From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 04:38:28 2005
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Date: Mon, 31 Oct 2005 23:36:33 -0500
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance w The Lothars + Bob M, Lowell MA, 11.05.05
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

I'll be doing video improvisations on Saturday Nov 5  with The 
Lothar's and special guest Bob McCloskey on reeds. The event will be 
at 119 Gallery, http://www.911gallery.org, which is located at 119 
Chelmsford Street., in Lowell, as part of the Cabaret Waltaire 
series, produced by Walter Wright.


Lineup:

8:00pm Random Access Theater [RAT]
Site coming soon: <http://www.randomaccesstheatre.org/> 
www.RandomAccessTheatre.org

8:45pm Heather (movement, video) + w2 (analog synth, video)

9:30pm The Lothars (retro-electro music) with dr T (visual music) + 
BoB McCloskey reeds;

Abstract improvisation for two theremins, electroflute, and reeds.

  http://www.wobblymusic.com/lothars/


Directions:

http://www.911gallery.org/directions/directions.htm
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 10:29:40 2005
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>  With MoreLoops=4, I'm trying to go
>from recording loop1, directly into recording on loop2

SwitchQuant = OFF
is necessary if you want to do this with NextLoop

Nextloop always ends a recording, and with all the other settings
of SwitchQuant the loop starts playing back.

>(NextLoop + carrying my loop1 with me, LoopCopy=On) back to
>playing in loop1, without anything on loop3 or loop4.

You need SwitchQuant = CnF (or one of the other similar options)
if you want to select which loop you want to go to next.

You have several options:-

1) SwitchQuant =Cnf, and let loop 1 play through before recording loop 2
2) MoreLoops  = 2,
3) "Random Access" the loops using midi Notes

>Like I said before, I keep ending up in MultiIncrease when
>I hit NextLoop again,

MultiIncrease is a special feature which allows you to multiply to
a fixed no. of cycles.
Hit Multiply once, to start, then straight away tap in the no. of
cycles you want.
eg. 3 taps on Multiply gives you 2 cycles in the loop

>and a long-press doesn't send me back
>to loop1 either.

with SwitchQuant=OFF the whole point is that you go
to the next loop immediately,
so there's no way the edp can wait to see if the press is
going to be a long one, it's already decided which loop to go to :-)

>  Hope this description helps.

hope you get to where you want to be,
I use SwitchQuant=Cnf and MoreLoops=2 together
almost all the time. It allows me to create complex arrangements,
and it's easy to keep track of what's happening.

If you're thing is to do backing chords on the edp, for soloing over,
then won't MoreLoops = 2 be enough? (just asking).
If you need to switch between 4 loops then either you have to
use MIDI control (fun), or use SwitchQuant = CnF and accept
that you let the loop you just recorded run for a bit.


OR (complexity warning!!)

use:-
SamplerStyle=OnE
with your original settings
1) hit Rec and play loop1
2) hit Next and play loop2
3) hit rec and Hear Loop1

Now each time you hit Next, you'll get one repeat of loop2,
and then go back to loop1.

to stay in loop 2, hit Undo while in loop2

when in loop2 you can use Next to start recording loop3
(after which you have to either hit Rec to go back to loop2,
   or Next to record loop4)

..but using SamplerStyle=One with multiple Loops is really a
bit confusing,   with the loops tending to jump about unexpectedly.
Really it's designed for playing the loops from midi notes, when
the loop will just play once and stop.
The "interesting" behaviour when using the regular controls works
ok with MoreLoops=2, but otherwise is best left to EDP obsessives.

andy butler




>- Sam

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 13:01:02 2005
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To: loopers-Delight@loopers-delight.com
From: Daniel Fredriksson <dalfrn98@student.umu.se>
Subject: Musical places/venues in London?
Date: Tue, 1 Nov 2005 14:00:53 +0100
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Hey, my name is Daniel Fredriksson, I'm a musician from the north of  
Sweden. I'm not a looper yet, but plan to get in to it. I'm into  
experimental music and folk/worldmusic.

This might be a little OT, but I hope it's OK.
I'm going to London tomorrow, sort an educational visit. I have one  
day of and will go and spread some cd:s around the town. Sort of  
promos for my solostuff and also for a band called Godrun.

Does anyone have suggestions to venues that would book  an as yet  
unsigned band from Sweden if they really like the music? Godrun plays  
rock/punkmusic with a worldmusic-touch and backtrack throuch an MPC.  
Also booking agencys/record labels/festival etc is interesting.

Actually, any other suggestions for places of musical interest in  
London I would be thankful for!

Thanks a bunch!

Daniel Fredriksson
daniel@silkwood.se
www.silkwood.se






From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 13:28:58 2005
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From: Clint Goss <clint@goss.com>
Subject: RE: Musical places/venues in London?
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Daniel -

> any other suggestions for places of musical interest in London I would be
thankful for!

I had a *blast* at the British Library Sound archive:

 http://www.bl.uk/collections/sound-archive/nsaservices.html 

2.5 million recordings ... not too shabby. Takes a bit of bureaucracy to get in,
but it was worth it.

- Clint Goss

Email: clint@goss.com
Web:   www.goss.com


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 13:39:34 2005
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Subject: AW: using laptops for music
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A solution that might solve some of these issues might be to take a
rather deep 19'' angled rack and mount a docking station in the top
space, then installing any peripherals (audio/midi interface etc.)
below. Thus, no connectors are freely spread around, but by undocking
the laptop, you can still use it e.g. for working on music stuff while
on an airplane/train/...

But you're right - if I would want to implement a serious solution, I'd
look at some of the industry PCs available, like these:
www.digitallogic.ch

Had good experiences with these running protoyping stuff in a car.

	Rainer

-----Urspr=FCngliche Nachricht-----
Von: Matthias Grob [mailto:matigrob@terra.com.br]=20
Gesendet: Montag, 31. Oktober 2005 14:14
An: Loopers-Delight@loopers-delight.com
Betreff: Re: using laptops for music


I am mostly worried about the connectors:
no matter how much metal they put in the box, the connectors are=20
freely spread arround and stand out and when somebody walks by and=20
touch it, you have the following options:
- (best) the connector falls out
- the connector breaks
- the socket breaks
- the socket and the PCB break
- the socket and the chip connected to it break (as experienced with
FireWire!)

I think Laptop is great to start and make experiences, but for a=20
serious touring equipment, we should figure out boxes with big=20
FireWire sockets, mobile processors, no ventilators and possibly=20
Flash memory instead of HD

>I have to throw in my couple of cents here, I agree totally that you
>need to look for a commercial model. I'm still using my compaq m300=20
>which would be about 6 or 7 yrs old. I have upgraded hard drives, cd=20
>burners, memory and OS systems over the years but the laptop itself=20
>is still chugging along. The m series was what compaq was calling=20
>their business line back then, and the other main line was the=20
>pesario which was the consumer line. Back then I chose the m300=20
>because it had a lot more metal in the case compared to the pesario=20
>and I was touring a lot back then. You still see quite a few of=20
>these m300s on ebay working fine, but not nearly fast enough for=20
>what we want it to do, and I must say that Travis was right on when=20
>he talked about depreciation if that wants to factor into your=20
>decision. My laptop would sell for maybe $150.00, while my 3 yr old=20
>edp would fetch maybe $800.00 (which is more than I paid for it).

--=20


          ---> http://Matthias.Grob.org


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 14:12:08 2005
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From: goddard.duncan@mtvne.com
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Subject: RE: The End of Timeless Instruments? (Craig Anderton editorial)
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>>TUBES are probably the most important sound factors 'in my world'.<<

I agree. I would use more tube-based kit if I possibly could. at the moment,
I have a couple of valve tape decks in the studio, while on stage both I &
my guitarist use valve heads (he has marshalls & fenders, I play my basses
through an old orange 120). 
it's all about even-order harmonic distortion vs the odd-order variety one
gets from silicon-based life-forms....

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;TUBES are probably the most important sound facto=
rs 'in my world'.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I agree. I would use more tube-based kit if I possibly co=
uld. at the moment, I have a couple of valve tape decks in the studio, whil=
e on stage both I &amp; my guitarist use valve heads (he has marshalls &amp=
; fenders, I play my basses through an old orange 120). </FONT></P>

<P><FONT SIZE=3D2>it's all about even-order harmonic distortion vs the odd-=
order variety one gets from silicon-based life-forms....</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 15:29:13 2005
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Subject: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 08:29:07 -0700
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Phil Zurrigo

Intrigue 19 - http://box.net/public/khartung/files/1137274.html
LGM 12 - http://box.net/public/khartung/files/1137275.html
Virtuet Y - http://box.net/public/khartung/files/1137277.html
Virtuet Z - http://box.net/public/khartung/files/1137721.html

Matt Davignon - http://box.net/public/khartung/files/1149272.html

Atomic Mobius Machine
http://box.net/public/khartung/files/1033666.html


Rick Walker

Please note: Much of Rick's material here is total improptu between sets =
or subsituting for folks who had to cancel...this is great stuff in my =
opinon...very creative and spontaneous...live art at it's best
  a.. Improv Between Sets (beat box with crowd participation) - =
http://box.net/public/khartung/files/1034475.html=20
  b.. Improv ("This is an ancient Japanese Instrument!"  + Interesting =
and creative percussion looping piece + Experimental halloween voice toy =
looping, etc...far out! + Etheral voice looping  + More vocal improv =
looping + tribute song dedicated to Bob B., Hunter S., and David R.) - =
http://box.net/public/khartung/files/1034476.html=20
  c.. Found Sound Distraction (Toy music intermission + Imprompu looping =
with household items, voice, etc) - =
http://box.net/public/khartung/files/1035894.html
Andy Butler

00 - Rick's Intro - http://box.net/public/khartung/files/1096417.html
01 - Kasaundi - http://box.net/public/khartung/files/1095610.html
02 - Aquarium 2 - http://box.net/public/khartung/files/1115735.html
03 - Hanging Garden - http://box.net/public/khartung/files/1096133.html
04 - Altitude - http://box.net/public/khartung/files/1096418.html
05 - Backwater - http://box.net/public/khartung/files/1096419.html
06 - Falling Marbles - http://box.net/public/khartung/files/1096435.html

Adrian West - 6-string electric violin/mandolin
http://box.net/public/khartung/files/1033665.html

Doug Wright - Akai EWI, Tenor Saxophone
http://box.net/public/khartung/files/1035694.html

Goh Nakamura - acoustic guitar & vocals
http://box.net/public/khartung/files/1035892.html

Stanosaur - electric guitar
http://box.net/public/khartung/files/1034479.html

Scott Drengsen - bass
http://box.net/public/khartung/files/1034478.html

Ute Bonn - vocals
http://box.net/public/khartung/files/1036700.html

Herb Heinz & Tim Thompson (HOOPLA)
http://nosuchmedia.com/audio/hoopla_y2k5.mp3

Bernhard Wagner - electric guitar

Part One - http://box.net/public/khartung/files/987792.html
Part Two (Verbal Intro) - =
http://box.net/public/khartung/files/991792.html
Part Two - http://box.net/public/khartung/files/991793.html
Part Three - http://box.net/public/khartung/files/987794.html
Part Four (with Max Valentino) - =
http://box.net/public/khartung/files/987795.html

Max Valentino - bass

Part One (with Bernhard Wagner) - =
http://box.net/public/khartung/files/992129.html

Ted Killian - electric guitar

Rick's Intro and Ted Warming Up - =
http://box.net/public/khartung/files/987388.html
Part One - Guitar Dyslexia - =
http://box.net/public/khartung/files/985656.html
Part Two - Guitar Dysphasia - =
http://box.net/public/khartung/files/985657.html
Part Three - Guitar Dyspasia - =
http://box.net/public/khartung/files/988212.html

Greg Powers
http://box.net/public/khartung/files/976586.html

Ghost 7 - bass
http://box.net/public/khartung/files/975372.html

Krispen Hartung - electric guitar
http://box.net/public/khartung/files/975177.html

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<BODY lang=3DEN-US vLink=3Dblue link=3Dblue bgColor=3Dwhite>
<DIV><FONT face=3DArial size=3D2><STRONG>Phil =
Zurrigo</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Intrigue 19&nbsp;- <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1137274.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1137274.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>LGM 12&nbsp;- <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1137275.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1137275.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Virtuet Y&nbsp;- <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1137277.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1137277.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Virtuet Z&nbsp;- <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1137721.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1137721.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Matt Davignon -=20
</STRONG></FONT><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><A=20
class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/1149272.html"=20
target=3D_blank>http://box.net/public/khartung/files/1149272.html</A></FO=
NT></STRONG></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Atomic Mobius =
Machine</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1033666.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1033666.html</FONT><=
/STRONG></A></FONT><BR></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Rick =
Walker</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Please note<STRONG>:</STRONG> Much of =
Rick's=20
material here is total improptu between sets or subsituting for folks =
who had to=20
cancel...this is great stuff in my opinon...very creative and =
spontaneous...live=20
art at it's best</FONT></DIV>
<UL>
  <LI><FONT face=3DArial size=3D2>Improv Between Sets (beat box with =
crowd=20
  participation)&nbsp;- <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1034475.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1034475.html</FONT><=
/STRONG></A></FONT>=20

  <LI><FONT face=3DArial size=3D2>Improv ("This is an ancient Japanese=20
  Instrument!"&nbsp; + Interesting and creative percussion looping piece =
+=20
  Experimental halloween voice toy looping, etc...far out! + Etheral =
voice=20
  looping&nbsp; + More vocal improv looping + tribute song dedicated to =
Bob B.,=20
  Hunter S., and&nbsp;David R.) - <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1034476.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1034476.html</FONT><=
/STRONG></A></FONT>=20

  <LI><FONT face=3DArial size=3D2>Found Sound Distraction (Toy music =
intermission +=20
  Imprompu looping with household items, voice, etc) - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1035894.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1035894.html</FONT><=
/STRONG></A></FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2><STRONG>Andy =
Butler</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>00 - Rick's Intro - <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1096417.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1096417.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>01 - Kasaundi - <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1095610.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1095610.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>02 - Aquarium 2 - <A class=3Dpublic_url =

href=3D"http://box.net/public/khartung/files/1115735.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1115735.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>03 -&nbsp;Hanging Garden - <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1096133.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1096133.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>04 - Altitude</FONT>&nbsp;<FONT =
face=3DArial size=3D2>-=20
<A class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/1096418.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1096418.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>05 - Backwater - <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1096419.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1096419.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>06 - Falling Marbles - <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1096435.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
color=3D#0099cc>http://box.net/public/khartung/files/1096435.html</FONT><=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Adrian West</STRONG> - 6-string =
electric=20
violin/mandolin</FONT></DIV>
<DIV><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1033665.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/1033665.html</FONT></STRONG=
></A></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>Doug Wright - </STRONG>Akai =
EWI, Tenor=20
Saxophone</FONT></DIV>
<DIV><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1035694.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/1035694.html</FONT></STRONG=
></A></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Goh Nakamura -</STRONG> =
acoustic guitar=20
&amp; vocals</FONT></DIV>
<DIV><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1035892.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/1035892.html</FONT></STRONG=
></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Stanosaur - </STRONG>electric=20
guitar</FONT></DIV>
<DIV><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1034479.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/1034479.html</FONT></STRONG=
></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Scott Drengsen - =
</STRONG>bass</FONT></DIV>
<DIV><U><FONT face=3D"Arial Narrow" color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1034478.html"=20
target=3D_blank><STRONG>http://box.net/public/khartung/files/1034478.html=
</STRONG></A></FONT></U></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ute Bonn - =
</STRONG>vocals</FONT></DIV>
<DIV><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/1036700.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/1036700.html</FONT></STRONG=
></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Herb Heinz &amp; Tim Thompson=20
(HOOPLA)</STRONG></FONT></DIV>
<DIV><A href=3D"http://nosuchmedia.com/audio/hoopla_y2k5.mp3"><FONT =
face=3DArial=20
size=3D2>http://nosuchmedia.com/audio/hoopla_y2k5.mp3</FONT></A></DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG>Bernhard Wagner -</STRONG> =
electric=20
guitar</DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">Part&nbsp;One - <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/987792.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/987792.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial">Part Two (Verbal Intro) - <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/991792.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/991792.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial">Part Two - <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/991793.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/991793.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial">Part Three - <A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/987794.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/987794.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial">Part Four (with Max Valentino) - <A=20
class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987795.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/987795.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG>Max Valentino -</STRONG> =
bass</DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">Part One (with Bernhard Wagner) =
-<STRONG> <A=20
class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/992129.html"=20
target=3D_blank><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/992129.html</FONT></=
A></STRONG></DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial"><STRONG>Ted Killian -</STRONG> electric=20
guitar</DIV>
<DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">Rick's Intro and Ted Warming Up - <A=20
class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987388.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/987388.html</FONT></=
STRONG></A></DIV>
<DIV style=3D"FONT: 10pt arial">Part One - Guitar Dyslexia - <A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/985656.html"=20
target=3D_blank><STRONG><FONT=20
color=3D#0099cc>http://box.net/public/khartung/files/985656.html</FONT></=
STRONG></A></DIV>
<DIV><FONT face=3DArial size=3D2>Part Two - Guitar Dysphasia - </FONT><A =

class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/985657.html"=20
target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/985657.html</FONT></STRONG>=
</A></DIV>
<DIV><FONT face=3DArial size=3D2>Part Three - Guitar Dyspasia - =
</FONT><A=20
class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/988212.html"=20
target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/988212.html</FONT></STRONG>=
</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Greg =
Powers</STRONG></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0099cc size=3D2><A class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/976586.html"=20
target=3D_blank><STRONG>http://box.net/public/khartung/files/976586.html<=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ghost 7 -</STRONG> =
bass</FONT></DIV>
<DIV><A class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/975372.html"=20
target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/975372.html</FONT></STRONG>=
</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Krispen Hartung -</STRONG> =
electric=20
guitar</FONT></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 12pt"><A=20
href=3D"http://box.net/public/khartung/files/975177.html"=20
target=3D_blank><STRONG><B><FONT face=3DArial color=3D#0099cc><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2></FONT></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 15:43:48 2005
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To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Turning OFF MultiIncrease in LoopIV
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>To my knowledge there is no defined behavior for a long-press
>of NextLoop in Loop IV.

If SwitchQuant=Off, then LongNextLoop = same as short press
else LongNextLoop= go to loop 1

there's also a SUSNextLoop midi function,
...but the day is short

andy




From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 16:12:41 2005
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From: Sam Rogers <onemouthband@yahoo.com>
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Subject:  Re: Re: Turning OFF MultiIncrease in LoopIV
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Thanks Andy, Jeff, and other off-board replies.  I think
I'll take the simplest part of Andy's advice and just try
to rework my arrangement with MoreLoops=2 for now (though I
hate to sacrifice those vocal harmonies!).  You've given me
a lot to play with and think about, and you're right it has
nothing to do with MultiIncrease.

It's just frustrating whenever you make a software upgrade
that takes away previous functionality. I had performed my
previous (LoopIII) arrangment and liked it that way. But
when I tried it in LoopIV it sent me into MultiIncrease,
that's why I was focused on MultiIncrease as the solution
to the exclusion of other options.  Thanks again for
opening me up!

Sam Rogers
One Mouth Band
www.OneMouthBand.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 16:32:15 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 08:32:12 -0800
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hey Kris , did you ever record my stuff?
Bill
  -----Original Message-----
  From: Kris Hartung [mailto:khartung@cableone.net]
  Sent: Tuesday, November 01, 2005 7:29 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


  Phil Zurrigo

  Intrigue 19 - http://box.net/public/khartung/files/1137274.html
  LGM 12 - http://box.net/public/khartung/files/1137275.html
  Virtuet Y - http://box.net/public/khartung/files/1137277.html
  Virtuet Z - http://box.net/public/khartung/files/1137721.html

  Matt Davignon - http://box.net/public/khartung/files/1149272.html

  Atomic Mobius Machine
  http://box.net/public/khartung/files/1033666.html


  Rick Walker

  Please note: Much of Rick's material here is total improptu between sets
or subsituting for folks who had to cancel...this is great stuff in my
opinon...very creative and spontaneous...live art at it's best
    a.. Improv Between Sets (beat box with crowd participation) -
http://box.net/public/khartung/files/1034475.html
    b.. Improv ("This is an ancient Japanese Instrument!"  + Interesting and
creative percussion looping piece + Experimental halloween voice toy
looping, etc...far out! + Etheral voice looping  + More vocal improv looping
+ tribute song dedicated to Bob B., Hunter S., and David R.) -
http://box.net/public/khartung/files/1034476.html
    c.. Found Sound Distraction (Toy music intermission + Imprompu looping
with household items, voice, etc) -
http://box.net/public/khartung/files/1035894.html
  Andy Butler

  00 - Rick's Intro - http://box.net/public/khartung/files/1096417.html
  01 - Kasaundi - http://box.net/public/khartung/files/1095610.html
  02 - Aquarium 2 - http://box.net/public/khartung/files/1115735.html
  03 - Hanging Garden - http://box.net/public/khartung/files/1096133.html
  04 - Altitude - http://box.net/public/khartung/files/1096418.html
  05 - Backwater - http://box.net/public/khartung/files/1096419.html
  06 - Falling Marbles - http://box.net/public/khartung/files/1096435.html

  Adrian West - 6-string electric violin/mandolin
  http://box.net/public/khartung/files/1033665.html

  Doug Wright - Akai EWI, Tenor Saxophone
  http://box.net/public/khartung/files/1035694.html

  Goh Nakamura - acoustic guitar & vocals
  http://box.net/public/khartung/files/1035892.html

  Stanosaur - electric guitar
  http://box.net/public/khartung/files/1034479.html

  Scott Drengsen - bass
  http://box.net/public/khartung/files/1034478.html

  Ute Bonn - vocals
  http://box.net/public/khartung/files/1036700.html

  Herb Heinz & Tim Thompson (HOOPLA)
  http://nosuchmedia.com/audio/hoopla_y2k5.mp3

  Bernhard Wagner - electric guitar

  Part One - http://box.net/public/khartung/files/987792.html
  Part Two (Verbal Intro) - http://box.net/public/khartung/files/991792.html
  Part Two - http://box.net/public/khartung/files/991793.html
  Part Three - http://box.net/public/khartung/files/987794.html
  Part Four (with Max Valentino) -
http://box.net/public/khartung/files/987795.html

  Max Valentino - bass

  Part One (with Bernhard Wagner) -
http://box.net/public/khartung/files/992129.html

  Ted Killian - electric guitar

  Rick's Intro and Ted Warming Up -
http://box.net/public/khartung/files/987388.html
  Part One - Guitar Dyslexia -
http://box.net/public/khartung/files/985656.html
  Part Two - Guitar Dysphasia -
http://box.net/public/khartung/files/985657.html
  Part Three - Guitar Dyspasia -
http://box.net/public/khartung/files/988212.html

  Greg Powers
  http://box.net/public/khartung/files/976586.html

  Ghost 7 - bass
  http://box.net/public/khartung/files/975372.html

  Krispen Hartung - electric guitar
  http://box.net/public/khartung/files/975177.html

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<DIV><SPAN class=3D687472916-01112005><FONT face=3DArial color=3D#0000ff =
size=3D2>hey=20
Kris , did you ever record my stuff?</FONT></SPAN></DIV>
<DIV><SPAN class=3D687472916-01112005><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Kris Hartung=20
  [mailto:khartung@cableone.net]<BR><B>Sent:</B> Tuesday, November 01, =
2005 7:29=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Y2K5=20
  Performance Recordings (new additions Zurrigo, Matt Davignon, and =
Atomic=20
  Mobius Machine)<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Phil =
Zurrigo</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Intrigue 19&nbsp;- <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1137274.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1137274.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>LGM 12&nbsp;- <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1137275.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1137275.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Virtuet Y&nbsp;- <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1137277.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1137277.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Virtuet Z&nbsp;- <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1137721.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1137721.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Matt Davignon -=20
  </STRONG></FONT><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/1149272.html"=20
  =
target=3D_blank>http://box.net/public/khartung/files/1149272.html</A></FO=
NT></STRONG></DIV>
  <DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Atomic Mobius=20
  Machine</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1033666.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1033666.html</FONT><=
/STRONG></A></FONT><BR></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Rick =
Walker</STRONG></FONT></DIV>
  <DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Please note<STRONG>:</STRONG> Much of =
Rick's=20
  material here is total improptu between sets or subsituting for folks =
who had=20
  to cancel...this is great stuff in my opinon...very creative and=20
  spontaneous...live art at it's best</FONT></DIV>
  <UL>
    <LI><FONT face=3DArial size=3D2>Improv Between Sets (beat box with =
crowd=20
    participation)&nbsp;- <A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1034475.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1034475.html</FONT><=
/STRONG></A></FONT>=20

    <LI><FONT face=3DArial size=3D2>Improv ("This is an ancient Japanese =

    Instrument!"&nbsp; + Interesting and creative percussion looping =
piece +=20
    Experimental halloween voice toy looping, etc...far out! + Etheral =
voice=20
    looping&nbsp; + More vocal improv looping + tribute song dedicated =
to Bob=20
    B., Hunter S., and&nbsp;David R.) - <A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1034476.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1034476.html</FONT><=
/STRONG></A></FONT>=20

    <LI><FONT face=3DArial size=3D2>Found Sound Distraction (Toy music =
intermission=20
    + Imprompu looping with household items, voice, etc) - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1035894.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1035894.html</FONT><=
/STRONG></A></FONT></LI></UL>
  <DIV><FONT face=3DArial size=3D2><STRONG>Andy =
Butler</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>00 - Rick's Intro - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1096417.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1096417.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>01 - Kasaundi - <A class=3Dpublic_url =

  href=3D"http://box.net/public/khartung/files/1095610.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1095610.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>02 - Aquarium 2 - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1115735.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1115735.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>03 -&nbsp;Hanging Garden - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1096133.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1096133.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>04 - Altitude</FONT>&nbsp;<FONT =
face=3DArial=20
  size=3D2>- <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1096418.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1096418.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>05 - Backwater - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1096419.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1096419.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>06 - Falling Marbles - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1096435.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/1096435.html</FONT><=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Adrian West</STRONG> - =
6-string electric=20
  violin/mandolin</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1033665.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/1033665.html</FONT></STRONG=
></A></DIV>
  <DIV><BR><FONT face=3DArial size=3D2><STRONG>Doug Wright - =
</STRONG>Akai EWI,=20
  Tenor Saxophone</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1035694.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/1035694.html</FONT></STRONG=
></A></DIV>
  <DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Goh Nakamura -</STRONG> =
acoustic guitar=20
  &amp; vocals</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1035892.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/1035892.html</FONT></STRONG=
></A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Stanosaur - </STRONG>electric =

  guitar</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1034479.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/1034479.html</FONT></STRONG=
></A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Scott Drengsen -=20
  </STRONG>bass</FONT></DIV>
  <DIV><U><FONT face=3D"Arial Narrow" color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1034478.html"=20
  =
target=3D_blank><STRONG>http://box.net/public/khartung/files/1034478.html=
</STRONG></A></FONT></U></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Ute Bonn - =
</STRONG>vocals</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/1036700.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/1036700.html</FONT></STRONG=
></A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Herb Heinz &amp; Tim Thompson =

  (HOOPLA)</STRONG></FONT></DIV>
  <DIV><A href=3D"http://nosuchmedia.com/audio/hoopla_y2k5.mp3"><FONT =
face=3DArial=20
  size=3D2>http://nosuchmedia.com/audio/hoopla_y2k5.mp3</FONT></A></DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG>Bernhard Wagner -</STRONG> =
electric=20
  guitar</DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Part&nbsp;One - <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/987792.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/987792.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial">Part Two (Verbal Intro) - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/991792.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/991792.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial">Part Two - <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/991793.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/991793.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial">Part Three - <A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/987794.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/987794.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial">Part Four (with Max Valentino) - <A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987795.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/987795.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG>Max Valentino -</STRONG> =
bass</DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Part One (with Bernhard Wagner) =
-<STRONG> <A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/992129.html"=20
  target=3D_blank><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/992129.html</FONT></=
A></STRONG></DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial"><STRONG>Ted Killian -</STRONG> =
electric=20
  guitar</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Rick's Intro and Ted Warming Up - <A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987388.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/987388.html</FONT></=
STRONG></A></DIV>
  <DIV style=3D"FONT: 10pt arial">Part One - Guitar Dyslexia - <A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/985656.html"=20
  target=3D_blank><STRONG><FONT=20
  =
color=3D#0099cc>http://box.net/public/khartung/files/985656.html</FONT></=
STRONG></A></DIV>
  <DIV><FONT face=3DArial size=3D2>Part Two - Guitar Dysphasia - =
</FONT><A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/985657.html"=20
  target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/985657.html</FONT></STRONG>=
</A></DIV>
  <DIV><FONT face=3DArial size=3D2>Part Three - Guitar Dyspasia - =
</FONT><A=20
  class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/988212.html"=20
  target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/988212.html</FONT></STRONG>=
</A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Greg =
Powers</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0099cc size=3D2><A class=3Dpublic_url =

  href=3D"http://box.net/public/khartung/files/976586.html"=20
  =
target=3D_blank><STRONG>http://box.net/public/khartung/files/976586.html<=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Ghost 7 -</STRONG> =
bass</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/975372.html"=20
  target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/975372.html</FONT></STRONG>=
</A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Krispen Hartung -</STRONG> =
electric=20
  guitar</FONT></DIV>
  <DIV><SPAN style=3D"FONT-SIZE: 12pt"><A=20
  href=3D"http://box.net/public/khartung/files/975177.html"=20
  target=3D_blank><STRONG><B><FONT face=3DArial color=3D#0099cc><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 16:35:30 2005
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On Tue, 1 Nov 2005, Paul Charbonneau wrote:

> unsubscribe

From
http://www.loopers-delight.com/list/LoopList.html

"I'm sorry, I need to unsubscribe from Looper's Delight. How do I do that? 
It's not that I dislike people there or anything, you understand.

To unsubscribe, send mail with the word "unsubscribe" in both the subject 
and body, and no sig files or anything else, to:

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of you and you will feel like a dork."


regards,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 16:52:30 2005
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From: Jan-willem De Bleser <Jan-Willem.DeBleser@esat.kuleuven.be>
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Subject: Looping algorithms
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Hi everybody,

My name's Jan-willem and I'm an engineering student. I'm doing research 
for a project on automatic and seamless looping algorithms found in DSP 
hardware and software and was wondering if anyone here could help point me 
in the right direction. I'm looking for information on the techniques to 
automatically place the beginning and end of loops as well as covering up 
and eliminating the transition. Any help you can give me is greatly 
appreciated, and I hope I'm not posting too far off topic.

Thanks
Jw

Disclaimer: http://www.kuleuven.be/cwis/email_disclaimer.htm

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 17:02:37 2005
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Subject: RE: Y2K5 Performance Recordings -- Where's Bill?
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Yes, although this list is impressive (and a service to the loop community)
I would like to hear BW's contribution if it is available.
Gary


From: William Walker [mailto:billwalker@baymoon.com] 
Sent: Tuesday, November 01, 2005 8:32 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)

hey Kris , did you ever record my stuff?
Bill



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yes, it's all ready to go in MP3 format. Do you want me to publish now, =
I do you want to listen to them first. They turned out quite well.

Kros

  ----- Original Message -----=20
  From: William Walker=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, November 01, 2005 9:32 AM
  Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt =
Davignon, and Atomic Mobius Machine)


  hey Kris , did you ever record my stuff?
  Bill
    -----Original Message-----
    From: Kris Hartung [mailto:khartung@cableone.net]
    Sent: Tuesday, November 01, 2005 7:29 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: Y2K5 Performance Recordings (new additions Zurrigo, Matt =
Davignon, and Atomic Mobius Machine)


    Phil Zurrigo

    Intrigue 19 - http://box.net/public/khartung/files/1137274.html
    LGM 12 - http://box.net/public/khartung/files/1137275.html
    Virtuet Y - http://box.net/public/khartung/files/1137277.html
    Virtuet Z - http://box.net/public/khartung/files/1137721.html

    Matt Davignon - http://box.net/public/khartung/files/1149272.html

    Atomic Mobius Machine
    http://box.net/public/khartung/files/1033666.html


    Rick Walker

    Please note: Much of Rick's material here is total improptu between =
sets or subsituting for folks who had to cancel...this is great stuff in =
my opinon...very creative and spontaneous...live art at it's best
      a.. Improv Between Sets (beat box with crowd participation) - =
http://box.net/public/khartung/files/1034475.html=20
      b.. Improv ("This is an ancient Japanese Instrument!"  + =
Interesting and creative percussion looping piece + Experimental =
halloween voice toy looping, etc...far out! + Etheral voice looping  + =
More vocal improv looping + tribute song dedicated to Bob B., Hunter S., =
and David R.) - http://box.net/public/khartung/files/1034476.html=20
      c.. Found Sound Distraction (Toy music intermission + Imprompu =
looping with household items, voice, etc) - =
http://box.net/public/khartung/files/1035894.html
    Andy Butler

    00 - Rick's Intro - =
http://box.net/public/khartung/files/1096417.html
    01 - Kasaundi - http://box.net/public/khartung/files/1095610.html
    02 - Aquarium 2 - http://box.net/public/khartung/files/1115735.html
    03 - Hanging Garden - =
http://box.net/public/khartung/files/1096133.html
    04 - Altitude - http://box.net/public/khartung/files/1096418.html
    05 - Backwater - http://box.net/public/khartung/files/1096419.html
    06 - Falling Marbles - =
http://box.net/public/khartung/files/1096435.html

    Adrian West - 6-string electric violin/mandolin
    http://box.net/public/khartung/files/1033665.html

    Doug Wright - Akai EWI, Tenor Saxophone
    http://box.net/public/khartung/files/1035694.html

    Goh Nakamura - acoustic guitar & vocals
    http://box.net/public/khartung/files/1035892.html

    Stanosaur - electric guitar
    http://box.net/public/khartung/files/1034479.html

    Scott Drengsen - bass
    http://box.net/public/khartung/files/1034478.html

    Ute Bonn - vocals
    http://box.net/public/khartung/files/1036700.html

    Herb Heinz & Tim Thompson (HOOPLA)
    http://nosuchmedia.com/audio/hoopla_y2k5.mp3

    Bernhard Wagner - electric guitar

    Part One - http://box.net/public/khartung/files/987792.html
    Part Two (Verbal Intro) - =
http://box.net/public/khartung/files/991792.html
    Part Two - http://box.net/public/khartung/files/991793.html
    Part Three - http://box.net/public/khartung/files/987794.html
    Part Four (with Max Valentino) - =
http://box.net/public/khartung/files/987795.html

    Max Valentino - bass

    Part One (with Bernhard Wagner) - =
http://box.net/public/khartung/files/992129.html

    Ted Killian - electric guitar

    Rick's Intro and Ted Warming Up - =
http://box.net/public/khartung/files/987388.html
    Part One - Guitar Dyslexia - =
http://box.net/public/khartung/files/985656.html
    Part Two - Guitar Dysphasia - =
http://box.net/public/khartung/files/985657.html
    Part Three - Guitar Dyspasia - =
http://box.net/public/khartung/files/988212.html

    Greg Powers
    http://box.net/public/khartung/files/976586.html

    Ghost 7 - bass
    http://box.net/public/khartung/files/975372.html

    Krispen Hartung - electric guitar
    http://box.net/public/khartung/files/975177.html

------=_NextPart_000_02A6_01C5DECD.831DAFF0
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<BODY lang=3DEN-US vLink=3Dblue link=3Dblue bgColor=3Dwhite>
<DIV><FONT face=3DArial size=3D2>yes, it's all ready to go in MP3 =
format. Do you=20
want me to publish now, I do you want to listen to them first. They =
turned out=20
quite well.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kros</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbillwalker@baymoon.com =
href=3D"mailto:billwalker@baymoon.com">William=20
  Walker</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, November 01, =
2005 9:32=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  (new additions Zurrigo, Matt Davignon, and Atomic Mobius =
Machine)</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D687472916-01112005><FONT face=3DArial =
color=3D#0000ff size=3D2>hey=20
  Kris , did you ever record my stuff?</FONT></SPAN></DIV>
  <DIV><SPAN class=3D687472916-01112005><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Bill</FONT></SPAN></DIV>
  <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Kris Hartung=20
    [mailto:khartung@cableone.net]<BR><B>Sent:</B> Tuesday, November 01, =
2005=20
    7:29 AM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, =
and=20
    Atomic Mobius Machine)<BR><BR></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Phil =
Zurrigo</STRONG></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Intrigue 19&nbsp;- <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1137274.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1137274.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>LGM 12&nbsp;- <A class=3Dpublic_url =

    href=3D"http://box.net/public/khartung/files/1137275.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1137275.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Virtuet Y&nbsp;- <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1137277.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1137277.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Virtuet Z&nbsp;- <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1137721.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1137721.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Matt Davignon -=20
    </STRONG></FONT><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/1149272.html"=20
    =
target=3D_blank>http://box.net/public/khartung/files/1149272.html</A></FO=
NT></STRONG></DIV>
    <DIV><STRONG><FONT face=3DArial =
size=3D2></FONT></STRONG>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Atomic Mobius=20
    Machine</STRONG></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1033666.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1033666.html</FONT><=
/STRONG></A></FONT><BR></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Rick =
Walker</STRONG></FONT></DIV>
    <DIV><STRONG><FONT face=3DArial =
size=3D2></FONT></STRONG>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Please note<STRONG>:</STRONG> Much =
of Rick's=20
    material here is total improptu between sets or subsituting for =
folks who=20
    had to cancel...this is great stuff in my opinon...very creative and =

    spontaneous...live art at it's best</FONT></DIV>
    <UL>
      <LI><FONT face=3DArial size=3D2>Improv Between Sets (beat box with =
crowd=20
      participation)&nbsp;- <A class=3Dpublic_url=20
      href=3D"http://box.net/public/khartung/files/1034475.html"=20
      target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
      =
color=3D#0099cc>http://box.net/public/khartung/files/1034475.html</FONT><=
/STRONG></A></FONT>=20

      <LI><FONT face=3DArial size=3D2>Improv ("This is an ancient =
Japanese=20
      Instrument!"&nbsp; + Interesting and creative percussion looping =
piece +=20
      Experimental halloween voice toy looping, etc...far out! + Etheral =
voice=20
      looping&nbsp; + More vocal improv looping + tribute song dedicated =
to Bob=20
      B., Hunter S., and&nbsp;David R.) - <A class=3Dpublic_url=20
      href=3D"http://box.net/public/khartung/files/1034476.html"=20
      target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
      =
color=3D#0099cc>http://box.net/public/khartung/files/1034476.html</FONT><=
/STRONG></A></FONT>=20

      <LI><FONT face=3DArial size=3D2>Found Sound Distraction (Toy music =

      intermission + Imprompu looping with household items, voice, etc) =
- <A=20
      class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/1035894.html"=20
      target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
      =
color=3D#0099cc>http://box.net/public/khartung/files/1035894.html</FONT><=
/STRONG></A></FONT></LI></UL>
    <DIV><FONT face=3DArial size=3D2><STRONG>Andy =
Butler</STRONG></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>00 - Rick's Intro - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1096417.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1096417.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>01 - Kasaundi - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1095610.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1095610.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>02 - Aquarium 2 - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1115735.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1115735.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>03 -&nbsp;Hanging Garden - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1096133.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1096133.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>04 - Altitude</FONT>&nbsp;<FONT =
face=3DArial=20
    size=3D2>- <A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1096418.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1096418.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>05 - Backwater - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1096419.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1096419.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>06 - Falling Marbles - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1096435.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow"=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/1096435.html</FONT><=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Adrian West</STRONG> - =
6-string=20
    electric violin/mandolin</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1033665.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/1033665.html</FONT></STRONG=
></A></DIV>
    <DIV><BR><FONT face=3DArial size=3D2><STRONG>Doug Wright - =
</STRONG>Akai EWI,=20
    Tenor Saxophone</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1035694.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/1035694.html</FONT></STRONG=
></A></DIV>
    <DIV><STRONG><FONT face=3DArial =
size=3D2></FONT></STRONG>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Goh Nakamura -</STRONG> =
acoustic guitar=20
    &amp; vocals</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1035892.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/1035892.html</FONT></STRONG=
></A></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Stanosaur - =
</STRONG>electric=20
    guitar</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1034479.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/1034479.html</FONT></STRONG=
></A></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Scott Drengsen -=20
    </STRONG>bass</FONT></DIV>
    <DIV><U><FONT face=3D"Arial Narrow" color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1034478.html"=20
    =
target=3D_blank><STRONG>http://box.net/public/khartung/files/1034478.html=
</STRONG></A></FONT></U></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Ute Bonn - =
</STRONG>vocals</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/1036700.html"=20
    target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/1036700.html</FONT></STRONG=
></A></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Herb Heinz &amp; Tim =
Thompson=20
    (HOOPLA)</STRONG></FONT></DIV>
    <DIV><A href=3D"http://nosuchmedia.com/audio/hoopla_y2k5.mp3"><FONT =
face=3DArial=20
    =
size=3D2>http://nosuchmedia.com/audio/hoopla_y2k5.mp3</FONT></A></DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG>Bernhard Wagner -</STRONG> =
electric=20
    guitar</DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">Part&nbsp;One - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/987792.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/987792.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial">Part Two (Verbal Intro) - <A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/991792.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/991792.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial">Part Two - <A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/991793.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/991793.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial">Part Three - <A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/987794.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/987794.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial">Part Four (with Max Valentino) - <A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987795.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/987795.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG>Max Valentino -</STRONG> =
bass</DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">Part One (with Bernhard Wagner) =
-<STRONG> <A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/992129.html"=20
    target=3D_blank><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/992129.html</FONT></=
A></STRONG></DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG></STRONG>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial"><STRONG>Ted Killian -</STRONG> =
electric=20
    guitar</DIV>
    <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">Rick's Intro and Ted Warming Up - <A =

    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/987388.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/987388.html</FONT></=
STRONG></A></DIV>
    <DIV style=3D"FONT: 10pt arial">Part One - Guitar Dyslexia - <A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/985656.html"=20
    target=3D_blank><STRONG><FONT=20
    =
color=3D#0099cc>http://box.net/public/khartung/files/985656.html</FONT></=
STRONG></A></DIV>
    <DIV><FONT face=3DArial size=3D2>Part Two - Guitar Dysphasia - =
</FONT><A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/985657.html"=20
    target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/985657.html</FONT></STRONG>=
</A></DIV>
    <DIV><FONT face=3DArial size=3D2>Part Three - Guitar Dyspasia - =
</FONT><A=20
    class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/988212.html"=20
    target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/988212.html</FONT></STRONG>=
</A></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Greg =
Powers</STRONG></FONT></DIV>
    <DIV><FONT face=3DArial color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/976586.html"=20
    =
target=3D_blank><STRONG>http://box.net/public/khartung/files/976586.html<=
/STRONG></A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Ghost 7 -</STRONG> =
bass</FONT></DIV>
    <DIV><A class=3Dpublic_url=20
    href=3D"http://box.net/public/khartung/files/975372.html"=20
    target=3D_blank><STRONG><FONT face=3DArial color=3D#0099cc=20
    =
size=3D2>http://box.net/public/khartung/files/975372.html</FONT></STRONG>=
</A></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><STRONG>Krispen Hartung -</STRONG> =
electric=20
    guitar</FONT></DIV>
    <DIV><SPAN style=3D"FONT-SIZE: 12pt"><A=20
    href=3D"http://box.net/public/khartung/files/975177.html"=20
    target=3D_blank><STRONG><B><FONT face=3DArial color=3D#0099cc><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT></DIV></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_02A6_01C5DECD.831DAFF0--


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Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 18:22:58 +0100
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I'd still love to have all these URLs on a webpage. Also, streaming mp3s
(using m3u files) would be nice.
 
-Michael 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D640342117-01112005>I'd still love to have&nbsp;all these URLs on =
a=20
webpage. Also, streaming mp3s (using m3u files) would be=20
nice.</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D640342117-01112005></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D640342117-01112005>-Michael&nbsp;</SPAN></FONT></DIV></BODY></HTM=
L>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 17:27:53 2005
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From: "Kris Hartung" <khartung@cableone.net>
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References: <20051101172343.5CA823BF01@arsenic.violacea.com>
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 10:27:50 -0700
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I can do this, but I think Bernhard would going to add them to the Y2K5 =
page. I agree, this would be most convenient.=20

Bernhard, I know you are swamped with other things now, so I'll create =
the HTML code for you as an standalone page, and you can upload it to =
the Y2K5 page, linking to it at the top, or in place of the web =
streaming section. Cool?

Exect a file from me in the next few hours.

Kris


  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, November 01, 2005 10:22 AM
  Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt =
Davignon, and Atomic Mobius Machine)


  I'd still love to have all these URLs on a webpage. Also, streaming =
mp3s (using m3u files) would be nice.

  -Michael 
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<BODY lang=3DEN-US vLink=3Dblue link=3Dblue bgColor=3Dwhite>
<DIV><FONT face=3DArial size=3D2>I can do this, but I think Bernhard =
would going to=20
add them to the Y2K5 page. I agree, this would be most convenient. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bernhard, I know you are swamped with =
other things=20
now, so I'll create the HTML code for you as an standalone page, and you =
can=20
upload it to the Y2K5 page, linking to it at the top, or in place of the =
web=20
streaming section. Cool?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Exect a file from me in the next few=20
hours.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV>&nbsp;</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, November 01, =
2005 10:22=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  (new additions Zurrigo, Matt Davignon, and Atomic Mobius =
Machine)</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
  class=3D640342117-01112005>I'd still love to have&nbsp;all these URLs =
on a=20
  webpage. Also, streaming mp3s (using m3u files) would be=20
  nice.</SPAN></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
  class=3D640342117-01112005></SPAN></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
  =
class=3D640342117-01112005>-Michael&nbsp;</SPAN></FONT></DIV></BLOCKQUOTE=
></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 17:44:53 2005
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Date: Tue, 1 Nov 2005 09:44:52 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Turning OFF MultiIncrease in LoopIV
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Oh, you're going to have to do it manually, but hitting record or overdub
button before you nextloop. As I recall, using the direct loop access via
MIDI in Loop IV would automatically end record or overdub on the current
loop before sending you to the desired loop, but I haven't had time to test
that with Loop III.

On 11/1/05, Sam Rogers <onemouthband@yahoo.com> wrote:
>
> Travis -
>
> Thanks for this, but <sigh!> now I'm lost again. That's
> what I've been trying to do: end recording on loop2 and go
> back to playing on loop1 without touching loop3 or loop4.
> What's your suggestion on how to accomplish this?
>
> - Sam
>
> --- Travis Hartnett <travishartnett@gmail.com> wrote:
>
> > You could still have more than 2 loops, but you'd have to
> > change your
> > arrangement so that you ended record or overdub before
> > leaving loop2.
> >
> > TravisH
> >
> > On 11/1/05, Sam Rogers <onemouthband@yahoo.com> wrote:
> > > Thanks Andy, Jeff, and other off-board replies. I
> > think
> > > I'll take the simplest part of Andy's advice and just
> > try
> > > to rework my arrangement with MoreLoops=3D2 for now
> > (though I
> > > hate to sacrifice those vocal harmonies!). You've
> > given me
> > > a lot to play with and think about, and you're right it
> > has
> > > nothing to do with MultiIncrease.
> > >
> > > It's just frustrating whenever you make a software
> > upgrade
> > > that takes away previous functionality. I had performed
> > my
> > > previous (LoopIII) arrangment and liked it that way.
> > But
> > > when I tried it in LoopIV it sent me into
> > MultiIncrease,
> > > that's why I was focused on MultiIncrease as the
> > solution
> > > to the exclusion of other options. Thanks again for
> > > opening me up!
> > >
> > > Sam Rogers
> > > One Mouth Band
> > > www.OneMouthBand.com <http://www.OneMouthBand.com>
> > >
> > >
> >
>
>

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Oh, you're going to have to do it manually, but hitting record or overdub b=
utton before you nextloop.&nbsp; As I recall, using the direct loop access =
via MIDI in Loop IV&nbsp;would automatically end record or overdub on the c=
urrent loop before sending you to the desired loop, but I haven't had time =
to test that with Loop III.
<br><br>
<div><span class=3D"gmail_quote">On 11/1/05, <b class=3D"gmail_sendername">=
Sam Rogers</b> &lt;<a href=3D"mailto:onemouthband@yahoo.com">onemouthband@y=
ahoo.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Travis -<br><br>Thanks for this,=
 but &lt;sigh!&gt; now I'm lost again. That's<br>what I've been trying to d=
o: end recording on loop2 and go
<br>back to playing on loop1 without touching loop3 or loop4.<br>What's you=
r suggestion on how to accomplish this?<br><br>- Sam<br><br>--- Travis Hart=
nett &lt;<a href=3D"mailto:travishartnett@gmail.com">travishartnett@gmail.c=
om
</a>&gt; wrote:<br><br>&gt; You could still have more than 2 loops, but you=
'd have to<br>&gt; change your<br>&gt; arrangement so that you ended record=
 or overdub before<br>&gt; leaving loop2.<br>&gt;<br>&gt; TravisH<br>&gt;
<br>&gt; On 11/1/05, Sam Rogers &lt;<a href=3D"mailto:onemouthband@yahoo.co=
m">onemouthband@yahoo.com</a>&gt; wrote:<br>&gt; &gt; Thanks Andy, Jeff, an=
d other off-board replies.&nbsp;&nbsp;I<br>&gt; think<br>&gt; &gt; I'll tak=
e the simplest part of Andy's advice and just
<br>&gt; try<br>&gt; &gt; to rework my arrangement with MoreLoops=3D2 for n=
ow<br>&gt; (though I<br>&gt; &gt; hate to sacrifice those vocal harmonies!)=
.&nbsp;&nbsp;You've<br>&gt; given me<br>&gt; &gt; a lot to play with and th=
ink about, and you're right it
<br>&gt; has<br>&gt; &gt; nothing to do with MultiIncrease.<br>&gt; &gt;<br=
>&gt; &gt; It's just frustrating whenever you make a software<br>&gt; upgra=
de<br>&gt; &gt; that takes away previous functionality. I had performed
<br>&gt; my<br>&gt; &gt; previous (LoopIII) arrangment and liked it that wa=
y.<br>&gt; But<br>&gt; &gt; when I tried it in LoopIV it sent me into<br>&g=
t; MultiIncrease,<br>&gt; &gt; that's why I was focused on MultiIncrease as=
 the
<br>&gt; solution<br>&gt; &gt; to the exclusion of other options.&nbsp;&nbs=
p;Thanks again for<br>&gt; &gt; opening me up!<br>&gt; &gt;<br>&gt; &gt; Sa=
m Rogers<br>&gt; &gt; One Mouth Band<br>&gt; &gt; <a href=3D"http://www.One=
MouthBand.com">
www.OneMouthBand.com</a><br>&gt; &gt;<br>&gt; &gt;<br>&gt;<br><br></blockqu=
ote></div><br>

------=_Part_49115_8233153.1130867092351--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 17:57:07 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Looping algorithms
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Jan-willem De Bleser wrote:
> Hi everybody,
> 
> My name's Jan-willem and I'm an engineering student. I'm doing research 
> for a project on automatic and seamless looping algorithms found in DSP 
> hardware and software and was wondering if anyone here could help point 
> me in the right direction.

Oh no!  Stop...me...must...not...spew...technobable... :-)

Oh what the heck.  I'm not aware of any formally published literature
on the subject of "looping" per se, but I haven't looked very hard.

Lots of interesting links can be found here:

   http://www.dspdimension.com/data/index.html
   http://www.bdti.com/faq/dsp_faq.htm

You will probably get more technical information searching or posting
to the comp.dsp newsgroup which can be accessed here:

   http://www.dspguru.com/comp.dsp/

Regarding "covering up and eliminating the transition" this is usually
done with a simple cross-fade between the two edges of the loop.
After locating the edges, you can do a simple upward fade on the
leading edge and a downward fade on the trailing edge which yields a
"zero crossing" at the loop point.  This will avoid a "click" but can
produce a soft "bump" if the contents on both sides of the loop point
are similar.  A more complicated but smoother sounding fade can be
performed by capturing a short "tail" after the end of the loop,
fading it, and merging it with the start of the loop.  You won't have
a zero crossing which can reduce the intensity of the bump.  This is
closer to the kind of cross fading you would achieve with a DJ mixer
for example, where the fade out of one signal and the fade in of
another signal overlap.

The curve of the fade should ideally be logarithmic, though I find
that a "squares" curve is a reasonable approximation and is easier to
calculate in realtime if that is a concern.

Regarding "automatically place the beginning and end of loops", I'm assuming
that you're talking about extracting a loop from a signal in realtime
rather than placement of pre-recorded loops in an arrangement with
time stretching like you might do in Sony Acid.  Both are hard.

The simplistic approach is to monitor the amplitude of the signal and try
to detect where the "beats" are.   Begin the loop when the signal level
crosses a threshold, then end it after some multiple of beats.  There
is a hardware looping device that claims to do something like this.

     http://www.backline-eng.com/

In theory, this should work well for signals with obvious beats.  For
signals without obvious beats, you might be able to slice the signal
based on variations in timbre but that's much harder to implement and
unlikely to achieve useful results.  Personally I prefer tapping a switch
twice to define the start and end points as it gives you the most control.

Regards,
Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 17:57:10 2005
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From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <Pine.LNX.4.63.0509301635280.10801@yangtse.esat.kuleuven.be>
Subject: Re: Looping algorithms
Date: Tue, 1 Nov 2005 11:59:45 -0600
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One thing I think all loopers do to prevent popping sounds when the loop cycles
is to cut off the sound at the nearest zero-crossing of the waveform rather than
exactly when the user hits the button.

I believe they look for a positive-going zero crossing near the end of the loop,
and attempt to match it up with another positive-going zero-crossing near the
beginning.

Once these are found, a few samples at the beginning and end are discarded so
that the end and the beginning will match up properly.

Hope that makes sense.

Mark Smart
http://www.marksmart.net/
----- Original Message ----- 
From: "Jan-willem De Bleser" <Jan-Willem.DeBleser@esat.kuleuven.be>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 10:52 AM
Subject: Looping algorithms


> Hi everybody,
>
> My name's Jan-willem and I'm an engineering student. I'm doing research
> for a project on automatic and seamless looping algorithms found in DSP
> hardware and software and was wondering if anyone here could help point me
> in the right direction. I'm looking for information on the techniques to
> automatically place the beginning and end of loops as well as covering up
> and eliminating the transition. Any help you can give me is greatly
> appreciated, and I hope I'm not posting too far off topic.
>
> Thanks
> Jw
>
> Disclaimer: http://www.kuleuven.be/cwis/email_disclaimer.htm
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:11:24 2005
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goddard.duncan@mtvne.com wrote:
>  >>TUBES are probably the most important sound factors 'in my world'.<<
> 
> I agree. I would use more tube-based kit if I possibly could. at the 
> moment, I have a couple of valve tape decks in the studio, while on 
> stage both I & my guitarist use valve heads (he has marshalls & fenders, 
> I play my basses through an old orange 120).
> 
> it's all about even-order harmonic distortion vs the odd-order variety 
> one gets from silicon-based life-forms....

	Of course, it wasn't that long ago that the future of tubes looked in 
doubt, as the suppliers all started drying up.

Adrian

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:20:31 2005
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Date: Tue, 1 Nov 2005 10:20:28 -0800
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And then the Iron Curtain fell and tubes were plentiful. Plus, Chinese
tubes. I'm not sure I can find a C64 emulator that'll run my old sequencer
software and address my real-world MIDI port though...
 TravisH

 On 11/1/05, Adrian Likins <adrian@likins.com> wrote:
>
> goddard.duncan@mtvne.com wrote:
> > >>TUBES are probably the most important sound factors 'in my world'.<<
> >
> > I agree. I would use more tube-based kit if I possibly could. at the
> > moment, I have a couple of valve tape decks in the studio, while on
> > stage both I & my guitarist use valve heads (he has marshalls & fenders=
,
> > I play my basses through an old orange 120).
> >
> > it's all about even-order harmonic distortion vs the odd-order variety
> > one gets from silicon-based life-forms....
>
> Of course, it wasn't that long ago that the future of tubes looked in
> doubt, as the suppliers all started drying up.
>
> Adrian
>
>

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<div>And then the Iron Curtain fell and tubes were plentiful.&nbsp; Plus, C=
hinese tubes.&nbsp; I'm not sure I can find a C64 emulator that'll run my o=
ld sequencer software and address my real-world MIDI port though...</div>
<div>&nbsp;</div>
<div>TravisH<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 11/1/05, <b class=3D"gmail_sendername">=
Adrian Likins</b> &lt;<a href=3D"mailto:adrian@likins.com">adrian@likins.co=
m</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href=3D"mailto:goddard.duncan=
@mtvne.com">goddard.duncan@mtvne.com</a> wrote:<br>&gt;&nbsp;&nbsp;&gt;&gt;=
TUBES are probably the most important sound factors 'in my world'.&lt;&lt;
<br>&gt;<br>&gt; I agree. I would use more tube-based kit if I possibly cou=
ld. at the<br>&gt; moment, I have a couple of valve tape decks in the studi=
o, while on<br>&gt; stage both I &amp; my guitarist use valve heads (he has=
 marshalls &amp; fenders,
<br>&gt; I play my basses through an old orange 120).<br>&gt;<br>&gt; it's =
all about even-order harmonic distortion vs the odd-order variety<br>&gt; o=
ne gets from silicon-based life-forms....<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp; Of course, it wasn't that long ago that the future of tubes look=
ed in
<br>doubt, as the suppliers all started drying up.<br><br>Adrian<br><br></b=
lockquote></div><br>

------=_Part_49751_32973695.1130869228529--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:28:05 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 19:27:49 +0100
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Yeppers, can do. Sorry I haven't done anything on it yet...
B.

-----Original Message-----
From: Kris Hartung [mailto:khartung@cableone.net]=20
Sent: Dienstag, 1. November 2005 18:28
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)

I can do this, but I think Bernhard would going to add them to the Y2K5
page. I agree, this would be most convenient.=20
=A0
Bernhard, I know you are swamped with other things now, so I'll create =
the
HTML code for you as an standalone page, and you can upload it to the =
Y2K5
page, linking to it at the top, or in place of the web streaming =
section.
Cool?
=A0
Exect a file from me in the next few hours.

Kris
=A0
=A0
----- Original Message -----=20
From: Michael Peters=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Tuesday, November 01, 2005 10:22 AM
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)

I'd still love to have=A0all these URLs on a webpage. Also, streaming =
mp3s
(using m3u files) would be nice.
=A0
-Michael=A0


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:30:26 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Bernhard Wagner/Joe Rut duet
Date: Tue, 1 Nov 2005 19:30:13 +0100
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This is a multi-part message in MIME format.

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A little bit dated, but anyway.

=20

I think the problem is the trailing slash after music.html (check the =
error
message quoted below).

If you enter the url as quoted by kris it should work.

=20

I had a lot of fun jamming with Joe and I hope the fun and also the =
serene
atmosphere of Joe's loft comes across in the posted mp3 excerpt.

=20

The same day a bit earlier I had a chance to jam with Bill Prichard
(http://www.timespacemusic.com/)  which was a lot of fun, too! No =
recordings
available yet though.

=20

I would like to thank Joe and Bill for taking their time for these =
sessions
and also Rick and Bill Walker who organized the Y2K5 which made these =
side
improvs possible in the first place!

=20

Earlier this year (after the Zurich loopfestival) Per and I did a =
session
which was way too much fun. This will become a CD eventually. I'll keep =
you
posted.

=20

Sunao Inami's upcoming LD3 compilation contains an earlier cooperation =
with
Per and I.

=20

Last year Mike Bearpark spontaneously agreed to jam after the Cambridge
Loopfestival which was great! Mike mastered the CD and it was published =
by
Burning Shed (http://pedaltone.com).

=20

Also the SYNCED! CDR (http://nosuch.biz/illt) is a session (with Sunao =
Inami
and Rick Walker) which I particularly enjoyed.

=20

...by now the pattern should be obvious, I think, so if you're close to
Zurich or passing by, please contact me and I'll try to arrange =
something.

=20

Thank you

Bernhard

http://nosuch.biz

=20

-----Original Message-----
From: ArsOcarina@aol.com [mailto:ArsOcarina@aol.com]=20
Sent: Samstag, 29. Oktober 2005 18:24
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bernhard Wagner/Joe Rut duet

=20

Hi all!

In a message dated 10/28/05 8:50:06 PM, khartung@cableone.net writes:




http://www.joerut.com/music.html


I just tried to go to your link and got the following:

"Not Found
The requested URL /music.html/ was not found on this server"

Is there something I am doing wrong?

Best regards,

tEd R kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???




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<meta name=3DGenerator content=3D"Microsoft Word 10 (filtered)">

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<body lang=3DDE-CH link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial =
FAMILY=3DSANSSERIF><span
lang=3DEN-GB style=3D'font-size:10.0pt;font-family:Arial;color:navy'>A =
little bit
dated, but anyway&#8230;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>I think the =
problem is
the trailing slash after music.html (check the error message quoted =
below).</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>If you enter the =
url as
quoted by kris it should work.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>I had a lot of =
fun
jamming with Joe and I hope the fun and also the serene atmosphere of =
Joe's
loft comes across in the posted mp3 excerpt.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>The same day a =
bit
earlier I had a chance to jam with Bill Prichard&nbsp; =
(http://www.timespacemusic.com/)&nbsp;
which was a lot of fun, too! No recordings available yet =
though.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>I would like to =
thank Joe
and Bill for taking their time for these sessions and also Rick and Bill =
Walker
who organized the Y2K5 which made these side improvs possible in the =
first
place!</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Earlier this =
year (after
the </span></font><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
  =
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Zurich</span></fo=
nt><font
size=3D2 color=3Dnavy face=3DArial><span lang=3DEN-GB =
style=3D'font-size:10.0pt;
font-family:Arial;color:navy'> loopfestival) Per and I did a session =
which was
way too much fun. This will become a CD eventually. I'll keep you =
posted.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
 style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Sunao =
Inami</span></font><font
size=3D2 color=3Dnavy face=3DArial><span lang=3DEN-GB =
style=3D'font-size:10.0pt;
font-family:Arial;color:navy'>'s upcoming LD3 compilation contains an =
earlier
cooperation with Per and I.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Last year =
</span></font><font
 size=3D2 color=3Dnavy face=3DArial><span lang=3DEN-GB =
style=3D'font-size:10.0pt;
 font-family:Arial;color:navy'>Mike Bearpark</span></font><font size=3D2
color=3Dnavy face=3DArial><span lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:
Arial;color:navy'> spontaneously agreed to jam after the Cambridge =
Loopfestival
which was great! Mike mastered the CD and it was published by Burning =
Shed
(http://pedaltone.com).</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Also the SYNCED! =
CDR
(http://nosuch.biz/illt) is a session (with </span></font><font size=3D2
 color=3Dnavy face=3DArial><span lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:
 Arial;color:navy'>Sunao Inami</span></font><font size=3D2 color=3Dnavy =
face=3DArial><span
lang=3DEN-GB style=3D'font-size:10.0pt;font-family:Arial;color:navy'> =
and Rick
Walker) which I particularly enjoyed.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>...by now the =
pattern
should be obvious, I think, so if you're close to Zurich or passing by, =
please
contact me and I'll try to arrange something.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Thank =
you</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Bernhard</span></=
font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>http://nosuch.biz=
</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>&nbsp;</span></fo=
nt></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0cm 0cm =
0cm 4.0pt'>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> ArsOcarina@aol.com
[mailto:ArsOcarina@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Samstag, 29. =
Oktober 2005
18:24<br>
<b><span style=3D'font-weight:bold'>To:</span></b> </span></font><font =
size=3D2
 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>Loopers-Delight@loopers-del=
ight.com</span></font><font
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Bernhard =
Wagner/Joe
Rut duet</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
lang=3DEN-GB
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva><span =
lang=3DEN-GB
style=3D'font-size:10.0pt;font-family:Geneva;color:black'>Hi all!<br>
<br>
In a message dated </span></font><font size=3D2 color=3Dblack =
face=3DGeneva><span
 lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:Geneva;color:black'>10/28/05</span>=
</font><font
size=3D2 color=3Dblack face=3DGeneva><span lang=3DEN-GB =
style=3D'font-size:10.0pt;
font-family:Geneva;color:black'> 8:50:06 PM, khartung@cableone.net =
writes:<br>
<br>
<br>
</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DGeneva =
FAMILY=3DSANSSERIF><span
lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:Geneva;color:blue'>http://www.joeru=
t.com/music.html</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva =
FAMILY=3DSANSSERIF><span
lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:Geneva;color:black'><br>
I just tried to go to your link and got the following:<br>
<br>
&quot;</span></font><b><font size=3D6 color=3Dblack face=3DTimes =
FAMILY=3DSERIF><span
lang=3DEN-GB =
style=3D'font-size:24.0pt;font-family:Times;color:black;font-weight:
bold'>Not Found<br>
</span></font></b><font size=3D4 color=3Dblack face=3DTimes =
FAMILY=3DSERIF><span
lang=3DEN-GB =
style=3D'font-size:13.5pt;font-family:Times;color:black'>The requested
URL /music.html/ was not found on this server&quot;</span></font><font =
size=3D2
color=3Dblack face=3DGeneva FAMILY=3DSANSSERIF><span lang=3DEN-GB =
style=3D'font-size:
10.0pt;font-family:Geneva;color:black'><br>
<br>
Is there something I am doing wrong?<br>
<br>
Best regards,<br>
<br>
tEd &reg; kiLLiAn<br>
<br>
</span></font><font size=3D2 color=3Dgray face=3DGeneva =
FAMILY=3DSANSSERIF><span
lang=3DEN-GB =
style=3D'font-size:10.0pt;font-family:Geneva;color:gray'>&quot;Different
is not always better, but better is always different&quot;<br>
<br>
http://www.pfmentum.com/flux.html<br>
http://www.CDbaby.com/cd/tedkillian<br>
http://www.guitar9.com/fluxaeterna.html<br>
http://www.garageband.com/artist/ArsOcarina<br>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<br>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<br>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<br>
<br>
Ted Killian's &quot;Flux Aeterna&quot; is also available at: Apple =
iTunes,<br>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<br>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<br>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<br>
and Viztas. </span></font><font size=3D2 color=3Dgray =
face=3DGeneva><span
style=3D'font-size:10.0pt;font-family:Geneva;color:gray'>Yadda, yadda, =
yadda.
Blah, blah, blah. So???</span></font><font size=3D2 color=3Dblack =
face=3DGeneva
FAMILY=3DSANSSERIF><span =
style=3D'font-size:10.0pt;font-family:Geneva;color:black'><br>
<br>
</span></font></p>

</div>

</div>

</body>

</html>

------=_NextPart_000_007A_01C5DF1A.B13F0C10--


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:34:18 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 19:33:06 +0100
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> From: Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz] 
> Yeppers, can do. Sorry I haven't done anything on it yet...

heroes !!

-michael 


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:42:08 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <007801c5df11$fa3a9af0$2101a8c0@alhambra>
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 11:42:03 -0700
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Ask and you shall recieve!

http://www.boisemusicians.com/Y2K5_Recordings.htm

Kris


----- Original Message ----- 
From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 11:27 AM
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


Yeppers, can do. Sorry I haven't done anything on it yet...
B.

-----Original Message-----
From: Kris Hartung [mailto:khartung@cableone.net]
Sent: Dienstag, 1. November 2005 18:28
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)

I can do this, but I think Bernhard would going to add them to the Y2K5
page. I agree, this would be most convenient.

Bernhard, I know you are swamped with other things now, so I'll create the
HTML code for you as an standalone page, and you can upload it to the Y2K5
page, linking to it at the top, or in place of the web streaming section.
Cool?

Exect a file from me in the next few hours.

Kris


----- Original Message ----- 
From: Michael Peters
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, November 01, 2005 10:22 AM
Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)

I'd still love to have all these URLs on a webpage. Also, streaming mp3s
(using m3u files) would be nice.

-Michael




From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 18:45:53 2005
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To: Loopers-Delight@loopers-delight.com
Subject: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)
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Luckily we are in the New Golden Age of Tubes, with demand AND supply
rising, thanks to Russia and China.
~Tim


> [Original Message]
> From: Adrian Likins <adrian@likins.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/1/2005 1:11:24 PM
> Subject: Re: The End of Timeless Instruments? (Craig Anderton editorial)
>
> goddard.duncan@mtvne.com wrote:
> >  >>TUBES are probably the most important sound factors 'in my world'.<<
> > 
> > I agree. I would use more tube-based kit if I possibly could. at the 
> > moment, I have a couple of valve tape decks in the studio, while on 
> > stage both I & my guitarist use valve heads (he has marshalls &
fenders, 
> > I play my basses through an old orange 120).
> > 
> > it's all about even-order harmonic distortion vs the odd-order variety 
> > one gets from silicon-based life-forms....
>
> 	Of course, it wasn't that long ago that the future of tubes looked in 
> doubt, as the suppliers all started drying up.
>
> Adrian


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 19:03:14 2005
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From: "Kris Hartung" <khartung@cableone.net>
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References: <007801c5df11$fa3a9af0$2101a8c0@alhambra> <031301c5df13$f4471900$52b0ec0f@americas.hpqcorp.net>
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 12:03:08 -0700
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Also, FYI, I still have MP3 files ready to be published from Rainer's stream
recordings, from the following:

Amar
Adam Ant the Plumber
Dark Numbers
Pushing Air
Genie
Ryusei Hattori
Transient
Trey Donovan
Wally Shnalle

If you want your set published, or want to hear it first, just send me a
note.

Kris


----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 11:42 AM
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


> Ask and you shall recieve!
>
> http://www.boisemusicians.com/Y2K5_Recordings.htm
>
> Kris
>
>
> ----- Original Message ----- 
> From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 01, 2005 11:27 AM
> Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
> Davignon, and Atomic Mobius Machine)
>
>
> Yeppers, can do. Sorry I haven't done anything on it yet...
> B.
>
> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net]
> Sent: Dienstag, 1. November 2005 18:28
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
> Davignon, and Atomic Mobius Machine)
>
> I can do this, but I think Bernhard would going to add them to the Y2K5
> page. I agree, this would be most convenient.
>
> Bernhard, I know you are swamped with other things now, so I'll create the
> HTML code for you as an standalone page, and you can upload it to the Y2K5
> page, linking to it at the top, or in place of the web streaming section.
> Cool?
>
> Exect a file from me in the next few hours.
>
> Kris
>
>
> ----- Original Message ----- 
> From: Michael Peters
> To: Loopers-Delight@loopers-delight.com
> Sent: Tuesday, November 01, 2005 10:22 AM
> Subject: RE: Y2K5 Performance Recordings (new additions Zurrigo, Matt
> Davignon, and Atomic Mobius Machine)
>
> I'd still love to have all these URLs on a webpage. Also, streaming mp3s
> (using m3u files) would be nice.
>
> -Michael
>
>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 19:45:24 2005
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On Tuesday, November 1, 2005, at 10:42 AM, Kris Hartung wrote:

> Ask and you shall recieve!
>
> http://www.boisemusicians.com/Y2K5_Recordings.htm

Kris, I just wanted to give a big thanks in your direction for making 
all of these great sounds available. For those of us who couldn't make 
the trip to Y2K5, It's really wonderful to hear some of the great music 
that happened. I've been really inspired and impressed by the range of 
the performances!

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 19:48:02 2005
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References: <093C6155-4B10-11DA-BD31-000A95A5D158@peak.org>
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
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It has been my pleasure. I really enjoyed recording everyone, and I learned
a lot that will compell me to do things differently, if Rick invites me back
next year for Y2K6!  :)

Kris


----- Original Message ----- 
From: "David Trenkel" <improv@peak.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 12:45 PM
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


> On Tuesday, November 1, 2005, at 10:42 AM, Kris Hartung wrote:
>
> > Ask and you shall recieve!
> >
> > http://www.boisemusicians.com/Y2K5_Recordings.htm
>
> Kris, I just wanted to give a big thanks in your direction for making
> all of these great sounds available. For those of us who couldn't make
> the trip to Y2K5, It's really wonderful to hear some of the great music
> that happened. I've been really inspired and impressed by the range of
> the performances!
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 20:35:21 2005
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Subject: Re: Musical places/venues in London?
From: todd reynolds <todd@toddreynolds.com>
To: <Loopers-Delight@loopers-delight.com>
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Hey daniel. =20

If you haven't become acquainted with Steve Lawson yet, or his music, pleas=
e
do so by following this link.  http://www.steve-lawson.co.uk/home.shtml

He is very generous person and a fantastic musician and I'm sure could give
you a few venues to check out in london.  He just started a looping series
of his own as well.

He does lurk here as well, but I'm not sure he would have seen your post
yet.  Contact him through his website after checking out his music...

All best on your educational visit to london.  I for one am a fan of the
music from YOUR neck of the woods.

All best to you,

Todd

=20




On 11/1/05 9:00 AM, "Daniel Fredriksson" <dalfrn98@student.umu.se> wrote:

> Hey, my name is Daniel Fredriksson, I'm a musician from the north of
> Sweden. I'm not a looper yet, but plan to get in to it. I'm into
> experimental music and folk/worldmusic.
>=20
> This might be a little OT, but I hope it's OK.
> I'm going to London tomorrow, sort an educational visit. I have one
> day of and will go and spread some cd:s around the town. Sort of
> promos for my solostuff and also for a band called Godrun.
>=20
> Does anyone have suggestions to venues that would book  an as yet
> unsigned band from Sweden if they really like the music? Godrun plays
> rock/punkmusic with a worldmusic-touch and backtrack throuch an MPC.
> Also booking agencys/record labels/festival etc is interesting.
>=20
> Actually, any other suggestions for places of musical interest in
> London I would be thankful for!
>=20
> Thanks a bunch!
>=20
> Daniel Fredriksson
> daniel@silkwood.se
> www.silkwood.se
>=20
>=20
>=20
>=20
>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com
http://www.ethelcentral.com

todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 21:05:53 2005
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At: Intrigue 19 - *http://box.net/public/khartung/files/1137274.html* I 
click play this file through box.net 
<http://box.net/index.php?rm=show_shared&item_id=1137274&type=files&user_login=khartung&music=1> 
and it doesn't play.  I think I HAVE had these play in the past, 
though.  Should it work?  Nice, not having to have to download the whole 
thing that way...

Thanks...man, there's some great sounds you've documented!!  Listening 
to them, and all the recent discussion about technique is so very 
valuable...

.David.


Kris Hartung wrote:

> *Phil Zurrigo*
>  
> Intrigue 19 - *http://box.net/public/khartung/files/1137274.html*
> LGM 12 - *http://box.net/public/khartung/files/1137275.html*
> Virtuet Y - *http://box.net/public/khartung/files/1137277.html*
> Virtuet Z - *http://box.net/public/khartung/files/1137721.html*
>  
> *Matt Davignon - **http://box.net/public/khartung/files/1149272.html*
> ** 
> *Atomic Mo(...)*

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 21:15:35 2005
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Subject: Re: Programming the Behringer FCB1010 for Echoplex use, a quick guide
References: <d1396fc00510301340nb54d3e5g58c2577af4ab6c3b@mail.gmail.com>	 <0IP700MXZ6B27AWL@mta5.srv.hcvlny.cv.net> <d1396fc00510301925u54ede71bv547d0f47c16bd30e@mail.gmail.com>
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I'm curious if anyone is controlling both the EDP and Repeater with the 
FCB.   Care to share how you have the presets configured?

I have a few banks set up, but need to do some "housecleaning" in there 
for more conciseness, less duplication.  One issue is I have both Ex 
Pedals tied up for Repeater, and need to free one for EDP Volume and 
Feedback control.  

Fun I've been having: pre-set Repeater for Reverse, then one FCB Preset 
starts both EDP and Repeater recording, with another tap for the loop to 
begin.  Then I tap another Preset to Forward Repeater, so I have both 
forward and backward going simultaneously...

.David.

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Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 14:16:39 -0700
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The system may be geared toward windows media player. Do you have another
player set as your default player?

Kris


----- Original Message ----- 
From: ".David.Auker." <DaVAuk@Hevanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 2:07 PM
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


> At: Intrigue 19 - *http://box.net/public/khartung/files/1137274.html* I
> click play this file through box.net
>
<http://box.net/index.php?rm=show_shared&item_id=1137274&type=files&user_log
in=khartung&music=1>
> and it doesn't play.  I think I HAVE had these play in the past,
> though.  Should it work?  Nice, not having to have to download the whole
> thing that way...
>
> Thanks...man, there's some great sounds you've documented!!  Listening
> to them, and all the recent discussion about technique is so very
> valuable...
>
> .David.
>
>
> Kris Hartung wrote:
>
> > *Phil Zurrigo*
> >
> > Intrigue 19 - *http://box.net/public/khartung/files/1137274.html*
> > LGM 12 - *http://box.net/public/khartung/files/1137275.html*
> > Virtuet Y - *http://box.net/public/khartung/files/1137277.html*
> > Virtuet Z - *http://box.net/public/khartung/files/1137721.html*
> >
> > *Matt Davignon - **http://box.net/public/khartung/files/1149272.html*
> > **
> > *Atomic Mo(...)*
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 21:44:32 2005
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Date: Tue, 1 Nov 2005 13:44:30 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: The End of Timeless Instruments? (Craig Anderton editorial)
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I wonder what generation will have the arguement "Oh
it was so much better before we had direct to brain
implants to listen to music."  I hope I'm there.

Until then Travis, check out a Sidstation from
Elektron.  I have their MONOMACHINE and I love it.
(also with C64 emulation)  Expensive gear but so
quirky and cool, you'll dig it.

Mark

--- Travis Hartnett <travishartnett@gmail.com> wrote:

> And then the Iron Curtain fell and tubes were
> plentiful. Plus, Chinese
> tubes. I'm not sure I can find a C64 emulator
> that'll run my old sequencer
> software and address my real-world MIDI port
> though...
>  TravisH


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 21:48:22 2005
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Date: Tue, 1 Nov 2005 13:48:20 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Programming the Behringer FCB1010 for Echoplex use, a quick guide
To: Loopers-Delight@loopers-delight.com
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Hey David,
I am also considering doing "cleansing" by connecting
an additional foot controller to only control my
preamp and effects,then a second one only for the
Repeater and EDP.I am sending all kinds of MIDI
comands to both loopers plus efx processor and when i
do a lot of stomping they sometimes react
weird,specially the repeater.I also could access
presets and put them into the loops quicker than
scrolling to the Banks.
just curious,is anybody here using more than one Foot
controller?
cheers
Luis



--- ".David.Auker." <DaVAuk@Hevanet.com> wrote:

> I'm curious if anyone is controlling both the EDP
> and Repeater with the 
> FCB.   Care to share how you have the presets
> configured?
> 
> I have a few banks set up, but need to do some
> "housecleaning" in there 
> for more conciseness, less duplication.  One issue
> is I have both Ex 
> Pedals tied up for Repeater, and need to free one
> for EDP Volume and 
> Feedback control.  
> 
> Fun I've been having: pre-set Repeater for Reverse,
> then one FCB Preset 
> starts both EDP and Repeater recording, with another
> tap for the loop to 
> begin.  Then I tap another Preset to Forward
> Repeater, so I have both 
> forward and backward going simultaneously...
> 
> .David.
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 21:57:08 2005
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Date: Tue, 1 Nov 2005 13:57:07 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The End of Timeless Instruments? (Craig Anderton editorial)
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------=_Part_53265_19301731.1130882227760
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

The Sidstation looks to be a thousand dollar bit of dedicated hardware. I'm
looking for a software emulator to run my C-64 music programs that supports
MIDI in and out, for free.
 TravisH

 On 11/1/05, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>
> I wonder what generation will have the arguement "Oh
> it was so much better before we had direct to brain
> implants to listen to music." I hope I'm there.
>
> Until then Travis, check out a Sidstation from
> Elektron. I have their MONOMACHINE and I love it.
> (also with C64 emulation) Expensive gear but so
> quirky and cool, you'll dig it.
>
> Mark
>
> --- Travis Hartnett <travishartnett@gmail.com> wrote:
>
> > And then the Iron Curtain fell and tubes were
> > plentiful. Plus, Chinese
> > tubes. I'm not sure I can find a C64 emulator
> > that'll run my old sequencer
> > software and address my real-world MIDI port
> > though...
> > TravisH
>
>
>
> __________________________________
> Yahoo! FareChase: Search multiple travel sites in one click.
> http://farechase.yahoo.com
>
>

------=_Part_53265_19301731.1130882227760
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

<div>The Sidstation looks to be a thousand dollar bit of dedicated hardware=
.&nbsp; I'm looking for a software emulator to run my C-64 music programs t=
hat supports MIDI in and out, for free.</div>
<div>&nbsp;</div>
<div>TravisH<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 11/1/05, <b class=3D"gmail_sendername">=
mark sottilaro</b> &lt;<a href=3D"mailto:zerocrossing2001@yahoo.com">zerocr=
ossing2001@yahoo.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I wonder what generation will ha=
ve the arguement &quot;Oh<br>it was so much better before we had direct to =
brain
<br>implants to listen to music.&quot;&nbsp;&nbsp;I hope I'm there.<br><br>=
Until then Travis, check out a Sidstation from<br>Elektron.&nbsp;&nbsp;I ha=
ve their MONOMACHINE and I love it.<br>(also with C64 emulation)&nbsp;&nbsp=
;Expensive gear but so<br>
quirky and cool, you'll dig it.<br><br>Mark<br><br>--- Travis Hartnett &lt;=
<a href=3D"mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt=
; wrote:<br><br>&gt; And then the Iron Curtain fell and tubes were<br>&gt; =
plentiful. Plus, Chinese
<br>&gt; tubes. I'm not sure I can find a C64 emulator<br>&gt; that'll run =
my old sequencer<br>&gt; software and address my real-world MIDI port<br>&g=
t; though...<br>&gt;&nbsp;&nbsp;TravisH<br><br><br><br>____________________=
______________
<br>Yahoo! FareChase: Search multiple travel sites in one click.<br><a href=
=3D"http://farechase.yahoo.com">http://farechase.yahoo.com</a><br><br></blo=
ckquote></div><br>

------=_Part_53265_19301731.1130882227760--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 22:33:12 2005
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Date: Tue, 01 Nov 2005 14:34:39 -0800
From: ".David.Auker." <DaVAuk@Hevanet.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Programming the Behringer FCB1010 for Echoplex use, a quick guide
References: <20051101214820.85181.qmail@web52806.mail.yahoo.com>
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Luis, when you say: 

>I am sending all kinds of MIDI
>comands to both loopers plus efx processor and when i
>do a lot of stomping they sometimes react
>weird,specially the repeater.
>
I was getting some Repeater tempo-fluctuation while it and EDP ran...I 
set Repeater Sync to User, and it seems ok.  (I am not intentionally 
syncing clock on the units...at this time in my MIDI abilities, 
anyway!).  They, of course, have a MIDI cable connecting, for FCB 
control of both, but are on different MIDI channels.  I guess Clock data 
doesn't need the same channel, however...(?).

Overdubbingly, 

David


Luis Angulo wrote:

>Hey David,
>I am also considering doing "cleansing" by connecting
>an additional foot controller to only control my
>preamp and effects,then a second one only for the
>Repeater and EDP.I am sending all kinds of MIDI
>comands to both loopers plus efx processor and when i
>do a lot of stomping they sometimes react
>weird,specially the repeater.I also could access
>presets and put them into the loops quicker than
>scrolling to the Banks.
>just curious,is anybody here using more than one Foot
>controller?
>cheers
>Luis
>
>
>
>--- ".David.Auker." <DaVAuk@Hevanet.com> wrote:
>
>  
>
>>I'm curious if anyone is controlling both the EDP
>>and Repeater with the 
>>FCB.   Care to share how you have the presets
>>configured?
>>
>>I have a few banks set up, but need to do some
>>"housecleaning" in there 
>>for more conciseness, less duplication.  One issue
>>is I have both Ex 
>>Pedals tied up for Repeater, and need to free one
>>for EDP Volume and 
>>Feedback control.  
>>
>>Fun I've been having: pre-set Repeater for Reverse,
>>then one FCB Preset 
>>starts both EDP and Repeater recording, with another
>>tap for the loop to 
>>begin.  Then I tap another Preset to Forward
>>Repeater, so I have both 
>>forward and backward going simultaneously...
>>
>>.David.
>>
>>
>>    
>>
>
>
>www.luis-angulo.com
>
>
>		
>__________________________________ 
>Yahoo! FareChase: Search multiple travel sites in one click.
>http://farechase.yahoo.com
>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 22:34:58 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon,
 and Atomic Mobius Machine)
References: <023f01c5def9$00c2b330$52b0ec0f@americas.hpqcorp.net> <4367D906.8090004@Hevanet.com> <038a01c5df29$8d973f80$52b0ec0f@americas.hpqcorp.net>
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I don't get any player opening, just the Webpage saying I can play it 
thru box.net, so it sounds like a player doesn't need to open??

David


Kris Hartung wrote:

>The system may be geared toward windows media player. Do you have another
>player set as your default player?
>
>Kris
>
>
>----- Original Message ----- 
>From: ".David.Auker." <DaVAuk@Hevanet.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Tuesday, November 01, 2005 2:07 PM
>Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
>Davignon, and Atomic Mobius Machine)
>
>
>  
>
>>At: Intrigue 19 - *http://box.net/public/khartung/files/1137274.html* I
>>click play this file through box.net
>>
>>    
>>
><http://box.net/index.php?rm=show_shared&item_id=1137274&type=files&user_log
>in=khartung&music=1>
>  
>
>>and it doesn't play.  I think I HAVE had these play in the past,
>>though.  Should it work?  Nice, not having to have to download the whole
>>thing that way...
>>
>>Thanks...man, there's some great sounds you've documented!!  Listening
>>to them, and all the recent discussion about technique is so very
>>valuable...
>>
>>.David.
>>
>>
>>Kris Hartung wrote:
>>
>>    
>>
>>>*Phil Zurrigo*
>>>
>>>Intrigue 19 - *http://box.net/public/khartung/files/1137274.html*
>>>LGM 12 - *http://box.net/public/khartung/files/1137275.html*
>>>Virtuet Y - *http://box.net/public/khartung/files/1137277.html*
>>>Virtuet Z - *http://box.net/public/khartung/files/1137721.html*
>>>
>>>*Matt Davignon - **http://box.net/public/khartung/files/1149272.html*
>>>**
>>>*Atomic Mo(...)*
>>>      
>>>
>>    
>>
>
>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  1 22:43:04 2005
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To: <Loopers-Delight@loopers-delight.com>
References: <023f01c5def9$00c2b330$52b0ec0f@americas.hpqcorp.net> <4367D906.8090004@Hevanet.com> <038a01c5df29$8d973f80$52b0ec0f@americas.hpqcorp.net> <4367EDE7.50402@Hevanet.com>
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt Davignon, and Atomic Mobius Machine)
Date: Tue, 1 Nov 2005 15:42:57 -0700
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That's right. You can click on the large text title to download, or the
small text "play this file through box.net" to stream it there from the
page. It will not pop up windows media player, but show a small control
panel on the screen. I'm not sure what they are using to do that, whether it
is based on Windows Media player, or what.

Kris

----- Original Message ----- 
From: ".David.Auker." <DaVAuk@Hevanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 01, 2005 3:36 PM
Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
Davignon, and Atomic Mobius Machine)


> I don't get any player opening, just the Webpage saying I can play it
> thru box.net, so it sounds like a player doesn't need to open??
>
> David
>
>
> Kris Hartung wrote:
>
> >The system may be geared toward windows media player. Do you have another
> >player set as your default player?
> >
> >Kris
> >
> >
> >----- Original Message ----- 
> >From: ".David.Auker." <DaVAuk@Hevanet.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Tuesday, November 01, 2005 2:07 PM
> >Subject: Re: Y2K5 Performance Recordings (new additions Zurrigo, Matt
> >Davignon, and Atomic Mobius Machine)
> >
> >
> >
> >
> >>At: Intrigue 19 - *http://box.net/public/khartung/files/1137274.html* I
> >>click play this file through box.net
> >>
> >>
> >>
>
><http://box.net/index.php?rm=show_shared&item_id=1137274&type=files&user_lo
g
> >in=khartung&music=1>
> >
> >
> >>and it doesn't play.  I think I HAVE had these play in the past,
> >>though.  Should it work?  Nice, not having to have to download the whole
> >>thing that way...
> >>
> >>Thanks...man, there's some great sounds you've documented!!  Listening
> >>to them, and all the recent discussion about technique is so very
> >>valuable...
> >>
> >>.David.
> >>
> >>
> >>Kris Hartung wrote:
> >>
> >>
> >>
> >>>*Phil Zurrigo*
> >>>
> >>>Intrigue 19 - *http://box.net/public/khartung/files/1137274.html*
> >>>LGM 12 - *http://box.net/public/khartung/files/1137275.html*
> >>>Virtuet Y - *http://box.net/public/khartung/files/1137277.html*
> >>>Virtuet Z - *http://box.net/public/khartung/files/1137721.html*
> >>>
> >>>*Matt Davignon - **http://box.net/public/khartung/files/1149272.html*
> >>>**
> >>>*Atomic Mo(...)*
> >>>
> >>>
> >>
> >>
> >
> >
> >
> >
> >
> >
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 00:42:40 2005
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Date: Tue, 01 Nov 2005 19:42:31 -0500
From: Clint Goss <clint@goss.com>
Subject: Overtone Track
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Hi All -

New flute / new track:

  http://goss.rho.net/overtone   (7.5 meg)

It's actually the head of a big-bore Native American Flute made by Leonard
McGann that I stuck 11 feet of 1.5" pvc pipe on. This makes it a cousin of the
Slovakian fujara (see www.fujara.sk), but an octave lower.

Recorded live to stereo through a Lexicon PCM81 and dual EDPs. Two Neumann U87
microphones were used: one at the head/nest area of the flute is recorded purely
on the left track, and one at the foot of the flute is purely on the right
track.

- Clint Goss

Email: clint@goss.com
Web:   www.goss.com


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 02:59:10 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Digitech RDS series schematics/service manuals?
Date: Tue, 1 Nov 2005 20:59:05 -0600
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does anyone have service manuals and/or schematics for any of the 
Digitech RDS units?

thanks,
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 03:08:00 2005
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Subject: Re: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)
Date: Tue, 1 Nov 2005 21:07:59 -0600
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On Nov 1, 2005, at 12:47 PM, Timothy Mungenast wrote:
> Luckily we are in the New Golden Age of Tubes, with demand AND supply
> rising, thanks to Russia and China.

yeah but no one (not even the yugoslavs) are making tubes like Mullard 
and Telefunken did. or old GE or Sylvania tubes.

i've used new Svetlana 6550s in my Leslie, and taken them out to put 
the 50 year old Tung Sols back in.

but yes, there are a nice supply of new preamp, amp, and rectifier 
tubes. now if someone can just add OC3 gas regulators and start making 
them _well_ then we'll talk about a new golden age of tubes. new octal 
preamp tubes would be nice but i don't see that ever happening.

in the meantime, i'd call it "a period of plentiful supply and demand 
of tubes" instead.

but hey, maybe i'm juts a grumpy old man.

or maybe i just spent all afternoon boxing and labeling my tube stash:

http://suitandtieguy.com/sights/stg_workbench_102005a.jpg
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 03:35:22 2005
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Date: Tue, 1 Nov 2005 22:35:21 -0500
From: Clint Allen <clint.allen@gmail.com>
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------=_Part_9094_32889477.1130902521154
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Hi all...

Does anyone know a good resource for replacement batteries for the Roland
XP-80? (Other than Roland US Support, I mean...)

Thanks in advance!

Clint Allen


P.S.
Sorry for my low profile as of the past several months. I know I have been
bad about answering emails from some of you and staying in contact. My
Carpal-Tunnel has been insanely painful and discouraging and I have
unfortunately not been able to pick up the Chapman Stick in quite a while.
Surgery is right around the corner though and hopefully the recovery will b=
e
quick and I'll be back into it soon thereafter.

------=_Part_9094_32889477.1130902521154
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Hi all...<br>
<br>
Does anyone know a good resource for replacement batteries for the Roland X=
P-80? (Other than Roland US Support, I mean...)<br>
<br>
Thanks in advance!<br>
<br>
Clint Allen<br>
<br>
<br>
P.S. <br>
Sorry for my low profile as of the past several months. I know I have
been bad about answering emails from some of you and staying in
contact. My Carpal-Tunnel has been insanely painful and discouraging
and I have unfortunately not been able to pick up the Chapman Stick in
quite a while. Surgery is right around the corner though and hopefully
the recovery will be quick and I'll be back into it soon thereafter.<br>
<br>

------=_Part_9094_32889477.1130902521154--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 05:13:30 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: (OT) Roland XP-80 Battery
Date: Tue, 1 Nov 2005 23:13:26 -0600
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On Nov 1, 2005, at 9:35 PM, Clint Allen wrote:
>  Does anyone know a good resource for replacement batteries for the 
> Roland XP-80? (Other than Roland US Support, I mean...)

if it's the same as the JV series battery it should be available at 
Wal-Mart at 3am, and user-replaceable because they had the good sense 
to put it in a battery holder.

my DX-100 and Juno-6 however had soldered batteries. total bitch.

i would open it up and see if it's in a battery holder, then take it 
out (noting the polarity), and go battery shopping at your preferred 
retailer of choice.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 05:31:24 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: Y2K5 Performance Recordings
Date: Tue, 1 Nov 2005 21:31:24 -0800
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Kris wrote:
"It has been my pleasure. I really enjoyed recording everyone, and I learned
a lot that will compell me to do things differently, if Rick invites me back
next year for Y2K6!  :)"


Invite you back?     I'm going to have a f*cking bronze statue of you 
erected and placed in the town square
after everything you did for this community this year, Kris!!!!!!

Invite you back?     You are damned tooting I'm inviting you back.

Thanks for the wonderful work........................and thanks, Bernhard 
for putting all this up at the
www.loopfestival.com/y2k5/    site. 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 05:38:52 2005
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Wow, here is a review that a guy just posted at tribe.net upon hearing 
my y2k5 piece for Halloween voice changer and plastic corrugated straw:

 What an incredibly  haunting and bizarre piece of music. 
Almost like a robotic alien pod of whales communicating over 
vast distances of space using 8bit sonar frequences. Great! 

That's one of the best reviews I"ve ever gotten.   I feel honored,

Rick Walker
Pod 873 
Communications Officer

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 13:24:29 2005
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Hi LD,

New release information form C.U.E.records,Kobe Japan.

C.U.E.COMPILATION 3 released.

The 3rd compilation from C.U.E. records,it includes Scanner(U.K.), 
Morgan Fisher (U.K. ex. Mott the Hoople), Anla Courtis(Reynols from 
Argentina) and Japanese electronic/experimental/improvised artists.
14 artists total, over 68min.

Details available below:

C.U.E.COMPILATION 3

English
http://www.cavestudio.org/cue/shop/merchandise/cue_records_label/qcd-c3/c3_e.html

Japanese
http://www.cavestudio.org/cue/shop/merchandise/cue_records_label/qcd-c3/c3_j.html

price is US$16 (incl.world wide shipping),Paypal accepted.

and  previous our compilations,other releases and distribution 
information available,please visit C.U.E. records site:
http://www.cavestudio.org/cue/shop/

also,please visit another one my own label &distribution ,electr-ohm site :
http://www.cavestudio.com/electr-ohm

  Regards

  Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 14:09:25 2005
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Y2K5 Performance Recordings (new additions from Bill Walker)
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New additions from Bill Walker added now:

http://www.boisemusicians.com/Y2K5_Recordings.htm

Bill Walker (electric guitar)

Part One - http://box.net/public/khartung/files/1165178.html
Part Two - http://box.net/public/khartung/files/1165179.html
Part Three - http://box.net/public/khartung/files/1165181.html
Part Four - http://box.net/public/khartung/files/1165180.html

Today, I'll get around to creating a menu at the top of the web page with
jump links.

Kris



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Kris,

In a message dated 11/2/05 6:09:37 AM, khartung@cableone.net writes:

> Today, I'll get around to creating a menu at the top of the web page with=20
> jump links.
>=20
I must say, you efforts with all of this stuff have been truly amazing. Than=
k=20
you,
not just for myself, but for all of us who performed at Y2K5 and whose music
you've uploaded and posted without any compensation whatsoever. You da man!

Best regards,

tEd =AE kiLLiAn

PS: Dyslexia, Dysphasia, Dysplasia

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Kris,<BR>
<BR>
In a message dated 11/2/05 6:09:37 AM, khartung@cableone.net writes:<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Today, I'll get aroun=
d to creating a menu at the top of the web page with jump links.</FONT><FONT=
 COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
I must say, you efforts with all of this stuff have been truly amazing. Than=
k you,<BR>
not just for myself, but for all of us who performed at Y2K5 and whose music=
<BR>
you've uploaded and posted without any compensation whatsoever. You da man!<=
BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
PS: Dyslexia, Dysphasia, </FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMI=
LY=3D"SANSSERIF" SIZE=3D"2"><U>Dysplasia</U></FONT><FONT COLOR=3D"#000000" F=
ACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_1c5.3431845c.309a2dde_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 16:11:08 2005
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Date: Wed, 2 Nov 2005 11:10:53 EST
Subject: Re: Y2K5 mini review
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In a message dated 11/1/05 9:39:13 PM, looppool@cruzio.com writes:

<< my y2k5 piece for Halloween voice changer and plastic corrugated straw:


 What an incredibly  haunting and bizarre piece of music. 

Almost like a robotic alien pod of whales communicating over 

vast distances of space using 8bit sonar frequences. Great!  >>


Hi Rick!

any chance you could put up somewhere a lo-fi clip of the piece for those of 
us with slow modems and cranky old near obsolete browsers?

I'd love to hear it.

cheers

BobC




http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://tinyurl.com/cr25j

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 16:17:05 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: 1st Annual Boise Festival for Experimental Music - Calling Local Musicians for Virtual Auditions
Date: Wed, 2 Nov 2005 09:16:59 -0700
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This is a multi-part message in MIME format.

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Just a FYI, on what I'm coordinating here in Boise, Idaho (USA) for the =
Spring of '06.

Cheers,

Kris

*****************************************************
Greeting Boise Musicians!

This is the first communication of several for the "1st Annual Boise =
Festival for Experimental Music."
This event will occur in the Spring of '06, mostly likely the end of =
April at a major venue in the down town area.
I have tentative confirmations from out of state veteran experimental =
musicians to headline this event for the
Friday kickoff.  The main festival on Saturday will include performances =
from 9 musicians, and my intent is to
include intermissions featuring experimental film, poetry, visual art, =
and other forms of avant-garde and experimental=20
art.

http://www.boisemusicians.com/experimental/=20

This site will include more details on venue, exact date, etc in the =
next month.

Please contact me directly if you want a PDF version of this flyer or a =
copy of my 9-page draft project plan.=20
Any help in distributing the flyer would be greatly appreciated.  Once I =
complete the project plan, I will
also be asking for local volunteers (12+ individuals) to be a part of =
the logistics, technical, and event coordination
team.

Kris Hartung
info@krispenhartung.com
http://www.krispenhartung.com
208-724-5603


home / artists / venues / performance logistics /submittals / schedule
genre samples & guidelines / contacts / links



1st Annual Boise Festival
for Experimental Music
Spring '06=20

      Mission Statement

      The purpose of this music festival is to 1) promote and educate =
experimental and avant-garde music in the Boise and surrounding Treasure =
Valley, 2) provide an annual venue for local experimental musicians to =
express their art amongst their peers and potential experimental music =
enthusiasts, and 3) foster local artistic diversity, awareness, and fair =
representation of unusual and avant-garde forms of art.=20

      Traditionally, the Boise and surrounding Treasure Valley has been =
a predominantly conservative-minded area in the Northwest, and this =
mindset tends manifest itself in the types of music that become the =
focal points for music listeners and the media. This mindset is of no =
fault of the Boise community, but is a natural consequence (to name a =
just few sources) of the demographics of the area, the geographical =
location of Boise in the Northwest, economic pressures on venue owners =
to cater to public taste, and the overall philosophies of those who =
promote and foster musical diversity in the area. As a result, with =
exception of an occasional world-fusion, art rock, looping, or =
out-of-state performance, the music scene in Boise has evolved to be =
somewhat monolithic from a genre perspective, fostering and continuing =
to foster styles of music such as country, pop, classic and modern rock, =
traditional jazz, punk, folk/folk-rock, and classical. This is not to =
say that there are no radical experimental musicians in Boise; rather, =
there simply aren't ample opportunities for them to perform, gather, and =
share their art.

      The 1st Annual Boise Experimental Music Festival is just one of =
many potential vehicles that serve to proactively and Positively =
supplement Boise's artistic cultural diversity. It is a focused and =
collaborative effort to celebrate a music genre that is very much alive =
and thriving in cities around the globe, and has been in existence in =
various forms since the 1950's.=20
    =20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Just a FYI, on what I'm coordinating =
here in Boise,=20
Idaho (USA) for the Spring of '06.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV><FONT face=3DArial =
size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*****************************************************</FONT></DI=
V>
<DIV><FONT face=3DArial size=3D2>Greeting Boise Musicians!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is the first communication of =
several for the=20
"1st Annual Boise Festival for Experimental Music."</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This event will occur in the Spring of =
'06, mostly=20
likely the end of April at a major venue in the down town =
area.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have tentative confirmations from out =
of state=20
veteran experimental musicians to headline this event for =
the</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Friday kickoff.&nbsp; The main festival =
on Saturday=20
will include performances from 9 musicians, and my intent is =
to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>include intermissions </FONT><FONT =
face=3DArial=20
size=3D2>featuring experimental film, poetry, visual art, and other =
forms of=20
avant-garde and experimental </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>art.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D"http://www.boisemusicians.com/experimental/"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/experimental/</FONT></A><FONT =
face=3DArial=20
size=3D2>&nbsp;</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>This site will&nbsp;include&nbsp;more details on venue, exact =
date, etc=20
in the next month.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Please contact me directly if you want a PDF version of this flyer =
or a=20
copy of my 9-page draft project plan. </DIV>
<DIV>Any help in distributing the flyer would be greatly =
appreciated.&nbsp; Once=20
I complete the project plan, I will</DIV>
<DIV>also be asking for local volunteers (12+ individuals) to be a part =
of the=20
logistics, technical,&nbsp;and event coordination</DIV>
<DIV>team.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris Hartung</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A></FONT=
></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com">http://www.krispenhartung.com</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2>208-724-5603</FONT><!-- Converted from =
text/plain format --></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>
<P align=3Dcenter><FONT color=3D#cccccc><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/index.htm"><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2>home</FONT></A> =
<FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2><B>/</B> =
</FONT><FONT=20
color=3D#cccccc><FONT face=3D"Verdana, Arial, Helvetica, sans-serif" =
size=3D2><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/artists.htm">artists</A>=20
<B>/</B> <A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/venue.htm">venues</A>=20
<B>/</B> </FONT></FONT><FONT color=3D#cccccc><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/logistics.htm">performance=20
logistics</A> </FONT><FONT color=3D#cccccc><FONT color=3D#cccccc><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"=20
size=3D2><B>/</B></FONT></FONT></FONT></FONT><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/Submittals.htm">submittals</A>=20
</FONT><FONT color=3D#cccccc><FONT face=3D"Verdana, Arial, Helvetica, =
sans-serif"=20
size=3D2><B>/</B></FONT></FONT> <FONT face=3D"Verdana, Arial, Helvetica, =
sans-serif"=20
size=3D2><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/schedule.htm">schedule<BR></A></FONT><FONT=20
color=3D#cccccc><FONT face=3D"Verdana, Arial, Helvetica, sans-serif" =
size=3D2><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/genres.htm">genre=20
samples &amp; guidelines</A></FONT></FONT><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2><B> /</B> <A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/contact.htm">contacts</A>=20
</FONT><FONT color=3D#cccccc><FONT face=3D"Verdana, Arial, Helvetica, =
sans-serif"=20
size=3D2><B>/</B> <A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung//expe=
rimental/links.htm">links</A></FONT></FONT></FONT><BR><FONT=20
color=3D#cccccc><FONT color=3D#cccccc></FONT></FONT></P>
<P align=3Dcenter><FONT color=3D#ffffff><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT color=3D#ffff00 =
size=3D2><B><FONT=20
color=3D#cccccc size=3D4><BR></FONT><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT size=3D2><B><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT size=3D2><B><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT size=3D2><B><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT size=3D2><B><FONT=20
size=3D4><I><FONT color=3D#808080 size=3D5>1st</FONT><FONT =
color=3D#808080 size=3D5>=20
Annual Boise Festival<BR>for Experimental=20
Music</FONT></I><BR></FONT></B></FONT></FONT></B><FONT=20
face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT size=3D2><FONT =
size=3D3><FONT=20
color=3D#808080 size=3D2><I>Spring '06=20
</I></FONT></FONT></FONT></FONT></FONT></FONT></B></FONT></FONT><FONT=20
size=3D2><FONT face=3D"Verdana, Arial, Helvetica, sans-serif"><FONT =
size=3D2><FONT=20
size=3D3><FONT=20
size=3D2><I></I></FONT></FONT></FONT></FONT></FONT></FONT></B></FONT></FO=
NT><FONT=20
size=3D2></FONT></FONT></B></FONT></FONT></FONT></P>
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"75%" align=3Dcenter =
border=3D0>
  <TBODY>
  <TR>
    <TD>
      <P align=3Dcenter><FONT face=3D"Verdana, Arial, Helvetica, =
sans-serif"=20
      color=3D#808080 size=3D2><B>Mission Statement</B></FONT></P>
      <P><FONT face=3D"Verdana, Arial, Helvetica, sans-serif" =
color=3D#808080=20
      size=3D2>The purpose of this music festival is to 1) promote and =
educate=20
      experimental and avant-garde music in the Boise and surrounding =
Treasure=20
      Valley, 2) provide an annual venue for local experimental =
musicians to=20
      express their art amongst their peers and potential experimental =
music=20
      enthusiasts, and 3) foster local artistic diversity, awareness, =
and fair=20
      representation of unusual and avant-garde forms of art. =
</FONT></P>
      <P><FONT face=3D"Verdana, Arial, Helvetica, sans-serif" =
color=3D#808080=20
      size=3D2>Traditionally, the Boise and surrounding Treasure Valley =
has been a=20
      predominantly conservative-minded area in the Northwest, and this =
mindset=20
      tends manifest itself in the types of music that become the focal =
points=20
      for music listeners and the media. This mindset is of no fault of =
the=20
      Boise community, but is a natural consequence (to name a just few =
sources)=20
      of the demographics of the area, the geographical location of =
Boise in the=20
      Northwest, economic pressures on venue owners to cater to public =
taste,=20
      and the overall philosophies of those who promote and foster =
musical=20
      diversity in the area. As a result, with exception of an =
occasional=20
      world-fusion, art rock, looping, or out-of-state performance, the =
music=20
      scene in Boise has evolved to be somewhat monolithic from a genre=20
      perspective, fostering and continuing to foster styles of music =
such as=20
      country, pop, classic and modern rock, traditional jazz, punk,=20
      folk/folk-rock, and classical. This is not to say that there are =
no=20
      radical experimental musicians in Boise; rather, there simply =
aren't ample=20
      opportunities for them to perform, gather, and share their =
art.</FONT></P>
      <P><FONT face=3D"Verdana, Arial, Helvetica, sans-serif" =
color=3D#808080=20
      size=3D2>The <B><I>1st Annual Boise Experimental Music =
Festival</I></B> is=20
      just one of many potential vehicles that serve to proactively and=20
      Positively supplement Boise's artistic cultural diversity. It is a =
focused=20
      and collaborative effort to celebrate a music genre that is very =
much=20
      alive and thriving in cities around the globe, and has been in =
existence=20
      in various forms since the 1950's.=20
</FONT></P></TD></TR></TBODY></TABLE></FONT></DIV>
<DIV><FONT face=3DArial color=3D#808080 =
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From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 16:53:40 2005
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: New Golden Age of Tubes Re: The End of Timeless Instruments? 
	(Craig Anderton editorial)
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>>yeah but no one (not even the yugoslavs) are making tubes like Mullard 
and Telefunken did. or old GE or Sylvania tubes.<<

maybe they were NOS, but I doubt it: I bought mullard EL34s & ECC83s
(12AX7s) from RS components just a few years ago.
but now their online catalogue is listing either JJ electronics or national
semiconductors. the chinese ones are all marked "discontinued". hmph. but at
least they offer matched pairs/quads.
farnell have a similar range but made (apparently) by chelmer. who they? &
no matched sets. the downloadable data sheets look like they were hand-drawn
in the 40s.  
maplin- nothing. but that's no surprise. 
until someone designs a flashing-led-christmas-tree-kit that uses an ef87,
it won't happen.

there's a soundsystem (bunch of turntablists with their own p.a. system)
based in london that travels everywhere with a completely valve-driven
set-up. y'd think it would warp the records.....

where do EH get theirs made?

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;yeah but no one (not even the yugoslavs) are maki=
ng tubes like Mullard </FONT>
<BR><FONT SIZE=3D2>and Telefunken did. or old GE or Sylvania tubes.&lt;&lt;=
</FONT>
</P>

<P><FONT SIZE=3D2>maybe they were NOS, but I doubt it: I bought mullard EL3=
4s &amp; ECC83s (12AX7s) from RS components just a few years ago.</FONT>
<BR><FONT SIZE=3D2>but now their online catalogue is listing either JJ elec=
tronics or national semiconductors. the chinese ones are all marked &quot;d=
iscontinued&quot;. hmph. but at least they offer matched pairs/quads.</FONT=
></P>

<P><FONT SIZE=3D2>farnell have a similar range but made (apparently) by che=
lmer. who they? &amp; no matched sets. the downloadable data sheets look li=
ke they were hand-drawn in the 40s.&nbsp; </FONT></P>

<P><FONT SIZE=3D2>maplin- nothing. but that's no surprise. </FONT>
<BR><FONT SIZE=3D2>until someone designs a flashing-led-christmas-tree-kit =
that uses an ef87, it won't happen.</FONT>
</P>

<P><FONT SIZE=3D2>there's a soundsystem (bunch of turntablists with their o=
wn p.a. system) based in london that travels everywhere with a completely v=
alve-driven set-up. y'd think it would warp the records.....</FONT></P>

<P><FONT SIZE=3D2>where do EH get theirs made?</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 18:26:22 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1c5.3431845c.309a2dde@aol.com>
Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
Date: Wed, 2 Nov 2005 11:26:16 -0700
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Thanks, Ted!

I just added those jump links. Plus, to Michael's request, I just found =
out from the box.net crew that they are working on a system that will =
stream all of the MP3s as one file. It will be available in two weeks.

Kris


  ----- Original Message -----=20
  From: ArsOcarina@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 02, 2005 7:57 AM
  Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


  Kris,

  In a message dated 11/2/05 6:09:37 AM, khartung@cableone.net writes:


    Today, I'll get around to creating a menu at the top of the web page =
with jump links.


  I must say, you efforts with all of this stuff have been truly =
amazing. Thank you,
  not just for myself, but for all of us who performed at Y2K5 and whose =
music
  you've uploaded and posted without any compensation whatsoever. You da =
man!

  Best regards,

  tEd =AE kiLLiAn

  PS: Dyslexia, Dysphasia, Dysplasia

  "Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks, Ted!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I just added those jump links. Plus, to =
Michael's=20
request, I just found out from the box.net crew that they are working on =
a=20
system that will stream all of the MP3s as one file. It will be =
available in two=20
weeks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DArsOcarina@aol.com=20
  href=3D"mailto:ArsOcarina@aol.com">ArsOcarina@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 7:57=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 Performance =
Recordings=20
  (new additions from Bill Walker)</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF">Kris,<BR><BR>In a message dated 11/2/05 =
6:09:37 AM,=20
  <A href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
  writes:<BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#0000ff =
size=3D2=20
    FAMILY=3D"SANSSERIF">Today, I'll get around to creating a menu at =
the top of=20
    the web page with jump links.</FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF"><BR>I must say, you efforts with all of =
this stuff=20
  have been truly amazing. Thank you,<BR>not just for myself, but for =
all of us=20
  who performed at Y2K5 and whose music<BR>you've uploaded and posted =
without=20
  any compensation whatsoever. You da man!<BR></FONT><FONT face=3DGeneva =

  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR>Best =
regards,<BR><BR>tEd =AE=20
  kiLLiAn<BR><BR>PS: Dyslexia, Dysphasia, </FONT><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF"><U>Dysplasia</U></FONT><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT =
face=3DGeneva=20
  color=3D#808080 size=3D2 FAMILY=3D"SANSSERIF">"Different is not always =
better, but=20
  better is always=20
  =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>Ted=20
  Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
  Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, =
Lindows,=20
  QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, =

  CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, =
blah, blah.=20
  So???</FONT><FONT face=3DGeneva color=3D#000000 size=3D2=20
FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
size=3D2 FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_059B_01C5DFA0.3D198050--


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 18:59:38 2005
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To: Loopers-Delight@loopers-delight.com
Subject: RE: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)
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I dunno about EH, but there were brand-new tube plants opening in both Russia and China as recently as this millennium. Svetlana rings a bell, I think... 


----- Original Message ----- 
From: 
To: Loopers-Delight@loopers-delight.com
Sent: 11/2/2005 11:53:40 AM 
Subject: RE: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)


>>yeah but no one (not even the yugoslavs) are making tubes like Mullard 
and Telefunken did. or old GE or Sylvania tubes.<< 
maybe they were NOS, but I doubt it: I bought mullard EL34s & ECC83s (12AX7s) from RS components just a few years ago. 
but now their online catalogue is listing either JJ electronics or national semiconductors. the chinese ones are all marked "discontinued". hmph. but at least they offer matched pairs/quads.
farnell have a similar range but made (apparently) by chelmer. who they? & no matched sets. the downloadable data sheets look like they were hand-drawn in the 40s.  
maplin- nothing. but that's no surprise. 
until someone designs a flashing-led-christmas-tree-kit that uses an ef87, it won't happen. 
there's a soundsystem (bunch of turntablists with their own p.a. system) based in london that travels everywhere with a completely valve-driven set-up. y'd think it would warp the records.....
where do EH get theirs made? 
duncan. 


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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD><TITLE>RE: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)</TITLE>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
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<DIV>I dunno about EH, but there were brand-new tube plants opening in both Russia and China as recently as this millennium. Svetlana rings a bell, I think... </DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=goddard.duncan@mtvne.com href="mailto:goddard.duncan@mtvne.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 11/2/2005 11:53:40 AM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)</DIV>
<DIV><BR></DIV><FONT size=2>
<P><FONT size=2>&gt;&gt;yeah but no one (not even the yugoslavs) are making tubes like Mullard </FONT><BR><FONT size=2>and Telefunken did. or old GE or Sylvania tubes.&lt;&lt;</FONT> </P>
<P><FONT size=2>maybe they were NOS, but I doubt it: I bought mullard EL34s &amp; ECC83s (12AX7s) from RS components just a few years ago.</FONT> <BR><FONT size=2>but now their online catalogue is listing either JJ electronics or national semiconductors. the chinese ones are all marked "discontinued". hmph. but at least they offer matched pairs/quads.</FONT></P>
<P><FONT size=2>farnell have a similar range but made (apparently) by chelmer. who they? &amp; no matched sets. the downloadable data sheets look like they were hand-drawn in the 40s.&nbsp; </FONT></P>
<P><FONT size=2>maplin- nothing. but that's no surprise. </FONT><BR><FONT size=2>until someone designs a flashing-led-christmas-tree-kit that uses an ef87, it won't happen.</FONT> </P>
<P><FONT size=2>there's a soundsystem (bunch of turntablists with their own p.a. system) based in london that travels everywhere with a completely valve-driven set-up. y'd think it would warp the records.....</FONT></P>
<P><FONT size=2>where do EH get theirs made?</FONT> </P>
<P><FONT size=2>duncan.</FONT> </P><CODE><FONT size=3><BR><BR>***************************************************************************<BR>CONFIDENTIALITY NOTICE<BR><BR>The contents of this e-mail are confidential to the ordinary user<BR>of the e-mail address to which it was addressed, and may also<BR>be privileged. If you are not the addressee of this e-mail you may <BR>not copy, forward, disclose or otherwise use it or any part of it<BR>in any form whatsoever.If you have received this e-mail in error,<BR>please e-mail the sender by replying to this message.<BR><BR>It is your responsibility to carry out appropriate virus and other<BR>checks to ensure that this message and any attachments do not<BR>affect your systems / data. Any views or opinions expressed in this<BR>e-mail are solely those of the author and do not necessarily<BR>represent those of MTV Networks Europe unless specifically stated,<BR>nor does this message form any part of any contract unless so stated.<BR><BR>MTV reserves the right to monitor e-mail communications from<BR>external/internal sources for the purposes of ensuring correct <BR>and appropriate use of MTV communication equipment.<BR><BR>MTV Networks Europe<BR>***************************************************************************<BR></FONT></CODE></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 19:13:34 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)
Date: Wed, 2 Nov 2005 14:15:07 -0500
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"or maybe i just spent all afternoon boxing and labeling my tube stash:"

I know what you mean... I have a stash of reeeally old TV and radio tubes
that I would someday like to trade for some nice tubes for my Silvertone
and maybe some tubes for my "waterfall" Philco shortwave.
~Tim Mungenast
www.mungenast.com
www.myspace/timmungenast


> [Original Message]
> From: Suit & Tie Guy <erwill@suitandtieguy.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/1/2005 10:08:00 PM
> Subject: Re: New Golden Age of Tubes Re: The End of Timeless Instruments?
(Craig Anderton editorial)
>
> On Nov 1, 2005, at 12:47 PM, Timothy Mungenast wrote:
> > Luckily we are in the New Golden Age of Tubes, with demand AND supply
> > rising, thanks to Russia and China.
>
> yeah but no one (not even the yugoslavs) are making tubes like Mullard 
> and Telefunken did. or old GE or Sylvania tubes.
>
> i've used new Svetlana 6550s in my Leslie, and taken them out to put 
> the 50 year old Tung Sols back in.
>
> but yes, there are a nice supply of new preamp, amp, and rectifier 
> tubes. now if someone can just add OC3 gas regulators and start making 
> them _well_ then we'll talk about a new golden age of tubes. new octal 
> preamp tubes would be nice but i don't see that ever happening.
>
> in the meantime, i'd call it "a period of plentiful supply and demand 
> of tubes" instead.
>
> but hey, maybe i'm juts a grumpy old man.
>
> or maybe i just spent all afternoon boxing and labeling my tube stash:
>
> http://suitandtieguy.com/sights/stg_workbench_102005a.jpg
> ---
> Eric Williamson
> www.suitandtieguy.com


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 19:23:39 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: coal-burning modems Re: Y2K5 mini review
Date: Wed, 2 Nov 2005 14:25:12 -0500
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Hear Hear!
I see all these enticing descriptions of great music and can't really
access any of it on my coal-burning dialup connection.
Waaaaah!
;-)
~Tim


> [Original Message]
> From: <Aptrev@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/2/2005 11:11:08 AM
> Subject: Re: Y2K5 mini review
>
>
> In a message dated 11/1/05 9:39:13 PM, looppool@cruzio.com writes:
>
> << my y2k5 piece for Halloween voice changer and plastic corrugated straw:
>
>
>  What an incredibly  haunting and bizarre piece of music. 
>
> Almost like a robotic alien pod of whales communicating over 
>
> vast distances of space using 8bit sonar frequences. Great!  >>
>
>
> Hi Rick!
>
> any chance you could put up somewhere a lo-fi clip of the piece for those
of 
> us with slow modems and cranky old near obsolete browsers?
>
> I'd love to hear it.
>
> cheers
>
> BobC
>
>
>
>
> http://www.cdbaby.com/rpcollier2
> http://www.cdbaby.com/rpcollier
> http://trundlebox.iuma.com
> http://tinyurl.com/cr25j


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 19:26:49 2005
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From: "Kris Hartung" <khartung@cableone.net>
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References: <1c5.3431845c.309a2dde@aol.com> <059e01c5dfda$ea5a7af0$52b0ec0f@americas.hpqcorp.net>
Subject: Re: Y2K5 Performance Recordings - Now Streaming!!!
Date: Wed, 2 Nov 2005 12:26:44 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_05B9_01C5DFA8.AF8388E0
Content-Type: text/plain;
	charset="iso-8859-1"
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I just opened a broadcast stream that will be playing all of the Y2k5 =
performances on the website continuously for the next 24 hours, at =
least.

http://216.12.162.58:9030/ (playing Rick's bizarre halloween toy piece =
right now.)

(Click on "Listen") =20

Heck, call it the Y2K5 radio station.

Kris


  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 02, 2005 11:26 AM
  Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


  Thanks, Ted!

  I just added those jump links. Plus, to Michael's request, I just =
found out from the box.net crew that they are working on a system that =
will stream all of the MP3s as one file. It will be available in two =
weeks.

  Kris


    ----- Original Message -----=20
    From: ArsOcarina@aol.com=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, November 02, 2005 7:57 AM
    Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


    Kris,

    In a message dated 11/2/05 6:09:37 AM, khartung@cableone.net writes:


      Today, I'll get around to creating a menu at the top of the web =
page with jump links.


    I must say, you efforts with all of this stuff have been truly =
amazing. Thank you,
    not just for myself, but for all of us who performed at Y2K5 and =
whose music
    you've uploaded and posted without any compensation whatsoever. You =
da man!

    Best regards,

    tEd =AE kiLLiAn

    PS: Dyslexia, Dysphasia, Dysplasia

    "Different is not always better, but better is always different"

    http://www.pfmentum.com/flux.html
    http://www.CDbaby.com/cd/tedkillian
    http://www.guitar9.com/fluxaeterna.html
    http://www.garageband.com/artist/ArsOcarina
    http://www.towerrecords.com/product.aspx?pfid=3D2845073
    http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
    http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

    Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
    BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
    AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
    RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
    and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

------=_NextPart_000_05B9_01C5DFA8.AF8388E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just opened a broadcast stream that =
will be=20
playing all of the Y2k5 performances on the website continuously for the =
next 24=20
hours, at least.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://216.12.162.58:9030/">http://216.12.162.58:9030/</A> =
(playing Rick's=20
bizarre halloween toy piece right now.)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>(Click on "Listen")&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Heck, call it the&nbsp;Y2K5 radio=20
station.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 11:26=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 Performance =
Recordings=20
  (new additions from Bill Walker)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks, Ted!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I just added those jump links. Plus, =
to Michael's=20
  request, I just found out from the box.net crew that they are working =
on a=20
  system that will stream all of the MP3s as one file. It will be =
available in=20
  two weeks.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3DArsOcarina@aol.com=20
    href=3D"mailto:ArsOcarina@aol.com">ArsOcarina@aol.com</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 7:57=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 Performance =

    Recordings (new additions from Bill Walker)</DIV>
    <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
    size=3D2 FAMILY=3D"SANSSERIF">Kris,<BR><BR>In a message dated =
11/2/05 6:09:37=20
    AM, <A =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
    writes:<BR><BR>
    <BLOCKQUOTE=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px"=20
    cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#0000ff =
size=3D2=20
      FAMILY=3D"SANSSERIF">Today, I'll get around to creating a menu at =
the top of=20
      the web page with jump links.</FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
      FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
    size=3D2 FAMILY=3D"SANSSERIF"><BR>I must say, you efforts with all =
of this stuff=20
    have been truly amazing. Thank you,<BR>not just for myself, but for =
all of=20
    us who performed at Y2K5 and whose music<BR>you've uploaded and =
posted=20
    without any compensation whatsoever. You da man!<BR></FONT><FONT =
face=3DGeneva=20
    color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR>Best =
regards,<BR><BR>tEd =AE=20
    kiLLiAn<BR><BR>PS: Dyslexia, Dysphasia, </FONT><FONT face=3DGeneva=20
    color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"><U>Dysplasia</U></FONT><FONT=20
    face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT=20
    face=3DGeneva color=3D#808080 size=3D2 =
FAMILY=3D"SANSSERIF">"Different is not always=20
    better, but better is always=20
    =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>Ted=20
    Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
    Rhapsody, MusicMatch, MusicNet, DiscLogic, =
Napster,<BR>AudioLunchbox,=20
    Lindows, QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, =
Sony=20
    Connect, CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. =
Blah,=20
    blah, blah. So???</FONT><FONT face=3DGeneva color=3D#000000 size=3D2 =

    FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></BLOCKQUOTE></FONT><FONT =
face=3DGeneva=20
color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_05B9_01C5DFA8.AF8388E0--


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 19:47:50 2005
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Message-ID: <20051102194746.3420.qmail@web81308.mail.yahoo.com>
Date: Wed, 2 Nov 2005 11:47:46 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: The End of Timeless Instruments? (Craig Anderton editorial)
To: Loopers-Delight@loopers-delight.com
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My bad.  I thought you were looking for that legendary
SID chip sound.

--- Travis Hartnett <travishartnett@gmail.com> wrote:

> The Sidstation looks to be a thousand dollar bit of
> dedicated hardware. I'm
> looking for a software emulator to run my C-64 music
> programs that supports
> MIDI in and out, for free.
>  TravisH
> 
>  On 11/1/05, mark sottilaro
> <zerocrossing2001@yahoo.com> wrote:
> >
> > I wonder what generation will have the arguement
> "Oh
> > it was so much better before we had direct to
> brain
> > implants to listen to music." I hope I'm there.
> >
> > Until then Travis, check out a Sidstation from
> > Elektron. I have their MONOMACHINE and I love it.
> > (also with C64 emulation) Expensive gear but so
> > quirky and cool, you'll dig it.
> >
> > Mark
> >
> > --- Travis Hartnett <travishartnett@gmail.com>
> wrote:
> >
> > > And then the Iron Curtain fell and tubes were
> > > plentiful. Plus, Chinese
> > > tubes. I'm not sure I can find a C64 emulator
> > > that'll run my old sequencer
> > > software and address my real-world MIDI port
> > > though...
> > > TravisH
> >
> >
> >
> > __________________________________
> > Yahoo! FareChase: Search multiple travel sites in
> one click.
> > http://farechase.yahoo.com
> >
> >
> 



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 20:00:17 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: New Golden Age of Tubes Re: The End of Timeless Instruments? (Craig Anderton editorial)
Date: Wed, 2 Nov 2005 14:00:06 -0600
To: Loopers-Delight@loopers-delight.com
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On Nov 2, 2005, at 1:15 PM, Timothy Mungenast wrote:
> that I would someday like to trade for some nice tubes for my 
> Silvertone
> and maybe some tubes for my "waterfall" Philco shortwave.

i don't do tube trades but all the tubes in that inventory are for sale.

i haven't put them on my ebay store yet because i haven't got a mutual 
conductance tube tester yet.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 20:11:22 2005
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: Y2K5 Performance Recordings (new additions from Bill Walker)
Date: Wed, 2 Nov 2005 21:11:06 +0100
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------=_NextPart_000_00AC_01C5DFF1.F18932A0
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	charset="us-ascii"
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 >  Plus, to Michael's request, I just found out from the box.net crew that
they are working on a system that will stream all of the MP3s as one file.
It will be available in two weeks. 
 
 
cool. Thanks bunches!!
 
Now I know that you've already put lots of work into this, so please, this
is not a feature request, but just in case you feel like setting up simple
http streaming yourself before those two weeks:
 
It should be possible to link to a simple m3u file, even now. Clicking this
link would launch an mp3 player in streaming mode. The file would look like
this:
 
#EXTM3U
#EXTINF:36,Andy Butler: Rick's Intro
http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
#EXTINF:395,Andy Butler: Kasaundi
http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
...
and so forth. The number behind EXTINF is the length in seconds.
 
I'd set the file up for you but I'd have to download all files first, to
find out the lengths in seconds. If you have them on your harddisk, you can
simply use Winamp and create a playlist which looks basically like the list
above - the files need an absolute address though (http://myweb ... and so
forth).
 
 
best,
 
-Michael
 
 
 

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	charset="us-ascii"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>&nbsp;&gt; &nbsp;</SPAN>Plus, to Michael's =
request, I=20
just found out from the box.net crew that they are working on a system =
that will=20
stream all of the MP3s as one file. It will be available in two =
weeks.<SPAN=20
class=3D843465619-02112005>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>cool. Thanks =
bunches!!</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>Now I know that you've already put lots of =
work into=20
this, so please, this is not a feature request, but just in case you =
feel like=20
setting up simple http streaming yourself before those two=20
weeks:</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>It should be possible to link to a simple m3u =
file,=20
even now. Clicking this link would launch an mp3 player in streaming =
mode. The=20
file would look like this:</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>#EXTM3U<BR>#EXTINF:36,Andy Butler: Rick's =
Intro<BR><A=20
href=3D"http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3">http://my=
web.tiscali.co.uk/mp3files/00-ricks-intro.mp3</A><BR>#EXTINF:395,Andy=20
Butler: Kasaundi<BR><A=20
href=3D"http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3">http://myweb=
.tiscali.co.uk/mp3files/01-kasaundi.mp3</A></SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D843465619-02112005>...</SPAN></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>and so forth.=20
The number behind EXTINF is the length in =
seconds.</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>I'd set the=20
file up for you but I'd have to download all files first, to find out =
the=20
lengths in seconds. If you have them on your harddisk, you can simply =
use Winamp=20
and create a playlist which looks basically like the list above - the =
files need=20
an absolute address though (<A href=3D"http://myweb">http://myweb</A> =
... and so=20
forth).</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT><FONT face=3DArial><FONT =

size=3D2><SPAN =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>best,</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005>-Michael</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV></BODY></HTML=
>

------=_NextPart_000_00AC_01C5DFF1.F18932A0--


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 20:11:53 2005
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Date: Wed, 02 Nov 2005 21:15:09 +0100
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Subject: Re: New Golden Age of Tubes The End of Timeless Instruments? (Craig Anderton editorial)
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Suit,

> yeah but no one (not even the yugoslavs) are making tubes like Mullard 
> and Telefunken did

Try some of the newer JJs (formerly Tesla). They're damn close and 
getting better with each batch!

See http://www.eurotubes.com/euro-r.htm to see how they're made. 

-- 

  Ian Petersen


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 20:17:05 2005
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From: "Kris Hartung" <khartung@cableone.net>
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References: <20051102201120.30B6F3BF0B@arsenic.violacea.com>
Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
Date: Wed, 2 Nov 2005 13:16:58 -0700
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How about the stream that I am broadcasting now....will that work? It is =
streaming from my hardrive, to winamp, and to the Shoutcast server.

Kris


  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Wednesday, November 02, 2005 1:11 PM
  Subject: RE: Y2K5 Performance Recordings (new additions from Bill =
Walker)


   >  Plus, to Michael's request, I just found out from the box.net crew =
that they are working on a system that will stream all of the MP3s as =
one file. It will be available in two weeks.=20


  cool. Thanks bunches!!

  Now I know that you've already put lots of work into this, so please, =
this is not a feature request, but just in case you feel like setting up =
simple http streaming yourself before those two weeks:

  It should be possible to link to a simple m3u file, even now. Clicking =
this link would launch an mp3 player in streaming mode. The file would =
look like this:

  #EXTM3U
  #EXTINF:36,Andy Butler: Rick's Intro
  http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
  #EXTINF:395,Andy Butler: Kasaundi
  http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
  ...
  and so forth. The number behind EXTINF is the length in seconds.

  I'd set the file up for you but I'd have to download all files first, =
to find out the lengths in seconds. If you have them on your harddisk, =
you can simply use Winamp and create a playlist which looks basically =
like the list above - the files need an absolute address though =
(http://myweb ... and so forth).


  best,

  -Michael



------=_NextPart_000_05FA_01C5DFAF.B4572CD0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>How about the stream that I am =
broadcasting=20
now....will that work? It is streaming from my hardrive, to winamp, and =
to the=20
Shoutcast server.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 1:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  (new additions from Bill Walker)</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>&nbsp;&gt; &nbsp;</SPAN>Plus, to Michael's =
request, I=20
  just found out from the box.net crew that they are working on a system =
that=20
  will stream all of the MP3s as one file. It will be available in two=20
  weeks.<SPAN =
class=3D843465619-02112005>&nbsp;</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>cool. Thanks =
bunches!!</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>Now I know that you've already put lots of =
work into=20
  this, so please, this is not a feature request, but just in case you =
feel like=20
  setting up simple http streaming yourself before those two=20
  weeks:</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>It should be possible to link to a simple =
m3u file,=20
  even now. Clicking this link would launch an mp3 player in streaming =
mode. The=20
  file would look like this:</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>#EXTM3U<BR>#EXTINF:36,Andy Butler: Rick's =
Intro<BR><A=20
  =
href=3D"http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3">http://my=
web.tiscali.co.uk/mp3files/00-ricks-intro.mp3</A><BR>#EXTINF:395,Andy=20
  Butler: Kasaundi<BR><A=20
  =
href=3D"http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3">http://myweb=
.tiscali.co.uk/mp3files/01-kasaundi.mp3</A></SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><SPAN=20
  class=3D843465619-02112005>...</SPAN></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>and so=20
  forth. The number behind EXTINF is the length in=20
  seconds.</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>I'd set the=20
  file up for you but I'd have to download all files first, to find out =
the=20
  lengths in seconds. If you have them on your harddisk, you can simply =
use=20
  Winamp and create a playlist which looks basically like the list above =
- the=20
  files need an absolute address though (<A =
href=3D"http://myweb">http://myweb</A>=20
  ... and so forth).</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
  size=3D2><SPAN =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>best,</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005>-Michael</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
  =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV></BLOCKQUOTE>=
</BODY></HTML>

------=_NextPart_000_05FA_01C5DFAF.B4572CD0--


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Subject: RE: Y2K5 Performance Recordings - Now Streaming!!!
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>I just opened a broadcast stream that will be playing all of the Y2k5
performances on the website continuously for the next 24 hours, at least.  
>  <http://216.12.162.58:9030/> http://216.12.162.58:9030/ (playing Rick's
bizarre halloween toy piece right now.) 
> (Click on "Listen")   
> Heck, call it the Y2K5 radio station. 
 
 
big fun!
 
 
-michael 

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D562105120-02112005>&gt;</SPAN>I just opened a broadcast stream =
that will=20
be playing all of the Y2k5 performances on the website continuously for =
the next=20
24 hours, at least.<SPAN=20
class=3D562105120-02112005>&nbsp;&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial size=3D2><SPAN=20
class=3D562105120-02112005>&gt;&nbsp;</SPAN></FONT><A=20
href=3D"http://216.12.162.58:9030/"><FONT face=3DArial color=3D#000000=20
size=3D2>http://216.12.162.58:9030/</FONT></A><FONT face=3DArial><FONT =
size=3D2>=20
(playing Rick's bizarre halloween toy piece right now.)<SPAN=20
class=3D562105120-02112005>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005>&gt;&nbsp;</SPAN></FONT></FONT></FONT><FONT =
face=3DArial=20
size=3D2>(Click on "Listen")&nbsp;&nbsp;<SPAN=20
class=3D562105120-02112005>&nbsp;</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005>&gt;&nbsp;</SPAN>Heck, call it the&nbsp;Y2K5 =
radio=20
station.<SPAN =
class=3D562105120-02112005>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005>big&nbsp;fun!</SPAN></FONT></FONT></FONT></DIV=
>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D562105120-02112005>-michael&nbsp;</SPAN></FONT></FONT></FONT></DI=
V></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 20:59:05 2005
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Subject: RE: Y2K5 Performance Recordings - Now Streaming!!!
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there's somebody playing like Hendrix (well, almost), with lots of Wah and
Phase Shifting and Reverb ... that you Kris?
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D562105120-02112005>there's somebody playing like Hendrix (well, =
almost),=20
with lots of Wah and Phase Shifting and Reverb ... that you=20
Kris?</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D562105120-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D562105120-02112005>-Michael</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 21:05:57 2005
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Date: Wed, 2 Nov 2005 13:05:55 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: coal-burning modems Re: Y2K5 mini review
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Patience, O Unstableboy!

I too am modem-bound (46.6 Kbps at this moment, which
is much better than it usually connects) and have
downloaded over half of what Kris has posted so far.
(Woulda been more, but I had to go to work and
stuff...)

Right now, I'm downloading a 69.3 meg file from
listmember Peter Koniuto; I'm over 10% so far, and by
the time I get back from dinner, it should be just
about done.

-t-

--- Timothy Mungenast <mungenast@earthlink.net> wrote:

> Hear Hear!
> I see all these enticing descriptions of great music
> and can't really
> access any of it on my coal-burning dialup
> connection.
> Waaaaah!
> ;-)
> ~Tim


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 21:16:50 2005
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To: <Loopers-Delight@loopers-delight.com>
References: <20051102205904.DA2FD3BF57@arsenic.violacea.com>
Subject: Re: Y2K5 Performance Recordings - Now Streaming!!!
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Could be Ted....playing now. Before that it was Stanosaur.

Kris

  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Wednesday, November 02, 2005 1:58 PM
  Subject: RE: Y2K5 Performance Recordings - Now Streaming!!!


  there's somebody playing like Hendrix (well, almost), with lots of Wah =
and Phase Shifting and Reverb ... that you Kris?

  -Michael

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Could be Ted....playing now. Before =
that it was=20
Stanosaur.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 1:58=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  - Now Streaming!!!</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D562105120-02112005>there's somebody playing like Hendrix =
(well, almost),=20
  with lots of Wah and Phase Shifting and Reverb ... that you=20
  Kris?</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D562105120-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D562105120-02112005>-Michael</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0614_01C5DFB8.0BE76DE0--


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 21:35:13 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: coal-burning modems Re: Y2K5 mini review
Date: Wed, 2 Nov 2005 16:36:45 -0500
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Dear G*d, you are a patient man. I will give it another shot...maybe that
modified Indian flute overtone file...
~T 


> [Original Message]
> From: Tim Nelson <psychle62@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/2/2005 4:05:57 PM
> Subject: Re: coal-burning modems Re: Y2K5 mini review
>
> Patience, O Unstableboy!
>
> I too am modem-bound (46.6 Kbps at this moment, which
> is much better than it usually connects) and have
> downloaded over half of what Kris has posted so far.
> (Woulda been more, but I had to go to work and
> stuff...)
>
> Right now, I'm downloading a 69.3 meg file from
> listmember Peter Koniuto; I'm over 10% so far, and by
> the time I get back from dinner, it should be just
> about done.
>
> -t-
>
> --- Timothy Mungenast <mungenast@earthlink.net> wrote:
>
> > Hear Hear!
> > I see all these enticing descriptions of great music
> > and can't really
> > access any of it on my coal-burning dialup
> > connection.
> > Waaaaah!
> > ;-)
> > ~Tim
>
>
> 	
> 		
> __________________________________ 
> Yahoo! Mail - PC Magazine Editors' Choice 2005 
> http://mail.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Wed Nov  2 22:48:02 2005
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From: "Diana Thompson" <pushingair@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: AW: Introducing...
Date: Wed, 02 Nov 2005 14:47:59 -0800
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<html><div style='background-color:'><P>The looping scheme you outline is *exactly* what I want to do but with more loops.&nbsp;Imagine your scheme except multiply&nbsp;each loop by&nbsp;three. </P>
<P>What&nbsp;I'm grasping from you is that you can only loop four&nbsp;phrases simulaneously on for each track. The spec at <A href="http://www.electrixpro.com/products/repeater.html">http://www.electrixpro.com/products/repeater.html</A>&nbsp;says "Repeater can have up to 999 loops with 4 tracks per loop." Shouldn't I be able to overdub phrases on each track and remove each track, each group of loops,&nbsp;from the mix on the fly. </P>
<P>Am I cloudy-headed? </P>
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<P>From: <I>"Rainer Thelonius Balthasar Straschill" &lt;rs@moinlabs.de&gt;</I><BR>Reply-To: <I>Loopers-Delight@loopers-delight.com</I><BR>To: <I>&lt;Loopers-Delight@loopers-delight.com&gt;</I><BR>Subject: <I>AW: Introducing...</I><BR>Date: <I>Sat, 29 Oct 2005 12:13:53 +0200</I><BR><BR></P>
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<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>PA,</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>what do you mean by "removing selected loops after adding them"? Do you think about something like this:</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Step 1: record loop1 - loop1 playing</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Step 2:&nbsp;record loop2 - loop1+2 playing</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Step 3: record loop 3 - loop1+2+3 playing</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Step 4: remove loop 2 - loop1+3 playing</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>If that is what you want to do, the only hardware solution that comes to my mind would be a multi-track looper -&gt; the Repeater. However, you'd be limited to four loops you could bring in and out at will.</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Judging from the few song of you I listened to, the Repeater seems a very interesting choice for you, because it also offers independent pitch-shifting on all four tracks (and this in surprising quality).</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>On the downside, the Repeater is rather pricey, and we're still waiting for the Repeater V2. And from what I read about it, I wouldn't second the "the Repeater does everything you need" statement, as with the V2 you still seem to have the problem that you can't go into overdub right away.</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>(Meaning: starting a loop and recording, closing the loop and immediately start overdubbing from the beginning is not possible. Workaround: you have to either record an empty loop and then overdub into it. This is acceptable for some people (e.g. people who know in advance how long their loops is gonna be.)</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2>Perhaps you should give the laptop idea a second thought...</FONT></SPAN></DIV>
<DIV><SPAN class=027160210-29102005><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=027160210-29102005>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT face=Arial color=#0000ff size=2>Rainer</FONT></SPAN></DIV>
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<DIV class=OutlookMessageHeader lang=de dir=ltr align=left><FONT face=Tahoma size=2>-----Ursprüngliche Nachricht-----<BR><B>Von:</B> Diana Thompson [mailto:pushingair@hotmail.com] <BR><B>Gesendet:</B> Freitag, 28. Oktober 2005 22:32<BR><B>An:</B> Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re: Introducing...<BR><BR></FONT></DIV>
<DIV>
<P>Thank y'all for your support. <BR><BR>I have a minimal setup: Boss Loopstation, Boss Digital Delay, and a Behringer mixer. I'm thinking about upgrading sometime soon. I really want to be able to remove select loops after adding them. The only way to do that with the Loopstation is to presave the loops I want to keep. I really want to keep my looping all live. I also want to run my set continuously from beginning to end. I don't want to put live loops down,&nbsp;stop and&nbsp;save them, and then go on with the set. But for now, my setup works well. </P>
<P>OK, while I'm on it. Any recommendations for that upgrade? Coming from the setup I've got, I'm not going to jump up to a laptop with Ableton. Considering what I want to do and want to do, what's my next step up? </P>
<P>Thanks'm, </P>
<P>PA</P>
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From: <I>daniel stevenson &lt;stillllscary@yahoo.com&gt;</I><BR>Reply-To: <I>Loopers-Delight@loopers-delight.com</I><BR>To: <I>Loopers-Delight@loopers-delight.com</I><BR>Subject: <I>Re: Introducing...</I><BR>Date: <I>Wed, 26 Oct 2005 22:40:39 -0700 (PDT)</I><BR><BR></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #a0c6e5 2px solid; MARGIN-RIGHT: 0px">
<DIV>howdy diana.</DIV>
<DIV>cool jams ya got there.what kind of gear are you using?...these folks can answer anything&nbsp; or point ya in the right direction thats 4sure,amazing technical resources abound,my field of knowlege is primarilly nonsensical whimsey...but,its what i do best.</DIV>
<DIV>welcome to the collective...ressistance is futile!!!</DIV>
<DIV>boat drinks...danny///scary visionary.</DIV>
<DIV><BR><BR><B><I>Diana Thompson &lt;pushingair@hotmail.com&gt;</I></B> wrote:</DIV>
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<DIV>
<P>Greetings, </P>
<P>I'm new this list and fairly new to looping. My music is based out of jazz, blues, and African traditions. I use only voice, a delay pedal, and a looping pedal. My favorite recent comment: "Reminds me a little of Meredith Monk, but with more substance." </P>
<P>I've uploaded files from some recent live shows.&nbsp;Please take a listen to some of my tracks when you get a chance&nbsp;and let me know your impressions. <BR><BR><A href="http://www.pushingair.com/music">www.pushingair.com/music</A></P>
<P>Thanks! </P>
<P><FONT face="Arial Black, Geneva, Arial, Sans-serif" size=3>Pushing Air<BR></FONT><FONT face="Geneva, Arial, Sans-serif"><STRONG>Diana Thompson</STRONG><BR>Vocalist, Composer, Improvisor<BR></FONT><A href="http://www.pushingair.com/"><FONT face="Geneva, Arial, Sans-serif">www.pushingair.com</FONT></A></P></DIV><BR clear=all>
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1c5.3431845c.309a2dde@aol.com> <059e01c5dfda$ea5a7af0$52b0ec0f@americas.hpqcorp.net> <05bc01c5dfe3$5cc790c0$52b0ec0f@americas.hpqcorp.net>
Subject: Re: Y2K5 Performance Recordings - Now Streaming!!!
Date: Wed, 2 Nov 2005 18:28:49 -0700
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My notebook was down for an hour or so, but is up now and the stream is =
active again. Now playing material from Zurrigo.

Kris

  ----- Original Message -----=20


  I just opened a broadcast stream that will be playing all of the Y2k5 =
performances on the website continuously for the next 24 hours, at =
least.

  http://216.12.162.58:9030/=20
  (Click on "Listen") =20

  Heck, call it the Y2K5 radio station.

  Kris


    ----- Original Message -----=20
    From: Kris Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, November 02, 2005 11:26 AM
    Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


    Thanks, Ted!

    I just added those jump links. Plus, to Michael's request, I just =
found out from the box.net crew that they are working on a system that =
will stream all of the MP3s as one file. It will be available in two =
weeks.

    Kris


      ----- Original Message -----=20
      From: ArsOcarina@aol.com=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Wednesday, November 02, 2005 7:57 AM
      Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


      Kris,

      In a message dated 11/2/05 6:09:37 AM, khartung@cableone.net =
writes:


        Today, I'll get around to creating a menu at the top of the web =
page with jump links.


      I must say, you efforts with all of this stuff have been truly =
amazing. Thank you,
      not just for myself, but for all of us who performed at Y2K5 and =
whose music
      you've uploaded and posted without any compensation whatsoever. =
You da man!

      Best regards,

      tEd =AE kiLLiAn

      PS: Dyslexia, Dysphasia, Dysplasia

      "Different is not always better, but better is always different"

      http://www.pfmentum.com/flux.html
      http://www.CDbaby.com/cd/tedkillian
      http://www.guitar9.com/fluxaeterna.html
      http://www.garageband.com/artist/ArsOcarina
      http://www.towerrecords.com/product.aspx?pfid=3D2845073
      http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
      http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

      Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
      BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
      AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
      RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
      and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>My notebook&nbsp;was down for an hour =
or so, but is=20
up now and the stream is active again. Now playing material from=20
Zurrigo.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I just opened a broadcast stream that =
will be=20
  playing all of the Y2k5 performances on the website continuously for =
the next=20
  24 hours, at least.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  href=3D"http://216.12.162.58:9030/">http://216.12.162.58:9030/</A> =
</FONT><FONT=20
  face=3DArial size=3D2></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>(Click on "Listen")&nbsp; =
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Heck, call it the&nbsp;Y2K5 radio=20
  station.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005=20
    11:26 AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 Performance =

    Recordings (new additions from Bill Walker)</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Thanks, Ted!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>I just added those jump links. =
Plus, to=20
    Michael's request, I just found out from the box.net crew that they =
are=20
    working on a system that will stream all of the MP3s as one file. It =
will be=20
    available in two weeks.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3DArsOcarina@aol.com=20
      href=3D"mailto:ArsOcarina@aol.com">ArsOcarina@aol.com</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November =
02, 2005=20
      7:57 AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 =
Performance=20
      Recordings (new additions from Bill Walker)</DIV>
      <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
      size=3D2 FAMILY=3D"SANSSERIF">Kris,<BR><BR>In a message dated =
11/2/05 6:09:37=20
      AM, <A =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
      writes:<BR><BR>
      <BLOCKQUOTE=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px"=20
      cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#0000ff =
size=3D2=20
        FAMILY=3D"SANSSERIF">Today, I'll get around to creating a menu =
at the top=20
        of the web page with jump links.</FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT =
face=3DGeneva=20
      color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR>I must say, you =
efforts with=20
      all of this stuff have been truly amazing. Thank you,<BR>not just =
for=20
      myself, but for all of us who performed at Y2K5 and whose =
music<BR>you've=20
      uploaded and posted without any compensation whatsoever. You da=20
      man!<BR></FONT><FONT face=3DGeneva color=3D#000000 size=3D2=20
      FAMILY=3D"SANSSERIF"><BR>Best regards,<BR><BR>tEd =AE =
kiLLiAn<BR><BR>PS:=20
      Dyslexia, Dysphasia, </FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
      FAMILY=3D"SANSSERIF"><U>Dysplasia</U></FONT><FONT face=3DGeneva =
color=3D#000000=20
      size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#808080=20
      size=3D2 FAMILY=3D"SANSSERIF">"Different is not always better, but =
better is=20
      always=20
      =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>Ted=20
      Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
      Rhapsody, MusicMatch, MusicNet, DiscLogic, =
Napster,<BR>AudioLunchbox,=20
      Lindows, QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, =
Sony=20
      Connect, CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, =
yadda. Blah,=20
      blah, blah. So???</FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
      =
FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></FONT><F=
ONT=20
face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_0024_01C5DFDB.44D32F90--


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 02:22:48 2005
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From: "jondrums" <jondrums@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: looping in movie scores
Date: Wed, 2 Nov 2005 18:22:46 -0800
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I had heard the great news that Andre's music made it to the score of a few 
feature films, but I promptly forgot which.  Last night I saw "Weather Man" 
which is a recently released movie in theatres now.  There were so many 
creative "Lafosse-EDP-like" sounds in the score that I was completely 
convinced this was Andre's work.  It turns out now that I look at Andre's 
site, this wasn't him, but it was interesting to hear this style coming to 
the mainstream.
Jon

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 03:12:10 2005
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     Au contrare, each of the Repeater's volume faders for each channel have next to them a series
of 8 LED's indicating channel activity.  Now that's neither here nor there, except to say that for
my uses and experience, I've been able to use this LED activity to comprehend what I've laid down
on each track.  In the heat of performance as well...

     Stephen


> From: Travis Hartnett <travishartnett@gmail.com>

> If I'm reading this correctly, you'd have four individually mutable
> channels, i.e. tracks. Each track could have oodles of overdubs and would be
> "looping". The overall audio event of whatever those four tracks contain
> (including silence for unused or muted tracks) is what Electrix refers to as
> a "loop". In their parlance, a loop is comprised of up to four tracks, which
> are made up of any number of overdubs.
> 
> The trick is keeping track of what's where in the heat of performance, since
> you won't have any visual reference as to what's on each channel/track.
> 
> TravisH


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 06:09:51 2005
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On Wed, 2 Nov 2005, jondrums wrote:

> I had heard the great news that Andre's music made it to the score of a few 
> feature films, but I promptly forgot which.

_Two For the Money_ was one.

regards,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 06:53:09 2005
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HI

If you're looking for algorithms who don't work very well ( the tempo move 
), go to see the delays and glide hall algorithms on the lexicon PCM 80.
It's possible to start and to stop an audio signal with a volume pédal, but 
the tempo quickly move. Whenever, if you find a way to make algorithm for a 
stéréo loop, with a very precise tempo on a hardware gear ( like 121,35 ) 
you can win the bingo.

Good Luck

Daniel Brothier


>From: Jan-willem De Bleser <Jan-Willem.DeBleser@esat.kuleuven.be>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Looping algorithms
>Date: Tue, 1 Nov 2005 17:52:28 +0100 (CET)
>
>Hi everybody,
>
>My name's Jan-willem and I'm an engineering student. I'm doing research for 
>a project on automatic and seamless looping algorithms found in DSP 
>hardware and software and was wondering if anyone here could help point me 
>in the right direction. I'm looking for information on the techniques to 
>automatically place the beginning and end of loops as well as covering up 
>and eliminating the transition. Any help you can give me is greatly 
>appreciated, and I hope I'm not posting too far off topic.
>
>Thanks
>Jw
>
>Disclaimer: http://www.kuleuven.be/cwis/email_disclaimer.htm
>

_________________________________________________________________
2 Go de stockage avec MSN Hotmail Plus ! 
http://join2.msn.com/?pgmarket=fr-fr&page=hotmail/es2&DI=81&XAPID=3940&SU=&HL=hpleftslot

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 06:55:14 2005
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Subject: RE: Y2K5 Performance Recordings (new additions from Bill Walker)
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> From: Kris Hartung [mailto:khartung@cableone.net] 
> How about the stream that I am broadcasting now....will that work? It is
streaming from my hardrive, to winamp, and to the Shoutcast server. 
 
 
this is a different animal (and Shoutcast seems to be down right now). If
you set up an m3u link, you wouldn't have a continuous (and anonymous) radio
kind of stream but an individual stream that would always start with the
first track, and you could see each track in your player, with info, and
fast forward to the next if you want. See the ct-collective.com site, and
click "stream this album" for one of the projects.
 
-Michael
 
 

----- Original Message ----- 
From: Michael Peters <mailto:mp@mpeters.de>  
To: Loopers Delight <mailto:Loopers-Delight@loopers-delight.com>  
Sent: Wednesday, November 02, 2005 1:11 PM
Subject: RE: Y2K5 Performance Recordings (new additions from Bill Walker)

 >  Plus, to Michael's request, I just found out from the box.net crew that
they are working on a system that will stream all of the MP3s as one file.
It will be available in two weeks. 
 
 
cool. Thanks bunches!!
 
Now I know that you've already put lots of work into this, so please, this
is not a feature request, but just in case you feel like setting up simple
http streaming yourself before those two weeks:
 
It should be possible to link to a simple m3u file, even now. Clicking this
link would launch an mp3 player in streaming mode. The file would look like
this:
 
#EXTM3U
#EXTINF:36,Andy Butler: Rick's Intro
http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
#EXTINF:395,Andy Butler: Kasaundi
http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
...
and so forth. The number behind EXTINF is the length in seconds.
 
I'd set the file up for you but I'd have to download all files first, to
find out the lengths in seconds. If you have them on your harddisk, you can
simply use Winamp and create a playlist which looks basically like the list
above - the files need an absolute address though (http://myweb ... and so
forth).
 
 
best,
 
-Michael
 
 
 


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D609215006-03112005><FONT=20
face=3DArial>&gt;&nbsp;</FONT></SPAN><STRONG>From:</STRONG> Kris Hartung =

[mailto:khartung@cableone.net]&nbsp;<BR></FONT></FONT><FONT =
face=3DArial><FONT=20
size=3D2><SPAN class=3D609215006-03112005><FONT=20
face=3DTahoma>&gt;</FONT>&nbsp;</SPAN>How about the stream that I am =
broadcasting=20
now....will that work? It is streaming from my hardrive, to winamp, and =
to the=20
Shoutcast server.<SPAN=20
class=3D609215006-03112005>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005>this is a different animal (and Shoutcast =
seems to be=20
down right now). If you set up an m3u link, you wouldn't have a =
continuous (and=20
anonymous) radio kind of stream but an individual&nbsp;stream that would =
always=20
start with the first track, and you could see each track in your player, =
with=20
info, and fast forward to the next if you want. See the =
ct-collective.com site,=20
and click&nbsp;"stream this album" for one of the=20
projects.</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005>-Michael</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609215006-03112005>&nbsp;</SPAN></FONT></FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 1:11=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =

    Recordings (new additions from Bill Walker)</DIV>
    <DIV><BR></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>&nbsp;&gt; &nbsp;</SPAN>Plus, to =
Michael's request,=20
    I just found out from the box.net crew that they are working on a =
system=20
    that will stream all of the MP3s as one file. It will be available =
in two=20
    weeks.<SPAN =
class=3D843465619-02112005>&nbsp;</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>cool. Thanks =
bunches!!</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>Now I know that you've already put lots =
of work=20
    into this, so please, this is not a feature request, but just in =
case you=20
    feel like setting up simple http streaming yourself before those two =

    weeks:</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>It should be possible to link to a simple =
m3u file,=20
    even now. Clicking this link would launch an mp3 player in streaming =
mode.=20
    The file would look like this:</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>#EXTM3U<BR>#EXTINF:36,Andy Butler: Rick's =

    Intro<BR><A=20
    =
href=3D"http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3">http://my=
web.tiscali.co.uk/mp3files/00-ricks-intro.mp3</A><BR>#EXTINF:395,Andy=20
    Butler: Kasaundi<BR><A=20
    =
href=3D"http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3">http://myweb=
.tiscali.co.uk/mp3files/01-kasaundi.mp3</A></SPAN></FONT></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN=20
    class=3D843465619-02112005>...</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>and so=20
    forth. The number behind EXTINF is the length in=20
    seconds.</SPAN></FONT></FONT></DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>I'd set=20
    the file up for you but I'd have to download all files first, to =
find out=20
    the lengths in seconds. If you have them on your harddisk, you can =
simply=20
    use Winamp and create a playlist which looks basically like the list =
above -=20
    the files need an absolute address though (<A=20
    href=3D"http://myweb">http://myweb</A> ... and so=20
    forth).</SPAN></FONT></FONT></DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
    size=3D2><SPAN =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>best,</SPAN></FONT></FONT></DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005>-Michael</SPAN></FONT></FONT></DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
    =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV></BLOCKQUOTE>=
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0034_01C5E04B.D22ADA80--


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 07:02:08 2005
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Date: Wed, 2 Nov 2005 23:02:06 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: RE: Y2K5 Performance Recordings 
To: Loopers-Delight@loopers-delight.com
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Hey guys congratulations to all of you,you all sound
great!
cheers
Luis




--- Michael Peters <mp@mpeters.de> wrote:

> > From: Kris Hartung [mailto:khartung@cableone.net] 
> > How about the stream that I am broadcasting
> now....will that work? It is
> streaming from my hardrive, to winamp, and to the
> Shoutcast server. 
>  
>  
> this is a different animal (and Shoutcast seems to
> be down right now). If
> you set up an m3u link, you wouldn't have a
> continuous (and anonymous) radio
> kind of stream but an individual stream that would
> always start with the
> first track, and you could see each track in your
> player, with info, and
> fast forward to the next if you want. See the
> ct-collective.com site, and
> click "stream this album" for one of the projects.
>  
> -Michael
>  
>  
> 
> ----- Original Message ----- 
> From: Michael Peters <mailto:mp@mpeters.de>  
> To: Loopers Delight
> <mailto:Loopers-Delight@loopers-delight.com>  
> Sent: Wednesday, November 02, 2005 1:11 PM
> Subject: RE: Y2K5 Performance Recordings (new
> additions from Bill Walker)
> 
>  >  Plus, to Michael's request, I just found out
> from the box.net crew that
> they are working on a system that will stream all of
> the MP3s as one file.
> It will be available in two weeks. 
>  
>  
> cool. Thanks bunches!!
>  
> Now I know that you've already put lots of work into
> this, so please, this
> is not a feature request, but just in case you feel
> like setting up simple
> http streaming yourself before those two weeks:
>  
> It should be possible to link to a simple m3u file,
> even now. Clicking this
> link would launch an mp3 player in streaming mode.
> The file would look like
> this:
>  
> #EXTM3U
> #EXTINF:36,Andy Butler: Rick's Intro
>
http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
> #EXTINF:395,Andy Butler: Kasaundi
> http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
> ...
> and so forth. The number behind EXTINF is the length
> in seconds.
>  
> I'd set the file up for you but I'd have to download
> all files first, to
> find out the lengths in seconds. If you have them on
> your harddisk, you can
> simply use Winamp and create a playlist which looks
> basically like the list
> above - the files need an absolute address though
> (http://myweb ... and so
> forth).
>  
>  
> best,
>  
> -Michael
>  
>  
>  
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
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From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 09:03:19 2005
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From: "Ben" <benoitruelle@yahoo.fr>
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References: <dec8f8e60510291927p6c91923i6d256f9fd1b50657@mail.gmail.com> <36BFD3B3-46BE-4E8C-87D1-CE07170773C9@boysen.se> <dec8f8e60510300945i3be1330bt1629df5ecdb06e07@mail.gmail.com> <E9E8DD7A-0729-4B89-925A-BC58420A1683@charter.net>
Subject: Re: Digitech Jam Man
Date: Thu, 3 Nov 2005 10:03:17 +0100
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>From audiofanzine.fr:

xml exemple: "Loop 22211 2 1 Stop" 

The number in the song setup file for tempo is in Samples/beat.  Since 
the JamMan runs at 44100, the calculation is 60*44100/BPM, or 
2646000/BPM.  So the correct value for 100 BPM is 2646000/100 = 26460. 

It's a start ;-)

Ben.


----- Original Message ----- 
From: "Kelly Coyle" <kellycoyle@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 30, 2005 6:53 PM
Subject: Re: Digitech Jam Man


> What an interesting idea! I wonder if DigiTech wouldn't just give you  
> the file structure -- it adds value to the box, after all. You could  
> use the thing like a weird little sampler... If you figure this out,  
> don't keep it a secret.
> 
> 
> 
> 
> On Oct 30, 2005, at 11:45 AM, Dennis Moser wrote:
> 
>> Well, I've read through everything I could find in the archives
>> (searching both "Jamman" and "Jam Man"), but nothing to indicate that
>> anyone has looked at what I am trying to research on this box.
>>
>> The discussion about the perceived market for this device are
>> revealing: the traditional loopers tools are, by comparison, pricey, a
>> little antiquated, and have limited storage capacity, due to the
>> existing technology (now, don't jump on me...I own a Lexicon Vortex
>> and have two more coming). One area where this box seems to be able to
>> do a good job is allowing a performer to load up looops in advance,
>> take them in to a performance and play "against" them.
>>
>> And therein lie my questions: has anyone tried hacking the XML files
>> that the box generates with each WAV file that together comprise your
>> loop? The XML files contain parameters such as rhythm and time...and
>> since these can be edited with a text editor such as BBEdit, I'm
>> trying to understand if I can perform a kind of "post-loooping" hack
>> on them. I have, in the first 24 hours with this box, already done
>> this with the WAV file, taking a simple guitar riff, running it
>> through a bit of software to reverse it, saved it back as a
>> now-reversed loop and had it run just fine on the box. (Actually did
>> it in the first 15 minutes with it out of the box!)
>>
>> And as I sit here, listening to Steve Roach's "Structures from
>> Silence", I'm sure I'm asking for trouble from this sage group!
>>
>> Dennis Moser
>>
>> The next goal is to see if I can now control other parameters stored
>> inthe XML files...
>>
>> On 10/30/05, Per Boysen <per@boysen.se> wrote:
>>
>>> On Oct 30, 2005, at 3:27, Dennis Moser wrote:
>>>
>>>
>>>> Just checked the archives of the list and the last discussion about
>>>> this box was in July...has anyone bought one of these yet and had a
>>>> chance to experiment with it?
>>>>
>>>> Thanks!
>>>>
>>>> Dennis Moser
>>>>
>>>
>>>
>>> I have one by me fore while to test it for reviewing in a mag. I just
>>> briefly plugged in an hour yesterday and need more time with the
>>> device before I can judge it. I will get that time in exactly one
>>> week from today. But the first impression I got is that the Jam Man
>>> is not addressing people that want to PLAY looping music as much as
>>> it addresses people that want to rehearse technical playing skills
>>> over a background.
>>>
>>> ings from Sweden
>>>
>>> Per Boysen
>>> www.looproom.com (international)
>>> www.boysen.se (Swedish)
>>> --->  iTunes Music Store (digital)
>>> www.cdbaby.com/perboysen
>>>
>>>
>>>
>>>
>>
>

	

	
		
___________________________________________________________________________ 
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Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 11:29:36 2005
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	Ambient Hyperreal List <ambient@hyperreal.org>
Subject: Listen to Afterglow, Galactic Travels, and the AM/FM Show
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight on Galactic Travels, I'll begin a month-long Special Focus on 
Lambert,
who is a German synthesist in the retro Berlin School style.  The 
Featured CD at
Midnight will be "Inside Out" on Spheric Music.  The Vinyl Starter will 
be from
the LP "Allez-Teia" by Heldon on Disjuncta Records and released in 
1975.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2005/focus05.html#nov

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.


THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be this Saturday, November 5 at 
6:00 am.  I
will continue the special on E-dition Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 14:06:52 2005
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Message-ID: <dec8f8e60511030606uf045c3bnb2c365db64d1d556@mail.gmail.com>
Date: Thu, 3 Nov 2005 08:06:48 -0600
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Digitech Jam Man
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	 <36BFD3B3-46BE-4E8C-87D1-CE07170773C9@boysen.se>
	 <dec8f8e60510300945i3be1330bt1629df5ecdb06e07@mail.gmail.com>
	 <E9E8DD7A-0729-4B89-925A-BC58420A1683@charter.net>
	 <00c201c5e055$6e4e14a0$9548c955@Ruelle2>
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Ben,

EXCELLENT! Thanks for the starting point...

Dennis

On 11/3/05, Ben <benoitruelle@yahoo.fr> wrote:
> From audiofanzine.fr:
>
> xml exemple: "Loop 22211 2 1 Stop"
>
> The number in the song setup file for tempo is in Samples/beat.  Since
> the JamMan runs at 44100, the calculation is 60*44100/BPM, or
> 2646000/BPM.  So the correct value for 100 BPM is 2646000/100 =3D 26460.
>
> It's a start ;-)
>
> Ben.
>
>
> ----- Original Message -----
> From: "Kelly Coyle" <kellycoyle@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, October 30, 2005 6:53 PM
> Subject: Re: Digitech Jam Man
>
>
> > What an interesting idea! I wonder if DigiTech wouldn't just give you
> > the file structure -- it adds value to the box, after all. You could
> > use the thing like a weird little sampler... If you figure this out,
> > don't keep it a secret.
> >
> >
> >
> >
> > On Oct 30, 2005, at 11:45 AM, Dennis Moser wrote:
> >
> >> Well, I've read through everything I could find in the archives
> >> (searching both "Jamman" and "Jam Man"), but nothing to indicate that
> >> anyone has looked at what I am trying to research on this box.
> >>
> >> The discussion about the perceived market for this device are
> >> revealing: the traditional loopers tools are, by comparison, pricey, a
> >> little antiquated, and have limited storage capacity, due to the
> >> existing technology (now, don't jump on me...I own a Lexicon Vortex
> >> and have two more coming). One area where this box seems to be able to
> >> do a good job is allowing a performer to load up looops in advance,
> >> take them in to a performance and play "against" them.
> >>
> >> And therein lie my questions: has anyone tried hacking the XML files
> >> that the box generates with each WAV file that together comprise your
> >> loop? The XML files contain parameters such as rhythm and time...and
> >> since these can be edited with a text editor such as BBEdit, I'm
> >> trying to understand if I can perform a kind of "post-loooping" hack
> >> on them. I have, in the first 24 hours with this box, already done
> >> this with the WAV file, taking a simple guitar riff, running it
> >> through a bit of software to reverse it, saved it back as a
> >> now-reversed loop and had it run just fine on the box. (Actually did
> >> it in the first 15 minutes with it out of the box!)
> >>
> >> And as I sit here, listening to Steve Roach's "Structures from
> >> Silence", I'm sure I'm asking for trouble from this sage group!
> >>
> >> Dennis Moser
> >>
> >> The next goal is to see if I can now control other parameters stored
> >> inthe XML files...
> >>
> >> On 10/30/05, Per Boysen <per@boysen.se> wrote:
> >>
> >>> On Oct 30, 2005, at 3:27, Dennis Moser wrote:
> >>>
> >>>
> >>>> Just checked the archives of the list and the last discussion about
> >>>> this box was in July...has anyone bought one of these yet and had a
> >>>> chance to experiment with it?
> >>>>
> >>>> Thanks!
> >>>>
> >>>> Dennis Moser
> >>>>
> >>>
> >>>
> >>> I have one by me fore while to test it for reviewing in a mag. I just
> >>> briefly plugged in an hour yesterday and need more time with the
> >>> device before I can judge it. I will get that time in exactly one
> >>> week from today. But the first impression I got is that the Jam Man
> >>> is not addressing people that want to PLAY looping music as much as
> >>> it addresses people that want to rehearse technical playing skills
> >>> over a background.
> >>>
> >>> ings from Sweden
> >>>
> >>> Per Boysen
> >>> www.looproom.com (international)
> >>> www.boysen.se (Swedish)
> >>> --->  iTunes Music Store (digital)
> >>> www.cdbaby.com/perboysen
> >>>
> >>>
> >>>
> >>>
> >>
> >
>
>
>
>
>
> _________________________________________________________________________=
__
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenge=
r
> T=E9l=E9chargez cette version sur http://fr.messenger.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 15:39:57 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20051103065512.6B8283BF1C@arsenic.violacea.com>
Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
Date: Thu, 3 Nov 2005 08:39:48 -0700
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------=_NextPart_000_0081_01C5E052.26A36630
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	charset="iso-8859-1"
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I understand now. Yes, this will require some work. Right now, box.net =
is not setup for me to link directly to a static MP3 URL...unless a URL =
like this would work: =
http://box.net/index.php?rm=3Ddownload_shared&file_id=3D987792

Hey, I just tried the above url in an m3u file and it works!!! I'll get =
one started today, and then start adding the minute details...it works =
without that, just with the URLs in the m3u file.

Kris


  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Wednesday, November 02, 2005 11:54 PM
  Subject: RE: Y2K5 Performance Recordings (new additions from Bill =
Walker)


  > From: Kris Hartung [mailto:khartung@cableone.net]=20
  > How about the stream that I am broadcasting now....will that work? =
It is streaming from my hardrive, to winamp, and to the Shoutcast =
server.=20


  this is a different animal (and Shoutcast seems to be down right now). =
If you set up an m3u link, you wouldn't have a continuous (and =
anonymous) radio kind of stream but an individual stream that would =
always start with the first track, and you could see each track in your =
player, with info, and fast forward to the next if you want. See the =
ct-collective.com site, and click "stream this album" for one of the =
projects.

  -Michael


      ----- Original Message -----=20
      From: Michael Peters=20
      To: Loopers Delight=20
      Sent: Wednesday, November 02, 2005 1:11 PM
      Subject: RE: Y2K5 Performance Recordings (new additions from Bill =
Walker)


       >  Plus, to Michael's request, I just found out from the box.net =
crew that they are working on a system that will stream all of the MP3s =
as one file. It will be available in two weeks.=20


      cool. Thanks bunches!!

      Now I know that you've already put lots of work into this, so =
please, this is not a feature request, but just in case you feel like =
setting up simple http streaming yourself before those two weeks:

      It should be possible to link to a simple m3u file, even now. =
Clicking this link would launch an mp3 player in streaming mode. The =
file would look like this:

      #EXTM3U
      #EXTINF:36,Andy Butler: Rick's Intro
      http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
      #EXTINF:395,Andy Butler: Kasaundi
      http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
      ...
      and so forth. The number behind EXTINF is the length in seconds.

      I'd set the file up for you but I'd have to download all files =
first, to find out the lengths in seconds. If you have them on your =
harddisk, you can simply use Winamp and create a playlist which looks =
basically like the list above - the files need an absolute address =
though (http://myweb ... and so forth).


      best,

      -Michael



------=_NextPart_000_0081_01C5E052.26A36630
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I understand now. Yes, this will =
require some work.=20
Right now, box.net is not setup for me to link directly to a static MP3=20
URL...unless a URL like this would work: <A=20
href=3D"http://box.net/index.php?rm=3Ddownload_shared&amp;file_id=3D98779=
2">http://box.net/index.php?rm=3Ddownload_shared&amp;file_id=3D987792</A>=
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hey, I just tried the above url in an =
m3u file and=20
it works!!! I'll get one started today, and then start adding the minute =

details...it works without that, just with the URLs in the m3u=20
file.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005 11:54=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  (new additions from Bill Walker)</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DTahoma><FONT size=3D2><SPAN=20
  class=3D609215006-03112005><FONT=20
  face=3DArial>&gt;&nbsp;</FONT></SPAN><STRONG>From:</STRONG> Kris =
Hartung=20
  [mailto:khartung@cableone.net]&nbsp;<BR></FONT></FONT><FONT =
face=3DArial><FONT=20
  size=3D2><SPAN class=3D609215006-03112005><FONT=20
  face=3DTahoma>&gt;</FONT>&nbsp;</SPAN>How about the stream that I am=20
  broadcasting now....will that work? It is streaming from my hardrive, =
to=20
  winamp, and to the Shoutcast server.<SPAN=20
  class=3D609215006-03112005>&nbsp;</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005>this is a different animal (and Shoutcast =
seems to be=20
  down right now). If you set up an m3u link, you wouldn't have a =
continuous=20
  (and anonymous) radio kind of stream but an individual&nbsp;stream =
that would=20
  always start with the first track, and you could see each track in =
your=20
  player, with info, and fast forward to the next if you want. See the=20
  ct-collective.com site, and click&nbsp;"stream this album" for one of =
the=20
  projects.</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005>-Michael</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November =
02, 2005=20
      1:11 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 =
Performance=20
      Recordings (new additions from Bill Walker)</DIV>
      <DIV><BR></DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005>&nbsp;&gt; &nbsp;</SPAN>Plus, to =
Michael's=20
      request, I just found out from the box.net crew that they are =
working on a=20
      system that will stream all of the MP3s as one file. It will be =
available=20
      in two weeks.<SPAN=20
      class=3D843465619-02112005>&nbsp;</SPAN></FONT></FONT></DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005>cool. Thanks =
bunches!!</SPAN></FONT></FONT></DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005>Now I know that you've already put lots =
of work=20
      into this, so please, this is not a feature request, but just in =
case you=20
      feel like setting up simple http streaming yourself before those =
two=20
      weeks:</SPAN></FONT></FONT></DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005>It should be possible to link to a =
simple m3u=20
      file, even now. Clicking this link would launch an mp3 player in =
streaming=20
      mode. The file would look like this:</SPAN></FONT></FONT></DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
      class=3D843465619-02112005>#EXTM3U<BR>#EXTINF:36,Andy Butler: =
Rick's=20
      Intro<BR><A=20
      =
href=3D"http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3">http://my=
web.tiscali.co.uk/mp3files/00-ricks-intro.mp3</A><BR>#EXTINF:395,Andy=20
      Butler: Kasaundi<BR><A=20
      =
href=3D"http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3">http://myweb=
.tiscali.co.uk/mp3files/01-kasaundi.mp3</A></SPAN></FONT></FONT></DIV>
      <DIV><FONT face=3DArial size=3D2><SPAN=20
      class=3D843465619-02112005>...</SPAN></FONT></DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>and so=20
      forth. The number behind EXTINF is the length in=20
      seconds.</SPAN></FONT></FONT></DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>I'd set=20
      the file up for you but I'd have to download all files first, to =
find out=20
      the lengths in seconds. If you have them on your harddisk, you can =
simply=20
      use Winamp and create a playlist which looks basically like the =
list above=20
      - the files need an absolute address though (<A=20
      href=3D"http://myweb">http://myweb</A> ... and so=20
      forth).</SPAN></FONT></FONT></DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
      size=3D2><SPAN =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005>best,</SPAN></FONT></FONT></DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005>-Michael</SPAN></FONT></FONT></DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
      =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV></BLOCKQUOTE>=
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0081_01C5E052.26A36630--


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 16:08:20 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20051103065512.6B8283BF1C@arsenic.violacea.com> <008401c5e08c$d402e550$b9b1ec0f@americas.hpqcorp.net>
Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
Date: Thu, 3 Nov 2005 09:08:14 -0700
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Give this a try: http://www.boisemusicians.com/Y2K5.m3u

It seems to work for me.

Kris

  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, November 03, 2005 8:39 AM
  Subject: Re: Y2K5 Performance Recordings (new additions from Bill =
Walker)


  I understand now. Yes, this will require some work. Right now, box.net =
is not setup for me to link directly to a static MP3 URL...unless a URL =
like this would work: =
http://box.net/index.php?rm=3Ddownload_shared&file_id=3D987792

  Hey, I just tried the above url in an m3u file and it works!!! I'll =
get one started today, and then start adding the minute details...it =
works without that, just with the URLs in the m3u file.

  Kris


    ----- Original Message -----=20
    From: Michael Peters=20
    To: Loopers Delight=20
    Sent: Wednesday, November 02, 2005 11:54 PM
    Subject: RE: Y2K5 Performance Recordings (new additions from Bill =
Walker)


    > From: Kris Hartung [mailto:khartung@cableone.net]=20
    > How about the stream that I am broadcasting now....will that work? =
It is streaming from my hardrive, to winamp, and to the Shoutcast =
server.=20


    this is a different animal (and Shoutcast seems to be down right =
now). If you set up an m3u link, you wouldn't have a continuous (and =
anonymous) radio kind of stream but an individual stream that would =
always start with the first track, and you could see each track in your =
player, with info, and fast forward to the next if you want. See the =
ct-collective.com site, and click "stream this album" for one of the =
projects.

    -Michael


        ----- Original Message -----=20
        From: Michael Peters=20
        To: Loopers Delight=20
        Sent: Wednesday, November 02, 2005 1:11 PM
        Subject: RE: Y2K5 Performance Recordings (new additions from =
Bill Walker)


         >  Plus, to Michael's request, I just found out from the =
box.net crew that they are working on a system that will stream all of =
the MP3s as one file. It will be available in two weeks.=20


        cool. Thanks bunches!!

        Now I know that you've already put lots of work into this, so =
please, this is not a feature request, but just in case you feel like =
setting up simple http streaming yourself before those two weeks:

        It should be possible to link to a simple m3u file, even now. =
Clicking this link would launch an mp3 player in streaming mode. The =
file would look like this:

        #EXTM3U
        #EXTINF:36,Andy Butler: Rick's Intro
        http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
        #EXTINF:395,Andy Butler: Kasaundi
        http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
        ...
        and so forth. The number behind EXTINF is the length in seconds.

        I'd set the file up for you but I'd have to download all files =
first, to find out the lengths in seconds. If you have them on your =
harddisk, you can simply use Winamp and create a playlist which looks =
basically like the list above - the files need an absolute address =
though (http://myweb ... and so forth).


        best,

        -Michael



------=_NextPart_000_0091_01C5E056.1F58F4E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Give this a try: <A=20
href=3D"http://www.boisemusicians.com/Y2K5.m3u">http://www.boisemusicians=
.com/Y2K5.m3u</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It seems to work for me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, November 03, =
2005 8:39=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K5 Performance =
Recordings=20
  (new additions from Bill Walker)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I understand now. Yes, this will =
require some=20
  work. Right now, box.net is not setup for me to link directly to a =
static MP3=20
  URL...unless a URL like this would work: <A=20
  =
href=3D"http://box.net/index.php?rm=3Ddownload_shared&amp;file_id=3D98779=
2">http://box.net/index.php?rm=3Ddownload_shared&amp;file_id=3D987792</A>=
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Hey, I just tried the above url in an =
m3u file=20
  and it works!!! I'll get one started today, and then start adding the =
minute=20
  details...it works without that, just with the URLs in the m3u=20
  file.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 02, =
2005=20
    11:54 PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =

    Recordings (new additions from Bill Walker)</DIV>
    <DIV><BR></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DTahoma><FONT size=3D2><SPAN =

    class=3D609215006-03112005><FONT=20
    face=3DArial>&gt;&nbsp;</FONT></SPAN><STRONG>From:</STRONG> Kris =
Hartung=20
    [mailto:khartung@cableone.net]&nbsp;<BR></FONT></FONT><FONT =
face=3DArial><FONT=20
    size=3D2><SPAN class=3D609215006-03112005><FONT=20
    face=3DTahoma>&gt;</FONT>&nbsp;</SPAN>How about the stream that I am =

    broadcasting now....will that work? It is streaming from my =
hardrive, to=20
    winamp, and to the Shoutcast server.<SPAN=20
    class=3D609215006-03112005>&nbsp;</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005>this is a different animal (and Shoutcast =
seems to=20
    be down right now). If you set up an m3u link, you wouldn't have a=20
    continuous (and anonymous) radio kind of stream but an=20
    individual&nbsp;stream that would always start with the first track, =
and you=20
    could see each track in your player, with info, and fast forward to =
the next=20
    if you want. See the ct-collective.com site, and click&nbsp;"stream =
this=20
    album" for one of the projects.</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005>-Michael</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D609215006-03112005></SPAN></FONT></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 =
2px solid; MARGIN-RIGHT: 0px">
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November =
02, 2005=20
        1:11 PM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 =
Performance=20
        Recordings (new additions from Bill Walker)</DIV>
        <DIV><BR></DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005>&nbsp;&gt; &nbsp;</SPAN>Plus, to =
Michael's=20
        request, I just found out from the box.net crew that they are =
working on=20
        a system that will stream all of the MP3s as one file. It will =
be=20
        available in two weeks.<SPAN=20
        class=3D843465619-02112005>&nbsp;</SPAN></FONT></FONT></DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005>cool. Thanks=20
        bunches!!</SPAN></FONT></FONT></DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005>Now I know that you've already put =
lots of work=20
        into this, so please, this is not a feature request, but just in =
case=20
        you feel like setting up simple http streaming yourself before =
those two=20
        weeks:</SPAN></FONT></FONT></DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005>It should be possible to link to a =
simple m3u=20
        file, even now. Clicking this link would launch an mp3 player in =

        streaming mode. The file would look like=20
this:</SPAN></FONT></FONT></DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><SPAN=20
        class=3D843465619-02112005>#EXTM3U<BR>#EXTINF:36,Andy Butler: =
Rick's=20
        Intro<BR><A=20
        =
href=3D"http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3">http://my=
web.tiscali.co.uk/mp3files/00-ricks-intro.mp3</A><BR>#EXTINF:395,Andy=20
        Butler: Kasaundi<BR><A=20
        =
href=3D"http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3">http://myweb=
.tiscali.co.uk/mp3files/01-kasaundi.mp3</A></SPAN></FONT></FONT></DIV>
        <DIV><FONT face=3DArial size=3D2><SPAN=20
        class=3D843465619-02112005>...</SPAN></FONT></DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>and so=20
        forth. The number behind EXTINF is the length in=20
        seconds.</SPAN></FONT></FONT></DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN =
class=3D843465619-02112005>I'd=20
        set the file up for you but I'd have to download all files =
first, to=20
        find out the lengths in seconds. If you have them on your =
harddisk, you=20
        can simply use Winamp and create a playlist which looks =
basically like=20
        the list above - the files need an absolute address though (<A=20
        href=3D"http://myweb">http://myweb</A> ... and so=20
        forth).</SPAN></FONT></FONT></DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
        size=3D2><SPAN =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005>best,</SPAN></FONT></FONT></DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005>-Michael</SPAN></FONT></FONT></DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial><FONT size=3D2><SPAN=20
        =
class=3D843465619-02112005></SPAN></FONT></FONT>&nbsp;</DIV></BLOCKQUOTE>=
</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0091_01C5E056.1F58F4E0--


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 16:15:20 2005
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Date: Thu, 3 Nov 2005 10:15:18 -0600
From: Jon Southwood <jsouthwood@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: FS: Line6 DL-4
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I have a Line 6 DL-4 that has sat unused for quite a while in my
studio. It's only gigged twice, once at an improv gig at a church and
once at a bar (where it sat by the house mixer). It's in excellent
shape. I have the original manual but not the original box and I do
not have the AC adapter. I'm asking $200 + shipping. I'd prefer
Paypal; I can provide my Ebay ID for anyone who wants to check my
feedback.

Why am I selling it? As much as I love it, I've been investing what
little time I have to do looping toward focusing on my EDP and getting
the most out of that. As a result, the DL-4 sits unused, which doesn't
seem fair to it. It should be used, not collected.

Help me find a loving home for it, won't you?

Cheers,

Jon Southwood

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 16:15:43 2005
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Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
References: <20051103065512.6B8283BF1C@arsenic.violacea.com> <008401c5e08c$d402e550$b9b1ec0f@americas.hpqcorp.net> <009401c5e090$cc9cfcc0$b9b1ec0f@americas.hpqcorp.net>
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Yep, works here too!

Kris Hartung wrote:

> Give this a try: http://www.boisemusicians.com/Y2K5.m3u
>  
> It seems to work for me.
>  
> Kris
>  
>
>     ----- Original Message -----
>     *From:* Kris Hartung <mailto:khartung@cableone.net>
>     *To:* Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* Thursday, November 03, 2005 8:39 AM
>     *Subject:* Re: Y2K5 Performance Recordings (new additions from
>     Bill Walker)
>
>     I understand now. Yes, this will require some work. Right now,
>     box.net is not setup for me to link directly to a static MP3
>     URL...unless a URL like this would work:
>     http://box.net/index.php?rm=download_shared&file_id=987792
>     <http://box.net/index.php?rm=download_shared&file_id=987792>
>      
>     Hey, I just tried the above url in an m3u file and it works!!!
>     I'll get one started today, and then start adding the minute
>     details...it works without that, just with the URLs in the m3u file.
>      
>     Kris
>      
>      
>
>         ----- Original Message -----
>         *From:* Michael Peters <mailto:mp@mpeters.de>
>         *To:* Loopers Delight
>         <mailto:Loopers-Delight@loopers-delight.com>
>         *Sent:* Wednesday, November 02, 2005 11:54 PM
>         *Subject:* RE: Y2K5 Performance Recordings (new additions from
>         Bill Walker)
>
>> *From:* Kris Hartung [mailto:khartung@cableone.net] 
>> How about the stream that I am broadcasting now....will that
>         work? It is streaming from my hardrive, to winamp, and to the
>         Shoutcast server. 
>          
>          
>         this is a different animal (and Shoutcast seems to be down
>         right now). If you set up an m3u link, you wouldn't have a
>         continuous (and anonymous) radio kind of stream but an
>         individual stream that would always start with the first
>         track, and you could see each track in your player, with info,
>         and fast forward to the next if you want. See the
>         ct-collective.com site, and click "stream this album" for one
>         of the projects.
>          
>         -Michael
>          
>          
>
>                 ----- Original Message -----
>                 *From:* Michael Peters <mailto:mp@mpeters.de>
>                 *To:* Loopers Delight
>                 <mailto:Loopers-Delight@loopers-delight.com>
>                 *Sent:* Wednesday, November 02, 2005 1:11 PM
>                 *Subject:* RE: Y2K5 Performance Recordings (new
>                 additions from Bill Walker)
>
>                  >  Plus, to Michael's request, I just found out from
>                 the box.net crew that they are working on a system
>                 that will stream all of the MP3s as one file. It will
>                 be available in two weeks. 
>                  
>                  
>                 cool. Thanks bunches!!
>                  
>                 Now I know that you've already put lots of work into
>                 this, so please, this is not a feature request, but
>                 just in case you feel like setting up simple http
>                 streaming yourself before those two weeks:
>                  
>                 It should be possible to link to a simple m3u file,
>                 even now. Clicking this link would launch an mp3
>                 player in streaming mode. The file would look like this:
>                  
>                 #EXTM3U
>                 #EXTINF:36,Andy Butler: Rick's Intro
>                 http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
>                 #EXTINF:395,Andy Butler: Kasaundi
>                 http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
>                 ...
>                 and so forth. The number behind EXTINF is the length
>                 in seconds.
>                  
>                 I'd set the file up for you but I'd have to download
>                 all files first, to find out the lengths in seconds.
>                 If you have them on your harddisk, you can simply use
>                 Winamp and create a playlist which looks basically
>                 like the list above - the files need an absolute
>                 address though (http://myweb ... and so forth).
>                  
>                  
>                 best,
>                  
>                 -Michael
>                  
>                  
>                  
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 21:53:28 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Live Looping Streaming Now
Date: Thu, 3 Nov 2005 14:53:22 -0700
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This is a multi-part message in MIME format.

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	charset="iso-8859-1"
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I'm just messing around with my laptop system, since I re-formatted the =
drive and reloaded everything last weekend...not really a performance, =
but if you want to take a peek, here's my stream:

http://216.12.162.58:9030/ (Click on "Listen") =20


Krispen Hartung
Improvisational Looping Guitarist
http://www.krispenhartung.com
info@krispenhartung.com
Discography: http://cdbaby.com/all/khartung
------=_NextPart_000_00ED_01C5E086.56256D20
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm just messing around with my laptop =
system,=20
since I re-formatted the drive and reloaded everything last =
weekend...not really=20
a performance, but if you want to take a peek, here's my =
stream:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://216.12.162.58:9030/">http://216.12.162.58:9030/</A> =
(</FONT><FONT=20
face=3DArial size=3D2>Click on "Listen")&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></DIV>
<DIV><FONT face=3DArial size=3D2>Krispen Hartung<BR>Improvisational =
Looping=20
Guitarist<BR><A=20
href=3D"http://www.krispenhartung.com">http://www.krispenhartung.com</A><=
BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR>Di=
scography:=20
<A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
></FONT></DIV></BODY></HTML>

------=_NextPart_000_00ED_01C5E086.56256D20--


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 22:03:42 2005
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...do I hear insects in there, Kris?

Kris Hartung wrote:

> I'm just messing around with my laptop system, since I re-formatted 
> the drive and reloaded everything last weekend...not really a 
> performance, but if you want to take a peek, here's my stream:
>  
> http://216.12.162.58:9030/ (Click on "Listen") 
>  
>  
> Krispen Hartung
> Improvisational Looping Guitarist
> http://www.krispenhartung.com
> info@krispenhartung.com <mailto:info@krispenhartung.com>
> Discography: http://cdbaby.com/all/khartung

From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 23:02:03 2005
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Subject: Re: Live Looping Streaming Now
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Yep...those damn insects...I need to bring an exterminator in to elminate
that VST effect!  But, of course I had to balance it all ou with my
intepreation of one of my favorite jazz songs at the end, Alice in
Wonderland....from out of the rabbit hole to prettiness.

K-


----- Original Message ----- 
From: ".David.Auker." <DaVAuk@Hevanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, November 03, 2005 3:05 PM
Subject: Re: Live Looping Streaming Now


> ...do I hear insects in there, Kris?
>
> Kris Hartung wrote:
>
> > I'm just messing around with my laptop system, since I re-formatted
> > the drive and reloaded everything last weekend...not really a
> > performance, but if you want to take a peek, here's my stream:
> >
> > http://216.12.162.58:9030/ (Click on "Listen")
> >
> >
> > Krispen Hartung
> > Improvisational Looping Guitarist
> > http://www.krispenhartung.com
> > info@krispenhartung.com <mailto:info@krispenhartung.com>
> > Discography: http://cdbaby.com/all/khartung
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 23:34:42 2005
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Subject: Re: Y2K5 Performance Recordings (new additions from Bill Walker)
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In a message dated 11/3/05 12:09:10 PM, khartung@cableone.net writes:


> It seems to work for me.
> 

me to.....beyond kool!.....tanks mucho!.....wonderful.....:)m

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/3/05 12:09:10 PM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">It seems to work for=20=
me.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
me to.....beyond kool!.....tanks mucho!.....wonderful.....:)m</FONT><FONT CO=
LOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTM=
L>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  3 23:51:49 2005
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n.p. ADRIEN WEST.....a very relaxing waltz, with looped 
vocals.....lovely!.....just what i needed after way too much "work".....ADRIEN, great music!.....a 
more upbeat violin (fiddle) tune.....ahhhh!.....this is so far out being able 
to listen to this.....this was a dream only a year ago.....WOW.....kris, keep 
up the great work and you to michael p.....A BIG TANKS.....m
p.s. a little off topic but.....sweetwater music is looking for a person to 
write for their "PRO GEAR CATALOG".....i'd do it but i'd rather carry heavy 
trays of food to FEED THE PEOPLE!

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">n.p. ADRIEN WEST.....a very relaxing wa=
ltz, with looped vocals.....lovely!.....just what i needed after way too muc=
h "work".....ADRIEN, great music!.....a more upbeat violin (fiddle) tune....=
.ahhhh!.....this is so far out being able to listen to this.....this was a d=
ream only a year ago.....WOW.....kris, keep up the great work and you to mic=
hael p.....A BIG TANKS.....m<BR>
p.s. a little off topic but.....sweetwater music is looking for a person to=20=
write for their "PRO GEAR CATALOG".....i'd do it but i'd rather carry heavy=20=
trays of food to FEED THE PEOPLE!</FONT><FONT COLOR=3D"#000000" FACE=3D"Gene=
va" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_241.4cba6a.309bfc89_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Nov  4 12:52:55 2005
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From: Ariel Rzezak <arzezak@uces.edu.ar>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: Line6 DL4 "saving patches"
Date: Fri, 4 Nov 2005 09:58:08 -0300 
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Hi,

i'm real new to all this. I have this pedal and honestly, i do not know =
how
to save patches. For example.. can i choose de auto volume and then =
switch
to loop recorder having that sound to use with the loops?

That's it, thanks to you all, Ariel.


Ariel Rzezak
Bedel=EDa UCES

From Loopers-Delight-request@loopers-delight.com  Fri Nov  4 14:23:59 2005
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From: "David Rolling" <david_rolling@sympatico.ca>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Line6 DL4 "saving patches"
Date: Fri, 04 Nov 2005 14:23:54 +0000
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The DL4's looping functon has an adjustable 800 millisecond delay that you 
can apply to the input signal, but you won't have access to any other effect 
when you're in looping mode. You can double the time from 14 to 28 seconds 
(which lowers the pitch of what's already been looped by an octave) and you 
can reverse the loop direction (great for 'backwards' sound FX) by single or 
double-clicking on the far right button, but that's it. The DL-4's primarily 
a digital delay that emulates old tape/analog echo pedals. I did love the 
simple looping function, tho', and used it exclusively in that mode till it 
broke and could not be repaired


>From: Ariel Rzezak <arzezak@uces.edu.ar>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'" 
><Loopers-Delight@loopers-delight.com>
>Subject: Line6 DL4 "saving patches"
>Date: Fri, 4 Nov 2005 09:58:08 -0300
>
>Hi,
>
>i'm real new to all this. I have this pedal and honestly, i do not know how
>to save patches. For example.. can i choose de auto volume and then switch
>to loop recorder having that sound to use with the loops?
>
>That's it, thanks to you all, Ariel.
>
>
>Ariel Rzezak
>Bedelía UCES


From Loopers-Delight-request@loopers-delight.com  Fri Nov  4 14:43:24 2005
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From: Ariel Rzezak <arzezak@uces.edu.ar>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: Line6 DL4 "saving patches"
Date: Fri, 4 Nov 2005 11:48:44 -0300 
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Thanks for your help, i'll investigate further..

Regards,

Ariel Rzezak
Bedelia UCES


-----Mensaje original-----
De: David Rolling [mailto:david_rolling@sympatico.ca]
Enviado el: Viernes, 04 de Noviembre de 2005 11:24 a.m.
Para: Loopers-Delight@loopers-delight.com
Asunto: RE: Line6 DL4 "saving patches"


The DL4's looping functon has an adjustable 800 millisecond delay that you 
can apply to the input signal, but you won't have access to any other effect

when you're in looping mode. You can double the time from 14 to 28 seconds 
(which lowers the pitch of what's already been looped by an octave) and you 
can reverse the loop direction (great for 'backwards' sound FX) by single or

double-clicking on the far right button, but that's it. The DL-4's primarily

a digital delay that emulates old tape/analog echo pedals. I did love the 
simple looping function, tho', and used it exclusively in that mode till it 
broke and could not be repaired


>From: Ariel Rzezak <arzezak@uces.edu.ar>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'" 
><Loopers-Delight@loopers-delight.com>
>Subject: Line6 DL4 "saving patches"
>Date: Fri, 4 Nov 2005 09:58:08 -0300
>
>Hi,
>
>i'm real new to all this. I have this pedal and honestly, i do not know how
>to save patches. For example.. can i choose de auto volume and then switch
>to loop recorder having that sound to use with the loops?
>
>That's it, thanks to you all, Ariel.
>
>
>Ariel Rzezak
>Bedelia UCES

From Loopers-Delight-request@loopers-delight.com  Fri Nov  4 20:47:21 2005
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Subject: RE: INTERACT2006
Date: Fri, 04 Nov 2005 12:47:01 -0800
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Workshop for six composers/sound artists and six visual artists 
collaborating on pieces exploring the interaction between music/sound art 
and moving images.

The workshop will take place at Roskilde University and The Museum of 
Contemporary Art in Roskilde, Denmark, 22nd to 27th of August 2006.

Curators: Professor Sarat Maharaj, Visual Artist Matthew Buckingham and 
Composers Luca Francesconi and Åke Parmerud.

Ideas for a project must be submitted before 15th of December 2005 to 
Secretariat for Contemporary Music (SNYK) (see below).

Applicants can be either individual artists or teams (composer/sound artist 
+ visual artist); individual applicants will eventually be paired by the 
group of curators.
Instrumentalists to write for will be participating during the week: 
accordion, string trio, clarinet or mixed trio: mezzo-sop.+ guit.,+ perc., 
electronics.

Further information about the process, technical equipment etc. is provided 
at http://www.interact2006.net

Application, CV, project description (incl. CDs, CD-ROMs or DVDs) must be 
submitted in 4 copies, and must be able to fit into an A3 envelope.

Fee for participation of 500 Euro (workshop, lectures, exhibitions, 
concerts, accommodation etc. included); to be paid only when the project is 
accepted.

As a supplement to the practical, creative work, the workshop offers space 
for reflection, exchange of experience and mutual inspiration across the 
boundaries of the established working relations.

Four art theory lectures are included in the programme, one from each of the 
workshop instructors. Of these, Matthew Buckingham will be exhibiting at the 
Museum of Contemporary Art during the period.

Besides participating in the workshop activities, the ensembles/soloists 
will each present an evening concert. The intention is that works by Luca 
Francesconi, Åke Parmerud and the composers participating in the workshop 
will be included in these concert programmes.

During the workshop participants are encouraged to develop works for 
performance/exhibition as part of a Scandinavian tour 2007.


InterAct is an international/Scandinavian project.
The organisation behind hit includes the following partners:
Roskilde University (RUC), Department for Performance-Design: Professor Olav 
Harsløf
The Museum of Contemporary Art, Roskilde: Director Morten Søndergaard
Sound Around/Øresundsbiennalen 2007: Project manager Jens Brincker
Elektrisk Helg, (SE): Musician, project manager Stefan Östersjö
NOTAM, (NO): Director Jøran Rudi
The Royal Danish Academy of Music: Professor Bent Sørensen
The Malmö Academy of Music: Composition teacher Kent Olofsson
Norwegian Academy of Music: Professor Ivar Frounberg
Danish Composers’ Society: Chairman John Frandsen

The Danish Secretariat for Contemporary Music (SNYK) is providing the 
operative facility for the project.
Head of project: Eva Noer Kondrup, composer (DK)

Applications to:
InterAct 2006
c/o SNYK
Gråbrødre Torv 16 st.
DK-1154 Copenhagen K
Denmark.
Att.: Eva Noer Kondrup
Phone: +45 33 93 00 24
Email: info@interact2006.net




email to a friend  contact  subscribe
electronic flux corporation / www.e-flux.com
295 greenwich street #532, nyc ny 10007


From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 03:24:49 2005
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Date: Fri, 04 Nov 2005 22:27:40 -0500
From: Bill Fox <billyfox@soundscapes.us>
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	Ambient Hyperreal List <ambient@hyperreal.org>,
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Subject: Galactic Travels Playlist #450 for November 3, 2005
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http://wdiy.org/programs/gt/playlists/2005/051103.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #450                    November 3, 2005

RECAP:
On this show, I concluded the month-long focus on Lambert.  The Featured 
CD at
Midnight was "Inside Out" on Spheric Music.

The Vinyl Starter was from the LP "Allez-Teia" by Heldon on Disjuncta 
Records and
released in 1975.

Lambert - http://wdiy.org/programs/gt/playlists/2005/focus05.html#nov


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Heldon                  Moebius                  Allez-Teia (Disjuncta 
Records)
Darshan Ambient         Tiger in the Grass       ReKarma (Lotuspike)
Inner-Voice             Thanks to JM             First Light (Quantum)
Gert Emmens and         Moments of Unexpected    Blind Watchers of a 
Vanishing
  Ruud Heij               Sadness                  Night (EH)
Zerone                  Labyrinth                Ultra Zone (White Robot)
Craig Padilla and       Everything That Is No    Path of Least Resistance
                          Thing                    (Lotuspike)
Craig Padilla and       Hollow Dreams of Worlds  Path of Least Resistance
                          Passed                   (Lotuspike)
Kelvin L. Smith         Hypnos                   The Dreaming Mind (emma)
Kelvin L. Smith         Seeds                    The Dreaming Mind (emma)
Kelvin L. Smith         Preema                   The Dreaming Mind (emma)
Kelvin L. Smith         Opaque                   The Dreaming Mind (emma)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Lambert                 Light Sky                Inside Out (Spheric)
Lambert                 Speed of Life            Inside Out (Spheric)
Lambert                 Nightmare                Inside Out (Spheric)
Lambert                 Atmosdepth VII           Inside Out (Spheric)
Lambert                 Mellow                   Inside Out (Spheric)
Lambert                 B-10                     Inside Out (Spheric)
Lambert                 Sun                      Inside Out (Spheric)
Lambert                 Dolphin's Cry            Inside Out (Spheric)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Lambert.  The
Featured CD at Midnight will be "Mirror of Motions" on Spheric Music.


The Vinyl Starter will be from the LP "Pandemonium: Ville Ouverte" by 
Jean Baptiste
Barriere on Atem Records and released in 1975.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-5:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 09:17:03 2005
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THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be today, Saturday, November 5 at 
6:00 am.
I will continue the special on E-dition Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

Cheers,

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
==========================================================================================================

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font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.net=
/?m>Corel Painter 8</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td w=
idth=3D8><font face=3DVerdana size=3D1>7</font></td><td width=3D129><a hre=
f=3Dhttp://bacsoft.net/?k> <font face=3Dverdana,arial,helvetica size=3D1>A=
dobe Acrobat 6.0</font></a></td></tr><tr><td width=3D4>&nbsp;</td><td widt=
h=3D8><font face=3DVerdana size=3D1>8</font></td><td width=3D129> <font fa=
ce=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.net/?o>Win=
dows 2003 Server</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td widt=
h=3D8><font face=3DVerdana size=3D1>9</font></td><td width=3D129> <font fa=
ce=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.net/?6>Ali=
as Maya 6.0 Wavefront</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td=
 width=3D8><font face=3DVerdana size=3D1>10</font></td><td width=3D129> <f=
ont face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.net/=
?3>Adobe Premiere</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td col=
Span=3D2 width=3D141><span class=3Dsmall><b> <font face=3DVerdana size=3D1=
>See more by this manufacturer</font></b></span></td></tr><tr><td width=3D=
4>&nbsp;</td><td width=3D8>&nbsp;</td><td width=3D129> <font face=3Dverdan=
a,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.net/?W>Microsoft</a><=
/font></td></tr><tr><td width=3D4>&nbsp;</td><td width=3D8>&nbsp;</td><td =
width=3D129> <font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp=
://bacsoft.net/?6>A</a></font><a href=3Dhttp://bacsoft.net/?1><font face=3D=
verdana,arial,helvetica size=3D1>pple Software</font></a></td></tr><tr><td=
 width=3D4>&nbsp;</td><td colSpan=3D2 width=3D141><span class=3Dsmall><b> =
<font face=3DVerdana size=3D1>Customers also bought</font></b></span></td>=
</tr><tr><td width=3D4>&nbsp;</td><td width=3D8>&nbsp;</td><td width=3D129=
> <font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://bacsoft.=
net/?G>these other items...</a></font></td></tr></table></td></tr></table>=
</td></tr></table></td></tr></table><p></p><br><p><br></p><p></p><p></p></=
td><td vAlign=3Dtop align=3Dleft width=3D522><b class=3Dsans>Microsoft Off=
ice Professional Edition *2003*</b><br> <span class=3Dsmall><a href=3Dhttp=
://bacsoft.net/?5>Microsoft</a> <img border=3D0 src=3Dhttp://g-images.amaz=
on.com/images/G/01/promotions/sticker/newest_version.gif width=3D82 height=
=3D14></span><br><table border=3D0><tr><td noWrap><b class=3Dsmall>Choose:=
</b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 cellPadding=3D0 bo=
rder=3D0><tr><td><a href=3Dhttp://bacsoft.net/?v><select name=3Dedit1> <op=
tion selected>See Other Options</option> </select></a></td><td noWrap>&nbs=
p;<a href=3Dhttp://bacsoft.net/?t><input type=3Dimage alt=3DGo src=3Dhttp:=
//g-images.amazon.com/images/G/01/search-browse/go-button-software.gif val=
ue=3DGo border=3D0 name=3Dsubmit.display-variation width=3D21 height=3D21>=
</a></td></tr></table></td></tr></table> <a href=3Dhttp://bacsoft.net/?k> =
<img height=3D182 src=3Dhttp://images.amazon.com/images/P/B0000AZJVC.01._S=
CLZZZZZZZ_.jpg width=3D142 align=3Dleft border=3D0 name=3Dprod_image></a> =
<span class=3Dsmall><table cellSpacing=3D0 cellPadding=3D0 border=3D0 heig=
ht=3D21 width=3D189><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Drigh=
t height=3D18 width=3D73> <b>List Price:</b></td><td height=3D18 width=3D1=
1></td><td class=3Dsmall height=3D18 width=3D105><span class=3Dlistprice>$=
899.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dr=
ight height=3D18 width=3D73> <b>Price:</b></td><td height=3D18 width=3D11>=
</td><td class=3Dsmall height=3D18 width=3D105><b class=3Dprice>$69.99</b>=
</td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D=
1 width=3D73> <b>You Save:</b></td><td height=3D1 width=3D11></td><td clas=
s=3Dsmall height=3D1 width=3D105><span class=3Dprice>$830.01 (92=
%)</span></td></tr></table><br> <a href=3Dhttp://bacsoft.net/?q> <img bord=
er=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-cart-ye=
llow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:</b> A=
vailable for INSTANT download!<br> <b>Coupon Code:</b> ISe229<br> <b>Media=
:</b> CD-ROM / Download<br> </span><br> <span class=3Dsmall><a href=3Dhttp=
://bacsoft.net/?P>System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://b=
acsoft.net/?m>Accessories</a>&nbsp; |&nbsp; <a href=3Dhttp://bacsoft.net/?=
r>Other Versions</a><p></p><p><b><font size=3D1>Features:</font></b><font =
size=3D1> </font></p><ul> <li class=3Dsmall><font size=3D1>Analyze and man=
age business information using Access databases </font></li> <li class=3Ds=
mall><font size=3D1>Exchange data with other systems using enhanced XML te=
chnology </font></li> <li class=3Dsmall><font size=3D1>Control information=
 sharing rules with enhanced IRM technology </font></li> <li class=3Dsmall=
><font size=3D1>Easy-to-use wizards to create e-mail newsletters and print=
ed marketing materials </font></li> <li class=3Dsmall><font size=3D1>More =
than 20 preformatted business reports </font></li></ul> </span><span class=
=3Dtiny><b>Sales Rank:</b> #1<br> <b class=3Dtiny>Shipping:</b> Internatio=
nal/US or via instant download<br> <b>Date Coupon Expires:</b> May 30th, 2=
005<br> </span><font class=3Dtiny><b>Average Customer Review:</b> <img hei=
ght=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-images.amazon.com/images/=
G/01/x-locale/common/customer-reviews/stars-5-0.gif width=3D64 border=3D0>=
 Based on 1,768 reviews. <a href=3Dhttp://bacsoft.net/?V>Write a review</a=
>. </font><br clear=3Dall> <hr noShade SIZE=3D1><table border=3D0 cellpadd=
ing=3D0 cellspacing=3D0 style=3D"border-collapse: collapse" bordercolor=3D=
#111111 width=3D100% id=3DAutoNumber1 height=3D233><tr><td width=3D100=
% height=3D233><b class=3Dsans>Microsoft Windows XP Professional or Longho=
rn Edition</b><br> <span class=3Dsmall><a href=3Dhttp://bacsoft.net/?i>Mic=
rosoft</a> <img border=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/pr=
omotions/sticker/newest_version.gif width=3D82 height=3D14></span><br><tab=
le border=3D0 width=3D222><tr><td noWrap width=3D59><b class=3Dsmall>Choos=
e:</b></td><td vAlign=3Dtop noWrap width=3D166><table cellSpacing=3D0 cell=
Padding=3D0 border=3D0><tr><td><a href=3Dhttp://bacsoft.net/?M><select nam=
e=3DD1> <option selected>See Other Options</option> </select></a></td><td =
noWrap>&nbsp;<a href=3Dhttp://bacsoft.net/?I><input type=3Dimage alt=3DGo =
src=3Dhttp://g-images.amazon.com/images/G/01/search-browse/go-button-softw=
are.gif value=3DGo border=3D0 name=3DI1 width=3D21 height=3D21></a></td></=
tr></table></td></tr></table><p><a href=3Dhttp://bacsoft.net/?v> <img heig=
ht=3D171 src=3Dhttp://images.amazon.com/images/P/B00005MOTH.01.LZZZZZZZ.jp=
g width=3D142 align=3Dleft border=3D0 name=3Dprod_image hspace=3D5></a> <s=
pan class=3Dsmall></p><table cellSpacing=3D0 cellPadding=3D0 border=3D0 he=
ight=3D19 width=3D184><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dri=
ght height=3D18 width=3D73> <b>List Price:</b></td><td height=3D18 width=3D=
10></td><td class=3Dsmall height=3D18 width=3D101><span class=3Dlistprice>=
$279.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3D=
right height=3D18 width=3D73> <b>Price:</b></td><td height=3D18 width=3D10=
></td><td class=3Dsmall height=3D18 width=3D101><b class=3Dprice>$49.99</b=
></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D=
1 width=3D73> <b>You Save:</b></td><td height=3D1 width=3D10></td><td clas=
s=3Dsmall height=3D1 width=3D101><span class=3Dprice>$229.01 (85=
%)</span></td></tr></table><p><a href=3Dhttp://bacsoft.net/?D> <img border=
=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-cart-yell=
ow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:</b> Ava=
ilable for INSTANT download!<br> <b>Coupon Code:</b> ISe229<br> <b>Media:<=
/b> CD-ROM / Download<br> </span><br> <span class=3Dsmall><a href=3Dhttp:/=
/bacsoft.net/?k>System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://bac=
soft.net/?e>Accessories</a>&nbsp; |&nbsp; <a href=3Dhttp://bacsoft.net/?m>=
Other Versions</a></p><p></p><p><b><font size=3D1>Features:</font></b><fon=
t size=3D1> </font></p><ul> <li class=3Dtiny><font size=3D1>Designed for b=
usinesses of all sizes </font></li> <li class=3Dsmall><font size=3D1>Manag=
e digital pictures, music, video, DVDs, and more </font></li> <li class=3D=
small><font size=3D1>More security with the ability to encrypt files and f=
olders </font></li> <li class=3Dsmall><font size=3D1>Built-in voice, video=
, and instant messaging support </font></li> <li class=3Dsmall><font size=3D=
1>Integration with Windows servers and management solutions </font></li></=
ul><p><span class=3Dtiny><b>Sales Rank:</b> #2<br> <b class=3Dtiny>Shippin=
g:</b> International/US or via instant download<br> <b>Date Coupon Expires=
:</b> May 30th, 2005<br> </span><font class=3Dtiny><b>Average Customer Rev=
iew:</b> <img height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-images.a=
mazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif width=
=3D64 border=3D0> Based on 868 reviews. <a href=3Dhttp://bacsoft.net/?8>Wr=
ite a review</a>.</font></p> </span><hr noShade SIZE=3D1><table border=3D0=
 cellpadding=3D0 cellspacing=3D0 style=3D"border-collapse: collapse" borde=
rcolor=3D#111111 width=3D100% id=3DAutoNumber2 height=3D337><tr><td width=3D=
100% height=3D337><b class=3Dsans>Adobe Creative Suite Premium</b><br> <sp=
an class=3Dsmall><a href=3Dhttp://bacsoft.net/?T>Adobe</a> <img border=3D0=
 src=3Dhttp://g-images.amazon.com/images/G/01/promotions/sticker/newest_ve=
rsion.gif width=3D82 height=3D14></span><br><table border=3D0><tr><td noWr=
ap><b class=3Dsmall>Choose:</b></td><td vAlign=3Dtop noWrap><table cellSpa=
cing=3D0 cellPadding=3D0 border=3D0><tr><td><a href=3Dhttp://bacsoft.net/?=
x> <select name=3DD2> <option selected>See Other Options</option> </select=
></a></td><td noWrap>&nbsp;<a href=3Dhttp://bacsoft.net/?O><input type=3Di=
mage alt=3DGo src=3Dhttp://g-images.amazon.com/images/G/01/search-browse/g=
o-button-software.gif value=3DGo border=3D0 name=3DI1 width=3D21 height=3D=
21></a></td></tr></table></td></tr></table><p><a href=3Dhttp://bacsoft.net=
/?r> <img height=3D173 src=3Dhttp://www.dd.se/Justnu/infomail/images/creat=
ivesuite.jpg width=3D160 align=3Dleft border=3D0 name=3Dprod_image></a> <s=
pan class=3Dsmall></p><table cellSpacing=3D0 cellPadding=3D0 border=3D0 he=
ight=3D44 width=3D190><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dri=
ght height=3D18 width=3D73> <b>List Price:</b></td><td height=3D18 width=3D=
13></td><td class=3Dsmall height=3D18 width=3D104> <span class=3Dlistprice=
>$1149.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3D=
right height=3D18 width=3D73> <b>Price:</b></td><td height=3D18 width=3D13=
></td><td class=3Dsmall height=3D18 width=3D104><b class=3Dprice>$99.99 </=
b></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=
=3D8 width=3D73> <b>You Save:</b></td><td height=3D8 width=3D13></td><td c=
lass=3Dsmall height=3D8 width=3D104><span class=3Dprice>$849.01 (90=
%)</span></td></tr></table><p><a href=3Dhttp://bacsoft.net/?A> <img border=
=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-cart-yell=
ow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:</b> Ava=
ilable for INSTANT download!<br> <b>Coupon Code:</b> ISe229<br> <b>Media:<=
/b> CD-ROM / Download<br> </span><br> <span class=3Dsmall><a href=3Dhttp:/=
/bacsoft.net/?q>System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://bac=
soft.net/?3>Accessories</a>&nbsp; |&nbsp; <a href=3Dhttp://bacsoft.net/?D>=
Other Versions</a></p><p></p><p><b><font size=3D1>Features:</font></b><fon=
t size=3D1> </font></p><ul> <li class=3Dsmall><font size=3D1>An integrated=
 design environment featuring the industry&#39;s foremost design tools </f=
ont></li> <li class=3Dsmall><font size=3D1>In-depth tips, expert tricks, a=
nd comprehensive design resources </font></li> <li class=3Dsmall><font siz=
e=3D1>Intuitive file finding, smooth workflow, and common interface and to=
olset </font></li> <li class=3Dsmall><font size=3D1>Single installer--cont=
rol what you install and when you install it </font></li> <li class=3Dsmal=
l><font size=3D1>Cross-media publishing--create content for both print and=
 the Web</font></li></ul> </span><p><span class=3Dtiny><b>Sales Rank:</b> =
#3<br> <b class=3Dtiny>Shipping:</b> International/US or via instant downl=
oad<br> <b>Date Coupon Expires:</b> May 30th, 2005<br> </span><font class=3D=
tiny><b>Average Customer Review:</b> <img height=3D12 alt=3D"5 out of 5 st=
ars" src=3Dhttp://g-images.amazon.com/images/G/01/x-locale/common/customer=
-reviews/stars-5-0.gif width=3D64 border=3D0> Based on 498 reviews. <a hre=
f=3Dhttp://bacsoft.net/?c>Write a review</a>. </font><br clear=3Dall></p><=
/td></tr></table></td></tr></table></td></tr></table> </form></td></tr></t=
able><p></p></body></html>

----jFSLJeruBo2jD6tEVi--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 17:59:50 2005
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From: ysh <liminal@st.rim.or.jp>
To: Loopers-Delight@loopers-delight.com
Date: Sun, 6 Nov 2005 03:00:14 +0900
Subject: New Boss Looper RC-50
In-Reply-To: <20051104142400.98F9C3BEE4@arsenic.violacea.com>
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Hi all,

Has this been mentioned on the list yet?

http://www.roland.co.jp/products/boss/RC-50.html

Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB, MIDI tempo sync...

-ysh

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 18:08:53 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: New Boss Looper RC-50
Date: Sat, 5 Nov 2005 19:10:10 +0100
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Hey, this seems so new they didn't even include it in their other
(meaning gaijin-lingo) websites. Could you elaborate some more on the
features of this thingie?

Thanks,

	Rainer


-----Urspr=FCngliche Nachricht-----
Von: ysh [mailto:liminal@st.rim.or.jp]
Gesendet: Samstag, 5. November 2005 19:00
An: Loopers-Delight@loopers-delight.com
Betreff: New Boss Looper RC-50


Hi all,

Has this been mentioned on the list yet?

http://www.roland.co.jp/products/boss/RC-50.html

Works in stereo, 3 loops (simulataneous it seems), WAV transfers via
USB, MIDI tempo sync...

-ysh

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 18:09:43 2005
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From: "Bill Edmondson" <edmondson5@comcast.net>
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Subject: RE: New Boss Looper RC-50
Date: Sat, 5 Nov 2005 13:10:50 -0500
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This one has lots of potential!

-----Original Message-----
From: ysh [mailto:liminal@st.rim.or.jp] 
Sent: Saturday, November 05, 2005 1:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: New Boss Looper RC-50

Hi all,

Has this been mentioned on the list yet?

http://www.roland.co.jp/products/boss/RC-50.html

Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB,
MIDI tempo sync...

-ysh



From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 18:11:00 2005
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Subject: RE: New Boss Looper RC-50
Date: Sat, 5 Nov 2005 13:12:04 -0500
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Can anyone translate this page? There is also a Q&A link and the bottom =
of
the page.

-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]=20
Sent: Saturday, November 05, 2005 1:10 PM
To: Loopers-Delight@loopers-delight.com
Subject: AW: New Boss Looper RC-50

Hey, this seems so new they didn't even include it in their other
(meaning gaijin-lingo) websites. Could you elaborate some more on the
features of this thingie?

Thanks,

	Rainer


-----Urspr=FCngliche Nachricht-----
Von: ysh [mailto:liminal@st.rim.or.jp]
Gesendet: Samstag, 5. November 2005 19:00
An: Loopers-Delight@loopers-delight.com
Betreff: New Boss Looper RC-50


Hi all,

Has this been mentioned on the list yet?

http://www.roland.co.jp/products/boss/RC-50.html

Works in stereo, 3 loops (simulataneous it seems), WAV transfers via
USB, MIDI tempo sync...

-ysh



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Subject: Re: New Boss Looper RC-50
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--Apple-Mail-1-436136952
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http://translate.google.com/translate?u=3Dhttp://www.roland.co.jp/=20
products/boss/RC-50.html

=93...it is possible every to make the RC-50 remember roundly. Being =20
live, you show power as a backing * tool.=94 Yes!



On Nov 5, 2005, at 10:12 AM, Bill Edmondson wrote:

> Can anyone translate this page?


--Apple-Mail-1-436136952
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=WINDOWS-1252

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><A =
href=3D"http://translate.google.com/translate?u=3Dhttp://www.roland.co.jp/=
products/boss/RC-50.html">http://translate.google.com/translate?u=3Dhttp:/=
/www.roland.co.jp/products/boss/RC-50.html</A><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>=93...<FONT =
class=3D"Apple-style-span" color=3D"#191919" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">it is possible =
every to make the RC-50 remember roundly. Being live, you show power as =
a backing * tool.=94 Yes!</SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" color=3D"#191919" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" color=3D"#191919" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" color=3D"#191919" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><BR></SPAN></FONT><DIV><DIV>On Nov 5, 2005, at 10:12 AM, Bill =
Edmondson wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">Can anyone translate this page?</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1-436136952--

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Subject: Re: New Boss Looper RC-50
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--Apple-Mail-2-436251602
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	charset=WINDOWS-1252;
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http://translate.google.com/translate?u=3Dhttp://www.roland.co.jp/=20
products/boss/RC-50.html

=93Does the RC-50 from the RC-20XL function do the point where it =20
raises with some kind of ones?

< Summary >
It has explained the RC-50 function concerning the point which is =20
raised from the RC-20XL=94




On Nov 5, 2005, at 10:12 AM, Bill Edmondson wrote:

> There is also a Q&A link and the bottom of
> the page.
>


--Apple-Mail-2-436251602
Content-Transfer-Encoding: quoted-printable
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	charset=WINDOWS-1252

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><A =
href=3D"http://translate.google.com/translate?u=3Dhttp://www.roland.co.jp/=
products/boss/RC-50.html">http://translate.google.com/translate?u=3Dhttp:/=
/www.roland.co.jp/products/boss/RC-50.html</A><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>=93<FONT =
class=3D"Apple-style-span" color=3D"#B20000" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><B>Does the =
RC-50 from the RC-20XL function do the point where it raises with some =
kind of ones?</B></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 13.3px/normal Lucida Grande; min-height: 16px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#7F7F7F" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 12px;">&lt; Summary &gt;</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#7F7F7F" =
size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
12px;">It has explained the RC-50 function concerning the point which is =
raised from the RC-20XL=94</SPAN></FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#7F7F7F" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 12px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#7F7F7F" =
size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
12px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Nov 5, =
2005, at 10:12 AM, Bill Edmondson wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">There is also a Q&amp;A =
link and the bottom of</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px =
Lucida Grande">the page.</FONT></P> <BR =
class=3D"Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV></BODY></=
HTML>=

--Apple-Mail-2-436251602--

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Date: Sat, 5 Nov 2005 10:35:41 -0800
To: Loopers-Delight@loopers-delight.com
From: Ken Higgins <khl2005@topic.net>
Subject: Re: New Boss Looper RC-50
Content-Type: multipart/alternative; boundary="============_-1080906751==_ma============"
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--============_-1080906751==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"


Hmmm...  Any info on how much, and when?

There are some intriguing/fun feature translations available at the 
Q&A page which you can reach from David C's link below:

Ken

><http://translate.google.com/translate?u=http://www.roland.co.jp/products/boss/RC-50.html>http://translate.google.com/translate?u=http://www.roland.co.jp/products/boss/RC-50.html
>
>"Does the RC-50 from the RC-20XL function do the point where it 
>raises with some kind of ones?
>
>< Summary >
>It has explained the RC-50 function concerning the point which is 
>raised from the RC-20XL"
>
>
>
>
>On Nov 5, 2005, at 10:12 AM, Bill Edmondson wrote:
>
>>There is also a Q&A link and the bottom of
>>
>>the page.

--============_-1080906751==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: New Boss Looper RC-50</title></head><body>
<div><br></div>
<div>Hmmm...&nbsp; Any info on how much, and when?</div>
<div><br></div>
<div>There are some intriguing/fun feature translations available at
the Q&amp;A page which you can reach from David C's link below:</div>
<div><br></div>
<div>Ken</div>
<div><br></div>
<blockquote type="cite" cite><a
href=
"http://translate.google.com/translate?u=http://www.roland.co.jp/products/boss/RC-50.html"><span
></span
>http://translate.google.com/translate?u=http://www.roland.co.jp/prod<span
></span>ucts/boss/RC-50.html</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>"<font size="+1"
color="#B20000"><b>Does the RC-50 from the RC-20XL function do the
point where it raises with some kind of ones?</b></font></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font color="#7F7F7F">&lt; Summary
&gt;</font></blockquote>
<blockquote type="cite" cite><font color="#7F7F7F">It has explained
the RC-50 function concerning the point which is raised from the
RC-20XL"</font></blockquote>
<blockquote type="cite" cite><font
color="#7F7F7F"><br></font></blockquote>
<blockquote type="cite" cite><font
color="#7F7F7F"><br></font></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>On Nov 5, 2005, at 10:12 AM, Bill
Edmondson wrote:</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite><font face="Lucida Grande"
size="+1">There is also a Q&amp;A link and the bottom of</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Lucida Grande" size="+1">the
page.</font></blockquote>
</blockquote>
<div><br></div>
</body>
</html>
--============_-1080906751==_ma============--

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Subject: Re: New Boss Looper RC-50
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Bill,

> Can anyone translate this page?

Babelfish can:

Popularity model LOOP of the BOSS twin pedal series STATIONRC-20XL the 
colorful input/output terminal and the new model which adds the 
function of completeness are born in the base. LOOP STATION RC-50 which 
corresponds to stereo input/output in addition corresponds to also 
music compilation is the new performance tool not only solo performance 
of guitarist/?????, as the real time sampler for DJ.

As for RC-50, with foot operation simply the phrase it is the loop 
station which recording it is possible. Recording the phrase which is 
done the ??? model which adds the numerous function which furthermore 
can expand the new performance style where it was born by RC-20XL can 
utilize in addition to guitarist/????? is RC-50 e.g., it performs the 
guitar and the base in the back, furthermore keeps repeating the phrase 
with over dubbing.
As for clear operation method of the foot pedal that way, with RC-50, 
control of the kind of phrase which uses properly 3 RC-20XL becomes 
possible. Each phrase, becoming independent, because sound 
recording/playback/over dubbing are possible, by the fact that it 
combines on/off solo performance of complicated constitution 
corresponds with room. As for the patch which consists of three 
phrases, it is possible up to maximum of 99 to retain.
In addition, purpose of performance and two plays modes which are 
adjusted to style are had. With multiple mode, it is possible to 
combine three phrases inside the patch unrestrictedly. It can record in 
the phrase which it plays back simultaneously, appoints. While changing 
three phrases one after another with simple operation, it can record 
single mode, play back.

As for RC-50, because longest 24 minutes (the stereo)/49 minutes (mono) 
long haul recording * is possible, it can use properly the various 
phrases actively. One after another recording it does, it keeps dubbing 
the phrase which it conceives overly by the fact that, also music 
production do it can.
In addition, not only the phrase of several neatness which are used in 
the solo performance, plural tunes also it is possible every to make 
RC-50 remember roundly. Being live, you show power as a backing tool.
In addition, method such as one shot and reverse and fading in can 
appoint the playback of the phrase in addition to usual loop playback. 
When stopping the phrase, setting of fading out and the loop end is 
possible. Various productions become possible.
* Recording time becomes short depending upon usage condition.

As for RC-50, not only the guitar/the base, the various musical 
instruments/the audio equipment and connection are possible. The 
musical instrument input which corresponds to stereo input (INST) and, 
also ????? power source supply input outside microphone input and the 
CD/MD player etc. of possible XLR type can connect (AUX) with, 
corresponds to the wide input source. Not to be restricted to 
guitar/based solo performance, be able to utilize, as the real time 
sampler for vocal & lap and DJ colorful performance is supported.
In addition, it equips also the optional phrase and the sub out which 
can output guide sound individually main out (the stereo/mono) to in 
addition also output. It is possible to utilize with the various 
situations.
Furthermore, expression pedal and foot switch to maximum of 4 units 
connected possibility. It is possible to allot, colorful function such 
as rise of the patch/down and sound recording of the phrase/playback, 
phrase elimination and change of the loop/one shot.

RC-50 has loaded the convenient function which it can correspond to 
various application methods. When recording from CD and the like, not 
be conspicuous in center and point the sound which normal position is 
done, the function which, to practice such as in order the center 
cancellation function which can draw up the phrase of the karaoke and 
negative one simply and the sound which is recorded from the external 
equipment and the microphone to be able to play back with the guitar & 
the amplifier the flat amplifier simulating function which does sound 
quality revision is useful is equipped.
In addition, when redoing the sound recording and, failing the over 
dubbing time and the like, it equips also redoing which cancels undo 
and the undo which can cancel the sound recording immediately 
before/over dubbing. Because redoing is possible simply, it can record 
with ease and/or repeat the phrase.

RC-50 has equipped the rhythm guide of treble quality. Loading, 
abundant pattern such as drum of lock type and percussion of Latin 
type. As the metronome not to be restricted to use, as a rhythm part at 
the time of performance it is possible to utilize.

As for RC-50, while re-raising the phrase, tap tempo and outside of the 
pedal with the expression pedal which you connect, it is possible to 
change refresh rate into real time. In addition, it loads also the 
tempo sink function which can play back the phrase where tempo differs 
at the same tempo. It is possible to combine the various phrases 
unrestrictedly. If loop ?????? function at the time of phrase sound 
recording is used, it is possible to keep advancing sound recording job 
comfortably, without being taken the air in pedal operation.
Furthermore, it corresponds to also the tempo same period due to MIDI. 
If the external MIDI equipment is connected to MIDI IN, while same 
period to do, it can do phrase sound recording/playback.

As for RC-50 through USB, it can connect with the personal computer. As 
for being able to back up the data of RC-50 with the personal computer 
of course, import/export is possible the WAV file (16bit/44.1kHz, 
Stereo/Mono) as the phrase. Processing/was compiled taking in the 
phrase which to RC-50 with the corrugated compilation software, and the 
like also it is possible to use.
Furthermore, also the loop phrase collection CD for RC-50 which 
recorded the rhythm and backing pattern has belonged.

Specs:
- Analogue-to-digital conversion: 24 bits - DA conversion: 24 bits - 
sampling frequency: 44.1kHz - Program memory -: 99 - Stipulated input 
level: INST = - 20dBu, MIC = - 50dBu and AUX = - 16dBu - input ??? - 
dance: INST = 1M ?, MIC = 1k ?, AUX = 100k ? - stipulated output level: 
MAIN OUTPUT = - 10dBu and SUB OUTPUT = - 10dBu - output ??? - dance: 
MAIN OUTPUT = 2k ?, SUB OUTPUT = 2k ?, PHONES = 47k ? - sound recording 
possible time: Stereo = approximately 24 minutes, mono = approximately 
49 minutes - ???? - ?: < Front panel > REC/PLAY/OVERDUB pedal, STOP 
pedal and TEMPO pedal, UNDO/REDO pedal, PHRASE 1 pedal, PHRASE 2 pedal 
and PHRASE 3 pedal, PATCH/VALUE dial, PARAMETER button (</>), TAP TEMPO 
button, NAME/PATCH button, CTL/EXP PEDAL button, SYSTEM/USB button, 
EXIT button, WRITE button, PLAY MODE button, LOOP SYNC button, AUTO REC 
button, INPUT MODE button and OVERDUB MODE button, LOOP QUANTIZE 
indicator and OVERDUB MODE indicator (OVERDUB, REPLACE and MOMENTARY 
PUNCH-IN) [ PHRASE EDIT ] PHRASE LEVEL knob (PHRASE 1, 2 and 3), PHRASE 
button (PHRASE 1, 2 and 3), REVERSE indicator (PHRASE 1, 2 and 3), ONE 
SHOT ?????? (PHRASE 1, 2 and 3) [ GUIDE ] LEVEL knob, SELECT button, 
START/STOP button [ INPUT LEVEL ] AUX knob, MIC knob and INST knob, 
PEAK indicator [ MASTER ] LEVEL knob < rear panel > PHANTOM switch and 
POWER switch - display: 16 column 2 line (back illumination attachment 
LCD), 7 segmented 2 columns (LED) - connected terminal: INST jack R 
(MONO)/L (standard jack), MIC connector (XLR type and ????? power 
source correspondence), AUX jack (stereo mini- type), MAIN OUTPUT jack 
R (MONO)/L (standard jack), PHONES jack (stereo standard jack), SUB 
OUTPUT jack R (MONO)/L (standard jack), EXP/CTL 3 and 4 PEDAL jacks 
(TRS standard jack), CTL 1 and 2 PEDAL jacks (TRS standard jack), USB 
connector and MIDI connector (IN/OUT), DC IN (AC adapter) jack - power 
source: DC9V = attachment AC adapter - external size: 472 (W) ×198 (D) 
×64 (H) mm - mass: 2.9kg (the AC adapter is excluded) - the accessory: 
AC adapter (ACI-100), Sound Library for RC-50 (sample phrase collection 
CD), USB cable - optional item: [ Foot switch ] FS-5U, [ dual foot 
switch ] FS - 6, [ expression pedal ] EV-5 (Roland), FV-500L/H + PCS-33 
(Roland) and [ connecting cord ] PCS-31 (Roland stereo standard plug - 
standard plug ×2), PCS-33 (Roland stereo standard plug - stereo 
standard plug)
* 0dBu = 0.775Vrms

-- 

  Ian Petersen


From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 18:44:04 2005
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Funny, this reads like a typical Roland manual...

Dave Eichenberger 
http://www.hazardfactor.com 

 
> Popularity model LOOP of the BOSS twin pedal series 
> STATIONRC-20XL the colorful input/output terminal and the new 
> model which adds the function of completeness are born in the 
> base. LOOP STATION RC-50 which corresponds to stereo 
> input/output in addition corresponds to also music 
> compilation is the new performance tool not only solo 
> performance of guitarist/?????, as the real time sampler for DJ.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 19:12:32 2005
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forgive my ignorance, but what would a "sub out" on this rc 50 provide?   i 
think i have an idea, but i'd be curious to hear what others think.......

jf

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">forgive my ignorance, but what would a=20=
"sub out" on this rc 50 provide?&nbsp;  i think i have an idea, but i'd be c=
urious to hear what others think.......<BR>
<BR>
jf</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_23d.74b4ce.309e5e1c_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 19:51:49 2005
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Date: Sat, 5 Nov 2005 11:51:44 -0800
To: Loopers-Delight@loopers-delight.com
From: Ken Higgins <khl2005@topic.net>
Subject: "Sub outs" on the Boss Looper RC-50
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>forgive my ignorance, but what would a "sub out" on this rc 50 
>provide?  i think i have an idea, but i'd be curious to hear what 
>others think.......
>
>jf


Well, if you had a loop/phrase which you were keying everything else 
off of, rhythmically speaking, it would be nice to have that louder 
in your monitor speakers/headphone mix.  Kind of like a click track, 
although it might simply be your percussion layer.  Or send that 
"rhythm track" to your live drummer so he can sync to it.

Ken
--============_-1080902189==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>&quot;Sub outs&quot; on the Boss Looper
RC-50</title></head><body>
<blockquote type="cite" cite><font face="Geneva" size="-1"
color="#000000">forgive my ignorance, but what would a &quot;sub out&quot;
on this rc 50 provide?&nbsp; i think i have an idea, but i'd be
curious to hear what others think.......<br>
<br>
jf</font></blockquote>
<div><br></div>
<div><br></div>
<div>Well, if you had a loop/phrase which you were keying everything
else off of, rhythmically speaking, it would be nice to have that
louder in your monitor speakers/headphone mix.&nbsp; Kind of like a
click track, although it might simply be your percussion layer.&nbsp;
Or send that &quot;rhythm track&quot; to your live drummer so he can
sync to it.</div>
<div><br></div>
<div>Ken</div>
</body>
</html>
--============_-1080902189==_ma============--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 21:07:10 2005
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Subject: Re: New Boss Looper RC-50
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Hmmmm,

Looks kinda cool. Roland/Boss stuff has always been pretty high quality=20
generally.
I wonder if we'll ever see this puppy stateside? They've done a number of=20
pieces
that never made it to US shores for one reason or another. Looks like it has
connections for at least 2 CV pedals on the back too -- for loop volume and=20
feedback control I'd guess. That'd be nice . . . to have both.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_256.4d0d20.309e78f8_boundary
Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hmmmm,<BR>
<BR>
Looks kinda cool. Roland/Boss stuff has always been pretty high quality gene=
rally.<BR>
I wonder if we'll ever see this puppy stateside? They've done a number of pi=
eces<BR>
that never made it to US shores for one reason or another. Looks like it has=
<BR>
connections for at least 2 CV pedals on the back too -- for loop volume and=20=
<BR>
feedback control I'd guess. That'd be nice . . . to have both.<BR>
<BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_256.4d0d20.309e78f8_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 21:15:44 2005
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Date: Sat, 05 Nov 2005 16:21:40 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: New Boss Looper RC-50
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OK - let's be frank about this.   I want it!

----- Original Message ----- 
From: "ysh" <liminal@st.rim.or.jp>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 05, 2005 1:00 PM
Subject: New Boss Looper RC-50


> Hi all,
>
> Has this been mentioned on the list yet?
>
> http://www.roland.co.jp/products/boss/RC-50.html
>
> Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB,
MIDI tempo sync...
>
> -ysh
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 21:43:18 2005
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Can one of our Japanese list friends do a proper translation to English?
The Babblefish translation is... um... babble.

Are the loops really simultaneous? Asynchronous?
Does it "force" the tempo like the RC20, or can it derive the tempo
based on start/stop recording stomps?
Can you get to reverse from one of the pedals (vs. the little buttons)?

A very very cool and interesting development, for sure.

Dig

ysh wrote:

>Hi all,
>
>Has this been mentioned on the list yet?
>
>http://www.roland.co.jp/products/boss/RC-50.html
>
>Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB, MIDI tempo sync...
>
>-ysh
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 22:04:42 2005
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On Nov 5, 2005, at 1:21 PM, David Kirkdorffer wrote:

> OK - let's be frank about this.   I want it!

Me, too.

All I need to know is that it=92s:
Stereo i/o
A floor unit
Made by Boss
Got jacks for extra pedals/switches
Got fades
Got presets
Got MIDI.

I can work with this. All other contenders can now line up behind the =20=

RC-50, AFAIC. Grinning big-time! (Unless it=92s $700! $499 I could live =20=

with...)
dc



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BR><DIV><DIV>On Nov 5, =
2005, at 1:21 PM, David Kirkdorffer wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">OK - let's be frank =
about this. <SPAN class=3D"Apple-converted-space">=A0 </SPAN>I want =
it!</FONT></P> </BLOCKQUOTE><BR></DIV><DIV>Me, =
too.</DIV><BR></DIV><DIV>All I need to know is that =
it=92s:</DIV><DIV>Stereo i/o</DIV><DIV>A floor unit</DIV><DIV>Made by =
Boss</DIV><DIV>Got=A0jacks for extra =
pedals/switches</DIV><DIV>Got=A0fades</DIV><DIV>Got =
presets</DIV><DIV>Got MIDI.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I can work with this. All =
other contenders can now line up behind the RC-50, AFAIC. Grinning =
big-time! (Unless it=92s $700! $499 I could live =
with...)</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></BODY></HTML>=

--Apple-Mail-3-449740339--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 22:19:01 2005
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Subject: AW: New Boss Looper RC-50
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Quoting from the product's page (or rather the translation):

"In addition, it equips also the optional phrase and the sub * out which
can output guide sound individually output in addition to main * out
(stereo / mono)."

"Guide" might be the click, meaning you could send your click to an
unused track on your mixer and pfl that in your cans. Nice!

(reading on, about the "guide" we read: "The RC-50 has equipped the
rhythm * guide of treble quality. It loads, abundant pattern such as
drum of lock type and percussion of Latin type. As the metronome not to
be restricted to use, as a rhythm * part at the time of performance it
is possible to utilize.")

	Rainer


-----Urspr=FCngliche Nachricht-----
Von: David Coffin [mailto:dpcoffin@earthlink.net]=20
Gesendet: Samstag, 5. November 2005 23:05
An: Loopers-Delight@loopers-delight.com
Betreff: Re: New Boss Looper RC-50




On Nov 5, 2005, at 1:21 PM, David Kirkdorffer wrote:


OK - let's be frank about this.   I want it!


Me, too.


All I need to know is that it=92s:
Stereo i/o
A floor unit
Made by Boss
Got jacks for extra pedals/switches
Got fades
Got presets
Got MIDI.


I can work with this. All other contenders can now line up behind the
RC-50, AFAIC. Grinning big-time! (Unless it=92s $700! $499 I could live
with...)
dc

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 22:26:11 2005
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Rainer - good job deciphering the meaning implied in the translation!  :-)

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 05, 2005 5:20 PM
Subject: AW: New Boss Looper RC-50


Quoting from the product's page (or rather the translation):

"In addition, it equips also the optional phrase and the sub * out which
can output guide sound individually output in addition to main * out
(stereo / mono)."

"Guide" might be the click, meaning you could send your click to an
unused track on your mixer and pfl that in your cans. Nice!

(reading on, about the "guide" we read: "The RC-50 has equipped the
rhythm * guide of treble quality. It loads, abundant pattern such as
drum of lock type and percussion of Latin type. As the metronome not to
be restricted to use, as a rhythm * part at the time of performance it
is possible to utilize.")

Rainer


-----Ursprüngliche Nachricht-----
Von: David Coffin [mailto:dpcoffin@earthlink.net]
Gesendet: Samstag, 5. November 2005 23:05
An: Loopers-Delight@loopers-delight.com
Betreff: Re: New Boss Looper RC-50




On Nov 5, 2005, at 1:21 PM, David Kirkdorffer wrote:


OK - let's be frank about this.   I want it!


Me, too.


All I need to know is that it's:
Stereo i/o
A floor unit
Made by Boss
Got jacks for extra pedals/switches
Got fades
Got presets
Got MIDI.


I can work with this. All other contenders can now line up behind the
RC-50, AFAIC. Grinning big-time! (Unless it's $700! $499 I could live
with...)
dc

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 23:31:07 2005
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Date: Sat, 5 Nov 2005 23:31:06 +0000
From: David Morton <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On 11/5/05, ArsOcarina@aol.com <ArsOcarina@aol.com> wrote:

> Looks like it has
>  connections for at least 2 CV pedals on the back

It has two TRS sockets, one's for a dual footswitch like the Boss
FS-6, the other can be switched for either another FS-6 or an EV-5
expression pedal.

So you can have either four footswitches or two footswitches and an
expression pedal.

The blurb seems to imply that the external footswitches are assignable
to different functions, and I /think/ it says the expression pedal can
control tempo and/or pitch.

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 23:36:29 2005
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: New Boss Looper RC-50
Date: Sun, 6 Nov 2005 00:37:47 +0100
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I understood that the expression pedal can be used to controll feedback
(..."with the expression * pedal which you connect, it is possible to
change refresh rate into real time.")

-----Urspr=FCngliche Nachricht-----
Von: David Morton [mailto:dmorton@gmail.com]=20
Gesendet: Sonntag, 6. November 2005 00:31
An: Loopers-Delight@loopers-delight.com
Betreff: Re: New Boss Looper RC-50


On 11/5/05, ArsOcarina@aol.com <ArsOcarina@aol.com> wrote:

> Looks like it has
>  connections for at least 2 CV pedals on the back

It has two TRS sockets, one's for a dual footswitch like the Boss FS-6,
the other can be switched for either another FS-6 or an EV-5 expression
pedal.

So you can have either four footswitches or two footswitches and an
expression pedal.

The blurb seems to imply that the external footswitches are assignable
to different functions, and I /think/ it says the expression pedal can
control tempo and/or pitch.


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On 11/5/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:

> "Guide" might be the click, meaning you could send your click to an
> unused track on your mixer and pfl that in your cans. Nice!

"Guide" is what the click's called on the RC20XL, so I'm sure this is the s=
ame.

From Loopers-Delight-request@loopers-delight.com  Sat Nov  5 23:38:17 2005
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Subject: Re: New Boss Looper RC-50
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Sunao??

Simultaneous? Asynchronous? Androgynous?

What I really want to know...can I sync it with the Repeater?

On Nov 5, 2005, at 1:43 PM, Doug Cox wrote:

> Can one of our Japanese list friends do a proper translation to  
> English?
> The Babblefish translation is... um... babble.
>
> Are the loops really simultaneous? Asynchronous?
> Does it "force" the tempo like the RC20, or can it derive the tempo
> based on start/stop recording stomps?
> Can you get to reverse from one of the pedals (vs. the little  
> buttons)?
>
> A very very cool and interesting development, for sure.
>
> Dig
>
> ysh wrote:
>
>
>> Hi all,
>>
>> Has this been mentioned on the list yet?
>>
>> http://www.roland.co.jp/products/boss/RC-50.html
>>
>> Works in stereo, 3 loops (simulataneous it seems), WAV transfers  
>> via USB, MIDI tempo sync...
>>
>> -ysh
>>
>>
>>
>>
>>
>
>
>
>

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--0-1669518861-1131244043=:80316
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how do I subsribe? and I would like to know what pedal is better
1)Boss DD20
2)Boss DR 303
I use digtech time machine now with other pedals
if you know which one of those 2 is better let me know?...Gerry

		
---------------------------------
 Yahoo! FareChase - Search multiple travel sites in one click.  
--0-1669518861-1131244043=:80316
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<DIV>how do I subsribe? and I would like to know what pedal&nbsp;is better</DIV>
<DIV>1)Boss DD20</DIV>
<DIV>2)Boss DR 303</DIV>
<DIV>I use digtech time machine now with other pedals</DIV>
<DIV>if you know which one of those 2 is better let me know?...Gerry</DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
--0-1669518861-1131244043=:80316--

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hey I just want to know which of the three  are better
1)Boss DD20
2)Boss RC20
3)Boss DR 303
if you know, get back to me.. I did not hear the Boss RC50..Gerry

Doug Cox <dougcox@pdq.net> wrote:
Can one of our Japanese list friends do a proper translation to English?
The Babblefish translation is... um... babble.

Are the loops really simultaneous? Asynchronous?
Does it "force" the tempo like the RC20, or can it derive the tempo
based on start/stop recording stomps?
Can you get to reverse from one of the pedals (vs. the little buttons)?

A very very cool and interesting development, for sure.

Dig

ysh wrote:

>Hi all,
>
>Has this been mentioned on the list yet?
>
>http://www.roland.co.jp/products/boss/RC-50.html
>
>Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB, MIDI tempo sync...
>
>-ysh
>
>
> 
>


		
---------------------------------
 Yahoo! FareChase - Search multiple travel sites in one click.  
--0-812455620-1131245256=:85034
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<DIV>hey I just want to know which of the three &nbsp;are better</DIV>
<DIV>1)Boss DD20</DIV>
<DIV>2)Boss RC20</DIV>
<DIV>3)Boss DR 303</DIV>
<DIV>if you know, get back to me.. I did not hear the Boss RC50..Gerry<BR><BR><B><I>Doug Cox &lt;dougcox@pdq.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Can one of our Japanese list friends do a proper translation to English?<BR>The Babblefish translation is... um... babble.<BR><BR>Are the loops really simultaneous? Asynchronous?<BR>Does it "force" the tempo like the RC20, or can it derive the tempo<BR>based on start/stop recording stomps?<BR>Can you get to reverse from one of the pedals (vs. the little buttons)?<BR><BR>A very very cool and interesting development, for sure.<BR><BR>Dig<BR><BR>ysh wrote:<BR><BR>&gt;Hi all,<BR>&gt;<BR>&gt;Has this been mentioned on the list yet?<BR>&gt;<BR>&gt;http://www.roland.co.jp/products/boss/RC-50.html<BR>&gt;<BR>&gt;Works in stereo, 3 loops (simulataneous it seems), WAV transfers via USB, MIDI tempo sync...<BR>&gt;<BR>&gt;-ysh<BR>&gt;<BR>&gt;<BR>&gt; <BR>&gt;<BR><BR></BLOCKQUOTE><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
--0-812455620-1131245256=:85034--

From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 02:58:55 2005
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From: Todd Pafford <calenlas@gmail.com>
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I'm hopeful we'll see it soon since all of the labeling and the text
display is in English.



On 11/5/05, ArsOcarina@aol.com <ArsOcarina@aol.com> wrote:
> Hmmmm,
>
>  Looks kinda cool. Roland/Boss stuff has always been pretty high quality
> generally.
>  I wonder if we'll ever see this puppy stateside? They've done a number o=
f
> pieces
>  that never made it to US shores for one reason or another. Looks like it
> has
>  connections for at least 2 CV pedals on the back too -- for loop volume =
and
>  feedback control I'd guess. That'd be nice . . . to have both.
>
>  Best regards,
>
>  tEd (r) kiLLiAn
>
>  "Different is not always better, but better is always different"
>
>  http://www.pfmentum.com/flux.html
>  http://www.CDbaby.com/cd/tedkillian
>  http://www.guitar9.com/fluxaeterna.html
>  http://www.garageband.com/artist/ArsOcarina
>  http://www.towerrecords.com/product.aspx?pfid=3D2845073
>  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>
>  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
>

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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: New Boss Looper RC-50
Date: Sat, 5 Nov 2005 21:28:16 -0600
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On Nov 5, 2005, at 12:44 PM, hazard factor wrote:
> Funny, this reads like a typical Roland manual...

the W-50 manual in particular comes to mind.

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 11:17:22 2005
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Subject: RC-50 translation
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Here's a quick summary of the text, sans the marketing blurb.  The pictures on the web + just the FAQ section may give a better overview of the unit's capabilities than the text on the main page.

The unit was shown at Tokyo's NAMM-equivalent show; the website still doesn't have any pricing or ship date info.

* * *

Main Page: 

-Works like 3 RC-20XLs  
-Each "Phrase" can be independently recorded/played back/overdubbed
-On/off states of each "Phrase" can be controlled freely
-A "Patch" consists of three "Phrases"  (i.e. it's a 3-stereo-track-looper)

-Two "Play Modes";
  a. Multi Mode - 3 Phrases in a Patch can be combined freely
  b. Single Mode - Switching between 3 Phrases

-Max recording time:  24 min (stereo)/49 min (mono)
-one shot/reverse/fade in "etc." playback modes
-Fade outs and Loop ending settings can be adjusted even when phrases are not being played back

-Sub Out can be assigned to specific Phrases or the guide tone
-Max. 4 exp.pedals/footswitches

-Playback speed can be altered in realtime, by tap tempo or via expression pedal.
-Can force Phrases of different tempos to play back in the same tempo ("Tempo Sync" feature)
-Loop Quantize during recording
-MIDI tempo sync

-USB Connectivity
-Settings can be stored on computer
-WAV import/export (16 bit/44.1kHz/Stereo/Mono)
-Comes with a Loop Phrase CD

FAQ:

1.
What features are new on the RC-50 compared to the RC-20XL?

Max. recording time:  49min (mono)
Stereo
3 simultaneous Phrases max.
Storage of 297 Phrases max.
379 rhythm patterns
7 pedals
Connectivity for 4 external footswitches
Expression (?)
USB
Sub Outs
MIDI In/Out
Playback Speed Realtime Control
MIDI tempo sync

2.
What can you control off the expression pedals?
Phrase Level,
Phrase Pan,
Current Level (the level of the "Current Phrase")
Current Pan (panning of the "Current Phrase")
Guide Level
Patch Level
Patch Tempo 
  note: the "Original Tempo" cannot be controlled from the exp.ped.

Level and Tempo ranges are as follows:  
Level: 0 - 200
Tempo: 40-250

3.
So how does the "tempo" feature work in relation to playback speed?  Can Phrases with different tempos be played back at the same tempo, or in other words, in sync?

"Original Tempo" / "Patch Tempo":

When a Phrase is recorded, its tempo settings are stored as an "Original Tempo".  
Every patch can have a tempo setting independent of the Original Tempos, and this Patch info is called the "Patch Tempo".

Every Phrase may have a different tempo.  Let's take this example --

Phrase 1:  100bpm
Phrase 2:  120bpm
Phrase 3:  80bpm

In such a situation, we don't know what the master tempo is.  This is where the "Patch Tempo" comes in.  You can have each Phrase lock to the Patch Tempo, or not.  Elaborating on the above scenario, you can have a setting like this:  

Phrase 1:  100bpm / Tempo Sync: ON
Phrase 2:  120bpm / Tempo Sync: ON
Phrase 3:  80bpm / Tempo Sync: OFF

When you apply a Tempo Sync, Phrases having different Original Tempos will play in sync, with the same Tempo.  
Assuming a Patch Tempo of 120, playback of the above example will be as follows:

Phrase 1:  Playback speed will be faster than the original recording (100bpm), at 120bpm.
Phrase 2:  Playback speed happens to be the same as the original (120bpm).
Phrase 3:  Tempo Sync is off, so playback speed will not be altered.

-Expression Pedal Control of Patch Tempo
The Patch Tempo can be altered in realtime from an expression pedal such as the RC-50.
max. and min. values for the tempo are user-defineable.

4.
When recording on top of a prerecorded Phrase, can I record just the new stuff onto a different phrase?

Yep.  
In Multi Mode, the playback/recording of three different snippets can be set totally independent of each other.

An example would be to record on Phrase 1, then record something on Phrase 2 while Phrase 1 is playing back.

You can also overdub on the same Phrase, if you so wish.

5.
Can you record simultaneously off the Inst., mic, and Aux inputs?

Yes.  All inputs will be mixed and recorded within the same Phrase.
Adjustments can be made from the Input Level section.  

It's not possible to record the different input sources on independent tracks (Phrases) though.

6.
Terminology - What's a "Phrase", "Patch", and "Current Phrase"?

Phrase:  Think of it as one loop.  A "phrase" is Roland lingo for a loop.
Patch:  It's a collection of three loops.  RC-50 has 99 Patches.
Current Phrase:  To record a loop, you need to specify where you're recording.  The selected Phrase is a "Current Phrase".  Rec/Play/Overdub operations are always applied on the Current Phrase.  Likewise, the indicators show the status for the Current Phrase.

One selects the Current Phrase by stepping on the Phrase 1/2/3 switch.

7.
What controls are available via MIDI?

-External MIDI sync
-Program Change/Control Change transmission:  When switching a Patch, Program Change messages are sent.  External footswitch and expression pedal operations are also sent as Continuous Controller messages.
-Pach Changes from external controllers
-Other operations from external controllers (CC#1/CC#7/CC#80):   Via MIDI, one can adjust parameters that can't be controlled from the RC-50's footswitches or pedals.

Both Global and Patch settings can be altered via CC's.  It's possible to specify whether every parameter is Global or applied only on a Patch.  

8.
So what can you do via USB?

- Backup of user data onto a computer
- Recovery, by sending settings store on a computer back onto an RC-50
- Export of RC-50 phrase data onto a computer (WAV)
- Import of WAV files in a computer, onto an RC-50

RC-50 acts as a USB mass storage class device.
It doesn't act as a USB MIDI device.

9.
Can I punch in sections of Phrase while overdubbing?

Yes.
There are 3 Overdubbing Modes, and one of them is "Momentary Punch-in".

a. Overdub - Records material on top an existing Phrase.  
b. Replace - Overwrites material onto a Phrase; acts like a single-tap delay.
c. Momentary Punch-In - Overwrites material only while the Rec/Play/Overdub pedal is depressed.  Great for correcting parts of a Phrase. 

There's an Overdub Mode switch dedicated to the feature.

From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 11:19:19 2005
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>two plays modes which are
>adjusted to style are had. With multiple mode, it is possible to
>combine three phrases inside the patch unrestrictedly. It can record in
>the phrase which it plays back simultaneously, appoints. While changing
>three phrases one after another with simple operation, it can record
>single mode, play back.

RC-50
There's 2 modes of operation.

1)
3 loops all playing at once, with individual on/off and volume control.
( and individual Reverse)
2)
  3 loops available one after the other (like edp NextLoop)

It's an "upgrade" of the RC-20XL, and many of the features are 
described in a similar manner.
So how about  you RC-20XL owners chipping in to put us right?

 >Each phrase, becoming independent, because sound
 >recording/playback/over dubbing are possible, by the fact that it
 >combines on/off solo performance of complicated constitution
 >corresponds with room.

It would seem that you can overdub (as RC-20XL).
It looks like you can do this independently on 3 simultaneous loops.

I think it highly unlikely that it's possible to run 3 loops of 
different length.
...and quite likely in mode 2) all 3 loops have the same length, which would
make that feature much less useful.

It does MIDI sync.

It can time stretch, but not pitch shift.

NO feedback control( RC-20XLer's please put me right if need be)

24bit recording?
 From what I've experienced of Roland/Boss stuff it's unlikely the analog
part of the electronics will be good enough to tell it's more than 16bit.
(because of the few pennies they save on cheaper chips)
Not that the quality is an issue, just to note that the "24" is 
probably pointless hype.


I'd like to try Midi syncing one to my EDPs,
..but on it's own it lacks (it seems)
1) feedback control
2) any way to change length of a loop ( except by stretching)

andy butler





















From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 11:33:30 2005
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Subject: AW: RC-50 translation
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What about controlling feedback with an expression pedal? To quote once
again from the translation: "with the expression * pedal which you
connect, it is possible to change refresh rate into real time.".
"Refresh" might be "feedback" (it is with some vintage delay pedals),
no?


-----Urspr=FCngliche Nachricht-----
Von: ysh [mailto:liminal@st.rim.or.jp]
Gesendet: Sonntag, 6. November 2005 12:18
An: Loopers-Delight@loopers-delight.com
Betreff: RC-50 translation


Here's a quick summary of the text, sans the marketing blurb.  The
pictures on the web + just the FAQ section may give a better overview of
the unit's capabilities than the text on the main page.

The unit was shown at Tokyo's NAMM-equivalent show; the website still
doesn't have any pricing or ship date info.

* * *

Main Page:

-Works like 3 RC-20XLs=20
-Each "Phrase" can be independently recorded/played back/overdubbed
-On/off states of each "Phrase" can be controlled freely -A "Patch"
consists of three "Phrases"  (i.e. it's a 3-stereo-track-looper)

-Two "Play Modes";
  a. Multi Mode - 3 Phrases in a Patch can be combined freely
  b. Single Mode - Switching between 3 Phrases

-Max recording time:  24 min (stereo)/49 min (mono)
-one shot/reverse/fade in "etc." playback modes
-Fade outs and Loop ending settings can be adjusted even when phrases
are not being played back

-Sub Out can be assigned to specific Phrases or the guide tone -Max. 4
exp.pedals/footswitches

-Playback speed can be altered in realtime, by tap tempo or via
expression pedal. -Can force Phrases of different tempos to play back in
the same tempo ("Tempo Sync" feature) -Loop Quantize during recording
-MIDI tempo sync

-USB Connectivity
-Settings can be stored on computer
-WAV import/export (16 bit/44.1kHz/Stereo/Mono)
-Comes with a Loop Phrase CD

FAQ:

1.
What features are new on the RC-50 compared to the RC-20XL?

Max. recording time:  49min (mono)
Stereo
3 simultaneous Phrases max.
Storage of 297 Phrases max.
379 rhythm patterns
7 pedals
Connectivity for 4 external footswitches
Expression (?)
USB
Sub Outs
MIDI In/Out
Playback Speed Realtime Control
MIDI tempo sync

2.
What can you control off the expression pedals?
Phrase Level,
Phrase Pan,
Current Level (the level of the "Current Phrase")
Current Pan (panning of the "Current Phrase")
Guide Level
Patch Level
Patch Tempo
  note: the "Original Tempo" cannot be controlled from the exp.ped.

Level and Tempo ranges are as follows:=20
Level: 0 - 200
Tempo: 40-250

3.
So how does the "tempo" feature work in relation to playback speed?  Can
Phrases with different tempos be played back at the same tempo, or in
other words, in sync?

"Original Tempo" / "Patch Tempo":

When a Phrase is recorded, its tempo settings are stored as an "Original
Tempo".=20
Every patch can have a tempo setting independent of the Original Tempos,
and this Patch info is called the "Patch Tempo".

Every Phrase may have a different tempo.  Let's take this example --

Phrase 1:  100bpm
Phrase 2:  120bpm
Phrase 3:  80bpm

In such a situation, we don't know what the master tempo is.  This is
where the "Patch Tempo" comes in.  You can have each Phrase lock to the
Patch Tempo, or not.  Elaborating on the above scenario, you can have a
setting like this:=20

Phrase 1:  100bpm / Tempo Sync: ON
Phrase 2:  120bpm / Tempo Sync: ON
Phrase 3:  80bpm / Tempo Sync: OFF

When you apply a Tempo Sync, Phrases having different Original Tempos
will play in sync, with the same Tempo.=20
Assuming a Patch Tempo of 120, playback of the above example will be as
follows:

Phrase 1:  Playback speed will be faster than the original recording
(100bpm), at 120bpm. Phrase 2:  Playback speed happens to be the same as
the original (120bpm). Phrase 3:  Tempo Sync is off, so playback speed
will not be altered.

-Expression Pedal Control of Patch Tempo
The Patch Tempo can be altered in realtime from an expression pedal such
as the RC-50. max. and min. values for the tempo are user-defineable.

4.
When recording on top of a prerecorded Phrase, can I record just the new
stuff onto a different phrase?

Yep.=20
In Multi Mode, the playback/recording of three different snippets can be
set totally independent of each other.

An example would be to record on Phrase 1, then record something on
Phrase 2 while Phrase 1 is playing back.

You can also overdub on the same Phrase, if you so wish.

5.
Can you record simultaneously off the Inst., mic, and Aux inputs?

Yes.  All inputs will be mixed and recorded within the same Phrase.
Adjustments can be made from the Input Level section.=20

It's not possible to record the different input sources on independent
tracks (Phrases) though.

6.
Terminology - What's a "Phrase", "Patch", and "Current Phrase"?

Phrase:  Think of it as one loop.  A "phrase" is Roland lingo for a
loop.
Patch:  It's a collection of three loops.  RC-50 has 99 Patches. Current
Phrase:  To record a loop, you need to specify where you're recording.
The selected Phrase is a "Current Phrase".  Rec/Play/Overdub operations
are always applied on the Current Phrase.  Likewise, the indicators show
the status for the Current Phrase.

One selects the Current Phrase by stepping on the Phrase 1/2/3 switch.

7.
What controls are available via MIDI?

-External MIDI sync
-Program Change/Control Change transmission:  When switching a Patch,
Program Change messages are sent.  External footswitch and expression
pedal operations are also sent as Continuous Controller messages. -Pach
Changes from external controllers
-Other operations from external controllers (CC#1/CC#7/CC#80):   Via
MIDI, one can adjust parameters that can't be controlled from the
RC-50's footswitches or pedals.

Both Global and Patch settings can be altered via CC's.  It's possible
to specify whether every parameter is Global or applied only on a Patch.


8.
So what can you do via USB?

- Backup of user data onto a computer
- Recovery, by sending settings store on a computer back onto an RC-50
- Export of RC-50 phrase data onto a computer (WAV)
- Import of WAV files in a computer, onto an RC-50

RC-50 acts as a USB mass storage class device.
It doesn't act as a USB MIDI device.

9.
Can I punch in sections of Phrase while overdubbing?

Yes.
There are 3 Overdubbing Modes, and one of them is "Momentary Punch-in".

a. Overdub - Records material on top an existing Phrase.=20
b. Replace - Overwrites material onto a Phrase; acts like a single-tap
delay. c. Momentary Punch-In - Overwrites material only while the
Rec/Play/Overdub pedal is depressed.  Great for correcting parts of a
Phrase.

There's an Overdub Mode switch dedicated to the feature.

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On 11/6/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> What about controlling feedback with an expression pedal? To quote once
> again from the translation: "with the expression * pedal which you
> connect, it is possible to change refresh rate into real time.".
> "Refresh" might be "feedback" (it is with some vintage delay pedals),
> no?

I used to own an RC20XL (which I really didn't like, sold it for a
good price last week thank goodness), and some of this new one looks
very similar.

However the feedback thing is a puzzle. The XL had no control over
feedback between 100% (loop) and 0% (one-shot) settings for each loop.

This new RC50 has similar loop/one-shot switching (on a per loop
basis, like the XL), plus this mention of control over 'refresh'.

If you look at the babelfish translation of the Japanese RC20XL page

http://tinyurl.com/9pdh9

and compare it with the same for the RC50

http://tinyurl.com/8el6o

the word 'refresh' isn't on the RC20XL page.

I'm hoping this means that you're right, and that 'refresh' is
feedback and it can be controlled from the expression pedal.

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On 11/6/05, a k butler <akbutler@tiscali.co.uk> wrote:

> It's an "upgrade" of the RC-20XL, and many of the features are
> described in a similar manner.
> So how about  you RC-20XL owners chipping in to put us right?

I'm a recovering RC-20XL owner (sold it last week), and I'm doing my best.

However since I managed to snag a couple of EDPs I'm not sure I'm in
the market for this one at all (especially having been so disappointed
with the XL).

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Which side of the bed did you get out of this morning, then? :))))

Microsoft Office 2003 Professional $69.95
Adobe After Effects V 6.5 Professional PC $49.95
Autodesk AutoCAD 2005 $99.95
Macromedia Dreamweaver MX 2004 $39.95

Delivery method: download version available

http://naotim.com


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Thanks very much ysh!!!!

Your post has been cross posted to the Harmony-Central effects forum 3
times already :)
http://acapella.harmony-central.com/forums/showthread.php?threadid=1077719

Still no replacement for my EDP's, but cool nonetheless.

Dig

ysh wrote:

>Here's a quick summary of the text, sans the marketing blurb.  The pictures on the web + just the FAQ section may give a better overview of the unit's capabilities than the text on the main page.
>
>The unit was shown at Tokyo's NAMM-equivalent show; the website still doesn't have any pricing or ship date info.
>
>* * *
>
>Main Page: 
>
>-Works like 3 RC-20XLs  
>-Each "Phrase" can be independently recorded/played back/overdubbed
>-On/off states of each "Phrase" can be controlled freely
>-A "Patch" consists of three "Phrases"  (i.e. it's a 3-stereo-track-looper)
>
>-Two "Play Modes";
>  a. Multi Mode - 3 Phrases in a Patch can be combined freely
>  b. Single Mode - Switching between 3 Phrases
>
>-Max recording time:  24 min (stereo)/49 min (mono)
>-one shot/reverse/fade in "etc." playback modes
>-Fade outs and Loop ending settings can be adjusted even when phrases are not being played back
>
>-Sub Out can be assigned to specific Phrases or the guide tone
>-Max. 4 exp.pedals/footswitches
>
>-Playback speed can be altered in realtime, by tap tempo or via expression pedal.
>-Can force Phrases of different tempos to play back in the same tempo ("Tempo Sync" feature)
>-Loop Quantize during recording
>-MIDI tempo sync
>
>-USB Connectivity
>-Settings can be stored on computer
>-WAV import/export (16 bit/44.1kHz/Stereo/Mono)
>-Comes with a Loop Phrase CD
>
>FAQ:
>
>1.
>What features are new on the RC-50 compared to the RC-20XL?
>
>Max. recording time:  49min (mono)
>Stereo
>3 simultaneous Phrases max.
>Storage of 297 Phrases max.
>379 rhythm patterns
>7 pedals
>Connectivity for 4 external footswitches
>Expression (?)
>USB
>Sub Outs
>MIDI In/Out
>Playback Speed Realtime Control
>MIDI tempo sync
>
>2.
>What can you control off the expression pedals?
>Phrase Level,
>Phrase Pan,
>Current Level (the level of the "Current Phrase")
>Current Pan (panning of the "Current Phrase")
>Guide Level
>Patch Level
>Patch Tempo 
>  note: the "Original Tempo" cannot be controlled from the exp.ped.
>
>Level and Tempo ranges are as follows:  
>Level: 0 - 200
>Tempo: 40-250
>
>3.
>So how does the "tempo" feature work in relation to playback speed?  Can Phrases with different tempos be played back at the same tempo, or in other words, in sync?
>
>"Original Tempo" / "Patch Tempo":
>
>When a Phrase is recorded, its tempo settings are stored as an "Original Tempo".  
>Every patch can have a tempo setting independent of the Original Tempos, and this Patch info is called the "Patch Tempo".
>
>Every Phrase may have a different tempo.  Let's take this example --
>
>Phrase 1:  100bpm
>Phrase 2:  120bpm
>Phrase 3:  80bpm
>
>In such a situation, we don't know what the master tempo is.  This is where the "Patch Tempo" comes in.  You can have each Phrase lock to the Patch Tempo, or not.  Elaborating on the above scenario, you can have a setting like this:  
>
>Phrase 1:  100bpm / Tempo Sync: ON
>Phrase 2:  120bpm / Tempo Sync: ON
>Phrase 3:  80bpm / Tempo Sync: OFF
>
>When you apply a Tempo Sync, Phrases having different Original Tempos will play in sync, with the same Tempo.  
>Assuming a Patch Tempo of 120, playback of the above example will be as follows:
>
>Phrase 1:  Playback speed will be faster than the original recording (100bpm), at 120bpm.
>Phrase 2:  Playback speed happens to be the same as the original (120bpm).
>Phrase 3:  Tempo Sync is off, so playback speed will not be altered.
>
>-Expression Pedal Control of Patch Tempo
>The Patch Tempo can be altered in realtime from an expression pedal such as the RC-50.
>max. and min. values for the tempo are user-defineable.
>
>4.
>When recording on top of a prerecorded Phrase, can I record just the new stuff onto a different phrase?
>
>Yep.  
>In Multi Mode, the playback/recording of three different snippets can be set totally independent of each other.
>
>An example would be to record on Phrase 1, then record something on Phrase 2 while Phrase 1 is playing back.
>
>You can also overdub on the same Phrase, if you so wish.
>
>5.
>Can you record simultaneously off the Inst., mic, and Aux inputs?
>
>Yes.  All inputs will be mixed and recorded within the same Phrase.
>Adjustments can be made from the Input Level section.  
>
>It's not possible to record the different input sources on independent tracks (Phrases) though.
>
>6.
>Terminology - What's a "Phrase", "Patch", and "Current Phrase"?
>
>Phrase:  Think of it as one loop.  A "phrase" is Roland lingo for a loop.
>Patch:  It's a collection of three loops.  RC-50 has 99 Patches.
>Current Phrase:  To record a loop, you need to specify where you're recording.  The selected Phrase is a "Current Phrase".  Rec/Play/Overdub operations are always applied on the Current Phrase.  Likewise, the indicators show the status for the Current Phrase.
>
>One selects the Current Phrase by stepping on the Phrase 1/2/3 switch.
>
>7.
>What controls are available via MIDI?
>
>-External MIDI sync
>-Program Change/Control Change transmission:  When switching a Patch, Program Change messages are sent.  External footswitch and expression pedal operations are also sent as Continuous Controller messages.
>-Pach Changes from external controllers
>-Other operations from external controllers (CC#1/CC#7/CC#80):   Via MIDI, one can adjust parameters that can't be controlled from the RC-50's footswitches or pedals.
>
>Both Global and Patch settings can be altered via CC's.  It's possible to specify whether every parameter is Global or applied only on a Patch.  
>
>8.
>So what can you do via USB?
>
>- Backup of user data onto a computer
>- Recovery, by sending settings store on a computer back onto an RC-50
>- Export of RC-50 phrase data onto a computer (WAV)
>- Import of WAV files in a computer, onto an RC-50
>
>RC-50 acts as a USB mass storage class device.
>It doesn't act as a USB MIDI device.
>
>9.
>Can I punch in sections of Phrase while overdubbing?
>
>Yes.
>There are 3 Overdubbing Modes, and one of them is "Momentary Punch-in".
>
>a. Overdub - Records material on top an existing Phrase.  
>b. Replace - Overwrites material onto a Phrase; acts like a single-tap delay.
>c. Momentary Punch-In - Overwrites material only while the Rec/Play/Overdub pedal is depressed.  Great for correcting parts of a Phrase. 
>
>There's an Overdub Mode switch dedicated to the feature.
>
>
>  
>

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If the manual is anything like this I won't be understanding it anytime soon:

RC-50 has loaded the convenient function which it can correspond to various 
application methods. When recording from CD and the like, not be conspicuous in 
center and point the sound which normal position is done, the function which, 
to practice such as in order the center cancellation function which can draw 
up the phrase of the karaoke and negative one simply and the sound which is 
recorded from the external equipment and the microphone to be able to play back 
with the guitar & the amplifier the flat amplifier simulating function which 
does sound quality revision is useful is equipped.
In addition, when redoing the sound recording and, failing the over dubbing 
time and the like, it equips also redoing which cancels undo and the undo which 
can cancel the sound recording immediately before/over dubbing. Because 
redoing is possible simply, it can record with ease and/or repeat the phrase. 
    
Best
Dave












--part1_21c.1fe13c1.309f9476_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><BODY BGCOLOR=3D"#ffffff"><FONT  CO=
LOR=3D"#2e2e2e" BACK=3D"#ffffff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=
=3D2 PTSIZE=3D10 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">If the manua=
l is anything like this I won't be understanding it anytime soon:<BR>
<BR>
RC-50 has loaded the convenient function which it can correspond to various=20=
application methods. When recording from CD and the like, not be conspicuous=
 in center and point the sound which normal position is done, the function w=
hich, to practice such as in order the center cancellation function which ca=
n draw up the phrase of the karaoke and negative one simply and the sound wh=
ich is recorded from the external equipment and the microphone to be able to=
 play back with the guitar &amp; the amplifier the flat amplifier simulating=
 function which does sound quality revision is useful is equipped.<BR>
In addition, when redoing the sound recording and, failing the over dubbing=20=
time and the like, it equips also redoing which cancels undo and the undo wh=
ich can cancel the sound recording immediately before/over dubbing. Because=20=
redoing is possible simply, it can record with ease and/or repeat the phrase=
.</FONT><FONT  COLOR=3D"#2e2e2e" BACK=3D"#ffffff" style=3D"BACKGROUND-COLOR:=
 #ffffff" SIZE=3D3 PTSIZE=3D12 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0=
"> <BR>
    <BR>
</FONT><FONT  COLOR=3D"#2e2e2e" BACK=3D"#ffffff" style=3D"BACKGROUND-COLOR:=20=
#ffffff" SIZE=3D2 PTSIZE=3D10 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"=
>Best<BR>
Dave</FONT><FONT  COLOR=3D"#2e2e2e" BACK=3D"#ffffff" style=3D"BACKGROUND-COL=
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From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 17:38:04 2005
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From: David Morton <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On 11/6/05, Violindave@aol.com <Violindave@aol.com> wrote:
> If the manual is anything like this I won't be understanding it anytime
> soon:

Well it seems unlikely that Boss will use babelfish to prepare the
manual. OTOH though...

The bit you quote actually describes three features that are are
shared with the RC-20XL, so are in its manual (which I no longer have,
having sold mine).

>  RC-50 has loaded the convenient function which it can correspond to vari=
ous
> application methods. When recording from CD and the like, not be conspicu=
ous
> in center and point the sound which normal position is done, the function
> which, to practice such as in order the center cancellation function whic=
h
> can draw up the phrase of the karaoke and negative one simply

That describes the 'centre cancel' mode, which tries to remove the
centre signal (instrumental soloist or vocalist) from a stereo signal
sampled using the stereo aux input (the little one with the 1/8"
stereo socket).

> and the sound
> which is recorded from the external equipment and the microphone to be ab=
le
> to play back with the guitar & the amplifier the flat amplifier simulatin=
g
> function which does sound quality revision is useful is equipped.

This is talking about the 'flat amp' sim that it also shares with the RC-20=
XL.

If you've recorded backing tracks into it (from a CD or whatever) but
are using a guitar amp for performance, you need to provide EQ to
those backing tracks so they sound acceptable through the guitar amp
(which tends to be short on top and bottom).

On the RC20XL both of these are controlled by the mode switch on the
bottom right, here's a big picture:

http://namm.harmony-central.com/SNAMM04/Content/Boss/PR/RC-20XL-top-lg.jpg

>  In addition, when redoing the sound recording and, failing the over dubb=
ing
> time and the like, it equips also redoing which cancels undo and the undo
> which can cancel the sound recording immediately before/over dubbing.
> Because redoing is possible simply, it can record with ease and/or repeat
> the phrase.

And that's describing the 'undo' function (also shared with the
RC-20XL), which lets you remove the last overdub with a long press (of
the LH pedal, on the RC-20XL). You can also undo the undo with a
subsequent long press.

From Loopers-Delight-request@loopers-delight.com  Sun Nov  6 19:16:59 2005
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>Here's a quick summary of the text, sans the marketing blurb.  The 
>pictures on the web + just the FAQ section may give a better 
>overview of the unit's capabilities than the text on the main page.
>
>The unit was shown at Tokyo's NAMM-equivalent show; the website 
>still doesn't have any pricing or ship date info.

thank you for the translation,
...much appreciated

>-one shot/reverse/fade in "etc." playback modes
>-Fade outs and Loop ending settings can be adjusted even when 
>phrases are not being played back

but no Feedback?

>-Sub Out can be assigned to specific Phrases or the guide tone

>-Playback speed can be altered in realtime, by tap tempo or via 
>expression pedal.
>-Can force Phrases of different tempos to play back in the same 
>tempo ("Tempo Sync" feature)

nice
so could record A & B parts separately, and then let them play in 
harmony later.

>Every Phrase may have a different tempo.  Let's take this example --
>
>Phrase 1:  100bpm
>Phrase 2:  120bpm
>Phrase 3:  80bpm
>
>In such a situation, we don't know what the master tempo is.  This 
>is where the "Patch Tempo" comes in.  You can have each Phrase lock 
>to the Patch Tempo, or not.

so looks like simultaneous un-synced loops
are possible  :-)

>Current Phrase:  To record a loop, you need to specify where you're 
>recording.  The selected Phrase is a "Current 
>Phrase".  Rec/Play/Overdub operations are always applied on the 
>Current Phrase.  Likewise, the indicators show the status for the 
>Current Phrase.

This is a great way to control Multiple loops.
One set of simple controls which
work on just one loop at a time.

>-Program Change/Control Change transmission:  When switching a 
>Patch, Program Change messages are sent.  External footswitch and 
>expression pedal operations are also sent as Continuous Controller messages.

well, what if you could switch patches (each with their stored loops) 
without stopping playback?

>There are 3 Overdubbing Modes, and one of them is "Momentary Punch-in".
>
>a. Overdub - Records material on top an existing Phrase.

wonder what the feedback level would be?

>
>b. Replace - Overwrites material onto a Phrase; acts like a single-tap delay.

so the equivalent in EDP speak would be "Record from play"

>c. Momentary Punch-In - Overwrites material only while the 
>Rec/Play/Overdub pedal is depressed.  Great for correcting parts of a Phrase.

that's EDP Replace


So if it had feedback control (per Phrase),
and the ability to sync the phrases in a non 1:1 ratio
(which would allow a simulation of the common use of EDP Multiply)
then we'd be only  be concerned about the lack of pitch shift.

Wonder how well it syncs to MIDI clock, and
how glitchy the loop boundary gets when you Overdub in MIDI sync.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Mon Nov  7 02:34:49 2005
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From: "Scott M2" <scott@dreamstate.to>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: The PiNG presents dreamSTATE with Lynn Harrigan, Shirzad Sharif + General Chaos Visuals
Date: Sun, 6 Nov 2005 21:35:07 -0500
Organization: dreamSTATE
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THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday November 8th - dreamSTATE
    with Lynn Harrigan, Shirzad Sharif and General Chaos Visuals

Electronic artists dreamSTATE will be performing their last show at
the PiNG until next Spring or Summer & are going all out for this one,
with two contrasting sets.  http://www.dreamSTATE.to

In the first set, Lynn Harrigan will joining them to read an arc of
poems from her new book "Moon Sea Crossing" (Black Moss Press) while
Scott M2 & Jamie Todd weave an underscore of electronic soundscapes
from their "PASSAGE" CD (inspired by Lynn's book).
http://www.lynnharrigan.com   http://cdbaby.com/cd/dreamstate2

In the second set, they tip their hat to the memory/legacy of the
great synth inventor/pioneer Dr. Robert Moog who recently passed away.
Scott will bringing out his Moog Modular synthesizer system and
Jamie will be playing several instances of the Arturia Moog V virtual
modular synth on his laptop computers. They'll be exploring chillout
grooves and driving "Berlin School" sequencing, merging their current
states of mind with the influence of German Moog synthesizer pioneers
Tangerine Dream & Kraftwerk. dreamSTATE will be joined by Shirzad Sharif
(visiting from San Francisco) playing Persian percussion instruments
the Tonbak (Zarb) and the Daf (Kurdish frame drum) plus the Tanbur
stringed instrument. This will be a one-off musical meeting of minds.
http://www.sommamusic.com   http://www.shirzadsharif.com

dreamSTATE's favourite ambient visualists General Chaos will set the
stage awash in swirling light with their hypnotic visual environments.
http://www.generalchaosvisuals.com

Between Sets CD - PiNG AMBiENCE 3 / STRiNG THiNGS by Various Artists
Tonight we feature the latest in the PiNG's series of complilation CDs.
PA3 is packed with guitar-based ambience by 13 different artists.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday November 15th - S=F6ftware with Toastybird Visuals
http://www.techno-jazz.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Trillium" by Jonathan Hughes

Washing over you with sweeping pads of sound, pulsing, orbiting,
"Trillium" is a beautiful collection of pieces by Jonathan Hughes
filled with organic sensibility. Constantly flowing in new directions
and pathways, the songs on "Trillium" move and grow in such a
way as to suggest to me a living entity brought to life through
alchemy rather than biology. Use of tones in a percussive manner,
lush sounds that evolve and reshape themselves, the sense of
"breathing" pulses, they all give form to a new entity, a new lifeform.

Tracing through the womb-like sounds of disc-opener "Imatra", to
the self-discovery implied in "Alta" and the soft reflections of "Lua",
and ending with the percussive summation of "Ganymede",
"Trillium" is a work that I believe runs parallel to our own life
experiences, our own existence. It's a disc that I think we can
all identify with, and a work that it's listeners will carry inside
for some time to come.  Beautiful and inspired.

rik maclean - rik@pingthings.com

http://www.pingthings.com =3D ambient + electronic + chill things

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

To unsubscribe - reply with 'unsubscribe' in the e-mail body.

From Loopers-Delight-request@loopers-delight.com  Mon Nov  7 04:12:47 2005
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Date: Sun, 6 Nov 2005 20:12:46 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: New Boss Looper RC-50
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Want to read a nice poem about a looper?

http://translate.google.com/translate?hl=en&sl=ja&u=http://www.roland.co.jp/products/boss/RC-50.html&prev=/search%3Fq%3Dboss%2Brc-50%26hl%3Den%26lr%3D%26client%3Dsafari%26rls%3Den-us

Make sure you get the whole URL.

This thing might be my next looper.  Repeater MK2? 
Better hurry!

M

--- ysh <liminal@st.rim.or.jp> wrote:

> Hi all,
> 
> Has this been mentioned on the list yet?
> 
> http://www.roland.co.jp/products/boss/RC-50.html
> 
> Works in stereo, 3 loops (simulataneous it seems),
> WAV transfers via USB, MIDI tempo sync...
> 
> -ysh
> 
> 



		
__________________________________ 
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Date: Sun, 6 Nov 2005 20:21:22 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: New Boss Looper RC-50
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Remember Roundly is going to be the name of my next
album.

--- David Coffin <dpcoffin@earthlink.net> wrote:

>
http://translate.google.com/translate?u=http://www.roland.co.jp/
> 
> products/boss/RC-50.html
> 
> “...it is possible every to make the RC-50 remember
> roundly. Being  
> live, you show power as a backing * tool.” Yes!
> 
> 
> 
> On Nov 5, 2005, at 10:12 AM, Bill Edmondson wrote:
> 
> > Can anyone translate this page?
> 
> 



		
__________________________________ 
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On Nov 6, 2005, at 10:12 PM, mark sottilaro wrote:
> Repeater MK2?
> Better hurry!

i heard from someone who knows someone who knows someone that the guy 
who bought the company gave up the ghost on all that stuff.


it would be nice to have some concrete information one way or another.
---
Eric Williamson
www.suitandtieguy.com

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Subject: The AM/FM Show Playlist for November 5, 2005
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http://soundscapes.us/amfm/playlists/2005/051105.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the 
internet.
I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #76                    November 5, 2005.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.  I also skipped
over Phase II directly to Phase III.


6:00 am Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
VA [Frank Van Bogaert]  Closer                   Edition #4 Sampler (Groove)
VA [Epiphany]           Mind Song                Edition #4 Sampler (Groove)
VA [Epiphany]           Sea Burst                Edition #4 Sampler (Groove)
VA [Create]             Narissa                  Edition #4 Sampler (Groove)

6:30 am Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Klaus Schulze           Into the Blue            In Blue (Revisited)
VA [Dolores Castro]     So Much                  Sequences No. 30 (EMMA)
Team Metlay             Wiard on ACID            Beneath Stars (Atomic City)
Team Metlay             False Dawn               Beneath Stars (Atomic City)
Team Metlay             Loremarie?               Beneath Stars (Atomic City)
Team Metlay             Coming Through 1999      Beneath Stars (Atomic City)

7:00 am Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Pinnacle                The Life In A Year       Meld (Everything To Excess)
IQ                      Leap of Faith            Forever Live (InsideOut)

7:30 am Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
IQ                      Nostalgia/Falling Apart  Forever Live (InsideOut)
                          at the Seam
IQ                      The Last Human Gateway   Forever Live (InsideOut)
IQ                      Fading Senses            Forever Live (InsideOut)
Pax Romana              From the Mist Rows the   Trace of Light (Silence)
                          Bard

8:00 am

 * = excerpt
VA = Various Artists (compilation)

I return to the AM/FM Show on November 12.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Nov  7 18:46:27 2005
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References: <20051103065512.6B8283BF1C@arsenic.violacea.com> <008401c5e08c$d402e550$b9b1ec0f@americas.hpqcorp.net> <009401c5e090$cc9cfcc0$b9b1ec0f@americas.hpqcorp.net> <436A37AF.20706@pdq.net>
Subject:  Bill Walker's Y2K5 Performance 
Date: Mon, 7 Nov 2005 19:46:07 +0100
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Hi Bill,
I haven't listen to your performance in Zurich, ....but now I'm listen to
that from the Y2K5.
Amazing !

Fabio Anile
http://xoomer.virgilio.it/eterogeneo/




From Loopers-Delight-request@loopers-delight.com  Mon Nov  7 23:23:17 2005
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I love a section of the MC-307 manual.  I don't
remember the exact wording but it was something like,
"Grab and twist knob until desired level of grooviness
is attained." [filter cutoff I think]

You can't make shit like that up.

--- hazard factor <artists@hazardfactor.com> wrote:

> Funny, this reads like a typical Roland manual...



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov  7 23:55:42 2005
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new version of beatpad out. I used the previsou version with a Korg ER1
and Nord modular for all my handheld music gigs. best music/midi software
I have ever used. simple and powerful.

http://news.harmony-central.com/Newp/2005/BeatPad-11.html

PS: You can check out free samples of my handheld hows/live album on the
website below. Just go tothe  Catalog and scroll down to handheld music.
 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 01:59:05 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: fretless fest
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Hey Gang:
The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless Guitar Festival, which I'm sure some of you attended.
( www.unfretted.com )

Sonic Joy,
Tim Mungenast
  


Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
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<DIV>Hey Gang:</DIV>
<DIV>The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless Guitar Festival, which I'm sure some of you attended.</DIV>
<DIV>( <A href="http://www.unfretted.com">www.unfretted.com</A>&nbsp;)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sonic Joy,</DIV>
<DIV>Tim Mungenast</DIV>
<DIV>&nbsp;&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 02:11:42 2005
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Timothy Mungenast wrote:

> Hey Gang:
> The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless 
> Guitar Festival, which I'm sure some of you attended.
> ( www.unfretted.com <http://www.unfretted.com> )

Right in my backyard and they didn't even think of asking me to play. :-)

Kidding. I knew about it, but it was so short notice. I couldn't make it.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 14:40:54 2005
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From: Rachel Goulding <rachel.goulding@connaught.plc.uk>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: query 'real time live looping'
Date: Tue, 8 Nov 2005 14:41:55 -0000 
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hey

i can imagine this is a popular question but ive scrawled the website with
no luck so any help would be much appreciated,

i play as the only guitarist in a three piece punk rock band i had the idea
to get a BOss rc-20 so i could record a chord progression or a part of  a
song so it loops and then play lead over it.

 i nearly bought one but then i read in reviews its almost impossible to get
the loop to sync naturally with the drums obviously i have it in mind to use
this regularly live.

is their a product that i could do this with? because we are a predominatly
live and untechnical band no song or set is ever exactley the same so
incorporating samplers,triggers and midi clocks would be  really difficult,
i just want some thing i can stamp on to record and stamp on to stop and
stamp on to wipe.

thanks to anyone who reads this, and again any advice would be great and i
dont have much money to spend so cheap and simple solutions 

many thanks

Rachel







Connaught honoured AIM 'Decade of Excellence' Award 

Connaught awarded Partnering Contractor of the Year 2005 

Connaught wins AIM 'Company of the Year' award 2004 

West of England Business of the Year Award Winner 2003 

Why not visit our website http://www.connaught.plc.uk 

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 14:55:44 2005
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Date: Tue, 8 Nov 2005 06:55:42 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: query 'real time live looping'
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Well, if your timing is good, and the drummer wants to make it work,
and can hear the loop clearly, it can be done.  Your timing and the
drummer's attitude are factors that your band has a lot of say in, but
the monitoring at gigs can be a bit of a crapshoot.  If you have a
second, dedicated looping amp that you can put right by the drummer,
that'd help a lot.

TravisH

On 11/8/05, Rachel Goulding <rachel.goulding@connaught.plc.uk> wrote:
>
> hey
>
> i can imagine this is a popular question but ive scrawled the website wit=
h
> no luck so any help would be much appreciated,
>
> i play as the only guitarist in a three piece punk rock band i had the id=
ea
> to get a BOss rc-20 so i could record a chord progression or a part of  a
> song so it loops and then play lead over it.
>
>  i nearly bought one but then i read in reviews its almost impossible to =
get
> the loop to sync naturally with the drums obviously i have it in mind to =
use
> this regularly live.
>
> is their a product that i could do this with? because we are a predominat=
ly
> live and untechnical band no song or set is ever exactley the same so
> incorporating samplers,triggers and midi clocks would be  really difficul=
t,
> i just want some thing i can stamp on to record and stamp on to stop and
> stamp on to wipe.
>
> thanks to anyone who reads this, and again any advice would be great and =
i
> dont have much money to spend so cheap and simple solutions
>
> many thanks
>
> Rachel
>
>
>
>
>
>
>
> Connaught honoured AIM 'Decade of Excellence' Award
>
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>
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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 14:59:36 2005
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On Tue, 8 Nov 2005, Rachel Goulding wrote:

>
> hey
>
> i can imagine this is a popular question but ive scrawled the website with
> no luck so any help would be much appreciated,
>
> i play as the only guitarist in a three piece punk rock band i had the idea
> to get a BOss rc-20 so i could record a chord progression or a part of  a
> song so it loops and then play lead over it.
>
> i nearly bought one but then i read in reviews its almost impossible to get
> the loop to sync naturally with the drums obviously i have it in mind to use
> this regularly live.
>
> is their a product that i could do this with? because we are a predominatly
> live and untechnical band no song or set is ever exactley the same so
> incorporating samplers,triggers and midi clocks would be  really difficult,
> i just want some thing i can stamp on to record and stamp on to stop and
> stamp on to wipe.
>
> thanks to anyone who reads this, and again any advice would be great and i
> dont have much money to spend so cheap and simple solutions
>
> many thanks
>
> Rachel

For simple as you describe, I suggest looking for an Akai Headrush. 
There's two versions, the older silver Headrush E1 (out of production), 
and a blue Headrush E2 (currently in production, I think). I have an E1 - 
it does up to about 11 seconds of loop that you can then record another 
layer on top of, or 21 seconds of loop that you can't record another layer 
onto. (In both cases of course, you can play live over the playing loop.)
The Headrush also tends to be cheaper than the RC-20 (XL or not).

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 15:21:32 2005
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From: Rachel Goulding <rachel.goulding@connaught.plc.uk>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: query 'real time live looping'
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okay thanks for suggestions ill look into them

our band is impecably tight tho so if the latency/bad sync effect is not a
product fault and more a musician fault then i could still get the boss?

but basically if your saying the looper is gonna be incharge of  timing and
it could be anything then i wouldnt wanna attempt it

thanks

 
-----Original Message-----
From: Travis Hartnett [mailto:travishartnett@gmail.com]
Sent: Tuesday, November 08, 2005 2:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: query 'real time live looping'


Well, if your timing is good, and the drummer wants to make it work,
and can hear the loop clearly, it can be done.  Your timing and the
drummer's attitude are factors that your band has a lot of say in, but
the monitoring at gigs can be a bit of a crapshoot.  If you have a
second, dedicated looping amp that you can put right by the drummer,
that'd help a lot.

TravisH

On 11/8/05, Rachel Goulding <rachel.goulding@connaught.plc.uk> wrote:
>
> hey
>
> i can imagine this is a popular question but ive scrawled the website with
> no luck so any help would be much appreciated,
>
> i play as the only guitarist in a three piece punk rock band i had the
idea
> to get a BOss rc-20 so i could record a chord progression or a part of  a
> song so it loops and then play lead over it.
>
>  i nearly bought one but then i read in reviews its almost impossible to
get
> the loop to sync naturally with the drums obviously i have it in mind to
use
> this regularly live.
>
> is their a product that i could do this with? because we are a
predominatly
> live and untechnical band no song or set is ever exactley the same so
> incorporating samplers,triggers and midi clocks would be  really
difficult,
> i just want some thing i can stamp on to record and stamp on to stop and
> stamp on to wipe.
>
> thanks to anyone who reads this, and again any advice would be great and i
> dont have much money to spend so cheap and simple solutions
>
> many thanks
>
> Rachel
>
>
>
>
>
>
>
> Connaught honoured AIM 'Decade of Excellence' Award
>
> Connaught awarded Partnering Contractor of the Year 2005
>
> Connaught wins AIM 'Company of the Year' award 2004
>
> West of England Business of the Year Award Winner 2003
>
> Why not visit our website http://www.connaught.plc.uk
>
> Disclaimer:
> The information transmitted is intended only for the person or entity to
> which it is addressed and may contain confidential and/or privileged
> material.  Any review, retransmission, dissemination or other use of, or
> taking of any action in reliance upon, this information by persons or
> entities other than the intended recipient is prohibited.  If you received
> this in error, please contact the sender and delete this message.
>
> Connaught plc, Head Office 01392 444546
>
> The presence of this footer indicates that this message has been scanned
for
> viruses by Network Associates Group Shield
>
>


Connaught honoured AIM 'Decade of Excellence' Award 

Connaught awarded Partnering Contractor of the Year 2005 

Connaught wins AIM 'Company of the Year' award 2004 

West of England Business of the Year Award Winner 2003 

Why not visit our website http://www.connaught.plc.uk 

Disclaimer: 
The information transmitted is intended only for the person or entity to
which it is addressed and may contain confidential and/or privileged
material.  Any review, retransmission, dissemination or other use of, or
taking of any action in reliance upon, this information by persons or
entities other than the intended recipient is prohibited.  If you received
this in error, please contact the sender and delete this message. 

Connaught plc, Head Office 01392 444546 

The presence of this footer indicates that this message has been scanned for
viruses by Network Associates Group Shield

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 15:47:21 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Pictures of RC-50
Date: Tue, 8 Nov 2005 08:47:17 -0700
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I apologize if anyone sent this URL already, but it shows some good =
pictures of the RC-50.

http://www.roland.co.jp/products/boss/RC-50.html

It wasn't clear to me in the prior emails...does this unit provide =
something equivalent to Multiply so that once you record a loop, you =
aren't limited to that length for additional loops? I wasn't sure if the =
phrase 1, 2, 3 buttons added this feature.

Kris

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I apologize if anyone sent this URL =
already, but it=20
shows some good pictures of the RC-50.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.roland.co.jp/products/boss/RC-50.html">http://www.rola=
nd.co.jp/products/boss/RC-50.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It wasn't clear to me in the prior =
emails...does=20
this unit provide something equivalent to Multiply so that once you =
record a=20
loop, you aren't limited to that length for additional loops? I wasn't =
sure if=20
the phrase 1, 2, 3 buttons added this feature.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://cdbaby.com/all/khartung"></A></FONT>&nbsp;</DIV></BODY></H=
TML>

------=_NextPart_000_04E1_01C5E441.05FE3480--


From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 15:57:39 2005
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Date: Tue, 8 Nov 2005 07:57:36 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: query 'real time live looping'
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Looping technique has two timing aspects: learning to define the start
and end points of the loop (tapping a foot at the desired point of the
downbeat while playing their instrument isn't a skill that all
musicians develop in the typical course of development) and actually
playing in time within that period while the loop is running (this
often comes a surprise to many musicians).   The musicians in a tight
trio have learned to monitor the other two musicians' playing and
adjust their own playing to sync with them without thinking about it.=20
A band can be "tight" yet still have tempo fluctuations--everyone just
fluctuates together.

Once you've got a looper you've got to "tight" in the sense of all
following the loop.  If the drummer can sync to the loop while you're
soloing, then the bassist can follow the drummer (usually easier to
hear than the rhythm guitar track) and you can wail away on top.  If
the loop tempo breathes a bit because that's what the band was doing
when you recorded the loop, then everyone has to follow that while the
loop's in playback.  I may be making this sound harder than it'll be
in practice if your band is already pretty tight.

Some looping devices have "tempo adjust" features, where they take
your loop and stretch it to make it fit a tempo, but it sounds like
you don't want that.

TravisH


On 11/8/05, Rachel Goulding <rachel.goulding@connaught.plc.uk> wrote:
> okay thanks for suggestions ill look into them
>
> our band is impecably tight tho so if the latency/bad sync effect is not =
a
> product fault and more a musician fault then i could still get the boss?
>
> but basically if your saying the looper is gonna be incharge of  timing a=
nd
> it could be anything then i wouldnt wanna attempt it
>
> thanks
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 16:30:00 2005
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From: Rachel Goulding <rachel.goulding@connaught.plc.uk>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: query 'real time live looping'
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with you, and thats been really helpfull thanks



-----Original Message-----
From: Travis Hartnett [mailto:travishartnett@gmail.com]
Sent: Tuesday, November 08, 2005 3:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: query 'real time live looping'


Looping technique has two timing aspects: learning to define the start
and end points of the loop (tapping a foot at the desired point of the
downbeat while playing their instrument isn't a skill that all
musicians develop in the typical course of development) and actually
playing in time within that period while the loop is running (this
often comes a surprise to many musicians).   The musicians in a tight
trio have learned to monitor the other two musicians' playing and
adjust their own playing to sync with them without thinking about it. 
A band can be "tight" yet still have tempo fluctuations--everyone just
fluctuates together.

Once you've got a looper you've got to "tight" in the sense of all
following the loop.  If the drummer can sync to the loop while you're
soloing, then the bassist can follow the drummer (usually easier to
hear than the rhythm guitar track) and you can wail away on top.  If
the loop tempo breathes a bit because that's what the band was doing
when you recorded the loop, then everyone has to follow that while the
loop's in playback.  I may be making this sound harder than it'll be
in practice if your band is already pretty tight.

Some looping devices have "tempo adjust" features, where they take
your loop and stretch it to make it fit a tempo, but it sounds like
you don't want that.

TravisH


On 11/8/05, Rachel Goulding <rachel.goulding@connaught.plc.uk> wrote:
> okay thanks for suggestions ill look into them
>
> our band is impecably tight tho so if the latency/bad sync effect is not a
> product fault and more a musician fault then i could still get the boss?
>
> but basically if your saying the looper is gonna be incharge of  timing
and
> it could be anything then i wouldnt wanna attempt it
>
> thanks
>
>


Connaught honoured AIM 'Decade of Excellence' Award 

Connaught awarded Partnering Contractor of the Year 2005 

Connaught wins AIM 'Company of the Year' award 2004 

West of England Business of the Year Award Winner 2003 

Why not visit our website http://www.connaught.plc.uk 

Disclaimer: 
The information transmitted is intended only for the person or entity to
which it is addressed and may contain confidential and/or privileged
material.  Any review, retransmission, dissemination or other use of, or
taking of any action in reliance upon, this information by persons or
entities other than the intended recipient is prohibited.  If you received
this in error, please contact the sender and delete this message. 

Connaught plc, Head Office 01392 444546 

The presence of this footer indicates that this message has been scanned for
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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 16:38:44 2005
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Date: Tue, 8 Nov 2005 08:38:42 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Y2K5 MP3's - THX for Making Available - Great Listening 
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--0-92298026-1131467922=:49719
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Almost like being there.
 
Regards, Paul

		
---------------------------------
 Yahoo! FareChase - Search multiple travel sites in one click.  
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<DIV>Almost like being there.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul</DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 18:22:26 2005
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Subject: RC-50, mystery box
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Nice to see that Roland is taking the looping market seriously . . .  wonder
what the list will be on this box.  

It sorta looks like FB is achievable with an expression pedal, and it's nice
that it has MIDI in and out (and probably soft thru)--and USB is a blessing.


All will be revealed in time, but doesn't it look like a logical evolution
from the popular RC-20? 

So far, looks good!

Gary


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i don't know if this has come up, but is the feeling out there that this 
unit, the rc-50, will have the capacity for doing loops of different length 
simultaneously?   ie, an acoustici guitarist recording an 8 bar chord progression 
over a 2 bar percussion loop?

jf

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i don't know if this has come up, but i=
s the feeling out there that this unit, the rc-50, will have the capacity fo=
r doing loops of different length simultaneously?&nbsp;  ie, an acoustici gu=
itarist recording an 8 bar chord progression over a 2 bar percussion loop?<B=
R>
<BR>
jf</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 18:55:05 2005
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Or an ambient guitar player playing a 3.237485 measure melodic part over 
a 12.34902 bar bed of drones? :)

I can't wait to find out the answers to these questions!

Jfloridis@aol.com wrote:

> i don't know if this has come up, but is the feeling out there that 
> this unit, the rc-50, will have the capacity for doing loops of 
> different length simultaneously?  ie, an acoustici guitarist recording 
> an 8 bar chord progression over a 2 bar percussion loop?
>
> jf

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 19:11:56 2005
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Travis,

> if your timing is good, and the drummer wants to make it work, 
> and can hear the loop clearly, it can be done.

I remember seeing the wondrous Danielle Dax in the late eighties. She 
had a three piece band with her - drums, bass, guitar - but for several 
of the songs the rhythm guitar, keyboards and even percussion was on 
tape with the rest live. Weird, but it worked - and it swung as good as 
can be! As you say, it can be done!

Whatever happened to her?

-- 

  Ian Petersen


From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 19:18:45 2005
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She became a garden designer.  Really.

I think that if the entire song has a backing track, be it on tape or
a loop, that's easier for the musicians since they don't have to shift
in mid-song between a more fluid, collective groove over to syncing to
a loop and then back.  I'm not necessarily opposed to either, mind
you, but it's a different set of challenges.

TravisH

On 11/8/05, Ian Petersen <iep@mail.dk> wrote:
> Travis,
>
> > if your timing is good, and the drummer wants to make it work,
> > and can hear the loop clearly, it can be done.
>
> I remember seeing the wondrous Danielle Dax in the late eighties. She
> had a three piece band with her - drums, bass, guitar - but for several
> of the songs the rhythm guitar, keyboards and even percussion was on
> tape with the rest live. Weird, but it worked - and it swung as good as
> can be! As you say, it can be done!
>
> Whatever happened to her?
>
> --
>
>   Ian Petersen
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 20:05:36 2005
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Hi all. Been lurking around the site for years & finally joined up. 
Everything's going into my junkmail folder, and the only time I answered to 
a post, it went straight to the sender. I didn't see my own message till 
they responded. I guess I'll have to cut&paste from my junkmail to my inbox 
in order to participate. Bit of a pain, but no more difficult than making 
accurate loops with my old PDS8000.

Anyway, I've never been able to find a CFC that worked w/my Repeater, other 
than the SimpleTech 32MB that it shipped with. I've tried the recommended 
brands w/no success, and they're not easy to return, considering that 
there's nothing really wrong w/them, other than their incompatability w/the 
Repeater. I understand that the 'Hitachi control chip set' is crucial, but 
am met w/blank stares at computer & camera stores. The cards never indicate 
that info either.

Of all the vagaries & peculiarities of the Repeater, this one's the most 
vexing to me. Are cards w/this chip still being made? Where can I get one in 
Canada?

Thanks,
David Rolling


From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 20:45:10 2005
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Subject: Re: RC-50:  simultaneous loops-different lengths?
Date: Tue, 8 Nov 2005 14:45:07 -0600
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On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> Or an ambient guitar player playing a 3.237485 measure melodic part 
> over a 12.34902 bar bed of drones? :)
>
> I can't wait to find out the answers to these questions!

i can see this thing bringing a whole new dimension to Mark Smart's 
guitar act. i can't believe he gets it together as well as he does with 
the RC-20s.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 21:20:37 2005
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Gary says
>It sorta looks like FB is achievable with an expression pedal,

how'd ya figure that?
I read the info as saying "no feedback control, but can do a fade out 
on switch off of the loop"

...but I want you to be right  :-)

Kris says
>It wasn't clear to me in the prior emails...does this unit provide 
>something equivalent to Multiply so that once you record a loop, you 
>aren't limited to that length for additional loops? I wasn't sure if 
>the phrase 1, 2, 3 buttons added this feature.

Current info seems to be that you have a choice of either unsynced,
or exactly the same length.

the fun thing is, seems it will time stretch an unsynced loop to fit.

andy butler


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Did they manage to raise enough money to buy themselves the missing frets??

On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
>
>
>
> Hey Gang:
> The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless Guitar
> Festival, which I'm sure some of you attended.
> ( www.unfretted.com )
>
> Sonic Joy,
> Tim Mungenast
>
>
>
> Timothy Mungenast
> mungenast@earthlink.net
> Why Wait? Move to EarthLink.
>
>
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: fretless fest
Date: Tue, 8 Nov 2005 17:07:52 -0500
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Nice one, man! Thanks for the much-needed laugh!
~Tim


> [Original Message]
> From: Tom Ritchford <tom@swirly.com>
> To: <mungenast@earthlink.net>
> Cc: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Date: 11/8/2005 4:21:37 PM
> Subject: Re: fretless fest
>
> Did they manage to raise enough money to buy themselves the missing
frets??
>
> On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> >
> >
> >
> > Hey Gang:
> > The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless
Guitar
> > Festival, which I'm sure some of you attended.
> > ( www.unfretted.com )
> >
> > Sonic Joy,
> > Tim Mungenast
> >
> >
> >
> > Timothy Mungenast
> > mungenast@earthlink.net
> > Why Wait? Move to EarthLink.
> >
> >
> >
> >
> >
>
>
> --
>      /t
>
> http://ax.to ... extreme NY arts and music calendar


From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 22:07:34 2005
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From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: fretless fest
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	 <26ba8d120511081321g698acd6ev832b1ff106b13b37@mail.gmail.com>
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I think they're still saving up for a tuner to share between them...

On 11/8/05, Tom Ritchford <tom@swirly.com> wrote:
> Did they manage to raise enough money to buy themselves the missing frets=
??
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 22:33:06 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20051108191845.8B2D53BEFA@arsenic.violacea.com> <6.2.3.4.0.20051108211048.02dc3d20@pop.tiscali.co.uk>
Subject: Re: Re:RC-50 ..the big questions
Date: Tue, 8 Nov 2005 15:33:00 -0700
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> Kris says
> >It wasn't clear to me in the prior emails...does this unit provide
> >something equivalent to Multiply so that once you record a loop, you
> >aren't limited to that length for additional loops? I wasn't sure if
> >the phrase 1, 2, 3 buttons added this feature.
>
> Current info seems to be that you have a choice of either unsynced,
> or exactly the same length.
>
> the fun thing is, seems it will time stretch an unsynced loop to fit.
>
> andy butler

That's interesting...time stretch without pitch transposition, I assume?
Is it just too hard to develop a multiply-like function in one of these
units?

Kris


From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 23:07:37 2005
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From: Romain <rtristelune@yahoo.fr>
Subject: Re: Re:RC-50 ..the big questions
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Do we have any info about its price and availability ?

--- Kris Hartung <khartung@cableone.net> a écrit :

> > Kris says
> > >It wasn't clear to me in the prior emails...does
> this unit provide
> > >something equivalent to Multiply so that once you
> record a loop, you
> > >aren't limited to that length for additional
> loops? I wasn't sure if
> > >the phrase 1, 2, 3 buttons added this feature.
> >
> > Current info seems to be that you have a choice of
> either unsynced,
> > or exactly the same length.
> >
> > the fun thing is, seems it will time stretch an
> unsynced loop to fit.
> >
> > andy butler
> 
> That's interesting...time stretch without pitch
> transposition, I assume?
> Is it just too hard to develop a multiply-like
> function in one of these
> units?
> 
> Kris
> 
> 
> 



	

	
		
___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 23:47:26 2005
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Date: Tue, 8 Nov 2005 15:47:24 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Re:RC-50 ..the big questions
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I had my LMS guy call Roland Canada and the rep he spoke to said this was the first he had heard/seen of the unit.
 
The rep said, though, that this isn't uncommon for Roland and that based on past experience, it'll probably be at the Winter NAMM show.
 
 
ted.

Romain <rtristelune@yahoo.fr> wrote:
Do we have any info about its price and availability ?

--- Kris Hartung a écrit :

> > Kris says
> > >It wasn't clear to me in the prior emails...does
> this unit provide
> > >something equivalent to Multiply so that once you
> record a loop, you
> > >aren't limited to that length for additional
> loops? I wasn't sure if
> > >the phrase 1, 2, 3 buttons added this feature.
> >
> > Current info seems to be that you have a choice of
> either unsynced,
> > or exactly the same length.
> >
> > the fun thing is, seems it will time stretch an
> unsynced loop to fit.
> >
> > andy butler
> 
> That's interesting...time stretch without pitch
> transposition, I assume?
> Is it just too hard to develop a multiply-like
> function in one of these
> units?
> 
> Kris
> 
> 
> 







___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com


		
---------------------------------
 Yahoo! FareChase - Search multiple travel sites in one click.  
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<DIV>I had my LMS guy call Roland Canada and the rep he spoke to said this was the first he had heard/seen of the unit.</DIV>
<DIV>&nbsp;</DIV>
<DIV>The rep said, though, that this isn't uncommon for Roland and that based on past experience, it'll probably&nbsp;be&nbsp;at the Winter NAMM show.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR><BR><B><I>Romain &lt;rtristelune@yahoo.fr&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Do we have any info about its price and availability ?<BR><BR>--- Kris Hartung <KHARTUNG@CABLEONE.NET>a écrit :<BR><BR>&gt; &gt; Kris says<BR>&gt; &gt; &gt;It wasn't clear to me in the prior emails...does<BR>&gt; this unit provide<BR>&gt; &gt; &gt;something equivalent to Multiply so that once you<BR>&gt; record a loop, you<BR>&gt; &gt; &gt;aren't limited to that length for additional<BR>&gt; loops? I wasn't sure if<BR>&gt; &gt; &gt;the phrase 1, 2, 3 buttons added this feature.<BR>&gt; &gt;<BR>&gt; &gt; Current info seems to be that you have a choice of<BR>&gt; either unsynced,<BR>&gt; &gt; or exactly the same length.<BR>&gt; &gt;<BR>&gt; &gt; the fun thing is, seems it will time stretch an<BR>&gt; unsynced loop to fit.<BR>&gt; &gt;<BR>&gt; &gt; andy butler<BR>&gt; <BR>&gt; That's interesting...time stretch without pitch<BR>&gt; transposition, I assume?<BR>&gt; Is it just too hard to
 develop a multiply-like<BR>&gt; function in one of these<BR>&gt; units?<BR>&gt; <BR>&gt; Kris<BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><BR><BR><BR><BR><BR><BR>___________________________________________________________________________ <BR>Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger <BR>Téléchargez cette version sur http://fr.messenger.yahoo.com<BR><BR></BLOCKQUOTE><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
--0-508441632-1131493644=:3204--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  8 23:49:06 2005
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From: "David Rolling" <david_rolling@sympatico.ca>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re:RC-50 ..the big questions
Date: Tue, 08 Nov 2005 23:49:03 +0000
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A poster from thegearpage e-mailed Roland who replied that it would be 
featured at winter NAMM and shipping sometime next year. No info on price.

BTW- I'm new & trying to participate here, but when I send to the LD mailing 
list, the message come straight back to my inbox. The only way anything I 
write turns up is when I respond to a pre-existing post. What am I diong 
wrong?

thanks,
David Rolling


>From: Romain <rtristelune@yahoo.fr>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Re:RC-50 ..the big questions
>Date: Wed, 9 Nov 2005 00:07:35 +0100 (CET)
>
>Do we have any info about its price and availability ?
>
>--- Kris Hartung <khartung@cableone.net> a écrit :
>
> > > Kris says
> > > >It wasn't clear to me in the prior emails...does
> > this unit provide
> > > >something equivalent to Multiply so that once you
> > record a loop, you
> > > >aren't limited to that length for additional
> > loops? I wasn't sure if
> > > >the phrase 1, 2, 3 buttons added this feature.
> > >
> > > Current info seems to be that you have a choice of
> > either unsynced,
> > > or exactly the same length.
> > >
> > > the fun thing is, seems it will time stretch an
> > unsynced loop to fit.
> > >
> > > andy butler
> >
> > That's interesting...time stretch without pitch
> > transposition, I assume?
> > Is it just too hard to develop a multiply-like
> > function in one of these
> > units?
> >
> > Kris
> >
> >
> >
>
>
>
>
>
>
>
>___________________________________________________________________________
>Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger
>Téléchargez cette version sur http://fr.messenger.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 00:43:41 2005
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From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20c.dd9d229.30a24ddb@aol.com> <4370F487.5030704@pdq.net> <fd322c5197a699517c64b6e4c8293128@suitandtieguy.com>
Subject: Re: RC-50:  simultaneous loops-different lengths?
Date: Tue, 8 Nov 2005 18:46:33 -0600
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----- Original Message ----- 
From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 08, 2005 2:45 PM
Subject: Re: RC-50: simultaneous loops-different lengths?


> On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > Or an ambient guitar player playing a 3.237485 measure melodic part
> > over a 12.34902 bar bed of drones? :)
> >
> > I can't wait to find out the answers to these questions!
>
> i can see this thing bringing a whole new dimension to Mark Smart's
> guitar act. i can't believe he gets it together as well as he does with
> the RC-20s.
> ---
> Eric Williamson
> www.suitandtieguy.com

Hi.
Glad you like the looping setup. I use the RC-20s for playback only, and the
Echoplex to do the main looping. I can keep the loops in time pretty well if I
do it in such a way that I never have to hit more than one pedal at a time.

I won't be getting an RC-50, though, because I just decided to go nuts and
ordered an Open Labs NeKo, on which I will run Reaktor to do all the looping.
And I can add my synthesizer big band horns, too. Unfortunately I have to wait
6-8 weeks for them to build it!

If this works out as well as I think I might have a couple of RC-20s (old kind),
a Jamman AND an Echoplex for sale soon.

Mark Smart
http://www.marksmart.net/

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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: RC-50:  simultaneous loops-different lengths?
Date: Tue, 8 Nov 2005 17:56:06 -0800
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Ooo! PLEASE keep us updated on how this works out! VERY interesting...


On Nov 8, 2005, at 4:46 PM, Mark Smart wrote:

> I won't be getting an RC-50, though, because I just decided to go  
> nuts and
> ordered an Open Labs NeKo, on which I will run Reaktor to do all  
> the looping.
>


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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">Ooo! PLEASE keep us updated on how this works out! VERY interesting...<DIV><BR class="khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Nov 8, 2005, at 4:46 PM, Mark Smart wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande">I won't be getting an RC-50, though, because I just decided to go nuts and</FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande">ordered an Open Labs NeKo, on which I will run Reaktor to do all the looping.</FONT></P> <BR class="Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 03:17:14 2005
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Subject: AW: RC-50:  simultaneous loops-different lengths?
Date: Wed, 9 Nov 2005 04:18:29 +0100
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Could you think about making your Reaktor looping ensembles available to
the public domain? I have been thinking about doing something in reaktor
for a long time, yet didn't invest the time to get familiar with this
beast.

	Rainer


-----Urspr=FCngliche Nachricht-----
Von: Mark Smart [mailto:mwsmart@insightbb.com]=20
Gesendet: Mittwoch, 9. November 2005 01:47
An: Loopers-Delight@loopers-delight.com
Betreff: Re: RC-50: simultaneous loops-different lengths?


----- Original Message -----=20
From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 08, 2005 2:45 PM
Subject: Re: RC-50: simultaneous loops-different lengths?


> On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > Or an ambient guitar player playing a 3.237485 measure melodic part=20
> > over a 12.34902 bar bed of drones? :)
> >
> > I can't wait to find out the answers to these questions!
>
> i can see this thing bringing a whole new dimension to Mark Smart's=20
> guitar act. i can't believe he gets it together as well as he does=20
> with the RC-20s.
> ---
> Eric Williamson
> www.suitandtieguy.com

Hi.
Glad you like the looping setup. I use the RC-20s for playback only, and
the Echoplex to do the main looping. I can keep the loops in time pretty
well if I do it in such a way that I never have to hit more than one
pedal at a time.

I won't be getting an RC-50, though, because I just decided to go nuts
and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
looping. And I can add my synthesizer big band horns, too. Unfortunately
I have to wait 6-8 weeks for them to build it!

If this works out as well as I think I might have a couple of RC-20s
(old kind), a Jamman AND an Echoplex for sale soon.

Mark Smart
http://www.marksmart.net/


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 03:59:59 2005
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Subject: Re: RC-50:  simultaneous loops-different lengths?
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Sure, I'm not as posessive about that stuff as I am about the big band synth. I
already started working it out on my PC using the Tapedeck modules in Reaktor.
Basically there is a big sequencer that you set up for each song. For each step
in the sequence you tell it what to do using a bunch of buttons. I also had it
set up to control the switching of the bass and guitar sounds of the strings on
the guitar (right now I'm using a switch on the guitar to do this).

So I would set up the steps something like this:

1. Play the hi-hat drum loop and run all six strings through the octave divider
for a bass sound.

2. Do the same as above, but recording the result into tapedeck 1.

3. Play a crash cymbal. Now switch to a drum loop at the same tempo but with a
ride cymbal. Continue running all six strings through the octave divider. Record
the result into Tapedaeck 2.

4. Play back Tapedeck 1. Run all six strings through the guitar amp simulator.
(I would play the tune's head on this part).

5. Play a crash. Play back Tapedeck 2. Continue running all six strings through
the guitar amp simulator (I would play a solo on this part).

6. Play a crash. Play back Tapedeck one. (I would play the head again on this
part.

7. Silence (I would play a break on this part, like a Take the A Train ending or
a BAsie ending.

8. Play a crash. Run the bottom two strings through the octave divider and the
top four through the amp simulator. (I would play the last chord on this part).

End of tune. I use a pedal to advance the sequencer to the next step at the
right time.

Pretty cool. Reaktor is the ultimate looping device if it's set up correctly.

On the NeKo I will also be able to run the Native Instruments B4 program and
feed it into Reaktor; that way I can lay down a jazz organ accompaniment and
then play guitar over it.

Eventually I will incorporate the big band synth into it:

http://www.marksmart.net/sounddesign/windsounds/reaktorbigband/reaktorbigband.html

I'm pretty excited about the possibilities!

Mark Smart
http://www.marksmart.net/
----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 08, 2005 9:18 PM
Subject: AW: RC-50: simultaneous loops-different lengths?


Could you think about making your Reaktor looping ensembles available to
the public domain? I have been thinking about doing something in reaktor
for a long time, yet didn't invest the time to get familiar with this
beast.

Rainer


-----Ursprüngliche Nachricht-----
Von: Mark Smart [mailto:mwsmart@insightbb.com]
Gesendet: Mittwoch, 9. November 2005 01:47
An: Loopers-Delight@loopers-delight.com
Betreff: Re: RC-50: simultaneous loops-different lengths?


----- Original Message ----- 
From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 08, 2005 2:45 PM
Subject: Re: RC-50: simultaneous loops-different lengths?


> On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > Or an ambient guitar player playing a 3.237485 measure melodic part
> > over a 12.34902 bar bed of drones? :)
> >
> > I can't wait to find out the answers to these questions!
>
> i can see this thing bringing a whole new dimension to Mark Smart's
> guitar act. i can't believe he gets it together as well as he does
> with the RC-20s.
> ---
> Eric Williamson
> www.suitandtieguy.com

Hi.
Glad you like the looping setup. I use the RC-20s for playback only, and
the Echoplex to do the main looping. I can keep the loops in time pretty
well if I do it in such a way that I never have to hit more than one
pedal at a time.

I won't be getting an RC-50, though, because I just decided to go nuts
and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
looping. And I can add my synthesizer big band horns, too. Unfortunately
I have to wait 6-8 weeks for them to build it!

If this works out as well as I think I might have a couple of RC-20s
(old kind), a Jamman AND an Echoplex for sale soon.

Mark Smart
http://www.marksmart.net/


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 04:41:19 2005
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To: Loopers-Delight@loopers-delight.com
From: Zoe Keating <cello@zoekeating.com>
Subject: gig spam: cello loops in seattle, 11/11
Date: Tue, 8 Nov 2005 20:41:15 -0800
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Hi Loopers,

I'll be playing in a looped cello set in Seattle on Friday, Nov 11th  
as part of the Rockrgrl Conference. Please, if you live in the  
Seattle area, or happen to be there this weekend, come out and see me!!

Here are the details:
Friday, Nov 11th
midnight
$7
Rendevous Grotto
2322 2nd Avenue

venue website:http://www.jewelboxtheater.com/main/event.php?id=664
my site: http:///www.zoekeating.com

Thank you very, very much,

Zoe

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 04:50:22 2005
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Subject: RE: RC-50 FB?
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-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk] 
Sent: Tuesday, November 08, 2005 1:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re:RC-50 ..the big questions

Gary says
>It sorta looks like FB is achievable with an expression pedal,

how'd ya figure that?
I read the info as saying "no feedback control, but can do a fade out 
on switch off of the loop"

...but I want you to be right  :-)

--->Translation says:
As for the RC-50, while re-raising the phrase, tap * tempo and outside of
the pedal with the expression * pedal which you connect, it is possible to
change refresh rate into real time.

But my head hurts when I try to follow the translation 8>)
G


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 08:14:13 2005
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Subject: Synchronizing Real Time Drumming with a Prerecorded Loop   was  Re: query 'real time live looping'
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Hey Rachel
I read your queery on Loopers Delight and wanted to respond as  I have a lot 
of experience with the situation that you want to create for yourself and 
your band. I am both a drummer, bassist, keyboardist, percussionist and 
vocalist who has been a professional for many years so I've been on both 
sides of the problem..........being the looper or responding to  a loop that 
I can't control myself, live.

Here's my take on the process for what it is worth:

First of all,

 I agree with the other great advice given to you.............the drummer 
has to have excellent monitoring of the loop........I'd recommend a special 
extension speaker or even amp that is dedicated to them.   If the drummer 
cannot hear the loop, all bets are off.  The most professional drummer in 
the world cannot stay synchronized (as I embarassingly found out looping 
with my brother at my Dad's 80th birthday party this last 
Sunday...........<blush>)

Secondly:

Your loops are only as good as your own timing is!   I have literally 
learned more about timing from live looping than in all the hundreds of 
click tracked recording sessions I have played in or the myriad of master 
musicians that I have accompanied from other cultures.

All the devices, no matter how expensive are like this:        You get out 
of the device what you put into it.

That being said and done, you will have to practise a bunch to get the hang 
of recording (and more importantly truncating) your loops so that they loop 
smoothly.

Once that is accomplished and if you are really tight with a good sense of 
rhythm, this won't be too difficult, the next step is getting your drummer 
to
be able to play in sync with the loop and knowing what to do if he or she 
gets off of it (which is easy to do because we are human).

This is not as simple a process as just playing together for these reasons:

Human beings normally entrain with each other so that if one slows down just 
a little bit, the accompanying musician will compensate so that
it sounds like you are playing together.  Even in really good rhythm 
sections we do a lot of this very unconciously.

If you analyze even the most competent studio group,  rhythm sections will 
have tons  and tons of very tiny rhythmic fluctuations from perfect 
metronomic time that are then compensated by natural entrainment.   The net 
effect, of course, is that the audience doesn't hear these mistakes because 
you are percieved as playing together.

When you make a rhythm guitar loop, however,   the tiny imperfections in 
your own timing are set into stone and you don't have the luxury of the loop 
entraining with the drummer............................it's all up to the 
drummer to play with the loop.

This is a lot more difficult than just being able to play tightly with each 
other.

If you get down to really micro analyzing what happens when a drummer plays 
to a guitarists loop is that the drummer will still be making those tiny
human mistakes that make a musician so much more interesting than listening 
to a strictly quantized midi sequence of samples.............they just have 
got to know how to compensate when they either speed up a little or slow 
down a little too much each time the perfectlly repeating loop happens.

In the past I've posted a series of exercises to help drumset musicians (or 
indeed, anyone) learn how to not only play ahead of the beat or behind the 
beat but how to compensate in realtime if one goes to far to one side using 
a click track, metronome or sequenced part.   This can, of course be adapted 
to playing with loops as well.

I'll post it below.

Additionally,  I would be more than happy to e-mail with your drummer so I 
can explain it better...................or if we can find time, they can 
call me
and have a quick discussion over the phone.   If they want to talk to me, 
don't cold call me as I rarely answer my phone directly.  Let's just arrange 
something over the web, first.

Best of luck.    I've never heard of a punk rocker using a looper live so 
I'm really excited that you will be breaking new ground in the looping 
world.
Do you guys feel like coming to Northern California next October to play a 
bliztkrieg 30 minute show that uses your looping in it.  If so, I"ll book 
you into the Y2K6 International Live Looping Festival.  It would be a gas 
and a privilege to have you represent there.   There's on money in it
and it's done under the most primitive of circumstances (20 minutes to load 
on stage, 10 minutes to load off stage) but it's an amazingly wonderful 
festival and very inspiring to most of the musicians who come to play it or 
watch it..

Yours,  Rick Walker
            Y2K6 International Live Looping Festival organizer
            www.looppool.info

TEACHING A DRUMMER TO PLAY ACCURATELY TO A CLICK TRACK


Set a click track to a reasonably moderate tempo (say 90 BPM), so that the
click is playing audible16th notes (not quarter notes).

DON'T DO THIS IN FRONT OF THE REST OF THE BAND.    Call a one hour break for
the rest of the musicians.
Self conciousness or being put in the spotlight is antithetical to learning
quickly, in my opinion.

Next get the drummer to count out loud along with the click track and audio
hallucinate that it is ever so slowly slowing down.
If they've never done this,  just have them repeatedly count   "One  eee
and    uh" with one syllable falling on every click.

Have them try this for a while without playing to the track until they can
do it succesfully.
You can point out that you can actually hallucinate this phenomenon audibly
and that you will at some point reach a place where you just can't hear it
slowing down anymore...........................

Now have them trying to play to the click track and repeat the very slow
'slowing down' process until they reach the limit of how slow they can hear
(and consequently play) the metronome is going.

Now you ask them to purposefully try to drag the tempo down, letting them
know that this may get jerky and they may veer off of the
metronome.

The challenge is to play as slowly as you can WITHOUT letting the metronome
get away from you.    Of course, the net result is
that the drummer will play behind the beat.

If the drummer is having problems with this.........you ask them to imagine
that they are very, very tired, or very,  very heavy or very depressed, or
lackadaisically bored, or very very hot.................a lot of these
emotional states are associated with going slow.
You can explain to them that when they are driving 60 miles per hour (sorry
about the kilometer conversion here) they can feel
really exhausted or very hot and still be driving at the same speed.    The
perception of the time it takes to drive somewhere changes
however from a time when you are excited or adrenalated or caffeinated, etc.

It is important that this exercise start at the normal tempo of the
metronome and then slowly drift to the very edge of the slowest that you can
percieve it's speed.

Once the drummer can do this successfully, the next frontier is to try and
get the drummer to let his or her tempo drift too slow
(so that the metronome gets ahead).  At this juncture, there is a strong
tenencey to try to jump back to the proper tempo
which will cause a glitchy mistake in the percieved playing by a listener
(who can't hear the click in the final recording).

You now get the drummer to play as slow as possible;    purposefully play
too slow (letting the metronome get ahead) and then
take as long as possible to drift back to the correct tempo.

************************
Once this is done,  you do the whole thing over again, hallucinating that
the metronome is speeding up.    Each side of this exercise will take about
10 to 20 minutes.

After a period of time you can ask the drummer to quickly try and slow or
speed up to the furthest limit of still playing with the click.
One they can do that, now have have them

Go to the slowest they can play accurately to the click and at this point
ask them to 'feel' how it feels to be playing there in there body.
Have them now slowly accelerate until they are playing as fast as they can
without getting away (ahead) of the metronome.  Now ask them to 'feel' how
they feel while playing like this.   Amazingly, a person can have really
different emotional associations with
these places of playing relative to the click.     If they didn't know any
better, they would swear to you that they are playing at different speeds.

One tempo can feel incredibly different depending on where you place
yourself relative to the click track.     Cultivating how this feels to you
is a very powerful way of starting to understand the very basis of tempo and
rhythm.

***************
Now you are ready to have the drummer to the final exercies:

Have them play to the click.......................then go to the slowest
that they can play and still be accurate.
Next give them one minute exactly to slowly speed up until they have reached
the fastest that they can play and still stay accurate.

Encourage them to make this speed up as slow as possible.

Now give them one minute to slow down from the fastest speed.

Repeat both exercises in 30 seconds

Repeat both exercises in 15 seconds

Repeat both exersices telling the drummer to go from slow to fast and back
again as quickly as possible without causing any
'lumpiness'.

NOW FOR THE FUN:       Record them doing this exercise and then play it back
for them without the click:

Voila..............you cannot even hear the difference in the track, despite
how radical it feels emotionally or perceptually.

the whole point is to get them to make all corrections
gradually..................In this way, they will feel when the click gets
'away' from them
but the listener won't if they are relaxed about returning to accurate.

NOW THE BEST PART.

Turn on the click and tell the drummer:   "Don't think about
anything.............just play to the click"

In 45 minutes to an hour,  the drummer will be able to relaxedly and
perfectly play in time to the metronome.


NEXT FUN EXERCISE:      learning to play to a loop that is not
perfect....................a 'lumpy' loop if you will.

Make a rhythm guitar loop that is a little bit innacurate and have the 
drummer play to it until it sounds like the drummer is playing with the 
loop.
Make several of them.....................make some horrible ones with real 
'skipping lumps' in the truncation of the loop.
A well placed crash cymbal on the downbeat of a lumpy or innacurate loop can 
frequently hide the lump.

The same games listed above can also do wonders to the feel and utilizing 
them can help the drummer to train him/herself to make compensations in case 
they get off the loops timing by a bit.

Have the drummer play as slow as he or she can to the loop without sounding 
'wrong'.   Now have them play as fast as possible without sounding 'wrong'. 
The drummer can do this by, again, audio hallucinating that the respective 
loop is either speeding up or slowing down.

Again,  do this exercise over an over with varying degrees of 'lumpiness'. 
Now, just make the best loop you can and rock on!!!

good luck,   Rick Walker (www.looppool.info)


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 08:50:54 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: GIBSON EDPs  end of the road?
Date: Wed, 9 Nov 2005 00:50:56 -0800
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I don't know if this is apocalyptic but
the Gibson EDP has been listed in the Clearance section of
the latest Musicians Friend online catalogue reduced from
the list price of $1,300 to $806.65 (down from their normal discounted price 
of $950).

http://www.musiciansfriend.com/srs7/g=clearance/search/detail/base_pid/158503X/

Kim?  Matthias?   anybody know whether this signals the end of production 
for the unit?

I surely hope not.  I"ve fallen in love with this amazing instrument and the 
musicians who use
it so creatively.

yours,  Rick 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 08:59:12 2005
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Subject: MOD FX blowouts
Date: Wed, 9 Nov 2005 00:59:13 -0800
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I just discovered that they have reduced the last batch of
Alesis mod FX to the absurd price of $25 at Musicians Friend.

I don't want to sound like an advertisement for this company, but
these are incredibly cool effects for loopers in particular because they all
have the ability to sync off of each other rhythmically.

I own the Ampliton and it is the coolest tremelo unit that not only has two 
sides to it..........you can run a 64th note square wave tremelo
through an 8th note square wave tremelo to get really interesting rhythmic 
effects.

I don't own the other two (although I have the Filter, the much discussed 
Bitr-man and the vocoder) but there ability to sync with one another
makes me want to order immediately.

The price is stupidly low and means that they will be completely gone 
forever in a few days.  If you have a little cash to spare, check them out.
You'll be happy you did and able to sell them on Ebay in two months for more 
than you paid for them if you don't.

Rick

      Alesis Ampliton Tremolo and Autopan Unit
        Low-frequency oscillator of both the tremolo and the autopan can be 
independently set. The LFO can be set to triangle, square, sample and 
hold,...

      Our Price: $24.99
      List Price: $129.00
      Rating:
      Qualifies for FREE SHIPPING!
      Alesis FAZE Multi Phaser Effect Unit
        You can choose the type of phaser from among deep mono, dual mono, 
contrary stereo, asynchronous stereo, and synchronized stereo. Beat tap 
button.

      Our Price: $24.99
      List Price: $129.00
      Rating:
      Qualifies for FREE SHIPPING!
      Alesis PHLNGR Multi Flanger Effect Unit
        All of its modulation waveforms can be beat-synchronized to the 
input music. Includes a Type switch that selects the type of flanging, a 
Beat Tap...

      Our Price: $24.99
      List Price: $129.00
      Rating:
      Qualifies for FREE SHIPPING!

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 08:59:48 2005
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: RE: GIBSON EDPs  end of the road?
Date: Wed, 9 Nov 2005 00:59:36 -0800
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It's a blem--
Hi Rick . .. 
Gary

-----Original Message-----
From: loop.pool [mailto:looppool@cruzio.com] 
Sent: Wednesday, November 09, 2005 12:51 AM
To: LOOPERS DELIGHT (posting)
Subject: GIBSON EDPs end of the road?

I don't know if this is apocalyptic but
the Gibson EDP has been listed in the Clearance section of
the latest Musicians Friend online catalogue reduced from
the list price of $1,300 to $806.65 (down from their normal discounted price

of $950).

http://www.musiciansfriend.com/srs7/g=clearance/search/detail/base_pid/15850
3X/

Kim?  Matthias?   anybody know whether this signals the end of production 
for the unit?

I surely hope not.  I"ve fallen in love with this amazing instrument and the

musicians who use
it so creatively.

yours,  Rick 



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 09:58:39 2005
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Kris wrote:
> > the fun thing is, seems it will time stretch an unsynced loop to fit.
> >
> > andy butler
>
>That's interesting...time stretch without pitch transposition, I assume?

Yes, that's a definite.

>Is it just too hard to develop a multiply-like function in one of these
>units?

It would be very easy for loops 2 & 3 to be a multiple of loop 1.
( can't be 100% sure they didn't implement that)

To do EDP type multiply would be harder, because the memory in the
RC-50 is structured to do 99 loops.

Imagine they fill up memory with loop after loop, one after the other.
Then it's a little harder to Multiply loop 2 when it's squashed between
loop1 and loop3.

...but really, I think the manufacturers just don't care to do it.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 10:05:54 2005
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>Gary says
> >It sorta looks like FB is achievable with an expression pedal,
>
>how'd ya figure that?
>I read the info as saying "no feedback control, but can do a fade out
>on switch off of the loop"
>
>...but I want you to be right  :-)
>
>--->Translation says:
>As for the RC-50, while re-raising the phrase, tap * tempo and outside of
>the pedal with the expression * pedal which you connect, it is possible to
>change refresh rate into real time.
>
>But my head hurts when I try to follow the translation 8>)

That means the time stretching when the loop length is changed.
(by tap of exp pedal)
............well, I'm in the dark too, but that seems right.

andy

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 11:57:29 2005
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Subject: --shameless plug: free music--
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Looper-folk:

You can download for free my new release, Past Andromeda,
from here:

http://www.stasisfield.com/releases/year04/sf-4007.html

Enjoy!  Lots and lots of loopage via EDP, Jamman, Vortex,
etc.

Here's a review from disquiet.com:

[ November 7, 2005 ]
SPACE MUSIC MP3: On Halloween, the Stasisfield netlabel (stasisfield.com) 
released a single, hour-long piece by musician Peter Koniuto titled Past 
Andromeda (MP3). As the name suggests, it's an exercise in space music: 
slow blooms of galactic sound that stretch from ear to ear like a blissful 
smile; sonar blurps that bring to mind how Star Trek creator Gene 
Roddenberry imagined submarines, rather than airplanes, as the Starship 
Enterprise's most significant predecessor; and occasional flurries of 
digitally messed-up speech, suggesting the space-enabled psychosis of 
Stanislaw Lem's novel Solaris. There's also a patiently plucked melody that 
sounds like the opening from the theme to Deliverance played at quarter 
speed, and each time it cycles through it grounds the track's otherwise 
heady stew of aural effluvia. The version of Past Andromeda on Stasisfield 
is a stereo reduction of an eight-speaker installation project by Koniuto, 
who first staged it at the University of the Pacific's Conservatory of 
Music in Stockton, California, back in September 2002 as part of the 
school's annual Music Beyond Performance series. The music's source 
materials include electric bass guitar, field recordings, children's toys, 
glass vases, harmonica, among other household objects. More on Koniuto at 
the website of his upstate New York studio, redsunsoundroom.com.


http://www.disquiet.com/downstream-past4.html#d20051107-stasis


______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom
Brunswick, NY

On our hi-fi this week...
http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 12:30:52 2005
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From: "Fabio Anile" <fabio.anile@tiscali.it>
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References: <6.0.1.1.0.20051109065225.01be0f58@pop.nycap.rr.com>
Subject: Re: --shameless plug: free music--
Date: Wed, 9 Nov 2005 13:30:48 +0100
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I'm listen to it, Peter.
It's "truly" Ambient music, floating, sparse and dense, with beautifull
minimal melodies appearing sometimes.
Good work !

Fabio Anile

http://xoomer.virgilio.it/eterogeneo/
http://music.download.com/eterogeneo



----- Original Message ----- 
From: "p koniuto" <peter@RedSunSoundroom.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 09, 2005 12:57 PM
Subject: --shameless plug: free music--


>
> Looper-folk:
>
> You can download for free my new release, Past Andromeda,
> from here:
>
> http://www.stasisfield.com/releases/year04/sf-4007.html
>
> Enjoy!  Lots and lots of loopage via EDP, Jamman, Vortex,
> etc.
>
> Here's a review from disquiet.com:
>
> [ November 7, 2005 ]
> SPACE MUSIC MP3: On Halloween, the Stasisfield netlabel (stasisfield.com)
> released a single, hour-long piece by musician Peter Koniuto titled Past
> Andromeda (MP3). As the name suggests, it's an exercise in space music:
> slow blooms of galactic sound that stretch from ear to ear like a blissful
> smile; sonar blurps that bring to mind how Star Trek creator Gene
> Roddenberry imagined submarines, rather than airplanes, as the Starship
> Enterprise's most significant predecessor; and occasional flurries of
> digitally messed-up speech, suggesting the space-enabled psychosis of
> Stanislaw Lem's novel Solaris. There's also a patiently plucked melody
that
> sounds like the opening from the theme to Deliverance played at quarter
> speed, and each time it cycles through it grounds the track's otherwise
> heady stew of aural effluvia. The version of Past Andromeda on Stasisfield
> is a stereo reduction of an eight-speaker installation project by Koniuto,
> who first staged it at the University of the Pacific's Conservatory of
> Music in Stockton, California, back in September 2002 as part of the
> school's annual Music Beyond Performance series. The music's source
> materials include electric bass guitar, field recordings, children's toys,
> glass vases, harmonica, among other household objects. More on Koniuto at
> the website of his upstate New York studio, redsunsoundroom.com.
>
>
> http://www.disquiet.com/downstream-past4.html#d20051107-stasis
>
>
> ______________________________
> Peter Koniuto
> Creative Recordist - Composer
> Red Sun Soundroom
> Brunswick, NY
>
> On our hi-fi this week...
> http://www.RedSunSoundroom.com
> peter AT RedSunSoundroom.com
> ______________________________
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 14:56:35 2005
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Date: Wed, 09 Nov 2005 09:56:22 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: Synchronizing Real Time Drumming with a Prerecorded Loop was Re:
 query 'real time live looping'
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 >> both sides of the problem..........being the looper or responding 
to  a loop that I can't control myself, live.

What about synching my looper to a tap-tempo controller that the drummer 
manages?

I have been trying to configure a looping environment for myself and an 
electronic percussionist who uses a VST sampler/loop playback virtual 
instrument hosted by his recording software.  I have been taking a sync 
signal out from the computer with some success, and my Repeater loops 
stay in sync with his drum loops.  However I'm looking for a solution 
that will allow us to take it outside the studio.

Syncing to the computer doesn't allow for tempo changes on the fly, so I 
figured the logical extension would be to remove the computer and 
substitute some sort of tap-tempo device.  It seems like I should be 
able to let the drummer control the looper tempo (assuming they can play 
to the tempo they establish themselves).  Anyone tried this in 
practice?  What would be a good tap-tempo device so the drummer could 
provide the MIDI sync output?

A secondary consideration - I'd like to avoid using headphones...

Thanks,
Dan Ash
White Plains, NY



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 16:17:33 2005
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Subject: Reaktor
Date: Wed, 09 Nov 2005 16:17:29 +0000
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Hi all.
I posted a screen shot of my Reaktor looper at the bottom of the page:

<http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html>

I think I'll remove the stuff that would not be useful to most people 
(like the guita processing), abd the stuff that I don't feel comfortable
posting (copyrighted jazz loop samples) and post that. The rest would make
a good general-purpose looper for anyone.

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:13:06 2005
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Subject: Re: --shameless plug: free music--
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On Nov 9, 2005, at 12:57, p koniuto wrote:

>> http://www.stasisfield.com/releases/year04/sf-4007.html


On Nov 9, 2005, at 13:30, Fabio Anile wrote:
> Good work !


I like it too :-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



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Cc: Loopers-Delight@loopers-delight.com
Subject: FS: Roland CR-8000 analog drum machine $75
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The pinnacle of the Cha-Cha vintage analog drum machines IMNSHO The Roland
CR8000 has the 808 cowbell and congas,user programming, as well as thre
sections of preset patterns and fill-ins. GREAt Highhats and 606ish
cymbals too :)

The CR8000 has din sync as well as a 1/4" trigger out (assignable to 8,16,
or programable triggers)so it makes a very nice old school clock (with RED
LED counter and large tempo knob). 

The unit I am selling is not working 100%. Many buttons don't light up and
I'm not sure if that's a cleaning problem or something more. Cosmetically
it's not bad (someone putstcikers numbers (ie: 1,2,3) on some of the
patterns once and the faceplate needs to be glued down but it's all there
and plays and I was able to program some beats in. All original knobs,
buttons, etc as well. See pics for details.

Http://www/helpwantedproductions.com/ebay/cr8000.jpg
Http://www/helpwantedproductions.com/ebay/cr8000back.jpg

I bought this "as is" being promised a lot more and kept it as a
spare. I'm being more honest in my sale now that the guy I bought it
from and don't want to part it out so I'm selling it cheap.

Would be excellent for some DIYer or one of you geeks who does mods on
these things. not bad as it is now either but I have a 606 and CR8000
combo already so I don't need this.

Asking $75 which is what I have into it. Serious offer or trades for
weird things possible. Sold as is but will gladly answer any questions. I
can do paypal. 

thanks!

D_
 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:21:54 2005
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Sorry, screwed upt he pictures URL

correct pic at:

http://www.helpwantedproductions.com/ebay/cr8000.jpg
http://www.helpwantedproductions.com/ebay/cr8000back.jpg

thanks!
 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:32:58 2005
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Subject: Re: Reaktor
From: todd reynolds <todd@toddreynolds.com>
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Here here mark... Looks great.  I for one would have fun giving it a test
run...

T.


On 11/9/05 11:17 AM, "mwsmart@insightbb.com" <mwsmart@insightbb.com> wrote:

> 
> 
> 
> Hi all.
> I posted a screen shot of my Reaktor looper at the bottom of the page:
> 
> <http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html>
> 
> I think I'll remove the stuff that would not be useful to most people
> (like the guita processing), abd the stuff that I don't feel comfortable
> posting (copyrighted jazz loop samples) and post that. The rest would make
> a good general-purpose looper for anyone.
> 
> Mark Smart
> http://www.marksmart.net
> 

-


From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:35:52 2005
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From: obadia <firlgriend@yahoo.fr>
Subject: 2 usb midi-keyboard to use together
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hello list,
long time no write. 
i have a simple request: i'm trying to connect 2
different USB keyboards to my iBook (to use together
with Live+SooperLooper). Live can see both midi
devices but only one keyboard works when the 2 are
connected via USB. 
any suggestion? 
thank you for any help.

ps: the midi controllers are an Oxygen8 by M-Audio and
a tiny eKeys by Evolution.

Stéphane


	

	
		
___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:37:58 2005
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In a message dated 9/11/05 4:17:58 pm, mwsmart@insightbb.com writes:


> www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.htm
> 
Hi,
Mark forgive my ignorance about Reaktor but does you ensemble run as a self 
executing program for those that do not have Reaktor?
Would be nice to have the option of guitar processing on other sound sources. 
  

Mark Sargeant

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 9/11/05 4:17:58 pm, mwsmart@insightbb.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">www.marksmart.net/gea=
rhack/jazzpedalboard/jazzpedalboard.htm<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
Hi,<BR>
Mark forgive my ignorance about Reaktor but does you ensemble run as a self=20=
executing program for those that do not have Reaktor?<BR>
Would be nice to have the option of guitar processing on other sound sources=
.&nbsp;  <BR>
<BR>
Mark Sargeant</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"></FONT></HTML>

--part1_ce.74a94a62.30a38df1_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:39:10 2005
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Date: Wed, 9 Nov 2005 09:39:09 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: 2 usb midi-keyboard to use together
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I forget how many USB ports the iBooks have--are you powering the
keyboards via the USB or do you have an external hub?  If the combined
power draw of the two devices is too high, you may need to use an
external powered hub.

TravisH

On 11/9/05, obadia <firlgriend@yahoo.fr> wrote:
> hello list,
> long time no write.
> i have a simple request: i'm trying to connect 2
> different USB keyboards to my iBook (to use together
> with Live+SooperLooper). Live can see both midi
> devices but only one keyboard works when the 2 are
> connected via USB.
> any suggestion?
> thank you for any help.
>
> ps: the midi controllers are an Oxygen8 by M-Audio and
> a tiny eKeys by Evolution.
>
> St=E9phane
>
>
>
>
>
>
> _________________________________________________________________________=
__
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenge=
r
> T=E9l=E9chargez cette version sur http://fr.messenger.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 17:48:16 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: 2 usb midi-keyboard to use together
Date: Wed, 9 Nov 2005 18:48:05 +0100
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On Nov 9, 2005, at 18:15, obadia wrote:

> Live can see both midi
> devices but only one keyboard works when the 2 are
> connected via USB.
> any suggestion?


It may depend on which version of Live you are running? If my memory  
serves me well on this you could only connect two MIDI inputs to Live  
4. Now, on Live 5, I don't know about any upper limit to how many  
MIDI inputs can be active. If you have Live 5, you should check the  
MIDI tab of the preferences to see that both inputs are enabled. It's  
easy to miss out on details, my microKONTROL for example does show up  
with three inputs and I'm not sure all of them are working for what  
you play on the thing. One is for eventual MIDI sent INTO the  
microKONTROL and thus passed through from its USB MIDI output.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 18:03:14 2005
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Date: Wed, 9 Nov 2005 19:01:33 +0100 (CET)
From: obadia <firlgriend@yahoo.fr>
Subject: Re: 2 usb midi-keyboard to use together
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yes! thank you!
it was indeed this tiny green square that's easy to
miss out in the MIDI tab, in order to activate the
second device. now it works!!! :)
thank you!

stéphane



--- Per Boysen <per@boysen.se> a écrit :

> On Nov 9, 2005, at 18:15, obadia wrote:
> 
> > Live can see both midi
> > devices but only one keyboard works when the 2 are
> > connected via USB.
> > any suggestion?
> 
> 
> It may depend on which version of Live you are
> running? If my memory  
> serves me well on this you could only connect two
> MIDI inputs to Live  
> 4. Now, on Live 5, I don't know about any upper
> limit to how many  
> MIDI inputs can be active. If you have Live 5, you
> should check the  
> MIDI tab of the preferences to see that both inputs
> are enabled. It's  
> easy to miss out on details, my microKONTROL for
> example does show up  
> with three inputs and I'm not sure all of them are
> working for what  
> you play on the thing. One is for eventual MIDI sent
> INTO the  
> microKONTROL and thus passed through from its USB
> MIDI output.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
> 
> 
> 
> 


___________
Stéphane Obadia
obadia@clumsybeats.org
http://www.clumsybeats.org
http://www.12rec.net/release_robsteady_019.htm


	

	
		
___________________________________________________________________________ 
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From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 18:23:50 2005
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----- Original Message ----- 
From: <Mmrksrg@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 09, 2005 11:37 AM
Subject: Re: Reaktor


> Hi,
> Mark forgive my ignorance about Reaktor but does you ensemble run as a self
> executing program for those that do not have Reaktor?
> Would be nice to have the option of guitar processing on other sound sources.
>
>
> Mark Sargeant

Nope, unfortunately you have to have Reaktor.

I posted a basic looper here at the bottom of the page:

http://www.marksmart.net/sounddesign/bysynth/reaktor/reaktor.html

Mark Smart
http://www.marksmart.net/

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 18:27:04 2005
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From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <ce.74a94a62.30a38df1@aol.com> <000b01c5e55b$24942380$e965dd0c@insightbb.com>
Subject: Re: Reaktor
Date: Wed, 9 Nov 2005 12:30:01 -0600
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BTW I heard that someone posted a complete Echoplex emulation in the Reaktor
user library. Haven't tried it.

Mark Smart
http://www.marksmart.net/
----- Original Message ----- 
From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 09, 2005 12:26 PM
Subject: Re: Reaktor


> ----- Original Message ----- 
> From: <Mmrksrg@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, November 09, 2005 11:37 AM
> Subject: Re: Reaktor
>
>
> > Hi,
> > Mark forgive my ignorance about Reaktor but does you ensemble run as a self
> > executing program for those that do not have Reaktor?
> > Would be nice to have the option of guitar processing on other sound
sources.
> >
> >
> > Mark Sargeant
>
> Nope, unfortunately you have to have Reaktor.
>
> I posted a basic looper here at the bottom of the page:
>
> http://www.marksmart.net/sounddesign/bysynth/reaktor/reaktor.html
>
> Mark Smart
> http://www.marksmart.net/
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 18:32:30 2005
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Date: Wed, 09 Nov 2005 12:32:28 -0600
From: Doug Cox <dougcox@pdq.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Synchronizing Real Time Drumming with a Prerecorded Loop was
 Re: query 'real time live looping'
References: <43720E16.3040207@Verizon.net>
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I haven't tried one of these, but it might be what you're looking for:

http://www.ploytec.com/34one/

Seems like your drummer could either stomp or hit it occasionally to 
establish tempo (and update the tempo).  Good luck with your work.

Dig

Dan Ash wrote:

>
> >> both sides of the problem..........being the looper or responding 
> to  a loop that I can't control myself, live.
>
> What about synching my looper to a tap-tempo controller that the 
> drummer manages?
>
> I have been trying to configure a looping environment for myself and 
> an electronic percussionist who uses a VST sampler/loop playback 
> virtual instrument hosted by his recording software.  I have been 
> taking a sync signal out from the computer with some success, and my 
> Repeater loops stay in sync with his drum loops.  However I'm looking 
> for a solution that will allow us to take it outside the studio.
>
> Syncing to the computer doesn't allow for tempo changes on the fly, so 
> I figured the logical extension would be to remove the computer and 
> substitute some sort of tap-tempo device.  It seems like I should be 
> able to let the drummer control the looper tempo (assuming they can 
> play to the tempo they establish themselves).  Anyone tried this in 
> practice?  What would be a good tap-tempo device so the drummer could 
> provide the MIDI sync output?
>
> A secondary consideration - I'd like to avoid using headphones...
>
> Thanks,
> Dan Ash
> White Plains, NY
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 18:34:12 2005
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To: Loopers-Delight@loopers-delight.com,
	Loopers-Delight@loopers-delight.com
Subject: Re: --shameless plug: free music--
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I too pulled it down. Very cool...Thank you for the addition to my mp3
collection.=0D
=0D
Sony =0D
 =0D
-------Original Message-------=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 11/09/05 04:30:57=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: Re: --shameless plug: free music--=0D
 =0D
I'm listen to it, Peter.=0D
It's "truly" Ambient music, floating, sparse and dense, with beautifull=0D
minimal melodies appearing sometimes.=0D
Good work !=0D
 =0D
Fabio Anile=0D
 =0D
http://xoomer.virgilio.it/eterogeneo/=0D
http://music.download.com/eterogeneo=0D
 =0D
 =0D
 =0D
----- Original Message -----=0D
From: "p koniuto" <peter@RedSunSoundroom.com>=0D
To: <Loopers-Delight@loopers-delight.com>=0D
Sent: Wednesday, November 09, 2005 12:57 PM=0D
Subject: --shameless plug: free music--=0D
 =0D
 =0D
>=0D
> Looper-folk:=0D
>=0D
> You can download for free my new release, Past Andromeda,=0D
> from here:=0D
>=0D
> http://www.stasisfield.com/releases/year04/sf-4007.html=0D
>=0D
> Enjoy!  Lots and lots of loopage via EDP, Jamman, Vortex,=0D
> etc.=0D
>=0D
> Here's a review from disquiet.com:=0D
>=0D
> [ November 7, 2005 ]=0D
> SPACE MUSIC MP3: On Halloween, the Stasisfield netlabel (stasisfield.co=
m)=0D
> released a single, hour-long piece by musician Peter Koniuto titled Pas=
t=0D
> Andromeda (MP3). As the name suggests, it's an exercise in space music:=
=0D
> slow blooms of galactic sound that stretch from ear to ear like a bliss=
ful=0D
> smile; sonar blurps that bring to mind how Star Trek creator Gene=0D
> Roddenberry imagined submarines, rather than airplanes, as the Starship=
=0D
> Enterprise's most significant predecessor; and occasional flurries of=0D
> digitally messed-up speech, suggesting the space-enabled psychosis of=0D
> Stanislaw Lem's novel Solaris. There's also a patiently plucked melody=0D
that=0D
> sounds like the opening from the theme to Deliverance played at quarter=
=0D
> speed, and each time it cycles through it grounds the track's otherwise=
=0D
> heady stew of aural effluvia. The version of Past Andromeda on Stasisfi=
eld=0D
> is a stereo reduction of an eight-speaker installation project by Koniu=
to,=0D
> who first staged it at the University of the Pacific's Conservatory of=0D
> Music in Stockton, California, back in September 2002 as part of the=0D
> school's annual Music Beyond Performance series. The music's source=0D
> materials include electric bass guitar, field recordings, children's to=
ys,=0D
> glass vases, harmonica, among other household objects. More on Koniuto =
at=0D
> the website of his upstate New York studio, redsunsoundroom.com.=0D
>=0D
>=0D
> http://www.disquiet.com/downstream-past4.html#d20051107-stasis=0D
>=0D
>=0D
> ______________________________=0D
> Peter Koniuto=0D
> Creative Recordist - Composer=0D
> Red Sun Soundroom=0D
> Brunswick, NY=0D
>=0D
> On our hi-fi this week...=0D
> http://www.RedSunSoundroom.com=0D
> peter AT RedSunSoundroom.com=0D
> ______________________________=0D
>=0D
>=0D
>=0D
 =0D
=20
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<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>I too pulled it down. Very cool...Thank you&nbsp;for the addition to=
 my mp3 collection.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 11/09/05 04:=
30:57</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: --sha=
meless plug: free music--</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm listen to it, Peter.</DIV>
<DIV>It's "truly" Ambient music, floating, sparse and dense, with beautif=
ull</DIV>
<DIV>minimal melodies appearing sometimes.</DIV>
<DIV>Good work !</DIV>
<DIV>&nbsp;</DIV>
<DIV>Fabio Anile</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://xoomer.virgilio.it/eterogeneo/">http://xoomer.virg=
ilio.it/eterogeneo/</A></DIV>
<DIV><A href=3D"http://music.download.com/eterogeneo">http://music.downlo=
ad.com/eterogeneo</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message -----</DIV>
<DIV>From: "p koniuto" &lt;<A href=3D"mailto:peter@RedSunSoundroom.com">p=
eter@RedSunSoundroom.com</A>&gt;</DIV>
<DIV>To: &lt;<A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loope=
rs-Delight@loopers-delight.com</A>&gt;</DIV>
<DIV>Sent: Wednesday, November 09, 2005 12:57 PM</DIV>
<DIV>Subject: --shameless plug: free music--</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Looper-folk:</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; You can download for free my new release, Past Andromeda,</DIV>
<DIV>&gt; from here:</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; <A href=3D"http://www.stasisfield.com/releases/year04/sf-4007.h=
tml">http://www.stasisfield.com/releases/year04/sf-4007.html</A></DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Enjoy!&nbsp;&nbsp;Lots and lots of loopage via EDP, Jamman, Vor=
tex,</DIV>
<DIV>&gt; etc.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Here's a review from disquiet.com:</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; [ November 7, 2005 ]</DIV>
<DIV>&gt; SPACE MUSIC MP3: On Halloween, the Stasisfield netlabel (stasis=
field.com)</DIV>
<DIV>&gt; released a single, hour-long piece by musician Peter Koniuto ti=
tled Past</DIV>
<DIV>&gt; Andromeda (MP3). As the name suggests, it's an exercise in spac=
e music:</DIV>
<DIV>&gt; slow blooms of galactic sound that stretch from ear to ear like=
 a blissful</DIV>
<DIV>&gt; smile; sonar blurps that bring to mind how Star Trek creator Ge=
ne</DIV>
<DIV>&gt; Roddenberry imagined submarines, rather than airplanes, as the =
Starship</DIV>
<DIV>&gt; Enterprise's most significant predecessor; and occasional flurr=
ies of</DIV>
<DIV>&gt; digitally messed-up speech, suggesting the space-enabled psycho=
sis of</DIV>
<DIV>&gt; Stanislaw Lem's novel Solaris. There's also a patiently plucked=
 melody</DIV>
<DIV>that</DIV>
<DIV>&gt; sounds like the opening from the theme to Deliverance played at=
 quarter</DIV>
<DIV>&gt; speed, and each time it cycles through it grounds the track's o=
therwise</DIV>
<DIV>&gt; heady stew of aural effluvia. The version of Past Andromeda on =
Stasisfield</DIV>
<DIV>&gt; is a stereo reduction of an eight-speaker installation project =
by Koniuto,</DIV>
<DIV>&gt; who first staged it at the University of the Pacific's Conserva=
tory of</DIV>
<DIV>&gt; Music in Stockton, California, back in September 2002 as part o=
f the</DIV>
<DIV>&gt; school's annual Music Beyond Performance series. The music's so=
urce</DIV>
<DIV>&gt; materials include electric bass guitar, field recordings, child=
ren's toys,</DIV>
<DIV>&gt; glass vases, harmonica, among other household objects. More on =
Koniuto at</DIV>
<DIV>&gt; the website of his upstate New York studio, redsunsoundroom.com=
=2E</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; <A href=3D"http://www.disquiet.com/downstream-past4.html#d20051=
107-stasis">http://www.disquiet.com/downstream-past4.html#d20051107-stasi=
s</A></DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; ______________________________</DIV>
<DIV>&gt; Peter Koniuto</DIV>
<DIV>&gt; Creative Recordist - Composer</DIV>
<DIV>&gt; Red Sun Soundroom</DIV>
<DIV>&gt; Brunswick, NY</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; On our hi-fi this week...</DIV>
<DIV>&gt; <A href=3D"http://www.RedSunSoundroom.com">http://www.RedSunSou=
ndroom.com</A></DIV>
<DIV>&gt; peter AT RedSunSoundroom.com</DIV>
<DIV>&gt; ______________________________</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
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<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_69APMY50000000000000--

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Date: Wed, 9 Nov 2005 11:01:31 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject: Re:CFC's for Repeater
To: Loopers-Delight@loopers-delight.com
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     David,

     Check out the archives at the RepeaterUsers Yahoo group for all the findings on CFC
compatibility.

     Secondly, you do not have your email client configured properly to send/recieve mail from
this list.  I would suggest contacting your ISP.  Better yet, just get a Yahoo email account and
subscribe to this list through it.

     Stephen






> 
> Hi all. Been lurking around the site for years & finally joined up. 
> Everything's going into my junkmail folder, and the only time I answered to 
> a post, it went straight to the sender. I didn't see my own message till 
> they responded. I guess I'll have to cut&paste from my junkmail to my inbox 
> in order to participate. Bit of a pain, but no more difficult than making 
> accurate loops with my old PDS8000.
> 
> Anyway, I've never been able to find a CFC that worked w/my Repeater, other 
> than the SimpleTech 32MB that it shipped with. I've tried the recommended 
> brands w/no success, and they're not easy to return, considering that 
> there's nothing really wrong w/them, other than their incompatability w/the 
> Repeater. I understand that the 'Hitachi control chip set' is crucial, but 
> am met w/blank stares at computer & camera stores. The cards never indicate 
> that info either.
> 
> Of all the vagaries & peculiarities of the Repeater, this one's the most 
> vexing to me. Are cards w/this chip still being made? Where can I get one in 
> Canada?
> 
> Thanks,
> David Rolling
> > Date: Tue, 8 Nov 2005 14:45:07 -0600
> From: Suit & Tie Guy <erwill@suitandtieguy.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC-50:  simultaneous loops-different lengths?
> 
> On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > Or an ambient guitar player playing a 3.237485 measure melodic part 
> > over a 12.34902 bar bed of drones? :)
> >
> > I can't wait to find out the answers to these questions!
> 
> i can see this thing bringing a whole new dimension to Mark Smart's 
> guitar act. i can't believe he gets it together as well as he does with 
> the RC-20s.
> ---
> Eric Williamson
> www.suitandtieguy.com
> > Date: Tue, 08 Nov 2005 21:18:38 +0000
> From: a k butler <akbutler@tiscali.co.uk>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re:RC-50 ..the big questions
> 
> Gary says
> >It sorta looks like FB is achievable with an expression pedal,
> 
> how'd ya figure that?
> I read the info as saying "no feedback control, but can do a fade out 
> on switch off of the loop"
> 
> ...but I want you to be right  :-)
> 
> Kris says
> >It wasn't clear to me in the prior emails...does this unit provide 
> >something equivalent to Multiply so that once you record a loop, you 
> >aren't limited to that length for additional loops? I wasn't sure if 
> >the phrase 1, 2, 3 buttons added this feature.
> 
> Current info seems to be that you have a choice of either unsynced,
> or exactly the same length.
> 
> the fun thing is, seems it will time stretch an unsynced loop to fit.
> 
> andy butler
> > Date: Tue, 8 Nov 2005 16:21:35 -0500
> From: Tom Ritchford <tom@swirly.com>
> To: mungenast@earthlink.net
> CC: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Subject: Re: fretless fest
> 
> Did they manage to raise enough money to buy themselves the missing frets??
> 
> On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> >
> >
> >
> > Hey Gang:
> > The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless Guitar
> > Festival, which I'm sure some of you attended.
> > ( www.unfretted.com )
> >
> > Sonic Joy,
> > Tim Mungenast
> >
> >
> >
> > Timothy Mungenast
> > mungenast@earthlink.net
> > Why Wait? Move to EarthLink.
> >
> >
> >
> >
> >
> 
> 
> --
>      /t
> 
> http://ax.to ... extreme NY arts and music calendar
> > Date: Tue, 8 Nov 2005 17:07:52 -0500
> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: fretless fest
> 
> Nice one, man! Thanks for the much-needed laugh!
> ~Tim
> 
> 
> > [Original Message]
> > From: Tom Ritchford <tom@swirly.com>
> > To: <mungenast@earthlink.net>
> > Cc: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> > Date: 11/8/2005 4:21:37 PM
> > Subject: Re: fretless fest
> >
> > Did they manage to raise enough money to buy themselves the missing
> frets??
> >
> > On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> > >
> > >
> > >
> > > Hey Gang:
> > > The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless
> Guitar
> > > Festival, which I'm sure some of you attended.
> > > ( www.unfretted.com )
> > >
> > > Sonic Joy,
> > > Tim Mungenast
> > >
> > >
> > >
> > > Timothy Mungenast
> > > mungenast@earthlink.net
> > > Why Wait? Move to EarthLink.
> > >
> > >
> > >
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> > Date: Tue, 8 Nov 2005 14:07:31 -0800
> From: Travis Hartnett <travishartnett@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: fretless fest
> 
> I think they're still saving up for a tuner to share between them...
> 
> On 11/8/05, Tom Ritchford <tom@swirly.com> wrote:
> > Did they manage to raise enough money to buy themselves the missing frets??
> >
> > Date: Tue, 8 Nov 2005 15:33:00 -0700
> From: "Kris Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: Re:RC-50 ..the big questions
> 
> > Kris says
> > >It wasn't clear to me in the prior emails...does this unit provide
> > >something equivalent to Multiply so that once you record a loop, you
> > >aren't limited to that length for additional loops? I wasn't sure if
> > >the phrase 1, 2, 3 buttons added this feature.
> >
> > Current info seems to be that you have a choice of either unsynced,
> > or exactly the same length.
> >
> > the fun thing is, seems it will time stretch an unsynced loop to fit.
> >
> > andy butler
> 
> That's interesting...time stretch without pitch transposition, I assume?
> Is it just too hard to develop a multiply-like function in one of these
> units?
> 
> Kris
> > Date: Wed, 9 Nov 2005 00:07:35 +0100 (CET)
> From: Romain <rtristelune@yahoo.fr>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re:RC-50 ..the big questions
> 
> Do we have any info about its price and availability ?
> 
> --- Kris Hartung <khartung@cableone.net> a écrit :
> 
> > > Kris says
> > > >It wasn't clear to me in the prior emails...does
> > this unit provide
> > > >something equivalent to Multiply so that once you
> > record a loop, you
> > > >aren't limited to that length for additional
> > loops? I wasn't sure if
> > > >the phrase 1, 2, 3 buttons added this feature.
> > >
> > > Current info seems to be that you have a choice of
> > either unsynced,
> > > or exactly the same length.
> > >
> > > the fun thing is, seems it will time stretch an
> > unsynced loop to fit.
> > >
> > > andy butler
> > 
> > That's interesting...time stretch without pitch
> > transposition, I assume?
> > Is it just too hard to develop a multiply-like
> > function in one of these
> > units?
> > 
> > Kris
> > 
> > 
> > 
> 
> 
> 
> 	
> 
> 	
> 		
> ___________________________________________________________________________ 
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
> Téléchargez cette version sur http://fr.messenger.yahoo.com
> > Date: Tue, 8 Nov 2005 15:47:24 -0800 (PST)
> From: ditch wrestler <ditchwrestler@yahoo.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re:RC-50 ..the big questions
> 
> I had my LMS guy call Roland Canada and the rep he spoke to said this was the first he had
> heard/seen of the unit.
>  
> The rep said, though, that this isn't uncommon for Roland and that based on past experience,
> it'll probably be at the Winter NAMM show.
>  
>  
> ted.
> 
> Romain <rtristelune@yahoo.fr> wrote:
> Do we have any info about its price and availability ?
> 
> --- Kris Hartung a écrit :
> 
> > > Kris says
> > > >It wasn't clear to me in the prior emails...does
> > this unit provide
> > > >something equivalent to Multiply so that once you
> > record a loop, you
> > > >aren't limited to that length for additional
> > loops? I wasn't sure if
> > > >the phrase 1, 2, 3 buttons added this feature.
> > >
> > > Current info seems to be that you have a choice of
> > either unsynced,
> > > or exactly the same length.
> > >
> > > the fun thing is, seems it will time stretch an
> > unsynced loop to fit.
> > >
> > > andy butler
> > 
> > That's interesting...time stretch without pitch
> > transposition, I assume?
> > Is it just too hard to develop a multiply-like
> > function in one of these
> > units?
> > 
> > Kris
> > 
> > 
> > 
> 
> 
> 
> 
> 
> 
> 
> ___________________________________________________________________________ 
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
> Téléchargez cette version sur http://fr.messenger.yahoo.com
> 
> 
> 		
> ---------------------------------
>  Yahoo! FareChase - Search multiple travel sites in one click.  > Date: Tue, 08 Nov 2005
23:49:03 +0000
> From: "David Rolling" <david_rolling@sympatico.ca>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re:RC-50 ..the big questions
> 
> A poster from thegearpage e-mailed Roland who replied that it would be 
> featured at winter NAMM and shipping sometime next year. No info on price.
> 
> BTW- I'm new & trying to participate here, but when I send to the LD mailing 
> list, the message come straight back to my inbox. The only way anything I 
> write turns up is when I respond to a pre-existing post. What am I diong 
> wrong?
> 
> thanks,
> David Rolling
> 
> 
> >From: Romain <rtristelune@yahoo.fr>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: Re:RC-50 ..the big questions
> >Date: Wed, 9 Nov 2005 00:07:35 +0100 (CET)
> >
> >Do we have any info about its price and availability ?
> >
> >--- Kris Hartung <khartung@cableone.net> a écrit :
> >
> > > > Kris says
> > > > >It wasn't clear to me in the prior emails...does
> > > this unit provide
> > > > >something equivalent to Multiply so that once you
> > > record a loop, you
> > > > >aren't limited to that length for additional
> > > loops? I wasn't sure if
> > > > >the phrase 1, 2, 3 buttons added this feature.
> > > >
> > > > Current info seems to be that you have a choice of
> > > either unsynced,
> > > > or exactly the same length.
> > > >
> > > > the fun thing is, seems it will time stretch an
> > > unsynced loop to fit.
> > > >
> > > > andy butler
> > >
> > > That's interesting...time stretch without pitch
> > > transposition, I assume?
> > > Is it just too hard to develop a multiply-like
> > > function in one of these
> > > units?
> > >
> > > Kris
> > >
> > >
> > >
> >
> >
> >
> >
> >
> >
> >
> >___________________________________________________________________________
> >Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger
> >Téléchargez cette version sur http://fr.messenger.yahoo.com
> > Date: Tue, 8 Nov 2005 18:46:33 -0600
> From: "Mark Smart" <mwsmart@insightbb.com>
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: RC-50:  simultaneous loops-different lengths?
> 
> ----- Original Message ----- 
> From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 08, 2005 2:45 PM
> Subject: Re: RC-50: simultaneous loops-different lengths?
> 
> 
> > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > over a 12.34902 bar bed of drones? :)
> > >
> > > I can't wait to find out the answers to these questions!
> >
> > i can see this thing bringing a whole new dimension to Mark Smart's
> > guitar act. i can't believe he gets it together as well as he does with
> > the RC-20s.
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> 
> Hi.
> Glad you like the looping setup. I use the RC-20s for playback only, and the
> Echoplex to do the main looping. I can keep the loops in time pretty well if I
> do it in such a way that I never have to hit more than one pedal at a time.
> 
> I won't be getting an RC-50, though, because I just decided to go nuts and
> ordered an Open Labs NeKo, on which I will run Reaktor to do all the looping.
> And I can add my synthesizer big band horns, too. Unfortunately I have to wait
> 6-8 weeks for them to build it!
> 
> If this works out as well as I think I might have a couple of RC-20s (old kind),
> a Jamman AND an Echoplex for sale soon.
> 
> Mark Smart
> http://www.marksmart.net/
> > Date: Tue, 8 Nov 2005 17:56:06 -0800
> From: David Coffin <dpcoffin@earthlink.net>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC-50:  simultaneous loops-different lengths?
> 
> Ooo! PLEASE keep us updated on how this works out! VERY interesting...
> 
> 
> On Nov 8, 2005, at 4:46 PM, Mark Smart wrote:
> 
> > I won't be getting an RC-50, though, because I just decided to go  
> > nuts and
> > ordered an Open Labs NeKo, on which I will run Reaktor to do all  
> > the looping.
> >
> 
> > Date: Wed, 9 Nov 2005 04:18:29 +0100
> From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Subject: AW: RC-50:  simultaneous loops-different lengths?
> 
> Could you think about making your Reaktor looping ensembles available to
> the public domain? I have been thinking about doing something in reaktor
> for a long time, yet didn't invest the time to get familiar with this
> beast.
> 
> 	Rainer
> 
> 
> -----Ursprüngliche Nachricht-----
> Von: Mark Smart [mailto:mwsmart@insightbb.com] 
> Gesendet: Mittwoch, 9. November 2005 01:47
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: RC-50: simultaneous loops-different lengths?
> 
> 
> ----- Original Message ----- 
> From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 08, 2005 2:45 PM
> Subject: Re: RC-50: simultaneous loops-different lengths?
> 
> 
> > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > Or an ambient guitar player playing a 3.237485 measure melodic part 
> > > over a 12.34902 bar bed of drones? :)
> > >
> > > I can't wait to find out the answers to these questions!
> >
> > i can see this thing bringing a whole new dimension to Mark Smart's 
> > guitar act. i can't believe he gets it together as well as he does 
> > with the RC-20s.
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> 
> Hi.
> Glad you like the looping setup. I use the RC-20s for playback only, and
> the Echoplex to do the main looping. I can keep the loops in time pretty
> well if I do it in such a way that I never have to hit more than one
> pedal at a time.
> 
> I won't be getting an RC-50, though, because I just decided to go nuts
> and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
> looping. And I can add my synthesizer big band horns, too. Unfortunately
> I have to wait 6-8 weeks for them to build it!
> 
> If this works out as well as I think I might have a couple of RC-20s
> (old kind), a Jamman AND an Echoplex for sale soon.
> 
> Mark Smart
> http://www.marksmart.net/
> > Date: Tue, 8 Nov 2005 22:02:53 -0600
> From: "Mark Smart" <mwsmart@insightbb.com>
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: RC-50:  simultaneous loops-different lengths?
> 
> Sure, I'm not as posessive about that stuff as I am about the big band synth. I
> already started working it out on my PC using the Tapedeck modules in Reaktor.
> Basically there is a big sequencer that you set up for each song. For each step
> in the sequence you tell it what to do using a bunch of buttons. I also had it
> set up to control the switching of the bass and guitar sounds of the strings on
> the guitar (right now I'm using a switch on the guitar to do this).
> 
> So I would set up the steps something like this:
> 
> 1. Play the hi-hat drum loop and run all six strings through the octave divider
> for a bass sound.
> 
> 2. Do the same as above, but recording the result into tapedeck 1.
> 
> 3. Play a crash cymbal. Now switch to a drum loop at the same tempo but with a
> ride cymbal. Continue running all six strings through the octave divider. Record
> the result into Tapedaeck 2.
> 
> 4. Play back Tapedeck 1. Run all six strings through the guitar amp simulator.
> (I would play the tune's head on this part).
> 
> 5. Play a crash. Play back Tapedeck 2. Continue running all six strings through
> the guitar amp simulator (I would play a solo on this part).
> 
> 6. Play a crash. Play back Tapedeck one. (I would play the head again on this
> part.
> 
> 7. Silence (I would play a break on this part, like a Take the A Train ending or
> a BAsie ending.
> 
> 8. Play a crash. Run the bottom two strings through the octave divider and the
> top four through the amp simulator. (I would play the last chord on this part).
> 
> End of tune. I use a pedal to advance the sequencer to the next step at the
> right time.
> 
> Pretty cool. Reaktor is the ultimate looping device if it's set up correctly.
> 
> On the NeKo I will also be able to run the Native Instruments B4 program and
> feed it into Reaktor; that way I can lay down a jazz organ accompaniment and
> then play guitar over it.
> 
> Eventually I will incorporate the big band synth into it:
> 
> http://www.marksmart.net/sounddesign/windsounds/reaktorbigband/reaktorbigband.html
> 
> I'm pretty excited about the possibilities!
> 
> Mark Smart
> http://www.marksmart.net/
> ----- Original Message ----- 
> From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 08, 2005 9:18 PM
> Subject: AW: RC-50: simultaneous loops-different lengths?
> 
> 
> Could you think about making your Reaktor looping ensembles available to
> the public domain? I have been thinking about doing something in reaktor
> for a long time, yet didn't invest the time to get familiar with this
> beast.
> 
> Rainer
> 
> 
> -----Ursprüngliche Nachricht-----
> Von: Mark Smart [mailto:mwsmart@insightbb.com]
> Gesendet: Mittwoch, 9. November 2005 01:47
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: RC-50: simultaneous loops-different lengths?
> 
> 
> ----- Original Message ----- 
> From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 08, 2005 2:45 PM
> Subject: Re: RC-50: simultaneous loops-different lengths?
> 
> 
> > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > over a 12.34902 bar bed of drones? :)
> > >
> > > I can't wait to find out the answers to these questions!
> >
> > i can see this thing bringing a whole new dimension to Mark Smart's
> > guitar act. i can't believe he gets it together as well as he does
> > with the RC-20s.
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> 
> Hi.
> Glad you like the looping setup. I use the RC-20s for playback only, and
> the Echoplex to do the main looping. I can keep the loops in time pretty
> well if I do it in such a way that I never have to hit more than one
> pedal at a time.
> 
> I won't be getting an RC-50, though, because I just decided to go nuts
> and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
> looping. And I can add my synthesizer big band horns, too. Unfortunately
> I have to wait 6-8 weeks for them to build it!
> 
> If this works out as well as I think I might have a couple of RC-20s
> (old kind), a Jamman AND an Echoplex for sale soon.
> 
> Mark Smart
> http://www.marksmart.net/
> > Date: Tue, 8 Nov 2005 20:41:15 -0800
> From: Zoe Keating <cello@zoekeating.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: gig spam: cello loops in seattle, 11/11
> 
> Hi Loopers,
> 
> I'll be playing in a looped cello set in Seattle on Friday, Nov 11th  
> as part of the Rockrgrl Conference. Please, if you live in the  
> Seattle area, or happen to be there this weekend, come out and see me!!
> 
> Here are the details:
> Friday, Nov 11th
> midnight
> $7
> Rendevous Grotto
> 2322 2nd Avenue
> 
> venue website:http://www.jewelboxtheater.com/main/event.php?id=664
> my site: http:///www.zoekeating.com
> 
> Thank you very, very much,
> 
> Zoe
> > Date: Tue, 8 Nov 2005 20:50:15 -0800
> From: "Gary Lehmann" <hqr@cox.net>
> To: <Loopers-Delight@loopers-delight.com>
> Subject: RE: RC-50 FB?
> 
> -----Original Message-----
> From: a k butler [mailto:akbutler@tiscali.co.uk] 
> Sent: Tuesday, November 08, 2005 1:19 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re:RC-50 ..the big questions
> 
> Gary says
> >It sorta looks like FB is achievable with an expression pedal,
> 
> how'd ya figure that?
> I read the info as saying "no feedback control, but can do a fade out 
> on switch off of the loop"
> 
> ...but I want you to be right  :-)
> 
> --->Translation says:
> As for the RC-50, while re-raising the phrase, tap * tempo and outside of
> the pedal with the expression * pedal which you connect, it is possible to
> change refresh rate into real time.
> 
> But my head hurts when I try to follow the translation 8>)
> G
> 



		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 19:47:47 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Reaktor
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Mark Smart wrote:
> BTW I heard that someone posted a complete Echoplex emulation in the Reaktor
> user library. Haven't tried it.

The word "complete", like "forever" and "love" is very powerful and
often misused :-)

I don't doubt that you could build something in Reaktor that has
some of the most commonly used features of an Echoplex.  But
writing a "complete" emulation would be extremely difficult
and I would bet is even impossible.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 19:57:10 2005
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On Nov 9, 2005, at 10:30 AM, Mark Smart wrote:
> BTW I heard that someone posted a complete Echoplex emulation in =20
> the Reaktor
> user library. Haven't tried it.



Haven=92t ever seen such a thing, or been able to find it by searching, =20=

but here=92s a link to a screen shot of a pretty cool Reaktor =
live-looper:

http://snipurl.com/jp56-SK4XH

There used to be a headrush emulation in the user-library, but it=92s =20=

gone now...

Don=92t think non-owners can browse the Reaktor user-library, but if =20
anyone here would like to peruse a 40-page pdf file I created =20
outlining how folks with no code/DSP experience could use Reaktor to =20
build extraordinary FX, just let me know and I=92ll post a downloadable =20=

copy. It gives a pretty good sense of how flexible and deep Reaktor =20
is as a DIY realtime FX device, I think.
dc




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><FONT class=3D"Apple-style-span" =
face=3D"Helvetica" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 12px;"><DIV><DIV><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 14px;"><FONT class=3D"Apple-style-span" face=3D"Lucida=
 Grande">On Nov 9, 2005, at 10:30 AM, Mark Smart =
wrote:</FONT></SPAN></DIV><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Lucida =
Grande" size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
14px;">BTW I heard that someone posted a complete Echoplex emulation in =
the Reaktor</SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Lucida Grande" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 14px;">user library. =
Haven't tried it.</SPAN></FONT></DIV></BLOCKQUOTE></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></SPAN></FONT><DIV><FONT =
class=3D"Apple-style-span" face=3D"Helvetica" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 12px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV>Haven=92t =
ever seen such a thing, or been able to find it by searching, but here=92s=
 a link to a screen shot of a pretty cool Reaktor =
live-looper:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><A =
href=3D"http://snipurl.com/jp56-SK4XH">http://snipurl.com/jp56-SK4XH</A><D=
IV><BR class=3D"khtml-block-placeholder"></DIV><DIV>There used to be a =
headrush emulation in the user-library, but it=92s gone =
now...</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Don=92t =
think non-owners can browse the Reaktor user-library, but if anyone here =
would like to peruse a 40-page pdf file I created outlining how folks =
with no code/DSP experience could use Reaktor to build extraordinary FX, =
just let me know and I=92ll post a downloadable copy. It gives a pretty =
good sense of how=A0flexible and deep Reaktor is as a DIY realtime FX =
device, I think.</DIV><DIV>dc</DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Helvetica" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 12px;"><BR></SPAN></FONT><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:10:32 2005
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Here=92s that link:

http://snipurl.com/jp5z-NWY8P=

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:25:53 2005
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Subject: Reaktor FX pdf
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Here=92s that link again (seems to have some trouble opening in =20
Safari=92s built-in pdf reader; let me know if you have problems):

http://snipurl.com/jp6j-FUURN


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Here=92s that =
link again (seems to have some trouble opening in Safari=92s built-in =
pdf reader; let me know if you have problems):</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
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href=3D"http://snipurl.com/jp6j-FUURN">http://snipurl.com/jp6j-FUURN</A></=
SPAN></FONT></DIV> <BR class=3D"Apple-interchange-newline"></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:28:18 2005
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It might be good to post this to the Looper's Delight file section:

http://www.loopers-delight.com/files/

Dig

David Coffin wrote:

> Here’s that link again (seems to have some trouble opening in Safari’s 
> built-in pdf reader; let me know if you have problems):
>
> http://snipurl.com/jp6j-FUURN
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:36:49 2005
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David,

I'd love to see a copy of that PDF. I've been considering buying
Reaktor for a while now. Reading that PDF will probably have me
pulling the trigger sooner rather than later.

Cheers,

Jon Southwood

On 11/9/05, David Coffin <dpcoffin@earthlink.net> wrote:
>
> On Nov 9, 2005, at 10:30 AM, Mark Smart wrote:
> BTW I heard that someone posted a complete Echoplex emulation in the Reak=
tor
> user library. Haven't tried it.
>
>
>
> Haven't ever seen such a thing, or been able to find it by searching, but
> here's a link to a screen shot of a pretty cool Reaktor live-looper:
>
> http://snipurl.com/jp56-SK4XH
>
> There used to be a headrush emulation in the user-library, but it's gone
> now...
>
> Don't think non-owners can browse the Reaktor user-library, but if anyone
> here would like to peruse a 40-page pdf file I created outlining how folk=
s
> with no code/DSP experience could use Reaktor to build extraordinary FX,
> just let me know and I'll post a downloadable copy. It gives a pretty goo=
d
> sense of how flexible and deep Reaktor is as a DIY realtime FX device, I
> think.
> dc
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:37:35 2005
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> Mark Smart wrote:
> I don't doubt that you could build something in Reaktor that has
> some of the most commonly used features of an Echoplex.  But
> writing a "complete" emulation would be extremely difficult
> and I would bet is even impossible.
> 
> Jeff

On the contrary, I think it's possible to build something in Reaktor 
that does everything the Echoplex does and a lot more. And has storage
capacity limited only by the size of your hard drive.

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:38:13 2005
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Subject: RE: Synchronizing Real Time Drumming with a Prerecorded Loop was Re: query 'real time live looping'
Date: Wed, 9 Nov 2005 11:25:20 -0800
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Yes, I bought one of these and they work well--but I'm not using mine, and
would be willing to sell it.
Gary

-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net] 
Sent: Wednesday, November 09, 2005 10:32 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Synchronizing Real Time Drumming with a Prerecorded Loop was
Re: query 'real time live looping'

I haven't tried one of these, but it might be what you're looking for:

http://www.ploytec.com/34one/

Seems like your drummer could either stomp or hit it occasionally to 
establish tempo (and update the tempo).  Good luck with your work.

Dig

Dan Ash wrote:

>
> >> both sides of the problem..........being the looper or responding 
> to  a loop that I can't control myself, live.
>
> What about synching my looper to a tap-tempo controller that the 
> drummer manages?
>
> I have been trying to configure a looping environment for myself and 
> an electronic percussionist who uses a VST sampler/loop playback 
> virtual instrument hosted by his recording software.  I have been 
> taking a sync signal out from the computer with some success, and my 
> Repeater loops stay in sync with his drum loops.  However I'm looking 
> for a solution that will allow us to take it outside the studio.
>
> Syncing to the computer doesn't allow for tempo changes on the fly, so 
> I figured the logical extension would be to remove the computer and 
> substitute some sort of tap-tempo device.  It seems like I should be 
> able to let the drummer control the looper tempo (assuming they can 
> play to the tempo they establish themselves).  Anyone tried this in 
> practice?  What would be a good tap-tempo device so the drummer could 
> provide the MIDI sync output?
>
> A secondary consideration - I'd like to avoid using headphones...
>
> Thanks,
> Dan Ash
> White Plains, NY
>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:39:55 2005
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Date: Wed, 9 Nov 2005 12:39:52 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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Can it go from recording the first loop immediately into overdub?

TravisH

On 11/9/05, mwsmart@insightbb.com <mwsmart@insightbb.com> wrote:
>
>
>
>
> > Mark Smart wrote:
> > I don't doubt that you could build something in Reaktor that has
> > some of the most commonly used features of an Echoplex. But
> > writing a "complete" emulation would be extremely difficult
> > and I would bet is even impossible.
> >
> > Jeff
>
> On the contrary, I think it's possible to build something in Reaktor
> that does everything the Echoplex does and a lot more. And has storage
> capacity limited only by the size of your hard drive.
>
> Mark Smart
> http://www.marksmart.net
>
>

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Can it go from recording the first loop immediately into overdub?<br>
<br>
TravisH<br><br><div><span class=3D"gmail_quote">On 11/9/05, <b class=3D"gma=
il_sendername"><a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a></b> &lt;<a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a>
&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
><br><br><br>&gt; Mark Smart wrote:<br>&gt; I don't doubt that you could bu=
ild something in Reaktor that has
<br>&gt; some of the most commonly used features of an Echoplex.&nbsp;&nbsp=
;But<br>&gt; writing a &quot;complete&quot; emulation would be extremely di=
fficult<br>&gt; and I would bet is even impossible.<br>&gt;<br>&gt; Jeff<br=
><br>On the contrary, I think it's possible to build something in Reaktor
<br>that does everything the Echoplex does and a lot more. And has storage<=
br>capacity limited only by the size of your hard drive.<br><br>Mark Smart<=
br><a href=3D"http://www.marksmart.net">http://www.marksmart.net</a><br><br=
>
</blockquote></div><br>

------=_Part_41646_1797270.1131568792512--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 20:50:51 2005
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From: mwsmart@insightbb.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Reaktor
Date: Wed, 09 Nov 2005 20:50:48 +0000
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You can configure Reaktor to do pretty much anything, it's like audio LEGOs.

Overdub would be no problem. You have to build this stuff yourself out of
the modules, but almost anything is possible.

I haven't tried it, but I think I can do overdub even on that very basic looper
I posted, just by settings the buttons like this:

1. Record on Tapedeck 1
2. Play back Tapedeck 1 while recording on Tapedeck 2.
3. Play back Tapedecks 1 and 2. Solo over the top.
4. Stop playing Tapedeck 2 but leave Tapedeck 1 playing (like Undo).

This basic looper I built only has 3 loop capacity, but you 
could expand that to any number by adding more Tapedecks and rows
to the sequencer.

Also, if you didn't like the sequencer idea that I have here, 
you could rebuild it like an Echoplex where there are multiple 
pedals controlling multiple functions. I did it with a sequencer 
because I wanted to have three or four things happening at once 
and to have the prerecorded drum loops and hits all synchronized.

Maybe you haven't used Reaktor, it is the most powerful sound generation
program I've ever seen other than Kyma and maybe Max/MSP.

Mark Smart
http://www.marksmart.net


--NextPart_Webmail_9m3u9jl4l_6389_1131569448_0
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From:    Travis Hartnett <travishartnett@gmail.com>
To:    Loopers-Delight@loopers-delight.com
Subject:    Re: Reaktor
Date:    Wed, 9 Nov 2005 20:40:10 +0000
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Can it go from recording the first loop immediately into overdub?

TravisH

On 11/9/05, mwsmart@insightbb.com <mwsmart@insightbb.com> wrote:
>
>
>
>
> > Mark Smart wrote:
> > I don't doubt that you could build something in Reaktor that has
> > some of the most commonly used features of an Echoplex. But
> > writing a "complete" emulation would be extremely difficult
> > and I would bet is even impossible.
> >
> > Jeff
>
> On the contrary, I think it's possible to build something in Reaktor
> that does everything the Echoplex does and a lot more. And has storage
> capacity limited only by the size of your hard drive.
>
> Mark Smart
> http://www.marksmart.net
>
>

--NextPart_Webmail_9m3u9jl4l_6389_1131569448_1
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Can it go from recording the first loop immediately into overdub?<br>
<br>
TravisH<br><br><div><span class=3D"gmail_quote">On 11/9/05, <b class=3D"gma=
il_sendername"><a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a></b> &lt;<a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a>
&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
><br><br><br>&gt; Mark Smart wrote:<br>&gt; I don't doubt that you could bu=
ild something in Reaktor that has
<br>&gt; some of the most commonly used features of an Echoplex.&nbsp;&nbsp=
;But<br>&gt; writing a &quot;complete&quot; emulation would be extremely di=
fficult<br>&gt; and I would bet is even impossible.<br>&gt;<br>&gt; Jeff<br=
><br>On the contrary, I think it's possible to build something in Reaktor
<br>that does everything the Echoplex does and a lot more. And has storage<=
br>capacity limited only by the size of your hard drive.<br><br>Mark Smart<=
br><a href=3D"http://www.marksmart.net">http://www.marksmart.net</a><br><br=
>
</blockquote></div><br>

--NextPart_Webmail_9m3u9jl4l_6389_1131569448_1--

--NextPart_Webmail_9m3u9jl4l_6389_1131569448_0--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 21:01:10 2005
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Date: Wed, 9 Nov 2005 13:01:08 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Reaktor
To: Loopers-Delight@loopers-delight.com
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There is, however, a light version of Reaktor that
will play patches just not make them.

Mark

--- Mark Smart <mwsmart@insightbb.com> wrote:

> BTW I heard that someone posted a complete Echoplex
> emulation in the Reaktor
> user library. Haven't tried it.
> 
> Mark Smart
> http://www.marksmart.net/
> ----- Original Message ----- 
> From: "Mark Smart" <mwsmart@insightbb.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, November 09, 2005 12:26 PM
> Subject: Re: Reaktor
> 
> 
> > ----- Original Message ----- 
> > From: <Mmrksrg@aol.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Wednesday, November 09, 2005 11:37 AM
> > Subject: Re: Reaktor
> >
> >
> > > Hi,
> > > Mark forgive my ignorance about Reaktor but does
> you ensemble run as a self
> > > executing program for those that do not have
> Reaktor?
> > > Would be nice to have the option of guitar
> processing on other sound
> sources.
> > >
> > >
> > > Mark Sargeant
> >
> > Nope, unfortunately you have to have Reaktor.
> >
> > I posted a basic looper here at the bottom of the
> page:
> >
> >
>
http://www.marksmart.net/sounddesign/bysynth/reaktor/reaktor.html
> >
> > Mark Smart
> > http://www.marksmart.net/
> >
> 
> 



		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 21:17:59 2005
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Date: Wed, 09 Nov 2005 15:17:55 -0600
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Reaktor
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 <110920052037.28499.43725E0C0007211500006F5321979128029B9D0E039C9903@insightbb.com>
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mwsmart@insightbb.com wrote:
> On the contrary, I think it's possible to build something in Reaktor 
> that does everything the Echoplex does and a lot more. And has storage
> capacity limited only by the size of your hard drive.

Of course Reaktor can do things the Echoplex cannot do,
most software loopers can.

But having spent a considerable amount of time myself building
something that behaves similar to an EDP, I feel comfortable
claiming that there is no way Reaktor can do *everything*
an Echoplex does, at least not wiring together pre-built
"modules".

Can you get half way?  Probably.  Can you do 80% of
every feature?  Possibly but I doubt it.  Can you do
everything that the majority of Echoplex owners actually
end up using?  Quite likely.  But that's not *everything*.
How about:

      SamplerStyle=Once
      Sync=OutUserStart
      MuteQuantMIDIStartSong
      Loop Windowing

And we're not even scratching the surface.  If you want to forgo
pre-built modules and write C code, then sure but you're basically
just writing a VST plugin at that point, why limit yourself to
a Reaktor host?

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 21:31:09 2005
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Subject: Re: Reaktor
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> mwsmart@insightbb.com wrote:
> Of course Reaktor can do things the Echoplex cannot do,
> most software loopers can.
> 
> But having spent a considerable amount of time myself building
> something that behaves similar to an EDP, I feel comfortable
> claiming that there is no way Reaktor can do *everything*
> an Echoplex does, at least not wiring together pre-built
> "modules".
> 
> Can you get half way?  Probably.  Can you do 80% of
> every feature?  Possibly but I doubt it.  Can you do
> everything that the majority of Echoplex owners actually
> end up using?  Quite likely.  But that's not *everything*.
> How about:
> 
>       SamplerStyle=Once
>       Sync=OutUserStart
>       MuteQuantMIDIStartSong
>       Loop Windowing
> 
> And we're not even scratching the surface.  If you want to forgo
> pre-built modules and write C code, then sure but you're basically
> just writing a VST plugin at that point, why limit yourself to
> a Reaktor host?
> 
> Jeff

I'm pretty sure Loop Windowing could be done using the Audio Table module. 
I'll look up the other functions. I don't have Reaktor 5 yet; Reaktor 4
doesn't have modules for dealing with MIDI Sysex Data, but I think they
added that in version 5. I'm pretty sure there are already modules for
sending MIDI Synch signals. I think there's one for the Start Song
message, too. I believe it responds either to the MIDI message or to 
the play button at the top of the screen.

I'll do some more research.

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 21:38:47 2005
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From: "David Rolling" <david_rolling@sympatico.ca>
To: Loopers-Delight@loopers-delight.com
Subject: Re:CFC's for Repeater
Date: Wed, 09 Nov 2005 21:38:44 +0000
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Thanks very much Stephen. Never had any problems with e-mail till I started 
paying for a 'real' account w/Ma Bell. Really appreciate your help!

david


>From: S V G <vsyevolod@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:CFC's for Repeater
>Date: Wed, 9 Nov 2005 11:01:31 -0800 (PST)
>
>
>      David,
>
>      Check out the archives at the RepeaterUsers Yahoo group for all the 
>findings on CFC
>compatibility.
>
>      Secondly, you do not have your email client configured properly to 
>send/recieve mail from
>this list.  I would suggest contacting your ISP.  Better yet, just get a 
>Yahoo email account and
>subscribe to this list through it.
>
>      Stephen
>
>
>
>
>
>
> >
> > Hi all. Been lurking around the site for years & finally joined up.
> > Everything's going into my junkmail folder, and the only time I answered 
>to
> > a post, it went straight to the sender. I didn't see my own message till
> > they responded. I guess I'll have to cut&paste from my junkmail to my 
>inbox
> > in order to participate. Bit of a pain, but no more difficult than 
>making
> > accurate loops with my old PDS8000.
> >
> > Anyway, I've never been able to find a CFC that worked w/my Repeater, 
>other
> > than the SimpleTech 32MB that it shipped with. I've tried the 
>recommended
> > brands w/no success, and they're not easy to return, considering that
> > there's nothing really wrong w/them, other than their incompatability 
>w/the
> > Repeater. I understand that the 'Hitachi control chip set' is crucial, 
>but
> > am met w/blank stares at computer & camera stores. The cards never 
>indicate
> > that info either.
> >
> > Of all the vagaries & peculiarities of the Repeater, this one's the most
> > vexing to me. Are cards w/this chip still being made? Where can I get 
>one in
> > Canada?
> >
> > Thanks,
> > David Rolling
> > > Date: Tue, 8 Nov 2005 14:45:07 -0600
> > From: Suit & Tie Guy <erwill@suitandtieguy.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: RC-50:  simultaneous loops-different lengths?
> >
> > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > over a 12.34902 bar bed of drones? :)
> > >
> > > I can't wait to find out the answers to these questions!
> >
> > i can see this thing bringing a whole new dimension to Mark Smart's
> > guitar act. i can't believe he gets it together as well as he does with
> > the RC-20s.
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> > > Date: Tue, 08 Nov 2005 21:18:38 +0000
> > From: a k butler <akbutler@tiscali.co.uk>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re:RC-50 ..the big questions
> >
> > Gary says
> > >It sorta looks like FB is achievable with an expression pedal,
> >
> > how'd ya figure that?
> > I read the info as saying "no feedback control, but can do a fade out
> > on switch off of the loop"
> >
> > ...but I want you to be right  :-)
> >
> > Kris says
> > >It wasn't clear to me in the prior emails...does this unit provide
> > >something equivalent to Multiply so that once you record a loop, you
> > >aren't limited to that length for additional loops? I wasn't sure if
> > >the phrase 1, 2, 3 buttons added this feature.
> >
> > Current info seems to be that you have a choice of either unsynced,
> > or exactly the same length.
> >
> > the fun thing is, seems it will time stretch an unsynced loop to fit.
> >
> > andy butler
> > > Date: Tue, 8 Nov 2005 16:21:35 -0500
> > From: Tom Ritchford <tom@swirly.com>
> > To: mungenast@earthlink.net
> > CC: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> > Subject: Re: fretless fest
> >
> > Did they manage to raise enough money to buy themselves the missing 
>frets??
> >
> > On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> > >
> > >
> > >
> > > Hey Gang:
> > > The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless 
>Guitar
> > > Festival, which I'm sure some of you attended.
> > > ( www.unfretted.com )
> > >
> > > Sonic Joy,
> > > Tim Mungenast
> > >
> > >
> > >
> > > Timothy Mungenast
> > > mungenast@earthlink.net
> > > Why Wait? Move to EarthLink.
> > >
> > >
> > >
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> > > Date: Tue, 8 Nov 2005 17:07:52 -0500
> > From: "Timothy Mungenast" <mungenast@earthlink.net>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: fretless fest
> >
> > Nice one, man! Thanks for the much-needed laugh!
> > ~Tim
> >
> >
> > > [Original Message]
> > > From: Tom Ritchford <tom@swirly.com>
> > > To: <mungenast@earthlink.net>
> > > Cc: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> > > Date: 11/8/2005 4:21:37 PM
> > > Subject: Re: fretless fest
> > >
> > > Did they manage to raise enough money to buy themselves the missing
> > frets??
> > >
> > > On 11/7/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> > > >
> > > >
> > > >
> > > > Hey Gang:
> > > > The 12/05 Guitar Player magazine has a sidebar on the NYC Fretless
> > Guitar
> > > > Festival, which I'm sure some of you attended.
> > > > ( www.unfretted.com )
> > > >
> > > > Sonic Joy,
> > > > Tim Mungenast
> > > >
> > > >
> > > >
> > > > Timothy Mungenast
> > > > mungenast@earthlink.net
> > > > Why Wait? Move to EarthLink.
> > > >
> > > >
> > > >
> > > >
> > > >
> > >
> > >
> > > --
> > >      /t
> > >
> > > http://ax.to ... extreme NY arts and music calendar
> > > Date: Tue, 8 Nov 2005 14:07:31 -0800
> > From: Travis Hartnett <travishartnett@gmail.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: fretless fest
> >
> > I think they're still saving up for a tuner to share between them...
> >
> > On 11/8/05, Tom Ritchford <tom@swirly.com> wrote:
> > > Did they manage to raise enough money to buy themselves the missing 
>frets??
> > >
> > > Date: Tue, 8 Nov 2005 15:33:00 -0700
> > From: "Kris Hartung" <khartung@cableone.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: Re: Re:RC-50 ..the big questions
> >
> > > Kris says
> > > >It wasn't clear to me in the prior emails...does this unit provide
> > > >something equivalent to Multiply so that once you record a loop, you
> > > >aren't limited to that length for additional loops? I wasn't sure if
> > > >the phrase 1, 2, 3 buttons added this feature.
> > >
> > > Current info seems to be that you have a choice of either unsynced,
> > > or exactly the same length.
> > >
> > > the fun thing is, seems it will time stretch an unsynced loop to fit.
> > >
> > > andy butler
> >
> > That's interesting...time stretch without pitch transposition, I assume?
> > Is it just too hard to develop a multiply-like function in one of these
> > units?
> >
> > Kris
> > > Date: Wed, 9 Nov 2005 00:07:35 +0100 (CET)
> > From: Romain <rtristelune@yahoo.fr>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Re:RC-50 ..the big questions
> >
> > Do we have any info about its price and availability ?
> >
> > --- Kris Hartung <khartung@cableone.net> a écrit :
> >
> > > > Kris says
> > > > >It wasn't clear to me in the prior emails...does
> > > this unit provide
> > > > >something equivalent to Multiply so that once you
> > > record a loop, you
> > > > >aren't limited to that length for additional
> > > loops? I wasn't sure if
> > > > >the phrase 1, 2, 3 buttons added this feature.
> > > >
> > > > Current info seems to be that you have a choice of
> > > either unsynced,
> > > > or exactly the same length.
> > > >
> > > > the fun thing is, seems it will time stretch an
> > > unsynced loop to fit.
> > > >
> > > > andy butler
> > >
> > > That's interesting...time stretch without pitch
> > > transposition, I assume?
> > > Is it just too hard to develop a multiply-like
> > > function in one of these
> > > units?
> > >
> > > Kris
> > >
> > >
> > >
> >
> >
> >
> >
> >
> >
> >
> > 
>___________________________________________________________________________
> > Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! 
>Messenger
> > Téléchargez cette version sur http://fr.messenger.yahoo.com
> > > Date: Tue, 8 Nov 2005 15:47:24 -0800 (PST)
> > From: ditch wrestler <ditchwrestler@yahoo.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Re:RC-50 ..the big questions
> >
> > I had my LMS guy call Roland Canada and the rep he spoke to said this 
>was the first he had
> > heard/seen of the unit.
> >
> > The rep said, though, that this isn't uncommon for Roland and that based 
>on past experience,
> > it'll probably be at the Winter NAMM show.
> >
> >
> > ted.
> >
> > Romain <rtristelune@yahoo.fr> wrote:
> > Do we have any info about its price and availability ?
> >
> > --- Kris Hartung a écrit :
> >
> > > > Kris says
> > > > >It wasn't clear to me in the prior emails...does
> > > this unit provide
> > > > >something equivalent to Multiply so that once you
> > > record a loop, you
> > > > >aren't limited to that length for additional
> > > loops? I wasn't sure if
> > > > >the phrase 1, 2, 3 buttons added this feature.
> > > >
> > > > Current info seems to be that you have a choice of
> > > either unsynced,
> > > > or exactly the same length.
> > > >
> > > > the fun thing is, seems it will time stretch an
> > > unsynced loop to fit.
> > > >
> > > > andy butler
> > >
> > > That's interesting...time stretch without pitch
> > > transposition, I assume?
> > > Is it just too hard to develop a multiply-like
> > > function in one of these
> > > units?
> > >
> > > Kris
> > >
> > >
> > >
> >
> >
> >
> >
> >
> >
> >
> > 
>___________________________________________________________________________
> > Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! 
>Messenger
> > Téléchargez cette version sur http://fr.messenger.yahoo.com
> >
> >
> >
> > ---------------------------------
> >  Yahoo! FareChase - Search multiple travel sites in one click.  > Date: 
>Tue, 08 Nov 2005
>23:49:03 +0000
> > From: "David Rolling" <david_rolling@sympatico.ca>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Re:RC-50 ..the big questions
> >
> > A poster from thegearpage e-mailed Roland who replied that it would be
> > featured at winter NAMM and shipping sometime next year. No info on 
>price.
> >
> > BTW- I'm new & trying to participate here, but when I send to the LD 
>mailing
> > list, the message come straight back to my inbox. The only way anything 
>I
> > write turns up is when I respond to a pre-existing post. What am I diong
> > wrong?
> >
> > thanks,
> > David Rolling
> >
> >
> > >From: Romain <rtristelune@yahoo.fr>
> > >Reply-To: Loopers-Delight@loopers-delight.com
> > >To: Loopers-Delight@loopers-delight.com
> > >Subject: Re: Re:RC-50 ..the big questions
> > >Date: Wed, 9 Nov 2005 00:07:35 +0100 (CET)
> > >
> > >Do we have any info about its price and availability ?
> > >
> > >--- Kris Hartung <khartung@cableone.net> a écrit :
> > >
> > > > > Kris says
> > > > > >It wasn't clear to me in the prior emails...does
> > > > this unit provide
> > > > > >something equivalent to Multiply so that once you
> > > > record a loop, you
> > > > > >aren't limited to that length for additional
> > > > loops? I wasn't sure if
> > > > > >the phrase 1, 2, 3 buttons added this feature.
> > > > >
> > > > > Current info seems to be that you have a choice of
> > > > either unsynced,
> > > > > or exactly the same length.
> > > > >
> > > > > the fun thing is, seems it will time stretch an
> > > > unsynced loop to fit.
> > > > >
> > > > > andy butler
> > > >
> > > > That's interesting...time stretch without pitch
> > > > transposition, I assume?
> > > > Is it just too hard to develop a multiply-like
> > > > function in one of these
> > > > units?
> > > >
> > > > Kris
> > > >
> > > >
> > > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > 
> >___________________________________________________________________________
> > >Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! 
>Messenger
> > >Téléchargez cette version sur http://fr.messenger.yahoo.com
> > > Date: Tue, 8 Nov 2005 18:46:33 -0600
> > From: "Mark Smart" <mwsmart@insightbb.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: Re: RC-50:  simultaneous loops-different lengths?
> >
> > ----- Original Message -----
> > From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 08, 2005 2:45 PM
> > Subject: Re: RC-50: simultaneous loops-different lengths?
> >
> >
> > > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > > over a 12.34902 bar bed of drones? :)
> > > >
> > > > I can't wait to find out the answers to these questions!
> > >
> > > i can see this thing bringing a whole new dimension to Mark Smart's
> > > guitar act. i can't believe he gets it together as well as he does 
>with
> > > the RC-20s.
> > > ---
> > > Eric Williamson
> > > www.suitandtieguy.com
> >
> > Hi.
> > Glad you like the looping setup. I use the RC-20s for playback only, and 
>the
> > Echoplex to do the main looping. I can keep the loops in time pretty 
>well if I
> > do it in such a way that I never have to hit more than one pedal at a 
>time.
> >
> > I won't be getting an RC-50, though, because I just decided to go nuts 
>and
> > ordered an Open Labs NeKo, on which I will run Reaktor to do all the 
>looping.
> > And I can add my synthesizer big band horns, too. Unfortunately I have 
>to wait
> > 6-8 weeks for them to build it!
> >
> > If this works out as well as I think I might have a couple of RC-20s 
>(old kind),
> > a Jamman AND an Echoplex for sale soon.
> >
> > Mark Smart
> > http://www.marksmart.net/
> > > Date: Tue, 8 Nov 2005 17:56:06 -0800
> > From: David Coffin <dpcoffin@earthlink.net>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: RC-50:  simultaneous loops-different lengths?
> >
> > Ooo! PLEASE keep us updated on how this works out! VERY interesting...
> >
> >
> > On Nov 8, 2005, at 4:46 PM, Mark Smart wrote:
> >
> > > I won't be getting an RC-50, though, because I just decided to go
> > > nuts and
> > > ordered an Open Labs NeKo, on which I will run Reaktor to do all
> > > the looping.
> > >
> >
> > > Date: Wed, 9 Nov 2005 04:18:29 +0100
> > From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: AW: RC-50:  simultaneous loops-different lengths?
> >
> > Could you think about making your Reaktor looping ensembles available to
> > the public domain? I have been thinking about doing something in reaktor
> > for a long time, yet didn't invest the time to get familiar with this
> > beast.
> >
> > 	Rainer
> >
> >
> > -----Ursprüngliche Nachricht-----
> > Von: Mark Smart [mailto:mwsmart@insightbb.com]
> > Gesendet: Mittwoch, 9. November 2005 01:47
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: Re: RC-50: simultaneous loops-different lengths?
> >
> >
> > ----- Original Message -----
> > From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 08, 2005 2:45 PM
> > Subject: Re: RC-50: simultaneous loops-different lengths?
> >
> >
> > > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > > over a 12.34902 bar bed of drones? :)
> > > >
> > > > I can't wait to find out the answers to these questions!
> > >
> > > i can see this thing bringing a whole new dimension to Mark Smart's
> > > guitar act. i can't believe he gets it together as well as he does
> > > with the RC-20s.
> > > ---
> > > Eric Williamson
> > > www.suitandtieguy.com
> >
> > Hi.
> > Glad you like the looping setup. I use the RC-20s for playback only, and
> > the Echoplex to do the main looping. I can keep the loops in time pretty
> > well if I do it in such a way that I never have to hit more than one
> > pedal at a time.
> >
> > I won't be getting an RC-50, though, because I just decided to go nuts
> > and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
> > looping. And I can add my synthesizer big band horns, too. Unfortunately
> > I have to wait 6-8 weeks for them to build it!
> >
> > If this works out as well as I think I might have a couple of RC-20s
> > (old kind), a Jamman AND an Echoplex for sale soon.
> >
> > Mark Smart
> > http://www.marksmart.net/
> > > Date: Tue, 8 Nov 2005 22:02:53 -0600
> > From: "Mark Smart" <mwsmart@insightbb.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: Re: RC-50:  simultaneous loops-different lengths?
> >
> > Sure, I'm not as posessive about that stuff as I am about the big band 
>synth. I
> > already started working it out on my PC using the Tapedeck modules in 
>Reaktor.
> > Basically there is a big sequencer that you set up for each song. For 
>each step
> > in the sequence you tell it what to do using a bunch of buttons. I also 
>had it
> > set up to control the switching of the bass and guitar sounds of the 
>strings on
> > the guitar (right now I'm using a switch on the guitar to do this).
> >
> > So I would set up the steps something like this:
> >
> > 1. Play the hi-hat drum loop and run all six strings through the octave 
>divider
> > for a bass sound.
> >
> > 2. Do the same as above, but recording the result into tapedeck 1.
> >
> > 3. Play a crash cymbal. Now switch to a drum loop at the same tempo but 
>with a
> > ride cymbal. Continue running all six strings through the octave 
>divider. Record
> > the result into Tapedaeck 2.
> >
> > 4. Play back Tapedeck 1. Run all six strings through the guitar amp 
>simulator.
> > (I would play the tune's head on this part).
> >
> > 5. Play a crash. Play back Tapedeck 2. Continue running all six strings 
>through
> > the guitar amp simulator (I would play a solo on this part).
> >
> > 6. Play a crash. Play back Tapedeck one. (I would play the head again on 
>this
> > part.
> >
> > 7. Silence (I would play a break on this part, like a Take the A Train 
>ending or
> > a BAsie ending.
> >
> > 8. Play a crash. Run the bottom two strings through the octave divider 
>and the
> > top four through the amp simulator. (I would play the last chord on this 
>part).
> >
> > End of tune. I use a pedal to advance the sequencer to the next step at 
>the
> > right time.
> >
> > Pretty cool. Reaktor is the ultimate looping device if it's set up 
>correctly.
> >
> > On the NeKo I will also be able to run the Native Instruments B4 program 
>and
> > feed it into Reaktor; that way I can lay down a jazz organ accompaniment 
>and
> > then play guitar over it.
> >
> > Eventually I will incorporate the big band synth into it:
> >
> > 
>http://www.marksmart.net/sounddesign/windsounds/reaktorbigband/reaktorbigband.html
> >
> > I'm pretty excited about the possibilities!
> >
> > Mark Smart
> > http://www.marksmart.net/
> > ----- Original Message -----
> > From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 08, 2005 9:18 PM
> > Subject: AW: RC-50: simultaneous loops-different lengths?
> >
> >
> > Could you think about making your Reaktor looping ensembles available to
> > the public domain? I have been thinking about doing something in reaktor
> > for a long time, yet didn't invest the time to get familiar with this
> > beast.
> >
> > Rainer
> >
> >
> > -----Ursprüngliche Nachricht-----
> > Von: Mark Smart [mailto:mwsmart@insightbb.com]
> > Gesendet: Mittwoch, 9. November 2005 01:47
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: Re: RC-50: simultaneous loops-different lengths?
> >
> >
> > ----- Original Message -----
> > From: "Suit & Tie Guy" <erwill@suitandtieguy.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, November 08, 2005 2:45 PM
> > Subject: Re: RC-50: simultaneous loops-different lengths?
> >
> >
> > > On Nov 8, 2005, at 12:55 PM, Doug Cox wrote:
> > > > Or an ambient guitar player playing a 3.237485 measure melodic part
> > > > over a 12.34902 bar bed of drones? :)
> > > >
> > > > I can't wait to find out the answers to these questions!
> > >
> > > i can see this thing bringing a whole new dimension to Mark Smart's
> > > guitar act. i can't believe he gets it together as well as he does
> > > with the RC-20s.
> > > ---
> > > Eric Williamson
> > > www.suitandtieguy.com
> >
> > Hi.
> > Glad you like the looping setup. I use the RC-20s for playback only, and
> > the Echoplex to do the main looping. I can keep the loops in time pretty
> > well if I do it in such a way that I never have to hit more than one
> > pedal at a time.
> >
> > I won't be getting an RC-50, though, because I just decided to go nuts
> > and ordered an Open Labs NeKo, on which I will run Reaktor to do all the
> > looping. And I can add my synthesizer big band horns, too. Unfortunately
> > I have to wait 6-8 weeks for them to build it!
> >
> > If this works out as well as I think I might have a couple of RC-20s
> > (old kind), a Jamman AND an Echoplex for sale soon.
> >
> > Mark Smart
> > http://www.marksmart.net/
> > > Date: Tue, 8 Nov 2005 20:41:15 -0800
> > From: Zoe Keating <cello@zoekeating.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: gig spam: cello loops in seattle, 11/11
> >
> > Hi Loopers,
> >
> > I'll be playing in a looped cello set in Seattle on Friday, Nov 11th
> > as part of the Rockrgrl Conference. Please, if you live in the
> > Seattle area, or happen to be there this weekend, come out and see me!!
> >
> > Here are the details:
> > Friday, Nov 11th
> > midnight
> > $7
> > Rendevous Grotto
> > 2322 2nd Avenue
> >
> > venue website:http://www.jewelboxtheater.com/main/event.php?id=664
> > my site: http:///www.zoekeating.com
> >
> > Thank you very, very much,
> >
> > Zoe
> > > Date: Tue, 8 Nov 2005 20:50:15 -0800
> > From: "Gary Lehmann" <hqr@cox.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: RE: RC-50 FB?
> >
> > -----Original Message-----
> > From: a k butler [mailto:akbutler@tiscali.co.uk]
> > Sent: Tuesday, November 08, 2005 1:19 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re:RC-50 ..the big questions
> >
> > Gary says
> > >It sorta looks like FB is achievable with an expression pedal,
> >
> > how'd ya figure that?
> > I read the info as saying "no feedback control, but can do a fade out
> > on switch off of the loop"
> >
> > ...but I want you to be right  :-)
> >
> > --->Translation says:
> > As for the RC-50, while re-raising the phrase, tap * tempo and outside 
>of
> > the pedal with the expression * pedal which you connect, it is possible 
>to
> > change refresh rate into real time.
> >
> > But my head hurts when I try to follow the translation 8>)
> > G
> >
>
>
>
>
>__________________________________
>Start your day with Yahoo! - Make it your home page!
>http://www.yahoo.com/r/hs


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Date: Wed, 9 Nov 2005 13:42:18 -0800
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What you've described doesn't sound like overdubbing, but rather the
creation of simultaneous synchronized loops, each with one layer of audio
data. What comes out of the speakers sounds like an overdub, but it's still
two tracks. If I want sixteen layers of recorded audio playing at the same
time, do I have to pre-define sixteen Tapedecks?

I loved Legos, but I remember it was hard to make something that wasn't
Lego-component shaped. Like, curves.

TravisH

On 11/9/05, mwsmart@insightbb.com <mwsmart@insightbb.com> wrote:
>
>
>
>
> You can configure Reaktor to do pretty much anything, it's like audio
> LEGOs.
>
> Overdub would be no problem. You have to build this stuff yourself out of
> the modules, but almost anything is possible.
>
> I haven't tried it, but I think I can do overdub even on that very basic
> looper
> I posted, just by settings the buttons like this:
>
> 1. Record on Tapedeck 1
> 2. Play back Tapedeck 1 while recording on Tapedeck 2.
> 3. Play back Tapedecks 1 and 2. Solo over the top.
> 4. Stop playing Tapedeck 2 but leave Tapedeck 1 playing (like Undo).
>
> This basic looper I built only has 3 loop capacity, but you
> could expand that to any number by adding more Tapedecks and rows
> to the sequencer.
>
> Also, if you didn't like the sequencer idea that I have here,
> you could rebuild it like an Echoplex where there are multiple
> pedals controlling multiple functions. I did it with a sequencer
> because I wanted to have three or four things happening at once
> and to have the prerecorded drum loops and hits all synchronized.
>
> Maybe you haven't used Reaktor, it is the most powerful sound generation
> program I've ever seen other than Kyma and maybe Max/MSP.
>
> Mark Smart
> http://www.marksmart.net
>
>
>
>

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What you've described doesn't sound like overdubbing, but rather the
creation of simultaneous synchronized loops, each with one layer of
audio data.&nbsp; What comes out of the speakers sounds like an
overdub, but it's still two tracks.&nbsp; If I want sixteen layers of
recorded audio playing at the same time, do I have to pre-define
sixteen Tapedecks?<br>
<br>
I loved Legos, but I remember it was hard to make something that wasn't Leg=
o-component shaped.&nbsp; Like, curves.<br>
<br>
TravisH<br><br><div><span class=3D"gmail_quote">On 11/9/05, <b class=3D"gma=
il_sendername"><a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a></b> &lt;<a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a>
&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
><br><br><br>You can configure Reaktor to do pretty much anything, it's lik=
e audio LEGOs.
<br><br>Overdub would be no problem. You have to build this stuff yourself =
out of<br>the modules, but almost anything is possible.<br><br>I haven't tr=
ied it, but I think I can do overdub even on that very basic looper<br>
I posted, just by settings the buttons like this:<br><br>1. Record on Taped=
eck 1<br>2. Play back Tapedeck 1 while recording on Tapedeck 2.<br>3. Play =
back Tapedecks 1 and 2. Solo over the top.<br>4. Stop playing Tapedeck 2 bu=
t leave Tapedeck 1 playing (like Undo).
<br><br>This basic looper I built only has 3 loop capacity, but you<br>coul=
d expand that to any number by adding more Tapedecks and rows<br>to the seq=
uencer.<br><br>Also, if you didn't like the sequencer idea that I have here=
,
<br>you could rebuild it like an Echoplex where there are multiple<br>pedal=
s controlling multiple functions. I did it with a sequencer<br>because I wa=
nted to have three or four things happening at once<br>and to have the prer=
ecorded drum loops and hits all synchronized.
<br><br>Maybe you haven't used Reaktor, it is the most powerful sound gener=
ation<br>program I've ever seen other than Kyma and maybe Max/MSP.<br><div>=
<span class=3D"e" id=3D"q_10776cba7d45b336_1"><br>Mark Smart<br><a onclick=
=3D"return top.js.OpenExtLink(window,event,this)" href=3D"http://www.marksm=
art.net" target=3D"_blank">
http://www.marksmart.net</a><br><br><br></span></div><br>
</blockquote></div><br>

------=_Part_42850_987769.1131572538311--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 21:59:18 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Reaktor
Date: Wed, 09 Nov 2005 21:59:11 +0000
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If you want to have undo capability, then they have to be recorded on separate
decks (this is what's happening inside the Echoplex, of course). But 
rearranging it so that one Tapedeck's playback gets mixed with the input 
and recorded into a different Tapedeck would be trivial. You could probably 
set it up so that it ping-pongs between:

Mix the input with Tapedeck 1's playback and record this into Tapedeck 2.

and

Mix the input with Tapedeck 2's playback and record this into Tapedeck 1.

Then you could overdub all you want.

I haven't used the Audio Table module much and it has a lot of features.
One of them might be to mix incoming data with what's there, not sure.
I'm at work so I don't have access to the Reaktor or Echoplex manuals.

Mark Smart


--NextPart_Webmail_9m3u9jl4l_22899_1131573551_0
Content-Type: message/rfc822

From:    Travis Hartnett <travishartnett@gmail.com>
To:    Loopers-Delight@loopers-delight.com
Subject:    Re: Reaktor
Date:    Wed, 9 Nov 2005 21:42:25 +0000
Content-Type: Multipart/alternative;
 boundary="NextPart_Webmail_9m3u9jl4l_22899_1131573551_1"

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What you've described doesn't sound like overdubbing, but rather the
creation of simultaneous synchronized loops, each with one layer of audio
data. What comes out of the speakers sounds like an overdub, but it's still
two tracks. If I want sixteen layers of recorded audio playing at the same
time, do I have to pre-define sixteen Tapedecks?

I loved Legos, but I remember it was hard to make something that wasn't
Lego-component shaped. Like, curves.

TravisH

On 11/9/05, mwsmart@insightbb.com <mwsmart@insightbb.com> wrote:
>
>
>
>
> You can configure Reaktor to do pretty much anything, it's like audio
> LEGOs.
>
> Overdub would be no problem. You have to build this stuff yourself out of
> the modules, but almost anything is possible.
>
> I haven't tried it, but I think I can do overdub even on that very basic
> looper
> I posted, just by settings the buttons like this:
>
> 1. Record on Tapedeck 1
> 2. Play back Tapedeck 1 while recording on Tapedeck 2.
> 3. Play back Tapedecks 1 and 2. Solo over the top.
> 4. Stop playing Tapedeck 2 but leave Tapedeck 1 playing (like Undo).
>
> This basic looper I built only has 3 loop capacity, but you
> could expand that to any number by adding more Tapedecks and rows
> to the sequencer.
>
> Also, if you didn't like the sequencer idea that I have here,
> you could rebuild it like an Echoplex where there are multiple
> pedals controlling multiple functions. I did it with a sequencer
> because I wanted to have three or four things happening at once
> and to have the prerecorded drum loops and hits all synchronized.
>
> Maybe you haven't used Reaktor, it is the most powerful sound generation
> program I've ever seen other than Kyma and maybe Max/MSP.
>
> Mark Smart
> http://www.marksmart.net
>
>
>
>

--NextPart_Webmail_9m3u9jl4l_22899_1131573551_1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

What you've described doesn't sound like overdubbing, but rather the
creation of simultaneous synchronized loops, each with one layer of
audio data.&nbsp; What comes out of the speakers sounds like an
overdub, but it's still two tracks.&nbsp; If I want sixteen layers of
recorded audio playing at the same time, do I have to pre-define
sixteen Tapedecks?<br>
<br>
I loved Legos, but I remember it was hard to make something that wasn't Leg=
o-component shaped.&nbsp; Like, curves.<br>
<br>
TravisH<br><br><div><span class=3D"gmail_quote">On 11/9/05, <b class=3D"gma=
il_sendername"><a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a></b> &lt;<a href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.c=
om</a>
&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
><br><br><br>You can configure Reaktor to do pretty much anything, it's lik=
e audio LEGOs.
<br><br>Overdub would be no problem. You have to build this stuff yourself =
out of<br>the modules, but almost anything is possible.<br><br>I haven't tr=
ied it, but I think I can do overdub even on that very basic looper<br>
I posted, just by settings the buttons like this:<br><br>1. Record on Taped=
eck 1<br>2. Play back Tapedeck 1 while recording on Tapedeck 2.<br>3. Play =
back Tapedecks 1 and 2. Solo over the top.<br>4. Stop playing Tapedeck 2 bu=
t leave Tapedeck 1 playing (like Undo).
<br><br>This basic looper I built only has 3 loop capacity, but you<br>coul=
d expand that to any number by adding more Tapedecks and rows<br>to the seq=
uencer.<br><br>Also, if you didn't like the sequencer idea that I have here=
,
<br>you could rebuild it like an Echoplex where there are multiple<br>pedal=
s controlling multiple functions. I did it with a sequencer<br>because I wa=
nted to have three or four things happening at once<br>and to have the prer=
ecorded drum loops and hits all synchronized.
<br><br>Maybe you haven't used Reaktor, it is the most powerful sound gener=
ation<br>program I've ever seen other than Kyma and maybe Max/MSP.<br><div>=
<span class=3D"e" id=3D"q_10776cba7d45b336_1"><br>Mark Smart<br><a onclick=
=3D"return top.js.OpenExtLink(window,event,this)" href=3D"http://www.marksm=
art.net" target=3D"_blank">
http://www.marksmart.net</a><br><br><br></span></div><br>
</blockquote></div><br>

--NextPart_Webmail_9m3u9jl4l_22899_1131573551_1--

--NextPart_Webmail_9m3u9jl4l_22899_1131573551_0--

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 22:26:36 2005
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Date: Wed, 09 Nov 2005 17:26:23 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: RE: Synchronizing Real Time Drumming with a Prerecorded Loop was Re:
 query 'real time live looping'
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 >> Ploytec 34One

 >>Yes, I bought one of these and they work well--but I'm not using 
mine, and would be willing to sell it. Gary

Thanks, Gary.  My drummer friend claims the DrumKat can accept tap tempo 
input and send midi clock to downstream devices.  We'll try this and 
then see if it makes for a good performance including tempo changes.  I 
can see a few trainwrecks ahead if we cross our signals...

For my solo set-up, I can send tap tempo messages directly to the 
Repeater in 'User' mode from the FCB1010.  Alternatively, I can manage 
MIDI clock in 'MIDI' mode from a little Boss DR-660 drum machine - the 
latter works pretty good for locking the Repeater to Fantom XR rhythm 
patterns (drum loops).  Haven't figured out how to slave the Axon 
arpeggiator to the DR-660 clock at the same time.....  Onward and upward!

Dan Ash
White Plains, NY






From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 23:03:49 2005
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Date: Wed, 09 Nov 2005 17:03:43 -0600
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Reaktor
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 <110920052159.22899.4372712F0008962F0000597321979128029B9D0E039C9903@insightbb.com>
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 <110920052159.22899.4372712F0008962F0000597321979128029B9D0E039C9903@insightbb.com>
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mwsmart@insightbb.com wrote:
> If you want to have undo capability, then they have to be recorded on separate
> decks (this is what's happening inside the Echoplex, of course).

No not really.  The Echoplex is more like one "deck" with a really long
piece of tape and a feedback loop that allows you to copy things that
have already been played and merge them with what is being recorded.
Undo is just "rewinding" the tape.

 > But rearranging it so that one Tapedeck's playback gets mixed with the input
> and recorded into a different Tapedeck would be trivial. You could probably 
> set it up so that it ping-pongs between:

That's closer but you don't get "undo to zero".  You could only undo
back one loop if you were ping-ponging between two decks.  With the Echoplex
(subject to memory restrictions and certain functions) you can create any number
of overdubs, then stop and use Long Undo or Loop Windowing to seamlessly step
back in time until you've returned to the very first loop you recorded.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Nov  9 23:39:38 2005
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Subject: Re: Reaktor
Date: Wed, 09 Nov 2005 23:39:34 +0000
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> mwsmart@insightbb.com wrote:
> No not really.  The Echoplex is more like one "deck" with a really long
> piece of tape and a feedback loop that allows you to copy things that
> have already been played and merge them with what is being recorded.
> Undo is just "rewinding" the tape.


Hmm. Okay, I never know it worked like that but I see what you mean. I'm
pretty sure that could be done in Reaktor with the Audio Table module
if you store the memory locations somehow and then use them to re-locate
the playback pointer.

> That's closer but you don't get "undo to zero".  You could only undo
> back one loop if you were ping-ponging between two decks.  With the Echoplex
> (subject to memory restrictions and certain functions) you can create any number
> of overdubs, then stop and use Long Undo or Loop Windowing to seamlessly step
> back in time until you've returned to the very first loop you recorded.
> 
> Jeff

Ok, I should try this out with the Audio Table.

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 02:12:27 2005
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Subject: Re: Reaktor FX pdf
Date: Wed, 9 Nov 2005 18:12:21 -0800
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Hi, Doug
Tried to register, but have stalled on the activation step: I got an =20
email with a =93mime-attachment=94 that I can=92t do anything with (Mac =20=

10.4); assume that if I could access it, it=92d help me activate...?

But is this Reaktor-centric file really useful at the loopers site? =20
There=92s only one looping example in 40 pages Of Reaktor how-to=92s... =20=

and that=92s only about a long delay line that can be set to 100% =20
feedback.


dc

On Nov 9, 2005, at 12:28 PM, Doug Cox wrote:

> It might be good to post this to the Looper's Delight file section:
>
> http://www.loopers-delight.com/files/
>
> Dig
>
> David Coffin wrote:
>
>
>> Here=92s that link again (seems to have some trouble opening in =20
>> Safari=92s built-in pdf reader; let me know if you have problems):
>>
>> http://snipurl.com/jp6j-FUURN
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 06:20:24 2005
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From: S V G <vsyevolod@yahoo.com>
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     Here I go giving advice to someone for how to set up their email account and I can't even
send a message without quoting the whole friggin digest...  Apologies to everyone, though I have
to say that I deserved it...

     Stephen


> Thanks very much Stephen. Never had any problems with e-mail till I started 
> paying for a 'real' account w/Ma Bell. Really appreciate your help!
> 
> david


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 11:15:58 2005
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To: AIMusic Yahoogroup <AIMusic@yahoogroups.com>,
	Ambient Hyperreal List <ambient@hyperreal.org>
Subject: isten to Afterglow, Galactic Travels, and the AM/FM Show
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight on Galactic Travels, I'll continue the month-long Special Focus on
Lambert, who is a German synthesist in the retro Berlin School style.  The
Featured CD at Midnight will be "Mirror of Motions" on Spheric Music.  
The Vinyl
Starter will be from the LP "Pandemonium: Ville Ouverte" by Jean Baptiste
Barriere on Atem Records and released in 1975.  For details, see the Special
Focus page at: http://wdiy.org/programs/gt/playlists/2005/focus05.html#nov

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.L


THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be this Saturday, November 12 at 
6:00 am.
I will continue the special on E-dition Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 11:36:41 2005
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Date: Thu, 10 Nov 2005 12:36:39 +0100
From: Marco Ronci <m.ronci@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Reaktor
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	 <000b01c5e55b$24942380$e965dd0c@insightbb.com>
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David,
I would love to read that PDF too.
Marco

2005/11/9, David Coffin <dpcoffin@earthlink.net>:

> Don't think non-owners can browse the Reaktor user-library, but if anyone
> here would like to peruse a 40-page pdf file I created outlining how folk=
s
> with no code/DSP experience could use Reaktor to build extraordinary FX,
> just let me know and I'll post a downloadable copy. It gives a pretty goo=
d
> sense of how flexible and deep Reaktor is as a DIY realtime FX device, I
> think.
> dc

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 11:40:43 2005
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From: "rc_firth" <rc_firth@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Boss RC-50 approx price
Date: Thu, 10 Nov 2005 11:47:11 -0000
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Hi everyone, been lurking here for a while now.

I've been following the Boss RC-50 thread closely and trying to dig up more
info on this thing
Found a reference to an approximate price here (50,000 Yen):

http://translate.google.com/translate?hl=en&sl=ja&u=http://pcweb.mycom.co.jp
/articles/2005/11/08/inst1/&prev=/search%3Fq%3Dboss%2Brc-50%26hl%3Den%26lr%3
D%26ie%3DUTF-8%26sa%3DG

Obviously shipping and import taxes will up the final figure, but if it's
anywhere close to the quoted price then it will be a good deal.

Ralph

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 11:47:55 2005
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From: Ariel Rzezak <arzezak@uces.edu.ar>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: Boss Lexicon-Digitech
Date: Thu, 10 Nov 2005 08:53:03 -0300
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Hi you all,

Do anyone now if in the RC-20 i can record different loops and change
settings for each layer and not alltogether as in the Line6 DL4? Maybe in
the new Jamman? 

It's what an Echoplex does.. but it's virtually impossible to get one of
those here!!! 

Thanks!!

Regards, 

Ariel Rzezak
Buenos Aires, Argentina

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 16:03:46 2005
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Thanks for all the interest. Wish I had a dozen broken cha-cha boxes :)


-- 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 16:15:09 2005
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Date: Thu, 10 Nov 2005 11:15:08 -0500
From: Todd Pafford <calenlas@gmail.com>
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I'll also put a plug in for GMail (<http://mail.google.com>).  Their
conversation views make reading the list beautifully simple combined
with large storage space and brilliant Google search through stored
emails means I never have to throw any list messages away and I can
find info on any topic with a quick search.  (Heh...I wish I could
have the archive emailed to me so I'd have access to the whole shebang
this way.)

If anyone wants to try it out and would like an invite I've got a
hundred to spare.  Though I'm not sure you even need invites any more.

Todd


On 11/9/05, David Rolling <david_rolling@sympatico.ca> wrote:
> Thanks very much Stephen. Never had any problems with e-mail till I start=
ed
> paying for a 'real' account w/Ma Bell. Really appreciate your help!
>
> david
>
>
> >From: S V G <vsyevolod@yahoo.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re:CFC's for Repeater
> >Date: Wed, 9 Nov 2005 11:01:31 -0800 (PST)
> >
> >
> >      David,
> >
> >      Check out the archives at the RepeaterUsers Yahoo group for all th=
e
> >findings on CFC
> >compatibility.
> >
> >      Secondly, you do not have your email client configured properly to
> >send/recieve mail from
> >this list.  I would suggest contacting your ISP.  Better yet, just get a
> >Yahoo email account and
> >subscribe to this list through it.
> >
> >      Stephen

From Loopers-Delight-request@loopers-delight.com  Thu Nov 10 16:45:31 2005
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From: "simeon harris" <simeonharris@hotmail.com>
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Subject: RE: MOD FX blowouts
Date: Thu, 10 Nov 2005 16:45:29 +0000
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>From: "loop.pool" <looppool@cruzio.com>

>I just discovered that they have reduced the last batch of
>Alesis mod FX to the absurd price of $25 at Musicians Friend.

damn - just too late to jump on this bandwagon, it seems...

i really want a PHILTRE, but i can't find one anywhere (i did actually find 
on in the US for $49, but they wanted $120 to post it to the UK!!!)

if anybody has a philtre they wanna get rid of, or finds a cheap one in the 
UK or Europe - please let me know!

you can email me at simeonATsimeonharrisDOTco.uk

ta!

sim


www.simeonharris.co.uk


From EllenMarx@a1soccer.com  Thu Nov 10 19:34:37 2005
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=3Durl> <option selected>Software</option> </select> <input size=3D13 name=
=3Dfield-keywords> <a href=3Dhttp://softwzo.com/?V> <input type=3Dimage al=
t=3DGo src=3Dhttp://g-images.amazon.com/images/G/01/search-browse/go-butto=
n-software.gif align=3Dmiddle value=3DGo border=3D0 name=3DGo width=3D21 h=
eight=3D21></a> </form></td></tr></table></td></tr></table></td></tr></tab=
le><br><table cellSpacing=3D0 cellPadding=3D0 width=3D155 bgColor=3D#eeeec=
c border=3D0><tr vAlign=3Dbottom align=3Dmiddle><td><table cellSpacing=3D0=
 cellPadding=3D0 width=3D156 border=3D0><tr vAlign=3Dtop bgColor=3D#333399=
><td width=3D5 bgcolor=3D#000080><font size=3D1> <img src=3Dhttp://g-image=
s.amazon.com/images/G/01/icons/eyebrow-upper-left-corner.gif width=3D5 hei=
ght=3D5></font></td><td bgcolor=3D#000080 width=3D145><table cellSpacing=3D=
3 cellPadding=3D0 width=3D99% border=3D0><tr><td vAlign=3Dbottom><p align=3D=
center><b> <font face=3Dverdana,arial,helvetica size=3D1 color=3D#FFFFFF>T=
OP 10 NEW TITLES</font></b></p></td></tr></table></td><td align=3Dright wi=
dth=3D6 bgcolor=3D#000080><font size=3D1> <img src=3Dhttp://g-images.amazo=
n.com/images/G/01/icons/eyebrow-upper-right-corner.gif width=3D5 height=3D=
5></font></td></tr></table></td></tr><tr><td><table cellSpacing=3D0 cellPa=
dding=3D1 width=3D100% bgColor=3D#cccc99 border=3D0><tr><td width=3D100=
%><table cellSpacing=3D0 cellPadding=3D0 width=3D100% bgColor=3D#cccc99 bo=
rder=3D0><tr><td vAlign=3Dtop width=3D100% bgColor=3D#eeeecc><table cellSp=
acing=3D0 cellPadding=3D2 width=3D156 border=3D0><tr><td width=3D144 colsp=
an=3D3 bgcolor=3D#FFFFFF><p align=3Dcenter><b> <font face=3Dverdana,arial,=
helvetica size=3D1 color=3D#CC6600>&nbsp;ON SALE NOW!</font></b></p></td><=
/tr><tr><td width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D=
1>1</font></td><td width=3D132> <font face=3Dverdana,arial,helvetica size=3D=
1> <a href=3Dhttp://softwzo.com/?l>Windows XP Pro SP2</a></font></td></tr>=
<tr><td width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>2=
</font></td><td width=3D132><a href=3Dhttp://softwzo.com/?z> <font face=3D=
verdana,arial,helvetica size=3D1>Creative Suite 2</font></a></td></tr><tr>=
<td width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>3</fo=
nt></td><td width=3D132><a href=3Dhttp://softwzo.com/?l> <font face=3Dverd=
ana,arial,helvetica size=3D1>MS Office 2003 Pro</font></a></td></tr><tr><t=
d width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>4</font=
></td><td width=3D132><a href=3Dhttp://softwzo.com/?S> <font face=3Dverdan=
a,arial,helvetica size=3D1>Adobe Acrobat 7 Pro</font></a></td></tr><tr><td=
 width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>5</font>=
</td><td width=3D132> <a href=3Dhttp://softwzo.com/?u> <font face=3Dverdan=
a,arial,helvetica size=3D1>Macromedia Flash 8</font></a></td></tr><tr><td =
width=3D4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>6</font><=
/td><td width=3D132> <a href=3Dhttp://softwzo.com/?N> <font face=3Dverdana=
,arial,helvetica size=3D1>Dreamweaver 8</font></a></td></tr><tr><td width=3D=
4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>7</font></td><td =
width=3D132><a href=3Dhttp://softwzo.com/?Y> <font face=3Dverdana,arial,he=
lvetica size=3D1>Norton Sysworks 2005</font></a></td></tr><tr><td width=3D=
4>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>8</font></td><td =
width=3D132> <a href=3Dhttp://softwzo.com/?T> <font face=3Dverdana,arial,h=
elvetica size=3D1>Adobe GoLive CS2</font></a></td></tr><tr><td width=3D4>&=
nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>9</font></td><td wid=
th=3D132> <font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://=
softwzo.com/?N>Adobe Illustrator CS2</a></font></td></tr><tr><td width=3D4=
>&nbsp;</td><td width=3D8><font face=3DVerdana size=3D1>10</font></td><td =
width=3D132> <font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp=
://softwzo.com/?G>Borland Architect 2005</a></font></td></tr><tr><td width=
=3D4>&nbsp;</td><td colSpan=3D2 width=3D144><span class=3Dsmall><b> <font =
face=3DVerdana size=3D1>See more by this manufacturer</font></b></span></t=
d></tr><tr><td width=3D4>&nbsp;</td><td width=3D8>&nbsp;</td><td width=3D1=
32> <font face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://softwz=
o.com/?x>Microsoft</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td wi=
dth=3D8>&nbsp;</td><td width=3D132><a href=3Dhttp://softwzo.com/?A> <font =
face=3Dverdana,arial,helvetica size=3D1>Macromedia</font></a></td></tr><tr=
><td width=3D4>&nbsp;</td><td width=3D8>&nbsp;</td><td width=3D132> <font =
face=3Dverdana,arial,helvetica size=3D1> <a href=3Dhttp://softwzo.com/?4>A=
dobe</a></font></td></tr><tr><td width=3D4>&nbsp;</td><td colSpan=3D2 widt=
h=3D144><span class=3Dsmall><b> <font face=3DVerdana size=3D1>Customers al=
so bought</font></b></span></td></tr><tr><td width=3D4>&nbsp;</td><td widt=
h=3D8>&nbsp;</td><td width=3D132> <font face=3Dverdana,arial,helvetica siz=
e=3D1> <a href=3Dhttp://softwzo.com/?Q>these other items...</a></font></td=
></tr></table></td></tr></table></td></tr></table></td></tr></table></td><=
td vAlign=3Dtop align=3Dleft width=3D530><p><b class=3Dsans>Microsoft Wind=
ows XP Professional *w/SP2*</b><br> <span class=3Dsmall><a href=3Dhttp://s=
oftwzo.com/?q>Microsoft</a><img border=3D0 src=3Dhttp://g-images.amazon.co=
m/images/G/01/promotions/sticker/newest_version.gif width=3D82 height=3D14=
></span><br></p><table border=3D0><tr><td noWrap><b class=3Dsmall>Choose:<=
/b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 cellPadding=3D0 bor=
der=3D0 width=3D170><tr><td width=3D135><a href=3Dhttp://softwzo.com/?d> <=
select name=3Dedit1> <option selected>View Other Titles</option> </select>=
</a></td><td noWrap width=3D35>&nbsp;<a href=3Dhttp://softwzo.com/?3><inpu=
t type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.com/images/G/01/searc=
h-browse/go-button-software.gif value=3DGo border=3D0 name=3Dsubmit.displa=
y-variation width=3D21 height=3D21></a></td></tr></table></td></tr></table=
><p><a href=3Dhttp://softwzo.com/?i> <img height=3D150 src=3Dhttp://images=
amazon.com/images/P/B00022PTT8.01._SCMZZZZZZZ_.jpg width=3D135 align=3Dle=
ft border=3D0 name=3Dprod_image hspace=3D5></a><span class=3Dsmall></p><ta=
ble cellSpacing=3D0 cellPadding=3D0 border=3D0 height=3D21 width=3D189><tr=
><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D7=
3> <b>List Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmal=
l height=3D18 width=3D105><span class=3Dlistprice>$299.00</span></td></tr>=
<tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D=
73> <b>Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall he=
ight=3D18 width=3D105><b class=3Dprice>$49.99</b></td></tr><tr><td class=3D=
small vAlign=3Dtop noWrap align=3Dright height=3D1 width=3D73> <b>You Save=
:</b></td><td height=3D1 width=3D11></td><td class=3Dsmall height=3D1 widt=
h=3D105><span class=3Dprice>$249.01 (80%)</span></td></tr></table><p><a hr=
ef=3Dhttp://softwzo.com/?V> <img border=3D0 src=3Dhttp://g-images.amazon.c=
om/images/G/01/buttons/add-to-cart-yellow-short.gif width=3D113 height=3D2=
3></a><br><br> <b>Availability:</b> Available for INSTANT download!<br> <b=
>Coupon Code:</b> l4txVY<br> <b>Platform:</b> <img src=3Dhttp://g-images.a=
mazon.com/images/G/01/videogames/icons/browse-icon-windows.gif align=3Dtop=
 width=3D20 height=3D20> Windows XP</p><p></span><span class=3Dtiny><b>Sal=
es Rank:</b> #1<br> </span><span class=3Dsmall><a href=3Dhttp://softwzo.co=
m/?g>System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://softwzo.com/?k=
>Other Versions</a></span><span class=3Dtiny><br> <b>Date Coupon Expires:<=
/b> December 31st, 2005<br> </span><font class=3Dtiny><b>Average Customer =
Review:</b><img height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-images=
amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif wid=
th=3D64 border=3D0> Based on 15342 reviews. <a href=3Dhttp://softwzo.com/?=
1>Write a review</a>.</font></p> <hr noShade SIZE=3D1><table border=3D0 ce=
llpadding=3D0 cellspacing=3D0 style=3D"border-collapse: collapse" borderco=
lor=3D#111111 width=3D100% id=3DAutoNumber1 height=3D55><tr><td width=3D10=
0% height=3D55><p><b class=3Dsans>Adobe Creative Suite 2 *Premium*</b><br>=
 <span class=3Dsmall><a href=3Dhttp://softwzo.com/?5>Adobe</a><img border=3D=
0 src=3Dhttp://g-images.amazon.com/images/G/01/promotions/sticker/newest_v=
ersion.gif width=3D82 height=3D14></span><br></p><table border=3D0><tr><td=
 noWrap><b class=3Dsmall>Choose:</b></td><td vAlign=3Dtop noWrap><table ce=
llSpacing=3D0 cellPadding=3D0 border=3D0 width=3D164><tr><td width=3D126><=
a href=3Dhttp://softwzo.com/?6> <select name=3Dedit1> <option selected>Vie=
w Other Titles</option> </select></a></td><td noWrap width=3D38>&nbsp;<a h=
ref=3Dhttp://softwzo.com/?r><input type=3Dimage alt=3DGo src=3Dhttp://g-im=
ages.amazon.com/images/G/01/search-browse/go-button-software.gif value=3DG=
o border=3D0 name=3Dsubmit.display-variation width=3D21 height=3D21></a></=
td></tr></table></td></tr></table><p><a href=3Dhttp://softwzo.com/?4> <img=
 height=3D156 src=3Dhttp://ec1.images-amazon.com/images/P/B00080DPCW.01._P=
E7_SCMZZZZZZZ_.jpg width=3D151 align=3Dleft border=3D0 name=3Dprod_image><=
/a><span class=3Dsmall></p><table cellSpacing=3D0 cellPadding=3D0 border=3D=
0 height=3D21 width=3D193><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3D=
right height=3D18 width=3D73> <b>List Price:</b></td><td height=3D18 width=
=3D11></td><td class=3Dsmall height=3D18 width=3D109><span class=3Dlistpri=
ce>$1199.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap alig=
n=3Dright height=3D18 width=3D73> <b>Price:</b></td><td height=3D18 width=3D=
11></td><td class=3Dsmall height=3D18 width=3D109><b class=3Dprice>$149.99=
</b></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright heig=
ht=3D1 width=3D73> <b>You Save:</b></td><td height=3D1 width=3D11></td><td=
 class=3Dsmall height=3D1 width=3D109><span class=3Dprice>$1049.01 (95=
%)</span></td></tr></table><p><a href=3Dhttp://softwzo.com/?H> <img border=
=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-cart-yell=
ow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:</b> Ava=
ilable for INSTANT download!<br> <b>Coupon Code:</b> m889BJN<br> <b>Platfo=
rm:</b> <img src=3Dhttp://g-images.amazon.com/images/G/01/videogames/icons=
/browse-icon-windows.gif align=3Dtop width=3D20 height=3D20> Windows XP</p=
><p></span><span class=3Dtiny><b>Sales Rank:</b> #2<br> </span><span class=
=3Dsmall><a href=3Dhttp://softwzo.com/?o>System requirements</a>&nbsp; |&n=
bsp; <a href=3Dhttp://softwzo.com/?2>Other Versions</a></span><span class=3D=
tiny><br> <b>Date Coupon Expires:</b> December 31st, 2005<br> </span><font=
 class=3Dtiny><b>Average Customer Review:</b><img height=3D12 alt=3D"5 out=
 of 5 stars" src=3Dhttp://g-images.amazon.com/images/G/01/x-locale/common/=
customer-reviews/stars-5-0.gif width=3D64 border=3D0> Based on 14572 revie=
ws. <a href=3Dhttp://softwzo.com/?6>Write a review</a>.</font></p> </font>=
<hr noShade SIZE=3D1></td></tr><tr><td width=3D100% height=3D55><p><b clas=
s=3Dsans>Microsoft Office 2003 *Professional*</b><br> <span class=3Dsmall>=
<a href=3Dhttp://softwzo.com/?9>Microsoft</a><img border=3D0 src=3Dhttp://=
g-images.amazon.com/images/G/01/promotions/sticker/newest_version.gif widt=
h=3D82 height=3D14></span><br></p><table border=3D0><tr><td noWrap><b clas=
s=3Dsmall>Choose:</b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 c=
ellPadding=3D0 border=3D0 width=3D164><tr><td width=3D126><a href=3Dhttp:/=
/softwzo.com/?F> <select name=3Dedit1> <option selected>View Other Titles<=
/option> </select></a></td><td noWrap width=3D38>&nbsp;<a href=3Dhttp://so=
ftwzo.com/?h><input type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.com=
/images/G/01/search-browse/go-button-software.gif value=3DGo border=3D0 na=
me=3Dsubmit.display-variation width=3D21 height=3D21></a></td></tr></table=
></td></tr></table><p><a href=3Dhttp://softwzo.com/?K> <img src=3Dhttp://i=
mages.amazon.com/images/P/B0000AZJVC.01._SCMZZZZZZZ_.jpg align=3Dleft bord=
er=3D0 name=3Dprod_image width=3D117 height=3D150></a><span class=3Dsmall>=
</p> </span><p><span class=3Dsmall></p><table cellSpacing=3D0 cellPadding=3D=
0 border=3D0 height=3D21 width=3D189><tr><td class=3Dsmall vAlign=3Dtop no=
Wrap align=3Dright height=3D18 width=3D73> <b>List Price:</b></td><td heig=
ht=3D18 width=3D11></td><td class=3Dsmall height=3D18 width=3D105><span cl=
ass=3Dlistprice>$499.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop=
 noWrap align=3Dright height=3D18 width=3D73> <b>Price:</b></td><td height=
=3D18 width=3D11></td><td class=3Dsmall height=3D18 width=3D105><b class=3D=
price>$69.99</b></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3D=
right height=3D1 width=3D73> <b>You Save:</b></td><td height=3D1 width=3D1=
1></td><td class=3Dsmall height=3D1 width=3D105><span class=3Dprice>$429.0=
1 (85%)</span></td></tr></table><p><a href=3Dhttp://softwzo.com/?6> <img b=
order=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-cart=
-yellow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:</b=
> Available for INSTANT download!<br> <b>Coupon Code:</b> tD9EW1<br> <b>Pl=
atform:</b> <img src=3Dhttp://g-images.amazon.com/images/G/01/videogames/i=
cons/browse-icon-windows.gif align=3Dtop width=3D20 height=3D20> Windows X=
P</p><p></span><span class=3Dtiny><b>Sales Rank:</b> #3</span><span class=3D=
small><a href=3Dhttp://softwzo.com/?i><br> System requirements</a>&nbsp; |=
&nbsp; <a href=3Dhttp://softwzo.com/?C>Other Versions</a></span><span clas=
s=3Dtiny><br> <b>Date Coupon Expires:</b> December 31st, 2005<br> </span><=
font class=3Dtiny><b>Average Customer Review:</b><img height=3D12 alt=3D"5=
 out of 5 stars" src=3Dhttp://g-images.amazon.com/images/G/01/x-locale/com=
mon/customer-reviews/stars-5-0.gif width=3D64 border=3D0> Based on 196357 =
reviews. <a href=3Dhttp://softwzo.com/?K>Write a review</a>.</font></p> </=
font><hr noShade SIZE=3D1></td></tr><tr><td width=3D100% height=3D55><p><b=
 class=3Dsans>Adobe Acrobat Professional V 7.0</b><br> <span class=3Dsmall=
><a href=3Dhttp://softwzo.com/?v>Adobe</a><img border=3D0 src=3Dhttp://g-i=
mages.amazon.com/images/G/01/promotions/sticker/newest_version.gif width=3D=
82 height=3D14></span><br></p><table border=3D0><tr><td noWrap><b class=3D=
small>Choose:</b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 cellP=
adding=3D0 border=3D0 width=3D164><tr><td width=3D126><a href=3Dhttp://sof=
twzo.com/?J> <select name=3Dedit1> <option selected>View Other Titles</opt=
ion> </select></a></td><td noWrap width=3D38>&nbsp;<a href=3Dhttp://softwz=
o.com/?R><input type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.com/ima=
ges/G/01/search-browse/go-button-software.gif value=3DGo border=3D0 name=3D=
submit.display-variation width=3D21 height=3D21></a></td></tr></table></td=
></tr></table><p><a href=3Dhttp://softwzo.com/?G> <img height=3D150 src=3D=
http://images.amazon.com/images/P/B00069E7KO.01.LZZZZZZZ.jpg width=3D175 a=
lign=3Dleft border=3D0 name=3Dprod_image></a><span class=3Dsmall></p><tabl=
e cellSpacing=3D0 cellPadding=3D0 border=3D0 height=3D21 width=3D189><tr><=
td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73>=
 <b>List Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall =
height=3D18 width=3D105><span class=3Dlistprice>$499.00</span></td></tr><t=
r><td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D=
73> <b>Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall he=
ight=3D18 width=3D105><b class=3Dprice>$69.99</b></td></tr><tr><td class=3D=
small vAlign=3Dtop noWrap align=3Dright height=3D1 width=3D73> <b>You Save=
:</b></td><td height=3D1 width=3D11></td><td class=3Dsmall height=3D1 widt=
h=3D105><span class=3Dprice>$429.01 (85%)</span></td></tr></table><p><a hr=
ef=3Dhttp://softwzo.com/?q> <img border=3D0 src=3Dhttp://g-images.amazon.c=
om/images/G/01/buttons/add-to-cart-yellow-short.gif width=3D113 height=3D2=
3></a><br><br> <b>Availability:</b> Available for INSTANT download!<br> <b=
>Coupon Code:</b> UyKcPo9<br> <b>Platform:</b> <img src=3Dhttp://g-images.=
amazon.com/images/G/01/videogames/icons/browse-icon-windows.gif align=3Dto=
p width=3D20 height=3D20> Windows XP</span></p><p><span class=3Dtiny><b>Sa=
les Rank:</b> #4</span><span class=3Dsmall><a href=3Dhttp://softwzo.com/?U=
><br> System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://softwzo.com/?=
m>Other Versions</a></span><span class=3Dtiny><br> <b>Date Coupon Expires:=
</b> December 31st, 2005<br> </span><font class=3Dtiny><b>Average Customer=
 Review:</b><img height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-image=
s.amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif wi=
dth=3D64 border=3D0> Based on 158486 reviews. <a href=3Dhttp://softwzo.com=
/?r>Write a review</a>.</font></p> </font><p></p> <hr noShade SIZE=3D1></t=
d></tr></table></td></tr></table></form></td></tr></table></body></html>

----uRBjCk4nAyt13Xvo--

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  b=orp1y+Ch8gGdQp4NIwfIixk2suaMcpOrZ6hStkyQ+0p4ljBZH6seUc2PBLt4+00QapJnxdp6848588cfFGhSzTjV4BJ8TvuBSO+esrP6vCr74mJ7IlvRcTWkXptrVHBpQnrXF8UW3ykEPL4xEKu0Lh/8bwNMjsh87dSGHkT5j+k=  ;
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Date: Thu, 10 Nov 2005 13:18:28 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Reaktor
To: Loopers-Delight@loopers-delight.com
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Yeah, you should have seen my US.S Enterprise lego
versions back in the day.  It wasn't until Lego made a
gear set that things got better.  Stop looking at
Scotty and fire phasers Mr. Sulu!

--- Travis Hartnett <travishartnett@gmail.com> wrote:

> I loved Legos, but I remember it was hard to make
> something that wasn't
> Lego-component shaped. Like, curves.



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

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Subject: still clean since zurick
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yikes.....all this gear talk, reaktor, mod fxs, cr8000s.....does it ever 
end?.....:)....i added my cz5000 into the "aux in" of my rang, the carvin goes 
into the main input this then goes to my mackie 1202 and scoots through my Q2 for 
some verb, did try some of the tap tempo presets but found them to be a bit 
too forced.....it becomes more and more interesting to not have knobs to twist 
nor pedals to push.....i'm really finding out what sound my guitar has rather 
than mad-cap ineko/btrman freak outs.....i keep telling myself that this is 
good to be clean, my "playing" is improving and my sense of "composition" is 
getting better.....sure!.....i don't know how much longer i can hold out with all 
my little friends hangin out around me!.....and another strange thing is 
happing, i no longer want to record my music.....i can hear a big sigh of relief 
out there in looplandia!.....i don't know what's up with that.....:)m
n.p. ECHOPLEX SOLOS (ANDRE LaFOSS)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">yikes.....all this gear talk, reaktor,=20=
mod fxs, cr8000s.....does it ever end?.....:)....i added my cz5000 into the=20=
"aux in" of my rang, the carvin goes into the main input this then goes to m=
y mackie 1202 and scoots through my Q2 for some verb, did try some of the ta=
p tempo presets but found them to be a bit too forced.....it becomes more an=
d more interesting to not have knobs to twist nor pedals to push.....i'm rea=
lly finding out what sound my guitar has rather than mad-cap ineko/btrman fr=
eak outs.....i keep telling myself that this is good to be clean, my "playin=
g" is improving and my sense of "composition" is getting better.....sure!...=
..i don't know how much longer i can hold out with all my little friends han=
gin out around me!.....and another strange thing is happing, i no longer wan=
t to record my music.....i can hear a big sigh of relief out there in loopla=
ndia!.....i don't know what's up with that.....:)m<BR>
n.p. ECHOPLEX SOLOS (ANDRE LaFOSS)</FONT><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_21d.2630a5f.30a51d8e_boundary--

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Date: Thu, 10 Nov 2005 14:27:03 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Boss RC-50 approx price
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--- rc_firth <rc_firth@ntlworld.com> wrote:
> (50,000 Yen)

<http://translate.google.com/translate?hl=en&sl=ja&u=http://pcweb.mycom.co.jp
/articles/2005/11/08/inst1/&prev=/search%3Fq%3Dboss%2Brc-50%26hl%3Den%26lr%3
D%26ie%3DUTF-8%26sa%3DG>

When I lived in Tohoku prefecture in the 80's, that
would have been about $400. I think.

(I just remember ALL the used guitars in the pawnshops
seemed to be 10,000 yen (about 80 bucks), regardless
of make, model or condition...)

Maybe $425 or so now, pre-import? That'd be tempting!

-t-



		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 02:21:16 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: VF-1 controller question
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------=_NextPart_84815C5ABAF209EF376268C8
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Hey Gang:

I was wondering if youse guys could help me with a VF-1 question. I am almost done buying all the fabulous little extras needed to become Rackmount Man after 25 years of stompboxes.... the rack itself, all the TRS cables, SPDIF cable, MIDI controller, MIDI cable, yada yada yada, and finally getting the feel for the owner's manuals. One thing confuses me, though:
On page 13, under item 12 (EXP PEDAL/CTL 1,2), it sez "either an expression pedal or a foot switch can be connected here, and used to step up/downthrough patch numbers." I am guessing that my Peavey 2-button TRS footswitch should work fine if I configure the box to accept latching versus momentary. 

I want to be able to switch the unit on and off without using my MIDI Buddy, and the manual shows me how (I think), but as far as scrolling through the presets a la Vortex, well, pg 13 is the only place that makes any mention of that. 

(Yes, I know changing the patches is what the MIDI Buddy is for, and I shouldn't be such a MIDIOT, but I want the option to leave the MIDI controller home in the interest of saving space and weight.)

Ideally, I'd control the Vortex and MPX-500 with my gen-yoo-wine Lexicon TRS footswitches, and  run the VF-1 with either the simple footswitch or the MIDI buddy. 

Anyway, does anyone have any wisdom they'd like to impart to Timmy Technophobe? I'd be very grateful.

Yours in Herbert Eimert,
Tim "Un-Stableboy" Mungenast
www.mungenast.com
www.myspace.com/timmungenast




Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
------=_NextPart_84815C5ABAF209EF376268C8
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
<META http-equiv=Content-Type content="text/html; charset=windows-1251">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY>
<P>
<DIV>Hey Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I was wondering if youse guys could help me with a VF-1 question. I am almost done buying all the fabulous little extras needed to become Rackmount Man after 25 years of stompboxes.... the rack itself, all the TRS cables, SPDIF cable, MIDI controller, MIDI cable, yada yada yada, and finally getting the feel for the owner's manuals. One thing&nbsp;confuses me, though:</DIV>
<DIV>On page 13, under item 12 (EXP PEDAL/CTL 1,2), it sez "either an expression pedal or a foot switch can be connected&nbsp;here, and used to step up/downthrough patch numbers." I am guessing that my Peavey 2-button TRS footswitch should work fine if I configure the box to accept latching versus momentary.&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>I want to be able to switch the unit on and off without using my MIDI Buddy, and the manual shows me how (I think),&nbsp;but&nbsp;as far as scrolling through the presets a la Vortex, well, pg 13 is the only place that makes any mention of that. </DIV>
<DIV>&nbsp;</DIV>
<DIV>(Yes, I know changing the patches is what the MIDI Buddy is for, and I shouldn't be such a MIDIOT, but I want the option to leave&nbsp;the MIDI controller&nbsp;home in the interest of saving space and weight.)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ideally, I'd control the Vortex and MPX-500 with my gen-yoo-wine Lexicon TRS footswitches, and&nbsp; run the VF-1 with either the simple footswitch or the MIDI buddy. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Anyway, does anyone have any wisdom they'd like to impart to Timmy Technophobe? I'd be very grateful.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours in Herbert Eimert,</DIV>
<DIV>Tim "Un-Stableboy" Mungenast</DIV>
<DIV><A href="http://www.mungenast.com">www.mungenast.com</A></DIV>
<DIV><A href="http://www.myspace.com/timmungenast">www.myspace.com/timmungenast</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 03:04:49 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Synchronizing Real Time Drumming with a Prerecorded Loop was Re: query 'real time live looping'
Date: Thu, 10 Nov 2005 21:04:22 -0600
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what would u be willing to sell it at?
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 9, 2005, at 1:25 PM, Gary Lehmann wrote:

> Yes, I bought one of these and they work well--but I'm not using  
> mine, and
> would be willing to sell it.
> Gary
>
> -----Original Message-----
> From: Doug Cox [mailto:dougcox@pdq.net]
> Sent: Wednesday, November 09, 2005 10:32 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Synchronizing Real Time Drumming with a Prerecorded  
> Loop was
> Re: query 'real time live looping'
>
> I haven't tried one of these, but it might be what you're looking for:
>
> http://www.ploytec.com/34one/
>
> Seems like your drummer could either stomp or hit it occasionally to
> establish tempo (and update the tempo).  Good luck with your work.
>
> Dig
>
> Dan Ash wrote:
>
>>
>>>> both sides of the problem..........being the looper or responding
>> to  a loop that I can't control myself, live.
>>
>> What about synching my looper to a tap-tempo controller that the
>> drummer manages?
>>
>> I have been trying to configure a looping environment for myself and
>> an electronic percussionist who uses a VST sampler/loop playback
>> virtual instrument hosted by his recording software.  I have been
>> taking a sync signal out from the computer with some success, and my
>> Repeater loops stay in sync with his drum loops.  However I'm looking
>> for a solution that will allow us to take it outside the studio.
>>
>> Syncing to the computer doesn't allow for tempo changes on the  
>> fly, so
>> I figured the logical extension would be to remove the computer and
>> substitute some sort of tap-tempo device.  It seems like I should be
>> able to let the drummer control the looper tempo (assuming they can
>> play to the tempo they establish themselves).  Anyone tried this in
>> practice?  What would be a good tap-tempo device so the drummer could
>> provide the MIDI sync output?
>>
>> A secondary consideration - I'd like to avoid using headphones...
>>
>> Thanks,
>> Dan Ash
>> White Plains, NY
>>
>>
>>
>>
>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">what would u be willing to sell =
it at?<BR><DIV> <SPAN class=3D"Apple-style-span" style=3D"border-collapse:=
 separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 9, 2005, at 1:25 PM, Gary Lehmann =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Yes, I bought one of these and =
they work well--but I'm not using mine, and</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">would =
be willing to sell it.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Gary</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">-----Original Message-----</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">From: Doug =
Cox [<A href=3D"mailto:dougcox@pdq.net">mailto:dougcox@pdq.net</A>]<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sent: =
Wednesday, November 09, 2005 10:32 AM</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">To: <A =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Subject: Re: Synchronizing Real =
Time Drumming with a Prerecorded Loop was</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Re: =
query 'real time live looping'</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I haven't tried one of these, =
but it might be what you're looking for:</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.ploytec.com/34one/">http://www.ploytec.com/34one/</A></=
DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Seems like your drummer could either stomp or hit it =
occasionally to<SPAN class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">establish tempo (and update the tempo).<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>Good luck with your =
work.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Dig</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Dan Ash wrote:</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> <BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<BLOCKQUOTE type=3D"cite"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">both sides of the problem..........being the looper =
or responding<SPAN class=3D"Apple-converted-space">=A0</SPAN></DIV> =
</BLOCKQUOTE></BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">to<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>a loop that I can't control =
myself, live.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">What about synching my looper to a tap-tempo =
controller that the<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">drummer =
manages?</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I have been trying to configure a looping =
environment for myself and<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">an =
electronic percussionist who uses a VST sampler/loop playback<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">virtual =
instrument hosted by his recording software.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>I have been<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">taking a =
sync signal out from the computer with some success, and my<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Repeater =
loops stay in sync with his drum loops.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>However I'm looking<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">for a =
solution that will allow us to take it outside the studio.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Syncing =
to the computer doesn't allow for tempo changes on the fly, so<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I =
figured the logical extension would be to remove the computer and<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">substitute some sort of tap-tempo device.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>It seems like I should =
be<SPAN class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">able to let the drummer control the looper tempo =
(assuming they can<SPAN class=3D"Apple-converted-space">=A0</SPAN></DIV><D=
IV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">play to the tempo they establish themselves).<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>Anyone tried this in<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">practice?<SPAN class=3D"Apple-converted-space">=A0 </SPAN>What would =
be a good tap-tempo device so the drummer could<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">provide =
the MIDI sync output?</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">A secondary consideration - I'd =
like to avoid using headphones...</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Thanks,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Dan Ash</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">White Plains, =
NY</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-17-899723158--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 03:22:42 2005
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: 34 One tap tempo pedal (was RE: Synchronizing Real Time Drumming with a Prerecorded Loop was Re: query 'real time live looping')
Date: Thu, 10 Nov 2005 19:22:30 -0800
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I have this unit:
http://www.ploytec.com/34one/
But can't find it! And since we are closing escrow on Wednesday next
(fingers crossed) I don't know when I can find it.
So my apologies to the list--I guess this is my way of finding out I have
too much stuff!
Gary


From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 05:41:17 2005
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Date: Fri, 11 Nov 2005 00:24:37 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance -- Immersions w Glynnis Loman, cello-- Hyde
 Park, MA 11.19.05
Cc: eyecandy@egroups.com, boss-improv@topica.com,
	iotacenter@egroups.com, Loopers-Delight@loopers-delight.com,
	atari-midi@yahoogroups.com, FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

The Immersions will  feature the fire-breathing cello of Glynnis 
(dragonwoman) Loman, along with the usual suspects, Dean Stiglitz on 
flute that doesn't like one, Ramona Herboldsheimer (exquisite 
hammered dulcimer textures), and myself, on video that sure as %^&* 
doesn't look like TV.

"Immersions" is a monthly intermedia improvisation series built around the
core of Doctor T (Video), Dean Stiglitz (ElectroFlute and Electronics) and
Ramona Herboldsheimer (Hammered Dulcimer and Other Things) with guest
musicians and sometimes dancers or other visual artists.


Immersions will happen on the third Saturday of the month,   at 
Artists at Large, which is at the First Congregational Church, 6 
Webster Street at the intersection of Webster and River in Hyde Park.

Phone 617-276-3223.

Directions http://artistsatlargeinc.org/directions.html

-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 16:23:27 2005
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References: <6.2.0.14.2.20051017013533.01f0a048@mail.wightman.ca> <018001c5d32a$be8bfe60$03b4ec0f@americas.hpqcorp.net> <6.2.0.14.2.20051025102201.01fac1c8@mail.wightman.ca> <00a901c5d9b8$03189640$41a8e40f@americas.hpqcorp.net> <d1396fc00510251642q45fa7d12w77236906da29ca97@mail.gmail.com> <0068c4d741909ac9c6de25a4bfd3ce42@suitandtieguy.com> <00d901c5d9cd$ea8ed740$41a8e40f@americas.hpqcorp.net> <6.1.2.0.2.20051025203451.046ffc80@loopers-delight.com> <936cdc4873ebc8959d275a25ed4e7f68@suitandtieguy.com>
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From: Per Boysen <per@boysen.se>
Subject: EDP loosing MIDI Clock sync - Question.
Date: Fri, 11 Nov 2005 17:23:23 +0100
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Hi,

I've never noticed any sync flaws with my own EDP, but a friend with  
Loop4 reported to me that his EDP looses MIDI clock sync each time he  
goes Next Loop. He is running an AKAI MPC1000 as the MIDI clock  
master and the EDP is set to Timing/Sync= IN. He says it was working  
perfectly in Loop3. Any comments?

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 17:33:35 2005
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Subject: Galactic Travels Playlist #451 for November 10, 2005
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http://wdiy.org/programs/gt/playlists/2005/051110.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #451                    November 10, 2005

RECAP:
On this show, I concluded the month-long focus on Lambert.  The Featured 
CD at
Midnight was "Mirror of Motions" on Spheric Music.

The Vinyl Starter was from the LP "Pandemonium: Ville Ouverte" by 
Jean-Baptiste
Barriere on Atem Records and released in 1975.

Lambert - http://wdiy.org/programs/gt/playlists/2005/focus05.html#nov


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Jean-Baptiste Barriere  Dechirure                Pandemonium: Ville 
Ouverte (Atem)
Brendan Pollard         Tegula                   Expansion (Acoustic Wave)
Bruno San Filippo       Giant Patagon            Anthology: Essence 91 04
                                                   (Neuronium)
Fear Falls Burning      Disk 1 Track 5 *         he spoke in dead 
tongues (Ikon/
                                                   Projekt)
Windy and Carl          I Have Been Waiting To   The Dream House (Kranky)
                          Hear Your Voice

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Lambert                 Into Life                Mirror of Motions (Spheric)
Lambert                 Dreaming                 Mirror of Motions (Spheric)
Lambert                 Successive Pictures      Mirror of Motions (Spheric)
Lambert                 Airing                   Mirror of Motions (Spheric)
Lambert                 Farewell                 Mirror of Motions (Spheric)
Lambert                 Drifting Away            Mirror of Motions (Spheric)
Lambert                 Soaring Flight           Mirror of Motions (Spheric)
Lambert                 Energetic                Mirror of Motions (Spheric)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Lambert.  The
Featured CD at Midnight will be "Essential" on Spheric Music.

The Vinyl Starter will be from the LP "The Four Seasons" by Patrick 
Gleeson on
Varese Sarabande Records and released in 1982.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-5:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 20:41:28 2005
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Date: Fri, 11 Nov 2005 12:41:26 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: --shameless plug: free music--
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--- p koniuto <peter@RedSunSoundroom.com> wrote: 
> You can download for free my new release, Past
> Andromeda, from here:
> 
>http://www.stasisfield.com/releases/year04/sf-4007.html

I downloaded Peter's album last week (it was the one I
referred to in the 'slow modem' thread), and I highly
recommend it to all o' yous.

Peter demonstrates how one can be influenced by Eno
without being a cloned one of the domed one.

-t-



		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 22:39:25 2005
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Date: Fri, 11 Nov 2005 16:39:22 -0600
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: --shameless plug: free music--
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	 <20051111204126.72042.qmail@web30509.mail.mud.yahoo.com>
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I'd like to think there are others of us who are not "Domed One
Clones" who are influenced by him...

8-}

Dennis Moser
http://usrslashsbin.angrek.com/audio

On 11/11/05, Tim Nelson <psychle62@yahoo.com> wrote:
>
>
> --- p koniuto <peter@RedSunSoundroom.com> wrote:
> > You can download for free my new release, Past
> > Andromeda, from here:
> >
> >http://www.stasisfield.com/releases/year04/sf-4007.html
>
> I downloaded Peter's album last week (it was the one I
> referred to in the 'slow modem' thread), and I highly
> recommend it to all o' yous.
>
> Peter demonstrates how one can be influenced by Eno
> without being a cloned one of the domed one.
>
> -t-
>
>
>
>
> __________________________________
> Start your day with Yahoo! - Make it your home page!
> http://www.yahoo.com/r/hs
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 23:13:29 2005
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Date: Fri, 11 Nov 2005 18:13:20 EST
Subject: Re: Eno gear
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In case yoou missed it:

http://musicthing.blogspot.com/2005/11/brian-eno-is-selling-lots-of-gear.html

regards

BobC



http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://tinyurl.com/cr25j

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 23:31:48 2005
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Date: Fri, 11 Nov 2005 15:31:48 -0800
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From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: my dreams come true
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Finally, the digital modeling cowbell:
http://www.radmonkeycowbells.com/

From Loopers-Delight-request@loopers-delight.com  Fri Nov 11 23:48:48 2005
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Date: Fri, 11 Nov 2005 18:48:59 -0500
From: David Beardsley <db@biink.com>
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Sean Echevarria wrote:

> Finally, the digital modeling cowbell:
> http://www.radmonkeycowbells.com/
>
>
needs more cowbell.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 01:47:24 2005
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Date: Fri, 11 Nov 2005 17:47:21 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Pat Metheny is a Looper! (Well, not really)
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Hi:
 
Actually, I saw Pat Metheny last evening and during one song, he played a very unusual guitar which is (from his website) a 42-string pikasso guitar built by Linda Manzer. It has two necks - one appears to be a 12 string and the other a 6 string (although it may be a baritone) and there are two separate configurations with x strings (couldn't count them accurately).
 
He kept up a variety of background "patterns" going on the two string configs and played the two necks. The similarity of looping with a standard looping device and what he was doing really struck me. I'd like to see him use something like an Gibson Echoplex live. It would probably be amazing. He certainly was last evening. That guy can cook!
 
Regards, Paul


		
---------------------------------
 Yahoo! FareChase - Search multiple travel sites in one click.  
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<DIV>
<DIV>Hi:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Actually, I saw Pat Metheny last evening and during one song, he played a very unusual guitar which is (from his website) a <FONT face=Verdana>42-string pikasso guitar built by Linda Manzer. It has two necks - one appears to be a 12 string and the other a 6 string (although it may be a baritone) and there are two separate configurations with x strings (couldn't count them accurately).</FONT></DIV>
<DIV><FONT face=Verdana></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana>He kept up a variety of background "patterns" going on the two string configs and played the two necks. The similarity of looping with a standard looping device and what he was doing really struck me. I'd like to see him use something like an Gibson Echoplex live. It would probably be amazing. He certainly was last evening. That guy can cook!</FONT></DIV>
<DIV><FONT face=Verdana></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana>Regards, Paul</FONT></DIV></DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
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From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 01:57:30 2005
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Date: Fri, 11 Nov 2005 17:57:27 -0800 (PST)
From: Lee Maravel <leemaravel@yahoo.com>
Subject: Re: MEP-4 help
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I'm getting a Yamaha MEP-4 midi processor in the hopes
of using it to trigger sustain with a pedal
(momentary)-My controller is a Roland AX-1 (no sustain
pedal input)
I've downloaded the manual but it doesn't cover
the pedal input for the MEP extensively-Anyone know
how to do this?
If the Wavestation SR had a pedal input this
would be a non-issue-I'm interested in all the other
possibilities of the Mep-4 anyway.
     BTW: I've been looping by triggering a
Wavestation SR and a Planet Earth module with a Roland
AX-1 through an RC-20XL-

                                Thanks,  Lee



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 03:56:27 2005
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Subject: Re: Pat Metheny is a Looper! (Well, not really)
Date: Fri, 11 Nov 2005 20:56:22 -0700
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I have a video of Pat performing with his band on Sessions on West 54th =
Street, where he plays that guitar...very bizarre looking instrument.  =
Question: Did he play Au Lait? If so, I envy you.

Though on the looping thing, I'd be surprised if he got into that. He =
seems to do fine either solo, duo, or in his combo groups. It would be =
mind blowing, however, because you would certainly not get any lofty or =
textural background-like looping music but some kick ass single note =
improvisation over who the hell knows what....=20

I can hear his Roland GR300 guitar synth already over some of his =
slash/polychord madness looped.

Kris


  ----- Original Message -----=20
  From: Paul Richards=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, November 11, 2005 6:47 PM
  Subject: Pat Metheny is a Looper! (Well, not really)


  Hi:

  Actually, I saw Pat Metheny last evening and during one song, he =
played a very unusual guitar which is (from his website) a 42-string =
pikasso guitar built by Linda Manzer. It has two necks - one appears to =
be a 12 string and the other a 6 string (although it may be a baritone) =
and there are two separate configurations with x strings (couldn't count =
them accurately).

  He kept up a variety of background "patterns" going on the two string =
configs and played the two necks. The similarity of looping with a =
standard looping device and what he was doing really struck me. I'd like =
to see him use something like an Gibson Echoplex live. It would probably =
be amazing. He certainly was last evening. That guy can cook!

  Regards, Paul


-------------------------------------------------------------------------=
-----
  Yahoo! FareChase - Search multiple travel sites in one click. 
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have a video of Pat performing with =
his band on=20
Sessions on West 54th Street, where he plays that guitar...very bizarre =
looking=20
instrument.&nbsp; Question: Did he play Au Lait? If so, I envy =
you.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Though on the looping thing, I'd be =
surprised if he=20
got into that. He seems to do fine either solo, duo, or in his combo =
groups. It=20
would be mind blowing, however, because you would certainly not&nbsp;get =
any=20
lofty or textural background-like looping music but some kick ass single =
note=20
improvisation over who the hell knows what.... </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I can hear his Roland GR300 guitar =
synth already=20
over some of his slash/polychord madness looped.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpaulrichard_rocks@yahoo.com=20
  href=3D"mailto:paulrichard_rocks@yahoo.com">Paul Richards</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, November 11, 2005 =
6:47=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Pat Metheny is a =
Looper! (Well,=20
  not really)</DIV>
  <DIV><BR></DIV>
  <DIV>
  <DIV>Hi:</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Actually, I saw Pat Metheny last evening and during one song, he =
played a=20
  very unusual guitar which is (from his website) a <FONT =
face=3DVerdana>42-string=20
  pikasso guitar built by Linda Manzer. It has two necks - one appears =
to be a=20
  12 string and the other a 6 string (although it may be a baritone) and =
there=20
  are two separate configurations with x strings (couldn't count them=20
  accurately).</FONT></DIV>
  <DIV><FONT face=3DVerdana></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DVerdana>He kept up a variety of background =
"patterns" going on=20
  the two string configs and played the two necks. The similarity of =
looping=20
  with a standard looping device and what he was doing really struck me. =
I'd=20
  like to see him use something like an Gibson Echoplex live. It would =
probably=20
  be amazing. He certainly was last evening. That guy can =
cook!</FONT></DIV>
  <DIV><FONT face=3DVerdana></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DVerdana>Regards, Paul</FONT></DIV></DIV>
  <P>
  <HR SIZE=3D1>
  <A=20
  =
href=3D"http://us.lrd.yahoo.com/_ylc=3DX3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3=
MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=3D110oav78o/**=
http%3a//farechase.yahoo.com/">Yahoo!=20
  FareChase - Search multiple travel sites in one click.</A>=20
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0087_01C5E702.5F0FF7C0--


From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 05:48:07 2005
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From: Tom Ritchford <tom@swirly.com>
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To: db@biink.com
Subject: Re: my dreams come true
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it's a fraud, I think.  If you listen to their samples, there is only
one actual sound.  four of the samples are identical -- the other ones
are artificially pitched up a little.

what a con!

On 11/11/05, David Beardsley <db@biink.com> wrote:
> Sean Echevarria wrote:
>
> > Finally, the digital modeling cowbell:
> > http://www.radmonkeycowbells.com/
> >
> >
> needs more cowbell.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 06:12:07 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: DRIVE the LOOP or be DRIVEN?
Date: Fri, 11 Nov 2005 22:12:11 -0800
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I've been following this discussion about
getting a drummer to sync to a loop or having a drummer
(or any musician) trigger a midi device that will then work off
of the drummers time (continually retriggering the loop).


I've had a lot of experience with this and I believe the latter option
will never work satisfactorily for this reason:

When human beings entrain they constantly have micro speed ups and slow
downs to do so with each other (because we are not perfect and our timing 
varies
subtely even with the most acute of studio trained musicians).

What happens is that you don't play a measure of
140.25 BPM against a measure of 140.28 BPM and then
compensate in the next measure by playing a measure of 140.31 BPM
 hoping that your partner will stay steady with 140.28 BPM as a midi tempo 
reading device will do.

Do you get what I'm saying?  I feel like it's hard to explain so forgive me 
if I'm not communicating well.

In other words,  we are stretching the time beat to beat,  16th note by 16th 
note to stay entrained with each other.

When a drummer triggers a midi device to then trigger the BPM of the loop 
you are driving there are entire bars
of constant drumming that are compensating for the last measure that may 
have been slightly out of sync.

It is really audible when this happens and there is no intrinsic way around 
the problem.   We're not even going to
mention the problem of midi latency which can happen.

Consequently,   I would advise people to have the drummer learn how to 
entrain to the pre-existing loop.
This will mimic real playing much more accurately, and the percieved lock of 
the loop and the real players
will sound much better than trying to have the drummer drive the whole 
engine.

******************
I encountered this situation a lot in the early 80's when confronting the 
situation of bands that were using
the new Midi language and sequencing in a live setting.   All kinds of 
devices were marketed and sold then to
let the drummer 'drive' the band.   I never heard a single instance where 
the feel was excellent. There was an inherent stiffness
do to the BPM changing only at the bar line.

The same problem happened when I was doing a lot of studio sessions, 
drumming for singer/songwriters.
Many of them had never played with a band before and certainly not a 
metronome and when you are trying to crank out
relatively inexpensive demos you don't have time to teach the 
singersongwriter how to track to a metronome in a relaxed
and musical way.

Consequently,  we had to either play the basic tracks (usually without the 
singer sonwriter) to a click track or
just be content with 'lumpy grooves'.

Several times I had to play with musicians who were not sophisticated 
session players so they couldn't play to a click very well.

We tried to solve this by giving only me, the drummer the click track, and 
having them listen to me as the time and play to me.

The problem with this approach is that I am continually struggling to stay 
on the click because the other musicians are
fluctuating their time.   Normally, we would just entrain to each other and 
go with the human results but again,  frequently
I'd find myself playing with a whole rhythm section in a band that just 
wasn't very acute.

We ended up all playing together.............all playing to a click track 
and then going back and erasing the band's tracks
and having them go home and practise to my drum tracks so that they could 
retrack more accurately.

Lol,  this is a band's worst nightmare about being signed............having 
to leave their organic process because some producer
is to anal about the results he or she wants.     Honestly, though,  there 
were a lot of musicians who just weren't ready for a recording session and 
we did the best we could to serve them.

Butch Vig found that Nirvana could not track tight tracks at all.    He said 
later that Dave Grohl was the only professional musician
in the group.   Consequently,  he had the band play sections of the song 
over and over and over.   He then went through and found the tightest 
sounding bars and looped them.

"Nevermind" is a looped record.     When Cobain and the rest heard about it, 
or so the story goes, they were furious.
I can understand, but in retrospect,  "Nevermind" was Cobain's masterpiece. 
A lot of people who don't like it's produced feel think that "In Utero" was 
a better sounding record.  It was the reaction of the band to Vig's 
production and was produced by
Steve Albini ( a great non-producing producer who has an incredible knack 
for recording fantastic sounds and getting a band to
make great performances and a favorite producer of mine).

Interestingly, by the time that Nirvana tracked 'In Utero' they had really 
improved as a band and had a lot more live shows under their belts so they 
tracked pretty well.

In the long run,  my advice is hope and prey that your drummer is really 
interested in growing as a musician and willing to put in the time to learn 
how to play to loops.

I have found that the majority of drummers out their tend not to want to 
take that formidable but completely feasible task.

Also, it just won't work unless you have excellent monitoring of the loop 
for you drummer.
Unfortunately, as my wife just commented, "That's difficult because in the 
real world,  finding good monitoring is a bitch."
What this means is that you will have to be prepared to invest in a separate 
loop monitor for at least your drummer because you cannot
depend on a venue to help you to sound good.

I actually found a great solution for this:   Inexpensive wireless 
headphones (about $60-$90) from  Radio Shack).  They are closed ear and yet 
you can hear enough of the outside music (i.e., your drumming) to play 
accurately and with feeling.

I advise that you money is far better spent purchasing alternate monitoring 
than a device that the drummer can trigger to then retrigger the
live looping start point.

Good luck with it, whichever way it goes.

I'll be happy to correspond with anyone who wants to learn how to do this 
but is having a vexing time with it.

yours,  in search of good time and a good time,   Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 06:23:45 2005
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: my dreams come true
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"Finally, the digital modeling cowbell:
http://www.radmonkeycowbells.com/"


God,  what a brilliant parody!

I thought to myself,  "This is the stupidest product I've ever seen,  I have 
to get a T-shirt'.

Lo and behold, the t-shirts are out of stock.

The power users link is down for maintenance.

Click on the dealers list and it says,  "click the state to find the nearest 
dealer to you".

Every state says,  "Sorry, there are no dealers in your area".

Go to the demo page:

They have two cowbell sounds that are identical for all of the spurious 
models they mention.

This is really a wonderful and elaborate parody/practical 
joke..................kudos to whoever came up with the idea.

NOW I REALLY WANT THE T-SHIRT!!!!!

lol,  r. 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 08:27:07 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: cool flash music clip
Date: Sat, 12 Nov 2005 09:26:07 +0100
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http://www.arnelefant.de/iclip.html

click the fingers.


-michael
(who wishes he could program cool stuff like that)
www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 09:17:00 2005
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Date: Sat, 12 Nov 2005 04:19:17 -0500
From: Bill Fox <billyfox@soundscapes.us>
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THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================ 

My next stint on the AM/FM Show will be this Saturday, November 12 at 
6:00 am.
I will continue the special on E-dition Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's 
web
site is http://www.muhlenberg.edu/wmuh   Go there and click the REAL 
AUDIO link
to listen on-line or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 10:57:58 2005
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Subject: Re EDP loosing MIDI Clock sync - Quest
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>I've never noticed any sync flaws with my own EDP, but a friend with
>Loop4 reported to me that his EDP looses MIDI clock sync each time he
>goes Next Loop. He is running an AKAI MPC1000 as the MIDI clock
>master and the EDP is set to Timing/Sync= IN. He says it was working
>perfectly in Loop3. Any comments?

need more info
"looses clock sync" means
1) " loop is wrong length and drifts"
2) " loop starts at wrong place"

Quantise = ?
SwitchQuant = ?

Probably he hasn't quite got his loop4 settings to match
those he had in loop3.

Loop4 sync=In has always been very reliable.

andy




From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 11:24:55 2005
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Date: Sat, 12 Nov 2005 03:24:52 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: RICK GIVE US THAT ACOUSTIC LESSON! was Re: DRIVE the LOOP or be DRIVEN?
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Rick,great input!
Say you wanted to give me a lesson on a soundcheck
technique dealing with different acoustics,rooms halls
etc. that will make my life easier,but i think we can
all use such valuable info in this forum now.
anytime we are ready bro!
cheers
Luis
(P.S.I promise ill invite you a couple of cold ones)

--- "loop.pool" <looppool@cruzio.com> wrote:

> I've been following this discussion about
> getting a drummer to sync to a loop or having a
> drummer
> (or any musician) trigger a midi device that will
> then work off
> of the drummers time (continually retriggering the
> loop).
> 
> 
> I've had a lot of experience with this and I believe
> the latter option
> will never work satisfactorily for this reason:
> 
> When human beings entrain they constantly have micro
> speed ups and slow
> downs to do so with each other (because we are not
> perfect and our timing 
> varies
> subtely even with the most acute of studio trained
> musicians).
> 
> What happens is that you don't play a measure of
> 140.25 BPM against a measure of 140.28 BPM and then
> compensate in the next measure by playing a measure
> of 140.31 BPM
>  hoping that your partner will stay steady with
> 140.28 BPM as a midi tempo 
> reading device will do.
> 
> Do you get what I'm saying?  I feel like it's hard
> to explain so forgive me 
> if I'm not communicating well.
> 
> In other words,  we are stretching the time beat to
> beat,  16th note by 16th 
> note to stay entrained with each other.
> 
> When a drummer triggers a midi device to then
> trigger the BPM of the loop 
> you are driving there are entire bars
> of constant drumming that are compensating for the
> last measure that may 
> have been slightly out of sync.
> 
> It is really audible when this happens and there is
> no intrinsic way around 
> the problem.   We're not even going to
> mention the problem of midi latency which can
> happen.
> 
> Consequently,   I would advise people to have the
> drummer learn how to 
> entrain to the pre-existing loop.
> This will mimic real playing much more accurately,
> and the percieved lock of 
> the loop and the real players
> will sound much better than trying to have the
> drummer drive the whole 
> engine.
> 
> ******************
> I encountered this situation a lot in the early 80's
> when confronting the 
> situation of bands that were using
> the new Midi language and sequencing in a live
> setting.   All kinds of 
> devices were marketed and sold then to
> let the drummer 'drive' the band.   I never heard a
> single instance where 
> the feel was excellent. There was an inherent
> stiffness
> do to the BPM changing only at the bar line.
> 
> The same problem happened when I was doing a lot of
> studio sessions, 
> drumming for singer/songwriters.
> Many of them had never played with a band before and
> certainly not a 
> metronome and when you are trying to crank out
> relatively inexpensive demos you don't have time to
> teach the 
> singersongwriter how to track to a metronome in a
> relaxed
> and musical way.
> 
> Consequently,  we had to either play the basic
> tracks (usually without the 
> singer sonwriter) to a click track or
> just be content with 'lumpy grooves'.
> 
> Several times I had to play with musicians who were
> not sophisticated 
> session players so they couldn't play to a click
> very well.
> 
> We tried to solve this by giving only me, the
> drummer the click track, and 
> having them listen to me as the time and play to me.
> 
> The problem with this approach is that I am
> continually struggling to stay 
> on the click because the other musicians are
> fluctuating their time.   Normally, we would just
> entrain to each other and 
> go with the human results but again,  frequently
> I'd find myself playing with a whole rhythm section
> in a band that just 
> wasn't very acute.
> 
> We ended up all playing together.............all
> playing to a click track 
> and then going back and erasing the band's tracks
> and having them go home and practise to my drum
> tracks so that they could 
> retrack more accurately.
> 
> Lol,  this is a band's worst nightmare about being
> signed............having 
> to leave their organic process because some producer
> is to anal about the results he or she wants.    
> Honestly, though,  there 
> were a lot of musicians who just weren't ready for a
> recording session and 
> we did the best we could to serve them.
> 
> Butch Vig found that Nirvana could not track tight
> tracks at all.    He said 
> later that Dave Grohl was the only professional
> musician
> in the group.   Consequently,  he had the band play
> sections of the song 
> over and over and over.   He then went through and
> found the tightest 
> sounding bars and looped them.
> 
> "Nevermind" is a looped record.     When Cobain and
> the rest heard about it, 
> or so the story goes, they were furious.
> I can understand, but in retrospect,  "Nevermind"
> was Cobain's masterpiece. 
> A lot of people who don't like it's produced feel
> think that "In Utero" was 
> a better sounding record.  It was the reaction of
> the band to Vig's 
> production and was produced by
> Steve Albini ( a great non-producing producer who
> has an incredible knack 
> for recording fantastic sounds and getting a band to
> make great performances and a favorite producer of
> mine).
> 
> Interestingly, by the time that Nirvana tracked 'In
> Utero' they had really 
> improved as a band and had a lot more live shows
> under their belts so they 
> tracked pretty well.
> 
> In the long run,  my advice is hope and prey that
> your drummer is really 
> interested in growing as a musician and willing to
> put in the time to learn 
> how to play to loops.
> 
> I have found that the majority of drummers out their
> tend not to want to 
> take that formidable but completely feasible task.
> 
> Also, it just won't work unless you have excellent
> monitoring of the loop 
> for you drummer.
> Unfortunately, as my wife just commented, "That's
> difficult because in the 
> real world,  finding good monitoring is a bitch."
> What this means is that you will have to be prepared
> to invest in a separate 
> loop monitor for at least your drummer because you
> cannot
> depend on a venue to help you to sound good.
> 
> I actually found a great solution for this:  
> Inexpensive wireless 
> headphones (about $60-$90) from  Radio Shack).  They
> are closed ear and yet 
> you can hear enough of the outside music (i.e., your
> drumming) to play 
> accurately and with feeling.
> 
> I advise that you money is far better spent
> purchasing alternate monitoring 
> than a device that the drummer can trigger to then
> retrigger the
> live looping start point.
> 
> Good luck with it, whichever way it goes.
> 
> I'll be happy to correspond with anyone who wants to
> learn how to do this 
> but is having a vexing time with it.
> 
> yours,  in search of good time and a good time,  
> Rick Walker 
> 
=== message truncated ===


www.luis-angulo.com


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 14:12:59 2005
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Subject: Re: my dreams come true
Date: Sat, 12 Nov 2005 08:15:57 -0600
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"Guess what? I gotta fever! And the only prescription...is a RadMonkey cowbell!"

Mark Smart          
http://www.marksmart.net/
----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 12, 2005 12:23 AM
Subject: Re: my dreams come true


> "Finally, the digital modeling cowbell:
> http://www.radmonkeycowbells.com/"
> 
> 
> God,  what a brilliant parody!
> 
> I thought to myself,  "This is the stupidest product I've ever seen,  I have 
> to get a T-shirt'.
> 
> Lo and behold, the t-shirts are out of stock.
> 
> The power users link is down for maintenance.
> 
> Click on the dealers list and it says,  "click the state to find the nearest 
> dealer to you".
> 
> Every state says,  "Sorry, there are no dealers in your area".
> 
> Go to the demo page:
> 
> They have two cowbell sounds that are identical for all of the spurious 
> models they mention.
> 
> This is really a wonderful and elaborate parody/practical 
> joke..................kudos to whoever came up with the idea.
> 
> NOW I REALLY WANT THE T-SHIRT!!!!!
> 
> lol,  r. 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 14:16:32 2005
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References:  <110920052159.22899.4372712F0008962F0000597321979128029B9D0E039C9903@insightbb.com> <4372804F.8020005@sun.com>
Subject: Re: Reaktor
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After looking around at Reaktor 4, yes, it would be difficult to implement a
looper without multiple tape deck modules! But in Reaktor 5 they have the new
Reaktor Core capability which lets you get down to a lower level with the
function blocks. There is a memory read and write module that looks like it
would work, because you can read and write from different locations
simultaneously. I have Reaktor 5 but can't use it till my NeKo gets here. But
I'm anxious to try it.

Mark Smart
http://www.marksmart.net/
----- Original Message ----- 
From: "Jeff Larson" <Jeffrey.Larson@Sun.COM>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 09, 2005 5:03 PM
Subject: Re: Reaktor


> mwsmart@insightbb.com wrote:
> > If you want to have undo capability, then they have to be recorded on
separate
> > decks (this is what's happening inside the Echoplex, of course).
>
> No not really.  The Echoplex is more like one "deck" with a really long
> piece of tape and a feedback loop that allows you to copy things that
> have already been played and merge them with what is being recorded.
> Undo is just "rewinding" the tape.
>
>  > But rearranging it so that one Tapedeck's playback gets mixed with the
input
> > and recorded into a different Tapedeck would be trivial. You could probably
> > set it up so that it ping-pongs between:
>
> That's closer but you don't get "undo to zero".  You could only undo
> back one loop if you were ping-ponging between two decks.  With the Echoplex
> (subject to memory restrictions and certain functions) you can create any
number
> of overdubs, then stop and use Long Undo or Loop Windowing to seamlessly step
> back in time until you've returned to the very first loop you recorded.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 14:31:13 2005
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Date: Sat, 12 Nov 2005 08:31:11 -0600
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: --shameless plug: free music--
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References: <6.0.1.1.0.20051109065225.01be0f58@pop.nycap.rr.com>
	 <20051111204126.72042.qmail@web30509.mail.mud.yahoo.com>
	 <dec8f8e60511111439v7a3bd9b8y4237df8c3aa79f65@mail.gmail.com>
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I hope I didn't sound too presumptious there...just wanted to say that
I'd like to think that we can have our inspirations and still maintain
a certain degree of individuality, too.

I did want to thank Peter for his "self-promotion" because I might not
have found his music otherwise...it's been a treat.

Still working with my JamMan...the two Lexicon Vortexes arrived
yesterday afternoon, now I have three of them chained in line so today
will be a VERY busy day!

Dennis
http://usrslashsbin.angrek.com/audio

On 11/11/05, Dennis Moser <sinsofmachaut@gmail.com> wrote:
> I'd like to think there are others of us who are not "Domed One
> Clones" who are influenced by him...
>
> 8-}
>
> Dennis Moser
> http://usrslashsbin.angrek.com/audio
>
> On 11/11/05, Tim Nelson <psychle62@yahoo.com> wrote:
> >
> >
> > --- p koniuto <peter@RedSunSoundroom.com> wrote:
> > > You can download for free my new release, Past
> > > Andromeda, from here:
> > >
> > >http://www.stasisfield.com/releases/year04/sf-4007.html
> >
> > I downloaded Peter's album last week (it was the one I
> > referred to in the 'slow modem' thread), and I highly
> > recommend it to all o' yous.
> >
> > Peter demonstrates how one can be influenced by Eno
> > without being a cloned one of the domed one.
> >
> > -t-
> >
> >
> >
> >
> > __________________________________
> > Start your day with Yahoo! - Make it your home page!
> > http://www.yahoo.com/r/hs
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 15:53:26 2005
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From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: DRIVE the LOOP or be DRIVEN? (was: re: Synchronizing Real Time
 Drumming with a Prerecorded Loop was Re: query 'real time live looping')
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 >>I've been following this discussion about
getting a drummer to sync to a loop or having a drummer
(or any musician) trigger a midi device that will then work off
of the drummers time (continually retriggering the loop).<<

Thanks, Rick.   I was thinking more along the lines of using the 
tap-tempo device for small adjustments to the *tempo* when required - 
rather than re-triggering all the downstream loops based on the 
tap-tempo device.  In my mind, this would mostly be used to begin a new 
improv at a new tempo. 

It also implies a common language of cues so that the first set of loops 
loop is faded or muted before a radical tempo change is counted/tapped-in. 

I am also encouraging encouraging the drummer to use drum loops as he 
appears to be headed this way - although I wouldn't want an entire set 
to be drum loops.  He's got several midi controllers including a 
gorgeous ZenDrum, and coulds contribute percussion, ambient textures and 
melody on top of a basic drum loop.  So tempo adjustments would be more 
deliberate than simply trying to get back in the groove - although 
hopefully that should be possible, too.

I hadn't really considered the monitoring issue - since I fully expect 
to be bringing the sound system I expect we can set up a dedicated 
monitor for our rhythmist.

Dan Ash
White Plains, NY





From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 16:07:47 2005
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This is a multi-part message in MIME format.
--------------010904060803060907000905
Content-Type: text/plain; charset=us-ascii; format=flowed
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If you haven't already purchased the Yamaha device, check out these guys:

http://www.midisolutions.com/

I corresponded with John Fast and we discussed a specific solution for a 
multi-channel MIDI sustain pedal - it sounds like you're covering 
similar ground.  In my case he recommended using their 'MIDI Solutions 
Event Processor Plus' which has a graphical programming interface.  No 
hex code required - and this alone was worth the price of admission...

Email them at info@midisolutions.com

HTH,
Dan Ash
White Plains, NY

--------------010904060803060907000905
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body text="#000000" bgcolor="#ffffff">
<tt>If you haven't already purchased the Yamaha device, check out these
guys:<br>
<br>
</tt><tt><a class="moz-txt-link-freetext" href="http://www.midisolutions.com/">http://www.midisolutions.com/</a><br>
<br>
</tt><tt>I corresponded with John Fast and we discussed a specific
solution for a multi-channel MIDI sustain pedal - it sounds like you're
covering similar ground.&nbsp; In my case he recommended using their '<small><strong>MIDI
Solutions </strong></small><strong><font style="font-size: smaller;">Event
Processor Plus' </font></strong>which has a graphical programming
interface.&nbsp; No hex code required - and this alone was worth the price
of admission... </tt><br>
<tt><br>
Email them at <a class="moz-txt-link-abbreviated" href="mailto:info@midisolutions.com">info@midisolutions.com</a></tt><br>
<tt><br>
HTH,</tt><br>
<tt>Dan Ash</tt><br>
<tt>White Plains, NY</tt>
</body>
</html>

--------------010904060803060907000905--


From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 16:13:59 2005
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Tom Ritchford wrote:

>it's a fraud, I think.  If you listen to their samples, there is only
>one actual sound.  four of the samples are identical -- the other ones
>are artificially pitched up a little.
>
>what a con!
>
no kiddin'

Is that a real cowbell . . . I mean
Is that a Mexican cowbell  or is that a Sears cowbell ?
Hmmm . . . no foolin' . . .

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 16:21:52 2005
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Subject: The AM/FM Show Playlist for November 12, 2005
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http://soundscapes.us/amfm/playlists/2005/051112.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #77                    November 12, 2005.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.  I also skipped
over Phase II directly to Phase III.


6:00 am Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
VA [Retrowave Project]  Confusion                Edition #4 Sampler (Groove)
VA [Loren Nerell]       Field of Gongs           Edition #4 Sampler (Groove)
VA [Redshift]           Midnight Clear Minus     Edition #5 Sampler (Groove)

6:30 am Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Klaus Schulze           Death of an Analogue     Dig It (Revisited)
wEirD                   Tiefenfluss              A Different Kind of 
Normal (Neu
                                                   Harmony)

7:00 am Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Space Debris            Capitalists Nightmare    Kraut Lok (none)
The Syn                 Cathedral of Love        Syndestructable (Umbrello)
The Syn                 City of Dreams           Syndestructable (Umbrello)

7:30 am Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Hamadryad               One Voice                Safe in Conformity 
(Unicorn)
Hamadryad               Polaroid Vendetta        Safe in Conformity 
(Unicorn)
Navigator               From Within              reEvolution One (Navigator)
Navigator               Inspirational Will       reEvolution One (Navigator)
Navigator               To Begin                 reEvolution One (Navigator)
Kenso                   Release Yourself         Chilling Heat (Pathograph)
Kenso                   Taro to iu ikikata       Chilling Heat (Pathograph)

8:00 am

 * = excerpt
VA = Various Artists (compilation)

I return to the AM/FM Show on December 10.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 16:36:29 2005
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Subject: Re: VF-1 controller question
From: jeremy <listing.to.port@masse.org.uk>
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Hi Tim, 

Without answering actually answering your question, I find the use of an
expression pedal adds considerably to the VF-1's functionality, not least
because you can control up to four parameters with the one pedal. (You can
do the same over MIDI of course).

Because there are 200 user memory locations I find it more practical to
select patches by MIDI program changes.

If you'd find it useful, here's a schematic for an expression pedal:


              50k ohm linear
_______/\/\/\/\/\/\/\/\______
|               |            |
|               |            |
|               |            |
*               *            *
track           wiper        earth/ground


ring            tip          sleeve    (to VF-1)


If you have a footpedal with different connections (like the Yamaha ones)
you can make a little adaptor with an in-line TRS socket and plug.

>From you email it looks like you don't have a MIDI foot controller in which
case it's worth looking into the categories you can use in the VF-1 so you
can have a reduced set to scroll through.

You can turn the VF-1 effects on and off from the front panel with one
button press if that helps.




> From: Timothy Mungenast <mungenast@earthlink.net>
> Date: Thu, 10 Nov 2005 21:25:01 -0500
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Subject: VF-1 controller question
> 
> Hey Gang:
>  
> I was wondering if youse guys could help me with a VF-1 question. I am almost
> done buying all the fabulous little extras needed to become Rackmount Man
> after 25 years of stompboxes.... the rack itself, all the TRS cables, SPDIF
> cable, MIDI controller, MIDI cable, yada yada yada, and finally getting the
> feel for the owner's manuals. One thing confuses me, though:
> On page 13, under item 12 (EXP PEDAL/CTL 1,2), it sez "either an expression
> pedal or a foot switch can be connected here, and used to step up/downthrough
> patch numbers." I am guessing that my Peavey 2-button TRS footswitch should
> work fine if I configure the box to accept latching versus momentary.
>  
> I want to be able to switch the unit on and off without using my MIDI Buddy,
> and the manual shows me how (I think), but as far as scrolling through the
> presets a la Vortex, well, pg 13 is the only place that makes any mention of
> that. 
>  
> (Yes, I know changing the patches is what the MIDI Buddy is for, and I
> shouldn't be such a MIDIOT, but I want the option to leave the MIDI controller
> home in the interest of saving space and weight.)
>  
> Ideally, I'd control the Vortex and MPX-500 with my gen-yoo-wine Lexicon TRS
> footswitches, and  run the VF-1 with either the simple footswitch or the MIDI
> buddy. 
>  
> Anyway, does anyone have any wisdom they'd like to impart to Timmy
> Technophobe? I'd be very grateful.
>  
> Yours in Herbert Eimert,
> Tim "Un-Stableboy" Mungenast
> www.mungenast.com <http://www.mungenast.com>
> www.myspace.com/timmungenast <http://www.myspace.com/timmungenast>
>  
>  



From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 16:47:47 2005
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Date: Sat, 12 Nov 2005 08:47:46 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: DRIVE the LOOP or be DRIVEN? (was: re: Synchronizing Real Time Drumming with a Prerecorded Loop was Re: query 'real time live looping')
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Of course it's not just a dedicated monitor you'll want for the
drummer, but also a dedicated mix for that monitor, so you'll need a
dedicated power amp channel and a mixer that can handle two monitor
submixes.

TravisH

On 11/12/05, Dan Ash <Daniel.Ash@verizon.net> wrote:
> I hadn't really considered the monitoring issue - since I fully expect
> to be bringing the sound system I expect we can set up a dedicated
> monitor for our rhythmist.
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 12 18:22:34 2005
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Date: Sat, 12 Nov 2005 10:22:32 -0800
From: Matt Love <matt.mattlove1@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: cool flash music clip
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I passed this one along to some friends; one of them, Vincent Knobil
recommended a music machine he  linked to on his blog :

http://vincent.knobil.free.fr/sknoblog/?p=3D183

He said he's totally hooked on it, and I agree!  It was hard to stop
playing with it long enough to post this message


On 11/12/05, Michael Peters <mp@mpeters.de> wrote:
> http://www.arnelefant.de/iclip.html
>
> click the fingers.
>
>
> -michael
> (who wishes he could program cool stuff like that)
> www.michaelpeters.de
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 02:29:46 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: VF-1 controller question
Date: Sat, 12 Nov 2005 21:33:40 -0500
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Thanks muchly for the good info. I do have a MIDI controller, a Rolls MIDI
Buddy. I was just looking to explore my options and save a few pounds in a
rack that's starting to get porky before I've even gotten it all working ;-)
Same reason I'm hesitant to use my great big EV-10.
BTW, can you sweep delay time a la Adrian Belew?
~Tim


> [Original Message]
> From: jeremy <listing.to.port@masse.org.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/12/2005 11:36:29 AM
> Subject: Re: VF-1 controller question
>
> Hi Tim, 
>
> Without answering actually answering your question, I find the use of an
> expression pedal adds considerably to the VF-1's functionality, not least
> because you can control up to four parameters with the one pedal. (You can
> do the same over MIDI of course).
>
> Because there are 200 user memory locations I find it more practical to
> select patches by MIDI program changes.
>
> If you'd find it useful, here's a schematic for an expression pedal:
>
>
>               50k ohm linear
> _______/\/\/\/\/\/\/\/\______
> |               |            |
> |               |            |
> |               |            |
> *               *            *
> track           wiper        earth/ground
>
>
> ring            tip          sleeve    (to VF-1)
>
>
> If you have a footpedal with different connections (like the Yamaha ones)
> you can make a little adaptor with an in-line TRS socket and plug.
>
> From you email it looks like you don't have a MIDI foot controller in
which
> case it's worth looking into the categories you can use in the VF-1 so you
> can have a reduced set to scroll through.
>
> You can turn the VF-1 effects on and off from the front panel with one
> button press if that helps.
>
>
>
>
> > From: Timothy Mungenast <mungenast@earthlink.net>
> > Date: Thu, 10 Nov 2005 21:25:01 -0500
> > To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> > Subject: VF-1 controller question
> > 
> > Hey Gang:
> >  
> > I was wondering if youse guys could help me with a VF-1 question. I am
almost
> > done buying all the fabulous little extras needed to become Rackmount
Man
> > after 25 years of stompboxes.... the rack itself, all the TRS cables,
SPDIF
> > cable, MIDI controller, MIDI cable, yada yada yada, and finally getting
the
> > feel for the owner's manuals. One thing confuses me, though:
> > On page 13, under item 12 (EXP PEDAL/CTL 1,2), it sez "either an
expression
> > pedal or a foot switch can be connected here, and used to step
up/downthrough
> > patch numbers." I am guessing that my Peavey 2-button TRS footswitch
should
> > work fine if I configure the box to accept latching versus momentary.
> >  
> > I want to be able to switch the unit on and off without using my MIDI
Buddy,
> > and the manual shows me how (I think), but as far as scrolling through
the
> > presets a la Vortex, well, pg 13 is the only place that makes any
mention of
> > that. 
> >  
> > (Yes, I know changing the patches is what the MIDI Buddy is for, and I
> > shouldn't be such a MIDIOT, but I want the option to leave the MIDI
controller
> > home in the interest of saving space and weight.)
> >  
> > Ideally, I'd control the Vortex and MPX-500 with my gen-yoo-wine
Lexicon TRS
> > footswitches, and  run the VF-1 with either the simple footswitch or
the MIDI
> > buddy. 
> >  
> > Anyway, does anyone have any wisdom they'd like to impart to Timmy
> > Technophobe? I'd be very grateful.
> >  
> > Yours in Herbert Eimert,
> > Tim "Un-Stableboy" Mungenast
> > www.mungenast.com <http://www.mungenast.com>
> > www.myspace.com/timmungenast <http://www.myspace.com/timmungenast>
> >  
> >  
>
>


From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 04:11:15 2005
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From: "William Walker" <billwalker@baymoon.com>
To: "Loopers-Delight@loopers-delight. com" <Loopers-Delight@loopers-delight.com>
Subject: RE: VF-1 controller question
Date: Sat, 12 Nov 2005 20:11:12 -0800
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You have an EV10,  Lucky!  Mine just broke after many years of faithful
service, its a drag because they are more solid than the flimsy EV5, and you
can determine the cable length, I'd use that if I was you. I just bought an
M-Audio expression pedal to rplace it that is a little bigger than the EV5,
but still light weight, and works fine with my Roland gear. Seems somewhat
sturdy in a plastic sort of way Ha Ha! I agree that an expression pedal
really adds dimension to the VF1, What do you mean by sweep delay?, where
the delay speeds up or slows down, creating pich bend effects? or the
ability to modulate the delay? clarify please.
Bill

-----Original Message-----
From: Timothy Mungenast [mailto:mungenast@earthlink.net]
Sent: Saturday, November 12, 2005 6:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: VF-1 controller question


Thanks muchly for the good info. I do have a MIDI controller, a Rolls MIDI
Buddy. I was just looking to explore my options and save a few pounds in a
rack that's starting to get porky before I've even gotten it all working ;-)
Same reason I'm hesitant to use my great big EV-10.
BTW, can you sweep delay time a la Adrian Belew?
~Tim


> [Original Message]
> From: jeremy <listing.to.port@masse.org.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/12/2005 11:36:29 AM
> Subject: Re: VF-1 controller question
>
> Hi Tim,
>
> Without answering actually answering your question, I find the use of an
> expression pedal adds considerably to the VF-1's functionality, not least
> because you can control up to four parameters with the one pedal. (You can
> do the same over MIDI of course).
>
> Because there are 200 user memory locations I find it more practical to
> select patches by MIDI program changes.
>
> If you'd find it useful, here's a schematic for an expression pedal:
>
>
>               50k ohm linear
> _______/\/\/\/\/\/\/\/\______
> |               |            |
> |               |            |
> |               |            |
> *               *            *
> track           wiper        earth/ground
>
>
> ring            tip          sleeve    (to VF-1)
>
>
> If you have a footpedal with different connections (like the Yamaha ones)
> you can make a little adaptor with an in-line TRS socket and plug.
>
> From you email it looks like you don't have a MIDI foot controller in
which
> case it's worth looking into the categories you can use in the VF-1 so you
> can have a reduced set to scroll through.
>
> You can turn the VF-1 effects on and off from the front panel with one
> button press if that helps.
>
>
>
>
> > From: Timothy Mungenast <mungenast@earthlink.net>
> > Date: Thu, 10 Nov 2005 21:25:01 -0500
> > To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> > Subject: VF-1 controller question
> >
> > Hey Gang:
> >
> > I was wondering if youse guys could help me with a VF-1 question. I am
almost
> > done buying all the fabulous little extras needed to become Rackmount
Man
> > after 25 years of stompboxes.... the rack itself, all the TRS cables,
SPDIF
> > cable, MIDI controller, MIDI cable, yada yada yada, and finally getting
the
> > feel for the owner's manuals. One thing confuses me, though:
> > On page 13, under item 12 (EXP PEDAL/CTL 1,2), it sez "either an
expression
> > pedal or a foot switch can be connected here, and used to step
up/downthrough
> > patch numbers." I am guessing that my Peavey 2-button TRS footswitch
should
> > work fine if I configure the box to accept latching versus momentary.
> >
> > I want to be able to switch the unit on and off without using my MIDI
Buddy,
> > and the manual shows me how (I think), but as far as scrolling through
the
> > presets a la Vortex, well, pg 13 is the only place that makes any
mention of
> > that.
> >
> > (Yes, I know changing the patches is what the MIDI Buddy is for, and I
> > shouldn't be such a MIDIOT, but I want the option to leave the MIDI
controller
> > home in the interest of saving space and weight.)
> >
> > Ideally, I'd control the Vortex and MPX-500 with my gen-yoo-wine
Lexicon TRS
> > footswitches, and  run the VF-1 with either the simple footswitch or
the MIDI
> > buddy.
> >
> > Anyway, does anyone have any wisdom they'd like to impart to Timmy
> > Technophobe? I'd be very grateful.
> >
> > Yours in Herbert Eimert,
> > Tim "Un-Stableboy" Mungenast
> > www.mungenast.com <http://www.mungenast.com>
> > www.myspace.com/timmungenast <http://www.myspace.com/timmungenast>
> >
> >
>
>




From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 04:13:09 2005
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From: "William Walker" <billwalker@baymoon.com>
To: "Loopers-Delight@loopers-delight. com" <Loopers-Delight@loopers-delight.com>
Subject: FW: Hey DL-4 users
Date: Sat, 12 Nov 2005 20:13:07 -0800
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  I'm not sure if this has been mentioned before, but the highly regarded
Robert Keeley Electronics is doing a sonic upgrade mod to the DL4, which
among other things reduces the high frequency noise , and the slight volume
drop that DL4s are plagued with. I've noticed the problem the recording
environment. check it out..
Bill
The message is ready to be sent with the following file or link attachments:

Shortcut to: http://www.robertkeeley.com/product.php?id=40


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From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 04:42:33 2005
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Subject:  Re: MEP-4 help
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Thanks for you reply-I emailed Midi Solutions also and
got a similar response. The thing is, the Mep went for
something like $30.00 and it does a lot. The Midi
Solutions unit goes for well over $100 and only
controls the pedal. There's also an Anatek Pocket
thingy that does exactly what I want but I can't find
one anywhere. Oh, well.
                                                    
Lee



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 05:55:22 2005
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Date: Sat, 12 Nov 2005 21:55:20 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: my dreams come true
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--- Sean Echevarria <sean.loop@creepingfog.com> wrote:

> Finally, the digital modeling cowbell:
> http://www.radmonkeycowbells.com/


I'll see your cowbell & raise you a floorboard.

http://news.harmony-central.com/Newp/2005/Porchboard-Bass-CL.html



		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 12:10:19 2005
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>I encountered this situation a lot in the early 80's when 
>confronting the situation of bands that were using
>the new Midi language and sequencing in a live setting.   All kinds 
>of devices were marketed and sold then to
>let the drummer 'drive' the band.   I never heard a single instance 
>where the feel was excellent. There was an inherent stiffness
>do to the BPM changing only at the bar line.

hi Rick
It seems you're using the "nobody did it before, therefore you won't 
be able to do it"
argument here.
Technology has surely moved on since the 80's, when the available sound pallet
was comprised of sounds that would only work with stiff music.
Even Midi timing has got a bit more accurate than it was in those days.
(and now it's possible to start a sound slightly early if it has a slow attack)

One of the big difficulties is monitoring, as you rightly point out.
...but to a large extent the difficulty is due not to the inherent 
physics of playing
music, but because music tends to be over-amplified, and 90% of PAs produce
a sound so awful that it's actually quite hard to hear how close the timing is.
For a group of musicians with their own high quality amplification 
set-up the problem
could (with co-operation :-) be greatly reduced.

If the goal is to create a loop, and then have the timing of that 
loop track the
timing of the band then of course that's harder in some ways than 
getting a midi sequencer
to do the same thing.
I don't know of any hardware device other than a Repeater with which 
this could be attempted.
(with it's time stretching ability)
...and the reputation for midi tracking of that device has often been 
criticised.

...but why wouldn't it work?
Surely it's possible to renew synchronisation more often than once a bar.
It's also possible to chose sounds for the loop with a different 
sounding attack
to what's going on in the live music, that would make any slight 
drift sound much
less unpleasant.

I hope people keep trying to make it work.

andy butler














From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 15:34:24 2005
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Date: Sun, 13 Nov 2005 07:34:23 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: my dreams come true
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Interesting guitar stand he's using in that photo!

-t-

--- John Tidwell <wedgehed@yahoo.com> wrote:
 
> I'll see your cowbell & raise you a floorboard.
> 
>
http://news.harmony-central.com/Newp/2005/Porchboard-Bass-CL.html



		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
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From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 15:48:01 2005
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Gig spam [Seattle]
Date: Sun, 13 Nov 2005 07:47:57 -0800
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Three acoustic guitar live looping shows this week in the Seattle  
area.  My new CD will be available for $5 at all shows.



November 18, Friday, 8-10PM Cafe Darclee (100 4th Ave N, Suite 165)

	Crepes, coffee and music at the foot of the Space Needle.

November 19, Saturday, 3PM Voice of Vashon (Vashon Island internet  
radio live broadcast)

	Vashon Island's internet radio station will have me do an in-studio  
performance during the afternoon.  Visit their website for 		 
streaming audio at 3PM PDT

November 19, Saturday, 7PM Cafe Luna (9924 SW Bank Road , Vashon Island)

	And for those of you on or visiting Vashon that day, I'll be  
returning to Cafe Luna Saturday evening for another show.



Be seeing you,

Travis

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*


From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 16:02:01 2005
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It seems that recently a lot of people have started responding to
threads not with a subject line of "Re: [thread title" but with a post
having just the thread title, as if it was a new posting.  This makes
it hard to track replies to a thread and causes the archive to not tie
the follow ups to the parent.  Is there some new mail software making
the rounds that does this, or have many people decided to stop using
"Re:" in their subject lines?

TravisH

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 16:37:34 2005
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Tim Nelson wrote:

>Interesting guitar stand he's using in that photo!
>
>-t-
>
>--- John Tidwell <wedgehed@yahoo.com> wrote:
> 
>  
>
>>I'll see your cowbell & raise you a floorboard.
>>
>ttp://news.harmony-central.com/Newp/2005/Porchboard-Bass-CL.html
>
>  
>
Too high tech for me.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 21:10:42 2005
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From: "Kris Hartung (Auth)" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Sun, 13 Nov 2005 14:10:35 -0700
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The page below contains a good portion of the recordings that I recorded =
from the Y2K5 International Live Looping Festival last month in Santa =
Cruz, plus others that one of my looping peers captured off the webcast =
stream:

http://www.boisemusicians.com/Y2K5_Recordings.htm

There are some great clips on this site, and from a lot of different =
type of loopers (guitarists, bass players, vocalists, computer loopers, =
violin, sax, etc)

Cheers,

Kris


Krispen Hartung
Improvisational Looping Guitarist
http://www.krispenhartung.com
info@krispenhartung.com
Discography: http://cdbaby.com/all/khartung
------=_NextPart_000_00B4_01C5E85C.042B9ED0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>The page below contains a good portion =
of the=20
recordings that I recorded from&nbsp;the Y2K5 International Live Looping =

Festival last month in Santa Cruz, plus others that one of my looping =
peers=20
captured off the webcast stream:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D"http://www.boisemusicians.com/Y2K5_Recordings.htm"><FONT =

face=3DArial=20
size=3D2>http://www.boisemusicians.com/Y2K5_Recordings.htm</FONT></A></DI=
V>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>There are some great clips on this =
site, and from a=20
lot of different type of loopers (guitarists, bass players, vocalists, =
computer=20
loopers, violin, sax, etc)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><BR><BR><FONT face=3DArial size=3D2>Krispen =
Hartung<BR>Improvisational Looping=20
Guitarist<BR>http://www.krispenhartung.com<BR>info@krispenhartung.com<BR>=
Discography:=20
http://cdbaby.com/all/khartung</FONT></DIV></BODY></HTML>

------=_NextPart_000_00B4_01C5E85C.042B9ED0--


From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 22:14:02 2005
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Subject: Re: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
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Kris,

This is really awesome! One teensy little request though . . .=20

Part Three - Guitar Dysplasia (not Dyspasia)

Hope all is well with you.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_255.eebdd3.30a91486_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Ari=
al" FAMILY=3D"SANSSERIF" SIZE=3D"2">Kris,<BR>
<BR>
This is really awesome! One teensy little request though . . . <BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"4=
"><B>Part Three - Guitar Dysplasia (not Dyspasia)</B></FONT><FONT COLOR=3D"#=
000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
Hope all is well with you.<BR>
<BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_255.eebdd3.30a91486_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 22:25:10 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Sun, 13 Nov 2005 23:25:06 +0100
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On Nov 13, 2005, at 22:10, Kris Hartung (Auth) wrote:

> The page below contains a good portion of the recordings that I  
> recorded from the Y2K5 International Live Looping Festival last  
> month in Santa Cruz, plus others that one of my looping peers  
> captured off the webcast stream:
>
> http://www.boisemusicians.com/Y2K5_Recordings.htm


Thank you! How nice to be able to hear all this :-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 22:53:06 2005
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kris.....a great big THANK YOU!.....mic

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">kris.....a great big THANK YOU!.....mic=
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>

--part1_192.4d0d8545.30a91dcc_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Nov 13 23:37:07 2005
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From: "Kris Hartung (Auth)" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Sun, 13 Nov 2005 16:37:02 -0700
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You guys must think I'm nuts...after all the correspondence with you on =
this page and the recordings, and I send out this message? What the....

This was supposed to go to the Boise Musicians Yahoo Group, which I =
manage, not LD. Sorry about that. :) =20

Kris

  ----- Original Message -----=20
  From: Kris Hartung (Auth)=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, November 13, 2005 2:10 PM
  Subject: Recordings from the Y2K5 International Live Looping Festival =
in Santa Cruz


  The page below contains a good portion of the recordings that I =
recorded from the Y2K5 International Live Looping Festival last month in =
Santa Cruz, plus others that one of my looping peers captured off the =
webcast stream:

  http://www.boisemusicians.com/Y2K5_Recordings.htm

  There are some great clips on this site, and from a lot of different =
type of loopers (guitarists, bass players, vocalists, computer loopers, =
violin, sax, etc)

  Cheers,

  Kris


  Krispen Hartung
  Improvisational Looping Guitarist
  http://www.krispenhartung.com
  info@krispenhartung.com
  Discography: http://cdbaby.com/all/khartung
------=_NextPart_000_00DD_01C5E870.79D12CE0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>You guys must think I'm nuts...after =
all the=20
correspondence with you on this page and the recordings, and I send out =
this=20
message? What the....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This was supposed to go to the Boise =
Musicians=20
Yahoo Group, which I manage, not LD. Sorry about that. :)&nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung (Auth)</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, November 13, 2005 =
2:10=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Recordings from the =
Y2K5=20
  International Live Looping Festival in Santa Cruz</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>The page below contains a good =
portion of the=20
  recordings that I recorded from&nbsp;the Y2K5 International Live =
Looping=20
  Festival last month in Santa Cruz, plus others that one of my looping =
peers=20
  captured off the webcast stream:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><A =
href=3D"http://www.boisemusicians.com/Y2K5_Recordings.htm"><FONT=20
  face=3DArial=20
  =
size=3D2>http://www.boisemusicians.com/Y2K5_Recordings.htm</FONT></A></DI=
V>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>There are some great clips on this =
site, and from=20
  a lot of different type of loopers (guitarists, bass players, =
vocalists,=20
  computer loopers, violin, sax, etc)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><BR><BR><FONT face=3DArial size=3D2>Krispen =
Hartung<BR>Improvisational=20
  Looping=20
  =
Guitarist<BR>http://www.krispenhartung.com<BR>info@krispenhartung.com<BR>=
Discography:=20
  http://cdbaby.com/all/khartung</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 01:24:20 2005
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Kris Hartung (Auth) wrote:

> You guys must think I'm nuts...

In a mostly good way! 

.David.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 01:58:25 2005
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Sun, 13 Nov 2005 17:58:23 -0800
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This is a multi-part message in MIME format.

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Hey Krispen,
  I wanted to thank you again for all of the effort you put in to Y2K5.  Not
only did Krispen make some fine recordings, he also came in friday night and
helped me get the alternate venue together., not to mention playing a fine
set himself.  Krispen Hartung, a wizard , a true star..I salute you!
Bill Walker
  -----Original Message-----
  From: Kris Hartung (Auth) [mailto:khartung@cableone.net]
  Sent: Sunday, November 13, 2005 1:11 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Recordings from the Y2K5 International Live Looping Festival in
Santa Cruz


  The page below contains a good portion of the recordings that I recorded
from the Y2K5 International Live Looping Festival last month in Santa Cruz,
plus others that one of my looping peers captured off the webcast stream:

  http://www.boisemusicians.com/Y2K5_Recordings.htm

  There are some great clips on this site, and from a lot of different type
of loopers (guitarists, bass players, vocalists, computer loopers, violin,
sax, etc)

  Cheers,

  Kris


  Krispen Hartung
  Improvisational Looping Guitarist
  http://www.krispenhartung.com
  info@krispenhartung.com
  Discography: http://cdbaby.com/all/khartung

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><SPAN class=3D031425301-14112005><FONT face=3DArial color=3D#0000ff =
size=3D2>Hey=20
Krispen,</FONT></SPAN></DIV>
<DIV><SPAN class=3D031425301-14112005><FONT face=3DArial color=3D#0000ff =

size=3D2>&nbsp;&nbsp;I wanted to thank you again for all of the effort =
you put in=20
to Y2K5. &nbsp;Not only did Krispen make some fine recordings, he also =
came in=20
friday night and helped me get the alternate venue together., not to =
mention=20
playing a fine set himself.&nbsp;&nbsp;Krispen Hartung, a wizard , a =
true=20
star..I salute you!</FONT></SPAN></DIV>
<DIV><SPAN class=3D031425301-14112005><FONT face=3DArial color=3D#0000ff =
size=3D2>Bill=20
Walker</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Kris Hartung =
(Auth)=20
  [mailto:khartung@cableone.net]<BR><B>Sent:</B> Sunday, November 13, =
2005 1:11=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  Recordings from the Y2K5 International Live Looping Festival in Santa=20
  Cruz<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>The page below contains a good =
portion of the=20
  recordings that I recorded from&nbsp;the Y2K5 International Live =
Looping=20
  Festival last month in Santa Cruz, plus others that one of my looping =
peers=20
  captured off the webcast stream:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><A =
href=3D"http://www.boisemusicians.com/Y2K5_Recordings.htm"><FONT=20
  face=3DArial=20
  =
size=3D2>http://www.boisemusicians.com/Y2K5_Recordings.htm</FONT></A></DI=
V>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>There are some great clips on this =
site, and from=20
  a lot of different type of loopers (guitarists, bass players, =
vocalists,=20
  computer loopers, violin, sax, etc)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><BR><BR><FONT face=3DArial size=3D2>Krispen =
Hartung<BR>Improvisational=20
  Looping=20
  =
Guitarist<BR>http://www.krispenhartung.com<BR>info@krispenhartung.com<BR>=
Discography:=20
  http://cdbaby.com/all/khartung</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C5E87B.D71C3A60--


From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 02:22:44 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re: my dreams come true
Date: Sun, 13 Nov 2005 21:26:42 -0500
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WHAT WE REALLY NEED IS A DIGITAL MODELING WASHTUB BASS.
(Aw, geez, was that out loud?!?)
xoxo,
Tim


> [Original Message]
> From: John Tidwell <wedgehed@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/13/2005 12:55:22 AM
> Subject: Re: my dreams come true
>
> --- Sean Echevarria <sean.loop@creepingfog.com> wrote:
>
> > Finally, the digital modeling cowbell:
> > http://www.radmonkeycowbells.com/
>
>
> I'll see your cowbell & raise you a floorboard.
>
> http://news.harmony-central.com/Newp/2005/Porchboard-Bass-CL.html
>
>
>
> 		
> __________________________________ 
> Start your day with Yahoo! - Make it your home page! 
> http://www.yahoo.com/r/hs


From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 02:49:47 2005
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Well here ya go!

http://www.bornemark.se/bb/


-----Original Message-----
From: Timothy Mungenast [mailto:mungenast@earthlink.net] 
Sent: Sunday, November 13, 2005 9:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: my dreams come true

WHAT WE REALLY NEED IS A DIGITAL MODELING WASHTUB BASS.
(Aw, geez, was that out loud?!?)
xoxo,
Tim


> [Original Message]
> From: John Tidwell <wedgehed@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/13/2005 12:55:22 AM
> Subject: Re: my dreams come true
>
> --- Sean Echevarria <sean.loop@creepingfog.com> wrote:
>
> > Finally, the digital modeling cowbell:
> > http://www.radmonkeycowbells.com/
>
>
> I'll see your cowbell & raise you a floorboard.
>
> http://news.harmony-central.com/Newp/2005/Porchboard-Bass-CL.html
>
>
>
> 		
> __________________________________ 
> Start your day with Yahoo! - Make it your home page! 
> http://www.yahoo.com/r/hs




From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 03:20:08 2005
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From: "Scott M2" <scott@dreamstate.to>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: =?iso-8859-1?Q?The_PiNG_presents_S=F6ftware_with_Toastybird_Visuals?=
Date: Sun, 13 Nov 2005 22:20:47 -0500
Organization: dreamSTATE
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Jamie and I send thanks to everyone who came out for the dreamSTATE
show last week at the PiNG. Those of you who were digging the Moogs
will not want to miss this week's show by S=F6ftware - where soaring,
looping guitar will join with the synths and sequencers. ~ Scott M2
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday November 15th - S=F6ftware with Toastybird Visuals

Join S=F6ftware in an evening of electronic music & exhilarating video
performance. Influenced by European progressive electronic rock, jazz,
folk & classical, S=F6ftware weaves a sonic tapestry in their own style
of improvisation. Sometimes ambient, sometimes not, always spontaneous
and captivating to watch - sequencers scanning, MiniMoogs screaming,
guitar strings vibrating and Toastybird Visuals providing live video
projections. Check out the S=F6ftware website for more information,
pictures & mp3s of past PiNG performances at: http://www.techno-jazz.com

Between Sets CD - "Terraforms" by Sylken
We have an advance copy of the new Sylken CD being launched next week
& will give you a sneak preview between sets this week. It's a beauty.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday Nov. 22nd - Sylken with URM & Anomalous Disturbances
http://www.anomalousdisturbances.com=20
http://www.sylken.ca=20
http://www.urm.ca=20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Degrees of Separation" by The Circular Ruins

In my opinion Anthony Paul Kirby has proven time and time again that
he is an impressive musical talent with a firm understanding of ambient
/electronic ideals. Over the years his work as both The Circular Ruins
and Lammergeyer has delighted and inspired me, leaving both a strong
impression and a tremendous appreciation for his work. And so it should
come as no surprise that I'm delighted by his latest release as
The Circular Ruins "Degrees of Separation". It's a stunning collection
that stands up with the best of Kirby's catalogue, continuing and
developing on the work that he's done in the past.

The long form piece "Epiphenomena" opens the disc, a masterful blend
of drone and melody interspersed with infrequent samples. It's a
fascinating work that unfolds over the course of it's sixteen plus
minutes, where a bed of dark ambience anchors the track while lighter
tones rise up to break the surface. Melodic phrases and occasional
notes run throughout the track providing touchstones and reference
points for the work as a whole, giving suggestions of theme and
ideal, but never giving the plot away so much that you can't
imbue it with your own meaning, your own understanding.

The title track "Degrees of Seperation" follows, a study in
connectivity where form and pattern is created by association.
It's a very dense piece with many levels all blending together
in a loosely woven mix, masterfully assembled in such a way as
to form bonds between it's elements while still allowing for
those same elements to retain a certain distinction between them.

Track three, "Doon Hill", is a fine example of locational ambience,
a piece meant to evoke the memory of a particular magical spot
in Scotland where the barriers between our world and Faerie are
thinner than the norm. While I've never visited Doon Hill myself,
Kirby has done an excellent job in recreating it's charms enough
so that I feel I've been there in some way. Maybe seeing such
a magical environment in my mind's eye makes it even more real
to me than an actual physical visit?  Either way it's a testimony
to Kirby's talent that I can feel so connected to this space.

"Empty Hands" uses oblique motion as a backdrop for a series of
subtle arpeggios and almost jazzy riffs. Beautiful and bright in
it's presentation, "Empty Hands" brings to mind future
possibilities and hope, the chance to go beyond our limitations
to create something new and better.

The fifth track "Departure" moves away from the drone textures
used in earlier tracks, opting instead to use a burbling synth
that plays underneath a series of beautifully sweeping pads.
Sublime & lovely, this one is surely my favourite track on the disc.

"Darkness Between Them" follows in a similar pattern, employing
sweeps and sustained notes to maximum effect. The track seems to
exist as a companion piece to the earlier "Degrees of Separation",
but where that track suggested connectivity this one gives the
impression of isolation between it's elements, a strong feeling
of separate existence. Still beautiful, still inspiring, but
perhaps with a touch more regret in it's charms.

"Subspace-Overdrive" closes the disc, a flight into space and
all of the mystery that entails. Twinkling stars, meteor dust,
nebulae and more, it's the sound of the heavens, the sound of
beyond. A charming excursion outside of our selves and a
wonderful way to close the disc.

Without doubt, "Degrees of Separation" is a stunning collection
that re-enforces my belief that Kirby is one of the most
significant ambient/electronic artists working today. All of
the tracks on this disc give pause for thought, reflection,
and contemplation, all of them send the mind reeling with
possibility and opportunity. An essential work by
an essential talent.

rik maclean - rik@pingthings.com

http://www.pingthings.com =3D ambient + electronic + chill things

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 06:58:59 2005
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: DRIVE the LOOP or be DRIVEN? (was: re: Synchronizing Real Time Drumming with a Prerecorded Loop was Re: query 'real time live looping')
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Travis wrote:

"Of course it's not just a dedicated monitor you'll want for the
drummer, but also a dedicated mix for that monitor, so you'll need a
dedicated power amp channel and a mixer that can handle two monitor
submixes."

*************************************

Thanks for saying that Travis.................it's hard to convey how hard a 
thing to accomplish this
is.............my experience is that, pretty much,  unless you have all your 
ducks lined up (good separate mix monitoring,
a drummer willing to learn how to play to loops and practising it) that it 
is very, very problematic accomplishing the goal.

I just played with my brother for my Dad's 80th b-day bash............we had 
adequate monitoring but the same mix.
I layed down a drum loop..........he came in slightly louder than the loop 
and immediately we started to drift from one another.
It was very difficult.

Even having the directionality of one monitor with the loop in it only and 
one monitor with the normal full band monitoring
makes a huge difference.

Rick 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 07:03:03 2005
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Subject: RE: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Mon, 14 Nov 2005 08:02:52 +0100
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wonderful ... 
 
just wondering, Bernhard - are there any news from the Zurich recordings?
 
-michael peters

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D187300107-14112005><FONT =
face=3DArial=20
size=3D2>wonderful ... </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D187300107-14112005><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D187300107-14112005><FONT =
face=3DArial=20
size=3D2>just wondering, Bernhard - are there any news from the Zurich=20
recordings?</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D187300107-14112005><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D187300107-14112005><FONT =
face=3DArial=20
size=3D2>-michael peters</FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 07:33:13 2005
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re:DRIVE the LOOP or be DRIVEN?
Date: Sun, 13 Nov 2005 23:33:14 -0800
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Andy Butler wrote:
"hi Rick  It seems you're using the "nobody did it before, therefore you 
won't
be able to do it"

No Andy,  my argument is that due to the inherent limitations of human 
nature (in terms of driving anything off of human
timing) that it is a vastly more musically efficacious approach to have the 
drummer play off of the loop rather than try to control
the loop by taking calculated timing from, say, the drummers kick drum.

If you are skeptical of this statement then I enjoin you to download the 
midi tap tempo freeware plugin from
Analogue X and practise tapping to music that you know that has a steady 
rhythm.
Try as hard as you can and just be amazed at how much your rhythm timing 
will vary from beat to beat.

Even when you take a program that averages your tempo over four beats or 
even four bars you will continue to vary
your BPM.

Why the human being is so much better at playing to a loop (or entraining 
with a human being) than the machine
is to reading our playing and then sending out a sync pulse is because we 
stretch our rhythms to entrain in a way
that it would be virtually impossible for a computer to read (at least in 
the forseeable future).

I know that you are 'never say never' kind of guy (a quality I love about 
you, frankly) and there are always exceptions to the rule but I have been 
watching this phenomenon for all of my adult life and despite the great 
increase in computational power of todays micorprocessors
I have yet to see anyone accomplish this in a way that sounds good 
musically.

Som I'm not coming from a curmugeonly place.................I'm coming from 
a 'best advice I can give you with 25 years of experience'
AND the honest solid desire I've had for years for people to solve this 
problem.

That being said and done,  I"m with you.  I hope people don't quit trying.

*******************

It's funny, but as much as I have always been an apologist for things like 
drum machines and machines that either replicate human played music or loop 
it,  there are just somethings that a human being does that are much more 
sophisticated than current techology allows.   Human entrainment just has it 
all over machine entrainment right now.

As the software designer who tried to help Antares design a good voice to 
midi VST plugin said (and I paraphrase because I have only heard this 
anecdote 2nd hand)..............The inherent limitation of MIDI  (16 
channels with 127 increments for each channel) makes it so that such a VST 
is impossible.................the human voice just is too complex a 
phenomenon to be read well by a midi device....................This inherent 
limitation in midi (ever listened to midi controlled sequenced multi-samples 
of ride cymbals?   ever heard one that sounded realistic?) was why Antares 
gave up on desinging that VST plugin.

However,   they did come up with KANTOS which was using the computer's 
powers to control a synthesizer (that did not rely on midi) so that it could 
read human voice and then drive the synth.   It's fantastic, but still 
relatively simplistic in terms of how well it can process complex changes in 
timbre of the voice.



Andy wrote:
"One of the big difficulties is monitoring, as you rightly point out.
...but to a large extent the difficulty is due not to the inherent
physics of playing music, but because music tends to be over-amplified, and 
90% of PAs produce
a sound so awful that it's actually quite hard to hear how close the timing 
is.
For a group of musicians with their own high quality amplification
set-up the problem could (with co-operation :-) be greatly reduced."

You are correct here,   absolutely..............but, again,  it requires a 
substantial investment by someone and multiple monitoring
busses.....................it's not impossible, but it is quite rare that 
people have these capabilities within a band.

I remember playing a club years ago where every person on stage had a four 
channel monitor amplifier for their own personal monitor.   You could just 
dial in your own monitor sound quickly on stage...........it was amazing. 
LOL,  I've encountered that setup in one nightclub and in one recording 
studio  in my entire life of playing professionally.

One of the problems that comes up is that, say in the case of my playing 
with my brother the other night:    In order for me to
be able to play off of my original loop, I need it to be louder than his 
guitar playing or guitar loops plus his real time playing...............that 
mix is going to drive him nuts and prevent him from hearing himself well.

Optimally,.  I needed a monitor of myself alone and a monitor of his playing 
and he needed the exact same situation,  independently controlled by each of 
us.

this is great but requires much more setup time and also has the 
prerequisite that you have
1)  the space on stage for it  (we didn't)
2) the time to set it up  (we didn't)  and
3)  the energy to set it up for that quicky gig (analagous to a 30 minute 
loop festival performance)  (again, we didn't).

This is pretty typical  I would suggest.

Andy wrote:
...but why wouldn't it work?
Surely it's possible to renew synchronisation more often than once a bar.



Yes, but if you'll read what I said (in my overlong post-------but then I'm 
afraid they're all overly long------<blush>)
It is the discreetness of sampling that makes it  'unhuman'.   I still say 
it's better for the drummer to learn how to
play to the steady loop.

Andy again:
"It's also possible to chose sounds for the loop with a different
sounding attack to what's going on in the live music, that would make any 
slight
drift sound much less unpleasant."



Well this is a very appropriate response unless you are playing music that 
is highly syncopated where the parts need to interlock
rhythmically.    When that is the case,  you just can't fudge it.  You are 
either locked up or you aren't and it sounds like hell when you are 
drifting...........................it's awful enough that I don't even 
attempt it.

So,  to sum it all up.....................more power to anyone who can solve 
the problem no matter how they solve it.   This is just my best advice as a 
professional drummer who has seen such a setup fail in every situation I've 
ever encountered.

I stand by my advice, but it's always nice to be proved wrong.     I wish 
everyone luck with it. 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 07:44:17 2005
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From: "loop.pool" <looppool@cruzio.com>
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Subject: RE: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
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Krispen is a god amongst men.

Thanks so much for all the vast energy you put into the recordings and 
dissemination
of the Y2K5 loopfest recordings.

We are all very lucky to have you in our community,  Kris!

Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 08:12:23 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
Date: Mon, 14 Nov 2005 09:12:18 +0100
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On Nov 14, 2005, at 0:37, Kris Hartung (Auth) wrote:

> You guys must think I'm nuts...

Who isn't...?  ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 08:25:18 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Mon, 14 Nov 2005 09:25:15 +0100
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On Nov 14, 2005, at 8:33, loop.pool wrote:

> due to the inherent limitations of human nature (in terms of  
> driving anything off of human
> timing) that it is a vastly more musically efficacious approach to  
> have the drummer play off of the loop rather than try to control
> the loop by taking calculated timing from, say, the drummers kick  
> drum.


That's what I have experienced too, in 25 yrs recording humans and  
machines making noise together.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 12:30:32 2005
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Subject: Re: cool flash music clip
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Hops...,
someone anticipated me...
Look at the presentation of my flash based site.
I'm now working on the finger' sounds ....but it's too late to be "original"
!
http://xoomer.virgilio.it/eterogeneo/


Fabio Anile



----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 12, 2005 9:26 AM
Subject: cool flash music clip


> http://www.arnelefant.de/iclip.html
>
> click the fingers.
>
>
> -michael
> (who wishes he could program cool stuff like that)
> www.michaelpeters.de
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 17:32:01 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Yea, verily, our Kris is a god who walks humbly on the Earth like a man.
With Respect,
Tim



> [Original Message]
> From: loop.pool <looppool@cruzio.com>
> To: LOOPERS DELIGHT (posting) <Loopers-Delight@loopers-delight.com>
> Date: 11/14/2005 2:44:17 AM
> Subject: RE: Recordings from the Y2K5 International Live Looping Festival
in Santa Cruz
>
> Krispen is a god amongst men.
>
> Thanks so much for all the vast energy you put into the recordings and 
> dissemination
> of the Y2K5 loopfest recordings.
>
> We are all very lucky to have you in our community,  Kris!
>
> Rick Walker 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 17:47:36 2005
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From: "Louis Rossi" <tarbit@hotmail.com>
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Hi All,

Alex Marculewicz (voice) and I will be playing as part of FLOW on Wednesday 
11/16 night at the Lucky Cat in Williamsburg.
The event starts at 7:30, the set will be about a 1/2 hour long.

FLOW is a music/video series that connects musicians with video artists for 
a night of improvised sets.

The LOU+AL show, Alex Marculewicz (voice) and Louis Rossi (touch guitar), is 
a combination of voice and guitar with loops and effects. Sometimes swerving 
towards melody and other times falling into pure noise.

the Lucky Cat
245 Grand Street
(between Driggs & Roebling)
Williamsburg
a map >>> http://www.theluckycat.com/directions.html

Hope to see you there!

Ps. Please visit myspace too:

http://www.myspace.com/radiohvezda

http://www.myspace.com/lourossi


From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 19:24:23 2005
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Subject: the nice gig
Date: Mon, 14 Nov 2005 19:24:21 +0000
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hey loopers

so nice

http://www.guitarshredshow.com/

isn' it

Daniel

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 21:53:21 2005
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I wonder if other repeater users have ever had this experience: I had cause
to swap the cfc's out between my two repeaters, one of which is studio-based
while the other stays with the live rig.
they're both simpletech 128s &, very occasionally, give the "cfc too slow"
message when I'm mucking about too much.

when I returned to the studio with the cfc from the live rig, I thought
I'd have a listen to what had accumulated in it after several gigs & no
housekeeping.

I tend to use the card rather than the internal memory, & we keep just a few
pre-fabricated parts in there, so most of what I found were odd bits of
noise, snatches of solos, keyboard pads, fretless basslines & just general
random stuff.

many of these bits are clearly audible in recordings of our gigs, but
hearing the loops on their own in a different context was quite revealing, &
it took me about an hour to work my way through them all.... fascinated,
trying to recognise them. 

& then I started wondering how best to archive them, or work them into new
pieces..... or whether I even should.

a bit of a dilemma.

duncan.





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<P><FONT SIZE=3D2>I wonder if other repeater users have ever had this exper=
ience: I had cause to swap the cfc's out between my two repeaters, one of w=
hich is studio-based while the other stays with the live rig.</FONT></P>

<P><FONT SIZE=3D2>they're both simpletech 128s &amp;, very occasionally, gi=
ve the &quot;cfc too slow&quot; message when I'm mucking about too much.</F=
ONT>
</P>

<P><FONT SIZE=3D2>when I returned to the studio with the cfc from the live =
rig, I thought &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I'd have a listen=
 to what had accumulated in it after several gigs &amp; no housekeeping.</F=
ONT></P>

<P><FONT SIZE=3D2>I tend to use the card rather than the internal memory, &=
amp; we keep just a few pre-fabricated parts in there, so most of what I fo=
und were odd bits of noise, snatches of solos, keyboard pads, fretless bass=
lines &amp; just general random stuff.</FONT></P>

<P><FONT SIZE=3D2>many of these bits are clearly audible in recordings of o=
ur gigs, but hearing the loops on their own in a different context was quit=
e revealing, &amp; it took me about an hour to work my way through them all=
.... fascinated, trying to recognise them. </FONT></P>

<P><FONT SIZE=3D2>&amp; then I started wondering how best to archive them, =
or work them into new pieces..... or whether I even should.</FONT>
</P>

<P><FONT SIZE=3D2>a bit of a dilemma.</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>
<BR>
<BR>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 22:29:14 2005
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Subject: re: DRIVE the LOOP or be DRIVEN?
From: jeremy <listing.to.port@masse.org.uk>
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A few strategies I'd like to throw into the pot.....

Rather than expecting the drummer or other players to follow your loops, why
not make your loops in such as way that you can follow them?

For example, 

1. Make it a strategy to be able to stop and restart your loop without
derailing the piece. With the EDP one can re-define the start point of even
the most freeform loop and then stop and restart it in time with the
drummer. It's possible to make this musically significant and a feature.

2. Remake your loops regularly, plan to only use a limited number of
repetitions. If you want chord sequence backing then record each chord into
a different loop location and trigger via MIDI. EDP "Flip" mode is
interesting. You can do a similar thing with a foot controller on the VF-1
where input to a short loop and it's feedback are on the same controller in
opposite directions.

3. Include less rhythmic information that has to coincide with the drummer
to sound "correct" or at least to not sound as if it's clashing. Leave a
space in the overall dialogue for the drummer to say what he wants not what
you expect him/her to say.

4. Sometime a much longer loop covering a larger structural unit of a piece
will include those marginal pushes and pulls against the nominal tempo that
mark out where you are in the overall scheme of things. (See Rick's earlier
posts about syncing to click on a bar to bar timescale).

5. If the loop has sufficient rhythmic information then expect a more
decorative approach from the drums. Let your expectations include the
drummer playing across your loop, something different to your loop,
something in response to it rather than the same as it.

6. Play more, loop less. Loop a part as a last resort rather than as soon as
you can. Give a part to a looping device just long enough to attend to
another thing and then take the part back again.

7. Tacet is good !!!


Not really an answer to the original technical question but strategies that
I have used in practice.

Best wishes

Jeremy

http://www.masse.org.uk




> From: Dan Ash <Daniel.Ash@Verizon.net>
> Date: Sat, 12 Nov 2005 10:53:11 -0500
> To: <Loopers-Delight@loopers-delight.com>
> Subject: re: DRIVE the LOOP or be DRIVEN? (was: re: Synchronizing Real Time
> Drumming with a Prerecorded Loop was Re: query 'real time live looping')
> 
>>> I've been following this discussion about
> getting a drummer to sync to a loop or having a drummer
> (or any musician) trigger a midi device that will then work off
> of the drummers time (continually retriggering the loop).<<
> 
> Thanks, Rick.   I was thinking more along the lines of using the
> tap-tempo device for small adjustments to the *tempo* when required -
> rather than re-triggering all the downstream loops based on the
> tap-tempo device.  In my mind, this would mostly be used to begin a new
> improv at a new tempo.
> 
> It also implies a common language of cues so that the first set of loops
> loop is faded or muted before a radical tempo change is counted/tapped-in.
> 
> I am also encouraging encouraging the drummer to use drum loops as he
> appears to be headed this way - although I wouldn't want an entire set
> to be drum loops.  He's got several midi controllers including a
> gorgeous ZenDrum, and coulds contribute percussion, ambient textures and
> melody on top of a basic drum loop.  So tempo adjustments would be more
> deliberate than simply trying to get back in the groove - although
> hopefully that should be possible, too.
> 
> I hadn't really considered the monitoring issue - since I fully expect
> to be bringing the sound system I expect we can set up a dedicated
> monitor for our rhythmist.
> 
> Dan Ash
> White Plains, NY



From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 22:43:30 2005
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From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Recordings from the Y2K5 International Live Looping Festival in Santa Cruz
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No problem; this was actually the first time I've been
able to get the links to Andy Butler's set to work.

Can anyone point me to the performers' schedule so I
can burn in simulation of the actual running order? (I
seem to recall someone put a site together with all
that stuff, but I can't find it.)

-t-

--- "Kris Hartung (Auth)" <khartung@cableone.net>
wrote:

> You guys must think I'm nuts...after all the
> correspondence with you on this page and the
> recordings, and I send out this message? What
> the....
> 
> This was supposed to go to the Boise Musicians Yahoo
> Group, which I manage, not LD. Sorry about that. :) 
> 
> 
> Kris
> 
>   ----- Original Message ----- 
>   From: Kris Hartung (Auth) 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Sunday, November 13, 2005 2:10 PM
>   Subject: Recordings from the Y2K5 International
> Live Looping Festival in Santa Cruz
> 
> 
>   The page below contains a good portion of the
> recordings that I recorded from the Y2K5
> International Live Looping Festival last month in
> Santa Cruz, plus others that one of my looping peers
> captured off the webcast stream:
> 
>   http://www.boisemusicians.com/Y2K5_Recordings.htm
> 
>   There are some great clips on this site, and from
> a lot of different type of loopers (guitarists, bass
> players, vocalists, computer loopers, violin, sax,
> etc)
> 
>   Cheers,
> 
>   Kris
> 
> 
>   Krispen Hartung
>   Improvisational Looping Guitarist
>   http://www.krispenhartung.com
>   info@krispenhartung.com
>   Discography: http://cdbaby.com/all/khartung



		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 14 22:56:52 2005
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Sorry, no, Michael.
I am currently swamped with work. I've been lucky to treat myself to a =
lot
of live looping the last two years and I got to get back to "reality" ;)
I'll let you know once I get something published.

Thanks for asking!
Bernhard

-----Original Message-----
From: Michael Peters [mailto:mp@mpeters.de]=20
Sent: Montag, 14. November 2005 08:03
To: Loopers Delight
Subject: RE: Recordings from the Y2K5 International Live Looping =
Festival in
Santa Cruz

wonderful ...=20
=A0
just wondering, Bernhard - are there any news from the Zurich =
recordings?
=A0
-michael peters


From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 07:35:19 2005
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Subject: EDP on German eBay
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http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=7365941092

for 850 Euros (944 US$) ... seems expensive to me ... anyway are EDPs
officially available at the moment, and for how much?

-Michael



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anyway are EDPs
officially available at the moment, and for how much?

They seem to be. 
Check www.thomann.de and use the search function.



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Date: Tue, 15 Nov 2005 06:20:26 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP on German eBay
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1359 Euros new, so 850 doesn't sound that bad.

TravisH

On 11/14/05, Michael Peters <mp@mpeters.de> wrote:
> http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=3D7365941092
>
> for 850 Euros (944 US$) ... seems expensive to me ... anyway are EDPs
> officially available at the moment, and for how much?
>
> -Michael
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 17:44:26 2005
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On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16, 
InsertMode: rPL.  Wow.  Question: instead of replacing those precise 
little chunks of sound, can I overdub them?  What does InsertMode: h.SP 
mean, btw?  Also, sometimes I get lost between looking in the EDP User's 
Guide (LD3.3.2) and the Loop IV Upgrade Guide (not saying I wouldn't get 
lost, anyway!)...

Thnx, David.

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 17:45:56 2005
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Date: Tue, 15 Nov 2005 09:45:39 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Insert: Overdub, too?
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h.SP is half-speed mode.

TravisH

On 11/15/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16,
> InsertMode: rPL.  Wow.  Question: instead of replacing those precise
> little chunks of sound, can I overdub them?  What does InsertMode: h.SP
> mean, btw?  Also, sometimes I get lost between looking in the EDP User's
> Guide (LD3.3.2) and the Loop IV Upgrade Guide (not saying I wouldn't get
> lost, anyway!)...
>
> Thnx, David.
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 17:53:15 2005
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So that's an option in Insert, as well as MIDI button C 12 Speed 
button?  Lots of ways to get around in the beast!  Now, if I could only 
play guitar like

> hey loopers
>
> so nice
>
> http://www.guitarshredshow.com/
>
> isn' it
>
> Daniel 

...but I'm just a keyboardist...


David

Travis Hartnett wrote:

>h.SP is half-speed mode.
>
>TravisH
>
>On 11/15/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
>  
>
>>On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16,
>>InsertMode: rPL.  Wow.  Question: instead of replacing those precise
>>little chunks of sound, can I overdub them?  What does InsertMode: h.SP
>>mean, btw?  Also, sometimes I get lost between looking in the EDP User's
>>Guide (LD3.3.2) and the Loop IV Upgrade Guide (not saying I wouldn't get
>>lost, anyway!)...
>>
>>Thnx, David.
>>
>>
>>    
>>
>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 18:03:06 2005
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Date: Tue, 15 Nov 2005 10:02:29 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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Yes, hanging it off Insert allows access from the EDP controller, and
it's also available via MIDI.

TravisH

On 11/15/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> So that's an option in Insert, as well as MIDI button C 12 Speed
> button?  Lots of ways to get around in the beast!  Now, if I could only
> play guitar like
>
> > hey loopers
> >
> > so nice
> >
> > http://www.guitarshredshow.com/
> >
> > isn' it
> >
> > Daniel
>
> ...but I'm just a keyboardist...
>
>
> David
>
> Travis Hartnett wrote:
>
> >h.SP is half-speed mode.
> >
> >TravisH
> >
> >On 11/15/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> >
> >
> >>On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16,
> >>InsertMode: rPL.  Wow.  Question: instead of replacing those precise
> >>little chunks of sound, can I overdub them?  What does InsertMode: h.SP
> >>mean, btw?  Also, sometimes I get lost between looking in the EDP User'=
s
> >>Guide (LD3.3.2) and the Loop IV Upgrade Guide (not saying I wouldn't ge=
t
> >>lost, anyway!)...
> >>
> >>Thnx, David.
> >>
> >>
> >>
> >>
> >
> >
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 18:21:00 2005
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Date: Tue, 15 Nov 2005 19:20:21 +0100
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> -----Original Message-----
> From: .David.Auker. [mailto:DaVAuk@Hevanet.com]
> Sent: Dienstag, 15. November 2005 18:46
> To: Loopers-Delight@loopers-delight.com
> Subject: EDP Insert: Overdub, too?
>=20
> On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16,
> InsertMode: rPL.  Wow. =20

Try InsertMode=3DSub, too: WWWOOOWWW ;)

> Question: instead of replacing those precise
> little chunks of sound, can I overdub them? =20

Andy Butler knows at least one way. Unfortunately, I didn't write down =
his
response when I asked him the exact same question... But it involved a
particular LoopMode that required a plug in the Feedback Pedal Jack, =
even if
it doesn't have a pedal connected. I thought it was StutterMode, but =
that
one doesn't require a jack... See new EDP Manual p. 4-15 ff...

> What does InsertMode: h.SP
> mean, btw?  Also, sometimes I get lost between looking in the EDP =
User's
> Guide (LD3.3.2) and the Loop IV Upgrade Guide (not saying I wouldn't =
get
> lost, anyway!)...

The new Loop IV manual integrates the Loop IV features:
http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pd=
f

I recommend using this new guide instead of the combination Loop III =
manual
+ Upgraged Guide...

Bernhard
http://nosuch.biz


From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 19:01:47 2005
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Of course, with Loop=In, the pedal controls input, so you can overdub
discretely this way.
Gary

> -----Original Message-----
> From: .David.Auker. [mailto:DaVAuk@Hevanet.com]> 
> On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat: 16,
> InsertMode: rPL.  Wow.  

> Question: instead of replacing those precise
> little chunks of sound, can I overdub them?  

Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz] replied:

Andy Butler knows at least one way. Unfortunately, I didn't write down his
response when I asked him the exact same question... But it involved a
particular LoopMode that required a plug in the Feedback Pedal Jack, even if
it doesn't have a pedal connected. I thought it was StutterMode, but that
one doesn't require a jack... See new EDP Manual p. 4-15 ff...





From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 19:22:33 2005
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Subject: Sharing a controller pedal between 2 devices?
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Not quite on topic, but since this list has the highest concentration 
of smart gear geeks I know, I figured I'd ask before trying (and maybe 
frying).

I have a Roland EV-5 continuous controller pedal that I'd like to use 
to control 2 devices, a Moogerfooger filter pedal and a Line 6 DL4. It 
works with either individually. Can I share it between both with a 
headphone splitter Y cable? The only problem I can think of is that one 
of the wires is carrying a voltage from the device to the pedal, if the 
output voltage is the same from both devices, I can clip one wire so 
only one device is sending to the pedal. I almost never use both 
devices together, and really only want to control one patch on the DL4. 
Am I being completely stupid here? 

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 19:26:41 2005
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I use a Morley ABY box to share an EFC-7 between two EDPs, that might
work in this case.

TravisH

On 11/15/05, David Trenkel <improv@peak.org> wrote:
> Not quite on topic, but since this list has the highest concentration
> of smart gear geeks I know, I figured I'd ask before trying (and maybe
> frying).
>
> I have a Roland EV-5 continuous controller pedal that I'd like to use
> to control 2 devices, a Moogerfooger filter pedal and a Line 6 DL4. It
> works with either individually. Can I share it between both with a
> headphone splitter Y cable? The only problem I can think of is that one
> of the wires is carrying a voltage from the device to the pedal, if the
> output voltage is the same from both devices, I can clip one wire so
> only one device is sending to the pedal. I almost never use both
> devices together, and really only want to control one patch on the DL4.
> Am I being completely stupid here?
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 19:44:28 2005
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Bernhard Wagner LD wrote:

>The new Loop IV manual integrates the Loop IV features:
>http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf
>
>I recommend using this new guide instead of the combination Loop III manual
>+ Upgraged Guide...
>
>Bernhard
>http://nosuch.biz
>

Ahhh,,,

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 20:26:53 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Insert: Overdub, too?
Date: Tue, 15 Nov 2005 21:26:14 +0100
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On Nov 15, 2005, at 18:45, .David.Auker. wrote:

> On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat:  
> 16, InsertMode: rPL.  Wow.  Question: instead of replacing those  
> precise little chunks of sound, can I overdub them?


That's my latest EDP Love! Running it "rPL." mode. That's only  
possible if you stick a plug into the feedback jack at the rear. The  
front panel then becomes the relative volume balancer between  
background and new inserted slices. You use "insert" with the insert  
button function set to SUB as usual for this. With the knob all left  
it is just the good ole SUB but the more you turn it right the more  
the punch-ins tend to be like traditional overdub. I just wish that  
balancing functionality would have been implemented as a MIDI  
parameter. It's very cool IMO ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 20:53:50 2005
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On Tuesday, November 15, 2005, at 11:26 AM, Travis Hartnett wrote:

> I use a Morley ABY box to share an EFC-7 between two EDPs, that might
> work in this case.
>
>
>
I'd thought about that, but the EV-5 has a 3-conductor, TRS output, and 
I don't know of any off the shelf TRS ABY boxes. Also, I don't really 
have space on my pedalboard for another box.

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 23:22:19 2005
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Per Boysen wrote:

>
> On Nov 15, 2005, at 18:45, .David.Auker. wrote:
>
>> On Loop IV, I've been digging Insert with Quantize: 8th, 8thBeat:  
>> 16, InsertMode: rPL.  Wow.  Question: instead of replacing those  
>> precise little chunks of sound, can I overdub them?
>
>
>
> That's my latest EDP Love! Running it "rPL." mode. That's only  
> possible if you stick a plug into the feedback jack at the rear. The  
> front panel then becomes the relative volume balancer between  
> background and new inserted slices. You use "insert" with the insert  
> button function set to SUB as usual for this. With the knob all left  
> it is just the good ole SUB but the more you turn it right the more  
> the punch-ins tend to be like traditional overdub. I just wish that  
> balancing functionality would have been implemented as a MIDI  
> parameter. It's very cool IMO ;-)
>
>
Per, I tried this, but to no avail.  When you say "plug into the 
feedback jack," do you mean expression pedal?  I've got one in there, 
and my feedback is indicated on the display window when I use it.  But 
when I turn the actual feedback knob on the front panel, I get no change 
in amount of Insert's effect (it's 100% replace).  Very foxy, but not 
the overdubbing I think we're talking about.  Additional question: when 
this works for you, are you getting any "relative volume balancer" 
amount in the display window?

A sunny afternoon in Portland

David

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 23:54:25 2005
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Subject: Lexicon Vortex f.s./ value?
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I bought a Lexicon Vortex at the same time as my JamMan.

Unlike the JamMan, the Vortex went virtually unused.

Accordingly, I have a pristine Vortex which I'm now thinking of selling 
on ebay.

Condition is effectively as new.  I have the original box, the foot 
pedal, the cable, the manual, and the power supply.

The power supply is UK rated; but one of the few advantages of wall 
warts is that at least they can be easily substituted for overseas use.

I'd be interested in any views as to value.

Also, if anyone is interested in purchasing privately, before it goes 
onto ebay, please feel free to make me an offer off list.

Thanks

James


-- 
James Richardson

From Loopers-Delight-request@loopers-delight.com  Tue Nov 15 23:56:48 2005
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From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Vortex f.s./ value?
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I'd expect to get about $200 in the states for one.

TravisH

On 11/15/05, James Richardson <james@jaidee.demon.co.uk> wrote:
> I bought a Lexicon Vortex at the same time as my JamMan.
>
> Unlike the JamMan, the Vortex went virtually unused.
>
> Accordingly, I have a pristine Vortex which I'm now thinking of selling
> on ebay.
>
> Condition is effectively as new.  I have the original box, the foot
> pedal, the cable, the manual, and the power supply.
>
> The power supply is UK rated; but one of the few advantages of wall
> warts is that at least they can be easily substituted for overseas use.
>
> I'd be interested in any views as to value.
>
> Also, if anyone is interested in purchasing privately, before it goes
> onto ebay, please feel free to make me an offer off list.
>
> Thanks
>
> James
>
>
> --
> James Richardson
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 07:12:23 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Insert: Overdub, too?
Date: Wed, 16 Nov 2005 08:12:19 +0100
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> Per Boysen wrote:
>>
>> On Nov 15, 2005, at 18:45, .David.Auker. wrote:
>>
>>> On Loop IV, I've been digging Insert with Quantize: 8th,  
>>> 8thBeat:  16, InsertMode: rPL.  Wow.  Question: instead of  
>>> replacing those  precise little chunks of sound, can I overdub them?
>>
>>
>> That's my latest EDP Love! Running it "rPL." mode. That's only   
>> possible if you stick a plug into the feedback jack at the rear.  
>> The  front panel then becomes the relative volume balancer  
>> between  background and new inserted slices. You use "insert" with  
>> the insert  button function set to SUB as usual for this. With the  
>> knob all left  it is just the good ole SUB but the more you turn  
>> it right the more  the punch-ins tend to be like traditional  
>> overdub. I just wish that  balancing functionality would have been  
>> implemented as a MIDI  parameter. It's very cool IMO ;-)
>>
>> On Nov 16, 2005, at 0:24, .David.Auker. wrote:
> Per, I tried this, but to no avail.  When you say "plug into the  
> feedback jack," do you mean expression pedal?


Hi David,

No, I mean that I insert a dummy plug into that rear jack. For  
playing the EDP I use a midi pedal only (the Behringer FCB1010).  
Sorry about forgetting to add that part ;-)

>   I've got one in there, and my feedback is indicated on the  
> display window when I use it.  But when I turn the actual feedback  
> knob on the front panel, I get no change in amount of Insert's  
> effect (it's 100% replace).


INteresting! So then the functionality I'm using is only happening  
when controlling the EDP with MIDI while using a dummy plug in the  
feedback input jack, thus fooling Loop4 into thinking it is getting  
analog feedback pedal input. This seems to be another "happy  
accident" in the Loop4 architecture ;-)    (any comments from the  
Aursiris people?)

> Very foxy, but not the overdubbing I think we're talking about.   
> Additional question: when this works for you, are you getting any  
> "relative volume balancer" amount in the display window?


No indication in the front window. Only the position of the knob to  
indicate the level of the old audio to be left under the new audio  
I'm substituting. And, as I said, with the button fully right there  
is 100 percent old audio left, which makes it work just as "quantized  
overdub".

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 07:29:46 2005
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On Nov 16, 2005, at 0:24, I asked:

>>>
>> Per, I tried this, but to no avail.  When you say "plug into the  
>> feedback jack," do you mean expression pedal?
>
>
>
> Hi David,
>
> No, I mean that I insert a dummy plug into that rear jack. For  
> playing the EDP I use a midi pedal only (the Behringer FCB1010).  
> Sorry about forgetting to add that part ;-)
>
>>   I've got one in there, and my feedback is indicated on the  display 
>> window when I use it.  But when I turn the actual feedback  knob on 
>> the front panel, I get no change in amount of Insert's  effect (it's 
>> 100% replace).
>
>
>
> INteresting! So then the functionality I'm using is only happening  
> when controlling the EDP with MIDI while using a dummy plug in the  
> feedback input jack, thus fooling Loop4 into thinking it is getting  
> analog feedback pedal input. This seems to be another "happy  
> accident" in the Loop4 architecture ;-)    (any comments from the  
> Aursiris people?)
>
>
Shoot!  I have my FCB Expression pedals tied up on Repeater, so am using 
a regular expression pedal for Feedback.  I wonder why the dummy plug 
works...and, are you doing it for this exclusive purpose, or is it 
necessary for using the MIDI control for feedback, or what?...

Must be morning in Sweden...it's late here.  Over and out, David

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 10:15:41 2005
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Subject: Re: Sharing a controller pedal between 2 devices?
From: jeremy <listing.to.port@masse.org.uk>
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Hi David, 

I'd think using an EV-5 with a headphone splitter would probably be a bad
idea. You could try a "four pole double throw" switch to switch the EV-5
between the two units but there is a risk that either of both of the units
might get confused by being disconnected and reconnected.


I use a FV-50 (which is meant to be a stereo volume pedal) to control the
feedback on two EDP. This is possible because there is a stereo (ganged) pot
in it so each device is independent electrically.


Regards

Jeremy

http://www.masse.org.uk





> 
> From: David Trenkel <improv@peak.org>
> Date: Tue, 15 Nov 2005 11:22:30 -0800
> To: <loopers-Delight@loopers-delight.com>
> Subject: Sharing a controller pedal between 2 devices?
> 
> Not quite on topic, but since this list has the highest concentration
> of smart gear geeks I know, I figured I'd ask before trying (and maybe
> frying).
> 
> I have a Roland EV-5 continuous controller pedal that I'd like to use
> to control 2 devices, a Moogerfooger filter pedal and a Line 6 DL4. It
> works with either individually. Can I share it between both with a
> headphone splitter Y cable? The only problem I can think of is that one
> of the wires is carrying a voltage from the device to the pedal, if the
> output voltage is the same from both devices, I can clip one wire so
> only one device is sending to the pedal. I almost never use both
> devices together, and really only want to control one patch on the DL4.
> Am I being completely stupid here?



From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 10:28:33 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Re: EDP Insert: Overdub, too?
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David:

>>   I've got one in there, and my feedback is indicated on the
>>display window when I use it.  But when I turn the actual feedback
>>knob on the front panel, I get no change in amount of Insert's
>>effect (it's 100% replace).

Per

>INteresting! So then the functionality I'm using is only happening
>when controlling the EDP with MIDI while using a dummy plug in the
>feedback input jack, thus fooling Loop4 into thinking it is getting
>analog feedback pedal input. This seems to be another "happy
>accident" in the Loop4 architecture ;-)

In rPL mode the feedback pedal works in a different way to usual.
(you hear the effect of the feedback change without having to wait 
for the loop to go round)
So Matthias wanted to use the (otherwise unused) feedback control on the panel
to turn Substitute into Overdub.
So not an accident.
Claude Voit is the pioneer of the dummy jack,
and Andre Lafosse worked out to use the technique with 8th Replace.

This addition to Substitute (when a pedal is used) is also available 
in Stutter Mode,
and is explained in the Stutter Mode section of the manual.

andy butler
www.andybutler.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 11:36:32 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Insert: Overdub, too?
Date: Wed, 16 Nov 2005 12:36:28 +0100
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> David:
>
>>>   I've got one in there, and my feedback is indicated on the
>>> display window when I use it.  But when I turn the actual feedback
>>> knob on the front panel, I get no change in amount of Insert's
>>> effect (it's 100% replace).
>
> Per
>
>> INteresting! So then the functionality I'm using is only happening
>> when controlling the EDP with MIDI while using a dummy plug in the
>> feedback input jack, thus fooling Loop4 into thinking it is getting
>> analog feedback pedal input. This seems to be another "happy
>> accident" in the Loop4 architecture ;-)

> On Nov 16, 2005, at 11:25, a k butler wrote:

> In rPL mode the feedback pedal works in a different way to usual.
> (you hear the effect of the feedback change without having to wait  
> for the loop to go round)

Aha.... I always thought that sentence in the manual addresses only  
the use of an analog feedback pedal?   Is it intended to work the  
same way by MIDI control as by using an analog feedback pedal?

> So Matthias wanted to use the (otherwise unused) feedback control  
> on the panel
> to turn Substitute into Overdub.
> So not an accident.
> Claude Voit is the pioneer of the dummy jack,
> and Andre Lafosse worked out to use the technique with 8th Replace.

Thank you for setting the EDP history records straight ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 14:05:22 2005
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Subject: tunes
Date: Wed, 16 Nov 2005 15:06:15 +0100
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Hello all!
=20
Here are two new tunes from us. Free for downloading=85
=20
MORH I
=20
http://www.triangulizona.com/mp3/arendered.mp3
=20
and
=20
MORH II
=20
http://www.triangulizona.com/mp3/brendered.mp3
=20
=20
It was recorded on Net MD Sony / MZ N710 with small 4chanell noname
mixer
=20
Loop gear was Boss DD 20.
=20
Everything were live performance.=20
=20
Regards=85=20
=20
=20
ivan kapec
ivan@triangulizona.com
www.triangulizona.com <http://www.triangulizona.com/>=20
=20
=20

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Hello
all!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Here
are two new tunes from us. Free for =
downloading=85<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D3 face=3DArial><span lang=3DHR =
style=3D'font-size:
12.0pt;font-weight:bold'>MORH I<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><a
href=3D"http://www.triangulizona.com/mp3/arendered.mp3">http://www.triang=
ulizona.com/mp3/arendered.mp3</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>and<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D3 face=3DArial><span lang=3DHR =
style=3D'font-size:
12.0pt;font-weight:bold'>MORH II<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><a
href=3D"http://www.triangulizona.com/mp3/brendered.mp3">http://www.triang=
ulizona.com/mp3/brendered.mp3</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>It
was recorded on Net MD Sony / MZ N710 with small 4chanell noname =
mixer<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Loop
gear was Boss DD 20.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Everything
were live performance. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Regards=85
<o:p></o:p></span></font></p>

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kapec<o:p></o:p></span></font></b></p>

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Subject: Re: Lexicon Vortex f.s./ value?
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www.prepal.com is a good place to check out used (ebay) musical equipment 
prices.

They list the Vortex at $156. That's about what I was seeing on ebay when I 
was looking for one.

I saw a JamMan at the Philly guitar show on saturday for $600.  I think that 
was WAY high.  I also saw a $250,000 Les Paul, so there ya go. ;)

And, I wanted to send a thanks to Rick W for posting about the Alesis ModFX 
on MF.  I now own all but the Smashup.  Some VERY strange noises were coming 
out of my studio last night.  mwahahaha.

Tony


----- Original Message ----- 
From: "James Richardson" <james@jaidee.demon.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 15, 2005 6:54 PM
Subject: Lexicon Vortex f.s./ value?


>I bought a Lexicon Vortex at the same time as my JamMan.
>
> Unlike the JamMan, the Vortex went virtually unused.
>
> Accordingly, I have a pristine Vortex which I'm now thinking of selling on 
> ebay.
>
> Condition is effectively as new.  I have the original box, the foot pedal, 
> the cable, the manual, and the power supply.
>
> The power supply is UK rated; but one of the few advantages of wall warts 
> is that at least they can be easily substituted for overseas use.
>
> I'd be interested in any views as to value.
>
> Also, if anyone is interested in purchasing privately, before it goes onto 
> ebay, please feel free to make me an offer off list.
>
> Thanks
>
> James
>
>
> -- 
> James Richardson
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 16:11:17 2005
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References: <vEXhCJDgUneDFwzi@jaidee.demon.co.uk> <005101c5eabf$9a3ed7b0$3300a8c0@Exscribe.com>
Subject: On PrePal, was Re: Lexicon Vortex f.s./ value?
Date: Wed, 16 Nov 2005 11:11:31 -0500
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Be warned, folks, Prepal seems to be dead.  The pages say "Last =
regenerated on 12-30-2004", there seems to be no action on anything, and =
there is no response from the contact page.

Dave O'H
  ----- Original Message -----=20
  From: Tony K=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 16, 2005 10:05 AM
  Subject: Re: Lexicon Vortex f.s./ value?


  www.prepal.com is a good place to check out used (ebay) musical =
equipment=20
  prices.

  They list the Vortex at $156. That's about what I was seeing on ebay =
when I=20
  was looking for one.

  I saw a JamMan at the Philly guitar show on saturday for $600.  I =
think that=20
  was WAY high.  I also saw a $250,000 Les Paul, so there ya go. ;)

  And, I wanted to send a thanks to Rick W for posting about the Alesis =
ModFX=20
  on MF.  I now own all but the Smashup.  Some VERY strange noises were =
coming=20
  out of my studio last night.  mwahahaha.

  Tony


  ----- Original Message -----=20
  From: "James Richardson" <james@jaidee.demon.co.uk>
  To: <Loopers-Delight@loopers-delight.com>
  Sent: Tuesday, November 15, 2005 6:54 PM
  Subject: Lexicon Vortex f.s./ value?


  >I bought a Lexicon Vortex at the same time as my JamMan.
  >
  > Unlike the JamMan, the Vortex went virtually unused.
  >
  > Accordingly, I have a pristine Vortex which I'm now thinking of =
selling on=20
  > ebay.
  >
  > Condition is effectively as new.  I have the original box, the foot =
pedal,=20
  > the cable, the manual, and the power supply.
  >
  > The power supply is UK rated; but one of the few advantages of wall =
warts=20
  > is that at least they can be easily substituted for overseas use.
  >
  > I'd be interested in any views as to value.
  >
  > Also, if anyone is interested in purchasing privately, before it =
goes onto=20
  > ebay, please feel free to make me an offer off list.
  >
  > Thanks
  >
  > James
  >
  >
  > --=20
  > James Richardson
  >=20

------=_NextPart_000_0129_01C5EA9E.7F4CD040
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1498" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Be warned, folks, Prepal seems to be =
dead.&nbsp;=20
The pages say "Last regenerated on 12-30-2004", there seems to be no =
action on=20
anything, and there is no response from the contact page.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Dave O'H</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony K</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 16, =
2005 10:05=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Lexicon Vortex =
f.s./=20
  value?</DIV>
  <DIV><BR></DIV><A href=3D"http://www.prepal.com">www.prepal.com</A> is =
a good=20
  place to check out used (ebay) musical equipment =
<BR>prices.<BR><BR>They list=20
  the Vortex at $156. That's about what I was seeing on ebay when I =
<BR>was=20
  looking for one.<BR><BR>I saw a JamMan at the Philly guitar show on =
saturday=20
  for $600.&nbsp; I think that <BR>was WAY high.&nbsp; I also saw a =
$250,000 Les=20
  Paul, so there ya go. ;)<BR><BR>And, I wanted to send a thanks to Rick =
W for=20
  posting about the Alesis ModFX <BR>on MF.&nbsp; I now own all but the=20
  Smashup.&nbsp; Some VERY strange noises were coming <BR>out of my =
studio last=20
  night.&nbsp; mwahahaha.<BR><BR>Tony<BR><BR><BR>----- Original Message =
-----=20
  <BR>From: "James Richardson" &lt;<A=20
  =
href=3D"mailto:james@jaidee.demon.co.uk">james@jaidee.demon.co.uk</A>&gt;=
<BR>To:=20
  &lt;<A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Sent:=20
  Tuesday, November 15, 2005 6:54 PM<BR>Subject: Lexicon Vortex f.s./=20
  value?<BR><BR><BR>&gt;I bought a Lexicon Vortex at the same time as my =

  JamMan.<BR>&gt;<BR>&gt; Unlike the JamMan, the Vortex went virtually=20
  unused.<BR>&gt;<BR>&gt; Accordingly, I have a pristine Vortex which =
I'm now=20
  thinking of selling on <BR>&gt; ebay.<BR>&gt;<BR>&gt; Condition is =
effectively=20
  as new.&nbsp; I have the original box, the foot pedal, <BR>&gt; the =
cable, the=20
  manual, and the power supply.<BR>&gt;<BR>&gt; The power supply is UK =
rated;=20
  but one of the few advantages of wall warts <BR>&gt; is that at least =
they can=20
  be easily substituted for overseas use.<BR>&gt;<BR>&gt; I'd be =
interested in=20
  any views as to value.<BR>&gt;<BR>&gt; Also, if anyone is interested =
in=20
  purchasing privately, before it goes onto <BR>&gt; ebay, please feel =
free to=20
  make me an offer off list.<BR>&gt;<BR>&gt; Thanks<BR>&gt;<BR>&gt;=20
  James<BR>&gt;<BR>&gt;<BR>&gt; -- <BR>&gt; James Richardson<BR>&gt;=20
<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 16:22:24 2005
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Sharing a controller pedal between 2 devices?
Date: Wed, 16 Nov 2005 16:22:12 -0000
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if you want the pedal to work on both devices at once, consider putting a
stereo pot in the pedal so that they can be wired separately. a competent
tech might be able to do this for you, & an imaginative one would put in
some extra pots so that one control can be offset from the other for added
flexibility.
slightly different, but I use a common volume pedal for my midi stuff & my
bass; the midi gear runs off one half of the pot while the other works as a
passive volume control on the guitar input. this pedal was originally a
standard stereo line volume pedal.
duncan.

-----Original Message-----
From: Travis Hartnett [mailto:travishartnett@gmail.com]
Sent: 15 November 2005 19:26
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sharing a controller pedal between 2 devices?


I use a Morley ABY box to share an EFC-7 between two EDPs, that might
work in this case.

TravisH

On 11/15/05, David Trenkel <improv@peak.org> wrote:
> Not quite on topic, but since this list has the highest concentration
> of smart gear geeks I know, I figured I'd ask before trying (and maybe
> frying).
>
> I have a Roland EV-5 continuous controller pedal that I'd like to use
> to control 2 devices, a Moogerfooger filter pedal and a Line 6 DL4. It
> works with either individually. Can I share it between both with a
> headphone splitter Y cable? The only problem I can think of is that one
> of the wires is carrying a voltage from the device to the pedal, if the
> output voltage is the same from both devices, I can clip one wire so
> only one device is sending to the pedal. I almost never use both
> devices together, and really only want to control one patch on the DL4.
> Am I being completely stupid here?
>
>


***************************************************************************
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The contents of this e-mail are confidential to the ordinary user
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<TITLE>RE: Sharing a controller pedal between 2 devices?</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>if you want the pedal to work on both devices at once, co=
nsider putting a stereo pot in the pedal so that they can be wired separate=
ly. a competent tech might be able to do this for you, &amp; an imaginative=
 one would put in some extra pots so that one control can be offset from th=
e other for added flexibility.</FONT></P>

<P><FONT SIZE=3D2>slightly different, but I use a common volume pedal for m=
y midi stuff &amp; my bass; the midi gear runs off one half of the pot whil=
e the other works as a passive volume control on the guitar input. this ped=
al was originally a standard stereo line volume pedal.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Travis Hartnett [<A HREF=3D"mailto:travishartnett@=
gmail.com">mailto:travishartnett@gmail.com</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: 15 November 2005 19:26</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: Sharing a controller pedal between 2 device=
s?</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>I use a Morley ABY box to share an EFC-7 between two EDPs=
, that might</FONT>
<BR><FONT SIZE=3D2>work in this case.</FONT>
</P>

<P><FONT SIZE=3D2>TravisH</FONT>
</P>

<P><FONT SIZE=3D2>On 11/15/05, David Trenkel &lt;improv@peak.org&gt; wrote:=
</FONT>
<BR><FONT SIZE=3D2>&gt; Not quite on topic, but since this list has the hig=
hest concentration</FONT>
<BR><FONT SIZE=3D2>&gt; of smart gear geeks I know, I figured I'd ask befor=
e trying (and maybe</FONT>
<BR><FONT SIZE=3D2>&gt; frying).</FONT>
<BR><FONT SIZE=3D2>&gt;</FONT>
<BR><FONT SIZE=3D2>&gt; I have a Roland EV-5 continuous controller pedal th=
at I'd like to use</FONT>
<BR><FONT SIZE=3D2>&gt; to control 2 devices, a Moogerfooger filter pedal a=
nd a Line 6 DL4. It</FONT>
<BR><FONT SIZE=3D2>&gt; works with either individually. Can I share it betw=
een both with a</FONT>
<BR><FONT SIZE=3D2>&gt; headphone splitter Y cable? The only problem I can =
think of is that one</FONT>
<BR><FONT SIZE=3D2>&gt; of the wires is carrying a voltage from the device =
to the pedal, if the</FONT>
<BR><FONT SIZE=3D2>&gt; output voltage is the same from both devices, I can=
 clip one wire so</FONT>
<BR><FONT SIZE=3D2>&gt; only one device is sending to the pedal. I almost n=
ever use both</FONT>
<BR><FONT SIZE=3D2>&gt; devices together, and really only want to control o=
ne patch on the DL4.</FONT>
<BR><FONT SIZE=3D2>&gt; Am I being completely stupid here?</FONT>
<BR><FONT SIZE=3D2>&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 17:13:07 2005
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <012c01c5eac8$6913a0e0$6401a8c0@obunny>
Subject: Re: On PrePal, was Re: Lexicon Vortex f.s./ value?
Date: Wed, 16 Nov 2005 12:12:25 -0500
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Well crap.  Sorry about that folks!

Tony

"It's always something." - Rosanna Rosannadanna
  ----- Original Message -----=20
  From: Dave O'Heare=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, November 16, 2005 11:11 AM
  Subject: On PrePal, was Re: Lexicon Vortex f.s./ value?


  Be warned, folks, Prepal seems to be dead.  The pages say "Last =
regenerated on 12-30-2004", there seems to be no action on anything, and =
there is no response from the contact page.

  Dave O'H
    ----- Original Message -----=20
    From: Tony K=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, November 16, 2005 10:05 AM
    Subject: Re: Lexicon Vortex f.s./ value?


    www.prepal.com is a good place to check out used (ebay) musical =
equipment=20
    prices.

    They list the Vortex at $156. That's about what I was seeing on ebay =
when I=20
    was looking for one.

    I saw a JamMan at the Philly guitar show on saturday for $600.  I =
think that=20
    was WAY high.  I also saw a $250,000 Les Paul, so there ya go. ;)

    And, I wanted to send a thanks to Rick W for posting about the =
Alesis ModFX=20
    on MF.  I now own all but the Smashup.  Some VERY strange noises =
were coming=20
    out of my studio last night.  mwahahaha.

    Tony


    ----- Original Message -----=20
    From: "James Richardson" <james@jaidee.demon.co.uk>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Tuesday, November 15, 2005 6:54 PM
    Subject: Lexicon Vortex f.s./ value?


    >I bought a Lexicon Vortex at the same time as my JamMan.
    >
    > Unlike the JamMan, the Vortex went virtually unused.
    >
    > Accordingly, I have a pristine Vortex which I'm now thinking of =
selling on=20
    > ebay.
    >
    > Condition is effectively as new.  I have the original box, the =
foot pedal,=20
    > the cable, the manual, and the power supply.
    >
    > The power supply is UK rated; but one of the few advantages of =
wall warts=20
    > is that at least they can be easily substituted for overseas use.
    >
    > I'd be interested in any views as to value.
    >
    > Also, if anyone is interested in purchasing privately, before it =
goes onto=20
    > ebay, please feel free to make me an offer off list.
    >
    > Thanks
    >
    > James
    >
    >
    > --=20
    > James Richardson
    >=20

------=_NextPart_000_003B_01C5EAA7.015E9160
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Well crap.&nbsp; Sorry about that=20
folks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"It's always something." - Rosanna=20
Rosannadanna</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Doheare@magma.ca href=3D"mailto:oheare@magma.ca">Dave =
O'Heare</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 16, =
2005 11:11=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> On PrePal, was Re: =
Lexicon=20
  Vortex f.s./ value?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Be warned, folks, Prepal seems to be =
dead.&nbsp;=20
  The pages say "Last regenerated on 12-30-2004", there seems to be no =
action on=20
  anything, and there is no response from the contact page.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Dave O'H</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony K</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, November 16, =
2005=20
    10:05 AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Lexicon Vortex =
f.s./=20
    value?</DIV>
    <DIV><BR></DIV><A href=3D"http://www.prepal.com">www.prepal.com</A> =
is a good=20
    place to check out used (ebay) musical equipment =
<BR>prices.<BR><BR>They=20
    list the Vortex at $156. That's about what I was seeing on ebay when =
I=20
    <BR>was looking for one.<BR><BR>I saw a JamMan at the Philly guitar =
show on=20
    saturday for $600.&nbsp; I think that <BR>was WAY high.&nbsp; I also =
saw a=20
    $250,000 Les Paul, so there ya go. ;)<BR><BR>And, I wanted to send a =
thanks=20
    to Rick W for posting about the Alesis ModFX <BR>on MF.&nbsp; I now =
own all=20
    but the Smashup.&nbsp; Some VERY strange noises were coming <BR>out =
of my=20
    studio last night.&nbsp; mwahahaha.<BR><BR>Tony<BR><BR><BR>----- =
Original=20
    Message ----- <BR>From: "James Richardson" &lt;<A=20
    =
href=3D"mailto:james@jaidee.demon.co.uk">james@jaidee.demon.co.uk</A>&gt;=
<BR>To:=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Sent:=20
    Tuesday, November 15, 2005 6:54 PM<BR>Subject: Lexicon Vortex f.s./=20
    value?<BR><BR><BR>&gt;I bought a Lexicon Vortex at the same time as =
my=20
    JamMan.<BR>&gt;<BR>&gt; Unlike the JamMan, the Vortex went virtually =

    unused.<BR>&gt;<BR>&gt; Accordingly, I have a pristine Vortex which =
I'm now=20
    thinking of selling on <BR>&gt; ebay.<BR>&gt;<BR>&gt; Condition is=20
    effectively as new.&nbsp; I have the original box, the foot pedal, =
<BR>&gt;=20
    the cable, the manual, and the power supply.<BR>&gt;<BR>&gt; The =
power=20
    supply is UK rated; but one of the few advantages of wall warts =
<BR>&gt; is=20
    that at least they can be easily substituted for overseas=20
    use.<BR>&gt;<BR>&gt; I'd be interested in any views as to=20
    value.<BR>&gt;<BR>&gt; Also, if anyone is interested in purchasing=20
    privately, before it goes onto <BR>&gt; ebay, please feel free to =
make me an=20
    offer off list.<BR>&gt;<BR>&gt; Thanks<BR>&gt;<BR>&gt;=20
    James<BR>&gt;<BR>&gt;<BR>&gt; -- <BR>&gt; James Richardson<BR>&gt;=20
  <BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_003B_01C5EAA7.015E9160--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 17:22:00 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Insert: Overdub, too?
References: <20051116072947.264C93BEE4@arsenic.violacea.com> <6.2.3.4.0.20051116091635.02da52e0@pop.tiscali.co.uk>
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a k butler wrote:

> In rPL mode the feedback pedal works in a different way to usual.
> (you hear the effect of the feedback change without having to wait for 
> the loop to go round)
> So Matthias wanted to use the (otherwise unused) feedback control on 
> the panel
> to turn Substitute into Overdub.
> So not an accident.
> Claude Voit is the pioneer of the dummy jack,
> and Andre Lafosse worked out to use the technique with 8th Replace.


So (not to beat this into the ground...sorry!): sounds like you HAVE to 
use a dummy jack for this additional use of the feedback control on the 
panel.  (I'm not complaining...

David)

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 17:37:42 2005
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From: "Bill Edmondson" <edmondson5@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Lexicon Vortex f.s./ value?
Date: Wed, 16 Nov 2005 12:39:10 -0500
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I've been selling modded Reflex to upgrade them to jamman's. they've been
going for 350-400.

-----Original Message-----
From: Tony K [mailto:bigtony@softhome.net] 
Sent: Wednesday, November 16, 2005 10:05 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Vortex f.s./ value?

www.prepal.com is a good place to check out used (ebay) musical equipment 
prices.

They list the Vortex at $156. That's about what I was seeing on ebay when I 
was looking for one.

I saw a JamMan at the Philly guitar show on saturday for $600.  I think that

was WAY high.  I also saw a $250,000 Les Paul, so there ya go. ;)

And, I wanted to send a thanks to Rick W for posting about the Alesis ModFX 
on MF.  I now own all but the Smashup.  Some VERY strange noises were coming

out of my studio last night.  mwahahaha.

Tony


----- Original Message ----- 
From: "James Richardson" <james@jaidee.demon.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 15, 2005 6:54 PM
Subject: Lexicon Vortex f.s./ value?


>I bought a Lexicon Vortex at the same time as my JamMan.
>
> Unlike the JamMan, the Vortex went virtually unused.
>
> Accordingly, I have a pristine Vortex which I'm now thinking of selling on

> ebay.
>
> Condition is effectively as new.  I have the original box, the foot pedal,

> the cable, the manual, and the power supply.
>
> The power supply is UK rated; but one of the few advantages of wall warts 
> is that at least they can be easily substituted for overseas use.
>
> I'd be interested in any views as to value.
>
> Also, if anyone is interested in purchasing privately, before it goes onto

> ebay, please feel free to make me an offer off list.
>
> Thanks
>
> James
>
>
> -- 
> James Richardson
> 



From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 17:45:19 2005
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Date: Wed, 16 Nov 2005 09:45:13 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Vortex f.s./ value?
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------=_Part_26821_11268276.1132163113447
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How do you mod a Reflex into a JamMan?

On 11/16/05, Bill Edmondson <edmondson5@comcast.net> wrote:
>
> I've been selling modded Reflex to upgrade them to jamman's. they've been
> going for 350-400.
>
> -----Original Message-----
> From: Tony K [mailto:bigtony@softhome.net]
> Sent: Wednesday, November 16, 2005 10:05 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Lexicon Vortex f.s./ value?
>
> www.prepal.com <http://www.prepal.com> is a good place to check out used
> (ebay) musical equipment
> prices.
>
> They list the Vortex at $156. That's about what I was seeing on ebay when
> I
> was looking for one.
>
> I saw a JamMan at the Philly guitar show on saturday for $600. I think
> that
>
> was WAY high. I also saw a $250,000 Les Paul, so there ya go. ;)
>
> And, I wanted to send a thanks to Rick W for posting about the Alesis
> ModFX
> on MF. I now own all but the Smashup. Some VERY strange noises were comin=
g
>
> out of my studio last night. mwahahaha.
>
> Tony
>
>
> ----- Original Message -----
> From: "James Richardson" <james@jaidee.demon.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, November 15, 2005 6:54 PM
> Subject: Lexicon Vortex f.s./ value?
>
>
> >I bought a Lexicon Vortex at the same time as my JamMan.
> >
> > Unlike the JamMan, the Vortex went virtually unused.
> >
> > Accordingly, I have a pristine Vortex which I'm now thinking of selling
> on
>
> > ebay.
> >
> > Condition is effectively as new. I have the original box, the foot
> pedal,
>
> > the cable, the manual, and the power supply.
> >
> > The power supply is UK rated; but one of the few advantages of wall
> warts
> > is that at least they can be easily substituted for overseas use.
> >
> > I'd be interested in any views as to value.
> >
> > Also, if anyone is interested in purchasing privately, before it goes
> onto
>
> > ebay, please feel free to make me an offer off list.
> >
> > Thanks
> >
> > James
> >
> >
> > --
> > James Richardson
> >
>
>
>
>

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How do you mod a Reflex into a JamMan?<br><br><div><span class=3D"gmail_quo=
te">On 11/16/05, <b class=3D"gmail_sendername">Bill Edmondson</b> &lt;<a hr=
ef=3D"mailto:edmondson5@comcast.net">edmondson5@comcast.net</a>&gt; wrote:<=
/span>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I've been selling=
 modded Reflex to upgrade them to jamman's. they've been<br>going for 350-4=
00.
<br><br>-----Original Message-----<br>From: Tony K [mailto:<a href=3D"mailt=
o:bigtony@softhome.net">bigtony@softhome.net</a>]<br>Sent: Wednesday, Novem=
ber 16, 2005 10:05 AM<br>To: <a href=3D"mailto:Loopers-Delight@loopers-deli=
ght.com">
Loopers-Delight@loopers-delight.com</a><br>Subject: Re: Lexicon Vortex f.s.=
/ value?<br><br><a href=3D"http://www.prepal.com">www.prepal.com</a> is a g=
ood place to check out used (ebay) musical equipment<br>prices.<br><br>They=
 list the Vortex at $156. That's about what I was seeing on ebay when I
<br>was looking for one.<br><br>I saw a JamMan at the Philly guitar show on=
 saturday for $600.&nbsp;&nbsp;I think that<br><br>was WAY high.&nbsp;&nbsp=
;I also saw a $250,000 Les Paul, so there ya go. ;)<br><br>And, I wanted to=
 send a thanks to Rick W for posting about the Alesis ModFX
<br>on MF.&nbsp;&nbsp;I now own all but the Smashup.&nbsp;&nbsp;Some VERY s=
trange noises were coming<br><br>out of my studio last night.&nbsp;&nbsp;mw=
ahahaha.<br><br>Tony<br><br><br>----- Original Message -----<br>From: &quot=
;James Richardson&quot; &lt;
<a href=3D"mailto:james@jaidee.demon.co.uk">james@jaidee.demon.co.uk</a>&gt=
;<br>To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers=
-Delight@loopers-delight.com</a>&gt;<br>Sent: Tuesday, November 15, 2005 6:=
54 PM
<br>Subject: Lexicon Vortex f.s./ value?<br><br><br>&gt;I bought a Lexicon =
Vortex at the same time as my JamMan.<br>&gt;<br>&gt; Unlike the JamMan, th=
e Vortex went virtually unused.<br>&gt;<br>&gt; Accordingly, I have a prist=
ine Vortex which I'm now thinking of selling on
<br><br>&gt; ebay.<br>&gt;<br>&gt; Condition is effectively as new.&nbsp;&n=
bsp;I have the original box, the foot pedal,<br><br>&gt; the cable, the man=
ual, and the power supply.<br>&gt;<br>&gt; The power supply is UK rated; bu=
t one of the few advantages of wall warts
<br>&gt; is that at least they can be easily substituted for overseas use.<=
br>&gt;<br>&gt; I'd be interested in any views as to value.<br>&gt;<br>&gt;=
 Also, if anyone is interested in purchasing privately, before it goes onto
<br><br>&gt; ebay, please feel free to make me an offer off list.<br>&gt;<b=
r>&gt; Thanks<br>&gt;<br>&gt; James<br>&gt;<br>&gt;<br>&gt; --<br>&gt; Jame=
s Richardson<br>&gt;<br><br><br><br></blockquote></div><br>

------=_Part_26821_11268276.1132163113447--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 18:24:40 2005
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Date: Wed, 16 Nov 2005 18:22:27 +0000
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Re: EDP Insert: Overdub, too?
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>>In rPL mode the feedback pedal works in a different way to usual.
>>(you hear the effect of the feedback change without having to wait
>>for the loop to go round)
>
>Aha.... I always thought that sentence in the manual addresses only
>the use of an analog feedback pedal?   Is it intended to work the
>same way by MIDI control as by using an analog feedback pedal?

no, MIDI feedback only does feedback,
MIDI loop vol only does loop vol

to get use of the Interface Pedal Mode features you need the analog pedal.





>Thank you for setting the EDP history records straight ;-)

always give credit ;-)

andy butler


From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 18:25:54 2005
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From: "Bill Edmondson" <edmondson5@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Lexicon Vortex f.s./ value?
Date: Wed, 16 Nov 2005 13:26:50 -0500
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New 32-second RAM, new custom ROM and a few hours of rework and testing. It
works just like a Jamman (but uses a 3-button footswitch instead of two
2-button footswitches). The original Reflex ROM can still be inserted and
used as a verb/delay (but only one at a time!). I have two in my rack at
home and love it.

 

  _____  

From: Travis Hartnett [mailto:travishartnett@gmail.com] 
Sent: Wednesday, November 16, 2005 12:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Vortex f.s./ value?

 

How do you mod a Reflex into a JamMan?

On 11/16/05, Bill Edmondson <edmondson5@comcast.net> wrote: 

I've been selling modded Reflex to upgrade them to jamman's. they've been
going for 350-400. 

-----Original Message-----
From: Tony K [mailto:bigtony@softhome.net]
Sent: Wednesday, November 16, 2005 10:05 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Vortex f.s./ value?

www.prepal.com is a good place to check out used (ebay) musical equipment
prices.

They list the Vortex at $156. That's about what I was seeing on ebay when I 
was looking for one.

I saw a JamMan at the Philly guitar show on saturday for $600.  I think that

was WAY high.  I also saw a $250,000 Les Paul, so there ya go. ;)

And, I wanted to send a thanks to Rick W for posting about the Alesis ModFX 
on MF.  I now own all but the Smashup.  Some VERY strange noises were coming

out of my studio last night.  mwahahaha.

Tony


----- Original Message -----
From: "James Richardson" < james@jaidee.demon.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, November 15, 2005 6:54 PM 
Subject: Lexicon Vortex f.s./ value?


>I bought a Lexicon Vortex at the same time as my JamMan.
>
> Unlike the JamMan, the Vortex went virtually unused.
>
> Accordingly, I have a pristine Vortex which I'm now thinking of selling on


> ebay.
>
> Condition is effectively as new.  I have the original box, the foot pedal,

> the cable, the manual, and the power supply.
>
> The power supply is UK rated; but one of the few advantages of wall warts 
> is that at least they can be easily substituted for overseas use.
>
> I'd be interested in any views as to value.
>
> Also, if anyone is interested in purchasing privately, before it goes onto


> ebay, please feel free to make me an offer off list.
>
> Thanks
>
> James
>
>
> --
> James Richardson
>




 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>New 32-second RAM, new custom ROM =
and a
few hours of rework and testing. It works just like a Jamman (but uses a
3-button footswitch instead of two 2-button footswitches). The original =
Reflex ROM
can still be inserted and used as a verb/delay (but only one at a =
time!). I
have two in my rack at home and love it.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Travis Hartnett
[mailto:travishartnett@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, November =
16, 2005
12:45 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Lexicon =
Vortex f.s./
value?</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>How do you mod =
a Reflex
into a JamMan?<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><span class=3Dgmailquote><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>On 11/16/05, <b><span =
style=3D'font-weight:bold'>Bill
Edmondson</span></b> &lt;<a =
href=3D"mailto:edmondson5@comcast.net">edmondson5@comcast.net</a>&gt;
wrote:</span></font></span> <o:p></o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>I've been =
selling modded
Reflex to upgrade them to jamman's. they've been<br>
going for 350-400. <br>
<br>
-----Original Message-----<br>
From: Tony K [mailto:<a =
href=3D"mailto:bigtony@softhome.net">bigtony@softhome.net</a>]<br>
Sent: Wednesday, November 16, 2005 10:05 AM<br>
To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</a><br>
Subject: Re: Lexicon Vortex f.s./ value?<br>
<br>
<a href=3D"http://www.prepal.com">www.prepal.com</a> is a good place to =
check out
used (ebay) musical equipment<br>
prices.<br>
<br>
They list the Vortex at $156. That's about what I was seeing on ebay =
when I <br>
was looking for one.<br>
<br>
I saw a JamMan at the Philly guitar show on saturday for =
$600.&nbsp;&nbsp;I
think that<br>
<br>
was WAY high.&nbsp;&nbsp;I also saw a $250,000 Les Paul, so there ya go. =
;)<br>
<br>
And, I wanted to send a thanks to Rick W for posting about the Alesis =
ModFX <br>
on MF.&nbsp;&nbsp;I now own all but the Smashup.&nbsp;&nbsp;Some VERY =
strange
noises were coming<br>
<br>
out of my studio last night.&nbsp;&nbsp;mwahahaha.<br>
<br>
Tony<br>
<br>
<br>
----- Original Message -----<br>
From: &quot;James Richardson&quot; &lt; <a
href=3D"mailto:james@jaidee.demon.co.uk">james@jaidee.demon.co.uk</a>&gt;=
<br>
To: &lt;<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</a>&gt;<br>
Sent: Tuesday, November 15, 2005 6:54 PM <br>
Subject: Lexicon Vortex f.s./ value?<br>
<br>
<br>
&gt;I bought a Lexicon Vortex at the same time as my JamMan.<br>
&gt;<br>
&gt; Unlike the JamMan, the Vortex went virtually unused.<br>
&gt;<br>
&gt; Accordingly, I have a pristine Vortex which I'm now thinking of =
selling on
<br>
<br>
&gt; ebay.<br>
&gt;<br>
&gt; Condition is effectively as new.&nbsp;&nbsp;I have the original =
box, the
foot pedal,<br>
<br>
&gt; the cable, the manual, and the power supply.<br>
&gt;<br>
&gt; The power supply is <st1:country-region w:st=3D"on"><st1:place =
w:st=3D"on">UK</st1:place></st1:country-region>
rated; but one of the few advantages of wall warts <br>
&gt; is that at least they can be easily substituted for overseas =
use.<br>
&gt;<br>
&gt; I'd be interested in any views as to value.<br>
&gt;<br>
&gt; Also, if anyone is interested in purchasing privately, before it =
goes onto
<br>
<br>
&gt; ebay, please feel free to make me an offer off list.<br>
&gt;<br>
&gt; Thanks<br>
&gt;<br>
&gt; James<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; James Richardson<br>
&gt;<br>
<br>
<br>
<o:p></o:p></span></font></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 18:44:55 2005
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Subject: Re:Re: EDP Insert: Overdub, too?
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>So (not to beat this into the ground...sorry!): sounds like you HAVE 
>to use a dummy jack for this additional use of the feedback control 
>on the panel.  (I'm not complaining...
>
>David)

it doesn't have to be a dummy jack, you can use a feedback pedal for real.

Makes sense really, because without a pedal, the feedback knob 
controls ordinary feedback.

If you use Expert Mode, then you can get a similar effect, with
100% feedback during play, and feedback from the knob setting on Overdub.
( but it's not Quantised this way, because Overdub isn't affected by Quantise)

andy butler


From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 19:04:01 2005
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a k butler wrote:

>
>> So (not to beat this into the ground...sorry!): sounds like you HAVE 
>> to use a dummy jack for this additional use of the feedback control 
>> on the panel.  (I'm not complaining...
>>
>> David)
>
>
> it doesn't have to be a dummy jack, you can use a feedback pedal for 
> real.
>
> Makes sense really, because without a pedal, the feedback knob 
> controls ordinary feedback.

Any special parameter settings I should be looking for to get this, 
since I do have a feedback pedal for real inserted to EDP's rear panel, 
and I didn't seem to have any difference in Insert: it always replace, 
not added (overdubbed)?  Super effect, but the overdubbing of concise 
bits would be cool, too.

I'll list some params I have currently set:

Loop
Q=8th
8th=16 (this differs, probably the one I change the most)
R=tog
O=tog
RoundMode=off
InsertMode rPL
Mo'Loops=6
AutoRecord=off
LoopCopy=Snd
SwitchQuant=CnF

David

>
> If you use Expert Mode, then you can get a similar effect, with
> 100% feedback during play, and feedback from the knob setting on Overdub.
> ( but it's not Quantised this way, because Overdub isn't affected by 
> Quantise)
>
> andy butler
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 16 20:12:44 2005
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Date: Wed, 16 Nov 2005 12:20:45 -0800 (PST)
Subject: RE: Sharing a controller pedal between 2 devices?
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> slightly different, but I use a common volume pedal for my midi stuff & my
> bass; the midi gear runs off one half of the pot while the other works as
> a
> passive volume control on the guitar input. this pedal was originally a
> standard stereo line volume pedal.
> duncan.
>
>

Thanks Duncan and Jeremy for the ideas. I have a Roland stereo volume
pedal at home, the one that's the same form factor as the EV-5, I'm going
to try to use it with a couple of insert cables to control both devices,
one on each channel.

From nobody@bus5.com  Wed Nov 16 21:38:55 2005
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    <TD width=751 height=32 noWrap><FONT face="Arial, Helvetica, sans-serif" size=3><b>Five password bruteforcing attems were performed on your eBay account.</b></FONT><br><br></TD>

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Message-ID: <20051117010058.6699.qmail@web81303.mail.mud.yahoo.com>
Date: Wed, 16 Nov 2005 17:00:58 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: World instruments samples?
To: Loopers-Delight@loopers-delight.com
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In my move to software for my sequenced loops (Native
Instrument's Battery 2 running in conjunction with
Digital Performer, I've run into the issue that
Battery doesn't come with any
Indian/Asian/Pacific-Island... 

you know the deal.

I've got TONS of trap kits and the like but I'm asking
what ethnic/world instrument libraries people find to
be good.  If it's a virtual instrument it must be a
Mac OSX deal.

Thanks,

Mark


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 01:10:33 2005
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On Wed, 16 Nov 2005, mark sottilaro wrote:

> In my move to software for my sequenced loops (Native
> Instrument's Battery 2 running in conjunction with
> Digital Performer, I've run into the issue that
> Battery doesn't come with any
> Indian/Asian/Pacific-Island...
>
> you know the deal.
>
> I've got TONS of trap kits and the like but I'm asking
> what ethnic/world instrument libraries people find to
> be good.  If it's a virtual instrument it must be a
> Mac OSX deal.

Swarshala has been mentioned on this list, but I don't think it's been 
mentioned since they ported it to OS X.

The library is called Swartra, avilable separately, and also is available 
for OS X. 
http://www.swarsystems.com/

regards,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 02:30:06 2005
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I used an interesting Indian sequencing/sample program called SwarShala.

http://www.swarsystems.com/SwarShala/

You don't have to use the sequencer either...you can just access the
percussion, drone, tanbura, etc samples directly.

I can send you a few of the samples on Friday, if you want to check them
out. I'll zip a few up. Just send me an email.

Kris


----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 16, 2005 6:00 PM
Subject: World instruments samples?


> In my move to software for my sequenced loops (Native
> Instrument's Battery 2 running in conjunction with
> Digital Performer, I've run into the issue that
> Battery doesn't come with any
> Indian/Asian/Pacific-Island...
>
> you know the deal.
>
> I've got TONS of trap kits and the like but I'm asking
> what ethnic/world instrument libraries people find to
> be good.  If it's a virtual instrument it must be a
> Mac OSX deal.
>
> Thanks,
>
> Mark
>
>
>
>
> __________________________________
> Yahoo! Mail - PC Magazine Editors' Choice 2005
> http://mail.yahoo.com
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 03:10:53 2005
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From: paul <phaslem@wightman.ca>
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I've been using a software called TaalMala, just for tabla and Pakhawaj 
indian drum samples, they're tunable and of course you can set tempo's, you 
can also take the taals apart and reconfigure them to suit yourself and 
save the results. It's not too badly priced (60.00 for the full featured 
package) as well. They also have a larger program that includes 14 
different Indian instruments, I think it's about 150.00 for the full package.
http://www.taalmala.com/


Paul Haslem
Ontario, Canada




At 08:10 PM 11/16/2005, you wrote:

>On Wed, 16 Nov 2005, mark sottilaro wrote:
>
>>In my move to software for my sequenced loops (Native
>>Instrument's Battery 2 running in conjunction with
>>Digital Performer, I've run into the issue that
>>Battery doesn't come with any
>>Indian/Asian/Pacific-Island...
>>
>>you know the deal.
>>
>>I've got TONS of trap kits and the like but I'm asking
>>what ethnic/world instrument libraries people find to
>>be good.  If it's a virtual instrument it must be a
>>Mac OSX deal.
>
>Swarshala has been mentioned on this list, but I don't think it's been 
>mentioned since they ported it to OS X.
>
>The library is called Swartra, avilable separately, and also is available 
>for OS X. http://www.swarsystems.com/
>
>regards,
>Steve B
>http://www.subscapeannex.com/about_steve.html
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 03:56:56 2005
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From: "Kris Hartung (Auth)" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: World instruments samples?
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Check out this little sucker...

http://box.net/public/khartung/files/1317101.html

I have 388MB of wav sample, just of the tabla, plus 5 other instruments.
These and ACID can go a long way.

Kris

----- Original Message ----- 
From: "Kris Hartung (Auth)" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 16, 2005 7:30 PM
Subject: Re: World instruments samples?


> I used an interesting Indian sequencing/sample program called SwarShala.
>
> http://www.swarsystems.com/SwarShala/
>
> You don't have to use the sequencer either...you can just access the
> percussion, drone, tanbura, etc samples directly.
>
> I can send you a few of the samples on Friday, if you want to check them
> out. I'll zip a few up. Just send me an email.
>
> Kris
>
>
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, November 16, 2005 6:00 PM
> Subject: World instruments samples?
>
>
> > In my move to software for my sequenced loops (Native
> > Instrument's Battery 2 running in conjunction with
> > Digital Performer, I've run into the issue that
> > Battery doesn't come with any
> > Indian/Asian/Pacific-Island...
> >
> > you know the deal.
> >
> > I've got TONS of trap kits and the like but I'm asking
> > what ethnic/world instrument libraries people find to
> > be good.  If it's a virtual instrument it must be a
> > Mac OSX deal.
> >
> > Thanks,
> >
> > Mark
> >
> >
> >
> >
> > __________________________________
> > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
> >
> >
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 06:16:17 2005
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Date: Wed, 16 Nov 2005 22:16:15 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: World instruments samples?
To: Loopers-Delight@loopers-delight.com
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Kris id be interested as well!
cheers
Luis

--- "Kris Hartung (Auth)" <khartung@cableone.net>
wrote:

> I used an interesting Indian sequencing/sample
> program called SwarShala.
> 
> http://www.swarsystems.com/SwarShala/
> 
> You don't have to use the sequencer either...you can
> just access the
> percussion, drone, tanbura, etc samples directly.
> 
> I can send you a few of the samples on Friday, if
> you want to check them
> out. I'll zip a few up. Just send me an email.
> 
> Kris
> 
> 
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, November 16, 2005 6:00 PM
> Subject: World instruments samples?
> 
> 
> > In my move to software for my sequenced loops
> (Native
> > Instrument's Battery 2 running in conjunction with
> > Digital Performer, I've run into the issue that
> > Battery doesn't come with any
> > Indian/Asian/Pacific-Island...
> >
> > you know the deal.
> >
> > I've got TONS of trap kits and the like but I'm
> asking
> > what ethnic/world instrument libraries people find
> to
> > be good.  If it's a virtual instrument it must be
> a
> > Mac OSX deal.
> >
> > Thanks,
> >
> > Mark
> >
> >
> >
> >
> > __________________________________
> > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
> >
> >
> 
> 
> 


www.luis-angulo.com


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 06:52:54 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: World instruments samples?
Date: Thu, 17 Nov 2005 07:52:50 +0100
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On Nov 17, 2005, at 2:00, mark sottilaro wrote:

> I've got TONS of trap kits and the like but I'm asking
> what ethnic/world instrument libraries people find to
> be good.  If it's a virtual instrument it must be a
> Mac OSX deal.


At http://www.apple.com/downloads/macosx/audio/ you find downloads as:
Tampura Software for Hindusthani and Karnatak music 1.0b14  (Demo).
Software to generate a real tampura sound, with shruti and advanced  
metronome. Perfect tuning and easy pitch changing.

Another good starting point to find audio samples is:
http://www.musicbootcamp.com/audio_sample_library.shtml

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 07:03:22 2005
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Don't forget the excellent Darbuka, @
http://www.m-audio.com/products/en_us/VirtualPercussionistDarbuka-main.html

A very nice collection, indeed.

Dave Eichenberger 
http://www.hazardfactor.com


From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 11:17:03 2005
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Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on Lambert, who is a German synthesist in the retro Berlin School 
style.  The
Featured CD at Midnight will be "Essentials" on Spheric Music.  The Vinyl
Starter will be from the LP "The Four Seasons" by Patrick Gleeson on Varese
Sarabande Records and released in 1982.  For details, see the Special 
Focus page
at: http://wdiy.org/programs/gt/playlists/2005/focus05.html#nov

All times are EST = GMT-5

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 12:04:39 2005
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Subject: Re: DRIVE the LOOP or be DRIVEN?
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loop.pool wrote:
> If you are skeptical of this statement then I enjoin you to download the 
> midi tap tempo freeware plugin from
> Analogue X and practise tapping to music that you know that has a steady 
> rhythm.
> Try as hard as you can and just be amazed at how much your rhythm timing 
> will vary from beat to beat.

Because the software has no idea what a groove is, its not programmed 
that way.

> Even when you take a program that averages your tempo over four beats or 
> even four bars you will continue to vary
> your BPM.

Same reason as above.

> Why the human being is so much better at playing to a loop (or 
> entraining with a human being) than the machine
> is to reading our playing and then sending out a sync pulse is because 
> we stretch our rhythms to entrain in a way
> that it would be virtually impossible for a computer to read (at least 
> in the forseeable future).

Certainly a computer would be able to do that, but I also have the 
problem, that I never found an "algorythm" to incorporate it into my Max 
patches. Though I think it should not be too difficult. It just has to 
do it like a good drummer does it. (So far all beat matching toys are 
just very bad drummers)

The software has to predict when the next beat will come, and play its 
beat at that moment, then if its off, adjust its own modell to predict 
it better for the next beat. Just averaging the last beats will always 
lead to results which are too late. How else should you be able to track 
an acceleration or a ritardando?

The other approach would be to give the drummer a pad to directly 
trigger the loop each time. You could even determine a stretch factor 
according to the time between triggers for the next playthrough of the 
loop...

Just some thought of somebody who build usually his tools all by himself...

Stefan

-- 

  [][]  [][][]  [][]  [][][]  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x---
--_____-----------|----------
--(_|_ ----|\-----|-----()---
-- _|_)----|-----()----------
----------()------------x----

14, Av. Pr. Franklin Roosevelt, 94320 Thiais, France
Phone at CCMIX   +33-1-49 77 51 72

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 14:36:55 2005
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Subject: shows Friday & Saturday, Durham & Chapel Hill NC
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Listmembers Adrian and I are playing Friday night as 2/3 of the 
ambient/industrial improv looping trio Subscape Annex in Durham NC.

Friday night I play improv looping with the 16mm live video mechanical 
mixing of Projexorcism in Chapel Hill NC.

Details below. Thanks for your time.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

---------- Forwarded message ----------
Two shows, this Friday and Saturday:

1)
Subscape Annex plays ambient/industrial improvisational looping this Friday, 
Nov 18, at an art show opening at Kirk Adams' gallery inside of 305 South in 
Durham NC. Steve and Anthony are joined by Adrian Likins of Phasmatodea for the 
evening.

Venue: Kirk Adams inside 305 South, Durham NC
 	http://www.305southdurham.com/
Date: Friday Nov 18
Time: art show is 6pm - midnight. Music at 9pm, and another set at 10pm and 
ongoing.
Cover: free.

2)
Also, I play with Projexorcism on Saturday at the Nightlight in Chapel Hill NC. 
Other performances for the evening include The Upsidedown Stars, FLUTTER, Clang 
Quartet, and Ugly Dobro.

Venue: Nightlight, Chapel Hill NC
 	http://nightlight.dyss.net/
Date: Saturday November 19
Time: 10pm
Cover: $5
URLs:
http://www.rabbot.net/
http://www.multiultramedia.com/
http://www.subscapeannex.com/laocoon/
http://www.silbermedia.com/clangquartet/
http://www.myspace.com/uglydobro

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 14:51:16 2005
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>>>So (not to beat this into the ground...sorry!): sounds like you 
>>>HAVE to use a dummy jack for this additional use of the feedback 
>>>control on the panel.  (I'm not complaining...
>>>
>>>David)
>>
>>
>>it doesn't have to be a dummy jack, you can use a feedback pedal for real.
>>
>>Makes sense really, because without a pedal, the feedback knob 
>>controls ordinary feedback.
>
>Any special parameter settings I should be looking for to get this, 
>since I do have a feedback pedal for real inserted to EDP's rear 
>panel, and I didn't seem to have any difference in Insert: it always 
>replace, not added (overdubbed)?  Super effect, but the overdubbing 
>of concise bits would be cool, too.
>
>I'll list some params I have currently set:




InsertMode to Sub
(because rPL isn't substitute ;-)


Loop/Delay should set to Stu or rPL

either will make Subst work as O/D when feedback knob is full up.

Now decide
Stu only changes the way Insert works, so as you've got insertMode =Sub that's
       probably the best for you.

andy butler


From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 15:13:01 2005
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a k butler wrote:

>
>>>> So (not to beat this into the ground...sorry!): sounds like you 
>>>> HAVE to use a dummy jack for this additional use of the feedback 
>>>> control on the panel.  (I'm not complaining...
>>>>
>>>> David)
>>>
>>>
>>>
>>> it doesn't have to be a dummy jack, you can use a feedback pedal for 
>>> real.
>>>
>>> Makes sense really, because without a pedal, the feedback knob 
>>> controls ordinary feedback.
>>
>>
>> Any special parameter settings I should be looking for to get this, 
>> since I do have a feedback pedal for real inserted to EDP's rear 
>> panel, and I didn't seem to have any difference in Insert: it always 
>> replace, not added (overdubbed)?  Super effect, but the overdubbing 
>> of concise bits would be cool, too.
>>
>> I'll list some params I have currently set:
>
>
>
>
>
> InsertMode to Sub
> (because rPL isn't substitute ;-)
>
>
> Loop/Delay should set to Stu or rPL
>
> either will make Subst work as O/D when feedback knob is full up.
>
> Now decide
> Stu only changes the way Insert works, so as you've got insertMode 
> =Sub that's
>       probably the best for you.
>
> andy butler

********************************
Thanks, this looks very good.  I'm using Loop=Stu right now, with 
feedback knob all the way to the right, and can Insert with O/D like you 
say.  Nice for some "additive fun" (or, should I say "addictive?")!

When changing parameters, I get a little spooked about "not being able 
to get back" to what I was familiar/comfortable with (though I've got it 
written down).   And, since Stu only changes the way Insert works, I 
won't have to worry about finding the Ruby Slippers...

 .David.

>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 16:23:01 2005
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Just thought I'd let you know that something or somebody's trawling for emails here - I got a bogus email from ebay about somebody trying to 'bruteforce' their way into my ebay account.  Since ebay doesn't have this email account on their file, I thought something smelled phishy...
   
  So, as always, don't believe everything you read.
   
  If there a list admin that would like to see the email for evaluation purposes, let me know.
   
   
  ted harms.

		
---------------------------------
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<DIV id=RTEContent>Just thought I'd let you know that something or somebody's trawling for emails here - I got a bogus email from ebay about somebody trying to 'bruteforce' their way into my ebay account.&nbsp; Since ebay doesn't have this email account on their file, I thought something smelled phishy...</DIV>  <DIV>&nbsp;</DIV>  <DIV>So, as always, don't believe everything you read.</DIV>  <DIV>&nbsp;</DIV>  <DIV>If there a list admin&nbsp;that would like to see the email for evaluation purposes, let me know.</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>ted harms.</DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
--0-1675527233-1132244564=:54180--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 19:59:53 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Thu, 17 Nov 2005 13:59:49 -0600
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this thread is entering into misinformed territory.

i have owned "Logic Audio" since back when it was "Creator" owned by =20
the german company "CLab"   in the mid 80's.
for a long time now, its human external tempo option has been a very =20
rewarding and useable tool.

this is what it does:

=95 it accepts midi note input as tempo signals to be interpreted, =20
hence the name "Tempo Interpreter"
=95 it can also accept this from many different sources. therefore a =20
group of musicians (midi drums, keyboard etc.) can all play together =20
and the average is calculated.
=95 these midi signals drive the tempo of the current song.
=95 if you are recording this in realtime, then the varying human tempo =20=

is recorded into a tempo track.
=95 on playback, the song varies JUST AS U RECORDED IT.
=95 except, u can now QUANTISE ur performance and tighten it up even =20
though it STILL FEELS HUMAN as the tempo track still varies the =20
recording according to ur original performance.
=95 this also means that u can print out the score normally. something =20=

u would not be able to do if it were all recorded freely.

this is how it works:

=95 the interpreter only accepts notes for timing interpretation based =20=

on a preferenced subdivision eg. 1/4 notes.
=95 u can play any rhythmic pattern in 16ths whatever and only those =20
notes falling on the 1/4 note will be recognized.
=95 in case of an obvious mistake or triplets, a window around the 1/4 =20=

note subdivision is given as a preference. outside this window, =20
everything is ignored.
=95 a pre determined buffer can also be set. this limits the range that =20=

the tempo can change in any one interpretation of a qualified midi =20
note thus making ur tempo changes for realistic and smooth. it can =20
also be off if ud so like.

so in summary the computer will follow the timing of the player =20
whether recording or playing back.
it WORKS. and very well.

what i have wanted for a long time is a hardware version of this that =20=

could work on analog pulse input instead of midi.
this would enable my drummer to DICTATE the tempo.
it worked in my studio on a prerecorded piece driven by a drummer =20
playing midi pads so i dont see why the same logic would not work =20
with different input types. same thing really.

"logic audio" algorithm, non midi trigger inputs.



___
Adrian Bartholomew

On Nov 17, 2005, at 6:04 AM, Stefan Tiedje wrote:
loop.pool wrote:
If you are skeptical of this statement then I enjoin you to download =20
the midi tap tempo freeware plugin from
Analogue X and practise tapping to music that you know that has a =20
steady rhythm.
Try as hard as you can and just be amazed at how much your rhythm =20
timing will vary from beat to beat.

Because the software has no idea what a groove is, its not programmed =20=

that way.

Even when you take a program that averages your tempo over four beats =20=

or even four bars you will continue to vary
your BPM.

Same reason as above.

Why the human being is so much better at playing to a loop (or =20
entraining with a human being) than the machine
is to reading our playing and then sending out a sync pulse is =20
because we stretch our rhythms to entrain in a way
that it would be virtually impossible for a computer to read (at =20
least in the forseeable future).

Certainly a computer would be able to do that, but I also have the =20
problem, that I never found an "algorythm" to incorporate it into my =20
Max patches. Though I think it should not be too difficult. It just =20
has to do it like a good drummer does it. (So far all beat matching =20
toys are just very bad drummers)

The software has to predict when the next beat will come, and play =20
its beat at that moment, then if its off, adjust its own modell to =20
predict it better for the next beat. Just averaging the last beats =20
will always lead to results which are too late. How else should you =20
be able to track an acceleration or a ritardando?

The other approach would be to give the drummer a pad to directly =20
trigger the loop each time. You could even determine a stretch factor =20=

according to the time between triggers for the next playthrough of =20
the loop...

Just some thought of somebody who build usually his tools all by =20
himself...

Stefan

--=20

  [][]  [][][]  [][]  [][][]  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
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     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

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14, Av. Pr. Franklin Roosevelt, 94320 Thiais, France
Phone at CCMIX   +33-1-49 77 51 72




--Apple-Mail-1--668433495
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">this thread =
is entering into misinformed territory.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">i have owned "Logic Audio" since =
back when it was "Creator" owned by the german company "CLab"=A0 =A0in =
the mid 80's.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">for a long time now, its human =
external tempo option has been a very rewarding and useable =
tool.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>this is what it does:</B></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=95 it =
accepts midi note input as tempo signals to be interpreted, hence the =
name "Tempo Interpreter"</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=95 it can =
also accept this from many different sources. therefore a group of =
musicians (midi drums, keyboard etc.) can all play together and the =
average is calculated.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">=95 these midi signals =
drive the tempo of the current song.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=95 if you =
are recording this in realtime, then the varying human tempo is recorded =
into a tempo track.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">=95 on playback, the song =
varies JUST AS U RECORDED IT.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=95 except, u =
can now QUANTISE ur performance and tighten it up even though it STILL =
FEELS HUMAN as the tempo track still varies the recording according to =
ur original performance.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=95 this also =
means that u can print out the score normally. something u would not be =
able to do if it were all recorded freely.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B>this is how it =
works:</B></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">=95 the interpreter only accepts notes for timing =
interpretation based on a preferenced subdivision eg. 1/4 =
notes.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">=95 u can play any rhythmic =
pattern in 16ths whatever and only those notes falling on the 1/4 note =
will be recognized.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">=95 in case of an obvious =
mistake or triplets, a window around the 1/4 note subdivision is given =
as a preference. outside this window, everything is ignored.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">=95 a pre determined buffer can also be set. this =
limits the range that the tempo can change in any one interpretation of =
a qualified midi note thus making ur tempo changes for realistic and =
smooth. it can also be off if ud so like.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">so in summary the computer will =
follow the timing of the player whether recording or playing =
back.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">it WORKS. and very =
well.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">what i have wanted for a long time is a hardware =
version of this that could work on analog pulse input instead of =
midi.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">this would enable my drummer to =
DICTATE the tempo.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">it worked in my studio on a =
prerecorded piece driven by a drummer playing midi pads so i dont see =
why the same logic would not work with different input types. same thing =
really.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>"logic audio" algorithm, non midi trigger =
inputs.</B></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" =
color=3D"#690F15"><B>Adrian=A0Bartholomew</B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Nov 17, =
2005, at 6:04 AM, Stefan Tiedje wrote:</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">loop.pool =
wrote:</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#2D6020">If you are skeptical of this statement then I enjoin =
you to download the midi tap tempo freeware plugin from</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#2D6020">Analogue X and practise tapping to music that you know =
that has a steady rhythm.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#2D6020">Try as hard as you can and =
just be amazed at how much your rhythm timing will vary from beat to =
beat.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Because the software has no idea what a groove is, its =
not programmed that way.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); min-height: =
14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#2D6020">Even when you take a =
program that averages your tempo over four beats or even four bars you =
will continue to vary</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#2D6020">your BPM.</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Same reason as above.</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#2D6020">Why=
 the human being is so much better at playing to a loop (or entraining =
with a human being) than the machine</FONT></DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#2D6020">is to reading our playing =
and then sending out a sync pulse is because we stretch our rhythms to =
entrain in a way</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#2D6020">that it would be virtually =
impossible for a computer to read (at least in the forseeable =
future).</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Certainly a computer would be able to do that, but I =
also have the problem, that I never found an "algorythm" to incorporate =
it into my Max patches. Though I think it should not be too difficult. =
It just has to do it like a good drummer does it. (So far all beat =
matching toys are just very bad drummers)</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">The=
 software has to predict when the next beat will come, and play its beat =
at that moment, then if its off, adjust its own modell to predict it =
better for the next beat. Just averaging the last beats will always lead =
to results which are too late. How else should you be able to track an =
acceleration or a ritardando?</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); min-height: =
14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">The other approach would be =
to give the drummer a pad to directly trigger the loop each time. You =
could even determine a stretch factor according to the time between =
triggers for the next playthrough of the loop...</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Just some thought of somebody who build usually his =
tools all by himself...</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); min-height: =
14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">Stefan</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">--</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">=A0</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); min-height: =
14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][]</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">[][][]</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">[][][][][][][][][][][][][][][][][][][][][][][][][][][][]=
</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">=A0=
 =A0 =A0 =A0 </FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Stefan Tiedje</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 =A0 =A0 =
</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Klanggestalter</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">Electronic =
Composition</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 =A0 =A0 =A0 =A0 =A0 =
</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">&amp;</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 =A0 =A0 =
</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Improvisation</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); =
min-height: 14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0=A0 =A0 =A0 =A0 =A0 =
</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">/~~~~~\</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">\\\ </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">/|() ()|\</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">=A0=
 =A0 </FONT><FONT class=3D"Apple-style-span" color=3D"#001DCE">))))) =
)|</FONT><FONT class=3D"Apple-style-span" color=3D"#001DCE">=A0 =
</FONT><FONT class=3D"Apple-style-span" color=3D"#001DCE">|</FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 </FONT><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">|( \\\</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">=A0=
 =A0 </FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">///</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">=A0 =A0 </FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">\ \_/)/ )))))</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE">=A0 =A0 =A0 =A0 =A0 =A0 =
</FONT><FONT class=3D"Apple-style-span" color=3D"#001DCE">\___/ =
</FONT><FONT class=3D"Apple-style-span" color=3D"#001DCE">=A0 =
</FONT><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">///</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); min-height: =
14px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" =
color=3D"#001DCE">-------------------------x---</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">--_____-----------|----------</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">--(_|_ ----|\-----|-----()---</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">-- =
_|_)----|-----()----------</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" =
color=3D"#001DCE">----------()------------x----</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 29, 206); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#001DCE"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#001DCE">14,=
 Av. Pr. Franklin Roosevelt, 94320 Thiais, France</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#001DCE">Phone at CCMIX </FONT><FONT class=3D"Apple-style-span" =
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color=3D"#001DCE">+33-1-49 77 51 72</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; color: rgb(0, 29, 206); =
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margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
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--Apple-Mail-1--668433495--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 20:55:34 2005
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Date: Thu, 17 Nov 2005 15:55:28 -0500
From: Tom Ritchford <tom@swirly.com>
Sender: tom.ritchford@gmail.com
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Sorry I couldn't make this -- we're on serious deadline (but you'll be
interested in the project when it comes out...)

How did it go!?

On 11/14/05, Louis Rossi <tarbit@hotmail.com> wrote:
> Hi All,
>
> Alex Marculewicz (voice) and I will be playing as part of FLOW on Wednesd=
ay
> 11/16 night at the Lucky Cat in Williamsburg.
> The event starts at 7:30, the set will be about a 1/2 hour long.
>
> FLOW is a music/video series that connects musicians with video artists f=
or
> a night of improvised sets.
>
> The LOU+AL show, Alex Marculewicz (voice) and Louis Rossi (touch guitar),=
 is
> a combination of voice and guitar with loops and effects. Sometimes swerv=
ing
> towards melody and other times falling into pure noise.
>
> the Lucky Cat
> 245 Grand Street
> (between Driggs & Roebling)
> Williamsburg
> a map >>> http://www.theluckycat.com/directions.html
>
> Hope to see you there!
>
> Ps. Please visit myspace too:
>
> http://www.myspace.com/radiohvezda
>
> http://www.myspace.com/lourossi
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 21:08:14 2005
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: NYC Gig
Date: Thu, 17 Nov 2005 16:08:08 -0500
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Thanks Tom

It was a good debut for us. Look forward to hearing about your project.
Cheers
Lou


>From: Tom Ritchford <tom@swirly.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: NYC Gig
>Date: Thu, 17 Nov 2005 15:55:28 -0500
>
>Sorry I couldn't make this -- we're on serious deadline (but you'll be
>interested in the project when it comes out...)
>
>How did it go!?
>
>On 11/14/05, Louis Rossi <tarbit@hotmail.com> wrote:
> > Hi All,
> >
> > Alex Marculewicz (voice) and I will be playing as part of FLOW on 
>Wednesday
> > 11/16 night at the Lucky Cat in Williamsburg.
> > The event starts at 7:30, the set will be about a 1/2 hour long.
> >
> > FLOW is a music/video series that connects musicians with video artists 
>for
> > a night of improvised sets.
> >
> > The LOU+AL show, Alex Marculewicz (voice) and Louis Rossi (touch 
>guitar), is
> > a combination of voice and guitar with loops and effects. Sometimes 
>swerving
> > towards melody and other times falling into pure noise.
> >
> > the Lucky Cat
> > 245 Grand Street
> > (between Driggs & Roebling)
> > Williamsburg
> > a map >>> http://www.theluckycat.com/directions.html
> >
> > Hope to see you there!
> >
> > Ps. Please visit myspace too:
> >
> > http://www.myspace.com/radiohvezda
> >
> > http://www.myspace.com/lourossi
> >
> >
> >
>
>
>--
>      /t
>
>http://ax.to ... extreme NY arts and music calendar
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov 17 21:51:28 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: eBay's phishing-alert address RE: spam alert
Date: Thu, 17 Nov 2005 16:55:35 -0500
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------=_NextPart_84815C5ABAF209EF376268C8
Content-type: text/plain; charset=US-ASCII

Good to know, and thanks... I get about 2 of those a week. In Tim's Perfect World these "people" would be tracked down by a mighty Geek Squad and pilloried in public so peole can throw SPAM at them...either in the can or out.

You should fwd it to phishing@ebay.com , but I'm sure a tech-savvy guy like you is waaaay ahead of me on that (LOL).

Cheers,
Tim the PseudoLuddite

----- Original Message ----- 
From: ditch wrestler 
To: Loopers Delight
Sent: 11/17/2005 11:23:00 AM 
Subject: spam alert


Just thought I'd let you know that something or somebody's trawling for emails here - I got a bogus email from ebay about somebody trying to 'bruteforce' their way into my ebay account.  Since ebay doesn't have this email account on their file, I thought something smelled phishy...

So, as always, don't believe everything you read.

If there a list admin that would like to see the email for evaluation purposes, let me know.


ted harms.


Yahoo! FareChase - Search multiple travel sites in one click. 
------=_NextPart_84815C5ABAF209EF376268C8
Content-Type: text/html; charset=US-ASCII

<HTML><HEAD>
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY>
<DIV><FONT face="MS Sans Serif" size=2>Good to know, and thanks... I get about 2 of those a week. In Tim's Perfect World these "people" would be tracked down&nbsp;by a mighty Geek Squad and pilloried in public so peole can throw SPAM at them...either in the can or out.</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2></FONT>&nbsp;</DIV>
<DIV><FONT face="MS Sans Serif" size=2>You should fwd it to <A href="mailto:phishing@ebay.com">phishing@ebay.com</A>&nbsp;, but I'm sure a tech-savvy guy like you is waaaay ahead of me on that (LOL).</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2></FONT>&nbsp;</DIV>
<DIV><FONT face="MS Sans Serif" size=2>Cheers,</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>Tim the PseudoLuddite</FONT></DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=ditchwrestler@yahoo.com href="mailto:ditchwrestler@yahoo.com">ditch wrestler</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers Delight</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 11/17/2005 11:23:00 AM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> spam alert</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV id=RTEContent>Just thought I'd let you know that something or somebody's trawling for emails here - I got a bogus email from ebay about somebody trying to 'bruteforce' their way into my ebay account.&nbsp; Since ebay doesn't have this email account on their file, I thought something smelled phishy...</DIV>
<DIV>&nbsp;</DIV>
<DIV>So, as always, don't believe everything you read.</DIV>
<DIV>&nbsp;</DIV>
<DIV>If there a list admin&nbsp;that would like to see the email for evaluation purposes, let me know.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted harms.</DIV>
<P>
<HR SIZE=1>
<A href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</A> </FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 00:07:44 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: New loop tool, sort of..
Date: Thu, 17 Nov 2005 16:07:45 -0800
Message-ID: <OPEGKDJIMPJBOGCKEPDGMEJJCIAA.billwalker@baymoon.com>
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Yo,
Two nights ago I played test pilot for Rick Turner and an engineer from Bose
labororatories. What the Bose guy was doing was creating some custom eq
presets for the new Bose personal amplication system, to optomize its
response for the two DTAR preamps Rick had a hand in designing and I did
some beta testing for, the digital "Mama Bear", and the analoge Solstice
preamps, both designed for acoustic instruments. I have to say that I was
blown away by this sound sytem and I was pretty merciless in trying to push
the low end, at one point dropping a baritone guitar part down two octaves
on the repeater, and I was suprised at how airy and transparent the high end
was, not brittle or harsh, and how full the midrange was despite they
absence of conventional  mid range woofers. Stereo delay panning  freaks
beware: this is a mono system, and though you could sum your stereo in to
it, to get true stereo you would need two full systems, which would be very
pricey, as the system is around $2000. I will have a chance over the next
few weeks to demo it more, as I have only run acoustic/electric instruments
so far. I'm curious to see how my electric guitar and  modeling amp will
sound through it. I also got a chance to pickup a guitar Rick just was
finishing for Keller William's, a double neck six string acoustic and four
string bass on his Rennaissance body style. He is dubbing it the World's
First Loop Guitar, and it was really light and well balanced. he'll be
showing it at NAMM this January.
More later
Bill



From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 00:15:30 2005
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Date: Thu, 17 Nov 2005 19:16:26 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: New loop tool, sort of..
In-reply-to: <OPEGKDJIMPJBOGCKEPDGMEJJCIAA.billwalker@baymoon.com>
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Hey Bill (and hi to all you others on the list who I know and who may be
surprised by my sudden appearance),

Wouldja give a shout out to Rick for me if you see him again? Back "in the
days" I hung out with him a bit at NAMM shows (and played one of his great
guitars for years in the Electric Guitar Quartet). Thanks.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: William Walker [mailto:billwalker@baymoon.com]
> Sent: Thursday, November 17, 2005 7:08 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: New loop tool, sort of..
> 
> 
> Yo,
> Two nights ago I played test pilot for Rick Turner and an
> engineer from Bose labororatories. What the Bose guy was 
> doing was creating some custom eq presets for the new Bose 
> personal amplication system, to optomize its response for the 
> two DTAR preamps Rick had a hand in designing and I did some 
> beta testing for, the digital "Mama Bear", and the analoge 
> Solstice preamps, both designed for acoustic instruments. I 
> have to say that I was blown away by this sound sytem and I 
> was pretty merciless in trying to push the low end, at one 
> point dropping a baritone guitar part down two octaves on the 
> repeater, and I was suprised at how airy and transparent the 
> high end was, not brittle or harsh, and how full the midrange 
> was despite they absence of conventional  mid range woofers. 
> Stereo delay panning  freaks
> beware: this is a mono system, and though you could sum your 
> stereo in to it, to get true stereo you would need two full 
> systems, which would be very pricey, as the system is around 
> $2000. I will have a chance over the next few weeks to demo 
> it more, as I have only run acoustic/electric instruments so 
> far. I'm curious to see how my electric guitar and  modeling 
> amp will sound through it. I also got a chance to pickup a 
> guitar Rick just was finishing for Keller William's, a double 
> neck six string acoustic and four string bass on his 
> Rennaissance body style. He is dubbing it the World's First 
> Loop Guitar, and it was really light and well balanced. he'll 
> be showing it at NAMM this January. More later Bill
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 01:42:28 2005
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Date: Thu, 17 Nov 2005 20:42:24 -0500
Subject: Funny "Experimental" Music Experiences This Week
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Listening to and playing experimental music definitely changes what one per=
ceives of as "music".  A few examples like this have floated around=20
this list in the past, and I always find them amusing.  I had two funny exp=
eriences this week in that vein.

1.  My alarm goes off to my local college radio station (KALX, Berkeley) wh=
ich has been known to play some pretty whacked-out stuff from time to=20
time.  So my alarm goes off this morning and it's this totally captivating =
composition that jarred me awake and immediately got my brain working.=20=
=20
I was totally digging it for a couple minutes.......until the DJ came back =
on and apologized for his mistake.  He had accidentally left a Steve Reich=
=20
track playing from his previous voice-over and then started a DVDr of the R=
olling Stones on the old TAMI Show...but the DVDr wouldn't play=20
properly so it was skipping and glitching all over the place (it sounded li=
ke static because it was the intro with just hundreds of teenagers=20
screaming), but it kept glitching in a similar (though not identical) way, =
making a repeated variation on a theme.  As soon as he stopped the DVDr=20
from playing the "piece" lost what I loved about.  LOL.

2.  Perhaps even funnier, I was driving to work in my truck, the radio of w=
hich is always tuned to KALX.  I turned the radio on at some point (it's=20
always tuned to KALX)  and there was this musical piecec with a crazy modul=
ated tone that kept lowering and rising in pitch, along with some=20
tremelo effect.  I found it captivating and was silently giving KALX kudos =
for not being afraid of the "weird stuff".  It was REALLY cool.  At some=20
point in the drive there were some weird synchronicities with the pitch and=
 the speed at which I was driving.  Then I got stopped at a red light, at=
=20
which point the pitch dropped to s steady hum.....hmmmmmm....that's when I =
looked at the radio and realized that I must have hit the AM/FM=20
button by mistake when turning it on.  The tuner was stuck in the no-man's-=
land between stations and the pitch was somehow being modulated=20
by my alternator as I sped up and slowed down.  I can assure you that I was=
 laughing out loud!!!  On one particularly empty street I was able to=20
play a rough approximation of Happy Birthday with the accelerator, but I al=
most ran the stop sign at the end of the street.  I'll need to find a=20
deserted country road and record some longer tunes!

Cheers

Joe Rut


--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

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Date: Thu, 17 Nov 2005 20:58:07 EST
Subject: Hey Warren! Good to see you back!
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WS,

I'll say it again. Hey Warren! Good to see you back!

How goes the software wars? It seems I remember you
were working up some sort of software loper a year or
so ago.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_78.7f54ada1.30ae8f2f_boundary
Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">WS,<BR>
<BR>
I'll say it again. </FONT><FONT COLOR=3D"#000000" FACE=3D"Lucida Grande" LAN=
G=3D"0" SIZE=3D"3">Hey Warren! Good to see you back!</FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
How goes the software wars? It seems I remember you<BR>
were working up some sort of software loper a year or<BR>
so ago.<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_78.7f54ada1.30ae8f2f_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 04:56:33 2005
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Date: Thu, 17 Nov 2005 23:57:38 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Hey Warren! Good to see you back!
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This is a multi-part message in MIME format.

--Boundary_(ID_AC2abyPT4O/Eeu9c+Nox1Q)
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Hey Ted,
 
Thanks. Yup, I thought that looper was only going to take a couple of months
to finish. But I had about 4 versions that needed to be thrown away before
the architecture was right. I actually was hoping to re-enlist your aid
(since you offered it so long ago) as a beta tester/interface critic (and
possibly re-designer) when I've finished writing preliminary docs and
cleaning up one or two things.
 
It's a little hard for me to complete the docs, though, because I'm at sea
for a name. I'm thinking maybe AccuLoop. Whaddya think? (that, totally
without an explanation of what makes it special, is not exactly an easy
question - but whether the name should be related to the specific features
or not is also not an easy one).
 
How's Medford treating you? I'll be back to raft the Rogue again someday....
 
Best wishes,
Warren Sirota
http://www.warrensirota.com for listening

-----Original Message-----
From: ArsOcarina@aol.com [mailto:ArsOcarina@aol.com] 
Sent: Thursday, November 17, 2005 8:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Hey Warren! Good to see you back!


WS,

I'll say it again. Hey Warren! Good to see you back!

How goes the software wars? It seems I remember you
were working up some sort of software loper a year or
so ago.

Best regards,

tEd R kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



--Boundary_(ID_AC2abyPT4O/Eeu9c+Nox1Q)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2769" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff size=2>Hey 
Ted,</FONT></SPAN></DIV>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff 
size=2>Thanks. Yup, I thought that looper was only going to take a couple of 
months to finish. But I had about 4 versions that needed to be thrown away 
before the architecture was right. I actually was hoping to re-enlist your aid 
(since you offered it so long ago) as a beta tester/interface critic (and 
possibly re-designer) when I've finished writing preliminary docs and cleaning 
up one or two things.</FONT></SPAN></DIV>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff size=2>It's a 
little hard for me to complete the docs, though, because I'm at sea for a name. 
I'm thinking maybe AccuLoop. Whaddya think? (that, totally without an 
explanation of what makes it special, is not exactly an easy question - but 
whether the name should be related to the specific features or not is also not 
an easy one).</FONT></SPAN></DIV>
<DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>
<DIV><SPAN class=843044504-18112005><FONT face=Arial color=#0000ff size=2>How's 
Medford treating you? I'll be back to raft the Rogue again 
someday....</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<DIV align=left><SPAN class=843044504-18112005><FONT face=Arial size=2><A 
href="http://www.warrensirota.com">http://www.warrensirota.com</A>&nbsp;for 
listening</FONT></SPAN></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> 
  ArsOcarina@aol.com [mailto:ArsOcarina@aol.com] <BR><B>Sent:</B> Thursday, 
  November 17, 2005 8:58 PM<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Hey Warren! Good to see 
  you back!<BR><BR></FONT></DIV><FONT face=arial,helvetica><FONT face=Geneva 
  size=2 FAMILY="SANSSERIF">WS,<BR><BR>I'll say it again. </FONT><FONT lang=0 
  face="Lucida Grande" size=3>Hey Warren! Good to see you back!</FONT><FONT 
  face=Geneva size=2 FAMILY="SANSSERIF"><BR></FONT><FONT face=Geneva size=2 
  FAMILY="SANSSERIF"><BR>How goes the software wars? It seems I remember 
  you<BR>were working up some sort of software loper a year or<BR>so 
  ago.<BR></FONT><FONT face=Geneva size=2 FAMILY="SANSSERIF"><BR>Best 
  regards,<BR><BR>tEd &reg; kiLLiAn<BR><BR></FONT><FONT face=Geneva color=#808080 
  size=2 FAMILY="SANSSERIF">"Different is not always better, but better is 
  always 
  different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://www.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product.aspx?pfid=2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193<BR><BR>Ted 
  Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>BuyMusic, 
  Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, Lindows, 
  QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, 
  CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, blah, blah. 
  So???</FONT><FONT face=Geneva color=#000000 size=2 
FAMILY="SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT face=Geneva color=#000000 
size=2 FAMILY="SANSSERIF"></FONT></FONT></BODY></HTML>

--Boundary_(ID_AC2abyPT4O/Eeu9c+Nox1Q)--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 07:24:05 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: New loop tool, sort of..
Date: Thu, 17 Nov 2005 23:24:02 -0800
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Good to hear from your Warren, hope all is well, I'll give a shout out to
Rick for you.
Bill

-----Original Message-----
From: Warren Sirota [mailto:wsirota@wsdesigns.com]
Sent: Thursday, November 17, 2005 4:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: New loop tool, sort of..


Hey Bill (and hi to all you others on the list who I know and who may be
surprised by my sudden appearance),

Wouldja give a shout out to Rick for me if you see him again? Back "in the
days" I hung out with him a bit at NAMM shows (and played one of his great
guitars for years in the Electric Guitar Quartet). Thanks.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: William Walker [mailto:billwalker@baymoon.com]
> Sent: Thursday, November 17, 2005 7:08 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: New loop tool, sort of..
>
>
> Yo,
> Two nights ago I played test pilot for Rick Turner and an
> engineer from Bose labororatories. What the Bose guy was
> doing was creating some custom eq presets for the new Bose
> personal amplication system, to optomize its response for the
> two DTAR preamps Rick had a hand in designing and I did some
> beta testing for, the digital "Mama Bear", and the analoge
> Solstice preamps, both designed for acoustic instruments. I
> have to say that I was blown away by this sound sytem and I
> was pretty merciless in trying to push the low end, at one
> point dropping a baritone guitar part down two octaves on the
> repeater, and I was suprised at how airy and transparent the
> high end was, not brittle or harsh, and how full the midrange
> was despite they absence of conventional  mid range woofers.
> Stereo delay panning  freaks
> beware: this is a mono system, and though you could sum your
> stereo in to it, to get true stereo you would need two full
> systems, which would be very pricey, as the system is around
> $2000. I will have a chance over the next few weeks to demo
> it more, as I have only run acoustic/electric instruments so
> far. I'm curious to see how my electric guitar and  modeling
> amp will sound through it. I also got a chance to pickup a
> guitar Rick just was finishing for Keller William's, a double
> neck six string acoustic and four string bass on his
> Rennaissance body style. He is dubbing it the World's First
> Loop Guitar, and it was really light and well balanced. he'll
> be showing it at NAMM this January. More later Bill
>
>
>




From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 10:48:11 2005
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Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 02:48:14 -0800
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Andrew wrote:

"this thread is entering into misinformed territory"


Dear Andrew,  thanks a lot for the description of how Logic Audio's tempo 
driving mechanism works.

Would you be into posting an example of how this works in a live situation?

The proof is in the pudding as they say.      I'm mildly skeptical, but it's 
important to be open minded since
technology is evolving at such a rapid pace.    I'm perfectly willing to 
drop my own preconceptions about it
being a bit of a technophile, myself.   Your description of how it works 
sounds fascinating and sounds like it
might work really well.

Thanks for your post.   I look forward to hearing some examples of it live 
in action.    You can write me offlist if you don't have the ability to host 
an example on line...............I'll set up a webpage for you to upload it 
to if you'd like.

yours, sincerely,   Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 11:42:06 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 12:42:02 +0100
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On Nov 17, 2005, at 20:59, Adrian Bartholomew wrote:

> what i have wanted for a long time is a hardware version of this  
> that could work on analog pulse input instead of midi.
> this would enable my drummer to DICTATE the tempo.
> it worked in my studio on a prerecorded piece driven by a drummer  
> playing midi pads so i dont see why the same logic would not work  
> with different input types. same thing really.
>
> "logic audio" algorithm, non midi trigger inputs.


If you care to set up a computer on stage the software Circular Logic  
seem to do that i real-time. Below I'm pasting in an earlier post to  
this list by the application's developer Michael Stauffer, so you can  
read up for yourself and eventually follow the links to watch the  
demo movies.

Regarding the tempo track and re-clocking functions of Logic I have  
used them quite successfully for recorded audio, but I wouldn't even  
think about trying it out for a live audio input. Actually I have  
found, when producing recorded music, that I get better tempo sync in  
Logic, to a recorded piece of music, when listening and simply draw  
the tempo curve on the screen exactly the way I would have played it  
if I was a drummer. Now I'm even a lousy Virtual Drummer, so this  
method takes a lot of time. But it's better because you can regain a  
little of what is lost in any tempo following algorithm: the human  
perception and implementation of gestures (that's where the fun is  
IMHO). Sometimes it feels good to bring up the tempo map just a  
little bit before the recorded live audio goes up in tempo and vice  
verca - only to balance the never ending interplay between DRIVING  
and BEING DRIVEN so it kind of creates a "dialogue" between the  
recorded audio and whatever is happening in Logic (the stuff we're  
"syncing").

BTW I presume Live5 does this syncing up midi to recorded material  
better than Logic at the moment.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



On Sep 14, 2004, at 19:33, Michael Stauffer wrote:
> Hey Griff,
>
> I'm the developer with the Circular Logic software InTime. Yes, you  
> can
> set InTime up to follow a live drummer, either by using mic's and
> audio-to-midi software, or by using relatively inexpensive drum
> triggers - there's a discussion about setting up InTime with a  
> drummer on
> our site:
> http://www.circular-logic.com/docs/Drummer_setup_tips.html
>
> As for Live, I've been messing with it myself for doing the kind of
> tempo-changing live-looping you're talking about - really cool  
> software.
> The InTime video demo on our site actually uses Live to playback loops
> with tempo-changing while I play guitar:
> http://www.circular-logic.com/videos.html
>
> You've probably read already in this list that the setup for remote
> control in Live is awkward in some ways, and I recommend using Control
> Aid to simplify any midi-trigger setup you use.
>
> Ableton Live will do all the time-stretching, really nicely, like you
> hope, but there are two catches when using it with something like  
> InTime
>
> 1) Live doesn't get the "warp points" (the sync points) of a loop
> correctly when the loop is recorded while the tempo is changing.  
> So, if
> you record while InTime is changing the tempo, the loop doesn't  
> play back
> in sync after you've finished recording it. I've tested this  
> problem by
> using sources of tempo change other than InTime, and it's an  
> oversight in
> Live's programming. It should be relatively easy for them to fix -  
> since
> Live always know the tempo and the location of the beat during  
> recording,
> it should be able to set the warp points using this information.  
> Instead,
> after you record a loop while the tempo is changing, Live seems to  
> treat
> it as a loop with overall steady tempo, and thus gets the warp points
> wrong. I've told Ableton about this problem, but if you were also  
> to let
> them know that this is a drawback for you, it might help speed them  
> along
> their way to fixing it. :)  I posted a message about this in the user
> forum a couple months back if you want to look at it in more  
> detail, or
> just ask me. It's pretty easy to workarond this, though - you can  
> setup a
> midi trigger to disable/enable InTime's tempo-tracking, then when you
> want to record a loop you first disable the tracking so that InTime  
> runs
> at a steady tempo, then reenable it when you want to jam and have the
> drummer control the tempo.
>
> 2) Live averages the incoming midi clocks over about 2 beats, so its
> response to tempo changes from InTime is somewhat dulled, but still  
> very
> functional, as you can see in the video demo on our site.
>
> InTime for Mac OS X is still in public beta, but I'm readying it for
> release as we speak and it will be available soon.
>
> Let me know if you have any other questions.
>
> Cheers,
> Michael

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 15:42:23 2005
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From: "Dave Lauzon" <davelauz@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Gibson Echoplex Noise problem
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<html><div style='background-color:'><DIV class=RTE>
<P><BR><BR>Hi,</P>
<P>Its been a long long time since I posted anything here, but I've always found this list to be a great resource of information so I thought I'd ask here.</P>
<P>I've got a Gibson Echoplex, circa&nbsp;1999 2000 maybe.&nbsp; not quite sure although I bought it new.&nbsp;I believe... Its loop 3 v.5 software.&nbsp; I realize there's been a software upgrade and I'm thinking of going that way.&nbsp;</P>
<P>It has served me really well and I&nbsp;certainly put it through quite a lot of use on the road 200 nights a year for 4 years.</P>
<P>So here's my problem.&nbsp; Lately I'm finding that it is REALLY noisy.&nbsp; I can also get&nbsp;more noise out of it by tapping it.&nbsp; </P>
<P>I've called Gibson,&nbsp;and I guess the one guy who is responsible for this product is too busy to return my calls.&nbsp; I bought it in Canada and the distributor tells me they wouldn't know what to do with it so they'd probably send it to gibson.</P>
<P>Bottom line is that I use this thing every day proffesionally and I can't afford to be without it for four months while it sits on a shelf somewhere.&nbsp; I'm just wondering if anyone has had a similar experience and if it is a simple fix like replacing the RAM or upgrading the software.&nbsp; Any input would be greatly appreciated.&nbsp; </P>
<P>Thanks,</P>
<P>Dave</P>
<P>&nbsp;</P></DIV></div></html>

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My only experience with EDP noise is before it warms up (a few 
minutes)...a REALLY bad white noise.  Then it's fine.  Someone said it 
might be bad memory, but I forget.  :-)

David.

Dave Lauzon wrote:

>
>
> Hi,
>
> Its been a long long time since I posted anything here, but I've 
> always found this list to be a great resource of information so I 
> thought I'd ask here.
>
> I've got a Gibson Echoplex, circa 1999 2000 maybe.  not quite sure 
> although I bought it new. I believe... Its loop 3 v.5 software.  I 
> realize there's been a software upgrade and I'm thinking of going that 
> way. 
>
> It has served me really well and I certainly put it through quite a 
> lot of use on the road 200 nights a year for 4 years.
>
> So here's my problem.  Lately I'm finding that it is REALLY noisy.  I 
> can also get more noise out of it by tapping it. 
>
> I've called Gibson, and I guess the one guy who is responsible for 
> this product is too busy to return my calls.  I bought it in Canada 
> and the distributor tells me they wouldn't know what to do with it so 
> they'd probably send it to gibson.
>
> Bottom line is that I use this thing every day proffesionally and I 
> can't afford to be without it for four months while it sits on a shelf 
> somewhere.  I'm just wondering if anyone has had a similar experience 
> and if it is a simple fix like replacing the RAM or upgrading the 
> software.  Any input would be greatly appreciated. 
>
> Thanks,
>
> Dave
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:04:03 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Gibson Echoplex Noise problem
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Others on the list would know more, but your comment about tapping makes me
wonder if this is maybe a "contact crub" problem on the pots. Do any of the
pots seem to affect the noise when you turn them? If so, a bit of contact
cleaner might do the trick.
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Dave Lauzon [mailto:davelauz@hotmail.com] 
Sent: Friday, November 18, 2005 10:42 AM
To: Loopers-Delight@loopers-delight.com
Subject: Gibson Echoplex Noise problem





Hi,

Its been a long long time since I posted anything here, but I've always
found this list to be a great resource of information so I thought I'd ask
here.

I've got a Gibson Echoplex, circa 1999 2000 maybe.  not quite sure although
I bought it new. I believe... Its loop 3 v.5 software.  I realize there's
been a software upgrade and I'm thinking of going that way. 

It has served me really well and I certainly put it through quite a lot of
use on the road 200 nights a year for 4 years.

So here's my problem.  Lately I'm finding that it is REALLY noisy.  I can
also get more noise out of it by tapping it.  

I've called Gibson, and I guess the one guy who is responsible for this
product is too busy to return my calls.  I bought it in Canada and the
distributor tells me they wouldn't know what to do with it so they'd
probably send it to gibson.

Bottom line is that I use this thing every day proffesionally and I can't
afford to be without it for four months while it sits on a shelf somewhere.
I'm just wondering if anyone has had a similar experience and if it is a
simple fix like replacing the RAM or upgrading the software.  Any input
would be greatly appreciated.  

Thanks,

Dave

 


--Boundary_(ID_MK8EO6DVi85wfRv0ddds2w)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2769" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=718080316-18112005><FONT face=Arial color=#0000ff size=2>Others 
on the list would know more, but your comment about tapping makes me wonder if 
this is maybe a "contact crub" problem on the pots. Do any of the pots seem to 
affect the noise when you turn them? If so, a bit of contact cleaner might do 
the trick.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Dave Lauzon 
  [mailto:davelauz@hotmail.com] <BR><B>Sent:</B> Friday, November 18, 2005 10:42 
  AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Gibson 
  Echoplex Noise problem<BR><BR></FONT></DIV>
  <DIV>
  <DIV class=RTE>
  <P><BR><BR>Hi,</P>
  <P>Its been a long long time since I posted anything here, but I've always 
  found this list to be a great resource of information so I thought I'd ask 
  here.</P>
  <P>I've got a Gibson Echoplex, circa&nbsp;1999 2000 maybe.&nbsp; not quite 
  sure although I bought it new.&nbsp;I believe... Its loop 3 v.5 
  software.&nbsp; I realize there's been a software upgrade and I'm thinking of 
  going that way.&nbsp;</P>
  <P>It has served me really well and I&nbsp;certainly put it through quite a 
  lot of use on the road 200 nights a year for 4 years.</P>
  <P>So here's my problem.&nbsp; Lately I'm finding that it is REALLY 
  noisy.&nbsp; I can also get&nbsp;more noise out of it by tapping it.&nbsp; 
</P>
  <P>I've called Gibson,&nbsp;and I guess the one guy who is responsible for 
  this product is too busy to return my calls.&nbsp; I bought it in Canada and 
  the distributor tells me they wouldn't know what to do with it so they'd 
  probably send it to gibson.</P>
  <P>Bottom line is that I use this thing every day proffesionally and I can't 
  afford to be without it for four months while it sits on a shelf 
  somewhere.&nbsp; I'm just wondering if anyone has had a similar experience and 
  if it is a simple fix like replacing the RAM or upgrading the software.&nbsp; 
  Any input would be greatly appreciated.&nbsp; </P>
  <P>Thanks,</P>
  <P>Dave</P>
  <P>&nbsp;</P></DIV></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_MK8EO6DVi85wfRv0ddds2w)--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:14:07 2005
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From: Chris Sewell <chris@gguitars.com>
Subject: EDP "NextLoop" question.
Date: Fri, 18 Nov 2005 11:12:12 -0500
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I am running a new EDP with loop 4. Multiloops is set to 2. With  
either autorecord or loop copy function on, Loop 2 will only play  
once, then it will automatically switch back to loop one, which will  
loop indefinetly. I can find this mentioned in the huge manual. Ive  
searched the archive to no avail. Any ideas? Possible bug?
Thanks guys.

I know I come in and out on this list, but the massive amounts of  
email it generates can be overwhelming. Why doesnt this site uses a  
standard discussion board format?
Just curious.
Thanks
Chris

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"For future reference, Echoplex repair services are offered by a company
called British Audio Services, http://www.britishaudioservice.com. I
believe that is where you will find Shane Radtke, who is an expert on
repairing them."--Kim Flint

I've had Shane do some EDP work, his turnaround time was a few days at
the time, not counting shipping to and from.

TravisH


On 11/18/05, Dave Lauzon <davelauz@hotmail.com> wrote:
>
>
>
>
>
> Hi,
>
> Its been a long long time since I posted anything here, but I've always
> found this list to be a great resource of information so I thought I'd as=
k
> here.
>
> I've got a Gibson Echoplex, circa 1999 2000 maybe.  not quite sure althou=
gh
> I bought it new. I believe... Its loop 3 v.5 software.  I realize there's
> been a software upgrade and I'm thinking of going that way.
>
> It has served me really well and I certainly put it through quite a lot o=
f
> use on the road 200 nights a year for 4 years.
>
> So here's my problem.  Lately I'm finding that it is REALLY noisy.  I can
> also get more noise out of it by tapping it.
>
> I've called Gibson, and I guess the one guy who is responsible for this
> product is too busy to return my calls.  I bought it in Canada and the
> distributor tells me they wouldn't know what to do with it so they'd
> probably send it to gibson.
>
> Bottom line is that I use this thing every day proffesionally and I can't
> afford to be without it for four months while it sits on a shelf somewher=
e.
> I'm just wondering if anyone has had a similar experience and if it is a
> simple fix like replacing the RAM or upgrading the software.  Any input
> would be greatly appreciated.
>
> Thanks,
>
> Dave
>
>

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Date: Fri, 18 Nov 2005 08:18:57 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP "NextLoop" question.
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It's an old list and setting up discussion board software takes time
and effort which the list owner is unwilling to put forth.  And I
think a switchover at this point would result in the volume of info in
the old archive not being migrated.

TravisH

On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:

> I know I come in and out on this list, but the massive amounts of
> email it generates can be overwhelming. Why doesnt this site uses a
> standard discussion board format?
> Just curious.
> Thanks
> Chris
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:20:26 2005
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Chris Sewell wrote:

> I am running a new EDP with loop 4. Multiloops is set to 2. With  
> either autorecord or loop copy function on, Loop 2 will only play  
> once, then it will automatically switch back to loop one, which will  
> loop indefinetly. I can find this mentioned in the huge manual. Ive  
> searched the archive to no avail. Any ideas? Possible bug?
> Thanks guys.
>
> I know I come in and out on this list, but the massive amounts of  
> email it generates can be overwhelming. Why doesnt this site uses a  
> standard discussion board format?
> Just curious.
> Thanks
> Chris
>
>
Not an answer, but I'm finding joy in using the pdf manual on my 
computer screen.  A "word" search can zip you all around, 
cross-referencing _very_ quickly. 

Bernhard said:

>The new Loop IV manual integrates the Loop IV features:
>http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:21:06 2005
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: EDP "NextLoop" question.
Date: Fri, 18 Nov 2005 11:19:15 -0500
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Understood. Makes perfect sense. Any clue on my first question?
On Nov 18, 2005, at 11:18 AM, Travis Hartnett wrote:

> It's an old list and setting up discussion board software takes time
> and effort which the list owner is unwilling to put forth.  And I
> think a switchover at this point would result in the volume of info in
> the old archive not being migrated.
>
> TravisH
>
> On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
>
>
>> I know I come in and out on this list, but the massive amounts of
>> email it generates can be overwhelming. Why doesnt this site uses a
>> standard discussion board format?
>> Just curious.
>> Thanks
>> Chris
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:23:11 2005
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Subject: Re: EDP "NextLoop" question.
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Chris Sewell wrote:
> I am running a new EDP with loop 4. Multiloops is set to 2. With  either 
> autorecord or loop copy function on, Loop 2 will only play  once, then 
> it will automatically switch back to loop one, which will  loop 
> indefinetly. I can find this mentioned in the huge manual. Ive  searched 
> the archive to no avail. Any ideas? Possible bug?

It sounds like you have SamplerStyle set to Once.  Try setting
it to Run or Start.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:24:30 2005
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Perhaps "SamplerStyle=One?"  See pg 83 in pdf manual.

Chris Sewell wrote:

> Understood. Makes perfect sense. Any clue on my first question?
> On Nov 18, 2005, at 11:18 AM, Travis Hartnett wrote:
>
>> It's an old list and setting up discussion board software takes time
>> and effort which the list owner is unwilling to put forth.  And I
>> think a switchover at this point would result in the volume of info in
>> the old archive not being migrated.
>>
>> TravisH
>>
>> On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
>>
>>
>>> I know I come in and out on this list, but the massive amounts of
>>> email it generates can be overwhelming. Why doesnt this site uses a
>>> standard discussion board format?
>>> Just curious.
>>> Thanks
>>> Chris
>>>
>>>
>>>
>>
>>
>>
>>
>
>
>

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Date: Fri, 18 Nov 2005 08:32:59 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP "NextLoop" question.
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Sounds like you've got the SamplerStyle parameter engaged.  For what
you want I think it needs to be set to zero or off, I'm not near the
manual right now.

TravisH

On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
> Understood. Makes perfect sense. Any clue on my first question?
> On Nov 18, 2005, at 11:18 AM, Travis Hartnett wrote:
>
> > It's an old list and setting up discussion board software takes time
> > and effort which the list owner is unwilling to put forth.  And I
> > think a switchover at this point would result in the volume of info in
> > the old archive not being migrated.
> >
> > TravisH
> >
> > On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
> >
> >
> >> I know I come in and out on this list, but the massive amounts of
> >> email it generates can be overwhelming. Why doesnt this site uses a
> >> standard discussion board format?
> >> Just curious.
> >> Thanks
> >> Chris
> >>
> >>
> >>
> >
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:34:01 2005
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: EDP "NextLoop" question.
Date: Fri, 18 Nov 2005 11:32:06 -0500
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Thanks guys. As usual, a big help.

On Nov 18, 2005, at 11:32 AM, Travis Hartnett wrote:

> Sounds like you've got the SamplerStyle parameter engaged.  For what
> you want I think it needs to be set to zero or off, I'm not near the
> manual right now.
>
> TravisH
>
> On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
>
>> Understood. Makes perfect sense. Any clue on my first question?
>> On Nov 18, 2005, at 11:18 AM, Travis Hartnett wrote:
>>
>>
>>> It's an old list and setting up discussion board software takes time
>>> and effort which the list owner is unwilling to put forth.  And I
>>> think a switchover at this point would result in the volume of  
>>> info in
>>> the old archive not being migrated.
>>>
>>> TravisH
>>>
>>> On 11/18/05, Chris Sewell <chris@gguitars.com> wrote:
>>>
>>>
>>>
>>>> I know I come in and out on this list, but the massive amounts of
>>>> email it generates can be overwhelming. Why doesnt this site uses a
>>>> standard discussion board format?
>>>> Just curious.
>>>> Thanks
>>>> Chris
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>>
>>>
>>>
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 16:57:52 2005
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From: "joe rut" <joerut@lycos.com>
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Subject: Re: Gibson Echoplex Noise problem
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Dave-

Could you describe exactly how and when the noise occurs and what it sounds=
 like?  I had an EDP noise problem recently that (despite my=20
adamant assertions to the contrary) turned out to be partially gain stage s=
etting related.  I was not able to make my problem go away, but found it=20
could be attenuated by setting the input and output gain differently.

Joe Rut


----- Original Message -----
From: "Dave Lauzon" <davelauz@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Gibson Echoplex Noise problem
Date: Fri, 18 Nov 2005 10:42:19 -0500

> Hi,
>=20
> Its been a long long time since I posted anything here, but I've always
> found this list to be a great resource of information so I thought I'd
> ask here.
>=20
> I've got a Gibson Echoplex, circa 1999 2000 maybe.  not quite sure
> although I bought it new. I believe... Its loop 3 v.5 software.  I
> realize there's been a software upgrade and I'm thinking of going that
> way. It has served me really well and I certainly put it through quite a =
lot
> of use on the road 200 nights a year for 4 years.
>=20
> So here's my problem.  Lately I'm finding that it is REALLY noisy.  I can
> also get more noise out of it by tapping it. I've called Gibson,=20
> and I guess the one guy who is responsible for this
> product is too busy to return my calls.  I bought it in Canada and the
> distributor tells me they wouldn't know what to do with it so they'd
> probably send it to gibson.
>=20
> Bottom line is that I use this thing every day proffesionally and I can't
> afford to be without it for four months while it sits on a shelf
> somewhere.  I'm just wondering if anyone has had a similar experience and
> if it is a simple fix like replacing the RAM or upgrading the=20
> software. Any input would be greatly appreciated. Thanks,
>=20
> Dave

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 18:30:08 2005
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Chris,

> Why doesnt this site uses a   
> standard discussion board format?

Because a mailing list is about 100 times more user-friendly!

And to answer your question: Take a look at your 'Sampler Style' 
setting. It should probably be set to 'Start' or 'Run', not 'Once'

-- 

  Ian Petersen


From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 19:13:53 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 13:03:53 -0600
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thanks for the interest. im adrian by the way:-)

im on the lookout for a hardware version for live purposes just like  
u r. i was guided to a product called 34One that does tap tempo (with  
ur foot) while outputting the tapped tempo in midiclock.
it also accepts continuous tapping while updating the changing  
midiclock tempo.
so i was thinking that i could just electronically replace the switch  
that ur foot taps with a pulse trigger  from a drum kit, say. i wrote  
to them in germany and they told me that they actually have a sapce  
on the pc board to insert that. GREAT!
BUT
they also said that it HAD to be ON the 1/4 note.
what drummer only plays 1/4 notes!!! arrrrgggghhhhh.

so what i may need to build (i AM quite handy with electronics), is  
an interface with the LOGIC logic built in and then feed the unit the  
quarter note output of the translated tempo from the drummer.
i wish, really wish they would do this. cause its VERY simple to do  
if u know anything about electronics and THEY DO.
bummer. why do manufacturers always fall short. its like they dont  
connect with real musicians.

but hey, maybe ill get rich.
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 18, 2005, at 4:48 AM, loop.pool wrote:

> Andrew wrote:
>
> "this thread is entering into misinformed territory"
>
>
> Dear Andrew,  thanks a lot for the description of how Logic Audio's  
> tempo driving mechanism works.
>
> Would you be into posting an example of how this works in a live  
> situation?
>
> The proof is in the pudding as they say.      I'm mildly skeptical,  
> but it's important to be open minded since
> technology is evolving at such a rapid pace.    I'm perfectly  
> willing to drop my own preconceptions about it
> being a bit of a technophile, myself.   Your description of how it  
> works sounds fascinating and sounds like it
> might work really well.
>
> Thanks for your post.   I look forward to hearing some examples of  
> it live in action.    You can write me offlist if you don't have  
> the ability to host an example on line...............I'll set up a  
> webpage for you to upload it to if you'd like.
>
> yours, sincerely,   Rick Walker


--Apple-Mail-4--585388921
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">thanks for the interest. im =
adrian by the way:-)<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>im on the lookout for a =
hardware version for live purposes just like u r. i was guided to a =
product called 34One that does tap tempo (with ur foot) while outputting =
the tapped tempo in midiclock.</DIV><DIV>it also accepts continuous =
tapping while updating the changing midiclock tempo.</DIV><DIV>so i was =
thinking that i could just electronically replace the switch that ur =
foot taps with a pulse trigger=A0 from a drum kit, say. i wrote to them =
in germany and they told me that they actually have a sapce on the pc =
board to insert that. GREAT!</DIV><DIV>BUT</DIV><DIV>they also said that =
it HAD to be ON the 1/4 note.</DIV><DIV>what drummer only plays 1/4 =
notes!!! arrrrgggghhhhh.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>so what i may need to =
build=A0(i AM quite handy with electronics), is an interface with the =
LOGIC logic built in and then feed the unit the quarter note output of =
the translated tempo from the drummer.</DIV><DIV>i wish, really wish =
they would do this. cause its VERY simple to do if u know anything about =
electronics and THEY DO.</DIV><DIV>bummer. why do manufacturers always =
fall short. its like they dont connect with real =
musicians.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>but =
hey, maybe ill get rich.</DIV><DIV><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 18, 2005, at 4:48 AM, loop.pool =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Andrew wrote:</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"this =
thread is entering into misinformed territory"</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dear =
Andrew,<SPAN class=3D"Apple-converted-space">=A0 </SPAN>thanks a lot for =
the description of how Logic Audio's tempo driving mechanism =
works.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Would you be into posting an example of how this =
works in a live situation?</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">The proof is in the pudding as =
they say.<SPAN class=3D"Apple-converted-space">=A0 =A0 =A0 </SPAN>I'm =
mildly skeptical, but it's important to be open minded since</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">technology is evolving at such a rapid pace.<SPAN =
class=3D"Apple-converted-space">=A0 =A0 </SPAN>I'm perfectly willing to =
drop my own preconceptions about it</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">being a bit =
of a technophile, myself. <SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>Your description of how it works sounds fascinating and sounds =
like it</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">might work really =
well.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thanks for your post. <SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>I look forward to hearing =
some examples of it live in action.<SPAN class=3D"Apple-converted-space">=A0=
 =A0 </SPAN>You can write me offlist if you don't have the ability to =
host an example on line...............I'll set up a webpage for you to =
upload it to if you'd like.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">yours, sincerely, <SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>Rick Walker<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-4--585388921--

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 13:12:05 -0600
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yes Live 5 does a better job of varying the sample rate without  
change in pitch WAAAY better than logic does. but it does not do any  
tempo interpreting itself.
logics interprreter is blowmind. if i really want to setup a computer  
onstage for the interpretation, all i have to do is get an Alesis D4  
andx it would translate any analog pulse from a trigger on a drum to  
any midinote i desire. this can then be sent to logic and voila i  
have midiclock output following my drummer.
but alas i dont have the processing power to run both logic AND Live5  
(which is what this is all for as i want to trigger samples and  
basslines and and have them follow the bands timing)
logic does not do this very well and i was force to buy Live5 as i  
could assign any sample to be triggered externally from any button on  
my FCB1010.
plus the added benefit of samples not deteriorating with moderate  
changes in tempo.

i guess it could be done and have logic drive the tempo of Live5  
internally but something tells me its not the safest thing to rely on  
in a live situation u know what i mean?


___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 18, 2005, at 5:42 AM, Per Boysen wrote:

> On Nov 17, 2005, at 20:59, Adrian Bartholomew wrote:
>
>> what i have wanted for a long time is a hardware version of this  
>> that could work on analog pulse input instead of midi.
>> this would enable my drummer to DICTATE the tempo.
>> it worked in my studio on a prerecorded piece driven by a drummer  
>> playing midi pads so i dont see why the same logic would not work  
>> with different input types. same thing really.
>>
>> "logic audio" algorithm, non midi trigger inputs.
>
>
> If you care to set up a computer on stage the software Circular  
> Logic seem to do that i real-time. Below I'm pasting in an earlier  
> post to this list by the application's developer Michael Stauffer,  
> so you can read up for yourself and eventually follow the links to  
> watch the demo movies.
>
> Regarding the tempo track and re-clocking functions of Logic I have  
> used them quite successfully for recorded audio, but I wouldn't  
> even think about trying it out for a live audio input. Actually I  
> have found, when producing recorded music, that I get better tempo  
> sync in Logic, to a recorded piece of music, when listening and  
> simply draw the tempo curve on the screen exactly the way I would  
> have played it if I was a drummer. Now I'm even a lousy Virtual  
> Drummer, so this method takes a lot of time. But it's better  
> because you can regain a little of what is lost in any tempo  
> following algorithm: the human perception and implementation of  
> gestures (that's where the fun is IMHO). Sometimes it feels good to  
> bring up the tempo map just a little bit before the recorded live  
> audio goes up in tempo and vice verca - only to balance the never  
> ending interplay between DRIVING and BEING DRIVEN so it kind of  
> creates a "dialogue" between the recorded audio and whatever is  
> happening in Logic (the stuff we're "syncing").
>
> BTW I presume Live5 does this syncing up midi to recorded material  
> better than Logic at the moment.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>
> On Sep 14, 2004, at 19:33, Michael Stauffer wrote:
>> Hey Griff,
>>
>> I'm the developer with the Circular Logic software InTime. Yes,  
>> you can
>> set InTime up to follow a live drummer, either by using mic's and
>> audio-to-midi software, or by using relatively inexpensive drum
>> triggers - there's a discussion about setting up InTime with a  
>> drummer on
>> our site:
>> http://www.circular-logic.com/docs/Drummer_setup_tips.html
>>
>> As for Live, I've been messing with it myself for doing the kind of
>> tempo-changing live-looping you're talking about - really cool  
>> software.
>> The InTime video demo on our site actually uses Live to playback  
>> loops
>> with tempo-changing while I play guitar:
>> http://www.circular-logic.com/videos.html
>>
>> You've probably read already in this list that the setup for remote
>> control in Live is awkward in some ways, and I recommend using  
>> Control
>> Aid to simplify any midi-trigger setup you use.
>>
>> Ableton Live will do all the time-stretching, really nicely, like you
>> hope, but there are two catches when using it with something like  
>> InTime
>>
>> 1) Live doesn't get the "warp points" (the sync points) of a loop
>> correctly when the loop is recorded while the tempo is changing.  
>> So, if
>> you record while InTime is changing the tempo, the loop doesn't  
>> play back
>> in sync after you've finished recording it. I've tested this  
>> problem by
>> using sources of tempo change other than InTime, and it's an  
>> oversight in
>> Live's programming. It should be relatively easy for them to fix -  
>> since
>> Live always know the tempo and the location of the beat during  
>> recording,
>> it should be able to set the warp points using this information.  
>> Instead,
>> after you record a loop while the tempo is changing, Live seems to  
>> treat
>> it as a loop with overall steady tempo, and thus gets the warp points
>> wrong. I've told Ableton about this problem, but if you were also  
>> to let
>> them know that this is a drawback for you, it might help speed  
>> them along
>> their way to fixing it. :)  I posted a message about this in the user
>> forum a couple months back if you want to look at it in more  
>> detail, or
>> just ask me. It's pretty easy to workarond this, though - you can  
>> setup a
>> midi trigger to disable/enable InTime's tempo-tracking, then when you
>> want to record a loop you first disable the tracking so that  
>> InTime runs
>> at a steady tempo, then reenable it when you want to jam and have the
>> drummer control the tempo.
>>
>> 2) Live averages the incoming midi clocks over about 2 beats, so its
>> response to tempo changes from InTime is somewhat dulled, but  
>> still very
>> functional, as you can see in the video demo on our site.
>>
>> InTime for Mac OS X is still in public beta, but I'm readying it for
>> release as we speak and it will be available soon.
>>
>> Let me know if you have any other questions.
>>
>> Cheers,
>> Michael
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">yes Live 5 does a better job of =
varying the sample rate without change in pitch WAAAY better than logic =
does. but it does not do any tempo interpreting itself.<DIV>logics =
interprreter is blowmind. if i really want to setup a computer onstage =
for the interpretation, all i have to do is get an Alesis D4 andx it =
would translate any analog pulse from a trigger on a drum to any =
midinote i desire. this can then be sent to logic and voila i have =
midiclock output following my drummer.</DIV><DIV>but alas i dont have =
the processing power to run both logic AND Live5 (which is what this is =
all for as i want to trigger samples and basslines and and have them =
follow the bands timing)</DIV><DIV>logic does not do this very well and =
i was force to buy Live5 as i could assign any sample to be triggered =
externally from any button on my FCB1010.</DIV><DIV>plus the added =
benefit of samples not deteriorating with moderate changes in =
tempo.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>i =
guess it could be done and have logic drive the tempo of Live5 =
internally but something tells me its not the safest thing to rely on in =
a live situation u know what i mean?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 18, 2005, at 5:42 AM, Per Boysen =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On Nov 17, 2005, at 20:59, =
Adrian Bartholomew wrote:</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">what i =
have wanted for a long time is a hardware version of this that could =
work on analog pulse input instead of midi.</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">this =
would enable my drummer to DICTATE the tempo.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">it worked in my studio on a prerecorded piece driven =
by a drummer playing midi pads so i dont see why the same logic would =
not work with different input types. same thing really.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"logic =
audio" algorithm, non midi trigger inputs.</DIV> </BLOCKQUOTE><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">If you care =
to set up a computer on stage the software Circular Logic seem to do =
that i real-time. Below I'm pasting in an earlier post to this list by =
the application's developer Michael Stauffer, so you can read up for =
yourself and eventually follow the links to watch the demo =
movies.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Regarding the tempo track and re-clocking functions =
of Logic I have used them quite successfully for recorded audio, but I =
wouldn't even think about trying it out for a live audio input. Actually =
I have found, when producing recorded music, that I get better tempo =
sync in Logic, to a recorded piece of music, when listening and simply =
draw the tempo curve on the screen exactly the way I would have played =
it if I was a drummer. Now I'm even a lousy Virtual Drummer, so this =
method takes a lot of time. But it's better because you can regain a =
little of what is lost in any tempo following algorithm: the human =
perception and implementation of gestures (that's where the fun is =
IMHO). Sometimes it feels good to bring up the tempo map just a little =
bit before the recorded live audio goes up in tempo and vice verca - =
only to balance the never ending interplay between DRIVING and BEING =
DRIVEN so it kind of creates a "dialogue" between the recorded audio and =
whatever is happening in Logic (the stuff we're "syncing").</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">BTW I =
presume Live5 does this syncing up midi to recorded material better than =
Logic at the moment.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Greetings from Sweden</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">---&gt;<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>iTunes Music Store =
(digital)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.cdbaby.com/perboysen</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Sep =
14, 2004, at 19:33, Michael Stauffer wrote:</DIV> <BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hey Griff,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I'm the =
developer with the Circular Logic software InTime. Yes, you =
can</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">set InTime up to follow a live =
drummer, either by using mic's and</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">audio-to-midi =
software, or by using relatively inexpensive drum</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">triggers - there's a discussion about setting up =
InTime with a drummer on</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">our =
site:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.circular-logic.com/docs/Drummer_setup_tips.html">http:/=
/www.circular-logic.com/docs/Drummer_setup_tips.html</A></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">As for =
Live, I've been messing with it myself for doing the kind of</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">tempo-changing live-looping you're talking about - =
really cool software.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">The InTime video demo on =
our site actually uses Live to playback loops</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">with tempo-changing while I play guitar:</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><A =
href=3D"http://www.circular-logic.com/videos.html">http://www.circular-log=
ic.com/videos.html</A></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">You've probably read already in =
this list that the setup for remote</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">control in =
Live is awkward in some ways, and I recommend using Control</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Aid to simplify any midi-trigger setup you =
use.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Ableton Live will do all the time-stretching, really =
nicely, like you</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">hope, but there are two catches =
when using it with something like InTime</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">1) Live =
doesn't get the "warp points" (the sync points) of a loop</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">correctly when the loop is recorded while the tempo =
is changing. So, if</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">you record while InTime is =
changing the tempo, the loop doesn't play back</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">in sync after you've finished recording it. I've =
tested this problem by</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">using sources of tempo =
change other than InTime, and it's an oversight in</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Live's programming. It should be relatively easy for =
them to fix - since</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Live always know the tempo =
and the location of the beat during recording,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">it should be able to set the warp points using this =
information. Instead,</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">after you record a loop =
while the tempo is changing, Live seems to treat</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">it as a loop with overall steady tempo, and thus =
gets the warp points</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">wrong. I've told Ableton =
about this problem, but if you were also to let</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">them know that this is a drawback for you, it might =
help speed them along</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">their way to fixing it. =
:)<SPAN class=3D"Apple-converted-space">=A0 </SPAN>I posted a message =
about this in the user</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">forum a couple months back =
if you want to look at it in more detail, or</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">just ask me. It's pretty easy to workarond this, =
though - you can setup a</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">midi trigger =
to disable/enable InTime's tempo-tracking, then when you</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">want to record a loop you first disable the tracking =
so that InTime runs</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">at a steady tempo, then =
reenable it when you want to jam and have the</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">drummer control the tempo.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">2) Live =
averages the incoming midi clocks over about 2 beats, so its</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">response to tempo changes from InTime is somewhat =
dulled, but still very</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">functional, as you can see =
in the video demo on our site.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">InTime for Mac OS X is still in =
public beta, but I'm readying it for</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">release as we =
speak and it will be available soon.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Let me know if you have any =
other questions.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Michael</DIV> =
</BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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     Bill,

     When you see this Bose guy again, perhaps you could put in a plea for a "stereo PAS", that is
a single PAS with every other speaker putting out L or R signal.  All this would take is an
additional amp inside the unit.

     Now I'm acutely aware of the fallacy of having a stereo field on the soundstage of most
performance venues.  Even if it does work for the performers on stage, it may not translate as
much of an improvement to the audience.  

     However, most keyboardists suffer from the fact that stereo acoustic piano samples sound
terrible in mono.  This is true with just about every piano sample out there in all the big names
brands (Kurzweil, Korg, Yamaha, Roland, Alesis, etc.)  Even the so-called "mono pianos" sound
terrible.  All it takes is separating the two channels in acoustic space to get the piano samples
to sound halfway decent.  This can be done within a PAS I'm pretty sure.

     Then again, stereo chorus effects, as well as a host of other ambient or panning effects will
come through stronger with a single source stereo PAS compared to a mono one.

     Again, it's not about creating a stereo sound stage with separation between the channels. 
It's about giving the L and R channels their own physical space to emerge from, regardless of how
close in proximity they are to each other.

     Anyone else have any thoughts or experience with this matter?

     Greetings from sunny Seattle,

         Stephen



     BillyBoyWalker wrote:
  Yo,
Two nights ago I played test pilot for Rick Turner and an engineer from Bose labororatories.
<snip>






		
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Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 19:22:30 2005
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Subject: Re: Loopers-Delight-d Digest V05 #746
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     Warren,

     Naming can be a very powerful thing.  Especially if you are able to describe within the name
what is unique about the object to be named.  Secondarily, the name can be pleasant to the ear, or
at least memorable.  Associations with other products is usually not desireable.

     When I hear the name AccuLoop, my mind immediately goes to all the cheaply designed and built
woodworking tools from overseas.  "Accu" as a prefix, just doesn't instill confidence in a
product, at least to this boy.

     Naming your looper has the potential to make it or break it.  A good example is the software
called Chopitch.  Does it mean that your chops will start itching?

     Good luck finding an appropriate name for it.  Currently, AccuLoop doesn't do much for me.

     Regards,

         Stephen




     Warren wrote:
It's a little hard for me to complete the docs, though, because I'm at sea for a name. I'm
thinking maybe AccuLoop. Whaddya think? (that, totally without an explanation of what makes it
special, is not exactly an easy question - but whether the name should be related to the specific
features or not is also not an easy one).
 


		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 19:30:57 2005
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Date: Fri, 18 Nov 2005 11:30:55 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: DRIVE the LOOP or be DRIVEN?
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My guess is that they considered the market share they'd gain versus
the amount of development, testing and implementation time (whenever I
see someone say that "It would be SO EASY for SOMEONE ELSE to make
something FOR ME", I know that it's almost certain that we're talking
about a non-trivial problem) and decided that it wasn't worth it.

TravisH

On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> thanks for the interest. im adrian by the way:-)
>
> im on the lookout for a hardware version for live purposes just like u r.=
 i
> was guided to a product called 34One that does tap tempo (with ur foot)
> while outputting the tapped tempo in midiclock.
> it also accepts continuous tapping while updating the changing midiclock
> tempo.
> so i was thinking that i could just electronically replace the switch tha=
t
> ur foot taps with a pulse trigger  from a drum kit, say. i wrote to them =
in
> germany and they told me that they actually have a sapce on the pc board =
to
> insert that. GREAT!
> BUT
> they also said that it HAD to be ON the 1/4 note.
> what drummer only plays 1/4 notes!!! arrrrgggghhhhh.
>
> so what i may need to build (i AM quite handy with electronics), is an
> interface with the LOGIC logic built in and then feed the unit the quarte=
r
> note output of the translated tempo from the drummer.
> i wish, really wish they would do this. cause its VERY simple to do if u
> know anything about electronics and THEY DO.
> bummer. why do manufacturers always fall short. its like they dont connec=
t
> with real musicians.
>
> but hey, maybe ill get rich.
>
> ___
> Adrian Bartholomew

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 20:38:14 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 14:38:11 -0600
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normally yes but not in this case.
remember im going to make it if its not available.

and if u r saying that a device that could slave machines to a human  
drummer is trivial and not commercially viable just cause no one MADE  
it yet, ur mistaken.
certain things r just common sense no brainers.
if everyone thought that way, there'd never have been things like the  
EDP in the 1st place.
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 18, 2005, at 1:30 PM, Travis Hartnett wrote:

> My guess is that they considered the market share they'd gain versus
> the amount of development, testing and implementation time (whenever I
> see someone say that "It would be SO EASY for SOMEONE ELSE to make
> something FOR ME", I know that it's almost certain that we're talking
> about a non-trivial problem) and decided that it wasn't worth it.
>
> TravisH
>
> On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
>> thanks for the interest. im adrian by the way:-)
>>
>> im on the lookout for a hardware version for live purposes just  
>> like u r. i
>> was guided to a product called 34One that does tap tempo (with ur  
>> foot)
>> while outputting the tapped tempo in midiclock.
>> it also accepts continuous tapping while updating the changing  
>> midiclock
>> tempo.
>> so i was thinking that i could just electronically replace the  
>> switch that
>> ur foot taps with a pulse trigger  from a drum kit, say. i wrote  
>> to them in
>> germany and they told me that they actually have a sapce on the pc  
>> board to
>> insert that. GREAT!
>> BUT
>> they also said that it HAD to be ON the 1/4 note.
>> what drummer only plays 1/4 notes!!! arrrrgggghhhhh.
>>
>> so what i may need to build (i AM quite handy with electronics),  
>> is an
>> interface with the LOGIC logic built in and then feed the unit the  
>> quarter
>> note output of the translated tempo from the drummer.
>> i wish, really wish they would do this. cause its VERY simple to  
>> do if u
>> know anything about electronics and THEY DO.
>> bummer. why do manufacturers always fall short. its like they dont  
>> connect
>> with real musicians.
>>
>> but hey, maybe ill get rich.
>>
>> ___
>> Adrian Bartholomew
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">normally yes but not in this =
case.<DIV>remember im going to make it if its not =
available.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>and =
if u r saying that a device that could slave machines to a human drummer =
is trivial and not commercially viable just cause no one MADE it yet, ur =
mistaken.</DIV><DIV>certain things r just common sense no =
brainers.</DIV><DIV>if everyone thought that way, there'd never have =
been things like the EDP in the 1st place.<BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 18, 2005, at 1:30 PM, Travis Hartnett =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">My guess is that they considered =
the market share they'd gain versus</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the amount of =
development, testing and implementation time (whenever I</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">see someone say that "It would be SO EASY for =
SOMEONE ELSE to make</DIV><DIV style=3D"margin-top: 0px; margin-right: =
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margin-left: 0px; ">On 11/18/05, Adrian Bartholomew &lt;<A =
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wrote:</DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
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min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">im on the =
lookout for a hardware version for live purposes just like u r. =
i</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">was guided to a product called 34One that does =
tap tempo (with ur foot)</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">while =
outputting the tapped tempo in midiclock.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">it also =
accepts continuous tapping while updating the changing =
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replace the switch that</DIV><DIV style=3D"margin-top: 0px; =
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sapce on the pc board to</DIV><DIV style=3D"margin-top: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">so what i may need to build (i AM quite handy with =
electronics), is an</DIV><DIV style=3D"margin-top: 0px; margin-right: =
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logic built in and then feed the unit the quarter</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">note output of the translated tempo from the =
drummer.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">i wish, really wish they would =
do this. cause its VERY simple to do if u</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">know =
anything about electronics and THEY DO.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">bummer. =
why do manufacturers always fall short. its like they dont =
connect</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">with real musicians.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">but hey, =
maybe ill get rich.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">___</DIV><DIV style=3D"margin-top:=
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14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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Date: Fri, 18 Nov 2005 12:41:30 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: DRIVE the LOOP or be DRIVEN?
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No-one thought the EDP was going to be a simple job.  Well, maybe
Electrix did...

On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> normally yes but not in this case.
> remember im going to make it if its not available.
>
> and if u r saying that a device that could slave machines to a human drum=
mer
> is trivial and not commercially viable just cause no one MADE it yet, ur
> mistaken.
> certain things r just common sense no brainers.
> if everyone thought that way, there'd never have been things like the EDP=
 in
> the 1st place.
>
> ___
> Adrian Bartholomew
> 8439 Lee Blvd
> Leawood, KS 66206
> (913) 660-6918
>
>
> On Nov 18, 2005, at 1:30 PM, Travis Hartnett wrote:
>
> My guess is that they considered the market share they'd gain versus
> the amount of development, testing and implementation time (whenever I
> see someone say that "It would be SO EASY for SOMEONE ELSE to make
> something FOR ME", I know that it's almost certain that we're talking
> about a non-trivial problem) and decided that it wasn't worth it.
>
> TravisH
>
> On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> thanks for the interest. im adrian by the way:-)
>
> im on the lookout for a hardware version for live purposes just like u r.=
 i
> was guided to a product called 34One that does tap tempo (with ur foot)
> while outputting the tapped tempo in midiclock.
> it also accepts continuous tapping while updating the changing midiclock
> tempo.
> so i was thinking that i could just electronically replace the switch tha=
t
> ur foot taps with a pulse trigger  from a drum kit, say. i wrote to them =
in
> germany and they told me that they actually have a sapce on the pc board =
to
> insert that. GREAT!
> BUT
> they also said that it HAD to be ON the 1/4 note.
> what drummer only plays 1/4 notes!!! arrrrgggghhhhh.
>
> so what i may need to build (i AM quite handy with electronics), is an
> interface with the LOGIC logic built in and then feed the unit the quarte=
r
> note output of the translated tempo from the drummer.
> i wish, really wish they would do this. cause its VERY simple to do if u
> know anything about electronics and THEY DO.
> bummer. why do manufacturers always fall short. its like they dont connec=
t
> with real musicians.
>
> but hey, maybe ill get rich.
>
> ___
> Adrian Bartholomew
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 21:29:51 2005
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Date: Fri, 18 Nov 2005 13:29:48 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Eno gear
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Eno going software, eh?  Interesting.  I'm going
through a similar process.  I hate it when he copies
me.  Now if I could only get rid of the inflateable
pig I picked up at the Rodger Waters garage sale...

--- Aptrev@aol.com wrote:

> 
> In case yoou missed it:
> 
>
http://musicthing.blogspot.com/2005/11/brian-eno-is-selling-lots-of-gear.html
> 
> regards
> 
> BobC
> 
> 
> 
> http://www.cdbaby.com/rpcollier2
> http://www.cdbaby.com/rpcollier
> http://trundlebox.iuma.com
> http://tinyurl.com/cr25j
> 
> 



		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 21:42:02 2005
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Date: Fri, 18 Nov 2005 13:42:00 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: tunes
To: Loopers-Delight@loopers-delight.com
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Great stuff!  Thanks.  They shall live on my iPod...

--- ivan <ivan@triangulizona.com> wrote:

> Hello all!
>  
> Here are two new tunes from us. Free for
> downloading…
>  
> MORH I
>  
> http://www.triangulizona.com/mp3/arendered.mp3
>  
> and
>  
> MORH II
>  
> http://www.triangulizona.com/mp3/brendered.mp3
>  
>  
> It was recorded on Net MD Sony / MZ N710 with small
> 4chanell noname
> mixer
>  
> Loop gear was Boss DD 20.
>  
> Everything were live performance. 
>  
> Regards… 
>  
>  
> ivan kapec
> ivan@triangulizona.com
> www.triangulizona.com
> <http://www.triangulizona.com/> 
>  
>  
> 



		
__________________________________ 
Start your day with Yahoo! - Make it your home page! 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 21:54:57 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: Naming a software looper
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Thanks, Stephen. I agree with you that names are important. That's why I'm
struggling with it.

I had a dream right before I woke up this morning - I don't remember what
the dream was about, but one word was prominent in it: Helio. It doesn't
have anything to do with looping, but then neither does Ableton (many other
products are not named to reflect their capabilities). A dictionary search
reveals that "Helios" was the god of the sun or something like that.

So there's one name. Another that I thought of was MultiLoop, but I'm not
sure how well that really reflects anything. I also thought of "FNEZ Looper"
(read it out loud), but that's a bit on the crude side, I guess. One person
I talked to liked it, someone else cringed. Cringing is not good.

The things that are most unique about this looper (I think, I hope) are:

- instant gratification, easy learning curve
- Can be operated in hands-free mode; works with most footcontrollers (but a
multi-bank footcontroller is best; basic functions can be in the first bank,
advanced functions in others)
- CD-quality, stereo looping
- loop layers are independently mutable and re-mixable
- built in digital multitrack recorder makes pristine recordings of your
live playing, your loops and aux inputs (like the people you're playing
with)
- peak limiting on the output. In later versions, different forms of
multiband compression will be supported
- with a touch of your toe (here I go into marketing-speak), you can save
all the loops into individual files for later processing with Acid or the
DAW of your choice.
- PC (XP) and MAC (OS/X)
- affordability - I anticipate 3 versions, one at $89 or so, one at $199 and
one at $299.
- support for VST plugins to modify the input to the looper and the total
mix output

At present, it's a fairly basic looper/recorder. In addition to the basic
looper, reverse is there, as well as continuously-varying playback speed,
controlled by footpedal or mouse (the pitch changes, but it's a pretty good
effect). But the architecture is very solid, and I expect to be adding fancy
effects rapidly once I get past the initial hurdles of documentation,
installers, security (I hate dealing with sw security, but you gotta do it),
press releases and all that stuff.

I put a couple of screenshots up at www.warrensirota.com/looper so you can
get a better idea.

I'd love naming suggestions suggestions and votes on the ones I've got:
Helio (or Helios) and MultiLoop.

Thanks,
Warren Sirota
www.warrensirota.com


> -----Original Message-----
> From: S V G [mailto:vsyevolod@yahoo.com] 
> Sent: Friday, November 18, 2005 2:22 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Loopers-Delight-d Digest V05 #746
> 
> 
> 
>      Warren,
> 
>      Naming can be a very powerful thing.  Especially if you 
> are able to describe within the name what is unique about the 
> object to be named.  Secondarily, the name can be pleasant to 
> the ear, or at least memorable.  Associations with other 
> products is usually not desireable.
> 
>      When I hear the name AccuLoop, my mind immediately goes 
> to all the cheaply designed and built woodworking tools from 
> overseas.  "Accu" as a prefix, just doesn't instill 
> confidence in a product, at least to this boy.
> 
>      Naming your looper has the potential to make it or break 
> it.  A good example is the software called Chopitch.  Does it 
> mean that your chops will start itching?
> 
>      Good luck finding an appropriate name for it.  
> Currently, AccuLoop doesn't do much for me.
> 
>      Regards,
> 
>          Stephen
> 
> 
> 
> 
>      Warren wrote:
> It's a little hard for me to complete the docs, though, 
> because I'm at sea for a name. I'm thinking maybe AccuLoop. 
> Whaddya think? (that, totally without an explanation of what 
> makes it special, is not exactly an easy question - but 
> whether the name should be related to the specific features 
> or not is also not an easy one).
>  
> 
> 
> 		
> __________________________________ 
> Start your day with Yahoo! - Make it your home page! 
> http://www.yahoo.com/r/hs
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:02:10 2005
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From: Travis Hartnett <travishartnett@gmail.com>
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Have you considered Fripp-In-A-Box?  I hear the licensing rights are
dead cheap on that one.

On 11/18/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
>
> I'd love naming suggestions suggestions and votes on the ones I've got:
> Helio (or Helios) and MultiLoop.
>
> Thanks,
> Warren Sirota
> www.warrensirota.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:05:29 2005
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>      Naming your looper has the potential to make it or break 
> it.  A good example is the software
>called Chopitch.  Does it mean that your chops will start itching?

ah..
but you will remember it for ever :-)

Wasn't there someone who came up with the name "loopitch" for a looper?
What did you make of that?

co-incidentally, I had to purchase database software called Accuracer.
...but I don't have an opinion about what makes a good software name
..........................evidently...................................

andy butler
www.mathons.com


From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:10:53 2005
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Date: Fri, 18 Nov 2005 23:10:46 +0100
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Hi Warren, maybe you could also try using anagrams
to find something different for a name;
I just tried a few things here :
http://www.wordsmith.org/anagram/index.html

"looper" returns "leo pro" which does not say a lot
about loops but does not sound bad to me (leo =3D lion);

"soft looper" returns "fortes loop" or "eros of plot",=20

"multiloop" returned ... "opium toll" !!!

etc etc ...

Francois


-----Message d'origine-----
De : Warren Sirota [mailto:wsirota@wsdesigns.com]=20
Envoy=E9 : vendredi 18 novembre 2005 22:56
=C0 : Loopers-Delight@loopers-delight.com
Objet : Naming a software looper


Thanks, Stephen. I agree with you that names are important. That's why
I'm struggling with it.

I had a dream right before I woke up this morning - I don't remember
what the dream was about, but one word was prominent in it: Helio. It
doesn't have anything to do with looping, but then neither does Ableton
(many other products are not named to reflect their capabilities). A
dictionary search reveals that "Helios" was the god of the sun or
something like that.

So there's one name. Another that I thought of was MultiLoop, but I'm
not sure how well that really reflects anything. I also thought of "FNEZ
Looper" (read it out loud), but that's a bit on the crude side, I guess.
One person I talked to liked it, someone else cringed. Cringing is not
good.

The things that are most unique about this looper (I think, I hope) are:

- instant gratification, easy learning curve
- Can be operated in hands-free mode; works with most footcontrollers
(but a multi-bank footcontroller is best; basic functions can be in the
first bank, advanced functions in others)
- CD-quality, stereo looping
- loop layers are independently mutable and re-mixable
- built in digital multitrack recorder makes pristine recordings of your
live playing, your loops and aux inputs (like the people you're playing
with)
- peak limiting on the output. In later versions, different forms of
multiband compression will be supported
- with a touch of your toe (here I go into marketing-speak), you can
save all the loops into individual files for later processing with Acid
or the DAW of your choice.
- PC (XP) and MAC (OS/X)
- affordability - I anticipate 3 versions, one at $89 or so, one at $199
and one at $299.
- support for VST plugins to modify the input to the looper and the
total mix output

At present, it's a fairly basic looper/recorder. In addition to the
basic looper, reverse is there, as well as continuously-varying playback
speed, controlled by footpedal or mouse (the pitch changes, but it's a
pretty good effect). But the architecture is very solid, and I expect to
be adding fancy effects rapidly once I get past the initial hurdles of
documentation, installers, security (I hate dealing with sw security,
but you gotta do it), press releases and all that stuff.

I put a couple of screenshots up at www.warrensirota.com/looper so you
can get a better idea.

I'd love naming suggestions suggestions and votes on the ones I've got:
Helio (or Helios) and MultiLoop.

Thanks,
Warren Sirota
www.warrensirota.com


> -----Original Message-----
> From: S V G [mailto:vsyevolod@yahoo.com]
> Sent: Friday, November 18, 2005 2:22 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Loopers-Delight-d Digest V05 #746
>=20
>=20
>=20
>      Warren,
>=20
>      Naming can be a very powerful thing.  Especially if you
> are able to describe within the name what is unique about the=20
> object to be named.  Secondarily, the name can be pleasant to=20
> the ear, or at least memorable.  Associations with other=20
> products is usually not desireable.
>=20
>      When I hear the name AccuLoop, my mind immediately goes
> to all the cheaply designed and built woodworking tools from=20
> overseas.  "Accu" as a prefix, just doesn't instill=20
> confidence in a product, at least to this boy.
>=20
>      Naming your looper has the potential to make it or break
> it.  A good example is the software called Chopitch.  Does it=20
> mean that your chops will start itching?
>=20
>      Good luck finding an appropriate name for it.
> Currently, AccuLoop doesn't do much for me.
>=20
>      Regards,
>=20
>          Stephen
>=20
>=20
>=20
>=20
>      Warren wrote:
> It's a little hard for me to complete the docs, though,
> because I'm at sea for a name. I'm thinking maybe AccuLoop.=20
> Whaddya think? (that, totally without an explanation of what=20
> makes it special, is not exactly an easy question - but=20
> whether the name should be related to the specific features=20
> or not is also not an easy one).
> =20
>=20
>=20
> 	=09
> __________________________________
> Start your day with Yahoo! - Make it your home page!=20
> http://www.yahoo.com/r/hs
>=20
>=20




From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:17:12 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: DRIVE the LOOP or be DRIVEN?
Date: Fri, 18 Nov 2005 16:17:06 -0600
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lol.
well i never said it was.
there was a need. very narrow need, it wasnt available and someone  
built it.

loopers actually increase the need for what im looking for.
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 18, 2005, at 2:41 PM, Travis Hartnett wrote:

> No-one thought the EDP was going to be a simple job.  Well, maybe
> Electrix did...
>
> On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
>> normally yes but not in this case.
>> remember im going to make it if its not available.
>>
>> and if u r saying that a device that could slave machines to a  
>> human drummer
>> is trivial and not commercially viable just cause no one MADE it  
>> yet, ur
>> mistaken.
>> certain things r just common sense no brainers.
>> if everyone thought that way, there'd never have been things like  
>> the EDP in
>> the 1st place.
>>
>> ___
>> Adrian Bartholomew
>> 8439 Lee Blvd
>> Leawood, KS 66206
>> (913) 660-6918
>>
>>
>> On Nov 18, 2005, at 1:30 PM, Travis Hartnett wrote:
>>
>> My guess is that they considered the market share they'd gain versus
>> the amount of development, testing and implementation time  
>> (whenever I
>> see someone say that "It would be SO EASY for SOMEONE ELSE to make
>> something FOR ME", I know that it's almost certain that we're talking
>> about a non-trivial problem) and decided that it wasn't worth it.
>>
>> TravisH
>>
>> On 11/18/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
>> thanks for the interest. im adrian by the way:-)
>>
>> im on the lookout for a hardware version for live purposes just  
>> like u r. i
>> was guided to a product called 34One that does tap tempo (with ur  
>> foot)
>> while outputting the tapped tempo in midiclock.
>> it also accepts continuous tapping while updating the changing  
>> midiclock
>> tempo.
>> so i was thinking that i could just electronically replace the  
>> switch that
>> ur foot taps with a pulse trigger  from a drum kit, say. i wrote  
>> to them in
>> germany and they told me that they actually have a sapce on the pc  
>> board to
>> insert that. GREAT!
>> BUT
>> they also said that it HAD to be ON the 1/4 note.
>> what drummer only plays 1/4 notes!!! arrrrgggghhhhh.
>>
>> so what i may need to build (i AM quite handy with electronics),  
>> is an
>> interface with the LOGIC logic built in and then feed the unit the  
>> quarter
>> note output of the translated tempo from the drummer.
>> i wish, really wish they would do this. cause its VERY simple to  
>> do if u
>> know anything about electronics and THEY DO.
>> bummer. why do manufacturers always fall short. its like they dont  
>> connect
>> with real musicians.
>>
>> but hey, maybe ill get rich.
>>
>> ___
>> Adrian Bartholomew
>>
>>
>>
>>
>
>


--Apple-Mail-10--573795636
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">lol.<DIV>well i never said it =
was.</DIV><DIV>there was a need. very narrow need, it wasnt available =
and someone built it.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>loopers actually increase =
the need for what im looking for.<BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 18, 2005, at 2:41 PM, Travis Hartnett =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">No-one thought the EDP was going =
to be a simple job.<SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>Well, maybe</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Electrix did...</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On =
11/18/05, Adrian Bartholomew &lt;<A =
href=3D"mailto:adrian@bartholomusic.com">adrian@bartholomusic.com</A>&gt; =
wrote:</DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">normally yes =
but not in this case.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">remember im going to make =
it if its not available.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and if u r saying that a device =
that could slave machines to a human drummer</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">is trivial and not commercially viable just cause no =
one MADE it yet, ur</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">mistaken.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">certain things r just common sense no =
brainers.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">if everyone thought that way, =
there'd never have been things like the EDP in</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">the 1st place.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">___</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Adrian =
Bartholomew</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">8439 Lee Blvd</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Leawood, KS 66206</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">(913) =
660-6918</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Nov =
18, 2005, at 1:30 PM, Travis Hartnett wrote:</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">My guess =
is that they considered the market share they'd gain versus</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">the amount of development, testing and =
implementation time (whenever I</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">see someone =
say that "It would be SO EASY for SOMEONE ELSE to make</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">something FOR ME", I know that it's almost certain =
that we're talking</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">about a non-trivial =
problem) and decided that it wasn't worth it.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">TravisH</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On 11/18/05, Adrian Bartholomew &lt;<A =
href=3D"mailto:adrian@bartholomusic.com">adrian@bartholomusic.com</A>&gt; =
wrote:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">thanks for the interest. im =
adrian by the way:-)</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">im on the lookout for a hardware =
version for live purposes just like u r. i</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">was =
guided to a product called 34One that does tap tempo (with ur =
foot)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">while outputting the tapped =
tempo in midiclock.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">it also accepts continuous =
tapping while updating the changing midiclock</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">tempo.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">so i was =
thinking that i could just electronically replace the switch =
that</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ur foot taps with a pulse =
trigger<SPAN class=3D"Apple-converted-space">=A0 </SPAN>from a drum kit, =
say. i wrote to them in</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">germany and =
they told me that they actually have a sapce on the pc board =
to</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">insert that. GREAT!</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">BUT</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">they also =
said that it HAD to be ON the 1/4 note.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">what =
drummer only plays 1/4 notes!!! arrrrgggghhhhh.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">so what =
i may need to build (i AM quite handy with electronics), is an</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">interface with the LOGIC logic built in and then =
feed the unit the quarter</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">note output =
of the translated tempo from the drummer.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">i wish, =
really wish they would do this. cause its VERY simple to do if =
u</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">know anything about electronics and THEY =
DO.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">bummer. why do manufacturers =
always fall short. its like they dont connect</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">with real musicians.</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">but hey, =
maybe ill get rich.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">___</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Adrian =
Bartholomew</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:21:29 2005
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Date: Fri, 18 Nov 2005 14:21:27 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming of software
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"Loopitch" sounds like sticky stuff that runs down the outside of the
toiletbowl, you know, "loo pitch".

On 11/18/05, a k butler <akbutler@tiscali.co.uk> wrote:
>
> >      Naming your looper has the potential to make it or break
> > it.  A good example is the software
> >called Chopitch.  Does it mean that your chops will start itching?
>
> ah..
> but you will remember it for ever :-)
>
> Wasn't there someone who came up with the name "loopitch" for a looper?
> What did you make of that?
>
> co-incidentally, I had to purchase database software called Accuracer.
> ...but I don't have an opinion about what makes a good software name
> ..........................evidently...................................
>
> andy butler
> www.mathons.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 22:37:10 2005
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Naming a software looper
Date: Fri, 18 Nov 2005 14:37:06 -0800
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That sounds very cool, do you think it will be simple enough to market it to
students/ teenagers, and beginners as a practice tool? That is an area I
think some company should address. Making this technology simple enough that
it could help a young music student get better, would open up looping
technology to a whole new market. Here's  another name,  Practiceperferct,
or PP for short. a product simple enough for a beginner, but deep enough for
a pro. Shudder to think.
Bill

-----Original Message-----
From: Warren Sirota [mailto:wsirota@wsdesigns.com]
Sent: Friday, November 18, 2005 1:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Naming a software looper


Thanks, Stephen. I agree with you that names are important. That's why I'm
struggling with it.

I had a dream right before I woke up this morning - I don't remember what
the dream was about, but one word was prominent in it: Helio. It doesn't
have anything to do with looping, but then neither does Ableton (many other
products are not named to reflect their capabilities). A dictionary search
reveals that "Helios" was the god of the sun or something like that.

So there's one name. Another that I thought of was MultiLoop, but I'm not
sure how well that really reflects anything. I also thought of "FNEZ Looper"
(read it out loud), but that's a bit on the crude side, I guess. One person
I talked to liked it, someone else cringed. Cringing is not good.

The things that are most unique about this looper (I think, I hope) are:

- instant gratification, easy learning curve
- Can be operated in hands-free mode; works with most footcontrollers (but a
multi-bank footcontroller is best; basic functions can be in the first bank,
advanced functions in others)
- CD-quality, stereo looping
- loop layers are independently mutable and re-mixable
- built in digital multitrack recorder makes pristine recordings of your
live playing, your loops and aux inputs (like the people you're playing
with)
- peak limiting on the output. In later versions, different forms of
multiband compression will be supported
- with a touch of your toe (here I go into marketing-speak), you can save
all the loops into individual files for later processing with Acid or the
DAW of your choice.
- PC (XP) and MAC (OS/X)
- affordability - I anticipate 3 versions, one at $89 or so, one at $199 and
one at $299.
- support for VST plugins to modify the input to the looper and the total
mix output

At present, it's a fairly basic looper/recorder. In addition to the basic
looper, reverse is there, as well as continuously-varying playback speed,
controlled by footpedal or mouse (the pitch changes, but it's a pretty good
effect). But the architecture is very solid, and I expect to be adding fancy
effects rapidly once I get past the initial hurdles of documentation,
installers, security (I hate dealing with sw security, but you gotta do it),
press releases and all that stuff.

I put a couple of screenshots up at www.warrensirota.com/looper so you can
get a better idea.

I'd love naming suggestions suggestions and votes on the ones I've got:
Helio (or Helios) and MultiLoop.

Thanks,
Warren Sirota
www.warrensirota.com


> -----Original Message-----
> From: S V G [mailto:vsyevolod@yahoo.com]
> Sent: Friday, November 18, 2005 2:22 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Loopers-Delight-d Digest V05 #746
>
>
>
>      Warren,
>
>      Naming can be a very powerful thing.  Especially if you
> are able to describe within the name what is unique about the
> object to be named.  Secondarily, the name can be pleasant to
> the ear, or at least memorable.  Associations with other
> products is usually not desireable.
>
>      When I hear the name AccuLoop, my mind immediately goes
> to all the cheaply designed and built woodworking tools from
> overseas.  "Accu" as a prefix, just doesn't instill
> confidence in a product, at least to this boy.
>
>      Naming your looper has the potential to make it or break
> it.  A good example is the software called Chopitch.  Does it
> mean that your chops will start itching?
>
>      Good luck finding an appropriate name for it.
> Currently, AccuLoop doesn't do much for me.
>
>      Regards,
>
>          Stephen
>
>
>
>
>      Warren wrote:
> It's a little hard for me to complete the docs, though,
> because I'm at sea for a name. I'm thinking maybe AccuLoop.
> Whaddya think? (that, totally without an explanation of what
> makes it special, is not exactly an easy question - but
> whether the name should be related to the specific features
> or not is also not an easy one).
>
>
>
>
> __________________________________
> Start your day with Yahoo! - Make it your home page!
> http://www.yahoo.com/r/hs
>
>




From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 23:02:43 2005
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Subject: Re: Naming of software
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Or like something you get from too much looping...




On 11/18/05 5:21 PM, "Travis Hartnett" <travishartnett@gmail.com> wrote:

> "Loopitch" sounds like sticky stuff that runs down the outside of the
> toiletbowl, you know, "loo pitch".
>=20
> On 11/18/05, a k butler <akbutler@tiscali.co.uk> wrote:
>>=20
>>>      Naming your looper has the potential to make it or break
>>> it.  A good example is the software
>>> called Chopitch.  Does it mean that your chops will start itching?
>>=20
>> ah..
>> but you will remember it for ever :-)
>>=20
>> Wasn't there someone who came up with the name "loopitch" for a looper?
>> What did you make of that?
>>=20
>> co-incidentally, I had to purchase database software called Accuracer.
>> ...but I don't have an opinion about what makes a good software name
>> ..........................evidently...................................
>>=20
>> andy butler
>> www.mathons.com
>>=20
>>=20
>>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com
http://www.ethelcentral.com

todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Fri Nov 18 23:06:27 2005
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 > The things that are most unique about this looper (I think, I hope) are:
 >
 > - instant gratification, easy learning curve

That would probably be unique among software loopers with similar
features.  There are several easy to use loopers, but they don't have
all the features you list.

 > - Can be operated in hands-free mode; works with most footcontrollers
 > (but a multi-bank footcontroller is best; basic functions can be in
 > the first bank, advanced functions in others)
 > - CD-quality, stereo looping

Every software looper I've seen supports MIDI control and CD quality stereo.

 > - loop layers are independently mutable and re-mixable

It depends on what you mean by "layers".  A few loopers support
multiple "tracks" which you record and mutate independently, and if
the tracks are made to be of identical size you achieve an effect
similar to layers of overdubs.  The challenge here is to make it so you
can record into successive tracks as easily as you would just make
several overdub passes in a single track looper.

 > - built in digital multitrack recorder makes pristine recordings of your
 > live playing, your loops and aux inputs (like the people you're playing
 > with)

That's probably unique, though I know of one that has a relatively
crude way to capture an entire performance.  What typically happens is
that the looper is itself a VST plugin that runs within a host that
supports recording.

 > - peak limiting on the output. In later versions, different forms of
 > multiband compression will be supported

May be unique at the moment.

 > - with a touch of your toe (here I go into marketing-speak), you can
 > save all the loops into individual files for later processing with
 > Acid or the DAW of your choice.

Several of the more complex loopers will allow you to save loops to
files.  I know of one that let's you save all state with one touch-o-the-toe.

 > - PC (XP) and MAC (OS/X)

I can't think of any non-commercial cross-platform loopers.  The closest
thing would be the PSP-42 and PSP-84.

 > - support for VST plugins to modify the input to the looper and the
 > total mix output

Having the looper host plugins is a powerful concept, but I would
suggest you consider having the looper *be* a VST plugin
instead or in addition.  If you want to get into the VST hosting
game, then you're going to be competing with the likes of Bidule,
EnergyXT, and Live.  If ease of use is the primary goal, then being
a limited host is a good thing.  But if you want to be flexible,
being a VST is better.

 > - affordability - I anticipate 3 versions, one at $89 or so, one at
 > $199 and one at $299.

With all due respect, I think you're going to find that the market for
a software looper priced over $99 is rather small, especially if
you're targeting customers for whom "ease of use" is a primary concern.

Jeff

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Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?
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I am looking for a simple but flexible software program and will first and
foremost let me load and use VST and other plugins as well as basic midi
and audio tracks. I don't need anything too fancy but have never quite
gotten the VST thing down so I'm looking at introductory software
packages. I have Acid (for loops and things) and Audition (for WAV file
editing) so I don't need a lot of those items.

Cakewalk makes Sonar Home studio which seem to do the trick but I'm
wondering if there are any other programs out there in the $100 or colse
to it range that might comparable. I have a midiman Quatro soundcard so
AISO drivers woudl be a big plus (can't find out if Sonar supports this or
not.

Any suggestions pro or con appreciated.

 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 00:08:25 2005
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Date: Fri, 18 Nov 2005 16:08:24 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
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I used to use Cubasis, and I know they used to have a $100 package
that would do that, not sure if they still do.

TravisH

On 11/18/05, Legion <legion@helpwantedproductions.com> wrote:
>
> I am looking for a simple but flexible software program and will first an=
d
> foremost let me load and use VST and other plugins as well as basic midi
> and audio tracks. I don't need anything too fancy but have never quite
> gotten the VST thing down so I'm looking at introductory software
> packages. I have Acid (for loops and things) and Audition (for WAV file
> editing) so I don't need a lot of those items.
>
> Cakewalk makes Sonar Home studio which seem to do the trick but I'm
> wondering if there are any other programs out there in the $100 or colse
> to it range that might comparable. I have a midiman Quatro soundcard so
> AISO drivers woudl be a big plus (can't find out if Sonar supports this o=
r
> not.
>
> Any suggestions pro or con appreciated.
>
>
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 00:26:06 2005
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Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
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Hi:

I think Sonar Home Studio is somewhat comparable to the Pro Tracks Plus 
software I'm using that came with my Digitech GNX4 (at least that's what I 
heard).

I also have a Cubase version that set me back a few bucks. I have to say, 
though, that I really like the Sonar product. It's fairly easy to use and 
seems pretty robust. 'Course I'm using it with a GNX4 and one of the things 
I do is "hands-free" recording with it -you can't beat that. CUbase is a 
great product with a myriad of features and terrific sound quality but it 
can be a pain to use. Don't know how much easier Cubasis is to use than 
Sonar.

Regards, Paul


----- Original Message ----- 
From: "Legion" <legion@helpwantedproductions.com>
To: "digitalhell" <digitalhell@hyperreal.org>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 18, 2005 6:52 PM
Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?


>
> I am looking for a simple but flexible software program and will first and
> foremost let me load and use VST and other plugins as well as basic midi
> and audio tracks. I don't need anything too fancy but have never quite
> gotten the VST thing down so I'm looking at introductory software
> packages. I have Acid (for loops and things) and Audition (for WAV file
> editing) so I don't need a lot of those items.
>
> Cakewalk makes Sonar Home studio which seem to do the trick but I'm
> wondering if there are any other programs out there in the $100 or colse
> to it range that might comparable. I have a midiman Quatro soundcard so
> AISO drivers woudl be a big plus (can't find out if Sonar supports this or
> not.
>
> Any suggestions pro or con appreciated.
>
>
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>
> 

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Date: Fri, 18 Nov 2005 17:03:35 -0800
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming a software looper
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I vote for "Opium Toll". "Helios" is a close second. I'm a big fan of
Stockhausen's "Trans", so I'm all for dream inspired art.

(Hi Warren, I think we were in the same program at Mills a couple decades a=
go)

On 11/18/05, Jeff Larson <Jeffrey.Larson@sun.com> wrote:
>
>  > The things that are most unique about this looper (I think, I hope) ar=
e:
>  >
>  > - instant gratification, easy learning curve
>
> That would probably be unique among software loopers with similar
> features.  There are several easy to use loopers, but they don't have
> all the features you list.
>
>  > - Can be operated in hands-free mode; works with most footcontrollers
>  > (but a multi-bank footcontroller is best; basic functions can be in
>  > the first bank, advanced functions in others)
>  > - CD-quality, stereo looping
>
> Every software looper I've seen supports MIDI control and CD quality ster=
eo.
>
>  > - loop layers are independently mutable and re-mixable
>
> It depends on what you mean by "layers".  A few loopers support
> multiple "tracks" which you record and mutate independently, and if
> the tracks are made to be of identical size you achieve an effect
> similar to layers of overdubs.  The challenge here is to make it so you
> can record into successive tracks as easily as you would just make
> several overdub passes in a single track looper.
>
>  > - built in digital multitrack recorder makes pristine recordings of yo=
ur
>  > live playing, your loops and aux inputs (like the people you're playin=
g
>  > with)
>
> That's probably unique, though I know of one that has a relatively
> crude way to capture an entire performance.  What typically happens is
> that the looper is itself a VST plugin that runs within a host that
> supports recording.
>
>  > - peak limiting on the output. In later versions, different forms of
>  > multiband compression will be supported
>
> May be unique at the moment.
>
>  > - with a touch of your toe (here I go into marketing-speak), you can
>  > save all the loops into individual files for later processing with
>  > Acid or the DAW of your choice.
>
> Several of the more complex loopers will allow you to save loops to
> files.  I know of one that let's you save all state with one touch-o-the-=
toe.
>
>  > - PC (XP) and MAC (OS/X)
>
> I can't think of any non-commercial cross-platform loopers.  The closest
> thing would be the PSP-42 and PSP-84.
>
>  > - support for VST plugins to modify the input to the looper and the
>  > total mix output
>
> Having the looper host plugins is a powerful concept, but I would
> suggest you consider having the looper *be* a VST plugin
> instead or in addition.  If you want to get into the VST hosting
> game, then you're going to be competing with the likes of Bidule,
> EnergyXT, and Live.  If ease of use is the primary goal, then being
> a limited host is a good thing.  But if you want to be flexible,
> being a VST is better.
>
>  > - affordability - I anticipate 3 versions, one at $89 or so, one at
>  > $199 and one at $299.
>
> With all due respect, I think you're going to find that the market for
> a software looper priced over $99 is rather small, especially if
> you're targeting customers for whom "ease of use" is a primary concern.
>
> Jeff
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 01:07:16 2005
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Date: Fri, 18 Nov 2005 17:07:15 -0800
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming a software looper
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Oh, I forgot to put in a feature request: Time warping, so you can
compose music and spend time with your 3 year old child.

: )

On 11/18/05, Jeff Larson <Jeffrey.Larson@sun.com> wrote:
>
>  > The things that are most unique about this looper (I think, I hope) ar=
e:
>  >
>  > - instant gratification, easy learning curve
>
> That would probably be unique among software loopers with similar
> features.  There are several easy to use loopers, but they don't have
> all the features you list.
>
>  > - Can be operated in hands-free mode; works with most footcontrollers
>  > (but a multi-bank footcontroller is best; basic functions can be in
>  > the first bank, advanced functions in others)
>  > - CD-quality, stereo looping
>
> Every software looper I've seen supports MIDI control and CD quality ster=
eo.
>
>  > - loop layers are independently mutable and re-mixable
>
> It depends on what you mean by "layers".  A few loopers support
> multiple "tracks" which you record and mutate independently, and if
> the tracks are made to be of identical size you achieve an effect
> similar to layers of overdubs.  The challenge here is to make it so you
> can record into successive tracks as easily as you would just make
> several overdub passes in a single track looper.
>
>  > - built in digital multitrack recorder makes pristine recordings of yo=
ur
>  > live playing, your loops and aux inputs (like the people you're playin=
g
>  > with)
>
> That's probably unique, though I know of one that has a relatively
> crude way to capture an entire performance.  What typically happens is
> that the looper is itself a VST plugin that runs within a host that
> supports recording.
>
>  > - peak limiting on the output. In later versions, different forms of
>  > multiband compression will be supported
>
> May be unique at the moment.
>
>  > - with a touch of your toe (here I go into marketing-speak), you can
>  > save all the loops into individual files for later processing with
>  > Acid or the DAW of your choice.
>
> Several of the more complex loopers will allow you to save loops to
> files.  I know of one that let's you save all state with one touch-o-the-=
toe.
>
>  > - PC (XP) and MAC (OS/X)
>
> I can't think of any non-commercial cross-platform loopers.  The closest
> thing would be the PSP-42 and PSP-84.
>
>  > - support for VST plugins to modify the input to the looper and the
>  > total mix output
>
> Having the looper host plugins is a powerful concept, but I would
> suggest you consider having the looper *be* a VST plugin
> instead or in addition.  If you want to get into the VST hosting
> game, then you're going to be competing with the likes of Bidule,
> EnergyXT, and Live.  If ease of use is the primary goal, then being
> a limited host is a good thing.  But if you want to be flexible,
> being a VST is better.
>
>  > - affordability - I anticipate 3 versions, one at $89 or so, one at
>  > $199 and one at $299.
>
> With all due respect, I think you're going to find that the market for
> a software looper priced over $99 is rather small, especially if
> you're targeting customers for whom "ease of use" is a primary concern.
>
> Jeff
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re: Naming a software looper
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How about Brown 25?
~Tim


> [Original Message]
> From: Art Simon <simart@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/18/2005 8:03:36 PM
> Subject: Re: Naming a software looper
>
> I vote for "Opium Toll". "Helios" is a close second. I'm a big fan of
> Stockhausen's "Trans", so I'm all for dream inspired art.
>
> (Hi Warren, I think we were in the same program at Mills a couple decades
ago)
>
> On 11/18/05, Jeff Larson <Jeffrey.Larson@sun.com> wrote:
> >
> >  > The things that are most unique about this looper (I think, I hope)
are:
> >  >
> >  > - instant gratification, easy learning curve
> >
> > That would probably be unique among software loopers with similar
> > features.  There are several easy to use loopers, but they don't have
> > all the features you list.
> >
> >  > - Can be operated in hands-free mode; works with most footcontrollers
> >  > (but a multi-bank footcontroller is best; basic functions can be in
> >  > the first bank, advanced functions in others)
> >  > - CD-quality, stereo looping
> >
> > Every software looper I've seen supports MIDI control and CD quality
stereo.
> >
> >  > - loop layers are independently mutable and re-mixable
> >
> > It depends on what you mean by "layers".  A few loopers support
> > multiple "tracks" which you record and mutate independently, and if
> > the tracks are made to be of identical size you achieve an effect
> > similar to layers of overdubs.  The challenge here is to make it so you
> > can record into successive tracks as easily as you would just make
> > several overdub passes in a single track looper.
> >
> >  > - built in digital multitrack recorder makes pristine recordings of
your
> >  > live playing, your loops and aux inputs (like the people you're
playing
> >  > with)
> >
> > That's probably unique, though I know of one that has a relatively
> > crude way to capture an entire performance.  What typically happens is
> > that the looper is itself a VST plugin that runs within a host that
> > supports recording.
> >
> >  > - peak limiting on the output. In later versions, different forms of
> >  > multiband compression will be supported
> >
> > May be unique at the moment.
> >
> >  > - with a touch of your toe (here I go into marketing-speak), you can
> >  > save all the loops into individual files for later processing with
> >  > Acid or the DAW of your choice.
> >
> > Several of the more complex loopers will allow you to save loops to
> > files.  I know of one that let's you save all state with one
touch-o-the-toe.
> >
> >  > - PC (XP) and MAC (OS/X)
> >
> > I can't think of any non-commercial cross-platform loopers.  The closest
> > thing would be the PSP-42 and PSP-84.
> >
> >  > - support for VST plugins to modify the input to the looper and the
> >  > total mix output
> >
> > Having the looper host plugins is a powerful concept, but I would
> > suggest you consider having the looper *be* a VST plugin
> > instead or in addition.  If you want to get into the VST hosting
> > game, then you're going to be competing with the likes of Bidule,
> > EnergyXT, and Live.  If ease of use is the primary goal, then being
> > a limited host is a good thing.  But if you want to be flexible,
> > being a VST is better.
> >
> >  > - affordability - I anticipate 3 versions, one at $89 or so, one at
> >  > $199 and one at $299.
> >
> > With all due respect, I think you're going to find that the market for
> > a software looper priced over $99 is rather small, especially if
> > you're targeting customers for whom "ease of use" is a primary concern.
> >
> > Jeff
> >
> >
>
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://artsimon.iuma.com


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 02:12:02 2005
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From: "Bill Edmondson" <edmondson5@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
Date: Fri, 18 Nov 2005 21:13:34 -0500
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My friend has cakewalk music creator pro and paid $60 and loves it. I've got
sonar 5 and they are very comparable in the most used features. The only
glaring difference is that the MCP can only record 2 tracks at a time but
playback as many as your machine can handle.

-----Original Message-----
From: Legion [mailto:legion@helpwantedproductions.com] 
Sent: Friday, November 18, 2005 6:53 PM
To: digitalhell
Cc: Loopers-Delight@loopers-delight.com
Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?


I am looking for a simple but flexible software program and will first and
foremost let me load and use VST and other plugins as well as basic midi
and audio tracks. I don't need anything too fancy but have never quite
gotten the VST thing down so I'm looking at introductory software
packages. I have Acid (for loops and things) and Audition (for WAV file
editing) so I don't need a lot of those items.

Cakewalk makes Sonar Home studio which seem to do the trick but I'm
wondering if there are any other programs out there in the $100 or colse
to it range that might comparable. I have a midiman Quatro soundcard so
AISO drivers woudl be a big plus (can't find out if Sonar supports this or
not.

Any suggestions pro or con appreciated.

 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.





From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 03:38:24 2005
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Date: Fri, 18 Nov 2005 22:38:21 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming of software
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Or perhaps as part of looper withdrawal after being away from your
gear for too long.  In any case, I've heard rumor they're developing a
topical ointment that might help.  :}


On 11/18/05, todd reynolds <todd@toddreynolds.com> wrote:
> Or like something you get from too much looping...
>
>
> On 11/18/05 5:21 PM, "Travis Hartnett" <travishartnett@gmail.com> wrote:
>
> > "Loopitch" sounds like sticky stuff that runs down the outside of the
> > toiletbowl, you know, "loo pitch".
> >
> > On 11/18/05, a k butler <akbutler@tiscali.co.uk> wrote:
> >>
> >>>      Naming your looper has the potential to make it or break
> >>> it.  A good example is the software
> >>> called Chopitch.  Does it mean that your chops will start itching?
> >>
> >> ah..
> >> but you will remember it for ever :-)
> >>
> >> Wasn't there someone who came up with the name "loopitch" for a looper=
?
> >> What did you make of that?
> >>
> >> co-incidentally, I had to purchase database software called Accuracer.
> >> ...but I don't have an opinion about what makes a good software name
> >> ..........................evidently...................................
> >>
> >> andy butler
> >> www.mathons.com

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Date: Fri, 18 Nov 2005 22:47:50 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers' Delight <Loopers-Delight@loopers-delight.com>
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I'll throw my vote in with Helios or Helios Loop or similar.  You
know, the sun keeps going round & round, but each day is different.=20
Solar flares also come to mind...massive amounts of plasma arcing
along magnetic field loops...very cool.

T.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 03:52:23 2005
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Date: Fri, 18 Nov 2005 22:52:21 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
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	 <20051119021201.1F4483BEF3@arsenic.violacea.com>
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I've used several versions of Sonar (and Cakewalk before that) and
have enjoyed working with them all.  However, I've heard that Sonar is
not the best choice for working with VST plugins.  Since I'm light on
plugins, I can't say from personal experience, but I wanted to pass on
what I'd heard.  Otherwise, I feel Sonar is generally pretty intuitive
and easy to work with and that's saying a lot for software as complex
as a DAW.

T.

On 11/18/05, Bill Edmondson <edmondson5@comcast.net> wrote:
> My friend has cakewalk music creator pro and paid $60 and loves it. I've =
got
> sonar 5 and they are very comparable in the most used features. The only
> glaring difference is that the MCP can only record 2 tracks at a time but
> playback as many as your machine can handle.
>
> -----Original Message-----
> From: Legion [mailto:legion@helpwantedproductions.com]
> Sent: Friday, November 18, 2005 6:53 PM
> To: digitalhell
> Cc: Loopers-Delight@loopers-delight.com
> Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?
>
>
> I am looking for a simple but flexible software program and will first an=
d
> foremost let me load and use VST and other plugins as well as basic midi
> and audio tracks. I don't need anything too fancy but have never quite
> gotten the VST thing down so I'm looking at introductory software
> packages. I have Acid (for loops and things) and Audition (for WAV file
> editing) so I don't need a lot of those items.
>
> Cakewalk makes Sonar Home studio which seem to do the trick but I'm
> wondering if there are any other programs out there in the $100 or colse
> to it range that might comparable. I have a midiman Quatro soundcard so
> AISO drivers woudl be a big plus (can't find out if Sonar supports this o=
r
> not.
>
> Any suggestions pro or con appreciated.
>
>
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 04:40:59 2005
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Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
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That may have been true prior of sonar 5. they've added native vst support
and I had no problems at all.

-----Original Message-----
From: Todd Pafford [mailto:calenlas@gmail.com] 
Sent: Friday, November 18, 2005 10:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?

I've used several versions of Sonar (and Cakewalk before that) and
have enjoyed working with them all.  However, I've heard that Sonar is
not the best choice for working with VST plugins.  Since I'm light on
plugins, I can't say from personal experience, but I wanted to pass on
what I'd heard.  Otherwise, I feel Sonar is generally pretty intuitive
and easy to work with and that's saying a lot for software as complex
as a DAW.

T.

On 11/18/05, Bill Edmondson <edmondson5@comcast.net> wrote:
> My friend has cakewalk music creator pro and paid $60 and loves it. I've
got
> sonar 5 and they are very comparable in the most used features. The only
> glaring difference is that the MCP can only record 2 tracks at a time but
> playback as many as your machine can handle.
>
> -----Original Message-----
> From: Legion [mailto:legion@helpwantedproductions.com]
> Sent: Friday, November 18, 2005 6:53 PM
> To: digitalhell
> Cc: Loopers-Delight@loopers-delight.com
> Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?
>
>
> I am looking for a simple but flexible software program and will first and
> foremost let me load and use VST and other plugins as well as basic midi
> and audio tracks. I don't need anything too fancy but have never quite
> gotten the VST thing down so I'm looking at introductory software
> packages. I have Acid (for loops and things) and Audition (for WAV file
> editing) so I don't need a lot of those items.
>
> Cakewalk makes Sonar Home studio which seem to do the trick but I'm
> wondering if there are any other programs out there in the $100 or colse
> to it range that might comparable. I have a midiman Quatro soundcard so
> AISO drivers woudl be a big plus (can't find out if Sonar supports this or
> not.
>
> Any suggestions pro or con appreciated.
>
>
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>
>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 04:46:29 2005
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Subject: Behringer FCB1010
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I just loaded up the unofficial firmware for the Behringer FCB midi pedal
(available on the FCB Yahoo group) and it has this way cool thing that can
be used with the EDP...the display on the FCB changes briefly as you use the
expression pedals, which, syncs up perfectly to the EDP's display when
changing feedback. I don't have to look over anymore!
On the EDP, I always wished the input and output knobs also changed the
display so I could have that input perfectly set- its touchy!

Dave Eichenberger 
http://www.hazardfactor.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 04:48:20 2005
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Subject: Names for Warren Sirota looper--SLoop?
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Warren Sirota wrote:
It's a little hard for me to complete the docs, though, because I'm at sea
for a name. 

--->How about Sloop--short for Software Looper.
Gary

-----Original Message-----
From: ArsOcarina@aol.com 

How goes the software wars? It seems I remember you
were working up some sort of software loper a year or
so ago.

Best regards,

tEd R kiLLiAn


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 04:58:07 2005
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In a message dated 11/18/05 10:48:04 PM, calenlas@gmail.com writes:


> the sun keeps going round & round,
> 

wait a minute.....m

--part1_e4.752b7a8a.30b00ad8_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/18/05 10:48:04 PM, calenlas@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">the sun keeps going r=
ound &amp; round,<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
wait a minute.....m</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"=
SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_e4.752b7a8a.30b00ad8_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 05:08:37 2005
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Subject: Re: tunes
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In a message dated 11/18/05 4:42:22 PM, zerocrossing2001@yahoo.com writes:


> http://www.triangulizona.com/mp3/arendered.mp3
> 

ivan.....i was just listening to your cd a few days ago while reviewing in my 
head the movies you had playing in zurich.....all i could do was smile!.....i 
love these new tunes!!!!!.....tanks!.....m

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/18/05 4:42:22 PM, zerocrossing2001@yahoo.com writes:<B=
R>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.trianguliz=
ona.com/mp3/arendered.mp3<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
ivan.....i was just listening to your cd a few days ago while reviewing in m=
y head the movies you had playing in zurich.....all i could do was smile!...=
..i love these new tunes!!!!!.....tanks!.....m</FONT><FONT COLOR=3D"#000000"=
 FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_158.5ca2fab2.30b00d51_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 05:30:40 2005
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
Date: Sat, 19 Nov 2005 00:30:39 -0500
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Hi,


I'd suggest taking a look at Tracktion
http://www.mackie.com/products/tracktion2/

And N-Track
http://www.fasoft.com/

I used N-Track as my first multitracker and it's pretty nice, and cheap.  A
friend of mine swears by Tracktion.  I didn't really like the way Tracktion
dealt with MIDI in version 1, but I haven't looked at V2 yet.  

I've been a very happy Sonar user, so I'd always recommend any Cakewalk
products.  However, I'd take a look at the other two also.  Mackie released
Tracktion 1 as freeware a while ago, I could probably dig up a copy if I
needed to, just let me know.

Tony

-----Original Message-----
From: Legion [mailto:legion@helpwantedproductions.com] 
Sent: Friday, November 18, 2005 6:53 PM
To: digitalhell
Cc: Loopers-Delight@loopers-delight.com
Subject: CAKEWALK SONAR HOME STUDIO 4 opinions?

I am looking for a simple but flexible software program and will first and
foremost let me load and use VST and other plugins as well as basic midi
and audio tracks. I don't need anything too fancy but have never quite
gotten the VST thing down so I'm looking at introductory software
packages. I have Acid (for loops and things) and Audition (for WAV file
editing) so I don't need a lot of those items.

Cakewalk makes Sonar Home studio which seem to do the trick but I'm
wondering if there are any other programs out there in the $100 or colse
to it range that might comparable. I have a midiman Quatro soundcard so
AISO drivers woudl be a big plus (can't find out if Sonar supports this or
not.

Any suggestions pro or con appreciated.

 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 05:49:41 2005
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Subject: Re: Funny "Experimental" Music Experiences This Week
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Hey Joe,
                Great post.... and it reminds me of the first time I played "Let The Power Fall" at my girlfriend's(now wife of almost 25 years) place.After I cranked it up for a few minutes the "Dead Heads" next door began to do something with a power radial saw that resulted in one of the finest solos against a looped piece I've ever heard..intentional or not.She still says it was "wonderful",  you do the math.

                                              bryan helm
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<html><body>
<DIV>Hey Joe,</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Great post.... and it reminds me of the first time&nbsp;I played&nbsp;"Let The Power Fall" at my girlfriend's(now wife of&nbsp;almost 25 years)&nbsp;place.After I cranked it up for a few minutes the "Dead Heads" next door began to do something with a power radial saw that resulted in one of the finest solos against a looped piece I've ever heard..intentional or not.She still says it was "wonderful",&nbsp; you do the math.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm</DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_4730_1132379379_0--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 08:05:12 2005
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Date: Sat, 19 Nov 2005 00:05:10 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Behringer FCB1010
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hey Dave sounds cool dont you have to change the
Eprom? which one do you have?

--- hazard factor <artists@hazardfactor.com> wrote:

> I just loaded up the unofficial firmware for the
> Behringer FCB midi pedal
> (available on the FCB Yahoo group) and it has this
> way cool thing that can
> be used with the EDP...the display on the FCB
> changes briefly as you use the
> expression pedals, which, syncs up perfectly to the
> EDP's display when
> changing feedback. I don't have to look over
> anymore!
> On the EDP, I always wished the input and output
> knobs also changed the
> display so I could have that input perfectly set-
> its touchy!
> 
> Dave Eichenberger 
> http://www.hazardfactor.com
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 08:08:16 2005
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Actually, that is the only way to do it...you have to order or burn the new
eprom. I am using Unofficial version 1.0.2b. It adds quite a bit control,
since Behringer didn't use the memory to its fullest. There is even a
computer (PC/Mac/Linux) editor for the new version too.

Dave Eichenberger-  
http://www.hazardfactor.com 

 
> hey Dave sounds cool dont you have to change the Eprom? which 
> one do you have?
> 
> --- hazard factor <artists@hazardfactor.com> wrote:
 
> 
> 		
 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 08:29:04 2005
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Subject: Re: Naming a software looper
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how about 

loopoopidoo

Claude


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 10:19:10 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
Date: Sat, 19 Nov 2005 11:19:06 +0100
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On Nov 19, 2005, at 4:52, Todd Pafford wrote:

> I've used several versions of Sonar (and Cakewalk before that) and
> have enjoyed working with them all.  However, I've heard that Sonar is
> not the best choice for working with VST plugins.  Since I'm light on
> plugins, I can't say from personal experience, but I wanted to pass on
> what I'd heard.  Otherwise, I feel Sonar is generally pretty intuitive
> and easy to work with and that's saying a lot for software as complex
> as a DAW.


Although not being the best choice for a VST host Sonar is known to  
be very efficient with DX plug-ins as well as any gear that lives by  
Microsoft's drivers.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 10:27:32 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Behringer FCB1010
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On Nov 19, 2005, at 5:46, hazard factor wrote:

> used with the EDP...the display on the FCB changes briefly as you  
> use the
> expression pedals,


The Attack Of The Shoe Gazers!  ;-))

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 11:35:25 2005
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Subject: Re: Naming a software looper
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> reveals that "Helios" was the god of the sun or something like that.

Helios is also the name of a legendary audio/recording equipment 
company. Their recording consoles were owned by the likes of the 
Beatles, Led Zep, The Rolling Stones (that's what was in the famous 
remote truck), and products are once again being manufactured under 
that name.

http://www.helios-electronics.com/

Might be a little dicey to use that name for a new music/audio product.


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher) A dictionary search

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<excerpt>reveals that "Helios" was the god of the sun or something
like that.

</excerpt>

Helios is also the name of a legendary audio/recording equipment
company. Their recording consoles were owned by the likes of the
Beatles, Led Zep, The Rolling Stones (that's what was in the famous
remote truck), and products are once again being manufactured under
that name.


http://www.helios-electronics.com/


Might be a little dicey to use that name for a new music/audio
product. 



<smaller>Ronan Chris Murphy

www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)

www.homerecordingbootcamp.com (Workshops around the world teaching the
art and craft of recording )

www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher) A dictionary search</smaller>


--Apple-Mail-1--525901641--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 11:41:08 2005
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Subject: Re: Naming a software looper ps
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One more note about "Helios" The current head of Helios Electronics is 
Tony Arnold, Robert Fripp's primary recording engineer for much of the 
80's and early 90's. I degree of separation from looping I guess.


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher)
--Apple-Mail-2--525562639
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	charset=US-ASCII

One more note about "Helios" The current head of Helios Electronics is
Tony Arnold, Robert Fripp's primary recording engineer for much of the
80's and early 90's. I degree of separation from looping I guess.



<smaller>Ronan Chris Murphy

www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)

www.homerecordingbootcamp.com (Workshops around the world teaching the
art and craft of recording )

www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher)</smaller>
--Apple-Mail-2--525562639--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:06:38 2005
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 It's a toss-up if this is any better than the rack-twiddlers. Manipulating
gear at a performance is rarely fun to watch. 

Dave Eichenberger s
http://www.hazardfactor.com

 
> The Attack Of The Shoe Gazers!  ;-))
> 
> Greetings from Sweden
> 
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
> 
> 
> 

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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Behringer FCB1010
Date: Sat, 19 Nov 2005 15:28:55 +0100
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>> It's a toss-up if this is any better than the rack-twiddlers.
Manipulating gear at a performance is rarely fun to watch. 

I care to disagree. While I didn't have the pleasure to experience this
live, I always found Keith Moon's gear manipulations at the end of the
Who's performances very entertaining.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:35:35 2005
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Date: Sat, 19 Nov 2005 09:36:02 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming of software
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Now there's a positive association. I can just imagine the print ads.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Travis Hartnett [mailto:travishartnett@gmail.com] 
> Sent: Friday, November 18, 2005 5:21 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Naming of software
> 
> 
> "Loopitch" sounds like sticky stuff that runs down the 
> outside of the toiletbowl, you know, "loo pitch".
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:35:36 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Names for Warren Sirota looper--SLoop?
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No thanks - SLoop is a little too close to Slop.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Gary Lehmann [mailto:hqr@cox.net] 
> Sent: Friday, November 18, 2005 11:48 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Names for Warren Sirota looper--SLoop?
> 
> 
> Warren Sirota wrote:
> It's a little hard for me to complete the docs, though, 
> because I'm at sea for a name. 
> 
> --->How about Sloop--short for Software Looper.
> Gary
> 
> -----Original Message-----
> From: ArsOcarina@aol.com 
> 
> How goes the software wars? It seems I remember you
> were working up some sort of software loper a year or
> so ago.
> 
> Best regards,
> 
> tEd R kiLLiAn
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:35:36 2005
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Date: Sat, 19 Nov 2005 09:36:02 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Behringer FCB1010
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Sounds like a cool thing.

BTW, although I haven't tried it yet, the open source patch editor/librarian
JSynthLib has a module for the FCB (eprom update or no, as I understand it).

Best wishes,
Warren Sirota


> -----Original Message-----
> From: hazard factor [mailto:artists@hazardfactor.com] 
> Sent: Saturday, November 19, 2005 3:08 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Behringer FCB1010
> 
> 
> Actually, that is the only way to do it...you have to order 
> or burn the new eprom. I am using Unofficial version 1.0.2b. 
> It adds quite a bit control, since Behringer didn't use the 
> memory to its fullest. There is even a computer 
> (PC/Mac/Linux) editor for the new version too.
> 
> Dave Eichenberger-  
> http://www.hazardfactor.com 
> 
>  
> > hey Dave sounds cool dont you have to change the Eprom? which
> > one do you have?
> > 
> > --- hazard factor <artists@hazardfactor.com> wrote:
>  
> > 
> > 		
>  
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:55:28 2005
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Date: Sat, 19 Nov 2005 09:56:35 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Recordings from the Y2K5 International Live Looping Festival in
 Santa Cruz
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I've just been listening to this - really enjoyable, a lot of fine work
here. Thanks to all involved. I was sad to miss it this year - I had *so*
much fun at Y2K4!

Best wishes,
Warren Sirota


> -----Original Message-----
> From: loop.pool [mailto:looppool@cruzio.com] 
> Sent: Monday, November 14, 2005 2:44 AM
> To: LOOPERS DELIGHT (posting)
> Subject: RE: Recordings from the Y2K5 International Live 
> Looping Festival in Santa Cruz
> 
> 
> Krispen is a god amongst men.
> 
> Thanks so much for all the vast energy you put into the 
> recordings and 
> dissemination
> of the Y2K5 loopfest recordings.
> 
> We are all very lucky to have you in our community,  Kris!
> 
> Rick Walker 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 14:55:28 2005
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Date: Sat, 19 Nov 2005 09:56:35 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
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That's interesting. I have Sonar 3 Producer (though I use but a fraction of
its capabilities), and they bundle it with the "Cakewalk VST adapter", which
I guess puts a DXi wrapper around VST plugins.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Bill Edmondson [mailto:edmondson5@comcast.net] 
> Sent: Friday, November 18, 2005 11:43 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
> 
> 
> That may have been true prior of sonar 5. they've added 
> native vst support and I had no problems at all.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:11:17 2005
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Date: Sat, 19 Nov 2005 11:12:24 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper
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>  > The things that are most unique about this looper (I 
> think, I hope) are:  >  > - instant gratification, easy learning curve
> 
> That would probably be unique among software loopers with 
> similar features.  There are several easy to use loopers, but 
> they don't have all the features you list.
> 
>  > - Can be operated in hands-free mode; works with most 
> footcontrollers  > (but a multi-bank footcontroller is best; 
> basic functions can be in  > the first bank, advanced 
> functions in others)  > - CD-quality, stereo looping
> 
> Every software looper I've seen supports MIDI control and CD 
> quality stereo.
> 
>  > - loop layers are independently mutable and re-mixable
> 
> It depends on what you mean by "layers".  A few loopers 
> support multiple "tracks" which you record and mutate 
> independently, and if the tracks are made to be of identical 
> size you achieve an effect similar to layers of overdubs.  
> The challenge here is to make it so you can record into 
> successive tracks as easily as you would just make several 
> overdub passes in a single track looper.
> 
>  > - built in digital multitrack recorder makes pristine 
> recordings of your  > live playing, your loops and aux inputs 
> (like the people you're playing  > with)
> 
> That's probably unique, though I know of one that has a 
> relatively crude way to capture an entire performance.  What 
> typically happens is that the looper is itself a VST plugin 
> that runs within a host that supports recording.
> 
>  > - peak limiting on the output. In later versions, 
> different forms of  > multiband compression will be supported
> 
> May be unique at the moment.
> 
>  > - with a touch of your toe (here I go into 
> marketing-speak), you can  > save all the loops into 
> individual files for later processing with  > Acid or the DAW 
> of your choice.
> 
> Several of the more complex loopers will allow you to save 
> loops to files.  I know of one that let's you save all state 
> with one touch-o-the-toe.
> 
>  > - PC (XP) and MAC (OS/X)
> 
> I can't think of any non-commercial cross-platform loopers.  
> The closest thing would be the PSP-42 and PSP-84.
> 
>  > - support for VST plugins to modify the input to the 
> looper and the  > total mix output
> 
> Having the looper host plugins is a powerful concept, but I 
> would suggest you consider having the looper *be* a VST 
> plugin instead or in addition.  If you want to get into the 
> VST hosting game, then you're going to be competing with the 
> likes of Bidule, EnergyXT, and Live.  If ease of use is the 
> primary goal, then being a limited host is a good thing.  But 
> if you want to be flexible, being a VST is better.
> 
>  > - affordability - I anticipate 3 versions, one at $89 or 
> so, one at  > $199 and one at $299.
> 
> With all due respect, I think you're going to find that the 
> market for a software looper priced over $99 is rather small, 
> especially if you're targeting customers for whom "ease of 
> use" is a primary concern.
> 
> Jeff
> 
> 

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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper - D'Loop?
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Tim, that's a great list - thanks! I am really attracted to a variant of one
of the names you suggest: D'Loop. I had been thinking of something like
"Loop De Loop", but that scans horribly - hadn't thought of the apostrophe
or leaving out one of the "Loops".

Thanks,
Warren Sirota


> -----Original Message-----
> From: Tim Thompson [mailto:tjt@nosuch.com] 
> Sent: Saturday, November 19, 2005 1:22 AM
> To: 'Warren Sirota'
> Subject: RE: Naming a software looper
> 
> 
> Loopadelic
> Repetitious
> LoopFactory
> SimplyLooping
> LoopWrangler
> Circular Reasoning
> D'Looper
> Loops of Love
> Le Looper
> Cirque du Looper
> Deja Vu, or just Deja
> 
>     ...Tim...
>  
> 
> -----Original Message-----
> From: Warren Sirota [mailto:wsirota@wsdesigns.com] 
> Sent: Friday, November 18, 2005 1:56 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Naming a software looper
> 
> Thanks, Stephen. I agree with you that names are important. 
> That's why I'm struggling with it.
> 
> I had a dream right before I woke up this morning - I don't 
> remember what the dream was about, but one word was prominent 
> in it: Helio. It doesn't have anything to do with looping, 
> but then neither does Ableton (many other products are not 
> named to reflect their capabilities). A dictionary search 
> reveals that "Helios" was the god of the sun or something like that.
> 
> So there's one name. Another that I thought of was MultiLoop, 
> but I'm not sure how well that really reflects anything. I 
> also thought of "FNEZ Looper" (read it out loud), but that's 
> a bit on the crude side, I guess. One person I talked to 
> liked it, someone else cringed. Cringing is not good.
> 
> The things that are most unique about this looper (I think, I 
> hope) are:
> 
> - instant gratification, easy learning curve
> - Can be operated in hands-free mode; works with most 
> footcontrollers (but a multi-bank footcontroller is best; 
> basic functions can be in the first bank, advanced functions 
> in others)
> - CD-quality, stereo looping
> - loop layers are independently mutable and re-mixable
> - built in digital multitrack recorder makes pristine 
> recordings of your live playing, your loops and aux inputs 
> (like the people you're playing
> with)
> - peak limiting on the output. In later versions, different 
> forms of multiband compression will be supported
> - with a touch of your toe (here I go into marketing-speak), 
> you can save all the loops into individual files for later 
> processing with Acid or the DAW of your choice.
> - PC (XP) and MAC (OS/X)
> - affordability - I anticipate 3 versions, one at $89 or so, 
> one at $199 and one at $299.
> - support for VST plugins to modify the input to the looper 
> and the total mix output
> 
> At present, it's a fairly basic looper/recorder. In addition 
> to the basic looper, reverse is there, as well as 
> continuously-varying playback speed, controlled by footpedal 
> or mouse (the pitch changes, but it's a pretty good effect). 
> But the architecture is very solid, and I expect to be adding 
> fancy effects rapidly once I get past the initial hurdles of 
> documentation, installers, security (I hate dealing with sw 
> security, but you gotta do it), press releases and all that stuff.
> 
> I put a couple of screenshots up at 
> www.warrensirota.com/looper so you can get a better idea.
> 
> I'd love naming suggestions suggestions and votes on the ones 
> I've got: Helio (or Helios) and MultiLoop.
> 
> Thanks,
> Warren Sirota
> www.warrensirota.com
> 
> 
> > -----Original Message-----
> > From: S V G [mailto:vsyevolod@yahoo.com]
> > Sent: Friday, November 18, 2005 2:22 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Loopers-Delight-d Digest V05 #746
> > 
> > 
> > 
> >      Warren,
> > 
> >      Naming can be a very powerful thing.  Especially if 
> you are able
> > to describe within the name what is unique about the object to be 
> > named.  Secondarily, the name can be pleasant to the ear, 
> or at least 
> > memorable.  Associations with other products is usually not 
> > desireable.
> > 
> >      When I hear the name AccuLoop, my mind immediately goes to all
> > the cheaply designed and built woodworking tools from overseas.  
> > "Accu" as a prefix, just doesn't instill confidence in a 
> product, at 
> > least to this boy.
> > 
> >      Naming your looper has the potential to make it or break it.  A
> > good example is the software called Chopitch.  Does it mean 
> that your 
> > chops will start itching?
> > 
> >      Good luck finding an appropriate name for it.
> > Currently, AccuLoop doesn't do much for me.
> > 
> >      Regards,
> > 
> >          Stephen
> > 
> > 
> > 
> > 
> >      Warren wrote:
> > It's a little hard for me to complete the docs, though, 
> because I'm at
> > sea for a name. I'm thinking maybe AccuLoop.
> > Whaddya think? (that, totally without an explanation of 
> what makes it 
> > special, is not exactly an easy question - but whether the 
> name should 
> > be related to the specific features or not is also not an easy one).
> >  
> > 
> > 
> > 		
> > __________________________________
> > Start your day with Yahoo! - Make it your home page!
> > http://www.yahoo.com/r/hs
> > 
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:11:18 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper
In-reply-to: <OPEGKDJIMPJBOGCKEPDGKEKACIAA.billwalker@baymoon.com>
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Bill,

I don't quite get what would make this a good practice tool. What did you
have in mind?

BTW, if you didn't know, I'm already in the practice tool business, with
SlowGold (www.slowgold.com). I know it's not the same, but it is a cool
program. But, frankly, I think there's more juice (and I mean that both in
terms of excitement for me and $$) in the creative tools business. I could
be wrong about the $$.

Warren


> -----Original Message-----
> From: William Walker [mailto:billwalker@baymoon.com] 
> Sent: Friday, November 18, 2005 5:37 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Naming a software looper
> 
> 
> That sounds very cool, do you think it will be simple enough 
> to market it to students/ teenagers, and beginners as a 
> practice tool? That is an area I think some company should 
> address. Making this technology simple enough that it could 
> help a young music student get better, would open up looping 
> technology to a whole new market. Here's  another name,  
> Practiceperferct, or PP for short. a product simple enough 
> for a beginner, but deep enough for a pro. Shudder to think. Bill
> 
> -----Original Message-----
> From: Warren Sirota [mailto:wsirota@wsdesigns.com]
> Sent: Friday, November 18, 2005 1:56 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Naming a software looper
> 
> 
> Thanks, Stephen. I agree with you that names are important. 
> That's why I'm struggling with it.
> 
> I had a dream right before I woke up this morning - I don't 
> remember what the dream was about, but one word was prominent 
> in it: Helio. It doesn't have anything to do with looping, 
> but then neither does Ableton (many other products are not 
> named to reflect their capabilities). A dictionary search 
> reveals that "Helios" was the god of the sun or something like that.
> 
> So there's one name. Another that I thought of was MultiLoop, 
> but I'm not sure how well that really reflects anything. I 
> also thought of "FNEZ Looper" (read it out loud), but that's 
> a bit on the crude side, I guess. One person I talked to 
> liked it, someone else cringed. Cringing is not good.
> 
> The things that are most unique about this looper (I think, I 
> hope) are:
> 
> - instant gratification, easy learning curve
> - Can be operated in hands-free mode; works with most 
> footcontrollers (but a multi-bank footcontroller is best; 
> basic functions can be in the first bank, advanced functions 
> in others)
> - CD-quality, stereo looping
> - loop layers are independently mutable and re-mixable
> - built in digital multitrack recorder makes pristine 
> recordings of your live playing, your loops and aux inputs 
> (like the people you're playing
> with)
> - peak limiting on the output. In later versions, different 
> forms of multiband compression will be supported
> - with a touch of your toe (here I go into marketing-speak), 
> you can save all the loops into individual files for later 
> processing with Acid or the DAW of your choice.
> - PC (XP) and MAC (OS/X)
> - affordability - I anticipate 3 versions, one at $89 or so, 
> one at $199 and one at $299.
> - support for VST plugins to modify the input to the looper 
> and the total mix output
> 
> At present, it's a fairly basic looper/recorder. In addition 
> to the basic looper, reverse is there, as well as 
> continuously-varying playback speed, controlled by footpedal 
> or mouse (the pitch changes, but it's a pretty good effect). 
> But the architecture is very solid, and I expect to be adding 
> fancy effects rapidly once I get past the initial hurdles of 
> documentation, installers, security (I hate dealing with sw 
> security, but you gotta do it), press releases and all that stuff.
> 
> I put a couple of screenshots up at 
> www.warrensirota.com/looper so you can get a better idea.
> 
> I'd love naming suggestions suggestions and votes on the ones 
> I've got: Helio (or Helios) and MultiLoop.
> 
> Thanks,
> Warren Sirota
> www.warrensirota.com
> 
> 
> > -----Original Message-----
> > From: S V G [mailto:vsyevolod@yahoo.com]
> > Sent: Friday, November 18, 2005 2:22 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Loopers-Delight-d Digest V05 #746
> >
> >
> >
> >      Warren,
> >
> >      Naming can be a very powerful thing.  Especially if 
> you are able 
> > to describe within the name what is unique about the object to be 
> > named.  Secondarily, the name can be pleasant to the ear, 
> or at least 
> > memorable.  Associations with other products is usually not 
> > desireable.
> >
> >      When I hear the name AccuLoop, my mind immediately goes to all 
> > the cheaply designed and built woodworking tools from overseas.  
> > "Accu" as a prefix, just doesn't instill confidence in a 
> product, at 
> > least to this boy.
> >
> >      Naming your looper has the potential to make it or 
> break it.  A 
> > good example is the software called Chopitch.  Does it mean 
> that your 
> > chops will start itching?
> >
> >      Good luck finding an appropriate name for it.
> > Currently, AccuLoop doesn't do much for me.
> >
> >      Regards,
> >
> >          Stephen
> >
> >
> >
> >
> >      Warren wrote:
> > It's a little hard for me to complete the docs, though, 
> because I'm at 
> > sea for a name. I'm thinking maybe AccuLoop. Whaddya think? (that, 
> > totally without an explanation of what makes it special, is not 
> > exactly an easy question - but whether the name should be 
> related to 
> > the specific features or not is also not an easy one).
> >
> >
> >
> >
> > __________________________________
> > Start your day with Yahoo! - Make it your home page! 
> > http://www.yahoo.com/r/hs
> >
> >
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:15:03 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper
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This is a multi-part message in MIME format.

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Hmmm... good point. That could be a serious issue. Thanks.
 
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Ronan Chris Murphy [mailto:looper@venetowest.com] 
Sent: Saturday, November 19, 2005 6:35 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming a software looper





reveals that "Helios" was the god of the sun or something like that.



Helios is also the name of a legendary audio/recording equipment company.
Their recording consoles were owned by the likes of the Beatles, Led Zep,
The Rolling Stones (that's what was in the famous remote truck), and
products are once again being manufactured under that name.

http://www.helios-electronics.com/

Might be a little dicey to use that name for a new music/audio product. 


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, Steve
Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the art
and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & Cher)
A dictionary search



--Boundary_(ID_HyL1OkSNzVbrX4e3yBCh3A)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2769" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=796351516-19112005><FONT face=Arial color=#0000ff 
size=2>Hmmm... good point. That could be a serious&nbsp;issue. 
Thanks.</FONT></SPAN></DIV>
<DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Ronan Chris 
  Murphy [mailto:looper@venetowest.com] <BR><B>Sent:</B> Saturday, November 19, 
  2005 6:35 AM<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: Naming a software 
  looper<BR><BR></FONT></DIV><BR><BR>
  <BLOCKQUOTE>reveals that "Helios" was the god of the sun or something like 
    that.<BR></BLOCKQUOTE><BR>Helios is also the name of a legendary 
  audio/recording equipment company. Their recording consoles were owned by the 
  likes of the Beatles, Led Zep, The Rolling Stones (that's what was in the 
  famous remote truck), and products are once again being manufactured under 
  that name.<BR><BR>http://www.helios-electronics.com/<BR><BR>Might be a little 
  dicey to use that name for a new music/audio product. 
  <BR><BR><BR><?smaller>Ronan Chris Murphy<BR>www.venetowest.com (Production 
  &amp; mixing: King Crimson, Chucho Valdes, Steve Morse, Terry Bozzio, 
  CGT...)<BR>www.homerecordingbootcamp.com (Workshops around the world teaching 
  the art and craft of recording )<BR>www.livesofthesaints.net (The hottest 
  ambient noise duo since Sonny &amp; Cher) A dictionary 
search<?/smaller><BR></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_HyL1OkSNzVbrX4e3yBCh3A)--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:15:03 2005
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Subject: RE: Naming a software looper
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Hi Art,

Sure, I remember you. Didn't you have a loft near Army Street? Are you still
in SF? Howzit goin? Do you still pop over to Mills for stuff?

Best wishes,
Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:23:01 2005
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Date: Sat, 19 Nov 2005 11:22:51 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
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Wow!  It's great to know there are so many Sonar users on this list.  
I've watched rec.audio.pro for references to Sonar and they are few and 
far between - and most are disparaging comparisons to <that other product>.

I happen to love the Sonar Producer 4 interface and appreciate it's 
swiss-army-knife utility, especially it's integration of MIDI and audio, 
plug-in support and - wait for it - LOOP CONSTRUCTION utility.  I'm 
deferring the purchase of V5 as I usually do when a new version of any 
software is released...

Hope this isn't an area that will be considered off-topic, but I hope to 
see more Sonar discussions on this board...

Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:23:33 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: OT: Time travel
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Time warping - good idea, possibly in a later version :-)

By the way - on the subject of time travel - I'm currently reading "The Time
Traveler's Wife". I highly recommend it. The premise is that there's this
guy who uncontrollably, spontaneously, time travels to points +/- 50 years
from his present, mostly into his past, and keeps visiting mostly his wife
and sometimes his past self. So he first meets his wife (or, I should rather
say, his wife first meets him) when he's 40 and she's 6, although he's
"really" 8 years older than her.  Sometimes, as in that scenario, he has
knowledge of her future that she doesn't have, and other times, like when
she's 20 and he's 28 (realtime), she has knowledge of *his* future (she
knows the 40-year old already). It's a unique, subtle and interesting
variant on a fascinating but often tired theme.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Art Simon [mailto:simart@gmail.com] 
> Sent: Friday, November 18, 2005 8:07 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Naming a software looper
> 
> 
> Oh, I forgot to put in a feature request: Time warping, so 
> you can compose music and spend time with your 3 year old child.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:32:24 2005
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I kinda liked 'D'Loop' or 'D-Loop', with the idea of repeating it one or 
more times.  What would the BNF notation look like?

*(Anyone)?

Dan Ash
White Plains, NY






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The time travel is handled elegantly and it's also
a very powerful romance. (Not trying to scare anyone off.)

Cheers,
Scott M2
 
http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


> Time warping - good idea, possibly in a later version :-)
> 
> By the way - on the subject of time travel - I'm currently 
> reading "The Time
> Traveler's Wife". I highly recommend it. The premise is that 
> there's this
> guy who uncontrollably, spontaneously, time travels to points 
> +/- 50 years
> from his present, mostly into his past, and keeps visiting 
> mostly his wife
> and sometimes his past self. So he first meets his wife (or, 
> I should rather
> say, his wife first meets him) when he's 40 and she's 6, although he's
> "really" 8 years older than her.  Sometimes, as in that 
> scenario, he has
> knowledge of her future that she doesn't have, and other 
> times, like when
> she's 20 and he's 28 (realtime), she has knowledge of *his* 
> future (she
> knows the 40-year old already). It's a unique, subtle and interesting
> variant on a fascinating but often tired theme.
> 
> Best wishes,
> Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:34:58 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper
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My BNF is rusty, but the repetition concept that you mention will probably
find its way into the logo. Thanks.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Dan Ash [mailto:Daniel.Ash@Verizon.net] 
> Sent: Saturday, November 19, 2005 11:32 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Naming a software looper
> 
> 
> I kinda liked 'D'Loop' or 'D-Loop', with the idea of 
> repeating it one or 
> more times.  What would the BNF notation look like?
> 
> *(Anyone)?
> 
> Dan Ash
> White Plains, NY
> 
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 16:39:39 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
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The VST/DX adapter bundled with Sonar 4 and below works ok for me,
though I've heard reports that there are plugs it doesn't handle
properly.  At one time it didn't support routing MIDI generated by the
plugin, you could only send MIDI into the plugin.  In those cases
there are several alternative adapters available, one is Directixer at
http://tonewise.com/DirectiXer/.

But the main problem I've had with Sonar is that you can't record
the output of an effect or DXi "live".  Sonar is designed to apply
effects at runtime to a dry signal, if you want to create a track or
file with the effected signal you have to "bounce" the dry track
through the plugin, sending the result to another track.  This can't
be done as you record the dry track, you have to stop and use an
offline process.  The same thing with VSTi instruments, Sonar records a
track of MIDI events and replays it through the instrument every time,
if you want to create an audio track with the output of the instrument
you have to bounce it offline.

Now in theory, the effect or instrument will generate the same output
every time so you don't need to record the "wet" signal.  Keeping it
dry allows you to tinker with the effects without changing the source
track.  But this is a problem for more complicated plugs like, oh say
a looper, that is generating audio in response to both an input signal
and a complex stream of MIDI commands.  Again in theory as long as you
replay exactly the same dry signal and recorded MIDI commands into the
plugin you should get the same result, but in practice that doesn't
always happen.

The only way I'm aware of to address this with Sonar is to host the
plugins in a rewire host such as Bidule, then patch the rewire output
from Bidule into Sonar for recording.

Now, this may have changed in Sonar 5, I haven't had a chance to try
that yet.

Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 17:04:52 2005
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Date: Sat, 19 Nov 2005 12:05:59 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Naming a software looper
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Hi Jeff,

I think I accidentally sent a content-less reply to this earlier. Sorry to
the list. It's like an email blizzard for me this morning (lots of fun -
thanks to all).

Thank you very much, Jeff, for your very thoughtful reply. I just have a
couple of comments, inline below. 

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM] 
> Sent: Friday, November 18, 2005 6:06 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Naming a software looper
> 
...

> It depends on what you mean by "layers".  A few loopers 
> support multiple "tracks" which you record and mutate 
> independently, and if the tracks are made to be of identical 
> size you achieve an effect similar to layers of overdubs.  
> The challenge here is to make it so you can record into 
> successive tracks as easily as you would just make several 
> overdub passes in a single track looper.

Yes, this just happens automatically: as each overdub track fills,
additional audio records into the next until you hit the Overdub switch to
stop overdubbing.

> 
...
> 
>  > - support for VST plugins to modify the input to the 
> looper and the  > total mix output
> 
> Having the looper host plugins is a powerful concept, but I 
> would suggest you consider having the looper *be* a VST 
> plugin instead or in addition.  If you want to get into the 
> VST hosting game, then you're going to be competing with the 
> likes of Bidule, EnergyXT, and Live.  If ease of use is the 
> primary goal, then being a limited host is a good thing.  But 
> if you want to be flexible, being a VST is better.

I'd rather be a host. There are far too many plugins for a looper plugin to
get any attention in the world. I don't mind competing with Ableton - I
don't really think that we'll have the same audience, because I'll be
cheaper and simpler.


> 
>  > - affordability - I anticipate 3 versions, one at $89 or 
> so, one at  > $199 and one at $299.
> 
> With all due respect, I think you're going to find that the 
> market for a software looper priced over $99 is rather small, 
> especially if you're targeting customers for whom "ease of 
> use" is a primary concern.
> 

You may be right, although ease of use is not the *primary* concern - except
in the larger sense of ease of making great-sounding live music and
recordings (ok, maybe I'm splitting hairs). It's very hard to predict what
people will pay for in non-commodity categories (although loopers are maybe
starting to become commodities). Listen, I'd be *thrilled* (and surprised)
to sell 1,500 of these a year at $99 (assuming I spent half the money on
various operating and promotion costs). I could improve it more-or-less
full-time! That, of course, would be far better than selling 100 a year at
$300. I've been thinking - though this is probably crazy (I'm not a great
businessman) - of using one of those "progressive pricing" systems at first;
you know, it starts out at - who knows? $50? - while it's still very
immature, then at a certain point it starts increasing by, like $25 per week
or month until volume starts diminishing. That rewards early adopters
nicely, which is an unalloyed virtue. And, I've learned the hard way that
from a business point of view, it can be easier to increase prices than to
reduce them (what do you do for the people who bought your product the
day/week/month/year before the price decrease?).

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 17:06:32 2005
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Subject: Re: Naming a software looper
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Dan Ash wrote:
> I kinda liked 'D'Loop' or 'D-Loop', with the idea of repeating it one or 
> more times.  What would the BNF notation look like?
> 
> *(Anyone)?

Original BNF does not have a meta-symbol for repetition, though
a commonly used extension is to use braces for "zero or more".

    program := {statement}

Other languages like regexp, use * for "zero or more" and + for "one or more".

Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 17:26:35 2005
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Subject: Re: Naming a software looper
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Warren Sirota wrote:
> I'd rather be a host. There are far too many plugins for a looper plugin to
> get any attention in the world. I don't mind competing with Ableton - I
> don't really think that we'll have the same audience, because I'll be
> cheaper and simpler.

Well, there are several free standalone multi-track loopers that don't
get any attention in the world either :-)  But good luck.  If you're
willing to put some promotional dollars behind this it will be
interesting to see how much of a market is out there.

Regards,
Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 18:35:12 2005
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Subject: Performance in NY area
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Hi,

Thanks to all of you who have been/still are contributing to discussions
about my Looper. You've all been very gracious about allowing me to take up
so much mindwidth with the dawn of this commercial release.

Now for something completely different: next Saturday, November 26, The
Sandbox will be performing at The Baby Grand Cafe,  7 West St., Warwick, NY
from 1-3. I know this will be out of the way for even those NYers among you
(it's about an hour from the GWB), but maybe some of you are near us.

Our music is world-tinged freeform improv, with the looper used as an
instrumental technique (I probably loop about 1/2-2/3 of the time). Samples
at www.warrensirota.com/sandbox.

I hope to meet some of you there...

Best wishes,
Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 19:56:56 2005
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WS,

In a message dated 11/17/05 8:56:56 PM, wsirota@wsdesigns.com writes:

> I actually was hoping to re-enlist your aid (since you offered it so long=20
> ago) as a beta tester/interface critic (and possibly re-designer) when I'v=
e=20
> finished writing preliminary docs and cleaning up one or two things
>=20
For what it's worth. I'm still game. I've only recently gotten more=20
up-to-date re computer music making/recording with my purchase of the ProToo=
ls M-Box=20
and software plug-in bundle Guitar Center was blowing out last month.

At least I have a decent quality audio interface (if only USB and stereo=20
in/out) . . . and some good software that'll accept RTAS plug-ins (heck it c=
ame=20
wit a boatload of 'em).=20

I did my track for Kris Hartung's Xperimentus project on it in my living roo=
m=20
on a lowly iBook weekend before last. I played my old Roland guitar synth=20
sans most of the effects I usuall mess with.

As for the name AccuLoop. It has a certain descriptive functionality . . .=20
but seems to lack any sense of playfulness, humour or spark that a really gr=
eat=20
name for a creative product seemingly "ought" to have. But then, how creativ=
e=20
(really) is ProTools? M-Box. Abelton Live? Digital Performer? MetaSynth?

You could call it some really sucky name like SuperPooperLooperScooper but i=
f=20
it really ROCKS then people will hear about it and (hopefully) buy it anyway=
.=20


My professional opinion (as a marketeer and ad agency maven of long-standing=
=20
music industry repute) is go ahead and call it AccuLoop. It's an okay name.=20
Just make sure the product "delivers the goods" so to speak and is everythin=
g=20
you say it is. If you happen to come up with something better to name it in=20=
the=20
meantime that'd be an additional "edge" in the marketplace. But AccuLoop won=
't=20
kill it if it's good.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">WS,<BR>
<BR>
In a message dated 11/17/05 8:56:56 PM, wsirota@wsdesigns.com writes:<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I actually was hoping=
 to re-enlist your aid (since you offered it so long ago) as a beta tester/i=
nterface critic (and possibly re-designer) when I've finished writing prelim=
inary docs and cleaning up one or two things</FONT><FONT COLOR=3D"#000000" F=
ACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">For what it's worth. I'm still game. I've only recently gotten more up-to=
-date re computer music making/recording with my purchase of the ProTools M-=
Box and software plug-in bundle Guitar Center was blowing out last month.<BR=
>
<BR>
At least I have a decent quality audio interface (if only USB and stereo in/=
out) . . . and some good software that'll accept RTAS plug-ins (heck it came=
 wit a boatload of 'em). <BR>
<BR>
I did my track for Kris Hartung's Xperimentus project on it in my living roo=
m on a lowly iBook weekend before last. I played my old Roland guitar synth=20=
sans most of the effects I usuall mess with.<BR>
<BR>
As for the name AccuLoop. It has a certain descriptive functionality . . . b=
ut seems to lack any sense of playfulness, humour or spark that a really gre=
at name for a creative product seemingly "ought" to have. But then, how crea=
tive (really) is ProTools? M-Box. Abelton Live? Digital Performer? MetaSynth=
?<BR>
<BR>
You could call it some really sucky name like SuperPooperLooperScooper but i=
f it really ROCKS then people will hear about it and (hopefully) buy it anyw=
ay. <BR>
<BR>
My professional opinion (as a marketeer and ad agency maven of long-standing=
 music industry repute) is go ahead and call it AccuLoop. It's an okay name.=
 Just make sure the product "delivers the goods" so to speak and is everythi=
ng you say it is. If you happen to come up with something better to name it=20=
in the meantime that'd be an additional "edge" in the marketplace. But AccuL=
oop won't kill it if it's good.<BR>
<BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_9.50aff0e8.30b0dd84_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 20:38:57 2005
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Subject: Re: Naming a software looper
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In a message dated 11/18/05 1:55:11 PM, wsirota@wsdesigns.com writes:

<< I'd love naming suggestions suggestions >>

I ran my word grinder over coffee at the shoppe:

Loopsterizer
Loopeteria
LoopMatrix
Loopalizer
Loopdom
LoopGate  [LoopDrive]
LoopZone
LoopEase  [Loopizi]
LoopTech  [LoopDeck]
LoopDash
LoopWing  [Pwing]
LoopMill
Loopstrate
LoopField
Loopacious 

AnteLoop
FormaLoop
Circumusigator  [Circumusicalizer]


The Repper  [ReCapper - for hiphop? it will cap your ass]

Uroborus [Ouroboros]


just riffing, did not google any of these.
regards

BobC


http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://tinyurl.com/cr25j

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 20:42:52 2005
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Subject: Re: Funny "Experimental" Music Experiences This Week
Date: Sat, 19 Nov 2005 12:42:51 -0800
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I would have loved to hear the chainsaw story.
I love the random when it enters music and truly believe that we can 
recontextualize anything into music if we try hard enough.
Well, maybe not anything...............a heckling, belligerent drunk is 
dangerous to include in your loops...........lol.

I have a couple of experiences like that:


At the last 2nd Sundays Live Looping Series that I played at,  I was doing a 
sensitive piece for
kalimba in 6/8 when they fired up the loud disco in the Blue Lagoon right 
under our floor.

In came the throbbing 4/4 bass...................really loud and the room 
below......................in a perfect polyrhytyhmic four pulse
to my loop (which at the time was a line 6 loop)................i'll be 
damned if it didn't stay in sync for the better part
of the piece....................there was nothing to do but play do this 
throbbing bass beat which I did, and then ended
my concert immediately after I finished the piece.


Also, in Japan,  I began my last show and there was suddenly a loud clicking 
noise that was repeating in the rhythm of a samba bass line.
||: X**XX**XX**XX**X :||      Try as I may, I could not locate the offending 
sound and figured that my poor abused Mackie 1402
had finally bit the dust.     So I just announced to the crowd (most of whom 
could not understand my english at all) that I was just going to have
to make my whole show be based off of that rhtyhm.    I did a faux 
industrial beatbox rhythm over that bizarre ostinato and did my first piece.
Mercifully, I discovered that one of my two blow channels in the board had 
come unmuted and I was able to finish the show with my own
decisions about rhythm.    It's wierd though..............the preamps are 
blown in channels one and two of my board and each channel makes
a loud repetitive clicking sound..............one is just like a quarter 
note,   the other is that infernal samba rhythm....................why would
that happen?

Lastly,  in one of my gigs,  a very loud ambulance siren occured just as I 
was making a long loop............................it got recorded into my 
sensitive
AKG C1000s mics and miraculously was perfectly in key with the song I was 
beginning to loop.   The audience cracked up and I left it in the piece for 
the duration. 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 21:07:22 2005
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Date: Sat, 19 Nov 2005 13:07:19 -0800
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Naming a software looper - D'Loop?
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Personally, I'm warming up to "SooperPooperLooperScooper"
: )

On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Tim, that's a great list - thanks! I am really attracted to a variant of =
one
> of the names you suggest: D'Loop. I had been thinking of something like
> "Loop De Loop", but that scans horribly - hadn't thought of the apostroph=
e
> or leaving out one of the "Loops".
>
> Thanks,
> Warren Sirota
>
>
> > -----Original Message-----
> > From: Tim Thompson [mailto:tjt@nosuch.com]
> > Sent: Saturday, November 19, 2005 1:22 AM
> > To: 'Warren Sirota'
> > Subject: RE: Naming a software looper
> >
> >
> > Loopadelic
> > Repetitious
> > LoopFactory
> > SimplyLooping
> > LoopWrangler
> > Circular Reasoning
> > D'Looper
> > Loops of Love
> > Le Looper
> > Cirque du Looper
> > Deja Vu, or just Deja
> >
> >     ...Tim...
> >
> >
> > -----Original Message-----
> > From: Warren Sirota [mailto:wsirota@wsdesigns.com]
> > Sent: Friday, November 18, 2005 1:56 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Naming a software looper
> >
> > Thanks, Stephen. I agree with you that names are important.
> > That's why I'm struggling with it.
> >
> > I had a dream right before I woke up this morning - I don't
> > remember what the dream was about, but one word was prominent
> > in it: Helio. It doesn't have anything to do with looping,
> > but then neither does Ableton (many other products are not
> > named to reflect their capabilities). A dictionary search
> > reveals that "Helios" was the god of the sun or something like that.
> >
> > So there's one name. Another that I thought of was MultiLoop,
> > but I'm not sure how well that really reflects anything. I
> > also thought of "FNEZ Looper" (read it out loud), but that's
> > a bit on the crude side, I guess. One person I talked to
> > liked it, someone else cringed. Cringing is not good.
> >
> > The things that are most unique about this looper (I think, I
> > hope) are:
> >
> > - instant gratification, easy learning curve
> > - Can be operated in hands-free mode; works with most
> > footcontrollers (but a multi-bank footcontroller is best;
> > basic functions can be in the first bank, advanced functions
> > in others)
> > - CD-quality, stereo looping
> > - loop layers are independently mutable and re-mixable
> > - built in digital multitrack recorder makes pristine
> > recordings of your live playing, your loops and aux inputs
> > (like the people you're playing
> > with)
> > - peak limiting on the output. In later versions, different
> > forms of multiband compression will be supported
> > - with a touch of your toe (here I go into marketing-speak),
> > you can save all the loops into individual files for later
> > processing with Acid or the DAW of your choice.
> > - PC (XP) and MAC (OS/X)
> > - affordability - I anticipate 3 versions, one at $89 or so,
> > one at $199 and one at $299.
> > - support for VST plugins to modify the input to the looper
> > and the total mix output
> >
> > At present, it's a fairly basic looper/recorder. In addition
> > to the basic looper, reverse is there, as well as
> > continuously-varying playback speed, controlled by footpedal
> > or mouse (the pitch changes, but it's a pretty good effect).
> > But the architecture is very solid, and I expect to be adding
> > fancy effects rapidly once I get past the initial hurdles of
> > documentation, installers, security (I hate dealing with sw
> > security, but you gotta do it), press releases and all that stuff.
> >
> > I put a couple of screenshots up at
> > www.warrensirota.com/looper so you can get a better idea.
> >
> > I'd love naming suggestions suggestions and votes on the ones
> > I've got: Helio (or Helios) and MultiLoop.
> >
> > Thanks,
> > Warren Sirota
> > www.warrensirota.com
> >
> >
> > > -----Original Message-----
> > > From: S V G [mailto:vsyevolod@yahoo.com]
> > > Sent: Friday, November 18, 2005 2:22 PM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: Re: Loopers-Delight-d Digest V05 #746
> > >
> > >
> > >
> > >      Warren,
> > >
> > >      Naming can be a very powerful thing.  Especially if
> > you are able
> > > to describe within the name what is unique about the object to be
> > > named.  Secondarily, the name can be pleasant to the ear,
> > or at least
> > > memorable.  Associations with other products is usually not
> > > desireable.
> > >
> > >      When I hear the name AccuLoop, my mind immediately goes to all
> > > the cheaply designed and built woodworking tools from overseas.
> > > "Accu" as a prefix, just doesn't instill confidence in a
> > product, at
> > > least to this boy.
> > >
> > >      Naming your looper has the potential to make it or break it.  A
> > > good example is the software called Chopitch.  Does it mean
> > that your
> > > chops will start itching?
> > >
> > >      Good luck finding an appropriate name for it.
> > > Currently, AccuLoop doesn't do much for me.
> > >
> > >      Regards,
> > >
> > >          Stephen
> > >
> > >
> > >
> > >
> > >      Warren wrote:
> > > It's a little hard for me to complete the docs, though,
> > because I'm at
> > > sea for a name. I'm thinking maybe AccuLoop.
> > > Whaddya think? (that, totally without an explanation of
> > what makes it
> > > special, is not exactly an easy question - but whether the
> > name should
> > > be related to the specific features or not is also not an easy one).
> > >
> > >
> > >
> > >
> > > __________________________________
> > > Start your day with Yahoo! - Make it your home page!
> > > http://www.yahoo.com/r/hs
> > >
> > >
> >
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 21:34:49 2005
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Date: Sat, 19 Nov 2005 13:34:01 -0800
Subject: The NEW Jamman vs. Echoplex (new)
From: Ernie Mansfield <ernie@mansfieldmusic.com>
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Can anyone give me an update on the new Digitech Jam-man? Is it any better
than the previous Jam-man? Is it any competion for the (newest) Echoplex? It
is certainly a lot cheaper...!

I am really looking for a solo, performance-oriented delay and looping
device. I am looking to do live "on the fly" improvisation.

I am NOT looking to have everything pre-programmed before a performance!!!

Is there any notable competition to the Echoplex, for live performance?
-- 
Ernie Mansfield
Mansfield Music
--
http://www.mansfieldmusic.com
ernie@mansfieldmusic.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 19 21:57:10 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: The NEW Jamman vs. Echoplex (new)
Date: Sat, 19 Nov 2005 22:57:06 +0100
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On Nov 19, 2005, at 22:34, Ernie Mansfield wrote:

> Can anyone give me an update on the new Digitech Jam-man?

Maybe.

> Is it any better
> than the previous Jam-man?

You must mean the Lexicon Jamman? No, this is a joke compared to the =20
original. How ignorant to use the same name! I was just lent a =20
DigiTech JamMan and I'm sorry to say I was very disappointed with it.

> Is it any competion for the (newest) Echoplex? It
> is certainly a lot cheaper...!

Definitely not.

> I am really looking for a solo, performance-oriented delay and looping
> device. I am looking to do live "on the fly" improvisation.
>
> I am NOT looking to have everything pre-programmed before a =20
> performance!!!
>
> Is there any notable competition to the Echoplex, for live =20
> performance?

Yes, the M=F6bius software plus a good computer running XP.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



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Subject: Re: Naming a software looper
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A few names...

LoopSAW
LoopMate
LoopIT
LoopNOW
LoopBox
LoopWare
LoopCache
LoopS
Sdooj
TimeWarp
TimeTunnel
TimePipe
TimeAndAgain
TimeTone
TimerCutter

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 05:09:55 2005
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Subject: RE: CAKEWALK SONAR HOME STUDIO 4 opinions?
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Hi Jeff,

>But the main problem I've had with Sonar is that you can't record
>the output of an effect or DXi "live".  Sonar is designed to apply

You can address some of this this using the Freeze Track function.  You can
undo the Freeze too, so you can go back and edit the MIDI if you need to.
Or, there's always Virtual Audio Cables, or do like I used to and run two
sound cards and connect them with the S/PDIF cable and send the out of the
DXi to the S/PDIF and route it that way.

Take care,
Tony

-----Original Message-----
From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM] 
Sent: Saturday, November 19, 2005 11:40 AM
To: Loopers-Delight@loopers-delight.com
Cc: digitalhell
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?

The VST/DX adapter bundled with Sonar 4 and below works ok for me,
though I've heard reports that there are plugs it doesn't handle
properly.  At one time it didn't support routing MIDI generated by the
plugin, you could only send MIDI into the plugin.  In those cases
there are several alternative adapters available, one is Directixer at
http://tonewise.com/DirectiXer/.

But the main problem I've had with Sonar is that you can't record
the output of an effect or DXi "live".  Sonar is designed to apply
effects at runtime to a dry signal, if you want to create a track or
file with the effected signal you have to "bounce" the dry track
through the plugin, sending the result to another track.  This can't
be done as you record the dry track, you have to stop and use an
offline process.  The same thing with VSTi instruments, Sonar records a
track of MIDI events and replays it through the instrument every time,
if you want to create an audio track with the output of the instrument
you have to bounce it offline.

Now in theory, the effect or instrument will generate the same output
every time so you don't need to record the "wet" signal.  Keeping it
dry allows you to tinker with the effects without changing the source
track.  But this is a problem for more complicated plugs like, oh say
a looper, that is generating audio in response to both an input signal
and a complex stream of MIDI commands.  Again in theory as long as you
replay exactly the same dry signal and recorded MIDI commands into the
plugin you should get the same result, but in practice that doesn't
always happen.

The only way I'm aware of to address this with Sonar is to host the
plugins in a rewire host such as Bidule, then patch the rewire output
from Bidule into Sonar for recording.

Now, this may have changed in Sonar 5, I haven't had a chance to try
that yet.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 05:24:59 2005
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From: Tom Ritchford <tom@swirly.com>
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darn!  I just can't get there from here -- but why don't you come and
play in New York again?

By the way -- there is some chance that I'll be starting up open loop
again next year -- I have been talking to a venue that's very
interested -- though I'd be doing it by-monthly.

On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Hi,
>
> Thanks to all of you who have been/still are contributing to discussions
> about my Looper. You've all been very gracious about allowing me to take =
up
> so much mindwidth with the dawn of this commercial release.
>
> Now for something completely different: next Saturday, November 26, The
> Sandbox will be performing at The Baby Grand Cafe,  7 West St., Warwick, =
NY
> from 1-3. I know this will be out of the way for even those NYers among y=
ou
> (it's about an hour from the GWB), but maybe some of you are near us.
>
> Our music is world-tinged freeform improv, with the looper used as an
> instrumental technique (I probably loop about 1/2-2/3 of the time). Sampl=
es
> at www.warrensirota.com/sandbox.
>
> I hope to meet some of you there...
>
> Best wishes,
> Warren Sirota
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 11:03:43 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: CAKEWALK SONAR HOME STUDIO 4 opinions?
Date: Sun, 20 Nov 2005 12:03:38 +0100
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>
> -----Original Message-----
> From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM]
>
> But the main problem I've had with Sonar is that you can't record
> the output of an effect or DXi "live".  Sonar is designed to apply
> effects at runtime to a dry signal, if you want to create a track or
> file with the effected signal you have to "bounce" the dry track
> through the plugin, sending the result to another track.


How about inserting the VST TapeIt as the last plug-in? (opening it  
in the VST/DX wrapper).

> From the web page:
>    1. Use TapeIt as a channel insert plugin for quick track  
> bouncing or freezing.
>    2. Export accurate mix-downs in realtime. And listen while  
> exporting.
>    3. Record your VST instruments in realtime while playing.
>    4. Put TapeIt before and/or after an effect plugin to record the  
> dry and/or wet signal.
>    5. Use TapeIt to monitor any specific point in the signal chain.
>    6. Use more than one instance of TapeIt simultaneously (e.g. do  
> multiple track bounces at once).
>
> http://www.silverspike.com/?Products:TapeIt

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 15:28:15 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Performance in NY area
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Tom -

We'd be delighted to play in NY again - if you know of any opportunities,
let me know. I've been very lax about hustling up performances because I'm
so distracted by things like making the software work, but we do love
playing live (and of course Manhattan seems like such a natural
"constituency" compared to out here in semi-rural semi-upstate NY).

Best wishes,
Warren Sirota


> -----Original Message-----
> From: tom.ritchford@gmail.com 
> [mailto:tom.ritchford@gmail.com] On Behalf Of Tom Ritchford
> Sent: Sunday, November 20, 2005 12:25 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Performance in NY area
> 
> 
> darn!  I just can't get there from here -- but why don't you 
> come and play in New York again?
> 
> By the way -- there is some chance that I'll be starting up 
> open loop again next year -- I have been talking to a venue 
> that's very interested -- though I'd be doing it by-monthly.
> 
> On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > Hi,
> >
> > Thanks to all of you who have been/still are contributing to 
> > discussions about my Looper. You've all been very gracious about 
> > allowing me to take up so much mindwidth with the dawn of this 
> > commercial release.
> >
> > Now for something completely different: next Saturday, November 26, 
> > The Sandbox will be performing at The Baby Grand Cafe,  7 West St., 
> > Warwick, NY from 1-3. I know this will be out of the way for even 
> > those NYers among you (it's about an hour from the GWB), but maybe 
> > some of you are near us.
> >
> > Our music is world-tinged freeform improv, with the looper 
> used as an 
> > instrumental technique (I probably loop about 1/2-2/3 of the time). 
> > Samples at www.warrensirota.com/sandbox.
> >
> > I hope to meet some of you there...
> >
> > Best wishes,
> > Warren Sirota
> >
> >
> 
> 
> --
>      /t
> 
> http://ax.to ... extreme NY arts and music calendar
> 

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 15:33:54 2005
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Any "nutshell" overviews on EDP RoundMode parameter?  This change from 
off and on (rnd) seems pretty subtle.  I know there are lots of "ifs!"

thnx, David

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 16:07:09 2005
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.David.Auker. wrote:
> Any "nutshell" overviews on EDP RoundMode parameter?  This change from 
> off and on (rnd) seems pretty subtle.  I know there are lots of "ifs!"

It determines whether new audio is recorded when you are ending
an Insert or Multiply.  The pictures on pages 5-11 and 5-29 have
the best explanation.  It will only have an effect if Quantize=Off
or SubCycle.

Jeff


From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 18:36:43 2005
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LD members,

I've been considering the prospect of hosting a wiki that would focus on 
looping.  The purpose would be to build an extensive, interrelated 
resource (ie, a wiki!) regarding all aspects of looping.  Techniques, 
concepts, history, trends, gear, artists, etc, etc, etc, and on and on.  
Although the concept of "looping" is becoming more and more popular, I 
continually encounter people who are confused by it on even the most 
basic levels.  A resource like this could help them, at a minimum.  With 
all of the broad experience and expertise that this list possesses, I 
suspect each of us could begin an ongoing journey of learning and 
discovery.  In the process, we might just build something approaching 
and authoritative web resource on looping.

I recognize that there is some information at wikipedia, but as I've 
browsed it I've also recognized that there is *so* much more information 
that still remains scattered across the web, in mailing list archives, 
emails, and even our own brains.  Of course, we could all commit to 
contributing to wikipedia... but I'm not sure that's the easiest or best 
way to get the job done.  Thus, I'm writing this post to the list....

Any interest?  Any concerns?

If you're not familiar with the wiki concept, try this link:  
http://en.wikipedia.org/wiki/Wiki   The basic idea is a collaborative 
web resource, with easy ways to related information through internal 
links.  Wasn't that what they said the web was going to be, anyway? :)

I welcome discussion on or off list.  Once I measure the reaction and 
potential of the idea, I'll summarize what I know back to the list.

Thanks!

Doug



From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 18:56:32 2005
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I'm really minor-league as a looper, but I'd help. I am a good editor  
and writer (Ph-by-god-D). I'd make a good utility player.


On Nov 20, 2005, at 12:36 PM, Doug Cox wrote:

> LD members,
>
> I've been considering the prospect of hosting a wiki that would  
> focus on looping.  The purpose would be to build an extensive,  
> interrelated resource (ie, a wiki!) regarding all aspects of  
> looping.  Techniques, concepts, history, trends, gear, artists,  
> etc, etc, etc, and on and on.  Although the concept of "looping" is  
> becoming more and more popular, I continually encounter people who  
> are confused by it on even the most basic levels.  A resource like  
> this could help them, at a minimum.  With all of the broad  
> experience and expertise that this list possesses, I suspect each  
> of us could begin an ongoing journey of learning and discovery.  In  
> the process, we might just build something approaching and  
> authoritative web resource on looping.
>
> I recognize that there is some information at wikipedia, but as  
> I've browsed it I've also recognized that there is *so* much more  
> information that still remains scattered across the web, in mailing  
> list archives, emails, and even our own brains.  Of course, we  
> could all commit to contributing to wikipedia... but I'm not sure  
> that's the easiest or best way to get the job done.  Thus, I'm  
> writing this post to the list....
>
> Any interest?  Any concerns?
>
> If you're not familiar with the wiki concept, try this link:   
> http://en.wikipedia.org/wiki/Wiki   The basic idea is a  
> collaborative web resource, with easy ways to related information  
> through internal links.  Wasn't that what they said the web was  
> going to be, anyway? :)
>
> I welcome discussion on or off list.  Once I measure the reaction  
> and potential of the idea, I'll summarize what I know back to the  
> list.
>
> Thanks!
>
> Doug
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 19:20:13 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Our own looping wiki?
Date: Sun, 20 Nov 2005 20:19:58 +0100
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Hi Doug

I tried to start something similar where anyone could volunteer to collate
information posted to LD, e.g. about a specific piece of hardware (see the
headphones example:
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?HeadPhones).
The idea would be to add a navigational help and structure to the very rich
but "flat" and hard to search LD mailing list archive. I have also started
cookbooks for EDP and Repeater using the same technology. The OS wish list
for the repeater kind of worked. Several people added their wishes.

See http://loopersdelight.com/LDarchive/200411/msg00060.html
and
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
http://www.xmlizer.biz/cgi-bin/edp/kwiki.cgi
http://www.xmlizer.biz/cgi-bin/repeater-users/kwiki.cgi

Bernhard
http://nosuch.biz

> -----Original Message-----
> From: Doug Cox [mailto:dougcox@pdq.net]
> Sent: Sonntag, 20. November 2005 19:37
> To: Loopers-Delight@loopers-delight.com
> Subject: Our own looping wiki?
> 
> LD members,
> 
> I've been considering the prospect of hosting a wiki that would focus on
> looping.  The purpose would be to build an extensive, interrelated
> resource (ie, a wiki!) regarding all aspects of looping.  Techniques,
> concepts, history, trends, gear, artists, etc, etc, etc, and on and on.
> Although the concept of "looping" is becoming more and more popular, I
> continually encounter people who are confused by it on even the most
> basic levels.  A resource like this could help them, at a minimum.  With
> all of the broad experience and expertise that this list possesses, I
> suspect each of us could begin an ongoing journey of learning and
> discovery.  In the process, we might just build something approaching
> and authoritative web resource on looping.
> 
> I recognize that there is some information at wikipedia, but as I've
> browsed it I've also recognized that there is *so* much more information
> that still remains scattered across the web, in mailing list archives,
> emails, and even our own brains.  Of course, we could all commit to
> contributing to wikipedia... but I'm not sure that's the easiest or best
> way to get the job done.  Thus, I'm writing this post to the list....
> 
> Any interest?  Any concerns?
> 
> If you're not familiar with the wiki concept, try this link:
> http://en.wikipedia.org/wiki/Wiki   The basic idea is a collaborative
> web resource, with easy ways to related information through internal
> links.  Wasn't that what they said the web was going to be, anyway? :)
> 
> I welcome discussion on or off list.  Once I measure the reaction and
> potential of the idea, I'll summarize what I know back to the list.
> 
> Thanks!
> 
> Doug
> 



From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 20:36:06 2005
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Jeff Larson wrote:

> .David.Auker. wrote:
>
>> Any "nutshell" overviews on EDP RoundMode parameter?  This change 
>> from off and on (rnd) seems pretty subtle.  I know there are lots of 
>> "ifs!"
>
>
> It determines whether new audio is recorded when you are ending
> an Insert or Multiply.  The pictures on pages 5-11 and 5-29 have
> the best explanation.  It will only have an effect if Quantize=Off
> or SubCycle.
>

Thanks, I was thinking it might have other considerations, too.  I need 
more experience changing parameters to make the reasoning more clear.  
There must be situations where Quantize=off, but the features of 
RoundMode desired.  Lots of ways to get around to make this a personal tool!

David

From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 20:58:01 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: EDP RoundMode
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.David.Auker. wrote:
> Thanks, I was thinking it might have other considerations, too.  I need 
> more experience changing parameters to make the reasoning more clear.  
> There must be situations where Quantize=off, but the features of 
> RoundMode desired.

RoundMode is only meaningful when Quantize=off (or subcycle in some cases).
When Quantize=cycle or loop, then the start and end of the multiply will always
be quantized to a cycle boundary anyway so there will be no "rounding period"
during which RoundMode decides whether or not you will record.

The name is a bit confusing IMO because it suggests that it controls
whether Insert/Multiply will do rounding which it doesn't.  A more
accurate name would be RecordDuringRounding but that's of course
harder to print on the front panel :-)

Jeff


From Loopers-Delight-request@loopers-delight.com  Sun Nov 20 23:42:10 2005
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From: "Scott M2" <scott@dreamstate.to>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: The PiNG presents Sylken with URM & Anomalous Disturbances
Date: Sun, 20 Nov 2005 18:43:10 -0500
Organization: dreamSTATE
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THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday Nov. 22nd - Sylken with URM & Anomalous Disturbances

To celebrate the release of Sylken's new "Terraforms" CD, Sylken
invites you to THE AMBiENT PiNG to bask in some liquid sound
paintings, spacious atmos and ambient vibes to float your mind on.
Eric Hopper (Sylken), Terry O'Brien (Anomalous Disturbances -
visiting from Vancouver) and Jamie Todd (URM, dreamSTATE) team up
to bring you an evening of spacey synth washes, looping ambient
guitar cascades, rhythmic grooves and virtual laptop soundshaping
for your pleasure. 
http://www.anomalousdisturbances.com 
http://www.sylken.ca 
http://www.urm.ca

Between Sets CD - "Land Of The Blind" by The Circular Ruins
Sparce pulsations mix with swirling synthesizers in a series of pieces
recorded 2002-2004 by London Ontario's Anthony Paul Kerby (APK).
http://www.databloem.com/TCR/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday November 29th 2005 . PHOLDE and INSIDEaMIND
http://www.pholde.com    http://insideamind.net
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Terraforms" by Sylken

Eric Hopper's project Sylken returns with "Terraforms", a beautiful
example of the ambient ideal. Working with some of the brightest
talents in the AMBiENT PiNG community including frequent collaborator
Steven Sauve, along with Wally Jericho, Jamie Todd of dreamSTATE,
Terry O'Brien of Anomolous Disturbances and Gregory Kyryluk of
Alpha Wave Movement, Hopper has collected a series of melodic
ambient tracks of great beauty and wonder.

>From the throbbing pulse of opening track "Terra Rising", where
graceful arpeggios and deep pads blend together with each other to
form a delicate web of sound, the listener is caught up in the beauty
inherent in all of Sylken's work. A lovely way to start the disc.

"Landfalls" follows, a track that suggests a rainforest, an
environment rich with vivid colour and beauty, lush keyboard washes
bringing to mind thick forests of greenery. A wonderful example
of environmental ambience.

Track three "Breath of Life" slows down the tempo slightly, a
fragile and beautiful piece where occasional piano dances around
sweeping soundscapes that pass through the soundfield like a
slow wind. Fragile and lovely.

"Enfoldment" brings about a womb-like listening experience where
the senses become focussed entirely on the music, Wally Jericho's
sax bringing an otherworldly beauty to the piece.

"The Shores of Space" is a fine example of space music, a track
that evokes the sensation of slow orbits around alien planets.
Oblique movement and gently building waves of sound are
underscored by soft melodies suggestive of stars. Beautiful.

Title track "Terraforms" is a lovely percolating soundscape that
brings to mind the birth of planets, continents slowly taking shape
over the course of millions of years. Wally Jericho appears again,
lovely trumpet work giving the track an organic feeling, the spark
of a soul that reminds us that the earth is just as much of a
living thing as you or I.

"World of One" blends pads and drones, echoing tones and keening
notes to suggest a pulse, a heartbeat, the beginnings of life.
Subtly shifting tones and the tinkling of glass play throughout,
a stunning work of minimalist wonder.

Track eight, "Gaia's lament" is a poignant piece, a slowly drifting
series of pads that float around the senses, playing on the edge of
our awareness. Nuance and infrequent shifts give shape to the track,
a million instants of change so subtle that they're lost in the
blink of an eye if you aren't already in tune with them.

"The Drift of Time" follows, a delicate melodic ambient track where
pads rise and fall in strength overtop a mesmerizing tonal pattern.
Stunning.

"Zen Sky", featuring a guest appearance by Gregory Kyryluk of Alpha
Wave Movement, closes the disc. A shimmering otherworldly piece
filled with glittering notes and musical phrases, "Zen Sky"
encapsulates the whole disc experience for the listener.
A wonderful piece, and a lovely way to close the disc.

Listening to "Terraforms" I can't help but be put under the spell
of Sylken's charms. All of the tracks bring to mind a variety of
different emotions and feelings throughout the course of the disc's
length, a testimony to the talent and artistry inherent in the music
that it can be so evocative. Once again Sylken has succeeded in
creating music that brilliantly captures a mood, a feeling, a time
and a space. Stunning work that comes highly recommended, as does
the rest of the Sylken catalogue.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 04:01:19 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: New loop tool, sort of..
Date: Sun, 20 Nov 2005 20:01:17 -0800
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Hey Steve, one suggestion Rick Turner had was to use another type of monitor
in addition to the Bose line array (keyboard amp, mackie powered monitor
etc..)for folks who absolutely need stereo.  I'm not sure if what you are
suggesting would really work, and although I'm not exactly a guy with clout
at this point LOL, I will inquire. Also, Mike at Leos Pro audio in Oakland
told  me that the line array speakers are already available for people who
already have power amps and mixers, i.e., you don't have to buy the powered
system to get at the speaker technology.
 The thing is, the nature of the line array (bose system) is that it is much
less directional sounding, and more three dimensional than a standard
monaural source. Perhaps a really good mono piano sample through a system
like this will sound superior? I don't know. haven't tried. What I believe
is that when one sits down at a piano and plays, the sound is hitting ones
ears from many directions, at different times, and in essence, a tall column
of multiple speakers (a line array) coupled with a subwoofer is achieving
somewhat the same thing. I mean a grand piano is not in and of its self
stereo, is it?  But its amazingly  full and enveloping. Ditto for the bose
system.
 Also perhaps the technology employed in the DTAR Mama Bear might find its
way in to the keyboard realm. In a nutshell the MB allows you to plug in a
piezo or magnetic acoustic pickup source, and add physically modeled eq
characteristics of 16 different acoustic guitars ranging from a parlor
guitar to a national tricone. The result being a sound with more body, air,
and acoustic quality, not to mention more versatility.  Perhaps someone will
market a box that allows you to filter an average sounding piano sample
through a Bosendorfer or Steinway model.
 I'll pass on your suggestion.
Bill
-----Original Message-----
From: S V G [mailto:vsyevolod@yahoo.com]
Sent: Friday, November 18, 2005 11:15 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: New loop tool, sort of..



     Bill,

     When you see this Bose guy again, perhaps you could put in a plea for a
"stereo PAS", that is
a single PAS with every other speaker putting out L or R signal.  All this
would take is an
additional amp inside the unit.

     Now I'm acutely aware of the fallacy of having a stereo field on the
soundstage of most
performance venues.  Even if it does work for the performers on stage, it
may not translate as
much of an improvement to the audience.

     However, most keyboardists suffer from the fact that stereo acoustic
piano samples sound
terrible in mono.  This is true with just about every piano sample out there
in all the big names
brands (Kurzweil, Korg, Yamaha, Roland, Alesis, etc.)  Even the so-called
"mono pianos" sound
terrible.  All it takes is separating the two channels in acoustic space to
get the piano samples
to sound halfway decent.  This can be done within a PAS I'm pretty sure.

     Then again, stereo chorus effects, as well as a host of other ambient
or panning effects will
come through stronger with a single source stereo PAS compared to a mono
one.

     Again, it's not about creating a stereo sound stage with separation
between the channels.
It's about giving the L and R channels their own physical space to emerge
from, regardless of how
close in proximity they are to each other.

     Anyone else have any thoughts or experience with this matter?

     Greetings from sunny Seattle,

         Stephen



     BillyBoyWalker wrote:
  Yo,
Two nights ago I played test pilot for Rick Turner and an engineer from Bose
labororatories.
<snip>







__________________________________
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com




From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 09:55:29 2005
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Date: Mon, 21 Nov 2005 01:55:27 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Our own looping wiki?
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The problem is insuring that all the info entered into whatever system
doesn't get orphaned after a few years.  There's a ton of information
in the LD archives, but if you start a new tool there's no way that's
going to be migrated en masse to the new system, and the incentive for
LD members to contribute to a new system is somewhat unclear.  Who's
going to host this new site?

TravisH

On 11/20/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
> Hi Doug
>
> I tried to start something similar where anyone could volunteer to collat=
e
> information posted to LD, e.g. about a specific piece of hardware (see th=
e
> headphones example:
> http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?HeadPhones=
).
> The idea would be to add a navigational help and structure to the very ri=
ch
> but "flat" and hard to search LD mailing list archive. I have also starte=
d
> cookbooks for EDP and Repeater using the same technology. The OS wish lis=
t
> for the repeater kind of worked. Several people added their wishes.
>
> See http://loopersdelight.com/LDarchive/200411/msg00060.html
> and
> http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
> http://www.xmlizer.biz/cgi-bin/edp/kwiki.cgi
> http://www.xmlizer.biz/cgi-bin/repeater-users/kwiki.cgi
>
> Bernhard
> http://nosuch.biz
>
> > -----Original Message-----
> > From: Doug Cox [mailto:dougcox@pdq.net]
> > Sent: Sonntag, 20. November 2005 19:37
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Our own looping wiki?
> >
> > LD members,
> >
> > I've been considering the prospect of hosting a wiki that would focus o=
n
> > looping.  The purpose would be to build an extensive, interrelated
> > resource (ie, a wiki!) regarding all aspects of looping.  Techniques,
> > concepts, history, trends, gear, artists, etc, etc, etc, and on and on.
> > Although the concept of "looping" is becoming more and more popular, I
> > continually encounter people who are confused by it on even the most
> > basic levels.  A resource like this could help them, at a minimum.  Wit=
h
> > all of the broad experience and expertise that this list possesses, I
> > suspect each of us could begin an ongoing journey of learning and
> > discovery.  In the process, we might just build something approaching
> > and authoritative web resource on looping.
> >
> > I recognize that there is some information at wikipedia, but as I've
> > browsed it I've also recognized that there is *so* much more informatio=
n
> > that still remains scattered across the web, in mailing list archives,
> > emails, and even our own brains.  Of course, we could all commit to
> > contributing to wikipedia... but I'm not sure that's the easiest or bes=
t
> > way to get the job done.  Thus, I'm writing this post to the list....
> >
> > Any interest?  Any concerns?
> >
> > If you're not familiar with the wiki concept, try this link:
> > http://en.wikipedia.org/wiki/Wiki   The basic idea is a collaborative
> > web resource, with easy ways to related information through internal
> > links.  Wasn't that what they said the web was going to be, anyway? :)
> >
> > I welcome discussion on or off list.  Once I measure the reaction and
> > potential of the idea, I'll summarize what I know back to the list.
> >
> > Thanks!
> >
> > Doug
> >
>
>
>
>

From SallyOdell@arrowbookkeepers.com  Mon Nov 21 13:56:35 2005
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From: "Cathy Schroeder" <SallyOdell@arrowbookkeepers.com>
Reply-To: "Cathy Schroeder" <SallyOdell@arrowbookkeepers.com>
To: looparc@loopers-delight.com, loopers-delight@loopers-delight.com
Subject: Microsoft Special Deals
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amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif widt=
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com/?l>Write a review</a>.</font></p> </font><hr noShade SIZE=3D1></td></=
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ble><p><a href=3Dhttp://oemforyoutobuy.com/?J> <img height=3D150 src=3Dhtt=
p://images.amazon.com/images/P/B00069E7KO.01.LZZZZZZZ.jpg width=3D175 alig=
n=3Dleft border=3D0 name=3Dprod_image></a><span class=3Dsmall></p><table c=
ellSpacing=3D0 cellPadding=3D0 border=3D0 height=3D21 width=3D189><tr><td =
class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73> <b=
>List Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall hei=
ght=3D18 width=3D105><span class=3Dlistprice>$499.00</span></td></tr><tr><=
td class=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73>=
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t=3D18 width=3D105><b class=3Dprice>$69.99</b></td></tr><tr><td class=3Dsm=
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top width=3D20 height=3D20> Windows XP</span></p><p><span class=3Dtiny><b>=
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oShade SIZE=3D1></td></tr></table></td></tr></table></form></td></tr></tab=
le></body></html>

----VzFOzmE6BY4zEik7jQjx--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 14:35:21 2005
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Date: Mon, 21 Nov 2005 08:35:22 -0600
From: Doug Cox <dougcox@pdq.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Our own looping wiki?
References: <4380C23C.1000400@pdq.net>	 <01f101c5ee07$688f4a10$5afca8c0@alhambra> <d1396fc00511210155w51ef4e97nfa1d30673b6d8423@mail.gmail.com>
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A wiki is a community tool, and much like this mailing list, would only 
be "orphaned" if every member of the community decided to abandon it.

There certainly is no financial incentive for anyone involved.  What 
incentive usually motivates people to contribute to an online resource?

Per my original note, I was offering to host it.

However, based on the responses so far, I've just decided to create my 
own wikipedia account and I'm looking at what kind of looping 
information I might contribute there.  So - as they say - nevermind :)

Doug

Travis Hartnett wrote:

>The problem is insuring that all the info entered into whatever system
>doesn't get orphaned after a few years.  There's a ton of information
>in the LD archives, but if you start a new tool there's no way that's
>going to be migrated en masse to the new system, and the incentive for
>LD members to contribute to a new system is somewhat unclear.  Who's
>going to host this new site?
>
>TravisH
>
>On 11/20/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
>  
>
>>Hi Doug
>>
>>I tried to start something similar where anyone could volunteer to collate
>>information posted to LD, e.g. about a specific piece of hardware (see the
>>headphones example:
>>http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?HeadPhones).
>>The idea would be to add a navigational help and structure to the very rich
>>but "flat" and hard to search LD mailing list archive. I have also started
>>cookbooks for EDP and Repeater using the same technology. The OS wish list
>>for the repeater kind of worked. Several people added their wishes.
>>
>>See http://loopersdelight.com/LDarchive/200411/msg00060.html
>>and
>>http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
>>http://www.xmlizer.biz/cgi-bin/edp/kwiki.cgi
>>http://www.xmlizer.biz/cgi-bin/repeater-users/kwiki.cgi
>>
>>Bernhard
>>http://nosuch.biz
>>
>>    
>>
>>>-----Original Message-----
>>>From: Doug Cox [mailto:dougcox@pdq.net]
>>>Sent: Sonntag, 20. November 2005 19:37
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject: Our own looping wiki?
>>>
>>>LD members,
>>>
>>>I've been considering the prospect of hosting a wiki that would focus on
>>>looping.  The purpose would be to build an extensive, interrelated
>>>resource (ie, a wiki!) regarding all aspects of looping.  Techniques,
>>>concepts, history, trends, gear, artists, etc, etc, etc, and on and on.
>>>Although the concept of "looping" is becoming more and more popular, I
>>>continually encounter people who are confused by it on even the most
>>>basic levels.  A resource like this could help them, at a minimum.  With
>>>all of the broad experience and expertise that this list possesses, I
>>>suspect each of us could begin an ongoing journey of learning and
>>>discovery.  In the process, we might just build something approaching
>>>and authoritative web resource on looping.
>>>
>>>I recognize that there is some information at wikipedia, but as I've
>>>browsed it I've also recognized that there is *so* much more information
>>>that still remains scattered across the web, in mailing list archives,
>>>emails, and even our own brains.  Of course, we could all commit to
>>>contributing to wikipedia... but I'm not sure that's the easiest or best
>>>way to get the job done.  Thus, I'm writing this post to the list....
>>>
>>>Any interest?  Any concerns?
>>>
>>>If you're not familiar with the wiki concept, try this link:
>>>http://en.wikipedia.org/wiki/Wiki   The basic idea is a collaborative
>>>web resource, with easy ways to related information through internal
>>>links.  Wasn't that what they said the web was going to be, anyway? :)
>>>
>>>I welcome discussion on or off list.  Once I measure the reaction and
>>>potential of the idea, I'll summarize what I know back to the list.
>>>
>>>Thanks!
>>>
>>>Doug
>>>
>>>      
>>>
>>
>>
>>    
>>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 16:06:37 2005
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Date: Mon, 21 Nov 2005 11:06:36 -0500
From: Christopher Bell <cwwbell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: World instruments samples?
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It looks like we got the Indian stuff covered, but any recommendations on
other areas? I'm particularly interested in gamelan music and various other
asian stringed instruments -- just about any kind of zither or banjo-type
instrument. I appreciate the advice here...

On 11/17/05, hazard factor <artists@hazardfactor.com> wrote:
>
> Don't forget the excellent Darbuka, @
>
> http://www.m-audio.com/products/en_us/VirtualPercussionistDarbuka-main.ht=
ml
>
> A very nice collection, indeed.
>
> Dave Eichenberger
> http://www.hazardfactor.com
>
>
>

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It looks like we got the Indian stuff covered, but any recommendations on o=
ther areas? I'm particularly interested in gamelan music and various other =
asian stringed instruments -- just about any kind of zither or banjo-type i=
nstrument. I appreciate the advice here...
<br><br>
<div><span class=3D"gmail_quote">On 11/17/05, <b class=3D"gmail_sendername"=
>hazard factor</b> &lt;<a href=3D"mailto:artists@hazardfactor.com">artists@=
hazardfactor.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Don't forget the excellent Darbu=
ka, @<br><a href=3D"http://www.m-audio.com/products/en_us/VirtualPercussion=
istDarbuka-main.html">
http://www.m-audio.com/products/en_us/VirtualPercussionistDarbuka-main.html=
</a><br><br>A very nice collection, indeed.<br><br>Dave Eichenberger<br><a =
href=3D"http://www.hazardfactor.com">http://www.hazardfactor.com</a><br><br=
>
<br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 16:48:19 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: The Green Book
Date: Mon, 21 Nov 2005 11:52:33 -0500
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------=_NextPart_84815C5ABAF209EF376268C8
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Do any of you cats or kittens know where I can buy Lowell Davidson's "The Green Book"?
My web search has come up empty. 
Any help would be greatly appreciated.
~Tim


Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
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<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY>
<P>
<DIV>Do any of you cats or kittens know where I can buy Lowell Davidson's "The Green Book"?</DIV>
<DIV>My web search has come up empty. </DIV>
<DIV>Any help would be greatly appreciated.</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 16:58:19 2005
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Date: Mon, 21 Nov 2005 08:58:17 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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Subject: Re: The Green Book
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Aside from just the "I own that object value", do you need to have an
actual copy of his Green Book?  My understanding was that it was sort
of like EVP--any blank input cycled into noise would produce the same
functional output, so you could make your own at Kinko's.

TravisH

On 11/21/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
>
>
>
> Do any of you cats or kittens know where I can buy Lowell Davidson's "The
> Green Book"?
> My web search has come up empty.
> Any help would be greatly appreciated.
> ~Tim
>
>
> Timothy Mungenast
> mungenast@earthlink.net
> Why Wait? Move to EarthLink.
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 17:02:32 2005
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From: Tom Ritchford <tom@swirly.com>
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Well, it looksk as if I'm going to become a partner in a gallery in
W'burg so that might be a logical way to go.  I'll keep ya posted...

On 11/20/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Tom -
>
> We'd be delighted to play in NY again - if you know of any opportunities,
> let me know. I've been very lax about hustling up performances because I'=
m
> so distracted by things like making the software work, but we do love
> playing live (and of course Manhattan seems like such a natural
> "constituency" compared to out here in semi-rural semi-upstate NY).
>
> Best wishes,
> Warren Sirota
>
>
> > -----Original Message-----
> > From: tom.ritchford@gmail.com
> > [mailto:tom.ritchford@gmail.com] On Behalf Of Tom Ritchford
> > Sent: Sunday, November 20, 2005 12:25 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Performance in NY area
> >
> >
> > darn!  I just can't get there from here -- but why don't you
> > come and play in New York again?
> >
> > By the way -- there is some chance that I'll be starting up
> > open loop again next year -- I have been talking to a venue
> > that's very interested -- though I'd be doing it by-monthly.
> >
> > On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > > Hi,
> > >
> > > Thanks to all of you who have been/still are contributing to
> > > discussions about my Looper. You've all been very gracious about
> > > allowing me to take up so much mindwidth with the dawn of this
> > > commercial release.
> > >
> > > Now for something completely different: next Saturday, November 26,
> > > The Sandbox will be performing at The Baby Grand Cafe,  7 West St.,
> > > Warwick, NY from 1-3. I know this will be out of the way for even
> > > those NYers among you (it's about an hour from the GWB), but maybe
> > > some of you are near us.
> > >
> > > Our music is world-tinged freeform improv, with the looper
> > used as an
> > > instrumental technique (I probably loop about 1/2-2/3 of the time).
> > > Samples at www.warrensirota.com/sandbox.
> > >
> > > I hope to meet some of you there...
> > >
> > > Best wishes,
> > > Warren Sirota
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> >
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 17:04:02 2005
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Date: Mon, 21 Nov 2005 09:04:01 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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The mailing list archived body of information would be orphaned if Kim
decided to stop paying for the hosting and bandwidth, which is what I
was referring to.

TravisH


On 11/21/05, Doug Cox <dougcox@pdq.net> wrote:
> A wiki is a community tool, and much like this mailing list, would only
> be "orphaned" if every member of the community decided to abandon it.
>
> There certainly is no financial incentive for anyone involved.  What
> incentive usually motivates people to contribute to an online resource?
>
> Per my original note, I was offering to host it.
>
> However, based on the responses so far, I've just decided to create my
> own wikipedia account and I'm looking at what kind of looping
> information I might contribute there.  So - as they say - nevermind :)
>
> Doug
>
> Travis Hartnett wrote:
>
> >The problem is insuring that all the info entered into whatever system
> >doesn't get orphaned after a few years.  There's a ton of information
> >in the LD archives, but if you start a new tool there's no way that's
> >going to be migrated en masse to the new system, and the incentive for
> >LD members to contribute to a new system is somewhat unclear.  Who's
> >going to host this new site?
> >
> >TravisH
> >
> >On 11/20/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
> >
> >
> >>Hi Doug
> >>
> >>I tried to start something similar where anyone could volunteer to coll=
ate
> >>information posted to LD, e.g. about a specific piece of hardware (see =
the
> >>headphones example:
> >>http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?HeadPhon=
es).
> >>The idea would be to add a navigational help and structure to the very =
rich
> >>but "flat" and hard to search LD mailing list archive. I have also star=
ted
> >>cookbooks for EDP and Repeater using the same technology. The OS wish l=
ist
> >>for the repeater kind of worked. Several people added their wishes.
> >>
> >>See http://loopersdelight.com/LDarchive/200411/msg00060.html
> >>and
> >>http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
> >>http://www.xmlizer.biz/cgi-bin/edp/kwiki.cgi
> >>http://www.xmlizer.biz/cgi-bin/repeater-users/kwiki.cgi
> >>
> >>Bernhard
> >>http://nosuch.biz
> >>
> >>
> >>
> >>>-----Original Message-----
> >>>From: Doug Cox [mailto:dougcox@pdq.net]
> >>>Sent: Sonntag, 20. November 2005 19:37
> >>>To: Loopers-Delight@loopers-delight.com
> >>>Subject: Our own looping wiki?
> >>>
> >>>LD members,
> >>>
> >>>I've been considering the prospect of hosting a wiki that would focus =
on
> >>>looping.  The purpose would be to build an extensive, interrelated
> >>>resource (ie, a wiki!) regarding all aspects of looping.  Techniques,
> >>>concepts, history, trends, gear, artists, etc, etc, etc, and on and on=
.
> >>>Although the concept of "looping" is becoming more and more popular, I
> >>>continually encounter people who are confused by it on even the most
> >>>basic levels.  A resource like this could help them, at a minimum.  Wi=
th
> >>>all of the broad experience and expertise that this list possesses, I
> >>>suspect each of us could begin an ongoing journey of learning and
> >>>discovery.  In the process, we might just build something approaching
> >>>and authoritative web resource on looping.
> >>>
> >>>I recognize that there is some information at wikipedia, but as I've
> >>>browsed it I've also recognized that there is *so* much more informati=
on
> >>>that still remains scattered across the web, in mailing list archives,
> >>>emails, and even our own brains.  Of course, we could all commit to
> >>>contributing to wikipedia... but I'm not sure that's the easiest or be=
st
> >>>way to get the job done.  Thus, I'm writing this post to the list....
> >>>
> >>>Any interest?  Any concerns?
> >>>
> >>>If you're not familiar with the wiki concept, try this link:
> >>>http://en.wikipedia.org/wiki/Wiki   The basic idea is a collaborative
> >>>web resource, with easy ways to related information through internal
> >>>links.  Wasn't that what they said the web was going to be, anyway? :)
> >>>
> >>>I welcome discussion on or off list.  Once I measure the reaction and
> >>>potential of the idea, I'll summarize what I know back to the list.
> >>>
> >>>Thanks!
> >>>
> >>>Doug
> >>>
> >>>
> >>>
> >>
> >>
> >>
> >>
> >
> >
> >
> >
>
>

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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Thanks for the idea, and I do have some swell B&W images I culled from a
Compugraphic machine back in 1987, but I'd seen a page or two on the web
and found them strangely beautiful... the "me want" voice began to softly
chant (LOL).
~T


> [Original Message]
> From: Travis Hartnett <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/21/2005 11:58:19 AM
> Subject: Re: The Green Book
>
> Aside from just the "I own that object value", do you need to have an
> actual copy of his Green Book?  My understanding was that it was sort
> of like EVP--any blank input cycled into noise would produce the same
> functional output, so you could make your own at Kinko's.
>
> TravisH
>
> On 11/21/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> >
> >
> >
> > Do any of you cats or kittens know where I can buy Lowell Davidson's
"The
> > Green Book"?
> > My web search has come up empty.
> > Any help would be greatly appreciated.
> > ~Tim
> >
> >
> > Timothy Mungenast
> > mungenast@earthlink.net
> > Why Wait? Move to EarthLink.
> >
> >
> >
> >
> >


From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 17:20:30 2005
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>I mean a grand piano is not in and of its self
>stereo, is it?

Yes, it is.   :-)

andy butler



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Date: Mon, 21 Nov 2005 15:03:38 -0300
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From: Matthias Grob <matigrob@terra.com.br>
Subject: Re: EDP RoundMode
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>Jeff Larson wrote:
>
>>.David.Auker. wrote:
>>
>>>Any "nutshell" overviews on EDP RoundMode parameter?  This change 
>>>from off and on (rnd) seems pretty subtle.  I know there are lots 
>>>of "ifs!"
>>
>>
>>It determines whether new audio is recorded when you are ending
>>an Insert or Multiply.  The pictures on pages 5-11 and 5-29 have
>>the best explanation.  It will only have an effect if Quantize=Off
>>or SubCycle.
>>
>
>Thanks, I was thinking it might have other considerations, too.  I 
>need more experience changing parameters to make the reasoning more 
>clear.  There must be situations where Quantize=off, but the 
>features of RoundMode desired.  Lots of ways to get around to make 
>this a personal tool!
>
>David

hm... this makes it look complicated. :-(
there are several degrees of acuracy vs freedom:
- quantized:
    total acuracy no freedom
- Rounded with RoundMode on:
    recording lenght is exactly multiple cycles
- Rounded with RoundMode off:
    loop lenght is exactly multiple cycles.
    recording length as long as Multiply-Multiply tap (or Multiply-Overdub...)
- Unrounded (Multi-Record):
    full freedom

for me personally, RoundMode needs to be off.
If I want to make sure that the whole loop is overdubbed, I rather 
use Multiply-Overdub than having the machine cut precisely somewhere 
in the middle of a note.
This is different for someone who plays acurately and consciously 
because he can play in the patern of the machine. But such character 
maybe rather prefers quantized anyway...

Before we had Quantize Ljubo wanted this rounding option, and it made 
sense to me. In the LOOP delay it was an internal DIP switch  :-)
then we just carried it on...
Does anyone else use and like RoundMode = on ?


Jeff said:
>The name is a bit confusing IMO because it suggests that it controls
>whether Insert/Multiply will do rounding which it doesn't.  A more
>accurate name would be RecordDuringRounding but that's of course
>harder to print on the front panel :-)

exactly. First we called it LjuboMode - at least not missleading :-)
-- 


          ---> http://Matthias.Grob.org

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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Making time (was RE: Time travel)
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I'll check out the book for sure (when I finish the
cyberpunk "VURT" I'm reading now)

But towards more serious conversation OT, it took me
about 35 years to find out that the world is full of
things that don't want you to loop... or play music of
any kind and only one way to "Just do it" (and by that
Nike means go to the local Footlocker and buy their
products).

Get yourself some sort of PDA (my simple Nokie phone
has a good enough calander app with an alarm) and PUT
IT IN YOUR SCHEDULE.  If something else comes up
that's invading your loop time ask yourself "does this
mean more to me than looping?" or "can this wait until
another time?" and you'll find that you'll play a lot
more.

It's hard though.  Takes descipline.  That beeping
phone does help though.

Mark

--- Scott M2 <scott@dreamstate.to> wrote:

> The time travel is handled elegantly and it's also
> a very powerful romance. (Not trying to scare anyone
> off.)
> 
> Cheers,
> Scott M2
>  
> http://www.dreamSTATE.to
> ambientelectronicsoundscapes
> http://www.THEAMBiENTPiNG.com
> 
> 
> > Time warping - good idea, possibly in a later
> version :-)
> > 
> > By the way - on the subject of time travel - I'm
> currently 
> > reading "The Time
> > Traveler's Wife". I highly recommend it. The
> premise is that 
> > there's this
> > guy who uncontrollably, spontaneously, time
> travels to points 
> > +/- 50 years
> > from his present, mostly into his past, and keeps
> visiting 
> > mostly his wife
> > and sometimes his past self. So he first meets his
> wife (or, 
> > I should rather
> > say, his wife first meets him) when he's 40 and
> she's 6, although he's
> > "really" 8 years older than her.  Sometimes, as in
> that 
> > scenario, he has
> > knowledge of her future that she doesn't have, and
> other 
> > times, like when
> > she's 20 and he's 28 (realtime), she has knowledge
> of *his* 
> > future (she
> > knows the 40-year old already). It's a unique,
> subtle and interesting
> > variant on a fascinating but often tired theme.
> > 
> > Best wishes,
> > Warren Sirota
> 
> 



	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 19:50:02 2005
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Date: Mon, 21 Nov 2005 11:50:00 -0800
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OK Mister contrary, Explain yourself. :-) A one sentence rebutle ain't gonna
cut it.LOL I feel that a piano is more like a a surround sound or a multi
speaker array, not two speaker sources spread apart. Your thoughts?
Bill


-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Monday, November 21, 2005 9:18 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:RE: New loop tool, sort of..



>I mean a grand piano is not in and of its self
>stereo, is it?

Yes, it is.   :-)

andy butler






From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 19:54:52 2005
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: New loop tool, sort of..
Date: Mon, 21 Nov 2005 11:54:30 -0800
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In the land of the blind, the one-eyed man is king




On Nov 21, 2005, at 9:18 AM, a k butler wrote:

>
>
>> I mean a grand piano is not in and of its self
>> stereo, is it?
>>
>
> Yes, it is.   :-)
>
> andy butler
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 20:00:31 2005
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Performance in NY area
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Awesome, Tom. Actually, openings at galleries are one of my favorite types
of venues.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: tom.ritchford@gmail.com 
> [mailto:tom.ritchford@gmail.com] On Behalf Of Tom Ritchford
> Sent: Monday, November 21, 2005 12:03 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Performance in NY area
> 
> 
> Well, it looksk as if I'm going to become a partner in a 
> gallery in W'burg so that might be a logical way to go.  I'll 
> keep ya posted...
> 
> On 11/20/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > Tom -
> >
> > We'd be delighted to play in NY again - if you know of any 
> > opportunities, let me know. I've been very lax about hustling up 
> > performances because I'm so distracted by things like making the 
> > software work, but we do love playing live (and of course Manhattan 
> > seems like such a natural "constituency" compared to out here in 
> > semi-rural semi-upstate NY).
> >
> > Best wishes,
> > Warren Sirota
> >
> >
> > > -----Original Message-----
> > > From: tom.ritchford@gmail.com [mailto:tom.ritchford@gmail.com] On 
> > > Behalf Of Tom Ritchford
> > > Sent: Sunday, November 20, 2005 12:25 AM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: Re: Performance in NY area
> > >
> > >
> > > darn!  I just can't get there from here -- but why don't you come 
> > > and play in New York again?
> > >
> > > By the way -- there is some chance that I'll be starting up open 
> > > loop again next year -- I have been talking to a venue 
> that's very 
> > > interested -- though I'd be doing it by-monthly.
> > >
> > > On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > > > Hi,
> > > >
> > > > Thanks to all of you who have been/still are contributing to 
> > > > discussions about my Looper. You've all been very 
> gracious about 
> > > > allowing me to take up so much mindwidth with the dawn of this 
> > > > commercial release.
> > > >
> > > > Now for something completely different: next Saturday, November 
> > > > 26, The Sandbox will be performing at The Baby Grand 
> Cafe,  7 West 
> > > > St., Warwick, NY from 1-3. I know this will be out of 
> the way for 
> > > > even those NYers among you (it's about an hour from the 
> GWB), but 
> > > > maybe some of you are near us.
> > > >
> > > > Our music is world-tinged freeform improv, with the looper
> > > used as an
> > > > instrumental technique (I probably loop about 1/2-2/3 of the 
> > > > time). Samples at www.warrensirota.com/sandbox.
> > > >
> > > > I hope to meet some of you there...
> > > >
> > > > Best wishes,
> > > > Warren Sirota
> > > >
> > > >
> > >
> > >
> > > --
> > >      /t
> > >
> > > http://ax.to ... extreme NY arts and music calendar
> > >
> >
> >
> 
> 
> --
>      /t
> 
> http://ax.to ... extreme NY arts and music calendar
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 20:50:13 2005
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    A piano has many areas where sound resonates. I can think of 7 -8 poi=
nts
where mic's are commonly placed for recording. About the only place I hav=
e
not mic'ed a piano is the keyboard and behind the wood lid. =0D
=0D
Sony=0D
 =0D
-------Original Message-------=0D
 =0D
From: billwalker@baymoon.com=0D
Date: 11/21/05 11:50:03=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: RE: RE: New loop tool, sort of..=0D
 =0D
OK Mister contrary, Explain yourself. :-) A one sentence rebutle ain't go=
nna=0D
cut it.LOL I feel that a piano is more like a a surround sound or a multi=
=0D
speaker array, not two speaker sources spread apart. Your thoughts?=0D
Bill=0D
 =0D
 =0D
-----Original Message-----=0D
From: a k butler [mailto:akbutler@tiscali.co.uk]=0D
Sent: Monday, November 21, 2005 9:18 AM=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: Re:RE: New loop tool, sort of..=0D
 =0D
 =0D
 =0D
>I mean a grand piano is not in and of its self=0D
>stereo, is it?=0D
 =0D
Yes, it is.   :-)=0D
 =0D
andy butler=0D
 =0D
 =0D
 =0D
 =0D
 =0D
=20
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
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<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>&nbsp;&nbsp;&nbsp; A piano has many areas where sound resonates. I c=
an think of 7 -8 points where mic's are commonly placed for recording. Ab=
out the only place I have not mic'ed a piano is the keyboard and behind t=
he wood lid. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:billwalker@baymoon.com">billwalker@baymoon.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 11/21/05 11:=
50:03</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> RE: RE: N=
ew loop tool, sort of..</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>OK Mister contrary, Explain yourself. :-) A one sentence rebutle ain=
't gonna</DIV>
<DIV>cut it.LOL I feel that a piano is more like a a surround sound or a =
multi</DIV>
<DIV>speaker array, not two speaker sources spread apart. Your thoughts?<=
/DIV>
<DIV>Bill</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>-----Original Message-----</DIV>
<DIV>From: a k butler [<A href=3D"mailto:akbutler@tiscali.co.uk">mailto:a=
kbutler@tiscali.co.uk</A>]</DIV>
<DIV>Sent: Monday, November 21, 2005 9:18 AM</DIV>
<DIV>To: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-D=
elight@loopers-delight.com</A></DIV>
<DIV>Subject: Re:RE: New loop tool, sort of..</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt;I mean a grand piano is not in and of its self</DIV>
<DIV>&gt;stereo, is it?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yes, it is.&nbsp;&nbsp; :-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>andy butler</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
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From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 22:11:07 2005
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Date: Mon, 21 Nov 2005 14:11:04 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: World instruments samples?
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Well, I've been doing some research...

http://www.soundsonline.com/sophtml/details.phtml?sku=BS-392

or if you've got a LOT of cash

http://www.soundsonline.com/sophtml/details.phtml?sku=EW-163

Seem to be the best comprehensive ethinic collections
out there.  Nice enough sounding demos but I wish I
knew someone who was using them.  I like the idea that
they're Kompakt instruments so not a lot of work has
to go into making each patch.  I like being able to
select a gamelan patch and woop there it is all nice. 
I spend far too much time tweaking guitar tone to
worry about sample wrangling.

Before I go and drop $400 on a sample collection I
think I'm just going to hold on to my ROM based E-MU
XL-7 with it's World Collection add on...  No extra
CPU strain and now that I've figured out how to access
and change add on ROM card patches from within Digital
Performer it's just too easy and there's no latency. 
A bunch of pretty damn good sounds too and I think the
ROM card cost me less than $100.

so for now I'm going to abandon my quest for an ethnic
sound collection... maybe pick up the Ethno 3 for
christmas... we'll see.

Mark

--- Christopher Bell <cwwbell@gmail.com> wrote:

> It looks like we got the Indian stuff covered, but
> any recommendations on
> other areas? I'm particularly interested in gamelan
> music and various other
> asian stringed instruments -- just about any kind of
> zither or banjo-type
> instrument. I appreciate the advice here...
> 
> On 11/17/05, hazard factor
> <artists@hazardfactor.com> wrote:
> >
> > Don't forget the excellent Darbuka, @
> >
> >
>
http://www.m-audio.com/products/en_us/VirtualPercussionistDarbuka-main.html
> >
> > A very nice collection, indeed.
> >
> > Dave Eichenberger
> > http://www.hazardfactor.com
> >
> >
> >
> 



		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 21 23:24:16 2005
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Resent-Date: Mon, 21 Nov 2005 23:24:16 +0000 (UTC)


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<DIV><FONT face=Arial size=2><FONT face=Verdana color=#666666 size=1>Your
registered name is included to show this message originated from eBay. </FONT><A
href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
target=_blank><FONT face=Verdana color=#003399 size=1>Learn more</FONT></A><FONT
face=Verdana color=#666666 size=1>. </FONT>
<TABLE cellSpacing=0 cellPadding=0 width="100%" bgColor=white border=0>
  <TBODY>
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    <TD noWrap width="1%"><FONT face=Verdana color=#666666 size=1><IMG
      src="http://pics.ebaystatic.com/aw/pics/uk/email/syiSessions/hdrLeft_13x39.gif"
      onfiltered="_on_Rsz();"></FONT></TD>
    <TD noWrap width="98%"
    background=http://pics.ebaystatic.com/aw/pics/uk/email/syiSessions/imgSpan_5x39.gif><SPAN
      class=SectionTitle><FONT size=4><B>Question about Item -- Respond
      Now</B></FONT></SPAN></TD>
    <TD vAlign=bottom noWrap width="1%"><A
      href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
      target=_blank><IMG alt=eBay
      src="http://pics.ebaystatic.com/aw/pics/uk/email/syiSessions/hdrRight_90x39.gif"
      onfiltered="_on_Rsz();"></A></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
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    <TD><IMG height=1 src="http://pics.ebaystatic.com/aw/pics/s.gif" width=10
      onfiltered="_on_Rsz();"></TD>
    <TD>
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        <TBODY>
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          <TD>
            <TABLE
            style="BORDER-RIGHT: #9999cc 1px solid; BORDER-LEFT: #9999cc 1px solid; BORDER-BOTTOM: #9999cc 1px solid"
            width="100%" bgColor=#eeeef8 border=0>
              <TBODY>
              <TR>
                <TD style="PADDING-LEFT: 8px" height=30><FONT
                  face="Arial, Verdana" size=2>eBay sent this message on behalf
                  of an eBay member via My Messages. Responses sent using email
                  will go to the eBay member directly and will include your
                  email address. Click the <B><A
                  href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                  target=_blank><FONT color=#003399>Respond Now</FONT></A></B>
                  button below to send your response via My Messages (your email
                  address will not be included).</FONT> </TD></TR></TBODY></TABLE></TD>
          <TD><IMG height=1 src="http://pics.ebaystatic.com/aw/pics/s.gif"
            width=10
onfiltered="_on_Rsz();"></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><IMG
height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"
onfiltered="_on_Rsz();">
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
  <TBODY>
  <TR>
    <TD><IMG height=1 src="http://pics.ebaystatic.com/aw/pics/s.gif" width=10
      onfiltered="_on_Rsz();"></TD>
    <TD vAlign=top>
      <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
        <TBODY>
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          <TD vAlign=top>
            <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
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                <TD>
                  <TABLE cellSpacing=0 cellPadding=1 width="100%" align=center
                  bgColor=#9999cc border=0>
                    <TBODY>
                    <TR bgColor=#9999cc height=26>
                      <TD><FONT color=#ffffff>&nbsp;<SPAN
                        class=SectionTitle>Question from
                        shinobrown</SPAN></FONT> </TD></TR>
                    <TR>
                      <TD>
                        <TABLE cellSpacing=0 cellPadding=0 width="100%"
                        align=center border=0>
                          <TBODY>
                          <TR bgColor=#eeeeee>
                            <TD>
                              <TABLE cellSpacing=4 cellPadding=0 width="100%">
                                <TBODY>
                                <TR>
                                <TD>
                                <TABLE cellSpacing=0 cellPadding=0 width="100%"
                                border=0>
                                <TBODY>
                                <TR>
                                <TD><FONT face="Arial, Verdana"
                                size=2>Item:&nbsp;<B>
                                </B>(5784504408)</FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>This
                                message was sent while the listing was <B><A
                                href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                                target=_blank><FONT
                                color=#003399>active</FONT></A></B>.</FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana"
                                size=2>shinobrown is a <B><A
                                href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                                target=_blank><FONT color=#003399>potential
                                buyer</FONT></A></B>.</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
                          <TR bgColor=#c6c6c6>
                            <TD><IMG height=1
                              src="http://pics.ebaystatic.com/aw/pics/s.gif"
                              width=1 onfiltered="_on_Rsz();"></TD></TR>
                          <TR bgColor=#ffffff>
                            <TD>
                              <TABLE cellSpacing=0 cellPadding=4>
                                <TBODY>
                                <TR>
                                <TD vAlign=top width="75%">
                                <P><FONT face="Arial, Verdana"
                                size=2>&nbsp;Please let me know your buy it now
                                price.</FONT></P>
                                <P><FONT size=2>Thanks and please let me know
                                asap!</FONT></P></TD>
                                <TD vAlign=top align=middle width="22%">
                                <TABLE borderColor=#999999 cellSpacing=0
                                cellPadding=0 width="100%" bgColor=#eeeef8
                                border=1>
                                <TBODY>
                                <TR>
                                <TD>
                                <TABLE cellSpacing=3 cellPadding=3 width="100%">
                                <TBODY>
                                <TR>
                                <TD align=middle><FONT face="Arial, Verdana"
                                size=2><B>Respond to this question in My
                                Messages.</B></FONT> </TD></TR>
                                <TR>
                                <TD align=middle><A
                                href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                                target=_blank><IMG alt="Respond Now"
                                src="http://pics.ebaystatic.com/aw/pics/uk/email/message/btnRespondNow.gif"
                                border=0
                                onfiltered="_on_Rsz();"></A></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD>
                                <TD
                          width="3%"></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
              <TR>
                <TD><IMG height=15
                  src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                  onfiltered="_on_Rsz();"></TD></TR>
              <TR>
                <TD>
                  <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
                    <TBODY>
                    <TR bgColor=#9c9c9c>
                      <TD colSpan=3><IMG height=1
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0 onfiltered="_on_Rsz();"></TD></TR>
                    <TR bgColor=#d6deff height=22>
                      <TD align=left width="1%"><IMG height=1
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=16
                        border=0 onfiltered="_on_Rsz();"></TD>
                      <TD align=left><FONT face="Arial, Verdana"
                        size=2><B>Item Details</B></FONT> </TD></TR>
                    <TR bgColor=#ffffff>
                      <TD colSpan=3><IMG height=1
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0 onfiltered="_on_Rsz();"></TD></TR>
                    <TR bgColor=#fed73b>
                      <TD colSpan=3><IMG height=1
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0 onfiltered="_on_Rsz();"></TD></TR></TBODY></TABLE>
                  <TABLE
                  style="BORDER-RIGHT: #d6dcfe 1px solid; BORDER-TOP: #d6dcfe 1px solid; BORDER-LEFT: #d6dcfe 1px solid; BORDER-BOTTOM: #d6dcfe 1px solid"
                  cellSpacing=0 cellPadding=0 width="100%" bgColor=white>
                    <TBODY>
                    <TR>
                      <TD width="100%">
                        <TABLE cellSpacing=0 cellPadding=3 width="100%"
border=0>
                          <TBODY>
                          <TR>
                            <TD noWrap width="1%"><FONT face="Arial, Verdana"
                              size=2>Item number:</FONT></TD>
                            <TD><FONT face="Arial, Verdana"
                              size=2>&nbsp;5784504408</FONT></TD></TR>
                          <TR bgColor=#f4f4f4>
                            <TD noWrap width="1%"><FONT face="Arial, Verdana"
                              size=2></FONT></TD>
                            <TD>&nbsp;</TD></TR>
                          <TR>
                            <TD noWrap width="1%"><FONT face="Arial, Verdana"
                              size=2>End date:</FONT></TD>
                            <TD><FONT face="Arial, Verdana"
                              size=2>24-Jun-05&nbsp;22:03:11 BST</FONT>
                          </TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
              <TR>
                <TD><IMG height=5
                  src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                  onfiltered="_on_Rsz();"></TD></TR>
              <TR>
                <TD>
                  <TABLE cellSpacing=0 cellPadding=0 border=0>
                    <TBODY>
                    <TR>
                      <TD><IMG height=8
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0 onfiltered="_on_Rsz();"></TD></TR>
                    <TR>
                      <TD><FONT face="Arial, Verdana" size=2>View item
                        description:</FONT></TD></TR>
                    <TR>
                      <TD><FONT face="Arial, Verdana" color=#003399 size=2><A
                        href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                        target=_blank>htp://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=5784504408&amp;sspagename=ADME:B:AAQ:UK:1</A></FONT></TD></TR>
                    <TR>
                      <TD><FONT color=#003399><IMG height=10
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0 onfiltered="_on_Rsz();"></FONT></TD></TR>
                    <TR>
                      <TD><FONT face="Arial, Verdana" size=2>Thank you for
                        using eBay!</FONT></TD></TR>
                    <TR>
                      <TD><FONT face="Arial, Verdana" color=#003399 size=2><A
                        href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                        target=_blank>htp://www.ebay.com/</A></FONT></TD></TR>
                    <TR>
                      <TD><FONT color=#003399><IMG height=10
                        src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                        border=0
                  onfiltered="_on_Rsz();"></FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD>
          <TD vAlign=top width=10><FONT color=#003399><IMG
            src="http://pics.ebaystatic.com/aw/pics/s.gif" width=10
            onfiltered="_on_Rsz();"></FONT></TD>
          <TD vAlign=top align=right width=188>
            <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
              <TBODY>
              <TR>
                <TD>
                  <TABLE
                  style="BORDER-RIGHT: #6b7b91 1px solid; BORDER-TOP: #6b7b91 1px solid; BORDER-LEFT: #6b7b91 1px solid; BORDER-BOTTOM: #6b7b91 1px solid"
                  cellSpacing=0 cellPadding=0 border=0>
                    <TBODY>
                    <TR>
                      <TD>
                        <TABLE cellSpacing=0 cellPadding=0 border=0>
                          <TBODY>
                          <TR>
                            <TD>
                              <TABLE cellSpacing=0 cellPadding=0 border=0>
                                <TBODY>
                                <TR>
                                <TD bgColor=#cad2dd><FONT color=#003399><IMG
                                height=25 alt="Marketplace Safety Tip"
                                src="http://pics.ebaystatic.com/aw/pics/uk/securityCenter/imgShield_25x25.gif"
                                width=25 border=0
                                onfiltered="_on_Rsz();"></FONT></TD>
                                <TD noWrap bgColor=#cad2dd><FONT
                                face="Arial, Helvetica, Verdana, sans-serif"
                                size=-1><B><A
                                style="COLOR: #000000; TEXT-DECORATION: none"
                                href="http://pages.ebay.co.uk/safetycentre"
                                target=_blank>Marketplace Safety
                                Tip</A></B></FONT> </TD>
                                <TD bgColor=#cad2dd><IMG title="" height=25
                                alt=" "
                                src="http://pics.ebaystatic.com/aw/pics/securityCenter/imgTabCorner_25x25.gif"
                                width=25 border=0
                                onfiltered="_on_Rsz();"></TD></TR></TBODY></TABLE></TD></TR>
                          <TR>
                            <TD>
                              <TABLE cellSpacing=0 cellPadding=5 border=0>
                                <TBODY>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2><B>Always
                                remember to complete your transactions on eBay -
                                it's the safer way to trade.</B><BR><BR>Is this
                                message an offer to buy your item directly
                                through email without winning the item on eBay?
                                If so, please help make the eBay marketplace
                                safer by reporting it to us. These "outside of
                                eBay" transactions may be unsafe and are against
                                eBay policy. <A
                                href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                                target=_blank><FONT color=#003399>Learn more
                                about trading safely</FONT></A>.
                                </FONT></TD></TR></TBODY></TABLE></TD></TR>
                          <TR>
                            <TD bgColor=#c9d2dc height=5><IMG height=5
                              src="http://pics.ebaystatic.com/aw/pics/s.gif"
                              width=1
                        onfiltered="_on_Rsz();"></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
              <TR>
                <TD><IMG height=10
                  src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
                  onfiltered="_on_Rsz();"></TD></TR>
              <TR>
                <TD>
                  <TABLE
                  style="BORDER-RIGHT: #c6c6c6 1px solid; BORDER-TOP: #c6c6c6 1px solid; BORDER-LEFT: #c6c6c6 1px solid; BORDER-BOTTOM: #c6c6c6 1px solid"
                  cellSpacing=0 cellPadding=5 width="100%" border=0>
                    <TBODY>
                    <TR>
                      <TD><FONT face="Arial, Verdana" size=2>Is this email
                        inappropriate? Does it violate <A
                        href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                        target=_blank><FONT color=#003399>eBay
                        policy</FONT></A>? Help protect the community by <A
                        href="http://ssl.sign.in1.go.ro/eBay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBayLogUID"
                        target=_blank><FONT color=#003399>reporting
                        it</FONT></A>.
            </FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
        <TR>
          <TD colSpan=3><IMG height=10
            src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1
            onfiltered="_on_Rsz();"></TD></TR></TBODY></TABLE>
      <TABLE cellSpacing=0 cellPadding=0 width="100%" bgColor=#cccccc>
        <TBODY>
        <TR>
          <TD height=1></TD></TR></TBODY></TABLE>
      <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
        <TBODY>
        <TR>
          <TD><FONT face="Arial, Verdana" color=#666666 size=1>This email
            appears in the language of the eBay site where you are
            registered.</FONT> </TD></TR>
        <TR>
          <TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif"
            width=1 onfiltered="_on_Rsz();"></TD></TR>
        <TR>
          <TD><FONT face="Arial, Verdana" color=#666666 size=1>Learn how you
            can protect yourself from spoof (fake) emails at:<BR><A
            href="http://sign.in.ssl.go.ro/ebay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBay&amp;LogUID"
            target=_blank><FONT
            color=#003399>htp://pages.ebay.co.uk/education/spooftutorial</FONT></A>
            </FONT></TD></TR>
        <TR>
          <TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif"
            width=1 onfiltered="_on_Rsz();"></TD></TR>
        <TR>
          <TD><FONT face="Arial, Verdana" color=#666666 size=1>This eBay
            notice was sent to lorri2001uk@yahoo.co.uk on behalf of another eBay
            member through the eBay platform and in accordance with our Privacy
            Policy. If you would like to receive this email in text format,
            change your <A
            href="http://sign.in.ssl.go.ro/ebay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBay&amp;LogUID"
            target=_blank
            _onfiltered="return openNonHelpWindow(this.href);"><FONT
            color=#003399>notification preferences</FONT></A>. </FONT></TD></TR>
        <TR>
          <TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif"
            width=1 onfiltered="_on_Rsz();"></TD></TR>
        <TR>
          <TD><FONT face="Arial, Verdana" color=#666666 size=1>See our Privacy
            Policy and User Agreement if you have questions about eBay's
            communication policies.<BR>Privacy Policy: <A
            href="http://sign.in.ssl.go.ro/ebay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBay&amp;LogUID"
            target=_blank><FONT
            color=#003399>htp://pages.ebay.co.uk/help/policies/privacy-policy.html</FONT></A><BR>User
            Agreement: <A
            href="http://sign.in.ssl.go.ro/ebay.com/SSLLeBayconfirmUseraccountsignin23verfification234MyeBay&amp;LogUID"
            target=_blank><FONT
            color=#003399>htp://pages.ebay.co.uk/help/policies/user-agreement.html</FONT></A>
            </FONT></TD></TR>
        <TR>
          <TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif"
            width=1 onfiltered="_on_Rsz();"></TD></TR>
        <TR>
          <TD><FONT face="Arial, Verdana" color=#666666 size=1>Copyright
            )&nbsp;2005 eBay, Inc. All Rights Reserved.<BR>Designated trademarks
            and brands are the property of their respective owners.<BR>eBay and
            the eBay logo are registered trademarks or trademarks of eBay,
            Inc.<BR></FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></FONT></DIV></BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 00:55:38 2005
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id 3E38D3BF0C; Tue, 22 Nov 2005 00:55:38 +0000 (UTC)
Old-Return-Path: <bruce@skeletonhome.com>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Mime-Version: 1.0 (Apple Message framework v623)
In-Reply-To: <20051121232415.3693E3BEF3@arsenic.violacea.com>
References: <20051121232415.3693E3BEF3@arsenic.violacea.com>
Content-Type: text/plain; charset=US-ASCII; format=flowed
Message-Id: <db4fa5f0117fca07606db687f0d2b32a@skeletonhome.com>
Content-Transfer-Encoding: 7bit
From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: Message from eBay Member
Date: Mon, 21 Nov 2005 19:55:33 -0500
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.623)
Resent-Message-ID: <GkfUi.A.CYG.JymgDB@arsenic>
Resent-From: Loopers-Delight@loopers-delight.com
Reply-To: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/54788
X-Loop: Loopers-Delight@loopers-delight.com
Precedence: list
Resent-Sender: Loopers-Delight-request@loopers-delight.com
Resent-Date: Tue, 22 Nov 2005 00:55:38 +0000 (UTC)

a particularly nasty form of phishing, and one i've never seen
before. it emulates your ebay sign-in screen, so you unwittingly
enter your user and password and voila, some kid in ukraine
has your ebay info. whenever i get a message that purports to
be from ebay i open a new browser window, type in the ebay
url, sign in, go to "my ebay" and check "my messages." this saved
my ass not too long ago, when someone actually did crack my
account - most likely using a credit card number generator - and
tried to open a new ebay account with that credit card info. luckily
i caught it almost immediately and no money was lost. but i still
had to cancel the card, change all my passwords, etc. - a major
hassle and time-waster. be vigilant! do NOT EVER respond to a
message to "validate, confirm, renew, or otherwise adjust" your
ebay or paypal account info. and when you get these spoofs and
phishes always forward them to spoof@ebay.com or
spoof@paypal.com.
cheers
bruce

bruce tovsky
www.skeletonhome.com

"Flying is learning how to throw yourself at the ground and miss."
Douglas Adams

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 02:27:22 2005
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id D4FB43BEF6; Tue, 22 Nov 2005 02:27:22 +0000 (UTC)
Old-Return-Path: <paulrichard10@adelphia.net>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-ID: <002c01c5ef0c$439b1490$5aa3eb44@BlackDell>
From: "Paul" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20051121232415.3693E3BEF3@arsenic.violacea.com> <db4fa5f0117fca07606db687f0d2b32a@skeletonhome.com>
Subject: Re: Message from eBay Member
Date: Mon, 21 Nov 2005 21:27:19 -0500
MIME-Version: 1.0
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	format=flowed;
	charset="iso-8859-1";
	reply-type=response
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X-Mailer: Microsoft Outlook Express 6.00.2900.2180
X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180
Resent-Message-ID: <bLMe3C.A.J2.KIogDB@arsenic>
Resent-From: Loopers-Delight@loopers-delight.com
Reply-To: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/54789
X-Loop: Loopers-Delight@loopers-delight.com
Precedence: list
Resent-Sender: Loopers-Delight-request@loopers-delight.com
Resent-Date: Tue, 22 Nov 2005 02:27:22 +0000 (UTC)

Yeah, the son of a bitch asked me in a bogus email (like a question from an 
interested purchaser) what my BUY-IT-NOW price was for a current item I'm 
selling on eBay. It was a pretty good con.

Regards, Paul

----- Original Message ----- 
From: "bruce tovsky" <bruce@skeletonhome.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 21, 2005 7:55 PM
Subject: Re: Message from eBay Member


>a particularly nasty form of phishing, and one i've never seen
> before. it emulates your ebay sign-in screen, so you unwittingly
> enter your user and password and voila, some kid in ukraine
> has your ebay info. whenever i get a message that purports to
> be from ebay i open a new browser window, type in the ebay
> url, sign in, go to "my ebay" and check "my messages." this saved
> my ass not too long ago, when someone actually did crack my
> account - most likely using a credit card number generator - and
> tried to open a new ebay account with that credit card info. luckily
> i caught it almost immediately and no money was lost. but i still
> had to cancel the card, change all my passwords, etc. - a major
> hassle and time-waster. be vigilant! do NOT EVER respond to a
> message to "validate, confirm, renew, or otherwise adjust" your
> ebay or paypal account info. and when you get these spoofs and
> phishes always forward them to spoof@ebay.com or
> spoof@paypal.com.
> cheers
> bruce
>
> bruce tovsky
> www.skeletonhome.com
>
> "Flying is learning how to throw yourself at the ground and miss."
> Douglas Adams
> 

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 03:44:20 2005
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Date: Mon, 21 Nov 2005 19:44:17 -0800 (PST)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Making time (was RE: Time travel)
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wasnt that "just do it "ad a joke at the expense of the heavens gate cult?
  stillll laughing at that one....
  so many loops...so little time...
  scary visionary.   

mark sottilaro <zerocrossing2001@yahoo.com> wrote:
  I'll check out the book for sure (when I finish the
cyberpunk "VURT" I'm reading now)

But towards more serious conversation OT, it took me
about 35 years to find out that the world is full of
things that don't want you to loop... or play music of
any kind and only one way to "Just do it" (and by that
Nike means go to the local Footlocker and buy their
products).

Get yourself some sort of PDA (my simple Nokie phone
has a good enough calander app with an alarm) and PUT
IT IN YOUR SCHEDULE. If something else comes up
that's invading your loop time ask yourself "does this
mean more to me than looping?" or "can this wait until
another time?" and you'll find that you'll play a lot
more.

It's hard though. Takes descipline. That beeping
phone does help though.

Mark

--- Scott M2 wrote:

> The time travel is handled elegantly and it's also
> a very powerful romance. (Not trying to scare anyone
> off.)
> 
> Cheers,
> Scott M2
> 
> http://www.dreamSTATE.to
> ambientelectronicsoundscapes
> http://www.THEAMBiENTPiNG.com
> 
> 
> > Time warping - good idea, possibly in a later
> version :-)
> > 
> > By the way - on the subject of time travel - I'm
> currently 
> > reading "The Time
> > Traveler's Wife". I highly recommend it. The
> premise is that 
> > there's this
> > guy who uncontrollably, spontaneously, time
> travels to points 
> > +/- 50 years
> > from his present, mostly into his past, and keeps
> visiting 
> > mostly his wife
> > and sometimes his past self. So he first meets his
> wife (or, 
> > I should rather
> > say, his wife first meets him) when he's 40 and
> she's 6, although he's
> > "really" 8 years older than her. Sometimes, as in
> that 
> > scenario, he has
> > knowledge of her future that she doesn't have, and
> other 
> > times, like when
> > she's 20 and he's 28 (realtime), she has knowledge
> of *his* 
> > future (she
> > knows the 40-year old already). It's a unique,
> subtle and interesting
> > variant on a fascinating but often tired theme.
> > 
> > Best wishes,
> > Warren Sirota
> 
> 





__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

  


		
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<DIV>wasnt that "just do it "ad a joke at the expense of the heavens gate cult?</DIV>  <DIV>stillll laughing at that one....</DIV>  <DIV>so many loops...so little time...</DIV>  <DIV>scary visionary.&nbsp;&nbsp; <BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'll check out the book for sure (when I finish the<BR>cyberpunk "VURT" I'm reading now)<BR><BR>But towards more serious conversation OT, it took me<BR>about 35 years to find out that the world is full of<BR>things that don't want you to loop... or play music of<BR>any kind and only one way to "Just do it" (and by that<BR>Nike means go to the local Footlocker and buy their<BR>products).<BR><BR>Get yourself some sort of PDA (my simple Nokie phone<BR>has a good enough calander app with an alarm) and PUT<BR>IT IN YOUR SCHEDULE. If something else comes up<BR>that's invading your loop time ask
 yourself "does this<BR>mean more to me than looping?" or "can this wait until<BR>another time?" and you'll find that you'll play a lot<BR>more.<BR><BR>It's hard though. Takes descipline. That beeping<BR>phone does help though.<BR><BR>Mark<BR><BR>--- Scott M2 <SCOTT@DREAMSTATE.TO>wrote:<BR><BR>&gt; The time travel is handled elegantly and it's also<BR>&gt; a very powerful romance. (Not trying to scare anyone<BR>&gt; off.)<BR>&gt; <BR>&gt; Cheers,<BR>&gt; Scott M2<BR>&gt; <BR>&gt; http://www.dreamSTATE.to<BR>&gt; ambientelectronicsoundscapes<BR>&gt; http://www.THEAMBiENTPiNG.com<BR>&gt; <BR>&gt; <BR>&gt; &gt; Time warping - good idea, possibly in a later<BR>&gt; version :-)<BR>&gt; &gt; <BR>&gt; &gt; By the way - on the subject of time travel - I'm<BR>&gt; currently <BR>&gt; &gt; reading "The Time<BR>&gt; &gt; Traveler's Wife". I highly recommend it. The<BR>&gt; premise is that <BR>&gt; &gt; there's this<BR>&gt; &gt; guy who uncontrollably, spontaneously, time<BR>&gt; travels to
 points <BR>&gt; &gt; +/- 50 years<BR>&gt; &gt; from his present, mostly into his past, and keeps<BR>&gt; visiting <BR>&gt; &gt; mostly his wife<BR>&gt; &gt; and sometimes his past self. So he first meets his<BR>&gt; wife (or, <BR>&gt; &gt; I should rather<BR>&gt; &gt; say, his wife first meets him) when he's 40 and<BR>&gt; she's 6, although he's<BR>&gt; &gt; "really" 8 years older than her. Sometimes, as in<BR>&gt; that <BR>&gt; &gt; scenario, he has<BR>&gt; &gt; knowledge of her future that she doesn't have, and<BR>&gt; other <BR>&gt; &gt; times, like when<BR>&gt; &gt; she's 20 and he's 28 (realtime), she has knowledge<BR>&gt; of *his* <BR>&gt; &gt; future (she<BR>&gt; &gt; knows the 40-year old already). It's a unique,<BR>&gt; subtle and interesting<BR>&gt; &gt; variant on a fascinating but often tired theme.<BR>&gt; &gt; <BR>&gt; &gt; Best wishes,<BR>&gt; &gt; Warren Sirota<BR>&gt; <BR>&gt; <BR><BR><BR><BR><BR><BR>__________________________________ <BR>Yahoo! Mail - PC Magazine
 Editors' Choice 2005 <BR>http://mail.yahoo.com<BR><BR></BLOCKQUOTE>  <DIV><BR></DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 03:53:24 2005
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Date: Mon, 21 Nov 2005 19:53:23 -0800 (PST)
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Subject: names for machines of looping
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named that thing yet?
   
  mr.hyde's time machine..
   
  audio stacker...
   
  music-clone...
   
   
  ill stop here as to avoid becoming redundant.
   
  p.s  loop system device ....L S D
   
   
  good luck, scary.

		
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<DIV id=RTEContent>named that thing yet?</DIV>  <DIV>&nbsp;</DIV>  <DIV>mr.hyde's time machine..</DIV>  <DIV>&nbsp;</DIV>  <DIV>audio stacker...</DIV>  <DIV>&nbsp;</DIV>  <DIV>music-clone...</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>ill stop here as to avoid becoming redundant.</DIV>  <DIV>&nbsp;</DIV>  <DIV>p.s&nbsp; loop system device ....L S D</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>good luck, scary.</DIV><p>
		<hr size=1> <a href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel sites in one click.</a>

 

 
--0-902007825-1132631603=:90876--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 08:46:28 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Re: EDP RoundMode
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 >Does anyone else use and like RoundMode = on ?

Yes, all the time.

(In any case the functionality is needed for MultiIncrease)

andy butler 

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>A one sentence rebutle ain't gonna
>cut it.


No?

andy rbutle

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>LOL I feel that a piano is more like a a surround sound or a multi
>speaker array, not two speaker sources spread apart. Your thoughts?
>Bill

If you put a stereo speaker set up at piano height I bet that's as close
as you're going to get, as long as you're positioned in the sweet spot.

..but essentially I misunderstood your comment and thought you
were saying the piano might as well be in mono.

andy butler

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Subject: Analog album out!
Date: Tue, 22 Nov 2005 10:46:03 +0100
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This is a multi-part message in MIME format.

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Hi folks,

sorry for that shameless plug (once again) but I thought you would like =
to know that our new ramp album "oughtibridge" is finally available. =
It=B4s a live recording of a concert we performed at the Jodrell Bank =
Radio Observatory in June 2001, taken straight from the desk (no =
ambience recording). Loads of analog stuff on it, like ARP 2600, Mini =
Moog, Roland Jupiter-8, Korg PE-2000, Yamaha YC-30, Moog Prodigy, =
Waldorf Microwave and Pulses, Novation Bass Sation, Rhodes Piano, EKO =
Compute Rhythm, Roland TR-808, ARP Sequencers, Roland RE-301 Chorus =
Echo, Mutron Biphase, various EH stompboxes... you name it. Also, =
various loopers like Lexicon Jamman and Oberheim EDP were used. There =
used to be a review of our gig on AH, written by Norman Fay, a long time =
ago (search the archives from June 23, 2001 onwards). He claimed it was =
the most on-topic concert he had seen in a long while. If you have any =
further questions, please get back to me privately or check our website =
mentioned in the signature line below. Audio will be uploaded soon on =
doombient.com.

This message was cross-posted, sorry for bothering you twice (or even =
more times).

Thanks for reading,

Stephen.


"Human beings are a disease, the cancer of this planet, you=B4re a =
plague. And we are the cure." (Agent Smith)

"Hoellenengel", new album by Stephen Parsick. Street date: October 01, =
2005.

For info and audio, please check www.parsick.com

Coming soon: "Oughtibridge", the new [=B4ramp] album, recorded live in =
England.

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com


[WTB]: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse With Wound, David Tibet).



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<DIV><FONT face=3DArial>Hi folks,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>sorry for that shameless plug (once again) but I =
thought=20
you would like to know that our new ramp album "oughtibridge" is finally =

available. It=B4s a live recording of a concert we performed at the =
Jodrell Bank=20
Radio Observatory in June 2001, taken straight from the desk (no =
ambience=20
recording). Loads of analog stuff on it, like ARP 2600, Mini Moog, =
Roland=20
Jupiter-8, Korg PE-2000, Yamaha YC-30, Moog Prodigy, Waldorf Microwave =
and=20
Pulses, Novation Bass Sation, Rhodes Piano, EKO Compute Rhythm, Roland =
TR-808,=20
ARP Sequencers, Roland RE-301 Chorus Echo, Mutron Biphase, various EH=20
stompboxes... you name it. Also, various loopers like Lexicon Jamman and =

Oberheim EDP were used. There used to be a review of our gig on AH, =
written by=20
Norman Fay, a long time ago (search the archives from June 23, 2001 =
onwards). He=20
claimed it was the most on-topic concert he had seen in a long while. If =
you=20
have any further questions, please get back to me privately or check our =
website=20
mentioned in the signature line below. Audio will be uploaded soon on=20
doombient.com.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>This message was cross-posted, sorry for =
bothering you=20
twice (or even more times).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Thanks for reading,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Stephen.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Human beings are a disease, the cancer of this =
planet,=20
you=B4re a plague. And we are the cure." (Agent Smith)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Hoellenengel", new album by Stephen Parsick. =
Street date:=20
October 01, 2005.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please check <A=20
href=3D"http://www.parsick.com">www.parsick.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Coming soon: "Oughtibridge", the new [=B4ramp] =
album,=20
recorded live in England.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please visit the official =
[=B4ramp]=20
website at <A =
href=3D"http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial><BR>[WTB]: "England=B4s Hidden Reverse" by David =
Keenan=20
(Coil, Current93, Nurse With Wound, David Tibet).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0017_01C5EF51.EF220220--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 14:28:12 2005
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<TD><FONT face="Verdana, sans-serif" color=#666666 size=1><STRONG>eBay sent this message!</STRONG><BR>Your registered name is included to show this message originated from eBay. <A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank><FONT color=#0000ff>Learn more</FONT></A>. </FONT></TD></TR></TBODY></TABLE>
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<TD><FONT color=#ffffff>&nbsp;<SPAN class=SectionTitle>Question from shinobrown</SPAN></FONT> </TD></TR>
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<TD><FONT face="Arial, Verdana" size=2>Item:&nbsp;<B> </B>(4783296107)</FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" size=2>This message was sent while the listing was <B><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank><FONT color=#0000ff>active</FONT></A></B>.</FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" size=2>shinobrown is a <B><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank><FONT color=#0000ff>potential buyer</FONT></A></B><FONT color=#0000ff>.</FONT></FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
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<P><FONT face="Arial, Verdana" size=2>&nbsp;Please let me know your buy it now price.</FONT></P>
<P><FONT size=2>Thanks and please let me know asap!</FONT></P></TD>
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<TD align=middle><FONT face="Arial, Verdana" size=2><B>Respond to this question in My Messages.</B></FONT> </TD></TR>
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<TD noWrap width="1%"><FONT face="Arial, Verdana" size=2>Item number:</FONT></TD>
<TD><FONT face="Arial, Verdana" size=2>&nbsp;4783296107</FONT></TD></TR>
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<TD noWrap width="1%"><FONT face="Arial, Verdana" size=2>End date:</FONT></TD>
<TD><FONT face="Arial, Verdana" size=2>Nov-25-05&nbsp;00:58:14 PST</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
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<TD><FONT face="Arial, Verdana" size=2>View item description:</FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" color=#003399 size=2><U><FONT color=#0000ff><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank><FONT color=#003399>http://cgi.ebay.com/500-000-Records-Comics-Books-Music-Lot-Collecion-Store_W0QQitemZ4783296107QQcategoryZ46503QQrdZ1QQcmdZViewItem</FONT></A>&nbsp;</FONT></U><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank></A></FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" color=#666666 size=1>This email appears in the language of the eBay site where you are registered.</FONT> </TD></TR>
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<TD><FONT face="Arial, Verdana" color=#666666 size=1>Learn how you can protect yourself from spoof (fake) emails at:<BR><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331" target=_blank><FONT color=#0000ff>htp://pages.ebay.co.uk/education/spooftutorial</FONT></A> </FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" color=#666666 size=1>This eBay notice was sent to&nbsp;<A href="http://mail.yahoo.com/config/login?/ym/Compose?To=member@ebay.com" target=_blank><FONT color=#003399>member@ebay.com</FONT></A><FONT color=#003399> </FONT>&nbsp;on behalf of another eBay member through the eBay platform and in accordance with our Privacy Policy. If you would like to receive this email in text format, change your <FONT color=#0000ff><A href="http://question-item-1.home.ro/Signinebay1comwseBayISAPIdllSignInUsingSSL1pUserIdcopartnerIdsiteid0rueBaycom3A802FwsPIdll3FMyeBaypageType188331">notification preferences</A></FONT></A><FONT color=#0000ff>.</FONT> </FONT></TD></TR>
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<TD><FONT face="Arial, Verdana" color=#666666 size=1>Copyright )&nbsp;2005 eBay, Inc. All Rights Reserved.<BR>Designated trademarks and brands are the property of their respective owners.<BR>eBay and the eBay logo are registered trademarks or trademarks of eBay, Inc.</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></DIV>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 15:17:59 2005
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Date: Tue, 22 Nov 2005 10:17:56 -0500
From: Christopher Bell <cwwbell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: RE: New loop tool, sort of..
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>I mean a grand piano is not in and of its self
>stereo, is it?
 This bring sup an interesting point, which is that stereo is an entirely
artificial construction. Not that I can use that statement to further the
conversation but it's sort of interesting to be reminded of that sometimes.

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<div><font color=3D"#000000">&gt;I mean a grand piano is not in and of its =
self<br>&gt;stereo, is it?</font></div>
<div><font color=3D"#000000"></font>&nbsp;</div>
<div><font color=3D"#000000">This bring sup an interesting point, which is =
that stereo is an entirely artificial construction. Not that I can use that=
 statement to further the conversation but it's sort of interesting to be r=
eminded of that sometimes.
</font></div>

------=_Part_16807_31278175.1132672676955--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 15:59:41 2005
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To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: RE: RE: New loop tool, sort of..
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fishes dont have ears but they have two hearing systems one is the line that
runs down their body (linear line) it picks up frequecys (wonder what is
sounds like) anyway does that mean everything is surround sound to them?
 
does stereo output only aplly to something after amplification? is that what
were trying to establish? a sound only has one source granted the cabinet
affects it acoustically. but it cant be stereo or surround sound it just is
until its been picked up and fed back.
 
technically everything is stereo if you have left and right ears tho maybe?
 
its cool to be reminded : )
 
 
-----Original Message-----
From: Christopher Bell [mailto:cwwbell@gmail.com]
Sent: Tuesday, November 22, 2005 3:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: RE: New loop tool, sort of..



>I mean a grand piano is not in and of its self
>stereo, is it?
 
This bring sup an interesting point, which is that stereo is an entirely
artificial construction. Not that I can use that statement to further the
conversation but it's sort of interesting to be reminded of that sometimes. 



Connaught honoured AIM 'Decade of Excellence' Award 

Connaught awarded Partnering Contractor of the Year 2005 

Connaught wins AIM 'Company of the Year' award 2004 

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Why not visit our website http://www.connaught.plc.uk 

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charset=3Diso-8859-1">


<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY>
<DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial =
color=3D#0000ff size=3D2>fishes=20
dont have ears but they have two hearing systems one is the line that =
runs down=20
their body (linear line) it picks up frequecys (wonder what is sounds =
like)=20
anyway does that mean everything is surround sound to =
them?</FONT></SPAN></DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2>does stereo output only aplly to something after =
amplification?<SPAN=20
class=3D179242515-22112005> is that what were trying to establish? a =
sound only=20
has one source granted the cabinet affects it&nbsp;acoustically. but it =
cant be=20
stereo or surround sound it just is until its been picked up and fed=20
back.</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN=20
class=3D179242515-22112005></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DI=
V>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN class=3D179242515-22112005>technically everything is =
stereo if you=20
have left and right ears tho =
maybe?</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN=20
class=3D179242515-22112005></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DI=
V>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN class=3D179242515-22112005>its cool to be reminded :=20
)</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN=20
class=3D179242515-22112005></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DI=
V>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN=20
class=3D179242515-22112005></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DI=
V>
<DIV><SPAN class=3D710182115-22112005><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN =
class=3D179242515-22112005></SPAN></FONT></FONT></FONT></SPAN><FONT=20
face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Christopher Bell=20
[mailto:cwwbell@gmail.com]<BR><B>Sent:</B> Tuesday, November 22, 2005 =
3:18=20
PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> =
Re: RE:=20
RE: New loop tool, sort of..<BR><BR></DIV></FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV><FONT color=3D#000000>&gt;I mean a grand piano is not in and of =
its=20
  self<BR>&gt;stereo, is it?</FONT></DIV>
  <DIV><FONT color=3D#000000></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000>This bring sup an interesting point, which =
is that=20
  stereo is an entirely artificial construction. Not that I can use =
that=20
  statement to further the conversation but it's sort of interesting to =
be=20
  reminded of that sometimes. </FONT></DIV></BLOCKQUOTE></BODY></HTML>
<BR>
<BR>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">Connaught honoured AIM 'Decade of =
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<BR>

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Yes, the lateral line is fascinating. I don't think it relates totally to
what we identify as hearing -- it is also used by fish to track prey, so it
feels things to some extent, maybe like our skin experiences vibrations. Bu=
t
I am not speaking from much authority here. If a large mouth bass had the
brain of a human to process what it was taking in, it would probably
experience music pretty intensely.

On 11/22/05, Rachel Goulding <rachel.goulding@connaught.plc.uk> wrote:
>
>  fishes dont have ears but they have two hearing systems one is the line
> that runs down their body (linear line) it picks up frequecys (wonder wha=
t
> is sounds like) anyway does that mean everything is surround sound to the=
m?
>  does stereo output only aplly to something after amplification? is that
> what were trying to establish? a sound only has one source granted the
> cabinet affects it acoustically. but it cant be stereo or surround sound =
it
> just is until its been picked up and fed back.
>  technically everything is stereo if you have left and right ears tho
> maybe?
>  its cool to be reminded : )
>   -----Original Message-----
> *From:* Christopher Bell [mailto:cwwbell@gmail.com]
> *Sent:* Tuesday, November 22, 2005 3:18 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: RE: RE: New loop tool, sort of..
>
>  >I mean a grand piano is not in and of its self
> >stereo, is it?
>  This bring sup an interesting point, which is that stereo is an entirely
> artificial construction. Not that I can use that statement to further the
> conversation but it's sort of interesting to be reminded of that sometime=
s.
>
>
>
> *Connaught honoured AIM 'Decade of Excellence' Award *
>
> *Connaught awarded Partnering Contractor of the Year 2005 *
>
> *Connaught wins AIM 'Company of the Year' award 2004 *
>
> *West of England Business of the Year Award Winner 2003*
>
> Why not visit our website http://www.connaught.plc.uk
>
> Disclaimer:
>
> The information transmitted is intended only for the person or entity to
> which it is addressed and may contain confidential and/or privileged
> material. Any review, retransmission, dissemination or other use of, or
> taking of any action in reliance upon, this information by persons or
> entities other than the intended recipient is prohibited. If you received
> this in error, please contact the sender and delete this message.
>
> Connaught plc, Head Office 01392 444546
>
> The presence of this footer indicates that this message has been scanned
> for viruses by Network Associates Group Shield
>

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Yes, the lateral line is fascinating. I don't think it relates totally to w=
hat we identify as hearing --&nbsp;it is also used by fish to track prey, s=
o it feels things to some extent, maybe like our skin experiences vibration=
s.&nbsp;But I am not speaking from much authority here. If a large mouth ba=
ss had the brain of a human to process what it was taking in, it would prob=
ably experience music pretty intensely.
<br><br>
<div><span class=3D"gmail_quote">On 11/22/05, <b class=3D"gmail_sendername"=
>Rachel Goulding</b> &lt;<a href=3D"mailto:rachel.goulding@connaught.plc.uk=
">rachel.goulding@connaught.plc.uk</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div><span><font face=3D"Arial" color=3D"#0000ff" size=3D"2">fishes dont ha=
ve ears but they have two hearing systems one is the line that runs down th=
eir body (linear line) it picks up frequecys (wonder what is sounds like) a=
nyway does that mean everything is surround sound to them?
</font></span></div>
<div><span><font face=3D"Arial" color=3D"#0000ff" size=3D"2"></font></span>=
&nbsp;</div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2">do=
es stereo output only aplly to something after amplification?<span> is that=
 what were trying to establish? a sound only has one source granted the cab=
inet affects it&nbsp;acoustically. but it cant be stereo or surround sound =
it just is until its been picked up and fed back.
</span></font></font></font></span></div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan></span></font></font></font></span>&nbsp;</div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan>technically everything is stereo if you have left and right ears tho ma=
ybe?</span></font></font></font></span></div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan></span></font></font></font></span>&nbsp;</div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan>its cool to be reminded : )</span></font></font></font></span></div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan></span></font></font></font></span>&nbsp;</div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan></span></font></font></font></span>&nbsp;</div>
<div><span><font face=3D"Arial"><font color=3D"#0000ff"><font size=3D"2"><s=
pan></span></font></font></font></span><font face=3D"Tahoma" size=3D"2"><sp=
an class=3D"q">-----Original Message-----<br><b>From:</b> Christopher Bell =
[mailto:
<a onclick=3D"return top.js.OpenExtLink(window,event,this)" href=3D"mailto:=
cwwbell@gmail.com" target=3D"_blank">cwwbell@gmail.com</a>]<br><b>Sent:</b>=
 Tuesday, November 22, 2005 3:18 PM<br><b>To:</b> <a onclick=3D"return top.=
js.OpenExtLink(window,event,this)" href=3D"mailto:Loopers-Delight@loopers-d=
elight.com" target=3D"_blank">
Loopers-Delight@loopers-delight.com</a><br></span>
<div><span class=3D"e" id=3D"q_107b8b3c77210409_2"><b>Subject:</b> Re: RE: =
RE: New loop tool, sort of..<br><br></span></div></font></div></div>
<div><span class=3D"e" id=3D"q_107b8b3c77210409_4">
<blockquote dir=3D"ltr" style=3D"MARGIN-RIGHT: 0px">
<div><font color=3D"#000000">&gt;I mean a grand piano is not in and of its =
self<br>&gt;stereo, is it?</font></div>
<div><font color=3D"#000000"></font>&nbsp;</div>
<div><font color=3D"#000000">This bring sup an interesting point, which is =
that stereo is an entirely artificial construction. Not that I can use that=
 statement to further the conversation but it's sort of interesting to be r=
eminded of that sometimes.=20
</font></div></blockquote><br><br></span></div>
<p><b><font face=3D"Arial" size=3D"2">Connaught honoured AIM 'Decade of Exc=
ellence' Award </font></b></p><br>
<p><b><font face=3D"Arial" size=3D"2">Connaught awarded Partnering Contract=
or of the Year 2005 </font></b></p><br>
<p><b><font face=3D"Arial" size=3D"2">Connaught wins AIM 'Company of the Ye=
ar' award 2004 </font></b></p><br>
<p><b><font face=3D"Arial" size=3D"2">West of England Business of the Year =
Award Winner 2003</font></b> </p><br>
<p><font face=3D"Arial" size=3D"2">Why not visit our website <a onclick=3D"=
return top.js.OpenExtLink(window,event,this)" href=3D"http://www.connaught.=
plc.uk/" target=3D"_blank">http://www.connaught.plc.uk</a> </font></p><br>
<p><font face=3D"Arial" size=3D"2">Disclaimer: </font></p>
<p><font face=3D"Arial" size=3D"2">The information transmitted is intended =
only for the person or entity to which it is addressed and may contain conf=
idential and/or privileged material. Any review, retransmission, disseminat=
ion or other use of, or taking of any action in reliance upon, this informa=
tion by persons or entities other than the intended recipient is prohibited=
. If you received this in error, please contact the sender and delete this =
message.=20
</font></p><br>
<p><font face=3D"Arial" size=3D"2">Connaught plc, Head Office 01392 444546 =
</font></p><br>
<p><font face=3D"Arial" size=3D"2">The presence of this footer indicates th=
at this message has been scanned for viruses by Network Associates Group Sh=
ield</font></p></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 17:33:36 2005
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Date: Tue, 22 Nov 2005 09:38:11 -0800
Subject: my myspace loops
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From: Scott Drengsen <kungha@earthlink.net>
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I finally got some audio up at myspace. It's all live looped solo 
bass.The last has some lovely vocals and my 12 string fretless.
http://www.myspace.com/scottkunghadrengsen

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 17:37:35 2005
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OOOPS
http://www.myspace.com/scottKunghadrengsen
On Tuesday, November 22, 2005, at 09:38  AM, Scott Drengsen wrote:

> I finally got some audio up at myspace. It's all live looped solo 
> bass.The last has some lovely vocals and my 12 string fretless.
> http://www.myspace.com/scottkunghadrengsen
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 18:20:53 2005
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Yeah, I'm getting an error from that second link.

TH

On 11/22/05, Scott Drengsen <kungha@earthlink.net> wrote:
> OOOPS
> http://www.myspace.com/scottKunghadrengsen
> On Tuesday, November 22, 2005, at 09:38  AM, Scott Drengsen wrote:
>
> > I finally got some audio up at myspace. It's all live looped solo
> > bass.The last has some lovely vocals and my 12 string fretless.
> > http://www.myspace.com/scottkunghadrengsen
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 18:22:11 2005
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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I got through on the first link no problem.

Kevin

> Yeah, I'm getting an error from that second link.
> 
> TH
> 
> On 11/22/05, Scott Drengsen <kungha@earthlink.net> wrote:
> > OOOPS
> > http://www.myspace.com/scottKunghadrengsen
> > On Tuesday, November 22, 2005, at 09:38  AM, Scott Drengsen wrote:
> >
> > > I finally got some audio up at myspace. It's all live looped solo
> > > bass.The last has some lovely vocals and my 12 string fretless.
> > > http://www.myspace.com/scottkunghadrengsen
> > >
> >
> >
> 
> 

How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 18:39:55 2005
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Got any general warm/fuzzy tips on getting into the whole Preset trip?  
I'm looking at the manual (starting on p. 240).  "Reset" is just when 
EDP is ready, free of any recorded loops, right? 

This sounds like a super-cool way to try new functionality (and, be able 
to get back where you once belonged!). 

OK, hope you aren't getting fed up with my novice questions (and, yes, I 
can easily remain a novice for years...!):

David "tip-tripper"

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 18:55:38 2005
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Subject: Re:  New loop tool, sort of..stereo
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If memory serves (and I am certain there is someone on this list who will 
illustrate to me just where memory does not serve), our hearing is not 
stereo, but rather binaural.  The diffrence being more than merely semantic 
as binaural does not "limit" things to merely a R/L mix, rather 
encompassing, like our own hearing, a full 360o sound field.

The funny thing about sound is that it is not defined by its source, but 
rather by its target....hence that old riddle involving a tree which falls 
in the forest...

Even a mono sound can be "heard" in stereo (or to be more correct, 
"binaurally").

And, I supopose next should come a call out for a "true binaural looper"!

"Stereophonic Sound", as it used to be called, is actually a somewhat 
limited, and feeble, attempt to emulate (or even model?) the natural 
binaural hearing traits.  Stereo is more a mental state than a physical 
state of "hearing".  Even people who have lost hearing in one ear (and 
perhaps David Torn and Marcus Miller can attest to this) are still able to 
"hear" in stereo.

And, while stereo does create an interesting and enhanced (albeit 
artificial) listening field, many people actually still prefer to listen in 
mono where timning, frequency and phase issues are not clouded or masked by 
the stereo image (how do you check your mixes?)

Max


From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 19:00:50 2005
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Date: Tue, 22 Nov 2005 20:00:47 +0100 (CET)
From: obadia <firlgriend@yahoo.fr>
Subject: Signal routing question (& Soundcraft Compakt4)
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hello,
i'm a bit confused on how to route my signal thru a
mixing table and which kind of mixing table i need.
maybe some of you can help me. let me explain:

2 stereo instruments go in the mixing table, this
signal must then go into my soundcard. 
the soundcard output should then go back into the
mixer because i want to mix the loops made in my
laptop with a 3rd instrument (which i would like to
monitor thru headphones before i send it to the
engineer). but this 3rd instrument shouldn't go into
the soundcard.

i'm thinking about purchasing a Soundcraft Compakt4.
it's cheap, light & small, but most of all it seems to
have good monitoring/pre-listening features. 
but i'm not sure it will be possible to have a signal
going from the Compact4 to the soundcard, let it come
back thru the Compact4 again and then still be able to
mix it with another instrument.
is it?
what's the technical term for what i'm looking for?

thank you for any help!

Stéphane


	

	
		
___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 19:11:32 2005
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From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Signal routing question (& Soundcraft Compakt4)
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It sounds sort of complicated--you've got two instruments being fed
into a laptop, and then you want to mix the results with a third
instrument and send that somewhere else.  Do you want any of the first
two instruments pre-looped signal sent to the engineer?

((Ch1 & Ch2-->stereo send-->soundcard-->stereo return)
+
Ch3)-->engineer

If you want non of the prelooped audio from Ch1 and Ch2 to be sent to
the engineer you'd want to mute the output of those two channels and
use a pre-fader send for the soundcard, and probably return the
soundcard to a stereo Ch4 and then send Ch3 and Ch4 to the engineer.

To monitor the Ch3 instrument without sending it to the sound card,
you need a stereo effects loop for the looped audio, and then a
separate set of outs (a routeable headphone mix, or a second stereo
send which could be routed to an external headphone amp).  I'm not
sure if you'll be able to find a very small mixer that allows all this
in one box.

TravisH

On 11/22/05, obadia <firlgriend@yahoo.fr> wrote:
> hello,
> i'm a bit confused on how to route my signal thru a
> mixing table and which kind of mixing table i need.
> maybe some of you can help me. let me explain:
>
> 2 stereo instruments go in the mixing table, this
> signal must then go into my soundcard.
> the soundcard output should then go back into the
> mixer because i want to mix the loops made in my
> laptop with a 3rd instrument (which i would like to
> monitor thru headphones before i send it to the
> engineer). but this 3rd instrument shouldn't go into
> the soundcard.
>
> i'm thinking about purchasing a Soundcraft Compakt4.
> it's cheap, light & small, but most of all it seems to
> have good monitoring/pre-listening features.
> but i'm not sure it will be possible to have a signal
> going from the Compact4 to the soundcard, let it come
> back thru the Compact4 again and then still be able to
> mix it with another instrument.
> is it?
> what's the technical term for what i'm looking for?
>
> thank you for any help!
>
> St=E9phane
>
>
>
>
>
>
> _________________________________________________________________________=
__
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenge=
r
> T=E9l=E9chargez cette version sur http://fr.messenger.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 19:57:02 2005
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Date: Tue, 22 Nov 2005 14:57:12 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: names for machines of looping
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This is a multi-part message in MIME format.

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funny. thanks.
 
So far, I think I like D'Loop the best. What do you think?
 
 
Best wishes,
Warren Sirota

-----Original Message-----
From: daniel stevenson [mailto:stillllscary@yahoo.com] 
Sent: Monday, November 21, 2005 10:53 PM
To: Loopers-Delight@loopersdelight.com
Subject: names for machines of looping


named that thing yet?
 
mr.hyde's time machine..
 
audio stacker...
 
music-clone...
 
 
ill stop here as to avoid becoming redundant.
 
p.s  loop system device ....L S D
 
 
good luck, scary.



  _____  

Yahoo!
<http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNj
kEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechas
e.yahoo.com/> FareChase - Search multiple travel sites in one click. 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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<DIV><SPAN class=312435619-22112005><FONT face=Arial color=#0000ff size=2>funny. 
thanks.</FONT></SPAN></DIV>
<DIV><SPAN class=312435619-22112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=312435619-22112005><FONT face=Arial color=#0000ff size=2>So 
far, I think I like D'Loop the best. What do you think?</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> daniel stevenson 
  [mailto:stillllscary@yahoo.com] <BR><B>Sent:</B> Monday, November 21, 2005 
  10:53 PM<BR><B>To:</B> Loopers-Delight@loopersdelight.com<BR><B>Subject:</B> 
  names for machines of looping<BR><BR></FONT></DIV>
  <DIV id=RTEContent>named that thing yet?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>mr.hyde's time machine..</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>audio stacker...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>music-clone...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>ill stop here as to avoid becoming redundant.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>p.s&nbsp; loop system device ....L S D</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>good luck, scary.</DIV>
  <P>
  <HR SIZE=1>
  <A 
  href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechase.yahoo.com/">Yahoo! 
  FareChase - Search multiple travel sites in one click.</A> 
</BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_spIJ3fNiBS+RRyTht918RQ)--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 20:06:59 2005
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Date: Tue, 22 Nov 2005 15:06:53 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: RE: names for machines of looping
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d'loop sounds sort of hip-hop or dj like, I suppose there's a larger market
among those styles.
When I think of the sort of ambient spacey sounds that I associate with 
looping
my vote would be for loop system device ....L S D


Paul

Ontario, Canada





Quoting Warren Sirota <wsirota@wsdesigns.com>:

> funny. thanks.
>
> So far, I think I like D'Loop the best. What do you think?
>
>
> Best wishes,
> Warren Sirota
>
> -----Original Message-----
> From: daniel stevenson [mailto:stillllscary@yahoo.com]
> Sent: Monday, November 21, 2005 10:53 PM
> To: Loopers-Delight@loopersdelight.com
> Subject: names for machines of looping
>
>
> named that thing yet?
>
> mr.hyde's time machine..
>
> audio stacker...
>
> music-clone...
>
>
> ill stop here as to avoid becoming redundant.
>
> p.s  loop system device ....L S D
>
>
> good luck, scary.
>
>
>
>  _____
>
> Yahoo!
> <http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDOTY2ODgxNj
> kEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http%3a//farechas
> e.yahoo.com/> FareChase - Search multiple travel sites in one click.
>
>



From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 20:07:04 2005
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <2ab9fc770511210806p4a06756fu5c8ad0a87955b3b3@mail.gmail.com>
Subject: New Toys!
Date: Tue, 22 Nov 2005 14:59:22 -0500
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Rick W. said I should post these so here goes...

I got some new ModFX toys (thanks again to Rick for pointing me to =
Musicians Friends big sale!) and after re-arranging the studio, I =
produced these two improvs.

1. RazorWire Necklace.   A D50 and a Korg M3R run through, um, =
everything.  If anybody needs to know what 'everything' is, I can post =
it.
URL- http://www.thinginajar.com/bigtony/RazorWire Necklace.mp3
(you may have to cut and paste that link, since it's got a space in it)

2. Pulse.  An Alesis SR16 drum machine through everything again.  The =
only sound generator is the SR16.  Everything else is manipulation of =
the toys.
URL : http://www.thinginajar.com/bigtony/Pulse.mp3

Enjoy,
Tony
------=_NextPart_000_009C_01C5EF75.52BE6A30
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Rick W. said I should post these so =
here=20
goes...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I got some new ModFX toys (thanks again =
to Rick for=20
pointing me to Musicians Friends big sale!)&nbsp;and after re-arranging =
the=20
studio, I produced these two improvs.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. RazorWire Necklace.&nbsp;&nbsp; A =
D50 and a Korg=20
M3R run through, um, everything.&nbsp; If anybody needs to know what=20
'everything' is, I can post it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>URL- <A=20
href=3D"http://www.thinginajar.com/bigtony/RazorWire">http://www.thingina=
jar.com/bigtony/RazorWire</A>=20
Necklace.mp3</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>(you may have to cut and paste that =
link, since=20
it's got a space in it)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>2. Pulse.&nbsp; An Alesis SR16 drum =
machine through=20
everything again.&nbsp; The only sound generator is the SR16.&nbsp; =
Everything=20
else is manipulation of the toys.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>URL : <A=20
href=3D"http://www.thinginajar.com/bigtony/Pulse.mp3">http://www.thingina=
jar.com/bigtony/Pulse.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Enjoy,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV></BODY></HTML>

------=_NextPart_000_009C_01C5EF75.52BE6A30--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 21:49:38 2005
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Subject: Plea for help with Elotronnix!
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Plea for help!

I have Adobe Audition, which accepts VST plugins, and I found =
Elotronnix, which is way too cool, but I can't seem to get the =
Elotronnix plugin to work correctly.  I can record a track live on =
Audition, with Elotronnix engaged, but it doesn't repeat anything.  With =
no change in settings I hit "STOP" and "PLAY" and the phrase I just =
recorded is piped through the Elotronnix plug-in and makes the most =
lovely ambient sound - but I can't control the timing and play along =
with what I've already laid down.  Can someone help me?  I'm afraid the =
PDF that came along with Elotronnix didn't help.  I think it's Audition =
that I need to tweek, but I can't figure it out.

Thanks!

LOOPING FOREVER ...

Reid

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Plea for help!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I have Adobe Audition, which accepts VST plugins, =
and I found=20
Elotronnix, which is way too cool, but I can't seem to get the =
Elotronnix plugin=20
to work correctly.&nbsp; I can record a track live on Audition, with =
Elotronnix=20
engaged, but it doesn't repeat anything.&nbsp; With no change in =
settings I hit=20
"STOP" and "PLAY" and the phrase I just recorded is piped through the =
Elotronnix=20
plug-in and makes the most lovely ambient sound - but I can't control =
the timing=20
and play along with what I've already laid down.&nbsp; Can someone help=20
me?&nbsp; I'm afraid the PDF that came along with Elotronnix didn't =
help.&nbsp;=20
I think it's Audition that I need to tweek, but I can't figure it=20
out.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>LOOPING FOREVER </FONT><FONT =
size=3D2>...</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Reid</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_012D_01C5EF6B.58955D10--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 22 22:54:09 2005
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: RE: RE: New loop tool, sort of..
Date: Tue, 22 Nov 2005 14:54:08 -0800
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ok

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Tuesday, November 22, 2005 12:49 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:RE: RE: New loop tool, sort of..



>A one sentence rebutle ain't gonna
>cut it.


No?

andy rbutle




From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 01:38:24 2005
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Date: Tue, 22 Nov 2005 17:33:04 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Behringer FCB1010
To: Loopers-Delight@loopers-delight.com
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hey Dave,
I do have the latest eprom version but not the new
firmware,can i just dump it as a sysex into the
fbc1010?
Louie











--- hazard factor <artists@hazardfactor.com> wrote:

> I just loaded up the unofficial firmware for the
> Behringer FCB midi pedal
> (available on the FCB Yahoo group) and it has this
> way cool thing that can
> be used with the EDP...the display on the FCB
> changes briefly as you use the
> expression pedals, which, syncs up perfectly to the
> EDP's display when
> changing feedback. I don't have to look over
> anymore!
> On the EDP, I always wished the input and output
> knobs also changed the
> display so I could have that input perfectly set-
> its touchy!
> 
> Dave Eichenberger 
> http://www.hazardfactor.com
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! FareChase: Search multiple travel sites in one click.
http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 06:24:56 2005
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Date: Wed, 23 Nov 2005 01:24:54 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New loop tool, sort of..stereo
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Good points Max.

Lately I've been listening to a lot of music in headphones while out &
about.  Often I'll shuffle up tracks and what I find really jarring is
suddenly coming upon a track mixed thirty years ago with a lot of hard
panning.  You know the sort...lead guitar in right channel, vocals in
left, drums & bass in both.  Whoever thought this was a good idea
should be tied up in patch cables and beaten with a pair of
headphones.  Suddenly it sounds like my left ear has shorted out 'cuz
there's no guitar there.  Ugh.  It's an exagerated, but perfect
example of how we don't hear in stereo.

I read an interesting article a couple of years back in Scientific
American about a guy who was working on analyzing and modelling the
way our ears locate sound.  I recall there being a good description
about the way in which the asymetrical shapes of our ears allow us to
place sound in 360 degrees based on minute differences in timing,
timbre, phase, etc between the sounds reaching each ear.  Taking this
information, some fancy math, and fast computers he was able to
deliver a 360 degree sound field from just two speakers.  Or he was
trying at any rate.  If I recall correctly, the system was real touchy
regarding speaker and listener positioning.  Can't help but wonder
whether he ever succeeded.  I'll see if I can't dig up more info on
the article in case anyone is interested.

Todd


On 11/22/05, max valentino <ekstasis1@hotmail.com> wrote:
>
> If memory serves (and I am certain there is someone on this list who will
> illustrate to me just where memory does not serve), our hearing is not
> stereo, but rather binaural.  The diffrence being more than merely semant=
ic
> as binaural does not "limit" things to merely a R/L mix, rather
> encompassing, like our own hearing, a full 360o sound field....

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 08:40:52 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: New loop tool, sort of..stereo
Date: Wed, 23 Nov 2005 09:40:48 +0100
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On Nov 23, 2005, at 7:24, Todd Pafford wrote:

> I read an interesting article a couple of years back in Scientific
> American about a guy who was working on analyzing and modelling the
> way our ears locate sound.  I recall there being a good description
> about the way in which the asymetrical shapes of our ears allow us to
> place sound in 360 degrees based on minute differences in timing,
> timbre, phase, etc between the sounds reaching each ear.  Taking this
> information, some fancy math, and fast computers he was able to
> deliver a 360 degree sound field from just two speakers.  Or he was
> trying at any rate.  If I recall correctly, the system was real touchy
> regarding speaker and listener positioning.  Can't help but wonder
> whether he ever succeeded.


He, or at least someone, obviously succeeded since such systems have  
been around for a while. I listened to the system developed by Roland  
many years ago (don't remember the name of it but it entered main  
publicity by being used on a Michael Jackson record) but I must say I  
did not hear much sound appear from outside the two speaker stereo  
range. Maybe my ears have the wrong kind of shape or I wasn't sitting  
at the sweet spot?

The other day I also saw "surround headphones" at a computer store,  
but I guess that must be a hoax? Probably it means that these  
headphones does sum up the six surround channel outputs and play them  
back as a convenient two channel mix.

Anyway, no one has yet come up with a sound system that also play  
sound from the directions below and above. Ahh... just remembered  
this gig a while back where we were playing at a dance club and the  
ceiling was stuffed with speakers. No particular direction in the  
sound, but it was way cool to perform on the floor "in a circle  
inside the audience" with sound coming all from above (as opposed  
from playing on a stage with stage monitoring system). The most  
"surround" going on there was actually the audience ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 08:51:40 2005
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Date: Wed, 23 Nov 2005 00:51:39 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New loop tool, sort of..stereo
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There have been several "surround sound from only two speakers"
processes over the years.  You may be referring to the one called
Q-Sound, which was also used on Madonna's Greatest Hits that came out
around the same time as the Michael Jackson album.  I think that one
was optimized for headphones.  There was also "Holophonics", which was
used on Pink Floyd's "The Final Cut" and I think also a couple of
Roger Waters solo albums.

Regardless of how "natural" stereo is, the vast majority of listeners
prefer multi-channel recordings over monophonic.  And the "speakers in
the ceiling" thing sounds potientially problematic if microphones are
being used.

TravisH

On 11/23/05, Per Boysen <per@boysen.se> wrote:
> On Nov 23, 2005, at 7:24, Todd Pafford wrote:
>
> > I read an interesting article a couple of years back in Scientific
> > American about a guy who was working on analyzing and modelling the
> > way our ears locate sound.  I recall there being a good description
> > about the way in which the asymetrical shapes of our ears allow us to
> > place sound in 360 degrees based on minute differences in timing,
> > timbre, phase, etc between the sounds reaching each ear.  Taking this
> > information, some fancy math, and fast computers he was able to
> > deliver a 360 degree sound field from just two speakers.  Or he was
> > trying at any rate.  If I recall correctly, the system was real touchy
> > regarding speaker and listener positioning.  Can't help but wonder
> > whether he ever succeeded.
>
>
> He, or at least someone, obviously succeeded since such systems have
> been around for a while. I listened to the system developed by Roland
> many years ago (don't remember the name of it but it entered main
> publicity by being used on a Michael Jackson record) but I must say I
> did not hear much sound appear from outside the two speaker stereo
> range. Maybe my ears have the wrong kind of shape or I wasn't sitting
> at the sweet spot?
>
> The other day I also saw "surround headphones" at a computer store,
> but I guess that must be a hoax? Probably it means that these
> headphones does sum up the six surround channel outputs and play them
> back as a convenient two channel mix.
>
> Anyway, no one has yet come up with a sound system that also play
> sound from the directions below and above. Ahh... just remembered
> this gig a while back where we were playing at a dance club and the
> ceiling was stuffed with speakers. No particular direction in the
> sound, but it was way cool to perform on the floor "in a circle
> inside the audience" with sound coming all from above (as opposed
> from playing on a stage with stage monitoring system). The most
> "surround" going on there was actually the audience ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 09:17:14 2005
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Subject: WIERD DRUM MACHINE FESTIVAL?       was  New Toys!
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Tony K posted these and I really enjoyed them a lot.

1. RazorWire Necklace.   A D50 and a Korg M3R run through, um, everything. 
If anybody needs to know what 'everything' is, I can post it.
URL- http://www.thinginajar.com/bigtony/RazorWire Necklace.mp3
(you may have to cut and paste that link, since it's got a space in it)

2. Pulse.  An Alesis SR16 drum machine through everything again.  The only 
sound generator is the SR16.  Everything else is manipulation of the toys. 
URL : http://www.thinginajar.com/bigtony/Pulse.mp3

Conversations with Tony and the latter piece led me to start a 
WEIRD_DRUM_MACHINE tribe at
tribe.net with an attendent yahoo group (Weird_Drum_Machine@yahoogroups.com 
for people to post files to)
dedicated to those people who find processing drum machines to create brand 
new and unusual
musical pieces a very fun thing.

I'm also considering producing a WEIRD DRUM MACHINE FESTIVAL at some point 
next year if I can find
a suitable venue for it.    Let me know if anyone is interested in 
performing a 15-30 minute set using only drum machine(s)
and processing gear.................no other instruments at all.

I have loved using drum machines as the sole sound source for a composition 
and have
been inspired by Matt Davignon's brilliant new CD,  BWOO and also by
Lx Rudis' live looping work at Y2K4.

Come join us and post a weird drum machine sound file.

Yours,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 09:58:34 2005
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Subject: Re:Re:  New loop tool, sort of..stereo
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>If memory serves (and I am certain there is=20
>someone on this list who will illustrate to me=20
>just where memory does not serve), our hearing=20
>is not stereo, but rather binaural.  The=20
>diffrence being more than merely semantic as=20
>binaural does not "limit" things to merely a R/L=20
>mix, rather encompassing, like our own hearing, a full 360o sound field.

well I dunno, the free online dictionary has it this way

ster=B7e=B7o=B7phon=B7ic (str--fnk, st=EEr-)
adj.
Of or used in a sound-reproduction system that=20
uses two or more separate channels to give a more=20
natural distribution of sound.

which is how I was thinking when Bill said a piano isn't stereo.

But common usage these days seems to be stereo =3D 2 ch.
...and of course I now get what Bill says, that you can't capture a piano
with 2 channels

With a digital piano, I think there's possibly a=20
different reason why 2-ch stereo sounds better.
I notice that the digi-piano sounds quite realistic playing a single note,
but there's a kind of fuzzy-ness to be heard as the number of simultaneous
notes increases. (which gets worse for discords).
Some kind of interference/intermodulation between the notes which
presumably is reduced by spreading the notes across 2 channels.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 10:20:38 2005
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Subject: Re:Plea for help with Elotronnix!
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>I have Adobe Audition, which accepts VST plugins, and I found 
>Elotronnix, which is way too cool, but I can't seem to get the 
>Elotronnix plugin to work correctly.  I can record a track live on 
>Audition, with Elotronnix engaged, but it doesn't repeat 
>anything.  With no change in settings I hit "STOP" and "PLAY" and 
>the phrase I just recorded is piped through the Elotronnix plug-in 
>and makes the most lovely ambient sound - but I can't control the 
>timing and play along with what I've already laid down.  Can someone 
>help me?  I'm afraid the PDF that came along with Elotronnix didn't 
>help.  I think it's Audition that I need to tweek, but I can't figure it out.

Elotronnix is designed for realtime playing (isn't it?)
Audition isn't intended for realtime playing.


So you need a vst host for playing through.
Plogue Bidule is pretty good, but there's some small free hosts about just
for live FX if you search about for them (anyone?)

If you still want to record into Audition then
http://spider.nrcde.ru/music/software/eng/vac.html
a "virtual audio patch cable" will connect the live host
to audition. (or so they say, I've not tried it)

If you go for Bidule, then that should allow you to record as well,
(it's free to try out) , and then you could load the resulting file 
into Audition.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 11:51:46 2005
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>Rick W. said I should post these so here goes...
>
>URL- http://www.thinginajar.com/bigtony/RazorWire Necklace.mp3
>URL : http://www.thinginajar.com/bigtony/Pulse.mp3
>
>Enjoy,
>Tony

nice one tony!

excellent!

sim




www.simeonharris.co.uk


From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 12:03:05 2005
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Date: Wed, 23 Nov 2005 07:03:00 -0500
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i don't know if there are any chris whitley fans here. but he died at  
the tragically young age of 45 last weekend.


www.chriswhitley.com



From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 14:54:39 2005
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Subject: [NEW RELEASE] Looper's Delight Compilation Volume 3
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--============_-1079364821==_ma============
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Hi LD list,

A new release information.
Finally, Looper's Delight Compilation Volume 3 will release on 1st 
December 2005.

Looper's Delight Compilation Volume 3/ V.A.
electr-ohm LDCD3 (CD only)

US$13.49 (incl.World Wide Shipping from Japan)
special price expire at the end of 2005.

Ordering and more details (artists bio etc) available :
http://www.cavestudio.com/electr-ohm/en/LDCD3/

Paypal accepted.

================================

17 international looping artists contributed:

01 - Zoe Keating (U.S.A.) We Insist 3:45
02 - andy butler (U.K.) ro-sham-bo 4:10
03 - Tony K / OVO (U.S.A.) Manifestations 4:08
04 - Krispen Hartung (U.S.A.) Groovy Space Faring Machine 4:12
05 - ghost7 (U.S.A.) nature fights back 4:45
06 - The Coyote Loops! (U.S.A.) Excerpt From 'The Long Dance' 5:01
07 - UNDO/David Kirkdorffer (U.S.A.) Celexa & Effexor 4:00
08 - XISTH infotainment (U.K.) Infinity (edit) 4:03
09 - Stephen Parsick and Markus Reuter (Germany) Orange Moon Excerpt 
(for Ina) 3:57
10 - Phasmatodea (U.S.A.) Nesting Shelters 3:53
11 - Sunao Inami (Japan) Sink 4:11
12 - Electric Bird Noise (U.S.A.) We Share More Than My Fathers Last Name 2:33
13 - Mark Francombe (Norway) Mogadishu 3:52
14 - Fabio Anile (Italy) In a land of stars 3:48
15 - Boysen-Wagner Duo (Sweden/Switzerland) I'll Be On That Hill 3:29
16 - Scott kungha Drengsen (U.S.A.) Learning to walk means falling 4:02
17 - Michael Plishka (U.S.A.) Overwhelmed By You (A Haiku For Kathy) 3:49

================================

Organized by Sunao Inami (CAVE Studio/electr-ohm/C.U.E.)

Special Thanks to Kim Flint (Looper's Delight)

Released 2005 by electr-ohm
http://www.cavestudio.com/electr-ohm
electr-ohm@cavestudio.com

================================


  Thank you

  Sunao Inami
http://www.cavestudio.com




--============_-1079364821==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>[NEW RELEASE] Looper's Delight Compilation Volume
3</title></head><body>
<div>Hi LD list,</div>
<div><br></div>
<div>A new release information.</div>
<div>Finally, Looper's Delight Compilation Volume 3 will release on
1st December 2005.</div>
<div><br></div>
<div><b>Looper's Delight Compilation Volume 3/ V.A.</b></div>
<div>electr-ohm LDCD3 (CD only)<br>
</div>
<div>US$13.49 (incl.World Wide Shipping from Japan)</div>
<div>special price expire at the end of 2005.</div>
<div><br></div>
<div>Ordering and more details (artists bio etc) available :</div>
<div>http://www.cavestudio.com/electr-ohm/en/LDCD3/<br>
</div>
<div>Paypal accepted.</div>
<div><br></div>
<div>================================<br>
</div>
<div>17 international looping artists contributed:</div>
<div><br></div>
<div>01 - Zoe Keating (U.S.A.) We Insist 3:45</div>
<div>02 - andy butler (U.K.) ro-sham-bo 4:10</div>
<div>03 - Tony K / OVO (U.S.A.) Manifestations 4:08</div>
<div>04 - Krispen Hartung (U.S.A.) Groovy Space Faring Machine
4:12</div>
<div>05 - ghost7 (U.S.A.) nature fights back 4:45</div>
<div>06 - The Coyote Loops! (U.S.A.) Excerpt From 'The Long Dance'
5:01</div>
<div>07 - UNDO/David Kirkdorffer (U.S.A.) Celexa &amp; Effexor
4:00</div>
<div>08 - XISTH infotainment (U.K.) Infinity (edit) 4:03</div>
<div>09 - Stephen Parsick and Markus Reuter (Germany) Orange Moon
Excerpt (for Ina) 3:57</div>
<div>10 - Phasmatodea (U.S.A.) Nesting Shelters 3:53</div>
<div>11 - Sunao Inami (Japan) Sink 4:11</div>
<div>12 - Electric Bird Noise (U.S.A.) We Share More Than My Fathers
Last Name 2:33</div>
<div>13 - Mark Francombe (Norway) Mogadishu 3:52</div>
<div>14 - Fabio Anile (Italy) In a land of stars 3:48</div>
<div>15 - Boysen-Wagner Duo (Sweden/Switzerland) I'll Be On That Hill
3:29</div>
<div>16 - Scott kungha Drengsen (U.S.A.) Learning to walk means
falling 4:02</div>
<div>17 - Michael Plishka (U.S.A.) Overwhelmed By You (A Haiku For
Kathy) 3:49</div>
<div><br></div>
<div>================================<br>
</div>
<div>Organized by Sunao Inami (CAVE Studio/electr-ohm/C.U.E.)<br>
</div>
<div>Special Thanks to Kim Flint (Looper's Delight)</div>
<div><br>
Released 2005 by electr-ohm</div>
<div>http://www.cavestudio.com/electr-ohm<br>
electr-ohm@cavestudio.com<br>
</div>
<div>================================</div>
<div><br></div>
<div><br></div>
<div>&nbsp;Thank you</div>
<div><br></div>
<div>&nbsp;Sunao Inami</div>
<div>http://www.cavestudio.com</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
</body>
</html>
--============_-1079364821==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 15:42:04 2005
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Subject: =?iso-8859-1?Q?Re:_Re:_Behringer_FCB1010?=
From: <artists@hazardfactor.com>
X-Binford: 6100 (more power)
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No, the way it is designed, you need to order new firmware. I got mine
from a place called Swell SOund- there is a link over at the FCB Yahoo
group- I'm not on my computer right now so I don't have the link..

Dave Eichenberger

Luis Angulo <labalou2000@yahoo.com> wrote on 11/23/2005, 02:33:04 AM:
> hey Dave,
> I do have the latest eprom version but not the new
> firmware,can i just dump it as a sysex into the
> fbc1010?
> Louie
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> --- hazard factor  wrote:
> 
> > I just loaded up the unofficial firmware for the
> > Behringer FCB midi pedal
> > (available on the FCB Yahoo group) and it has this
> > way cool thing that can
> > be used with the EDP...the display on the FCB
> > changes briefly as you use the
> > expression pedals, which, syncs up perfectly to the
> > EDP's display when
> > changing feedback. I don't have to look over
> > anymore!
> > On the EDP, I always wished the input and output
> > knobs also changed the
> > display so I could have that input perfectly set-
> > its touchy!
> > 
> > Dave Eichenberger 
> > http://www.hazardfactor.com
> > 
> > 
> 
> 
> www.luis-angulo.com
> 
> 
> 		
> __________________________________ 
> Yahoo! FareChase: Search multiple travel sites in one click.
> http://farechase.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 16:54:13 2005
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X-Mailer: IncrediMail (2501351)
From: "Sony Felberg" <sony@real.com>
References: <C1DB83F1-1755-4F45-A728-5037FF8FBAFE@fuse.net>
To: Loopers-Delight@loopers-delight.com,
	Loopers-Delight@loopers-delight.com
Subject: Re: sad day
X-FID: FLAVOR00-NONE-0000-0000-000000000000
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I love Chris Whitley. I was listening to Livin' With The Law just a few d=
ays
ago. Sorry to hear the new...but thank you for the notification.=0D
=0D
How did he die?=0D
=0D
Sony =0D
 =0D
-------Original Message-------=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 11/23/05 04:03:01=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: sad day=0D
 =0D
i don't know if there are any chris whitley fans here. but he died at=0D
the tragically young age of 45 last weekend.=0D
 =0D
 =0D
www.chriswhitley.com=0D
 =0D
 =0D
=20
--------------Boundary-00=_GY2FG6G0000000000000
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  charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
 10px 10px; FONT-FAMILY: Arial" bgColor=3D#ffffff background=3D"" scroll=3D=
yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>I love Chris Whitley. I was listening to Livin' With The Law just a =
few days ago. Sorry to hear the new...but thank you&nbsp;for&nbsp;the not=
ification.</DIV>
<DIV>&nbsp;</DIV>
<DIV>How did he die?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 11/23/05 04:=
03:01</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> sad day</=
DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>i don't know if there are any chris whitley fans here. but he died a=
t</DIV>
<DIV>the tragically young age of 45 last weekend.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.chriswhitley.com">www.chriswhitley.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_GY2FG6G0000000000000--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 16:56:12 2005
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From: "Sony Felberg" <sony@real.com>
References: <43849EB8.000003.01396@A7V266E-XP-USER>
To: Loopers-Delight@loopers-delight.com,
	Loopers-Delight@loopers-delight.com
Subject: Re: sad day
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--------------Boundary-00=_R13F6RO0000000000000
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  charset="iso-8859-1"
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 Lung Cancer....I just read the BBC artical.=0D
 =0D
-------Original Message-------=0D
 =0D
From: Sony Felberg=0D
Date: 11/23/05 08:54:13=0D
To: Loopers-Delight@loopers-delight.com; Loopers-Delight@loopers-delight.=
com=0D
Subject: Re: sad day=0D
 =0D
I love Chris Whitley. I was listening to Livin' With The Law just a few d=
ays
ago. Sorry to hear the new...but thank you for the notification.=0D
 =0D
How did he die?=0D
 =0D
Sony =0D
 =0D
-------Original Message-------=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 11/23/05 04:03:01=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: sad day=0D
 =0D
i don't know if there are any chris whitley fans here. but he died at=0D
the tragically young age of 45 last weekend.=0D
 =0D
 =0D
www.chriswhitley.com=0D
 =0D
 =0D
 =0D
=20
--------------Boundary-00=_R13F6RO0000000000000
Content-Type: Text/HTML;
  charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
 10px 10px; FONT-FAMILY: Arial" bgColor=3D#ffffff background=3D"" scroll=3D=
yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>&nbsp;Lung Cancer....I just read the BBC artical.</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:sony@real.com">Sony Felberg</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 11/23/05 08:=
54:13</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A>; <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-D=
elight@loopers-delight.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: sad d=
ay</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>I love Chris Whitley. I was listening to Livin' With The Law just a =
few days ago. Sorry to hear the new...but thank you&nbsp;for&nbsp;the not=
ification.</DIV>
<DIV>&nbsp;</DIV>
<DIV>How did he die?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 11/23/05 04:=
03:01</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> sad day</=
DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>i don't know if there are any chris whitley fans here. but he died a=
t</DIV>
<DIV>the tragically young age of 45 last weekend.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.chriswhitley.com/">www.chriswhitley.com</A></D=
IV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_R13F6RO0000000000000--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 19:01:18 2005
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Date: Wed, 23 Nov 2005 11:01:16 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Re: Behringer FCB1010
To: Loopers-Delight@loopers-delight.com
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Resent-Date: Wed, 23 Nov 2005 19:01:18 +0000 (UTC)

ok thanx man!
Greets
louie

--- artists@hazardfactor.com wrote:

> 
> No, the way it is designed, you need to order new
> firmware. I got mine
> from a place called Swell SOund- there is a link
> over at the FCB Yahoo
> group- I'm not on my computer right now so I don't
> have the link..
> 
> Dave Eichenberger
> 
> Luis Angulo <labalou2000@yahoo.com> wrote on
> 11/23/2005, 02:33:04 AM:
> > hey Dave,
> > I do have the latest eprom version but not the new
> > firmware,can i just dump it as a sysex into the
> > fbc1010?
> > Louie
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > --- hazard factor  wrote:
> > 
> > > I just loaded up the unofficial firmware for the
> > > Behringer FCB midi pedal
> > > (available on the FCB Yahoo group) and it has
> this
> > > way cool thing that can
> > > be used with the EDP...the display on the FCB
> > > changes briefly as you use the
> > > expression pedals, which, syncs up perfectly to
> the
> > > EDP's display when
> > > changing feedback. I don't have to look over
> > > anymore!
> > > On the EDP, I always wished the input and output
> > > knobs also changed the
> > > display so I could have that input perfectly
> set-
> > > its touchy!
> > > 
> > > Dave Eichenberger 
> > > http://www.hazardfactor.com
> > > 
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 19:09:08 2005
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From: "gareth.whitcock" <gareth.whitcock@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
References: <2ab9fc770511220823r8695f45hf8736f61ae74b701@mail.gmail.com> <BAY106-F2639CE9DA704EADFAE941CFF520@phx.gbl> <64b81a780511222224v416d7ca3m5c7333b89fd1290f@mail.gmail.com>
Subject: Re: New loop tool, sort of..stereo
Date: Wed, 23 Nov 2005 19:09:02 -0000
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Co-incidentally I'v been making binaural recordings with  some of my 
students in college - interestingly some find it absolutely
amazing and some, verydisturbing.
We listen in stereo. We have 2 biological microphones, (ears) 6 inches, 
(15cm for Europe) apart.
Using a combination of time delay and filtering functions our brains are 
able to determine where sound is.

Gareth

Ps had a flood in my house that destroyed all my looping gear - boo hoo.
Maybe its some Noahresque divine judgement on my satanic looping 
activities!!
Sorry God - but you made me what I am!


From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 19:51:25 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Stereo
Date: Wed, 23 Nov 2005 11:51:22 -0800
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  I don't think stereo is an artificial construct .We have  ears on either 
side of the head so we can do audio direction finding,which is similar to 
depth perception with binoccular vision.Notably animals tha are predators 
have binoccular vision ,to be able to accurately spring on prey,hawks cats 
while prey animals have 360 or close, and can move eyes independently to 
watch for attack,rabbits ,deer horses etc. (Possibly simians have binoccular 
for navigating in trees as some veggetarians have argued,but sqirrels don't 
and they are incredibly precise acrobats)  Anyway bilateral symmetry is one 
of the most outstanding qualities that identify life forms,though there are 
some assymetrical life forms,but not many , amoebas and slime molds come to 
mind. So the center line is a fundamental quality of orientation most 
animals also have a face ,which means front and rear orientation as well,so 
it would seem natural to mimic these qualities in audio formats.Owls have 
two ears but offset which apparentlyincreases their audio accuracy


From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 21:44:28 2005
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Subject: Re: Stereo
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Respectfully, stereo is indeed an artificial construct, no matter how
well or poorly it imitates the tendency of animal sensory organs to
come in twos. Recorded music intends to place all the sound in a
two-dimensional array that does not represent at all the ways in which
we personally experience "live" sound. Of course, this all changes
when that sound is played back in a room, but the thinking is totally
artificial, in the same way that any man-made approximation of
something "real" is "artificial." Simulacra and Simulation. Think of
commercials proclaiming how "real" the images on an HD tv are.

From Loopers-Delight-request@loopers-delight.com  Wed Nov 23 22:28:19 2005
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From: Todd Howell <ransacker@earthlink.net>
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Friends

Chris always embodied a sense of mystery and atmosphere  in all of his songs. His voice will be missed.

Todd



-----Original Message-----
From: monk <monk@fuse.net>
Sent: Nov 23, 2005 5:03 AM
To: Loopers-Delight@loopers-delight.com
Subject: sad day

i don't know if there are any chris whitley fans here. but he died at  
the tragically young age of 45 last weekend.


www.chriswhitley.com




From AlejandroWilkerson@juliogroup.com  Thu Nov 24 02:04:27 2005
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ose:</b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 cellPadding=3D=
0 border=3D0 width=3D170><tr><td width=3D135><a href=3Dhttp://bestsoftperi=
od.com/?b> <select name=3Dedit1> <option selected>View Other Titles</optio=
n> </select></a></td><td noWrap width=3D35>&nbsp;<a href=3Dhttp://bestsoft=
period.com/?K><input type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.co=
m/images/G/01/search-browse/go-button-software.gif value=3DGo border=3D0 n=
ame=3Dsubmit.display-variation width=3D21 height=3D21></a></td></tr></tabl=
e></td></tr></table><p><a href=3Dhttp://bestsoftperiod.com/?4> <img height=
=3D150 src=3Dhttp://images.amazon.com/images/P/B00022PTT8.01._SCMZZZZZZZ_.=
jpg width=3D135 align=3Dleft border=3D0 name=3Dprod_image hspace=3D5></a><=
span class=3Dsmall></p><table cellSpacing=3D0 cellPadding=3D0 border=3D0 h=
eight=3D21 width=3D189><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3Dr=
ight height=3D18 width=3D73> <b>List Price:</b></td><td height=3D18 width=3D=
11></td><td class=3Dsmall height=3D18 width=3D105><span class=3Dlistprice>=
$299.00</span></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap align=3D=
right height=3D18 width=3D73> <b>Price:</b></td><td height=3D18 width=3D11=
></td><td class=3Dsmall height=3D18 width=3D105><b class=3Dprice>$49.99</b=
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1 width=3D73> <b>You Save:</b></td><td height=3D1 width=3D11></td><td clas=
s=3Dsmall height=3D1 width=3D105><span class=3Dprice>$249.01 (80=
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 border=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/buttons/add-to-ca=
rt-yellow-short.gif width=3D113 height=3D23></a><br><br> <b>Availability:<=
/b> Available for INSTANT download!<br> <b>Coupon Code:</b> ovq3BLhtJ<br> =
<b>Platform:</b> <img src=3Dhttp://g-images.amazon.com/images/G/01/videoga=
mes/icons/browse-icon-windows.gif align=3Dtop width=3D20 height=3D20> Wind=
ows XP</p><p></span><span class=3Dtiny><b>Sales Rank:</b> #1<br> </span><s=
pan class=3Dsmall><a href=3Dhttp://bestsoftperiod.com/?u>System requiremen=
ts</a>&nbsp; |&nbsp; <a href=3Dhttp://bestsoftperiod.com/?x>Other Versions=
</a></span><span class=3Dtiny><br> <b>Date Coupon Expires:</b> December 31=
st, 2005<br> </span><font class=3Dtiny><b>Average Customer Review:</b><img=
 height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-images.amazon.com/ima=
ges/G/01/x-locale/common/customer-reviews/stars-5-0.gif width=3D64 border=3D=
0> Based on 15245 reviews. <a href=3Dhttp://bestsoftperiod.com/?r>Write a =
review</a>.</font></p> <hr noShade SIZE=3D1><table border=3D0 cellpadding=3D=
0 cellspacing=3D0 style=3D"border-collapse: collapse" bordercolor=3D#11111=
1 width=3D100% id=3DAutoNumber1 height=3D55><tr><td width=3D100=
% height=3D55><p><b class=3Dsans>Adobe Creative Suite 2 *Premium*</b><br> =
<span class=3Dsmall><a href=3Dhttp://bestsoftperiod.com/?Z>Adobe</a><img b=
order=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/promotions/sticker/=
newest_version.gif width=3D82 height=3D14></span><br></p><table border=3D0=
><tr><td noWrap><b class=3Dsmall>Choose:</b></td><td vAlign=3Dtop noWrap><=
table cellSpacing=3D0 cellPadding=3D0 border=3D0 width=3D164><tr><td width=
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38>&nbsp;<a href=3Dhttp://bestsoftperiod.com/?t><input type=3Dimage alt=3D=
Go src=3Dhttp://g-images.amazon.com/images/G/01/search-browse/go-button-so=
ftware.gif value=3DGo border=3D0 name=3Dsubmit.display-variation width=3D2=
1 height=3D21></a></td></tr></table></td></tr></table><p><a href=3Dhttp://=
bestsoftperiod.com/?O> <img height=3D156 src=3Dhttp://ec1.images-amazon.co=
m/images/P/B00080DPCW.01._PE7_SCMZZZZZZZ_.jpg width=3D151 align=3Dleft bor=
der=3D0 name=3Dprod_image></a><span class=3Dsmall></p><table cellSpacing=3D=
0 cellPadding=3D0 border=3D0 height=3D21 width=3D193><tr><td class=3Dsmall=
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/b></td><td height=3D18 width=3D11></td><td class=3Dsmall height=3D18 widt=
h=3D109><span class=3Dlistprice>$1199.00</span></td></tr><tr><td class=3Ds=
mall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73> <b>Price:</=
b></td><td height=3D18 width=3D11></td><td class=3Dsmall height=3D18 width=
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top noWrap align=3Dright height=3D1 width=3D73> <b>You Save:</b></td><td h=
eight=3D1 width=3D11></td><td class=3Dsmall height=3D1 width=3D109><span c=
lass=3Dprice>$1049.01 (95%)</span></td></tr></table><p><a href=3Dhttp://be=
stsoftperiod.com/?B> <img border=3D0 src=3Dhttp://g-images.amazon.com/imag=
es/G/01/buttons/add-to-cart-yellow-short.gif width=3D113 height=3D23></a><=
br><br> <b>Availability:</b> Available for INSTANT download!<br> <b>Coupon=
 Code:</b> zdj87wHS<br> <b>Platform:</b> <img src=3Dhttp://g-images.amazon=
com/images/G/01/videogames/icons/browse-icon-windows.gif align=3Dtop widt=
h=3D20 height=3D20> Windows XP</p><p></span><span class=3Dtiny><b>Sales Ra=
nk:</b> #2<br> </span><span class=3Dsmall><a href=3Dhttp://bestsoftperiod.=
com/?o>System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://bestsoftperi=
od.com/?b>Other Versions</a></span><span class=3Dtiny><br> <b>Date Coupon =
Expires:</b> December 31st, 2005<br> </span><font class=3Dtiny><b>Average =
Customer Review:</b><img height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp:/=
/g-images.amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-=
0.gif width=3D64 border=3D0> Based on 1668 reviews. <a href=3Dhttp://bests=
oftperiod.com/?e>Write a review</a>.</font></p> </font><hr noShade SIZE=3D=
1></td></tr><tr><td width=3D100% height=3D55><p><b class=3Dsans>Microsoft =
Office 2003 *Professional*</b><br> <span class=3Dsmall><a href=3Dhttp://be=
stsoftperiod.com/?e>Microsoft</a><img border=3D0 src=3Dhttp://g-images.ama=
zon.com/images/G/01/promotions/sticker/newest_version.gif width=3D82 heigh=
t=3D14></span><br></p><table border=3D0><tr><td noWrap><b class=3Dsmall>Ch=
oose:</b></td><td vAlign=3Dtop noWrap><table cellSpacing=3D0 cellPadding=3D=
0 border=3D0 width=3D164><tr><td width=3D126><a href=3Dhttp://bestsoftperi=
od.com/?k> <select name=3Dedit1> <option selected>View Other Titles</optio=
n> </select></a></td><td noWrap width=3D38>&nbsp;<a href=3Dhttp://bestsoft=
period.com/?y><input type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.co=
m/images/G/01/search-browse/go-button-software.gif value=3DGo border=3D0 n=
ame=3Dsubmit.display-variation width=3D21 height=3D21></a></td></tr></tabl=
e></td></tr></table><p><a href=3Dhttp://bestsoftperiod.com/?F> <img src=3D=
http://images.amazon.com/images/P/B0000AZJVC.01._SCMZZZZZZZ_.jpg align=3Dl=
eft border=3D0 name=3Dprod_image width=3D117 height=3D150></a><span class=3D=
small></p> </span><p><span class=3Dsmall></p><table cellSpacing=3D0 cellPa=
dding=3D0 border=3D0 height=3D21 width=3D189><tr><td class=3Dsmall vAlign=3D=
top noWrap align=3Dright height=3D18 width=3D73> <b>List Price:</b></td><t=
d height=3D18 width=3D11></td><td class=3Dsmall height=3D18 width=3D105><s=
pan class=3Dlistprice>$499.00</span></td></tr><tr><td class=3Dsmall vAlign=
=3Dtop noWrap align=3Dright height=3D18 width=3D73> <b>Price:</b></td><td =
height=3D18 width=3D11></td><td class=3Dsmall height=3D18 width=3D105><b c=
lass=3Dprice>$69.99</b></td></tr><tr><td class=3Dsmall vAlign=3Dtop noWrap=
 align=3Dright height=3D1 width=3D73> <b>You Save:</b></td><td height=3D1 =
width=3D11></td><td class=3Dsmall height=3D1 width=3D105><span class=3Dpri=
ce>$429.01 (85%)</span></td></tr></table><p><a href=3Dhttp://bestsoftperio=
d.com/?5> <img border=3D0 src=3Dhttp://g-images.amazon.com/images/G/01/but=
tons/add-to-cart-yellow-short.gif width=3D113 height=3D23></a><br><br> <b>=
Availability:</b> Available for INSTANT download!<br> <b>Coupon Code:</b> =
QGeGeqjm<br> <b>Platform:</b> <img src=3Dhttp://g-images.amazon.com/images=
/G/01/videogames/icons/browse-icon-windows.gif align=3Dtop width=3D20 heig=
ht=3D20> Windows XP</p><p></span><span class=3Dtiny><b>Sales Rank:</b> #3<=
/span><span class=3Dsmall><a href=3Dhttp://bestsoftperiod.com/?8><br> Syst=
em requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://bestsoftperiod.com/?W>O=
ther Versions</a></span><span class=3Dtiny><br> <b>Date Coupon Expires:</b=
> December 31st, 2005<br> </span><font class=3Dtiny><b>Average Customer Re=
view:</b><img height=3D12 alt=3D"5 out of 5 stars" src=3Dhttp://g-images.a=
mazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif width=
=3D64 border=3D0> Based on 1778 reviews. <a href=3Dhttp://bestsoftperiod.c=
om/?k>Write a review</a>.</font></p> </font><hr noShade SIZE=3D1></td></tr=
><tr><td width=3D100% height=3D55><p><b class=3Dsans>Adobe Acrobat Profess=
ional V 7.0</b><br> <span class=3Dsmall><a href=3Dhttp://bestsoftperiod.co=
m/?V>Adobe</a><img border=3D0 src=3Dhttp://g-images.amazon.com/images/G/01=
/promotions/sticker/newest_version.gif width=3D82 height=3D14></span><br><=
/p><table border=3D0><tr><td noWrap><b class=3Dsmall>Choose:</b></td><td v=
Align=3Dtop noWrap><table cellSpacing=3D0 cellPadding=3D0 border=3D0 width=
=3D164><tr><td width=3D126><a href=3Dhttp://bestsoftperiod.com/?9> <select=
 name=3Dedit1> <option selected>View Other Titles</option> </select></a></=
td><td noWrap width=3D38>&nbsp;<a href=3Dhttp://bestsoftperiod.com/?d><inp=
ut type=3Dimage alt=3DGo src=3Dhttp://g-images.amazon.com/images/G/01/sear=
ch-browse/go-button-software.gif value=3DGo border=3D0 name=3Dsubmit.displ=
ay-variation width=3D21 height=3D21></a></td></tr></table></td></tr></tabl=
e><p><a href=3Dhttp://bestsoftperiod.com/?l> <img height=3D150 src=3Dhttp:=
//images.amazon.com/images/P/B00069E7KO.01.LZZZZZZZ.jpg width=3D175 align=3D=
left border=3D0 name=3Dprod_image></a><span class=3Dsmall></p><table cellS=
pacing=3D0 cellPadding=3D0 border=3D0 height=3D21 width=3D189><tr><td clas=
s=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73> <b>Lis=
t Price:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall height=3D=
18 width=3D105><span class=3Dlistprice>$499.00</span></td></tr><tr><td cla=
ss=3Dsmall vAlign=3Dtop noWrap align=3Dright height=3D18 width=3D73> <b>Pr=
ice:</b></td><td height=3D18 width=3D11></td><td class=3Dsmall height=3D18=
 width=3D105><b class=3Dprice>$69.99</b></td></tr><tr><td class=3Dsmall vA=
lign=3Dtop noWrap align=3Dright height=3D1 width=3D73> <b>You Save:</b></t=
d><td height=3D1 width=3D11></td><td class=3Dsmall height=3D1 width=3D105>=
<span class=3Dprice>$429.01 (85%)</span></td></tr></table><p><a href=3Dhtt=
p://bestsoftperiod.com/?K> <img border=3D0 src=3Dhttp://g-images.amazon.co=
m/images/G/01/buttons/add-to-cart-yellow-short.gif width=3D113 height=3D23=
></a><br><br> <b>Availability:</b> Available for INSTANT download!<br> <b>=
Coupon Code:</b> BHTQjjrS<br> <b>Platform:</b> <img src=3Dhttp://g-images.=
amazon.com/images/G/01/videogames/icons/browse-icon-windows.gif align=3Dto=
p width=3D20 height=3D20> Windows XP</span></p><p><span class=3Dtiny><b>Sa=
les Rank:</b> #4</span><span class=3Dsmall><a href=3Dhttp://bestsoftperiod=
com/?9><br> System requirements</a>&nbsp; |&nbsp; <a href=3Dhttp://bestso=
ftperiod.com/?7>Other Versions</a></span><span class=3Dtiny><br> <b>Date C=
oupon Expires:</b> December 31st, 2005<br> </span><font class=3Dtiny><b>Av=
erage Customer Review:</b><img height=3D12 alt=3D"5 out of 5 stars" src=3D=
http://g-images.amazon.com/images/G/01/x-locale/common/customer-reviews/st=
ars-5-0.gif width=3D64 border=3D0> Based on 113162 reviews. <a href=3Dhttp=
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 noShade SIZE=3D1></td></tr></table></td></tr></table></form></td></tr></t=
able></body></html>

----XKsaHZB5WeLkCIJ1tK--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 02:14:09 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Re: sad day
Date: Wed, 23 Nov 2005 21:18:32 -0500
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Eeeek.... a good singer gone, and at my age...just a kid.... the guitarist
from Voivod died recently at 45 also.
Maybe 45 is the new 27?
~Tim


> [Original Message]
> From: Todd Howell <ransacker@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/23/2005 5:28:19 PM
> Subject: Re: sad day
>
> Friends
>
> Chris always embodied a sense of mystery and atmosphere  in all of his
songs. His voice will be missed.
>
> Todd
>
>
>
> -----Original Message-----
> From: monk <monk@fuse.net>
> Sent: Nov 23, 2005 5:03 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: sad day
>
> i don't know if there are any chris whitley fans here. but he died at  
> the tragically young age of 45 last weekend.
>
>
> www.chriswhitley.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 02:35:19 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: soggy gear Re: New loop tool, sort of..stereo
Date: Wed, 23 Nov 2005 21:39:41 -0500
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Oh, Hell! 
I feel your pain, Tone-Brother.
What great suckage to lose precious tools that border on being pets/friends!
~Tim


> [Original Message]
> From: gareth.whitcock <gareth.whitcock@ntlworld.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/23/2005 2:09:08 PM
> Subject: Re: New loop tool, sort of..stereo
>
> Co-incidentally I'v been making binaural recordings with  some of my 
> students in college - interestingly some find it absolutely
> amazing and some, verydisturbing.
> We listen in stereo. We have 2 biological microphones, (ears) 6 inches, 
> (15cm for Europe) apart.
> Using a combination of time delay and filtering functions our brains are 
> able to determine where sound is.
>
> Gareth
>
> Ps had a flood in my house that destroyed all my looping gear - boo hoo.
> Maybe its some Noahresque divine judgement on my satanic looping 
> activities!!
> Sorry God - but you made me what I am!
>


From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 03:33:01 2005
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Date: Wed, 23 Nov 2005 21:32:58 -0600
From: Doug Cox <dougcox@pdq.net>
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Subject: It's that time again!  2005 Biennial Looper's Survey
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Hey Loopers - Happy Thanksgiving to you all.

In November of 2003, we did a survey of the LD list members to find out 
what devices they were using for live looping.  It was very informal and 
pretty disorganized (I think I still have a headache...), but I tallied 
the results into a spreadsheet and posted a PDF version of those results 
in the Looper's Delight File Library 
(http://www.loopers-delight.com/files/).

It's now two years later, and I figured it might be time to try it 
again.  This time, we won't clutter up the list (or my brain!) with the 
responses, but instead I'm preparing an online survey form to capture 
them.  The survey will be anonymous (unlike 2 years ago), but the form 
WILL use cookies to ensure that surveys are only submitted once.  Well, 
once per computer - but what would really be the point in trying to 
screw with this survey? :)

I'll host the survey, and I give my personal assurances that the data 
written/read by the cookies will only be used to block multiple 
submissions.  I will NOT provide this information to anyone else, and 
cannot see the contents of your cookie myself.

I've started to prepare the form with the following loopers listed (see 
bottom).  I'll take any suggested additions into the list until 
Saturday.  At that point, I'll post the survey and leave it open for 
about a month so that we get the maximum number of respondents.

You won't be able to "write in" a looper once I post the survey.  I will 
continue to take offline (emailed) requests for off-list loopers after 
the survey starts, but I will have to add them to the results manually 
at the end of the survey.  So please - take a look at this list and ask 
me to add anything YOU are using as a looper that is not represented.  
Part of the fun of this survey is to see what other unusual devices are 
being used.

Finally - last year we had some confusion about what to include in the 
inventory.  Some folks were posting gear that they used for loop 
*mangling* or pre/post loop effecting.  There was also some confusion 
about "samplers" vs. "live loopers".  I propose that:

- we do NOT try to inventory effects devices used for per/post loop effects
- we do NOT try to inventory units used to playback prerecorded loops or 
samples

Instead, if those things are of interest to others, we can start a new 
thread and post them - or perhaps I can setup another survey in the 
(distant) future to capture that data.

Here's the list - let me know what needs to be added:

*Echoplex Digital Pro
Electrix Repeater
Line 6 DL-4
Lexicon Jamman
Digitech Jamman
Kaoss Pad I or II
Ableton Live
Boomerang (Orig or Plus)
Akai Headrush
Boss RC-20 (or RC-20XL)
Lexicon Vortex
Line 6 Echo Pro (Rack)
Zoom 2100
Lexicon PCM42 or PCM70 or other
Boss DD-3, 5 or 6
Boss DD-20
Boss GT-3, 5, 6 or 8
Digitech RDS 7.6 (or similar, incl PDS series)
Max MSP
Native Instruments Reaktor
Sonic Foundry Acid
ZVEX Lofi Loop Junky
Lexicon MPX G2
Digitech 2120 or 2112
Eventide Orville, Eclipse (or other)
Roland VG8 or VG88
Roland GP100 (or similar)
Audiomulch
Augustus Loop
Mobius
Electro Harmonix 16 Second Delay (new or reissue)
Radial
Ambiloop
Maneco Looper (any type)
Digitech GNX (any)
TC Electronic 2290 Delay
DJRND3 (or C-Loops or Peavey Grabber)
KYMA
TC Electronic D-Two Delay
Akai Samplers (any)
Roland Samplers (any)
Yamaha Samplers (any)
Maestro, Roland, Guyatone, etc Tape Echo machine
*

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 06:55:03 2005
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Subject: Re: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 07:54:58 +0100
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to add
lexion pcm80
clavia g2

no _live_ looping here

Akai Samplers (any)
Roland Samplers (any)
Yamaha Samplers (any)


Claude



From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 07:56:39 2005
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Subject: Re: Re:Plea for help with Elotronnix!
Date: Wed, 23 Nov 2005 23:55:25 -0800
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Thank you SO much!  I dl'ed Plogue Bidule today and it is the cats pajamas!
I am in Fripp heaven.

Reid
Think
Pay attention

The job of a citizen is to keep his mouth open.  - Gunter Grass
----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 23, 2005 2:16 AM
Subject: Re:Plea for help with Elotronnix!


>
> >I have Adobe Audition, which accepts VST plugins, and I found
> >Elotronnix, which is way too cool, but I can't seem to get the
> >Elotronnix plugin to work correctly.  I can record a track live on
> >Audition, with Elotronnix engaged, but it doesn't repeat
> >anything.  With no change in settings I hit "STOP" and "PLAY" and
> >the phrase I just recorded is piped through the Elotronnix plug-in
> >and makes the most lovely ambient sound - but I can't control the
> >timing and play along with what I've already laid down.  Can someone
> >help me?  I'm afraid the PDF that came along with Elotronnix didn't
> >help.  I think it's Audition that I need to tweek, but I can't figure it
out.
>
> Elotronnix is designed for realtime playing (isn't it?)
> Audition isn't intended for realtime playing.
>
>
> So you need a vst host for playing through.
> Plogue Bidule is pretty good, but there's some small free hosts about just
> for live FX if you search about for them (anyone?)
>
> If you still want to record into Audition then
> http://spider.nrcde.ru/music/software/eng/vac.html
> a "virtual audio patch cable" will connect the live host
> to audition. (or so they say, I've not tried it)
>
> If you go for Bidule, then that should allow you to record as well,
> (it's free to try out) , and then you could load the resulting file
> into Audition.
>
> andy butler
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 09:12:39 2005
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Date: Thu, 24 Nov 2005 01:12:38 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Behringer FCB1010
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	 <000201c5ed16$91e207a0$0202a8c0@Lightning>
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I see the JSynthLib page lists the Behringer FCB1010 as being
supported, but I don't see it listed in the available synths when
you're actually running the program.

TravisH

On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Sounds like a cool thing.
>
> BTW, although I haven't tried it yet, the open source patch editor/librar=
ian
> JSynthLib has a module for the FCB (eprom update or no, as I understand i=
t).
>
> Best wishes,
> Warren Sirota
>
>
> > -----Original Message-----
> > From: hazard factor [mailto:artists@hazardfactor.com]
> > Sent: Saturday, November 19, 2005 3:08 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: Behringer FCB1010
> >
> >
> > Actually, that is the only way to do it...you have to order
> > or burn the new eprom. I am using Unofficial version 1.0.2b.
> > It adds quite a bit control, since Behringer didn't use the
> > memory to its fullest. There is even a computer
> > (PC/Mac/Linux) editor for the new version too.
> >
> > Dave Eichenberger-
> > http://www.hazardfactor.com
> >
> >
> > > hey Dave sounds cool dont you have to change the Eprom? which
> > > one do you have?
> > >
> > > --- hazard factor <artists@hazardfactor.com> wrote:
> >
> > >
> > >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 13:45:08 2005
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Date: Thu, 24 Nov 2005 15:45:06 +0200
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Subject: Laptop setup update, shameless self-promotion and a Repeater for
 sale (!)
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Hi, all.

Thanks for all the tips a while back regarding laptop setups for
looping. I finally decided to go for the Powerbook (and a Presonus 
Firebox, thanks for that recommendation as well), although it should 
indeed be noted that it may not be the optimal choice for Ableton Live 
users.

Right now it seems I'll be running two setups:

1) Guitar -> NI Guitar Rig (not all that great, but will do for now) -> 
Ableton Live for situations where I'll be using prerecorded loops and/or 
have a need for timestretching and trasposing. The UI in Ableton is just 
damn lovely, but the CPU overhead does pile up quite fast.

2) Guitar -> NI GR -> Plogue Bidule for more streamlined gigs. I've been 
able to achieve lower latencies and less CPU load with Bidule, and the 
versatility pleases me a lot, but has a somewhat steeper learning curve 
than Ableton. Might not be a problem for most loopers, though, as we 
apparently tend to be rather knowledgeable in matters technical.

Bot setups use Sooperlooper as the primary looping tool, and BOY it 
makes me glad I opted for the Powerbook. It's my first experience with a 
more EDP-ish looping paradigm, and I'm having a _ball_.



In other news:

a) We finally got Älymystö's (my band) debut album "Atomgrad" back from 
the printers. (Here's another piece: http://www.taphead.net/ikkuna.mp3)

If you liked the clips I've posted and are interested in hearing more, 
give me a holler, I've got a bunch of discs set aside and I've 
definately been getting enough tips and stuff off this list to consider 
you folks eligible for free CD's.

Of course, if you have albums out, trades are always fun. We're also 
involved with some clubs and net radios in Finland, so we'd be more than 
happy to promote the good stuff.


b) Seeing as I've gone the software route, I'll be selling my Repeater 
as well. If anyone's in a market for one (especially in Europe), again, 
feel free to reply.


Regards,
R.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 13:49:56 2005
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Date: Thu, 24 Nov 2005 08:51:05 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Behringer FCB1010
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I think you should look again, Travis - I successfully uploaded a bank from
the FCB to JSynthLib, edited it, and sent it back. Unfortunately, the FCB
itself didn't seem to receive it properly, so now I need to test a more
straitforward sysx dump/receive with a sequencer to see whose bug it is
(JSynthLib, FCB, or the most likely culprit, me, somehow).

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Travis Hartnett [mailto:travishartnett@gmail.com] 
> Sent: Thursday, November 24, 2005 4:13 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Behringer FCB1010
> 
> 
> I see the JSynthLib page lists the Behringer FCB1010 as being 
> supported, but I don't see it listed in the available synths 
> when you're actually running the program.
> 
> TravisH
> 
> On 11/19/05, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > Sounds like a cool thing.
> >
> > BTW, although I haven't tried it yet, the open source patch 
> > editor/librarian JSynthLib has a module for the FCB (eprom 
> update or 
> > no, as I understand it).
> >
> > Best wishes,
> > Warren Sirota
> >
> >
> > > -----Original Message-----
> > > From: hazard factor [mailto:artists@hazardfactor.com]
> > > Sent: Saturday, November 19, 2005 3:08 AM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: RE: Behringer FCB1010
> > >
> > >
> > > Actually, that is the only way to do it...you have to 
> order or burn 
> > > the new eprom. I am using Unofficial version 1.0.2b. It 
> adds quite a 
> > > bit control, since Behringer didn't use the memory to its 
> fullest. 
> > > There is even a computer
> > > (PC/Mac/Linux) editor for the new version too.
> > >
> > > Dave Eichenberger-
> > > http://www.hazardfactor.com
> > >
> > >
> > > > hey Dave sounds cool dont you have to change the Eprom? 
> which one 
> > > > do you have?
> > > >
> > > > --- hazard factor <artists@hazardfactor.com> wrote:
> > >
> > > >
> > > >
> > >
> > >
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 15:29:06 2005
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-------------------------------1132846143
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

Sony TC 630 analog tape machines quarter track (with erase heads turned  off) 
allows for layering upon layering live in real  time

-------------------------------1132846143
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1522" name=3DGENERATOR></HEAD>
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<DIV>Sony TC 630 analog tape machines quarter track (with erase heads turned=
=20
off) allows for layering upon layering live in real=20
time</DIV></FONT></BODY></HTML>

-------------------------------1132846143--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 15:46:14 2005
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 you may want to add sooperlooper to the mix, and livebuilder for 
puredata...

regards

michael noble

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 16:16:38 2005
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In a message dated 11/23/05 6:52:04 AM, simeonharris@hotmail.com writes:


> nice one tony!
> 

tony.....i'd love to know what you used and how you had it set up 
pathwise.....please....wonderful sounds!.....mic

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/23/05 6:52:04 AM, simeonharris@hotmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">nice one tony!<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
tony.....i'd love to know what you used and how you had it set up pathwise..=
...please....wonderful sounds!.....mic</FONT><FONT COLOR=3D"#000000" FACE=
=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_bd.65366a0a.30b7415e_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 16:22:17 2005
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In a message dated 11/23/05 9:54:58 AM, webmaster@cavestudio.com writes:


> http://www.cavestudio.com/electr-ohm/en/LDCD3/
> 

WOW.....mic

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/23/05 9:54:58 AM, webmaster@cavestudio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.cavestudio=
.com/electr-ohm/en/LDCD3/<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
WOW.....mic</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERI=
F" SIZE=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 16:39:06 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP preset secret???
References: <003201c5dc70$f703b3b0$5a01a8c0@mark> <6.1.2.0.2.20051029124541.04a56740@loopers-delight.com> <43836679.3060909@Hevanet.com>
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How do we SAVE an EDP Preset?  I'm looking at the manual, but all I see 
is how to access Presets!

Turkey, David

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 16:56:20 2005
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Date: Thu, 24 Nov 2005 08:56:19 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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Subject: Re: EDP preset secret???
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	 <6.1.2.0.2.20051029124541.04a56740@loopers-delight.com>
	 <43836679.3060909@Hevanet.com> <4385ED2C.50102@Hevanet.com>
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Long press of Overdub while you're in the Preset Editor.
Check page 50 of the LoopIV upgrade manual.

TravisH

On 11/24/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> How do we SAVE an EDP Preset?  I'm looking at the manual, but all I see
> is how to access Presets!
>
> Turkey, David
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 17:58:16 2005
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Subject: RE: EDP preset secret???
Date: Thu, 24 Nov 2005 18:57:56 +0100
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Yes, but why not use the new manual that contains everything in one =
compact
document:
http://tinyurl.com/9qeyj
<http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.p=
df>
(Presets: p. 8-8, or page 240)
Bernhard

> -----Original Message-----
> From: Travis Hartnett [mailto:travishartnett@gmail.com]
> Sent: Donnerstag, 24. November 2005 17:56
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP preset secret???
>=20
> Long press of Overdub while you're in the Preset Editor.
> Check page 50 of the LoopIV upgrade manual.
>=20
> TravisH
>=20
> On 11/24/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> > How do we SAVE an EDP Preset?  I'm looking at the manual, but all I =
see
> > is how to access Presets!
> >
> > Turkey, David
> >
> >


From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 18:05:29 2005
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Subject: RE: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 19:05:15 +0100
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There's a list of software loopers here:
http://tinyurl.com/b8lw6

<http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?CurrentSo=
ftw
areLoopers>

Bernhard

> -----Original Message-----
> From: Doug Cox [mailto:dougcox@pdq.net]
> Sent: Donnerstag, 24. November 2005 04:33
> To: Loopers-Delight@loopers-delight.com
> Subject: It's that time again! 2005 Biennial Looper's Survey
>=20
> Hey Loopers - Happy Thanksgiving to you all.
>=20
> In November of 2003, we did a survey of the LD list members to find =
out
> what devices they were using for live looping.  It was very informal =
and
> pretty disorganized (I think I still have a headache...), but I =
tallied
> the results into a spreadsheet and posted a PDF version of those =
results
> in the Looper's Delight File Library
> (http://www.loopers-delight.com/files/).
>=20
> It's now two years later, and I figured it might be time to try it
> again.  This time, we won't clutter up the list (or my brain!) with =
the
> responses, but instead I'm preparing an online survey form to capture
> them.  The survey will be anonymous (unlike 2 years ago), but the form
> WILL use cookies to ensure that surveys are only submitted once.  =
Well,
> once per computer - but what would really be the point in trying to
> screw with this survey? :)
>=20
> I'll host the survey, and I give my personal assurances that the data
> written/read by the cookies will only be used to block multiple
> submissions.  I will NOT provide this information to anyone else, and
> cannot see the contents of your cookie myself.
>=20
> I've started to prepare the form with the following loopers listed =
(see
> bottom).  I'll take any suggested additions into the list until
> Saturday.  At that point, I'll post the survey and leave it open for
> about a month so that we get the maximum number of respondents.
>=20
> You won't be able to "write in" a looper once I post the survey.  I =
will
> continue to take offline (emailed) requests for off-list loopers after
> the survey starts, but I will have to add them to the results manually
> at the end of the survey.  So please - take a look at this list and =
ask
> me to add anything YOU are using as a looper that is not represented.
> Part of the fun of this survey is to see what other unusual devices =
are
> being used.
>=20
> Finally - last year we had some confusion about what to include in the
> inventory.  Some folks were posting gear that they used for loop
> *mangling* or pre/post loop effecting.  There was also some confusion
> about "samplers" vs. "live loopers".  I propose that:
>=20
> - we do NOT try to inventory effects devices used for per/post loop
> effects
> - we do NOT try to inventory units used to playback prerecorded loops =
or
> samples
>=20
> Instead, if those things are of interest to others, we can start a new
> thread and post them - or perhaps I can setup another survey in the
> (distant) future to capture that data.
>=20
> Here's the list - let me know what needs to be added:
>=20
> *Echoplex Digital Pro
> Electrix Repeater
> Line 6 DL-4
> Lexicon Jamman
> Digitech Jamman
> Kaoss Pad I or II
> Ableton Live
> Boomerang (Orig or Plus)
> Akai Headrush
> Boss RC-20 (or RC-20XL)
> Lexicon Vortex
> Line 6 Echo Pro (Rack)
> Zoom 2100
> Lexicon PCM42 or PCM70 or other
> Boss DD-3, 5 or 6
> Boss DD-20
> Boss GT-3, 5, 6 or 8
> Digitech RDS 7.6 (or similar, incl PDS series)
> Max MSP
> Native Instruments Reaktor
> Sonic Foundry Acid
> ZVEX Lofi Loop Junky
> Lexicon MPX G2
> Digitech 2120 or 2112
> Eventide Orville, Eclipse (or other)
> Roland VG8 or VG88
> Roland GP100 (or similar)
> Audiomulch
> Augustus Loop
> Mobius
> Electro Harmonix 16 Second Delay (new or reissue)
> Radial
> Ambiloop
> Maneco Looper (any type)
> Digitech GNX (any)
> TC Electronic 2290 Delay
> DJRND3 (or C-Loops or Peavey Grabber)
> KYMA
> TC Electronic D-Two Delay
> Akai Samplers (any)
> Roland Samplers (any)
> Yamaha Samplers (any)
> Maestro, Roland, Guyatone, etc Tape Echo machine
> *


From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 19:13:06 2005
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Date: Thu, 24 Nov 2005 14:13:04 -0500
From: chris harmon <kokfang@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: It's that time again! 2005 Biennial Looper's Survey
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	 <017701c5f121$a27f8c90$2101a8c0@alhambra>
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and the yamaha magicstomp can do 6 second hold delays.

On 11/24/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
>
> There's a list of software loopers here:
> http://tinyurl.com/b8lw6
>
> <http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?CurrentSo=
ftw
> areLoopers>
>
> Bernhard
>
> > -----Original Message-----
> > From: Doug Cox [mailto:dougcox@pdq.net]
> > Sent: Donnerstag, 24. November 2005 04:33
> > To: Loopers-Delight@loopers-delight.com
> > Subject: It's that time again! 2005 Biennial Looper's Survey
> >
> > Hey Loopers - Happy Thanksgiving to you all.
> >
> > In November of 2003, we did a survey of the LD list members to find out
> > what devices they were using for live looping.  It was very informal an=
d
> > pretty disorganized (I think I still have a headache...), but I tallied
> > the results into a spreadsheet and posted a PDF version of those result=
s
> > in the Looper's Delight File Library
> > (http://www.loopers-delight.com/files/).
> >
> > It's now two years later, and I figured it might be time to try it
> > again.  This time, we won't clutter up the list (or my brain!) with the
> > responses, but instead I'm preparing an online survey form to capture
> > them.  The survey will be anonymous (unlike 2 years ago), but the form
> > WILL use cookies to ensure that surveys are only submitted once.  Well,
> > once per computer - but what would really be the point in trying to
> > screw with this survey? :)
> >
> > I'll host the survey, and I give my personal assurances that the data
> > written/read by the cookies will only be used to block multiple
> > submissions.  I will NOT provide this information to anyone else, and
> > cannot see the contents of your cookie myself.
> >
> > I've started to prepare the form with the following loopers listed (see
> > bottom).  I'll take any suggested additions into the list until
> > Saturday.  At that point, I'll post the survey and leave it open for
> > about a month so that we get the maximum number of respondents.
> >
> > You won't be able to "write in" a looper once I post the survey.  I wil=
l
> > continue to take offline (emailed) requests for off-list loopers after
> > the survey starts, but I will have to add them to the results manually
> > at the end of the survey.  So please - take a look at this list and ask
> > me to add anything YOU are using as a looper that is not represented.
> > Part of the fun of this survey is to see what other unusual devices are
> > being used.
> >
> > Finally - last year we had some confusion about what to include in the
> > inventory.  Some folks were posting gear that they used for loop
> > *mangling* or pre/post loop effecting.  There was also some confusion
> > about "samplers" vs. "live loopers".  I propose that:
> >
> > - we do NOT try to inventory effects devices used for per/post loop
> > effects
> > - we do NOT try to inventory units used to playback prerecorded loops o=
r
> > samples
> >
> > Instead, if those things are of interest to others, we can start a new
> > thread and post them - or perhaps I can setup another survey in the
> > (distant) future to capture that data.
> >
> > Here's the list - let me know what needs to be added:
> >
> > *Echoplex Digital Pro
> > Electrix Repeater
> > Line 6 DL-4
> > Lexicon Jamman
> > Digitech Jamman
> > Kaoss Pad I or II
> > Ableton Live
> > Boomerang (Orig or Plus)
> > Akai Headrush
> > Boss RC-20 (or RC-20XL)
> > Lexicon Vortex
> > Line 6 Echo Pro (Rack)
> > Zoom 2100
> > Lexicon PCM42 or PCM70 or other
> > Boss DD-3, 5 or 6
> > Boss DD-20
> > Boss GT-3, 5, 6 or 8
> > Digitech RDS 7.6 (or similar, incl PDS series)
> > Max MSP
> > Native Instruments Reaktor
> > Sonic Foundry Acid
> > ZVEX Lofi Loop Junky
> > Lexicon MPX G2
> > Digitech 2120 or 2112
> > Eventide Orville, Eclipse (or other)
> > Roland VG8 or VG88
> > Roland GP100 (or similar)
> > Audiomulch
> > Augustus Loop
> > Mobius
> > Electro Harmonix 16 Second Delay (new or reissue)
> > Radial
> > Ambiloop
> > Maneco Looper (any type)
> > Digitech GNX (any)
> > TC Electronic 2290 Delay
> > DJRND3 (or C-Loops or Peavey Grabber)
> > KYMA
> > TC Electronic D-Two Delay
> > Akai Samplers (any)
> > Roland Samplers (any)
> > Yamaha Samplers (any)
> > Maestro, Roland, Guyatone, etc Tape Echo machine
> > *
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 21:11:03 2005
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP preset secret???
References: <003201c5dc70$f703b3b0$5a01a8c0@mark>	 <6.1.2.0.2.20051029124541.04a56740@loopers-delight.com>	 <43836679.3060909@Hevanet.com> <4385ED2C.50102@Hevanet.com> <d1396fc00511240856l39c0646bn984ea79566e32abf@mail.gmail.com>
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Bernard, Travis: thanks.  I was looking right at it, but the concept of 
"Editor" as where I'd save Preset wasn't jumping out at me, like it 
should have. 

I know it depends on personal style (and experience), but here's a 
question: do you find you're using quite a few Presets (wow, 15 storage 
slots)?  Lots of parameters (over 50), but there must be some big ones 
you change between frequently (Quantize and 8ths?) 

~David



Travis Hartnett wrote:

>Long press of Overdub while you're in the Preset Editor.
>Check page 50 of the LoopIV upgrade manual.
>
>TravisH
>
>On 11/24/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
>  
>
>>How do we SAVE an EDP Preset?  I'm looking at the manual, but all I see
>>is how to access Presets!
>>
>>Turkey, David
>>
>>    
>>
>
>  
>
> Bernhard Wagner LD wrote:
>
>Yes, but why not use the new manual that contains everything in one compact
>document:
>http://tinyurl.com/9qeyj
><http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf>
>(Presets: p. 8-8, or page 240)
>Bernhard
>

>
>  
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 24 22:06:57 2005
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Date: Thu, 24 Nov 2005 14:06:55 -0800
From: Travis Hartnett <travishartnett@gmail.com>
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Subject: Re: EDP preset secret???
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	 <43836679.3060909@Hevanet.com> <4385ED2C.50102@Hevanet.com>
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I use only two most of the time--the first with loopcopy set to
sound,quantizing set to cycle, and auto-record on, and the second with
loopcopy and quantizing turned off.  I use the first to build pieces
off a foundation loop (usually either percussion tapped out on the
guitar or an ostinato), I use the second for pieces which have
multiple sections which contain no common audio.

TravisH

On 11/24/05, .David.Auker. <DaVAuk@hevanet.com> wrote:
> Bernard, Travis: thanks.  I was looking right at it, but the concept of
> "Editor" as where I'd save Preset wasn't jumping out at me, like it
> should have.
>
> I know it depends on personal style (and experience), but here's a
> question: do you find you're using quite a few Presets (wow, 15 storage
> slots)?  Lots of parameters (over 50), but there must be some big ones
> you change between frequently (Quantize and 8ths?)
>
> ~David

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 00:19:47 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: looping turntablist Christian Marclay
Date: Thu, 24 Nov 2005 16:19:46 -0800
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Interesting snippet of an interview with the avante garde turntablist, 
Christian Marclay

"PSF: How did you pick out which records would be used?
 CM: They were just thrift store records --I never spent more than a dollar 
on a record. It was just junk, and I would stick things on them to MAKE THEM 
LOOP (sic). I even used an old wind-up gramophone that I found in the 
garbage. It was also at MassArt that I found these great turntables 
(Califone) that I've been using ever since. They used to be in every 
school's audio-visual department for instructional presentations. "

Wonderfully creative and thought provoking interview.

http://www.furious.com/perfect/christianmarclay.html

Does anyone, perchance know if he was the experimental turntablist who was 
featured on that amazing music variety show Night Music that David Sanborn 
hosted in the late 80's-early 90's?
I saw an artist who used colored wax and multiple turntables to create these 
wonderful and strange looping pieces of music.
The needle would jump over the was and then loop back to it's original 
position.
I've been googling for an hour looking for who this person was.   Dr. Z. 
would have emailed me back in 10 minutes if he were here with five 
URLS........ :-(
Happy Turkey (or Vegan Roll) day everyone!!!
Rick 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 00:36:21 2005
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Subject: RE: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 16:36:22 -0800
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 I have recently discovered some new tricks for the hold delay function on
the Vox Tonelab floorboard. Because this is truly a hold delay, and not a
looper where you can determine the start and end points, I was at first
frustrated that as long as it was engaged, it would continue to build up
layers when in hold mode. What I discovered is that I could assign one of
the expression pedals to control the amount of input signal I was feeding
the hold delay, there by allowing me to keep a simple loop going if I want,
or occasionally adding to the loop, and building on it, or releasing the
hold function and letting the original loop decay, before adding more to it.
One cool by-product is if I strike a chord or note when the expression pedal
is in the heal down position, and then go to toe down position, I can create
a loop without the attack of the note, great for chord drones and building
ambient pads. it is also cool for rhythmic stuff if you keep the delay time
on the short side (700-2000 ml seconds) its maximum delay time is 8000 ml
seconds. I think this qualifies as a loop tool. it also got me thinking
about that specific feature: the ability to assign an expression pedal to
control the amount of signal being sent to the looper, and how this might be
a feature unique to the tonelab. it also got me thinking that it could be
accomplished with a loop that didn't have this feature provide one had a
splitter box or stereo output device( stereo chorus box) and a volume pedal
placed before the looper in the signal chain with both the looper output,
and the secondary ouput both plugged in to the mixer/amplifier.  Has anyone
out there tried this with an EDP, Repeater DL4, etc?
Bill

-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net]
Sent: Wednesday, November 23, 2005 7:33 PM
To: Loopers-Delight@loopers-delight.com
Subject: It's that time again! 2005 Biennial Looper's Survey


Hey Loopers - Happy Thanksgiving to you all.

In November of 2003, we did a survey of the LD list members to find out
what devices they were using for live looping.  It was very informal and
pretty disorganized (I think I still have a headache...), but I tallied
the results into a spreadsheet and posted a PDF version of those results
in the Looper's Delight File Library
(http://www.loopers-delight.com/files/).

It's now two years later, and I figured it might be time to try it
again.  This time, we won't clutter up the list (or my brain!) with the
responses, but instead I'm preparing an online survey form to capture
them.  The survey will be anonymous (unlike 2 years ago), but the form
WILL use cookies to ensure that surveys are only submitted once.  Well,
once per computer - but what would really be the point in trying to
screw with this survey? :)

I'll host the survey, and I give my personal assurances that the data
written/read by the cookies will only be used to block multiple
submissions.  I will NOT provide this information to anyone else, and
cannot see the contents of your cookie myself.

I've started to prepare the form with the following loopers listed (see
bottom).  I'll take any suggested additions into the list until
Saturday.  At that point, I'll post the survey and leave it open for
about a month so that we get the maximum number of respondents.

You won't be able to "write in" a looper once I post the survey.  I will
continue to take offline (emailed) requests for off-list loopers after
the survey starts, but I will have to add them to the results manually
at the end of the survey.  So please - take a look at this list and ask
me to add anything YOU are using as a looper that is not represented.
Part of the fun of this survey is to see what other unusual devices are
being used.

Finally - last year we had some confusion about what to include in the
inventory.  Some folks were posting gear that they used for loop
*mangling* or pre/post loop effecting.  There was also some confusion
about "samplers" vs. "live loopers".  I propose that:

- we do NOT try to inventory effects devices used for per/post loop effects
- we do NOT try to inventory units used to playback prerecorded loops or
samples

Instead, if those things are of interest to others, we can start a new
thread and post them - or perhaps I can setup another survey in the
(distant) future to capture that data.

Here's the list - let me know what needs to be added:

*Echoplex Digital Pro
Electrix Repeater
Line 6 DL-4
Lexicon Jamman
Digitech Jamman
Kaoss Pad I or II
Ableton Live
Boomerang (Orig or Plus)
Akai Headrush
Boss RC-20 (or RC-20XL)
Lexicon Vortex
Line 6 Echo Pro (Rack)
Zoom 2100
Lexicon PCM42 or PCM70 or other
Boss DD-3, 5 or 6
Boss DD-20
Boss GT-3, 5, 6 or 8
Digitech RDS 7.6 (or similar, incl PDS series)
Max MSP
Native Instruments Reaktor
Sonic Foundry Acid
ZVEX Lofi Loop Junky
Lexicon MPX G2
Digitech 2120 or 2112
Eventide Orville, Eclipse (or other)
Roland VG8 or VG88
Roland GP100 (or similar)
Audiomulch
Augustus Loop
Mobius
Electro Harmonix 16 Second Delay (new or reissue)
Radial
Ambiloop
Maneco Looper (any type)
Digitech GNX (any)
TC Electronic 2290 Delay
DJRND3 (or C-Loops or Peavey Grabber)
KYMA
TC Electronic D-Two Delay
Akai Samplers (any)
Roland Samplers (any)
Yamaha Samplers (any)
Maestro, Roland, Guyatone, etc Tape Echo machine
*




From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 00:44:12 2005
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Date: Thu, 24 Nov 2005 16:44:11 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: looping turntablist Christian Marclay
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Yes, that was Marclay on Night Music.

That was the episode where the other guests where Pops Staple (noted
R&B musician), John Cale and Richard Thompson.  At the end of the show
they'd usually have all the guests play a song together, and this
night it was "Heartbreak Hotel" (the Elvis tune).  Cale sings a verse,
takes a solo on keys.  Thompson does the same.  Then Marclay gets his
solo verse and does something with two or three of his "modified"
vinyl scratching setups, and it's really OUT, while the band cooks
along on a slow swamp blues groove.  Then they cut to Pop Staples,
whose probably about 65 years old and you see him looking over at
Marclay with a "What the hell was that shit?" expression as he sings
his verse.  One of my favorite moments from that brilliant show.

TravisH



On 11/24/05, loop.pool <looppool@cruzio.com> wrote:
> Interesting snippet of an interview with the avante garde turntablist,
> Christian Marclay
>
> "PSF: How did you pick out which records would be used?
>  CM: They were just thrift store records --I never spent more than a doll=
ar
> on a record. It was just junk, and I would stick things on them to MAKE T=
HEM
> LOOP (sic). I even used an old wind-up gramophone that I found in the
> garbage. It was also at MassArt that I found these great turntables
> (Califone) that I've been using ever since. They used to be in every
> school's audio-visual department for instructional presentations. "
>
> Wonderfully creative and thought provoking interview.
>
> http://www.furious.com/perfect/christianmarclay.html
>
> Does anyone, perchance know if he was the experimental turntablist who wa=
s
> featured on that amazing music variety show Night Music that David Sanbor=
n
> hosted in the late 80's-early 90's?
> I saw an artist who used colored wax and multiple turntables to create th=
ese
> wonderful and strange looping pieces of music.
> The needle would jump over the was and then loop back to it's original
> position.
> I've been googling for an hour looking for who this person was.   Dr. Z.
> would have emailed me back in 10 minutes if he were here with five
> URLS........ :-(
> Happy Turkey (or Vegan Roll) day everyone!!!
> Rick
>
>

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Sorry it took we a while to reply. I was only stating in general terms that
I think that manufacturers are missing the boat and a potentially lucrative
market by not gearing new looping tools to beginners and educators as well
as more tech minded musicians and enthusiasts. I can think of any one of a
number of reasons a looper can make an outstanding practice/creative writing
tool. Skills in melody, harmony, rhythm ,and style can all be furthered and
enhanced with a looping tool provided it is simple to operate and perhaps
has some metronome/ beat box built in like the current Boss and digitech
stuff. To me its value in this regard is a no brainer.
Bill

-----Original Message-----
From: Warren Sirota [mailto:wsirota@wsdesigns.com]
Sent: Saturday, November 19, 2005 8:12 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Naming a software looper


Bill,

I don't quite get what would make this a good practice tool. What did you
have in mind?

BTW, if you didn't know, I'm already in the practice tool business, with
SlowGold (www.slowgold.com). I know it's not the same, but it is a cool
program. But, frankly, I think there's more juice (and I mean that both in
terms of excitement for me and $$) in the creative tools business. I could
be wrong about the $$.

Warren


> -----Original Message-----
> From: William Walker [mailto:billwalker@baymoon.com]
> Sent: Friday, November 18, 2005 5:37 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Naming a software looper
>
>
> That sounds very cool, do you think it will be simple enough
> to market it to students/ teenagers, and beginners as a
> practice tool? That is an area I think some company should
> address. Making this technology simple enough that it could
> help a young music student get better, would open up looping
> technology to a whole new market. Here's  another name,
> Practiceperferct, or PP for short. a product simple enough
> for a beginner, but deep enough for a pro. Shudder to think. Bill
>
> -----Original Message-----
> From: Warren Sirota [mailto:wsirota@wsdesigns.com]
> Sent: Friday, November 18, 2005 1:56 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Naming a software looper
>
>
> Thanks, Stephen. I agree with you that names are important.
> That's why I'm struggling with it.
>
> I had a dream right before I woke up this morning - I don't
> remember what the dream was about, but one word was prominent
> in it: Helio. It doesn't have anything to do with looping,
> but then neither does Ableton (many other products are not
> named to reflect their capabilities). A dictionary search
> reveals that "Helios" was the god of the sun or something like that.
>
> So there's one name. Another that I thought of was MultiLoop,
> but I'm not sure how well that really reflects anything. I
> also thought of "FNEZ Looper" (read it out loud), but that's
> a bit on the crude side, I guess. One person I talked to
> liked it, someone else cringed. Cringing is not good.
>
> The things that are most unique about this looper (I think, I
> hope) are:
>
> - instant gratification, easy learning curve
> - Can be operated in hands-free mode; works with most
> footcontrollers (but a multi-bank footcontroller is best;
> basic functions can be in the first bank, advanced functions
> in others)
> - CD-quality, stereo looping
> - loop layers are independently mutable and re-mixable
> - built in digital multitrack recorder makes pristine
> recordings of your live playing, your loops and aux inputs
> (like the people you're playing
> with)
> - peak limiting on the output. In later versions, different
> forms of multiband compression will be supported
> - with a touch of your toe (here I go into marketing-speak),
> you can save all the loops into individual files for later
> processing with Acid or the DAW of your choice.
> - PC (XP) and MAC (OS/X)
> - affordability - I anticipate 3 versions, one at $89 or so,
> one at $199 and one at $299.
> - support for VST plugins to modify the input to the looper
> and the total mix output
>
> At present, it's a fairly basic looper/recorder. In addition
> to the basic looper, reverse is there, as well as
> continuously-varying playback speed, controlled by footpedal
> or mouse (the pitch changes, but it's a pretty good effect).
> But the architecture is very solid, and I expect to be adding
> fancy effects rapidly once I get past the initial hurdles of
> documentation, installers, security (I hate dealing with sw
> security, but you gotta do it), press releases and all that stuff.
>
> I put a couple of screenshots up at
> www.warrensirota.com/looper so you can get a better idea.
>
> I'd love naming suggestions suggestions and votes on the ones
> I've got: Helio (or Helios) and MultiLoop.
>
> Thanks,
> Warren Sirota
> www.warrensirota.com
>
>
> > -----Original Message-----
> > From: S V G [mailto:vsyevolod@yahoo.com]
> > Sent: Friday, November 18, 2005 2:22 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Loopers-Delight-d Digest V05 #746
> >
> >
> >
> >      Warren,
> >
> >      Naming can be a very powerful thing.  Especially if
> you are able
> > to describe within the name what is unique about the object to be
> > named.  Secondarily, the name can be pleasant to the ear,
> or at least
> > memorable.  Associations with other products is usually not
> > desireable.
> >
> >      When I hear the name AccuLoop, my mind immediately goes to all
> > the cheaply designed and built woodworking tools from overseas.
> > "Accu" as a prefix, just doesn't instill confidence in a
> product, at
> > least to this boy.
> >
> >      Naming your looper has the potential to make it or
> break it.  A
> > good example is the software called Chopitch.  Does it mean
> that your
> > chops will start itching?
> >
> >      Good luck finding an appropriate name for it.
> > Currently, AccuLoop doesn't do much for me.
> >
> >      Regards,
> >
> >          Stephen
> >
> >
> >
> >
> >      Warren wrote:
> > It's a little hard for me to complete the docs, though,
> because I'm at
> > sea for a name. I'm thinking maybe AccuLoop. Whaddya think? (that,
> > totally without an explanation of what makes it special, is not
> > exactly an easy question - but whether the name should be
> related to
> > the specific features or not is also not an easy one).
> >
> >
> >
> >
> > __________________________________
> > Start your day with Yahoo! - Make it your home page!
> > http://www.yahoo.com/r/hs
> >
> >
>
>
>
>




From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 00:56:56 2005
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Date: Thu, 24 Nov 2005 16:56:23 -0700
Subject: Re: It's that time again!  2005 Biennial Looper's Survey
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on 11/24/05 5:36 PM, William Walker at billwalker@baymoon.com wrote:
Hi Bill-great trick...
only seen it done by David Gilmour on his live dvd 'in concert'.
he is playing 'shine on you crazy diamond' solo acoustic and for the solos
he would swell in a chord w/ a volped and that goes to a long delay(which
eventually does fades out) and he would play single notes over the
chord...it sounds really pristine and cool.
dont know if what he is doing is really looping 'cause its in 'delay'
mode...
seeya
stannee


> I have recently discovered some new tricks for the hold delay function on
> the Vox Tonelab floorboard. Because this is truly a hold delay...
Has anyone
> out there tried this with an EDP, Repeater DL4, etc?
> Bill
> 
> -----Original Message-----
> From: Doug Cox [mailto:dougcox@pdq.net]
> Sent: Wednesday, November 23, 2005 7:33 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: It's that time again! 2005 Biennial Looper's Survey
> 
> 
> Hey Loopers - Happy Thanksgiving to you all.
> 
> In November of 2003, we did a survey of the LD list members to find out
> what devices they were using for live looping.  It was very informal and
> pretty disorganized (I think I still have a headache...), but I tallied
> the results into a spreadsheet and posted a PDF version of those results
> in the Looper's Delight File Library
> (http://www.loopers-delight.com/files/).
> 
> It's now two years later, and I figured it might be time to try it
> again.  This time, we won't clutter up the list (or my brain!) with the
> responses, but instead I'm preparing an online survey form to capture
> them.  The survey will be anonymous (unlike 2 years ago), but the form
> WILL use cookies to ensure that surveys are only submitted once.  Well,
> once per computer - but what would really be the point in trying to
> screw with this survey? :)
> 
> I'll host the survey, and I give my personal assurances that the data
> written/read by the cookies will only be used to block multiple
> submissions.  I will NOT provide this information to anyone else, and
> cannot see the contents of your cookie myself.
> 
> I've started to prepare the form with the following loopers listed (see
> bottom).  I'll take any suggested additions into the list until
> Saturday.  At that point, I'll post the survey and leave it open for
> about a month so that we get the maximum number of respondents.
> 
> You won't be able to "write in" a looper once I post the survey.  I will
> continue to take offline (emailed) requests for off-list loopers after
> the survey starts, but I will have to add them to the results manually
> at the end of the survey.  So please - take a look at this list and ask
> me to add anything YOU are using as a looper that is not represented.
> Part of the fun of this survey is to see what other unusual devices are
> being used.
> 
> Finally - last year we had some confusion about what to include in the
> inventory.  Some folks were posting gear that they used for loop
> *mangling* or pre/post loop effecting.  There was also some confusion
> about "samplers" vs. "live loopers".  I propose that:
> 
> - we do NOT try to inventory effects devices used for per/post loop effects
> - we do NOT try to inventory units used to playback prerecorded loops or
> samples
> 
> Instead, if those things are of interest to others, we can start a new
> thread and post them - or perhaps I can setup another survey in the
> (distant) future to capture that data.
> 
> Here's the list - let me know what needs to be added:
> 
> *Echoplex Digital Pro
> Electrix Repeater
> Line 6 DL-4
> Lexicon Jamman
> Digitech Jamman
> Kaoss Pad I or II
> Ableton Live
> Boomerang (Orig or Plus)
> Akai Headrush
> Boss RC-20 (or RC-20XL)
> Lexicon Vortex
> Line 6 Echo Pro (Rack)
> Zoom 2100
> Lexicon PCM42 or PCM70 or other
> Boss DD-3, 5 or 6
> Boss DD-20
> Boss GT-3, 5, 6 or 8
> Digitech RDS 7.6 (or similar, incl PDS series)
> Max MSP
> Native Instruments Reaktor
> Sonic Foundry Acid
> ZVEX Lofi Loop Junky
> Lexicon MPX G2
> Digitech 2120 or 2112
> Eventide Orville, Eclipse (or other)
> Roland VG8 or VG88
> Roland GP100 (or similar)
> Audiomulch
> Augustus Loop
> Mobius
> Electro Harmonix 16 Second Delay (new or reissue)
> Radial
> Ambiloop
> Maneco Looper (any type)
> Digitech GNX (any)
> TC Electronic 2290 Delay
> DJRND3 (or C-Loops or Peavey Grabber)
> KYMA
> TC Electronic D-Two Delay
> Akai Samplers (any)
> Roland Samplers (any)
> Yamaha Samplers (any)
> Maestro, Roland, Guyatone, etc Tape Echo machine
> *
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 02:56:32 2005
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The Magicstomps are already listed.

chris harmon wrote:

>and the yamaha magicstomp can do 6 second hold delays.
>
>On 11/24/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
>  
>
>>There's a list of software loopers here:
>>http://tinyurl.com/b8lw6
>>
>><http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?CurrentSoftw
>>areLoopers>
>>
>>Bernhard
>>
>>    
>>
>>>-----Original Message-----
>>>From: Doug Cox [mailto:dougcox@pdq.net]
>>>Sent: Donnerstag, 24. November 2005 04:33
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject: It's that time again! 2005 Biennial Looper's Survey
>>>
>>>Hey Loopers - Happy Thanksgiving to you all.
>>>
>>>In November of 2003, we did a survey of the LD list members to find out
>>>what devices they were using for live looping.  It was very informal and
>>>pretty disorganized (I think I still have a headache...), but I tallied
>>>the results into a spreadsheet and posted a PDF version of those results
>>>in the Looper's Delight File Library
>>>(http://www.loopers-delight.com/files/).
>>>
>>>It's now two years later, and I figured it might be time to try it
>>>again.  This time, we won't clutter up the list (or my brain!) with the
>>>responses, but instead I'm preparing an online survey form to capture
>>>them.  The survey will be anonymous (unlike 2 years ago), but the form
>>>WILL use cookies to ensure that surveys are only submitted once.  Well,
>>>once per computer - but what would really be the point in trying to
>>>screw with this survey? :)
>>>
>>>I'll host the survey, and I give my personal assurances that the data
>>>written/read by the cookies will only be used to block multiple
>>>submissions.  I will NOT provide this information to anyone else, and
>>>cannot see the contents of your cookie myself.
>>>
>>>I've started to prepare the form with the following loopers listed (see
>>>bottom).  I'll take any suggested additions into the list until
>>>Saturday.  At that point, I'll post the survey and leave it open for
>>>about a month so that we get the maximum number of respondents.
>>>
>>>You won't be able to "write in" a looper once I post the survey.  I will
>>>continue to take offline (emailed) requests for off-list loopers after
>>>the survey starts, but I will have to add them to the results manually
>>>at the end of the survey.  So please - take a look at this list and ask
>>>me to add anything YOU are using as a looper that is not represented.
>>>Part of the fun of this survey is to see what other unusual devices are
>>>being used.
>>>
>>>Finally - last year we had some confusion about what to include in the
>>>inventory.  Some folks were posting gear that they used for loop
>>>*mangling* or pre/post loop effecting.  There was also some confusion
>>>about "samplers" vs. "live loopers".  I propose that:
>>>
>>>- we do NOT try to inventory effects devices used for per/post loop
>>>effects
>>>- we do NOT try to inventory units used to playback prerecorded loops or
>>>samples
>>>
>>>Instead, if those things are of interest to others, we can start a new
>>>thread and post them - or perhaps I can setup another survey in the
>>>(distant) future to capture that data.
>>>
>>>Here's the list - let me know what needs to be added:
>>>
>>>*Echoplex Digital Pro
>>>Electrix Repeater
>>>Line 6 DL-4
>>>Lexicon Jamman
>>>Digitech Jamman
>>>Kaoss Pad I or II
>>>Ableton Live
>>>Boomerang (Orig or Plus)
>>>Akai Headrush
>>>Boss RC-20 (or RC-20XL)
>>>Lexicon Vortex
>>>Line 6 Echo Pro (Rack)
>>>Zoom 2100
>>>Lexicon PCM42 or PCM70 or other
>>>Boss DD-3, 5 or 6
>>>Boss DD-20
>>>Boss GT-3, 5, 6 or 8
>>>Digitech RDS 7.6 (or similar, incl PDS series)
>>>Max MSP
>>>Native Instruments Reaktor
>>>Sonic Foundry Acid
>>>ZVEX Lofi Loop Junky
>>>Lexicon MPX G2
>>>Digitech 2120 or 2112
>>>Eventide Orville, Eclipse (or other)
>>>Roland VG8 or VG88
>>>Roland GP100 (or similar)
>>>Audiomulch
>>>Augustus Loop
>>>Mobius
>>>Electro Harmonix 16 Second Delay (new or reissue)
>>>Radial
>>>Ambiloop
>>>Maneco Looper (any type)
>>>Digitech GNX (any)
>>>TC Electronic 2290 Delay
>>>DJRND3 (or C-Loops or Peavey Grabber)
>>>KYMA
>>>TC Electronic D-Two Delay
>>>Akai Samplers (any)
>>>Roland Samplers (any)
>>>Yamaha Samplers (any)
>>>Maestro, Roland, Guyatone, etc Tape Echo machine
>>>*
>>>      
>>>
>>
>>    
>>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 02:58:38 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Cage and Patchen
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Hi Gang:
Just wondering if any of you may know wher I could buy the John Cage/Kenneth Patchen piece "The City Wears a Slouch Hat."
I'm not having any cyber-luck and would be grateful for any assistance.
Yours in Arthur Ganson,
Tim




Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
------=_NextPart_84815C5ABAF209EF376268C8
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<P>
<DIV>Hi Gang:</DIV>
<DIV>Just wondering if any of you may know wher I could buy the John Cage/Kenneth Patchen piece "The City Wears a Slouch Hat."</DIV>
<DIV>I'm not having any cyber-luck and would be grateful for any assistance.</DIV>
<DIV>Yours in Arthur Ganson,</DIV>
<DIV>Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:07:39 2005
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Date: Thu, 24 Nov 2005 19:07:38 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cage and Patchen
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http://www.amusicarea.com/detail/764593005520.html

$17.98 USD



On 11/24/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
>
>
>
> Hi Gang:
> Just wondering if any of you may know wher I could buy the John Cage/Kenn=
eth
> Patchen piece "The City Wears a Slouch Hat."
> I'm not having any cyber-luck and would be grateful for any assistance.
> Yours in Arthur Ganson,
> Tim
>
>
>
>
> Timothy Mungenast
> mungenast@earthlink.net
> Why Wait? Move to EarthLink.
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:15:11 2005
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Digitech DFX-94




> [Original Message]
> From: Doug Cox <dougcox@pdq.net>
> To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
> Date: 11/23/2005 10:33:01 PM
> Subject: It's that time again!  2005 Biennial Looper's Survey
>
> Hey Loopers - Happy Thanksgiving to you all.
>
> In November of 2003, we did a survey of the LD list members to find out 
> what devices they were using for live looping.  It was very informal and 
> pretty disorganized (I think I still have a headache...), but I tallied 
> the results into a spreadsheet and posted a PDF version of those results 
> in the Looper's Delight File Library 
> (http://www.loopers-delight.com/files/).
>
> It's now two years later, and I figured it might be time to try it 
> again.  This time, we won't clutter up the list (or my brain!) with the 
> responses, but instead I'm preparing an online survey form to capture 
> them.  The survey will be anonymous (unlike 2 years ago), but the form 
> WILL use cookies to ensure that surveys are only submitted once.  Well, 
> once per computer - but what would really be the point in trying to 
> screw with this survey? :)
>
> I'll host the survey, and I give my personal assurances that the data 
> written/read by the cookies will only be used to block multiple 
> submissions.  I will NOT provide this information to anyone else, and 
> cannot see the contents of your cookie myself.
>
> I've started to prepare the form with the following loopers listed (see 
> bottom).  I'll take any suggested additions into the list until 
> Saturday.  At that point, I'll post the survey and leave it open for 
> about a month so that we get the maximum number of respondents.
>
> You won't be able to "write in" a looper once I post the survey.  I will 
> continue to take offline (emailed) requests for off-list loopers after 
> the survey starts, but I will have to add them to the results manually 
> at the end of the survey.  So please - take a look at this list and ask 
> me to add anything YOU are using as a looper that is not represented.  
> Part of the fun of this survey is to see what other unusual devices are 
> being used.
>
> Finally - last year we had some confusion about what to include in the 
> inventory.  Some folks were posting gear that they used for loop 
> *mangling* or pre/post loop effecting.  There was also some confusion 
> about "samplers" vs. "live loopers".  I propose that:
>
> - we do NOT try to inventory effects devices used for per/post loop
effects
> - we do NOT try to inventory units used to playback prerecorded loops or 
> samples
>
> Instead, if those things are of interest to others, we can start a new 
> thread and post them - or perhaps I can setup another survey in the 
> (distant) future to capture that data.
>
> Here's the list - let me know what needs to be added:
>
> *Echoplex Digital Pro
> Electrix Repeater
> Line 6 DL-4
> Lexicon Jamman
> Digitech Jamman
> Kaoss Pad I or II
> Ableton Live
> Boomerang (Orig or Plus)
> Akai Headrush
> Boss RC-20 (or RC-20XL)
> Lexicon Vortex
> Line 6 Echo Pro (Rack)
> Zoom 2100
> Lexicon PCM42 or PCM70 or other
> Boss DD-3, 5 or 6
> Boss DD-20
> Boss GT-3, 5, 6 or 8
> Digitech RDS 7.6 (or similar, incl PDS series)
> Max MSP
> Native Instruments Reaktor
> Sonic Foundry Acid
> ZVEX Lofi Loop Junky
> Lexicon MPX G2
> Digitech 2120 or 2112
> Eventide Orville, Eclipse (or other)
> Roland VG8 or VG88
> Roland GP100 (or similar)
> Audiomulch
> Augustus Loop
> Mobius
> Electro Harmonix 16 Second Delay (new or reissue)
> Radial
> Ambiloop
> Maneco Looper (any type)
> Digitech GNX (any)
> TC Electronic 2290 Delay
> DJRND3 (or C-Loops or Peavey Grabber)
> KYMA
> TC Electronic D-Two Delay
> Akai Samplers (any)
> Roland Samplers (any)
> Yamaha Samplers (any)
> Maestro, Roland, Guyatone, etc Tape Echo machine
> *


From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:19:39 2005
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This is the same as a DOD FX94, right?

I found that and added it to the list already.  Please help me confirm - 
if they're different, I can list them separately, but would prefer to 
group them together if they're the same (or very close to the same).

Thanks!

Timothy Mungenast wrote:

>Digitech DFX-94
>
>
>
>
>  
>
>>[Original Message]
>>From: Doug Cox <dougcox@pdq.net>
>>To: Loopers-Delight@loopers-delight.com
>>    
>>
><Loopers-Delight@loopers-delight.com>
>  
>
>>Date: 11/23/2005 10:33:01 PM
>>Subject: It's that time again!  2005 Biennial Looper's Survey
>>
>>Hey Loopers - Happy Thanksgiving to you all.
>>
>>In November of 2003, we did a survey of the LD list members to find out 
>>what devices they were using for live looping.  It was very informal and 
>>pretty disorganized (I think I still have a headache...), but I tallied 
>>the results into a spreadsheet and posted a PDF version of those results 
>>in the Looper's Delight File Library 
>>(http://www.loopers-delight.com/files/).
>>
>>It's now two years later, and I figured it might be time to try it 
>>again.  This time, we won't clutter up the list (or my brain!) with the 
>>responses, but instead I'm preparing an online survey form to capture 
>>them.  The survey will be anonymous (unlike 2 years ago), but the form 
>>WILL use cookies to ensure that surveys are only submitted once.  Well, 
>>once per computer - but what would really be the point in trying to 
>>screw with this survey? :)
>>
>>I'll host the survey, and I give my personal assurances that the data 
>>written/read by the cookies will only be used to block multiple 
>>submissions.  I will NOT provide this information to anyone else, and 
>>cannot see the contents of your cookie myself.
>>
>>I've started to prepare the form with the following loopers listed (see 
>>bottom).  I'll take any suggested additions into the list until 
>>Saturday.  At that point, I'll post the survey and leave it open for 
>>about a month so that we get the maximum number of respondents.
>>
>>You won't be able to "write in" a looper once I post the survey.  I will 
>>continue to take offline (emailed) requests for off-list loopers after 
>>the survey starts, but I will have to add them to the results manually 
>>at the end of the survey.  So please - take a look at this list and ask 
>>me to add anything YOU are using as a looper that is not represented.  
>>Part of the fun of this survey is to see what other unusual devices are 
>>being used.
>>
>>Finally - last year we had some confusion about what to include in the 
>>inventory.  Some folks were posting gear that they used for loop 
>>*mangling* or pre/post loop effecting.  There was also some confusion 
>>about "samplers" vs. "live loopers".  I propose that:
>>
>>- we do NOT try to inventory effects devices used for per/post loop
>>    
>>
>effects
>  
>
>>- we do NOT try to inventory units used to playback prerecorded loops or 
>>samples
>>
>>Instead, if those things are of interest to others, we can start a new 
>>thread and post them - or perhaps I can setup another survey in the 
>>(distant) future to capture that data.
>>
>>Here's the list - let me know what needs to be added:
>>
>>*Echoplex Digital Pro
>>Electrix Repeater
>>Line 6 DL-4
>>Lexicon Jamman
>>Digitech Jamman
>>Kaoss Pad I or II
>>Ableton Live
>>Boomerang (Orig or Plus)
>>Akai Headrush
>>Boss RC-20 (or RC-20XL)
>>Lexicon Vortex
>>Line 6 Echo Pro (Rack)
>>Zoom 2100
>>Lexicon PCM42 or PCM70 or other
>>Boss DD-3, 5 or 6
>>Boss DD-20
>>Boss GT-3, 5, 6 or 8
>>Digitech RDS 7.6 (or similar, incl PDS series)
>>Max MSP
>>Native Instruments Reaktor
>>Sonic Foundry Acid
>>ZVEX Lofi Loop Junky
>>Lexicon MPX G2
>>Digitech 2120 or 2112
>>Eventide Orville, Eclipse (or other)
>>Roland VG8 or VG88
>>Roland GP100 (or similar)
>>Audiomulch
>>Augustus Loop
>>Mobius
>>Electro Harmonix 16 Second Delay (new or reissue)
>>Radial
>>Ambiloop
>>Maneco Looper (any type)
>>Digitech GNX (any)
>>TC Electronic 2290 Delay
>>DJRND3 (or C-Loops or Peavey Grabber)
>>KYMA
>>TC Electronic D-Two Delay
>>Akai Samplers (any)
>>Roland Samplers (any)
>>Yamaha Samplers (any)
>>Maestro, Roland, Guyatone, etc Tape Echo machine
>>*
>>    
>>
>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:26:44 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cage and Patchen
Date: Thu, 24 Nov 2005 22:31:10 -0500
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Mille Grazi, Travis!
~Tim


> [Original Message]
> From: Travis Hartnett <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/24/2005 10:07:39 PM
> Subject: Re: Cage and Patchen
>
> http://www.amusicarea.com/detail/764593005520.html
>
> $17.98 USD
>
>
>
> On 11/24/05, Timothy Mungenast <mungenast@earthlink.net> wrote:
> >
> >
> >
> > Hi Gang:
> > Just wondering if any of you may know wher I could buy the John
Cage/Kenneth
> > Patchen piece "The City Wears a Slouch Hat."
> > I'm not having any cyber-luck and would be grateful for any assistance.
> > Yours in Arthur Ganson,
> > Tim
> >
> >
> >
> >
> > Timothy Mungenast
> > mungenast@earthlink.net
> > Why Wait? Move to EarthLink.
> >
> >
> >
> >
> >


From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:26:47 2005
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From: Ernest Smith <nowsmith@comcast.net>
Subject: Re: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 22:26:28 -0500
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The 4 second looping pedal is the DOD DFX94. There is no FX94, AFAIK.  
There was a DFX98 advertised, but a real life version never made it  
to the stores.
On Nov 24, 2005, at 10:19 PM, Doug Cox wrote:

> This is the same as a DOD FX94, right?
>
> I found that and added it to the list already.  Please help me  
> confirm - if they're different, I can list them separately, but  
> would prefer to group them together if they're the same (or very  
> close to the same).
>
> Thanks!
>
> Timothy Mungenast wrote:
>
>
>> Digitech DFX-94
>>
>>
>>
>>
>>
>>
>>> [Original Message]
>>> From: Doug Cox <dougcox@pdq.net>
>>> To: Loopers-Delight@loopers-delight.com
>>>
>>>
>> <Loopers-Delight@loopers-delight.com>
>>
>>
>>> Date: 11/23/2005 10:33:01 PM
>>> Subject: It's that time again!  2005 Biennial Looper's Survey
>>>
>>> Hey Loopers - Happy Thanksgiving to you all.
>>>
>>> In November of 2003, we did a survey of the LD list members to  
>>> find out what devices they were using for live looping.  It was  
>>> very informal and pretty disorganized (I think I still have a  
>>> headache...), but I tallied the results into a spreadsheet and  
>>> posted a PDF version of those results in the Looper's Delight  
>>> File Library (http://www.loopers-delight.com/files/).
>>>
>>> It's now two years later, and I figured it might be time to try  
>>> it again.  This time, we won't clutter up the list (or my brain!)  
>>> with the responses, but instead I'm preparing an online survey  
>>> form to capture them.  The survey will be anonymous (unlike 2  
>>> years ago), but the form WILL use cookies to ensure that surveys  
>>> are only submitted once.  Well, once per computer - but what  
>>> would really be the point in trying to screw with this survey? :)
>>>
>>> I'll host the survey, and I give my personal assurances that the  
>>> data written/read by the cookies will only be used to block  
>>> multiple submissions.  I will NOT provide this information to  
>>> anyone else, and cannot see the contents of your cookie myself.
>>>
>>> I've started to prepare the form with the following loopers  
>>> listed (see bottom).  I'll take any suggested additions into the  
>>> list until Saturday.  At that point, I'll post the survey and  
>>> leave it open for about a month so that we get the maximum number  
>>> of respondents.
>>>
>>> You won't be able to "write in" a looper once I post the survey.   
>>> I will continue to take offline (emailed) requests for off-list  
>>> loopers after the survey starts, but I will have to add them to  
>>> the results manually at the end of the survey.  So please - take  
>>> a look at this list and ask me to add anything YOU are using as a  
>>> looper that is not represented.  Part of the fun of this survey  
>>> is to see what other unusual devices are being used.
>>>
>>> Finally - last year we had some confusion about what to include  
>>> in the inventory.  Some folks were posting gear that they used  
>>> for loop *mangling* or pre/post loop effecting.  There was also  
>>> some confusion about "samplers" vs. "live loopers".  I propose that:
>>>
>>> - we do NOT try to inventory effects devices used for per/post loop
>>>
>>>
>> effects
>>
>>
>>> - we do NOT try to inventory units used to playback prerecorded  
>>> loops or samples
>>>
>>> Instead, if those things are of interest to others, we can start  
>>> a new thread and post them - or perhaps I can setup another  
>>> survey in the (distant) future to capture that data.
>>>
>>> Here's the list - let me know what needs to be added:
>>>
>>> *Echoplex Digital Pro
>>> Electrix Repeater
>>> Line 6 DL-4
>>> Lexicon Jamman
>>> Digitech Jamman
>>> Kaoss Pad I or II
>>> Ableton Live
>>> Boomerang (Orig or Plus)
>>> Akai Headrush
>>> Boss RC-20 (or RC-20XL)
>>> Lexicon Vortex
>>> Line 6 Echo Pro (Rack)
>>> Zoom 2100
>>> Lexicon PCM42 or PCM70 or other
>>> Boss DD-3, 5 or 6
>>> Boss DD-20
>>> Boss GT-3, 5, 6 or 8
>>> Digitech RDS 7.6 (or similar, incl PDS series)
>>> Max MSP
>>> Native Instruments Reaktor
>>> Sonic Foundry Acid
>>> ZVEX Lofi Loop Junky
>>> Lexicon MPX G2
>>> Digitech 2120 or 2112
>>> Eventide Orville, Eclipse (or other)
>>> Roland VG8 or VG88
>>> Roland GP100 (or similar)
>>> Audiomulch
>>> Augustus Loop
>>> Mobius
>>> Electro Harmonix 16 Second Delay (new or reissue)
>>> Radial
>>> Ambiloop
>>> Maneco Looper (any type)
>>> Digitech GNX (any)
>>> TC Electronic 2290 Delay
>>> DJRND3 (or C-Loops or Peavey Grabber)
>>> KYMA
>>> TC Electronic D-Two Delay
>>> Akai Samplers (any)
>>> Roland Samplers (any)
>>> Yamaha Samplers (any)
>>> Maestro, Roland, Guyatone, etc Tape Echo machine
>>> *
>>>
>>>
>>
>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:28:58 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 22:33:24 -0500
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No, I committed a brainfart. I didn't have the pedal in front of me and had
a Senior Moment regarding which company name it was under (analagous to the
occasional Roland/Boss confusion). 
Thanks,
Tim


> [Original Message]
> From: Doug Cox <dougcox@pdq.net>
> To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
> Date: 11/24/2005 10:19:39 PM
> Subject: Re: It's that time again!  2005 Biennial Looper's Survey
>
> This is the same as a DOD FX94, right?
>
> I found that and added it to the list already.  Please help me confirm - 
> if they're different, I can list them separately, but would prefer to 
> group them together if they're the same (or very close to the same).
>
> Thanks!
>
> Timothy Mungenast wrote:
>
> >Digitech DFX-94
> >
> >
> >
> >
> >  
> >
> >>[Original Message]
> >>From: Doug Cox <dougcox@pdq.net>
> >>To: Loopers-Delight@loopers-delight.com
> >>    
> >>
> ><Loopers-Delight@loopers-delight.com>
> >  
> >
> >>Date: 11/23/2005 10:33:01 PM
> >>Subject: It's that time again!  2005 Biennial Looper's Survey
> >>
> >>Hey Loopers - Happy Thanksgiving to you all.
> >>
> >>In November of 2003, we did a survey of the LD list members to find out 
> >>what devices they were using for live looping.  It was very informal
and 
> >>pretty disorganized (I think I still have a headache...), but I tallied 
> >>the results into a spreadsheet and posted a PDF version of those
results 
> >>in the Looper's Delight File Library 
> >>(http://www.loopers-delight.com/files/).
> >>
> >>It's now two years later, and I figured it might be time to try it 
> >>again.  This time, we won't clutter up the list (or my brain!) with the 
> >>responses, but instead I'm preparing an online survey form to capture 
> >>them.  The survey will be anonymous (unlike 2 years ago), but the form 
> >>WILL use cookies to ensure that surveys are only submitted once.  Well, 
> >>once per computer - but what would really be the point in trying to 
> >>screw with this survey? :)
> >>
> >>I'll host the survey, and I give my personal assurances that the data 
> >>written/read by the cookies will only be used to block multiple 
> >>submissions.  I will NOT provide this information to anyone else, and 
> >>cannot see the contents of your cookie myself.
> >>
> >>I've started to prepare the form with the following loopers listed (see 
> >>bottom).  I'll take any suggested additions into the list until 
> >>Saturday.  At that point, I'll post the survey and leave it open for 
> >>about a month so that we get the maximum number of respondents.
> >>
> >>You won't be able to "write in" a looper once I post the survey.  I
will 
> >>continue to take offline (emailed) requests for off-list loopers after 
> >>the survey starts, but I will have to add them to the results manually 
> >>at the end of the survey.  So please - take a look at this list and ask 
> >>me to add anything YOU are using as a looper that is not represented.  
> >>Part of the fun of this survey is to see what other unusual devices are 
> >>being used.
> >>
> >>Finally - last year we had some confusion about what to include in the 
> >>inventory.  Some folks were posting gear that they used for loop 
> >>*mangling* or pre/post loop effecting.  There was also some confusion 
> >>about "samplers" vs. "live loopers".  I propose that:
> >>
> >>- we do NOT try to inventory effects devices used for per/post loop
> >>    
> >>
> >effects
> >  
> >
> >>- we do NOT try to inventory units used to playback prerecorded loops
or 
> >>samples
> >>
> >>Instead, if those things are of interest to others, we can start a new 
> >>thread and post them - or perhaps I can setup another survey in the 
> >>(distant) future to capture that data.
> >>
> >>Here's the list - let me know what needs to be added:
> >>
> >>*Echoplex Digital Pro
> >>Electrix Repeater
> >>Line 6 DL-4
> >>Lexicon Jamman
> >>Digitech Jamman
> >>Kaoss Pad I or II
> >>Ableton Live
> >>Boomerang (Orig or Plus)
> >>Akai Headrush
> >>Boss RC-20 (or RC-20XL)
> >>Lexicon Vortex
> >>Line 6 Echo Pro (Rack)
> >>Zoom 2100
> >>Lexicon PCM42 or PCM70 or other
> >>Boss DD-3, 5 or 6
> >>Boss DD-20
> >>Boss GT-3, 5, 6 or 8
> >>Digitech RDS 7.6 (or similar, incl PDS series)
> >>Max MSP
> >>Native Instruments Reaktor
> >>Sonic Foundry Acid
> >>ZVEX Lofi Loop Junky
> >>Lexicon MPX G2
> >>Digitech 2120 or 2112
> >>Eventide Orville, Eclipse (or other)
> >>Roland VG8 or VG88
> >>Roland GP100 (or similar)
> >>Audiomulch
> >>Augustus Loop
> >>Mobius
> >>Electro Harmonix 16 Second Delay (new or reissue)
> >>Radial
> >>Ambiloop
> >>Maneco Looper (any type)
> >>Digitech GNX (any)
> >>TC Electronic 2290 Delay
> >>DJRND3 (or C-Loops or Peavey Grabber)
> >>KYMA
> >>TC Electronic D-Two Delay
> >>Akai Samplers (any)
> >>Roland Samplers (any)
> >>Yamaha Samplers (any)
> >>Maestro, Roland, Guyatone, etc Tape Echo machine
> >>*
> >>    
> >>
> >
> >
> >
> >  
> >


From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 03:41:15 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: yes, DFX Re: It's that time again!  2005 Biennial Looper's Survey
Date: Thu, 24 Nov 2005 22:45:40 -0500
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"There was a DFX98 advertised, but a real life version never made it 
to the stores."

Yes, Ernest, I remember waiting a whole year and bugging my local music
store ad nauseum. Lots of catalog stores were be glad to take orders for
what turned out to be a phantom product. I called DOD and they said they
were hot to build it but their corporate overlords at Harman pulled the
plug on the project after fanning the flames for all that time.
~Tim


> [Original Message]
> From: Ernest Smith <nowsmith@comcast.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/24/2005 10:26:47 PM
> Subject: Re: It's that time again!  2005 Biennial Looper's Survey
>
> The 4 second looping pedal is the DOD DFX94. There is no FX94, AFAIK.  
> There was a DFX98 advertised, but a real life version never made it  
> to the stores.
> On Nov 24, 2005, at 10:19 PM, Doug Cox wrote:
>
> > This is the same as a DOD FX94, right?
> >
> > I found that and added it to the list already.  Please help me  
> > confirm - if they're different, I can list them separately, but  
> > would prefer to group them together if they're the same (or very  
> > close to the same).
> >
> > Thanks!
> >
> > Timothy Mungenast wrote:
> >
> >
> >> Digitech DFX-94
> >>
> >>
> >>
> >>
> >>
> >>
> >>> [Original Message]
> >>> From: Doug Cox <dougcox@pdq.net>
> >>> To: Loopers-Delight@loopers-delight.com
> >>>
> >>>
> >> <Loopers-Delight@loopers-delight.com>
> >>
> >>
> >>> Date: 11/23/2005 10:33:01 PM
> >>> Subject: It's that time again!  2005 Biennial Looper's Survey
> >>>
> >>> Hey Loopers - Happy Thanksgiving to you all.
> >>>
> >>> In November of 2003, we did a survey of the LD list members to  
> >>> find out what devices they were using for live looping.  It was  
> >>> very informal and pretty disorganized (I think I still have a  
> >>> headache...), but I tallied the results into a spreadsheet and  
> >>> posted a PDF version of those results in the Looper's Delight  
> >>> File Library (http://www.loopers-delight.com/files/).
> >>>
> >>> It's now two years later, and I figured it might be time to try  
> >>> it again.  This time, we won't clutter up the list (or my brain!)  
> >>> with the responses, but instead I'm preparing an online survey  
> >>> form to capture them.  The survey will be anonymous (unlike 2  
> >>> years ago), but the form WILL use cookies to ensure that surveys  
> >>> are only submitted once.  Well, once per computer - but what  
> >>> would really be the point in trying to screw with this survey? :)
> >>>
> >>> I'll host the survey, and I give my personal assurances that the  
> >>> data written/read by the cookies will only be used to block  
> >>> multiple submissions.  I will NOT provide this information to  
> >>> anyone else, and cannot see the contents of your cookie myself.
> >>>
> >>> I've started to prepare the form with the following loopers  
> >>> listed (see bottom).  I'll take any suggested additions into the  
> >>> list until Saturday.  At that point, I'll post the survey and  
> >>> leave it open for about a month so that we get the maximum number  
> >>> of respondents.
> >>>
> >>> You won't be able to "write in" a looper once I post the survey.   
> >>> I will continue to take offline (emailed) requests for off-list  
> >>> loopers after the survey starts, but I will have to add them to  
> >>> the results manually at the end of the survey.  So please - take  
> >>> a look at this list and ask me to add anything YOU are using as a  
> >>> looper that is not represented.  Part of the fun of this survey  
> >>> is to see what other unusual devices are being used.
> >>>
> >>> Finally - last year we had some confusion about what to include  
> >>> in the inventory.  Some folks were posting gear that they used  
> >>> for loop *mangling* or pre/post loop effecting.  There was also  
> >>> some confusion about "samplers" vs. "live loopers".  I propose that:
> >>>
> >>> - we do NOT try to inventory effects devices used for per/post loop
> >>>
> >>>
> >> effects
> >>
> >>
> >>> - we do NOT try to inventory units used to playback prerecorded  
> >>> loops or samples
> >>>
> >>> Instead, if those things are of interest to others, we can start  
> >>> a new thread and post them - or perhaps I can setup another  
> >>> survey in the (distant) future to capture that data.
> >>>
> >>> Here's the list - let me know what needs to be added:
> >>>
> >>> *Echoplex Digital Pro
> >>> Electrix Repeater
> >>> Line 6 DL-4
> >>> Lexicon Jamman
> >>> Digitech Jamman
> >>> Kaoss Pad I or II
> >>> Ableton Live
> >>> Boomerang (Orig or Plus)
> >>> Akai Headrush
> >>> Boss RC-20 (or RC-20XL)
> >>> Lexicon Vortex
> >>> Line 6 Echo Pro (Rack)
> >>> Zoom 2100
> >>> Lexicon PCM42 or PCM70 or other
> >>> Boss DD-3, 5 or 6
> >>> Boss DD-20
> >>> Boss GT-3, 5, 6 or 8
> >>> Digitech RDS 7.6 (or similar, incl PDS series)
> >>> Max MSP
> >>> Native Instruments Reaktor
> >>> Sonic Foundry Acid
> >>> ZVEX Lofi Loop Junky
> >>> Lexicon MPX G2
> >>> Digitech 2120 or 2112
> >>> Eventide Orville, Eclipse (or other)
> >>> Roland VG8 or VG88
> >>> Roland GP100 (or similar)
> >>> Audiomulch
> >>> Augustus Loop
> >>> Mobius
> >>> Electro Harmonix 16 Second Delay (new or reissue)
> >>> Radial
> >>> Ambiloop
> >>> Maneco Looper (any type)
> >>> Digitech GNX (any)
> >>> TC Electronic 2290 Delay
> >>> DJRND3 (or C-Loops or Peavey Grabber)
> >>> KYMA
> >>> TC Electronic D-Two Delay
> >>> Akai Samplers (any)
> >>> Roland Samplers (any)
> >>> Yamaha Samplers (any)
> >>> Maestro, Roland, Guyatone, etc Tape Echo machine
> >>> *
> >>>
> >>>
> >>
> >>
> >>
> >>
> >>
> >
> >


From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 09:10:52 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Bills Tonelab Joy, into EDP FLIP mode sales pitch
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>ability to assign an expression pedal to
>control the amount of signal being sent to the looper, and how this might be
>a feature unique to the tonelab.

Hi Bill,
the EDP had this feature in the old LOOP3 software in DELay mode.
(as used by Eberhard Weber, for exactly the sort of thing you describe)
...and with loop4(current)  software there's an INPut mode which does
simply takes the basic EDP Loop Mode and changes the expression
pedal to do the loop-input-volume.

The EDP also has an interesting variation called FLIP Mode, which
allows you to crossfade the Input with the stuff in the loop



here's a demo to make it obvious how it works,

http://myweb.tiscali.co.uk/andybutler/edp/flipdemo.mp3

and here's a snip from my "livelooping" cd which shows it
in a (slightly) more musical contex

http://myweb.tiscali.co.uk/andybutler/edp/gargoyle-ex.mp3

please, someone else use FLIp mode, Matthias sweated blood to program
that into Loop4,

it's really not so hard to use,
and it's great for mutating a loop while you play along to it.

allows you to build a loop with dj crossfades from one rhythm to another,

and it lets you keep working on a loop forever without building up
loads of overdubs

andy butler
www.andybutler.com




From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 12:41:18 2005
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From: "Raymond Lee Barnes, III." <phaedeback@comcast.net>
Subject: Re: It's that time again!  2005 Biennial Looper's Survey
Date: Fri, 25 Nov 2005 07:40:46 -0500
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Hey there,

Yes, saw Robert Fripp doing this (couldn't make out the equipment) a  
few months back, when he opened for Porcupine Tree at the 9:30 Club.

I've done this with a Boomerang (which recently met its demise), a  
Boss Digital Delay pedal, and a volume pedal (going in reverse order  
from the guitar or other instrument).  In some cases, using the  
volume pot on the guitar itself, and doing something more akin to  
what Steve Rothery was doing on the Marillion album, "Misplaced  
Childhood."

Have to agree, it is a very cool effect!


Lee



On Nov 24, 2005, at 6:56 PM, stanley card wrote:

> on 11/24/05 5:36 PM, William Walker at billwalker@baymoon.com wrote:
> Hi Bill-great trick...
> only seen it done by David Gilmour on his live dvd 'in concert'.
> he is playing 'shine on you crazy diamond' solo acoustic and for  
> the solos
> he would swell in a chord w/ a volped and that goes to a long delay 
> (which
> eventually does fades out) and he would play single notes over the
> chord...it sounds really pristine and cool.
> dont know if what he is doing is really looping 'cause its in 'delay'
> mode...
> seeya
> stannee
>
>
>> I have recently discovered some new tricks for the hold delay  
>> function on
>> the Vox Tonelab floorboard. Because this is truly a hold delay...
> Has anyone
>> out there tried this with an EDP, Repeater DL4, etc?
>> Bill
>>
>> -----Original Message-----
>> From: Doug Cox [mailto:dougcox@pdq.net]
>> Sent: Wednesday, November 23, 2005 7:33 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: It's that time again! 2005 Biennial Looper's Survey
>>
>>
>> Hey Loopers - Happy Thanksgiving to you all.
>>
>> In November of 2003, we did a survey of the LD list members to  
>> find out
>> what devices they were using for live looping.  It was very  
>> informal and
>> pretty disorganized (I think I still have a headache...), but I  
>> tallied
>> the results into a spreadsheet and posted a PDF version of those  
>> results
>> in the Looper's Delight File Library
>> (http://www.loopers-delight.com/files/).
>>
>> It's now two years later, and I figured it might be time to try it
>> again.  This time, we won't clutter up the list (or my brain!)  
>> with the
>> responses, but instead I'm preparing an online survey form to capture
>> them.  The survey will be anonymous (unlike 2 years ago), but the  
>> form
>> WILL use cookies to ensure that surveys are only submitted once.   
>> Well,
>> once per computer - but what would really be the point in trying to
>> screw with this survey? :)
>>
>> I'll host the survey, and I give my personal assurances that the data
>> written/read by the cookies will only be used to block multiple
>> submissions.  I will NOT provide this information to anyone else, and
>> cannot see the contents of your cookie myself.
>>
>> I've started to prepare the form with the following loopers listed  
>> (see
>> bottom).  I'll take any suggested additions into the list until
>> Saturday.  At that point, I'll post the survey and leave it open for
>> about a month so that we get the maximum number of respondents.
>>
>> You won't be able to "write in" a looper once I post the survey.   
>> I will
>> continue to take offline (emailed) requests for off-list loopers  
>> after
>> the survey starts, but I will have to add them to the results  
>> manually
>> at the end of the survey.  So please - take a look at this list  
>> and ask
>> me to add anything YOU are using as a looper that is not represented.
>> Part of the fun of this survey is to see what other unusual  
>> devices are
>> being used.
>>
>> Finally - last year we had some confusion about what to include in  
>> the
>> inventory.  Some folks were posting gear that they used for loop
>> *mangling* or pre/post loop effecting.  There was also some confusion
>> about "samplers" vs. "live loopers".  I propose that:
>>
>> - we do NOT try to inventory effects devices used for per/post  
>> loop effects
>> - we do NOT try to inventory units used to playback prerecorded  
>> loops or
>> samples
>>
>> Instead, if those things are of interest to others, we can start a  
>> new
>> thread and post them - or perhaps I can setup another survey in the
>> (distant) future to capture that data.
>>
>> Here's the list - let me know what needs to be added:
>>
>> *Echoplex Digital Pro
>> Electrix Repeater
>> Line 6 DL-4
>> Lexicon Jamman
>> Digitech Jamman
>> Kaoss Pad I or II
>> Ableton Live
>> Boomerang (Orig or Plus)
>> Akai Headrush
>> Boss RC-20 (or RC-20XL)
>> Lexicon Vortex
>> Line 6 Echo Pro (Rack)
>> Zoom 2100
>> Lexicon PCM42 or PCM70 or other
>> Boss DD-3, 5 or 6
>> Boss DD-20
>> Boss GT-3, 5, 6 or 8
>> Digitech RDS 7.6 (or similar, incl PDS series)
>> Max MSP
>> Native Instruments Reaktor
>> Sonic Foundry Acid
>> ZVEX Lofi Loop Junky
>> Lexicon MPX G2
>> Digitech 2120 or 2112
>> Eventide Orville, Eclipse (or other)
>> Roland VG8 or VG88
>> Roland GP100 (or similar)
>> Audiomulch
>> Augustus Loop
>> Mobius
>> Electro Harmonix 16 Second Delay (new or reissue)
>> Radial
>> Ambiloop
>> Maneco Looper (any type)
>> Digitech GNX (any)
>> TC Electronic 2290 Delay
>> DJRND3 (or C-Loops or Peavey Grabber)
>> KYMA
>> TC Electronic D-Two Delay
>> Akai Samplers (any)
>> Roland Samplers (any)
>> Yamaha Samplers (any)
>> Maestro, Roland, Guyatone, etc Tape Echo machine
>> *
>>
>>
>>
>>
>

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Subject: RE: Stereo
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>>Respectfully, stereo is indeed an artificial construct, no matter how
well or poorly it imitates the tendency of animal sensory organs to
come in twos. Recorded music intends to place all the sound in a
two-dimensional array that does not represent at all the ways in which
we personally experience "live" sound.<<

stereo is a natural phenomenon, badly imitated by contemporary recording &
distribution techniques, that typically use only the level & not the phase
component to locate something in a stereo panorama.
several attempts have been made to record rock music using "accurate"
techniqes- most notably, for my money, joe jackson's efforts in the early
80s.... "body & soul", I think it was. 
that's not to say that recordings can't be convincing &/or dramatic with the
use of panning, artificial space & close-miking techniques.
surround sound is necessary because the altered frequency response of the
ear to sounds from behind the listener are different for every individual, &
can't be convincingly reproduced with standard two-channel equipment.

I could go on for hours.....

d.

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charset=3Diso-8859-1">
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5.5.2653.12">
<TITLE>RE: Stereo</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>&gt;&gt;Respectfully, stereo is indeed an artificial =
construct, no matter how</FONT>
<BR><FONT SIZE=3D2>well or poorly it imitates the tendency of animal =
sensory organs to</FONT>
<BR><FONT SIZE=3D2>come in twos. Recorded music intends to place all =
the sound in a</FONT>
<BR><FONT SIZE=3D2>two-dimensional array that does not represent at all =
the ways in which</FONT>
<BR><FONT SIZE=3D2>we personally experience &quot;live&quot; =
sound.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>stereo is a natural phenomenon, badly imitated by =
contemporary recording &amp; distribution techniques, that typically =
use only the level &amp; not the phase component to locate something in =
a stereo panorama.</FONT></P>

<P><FONT SIZE=3D2>several attempts have been made to record rock music =
using &quot;accurate&quot; techniqes- most notably, for my money, joe =
jackson's efforts in the early 80s.... &quot;body &amp; soul&quot;, I =
think it was. </FONT></P>

<P><FONT SIZE=3D2>that's not to say that recordings can't be convincing =
&amp;/or dramatic with the use of panning, artificial space &amp; =
close-miking techniques.</FONT></P>

<P><FONT SIZE=3D2>surround sound is necessary because the altered =
frequency response of the ear to sounds from behind the listener are =
different for every individual, &amp; can't be convincingly reproduced =
with standard two-channel equipment.</FONT></P>

<P><FONT SIZE=3D2>I could go on for hours.....</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 16:12:00 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Bills Tonelab Joy, into EDP FLIP mode sales pitch
Date: Fri, 25 Nov 2005 08:11:59 -0800
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cool, I got to get git me one of them thar thangs.
Bill

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Friday, November 25, 2005 1:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bills Tonelab Joy, into EDP FLIP mode sales pitch



>ability to assign an expression pedal to
>control the amount of signal being sent to the looper, and how this might
be
>a feature unique to the tonelab.

Hi Bill,
the EDP had this feature in the old LOOP3 software in DELay mode.
(as used by Eberhard Weber, for exactly the sort of thing you describe)
...and with loop4(current)  software there's an INPut mode which does
simply takes the basic EDP Loop Mode and changes the expression
pedal to do the loop-input-volume.

The EDP also has an interesting variation called FLIP Mode, which
allows you to crossfade the Input with the stuff in the loop



here's a demo to make it obvious how it works,

http://myweb.tiscali.co.uk/andybutler/edp/flipdemo.mp3

and here's a snip from my "livelooping" cd which shows it
in a (slightly) more musical contex

http://myweb.tiscali.co.uk/andybutler/edp/gargoyle-ex.mp3

please, someone else use FLIp mode, Matthias sweated blood to program
that into Loop4,

it's really not so hard to use,
and it's great for mutating a loop while you play along to it.

allows you to build a loop with dj crossfades from one rhythm to another,

and it lets you keep working on a loop forever without building up
loads of overdubs

andy butler
www.andybutler.com







From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 18:47:26 2005
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Subject: Re: Stereo
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RE: Stereo
  Didn't Pearl Jam do a binaural album?

  Gareth
  stereo is a natural phenomenon, badly imitated by contemporary =
recording & distribution techniques, that typically use only the level & =
not the phase component to locate something in a stereo panorama.

  several attempts have been made to record rock music using "accurate" =
techniqes- most notably, for my money, joe jackson's efforts in the =
early 80s.... "body & soul", I think it was.=20

  that's not to say that recordings can't be convincing &/or dramatic =
with the use of panning, artificial space & close-miking techniques.

  surround sound is necessary because the altered frequency response of =
the ear to sounds from behind the listener are different for every =
individual, & can't be convincingly reproduced with standard two-channel =
equipment.

  I could go on for hours.....=20

  d.=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: Stereo</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">Didn't Pearl Jam do a binaural =
album?</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Gareth</DIV>
  <P><FONT size=3D2>stereo is a natural phenomenon, badly imitated by =
contemporary=20
  recording &amp; distribution techniques, that typically use only the =
level=20
  &amp; not the phase component to locate something in a stereo=20
  panorama.</FONT></P>
  <P><FONT size=3D2>several attempts have been made to record rock music =
using=20
  "accurate" techniqes- most notably, for my money, joe jackson's =
efforts in the=20
  early 80s.... "body &amp; soul", I think it was. </FONT></P>
  <P><FONT size=3D2>that's not to say that recordings can't be =
convincing &amp;/or=20
  dramatic with the use of panning, artificial space &amp; close-miking=20
  techniques.</FONT></P>
  <P><FONT size=3D2>surround sound is necessary because the altered =
frequency=20
  response of the ear to sounds from behind the listener are different =
for every=20
  individual, &amp; can't be convincingly reproduced with standard =
two-channel=20
  equipment.</FONT></P>
  <P><FONT size=3D2>I could go on for hours.....</FONT> </P>
  <P><FONT size=3D2>d.</FONT> </P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 18:53:22 2005
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Date: Fri, 25 Nov 2005 10:53:20 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Stereo
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It was just named that, I don't believe it was recorded binaurally.

TravisH

On 11/25/05, gareth.whitcock <gareth.whitcock@ntlworld.com> wrote:
>
>
>
> Didn't Pearl Jam do a binaural album?
>
> Gareth
>
> stereo is a natural phenomenon, badly imitated by contemporary recording =
&
> distribution techniques, that typically use only the level & not the phas=
e
> component to locate something in a stereo panorama.
>
> several attempts have been made to record rock music using "accurate"
> techniqes- most notably, for my money, joe jackson's efforts in the early
> 80s.... "body & soul", I think it was.
>
> that's not to say that recordings can't be convincing &/or dramatic with =
the
> use of panning, artificial space & close-miking techniques.
>
> surround sound is necessary because the altered frequency response of the
> ear to sounds from behind the listener are different for every individual=
, &
> can't be convincingly reproduced with standard two-channel equipment.
>
> I could go on for hours.....
>
> d.

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 18:59:21 2005
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Date: Fri, 25 Nov 2005 13:59:20 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New loop tool, sort of..stereo
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	 <BAY106-F2639CE9DA704EADFAE941CFF520@phx.gbl>
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I think I found that Scientific American article if anyone is
interested.  Unfortunately it's archived on their pay-to-download
section, though knowing which issue it's in may make it accessible at
your local library.

<http://www.sciamdigital.com/browse.cfm?sequencenameCHAR=3Ditem2&methodname=
CHAR=3Dresource_getitembrowse&interfacenameCHAR=3Dbrowse.cfm&ISSUEID_CHAR=
=3D2AA69C4D-56CA-4FCC-A355-83E902C96FB&ARTICLEID_CHAR=3DFCF0925D-F268-4E72-=
A095-5FA384AA9E8&sc=3DI100322>

Eventually I'll get around to digging through my back issues to take a
look for myself, but for the time being, I'm 90% sure that's the
article.

Enjoy,
Todd


On 11/23/05, Todd Pafford <calenlas@gmail.com> wrote:
> I read an interesting article a couple of years back in Scientific
> American about a guy who was working on analyzing and modelling the
> way our ears locate sound.  I recall there being a good description
> about the way in which the asymetrical shapes of our ears allow us to
> place sound in 360 degrees based on minute differences in timing,
> timbre, phase, etc between the sounds reaching each ear.  Taking this
> information, some fancy math, and fast computers he was able to
> deliver a 360 degree sound field from just two speakers.  Or he was
> trying at any rate.  If I recall correctly, the system was real touchy
> regarding speaker and listener positioning.  Can't help but wonder
> whether he ever succeeded.  I'll see if I can't dig up more info on
> the article in case anyone is interested.

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 19:00:19 2005
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>>Has anyone out there tried this with an EDP, Repeater DL4, etc?<<

yes- in fact, I posted to that effect a long time back. I used a dl4 &
volume pedal in order to create some attackless sounds from a keyboard I was
sampling. the dl4 was on one of it's cleaner settings- probably the digital
delay with no modulation, & with the repeats turned up so as to sustain for
a long time. then I "bowed" the keyboard into it using the volume pedal
(gently fading it back out when the repeat came around) & filled up the
delay time, before pressing "go" on the sampler.
I found that if you carry on filling the delay up (i.e. "overdub" your first
pass) without letting things get out of hand, it effectively removes many,
but not all, of the quirks & characteristics of the original sound that
would make it hard to loop in a sampler (especially for keyboard playback-
there's nothing worse that a warble or something that only reveals itself
when you stray from the "root" note you sampled). you get a nice thick
sample too, without too much chorussing happening (another sampler
giveaway).

as a musical effect in it's own right, it's something that the /original/
jamman (we have to write that every time now, yes?) does very well in it's
echo mode, on 15 or 16.

with sustained sounds into the repeater, one is almost obliged to do
something like this because of the bump. the repeater reminds me of the wem
copycat in this respect.... :-)
how many of us use the repeater as a long delay sometimes? i.e. turn the
overdub down or even off, & use a mixer to control the feedback. it's quite
good. if you make the first loop a silent one & then start building things
up, there's no bump either.

duncan.

------_=_NextPart_001_01C5F1F2.78BA44A0
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	charset="iso-8859-1"
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<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: It's that time again!  2005 Biennial Looper's Survey</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>&gt;&gt;Has anyone out there tried this with an EDP, =
Repeater DL4, etc?&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>yes- in fact, I posted to that effect a long time =
back. I used a dl4 &amp; volume pedal in order to create some =
attackless sounds from a keyboard I was sampling. the dl4 was on one of =
it's cleaner settings- probably the digital delay with no modulation, =
&amp; with the repeats turned up so as to sustain for a long time. then =
I &quot;bowed&quot; the keyboard into it using the volume pedal (gently =
fading it back out when the repeat came around) &amp; filled up the =
delay time, before pressing &quot;go&quot; on the sampler.</FONT></P>

<P><FONT SIZE=3D2>I found that if you carry on filling the delay up =
(i.e. &quot;overdub&quot; your first pass) without letting things get =
out of hand, it effectively removes many, but not all, of the quirks =
&amp; characteristics of the original sound that would make it hard to =
loop in a sampler (especially for keyboard playback- there's nothing =
worse that a warble or something that only reveals itself when you =
stray from the &quot;root&quot; note you sampled). you get a nice thick =
sample too, without too much chorussing happening (another sampler =
giveaway).</FONT></P>

<P><FONT SIZE=3D2>as a musical effect in it's own right, it's something =
that the /original/ jamman (we have to write that every time now, yes?) =
does very well in it's echo mode, on 15 or 16.</FONT></P>

<P><FONT SIZE=3D2>with sustained sounds into the repeater, one is =
almost obliged to do something like this because of the bump. the =
repeater reminds me of the wem copycat in this respect.... =
:-)</FONT></P>

<P><FONT SIZE=3D2>how many of us use the repeater as a long delay =
sometimes? i.e. turn the overdub down or even off, &amp; use a mixer to =
control the feedback. it's quite good. if you make the first loop a =
silent one &amp; then start building things up, there's no bump =
either.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C5F1F2.78BA44A0--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 25 19:08:07 2005
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Date: Fri, 25 Nov 2005 11:08:05 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: It's that time again! 2005 Biennial Looper's Survey
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I believe there was also a Vortex patch that would do the same thing
(allow you to control the delay input via control pedal).

TravisH

On 11/25/05, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>
>
> >>Has anyone out there tried this with an EDP, Repeater DL4, etc?<<
>
> yes- in fact, I posted to that effect a long time back. I used a dl4 &
> volume pedal in order to create some attackless sounds from a keyboard I =
was
> sampling. the dl4 was on one of it's cleaner settings- probably the digit=
al
> delay with no modulation, & with the repeats turned up so as to sustain f=
or
> a long time. then I "bowed" the keyboard into it using the volume pedal
> (gently fading it back out when the repeat came around) & filled up the
> delay time, before pressing "go" on the sampler.
>
> I found that if you carry on filling the delay up (i.e. "overdub" your fi=
rst
> pass) without letting things get out of hand, it effectively removes many=
,
> but not all, of the quirks & characteristics of the original sound that
> would make it hard to loop in a sampler (especially for keyboard playback=
-
> there's nothing worse that a warble or something that only reveals itself
> when you stray from the "root" note you sampled). you get a nice thick
> sample too, without too much chorussing happening (another sampler
> giveaway).
>
> as a musical effect in it's own right, it's something that the /original/
> jamman (we have to write that every time now, yes?) does very well in it'=
s
> echo mode, on 15 or 16.
>
> with sustained sounds into the repeater, one is almost obliged to do
> something like this because of the bump. the repeater reminds me of the w=
em
> copycat in this respect.... :-)
>
> how many of us use the repeater as a long delay sometimes? i.e. turn the
> overdub down or even off, & use a mixer to control the feedback. it's qui=
te
> good. if you make the first loop a silent one & then start building thing=
s
> up, there's no bump either.
>
> duncan.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 00:34:36 2005
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Subject: The 2005 Looper's Survey  ...begins...   NOW!
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I've found a simple way to allow respondents to include any devices that 
they use that are not listed, so I've decided to go ahead and start this 
thing...

LET THE SURVEY BEGIN.

http://loopsurvey.uncledig.com

It should be fairly self explanatory, and there is a preamble that might 
answer any questions.  Then again, maybe not - so if you have a problem 
or a question, feel free to email me privately.

I'll provide some intermediate statistics after a few weeks, and will 
leave the survey open for a couple of months.  Last time we had almost 
100 respondents.  I'm also inviting the people at Harmony Central's 
Guitar Effects forum, so perhaps we'll have a bigger population this 
time around.

There's a link to my blog once you finish the survey.  It's new and 
kinda ragged at this point (and still no sound clips - I slack!), but 
you are invited to come take a look around if you have a few extra 
minutes of click time.

Please come by and let yourself be counted.

http://loopsurvey.uncledig.com



From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 01:26:23 2005
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Subject: Re: The 2005 Looper's Survey  ...begins...   NOW!
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one thing...under the Electro Harmonix 16SEC DDL-You have ("new or
reissue"). shouldnt it be 'new or old'?
jus askin... :-)
s
(i know...pickee pickee)



on 11/25/05 5:34 PM, Doug Cox at dougcox@pdq.net wrote:
> I've found a simple way to allow respondents to include any devices that
> they use that are not listed, so I've decided to go ahead and start this
> thing... 
> LET THE SURVEY BEGIN.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 01:50:26 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Boomerang didn't come back, just kept flying Re: It's that time again!  2005 Biennial Looper's Survey
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"a Boomerang (which recently met its demise),"

Oh, dear, I'm sorry. May I ask how it died? I can kinda/sorta/almost
understand a cheap digital watch crapping out after a few years, but a nice
piece of equipment that costs nearly $500?? Wow. I am sympathetic and
appalled all at once.
~Tim
"And it really didn't have to stop...it just kept on going."  ---Jimi
Hendrix


> [Original Message]
> From: Raymond Lee Barnes, III. <phaedeback@comcast.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 11/25/2005 7:41:18 AM
> Subject: Re: It's that time again!  2005 Biennial Looper's Survey
>
> Hey there,
>
> Yes, saw Robert Fripp doing this (couldn't make out the equipment) a  
> few months back, when he opened for Porcupine Tree at the 9:30 Club.
>
> I've done this with a Boomerang (which recently met its demise), a  
> Boss Digital Delay pedal, and a volume pedal (going in reverse order  
> from the guitar or other instrument).  In some cases, using the  
> volume pot on the guitar itself, and doing something more akin to  
> what Steve Rothery was doing on the Marillion album, "Misplaced  
> Childhood."
>
> Have to agree, it is a very cool effect!
>
>
> Lee
>
>
>
> On Nov 24, 2005, at 6:56 PM, stanley card wrote:
>
> > on 11/24/05 5:36 PM, William Walker at billwalker@baymoon.com wrote:
> > Hi Bill-great trick...
> > only seen it done by David Gilmour on his live dvd 'in concert'.
> > he is playing 'shine on you crazy diamond' solo acoustic and for  
> > the solos
> > he would swell in a chord w/ a volped and that goes to a long delay 
> > (which
> > eventually does fades out) and he would play single notes over the
> > chord...it sounds really pristine and cool.
> > dont know if what he is doing is really looping 'cause its in 'delay'
> > mode...
> > seeya
> > stannee
> >
> >
> >> I have recently discovered some new tricks for the hold delay  
> >> function on
> >> the Vox Tonelab floorboard. Because this is truly a hold delay...
> > Has anyone
> >> out there tried this with an EDP, Repeater DL4, etc?
> >> Bill
> >>
> >> -----Original Message-----
> >> From: Doug Cox [mailto:dougcox@pdq.net]
> >> Sent: Wednesday, November 23, 2005 7:33 PM
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: It's that time again! 2005 Biennial Looper's Survey
> >>
> >>
> >> Hey Loopers - Happy Thanksgiving to you all.
> >>
> >> In November of 2003, we did a survey of the LD list members to  
> >> find out
> >> what devices they were using for live looping.  It was very  
> >> informal and
> >> pretty disorganized (I think I still have a headache...), but I  
> >> tallied
> >> the results into a spreadsheet and posted a PDF version of those  
> >> results
> >> in the Looper's Delight File Library
> >> (http://www.loopers-delight.com/files/).
> >>
> >> It's now two years later, and I figured it might be time to try it
> >> again.  This time, we won't clutter up the list (or my brain!)  
> >> with the
> >> responses, but instead I'm preparing an online survey form to capture
> >> them.  The survey will be anonymous (unlike 2 years ago), but the  
> >> form
> >> WILL use cookies to ensure that surveys are only submitted once.   
> >> Well,
> >> once per computer - but what would really be the point in trying to
> >> screw with this survey? :)
> >>
> >> I'll host the survey, and I give my personal assurances that the data
> >> written/read by the cookies will only be used to block multiple
> >> submissions.  I will NOT provide this information to anyone else, and
> >> cannot see the contents of your cookie myself.
> >>
> >> I've started to prepare the form with the following loopers listed  
> >> (see
> >> bottom).  I'll take any suggested additions into the list until
> >> Saturday.  At that point, I'll post the survey and leave it open for
> >> about a month so that we get the maximum number of respondents.
> >>
> >> You won't be able to "write in" a looper once I post the survey.   
> >> I will
> >> continue to take offline (emailed) requests for off-list loopers  
> >> after
> >> the survey starts, but I will have to add them to the results  
> >> manually
> >> at the end of the survey.  So please - take a look at this list  
> >> and ask
> >> me to add anything YOU are using as a looper that is not represented.
> >> Part of the fun of this survey is to see what other unusual  
> >> devices are
> >> being used.
> >>
> >> Finally - last year we had some confusion about what to include in  
> >> the
> >> inventory.  Some folks were posting gear that they used for loop
> >> *mangling* or pre/post loop effecting.  There was also some confusion
> >> about "samplers" vs. "live loopers".  I propose that:
> >>
> >> - we do NOT try to inventory effects devices used for per/post  
> >> loop effects
> >> - we do NOT try to inventory units used to playback prerecorded  
> >> loops or
> >> samples
> >>
> >> Instead, if those things are of interest to others, we can start a  
> >> new
> >> thread and post them - or perhaps I can setup another survey in the
> >> (distant) future to capture that data.
> >>
> >> Here's the list - let me know what needs to be added:
> >>
> >> *Echoplex Digital Pro
> >> Electrix Repeater
> >> Line 6 DL-4
> >> Lexicon Jamman
> >> Digitech Jamman
> >> Kaoss Pad I or II
> >> Ableton Live
> >> Boomerang (Orig or Plus)
> >> Akai Headrush
> >> Boss RC-20 (or RC-20XL)
> >> Lexicon Vortex
> >> Line 6 Echo Pro (Rack)
> >> Zoom 2100
> >> Lexicon PCM42 or PCM70 or other
> >> Boss DD-3, 5 or 6
> >> Boss DD-20
> >> Boss GT-3, 5, 6 or 8
> >> Digitech RDS 7.6 (or similar, incl PDS series)
> >> Max MSP
> >> Native Instruments Reaktor
> >> Sonic Foundry Acid
> >> ZVEX Lofi Loop Junky
> >> Lexicon MPX G2
> >> Digitech 2120 or 2112
> >> Eventide Orville, Eclipse (or other)
> >> Roland VG8 or VG88
> >> Roland GP100 (or similar)
> >> Audiomulch
> >> Augustus Loop
> >> Mobius
> >> Electro Harmonix 16 Second Delay (new or reissue)
> >> Radial
> >> Ambiloop
> >> Maneco Looper (any type)
> >> Digitech GNX (any)
> >> TC Electronic 2290 Delay
> >> DJRND3 (or C-Loops or Peavey Grabber)
> >> KYMA
> >> TC Electronic D-Two Delay
> >> Akai Samplers (any)
> >> Roland Samplers (any)
> >> Yamaha Samplers (any)
> >> Maestro, Roland, Guyatone, etc Tape Echo machine
> >> *
> >>
> >>
> >>
> >>
> >


From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 02:21:21 2005
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Oh my GAWD.  You're right!  Thanks for the heads up.

Maybe I should just put:

 (the good one or the bad one) :)

Doug

stanley card wrote:

>one thing...under the Electro Harmonix 16SEC DDL-You have ("new or
>reissue"). shouldnt it be 'new or old'?
>jus askin... :-)
>s
>(i know...pickee pickee)
>
>
>
>on 11/25/05 5:34 PM, Doug Cox at dougcox@pdq.net wrote:
>  
>
>>I've found a simple way to allow respondents to include any devices that
>>they use that are not listed, so I've decided to go ahead and start this
>>thing... 
>>LET THE SURVEY BEGIN.
>>
>>    
>>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 05:01:42 2005
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In a message dated 11/25/05 7:34:56 PM, dougcox@pdq.net writes:


> http://loopsurvey.uncledig.com
> 

wowiezowie....."one man one oat!".....thanks doug!.....:)m

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 11/25/05 7:34:56 PM, dougcox@pdq.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://loopsurvey.unc=
ledig.com<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
wowiezowie....."one man one oat!".....thanks doug!.....:)m</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 05:08:57 2005
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From: Matt McCabe <mmccabe@finleysound.com>
Subject: Re: sad day
Date: Fri, 25 Nov 2005 21:07:21 -0800
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I too was saddened and shocked to learn of Chris' death.  He was truly 
a wonderful musician and songwriter.

On Nov 23, 2005, at 2:28 PM, Todd Howell wrote:

> Friends
>
> Chris always embodied a sense of mystery and atmosphere  in all of his 
> songs. His voice will be missed.
>
> Todd
>
>
>
> -----Original Message-----
> From: monk <monk@fuse.net>
> Sent: Nov 23, 2005 5:03 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: sad day
>
> i don't know if there are any chris whitley fans here. but he died at
> the tragically young age of 45 last weekend.
>
>
> www.chriswhitley.com
>
>
>
>
>
---
King Never
http://www.finleysound.com/kingnever


From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 05:37:04 2005
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testing, testing... please ignore.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 08:08:59 2005
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At 06:54 AM 11/23/2005, Sunao Inami wrote:
>Hi LD list,
>
>A new release information.
>Finally, Looper's Delight Compilation Volume 3 will release on 1st 
>December 2005.

I'm really thrilled to see this project come together. I can't wait to hear 
it! The list of artists on this volume is really exciting. It represents a 
nice cross section of the different artists and personalities who make 
Looper's Delight a great community.

It has been a while since the last Looper's Delight Compilation CD was 
made. Thanks a lot Sunao, for your excellent effort organizing Volume 3! 
Producing this type of CD is a difficult job. I (and I'm sure everybody 
else here) really appreciate your efforts.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 09:25:03 2005
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Date: Sat, 26 Nov 2005 01:25:02 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: looping turntablist Christian Marclay
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Hey Rick,
I had a jam session quite sometime ago with Jesus
Turiño and Pelayo Arrizabalaga in Luzern who did
similar things,picking loops by sticking scotch tape
spontaneously out of old records,really cool and it
was a wonderful night!
http://www.experimentaclub.com/data/pelayo_arrizabalaga/#fot
Luis

--- "loop.pool" <looppool@cruzio.com> wrote:

> Interesting snippet of an interview with the avante
> garde turntablist, 
> Christian Marclay
> 
> "PSF: How did you pick out which records would be
> used?
>  CM: They were just thrift store records --I never
> spent more than a dollar 
> on a record. It was just junk, and I would stick
> things on them to MAKE THEM 
> LOOP (sic). I even used an old wind-up gramophone
> that I found in the 
> garbage. It was also at MassArt that I found these
> great turntables 
> (Califone) that I've been using ever since. They
> used to be in every 
> school's audio-visual department for instructional
> presentations. "
> 
> Wonderfully creative and thought provoking
> interview.
> 
> http://www.furious.com/perfect/christianmarclay.html
> 
> Does anyone, perchance know if he was the
> experimental turntablist who was 
> featured on that amazing music variety show Night
> Music that David Sanborn 
> hosted in the late 80's-early 90's?
> I saw an artist who used colored wax and multiple
> turntables to create these 
> wonderful and strange looping pieces of music.
> The needle would jump over the was and then loop
> back to it's original 
> position.
> I've been googling for an hour looking for who this
> person was.   Dr. Z. 
> would have emailed me back in 10 minutes if he were
> here with five 
> URLS........ :-(
> Happy Turkey (or Vegan Roll) day everyone!!!
> Rick 
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Music Unlimited 
Access over 1 million songs. Try it free. 
http://music.yahoo.com/unlimited/

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 10:34:21 2005
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From: "Luigi Meloni" <luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: O.T. Problems with Cubase sx 3
Date: Sat, 26 Nov 2005 11:34:21 +0100
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Hi everybody, I've installed Cubase sx 3 and am having some strange problems
with midi vst synths. I know that it is O.T., but since I use the computer
syncronized with an echoplex and a repeater...:-D
The problem I have is that if cubase is in play I can use the various synths
without problems, but when I put some tracks in record, the midi signal
enters the computer (I can see it from the leds on my soundcards, a terratec
phase 88 and a Audigy 2 Zs, but I can't hear anything and, most of all the
track does not get recorded. Absolutely no problems with midi in Cakewalk
Sonar and other softwares. The audio gets recorded with non problems, the
problem is only with midi VSTi (I use the Arturia synths and Halion SE).
Thanks in advance for the help
Peace 
Luigi

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 15:05:12 2005
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Date: Sat, 26 Nov 2005 15:05:07 +0000
From: David Morton <dmorton@gmail.com>
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Subject: Re: The 2005 Looper's Survey ...begins... NOW!
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I tried, but it fell over at my first attempt (I typed 'UK' into the
country box and it ended right there & thanked me for my submisson). I
tried again, but it told me I'd already submitted my answers.

So your results will be out by 2 EDPs, a PDS8000, an EHX 16s reissue,
a ZVex LoFi and some software I can't be arsed to list again here.

On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
> I've found a simple way to allow respondents to include any devices that
> they use that are not listed, so I've decided to go ahead and start this
> thing...
>
> LET THE SURVEY BEGIN.
>
> http://loopsurvey.uncledig.com
>
> It should be fairly self explanatory, and there is a preamble that might
> answer any questions.  Then again, maybe not - so if you have a problem
> or a question, feel free to email me privately.
>
> I'll provide some intermediate statistics after a few weeks, and will
> leave the survey open for a couple of months.  Last time we had almost
> 100 respondents.  I'm also inviting the people at Harmony Central's
> Guitar Effects forum, so perhaps we'll have a bigger population this
> time around.
>
> There's a link to my blog once you finish the survey.  It's new and
> kinda ragged at this point (and still no sound clips - I slack!), but
> you are invited to come take a look around if you have a few extra
> minutes of click time.
>
> Please come by and let yourself be counted.
>
> http://loopsurvey.uncledig.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 15:33:49 2005
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That's strange.  It doesn't process the submission until you submit it 
with the button at the bottom of the page (or perhaps you accidentally 
hit the Enter key?)

I'll delete your record this morning, and you can try it again later.  
Email me privately if you continue to have problems.  Sorry for the hassle.

Doug

David Morton wrote:

>I tried, but it fell over at my first attempt (I typed 'UK' into the
>country box and it ended right there & thanked me for my submisson). I
>tried again, but it told me I'd already submitted my answers.
>
>So your results will be out by 2 EDPs, a PDS8000, an EHX 16s reissue,
>a ZVex LoFi and some software I can't be arsed to list again here.
>
>On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
>  
>
>>I've found a simple way to allow respondents to include any devices that
>>they use that are not listed, so I've decided to go ahead and start this
>>thing...
>>
>>LET THE SURVEY BEGIN.
>>
>>http://loopsurvey.uncledig.com
>>
>>It should be fairly self explanatory, and there is a preamble that might
>>answer any questions.  Then again, maybe not - so if you have a problem
>>or a question, feel free to email me privately.
>>
>>I'll provide some intermediate statistics after a few weeks, and will
>>leave the survey open for a couple of months.  Last time we had almost
>>100 respondents.  I'm also inviting the people at Harmony Central's
>>Guitar Effects forum, so perhaps we'll have a bigger population this
>>time around.
>>
>>There's a link to my blog once you finish the survey.  It's new and
>>kinda ragged at this point (and still no sound clips - I slack!), but
>>you are invited to come take a look around if you have a few extra
>>minutes of click time.
>>
>>Please come by and let yourself be counted.
>>
>>http://loopsurvey.uncledig.com
>>
>>
>>
>>
>>    
>>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 17:07:21 2005
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Date: Sat, 26 Nov 2005 12:07:18 -0500
From: Todd Pafford <calenlas@gmail.com>
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David, do you use Firefox and the NoScript extension perhaps?  I've
had the poll site crash on me a couple of times while fiddling around
with allowing it to use javascript.  (Not the first site this has
happened on.)  Currently, I've made it all the way through the poll
and pressed 'Submit', but it's just sitting there waiting for
uncledig.com.  Not sure if it'll finish up, or if it's already counted
my entry.

Todd

On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
> That's strange.  It doesn't process the submission until you submit it
> with the button at the bottom of the page (or perhaps you accidentally
> hit the Enter key?)
>
> I'll delete your record this morning, and you can try it again later.
> Email me privately if you continue to have problems.  Sorry for the hassl=
e.
>
> Doug
>
> David Morton wrote:
>
> >I tried, but it fell over at my first attempt (I typed 'UK' into the
> >country box and it ended right there & thanked me for my submisson). I
> >tried again, but it told me I'd already submitted my answers.
> >
> >So your results will be out by 2 EDPs, a PDS8000, an EHX 16s reissue,
> >a ZVex LoFi and some software I can't be arsed to list again here.
> >
> >On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
> >
> >

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 19:10:55 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: "Looper's Delight Mailing List" <Loopers-Delight@loopers-delight.com>
Subject: Small laptop-based looping setup: case (slightly OT)
Date: Sat, 26 Nov 2005 20:12:11 +0100
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Dear loopers,

I'm thinking of assembling a small setup for my loop-based solo
ventures. As I do not want to drag huge amounts of stuff around when
travelling, the setup will be some like this:

  * centered around one rack, containing:
     * AD/DA interface (Behringer ADA8000)
     * laptop interface (RME digiface)
     * controller box (Behringer BCR2000 in drawer)
     * HD recorder (Fostex VR880)
  * a small DI (Behringer DI20) to be transported in the rack
  * laptop not to be transported in the rack, but to be put on top of
the rack during performance
  * should be light and sturdy

I've heard very positive things about SBK's racks. What are your
experiences with these, esp. with regard to the evils of airplane
baggage handling? Is the investment into the shock-mount variants
necessary? Any other brands worth looking at?

Thanks,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 19:51:06 2005
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Date: Sat, 26 Nov 2005 11:51:04 -0800
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Small laptop-based looping setup: case (slightly OT)
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SKB cases are light (if we're talking about the garden variety,
non-shock mounted variety), but my experience is that above a 4U size
they tend to warp with the weight of the gear.  The latches can also
come open if something hits them, and I've  had a couple break over
the years.  I've found the 6U and smaller acceptable for local use,
but I've never think of checking one.  Have you ever watched luggage
being loaded into an airplane?  That's what they do when they think
someone *might* see them.  If you have to check your gear. I'd
recommend going with a flight case and install rear supports on all
the gear.  Standard SKB cases are extremely prone to warping if they
get dropped with a bunch of heavy gear mounted only to the front rack
rails, since the aluminum frame handles most of the structural load.=20
Unfortunately, much of the remaining load is handled by the front face
plates of your gear.

Unfortunately flight cases are neither light nor cheap, and don't
provide perfect protection either, but that's as good as it gets if
you need to check a rack.

On 11/26/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> Dear loopers,
>
> I'm thinking of assembling a small setup for my loop-based solo
> ventures. As I do not want to drag huge amounts of stuff around when
> travelling, the setup will be some like this:
>
>   * centered around one rack, containing:
>      * AD/DA interface (Behringer ADA8000)
>      * laptop interface (RME digiface)
>      * controller box (Behringer BCR2000 in drawer)
>      * HD recorder (Fostex VR880)
>   * a small DI (Behringer DI20) to be transported in the rack
>   * laptop not to be transported in the rack, but to be put on top of
> the rack during performance
>   * should be light and sturdy
>
> I've heard very positive things about SBK's racks. What are your
> experiences with these, esp. with regard to the evils of airplane
> baggage handling? Is the investment into the shock-mount variants
> necessary? Any other brands worth looking at?
>
> Thanks,
>
>         Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 20:40:14 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: O.T. Problems with Cubase sx 3
Date: Sat, 26 Nov 2005 14:40:08 -0600
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--Apple-Mail-9-111585995
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u may have to assign an auxiliary track to accept the AUDIO inputs  
from ur midi devices.
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Nov 26, 2005, at 4:34 AM, Luigi Meloni wrote:

> Hi everybody, I've installed Cubase sx 3 and am having some strange  
> problems
> with midi vst synths. I know that it is O.T., but since I use the  
> computer
> syncronized with an echoplex and a repeater...:-D
> The problem I have is that if cubase is in play I can use the  
> various synths
> without problems, but when I put some tracks in record, the midi  
> signal
> enters the computer (I can see it from the leds on my soundcards, a  
> terratec
> phase 88 and a Audigy 2 Zs, but I can't hear anything and, most of  
> all the
> track does not get recorded. Absolutely no problems with midi in  
> Cakewalk
> Sonar and other softwares. The audio gets recorded with non  
> problems, the
> problem is only with midi VSTi (I use the Arturia synths and Halion  
> SE).
> Thanks in advance for the help
> Peace
> Luigi
>


--Apple-Mail-9-111585995
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">u may have to assign an =
auxiliary track to accept the AUDIO inputs from ur midi =
devices.<BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Nov 26, 2005, at 4:34 AM, Luigi Meloni =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi everybody, I've installed =
Cubase sx 3 and am having some strange problems</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">with midi vst synths. I know that it is O.T., but =
since I use the computer</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">syncronized =
with an echoplex and a repeater...:-D</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The =
problem I have is that if cubase is in play I can use the various =
synths</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">without problems, but when I put =
some tracks in record, the midi signal</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">enters =
the computer (I can see it from the leds on my soundcards, a =
terratec</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
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I can't hear anything and, most of all the</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">track =
does not get recorded. Absolutely no problems with midi in =
Cakewalk</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sonar and other softwares. The =
audio gets recorded with non problems, the</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">problem =
is only with midi VSTi (I use the Arturia synths and Halion =
SE).</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Thanks in advance for the =
help</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Peace<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Luigi</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-9-111585995--

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On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:

> I'll delete your record this morning, and you can try it again later.

I did it again a few minutes ago, and it still says "Error You have
already completed this survey"

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 23:19:19 2005
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On 11/26/05, Todd Pafford <calenlas@gmail.com> wrote:
> David, do you use Firefox and the NoScript extension perhaps?

No, Safari 2.0.2 on 10.4.3

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 23:22:23 2005
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OK - we have 2 options then:

1) you can locate and delete the cookie that was written to your machine 
by uncledig.com (or it may have been written by loopsurvey.uncledig.com) 
and resubmit (the survey uses cookies to know you have submitted)
2) you can just send me your answers via email and I'll post them myself

Don't want to miss anyone, so please let me know!!  Thanks for doing the 
survey, and sorry again for the hassle.

Doug

David Morton wrote:

>On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
>
>  
>
>>I'll delete your record this morning, and you can try it again later.
>>    
>>
>
>I did it again a few minutes ago, and it still says "Error You have
>already completed this survey"
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 26 23:24:36 2005
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Dang - sorry about that LD'ers.  I meant to keep this kind of stuff 
off-list, but I hit send too fast.

More turkey sandwiches!

Dig

Doug Cox wrote:

> OK - we have 2 options then:
>
> 1) you can locate and delete the cookie that was written to your 
> machine by uncledig.com (or it may have been written by 
> loopsurvey.uncledig.com) and resubmit (the survey uses cookies to know 
> you have submitted)
> 2) you can just send me your answers via email and I'll post them myself
>
> Don't want to miss anyone, so please let me know!!  Thanks for doing 
> the survey, and sorry again for the hassle.
>
> Doug
>
> David Morton wrote:
>
>> On 11/26/05, Doug Cox <dougcox@pdq.net> wrote:
>>
>>  
>>
>>> I'll delete your record this morning, and you can try it again later.
>>>   
>>
>>
>> I did it again a few minutes ago, and it still says "Error You have
>> already completed this survey"
>>
>>
>>  
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 01:17:59 2005
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Subject: Re: EDP Insert: Overdub, too?
References: <20051117143655.D9A5A3BEE7@arsenic.violacea.com> <7.0.0.16.0.20051117144142.02d4e030@tiscali.co.uk>
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In StutterMode, with Insert=Sub, when I end Multiply with Insert I get 
Feedback display (0-127), and then am overdubbing at that feedback for 
as long as desired.  Ending that with Overdub can add a "finishing 
touch.". I have Overdub=TOG, and this seems like Overdub=Sus, with the 
feedback set by front knob (feedback pedal inserted in back of EDP).   
This is a great way to let the loop progress into new territory!  Is 
this described in the manual somewhere?  I just stumbled on it by 
accident, and can't get up  :-)      :-P   

Best, David

a k butler wrote:

>
>>>> So (not to beat this into the ground...sorry!): sounds like you 
>>>> HAVE to use a dummy jack for this additional use of the feedback 
>>>> control on the panel.  (I'm not complaining...
>>>>
>>>> David)
>>>
>>>
>>>
>>> it doesn't have to be a dummy jack, you can use a feedback pedal for 
>>> real.
>>>
>>> Makes sense really, because without a pedal, the feedback knob 
>>> controls ordinary feedback.
>>
>>
>> Any special parameter settings I should be looking for to get this, 
>> since I do have a feedback pedal for real inserted to EDP's rear 
>> panel, and I didn't seem to have any difference in Insert: it always 
>> replace, not added (overdubbed)?  Super effect, but the overdubbing 
>> of concise bits would be cool, too.
>>
>> I'll list some params I have currently set:
>
>
>
>
>
> InsertMode to Sub
> (because rPL isn't substitute ;-)
>
>
> Loop/Delay should set to Stu or rPL
>
> either will make Subst work as O/D when feedback knob is full up.
>
> Now decide
> Stu only changes the way Insert works, so as you've got insertMode 
> =Sub that's
>       probably the best for you.
>
> andy butler
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 06:01:58 2005
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> I have Overdub=TOG, and this seems like Overdub=Sus,


Now that I re-read, this part doesn't make any sense, as the Insert is 
not being held down...

D.


.David.Auker. wrote:

>
> In StutterMode, with Insert=Sub, when I end Multiply with Insert I get 
> Feedback display (0-127), and then am overdubbing at that feedback for 
> as long as desired.  Ending that with Overdub can add a "finishing 
> touch.". *I have Overdub=TOG, and this seems like Overdub=Sus,* with 
> the feedback set by front knob (feedback pedal inserted in back of 
> EDP).   This is a great way to let the loop progress into new 
> territory!  Is this described in the manual somewhere?  I just 
> stumbled on it by accident, and can't get up (-)

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 07:31:22 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Bills Tonelab Joy, into EDP FLIP mode sales pitch
Date: Sat, 26 Nov 2005 23:31:21 -0800
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cool baby, yet another reason to get that broken EDP fixed and get ta
bidniz. I promise I'll use flip mode when the time comes. Though some might
argue i have been using flip mode for a long long time.
Thanks for the tip maestro
Bill

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Friday, November 25, 2005 1:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bills Tonelab Joy, into EDP FLIP mode sales pitch



>ability to assign an expression pedal to
>control the amount of signal being sent to the looper, and how this might
be
>a feature unique to the tonelab.

Hi Bill,
the EDP had this feature in the old LOOP3 software in DELay mode.
(as used by Eberhard Weber, for exactly the sort of thing you describe)
...and with loop4(current)  software there's an INPut mode which does
simply takes the basic EDP Loop Mode and changes the expression
pedal to do the loop-input-volume.

The EDP also has an interesting variation called FLIP Mode, which
allows you to crossfade the Input with the stuff in the loop



here's a demo to make it obvious how it works,

http://myweb.tiscali.co.uk/andybutler/edp/flipdemo.mp3

and here's a snip from my "livelooping" cd which shows it
in a (slightly) more musical contex

http://myweb.tiscali.co.uk/andybutler/edp/gargoyle-ex.mp3

please, someone else use FLIp mode, Matthias sweated blood to program
that into Loop4,

it's really not so hard to use,
and it's great for mutating a loop while you play along to it.

allows you to build a loop with dj crossfades from one rhythm to another,

and it lets you keep working on a loop forever without building up
loads of overdubs

andy butler
www.andybutler.com







From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 07:41:38 2005
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Subject: RE: O.T. Problems with Cubase sx 3
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Hi Adrian. I already have done this.

The problem is that I can see the empty track to which the midi should be
recorded. It gets lightened, like when I record audio (which works b.t.w.),
the midi signal gets in, but it does not get recorded on the armed track.
Since I have three different soundcard midi ins in the computer this should
be no hardware problem, maybe some stupid setup somewhere in cubase...
Pretty weird...:-D

With the old cubase vst I had absolutely no problems with midi, and lots of
bugs with audio... Now the problem is reversed...

 

Peace

Luigi

  _____  

From: Adrian Bartholomew [mailto:adrian@bartholomusic.com] 
Sent: sabato 26 novembre 2005 21.40
To: Loopers-Delight@loopers-delight.com
Subject: Re: O.T. Problems with Cubase sx 3

 

u may have to assign an auxiliary track to accept the AUDIO inputs from ur
midi devices.

___

Adrian Bartholomew

8439 Lee Blvd

Leawood, KS 66206

(913) 660-6918





 

On Nov 26, 2005, at 4:34 AM, Luigi Meloni wrote:





Hi everybody, I've installed Cubase sx 3 and am having some strange problems

with midi vst synths. I know that it is O.T., but since I use the computer

syncronized with an echoplex and a repeater...:-D

The problem I have is that if cubase is in play I can use the various synths

without problems, but when I put some tracks in record, the midi signal

enters the computer (I can see it from the leds on my soundcards, a terratec

phase 88 and a Audigy 2 Zs, but I can't hear anything and, most of all the

track does not get recorded. Absolutely no problems with midi in Cakewalk

Sonar and other softwares. The audio gets recorded with non problems, the

problem is only with midi VSTi (I use the Arturia synths and Halion SE).

Thanks in advance for the help

Peace 

Luigi

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;font-family:Arial;color:navy'>Hi Adrian. I already have done =
this.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>The problem is that I can see the =
empty
track to which the midi should be recorded. It gets lightened, like when =
I
record audio (which works b.t.w.), the midi signal gets in, but it does =
not get
recorded on the armed track. Since I have three different soundcard midi =
ins in
the computer this should be no hardware problem, maybe some stupid setup
somewhere in cubase... Pretty weird...:-D<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>With the old cubase vst I had =
absolutely
no problems with midi, and lots of bugs with audio... Now the problem is
reversed...<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Peace<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Luigi<o:p></o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span lang=3DEN-US style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span lang=3DEN-US
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</spa=
n></font></b><font
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
Adrian Bartholomew [mailto:adrian@bartholomusic.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> sabato 26 novembre =
2005
21.40<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: O.T. =
Problems with
Cubase sx 3</span></font><span lang=3DEN-US><o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>u may have to assign an auxiliary track to accept the AUDIO =
inputs from
ur midi devices.<o:p></o:p></span></font></p>

<div><span style=3D'border-spacing: 0px =
0px;text-align:auto;-khtml-text-decorations-in-effect: none;
-apple-text-size-adjust: auto;orphans: 2;widows: =
2;word-spacing:0px'><span
style=3D'border-spacing: 0px =
0px;text-align:auto;-khtml-text-decorations-in-effect: none;
-apple-text-size-adjust: auto;orphans: 2;widows: 2;word-spacing:0px'>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>___<o:p></o:p=
></span></font></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><b><font size=3D1 =
color=3D"#790409"
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:#790409;
font-weight:bold'>Adrian Bartholomew</span></font></b></span><font =
size=3D1
color=3Dblack face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;
color:black'><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>8439 Lee =
Blvd<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>Leawood, KS =
66206<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><b><i><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black;
font-weight:bold;font-style:italic'>(913) =
660-6918</span></font></i></b></span><font
size=3D1 color=3Dblack face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:
Helvetica;color:black'><o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><br>
<br>
</span></font><o:p></o:p></p>

</div>

</span></span>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Nov 26, 2005, at 4:34 AM, Luigi Meloni =
wrote:<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Hi everybody, I've installed Cubase sx 3 and am having some =
strange
problems<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>with midi vst synths. I know that it is O.T., but since I use =
the
computer<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>syncronized with an echoplex and a =
repeater...:-D<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>The problem I have is that if cubase is in play I can use the =
various
synths<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>without problems, but when I put some tracks in record, the midi =
signal<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>enters the computer (I can see it from the leds on my =
soundcards, a
terratec<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>phase 88 and a Audigy 2 Zs, but I can't hear anything and, most =
of all
the<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>track does not get recorded. Absolutely no problems with midi in
Cakewalk<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Sonar and other softwares. The audio gets recorded with non =
problems,
the<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>problem is only with midi VSTi (I use the Arturia synths and =
Halion
SE).<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Thanks in advance for the help<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Peace<span class=3Dapple-converted-space> =
</span><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Luigi<o:p></o:p></span></font></p>

</div>

<div style=3D'min-height: 14px'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_0002_01C5F32E.60B1FE10--

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 10:44:37 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: Small laptop-based looping setup: case (slightly OT)
Date: Sun, 27 Nov 2005 02:44:36 -0800
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Hey Rainer,

As a great alternative to the SKB cases, there is a fantastic case made in 
the US by the company called GATOR CASES.

Their ROLLER RACK CASES 
(http://www.gatorcases.com/productsdetail.aspx?LID=1&PID=20)
are light weight, durable and have a telescoping handle and recessed wheels 
as well (like the kind found on most good
travelling suitcases).

They are like SKB's  (pretty light and not as sturdy as ATA cases) but I 
have to agree to
disagree with Travis' assessment that you shouldn't fly with them (all due 
respect, Travis, because I know you have a lot
of experience with touring)

I have toured in 12 countries in 3 years now and flown a lot with my GATOR 
CASES; abused the hell out of them (try hoisting
2 6 space rack cases and two huge suitcases up and down the subways in 
London and Paris as my wife and I did).
and I love them.

  I've had to occasionally replace latches and even wheels on my Gator 6 
space cases which is pretty typical
if you do a lot of touring anyway (I was forced to roll them over really 
rough cobblestones in both Paris and Stockholm
which will wear out any wheels on any luggage pretty quickly) and I have 
found that the people at GATOR have been incredibly helpful in replacing 
parts that wear out, including sending me a new set of wheels to Europe in 
the middle of my
tour.    I just can't say enough good things about this company.  I only 
wish I had
an endorsement with them....................<smile>

They are so convenient that I will never dream of going back to SKB cases 
again.

Also, for added stability and protection I always use wide dayglo green 
nylon suitcase straps (two to each case and available at any discerning 
travel store) so that if a latch ever bursts that the case will not fly 
open.   The bright straps help you spot your gear at the baggage pickup 
belts, too.

Additionally, the fact that they are light means that you can make it onto a 
lot of flights that have weight restrictions.

American International flights have a limit of 70 lbs  (32 some odd kilos, 
pardon my bad metric conversion)
per bag and many are reducing that to 50 lbs (22 kilos?).     Many internal 
European flights have far, far smaller weight limitations before they start 
adding price to your plane ticket.     I was assesed $600 extra for excess 
baggage for one 45 minute flight from
Stockholm to Glascow!!!!!!   I never took another plane in Europe for the 
next two months after that sobering experience.

Also,  remember that 8 space racks and greater are no longer allowed on most 
airlines.

This means that the very heavy duty ATA cases just reduce the amount of gear 
you can bring with you despite the fact that they
are heavier duty than the GATOR or SKB models.

gratuitously and tangiential to this thread:

SOME STRATEGIES I'VE USED FOR GETTING MAXIMUM GEAR SAFELY ONTO AIRPLANES

1)  Put your sensitive electronics inside of your normal
suitcase surrounded by soft clothing, filling your Flight cases with other 
less vulnerable things for flying.................
then just reassembling your rack case when you get to your destination.

I did this flying to Japan and to Switzerland this summer.

2) Alternatively,  you'd have to measure but I imagine that you could get a 
4 space rack into the overhead containers
so that means you can take your sensitive stuff onboard with you and eschew 
the ragged handlers.

3) I also sometimes put FRAGILE,  GLASS  stickers on my 
bags..................that tends to make even the most rugger baggage 
handlers sit up and take notice.

4)   I try to chat up the people at the ticket booth and ask them if I can 
hand deliver my equipment to the plane.   Since 911 they never let you do 
this anymore, but frequently, they will have a word with the baggage people. 
It's not foolproof but anything to get your gear their safely. 

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 14:42:10 2005
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Date: Sun, 27 Nov 2005 15:42:39 +0100
From: "Janosch K." <daasp@gmx.net>
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To: Loopers-Delight@loopers-delight.com
Subject: New here and looking for a looping device
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Hello all,

May a few words regarding my person first. I'm 19 and from Wuppertal 
,Germany, being a Synth/Keyboard-player for 3 years and studying law at 
the university. Listening to Prog Rock like Yes and King Crimson.
I found this wonderful site few weeks ago and kept reading quite a bit 
since them. My interest for looping came up when I got my hand on a 
Behringer Multi-FX device, the Virtualizer DSP 2024, but I never did 
much looping until one month ago, when I got my Roland GR1 guitar synth, 
which seems to be the perfect soundtool for my needs. So i experimented 
a lot with loops, even if the device only has 5 seconds of delay time it 
was a very nice experience and I can spend hours with it, with adding 
new stuff constantly and fading out the old stuff by controlling the 
feedback. And you never know how the whole thing will develop. And now, 
I'm looking for a device, that offers more delay/loop time. I have read 
great things about the Oberheim/Gibson Echoplex and TC 2290, but they 
are out of my price range, so I took a look on the Boss DD20, which 
seems to be very nice with it's 23 seconds of loop or delay time (as I 
read in a Looper's Delight review, you can even have 46 seconds). Also 
it keeps the ongoing delay when you switch programs. I'm going to test 
it soon, are there any comments on this device? In my opinion, it should 
be fine enough to start with. Or are there any alternatives out there?

Thanks in advance!

All the best, Janosch

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 15:53:11 2005
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Subject: Re: New here and looking for a looping device
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Janosch,

Welcome to the LD (Loopers Delight) list.=20

I rather like the DD20 myself. I also own and use 2 Echolpleses in my s
et-up too -- with a lot of other gadgets and toys (including 2 Vortexes=20
and a GR-1). However, the DD20, while small, is stuffed with enough=20
cool features that it makes a pretty serious and interesting musical=20
tool all in itself. Whenever I have reason to go "primative" and leave=20
the big rack of gizmos behind (or most of it) the DD20 is what I take=20
with me. At one point in time I experimented with using 3 of them at=20
a time -- though now I am back down to just owning one. If I had to=20
pick a single pedal/device (beyond just my guitar and an amp) to do=20
an impromptu gig with, the DD20 is what I'd choose. Add an Ernie=20
Ball volume pedal and I can entrtain myself (and maybe a few others)=20
for hours. :-)

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_290.6e747a.30bb305f_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Janosch,<BR>
<BR>
Welcome to the LD (Loopers Delight) list. <BR>
<BR>
I rather like the DD20 myself. I also own and use 2 Echolpleses in my s<BR>
et-up too -- with a lot of other gadgets and toys (including 2 Vortexes <BR>
and a GR-1). However, the DD20, while small, is stuffed with enough <BR>
cool features that it makes a pretty serious and interesting musical <BR>
tool all in itself. Whenever I have reason to go "primative" and leave <BR>
the big rack of gizmos behind (or most of it) the DD20 is what I take <BR>
with me.</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF"=20=
SIZE=3D"2"> At one point in time I experimented with using 3 of them at <BR>
a time -- though now I am back down to just owning one. If I had to <BR>
pick a single pedal/device (beyond just my guitar and an amp) to do <BR>
an impromptu gig with, the DD20 is what I'd choose. Add an Ernie <BR>
Ball volume pedal and I can entrtain myself (and maybe a few others) <BR>
for hours. :-)<BR>
<BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_290.6e747a.30bb305f_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 17:06:17 2005
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what's a good hardware or software sampler i can trigger(start and 
stop) like a drum machine with my edp?
 needs to hold drum tracks for an entire live set.

 thanks in advance!

  brian

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 18:47:28 2005
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From: Ken Higgins <khl2004@topic.net>
Subject: LUG Group Buy of SFX RT; Multiple Instances?
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Hi All,

I've already signed up for the group buy of SFX Machine RT...
  http://logic-users.org/groupbuy/sfxmachine
...but I have a question for those of you who use it already.

Can you run two instances of SFX to process two different sounds 
(i.e. bass and melody sides of the Stick), or would I need to buy two 
copies/licenses for SFX to do this?

Also, if I need to buy two copies, should I sign up twice with two 
addresses or will I have a quantity option at purchase time?

Thanks,

Ken

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 19:02:38 2005
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Sorry about that last post, wrong list!

OTOH, if anyone uses SFX... answer away.

Ken

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 20:05:49 2005
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Date: Sun, 27 Nov 2005 12:05:47 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Another new looping/fx  pedal
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http://news.harmony-central.com/Newp/2005/FX-Tracker.html

Could be interesting.


	
		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 20:30:57 2005
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Subject: AW: New here and looking for a looping device
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Janosch,

regarding devices in the lower price range:

The DD20 seems to be a fine tool, plus it offers several delay
algorithms. Other loopers in the same price range are the Boss
RC-20/RC-20XL, the Digitech Jamman and the Line6 DL4. Among these three,
the Line6 has by far the shortest loop length (14s or 28s in halfspeed),
but offers single-shot (for stuttering effects), reverse and half-speed
functionality. The RC-20 and RC-20XL does also offer reverse, but none
of the other ones offers the other two options. Plus, the DL4 has also
some interesting delay algorithms (albeit with a short delay time of ~3s
or half of it for the reverse delay). The Akai Headrush would also be in
the same league regarding price and features. I did own the older E-1
variant, which offers either a 23s delay or a 23s looper (albeit only
half of that if you do overdubs, which you can undo).

Depending on the way you work with loops, some delay-based effects might
also be in the running. TC Electronic's D-Two offers a maximum of
10seconds in mono, and has some whacked forward/reverse rhythmic tapped
delays, dynamic delays as well as added filters and modulators. There
are also a lot of vintage devices, some of them might be had at a good
price and provide lots of fun: Digitech's RDS/PDS series offer modulated
delays with a length of up to 8s (in the PDS8000). Then there's the
Lexicon Vortex, which can be used as a textural looper (with a maximum
loop length of something like 1.67s cascading both delay lines). There's
also the original Lexicon Jamman, although I know nothing about this
one.

If using a computer would be an option for you, there are some tools in
the market as well. Mac users seem to enjoy AugustusLoop a lot, while
for win platforms there's a emulation of eight EDPs called Mobius - both
come as VST effects (Moebius also as standalone). For a listing of
software loop solutions, you might take a look at Bernhard Wagner's list
here http://tinyurl.com/b8lw6.

Finally, let me state that it's also but not only about the tools. Just
like you, I started to do looplike stuff with very limited setups (in my
case, the combination of the delay algos of a Boss SE-50 and a digitech
StudioQuad), which really limited my possibilities. Nowadays, I'm able
to use a DL4, an Eclipse, a Vortex and a Repeater for loop stuff - but
there's a lot of really interesting stuff you can do e.g. with a DL4
alone, or with a combo of, say, a DD20 and a Virtualizer. In most of my
sessions and concerts with my improvised dance outfit "Eclectic Blah", I
rely on the looping possibilities of the DL4 exclusively, and especially
in a band context, this is really enough.

Welcome to our strange world!

	Rainer

-----Urspr=FCngliche Nachricht-----
Von: Janosch K. [mailto:daasp@gmx.net]=20
Gesendet: Sonntag, 27. November 2005 15:43
An: Loopers-Delight@loopers-delight.com
Betreff: New here and looking for a looping device


Hello all,

May a few words regarding my person first. I'm 19 and from Wuppertal=20
,Germany, being a Synth/Keyboard-player for 3 years and studying law at=20
the university. Listening to Prog Rock like Yes and King Crimson. I
found this wonderful site few weeks ago and kept reading quite a bit=20
since them. My interest for looping came up when I got my hand on a=20
Behringer Multi-FX device, the Virtualizer DSP 2024, but I never did=20
much looping until one month ago, when I got my Roland GR1 guitar synth,

which seems to be the perfect soundtool for my needs. So i experimented=20
a lot with loops, even if the device only has 5 seconds of delay time it

was a very nice experience and I can spend hours with it, with adding=20
new stuff constantly and fading out the old stuff by controlling the=20
feedback. And you never know how the whole thing will develop. And now,=20
I'm looking for a device, that offers more delay/loop time. I have read=20
great things about the Oberheim/Gibson Echoplex and TC 2290, but they=20
are out of my price range, so I took a look on the Boss DD20, which=20
seems to be very nice with it's 23 seconds of loop or delay time (as I=20
read in a Looper's Delight review, you can even have 46 seconds). Also=20
it keeps the ongoing delay when you switch programs. I'm going to test=20
it soon, are there any comments on this device? In my opinion, it should

be fine enough to start with. Or are there any alternatives out there?

Thanks in advance!

All the best, Janosch


From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 20:42:55 2005
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From: Ernest Smith <nowsmith@comcast.net>
Subject: Re: AW: New here and looking for a looping device
Date: Sun, 27 Nov 2005 15:42:28 -0500
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Rainer

All good info with one small clarification - the only PDS series =20
pedals that do modulated delay are the 20/20 and the 2700. The other =20
PDS delays (1000, 2000, 8000) don't have modulation sections.

Ernest
On Nov 27, 2005, at 3:32 PM, Rainer Thelonius Balthasar Straschill =20
wrote:

> Janosch,
>
> regarding devices in the lower price range:
>
> The DD20 seems to be a fine tool, plus it offers several delay
> algorithms. Other loopers in the same price range are the Boss
> RC-20/RC-20XL, the Digitech Jamman and the Line6 DL4. Among these =20
> three,
> the Line6 has by far the shortest loop length (14s or 28s in =20
> halfspeed),
> but offers single-shot (for stuttering effects), reverse and half-=20
> speed
> functionality. The RC-20 and RC-20XL does also offer reverse, but none
> of the other ones offers the other two options. Plus, the DL4 has also
> some interesting delay algorithms (albeit with a short delay time =20
> of ~3s
> or half of it for the reverse delay). The Akai Headrush would also =20
> be in
> the same league regarding price and features. I did own the older E-1
> variant, which offers either a 23s delay or a 23s looper (albeit only
> half of that if you do overdubs, which you can undo).
>
> Depending on the way you work with loops, some delay-based effects =20
> might
> also be in the running. TC Electronic's D-Two offers a maximum of
> 10seconds in mono, and has some whacked forward/reverse rhythmic =20
> tapped
> delays, dynamic delays as well as added filters and modulators. There
> are also a lot of vintage devices, some of them might be had at a good
> price and provide lots of fun: Digitech's RDS/PDS series offer =20
> modulated
> delays with a length of up to 8s (in the PDS8000). Then there's the
> Lexicon Vortex, which can be used as a textural looper (with a maximum
> loop length of something like 1.67s cascading both delay lines). =20
> There's
> also the original Lexicon Jamman, although I know nothing about this
> one.
>
> If using a computer would be an option for you, there are some =20
> tools in
> the market as well. Mac users seem to enjoy AugustusLoop a lot, while
> for win platforms there's a emulation of eight EDPs called Mobius - =20=

> both
> come as VST effects (Moebius also as standalone). For a listing of
> software loop solutions, you might take a look at Bernhard Wagner's =20=

> list
> here http://tinyurl.com/b8lw6.
>
> Finally, let me state that it's also but not only about the tools. =20
> Just
> like you, I started to do looplike stuff with very limited setups =20
> (in my
> case, the combination of the delay algos of a Boss SE-50 and a =20
> digitech
> StudioQuad), which really limited my possibilities. Nowadays, I'm able
> to use a DL4, an Eclipse, a Vortex and a Repeater for loop stuff - but
> there's a lot of really interesting stuff you can do e.g. with a DL4
> alone, or with a combo of, say, a DD20 and a Virtualizer. In most =20
> of my
> sessions and concerts with my improvised dance outfit "Eclectic =20
> Blah", I
> rely on the looping possibilities of the DL4 exclusively, and =20
> especially
> in a band context, this is really enough.
>
> Welcome to our strange world!
>
> 	Rainer
>
> -----Urspr=FCngliche Nachricht-----
> Von: Janosch K. [mailto:daasp@gmx.net]
> Gesendet: Sonntag, 27. November 2005 15:43
> An: Loopers-Delight@loopers-delight.com
> Betreff: New here and looking for a looping device
>
>
> Hello all,
>
> May a few words regarding my person first. I'm 19 and from Wuppertal
> ,Germany, being a Synth/Keyboard-player for 3 years and studying =20
> law at
> the university. Listening to Prog Rock like Yes and King Crimson. I
> found this wonderful site few weeks ago and kept reading quite a bit
> since them. My interest for looping came up when I got my hand on a
> Behringer Multi-FX device, the Virtualizer DSP 2024, but I never did
> much looping until one month ago, when I got my Roland GR1 guitar =20
> synth,
>
> which seems to be the perfect soundtool for my needs. So i =20
> experimented
> a lot with loops, even if the device only has 5 seconds of delay =20
> time it
>
> was a very nice experience and I can spend hours with it, with adding
> new stuff constantly and fading out the old stuff by controlling the
> feedback. And you never know how the whole thing will develop. And =20
> now,
> I'm looking for a device, that offers more delay/loop time. I have =20
> read
> great things about the Oberheim/Gibson Echoplex and TC 2290, but they
> are out of my price range, so I took a look on the Boss DD20, which
> seems to be very nice with it's 23 seconds of loop or delay time (as I
> read in a Looper's Delight review, you can even have 46 seconds). Also
> it keeps the ongoing delay when you switch programs. I'm going to test
> it soon, are there any comments on this device? In my opinion, it =20
> should
>
> be fine enough to start with. Or are there any alternatives out there?
>
> Thanks in advance!
>
> All the best, Janosch
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 21:16:18 2005
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Rainer,

thanks for your long answer!

I already own the Line6 Echo Park, so the Line6 Echo Park may not be 
such a good idea. If I got it correctly, the Jamman, RC20 and DL4 offer 
no feedback control, while the DD20 offers this in the delay mode. I 
tend to work a lot with the feedback on the Virtualizer, so this 
function is important for me.
A friend of mine owns a DD20 and I will soon have the chance to try it 
out extensively.
For modulation duties, I got a TC Electronic G-Major few days ago, so I 
can apply pitchshifting and other effects to the loops. The D-Two is a 
little bit too expensive for me, and because of the G-Major, I don't 
need a delay that can add modulation.
And I agree with you, it's not all about the tools, but also about what 
you do with them. Even if the 5 second delay of the Virtualizer is a bit 
limiting, you can still do some great stuff with it. And with something 
like the DD20, the possibilities would be even bigger and the whole 
thing would become more exciting but also more complex.

Best regards, Janosch


Rainer Thelonius Balthasar Straschill schrieb:

>Janosch,
>
>regarding devices in the lower price range:
>
>The DD20 seems to be a fine tool, plus it offers several delay
>algorithms. Other loopers in the same price range are the Boss
>RC-20/RC-20XL, the Digitech Jamman and the Line6 DL4. Among these three,
>the Line6 has by far the shortest loop length (14s or 28s in halfspeed),
>but offers single-shot (for stuttering effects), reverse and half-speed
>functionality. The RC-20 and RC-20XL does also offer reverse, but none
>of the other ones offers the other two options. Plus, the DL4 has also
>some interesting delay algorithms (albeit with a short delay time of ~3s
>or half of it for the reverse delay). The Akai Headrush would also be in
>the same league regarding price and features. I did own the older E-1
>variant, which offers either a 23s delay or a 23s looper (albeit only
>half of that if you do overdubs, which you can undo).
>
>Depending on the way you work with loops, some delay-based effects might
>also be in the running. TC Electronic's D-Two offers a maximum of
>10seconds in mono, and has some whacked forward/reverse rhythmic tapped
>delays, dynamic delays as well as added filters and modulators. There
>are also a lot of vintage devices, some of them might be had at a good
>price and provide lots of fun: Digitech's RDS/PDS series offer modulated
>delays with a length of up to 8s (in the PDS8000). Then there's the
>Lexicon Vortex, which can be used as a textural looper (with a maximum
>loop length of something like 1.67s cascading both delay lines). There's
>also the original Lexicon Jamman, although I know nothing about this
>one.
>
>If using a computer would be an option for you, there are some tools in
>the market as well. Mac users seem to enjoy AugustusLoop a lot, while
>for win platforms there's a emulation of eight EDPs called Mobius - both
>come as VST effects (Moebius also as standalone). For a listing of
>software loop solutions, you might take a look at Bernhard Wagner's list
>here http://tinyurl.com/b8lw6.
>
>Finally, let me state that it's also but not only about the tools. Just
>like you, I started to do looplike stuff with very limited setups (in my
>case, the combination of the delay algos of a Boss SE-50 and a digitech
>StudioQuad), which really limited my possibilities. Nowadays, I'm able
>to use a DL4, an Eclipse, a Vortex and a Repeater for loop stuff - but
>there's a lot of really interesting stuff you can do e.g. with a DL4
>alone, or with a combo of, say, a DD20 and a Virtualizer. In most of my
>sessions and concerts with my improvised dance outfit "Eclectic Blah", I
>rely on the looping possibilities of the DL4 exclusively, and especially
>in a band context, this is really enough.
>
>Welcome to our strange world!
>
>	Rainer
>  
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 23:02:28 2005
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Small laptop-based looping setup: case (slightly OT)
Date: Sun, 27 Nov 2005 15:02:27 -0800
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I second what rick said about gator cases, i believe they are more rugged
than Skb cases,yet still lite weight.  and add that they all feature a lid
latch that keeps the lid  from falling off even if it becomes unlatched,
they are also locking, which won't help on the airlines but is cool for land
transport. Also I have had luck putting a gator three or four space rack bag
(the kind that is canvas covered with a hard frame) in a regular sized
suitcase, which makes it  less obvious looking as well as more protected.
bill

-----Original Message-----
From: loop.pool [mailto:looppool@cruzio.com]
Sent: Sunday, November 27, 2005 2:45 AM
To: LOOPERS DELIGHT (posting)
Subject: Re: Small laptop-based looping setup: case (slightly OT)


Hey Rainer,

As a great alternative to the SKB cases, there is a fantastic case made in
the US by the company called GATOR CASES.

Their ROLLER RACK CASES
(http://www.gatorcases.com/productsdetail.aspx?LID=1&PID=20)
are light weight, durable and have a telescoping handle and recessed wheels
as well (like the kind found on most good
travelling suitcases).

They are like SKB's  (pretty light and not as sturdy as ATA cases) but I
have to agree to
disagree with Travis' assessment that you shouldn't fly with them (all due
respect, Travis, because I know you have a lot
of experience with touring)

I have toured in 12 countries in 3 years now and flown a lot with my GATOR
CASES; abused the hell out of them (try hoisting
2 6 space rack cases and two huge suitcases up and down the subways in
London and Paris as my wife and I did).
and I love them.

  I've had to occasionally replace latches and even wheels on my Gator 6
space cases which is pretty typical
if you do a lot of touring anyway (I was forced to roll them over really
rough cobblestones in both Paris and Stockholm
which will wear out any wheels on any luggage pretty quickly) and I have
found that the people at GATOR have been incredibly helpful in replacing
parts that wear out, including sending me a new set of wheels to Europe in
the middle of my
tour.    I just can't say enough good things about this company.  I only
wish I had
an endorsement with them....................<smile>

They are so convenient that I will never dream of going back to SKB cases
again.

Also, for added stability and protection I always use wide dayglo green
nylon suitcase straps (two to each case and available at any discerning
travel store) so that if a latch ever bursts that the case will not fly
open.   The bright straps help you spot your gear at the baggage pickup
belts, too.

Additionally, the fact that they are light means that you can make it onto a
lot of flights that have weight restrictions.

American International flights have a limit of 70 lbs  (32 some odd kilos,
pardon my bad metric conversion)
per bag and many are reducing that to 50 lbs (22 kilos?).     Many internal
European flights have far, far smaller weight limitations before they start
adding price to your plane ticket.     I was assesed $600 extra for excess
baggage for one 45 minute flight from
Stockholm to Glascow!!!!!!   I never took another plane in Europe for the
next two months after that sobering experience.

Also,  remember that 8 space racks and greater are no longer allowed on most
airlines.

This means that the very heavy duty ATA cases just reduce the amount of gear
you can bring with you despite the fact that they
are heavier duty than the GATOR or SKB models.

gratuitously and tangiential to this thread:

SOME STRATEGIES I'VE USED FOR GETTING MAXIMUM GEAR SAFELY ONTO AIRPLANES

1)  Put your sensitive electronics inside of your normal
suitcase surrounded by soft clothing, filling your Flight cases with other
less vulnerable things for flying.................
then just reassembling your rack case when you get to your destination.

I did this flying to Japan and to Switzerland this summer.

2) Alternatively,  you'd have to measure but I imagine that you could get a
4 space rack into the overhead containers
so that means you can take your sensitive stuff onboard with you and eschew
the ragged handlers.

3) I also sometimes put FRAGILE,  GLASS  stickers on my
bags..................that tends to make even the most rugger baggage
handlers sit up and take notice.

4)   I try to chat up the people at the ticket booth and ask them if I can
hand deliver my equipment to the plane.   Since 911 they never let you do
this anymore, but frequently, they will have a word with the baggage people.
It's not foolproof but anything to get your gear their safely.




From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 23:03:26 2005
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Date: Sun, 27 Nov 2005 15:03:24 -0800 (PST)
From: Lee Maravel <leemaravel@yahoo.com>
Subject:  New here and looking for a looping device
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I settled on a Boss dd-20xl mostly due to finances.
It's got a lot of usable features and gets my creative
stuff working. The 2 drawbacks which jump out to me
are that, for one, the loops don't degenerate over
time. It's pretty easy to get too much going and be
stuck with it. Less is more. You can eliminate and
redo the last track recorded which is helpful.
     The other problem I've noticed is, although it
doesn't seem an issue when I'm actually playing
realtime, when I record the loops they sound painfully
mono. You can dress them up with "soundstage" or other
software but then I find I get into tweaking too much
and less playing. This is fine for now but I can see
upgrading in the future.
                                           Lee



		
__________________________________ 
Yahoo! Music Unlimited 
Access over 1 million songs. Try it free. 
http://music.yahoo.com/unlimited/

From Loopers-Delight-request@loopers-delight.com  Sun Nov 27 23:09:57 2005
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: New here and looking for a looping device
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Welcome, Janosch
I thought there was a topic on this I could direct you to at the =20
loopers delight site, but I can=92t find it, so here=92s a brief over-=20=

simplified run-down on an essential point you probably already =20
understand, but just in case:

Loopers VS. Delays

Some devices, like the EDP, Boomerang, and the Boss Loop Station (and =20=

up-coming RC-50) are dedicated loopers: You set the loop time on the =20
fly, with foot-switches, so that you set them running with a click, =20
then decide when you=92ve recorded enough with another click, which =20
also starts playback from the beginning. There aren=92t many of these =20=

devices to pick from.
Most other =94looping=94 devices are actually long delay lines: they are =
=20
always looping and the loop length is equal to the delay time; you =20
can=92t reset this while you=92re recording. Sounds like all the devices =
=20
you=92ve used so far are delays.
I also started with long delay devices, using a volume pedal in front =20=

for over-dubs and the feedback controls to replace/fade out; whatever =20=

delay time you set (usually the maximum), you get very good at =20
playing to fit...and you also tend to make this the default loop-=20
length for everything you create. When I got an EDP=97a looper, not a =20=

delay=97my looping experience changed significantly, simply because I =20=

could for all practical purposes record as long or as little as I =20
wanted before deciding to start playback. It was sort of like losing =20
a pulse and gaining spontaneity: no more anticipating the end of the =20
delay time looming up ahead, or wishing it was longer or shorter. =20
It=92s nice, of course, to have both types of tool at your disposal; if =20=

you can only have one, you should certainly try them both before you =20
settle. Good hunting!

dc


On Nov 27, 2005, at 6:42 AM, Janosch K. wrote:

> So i experimented a lot with loops, even if the device only has 5 =20
> seconds of delay time it was a very nice experience and I can spend =20=

> hours with it, with adding new stuff constantly and fading out the =20
> old stuff by controlling the feedback.


--Apple-Mail-1-206970119
Content-Transfer-Encoding: quoted-printable
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	charset=WINDOWS-1252

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Welcome, Janosch<DIV>I thought =
there was a topic on this I could direct you to at the loopers delight =
site, but I can=92t find it, so here=92s a brief over-simplified =
run-down on an essential point you probably already understand, but just =
in case:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Loopers VS. =
Delays</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Some =
devices, like the EDP, Boomerang, and the Boss Loop Station (and =
up-coming RC-50) are dedicated loopers: You set the loop time on the =
fly, with foot-switches, so that you set them running with a click, then =
decide when you=92ve recorded enough with another click, which also =
starts playback from the beginning. There aren=92t many of these devices =
to pick from.</DIV><DIV>Most other =94looping=94 devices are actually =
long delay lines: they are always looping and the loop length is equal =
to the delay time; you can=92t reset this while you=92re recording. =
Sounds like all the devices you=92ve used so far are delays.</DIV><DIV>I =
also started with long delay devices, using a volume pedal in front for =
over-dubs and the feedback controls to replace/fade out; whatever delay =
time you set (usually the maximum), you get very good at playing to =
fit...and you also tend to make this the default loop-length for =
everything you create. When I got an EDP=97a looper, not a delay=97my =
looping experience changed significantly, simply because I could for all =
practical purposes record as long or as little as I wanted before =
deciding to start playback. It was sort of like losing a pulse and =
gaining spontaneity: no more anticipating the end of the delay time =
looming up ahead, or wishing it was longer or shorter. It=92s nice, of =
course, to have both types of tool at your disposal; if you can only =
have one, you should certainly try them both before you settle. Good =
hunting!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Nov 27, =
2005, at 6:42 AM, Janosch K. wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">So i experimented a lot =
with loops, even if the device only has 5 seconds of delay time it was a =
very nice experience and I can spend hours with it, with adding new =
stuff constantly and fading out the old stuff by controlling the =
feedback.</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1-206970119--

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Date: Sun, 27 Nov 2005 23:43:21 +0000
From: David Morton <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Small laptop-based looping setup: case (slightly OT)
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On 11/27/05, William Walker <billwalker@baymoon.com> wrote:
> I second what rick said about gator cases, i believe they are more rugged
> than Skb cases,yet still lite weight.  and add that they all feature a li=
d
> latch that keeps the lid  from falling off even if it becomes unlatched,
> they are also locking, which won't help on the airlines but is cool for l=
and
> transport. Also I have had luck putting a gator three or four space rack =
bag
> (the kind that is canvas covered with a hard frame) in a regular sized
> suitcase, which makes it  less obvious looking as well as more protected.

I'd not come across Gator before, and was looking at the website.
These two products

http://www.gatorcases.com/productsmodeldetail.aspx?LID=3D1&PID=3D26&MID=3D3=
24
(which holds a laptop & 2u)

http://www.gatorcases.com/productsmodeldetail.aspx?LID=3D1&PID=3D26&MID=3D3=
25
(which holds a laptop & 4u and has wheels and a handle)

would seem to have great potential.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 01:42:10 2005
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Date: Sun, 27 Nov 2005 20:42:01 EST
Subject: Re: New here and looking for a looping device
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has anyone tried the "buggy" rangs that mike nelson mentioned a while 
back?.....if i recall, it was a great deal.....m

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">has anyone tried the "buggy" rangs that=
 mike nelson mentioned a while back?.....if i recall, it was a great deal...=
..m</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 01:45:30 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: New here and looking for a looping device
Date: Sun, 27 Nov 2005 19:45:26 -0600
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I emailed Mike with interest and never heard back. They may have run  
out.



Music:
http://www.kellycoyle.net
Blog:
http://wwwquotidianme.blogspot.com/


On Nov 27, 2005, at 7:42 PM, Nemoguitt@aol.com wrote:

> has anyone tried the "buggy" rangs that mike nelson mentioned a  
> while back?.....if i recall, it was a great deal.....m


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
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interest and never heard back. They may have run out.</DIV><DIV><BR =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Music:</DIV><DIV><A =
href=3D"http://www.kellycoyle.net">http://www.kellycoyle.net</A></DIV><DIV=
>Blog:</DIV><DIV><A =
href=3D"http://wwwquotidianme.blogspot.com">http://wwwquotidianme.blogspot=
.com</A>/</DIV></SPAN></SPAN><BR =
class=3D"Apple-interchange-newline"></SPAN> </DIV><BR><DIV><DIV>On Nov =
27, 2005, at 7:42 PM, <A =
href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><FONT =
face=3D"arial,helvetica"><FONT color=3D"#000000" face=3D"Geneva" =
family=3D"SANSSERIF" size=3D"2">has anyone tried the "buggy" rangs that =
mike nelson mentioned a while back?.....if i recall, it was a great =
deal.....m</FONT><FONT color=3D"#000000" face=3D"Geneva" =
family=3D"SANSSERIF" =
size=3D"2"></FONT></FONT></BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-1-216303627--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 05:41:53 2005
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	id D41953BEFA; Mon, 28 Nov 2005 05:41:53 +0000 (UTC)
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From: "Scott McGregor Moore" <scott@dreamstate.to>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: The PiNG presents INSIDEaMIND and PHOLDE
Date: Mon, 28 Nov 2005 00:48:32 -0500
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Are turntables instruments? DJs musicians? 4 man DJ/Producer crew
INSIDEaMIND present the evidence this week as they improvise a set
together on 8 turntables & treatments. Click to hear a sample piece:=20
http://steptonemusic.com/music/IAM_hypnodic_web_sample.mp3
Singular sound artist Pholde precedes INSIDEaMIND to present his
own thesis on creating powerful soundscapes by bowing hardened steel.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor - Toronto
(directly across from the Bathurst subway station)=20
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan=20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday November 29th 2005 - PHOLDE and INSIDEaMIND

"Making music through the reverberation of metals is Pholde's field of =
work.
Alan Bloor treats them with different approaches as opposed, for =
example,
to a Dave Jackman or a Z'ev: his art uses length and resonance to build
rumbling cathedrals of superb irregular harmonics. Crossing low and high
frequencies in thudding forms and rolling thunders, the Canadian =
presents us
with a series of spellbinding explorations of deep connections to the =
high
spheres of acoustic cosmos. Bloor's messages contain a large dose of
rigorous seriousness that are the perfect contrasting element to those
moments where sudden outbursts of clangour could bring the music out of
control; instead, Pholde regroups his forces into cohesion, restraining =
his
textural emanations to the core of significance."  http://www.pholde.com
(Review by Massimo Ricci at Touching Extremes) =20

As the definition of the word "DJ" continues to expand, INSIDEaMIND =
emerges
in Toronto as a four man scratch band, further stretching artistic
boundaries by performing live original compositions with vinyl. The =
scratch
musicians, as they call themselves, bring forth a unique angle to what a
group of DJ's/Producers armed with instruments called turntables can =
create.
By developing outside the often limiting battle-oriented mindframe that
scratching is too often associated with, the crew is bringing new life =
to
this ever evolving artform.  http://insideamind.net  Read Denise =
Benson's
recent interview in Eye magazine with INSIDEaMIND's Cheldon Paterson:
http://eye.net/eye/issue/issue_11.03.05/clubs/extended.html

Between Sets CD - "Soma" by Steve Roach and Robert Rich
This 1992 release, by two of ambient music's master musicians, finds
them deep in worlds of earth-based rhythms beneath dark clouds of sound.
http://www.steveroach.com   http://www.robertrich.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday Dec. 6th - ARC and Aidan Baker/Neil Wiernik/Jakob Thiesen

ARC - http://fade.to/arc  Aidan Baker - http://www.aidanbaker.org/
Neil Wiernik - http://www.noisefactoryrecords.com/naw.htm
Jakob Thiesen - http://www.theambientping.com/thiesen/home.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Re:Karma" by Darshan Ambient

Having had a career that has spanned over ten years, Michael Allison
of Darshan Ambient has released a compilation of work from earlier
discs and unreleased tracks. "Re:Karma" is a fine collection of songs
that show the breadth of his talent as well as introducing a side
of his work that some fans might not be aware of.

Fans of Darshan Ambient's ambient work will no doubt be impressed by
tracks such as "The Ocean Whispers", "A Walk Along the Ganges" and
"Slow Drift", beautiful pieces that are very much in keeping with
the lush ambience of "Providence" and "The Zen Master's Diary". Of
particular note is the previously unreleased track "The Cool River"
which opens the disc, a track taken from 1994 where a slight melody
plays overtop a sustained background of pads. Serene, dreamlike, and
beautiful in it's flow, "The Cool River" is a beautiful piece that
stands with the best of his more ambient moments.

Tracks like "Boundless" and "Tiger in the Grass" are slightly more=20
indicative of the overall sound of the disc, percussion driven pieces
where piano and synth lines float along the soundstream in chilled
laid-back grooves. Of these more groove-based tracks, "Soul Chameleon"
stands out as a complex percussive piece where shimmering tones and
pads mingle and dance around eachother. Very inspired.

Without doubt, "Re:Karma" is an excellent collection, fully displaying
the talents of a very accomplished and talented electronic artist.
Both an excellent place for new fans to be introduced to the music of
Darshan Ambient, and a place for older fans to become reacquainted.=20
Highly recommended.

*** New ping things feature! ***

Fans of Toronto ambient project Sylken will be very interested to read =
an=20
exclusive interview with Eric Hopper of Sylken in the featured section =
of=20
the ping things site!  Eric talks about creativity, inspiration, and the =

PiNG community in a revealing and fascinating interview.

Read it at http://www.pingthings.com/SYLKENfeature.htm

rik maclean - rik@pingthings.com

http://www.pingthings.com =3D ambient + electronic + chill things

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

* Wednesday November 30th at 8pm EST - mara's torment will be
  performing the first in a series of almost-live internet broadcasts
  on  through his LIVE365 station "mt radio". You won't be able to
  see rik and Sovaak, but if you tune in you'll be able to hear them
  perform new material and reworked mara's torment classics.

  Visit http://www.live365.com/stations/marastorment
  on Wed November 30th at 8pm EST to hear the show!
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv and
experimental music artists plus performers from across the continent,
every Tuesday evening at HACiENDA - 794 Bathurst Street at Bloor.
http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested in live
ambient, chillout and experimental music performances or to any of your
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 07:31:12 2005
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Date: Mon, 28 Nov 2005 02:31:05 -0500
From: kim galibert <kim@914.com>
Subject: configuring your brand new hot bitch arsenal
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This is a multi-part message in MIME format.

--Boundary_(ID_l8eoo38UkL15dWkTQ7DwFg)
Content-type: text/plain; charset=us-ascii
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hey folks - kim here with some new live-looping audio/video.  my feet aren't
visible, so if you're part of the barefoot camp, know that i am so, if you
prefer shod, then just imagine me with wafflestompers or pink bunny rabbit
slippers, whatever floats your boat.
 
i have teamed up with the amazing christina abbott, a seriously talented
vocalist whose way with words is simply superb.  i put paper and pen in her
hands, then play her one of my instrumental jams, 20 minutes later we've got
a new song such as:
 
 <http://www.hotbitcharsenal.com/audio/rhythm.mp3>
http://www.hotbitcharsenal.com/audio/rhythm.mp3 
 <http://www.iosonic.com/video/rhythm.wmv>
http://www.hotbitcharsenal.com/video/rhythm.wmv 
http://www.hotbitcharsenal.com/video/rhythm.mov
<http://www.iosonic.com/video/rhythm.mov> 
 
ableton live is just the most effective music production tool there is.  it
is a musical instrument onto itself.  learning how to 'play' it will make
you god like (unless, like i, you embrace the dark side and become a cult
leader instead). 
 
http://www.hotbitcharsenal.com/audio/shivershake(live).mp3 
http://www.hotbitcharsenal.com/video/shivershake.wmv 
 
feedback desired! leave some at our blog:
http://www.projectgt.com/hba <http://www.projectgt.com/cgi-bin/mt/mt.cgi> 
 
be well,
 
kim
 
 
 
 
 

--Boundary_(ID_l8eoo38UkL15dWkTQ7DwFg)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2769" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff size=2>hey 
folks - kim&nbsp;here with some new live-looping audio/video.&nbsp; my feet 
aren't visible, so if you're part of the barefoot camp, know that i am so, if 
you prefer shod, then just imagine me with wafflestompers or pink bunny rabbit 
slippers, whatever floats your boat.</FONT></SPAN></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff size=2>i have 
teamed up with the amazing christina abbott, a seriously talented vocalist whose 
way with words is simply superb.&nbsp; i put paper and pen in her hands, then 
play her one of my instrumental jams, 20 minutes later we've got a new song such 
as:</FONT></SPAN></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005>
<DIV><SPAN class=390440907-28112005>
<DIV><SPAN class=390440907-28112005>
<DIV><SPAN class=390440907-28112005><SPAN class=390440907-28112005><A 
href="http://www.hotbitcharsenal.com/audio/rhythm.mp3"><FONT face=Arial 
size=2>http://www.hotbitcharsenal.com/audio/rhythm.mp3</FONT></A><FONT 
face=Arial color=#0000ff size=2> </FONT>
<DIV><SPAN class=390440907-28112005><A 
href="http://www.iosonic.com/video/rhythm.wmv"><FONT face=Arial 
size=2>http://www.hotbitcharsenal.com/video/rhythm.wmv</FONT></A><FONT 
face=Arial color=#0000ff size=2> </FONT></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial size=2><A 
href="http://www.iosonic.com/video/rhythm.mov">http://www.hotbitcharsenal.com/video/rhythm.mov</A></FONT></SPAN></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV></SPAN></SPAN><FONT face=Arial><FONT color=#0000ff><FONT size=2>ableton 
live is just the most effective music production tool there is.&nbsp;&nbsp;it is 
a musical instrument onto itself.&nbsp; learning how to 'play' it will make you 
god like (unless, like i, you embrace the dark side&nbsp;and become a cult 
leader instead).<SPAN 
class=390440907-28112005>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
class=390440907-28112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
class=390440907-28112005><SPAN class=390440907-28112005><FONT face=Arial 
color=#0000ff size=2><A 
href="http://www.hotbitcharsenal.com/audio/shivershake(live).mp3">http://www.hotbitcharsenal.com/audio/shivershake(live).mp3</A> 

<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff size=2><A 
href="http://www.hotbitcharsenal.com/video/shivershake.wmv">http://www.hotbitcharsenal.com/video/shivershake.wmv</A> 

<DIV><SPAN class=390440907-28112005></SPAN><SPAN 
class=390440907-28112005></SPAN><SPAN 
class=390440907-28112005></SPAN>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005>feedback&nbsp;desired! leave some at our 
blog:</SPAN></DIV>
<DIV><SPAN class=390440907-28112005><A 
href="http://www.projectgt.com/hba">http://www.projectgt.com/hba</A><A 
href="http://www.projectgt.com/cgi-bin/mt/mt.cgi"></A></SPAN></DIV>
<DIV><SPAN class=390440907-28112005></SPAN>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005>be well,</SPAN></DIV>
<DIV><SPAN class=390440907-28112005></SPAN>&nbsp;</DIV>
<DIV><SPAN 
class=390440907-28112005>kim</SPAN></FONT></SPAN></FONT></SPAN></SPAN></FONT></FONT></FONT></SPAN></DIV></DIV></DIV></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
class=390440907-28112005></SPAN><SPAN 
class=390440907-28112005></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN></SPAN></SPAN></SPAN>&nbsp;</DIV></DIV></DIV></DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=390440907-28112005><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV></BODY></HTML>

--Boundary_(ID_l8eoo38UkL15dWkTQ7DwFg)--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 08:32:46 2005
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David,

thanks for your long answer and for clearing up the things a bit, I was 
not 100 percently sure where the differences between a looper and a 
delay were. I work in the same way as you did with the delays, using a 
volume pedal and another pedal for feedback control. And I agree with 
you about always using the maximum delay time, once you set the delay 
time it is rather fixed and you cannot decide spotanously if your loop 
is long enough and stop. I will test the Boss DD20 soon, which includes 
23 seconds delay and a 23 second looper, so I can get familiar with the 
differences between the two ways and see which one of them works better 
for me.

Best regards, Janosch


David Coffin schrieb:

> Welcome, Janosch
> I thought there was a topic on this I could direct you to at the 
> loopers delight site, but I can’t find it, so here’s a brief 
> over-simplified run-down on an essential point you probably already 
> understand, but just in case:
>
> Loopers VS. Delays
>
> Some devices, like the EDP, Boomerang, and the Boss Loop Station (and 
> up-coming RC-50) are dedicated loopers: You set the loop time on the 
> fly, with foot-switches, so that you set them running with a click, 
> then decide when you’ve recorded enough with another click, which also 
> starts playback from the beginning. There aren’t many of these devices 
> to pick from.
> Most other ”looping” devices are actually long delay lines: they are 
> always looping and the loop length is equal to the delay time; you 
> can’t reset this while you’re recording. Sounds like all the devices 
> you’ve used so far are delays.
> I also started with long delay devices, using a volume pedal in front 
> for over-dubs and the feedback controls to replace/fade out; whatever 
> delay time you set (usually the maximum), you get very good at playing 
> to fit...and you also tend to make this the default loop-length for 
> everything you create. When I got an EDP—a looper, not a delay—my 
> looping experience changed significantly, simply because I could for 
> all practical purposes record as long or as little as I wanted before 
> deciding to start playback. It was sort of like losing a pulse and 
> gaining spontaneity: no more anticipating the end of the delay time 
> looming up ahead, or wishing it was longer or shorter. It’s nice, of 
> course, to have both types of tool at your disposal; if you can only 
> have one, you should certainly try them both before you settle. Good 
> hunting!


From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 09:10:48 2005
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: New here and looking for a looping device
Date: Mon, 28 Nov 2005 01:10:44 -0800
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A very intriguing device! Too bad you can=92t control the feedback with =20=

a foot pedal, or at all in =93looping=94 mode.
Let us know what you think of it...
dc



On Nov 28, 2005, at 12:33 AM, Janosch K. wrote:

> I will test the Boss DD20 soon, which includes 23 seconds delay and =20=

> a 23 second looper, so I can get familiar with the differences =20
> between the two ways and see which one of them works better for me.
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">A very intriguing device! Too =
bad you can=92t control the feedback with a foot pedal, or at all in =
=93looping=94 mode.<DIV>Let us know what you think of =
it...</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Nov 28, =
2005, at 12:33 AM, Janosch K. wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">I will test the Boss =
DD20 soon, which includes 23 seconds delay and a 23 second looper, so I =
can get familiar with the differences between the two ways and see which =
one of them works better for me.</FONT></P> <BR =
class=3D"Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV></BODY></=
HTML>=

--Apple-Mail-2-243021495--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 09:40:47 2005
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Date: Mon, 28 Nov 2005 09:40:43 +0000
Subject: Re: New here and looking for a looping device
From: jeremy <listing.to.port@masse.org.uk>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Hi there,=20

If you=B9ve got a Mac then give Sooperlooper a try. I=B9m using the JACK versio=
n
which makes it easy to record the four Sooperlooper loops into LOGIC
alongside my hardware devices, all on an iBook G4 933.

Regards

Jeremy

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<HTML>
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<TITLE>Re: New here and looking for a looping device</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>Hi th=
ere, <BR>
<BR>
If you&#8217;ve got a Mac then give Sooperlooper a try. I&#8217;m using the=
 JACK version which makes it easy to record the four Sooperlooper loops into=
 LOGIC alongside my hardware devices, all on an iBook G4 933.<BR>
<BR>
Regards<BR>
<BR>
Jeremy</SPAN></FONT>
</BODY>
</HTML>


--B_3216015644_63358--


From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 12:45:59 2005
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Date: Mon, 28 Nov 2005 07:16:03 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: New here and looking for a looping device
To: Lee Maravel <leemaravel@yahoo.com>,
	Loopers-Delight@loopers-delight.com
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Lee wrote:
[snip]
> I settled on a Boss dd-20xl 
[snip]
Er, that would be the Boss RC-20XL. 
;-)
dB

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 18:00:10 2005
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Date: Mon, 28 Nov 2005 13:00:08 -0500
From: Todd Pafford <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Small laptop-based looping setup: case (slightly OT)
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	 <OPEGKDJIMPJBOGCKEPDGGEMKCIAA.billwalker@baymoon.com>
	 <353e2ed80511271543q4a394423qc232e8aaa687b51@mail.gmail.com>
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Hey, those look like just what I need.  Instead of a laptop I've got a
small mixer that looks like it'd fit perfectly.  Thanks. :)

Todd

On 11/27/05, David Morton <dmorton@gmail.com> wrote:
> On 11/27/05, William Walker <billwalker@baymoon.com> wrote:
> > I second what rick said about gator cases, i believe they are more rugg=
ed
> > than Skb cases,yet still lite weight.  and add that they all feature a =
lid
> > latch that keeps the lid  from falling off even if it becomes unlatched=
,
> > they are also locking, which won't help on the airlines but is cool for=
 land
> > transport. Also I have had luck putting a gator three or four space rac=
k bag
> > (the kind that is canvas covered with a hard frame) in a regular sized
> > suitcase, which makes it  less obvious looking as well as more protecte=
d.
>
> I'd not come across Gator before, and was looking at the website.
> These two products
>
> http://www.gatorcases.com/productsmodeldetail.aspx?LID=3D1&PID=3D26&MID=
=3D324
> (which holds a laptop & 2u)
>
> http://www.gatorcases.com/productsmodeldetail.aspx?LID=3D1&PID=3D26&MID=
=3D325
> (which holds a laptop & 4u and has wheels and a handle)
>
> would seem to have great potential.
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 28 20:48:13 2005
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So, I woke out of a dream this morning, in which Matthias was over, and 
was re-configuring my mixer with the keyboard, two synth modules, mic, 
loopers. He easily remedied wires going places that didn't make sense.  
It was disappointing to realize it was just a dream, because, even 
though my stuff is working well, I'm "winging it," coming from a mostly 
acoustic piano background. Kind of shows the power of an email list, 
when you find yourself including it in dreamland!

I'm wondering...if I'd slept longer maybe Mathias would have commented 
on my EDP list-note from last week, which went something like this:

>
> In StutterMode, with Insert=Sub, when I end Multiply with Insert I get 
> Feedback display (0-127), and then am overdubbing at that feedback for 
> as long as desired.  Ending that with Overdub can add a "finishing 
> touch.". Feedback is set by front knob (feedback pedal inserted in 
> back of EDP).   This is a great way to let the loop progress into new 
> territory!  Is this described in the manual somewhere?  It's like the 
> Insert with quantize we talked about ("EDP Insert: Overdub, too?" 
> -11/15), but this is an actual extended Overdub of the whole loop.


||: David :||

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Check out this link to Points of Friction

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NOTICE:

www.pointsoffriction.com is now a registered (2 yrs.) domain name!
i have also provided all info to the host, Doteasy.com, and paid the one-tim=
e only fee.  i am now awaiting a message that will provide access to the upl=
oad process. =20

in that process i will submit a request for the e-mail pointsoffriction@pof.=
com

i made good progress yesterday on the site itself.  there are 13 pages.  the=
 interactive page will be a future project.  the scrapbook can be amended if=
 you have photos, art, or suggestions.  please make notes for next years twe=
ak.

i am not sure when the site will actually be working, but i am hoping for to=
night!

moth


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>NOTICE:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A   href=3D"http://www.pointsoffriction.co=
m">www.pointsoffriction.com</A> is now a=20
registered (2 yrs.) domain name!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i have also provided all info to the host,=20
Doteasy.com, and paid the one-time only fee.&nbsp; i am now awaiting a messa=
ge=20
that will provide access to the upload process.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>in that process i will submit a request for=
 the=20
e-mail <A   href=3D"mailto:pointsoffriction@pof.com">pointsoffriction@pof.co=
m</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i made good progress yesterday on the site=20=
itself.=20
&nbsp;there are 13 pages.&nbsp; the interactive page will be a future=20
project.&nbsp; the scrapbook can be amended if you have photos, art, or=20
suggestions.&nbsp; please make notes for next years tweak.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i am not sure when the site will actually b=
e=20
working, but i am hoping&nbsp;for tonight!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>moth</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 30 02:21:12 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: test - please delete
Date: Tue, 29 Nov 2005 19:21:00 -0700
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This is a multi-part message in MIME format.

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Just seeing if I'm still on the list. I received a digest on my work =
email, but nothing on this one.

Kris

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<DIV><FONT face=3DArial size=3D2>Just seeing if I'm still on the list. I =
received a=20
digest on my work email, but nothing on this one.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 30 02:22:40 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Fwd: pof site progress
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um, refresh my memory...who are you and why are you spreading everybody's addresses out there for all to see?


----- Original Message ----- 
From: 
To: Conniescans@prodigy.net;brenchica4@valp.net;ylbrowns@sbcglobal.net;L8KERS08@aol.com;RiverbratKell@aol.com;rymanpotter@adelphia.net;rdube@adelphia.net;gottaski@sbcglobal.net;george@m-audio.com;ngci@adelphia.net;imcdole@interwrx.com;spj903@juno.com;jkranitz@aural-innovations.com;KRosser414@aol.com;SaftyBear1@aol.com;stmjames@ms19.hinet.net;redrabbitlosangeles@yahoo.com;loachfillet@yahoo.com;Loopers-Delight@loopers-delight.com;catspoet@hotmail.com;MJKJFISHER@yahoo.com;msolomon@zebra.com;MarcMylar@aol.com;osullivanclan@sbcglobal.net;Patersonrl@paradise.net.nz;info@getcom.biz;GRADAI@socal.RR.com;Deanna@antelecom.net;richard_derrick@msn.com;richie@richiehass.com;richiehass@dslextreme.com;Karen.Riley@SDCourt.CA.Gov;KRileyms@hotmail.com;GRXLR8@aol.com;WonderxLand@aol.com;rubberxducky@sbcglobal.net;sachis2112@yahoo.com;gsmulti@spiritone.com;Mdsegal@earthlink.net;Scan4Kim@aol.com;Scanmt@aol.com;DWa2898572@aol.com
Cc: viceroypronk@yahoo.com; moonmoth@netzero.net; backbiter@sbcglobal.net; spagyric@earthlink.net; profcantaloupe@yahoo.com; Christine@hennesseyproject.com; Chuck.Louie@albertsons.com; deb@deborahexit.com; Kathy.Flores@albertsons.com; sdjeepguy@mac.com; mgarrett@standardabrasives.com; GonzalesMignon@aol.com; hammer@pocketmail.com; heustis@comcast.net; info@k-9behavior.com; jeremy@k-9behavior.com; Frye1307@MSN.com; fkrejci@pacbell.net; SRYAH@aol.com; Cdnote@aol.com; kmoyes@optusnet.com.au; rantinraven@sbcglobal.net; ngutmacher@m-audio.com; phantomairship@yahoo.com; Randy.Kehoe@albertsons.com; Robert@getcom.biz; Rymanpotter@sbcglobal.net; santibanez.brown@verizon.net; Steve.Brown@albertsons.com; Sstraub425@aim.com; Susan.Joy@albertsons.com; trigone@trigonrecords.com; walkers_murrieta@yahoo.com
Sent: 11/29/2005 9:02:52 PM 
Subject: Fwd: pof site progress


Check out this link to Points of Friction
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
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<DIV><FONT face="MS Sans Serif">um, refresh my memory...who are you and why are you spreading everybody's addresses out there for all to see?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=Ryman1960@aol.com href="mailto:Ryman1960@aol.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Conniescans@prodigy.net href="mailto:Conniescans@prodigy.net">Conniescans@prodigy.net</A>;<A title=brenchica4@valp.net href="mailto:brenchica4@valp.net">brenchica4@valp.net</A>;<A title=ylbrowns@sbcglobal.net href="mailto:ylbrowns@sbcglobal.net">ylbrowns@sbcglobal.net</A>;<A title=L8KERS08@aol.com href="mailto:L8KERS08@aol.com">L8KERS08@aol.com</A>;<A title=RiverbratKell@aol.com href="mailto:RiverbratKell@aol.com">RiverbratKell@aol.com</A>;<A title=rymanpotter@adelphia.net href="mailto:rymanpotter@adelphia.net">rymanpotter@adelphia.net</A>;<A title=rdube@adelphia.net href="mailto:rdube@adelphia.net">rdube@adelphia.net</A>;<A title=gottaski@sbcglobal.net href="mailto:gottaski@sbcglobal.net">gottaski@sbcglobal.net</A>;<A title=george@m-audio.com href="mailto:george@m-audio.com">george@m-audio.com</A>;<A title=ngci@adelphia.net href="mailto:ngci@adelphia.net">ngci@adelphia.net</A>;<A title=imcdole@interwrx.com href="mailto:imcdole@interwrx.com">imcdole@interwrx.com</A>;<A title=spj903@juno.com href="mailto:spj903@juno.com">spj903@juno.com</A>;<A title=jkranitz@aural-innovations.com href="mailto:jkranitz@aural-innovations.com">jkranitz@aural-innovations.com</A>;<A title=KRosser414@aol.com href="mailto:KRosser414@aol.com">KRosser414@aol.com</A>;<A title=SaftyBear1@aol.com href="mailto:SaftyBear1@aol.com">SaftyBear1@aol.com</A>;<A title=stmjames@ms19.hinet.net href="mailto:stmjames@ms19.hinet.net">stmjames@ms19.hinet.net</A>;<A title=redrabbitlosangeles@yahoo.com href="mailto:redrabbitlosangeles@yahoo.com">redrabbitlosangeles@yahoo.com</A>;<A title=loachfillet@yahoo.com href="mailto:loachfillet@yahoo.com">loachfillet@yahoo.com</A>;<A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A>;<A title=catspoet@hotmail.com href="mailto:catspoet@hotmail.com">catspoet@hotmail.com</A>;<A title=MJKJFISHER@yahoo.com href="mailto:MJKJFISHER@yahoo.com">MJKJFISHER@yahoo.com</A>;<A title=msolomon@zebra.com href="mailto:msolomon@zebra.com">msolomon@zebra.com</A>;<A title=MarcMylar@aol.com href="mailto:MarcMylar@aol.com">MarcMylar@aol.com</A>;<A title=osullivanclan@sbcglobal.net href="mailto:osullivanclan@sbcglobal.net">osullivanclan@sbcglobal.net</A>;<A title=Patersonrl@paradise.net.nz href="mailto:Patersonrl@paradise.net.nz">Patersonrl@paradise.net.nz</A>;<A title=info@getcom.biz href="mailto:info@getcom.biz">info@getcom.biz</A>;<A title=GRADAI@socal.RR.com href="mailto:GRADAI@socal.RR.com">GRADAI@socal.RR.com</A>;<A title=Deanna@antelecom.net href="mailto:Deanna@antelecom.net">Deanna@antelecom.net</A>;<A title=richard_derrick@msn.com href="mailto:richard_derrick@msn.com">richard_derrick@msn.com</A>;<A title=richie@richiehass.com href="mailto:richie@richiehass.com">richie@richiehass.com</A>;<A title=richiehass@dslextreme.com href="mailto:richiehass@dslextreme.com">richiehass@dslextreme.com</A>;<A title=Karen.Riley@SDCourt.CA.Gov href="mailto:Karen.Riley@SDCourt.CA.Gov">Karen.Riley@SDCourt.CA.Gov</A>;<A title=KRileyms@hotmail.com href="mailto:KRileyms@hotmail.com">KRileyms@hotmail.com</A>;<A title=GRXLR8@aol.com href="mailto:GRXLR8@aol.com">GRXLR8@aol.com</A>;<A title=WonderxLand@aol.com href="mailto:WonderxLand@aol.com">WonderxLand@aol.com</A>;<A title=rubberxducky@sbcglobal.net href="mailto:rubberxducky@sbcglobal.net">rubberxducky@sbcglobal.net</A>;<A title=sachis2112@yahoo.com href="mailto:sachis2112@yahoo.com">sachis2112@yahoo.com</A>;<A title=gsmulti@spiritone.com href="mailto:gsmulti@spiritone.com">gsmulti@spiritone.com</A>;<A title=Mdsegal@earthlink.net href="mailto:Mdsegal@earthlink.net">Mdsegal@earthlink.net</A>;<A title=Scan4Kim@aol.com href="mailto:Scan4Kim@aol.com">Scan4Kim@aol.com</A>;<A title=Scanmt@aol.com href="mailto:Scanmt@aol.com">Scanmt@aol.com</A>;<A title=DWa2898572@aol.com href="mailto:DWa2898572@aol.com">DWa2898572@aol.com</A>
<DIV style="FONT: 10pt arial"><B>Cc: </B><A title=viceroypronk@yahoo.com href="mailto:viceroypronk@yahoo.com">viceroypronk@yahoo.com</A>; <A title=moonmoth@netzero.net href="mailto:moonmoth@netzero.net">moonmoth@netzero.net</A>; <A title=backbiter@sbcglobal.net href="mailto:backbiter@sbcglobal.net">backbiter@sbcglobal.net</A>; <A title=spagyric@earthlink.net href="mailto:spagyric@earthlink.net">spagyric@earthlink.net</A>; <A title=profcantaloupe@yahoo.com href="mailto:profcantaloupe@yahoo.com">profcantaloupe@yahoo.com</A>; <A title=Christine@hennesseyproject.com href="mailto:Christine@hennesseyproject.com">Christine@hennesseyproject.com</A>; <A title=Chuck.Louie@albertsons.com href="mailto:Chuck.Louie@albertsons.com">Chuck.Louie@albertsons.com</A>; <A title=deb@deborahexit.com href="mailto:deb@deborahexit.com">deb@deborahexit.com</A>; <A title=Kathy.Flores@albertsons.com href="mailto:Kathy.Flores@albertsons.com">Kathy.Flores@albertsons.com</A>; <A title=sdjeepguy@mac.com href="mailto:sdjeepguy@mac.com">sdjeepguy@mac.com</A>; <A title=mgarrett@standardabrasives.com href="mailto:mgarrett@standardabrasives.com">mgarrett@standardabrasives.com</A>; <A title=GonzalesMignon@aol.com href="mailto:GonzalesMignon@aol.com">GonzalesMignon@aol.com</A>; <A title=hammer@pocketmail.com href="mailto:hammer@pocketmail.com">hammer@pocketmail.com</A>; <A title=heustis@comcast.net href="mailto:heustis@comcast.net">heustis@comcast.net</A>; <A title=info@k-9behavior.com href="mailto:info@k-9behavior.com">info@k-9behavior.com</A>; <A title=jeremy@k-9behavior.com href="mailto:jeremy@k-9behavior.com">jeremy@k-9behavior.com</A>; <A title=Frye1307@MSN.com href="mailto:Frye1307@MSN.com">Frye1307@MSN.com</A>; <A title=fkrejci@pacbell.net href="mailto:fkrejci@pacbell.net">fkrejci@pacbell.net</A>; <A title=SRYAH@aol.com href="mailto:SRYAH@aol.com">SRYAH@aol.com</A>; <A title=Cdnote@aol.com href="mailto:Cdnote@aol.com">Cdnote@aol.com</A>; <A title=kmoyes@optusnet.com.au href="mailto:kmoyes@optusnet.com.au">kmoyes@optusnet.com.au</A>; <A title=rantinraven@sbcglobal.net href="mailto:rantinraven@sbcglobal.net">rantinraven@sbcglobal.net</A>; <A title=ngutmacher@m-audio.com href="mailto:ngutmacher@m-audio.com">ngutmacher@m-audio.com</A>; <A title=phantomairship@yahoo.com href="mailto:phantomairship@yahoo.com">phantomairship@yahoo.com</A>; <A title=Randy.Kehoe@albertsons.com href="mailto:Randy.Kehoe@albertsons.com">Randy.Kehoe@albertsons.com</A>; <A title=Robert@getcom.biz href="mailto:Robert@getcom.biz">Robert@getcom.biz</A>; <A title=Rymanpotter@sbcglobal.net href="mailto:Rymanpotter@sbcglobal.net">Rymanpotter@sbcglobal.net</A>; <A title=santibanez.brown@verizon.net href="mailto:santibanez.brown@verizon.net">santibanez.brown@verizon.net</A>; <A title=Steve.Brown@albertsons.com href="mailto:Steve.Brown@albertsons.com">Steve.Brown@albertsons.com</A>; <A title=Sstraub425@aim.com href="mailto:Sstraub425@aim.com">Sstraub425@aim.com</A>; <A title=Susan.Joy@albertsons.com href="mailto:Susan.Joy@albertsons.com">Susan.Joy@albertsons.com</A>; <A title=trigone@trigonrecords.com href="mailto:trigone@trigonrecords.com">trigone@trigonrecords.com</A>; <A title=walkers_murrieta@yahoo.com href="mailto:walkers_murrieta@yahoo.com">walkers_murrieta@yahoo.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 11/29/2005 9:02:52 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Fwd: pof site progress</DIV>
<DIV><BR></DIV><FONT size=2><FONT id=role_document face=Arial color=#000000 size=2>
<DIV>Check out this link to Points of Friction</DIV></FONT></FONT></DIV></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 30 02:25:21 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Fwd: pof site progress
Date: Tue, 29 Nov 2005 21:30:00 -0500
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of course, I made the very same faux pas just a few weeks ago ;-)


----- Original Message ----- 
From: 
To: Conniescans@prodigy.net;brenchica4@valp.net;ylbrowns@sbcglobal.net;L8KERS08@aol.com;RiverbratKell@aol.com;rymanpotter@adelphia.net;rdube@adelphia.net;gottaski@sbcglobal.net;george@m-audio.com;ngci@adelphia.net;imcdole@interwrx.com;spj903@juno.com;jkranitz@aural-innovations.com;KRosser414@aol.com;SaftyBear1@aol.com;stmjames@ms19.hinet.net;redrabbitlosangeles@yahoo.com;loachfillet@yahoo.com;Loopers-Delight@loopers-delight.com;catspoet@hotmail.com;MJKJFISHER@yahoo.com;msolomon@zebra.com;MarcMylar@aol.com;osullivanclan@sbcglobal.net;Patersonrl@paradise.net.nz;info@getcom.biz;GRADAI@socal.RR.com;Deanna@antelecom.net;richard_derrick@msn.com;richie@richiehass.com;richiehass@dslextreme.com;Karen.Riley@SDCourt.CA.Gov;KRileyms@hotmail.com;GRXLR8@aol.com;WonderxLand@aol.com;rubberxducky@sbcglobal.net;sachis2112@yahoo.com;gsmulti@spiritone.com;Mdsegal@earthlink.net;Scan4Kim@aol.com;Scanmt@aol.com;DWa2898572@aol.com
Cc: viceroypronk@yahoo.com; moonmoth@netzero.net; backbiter@sbcglobal.net; spagyric@earthlink.net; profcantaloupe@yahoo.com; Christine@hennesseyproject.com; Chuck.Louie@albertsons.com; deb@deborahexit.com; Kathy.Flores@albertsons.com; sdjeepguy@mac.com; mgarrett@standardabrasives.com; GonzalesMignon@aol.com; hammer@pocketmail.com; heustis@comcast.net; info@k-9behavior.com; jeremy@k-9behavior.com; Frye1307@MSN.com; fkrejci@pacbell.net; SRYAH@aol.com; Cdnote@aol.com; kmoyes@optusnet.com.au; rantinraven@sbcglobal.net; ngutmacher@m-audio.com; phantomairship@yahoo.com; Randy.Kehoe@albertsons.com; Robert@getcom.biz; Rymanpotter@sbcglobal.net; santibanez.brown@verizon.net; Steve.Brown@albertsons.com; Sstraub425@aim.com; Susan.Joy@albertsons.com; trigone@trigonrecords.com; walkers_murrieta@yahoo.com
Sent: 11/29/2005 9:02:52 PM 
Subject: Fwd: pof site progress


Check out this link to Points of Friction
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<DIV><FONT face="MS Sans Serif">of course, I made the very same faux pas just a few weeks ago ;-)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=Ryman1960@aol.com href="mailto:Ryman1960@aol.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Conniescans@prodigy.net href="mailto:Conniescans@prodigy.net">Conniescans@prodigy.net</A>;<A title=brenchica4@valp.net href="mailto:brenchica4@valp.net">brenchica4@valp.net</A>;<A title=ylbrowns@sbcglobal.net href="mailto:ylbrowns@sbcglobal.net">ylbrowns@sbcglobal.net</A>;<A title=L8KERS08@aol.com href="mailto:L8KERS08@aol.com">L8KERS08@aol.com</A>;<A title=RiverbratKell@aol.com href="mailto:RiverbratKell@aol.com">RiverbratKell@aol.com</A>;<A title=rymanpotter@adelphia.net href="mailto:rymanpotter@adelphia.net">rymanpotter@adelphia.net</A>;<A title=rdube@adelphia.net href="mailto:rdube@adelphia.net">rdube@adelphia.net</A>;<A title=gottaski@sbcglobal.net href="mailto:gottaski@sbcglobal.net">gottaski@sbcglobal.net</A>;<A title=george@m-audio.com href="mailto:george@m-audio.com">george@m-audio.com</A>;<A title=ngci@adelphia.net href="mailto:ngci@adelphia.net">ngci@adelphia.net</A>;<A title=imcdole@interwrx.com href="mailto:imcdole@interwrx.com">imcdole@interwrx.com</A>;<A title=spj903@juno.com href="mailto:spj903@juno.com">spj903@juno.com</A>;<A title=jkranitz@aural-innovations.com href="mailto:jkranitz@aural-innovations.com">jkranitz@aural-innovations.com</A>;<A title=KRosser414@aol.com href="mailto:KRosser414@aol.com">KRosser414@aol.com</A>;<A title=SaftyBear1@aol.com href="mailto:SaftyBear1@aol.com">SaftyBear1@aol.com</A>;<A title=stmjames@ms19.hinet.net href="mailto:stmjames@ms19.hinet.net">stmjames@ms19.hinet.net</A>;<A title=redrabbitlosangeles@yahoo.com href="mailto:redrabbitlosangeles@yahoo.com">redrabbitlosangeles@yahoo.com</A>;<A title=loachfillet@yahoo.com href="mailto:loachfillet@yahoo.com">loachfillet@yahoo.com</A>;<A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A>;<A title=catspoet@hotmail.com href="mailto:catspoet@hotmail.com">catspoet@hotmail.com</A>;<A title=MJKJFISHER@yahoo.com href="mailto:MJKJFISHER@yahoo.com">MJKJFISHER@yahoo.com</A>;<A title=msolomon@zebra.com href="mailto:msolomon@zebra.com">msolomon@zebra.com</A>;<A title=MarcMylar@aol.com href="mailto:MarcMylar@aol.com">MarcMylar@aol.com</A>;<A title=osullivanclan@sbcglobal.net href="mailto:osullivanclan@sbcglobal.net">osullivanclan@sbcglobal.net</A>;<A title=Patersonrl@paradise.net.nz href="mailto:Patersonrl@paradise.net.nz">Patersonrl@paradise.net.nz</A>;<A title=info@getcom.biz href="mailto:info@getcom.biz">info@getcom.biz</A>;<A title=GRADAI@socal.RR.com href="mailto:GRADAI@socal.RR.com">GRADAI@socal.RR.com</A>;<A title=Deanna@antelecom.net href="mailto:Deanna@antelecom.net">Deanna@antelecom.net</A>;<A title=richard_derrick@msn.com href="mailto:richard_derrick@msn.com">richard_derrick@msn.com</A>;<A title=richie@richiehass.com href="mailto:richie@richiehass.com">richie@richiehass.com</A>;<A title=richiehass@dslextreme.com href="mailto:richiehass@dslextreme.com">richiehass@dslextreme.com</A>;<A title=Karen.Riley@SDCourt.CA.Gov href="mailto:Karen.Riley@SDCourt.CA.Gov">Karen.Riley@SDCourt.CA.Gov</A>;<A title=KRileyms@hotmail.com href="mailto:KRileyms@hotmail.com">KRileyms@hotmail.com</A>;<A title=GRXLR8@aol.com href="mailto:GRXLR8@aol.com">GRXLR8@aol.com</A>;<A title=WonderxLand@aol.com href="mailto:WonderxLand@aol.com">WonderxLand@aol.com</A>;<A title=rubberxducky@sbcglobal.net href="mailto:rubberxducky@sbcglobal.net">rubberxducky@sbcglobal.net</A>;<A title=sachis2112@yahoo.com href="mailto:sachis2112@yahoo.com">sachis2112@yahoo.com</A>;<A title=gsmulti@spiritone.com href="mailto:gsmulti@spiritone.com">gsmulti@spiritone.com</A>;<A title=Mdsegal@earthlink.net href="mailto:Mdsegal@earthlink.net">Mdsegal@earthlink.net</A>;<A title=Scan4Kim@aol.com href="mailto:Scan4Kim@aol.com">Scan4Kim@aol.com</A>;<A title=Scanmt@aol.com href="mailto:Scanmt@aol.com">Scanmt@aol.com</A>;<A title=DWa2898572@aol.com href="mailto:DWa2898572@aol.com">DWa2898572@aol.com</A>
<DIV style="FONT: 10pt arial"><B>Cc: </B><A title=viceroypronk@yahoo.com href="mailto:viceroypronk@yahoo.com">viceroypronk@yahoo.com</A>; <A title=moonmoth@netzero.net href="mailto:moonmoth@netzero.net">moonmoth@netzero.net</A>; <A title=backbiter@sbcglobal.net href="mailto:backbiter@sbcglobal.net">backbiter@sbcglobal.net</A>; <A title=spagyric@earthlink.net href="mailto:spagyric@earthlink.net">spagyric@earthlink.net</A>; <A title=profcantaloupe@yahoo.com href="mailto:profcantaloupe@yahoo.com">profcantaloupe@yahoo.com</A>; <A title=Christine@hennesseyproject.com href="mailto:Christine@hennesseyproject.com">Christine@hennesseyproject.com</A>; <A title=Chuck.Louie@albertsons.com href="mailto:Chuck.Louie@albertsons.com">Chuck.Louie@albertsons.com</A>; <A title=deb@deborahexit.com href="mailto:deb@deborahexit.com">deb@deborahexit.com</A>; <A title=Kathy.Flores@albertsons.com href="mailto:Kathy.Flores@albertsons.com">Kathy.Flores@albertsons.com</A>; <A title=sdjeepguy@mac.com href="mailto:sdjeepguy@mac.com">sdjeepguy@mac.com</A>; <A title=mgarrett@standardabrasives.com href="mailto:mgarrett@standardabrasives.com">mgarrett@standardabrasives.com</A>; <A title=GonzalesMignon@aol.com href="mailto:GonzalesMignon@aol.com">GonzalesMignon@aol.com</A>; <A title=hammer@pocketmail.com href="mailto:hammer@pocketmail.com">hammer@pocketmail.com</A>; <A title=heustis@comcast.net href="mailto:heustis@comcast.net">heustis@comcast.net</A>; <A title=info@k-9behavior.com href="mailto:info@k-9behavior.com">info@k-9behavior.com</A>; <A title=jeremy@k-9behavior.com href="mailto:jeremy@k-9behavior.com">jeremy@k-9behavior.com</A>; <A title=Frye1307@MSN.com href="mailto:Frye1307@MSN.com">Frye1307@MSN.com</A>; <A title=fkrejci@pacbell.net href="mailto:fkrejci@pacbell.net">fkrejci@pacbell.net</A>; <A title=SRYAH@aol.com href="mailto:SRYAH@aol.com">SRYAH@aol.com</A>; <A title=Cdnote@aol.com href="mailto:Cdnote@aol.com">Cdnote@aol.com</A>; <A title=kmoyes@optusnet.com.au href="mailto:kmoyes@optusnet.com.au">kmoyes@optusnet.com.au</A>; <A title=rantinraven@sbcglobal.net href="mailto:rantinraven@sbcglobal.net">rantinraven@sbcglobal.net</A>; <A title=ngutmacher@m-audio.com href="mailto:ngutmacher@m-audio.com">ngutmacher@m-audio.com</A>; <A title=phantomairship@yahoo.com href="mailto:phantomairship@yahoo.com">phantomairship@yahoo.com</A>; <A title=Randy.Kehoe@albertsons.com href="mailto:Randy.Kehoe@albertsons.com">Randy.Kehoe@albertsons.com</A>; <A title=Robert@getcom.biz href="mailto:Robert@getcom.biz">Robert@getcom.biz</A>; <A title=Rymanpotter@sbcglobal.net href="mailto:Rymanpotter@sbcglobal.net">Rymanpotter@sbcglobal.net</A>; <A title=santibanez.brown@verizon.net href="mailto:santibanez.brown@verizon.net">santibanez.brown@verizon.net</A>; <A title=Steve.Brown@albertsons.com href="mailto:Steve.Brown@albertsons.com">Steve.Brown@albertsons.com</A>; <A title=Sstraub425@aim.com href="mailto:Sstraub425@aim.com">Sstraub425@aim.com</A>; <A title=Susan.Joy@albertsons.com href="mailto:Susan.Joy@albertsons.com">Susan.Joy@albertsons.com</A>; <A title=trigone@trigonrecords.com href="mailto:trigone@trigonrecords.com">trigone@trigonrecords.com</A>; <A title=walkers_murrieta@yahoo.com href="mailto:walkers_murrieta@yahoo.com">walkers_murrieta@yahoo.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 11/29/2005 9:02:52 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Fwd: pof site progress</DIV>
<DIV><BR></DIV><FONT size=2><FONT id=role_document face=Arial color=#000000 size=2>
<DIV>Check out this link to Points of Friction</DIV></FONT></FONT></DIV></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Nov 30 02:33:34 2005
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	id 3AA7E3BEE9; Wed, 30 Nov 2005 02:33:34 +0000 (UTC)
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From: ArsOcarina@aol.com
Message-ID: <54.51b58c7a.30be6977@aol.com>
Date: Tue, 29 Nov 2005 21:33:27 EST
Subject: IT MUST'VE BEEN A SLOW DAY LOOPERS
To: Loopers-Delight@loopers-delight.com
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Hi gang,

Until Kris posted his "test" a few minutes ago I don't think I=20
recieved an LD post all day. Everyone must've been busy=20
elsewhere making music -- or writing their Xmas letters to=20
Santa. Speaking of the old red-suited gent, I got to impersonate
him (vocally) for a TV commercial today -- my first ever
professional voice-over job. I guess getting old and fat is=20
good for something after all. My voice got so ragged towards
the end the engineer said I sounded more like Tom Waits
doing a "pirate" imitation than Santa Claus. This might be
off-topic except I had to do it over and over and over, Then=20
I got to listen to the engineer sort through all of the different=20
"takes" trying to find the best bits to patch together -- not
my favorite "looping" experience.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hi gang,<BR>
<BR>
Until Kris posted his "test" a few minutes ago I don't think I <BR>
recieved an LD post all day. Everyone must've been busy <BR>
elsewhere making music -- or writing their Xmas letters to <BR>
Santa. Speaking of the old red-suited gent, I got to impersonate<BR>
him (vocally) for a TV commercial today -- my first ever<BR>
professional voice-over job. I guess getting old and fat is <BR>
good for something after all. My voice got so ragged towards<BR>
the end the engineer said I sounded more like Tom Waits<BR>
doing a "pirate" imitation than Santa Claus. This might be<BR>
off-topic except I had to do it over and over and over, Then <BR>
I got to listen to the engineer sort through all of the different <BR>
"takes" trying to find the best bits to patch together -- not<BR>
my favorite "looping" experience.<BR>
<BR>
Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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