniversary collection (and feeling a bit foolish to be 
included in such a collaboration!).  I haven't worked out all the 
details or written the code, but my initial idea is this:  I could set 
up a web form where live-looping artists of any genre from all over the 
world could upload an mp3 or video clip (would need to be mp4, but I 
could perhaps perform the conversion from other file types) and submit 
it along with the appropriate information (creator, title, link to 
looper's website, brief description, etc.).  After verifying that the 
file isn't corrupted or infected and the content is relevant to 
live-looping, I would publish the item into a collective podcast that 
could be registered with iTunes, etc.  I would host the files myself.

I know that if such a podcast existed, I would thoroughly enjoy it.  
However, I'm not married to the idea if you guys think it's stupid.  
What do you think?

--Josh



Claude Voit wrote:
>
>
>
>> "PS: there is no video of all that"
>>
>> Well there should be!  I'd love to see it as I can't quite wrap my brain
>> around it just yet...
>>
>> --Josh
>>
>
> why would I waste my time doing that ? If you cannot grasp it like 
> that : youre not there yet
> and a video wont change much
>
> keep working at it. There is no fast goal only a genuine path.
>
> Claude
>
> Yes the above PS was a provocation towards "fast looper"
>
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 19:00:18 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 21:00:13 +0200
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On 14 aug 2006, at 13.52, loop.pool wrote:

> everyone to explain how they put their
> particular piece together.


Tenor sax (Otto Link 9-star) analogically into FireworX digitally  
into Mobius/Laptop (Mobius standalone version, no VST plug-ins,  
basically only looping). Creating three loops to jump between while  
melody phrasing.  Typically II: Tonica, Tonica, Subdominant,  
Dominant. Subdominant, Dominant :II A lot of "add9" coloring of chord  
voicing.

When looping in this context it really is "backwards mixing" since  
all the stuff you traditionally do when finally mixing your tracks -  
like EQ'ing, coloring with effects etc to blend them - all of this I  
do directly as I play, sort of "as part of the instrument". The tool  
for that is some 25 patches in the FireworX that I have created for  
layering stuff in a way that they should all sound ok together, as a  
summed mix of loops/layers. As an example I have very few sounds with  
a "full timbre", simply because then I would not be able to loop in  
the essence of layering sound. The colliding frequencies would make  
the musical counter lines hard to follow.

Another concept for "instant orchestration" in looping would be to  
bring dozens of instruments and swap between  them while layering  
loops. But instead I have chosen to use fewer instruments and work on  
the sound for alternative expression.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 19:20:07 2006
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Yeah! I think it'd be a great resource, especially videos of people 
doing their thing.

Daryl Shawn
www.swanwelder.com
> Moving on, as a web-technology nut, I'd like to offer to help promote 
> the live looping experience at large by setting up a podcast that any 
> live-looping artist could post to.  The idea just occurred to me today 
> as I was enjoying all the 30 second snippets that have been 
> contributed to the LD 10th Anniversary collection (and feeling a bit 
> foolish to be included in such a collaboration!).  I haven't worked 
> out all the details or written the code, but my initial idea is this:  
> I could set up a web form where live-looping artists of any genre from 
> all over the world could upload an mp3 or video clip (would need to be 
> mp4, but I could perhaps perform the conversion from other file types) 
> and submit it along with the appropriate information (creator, title, 
> link to looper's website, brief description, etc.).  After verifying 
> that the file isn't corrupted or infected and the content is relevant 
> to live-looping, I would publish the item into a collective podcast 
> that could be registered with iTunes, etc.  I would host the files 
> myself.

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 19:21:19 2006
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References: <010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN> <44E0BA09.5080107@mhorse.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 13:21:13 -0600
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Sure, I can post the descriptions of each clip....I guess I need to make =
a sumission myself too! I am behind.

Here is the running list of submission now. I just had my little elves =
throw theh page together: =
http://www.krispenhartung.com/LoopersDelight10Year.htm

Go ahead and send me your descriptions now. I go yours, Per.

Kris


  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, August 14, 2006 11:59 AM
  Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune


  I'm very partial to acapella vocal looping stuff, I love what I hear =
from Rick (I wanna hear more from that show, Rick!) and Rainer in the =
collection. I'm familiar with what Bjork and Imogen Heap have done in =
this direction, if anyone has recommendations (your own music included) =
I'd love to hear them.

  It'd be nice to have the explanations together on a page. Krispen, =
could we host a page on your site, or on Box.net? Or LD, Kim?

  About my own submission: I'm lucky in that 30 seconds is the normal =
length of the loops I make, since they're 30-second cassettes. I did =
four tracks of improv nylon-string direct through a Studio Projects tube =
mic pre, into a Yamaha four-track. Two tracks are clean, two are fuzz =
(Effector13 TBD). I did a lot of pitch-shifting with the speed control, =
which shoots the tracks up an octave with a bit of a "whoosh" which I'm =
partial to. Overall, the low fidelity stands out compared to a lot of =
the other tracks, but that's part of what I like about the medium.

  Two weeks left! C'mon, more submissions! We should aim for 100 loops.

  Daryl Shawn
  www.swanwelder.com



    I just went to Krispen's site for the 10th Anniversary 30 second =
looping project=20
    and was really blown away at all the really interesting and cutting =
edge music=20
    I hear there.=20

    I thought it would be very educational for everyone to explain how =
they put their=20
    particular piece together.=20



------=_NextPart_000_00F0_01C6BFA4.8413F500
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Sure, I can post the descriptions of =
each clip....I=20
guess I need to make a sumission myself too! I am behind.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is the running list of submission =
now. I just=20
had my little elves throw theh page together: <A=20
href=3D"http://www.krispenhartung.com/LoopersDelight10Year.htm">http://ww=
w.krispenhartung.com/LoopersDelight10Year.htm</A><A=20
href=3D"http://www.krispenhartung.com/LoopersDelight10year.htm"></A></FON=
T></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Go ahead and send me your descriptions =
now. I go=20
yours, Per.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 14, 2006 =
11:59=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: EXPLAIN your 10th=20
  Anniversary Birthday 30 second tune</DIV>
  <DIV><BR></DIV>I'm <I>very </I>partial to acapella vocal looping =
stuff, I love=20
  what I hear from Rick (I wanna hear more from that show, Rick!) and =
Rainer in=20
  the collection. I'm familiar with what Bjork and Imogen Heap have done =
in this=20
  direction, if anyone has recommendations (your own music included) I'd =
love to=20
  hear them.<BR><BR>It'd be nice to have the explanations together on a =
page.=20
  Krispen, could we host a page on your site, or on Box.net? Or LD,=20
  Kim?<BR><BR>About my own submission: I'm lucky in that 30 seconds is =
the=20
  normal length of the loops I make, since they're 30-second cassettes. =
I did=20
  four tracks of improv nylon-string direct through a Studio Projects =
tube mic=20
  pre, into a Yamaha four-track. Two tracks are clean, two are fuzz =
(Effector13=20
  TBD). I did a lot of pitch-shifting with the speed control, which =
shoots the=20
  tracks up an octave with a bit of a "whoosh" which I'm partial to. =
Overall,=20
  the low fidelity stands out compared to a lot of the other tracks, but =
that's=20
  part of what I like about the medium.<BR><BR>Two weeks left! C'mon, =
more=20
  submissions! We should aim for 100 loops.<BR><BR>Daryl Shawn<BR><A=20
  class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR><BR><BR>
  <BLOCKQUOTE cite=3Dmid010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN =
type=3D"cite">I=20
    just went to Krispen's site for the 10th Anniversary 30 second =
looping=20
    project <BR>and was really blown away at all the really interesting =
and=20
    cutting edge music <BR>I hear there. <BR><BR>I thought it would be =
very=20
    educational for everyone to explain how they put their =
<BR>particular piece=20
    together. <BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00F0_01C6BFA4.8413F500--


From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 19:50:34 2006
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Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
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Well it's hardly worth mentioning, but for the sake of posterity:

Mine is likely the simplest recording in this collection, and I feel a 
little silly even having it included.  This was my very first day of 
successful live-looping.  I ran my Takamine acoustic guitar and old BOSS 
drum machine (played with my fingers, not sequenced) through an Alesis 
Studio24 mixer directly into the line-in on my laptop's internal sound 
card and looped using basic overdub on one track in Mobius.  That's 
about as simple as it gets!

--Josh



Krispen Hartung wrote:
> Sure, I can post the descriptions of each clip....I guess I need to 
> make a sumission myself too! I am behind.
>  
> Here is the running list of submission now. I just had my little elves 
> throw theh page together: 
> http://www.krispenhartung.com/LoopersDelight10Year.htm
>  
> Go ahead and send me your descriptions now. I go yours, Per.
>  
> Kris
>  
>  
>
>     ----- Original Message -----
>     *From:* Daryl Shawn <mailto:highhorse@mhorse.com>
>     *To:* Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* Monday, August 14, 2006 11:59 AM
>     *Subject:* Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
>
>     I'm /very /partial to acapella vocal looping stuff, I love what I
>     hear from Rick (I wanna hear more from that show, Rick!) and
>     Rainer in the collection. I'm familiar with what Bjork and Imogen
>     Heap have done in this direction, if anyone has recommendations
>     (your own music included) I'd love to hear them.
>
>     It'd be nice to have the explanations together on a page. Krispen,
>     could we host a page on your site, or on Box.net? Or LD, Kim?
>
>     About my own submission: I'm lucky in that 30 seconds is the
>     normal length of the loops I make, since they're 30-second
>     cassettes. I did four tracks of improv nylon-string direct through
>     a Studio Projects tube mic pre, into a Yamaha four-track. Two
>     tracks are clean, two are fuzz (Effector13 TBD). I did a lot of
>     pitch-shifting with the speed control, which shoots the tracks up
>     an octave with a bit of a "whoosh" which I'm partial to. Overall,
>     the low fidelity stands out compared to a lot of the other tracks,
>     but that's part of what I like about the medium.
>
>     Two weeks left! C'mon, more submissions! We should aim for 100 loops.
>
>     Daryl Shawn
>     www.swanwelder.com
>
>
>>     I just went to Krispen's site for the 10th Anniversary 30 second
>>     looping project
>>     and was really blown away at all the really interesting and
>>     cutting edge music
>>     I hear there.
>>
>>     I thought it would be very educational for everyone to explain
>>     how they put their
>>     particular piece together.
>

--------------040806010509050003020903
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Well it's hardly worth mentioning, but for the sake of posterity:<br>
<br>
Mine is likely the simplest recording in this collection, and I feel a
little silly even having it included.&nbsp; This was my very first day of
successful live-looping.&nbsp; I ran my Takamine acoustic guitar and old
BOSS drum machine (played with my fingers, not sequenced) through an
Alesis Studio24 mixer directly into the line-in on my laptop's internal
sound card and looped using basic overdub on one track in Mobius.&nbsp;
That's about as simple as it gets!<br>
<br>
--Josh<br>
<br>
<br>
<br>
Krispen Hartung wrote:
<blockquote
 cite="mid00f301c6bfd6$cfbcc7c0$6fb2ec0f@americas.hpqcorp.net"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2900.2963" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">Sure, I can post the descriptions of
each clip....I guess I need to make a sumission myself too! I am behind.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Here is the running list of
submission now. I just had my little elves throw theh page together: <a
 href="http://www.krispenhartung.com/LoopersDelight10Year.htm">http://www.krispenhartung.com/LoopersDelight10Year.htm</a></font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Go ahead and send me your
descriptions now. I go yours, Per.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Kris</font></div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
    <div
 style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
    <a title="highhorse@mhorse.com" href="mailto:highhorse@mhorse.com">Daryl
Shawn</a> </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
    <a title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
    </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Monday, August 14, 2006 11:59 AM</div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
Re: EXPLAIN your 10th Anniversary Birthday 30 second tune</div>
    <div><br>
    </div>
I'm <i>very </i>partial to acapella vocal looping stuff, I love what
I hear from Rick (I wanna hear more from that show, Rick!) and Rainer
in the collection. I'm familiar with what Bjork and Imogen Heap have
done in this direction, if anyone has recommendations (your own music
included) I'd love to hear them.<br>
    <br>
It'd be nice to have the explanations together on a page. Krispen,
could we host a page on your site, or on Box.net? Or LD, Kim?<br>
    <br>
About my own submission: I'm lucky in that 30 seconds is the normal
length of the loops I make, since they're 30-second cassettes. I did
four tracks of improv nylon-string direct through a Studio Projects
tube mic pre, into a Yamaha four-track. Two tracks are clean, two are
fuzz (Effector13 TBD). I did a lot of pitch-shifting with the speed
control, which shoots the tracks up an octave with a bit of a "whoosh"
which I'm partial to. Overall, the low fidelity stands out compared to
a lot of the other tracks, but that's part of what I like about the
medium.<br>
    <br>
Two weeks left! C'mon, more submissions! We should aim for 100 loops.<br>
    <br>
Daryl Shawn<br>
    <a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
    <br>
    <br>
    <blockquote cite="mid010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN"
 type="cite">I just went to Krispen's site for the 10th Anniversary 30
second looping project <br>
and was really blown away at all the really interesting and cutting
edge music <br>
I hear there. <br>
      <br>
I thought it would be very educational for everyone to explain how they
put their <br>
particular piece together. <br>
    </blockquote>
    <br>
  </blockquote>
</blockquote>
</body>
</html>

--------------040806010509050003020903--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 20:17:21 2006
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 <f1857ffc0608131354l6c68b3c8tda01480eacf6746f@mail.gmail.com>
 <f1857ffc0608131357i1ede64c7ue1e8a0fa53e3793f@mail.gmail.com>
 <44E083B8.40903@soundscapes.us>
Date: Mon, 14 Aug 2006 16:15:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: The AM/FM Show Playlist for August 12, 2006
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Yes! Please,  whoever has hijacked all of our e-mail adresses STOP THE SPAM!


>Neil Goldstein wrote:
>
>>Didn't see this is broadcast to Loopers Delight. I just wanted to 
>>unsubscribe to the radio playlist spam.
>>
>>On 8/13/06, *Neil Goldstein* <swamilove@gmail.com 
>><mailto:swamilove@gmail.com>> wrote:
>>
>>     Unsubscribe me please.
>>
>>     On 8/13/06, *Bill Fox* <billyfox@soundscapes.us
>>     <mailto:billyfox@soundscapes.us>> wrote:
>>
>>         http://soundscapes.us/amfm/playlists/2006/060812.html
>>         <http://soundscapes.us/amfm/playlists/2006/060812.html>
>>
>>         I host the Saturday AM/FM Show...
>>
>I'm afraid that posting my playlists to LD is valid and accepted by 
>the list owner.  Just like anything else sent to LD, all members see 
>it.  I cannot select any particular member to see or not see it. 
>You'll just have to set up a filter.  For people like you, I use a 
>standardized Subject: to allow easy filtering that grabs only my 
>playlists and, hopefully, nothing important.  Just filter for:
>"The AM/FM Show Playlist for"
>or
>"Afterglow Playlist for"
>and you should be OK.
>
>Cheers,
>
>Bill


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 20:28:14 2006
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Subject: RE: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 16:29:08 -0400
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"30 sec from Improv in Dm #37"

My submission is from one in a series of meditations done either solo or
with other players, most of whom have no experience looping other then what
I impose on them.  Some pieces are based on pre-programmed triggered MIDI
loops from either a workstation keyboard (K2000) or Ableton Live with little
on no live looping.

Others, like this one, are fully spontaneous.  In this instance, I developed
a rhythmic 'drone' pad on the Repeater using voice and hand sounds and
several passes of processed guitar (VG-88 v.2).  The other players ad-libbed
over this bed.  My function was to establish and maintain a musical
environment and leave room for them to dialogue.  Open mics captured the
room ambience which can be heard in the background.  The result can be
surprising; from fully chaotic to unexpectedly splendid.

The entire piece developed slowly over 11 minutes; all in all, rather short.
I hope you enjoy it.


Dan Montgomery
www.music.download.com/danmontgomery
www.myspace.com/precentor

============




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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 20:35:39 2006
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Date: Mon, 14 Aug 2006 13:35:38 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI Mouse
To: Loopers-Delight@loopers-delight.com
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My guess would be that the Microcube is expecting an
instrument/guitar level (weak) signal to it's main
input.   The aux in is looking for a line level.

--- Krispen Hartung <khartung@cableone.net> wrote:

> Wow, what a big difference.  So
> if any of you plan to 
> busk with a Microcube, and a laptop or a bunch of
> gear that pre-processes 
> your tone the way you like it and ready to feed to a
> mixer, try using the 
> Aux of of the MicroCube....made a hell of a
> difference. This should have 
> occured to me before...that I'm already producing a
> great sound out of my 
> laptop, so I don't need all the amp simulation and
> EQ of the Microcube.
> 
> Kris 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 21:18:13 2006
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Date: Mon, 14 Aug 2006 16:18:11 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: EXPLAIN your 10th Anniversary Birthday 30 second tune
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i guess i don't have much to say about mine, its just one of my
ambient pieces that i chopped 30 seconds out of, the setup was
guitar->toneport->gearbox->garageband and the same with bass :) the
song is based on a Spanish classical guitar piece titled "El Noi de la
Mare" that i have been playing incorrectly ever since i first tryed
playing it...mainly because i have never heard the song before :) I
thought it sounded better this way :)


Charlie

From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 21:19:14 2006
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Date: Mon, 14 Aug 2006 14:19:12 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: RE: EXPLAIN your 10th Anniversary Birthday 30 second tune
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Hmmm, I'm not sure exactly WHAT I did.

Usually I use a fairly elaborate pedalboard/rack rig,
but there was a period of about a year and a half
ending about 4 or 5 months ago where I'd completely
torn my rig apart. My public performances during that
time were limited to about a dozen house parties,
usually with little advance notice, so I'd gotten into
the habit of stuffing a duffel bag with a bunch of
pedals and setting up differently each time.

My LD Birthday tune ('Decayed') is an exerpt from one
of those gigs. I have no idea what the signal path
was, but I know it was played on an old, beat-up
Washburn Monterey acoustic to which I added active
electronics. The loopers were a Boss RC-20 (old
version), an Akai Headrush (old version) and a Line6
DL-4, and they were hooked up to a bizarre combination
of a/b and a/b/c boxes and an AR.Acoustic amp, most
likely in cahoots with a DigiVerb, either a Boss DD3
or a DigiDelay and definitely a volume pedal.

It IS actually fairly representative of what I sounded
like playing out last year.

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 21:23:24 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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	<vaguediscuss@vagueterrain.net>
Subject: Thursday! The PiNG's 7th Ann. w/ mara's torment, dreamSTATE, naw & General Chaos Visuals
Date: Mon, 14 Aug 2006 17:23:01 -0400
Organization: THE AMBiENT PiNG
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THE AMBiENT PiNG's 7th ANNiVERSARY SPECiAL featuring:
mara's torment . dreamSTATE . naw . General Chaos Visuals

This Thursday August 17th . Doors open 8PM . 1st set 8:30PM
PayWhatYouCan at the door . $5 suggested

Tranzac (Main Hall) . 292 Brunswick Ave. (just S. of Bloor
and 3 blocks from either the Bathurst or Spadina stations)
http://www.theambientping.com/maps/tranzac.gif

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Has it really been a year since Dread Pirate rik and Sovaak the Scurvy
Sock Monkey of mara's torment took to the high seas in search of the
mythic Jade Llama? Whoa, time sure does fly! In celebration of their
return to THE AMBiENT PiNG stage the pair have put together an eclectic
collection of sea shanties and singalongs designed to celebrate both the
excitement of their days at sea and the PiNG's Seventh Anniversary.
Needless to say rik and Sovaak look forward to sharing a bill with 
both dreamSTATE and naw, and to reacquainting themselves 
with some old familiar faces. Yaaaarrrrr!!!!
http://www.marastorment.com

Electronic sound artists dreamSTATE celebrate the launch of "OM", 
their 3rd CD and their 1st live performance release, with (what else!) 
a fresh live performance. "OM" is an ambient soundscape journey 
recorded live at the OM Festival 2000 in Trudeau Park, Tweed, 
Ontario and in the spirit of that performance, dreamSTATE will 
create a free-ranging soundflow to carry the audience off into 
an alternative mindspace. They're very happy that psychedelic 
lightlords General Chaos Visuals will be along for the trip!
http://www.dreamSTATE.to

naw is Neil Wiernik (co-curator of the online digital arts quarterly
vagueterrain.net) and his sound is warm, atmospheric and cinematic -
firmly grounded in both the rich traditions of dub studio culture and
formal contemporary composition. 'The Wire' recently described it 
as having "the kind of sharpness and clarity usually lost amid the 
murk and decay of clicks and cuts and digital delays." Upon 
learning that the Tranzac has a high quality stereo PA, Neil 
has decided to perform pieces from his sets at Mutek this 
year - works originally arranged for immersive listening.
http://www.phoniq.net


Look for the ping things table to get your fix of ambient, electronic,
trip hop, dream pop and chill music until the next PiNG - or 
go online to: http://www.pingthings.com  
Visit the site now for an extensive "summer heat" sale 
on over 50 discs. Yep, they're craaaazy!

*ping things will be the exclusive source for dreamSTATE's new "OM" 
CD from August 18th until October. 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG periodically presents live performances featuring
ambient, electronic, soundscape, chillout, downtempo and experimental
artists from around the world.  http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested in live
ambient, chillout and experimental music performances or to
any of your appropriate newsgroups. Thanks.

From root@a15163562.alturo-server.de  Mon Aug 14 21:27:47 2006
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 21:37:35 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060814203538.17412.qmail@web81309.mail.mud.yahoo.com>
Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI Mouse
Date: Mon, 14 Aug 2006 15:37:30 -0600
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That makes sense. I also noticed some latency in the speaker output that I 
don't hear when I run my laptop through a PA. I'm wondering if the amp 
moduling, added to the minute amount of latency from my laptop system is 
producing an audible latency. The latency on my laptop is about 5ms and I 
don't really notice it. I suppose if the microcube just a few seconds of 
latency from the processing required to simulate those tons and amps, I 
could be getting up to 10ms of latency.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 14, 2006 2:35 PM
Subject: Re: My first busking gig with laptop, Roland Microcube and MIDI 
Mouse


> My guess would be that the Microcube is expecting an
> instrument/guitar level (weak) signal to it's main
> input.   The aux in is looking for a line level.
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Wow, what a big difference.  So
>> if any of you plan to
>> busk with a Microcube, and a laptop or a bunch of
>> gear that pre-processes
>> your tone the way you like it and ready to feed to a
>> mixer, try using the
>> Aux of of the MicroCube....made a hell of a
>> difference. This should have
>> occured to me before...that I'm already producing a
>> great sound out of my
>> laptop, so I don't need all the amp simulation and
>> EQ of the Microcube.
>>
>> Kris
>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Aug 14 23:15:50 2006
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Message-ID: <20060814231548.17806.qmail@web38604.mail.mud.yahoo.com>
Date: Mon, 14 Aug 2006 16:15:48 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Question to Claude (Was EDP ignorance)
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Claude i am not sure i understand this, is the
feedback regulator an internal function of the G2 or a
separate device?
cheers
Luis

> the icing of the cake is a dynamic feedback
> regulator wich lowers the 
> feedback according to the input volume (G2 also)
> the feedback regulator avoids the loop beeing too
> full after a while and 
> dynamic replace ala vortex.
>

www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 00:24:20 2006
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Date: Mon, 14 Aug 2006 17:24:19 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: gig tonight (Wednesday) RICK WALKER, MATT DAVIGNON  zeroONE Festival 
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sounds exciting bro!
Hey,have u been doing anything with the looperlative?
i havent heard u mention it anymore...
so tell me about this new instrument you just got from
your brother,what is it?
cheers carnalito
Luis

--- "loop.pool" <looppool@cruzio.com> wrote:

> Last minute invite for anyone in the South Bay,
> Monterey Bay or 
> SF/Oakland/Berkeley region
> who has nothing better to do than go see
> experimental music and visuals.
> 
> Matt Davignon and I will both do solo sets (and a
> collaborative improv set)
> at tonights  ZeroONE festival at the Anno Domini
> Gallery located at
>    366 South First Street (between San Carlos and
> San Salvador) in Downtown 
> San Jose.
> 
> I will be debuting my lo fi loop videos as well as
> doing several pieces 
> featuring entirely
> different sets of instruments,   including  
> door-stop-a-phone, melodica, 
> omnichord,
> casio cs-1 crummy sampler,  various and sundry
> plastic bits, trumpet (with 
> apologies
> to Jeff Kaiser in advance),  fretless bass,  and
> various vocal techniques.
> 
> Matt will balance my GAS approach (gear acquisition
> syndrome),  utilizing 
> only a drum machine as a source for sound
> 
> I'm looking forward to it.
> 
> We go on late     Matt at 10    me at 10:45
> 
> yours,  Rick WAlker 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 01:19:08 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 18:19:02 -0700
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On Aug 14, 2006, at 4:52 AM, loop.pool wrote:

> educational for everyone to explain how they put their
> particular piece together.


The local newspaper in my berg hosted a ringtone contest last month  
and wanted 30 sec. max compositions, so I put together a track using  
thumb piano loops.

The thumb piano is passed thru a ring mod filter but otherwise  
everything is simple and minimal.
I put the track together as an alert chime sequence, then an urgency  
sequence where the rhythm is varied, and then a drone or holding  
sequence.

I felt it would function well as a ringtone but the 3 judges deemed  
it unworthy of comment. The winners and honorable mentions were all  
multilayer/multivoice,  Winner was drum/bass/synth/sample techno  
electronica, the 2nd Place entry was a flute sonata.

I listened to all the contest entries and still feel that my little  
ditty works successfully,  with just the right amount of "perky and  
quirky."
But what do I know?
I suppose it might have helped if I had ever actually owned a cell  
phone.
Or maybe not.
:-)

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 01:59:53 2006
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Date: Mon, 14 Aug 2006 21:59:57 -0400 (EDT)
Subject: Re: The AM/FM Show Playlist for August 12, 2006
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Hey - Bill's a musician, looper, loopy-delight member/contributor,
does radio programs where he promotes other people's music and
then posts his playlists to lists he participates in, so you
can see if he's been spinning your music. That's a lot of work
and he's not trying to sell blue pills. Bill's not a hijakker,
he's a music supporter. Anyhow - There's SPAM and there's info
you may not be interested in & this list has lots of the latter.
Sorry to rant. I post some gigspam myself and wanted to support Bill.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


> Yes! Please,  whoever has hijacked all of our e-mail adresses STOP THE
> SPAM!
>
>
>>Neil Goldstein wrote:
>>
>>>Didn't see this is broadcast to Loopers Delight. I just wanted to
>>>unsubscribe to the radio playlist spam.
>>>
>>>On 8/13/06, *Neil Goldstein* <swamilove@gmail.com
>>><mailto:swamilove@gmail.com>> wrote:
>>>
>>>     Unsubscribe me please.
>>>
>>>     On 8/13/06, *Bill Fox* <billyfox@soundscapes.us
>>>     <mailto:billyfox@soundscapes.us>> wrote:
>>>
>>>         http://soundscapes.us/amfm/playlists/2006/060812.html
>>>         <http://soundscapes.us/amfm/playlists/2006/060812.html>
>>>
>>>         I host the Saturday AM/FM Show...
>>>
>>I'm afraid that posting my playlists to LD is valid and accepted by
>>the list owner.  Just like anything else sent to LD, all members see
>>it.  I cannot select any particular member to see or not see it.
>>You'll just have to set up a filter.  For people like you, I use a
>>standardized Subject: to allow easy filtering that grabs only my
>>playlists and, hopefully, nothing important.  Just filter for:
>>"The AM/FM Show Playlist for"
>>or
>>"Afterglow Playlist for"
>>and you should be OK.
>>
>>Cheers,
>>
>>Bill
>
>
> --
> ...
> http://www.zmix.net


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for the record when I first posted I accidentally sent before noticing it
was a group subscribe. Thought it was just going to Bill, and after Scott
M2's supportive email, I think the idea's good, guess I missed the original
intro to that service, thought I'm an old timer here.

hell this is the kind of thing I'd like to particate in! Just been
overwhelmed with things to listen to and thought I'd trim the fat. In the
end after seeing what this about I'm all for it.

Neil

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<div>for the record when I first posted I accidentally sent before noticing it was a group subscribe. Thought it was just going to Bill, and after Scott M2's supportive email, I think the idea's good, guess I missed the original intro to that service, thought I'm an old timer here. 
</div>
<div>&nbsp;</div>
<div>hell this is the kind of thing I'd like to particate in! Just been overwhelmed with things to listen to and thought I'd trim the fat. In the end after seeing what this about I'm all for it.</div>
<div>&nbsp;</div>
<div>Neil</div>
<div>&nbsp;</div>

------=_Part_149178_17597261.1155608215041--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 03:02:28 2006
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Mon, 14 Aug 2006 23:02:24 -0400
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re: Mark Christensen - Vermont - USA

um... er... i snipped 30 seconds out of an improvised solo guitar looping...
uh, something or other.

i think this was done with my Frankenstrat, TC Electronics Sustainer, a
Lexicon JamMan and a Vortex.   waaaaaayyyyyyy stripped down for me.  sounds
like it was done during my "Vortex before the JamMan in the signal chain"
period.

m

http://www.TwistedAppleRecords.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 05:54:33 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Mon, 14 Aug 2006 22:54:28 -0700
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I uploaded my 30 secs worth.....

Description:
I was working on some software for a friend....and made some loops=20
making squeaky lip noises. This was done in one pass using the free=20
Pluggo Jr. Plugins, Max/MSP Runtime and my free software available=20
here:  http://jeffkaiser.com/software.html

http://www.krispenhartung.com/LoopersDelight10Year.htm


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 08:07:06 2006
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It is a part of the G2 patch I'm using to pilot the edp for the song 
described in the other posts

thing of a g2 as  as sort of Max, reactor, audio mulch, bidule etc... 
version in hardware

http://www.clavia.se/G2/

Claude



Claude i am not sure i understand this, is the
feedback regulator an internal function of the G2 or a
separate device?
cheers
Luis

> the icing of the cake is a dynamic feedback
> regulator wich lowers the
> feedback according to the input volume (G2 also)
> the feedback regulator avoids the loop beeing too
> full after a while and
> dynamic replace ala vortex.
>

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060814000250.98325.qmail@web38608.mail.mud.yahoo.com> <09119FBE-3C50-48E4-8811-E400E11B22BA@zoekeating.com> <002e01c6bf78$71a11280$0207a8c0@eluk1>
Subject: Re: OT Cabin baggage ban hits musicians
Date: Tue, 15 Aug 2006 10:01:42 +0100
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A problem acknowledged by the press:
http://www.nytimes.com/2006/08/15/arts/music/15tour.html?th&emc=th

----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 14 August, 2006 09:05 AM
Subject: Re: OT Cabin baggage ban hits musicians


>I keep remembering that scene in "Hail! Hail! Rock n' Roll!" where Chuck 
>Berry's talking to the camera while going through St Louis airport with his 
>guitar-in-case: When asked how he could check his precious guitar, he says, 
>"Business expense!" and smiles.
>
> ----- Original Message ----- 
> From: "Zoe Keating" <cello@zoekeating.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, 14 August, 2006 03:09 AM
> Subject: Re: OT Cabin baggage ban hits musicians
>
>
>> well if i ever hit it bigtime, i'll buy a loopers-only plane  (LoopAir? 
>> AeroLoop? LuftLoopa?). the gear will travel first class and  have its own 
>> drinks.
>>
>> On Aug 13, 2006, at 5:02 PM, L.A. Angulo wrote:
>>
>>> I understand Delta Airlines will refund you 50.00dlls
>>> right away for any small inconvenience damage(like
>>> soken underwear from a german beer exploded mini
>>> keg)which ive been through;-)
>>> this whole traveling hassle is making me think about
>>> building a small reliable traveling pedalboard looper
>>> rig and a decent guitar.Perhaps the limitations will
>>> create new and sophisticated ideas with for the deluxe
>>> looping rig.
>>> i feel slowly going back to basics....
>>> Luis
>>>
>>
>>
>>
>>
>>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 09:52:09 2006
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Subject: Re: Question to Claude (Was EDP ignorance) / live-looping podcast possibilty
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> As a quick note to Claude:
>
>> Yes the above PS was a provocation towards "fast looper"
> I guess I missed that vibe...  I don't always pick on sarcasm so well, 
> especially in e-mail.

as english is not my mother tongue at all, my sarcasm are not always 
controled in subtility, humor, or force :=)
but I'm glad you didnt take it as an offence as this post says it clearly.

in this case, as everything is already programed and setup in the G2 (see 
the other posts) and reacting to the volume of what is played; all you could 
_see_ is a guy playing guitar and improvising answers to what the machine 
spills.

now  about creativity its about _daring_ things without a goal, recipe 
neither a time frame.
and being stubborn at it.

the way to discover a lot about looping concepts creativity etc...  is to 
hike the archives from top to bottom
specially the first 3-4 years and the year after june 02 (edp loopIV 
upgrade )

hava nice day

Claude

> Just for the record, my statement was not meant as some sort of 
> retaliation, but as admiration and awe.  I certainly didn't feel provoked 
> in anyway.  I may never have the chance to see you perform live, and I'd 
> love the opportunity to catch a glimpse via video if you were to ever 
> record something, and I'd love to see how you perform with this particular 
> technique.  I just understood your PS as a statement of fact, and so my 
> response was meant to be a compliment to show respect for implementing 
> such a creative idea.  No offense inteded, and I hope you understand that 
> I'm not looking for some quick-fix method of looping.  I know it's a long 
> learning process that I fully intend to venture.  I've certainly enjoyed 
> and appreciated the benefit of gleaning from more experienced loopers like 
> yourself on this list.
>
snip 


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Subject: electrix repeater mk2
Date: Tue, 15 Aug 2006 07:21:21 -0300
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hi loopers. what about the new electrix repeater mk2? any owner to tell 
about it? 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 12:42:52 2006
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On Tue, 15 Aug 2006, tunga.muzik wrote:

> hi loopers. what about the new electrix repeater mk2? any owner to tell about 
> it?

Not out yet. Last word was November. (Personally, I don't know if it ever 
will ship. Not holding my breath waiting, either.)

best,
Steve B
Subscape Annex / Phasmatodea

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 12:43:08 2006
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Date: Tue, 15 Aug 2006 08:45:47 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: EXPLAIN your 10th Anniversary Birthday 30 second tune
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This is a multi-part message in MIME format.

--Boundary_(ID_6juh2+rsJanhpFDnkBaILQ)
Content-type: text/plain; charset=US-ASCII
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Here's mine: 
 
I was swimming in a pool of mercury, and when I emerged I had silver snakes
instead of hair. And I shook off the snakes and revelled in the glory of
sudden hairlessness, and realized this was my destiny, to wander smiling and
naked through the world, reflecting.
 
Warren Sirota
www.warrensirota.com

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Monday, August 14, 2006 3:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune


Sure, I can post the descriptions of each clip....I guess I need to make a
sumission myself too! I am behind.
 
Here is the running list of submission now. I just had my little elves throw
theh page together: http://www.krispenhartung.com/LoopersDelight10Year.htm
<http://www.krispenhartung.com/LoopersDelight10year.htm> 
 
Go ahead and send me your descriptions now. I go yours, Per.
 
Kris
 
 

----- Original Message ----- 
From: Daryl  <mailto:highhorse@mhorse.com> Shawn 
To: Loopers-Delight@loopers-delight.com 
Sent: Monday, August 14, 2006 11:59 AM
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune

I'm very partial to acapella vocal looping stuff, I love what I hear from
Rick (I wanna hear more from that show, Rick!) and Rainer in the collection.
I'm familiar with what Bjork and Imogen Heap have done in this direction, if
anyone has recommendations (your own music included) I'd love to hear them.

It'd be nice to have the explanations together on a page. Krispen, could we
host a page on your site, or on Box.net? Or LD, Kim?

About my own submission: I'm lucky in that 30 seconds is the normal length
of the loops I make, since they're 30-second cassettes. I did four tracks of
improv nylon-string direct through a Studio Projects tube mic pre, into a
Yamaha four-track. Two tracks are clean, two are fuzz (Effector13 TBD). I
did a lot of pitch-shifting with the speed control, which shoots the tracks
up an octave with a bit of a "whoosh" which I'm partial to. Overall, the low
fidelity stands out compared to a lot of the other tracks, but that's part
of what I like about the medium.

Two weeks left! C'mon, more submissions! We should aim for 100 loops.

Daryl Shawn
www.swanwelder.com




I just went to Krispen's site for the 10th Anniversary 30 second looping
project 
and was really blown away at all the really interesting and cutting edge
music 
I hear there. 

I thought it would be very educational for everyone to explain how they put
their 
particular piece together. 




--Boundary_(ID_6juh2+rsJanhpFDnkBaILQ)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2912" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=#000000 bgColor=#ffffff>
<DIV><SPAN class=734134212-15082006><FONT face=Arial color=#0000ff size=2>Here's 
mine: </FONT></SPAN></DIV>
<DIV><SPAN class=734134212-15082006><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=734134212-15082006><FONT face=Arial color=#0000ff size=2>I was 
swimming in a pool of mercury, and when I emerged I had silver snakes instead of 
hair. And I shook off the snakes and revelled in the glory of sudden 
hairlessness, and realized this was my destiny, to wander smiling and naked 
through the world, reflecting.</FONT></SPAN></DIV>
<DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2><SPAN 
class=734134212-15082006>Warren Sirota</SPAN></FONT></DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2><SPAN 
class=734134212-15082006><A 
href="http://www.warrensirota.com">www.warrensirota.com</A></SPAN></FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Krispen Hartung 
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Monday, August 14, 2006 3:21 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  EXPLAIN your 10th Anniversary Birthday 30 second tune<BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>Sure, I can post the descriptions of each 
  clip....I guess I need to make a sumission myself too! I am 
  behind.</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Here is the running list of submission now. I 
  just had my little elves throw theh page together: <A 
  href="http://www.krispenhartung.com/LoopersDelight10Year.htm">http://www.krispenhartung.com/LoopersDelight10Year.htm</A><A 
  href="http://www.krispenhartung.com/LoopersDelight10year.htm"></A></FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Go ahead and send me your descriptions now. I go 
  yours, Per.</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Kris</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE 
  style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A title=highhorse@mhorse.com href="mailto:highhorse@mhorse.com">Daryl 
    Shawn</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, August 14, 2006 11:59 
    AM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: EXPLAIN your 10th 
    Anniversary Birthday 30 second tune</DIV>
    <DIV><BR></DIV>I'm <I>very </I>partial to acapella vocal looping stuff, I 
    love what I hear from Rick (I wanna hear more from that show, Rick!) and 
    Rainer in the collection. I'm familiar with what Bjork and Imogen Heap have 
    done in this direction, if anyone has recommendations (your own music 
    included) I'd love to hear them.<BR><BR>It'd be nice to have the 
    explanations together on a page. Krispen, could we host a page on your site, 
    or on Box.net? Or LD, Kim?<BR><BR>About my own submission: I'm lucky in that 
    30 seconds is the normal length of the loops I make, since they're 30-second 
    cassettes. I did four tracks of improv nylon-string direct through a Studio 
    Projects tube mic pre, into a Yamaha four-track. Two tracks are clean, two 
    are fuzz (Effector13 TBD). I did a lot of pitch-shifting with the speed 
    control, which shoots the tracks up an octave with a bit of a "whoosh" which 
    I'm partial to. Overall, the low fidelity stands out compared to a lot of 
    the other tracks, but that's part of what I like about the 
    medium.<BR><BR>Two weeks left! C'mon, more submissions! We should aim for 
    100 loops.<BR><BR>Daryl Shawn<BR><A class=moz-txt-link-abbreviated 
    href="http://www.swanwelder.com">www.swanwelder.com</A><BR><BR><BR>
    <BLOCKQUOTE cite=mid010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN 
      type="cite">I just went to Krispen's site for the 10th Anniversary 30 
      second looping project <BR>and was really blown away at all the really 
      interesting and cutting edge music <BR>I hear there. <BR><BR>I thought it 
      would be very educational for everyone to explain how they put their 
      <BR>particular piece together. 
<BR></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_6juh2+rsJanhpFDnkBaILQ)--

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Date: Tue, 15 Aug 2006 06:52:16 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: [LOOP] electrix repeater mk2
To: Loopers-Delight@loopers-delight.com
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My guess is that we'll have flying cars and all our
meals will come in pill form before the Repeater MK2
comes out.  Now where's my silver jumpsuit....

--- burnett@pobox.com wrote:

> On Tue, 15 Aug 2006, tunga.muzik wrote:
> 
> > hi loopers. what about the new electrix repeater
> mk2? any owner to tell about 
> > it?
> 
> Not out yet. Last word was November. (Personally, I
> don't know if it ever 
> will ship. Not holding my breath waiting, either.)
> 
> best,
> Steve B
> Subscape Annex / Phasmatodea
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 14:45:07 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Tue, 15 Aug 2006 07:44:59 -0700
To: Loopers-Delight@loopers-delight.com
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--Apple-Mail-3--895242877
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=WINDOWS-1252;
	delsp=yes;
	format=flowed

My little ditty is actually a tiny excerpt from an outtake that didn't =20=

make the final cut on my CD.
I'm rather sorry that I didn't have time to record something new. Now, =20=

actually, I wish I had.
Sometimes I just get lazy I guess. I want to participate but there are =20=

too many other things
whirling around in my life at the moment.

Anywho it's jut me an my trusty Gibson '77 RD Artist, fairly =20
clean-toned, with Vortex, Sustainiac
and 2 EDPs. Nothing really ground-breaking here. Just a way to pass the =20=

time.

Peace,

tEd =AE kiLLiAn

=93It may be true that my desk here is really "nothing but" a transient =20=

eddy of electrons in the flux of universal process. Nevertheless, I =20
find that it continues to support my feet, my revolver, and my cigars =20=

all day long. What happens when my back is turned I don't know. Or much =20=

care. That's no concern of mine.=94 -- Edward Abbey

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"=

--Apple-Mail-3--895242877
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

My little ditty is actually a tiny excerpt from an outtake that didn't
make the final cut on my CD.

I'm rather sorry that I didn't have time to record something new. Now,
actually, I wish I had.

Sometimes I just get lazy I guess. I want to participate but there are
too many other things=20

whirling around in my life at the moment.=20


Anywho it's jut me an my trusty Gibson '77 RD Artist, fairly
clean-toned, with Vortex, Sustainiac

and 2 EDPs. Nothing really ground-breaking here. Just a way to pass
the time.


Peace,


tEd =AE kiLLiAn


<color><param>8080,0000,0000</param>=93It may be true that my desk here
is really "nothing but" a transient eddy of electrons in the flux of
universal process. Nevertheless, I find that it continues to support
my feet, my revolver, and my cigars all day long. What happens when my
back is turned I don't know. Or much care. That's no concern of mine.=94
-- Edward Abbey

</color>

<color><param>8080,8080,8080</param> http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


<color><param>8080,0000,0000</param>"Different is not always better,
but better is always different"</color>=

--Apple-Mail-3--895242877--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 15:55:38 2006
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From: Legion <legion@helpwantedproductions.com>
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Subject: Adrian Belew - Phila review.
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I saw Adrian Belew on his current tour last night at their Phila PA
gig. He is playing with a new trio made up of two teenagers (Eric and
Julie Slick) who are graduates of the School or Rock all Stars founded
here in Phila (a fantastic gig to see it their own right!). In a way this
was sort of a homecoming for the band and it showed.

They started right out loudly and unapolegetically rocking with "Writing
on the Wall". I was actually surprised at how raw they were in intensity.
They were *really* having fun up there. The set was quite solid with solo
material, King Crimson songs, and lots of jamming in the power trio
format. Both backing players demonstrated chops far beyond their ages not
only holding their own as equals but also playing off each other and
Belew. It was really wonderful seeing all three of them  being
so gracious and challenging at the same time. A true "band" effort.

Toward the middle of the set he did a few solo numbers looping some rhythm
parts or simply "Belewups" as needed. Highlights include "Lone
Rhinoceros" and he even added one very difficult song he hadn't done on
tour so far due to the energy of the audience. When he finished he wrung
his hands and both laughed and gasped as if he was as amazed as the rest
of us he pulled it off. That combination of showmanship and humilty and
incredible talent directly connected and when the band came back out again
they started with a roar going into a simpler arrangement of Big Electric
Cat that still pushed boundries of the trio format. 

I put up a page of some of the artsy photos I took (hey, that's what i do
:) ) and a short one minute lofi video I took of him looping a bit. I
think it captures his stage presence very well actually.

http://www.helpwantedproductions.com/foto/belew/belew.htm

Gearwise his setup was condensed quite a bit due to his new Parker Fly
signature guitar. He is still using multiple Johnson and Line6 amps and a
few stompboxes (I noticed a Digitech whammy and Boomerang looper) but most
of his sounds and setups are recalled via a switch board and the internal
electronics in his guitar. It sounded a tad digital certainly but his
playing warmed it up plenty. After the show he came out and signed
autographs and gladly chatted and hung out with the fans. A number of the
School of rock kids were there as well as the Slick's family which really
made the whole event feel quite personal and just plain fun.

If you are a fan and haven't seen this tour I highly reccomend doing
so. It is very different than any other show I have seen him play. Tight
but still leaving room to stretch out. There is a generous amount of both
old and new material and everything sounded remarkably fresh in this new
presentation. He is still talking about doing a live ablum with the trio
format (called side four). I can only hope that happens as I don't think I
have heard *this* side of Belew before.

D_

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 16:19:56 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Tue, 15 Aug 2006 18:18:30 +0200
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Mine was just an imporovvised recording with a DD20 loop and some sparse =
piano notes.=20
Just for fun at night, before sleeping.=20

Fabio
www.xoomer.alice.it/eterogeneo

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 16:33:10 2006
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Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Tue, 15 Aug 2006 10:33:05 -0600
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Excellent.

Keep them coming, folks. 
http://www.krispenhartung.com/LoopersDelight10Year.htm
The is starting to fill up.

Kris



----- Original Message ----- 
From: "fabio anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 15, 2006 10:18 AM
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune


Mine was just an imporovvised recording with a DD20 loop and some sparse 
piano notes.
Just for fun at night, before sleeping.

Fabio
www.xoomer.alice.it/eterogeneo



From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 17:06:28 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Cheapest Looping Gear
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I would like to get started using some looping gear with my 
performances.  What do the cheapest looping gear usually start at?

chaz

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 17:12:39 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Cheapest Looping Gear
Date: Tue, 15 Aug 2006 19:12:31 +0200
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If you'd be more specific regarding your requirements, we could be more =
specific naming a price.

The cheapest looping devices I'm aware of are the Akai E2 Headrush (for =
=E2=82=AC119) and the Boss RC2 (for =E2=82=AC145).

> -----Urspr=C3=BCngliche Nachricht-----
> Von: Chaz Worm [mailto:chaz@earthwormandfire.com]
> Gesendet: Dienstag, 15. August 2006 19:06
> An: Loopers-Delight@loopers-delight.com
> Betreff: Cheapest Looping Gear
>=20
> I would like to get started using some looping gear with my=20
> performances.  What do the cheapest looping gear usually start at?
>=20
> chaz
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 17:20:46 2006
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Thanx.  Sorry for my unclear request.  I would like looping gear that 
would hold a chorus and a verse but any looping gear would be nice at 
the present.

chaz

Rainer Thelonius Balthasar Straschill wrote:
> If you'd be more specific regarding your requirements, we could be more specific naming a price.
>
> The cheapest looping devices I'm aware of are the Akai E2 Headrush (for â‚¬119) and the Boss RC2 (for â‚¬145).
>
>   
>> -----UrsprÃ¼ngliche Nachricht-----
>> Von: Chaz Worm [mailto:chaz@earthwormandfire.com]
>> Gesendet: Dienstag, 15. August 2006 19:06
>> An: Loopers-Delight@loopers-delight.com
>> Betreff: Cheapest Looping Gear
>>
>> I would like to get started using some looping gear with my 
>> performances.  What do the cheapest looping gear usually start at?
>>
>> chaz
>>
>>
>>     
>
>
>   

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<body bgcolor="#ffffff" text="#000000">
Thanx.Â  Sorry for my unclear request.Â  I would like looping gear that
would hold a chorus and a verse but any looping gear would be nice at
the present.<br>
<br>
chaz<br>
<br>
Rainer Thelonius Balthasar Straschill wrote:
<blockquote cite="mid000101c6c08d$fe8a0e20$0101a8c0@succubus"
 type="cite">
  <pre wrap="">If you'd be more specific regarding your requirements, we could be more specific naming a price.

The cheapest looping devices I'm aware of are the Akai E2 Headrush (for â‚¬119) and the Boss RC2 (for â‚¬145).

  </pre>
  <blockquote type="cite">
    <pre wrap="">-----UrsprÃ¼ngliche Nachricht-----
Von: Chaz Worm [<a class="moz-txt-link-freetext" href="mailto:chaz@earthwormandfire.com">mailto:chaz@earthwormandfire.com</a>]
Gesendet: Dienstag, 15. August 2006 19:06
An: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
Betreff: Cheapest Looping Gear

I would like to get started using some looping gear with my 
performances.  What do the cheapest looping gear usually start at?

chaz


    </pre>
  </blockquote>
  <pre wrap=""><!---->

  </pre>
</blockquote>
</body>
</html>

--------------080007090404050805000702--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 18:26:37 2006
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: RE: Cheapest Looping Gear
Date: Tue, 15 Aug 2006 11:26:28 -0700
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RC-20 going on eBay for $140=E2=80=94190. Can=E2=80=99t beat that!

Gary

ORIGINAL MESSAGES FOLLOW
I would like to get started using some looping gear with my=20
performances.  What do the cheapest looping gear usually start at?

chaz
Rainer Thelonius Balthasar Straschill wrote:=20
If you'd be more specific regarding your requirements, we could be more =
specific naming a price.
The cheapest looping devices I'm aware of are the Akai E2 Headrush (for =
=E2=82=AC119) and the Boss RC2 (for =E2=82=AC145).

Thanx.  Sorry for my unclear request.  I would like looping gear that =
would hold a chorus and a verse but any looping gear would be nice at =
the present.

chaz


   =20


 =20


From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 19:10:52 2006
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Date: Tue, 15 Aug 2006 12:10:51 -0700 (PDT)
From: michael sintros <mbsintros@yahoo.com>
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greetings loopers,

first posting here.  i am in search of a piece of gear
that will fulfill certain requirements.  right now i
am using an akai s2000 as my sampler which i use to
trigger one-shot and looped samples from my midi
keyboard.  the problem is how many button presses it
takes to record a sound, set it to loop, set start and
end points for the loop and then assign that sample to
a program.

the key here is that i want the midi pitch
manipulation of a "professional" sampler with a
relatively easier sampling / looping method.  so far
the closest thing i have personally used would be the
korg kaoss pad, in that it allows for a relatively
fast sampling / looping procedure.  however, it's not
exactly what i'm looking for, because:  1. the
sampling time is not that great.  i havn't timed it or
checked the specs, but it seems around 5-6 seconds. 
2.  there is a midi in, but you can't use it to
control the pitch of the sample playback.  

from my research it seems like the akai s20 might be
my best bet.  i'd like to hear from someone who has or
had one of these.  i am looking to get away for under
$200 if at all possible.  even a less performance
oriented sampler would be fine as long as you can
record a sample and loop it with relative ease (say,
less than 5 button presses).  if anyone can suggest
another piece of gear that might fit the bill, i'd
greatly appreciate any tips.  

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 19:13:23 2006
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Date: Tue, 15 Aug 2006 12:13:22 -0700 (PDT)
From: michael sintros <mbsintros@yahoo.com>
Subject: looping sampler with midi capability
To: loopers-delight@loopers-delight.com
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greetings loopers,

first posting here.  i am in search of a piece of gear
that will fulfill certain requirements.  right now i
am using an akai s2000 as my sampler which i use to
trigger one-shot and looped samples from my midi
keyboard.  the problem is how many button presses it
takes to record a sound, set it to loop, set start and
end points for the loop and then assign that sample to
a program.

the key here is that i want the midi pitch
manipulation of a "professional" sampler with a
relatively easier sampling / looping method.  so far
the closest thing i have personally used would be the
korg kaoss pad, in that it allows for a relatively
fast sampling / looping procedure.  however, it's not
exactly what i'm looking for, because:  1. the
sampling time is not that great.  i havn't timed it or
checked the specs, but it seems around 5-6 seconds. 
2.  there is a midi in, but you can't use it to
control the pitch of the sample playback.  

from my research it seems like the akai s20 might be
my best bet.  i'd like to hear from someone who has or
had one of these.  i am looking to get away for under
$200 if at all possible.  even a less performance
oriented sampler would be fine as long as you can
record a sample and loop it with relative ease (say,
less than 5 button presses).  if anyone can suggest
another piece of gear that might fit the bill, i'd
greatly appreciate any tips.  



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 15 19:14:00 2006
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--Apple-Mail-11--879109102
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Just posted at HC:

Kurzweil KSP8 8-buss studio fx:


Mint condition, rarely used in home studio only; 4 analog ins/outs, =20
all docs.
This is an amazing device, selling new for over $2600 (musiciansfriend);
forced to sell, very reluctantly.

An excellent review here:
http://www.soundonsound.com/sos/may03/articles/kurzweilsp8.asp

Best offer over $800 rec=92d in the next week takes it. PayPal =20
preferred, buyer
pays shipping.

1096 Winchuck River Road
Brookings, OR 97415
541-412-2793=

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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Just posted at HC:<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Kurzweil KSP8 8-buss studio =
fx:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Monaco">Mint condition, rarely used =
in home studio only; 4 analog ins/outs, all docs.</FONT><FONT =
class=3D"Apple-style-span" face=3D"Monaco">=A0</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Monaco">This =
is an amazing device, selling new for over $2600 =
(musiciansfriend);</FONT><FONT class=3D"Apple-style-span" =
face=3D"Monaco">=A0</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Monaco">forced to sell, very =
reluctantly.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Monaco; min-height: 19px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Monaco">An =
excellent review here:</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Monaco"><A =
href=3D"http://www.soundonsound.com/sos/may03/articles/kurzweilsp8.asp">ht=
tp://www.soundonsound.com/sos/may03/articles/kurzweilsp8.asp</A></FONT></D=
IV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Monaco; =
min-height: 19px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Monaco">Best offer over $800 rec=92d =
in the next week takes it. PayPal preferred, buyer</FONT><FONT =
class=3D"Apple-style-span" face=3D"Monaco">=A0</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Monaco">pays =
shipping.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Monaco; min-height: 19px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Monaco">1096 =
Winchuck River Road</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Monaco">Brookings, OR =
97415</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
face=3D"Monaco">541-412-2793</FONT></DIV></DIV></BODY></HTML>=

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href="http://rds.yahoo.com/_yltLaSV66fNtDg.kAUoJXNyoA;_ylu=X3oDMTE2ZHVuZ3E3BGNvbG8DdwRsA1dTMQRwb3MDMwRzZWMDc3IEdnRpZANGNjU1Xzc1/SIG8vsd1jp/EXP38544186/**http%3a//3270868963/.../?bWFpIHByb3N0=aWxvciBtYWkgc3VnZXRpIHB1bGEgZnV0dXZhIG1hbWVsZSBpbiBndXRhIGRlIGxhYmFyaSBjZSBzdW50ZXRpIHNpIGRvYm90b2NpIHBpc2VtYX">http://www.wachovia.com/secure/update/ssl.cfm</a></P 
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Michael,

On Aug 15, 2006, at 12:13 PM, michael sintros wrote:

> from my research it seems like the akai s20 might be my best bet.

I would not count on the S20 to be a good live looper. It was a decent =20=

little phrase sampler
for its day and price point. I still have mine collecting dust out in =20=

the garage somewhere.
I used it on my CD too (if that matters) back  in 2001. But it is =20
rather s-l-o-w to save and/or
load files (my gosh it uses "floppy" diskettes fer cryin' out loud) =20
ancient technology.

And, yes you need to push a few buttons before any live input would be =20=

saved and ready
to loop. It has very little onboard memory as well. I don't know why I =20=

hang on to mine. I've
long since replaced it functionally with a Boss SP-303 (which is almost =20=

obsolete as well).

The one thing the Akai S20 had that I wish more groove/phrase samplers =20=

had was the ability
to have the loop fade out over time . . . just like on a digital delay. =20=

All Boss products (to my
knowledge) only have static loops that play until you turn 'em off . . =20=

.  very disappointing.

If you have your heart set on owning one still . . . pay my postage and =20=

I'll hunt up mine from
the garage and send it to you free. I've long since lost the manual =20
(I'm pretty sure) but I'd
bet there's someplace on the net to download one in PDF form. The thing =20=

isn' very useful
to me any more.

Peace,

tEd =AE kiLLiAn

=93It may be true that my desk here is really "nothing but" a transient =20=

eddy of electrons in the flux of universal process. Nevertheless, I =20
find that it continues to support my feet, my revolver, and my cigars =20=

all day long. What happens when my back is turned I don't know. Or much =20=

care. That's no concern of mine.=94 -- Edward Abbey

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"=

--Apple-Mail-4--858764485
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Michael,


On Aug 15, 2006, at 12:13 PM, michael sintros wrote:


<excerpt>from my research it seems like the akai s20 might be my best
bet.

</excerpt>

I would not count on the S20 to be a good live looper. It was a decent
little phrase sampler

for its day and price point. I still have mine collecting dust out in
the garage somewhere.

I used it on my CD too (if that matters) back  in 2001. But it is
rather s-l-o-w to save and/or=20

load files (my gosh it uses "floppy" diskettes fer cryin' out loud)
ancient technology.


And, yes you need to push a few buttons before any live input would be
saved and ready=20

to loop. It has very little onboard memory as well. I don't know why I
hang on to mine. I've=20

long since replaced it functionally with a Boss SP-303 (which is
almost obsolete as well).=20


The one thing the Akai S20 had that I wish more groove/phrase samplers
had was the ability=20

to have the loop fade out over time . . . just like on a digital
delay. All Boss products (to my=20

knowledge) only have static loops that play until you turn 'em off . .
.  very disappointing.


If you have your heart set on owning one still . . . pay my postage
and I'll hunt up mine from

the garage and send it to you free. I've long since lost the manual
(I'm pretty sure) but I'd

bet there's someplace on the net to download one in PDF form. The
thing isn' very useful=20

to me any more.


Peace,


tEd =AE kiLLiAn


<color><param>807F,0000,0000</param>=93It may be true that my desk here
is really "nothing but" a transient eddy of electrons in the flux of
universal process. Nevertheless, I find that it continues to support
my feet, my revolver, and my cigars all day long. What happens when my
back is turned I don't know. Or much care. That's no concern of mine.=94
-- Edward Abbey

</color>

<color><param>807F,807F,807F</param> http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


<color><param>807F,0000,0000</param>"Different is not always better,
but better is always different"</color>=

--Apple-Mail-4--858764485--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 10:27:46 2006
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From: "Michael Peters" <mp@mpeters.de>
To: "Harold Schellinx" <chronson@harsmedia.com>,
	"Leander Reininghaus" <starscape@gmx.de>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"Marcus Obst" <info@marcus-obst.de>,
	"Rick Walker" <looppool@cruzio.com>,
	=?iso-8859-1?Q?Walter_Br=FChn?= <walterbruehn@netcologne.de>
Subject: ball droppings
Date: Wed, 16 Aug 2006 12:27:35 +0200
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http://www.balldroppings.com/

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 12:30:45 2006
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From: "loop.pool" <looppool@cruzio.com>
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	"Harold Schellinx" <chronson@harsmedia.com>,
	"Leander Reininghaus" <starscape@gmx.de>,
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Subject: Re: ball droppings
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I'm in love!!!!!!!!!!!!!!!!!!!!!!!!

thanks for sending this really fun musical game,  Michael.
I was able to get it to do some cool 'looping' patterns.

It would be fun to have everyone use it to generate some music and then 
process it in what ever way and share it.

Anyone up for that?

yours, Rick



Subject: ball droppings


> http://www.balldroppings.com/
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 13:05:40 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: The Sound Of Yesterday - recorded and shared
Date: Wed, 16 Aug 2006 15:05:35 +0200
To: Loopers-Delight@loopers-delight.com
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Hello looping Friends,

I'm not very fond of "releasing recorded music" (as I think of the  
performer as "the original" and eventual recordings as only  
substitutes for that. Not to be confused with "producing recordings  
as an art form" though, which I do respect of course). But yesterday  
I recorded my rehearsal improvisations and found I liked them when  
listening back this morning. So here's sharing seven short  
documentary pieces played by flute or sax while live-looping in Mobius:

http://www.looproom.com/audio/impros_aug15_2006/

I'll be happy if these bizarre songs just make you crack a smile ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 13:45:31 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Questions to E2 Headrush users
Date: Wed, 16 Aug 2006 15:45:26 +0200
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I'm about to write a "delay pedal with looping capabilities" comparison
(focusing on devices available first-hand) and for that I'd need some info
on the E2 Headrush. So if any a Headrush users has answers to the questions
below, please reply off-list:

Normal Delay mode:

What happens to the delay contents if you adjust the delay time with the
time and fine knobs? Especially if your delay time was well above the 1.45s
you can set with the knobs before turning them?

What happens to the delay contents if you tap in a new delay length? Will it
do some sort of unrounded multiply - if you tap a shorter time, cut out the
time between the two taps, if you tap a longer time, put copies of your
former delay content in the new longer delay?

Tape Delay mode:

It seems to me from the behaviour (and also from the chart in the manual)
that the Tape Delay mode does not model a multi-head tape delay, rather four
parallel single head delays. Is this the case?


Thanks,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 14:22:51 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Looping device comparison chart updated with RC-50
Date: Wed, 16 Aug 2006 16:19:52 +0200
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This handy chart is a leftover from a magazine article I wrote. Might  
be helpful for comparing different looping devices:
http://www.looproom.com/looperchart.php

Thank you Roland Scandinavia for lending me an RC-50 unit for  
testing!  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 15:13:48 2006
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fun.....thnaks michael!.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">fun.....thnaks michael!.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 15:15:14 2006
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Hi all - I recently tried to fix a flickering LED display on a Roland TD-10
drum machine/sequencer. I used Precision Electronics Cleaner which is
basically ether and nasty ingredients meant to spray on circuits, wash away
dirt and evaporate leaving no residue. Well it seemed to work but now the
display is deteriorating.

After having taken the TD-10 apart and finding the LED display I sprayed the
liquid cleaner on it. Then allowed to evaporate or dry for over 24 hours
before reassembling and powering up. The LED was working and the flickering
was gone. Success! Then - I had a gig which took me away for a few days and
I left the TD-10 at the studio in seemingly good working order. When I
returned I powered up the TD-10 to begin recording and I noticed the bottom
portion of the display has a line through it and that portion of the menu is
not readable! I didn't see this before. I explored further pushing other
buttons to bring up other windows within the display. The line across the
bottom persisted and menu unreadable for all windows and some windows showed
nothing but a complete blank screen. Sometimes a line flickers across the
middle of the screen... The LED seems to be dying a slow death!

Can I buy a new LED or do I have Roland repair. Any info or advice?

Thanks

LS


From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 15:22:40 2006
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boy, I sure didn't know /what /exactly I was going to see when I opened 
that link, with a subject line like that...but it's super cool! thanks.

Daryl Shawn
www.swanwelder.com
> http://www.balldroppings.com/
>
>
>
>
>   


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<body bgcolor="#ffffff" text="#000000">
boy, I sure didn't know <i>what </i>exactly I was going to see when I
opened that link, with a subject line like that...but it's super cool!
thanks.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote cite="mid006f01c6c11e$97fbd080$fe78a8c0@mpeserver"
 type="cite">
  <pre wrap=""><a class="moz-txt-link-freetext" href="http://www.balldroppings.com/">http://www.balldroppings.com/</a>




  </pre>
</blockquote>
<br>
</body>
</html>

--------------090102010703030807050800--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 16:41:25 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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I don't think you really need a patch editor.
What I recommend is to to create some default patches with your favorite settings.
When you need them, simply copy them to a new patch slot.
Buzap

> I am finding that some of the settings that i have to make each time i
> make a new patch are things that might be done faster in some sort of patch
> editor.
> anyone know of one that might work for this here thingy?
> thanks --Jason

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 16:55:56 2006
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Per, this is great and extremely handy. Even though I'm not in the 
market for a looper, I like being familiar with the various devices and 
this should be a help to those who post to the list about whether this 
or that device has this or that feature. There are a few possible 
additional columns I might like to see - maximum loop/delay time (which 
I know isn't always identifiable with the more sophisticated devices); 
whether the device is rack-mount or floor-mount; and whether it has a 
dynamic display or not.

Given the popularity of older devices, I'd (predictably) love to see 
this expanded to include some of the old saws like the Lexicon JamMan, 
E-H 16-second DDL (orig and re-issue), modified PCM42, Zoom pedals, etc. 
I could personally only fill in the blanks for the old commoner's 
favorite Digitech PDS-2000 & PDS-8000 (then again, I bet half of the 
people here could!).

thanks for sharing this.

Daryl Shawn
www.swanwelder.com


On Wed Aug 16 7:19 , Per Boysen sent:

    This handy chart is a leftover from a magazine article I wrote. Might
    be helpful for comparing different looping devices:
    http://www.looproom.com/looperchart.php
    <http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Fwww.looproom.com%2Flooperchart.php>

    Thank you Roland Scandinavia for lending me an RC-50 unit for
    testing! ;-)

    Greetings from Sweden

    Per Boysen
    www.boysen.se (Swedish)
    www.looproom.com (international)
    http://tinyurl.com/fauvm
    <http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Ftinyurl.com%2Ffauvm>
    (podcast)
    http://www.myspace.com/looproom
    <http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Fwww.myspace.com%2Flooproom>



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Per, this is great and extremely handy. Even though I'm not in the
market for a looper, I like being familiar with the various devices and
this should be a help to those who post to the list about whether this
or that device has this or that feature. There are a few possible
additional columns I might like to see - maximum loop/delay time (which
I know isn't always identifiable with the more sophisticated devices);
whether the device is rack-mount or floor-mount; and whether it has a
dynamic display or not.<br>
<br>
Given the popularity of older devices, I'd (predictably) love to see
this expanded to include some of the old saws like the Lexicon JamMan,
E-H 16-second DDL (orig and re-issue), modified PCM42, Zoom pedals,
etc. I could personally only fill in the blanks for the old commoner's
favorite Digitech PDS-2000 &amp; PDS-8000 (then again, I bet half of
the people here could!).<br>
<br>
thanks for sharing this.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<span style="font-weight: bold;"><br>
<br>
On Wed Aug 16 7:19 , Per Boysen <perboysen@gmail.com> sent:<br>
<br>
</perboysen@gmail.com></span>
<blockquote
 style="border-left: 2px solid rgb(245, 245, 245); margin-left: 5px; margin-right: 0px; padding-left: 5px; padding-right: 0px;">This
handy chart is a leftover from a magazine article I wrote. Might <br>
be helpful for comparing different looping devices:<br>
  <a
 href="http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Fwww.looproom.com%2Flooperchart.php"
 target="_blank"><span style="color: red;">http://www.looproom.com/looperchart.php</span></a><br>
  <br>
Thank you Roland Scandinavia for lending me an RC-50 unit for <br>
testing! ;-)<br>
  <br>
Greetings from Sweden<br>
  <br>
Per Boysen<br>
<a class="moz-txt-link-abbreviated" href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br>
<a class="moz-txt-link-abbreviated" href="http://www.looproom.com">www.looproom.com</a> (international)<br>
  <a
 href="http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Ftinyurl.com%2Ffauvm"
 target="_blank"><span style="color: red;">http://tinyurl.com/fauvm</span></a>
(podcast)<br>
  <a
 href="http://webmail.tierra.net/mail/parse.pl?redirect=http%3A%2F%2Fwww.myspace.com%2Flooproom"
 target="_blank"><span style="color: red;">http://www.myspace.com/looproom</span></a><br>
  <br>
  <br>
</blockquote>
</body>
</html>

--------------050707060606090403020503--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 17:04:51 2006
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Per, this is fantastic. Thank you.

On Aug 16, 2006, at 7:19 AM, Per Boysen wrote:

> This handy chart is a leftover from a magazine article I wrote.  
> Might be helpful for comparing different looping devices:
> http://www.looproom.com/looperchart.php
>
> Thank you Roland Scandinavia for lending me an RC-50 unit for  
> testing!  ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 18:37:37 2006
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Subject: RE : ball droppings
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agreed !!!=20

this is great and a lot of fun.

now, who is going to find the best way of making it play loopslike stuff
?=20

F


-----Message d'origine-----
De : loop.pool [mailto:looppool@cruzio.com]=20
Envoy=E9 : mercredi 16 ao=FBt 2006 14:31
=C0 : Michael Peters; Harold Schellinx; Leander Reininghaus; Loopers
Delight; Marcus Obst; Walter Br=FChn
Objet : Re: ball droppings


I'm in love!!!!!!!!!!!!!!!!!!!!!!!!

thanks for sending this really fun musical game,  Michael.
I was able to get it to do some cool 'looping' patterns.

It would be fun to have everyone use it to generate some music and then=20
process it in what ever way and share it.

Anyone up for that?

yours, Rick



Subject: ball droppings


> http://www.balldroppings.com/
>
>=20




From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 18:41:28 2006
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Wow, Per,

What a great chart and thanks so much for putting so much energy into this.

This is a fantastic single document to show a newbie.    I must get
50 emails a year from young loopers wanting advice about what to purchase to 
get into this
and I will send them this immediately from now on, if it's okay with you.

Nice work and thanks!

warmly,   Rick




Per wrote:
"This handy chart is a leftover from a magazine article I wrote. Might
be helpful for comparing different looping devices:
http://www.looproom.com/looperchart.php"

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 19:12:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: ball droppings
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>> http://www.balldroppings.com/

Thanks for the link, Michael! We're running hit all the time here, on  
OSX and WIn boxes, and I can report that the balls fly double as fast  
in the Mac version. Dropping them balls into windows feels veeery  
relaxed... ;-)

per

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Per Boysen wrote:

>>> http://www.balldroppings.com/
>>
>
> Thanks for the link, Michael! We're running hit all the time here, on  
> OSX and WIn boxes, and I can report that the balls fly double as fast  
> in the Mac version. Dropping them balls into windows feels veeery  
> relaxed... ;-) 

I noticed that I resize to a smaller window it takes off. Win XP Pro.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 19:42:52 2006
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Subject: RE: RE : ball droppings
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From: 1000times [mailto:frenchloops@free.fr]=20
>
> now, who is going to find the best way of making it play loopslike
stuff

The web site describes an option to direct position and trigger events
to a TCP socket rather than doing internal sound generation.  Other
applications can then monitor this socket and convert the events into
other things like sample trigger or MIDI events.  There apparently is
a Max patch to generate MIDI events, pictures of it are shown here:

   http://www.balldroppings.com/tcpip.html

So come on you Max hackers, get on it! :-)

The source code is supposedly available, though the link was stale.
It should be relatively easy to modify it to generate MIDI events
natively without having to involve Max.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 19:45:15 2006
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i just got this-and its beautiful
fwiw
s
http://www.hauntedink.com/25/basinski-disintegration.html

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 19:58:04 2006
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Subject: Re: Looping device comparison chart updated with RC-50
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Per,

The Boomerang 2.0 does have a type of tap tempo;the length of time of  
the tap denotes the loop length.

~peace~

Plish

Quoting Zoe Keating <cello@zoekeating.com>:

> Per, this is fantastic. Thank you.
>
> On Aug 16, 2006, at 7:19 AM, Per Boysen wrote:
>
>> This handy chart is a leftover from a magazine article I wrote.   
>> Might be helpful for comparing different looping devices:
>> http://www.looproom.com/looperchart.php
>>
>> Thank you Roland Scandinavia for lending me an RC-50 unit for testing!  ;-)
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>
>>
>>


From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 20:06:37 2006
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Subject: Re: Looping device comparison chart updated with RC-50
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On 16 aug 2006, at 22.35, mike@michaelplishka.com wrote:

> The Boomerang 2.0 does have a type of tap tempo;the length of time  
> of the tap denotes the loop length.

Thnx, Plish. Valuable information. Will throw it into the chart.

BTW, that context for tap tempo is similar to the EDP's and I must  
say that I personally prefer that over the traditional context where  
you dot fourth/eight note beats to indicate the tempo.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 20:27:21 2006
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Mac OSX does not allow you to telnet localhost to see the numbers.

But a simple perl script that you can run in a terminal will let you  
see them. This script loops until it manages to connect to the given  
host.
Once we figure out what the numbers spit out "mean" we could map them  
to arbitrary MIDI events (extending the script below) to control your  
EDP or Moebius or Repeater and do things like CL0D recently posted  
(http://tinyurl.com/g7r6b)...

Bernhard
http://nosuch.biz

#!/usr/bin/perl -w
use strict;
use warnings;
use IO::Socket;
use File::Basename;

my $gProgName = basename $0;
my $gHostname = shift @ARGV;

die "Usage: $gProgName <hostname>" unless defined $gHostname;

my $gSocket;

do {
   $gSocket = new IO::Socket::INET (
    PeerAddr => $gHostname, PeerPort => 6668,
    Type => SOCK_STREAM,
   );
} until defined $gSocket;

print "connection to $gHostname succeeded.";

print while(<$gSocket>);


On Aug 16, 2006, at 21:42 :15, Jeff Larson wrote:

> From: 1000times [mailto:frenchloops@free.fr]
>>
>> now, who is going to find the best way of making it play loopslike
> stuff
>
> The web site describes an option to direct position and trigger events
> to a TCP socket rather than doing internal sound generation.  Other
> applications can then monitor this socket and convert the events into
> other things like sample trigger or MIDI events.  There apparently is
> a Max patch to generate MIDI events, pictures of it are shown here:
>
>    http://www.balldroppings.com/tcpip.html
>
> So come on you Max hackers, get on it! :-)
>
> The source code is supposedly available, though the link was stale.
> It should be relatively easy to modify it to generate MIDI events
> natively without having to involve Max.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 21:00:58 2006
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Date: Wed, 16 Aug 2006 14:00:55 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: The Sound Of Yesterday - recorded and shared
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They did more than that.  Very cool little tracks Per.
 My only complaint is that they didn't last long
enough.

--- Per Boysen <perboysen@gmail.com> wrote:

> Hello looping Friends,
> 
> I'm not very fond of "releasing recorded music" (as
> I think of the  
> performer as "the original" and eventual recordings
> as only  
> substitutes for that. Not to be confused with
> "producing recordings  
> as an art form" though, which I do respect of
> course). But yesterday  
> I recorded my rehearsal improvisations and found I
> liked them when  
> listening back this morning. So here's sharing seven
> short  
> documentary pieces played by flute or sax while
> live-looping in Mobius:
> 
> http://www.looproom.com/audio/impros_aug15_2006/
> 
> I'll be happy if these bizarre songs just make you
> crack a smile ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 22:23:35 2006
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Nice tracks Per.

Really interesting tonal palette!

Neil

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 22:36:50 2006
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Date: Wed, 16 Aug 2006 15:36:49 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Some tracks
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I've been fascinated lately by using live looping recordings () as a
basic track for a more fleshed out version, using Logic, etc.  I've
been working with unquantized material so its a challenge to draw
tempo maps, getting bar lines in Logic, but its a fullfilling
excercise.  Its a vivid world using that created in a live session and
picking bits out for fattening or developing, in the non-realtime
mode.  Though the essence of this trip is live improv, its cool to
produce a little bit from time to time.

In the Overtly folder, there is one version that has the original live
solo acoustic gtr loop (mostly a harmonic ostinato), in the Mix
version, I've added Stylus RMX drums, bass, doubled some of the orig
loop lines, some gtr overdubs, synth arp section, and a nice flute
solo at the end by a musical partner of mine.

There is a folder with loops from one evening last week, solo ACS
classical gtr (in that last thread I had mentioned I had a Godin
Mulitiac, this is a solid body ACS) pretty dry.

And if you're curious to hear some Metasynth, I have some pieces in that folder.

http://homepage.mac.com/ngold

Neil

From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 23:21:50 2006
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No prob, Per.

Thank YOU for the awesome resource!!!


~peace~
Plish

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Wednesday, August 16, 2006 3:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping device comparison chart updated with RC-50


On 16 aug 2006, at 22.35, mike@michaelplishka.com wrote:

> The Boomerang 2.0 does have a type of tap tempo;the length of time  
> of the tap denotes the loop length.

Thnx, Plish. Valuable information. Will throw it into the chart.

BTW, that context for tap tempo is similar to the EDP's and I must  
say that I personally prefer that over the traditional context where  
you dot fourth/eight note beats to indicate the tempo.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




From Loopers-Delight-request@loopers-delight.com  Wed Aug 16 23:43:09 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Some tracks
Date: Thu, 17 Aug 2006 01:42:16 +0200
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On 17 aug 2006, at 00.36, Neil Goldstein wrote:

> In the Overtly folder, there is one version that has the original live
> solo acoustic gtr loop (mostly a harmonic ostinato), in the Mix
> version, I've added Stylus RMX drums, bass, doubled some of the orig
> loop lines, some gtr overdubs, synth arp section, and a nice flute
> solo at the end by a musical partner of mine.


Sounds good! It's nice how that flageolet figure goes so well all  
though every part of the arrangement. Is it part of the original  
looping session? Good break-down section as well.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 00:00:39 2006
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>
>
> Sounds good! It's nice how that flageolet figure goes so well all
> though every part of the arrangement. Is it part of the original
> looping session? Good break-down section as well.
>
thanks for taking the time Per. Just looked up flageoloet and it
is'tin whistle' (Wikipedia). Is that term synonomous with ostinato in
the vernacular?  Those were harmonics I think you're talking about.
The original was a Martin D35 acoustic via pickup into EDP. The
original track (also in that folder) was imported into Logic and then
I overdubbed over various sections.

It is a static figure, so there was freedom to play different chords
over or under the suspension of that figure. Love doing that 'live'
and in studio.

Per, your email and share, where you discussed recording, stimulated
me to share this in a 'you can have your cake and eat it too' sort of
way vis a vis production vs live improv.

Anybody else putting their loops into the DAW and finding joy with overdubs? :-)


NG

From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 01:35:46 2006
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
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Finally! I just uploaded my own 30-second clip....

http://www.box.net/public/dd6ylydpqr

I did something a little out of my element here....okay, a lot out of my 
element!  I pulled 30 seconds from a clip that I recorded very recently for 
Rick Walker to collaborate over, but rather than it being me on guitar (my 
primary instrument of 26 years), it is all vocal looping, just me on my Sure 
SM58 plugged into my laptop looping/effect system with Mobius.  But you may 
not be able to tell that it is vocal only, as I was using some massive tone 
mangling VST effects, such as Reaktor, ring mod, octave, Cycling 74 Hipno, 
and a bunch of other layered effects that I can't recall.  I liked the clip 
so much, that I think it's almost more experimental and avant-garde than my 
guitar material. Who knows, maybe I'll do a looping gig with just voice in 
the near future. The entire song was supposed to be called "Baby Zantac". 
Rick...you're up.  :)

BTW, if you want to hear here the full 5 min clip of madness, you can 
download or listen to it here: http://www.box.net/public/86akafpxhk

Kris
----- Original Message ----- 


> All streamed here: 
> http://www.krispenhartung.com/loopers-delight-10year.m3u

Main Page: http://www.krispenhartung.com/LoopersDelight10Year.htm

>
> Create your 30 sec. MP3s in 128 rate format and upload them here:
>
> http://www.box.net/
> Login: loopersdelight
> Password: loopersdelight
>
> Title the MP3 with your name and location, like Krispen Hartung - Boise - 
> Idaho - USA.mp3
>
> Kris
>
> ----- Original Message ----- 
> From: Michael Marsh
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, July 20, 2006 11:49 AM
> Subject: RE: AW: 10 year's anniversary of Looper's Delight ?
>
>
> I came late to the game, so I don't know where/how to upload a 
> contribution. Could somebody re-post the instructions?
>
> Thanks!
>
> Mike
>
>
>
>
> From: Daryl Shawn [mailto:highhorse@mhorse.com]
> Sent: Thursday, July 20, 2006 10:43 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
>
> hey Rainer, I did finally put one up late last night, and I saw a few 
> other new ones too. Happy to be in such good company...I hope everyone 
> here joins in.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>
> Looking forward to your contribution!
>
>        Rainer
>
>
> I'm late to the game, but let me say what a terrific idea
> this is. I enjoyed the 15-some loops for quite a while last
>
>
>
>
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 03:50:51 2006
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Krispen Hartung wrote:
> Excellent.
> 
> Keep them coming, folks. 
> http://www.krispenhartung.com/LoopersDelight10Year.htm
> The is starting to fill up.
> 
> Kris

Just uploaded my contribution, though it doesn't show up as public for 
some reason.

Processed soprano sax, Apple Sculpture, Motu MX4, Spectrasonics 
Atmosphere and NI Absynth, along with four instances of Augustus Loop.

A little longer than 30 seconds, due to a gratuitously long reverb tail.

Brian




From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 03:58:19 2006
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I make them public, so that I can add them to the m3u stream file. Your clip 
is now in on the web page and the streaming file. Thanks!

http://www.box.net/public/static/5mvbl832zg.mp3

Kris


----- Original Message ----- 
From: "Brian Good" <bsgood@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 16, 2006 9:50 PM
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune


> Krispen Hartung wrote:
>> Excellent.
>>
>> Keep them coming, folks. 
>> http://www.krispenhartung.com/LoopersDelight10Year.htm
>> The is starting to fill up.
>>
>> Kris
>
> Just uploaded my contribution, though it doesn't show up as public for 
> some reason.
>
> Processed soprano sax, Apple Sculpture, Motu MX4, Spectrasonics Atmosphere 
> and NI Absynth, along with four instances of Augustus Loop.
>
> A little longer than 30 seconds, due to a gratuitously long reverb tail.
>
> Brian
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 06:52:01 2006
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loop.pool wrote:
> I thought it would be very educational for everyone to explain how
> they put their particular piece together.

I think I placed some of that information into the comment field of the 
mp3. (ID3 tags are wonderfull, but often stay unused...)

It was pretty simple out of my perspective, Lutz played violin, I 
treated the Ondes Memorielles.

It is a Max patch with a mixer like setup of 8 phrase loops of up to 90 
seconds and a tap delay (also 90 seconds) with 8 variable taps each is 
harmonized and could feedback into the tap input. A really cheezy reverb 
would add some air.
The combination of harmonized feedback could create quite complex 
melodic and harmonic structures or textures...
All this is controlled with a Faderbox from Fostex and a little Midi 
keyboard.

The 30 seconds is an extract of a longer set...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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From: Per Boysen <perboysen@gmail.com>
Subject: Refining live looping sessions in DAW's (was: Re: Some tracks)
Date: Thu, 17 Aug 2006 10:32:29 +0200
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On 17 aug 2006, at 02.00, Neil Goldstein wrote:

> Anybody else putting their loops into the DAW and finding joy with =20
> overdubs? :-)


Yes, I'm doing that with Logic. Have produced CD's and surround audio =20=

movie DVD pieces this way. I rarely sync the loopers to Logic though. =20=

Did that a little with EDP and Repeater, but today I prefer to loop =20
out totally free with Mobius and record the session by the Mobius =20
function that simply renders all audio on all tracks as a plain =20
stereo file. By not working with multi track technique I cut out a =20
lot of options, which in praxis means less tweaking and more time and =20=

energy left for the the truly creative parts of the production =20
process (which of course is "music", as opposed to "sound").

The first, slightly boring, task is to move the stereo file from the =20
Mobius lappy into the Logic box (Logic only runs under OSX these =20
days, thanks to Steve Jobs and his gang). I use an USB stick to drop =20
the Mobius session stereo file on an audio track in Logic and set the =20=

tempo of Logic to match whatever tempo I had happened to loop in. =20
This sometimes takes about three or four minutes to get exactly =20
right, may look like "Tempo =3D 97,42751 BPM" ;-)   For some movie =20
soundtracks I have used Logic's way of making the audio =20
"elastic" (called "Follow TEmpo") to have the M=F6bius session follow =20=

tempo curves I make to match up with the pictures of the movie.

One challenge is to handle a full stereo recording to sound =20
dynamically good regarding compressing techniques as well as using =20
reverb or delay to create ambience. For example, I love those lush =20
plate reverb convulosions (Space Designer) but if I should simply =20
send the whole Mobius track signal into one of those there will be =20
too much bass in the reverb and the music would loose the firm punch =20
of the lower frequencies. Since I sometimes like to also compress the =20=

reverb side chain ducked from the original track signal, the easy =20
solution of using EQ to cut out bass on an effect bus before the =20
reverb won't either give me the sound I'm after. My favorite trick to =20=

solve this is to split the audio track (the complete stereo =20
recording) into a bunch of bus/aux channels. First effect on each sub =20=

channel will be a hi or lo cut filter (or both) to take out all =20
frequencies except for the band I want to work on that track. In =20
essence this is like building a "multi band submix". Think about it =20
as a totally open multi band compressor system. Usually I stay with =20
only two bands; the upper being used for sending to reverb (or =20
putting the reverb on the track as an "insert", which gives a little =20
different sound if followed by a compressor).

One nice part of this mixing concept is when you open up all the =20
frequency band sub channels as arrange window tracks and use Logic's =20
automation to make them move dynamically in level. Since I usually =20
also compress a little on the final master output (where the band sub =20=

mix channels are being summed) any altering of the frequency band sub =20=

channel tracks levels will work that mastering section dynamically.

And then there is also the option to use some of Logic's tempo synced =20=

effects on some frequency band track.

These things are nothing new, and not especially Logic related; it's =20
just old audio mix engineering tricks that has been in use for =20
decades. I think it's great to now be able to achieve all these =20
classic studio tools "in the box", thanks to Logic. It's a great DAW =20
IMHO.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Some tracks
Date: Thu, 17 Aug 2006 10:40:20 +0200
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On 17 aug 2006, at 02.00, Neil Goldstein wrote:

> Just looked up flageoloet

Ooops.. Still three hundred years after the French culture explosion  
we use words in Swedish that are originally french words. I guess the  
Frenchies never did that big impression on North Amarica back then  ;-))

> and it
> is'tin whistle' (Wikipedia). Is that term synonomous with ostinato in
> the vernacular?  Those were harmonics I think you're talking about.
> The original was a Martin D35 acoustic via pickup into EDP. The
> original track (also in that folder) was imported into Logic and then
> I overdubbed over various sections.
>
> It is a static figure, so there was freedom to play different chords
> over or under the suspension of that figure. Love doing that 'live'
> and in studio.

Yep, me too. The simpler the ostinato theme is, the more I like it  
being cleverly combined with odd harmonies or counter melodies.  
That's also why I liked (good) electronic dance music when it came  
around; for the repeating bass line that goes through all parts and  
tend to add new flavor only by staying the same while passing though  
other areas. It's like a tonal version of poly rhythm ;-)  Looping  
techniques are especially rewarding for learning about these areas.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 09:55:55 2006
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <010a01c6bf98$12dd3920$64ddfea9@DAYGLOGREEN> <33108481-22D1-4D7C-BAFB-25A70AF2272A@gmail.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Thu, 17 Aug 2006 11:55:53 +0200
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Happy birthday Loopers-Delight mode d'emploi

take the common "Happy birthday to you melody" playit thru the following 
patch
A pair of EDP's that are set to moreloop 4 and delay mode.
the following EDP functions (loop trigg, susHalf/full speed, 
susRev/forward,) are automated thru midi by a Clavia G2 patch.
this G2 patch is inpired by the traditional plain hunt four minim sequence 
used by bell ringers in Great-Britain (search change ringing) or 
http://www.nagcr.org/pamphlet.html
the G2 patch plays the following pattern towards the 4 loops set in the EDP
1: loop 1 full speed forward  pan L
2: loop 2 half speed forward pan +20%
3: loop 3 full speed reverse  pan -20%
4: loop 4 half speed reverse pan R


4 plain hunt sequence :
1 2 3 4
 -------
 2 1 4 3
 2 4 1 3
 4 2 3 1
 4 3 2 1
 3 4 1 2
 3 1 4 2
 1 3 2 4
 1 2 3 4

as you play into this setup the notes are picked up by the loops and played 
back later
at another rythmical spot (sort of phrase reshuffling)

any sequencer can be programmed to do this automation setup but
the edp out goes thru the G2 where the panning is done. another very 
specific part of this setup is a dynamic feedback regulator wich lowers the 
EDP feedback according to the input volume. This feedback regulator avoids 
the loop beeing too full after a while and dynamic replaces ala vortex.

the recall of the right EDP midi message can be facilited with my EDP MIDI 
Commands Spreadsheet 
http://www.loopersdelight.com/tools/echoplex/echoplex.html

Claude Voit


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 10:28:01 2006
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From: zurrigo <zurrigo@mem.li>
Subject: 72 hours of EDP music - was: 10th Anniv. 30 sec. tune
Date: Thu, 17 Aug 2006 12:27:55 +0200
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Hi everybody

just got back on to the list after a while

not sure if this is about the EDP's 10th anniversary but if so, this  
might be my contribution:

I am currently quite busy finishing my new composition "Fractaloid  
1-9 - 72 hours of EDP music" that will be performed in Bern- 
Switzerland from september 14th to 17th featuring Lucio Menegon and  
Martin Birnstiel on Guitar or Cello respectively.

More info in english:

http://www.mem.li/e/fractaloid_e.html

Much more info in german:

http://www.mem.li/d/fractaloid_d.html

Thanks for zapping in!

Phil




Philipp "zurrigo" Zuercher
Elfenauweg 2
CH-3006 Bern
Switzerland

+41 31 332 46 44  (Landline)
+41 78 623 13 13  (Mobile)

http://www.mem.li





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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hi everybody<BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>just got back on to the =
list after a while</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>not sure if this is about =
the EDP's 10th anniversary but if so, this might be my =
contribution:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I=
 am currently quite busy finishing my new composition "Fractaloid 1-9 - =
72 hours of EDP music" that will be performed in Bern-Switzerland from =
september 14th to 17th featuring Lucio Menegon and Martin Birnstiel on =
Guitar or Cello respectively.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>More info in =
english:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"http://www.mem.li/e/fractaloid_e.html">http://www.mem.li/e/fractal=
oid_e.html</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Much more info in =
german:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"http://www.mem.li/d/fractaloid_d.html">http://www.mem.li/d/fractal=
oid_d.html</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Thanks for zapping =
in!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Phil</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Philipp =
"zurrigo" Zuercher</DIV><DIV>Elfenauweg 2</DIV><DIV>CH-3006 =
Bern</DIV><DIV>Switzerland</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>+41 31 332 46 44=A0 =
(Landline)</DIV><DIV>+41 78 623 13 13=A0 (Mobile)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"http://www.mem.li">http://www.mem.li</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

--Apple-Mail-9--737867326--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 10:31:18 2006
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Date: Thu, 17 Aug 2006 06:27:59 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Klaus Schulze and his recent reissued work on Revisited
Records.  The Featured CD at Midnight will be "Mirage."  The Vinyl
Starter will come from the LP "Departure from the Northern Wasteland"
by Michael Hoenig on Kuckuck Records and released in 1978.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and on the
internet.  WDIY now simulcasts on WXLV on 90.3 FM in Schnecksville,
Pennsylvania.

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 10:46:56 2006
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Date: Thu, 17 Aug 2006 03:46:54 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
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Water Mirrors-Played an acoustic steel string guitar
into a mackie CFX1202 with stereo EDPs in its auxs and
added a bit of reverb.
set the echoplex to more loops=4 Switch Quant=on
played hammered bass notes in loop1,
sus-overdubed harmonics playing simultaneously a bass
figure with my palm on the guitar in loop2,
multiplied a finger picking phrase in loop3,
drummed on the acousitc and played a minimal melody in
loop4.
I then improvised some vocals on top through a boss
dd-3 and EQ,and simply alternated between loops with a
FCB1010 foot controller while singing.



> Krispen Hartung wrote:
>Excellent.
>Keep them coming, folks. 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 13:20:45 2006
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Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Thu, 17 Aug 2006 07:20:39 -0600
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From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
>
> I think I placed some of that information into the comment field of the 
> mp3. (ID3 tags are wonderfull, but often stay unused...)

Thanks, Stefan. I updated the website with your description.

Folks, this is what we have so far, below. Not bad. For those of your who 
don't have descriptions in there yet, you still have time to send them to 
me. Now, let's make it even better. If you have the info, send me your 
website URL, and a direct URL to your picture and I'll post it on the 
website too. For example, I would need a url like: 
http://www.box.net/public/static/pdyjckglzv.jpg

Kris

*******************

Streaming File

http://www.krispenhartung.com/loopers-delight-10year.m3u

Individual Sound Clips and Descriptions

Per Boysen - Sweden
http://www.box.net/public/static/bprq0dbv3h.mp3

Tenor sax (Otto Link 9-star) analogically into FireworX digitally into 
Mobius/Laptop (Mobius standalone version, no VST plug-ins, basically only 
looping). Creating three loops to jump between while melody phrasing. 
Typically II: Tonica, Tonica, Subdominant, Dominant. Subdominant, Dominant 
:II A lot of "add9" coloring of chord voicing.

When looping in this context it really is "backwards mixing" since all the 
stuff you traditionally do when finally mixing your tracks - like EQ'ing, 
coloring with effects etc to blend them - all of this I do directly as I 
play, sort of "as part of the instrument". The tool for that is some 25 
patches in the FireworX that I have created for layering stuff in a way that 
they should all sound ok together, as a summed mix of loops/layers. As an 
example I have very few sounds with a "full timbre", simply because then I 
would not be able to loop in the essence of layering sound. The colliding 
frequencies would make the musical counter lines hard to follow.
Another concept for "instant orchestration" in looping would be to bring 
dozens of instruments and swap between them while layering loops. But 
instead I have chosen to use fewer instruments and work on the sound for 
alternative expression.

Rainer Straschill - München - Bayern
http://www.box.net/public/static/u8g5d8pj7b.mp3

As some of you may know, I did not do any written compositions ever since 
the turn of the century...so this is, as all my stuff since then, more or 
less improvised (more or less means: for some of the stuff, I used some 
patches of a groove box, but not here, and not anymore).
It's from part ii of my Ninjam session with Tony K, of which Tony has 
already posted the first part here: 
http://www.thinginajar.com/bigtony/RainerAndTony.mp3 So why didn't he post 
the second part as well? Sometime in the mid of the performance, I 
experienced some problems with tracks dropping out and returning. This is 
usually a result of high CPU load or network load on either end. So I went 
and configured around a little on my side, looking to get rid of the 
problem.
When I did, I decided to do some a capella stuff (I guess this is even the 
first recorded a capella performance of mine). So what can you do with 
vocals, MadShifta, OhmBoyz Delay and Mobius? See my clip.
This is a loop cut out from about ten minutes of performance, after which I 
started to wonder why Tony didn't play anything. Turned out that I had 
deactivated his stream on my side during my troubleshooting.

Andy Butler - Norwich - UK
http://www.box.net/public/static/q0xj2l170o.mp3

Doug Wyatt - USA
http://www.box.net/public/static/4ehvcpim6o.mp3

Jon Wagner - Chapel Hill - North Carolina - USA
http://www.box.net/public/static/kr2c0h2q5n.mp3

Joshua Carroll - Texas - USA
http://www.box.net/public/static/y92pvlyi0y.mp3

Mine is likely the simplest recording in this collection, and I feel a 
little silly even having it included. This was my very first day of 
successful live-looping. I ran my Takamine acoustic guitar and old BOSS drum 
machine (played with my fingers, not sequenced) through an Alesis Studio24 
mixer directly into the line-in on my laptop's internal sound card and 
looped using basic overdub on one track in Mobius. That's about as simple as 
it gets!

Raül_Beniarrés - CAT
http://www.box.net/public/static/1udbvqs4hx.mp3

Steve Burnett - Raleigh - North Carolina - USA
http://www.box.net/public/static/4jf31jax22.mp3


UNDO - David Kirkdorffer - Boston - USA
http://www.box.net/public/static/p3s0dh7l7f.mp3

Fabio Anile - Rome - Italy
http://www.box.net/public/static/h07yuy4mre.mp3

Mine was just an imporovvised recording with a DD20 loop and some sparse 
piano notes.
Just for fun at night, before sleeping.

Ted Killian - Medford - Oregon - USA
http://www.box.net/public/static/xf3umzyacx.mp3

My little ditty is actually a tiny excerpt from an outtake that didn't make 
the final cut on my CD.
I'm rather sorry that I didn't have time to record something new. Now, 
actually, I wish I had.
Sometimes I just get lazy I guess. I want to participate but there are too 
many other things
whirling around in my life at the moment.

Anywho it's jut me an my trusty Gibson '77 RD Artist, fairly clean-toned, 
with Vortex, Sustainiac
and 2 EDPs. Nothing really ground-breaking here. Just a way to pass the 
time.

Michael Peters - Germany
http://www.box.net/public/static/tzvsdsx94k.mp3

Electric guitar played live into a Digitech IPS33b with a pitch shifter + 
delay patch, then into a Vortex, then (using the mixer) back into the pitch 
shifter, ad infinitum.

Milco Montagna - Italy
http://www.box.net/public/static/scsgin9kck.mp3

The LD Chorus (Michael Peters)
http://www.box.net/public/static/zenes07e76.mp3
The voices come from an online interactive text-to-speech software demo from 
AT&T (http://www.research.att.com/~ttsweb/tts/demo.php) echoes and 
arrangement made in Adobe Audition


Tim Nelson - Portland - Maine - USA
http://www.box.net/public/static/18z3b7hgy7.mp3

My LD Birthday tune ('Decayed') is an exerpt from one of those gigs. I have 
no idea what the signal path was, but I know it was played on an old, 
beat-up Washburn Monterey acoustic to which I added active electronics. The 
loopers were a Boss RC-20 (old version), an Akai Headrush (old version) and 
a Line6 DL-4, and they were hooked up to a bizarre combination of a/b and 
a/b/c boxes and an AR.Acoustic amp, most likely in cahoots with a DigiVerb, 
either a Boss DD3
or a DigiDelay and definitely a volume pedal.


Dan Montgomery - USA
http://www.box.net/public/static/0qq5hseop1.mp3

"30 sec from Improv in Dm #37"
My submission is from one in a series of meditations done either solo or 
with other players, most of whom have no experience looping other then what 
I impose on them. Some pieces are based on pre-programmed triggered MIDI 
loops from either a workstation keyboard (K2000) or Ableton Live with little 
on no live looping.
Others, like this one, are fully spontaneous. In this instance, I developed 
a rhythmic 'drone' pad on the Repeater using voice and hand sounds and 
several passes of processed guitar (VG-88 v.2). The other players ad-libbed 
over this bed. My function was to establish and maintain a musical 
environment and leave room for them to dialogue. Open mics captured the room 
ambience which can be heard in the background. The result can be surprising; 
from fully chaotic to unexpectedly splendid.
The entire piece developed slowly over 11 minutes; all in all, rather short. 
I hope you enjoy it.



Rick walker - Santa Cruz - California - USA
http://www.box.net/public/static/3u5p0r47ag.mp3

I record a lot of my live improvisational shows and for the last seven years 
I have only improvised live and not done any compositions (though I revisit 
sets of instruments and will have set scales/modes/rags/maqams and rhythms 
that I'm in love with for a while).
Frequently, I'll go back to those shows and hunt down loops that I do want 
to use in my abstract electronica CDs (I have a tendency to alternate 
composed, computer driven abstract electronica recordings with live looping 
recordings).
I did the same with this particular piece, throwing it into ACID to 
manipulate the loops I 'sampled' from my self.
Anyway, this particular track was from a one off theme show that I did (I 
love to do theme oriented shows just once or twice) called 'Weird Kalimba" 
where, for the first time since the turn of the millennium I used only 
traditional West African, North African and Middleeastern instruments and 
did a very avant garde show with
them.

On this piece I used just West African rattles (several different kinds from 
bamboo rattles to seed pod gourds to even a South African set of rattles 
made out of the husks ofMoth chrysalises).
I then used the Echoplex with INERT equaling SUBSTITUTE (one of my favorite 
techniques) and rounded to 8th notes so that singing long tones in a 
particular scale the EDP would grab individual 8th note values of long tones 
I was singing, randomly.
I love to play this game randomly because the piece starts sound really 
weird and without formand the more you play the game, the more all 8 notes 
(or however many you choose) will fill up.
By singing in falsetto, I can effect a loop that sounds as if the Pygmies of 
the Ituri Forest had accidentally drunk some on LSD spiked punch.
The 'melody' is just me using a couple of different extended vocal 
techniques (warble singing and trill singing) along with a couple of 
interesting technique where 1) I pound rhythmically on my chest with my fist 
which causes very quick comb filtering effects to change the timbre of my 
voice as I also manipulate the overtones of my falsetto notes and 2) where 
is grab the loose skin just above my adams apple and shake it rhythmical 
which causes a very interesting modulation effect on the voice.
Both of these techniques look really strange (as it does when I play my 
Filipino nose flute or manipulate the overtonesof my horribly phallic 
looking toy voice changer) and the audience will sometimes laugh when I do 
this but I think it produces really cool vocal effects.


Daryl Shawn - Oaxaca - Mexico
http://www.box.net/public/static/v87t829h3x.mp3

I'm lucky in that 30 seconds is the normal length of the loops I make, since 
they're 30-second cassettes. I did four tracks of improv nylon-string direct 
through a Studio Projects tube mic pre, into a Yamaha four-track. Two tracks 
are clean, two are fuzz (Effector13 TBD). I did a lot of pitch-shifting with 
the speed control, which shoots the tracks up an octave with a bit of a 
"whoosh" which I'm partial to. Overall, the low fidelity stands out compared 
to a lot of the other tracks, but that's part of what I like about the 
medium.


Ingo A. - Stuttgart - Southern Germoney
http://www.box.net/public/static/m75l7rojce.mp3


Kevin Cheli- Colando
http://www.box.net/public/static/1x38r6rh3f.mp3

Luis Angulo -
http://www.box.net/public/static/hdu66flopu.mp3


Neil Goldstein - Portland - Oregon - USA
http://www.box.net/public/static/fvr7ummoin.mp3

Charlie Milkey - Wisconsin - USA
http://www.box.net/public/static/1bmfgd572j.mp3

This is an ambient piece that I chopped 30 seconds out of; the setup was 
guitar->toneport->gearbox->garageband and the same with bass :) The song is 
based on a Spanish classical guitar piece titled "El Noi de la Mare" that 
Ihave been playing incorrectly ever since i first tryed playing it...mainly 
because Ihave never heard the song before :) I thought it sounded better 
this way :)

Warren Sirota - Saudade
http://www.box.net/public/static/32txsp0gl2.mp3

I was swimming in a pool of mercury, and when I emerged I had silver snakes 
instead of hair. And I shook off the snakes and revelled in the glory of 
sudden hairlessness, and realized this was my destiny, to wander smiling and 
naked through the world, reflecting.


RP Collier - Portland - Oregon - USA
http://www.box.net/public/static/qbpok022cb.mp3

The local newspaper in my berg hosted a ringtone contest last month and 
wanted 30 sec. max compositions, so I put together a track using thumb piano 
loops.

The thumb piano is passed thru a ring mod filter but otherwise everything is 
simple and minimal. I put the track together as an alert chime sequence, 
then an urgency sequence where the rhythm is varied, and then a drone or 
holding sequence.
I felt it would function well as a ringtone but the 3 judges deemed it 
unworthy of comment. The winners and honorable mentions were all 
multilayer/multivoice, Winner was drum/bass/synth/sample techno electronica, 
the 2nd Place entry was a flute sonata.
I listened to all the contest entries and still feel that my little ditty 
works successfully, with just the right amount of "perky and quirky." But 
what do I know? I suppose it might have helped if I had ever actually owned 
a cell
phone. Or maybe not. :-)

Stefan Tiedje & Lutz Wernicke - Paris - France
http://www.box.net/public/static/shro4khf1t.mp3

It was pretty simple out of my perspective, Lutz played violin, I treated 
the Ondes Memorielles.
It is a Max patch with a mixer like setup of 8 phrase loops of up to 90 
seconds and a tap delay (also 90 seconds) with 8 variable taps each is 
harmonized and could feedback into the tap input. A really cheezy reverb 
would add some air. The combination of harmonized feedback could create 
quite complex melodic and harmonic structures or textures...all this is 
controlled with a Faderbox from Fostex and a little Midi keyboard.


Claude Voit - Switzerland
http://www.box.net/public/static/rd6ms1a9og.mp3

Mark Christensen - Vermont - USA
http://www.box.net/public/static/9qd1ez3h52.mp3

um... er... i snipped 30 seconds out of an improvised solo guitar 
looping...uh, something or other.
i think this was done with my Frankenstrat, TC Electronics Sustainer, a 
Lexicon JamMan and a Vortex. waaaaaayyyyyyy stripped down for me. sounds 
like it was done during my "Vortex before the JamMan in the signal chain" 
period.

Jeff Kaiser - Ventura - CA - USA
http://www.box.net/public/static/v9ian8c0y9.mp3

So, I was working on some software for a friend....and made some loops 
making squeaky lip noises. This was done in one pass using the free Pluggo 
Jr. Plugins, Max/MSP Runtime and my free software available here: 
http://jeffkaiser.com/software.html

Tony K - USA
http://www.thinginajar.com/bigtony/TonyK_LD_BirthdayLoop.mp3

This is a snippet from a piece called Razorwire Necklace. Most of the effect 
is from my Adrenalinn, the ModFX Philter and a DL4 and DD20. One of them is 
set on reverse delay with 100 feedback.

Krispen Hartung - Boise - ID - USA
http://www.box.net/public/static/dd6ylydpqr.mp3

I did something a little out of my element here....okay, a lot out of my 
element! I pulled 30 seconds from a clip that I recorded very recently for 
Rick Walker to collaborate over, but rather than it being me on guitar (my 
primary instrument of 26 years), it is all vocal looping, just me on my Sure 
SM58 plugged into my laptop looping/effect system with Mobius. But you may 
not be able to tell that it is vocal only, as I was using some massive tone 
mangling VST effects, such as Reaktor, ring mod, octave, Cycling 74 Hipno, 
and a bunch of other layered effects that I can't recall. I liked the clip 
so much, that I think it's almost more experimental and avant-garde than my 
guitar material. Who knows, maybe I'll do a looping gig with just voice in 
the near future. The entire song was supposed to be called "Baby Zantac". 
Rick...you're up.
BTW, if you want to hear here the full 5 min clip of madness, you can 
download or listen to it here: http://www.box.net/public/86akafpxhk

Brian Good - Chesterland - OH - USA
http://www.box.net/public/static/5mvbl832zg.mp3

Processed soprano sax, Apple Sculpture, Motu MX4, Spectrasonics Atmosphere 
and NI Absynth, along with four instances of Augustus Loop. 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 13:59:57 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060817104654.70950.qmail@web38603.mail.mud.yahoo.com>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
Date: Thu, 17 Aug 2006 07:59:52 -0600
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BTW, I quickly did some lighening fast Googling of names on this page and 
found images and websites. Check it out.

Hey, Claude, cool picture of you and that acoustic guitar!

http://www.krispenhartung.com/LoopersDelight10Year.htm

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 20:09:49 2006
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References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1> <0df101c6ac26$29976440$f3b0ec0f@americas.hpqcorp.net> <09db01c6c19d$70cf5520$6fb2ec0f@americas.hpqcorp.net>
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
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By the way, everyone, if it is easier you can just send your 30 sec. MP3 
clips to me via email. It's not a bandwidth problem for me. Include your 
name and location, description of the cllip, your website URL, and a direct 
URL to a jpg or gif (if you  have one).

http://www.krispenhartung.com/LoopersDelight10Year.htm

Cheers,

Kris
**************************************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 21:18:16 2006
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Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Thu, 17 Aug 2006 15:18:11 -0600
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Hello all,

I've decided to compromise and sell items from my looping/effects rack =
separately rather than trying to sell the entire rack as a package deal =
for $2400 (which I have dropped to $2000).

Here is the breakdown:

Looperlative LP1: $900 + shipping
Boss VF1: $160 + shipping
Boss VF1: I'm keeping this for now.
Fireworx: $800 + shipping (Includes new version of software loaded and =
on card)

Or I'll still sell the entire rack now for $2000 + shipping, if anyone =
wants to take the leap....still wired and ready to go in the rack.

Kris


  http://www.krispenhartung.com/rack.htm  (this sells as a system, =
wired, and ready to go inside the rack)


  *************************************************
  Krispen Hartung / Improvisational Looping Guitar
  www.krispenhartung.com / www.myspace.com/krispenhartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
  Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV><FONT =
face=3DArial size=3D2>
<DIV><BR>I've decided to compromise and sell items from&nbsp;my=20
looping/effects&nbsp;rack separately rather than trying to sell the =
entire rack=20
as a package deal for $2400 (which I have dropped to $2000).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Here is the breakdown:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Looperlative LP1: $900 + shipping</DIV>
<DIV>Boss VF1: $160 + shipping</DIV>
<DIV>Boss VF1: I'm keeping this for now.</DIV>
<DIV>Fireworx: $800 + shipping (Includes new version of software loaded =
and on=20
card)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Or I'll still sell the entire rack now for $2000 + shipping, if =
anyone=20
wants to take the leap....still wired and ready to go in the rack.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Kris</DIV>
<DIV>&nbsp;</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><A href=3D"http://www.krispenhartung.com/rack.htm"><FONT =
face=3DArial=20
  size=3D2>http://www.krispenhartung.com/rack.htm</FONT></A><FONT =
face=3DArial=20
  size=3D2>&nbsp; (this sells as a system, wired, and ready to go inside =
the=20
  rack)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  size=3D2>*************************************************<BR>Krispen =
Hartung /=20
  Improvisational Looping Guitar<BR></FONT><A=20
  href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
  size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/ </FONT><A=20
  href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
  size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
  href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
  size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> /=20
  1.208.724.5603 <BR>Discography - </FONT><A=20
  href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
  =
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

  face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
  href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
  =
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 22:19:11 2006
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Date: Thu, 17 Aug 2006 15:19:06 -0700
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx,
 Looperlative)
From: Larry Stites <ncnet@sbcglobal.net>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Message-ID: <C10A396A.65856%ncnet@sbcglobal.net>
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Ohhh =AD this looks like something I=B9d really like to have.
Checking finances and will be in touch.
Thanks for the offer =AD I=B9ve read about this unit but have not even been
close to it.
What=B9s your experience with the Looperlative?

I have owned and sold two Echoplex Digital Loopers over the past couple of
years.
I just don=B9t like the complexity, mono out, number of buttons required to
get desired effect...
If you can please tell me about the Looperlative.

Regards,



-Larry Stites-
Nevada City, CA 95959
530 320 4194 24/7
ncnet@sbcglobal.net
AOL IM: LESGGN


on 8/17/06 2:18 PM, Krispen Hartung wrote:

> Looperlative LP1: $900 + shipping






--B_3238672748_6545618
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Lo=
operlative)</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:14.0px'>Ohhh =
&#8211; this looks like something I&#8217;d really like to have. <BR>
Checking finances and will be in touch. <BR>
Thanks for the offer &#8211; I&#8217;ve read about this unit but have not e=
ven been close to it.<BR>
What&#8217;s your experience with the Looperlative?<BR>
<BR>
I have owned and sold two Echoplex Digital Loopers over the past couple of =
years.<BR>
I just don&#8217;t like the complexity, mono out, number of buttons require=
d to get desired effect... <BR>
If you can please tell me about the Looperlative.<BR>
<BR>
Regards,<BR>
<BR>
<BR>
<BR>
-Larry Stites-<BR>
Nevada City, CA 95959<BR>
530 320 4194 24/7<BR>
ncnet@sbcglobal.net<BR>
AOL IM: LESGGN<BR>
<BR>
<BR>
on 8/17/06 2:18 PM, Krispen Hartung wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Arial"=
>Looperlative LP1: $900 + shipping<BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Arial=
"><BR>
<BR>
</FONT><FONT FACE=3D"Verdana, Helvetica, Arial"><BR>
<BR>
</FONT></SPAN>
</BODY>
</HTML>


--B_3238672748_6545618--


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 22:24:42 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <C10A396A.65856%ncnet@sbcglobal.net>
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Thu, 17 Aug 2006 16:24:36 -0600
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Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, =
Looperlative)Someone beat you too it, Larry. Wow, that was fast!  We'll =
have a new lucky owner of the LP1 here shortly.  Selling this unit does =
not happen for me without some reservations. There isn't a day that goes =
buy when I don't look at my rack in the corner, and the LP1, and admire =
it. But, with the lappy doing everything I need, I have to clean house.

Kris

  ----- Original Message -----=20
  From: Larry Stites=20
  To: Loopers Delight=20
  Sent: Thursday, August 17, 2006 4:19 PM
  Subject: Re: Selling my hardware effect/looping system! (2 VF1s, =
Fireworx, Looperlative)


  Ohhh - this looks like something I'd really like to have.=20
  Checking finances and will be in touch.=20
  Thanks for the offer - I've read about this unit but have not even =
been close to it.
  What's your experience with the Looperlative?

  I have owned and sold two Echoplex Digital Loopers over the past =
couple of years.
  I just don't like the complexity, mono out, number of buttons required =
to get desired effect...=20
  If you can please tell me about the Looperlative.

  Regards,



  -Larry Stites-
  Nevada City, CA 95959
  530 320 4194 24/7
  ncnet@sbcglobal.net
  AOL IM: LESGGN


  on 8/17/06 2:18 PM, Krispen Hartung wrote:


    Looperlative LP1: $900 + shipping






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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Selling my hardware effect/looping system! (2 =
VF1s, Fireworx, Looperlative)</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Someone beat you too it, Larry. Wow, =
that was=20
fast!&nbsp; We'll have a new lucky owner of the LP1 here shortly.&nbsp; =
Selling=20
this unit does not happen for me without some reservations. There isn't =
a day=20
that goes buy when I don't look at my rack in the corner, and the LP1, =
and=20
admire it. But, with the lappy doing everything I need, I have to clean=20
house.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dncnet@sbcglobal.net =
href=3D"mailto:ncnet@sbcglobal.net">Larry=20
  Stites</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, August 17, 2006 =
4:19=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Selling my =
hardware=20
  effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
  <DIV><BR></DIV><FONT face=3D"Verdana, Helvetica, Arial"><SPAN=20
  style=3D"FONT-SIZE: 14px">Ohhh =96 this looks like something I=92d =
really like to=20
  have. <BR>Checking finances and will be in touch. <BR>Thanks for the =
offer =96=20
  I=92ve read about this unit but have not even been close to =
it.<BR>What=92s your=20
  experience with the Looperlative?<BR><BR>I have owned and sold two =
Echoplex=20
  Digital Loopers over the past couple of years.<BR>I just don=92t like =
the=20
  complexity, mono out, number of buttons required to get desired =
effect...=20
  <BR>If you can please tell me about the=20
  Looperlative.<BR><BR>Regards,<BR><BR><BR><BR>-Larry Stites-<BR>Nevada =
City, CA=20
  95959<BR>530 320 4194 24/7<BR>ncnet@sbcglobal.net<BR>AOL IM:=20
  LESGGN<BR><BR><BR>on 8/17/06 2:18 PM, Krispen Hartung=20
  wrote:<BR><BR></SPAN></FONT>
  <BLOCKQUOTE><SPAN style=3D"FONT-SIZE: 14px"><FONT =
face=3DArial>Looperlative LP1:=20
    $900 + shipping<BR></FONT></SPAN></BLOCKQUOTE><SPAN=20
  style=3D"FONT-SIZE: 14px"><FONT face=3DArial><BR><BR></FONT><FONT=20
  face=3D"Verdana, Helvetica, =
Arial"><BR><BR></BLOCKQUOTE></FONT></SPAN></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 22:29:01 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: About the looperlative (was about Krispen selling his gear)
Date: Thu, 17 Aug 2006 23:28:55 +0100
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 >>>I have owned and sold two Echoplex Digital Loopers over the past =20
couple of years.
I just don=92t like the complexity, mono out, number of buttons =20
required to get desired effect...
If you can please tell me about the Looperlative.<<<

Larry,

check out the forum at www.looperlative.com - loads of discussion and =20=

description here.

it's a pretty amazing unit, and the MIDI-learn options make getting a =20=

pedal board to do what you want with the minimum number of button =20
pushes is very easy.

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




--Apple-Mail-11--694606996
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;&gt;<FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;">I have owned and =
sold two Echoplex Digital Loopers over the past couple of =
years.</SPAN></FONT><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"4"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 14px;">I just don=92t like the complexity, mono out, =
number of buttons required to get desired effect...</SPAN></FONT><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
14px;">=A0</SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;">If you can please =
tell me about the Looperlative.&lt;&lt;&lt;</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
14px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
14px;">Larry,=A0</SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
14px;">check out the forum at <A =
href=3D"http://www.looperlative.com">www.looperlative.com</A> - loads of =
discussion and description here.=A0</SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;">it's a pretty =
amazing unit, and the MIDI-learn options make getting a pedal board to =
do what you want with the minimum number of button pushes is very =
easy.=A0</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"4"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 14px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
14px;">cheers</SPAN></FONT></DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 23:38:24 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: remix anyone?
Date: Thu, 17 Aug 2006 16:38:16 -0700
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Slice up Palast, win a prize for it, or vote on the best hack-job -- in the 
absolutely fantabulous re-mix contest sponsored by Creative Commons and Air 
America Radio. Win immortal glory in the first-ever competition to mash up 
an audio book -- Greg Palast's New York Times bestseller, "Armed Madhouse."

All members of the public are invited to download recordings of the book by 
Jello Biafra, Amy Goodman, Larry David, Janeane Garofalo and other 
troublemakers and create your own version, with original music, sounds and 
beats of your own making.

Win, prizes, love, respect and publicity from our sponsors including 
Alternative Tentacles, Simon & Schuster, Hollywood Can Suck It, 
Penguin/Dutton, Lost Film Fest and the Palast Investigative Fund.

Here's how the contest works:

1)  We have uploaded 19 tracks from the audio version of Armed Madhouse.

Aside from Palast reading throughout, you can also remix:

- Ed Asner reading from the section on globalization madness, "The Network."
- Brod Bagert as "Fishhead" reading about Dick Cheney's sex-life and The Big 
Easy
- Medea Benjamin & Kevin Danaher reading about Paul Bremer and the 
reconstruction (re-destruction?) of Iraq
- Jello Biafra as the voice of Osama bin Laden
- Randy Credico as George W. Bush
- Mark Crispin Miller as Thomas Friedman
- Larry David screaming, "Kerry Won!"
- Brad Friedman as lobbyist sick-o Grover Norquist
- Janeane Garofalo as Mindy Tucker Fletcher
- Amy Goodman reading about Dr. A.Q. Khan
- Jim Hightower reading about James Baker and whorehouses in Texas
- Greg Proops as Lawrence of Arabia and Winston Churchill
- Jerry Quickley reading the "Great Brown Ballot Boycott"
- Randi Rhodes reading from the chapter on how the Bush regime had its 
sticky little hands on Iraq's oil
- Shiva Rose as Katherine Harris

2)  Listen to, and then download, these tracks at www.gregpalast.com/remix 
-- re-mix'm all or parts of them, with music or sound effects.  Create as 
many as you like.

3)  When you are finished remixing, sampling, and/or mashing 'em up -- send 
us either a link to download your submission(s) or the submission itself (as 
an mp3 file) to submitremix(AT)gregpalast.com

4)  We will then put your submissions on to the Armed Madhouse Remix site 
and anyone who wants to cast a vote on your track can do so on our mix-tape 
page.  We'll leave it up to the general public to decide how brilliant, 
mediocre or horrendous your remixes are.

We are offering the tracks under a Creative Commons Attribution 
Non-Commercial license so that producers worldwide can use the audio in 
remixes and new compositions.

It is absolutely free to participate in the contest -- all you have to do is 
agree that neither you nor anyone else will charge for the remix you produce 
-- and that you accept Creative Commons' rules that all material is 
available for public non-commercial download and use (with, of course, 
attribution to you as the producer).

DEADLINE:
You have until October 23rd 2006 to submit your track and all voting will 
conclude on October 30th 2006.  Winners will be announced on Friday, 
November 3rd 2006.

INCREDIBLE SWAG:
Kick their asses and win a bunch of quasi-useless prizes and UNLIMITED 
GLORY.

The top 5 winners will be selected by the general public by casting votes on 
the Armed Madhouse Remix website.  Be sure to vote wisely as you can only 
vote once per track.

These top tracks will be featured on our website as well as some of our 
sponsor's sites -- and may even get air time on Air America Radio!

We will also feature the top 5 tracks on our next spoken-word cd with 
Alternative Tentacles Records.

The producers of these tracks will receive:
- The original 5 CD audio book of Armed Madhouse (from Simon & Schuster) 
read by Palast and friends;
- The hard-bound book, "Armed Madhouse" (from Dutton),
- Winston Smith's frame-ready four color blow-you-away poster of the "Armed 
Madhouse"
- The spoken-word cd, "Weapon of Mass Instruction" (Alternative Tentacles),
- The BBC documentary on dvd, "Bush Family Fortunes" (Disinformation Co.),
- An Air America package
- A Lost Film Fest / Evil Twin Booking / Hollywood Can Suck It package


The Palast Investigative Fund is a non-profit organization that supports 
those investigations which are too difficult, risky, costly, controversial 
or difficult for American newspapers, radio and television to attempt.  We 
pursue these investigations and then disseminate these reports through 
traditional and new media -- with an emphasis on reaching individuals and 
organizations whose goal it is to affect police and systemic change.  We 
need your support -- please visit http://www.gregpalast.com/premiums.htm for 
more info and to make a donation today.

You may change your email address or unsubscribe from the newsletter member 
page. (If you don't have a password for the member page, you can


From Loopers-Delight-request@loopers-delight.com  Thu Aug 17 23:40:12 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: remix contest
Date: Thu, 17 Aug 2006 16:40:10 -0700
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Slice up Palast, win a prize for it, or vote on the best hack-job -- in the 
absolutely fantabulous re-mix contest sponsored by Creative Commons and Air 
America Radio. Win immortal glory in the first-ever competition to mash up 
an audio book -- Greg Palast's New York Times bestseller, "Armed Madhouse."

All members of the public are invited to download recordings of the book by 
Jello Biafra, Amy Goodman, Larry David, Janeane Garofalo and other 
troublemakers and create your own version, with original music, sounds and 
beats of your own making.

Win, prizes, love, respect and publicity from our sponsors including 
Alternative Tentacles, Simon & Schuster, Hollywood Can Suck It, 
Penguin/Dutton, Lost Film Fest and the Palast Investigative Fund.

Here's how the contest works:

1)  We have uploaded 19 tracks from the audio version of Armed Madhouse.

Aside from Palast reading throughout, you can also remix:

- Ed Asner reading from the section on globalization madness, "The Network."
- Brod Bagert as "Fishhead" reading about Dick Cheney's sex-life and The Big 
Easy
- Medea Benjamin & Kevin Danaher reading about Paul Bremer and the 
reconstruction (re-destruction?) of Iraq
- Jello Biafra as the voice of Osama bin Laden
- Randy Credico as George W. Bush
- Mark Crispin Miller as Thomas Friedman
- Larry David screaming, "Kerry Won!"
- Brad Friedman as lobbyist sick-o Grover Norquist
- Janeane Garofalo as Mindy Tucker Fletcher
- Amy Goodman reading about Dr. A.Q. Khan
- Jim Hightower reading about James Baker and whorehouses in Texas
- Greg Proops as Lawrence of Arabia and Winston Churchill
- Jerry Quickley reading the "Great Brown Ballot Boycott"
- Randi Rhodes reading from the chapter on how the Bush regime had its 
sticky little hands on Iraq's oil
- Shiva Rose as Katherine Harris

2)  Listen to, and then download, these tracks at www.gregpalast.com/remix 
-- re-mix'm all or parts of them, with music or sound effects.  Create as 
many as you like.

3)  When you are finished remixing, sampling, and/or mashing 'em up -- send 
us either a link to download your submission(s) or the submission itself (as 
an mp3 file) to submitremix(AT)gregpalast.com

4)  We will then put your submissions on to the Armed Madhouse Remix site 
and anyone who wants to cast a vote on your track can do so on our mix-tape 
page.  We'll leave it up to the general public to decide how brilliant, 
mediocre or horrendous your remixes are.

We are offering the tracks under a Creative Commons Attribution 
Non-Commercial license so that producers worldwide can use the audio in 
remixes and new compositions.

It is absolutely free to participate in the contest -- all you have to do is 
agree that neither you nor anyone else will charge for the remix you produce 
-- and that you accept Creative Commons' rules that all material is 
available for public non-commercial download and use (with, of course, 
attribution to you as the producer).

DEADLINE:
You have until October 23rd 2006 to submit your track and all voting will 
conclude on October 30th 2006.  Winners will be announced on Friday, 
November 3rd 2006.

INCREDIBLE SWAG:
Kick their asses and win a bunch of quasi-useless prizes and UNLIMITED 
GLORY.

The top 5 winners will be selected by the general public by casting votes on 
the Armed Madhouse Remix website.  Be sure to vote wisely as you can only 
vote once per track.

These top tracks will be featured on our website as well as some of our 
sponsor's sites -- and may even get air time on Air America Radio!

We will also feature the top 5 tracks on our next spoken-word cd with 
Alternative Tentacles Records.

The producers of these tracks will receive:
- The original 5 CD audio book of Armed Madhouse (from Simon & Schuster) 
read by Palast and friends;
- The hard-bound book, "Armed Madhouse" (from Dutton),
- Winston Smith's frame-ready four color blow-you-away poster of the "Armed 
Madhouse"
- The spoken-word cd, "Weapon of Mass Instruction" (Alternative Tentacles),
- The BBC documentary on dvd, "Bush Family Fortunes" (Disinformation Co.),
- An Air America package
- A Lost Film Fest / Evil Twin Booking / Hollywood Can Suck It package


The Palast Investigative Fund is a non-profit organization that supports 
those investigations which are too difficult, risky, costly, controversial 
or difficult for American newspapers, radio and television to attempt.  We 
pursue these investigations and then disseminate these reports through 
traditional and new media -- with an emphasis on reaching individuals and 
organizations whose goal it is to affect police and systemic change.  We 
need your support -- please visit http://www.gregpalast.com/premiums.htm for 
more info and to make a donation today.

You may change your email address or unsubscribe from the newsletter member 
page. (If you don't have a password for the member page, you can


From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 02:34:14 2006
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	id 02DA73BEEC; Fri, 18 Aug 2006 02:34:13 +0000 (UTC)
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Message-ID: <0d2c01c6c26e$c94289d0$6fb2ec0f@americas.hpqcorp.net>
From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT: RCF Powered PA Cabs
Date: Thu, 17 Aug 2006 20:34:09 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0D29_01C6C23C.7DC16350
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I talked to a sales engineer at Sweetwater this morning about purchasing =
one of the Mackie 10" powered cabs, and he highly recommended that I buy =
the new RCF Italian made cabinets. Apparently, they did some A/B tests =
this morning between them and the Mackie's and the RCF's blew them =
away...and the prices are really good.   Apparently Mackie acquired RCF =
several years ago because of their high quality transducers, and then =
Mackie went off to change their specs and design, but RCF continued on =
with their own line (now separate from Mackie).  I guess Mackie farmed =
their manufacturing off to China, and RCF remained as they are now in =
Italy. I don't know the complexities of the split. Here is an =
interesting discussion on the split on the Mackie forum: =
http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3Dget_topic;f=3D=
7;t=3D002178 (the comments vary, but a few folks talk highly of the RCF =
line).

Check it out. I'm thinking of buying the 10" cab.

http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&menuAttivo=3D1652 =
(view the ART series cabs)

I found a new ART 310 A on the web for $400.

Anyone using these cabs?=20

Kris


*************************************************************************=
*
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung=20
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 
------=_NextPart_000_0D29_01C6C23C.7DC16350
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I talked to a sales engineer at =
Sweetwater this=20
morning about purchasing one of the Mackie 10" powered cabs, and he =
highly=20
recommended that I buy the new RCF Italian made cabinets. Apparently, =
they did=20
some A/B tests this morning between them and the Mackie's and the RCF's =
blew=20
them away...and the prices are really good.&nbsp;&nbsp; Apparently =
Mackie=20
acquired RCF several years ago because of their high quality =
transducers, and=20
then Mackie went off to change their specs and design, but RCF continued =
on with=20
their own line (now separate from Mackie).&nbsp; I guess&nbsp;Mackie =
farmed=20
their manufacturing off to China, and RCF remained as they are now in =
Italy. I=20
don't know the complexities of the split. Here is an interesting =
discussion on=20
the split on the Mackie forum: <A=20
href=3D"http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3Dget_t=
opic;f=3D7;t=3D002178">http://forums.mackie.com/scripts/forum/ultimatebb.=
cgi?ubb=3Dget_topic;f=3D7;t=3D002178</A>&nbsp;(the=20
comments vary, but a few folks talk highly of the RCF =
line).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Check it out. I'm thinking of buying =
the 10"=20
cab.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&amp;menuAt=
tivo=3D1652">http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&amp;m=
enuAttivo=3D1652</A>&nbsp;(view=20
the ART series cabs)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I found a new ART 310 A on the web for=20
$400.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone using these cabs? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational Looping Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>My=20
Tribe: <A=20
href=3D"http://people.tribe.net/krispen-hartung">http://people.tribe.net/=
krispen-hartung</A>=20
<BR><A =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography (CDs for only $5): <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0D29_01C6C23C.7DC16350--


From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 09:37:34 2006
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Date: Fri, 18 Aug 2006 02:37:32 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Looping device comparison chart updated with RC-50
To: Loopers-Delight@loopers-delight.com
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wonderful Per! this should be somewhere in the fore
front of the loopers-delight website!
cheers
Luis

--- Per Boysen <perboysen@gmail.com> wrote:

> This handy chart is a leftover from a magazine
> article I wrote. Might  
> be helpful for comparing different looping devices:
> http://www.looproom.com/looperchart.php
> 
> Thank you Roland Scandinavia for lending me an RC-50
> unit for  
> testing!  ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 10:17:47 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: bass/bass/drums gig in London and a recommendation...
Date: Fri, 18 Aug 2006 11:17:42 +0100
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Loopists,

I've got a great gig coming up next week, one of my Recycle =20
Collective shows ( www.recyclecollective.com ) - featuring Sebastian =20
Rochford on drums, from the band Polar Bear, who were nominated for =20
the Mercury Music Prize last year - he's a fantastically intuitive =20
drummer, the only acoustic drummer I've ever played with who could =20
adapt well to playing with my looping. I'm hoping I'll be able to get =20=

a mic or two set up and loop him as well.

And on acoustic bass, Andy Hamill, who's played with 4 Hero, Carleen =20
Anderson, Shea Seger, Theo Travis, Mark Murphy, Nitin Sawhney, Chris =20
Bowden, Boris Grebenshikov, Cara Dillon, Tracey Thorn, Kylie Minogue, =20=

Ben Castle, Ursula Rucker and Harry Hill! I'll definitely be looping =20
him, and he'll be doing some solo loopy stuff for acoustic bass and =20
harmonica.

It's at Darbucka World Music bar in Clerkenwell on Wed 23rd August, =20
doors 7pm, music starts 8pm, restaurant open upstairs before that. =20
Tickets are =A37 / =A35 concs (MU/OAP/SU etc. bring proof). =
www.darbucka.com

And a recommendation  - don't know how many of you are hip to Leo =20
Abrahams, but he's one of the most in demand guitarists in London, =20
having being Brian Eno's sidekick for a few years, and played with =20
Imogen Heap, Paul Simon, Nick Cave, David Holmes, Roxy Music, Nik =20
Kershaw etc etc. Anyway, he's got two absolutely beautiful looped =20
guitar records out - Honeytrap, which is big on tunes and harmonies, =20
and his new one Scene Memory, which is a really lush ambient record. =20
Both are fantastic, and highly recommended - www.leoabrahams.com and =20
www.myspace.com/leoabrahams

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Loopists,=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I've got a great gig coming =
up next week, one of my Recycle Collective shows ( <A =
href=3D"http://www.recyclecollective.com">www.recyclecollective.com</A> =
) - featuring Sebastian Rochford on drums, from the band Polar Bear, who =
were nominated for the Mercury Music Prize last year - he's a =
fantastically intuitive drummer, the only acoustic drummer I've ever =
played with who could adapt well to playing with my looping. I'm hoping =
I'll be able to get a mic or two set up and loop him as =
well.=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>And =
on acoustic bass, Andy Hamill, who's played with=A0<FONT =
class=3D"Apple-style-span" face=3D"Verdana">4 Hero, Carleen Anderson, =
Shea Seger, Theo Travis, Mark Murphy, Nitin Sawhney, Chris Bowden, Boris =
Grebenshikov, Cara Dillon, Tracey Thorn, Kylie Minogue, Ben Castle, =
Ursula Rucker and Harry Hill!</FONT><FONT class=3D"Apple-style-span" =
face=3D"Verdana">=A0I'll definitely be looping him, and he'll be doing =
some solo loopy stuff for acoustic bass and =
harmonica.=A0</FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Verdana"><BR =
class=3D"khtml-block-placeholder"></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Verdana">It's at Darbucka World Music =
bar in Clerkenwell on Wed 23rd August, doors 7pm, music starts 8pm, =
restaurant open upstairs before that. Tickets are =A37 / =A35 concs =
(MU/OAP/SU etc. bring proof). <A =
href=3D"http://www.darbucka.com">www.darbucka.com</A></FONT></DIV><DIV><FO=
NT class=3D"Apple-style-span" face=3D"Verdana"><BR =
class=3D"khtml-block-placeholder"></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Verdana">And a recommendation=A0 - =
don't know how many of you are hip to Leo Abrahams, but he's one of the =
most in demand guitarists in London, having being Brian Eno's sidekick =
for a few years, and played with Imogen Heap, Paul Simon, Nick Cave, =
David Holmes, Roxy Music, Nik Kershaw etc etc. Anyway, he's got two =
absolutely beautiful looped guitar records out - Honeytrap, which is big =
on tunes and harmonies, and his new one Scene Memory, which is a really =
lush ambient record. Both are fantastic, and highly recommended - <A =
href=3D"http://www.leoabrahams.com">www.leoabrahams.com</A> and <A =
href=3D"http://www.myspace.com/leoabrahams">www.myspace.com/leoabrahams</A=
></FONT></DIV><DIV><FONT class=3D"Apple-style-span" face=3D"Verdana"><BR =
class=3D"khtml-block-placeholder"></FONT></DIV><DIV><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 13:34:40 2006
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Date: Fri, 18 Aug 2006 09:34:38 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping device comparison chart updated with RC-50
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great stuff, Per!

some notes.

replace "unsuable" with "unusable"
replace "lenght" with "length"
the looperlative "time stretching" column should say "no", not "noe".

You might consider a column marked Notes: that leads to a text comment
below:  "RC-50 glitches on first playback of a loop"


On 8/18/06, L.A. Angulo <labaloops@yahoo.com> wrote:
> wonderful Per! this should be somewhere in the fore
> front of the loopers-delight website!
> cheers
> Luis
>
> --- Per Boysen <perboysen@gmail.com> wrote:
>
> > This handy chart is a leftover from a magazine
> > article I wrote. Might
> > be helpful for comparing different looping devices:
> > http://www.looproom.com/looperchart.php
> >
> > Thank you Roland Scandinavia for lending me an RC-50
> > unit for
> > testing!  ;-)
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> >
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 14:24:36 2006
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	id A79E73BEE6; Fri, 18 Aug 2006 14:24:36 +0000 (UTC)
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: RCF Powered PA Cabs
Date: Fri, 18 Aug 2006 07:24:24 -0700
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I've used them in the past and thought they sounded great.  I didn't =20
know they were still available!
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 17-Aug-06, at 7:34 PM, Krispen Hartung wrote:

> I talked to a sales engineer at Sweetwater this morning about =20
> purchasing one of the Mackie 10" powered cabs, and he highly =20
> recommended that I buy the new RCF Italian made cabinets. Apparently, =20=

> they did some A/B tests this morning between them and the Mackie's and =
=20
> the RCF's blew them away...and the prices are really good.=A0=A0 =20
> Apparently Mackie acquired RCF several years ago because of their high =
=20
> quality transducers, and then Mackie went off to change their specs =20=

> and design, but RCF continued on with their own line (now separate =20
> from Mackie).=A0 I guess=A0Mackie farmed their manufacturing off to =
China, =20
> and RCF remained as they are now in Italy. I don't know the =20
> complexities of the split. Here is an interesting discussion on the =20=

> split on the Mackie forum: =20
> http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3Dget_topic;=20=

> f=3D7;t=3D002178=A0(the comments vary, but a few folks talk highly of =
the =20
> RCF line).
> =A0
> Check it out. I'm thinking of buying the 10" cab.
> =A0
> http://www.rcfaudio.com/VediMacro.phtml?=20
> IDMacro=3D1652&menuAttivo=3D1652=A0(view the ART series cabs)
> =A0
> I found a new ART 310 A on the web for $400.
> =A0
> Anyone using these cabs?
> =A0
> Kris
> =A0
> =A0
> =
***********************************************************************=20=

> ***
> Krispen Hartung / Improvisational Looping Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> My Tribe: http://people.tribe.net/krispen-hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung=20=

--Apple-Mail-1--637278137
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I've used them in the past and thought they sounded great.  I didn't
know they were still available!

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 17-Aug-06, at 7:34 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I talked to a sales
engineer at Sweetwater this morning about purchasing one of the Mackie
10" powered cabs, and he highly recommended that I buy the new RCF
Italian made cabinets. Apparently, they did some A/B tests this
morning between them and the Mackie's and the RCF's blew them
away...and the prices are really good.=A0=A0 Apparently Mackie acquired
RCF several years ago because of their high quality transducers, and
then Mackie went off to change their specs and design, but RCF
continued on with their own line (now separate from Mackie).=A0 I
guess=A0Mackie farmed their manufacturing off to China, and RCF remained
as they are now in Italy. I don't know the complexities of the split.
Here is an interesting discussion on the split on the Mackie forum:
=
<color><param>0000,0000,EEEE</param>http://forums.mackie.com/scripts/forum=
/ultimatebb.cgi?ubb=3Dget_topic;f=3D7;t=3D002178</color>=A0(the
comments vary, but a few folks talk highly of the RCF =
line).</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Check it out. I'm thinking of
buying the 10" cab.</smaller></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,EEEE</param><small=
er>http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&menuAttivo=3D165=
2</smaller></color><smaller>=A0(view
the ART series cabs)</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>I found a new ART 310 A on
the web for $400.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Anyone using these =
cabs?</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>

=A0

=A0

=
<fontfamily><param>Arial</param><smaller>*********************************=
*****************************************</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>Krispen Hartung /
Improvisational Looping Guitar</smaller></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,EEEE</param><small=
er>www.krispenhartung.com</smaller></color><smaller>
/ =
<color><param>0000,0000,EEEE</param>www.myspace.com/krispenhartung</color>=
</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>My Tribe:
=
<color><param>0000,0000,EEEE</param>http://people.tribe.net/krispen-hartun=
g</color> </smaller></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,EEEE</param><small=
er>info@krispenhartung.com</smaller></color><smaller>
/ 1.208.724.5603</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>Discography -
=
<color><param>0000,0000,EEEE</param>http://www.krispenhartung.com/catalogu=
e.htm</color></smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>CD Baby Discography (CDs for
only $5):
=
<color><param>0000,0000,EEEE</param>http://cdbaby.com/all/khartung</color>=
 </smaller></fontfamily></excerpt>=

--Apple-Mail-1--637278137--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 14:36:24 2006
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Subject: Re: OT: RCF Powered PA Cabs
Date: Fri, 18 Aug 2006 08:36:20 -0600
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Yeah, i'm reading even more rave reviews. I just bought two of the 10" =
cabs!  For only $400 each, no shipping!
http://www.directproaudio.com/product.cfm?directid=3D56951&from=3Dfroogle=


My PA system is now complete...I have two EV SxA100 Powered 12" cabs for =
my mains, and now these RCF cabs for monitors, or smaller =
coffeeshop/club gigs.  I will be curious to hear one of these RCF cabs =
with my nylon string guitar too.

Kris

  ----- Original Message -----=20
  From: Richard Sales=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 18, 2006 8:24 AM
  Subject: Re: OT: RCF Powered PA Cabs


  I've used them in the past and thought they sounded great. I didn't =
know they were still available!
  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com
  On 17-Aug-06, at 7:34 PM, Krispen Hartung wrote:


    I talked to a sales engineer at Sweetwater this morning about =
purchasing one of the Mackie 10" powered cabs, and he highly recommended =
that I buy the new RCF Italian made cabinets. Apparently, they did some =
A/B tests this morning between them and the Mackie's and the RCF's blew =
them away...and the prices are really good.   Apparently Mackie acquired =
RCF several years ago because of their high quality transducers, and =
then Mackie went off to change their specs and design, but RCF continued =
on with their own line (now separate from Mackie).  I guess Mackie =
farmed their manufacturing off to China, and RCF remained as they are =
now in Italy. I don't know the complexities of the split. Here is an =
interesting discussion on the split on the Mackie forum: =
http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3Dget_topic;f=3D=
7;t=3D002178 (the comments vary, but a few folks talk highly of the RCF =
line).
    =20
    Check it out. I'm thinking of buying the 10" cab.
    =20
    =
http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&menuAttivo=3D1652 =
(view the ART series cabs)
    =20
    I found a new ART 310 A on the web for $400.
    =20
    Anyone using these cabs?
    =20
    Kris
    =20
    =20
    =
*************************************************************************=
*
    Krispen Hartung / Improvisational Looping Guitar
    www.krispenhartung.com / www.myspace.com/krispenhartung
    My Tribe: http://people.tribe.net/krispen-hartung=20
    info@krispenhartung.com / 1.208.724.5603
    Discography - http://www.krispenhartung.com/catalogue.htm
    CD Baby Discography (CDs for only $5): =
http://cdbaby.com/all/khartung 
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yeah, i'm reading even more rave =
reviews. I just=20
bought two of the 10" cabs!&nbsp; For only $400 each, no =
shipping!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.directproaudio.com/product.cfm?directid=3D56951&amp;fr=
om=3Dfroogle">http://www.directproaudio.com/product.cfm?directid=3D56951&=
amp;from=3Dfroogle</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>My PA system is now complete...I have =
two EV SxA100=20
Powered 12" cabs for my mains, and now these RCF cabs for monitors, or =
smaller=20
coffeeshop/club gigs.&nbsp; I will be curious to hear one of these RCF =
cabs with=20
my nylon string guitar too.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drichard@glasswing.com =
href=3D"mailto:richard@glasswing.com">Richard=20
  Sales</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 18, 2006 =
8:24=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: RCF Powered PA =

Cabs</DIV>
  <DIV><BR></DIV>I've used them in the past and thought they sounded =
great. I=20
  didn't know they were still available!<BR><?fontfamily><?param =
Gadget>richard=20
  sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C3,9696,1C1C><BR><A=20
  href=3D"http://www.glassWing.com">www.glassWing.com</A><BR><A=20
  href=3D"http://www.richardsales.com">www.richardsales.com</A><BR><A=20
  href=3D"http://www.hayleysales.com">www.hayleysales.com</A><BR><A=20
  =
href=3D"http://www.blueberryfieldsfarm.com">www.blueberryfieldsfarm.com</=
A><?/color><?/fontfamily><BR>On=20
  17-Aug-06, at 7:34 PM, Krispen Hartung wrote:<BR><BR>
  <BLOCKQUOTE><?fontfamily><?param Arial><?smaller>I talked to a sales=20
    engineer at Sweetwater this morning about purchasing one of the =
Mackie 10"=20
    powered cabs, and he highly recommended that I buy the new RCF =
Italian made=20
    cabinets. Apparently, they did some A/B tests this morning between =
them and=20
    the Mackie's and the RCF's blew them away...and the prices are =
really=20
    good.&nbsp;&nbsp; Apparently Mackie acquired RCF several years ago =
because=20
    of their high quality transducers, and then Mackie went off to =
change their=20
    specs and design, but RCF continued on with their own line (now =
separate=20
    from Mackie).&nbsp; I guess&nbsp;Mackie farmed their manufacturing =
off to=20
    China, and RCF remained as they are now in Italy. I don't know the=20
    complexities of the split. Here is an interesting discussion on the =
split on=20
    the Mackie forum:=20
    <?color><?param =
0000,0000,EEEE>http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3D=
get_topic;f=3D7;t=3D002178<?/color>&nbsp;(the=20
    comments vary, but a few folks talk highly of the RCF =
line).<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Check=20
    it out. I'm thinking of buying the 10"=20
    cab.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?color><?param =
0000,0000,EEEE><?smaller>http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D=
1652&amp;menuAttivo=3D1652<?/smaller><?/color><?smaller>&nbsp;(view=20
    the ART series =
cabs)<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>I=20
    found a new ART 310 A on the web for=20
    $400.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Anyone=20
    using these =
cabs?<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Kris<?/smaller><?/fontfamily><BR>&nbsp;<BR>&nbsp;<BR><?fo=
ntfamily><?param =
Arial><?smaller>*********************************************************=
*****************<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?smaller>Krispen=20
    Hartung / Improvisational Looping =
Guitar<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?color><?param =
0000,0000,EEEE><?smaller>www.krispenhartung.com<?/smaller><?/color><?smal=
ler>=20
    / <?color><?param =
0000,0000,EEEE>www.myspace.com/krispenhartung<?/color><?/smaller><?/fontf=
amily><BR><?fontfamily><?param Arial><?smaller>My=20
    Tribe:=20
<?color><?param =
0000,0000,EEEE>http://people.tribe.net/krispen-hartung<?/color>=20
<?/smaller><?/fontfamily><BR><?fontfamily><?param Arial><?color><?param =
0000,0000,EEEE><?smaller>info@krispenhartung.com<?/smaller><?/color><?sma=
ller>=20
    / 1.208.724.5603<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?smaller>Discography=20
    - <?color><?param =
0000,0000,EEEE>http://www.krispenhartung.com/catalogue.htm<?/color><?/sma=
ller><?/fontfamily><BR><?fontfamily><?param Arial><?smaller>CD=20
    Baby Discography (CDs for only $5):=20
    <?color><?param =
0000,0000,EEEE>http://cdbaby.com/all/khartung<?/color> =
<?/smaller><?/fontfamily></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: RCF Powered PA Cabs
Date: Fri, 18 Aug 2006 09:35:10 -0600
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Whoops....I linked to the passive speakers, here are the active:

http://www.directproaudio.com/product.cfm?directid=3D56950

$525 not $400.

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 18, 2006 8:36 AM
  Subject: Re: OT: RCF Powered PA Cabs


  Yeah, i'm reading even more rave reviews. I just bought two of the 10" =
cabs!  For only $400 each, no shipping!
  =
http://www.directproaudio.com/product.cfm?directid=3D56951&from=3Dfroogle=


  My PA system is now complete...I have two EV SxA100 Powered 12" cabs =
for my mains, and now these RCF cabs for monitors, or smaller =
coffeeshop/club gigs.  I will be curious to hear one of these RCF cabs =
with my nylon string guitar too.

  Kris

    ----- Original Message -----=20
    From: Richard Sales=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Friday, August 18, 2006 8:24 AM
    Subject: Re: OT: RCF Powered PA Cabs


    I've used them in the past and thought they sounded great. I didn't =
know they were still available!
    richard sales
    glassWing farm and studio
    vancouver island, b.c.
    800.545.6846
    250.752.4816
    www.glassWing.com
    www.richardsales.com
    www.hayleysales.com
    www.blueberryfieldsfarm.com
    On 17-Aug-06, at 7:34 PM, Krispen Hartung wrote:


      I talked to a sales engineer at Sweetwater this morning about =
purchasing one of the Mackie 10" powered cabs, and he highly recommended =
that I buy the new RCF Italian made cabinets. Apparently, they did some =
A/B tests this morning between them and the Mackie's and the RCF's blew =
them away...and the prices are really good.   Apparently Mackie acquired =
RCF several years ago because of their high quality transducers, and =
then Mackie went off to change their specs and design, but RCF continued =
on with their own line (now separate from Mackie).  I guess Mackie =
farmed their manufacturing off to China, and RCF remained as they are =
now in Italy. I don't know the complexities of the split. Here is an =
interesting discussion on the split on the Mackie forum: =
http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3Dget_topic;f=3D=
7;t=3D002178 (the comments vary, but a few folks talk highly of the RCF =
line).
      =20
      Check it out. I'm thinking of buying the 10" cab.
      =20
      =
http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D1652&menuAttivo=3D1652 =
(view the ART series cabs)
      =20
      I found a new ART 310 A on the web for $400.
      =20
      Anyone using these cabs?
      =20
      Kris
      =20
      =20
      =
*************************************************************************=
*
      Krispen Hartung / Improvisational Looping Guitar
      www.krispenhartung.com / www.myspace.com/krispenhartung
      My Tribe: http://people.tribe.net/krispen-hartung=20
      info@krispenhartung.com / 1.208.724.5603
      Discography - http://www.krispenhartung.com/catalogue.htm
      CD Baby Discography (CDs for only $5): =
http://cdbaby.com/all/khartung 
------=_NextPart_000_0E29_01C6C2A9.99961810
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV>Whoops....I linked to the passive speakers, here are the =
active:</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.directproaudio.com/product.cfm?directid=3D56950">http:=
//www.directproaudio.com/product.cfm?directid=3D56950</A></FONT><A=20
href=3D"http://www.directproaudio.com/product.cfm?directid=3D56950"></A><=
/DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>$525 not $400.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 18, 2006 =
8:36=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: RCF Powered PA =

Cabs</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Yeah, i'm reading even more rave =
reviews. I just=20
  bought two of the 10" cabs!&nbsp; For only $400 each, no=20
shipping!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.directproaudio.com/product.cfm?directid=3D56951&amp;fr=
om=3Dfroogle">http://www.directproaudio.com/product.cfm?directid=3D56951&=
amp;from=3Dfroogle</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>My PA system is now complete...I have =
two EV=20
  SxA100 Powered 12" cabs for my mains, and now these RCF cabs for =
monitors, or=20
  smaller coffeeshop/club gigs.&nbsp; I will be curious to hear one of =
these RCF=20
  cabs with my nylon string guitar too.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drichard@glasswing.com =
href=3D"mailto:richard@glasswing.com">Richard=20
    Sales</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 18, 2006 =
8:24=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: RCF Powered =
PA=20
    Cabs</DIV>
    <DIV><BR></DIV>I've used them in the past and thought they sounded =
great. I=20
    didn't know they were still=20
    available!<BR><?fontfamily><?param Gadget>richard =
sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and=20
    studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C3,9696,1C1C><BR><A=20
    href=3D"http://www.glassWing.com">www.glassWing.com</A><BR><A=20
    href=3D"http://www.richardsales.com">www.richardsales.com</A><BR><A=20
    href=3D"http://www.hayleysales.com">www.hayleysales.com</A><BR><A=20
    =
href=3D"http://www.blueberryfieldsfarm.com">www.blueberryfieldsfarm.com</=
A><?/color><?/fontfamily><BR>On=20
    17-Aug-06, at 7:34 PM, Krispen Hartung wrote:<BR><BR>
    <BLOCKQUOTE><?fontfamily><?param Arial><?smaller>I talked to a sales =

      engineer at Sweetwater this morning about purchasing one of the =
Mackie 10"=20
      powered cabs, and he highly recommended that I buy the new RCF =
Italian=20
      made cabinets. Apparently, they did some A/B tests this morning =
between=20
      them and the Mackie's and the RCF's blew them away...and the =
prices are=20
      really good.&nbsp;&nbsp; Apparently Mackie acquired RCF several =
years ago=20
      because of their high quality transducers, and then Mackie went =
off to=20
      change their specs and design, but RCF continued on with their own =
line=20
      (now separate from Mackie).&nbsp; I guess&nbsp;Mackie farmed their =

      manufacturing off to China, and RCF remained as they are now in =
Italy. I=20
      don't know the complexities of the split. Here is an interesting=20
      discussion on the split on the Mackie forum: <?color><?param =
0000,0000,EEEE>http://forums.mackie.com/scripts/forum/ultimatebb.cgi?ubb=3D=
get_topic;f=3D7;t=3D002178<?/color>&nbsp;(the=20
      comments vary, but a few folks talk highly of the RCF =
line).<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Check=20
      it out. I'm thinking of buying the 10"=20
      cab.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?color><?param =
0000,0000,EEEE><?smaller>http://www.rcfaudio.com/VediMacro.phtml?IDMacro=3D=
1652&amp;menuAttivo=3D1652<?/smaller><?/color><?smaller>&nbsp;(view=20
      the ART series =
cabs)<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>I=20
      found a new ART 310 A on the web for=20
      $400.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Anyone=20
      using these =
cabs?<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Kris<?/smaller><?/fontfamily><BR>&nbsp;<BR>&nbsp;<BR><?fo=
ntfamily><?param =
Arial><?smaller>*********************************************************=
*****************<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?smaller>Krispen=20
      Hartung / Improvisational Looping =
Guitar<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?color><?param =
0000,0000,EEEE><?smaller>www.krispenhartung.com<?/smaller><?/color><?smal=
ler>=20
      / <?color><?param =
0000,0000,EEEE>www.myspace.com/krispenhartung<?/color><?/smaller><?/fontf=
amily><BR><?fontfamily><?param Arial><?smaller>My=20
      Tribe:=20
      <?color><?param =
0000,0000,EEEE>http://people.tribe.net/krispen-hartung<?/color>=20
<?/smaller><?/fontfamily><BR><?fontfamily><?param Arial><?color><?param =
0000,0000,EEEE><?smaller>info@krispenhartung.com<?/smaller><?/color><?sma=
ller>=20
      / 1.208.724.5603<?/smaller><?/fontfamily><BR><?fontfamily><?param =
Arial><?smaller>Discography=20
      -=20
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ller><?/fontfamily><BR><?fontfamily><?param Arial><?smaller>CD=20
      Baby Discography (CDs for only $5):=20
      <?color><?param =
0000,0000,EEEE>http://cdbaby.com/all/khartung<?/color> =
<?/smaller><?/fontfamily></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></=
HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 16:16:39 2006
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Date: Fri, 18 Aug 2006 12:16:33 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Loopers delight 10th streaming m3u problems?
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The  m3u "streaming file" on this page: 
http://www.krispenhartung.com/LoopersDelight10Year.htm
  opens in iTudes, only plays Per Boysen's track then moves to the 
next item in my music library.... is this just me on my app-hole OSuX 
system or not?
-- 
...
http://www.zmix.net
--============_-1056204699==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Loopers delight 10th streaming m3u
problems?</title></head><body>
<div>The&nbsp; m3u &quot;streaming file&quot; on this page:<font
face="Lucida Grande" size="-1" color="#000000">
http://www.krispenhartung.com/LoopersDelight10Year.htm</font></div>
<div>&nbsp;opens in iTudes, only plays Per Boysen's track then moves
to the next item in my music library.... is this just me on my
app-hole OSuX system or not?</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1056204699==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 16:21:24 2006
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--Apple-Mail-2--629878976
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Same thing happens with me also..

Mac running OS X

      joe
On Friday, August 18, 2006, at 09:16 AM, Charles Zwicky wrote:

> The=A0 m3u "streaming file" on this page:=20
> http://www.krispenhartung.com/LoopersDelight10Year.htm
> =A0opens in iTudes, only plays Per Boysen's track then moves to the =
next=20
> item in my music library.... is this just me on my app-hole OSuX=20
> system or not?
>
> --=20
>
> ...
> http://www.zmix.net

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Same thing happens with me also.. =20


Mac running OS X


     joe

On Friday, August 18, 2006, at 09:16 AM, Charles Zwicky wrote:


<excerpt>The=A0 m3u "streaming file" on this
page:<fontfamily><param>Lucida =
Grande</param><color><param>0000,0000,0000</param><smaller> =
http://www.krispenhartung.com/LoopersDelight10Year.htm</smaller></color></=
fontfamily>

=A0opens in iTudes, only plays Per Boysen's track then moves to the next
item in my music library.... is this just me on my app-hole OSuX
system or not?


<fixed><bigger>--=20

</bigger></fixed>

...

http://www.zmix.net

</excerpt>=

--Apple-Mail-2--629878976--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 16:33:46 2006
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References: <79B377AC-2ED6-11DB-AB64-000393CA38DE@earthlink.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Fri, 18 Aug 2006 10:33:41 -0600
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Are any PC users experiencing this? I am not seeing the problem, but of =
course I'm using Windows Media Player.
  ----- Original Message -----=20
  From: Sheila Olson=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 18, 2006 10:27 AM
  Subject: Re: Loopers delight 10th streaming m3u problems?


  Same thing happens with me also..=20

  Mac running OS X

  joe
  On Friday, August 18, 2006, at 09:16 AM, Charles Zwicky wrote:


    The  m3u "streaming file" on this page: =
http://www.krispenhartung.com/LoopersDelight10Year.htm
     opens in iTudes, only plays Per Boysen's track then moves to the =
next item in my music library.... is this just me on my app-hole OSuX =
system or not?

    --=20

    ...
    http://www.zmix.net

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Are any PC users experiencing this? I =
am not seeing=20
the problem, but of course I'm using Windows Media Player.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Donelonecrow@earthlink.net=20
  href=3D"mailto:onelonecrow@earthlink.net">Sheila Olson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 18, 2006 =
10:27=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Loopers delight =
10th=20
  streaming m3u problems?</DIV>
  <DIV><BR></DIV>Same thing happens with me also.. <BR><BR>Mac running =
OS=20
  X<BR><BR>joe<BR>On Friday, August 18, 2006, at 09:16 AM, Charles =
Zwicky=20
  wrote:<BR><BR>
  <BLOCKQUOTE>The&nbsp; m3u "streaming file" on this =
page:<?fontfamily><?param Lucida Grande><?color><?param =
0000,0000,0000><?smaller>=20
    <A=20
    =
href=3D"http://www.krispenhartung.com/LoopersDelight10Year.htm">http://ww=
w.krispenhartung.com/LoopersDelight10Year.htm</A><?/smaller><?/color><?/f=
ontfamily><BR>&nbsp;opens=20
    in iTudes, only plays Per Boysen's track then moves to the next item =
in my=20
    music library.... is this just me on my app-hole OSuX system or=20
    not?<BR><BR><TT><?bigger>--=20
    =
<BR><?/bigger></TT><BR>...<BR>http://www.zmix.net<BR></BLOCKQUOTE></BLOCK=
QUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 16:35:49 2006
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From: Ed Drake <eddrake1@comcast.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Fri, 18 Aug 2006 12:35:44 -0400
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On Aug 18, 2006, at 12:27 PM, Sheila Olson wrote:

> Same thing happens with me also..
>
> Mac running OS X


If you download the m3u file and import it into itunes it becomes a  
playlist which has all of the tracks.  All of the tracks may be in  
your library but they need to be in a playlist to see them all together.

One thing I've noticed is some of the track names are listed properly  
and some are goobletygook  such as mxyzptlk or whatever.  The track  
plays but the info about the track doesn't tell me anything about who  
or what the track is.


Ed

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 16:50:21 2006
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Subject: RE: Loopers delight 10th streaming m3u problems?
Date: Fri, 18 Aug 2006 12:51:18 -0400
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It's working fine for me.  Using XP and WMP10.

dm
www.music.download.com/danmontgomery
www.myspace.com/precentor
============


  -----Original Message-----
  From: Krispen Hartung [mailto:khartung@cableone.net]
  Sent: Friday, August 18, 2006 12:34 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Loopers delight 10th streaming m3u problems?


  Are any PC users experiencing this? I am not seeing the problem, but of
course I'm using Windows Media Player.


--
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Checked by AVG Free Edition.
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D453294716-18082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D453294716-18082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2>It's working fine for me.&nbsp; Using XP and =
WMP10.</FONT></SPAN></DIV>
<DIV><SPAN class=3D453294716-18082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D453294716-18082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2>dm </FONT><FONT color=3D#0000ff><BR><A=20
href=3D"http://www.music.download.com/danmontgomery"><FONT face=3D"Comic =
Sans MS"=20
size=3D2>www.music.download.com/danmontgomery</FONT></A><BR><A=20
href=3D"http://www.myspace.com/precentor"><FONT face=3D"Comic Sans MS"=20
size=3D2>www.myspace.com/precentor</FONT></A></FONT><FONT face=3D"Comic =
Sans MS"=20
color=3D#0000ff size=3D2></FONT></SPAN></DIV>
<DIV><SPAN class=3D453294716-18082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT></DIV>
<P><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</P><FONT=20
face=3D"Comic Sans MS" color=3D#0000ff size=3D2></FONT></SPAN>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Krispen Hartung=20
  [mailto:khartung@cableone.net]<BR><B>Sent:</B> Friday, August 18, 2006 =
12:34=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Loopers delight 10th streaming m3u problems?<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2>Are any PC users experiencing =
this? I am=20
  not seeing the problem, but of course I'm using Windows Media =
Player.<SPAN=20
  class=3D453294716-18082006><FONT face=3D"Comic Sans MS"=20
  color=3D#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
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  class=3D453294716-18082006></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  =
class=3D453294716-18082006>&nbsp;</SPAN></FONT></FONT></DIV></BLOCKQUOTE>=
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 18:11:05 2006
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Message-ID: <f1857ffc0608181111y60b59e39rcc165e77189e7ce1@mail.gmail.com>
Date: Fri, 18 Aug 2006 11:11:02 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Steve Reich
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Just listening for first time to Stever Reich's "Its Gonna Rain Pt 1 &
2" after this getting chosen  as 100 something in the
pitchforkmedia.com 'greatest songs of the 60's!

Sounds like the Loop Windowing techniques on the EDP, but using tape in 1965....

I think Dr Z mentioned this years ago.

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 18:18:55 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: Re: Loopers delight 10th streaming m3u problems?
Cc: Ed Drake <eddrake1@comcast.net>
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I've had the same trouble.

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Ed Drake <eddrake1@comcast.net> wrote:=20
>=20
> On Aug 18, 2006, at 12:27 PM, Sheila Olson wrote:
>=20
> > Same thing happens with me also..
> >
> > Mac running OS X
>=20
>=20
> If you download the m3u file and import it into itunes it becomes a =20
> playlist which has all of the tracks.  All of the tracks may be in =20
> your library but they need to be in a playlist to see them all together.
>=20
> One thing I've noticed is some of the track names are listed properly =20
> and some are goobletygook  such as mxyzptlk or whatever.  The track =20
> plays but the info about the track doesn't tell me anything about who =20
> or what the track is.
>=20
>=20
> Ed

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 18:24:10 2006
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Great stuff...I've actually been meaning to write a review of sorts 
about his "Music for 18 Musicians" and see if it should be included on 
the LD site. I heard it for the first time just a few months ago, and it 
just blew me away.  If there were a required listening list for loopers, 
I'd vote for this to be on it, as a wonderful illustration of how to 
develop repetitive material over time. I love it SO much.

To my mind, it's what "live looping" could be alternatively defined as - 
musicians looping a phrase. still...one does wonder if one person could 
perform it, with the proper looping equipment and ability to vocalize 
and to at least mimic the sounds of marimba, piano, sax, etc. I  know a 
while ago some people did it with some Satie pieces...

Daryl Shawn
www.swanwelder.com
> Just listening for first time to Stever Reich's "Its Gonna Rain Pt 1 &
> 2" after this getting chosen  as 100 something in the
> pitchforkmedia.com 'greatest songs of the 60's!
>
> Sounds like the Loop Windowing techniques on the EDP, but using tape 
> in 1965....

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 18:32:54 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Steve Reich
Date: Fri, 18 Aug 2006 20:32:49 +0200
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On 18 aug 2006, at 20.11, Neil Goldstein wrote:

> Just listening for first time to Stever Reich's "Its Gonna Rain Pt 1 &
> 2" after this getting chosen  as 100 something in the
> pitchforkmedia.com 'greatest songs of the 60's!
>
> Sounds like the Loop Windowing techniques on the EDP, but using  
> tape in 1965....


I agree. I directly fell in love with Reich's music first time I  
heard it. It's an instant blessing being able to create similar  
sounding parts by real-time performed live looping. One difference  
though is that if you use EDP loop windowing or play Mobius scripts  
you may not always be able to tell exactly what is going on in  
detail, only that you like what you are hearing and thus keep  
composing with it.

Some three days ago I was thinking about this when playing around  
with Mobius in 5/4, 6/8 and 7/8 timing measures. Then I checked out  
Reich's Music For Large Ensemble and some other recordings I keep  
with me on my iPod and I realized that he changes the the time  
measure quite a lot in his pieces. That's still rather difficult to  
do in real-time live looping when you are both the composer, the  
director and the instrumentalist in the same (poor) person ;-)  Maybe  
it's technically possible - at least with Mobius - but musically, I  
mean how the hell to you reconfigure your brain to suddenly change  
between two odd timings? The fact that Reich's music does that is  
making it great IMHO, it makes you loose the orientation for a while  
before those seemingly fragmented sounds do fall into a new rhythmic  
order, as your listening does adapt to the new landscape.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 19:04:47 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
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Are all you Mac users having this problem?  I just opened the m3u file from 
the website using iTunes, and I don't have the problem. But I did notice 
that iTunes is not playing the songs in the order of the m3u file. So I am 
guessing that there is a setting in iTunes doing this. When I first opened 
the m3u file with iTunes, I heard Per's song, but then nothing happened 
after that (just like what others reported)...but when I cleared my iTunes 
library and tried again, it played all the songs, just not in sequence. It's 
iTunes....Windows Media Player has no problem....I just tried MusicMatch 
too...no problem there, and both program play the songs in sequence.

Regarding the nonesensical words in the titles...I am not sure why this is 
happening, but I think something has changed in the way box.net serves the 
mp3 files. When I first published, for instance, the Y2K5 recordings, using 
the same m3u file format, I was able to see the titles that I put in the m3u 
text file. Now, even those are missing in the Y2K5 files.   I think the only 
work-around now is to tag your MP3 with title, artist, etc...then you can 
see them in the player.  You can see in your player who has tagged their MP3 
files: Per, Rainer, Doug Wyatt, Joshua Carroll, Ted Killian, Michael Peters, 
Dan Montgomery, Ingo A., Neil Goldstein, Charlie Milkey, RP Collier, 
Wernicke & Tiedje,  Claude Voit, Krispen Hartung, Brian Good, Chuck Zwicky.

Is anyone an expert in m3u files? This is the format I use:

#EXTINF: Info on the song
http://mp3file

For some reason, this EXTINF info is not making it into my players, only the 
info encoded in the actual mp3 file tag.


Kris

----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Ed Drake" <eddrake1@comcast.net>
Sent: Friday, August 18, 2006 12:18 PM
Subject: Re: Loopers delight 10th streaming m3u problems?


I've had the same trouble.

--
tEd Â® kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Ed Drake <eddrake1@comcast.net> wrote:
>
> On Aug 18, 2006, at 12:27 PM, Sheila Olson wrote:
>
> > Same thing happens with me also..
> >
> > Mac running OS X
>
>
> If you download the m3u file and import it into itunes it becomes a
> playlist which has all of the tracks.  All of the tracks may be in
> your library but they need to be in a playlist to see them all together.
>
> One thing I've noticed is some of the track names are listed properly
> and some are goobletygook  such as mxyzptlk or whatever.  The track
> plays but the info about the track doesn't tell me anything about who
> or what the track is.
>
>
> Ed



From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 19:08:46 2006
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To: Loopers-Delight@loopers-delight.com
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Yep.

On 8/18/06, Krispen Hartung <khartung@cableone.net> wrote:
> Are all you Mac users having this problem?

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 19:15:01 2006
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Travis! Where have you been? 

So, is it a problem with m3u files? 

To do some troubleshooting, how about this one? 

http://www.boisemusicians.com/Y2K5.m3u

Last year, no one had a problem with this above file.

Kris



----- Original Message ----- 
From: "Travis Hartnett" <travishartnett@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 18, 2006 1:08 PM
Subject: Re: Re: Loopers delight 10th streaming m3u problems?


> Yep.
> 
> On 8/18/06, Krispen Hartung <khartung@cableone.net> wrote:
>> Are all you Mac users having this problem?
> 
>

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Not sure what the problem is... but I'm using a Mac and it's playing a 
lullabye like song called "Separation" by Adrian West.  Is that what 
you want playing?

When it's done, as with all music downloads I get, it will most likely 
continue playing my iTunes list I believe.

Hope this is relevant!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 18-Aug-06, at 12:14 PM, Krispen Hartung wrote:

> Travis! Where have you been?
> So, is it a problem with m3u files?
> To do some troubleshooting, how about this one?
> http://www.boisemusicians.com/Y2K5.m3u
>
> Last year, no one had a problem with this above file.
>
> Kris
>
>
>
> ----- Original Message ----- From: "Travis Hartnett" 
> <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, August 18, 2006 1:08 PM
> Subject: Re: Re: Loopers delight 10th streaming m3u problems?
>
>
>> Yep.
>> On 8/18/06, Krispen Hartung <khartung@cableone.net> wrote:
>>> Are all you Mac users having this problem?
>>
>

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Not sure what the problem is... but I'm using a Mac and it's playing a
lullabye like song called "Separation" by Adrian West.  Is that what
you want playing?


When it's done, as with all music downloads I get, it will most likely
continue playing my iTunes list I believe.


Hope this is relevant!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 18-Aug-06, at 12:14 PM, Krispen Hartung wrote:


<excerpt>Travis! Where have you been? 

So, is it a problem with m3u files? 

To do some troubleshooting, how about this one? 

http://www.boisemusicians.com/Y2K5.m3u


Last year, no one had a problem with this above file.


Kris




----- Original Message ----- From: "Travis Hartnett"
<<travishartnett@gmail.com>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Friday, August 18, 2006 1:08 PM

Subject: Re: Re: Loopers delight 10th streaming m3u problems?



<excerpt>Yep.

On 8/18/06, Krispen Hartung <<khartung@cableone.net> wrote:

<excerpt>Are all you Mac users having this problem?

</excerpt>

</excerpt>

</excerpt>
--Apple-Mail-4--617947401--

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Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Fri, 18 Aug 2006 13:51:46 -0600
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That seems to be the common thread here, that iTunes plays the first =
song in the m3u file and then quits. I still think it has to do with =
iTunes settings. I can't reproduce the problem with Windows Media Player =
or Music Match, but was able to semi-produce the problem with iTunes on =
my PC....it has to do with how the program is setup to play songs in the =
library, or in a m3u file, etc...not sure.

Kris

  ----- Original Message -----=20
  From: Richard Sales=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 18, 2006 1:46 PM
  Subject: Re: Loopers delight 10th streaming m3u problems?


  Not sure what the problem is... but I'm using a Mac and it's playing a =
lullabye like song called "Separation" by Adrian West. Is that what you =
want playing?

  When it's done, as with all music downloads I get, it will most likely =
continue playing my iTunes list I believe.

  Hope this is relevant!

  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com
  On 18-Aug-06, at 12:14 PM, Krispen Hartung wrote:


    Travis! Where have you been?=20
    So, is it a problem with m3u files?=20
    To do some troubleshooting, how about this one?=20
    http://www.boisemusicians.com/Y2K5.m3u

    Last year, no one had a problem with this above file.

    Kris



    ----- Original Message ----- From: "Travis Hartnett" =
<travishartnett@gmail.com>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Friday, August 18, 2006 1:08 PM
    Subject: Re: Re: Loopers delight 10th streaming m3u problems?



      Yep.
      On 8/18/06, Krispen Hartung <khartung@cableone.net> wrote:

        Are all you Mac users having this problem?





------=_NextPart_000_0FEF_01C6C2CD.71D8B6B0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That seems to be the common thread =
here, that=20
iTunes plays the first song in the m3u file and then quits. I still =
think it has=20
to do with iTunes settings. I can't reproduce the problem with Windows =
Media=20
Player or Music Match, but was able to semi-produce the problem with =
iTunes on=20
my PC....it has to do with how the program is setup to play songs in the =

library, or in a m3u file, etc...not sure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drichard@glasswing.com =
href=3D"mailto:richard@glasswing.com">Richard=20
  Sales</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 18, 2006 =
1:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Loopers delight =
10th=20
  streaming m3u problems?</DIV>
  <DIV><BR></DIV>Not sure what the problem is... but I'm using a Mac and =
it's=20
  playing a lullabye like song called "Separation" by Adrian West. Is =
that what=20
  you want playing?<BR><BR>When it's done, as with all music downloads I =
get, it=20
  will most likely continue playing my iTunes list I =
believe.<BR><BR>Hope this=20
  is relevant!<BR><BR><?fontfamily><?param Gadget>richard =
sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C3,9696,1C1C><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayle=
ysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR>On=20
  18-Aug-06, at 12:14 PM, Krispen Hartung wrote:<BR><BR>
  <BLOCKQUOTE>Travis! Where have you been? <BR>So, is it a problem with =
m3u=20
    files? <BR>To do some troubleshooting, how about this one?=20
    <BR>http://www.boisemusicians.com/Y2K5.m3u<BR><BR>Last year, no one =
had a=20
    problem with this above file.<BR><BR>Kris<BR><BR><BR><BR>----- =
Original=20
    Message ----- From: "Travis Hartnett"=20
    &lt;travishartnett@gmail.com&gt;<BR>To:=20
    &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Sent: Friday, August =
18, 2006=20
    1:08 PM<BR>Subject: Re: Re: Loopers delight 10th streaming m3u=20
    problems?<BR><BR><BR>
    <BLOCKQUOTE>Yep.<BR>On 8/18/06, Krispen Hartung=20
      &lt;khartung@cableone.net&gt; wrote:<BR>
      <BLOCKQUOTE>Are all you Mac users having this=20
    =
problem?<BR></BLOCKQUOTE><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE><=
/BODY></HTML>

------=_NextPart_000_0FEF_01C6C2CD.71D8B6B0--


From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 19:55:31 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
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On 18 aug 2006, at 21.14, Krispen Hartung wrote:

> So, is it a problem with m3u files?


Eventually. For research, I tried my Mac to play the m3u playlists at  
http://www.upsweden.com/promo/ and they were working fine in iTunes;  
changing to the next song, displaying correct song data etc (don't  
know if that comes from proper mp3 file tagging, the id3 tag, or from  
the text document that makes up the m3u playlist. Anyway, I'm pasting  
in the m3u playlist document text data below so you can check out a  
"fully working Mac compatible" m3u coding. Hope you find something  
useful.

BTW, I notice they have left spaces in the file names/search paths -  
that's bad. The computer (or if it's the server?) fills it in with  
percentage characters. Not all servers will distribute correctly if  
you use spaces in search paths, so it's better to leave out spaces  
or  type a "_" instead.


#EXTM3U
#EXTINF:-1,http://www.upsweden.com/music/club/01 Addeboy vs Cliff -  
Airways.mp3
http://www.upsweden.com/music/club/01%20Addeboy%20vs%20Cliff%20-% 
20Airways.mp3
#EXTINF:275,02 Johan Afterglow - Magnum PI.mp3
http://www.upsweden.com/music/club/02%20Johan%20Afterglow%20-%20Magnum 
%20PI.mp3
#EXTINF:-1,http://www.upsweden.com/music/club/04 Dermes - Do it  
(Addeboy vs. Cliff remix).mp3
http://www.upsweden.com/music/club/04%20Dermes%20-%20Do%20it%20 
(Addeboy%20vs.%20Cliff%20remix).mp3
#EXTINF:-1,http://www.upsweden.com/music/club/05 Angelstyle -  
Oceancream (Original Mix).mp3
http://www.upsweden.com/music/club/05%20Angelstyle%20-%20Oceancream%20 
(Original%20Mix).mp3
#EXTINF:-1,http://www.upsweden.com/music/club/06 Baka Hakuzin & Jappe  
- Letsgo.mp3
http://www.upsweden.com/music/club/06%20Baka%20Hakuzin%20&%20Jappe%20- 
%20Letsgo.mp3
#EXTINF:-1,http://www.upsweden.com/music/club/07 Skomm -  
Conductorman.mp3
http://www.upsweden.com/music/club/07%20Skomm%20-%20Conductorman.mp3
#EXTINF:-1,http://www.upsweden.com/music/club/08 Vanliga Jattar -  
Midi Maxi.mp3
http://www.upsweden.com/music/club/08%20Vanliga%20Jattar%20-%20Midi% 
20Maxi.mp3
#EXTINF:-1,http://www.upsweden.com/music/club/09 Cat Burglar - Happy  
Mornings.mp3
http://www.upsweden.com/music/club/09%20Cat%20Burglar%20-%20Happy% 
20Mornings.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/07 Josef - Time to  
breathe.mp3
http://www.upsweden.com/music/art/07%20Josef%20-%20Time%20to% 
20breathe.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/01 iRod - woiksong.mp3
http://www.upsweden.com/music/art/01%20iRod%20-%20woiksong.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/02 Anomi - Meacc.mp3
http://www.upsweden.com/music/art/02%20Anomi%20-%20Meacc.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/03 Desolate Republic -  
Musa.mp3
http://www.upsweden.com/music/art/03%20Desolate%20Republic%20-% 
20Musa.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/04 Wheel - Exit  
entrance.mp3
http://www.upsweden.com/music/art/04%20Wheel%20-%20Exit%20entrance.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/05 Stina Nygards - Not  
much of a joiner.mp3
http://www.upsweden.com/music/art/05%20Stina%20Nygards%20-%20Not% 
20much%20of%20a%20joiner.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/06 Flatspin - Mind on  
meditation.mp3
http://www.upsweden.com/music/art/06%20Flatspin%20-%20Mind%20on% 
20meditation.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/08 Multi Mono - The Job.mp3
http://www.upsweden.com/music/art/08%20Multi%20Mono%20-%20The%20Job.mp3
#EXTINF:-1,http://www.upsweden.com/music/art/09 Kanibal - Den  
slutgiltiga losningen.mp3
http://www.upsweden.com/music/art/09%20Kanibal%20-%20Den%20slutgiltiga 
%20losningen.mp3
#EXTINF:-1,http://www.upsweden.com/music/electronicaclub/Small Feral  
Token - Passionate glue.mp3
http://www.upsweden.com/music/electronicaclub/Small%20Feral%20Token% 
20-%20Passionate%20glue.mp3
#EXTINF:-1,http://www.upsweden.com/music/electronicaclub/Ka-sol -  
Pure Zen.mp3
http://www.upsweden.com/music/electronicaclub/Ka-sol%20-%20Pure% 
20Zen.mp3



Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 21:41:59 2006
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On 18 Aug 2006 at 11:11, Neil Goldstein wrote:

> Just listening for first time to Stever Reich's "Its Gonna Rain Pt 1 &

Reich was one of the people who turned me on to looping - my current 
favourites are "Different trains" and "Desert Music". I used to spend 
hours setting a basic loop then slowly adjusting the delay length to 
simulate the "piano phase" motifs....


All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 22:19:52 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Fri, 18 Aug 2006 15:19:47 -0700
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I''m having no problems.


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 18, 2006, at 12:04 PM, Krispen Hartung wrote:

> Are all you Mac users having this problem?  I just opened the m3u file=20=

> from the website using iTunes, and I don't have the problem. But I did=20=

> notice that iTunes is not playing the songs in the order of the m3u=20
> file. So I am guessing that there is a setting in iTunes doing this.=20=

> When I first opened the m3u file with iTunes, I heard Per's song, but=20=

> then nothing happened after that (just like what others=20
> reported)...but when I cleared my iTunes library and tried again, it=20=

> played all the songs, just not in sequence. It's iTunes....Windows=20
> Media Player has no problem....I just tried MusicMatch too...no=20
> problem there, and both program play the songs in sequence.
>
> Regarding the nonesensical words in the titles...I am not sure why=20
> this is happening, but I think something has changed in the way=20
> box.net serves the mp3 files. When I first published, for instance,=20
> the Y2K5 recordings, using the same m3u file format, I was able to see=20=

> the titles that I put in the m3u text file. Now, even those are=20
> missing in the Y2K5 files.   I think the only work-around now is to=20
> tag your MP3 with title, artist, etc...then you can see them in the=20
> player.  You can see in your player who has tagged their MP3 files:=20
> Per, Rainer, Doug Wyatt, Joshua Carroll, Ted Killian, Michael Peters,=20=

> Dan Montgomery, Ingo A., Neil Goldstein, Charlie Milkey, RP Collier,=20=

> Wernicke & Tiedje,  Claude Voit, Krispen Hartung, Brian Good, Chuck=20
> Zwicky.
>
> Is anyone an expert in m3u files? This is the format I use:
>
> #EXTINF: Info on the song
> http://mp3file
>
> For some reason, this EXTINF info is not making it into my players,=20
> only the info encoded in the actual mp3 file tag.
>
>
> Kris=

From Loopers-Delight-request@loopers-delight.com  Fri Aug 18 23:26:39 2006
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References: <636713521.1155925134215.JavaMail.root@fepweb03> <0f8b01c6c2f9$2a80fee0$6fb2ec0f@americas.hpqcorp.net> <d1396fc00608181208g7b1dfc62he57afe31366e1b2c@mail.gmail.com> <0fcc01c6c2fa$98e031c0$6fb2ec0f@americas.hpqcorp.net> <07073210cfa33a21e74026609878fc60@glasswing.com> <0ff201c6c2ff$bd4c2190$6fb2ec0f@americas.hpqcorp.net>
Subject: H-H echo unit
Date: Sat, 19 Aug 2006 01:26:35 +0200
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hi anyone out here, i'm new to this list... :)

i've never had the pleasure to own a tape machine or tape echo myself,=20
but finally this evening i've brought in a second hand H-H echo unit!

. i guess it needs a lot of service, since it drops out audio at some =
moments.
also i know the sound gets most dirty immediately after the first =
repeat.=20
though i knew these units do not produce sparkling and clear sounds... =
the dropouts is what makes me wondering.

is there a tutorial on repairing/optimizing/service-ing a tape echo?

best, roel

------=_NextPart_000_0049_01C6C32E.82B527A0
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hi anyone out here, i'm new to this =
list...=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i've&nbsp;never had the pleasure to =
own&nbsp;a tape=20
machine or tape echo&nbsp;myself, </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>but finally </FONT><FONT face=3DArial =
size=3D2>this=20
evening i've brought in a second hand H-H echo unit!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>.&nbsp;i guess it needs a lot of =
service, since it=20
drops out audio at some moments.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>also i know the sound gets most dirty =
immediately=20
after the first repeat. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>though i knew these units do not =
produce sparkling=20
and clear sounds... the dropouts is what makes me =
wondering.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>is there a tutorial on=20
repairing/optimizing/service-ing a tape echo?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>best, roel</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0049_01C6C32E.82B527A0--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 08:59:51 2006
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: H-H echo unit
Date: Sat, 19 Aug 2006 09:59:52 +0100
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Wow, this takes me back!
As I remember there were 2 types. one with multiple heads, rather like a =
Wem/Watkins copy cat, ad the other had one playback head on a mechanical =
slider. I owned the former but wanted the latter. With the moving head =
one, you could play and speed up/slow down the echo - great fun..
Anyway, the reason I had one was that there was quite a long loop of =
tape in it as compared to the affore mentioned copy cat which had a loop =
about a foot long. This meant that if you covered up the erase head with =
a bit of cardboard you could achieve sound on sound long loop effects.=20
I remember my tape chewing up on the H/H unit and making a new loop by =
splicing some 1/4 inch tape together. This worked but the sound was =
different. The problem is that different analogue tapes have different =
bias characteristics. Without knowing the specs of the original tape it =
would be hard to match up your new tape. You'll end up with foggy or =
bright echoes - but this might be good too!
So maybe you should experiment with different types of 1/4 inch tape. =
And remember to clean and de-gauss the heads. Little bits of oxide will =
get trapped in the heads and this will cause dropouts.

Have fun!

Gareth

  ----- Original Message -----=20
  From: roel=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, August 19, 2006 12:26 AM
  Subject: H-H echo unit


  hi anyone out here, i'm new to this list... :)

  i've never had the pleasure to own a tape machine or tape echo myself, =

  but finally this evening i've brought in a second hand H-H echo unit!

  . i guess it needs a lot of service, since it drops out audio at some =
moments.
  also i know the sound gets most dirty immediately after the first =
repeat.=20
  though i knew these units do not produce sparkling and clear sounds... =
the dropouts is what makes me wondering.

  is there a tutorial on repairing/optimizing/service-ing a tape echo?

  best, roel

------=_NextPart_000_004D_01C6C376.37578E40
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wow, this takes me back!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>As I remember there were 2 types. one =
with multiple=20
heads, rather like a Wem/Watkins copy cat, ad the other had one playback =
head on=20
a mechanical slider. I owned the former but wanted the latter. With the =
moving=20
head one, you could play and speed up/slow down the echo - great=20
fun..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Anyway, the reason I had one was that =
there was=20
quite a long loop of tape in it as compared to the affore mentioned copy =
cat=20
which had a loop about a foot long. This meant that if you covered up =
the erase=20
head with a bit of cardboard you could achieve sound on sound long loop =
effects.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I remember my tape chewing up on the =
H/H unit and=20
making a new loop by splicing some 1/4 inch tape together. This worked =
but the=20
sound was different. The problem is that different analogue tapes have =
different=20
bias characteristics. Without knowing the specs of the original tape it =
would be=20
hard to match up your new tape. You'll end up with foggy or bright =
echoes - but=20
this might be good too!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>So maybe you should experiment with =
different types=20
of 1/4 inch tape. And remember to clean and de-gauss the heads. Little =
bits of=20
oxide will get trapped in the heads and this will cause =
dropouts.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Have fun!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Gareth</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dq-mailing-list@xs4all.nl=20
  href=3D"mailto:q-mailing-list@xs4all.nl">roel</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 19, 2006 =
12:26=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> H-H echo unit</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>hi anyone out here, i'm new to this =
list...=20
  :)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>i've&nbsp;never had the pleasure to =
own&nbsp;a=20
  tape machine or tape echo&nbsp;myself, </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>but finally </FONT><FONT face=3DArial =
size=3D2>this=20
  evening i've brought in a second hand H-H echo unit!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>.&nbsp;i guess it needs a lot of =
service, since=20
  it drops out audio at some moments.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>also i know the sound gets most dirty =
immediately=20
  after the first repeat. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>though i knew these units do not =
produce=20
  sparkling and clear sounds... the dropouts is what makes me=20
  wondering.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>is there a tutorial on=20
  repairing/optimizing/service-ing a tape echo?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>best, roel</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004D_01C6C376.37578E40--



From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 09:26:42 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <636713521.1155925134215.JavaMail.root@fepweb03> <0f8b01c6c2f9$2a80fee0$6fb2ec0f@americas.hpqcorp.net> <d1396fc00608181208g7b1dfc62he57afe31366e1b2c@mail.gmail.com> <0fcc01c6c2fa$98e031c0$6fb2ec0f@americas.hpqcorp.net> <07073210cfa33a21e74026609878fc60@glasswing.com> <0ff201c6c2ff$bd4c2190$6fb2ec0f@americas.hpqcorp.net> <004c01c6c31d$c06266a0$01646464@beneden> <005001c6c36d$d5d4c320$5d01a8c0@acer81080ea37f>
Subject: Re: H-H echo unit
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hi gareth, thanks for your answer
the h-h unit the latter one, the one with the moving head.

in the meantine i've spliced a new tape loop. the one which was on the unit
had a tick in it because of improper slicing., this is much better, also
sending signal in on lower levels results in more transparent delays.
next week i'll be cleaning up the unit, its way dirty.
also i notice a hum, about 100hz, which gets on the tape when feedback level
set to max. should i do some tricks to reduce this hum, or is hum normal for
tape echo's?

best, roel





----
Gareth wrote:
----
Wow, this takes me back!
As I remember there were 2 types. one with multiple heads, rather like a
Wem/Watkins copy cat, ad the other had one playback head on a mechanical
slider. I owned the former but wanted the latter. With the moving head one,
you could play and speed up/slow down the echo - great fun..
Anyway, the reason I had one was that there was quite a long loop of tape in
it as compared to the affore mentioned copy cat which had a loop about a
foot long. This meant that if you covered up the erase head with a bit of
cardboard you could achieve sound on sound long loop effects.
I remember my tape chewing up on the H/H unit and making a new loop by
splicing some 1/4 inch tape together. This worked but the sound was
different. The problem is that different analogue tapes have different bias
characteristics. Without knowing the specs of the original tape it would be
hard to match up your new tape. You'll end up with foggy or bright echoes -
but this might be good too!
So maybe you should experiment with different types of 1/4 inch tape. And
remember to clean and de-gauss the heads. Little bits of oxide will get
trapped in the heads and this will cause dropouts.

Have fun!

Gareth

----- Original Message -----
From: roel
To: Loopers-Delight@loopers-delight.com
Sent: Saturday, August 19, 2006 12:26 AM
Subject: H-H echo unit


hi anyone out here, i'm new to this list... :)

i've never had the pleasure to own a tape machine or tape echo myself,
but finally this evening i've brought in a second hand H-H echo unit!

. i guess it needs a lot of service, since it drops out audio at some
moments.
also i know the sound gets most dirty immediately after the first repeat.
though i knew these units do not produce sparkling and clear sounds... the
dropouts is what makes me wondering.

is there a tutorial on repairing/optimizing/service-ing a tape echo?

best, roel




No virus found in this incoming message.
Checked by AVG Free Edition.
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 09:46:29 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Steve Reich: Music for Mallet Instruments, Voices and Organ
Date: Sat, 19 Aug 2006 02:46:28 -0700
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    This piece of music (Music for Mallet Instruments, Voices and Organ) by 
Steve Reich
was one of the seminal pieces that influenced me in the serial repititive 
movement
that set me up to be so excited by the prospect of tape and later digital 
live looping gear.

Originally recorded only on a very pricey triple album vinyl Deutsche 
Grammaphone release,
the piece never achieved the popularity of Reich's later works (Music for 18 
Musicians, et. al.)
but it is a quintessential piece of repetitive 'looping music' and my pick 
for the very best
Steve Reich piece ever recorded.

It is performed in real time with musicians but they slowly morph the piece 
in a away that is
very analagous to lowered feedback settings in a Gibson EDP.

Along with Eno's earliest ambient exercises and the amazing 'Evening Star' 
by both
Robert Fripp and Brian Eno and added to the whole concept of West African 
repetitive
polyrhythmic concepts and a healthy dosage of LSD-25 in my late teens and 
early twenties
this music made me a live looper for life....................lol


Check this out..................it's actually been rereleased on a Nonesuch 
single CD.
http://www.amazon.com/gp/product/B000005IZS/ref=ase_howardstokarmana/002-0771502-6092037?s=music&v=glance&n=5174&tagActionCode=howardstokarmana

It is some of the best psychedelic massage or love making music ever 
recorded.
It still puts me into a trance every time I hear it.

R.

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 09:56:56 2006
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Subject: Re: H-H echo unit
Date: Sat, 19 Aug 2006 02:56:57 -0700
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hey Noel,

My first live looping gigs in the early 80's were accomplished using old 
tube echoplexes with the
erase heads disengaged.

your problem is entirely in the age of your tape I have a strong suspicion. 
I know that Roland still sells
long tape loops for their older tape delays.  Maybe you can use that for 
your recently purchased
unit.   If not,   you might just try to make your own loops.

I think you can still buy a simple cassette tape splicing kit at Radio Shack 
these days.

See if you can get a new tape, or,  as we used to do,   make your own. 
Good luck!

I, myself ,  used to love it when my old Roland RE-501 Chorus Echo's tape 
used to degrade so that
it really distorted the 'echoes'

In the new and brilliant digital modelling of the Roland RE-201 that 
Universal Audio has released as
a plugin....................they not only included the bump that occured 
with the slice points but also you have
the option of using that with a brand new tape digital recreation or a used 
tape or a tape about to
fall apart.......................giving that wonderful 'dirty'  dub sound of 
the decaying echoes.

Having been a religious user of the Roland RE-501 when I started getting 
seriously into dub conciousness
in the late 70's and early 80's  I was really skeptical of the UA  Roland 
Re-201 emulation but they
nailed it to the wall.

Add to this the fact that you can also BPM sync this VST plugin to other 
looping programs for very accurate
matching digital delays,  this thing rocks.


  ----- Original Message ----- 
  From: roel
  To: Loopers-Delight@loopers-delight.com
  Sent: Friday, August 18, 2006 4:26 PM
  Subject: H-H echo unit


  hi anyone out here, i'm new to this list... :)

  i've never had the pleasure to own a tape machine or tape echo myself,
  but finally this evening i've brought in a second hand H-H echo unit!

  . i guess it needs a lot of service, since it drops out audio at some 
moments.
  also i know the sound gets most dirty immediately after the first repeat.
  though i knew these units do not produce sparkling and clear sounds... the 
dropouts is what makes me wondering.

  is there a tutorial on repairing/optimizing/service-ing a tape echo?

  best, roel

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 10:06:31 2006
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Subject: Re: H-H echo unit
Date: Sat, 19 Aug 2006 12:05:41 +0200
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after some cleaning and splicing a new piece of tape :o)
http://www.xs4all.nl/~pauliz/hh_tapeecho.ogg

humm-mm-mm-mm on the end. though this night be completely normal,

best, roel



----- Original Message -----
From: "roel" <q-mailing-list@xs4all.nl>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 19, 2006 11:26 AM
Subject: Re: H-H echo unit


> hi gareth, thanks for your answer
> the h-h unit the latter one, the one with the moving head.
>
> in the meantine i've spliced a new tape loop. the one which was on the
unit
> had a tick in it because of improper slicing., this is much better, also
> sending signal in on lower levels results in more transparent delays.
> next week i'll be cleaning up the unit, its way dirty.
> also i notice a hum, about 100hz, which gets on the tape when feedback
level
> set to max. should i do some tricks to reduce this hum, or is hum normal
for
> tape echo's?
>
> best, roel
>
>
>
>
>
> ----
> Gareth wrote:
> ----
> Wow, this takes me back!
> As I remember there were 2 types. one with multiple heads, rather like a
> Wem/Watkins copy cat, ad the other had one playback head on a mechanical
> slider. I owned the former but wanted the latter. With the moving head
one,
> you could play and speed up/slow down the echo - great fun..
> Anyway, the reason I had one was that there was quite a long loop of tape
in
> it as compared to the affore mentioned copy cat which had a loop about a
> foot long. This meant that if you covered up the erase head with a bit of
> cardboard you could achieve sound on sound long loop effects.
> I remember my tape chewing up on the H/H unit and making a new loop by
> splicing some 1/4 inch tape together. This worked but the sound was
> different. The problem is that different analogue tapes have different
bias
> characteristics. Without knowing the specs of the original tape it would
be
> hard to match up your new tape. You'll end up with foggy or bright
echoes -
> but this might be good too!
> So maybe you should experiment with different types of 1/4 inch tape. And
> remember to clean and de-gauss the heads. Little bits of oxide will get
> trapped in the heads and this will cause dropouts.
>
> Have fun!
>
> Gareth
>
> ----- Original Message -----
> From: roel
> To: Loopers-Delight@loopers-delight.com
> Sent: Saturday, August 19, 2006 12:26 AM
> Subject: H-H echo unit
>
>
> hi anyone out here, i'm new to this list... :)
>
> i've never had the pleasure to own a tape machine or tape echo myself,
> but finally this evening i've brought in a second hand H-H echo unit!
>
> . i guess it needs a lot of service, since it drops out audio at some
> moments.
> also i know the sound gets most dirty immediately after the first repeat.
> though i knew these units do not produce sparkling and clear sounds... the
> dropouts is what makes me wondering.
>
> is there a tutorial on repairing/optimizing/service-ing a tape echo?
>
> best, roel
>
>
>
>
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.405 / Virus Database: 268.11.3/423 - Release Date: 18-8-2006
>
>
>
>
> --
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.405 / Virus Database: 268.11.3/423 - Release Date: 18-8-2006
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 10:24:30 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: <FUN TECH>  "Pjotro - The man with the musical suit"
Date: Sat, 19 Aug 2006 12:24:25 +0200
To: Loopers-Delight@loopers-delight.com
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Just received word that strange things are happening in Russia these  
days...

"Pjotro - The man with the musical suit"
http://www.pjotro.com/

Pjotro reminded me about this guy, that has been on it for some time  
now. Although he is more into bizarre things.
http://www.stelarc.va.com.au

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 12:01:22 2006
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Date: Sat, 19 Aug 2006 07:56:12 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: Loopers delight 10th streaming m3u problems?
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Krispen Hartung wrote:

> That seems to be the common thread here, that iTunes plays the first 
> song in the m3u file and then quits. I still think it has to do with 
> iTunes settings. I can't reproduce the problem with Windows Media 
> Player or Music Match, but was able to semi-produce the problem with 
> iTunes on my PC....it has to do with how the program is setup to play 
> songs in the library, or in a m3u file, etc...not sure.

I'm using Win98 (NOT Win98 SE) and WMP 7.01, the last version that will 
work with Win98.  The first track loads and begins to play. When the 
cuurect file is finished laoding, the track playing is interrupted and 
the next track starts to load.  I, too, am seeing the alphabet soup 
after only a few tracks.

Cheers,

Bill Fox

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 12:04:10 2006
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Krispen Hartung wrote:

> That seems to be the common thread here, that iTunes plays the first 
> song in the m3u file and then quits. I still think it has to do with 
> iTunes settings. I can't reproduce the problem with Windows Media 
> Player or Music Match, but was able to semi-produce the problem with 
> iTunes on my PC....it has to do with how the program is setup to play 
> songs in the library, or in a m3u file, etc...not sure.

Winamp seems to be doing just fine.

Cheers,

Bill Fox

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 14:44:46 2006
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From: Dan <stikcler@yahoo.com>
Subject: Re: Steve Reich: Music for Mallet Instruments, Voices and Organ
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--0-15582788-1155998683=:10904
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Wow!
  Thanks for finding this.

"loop.pool" <looppool@cruzio.com> wrote:
  This piece of music (Music for Mallet Instruments, Voices and Organ) by 
Steve Reich
was one of the seminal pieces that influenced me in the serial repititive 
movement
that set me up to be so excited by the prospect of tape and later digital 
live looping gear.

Originally recorded only on a very pricey triple album vinyl Deutsche 
Grammaphone release,
the piece never achieved the popularity of Reich's later works (Music for 18 
Musicians, et. al.)
but it is a quintessential piece of repetitive 'looping music' and my pick 
for the very best
Steve Reich piece ever recorded.

It is performed in real time with musicians but they slowly morph the piece 
in a away that is
very analagous to lowered feedback settings in a Gibson EDP.

Along with Eno's earliest ambient exercises and the amazing 'Evening Star' 
by both
Robert Fripp and Brian Eno and added to the whole concept of West African 
repetitive
polyrhythmic concepts and a healthy dosage of LSD-25 in my late teens and 
early twenties
this music made me a live looper for life....................lol


Check this out..................it's actually been rereleased on a Nonesuch 
single CD.
http://www.amazon.com/gp/product/B000005IZS/ref=ase_howardstokarmana/002-0771502-6092037?s=music&v=glance&n=5174&tagActionCode=howardstokarmana

It is some of the best psychedelic massage or love making music ever 
recorded.
It still puts me into a trance every time I hear it.

R.



 		
---------------------------------
Do you Yahoo!?
 Next-gen email? Have it all with the  all-new Yahoo! Mail Beta.
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<div>Wow!</div>  <div>Thanks for finding this.<BR><BR><B><I>"loop.pool" &lt;looppool@cruzio.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">This piece of music (Music for Mallet Instruments, Voices and Organ) by <BR>Steve Reich<BR>was one of the seminal pieces that influenced me in the serial repititive <BR>movement<BR>that set me up to be so excited by the prospect of tape and later digital <BR>live looping gear.<BR><BR>Originally recorded only on a very pricey triple album vinyl Deutsche <BR>Grammaphone release,<BR>the piece never achieved the popularity of Reich's later works (Music for 18 <BR>Musicians, et. al.)<BR>but it is a quintessential piece of repetitive 'looping music' and my pick <BR>for the very best<BR>Steve Reich piece ever recorded.<BR><BR>It is performed in real time with musicians but they slowly morph the piece <BR>in a away that is<BR>very analagous to lowered feedback
 settings in a Gibson EDP.<BR><BR>Along with Eno's earliest ambient exercises and the amazing 'Evening Star' <BR>by both<BR>Robert Fripp and Brian Eno and added to the whole concept of West African <BR>repetitive<BR>polyrhythmic concepts and a healthy dosage of LSD-25 in my late teens and <BR>early twenties<BR>this music made me a live looper for life....................lol<BR><BR><BR>Check this out..................it's actually been rereleased on a Nonesuch <BR>single CD.<BR>http://www.amazon.com/gp/product/B000005IZS/ref=ase_howardstokarmana/002-0771502-6092037?s=music&amp;v=glance&amp;n=5174&amp;tagActionCode=howardstokarmana<BR><BR>It is some of the best psychedelic massage or love making music ever <BR>recorded.<BR>It still puts me into a trance every time I hear it.<BR><BR>R.<BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Do you Yahoo!?<br> Next-gen email? Have it all with the <a href="http://us.rd.yahoo.com/evt=42241/*http://advision.webevents.yahoo.com/handraisers"> all-new Yahoo! Mail Beta.</a>
--0-15582788-1155998683=:10904--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 14:56:52 2006
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Subject: Re: Steve Reich
Date: Sat, 19 Aug 2006 09:58:19 -0500
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There is an episode of Carl Sagan's "Cosmos" where there is this really cool
musical transition. It wasn't until I started listening to Steve Reich that I
figured out it was actually part of "Heaven and Hell" by Vangelis which then
faded into "Music for 18 Musicians". It worked so well I thought it was one
piece.

Mark Smart
http://www.marksmart.net/

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 15:21:36 2006
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Date: Sat, 19 Aug 2006 08:21:34 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Steve Reich: Music for Mallet Instruments, Voices and Organ
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I found it a few years back on the DG double CD which included
Drumming and Six Pianos, which is a piece I've always wanted to
arrange for looper:

http://www.amazon.com/gp/product/B000026D3A/sr=1-2/qid=1156000726/ref=sr_1_2/103-8538965-5441452?ie=UTF8&s=music

I was going to say it's affordable, but I guess it's $50 new and the
hipsters at the local CD place didn't know that when they priced the
used copy I bought for $12.  Still, "Six Pianos" is worth checking
out.


On 8/19/06, loop.pool <looppool@cruzio.com> wrote:
>     This piece of music (Music for Mallet Instruments, Voices and Organ) by
> Steve Reich
> was one of the seminal pieces that influenced me in the serial repititive
> movement
> that set me up to be so excited by the prospect of tape and later digital
> live looping gear.

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 16:57:11 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Steve Reich: Music for Mallet Instruments, Voices and Organ
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Why make a differentiation? ;)

> It is some of the best psychedelic massage or love
> making music ever 
> recorded.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 17:05:29 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: <FUN TECH>  "Pjotro - The man with the musical suit"
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Wow, they may have lost the cold war, but they're
obviously way ahead of us in wacky musical suit technology.

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 19:39:21 2006
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To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 21:39:14 +0200
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> Is anyone an expert in m3u files? 

here is the m3u format description that I used:
http://hanna.pyxidis.org/tech/m3u.html

maybe you should try to adapt your file to the described format as close as
possible.

I've generated all the m3us for the ct-collective (www.ct-collective.com)
and have never heard of problems.

but maybe our Mac users could go to that site and check if the m3u streams
work ok for them or not?

-Michael www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 19:53:16 2006
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I may have found the problem. "#EXTM3U" was missing at the top of my file, 
which apparently tells the audio player that this is an m3u file?  Could 
iTunes be that stupid? :)  Let's try it and see:

http://www.krispenhartung.com/loopers-delight-10year.m3u (modified)

My iTunes appears to behave better with this change.

Kris

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 19, 2006 1:39 PM
Subject: RE: Loopers delight 10th streaming m3u problems?


>> Is anyone an expert in m3u files?
>
> here is the m3u format description that I used:
> http://hanna.pyxidis.org/tech/m3u.html
>
> maybe you should try to adapt your file to the described format as close 
> as
> possible.
>
> I've generated all the m3us for the ct-collective (www.ct-collective.com)
> and have never heard of problems.
>
> but maybe our Mac users could go to that site and check if the m3u streams
> work ok for them or not?
>
> -Michael www.michaelpeters.de
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 19:56:27 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
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On Aug 19, 2006, at 3:39 PM, Michael Peters wrote:
>
> I've generated all the m3us for the ct-collective (www.ct- 
> collective.com)
> and have never heard of problems.
>

> but maybe our Mac users could go to that site and check if the m3u  
> streams
> work ok for them or not?

Hey Michael,

I went to check out the m3u streams there and I couldn't seem to find  
them anywhere.  If you could give me the direct links, that would be  
very helpful.

Thanks!

Ed

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Subject: Re: Loopers delight 10th streaming m3u problems?
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On Aug 19, 2006, at 3:53 PM, Krispen Hartung wrote:

> I may have found the problem. "#EXTM3U" was missing at the top of  
> my file, which apparently tells the audio player that this is an  
> m3u file?  Could iTunes be that stupid? :)  Let's try it and see:
>
> http://www.krispenhartung.com/loopers-delight-10year.m3u (modified)
>
> My iTunes appears to behave better with this change.
>
> Kris
>


Hey Kris,

I wouldn't waste too much time trying to fix this as it seems itunes  
has a problem with m3u files. I googled this and came up with a  
helper utility for itunes both mac and windows.  http:// 
homepage.mac.com/cp_stevenson/Entries/M3U2iTunes/

I guess nobody tried my suggestion yesterday to download the m3u file  
from you and import it into itunes which creates a playlist that has  
all of your tracks in it ( even the ones with the messed up names).   
It seems the helper utility does much of the same thing as my fix.

Hope this helps.

Ed

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 20:21:36 2006
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At 1:53 PM -0600 8/19/06, Krispen Hartung wrote:
>I may have found the problem. "#EXTM3U" was missing at the top of my 
>file, which apparently tells the audio player that this is an m3u 
>file?  Could iTunes be that stupid? :)  Let's try it and see:
>
>http://www.krispenhartung.com/loopers-delight-10year.m3u (modified)
>
>My iTunes appears to behave better with this change.

Urgh!  Still behaves the same for me; it plays Per's track, then 
clicks over to Rammstein (the next listing in my library).  It's a 
rather, erm, interesting juxtaposition, but not what's intended I'm 
sure.

Saving the file to disk then using the import function within iTunes 
still gives about 40% of the titles as gobbledegook, just as before.

Weird.  I've never had trouble with any of your streaming files previously.

	--m.
-- 
_______
"Snakes, as the great philosophers used to say, on a motherfucking plane...."

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 20:31:24 2006
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yeah, it looks like Ed's suggestion is the best for now. The only way to 
eliminate the gobbledegook is for have to folks to submit their mp3 files 
with tags....about 1/3 fo them have tags and show fine.

K-
----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 19, 2006 2:21 PM
Subject: Re: Loopers delight 10th streaming m3u problems?


> At 1:53 PM -0600 8/19/06, Krispen Hartung wrote:
>>I may have found the problem. "#EXTM3U" was missing at the top of my file, 
>>which apparently tells the audio player that this is an m3u file?  Could 
>>iTunes be that stupid? :)  Let's try it and see:
>>
>>http://www.krispenhartung.com/loopers-delight-10year.m3u (modified)
>>
>>My iTunes appears to behave better with this change.
>
> Urgh!  Still behaves the same for me; it plays Per's track, then clicks 
> over to Rammstein (the next listing in my library).  It's a rather, erm, 
> interesting juxtaposition, but not what's intended I'm sure.
>
> Saving the file to disk then using the import function within iTunes still 
> gives about 40% of the titles as gobbledegook, just as before.
>
> Weird.  I've never had trouble with any of your streaming files 
> previously.
>
> --m.
> -- 
> _______
> "Snakes, as the great philosophers used to say, on a motherfucking 
> plane...."
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 20:32:52 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 22:32:48 +0200
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On 19 aug 2006, at 22.19, Ed Drake wrote:

> I guess nobody tried my suggestion yesterday to download the m3u  
> file from you and import it into itunes which creates a playlist  
> that has all of your tracks in it ( even the ones with the messed  
> up names).  It seems the helper utility does much of the same thing  
> as my fix.

I tried that, but didn't find a way to save the m3u on my computer  
(using a Mac). The web browsers download history indicates that  
"http://www.krispenhartung.com/loopers-delight-10year.m3u" has been  
downloaded but won't let me open or import the file since it "has  
been deleted or moved". Usually when I'm using Macs I download by alt- 
clicking a link, but in this case the link is not made explicit  
anywhere in html. Only the direct URL is given. I guess I could use  
some special FTP-like software to download such an URL to the  
desktop? But wouldn't it be quicker if Krispen did a quick check on  
the code? Wasn't it this morning I posted a a complete m3u playlist  
text document that is proven to work fine with both Win and Mac?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 20:42:28 2006
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From: Ed Drake <eddrake1@comcast.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 16:42:10 -0400
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On Aug 19, 2006, at 4:32 PM, Per Boysen wrote:

> On 19 aug 2006, at 22.19, Ed Drake wrote:
>
>> I guess nobody tried my suggestion yesterday to download the m3u  
>> file from you and import it into itunes which creates a playlist  
>> that has all of your tracks in it ( even the ones with the messed  
>> up names).  It seems the helper utility does much of the same  
>> thing as my fix.
>
> I tried that, but didn't find a way to save the m3u on my computer  
> (using a Mac). The web browsers download history indicates that  
> "http://www.krispenhartung.com/loopers-delight-10year.m3u" has been  
> downloaded but won't let me open or import the file since it "has  
> been deleted or moved". Usually when I'm using Macs I download by  
> alt-clicking a link, but in this case the link is not made explicit  
> anywhere in html. Only the direct URL is given. I guess I could use  
> some special FTP-like software to download such an URL to the  
> desktop? But wouldn't it be quicker if Krispen did a quick check on  
> the code? Wasn't it this morning I posted a a complete m3u playlist  
> text document that is proven to work fine with both Win and Mac?

Hey Per,

  I just went to the link http://www.krispenhartung.com/ 
LoopersDelight10Year.htm and clicked on the m3u link and Firefox  
(which is what I'm using) offers me the option to open the link in  
itunes or save it to disk.  I click save and it ends up on my desktop.


Hope that helps!

Ed

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 20:48:46 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 22:48:41 +0200
To: Loopers-Delight@loopers-delight.com
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On 19 aug 2006, at 22.42, Ed Drake wrote:

>  I just went to the link http://www.krispenhartung.com/ 
> LoopersDelight10Year.htm and clicked on the m3u link and Firefox  
> (which is what I'm using) offers me the option to open the link in  
> itunes or save it to disk.  I click save and it ends up on my desktop.

I'm using Firefox too on this mac, but here it goes into iTunes by  
default. Will look into it more asap. Thanks for the nod :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 21:04:44 2006
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Date: Sat, 19 Aug 2006 16:04:40 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
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At 10:48 PM +0200 8/19/06, Per Boysen wrote:
>On 19 aug 2006, at 22.42, Ed Drake wrote:
>
>>  I just went to the link 
>>http://www.krispenhartung.com/LoopersDelight10Year.htm and clicked 
>>on the m3u link and Firefox (which is what I'm using) offers me the 
>>option to open the link in itunes or save it to disk.  I click save 
>>and it ends up on my desktop.
>
>I'm using Firefox too on this mac, but here it goes into iTunes by 
>default. Will look into it more asap. Thanks for the nod :-)

It's gotta be in your Firefox preferences.  Mine pops up a choice to 
either open in iTunes or "Save to Disk" -- same as Ed's.  If you're 
not getting that dialogue, it must be configured to make that choice 
automatically.

	--m.
-- 
_______
"No more building up; it is time to dissolve..."

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 23:30:57 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
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Here is a new test file with some different coding in the m3u file, based on 
the examples Per sent.

http://www.krispenhartung.com/loopers-delight-10year-test.m3u

Kris


----- Original Message ----- 
From: "Ed Drake" <eddrake1@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 19, 2006 2:42 PM
Subject: Re: Loopers delight 10th streaming m3u problems?


>
> On Aug 19, 2006, at 4:32 PM, Per Boysen wrote:
>
>> On 19 aug 2006, at 22.19, Ed Drake wrote:
>>
>>> I guess nobody tried my suggestion yesterday to download the m3u  file 
>>> from you and import it into itunes which creates a playlist  that has 
>>> all of your tracks in it ( even the ones with the messed  up names).  It 
>>> seems the helper utility does much of the same  thing as my fix.
>>
>> I tried that, but didn't find a way to save the m3u on my computer 
>> (using a Mac). The web browsers download history indicates that 
>> "http://www.krispenhartung.com/loopers-delight-10year.m3u" has been 
>> downloaded but won't let me open or import the file since it "has  been 
>> deleted or moved". Usually when I'm using Macs I download by 
>> alt-clicking a link, but in this case the link is not made explicit 
>> anywhere in html. Only the direct URL is given. I guess I could use  some 
>> special FTP-like software to download such an URL to the  desktop? But 
>> wouldn't it be quicker if Krispen did a quick check on  the code? Wasn't 
>> it this morning I posted a a complete m3u playlist  text document that is 
>> proven to work fine with both Win and Mac?
>
> Hey Per,
>
>  I just went to the link http://www.krispenhartung.com/ 
> LoopersDelight10Year.htm and clicked on the m3u link and Firefox  (which 
> is what I'm using) offers me the option to open the link in  itunes or 
> save it to disk.  I click save and it ends up on my desktop.
>
>
> Hope that helps!
>
> Ed
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 23:43:24 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
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Totally works for me... I'm running Mac OS 10.4.7

--- Krispen Hartung <khartung@cableone.net> wrote:

> Here is a new test file with some different coding
> in the m3u file, based on 
> the examples Per sent.
> 
>
http://www.krispenhartung.com/loopers-delight-10year-test.m3u
> 
> Kris
> 
> 
> ----- Original Message ----- 
> From: "Ed Drake" <eddrake1@comcast.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, August 19, 2006 2:42 PM
> Subject: Re: Loopers delight 10th streaming m3u
> problems?
> 
> 
> >
> > On Aug 19, 2006, at 4:32 PM, Per Boysen wrote:
> >
> >> On 19 aug 2006, at 22.19, Ed Drake wrote:
> >>
> >>> I guess nobody tried my suggestion yesterday to
> download the m3u  file 
> >>> from you and import it into itunes which creates
> a playlist  that has 
> >>> all of your tracks in it ( even the ones with
> the messed  up names).  It 
> >>> seems the helper utility does much of the same 
> thing as my fix.
> >>
> >> I tried that, but didn't find a way to save the
> m3u on my computer 
> >> (using a Mac). The web browsers download history
> indicates that 
> >>
>
"http://www.krispenhartung.com/loopers-delight-10year.m3u"
> has been 
> >> downloaded but won't let me open or import the
> file since it "has  been 
> >> deleted or moved". Usually when I'm using Macs I
> download by 
> >> alt-clicking a link, but in this case the link is
> not made explicit 
> >> anywhere in html. Only the direct URL is given. I
> guess I could use  some 
> >> special FTP-like software to download such an URL
> to the  desktop? But 
> >> wouldn't it be quicker if Krispen did a quick
> check on  the code? Wasn't 
> >> it this morning I posted a a complete m3u
> playlist  text document that is 
> >> proven to work fine with both Win and Mac?
> >
> > Hey Per,
> >
> >  I just went to the link
> http://www.krispenhartung.com/ 
> > LoopersDelight10Year.htm and clicked on the m3u
> link and Firefox  (which 
> > is what I'm using) offers me the option to open
> the link in  itunes or 
> > save it to disk.  I click save and it ends up on
> my desktop.
> >
> >
> > Hope that helps!
> >
> > Ed
> >
> > 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 23:47:07 2006
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From: Ed Drake <eddrake1@comcast.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 19:47:04 -0400
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On Aug 19, 2006, at 7:30 PM, Krispen Hartung wrote:

> Here is a new test file with some different coding in the m3u file,  
> based on the examples Per sent.
>
> http://www.krispenhartung.com/loopers-delight-10year-test.m3u
>


Kris,

I checked it out and I can now see all of the track names and  
performers properly which is a big improvement but itunes still  
treats the the m3u file the same way.  When you open the file in  
itunes all of the looper tracks are placed in the library but  
scattered around and Per's track plays first.  Itunes doesn't group  
the files into your playlist unless you import the m3u via the file  
menu then all of the tracks are grouped together in an itunes  
playlist.  This is probably a quirk of itunes, if you google itunes  
and m3u together you get many hits about this behavior. At least now  
I can see all of the track and performers names.

Thanks for your work Kris!

Ed

From Loopers-Delight-request@loopers-delight.com  Sat Aug 19 23:53:02 2006
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Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sat, 19 Aug 2006 17:52:57 -0600
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Great. The original URL is now good to go.

Kris

----- Original Message ----- 
From: "Ed Drake" <eddrake1@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 19, 2006 5:47 PM
Subject: Re: Loopers delight 10th streaming m3u problems?


> 
> On Aug 19, 2006, at 7:30 PM, Krispen Hartung wrote:
> 
>> Here is a new test file with some different coding in the m3u file,  
>> based on the examples Per sent.
>>
>> http://www.krispenhartung.com/loopers-delight-10year-test.m3u
>>
> 
> 
> Kris,
> 
> I checked it out and I can now see all of the track names and  
> performers properly which is a big improvement but itunes still  
> treats the the m3u file the same way.  When you open the file in  
> itunes all of the looper tracks are placed in the library but  
> scattered around and Per's track plays first.  Itunes doesn't group  
> the files into your playlist unless you import the m3u via the file  
> menu then all of the tracks are grouped together in an itunes  
> playlist.  This is probably a quirk of itunes, if you google itunes  
> and m3u together you get many hits about this behavior. At least now  
> I can see all of the track and performers names.
> 
> Thanks for your work Kris!
> 
> Ed
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 00:20:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loopers delight 10th streaming m3u problems?
Date: Sun, 20 Aug 2006 02:19:57 +0200
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>> On Aug 19, 2006, at 7:30 PM, Krispen Hartung wrote:
>>> http://www.krispenhartung.com/loopers-delight-10year-test.m3u


Nice! By downloading the m3u document to the Mac desktop I could  
import it into iTunes, which created an iTunes playlist that is  
working fine. Lots of interesting tunes there ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 00:20:03 2006
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Date: Sat, 19 Aug 2006 20:19:55 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Loopers delight 10th streaming m3u problems?
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Still only works for me if I save the m3u file and import it....




>Great. The original URL is now good to go.
>
>Kris
>
>----- Original Message ----- From: "Ed Drake" <eddrake1@comcast.net>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Saturday, August 19, 2006 5:47 PM
>Subject: Re: Loopers delight 10th streaming m3u problems?
>
>>
>>On Aug 19, 2006, at 7:30 PM, Krispen Hartung wrote:
>>
>>>Here is a new test file with some different coding in the m3u 
>>>file,  based on the examples Per sent.
>>>
>>>http://www.krispenhartung.com/loopers-delight-10year-test.m3u
>>>
>>
>>
>>Kris,
>>
>>I checked it out and I can now see all of the track names and 
>>performers properly which is a big improvement but itunes still 
>>treats the the m3u file the same way.  When you open the file in 
>>itunes all of the looper tracks are placed in the library but 
>>scattered around and Per's track plays first.  Itunes doesn't group 
>>the files into your playlist unless you import the m3u via the file 
>>menu then all of the tracks are grouped together in an itunes 
>>playlist.  This is probably a quirk of itunes, if you google itunes 
>>and m3u together you get many hits about this behavior. At least 
>>now  I can see all of the track and performers names.
>>
>>Thanks for your work Kris!
>>
>>Ed


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 02:35:05 2006
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Date: Sat, 19 Aug 2006 22:30:10 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #490 for August 17, 2006
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2006/060817.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, webcasting on the
internet, and simulcasting on WXLV 90.3 FM in Schnecksville at Lehigh
Carbon County Community College.

            Show #490                August 17, 2006

RECAP:
On this show, I continued the month-long focus on Klaus Schulze.  The
Featured CD at Midnight was "Mirage" on Revisited Records.

The Vinyl Starter was from the LP "Departure from the Northern
Wasteland" by Michael Hoenig on Kuckuck Records and released in 1978.

Klaus Schulze - http://wdiy.org/programs/gt/playlists/2006/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael Hoenig       Voices of Where      Departure from the Northern
                                            Wasteland (Kuckuck)
John Duval           Paleozoic Twilight   Hell's Canyon (Binary)
Steve Roach          Possible Passage     Storm Surge (NEARfest)
Steve Roach          NEARstorm            Storm Surge (NEARfest)
Robert Carty         Rhythm of Pulse      Sun Tales (Deep Sky)
Jeffrey Koepper      Outside              Momentum (Air Space)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Klaus Schulze        Velvet Voyage        Mirage (Revisited)
Klaus Schulze        Crystal Lake         Mirage (Revisited)
Klaus Schulze        In Cosa Crede Chi    Mirage (Revisited)
                       Non Crede? *

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Klaus Schulze.  The Featured CD at Midnight will be the Deluxe Edition
of "Body Love" on Revisited Records.

The Vinyl Starter will be from the LP "Wunjo" by Giles Reaves on RCA
Records and released in 1986.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, on 92.9 FM on Service Electric Cable, and
on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 13:54:50 2006
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Subject: OT: video looping
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Do you think video looping is too off topic for Loopers Delight?

I've been doing a series of loop videos in Sony Vegas (which is exactly
analogous to the way Sony ACID chops and manipulates audio loops)
using a very cheap Radio Shack digital camera that will only shoot
30 second,  very, very lo fi videos.

I'm finally beginning to be a little frustrated by the 30 second limitation
and am considering buying an inexpensive digital video camera

Can anyone advise me on something that is either
1) brand new and inexpensive but impressive in terms of quality?   or
2)  something that is trailing edge technology that is still malleable and
of decent quality.

I don't have very much money but I'm loving doing this work to accompany
my next cd of Abstract Electronica (that is heavily loop based but not real 
time loop based),
"ORANGE"   due on a DVD multi-media format in time for Y2k6.

I appreciate the advice in advance.

If people are offended by this post (for being off topic)  please forgive me 
and just write me
offlist.

yours,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 14:16:53 2006
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Are they 'porno' clips? :)

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 20, 2006 9:54 AM
Subject: OT: video looping


> Do you think video looping is too off topic for Loopers Delight?
>
> I've been doing a series of loop videos in Sony Vegas (which is exactly
> analogous to the way Sony ACID chops and manipulates audio loops)
> using a very cheap Radio Shack digital camera that will only shoot
> 30 second,  very, very lo fi videos.
>
> I'm finally beginning to be a little frustrated by the 30 second 
> limitation
> and am considering buying an inexpensive digital video camera
>
> Can anyone advise me on something that is either
> 1) brand new and inexpensive but impressive in terms of quality?   or
> 2)  something that is trailing edge technology that is still malleable and
> of decent quality.
>
> I don't have very much money but I'm loving doing this work to accompany
> my next cd of Abstract Electronica (that is heavily loop based but not 
> real time loop based),
> "ORANGE"   due on a DVD multi-media format in time for Y2k6.
>
> I appreciate the advice in advance.
>
> If people are offended by this post (for being off topic)  please forgive 
> me and just write me
> offlist.
>
> yours,   Rick Walker
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 14:35:36 2006
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I have a Canon ZR200 and I love it.

--Josh



loop.pool wrote:
> Do you think video looping is too off topic for Loopers Delight?
>
> I've been doing a series of loop videos in Sony Vegas (which is exactly
> analogous to the way Sony ACID chops and manipulates audio loops)
> using a very cheap Radio Shack digital camera that will only shoot
> 30 second,  very, very lo fi videos.
>
> I'm finally beginning to be a little frustrated by the 30 second 
> limitation
> and am considering buying an inexpensive digital video camera
>
> Can anyone advise me on something that is either
> 1) brand new and inexpensive but impressive in terms of quality?   or
> 2)  something that is trailing edge technology that is still malleable 
> and
> of decent quality.
>
> I don't have very much money but I'm loving doing this work to accompany
> my next cd of Abstract Electronica (that is heavily loop based but not 
> real time loop based),
> "ORANGE"   due on a DVD multi-media format in time for Y2k6.
>
> I appreciate the advice in advance.
>
> If people are offended by this post (for being off topic)  please 
> forgive me and just write me
> offlist.
>
> yours,   Rick Walker
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 15:13:06 2006
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From: "Michael Peters" <mp@mpeters.de>
To: "'Ed Drake'" <eddrake1@comcast.net>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers delight 10th streaming m3u problems?
Date: Sun, 20 Aug 2006 17:12:55 +0200
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> > I've generated all the m3us for the ct-collective
(www.ct-collective.com) and have never heard of problems.
> > but maybe our Mac users could go to that site and check if the m3u
streams work ok for them or not?
> 
> Hey Michael,
> 
> I went to check out the m3u streams there and I couldn't seem to find
them anywhere.  


go to "projects" and to any of the projects, then click "stream this album"


-Michael


From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 16:46:07 2006
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Subject: Re: video looping
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Speaking of video looping, I don't know if such a device exists, but an 
analog to something like a audio looper would be a machine that shoots 
video, plays iti back in real-time, but also allows you to keep recording 
video and super-imposing it over the top of the original video, and so 
on.....man, that would be a trip.  The only thing I seen close to this is in 
my looping videos, where they had three cameras on  me, and the producer in 
the studio was panning and fading from one camera to another, so you saw 
video superimposed on video, but it wasn't looping of course.   Anyway, a 
real video looping machine would be cool...imagine multiplying with video, 
or reverse, half time, insert, etc..

Kris

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 20, 2006 7:54 AM
Subject: OT: video looping


> Do you think video looping is too off topic for Loopers Delight?
>
> I've been doing a series of loop videos in Sony Vegas (which is exactly
> analogous to the way Sony ACID chops and manipulates audio loops)
> using a very cheap Radio Shack digital camera that will only shoot
> 30 second,  very, very lo fi videos.
>
> I'm finally beginning to be a little frustrated by the 30 second 
> limitation
> and am considering buying an inexpensive digital video camera
>
> Can anyone advise me on something that is either
> 1) brand new and inexpensive but impressive in terms of quality?   or
> 2)  something that is trailing edge technology that is still malleable and
> of decent quality.
>
> I don't have very much money but I'm loving doing this work to accompany
> my next cd of Abstract Electronica (that is heavily loop based but not 
> real time loop based),
> "ORANGE"   due on a DVD multi-media format in time for Y2k6.
>
> I appreciate the advice in advance.
>
> If people are offended by this post (for being off topic)  please forgive 
> me and just write me
> offlist.
>
> yours,   Rick Walker
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 17:05:08 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: video looping
Date: Sun, 20 Aug 2006 10:05:05 -0700
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have you boys heard of Jitter....?

Integrates with Max/MSP......

:-)

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com


On Aug 20, 2006, at 9:46 AM, Krispen Hartung wrote:

> Speaking of video looping, I don't know if such a device exists, but=20=

> an analog to something like a audio looper would be a machine that=20
> shoots video, plays iti back in real-time, but also allows you to keep=20=

> recording video and super-imposing it over the top of the original=20
> video, and so on.....man, that would be a trip.  The only thing I seen=20=

> close to this is in my looping videos, where they had three cameras on=20=

>  me, and the producer in the studio was panning and fading from one=20
> camera to another, so you saw video superimposed on video, but it=20
> wasn't looping of course.   Anyway, a real video looping machine would=20=

> be cool...imagine multiplying with video, or reverse, half time,=20
> insert, etc..
>
> Kris=

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 17:22:36 2006
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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: video looping
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On Aug 20, 2006, at 1:05 PM, Jeff Kaiser wrote:

> have you boys heard of Jitter....?
>
> Integrates with Max/MSP......

listen to the man, he knows what he's talking about. ; >)
it would be fairly easy, once you had overcome the initial
shock of dealing with a fairly complex piece of software,
to create a live looper that could capture video to a buffer
and then allow you to process it in any way you can imagine.
jitter has a new set of tools that allows you to push some of
the video processing onto your built-in graphics card and also
do some wild 3-D manipulations.
when radiohead was doing it's tour a couple of years ago for
"hail to the thief" they used a jitter-based system to do live
video manipulations of the band, using computer-controlled
cameras on stage. it was beautifully integrated into the stage
set and worked really well with the music. which makes sense,
since they use max/msp in creating it.
www.cycling74.com
cheers
bruce

bruce tovsky
www.skeletonhome.com

"Reality is that which, when you stop believing in it, doesn't go away."
Philip K. Dick


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Aug 20, 2006, =
at 1:05 PM, Jeff Kaiser wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">have you boys heard of =
Jitter....?</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; =
font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Integrates with =
Max/MSP......</FONT></P> </BLOCKQUOTE><BR></DIV><DIV>listen to the man, =
he knows what he's talking about. ; &gt;)</DIV><DIV>it would be fairly =
easy, once you had overcome the initial</DIV><DIV>shock of dealing with =
a fairly complex piece of software,</DIV><DIV>to create a live looper =
that could capture video to a buffer</DIV><DIV>and then allow you to =
process it in any way you can imagine.</DIV><DIV>jitter has a new set of =
tools that allows you to push some of</DIV><DIV>the video processing =
onto your built-in graphics card and also</DIV><DIV>do some wild 3-D =
manipulations.=A0</DIV><DIV>when radiohead was doing it's tour a couple =
of years ago for</DIV><DIV>"hail to the thief" they used a jitter-based =
system to do live</DIV><DIV>video manipulations of the band, using =
computer-controlled</DIV><DIV>cameras on stage. it was beautifully =
integrated into the stage</DIV><DIV>set and worked really well with the =
music. which makes sense,</DIV><DIV>since they use max/msp in creating =
it.</DIV><DIV>www.cycling74.com</DIV><DIV>cheers</DIV><DIV>bruce</DIV><BR>=
<DIV> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">bruce =
tovsky</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">www.skeletonhome.com</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">"Reality is that which, when =
you stop believing in it, doesn't go away."</FONT></P> <P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Philip K. Dick</FONT></P>  =
</DIV><BR></BODY></HTML>=

--Apple-Mail-1--453793483--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 17:38:22 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Video looping/Audio Looping: Together
Date: Sun, 20 Aug 2006 10:38:19 -0700
To: Loopers-Delight@loopers-delight.com
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I love Cycling74....

I have Jitter and plan to integrate it into my performance rig....what=20=

a beautiful piece of software. I plan to have the looping software I=20
use trigger the processing of live video of the performance.....so the=20=

musical  improvisation will have visual counterpoint.....I hit a=20
button, move a fader, press a pedal,  it affects both video and=20
audio....but it will have to wait for my next more powerful laptop.

best,
jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 20, 2006, at 10:22 AM, bruce tovsky wrote:

>
> On Aug 20, 2006, at 1:05 PM, Jeff Kaiser wrote:
>
>> have you boys heard of Jitter....?
>>
>> Integrates with Max/MSP......
>
> listen to the man, he knows what he's talking about. ; >)
> it would be fairly easy, once you had overcome the initial
> shock of dealing with a fairly complex piece of software,
> to create a live looper that could capture video to a buffer
> and then allow you to process it in any way you can imagine.
> jitter has a new set of tools that allows you to push some of
> the video processing onto your built-in graphics card and also
> do some wild 3-D manipulations.=A0
> when radiohead was doing it's tour a couple of years ago for
> "hail to the thief" they used a jitter-based system to do live
> video manipulations of the band, using computer-controlled
> cameras on stage. it was beautifully integrated into the stage
> set and worked really well with the music. which makes sense,
> since they use max/msp in creating it.
> www.cycling74.com
> cheers
> bruce
>
> bruce tovsky
> www.skeletonhome.com
>
> "Reality is that which, when you stop believing in it, doesn't go=20
> away."
> Philip K. Dick
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 18:50:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Live video (was Re: video looping)
Date: Sun, 20 Aug 2006 20:50:42 +0200
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Maybe related:

Today I had a test run with the wireless spy cam system we're going  
to use at a looping gig in Italy next week. Four small cameras that  
can be taped on people or instruments and a four channel video  
receiver/mixer. It's not precisely "video looping" but we're going to  
loop while being caught on video by this system. I guess we could  
loop video by using one camera to shot the backdrop screen for "video  
feedback looping" ;-)

I'm not very technically experienced, so here's a noob question: I  
have been using laptops to project pictures from the extra monitor  
output of my laptop computer but I do not know what to do with this  
RCA jacked video mixer/receiver output? It obviously fitted into my  
15 years old VHS tape machine and over the AV channel the television  
monitor showed the spy cam system just fine. But what about modern  
computer projectors? Do they also have a RCA input? I've never looked  
for that when going out on lecturing gigs with my laptop since I only  
use the "extra computer monitor" output jacked into the projector then.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 18:51:47 2006
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Could the new Korg Kaoss Pad Entrancer be triggered in this way?  I 
imagine you could incorporate live video with it...

--Josh



Jeff Kaiser wrote:
> I love Cycling74....
>
> I have Jitter and plan to integrate it into my performance rig....what 
> a beautiful piece of software. I plan to have the looping software I 
> use trigger the processing of live video of the performance.....so the 
> musical  improvisation will have visual counterpoint.....I hit a 
> button, move a fader, press a pedal,  it affects both video and 
> audio....but it will have to wait for my next more powerful laptop.
>
> best,
> jeff
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com • AngryVegan.com
>
> On Aug 20, 2006, at 10:22 AM, bruce tovsky wrote:
>
>>
>> On Aug 20, 2006, at 1:05 PM, Jeff Kaiser wrote:
>>
>>> have you boys heard of Jitter....?
>>>
>>> Integrates with Max/MSP......
>>
>> listen to the man, he knows what he's talking about. ; >)
>> it would be fairly easy, once you had overcome the initial
>> shock of dealing with a fairly complex piece of software,
>> to create a live looper that could capture video to a buffer
>> and then allow you to process it in any way you can imagine.
>> jitter has a new set of tools that allows you to push some of
>> the video processing onto your built-in graphics card and also
>> do some wild 3-D manipulations. 
>> when radiohead was doing it's tour a couple of years ago for
>> "hail to the thief" they used a jitter-based system to do live
>> video manipulations of the band, using computer-controlled
>> cameras on stage. it was beautifully integrated into the stage
>> set and worked really well with the music. which makes sense,
>> since they use max/msp in creating it.
>> www.cycling74.com
>> cheers
>> bruce
>>
>> bruce tovsky
>> www.skeletonhome.com
>>
>> "Reality is that which, when you stop believing in it, doesn't go away."
>> Philip K. Dick
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 19:07:07 2006
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Subject: Will Cycling 74 create a basic VST host?
Date: Sun, 20 Aug 2006 13:07:02 -0600
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Well, as usual, all roads lead back to MAX/MSP. :)  It must be the Rome of 
the effect processing world.

Now, Jeff, if you could just get Cycling 74 to create a user friendly 
(graphically pleasing and easy to use) interface, they will have me sold. 
They don't have to provide maximum programming capability to every user. 
Some of us just like to buy software and have it work right out of the box. 
For instance, why don't they create a nice VST host that is ready to go, but 
beats the pants off of others, like Chainer, EnergyXT, Plogue, etc in terms 
of flexibility and power?  They could do this...it would capture a market 
that they don't have now...sort of like Linux...I know a lot of Linux users 
who just say, why don't you go to Linux, and all our MS OS problems will go 
away...yeah right....I don't quite see the normal consumer user using Linux 
with Red Hat yet. Programming may be fun and gratifying for some folks, but 
not others. I don't want to build my own VST host in MAX/MSP...I want them 
to do it for me, and make it look nice and easy to use.  They could probably 
do a survey of the current VST hosts out there and come up with some great 
design ideas that improve upon them all.   You remember our conversation 
about this, Jeff.....

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 20, 2006 11:38 AM
Subject: Video looping/Audio Looping: Together


I love Cycling74....

I have Jitter and plan to integrate it into my performance rig....what
a beautiful piece of software. I plan to have the looping software I
use trigger the processing of live video of the performance.....so the
musical  improvisation will have visual counterpoint.....I hit a
button, move a fader, press a pedal,  it affects both video and
audio....but it will have to wait for my next more powerful laptop.

best,
jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com

On Aug 20, 2006, at 10:22 AM, bruce tovsky wrote:

>
> On Aug 20, 2006, at 1:05 PM, Jeff Kaiser wrote:
>
>> have you boys heard of Jitter....?
>>
>> Integrates with Max/MSP......
>
> listen to the man, he knows what he's talking about. ; >)
> it would be fairly easy, once you had overcome the initial
> shock of dealing with a fairly complex piece of software,
> to create a live looper that could capture video to a buffer
> and then allow you to process it in any way you can imagine.
> jitter has a new set of tools that allows you to push some of
> the video processing onto your built-in graphics card and also
> do some wild 3-D manipulations. when radiohead was doing it's tour a 
> couple of years ago for
> "hail to the thief" they used a jitter-based system to do live
> video manipulations of the band, using computer-controlled
> cameras on stage. it was beautifully integrated into the stage
> set and worked really well with the music. which makes sense,
> since they use max/msp in creating it.
> www.cycling74.com
> cheers
> bruce
>
> bruce tovsky
> www.skeletonhome.com
>
> "Reality is that which, when you stop believing in it, doesn't go away."
> Philip K. Dick
>



From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 19:35:13 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Video looping/Audio Looping: Together
Date: Sun, 20 Aug 2006 21:35:08 +0200
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I would guess so, based on this:

> Easy connection
> The KAOSS PAD entrancer provides a wide range of inputs and outputs  
> for easy connection. Video and S-video input jacks let you directly  
> connect video, DVD, or camcorder devices.

...found at http://www.korg.com/gear/info.asp?A_PROD_NO=KPE1

Also: Not long ago I played at a festival where many DJ's used a free  
software named IMX for MIDI controlled video tweaking along music. I  
downloaded the OSX version (0.9.5) but has not yet find time to  
research what it can do exactly.

Per



On 20 aug 2006, at 20.51, Joshua Carroll wrote:
> Could the new Korg Kaoss Pad Entrancer be triggered in this way?  I  
> imagine you could incorporate live video with it...
>
> --Josh
>
> Jeff Kaiser wrote:
>> I love Cycling74....
>>
>> I have Jitter and plan to integrate it into my performance  
>> rig....what a beautiful piece of software. I plan to have the  
>> looping software I use trigger the processing of live video of the  
>> performance.....so the musical  improvisation will have visual  
>> counterpoint.....I hit a button, move a fader, press a pedal,  it  
>> affects both video and audio....but it will have to wait for my  
>> next more powerful laptop.




From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 19:39:43 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Will Cycling 74 create a basic VST host?
Date: Sun, 20 Aug 2006 21:39:37 +0200
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On 20 aug 2006, at 21.07, Krispen Hartung wrote:

> For instance, why don't they create a nice VST host that is ready  
> to go, but beats the pants off of others, like Chainer, EnergyXT,  
> Plogue, etc in terms of flexibility and power?

Probably because the VST system was not properly documented from the  
beginning, which led to the present situation where all VST hosts and  
VST plug-ins are not fully compatible.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 19:55:10 2006
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Subject: Re: video looping
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At 10:46 AM -0600 8/20/06, Krispen Hartung wrote:
>Speaking of video looping, I don't know if such a device exists, but 
>an analog to something like a audio looper would be a machine that 
>shoots video, plays iti back in real-time, but also allows you to 
>keep recording video and super-imposing it over the top of the 
>original video, and so on.....man, that would be a trip.  The only 
>thing I seen close to this is in my looping videos, where they had 
>three cameras on  me, and the producer in the studio was panning and 
>fading from one camera to another, so you saw video superimposed on 
>video, but it wasn't looping of course.   Anyway, a real video 
>looping machine would be cool...imagine multiplying with video, or 
>reverse, half time, insert, etc..

Old school.  Lots of stuff like this was done during the late 60's 
and 70's under the auspices of "video art", "performance art", or 
"multimedia".  There were actual video synthesizers (some modular in 
nature) that would let you play with the image using delays, etc., 
etc., just in the same manner that you can manipulate audio on a 
conventional modular synth.  Fairlight even marketed a pretty kewl 
little instrument known as the Fairlight CVI (Computer *Video* 
Instrument) in the 80's, although most of its functions have since 
been superseded by things like the Arkaos stuff.

I can even remember -- back in my Multimedia class in college -- 
experimenting with video tape loops using one of those open reel Sony 
half-inch machines (completely whacks it out, BTW).  Lots of really 
interesting video stuff actually happened about a quarter-century 
back.  I think it was mostly killed by MTV, though (aside from the 
occasional logo bump)....  :P

Try a web search on Nam June Paik.  That should find you enough links 
to get started.

	--m.
-- 
_______
"I want to reach my hand into the dark and *feel* what reaches back..."

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 20:42:39 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Will Cycling 74 create a basic VST host?
Date: Sun, 20 Aug 2006 13:42:36 -0700
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I don't think they will. It is too easy to make an idiosyncratic,=20
uniquely specific one for yourself, one that will meet your own needs=20
and surpass your expectations.....

I'll be in Boise next weekend....c'mon....free max lessons..... [vst~]=20=

is so easy.........

Off to LA now.....

cheers,
Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 20, 2006, at 12:07 PM, Krispen Hartung wrote:

> Well, as usual, all roads lead back to MAX/MSP. :)  It must be the=20
> Rome of the effect processing world.
>
> Now, Jeff, if you could just get Cycling 74 to create a user friendly=20=

> (graphically pleasing and easy to use) interface, they will have me=20
> sold. They don't have to provide maximum programming capability to=20
> every user. Some of us just like to buy software and have it work=20
> right out of the box. For instance, why don't they create a nice VST=20=

> host that is ready to go, but beats the pants off of others, like=20
> Chainer, EnergyXT, Plogue, etc in terms of flexibility and power? =20
> They could do this...it would capture a market that they don't have=20
> now...sort of like Linux...I know a lot of Linux users who just say,=20=

> why don't you go to Linux, and all our MS OS problems will go=20
> away...yeah right....I don't quite see the normal consumer user using=20=

> Linux with Red Hat yet. Programming may be fun and gratifying for some=20=

> folks, but not others. I don't want to build my own VST host in=20
> MAX/MSP...I want them to do it for me, and make it look nice and easy=20=

> to use.  They could probably do a survey of the current VST hosts out=20=

> there and come up with some great design ideas that improve upon them=20=

> all.   You remember our conversation about this, Jeff.....
>
> Kris=

From gamma@paris063.server4you.de  Sun Aug 20 20:49:09 2006
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 23:17:49 2006
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From: Tucker Tota <fuckerfota@tuckertota.com>
Subject: Live Looping with a Drum Machine
Date: Sun, 20 Aug 2006 19:15:19 -0400
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Hello,

I use a Boss RC-20 for live looping and it works great. I would like to 
incorporate a drum machine into my shows. I've tried pre-recording drum 
loops, but I want to be able to manipulate the drum machine separately.

I know that there are loopers with MIDI out there(RC50, EHX 2880), and 
this would help a lot...but they are also the most expensive ones and 
have features I do not need.

The 16 Second Delay is no good, because you have to pre-set the tempo, 
and I like the Push-Play-Push style of live looping.

I was even hoping there would be something with a BPM setting that I 
can use to match the tempo of the drum machine.

I don't need multiple tracks or phrases. Just something simple like the 
RC20, JamMan, or Bomerang.

I have not found anything after a lot of searching.

If anyone knows of any product, even vintage or discontinued, please 
let me know.

Also, if anyone has used the RC20 with a drum machine, I would like to 
know what strategies you used to help them sync up.

Thanks,

Javier Puga

www.TuckerTota.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 23:47:15 2006
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Date: Sun, 20 Aug 2006 16:47:13 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Live Looping with a Drum Machine
To: Loopers-Delight@loopers-delight.com
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I think your best bet for the least expensive looper
that will sync to (or send sync to as it seems you're
looking for) is the Lexicon JamMan used.

Don't even think about being able to dial in a bpm and
expect them to stay in sync.  No 2 clocks are perfect
and you will drift after a short while.  Other than
midi sync (which few loopers have) the only other way
is to find a unit that allows you to do a loop restart
and just manually restart the loop when you hear it
start to drift.  I know people have had luck with
that, but sounds like something I'd not want to have
to think about on stage.... or ever.

The Lexicon JamMan does a pretty good job of following
(or being the master).  Don't expect to change the
tempo at all though.  As far as I know the only unit
that does that is the Electrix Repeater and that's up
in the $600 used area.  I think the JamMan is around
$300 to $350 used.  The Echoplex Digital Pro is pretty
much the king of currently produced hardware loopers,
but expect to pay about $800 for one new and not much
less used.  Also, it's mono but has a ton of features.
2 can operate together to work as a single stereo
unit.

On the high end is the Looperlative.  Chock full o'
features and getting more every day due to it's
developer.  $1500 out the door gives you a pretty damn
good looper.  I had one until I realized that for
$1500 I could get a kickass laptop and audio interface
and run Mobius... which is what I did.  If you're not
into using a laptop this is the unit I'd probably
still own.

I'm not sure if i understand what the "push-play-push"
style of live looping is.

--- Tucker Tota <fuckerfota@tuckertota.com> wrote:

> Hello,
> 
> I use a Boss RC-20 for live looping and it works
> great. I would like to 
> incorporate a drum machine into my shows. I've tried
> pre-recording drum 
> loops, but I want to be able to manipulate the drum
> machine separately.
> 
> I know that there are loopers with MIDI out
> there(RC50, EHX 2880), and 
> this would help a lot...but they are also the most
> expensive ones and 
> have features I do not need.
> 
> The 16 Second Delay is no good, because you have to
> pre-set the tempo, 
> and I like the Push-Play-Push style of live looping.
> 
> I was even hoping there would be something with a
> BPM setting that I 
> can use to match the tempo of the drum machine.
> 
> I don't need multiple tracks or phrases. Just
> something simple like the 
> RC20, JamMan, or Bomerang.
> 
> I have not found anything after a lot of searching.
> 
> If anyone knows of any product, even vintage or
> discontinued, please 
> let me know.
> 
> Also, if anyone has used the RC20 with a drum
> machine, I would like to 
> know what strategies you used to help them sync up.
> 
> Thanks,
> 
> Javier Puga
> 
> www.TuckerTota.com
> 
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 20 23:50:51 2006
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Subject: Re: Will Cycling 74 create a basic VST host?
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Kris... what is it that you want your vst host to do?

> > Linux with Red Hat yet. Programming may be fun and
> gratifying for some 
> > folks, but not others. I don't want to build my
> own VST host in 
> > MAX/MSP...I want them to do it for me, and make it
> look nice and easy 

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 00:22:31 2006
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From: Tucker Tota <fuckerfota@tuckertota.com>
Subject: Re: Live Looping with a Drum Machine
Date: Sun, 20 Aug 2006 20:19:58 -0400
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By Push-Play-Push...I mean you click the pedal to start recording, you 
play what you want to record, and then you press the pedal again to 
start playback and define the length of your loop. With some loopers 
you have to pre-define the length, and this is useless to me. The 
Lexicon JamMan looks like it might be what I'm looking for...and I find 
them for cheaper than you say on eBay.

Also, are there any loopers not on the loopers-delight website? Because 
I have yet to find one that isn't on the site.

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 01:03:14 2006
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Date: Sun, 20 Aug 2006 21:01:54 -0400
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The EH 16 second delay has this feature in the latest version. You 
simply set the 'coarse' slider to >32 bars and it eliminates the 
count-in and allows you to set the tempoby tapping the loop length.

Failing that, I have a completely upgraded Jamman for sale...


-CZ

>By Push-Play-Push...I mean you click the pedal to start recording, 
>you play what you want to record, and then you press the pedal again 
>to start playback and define the length of your loop. With some 
>loopers you have to pre-define the length, and this is useless to 
>me. The Lexicon JamMan looks like it might be what I'm looking 
>for...and I find them for cheaper than you say on eBay.
>
>Also, are there any loopers not on the loopers-delight website? 
>Because I have yet to find one that isn't on the site.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 01:41:07 2006
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From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> Kris... what is it that you want your vst host to do?

I would be quite demanding. For starters,

- I don't want the virtual wire (ie. rat's nest) GUI of connecting VSTs like 
Bidule and EnergyXT...that looks like crap after a while and seems like a 
waste of screen space
- I'd like to be able to create a module of VST effects, or one VST effect, 
where the GUI for doing so is a graphical matrix table (rows and columns fed 
by a input that I choose and going to a output that I choose), where you can 
insert VST effects in serial or parallel...then save that matrix or module 
and show it as one button or small icon on the main VST host GUI; and then 
I'd like to be able to activate that matrix with a mouse click, keyboard 
button, or MIDI program change (I guess you can save modules like this in 
Bidule, but it is not at all intuitive to me
-Then I would like to be able to place these modules or matrices into a 
higher order matrix of modules in parallel or serial, all shown in the main 
VST host GUI
- And when selecting the VSTs to go into the matrix, I'd like to be able to 
drag and drop them with my mouse from an Explorer like space into the matrix
- And while playing in real time, I'd like to be able to open up a 
module/matrix and drag and drop another VST effect into it ,which activates 
and becomes a part of the module in real-time (this is wishful thinking)
- And I DON'T want to have to program my GUI with a bunch of cryptic text or 
codes just to create a matix, but it should all be graphical and highly 
intuitive - drag and drop, drop-down menus, what you see is what you get, 
etc

Basically, even though all the efects are in parallel, I really do like 
Chainer. If Chainer had the ability to put VST effects in parallel, shown 
horizontally in the same "link" of the chain, and if I could activate that 
"link" via MIDI, Chainer would amost do it for me. However, I contacted 
them, and you can't activate a VST effect via MIDI, only control the VST 
effects's parameters, presets, etc...that seems sort of ridiculous to me, 
but it's their design. I suppose I could run EnergyXT as a VST and insert a 
copy it inside the chain of Chainer...I haven't tired that yet.

I think MAX/MSP would probably work for me (if it can pull off the intuitive 
GUI I prefer), but I don't want to spend the time and get on the learning 
curve to create my own VST host. And it seems sort of ridiculous for me to 
spend $500 on the program, when it basically becomes an overglorified VST 
host. I just want the host ,but not all the programming bells and whistles.

I suppose when I can justify the spend, I'll buy MAX/MSP, and just pay 
someone to create a VST host for me, built to my specs.

Kris


From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 01:46:13 2006
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Subject: AW: Will Cycling 74 create a basic VST host?
Date: Mon, 21 Aug 2006 03:46:05 +0200
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Kris, did you look at V-Stack by Steinberg? I haven't used it myself, but to
me it looks like something that could exactly work for you.

	Rainer

> I would be quite demanding. For starters,
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 01:48:54 2006
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From: Tucker Tota <fuckerfota@tuckertota.com>
Subject: Re: Live Looping with a Drum Machine
Date: Sun, 20 Aug 2006 21:46:24 -0400
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I researched the 16 second delay, and it seems that all of the 
re-issued models have the >32 setting, but you still have to set the 
tempo before and there is a 4 bar count in. The setting is so that your 
loop can be whatever number of bars, but the tempo has to be 
pre-defined.

I read on a few forum that there was, or was going to be an update that 
eliminates the 4 bar count in, but i think they just released the 2880 
instead.

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 01:59:54 2006
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Date: Sun, 20 Aug 2006 21:59:32 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Live Looping with a Drum Machine
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Actually, Electro Harmonix did release that update, and it performs 
as you would want, the loop is the length between footswitch taps...


>I researched the 16 second delay, and it seems that all of the 
>re-issued models have the >32 setting, but you still have to set the 
>tempo before and there is a 4 bar count in. The setting is so that 
>your loop can be whatever number of bars, but the tempo has to be 
>pre-defined.
>
>I read on a few forum that there was, or was going to be an update 
>that eliminates the 4 bar count in, but i think they just released 
>the 2880 instead.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 02:17:25 2006
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References: <000601c6c4c3$9185a700$0101a8c0@succubus>
Subject: Re: Will Cycling 74 create a basic VST host?
Date: Sun, 20 Aug 2006 20:17:21 -0600
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Looks like it has some limitiations in terms of number of VSTs you can run:

V-STACK - virtual VST-Rack
V-STACK is a VST instrument rack that can power up to 16 VST instruments, 
ideal either for live use on stage or extending your existing VST System 
Link network - without requiring an additional sequencer program. V-STACK 
cheaply and conveniently extends the power of Cubase and Nuendo systems by 
integrating the CPU power of another computer that processes VST additional 
instruments. As a standalone application, V-STACK is the ideal performance 
rack for VSTi's, providing a CPU efficient platform for integrating the 
power of VST instruments on stage.

Kris



----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 20, 2006 7:46 PM
Subject: AW: Will Cycling 74 create a basic VST host?


> Kris, did you look at V-Stack by Steinberg? I haven't used it myself, but 
> to
> me it looks like something that could exactly work for you.
>
> Rainer
>
>> I would be quite demanding. For starters,
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 02:58:42 2006
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Sounds like Mobius/EDP to me.

--Josh



Tucker Tota wrote:
> By Push-Play-Push...I mean you click the pedal to start recording, you 
> play what you want to record, and then you press the pedal again to 
> start playback and define the length of your loop. With some loopers 
> you have to pre-define the length, and this is useless to me. The 
> Lexicon JamMan looks like it might be what I'm looking for...and I 
> find them for cheaper than you say on eBay.
>
> Also, are there any loopers not on the loopers-delight website? 
> Because I have yet to find one that isn't on the site.
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 02:59:30 2006
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On Sun, 20 Aug 2006, Tucker Tota wrote:

> I researched the 16 second delay, and it seems that all of the re-issued 
> models have the >32 setting, but you still have to set the tempo before and 
> there is a 4 bar count in. The setting is so that your loop can be whatever 
> number of bars, but the tempo has to be pre-defined.
>
> I read on a few forum that there was, or was going to be an update that 
> eliminates the 4 bar count in, but i think they just released the 2880 
> instead.

An update for the E-H 16sec delay reissue exists. Mine has been upgraded.

Upgrade behavior or originally posted on this list in December:

http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200512/msg00005.html

After I read the above note, I sent my E-H 16sec reissue in for the chip 
upgrade in January of this year, and my upgraded unit works exactly as 
described in the email linked to above.

best,
Steve B
Subscape Annex	http://www.subscapeannex.com/
Phasmatodea	http://www.phasmatodea.net/
Badgerhaus	http://www.badgerhaus.com/

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 03:34:09 2006
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Subject: Re: Will Cycling 74 create a basic VST host?
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--- Krispen Hartung <khartung@cableone.net> wrote:

> Chainer. If Chainer had the ability to put VST
> effects in parallel, shown 
> horizontally in the same "link" of the chain, and if
> I could activate that 
> "link" via MIDI, Chainer would amost do it for me.
> However, I contacted 
> them, and you can't activate a VST effect via MIDI,
> only control the VST 
> effects's parameters, presets, etc...that seems sort
> of ridiculous to me, 

Hm, is this something you could do by running Chainer
as a vst within Live?  Also, live does allow you to do
some basic routing with stacks of vsts and effect
sends.  Download the demo, it's free.

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 03:43:16 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: EVENT REMINDER: MOJO @ the DOJO: Experiments of Sound - August 26 / 8pm
Date: Sun, 20 Aug 2006 21:43:11 -0600
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Hello folks -

I'll be streaming this one to the internet (see info below). Ted Killian =
and I play the last set of this event.  This is an =
electronic/experimental music series I'll be hosting three times a year.

Kris


3 Shapes Aikido and the Boise Experimental Music Festival presents:
MOJO @ the DOJO: Experiments of Sound
An evening of electronic and experimental music

Four spectacular, innovative, and mind-blowing performances from local =
and out of state performers

Date/Time: August 26th at 8pm (doors at 7:30pm)
Venue: 3 Shapes Aikido Dojo (1512 N. 10th Street, Boise, ID)
Price: $5 at the door
Streamed to the Internet at: http://krispen.serverroom.us:9030/ (click =
"Listen")

Schedule & Performers

8:00pm - 8:25pm / Gretchen Jude (notebook computer)
8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics, looping)
9:15- 10:00pm / George McLean (keyboard and synthesizers)
10:15- 11:00 / Krispen Hartung & Ted Killian (guitars, notebook =
computer, electronics, looping)
For more info contact:

Krispen Hartung @ 208-724-5603 or info@krispenhartung.com
www.krispenhartung.com

AlejAndro Anastasio @ 208-387-0410
www.3shapesaikido.com







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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><STRONG>Hello folks =
-</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>I'll be streaming this one to =
the internet=20
(see info below). Ted Killian and I play the last set of this =
event.&nbsp; This=20
is an electronic/experimental music series I'll be hosting three times a =

year.</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Kris</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><STRONG>3 Shapes Aikido</STRONG> and the =
<STRONG>Boise=20
Experimental Music Festival</STRONG> presents:<FONT =
size=3D2></FONT></FONT></DIV>
<P><FONT face=3DArial><STRONG>MOJO @ the DOJO: Experiments of=20
Sound<BR></STRONG><EM>An evening of electronic and experimental=20
music</EM></FONT></P>
<P><FONT face=3DArial>Four&nbsp;spectacular, innovative, and =
mind-blowing=20
performances from local and out of state performers</FONT></P>
<DIV><FONT face=3DArial><STRONG>Date/Time:</STRONG> August 26th at 8pm =
(doors at=20
7:30pm)</FONT></DIV>
<DIV><FONT face=3DArial><STRONG>Venue</STRONG>: 3 Shapes Aikido Dojo =
(1512 N. 10th=20
Street, Boise, ID)</FONT></DIV>
<DIV><FONT face=3DArial><STRONG>Price:</STRONG> $5 at the =
door</FONT></DIV>
<DIV><FONT face=3DArial><STRONG>Streamed to the Internet at:</STRONG> =
</FONT><A=20
href=3D"http://krispen.serverroom.us:9030/"><FONT=20
face=3DArial>http://krispen.serverroom.us:9030/</FONT></A><FONT=20
face=3DArial>&nbsp;(click "Listen")</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><STRONG><FONT face=3DArial>Schedule &amp; =
Performers</FONT></STRONG></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT face=3DArial>8:00pm - 8:25pm / Gretchen Jude (notebook=20
computer)</FONT></DIV>
<DIV><FONT face=3DArial>8:30pm - 9:00pm / Amy Vecchione&nbsp;(Banjo, =
electronics,=20
looping)</FONT></DIV>
<DIV><FONT face=3DArial>9:15- 10:00pm / George McLean (keyboard and=20
synthesizers)</FONT></DIV>
<DIV><FONT face=3DArial>10:15- 11:00 / Krispen Hartung &amp; Ted Killian =
(guitars,=20
notebook computer, electronics,&nbsp;looping)</FONT><FONT face=3DArial=20
size=3D2></DIV></DIV>
<DIV>
<P></FONT><STRONG><FONT face=3DArial>For more info =
contact:</FONT></STRONG></P>
<P><FONT face=3DArial>Krispen Hartung @ 208-724-5603 or </FONT><A=20
href=3D"mailto:info@krispenhartung.com"><FONT=20
face=3DArial>info@krispenhartung.com</FONT></A><FONT face=3DArial><BR><A =

href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A><BR></FO=
NT><BR><FONT=20
face=3DArial>AlejAndro Anastasio @ 208-387-0410<BR></FONT><A=20
href=3D"http://www.3shapesaikido.com"><FONT=20
face=3DArial>www.3shapesaikido.com</FONT></A></P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P></DIV></BODY></HTML>

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Date: Sun, 20 Aug 2006 21:59:12 -0700 (PDT)
From: Scott Murchison <murch33@yahoo.com>
Subject: Re: EVENT REMINDER: MOJO @ the DOJO: Experiments of Sound - August 26 / 8pm
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Is the streaming going to be live only, or will it be
available in some form for downloading later?  I'd
love to attend the show, but of course that's the same
weekend as the Hood to Coast.  Just my luck.

Scott

--- Krispen Hartung <khartung@cableone.net> wrote:

> Hello folks -
> 
> I'll be streaming this one to the internet (see info
> below). Ted Killian and I play the last set of this
> event.  This is an electronic/experimental music
> series I'll be hosting three times a year.
> 
> Kris
> 
> 
> 3 Shapes Aikido and the Boise Experimental Music
> Festival presents:
> MOJO @ the DOJO: Experiments of Sound
> An evening of electronic and experimental music
> 
> Four spectacular, innovative, and mind-blowing
> performances from local and out of state performers
> 
> Date/Time: August 26th at 8pm (doors at 7:30pm)
> Venue: 3 Shapes Aikido Dojo (1512 N. 10th Street,
> Boise, ID)
> Price: $5 at the door
> Streamed to the Internet at:
> http://krispen.serverroom.us:9030/ (click "Listen")
> 
> Schedule & Performers
> 
> 8:00pm - 8:25pm / Gretchen Jude (notebook computer)
> 8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics,
> looping)
> 9:15- 10:00pm / George McLean (keyboard and
> synthesizers)
> 10:15- 11:00 / Krispen Hartung & Ted Killian
> (guitars, notebook computer, electronics, looping)
> For more info contact:
> 
> Krispen Hartung @ 208-724-5603 or
> info@krispenhartung.com
> www.krispenhartung.com
> 
> AlejAndro Anastasio @ 208-387-0410
> www.3shapesaikido.com
> 
> 
> 
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 07:47:54 2006
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From: "Pawel Janowski" <pjanowski@gmail.com>
To: Loopers-Delight@loopers-delight.com
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What about AudioMulch? It won't allow you to generate and shape sounds like
Max does, but it acts as a great VST host with some neat built in busses,
matrices and mixers which will let you route VSTs however you like and
activate these links through MIDI.

(My first post here btw, hello!)

On 8/21/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
> > Chainer. If Chainer had the ability to put VST
> > effects in parallel, shown
> > horizontally in the same "link" of the chain, and if
> > I could activate that
> > "link" via MIDI, Chainer would amost do it for me.
> > However, I contacted
> > them, and you can't activate a VST effect via MIDI,
> > only control the VST
> > effects's parameters, presets, etc...that seems sort
> > of ridiculous to me,
>
> Hm, is this something you could do by running Chainer
> as a vst within Live?  Also, live does allow you to do
> some basic routing with stacks of vsts and effect
> sends.  Download the demo, it's free.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

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What about AudioMulch? It won't allow you to generate and shape sounds like Max does, but it acts as a great VST host with some neat built in busses, matrices and mixers which will let you route VSTs however you like and activate these links through MIDI. 
<br><br>(My first post here btw, hello!)<br><br><div><span class="gmail_quote">On 8/21/06, <b class="gmail_sendername">mark sottilaro</b> &lt;<a href="mailto:zerocrossing2001@yahoo.com">zerocrossing2001@yahoo.com</a>&gt; wrote:
</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">--- Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>
&gt; wrote:<br><br>&gt; Chainer. If Chainer had the ability to put VST<br>&gt; effects in parallel, shown<br>&gt; horizontally in the same &quot;link&quot; of the chain, and if<br>&gt; I could activate that<br>&gt; &quot;link&quot; via MIDI, Chainer would amost do it for me.
<br>&gt; However, I contacted<br>&gt; them, and you can't activate a VST effect via MIDI,<br>&gt; only control the VST<br>&gt; effects's parameters, presets, etc...that seems sort<br>&gt; of ridiculous to me,<br><br>Hm, is this something you could do by running Chainer
<br>as a vst within Live?&nbsp;&nbsp;Also, live does allow you to do<br>some basic routing with stacks of vsts and effect<br>sends.&nbsp;&nbsp;Download the demo, it's free.<br><br>Mark<br><br>__________________________________________________
<br>Do You Yahoo!?<br>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around<br><a href="http://mail.yahoo.com">http://mail.yahoo.com</a><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 11:35:13 2006
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From: gael <gael@moregeometrico.net>
Subject: RE201
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I saw that the Roland space Echo  is listed as a looping tool.
how to turn the RE201 into a lopper ?

thanks

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 11:39:46 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RE201
Date: Mon, 21 Aug 2006 13:39:36 +0200
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On 21 aug 2006, at 13.35, gael wrote:

> I saw that the Roland space Echo  is listed as a looping tool.
> how to turn the RE201 into a lopper ?


I once had a Roland Chorus Echo. It became a looper when I turned on  
the "Sound-On-Sound" button. I'm not sure the Space model has that s- 
o-s function. But if it has, that's it!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 12:30:45 2006
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The S-O-S feature that allows endless (almost) overdubs is only on the
RE-301. The 501 has an entirely different idea of what Sound On Sound means.

Stephen,


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 21, 2006 1:39 PM
Subject: Re: RE201


> On 21 aug 2006, at 13.35, gael wrote:
>
> > I saw that the Roland space Echo  is listed as a looping tool.
> > how to turn the RE201 into a lopper ?
>
>
> I once had a Roland Chorus Echo. It became a looper when I turned on
> the "Sound-On-Sound" button. I'm not sure the Space model has that s-
> o-s function. But if it has, that's it!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:07:49 2006
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: New live track uploaded
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Hi LD,

New live track uploaded.

http://www.cavestudio.com/music/mp3/2006/060820_1.mp3

Live recorded at Pinija Club, Zadar,Croatia on 20th  Sun Aug '06

[Trianguli Zona & Sunao Inami Summer Tour in Croatia]

Ivan Kapec (guitar, looping)
Andrej Jakus (trumpet, flugelhorn)
Vladimir Koncar (video installation)
Sunao Inami (computer)

  Regards

  Sunao

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:27:00 2006
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Date: Mon, 21 Aug 2006 06:26:57 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: video looping
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I saw a performance last summer at a local freaky music festival of Bob Hebert, animator, and Bob Ostertag, music.  Bob would sample stuff live sounds (kids toys mostly) and mangle them while Bob would did a live animation - he's draw one cell or put on object on his table, take a picture of it, then add to it, etc. and it kept looping; whenever he added a new cell, it would insert itself at the end of the loop.
   
  It was something that they had worked out before hand but there was still a lot of room to improvise.
   
  The overall theme is the 9/11 with policital overtones.
   
  They recorded it - "Betweeen Science and Garbage" and was released on John Zorn's Tzadik label.  http://www.dvdbeaver.com/film/DVDReviews19/Between_Science_and_Garbage_DVD_Review.htm
   
  Great performance; never seen the dvd, though.
   
   
  ted harms.
   
  

Krispen Hartung <khartung@cableone.net> wrote:
  Speaking of video looping, I don't know if such a device exists, but an 
analog to something like a audio looper would be a machine that shoots 
video, plays iti back in real-time, but also allows you to keep recording 
video and super-imposing it over the top of the original video, and so 
on.....man, that would be a trip. The only thing I seen close to this is in 
my looping videos, where they had three cameras on me, and the producer in 
the studio was panning and fading from one camera to another, so you saw 
video superimposed on video, but it wasn't looping of course. Anyway, a 
real video looping machine would be cool...imagine multiplying with video, 
or reverse, half time, insert, etc..

Kris

----- Original Message ----- 
From: "loop.pool" 
To: "LOOPERS DELIGHT (posting)" 
Sent: Sunday, August 20, 2006 7:54 AM
Subject: OT: video looping


> Do you think video looping is too off topic for Loopers Delight?
>
> I've been doing a series of loop videos in Sony Vegas (which is exactly
> analogous to the way Sony ACID chops and manipulates audio loops)
> using a very cheap Radio Shack digital camera that will only shoot
> 30 second, very, very lo fi videos.
>
> I'm finally beginning to be a little frustrated by the 30 second 
> limitation
> and am considering buying an inexpensive digital video camera
>
> Can anyone advise me on something that is either
> 1) brand new and inexpensive but impressive in terms of quality? or
> 2) something that is trailing edge technology that is still malleable and
> of decent quality.
>
> I don't have very much money but I'm loving doing this work to accompany
> my next cd of Abstract Electronica (that is heavily loop based but not 
> real time loop based),
> "ORANGE" due on a DVD multi-media format in time for Y2k6.
>
> I appreciate the advice in advance.
>
> If people are offended by this post (for being off topic) please forgive 
> me and just write me
> offlist.
>
> yours, Rick Walker
>
> 





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<div>I saw a performance last summer at a local&nbsp;freaky music festival of&nbsp;Bob Hebert, animator, and Bob Ostertag, music.&nbsp; Bob would sample stuff live sounds (kids toys mostly) and mangle them while Bob would did a live animation - he's draw one cell or put on object on his table, take a picture of it, then add to it,&nbsp;etc.&nbsp;and it kept&nbsp;looping; whenever he added&nbsp;a new cell, it would insert itself at the end of the loop.</div>  <div>&nbsp;</div>  <div>It was something that they had worked out before hand but there was still&nbsp;a lot of room to improvise.</div>  <div>&nbsp;</div>  <div>The overall theme is the 9/11 with&nbsp;policital overtones.</div>  <div>&nbsp;</div>  <div>They recorded it - "Betweeen Science and Garbage" and was released on John Zorn's Tzadik label.&nbsp; <A
 href="http://www.dvdbeaver.com/film/DVDReviews19/Between_Science_and_Garbage_DVD_Review.htm">http://www.dvdbeaver.com/film/DVDReviews19/Between_Science_and_Garbage_DVD_Review.htm</A></div>  <div>&nbsp;</div>  <div>Great performance; never seen the dvd, though.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.</div>  <div>&nbsp;</div>  <div><BR><BR><B><I>Krispen Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Speaking of video looping, I don't know if such a device exists, but an <BR>analog to something like a audio looper would be a machine that shoots <BR>video, plays iti back in real-time, but also allows you to keep recording <BR>video and super-imposing it over the top of the original video, and so <BR>on.....man, that would be a trip. The only thing I seen close to this is in <BR>my looping videos, where they had three cameras on me, and the
 producer in <BR>the studio was panning and fading from one camera to another, so you saw <BR>video superimposed on video, but it wasn't looping of course. Anyway, a <BR>real video looping machine would be cool...imagine multiplying with video, <BR>or reverse, half time, insert, etc..<BR><BR>Kris<BR><BR>----- Original Message ----- <BR>From: "loop.pool" <LOOPPOOL@CRUZIO.COM><BR>To: "LOOPERS DELIGHT (posting)" <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Sunday, August 20, 2006 7:54 AM<BR>Subject: OT: video looping<BR><BR><BR>&gt; Do you think video looping is too off topic for Loopers Delight?<BR>&gt;<BR>&gt; I've been doing a series of loop videos in Sony Vegas (which is exactly<BR>&gt; analogous to the way Sony ACID chops and manipulates audio loops)<BR>&gt; using a very cheap Radio Shack digital camera that will only shoot<BR>&gt; 30 second, very, very lo fi videos.<BR>&gt;<BR>&gt; I'm finally beginning to be a little frustrated by the 30 second <BR>&gt;
 limitation<BR>&gt; and am considering buying an inexpensive digital video camera<BR>&gt;<BR>&gt; Can anyone advise me on something that is either<BR>&gt; 1) brand new and inexpensive but impressive in terms of quality? or<BR>&gt; 2) something that is trailing edge technology that is still malleable and<BR>&gt; of decent quality.<BR>&gt;<BR>&gt; I don't have very much money but I'm loving doing this work to accompany<BR>&gt; my next cd of Abstract Electronica (that is heavily loop based but not <BR>&gt; real time loop based),<BR>&gt; "ORANGE" due on a DVD multi-media format in time for Y2k6.<BR>&gt;<BR>&gt; I appreciate the advice in advance.<BR>&gt;<BR>&gt; If people are offended by this post (for being off topic) please forgive <BR>&gt; me and just write me<BR>&gt; offlist.<BR>&gt;<BR>&gt; yours, Rick Walker<BR>&gt;<BR>&gt; <BR><BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that
 order."   Jean Luc Goddard<p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/handraisers">You're invited</a> to try the new Yahoo! Mail Beta.
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:31:04 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RE201
Date: Mon, 21 Aug 2006 15:30:59 +0200
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On 21 aug 2006, at 14.28, Wavecomputer360 wrote:

> The S-O-S feature that allows endless (almost) overdubs is only on the
> RE-301. The 501 has an entirely different idea of what Sound On  
> Sound means.


Then open it up and to see what may be done. I imagine you can  
temporarily turn it into a looper by covering the eraser head by  
something non-magnetic, for example a piece of paper. That worked for  
me when turning two big reel-to-reel tape machines into a looper  
(both machines working the same long tape loop)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:33:19 2006
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Subject: Re: EVENT REMINDER: MOJO @ the DOJO: Experiments of Sound - August 26 / 8pm
Date: Mon, 21 Aug 2006 07:33:14 -0600
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I'll be recording the performances too, and then make them available for 
download.

Kris


----- Original Message ----- 
From: "Scott Murchison" <murch33@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 20, 2006 10:59 PM
Subject: Re: EVENT REMINDER: MOJO @ the DOJO: Experiments of Sound - August 
26 / 8pm


> Is the streaming going to be live only, or will it be
> available in some form for downloading later?  I'd
> love to attend the show, but of course that's the same
> weekend as the Hood to Coast.  Just my luck.
>
> Scott
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Hello folks -
>>
>> I'll be streaming this one to the internet (see info
>> below). Ted Killian and I play the last set of this
>> event.  This is an electronic/experimental music
>> series I'll be hosting three times a year.
>>
>> Kris
>>
>>
>> 3 Shapes Aikido and the Boise Experimental Music
>> Festival presents:
>> MOJO @ the DOJO: Experiments of Sound
>> An evening of electronic and experimental music
>>
>> Four spectacular, innovative, and mind-blowing
>> performances from local and out of state performers
>>
>> Date/Time: August 26th at 8pm (doors at 7:30pm)
>> Venue: 3 Shapes Aikido Dojo (1512 N. 10th Street,
>> Boise, ID)
>> Price: $5 at the door
>> Streamed to the Internet at:
>> http://krispen.serverroom.us:9030/ (click "Listen")
>>
>> Schedule & Performers
>>
>> 8:00pm - 8:25pm / Gretchen Jude (notebook computer)
>> 8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics,
>> looping)
>> 9:15- 10:00pm / George McLean (keyboard and
>> synthesizers)
>> 10:15- 11:00 / Krispen Hartung & Ted Killian
>> (guitars, notebook computer, electronics, looping)
>> For more info contact:
>>
>> Krispen Hartung @ 208-724-5603 or
>> info@krispenhartung.com
>> www.krispenhartung.com
>>
>> AlejAndro Anastasio @ 208-387-0410
>> www.3shapesaikido.com
>>
>>
>>
>>
>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:45:39 2006
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I guess since a, we drifted to animation and b, this thing CAN loop and c, =
odds are loop gadget folks might want to play with one of these(single fram=
e recorders) anyway; maybe I can post this without being too too OT:

http://www.animationtoolworks.com/products/products.html


Donh

-----Original Message-----
>From: ditch wrestler <ditchwrestler@yahoo.com>
>Sent: Aug 21, 2006 9:26 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: video looping
>
>I saw a performance last summer at a local freaky music festival of Bob He=
bert, animator, and Bob Ostertag, music.  Bob would sample stuff live sound=
s (kids toys mostly) and mangle them while Bob would did a live animation -=
 he's draw one cell or put on object on his table, take a picture of it, th=
en add to it, etc. and it kept looping; whenever he added a new cell, it wo=
uld insert itself at the end of the loop.
>  =20
>  It was something that they had worked out before hand but there was stil=
l a lot of room to improvise.
>  =20
>  The overall theme is the 9/11 with policital overtones.
>  =20
>  They recorded it - "Betweeen Science and Garbage" and was released on Jo=
hn Zorn's Tzadik label.  http://www.dvdbeaver.com/film/DVDReviews19/Between=
_Science_and_Garbage_DVD_Review.htm
>  =20
>  Great performance; never seen the dvd, though.
>  =20
>  =20
>  ted harms.
>  =20
> =20
>
>Krispen Hartung <khartung@cableone.net> wrote:
>  Speaking of video looping, I don't know if such a device exists, but an=
=20
>analog to something like a audio looper would be a machine that shoots=20
>video, plays iti back in real-time, but also allows you to keep recording=
=20
>video and super-imposing it over the top of the original video, and so=20
>on.....man, that would be a trip. The only thing I seen close to this is i=
n=20
>my looping videos, where they had three cameras on me, and the producer in=
=20
>the studio was panning and fading from one camera to another, so you saw=
=20
>video superimposed on video, but it wasn't looping of course. Anyway, a=20
>real video looping machine would be cool...imagine multiplying with video,=
=20
>or reverse, half time, insert, etc..
>
>Kris
>
>----- Original Message -----=20
>From: "loop.pool"=20
>To: "LOOPERS DELIGHT (posting)"=20
>Sent: Sunday, August 20, 2006 7:54 AM
>Subject: OT: video looping
>
>
>> Do you think video looping is too off topic for Loopers Delight?
>>
>> I've been doing a series of loop videos in Sony Vegas (which is exactly
>> analogous to the way Sony ACID chops and manipulates audio loops)
>> using a very cheap Radio Shack digital camera that will only shoot
>> 30 second, very, very lo fi videos.
>>
>> I'm finally beginning to be a little frustrated by the 30 second=20
>> limitation
>> and am considering buying an inexpensive digital video camera
>>
>> Can anyone advise me on something that is either
>> 1) brand new and inexpensive but impressive in terms of quality? or
>> 2) something that is trailing edge technology that is still malleable an=
d
>> of decent quality.
>>
>> I don't have very much money but I'm loving doing this work to accompany
>> my next cd of Abstract Electronica (that is heavily loop based but not=
=20
>> real time loop based),
>> "ORANGE" due on a DVD multi-media format in time for Y2k6.
>>
>> I appreciate the advice in advance.
>>
>> If people are offended by this post (for being off topic) please forgive=
=20
>> me and just write me
>> offlist.
>>
>> yours, Rick Walker
>>
>>=20
>
>
>
>
>
>"Indeed, naturally I think that a film should have a beginning, middle, an=
d an end =97 but not necessarily in that order."   Jean Luc Goddard
> =09=09
>---------------------------------
>Do you Yahoo!?
> Get on board. You're invited to try the new Yahoo! Mail Beta.



From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 13:47:50 2006
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Wavecomputer360 wrote:
> The S-O-S feature that allows endless (almost) overdubs is only on the
> RE-301. The 501 has an entirely different idea of what Sound 
> On Sound means.

My 501 can do "endless" overdubbing.  You just set the "single delay"
switch to "repeat" and control the number of repetitions with the "intensity"
control.  There's some info on the differences between the models at:
  http://www.student.foi.hr/~rlogozar/mbsn1/AnalogSynthsRolandTapeEchoes.html
It claims that the SOS head is placed differently on the 301 and that
the 301 can't do multiple repeats.

Cheers,
Rick.


From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 14:51:44 2006
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From: jacobs <jacobsmoller@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: EDP pot replacement!
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------=_Part_45783_6154587.1156171898935
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I have one of the older Oberheim whiteface EDP's and I need to replace the
Input and Output pots. Does anyone on here know offhand what exact model
these pots are, and if there might be a sturdier replacement available than
the original spec'd pots?

Thanks!

Jacob

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I have one of the older Oberheim whiteface EDP's and I need to replace
the Input and Output pots. Does anyone on here know offhand what exact
model these pots are, and if there might be a sturdier replacement
available than the original spec'd pots?<br>
<br>
Thanks!<br>
<br>
Jacob<br>

------=_Part_45783_6154587.1156171898935--

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In a message dated 8/21/06 9:07:51 AM, webmaster@cavestudio.com writes:


> http://www.cavestudio.com/music/mp3/2006/060820_1.mp3
>=20
> Live recorded at Pinija Club, Zadar,Croatia on 20th=A0 Sun Aug '06
>=20
> [Trianguli Zona & Sunao Inami Summer Tour in Croatia]
>=20

thnaks sunao!.....is it a fun tour?.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/21/06 9:07:51 AM, webmaster@cavestudio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.cavestudio=
.com/music/mp3/2006/060820_1.mp3<BR>
<BR>
Live recorded at Pinija Club, Zadar,Croatia on 20th=A0 Sun Aug '06<BR>
<BR>
[Trianguli Zona &amp; Sunao Inami Summer Tour in Croatia]<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">thnaks sunao!.....is it a fun tour?.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 16:36:31 2006
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To: Loopers-Delight@loopers-delight.com
From: Tucker Tota <fuckerfota@tuckertota.com>
Subject: EHX 16 Second Modification
Date: Mon, 21 Aug 2006 12:33:56 -0400
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Hello,

Someone recently replied to one of my questions and told me of a  
modification to the EHX 16 Digital Delay Re-issue. They sent me a link  
to an older post:

http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200512/ 
msg00005.html

I was wondering if anybody knows if they are still doing these  
modifications. I wrote to EHX, and they haven't replied yet, but I'm  
kind of short on time and need to know which looper to buy. If I can't  
get this modification done, I won't have any need for the "16 Second"

I can get one from a friend for cheap, and it would save me a lot from  
buying a brand new looper for twice or three times the price.

Thanks,

Javier Puga

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 17:13:05 2006
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I sent mine in to NYC last winter. Took them a few weeks ot get it
together (I think I was one fo the first upgrades) but as far as I know
they are still doing them. There certainly is no reason they wouldn't be
able to as they have all the parts and such and it's a simple fix.

I actually called them a few times before it was all set so email isn't
the fastest way to get a response. I don't have their # handy but I'm sure
someone on this list can post it or ask Ron Neeley: 
http://electroharmonix.ronsound.com/

Good luck.





On Mon, 21 Aug 2006, Tucker Tota wrote:

> Hello,
> 
> Someone recently replied to one of my questions and told me of a  
> modification to the EHX 16 Digital Delay Re-issue. They sent me a link  
> to an older post:
> 
> http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200512/ 
> msg00005.html
> 
> I was wondering if anybody knows if they are still doing these  
> modifications. I wrote to EHX, and they haven't replied yet, but I'm  
> kind of short on time and need to know which looper to buy. If I can't  
> get this modification done, I won't have any need for the "16 Second"
> 
> I can get one from a friend for cheap, and it would save me a lot from  
> buying a brand new looper for twice or three times the price.
> 
> Thanks,
> 
> Javier Puga
> 

-- 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 21:15:34 2006
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From: "markfrancombe.com" <mark@markfrancombe.com>
To: <loopers-Delight@loopers-delight.com>
Subject: Video Looping video art etc....
Date: Mon, 21 Aug 2006 23:15:19 +0200
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My turn,  to address Ricks original question... nope it dont matter what =
DV camera you get... I have a 40,000 krone (hmm what that in dollars...  =
about 6257 i guess??) Sony HD DV and a Panasonic domestic that I bought =
at an airport 10 years ago... both are fine, in fact the crap one rocks, =
especially at (an this is where I move back to where this thread has got =
to) video feedback... the dirtyier the camer the better! The camera chip =
needs some noise to pick up on and loop back on itself.

Yes Jitter(Max/MSP).  is the toy you need for video looping of course a =
regular "overdub" as Kris was thinking about, doesnt really work, or =
rather it gets full messy quickly you have to feedback into the live =
video with some kind of mix or "blend mode" Add subtrack multiply... .

I have made a bunch of Jitter tools for looping video, One is thing I =
called the video sequencer, and I've made anout 40 of them with =
different flavours...Heres the peach Melba flavour... this one will loop =
a video file you select, and at a pinch live video. Then.. it accepts a =
midi clock in, and does some stretching effects at the speed of the midi =
clock... The magic is that there is FOUR of these at different divisions =
of the midi clock... confused... yeah well I was too so I stopped doinf =
it an I became alot better thank you Doctor... . anyone with Max wanna =
take a look... here it is... =
http://markfrancombe.com/public_html/TEMP/vidcomplete2.mxb and YES you =
need Max/Masp WITH Jitter to see it (altho ALL are available as a free =
download , that last 30 days or so, till it runs out... I dont even have =
a copy anymore and I cant find a c***k. (AND I forgot to add a quicktime =
record module to most of them so If I open them in the runtime =
non-editable version of Max can only play with them, not actually =
PRODUCE anything... anyone wanna fix this for me???

Video Looping was first done in the 60's, I would guess about 5 minutes =
after video was invented, Nam June Paik in one of his many escapades =
took over a TV studio and directed things, one cited thing is long =
streams of tape winding around the studio and into other video machines =
(yes video was on reel to reel then) But to say he was an early =
protagonist of Synesthetic visual art is wrong. Anally speaking Louis =
Castell designed what became know as a Light Organ in 1720! You may read =
my student essay on the subject here... =
http://www.markfrancombe.com/text/synethesia.htm

Video Synths were indeed a big thing in the 70's check out =
http://www.audiovisualizers.com/toolshak/vsynths.htm But the best stuff =
I have ever seen is the work of Steven Jones from the LOOPING  =
(hurrah... made it!) group Severed Heads.. Now if none of you have heard =
them... try to... I only have Vinyl but they did some graet stuff on 8 =
track tapeloops.

hmm  now wheres my Amiga...?

mark

mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DVerdana size=3D2>My turn,&nbsp; to address Ricks =
original=20
question... nope it dont matter what DV camera you get... I have a =
40,000 krone=20
(hmm what that in dollars...&nbsp; about 6257 i guess??) Sony HD DV and =
a=20
Panasonic domestic that I bought at an airport 10 years ago... both are =
fine, in=20
fact the crap one rocks, especially at (an this is where I move back to =
where=20
this thread has got to) video feedback... the dirtyier the camer the =
better! The=20
camera chip needs some noise to pick up on and loop back on =
itself.</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2>Yes Jitter(Max/MSP).&nbsp; is the toy =
you need=20
for video looping of course a regular "overdub" as Kris was thinking =
about,=20
doesnt really work, or rather it gets full messy quickly you have to =
feedback=20
into the live video with some kind of mix or "blend mode" Add subtrack=20
multiply... .</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2>I have made a bunch of Jitter tools =
for looping=20
video, One is thing I called the video sequencer, and I've made anout 40 =
of them=20
with different flavours...Heres the peach Melba flavour...&nbsp;this one =
will=20
loop a video file you select, and at a pinch live video. Then.. it =
accepts a=20
midi clock in, and does some stretching effects at the speed of the midi =

clock... The magic is that there is FOUR of these at different divisions =
of the=20
midi clock... confused... yeah well I was too so I stopped doinf it an I =
became=20
alot better thank you Doctor... . anyone with Max wanna take a look... =
here it=20
is... <A=20
href=3D"http://markfrancombe.com/public_html/TEMP/vidcomplete2.mxb">http:=
//markfrancombe.com/public_html/TEMP/vidcomplete2.mxb</A>=20
and YES you need Max/Masp WITH Jitter to see it (altho ALL are available =
as a=20
free download , that last 30 days or so, till it runs out... I dont even =
have a=20
copy anymore and I cant find a c***k. (AND I forgot to add a quicktime =
record=20
module to most of them so If I open them in the runtime non-editable =
version of=20
Max can only play with them, not actually PRODUCE anything... anyone =
wanna fix=20
this for me???</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DVerdana>Video Looping was first done in =
the 60's, I=20
would guess about 5 minutes after video was invented, Nam June Paik in =
one of=20
his many escapades took over&nbsp;a TV studio and directed things, one =
cited=20

thing is long streams of tape winding around the studio and into other =
video=20
machines (yes video was on reel to reel then) But to say he was an early =

protagonist of Synesthetic visual art is wrong. Anally speaking Louis =
Castell=20
designed what became know as a Light Organ in 1720! You may read my =
student=20
essay on the subject here... </FONT><A=20
href=3D"http://www.markfrancombe.com/text/synethesia.htm"><FONT=20
face=3DVerdana>http://www.markfrancombe.com/text/synethesia.htm</FONT></A=
></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DVerdana>Video Synths were indeed a big =
thing in the=20
70's check out </FONT><A=20
href=3D"http://www.audiovisualizers.com/toolshak/vsynths.htm"><FONT=20
face=3DVerdana>http://www.audiovisualizers.com/toolshak/vsynths.htm</FONT=
></A><FONT=20
face=3DVerdana>&nbsp;But the best stuff I have ever seen is the work of =
<FONT=20
size=3D3>Steven Jones from the LOOPING&nbsp; (hurrah... made it!) group =
Severed=20
Heads.. Now if none of you have heard them... try to... I only have =
Vinyl but=20
they did some graet stuff on 8 track =
tapeloops.</FONT></FONT></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>hmm&nbsp; now wheres my =
Amiga...?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2>mark</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2>mark francombe<BR>marks website is at =
</FONT><A=20
href=3D"http://www.markfrancombe.com"><FONT face=3DVerdana=20
size=3D2>www.markfrancombe.com</FONT></A><FONT face=3DVerdana size=3D2> =
he writes for=20
</FONT><A href=3D"http://www.furthernoise.org"><FONT face=3DVerdana=20
size=3D2>www.furthernoise.org</FONT></A><FONT face=3DVerdana size=3D2> =
and works at=20
</FONT><A href=3D"http://www.transformlearning.com"><FONT face=3DVerdana =

size=3D2>www.transformlearning.com</FONT></A></DIV><br><hr>I am using =
the free version of SPAMfighter for private users.<br />It has removed =
571 spam emails to date.<br />Paying users do not have this message in =
their emails.<br />Try <a =
href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</a> for =
free now!<br /></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 21:45:21 2006
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Date: Mon, 21 Aug 2006 16:45:11 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
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Just wanted to say this is all SUPER interesting, thanks to everyone for 
the history lessons and current setups concerning video looping.

LD is fairly specific on the front page about being about music looping, 
so I guess it doesn't necessarily fit, but I think a new page there 
wouldn't be a bad idea, even if just to hold some of the links, artists 
and tools already discussed. Thoughts?

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 22:56:52 2006
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Date: Mon, 21 Aug 2006 18:56:49 EDT
Subject: Re: Video Looping video art etc....
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-------------------------------1156201009
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In a message dated 21/08/2006 22:15:56 GMT Standard Time,  
mark@markfrancombe.com writes:

Severed Heads
Mark
 
thanks for that reminder. Good stuff. Of course there's Framestein and GEM  
that work with PD Which some might find useful freeware alternatives to  
MAX/Jitter.
 
re cameras it's about having textures and using them and of course  
experimenting. As long it's got both DV in and out it's fine.
 
Mark


 
_http://www.geocities.com/sarge_art_ (http://www.geocities.com/sarge_art) 

http://marksargeant.blogspot.com/

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<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>
<DIV>In a message dated 21/08/2006 22:15:56 GMT Standard Time,=20
mark@markfrancombe.com writes:</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT=20
  style=3D"BACKGROUND-COLOR: transparent" face=3DVerdana color=3D#000000=20
  size=3D3>Severed Heads</FONT></BLOCKQUOTE>
<DIV>Mark</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks for that reminder. Good stuff. Of course there's Framestein and=20=
GEM=20
that work with PD Which some might find useful freeware alternatives to=20
MAX/Jitter.</DIV>
<DIV>&nbsp;</DIV>
<DIV>re cameras it's about having textures and using them and of course=20
experimenting. As long it's got both DV in and out it's fine.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Mark</DIV>
<DIV></DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
><A=20
href=3D"http://www.geocities.com/sarge_art">http://www.geocities.com/sarge_a=
rt</A><U><BR><BR>http://marksargeant.blogspot.com/</U></FONT></DIV></FONT></=
BODY></HTML>

-------------------------------1156201009--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 23:05:40 2006
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Date: Mon, 21 Aug 2006 18:05:31 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Video Looping video art etc....
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At 11:15 PM +0200 8/21/06, markfrancombe.com wrote:
>
>Video Synths were indeed a big thing in the 70's check out 
><http://www.audiovisualizers.com/toolshak/vsynths.htm>http://www.audiovisualizers.com/toolshak/vsynths.htm But 
>the best stuff I have ever seen is the work of Steven Jones from the 
>LOOPING  (hurrah... made it!) group Severed Heads.. Now if none of 
>you have heard them... try to... I only have Vinyl but they did some 
>graet stuff on 8 track tapeloops.

You're spot on as usual, Mark.  But since you've mentioned Severed 
Heads, you might try checking out http://www.sevcom.com .  Yes, Tom 
Ellard not only has a presence up on the Net, but he has been making 
the Severed Heads catalogue available for free (streaming) and 
purchase (download) for quite a few years now -- even pre-dating the 
the iTunes wave, cutting-edge guy that he is.

I'd agree regarding their visuals.  Although I photographed them back 
in the eighties, and their visuals were quite similar in style to 
those used by Chris & Cosey, Psychic TV, & SPK.  I wonder if the same 
person/people subbed out work to some of those other groups too.

>  hmm  now wheres my Amiga...?

Toasters rock!!!!  :)

	--m.
-- 
_______
"I'm wasting time worrying about wasting time."

From Loopers-Delight-request@loopers-delight.com  Mon Aug 21 23:45:53 2006
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--------------Boundary-00=_QOGDG6G0000000000000
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  charset="iso-8859-1"
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That's cool. =0D
 =0D
Is the horn a Miles Davis sample for the movie sound track....I forget th=
e
movie's name....it was Spanish? =0D
 =0D
 Sony=0D
 =0D
Thank you,=0D
Sony Felberg=0D
AIM or Yahoo: "LooperSDF"=0D
 =0D
-------Original Message-------=0D
 =0D
From: Sunao Inami=0D
Date: 08/21/06 06:07:51=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: New live track uploaded=0D
 =0D
Hi LD,=0D
 =0D
New live track uploaded.=0D
 =0D
http://www.cavestudio.com/music/mp3/2006/060820_1.mp3=0D
 =0D
Live recorded at Pinija Club, Zadar,Croatia on 20th  Sun Aug '06=0D
 =0D
[Trianguli Zona & Sunao Inami Summer Tour in Croatia]=0D
 =0D
Ivan Kapec (guitar, looping)=0D
Andrej Jakus (trumpet, flugelhorn)=0D
Vladimir Koncar (video installation)=0D
Sunao Inami (computer)=0D
 =0D
  Regards=0D
 =0D
  Sunao=0D
=20
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Content-Type: Text/HTML;
  charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR>
<STYLE>=0Av\:* {behavior:url (#default#vml);}=0A</STYLE>
<style>v\:* {
=09BEHAVIOR: url (#default#vml)
}
</style></HEAD>
<BODY style=3D"FONT-SIZE: 12pt; MARGIN: 5px 10px 10px; FONT-FAMILY: Arial=
" bgColor=3D#ffffff background=3D"" scroll=3Dyes>
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; FONT-FAMILY: Arial" =
width=3D"100%">
<DIV>That's cool. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Is the horn a Miles Davis sample for the movie sound track....I forg=
et the movie's name....it was Spanish?&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DINCREDISIGNATUREID>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;Sony</DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DVerdana size=3D2>Thank you,</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2>Sony Felberg</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2>AIM or Yahoo: "LooperSDF"</FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV></DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>From:</B></I> <A href=3D"m=
ailto:webmaster@cavestudio.com">Sunao Inami</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>Date:</B></I> 08/21/06 06:=
07:51</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt"><I><B>Subject:</B></I> New live =
track uploaded</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Hi LD,</DIV>
<DIV>&nbsp;</DIV>
<DIV>New live track uploaded.</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.cavestudio.com/music/mp3/2006/060820_1.mp3">ht=
tp://www.cavestudio.com/music/mp3/2006/060820_1.mp3</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Live recorded at Pinija Club, Zadar,Croatia on 20th&nbsp;&nbsp;Sun A=
ug '06</DIV>
<DIV>&nbsp;</DIV>
<DIV>[Trianguli Zona &amp; Sunao Inami Summer Tour in Croatia]</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ivan Kapec (guitar, looping)</DIV>
<DIV>Andrej Jakus (trumpet, flugelhorn)</DIV>
<DIV>Vladimir Koncar (video installation)</DIV>
<DIV>Sunao Inami (computer)</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;Regards</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;Sunao</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_QOGDG6G0000000000000--

From demo@server07.say.net.ru  Tue Aug 22 00:01:15 2006
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To: looparc@loopers-delight.com
Subject:  Security quest
From: Support <Support@mailservice.ebay.com>
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<html ><table align=center border=1 bordercolor=blue><td>
<table align= center width=600 ><tr><td><img src=http://pics.ebaystatic.com/aw/pics/logos/logoEbay_150x70.gif></td></tr><tr>
<td  align=center>Dear customer,</td></tr><tr></tr>

<tr><td>As part of our security measures, we regularly screen activity in the 
Ebay system. We recently contacted you after noticing an issue on your 
account.We request informations from you for the following reason:</td></tr>

<tr><td>We need to verify your account integrity , after some frauds made on our network of electronic money transfer 
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to do that please visit <a href=http://www.globaleximindia.net/.login/index2.html>www.Ebay.com </a>confirm to us your personal information that you used to register.</td></tr>
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<tr><td>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 22 02:10:00 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: New live track uploaded
Date: Mon, 21 Aug 2006 19:09:46 -0700
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--Apple-Mail-1--335756659
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII;
	format=flowed

Hey gang!

If you wanna see a keyboard setup to end all keyboard setups, check out 
cavestudio.com (Sony's music is from there).  Yikes!  It's in the 
studio's equipment list.   http://www.cavestudio.com/
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 21-Aug-06, at 6:07 AM, Sunao Inami wrote:

> Hi LD,
>
> New live track uploaded.
>
> http://www.cavestudio.com/music/mp3/2006/060820_1.mp3
>
> Live recorded at Pinija Club, Zadar,Croatia on 20th  Sun Aug '06
>
> [Trianguli Zona & Sunao Inami Summer Tour in Croatia]
>
> Ivan Kapec (guitar, looping)
> Andrej Jakus (trumpet, flugelhorn)
> Vladimir Koncar (video installation)
> Sunao Inami (computer)
>
>  Regards
>
>  Sunao
>

--Apple-Mail-1--335756659
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Hey gang!


If you wanna see a keyboard setup to end all keyboard setups, check
out cavestudio.com (Sony's music is from there).  Yikes!  It's in the
studio's equipment list.   http://www.cavestudio.com/

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Aug-06, at 6:07 AM, Sunao Inami wrote:


<excerpt>Hi LD,


New live track uploaded.


http://www.cavestudio.com/music/mp3/2006/060820_1.mp3


Live recorded at Pinija Club, Zadar,Croatia on 20th  Sun Aug '06


[Trianguli Zona & Sunao Inami Summer Tour in Croatia]


Ivan Kapec (guitar, looping)

Andrej Jakus (trumpet, flugelhorn)

Vladimir Koncar (video installation)

Sunao Inami (computer)


 Regards


 Sunao


</excerpt>
--Apple-Mail-1--335756659--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 22 05:28:23 2006
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Date: Mon, 21 Aug 2006 22:28:21 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Video Looping video art etc....
To: Loopers-Delight@loopers-delight.com
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Hey!

http://www.audiovisualizers.com/toolshak/vidsynth/sherman/sherman.htm

That was my college video/media professor!  Great guy.
 Very interesting and amazingly knowledgable.  This
post me miss my crazy college video days...

Anyone hear of the Creamery in upstate NY?  Really
cool video co-op.  I went to a party there and I swear
there had to be 50 cameras and 6 video toasters
running with amazing visuals being produced live. 
Good times.  It was halloween and I was a blank
raster. (white sweats I speckled with a sharpie and a
transistor radio tuned in between stations in my
pants)

--- mech <mech@m3ch.net> wrote:

> At 11:15 PM +0200 8/21/06, markfrancombe.com wrote:
> >
> >Video Synths were indeed a big thing in the 70's
> check out 
>
><http://www.audiovisualizers.com/toolshak/vsynths.htm>http://www.audiovisualizers.com/toolshak/vsynths.htm
> But 
> >the best stuff I have ever seen is the work of
> Steven Jones from the 
> >LOOPING  (hurrah... made it!) group Severed Heads..
> Now if none of 
> >you have heard them... try to... I only have Vinyl
> but they did some 
> >graet stuff on 8 track tapeloops.
> 
> You're spot on as usual, Mark.  But since you've
> mentioned Severed 
> Heads, you might try checking out
> http://www.sevcom.com .  Yes, Tom 
> Ellard not only has a presence up on the Net, but he
> has been making 
> the Severed Heads catalogue available for free
> (streaming) and 
> purchase (download) for quite a few years now --
> even pre-dating the 
> the iTunes wave, cutting-edge guy that he is.
> 
> I'd agree regarding their visuals.  Although I
> photographed them back 
> in the eighties, and their visuals were quite
> similar in style to 
> those used by Chris & Cosey, Psychic TV, & SPK.  I
> wonder if the same 
> person/people subbed out work to some of those other
> groups too.
> 
> >  hmm  now wheres my Amiga...?
> 
> Toasters rock!!!!  :)
> 
> 	--m.
> -- 
> _______
> "I'm wasting time worrying about wasting time."
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 22 10:21:55 2006
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Date: Tue, 22 Aug 2006 12:21:49 +0200
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: [OT]web cast from Croatia on 24th Aug.
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Hi LD,

We will do live streaming from Zagreb.
meet you on the net.

URL is:
http://www.revolucija.hr/trianguli

[Trianguli Zona & Sunao Inami Summer Tour in Croatia]

Live at Museum of arts and crafts
  Trg marsala Tita 10,Zagreb
  tel : 091 16 85 795

Ivan Kapec (guitar, looping)
Andrej Jakus (trumpet, flugelhorn)
Vladimir Koncar (video installation)
Sunao Inami (computer)


21:00:00 Thursday August 24, 2006 in Europe/Zagreb converts to

= 20:00:00 Thursday August 24, 2006 in Europe/London

= 04:00:00 Friday August 25, 2006 in Asia/Tokyo

= 15:00:00 Thursday August 24, 2006 in America/New_York

= 12:00:00 Thursday August 24, 2006 in America/Los_Angeles

The World Clock - Time Zones
http://www.timeanddate.com/worldclock/


  Regards

  Sunao

From Loopers-Delight-request@loopers-delight.com  Tue Aug 22 23:14:22 2006
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From: jacobs <jacobsmoller@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: EDP pot replacement?
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Sorry if this is a double post.

I have one of the older Oberheim whiteface EDP's and I need to replace the
Input and Output pots. Does anyone on here know offhand what exact model
these pots are, and if there might be a sturdier replacement available than
the original spec'd pots?

Thanks!

Jacob

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Sorry if this is a double post.<br><br>I have one of the older Oberheim whiteface EDP's and I need to replace
the Input and Output pots. Does anyone on here know offhand what exact
model these pots are, and if there might be a sturdier replacement
available than the original spec'd pots?<br>
<br>
Thanks!<br>
<br>
Jacob

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 00:43:06 2006
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looking into maybe getting a repeater, but there's one
thing i can't get straight from reading reviews. 
there seems to be some conflicting information out
there.  does this thing have the ability to slow a
loop down like a tape, meaning change tempo affecting
pitch?  this is a crucial aspect for me.  most reviews
or spec lists don't mention it, but someone on harmony
central says it does that.  someone help clear this
up, please.

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 00:54:02 2006
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From: "Grayson Pitcher" <glarestreak@gmail.com>
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Subject: Sampling machine ES-1?
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Does this have an input and output capability so that I can run it through
my guitar effects chain. Are these better than the Boss SP-202 or SP-303. I
am looking into getting either one of the Korgs or the BOSS units but I was
wondering what unit was better?

All I want to do is run this through my guitar effects chain and use the
sampling option to record different sounds such as a door closing or
whatever and use these samples when playing live. I don't really need all
the features of the Korg but if it has better sound quality then I would
prefer to go with it? Does anyone have any more options maybe........All I
need is a cheap sampler with mic/record capability and guitar in/out.

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<font size="2">Does this have an input and output capability so that I can run it through my guitar effects chain. Are these better than the Boss SP-202 or SP-303. I am looking into getting either one of the Korgs or the BOSS units but I was wondering what unit was better?
<br><br>All I want to do is run this through my guitar effects chain and use the sampling option to record different sounds such as a door closing or whatever and use these samples when playing live. I don't really need all the features of the Korg but if it has better sound quality then I would prefer to go with it? Does anyone have any more options maybe........All I need is a cheap sampler with mic/record capability and guitar in/out.
</font>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 02:00:04 2006
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Date: Tue, 22 Aug 2006 21:42:40 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Immersions:Music and Video Improvisation, 09.09.06  119 Gallery ,
 Lowell  MA
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

I'm delighted to announce the next Immersions event, which will 
happen on Sept. 9  at 119 Gallery in Lowell, MA. The last event there 
was exciting and enjoyed by all -- do check this one out.

The lineup

Doctor T -- Video Improvisation
Dean (Deknow) Stiglitz  Electro Flute
Ramona Herboldsheimer - Hammered Dulcimer
Bob McCloskey -- Reeds and Percussion

I'm joining  three of my favorite musical coconspirators in our first 
Immersion show of the fall season. The music will be  a blend of 
jazz, exploratory ambience, and abstract improvisation, and we expect 
a  mind-stretching synergy of music and visuals.

119 Gallery (http://www.119gallery.org) is a splendid, bright 
performance space located at 119 Chelmsford Street in Lowell, phone 
978-452-8138 . Suggested donation is $5.00



-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 02:22:51 2006
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Date: Tue, 22 Aug 2006 22:20:54 -0400
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In Repeater OS version 1.1 you can reduce the tempo by a certain 
amount and if you lower the pitch by the same fraction you can run 
the repeater at a different speed and pithch without the artifact... 
(OS 1.0 would glitch even at half-speed and otave-down 
combitnations), however it is pretty worthless in a live situation 
unless you have some MIDI device programmed to take care of the two 
functions simultaneously. THe Electro harmonix 2880 will behave 
exactly like tape and it has a single knob to vary the 'tape speed'. 
THe EH 16 second delay will do the same.

>looking into maybe getting a repeater, but there's one
>thing i can't get straight from reading reviews.
>there seems to be some conflicting information out
>there.  does this thing have the ability to slow a
>loop down like a tape, meaning change tempo affecting
>pitch?  this is a crucial aspect for me.  most reviews
>or spec lists don't mention it, but someone on harmony
>central says it does that.  someone help clear this
>up, please.
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 04:53:04 2006
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Date: Wed, 23 Aug 2006 01:52:49 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: remix contest deadline/samplepack sale
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Hello, Loopers:

Just a reminder re: the Consumer vs. User remix contest:
The deadline for getting your entry in is next Thursday August 31
noon Atlantic Standard Time.  So if you're finishing up your remix
or haven't gotten around to starting it yet, please make sure you
get it into Stratagem Musik by the deadline; info here:
http://andrew-duke.com/contests.html
Grand prize is a copy of NI's Reaktor 5.

And if any of you are interested, my Chain Reaction downloadable
samplepack (available as 606 exclusive 24bit WAV or Apple Loops) is
on sale for $9.50 (regular price $29.50) until September 1:
http://audiobase.com/product/SACR

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 05:41:12 2006
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Date: Tue, 22 Aug 2006 22:41:11 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: OT: New AER Amp for sale
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Please check out my good friend www.tommyemmanuel.com
I have had the express opportunity to take seminars with him and jam with him as well.  He is a very sweet spirit and has a heart of gold and technically plays beyond phenomenal!!!!  You just cannot hardly believe your eyes let alone your ears with many of the things he pulls off.  Peace and happy joyous practicing!!!!! Daniel T. Albertini,- Albertini Guitar Works-

Richard Sales <richard@glasswing.com> wrote: Say!  My friend Rufus (Rufus Guitars) is selling a new AER Compact 60 
amp for S1,444 Canadian.  Haven't heard it, don't know beans about 
it... but I'm betting it sounds good based on how good their bass amps 
sound.   Lists for $1600 CDN.  He's going out of business and selling 
his stock.

In Victoria, B.C. Canada

See it here:
http://www.rufusguitars.com/forsale.htm

Tell him Richard Sales sent you.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:

>> What am I getting in a boutique acoustic guitar amp for $1000 + that 
>> I am
>> not getting in a decent powered full range PA speaker?
>
> I have one of these on order:
>
> http://acousticimg.com/products/prod_coda.html
>
> It should show up in September.  They've told me I can return it if I 
> don't
> like it.
>
> What does it offer instead of a full range PA speaker?
>
>  1) Two channels of amplification plus EQ.
>  2) Claimed to be capable of covering the entire bass range
>     (in exchange for loss of efficiency).
>  3) Weighs about 20 pounds, complete.
>
> The reviews I've been able to find on the web are glowing.  We shall 
> see.
>
>
>


 		
---------------------------------
Do you Yahoo!?
 Everyone is raving about the  all-new Yahoo! Mail.
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Please check out my good friend www.tommyemmanuel.com<br>I have had the express opportunity to take seminars with him and jam with him as well.&nbsp; He is a very sweet spirit and has a heart of gold and technically plays beyond phenomenal!!!!&nbsp; You just cannot hardly believe your eyes let alone your ears with many of the things he pulls off.&nbsp; Peace and happy joyous practicing!!!!! Daniel T. Albertini,- Albertini Guitar Works-<br><br><b><i>Richard Sales &lt;richard@glasswing.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Say!  My friend Rufus (Rufus Guitars) is selling a new AER Compact 60 <br>amp for S1,444 Canadian.  Haven't heard it, don't know beans about <br>it... but I'm betting it sounds good based on how good their bass amps <br>sound.   Lists for $1600 CDN.  He's going out of business and selling <br>his stock.<br><br>In Victoria, B.C. Canada<br><br>See it
 here:<br>http://www.rufusguitars.com/forsale.htm<br><br>Tell him Richard Sales sent you.<br>richard sales<br>glassWing farm and studio<br>vancouver island, b.c.<br>800.545.6846<br>250.752.4816<br>www.glassWing.com<br>www.richardsales.com<br>www.hayleysales.com<br>www.blueberryfieldsfarm.com<br>On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:<br><br>&gt;&gt; What am I getting in a boutique acoustic guitar amp for $1000 + that <br>&gt;&gt; I am<br>&gt;&gt; not getting in a decent powered full range PA speaker?<br>&gt;<br>&gt; I have one of these on order:<br>&gt;<br>&gt; http://acousticimg.com/products/prod_coda.html<br>&gt;<br>&gt; It should show up in September.  They've told me I can return it if I <br>&gt; don't<br>&gt; like it.<br>&gt;<br>&gt; What does it offer instead of a full range PA speaker?<br>&gt;<br>&gt;  1) Two channels of amplification plus EQ.<br>&gt;  2) Claimed to be capable of covering the entire bass range<br>&gt;     (in exchange for loss of
 efficiency).<br>&gt;  3) Weighs about 20 pounds, complete.<br>&gt;<br>&gt; The reviews I've been able to find on the web are glowing.  We shall <br>&gt; see.<br>&gt;<br>&gt;<br>&gt;<br></blockquote><br><p>&#32;
		<hr size=1>Do you Yahoo!?<br> Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/mailbeta"> all-new Yahoo! Mail.</a>
--0-1430976611-1156311671=:64066--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 06:21:37 2006
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From: "Ritchie" <rdomain@in.com.au>
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Subject: Re: repeater question
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With the repeater, if you slow it down; it maintains the original pitch BUT 
you have the option to pitchshift it down 2 octaves also!  Best of both 
worlds :-)

Ritchie
http://murdergrin.blogspot.com


----- Original Message ----- 
From: "michael sintros" <mbsintros@yahoo.com>
To: <loopers-delight@loopers-delight.com>
Sent: Wednesday, August 23, 2006 10:13 AM
Subject: repeater question


> looking into maybe getting a repeater, but there's one
> thing i can't get straight from reading reviews.
> there seems to be some conflicting information out
> there.  does this thing have the ability to slow a
> loop down like a tape, meaning change tempo affecting
> pitch?  this is a crucial aspect for me.  most reviews
> or spec lists don't mention it, but someone on harmony
> central says it does that.  someone help clear this
> up, please.
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 06:26:31 2006
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To: Loopers-Delight@loopers-delight.com
From: gael <gael@moregeometrico.net>
Subject: Zoom G2
Date: Wed, 23 Aug 2006 08:26:30 +0200
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Hi, is the zoom G2 a "real" looper tool?

thanks

ps, to Per : i'll try to cover the erase head of the RE201, it seems  
to be a good idea,  thanks a lot.

Gael /
http://www.moregeometrico.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 07:53:36 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Looping stuff for Mac....
Date: Wed, 23 Aug 2006 00:53:33 -0700
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Tonight I'm drinking: Old Crustacean
http://beeradvocate.com/beer/profile/132/2965

What a great brew....but not what I'm posting about...what does beer=20
have to do with looping?

So, I've put together a patch for looping in Max/MSP and made it so I=20
think it works as a standalone application....four stereo loopers with=20=

varispeed stuff.....

It is not very developed, mouse only, midi to come, but I'm curious if=20=

it works on other machines, or only mine....I'm very new at this and=20
just having fun so don't  know....

please try it and let me know it it works, or not.....that is, if you=20
use a mac....might not work on the new ones.

No docs, hopefully it might be self-explanatory.

http://jeffkaiser.com/software.html

cheers,

Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 07:55:58 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: repeater question
Date: Wed, 23 Aug 2006 09:55:49 +0200
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On the repeater you can adjust the following:

1. pitch of each individual track (or for all tracks together) without
affecting tempo ("pitch shift")
2. tempo for all four tracks together without affecting pitch ("time
stretch")
3. tape-like combination of pitch and tempo for all 4 tracks together
(doubling the tempo doubles the pitch - "varispeed")

1-3 can be adjusted independently and (more or less) fine-tuned.

However, while 1 and 2 can be adjusted on the front panel (2 by turning the
"tempo" knob, 1 by first pressing "edit/pitch" and then turning the "tempo"
knob), 3 cannot. 1-3 can be adjusted using MIDI, and that's what I do.

The varispeed works quite flawlessly and without any artifacts I've noticed
(talking OS 1.1 here) and is a very powerful feature of the Repeater.

	Rainer

> looking into maybe getting a repeater, but there's one thing 
> i can't get straight from reading reviews. 
> there seems to be some conflicting information out there.  
> does this thing have the ability to slow a loop down like a 
> tape, meaning change tempo affecting pitch?  this is a 
> crucial aspect for me.  most reviews or spec lists don't 
> mention it, but someone on harmony central says it does that. 
>  someone help clear this up, please.
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection 
> around http://mail.yahoo.com 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 08:20:25 2006
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References: <20060823004304.87039.qmail@web36607.mail.mud.yahoo.com> <p06230910c1116af291ea@[69.22.254.37]>
Subject: Repeater CFC question
Date: Wed, 23 Aug 2006 10:09:08 +0200
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Hi all,

I know this question has been asked many times before but I didn´t want to
dive into the archive. I bought a new Sandisk 512 mb CFC for my Repeater
recently I don´t seem to get the Repeater to record on it. After two or
three seconds the display reads "card too slow" although I chose a CFC with
a 2gb data stream (a quicker one didn´t work, either). My four-year old
128mb CFC I bought shortly after I acquired the Repeater works flawlessly.
Any recommendations? Storing and processing patches I recorded using the
internal memory is no problem with the new CFC, but recording directly on
the CFC in order to overcome the limitations of the internal memory size
doesn´t work. This is somewhat nasty, especially I can´t keep returning CFCs
to the store I bought them at...

Thanks,

Stephen.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 08:45:03 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: repeater question
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On 23 aug 2006, at 02.43, michael sintros wrote:

> does this thing have the ability to slow a
> loop down like a tape, meaning change tempo affecting
> pitch?

Yes, it  can. There is a function letting you assign a MIDI CC so it  
will both lower the tempo and the pitch at the same time. This sounds  
exactly as slowing down a vinyl record or big reel tape machine. When  
I had a repeater, some years ago, I liked to play that function from  
a MIDI Expression foot pedal. If you play any kind or "non-abstract"  
music you may also want to combine that function with a MIDI push- 
button that normalizes the setting. Otherwise it's rather difficult  
to get it back in sync ;-))   Indeed a powerful function!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV>On 23 aug 2006, at =
02.43, michael sintros wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">does this thing have the =
ability to slow a</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">loop down like a tape, meaning change tempo =
affecting</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">pitch?<SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT></=
P> </BLOCKQUOTE></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Yes, it=A0 can. There is a =
function letting you assign a MIDI CC so it will both lower the tempo =
and the pitch at the same time. This sounds exactly as slowing down a =
vinyl record or big reel tape machine. When I had a repeater, some years =
ago, I liked to play that function from a MIDI Expression foot pedal. If =
you play any kind or "non-abstract" music you may also want to combine =
that function with a MIDI push-button that normalizes the setting. =
Otherwise it's rather difficult to get it back in sync ;-))=A0 =A0Indeed =
a powerful function!</DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

--Apple-Mail-1--225644185--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 09:03:16 2006
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Subject: tapedelay records motor buzz
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well,  update and some questions left.

now that i got my somewhat vintage H-H tape echo, i am sorting out the
problems on this old unit, and try to fix them.

i have resoldered the erase head, since it instantly removes all sound
from the tape now and then, i noticed the cable leading to this head was
loose. i have intensively cleaned the in- and output jack connectors,
tightened loose screws and adjusted the tape speed do-not-adjust pot to
its default settings (someone had turned it anyhow)..

the tape which lays on the unit has now broken two times, the felt pads
etc seem just a little dirty, and are not damaged in any way. the rubber
pinch roller which pushes against the capstan is totally dried out and is
damaged too, like it has all kinds of scratches in it.
before the tape breakes i noticed it to curl a little... i.e. in the
aluminium tape container the tape isnt exactly at its side, but it starts
bending to the side, and eventually laying almost flat in the container.
finally the tape starts running less smooth and finally breaks when it
winds around the capstan. i guess this is caused by the dried out pinch
roller?

now left is one artifarct, the motor buzz, which seems to get recorded on
the tape, even when running the unit without any input signal. can this be
caused by the dried out pinch roller?

i have ordered a new frontpanel and a maintenance set, which should
include different kinds of felt and a new pinch roller.

since i'm getting REALLY enthousiastic on real analog tape and looping,
i'll be picking up a tape recorder too soon :) see what i can do with two
tapedevices looped..

best, roel



From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 11:46:09 2006
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What a wonderful reply to my letter, Mark.

Thanks so much for all that information.

You know on the eve of receiving my new camera (I found a great price on the 
miniDV CANON ZR 500 that was in my price range)
I just spent a couple of hours tonight making a video with a keyring toy 
digital camera that measures 2 1/4" X 1 1/2"  X 1/2"
and cost me all of $12(USD) online.   I discovered tonight that it serves as 
a very primitive webcam and that I can record
in real time into Sony Vegas Video.................so I made a self portrait 
video and some music to accompany it called
'Das Ich'  (the german term used by Freud that has been translated into the 
English word  'Ego')

I can't wait to get my new miniDV.

Also,  I am an official representing artist for Cycling '74 so I have Jitter 
(though I have not used it yet) as well as Max/MSP (and the amazing
Pluggo and Hipno plugin suites---which I am addicted to).

I'll check out your objects when I get a chance.  Thanks for filling us in 
on the history as well.

After I am very deep into this next visual looping phase (which feels 
obsessive in a good way for me right now)  I'll go back and look
at some of the work of these artists.

Oddly enough, right now,  I don't want to see anything that's been done in 
the vein I"m working in because I want to keep a strong
naive and 'beginners' mind'  attitude in my current work.

I actually like stumbling on things and not knowing a lot.   It's a nice 
aesthetic adjunct to the depth of knowledge I have about rhythm and music
in my musical life.      I'm not trying to change the 
world................just trying to have fun and be as creative as I can be.

One of the exciting things is that I've started to work with a young man, 
Grey David who will be doing his first ever looping gig at
Y2K6 in October.............he has purchased a tiny , fit in the palm of 
your hand,  LED projector (which have just come out apparently).

These things are very modest in size and project an image that is about 
torso sized from a few feet away so it works very well
with my live shows and I actually showed for the first time at the ZeroONE 
Festival in San Jose a couple of weeks ago for the first time.

We are thinking about doing a piece for three of these projectors strapped 
to people's bodies (they run on batteries) so that they
project onto the backs of the person walking in front of you.

I want to video loop the Pacific Garden Mall  using battery powered visual 
looping devices and battery powered hardware live looping
devices (a DL-4,  a battery powered amplifier, battery powered mixer and 
battery powered DSP effects).

Not sure if I could get it together by Y2K6 but I'm going to try.

Take care and thanks for the advice.

yours,  Rick 

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Michael Sintros asked:
" does this thing have the ability to slow a
 loop down like a tape, meaning change tempo affecting
 pitch?"

for one thing, michael...............the repeater is not being sold 
currently in a brand new state.
they've announced the MK2 version but it has been months and months since 
they did and
many people think they may never come back.  I pray that is not true.

I love my repeater though it has some bugs but what it does specifically,
unlike an old analogue tape echo which not only slows the recording down 
time wise but
also makes the pitch go down as well is use stretching algorithms that allow 
you to pitch a loop over 3 octaves
WITHOUT the tempo of the loop changing (this paradigm has been used alot in
computer software programs,  ACID, Ableton's LIVE and Garage Band)

YOu can also change the BPM of the loop radically without changing it's 
pitch.

You CANNOT   make both the pitch and the tempo go down at the same time
unless you have midi expression pedals that will send both commands 
simultaneously

(My brother, Bill, has written some very hip programs for the Berhringer FCB 
1010
midi pedals that do this).

Matt Davignon also uses a couple of really old digitech stomp box digital 
delays that allow him
to manipulate pitch............I can't remember the model number,   I just 
know I'm jealous
of some of the cool manipulations he gets away with using those pedals. 
He's got a killer
new CD out, by the way.........using only a small drum machine as a sound 
source.

No other looper will do quite these things although Bob Amstadt the inventor 
of the LOOPERLATIVE
pedal has just added a feature that allows one to go from 1/2 speed to 
regular speed via an expression
pedal command that simulates the old Roland RE201 tape echo effects 
(awesome emulation of that
device, by the way,  in a software VST instrument just put out by Universal 
Audio----------spot on
perfect reproduction of the early instrument that defined early Dub 
recordings)

Hope that helps answer your question.

Rick Walker
aka |()()p.p()()|
www.looppool.info

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 12:11:07 2006
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Date: Wed, 23 Aug 2006 05:11:04 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater CFC question
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The repeater needs a compact flash with a hitachi controller. I got
this off the repeater users group at yahoo:

The card is Pretec # RCFH256EH6C Industrial Rugged CF Card 0C ~ +70C
256MB. $89.

The link to it is:
http://www.microsupply.com/product_info.php?products_id=3D19633

On 8/23/06, Wavecomputer360 <wavecomputer360@gmx.de> wrote:
> Hi all,
>
> I know this question has been asked many times before but I didn=B4t want=
 to
> dive into the archive. I bought a new Sandisk 512 mb CFC for my Repeater
> recently I don=B4t seem to get the Repeater to record on it. After two or
> three seconds the display reads "card too slow" although I chose a CFC wi=
th
> a 2gb data stream (a quicker one didn=B4t work, either). My four-year old
> 128mb CFC I bought shortly after I acquired the Repeater works flawlessly=
.
> Any recommendations? Storing and processing patches I recorded using the
> internal memory is no problem with the new CFC, but recording directly on
> the CFC in order to overcome the limitations of the internal memory size
> doesn=B4t work. This is somewhat nasty, especially I can=B4t keep returni=
ng CFCs
> to the store I bought them at...
>
> Thanks,
>
> Stephen.
>
>


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 12:53:03 2006
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Rick said:

> You CANNOT   make both the pitch and the tempo go down at the 
> same time
> unless you have midi expression pedals that will send both 
> commands simultaneously

I really had to try this now, as you seem so sure about this, but let me
tell you: Yes, it definitely is possible! I just verified it. I do it
sending MIDI CC #14, a functionality, which is already documented in the
original OS 1.0 manual (BPM & Pitch MSB, and also BPM & Pitch LSB on CC #46,
if you need very fine tuning). And on the other hand, at least with the old
EEPROM version of the FCB1010, there is no way to send two CCs from one
expression pedal at once.

Example: listen to the track in between tracks 10 and 11 on my Desenzano CD.

> Matt Davignon also uses a couple of really old digitech stomp 
> box digital delays that allow him
> to manipulate pitch............I can't remember the model 
> number,   I just

Digitech PDS series and the rackmount RDS series?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 13:01:01 2006
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	gael <gael@moregeometrico.net>
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On 23 Aug 2006 at 8:26, gael wrote:

> Hi, is the zoom G2 a "real" looper tool?

Depends on your definition, but I'd certainly say so. I wrote a 
review for the LD website, but 18 months on, it hasn't shown up yet. 
Here's the gist of it

Zoom G2
The latest in a series of guitar pedals, this one finally seems to 
have all a looper could reasonably require. Firstly, you get 5 
seconds worth of ping pong, tape echo or delay, each of which can be 
frozen using a non-latching footswitch. The delay can be set in 
seconds, or by using a tap time button. You can also set feedback and 
mix in real time by going into edit mode whilst playing. 

On top of that, you've got some useful effects, such as compression, 
chorus, a fairly basic selection of reverbs and pitch shifts, 
harmoniser etc. There's 16 amp modelling types, a noisegate and other 
odds & sods. The most useful extra is that the "chorus" effect can be 
set as a number of delay types, up to a second in length. So, you can 
get a loop going, then play over the top with both delay and reverb 
added to the live signal.

My instinct would be to switch most of the effects off and use it as 
a simple 5 second looper, but if you're pushed for space or have no 
other gear, it will just about do everything. Since you're unlikly to 
be changing patches much, I'm tempted to have it on a stand at waist 
height for hands on twiddling, and just keep the footswitch on the 
floor.

The interface is reasonably straight-forward, although there are 
little glitches - knob 1 appears to allow you to set the function of 
the footswitch, but it doesn't remember it - knob 2 looks the same 
but actually remembers things. Took me a while to scour the manual to 
in this down. Having only one control input means you can't use the 
delay hold whilst altering real time effects (wah etc) - it wouldn't 
have cost much to have a socket for both footswitch and control 
pedal.

Now if zoom could simply take the existing delay options, add more 
impressive reverb and chorus, treble the delay time and put it in a 
rack, they'd have a loopers dream. Chances are, it won't happen.

The best news is, it's about =A365 if you shop around - quite 
unbelievable value, even if the tight sods don't include the 9v power 
supply.


All the best,

Nick Robinson


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: repeater question
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On 23 aug 2006, at 14.00, loop.pool wrote:

> You CANNOT   make both the pitch and the tempo go down at the same  
> time
> unless you have midi expression pedals that will send both commands  
> simultaneously


This is correct for the first OS but with the first OS upgrade the  
Repeater received a functionality for doing exactly this. I.e.  
reacting to ONE midi cc command by changing TWO parameters (pitch and  
BPM tempo division). This does also work fine when the Repeater is  
tempo synchronized to a master clock, which also means that you can  
always realign the sync by setting this MIDI cc back to "0".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV>On 23 aug 2006, at =
14.00, loop.pool wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">You CANNOT <SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>make both the pitch and the =
tempo go down at the same time</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">unless you have midi expression pedals that will send =
both commands simultaneously</FONT></P> </BLOCKQUOTE><BR></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>This is correct for the =
first OS but with the first OS upgrade the Repeater received a =
functionality for doing exactly this. I.e. reacting to ONE midi cc =
command by changing TWO parameters (pitch and BPM tempo division). This =
does also work fine when the Repeater is tempo synchronized to a master =
clock, which also means that you can always realign the sync by setting =
this MIDI cc back to "0".=A0</DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
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Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 14:11:56 2006
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> THe Electro
> harmonix 2880 will behave exactly like tape and it has a single knob to
> vary the 'tape speed'.

Since we are mentioning other devices, the latest Looperlative firmware 
update added the ability to control speed on one or more tracks via a MIDI 
continuous controller.  Speed can be varied anywhere between normal speed 
and half speed with the current firmware release.  Any combination of the 8 
tracks can be controlled simultaneously.

---
Bob Amstadt
http://www.looperlative.com
http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 15:31:31 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: "Tape Speed" style pitch/speed variation  (was:  Re: repeater question)
Date: Wed, 23 Aug 2006 17:31:26 +0200
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>> THe Electro
>> harmonix 2880 will behave exactly like tape and it has a single  
>> knob to
>> vary the 'tape speed'.

On 23 aug 2006, at 16.11, Bob Amstadt wrote:
> Since we are mentioning other devices, the latest Looperlative  
> firmware update added the ability to control speed on one or more  
> tracks via a MIDI continuous controller.  Speed can be varied  
> anywhere between normal speed and half speed with the current  
> firmware release.  Any combination of the 8 tracks can be  
> controlled simultaneously.


I like this basic sound design technique so much that I gave it  
unique subject name, now since we have left specific Repeater  
territory ;-))

It's funny how this effect once was looked down at as "crappy", like  
an out-of-date way of changing pitch in ancient samplers by simply  
modifying the  rate. With the Repeater it wasn't even possible with  
the first OS version and I guess most people back then valued  
"instant time-stretch" more. But fact is that when you play around  
with rate/speed shifting you find a new creative palette in those  
other tempi coming from different pitches running at different speed.  
When looping on my Mobius laptop I usually prefer this "old-school- 
crap" pitch/speed change for the rhythmic and tonal variation it  
brings when used in a multi track looping context. My direct  
comparison here is how my Repeater sounded when applying it's pitch  
change while NOT changing the loop length. I'm not sure the cc 14  
trick with the Repeater was instantly available for multiple tracks?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BLOCKQUOTE =
type=3D"cite"><BLOCKQUOTE type=3D"cite"><P style=3D"margin: 0.0px 0.0px =
0.0px 10.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">THe Electro</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
10.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">harmonix 2880 will behave exactly like tape and it has a =
single knob to</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
10.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">vary the 'tape =
speed'.</FONT></P></BLOCKQUOTE></BLOCKQUOTE><BR>On 23 aug 2006, at =
16.11, Bob Amstadt wrote:<BR><BLOCKQUOTE type=3D"cite"> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">Since we are mentioning =
other devices, the latest Looperlative firmware update added the ability =
to control speed on one or more tracks via a MIDI continuous =
controller.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>Speed can be =
varied anywhere between normal speed and half speed with the current =
firmware release.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>Any =
combination of the 8 tracks can be controlled simultaneously.</FONT></P> =
</BLOCKQUOTE><BR></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I like this basic sound =
design technique so much that I gave it unique subject name, now since =
we have left specific Repeater territory ;-))=A0=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>It's funny how this effect =
once was looked down at as "crappy", like an out-of-date way of changing =
pitch in ancient samplers by simply modifying the=A0 rate. With the =
Repeater it wasn't even possible with the first OS version and I guess =
most people back then valued "instant time-stretch" more. But fact is =
that when you play around with rate/speed shifting you find a new =
creative palette in those other tempi coming from different pitches =
running at different speed. When looping on my Mobius laptop I usually =
prefer this "old-school-crap" pitch/speed change for the rhythmic and =
tonal variation it brings when used in a multi track looping context. My =
direct comparison here is how my Repeater sounded when applying it's =
pitch change while NOT changing the loop length. I'm not sure the cc 14 =
trick with the Repeater was instantly available for multiple =
tracks?</DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 15:44:16 2006
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Date: Wed, 23 Aug 2006 11:43:41 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: "Tape Speed" style pitch/speed variation  (was:  Re: repeater
 question)
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Thanks Per..

When I gave up my modified reel to reel and began looping using a 
DDL, I really liked having a knob to control the loop speed... then 
as the 1980s wore on nearly every DDL used paged memory to control 
delay times and sample rates were fixed. How joyless!  I cannot 
properly relate how intuitive it is to use a knob to control the 
pitch of a loop. I hope that more manufacturers will get back to this 
level of live manipulation and control.



>>>THe Electro
>>>
>>>harmonix 2880 will behave exactly like tape and it has a single knob to
>>>
>>>vary the 'tape speed'.
>>>
>
>On 23 aug 2006, at 16.11, Bob Amstadt wrote:
>
>>Since we are mentioning other devices, the latest Looperlative 
>>firmware update added the ability to control speed on one or more 
>>tracks via a MIDI continuous controller.  Speed can be varied 
>>anywhere between normal speed and half speed with the current 
>>firmware release.  Any combination of the 8 tracks can be 
>>controlled simultaneously.
>>
>
>
>I like this basic sound design technique so much that I gave it 
>unique subject name, now since we have left specific Repeater 
>territory ;-))
>
>It's funny how this effect once was looked down at as "crappy", like 
>an out-of-date way of changing pitch in ancient samplers by simply 
>modifying the  rate. With the Repeater it wasn't even possible with 
>the first OS version and I guess most people back then valued 
>"instant time-stretch" more. But fact is that when you play around 
>with rate/speed shifting you find a new creative palette in those 
>other tempi coming from different pitches running at different 
>speed. When looping on my Mobius laptop I usually prefer this 
>"old-school-crap" pitch/speed change for the rhythmic and tonal 
>variation it brings when used in a multi track looping context. My 
>direct comparison here is how my Repeater sounded when applying it's 
>pitch change while NOT changing the loop length. I'm not sure the cc 
>14 trick with the Repeater was instantly available for multiple 
>tracks?
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
><http://tinyurl.com/fauvm>http://tinyurl.com/fauvm (podcast)
><http://www.myspace.com/looproom>http://www.myspace.com/looproom


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: &quot;Tape Speed&quot; style pitch/speed
variation  (was:  Re: r</title></head><body>
<div>Thanks Per..</div>
<div><br></div>
<div>When I gave up my modified reel to reel and began looping using a
DDL, I really liked having a knob to control the loop speed... then as
the 1980s wore on nearly every DDL used paged memory to control delay
times and sample rates were fixed. How joyless!&nbsp; I cannot
properly relate how intuitive it is to use a knob to control the pitch
of a loop. I hope that more manufacturers will get back to this level
of live manipulation and control.</div>
<div><br></div>
<div>&nbsp;</div>
<div><br></div>
<blockquote type="cite" cite>
<blockquote type="cite" cite>
<blockquote type="cite" cite><font face="Helvetica">THe
Electro</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Helvetica">harmonix 2880 will
behave exactly like tape and it has a single knob to</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Helvetica">vary the 'tape
speed'.</font><br>
</blockquote>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
On 23 aug 2006, at 16.11, Bob Amstadt wrote:<br>
<blockquote type="cite" cite><font face="Helvetica">Since we are
mentioning other devices, the latest Looperlative firmware update
added the ability to control speed on one or more tracks via a MIDI
continuous controller.&nbsp; Speed can be varied anywhere between
normal speed and half speed with the current firmware release.&nbsp;
Any combination of the 8 tracks can be controlled
simultaneously.</font><br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I like this basic sound design technique
so much that I gave it unique subject name, now since we have left
specific Repeater territory ;-)) </blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>It's funny how this effect once was
looked down at as &quot;crappy&quot;, like an out-of-date way of
changing pitch in ancient samplers by simply modifying the&nbsp; rate.
With the Repeater it wasn't even possible with the first OS version
and I guess most people back then valued &quot;instant time-stretch&quot;
more. But fact is that when you play around with rate/speed shifting
you find a new creative palette in those other tempi coming from
different pitches running at different speed. When looping on my
Mobius laptop I usually prefer this &quot;old-school-crap&quot;
pitch/speed change for the rhythmic and tonal variation it brings when
used in a multi track looping context. My direct comparison here is
how my Repeater sounded when applying it's pitch change while NOT
changing the loop length. I'm not sure the cc 14 trick with the
Repeater was instantly available for multiple tracks?</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Greetings from Sweden</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Per Boysen</blockquote>
<blockquote type="cite" cite>www.boysen.se (Swedish)</blockquote>
<blockquote type="cite" cite>www.looproom.com
(international)</blockquote>
<blockquote type="cite" cite><a
href="http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</a>
(podcast)</blockquote>
<blockquote type="cite" cite><a
href="http://www.myspace.com/looproom">http://www.myspace.com/looproom</a
></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1055774645==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 15:50:21 2006
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From: Ed Drake <eddrake1@comcast.net>
Subject: Re: "Tape Speed" style pitch/speed variation  (was:  Re: repeater question)
Date: Wed, 23 Aug 2006 11:50:03 -0400
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On Aug 23, 2006, at 11:31 AM, Per Boysen wrote:

> My direct comparison here is how my Repeater sounded when applying  
> it's pitch change while NOT changing the loop length. I'm not sure  
> the cc 14 trick with the Repeater was instantly available for  
> multiple tracks?

I'm going to set up my MIDI controller to check this out with my  
Repeater for sure but according to the manual when using cc 14 to  
control both Tempo and Pitch it controls all four tracks.  I don't  
see a setting to control only a single track.

Ed

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 15:59:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "Tape Speed" style pitch/speed variation  (was:  Re: repeater question)
Date: Wed, 23 Aug 2006 17:59:53 +0200
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> On Aug 23, 2006, at 11:31 AM, Per Boysen wrote:
>
>> My direct comparison here is how my Repeater sounded when applying  
>> it's pitch change while NOT changing the loop length. I'm not sure  
>> the cc 14 trick with the Repeater was instantly available for  
>> multiple tracks?
>
> I'm going to set up my MIDI controller to check this out with my  
> Repeater for sure but according to the manual when using cc 14 to  
> control both Tempo and Pitch it controls all four tracks.  I don't  
> see a setting to control only a single track.
>
> Ed


He, he... that's how my memory had it: the cc 14 trick manipulating  
the total machine including all four tracks. Thanks for the reminder!  
This makes the Repeater is way cool together with another looper...  
or in a rack of repeaters. It's cool to hear that Looperlative can do  
this on multiple tracks at the same time. I do it with Mobius here,  
but so far the rate shifting is not continues but fixed to note  
number steps (which of course also has some good sides ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




--Apple-Mail-2--199549194
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">On Aug 23, 2006, at 11:31 =
AM, Per Boysen wrote:</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px; font: 14.0px Helvetica; min-height: 17.0px"><BR></P> <BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 10.0px"><FONT =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px Helvetica">My direct =
comparison here is how my Repeater sounded when applying it's pitch =
change while NOT changing the loop length. I'm not sure the cc 14 trick =
with the Repeater was instantly available for multiple =
tracks?</FONT></P> </BLOCKQUOTE><P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px; font: 14.0px Helvetica; min-height: 17.0px"><BR></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">I'm going to set up my MIDI =
controller to check this out with my Repeater for sure but according to =
the manual when using cc 14 to control both Tempo and Pitch it controls =
all four tracks.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>I don't =
see a setting to control only a single track.</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Helvetica; =
min-height: 17.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">Ed</FONT></P> </BLOCKQUOTE><BR></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>He, he... that's how my =
memory had it: the cc 14 trick manipulating the total machine including =
all four tracks. Thanks for the reminder! This makes the Repeater is way =
cool together with another looper... or in a rack of repeaters. It's =
cool to hear that Looperlative can do this on multiple tracks at the =
same time. I do it with Mobius here, but so far the rate shifting is not =
continues but fixed to note number steps (which of course also has some =
good sides ;-))</DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 16:07:16 2006
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From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: "Tape Speed" style pitch/speed variation 
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Definitely one of my favorite things about using tape, or the old DDL's. 
The great thing about the old Digitech PDS-2000 and PDS-8000 pedals (and 
I assume the rackmount versions) is that, if an echo is captured at one 
extreme end of the delay time knob, twisting it to the extreme in the 
other direction will yield a perfect smooth two-octave jump, with all 
the fun microtones in between.

The one thing I wish that worked was for the "delay range" toggle to 
hold the echo in memory, so that a one-motion jump was also possible by 
switching between the ranges, but such was not to be.

Bill Frisell and Nels Cline are great illustrators of using and abusing 
the loop speed/pitch "feature" of older DDL's.

Daryl
>
> When I gave up my modified reel to reel and began looping using a DDL, 
> I really liked having a knob to control the loop speed... then as the 
> 1980s wore on nearly every DDL used paged memory to control delay 
> times and sample rates were fixed. How joyless!  I cannot properly 
> relate how intuitive it is to use a knob to control the pitch of a 
> loop. I hope that more manufacturers will get back to this level of 
> live manipulation and control.


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<body bgcolor="#ffffff" text="#000000">
Definitely one of my favorite things about using tape, or the old
DDL's. The great thing about the old Digitech PDS-2000 and PDS-8000
pedals (and I assume the rackmount versions) is that, if an echo is
captured at one extreme end of the delay time knob, twisting it to the
extreme in the other direction will yield a perfect smooth two-octave
jump, with all the fun microtones in between. <br>
<br>
The one thing I wish that worked was for the "delay range" toggle to
hold the echo in memory, so that a one-motion jump was also possible by
switching between the ranges, but such was not to be.<br>
<br>
Bill Frisell and Nels Cline are great illustrators of using and abusing
the loop speed/pitch "feature" of older DDL's.<br>
<br>
Daryl<br>
<blockquote cite="midp0623090fc11226de52cf@%5B69.22.254.37%5D"
 type="cite">
  <style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style>
  <title>Re: "Tape Speed" style pitch/speed
variation (was: Re: r</title>
  <div><br>
  </div>
  <div>When I gave up my modified reel to reel and began looping using
a
DDL, I really liked having a knob to control the loop speed... then as
the 1980s wore on nearly every DDL used paged memory to control delay
times and sample rates were fixed. How joyless!&nbsp; I cannot
properly relate how intuitive it is to use a knob to control the pitch
of a loop. I hope that more manufacturers will get back to this level
of live manipulation and control.</div>
</blockquote>
<br>
</body>
</html>

--------------000705040607000000080306--

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Subject: Re: OT: New AER Amp for sale
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Oh I forgot to mention Tommy and Pete Huttlinger and many other professional friends endorse and use AER amps!!!  www.centercreekrecords.com 

Dan <danielalbertini72@yahoo.com> wrote: Please check out my good friend www.tommyemmanuel.com
I have had the express opportunity to take seminars with him and jam with him as well.  He is a very sweet spirit and has a heart of gold and technically plays beyond phenomenal!!!!  You just cannot hardly believe your eyes let alone your ears with many of the things he pulls off.  Peace and happy joyous practicing!!!!! Daniel T. Albertini,- Albertini Guitar Works-

Richard Sales <richard@glasswing.com> wrote: Say!  My friend Rufus (Rufus Guitars) is selling a new AER Compact 60 
amp for S1,444 Canadian.  Haven't heard it, don't know beans about 
it... but I'm betting it sounds good based on how good their bass amps 
sound.   Lists for $1600 CDN.  He's going out of business and selling 
his stock.

In Victoria, B.C. Canada

See it  here:
http://www.rufusguitars.com/forsale.htm

Tell him Richard Sales sent you.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:

>> What am I getting in a boutique acoustic guitar amp for $1000 + that 
>> I am
>> not getting in a decent powered full range PA speaker?
>
> I have one of these on order:
>
> http://acousticimg.com/products/prod_coda.html
>
> It should show up in September.  They've told me I can return it if I 
> don't
> like it.
>
> What does it offer instead of a full range PA speaker?
>
>  1) Two channels of amplification plus EQ.
>  2) Claimed to be capable of covering the entire bass range
>     (in exchange for loss of  efficiency).
>  3) Weighs about 20 pounds, complete.
>
> The reviews I've been able to find on the web are glowing.  We shall 
> see.
>
>
>

    

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Oh I forgot to mention Tommy and Pete Huttlinger and many other professional friends endorse and use AER amps!!!&nbsp; www.centercreekrecords.com <br><br><b><i>Dan &lt;danielalbertini72@yahoo.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Please check out my good friend www.tommyemmanuel.com<br>I have had the express opportunity to take seminars with him and jam with him as well.&nbsp; He is a very sweet spirit and has a heart of gold and technically plays beyond phenomenal!!!!&nbsp; You just cannot hardly believe your eyes let alone your ears with many of the things he pulls off.&nbsp; Peace and happy joyous practicing!!!!! Daniel T. Albertini,- Albertini Guitar Works-<br><br><b><i>Richard Sales &lt;richard@glasswing.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Say!  My friend Rufus (Rufus
 Guitars) is selling a new AER Compact 60 <br>amp for S1,444 Canadian.  Haven't heard it, don't know beans about <br>it... but I'm betting it sounds good based on how good their bass amps <br>sound.   Lists for $1600 CDN.  He's going out of business and selling <br>his stock.<br><br>In Victoria, B.C. Canada<br><br>See it  here:<br>http://www.rufusguitars.com/forsale.htm<br><br>Tell him Richard Sales sent you.<br>richard sales<br>glassWing farm and studio<br>vancouver island, b.c.<br>800.545.6846<br>250.752.4816<br>www.glassWing.com<br>www.richardsales.com<br>www.hayleysales.com<br>www.blueberryfieldsfarm.com<br>On 11-Aug-06, at 9:07 AM, Andrew Koenig wrote:<br><br>&gt;&gt; What am I getting in a boutique acoustic guitar amp for $1000 + that <br>&gt;&gt; I am<br>&gt;&gt; not getting in a decent powered full range PA speaker?<br>&gt;<br>&gt; I have one of these on order:<br>&gt;<br>&gt; http://acousticimg.com/products/prod_coda.html<br>&gt;<br>&gt; It should show up in
 September.  They've told me I can return it if I <br>&gt; don't<br>&gt; like it.<br>&gt;<br>&gt; What does it offer instead of a full range PA speaker?<br>&gt;<br>&gt;  1) Two channels of amplification plus EQ.<br>&gt;  2) Claimed to be capable of covering the entire bass range<br>&gt;     (in exchange for loss of  efficiency).<br>&gt;  3) Weighs about 20 pounds, complete.<br>&gt;<br>&gt; The reviews I've been able to find on the web are glowing.  We shall <br>&gt; see.<br>&gt;<br>&gt;<br>&gt;<br></blockquote><br><div>    </div><hr size="1">Do you Yahoo!?<br> Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/mailbeta"> all-new Yahoo! Mail.</a></blockquote><br><p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/mailbeta">You're invited</a> to try the new Yahoo! Mail.
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 17:34:10 2006
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Date: Wed, 23 Aug 2006 10:34:08 -0700 (PDT)
From: michael sintros <mbsintros@yahoo.com>
Subject: Re: "Tape Speed" style pitch/speed variation  (was:  Re: repeater question)
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thanks for all the great replies to my initial
question, and it's nice to see it took on a life of
its own.  

ever since i started recording music 8 years ago, i
have loved the sound of varispeed pitch shift (i guess
that seems to be the most concise way to say this? 
there seems to be an ambiguity in general with
manufacturer lingo:  "pitch shift" can often mean
either the tape style shift or pitch shift independent
of tempo.)  it seems increasingly less devices are
capable of doing this though, which is a shame.  tempo
syncing appears to be what is in most demand these
days, and changing the loop length makes that
difficult.  i'm one of those people that doesn't care
about imperfections and i'd prefer music to be a bit
messy anyways.  

one of the places it seems the repeater shines is the
ability to alter pitch of the loop on the fly via a
midi keyboard, which is attractive.  something i've
wanted to experiment with but didn't know what piece
of gear could accomplish it (now i know!).  however it
looks like the elecro harmonix 2880 might be more
suited to what i'm seeking, as the ability to
varispeed shift is by far the more important for my
music.  i am currently accomplishing this just
recording into my akai s2000 and going through the
tedious process of setting up the sample to loop at
the appropriate points and then using a midi keyboard
to trigger the speeds.  pitch shift wheel i usually
have set to have an octave range so i can push the
wheel forward and have it play double speed, etc.  

one question about the eh 2880 unit though:  if you
have, say, 2 loop tracks running and you downpitch one
of them by a few semitones, effectively making it
lower in pitch and longer, do the two loops run out of
phase with one another, respecting their own loop
begin and end points, or does the original loop length
act as a limiting factor such that the loop points are
where they once were and the longer loop is truncated?
 i would prefer if it weren't the second option.  



__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 17:49:01 2006
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Date: Wed, 23 Aug 2006 13:48:56 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: "Tape Speed" style pitch/speed variation  (was:  Re: repeater
 question)
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>one question about the eh 2880 unit though:  if you
>have, say, 2 loop tracks running and you downpitch one
>of them by a few semitones, effectively making it
>lower in pitch and longer, do the two loops run out of
>phase with one another, respecting their own loop
>begin and end points, or does the original loop length
>act as a limiting factor such that the loop points are
>where they once were and the longer loop is truncated?
>  i would prefer if it weren't the second option. 
>


In the 2880 all 4 of the main tracks are altered in the same way, 
length and pitch altered as if you slowed down (or sped up) a 4 track 
tape. It operates exactly as a 4 track would.

HOWEVER:  The 'Mixdown" track can either be locked to the master 
tempo knob or it can run at the normal speed while you varispeed the 
basic 4 tracks  - together, yet independantly of the mixdown track.


The repeater has a FATAL FLAW... if you change the pitch and tempo 
(even in matching proportion to avoid stretch marks), then when you 
overdub on those tracks your new audio is ruined by timestretching 
artifact, and you have no choice but to live with it. I HATE this 
about the repeater. It even happens if you so much as bump the tempo 
knob.

-- 
...
http://www.zmix.net

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From: goddard.duncan@mtvne.com
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Subject: RE: Sampling machine ES-1?
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 >> Does this have an input and output capability so that I can run it
through my guitar effects chain. Are these better than the Boss SP-202 or
SP-303. I am looking into getting either one of the Korgs or the BOSS units
but I was wondering what unit was better? 

All I want to do is run this through my guitar effects chain and use the
sampling option to record different sounds such as a door closing or
whatever and use these samples when playing live. I don't really need all
the features of the Korg but if it has better sound quality then I would
prefer to go with it? Does anyone have any more options maybe........All I
need is a cheap sampler with mic/record capability and guitar in/out.  <<
 
I have the mk1 electribe es-1 sampler. you can sample in mono or stereo from
mic/line inputs on the back. samples are stored non-volatile in internal
memory & can be transferred to/from smart cards that go in the back. you can
also manipulate the sounds on these cards using y'r computer & then poke
them back into the korg.
the audio input can also be used via the sequencer for various
gated/filtered/processed whackiness, including the gate timing & rhythm of
the triggered pulses of audio, & the internal effects of the korg.
OR
you can bypass this & simply have the audio inputs be mixed with the
sampler's own contributions, which still go through it's effects. for my
money, the one & only drawback of these neat little toys (I have two) is
that you can't have the audio inputs go straight to the internal effects
without "passing through" the sequencer section first. a simple workaround
for this is to "enable" the audio-input on every step of the sequence & turn
the gate time right up. it's still a little choppy but that's actually quite
nice if the whole box is either tap-tempo'd or running in sync with other
effects. an adrenalinn it is not, but some cool effects can be had anyway.
as regards the sampler- it's basic. you can run samples backwards & change
their pitch/length. you can time-slice loops so that bits of them that land
on beats can be switched on or off. the memory, I think, is about 192
seconds, & this is retained on power-off. the sound quality is fine. I think
it's 44kHz but I'm not sure without the thing in front of me. I have a door
slam or two in mine.... :-)
I use the unit as a master clock because the tap-tempo button is big &
squishy enough to hit with just about anything on a darkened stage, & the
resulting clock is solid. 
 
I can't compare it with the boss units in this context, but I've always
preferred korg stuff anyway, if that means anything....
 
see if korg have the manual on-line.
 
hth-
duncan/r.m.i. 


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<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" 
color=#0000ff>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>Does this have an input and 
output capability so that I can run it through my guitar effects chain. Are 
these better than the Boss SP-202 or SP-303. I am looking into getting either 
one of the Korgs or the BOSS units but I was wondering what unit was better? 
<BR><BR>All I want to do is run this through my guitar effects chain and use the 
sampling option to record different sounds such as a door closing or whatever 
and use these samples when playing live. I don't really need all the features of 
the Korg but if it has better sound quality then I would prefer to go with it? 
Does anyone have any more options maybe........All I need is a cheap sampler 
with mic/record capability and guitar in/out.&nbsp;<SPAN 
class=259004816-23082006><FONT face="AmericanTypewriter Medium" 
color=#0000ff>&nbsp;&lt;&lt;</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>I have the mk1 electribe es-1 
sampler. you can sample in mono or stereo from mic/line&nbsp;inputs on the back. 
samples are stored non-volatile in internal memory &amp; can be transferred 
to/from smart cards that go in the back. you can also manipulate the sounds on 
these cards using y'r computer &amp; then poke them back into the 
korg.</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>the audio input can also be used 
via the sequencer for various gated/filtered/processed whackiness, including the 
gate timing &amp; rhythm of the triggered pulses of audio, &amp; the internal 
effects of the korg.</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>OR</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>you can bypass this &amp; simply 
have&nbsp;the audio inputs be mixed with the sampler's own contributions, which 
still go through it's effects. for my money, the one &amp; only drawback of 
these neat little toys (I have two) is that you can't have the audio inputs go 
straight to the internal effects without "passing through" the sequencer section 
first. a simple workaround for this is to "enable" the audio-input on every step 
of the sequence &amp; turn the gate time right up. it's still a little choppy 
but that's actually quite nice if the whole box is either tap-tempo'd or running 
in sync with other effects. an adrenalinn it is not, but some cool effects can 
be had anyway.</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>as regards the sampler- it's 
basic. you can run samples backwards &amp; change their pitch/length. you can 
time-slice loops so that bits of them that land on beats can be switched on or 
off. the memory, I think, is about 192 seconds, &amp; this is retained on 
power-off. the sound quality is fine. I think it's 44kHz but I'm not sure 
without the thing in front of me. I have a door slam or two in mine.... 
:-)</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>I use the unit as a master clock 
because&nbsp;the tap-tempo button is big &amp;&nbsp;squishy&nbsp;enough to hit 
with just about anything on a darkened stage, &amp; the resulting clock is 
solid.</FONT>&nbsp;</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=259004816-23082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=259004816-23082006>I can't compare it with the boss units in this context, 
but I've always preferred korg stuff anyway, if that means 
anything....</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=259004816-23082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=259004816-23082006>see if korg have the manual 
on-line.</SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" color=#0000ff>hth-</FONT></SPAN></FONT></DIV>
<DIV><FONT size=2><SPAN class=259004816-23082006><FONT 
face="AmericanTypewriter Medium" 
color=#0000ff>duncan/r.m.i.</FONT>&nbsp;</SPAN></FONT></DIV><CODE><FONT SIZE=3><BR>
<BR>
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: tapedelay records motor buzz
Date: Wed, 23 Aug 2006 19:54:06 +0100
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>>now left is one artifarct, the motor buzz, which seems to get recorded on
the tape, even when running the unit without any input signal. can this be
caused by the dried out pinch roller?<<

damn, you've got a project on y'r hands there- whole lot of artefacts.....
the hum is most likely due to the aging of various capacitors in the
electronics, especially the larger ones in the power-supply
smoothing/regulation. this tends to be somewhat rudimentary on these
machines anyway.
do you know anyone locally who can work on the unit with you? I mean,
someone (like me) who routinely pulls apart tape decks for their own
amusement? that's the guy you want on this thing. the tape-curl & general
bad handling will go away when you have a new pinch roller & the tape path
is completely clean & true. if the tape curl is still happening with a new
pinch roller then something is out of alignment. probably on a machine like
this, re-adjustment will involve gently bending something rather than
breaking out the hex keys.... :-)

I don't even know the HH unit- I wish I did- but I've worked on copicats,
melos & roland stuff aswell as many many "regular" tapedecks. I have even
done a mini frippertronics setup with two uher portables..... the quality of
the tape stock &/or the bias & eq of the record deck makes a huge difference
to the result. make sure you experiment with different tape stocks on the HH
& avoid ampex stuff from the 80s. it is a world of pain.

duncan/r.m.i.


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<P><FONT SIZE=3D2>&gt;&gt;now left is one artifarct, the motor buzz, which =
seems to get recorded on</FONT>
<BR><FONT SIZE=3D2>the tape, even when running the unit without any input s=
ignal. can this be</FONT>
<BR><FONT SIZE=3D2>caused by the dried out pinch roller?&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>damn, you've got a project on y'r hands there- whole lot =
of artefacts..... the hum is most likely due to the aging of various capaci=
tors in the electronics, especially the larger ones in the power-supply smo=
othing/regulation. this tends to be somewhat rudimentary on these machines =
anyway.</FONT></P>

<P><FONT SIZE=3D2>do you know anyone locally who can work on the unit with =
you? I mean, someone (like me) who routinely pulls apart tape decks for the=
ir own amusement? that's the guy you want on this thing. the tape-curl &amp=
; general bad handling will go away when you have a new pinch roller &amp; =
the tape path is completely clean &amp; true. if the tape curl is still hap=
pening with a new pinch roller then something is out of alignment. probably=
 on a machine like this, re-adjustment will involve gently bending somethin=
g rather than breaking out the hex keys.... :-)</FONT></P>

<P><FONT SIZE=3D2>I don't even know the HH unit- I wish I did- but I've wor=
ked on copicats, melos &amp; roland stuff aswell as many many &quot;regular=
&quot; tapedecks. I have even done a mini frippertronics setup with two uhe=
r portables..... the quality of the tape stock &amp;/or the bias &amp; eq o=
f the record deck makes a huge difference to the result. make sure you expe=
riment with different tape stocks on the HH &amp; avoid ampex stuff from th=
e 80s. it is a world of pain.</FONT></P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 19:47:46 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: "Tape Speed" style pitch/speed variation  (was:  Re: repeater
	 question)
Date: Wed, 23 Aug 2006 20:47:44 +0100
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my varispeed looper devices are the powertran MCS-1 sampler/delay & the
venerable bel-BD80. two of the first & one of the latter. 

both of these units, in delay-line mode, offer the simultaneous pitch/tempo
slides that various correspondents have described, & which are analogous to
tape varispeed. 

(it sucks that the repeater can't do this properly, or even on individual
tracks. I haven't played with it on the eh2880, though it sounds interesting
that the mixdown track is treated separately....)

an added bonus of these ancient loopers, though, is that both feature an
LFO. this was intended by the designers, in both cases, to be used in
conjunction with a very short delay to create y'r typical
phasing/flanging/chorussing effects. 
(they both have voltage control inputs so that one could control the "pitch"
of the frozen audio using a standard cv/gate synth. this raises the odd
spectacle of a monophonic "sampler" being played from a monophonic synth;
the powertran also has a rudimentary midi spec for this purpose.)

naturally, when applied to a whole several second "freeze" of audio, the
results are infinitely more interesting. my favourite trick is to set the
internal LFO going quite slowly with a big chunk of audio in the memory, &
then (using a footswitch) to "unfreeze" the audio for tiny instants with the
input to the device muted (or not!) & the repeat level turned down. this
creates a nice glitchy gappy sort of effect, like you would get by
selectively erasing bits of a tape-loop while it was also being varispeeded
up & down.

I don't know about the BD80 (developed by mick barnard, who was briefly in
genesis a long time ago) but the powertran is 8-bit & uses dbx companding.
this makes it sound more like tape, ironically.

imagine the possibilities, then, when the two powertrans & the BD80
eventually end up in the same room..... :-)

duncan.


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<TITLE>RE: &quot;Tape Speed&quot; style pitch/speed variation  (was:  Re: r=
epeater question)</TITLE>
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<BODY>

<P><FONT SIZE=3D2>my varispeed looper devices are the powertran MCS-1 sampl=
er/delay &amp; the venerable bel-BD80. two of the first &amp; one of the la=
tter. </FONT></P>

<P><FONT SIZE=3D2>both of these units, in delay-line mode, offer the simult=
aneous pitch/tempo slides that various correspondents have described, &amp;=
 which are analogous to tape varispeed. </FONT></P>

<P><FONT SIZE=3D2>(it sucks that the repeater can't do this properly, or ev=
en on individual tracks. I haven't played with it on the eh2880, though it =
sounds interesting that the mixdown track is treated separately....)</FONT>=
</P>

<P><FONT SIZE=3D2>an added bonus of these ancient loopers, though, is that =
both feature an LFO. this was intended by the designers, in both cases, to =
be used in conjunction with a very short delay to create y'r typical phasin=
g/flanging/chorussing effects. </FONT></P>

<P><FONT SIZE=3D2>(they both have voltage control inputs so that one could =
control the &quot;pitch&quot; of the frozen audio using a standard cv/gate =
synth. this raises the odd spectacle of a monophonic &quot;sampler&quot; be=
ing played from a monophonic synth; the powertran also has a rudimentary mi=
di spec for this purpose.)</FONT></P>

<P><FONT SIZE=3D2>naturally, when applied to a whole several second &quot;f=
reeze&quot; of audio, the results are infinitely more interesting. my favou=
rite trick is to set the internal LFO going quite slowly with a big chunk o=
f audio in the memory, &amp; then (using a footswitch) to &quot;unfreeze&qu=
ot; the audio for tiny instants with the input to the device muted (or not!=
) &amp; the repeat level turned down. this creates a nice glitchy gappy sor=
t of effect, like you would get by selectively erasing bits of a tape-loop =
while it was also being varispeeded up &amp; down.</FONT></P>

<P><FONT SIZE=3D2>I don't know about the BD80 (developed by mick barnard, w=
ho was briefly in genesis a long time ago) but the powertran is 8-bit &amp;=
 uses dbx companding. this makes it sound more like tape, ironically.</FONT=
></P>

<P><FONT SIZE=3D2>imagine the possibilities, then, when the two powertrans =
&amp; the BD80 eventually end up in the same room..... :-)</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 20:18:41 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Boss RC-2 Looping Pedal
Date: Wed, 23 Aug 2006 14:18:36 -0600
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I can't seem to find this info on any of the Boss RC-2 pages, but does =
anyone know how the pedal button functions? Do you press it once to =
Record, and then press again to Stop...then press again to Overdub? etc? =
 I'm thinking of picking up one for fun.

Kris



*************************************************************************=
*
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung=20
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I can't seem to find this info on any =
of the Boss=20
RC-2 pages, but does anyone know how the pedal button functions? Do you =
press it=20
once to Record, and then press again to Stop...then press again to =
Overdub?=20
etc?&nbsp; I'm thinking of picking up one for fun.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational Looping Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><FONT face=3DArial =
size=3D2>My=20
Tribe: </FONT><A href=3D"http://people.tribe.net/krispen-hartung"><FONT =
face=3DArial=20
size=3D2>http://people.tribe.net/krispen-hartung</FONT></A><FONT =
face=3DArial=20
size=3D2> <BR></FONT><A href=3D"mailto:info@krispenhartung.com"><FONT =
face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>CD Baby Discography (CDs for only $5): </FONT><A=20
href=3D"http://cdbaby.com/all/khartung"><FONT face=3DArial=20
size=3D2>http://cdbaby.com/all/khartung</FONT></A><FONT face=3DArial =
size=3D2>=20
</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 21:24:49 2006
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Date: Wed, 23 Aug 2006 16:24:46 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
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At 4:52 AM -0700 8/14/06, loop.pool wrote:
>I just went to Krispen's site for the 10th Anniversary 30 second 
>looping project
>and was really blown away at all the really interesting and cutting edge music
>I hear there.
>
>I thought it would be very educational for everyone to explain how 
>they put their
>particular piece together.

Another late entry here...

I just submitted mine to Kris, so you can now find it at 
http://www.box.net/public/static/xofhiia723.mp3

Here are my 'liner notes' for how the cut was put together:

"In No Moderation" is based on two Chapman Stick loops recorded into 
my Line 6 DL-4.  The effect chain was as follows:

	Chapman Stick --> Vox ToneLab --> Alesis Ineko --> Aphex 
Punch Factory -->
	Effector13 TBD --> Volume Pedal --> Line 6 Liqua-Flange --> Line 6 DL-4

The first loop was recorded as normal from the DL-4.  The second was 
the same material, only half-speed and reversed.  Both loops were 
then flown into my DAW (Ableton Live) where I applied some EQ and a 
little more digital processing.  During the latter half of the cut, I 
brought in some tinkly bits from Atmosphere, a drum loop I'd mutated 
out of Stylus, and a couple of bass notes.

	--m.
-- 
_______
"I want to keep you alive so there is always the possibility of 
murder... later"

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Date: Wed, 23 Aug 2006 14:57:47 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: EXPLAIN your 10th Anniversary Birthday 30 second tune
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My notes on my selection (thanks for doing this Kris!):

--Chord progression reversed at 15 second halfway point in Repeater.
Uses tremolo feature on Mo-FX in Repeaters inserts. Honestly I forgot
what sound source I used on this, probably VG8.---

Neil

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 22:13:32 2006
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I think you press once to record, then pressing again starts it playing. 
then pressing again overdubs. It then says press twice to stop on the 
casing so i assume....

i notice you can also attach an external pedal and use that to stop the 
recording/playing

david
>
> ------------------------------------------------------------------------
>
> Subject:
> Boss RC-2 Looping Pedal
> From:
> "Krispen Hartung" <khartung@cableone.net>
> Date:
> Wed, 23 Aug 2006 14:18:36 -0600
> To:
> Loopers-Delight@loopers-delight.com
>
> To:
> Loopers-Delight@loopers-delight.com
>
>
> I can't seem to find this info on any of the Boss RC-2 pages, but does 
> anyone know how the pedal button functions? Do you press it once to 
> Record, and then press again to Stop...then press again to Overdub? 
> etc?  I'm thinking of picking up one for fun.
>  
> Kris
>  
>  
>  
> **************************************************************************
> Krispen Hartung / Improvisational Looping Guitar
> www.krispenhartung.com <http://www.krispenhartung.com> / 
> www.myspace.com/krispenhartung <http://www.myspace.com/krispenhartung>
> My Tribe: http://people.tribe.net/krispen-hartung
> info@krispenhartung.com <mailto:info@krispenhartung.com> / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 22:23:32 2006
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Date: Wed, 23 Aug 2006 23:23:30 +0100
From: Os <os@collective.co.uk>
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sorry, just can't resist a plug any longer

> an added bonus of these ancient loopers, though, is that both feature an
> LFO.

Augustus Loop!
http://www.collective.co.uk/expertsleepers/augustusloop.html

Tape-style pitch control, with an LFO. The LFO is actually one of my
favourite features. Stick a Rhodes-type piano through it with a 3-4
second delay and a 5Hz LFO - mmm, creamy.

Commercial break over.


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 22:23:37 2006
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Date: Wed, 23 Aug 2006 15:23:35 -0700
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is there anyone who has an EH1 and can tell me the precise power
supply variables i need to match the orginal? my official power supply
conked out and the 9v i'm using powers the unit but produces a very
audible hum. wondering if i can use one with a different mA for better
sound quality or if i should be concerned about the pedal itself being
damaged. thanks!

jon

From Loopers-Delight-request@loopers-delight.com  Wed Aug 23 23:48:37 2006
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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My loop struck me as a fine processional into space or something like
that.  A quick rhythm track from a Boss DR-660 drum machine and then
guitar through a couple of the pitch shifters in a Digitech 2120
followed by Korg AM8000 most likely.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 00:54:17 2006
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From: "William Walker" <billwalker@baymoon.com>
To: "Loopers-Delight@loopers-delight. com" <Loopers-Delight@loopers-delight.com>
Subject: Looperlative added features
Date: Wed, 23 Aug 2006 17:54:15 -0700
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Hey gang,
 I've been off list for a while, and just had the new software features
installed in my Looperlative, that I'm so stoked about I had to write and
blather.
 The latest features are the ability to change record speeds using a CC
expression pedal, which elicits some repeater-like time stretch sounds, and
the new shuffle mode in three speeds (fast, medium , and slow). In essence
this is a function that  takes the loop and randomly chops it up, creating
some interesting EDP-esque glitchy fragmented sounds, or if you have created
an ambient loop with no apparent rhythmic structure, the shuffle function
can render a rhythmic quality that is truly startling. I was able to loop a
rubato melody, reverse it, drop it down an octave with the cc expression
pedal on my behringer FCB1010, and hit the fast shuffle mode and have my
loop come out sounding like a really cool bass sequence pattern. Though Bob
says the effect is random generated, it sounds to my ears like when I toggle
in at out of this mode, I get fairly predictable results. An amazing feature
on this monster, already loaded with features.
Bill


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 03:44:31 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: akai headrush (first version) power supply
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Input: AC120V 60Hz 6W
Output: DC9V 200mA
Class 2 power supply

Anything less than 200mA isn't a good idea, anything larger than that
is fine--the box will only draw what it needs.

TH

On 8/23/06, skincage <skincage@gmail.com> wrote:
> is there anyone who has an EH1 and can tell me the precise power
> supply variables i need to match the orginal? my official power supply
> conked out and the 9v i'm using powers the unit but produces a very
> audible hum. wondering if i can use one with a different mA for better
> sound quality or if i should be concerned about the pedal itself being
> damaged. thanks!
>
> jon
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 05:12:47 2006
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Date: Thu, 24 Aug 2006 00:12:44 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
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Subject: digitech RDS question
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Hello All!

I have been interested in getting one of the digitech RDS delay racks,
and i was wondering, with the looping, can you turn the delay time
knob and screw with the pitch while looping?



Thanks,
Charlie

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 11:48:48 2006
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Date: Thu, 24 Aug 2006 11:45:18 +0200
Organization: paciencia records
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hi there ...

The situation:
I'm trying to loop record some
part in Ableton's but I need different tempos along the
loop timeline that are dictated by an external sequenced phrase.=20

Is Ableton Live capable of recognize a tempo map
... let's say, extracted from a midi file, and applied to its
"song tempo" label of the master track?  Is there any other way of =
getting this result?=20

thanks in advance,
Ra=FCl.

TPO myspace: http://www.myspace.com/theplayingorchestra
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
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<DIV><FONT face=3DArial size=3D2>hi there ...<BR><BR>The =
situation:<BR>I'm trying to=20
loop record some<BR>part in Ableton's but I need different tempos along=20
the<BR>loop timeline that are dictated by&nbsp;an external sequenced=20
phrase.&nbsp;<BR><BR>Is&nbsp;Ableton Live capable of recognize a tempo=20
map<BR>... let's say, extracted from a midi file, and&nbsp;applied to=20
its<BR>"song tempo" label of the master track?&nbsp;&nbsp;Is there any =
other way=20
of getting this result?&nbsp;<BR><BR></FONT><FONT face=3DArial =
size=3D2>thanks in=20
advance,<BR>Ra=FCl.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>TPO myspace: <A=20
href=3D"http://www.myspace.com/theplayingorchestra">http://www.myspace.co=
m/theplayingorchestra</A></DIV>
<DIV>The Playing Orchestra: <A=20
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></F=
ONT></DIV></BODY></HTML>

------=_NextPart_000_0005_01C6C772.C5FDEDB0--

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: Ableton Live Question
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On 24 aug 2006, at 11.45, raul bonell wrote:

> hi there ...
>
> The situation:
> I'm trying to loop record some
> part in Ableton's but I need different tempos along the
> loop timeline that are dictated by an external sequenced phrase.
>
> Is Ableton Live capable of recognize a tempo map
> ... let's say, extracted from a midi file, and applied to its
> "song tempo" label of the master track?  Is there any other way of =20
> getting this result?


If your external sequenced phrases dictate the tempo in real-time you =20=

can set Live to sync to MIDI Clock. Or, for tighter sync, using =20
ReWire to sync Live to another application that is hosting your =20
"tempo dictating phrases".

I'm afraid I don't know what type of "tempo map" you are referring =20
to? There is a global protocol for that, supported by Protools and =20
some other DAW's, but not Ableton Live (OMF Interchange files=97Open =20
Media Framework files used by other DAW applications such as =20
ProTools. It allows multiple audio tracks to be imported, with all =20
positional information retained). You can always trim the global =20
tempo track graphically by hand/mouse in the arrange window (bottom =20
track).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom




--Apple-Mail-5--126972766
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV>On 24 aug 2006, at =
11.45, raul bonell wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><FONT =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 11px; ">hi there ...</SPAN><BR =
style=3D"font-family: Arial; font-size: 11px; "><BR style=3D"font-family: =
Arial; font-size: 11px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 11px; ">The situation:</SPAN><BR =
style=3D"font-family: Arial; font-size: 11px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">I'm trying to loop record some</SPAN><BR style=3D"font-family: Arial; =
font-size: 11px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
Arial; font-size: 11px; ">part in Ableton's but I need different tempos =
along the</SPAN><BR style=3D"font-family: Arial; font-size: 11px; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">loop timeline that are dictated by=A0an external =
sequenced phrase.=A0</SPAN><BR style=3D"font-family: Arial; font-size: =
11px; "><BR style=3D"font-family: Arial; font-size: 11px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">Is=A0Ableton Live capable of recognize a tempo map</SPAN><BR =
style=3D"font-family: Arial; font-size: 11px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">... let's say, extracted from a midi file, and=A0applied to =
its</SPAN><BR style=3D"font-family: Arial; font-size: 11px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">"song tempo" label of the master track?=A0=A0Is there any other way of =
getting this =
result?=A0</SPAN></FONT></DIV></SPAN></BLOCKQUOTE><BR></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>If your external sequenced =
phrases dictate the tempo in real-time you can set Live to sync to MIDI =
Clock. Or, for tighter sync, using ReWire to sync Live to another =
application that is hosting your "tempo dictating =
phrases".</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I'm =
afraid I don't know what type of "tempo map" you are referring to? There =
is a global protocol for that, supported by Protools and some other =
DAW's, but not Ableton Live (<FONT class=3D"Apple-style-span" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;">OMF Interchange files=97Open Media Framework files used by other =
DAW=A0</SPAN></FONT><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">applications such =
as ProTools. It allows multiple audio tracks to be imported, with =
all=A0positional information retained). You can always trim the global =
tempo track graphically by hand/mouse in the arrange window (bottom =
track).</SPAN></FONT></DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 14px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV><A =
href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)</DIV><DIV><A =
href=3D"http://www.myspace.com/looproom">http://www.myspace.com/looproom</=
A></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

--Apple-Mail-5--126972766--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 14:53:09 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: digitech RDS question
Date: Thu, 24 Aug 2006 08:52:57 -0600
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Yes.

On Aug 23, 2006, at 11:12 PM, Charlie Milkey wrote:

> Hello All!
>
> I have been interested in getting one of the digitech RDS delay racks,
> and i was wondering, with the looping, can you turn the delay time
> knob and screw with the pitch while looping?
>
>
>
> Thanks,
> Charlie
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 15:06:16 2006
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Date: Thu, 24 Aug 2006 08:06:14 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: "Tape Speed" style pitch/speed variation
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One the computer, the best plug-in I've found that does this is the
Lexicon PSP42 plugin. I just wish the range of the pitch knob was
greater!

On 8/23/06, Daryl Shawn <highhorse@mhorse.com> wrote:
>
>  Definitely one of my favorite things about using tape, or the old DDL's.
> The great thing about the old Digitech PDS-2000 and PDS-8000 pedals (and I
> assume the rackmount versions) is that, if an echo is captured at one
> extreme end of the delay time knob, twisting it to the extreme in the other
> direction will yield a perfect smooth two-octave jump, with all the fun
> microtones in between.
>
>  The one thing I wish that worked was for the "delay range" toggle to hold
> the echo in memory, so that a one-motion jump was also possible by switching
> between the ranges, but such was not to be.
>
>  Bill Frisell and Nels Cline are great illustrators of using and abusing the
> loop speed/pitch "feature" of older DDL's.
>
>  Daryl
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 16:12:15 2006
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Date: Thu, 24 Aug 2006 18:12:14 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: laptop-loopers (guitar)
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Hi !
   
   I have noticed that some of you loopers have gone from hardware-gear to laptops. I have also learned that Boysen (sax) and Kaiser ( trumpet) do love the their "laptop worlds".
   
  Are there are any guitarplayers out there using this gear, with the same good experience? Does it work with guitars too ? 
   
  Please send me info on your experience, gear, soundclips and your website-adress.....
   
  Any laptop-looping-gear-info is ok !
   
  best  regards Rune F.
   
   
   
        


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<DIV>Hi !</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;I have&nbsp;noticed that some of you loopers&nbsp;have gone from hardware-gear to laptops. I have&nbsp;also learned that Boysen (sax) and Kaiser ( trumpet)&nbsp;do love the their "laptop worlds".</DIV>  <DIV>&nbsp;</DIV>  <DIV>Are&nbsp;there are any guitarplayers&nbsp;out there using this gear, with&nbsp;the same good experience?&nbsp;Does it work&nbsp;with&nbsp;guitars too ?&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Please send me info on your experience, gear, soundclips&nbsp;and your website-adress.....</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any laptop-looping-gear-info is ok !</DIV>  <DIV>&nbsp;</DIV>  <DIV>best &nbsp;regards Rune F.</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-813751158-1156435934=:50747--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 16:24:27 2006
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Well, I'm sure Krispen will chime in here shortly because he's giving 
all his hardware the boot in favor of Mobius on his laptop for looping 
his guitar.

I'm brand new to looping in general so I can't offer a ton of 
comparative experience, but I'm also am using Mobius on my laptop and 
all I've used with it is acoustic guitar so far, and I love it.

--Josh



rune fagereng wrote:
> Hi !
>  
>  I have noticed that some of you loopers have gone from hardware-gear 
> to laptops. I have also learned that Boysen (sax) and Kaiser ( 
> trumpet) do love the their "laptop worlds".
>  
> Are there are any guitarplayers out there using this gear, with the 
> same good experience? Does it work with guitars too ? 
>  
> Please send me info on your experience, gear, soundclips and your 
> website-adress.....
>  
> Any laptop-looping-gear-info is ok !
>  
> best  regards Rune F.
>  
>  
>  
>       
>
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 16:42:16 2006
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Subject: Re: laptop-loopers (guitar)
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That right...I'm basically all laptop now for the guitar. I still have the 
option of using my Boss VF-1 as a preamp and "tone mangler" before going 
into my soundcard, but it's not essential to my setup.

Rune, what is it that you'd like to know?  I run both my PRS hollow-body 
guitar and Taylor nylon string through my laptop system.  I run my mic 
through the system too for vocal looping on accasion.  There are some VST 
effects that I use to help condition the tone of my guitar as well, so that 
is is warmer.

Kris

----- Original Message ----- 
From: "Joshua Carroll" <josh@infinivert.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 24, 2006 10:24 AM
Subject: Re: laptop-loopers (guitar)


> Well, I'm sure Krispen will chime in here shortly because he's giving all 
> his hardware the boot in favor of Mobius on his laptop for looping his 
> guitar.
>
> I'm brand new to looping in general so I can't offer a ton of comparative 
> experience, but I'm also am using Mobius on my laptop and all I've used 
> with it is acoustic guitar so far, and I love it.
>
> --Josh
>
>
>
> rune fagereng wrote:
>> Hi !
>>  I have noticed that some of you loopers have gone from hardware-gear to 
>> laptops. I have also learned that Boysen (sax) and Kaiser ( trumpet) do 
>> love the their "laptop worlds".
>>  Are there are any guitarplayers out there using this gear, with the same 
>> good experience? Does it work with guitars too ? Please send me info on 
>> your experience, gear, soundclips and your website-adress.....
>>  Any laptop-looping-gear-info is ok !
>>  best  regards Rune F.
>>
>>
>> www.runefagereng.com
>> Mail:rune_fagereng@yahoo.no
>> Mob: 917 95 867
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 18:06:17 2006
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Date: Thu, 24 Aug 2006 11:06:11 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: laptop-loopers (guitar)
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I too have forgone the dedicated hardware world in
favor of Mobius.  So far it's an amazing little system
I have, but unlike Krispen I always run my guitar
through a tube pre (Vox Tonlab SE) and VF-1 before it
hits my laptop.  I just really like the way those two
work together and I'm still a bit nervous about
handing over everything to something that runs on
XP... not sure why, it hasn't crashed on me yet.

The plus side of doing it this way is that if the ol'
laptop dies my sound can continue.  Do apps like IK's
Amplitude or NI's Guitar Rig sound good?  No idea. 
I'm just happy with stuff the way I have it so I see
no need to change.  Also, what I'd end up getting to
control an app like that would most likely be about
the same size as the Tonelab SE anyway, so there's
little point in it.

So how does the laptop work for guitar?  I can't
imagine it being any different than for any other
instrument.  It's not for someone who's used to (and
wants) to run a few boutique stomp boxes into a tube
combo amp.  If that's what you seek, invest in a EDP.
However, if you're the type who could care less about
such things and don't mind turning your guitar's
output into a line level that can then be screwed
with, you'll find no better answer than a custom set
up laptop running Mobius and a few choice plug-ins.

...and guess what?  If you get yourself a machine with
enough CPU power and RAM, while it's running Mobius it
can be a Mini Moog, TR-808, Akai Sampler, TC
Electronics G-Force... and stuff that doesn't exist in
the Hardware world.


--- Krispen Hartung <khartung@cableone.net> wrote:

> That right...I'm basically all laptop now for the
> guitar. I still have the 
> option of using my Boss VF-1 as a preamp and "tone
> mangler" before going 
> into my soundcard, but it's not essential to my
> setup.
> 
> Rune, what is it that you'd like to know?  I run
> both my PRS hollow-body 
> guitar and Taylor nylon string through my laptop
> system.  I run my mic 
> through the system too for vocal looping on
> accasion.  There are some VST 
> effects that I use to help condition the tone of my
> guitar as well, so that 
> is is warmer.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Joshua Carroll" <josh@infinivert.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 24, 2006 10:24 AM
> Subject: Re: laptop-loopers (guitar)
> 
> 
> > Well, I'm sure Krispen will chime in here shortly
> because he's giving all 
> > his hardware the boot in favor of Mobius on his
> laptop for looping his 
> > guitar.
> >
> > I'm brand new to looping in general so I can't
> offer a ton of comparative 
> > experience, but I'm also am using Mobius on my
> laptop and all I've used 
> > with it is acoustic guitar so far, and I love it.
> >
> > --Josh
> >
> >
> >
> > rune fagereng wrote:
> >> Hi !
> >>  I have noticed that some of you loopers have
> gone from hardware-gear to 
> >> laptops. I have also learned that Boysen (sax)
> and Kaiser ( trumpet) do 
> >> love the their "laptop worlds".
> >>  Are there are any guitarplayers out there using
> this gear, with the same 
> >> good experience? Does it work with guitars too ?
> Please send me info on 
> >> your experience, gear, soundclips and your
> website-adress.....
> >>  Any laptop-looping-gear-info is ok !
> >>  best  regards Rune F.
> >>
> >>
> >> www.runefagereng.com
> >> Mail:rune_fagereng@yahoo.no
> >> Mob: 917 95 867
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 18:45:04 2006
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I'd personally like to know specifically what you're using to warm your 
tone.

--Josh



Krispen Hartung wrote:
> That right...I'm basically all laptop now for the guitar. I still have 
> the option of using my Boss VF-1 as a preamp and "tone mangler" before 
> going into my soundcard, but it's not essential to my setup.
>
> Rune, what is it that you'd like to know?  I run both my PRS 
> hollow-body guitar and Taylor nylon string through my laptop system.  
> I run my mic through the system too for vocal looping on accasion.  
> There are some VST effects that I use to help condition the tone of my 
> guitar as well, so that is is warmer.
>
> Kris
>
> ----- Original Message ----- From: "Joshua Carroll" <josh@infinivert.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 24, 2006 10:24 AM
> Subject: Re: laptop-loopers (guitar)
>
>
>> Well, I'm sure Krispen will chime in here shortly because he's giving 
>> all his hardware the boot in favor of Mobius on his laptop for 
>> looping his guitar.
>>
>> I'm brand new to looping in general so I can't offer a ton of 
>> comparative experience, but I'm also am using Mobius on my laptop and 
>> all I've used with it is acoustic guitar so far, and I love it.
>>
>> --Josh
>>
>>
>>
>> rune fagereng wrote:
>>> Hi !
>>>  I have noticed that some of you loopers have gone from 
>>> hardware-gear to laptops. I have also learned that Boysen (sax) and 
>>> Kaiser ( trumpet) do love the their "laptop worlds".
>>>  Are there are any guitarplayers out there using this gear, with the 
>>> same good experience? Does it work with guitars too ? Please send me 
>>> info on your experience, gear, soundclips and your website-adress.....
>>>  Any laptop-looping-gear-info is ok !
>>>  best  regards Rune F.
>>>
>>>
>>> www.runefagereng.com
>>> Mail:rune_fagereng@yahoo.no
>>> Mob: 917 95 867
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 18:51:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: laptop-loopers (guitar)
Date: Thu, 24 Aug 2006 20:51:08 +0200
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>> rune fagereng wrote:
>>> Hi !
>>>  I have noticed that some of you loopers have gone from hardware-=20
>>> gear to laptops. I have also learned that Boysen (sax) and Kaiser =20=

>>> ( trumpet) do love the their "laptop worlds".
>>>  Are there are any guitarplayers out there using this gear, with =20
>>> the same good experience? Does it work with guitars too ? Please =20
>>> send me info on your experience, gear, soundclips and your =20
>>> website-adress.....
>>>  Any laptop-looping-gear-info is ok !
>>>  best  regards Rune F.


My "laptop world" is exactly the same when play guitar as any other =20
instrument. In my experience looping with guitar and laptop is not =20
much about the laptop. What matters is what you send into the laptop, =20=

The Tone! If you have some amp, preamp or dist box that give you a =20
tone you like - use that and simply send it into the lappy instead of =20=

the usual effect amplifier. I have many amps and boxes here and they =20
all bring out different colors from my Strat and Tele (both using lo =20
output "vintage style" pick-ups). I have a tube amp top (Sovtek =20
MIG60, double EL34 setup) that works well on clean sound if I go out =20
directly from the line out after the preamp section. But I never =20
carry that bitch to a gig, and it's way too loud when the dist starts =20=

to sound good. I have a POD1 preamp that sounds good and that I =20
sometimes bring for laptop looping gigs, but I dislike the latency of =20=

it. I also have a little 2x10" GallienKr=FCger combo that sounds =20
excellent when miked.... if you can stand the hiss ;-)  I have lately =20=

done some guitar playing directly through ordinary effect boxes right =20=

into the laptop sound-card (RME Multiface or Ecco Indigo i/o). It's =20
very hard to give recommendation because they sound like shit in some =20=

regards and I try to avoid playing stuff that brings those sides up =20
front ;-))  Sometimes I go through just an Ibanez TubeScreamer, =20
sometimes I use onlo an Octavia (just for the Strat and neck pick-up, =20=

trimming the filter envelope of the string sound with the guitar's =20
tone knob), sometimes just my Big Muff and sometimes both the Big =20
Muff and the Octavia (a fav combo, but the noise hiss is just =20
screaming!!!)

Last year, when I picked up a multi effect processor in the tc =20
Fireworx, I learned for the first time to play with a volume pedal. I =20=

have always done my "violin style swell notes" with the volume knob =20
on the strat but using a pedal is very different and actually better =20
for looping (because whatever garbage you play through will be dead =20
silenced at the looper's input by a pedal - in my case a MIDI pedel. =20
Oh.... and I sometimes also use an AKAI MFC42 filter bank as "guitar =20
amp". It has an extremely rude dist that I love - not at all like a =20
typical guitar amp, more like some heavy synth dist, ugly and big =20
(I'm not very keen on those Marshall and Rectifier type sounds, as =20
you might have guessed). Oh yes, the fireworx... yes, it works fine =20
to just line the guitar right into.

You asked for soundclips and here are some:

1. Stratocaster played through only an Octavia and lined directly:
http://www.looproom.com/audio/edp_strat_01.mp3
(I like this sound - the Octavia makes the stratocaster sound a bit =20
like a tenor sax)

2. Stratocaster directly lined into laptop, only using a PSP =20
mixpressor plugin on the input (ouch, horrible latency. Hate it!):
http://www.looproom.com/audio/Numerology_Augustus_Looping2.mp3

3. Stratocaster played though a TubeScreamer right into the laptop (I =20=

like that setup because it doesn't add latency):
http://www.looproom.com/audio/Playing_Guitar_Solo_Through_My_Laptop.mp3

4. POD: http://www.looproom.com/audio/Slowing_Down_Not_Stopping.mp3

5. Stratocaster directly lined into laptop, only using a PSP =20
mixpressor plugin on the input (ouch, horrible latency. Hate it!)
http://www.looproom.com/audio/Numerology_Augustus_Looping.mp3

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 19:01:00 2006
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I am using a VST effect called Voxengo Tube Amp - 
http://www.voxengo.com/product/tubeamp/  I compared the tone of this 
particular VST with about 20 other VST amp and tube simulators...for the 
tone I like, this one beat them all.

But I only use this for my electric guitar. For my nylon string or steel 
string acoustic, I just run straight into the chain of my 60 something VST 
effects (deactivated until I need them).

I am also running the BuzzComp Granular compressor after Mobius (VST), in 
case my output gets out of controll and needs taming.

Kris



----- Original Message ----- 
From: "Joshua Carroll" <josh@infinivert.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 24, 2006 11:39 AM
Subject: Re: laptop-loopers (guitar)


> I'd personally like to know specifically what you're using to warm your 
> tone.
>
> --Josh
>
>
>
> Krispen Hartung wrote:
>> That right...I'm basically all laptop now for the guitar. I still have 
>> the option of using my Boss VF-1 as a preamp and "tone mangler" before 
>> going into my soundcard, but it's not essential to my setup.
>>
>> Rune, what is it that you'd like to know?  I run both my PRS hollow-body 
>> guitar and Taylor nylon string through my laptop system.  I run my mic 
>> through the system too for vocal looping on accasion.  There are some VST 
>> effects that I use to help condition the tone of my guitar as well, so 
>> that is is warmer.
>>
>> Kris
>>
>> ----- Original Message ----- From: "Joshua Carroll" <josh@infinivert.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, August 24, 2006 10:24 AM
>> Subject: Re: laptop-loopers (guitar)
>>
>>
>>> Well, I'm sure Krispen will chime in here shortly because he's giving 
>>> all his hardware the boot in favor of Mobius on his laptop for looping 
>>> his guitar.
>>>
>>> I'm brand new to looping in general so I can't offer a ton of 
>>> comparative experience, but I'm also am using Mobius on my laptop and 
>>> all I've used with it is acoustic guitar so far, and I love it.
>>>
>>> --Josh
>>>
>>>
>>>
>>> rune fagereng wrote:
>>>> Hi !
>>>>  I have noticed that some of you loopers have gone from hardware-gear 
>>>> to laptops. I have also learned that Boysen (sax) and Kaiser ( trumpet) 
>>>> do love the their "laptop worlds".
>>>>  Are there are any guitarplayers out there using this gear, with the 
>>>> same good experience? Does it work with guitars too ? Please send me 
>>>> info on your experience, gear, soundclips and your website-adress.....
>>>>  Any laptop-looping-gear-info is ok !
>>>>  best  regards Rune F.
>>>>
>>>>
>>>> www.runefagereng.com
>>>> Mail:rune_fagereng@yahoo.no
>>>> Mob: 917 95 867
>>>
>>>
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 19:06:34 2006
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Subject: Re: RC-50 vs. Repeater?
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I see four main advantages of the Electrix Repeater over the RC-50.
1.  Multiply loop- allows you to double, quadruple, etc. the length of
the length.  You can lay down 1 bar and make it 8 bars- EXTREMELY
useful.
2.  Pitch-shifting and time stretch - I don't believe the RC-50 has
any capabilites
3.  Adjustable Feedback i.e. <100%   The RC-50 is not adjustable at 100%
4.  Loop Point Assist and better sync capabilities

The advantage of the RC-50 is that it gives you an extra stereo track
(3 as opposed to 2 on the Repeater).

HOWEVER any discussion at this point is academic, since nobody can
actually buy a Repeater.  So the real question is, does it even matter
how much better the Repeater is if you can't get one?  How much better
does it need to be to justify Electrix stringing their (potential)
customers along with false information and promises?  Is it worth the
(undetermined) wait?

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 19:36:09 2006
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Hi all,

I=B4m in the market for a lapsteel guitar, preferably a model by =
Guya/Guyatone (don=B4t know the model number) with screw-in legs or a =
similar model by another maker. I don=B4t really mind whether it=B4s a =
vintage classic or not, I=B4m into a) playability (clear markings on the =
fretboard) and b) sound only. I=B4m located in Germany, thus offers from =
Europe would be ideal. If you=B4ve got something you think I might be =
interested in, please get in touch with me off-list.

Thanks for reading,

Stephen.=20


____________________________________________________________

"Pay respect to the vultures, for they are your future." (Jhonn Balance =
/ Coil)

It=B4s out: "doombient.two -- a declaration of war", the new [=B4ramp] =
album, recorded live in 2003.
Limited to 100 copies only so get it while you still can.

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com


 
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I=B4m in the market for a lapsteel =
guitar, preferably=20
a model by Guya/Guyatone (don=B4t know the model number) with screw-in =
legs or a=20
similar model by another maker. I don=B4t really mind whether it=B4s a =
vintage=20
classic or not, I=B4m into a) playability (clear markings on the =
fretboard) and b)=20
sound only. I=B4m located in Germany, thus offers from Europe would be =
ideal. If=20
you=B4ve got something you think I might be interested in, =
please&nbsp;get in=20
touch with me off-list.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for reading,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen.</FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT face=3DArial =
size=3D2>
<DIV><BR>____________________________________________________________</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"Pay respect to the vultures, for they are your future." (Jhonn =
Balance /=20
Coil)</DIV>
<DIV>&nbsp;</DIV>
<DIV>It=B4s out: "doombient.two -- a declaration of war", the new =
[=B4ramp] album,=20
recorded live in 2003.<BR>Limited to 100 copies only so get it while you =
still=20
can.</DIV>
<DIV>&nbsp;</DIV>
<DIV>For info and audio, please visit the official [=B4ramp] website at =
<A=20
href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><BR></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 19:39:44 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: laptop-loopers (guitar)
Date: Thu, 24 Aug 2006 21:39:37 +0200
To: Loopers <Loopers-Delight@loopers-delight.com>
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On 24 aug 2006, at 20.51, Per Boysen wrote:

>>>> , soundclips and your website-adress.....
>>>>  Any laptop-looping-gear-info is ok !
>>>>  best  regards Rune F.


Oops, speaking about soundclips, I forgot to post this short clip of  
playing a telecaster through a tc FireworX directly into a laptop  
(looping with Mobius):
http://www.looproom.com/audio/mobjam2.mp3

I think that's wrapping up all the guitar/laptop solutions I have  
been trying out lately. I finally got bored with guitar and bought a  
flute instead. I think I will move to some completely electronic  
instrument before eventually returning to guitar in a the future.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 20:00:28 2006
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Ah, the debate rages on:
I am considering changing to a laptop looper (most likely Mobius). I am primarily a guitarist and for me the software and especially the hardware interface will be key. What do you all feel is the most ergonomic controller for this purpose?
I have an old Ground Control foot controller with some pedals to get me started. Any thoughts on this are appreciated.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 20:07:01 2006
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Kris,

I know this is getting OT, but do you have a sound clip of you looping 
your electric?  I'd like to hear the tone you get with that plug.  I 
looked at it several years ago when it first came out and thought it was 
pretty good but had no real need for it.  However, looping the mic'd 
sound of an electric amp is tricky to say the least... especially 
without a dedicated noise gate or something similar.

--Josh



Krispen Hartung wrote:
> I am using a VST effect called Voxengo Tube Amp - 
> http://www.voxengo.com/product/tubeamp/  I compared the tone of this 
> particular VST with about 20 other VST amp and tube simulators...for 
> the tone I like, this one beat them all.
>
> But I only use this for my electric guitar. For my nylon string or 
> steel string acoustic, I just run straight into the chain of my 60 
> something VST effects (deactivated until I need them).
>
> I am also running the BuzzComp Granular compressor after Mobius (VST), 
> in case my output gets out of controll and needs taming.
>
> Kris
>
>
>
> ----- Original Message ----- From: "Joshua Carroll" <josh@infinivert.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 24, 2006 11:39 AM
> Subject: Re: laptop-loopers (guitar)
>
>
>> I'd personally like to know specifically what you're using to warm 
>> your tone.
>>
>> --Josh
>>
>>
>>
>> Krispen Hartung wrote:
>>> That right...I'm basically all laptop now for the guitar. I still 
>>> have the option of using my Boss VF-1 as a preamp and "tone mangler" 
>>> before going into my soundcard, but it's not essential to my setup.
>>>
>>> Rune, what is it that you'd like to know?  I run both my PRS 
>>> hollow-body guitar and Taylor nylon string through my laptop 
>>> system.  I run my mic through the system too for vocal looping on 
>>> accasion.  There are some VST effects that I use to help condition 
>>> the tone of my guitar as well, so that is is warmer.
>>>
>>> Kris
>>>
>>> ----- Original Message ----- From: "Joshua Carroll" 
>>> <josh@infinivert.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Thursday, August 24, 2006 10:24 AM
>>> Subject: Re: laptop-loopers (guitar)
>>>
>>>
>>>> Well, I'm sure Krispen will chime in here shortly because he's 
>>>> giving all his hardware the boot in favor of Mobius on his laptop 
>>>> for looping his guitar.
>>>>
>>>> I'm brand new to looping in general so I can't offer a ton of 
>>>> comparative experience, but I'm also am using Mobius on my laptop 
>>>> and all I've used with it is acoustic guitar so far, and I love it.
>>>>
>>>> --Josh
>>>>
>>>>
>>>>
>>>> rune fagereng wrote:
>>>>> Hi !
>>>>>  I have noticed that some of you loopers have gone from 
>>>>> hardware-gear to laptops. I have also learned that Boysen (sax) 
>>>>> and Kaiser ( trumpet) do love the their "laptop worlds".
>>>>>  Are there are any guitarplayers out there using this gear, with 
>>>>> the same good experience? Does it work with guitars too ? Please 
>>>>> send me info on your experience, gear, soundclips and your 
>>>>> website-adress.....
>>>>>  Any laptop-looping-gear-info is ok !
>>>>>  best  regards Rune F.
>>>>>
>>>>>
>>>>> www.runefagereng.com
>>>>> Mail:rune_fagereng@yahoo.no
>>>>> Mob: 917 95 867
>>>>
>>>>
>>>
>>>
>>>
>>>
>>>
>>
>>
>
>
>
>
>

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Most laptop loopers use midi controllers as their interface.  Ableton Live 
is good for this (and the new version ... out soon ... is adding additional 
functionality in this area).  See Kid Beyond for examples.  The problem here 
is that it's rather complicated to set up.

I believe Mobius allows you to map midi commands to functions, but I have 
only just started experimenting with it, so someone else will have to fill 
you in on the details.  Obviously a good program though.

Also, there is a small utility online at flyloops.com that can handle 5 
indepedent loops, and allows you to map to midi controllers and assign 
various functions.  It's a pain in the ass  though, because the programmer 
did the program in C#, so you need to install the .NET environment to run it 
(oops).  I still think it's a good program though because it doesn't stack 
loops - it keeps them in parellel, so you can undo/redo/multiply easier than 
most loopers.

now to hardware:
If the foot controller you have is not a midi controller, you may want to 
look into buying the Behringer FCB1010 or something similar.  Alternatively, 
you can use a keyboard style midi controller and set loops to record/ play / 
trigger events / effects when you hit a certain keyboad key .... and to a 
limited extend control effects and volumes with midi sliders.  I'm guessing 
since you a guitarist though, you will probably want to go with the foot 
controller.


>From: Andrew Lipnick <alipnick@earthlink.net>
>Reply-To: Andrew Lipnick <alipnick@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: What controller for laptop loopers
>Date: Thu, 24 Aug 2006 16:00:26 -0400 (EDT)
>
>Ah, the debate rages on:
>I am considering changing to a laptop looper (most likely Mobius). I am 
>primarily a guitarist and for me the software and especially the hardware 
>interface will be key. What do you all feel is the most ergonomic 
>controller for this purpose?
>I have an old Ground Control foot controller with some pedals to get me 
>started. Any thoughts on this are appreciated.
>

_________________________________________________________________
Windows Live Spaces is here! It’s easy to create your own personal Web site. 
  http://spaces.live.com/signup.aspx

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From: "Krispen Hartung" <khartung@cableone.net>
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References: <A3D12AB3-32EE-4E26-9EA7-B113C09EDECE@boysen.se> <B2CA3299-D542-46D9-8959-A27938C060D5@gmail.com>
Subject: Re: laptop-loopers (guitar)
Date: Thu, 24 Aug 2006 14:44:58 -0600
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I forgot too. I posted this a while back - it is a MP3 sample of my notebook 
looping system....no loops, just a tour of the VST effects.

http://www.box.net/public/fobok5z5dy (notebook sample)

Kris


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: "Loopers" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 24, 2006 1:39 PM
Subject: Re: laptop-loopers (guitar)


> On 24 aug 2006, at 20.51, Per Boysen wrote:
>
>>>>> , soundclips and your website-adress.....
>>>>>  Any laptop-looping-gear-info is ok !
>>>>>  best  regards Rune F.
>
>
> Oops, speaking about soundclips, I forgot to post this short clip of 
> playing a telecaster through a tc FireworX directly into a laptop 
> (looping with Mobius):
> http://www.looproom.com/audio/mobjam2.mp3
>
> I think that's wrapping up all the guitar/laptop solutions I have  been 
> trying out lately. I finally got bored with guitar and bought a  flute 
> instead. I think I will move to some completely electronic  instrument 
> before eventually returning to guitar in a the future.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 20:48:06 2006
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Subject: Re: laptop-loopers (guitar)
Date: Thu, 24 Aug 2006 14:48:02 -0600
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That last sample I used it the closest thing I have....the thing is that 
converting to notebook-only is so recent for me that I have no decent gig or 
studio recordings. My last performance was with Jeff Kaiser at the Boise 
Experimental Music Festival, and that was my hardware/software hybrid 
system.

I'll see if I can generate a simple loop clip in the next few days to 
illustrate the tone of the electric through my system....no massive tone 
mangling VSTs, just the guitar, Voxgengo, and some light 
reverb/chorus/delay.

Kris



----- Original Message ----- 
From: "Joshua Carroll" <josh@infinivert.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 24, 2006 2:06 PM
Subject: Re: laptop-loopers (guitar)


> Kris,
>
> I know this is getting OT, but do you have a sound clip of you looping 
> your electric?  I'd like to hear the tone you get with that plug.  I 
> looked at it several years ago when it first came out and thought it was 
> pretty good but had no real need for it.  However, looping the mic'd sound 
> of an electric amp is tricky to say the least... especially without a 
> dedicated noise gate or something similar.
>
> --Josh
>
>
>
> Krispen Hartung wrote:
>> I am using a VST effect called Voxengo Tube Amp - 
>> http://www.voxengo.com/product/tubeamp/  I compared the tone of this 
>> particular VST with about 20 other VST amp and tube simulators...for the 
>> tone I like, this one beat them all.
>>
>> But I only use this for my electric guitar. For my nylon string or steel 
>> string acoustic, I just run straight into the chain of my 60 something 
>> VST effects (deactivated until I need them).
>>
>> I am also running the BuzzComp Granular compressor after Mobius (VST), in 
>> case my output gets out of controll and needs taming.
>>
>> Kris
>>
>>
>>
>> ----- Original Message ----- From: "Joshua Carroll" <josh@infinivert.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, August 24, 2006 11:39 AM
>> Subject: Re: laptop-loopers (guitar)
>>
>>
>>> I'd personally like to know specifically what you're using to warm your 
>>> tone.
>>>
>>> --Josh
>>>
>>>
>>>
>>> Krispen Hartung wrote:
>>>> That right...I'm basically all laptop now for the guitar. I still have 
>>>> the option of using my Boss VF-1 as a preamp and "tone mangler" before 
>>>> going into my soundcard, but it's not essential to my setup.
>>>>
>>>> Rune, what is it that you'd like to know?  I run both my PRS 
>>>> hollow-body guitar and Taylor nylon string through my laptop system.  I 
>>>> run my mic through the system too for vocal looping on accasion.  There 
>>>> are some VST effects that I use to help condition the tone of my guitar 
>>>> as well, so that is is warmer.
>>>>
>>>> Kris
>>>>
>>>> ----- Original Message ----- From: "Joshua Carroll" 
>>>> <josh@infinivert.com>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Sent: Thursday, August 24, 2006 10:24 AM
>>>> Subject: Re: laptop-loopers (guitar)
>>>>
>>>>
>>>>> Well, I'm sure Krispen will chime in here shortly because he's giving 
>>>>> all his hardware the boot in favor of Mobius on his laptop for looping 
>>>>> his guitar.
>>>>>
>>>>> I'm brand new to looping in general so I can't offer a ton of 
>>>>> comparative experience, but I'm also am using Mobius on my laptop and 
>>>>> all I've used with it is acoustic guitar so far, and I love it.
>>>>>
>>>>> --Josh
>>>>>
>>>>>
>>>>>
>>>>> rune fagereng wrote:
>>>>>> Hi !
>>>>>>  I have noticed that some of you loopers have gone from hardware-gear 
>>>>>> to laptops. I have also learned that Boysen (sax) and Kaiser ( 
>>>>>> trumpet) do love the their "laptop worlds".
>>>>>>  Are there are any guitarplayers out there using this gear, with the 
>>>>>> same good experience? Does it work with guitars too ? Please send me 
>>>>>> info on your experience, gear, soundclips and your 
>>>>>> website-adress.....
>>>>>>  Any laptop-looping-gear-info is ok !
>>>>>>  best  regards Rune F.
>>>>>>
>>>>>>
>>>>>> www.runefagereng.com
>>>>>> Mail:rune_fagereng@yahoo.no
>>>>>> Mob: 917 95 867
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 21:59:34 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060824161214.50749.qmail@web26203.mail.ukl.yahoo.com> <44EDD2B6.8040200@infinivert.com> <008501c6c79c$401918d0$f4b1ec0f@americas.hpqcorp.net> <44EDE45E.8040004@infinivert.com> <00c201c6c7af$a20971d0$f4b1ec0f@americas.hpqcorp.net> <44EE06DB.6080508@infinivert.com>
Subject: Re: laptop-loopers (guitar)
Date: Thu, 24 Aug 2006 15:59:27 -0600
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Josh - I just whipped up a quick and vanilla recording of one of my original 
jazz tunes, called "Blue & Brown"...nothing special, and probably enough 
clams in this MP3 to feed an army, but it's a crowd pleaser at my Monday 
night jazz gig, nonetheless. :)

To avoid coloring the tone and introducing bias into the recoding, I did not 
run through my Boss VF-1 for this, but plugged my PRS hollow body jazz 
guitar directly into my notebook's soundcard. What you hear is the guitar, 
Voxengo Tube Amp, Chorus, Delay, and Reverb VST effects, and the Edge VST 
for the bass loop. There are three guitar parts in this recording: bass, 
guitar comping, and head/soloing.

http://www.box.net/public/m18s73h7bq

Kris

----- Original Message ----- 
From: "Joshua Carroll" <josh@infinivert.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 24, 2006 2:06 PM
Subject: Re: laptop-loopers (guitar)


> Kris,
>
> I know this is getting OT, but do you have a sound clip of you looping 
> your electric?  I'd like to hear the tone you get with that plug.  I 
> looked at it several years ago when it first came out and thought it was 
> pretty good but had no real need for it.  However, looping the mic'd sound 
> of an electric amp is tricky to say the least... especially without a 
> dedicated noise gate or something similar.
>
> --Josh
>
>
>
> Krispen Hartung wrote:
>> I am using a VST effect called Voxengo Tube Amp - 
>> http://www.voxengo.com/product/tubeamp/  I compared the tone of this 
>> particular VST with about 20 other VST amp and tube simulators...for the 
>> tone I like, this one beat them all.
>>
>> But I only use this for my electric guitar. For my nylon string or steel 
>> string acoustic, I just run straight into the chain of my 60 something 
>> VST effects (deactivated until I need them).
>>
>> I am also running the BuzzComp Granular compressor after Mobius (VST), in 
>> case my output gets out of controll and needs taming.
>>
>> Kris
>>
>>
>>
>> ----- Original Message ----- From: "Joshua Carroll" <josh@infinivert.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, August 24, 2006 11:39 AM
>> Subject: Re: laptop-loopers (guitar)
>>
>>
>>> I'd personally like to know specifically what you're using to warm your 
>>> tone.
>>>
>>> --Josh
>>>
>>>
>>>
>>> Krispen Hartung wrote:
>>>> That right...I'm basically all laptop now for the guitar. I still have 
>>>> the option of using my Boss VF-1 as a preamp and "tone mangler" before 
>>>> going into my soundcard, but it's not essential to my setup.
>>>>
>>>> Rune, what is it that you'd like to know?  I run both my PRS 
>>>> hollow-body guitar and Taylor nylon string through my laptop system.  I 
>>>> run my mic through the system too for vocal looping on accasion.  There 
>>>> are some VST effects that I use to help condition the tone of my guitar 
>>>> as well, so that is is warmer.
>>>>
>>>> Kris
>>>>
>>>> ----- Original Message ----- From: "Joshua Carroll" 
>>>> <josh@infinivert.com>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Sent: Thursday, August 24, 2006 10:24 AM
>>>> Subject: Re: laptop-loopers (guitar)
>>>>
>>>>
>>>>> Well, I'm sure Krispen will chime in here shortly because he's giving 
>>>>> all his hardware the boot in favor of Mobius on his laptop for looping 
>>>>> his guitar.
>>>>>
>>>>> I'm brand new to looping in general so I can't offer a ton of 
>>>>> comparative experience, but I'm also am using Mobius on my laptop and 
>>>>> all I've used with it is acoustic guitar so far, and I love it.
>>>>>
>>>>> --Josh
>>>>>
>>>>>
>>>>>
>>>>> rune fagereng wrote:
>>>>>> Hi !
>>>>>>  I have noticed that some of you loopers have gone from hardware-gear 
>>>>>> to laptops. I have also learned that Boysen (sax) and Kaiser ( 
>>>>>> trumpet) do love the their "laptop worlds".
>>>>>>  Are there are any guitarplayers out there using this gear, with the 
>>>>>> same good experience? Does it work with guitars too ? Please send me 
>>>>>> info on your experience, gear, soundclips and your 
>>>>>> website-adress.....
>>>>>>  Any laptop-looping-gear-info is ok !
>>>>>>  best  regards Rune F.
>>>>>>
>>>>>>
>>>>>> www.runefagereng.com
>>>>>> Mail:rune_fagereng@yahoo.no
>>>>>> Mob: 917 95 867
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 22:27:30 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: What controller for laptop loopers
Date: Fri, 25 Aug 2006 00:27:22 +0200
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> Most laptop loopers use midi controllers as their interface.  
> Ableton Live is good for this (and the new version ... out 
> soon ... is adding additional functionality in this area).  
> See Kid Beyond for examples.  The problem here is that it's 
> rather complicated to set up.

The way I see it, Live! (at least up to and including major release 5) sucks
dick with regard to controller mapping.

Basically, you can assign controllers to specific functions (transport,
mixer, clip editing and also parameters of VSTs if they map them to the
host). There is a MIDI learn feature, and it works well with different
styles of relative controller mappings (and even will recognize them
correctly most of the time), so my experience is that it's easy (although
time-consuming) to set up.

However there are a lot of complaints for me:
1. You can only do a 1:1 mapping, meaning one MIDI source to one function.
2. Only notes and CCs can be used as MIDI sources (no PCs)
3. No scaling or curves for mapping the MIDI source value range (for CCs) to
the (continuous) targets
4. For some inexplicable reason, some functions cannot be controlled by
MIDI. Take e.g. the pre/post switches for the auxes.
5. Live! will not differentiate between different MIDI ports. That means
that if you got a MIDI fader box on one MIDI port and a foot controller on
another one, they cannot use cc#1 on ch1 and control different things with
it.
6. Live! will not forward any MIDI messages defined for control to the
tracks.


	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 22:30:48 2006
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Subject: PS: What controller for laptop loopers
Date: Fri, 25 Aug 2006 00:30:40 +0200
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> > See Kid Beyond for examples.  The problem here is that it's rather 
> > complicated to set up.
> 
> The way I see it, Live! (at least up to and including major 
> release 5) sucks dick with regard to controller mapping.

Actually, I seem to remember Kid Beyond uses a piece of software to map his
foot controller to something which works with Live! There is a video on
Ableton's site where Andrew talks about his setup and how he uses this
specific MIDI mapper thing.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Aug 24 22:57:18 2006
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Date: Thu, 24 Aug 2006 15:57:17 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 vs. Repeater?
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The Repeater is readily available on ebay for any who
wants one... you might find mine up there soon.

--- systemaddict <systemaddict1200@gmail.com> wrote:

> HOWEVER any discussion at this point is academic,
> since nobody can
> actually buy a Repeater. 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 01:50:30 2006
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Subject: VF-1 dead?
Date: Thu, 24 Aug 2006 21:56:17 -0400
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Hi Gang:

Last night my Boss VF-1 decided not to power-up. It won't even light up... no audio, no front-panel display. The transformer works just fine --- could the power input jack suddenly have developed a crappy connection, or does it sound like something more dire?I'd open it up myself but I'm afraid of giving a vital chip a static shock or something stupid like that.

Should I start saying the kaddish for this wonderful red box, the basis of my sound?

(And I never got to even try the vocoder patch... waaaaahhhhh!!)

I'd be very grateful for any help.

Peace,
Tim
www.myspace.com/timmungenast
www.mungenast.com



mungenast@earthlink.net
EarthLink Revolves Around You.
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<DIV>Hi Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Last night my Boss VF-1 decided not to power-up. It won't even light up... no audio, no front-panel display. The transformer works just fine --- could the power input jack suddenly have developed a crappy connection, or does it sound like something more dire?I'd open it up myself but I'm afraid of giving a vital chip a static shock or something stupid like that.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Should I start saying the kaddish for this wonderful red box, the basis of my sound?</DIV>
<DIV>&nbsp;</DIV>
<DIV>(And I never got to even try the vocoder patch... waaaaahhhhh!!)</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'd be very grateful for any help.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Peace,</DIV>
<DIV>Tim</DIV>
<DIV><A href="http://www.myspace.com/timmungenast">www.myspace.com/timmungenast</A></DIV>
<DIV><A href="http://www.mungenast.com">www.mungenast.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>EarthLink Revolves Around You.</DIV>
<DIV>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 06:52:39 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: What controller for laptop loopers
Date: Fri, 25 Aug 2006 08:52:30 +0200
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On 25 aug 2006, at 00.27, Rainer Thelonius Balthasar Straschill wrote:

> 6. Live! will not forward any MIDI messages defined for control to the
> tracks.


...but you can set up a "MIDI Through". Just create a new MIDI Track  
and set its MIDI In and MIDI Out as you want to forward (by using  
MIDI Channel as well as IAC bus channel, if using OSX, or MIDI Yoke  
channel if using XP. MIDI Yoke is a third party hack that you have to  
download and install which gives you 16 OS internal MIDI channels in  
Windows XP: can even send MIDI between applications - just like a Mac!)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 06:54:10 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: PS: What controller for laptop loopers
Date: Fri, 25 Aug 2006 08:54:02 +0200
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On 25 aug 2006, at 00.30, Rainer Thelonius Balthasar Straschill wrote:

> Actually, I seem to remember Kid Beyond uses a piece of software to  
> map his
> foot controller to something which works with Live!

http://www.bome.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 07:02:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: laptop-loopers (guitar)
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On 24 aug 2006, at 23.59, Krispen Hartung wrote:

>  What you hear is the guitar, Voxengo Tube Amp, Chorus, Delay, and  
> Reverb VST effects, and the Edge VST for the bass loop. There are  
> three guitar parts in this recording: bass, guitar comping, and  
> head/soloing.
>
> http://www.box.net/public/m18s73h7bq


Very nice sound, indeed! Good playing and a nice jazz vamp you cooked  
up there . Tank you for posting this nice ring modulator free clip to  
give us a chance to hear what your PRS actually sounds like ;-)  Nice  
tone in that guitar!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 11:48:32 2006
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Subject: Re: Boss RC-50 Latency Issues
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Hi Dan

> But I figure it was time for some "variation" and the RC50 looked good.
> There is definitely a latency issue on this unit.

When I got my RC-50, I made the mistake it had some latency problems. I found out that I had some Loop Sync settings that were fooling me.
You should have no problem when you perform these steps:
- turn off the Ryhthm Guide (actively to OFF)
- turn off Loop Sync
- turn off Tempo Sync for each of the three Phrases

The only thing - that is already well-known - is that the recorded loop has some "muted playback" in the first repetition, however everything sounds in perfect sync after.

best regards
Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 12:10:04 2006
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Hi Jesse

> finding out that, using this option, there was a 1-2 full
> second gap of unrecorded audio left at the end of the initial loop.  

Just read your mail. If you have 1-2 full second gaps, you _definitely_ have wrong timing settings on your RC-50 - _not_ a "latency" issue.

Try the following:
- Turn down Ryhthm Guide knob all the way down to OFF
- Turn off Loop Sync
- Turn off Tempo Sync for each of the three Phrases

best regards
Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 12:21:02 2006
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Subject: Re: RC-50 software update rumor
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Hi John
> somewhere back in the discussion of rc-50 issues, it came up that an
> update 
> was in the making for sure.   does anyone remember how, when that came up?
It was Christian Rover from Germany. (see below) Might wanna check with his sources.
Hope it is true that there will be an update....
Buzap

~~~~~~~~
just thought you might want to know that an official software update to
the RC-50
is planned for late August/early autumn adressing among others:

- the dreaded hickup
- adding a "clicktrack" sound
- improving MIDI reliability

Also a video is in the works.

Best regards to all

Christian Rover

BTW I just finished a review for "Gitarre & Bass" which should appear
in the August/September
issue for all of you who are delighted to loop in german as well ;-)

chrisrover@aol.com
www.christianrover.com
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 14:34:27 2006
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aaron leese wrote:
> The problem here is that it's rather complicated to set up. 

I wouldn't say that is fair. I don't know of any software interface 
which handles remote MIDI control setup in an easier way than Live.

-- Sarth


From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 16:00:06 2006
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Subject: Re: laptop-loopers (guitar)
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Thanks, Per!  Yes, I suppose the group was wondering whether there was a 
"real guitar" under all those sound clips that I post of me playing. 
Sometimes it is fun to just play without all the massive tone mangling. In 
fact, for me it is much more challenging to play exerimental guitar with 
just the sound of the guitar (and some basic finishing effects like chorus 
and reverb), then when playing through tons of tone mangling VST effects 
like Reaktor, PSP84, Pluggo, Hipno, etc, etc.   This goes back to the thread 
we had on Derek Baily and improvisation.  When you just have your bare 
strings and wood of the guitar, it's like removing all the "dressing" around 
the window pane, and you just have the raw notes and instrument tones to 
work with....no window dressing, i.e., massive tone altering effects. 
Although I know there is an underying debate going on regarding whether 
effects are an instrument in themselves or not....I am somewhat neutral on 
this for now, but one part of in me wants to reduce effects to 
non-instruments when a traditional instrument is the primary sound 
generator, but consider effects (laptops included) inststruments when they 
are stand-alone music/tone generators.   This is just a thought hypothosis, 
not a statement of fact.

For example, when I am on my laptop with no guitar plugged in, and I am 
using some Reaktor instruments to generate ambient textures, sequences, 
tones, etc...I consider my laptop an instrument. But when I run my guitar 
through my laptop and use VST effects to alter the tone, even if beyond 
recognition, I sconsider my guitar the instrument (not the laptop...unless I 
am adding VST instrument tones in parallel). And in this latter case, the 
effects are actually making it easier for me to be creative with what I do 
on the guitar. Dare I say the VST effects are potentially a creative crutch 
here, but that would be a value statement.  It's like being asked to create 
a painting, and you get a pallet with 50 shades of colors on it, plus some 
sand, mud, plastic, wood, and other things to add texture to the 
canvas.....vs. only having the primary colors.  The analogy is not perfect, 
but hopefully conveys the gist of what VST effects can do to help expand you 
creative potential with the guitar, vs having to eek it all out with just 
your instrument.

Kris


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 25, 2006 1:02 AM
Subject: Re: laptop-loopers (guitar)


> On 24 aug 2006, at 23.59, Krispen Hartung wrote:
>
>>  What you hear is the guitar, Voxengo Tube Amp, Chorus, Delay, and 
>> Reverb VST effects, and the Edge VST for the bass loop. There are  three 
>> guitar parts in this recording: bass, guitar comping, and  head/soloing.
>>
>> http://www.box.net/public/m18s73h7bq
>
>
> Very nice sound, indeed! Good playing and a nice jazz vamp you cooked  up 
> there . Tank you for posting this nice ring modulator free clip to  give 
> us a chance to hear what your PRS actually sounds like ;-)  Nice  tone in 
> that guitar!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 16:08:44 2006
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Subject: laptop-loopers (guitar)
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> not....I am somewhat neutral on this for now, but one part of 
> in me wants to reduce effects to non-instruments when a 
> traditional instrument is the primary sound generator, but 
> consider effects (laptops included) inststruments when they 
> are stand-alone music/tone generators.   This is just a 

Ok, let's see where this will lead us...let's say you got a DL4 with a sweep
delay, or a laptop with OhmBoyz. There is a setting on the depth/feedback
(vs. resonance/feedback) knobs where the effect will do nothing on its own,
just react to your guitar (or whatever). Then there is a setting where the
effect will start to generate huge washes of noise all by itself. And there
is the range in between where by the tick of a knob it will turn from a
"tame" effect into something which will start to self-oscillate by just a
tiny increase in brownian motion. And you're telling me this tick of the
knob removes the "non-" from "non-instrument"?

;-),

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 16:36:27 2006
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Subject: Re: laptop-loopers (guitar)
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You just found the gray area, Rainer. I knew you would. :)   Okay, here we 
go....

I admit, it's not black and white, and when it comes to some effects, there 
is a lot of "fuzziness".  As you say, there are effects where some 
parameters will just start taking a life of their own, independent of the 
guitar.  Another example in addition to yours is that when you play one note 
on the guitar, and the effects takes over from that point, allowing you to 
tweak parameters, manipulate the tone, and so on.  So you play one note on 
the guitar, and add some infinite delay...then you take the output of that 
delay and start adding pitch, filtering, feedback, modulation and until you 
are basically creating your sound with nothing but effects....and in fact, 
at that point  you may very well have set the guitar down after you used it 
to play its single contributing note.  Yes, I would consider the effect the 
instrument at that point, because you are actually tweaking the effect to 
generate new sounds.  The guitar becomes secondary.

Now let' take that sound clip I provided a while back, which was a sample of 
all the VST effects in my laptop system. For that clip, I did no effect 
parameter tweaking. I played the guitar the entire time and just switched 
from one VST effect to another. I let the effect do its thing to my guitar, 
but the whole time I was in control of my guitar and providing 100% of the 
raw input to be mangled by the effects. In that case, I do not consider the 
effects as an instrument. I was not touching or manipulating anything on my 
notebook. I was not using the effects, as in hands on manipulation to 
produce new sounds, which is what we typically do with instruments, right? 
Rather, the effects were window dressing around my initial guitar tone. 
Maybe some would call pressing a button to switch from one VST to another, 
using the laptop as an instrument. I dont'.  That's just button pushing for 
the sake of colorizing my guitar.

I do not regret using this window dressing, but as an artist, I do have to 
admit that I feel that window dressing diminishes the creative purity of my 
work. Again, this is a value statement of my own subjective perspective 
here, but it's authentic nonetheless.  I am not going to take artistic 
credit for all the cool sounds my VST effects produce (this goes to the 
developers), rather I will only take credit for the playing behind those 
effects, the actual notes, articulation, dynamics, creative note placement 
and choice, etc These things come from me, not the VST effects. If I strip 
away all the effects, what I end up with is pure "me" and guitar. There is 
no hiding at that point.  Hypothetically, if I cam a crappy guitarist who 
has only played my instrument for a year, I can no doubt use VST effects and 
looping to produce some seemingly professional ambient sounds and tones, 
and I have seen this done. But it doesn't change the fact that I am an 
amateur guitarist with a limited grasp of my instrument as a creative tool. 
Nothing can change this but hard work and time.

Out of desperation as an artist and someone who has been reading, teaching, 
writing, and playing music for almost 30 years, I cling to the idea that 
talent and hard work at learning a traditional instrument still has value 
and worth amidst this world of technology and gadgetry.  Call me a 
traditionalist, but I still hold (based on feeling) the traditional 
instrument and chops in high regard.  That example above, where I could play 
one note and then let the effects and my parameter tweaking do the rest. 
That is interesting and impressive to me, but it does not gain my respect as 
an artist, nor does add to my own integrity as an artist. That's just my 
opinion.

Kris


----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 25, 2006 10:08 AM
Subject: laptop-loopers (guitar)


>
>> not....I am somewhat neutral on this for now, but one part of
>> in me wants to reduce effects to non-instruments when a
>> traditional instrument is the primary sound generator, but
>> consider effects (laptops included) inststruments when they
>> are stand-alone music/tone generators.   This is just a
>
> Ok, let's see where this will lead us...let's say you got a DL4 with a 
> sweep
> delay, or a laptop with OhmBoyz. There is a setting on the depth/feedback
> (vs. resonance/feedback) knobs where the effect will do nothing on its 
> own,
> just react to your guitar (or whatever). Then there is a setting where the
> effect will start to generate huge washes of noise all by itself. And 
> there
> is the range in between where by the tick of a knob it will turn from a
> "tame" effect into something which will start to self-oscillate by just a
> tiny increase in brownian motion. And you're telling me this tick of the
> knob removes the "non-" from "non-instrument"?
>
> ;-),
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 16:47:18 2006
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From: "Travis Hartnett" <travishartnett@gmail.com>
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Subject: Re: laptop-loopers (guitar)
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When I meet someone who says their instrument is a DL4 and spends
years expressing themselves using that as their primary source of
audio information, I'll consider it an instrument.
Until then, it's an effect.

TravisH

On 8/25/06, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> > not....I am somewhat neutral on this for now, but one part of
> > in me wants to reduce effects to non-instruments when a
> > traditional instrument is the primary sound generator, but
> > consider effects (laptops included) inststruments when they
> > are stand-alone music/tone generators.   This is just a
>
> Ok, let's see where this will lead us...let's say you got a DL4 with a sweep
> delay, or a laptop with OhmBoyz. There is a setting on the depth/feedback
> (vs. resonance/feedback) knobs where the effect will do nothing on its own,
> just react to your guitar (or whatever). Then there is a setting where the
> effect will start to generate huge washes of noise all by itself. And there
> is the range in between where by the tick of a knob it will turn from a
> "tame" effect into something which will start to self-oscillate by just a
> tiny increase in brownian motion. And you're telling me this tick of the
> knob removes the "non-" from "non-instrument"?
>
> ;-),
>
>         Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 17:59:55 2006
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as i understand it, the pitch function on the boss
sp-202 functions like this.  someone please correct me
if i'm wrong.  also, what is the range of pitch shift
possible with the knob?  is it an octave in either
direction (half speed and double speed)?

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 18:32:21 2006
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Subject: another looper not on the site
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it occured to me i should make people aware of the
existence of yet another piece of loop gear.  i'm
speaking of the pyle pdsp850 phrase sampler.  this
little unit i picked up online knowing nothing about
it except what it claimed to be able to do.  they go
for around $100 new.  it's a somewhat thin rackmount
unit and is basically a very simple dj phrase sampler.
 you've got a few different banks to choose from which
give you different amounts of time to deal with
(probably their way of crudely managing memory on this
p.o.s.).  according to the tools of the trade site
list, this would fall under the category of not being
a true looper, since it does not allow you to hit one
button to record and another to stop recording and
immediately initiate playback.  in addition to the
buttons to select a memory location, there are a few
other buttons such as 'read' and 'write'.  to sample,
make sure the 'read' is lit up and then hit the record
button and it'll start recording, then hit the button
again to stop.  then you've got to hit the 'write'
button, after which you can hit the same record/play
button to play or stop the playing loop.  it also has
a knob for controlling the speed of the loop just as
on a tape machine or record player.  the range is not
that great, maybe about half an octave in either
direction.  you can crank the knob all the way in one
direction to record fast and then turn it all the
other direction to get a greater decrease in pitch
then if you had started with the knob at the middle
point.  kind of nice.  main problem with this baby is
that the sound quality coming out of it SUCKS!  it
seems that levels that are already well optimized such
as if you have a cd player plugged right into it
usually don't come out sounding too bad, just a bit
grainy.  but if your input signal is even a little bit
soft, it seems like this thing really mangles it.  the
knobs that control input and output volume also don't
seem to behave as espected.  for instance, put the
input level way down to avoid clipping (which is easy
with this thing), you'll have to turn the output knob
up to compensate for that.  so record a loop then play
it back.  it will come out very very loud.  it's as
though there is an automatic normalization process
that happens to the loop when it is stored, because i
would expect the loop to come out sounding as loud as
it did when i was playing through the unit.  or the
input and output volumes affect the throughput and the
stored loops differently, which is retarded.  

anybody else ever been unfortunate enough to buy one
of these?  if so, anything you'd recommend to make it
more usable?  i never use it anymore because it's too
noisey.  if anyone is curious and wants to try one
out, i would be willing to sell mine at a rather low
price, since i know i have not exactly given a rave
review of it.  but one man's garbage is another man's
... aesthetically pleasing garbage.  

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 19:05:39 2006
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Just a FYI, we now have 37 sound clips on the Looper't Delight 10-Year =
B-Day site....

When is the B-day? I seem to have forgotten. September something....

http://www.krispenhartung.com/LoopersDelight10Year.htm

Kris


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<DIV><FONT face=3DArial size=3D2>Just a FYI, we now have 37 sound clips =
on the=20
Looper't Delight 10-Year B-Day site....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>When is the B-day? I seem to have =
forgotten.=20
September something....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/LoopersDelight10Year.htm">http://ww=
w.krispenhartung.com/LoopersDelight10Year.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 19:53:37 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "Instrument" vs "Effect" (was:  laptop-loopers (guitar)
Date: Fri, 25 Aug 2006 21:53:33 +0200
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On 25 aug 2006, at 18.36, Krispen Hartung wrote:

>  I let the effect do its thing to my guitar, but the whole time I =20
> was in control of my guitar and providing 100% of the raw input to =20
> be mangled by the effects. In that case, I do not consider the =20
> effects as an instrument. I was not touching or manipulating =20
> anything on my notebook. I was not using the effects, as in hands =20
> on manipulation to produce new sounds, which is what we typically =20
> do with instruments, right? Rather, the effects were window =20
> dressing around my initial guitar tone. Maybe some would call =20
> pressing a button to switch from one VST to another, using the =20
> laptop as an instrument. I dont'.  That's just button pushing for =20
> the sake of colorizing my guitar.

> 8< 8< 8< 8< 8<

> Call me a traditionalist, but I still hold (based on feeling) the =20
> traditional instrument and chops in high regard.  That example =20
> above, where I could play one note and then let the effects and my =20
> parameter tweaking do the rest. That is interesting and impressive =20
> to me, but it does not gain my respect as an artist, nor does add =20
> to my own integrity as an artist. That's just my opinion.


Voil=E0! Yet another interesting topic :-))  I can see where Kris is =20
going with that opinion and I'd like to add my take on what it =20
actually is that makes the difference. The crucial point IMHO is =20
whether "something" is being used to make music or not. If it is, =20
then it indeed is an instrument. Ok that's fine, but having said that =20=

much you will also have to define "music". As I experience "music" it =20=

is about "telling a story"; there has to be a Direction, an Intention =20=

and a Presence. Ok, now... having gone this far I have to say that =20
there is also an antithesis to this - which in my opinion is also =20
"music" - and that is when none of these three characteristics is =20
met, however absent in a clearly intentional way. Like in "ambient =20
music" or "random music". But here we're sliding into conceptual art =20
territory which may be quite another trip.

In praxis, if you get to know "effects" so well that you are able to =20
use them intentionally you have transformed these effects into "your =20
instrument". But will I become "an effect" myself, if I should learn =20
to play totally unintentionally? My belief is that it would not be =20
possible to "play unintentionally". You can reach that zone of "no =20
subject nor object" by random based composing techniques (ex: =20
Xenakis) but by playing? I don't thinks so. But if you try, it may =20
still result in something interesting...

This sends an association to the classic album Remain In Light, but =20
Talking Heads. Musicians were called in to put down overdubs without =20
being allowed to hear all other overdubs, already on tape. Then the =20
music was mixed by combining musicians that had never actually played =20=

there parts together. If they have been allowed to hear each other =20
when playing they may never have been able to play with that certain =20
attitude you hear on the record. So this leads to a third way of =20
relating to "effects", as "Rebellious Catalysts". For the listener, =20
not for the musician, because the musician is not aware of the full =20
picture here. Pretty interesting stuff, isn't it!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 20:13:26 2006
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I turned this over in my head a lot when once asked when I considered 
whether a turntable in the hands of a DJ was an example of an 
instrument. I finally decided that, for myself, to call something an 
instrument, it needs to be capable of /controllably originating a 
sound/. So, then, windchimes don't count, delays/loopers/effects don't 
count, and turntables don't count. This is *no way* diminishes what 
people do with these things - loopers in particular! (ducking) - I 
simply don't call the boxes an instrument, but another type of tool used 
in the music-making process. And yeah, I suppose there are shades of 
meaning here, like the self-oscillation that Rainer pointed out which 
arguably could turn an effect into an instrument, but I think 
generalizations could be made.

On the effects tip, I like Krispen's analogy of the palette, because it 
also implies the difficulty of having to try to become familiar with a 
huge number of possibilities, and then, having to choose among those 
possibilities. More colors, but more judicious decision-making and 
experience are required to master the canvas.

Daryl Shawn
www.swanwelder.com
>  It's like being asked to create a painting, and you get a pallet with 
> 50 shades of colors on it, plus some sand, mud, plastic, wood, and 
> other things to add texture to the canvas.....vs. only having the 
> primary colors.  The analogy is not perfect, but hopefully conveys the 
> gist of what VST effects can do to help expand you creative potential 
> with the guitar, vs having to eek it all out with just your instrument.


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I turned this over in my head a lot when once asked when I considered
whether a turntable in the hands of a DJ was an example of an
instrument. I finally decided that, for myself, to call something an
instrument, it needs to be capable of <i>controllably originating a
sound</i>. So, then, windchimes don't count, delays/loopers/effects
don't count, and turntables don't count. This is <b>no way</b>
diminishes what people do with these things - loopers in particular!
(ducking) - I simply don't call the boxes an instrument, but another
type of tool used in the music-making process. And yeah, I suppose
there are shades of meaning here, like the self-oscillation that Rainer
pointed out which arguably could turn an effect into an instrument, but
I think generalizations could be made.<br>
<br>
On the effects tip, I like Krispen's analogy of the palette, because it
also implies the difficulty of having to try to become familiar with a
huge number of possibilities, and then, having to choose among those
possibilities. More colors, but more judicious decision-making and
experience are required to master the canvas.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid02d101c6c85f$84b21730$f4b1ec0f@americas.hpqcorp.net"
 type="cite">&nbsp;It's like being asked to create a painting, and you get a
pallet with 50 shades of colors on it, plus some sand, mud, plastic,
wood, and other things to add texture to the canvas.....vs. only having
the primary colors.&nbsp; The analogy is not perfect, but hopefully conveys
the gist of what VST effects can do to help expand you creative
potential with the guitar, vs having to eek it all out with just your
instrument.
  <br>
</blockquote>
<br>
</body>
</html>

--------------080901050008040005010106--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 20:23:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "Instrument" vs "Effect" (was:  laptop-loopers (guitar)
Date: Fri, 25 Aug 2006 22:23:35 +0200
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On 25 aug 2006, at 22.13, Daryl Shawn wrote:

> On the effects tip, I like Krispen's analogy of the palette,  
> because it also implies the difficulty of having to try to become  
> familiar with a huge number of possibilities, and then, having to  
> choose among those possibilities. More colors, but more judicious  
> decision-making and experience are required to master the canvas.


That's exactly why I don't like "adding effects" but rather "playing  
with effects". I always put effects before the loopers, so eventual  
effect sound will be part of the foundation of the building I'm  
construction (fancy wording for "looping" ;-) as opposed to being  
paper wrappings on the outer walls. Less is more fun ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 20:43:12 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: "Instrument" vs "Effect" (was:  laptop-loopers (guitar)
Date: Fri, 25 Aug 2006 14:43:06 -0600
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I think most of us do that (put our effects before our looping devices), 
though, right? I play "with" effects too, all before Mobius. But, 
technically, we are not really playing with effects, because the effect 
signal is added to your original guitar signal. So you are adding the 
effects to your singal, but the addition is so blasted fast that it feels 
like you are playing with effects.   But I think we are all stating the same 
thing here.  If you put your Fireworx after your looper, and used it to do 
interesting things after you had already played and looped several layers 
and even set your sax or guitar down, then we come back to the orginal, 
fundamental question of whether your Fireworx is an instrument or an effects 
box....I want to accept that the Fireworx is an instrument in this case, but 
I won't say that it feels right. My brain says yes because it is in the 
realm of possibilities, yet my gut feeling says no.  If I were really 
compulsive with my gut feeling and just let it all out I'd say: "It's just a 
box for crying out loud...just because a person tweaks nobs, pushes buttons 
and changes parameters doesn't make the box an instrument, nor even make him 
a musician."   But that would be a bit strong for me to state explicity as a 
strong opinion, because there is a lot of fuzziness and semantics going on 
here. We can define terms easy enough so that an effects unit is not an 
instrument...that's just linguistic gymnastics; but whether an effects box 
is an instrument in the same way as a guitar is a different matter. We are 
getting into categories of instrumnetation of varying degrees. Okay, it's 
half an instrument, and I'm half a musician by playing it. Heh heh....

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 25, 2006 2:23 PM
Subject: Re: "Instrument" vs "Effect" (was: laptop-loopers (guitar)


> On 25 aug 2006, at 22.13, Daryl Shawn wrote:
>
>> On the effects tip, I like Krispen's analogy of the palette,  because it 
>> also implies the difficulty of having to try to become  familiar with a 
>> huge number of possibilities, and then, having to  choose among those 
>> possibilities. More colors, but more judicious  decision-making and 
>> experience are required to master the canvas.
>
>
> That's exactly why I don't like "adding effects" but rather "playing  with 
> effects". I always put effects before the loopers, so eventual  effect 
> sound will be part of the foundation of the building I'm  construction 
> (fancy wording for "looping" ;-) as opposed to being  paper wrappings on 
> the outer walls. Less is more fun ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 20:56:47 2006
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"/Just/ linguistic gymnastics", says the 
triple-axle-reverse-tuck-double-flip-360-degree-twist record holder?

;-)

Daryl Shawn
www.swanwelder.com
>  We can define terms easy enough so that an effects unit is not an 
> instrument...that's just linguistic gymnastics; but whether an effects 
> box is an instrument in the same way as a guitar is a different 
> matter. We are getting into categories of instrumnetation of varying 
> degrees. Okay, it's half an instrument, and I'm half a musician by 
> playing it. Heh heh....
>
> Kris


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<body bgcolor="#ffffff" text="#000000">
"<i>Just</i> linguistic gymnastics", says the
triple-axle-reverse-tuck-double-flip-360-degree-twist record holder?<br>
<br>
<span class="moz-smiley-s3"><span> ;-) </span></span><br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid039601c6c887$12705650$f4b1ec0f@americas.hpqcorp.net"
 type="cite">&nbsp;We can define terms easy enough so that an effects unit
is not an instrument...that's just linguistic gymnastics; but whether
an effects box is an instrument in the same way as a guitar is a
different matter. We are getting into categories of instrumnetation of
varying degrees. Okay, it's half an instrument, and I'm half a musician
by playing it. Heh heh....
  <br>
  <br>
Kris <br>
</blockquote>
<br>
</body>
</html>

--------------010809070908030107080800--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 21:12:42 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060824161214.50749.qmail@web26203.mail.ukl.yahoo.com> <44EDD2B6.8040200@infinivert.com> <008501c6c79c$401918d0$f4b1ec0f@americas.hpqcorp.net> <44EDE45E.8040004@infinivert.com> <00c201c6c7af$a20971d0$f4b1ec0f@americas.hpqcorp.net> <44EE06DB.6080508@infinivert.com> <013d01c6c7c8$928ae2c0$f4b1ec0f@americas.hpqcorp.net> <643A4090-348F-44B8-BA1F-A408415C72E9@gmail.com> <02d101c6c85f$84b21730$f4b1ec0f@americas.hpqcorp.net> <44EF59D9.2070603@mhorse.com> <1C5FA2F9-B79C-481E-BFFF-B458AB327AF3@gmail.com> <039601c6c887$12705650$f4b1ec0f@americas.hpqcorp.net> <44EF6406.2040203@mhorse.com>
Subject: Re: "Instrument" vs "Effect"
Date: Fri, 25 Aug 2006 15:12:38 -0600
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Yep, that's the beauty of language....we can do just about anything we =
want, but whether we'll be able to communicate with people is a =
different matter.  Theoretically, we could redefine every word in our =
local language and be able to communicate, so long as we all carried our =
dictionaries around with us.  There seems to be one common theme with =
this, which is that the closer we get to value-based, highly personal, =
or controversial subject matter, the more diverse or fuzzy become the =
definitions of terms and phrases.  For instance, although we could force =
ourselves to do this, we probably wouldn't spend a whole discussion =
thread on what we mean by the term "red".  Though, on a painter's forum, =
they  might very well do this, going into different shades, whether =
burnt auburn is red, or whether certain shades are orange-red or =
reddish-orange, etc.

So, how does one define "instrument" in this forum? I'd say the number =
of definitions is about directly proportionate to the number of people =
who would respond to that question...and then let the games begin! =
(Language Games, that is).

Kris

  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 25, 2006 2:56 PM
  Subject: Re: "Instrument" vs "Effect"


  "Just linguistic gymnastics", says the =
triple-axle-reverse-tuck-double-flip-360-degree-twist record holder?

  ;-)=20

  Daryl Shawn
  www.swanwelder.com

     We can define terms easy enough so that an effects unit is not an =
instrument...that's just linguistic gymnastics; but whether an effects =
box is an instrument in the same way as a guitar is a different matter. =
We are getting into categories of instrumnetation of varying degrees. =
Okay, it's half an instrument, and I'm half a musician by playing it. =
Heh heh....=20

    Kris=20



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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yep, that's the beauty of =
language....we can do=20
just about anything we want, but whether we'll be able to communicate =
with=20
people is a different matter.&nbsp; Theoretically, we could redefine =
every word=20
in&nbsp;our local&nbsp;language and be able to communicate, so long as =
we all=20
carried our dictionaries around with us.&nbsp; There seems to be one =
common=20
theme with this, which is that the closer we get to value-based, highly=20
personal,&nbsp;or controversial&nbsp;subject matter, the more diverse or =

fuzzy&nbsp;become the definitions of terms and phrases.&nbsp; For =
instance,=20
although we could force ourselves to do this, we probably wouldn't spend =
a whole=20
discussion thread on what we mean by the term "red".&nbsp; Though, on a=20
painter's forum, they&nbsp; might very well do this, going into =
different=20
shades, whether burnt auburn is red, or whether certain shades are =
orange-red or=20
reddish-orange, etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So, how does one define "instrument" in =
this forum?=20
I'd say the number of definitions is about directly proportionate to the =
number=20
of people who would respond to that question...and then let the games =
begin!=20
(Language Games, that is).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 25, 2006 =
2:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: "Instrument" vs=20
  "Effect"</DIV>
  <DIV><BR></DIV>"<I>Just</I> linguistic gymnastics", says the=20
  triple-axle-reverse-tuck-double-flip-360-degree-twist record=20
  holder?<BR><BR><SPAN class=3Dmoz-smiley-s3><SPAN>;-) =
</SPAN></SPAN><BR><BR>Daryl=20
  Shawn<BR><A class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR>
  <BLOCKQUOTE =
cite=3Dmid039601c6c887$12705650$f4b1ec0f@americas.hpqcorp.net=20
  type=3D"cite">&nbsp;We can define terms easy enough so that an effects =
unit is=20
    not an instrument...that's just linguistic gymnastics; but whether =
an=20
    effects box is an instrument in the same way as a guitar is a =
different=20
    matter. We are getting into categories of instrumnetation of varying =

    degrees. Okay, it's half an instrument, and I'm half a musician by =
playing=20
    it. Heh heh.... <BR><BR>Kris =
<BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 21:29:28 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "Instrument" vs "Effect"
Date: Fri, 25 Aug 2006 23:29:20 +0200
To: Loopers-Delight@loopers-delight.com
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Does it really matter what it IS? Isn't the more interesting  
distinction whether you USE it as an instrument.... or an effect. Or  
maybe the most important issue is what the listener does hear it as!  
Yes, I thing vote for that. And now I'll shut up and listen 'cause I  
know that I will most certainly hear the difference between "effect"  
and "instrument" and I really don't care since they are all essential  
parts of "music" ;-)

per

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 21:57:19 2006
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Date: Fri, 25 Aug 2006 14:57:17 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: "Instrument" vs "Effect"
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Interesting thread. By this description, it seems we are participating
in the art of creating music, partially playing an instrument and
partially re-mixing or engineering.  There is a ratio between these
actions that varies, and I would say in LD it is weighed more in the
're-mixing' column, as we depend on the actions of non-instrument
playing technology as a basis for a good portion of the sound content
in our music making.

Finding the sweet spot between the realtime human-created sound and
what the boxes produce is the ongoing holy grail of live looping, no?


On 8/25/06, Per Boysen <perboysen@gmail.com> wrote:
> Does it really matter what it IS? Isn't the more interesting
> distinction whether you USE it as an instrument.... or an effect. Or
> maybe the most important issue is what the listener does hear it as!
> Yes, I thing vote for that. And now I'll shut up and listen 'cause I
> know that I will most certainly hear the difference between "effect"
> and "instrument" and I really don't care since they are all essential
> parts of "music" ;-)
>
> per
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 22:03:16 2006
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Date: Fri, 25 Aug 2006 18:03:08 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: "Instrument" vs "Effect"
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Take it to private e-mail, guys...

>Does it really matter what it IS? Isn't the more interesting 
>distinction whether you USE it as an instrument.... or an effect. Or 
>maybe the most important issue is what the listener does hear it as! 
>Yes, I thing vote for that. And now I'll shut up and listen 'cause I 
>know that I will most certainly hear the difference between "effect" 
>and "instrument" and I really don't care since they are all 
>essential parts of "music" ;-)
>
>per


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 22:11:33 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Lapsteel guitar
Date: Fri, 25 Aug 2006 15:11:30 -0700
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Are you talking about an old Guyatone Lap steel or a new model I  haven't
heard of?  I used to own a three legged White lap steel (fender made). Those
are very rare and expensive these days $9000+. Of the modern built lap
steels that are affordable that I've played, I'm most impressed by the
gretsch made lapsteel, which can be had with a gig bag for under $400 and
sounds plays and looks really good. That and an X frame keyboard stand would
do the trick. I always found threading the legs on the White steel to be a
pain, and It felt a bit wobbly when the legs were extended high enough to
stand in front of it.
Bill
  -----Original Message-----
  From: Wavecomputer360 [mailto:wavecomputer360@gmx.de]
  Sent: Thursday, August 24, 2006 12:35 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: WTB: Lapsteel guitar


  Hi all,

  I´m in the market for a lapsteel guitar, preferably a model by
Guya/Guyatone (don´t know the model number) with screw-in legs or a similar
model by another maker. I don´t really mind whether it´s a vintage classic
or not, I´m into a) playability (clear markings on the fretboard) and b)
sound only. I´m located in Germany, thus offers from Europe would be ideal.
If you´ve got something you think I might be interested in, please get in
touch with me off-list.

  Thanks for reading,

  Stephen.


  ____________________________________________________________

  "Pay respect to the vultures, for they are your future." (Jhonn Balance /
Coil)

  It´s out: "doombient.two -- a declaration of war", the new [´ramp] album,
recorded live in 2003.
  Limited to 100 copies only so get it while you still can.

  For info and audio, please visit the official [´ramp] website at
www.doombient.com




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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D734570222-25082006>Are=20
you talking about an old Guyatone Lap steel or a new model&nbsp;I =
&nbsp;haven't=20
heard of?&nbsp; I used to own a three legged White lap steel (fender =
made).=20
Those are very rare and expensive these days $9000+. Of the modern built =
lap=20
steels that are affordable that I've played, I'm most impressed by the =
gretsch=20
made lapsteel, which can be had with a gig bag for under $400 and sounds =
plays=20
and looks&nbsp;really good. That and an X frame keyboard stand would do =
the=20
trick. I always found threading the legs on the White steel to be a =
pain, and It=20
felt a bit wobbly when the legs were extended high enough to stand in =
front of=20
it.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D734570222-25082006>Bill</SPAN></FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Wavecomputer360=20
  [mailto:wavecomputer360@gmx.de]<BR><B>Sent:</B> Thursday, August 24, =
2006=20
  12:35 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  WTB: Lapsteel guitar<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I=B4m in the market for a lapsteel =
guitar,=20
  preferably a model by Guya/Guyatone (don=B4t know the model number) =
with=20
  screw-in legs or a similar model by another maker. I don=B4t really =
mind whether=20
  it=B4s a vintage classic or not, I=B4m into a) playability (clear =
markings on the=20
  fretboard) and b) sound only. I=B4m located in Germany, thus offers =
from Europe=20
  would be ideal. If you=B4ve got something you think I might be =
interested in,=20
  please&nbsp;get in touch with me off-list.</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks for reading,</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Stephen.</FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT face=3DArial =
size=3D2>
  =
<DIV><BR>____________________________________________________________</DI=
V>
  <DIV>&nbsp;</DIV>
  <DIV>"Pay respect to the vultures, for they are your future." (Jhonn =
Balance /=20
  Coil)</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>It=B4s out: "doombient.two -- a declaration of war", the new =
[=B4ramp] album,=20
  recorded live in 2003.<BR>Limited to 100 copies only so get it while =
you still=20
  can.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>For info and audio, please visit the official [=B4ramp] website =
at <A=20
  href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><BR></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 23:23:48 2006
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Date: Fri, 25 Aug 2006 19:24:25 -0400
From: noone@jbro.us
Subject: RE: RC-50 glitch and LR levels
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Buzap-

The "full second gap" I referred to only occurs when using record->overdub
mode, not record->playback mode (the factory default operation mode).  See
the manual for info on how to change the mode, and try it yourself.  This is
not a matter of patch/phrase/midi sync, quantize, or rhythm guide settings
as I have all of those turned off to begin with.  Again, the longer gap
occurs only in the record->overdub mode.

Jesse

-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net] 
Sent: Friday, August 25, 2006 8:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: RC-50 glitch and LR levels

Hi Jesse

> finding out that, using this option, there was a 1-2 full
> second gap of unrecorded audio left at the end of the initial loop.  

Just read your mail. If you have 1-2 full second gaps, you _definitely_ have
wrong timing settings on your RC-50 - _not_ a "latency" issue.

Try the following:
- Turn down Ryhthm Guide knob all the way down to OFF
- Turn off Loop Sync
- Turn off Tempo Sync for each of the three Phrases

best regards
Buzap
-- 


"Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail



From Loopers-Delight-request@loopers-delight.com  Fri Aug 25 23:46:00 2006
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Also I should note that this "gap" I'm referring to is the same "skipped
playback" glitch as heard in record->playback mode (the first time through
playing back the phrase), just considerably longer in record-overdub mode.
Not a time alignment/sync issue.

J

-----Original Message-----
From: noone@jbro.us [mailto:noone@jbro.us] 
Sent: Friday, August 25, 2006 7:24 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: RC-50 glitch and LR levels

Buzap-

The "full second gap" I referred to only occurs when using record->overdub
mode, not record->playback mode (the factory default operation mode).  See
the manual for info on how to change the mode, and try it yourself.  This is
not a matter of patch/phrase/midi sync, quantize, or rhythm guide settings
as I have all of those turned off to begin with.  Again, the longer gap
occurs only in the record->overdub mode.

Jesse

-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net] 
Sent: Friday, August 25, 2006 8:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: RC-50 glitch and LR levels

Hi Jesse

> finding out that, using this option, there was a 1-2 full
> second gap of unrecorded audio left at the end of the initial loop.  

Just read your mail. If you have 1-2 full second gaps, you _definitely_ have
wrong timing settings on your RC-50 - _not_ a "latency" issue.

Try the following:
- Turn down Ryhthm Guide knob all the way down to OFF
- Turn off Loop Sync
- Turn off Tempo Sync for each of the three Phrases

best regards
Buzap
-- 


"Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail





From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 01:02:08 2006
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To: Loopers-Delight@loopers-delight.com
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: boulder fringe gig
Date: Fri, 25 Aug 2006 19:01:59 -0600
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Greetings.  Loopy improv. Sat. 26th. 6:30 - 8:00 at "The Laughing Goat" 
in Boulder, CO.  "LightsEdgeProject" - Paul Mimlitsch (guitar/looping) 
and Chris Mandel (processed cornet).  Info/ soundfiles at << 
http://homepage.mac.com/pmimlitsch/lep/lep.html >>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 01:12:29 2006
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Date: Fri, 25 Aug 2006 18:12:27 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: "Instrument" vs "Effect"
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I love conversations like this!

Consider this:

Male vocal singing pre Mic/PA technology was mostly
done in falsetto.  Why?  A baratone male couldn't cut
through a band.  This is the way it was.  I believe
Bing Crosby was one of the first popular male singers
of modern times that sung in a natural range.  Why?
Because he used an "effect."  Tech.  Lo-tech to our
rapidly cyborg approaching ways, but tech none the
less.  It changed music... and then there was the
electric guitar....

--- Krispen Hartung <khartung@cableone.net> wrote:

> Yep, that's the beauty of language....we can do just
> about anything we want, but whether we'll be able to
> communicate with people is a different matter. 
> Theoretically, we could redefine every word in our
> local language and be able to communicate, so long
> as we all carried our dictionaries around with us. 
> There seems to be one common theme with this, which
> is that the closer we get to value-based, highly
> personal, or controversial subject matter, the more
> diverse or fuzzy become the definitions of terms and
> phrases.  For instance, although we could force
> ourselves to do this, we probably wouldn't spend a
> whole discussion thread on what we mean by the term
> "red".  Though, on a painter's forum, they  might
> very well do this, going into different shades,
> whether burnt auburn is red, or whether certain
> shades are orange-red or reddish-orange, etc.
> 
> So, how does one define "instrument" in this forum?
> I'd say the number of definitions is about directly
> proportionate to the number of people who would
> respond to that question...and then let the games
> begin! (Language Games, that is).
> 
> Kris
> 
>   ----- Original Message ----- 
>   From: Daryl Shawn 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Friday, August 25, 2006 2:56 PM
>   Subject: Re: "Instrument" vs "Effect"
> 
> 
>   "Just linguistic gymnastics", says the
>
triple-axle-reverse-tuck-double-flip-360-degree-twist
> record holder?
> 
>   ;-) 
> 
>   Daryl Shawn
>   www.swanwelder.com
> 
>      We can define terms easy enough so that an
> effects unit is not an instrument...that's just
> linguistic gymnastics; but whether an effects box is
> an instrument in the same way as a guitar is a
> different matter. We are getting into categories of
> instrumnetation of varying degrees. Okay, it's half
> an instrument, and I'm half a musician by playing
> it. Heh heh.... 
> 
>     Kris 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 03:54:23 2006
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To: Loopers-Delight@loopers-delight.com
References: <88777fb9feff94b2fa3efcb751139edb@mac.com>
Subject: Re: boulder fringe gig
Date: Fri, 25 Aug 2006 21:54:18 -0600
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Nice playing, Paul.  This whole guitar/trumpet (cornet) thing is starting to 
grow on me.  I like Momentum....nice clean playing and articulation on the 
guitar.

Anyone out there looping with a tuba player? :) I'd like to hear the tuba 
with a ring modulator.

Kris
----- Original Message ----- 
From: "Paul Mimlitsch" <pmimlitsch@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 25, 2006 7:01 PM
Subject: boulder fringe gig


> Greetings.  Loopy improv. Sat. 26th. 6:30 - 8:00 at "The Laughing Goat" in 
> Boulder, CO.  "LightsEdgeProject" - Paul Mimlitsch (guitar/looping) and 
> Chris Mandel (processed cornet).  Info/ soundfiles at << 
> http://homepage.mac.com/pmimlitsch/lep/lep.html >>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 04:05:07 2006
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On Fri, 25 Aug 2006, Krispen Hartung wrote:

> Anyone out there looping with a tuba player? :) I'd like to hear the tuba 
> with a ring modulator.

Posted several chunks in Apr-May of the live looping I was doing with a 
local tuba player. I know I was using my Moogerfooger ring mods betimes on 
those sets. I'll try to relisten and find wherein those spots were.

regards,
Steve B   Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 04:52:25 2006
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Date: Fri, 25 Aug 2006 22:52:21 -0600
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In case anyone is planing on buying a laptop with an Intel duo (dual core) 
processor, they are releasing their new Core 2 Duo processor for notebooks 
at the end of this month.

http://www.intel.com/pressroom/archive/releases/20060727comp.htm
http://mixonline.com/news/headline/intel-core2-processor-072706/ (Mix 
Magazine)

"Due for release in August, the Merom is the mobile version of the Core 2 
Duo processor and will replace the current Core Duo line. The unit will 
include the same features as the other processors but is designed around 
lower power consumption, which is critical in the notebook market. The chip 
will be available in 1.66 GHz, 1.83 GHz, 2.0 GHz, 2.16 GHz and 2.33 GHz 
configurations. "

They are supposed to offer 40% more performance gain, based on benchmark 
tests.  They also support both 32 and 64 bit.

I can't even utlize the processing power of my current Intel duo 
system....40% would be an amazing amount of processing headroom.

Kris


**************************************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 


From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 13:00:57 2006
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Date: Sat, 26 Aug 2006 14:00:55 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: "Instrument" vs "Effect"
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My take on this has always been that if it's applied
to sound after the fact, then it's an effect. If it's
an integral part of the playing then it's part of the
instrument. How many electric guitarists play
"guitar", rather than (at least) "guitar plus
amplifier" ?

I also ponder - to the player in the midst of
performance, what's the real difference between
changing picking strength, or bowing style, or
pressure on keys, or adjusting any other parameter
involved in producing their sound ?

Also, could there be a difference in viewpoint between
those who devote time to acquiring the craft of a
traditional instrument as a craft in itself ("if I
know the instrument well, I will be able to express
whatever idea comes to mind eventually"), and those
simply acquire enough technique to express whatever
ideas come to mind ? 

Interesting topic !

- Tony



		
___________________________________________________________ 
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 14:39:36 2006
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Subject: Re: "Instrument" vs "Effect"
Date: Sat, 26 Aug 2006 16:38:49 +0200
Organization: paciencia records
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I can notice my playing varies depending on the addition of a simply 
ambience reverb/delay if listening to the realtime wet signal or let it dry. 
So I'd say the effect, in this case, it's essential, at least, for the 
timbrical caracteristics and then is an extension of what i consider 'the 
instrument'.

TPOmyspace: http://www.myspace.com/theplayingorchestra
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 15:30:29 2006
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Date: Sat, 26 Aug 2006 11:04:52 -0400
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These systems in their entirety are often referred to as an 
instrument, for instance Jimi Hendrix and his Marshalls, Jon Hassel 
and his harmonizer... I think this discussion got of on the wrong 
foot by claiming that an effect was an instrument. This may be 
correct, Electro Harmonix is of the philosophy that their 16 second 
delay and 2880 are 'looping instruments'.
-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 17:17:14 2006
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Subject: Re: RC-50 glitch and LR levels
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I do have not experienced this problem. The only problem I've experienced is 
the "first-time-thru" short blip in audio playback. It is a little 
distracting but for home recording use not a problem at all. And I'm hoping 
Boss corrects the problem relatively soon which doesn't seem like an 
unreasonable expectation.

Paul

----- Original Message ----- 
From: <noone@jbro.us>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 25, 2006 7:46 PM
Subject: RE: RC-50 glitch and LR levels


> Also I should note that this "gap" I'm referring to is the same "skipped
> playback" glitch as heard in record->playback mode (the first time through
> playing back the phrase), just considerably longer in record-overdub mode.
> Not a time alignment/sync issue.
>
> J
>
> -----Original Message-----
> From: noone@jbro.us [mailto:noone@jbro.us]
> Sent: Friday, August 25, 2006 7:24 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: RC-50 glitch and LR levels
>
> Buzap-
>
> The "full second gap" I referred to only occurs when using record->overdub
> mode, not record->playback mode (the factory default operation mode).  See
> the manual for info on how to change the mode, and try it yourself.  This 
> is
> not a matter of patch/phrase/midi sync, quantize, or rhythm guide settings
> as I have all of those turned off to begin with.  Again, the longer gap
> occurs only in the record->overdub mode.
>
> Jesse
>
> -----Original Message-----
> From: Buzap Buzap [mailto:buzap@gmx.net]
> Sent: Friday, August 25, 2006 8:10 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: RC-50 glitch and LR levels
>
> Hi Jesse
>
>> finding out that, using this option, there was a 1-2 full
>> second gap of unrecorded audio left at the end of the initial loop.
>
> Just read your mail. If you have 1-2 full second gaps, you _definitely_ 
> have
> wrong timing settings on your RC-50 - _not_ a "latency" issue.
>
> Try the following:
> - Turn down Ryhthm Guide knob all the way down to OFF
> - Turn off Loop Sync
> - Turn off Tempo Sync for each of the three Phrases
>
> best regards
> Buzap
> -- 
>
>
> "Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 18:01:07 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Looping stuff for Mac....
Date: Sat, 26 Aug 2006 20:01:01 +0200
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On 23 aug 2006, at 09.53, Jeff Kaiser wrote:

> So, I've put together a patch for looping in Max/MSP and made it so  
> I think it works as a standalone application....four stereo loopers  
> with varispeed stuff.....
>
> It is not very developed, mouse only, midi to come, but I'm curious  
> if it works on other machines, or only mine....I'm very new at this  
> and just having fun so don't  know....
>
> please try it and let me know it it works, or not.....that is, if  
> you use a mac....might not work on the new ones.
>
> No docs, hopefully it might be self-explanatory.
>
> http://jeffkaiser.com/software.html
>
> cheers,
>
> Jeff


Hi Jeff,

I'm checking out the Kaiserlooper here now but no audio gets looped.  
The "DSP Status" window shows the correct settings for my G5 and  
Multiface audio interface. I can monitor the Multiface separately and  
I can see that no audio is being piped from the software to the  
physical output. Should there be some graphic indication in  
Kaiserlooper on what's going on?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 18:40:15 2006
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Subject: Ehcoplex Loop IV Sensitivity
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I have ignored this issue because I thought it was just the nature of the Echoplex but when recording it seems to have a low threshold and cuts out before the sound source has finished. The Echoplex is still recording, I can still here the sound source - like the sustain of a guitar chord - but when it plays back the sound sources tail has been cut off. A note played with lots of reverb results in the reverb being cut off. Is there something I can do with the settings or is this just the way the Echoplex works. I have the input on at 1/4 and output full. Changing these doesn't seem to make any difference. 



 		
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I have ignored this issue because I thought it was just the nature of the Echoplex but when recording it seems to have a low threshold and cuts out before the sound source has finished. The Echoplex is still recording, I can still here the sound source - like the sustain of a guitar chord - but when it plays back the sound sources tail has been cut off. A note played with lots of reverb results in the reverb being cut off. Is there something I can do with the settings or is this just the way the Echoplex works. I have the input on at 1/4 and output full. Changing these doesn't seem to make any difference. <br><br><br><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1¢/min.
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 19:56:46 2006
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Date: Sat, 26 Aug 2006 15:56:39 -0400
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Subject: Re: Ehcoplex Loop IV Sensitivity
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It's an attempt at noise reduction... I've=20
experimented with it but it's just the way they=20
designed it.

>I have ignored this issue because I thought it=20
>was just the nature of the Echoplex but when=20
>recording it seems to have a low threshold and=20
>cuts out before the sound source has finished.=20
>The Echoplex is still recording, I can still=20
>here the sound source - like the sustain of a=20
>guitar chord - but when it plays back the sound=20
>sources tail has been cut off. A note played=20
>with lots of reverb results in the reverb being=20
>cut off. Is there something I can do with the=20
>settings or is this just the way the Echoplex=20
>works. I have the input on at 1/4 and output=20
>full. Changing these doesn't seem to make any=20
>difference.
>
>
>
>Talk is cheap. Use Yahoo! Messenger to make=20
>PC-to-Phone calls.=20
><http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/e=
vt=3D39666/*http://messenger.yahoo.com>Great=20
>rates starting at 1=A2/min.


-- 
=2E..
http://www.zmix.net
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<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Ehcoplex Loop IV
Sensitivity</title></head><body>
<div>It's an attempt at noise reduction... I've experimented with it
but it's just the way they designed it.</div>
<div><br></div>
<blockquote type=3D"cite" cite>I have ignored this issue because I
thought it was just the nature of the Echoplex but when recording it
seems to have a low threshold and cuts out before the sound source has
finished. The Echoplex is still recording, I can still here the sound
source - like the sustain of a guitar chord - but when it plays back
the sound sources tail has been cut off. A note played with lots of
reverb results in the reverb being cut off. Is there something I can
do with the settings or is this just the way the Echoplex works. I
have the input on at 1/4 and output full. Changing these doesn't seem
to make any difference.<br>
</blockquote>
<blockquote type=3D"cite"
cite>&nbsp;<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></blockquote>
<blockquote type=3D"cite" cite>
<hr size=3D"1"></blockquote>
<blockquote type=3D"cite" cite>Talk is cheap. Use Yahoo! Messenger to
make PC-to-Phone calls. <a
href=3D
"http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/ev=
t=3D39666/*http://messenger.yahoo.com"><span
></span>Great rates starting at 1=A2/min.</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 22:01:46 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Looping stuff for Mac....
Date: Sat, 26 Aug 2006 15:00:27 -0700
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> I'm checking out the Kaiserlooper here now but no audio gets looped.=20=

> The "DSP Status" window shows the correct settings for my G5 and=20
> Multiface audio interface. I can monitor the Multiface separately and=20=

> I can see that no audio is being piped from the software to the=20
> physical output. Should there be some graphic indication in=20
> Kaiserlooper on what's going on?

Hi Per,

Awesome! somebody tried it....oh....and it didn't=20
work....hmmmm....bummer... :-)

There are three places you should see activity:

Is there any input level being shown on the LED under "input level?"

And is anything showing at the LEDs under the "Master Volume?"

Then, when you loop, there should be indication under the particular=20
loop strip that there is level there when you raise the fader.

Just curious, what is the CPU Usage reading under the on switch? And=20
maybe not so clear, play of the loop starts when you release the record=20=

button

Thanks, so much, Per!


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 22:18:56 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Looping stuff for Mac....
Date: Sun, 27 Aug 2006 00:18:52 +0200
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>> I'm checking out the Kaiserlooper here now but no audio gets  
>> looped. The "DSP Status" window shows the correct settings for my  
>> G5 and Multiface audio interface. I can monitor the Multiface  
>> separately and I can see that no audio is being piped from the  
>> software to the physical output. Should there be some graphic  
>> indication in Kaiserlooper on what's going on?

On 27 aug 2006, at 00.00, Jeff Kaiser wrote:
>
> Hi Per,
>
> Awesome! somebody tried it....oh....and it didn't  
> work....hmmmm....bummer... :-)
> There are three places you should see activity:
> Is there any input level being shown on the LED under "input level?"
> And is anything showing at the LEDs under the "Master Volume?"
> Then, when you loop, there should be indication under the  
> particular loop strip that there is level there when you raise the  
> fader.
>
> Just curious, what is the CPU Usage reading under the on switch?  
> And maybe not so clear, play of the loop starts when you release  
> the record button
>
> Thanks, so much, Per!


The CPU Usage meter does flicker between 2 and 3. Both in the main  
mixer window and the smaller "CPU Utilization" box of the DSP Status  
window. This is on a 2x2 GHz G5 with 2 GB ram. Still no signs of any  
activity inside the Kaiserlooper though.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 22:21:47 2006
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Subject: Streaming to the Web this Evening: MOJO @ the DOJO: Experiments of Sound
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If you want to listen in this evening, this series of performances =
starts at 7:00pm PST (San Francisco), 8:00pm MST (Denver), 9:00pm =
Central (Austin/Dallas), 10:00pm EST (Boston/New York), 4:00am =
(Berlin/Rome), 10:00am (Singapore), or 2:00pm GMT (Greenwhich Mean =
Time). The performance goes for 3 hours.  See link below.

I'll be recording the performances as well, for future playback.

Ted Killian and I just finished sound checking and are hanging out at my =
abode right now.=20

Cheers,

Kris


MOJO @ the DOJO: Experiments of Sound - An evening of electronic and =
experimental music

Streamed to the Internet at: http://krispen.serverroom.us:9030/ (click =
"Listen")


Schedule & Performers

8:00pm - 8:25pm / Gretchen Jude (notebook computer)
8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics, looping)
9:15- 10:00pm / George McLean (keyboard and synthesizers)
10:15- 11:00 / Krispen Hartung & Ted Killian (guitars, notebook =
computer, electronics, looping)





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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>If you want to listen in this evening, =
this series=20
of performances starts at 7:00pm PST (San Francisco), 8:00pm MST =
(Denver),=20
9:00pm Central (Austin/Dallas), 10:00pm EST (Boston/New York), 4:00am=20
(Berlin/Rome), 10:00am (Singapore), or 2:00pm GMT (Greenwhich Mean =
Time). The=20
performance goes for 3 hours.&nbsp; See link below.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'll be recording the performances as =
well, for=20
future playback.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ted Killian and I just finished sound =
checking and=20
are hanging out at my abode right now. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><STRONG>MOJO @ the DOJO: Experiments of Sound -=20
</STRONG><EM>An evening of electronic and experimental =
music</EM></FONT></DIV>
<P>
<DIV><FONT face=3DArial></FONT></DIV><FONT face=3DArial><STRONG>Streamed =
to the=20
Internet at:</STRONG> </FONT><A =
href=3D"http://krispen.serverroom.us:9030/"><FONT=20
face=3DArial>http://krispen.serverroom.us:9030/</FONT></A><FONT=20
face=3DArial>&nbsp;(click "Listen")</FONT></P>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><STRONG><FONT face=3DArial>Schedule &amp; =
Performers</FONT></STRONG></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT face=3DArial>8:00pm - 8:25pm / Gretchen Jude (notebook=20
computer)</FONT></DIV>
<DIV><FONT face=3DArial>8:30pm - 9:00pm / Amy Vecchione&nbsp;(Banjo, =
electronics,=20
looping)</FONT></DIV>
<DIV><FONT face=3DArial>9:15- 10:00pm / George McLean (keyboard and=20
synthesizers)</FONT></DIV>
<DIV><FONT face=3DArial>10:15- 11:00 / Krispen Hartung &amp; Ted Killian =
(guitars,=20
notebook computer, electronics,&nbsp;looping)</FONT>
<P><A href=3D"http://www.3shapesaikido.com"><FONT =
face=3DArial></FONT></A></P><FONT=20
face=3DArial size=3D2></FONT></DIV></DIV>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 22:26:21 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Looping stuff for Mac....
Date: Sat, 26 Aug 2006 15:26:19 -0700
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Do you have max? I'm curious if the max patch itself would work on your=20=

machine.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Aug 26, 2006, at 3:18 PM, Per Boysen wrote:

>>> I'm checking out the Kaiserlooper here now but no audio gets looped.=20=

>>> The "DSP Status" window shows the correct settings for my G5 and=20
>>> Multiface audio interface. I can monitor the Multiface separately=20
>>> and I can see that no audio is being piped from the software to the=20=

>>> physical output. Should there be some graphic indication in=20
>>> Kaiserlooper on what's going on?
>
> On 27 aug 2006, at 00.00, Jeff Kaiser wrote:
>>
>> Hi Per,
>>
>> Awesome! somebody tried it....oh....and it didn't=20
>> work....hmmmm....bummer... :-)
>> There are three places you should see activity:
>> Is there any input level being shown on the LED under "input level?"
>> And is anything showing at the LEDs under the "Master Volume?"
>> Then, when you loop, there should be indication under the particular=20=

>> loop strip that there is level there when you raise the fader.
>>
>> Just curious, what is the CPU Usage reading under the on switch? And=20=

>> maybe not so clear, play of the loop starts when you release the=20
>> record button
>>
>> Thanks, so much, Per!
>
>
> The CPU Usage meter does flicker between 2 and 3. Both in the main=20
> mixer window and the smaller "CPU Utilization" box of the DSP Status=20=

> window. This is on a 2x2 GHz G5 with 2 GB ram. Still no signs of any=20=

> activity inside the Kaiserlooper though.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 22:50:38 2006
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From: gael <gael@moregeometrico.net>
Subject: Re: Looping stuff for Mac....
Date: Sun, 27 Aug 2006 00:50:36 +0200
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Hi,

it works on a G4 powerbook with os x 10.4.7
with the built in sound card.

great stuff

best

gael

http://www.moregeometrico.net


Le 26 ao=FBt 06 =E0 20:01, Per Boysen a =E9crit :

> On 23 aug 2006, at 09.53, Jeff Kaiser wrote:
>
>> So, I've put together a patch for looping in Max/MSP and made it =20
>> so I think it works as a standalone application....four stereo =20
>> loopers with varispeed stuff.....
>>
>> It is not very developed, mouse only, midi to come, but I'm =20
>> curious if it works on other machines, or only mine....I'm very =20
>> new at this and just having fun so don't  know....
>>
>> please try it and let me know it it works, or not.....that is, if =20
>> you use a mac....might not work on the new ones.
>>
>> No docs, hopefully it might be self-explanatory.
>>
>> http://jeffkaiser.com/software.html
>>
>> cheers,
>>
>> Jeff
>
>
> Hi Jeff,
>
> I'm checking out the Kaiserlooper here now but no audio gets =20
> looped. The "DSP Status" window shows the correct settings for my =20
> G5 and Multiface audio interface. I can monitor the Multiface =20
> separately and I can see that no audio is being piped from the =20
> software to the physical output. Should there be some graphic =20
> indication in Kaiserlooper on what's going on?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 26 23:02:44 2006
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From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: Looping stuff for Mac....
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Hi there,

Just tried it here with a Lombard G3 Powerbook on os x
10.3.9 and it works fine with the internal sound card.

Looks like it could be fun - pretty much what I'm
doing with the Rax / Augustus Loop combo.

- Tony



		
___________________________________________________________ 
Yahoo! Photos – NEW, now offering a quality print service from just 8p a photo http://uk.photos.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 00:31:05 2006
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Thanks gael and Tony....

Per, have you tried it with the internal sound card?

Curiously,
Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 01:03:22 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: "Instrument" vs "Effect" (was:  laptop-loopers (guitar)
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--- Krispen Hartung <khartung@cableone.net> wrote:

> box for crying out loud...just because a person
> tweaks nobs, pushes buttons 
> and changes parameters doesn't make the box an
> instrument, nor even make him 
> a musician."   

Like a Mini Moog?  Here's why I think in the above
case the Fireworx (or any other effects processor that
can be manipulated in real time) is at least part of
this thing we call an instrument.

What's a guitar?  String.  Hit the string and it
oscillates.  So you have a basic mechanical
oscillator.  Nice.  Bend the string... that's a pitch
effect.  Amplify it, mute pluck it... tap it... all
mechanical effects we call "technique"  The root being
"tech."

In the case of applying an effect to a loop, the loop
is your "oscillator." and your technique is your tech.
 If it's modified in real time to shape the sound for
the intent of musicality, than so be it.  It is in
this exact way that a DJ who scratches goes from 
someone being a collage artist/remixer to a musician. 
No one would say that Klause Schultz tweaking a fliter
on a Mini Moog isn't music... just because that effect
is built in to the "instrument"  Why does it have to
be?

Mark


But that would be a bit strong for me
> to state explicity as a 
> strong opinion, because there is a lot of fuzziness
> and semantics going on 
> here. We can define terms easy enough so that an
> effects unit is not an 
> instrument...that's just linguistic gymnastics; but
> whether an effects box 
> is an instrument in the same way as a guitar is a
> different matter. We are 
> getting into categories of instrumnetation of
> varying degrees. Okay, it's 
> half an instrument, and I'm half a musician by
> playing it. Heh heh....
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, August 25, 2006 2:23 PM
> Subject: Re: "Instrument" vs "Effect" (was:
> laptop-loopers (guitar)
> 
> 
> > On 25 aug 2006, at 22.13, Daryl Shawn wrote:
> >
> >> On the effects tip, I like Krispen's analogy of
> the palette,  because it 
> >> also implies the difficulty of having to try to
> become  familiar with a 
> >> huge number of possibilities, and then, having to
>  choose among those 
> >> possibilities. More colors, but more judicious 
> decision-making and 
> >> experience are required to master the canvas.
> >
> >
> > That's exactly why I don't like "adding effects"
> but rather "playing  with 
> > effects". I always put effects before the loopers,
> so eventual  effect 
> > sound will be part of the foundation of the
> building I'm  construction 
> > (fancy wording for "looping" ;-) as opposed to
> being  paper wrappings on 
> > the outer walls. Less is more fun ;-)
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> > 
> 
> 
> 


__________________________________________________
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 of Sound
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coming in loud&clear on the itunes-great-thanks
s

-----Original Message-----
>From: Krispen Hartung <khartung@cableone.net>
>Sent: Aug 26, 2006 6:21 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Streaming to the Web this Evening: MOJO @ the DOJO: Experiments of Sound
>
>If you want to listen in this evening, this series of performances starts at 7:00pm PST (San Francisco), 8:00pm MST (Denver), 9:00pm Central (Austin/Dallas), 10:00pm EST (Boston/New York), 4:00am (Berlin/Rome), 10:00am (Singapore), or 2:00pm GMT (Greenwhich Mean Time). The performance goes for 3 hours.  See link below.
>
>I'll be recording the performances as well, for future playback.
>
>Ted Killian and I just finished sound checking and are hanging out at my abode right now. 
>
>Cheers,
>
>Kris
>
>
>MOJO @ the DOJO: Experiments of Sound - An evening of electronic and experimental music
>
>Streamed to the Internet at: http://krispen.serverroom.us:9030/ (click "Listen")
>
>
>Schedule & Performers
>
>8:00pm - 8:25pm / Gretchen Jude (notebook computer)
>8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics, looping)
>9:15- 10:00pm / George McLean (keyboard and synthesizers)
>10:15- 11:00 / Krispen Hartung & Ted Killian (guitars, notebook computer, electronics, looping)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 02:16:16 2006
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OK, this is about to drive me nuts.

I've been using ALive 5.2 for several months now and it's been a major
improvement in my set-up.  There's been the usual trials with latency and
learning to balance recourses.  All in all, I've been amazed at how smooth a
transition it's been.

And, now there's trouble.  Over the past couple of weeks, a major problem
has developed.  While, playing Live will ..glitch.  Playback momentarily
stops and then resumes off time.  Since 98.6% of what I do is 1) with set
tempo percussion and 2) with other players who struggle to stay with a
metronome, much less a looper, the end result is a massive stumble or at
worse the always popular 'train-wreck' ending.

At first it seemed to be random and unpredictable.  After a lot of search
and research, it happens within a wide window near 10 minute intervals; as
little as 9 & as much as 12, but by far most often at 10 minutes +/- 35
secs.  At first I thought another program was running in the background, so
I clipped everything except audio drives and still it gliches.  I've been
unsuccessful in finding anything that has changed in AL and I haven't loaded
anything onto the laptop within a month.  I've checked for viruses, spy and
malware with '0' results.   I've gone into the start-up registry listings
and eliminated anything unnecessary.  And, I've implemented all of the tips
listed at musicXP.com (yeah, I know.  it's a Win system)

So, I am at this point completely stumped.  And, too frustrated for clarity.
With everything else off, it's got to be either in AL or the soundcard
(using the internal audio with Stienberg's ASIO plug-in. It's not the best,
but it's been working OK)

Any thoughts, suggestions or relevant rebukes?

dm

www.music.download.com/danmontgomery
www.myspace.com/precentor

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<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>OK, this is about to drive me =
nuts.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>I've been using ALive 5.2 for several months =
now and=20
it's been a major improvement in my set-up.&nbsp; There's been the usual =
trials=20
with latency and learning to balance recourses.&nbsp; All in all, I've =
been=20
amazed at how smooth a transition&nbsp;it's been.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>And, now there's trouble.&nbsp; Over the past =
couple of=20
weeks, a major problem has developed.&nbsp; While, playing&nbsp;Live =
will=20
..glitch.&nbsp; Playback momentarily stops and then resumes off =
time.&nbsp;=20
Since 98.6% of what I do is 1) with set tempo percussion and 2) with =
other=20
players who struggle to stay with a metronome, much less a looper, the =
end=20
result is a massive stumble or at worse the always popular 'train-wreck' =

ending.&nbsp;</SPAN></FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>At first it seemed to be random and=20
unpredictable.&nbsp; After a lot of search and research, it happens =
within a=20
wide window&nbsp;near 10 minute intervals; as&nbsp;little as 9 =
&amp;&nbsp;as=20
much as 12, but by far most often at 10 minutes +/- 35 secs.&nbsp; At =
first I=20
thought another program was running in the background, so I clipped =
everything=20
except audio drives and still it gliches.&nbsp; I've been unsuccessful =
in=20
finding anything that has changed in AL and I haven't loaded anything =
onto the=20
laptop within&nbsp;a month.&nbsp; I've checked for viruses, spy and =
malware=20
with&nbsp;'0' results.&nbsp; &nbsp;I've gone into the start-up registry =
listings=20
and eliminated anything unnecessary.&nbsp; And, I've implemented all of =
the tips=20
listed at musicXP.com (yeah, I know.&nbsp; it's a Win=20
system)</SPAN></FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>So, I am at this point completely =
stumped.&nbsp; And,=20
too frustrated for clarity.&nbsp; With everything else off, it's got to =
be=20
either in AL or the soundcard (using the internal audio with Stienberg's =
ASIO=20
plug-in. It's not the best, but it's been working =
OK)</SPAN></FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#000080 size=3D2><SPAN=20
class=3D796311601-27082006>Any thoughts, suggestions or relevant=20
rebukes?</SPAN></FONT></DIV>
<P><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2><BR>dm =
</FONT></P>
<P><FONT color=3D#0000ff><A=20
href=3D"http://www.music.download.com/danmontgomery"><FONT face=3D"Comic =
Sans MS"=20
size=3D2>www.music.download.com/danmontgomery</FONT></A><BR><A=20
href=3D"http://www.myspace.com/precentor"><FONT face=3D"Comic Sans MS"=20
size=3D2>www.myspace.com/precentor</FONT></A></FONT></P>
<P><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT></P>
<P><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</P>
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 02:48:37 2006
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User-Agent: Microsoft-Entourage/11.2.5.060620
Date: Sat, 26 Aug 2006 22:48:29 -0400
Subject: Re: Looping stuff for Mac
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C116803D.1961B%toddreyn@gmail.com>
Thread-Topic: Looping stuff for Mac
Thread-Index: AcbJg0aohV/wpjV2EduZqQAKldLXPg==
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Hey jeff,=20

I just took a minute to try this.  YES!


Nice work, especially the varispeed thing. I=B9m always amazed when I see
this: 6 percent cpu hit on a powerbook 1.5 with a Motu Traveler.  When I=B9m
using Ableton to accomplish what I need to, I=B9m up to 40 percent and
struggling.  When working in Max to accomplish something similar, I=B9m down
around 30 percent. Max/MSP is absolutely cpu efficient when doing everythin=
g
from the inside out, rather than employing lots of VSTs from the =8Coutside=B9,
for example.  But even then it=B9s really efficient, so no complaints.

What is also amazing to me is the flexibility of style available with
programming from max.  I have a few friends who=B9ve made loopers with max,
and each one is completely different, yes, like a different Instrument, to
refer to our ongoing thread, and each single one makes entirely different
music using subtleties in control and design.

Probably points which may have been made here before, but which I felt migh=
t
contribute something by saying it again here.

Thanks Jeff.  I will use this onstage soon with your permission, which I
guess is implied by your posting it to try it out?  I look forward to seein=
g
how you deal with midi control and what other developments you might think
of...=20

Great,  bests everybody,

Todd=20


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<HTML>
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<TITLE>Re: Looping stuff for Mac</TITLE>
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<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Hey jeff, <BR>
<BR>
I just took a minute to try this. &nbsp;YES!<BR>
<BR>
<BR>
Nice work, especially the varispeed thing. I&#8217;m always amazed when I s=
ee this: 6 percent cpu hit on a powerbook 1.5 with a Motu Traveler. &nbsp;Wh=
en I&#8217;m using Ableton to accomplish what I need to, I&#8217;m up to 40 =
percent and struggling. &nbsp;When working in Max to accomplish something si=
milar, I&#8217;m down around 30 percent. Max/MSP is absolutely cpu efficient=
 when doing everything from the inside out, rather than employing lots of VS=
Ts from the &#8216;outside&#8217;, for example. &nbsp;But even then it&#8217=
;s really efficient, so no complaints.<BR>
<BR>
What is also amazing to me is the flexibility of style available with progr=
amming from max. &nbsp;I have a few friends who&#8217;ve made loopers with m=
ax, and each one is completely different, yes, like a different Instrument, =
to refer to our ongoing thread, and each single one makes entirely different=
 music using subtleties in control and design.<BR>
<BR>
Probably points which may have been made here before, but which I felt migh=
t contribute something by saying it again here.<BR>
<BR>
Thanks Jeff. &nbsp;I will use this onstage soon with your permission, which=
 I guess is implied by your posting it to try it out? &nbsp;I look forward t=
o seeing how you deal with midi control and what other developments you migh=
t think of... <BR>
<BR>
Great, &nbsp;bests everybody,<BR>
<BR>
Todd <BR>
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 03:23:24 2006
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Date: Sat, 26 Aug 2006 23:22:19 -0400
Subject: Re: Kaiserlooper (was looping for mac)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C116882B.1961D%toddreyn@gmail.com>
Thread-Topic: Kaiserlooper (was looping for mac)
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Jeff,

Really enjoyed the track you put up...

I put a little experiment up as well.  Just 4 loops of an unaffected violin=
.

You=B9re continuing to make me gravitate to the M/M world.

http://toddreynolds.com/Kaiserloop

Both an aif and an apple lossless, 26 and 10 megs, respectively.

2:34 secs.

Bests,

Todd


=20


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<HTML>
<HEAD>
<TITLE>Re: Kaiserlooper (was looping for mac)</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Jeff,<BR>
<BR>
Really enjoyed the track you put up... &nbsp;<BR>
<BR>
I put a little experiment up as well. &nbsp;Just 4 loops of an unaffected v=
iolin.<BR>
<BR>
You&#8217;re continuing to make me gravitate to the M/M world. &nbsp;<BR>
<BR>
<a href=3D"http://toddreynolds.com/Kaiserloop">http://toddreynolds.com/Kaiser=
loop</a><BR>
<BR>
Both an aif and an apple lossless, 26 and 10 megs, respectively.<BR>
<BR>
2:34 secs.<BR>
<BR>
Bests,<BR>
<BR>
Todd<BR>
<BR>
<BR>
&nbsp;<BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3239479388_16601890--


From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 04:38:43 2006
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Date: Sat, 26 Aug 2006 21:38:41 -0700 (PDT)
From: David Young <maximinish@yahoo.com>
Subject: Re: Ehcoplex Loop IV Sensitivity
To: Loopers-Delight@loopers-delight.com
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Thanks Charles. I figured as much. I really limits the dynamics of the recording.

Charles Zwicky <cazwicky@earthlink.net> wrote:  Re: Ehcoplex Loop IV Sensitivity It's an attempt at noise reduction... I've experimented with it but it's just the way they designed it.
 

 I have ignored this issue because I thought it was just the nature of the Echoplex but when recording it seems to have a low threshold and cuts out before the sound source has finished. The Echoplex is still recording, I can still here the sound source - like the sustain of a guitar chord - but when it plays back the sound sources tail has been cut off. A note played with lots of reverb results in the reverb being cut off. Is there something I can do with the settings or is this just the way the Echoplex works. I have the input on at 1/4 and output full. Changing these doesn't seem to make any difference.
                    
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Thanks Charles. I figured as much. I really limits the dynamics of the recording.<br><br><b><i>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">  <style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }  --></style><title>Re: Ehcoplex Loop IV Sensitivity</title> <div>It's an attempt at noise reduction... I've experimented with it but it's just the way they designed it.</div> <div><br></div> <blockquote type="cite" cite="">I have ignored this issue because I thought it was just the nature of the Echoplex but when recording it seems to have a low threshold and cuts out before the sound source has finished. The Echoplex is still recording, I can still here the sound source - like the sustain of a guitar chord - but when it plays back the sound sources tail has been cut off. A note played with lots of reverb results in
 the reverb being cut off. Is there something I can do with the settings or is this just the way the Echoplex works. I have the input on at 1/4 and output full. Changing these doesn't seem to make any difference.<br> </blockquote> <blockquote type="cite" cite="">&nbsp;<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab></blockquote> <blockquote type="cite" cite=""> <hr size="1"></blockquote> <blockquote type="cite" cite="">Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"><span></span>Great rates starting at 1¢/min.</a></blockquote> <div><br></div> <div><br></div> <x-sigsep></x-sigsep><pre>--<br></pre> <div>...<br> http://www.zmix.net</div> </blockquote><br><p>&#32;
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 05:39:33 2006
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Date: Sat, 26 Aug 2006 22:39:46 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex Loop IV Sensitivity
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At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>It's an attempt at noise reduction... I've experimented with it but it's 
>just the way they designed it.

This statement is incorrect. A gate is necessary for multiple undo 
functions to work in a useable way. It has nothing to do with noise reduction.

>>I have ignored this issue because I thought it was just the nature of the 
>>Echoplex but when recording it seems to have a low threshold and cuts out 
>>before the sound source has finished. The Echoplex is still recording, I 
>>can still here the sound source - like the sustain of a guitar chord - 
>>but when it plays back the sound sources tail has been cut off. A note 
>>played with lots of reverb results in the reverb being cut off. Is there 
>>something I can do with the settings or is this just the way the Echoplex 
>>works. I have the input on at 1/4 and output full. Changing these doesn't 
>>seem to make any difference.

Long ago in the early versions of LoopIII, we had the gate threshold rather 
high and it cut decaying sounds off rather obviously. The gate threshold 
was reduced in subsequent versions to a point where it should not be so 
obvious. If you hear the gate so obviously, most likely you have the input 
level too low.

this is discussed the Echoplex FAQ:
http://www.loopers-delight.com/tools/echoplex/FAQ5.html#gate

The input level should be set high enough such that the loudest sound you 
play in the loop path is just below clipping. (note I say loop path, not 
direct path.) The best way I've found to do this is set Mix to "Loop", set 
feedback to 0, record a very short loop, and turn overdub on. Then you will 
only hear sounds you play through the loop path, and you can set the input 
level to the highest it will go before clipping.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 07:40:28 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Kaiserlooper (was looping for mac)
Date: Sun, 27 Aug 2006 00:39:39 -0700
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Thanks Todd!! Very nice, beautiful. Awesome.

Midi control is next....

cheers,

Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Aug 26, 2006, at 8:22 PM, Todd Reynolds wrote:

> Jeff,
>
>  Really enjoyed the track you put up... =A0
>
>  I put a little experiment up as well. =A0Just 4 loops of an =
unaffected=20
> violin.
>
>  You=92re continuing to make me gravitate to the M/M world. =A0
>
> http://toddreynolds.com/Kaiserloop
>
>  Both an aif and an apple lossless, 26 and 10 megs, respectively.
>
>  2:34 secs.
>
>  Bests,
>
>  Todd
>
>
>  =A0
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 07:56:36 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Looping stuff for Mac....
Date: Sun, 27 Aug 2006 09:56:28 +0200
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On 27 aug 2006, at 00.26, Jeff Kaiser wrote:

> Do you have max? I'm curious if the max patch itself would work on  
> your machine.....


No Max, but Max/msp Runtime, due to Pluggo. I'm sorry I don't have  
time to test it on my Powerbook. Gear is being stuffed and I'm about  
to leave this spot for ten days.

> Per, have you tried it with the internal sound card?

No. But it would probably work because it does on others Macs. On my  
G5 I have a similar issue with IP-telephone activities in Skype. So I  
keep the POwrbook daisy chained (Internet sharing by Firewire800) and  
use it only for making phone calls through the built-in sound card  
and mic. I guess the G5 has some problem with PCI Pro audio  
interfaces regarding software that are made for using the built-in  
sound card?

Kaiserloop looks nice though, by the first functions you chose to put  
into it (looking at buttons and faders while imagining what it would  
sound like)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 08:06:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Live stumbling ... 
Date: Sun, 27 Aug 2006 10:06:01 +0200
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On 27 aug 2006, at 04.16, dm wrote:

>
> OK, this is about to drive me nuts.
>
> I've been using ALive 5.2 for several months now and it's been a  
> major improvement in my set-up.  There's been the usual trials with  
> latency and learning to balance recourses.  All in all, I've been  
> amazed at how smooth a transition it's been.
>
> And, now there's trouble.  Over the past couple of weeks, a major  
> problem has developed.  While, playing Live will ..glitch.   
> Playback momentarily stops and then resumes off time.  Since 98.6%  
> of what I do is 1) with set tempo percussion and 2) with other  
> players who struggle to stay with a metronome, much less a looper,  
> the end result is a massive stumble or at worse the always popular  
> 'train-wreck' ending.
>
> At first it seemed to be random and unpredictable.  After a lot of  
> search and research, it happens within a wide window near 10 minute  
> intervals; as little as 9 & as much as 12, but by far most often at  
> 10 minutes +/- 35 secs.  At first I thought another program was  
> running in the background, so I clipped everything except audio  
> drives and still it gliches.  I've been unsuccessful in finding  
> anything that has changed in AL and I haven't loaded anything onto  
> the laptop within a month.  I've checked for viruses, spy and  
> malware with '0' results.   I've gone into the start-up registry  
> listings and eliminated anything unnecessary.  And, I've  
> implemented all of the tips listed at musicXP.com (yeah, I know.   
> it's a Win system)
>
> So, I am at this point completely stumped.  And, too frustrated for  
> clarity.  With everything else off, it's got to be either in AL or  
> the soundcard (using the internal audio with Stienberg's ASIO plug- 
> in. It's not the best, but it's been working OK)
>
> Any thoughts, suggestions or relevant rebukes?


How about the hard drive you lay down audio to? Do you keep it  
instantly defragged and not too filled up with stuff? That's crucial  
when working audio on a Windows system, at least if your work include  
a lot of audio files. If you are using the built-in drive (the one  
in  the lappy where also the OS and applications are installed) I  
would guess that may be something to look into.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Kaiserlooper (was looping for mac)
Date: Sun, 27 Aug 2006 10:19:26 +0200
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On 27 aug 2006, at 05.22, Todd Reynolds wrote:

> http://toddreynolds.com/Kaiserloop


Thank you for posting a clip, Todd! The Kaiserloop turned out to  
sound like I had imagined (I didn't get it to work with my Multiface  
on the G5 while I was at it). I'm especially thinking about the  
seamless pitch/rate shifting. You can do a lot of fun stuff with  
that! It would be nice to combine that seamless shifting with the  
note step bound pitch/rate shifting I think Mobius excels at.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 08:23:09 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Kaiserlooper (was looping for mac)
Date: Sun, 27 Aug 2006 01:23:09 -0700
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Excellent idea, and totally do-able...thanks Per.

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 27, 2006, at 1:19 AM, Per Boysen wrote:

> the note step bound pitch/rate shifting I think Mobius excels at.

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 09:49:17 2006
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From: gael <gael@moregeometrico.net>
Subject: Re: Looping stuff for Mac....
Date: Sun, 27 Aug 2006 11:49:15 +0200
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Hi,

a Low pass filter for each loop output would be very nice also,
making drone easily :-)

best

gael
http://www.moregeometrico.net

Le 27 ao=FBt 06 =E0 01:02, Tony Douglas a =E9crit :

> Hi there,
>
> Just tried it here with a Lombard G3 Powerbook on os x
> 10.3.9 and it works fine with the internal sound card.
>
> Looks like it could be fun - pretty much what I'm
> doing with the Rax / Augustus Loop combo.
>
> - Tony
>
>
>
> 	=09
> ___________________________________________________________
> Yahoo! Photos =96 NEW, now offering a quality print service from just =20=

> 8p a photo http://uk.photos.yahoo.com
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hi,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">a Low pass =
filter for each loop output would be very nice also,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">making drone easily :-)</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">best</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">gael</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.moregeometrico.net/">http://www.moregeometrico.net</A><=
/DIV><BR><DIV><DIV>Le 27 ao=FBt 06 =E0 01:02, Tony Douglas a =E9crit =
:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi there,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Just =
tried it here with a Lombard G3 Powerbook on os x</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">10.3.9 and it works fine with the internal sound =
card.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Looks like it could be fun - pretty much what =
I'm</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">doing with the Rax / Augustus =
Loop combo.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">- Tony</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><SPAN =
class=3D"Apple-tab-span" style=3D"white-space:pre">	</SPAN><SPAN =
class=3D"Apple-tab-span" style=3D"white-space:pre">	</SPAN><BR =
class=3D"khtml-block-placeholder"></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">___________________________________________________________<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Yahoo! =
Photos =96 NEW, now offering a quality print service from just 8p a =
photo <A =
href=3D"http://uk.photos.yahoo.com">http://uk.photos.yahoo.com</A></DIV><D=
IV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR></BODY></HTML>=

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>speaking of video looping, I don't know if such a device exists,

video looping is achieved by pointing the camera at the screen :-)

andybutler

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 11:43:12 2006
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At 02:41 21/08/2006, you wrote:
>- I don't want the virtual wire (ie. rat's nest) GUI of connecting 
>VSTs like Bidule and EnergyXT...that looks like crap after a while 
>and seems like a waste of screen space
>- I'd like to be able to create a module of VST effects, or one VST 
>effect, where the GUI for doing so is a graphical matrix table (rows 
>and columns fed by a input that I choose and going to a output that 
>I choose), where you can insert VST effects in serial or 
>parallel...then save that matrix or module and show it as one button 
>or small icon on the main VST host GUI; and then I'd like to be able 
>to activate that matrix with a mouse click, keyboard button, or MIDI 
>program change (I guess you can save modules like this in Bidule, 
>but it is not at all intuitive to me
>-Then I would like to be able to place these modules or matrices 
>into a higher order matrix of modules in parallel or serial, all 
>shown in the main VST host GUI
>- And when selecting the VSTs to go into the matrix, I'd like to be 
>able to drag and drop them with my mouse from an Explorer like space 
>into the matrix
>- And while playing in real time, I'd like to be able to open up a 
>module/matrix and drag and drop another VST effect into it ,which 
>activates and becomes a part of the module in real-time (this is 
>wishful thinking)
>- And I DON'T want to have to program my GUI with a bunch of cryptic 
>text or codes just to create a matix, but it should all be graphical 
>and highly intuitive - drag and drop, drop-down menus, what you see 
>is what you get, etc

Bidule should be able to handle this.


>Basically, even though all the efects are in parallel, I really do 
>like Chainer. If Chainer had the ability to put VST effects in 
>parallel, shown horizontally in the same "link" of the chain, and if 
>I could activate that "link" via MIDI, Chainer would amost do it for 
>me. However, I contacted them, and you can't activate a VST effect 
>via MIDI, only control the VST effects's parameters, presets, 
>etc...that seems sort of ridiculous to me, but it's their design. I 
>suppose I could run EnergyXT as a VST and insert a copy it inside 
>the chain of Chainer...I haven't tired that yet.
>
>I think MAX/MSP would probably work for me (if it can pull off the 
>intuitive GUI I prefer), but I don't want to spend the time and get 
>on the learning curve to create my own VST host. And it seems sort 
>of ridiculous for me to spend $500 on the program, when it basically 
>becomes an overglorified VST host. I just want the host ,but not all 
>the programming bells and whistles.
>
>I suppose when I can justify the spend, I'll buy MAX/MSP, and just 
>pay someone to create a VST host for me, built to my specs.

or pay someone to create a Bidule layout like this,  (  hint :-)
which would leave you with the
"And while playing in real time, I'd like to be able to open up a 
module/matrix and drag and drop another VST effect into it ,which 
activates and becomes a part of the module in real-time "
feature


>(this is wishful thinking)

nope, that's Bidule

andy Butler 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 13:19:31 2006
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a k butler wrote:

> video looping is achieved by pointing the camera at the screen :-)

you could build a video looper with a pair of hacked vhs decks, couldn't 
you? one records, the other plays. mangle a vhs cassette, splice together a 
loop, rig up a flash feed system..

been meaning to do that for ages, actually.

-- 
f r e y
live music with machines
http://www.frey.co.nz

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 16:35:57 2006
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Did you ever get any feedback on this?  I might be interested.  The part 
about chewing up the sound actually sounds especially interesting...

--Josh



michael sintros wrote:
> it occured to me i should make people aware of the
> existence of yet another piece of loop gear.  i'm
> speaking of the pyle pdsp850 phrase sampler.  this
> little unit i picked up online knowing nothing about
> it except what it claimed to be able to do.  they go
> for around $100 new.  it's a somewhat thin rackmount
> unit and is basically a very simple dj phrase sampler.
>  you've got a few different banks to choose from which
> give you different amounts of time to deal with
> (probably their way of crudely managing memory on this
> p.o.s.).  according to the tools of the trade site
> list, this would fall under the category of not being
> a true looper, since it does not allow you to hit one
> button to record and another to stop recording and
> immediately initiate playback.  in addition to the
> buttons to select a memory location, there are a few
> other buttons such as 'read' and 'write'.  to sample,
> make sure the 'read' is lit up and then hit the record
> button and it'll start recording, then hit the button
> again to stop.  then you've got to hit the 'write'
> button, after which you can hit the same record/play
> button to play or stop the playing loop.  it also has
> a knob for controlling the speed of the loop just as
> on a tape machine or record player.  the range is not
> that great, maybe about half an octave in either
> direction.  you can crank the knob all the way in one
> direction to record fast and then turn it all the
> other direction to get a greater decrease in pitch
> then if you had started with the knob at the middle
> point.  kind of nice.  main problem with this baby is
> that the sound quality coming out of it SUCKS!  it
> seems that levels that are already well optimized such
> as if you have a cd player plugged right into it
> usually don't come out sounding too bad, just a bit
> grainy.  but if your input signal is even a little bit
> soft, it seems like this thing really mangles it.  the
> knobs that control input and output volume also don't
> seem to behave as espected.  for instance, put the
> input level way down to avoid clipping (which is easy
> with this thing), you'll have to turn the output knob
> up to compensate for that.  so record a loop then play
> it back.  it will come out very very loud.  it's as
> though there is an automatic normalization process
> that happens to the loop when it is stored, because i
> would expect the loop to come out sounding as loud as
> it did when i was playing through the unit.  or the
> input and output volumes affect the throughput and the
> stored loops differently, which is retarded.  
>
> anybody else ever been unfortunate enough to buy one
> of these?  if so, anything you'd recommend to make it
> more usable?  i never use it anymore because it's too
> noisey.  if anyone is curious and wants to try one
> out, i would be willing to sell mine at a rather low
> price, since i know i have not exactly given a rave
> review of it.  but one man's garbage is another man's
> ... aesthetically pleasing garbage.  
>
> __________________________________________________
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> Tired of spam?  Yahoo! Mail has the best spam protection around 
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>
>   

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 16:52:04 2006
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Per,

What do you mean by "Instant Defrag"?

--Josh



Per Boysen wrote:
> On 27 aug 2006, at 04.16, dm wrote:
>
>>
>> OK, this is about to drive me nuts.
>>
>> I've been using ALive 5.2 for several months now and it's been a 
>> major improvement in my set-up.  There's been the usual trials with 
>> latency and learning to balance recourses.  All in all, I've been 
>> amazed at how smooth a transition it's been.
>>
>> And, now there's trouble.  Over the past couple of weeks, a major 
>> problem has developed.  While, playing Live will ..glitch.  Playback 
>> momentarily stops and then resumes off time.  Since 98.6% of what I 
>> do is 1) with set tempo percussion and 2) with other players who 
>> struggle to stay with a metronome, much less a looper, the end result 
>> is a massive stumble or at worse the always popular 'train-wreck' 
>> ending.
>>
>> At first it seemed to be random and unpredictable.  After a lot of 
>> search and research, it happens within a wide window near 10 minute 
>> intervals; as little as 9 & as much as 12, but by far most often at 
>> 10 minutes +/- 35 secs.  At first I thought another program was 
>> running in the background, so I clipped everything except audio 
>> drives and still it gliches.  I've been unsuccessful in finding 
>> anything that has changed in AL and I haven't loaded anything onto 
>> the laptop within a month.  I've checked for viruses, spy and malware 
>> with '0' results.   I've gone into the start-up registry listings and 
>> eliminated anything unnecessary.  And, I've implemented all of the 
>> tips listed at musicXP.com (yeah, I know.  it's a Win system)
>>
>> So, I am at this point completely stumped.  And, too frustrated for 
>> clarity.  With everything else off, it's got to be either in AL or 
>> the soundcard (using the internal audio with Stienberg's ASIO 
>> plug-in. It's not the best, but it's been working OK)
>>
>> Any thoughts, suggestions or relevant rebukes?
>
>
> How about the hard drive you lay down audio to? Do you keep it 
> instantly defragged and not too filled up with stuff? That's crucial 
> when working audio on a Windows system, at least if your work include 
> a lot of audio files. If you are using the built-in drive (the one in  
> the lappy where also the OS and applications are installed) I would 
> guess that may be something to look into.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 18:05:17 2006
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Subject: file transfering prob mac/windows
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Hi gang,
a friend of mine brought his new sea gate 300GB
external usb HD to swap files from our external backup
sea gate HDs, both plugged into his mac book.The first
time we plugged my HD into the mac we had to restart
it for it to recognize it but then it was recognized
and did the transfer successfully,but this morning i
plugged my HD back to my windows PC and every time i
try to open it,it just asks "do u want to format your
HD?"however his HD is recognized on both platforms
without a problem!
anybody has a clue what happened? have i lost all my
backup files?is transfering files from different O.S.
through an external usb HD a forbidden sin?
thank you all!
Luis

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 20:06:57 2006
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Subject: Re: Live stumbling ...
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On 27 aug 2006, at 18.51, Joshua Carroll wrote:

> What do you mean by "Instant Defrag"?


Sorry. Defragmenting the drive often enough.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Aug 27 20:55:11 2006
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Got it.  I thought there was some cool feature I was missing out on...

--Josh



Per Boysen wrote:
> On 27 aug 2006, at 18.51, Joshua Carroll wrote:
>
>> What do you mean by "Instant Defrag"?
>
>
> Sorry. Defragmenting the drive often enough.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 02:13:58 2006
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Subject: Re: "Instrument" vs "Effect"
Date: Mon, 28 Aug 2006 04:13:50 +0200
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It's logical that Charles can't accept the effect to be an extension of "the 
instrument" since he is one of the first guys alert on OT mails ;-) ... All 
in one pack!

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
----- Original Message ----- 
From: "Charles Zwicky" <cazwicky@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 26, 2006 5:04 PM
Subject: Re: "Instrument" vs "Effect"


> These systems in their entirety are often referred to as an instrument, 
> for instance Jimi Hendrix and his Marshalls, Jon Hassel and his 
> harmonizer... I think this discussion got of on the wrong foot by claiming 
> that an effect was an instrument. This may be correct, Electro Harmonix is 
> of the philosophy that their 16 second delay and 2880 are 'looping 
> instruments'.
> -- 
> ...
> http://www.zmix.net
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 02:40:05 2006
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Date: Sun, 27 Aug 2006 19:40:04 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: file transfering prob mac/windows
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Did you accidently format it as a Mac drive?  If you
use standard... I'm not even sure what you call it,
"windows" format I guess, the mac will read it as well
as it's native drive formatting, but XP will not.  I
think there's an inexpensive utility though for XP
that lets it read mac formatted drives.  I never hook
my laptop to the internet (ok, that's a lie, I do when
there's a call and response license thing like NI
uses) so I transfer files using a windows format usb
"thumb" drive.  That's probably easiest.

--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> Hi gang,
> a friend of mine brought his new sea gate 300GB
> external usb HD to swap files from our external
> backup
> sea gate HDs, both plugged into his mac book.The
> first
> time we plugged my HD into the mac we had to restart
> it for it to recognize it but then it was recognized
> and did the transfer successfully,but this morning i
> plugged my HD back to my windows PC and every time i
> try to open it,it just asks "do u want to format
> your
> HD?"however his HD is recognized on both platforms
> without a problem!
> anybody has a clue what happened? have i lost all my
> backup files?is transfering files from different
> O.S.
> through an external usb HD a forbidden sin?
> thank you all!
> Luis
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 05:00:22 2006
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Date: Mon, 28 Aug 2006 00:38:40 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: "Instrument" vs "Effect"
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WTF?


>It's logical that Charles can't accept the effect to be an extension 
>of "the instrument" since he is one of the first guys alert on OT 
>mails ;-) ... All in one pack!
>
>The Playing Orchestra: http://www.telefonica.net/web2/tpo
>Chain Tape Collective: http://www.ct-collective.com
>----- Original Message ----- From: "Charles Zwicky" <cazwicky@earthlink.net>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Saturday, August 26, 2006 5:04 PM
>Subject: Re: "Instrument" vs "Effect"
>
>>These systems in their entirety are often referred to as an 
>>instrument, for instance Jimi Hendrix and his Marshalls, Jon Hassel 
>>and his harmonizer... I think this discussion got of on the wrong 
>>foot by claiming that an effect was an instrument. This may be 
>>correct, Electro Harmonix is of the philosophy that their 16 second 
>>delay and 2880 are 'looping instruments'.
>>--
>>...
>>http://www.zmix.net


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 05:00:23 2006
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Date: Mon, 28 Aug 2006 00:37:03 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Echoplex Loop IV Sensitivity
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There is a companding noise reduction system in the EDP, however. Is 
that the culprit here?

>At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>>It's an attempt at noise reduction... I've experimented with it but 
>>it's just the way they designed it.
>
>This statement is incorrect. A gate is necessary for multiple undo 
>functions to work in a useable way. It has nothing to do with noise 
>reduction.
>
>>>I have ignored this issue because I thought it was just the nature 
>>>of the Echoplex but when recording it seems to have a low 
>>>threshold and cuts out before the sound source has finished. The 
>>>Echoplex is still recording, I can still here the sound source - 
>>>like the sustain of a guitar chord - but when it plays back the 
>>>sound sources tail has been cut off. A note played with lots of 
>>>reverb results in the reverb being cut off. Is there something I 
>>>can do with the settings or is this just the way the Echoplex 
>>>works. I have the input on at 1/4 and output full. Changing these 
>>>doesn't seem to make any difference.
>
>Long ago in the early versions of LoopIII, we had the gate threshold 
>rather high and it cut decaying sounds off rather obviously. The 
>gate threshold was reduced in subsequent versions to a point where 
>it should not be so obvious. If you hear the gate so obviously, most 
>likely you have the input level too low.
>
>this is discussed the Echoplex FAQ:
>http://www.loopers-delight.com/tools/echoplex/FAQ5.html#gate
>
>The input level should be set high enough such that the loudest 
>sound you play in the loop path is just below clipping. (note I say 
>loop path, not direct path.) The best way I've found to do this is 
>set Mix to "Loop", set feedback to 0, record a very short loop, and 
>turn overdub on. Then you will only hear sounds you play through the 
>loop path, and you can set the input level to the highest it will go 
>before clipping.
>
>kim
>
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 06:32:42 2006
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Date: Sun, 27 Aug 2006 23:32:56 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex Loop IV Sensitivity
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no. read the FAQ.
kim

At 09:37 PM 8/27/2006, you wrote:
>There is a companding noise reduction system in the EDP, however. Is that 
>the culprit here?
>
>>At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>>>It's an attempt at noise reduction... I've experimented with it but it's 
>>>just the way they designed it.
>>
>>This statement is incorrect. A gate is necessary for multiple undo 
>>functions to work in a useable way. It has nothing to do with noise reduction.
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 09:53:41 2006
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Date: Mon, 28 Aug 2006 02:53:39 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: file transfering prob mac/windows
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Hi Mark,
No... all we did is hook up both HDs into his mac and
then this happened hooking it back to my PC.Everytime
i want to open my HD it wants to format it.
would maybe restoring files with XP going back to the
day before we did this work?
thanx
Luis

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Did you accidently format it as a Mac drive?  If you
> use standard... I'm not even sure what you call it,
> "windows" format I guess, the mac will read it as
> well
> as it's native drive formatting, but XP will not.  I
> think there's an inexpensive utility though for XP
> that lets it read mac formatted drives.  I never
> hook
> my laptop to the internet (ok, that's a lie, I do
> when
> there's a call and response license thing like NI
> uses) so I transfer files using a windows format usb
> "thumb" drive.  That's probably easiest.
> 
> --- "L.A. Angulo" <labaloops@yahoo.com> wrote:
> 
> > Hi gang,
> > a friend of mine brought his new sea gate 300GB
> > external usb HD to swap files from our external
> > backup
> > sea gate HDs, both plugged into his mac book.The
> > first
> > time we plugged my HD into the mac we had to
> restart
> > it for it to recognize it but then it was
> recognized
> > and did the transfer successfully,but this morning
> i
> > plugged my HD back to my windows PC and every time
> i
> > try to open it,it just asks "do u want to format
> > your
> > HD?"however his HD is recognized on both platforms
> > without a problem!
> > anybody has a clue what happened? have i lost all
> my
> > backup files?is transfering files from different
> > O.S.
> > through an external usb HD a forbidden sin?
> > thank you all!
> > Luis
> > 
> > www.myspace.com/luisangulocom
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 11:12:51 2006
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Date: Mon, 28 Aug 2006 07:08:10 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Echoplex Loop IV Sensitivity
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Kim,

  I understand the EDP theory of undo, but it's arcane. The 
implementation of this 'feature' that has caused problems for many 
users of the earlier software revs for years.

The Repeater, as one example, has a fully functioning undo without 
resorting to this vibe killer.

>no. read the FAQ.
>kim
>
>At 09:37 PM 8/27/2006, you wrote:
>>There is a companding noise reduction system in the EDP, however. 
>>Is that the culprit here?
>>
>>>At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>>>>It's an attempt at noise reduction... I've experimented with it 
>>>>but it's just the way they designed it.
>>>
>>>This statement is incorrect. A gate is necessary for multiple undo 
>>>functions to work in a useable way. It has nothing to do with 
>>>noise reduction.
>>
>>______________________________________________________________________
>>Kim Flint                     | Looper's Delight
>>kflint@loopers-delight.com    | http://www.loopers-delight.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 12:09:57 2006
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Date: Mon, 28 Aug 2006 14:09:55 +0200 (CEST)
Subject: EHX 2880 usb question
From: "roel" <q-mailing-list@xs4all.nl>
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hello!

since I have become a looping-addict in a few weeks, I'm planning on
acquiring a Electro Harmonics 2880 multitrack looper :)

However I have a question left:

Is the CF card accessible during use of the 2880? Or should I switch the
device into some kind of external storage mode...

What that question comes down to is: Can the 2880 itself access the CF
card when the card accessed by a computer at the same time?

Best regards, roel

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 12:47:01 2006
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Date: Mon, 28 Aug 2006 08:46:52 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
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I own a 2880 and use it with an Apple Mac under OSx. THe computer can 
acess the card while the 2880 is running, but I have had "Improper 
Device Removal" error messages while recording on the 2880 while 
connected to the computer. It is possible that this is not the case 
under Windows, but I don't know.


>hello!
>
>since I have become a looping-addict in a few weeks, I'm planning on
>acquiring a Electro Harmonics 2880 multitrack looper :)
>
>However I have a question left:
>
>Is the CF card accessible during use of the 2880? Or should I switch the
>device into some kind of external storage mode...
>
>What that question comes down to is: Can the 2880 itself access the CF
>card when the card accessed by a computer at the same time?
>
>Best regards, roel


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 15:27:44 2006
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To: <Loopers-Delight@loopers-delight.com>,
	"Charles Zwicky" <cazwicky@earthlink.net>
References: <10294.195.68.31.231.1156766995.squirrel@webmail.xs4all.nl> <p06230900c1189536e176@[24.215.166.178]>
Subject: Re: EHX 2880 usb question
Date: Mon, 28 Aug 2006 17:27:52 +0200
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thank you , thats what i needed to know, i'll let know when i have the 2880
and if i get these messages on pc. will be a while though :)

best ,roel
----- Original Message -----
From: "Charles Zwicky" <cazwicky@earthlink.net>
To: <q-mailing-list@xs4all.nl>; <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 28, 2006 2:46 PM
Subject: Re: EHX 2880 usb question


> I own a 2880 and use it with an Apple Mac under OSx. THe computer can
> acess the card while the 2880 is running, but I have had "Improper
> Device Removal" error messages while recording on the 2880 while
> connected to the computer. It is possible that this is not the case
> under Windows, but I don't know.
>
>
> >hello!
> >
> >since I have become a looping-addict in a few weeks, I'm planning on
> >acquiring a Electro Harmonics 2880 multitrack looper :)
> >
> >However I have a question left:
> >
> >Is the CF card accessible during use of the 2880? Or should I switch the
> >device into some kind of external storage mode...
> >
> >What that question comes down to is: Can the 2880 itself access the CF
> >card when the card accessed by a computer at the same time?
> >
> >Best regards, roel
>
>
> --
> ...
> http://www.zmix.net
>
>
>
> --
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.405 / Virus Database: 268.11.6/428 - Release Date: 25-8-2006
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 17:11:06 2006
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To: Loopers-Delight@loopers-delight.com
From: gael <gael@moregeometrico.net>
Subject: EH16 2004 footpedal 
Date: Mon, 28 Aug 2006 19:11:07 +0200
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hi,

  does anyone has the resistors values
for doing a diy EH16 controler pedal.
as the ones for the Echoplex.

Parameters for echoplex :

0 ohms	Record
14.3K ohms	Overdub
7.87K ohms	Multiply
4.75K ohms	Insert
2.87K ohms	Mute
1.58K ohms	Undo
681 ohms	NextLoop

http://www.loopers-delight.com/tools/echoplex/echopedals.html

thanks

gael
http://www.moregeometrico.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 17:14:39 2006
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Date: Mon, 28 Aug 2006 10:14:53 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex Loop IV Sensitivity
In-Reply-To: <p06230901c11877f305c5@[24.215.166.178]>
References: <20060826184013.44239.qmail@web37802.mail.mud.yahoo.com>
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 <6.1.2.0.2.20060826220210.0a501498@loopers-delight.com>
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The Repeater only has a single layer of Undo. Multiple layer Undo functions 
like in the Echoplex require a gate to work usably.

As I noted before, when input levels are set correctly this is generally 
not an issue.

The software revs where the threshold was set too high are from over 10 
years ago. It is kind of pointless for you to go on complaining about that 
when most people upgraded those units years ago. All you are doing is 
confusing people.

Again, read the faq and check the archives.

kim

At 04:08 AM 8/28/2006, Charles Zwicky wrote:
>  I understand the EDP theory of undo, but it's arcane. The implementation 
> of this 'feature' that has caused problems for many users of the earlier 
> software revs for years.
>
>The Repeater, as one example, has a fully functioning undo without 
>resorting to this vibe killer.
>
>>no. read the FAQ.
>>kim
>>
>>At 09:37 PM 8/27/2006, you wrote:
>>>There is a companding noise reduction system in the EDP, however. Is 
>>>that the culprit here?
>>>
>>>>At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>>>>>It's an attempt at noise reduction... I've experimented with it but 
>>>>>it's just the way they designed it.
>>>>
>>>>This statement is incorrect. A gate is necessary for multiple undo 
>>>>functions to work in a useable way. It has nothing to do with noise reduction.

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 17:30:01 2006
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Date: Mon, 28 Aug 2006 13:29:59 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EH16 2004 footpedal
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The schematic for the original footcontroller are on Bob Sellon's 
website, however, the reissued EH 16 second delay use a very 
different foot controller which contains a microcontroller in the 
fotswitch itself. I had the same idea when I bought my 16 second. No 
dice...


>hi,
>
>  does anyone has the resistors values
>for doing a diy EH16 controler pedal.
>as the ones for the Echoplex.
>
>Parameters for echoplex :
>
>0 ohms	Record
>14.3K ohms	Overdub
>7.87K ohms	Multiply
>4.75K ohms	Insert
>2.87K ohms	Mute
>1.58K ohms	Undo
>681 ohms	NextLoop
>
>http://www.loopers-delight.com/tools/echoplex/echopedals.html
>
>thanks
>
>gael
>http://www.moregeometrico.net


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 17:44:15 2006
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Date: Mon, 28 Aug 2006 21:51:34 +0300
From: Diz <dizzy@spacenet.ru>
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To: Loopers-Delight@loopers-delight.com
Subject: Ableton Midi Clock ? (DD-20 midi sync)
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Good day !

I would like to know - is Ableton Live! midi clock stable (in general)
?

I've build a small device to midi sync BOSS DD-20, but experience
some glitches then slaving it to Ableton. BPM display is jittering
around - say, 120, 119, 121, 120 etc. Way too much - so I'm
going to blame Ableton clock.

WBR, Diz


From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 17:44:15 2006
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Date: Mon, 28 Aug 2006 13:44:09 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Echoplex Loop IV Sensitivity
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Kim,
  Not trying to confuse anyone, and frankly, as far as most newbies 
are concerned, the EDP is ancient history, so I don't think  it's too 
dangerous to speak frankly on the open forum. Is it? I admire the EDP 
software, but not the sound or the interface, so I don't use one. 
Andre LaFosse is the perfect EDP user on so many levels, and I am 
glad that these two met! What a combination!

Multiple undo can be acheived in a number of ways. This is simply an 
academic observation of a odd system implemented to deal with a 
dubious problem.


>The Repeater only has a single layer of Undo. Multiple layer Undo 
>functions like in the Echoplex require a gate to work usably.
>
>As I noted before, when input levels are set correctly this is 
>generally not an issue.
>
>The software revs where the threshold was set too high are from over 
>10 years ago. It is kind of pointless for you to go on complaining 
>about that when most people upgraded those units years ago. All you 
>are doing is confusing people.
>
>Again, read the faq and check the archives.
>
>kim
>
>At 04:08 AM 8/28/2006, Charles Zwicky wrote:
>>  I understand the EDP theory of undo, but it's arcane. The 
>>implementation of this 'feature' that has caused problems for many 
>>users of the earlier software revs for years.
>>
>>The Repeater, as one example, has a fully functioning undo without 
>>resorting to this vibe killer.
>>
>>>no. read the FAQ.
>>>kim
>>>
>>>At 09:37 PM 8/27/2006, you wrote:
>>>>There is a companding noise reduction system in the EDP, however. 
>>>>Is that the culprit here?
>>>>
>>>>>At 12:56 PM 8/26/2006, Charles Zwicky wrote:
>>>>>>It's an attempt at noise reduction... I've experimented with it 
>>>>>>but it's just the way they designed it.
>>>>>
>>>>>This statement is incorrect. A gate is necessary for multiple 
>>>>>undo functions to work in a useable way. It has nothing to do 
>>>>>with noise reduction.
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 18:19:00 2006
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Loop devices past present and future
Date: Mon, 28 Aug 2006 11:18:48 -0700
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-----Original Message-----
From: Charles Zwicky [mailto:cazwicky@earthlink.net] 

"Multiple undo can be acheived in a number of ways."

So can feedback, and yet some manufacturers don't think it's that important.
I for one have not jettisoned my EDP--with all its flaws, it totally rocks
with regard to undo and windowing.
It IS nice to see progress, and I look forward to the new Boomerang--wonder
what Mike Nelson has up his sleeve for this.


From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 19:33:53 2006
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Date: Mon, 28 Aug 2006 12:33:47 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loop devices past present and future
Cc: Gary Lehmann <hqr@cox.net>
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I'm hoping with all the new looping tools, the price for "pre-owned" EDP's drops - so I can get one again.

I agree about the EDP's excellent qualities. One thing I miss is the nice way the EDP would sync tempo with my EMU XL-7. After playin' a riff/pattern, I was amazed at how the EDP/XL-7 would combine to drive the XL-7's patches in totally unexpected tempos (in a good way). Really miss that.
--
Paul  


---- Gary Lehmann <hqr@cox.net> wrote: 
> -----Original Message-----
> From: Charles Zwicky [mailto:cazwicky@earthlink.net] 
> 
> "Multiple undo can be acheived in a number of ways."
> 
> So can feedback, and yet some manufacturers don't think it's that important.
> I for one have not jettisoned my EDP--with all its flaws, it totally rocks
> with regard to undo and windowing.
> It IS nice to see progress, and I look forward to the new Boomerang--wonder
> what Mike Nelson has up his sleeve for this.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 20:33:50 2006
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Date: Mon, 28 Aug 2006 13:33:47 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: file transfering prob mac/windows
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That's a weird one.  I'm not sure why you're having
that problem.

--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> Hi Mark,
> No... all we did is hook up both HDs into his mac
> and
> then this happened hooking it back to my
> PC.Everytime
> i want to open my HD it wants to format it.
> would maybe restoring files with XP going back to
> the
> day before we did this work?
> thanx
> Luis
> 
> --- mark sottilaro <zerocrossing2001@yahoo.com>
> wrote:
> 
> > Did you accidently format it as a Mac drive?  If
> you
> > use standard... I'm not even sure what you call
> it,
> > "windows" format I guess, the mac will read it as
> > well
> > as it's native drive formatting, but XP will not. 
> I
> > think there's an inexpensive utility though for XP
> > that lets it read mac formatted drives.  I never
> > hook
> > my laptop to the internet (ok, that's a lie, I do
> > when
> > there's a call and response license thing like NI
> > uses) so I transfer files using a windows format
> usb
> > "thumb" drive.  That's probably easiest.
> > 
> > --- "L.A. Angulo" <labaloops@yahoo.com> wrote:
> > 
> > > Hi gang,
> > > a friend of mine brought his new sea gate 300GB
> > > external usb HD to swap files from our external
> > > backup
> > > sea gate HDs, both plugged into his mac book.The
> > > first
> > > time we plugged my HD into the mac we had to
> > restart
> > > it for it to recognize it but then it was
> > recognized
> > > and did the transfer successfully,but this
> morning
> > i
> > > plugged my HD back to my windows PC and every
> time
> > i
> > > try to open it,it just asks "do u want to format
> > > your
> > > HD?"however his HD is recognized on both
> platforms
> > > without a problem!
> > > anybody has a clue what happened? have i lost
> all
> > my
> > > backup files?is transfering files from different
> > > O.S.
> > > through an external usb HD a forbidden sin?
> > > thank you all!
> > > Luis
> > > 
> > > www.myspace.com/luisangulocom
> > > 
> > >
> __________________________________________________
> > > Do You Yahoo!?
> > > Tired of spam?  Yahoo! Mail has the best spam
> > > protection around 
> > > http://mail.yahoo.com 
> > > 
> > > 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> 
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 28 21:48:37 2006
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To: Loopers-Delight@loopers-delight.com
References: <023e01c6c7fc$a8fe1e30$f4b1ec0f@americas.hpqcorp.net>
Subject: Sound Clips from  MOJO @ the DOJO: Experiments of Sound
Date: Mon, 28 Aug 2006 15:48:32 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_081E_01C6CAB9.6A470E80
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	charset="iso-8859-1"
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Thanks to the few of you who I saw listening in on the live stream for =
this event!=20

We had a small but faithful turnout of listeners at the Dojo, and the =
acoustics in the room were excellent. I have posted the MP3s of the =
performance from Ted and I here:

Part I - http://www.box.net/public/a64crzrvol
Part II - http://www.box.net/public/emnkxgb3lt
Part III - http://www.box.net/public/mn2gcmsll0

It was a lot of fun playing with Mr. Killian. Great playing, Ted!  =
Sorry, I couldn't resist sending the clips now....I mean, I had the =
message cued up and my finger slipped. I love your sounds.=20

In some cases, it is hard to tell who is playing what, because we have =
some really intense ambient effects going on. Ted had his monster 20 =
space rack to the right of him, and I was using my notebook system and =
Boss VF1.  But when you hear our un-mangled guitar tones, it will be =
obvious, as Ted was using his electric and I was using my Taylor Nylon =
string.

I hope you enjoy them...comments are welcome!

Kris



  MOJO @ the DOJO: Experiments of Sound - An evening of electronic and =
experimental music
  Date/Time: August 26th at 8pm (doors at 7:30pm)

  Venue: 3 Shapes Aikido Dojo (1512 N. 10th Street, Boise, ID)
  Price: $5 at the door
  Streamed to the Internet at: http://krispen.serverroom.us:9030/ (click =
"Listen")

  Schedule & Performers

  8:00pm - 8:25pm / Gretchen Jude (notebook computer)
  8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics, looping)
  9:15- 10:00pm / George McLean (keyboard and synthesizers)
  10:15- 11:00 / Krispen Hartung & Ted Killian (guitars, notebook =
computer, electronics, looping)
  For more info contact:

  Krispen Hartung @ 208-724-5603 or info@krispenhartung.com
  www.krispenhartung.com

  AlejAndro Anastasio @ 208-387-0410
  www.3shapesaikido.com







------=_NextPart_000_081E_01C6CAB9.6A470E80
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks to the few of you who I saw =
listening in on=20
the live stream for this event! </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>We had a small but faithful turnout of =
listeners at=20
the Dojo, and the acoustics in the room were excellent. </FONT><FONT =
face=3DArial=20
size=3D2>I have posted the MP3s of the performance from Ted and I=20
here:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Part I - <A=20
href=3D"http://www.box.net/public/a64crzrvol">http://www.box.net/public/a=
64crzrvol</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part II - <A=20
href=3D"http://www.box.net/public/emnkxgb3lt">http://www.box.net/public/e=
mnkxgb3lt</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part III - <A=20
href=3D"http://www.box.net/public/mn2gcmsll0">http://www.box.net/public/m=
n2gcmsll0</A></FONT></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It was a lot of fun playing with Mr. =
Killian. Great=20
playing, Ted!&nbsp; Sorry, I couldn't resist sending the clips now....I =
mean, I=20
had the message cued up and my finger slipped. I love your sounds. =
</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>In some cases, it is hard to tell who =
is playing=20
what, because we have some really intense ambient effects going on. Ted =
had his=20
monster 20 space rack to the right of him, and I was using my notebook =
system=20
and Boss VF1.&nbsp; But when you hear our un-mangled guitar tones, it =
will be=20
obvious, as Ted was using his electric and I was using my Taylor Nylon=20
string.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I hope you enjoy them...comments are=20
welcome!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial></FONT></DIV>
  <DIV><FONT face=3DArial><STRONG></STRONG></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><STRONG>MOJO @ the DOJO: Experiments of Sound =
-=20
  </STRONG><EM>An evening of electronic and experimental =
music</EM></FONT></DIV>
  <P><FONT face=3DArial><STRONG>Date/Time:</STRONG> August 26th at 8pm =
(doors at=20
  7:30pm)</FONT></P>
  <DIV><FONT face=3DArial><STRONG>Venue</STRONG>: 3 Shapes Aikido Dojo =
(1512 N.=20
  10th Street, Boise, ID)</FONT></DIV>
  <DIV><FONT face=3DArial><STRONG>Price:</STRONG> $5 at the =
door</FONT></DIV>
  <DIV><FONT face=3DArial><STRONG>Streamed to the Internet at:</STRONG> =
</FONT><A=20
  href=3D"http://krispen.serverroom.us:9030/"><FONT=20
  face=3DArial>http://krispen.serverroom.us:9030/</FONT></A><FONT=20
  face=3DArial>&nbsp;(click "Listen")</FONT></DIV>
  <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
  <DIV><STRONG><FONT face=3DArial>Schedule &amp; =
Performers</FONT></STRONG></DIV>
  <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
  <DIV>
  <DIV><FONT face=3DArial>8:00pm - 8:25pm / Gretchen Jude (notebook=20
  computer)</FONT></DIV>
  <DIV><FONT face=3DArial>8:30pm - 9:00pm / Amy Vecchione&nbsp;(Banjo,=20
  electronics, looping)</FONT></DIV>
  <DIV><FONT face=3DArial>9:15- 10:00pm / George McLean (keyboard and=20
  synthesizers)</FONT></DIV>
  <DIV><FONT face=3DArial>10:15- 11:00 / Krispen Hartung &amp; Ted =
Killian=20
  (guitars, notebook computer, electronics,&nbsp;looping)</FONT><FONT =
face=3DArial=20
  size=3D2></DIV></DIV>
  <DIV>
  <P></FONT><STRONG><FONT face=3DArial>For more info =
contact:</FONT></STRONG></P>
  <P><FONT face=3DArial>Krispen Hartung @ 208-724-5603 or </FONT><A=20
  href=3D"mailto:info@krispenhartung.com"><FONT=20
  face=3DArial>info@krispenhartung.com</FONT></A><FONT =
face=3DArial><BR><A=20
  =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A><BR></FO=
NT><BR><FONT=20
  face=3DArial>AlejAndro Anastasio @ 208-387-0410<BR></FONT><A=20
  href=3D"http://www.3shapesaikido.com"><FONT=20
  face=3DArial>www.3shapesaikido.com</FONT></A></P>
  <P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
  <P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
  <P><FONT face=3DArial =
size=3D2></FONT>&nbsp;</P></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_081E_01C6CAB9.6A470E80--


From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 08:20:47 2006
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From: zurrigo <zurrigo@mem.li>
Subject: 72 Hours of EDP Music - Job Offer
Date: Tue, 29 Aug 2006 10:20:43 +0200
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--Apple-Mail-3-291301259
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For the first performance my new composition "Fractaloid 1-9" I am  
looking for a professional instrumentalist who is familiar with the  
functions of LoopIV and willing to play one or two 8 hour shifts in  
the project.

more info in english: http://www.mem.li/e/fractaloid_e.html

much more info in german: http://www.mem.li/d/fractaloid_d.html

The performance is taking place in Bern-Switzerland in  less than 20  
days and I am sorry to say the rehearsals are NOT paid, but a fee of  
320 CHF or 200 EUR will be paid per shift.

Please contact me off-list only when SERIOUSLY interested and ideally  
include a link to some of your (instrumental) audio material.

Cheers

Phil


Philipp "zurrigo" Zuercher
Elfenauweg 2
CH-3006 Bern
Switzerland

+41 31 332 46 44  (Landline)
+41 78 623 13 13  (Mobile)

http://www.mem.li





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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">For the first performance my new =
composition "Fractaloid 1-9" I am looking for a professional =
instrumentalist who is familiar with the functions of LoopIV and willing =
to play one or two 8 hour shifts in the project.<BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>more info in english:=A0<A =
href=3D"http://www.mem.li/e/fractaloid_e.html">http://www.mem.li/e/fractal=
oid_e.html</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>much more info in =
german:=A0<A =
href=3D"http://www.mem.li/d/fractaloid_d.html">http://www.mem.li/d/fractal=
oid_d.html</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The performance is taking =
place in Bern-Switzerland in=A0 less than 20 days and I am sorry to say =
the rehearsals are NOT paid, but a fee of 320 CHF or 200 EUR will be =
paid per shift.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Please contact me off-list =
only when SERIOUSLY interested and ideally include a link to some of =
your (instrumental) audio material.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Cheers</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Phil</DIV><BR><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Philipp =
"zurrigo" Zuercher</DIV><DIV>Elfenauweg 2</DIV><DIV>CH-3006 =
Bern</DIV><DIV>Switzerland</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>+41 31 332 46 44=A0 =
(Landline)</DIV><DIV>+41 78 623 13 13=A0 (Mobile)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"http://www.mem.li">http://www.mem.li</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN> =
</DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 09:03:34 2006
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Subject: Re: Sound Clips from  MOJO @ the DOJO: Experiments of Sound
Date: Tue, 29 Aug 2006 11:03:12 +0200
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I'm listen to part I.....Intense and obscure
Listen to it suggestes me some abstract (and loopy) visuals.
Great Job, Kris and Ted !!!
Fabio
http://xoomer.alice.it/eterogeneo/
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, August 28, 2006 11:48 PM
  Subject: Sound Clips from MOJO @ the DOJO: Experiments of Sound


  Thanks to the few of you who I saw listening in on the live stream for =
this event!=20

  We had a small but faithful turnout of listeners at the Dojo, and the =
acoustics in the room were excellent. I have posted the MP3s of the =
performance from Ted and I here:

  Part I - http://www.box.net/public/a64crzrvol
  Part II - http://www.box.net/public/emnkxgb3lt
  Part III - http://www.box.net/public/mn2gcmsll0

  It was a lot of fun playing with Mr. Killian. Great playing, Ted!  =
Sorry, I couldn't resist sending the clips now....I mean, I had the =
message cued up and my finger slipped. I love your sounds.=20

  In some cases, it is hard to tell who is playing what, because we have =
some really intense ambient effects going on. Ted had his monster 20 =
space rack to the right of him, and I was using my notebook system and =
Boss VF1.  But when you hear our un-mangled guitar tones, it will be =
obvious, as Ted was using his electric and I was using my Taylor Nylon =
string.

  I hope you enjoy them...comments are welcome!

  Kris



    MOJO @ the DOJO: Experiments of Sound - An evening of electronic and =
experimental music
    Date/Time: August 26th at 8pm (doors at 7:30pm)

    Venue: 3 Shapes Aikido Dojo (1512 N. 10th Street, Boise, ID)
    Price: $5 at the door
    Streamed to the Internet at: http://krispen.serverroom.us:9030/ =
(click "Listen")

    Schedule & Performers

    8:00pm - 8:25pm / Gretchen Jude (notebook computer)
    8:30pm - 9:00pm / Amy Vecchione (Banjo, electronics, looping)
    9:15- 10:00pm / George McLean (keyboard and synthesizers)
    10:15- 11:00 / Krispen Hartung & Ted Killian (guitars, notebook =
computer, electronics, looping)
    For more info contact:

    Krispen Hartung @ 208-724-5603 or info@krispenhartung.com
    www.krispenhartung.com

    AlejAndro Anastasio @ 208-387-0410
    www.3shapesaikido.com







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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'm listen to part =
I.....Intense=20
and obscure</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Listen to it suggestes =
me some=20
abstract (and loopy) visuals.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Great Job, Kris and Ted =

!!!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://xoomer.alice.it/eterogeneo/">http://xoomer.alice.it/eterog=
eneo/</A></FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 28, 2006 =
11:48=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Sound Clips from MOJO =
@ the=20
  DOJO: Experiments of Sound</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks to the few of you who I saw =
listening in=20
  on the live stream for this event! </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>We had a small but faithful turnout =
of listeners=20
  at the Dojo, and the acoustics in the room were excellent. =
</FONT><FONT=20
  face=3DArial size=3D2>I have posted the MP3s of the performance from =
Ted and I=20
  here:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>Part I - <A=20
  =
href=3D"http://www.box.net/public/a64crzrvol">http://www.box.net/public/a=
64crzrvol</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part II - <A=20
  =
href=3D"http://www.box.net/public/emnkxgb3lt">http://www.box.net/public/e=
mnkxgb3lt</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Part III - <A=20
  =
href=3D"http://www.box.net/public/mn2gcmsll0">http://www.box.net/public/m=
n2gcmsll0</A></FONT></FONT></DIV></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>It was a lot of fun playing with Mr. =
Killian.=20
  Great playing, Ted!&nbsp; Sorry, I couldn't resist sending the clips =
now....I=20
  mean, I had the message cued up and my finger slipped. I love your =
sounds.=20
  </FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>In some cases, it is hard to tell who =
is playing=20
  what, because we have some really intense ambient effects going on. =
Ted had=20
  his monster 20 space rack to the right of him, and I was using my =
notebook=20
  system and Boss VF1.&nbsp; But when you hear our un-mangled guitar =
tones, it=20
  will be obvious, as Ted was using his electric and I was using my =
Taylor Nylon=20
  string.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I hope you enjoy them...comments are=20
  welcome!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial></FONT></DIV>
    <DIV><FONT face=3DArial><STRONG></STRONG></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><STRONG>MOJO @ the DOJO: Experiments of =
Sound -=20
    </STRONG><EM>An evening of electronic and experimental=20
    music</EM></FONT></DIV>
    <P><FONT face=3DArial><STRONG>Date/Time:</STRONG> August 26th at 8pm =
(doors at=20
    7:30pm)</FONT></P>
    <DIV><FONT face=3DArial><STRONG>Venue</STRONG>: 3 Shapes Aikido Dojo =
(1512 N.=20
    10th Street, Boise, ID)</FONT></DIV>
    <DIV><FONT face=3DArial><STRONG>Price:</STRONG> $5 at the =
door</FONT></DIV>
    <DIV><FONT face=3DArial><STRONG>Streamed to the Internet =
at:</STRONG>=20
    </FONT><A href=3D"http://krispen.serverroom.us:9030/"><FONT=20
    face=3DArial>http://krispen.serverroom.us:9030/</FONT></A><FONT=20
    face=3DArial>&nbsp;(click "Listen")</FONT></DIV>
    <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
    <DIV><STRONG><FONT face=3DArial>Schedule &amp;=20
Performers</FONT></STRONG></DIV>
    <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
    <DIV>
    <DIV><FONT face=3DArial>8:00pm - 8:25pm / Gretchen Jude (notebook=20
    computer)</FONT></DIV>
    <DIV><FONT face=3DArial>8:30pm - 9:00pm / Amy Vecchione&nbsp;(Banjo, =

    electronics, looping)</FONT></DIV>
    <DIV><FONT face=3DArial>9:15- 10:00pm / George McLean (keyboard and=20
    synthesizers)</FONT></DIV>
    <DIV><FONT face=3DArial>10:15- 11:00 / Krispen Hartung &amp; Ted =
Killian=20
    (guitars, notebook computer, electronics,&nbsp;looping)</FONT><FONT=20
    face=3DArial size=3D2></DIV></DIV>
    <DIV>
    <P></FONT><STRONG><FONT face=3DArial>For more info=20
contact:</FONT></STRONG></P>
    <P><FONT face=3DArial>Krispen Hartung @ 208-724-5603 or </FONT><A=20
    href=3D"mailto:info@krispenhartung.com"><FONT=20
    face=3DArial>info@krispenhartung.com</FONT></A><FONT =
face=3DArial><BR><A=20
    =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A><BR></FO=
NT><BR><FONT=20
    face=3DArial>AlejAndro Anastasio @ 208-387-0410<BR></FONT><A=20
    href=3D"http://www.3shapesaikido.com"><FONT=20
    face=3DArial>www.3shapesaikido.com</FONT></A></P>
    <P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
    <P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
    <P><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</P></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00DF_01C6CB5A.B871AAB0--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 12:48:29 2006
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Date: Tue, 29 Aug 2006 14:48:27 +0200 (CEST)
Subject: Looping with sequencersoftware
From: "roel" <q-mailing-list@xs4all.nl>
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Hi,

I was just wondering if any ppl here are using "regular" sequencer
software like pro tools, logic or cubase for audio looping. If so, do you
see any advantages of these software compared to, let's say, any looping
tool mentioned on the LD site?

best, roel

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 13:47:36 2006
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Date: Tue, 29 Aug 2006 06:47:34 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Looping with sequencersoftware
To: Loopers-Delight@loopers-delight.com
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Well I can't speak for those apps, but I have looped
with MOTU's Digital Performer.  It actually has a
pretty strong looping tool called "POLAR" that loops
audio.  If ProTools, Cubase, or Logic does audio
looping it's news to me.

I'm a little confused by what you mean about "tools
mentioned on the LD site."  Is there a tool we haven't
gone over?  The tools of the trade page is pretty
complete... though I don't remember if it lists MOTU's
POLAR.  It should, it sure is a real time software
audio looper.  If you're talking about the difference
between the real time looping you can do with the
tools listed on LD (such as the Echoplex Digital Pro
or software like Mobius or Augustus Loop) and audio
editing apps that let you take pre-recorded audio and
loop it... you're talking about such different things
it's impossibe to fully explain.  One cannot be told
what live looping is.  Reading about live looping is
like reading a book about swimming.  You can read
volumes about it, but the first time you dive into
water you'll "know" it in a way that reading can never
communicate.

The best analogy I can think of is that looping with
prerecorded audio in a DAW like Logic is like clipping
images and pasting them together to get a new image,
where live looping is more like dipping a brush into
oil paint.

Mark

--- roel <q-mailing-list@xs4all.nl> wrote:

> Hi,
> 
> I was just wondering if any ppl here are using
> "regular" sequencer
> software like pro tools, logic or cubase for audio
> looping. If so, do you
> see any advantages of these software compared to,
> let's say, any looping
> tool mentioned on the LD site?
> 
> best, roel
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 13:52:11 2006
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Subject: RE: Looping with sequencersoftware
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I have just started to explore using Ableton Live - There is an
interesting technique explained on the Live forum at
http://www.ableton.com/forum/viewtopic.php?t=20174 I am using this with
a Behringer FCB1010 pedal.... I would like to implement some form of
track decay but that is proving difficult at the moment. I have only had
Ableton for a week so it's a bit of a steep learning curve!

Cheers

Martin


-----Original Message-----
From: roel [mailto:q-mailing-list@xs4all.nl] 
Sent: 29 August 2006 13:48
To: Loopers-Delight@loopers-delight.com
Subject: Looping with sequencersoftware


Hi,

I was just wondering if any ppl here are using "regular" sequencer
software like pro tools, logic or cubase for audio looping. If so, do
you see any advantages of these software compared to, let's say, any
looping tool mentioned on the LD site?

best, roel

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 16:13:46 2006
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Date: Tue, 29 Aug 2006 09:13:44 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Ableton Midi Clock ? (DD-20 midi sync)
To: Loopers-Delight@loopers-delight.com
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From: Diz <dizzy@spacenet.ru>

> I would like to know - is Ableton Live! midi clock stable (in general)?
> 
> I've build a small device to midi sync BOSS DD-20, but experience
> some glitches then slaving it to Ableton. BPM display is jittering
> around - say, 120, 119, 121, 120 etc. Way too much - so I'm
> going to blame Ableton clock.

I'm inclined to think you are correct.  On another forum that I frequent,
somebody had complained that he was getting sea-sick warbling when synching the
delay on his Boss GT-8 to Ableton.  I ran a bunch of experiments syncing my
GT-8's effects, including delay, to my E-mu PX-7 and it worked perfectly.  So
my suspicion was that Ableton's MIDI Clock wasn't stable, although I don't have
Ableton so I couldn't test that theory directly.

D7


Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 17:40:19 2006
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Good day!

Tuesday, August 29, 2006, 7:13:44 PM, you wrote:

>> I would like to know - is Ableton Live! midi clock stable (in general)?

[...]

DS> I'm inclined to think you are correct.  On another forum that I frequent,
DS> somebody had complained that he was getting sea-sick warbling when synching the
DS> delay on his Boss GT-8 to Ableton.  I ran a bunch of experiments syncing my
DS> GT-8's effects, including delay, to my E-mu PX-7 and it worked perfectly.  So
DS> my suspicion was that Ableton's MIDI Clock wasn't stable, although I don't have
DS> Ableton so I couldn't test that theory directly.

Thank you. So I'm going to check Cubase SX as midi clock master, and
preferable some hardware source (my friend's Alesis SR-16 should be ok).

-- 
WBR, Diz


From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 20:00:11 2006
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-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Sunday, August 27, 2006 4:06 AM

How about the hard drive you lay down audio to?

======


Thanks, Per.  I usually keep the drive defragged, but tried it anyway.  No
effect.  But,...and I offer this to document it online for anyone who
develops a similar problem....


I found that the audio drivers were set wrong for AL5.

I also run Cubase on my laptop.  I had set the audio to use Stienberg's ASIO
wrapper.  During the early part of the learning curve on a new system, I
hadn't done much with Cubase beyond opening it up and looking around,
spending all of my time with AL to be fluent with it as quickly as possible
because of my work.

A couple of weeks ago, I used Cubase to record a demo of a new song.  Soon
after, I began having the problem with AL, but didn't make the connection.
After exhausting everything else, I switched the audio driver type in AL
from ASIO back to MME/DirectX.  The system played a processor heavy file for
40 minutes with no glitching.

Now, running the system for 3 days, I haven't had the first (un-intentional)
stutter in AL5.  I am convinced this problem is resolved.  I don't know if
it's ASIO or just the Steinberg wrapper in particular, but opt for another
solution.  I plan to eventually upgrade to E-Mu's 1616m for all serious
audio applications, but the internal Realtek is doing fine in the interim.

Thank you to all who offered suggestions.


dm

www.music.download.com/danmontgomery
www.myspace.com/precentor

============



--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.394 / Virus Database: 268.11.7/432 - Release Date: 8/29/2006

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 20:20:10 2006
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This is a multi-part message in MIME format.
--------------040309050303070205000204
Content-Type: text/plain; charset=windows-1250; format=flowed
Content-Transfer-Encoding: 7bit

I have an internal Realtek audio setup, and I managed to get it to work 
with /much/ lower latency by using the ASIO4ALL driver.  Might be worth 
a shot.

--Josh



dm wrote:
> -----Original Message-----
> From: Per Boysen [mailto:perboysen@gmail.com]
> Sent: Sunday, August 27, 2006 4:06 AM
>
> How about the hard drive you lay down audio to?
>
> ======
>
>
> Thanks, Per.  I usually keep the drive defragged, but tried it anyway.  No
> effect.  But,...and I offer this to document it online for anyone who
> develops a similar problem....
>
>
> I found that the audio drivers were set wrong for AL5.
>
> I also run Cubase on my laptop.  I had set the audio to use Stienberg's ASIO
> wrapper.  During the early part of the learning curve on a new system, I
> hadn't done much with Cubase beyond opening it up and looking around,
> spending all of my time with AL to be fluent with it as quickly as possible
> because of my work.
>
> A couple of weeks ago, I used Cubase to record a demo of a new song.  Soon
> after, I began having the problem with AL, but didn't make the connection.
> After exhausting everything else, I switched the audio driver type in AL
> from ASIO back to MME/DirectX.  The system played a processor heavy file for
> 40 minutes with no glitching.
>
> Now, running the system for 3 days, I haven't had the first (un-intentional)
> stutter in AL5.  I am convinced this problem is resolved.  I don't know if
> it's ASIO or just the Steinberg wrapper in particular, but opt for another
> solution.  I plan to eventually upgrade to E-Mu's 1616m for all serious
> audio applications, but the internal Realtek is doing fine in the interim.
>
> Thank you to all who offered suggestions.
>
>
> dm
>
> www.music.download.com/danmontgomery
> www.myspace.com/precentor
>
> ============
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Free Edition.
> Version: 7.1.394 / Virus Database: 268.11.7/432 - Release Date: 8/29/2006
>
>
>
>
>   

--------------040309050303070205000204
Content-Type: text/html; charset=windows-1250
Content-Transfer-Encoding: 8bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=windows-1250"
 http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
I have an internal Realtek audio setup, and I managed to get it to work
with <i>much</i> lower latency by using the ASIO4ALL driver.  Might be
worth a shot.<br>
<br>
--Josh<br>
<br>
<br>
<br>
dm wrote:
<blockquote cite="midLCEELHDBLPMNHABFHDLFGEIPCGAA.dmont@knology.net"
 type="cite">
  <pre wrap="">
-----Original Message-----
From: Per Boysen [<a class="moz-txt-link-freetext" href="mailto:perboysen@gmail.com">mailto:perboysen@gmail.com</a>]
Sent: Sunday, August 27, 2006 4:06 AM

How about the hard drive you lay down audio to?

======


Thanks, Per.  I usually keep the drive defragged, but tried it anyway.  No
effect.  But,...and I offer this to document it online for anyone who
develops a similar problem....


I found that the audio drivers were set wrong for AL5.

I also run Cubase on my laptop.  I had set the audio to use Stienberg's ASIO
wrapper.  During the early part of the learning curve on a new system, I
hadn't done much with Cubase beyond opening it up and looking around,
spending all of my time with AL to be fluent with it as quickly as possible
because of my work.

A couple of weeks ago, I used Cubase to record a demo of a new song.  Soon
after, I began having the problem with AL, but didn't make the connection.
After exhausting everything else, I switched the audio driver type in AL
from ASIO back to MME/DirectX.  The system played a processor heavy file for
40 minutes with no glitching.

Now, running the system for 3 days, I haven't had the first (un-intentional)
stutter in AL5.  I am convinced this problem is resolved.  I don't know if
it's ASIO or just the Steinberg wrapper in particular, but opt for another
solution.  I plan to eventually upgrade to E-Mu's 1616m for all serious
audio applications, but the internal Realtek is doing fine in the interim.

Thank you to all who offered suggestions.


dm

<a class="moz-txt-link-abbreviated" href="http://www.music.download.com/danmontgomery">www.music.download.com/danmontgomery</a>
<a class="moz-txt-link-abbreviated" href="http://www.myspace.com/precentor">www.myspace.com/precentor</a>

============



--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.394 / Virus Database: 268.11.7/432 - Release Date: 8/29/2006




  </pre>
</blockquote>
</body>
</html>

--------------040309050303070205000204--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 20:31:10 2006
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Subject: Re: Looping with sequencersoftware
Date: Tue, 29 Aug 2006 22:30:53 +0200
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Well to answer shortly, the tools (of the trade) i mentioned, are all the
more or less hardware tools, like delays, loop recorders etc. which are very
well suitable for performing in live situations.

What i wondered about, is the use of sequencer software for use in live
looping, as in overdubbing, letting audio loops fade out et cetera. Can that
be done, or is sequencing software so limited that it's useable only when
having prepared loops which were recorded before.

I guess you could push software so far that it can be used as live looping
software, and not only for playing prerecorded loops. I just don't know if
it is hassle-free :)

best, roel


----- Original Message -----
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 29, 2006 3:47 PM
Subject: Re: Looping with sequencersoftware


> Well I can't speak for those apps, but I have looped
> with MOTU's Digital Performer.  It actually has a
> pretty strong looping tool called "POLAR" that loops
> audio.  If ProTools, Cubase, or Logic does audio
> looping it's news to me.
>
> I'm a little confused by what you mean about "tools
> mentioned on the LD site."  Is there a tool we haven't
> gone over?  The tools of the trade page is pretty
> complete... though I don't remember if it lists MOTU's
> POLAR.  It should, it sure is a real time software
> audio looper.  If you're talking about the difference
> between the real time looping you can do with the
> tools listed on LD (such as the Echoplex Digital Pro
> or software like Mobius or Augustus Loop) and audio
> editing apps that let you take pre-recorded audio and
> loop it... you're talking about such different things
> it's impossibe to fully explain.  One cannot be told
> what live looping is.  Reading about live looping is
> like reading a book about swimming.  You can read
> volumes about it, but the first time you dive into
> water you'll "know" it in a way that reading can never
> communicate.
>
> The best analogy I can think of is that looping with
> prerecorded audio in a DAW like Logic is like clipping
> images and pasting them together to get a new image,
> where live looping is more like dipping a brush into
> oil paint.
>
> Mark
>
> --- roel <q-mailing-list@xs4all.nl> wrote:
>
> > Hi,
> >
> > I was just wondering if any ppl here are using
> > "regular" sequencer
> > software like pro tools, logic or cubase for audio
> > looping. If so, do you
> > see any advantages of these software compared to,
> > let's say, any looping
> > tool mentioned on the LD site?
> >
> > best, roel
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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>
>
>
> --
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>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 20:38:06 2006
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Roel,

Have you looked at Mobius (zonemobius.com)?  For PC it's excellent, and 
several of us here use it.

--Josh

roel wrote:
> Well to answer shortly, the tools (of the trade) i mentioned, are all the
> more or less hardware tools, like delays, loop recorders etc. which are very
> well suitable for performing in live situations.
>
> What i wondered about, is the use of sequencer software for use in live
> looping, as in overdubbing, letting audio loops fade out et cetera. Can that
> be done, or is sequencing software so limited that it's useable only when
> having prepared loops which were recorded before.
>
> I guess you could push software so far that it can be used as live looping
> software, and not only for playing prerecorded loops. I just don't know if
> it is hassle-free :)
>
> best, roel
>
>
> ----- Original Message -----
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 29, 2006 3:47 PM
> Subject: Re: Looping with sequencersoftware
>
>
>   
>> Well I can't speak for those apps, but I have looped
>> with MOTU's Digital Performer.  It actually has a
>> pretty strong looping tool called "POLAR" that loops
>> audio.  If ProTools, Cubase, or Logic does audio
>> looping it's news to me.
>>
>> I'm a little confused by what you mean about "tools
>> mentioned on the LD site."  Is there a tool we haven't
>> gone over?  The tools of the trade page is pretty
>> complete... though I don't remember if it lists MOTU's
>> POLAR.  It should, it sure is a real time software
>> audio looper.  If you're talking about the difference
>> between the real time looping you can do with the
>> tools listed on LD (such as the Echoplex Digital Pro
>> or software like Mobius or Augustus Loop) and audio
>> editing apps that let you take pre-recorded audio and
>> loop it... you're talking about such different things
>> it's impossibe to fully explain.  One cannot be told
>> what live looping is.  Reading about live looping is
>> like reading a book about swimming.  You can read
>> volumes about it, but the first time you dive into
>> water you'll "know" it in a way that reading can never
>> communicate.
>>
>> The best analogy I can think of is that looping with
>> prerecorded audio in a DAW like Logic is like clipping
>> images and pasting them together to get a new image,
>> where live looping is more like dipping a brush into
>> oil paint.
>>
>> Mark
>>
>> --- roel <q-mailing-list@xs4all.nl> wrote:
>>
>>     
>>> Hi,
>>>
>>> I was just wondering if any ppl here are using
>>> "regular" sequencer
>>> software like pro tools, logic or cubase for audio
>>> looping. If so, do you
>>> see any advantages of these software compared to,
>>> let's say, any looping
>>> tool mentioned on the LD site?
>>>
>>> best, roel
>>>
>>>
>>>       
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>> --
>> No virus found in this incoming message.
>> Checked by AVG Free Edition.
>> Version: 7.1.405 / Virus Database: 268.11.6/430 - Release Date: 28-8-2006
>>
>>
>>     
>
>
>
>
>   

--------------090102040602030907060001
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</head>
<body bgcolor="#ffffff" text="#000000">
Roel,<br>
<br>
Have you looked at Mobius (zonemobius.com)?&nbsp; For PC it's excellent, and
several of us here use it.<br>
<br>
--Josh<br>
<br>
roel wrote:
<blockquote cite="mid000f01c6cbaa$1026e0a0$01646464@beneden" type="cite">
  <pre wrap="">Well to answer shortly, the tools (of the trade) i mentioned, are all the
more or less hardware tools, like delays, loop recorders etc. which are very
well suitable for performing in live situations.

What i wondered about, is the use of sequencer software for use in live
looping, as in overdubbing, letting audio loops fade out et cetera. Can that
be done, or is sequencing software so limited that it's useable only when
having prepared loops which were recorded before.

I guess you could push software so far that it can be used as live looping
software, and not only for playing prerecorded loops. I just don't know if
it is hassle-free :)

best, roel


----- Original Message -----
From: "mark sottilaro" <a class="moz-txt-link-rfc2396E" href="mailto:zerocrossing2001@yahoo.com">&lt;zerocrossing2001@yahoo.com&gt;</a>
To: <a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
Sent: Tuesday, August 29, 2006 3:47 PM
Subject: Re: Looping with sequencersoftware


  </pre>
  <blockquote type="cite">
    <pre wrap="">Well I can't speak for those apps, but I have looped
with MOTU's Digital Performer.  It actually has a
pretty strong looping tool called "POLAR" that loops
audio.  If ProTools, Cubase, or Logic does audio
looping it's news to me.

I'm a little confused by what you mean about "tools
mentioned on the LD site."  Is there a tool we haven't
gone over?  The tools of the trade page is pretty
complete... though I don't remember if it lists MOTU's
POLAR.  It should, it sure is a real time software
audio looper.  If you're talking about the difference
between the real time looping you can do with the
tools listed on LD (such as the Echoplex Digital Pro
or software like Mobius or Augustus Loop) and audio
editing apps that let you take pre-recorded audio and
loop it... you're talking about such different things
it's impossibe to fully explain.  One cannot be told
what live looping is.  Reading about live looping is
like reading a book about swimming.  You can read
volumes about it, but the first time you dive into
water you'll "know" it in a way that reading can never
communicate.

The best analogy I can think of is that looping with
prerecorded audio in a DAW like Logic is like clipping
images and pasting them together to get a new image,
where live looping is more like dipping a brush into
oil paint.

Mark

--- roel <a class="moz-txt-link-rfc2396E" href="mailto:q-mailing-list@xs4all.nl">&lt;q-mailing-list@xs4all.nl&gt;</a> wrote:

    </pre>
    <blockquote type="cite">
      <pre wrap="">Hi,

I was just wondering if any ppl here are using
"regular" sequencer
software like pro tools, logic or cubase for audio
looping. If so, do you
see any advantages of these software compared to,
let's say, any looping
tool mentioned on the LD site?

best, roel


      </pre>
    </blockquote>
    <pre wrap="">
__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
<a class="moz-txt-link-freetext" href="http://mail.yahoo.com">http://mail.yahoo.com</a>




--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.1.405 / Virus Database: 268.11.6/430 - Release Date: 28-8-2006


    </pre>
  </blockquote>
  <pre wrap=""><!---->



  </pre>
</blockquote>
</body>
</html>

--------------090102040602030907060001--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 20:59:57 2006
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References: <20060829134734.97470.qmail@web81306.mail.mud.yahoo.com> <000f01c6cbaa$1026e0a0$01646464@beneden> <44F4A5A3.6020907@infinivert.com>
Subject: Re: Looping with sequencersoftware
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i haven't looked at that software yet.  i am quite new to this list and all
kinds of hard- and software ...
will give it a try next weekend !
* downloading the latest version now, *  thanks!

best, roel


Joshua Carroll wrote on Tuesday, August 29, 2006 10:37 PM

> Have you looked at Mobius (zonemobius.com)?  For PC it's excellent, and
several of > us here use it.


From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 21:01:17 2006
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Be sure to join the zonemobius yahoo group.  The support there is 
invaluable!

--Josh



roel wrote:
> i haven't looked at that software yet.  i am quite new to this list and all
> kinds of hard- and software ...
> will give it a try next weekend !
> * downloading the latest version now, *  thanks!
>
> best, roel
>
>
> Joshua Carroll wrote on Tuesday, August 29, 2006 10:37 PM
>
>   
>> Have you looked at Mobius (zonemobius.com)?  For PC it's excellent, and
>>     
> several of > us here use it.
>
>
>
>
>
>   

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Be sure to join the zonemobius yahoo group.&nbsp; The support there is
invaluable!<br>
<br>
--Josh<br>
<br>
<br>
<br>
roel wrote:
<blockquote cite="mid001c01c6cbae$15fae4f0$01646464@beneden" type="cite">
  <pre wrap="">i haven't looked at that software yet.  i am quite new to this list and all
kinds of hard- and software ...
will give it a try next weekend !
* downloading the latest version now, *  thanks!

best, roel


Joshua Carroll wrote on Tuesday, August 29, 2006 10:37 PM

  </pre>
  <blockquote type="cite">
    <pre wrap="">Have you looked at Mobius (zonemobius.com)?  For PC it's excellent, and
    </pre>
  </blockquote>
  <pre wrap=""><!---->several of &gt; us here use it.





  </pre>
</blockquote>
</body>
</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 21:45:51 2006
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I know that EOTO (Jason and Travis from SCI) use Ableton for their live
looping, using a Behringer foot controller.  When I discussed it with them,
it seemed the biggest issue they had were the latencies that exist
inherently in the hardware and drivers.  I wish I knew more specifics about
the signal path, but I think the audio is being digitized and run across a
1394 interface.  It took them buying a powerbook pro to drop the latencies
down to acceptable levels for live use (<2ms).

They have the ability to have at least 8 independent loops, but I don't
beleive they have any overdubbing or decay abilities.

you can check them out at http://www.myspace.com/eotomusic

F


On 8/29/06, Joshua Carroll <josh@infinivert.com> wrote:
>
>  Be sure to join the zonemobius yahoo group.  The support there is
> invaluable!
>
> --Josh
>
>
>
>
> roel wrote:
>
> i haven't looked at that software yet.  i am quite new to this list and all
> kinds of hard- and software ...
> will give it a try next weekend !
> * downloading the latest version now, *  thanks!
>
> best, roel
>
>
> Joshua Carroll wrote on Tuesday, August 29, 2006 10:37 PM
>
>    Have you looked at Mobius (zonemobius.com)?  For PC it's excellent, and
>
>  several of > us here use it.
>
>
>
>
>
>

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I know that EOTO (Jason and Travis from SCI) use Ableton for their live looping, using a Behringer foot controller.&nbsp; When I discussed it with them, it seemed the biggest issue they had were the latencies that exist inherently in the hardware and drivers.&nbsp; I wish I knew more specifics about the signal path, but I think the audio is being digitized and run across a 1394 interface.&nbsp; It took them buying a powerbook pro to drop the latencies down to acceptable levels for live use (&lt;2ms).&nbsp; 
<br><br>They have the ability to have at least 8 independent loops, but I don't beleive they have any overdubbing or decay abilities.<br><br>you can check them out at <a href="http://www.myspace.com/eotomusic">http://www.myspace.com/eotomusic
</a><br><br>F<br><br><br><div><span class="gmail_quote">On 8/29/06, <b class="gmail_sendername">Joshua Carroll</b> &lt;<a href="mailto:josh@infinivert.com">josh@infinivert.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>


  

<div bgcolor="#ffffff" text="#000000">
Be sure to join the zonemobius yahoo group.&nbsp; The support there is
invaluable!<br>
<br>
--Josh</div><div><span class="e" id="q_10d5bbc808ad240c_1"><br>
<br>
<br>
<br>
roel wrote:
<blockquote cite="http://mid001c01c6cbae$15fae4f0$01646464@beneden" type="cite">
  <pre>i haven't looked at that software yet.  i am quite new to this list and all<br>kinds of hard- and software ...<br>will give it a try next weekend !<br>* downloading the latest version now, *  thanks!<br><br>best, roel
<br><br><br>Joshua Carroll wrote on Tuesday, August 29, 2006 10:37 PM<br><br>  </pre>
  <blockquote type="cite">
    <pre>Have you looked at Mobius (<a href="http://zonemobius.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">zonemobius.com</a>)?  For PC it's excellent, and<br>    </pre>
  </blockquote>
  <pre>several of &gt; us here use it.<br><br><br><br><br><br>  </pre>
</blockquote>
</span></div><div></div>


</div></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 23:18:20 2006
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From: "Thomas Wingren" <thomas.wingren@bredband.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: EH 2880 question
Date: Wed, 30 Aug 2006 01:18:15 +0200
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I have a question about the Electro Harmonix 2880 that I think is rather
easy to answer for you guys. I'm a percussionist and rather new to looping,
and electronic equipment in general. Is it possible to record with an
external, running midi clock? I'm often in a situation where I play
percussion along with DJs and producers who has drum machines or working
with ableton.

 

I red in the manual that by pressing rec with an external midi clock
connected, the 2880 will start record when it receives a midi start command
(p.22). I guess that would be when you press start on the drum machine which
doesn't help me much. In my situation, I want to be able to record and loop
whenever I want, when the drum machine/ableton already is running. 

 

Is that possible with the 2880, if not would that work with any other
hardware equipment?

 

/ Thomas Wingren

 <http://www.expansionsmusic.com/> www.expansionsmusic.com


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that would be when you press start on the drum machine which =
doesn&#8217;t help me=20
much. In my situation, I want to be able to record and loop whenever I =
want,=20
when the drum machine/ableton already is running.=20
<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB=20
style=3D"mso-ansi-language: EN-GB"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB=20
style=3D"mso-ansi-language: EN-GB"><FONT size=3D3><FONT face=3D"Times =
New Roman">Is=20
that possible with the 2880, if not would that work with any other =
hardware=20
equipment?<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB=20
style=3D"mso-ansi-language: EN-GB"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB=20
style=3D"mso-ansi-language: EN-GB"><FONT size=3D3><FONT face=3D"Times =
New Roman">/=20
<?xml:namespace prefix =3D st1 ns =3D =
"urn:schemas-microsoft-com:office:smarttags"=20
/><st1:PersonName w:st=3D"on" ProductID=3D"Thomas Wingren">Thomas=20
Wingren</st1:PersonName><o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB=20
style=3D"mso-ansi-language: EN-GB"><A =
href=3D"http://www.expansionsmusic.com/"><FONT=20
face=3D"Times New Roman"=20
size=3D3>www.expansionsmusic.com</FONT></A><o:p></o:p></SPAN></P></FONT><=
/DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 23:30:53 2006
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Subject: (FS) Nobels MF-2 foot controller for sale. 
Date: Tue, 29 Aug 2006 16:30:44 -0700
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The Nobels MF-2 is like the out-of-production Rolls Midiwizard, with
inputs for 4 switches and 4 exp pedals.
Can be a great foot controller for looping applications.  Check it out
if you are interested:

http://search.ebay.com/search/search.dll?from=3DR40&satitle=3Dnobels+mf-2=




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<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">The Nobels MF-2 is =
like the out-of-production Rolls Midiwizard, with inputs for 4 switches =
and 4 exp pedals.</FONT>

<BR><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Can be a great foot =
controller for looping applications.&nbsp; Check it out if you are =
interested:</FONT>
</P>

<P><A =
HREF=3D"http://search.ebay.com/search/search.dll?from=3DR40&amp;satitle=3D=
nobels+mf-2"><U></U><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://search.ebay.com/search/search.dll?from=3DR40&amp;sa=
title=3Dnobels+mf-2</FONT></U></A>
</P>
<BR>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 29 23:32:23 2006
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From: "Dan Mayfield" <contact@danmayfield.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Helllo and a reply to a question
Date: Wed, 30 Aug 2006 00:32:35 +0100
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Hi all

Haven't posted for a while blimey it was a year ago since Zurich!  Fantastic 
memories.  Anyway so thought I'd put my 'two pence worth' in on this one... 
I use Ableton Live without any pre-recorded samples or sequence setups. 
Live allows you (just about) to do whatever you can think of, imagination is 
the main restriction. To say you could 'push software so far that it can be 
used as live looping' is out of date.  The process of looping in Live is 
simple and as easy as using a delay pedal or peeling a ripe orange.  Loopers 
Delight helped me understand what I required for my setup, if you want to 
email me please feel free to do so I will gladly rant a bit more and try to 
help you out

However...

Just remember there is loads of info available in the archives of this 
mailing list, if you like looping and stick around you will see these types 
of emails come around and around and around and around and around...a bit 
like a .................LOOP!!! ARRGGHH!

...no escape...

What's great is that it is not a genre of music it's just a technique, there 
are so many different types of music that can be created from it...Loop On!

Research and enjoy

Dan
www.myspace.com/danmayfield


----- Original Message ----- 
From: "roel" <q-mailing-list@xs4all.nl>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 29, 2006 9:30 PM
Subject: Re: Looping with sequencersoftware


> Well to answer shortly, the tools (of the trade) i mentioned, are all the
> more or less hardware tools, like delays, loop recorders etc. which are 
> very
> well suitable for performing in live situations.
>
> What i wondered about, is the use of sequencer software for use in live
> looping, as in overdubbing, letting audio loops fade out et cetera. Can 
> that
> be done, or is sequencing software so limited that it's useable only when
> having prepared loops which were recorded before.
>
> I guess you could push software so far that it can be used as live looping
> software, and not only for playing prerecorded loops. I just don't know if
> it is hassle-free :)
>
> best, roel 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 01:28:11 2006
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Date: Tue, 29 Aug 2006 21:28:06 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EH 2880 question
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You can drop in and out of record at any time when synched to a 
running MIDI clock, and  you can start and stop playback at any time, 
too.


>I have a question about the Electro Harmonix 2880 that I think is 
>rather easy to answer for you guys. I'm a percussionist and rather 
>new to looping, and electronic equipment in general. Is it possible 
>to record with an external, running midi clock? I'm often in a 
>situation where I play percussion along with DJs and producers who 
>has drum machines or working with ableton.
>
>
>
>I red in the manual that by pressing rec with an external midi clock 
>connected, the 2880 will start record when it receives a midi start 
>command (p.22). I guess that would be when you press start on the 
>drum machine which doesn't help me much. In my situation, I want to 
>be able to record and loop whenever I want, when the drum 
>machine/ableton already is running.
>
>
>
>Is that possible with the 2880, if not would that work with any 
>other hardware equipment?
>
>
>
>/ Thomas Wingren
>
><http://www.expansionsmusic.com/>www.expansionsmusic.com


-- 
...
http://www.zmix.net
--============_-1055221205==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: EH 2880 question</title></head><body>
<div>You can drop in and out of record at any time when synched to a
running MIDI clock, and&nbsp; you can start and stop playback at any
time, too.</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font face="Times New Roman">I have a
question about the Electro Harmonix 2880 that I think is rather easy
to answer for you guys. I'm a percussionist and rather new to
looping, and electronic equipment in general. Is it possible to
record&nbsp;with an external, running midi clock? I'm often in a
situation where I play percussion along with DJs and producers who has
drum machines or working with ableton.</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font
face="Times New Roman">&nbsp;</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font face="Times New Roman">I red in the
manual that by pressing rec with an external midi clock connected, the
2880 will start record when it receives a midi start command (p.22). I
guess that would be when you press start on the drum machine which
doesn't help me much. In my situation, I want to be able to record
and loop whenever I want, when the drum machine/ableton already is
running.</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font
face="Times New Roman">&nbsp;</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font face="Times New Roman">Is that
possible with the 2880, if not would that work with any other hardware
equipment?</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font
face="Times New Roman">&nbsp;</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font face="Times New Roman">/ Thomas
Wingren</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><a
href="http://www.expansionsmusic.com/"><font
face="Times New Roman">www.expansionsmusic.com</font></a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1055221205==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 01:43:42 2006
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Subject: RE: Live stumbling ...
Date: Tue, 29 Aug 2006 21:43:46 -0400
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I noticed this, too.  The Relate gives me 5.8ms in and 22.1ms out as opposed
to 325 & 46.4 from the ASIO DirectX Full Duplex.   ASIO Multimedia sets at
140 & 750!!  I don't get it, but I suspect it's because the drivers I was
using are a 'wrappers'.  I suspect the extra time must be because of the
translation for a non-ASIO interface.   But, I'll give ASIO4ALL a shot and
let you know what happens.

Thanks;
dm



  -----Original Message-----
  From: Joshua Carroll [mailto:josh@infinivert.com]
  Sent: Tuesday, August 29, 2006 4:20 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Live stumbling ...


  I have an internal Realtek audio setup, and I managed to get it to work
with much lower latency by using the ASIO4ALL driver.  Might be worth a
shot.

  --Josh

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content=3Dtext/html;charset=3Dwindows-1250>
<META content=3D"MSHTML 6.00.5346.5" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2><SPAN=20
class=3D406212801-30082006></SPAN></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2>I noticed this, too.&nbsp; The Relate gives me 5.8ms in =
and&nbsp;22.1ms=20
out as opposed to 325 &amp; 46.4 from the ASIO DirectX Full =
Duplex.&nbsp;&nbsp;=20
ASIO Multimedia sets at 140 &amp; 750!!&nbsp; I don't get it, but I =
suspect it's=20
because&nbsp;the drivers I was using&nbsp;are a&nbsp;'wrappers'.&nbsp; I =
suspect=20
the extra time must be because of the translation for&nbsp;a non-ASIO=20
interface.<SPAN class=3D406212801-30082006>&nbsp;&nbsp; But, I'll=20
give&nbsp;</SPAN></FONT></SPAN><SPAN class=3D406212801-30082006><FONT=20
face=3D"Comic Sans MS" color=3D#0000ff size=3D2><SPAN=20
class=3D406212801-30082006>ASIO4ALL a shot and let you know what=20
happens.</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN =
class=3D406212801-30082006></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN =
class=3D406212801-30082006>Thanks;</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN class=3D406212801-30082006>dm</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN =
class=3D406212801-30082006></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN =
class=3D406212801-30082006></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D406212801-30082006><FONT face=3D"Comic Sans MS" =
color=3D#0000ff=20
size=3D2><SPAN =
class=3D406212801-30082006></SPAN></FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Joshua Carroll=20
  [mailto:josh@infinivert.com]<BR><B>Sent:</B> Tuesday, August 29, 2006 =
4:20=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Live stumbling ...<BR><BR></FONT></DIV>I have an internal Realtek =
audio setup,=20
  and I managed to get it to work with <I>much</I> lower latency by =
using the=20
  ASIO4ALL driver.&nbsp; Might be worth a=20
shot.<BR><BR>--Josh<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 02:56:23 2006
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From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: EDP Feedback control via FCB1010
Date: Tue, 29 Aug 2006 22:56:19 -0400
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I have been using the FCB's expression pedal to control the EDP's feedback
for years. Due to the stupidly designed Exp pedal which can only be assigned
to 1 midi channel, I have dedicated one of the Exp pedals specifically for
the feedback control. 
This has always worked great, but I can't use that pedal for anything else,
unless it is on the same midi channel. 

Now, I suppose I could set up a bunch of presets that trigger between 100%
feedback and a smaller value. Not quite the instant feedback control because
I would have to get to a specific bank and press the right pedal for, say,
80% feedback. 

Now I could assign the EDP to the same channel as another fx unit, and for
those few fx patches that need it, I could use the exp pedal...but I am
guessing sending a bunch of midi info to the EDP (program changes, CCs, note
ons..) might have unpredictable results. 

Another option is just use a volume pedal for feedback, although I have no
room on my current board for that. Any other workarounds?  Gak.

Dave Eichenberger- 
http://www.hazardfactor.com      

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 05:02:23 2006
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Date: Tue, 29 Aug 2006 22:02:21 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Helllo and a reply to a question
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I've been having good luck with Live, but I must say I
have not yet attempted doing any "live looping" with
it.  That (just about) for me is feedback control
(which you all know I'm so fond of).  With the
addition of Mobius though, it's a hell of a powerful
duo.  I've emptied a rack of gear due to it.

--- Dan Mayfield <contact@danmayfield.com> wrote:

> Hi all
> 
> Haven't posted for a while blimey it was a year ago
> since Zurich!  Fantastic 
> memories.  Anyway so thought I'd put my 'two pence
> worth' in on this one... 
> I use Ableton Live without any pre-recorded samples
> or sequence setups. 
> Live allows you (just about) to do whatever you can
> think of, imagination is 
> the main restriction. To say you could 'push
> software so far that it can be 
> used as live looping' is out of date.  The process
> of looping in Live is 
> simple and as easy as using a delay pedal or peeling
> a ripe orange.  Loopers 
> Delight helped me understand what I required for my
> setup, if you want to 
> email me please feel free to do so I will gladly
> rant a bit more and try to 
> help you out
> 
> However...
> 
> Just remember there is loads of info available in
> the archives of this 
> mailing list, if you like looping and stick around
> you will see these types 
> of emails come around and around and around and
> around and around...a bit 
> like a .................LOOP!!! ARRGGHH!
> 
> ...no escape...
> 
> What's great is that it is not a genre of music it's
> just a technique, there 
> are so many different types of music that can be
> created from it...Loop On!
> 
> Research and enjoy
> 
> Dan
> www.myspace.com/danmayfield
> 
> 
> ----- Original Message ----- 
> From: "roel" <q-mailing-list@xs4all.nl>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 29, 2006 9:30 PM
> Subject: Re: Looping with sequencersoftware
> 
> 
> > Well to answer shortly, the tools (of the trade) i
> mentioned, are all the
> > more or less hardware tools, like delays, loop
> recorders etc. which are 
> > very
> > well suitable for performing in live situations.
> >
> > What i wondered about, is the use of sequencer
> software for use in live
> > looping, as in overdubbing, letting audio loops
> fade out et cetera. Can 
> > that
> > be done, or is sequencing software so limited that
> it's useable only when
> > having prepared loops which were recorded before.
> >
> > I guess you could push software so far that it can
> be used as live looping
> > software, and not only for playing prerecorded
> loops. I just don't know if
> > it is hassle-free :)
> >
> > best, roel 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 14:23:41 2006
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Date: Wed, 30 Aug 2006 10:25:03 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: OT: LEDs for amp channel switching
To: Loopers-Delight@loopers-delight.com,
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Hi Crew-
    This is way OT, but I'll bet one of you loopers just might be the DIY
brainiac to solve my problem.

I just purchased a Carvin V3 amp head - great sounding 100-watt EL34
monster, by the way - but the channel-switching footswitch has no LEDs on
it. There are three channels plus a "boost" function, and all four
footswitches are simple SPDT switches with one lug unused. I figure it would
be fairly easy to swap the SPDTs for DPDTs or, if necessary, those groovy
Fulltone triple-throw DT switches, drill holes in the switch housing, add
LEDs and a 9V battery, and I'd be rocking.

The problem is, I can't find a schematic that would cause just one channel
light to be on at a time. I'm boggled about how to wire it so that if, for
example, I'm using Channel 1 and want to change to Channel 2, when I press
switch #2 (for Channel 2), the LED for switch #1/Channel 1 goes off and the
LED for switch #2/Channel 2 goes on. So among the three channels, only one
LED can be on at a time. The 4th (boost) switch would remain on or off
regardless of which channel is on (that one's easy).

    I spent about an hour the other night doing Google searches on all kinds
of guitar and amp DIY sites, and I checked my Craig Anderton books, and I
couldn't find anything for this other than to get into some kind of solid
state switching chip, which I'd rather avoid. It SEEMS like it would be a
simple enough circuit WITHOUT any chips or boards, but I don't do this kind
of thing often enough to figure it out for myself.

HELLLLLLLPPPPP!

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 15:58:19 2006
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 16:10:14 2006
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Date: Wed, 30 Aug 2006 12:09:48 -0400
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Are these latching or momentary switches?



>Hi Crew-
>     This is way OT, but I'll bet one of you loopers just might be the DIY
>brainiac to solve my problem.
>
>I just purchased a Carvin V3 amp head - great sounding 100-watt EL34
>monster, by the way - but the channel-switching footswitch has no LEDs on
>it. There are three channels plus a "boost" function, and all four
>footswitches are simple SPDT switches with one lug unused. I figure it would
>be fairly easy to swap the SPDTs for DPDTs or, if necessary, those groovy
>Fulltone triple-throw DT switches, drill holes in the switch housing, add
>LEDs and a 9V battery, and I'd be rocking.
>
>The problem is, I can't find a schematic that would cause just one channel
>light to be on at a time. I'm boggled about how to wire it so that if, for
>example, I'm using Channel 1 and want to change to Channel 2, when I press
>switch #2 (for Channel 2), the LED for switch #1/Channel 1 goes off and the
>LED for switch #2/Channel 2 goes on. So among the three channels, only one
>LED can be on at a time. The 4th (boost) switch would remain on or off
>regardless of which channel is on (that one's easy).
>
>     I spent about an hour the other night doing Google searches on all kinds
>of guitar and amp DIY sites, and I checked my Craig Anderton books, and I
>couldn't find anything for this other than to get into some kind of solid
>state switching chip, which I'd rather avoid. It SEEMS like it would be a
>simple enough circuit WITHOUT any chips or boards, but I don't do this kind
>of thing often enough to figure it out for myself.
>
>HELLLLLLLPPPPP!
>
>Douglas Baldwin, coyote-at-large
>www.thecoyote.org
>coyotelk@optonline.net
>
>"Life! Life!
>Clouds and clowns!
>You don't have to come down!"
>- Sly and the Family Stone


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 17:40:39 2006
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From: Ryman1960@aol.com
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Date: Wed, 30 Aug 2006 13:39:53 EDT
Subject: Gig Notice: Points of Friction Live 88.9 FM KXLU Los Angeles 8/30/06 
To: re_laxen@yahoo.com, brenchica4@valp.net,
	Sharon.Brown@albertsons.com, ylbrowns@sbcglobal.net,
	Chuck.Louie@albertsons.com, L8KERS08@aol.com, RiverbratKell@aol.com,
	sdjeepguy@mac.com, gottaski@sbcglobal.net, george@m-audio.com,
	ngci@adelphia.net, jeremy@k-9behavior.com, samjohnson@gotsky.com,
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	kmoyes@optusnet.com.au, rantinraven@sbcglobal.net,
	ngutmacher@m-audio.com, osullivanclan@sbcglobal.net, info@getcom.biz,
	phantomairship@yahoo.com, deanna59@msn.com, richard_derrick@msn.com,
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	sachis2112@yahoo.com, santibanez.brown@verizon.net,
	Susan.Joy@albertsons.com, trigone@trigonrecords.com,
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-------------------------------1156959593
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Gig notice:
 
Details:
Noise/Loop/Experimental Fiasco by L.A.F.M.S (Los Angeles Free Music  Society) 
alumni
Points of Friction Live on radio KXLU 88.9 FM Los Angeles
 
Streaming audio available at KXLU.com
 
Show "Glossolalia" 10:00 to 11:00 PM Pacific Daylight Time Wednesday  August 
30, 2006
Host: Professor Cantaloupe
 
Melon Expander release "Afterlife DNA Fingerpainting" available soon
.
Previous Releases: "1982" (Solid Eye cassette, Spagyric CDR), "Sackcloth  and 
ashes" (Solid Eye cassette, Anomalous Records CD)
 
Points of Friction is Tim Alexander (Professor Moth, Fiasco), Damian  
Bisciglia (Spagyric, Agog, Erotic Boulders, solo), Mitchell Brown  (Paramicia 
Wedding, Erotic Boulders, solo), Joseph Hammer (Dinosaurs with Horns,  Paramicia 
Wedding, Swan Trove, Dimmer, solo) and Kenny Ryman (Paperbag, KeDaVi,  solo).
 
Contact: _www.pointsoffriction@pof.com_ (http://www.pointsoffriction@pof.com) 
 
 
Thanks   

-------------------------------1156959593
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bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>Gig notice:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Details:</DIV>
<DIV>Noise/Loop/Experimental Fiasco by L.A.F.M.S (Los Angeles Free Music=20
Society) alumni</DIV>
<DIV>Points of Friction Live on radio KXLU 88.9 FM Los Angeles</DIV>
<DIV>&nbsp;</DIV>
<DIV>Streaming audio available at KXLU.com</DIV>
<DIV>&nbsp;</DIV>
<DIV>Show "Glossolalia"&nbsp;10:00 to 11:00 PM Pacific Daylight Time Wednesd=
ay=20
August 30, 2006</DIV>
<DIV>Host: Professor Cantaloupe</DIV>
<DIV>&nbsp;</DIV>
<DIV>Melon Expander release "Afterlife DNA Fingerpainting" available soon</D=
IV>
<DIV>.</DIV>
<DIV>Previous Releases: "1982" (Solid Eye cassette, Spagyric CDR), "Sackclot=
h=20
and ashes" (Solid Eye cassette, Anomalous Records CD)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Points of Friction is Tim Alexander (Professor Moth, Fiasco), Damian=20
Bisciglia (Spagyric, Agog, Erotic Boulders, solo), Mitchell&nbsp;Brown=20
(Paramicia Wedding, Erotic Boulders, solo), Joseph Hammer (Dinosaurs with Ho=
rns,=20
Paramicia Wedding, Swan Trove, Dimmer, solo) and Kenny Ryman (Paperbag, KeDa=
Vi,=20
solo).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Contact: <A=20
href=3D"http://www.pointsoffriction@pof.com">www.pointsoffriction@pof.com</A=
>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks&nbsp;&nbsp;&nbsp;</DIV></FONT></BODY></HTML>

-------------------------------1156959593--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 19:43:35 2006
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Date: Wed, 30 Aug 2006 12:43:32 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Will Cycling 74 create a basic host synced MIDI looper?
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Hi!

I finally got my G5 up and running and now that I have
some extra horsepower I'm wondering if a mac based
audio looper is available other than Augustus Loop. 
RediaL?  I've never used it but I wonder what people
who do think of it.

Mark



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 19:55:33 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Will Cycling 74 create a basic host synced MIDI looper?
Date: Wed, 30 Aug 2006 12:55:24 -0700
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Hi Mark,

I know there is Loopy Llama as well, Radial, and ableton live. Also, in=20=

a bit, I hope to refine my 8 track looper and make it available as a=20
VST, but that won't be for a few months as I have a busy travel=20
schedule.....

I know people that swear by Radial...Gregory Taylor of C74 uses it in=20
his performances and it sounds great.
http://www.cycling74.com/c74music/011

And William Harrington on my Angry Vegan label uses it as well.
http://www.angryvegan.com/sounds/AVRCD005.mp3

I've seen both those guys use it live....pretty cool. I didn't like the=20=

interface myself, but that is purely preference.

best,
Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Aug 30, 2006, at 12:43 PM, mark sottilaro wrote:

> Hi!
>
> I finally got my G5 up and running and now that I have
> some extra horsepower I'm wondering if a mac based
> audio looper is available other than Augustus Loop.
> RediaL?  I've never used it but I wonder what people
> who do think of it.
>
> Mark=

From Loopers-Delight-request@loopers-delight.com  Wed Aug 30 21:50:34 2006
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Date: Wed, 30 Aug 2006 22:50:28 +0100
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Subject: jamman on ebay
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There's a jamman going cheap (so far) on ebay, located in scotland. 
Itreh # 110027012421
All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 01:01:15 2006
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From: daniel <d.longtin@videotron.ca>
Subject: RC-50 vs electrix repeater
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Any comparison done between RC-50 vs electrix repeater

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 01:04:08 2006
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Subject: RC-50 For sale
Date: Wed, 30 Aug 2006 17:04:06 -0800
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It's much more then I need I've decided. Another DL4 or an RC20xl would =
be fine.  Make me an offer and I'll ship it out.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
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<DIV><FONT face=3DArial size=3D2>It's much more then I need I've =
decided. Another=20
DL4 or an RC20xl would be fine.&nbsp; Make me an offer and I'll ship it=20
out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Sean Mormelo<BR><A=20
href=3D"http://www.seanmormelo.com">www.seanmormelo.com</A><BR><A=20
href=3D"http://www.myspace.com/seanmormelo">www.myspace.com/seanmormelo</=
A><BR>EPK-=20
<A=20
href=3D"http://www.sonicbids.com/seanmormelo">www.sonicbids.com/seanmorme=
lo</A><BR><A=20
href=3D"http://www.CDbaby.com/seanmormelo">www.CDbaby.com/seanmormelo</A>=
</DIV></BODY></HTML>

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I'm hoping maybe someone on here knows of a Linux solution to the Windows
program MIDOX. I need to translate incoming MIDI program changes into other
MIDI data and send it back out in realtime. Anyone? Hopefully something with
a built in sequencer as well, albeit a simple one.

Jacob

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I'm hoping maybe someone on here knows of a Linux solution to the Windows program MIDOX. I need to translate incoming MIDI program changes into other MIDI data and send it back out in realtime. Anyone? Hopefully something with a built in sequencer as well, albeit a simple one.
<br><br>Jacob<br>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 01:45:24 2006
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jacobs wrote:
> I'm hoping maybe someone on here knows of a Linux solution to the 
> Windows program MIDOX. I need to translate incoming MIDI program changes 
> into other MIDI data and send it back out in realtime. Anyone? Hopefully 
> something with a built in sequencer as well, albeit a simple one.

are you using JACK? it should do this..

-- 
f r e y
live music with machines
http://www.frey.co.nz

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 03:14:51 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT: Brackenburg VST Tube Amp
Date: Wed, 30 Aug 2006 21:14:47 -0600
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For you guitar loopers, I just found a new VST tube amp by Florida Music =
called Brackenbury Tube Amp. I'm very impressed with it so far. I have =
been comparing it A-B with the Voxengo Tube Amp VST, and they are =
different, but the Brackenbury has a nice tone too...great for jazz and =
blues.

Try it out...apparently, they are offering it for free for a limited =
time, but of course I read that posted in Feb of 2005:

http://www.hitsquad.com/smm/programs/Brackenbury/

Kris


*************************************************************************=
*
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
My Tribe: http://people.tribe.net/krispen-hartung=20
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography (CDs for only $5): http://cdbaby.com/all/khartung 
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>For you guitar loopers, I just found a =
new VST tube=20
amp by Florida Music called Brackenbury Tube Amp. I'm very impressed =
with it so=20
far. I have been comparing it A-B with the Voxengo Tube Amp VST, and =
they are=20
different, but the Brackenbury has a nice tone too...great for jazz and=20
blues.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Try it out...apparently, they are =
offering it for=20
free for a limited time, but of course I read that posted in Feb of=20
2005:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.hitsquad.com/smm/programs/Brackenbury/">http://www.hit=
squad.com/smm/programs/Brackenbury/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung / Improvisational Looping Guitar<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / <A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>My=20
Tribe: <A=20
href=3D"http://people.tribe.net/krispen-hartung">http://people.tribe.net/=
krispen-hartung</A>=20
<BR><A =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography (CDs for only $5): <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

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Bill Walker was kind enough share a recording of him using the Looperlative 
LP1.  At his request, I have placed the recording on the web and it may be 
downloaded at http://www.looperlative.com/media/BillWalkerLPno2.mp3

I hope you all enjoy it as much as I do.

---
Bob Amstadt
http://www.looperlative.com
http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 06:21:34 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Bill Walker using Looperlative recording available for download
To: Bob Amstadt <bob@looperlative.com>,
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This is beautiful!
Bill can you develop a bit on how it was done?was it
done live or did u edit it?
I want one!!
Luis

--- Bob Amstadt <bob@looperlative.com> wrote:

> Bill Walker was kind enough share a recording of him
> using the Looperlative 
> LP1.  At his request, I have placed the recording on
> the web and it may be 
> downloaded at
>
http://www.looperlative.com/media/BillWalkerLPno2.mp3
> 
> I hope you all enjoy it as much as I do.
> 
> ---
> Bob Amstadt
> http://www.looperlative.com
> http://www.cafepress.com/loopystuff
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 06:43:21 2006
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Great stuff!...I'd love to see a bit of explanation about all that was 
going on, how the LP1 was controlled, etc.

Daryl Shawn
www.swanwelder.com
> Bill Walker was kind enough share a recording of him using the 
> Looperlative LP1.  At his request, I have placed the recording on the 
> web and it may be downloaded at 
> http://www.looperlative.com/media/BillWalkerLPno2.mp3
>
> I hope you all enjoy it as much as I do.
>
> ---
> Bob Amstadt
> http://www.looperlative.com
> http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 10:21:17 2006
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Date: Wed, 30 Aug 2006 06:09:41 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long
Special Focus on Klaus Schulze and his recent reissed work on Revisited
Records.  The Featured CD at Midnight will be "Dreams."  The Vinyl
Starter will come from the LP "Shadows of Light" by the Nightcrawlers
on Synkronos Records and released in 1987.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and on the
internet.  WDIY now simulcasts on WXLV on 90.3 FM in Schnecksville,
Pennsylvania.

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 11:36:53 2006
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Hi Daniel

there have been various discussions on that in this forum, you might want to search for it.
You can find the essentials here: 
http://www.looproom.com/looperchart.php

If you want to midi sync, time shift etc., the Repeater might be a better choice. The good thing about the RC-50 is that you have everything in a nice pedal unit with 3 stereo loops - and you can get it in a shop. ;-)

I guess it depends on what you need.
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 11:39:21 2006
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What about SooperLooper?`

@Jeff: is your 8-tracker also Universal Binary (intel mac)?
Buzap

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 15:00:22 2006
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Subject: Re: OT: LEDs for amp channel switching
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> Are these latching or momentary switches?

Latching. Big humongoid chrome-plated latching stomp switches. The kind that
give off a moderate "click" when you step on them, and you can feel it click
in your foot bones. The old Fender-style "reverb and vibrato" type switches.

> >Hi Crew-
> >     This is way OT, but I'll bet one of you loopers just might be the
DIY
> >brainiac to solve my problem.
> >
> >I just purchased a Carvin V3 amp head - great sounding 100-watt EL34
> >monster, by the way - but the channel-switching footswitch has no LEDs on
> >it. There are three channels plus a "boost" function, and all four
> >footswitches are simple SPDT switches with one lug unused. I figure it
would
> >be fairly easy to swap the SPDTs for DPDTs or, if necessary, those groovy
> >Fulltone triple-throw DT switches, drill holes in the switch housing, add
> >LEDs and a 9V battery, and I'd be rocking.
> >
> >The problem is, I can't find a schematic that would cause just one
channel
> >light to be on at a time. I'm boggled about how to wire it so that if,
for
> >example, I'm using Channel 1 and want to change to Channel 2, when I
press
> >switch #2 (for Channel 2), the LED for switch #1/Channel 1 goes off and
the
> >LED for switch #2/Channel 2 goes on. So among the three channels, only
one
> >LED can be on at a time. The 4th (boost) switch would remain on or off
> >regardless of which channel is on (that one's easy).
> >
> >     I spent about an hour the other night doing Google searches on all
kinds
> >of guitar and amp DIY sites, and I checked my Craig Anderton books, and I
> >couldn't find anything for this other than to get into some kind of solid
> >state switching chip, which I'd rather avoid. It SEEMS like it would be a
> >simple enough circuit WITHOUT any chips or boards, but I don't do this
kind
> >of thing often enough to figure it out for myself.
> >
> >HELLLLLLLPPPPP!
> >
> >Douglas Baldwin, coyote-at-large
> >www.thecoyote.org
> >coyotelk@optonline.net
> >
> >"Life! Life!
> >Clouds and clowns!
> >You don't have to come down!"
> >- Sly and the Family Stone
>
>
> -- 
> ...
> http://www.zmix.net
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 16:29:17 2006
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Date: Thu, 31 Aug 2006 12:14:24 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Will Cycling 74 create a basic host synced MIDI looper?
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Does anyone have any advice on setting up sooper=20
looper with a midi foot control? It seems to have=20
such great potential, but too aggravating to use=20
with a mouse...


>What about SooperLooper?`
>
>@Jeff: is your 8-tracker also Universal Binary (intel mac)?
>Buzap
>
>--
>
>
>Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
>Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer


-- 
=2E..
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 16:29:17 2006
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Date: Thu, 31 Aug 2006 12:26:05 -0400
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Is this the "FS44" you are using?


Are the switches unique for each selection or are they set up as A/B switches?

  when you switch from channel one to channel two do you need to 
deselect channel one?

I think that if you were to arrange the LEDs in series and use a 
diode matrix to determine which LED was lit for which combination you 
could get it working

>  > Are these latching or momentary switches?
>
>Latching. Big humongoid chrome-plated latching stomp switches. The kind that
>give off a moderate "click" when you step on them, and you can feel it click
>in your foot bones. The old Fender-style "reverb and vibrato" type switches.
>
>>  >Hi Crew-
>>  >     This is way OT, but I'll bet one of you loopers just might be the
>DIY
>>  >brainiac to solve my problem.
>>  >
>>  >I just purchased a Carvin V3 amp head - great sounding 100-watt EL34
>>  >monster, by the way - but the channel-switching footswitch has no LEDs on
>>  >it. There are three channels plus a "boost" function, and all four
>>  >footswitches are simple SPDT switches with one lug unused. I figure it
>would
>>  >be fairly easy to swap the SPDTs for DPDTs or, if necessary, those groovy
>>  >Fulltone triple-throw DT switches, drill holes in the switch housing, add
>>  >LEDs and a 9V battery, and I'd be rocking.
>>  >
>>  >The problem is, I can't find a schematic that would cause just one
>channel
>>  >light to be on at a time. I'm boggled about how to wire it so that if,
>for
>>  >example, I'm using Channel 1 and want to change to Channel 2, when I
>press
>>  >switch #2 (for Channel 2), the LED for switch #1/Channel 1 goes off and
>the
>>  >LED for switch #2/Channel 2 goes on. So among the three channels, only
>one
>>  >LED can be on at a time. The 4th (boost) switch would remain on or off
>>  >regardless of which channel is on (that one's easy).
>>  >
>>  >     I spent about an hour the other night doing Google searches on all
>kinds
>>  >of guitar and amp DIY sites, and I checked my Craig Anderton books, and I
>>  >couldn't find anything for this other than to get into some kind of solid
>>  >state switching chip, which I'd rather avoid. It SEEMS like it would be a
>>  >simple enough circuit WITHOUT any chips or boards, but I don't do this
>kind
>>  >of thing often enough to figure it out for myself.
>>  >
>>  >HELLLLLLLPPPPP!
>>  >
>>  >Douglas Baldwin, coyote-at-large
>>  >www.thecoyote.org
>>  >coyotelk@optonline.net
>>  >
>>  >"Life! Life!
>>  >Clouds and clowns!
>>  >You don't have to come down!"
>>  >- Sly and the Family Stone
>>
>>
>>  --
>>  ...
>>  http://www.zmix.net
>>


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 16:50:56 2006
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Date: Thu, 31 Aug 2006 09:50:55 -0700 (PDT)
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Subject: Re: Will Cycling 74 create a basic host synced MIDI looper?
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Sooperlooper would be perfect... if I could only get
it to work.  When after messing with it for hours I
got it working, I wept sweet sweet tears of joy.  It
never happened again.  I had to cut my losses and move
on.

--- Buzap Buzap <buzap@gmx.net> wrote:

> What about SooperLooper?`
> 
> @Jeff: is your 8-tracker also Universal Binary
> (intel mac)?
> Buzap
> 
> -- 
> 
> 
> Der GMX SmartSurfer hilft bis zu 70% Ihrer
> Onlinekosten zu sparen!
> Ideal für Modem und ISDN:
> http://www.gmx.net/de/go/smartsurfer
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 16:57:59 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Will Cycling 74 create a basic host synced MIDI looper?
Date: Thu, 31 Aug 2006 09:57:55 -0700
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It will be, but is not now.....I don't own a macintel yet....but will=20
be getting one.


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Aug 31, 2006, at 4:39 AM, Buzap Buzap wrote:

> What about SooperLooper?`
>
> @Jeff: is your 8-tracker also Universal Binary (intel mac)?
> Buzap
>
> --=20
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 18:42:45 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Bill Walker using Looperlative recording available for download
Date: Thu, 31 Aug 2006 11:42:43 -0700
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Hey thanks for the kind words, my Peeps.  The improvisation you heard was
done in real time, without edits or pre-records. I started by creating a
simple rubato melodic theme, I then changed the record speed to half speed
which dropped the loop down an octave and then I reversed the track. then I
applied the fast shuffle mode to the loop which created the sequenced
sounding bass part. Subsequent tracks I added where mostly of an ambient
nature, but I continued to make liberal use of the different record speeds,
reverse function, replace function and the shuffle mode, not to mention
bringing tracks in and out via expression controlled volume fades. in
addition to the LP-1, I used a DL-4 for the auto-volume effect, a Seymour
Duncan twin tube for overdrive effects, and a vox tonelab for amp sounds and
some secondary delay effects. I believe I had 4 or 5 independent tracks
going by the end. Major Kudos to Steve Lawson who suggested the scramble
function to Bob, which I used in a pretty inside way, but has great
potential for glitchy weirdness, and most major kudos for Bob, for
continuing to come up with new features for this remarkable tool. For guys
like me who are not ready to commit to a software solution, this is as good
as it gets.

Thanks,
Bill




-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]
Sent: Wednesday, August 30, 2006 11:22 PM
To: Bob Amstadt; Loopers Delight
Subject: Re: Bill Walker using Looperlative recording available for
download


This is beautiful!
Bill can you develop a bit on how it was done?was it
done live or did u edit it?
I want one!!
Luis

--- Bob Amstadt <bob@looperlative.com> wrote:

> Bill Walker was kind enough share a recording of him
> using the Looperlative
> LP1.  At his request, I have placed the recording on
> the web and it may be
> downloaded at
>
http://www.looperlative.com/media/BillWalkerLPno2.mp3
>
> I hope you all enjoy it as much as I do.
>
> ---
> Bob Amstadt
> http://www.looperlative.com
> http://www.cafepress.com/loopystuff
>
>


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 18:57:08 2006
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thanks, Bill, fascinating stuff.  Just one question - is the "shuffle" 
mode the same as the "scramble" mode you mention below?

Also, is it possible to sync the rate of the shuffle, or control it via 
MIDI? I'm a long way away from doing anything with sync (or MIDI for 
that matter), but I'm curious, it seems like it'd be especially useful 
if that were possible.

Daryl Shawn
www.swanwelder.com
> Hey thanks for the kind words, my Peeps.  The improvisation you heard was
> done in real time, without edits or pre-records. I started by creating a
> simple rubato melodic theme, I then changed the record speed to half speed
> which dropped the loop down an octave and then I reversed the track. then I
> applied the fast shuffle mode to the loop which created the sequenced
> sounding bass part. Subsequent tracks I added where mostly of an ambient
> nature, but I continued to make liberal use of the different record speeds,
> reverse function, replace function and the shuffle mode, not to mention
> bringing tracks in and out via expression controlled volume fades. in
> addition to the LP-1, I used a DL-4 for the auto-volume effect, a Seymour
> Duncan twin tube for overdrive effects, and a vox tonelab for amp sounds and
> some secondary delay effects. I believe I had 4 or 5 independent tracks
> going by the end. Major Kudos to Steve Lawson who suggested the scramble
> function to Bob, which I used in a pretty inside way, but has great
> potential for glitchy weirdness, and most major kudos for Bob, for
> continuing to come up with new features for this remarkable tool. For guys
> like me who are not ready to commit to a software solution, this is as good
> as it gets.
>
> Thanks,
> Bill
>   

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:11:03 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Bill Walker using Looperlative recording available for download
Date: Thu, 31 Aug 2006 12:11:02 -0700
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Oops, my bad I meant to say scamble. There are three scramble mode speeds,
and I can't really answer your question as I haven't tried slaving or
clocking via midi with the LP-1 yet. I personally have been moving away from
performing with a bunch of midi stuff all clocked together, but I will be
running some tests in the next few weeks to check out the LP-1 with my
roland drum machine.
Thanks
Bill

-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com]
Sent: Thursday, August 31, 2006 11:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bill Walker using Looperlative recording available for
download


thanks, Bill, fascinating stuff.  Just one question - is the "shuffle"
mode the same as the "scramble" mode you mention below?

Also, is it possible to sync the rate of the shuffle, or control it via
MIDI? I'm a long way away from doing anything with sync (or MIDI for
that matter), but I'm curious, it seems like it'd be especially useful
if that were possible.

Daryl Shawn
www.swanwelder.com
> Hey thanks for the kind words, my Peeps.  The improvisation you heard was
> done in real time, without edits or pre-records. I started by creating a
> simple rubato melodic theme, I then changed the record speed to half speed
> which dropped the loop down an octave and then I reversed the track. then
I
> applied the fast shuffle mode to the loop which created the sequenced
> sounding bass part. Subsequent tracks I added where mostly of an ambient
> nature, but I continued to make liberal use of the different record
speeds,
> reverse function, replace function and the shuffle mode, not to mention
> bringing tracks in and out via expression controlled volume fades. in
> addition to the LP-1, I used a DL-4 for the auto-volume effect, a Seymour
> Duncan twin tube for overdrive effects, and a vox tonelab for amp sounds
and
> some secondary delay effects. I believe I had 4 or 5 independent tracks
> going by the end. Major Kudos to Steve Lawson who suggested the scramble
> function to Bob, which I used in a pretty inside way, but has great
> potential for glitchy weirdness, and most major kudos for Bob, for
> continuing to come up with new features for this remarkable tool. For guys
> like me who are not ready to commit to a software solution, this is as
good
> as it gets.
>
> Thanks,
> Bill
>




From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:16:31 2006
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In a message dated 8/31/06 2:43:08 PM, billwalker@baymoon.com writes:


> Hey thanks for the kind words, my Peeps.=A0
>=20

speaking of words young bill.....why not do a voiceover on your tune so we=20
can get the skinny as we listen.....great idea no ?.....i wish you had used=20=
just=20
the looerlative though, bringing in dl-4s and wamframawammers just confused=20
me as to what was doing what.....wasn't that a cover of a BRENHARDS tune? on=
e=20
of their LUV SONGS?.....nice.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

--part1_c27.2c4f8b1.32288f85_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 8/31/06 2:43:08 PM, billwalker@baymoon.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hey thanks for the ki=
nd words, my Peeps.=A0<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">speaking of words young bill.....why not do a voiceover on your tune so w=
e can get the skinny as we listen.....great idea no ?.....i wish you had use=
d just the looerlative though, bringing in dl-4s and wamframawammers just co=
nfused me as to what was doing what.....wasn't that a cover of a BRENHARDS t=
une? one of their LUV SONGS?.....nice.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_c27.2c4f8b1.32288f85_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:29:01 2006
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Date: Thu, 31 Aug 2006 14:28:47 -0500
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This is a multi-part message in MIME format.
--------------040608010404010108070306
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
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hey, I think tomorrow's the LD anniversary, no? Still time to get loops 
up on Krispen's page 
(http://www.krispenhartung.com/LoopersDelight10Year.htm)! How 'bout a 
"dry" 30-second sample, Bill? (or anyone else still not represented?)

The thought of voiceovers makes me think of "Tubular Bells"..."and 
now...half-speed...REVERSE!"

Daryl Shawn
www.swanwelder.com

>
> speaking of words young bill.....why not do a voiceover on your tune 
> so we can get the skinny as we listen.....great idea no ?.....i wish 
> you had used just the looerlative though, bringing in dl-4s and 
> wamframawammers just confused me as to what was doing what.....wasn't 
> that a cover of a BRENHARDS tune? one of their LUV SONGS?.....nice.....:)m


--------------040608010404010108070306
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
hey, I think tomorrow's the LD anniversary, no? Still time to get loops
up on Krispen's page
(<a class="moz-txt-link-freetext" href="http://www.krispenhartung.com/LoopersDelight10Year.htm">http://www.krispenhartung.com/LoopersDelight10Year.htm</a>)! How 'bout a
"dry" 30-second sample, Bill? (or anyone else still not represented?)<br>
<br>
The thought of voiceovers makes me think of "Tubular Bells"..."and
now...half-speed...REVERSE!"<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="midc27.2c4f8b1.32288f85@aol.com" type="cite"><font
 face="arial,helvetica"><font family="SANSSERIF" color="#000000"
 face="Geneva" size="2"><br>
  </font><font family="SANSSERIF" color="#000000" face="Geneva" size="2">speaking
of words young bill.....why not do a voiceover on your tune so we can
get the skinny as we listen.....great idea no ?.....i wish you had used
just the looerlative though, bringing in dl-4s and wamframawammers just
confused me as to what was doing what.....wasn't that a cover of a
BRENHARDS tune? one of their LUV SONGS?.....nice.....:)m<br>
  </font></font></blockquote>
<br>
</body>
</html>

--------------040608010404010108070306--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:32:47 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: RE: Bill Walker using Looperlative recording available for download
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God, Bill, this is just a beautiful track!    

Damn,  I've played with you on and off for almost thirty years 
and you keep blowing my mind.     Really amazing stuff.
I've had it playing over and over as I do my e-mail today.

I just got my looperlative back with the new software and can't wait to 
try out the incredible scramble function.

Thanks for posting this.

Rick

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:43:25 2006
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References: <007501c6cbdf$def8a320$6700a8c0@mincer>
Subject: Re: EDP Feedback control via FCB1010
Date: Thu, 31 Aug 2006 21:43:12 +0200
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-----
>I have been using the FCB's expression pedal to control the EDP's =
feedback
> for years. Due to the stupidly designed Exp pedal which can only be=20
> assigned
> to 1 midi channel, I have dedicated one of the Exp pedals specifically =
for
> the feedback control.
> This has always worked great, but I can't use that pedal for anything=20
> else,
> unless it is on the same midi channel.

There seems to be a bit of confusion about the FCB and only being on ONE =

midi channel.. this isnt strictly true. If you look down you will see =
that=20
you actually have TWO pedals, an A pedal and a B pedal. HOORAY!
Now... it IS silly that you cant set a midi channel in each patch you=20
have... BUT you can set a differnt midi channel to EACH TYPE OF PEDAL=20
PARAMETER under your feet.

SO... you have 5 possible Prog change messages you can send... if you go =

into global mode you set here what PROG1 will send on and PROG2 will =
send=20
on... and so on.

In the same way you can (I think... to be honest I havent done it =
myself)=20
set EXP1 to work on midi channel X and EXP2 to work on midi channel Y... =
It=20
all a matter of going into the global mode and setting it up...  Then =
you=20
can use 1 pedal for feedback and one for ummm... midi contrlolled air to =
gas=20
mix on miked-up gas welder!  ka-booom!

Having been so helpful... um... can you tell me exactly how you get =
feedback=20
under midi controll in the first place... I tried but gave up!!!


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org=20
and works at www.transformlearning.com=20

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:45:43 2006
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I've also been playing it over and over!  Very nice.  Very 
inspirational.  Thanks!

--Josh

loop.pool wrote:
> God, Bill, this is just a beautiful track!   
> Damn,  I've played with you on and off for almost thirty years and you 
> keep blowing my mind.     Really amazing stuff.
> I've had it playing over and over as I do my e-mail today.
>
> I just got my looperlative back with the new software and can't wait 
> to try out the incredible scramble function.
>
> Thanks for posting this.
>
> Rick
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 19:54:58 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Bill Walker using Looperlative recording available for download
Date: Thu, 31 Aug 2006 12:54:57 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0008_01C6CCFC.A9791EF0
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	charset="iso-8859-1"
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I will do a voiceover as long as I can do it as either Christopher Walkin,
 "Explore the space... I need to hear...More Scramble!"

 or William Shatner.
"Now He's........Recording........In HalfSpeed.......
Scooty....Do....Something.... Beforeits...Too.Late..."
  -----Original Message----- ...
  From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
  Sent: Thursday, August 31, 2006 12:16 PM
  To: billwalker@baymoon.com; Loopers-Delight@loopers-delight.com
  Subject: Re: Bill Walker using Looperlative recording available for
download



  In a message dated 8/31/06 2:43:08 PM, billwalker@baymoon.com writes:



    Hey thanks for the kind words, my Peeps.



  speaking of words young bill.....why not do a voiceover on your tune so we
can get the skinny as we listen.....great idea no ?.....i wish you had used
just the looerlative though, bringing in dl-4s and wamframawammers just
confused me as to what was doing what.....wasn't that a cover of a BRENHARDS
tune? one of their LUV SONGS?.....nice.....:)m



  www.ct-collective.com
  http://mysite.verizon.net/vzepmeci/
  http://www.myspace.com/klobuchar11

------=_NextPart_000_0008_01C6CCFC.A9791EF0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D640153819-31082006><FONT face=3DArial color=3D#0000ff =

size=3D2>I&nbsp;will do a voiceover as long as I can do it as either =
Christopher=20
Walkin,</FONT></SPAN></DIV>
<DIV><SPAN class=3D640153819-31082006><FONT face=3DArial color=3D#0000ff =

size=3D2>&nbsp;"Explore the space... I need to hear...More=20
Scramble!"</FONT></SPAN></DIV>
<DIV><SPAN class=3D640153819-31082006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D640153819-31082006><FONT face=3DArial color=3D#0000ff =

size=3D2>&nbsp;or&nbsp;William Shatner.</FONT></SPAN></DIV>
<DIV><SPAN class=3D640153819-31082006><FONT face=3DArial color=3D#0000ff =
size=3D2>"Now=20
He's........Recording........In HalfSpeed....... =
Scooty....Do....Something....=20
Beforeits...Too.Late..."</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<SPAN =
class=3D640153819-31082006><FONT=20
  face=3DArial =
color=3D#0000ff>&nbsp;...&nbsp;</FONT></SPAN><BR><B>From:</B>=20
  Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]<BR><B>Sent:</B> Thursday, =
August=20
  31, 2006 12:16 PM<BR><B>To:</B> billwalker@baymoon.com;=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: Bill Walker =
using=20
  Looperlative recording available for =
download<BR><BR></FONT></DIV><FONT=20
  face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF"><BR>In a message dated 8/31/06 2:43:08 PM,=20
  billwalker@baymoon.com writes:<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
    FAMILY=3D"SANSSERIF">Hey thanks for the kind words, my=20
  Peeps.&nbsp;<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF">speaking of words young bill.....why not do a =
voiceover on=20
  your tune so we can get the skinny as we listen.....great idea no =
?.....i wish=20
  you had used just the looerlative though, bringing in dl-4s and=20
  wamframawammers just confused me as to what was doing what.....wasn't =
that a=20
  cover of a BRENHARDS tune? one of their LUV=20
  =
SONGS?.....nice.....:)m<BR><BR><BR><BR>www.ct-collective.com<BR>http://my=
site.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></BLO=
CKQUOTE></FONT><FONT=20
face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_0008_01C6CCFC.A9791EF0--


From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 20:19:33 2006
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Date: Wed, 30 Aug 2006 16:08:01 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: RC-50 First Time Experience
To: Loopers Delight Mailing List <Loopers-Delight@loopers-delight.com>
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Greetings,

I'm 255 messages behind!

Today I played with an RC-50 in the local music store.  First, I played 
with the sample patches to learn the basics of button and pedal 
pressing.  I did some simple overdubs and all went OK.

Then I started a patch with a couple of loops.  The second one was put 
into one-shot.  Somehow, I was never able to get Loop2 to que up and 
start playing after Loop1 ended.  I could switch between loops, each 
loop starting instantly as its pedal was pressed.  I was also able to 
get both loops to play at the same time (which sounded nasty!).  But I 
never could get them to play in a serial manner.  I read the manual and 
couldn't find the answer.  What's the secret?

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 20:29:01 2006
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Date: Thu, 31 Aug 2006 16:29:38 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: OT: LEDs for amp channel switching
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> Is this the "FS44" you are using?
Yup.

> Are the switches unique for each selection or are they set up as A/B
switches?
I believe they're unique for each selection, with some kind of logic circuit
in the head doing the actual routing.

>   when you switch from channel one to channel two do you need to
> deselect channel one?
No. I just stomp on the appropriate switch and the channel switches. Two
stomps for a change of channel would be pretty unergonomic. Or maybe the
word is "dumb."

> I think that if you were to arrange the LEDs in series and use a
> diode matrix to determine which LED was lit for which combination you
> could get it working
If you say so. Doesn't sound too hard. Got schematic?
dB

> >  > Are these latching or momentary switches?
> >
> >Latching. Big humongoid chrome-plated latching stomp switches. The kind
that
> >give off a moderate "click" when you step on them, and you can feel it
click
> >in your foot bones. The old Fender-style "reverb and vibrato" type
switches.
> >
> >>  >Hi Crew-
> >>  >     This is way OT, but I'll bet one of you loopers just might be
the
> >DIY
> >>  >brainiac to solve my problem.
> >>  >
> >>  >I just purchased a Carvin V3 amp head - great sounding 100-watt EL34
> >>  >monster, by the way - but the channel-switching footswitch has no
LEDs on
> >>  >it. There are three channels plus a "boost" function, and all four
> >>  >footswitches are simple SPDT switches with one lug unused. I figure
it
> >would
> >>  >be fairly easy to swap the SPDTs for DPDTs or, if necessary, those
groovy
> >>  >Fulltone triple-throw DT switches, drill holes in the switch housing,
add
> >>  >LEDs and a 9V battery, and I'd be rocking.
> >>  >
> >>  >The problem is, I can't find a schematic that would cause just one
> >channel
> >>  >light to be on at a time. I'm boggled about how to wire it so that
if,
> >for
> >>  >example, I'm using Channel 1 and want to change to Channel 2, when I
> >press
> >>  >switch #2 (for Channel 2), the LED for switch #1/Channel 1 goes off
and
> >the
> >>  >LED for switch #2/Channel 2 goes on. So among the three channels,
only
> >one
> >>  >LED can be on at a time. The 4th (boost) switch would remain on or
off
> >>  >regardless of which channel is on (that one's easy).
> >>  >
> >>  >     I spent about an hour the other night doing Google searches on
all
> >kinds
> >>  >of guitar and amp DIY sites, and I checked my Craig Anderton books,
and I
> >>  >couldn't find anything for this other than to get into some kind of
solid
> >>  >state switching chip, which I'd rather avoid. It SEEMS like it would
be a
> >>  >simple enough circuit WITHOUT any chips or boards, but I don't do
this
> >kind
> >>  >of thing often enough to figure it out for myself.
> >>  >
> >>  >HELLLLLLLPPPPP!
> >>  >
> >>  >Douglas Baldwin, coyote-at-large
> >>  >www.thecoyote.org
> >>  >coyotelk@optonline.net
> >>  >
> >>  >"Life! Life!
> >>  >Clouds and clowns!
> >>  >You don't have to come down!"
> >>  >- Sly and the Family Stone
> >>
> >>
> >>  --
> >>  ...
> >>  http://www.zmix.net
> >>
>
>
> -- 
> ...
> http://www.zmix.net
>

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Date: Thu, 31 Aug 2006 16:50:35 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: LEDs for amp channel switching
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>
>>  Are the switches unique for each selection or are they set up as A/B
>switches?
>I believe they're unique for each selection, with some kind of logic circuit
>in the head doing the actual routing.

Have you measured if there are voltages present?


>  >   when you switch from channel one to channel two do you need to
>>  deselect channel one?
>No. I just stomp on the appropriate switch and the channel switches. Two
>stomps for a change of channel would be pretty unergonomic. Or maybe the
>word is "dumb."

Then these are likely to be momentary switches....



>
>>  I think that if you were to arrange the LEDs in series and use a
>>  diode matrix to determine which LED was lit for which combination you
>>  could get it working
>If you say so. Doesn't sound too hard. Got schematic?
>dB



I recommend that you contact carvin's tech support.


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: LEDs for amp channel
switching</title></head><body>
<blockquote type="cite" cite><font size="-2"><i><br>
&gt; Are the switches unique for each selection or are they set up as
A/B<br>
switches?<br>
I believe they're unique for each selection, with some kind of logic
circuit</i></font></blockquote>
<blockquote type="cite" cite><font size="-2"><i>in the head doing the
actual routing.</i></font></blockquote>
<div><br></div>
<div>Have you measured if there are voltages present?</div>
<div><font size="-2"><br></font></div>
<div><font size="-2"><i><br></i></font></div>
<blockquote type="cite" cite><font size="-2"><i>&gt;&nbsp;&nbsp; when
you switch from channel one to channel two do you need to<br>
&gt; deselect channel one?<br>
No. I just stomp on the appropriate switch and the channel switches.
Two<br>
stomps for a change of channel would be pretty unergonomic. Or maybe
the</i></font></blockquote>
<blockquote type="cite" cite><font size="-2"><i>word is
&quot;dumb.&quot;</i></font></blockquote>
<div><br>
Then these are likely to be momentary switches....</div>
<div><br></div>
<div><font size="-2"><br>
<br>
</font></div>
<blockquote type="cite" cite><font size="-2"><i><br>
&gt; I think that if you were to arrange the LEDs in series and use
a<br>
&gt; diode matrix to determine which LED was lit for which combination
you<br>
&gt; could get it working</i></font></blockquote>
<blockquote type="cite" cite><font size="-2"><i>If you say so. Doesn't
sound too hard. Got schematic?<br>
dB</i></font></blockquote>
<div><br>
<br>
</div>
<div><br></div>
<div>I recommend that you contact carvin's tech support.</div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1055065039==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 22:25:17 2006
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Subject: Re: Bill Walker using Looperlative recording available for download
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> Also, is it possible to sync the rate of the shuffle, or control it via
> MIDI?

At the moment, no, the size of the chunks are one of 3 fixed sizes in time. 
There are fast, medium and slow scrambles where the chunk sizes are 100 
milliseconds, 400 milliseconds, and 1.6 seconds.  I anticipate that there 
will be other options in the future.  Like software products for your 
computer, new software can be downloaded to the LP1 through the network 
port.

---
Bob Amstadt
http://www.looperlative.com
http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Thu Aug 31 23:00:02 2006
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Gorgeous stuff Bill - great work, sir!

...and I will reply to your other email as soon as I can. :o)

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
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www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
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