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Hey there everybody!

It may not amount to a heck of a lot. But CDBaby just sent out an e-mail=20
giving=20
artists the opportunity to donate proceeds from their CD sales to the Red=20
Cross
for hurricane disaster relief. I've decided to do it for a limited time (at=20
least=20
a month or two).=20

I know there are some other loopers on LD who also have disks for sale at=20
CDBaby.=20
It seems like a good cause -- and heck I ain't getting rich form CD sales=20
anyway.=20
If you have a CD for sale on CDBaby consider participating. If not, maybe=20
consider=20
buying a CD there sometime soon.

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_157.57ee0a5a.3047a0e9_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hey there everybody!<BR>
<BR>
It may not amount to a heck of a lot. But CDBaby just sent out an e-mail giv=
ing <BR>
artists the opportunity to donate proceeds from their CD sales to the Red Cr=
oss<BR>
for hurricane disaster relief. I've decided to do it for a limited time (at=20=
least <BR>
a month or two). <BR>
<BR>
I know there are some other loopers on LD who also have disks for sale at CD=
Baby. <BR>
It seems like a good cause -- and heck I ain't getting rich form CD sales an=
yway. <BR>
If you have a CD for sale on CDBaby consider participating. If not, maybe co=
nsider <BR>
buying a CD there sometime soon.<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Best regards,</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">tEd =AE kiLLiAn</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SA=
NSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">"Different is not always better, but better is always different"</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.pfmentum.com/flux.html</FONT><FONT COLOR=3D"#808080" FACE=3D"Ge=
neva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.CDbaby.com/cd/tedkillian</FONT><FONT COLOR=3D"#808080" FACE=3D"=
Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.guitar9.com/fluxaeterna.html</FONT><FONT COLOR=3D"#808080" FACE=
=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.garageband.com/artist/ArsOcarina</FONT><FONT COLOR=3D"#808080"=20=
FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.towerrecords.com/product.aspx?pfid=3D2845073</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,</FONT><FONT=20=
COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,</FONT><FONT COL=
OR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_157.57ee0a5a.3047a0e9_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 01:17:49 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Cc: lucio@kingtone.com
Date: Wed, 31 Aug 2005 20:17:47 -0500
Subject: Re: Y2K5 International Live Looping Festival
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Hey Rick-

I can't remember the status of our emails regarding Y2K5.  I've got a weddi=
ng to attend on the 8th.  Can you fit lumper/splitter in on the 9th??

Joe

----- Original Message -----
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Y2K5 International Live Looping Festival
Date: Wed, 31 Aug 2005 15:22:40 -0700

>=20
> The Y2K5 International Live Looping Festival will be held in
> Santa Cruz on October 8th and 9th (Saturday and Sunday).
> We'll be celebrating five years of producing live looping festivals=20
> this year!!!!
>=20
> The person who I secured a venue from has stopped working for the=20
> organization where we had it planned so I am scrambling now to find=20
> an alternate location (or renegotiate playing at the original=20
> venue).
>=20
> Also, being in Zurich for the big festival has put me behind in the=20
> production of this festival.
> That added to the fact that several featured performers are still=20
> unsure if they can come or not
> means that I cannot officially reveal any of the details of the=20
> festival (they aren't decided yet).
>=20
> There is also a strong possibility that we may have one or even two=20
> dates for the festival in San Francisco.  Again, this is being=20
> negotiated as we speak.
>=20
> A large number of people have already contacted me about playing=20
> the festival so there may still be
> spots open in the performance.
>=20
> I will give first consideration to people 1) from out of California
> and 2) who have not played the festival before
>=20
> so if you are interested in playing and I don't already know your music
>=20
> Send me a CD as soon as possible, for consideration to
>=20
> Y2K5 SUBMISSION
> 412 Darwin Street
> Santa Cruz, California
> 95062-2629
>=20
> I will accept people on a first come, first served basis.
>=20
> Please make it representative of what you do in a live looping slot.
>=20
> Do to the large volume of applicants so far, I will not consider=20
> anyone but musicians who
> use live looping as a primary tool in their performances.
>=20
> This means that performances that rely on pre recorded loops=20
> primarily will not be accepted.
> It is okay if people augment their primarily live looping set with=20
> drum machines or sequences but the spirit of this festival is LIVE=20
> LOOPING.
>=20
> There really, unfortunately,  isn't room for groups at this=20
> festival (unless they can meet the
> 20 minute silent setup, 30 minute set and 10 minute maximum=20
> offstage time criteria).
>=20
> I look forward to hearing from you.  Wish me luck in finding a suitable v=
enue!
>=20
> yours,
> Rick Walker
> Y2K5 International Live Looping Festival

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 01:42:21 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 31 Aug 2005 20:42:18 -0500
Subject: Re: Echoplex Footpedal not responding
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Hey Doug

How did you mod your echoplex foot controller to switch between 2 EDPs?  To=
ggle switch?  No false triggers when switching, etc?



----- Original Message -----
From: "Doug Cox" <dougcox@pdq.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex Footpedal not responding
Date: Wed, 31 Aug 2005 14:54:03 -0500

>=20
> I use the native EDP controller, on a pedalboard, live onstage with=20
> a band.  Never had an issue.  I have even modified my native EDP=20
> controller to swtch between my 2 EDPs.  Still no issues.
>=20
> The FCB1010 is 27 inches wide.  The EDP controller is approximately=20
> 18 inches (don't have one in front of me). I agree - design and=20
> adapt to what you need.  But operate on the facts.
>=20
> Doug
>=20
> Adrian Bartholomew wrote:
>=20
> > 1---u need PERFECTION onstage. period. reliability is key. who=20
> > wants to be embarrased or have to compromise creativity? anything=20
> > less.... is a "bad" design, whatever the reason.
> > 2---if u dont have floorspace for the edp pedal, u wont have it=20
> > for the 1010 either. neither will fit into any conventional=20
> > pedalbox. design and adapt to what u need for ur act.
> >
> > ___*
> > Adrian Bartholomew
> > *Leawood KS
> > On Aug 31, 2005, at 12:00 PM, Travis Hartnett wrote:
> >
> >     The EDP footpedal isn't badly designed, but it's not perfect. The
> >     resistance based control method isn't as fragile or error prone as
> >     you
> >     might think and it does allow for people to easily make custom
> >     controllers in different form factors (although few people did so),
> >     and also allows for easy end-user repair of the foot controller.
> >
> >     Remember that the footpedal design is about ten years old, and there
> >     were no cheap Behringer MIDI controllers back then. For people that
> >     want immediate access to the most of the core features of EDP witho=
ut
> >     the programming issues of a MIDI controller and/or who can't spare
> >     the
> >     floorspace the Behringer requires, the EDP footcontroller is a very
> >     useful tool.
> >
> >     It also helps to remember that "stompbox" is a nickname, not an
> >     operating instruction.
> >
> >     TravisH
> >
> >     On 8/31/02, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> >
> >         the edp footpedal is badly designed. i have seen posts that
> >         suggests
> >         that it uses different resistances in the switches that the bra=
in
> >         translates to decide which function to perform. dumb idea.
> >         anything
> >         could throw that off. dirty switches, interference etc. maybe
> >         its not
> >         even debounced adequately as someone also had some luck with
> >         putting
> >         capacitance across it. either way its very unreliable.
> >         frightening to
> >         depend on onstage.
> >         all u can do is clean it with contact cleaner and say 3 hail
> >         marys.
> >         GET A MIDI FOOTPEDAL.
> >         the behringer FCB1010 is the choice of most including mine for
> >         versatility, price and reliability.
> >
> >         ___
> >         Adrian Bartholomew
> >         Leawood KS
> >         On Aug 31, 2005, at 6:32 AM, Frederik Leroux-Roels wrote:
> >
> >
> >

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 02:48:09 2005
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Date: Wed, 31 Aug 2005 19:48:07 -0700
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex Footpedal not responding
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I don't know what Doug did, but I've been using a Morley ABY switcher
with no problems.

TravisH

On 8/31/05, joe rut <joerut@lycos.com> wrote:
> Hey Doug
>=20
> How did you mod your echoplex foot controller to switch between 2 EDPs?  =
Toggle switch?  No false triggers when switching, etc?
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 04:54:09 2005
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performances with The Lothars  9.6.05, Somerville, MA
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Hi folks,

I'll be doing video improv with one of my favorite bands on Tuesday 
Sept 6. I'll be using midi touch padds to control my video mixers for 
extra wierdness and (hopefully) musical responsiveness. Come check it 
out.

At 6:51 AM -0500 8/31/05, The Lothars wrote:
>Terrastock Reunion in Somerville!
>
>----------------
>
>Tuesday, September 6, Multi-thereminists The Lothars perform with 
>Sweden's Spacious Mind and Boston's Major Stars for an evening of 
>Freaking Out, Man! All three bands are veterans of the psychedelic 
>Terrastock Festivals that have taken place over the last 8 years in 
>cities from London to San Francisco to Boston. As if that wasn't 
>freaky enough for you, video artist Dr. T (another Terrastock vet!) 
>will be working his magic during the Lothars set.
>
>The location is the humble P.A.'s lounge, 345 Somerville Ave., in 
>up-and-coming Union Square, Somerville. Doors are at 8pm, The 
>Lothars go on first at 9pm, and admission is a measly $5. Check out 
>the newly redesigned P.A.'s Lounge website at 
>http://www.paslounge.com/
>
>Spacious Mind: http://www.delerium.co.uk/bands/spaciousmind/
>Major Stars: http://twistedvillage.com/label.asp
>Dr. T: http://www.foryourhead.com/


-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 07:08:31 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Zurich Loopfest Diary
Date: Thu, 1 Sep 2005 09:08:26 +0200
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On Sep 1, 2005, at 0:44, Wind Stick Devil wrote:

> Where can I get a copy of that Pittsburgh recording star Michael  
> Klobuchar's CD mentioned in your 'diary'?
>
> W


Maybe this will do: If you go to the Festival's web page you will  
find that many artists own web sites are linked to their names in the  
performing schedule. Hopefully Klobuchar has a web page where his CD  
can be ordered.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 07:18:57 2005
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> Is there a way we could setup sharing photos of the festival with  
> each other?

two ways spring to mind
- use a yahoo group. don't know if there's already one for the loopfest
- use flickr.com


I've just started using flickr e.g. http://www.flickr.com/photos/ 
19386144@N00/


os.

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>>has anyone ever tried the following: [snip] the loop acts as a feedback loop in addition to the DL4 looper's internal feedback (which is preset to 0.9), only that it's inverse feedback.....<<

it's logical, but unfortunately it is based on the assumption that it's possible to invert the phase of the audio simply by reversing the wires in an /unbalanced/ connector. 
I can see what you're getting at, though. worth a try, but the phase inversion would need to be accomplished by more sophisticated means, like a phase-reverse switch on a mixer.

in any case, it's likely that there'd be some degree (NPI) of phase shift & delay between the output of the delay & it's own input, & that you'd likely hear some flanging-type artefacts taking this approach.

I have a feeling that the 100% feedback in the DL4's looper mode is accomplished in the digital domain, along with the feedback in the various echo modes; so even if you were to successfully mix in an inverted version of the loop in order to partially erase it, you'd have some flanging artefacts due to the A>D & D>A processes.

this is similar to what I do with the repeater- I have the feedback turned down & then send the repeater back into itself via an aux on my mixer. any effects &/or eq on the repeater's mixer channel are thus multiplied into the loop to a degree that I can control by balancing the "mixer" feedback against the repeater's own feedback. some flanging arfefacts do present themselves but are lost in the general melee.... :-)

duncan.


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1">
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<TITLE>RE: overcoming fixed feedback ratios for e.g. DL4</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>&gt;&gt;has anyone ever tried the following: [snip] the l=
oop acts as a feedback loop in addition to the DL4 looper's internal feedba=
ck (which is preset to 0.9), only that it's inverse feedback.....&lt;&lt;</=
FONT></P>

<P><FONT SIZE=3D2>it's logical, but unfortunately it is based on the assump=
tion that it's possible to invert the phase of the audio simply by reversin=
g the wires in an /unbalanced/ connector. </FONT></P>

<P><FONT SIZE=3D2>I can see what you're getting at, though. worth a try, bu=
t the phase inversion would need to be accomplished by more sophisticated m=
eans, like a phase-reverse switch on a mixer.</FONT></P>

<P><FONT SIZE=3D2>in any case, it's likely that there'd be some degree (NPI=
) of phase shift &amp; delay between the output of the delay &amp; it's own=
 input, &amp; that you'd likely hear some flanging-type artefacts taking th=
is approach.</FONT></P>

<P><FONT SIZE=3D2>I have a feeling that the 100% feedback in the DL4's loop=
er mode is accomplished in the digital domain, along with the feedback in t=
he various echo modes; so even if you were to successfully mix in an invert=
ed version of the loop in order to partially erase it, you'd have some flan=
ging artefacts due to the A&gt;D &amp; D&gt;A processes.</FONT></P>

<P><FONT SIZE=3D2>this is similar to what I do with the repeater- I have th=
e feedback turned down &amp; then send the repeater back into itself via an=
 aux on my mixer. any effects &amp;/or eq on the repeater's mixer channel a=
re thus multiplied into the loop to a degree that I can control by balancin=
g the &quot;mixer&quot; feedback against the repeater's own feedback. some =
flanging arfefacts do present themselves but are lost in the general melee.=
... :-)</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 13:22:54 2005
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Date: Thu, 1 Sep 2005 10:22:52 -0300
From: tadeu barboza <tbkobna@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Jam Man Memory
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I was wondering if anyone could possibily give me a clue.
I live in Rio (Brazil) and I was searching for memorys for my Jam Mam,
I found 20 pin Zips from Toshiba (9215 HCK  TC 514400 AP-80 Japan), is
it compatible?

I know the models names from the Manual but the vendor said that their
are all compatible..Uhhmm..but....

Thanks Everyone

KOBNA

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 13:53:51 2005
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Subject: RE: Jam Man Memory
Date: Thu, 1 Sep 2005 09:54:02 -0400
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I have a set currently on eBay ...

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=7346981253&ssPageNam
e=STRK:MESE:IT

These are the NEC chips listed in the manual. I'm not familiar with the
Toshiba parts.

Bill


-----Original Message-----
From: tadeu barboza [mailto:tbkobna@gmail.com] 
Sent: Thursday, September 01, 2005 9:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Jam Man Memory

I was wondering if anyone could possibily give me a clue.
I live in Rio (Brazil) and I was searching for memorys for my Jam Mam,
I found 20 pin Zips from Toshiba (9215 HCK  TC 514400 AP-80 Japan), is
it compatible?

I know the models names from the Manual but the vendor said that their
are all compatible..Uhhmm..but....

Thanks Everyone

KOBNA



From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 14:00:09 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Zurich loopfestival photos
Date: Thu, 1 Sep 2005 15:59:30 +0200
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> - use flickr.com


good idea Os ...

I've just created a 'Loopfestival Zurick 2005' flickr pool. You can set up
your own account, upload your images, then join this pool, and make your
images available to it.  Everybody can upload to the pool, and everybody can
look at and comment on images. I have just started and added some of my
photos from the loopfestival.

Go to http://www.flickr.com/groups/13509629@N00/pool/



-Michael
www.michaelpeters.de





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To: Loopers-Delight@loopers-delight.com
From: Erland <soam@acedsl.com>
Subject: EDP+Logic Problems
Date: Thu, 1 Sep 2005 10:52:22 -0400
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I'm having some problems with the EDP + Logic. EDP is the "master"  
that Logic is syncing to. Logic seems to want to stop having the sync  
button pushed in by itself.
  Record also stops by itself in Logic. It seems to be related to  
when I hit "record on the EDP. I have tried various settings in  
Logic. Auto Sync-in, MIDI-Clock Sync...

I finally found a decent BPM by setting the EDP to 128. I forget the  
parameter name as I'm new to the EDP. I'm guess the BPM will be all  
wrong if I record a different number of bars next time. Any input on  
this?

Any help is appreciated.

Thanks,

-----------------------------------------------------

erland

www.erlandonline.com
www.myspace.com/erland


From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 16:22:20 2005
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Subject: [Flickr] Michael Peters has invited you to join Loopfestival Zurich 2005
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Hi Looper's Delight,

share your Loopfestival Zurich 2005 images!
If you would like to join this group, click on the
following link (or copy and paste it into your web
browser). Then you can see what this group is all about!

http://www.flickr.com/welcome/564056/959771/


See you there!

Michael Peters


p.s. If you are not interested, just ignore this email.
Flickr won't bug you again and there's nothing special you
have to do.

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 16:34:31 2005
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Subject: Your Top 10 Favorite Guitarists & Samples
Date: Thu, 1 Sep 2005 10:33:14 -0600
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Thread-Topic: Your Top 10 Favorite Guitarists & Samples
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From: "Hartung, Kris" <kris.hartung@hp.com>
To: <Loopers-Delight@loopers-delight.com>
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...thought I would send this along, not so much as a show n' tell of my
influences and favorites, but a way for me to see what others have on
their list, so that I can become acquainted with more music and players.
Be sure to include a link to a sound clip if you provide the
name...that's the point here.  I found most of these clips at
Amazon.com. So if you can't play the Real file, go to Amazon and look up
the Windows Media version.

Kris


1. John Abercrombie

Stella by Starlight:
http://www.amazon.com/exec/obidos/clipserve/B000025ZX7001002/1/103-39995
07-4687067 (beautiful interpretation of this standard...ver abstract,
great drum solo from Pete Erskine, etc)
Furs On Ice:
http://www.amazon.com/exec/obidos/clipserve/B000025ZX7001001/1/103-39995
07-4687067 (great showcase of the GR-300 guitar synth)
Carol's Carol:
http://www.amazon.com/exec/obidos/clipserve/B00000DTFY001005/1/103-39605
95-1008640 (beautiful melody with Hammon organ too)
How's Never:
http://www.amazon.com/exec/obidos/clipserve/B000024J5P001006/1/103-39605
95-1008640 (cool groove and odd time signature)

2. John Stowell (my biggest influence in light of those finger stretched
chord voicings, playing the guitar more like a piano player, etc...have
taken lessons from him in person, etc)

Scenes: http://music.msn.com/album/?album=3D10520480
Banff Sessions:
http://www.cduniverse.com/search/xx/music/pid/6156039/a/Banff+Sessions.h
tm
Portland Jazz Jams Interview:
http://odeo.com/show/download/77920/4/libsyn.com.media.portlandjazzjams.
PJJEpisode04JohnStowell061905.mp3

3. John McLaughlin

Jazz Jungle:
http://www.amazon.com/exec/obidos/clipserve/B00000471B001006/1/103-39995
07-4687067 (what John himself considered the ideal jazz fusion
song...totally savage tune with him using the ring modulator, etc)
Take the Coltrane:
http://www.amazon.com/exec/obidos/clipserve/B0000046Z2001001/1/103-39995
07-4687067 (wonderful interpretation of this tune with Elvin Jones and
Joey Defranceso on Hammon....I love the guitar solo on this


4. Terje Rypdal (probably  my all time favorite avant-garde composer...a
genius in my mind)

Transition:
http://www.amazon.com/exec/obidos/clipserve/B0000261KW001007/0/103-49910
88-4165407
Rainbow:
http://www.amazon.com/exec/obidos/clipserve/B00000DTE0001006/0/103-49910
88-4165407
Waves:
http://www.amazon.com/exec/obidos/clipserve/B0000261JZ001004/1/103-49910
88-4165407
The Return Of Per Ulv:
http://www.amazon.com/exec/obidos/clipserve/B000024H5C001001/1/103-49910
88-4165407

5. John Scofield

Boozer:
http://www.amazon.com/exec/obidos/clipserve/B0000069NM001003/1/103-49910
88-4165407
I'll Take Les:
http://www.amazon.com/exec/obidos/clipserve/B000005GWA001001/1/103-49910
88-4165407
Dark Blue:
http://www.amazon.com/exec/obidos/clipserve/B000005GWA001002/1/103-49910
88-4165407
Blackout:
http://www.amazon.com/exec/obidos/clipserve/B00004RCAR001007/1/103-49910
88-4165407
Acidhead:
http://www.amazon.com/exec/obidos/clipserve/B00005RTDC001001/1/103-49910
88-4165407

6 Lorne Lofskey (another unkonwn but outstanding jazz player...uses very
him chord voicings and has a great command of the fretboard)

All the Things You Are: http://www.lornelofsky.com/audio/allthings.mp3

7. Bill Frisell (need I say anything here?...I love his more
abstract/avant-garde work, especially the live CD from Paris)

Throughout:
http://www.amazon.com/exec/obidos/clipserve/B00000322E001001/1/103-39995
07-4687067
Strange Meeting:
http://www.amazon.com/exec/obidos/clipserve/B0000261PQ001006/1/103-39995
07-4687067

8. Tal Farlow (unbelievable jazz guitarist that is not very well known,
but influenced all the greats, like Jim Hall, etc)

Stella by Starlight:
http://www.amazon.com/exec/obidos/clipserve/B0000046YX001015/1/103-39605
95-1008640 (Screamin'!)

9. Pat Metheny

Au Lait:
http://www.amazon.com/exec/obidos/clipserve/B0000262LA001003/1/103-39605
95-1008640 (my favorite Metheny tune...very touching to me)
Bright Sized Life:
http://www.amazon.com/exec/obidos/clipserve/B0000261L9001001/1/103-39605
95-1008640 (with Jaco!!!)
Giant Steps:
http://www.amazon.com/exec/obidos/clipserve/B000046S1F001002/1/103-39605
95-1008640 (damn...)

10.   Pat Martino

Noshufuru:
http://www.amazon.com/exec/obidos/clipserve/B0000014M0001001/1/103-39605
95-1008640

Other favorites that I didn't have time to add: Jeff Beck, Al DiMiola,
Ronnie LeTekro (TNT), Paco DeLucia, Kenny Burrell, Joe Pass, Bereli
Legrene, Mike Stearn, Jimmy Bruno

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charset=3Dus-ascii">
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<TITLE>Your Top 10 Favorite Guitarists &amp; Samples</TITLE>
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<BODY>
<!-- Converted from text/rtf format -->

<P><FONT SIZE=3D2 FACE=3D"Arial">&#8230;thought I would send this along, =
not so much as a show n' tell of my influences and favorites, but a way =
for me to see what others have on their list, so that I can become =
acquainted with more music and players. Be sure to include a link to a =
sound clip if you provide the name&#8230;that's the point here.&nbsp; I =
found most of these clips at Amazon.com. So if you can&#8217;t play the =
Real file, go to Amazon and look up the Windows Media =
version.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Kris</FONT>
</P>
<BR>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">1. John Abercrombie</FONT></B>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Stella by Starlight: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000025ZX7001002/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000025ZX70010=
02/1/103-3999507-4687067</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(beautiful interpretation of this standard&#8230;ver abstract, great =
drum solo from Pete Erskine, etc)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Furs On Ice: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000025ZX7001001/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000025ZX70010=
01/1/103-3999507-4687067</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(great showcase of the GR-300 guitar synth)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Carol's Carol: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00000DTFY001005/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00000DTFY0010=
05/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(beautiful melody with Hammon organ too)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">How's Never: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000024J5P001006/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000024J5P0010=
06/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(cool groove and odd time signature)</FONT></P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">2. John Stowell (my biggest =
influence in light of those finger stretched chord voicings, playing the =
guitar more like a piano player, etc...have taken lessons from him in =
person, etc)</FONT></B></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Scenes: </FONT><A =
HREF=3D"http://music.msn.com/album/?album=3D10520480"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://music.msn.com/album/?album=3D10520480</FONT></U></A=
>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Banff Sessions: </FONT><A =
HREF=3D"http://www.cduniverse.com/search/xx/music/pid/6156039/a/Banff+Ses=
sions.htm"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.cduniverse.com/search/xx/music/pid/6156039/a/Ba=
nff+Sessions.htm</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Portland Jazz Jams Interview: =
</FONT><A =
HREF=3D"http://odeo.com/show/download/77920/4/libsyn.com.media.portlandja=
zzjams.PJJEpisode04JohnStowell061905.mp3"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 =
FACE=3D"Arial">http://odeo.com/show/download/77920/4/libsyn.com.media.por=
tlandjazzjams.PJJEpisode04JohnStowell061905.mp3</FONT></U></A></P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">3. John McLaughlin</FONT></B>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Jazz Jungle: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00000471B001006/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00000471B0010=
06/1/103-3999507-4687067</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(what John himself considered the ideal jazz fusion song&#8230;totally =
savage tune with him using the ring modulator, etc)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Take the Coltrane: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000046Z2001001/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000046Z20010=
01/1/103-3999507-4687067</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(wonderful interpretation of this tune with Elvin Jones and Joey =
Defranceso on Hammon&#8230;.I love the guitar solo on this</FONT></P>
<BR>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">4. Terje Rypdal (probably&nbsp; my =
all time favorite avant-garde composer&#8230;a genius in my =
mind)</FONT></B>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Transition: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000261KW001007/0/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000261KW0010=
07/0/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Rainbow: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00000DTE0001006/0/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00000DTE00010=
06/0/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Waves: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000261JZ001004/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000261JZ0010=
04/1/103-4991088-4165407</FONT></U></A><BR>
<FONT SIZE=3D2 FACE=3D"Arial">The Return Of Per Ulv</FONT><FONT =
FACE=3D"Times New Roman">:</FONT>&nbsp;<FONT SIZE=3D2 FACE=3D"Arial"> =
</FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000024H5C001001/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000024H5C0010=
01/1/103-4991088-4165407</FONT></U></A>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">5. John Scofield</FONT></B><BR>


<BR><FONT SIZE=3D2 FACE=3D"Arial">Boozer: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000069NM001003/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000069NM0010=
03/1/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">I'll Take Les: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000005GWA001001/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000005GWA0010=
01/1/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Dark Blue: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000005GWA001002/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000005GWA0010=
02/1/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Blackout: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00004RCAR001007/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00004RCAR0010=
07/1/103-4991088-4165407</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Acidhead: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00005RTDC001001/1/10=
3-4991088-4165407"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00005RTDC0010=
01/1/103-4991088-4165407</FONT></U></A>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">6 Lorne Lofskey (another unkonwn but =
outstanding jazz player&#8230;uses very him chord voicings and has a =
great command of the fretboard)</FONT></B></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">All the Things You Are: </FONT><A =
HREF=3D"http://www.lornelofsky.com/audio/allthings.mp3"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.lornelofsky.com/audio/allthings.mp3</FONT></U><=
/A>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">7. Bill Frisell (need I say anything =
here?...I love his more abstract/avant-garde work, especially the live =
CD from Paris)</FONT></B></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Throughout: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B00000322E001001/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B00000322E0010=
01/1/103-3999507-4687067</FONT></U></A>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Strange Meeting: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000261PQ001006/1/10=
3-3999507-4687067"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000261PQ0010=
06/1/103-3999507-4687067</FONT></U></A>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">8. Tal Farlow (unbelievable jazz =
guitarist that is not very well known, but influenced all the greats, =
like Jim Hall, etc)</FONT></B></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Stella by Starlight: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000046YX001015/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000046YX0010=
15/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(Screamin'!)</FONT>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">9. Pat Metheny</FONT></B>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Au Lait: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000262LA001003/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000262LA0010=
03/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(my favorite Metheny tune&#8230;very touching to me)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Bright Sized Life: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000261L9001001/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000261L90010=
01/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(with Jaco!!!)</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Giant Steps: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B000046S1F001002/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B000046S1F0010=
02/1/103-3960595-1008640</FONT></U></A><FONT SIZE=3D2 FACE=3D"Arial"> =
(damn&#8230;)</FONT>
</P>

<P><B><FONT SIZE=3D2 FACE=3D"Arial">10.&nbsp;&nbsp; Pat =
Martino</FONT></B>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Noshufuru: </FONT><A =
HREF=3D"http://www.amazon.com/exec/obidos/clipserve/B0000014M0001001/1/10=
3-3960595-1008640"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.amazon.com/exec/obidos/clipserve/B0000014M00010=
01/1/103-3960595-1008640</FONT></U></A><BR>


<BR><FONT SIZE=3D2 FACE=3D"Arial">Other favorites that I didn't have =
time to add: Jeff Beck, Al DiMiola, Ronnie LeTekro (TNT), Paco DeLucia, =
Kenny Burrell, Joe Pass, Bereli Legrene, Mike Stearn, Jimmy =
Bruno</FONT></P>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 17:01:20 2005
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <6023C09B-99A9-4769-8135-9A5E3FA4EBE0@acedsl.com>
Subject: Re: EDP+Logic Problems
Date: Thu, 1 Sep 2005 19:01:11 +0200
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do it the other way: sync the edp to logic
no audio recorder can adjust to the even very small wandering of a midi 
clock sync (no bug-normal)

set your EDP to sync in and set logic to send midi clock out of the relevant 
midi port

sorry I dont know logic so.....

Claude







> I'm having some problems with the EDP + Logic. EDP is the "master"  that 
> Logic is syncing to. Logic seems to want to stop having the sync  button 
> pushed in by itself.
>  Record also stops by itself in Logic. It seems to be related to  when I 
> hit "record on the EDP. I have tried various settings in  Logic. Auto 
> Sync-in, MIDI-Clock Sync...
>
> I finally found a decent BPM by setting the EDP to 128. I forget the 
> parameter name as I'm new to the EDP. I'm guess the BPM will be all  wrong 
> if I record a different number of bars next time. Any input on  this?
>
> Any help is appreciated.
>
> Thanks,
>
> -----------------------------------------------------
>
> erland
>
> www.erlandonline.com
> www.myspace.com/erland
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 18:34:44 2005
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Subject: RE: [Flickr] Michael Peters has invited you to join Loopfestival Zurich 2005
Date: Thu, 1 Sep 2005 20:34:35 +0200
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FlickR still seems to be in a beta stage  :-)

Try this link: http://www.flickr.com/groups/13509629@N00/



> > http://www.flickr.com/welcome/564056/959771/
> 
> 
> I'm sorry, but that page says:
> "Page not found,  Oops! Looks like you followed a bad link."
> 
> per ;-)
> 


From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 18:41:14 2005
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>> Try this link: http://www.flickr.com/groups/13509629@N00/

and then sign in with your Yahoo ID ... for some reason you see more images
then ...

-Michael




From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 19:43:58 2005
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Subject: Re: overcoming fixed feedback ratios for e.g. DL4
Date: Thu, 1 Sep 2005 15:40:54 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0041_01C5AF0B.89F9AEB0
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RE: overcoming fixed feedback ratios for e.g. DL4>this is similar to =
what I do with the repeater- I have the feedback turned down & then send =
the repeater back into itself via an aux on my mixer. any=20
>effects &/or eq on the repeater's mixer channel are thus multiplied =
into the loop to a degree that I can control by balancing the "mixer" =
feedback against=20
>the repeater's own feedback. some flanging arfefacts do present =
themselves but are lost in the general melee.... :-)

I do something sort of like that with my setup.  I have a set of delays =
on each of the AUX sends out of my mixer and I run the outputs of those =
back into the channels on the mixer, I can then send them back around to =
the same set of delays, or to the other.  If I get it set just right, =
it'll play and evolve and do weird stuff for hours.

It looks sort of like this

Instrument input -> mixer -> Aux 1 -> Digitech 2 sec DDL -> Adrenalinn =
-> DL4 -> mixer channel 1/2
                                             |
                                             -> Aux 2 -> Arion Stereo =
Delay -> RC20XL -> DD20 GigaDelay -> mixer channel 3/4

I can then send channel 1/2 to aux 2 and channel 3/4 to aux 1 and around =
and around she goes...


feedback heaven.

Tony
------=_NextPart_000_0041_01C5AF0B.89F9AEB0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: overcoming fixed feedback ratios for e.g. =
DL4</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>&gt;this is similar to what I do with the repeater- =
I have the=20
feedback turned down &amp; then send the repeater back into itself via =
an aux on=20
my mixer. any </FONT></DIV>
<DIV><FONT size=3D2>&gt;effects &amp;/or eq on the repeater's mixer =
channel are=20
thus multiplied into the loop to a degree that I can control by =
balancing the=20
"mixer" feedback against </FONT></DIV>
<DIV><FONT size=3D2>&gt;the repeater's own feedback. some flanging =
arfefacts do=20
present themselves but are lost in the general melee.... =
:-)</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I do something sort of like that with my =
setup.&nbsp; I have a=20
set of delays on each of the AUX sends out of my mixer and I run the =
outputs of=20
those back into the channels on the mixer, I can then send them back =
around to=20
the same set of delays, or to the other.&nbsp; If I get it set just =
right, it'll=20
play and evolve and do weird stuff for hours.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>It looks sort of like this</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Instrument input -&gt; mixer -&gt; Aux 1 -&gt; =
Digitech 2 sec=20
DDL -&gt; Adrenalinn -&gt; DL4 -&gt; mixer channel 1/2</FONT></DIV>
<DIV><FONT=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
|</FONT></DIV>
<DIV><FONT=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
-&gt; Aux 2 -&gt; Arion Stereo Delay -&gt; RC20XL -&gt; DD20 GigaDelay =
-&gt;=20
mixer channel 3/4</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I can then send channel 1/2 to aux 2 and channel 3/4 =
to aux 1=20
and around and around she goes...</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>feedback heaven.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT size=3D2>Tony<CODE><FONT=20
size=3D3></DIV></FONT></CODE></FONT></FONT></BODY></HTML>

------=_NextPart_000_0041_01C5AF0B.89F9AEB0--

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 22:54:02 2005
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Hello all,
After every loop, my EDP makes a quiet thunk sound. I have Loop IV and have the 
memory maxed out. I think it's an early generation machine.

Anyone have any suggestions?Louis Hesselt-van-Dinter


From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 23:25:40 2005
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On my oldest EDP I sometimes get a click type sound at the the end of
a loop.  I've never been able to isolate it, and it's not common, but
a long record almost always fixed it.  I'd always suspected it was
related to bad power at the venue, but I was never in a situation
where I could test it.

What controller are you using?

On 9/1/05, muman <muman@eskimo.com> wrote:
> Hello all,
> After every loop, my EDP makes a quiet thunk sound. I have Loop IV and ha=
ve the
> memory maxed out. I think it's an early generation machine.
>=20
> Anyone have any suggestions?Louis Hesselt-van-Dinter
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep  1 23:38:53 2005
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I'm using the EDP controller. I just realized that it's the slave of brother sync and 
haven't tested it to see if that might be part of it.

> On my oldest EDP I sometimes get a click type sound at the the end of
> a loop.  I've never been able to isolate it, and it's not common, but
> a long record almost always fixed it.  I'd always suspected it was
> related to bad power at the venue, but I was never in a situation
> where I could test it.
> 
> What controller are you using?
> 
> On 9/1/05, muman <muman@eskimo.com> wrote:
> > Hello all,
> > After every loop, my EDP makes a quiet thunk sound. I have Loop IV
> > and have the memory maxed out. I think it's an early generation
> > machine.
> > 
> > Anyone have any suggestions?Louis Hesselt-van-Dinter
> > 
> > 
> >
> 
> 
> 
> 

Louis Hesselt-van-Dinter


From Loopers-Delight-request@loopers-delight.com  Fri Sep  2 06:41:52 2005
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Subject: Re: Zurich Loopfest - thanks
Date: Fri, 2 Sep 2005 07:40:36 +0100
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Thank you Bernhard - what a triumph!

Great to see old mates and make new ones.

Gareth & Becky

From Loopers-Delight-request@loopers-delight.com  Fri Sep  2 07:40:55 2005
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Date: Fri, 2 Sep 2005 02:57:55 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Zurich Loopfestival comments
Cc: Michael Schiefel <Michael@Schiefel.de>
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Rick said

>I just got home from the Zurich loopfest,  I had a fantastic time 
>and feel so inspired to create and so turned on to new techniques 
>and ideas that I saw at the show, at the workshops

yeah... that worked well in the space that studio owner Simon Grab offered!
I had this in mind for a long while but did not know how to do it, so 
Bernhard asked Simon

>  and just jamming a lot (with Andy, Per, Bernhard, Michael, Thomas, 
>Rolf, Matthias and Bill).

yes, that was incredible, Per and Andy used every object they found 
and Tom did the Didj... no electronic loops, but music that comes 
from the loop inspiration it seemed to me... the freedom we learned 
to enjoy, and when we come together we are enought to play it all by 
hand...

>      Michael Shieffel's fantastic show

Schiefel works better: http://schiefel.de/

>also was the coolest multiple use of the EDP that I have seen so 
>far.  He has mapped all the functions out to a midi keyboard and did 
>a wonderful, spontaneous, funny, moving and beautiful set with just 
>his voice.  Astonishing.

Yes, I consider him the most advanced EDP composer I know...
plus maybe the best skilled singer I know
and an easy going, helpful companion...

but there was a lot of talent at the festival all over!
I would like to mention
Andre Müller who sold the most CDs with his very appealing stick playing and
Matthias Loibner who surprised with the powerfull use of his historic 
instrument and
Andy Buttler who did the most perfect presentation (although he 
complained about things that went wrong) yet still very alive and 
moving... :-)

A general impression was that very skilled musicians had a fight with 
their equipment. Almost each one had technical problems and sometimes 
could not hide them or we felt the nervosity. Thats a pity and leaves 
the impression that looping is not a professional method, while 
probably it mostly comes from the lack of a sound check.
I dont have a solution, though...

I was once more amazed how all these people that hardly know each 
other smothly worked together, without masks... well, maybe a 
football team can come together just as easily... but maybe not quite?
I would like to repeat a sentence that came to me at the microphone 
at the end of the event: "By looping we learn to play with ourselves 
and thus to play with others"
Maybe we learn to send out more energy of a kind that we like to 
receive as well... or at least we can understand better how others 
react to us?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep  2 18:35:56 2005
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To: AIMusic Yahoogroup <AIMusic@yahoogroups.com>,
	Ambient Hyperreal List <ambient@hyperreal.org>,
	Galactic Travels Yahoogroup <galactic-travels@yahoogroups.com>,
	WDIY <info@wdiy.org>
Subject: Galactic Travels Playlist #440 for August 25, 2005 and Playlist #441
 for September 1, 2005
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Two playlists for the price of one...  ;-)
===

http://wdiy.org/programs/gt/playlists/2005/050825.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #440                    August 25, 2005

RECAP:
On this show, I concluded the month-long focus on Klaus Schulze.  The 
Featured CD
at Midnight was "Audentity" (disc one of a two disc set) on InsideOut's 
Revisited
imprint.  This Deluxe Edition includes the original tracks from 1983 
(remastered)
with a few bonus tracks on disc two.

The Vinyl Starter was from the LP "Vapor Trails" by Mark Isham on 
Windham Hill
Records, released in 1983.

Klaus Schulze - http://wdiy.org/programs/gt/playlists/2005/focus05.html#aug


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Mark Isham              Many Chinas              Vapor Trails (Windham Hill)
Transceive              Intrigue                 Intrigue (Champagne Lake)
Wendy Carlos            Bumps in the Night       Rediscovering Lost 
Scores Vol. 1
                                                   (East Side Digital)
VA [Pyramid Peak]       Flowing with the Birds   E-dition #8 (Groove)
Falling You             Something About Eve      Touch (Magnatune)
Paul Ellis              Dialing in the Sun       Silent Conversations 
(Groove)

12:00 am
Klaus Schulze           Cellistica               Audentity - disc 1 
(Revisited)
Klaus Schulze           Spielglocken             Audentity - disc 1 
(Revisited)
Klaus Schulze           Sebastian im Traum       Audentity - disc 1 
(Revisited)
Shane Sanders           The Dispatch of          Jellyfish Emperor 
(Space for
                          Tentacles                Music)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Ken 
Martin.  The
Featured CD at Midnight will be "Crystal Voyage" on Space for Music Records.

The Vinyl Starter will be from the LP "Epsilon in Malaysian Pale" by 
Edgar Froese
on Virgin Records and released in 1975.

===
http://wdiy.org/programs/gt/playlists/2005/050901.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #441                    September 1, 2005

RECAP:
On this show, I started a month-long focus on Ken Martin.  The Featured 
CD at
Midnight was "Crystal Voyage" on Space for Music Records.

The Vinyl Starter was from the LP "Epsilon in Malaysian Pale" by Edgar 
Froese on
Virgin Records, released in 1975.

Ken Martin - http://wdiy.org/programs/gt/playlists/2005/focus05.html#sep


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Edgar Froese            Maroubra Bay *           Epsilon in Malaysia 
Pale (Virgin)
VA                      Snap to Focus            Arcs & Angels (Atomic City)
Astrogator              part two                 The Darkness Between (none)
Austere & Abstract      exo-bio                  Evergone (none)
  Audio Systems
Archetribe              Womb                     Waterworks (Stretta)

12:00 am
Ken Martin              Crystal Voyage           Crystal Voyage (Space 
for Music)
Ken Martin              Frequenct .018           Crystal Voyage (Space 
for Music)
Ken Martin              Solar Void               Crystal Voyage (Space 
for Music)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Ken 
Martin.
The Featured CD at Midnight will be "Spheres" on Space for Music Records.

The Vinyl Starter will be from the soundtrack LP "Angst" by Klaus 
Schulze on Inteam
Records and released in 1984.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Fri Sep  2 18:38:40 2005
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From: "Adrian West" <adrian@adrianwest.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Gigspam - Bay Area Shows
Date: Fri, 2 Sep 2005 11:39:04 -0700
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Hello Fellow Loopists,

	I do live looping using a six-string electric violin, electric mandolin,
beatboxing and vocals. Samples of my work are at www.adrianwest.com.

	I wanted to let you know about a couple of shows coming up in the SF Bay
Area (see below).

	Thanks, and keep on loopin'!

Adrian West
www.adrianwest.com

------------------------

Sunday Sept. 4th from 10:00 a.m. - 1:00 p.m.
Playing during brunch at the Nomad Cafe in Oakland
6500 Shattuck, Oakland, CA - 510-595-5344 - www.nomadcafe.net

Sunday Sept. 11th from 1:00 - 2:00
Solano Ave. Stroll - big annual street festival in Berkeley
http://solanoavenueassn.org/strol.htm
I'll be playing near 1545 Solano Ave

Tuesday Sept 20th from 12:00 - 1:00
Sonoma State College (outside in the quad)

Friday Nov. 4th from 7:30 - 9:30
Dolores Park Cafe in SF
Corner of 18th St. and Dolores - 415-621-2936 - www.doloresparkcafe.org



From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 03:04:00 2005
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From: "Liz Holland" <liz@graphicrage.com>
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Subject: Anyone selling old DOD rack gear?
Date: Fri, 2 Sep 2005 23:04:33 -0400
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Looking for the following specifically, but would entertain anything
else you might have!
 
R-910
R-848
R-870
R-880 or 885
 
Please reply with what you have, and asking price. 
 
Thanks!
 

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Looking for the following specifically, but would =
entertain
anything else you might have!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>R-910<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>R-848<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>R-870<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>R-880 or 885<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Please reply with what you have, and asking price. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks!<o:p></o:p></span></font></p>

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style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 07:23:38 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Fwd: No-Man album with Fripp looping on it
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>* No-Man - Flowermouth (2005 edition)
>
>No-Man's second album Flowermouth (1994) has been re-mastered and
>re-packaged with improved artwork and extra tracks.
>
>Featuring strong performances from the band aided by a dream list of
>collaborators including Robert Fripp (on 9 of the 11 tracks), Steve Jansen
>and Richard Barbieri, Flowermouth combines symphonic ambition, electro-pop
>drama and classic ballad traditions, suggesting directions that the band
>would develop further on 'Returning Jesus' and Together We're Stranger'.
>
>This new edition of the album comes with improved digi-pack artwork, new
>sleeve notes and two extra tracks (Angeldust and Born Simple) featuring
>Robert Fripp's distinctive Soundscape contributions to the album sessions.
>
>All pre-orders come with a postcard signed by the band.
>
>Released on 26/9/2005 - Pre-order now from www.burningshed.com for =A39.00
>(including VAT).

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 10:08:08 2005
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Date: Sat, 3 Sep 2005 11:08:06 +0100 (BST)
From: Stuart Masters <stuartamasters@yahoo.co.uk>
Subject: Live vocal loopers..?
To: Loopers-Delight@loopers-delight.com
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Hello,
 
I'm new here and relatively new to looping so hope this is what the mailing list is suposed to be for - sorry!
 
Anyway, would be really grateful if anyone could answer a question I have... I have a boss rc20xl which I was planning to use for the guitar but ending up using for vocal loops... I was thinking of getting the latest akai headrush to use for the guitar but my dilemma is this... Is there a better live, foot-operated vocal looper than using a boss rc20xl? If so, I'd rather relegate the boss to the guitar department and get a more suitable vocal looper...
 
Thanks,
 
Stuart

		
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<DIV>Hello,</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm new here and relatively new to looping so hope this is what the mailing list is suposed to be for - sorry!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Anyway, would be really grateful if anyone could answer a question I have... I have a boss rc20xl which I was planning to use for the guitar but ending up using for vocal loops... I was thinking of getting the latest akai headrush to use for the guitar but my dilemma is this... Is there a better live, foot-operated vocal looper than using a boss rc20xl? If so, I'd rather relegate the boss to the guitar department and get a more suitable vocal looper...</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Stuart</DIV><p>
		<hr size=1><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="http://us.rd.yahoo.com/mail/uk/taglines/default/messenger/*http://uk.messenger.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 11:46:59 2005
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From: "ivan kapec" <ivan@roccoipartner.hr>
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Subject: zurich photos
Date: Sat, 3 Sep 2005 13:46:57 +0200
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Hello all,
=20
In consideration about loopfestival=85
=20
Once again, thanks Bernhard for organization of such importan event. We
had lot of good music, new sounds and of course,  lot of fun.
There were lot of good vibes and ideas for future collaboration beetween
musicians=85
=20
Here are some photos from the festival>
=20
http://www.triangulizona.com/Egallery.htm
=20
=20
Thanks, also to all loopers who came in Zurich to share his experiences
and musicianship with other.
=20
Best regards,
=20
=20
ivan kapec
ivan@triangulizona.com
www.triangulizona.com <http://www.triangulizona.com/>=20
=20
=20

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Hello
all,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>In
consideration about loopfestival=85<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Once
again, thanks Bernhard for organization of such importan event. We had =
lot of
good music, new sounds and of course,<span =
style=3D'mso-spacerun:yes'>=A0
</span>lot of fun.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>There
were lot of good vibes and ideas for future collaboration beetween =
musicians=85<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Here
are some photos from the festival&gt;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><a
href=3D"http://www.triangulizona.com/Egallery.htm">http://www.triangulizo=
na.com/Egallery.htm</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Thanks,
also to all loopers who came in Zurich to share his experiences and
musicianship with other.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Best
regards,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
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size=3D4
face=3D"Times New Roman"><span =
style=3D'font-size:14.0pt;font-weight:bold;
mso-bidi-font-weight:normal;mso-no-proof:yes'>ivan =
kapec<o:p></o:p></span></font></b></p>

<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt;mso-no-proof:yes'><a =
href=3D"mailto:ivan@triangulizona.com">ivan@triangulizona.com</a></span><=
/font><font
face=3D"Arial Black"><span style=3D'font-family:"Arial =
Black";mso-no-proof:yes'><o:p></o:p></span></font></p>

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href=3D"http://www.triangulizona.com/">www.triangulizona.com</a><span
class=3DMsoHyperlink><u><font =
color=3Dblue><o:p></o:p></font></u></span></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt;mso-no-proof:yes'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3DArial><span lang=3DHR =
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 11:55:32 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Live vocal loopers..?
Date: Sat, 3 Sep 2005 13:56:46 +0200
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The short version: foot-operated loopers have been discussed here to a
great extent, especially recently in the "flexible looper in small
package" thread.

Second: what do you expect from a "vocal looper"? Is it basically a
looper with a mic input ('cause you don't have a mixer or micpre in your
setup), or do you request other properties as well?
I'm only aware of two floor loopers with a mic in: the RC-20XL (which
you already know) and the Digitech Jamman. (again, search the archives
on the www.loopers-delight.com website for descriptions of those; I
don't have any experience with those myself).

Floor loopers I'm aware of:
    Digitech PDS series (vintage): basically delays, so not really what
you want to have if you e.g. want to specifiy loop
lengths "on the fly" (like you do with the RC20). Max. delay time of 8s
(PDS8000)
    Line6 DL4: nice delay effects. loop time 14s, or 28s halfspeed.
Preset feedback. additional short (800ms) delay with
		   the looper. Halfspeed and reverse option. This is
quite a powerful thing.
    Boss DD-20: again, a delay with thrown-in looper.
    Boomerang: the most powerful of the floor-stuff if I'm not mistaken.
    Boss RC-20/RC-20XL: you know those better than I do...
    Digitech Jamman: huge loads of loop time. Mic in.
    Digitech GNX4 (?): basically a guitar floorboard with a looper in
it.

    (did I leave anything out?)

I was currently thinking aloud about a floor-based looper setup with two
loopers and am close to decide on the RC-20XL and the DD-20, if that
helps.

	Rainer


-----Urspr=FCngliche Nachricht-----
Von: Stuart Masters [mailto:stuartamasters@yahoo.co.uk]=20
Gesendet: Samstag, 3. September 2005 12:08
An: Loopers-Delight@loopers-delight.com
Betreff: Live vocal loopers..?


Hello,

I'm new here and relatively new to looping so hope this is what the
mailing list is suposed to be for - sorry!

Anyway, would be really grateful if anyone could answer a question I
have... I have a boss rc20xl which I was planning to use for the guitar
but ending up using for vocal loops... I was thinking of getting the
latest akai headrush to use for the guitar but my dilemma is this... Is
there a better live, foot-operated vocal looper than using a boss
rc20xl? If so, I'd rather relegate the boss to the guitar department and
get a more suitable vocal looper...

Thanks,

Stuart


Yahoo! Messenger NEW - crystal clear PC to PC calling worldwide with
voicemail=20

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 13:01:20 2005
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Subject: Re:Re: Zurich Loopfestival comments
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>Andy Buttler who did the most perfect presentation (although he 
>complained about things that went wrong) yet still very alive and 
>moving... :-)


I wasn't complaining, just that I surprised myself with a couple of unwise
button pushes. Somehow the EDP kept it flowing anyway.

I might complain about your spelling though ;-)

andy buTLer

ps. yep Michaels EDP use had me (wrongly) thinking there were 
pre-recorded samples involved.
...very impressive.

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 13:11:47 2005
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Subject: Re: Re:Re: Zurich Loopfestival comments
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----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 03, 2005 2:55 PM
Subject: Re:Re: Zurich Loopfestival comments


>
>>Andy Buttler who did the most perfect presentation (although he complained 
>>about things that went wrong) yet still very alive and moving... :-)
>
>
> I wasn't complaining, just that I surprised myself with a couple of unwise
> button pushes. Somehow the EDP kept it flowing anyway.
>
> I might complain about your spelling though ;-)
>
> andy buTLer
>
> ps. yep Michaels EDP use had me (wrongly) thinking there were pre-recorded 
> samples involved.
> ...very impressive.
>

Andy's EDP use made me think the same: suddenly a new phrase is in the loop 
comming from nowhere
this is confirmed by listening to his beatiful CD "livelooping"
there are still sooo many things to learn in EDP playing

Claude


From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 16:21:03 2005
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Subject: For Sale:  MPX G2 with R1, PC300 midi keyboard controller
From: todd reynolds <todd@toddreynolds.com>
To: LD <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Going up on Ebay soon, but wanted to sell them here first.

Lexicon MPX G2 with R1 pedal  sold at $850 or best offer.

Roland PC300 midi keyboard controller $75

Any takers email me offlist at the address below!



todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn





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E>
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<FONT FACE=3D"Palatino"><SPAN STYLE=3D'font-size:14.0px'>Going up on Ebay soon,=
 but wanted to sell them here first.<BR>
<BR>
Lexicon MPX G2 with R1 pedal &nbsp;sold at $850 or best offer.<BR>
<BR>
Roland PC300 midi keyboard controller $75<BR>
<BR>
Any takers email me offlist at the address below!<BR>
<BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 18:23:04 2005
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Date: Sat, 03 Sep 2005 14:22:57 -0400
From: Erland <soam@acedsl.com>
Subject: Re: EDP+Logic Problems
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But I would like Logic to pick up the BPM of my loops for easy  
editing later. I read on here that the EDP is the best to use as a  
master sync as opposed to the Repeater which is better in slave mode.

Thanks..

-----------------------------------------------------

erland

www.erlandonline.com
www.myspace.com/erland


On Sep 1, 2005, at 1:01 PM, Claude Voit wrote:


> do it the other way: sync the edp to logic
> no audio recorder can adjust to the even very small wandering of a  
> midi clock sync (no bug-normal)
>
> set your EDP to sync in and set logic to send midi clock out of the  
> relevant midi port
>
> sorry I dont know logic so.....
>
> Claude
>
>
>
>
>
>
>
>
>
>> I'm having some problems with the EDP + Logic. EDP is the  
>> "master"  that Logic is syncing to. Logic seems to want to stop  
>> having the sync  button pushed in by itself.
>>  Record also stops by itself in Logic. It seems to be related to   
>> when I hit "record on the EDP. I have tried various settings in   
>> Logic. Auto Sync-in, MIDI-Clock Sync...
>>
>> I finally found a decent BPM by setting the EDP to 128. I forget  
>> the parameter name as I'm new to the EDP. I'm guess the BPM will  
>> be all  wrong if I record a different number of bars next time.  
>> Any input on  this?
>>
>> Any help is appreciated.
>>
>> Thanks,
>>
>> -----------------------------------------------------
>>
>> erland
>>
>> www.erlandonline.com
>> www.myspace.com/erland
>>
>>
>>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 18:44:18 2005
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: EDP+Logic Problems
Date: Sat, 3 Sep 2005 20:44:18 +0200
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Edp is better as a master sync if the slave is _only_ a midi slave. If its
an audio slave (you are going to record audio in logic) logic cannot sync
his audio engine to an imprecise clock (midi clock _IS_ imprecise by
design).

Claude


----- Original Message ----- 
From: "Erland" <soam@acedsl.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 03, 2005 8:22 PM
Subject: Re: EDP+Logic Problems


> But I would like Logic to pick up the BPM of my loops for easy  editing
> later. I read on here that the EDP is the best to use as a  master sync as
> opposed to the Repeater which is better in slave mode.
>
> Thanks..
>
> -----------------------------------------------------
>
> erland
>
> www.erlandonline.com
> www.myspace.com/erland
>
>
> On Sep 1, 2005, at 1:01 PM, Claude Voit wrote:
>
>
>> do it the other way: sync the edp to logic
>> no audio recorder can adjust to the even very small wandering of a  midi
>> clock sync (no bug-normal)
>>
>> set your EDP to sync in and set logic to send midi clock out of the
>> relevant midi port
>>
>> sorry I dont know logic so.....
>>
>> Claude
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>> I'm having some problems with the EDP + Logic. EDP is the  "master"
>>> that Logic is syncing to. Logic seems to want to stop  having the sync
>>> button pushed in by itself.
>>>  Record also stops by itself in Logic. It seems to be related to   when
>>> I hit "record on the EDP. I have tried various settings in   Logic. Auto
>>> Sync-in, MIDI-Clock Sync...
>>>
>>> I finally found a decent BPM by setting the EDP to 128. I forget  the
>>> parameter name as I'm new to the EDP. I'm guess the BPM will  be all
>>> wrong if I record a different number of bars next time.  Any input on
>>> this?
>>>
>>> Any help is appreciated.
>>>
>>> Thanks,
>>>
>>> -----------------------------------------------------
>>>
>>> erland
>>>
>>> www.erlandonline.com
>>> www.myspace.com/erland
>>>
>>>
>>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 19:31:04 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP+Logic Problems
Date: Sat, 3 Sep 2005 21:31:00 +0200
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Hi Erland,

Once upon a time I succeeded to run Logic as the slave to my EDP,  
while recording both audio and MIDI into Logic. But that was on a  
5.something PC version of Logic. When I was not able do that again in  
later Logic versions (mostly using Mac OS X now) I discussed it with  
Emagic and was told that it's not possible. For the latest  
productions I have done with Logic and EDP I have therefore been  
slaving the EDP to Logic (or Live) by MIDI clock, which works  
flawlessly.

For me this all comes down to what I want to do musically. If I want  
the global tempo of my looping rig to go up and down with the EDP's  
speed button I run the EDP as the master. This also gives me the  
option to set the tempo by the first EDP loop created.

But quite often I like to make funny noises with my EDP by jumping  
between half speed and normal speed while in overdubbing mode. Then  
it would not sound good if the tempo should also jump 100 or 50  
percent ;-) and it makes perfect sense to run the EDP as the slave.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



On Sep 3, 2005, at 20:22, Erland wrote:

> But I would like Logic to pick up the BPM of my loops for easy  
> editing later. I read on here that the EDP is the best to use as a  
> master sync as opposed to the Repeater which is better in slave mode.
>
> Thanks..
>
> -----------------------------------------------------
>
> erland
>
> www.erlandonline.com
> www.myspace.com/erland
>
>
> On Sep 1, 2005, at 1:01 PM, Claude Voit wrote:
>
>
>
>> do it the other way: sync the edp to logic
>> no audio recorder can adjust to the even very small wandering of a  
>> midi clock sync (no bug-normal)
>>
>> set your EDP to sync in and set logic to send midi clock out of  
>> the relevant midi port
>>
>> sorry I dont know logic so.....
>>
>> Claude
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>> I'm having some problems with the EDP + Logic. EDP is the  
>>> "master"  that Logic is syncing to. Logic seems to want to stop  
>>> having the sync  button pushed in by itself.
>>>  Record also stops by itself in Logic. It seems to be related to   
>>> when I hit "record on the EDP. I have tried various settings in   
>>> Logic. Auto Sync-in, MIDI-Clock Sync...
>>>
>>> I finally found a decent BPM by setting the EDP to 128. I forget  
>>> the parameter name as I'm new to the EDP. I'm guess the BPM will  
>>> be all  wrong if I record a different number of bars next time.  
>>> Any input on  this?
>>>
>>> Any help is appreciated.
>>>
>>> Thanks,
>>>
>>> -----------------------------------------------------
>>>
>>> erland
>>>
>>> www.erlandonline.com
>>> www.myspace.com/erland
>>>
>>>
>>>
>>>
>>
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 20:48:02 2005
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From: Erland <soam@acedsl.com>
Subject: Re: EDP+Logic Problems
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Hey Per,

I guess I have to figure out another way to work with this then. =20
Perhaps I'll see how it works with Live. I don't absolutely need the =20
tempo to be updated. It would be nice just to get it to display the =20
right BPM.

Tack s=E5 mycket,



-----------------------------------------------------

erland

www.erlandonline.com
www.myspace.com/erland


On Sep 3, 2005, at 3:31 PM, Per Boysen wrote:



> Hi Erland,
>
> Once upon a time I succeeded to run Logic as the slave to my EDP, =20
> while recording both audio and MIDI into Logic. But that was on a =20
> 5.something PC version of Logic. When I was not able do that again =20
> in later Logic versions (mostly using Mac OS X now) I discussed it =20
> with Emagic and was told that it's not possible. For the latest =20
> productions I have done with Logic and EDP I have therefore been =20
> slaving the EDP to Logic (or Live) by MIDI clock, which works =20
> flawlessly.
>
> For me this all comes down to what I want to do musically. If I =20
> want the global tempo of my looping rig to go up and down with the =20
> EDP's speed button I run the EDP as the master. This also gives me =20
> the option to set the tempo by the first EDP loop created.
>
> But quite often I like to make funny noises with my EDP by jumping =20
> between half speed and normal speed while in overdubbing mode. Then =20=

> it would not sound good if the tempo should also jump 100 or 50 =20
> percent ;-) and it makes perfect sense to run the EDP as the slave.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>
> On Sep 3, 2005, at 20:22, Erland wrote:
>
>
>
>
>> But I would like Logic to pick up the BPM of my loops for easy =20
>> editing later. I read on here that the EDP is the best to use as a =20=

>> master sync as opposed to the Repeater which is better in slave mode.
>>
>> Thanks..
>>
>> -----------------------------------------------------
>>
>> erland
>>
>> www.erlandonline.com
>> www.myspace.com/erland
>>
>>
>> On Sep 1, 2005, at 1:01 PM, Claude Voit wrote:
>>
>>
>>
>>
>>
>>
>>> do it the other way: sync the edp to logic
>>> no audio recorder can adjust to the even very small wandering of =20
>>> a midi clock sync (no bug-normal)
>>>
>>> set your EDP to sync in and set logic to send midi clock out of =20
>>> the relevant midi port
>>>
>>> sorry I dont know logic so.....
>>>
>>> Claude
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>> I'm having some problems with the EDP + Logic. EDP is the =20
>>>> "master"  that Logic is syncing to. Logic seems to want to stop =20
>>>> having the sync  button pushed in by itself.
>>>>  Record also stops by itself in Logic. It seems to be related =20
>>>> to  when I hit "record on the EDP. I have tried various settings =20=

>>>> in  Logic. Auto Sync-in, MIDI-Clock Sync...
>>>>
>>>> I finally found a decent BPM by setting the EDP to 128. I forget =20=

>>>> the parameter name as I'm new to the EDP. I'm guess the BPM will =20=

>>>> be all  wrong if I record a different number of bars next time. =20
>>>> Any input on  this?
>>>>
>>>> Any help is appreciated.
>>>>
>>>> Thanks,
>>>>
>>>> -----------------------------------------------------
>>>>
>>>> erland
>>>>
>>>> www.erlandonline.com
>>>> www.myspace.com/erland
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>
>>
>>
>>
>>
>>
>>
>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 21:02:57 2005
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Date: Sat, 3 Sep 2005 13:05:13 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: "Kunos grosse Fahrt" / Stefan Keller in Zürich
Cc: Stefan Keller <stkeller@flutetrends.ch>
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: &quot;Kunos grosse Fahrt&quot; / Stefan Keller
in Zürich</title></head><body>
<div>I should have mentioned Stefans presentation at the
Loopfestival</div>
<div><br></div>
<div>he had no luck because he opened on saturday which was the first
sunny day in a long time, so there was no public, even the colegues
were late.</div>
<div><br></div>
<div>but he mounted his 4 channel equipment and created a lot of
perfect sounding rhythm and jazz just with his flutes and spread it in
the room. Apart from his pair of EDP and a Repeater he also uses pitch
shifted delays. So sometimes he just binged once with his fingernail
on his huge bass flute and a whole melody went off. or he closed the
lowes clap and it was fater than most bass drums...</div>
<div><br></div>
<div>flutetrends.ch</div>
<div><br></div>
<div>sometimes he gives classical concerts with a guitar player... so
I dont quite know how this is going to be:</div>
<div><br></div>
<blockquote type="cite" cite>Buchvernissage «Kunos große Fahrt»
von Klaus Merz und Hannes Binder</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Der Schauspieler Clo Bisaz und der
Musiker Stefan Keller haben das Buch in eine ungewöhnliche
Performance umgesetzt. Eine unterhaltsame Reise voller Musik, Worte
und Bilder erwartet das Publikum. Dabei immer im Mittelpunkt: Kuno und
sein Kickboard.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><b>Samstag, 17. September 2005, 17.00
Uhr</b></blockquote>
<blockquote type="cite" cite><b>Theater am Bahnhof, Tunaustrasse 5,
5734 Reinach (AG),</b> Tel. 062 765 66 01</blockquote>
<blockquote type="cite" cite>&nbsp;Eintritt: CHF 20.­ / reduzierter
Tarif Legi/AHV CHF 15.­</blockquote>
<blockquote type="cite" cite>&nbsp;Moderation: Markus
Kirchhofer</blockquote>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  3 21:03:01 2005
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 <421364CF.3070600@biink.com>
Date: Sat, 3 Sep 2005 13:38:01 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: (perhaps a different angle on the thread.)
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>todd reynolds wrote:
>
>>3.  a few of our heartiest contributors and committed musicians have left
>>the list because there is so much less music discussion than there is flame
>>or gear-speak.
>Is it a gear oriented list.

thats what it turned into, not what it was when I participated more :-)

>That's no reason to leave it.

well...

>I do have a problem with this little flame war, but I
>don't think I'll be leaving the list anytime soon.

because you want to hear about gear?
thats why I keep subscribed, too

I typed enough anyway :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Sep  4 10:01:36 2005
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: In C by Terry Riley--anybody loop this thing?
Date: Sun, 4 Sep 2005 03:01:22 -0700
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Hi loopers-

I was poking around on Richard Zvonar's page and noticed this
http://www.zvonar.com/art/collaborations.html

So then I went here
http://www.otherminds.org/shtml/Scores.shtml

and listened a bit then downloaded this
http://www.otherminds.org/SCORES/InC.pdf

and decided it was certainly something someone could do with a looper-does
anybody? (Does everybody?)

I might try some of it anyway--when it's not the dead of night.

Peace,
Gary



From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 00:41:57 2005
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Date: Mon, 5 Sep 2005 03:41:52 +0300 (EEST)
Subject: Hello from Athens!
From: "Costas Andreou" <contact@costasandreou.com>
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Hello everyone.

I am a looping bass player from Athens, Greece.

You can listen to my music here:
http://www.costasandreou.com/audioeng.htm

So far, I have been in contact with Rick, Per, Krispen...

Hello there!
;-)

I am looking forward to getting to know more of you fellow loopers.


Take care
Costas Andreou

))))))))))))))))))))((((((((((((((((((((
http://www.costasandreou.com
contact@costasandreou.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 03:50:44 2005
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	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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Subject: The PiNG presents The London Apartments + Weird State Inbetween
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Welcome to September at the PiNG. Each week this month we'll be
featuring a disc from ambient master Steve Roach's "The Dreamtime Box"
between sets. Yes - another 4 CD set from Roach! This one includes his
newly remastered classic "Dreamtime Return". Also - be sure to read
rik maclean's column this week, as he focuses on New Orleans and what
that city means to him - obviously a lot, as he ensures that
throughout September *all* money (except taxes/shipping) from
CD sales from an extensive list of artists at ping things will be
sent directly to the American Red Cross disaster relief efforts.
Help rik and dozens of creative artists help others through their art!
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday September 6th - A Worthy Fall - September

This fall the PiNG will be hosting a monthly showcase for the
inspiring independent label Worthy Records on the first Tuesday of
each month. Worthy Records has been releasing a huge catalog of
works by creative musicians from across Ontario and Canada and each
month we'll present 2 or 3 artists. September features the mesmerizing
ambient, post-rock songs of The London Apartments (from Windsor)
and Weird State Inbetween (from St.Catharines)- a collaboration
between Scott Johnson and Anne Sulikowski oozing improv electronic
music with keyboards, pedals, blips, skips, vocals, beats, distortion,
loops and found sounds.  http://www.worthyrecords.com

"A more clearly enunciated Windy and Carl at the wheel, with
Fridge beats riding shotgun and arguing over the map, doing 30 mph
down 495 at midnight, with My Morning Jacket, Auburn Lull, and
Slowdive tied up in the trunk." http://www.thelondonapartments.com

"The Weird State In Between's debut release on Worthy Records
(music for listening rather than profit) is without a doubt one of
the freshest noise recordings of the year. It's disgustingly
beautiful, cathartically romantic, a sledgehammer french kiss."
http://www.soundclick.com/bands/pageartist.cfm?bandID=256530

Between Sets CD - "Dreamtime Return - disc 1" by Steve Roach
An undeniable masterpiece of the ambient world. "17 years after its
release "Dreamtime Return" still sounds like a transmission from the
near future and the very distant past."  http://www.steveroach.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday September 13th - Wendy Atkinson with David Lester
http://www.tinforest.com/tinfr/wendyatkinson/
http://mecca_normal.tripod.com/

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

||: IN THE LOOP :||  by Luna Tek

Even with a hot summer coming to a close, THE AMBiENT PiNG concert on
August 29, 2005 continued to heat up the experimental music scene in
Toronto with two stellar acts: Michael Keith with David Sait and
The Riderless from London, Ontario. 

Michael Keith (Guqin) and David Sait (Guzheng) kicked off the evening
with a majestic first set replete with exotic undertones. The duo,
both originally guitarists, took an interest in traditional Chinese
music a few years ago and began improvising together even though their
particular instruments are not historically played together. Breaking
with tradition in this arrangement, Keith's interpretation reaped
slide-guitar effects with a Ry Cooder edge. To the audience's delight,
their elegant experimentation yielded a sense of longing without the
usual crush of melancholy. The tension between notes created a spare
yet ultimately fulfilling experience akin to the procedural technique
of sound poems: they set up aesthetic and emotional expectations and
then rewarded the audience with unexpectedly melodic "songs." 

After the concert, I asked Michael Keith about his interest in
traditional Chinese music. Keith explained that he discovered the
Guquin through Derek Bailey, an avant garde guitar player. After
reading an article with Bailey discussing the Guqin, Keith decided
to check it out for himself. His interest in this ancient instrument
has led to an interest in Chinese culture, broadening his creative
horizons to the extent that he is now planning trip to Bejing. 

In the second set, The Riderless continued their cross-country tour
with passages of pure improvisation, a departure from the free style
approach they used to play when they were more into creating walls
of pure rock-oriented noise. While tonight's performance was
completely free-form, the band explored the chords and melodies
available to them in a post-rock universe. With six musicians
playing guitars, synthesizer, a homemade xylophone, saxophone,
clarinet and drums, The Riderless commanded the stage with an
ambient set that built in intensity and included lots of texture,
rhythm and the pure joy of playing.

More info: http://www.alexiteric.com   http://www.davidsait.com
           http://www.theriderless.com 

Luna Tek - luna@theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

I spend alot of time telling you about music I love. But today I
thought I'd tell you about a city that I love. I've idealized
New Orleans ever since the first time I read "Interview with a
Vampire" when I was eleven. There was something about the way the
city was described, something so magical about it that appealed
to my eleven year old psyche. And like a handful of other places
and ideals and songs that wormed their way into my being in those 
early formative years, New Orleans has always had a special place
in my heart.

I finally went to visit there in 2000. The Cure were playing two
gigs in a theatre on the "Bloodflowers" tour and I had a travelling
companion with connections in the travel industry. Really, it was
too good an opportunity to pass up. So we went. I don't think I've
ever been so excited about a vacation in my entire life.

I'll admit that I was a little nervous about going though. You
know how there are places you dream of all your life, and when
you finally get there it's nothing like you had imagined? I was
so scared that the city wouldn't live up to my expectations, that
it would be one of those places that we create in our heads that
has no hope of existing in the real world. But when I got there I
was thrilled to find that it was exactly what I had always dreamed
of. Beautiful, mysterious, haunted. My companion and I walked
through the French Quarter, we did the Garden District tour, we
saw Marie LeVeaux' tomb and a million other things. It was
everything I had thought it would be and more, and it's the only
city I've ever been to that has made me think seriously of leaving
my beloved Toronto. And even though I didn't leave then, New Orleans
has always had an Echo Beach type quality to it, a notion in my
head that I had somewhere to run away to, somewhere to go and
start again if I ever needed to.

We were only there for a few days, but they were among the most
wonderful I've ever had before or since. Dreams fulfilled, wishes
made real, the discovery that the magic you hold in your heart
sometimes does exist in the real world. Going to New Orleans meant
something very special to me and I'll always hold that feeling
close inside.

***

This last week, seeing pictures of what has happened in the wake
of  Hurricane Katrina, seeing what the people of New Orleans and
the surrounding environs are going through, has been heartbreaking,
devastating.

With this in mind, a number of artists in the ping things catalogue
have kindly and generously agreed to donate all earnings (excluding
shipping and taxes) from sales of their CDs through ping things for
the remainder of September to the American Red Cross to help those
affected by Hurricane Katrina. If you were thinking of buying some
new music, now is the time to do so as the money you spend will be
used to help others in this time of need. http://www.pingthings.com

There are people affected by Hurricane Katrina that desperately
require our assistance. Making a purchase at ping things this month
is one way that you can help them. Alternatively, if you'd like to
pursue help in other ways, please visit
http://www.cnn.com/SPECIALS/2005/katrina/help.center/ where CNN 
has collected a comprehensive list of charities and organizations
that are helping out.

Please look inside your heart and give generously.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things
Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 06:02:33 2005
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Date: Sun, 04 Sep 2005 23:01:14 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP Noise Problem
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At 03:53 PM 9/1/2005, muman wrote:
>Hello all,
>After every loop, my EDP makes a quiet thunk sound. I have Loop IV and 
>have the
>memory maxed out. I think it's an early generation machine.
>
>Anyone have any suggestions?Louis Hesselt-van-Dinter

Hi Louis,

There is a trimpot in the Echoplex that may need to be adjusted in your 
unit. It is there for nulling out dc offsets at a VCA, which can cause this 
thumping at the loop startpoint. Normally the trimpot is set at the factory 
and should not need adjusting, but maybe it got knocked out of adjustment 
somehow in your case.

I posted instructions on how to do this adjustment once long ago, it is 
here in the archives:

http://www.loopers-delight.com/LDarchive/199811/msg00303.html

However, I realize those instructions need to be updated a little bit for 
Echoplexes using LoopIV. So I'll just repost it now, updated for LoopIV:


*********************************************
How to adjust the Echoplex dc trimpot (LoopIV version):

This requires that you actually open up the unit, and have it opened with 
the power on. *Please follow appropriate electrical safety rules!!*  If you 
are not careful and you fry yourself, please don't blame me!

There's a trimpot on the PCB, near the left side, by the volume knobs. Its 
job is to trim a dc offset from a VCA. Sounds like your's is not set right 
for some reason, which would cause the thump you hear.

To set it you need to run one of the built in diagnostic tests. The test 
turns the VCA on and off at about 60Hz, so if there is an offset you can 
hear the resulting tone in an amplifier. (or see it on a scope, whichever 
way you like.)  While that test is running, you adjust the trimmer until 
the tone/waveform reaches its minimum.

To get into the trimmer test, power up the unit while holding the Parameter 
and Overdub buttons down. The display will show a version number of the 
test software at first. When you let go of the buttons, it should say 7F.

Press the parameter button so the "Switches" LED is lit (or "Keys" on older 
units), then press Insert to start the trimmer test.

You should hear a ~60Hz tone in an amp. Turning the input volume off, mix 
to "loop", and the output volume up helps to hear it if it isn't obvious. 
The tone will change in volume as you adjust the trimpot. You may need a 
small screwdriver to make the adjustment, depending on the type of trimpot 
in your unit. Adjust to where the tone is at it's lowest level. (you'll 
still hear hashy noise sounds, but the 60Hz should become nearly inaudible.)

After you set the trimmer, pressing parameter again will stop the test. 
Then you can turn the echoplex off and power back up normally.

**********************************************

hope this helps,
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 07:26:13 2005
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Subject: Re: Hello from Athens!
Date: Mon, 5 Sep 2005 09:26:08 +0200
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On Sep 5, 2005, at 2:41, Costas Andreou wrote:
> Hello everyone.
> I am a looping bass player from Athens, Greece.
> You can listen to my music here:
> http://www.costasandreou.com/audioeng.htm
> So far, I have been in contact with Rick, Per, Krispen...
>
> Hello there!
> ;-)
>
> I am looking forward to getting to know more of you fellow loopers.
>
> Take care
> Costas Andreou


Welcome to this fine list, Costas! And thanks again for directing us  
to listen to your music (which I myself find very interesting).

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 07:35:30 2005
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Date: Mon, 05 Sep 2005 09:39:34 +0200
Subject: Re: Hello from Athens!
From: Andreas Willers <a.willers@arcor.de>
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Nice site, too bad tho, the link to the audio doesn't work for me....

> Von: Per Boysen <per@boysen.se>
> Antworten an: Loopers-Delight@loopers-delight.com
> Datum: Mon, 5 Sep 2005 09:26:08 +0200
> An: Loopers <Loopers-Delight@loopers-delight.com>
> Betreff: Re: Hello from Athens!
> Neu gesendet von: Loopers-Delight@loopers-delight.com
> Neu gesendet am: Mon,  5 Sep 2005 07:26:13 +0000 (UTC)
> 
> On Sep 5, 2005, at 2:41, Costas Andreou wrote:
>> Hello everyone.
>> I am a looping bass player from Athens, Greece.
>> You can listen to my music here:
>> http://www.costasandreou.com/audioeng.htm
>> So far, I have been in contact with Rick, Per, Krispen...
>> 
>> Hello there!
>> ;-)
>> 
>> I am looking forward to getting to know more of you fellow loopers.
>> 
>> Take care
>> Costas Andreou
> 
> 
> Welcome to this fine list, Costas! And thanks again for directing us
> to listen to your music (which I myself find very interesting).
> 
> Greetings from Sweden
> 
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
> 

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 07:50:07 2005
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Subject: Re: Hello from Athens!
Date: Mon, 5 Sep 2005 09:50:02 +0200
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>> On Sep 5, 2005, at 2:41, Costas Andreou wrote:
>>> http://www.costasandreou.com/audioeng.htm

On Sep 5, 2005, at 9:39, Andreas Willers wrote:
> Nice site, too bad tho, the link to the audio doesn't work for me....


The links target plain mp3 files. Adjust the settings of your web for  
how it should handle linked mp3 files. And you can always right-click  
and choose "download" (in XP). If you use a Mac with only one mouse  
button it's "alt-click" to download the linked file.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 12:42:28 2005
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Date: Mon, 05 Sep 2005 07:42:17 -0500
Subject: Looking for Xylophone type music
From: Kathy Deane <relativepictures@cox.net>
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Love the sound track to American Beauty. Doing a 5 minute short about a
Concentration camp survivor. She's 90. I want it to be over the top great.

I need the perfect sound track. A Xylophone and Oboes come to mind... Does
anyone out there have something already done along these lines?



Kathy Deane
Independent film maker


From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 13:04:54 2005
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Kathy Deane wrote:

>Love the sound track to American Beauty. 
>
That's a marimba.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 14:45:36 2005
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I have a concert size Marimba and have done some recording with it in my
studio.I might already have music you would like or could do something for
you quick.

Reach me at axis@blazenet.net
Regards, Stacey




----- Original Message ----- 
From: "Kathy Deane" <relativepictures@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 05, 2005 8:42 AM
Subject: Looking for Xylophone type music


> Love the sound track to American Beauty. Doing a 5 minute short about a
> Concentration camp survivor. She's 90. I want it to be over the top great.
>
> I need the perfect sound track. A Xylophone and Oboes come to mind... Does
> anyone out there have something already done along these lines?
>
>
>
> Kathy Deane
> Independent film maker
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 16:12:06 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: andy butler's new live-looping cd
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A new cd by andy butler is now available.
You can go to www.andybutler.com to hear excerpts from the album, and 
even buy it if you like what you hear.
This is the result of almost a decade of loop discovery, and I'm 
really pleased how it's turned out.

"11 tracks of looped guitar, each exploring a different possibility, 
and each a single unedited performance. Angular melodies, world-beat 
rhythms, lush chords in classical type harmony, trance sequences, 
abstract electronica, all woven into a cohesive album of compelling music."

any comments appreciated

andy

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 17:02:12 2005
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Date: Mon, 5 Sep 2005 13:02:08 EDT
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Andy,

In a message dated 9/5/05 9:12:08 AM, akbutler@tiscali.co.uk writes:

> A new cd by andy butler is now available.
>=20
Very cool Andy. I'll have to order one soon (when family finances=20
are a little more . . . ahem . . . favorable). The graphics look=20
professional too. Great job!

Best regards,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_90.656b264f.304dd410_boundary
Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Andy,<BR>
<BR>
In a message dated 9/5/05 9:12:08 AM, akbutler@tiscali.co.uk writes:<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">A new cd by andy butl=
er is now available.</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=
=3D"SANSSERIF" SIZE=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
Very cool Andy. I'll have to order one soon (when family finances <BR>
are a little more . . . ahem . . . favorable). The graphics look <BR>
professional too. Great job!<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Best regards,</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">tEd =AE kiLLiAn</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SA=
NSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">"Different is not always better, but better is always different"</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.pfmentum.com/flux.html</FONT><FONT COLOR=3D"#808080" FACE=3D"Ge=
neva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.CDbaby.com/cd/tedkillian</FONT><FONT COLOR=3D"#808080" FACE=3D"=
Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.guitar9.com/fluxaeterna.html</FONT><FONT COLOR=3D"#808080" FACE=
=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.garageband.com/artist/ArsOcarina</FONT><FONT COLOR=3D"#808080"=20=
FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.towerrecords.com/product.aspx?pfid=3D2845073</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,</FONT><FO=
NT COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,</FONT><FONT=20=
COLOR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,</FONT><FONT COL=
OR=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,</FONT><FONT COLOR=
=3D"#808080" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

--part1_90.656b264f.304dd410_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 17:36:20 2005
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Date: Mon, 05 Sep 2005 12:36:17 -0500
Subject: Re: Looking for Xylophone type music
From: Kathy Deane <relativepictures@cox.net>
To: <Loopers-Delight@loopers-delight.com>
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Sounds like a deal to me. I can't quite seem to get into the film...until I
have some kind of soundtrack music.

Have you seen Six feet under, or American Beauty? They have some awesome
background music. Love that Marimba sound. Touches the soul.


Do you have some samples? I would love to hear some of your work.


Thanks,
Kathy




> I have a concert size Marimba and have done some recording with it in my
> studio.I might already have music you would like or could do something for
> you quick.
> 
> Reach me at axis@blazenet.net
> Regards, Stacey
> 
> 
> 
> 
> ----- Original Message -----
> From: "Kathy Deane" <relativepictures@cox.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, September 05, 2005 8:42 AM
> Subject: Looking for Xylophone type music
> 
> 
>> Love the sound track to American Beauty. Doing a 5 minute short about a
>> Concentration camp survivor. She's 90. I want it to be over the top great.
>> 
>> I need the perfect sound track. A Xylophone and Oboes come to mind... Does
>> anyone out there have something already done along these lines?
>> 
>> 
>> 
>> Kathy Deane
>> Independent film maker
>> 
>> 
> 


From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 17:54:00 2005
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Subject: RE: andy butler's new live-looping cd
Date: Mon, 5 Sep 2005 11:53:42 -0600
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Outstanding, Andy. I just went to your site and bought this.  

It just occurred to me how behind and delinquent I've been in supporting
my fellow looping artists. Today, I will get out and buy some other new
CDs as well, including those from Bernhard and Rick etc.

Cheers,

Kris



-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk] 
Sent: Monday, September 05, 2005 10:06 AM
To: Loopers-Delight@loopers-delight.com
Subject: andy butler's new live-looping cd


A new cd by andy butler is now available.
You can go to www.andybutler.com to hear excerpts from the album, and 
even buy it if you like what you hear.
This is the result of almost a decade of loop discovery, and I'm 
really pleased how it's turned out.

"11 tracks of looped guitar, each exploring a different possibility, 
and each a single unedited performance. Angular melodies, world-beat 
rhythms, lush chords in classical type harmony, trance sequences, 
abstract electronica, all woven into a cohesive album of compelling
music."

any comments appreciated

andy



From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 18:52:33 2005
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Subject: RE: andy butler's new live-looping cd
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Related questions to others.

Per, in addition to your recent release, is Happy Ocean available?

Bernhard, in addition to Synced (which I just bought, do you have a
prior solo release?

Kris


-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk] 
Sent: Monday, September 05, 2005 10:06 AM
To: Loopers-Delight@loopers-delight.com
Subject: andy butler's new live-looping cd


A new cd by andy butler is now available.
You can go to www.andybutler.com to hear excerpts from the album, and 
even buy it if you like what you hear.
This is the result of almost a decade of loop discovery, and I'm 
really pleased how it's turned out.

"11 tracks of looped guitar, each exploring a different possibility, 
and each a single unedited performance. Angular melodies, world-beat 
rhythms, lush chords in classical type harmony, trance sequences, 
abstract electronica, all woven into a cohesive album of compelling
music."

any comments appreciated

andy



From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 19:06:49 2005
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Date: Mon, 05 Sep 2005 12:06:41 -0700
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Hello Kim,
Again you have come through for me. You helped me out many years ago when I 
was having problems getting me feedback pedal to work correctly.

This removed the problem.

Thank you very much.


> At 03:53 PM 9/1/2005, muman wrote:
> >Hello all,
> >After every loop, my EDP makes a quiet thunk sound. I have Loop IV
> >and have the memory maxed out. I think it's an early generation
> >machine.
> >
> >Anyone have any suggestions?Louis Hesselt-van-Dinter
> 
> Hi Louis,
> 
> There is a trimpot in the Echoplex that may need to be adjusted in
> your unit. It is there for nulling out dc offsets at a VCA, which can
> cause this thumping at the loop startpoint. Normally the trimpot is
> set at the factory and should not need adjusting, but maybe it got
> knocked out of adjustment somehow in your case.
> 
> I posted instructions on how to do this adjustment once long ago, it
> is here in the archives:
> 
> http://www.loopers-delight.com/LDarchive/199811/msg00303.html
> 
> However, I realize those instructions need to be updated a little bit
> for Echoplexes using LoopIV. So I'll just repost it now, updated for
> LoopIV:
> 
> 
> *********************************************
> How to adjust the Echoplex dc trimpot (LoopIV version):
> 
> This requires that you actually open up the unit, and have it opened
> with the power on. *Please follow appropriate electrical safety
> rules!!*  If you are not careful and you fry yourself, please don't
> blame me!
> 
> There's a trimpot on the PCB, near the left side, by the volume knobs.
> Its job is to trim a dc offset from a VCA. Sounds like your's is not
> set right for some reason, which would cause the thump you hear.
> 
> To set it you need to run one of the built in diagnostic tests. The
> test turns the VCA on and off at about 60Hz, so if there is an offset
> you can hear the resulting tone in an amplifier. (or see it on a
> scope, whichever way you like.)  While that test is running, you
> adjust the trimmer until the tone/waveform reaches its minimum.
> 
> To get into the trimmer test, power up the unit while holding the
> Parameter and Overdub buttons down. The display will show a version
> number of the test software at first. When you let go of the buttons,
> it should say 7F.
> 
> Press the parameter button so the "Switches" LED is lit (or "Keys" on
> older units), then press Insert to start the trimmer test.
> 
> You should hear a ~60Hz tone in an amp. Turning the input volume off,
> mix to "loop", and the output volume up helps to hear it if it isn't
> obvious. The tone will change in volume as you adjust the trimpot. You
> may need a small screwdriver to make the adjustment, depending on the
> type of trimpot in your unit. Adjust to where the tone is at it's
> lowest level. (you'll still hear hashy noise sounds, but the 60Hz
> should become nearly inaudible.)
> 
> After you set the trimmer, pressing parameter again will stop the
> test. Then you can turn the echoplex off and power back up normally.
> 
> **********************************************
> 
> hope this helps,
> kim
> 
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com 
> 
> 
> 

Louis Hesselt-van-Dinter


From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 19:20:34 2005
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Subject: Re: Looking for Xylophone type music
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Hey Kathy,

It's been a while since I saw American Beauty,I will check it out.I never
saw Six feet under.
Once I know the feel your going for I can get a sample of what I could do
and send to you.Cello is another very nice instrument that I also own and
use in the studio.I also do some nice ebow guitar,kind of flute like or
voice like stuff.

Stace


From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 19:52:08 2005
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Hey Kathy,

Check out keepingthedream.com  It's a project that I've worked on the last
few years part time with a female vocalist.I play 95 percent of the
instruments on it and wrote most of the music.The song "For the sake of
Love" has oboe in it although I don't play oboe myself.The piano I wrote for
it is nice.

Stace

From Loopers-Delight-request@loopers-delight.com  Mon Sep  5 20:35:17 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: andy butler's new live-looping cd
Date: Mon, 5 Sep 2005 22:35:12 +0200
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On Sep 5, 2005, at 20:52, Kris Hartung wrote:

> Related questions to others.
> Per, in addition to your recent release, is Happy Ocean available?


Hi Kris,

No I'm afraid it isn't. That disc was produced with CDR technology to =20=

promote the Swedish looping tour two years ago. Just a quick =20
documentation ideas back then. Speaking about Andy's CD I think it's =20
great! (I was lucky to get one during the Z=FCrich festival).

/ per

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 08:01:31 2005
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... and it is now available from burningshed.com ... congrats Andy!

" The debut solo CD from guitarist Andy Butler showcases an accomplished and
mature talent. Utilising Echoplex looping systems, the highly structured and
composed pieces were recorded in real time, with no subsequent overdubs
added. Occasionally recalling the experimental solo guitar work of Phil
Manzanera, Robert Fripp and Andy Summers, as well as drawing on complex
gamelan rhythms, Butler's intriguing compositions avoid much of the
improvised indulgence associated with the contemporary looping scene."


-Michael
www.michaelpeters.de


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color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_002A_01C5B2E3.81A7B820--


From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 11:09:21 2005
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From: "Fabio Anile" <fabio.anile@tiscali.it>
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Subject: test
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This is a multi-part message in MIME format.

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test
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From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 11:27:34 2005
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more treble in the monitors please

one two

welcome Fabio

Claude




test

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 12:00:31 2005
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----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, 06 September, 2005 12:27 PM
Subject: Re: test


> more treble in the monitors please
>
> one two
>
> welcome Fabio
>
> Claude
>
>
>
>
> test

Two!  Two!

>From http://www.planetproctor.com/2005/pp05-13.html :

Call your agent's voice mail and read this:

"Mr. See and Mr. Soar were old friends. See owned a saw and Soar owned a 
seesaw. Now See's saw sawed Soar's seesaw before Soar saw See, which made 
Soar sore. Had Soar seen See's saw before See saw Soar's seesaw, then See's 
saw would not have sawed Soar's seesaw. But See saw Soar and Soar's seesaw 
before Soar saw See's saw, so See's saw sawed Soar's seesaw.

"It was a shame to let See see Soar so sore just because See's saw sawed 
Soar's seesaw."  (Soon to be a major motion picture!)

Stephen Goodman
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* http://www.medialinenews.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 17:44:01 2005
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Date: Tue,  6 Sep 2005 13:43:56 -0400
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Hi,

I've been following conversations in looper's delight for a few years now, been
an edp user for a few years as well.

Recently it wouldn't come on, I checked and changed the fuse and tried the "hold
the parameter button on while powering up", all with no luck. The input signal
light comes on when inputing signal but the software doesn't boot up. Any
suggestions?

I have a great electronics repair guy available to me (I work in a hospital day
job) but he really needs some schematics or repair manual to look at. Does
anyone have anything that can help me out here????? I have searched the
archieves for simalar threads but haven't found any info there either.

Thanks

Paul Haslem
looping guitar and hammered dulcimer in Canada. Will post some music in the near
future

phaslem@wightman.ca

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 17:46:26 2005
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Date: Tue, 6 Sep 2005 10:46:21 -0700
From: Travis Hartnett <travishartnett@gmail.com>
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Subject: Re: edp
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Have you tried reseating the SIMMs yet?
So there's nothing at all on the display?  No "err" or anything?

On 9/6/05, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
> Hi,
>=20
> I've been following conversations in looper's delight for a few years now=
, been
> an edp user for a few years as well.
>=20
> Recently it wouldn't come on, I checked and changed the fuse and tried th=
e "hold
> the parameter button on while powering up", all with no luck. The input s=
ignal
> light comes on when inputing signal but the software doesn't boot up. Any
> suggestions?
>=20
> I have a great electronics repair guy available to me (I work in a hospit=
al day
> job) but he really needs some schematics or repair manual to look at. Doe=
s
> anyone have anything that can help me out here????? I have searched the
> archieves for simalar threads but haven't found any info there either.
>=20
> Thanks
>=20
> Paul Haslem
> looping guitar and hammered dulcimer in Canada. Will post some music in t=
he near
> future
>=20
> phaslem@wightman.ca
>=20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 19:11:06 2005
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From: Daniel Fredriksson <dalfrn98@student.umu.se>
Subject: foot-controller with Live 4 help? 
Date: Tue, 6 Sep 2005 21:10:58 +0200
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--Apple-Mail-5--449713112
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Hey. I'm a newbee on the list, as well as in the loop-world.

I have a question regarding Ableton Live 4 together with midi- 
footcontrollers wich I'm hoping someone could help me out with. I  
will use a Behringer FCB1010, and will mainly use it to launch and  
stop clips on stage with Live  (planning to get into live-looping  
later on, but for now I stay with pre-recorded loops...)  And it  
would be great if I did'nt have to keep track of wich is the on and  
off for every clip. Plus I would be able to controll more clips,  
obviously...

So that's my question - is it possible to make a setup in live so  
that the same button on a midi-controller, most specific the FCB1010,  
turns a clip on and off?

As stated, I'm a total newbee on loops and midicontrolls, so a nice  
step by step solution (if there is any) would make me a happy boy...
/Daniel

Daniel Fredriksson
daniel@silkwood.se
www.silkwood.se







--Apple-Mail-5--449713112
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hey. I'm a newbee on the list, =
as well as in the loop-world.=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"line-height: 19px;"><FONT =
class=3D"Apple-style-span" color=3D"#222222" face=3D"Verdana"><SPAN =
class=3D"Apple-style-span" style=3D"line-height: normal;">I have a =
question regarding Ableton Live 4 together with midi-footcontrollers =
wich I'm hoping someone could help me out with. I will use a Behringer =
FCB1010, and will mainly use it to launch and stop clips on stage with =
Live=A0 (planning to get into live-looping later on, but for now I stay =
with pre-recorded loops...)=A0 And it would be great if I did'nt have to =
keep track of wich is the on and off for every clip. Plus I would be =
able to controll more clips, obviously...</SPAN></FONT><FONT =
class=3D"Apple-style-span" color=3D"#222222" face=3D"Verdana"><SPAN =
class=3D"Apple-style-span" style=3D"line-height: =
normal;">=A0</SPAN></FONT></SPAN></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Verdana; min-height: 15px; "><FONT =
class=3D"Apple-style-span" color=3D"#222222"><SPAN =
class=3D"Apple-style-span" style=3D"line-height: =
19px;"><BR></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#222222" face=3D"Verdana">So that's =
my question - is it possible to make a setup in live so that the same =
button on a midi-controller, most specific the FCB1010, turns a clip on =
and off?</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Verdana; min-height: 15px; "><FONT class=3D"Apple-style-span" =
color=3D"#222222"><SPAN class=3D"Apple-style-span" style=3D"line-height: =
19px;"><BR></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#222222" face=3D"Verdana">As stated, =
I'm a total newbee on loops and midicontrolls, so a nice step by step =
solution (if there is any) would make me a happy boy...</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#222222" =
face=3D"Verdana">/Daniel</FONT></DIV><DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Daniel =
Fredriksson</DIV><DIV><A =
href=3D"mailto:daniel@silkwood.se">daniel@silkwood.se</A></DIV><DIV><A =
href=3D"http://www.silkwood.se"><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(0, 0, 238); -khtml-text-decorations-in-effect: =
underline; "><SPAN class=3D"Apple-style-span" style=3D"color: rgb(0, 0, =
238); -khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">www.silkwood.se</SPAN></SPAN></SPAN></SPAN></A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN> =
</DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-5--449713112--

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From: Per Boysen <per@boysen.se>
Subject: Re: foot-controller with Live 4 help? 
Date: Tue, 6 Sep 2005 22:11:21 +0200
To: Loopers-Delight@loopers-delight.com
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On Sep 6, 2005, at 21:10, Daniel Fredriksson wrote:

> So that's my question - is it possible to make a setup in live so  
> that the same button on a midi-controller, most specific the  
> FCB1010, turns a clip on and off?

Yes. You map the MIDI message to the clip. If you set the clip's  
launch preferences to "Toggle" it will start when you step on the  
pedal (sending that MIDI msg) and it will stop the next time you do  
it. In Toggle launch mode clips work just like a light switch button:  
If it is ON a button press will turn it OFF and if it is OFF the same  
button press will turn in ON.

A very good place to learn and get help on Live is the Live forum:
http://www.ableton.com/forum/

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 20:56:50 2005
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From: Daniel Fredriksson <dalfrn98@student.umu.se>
Subject: Re: foot-controller with Live 4 help? 
Date: Tue, 6 Sep 2005 22:56:42 +0200
To: Loopers-Delight@loopers-delight.com
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> In Toggle launch mode clips work just like a light switch button: =20
> If it is ON a button press will turn it OFF and if it is OFF the =20
> same button press will turn in ON.
>
> Per Boysen


Ah, overlooked that setting...Great, thanks alot Per!
/Daniel

PS. H=E4lsa s=E5 gott till min bandkompis Samuel Andersson om du tr=E4ffar=
 =20
honom innan mig (jag bor i Ume=E5), tror att det =E4r dig han ska b=F6rja =
=20
ta looplektioner av! Det =E4r bra, d=E5 kan han l=E4ra mig allt du =20
kan... :) DS

Daniel Fredriksson
daniel@silkwood.se
www.silkwood.se






From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 21:11:33 2005
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From: "Adrian West" <adrian@adrianwest.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Does this device exist?
Date: Tue, 6 Sep 2005 14:12:32 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0442_01C5B2ED.0614B1E0
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	charset="US-ASCII"
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Hello loopers,

    I'm wondering anyone here can help me find what I need. I'd like the
ability to record different loops on the fly and switch between them using a
foot pedal. I know the EDP lets me do this, but I'm hoping I might find
something less expensive. The BOSS RC-20 supports 11 saved loops, but before
you can switch between them, you need to bend over and save them to memory,
and even then I believe their foot pedal only lets you switch to the next
loop - you can't go to a previous loop. The Boomerang lets you record and
switch between two loops but I need more than two.  Are there any other
looping devices out there that let you do this?

    Thanks!

Adrian West
www.adrianwest.com

------=_NextPart_000_0442_01C5B2ED.0614B1E0
Content-Type: text/html;
	charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space">
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005>Hello loopers,</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005>&nbsp;&nbsp;&nbsp; I'm wondering anyone here =
can help=20
me find what I need. </SPAN></FONT></SPAN><SPAN =
class=3D578414220-06092005><FONT=20
face=3DArial><SPAN class=3D578414220-06092005>I'd like the =
ability&nbsp;to=20
rec</SPAN></FONT></SPAN><SPAN class=3D578414220-06092005><FONT =
face=3DArial><SPAN=20
class=3D578414220-06092005>ord different loops on the fly and switch =
between=20
them&nbsp;using a foot pedal. I know the EDP lets me do this, but I'm =
hoping I=20
might find something less expensive. The BOSS RC-20 supports 11 saved =
loops, but=20
before you can switch between them, you need to bend over and save them =
to=20
memory, and even then I believe their foot pedal only lets you =
switch&nbsp;to=20
the next loop - you can't go to a previous loop. The Boomerang lets you =
record=20
and switch between&nbsp;two loops&nbsp;but I need more than=20
two.</SPAN></FONT></SPAN><SPAN class=3D578414220-06092005><FONT =
face=3DArial><SPAN=20
class=3D578414220-06092005>&nbsp; Are there any other looping devices =
out there=20
that let you do this?</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005>&nbsp;&nbsp;&nbsp; =
Thanks!</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial><SPAN=20
class=3D578414220-06092005>Adrian West</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3D578414220-06092005><FONT face=3DArial =
color=3D#0000ff><SPAN=20
class=3D578414220-06092005><A=20
href=3D"http://www.adrianwest.com">www.adrianwest.com</A></SPAN></FONT></=
SPAN></DIV></BODY></HTML>

------=_NextPart_000_0442_01C5B2ED.0614B1E0--


From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 21:46:29 2005
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Date: Tue,  6 Sep 2005 17:46:28 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: edp
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Thanks for the suggestion Travis, I tried that but.... no change, no err
messages nothin on the display at all.

I'm sure that some of the others can understand my frustration, I've spent the
last 1 1/2 years re-inventing myself performance wise with the looping at the
center of that and now it has failed and I've got some gigs coming up in the
fall. I've been experimenting with Mobius and that may work as a replacement,
tho I do have to be careful how much I ask of it running on my old laptop
(compaq m300, 600mhz, 382 ram, 60 gb hard drive). I've been quite discouraged
at the lack of help availible for echoplex problems. Gibson Canada says call
Gibson US, I contacted them and they recomended checking Loopers Delight for
help, the archieves recomend Shane Radke, but no one at Gibson seems to know
who he is..... and on it goes. I told Jeff (at Mobius) that if my 
laptop breaks
down at least I can find repair people quickly, even if I had to borrow 
or rent
one for a few weeks. So there's pros and cons to using dedicated hardware or
software, everything is a compromise.

still hoping to find some schematics, who knows if the software approach works
well enough you might see my edp on ebay once I get it fixed.

Paul Haslem
phaslem@wightman.ca
looping hammered dulcimer and guitar in Canada
or is it just a "looped and hammered" dulcimer player...






Quoting Travis Hartnett <travishartnett@gmail.com>:

> Have you tried reseating the SIMMs yet?
> So there's nothing at all on the display?  No "err" or anything?
>>
>> Recently it wouldn't come on, I checked and changed the fuse and 
>> tried the "hold
>> the parameter button on while powering up", all with no luck. The 
>> input signal
>> light comes on when inputing signal but the software doesn't boot up. Any
>> suggestions?
>>
>> I have a great electronics repair guy available to me (I work in a 
>> hospital day
>> job) but he really needs some schematics or repair manual to look at. Does
>> anyone have anything that can help me out here????? I have searched the
>> archieves for simalar threads but haven't found any info there either.

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 21:59:15 2005
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Date: Tue, 6 Sep 2005 14:59:13 -0700
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: edp
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Shane is the guy who fixes EDP's, and I've had very good experiences
with him.  I don't know his business relationship with Gibson, but he
can be reached at:

shane@britishaudioservice.com=09

If the EDP becomes an essential part of your performance approach, I
recommend buying at least one spare when you can afford it.

Best of luck,

Travis

On 9/6/05, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
> Thanks for the suggestion Travis, I tried that but.... no change, no err
> messages nothin on the display at all.
>=20
> I'm sure that some of the others can understand my frustration, I've spen=
t the
> last 1 1/2 years re-inventing myself performance wise with the looping at=
 the
> center of that and now it has failed and I've got some gigs coming up in =
the
> fall. I've been experimenting with Mobius and that may work as a replacem=
ent,
> tho I do have to be careful how much I ask of it running on my old laptop
> (compaq m300, 600mhz, 382 ram, 60 gb hard drive). I've been quite discour=
aged
> at the lack of help availible for echoplex problems. Gibson Canada says c=
all
> Gibson US, I contacted them and they recomended checking Loopers Delight =
for
> help, the archieves recomend Shane Radke, but no one at Gibson seems to k=
now
> who he is..... and on it goes. I told Jeff (at Mobius) that if my
> laptop breaks
> down at least I can find repair people quickly, even if I had to borrow
> or rent
> one for a few weeks. So there's pros and cons to using dedicated hardware=
 or
> software, everything is a compromise.
>=20
> still hoping to find some schematics, who knows if the software approach =
works
> well enough you might see my edp on ebay once I get it fixed.
>=20
> Paul Haslem
> phaslem@wightman.ca
> looping hammered dulcimer and guitar in Canada
> or is it just a "looped and hammered" dulcimer player...
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 22:45:28 2005
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To: Loopers-Delight@loopers-delight.com
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Hi Daniel

I am Kobna, I've been looping live since 2000 with a Jam Man, my setup
includes an Akai MPC 2000 and and an vintage GR1 Roland, since you've
asked about footcontrollers I might give you some sugestions on that
regard.
Nowadays I use the pads of the mpc to to send midi controls to REASON,
it is almost the same as you want to do with Ableton Live. The
diference is that what I actually control are the mute and solo
buttons of the mixing desk of Reason with the pads.

So, my system consists of recording my sequencie "LOOPs" on Reason,
(in a vertical manner), then I (solo) and (mute) the frases with the
pads, are you with me?

Althought you use the FCB1010, I thing you might want to do the same,
have pre-recorded loops loaded into Live and Solo and Mute them on
flight is that correct?

If that is your aim, just set Live loop to receive a MIDI message
control on the loop you wish to assign and press the footcontrol you
want to asssign to it, and that is all.
In Reason I just presse crtl+click and I select>edit MIDI key, in LIVE
I believe i quite the same, I just don't remember how to assign the
key, but I am sure that kind info is in capital letters on the PDF
help.

I hope I was clear enough since my comand of english language is
average, remember I live in Brazil now, and I don't get to speak
queen's language very often :)

By the way does anyone know how to record continuous loops in Logic
whlile it plays back the previous ones ? (in real time of course?)

Best of Luck

KOBNA BRAZIL.
www.kobna.com

  =20


=20
 The following setup Reason X FCB 1010, this is very easy to get around,=20

On 9/6/05, Daniel Fredriksson <dalfrn98@student.umu.se> wrote:
> Hey. I'm a newbee on the list, as well as in the loop-world.=20
>=20
> I have a question regarding Ableton Live 4 together with
> midi-footcontrollers wich I'm hoping someone could help me out with. I wi=
ll
> use a Behringer FCB1010, and will mainly use it to launch and stop clips =
on
> stage with Live  (planning to get into live-looping later on, but for now=
 I
> stay with pre-recorded loops...)  And it would be great if I did'nt have =
to
> keep track of wich is the on and off for every clip. Plus I would be able=
 to
> controll more clips, obviously...=20
>=20
> So that's my question - is it possible to make a setup in live so that th=
e
> same button on a midi-controller, most specific the FCB1010, turns a clip=
 on
> and off?
>=20
> As stated, I'm a total newbee on loops and midicontrolls, so a nice step =
by
> step solution (if there is any) would make me a happy boy...
> /Daniel
>=20
> =20
> Daniel Fredriksson
> daniel@silkwood.se
> www.silkwood.se
>=20
>=20
>=20
>=20
>=20
> =20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  6 22:47:47 2005
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Date: Tue, 6 Sep 2005 15:47:44 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Cooking your delays?
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Another good trick is to put a multieffect (for me a
Lexicon MPX1... that I must send out for repair) in my
Repeater's effect loop and spin the dial to a random
preset and see what my loop sounds like when it gets
played back.  Fun!

Mark

--- "clumsybeats.org" <obadia@clumsybeats.org> wrote:

> beautiful. i can imagine happy accidents fried in
> randomness, waiting for
> you, digesting...
> hello to the list
> 
> stéphane
> 
> 
> > I like leaving my tape delays, pedals, delay  and
> looping plugins
> > running for a long time, for instance while I'm
> having dinner and
> > whatnot. When I return, there's often distorted
> loveliness waiting for
> > me in the cans.
> >
> > Do you do that as well? Any tips?
> >
> > Andreas.
> >
> >
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 01:20:03 2005
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Date: Tue, 06 Sep 2005 21:19:56 -0400
Subject: Loop 3 chips available......
From: todd reynolds <todd@toddreynolds.com>
To: LD <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3208886400_241583
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	charset="ISO-8859-1"
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I have no idea why anyone could use a couple of loop 3 chips, but I have
them, so I thought I=B9d ask...

Anyone need a couple of loop 3 chips?

T.


---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com
http://www.ethelcentral.com

todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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<HTML>
<HEAD>
<TITLE>Loop 3 chips available......</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Palatino"><SPAN STYLE=3D'font-size:14.0px'>I have no idea why any=
one could use a couple of loop 3 chips, but I have them, so I thought I&#821=
7;d ask...<BR>
<BR>
Anyone need a couple of loop 3 chips? <BR>
<BR>
T.<BR>
<BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<a href=3D"http://www.ethelcentral.com">http://www.ethelcentral.com</a><BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3208886400_241583--


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 02:47:21 2005
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From: "Ken Pendergrass" <mystro2b@yahoo.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: newbie with RDS-900 help?
Date: Tue, 6 Sep 2005 19:41:08 -0700
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Howdy-

I typically wait and watch a list awhile before asking a question, but I
just bought a used Digitech RDS-900 Digital Delay System and hope someone
can help.

I teach elementary school music and originally got this for myself and
guitar, but after goofing around with this last night, I think it would be
cool for some applications in my school music program. I don't have a
manual, but did find a link to the RDS 7.6 Time Machine at
loopersdelight.com and some references to the RDS 900 in some archived
messages.

So here are my questions- if off topic or too elementary, forgive me-

REPEAT HOLD-
1) I plugged a Casio sustain pedal (non-latching?) into the REPEAT HOLD jack
on the back and was able to create a 2+ second loop whenever I hit a chord
of even just scratched the string and kept the pedal down.  So I'm guessing
it's a type of sampler, but the signal had to be fairly strong.  Wild
effects as I messed with the speed, width and depth knobs...is it ok to use
this type of pedal? any thoughts?

CONTROL VOLTAGE OUTPUT JACK
2) The block diagram shows this connected to the LFO (? frequency
oscilator)- when I hooked up the pedal to this jack, I think I was tweaking
the speed and/or width of the delay? Any insight or pedal suggestions for
this jack?

All the other buttons and jacks are similar to the later RDS 1000, 2000,
4000, 8000 (downloaded the manual from digitech) and think I understand how
these work.

And finally, I do a fair amount of electronic music via mac and garageband
with my students and they love it...after messing around with this vintage
delay system, I'm looking for looping resources to use with my students. I
think some of my kids could create some cool music, especially in a live
context with a looping unit of some sort>>>

ok- i'll stop babbling know. thanks for reading my post.

*mystro2b in Seattle*

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 04:42:58 2005
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Good point, which brings us to another good subject:
I'm building my own super-duper Reaktor patch for looping, since I'm 
tired of looper limitations and convoluted interfaces. It will be based 
on four of these looping beauties:
http://www.nativeinstruments.de/index.php?id=userlibrary_us&type=0&ulbr=1&ftu=f3e347af65&plview=detail&patchid=2392
and a bunch of effects( filters, saturator/distortions, granulators, 
other delay lines, gates etc.) and I want the structure of the patch to 
be at least semi-modular, to allow esoteric stuff, like using the 
effects in the feedback chain. But since i have to build the crap 
myself, are there any of your who have some good ideas for effects and 
routing? Mixer configurations? Any help would be appreciated.

--- oh, and I intend to use the patch in conjunction with Live5, so I 
can route audio out and loop that too.
Best,

Andreas
mark sottilaro wrote:

>Another good trick is to put a multieffect (for me a
>Lexicon MPX1... that I must send out for repair) in my
>Repeater's effect loop and spin the dial to a random
>preset and see what my loop sounds like when it gets
>played back.  Fun!
>  
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 06:51:41 2005
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Daniel wrote:
"PS. Hälsa så gott till min bandkompis Samuel Andersson om du träffar
honom innan mig (jag bor i Umeå), tror att det är dig han ska börja
ta looplektioner av! Det är bra, då kan han lära mig allt du
kan... :)

It's rather refreshing to see a language other than English posted on 
Loopers Delight
(even though I can't read what you said).

Claude,  did you see this?  I remember you posting in French a few years ago 
out
of the same exasperation.

I know that in Japan the two artists who will co-headline this coming Y2K5 
Festival
do not read enough English to be on this list.  I'm just so grateful to 
Sunao Inami
and Aci for hipping me to these two really sophisticated non-English 
speaking live loopers.
We would have missed their valuable contribution otherwise.

I was wondering how we could reach out to the many many Japanese, Italian, 
French,
German and other language speaking live loopers out there.

We must not be reaching a very large number of artists who are part of our 
extended family.

Any suggestions?      Posting notices in different language electronic or 
live music forums, perhaps?

Rick  (one of those Americans who, depressingly, was never encouraged to 
learn another language thus botching several languages horribly even when 
trying to order coffee....lol) 

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 06:58:56 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Loop 3 chips available......
Date: Wed, 7 Sep 2005 08:58:53 +0200
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On Sep 7, 2005, at 3:19, todd reynolds wrote:

> I have no idea why anyone could use a couple of loop 3 chips, but I =20=

> have them, so I thought I=92d ask...
>
> Anyone need a couple of loop 3 chips?


I have one Loop 3 here, put to rest in a drawer. Don't need it since =20
I got Loop 4.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen=

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 07:18:06 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Stuff in the feedback loop, Was: Cooking your delays?
Date: Wed, 7 Sep 2005 09:18:02 +0200
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Andreas,

If possible, throw in as many as possible separate virtual outputs  
for all effects. Then, when used in Live 5, you are not restricted to  
keep them in the loopers internal feedback pipe. You can also choose  
to send out a pipe to another channel in Live.

BTW I'm not sure that I personally would like to have effects built  
into the looper patch. If multiple outputs are available - at  
different stages of the signal path - I think I would prefer to route  
a part of the signal out into Live and apply the effect there  
instead. This would be a more modular approach that can be better  
customized. But maybe you have a good reason for stuffing it all into  
that Reaktor patch? I have very limited experience with Reactor myself.

But regarding "stuff in the feedback loop" I am very experienced and  
I would like to recommend anyone to explore this area. "Stuff in the  
feedback loop" was actually what brought me into looping back in the  
early eighties. I had a hardware delay and a harmonizer and found  
that I could cable the harmonizer in the effect loop of the delay and  
have each delay slap loop back at a different pitch; a "cascading"  
effect. Some of my favorite Pluggo plug-ins (Cycling74) appears to  
use the "stuff in feedback loop" concept, as does also the Eventide  
Eclipse, TC FireworX and many other interesting audio tools (as far  
as my ears can tell....)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



On Sep 7, 2005, at 6:42, Andreas Wetterberg wrote:

> Good point, which brings us to another good subject:
> I'm building my own super-duper Reaktor patch for looping, since  
> I'm tired of looper limitations and convoluted interfaces. It will  
> be based on four of these looping beauties:
> http://www.nativeinstruments.de/index.php? 
> id=userlibrary_us&type=0&ulbr=1&ftu=f3e347af65&plview=detail&patchid=2 
> 392
> and a bunch of effects( filters, saturator/distortions,  
> granulators, other delay lines, gates etc.) and I want the  
> structure of the patch to be at least semi-modular, to allow  
> esoteric stuff, like using the effects in the feedback chain. But  
> since i have to build the crap myself, are there any of your who  
> have some good ideas for effects and routing? Mixer configurations?  
> Any help would be appreciated.
>
> --- oh, and I intend to use the patch in conjunction with Live5, so  
> I can route audio out and loop that too.
> Best,
>
> Andreas
> mark sottilaro wrote:
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 10:53:01 2005
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Hi loopers !
When I come back in Italy, after the Zurich loopfest, my computer got =
some internet connection problems, so I didn't receive any mail from =
this list and and I cannot post my impression about the festival.

First of all, a mention for Bernhard Wagner who organized a very =
professional festival, with an expert stage staff.
I was impressed by the quality of the sound coming from the monitors and =
the speakers, expecially, thinking that there were about ten artist at =
night sharing the stage. So I want to remember the technical staff for =
their good work.
Bernhard presented every artist like a professional front-man and was =
open to all the desires coming form us. A very kindly person and a =
friend. I spent some time talking with his brother and sister and they =
are kindly persons too.

It was an amazing and richfull experience for me, even if I didn't feel =
so happy for my performance, because, before starting, I was very =
stressed by connecting cables, mounting keyboards on the stands and =
connecting all my gear. So the first thing I've discovered is that I =
have a lot to learn about this.=20
In the days (26-27-28 august) I was in Zurich I have learn a lot of =
techinic stuff and ideas about looping.=20
I've seen very interesting performances and insusual instruments.
I want to remember expecially the Stefen Keller's quadraphonic flutes, =
and the amazing vocal performance od Michael Shiefel, but I like the =
Loiber-Beier duo, and the Claude Voit acoustic/treated guitar and the =
Trianguli Zona atmosphere and video installation, too.

I've meet a lot of friendly looper-people and come back at home full of =
CD that now I'm listen to with a growned interest: Rick Walker and his =
brother Bill, Michael Klobuchar, Roberto Zorzi and Luca Formentini, =
Michael Peteres, Matthias Grob, Per Boysen, Philipp Zurcher, Andy =
Butler, James Sidlo, Mike Bearpark and Os, Dan Mayfield, and...sorry if =
I've forgot someone.
It was a nice time, talking, drinking (wine) and eating with everyone of =
you.

I come back at home full of power. For me, this experience was the most =
interesting in the last ten years.
Greetings to you all, loopers, and I hope to met you in  the future =
(maybe in Italy....)

Ciao

Fabio Anile=20









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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi loopers =
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>When&nbsp;I come back =
in Italy,=20
after the Zurich loopfest, my computer got some internet connection =
problems, so=20
I didn't receive any mail from this list and and I cannot post my =
impression=20
about the festival.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>First of all, a mention =
for=20
Bernhard Wagner who organized a&nbsp;very professional festival, with an =
expert=20
stage staff.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I was impressed by the =
quality of=20
the sound coming from the monitors and the speakers, expecially, =
thinking that=20
there were about ten artist at night sharing the stage. So I want to =
remember=20
the technical staff for their good work.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Bernhard presented =
every artist=20
like a professional front-man and was open to all the desires coming =
form us.=20
</FONT><FONT face=3D"Book Antiqua" color=3D#000080>A very kindly person =
and a=20
friend. I spent some time talking with his brother and sister and they =
are=20
kindly persons too.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><FONT =
face=3D"Book Antiqua"=20
color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It was an amazing and =
richfull=20
experience for me, even&nbsp;if I didn't feel so happy for my =
performance,=20
because, before&nbsp;starting, I was very stressed by connecting cables, =

mounting keyboards on the stands and connecting all my gear. So the =
first thing=20
</FONT><FONT face=3D"Book Antiqua" color=3D#000080>I've discovered is =
that=20
I&nbsp;have a lot to learn about this. </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>In the&nbsp;days =
(26-27-28 august)=20
I was in Zurich I have learn a lot of techinic stuff&nbsp;and ideas =
about=20
looping. </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've seen very =
interesting=20
performances and insusual instruments.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I want to remember =
expecially the=20
Stefen Keller's quadraphonic flutes, and the amazing vocal performance =
od=20
Michael Shiefel, but I like the Loiber-Beier duo, and the Claude Voit=20
acoustic/treated guitar and the Trianguli Zona atmosphere and video=20
installation, too.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've meet a lot of=20
friendly&nbsp;looper-people&nbsp;and come back at home full of CD that =
now=20
I'm&nbsp;listen to&nbsp;with a growned interest: </FONT><FONT=20
face=3D"Book Antiqua" color=3D#000080>Rick Walker and his brother Bill, =
Michael=20
Klobuchar, Roberto Zorzi and Luca Formentini, Michael Peteres, Matthias =
Grob,=20
Per Boysen, Philipp Zurcher, Andy Butler, James Sidlo, Mike Bearpark and =
Os, Dan=20
Mayfield, and...sorry if I've forgot someone.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It was a nice time, =
talking,=20
drinking (wine) and&nbsp;eating with everyone of you.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I come back at home =
full of power.=20
For me, this experience was the most interesting in the last ten=20
years.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080>Greetings</FONT>&nbsp;<FONT=20
face=3D"Book Antiqua" color=3D#000080>to you all, loopers, and I hope to =
met you=20
in&nbsp; the future (maybe in Italy....)</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Ciao</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=
=3Dquickurl">Fabio=20
Anile</A> </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 12:05:44 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Zurich loopfest.....ten days after...
Date: Wed, 7 Sep 2005 14:04:53 +0200
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Dear Fabio and all other loop artists

Thank you very much, Fabio, for the nice words! I forwarded your mail to =
the
tech people.

I feel very lucky that you, like so many others, have decided to come =
play
at this festival even though the financial backing was minimal.

I want to thank you all for the fantastic spirit you put into the whole
thing!

On http://loopfestival.com/ you can find a review of the first festival =
day
that I translated to English. Please let me know if it needs amendments.

There should be at least one more review coming up, I'll keep you =
posted.

Bernhard
http://nosuch.biz


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 12:28:01 2005
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At 11:53 07/09/05, you wrote:
>Thanks for the suggestion Travis, I tried that but.... no change, no err
>messages nothin on the display at all.

Well, you could try reseating all the chips.

If the display is completely dead, next thing to check is
"is there a slight hum from the transformer?".

andy
   

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 12:41:53 2005
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: lexicon boxes
Date: Wed, 7 Sep 2005 13:42:32 +0100 
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>>for me a Lexicon MPX1... that I must send out for repair...<<

for some reason I'm hearing a lot about duff lexicon boxes the last couple of weeks. not the jamman or vortex, with external psu, but the mid to high end rack effects with smpsu's in them. 

we have two dead pcm80s here, both with power supply & a>d problems. one is landfill now, because (so lexicon say) the a>d chip is no longer available. the other is starting to go the same way. while I was pondering this, an mpx1 came in from another studio, again with a duff psu. the guys in the workshop give you /that/ look when you mention lexicon.

I just bought an mpx500 (ebay bargain, or so I thought...) which I was considering putting into my band's live-rig in place of a ten years old quadraverb that's never let us down. now I'm not so sure....

I'm not scared of changing out a psu- they're all quite straightforward inside, these boxes, & generally some variety of 12s & 5s will get them running.... but I am concerned about reliability, & other components that may fail inopportunely. 

fwiw, we've had similar problems with some tc units (we use dbmax on most of the music channels), but statistically that makes a bit more sense as we have around 40 of them, & they're on all the time.

duncan.


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<TITLE>RE: lexicon boxes</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;for me a Lexicon MPX1... that I must send out for=
 repair...&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>for some reason I'm hearing a lot about duff lexicon boxe=
s the last couple of weeks. not the jamman or vortex, with external psu, bu=
t the mid to high end rack effects with smpsu's in them. </FONT></P>

<P><FONT SIZE=3D2>we have two dead pcm80s here, both with power supply &amp=
; a&gt;d problems. one is landfill now, because (so lexicon say) the a&gt;d=
 chip is no longer available. the other is starting to go the same way. whi=
le I was pondering this, an mpx1 came in from another studio, again with a =
duff psu. the guys in the workshop give you /that/ look when you mention le=
xicon.</FONT></P>

<P><FONT SIZE=3D2>I just bought an mpx500 (ebay bargain, or so I thought...=
) which I was considering putting into my band's live-rig in place of a ten=
 years old quadraverb that's never let us down. now I'm not so sure....</FO=
NT></P>

<P><FONT SIZE=3D2>I'm not scared of changing out a psu- they're all quite s=
traightforward inside, these boxes, &amp; generally some variety of 12s &am=
p; 5s will get them running.... but I am concerned about reliability, &amp;=
 other components that may fail inopportunely. </FONT></P>

<P><FONT SIZE=3D2>fwiw, we've had similar problems with some tc units (we u=
se dbmax on most of the music channels), but statistically that makes a bit=
 more sense as we have around 40 of them, &amp; they're on all the time.</F=
ONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 12:44:58 2005
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Date: Wed, 07 Sep 2005 08:46:35 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Cooking your delays?
To: mark sottilaro <zerocrossing2001@yahoo.com>,
	Loopers-Delight@loopers-delight.com
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I've been warming up with the "I have no idea what this will sound like"
strategy for years. Turn on all my gear EXCEPT the playback faders, load in
a buncha notes, then raise the faders.
dB, coyote

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 06, 2005 6:47 PM
Subject: Re: Cooking your delays?


> Another good trick is to put a multieffect (for me a
> Lexicon MPX1... that I must send out for repair) in my
> Repeater's effect loop and spin the dial to a random
> preset and see what my loop sounds like when it gets
> played back.  Fun!
>
> Mark
>
> --- "clumsybeats.org" <obadia@clumsybeats.org> wrote:
>
> > beautiful. i can imagine happy accidents fried in
> > randomness, waiting for
> > you, digesting...
> > hello to the list
> >
> > stéphane
> >
> >
> > > I like leaving my tape delays, pedals, delay  and
> > looping plugins
> > > running for a long time, for instance while I'm
> > having dinner and
> > > whatnot. When I return, there's often distorted
> > loveliness waiting for
> > > me in the cans.
> > >
> > > Do you do that as well? Any tips?
> > >
> > > Andreas.
> > >
> > >
> >
> >
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 13:13:54 2005
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Date: Wed, 7 Sep 2005 06:13:52 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: RE: lexicon boxes
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I have an MPX100 which I got for only $99 new and unused - the chip was defective 
but after calling the 800 # and sending it off they had it back to me with a new chip 
within 48 hours and at no charge. It's been working for a few years now with no problems
and I've used it alot. A friend of mine also has a 100 and has been using it for many years.
This model has been replaced by the MPX110 which he says is not as good and does
have these problems and that the MPX100, a "budget" model is more reliable than most
of the better Lexicon models. ???
Monica

goddard.duncan@mtvne.com wrote:

>>for me a Lexicon MPX1... that I must send out for repair...<< 

for some reason I'm hearing a lot about duff lexicon boxes the last couple of weeks. not the jamman or vortex, with external psu, but the mid to high end rack effects with smpsu's in them. 

we have two dead pcm80s here, both with power supply & a>d problems. one is landfill now, because (so lexicon say) the a>d chip is no longer available. the other is starting to go the same way. while I was pondering this, an mpx1 came in from another studio, again with a duff psu. the guys in the workshop give you /that/ look when you mention lexicon.

I just bought an mpx500 (ebay bargain, or so I thought...) which I was considering putting into my band's live-rig in place of a ten years old quadraverb that's never let us down. now I'm not so sure....

I'm not scared of changing out a psu- they're all quite straightforward inside, these boxes, & generally some variety of 12s & 5s will get them running.... but I am concerned about reliability, & other components that may fail inopportunely. 

fwiw, we've had similar problems with some tc units (we use dbmax on most of the music channels), but statistically that makes a bit more sense as we have around 40 of them, & they're on all the time.

duncan. 


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<DIV><FONT color=#40007f>I have an MPX100 which I got for only $99 new and unused - the chip was defective </FONT></DIV>
<DIV><FONT color=#40007f>but after calling the 800 # and sending it off they had it back to me with a new chip </FONT></DIV>
<DIV><FONT color=#40007f>within 48&nbsp;hours&nbsp;and at no charge. It's been working for a few years now with no problems</FONT></DIV>
<DIV><FONT color=#40007f>and I've used it alot. A friend of mine also has a 100 and has been using it for many years.</FONT></DIV>
<DIV><FONT color=#40007f>This model has been replaced by the MPX110 which he says is not as good and does</FONT></DIV>
<DIV><FONT color=#40007f>have these problems and that the MPX100, a "budget" model is more reliable than most</FONT></DIV>
<DIV><FONT color=#40007f>of the better Lexicon models. ???</FONT></DIV>
<DIV><FONT color=#40007f>Monica</FONT><BR><BR><B><I>goddard.duncan@mtvne.com</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MS Exchange Server version 5.5.2653.12" name=Generator>
<P><FONT size=2>&gt;&gt;for me a Lexicon MPX1... that I must send out for repair...&lt;&lt;</FONT> </P>
<P><FONT size=2>for some reason I'm hearing a lot about duff lexicon boxes the last couple of weeks. not the jamman or vortex, with external psu, but the mid to high end rack effects with smpsu's in them. </FONT></P>
<P><FONT size=2>we have two dead pcm80s here, both with power supply &amp; a&gt;d problems. one is landfill now, because (so lexicon say) the a&gt;d chip is no longer available. the other is starting to go the same way. while I was pondering this, an mpx1 came in from another studio, again with a duff psu. the guys in the workshop give you /that/ look when you mention lexicon.</FONT></P>
<P><FONT size=2>I just bought an mpx500 (ebay bargain, or so I thought...) which I was considering putting into my band's live-rig in place of a ten years old quadraverb that's never let us down. now I'm not so sure....</FONT></P>
<P><FONT size=2>I'm not scared of changing out a psu- they're all quite straightforward inside, these boxes, &amp; generally some variety of 12s &amp; 5s will get them running.... but I am concerned about reliability, &amp; other components that may fail inopportunely. </FONT></P>
<P><FONT size=2>fwiw, we've had similar problems with some tc units (we use dbmax on most of the music channels), but statistically that makes a bit more sense as we have around 40 of them, &amp; they're on all the time.</FONT></P>
<P><FONT size=2>duncan.</FONT> </P><CODE><FONT size=3><BR><BR>***************************************************************************<BR>CONFIDENTIALITY NOTICE<BR><BR>The contents of this e-mail are confidential to the ordinary user<BR>of the e-mail address to which it was addressed, and may also<BR>be privileged. If you are not the addressee of this e-mail you may <BR>not copy, forward, disclose or otherwise use it or any part of it<BR>in any form whatsoever.If you have received this e-mail in error,<BR>please e-mail the sender by replying to this message.<BR><BR>It is your responsibility to carry out appropriate virus and other<BR>checks to ensure that this message and any attachments do not<BR>affect your systems / data. Any views or opinions expressed in this<BR>e-mail are solely those of the author and do not necessarily<BR>represent those of MTV Networks Europe unless specifically stated,<BR>nor does this message form any part of any contract unless so stated.<BR><BR>MTV
 reserves the right to monitor e-mail communications from<BR>external/internal sources for the purposes of ensuring correct <BR>and appropriate use of MTV communication equipment.<BR><BR>MTV Networks Europe<BR>***************************************************************************<BR></FONT></CODE></BLOCKQUOTE><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 14:09:12 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: FW: andy butler's new live-looping cd
Date: Wed, 7 Sep 2005 16:08:13 +0200
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> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net]
> Sent: Montag, 5. September 2005 20:52
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: andy butler's new live-looping cd
>=20

> Bernhard, in addition to Synced (which I just bought, do you have a
> prior solo release?

Hi Kris,

Thanks a lot for your interest and for buying the "SYNCED!" CD!

There are so many loopfestival-related mails I should send but seeing a
promotion opportunity I respond:
I don't have prior-"SYNCED!" solo CDs out but one that just came out:
http://nosuch.biz/fourthNight

There's a duo CD out on burning shed with Michael Bearpark
(http://pedaltone.com, website still under construction) Until it =
appears on
burning shed this CD can be bought from Michael (UK) or myself.

There's more live material around from last year that still waits to be =
put
on CD. And if I'm lucky, there will be some pretty recent duo stuff... =
I'll
let you know.

Will you be at the Y2K5? I could bring some cds then.

Thank you very much!
Bernhard
http://nosuch.biz


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 14:29:53 2005
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From: "Mark Smart" <mwsmart@insightbb.com>
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References: <20050906224744.64977.qmail@web81306.mail.yahoo.com> <431E6FCF.3090504@post.cybercity.dk>
Subject: Re: Stuff in the feedback loop, Was: Cooking your delays?
Date: Wed, 7 Sep 2005 09:30:20 -0500
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I've played around with looping in Reaktor some, building a Reaktor version of
my jazz looping setup:

http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V2

Here's ascreen shot of the newer Reaktor version so far:

http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V3

I don't have any effect-in-the-feedback-loop stuff on it, but maybe I can offer
some suggestions. What I did was set up a step sequencer which is advanced by
hitting a pedal. For each step in the sequence, you set all the parameters of
what should be happening, so by hitting the footswitch, you can make a bunch of
things change simultaneously.

Like in the screenshot, it's doing this:

Step 0:
  Top 4 strings go through octave divider for bass sound
  Bottom 2 strings go through octave divider for bass sound
  Drums: Play ride cymbal loop, but volume is turned all the way down
  Hits: No cymbal crash on thie step
  Tapedeck 1: Not recording, not playing
  Tapedeck 2: Not recording, not playing
  Tapedeck 3: Not recording, not playing

For each step you can set all these things, so it can go instantly from
recording on tapedeck 1 to playing on tapedeck1 while recording on tapedeck 2,
or whatever you want.

You could easily set up step sequencer control of effects or anything else. The
idea is to have different sequencer settings for each song, stored in a
snapshot. Then change snapshots to do a different song.

Mark Smart
http://www.marksmart.net/

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 15:25:15 2005
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Subject: Re: lexicon boxes
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RE: lexicon boxesThis reliability issue of Lexicon units seems to be =
widespread among the high-end sort of stuff. My tech had a Marshall Time =
Modulator with broken power supply, AMS reverb and delay, Klark Teknik =
DN 780... all had reliability issues centered around the PS/AD section =
(luckily the Marshall=B4s delay section was not affected). I was tempted =
to buy some Lexicon 224XL/300 reverbs but luckily my purse said "no!". I =
think I=B4m better off with my Dynacord DRP-20X.

Stephen


"I=B4m striving for the mysterious. The obvious doesn=B4t interest me." =
(Jon Hassell)

Visit the official [=B4ramp] website at www.doombient.com

WTB: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse With Wound, David Tibet).


  ----- Original Message -----=20
  From: goddard.duncan@mtvne.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, September 07, 2005 2:42 PM
  Subject: RE: lexicon boxes


  >>for me a Lexicon MPX1... that I must send out for repair...<<=20

  for some reason I'm hearing a lot about duff lexicon boxes the last =
couple of weeks. not the jamman or vortex, with external psu, but the =
mid to high end rack effects with smpsu's in them.=20

  we have two dead pcm80s here, both with power supply & a>d problems. =
one is landfill now, because (so lexicon say) the a>d chip is no longer =
available. the other is starting to go the same way. while I was =
pondering this, an mpx1 came in from another studio, again with a duff =
psu. the guys in the workshop give you /that/ look when you mention =
lexicon.

  I just bought an mpx500 (ebay bargain, or so I thought...) which I was =
considering putting into my band's live-rig in place of a ten years old =
quadraverb that's never let us down. now I'm not so sure....

  I'm not scared of changing out a psu- they're all quite =
straightforward inside, these boxes, & generally some variety of 12s & =
5s will get them running.... but I am concerned about reliability, & =
other components that may fail inopportunely.=20

  fwiw, we've had similar problems with some tc units (we use dbmax on =
most of the music channels), but statistically that makes a bit more =
sense as we have around 40 of them, & they're on all the time.

  duncan.=20



  =
*************************************************************************=
**
  CONFIDENTIALITY NOTICE

  The contents of this e-mail are confidential to the ordinary user
  of the e-mail address to which it was addressed, and may also
  be privileged. If you are not the addressee of this e-mail you may=20
  not copy, forward, disclose or otherwise use it or any part of it
  in any form whatsoever.If you have received this e-mail in error,
  please e-mail the sender by replying to this message.

  It is your responsibility to carry out appropriate virus and other
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  e-mail are solely those of the author and do not necessarily
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  nor does this message form any part of any contract unless so stated.

  MTV reserves the right to monitor e-mail communications from
  external/internal sources for the purposes of ensuring correct=20
  and appropriate use of MTV communication equipment.

  MTV Networks Europe
  =
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: lexicon boxes</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>This reliability issue of Lexicon units seems to =
be=20
widespread among the high-end sort of stuff.&nbsp;My tech had a Marshall =
Time=20
Modulator with broken power supply, AMS reverb and delay, Klark Teknik =
DN 780...=20
all had reliability issues centered around the PS/AD section (luckily =
the=20
Marshall=B4s delay section was not affected). I was tempted to buy some =
Lexicon=20
224XL/300 reverbs but luckily my purse said "no!". I think I=B4m better =
off with=20
my Dynacord DRP-20X.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Stephen</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>"I=B4m striving for the mysterious. The obvious doesn=B4t interest =
me." (Jon=20
Hassell)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Visit the official [=B4ramp] website at <A=20
href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>WTB: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse=20
With Wound, David Tibet).</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:goddard.duncan@mtvne.com"=20
  title=3Dgoddard.duncan@mtvne.com>goddard.duncan@mtvne.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, September 07, =
2005 2:42=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: lexicon =
boxes</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>&gt;&gt;for me a Lexicon MPX1... that I must send =
out for=20
  repair...&lt;&lt;</FONT> </P>
  <P><FONT size=3D2>for some reason I'm hearing a lot about duff lexicon =
boxes the=20
  last couple of weeks. not the jamman or vortex, with external psu, but =
the mid=20
  to high end rack effects with smpsu's in them. </FONT></P>
  <P><FONT size=3D2>we have two dead pcm80s here, both with power supply =
&amp;=20
  a&gt;d problems. one is landfill now, because (so lexicon say) the =
a&gt;d chip=20
  is no longer available. the other is starting to go the same way. =
while I was=20
  pondering this, an mpx1 came in from another studio, again with a duff =
psu.=20
  the guys in the workshop give you /that/ look when you mention=20
  lexicon.</FONT></P>
  <P><FONT size=3D2>I just bought an mpx500 (ebay bargain, or so I =
thought...)=20
  which I was considering putting into my band's live-rig in place of a =
ten=20
  years old quadraverb that's never let us down. now I'm not so=20
  sure....</FONT></P>
  <P><FONT size=3D2>I'm not scared of changing out a psu- they're all =
quite=20
  straightforward inside, these boxes, &amp; generally some variety of =
12s &amp;=20
  5s will get them running.... but I am concerned about reliability, =
&amp; other=20
  components that may fail inopportunely. </FONT></P>
  <P><FONT size=3D2>fwiw, we've had similar problems with some tc units =
(we use=20
  dbmax on most of the music channels), but statistically that makes a =
bit more=20
  sense as we have around 40 of them, &amp; they're on all the =
time.</FONT></P>
  <P><FONT size=3D2>duncan.</FONT> </P><CODE><FONT=20
  =
size=3D3><BR><BR>********************************************************=
*******************<BR>CONFIDENTIALITY=20
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so=20
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 15:48:47 2005
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Subject: Attack of the Killer Mini Tabla - Live Clip
Date: Wed, 7 Sep 2005 09:48:40 -0600
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Thread-Topic: Attack of the Killer Mini Tabla - Live Clip
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From: "Hartung, Kris" <kris.hartung@hp.com>
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A cut from my last live looping performance on Sept. 3....looping back
to that conversation we had several months ago regarding buying tablas
and looping, mini tablas, etc....

Attack of the Killer Mini Tabla
http://box.net/public/khartung/files/656113.html  (someone needs to
sneak into my laptop and delete that Pluggo feedback generator VST
effect from my system...it is way too addictive and fun)

Incidentally, to the four of you out there who I saw listening in on my
live stream, thanks for dropping in!  It's good that you stuck around
for the last set, when I warmed up and started doing something remotely
interesting. :)

This live streaming thing is just working out perfectly...not a single
problem so far. I just boot up, my laptop sniffs out the WI-FI
connection at the venue, I launch Winamp, connect to the ShoutCast
Server, and away I go. So easy, it's disgusting.

************************************************************************
****************
Krispen Hartung
Improvisational / Avant-Garde Looping Guitarist=20
http://www.krispenhartung.com=20
info@krispenhartung.com / 208-724-5603=20
Performance Calendar:
http://www.mojam.com/concerts/search?key=3Dperformer&value=3DKrispen%20Ha=
rtu
ng
Gear setup: http://www.boisemusicians.com/gear.htm







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<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
6.5.7232.46">
<TITLE>Attack of the Killer Mini Tabla - Live Clip</TITLE>
</HEAD>
<BODY>
<!-- Converted from text/rtf format -->
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">A cut from my last live looping =
performance on Sept. 3&#8230;.looping back to that conversation we had =
several months ago regarding buying tablas and looping, mini tablas, =
etc&#8230;.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Attack of the Killer Mini Tabla</FONT>

<BR><A =
HREF=3D"http://box.net/public/khartung/files/656113.html"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://box.net/public/khartung/files/656113.html</FONT></U=
></A><FONT SIZE=3D2 FACE=3D"Arial">&nbsp; (someone needs to sneak into =
my laptop and delete that Pluggo feedback generator VST effect from my =
system&#8230;it is way too addictive and fun)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Incidentally, to the four of you out =
there who I saw listening in on my live stream, thanks for dropping =
in!&nbsp; It's good that you stuck around for the last set, when I =
warmed up and started doing something remotely interesting. =
:)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">This live streaming thing is just =
working out perfectly&#8230;not a single problem so far. I just boot up, =
my laptop sniffs out the WI-FI connection at the venue, I launch Winamp, =
connect to the ShoutCast Server, and away I go. So easy, it's =
disgusting.</FONT></P>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D1 =
FACE=3D"Arial">**********************************************************=
******************************</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D1 FACE=3D"Arial">Krispen =
Hartung</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D1 FACE=3D"Arial">Improvisational / =
Avant-Garde Looping Guitarist </FONT></SPAN>

<BR><SPAN LANG=3D"fr"></SPAN><A =
HREF=3D"http://www.krispenhartung.com"><SPAN LANG=3D"fr"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D1 =
FACE=3D"Arial">http://www.krispenhartung.com</FONT></U></SPAN></A><SPAN =
LANG=3D"fr"><FONT SIZE=3D1 FACE=3D"Arial"> </FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D1 =
FACE=3D"Arial">info@krispenhartung.com / 208-724-5603 </FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Arial">Performance =
Calendar:</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"></SPAN><A =
HREF=3D"http://www.mojam.com/concerts/search?key=3Dperformer&amp;value=3D=
Krispen%20Hartung"><SPAN LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D1 =
FACE=3D"Arial">http://www.mojam.com/concerts/search?key=3Dperformer&amp;v=
alue=3DKrispen%20Hartung</FONT></U></SPAN></A><SPAN =
LANG=3D"en-us"></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Arial">Gear setup: =
</FONT></SPAN><A HREF=3D"http://www.boisemusicians.com/gear.htm"><SPAN =
LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" SIZE=3D1 =
FACE=3D"Arial">http://www.boisemusicians.com/gear.htm</FONT></U></SPAN></=
A><SPAN LANG=3D"en-us"></SPAN>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>

</BODY>
</HTML>
------_=_NextPart_001_01C5B3C3.9E7E0229--

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 16:04:40 2005
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: lexicon boxes
Date: Wed, 07 Sep 2005 12:04:35 -0400
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Maybe check w/ this guy:  http://www.jimfabiano.com/

Looks like he does the famous 19sec mod for pcm42's too.

Sorry to hear about the pcm80's. I never had a problem w/ mine. Perhaps, 
when Harman took over Lexicon they cheaped out the brand

Regards
Lou


>From: "Wavecomputer360" <wavecomputer360@gmx.de>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: lexicon boxes
>Date: Wed, 7 Sep 2005 15:15:07 +0200
>
>RE: lexicon boxesThis reliability issue of Lexicon units seems to be 
>widespread among the high-end sort of stuff. My tech had a Marshall Time 
>Modulator with broken power supply, AMS reverb and delay, Klark Teknik DN 
>780... all had reliability issues centered around the PS/AD section 
>(luckily the Marshall´s delay section was not affected). I was tempted to 
>buy some Lexicon 224XL/300 reverbs but luckily my purse said "no!". I think 
>I´m better off with my Dynacord DRP-20X.
>
>Stephen
>
>
>"I´m striving for the mysterious. The obvious doesn´t interest me." (Jon 
>Hassell)
>
>Visit the official [´ramp] website at www.doombient.com
>
>WTB: "England´s Hidden Reverse" by David Keenan (Coil, Current93, Nurse 
>With Wound, David Tibet).
>
>
>   ----- Original Message -----
>   From: goddard.duncan@mtvne.com
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Wednesday, September 07, 2005 2:42 PM
>   Subject: RE: lexicon boxes
>
>
>   >>for me a Lexicon MPX1... that I must send out for repair...<<
>
>   for some reason I'm hearing a lot about duff lexicon boxes the last 
>couple of weeks. not the jamman or vortex, with external psu, but the mid 
>to high end rack effects with smpsu's in them.
>
>   we have two dead pcm80s here, both with power supply & a>d problems. one 
>is landfill now, because (so lexicon say) the a>d chip is no longer 
>available. the other is starting to go the same way. while I was pondering 
>this, an mpx1 came in from another studio, again with a duff psu. the guys 
>in the workshop give you /that/ look when you mention lexicon.
>
>   I just bought an mpx500 (ebay bargain, or so I thought...) which I was 
>considering putting into my band's live-rig in place of a ten years old 
>quadraverb that's never let us down. now I'm not so sure....
>
>   I'm not scared of changing out a psu- they're all quite straightforward 
>inside, these boxes, & generally some variety of 12s & 5s will get them 
>running.... but I am concerned about reliability, & other components that 
>may fail inopportunely.
>
>   fwiw, we've had similar problems with some tc units (we use dbmax on 
>most of the music channels), but statistically that makes a bit more sense 
>as we have around 40 of them, & they're on all the time.
>
>   duncan.
>
>
>
>   
>***************************************************************************
>   CONFIDENTIALITY NOTICE
>
>   The contents of this e-mail are confidential to the ordinary user
>   of the e-mail address to which it was addressed, and may also
>   be privileged. If you are not the addressee of this e-mail you may
>   not copy, forward, disclose or otherwise use it or any part of it
>   in any form whatsoever.If you have received this e-mail in error,
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>
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>   and appropriate use of MTV communication equipment.
>
>   MTV Networks Europe
>   
>***************************************************************************
>


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 16:10:51 2005
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Date: Wed, 7 Sep 2005 12:10:46 -0400
From: Todd Pafford <calenlas@gmail.com>
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Subject: Re: Attack of the Killer Mini Tabla - Live Clip
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 16:20:27 2005
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Thanks a lot, Ivan!

The clock is sitting happily in my kitchen!

I'd never thought I would bring a trophy home from the festival!

 

I made a link from the loopfestival site to your gallery.

 

Yours,

Bernhard

 

-----Original Message-----
From: ivan kapec [mailto:ivan@roccoipartner.hr] 
Sent: Samstag, 3. September 2005 13:47
To: Loopers-Delight@loopers-delight.com
Subject: zurich photos

 

Hello all,

 

In consideration about loopfestival.

 

Once again, thanks Bernhard for organization of such importan event. We had
lot of good music, new sounds and of course,  lot of fun.

There were lot of good vibes and ideas for future collaboration beetween
musicians.

 

Here are some photos from the festival>

 

http://www.triangulizona.com/Egallery.htm

 

 

Thanks, also to all loopers who came in Zurich to share his experiences and
musicianship with other.

 

Best regards,

 

 

ivan kapec

ivan@triangulizona.com

www.triangulizona.com <http://www.triangulizona.com/> 

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>Thanks a lot, =
Ivan!</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>The clock is sitting happily in my =
kitchen!</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>I'd never thought I would bring a =
trophy home
from the festival!</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>I made a link from the =
loopfestival site to
your gallery.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>Yours,</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>Bernhard</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
lang=3DHR
style=3D'font-size:10.0pt;color:navy'>&nbsp;</span></font></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0cm 0cm =
0cm 4.0pt'>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma'>-----Original Message-----<br>
</span></font><b><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma;font-weight:bold'>From:</span></font></b><font
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
ivan kapec [mailto:ivan@roccoipartner.hr] <br>
</span></font><b><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma;font-weight:bold'>Sent:</span></font></b><font
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
Samstag, 3. September 2005 13:47<br>
</span></font><b><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma;font-weight:bold'>To:</span></font></b><font =
size=3D2
face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
Loopers-Delight@loopers-delight.com<br>
</span></font><b><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:
10.0pt;font-family:Tahoma;font-weight:bold'>Subject:</span></font></b><fo=
nt
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
</span></font><font size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;
  font-family:Tahoma'>zurich</span></font><font size=3D2 =
face=3DTahoma><span
lang=3DEN-US style=3D'font-size:10.0pt;font-family:Tahoma'> =
photos</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3DArial><span lang=3DHR =
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Hello
all,</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>In
consideration about loopfestival&#8230;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Once
again, thanks Bernhard for organization of such importan event. We had =
lot of
good music, new sounds and of course,&nbsp; lot of =
fun.</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>There
were lot of good vibes and ideas for future collaboration beetween
musicians&#8230;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Here
are some photos from the festival&gt;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'><a
href=3D"http://www.triangulizona.com/Egallery.htm">http://www.triangulizo=
na.com/Egallery.htm</a></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Thanks,
also to all loopers who came in Zurich to share his experiences and =
musicianship
with other.</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>Best
regards,</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DHR =
style=3D'font-size:10.0pt'>&nbsp;</span></font></p>

<p class=3DMsoAutoSig><b><font size=3D4 face=3D"Times New Roman"><span =
lang=3DEN-US
style=3D'font-size:14.0pt;font-weight:bold'>ivan =
kapec</span></font></b></p>

<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
lang=3DEN-US
style=3D'font-size:12.0pt'><a =
href=3D"mailto:ivan@triangulizona.com">ivan@triangulizona.com</a></span><=
/font></p>

<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
lang=3DEN-US
style=3D'font-size:12.0pt'><a =
href=3D"http://www.triangulizona.com/">www.triangulizona.com</a></span></=
font></p>

<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3DArial><span lang=3DHR =
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

</div>

</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 16:22:36 2005
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	id F296C3BECD; Wed,  7 Sep 2005 16:22:35 +0000 (UTC)
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: [Flickr] Michael Peters has invited you to join Loopfestival Zurich 2005
Date: Wed, 7 Sep 2005 18:22:18 +0200
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Thanks a lot, Michael!
I made a link from the http://loopfestival.com -site to the url
http://www.flickr.com/groups/13509629@N00/

Yours,
Bernhard

> -----Original Message-----
> From: Michael Peters (via Flickr) [mailto:mp@mpeters.de]
> Sent: Donnerstag, 1. September 2005 18:22
> To: Loopers-Delight@loopers-delight.com
> Subject: [Flickr] Michael Peters has invited you to join Loopfestival
> Zurich 2005
> 
> Hi Looper's Delight,
> 
> share your Loopfestival Zurich 2005 images!
> If you would like to join this group, click on the
> following link (or copy and paste it into your web
> browser). Then you can see what this group is all about!
> 
> http://www.flickr.com/welcome/564056/959771/
> 
> 
> See you there!
> 
> Michael Peters
> 
> 
> p.s. If you are not interested, just ignore this email.
> Flickr won't bug you again and there's nothing special you
> have to do.


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 16:34:27 2005
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	id 5E0353BED6; Wed,  7 Sep 2005 16:34:27 +0000 (UTC)
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Subject: RE: Attack of the Killer Mini Tabla - Live Clip
Date: Wed, 7 Sep 2005 10:34:23 -0600
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From: "Hartung, Kris" <kris.hartung@hp.com>
To: <Loopers-Delight@loopers-delight.com>
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Yep, I have two more WI-FI enabled performances in Oct...I'll send the
details out as I did with these last few.

I need to start thinking about broadening my horizons too...I'd like to
start having folks over to my basement studio for group improv sessions,
plus I think there is a way to collaborate with someone over the net,
but it would involve a 10 sec delay...could be interesting....metered
songs would be out of the question.

Kris


-----Original Message-----
From: Todd Pafford [mailto:calenlas@gmail.com]=20
Sent: Wednesday, September 07, 2005 10:11 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Attack of the Killer Mini Tabla - Live Clip

Krispen,

Glad to hear it went well and I'm sorry I missed it.  Any more streaming
performances coming up?

Todd



On 9/7/05, Hartung, Kris <kris.hartung@hp.com> wrote:
> =20
> =20
>=20
> A cut from my last live looping performance on Sept. 3....looping back

> to that conversation we had several months ago regarding buying tablas

> and looping, mini tablas, etc....
>=20
> Attack of the Killer Mini Tabla
> http://box.net/public/khartung/files/656113.html  (someone needs to=20
> sneak into my laptop and delete that Pluggo feedback generator VST=20
> effect from my system...it is way too addictive and fun)
>=20
> Incidentally, to the four of you out there who I saw listening in on=20
> my live stream, thanks for dropping in!  It's good that you stuck=20
> around for the last set, when I warmed up and started doing something
remotely interesting.
> :)
>=20
> This live streaming thing is just working out perfectly...not a single

> problem so far. I just boot up, my laptop sniffs out the WI-FI=20
> connection at the venue, I launch Winamp, connect to the ShoutCast=20
> Server, and away I go. So easy, it's disgusting.
>=20
> **********************************************************************
> ******************
> Krispen Hartung
> Improvisational / Avant-Garde Looping Guitarist=20
> http://www.krispenhartung.com info@krispenhartung.com / 208-724-5603=20
> Performance Calendar:
> =
http://www.mojam.com/concerts/search?key=3Dperformer&value=3DKrispen%20Ha=
r
> tung Gear setup: http://www.boisemusicians.com/gear.htm
> =20
> =20
> =20
> =20
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 17:13:20 2005
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: lexicon boxes
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thanks all- good to know it's not just us at mtv europe. 
I'll keep a close eye on my mpx500 & keep it in the studio for now.
 
duncan/r.m.i.


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<DIV><SPAN class=075051217-07092005><FONT face="AmericanTypewriter Medium"><FONT 
color=#0000ff>t<SPAN class=075051217-07092005>hanks all- good to know it's not 
just us at mtv europe. </SPAN></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=075051217-07092005><FONT face="AmericanTypewriter Medium"><FONT 
color=#0000ff><SPAN class=075051217-07092005>I'll keep a close eye on my mpx500 
&amp; keep it in the studio for now.</SPAN></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=075051217-07092005><FONT face="AmericanTypewriter Medium"><FONT 
color=#0000ff><SPAN 
class=075051217-07092005></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=075051217-07092005><FONT face="AmericanTypewriter Medium"><FONT 
color=#0000ff><SPAN 
class=075051217-07092005>duncan/r.m.i.</SPAN></FONT></FONT></SPAN><CODE></DIV></CODE><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 17:27:15 2005
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Subject: =?iso-8859-1?Q?RE:_Z=FCrich_Loopfest?=
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> -----Original Message-----
> From: Matthias Loibner [mailto:numbernine@gmx.net]
> Sent: Dienstag, 30. August 2005 15:25
> To: Loopers-Delight@loopers-delight.com
> Subject: Z=FCrich Loopfest
>=20
>=20
> MP> Imagine this stuff with loops included. They are currently in the
> studio
> MP> working on their first album - I talked to Matthias and made sure =
he
> will
> MP> post the release date on LD.
>=20
> dear Michael,
>=20
> thanx for posting this as I wanted to ask you for your name but had
> no time when I was just leaving the stage.
>=20
> btw: my personal website is: http://matthias.loibner.net
>=20
>=20
> dear Bernhard,
>=20
> sincere thanks for the organizing of the lavitsefpool.
> It was a pity only to stay for one night but Tunji and me enjoyed the
> relaxed atmosphere (among lots of loopers;-).

The pleasure was mine!
Bernhard
http://nosuch.biz

>=20
> and thank you, Andy Butler, for your beautiful music during our
> setting up.
>=20
> cheers,
> Matthias


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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 18:45:50 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Attack of the Killer Mini Tabla - Live Clip
Date: Wed, 7 Sep 2005 20:45:44 +0200
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On Sep 7, 2005, at 18:34, Hartung, Kris wrote:

> I need to start thinking about broadening my horizons too...I'd  
> like to
> start having folks over to my basement studio for group improv  
> sessions,
> plus I think there is a way to collaborate with someone over the net,
> but it would involve a 10 sec delay...could be interesting....metered
> songs would be out of the question.
>
> Kris


Hey - Your idea are very interesting! And yes, it sure does implement  
some really sloooow music. How about setting up a chat client and  
musicians can go "will move to Eb minor in 12 seconds...."  ;-)

Or why not play according to some common theoretical improvisation  
concept? One quick example right out of the top of my head:  
synchronize your watches exactly and decide on something like moving  
up three semitones every 20th second, alternating between major or  
minor key at every key change. That would be very fun, both to play  
and listen to! Using the Internet Time Lag creatively instead of  
looking at it as a "a problem".

/ per

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 18:51:23 2005
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Subject: Re: Attack of the Killer Mini Tabla - Live Clip
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'Using the Internet Time Lag creatively instead of  looking at it as a "a
problem".'

one technique I have used with internet streaming is to tune into your own
stream... which, of course, is looping.. :)

peace
-cpr

Quoting Per Boysen <per@boysen.se>:

> On Sep 7, 2005, at 18:34, Hartung, Kris wrote:
> 
> > I need to start thinking about broadening my horizons too...I'd  
> > like to
> > start having folks over to my basement studio for group improv  
> > sessions,
> > plus I think there is a way to collaborate with someone over the net,
> > but it would involve a 10 sec delay...could be interesting....metered
> > songs would be out of the question.
> >
> > Kris
> 
> 
> Hey - Your idea are very interesting! And yes, it sure does implement  
> some really sloooow music. How about setting up a chat client and  
> musicians can go "will move to Eb minor in 12 seconds...."  ;-)
> 
> Or why not play according to some common theoretical improvisation  
> concept? One quick example right out of the top of my head:  
> synchronize your watches exactly and decide on something like moving  
> up three semitones every 20th second, alternating between major or  
> minor key at every key change. That would be very fun, both to play  
> and listen to! Using the Internet Time Lag creatively instead of  
> looking at it as a "a problem".
> 
> / per
> 
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 18:51:39 2005
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Kris, have you tried Ninjam? It works really well:

www.ninjam.com

Andreas

Hartung, Kris wrote:

>Yep, I have two more WI-FI enabled performances in Oct...I'll send the
>details out as I did with these last few.
>
>I need to start thinking about broadening my horizons too...I'd like to
>start having folks over to my basement studio for group improv sessions,
>plus I think there is a way to collaborate with someone over the net,
>but it would involve a 10 sec delay...could be interesting....metered
>songs would be out of the question.
>
>Kris
>
>
>-----Original Message-----
>From: Todd Pafford [mailto:calenlas@gmail.com] 
>Sent: Wednesday, September 07, 2005 10:11 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Attack of the Killer Mini Tabla - Live Clip
>
>Krispen,
>
>Glad to hear it went well and I'm sorry I missed it.  Any more streaming
>performances coming up?
>
>Todd
>
>
>
>On 9/7/05, Hartung, Kris <kris.hartung@hp.com> wrote:
>  
>
>> 
>> 
>>
>>A cut from my last live looping performance on Sept. 3....looping back
>>    
>>
>
>  
>
>>to that conversation we had several months ago regarding buying tablas
>>    
>>
>
>  
>
>>and looping, mini tablas, etc....
>>
>>Attack of the Killer Mini Tabla
>>http://box.net/public/khartung/files/656113.html  (someone needs to 
>>sneak into my laptop and delete that Pluggo feedback generator VST 
>>effect from my system...it is way too addictive and fun)
>>
>>Incidentally, to the four of you out there who I saw listening in on 
>>my live stream, thanks for dropping in!  It's good that you stuck 
>>around for the last set, when I warmed up and started doing something
>>    
>>
>remotely interesting.
>  
>
>>:)
>>
>>This live streaming thing is just working out perfectly...not a single
>>    
>>
>
>  
>
>>problem so far. I just boot up, my laptop sniffs out the WI-FI 
>>connection at the venue, I launch Winamp, connect to the ShoutCast 
>>Server, and away I go. So easy, it's disgusting.
>>
>>**********************************************************************
>>******************
>>Krispen Hartung
>>Improvisational / Avant-Garde Looping Guitarist 
>>http://www.krispenhartung.com info@krispenhartung.com / 208-724-5603 
>>Performance Calendar:
>>http://www.mojam.com/concerts/search?key=performer&value=Krispen%20Har
>>tung Gear setup: http://www.boisemusicians.com/gear.htm
>> 
>> 
>> 
>> 
>>
>>    
>>
>
>
>.
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 18:53:29 2005
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> Maybe check w/ this guy:  http://www.jimfabiano.com/
> 
> Looks like he does the famous 19sec mod for pcm42's too.
> Regards
> Lou


ummm...i dont see on his website where he does these mods...
i used to talk to him back in his lexicon days when he was working w/ bob
sellon who did do those 20sec. mods on my PCM42s.
the mod he does is the one that takes the delay from 1.2 sec to 2.4 sec...
if i'm readin it right :-)
staninsanfran

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 19:08:50 2005
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Per, Mark, Douglas and Mark, thanks for your replies.

Per Boysen wrote:

> If possible, throw in as many as possible separate virtual outputs  
> for all effects. Then, when used in Live 5, you are not restricted to  
> keep them in the loopers internal feedback pipe. You can also choose  
> to send out a pipe to another channel in Live.

Yeah, that's what I'm planning on doing, more or less using the loopers 
as single-tap delays, and then running the feed out and in whenever it's 
practical. Here's a pic of the very first, preliminary setup I did today:
http://img306.imageshack.us/my.php?image=loopingrig17dj.jpg
I'll be using a mixing matrix to do all the fun stuff, as you can see. 
In reaktor, knobs have the very important advantage over buttons, that 
you can automate them really smoothly. The very special reason for doing 
the effects in reaktor: You can morph between snapshots taken of the 
whole setup. And you can control this from a midi controller. And the 
snapshots can be changed using program changes - and you can midi learn 
and record the tweaks directly in a midi clip in live. And I plan on 
modding most/all the effects. And it uses less cpu :-D So yeah, I have 
my reasons, hehe.

Mark Smart, are there any advantages to progressing with a sequencer, 
rather than using program changes? I work with Reaktor and live 
simultaneously, so preprogramming clips containing program changes and 
launching them via midi is relatively easy. Actually operating the unit 
will be slightly hazardous, though ;-)

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 19:14:07 2005
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Good catch... To bad as he use too


>From: <stanitarium@earthlink.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: lexicon boxes
>Date: Wed, 07 Sep 2005 11:53:34 -0800
>
> > Maybe check w/ this guy:  http://www.jimfabiano.com/
> >
> > Looks like he does the famous 19sec mod for pcm42's too.
> > Regards
> > Lou
>
>
>ummm...i dont see on his website where he does these mods...
>i used to talk to him back in his lexicon days when he was working w/ bob
>sellon who did do those 20sec. mods on my PCM42s.
>the mod he does is the one that takes the delay from 1.2 sec to 2.4 sec...
>if i'm readin it right :-)
>staninsanfran
>


From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 19:19:41 2005
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: RE: Attack of the Killer Mini Tabla - Live Clip
Date: Wed, 7 Sep 2005 13:19:29 -0600
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> How about setting up a chat client and  
musicians can go "will move to Eb minor in 12 seconds...."  ;-)

That would be hilarious.

> Or why not play according to some common theoretical improvisation  
concept? One quick example right out of the top of my head:  
synchronize your watches exactly and decide on something like moving  
up three semitones every 20th second, alternating between major or  
minor key at every key change. That would be very fun, both to play  
and listen to! Using the Internet Time Lag creatively instead of  
looking at it as a "a problem".

This is what I was thinking...or it could just be totally free. If there
are no strict meter requirements, and key does not change often (or
there is no key), then it might be fun to hear out it sound for your
part to in a time warp. Actually, now that I think about it, only one
peson would experience the lag. Once I receive the stream from someone,
that becomes real time for me, and I play along with it. However, by the
time my recorded parts gets back to the other person, they will hear it
10 seconds late.  This sound like a plot for a really bizarre sci-fi
story about music, time warps, etc.

/ per



From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 19:22:46 2005
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Subject: RE: Attack of the Killer Mini Tabla - Live Clip
Date: Wed, 7 Sep 2005 13:22:35 -0600
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I have, but just didn't get around to testing it out. Have you used it
with success? Although in reading the main page, it doesn't appear to
eliminate the time lag, just packages it up into logical chunks.

"The NINJAM client records and streams synchronized intervals of music
between participants. Just as the interval finishes recording, it begins
playing on everyone else's client. So when you play through an interval,
you're playing along with the previous interval of everybody else, and
they're playing along with your previous interval. If this sounds pretty
bizarre, it sort of is, until you get used to it, then it becomes pretty
natural. In many ways, it can be more forgiving than a normal jam,
because mistakes propagate differently."

I'll download the software this week and give it a try.

Kris


-----Original Message-----
From: Andreas Wetterberg [mailto:awetterberg@post.cybercity.dk] 
Sent: Wednesday, September 07, 2005 12:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Attack of the Killer Mini Tabla - Live Clip


Kris, have you tried Ninjam? It works really well:

www.ninjam.com

Andreas

Hartung, Kris wrote:

>Yep, I have two more WI-FI enabled performances in Oct...I'll send the 
>details out as I did with these last few.
>
>I need to start thinking about broadening my horizons too...I'd like to

>start having folks over to my basement studio for group improv 
>sessions, plus I think there is a way to collaborate with someone over 
>the net, but it would involve a 10 sec delay...could be 
>interesting....metered songs would be out of the question.
>
>Kris
>
>
>-----Original Message-----
>From: Todd Pafford [mailto:calenlas@gmail.com]
>Sent: Wednesday, September 07, 2005 10:11 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Attack of the Killer Mini Tabla - Live Clip
>
>Krispen,
>
>Glad to hear it went well and I'm sorry I missed it.  Any more 
>streaming performances coming up?
>
>Todd
>
>
>
>On 9/7/05, Hartung, Kris <kris.hartung@hp.com> wrote:
>  
>
>> 
>> 
>>
>>A cut from my last live looping performance on Sept. 3....looping back
>>    
>>
>
>  
>
>>to that conversation we had several months ago regarding buying tablas
>>    
>>
>
>  
>
>>and looping, mini tablas, etc....
>>
>>Attack of the Killer Mini Tabla 
>>http://box.net/public/khartung/files/656113.html  (someone needs to 
>>sneak into my laptop and delete that Pluggo feedback generator VST 
>>effect from my system...it is way too addictive and fun)
>>
>>Incidentally, to the four of you out there who I saw listening in on
>>my live stream, thanks for dropping in!  It's good that you stuck 
>>around for the last set, when I warmed up and started doing something
>>    
>>
>remotely interesting.
>  
>
>>:)
>>
>>This live streaming thing is just working out perfectly...not a single
>>    
>>
>
>  
>
>>problem so far. I just boot up, my laptop sniffs out the WI-FI
>>connection at the venue, I launch Winamp, connect to the ShoutCast 
>>Server, and away I go. So easy, it's disgusting.
>>
>>**********************************************************************
>>******************
>>Krispen Hartung
>>Improvisational / Avant-Garde Looping Guitarist
>>http://www.krispenhartung.com info@krispenhartung.com / 208-724-5603 
>>Performance Calendar:
>>http://www.mojam.com/concerts/search?key=performer&value=Krispen%20Har
>>tung Gear setup: http://www.boisemusicians.com/gear.htm
>> 
>> 
>> 
>> 
>>
>>    
>>
>
>
>.
>
>  
>



From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 20:09:08 2005
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Subject: Re: lexicon boxes
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Speaking of Lexicon... there's someone on EBay selling a Vortex that doesn't 
work quite right.  He says it changes patches sort of randomly and some 
other weird stuff but it worked when he got it.  Could that be a battery 
problem?  Starting bid is $5.

I'm wondering if it's worth $5 + shipping to find out.

Tony

----- Original Message ----- 
From: <stanitarium@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 07, 2005 3:53 PM
Subject: Re: lexicon boxes


>> Maybe check w/ this guy:  http://www.jimfabiano.com/
>>
>> Looks like he does the famous 19sec mod for pcm42's too.
>> Regards
>> Lou
>
>
> ummm...i dont see on his website where he does these mods...
> i used to talk to him back in his lexicon days when he was working w/ bob
> sellon who did do those 20sec. mods on my PCM42s.
> the mod he does is the one that takes the delay from 1.2 sec to 2.4 sec...
> if i'm readin it right :-)
> staninsanfran
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 20:14:34 2005
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Subject: Re: lexicon boxes
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i've got a working vortex with a dodgy rotary encoder i'd be willing to 
part with. but not for $5....


monk@fuse.net


On Sep 7, 2005, at 3:56 PM, Tony K wrote:

> Speaking of Lexicon... there's someone on EBay selling a Vortex that 
> doesn't work quite right.  He says it changes patches sort of randomly 
> and some other weird stuff but it worked when he got it.  Could that 
> be a battery problem?  Starting bid is $5.
>
> I'm wondering if it's worth $5 + shipping to find out.
>
> Tony
>
> ----- Original Message ----- From: <stanitarium@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, September 07, 2005 3:53 PM
> Subject: Re: lexicon boxes
>
>
>>> Maybe check w/ this guy:  http://www.jimfabiano.com/
>>>
>>> Looks like he does the famous 19sec mod for pcm42's too.
>>> Regards
>>> Lou
>>
>>
>> ummm...i dont see on his website where he does these mods...
>> i used to talk to him back in his lexicon days when he was working w/ 
>> bob
>> sellon who did do those 20sec. mods on my PCM42s.
>> the mod he does is the one that takes the delay from 1.2 sec to 2.4 
>> sec...
>> if i'm readin it right :-)
>> staninsanfran
>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 20:59:51 2005
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     The Mackie sub that goes with the HR824's costs around $1200.  I added the Blue Sky sub to my
HR824's and am very happy with the sound for $400.  Still I wonder what the extra $800 would have
bought me...

     Stephen

  Mark wrote:
I'm a fan of the Mackie HR824s.  Listened to a bunch
in that price range and found them to be a good value.
 I'm often amazed at how nice and accurate the bass is
without ever getting flubby.  High end is sweet but
never shrill.  I keep thinking I'd supplement it with
the matching subwoofer, but never get around to it as
they seem to sound great out of the box.


		


	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 21:25:13 2005
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Tony K wrote:
> Speaking of Lexicon... there's someone on EBay selling a Vortex that 
> doesn't work quite right.  He says it changes patches sort of randomly 
> and some other weird stuff but it worked when he got it.  Could that be 
> a battery problem?  Starting bid is $5.

 From the description it is almost certainly a bad rotary encoder.  Since
you apparently can't get these from Harman any more, it might be worth
$18 just to unsolder the two functioning encoders to fix another unit.

Has anyone tried squirting electronics cleaner into one of these encoders?

Jeff

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On Wed, 7 Sep 2005, Bill Ruppert wrote:

> UNSUBSCRIBE

From
http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject 
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com


If you are on the digest version of Looper's Delight, send your 
unsubscribe request to:

Loopers-Delight-d-request@loopers-delight.com


Don't send your unsubscribe message to the list, or people will make fun 
of you and you will feel like a dork."

best,
Steve B
Phasmatodea    http;//www.phasmatodea.net/
Subscape Annex http://www.subscapeannex.com/
Fukadugalon, Audio Arcade, etc.

From Loopers-Delight-request@loopers-delight.com  Wed Sep  7 22:22:40 2005
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Date: Wed, 7 Sep 2005 15:22:39 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: lexicon boxes
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Yeah, I'm not sure what all that's about.  I consider
myself lucky in this regard.  I've had very few pieces
of gear go dead on me... the only other two that come
to mind are an EDP (which was more or less DOA) and a
Korg KAOSS pad v1 that went dead after a few years for
no visable reason.

Thing is I got my MPX1 for an amazing bargain as a
demo unit. I think it was about $400... now I guess
it's going to be $550.  I love that little box though,
so I guess I'm going to do it as soon as I get my ass
in gear and ship the thing.

Mark

--- goddard.duncan@mtvne.com wrote:

> >>for me a Lexicon MPX1... that I must send out for
> repair...<<
> 
> for some reason I'm hearing a lot about duff lexicon
> boxes the last couple of weeks. not the jamman or
> vortex, with external psu, but the mid to high end
> rack effects with smpsu's in them.


	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 01:46:23 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: andy butler's new live-looping cd
Date: Wed, 7 Sep 2005 09:20:53 -0600
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Excellent, thans. And I'm listeing to a few large MP3 clips from you and
Per now which are outstanding...from Zurich. He sent them to me
yesterday....great, spacey guitar work.

Kris


-----Original Message-----
From: Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz] 
Sent: Wednesday, September 07, 2005 8:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: FW: andy butler's new live-looping cd


> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net]
> Sent: Montag, 5. September 2005 20:52
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: andy butler's new live-looping cd
> 

> Bernhard, in addition to Synced (which I just bought, do you have a 
> prior solo release?

Hi Kris,

Thanks a lot for your interest and for buying the "SYNCED!" CD!

There are so many loopfestival-related mails I should send but seeing a
promotion opportunity I respond: I don't have prior-"SYNCED!" solo CDs
out but one that just came out: http://nosuch.biz/fourthNight

There's a duo CD out on burning shed with Michael Bearpark
(http://pedaltone.com, website still under construction) Until it
appears on burning shed this CD can be bought from Michael (UK) or
myself.

There's more live material around from last year that still waits to be
put on CD. And if I'm lucky, there will be some pretty recent duo
stuff... I'll let you know.

Will you be at the Y2K5? I could bring some cds then.

Thank you very much!
Bernhard
http://nosuch.biz




From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 02:41:57 2005
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------=_NextPart_000_025E_01C5B405.B8BC1FE0
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I haven't posted here in ages, I know.  I have a job/gig now, and =
there's usually way more LD than I have time to read.

But I want to tell LD members that I have a new CD out.  It sounds =
something like Mark Isham & David Torn or Kenny Wheeler w/ Bill Frisell =
(only without the Americana he's been into lately).  It's definitely a =
jazz record, but it's far from straight ahead.

Of the six tracks, three of them have looping content... the longest =
track is mostly loops, in fact.  I still use my old Oberheim EDP.  There =
is one drum machine loop constructed with ProTools - otherwise, it's =
just the two of us.  Paul Tynan on trumpet/flugelhorn and yours truly on =
guitar (Klein electric, 6- and 12- string acoustic), bass, G-Force =
tweaking, .wav-file twisting, and a little =
cassette-player-into-the-pickups.  We worked on the problem of how to =
improvise in a jazz harmonic context with loops. =20

You can see and hear a little of it at www.digitalspiritual.com.

The site sells them for $15 shipped, as will CDBaby when they ge it up =
in a few days.  Since LD has been very helpful to me over the years, I'd =
sell them to LD members for $8, mail included.  (Sorry, I can't give =
them away, unless you're a distributor, critic, radio/internet jock, or =
store owner... I have $$$$ in this and a partner... I hope you =
understand...)  E-mail me if you're interested.

and now, back to work...

kb

Kevin Brunkhorst
Asst Professor, Music Dept
St Francis Xavier University
Antigonish, Nova Scotia, Canada
www.kevinbrunkhorst.com
------=_NextPart_000_025E_01C5B405.B8BC1FE0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I haven't posted here in ages, I =
know.&nbsp; I have=20
a job/gig now, and there's usually way more LD than I have time to=20
read.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>But I want to tell LD members that I =
have a new=20
CD&nbsp;out.&nbsp; It&nbsp;sounds something like&nbsp;Mark Isham &amp; =
David=20
Torn or Kenny Wheeler w/ Bill Frisell (only without the =
Americana&nbsp;he's been=20
into lately).&nbsp; It's definitely a jazz record, but it's far from =
straight=20
ahead.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Of the six tracks, three of them have =
looping=20
content... the longest track is mostly loops, in fact.&nbsp; I still use =
my old=20
Oberheim EDP.&nbsp; There is one drum machine loop constructed with =
ProTools -=20
otherwise, it's&nbsp;just the two of us.&nbsp; Paul Tynan=20
on&nbsp;trumpet/flugelhorn and yours truly on guitar (Klein electric, 6- =
and 12-=20
string acoustic), bass, G-Force tweaking, .wav-file twisting, and&nbsp;a =
little=20
cassette-player-into-the-pickups.&nbsp; We worked on the problem of =
<EM>how to=20
improvise in a&nbsp;jazz harmonic context with loops.&nbsp; =
</EM></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>You can see and hear a little of it at =
</FONT><A=20
href=3D"http://www.digitalspiritual.com"><FONT face=3DArial=20
size=3D2>www.digitalspiritual.com</FONT></A><FONT face=3DArial =
size=3D2>.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The site sells them for $15 shipped, as =
will CDBaby=20
when they ge it&nbsp;up&nbsp;in a few days.&nbsp; Since LD has been very =
helpful=20
to me over the years, I'd sell them to LD members for $8, mail =
included.&nbsp;=20
(Sorry, I can't give them away, unless you're a distributor, critic,=20
radio/internet jock, or store owner... I have $$$$ in this and a =
partner... I=20
hope you understand...)&nbsp; E-mail me if you're =
interested.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>and now, back to work...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>kb</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kevin Brunkhorst<BR>Asst Professor, =
Music=20
Dept<BR>St Francis Xavier University<BR>Antigonish, Nova Scotia, =
Canada<BR><A=20
href=3D"http://www.kevinbrunkhorst.com">www.kevinbrunkhorst.com</A></FONT=
></DIV></BODY></HTML>

------=_NextPart_000_025E_01C5B405.B8BC1FE0--

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 05:56:29 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 08 Sep 2005 00:56:25 -0500
Subject: Gig Spam: Lumper/Splitter +35 film/music artists, Oakland, Sat
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Hey there-

Lumper/Splitter will be playing two sets as part of this outdoor film/music=
 benefit for the=20
21 Grand performance space.=A0 Ist set 7:30ish, 2nd set 11:00ish.=A0 We wil=
l be playing=20
improvised live loops to films by the Cinepimps (with special guest drummer=
 Jon Brummit).=A0=20
Please read below for details.=A0 Should be fun.

Illuminated Corridor
Saturday, Sep 10 2005
Twilight
$3 suggested donation
Oakland Ironworks
Third Street
between Jefferson & Clay


21 Grand teams up with the Illuminated Corridor to present an outdoor media=
 art and=20
performance event as a benefit for 21 Grand, in celebration of its 5th Anni=
versary.


This event features works by over 35 artists and groups and serves
as a survey of experimental approaches to time-based media art.

Works range from site-aware video projection, works for time-based media an=
d dance, to=20
experimental music accompanying film. It is a highly public presentation of=
 artists and=20
work often found within the walls of galleries, clubs, and alternative arts=
 spaces.

Artists include
Ahl-i Nahfs, Big City Orchestra, Jorge Boehringer, the Cinepimps, Dud, Gilb=
ert Guerrero=20
and Kathleen Quillian, Ilanio, Franz Keller, David Kwan, Heike Liss, Sarah =
Lockhart and=20
Gordon Winiemko, Lumper/Splitter, Mike Missiaen, Karla Milosevich, Kristin =
Miltner, Anna=20
Naruta of Double Bull, Oaklandish, Nate Orman and Alex Douglas, Dean Santom=
ieri, Paige=20
Sorvillo, Isak Immanuel and Sherwood Chen, Sun-X, Michael Trigilio, Matt Vo=
lla, Lexa=20
Walsh, Youthsounds, selections from the past five years of 21 Grand's T-10 =
Video Festival,=20
and more to be announced with great fanfare.

About the Corridor
www.illuminatedcorridor.com
The Illuminated Corridor is a next step in outdoor cinema: a nomadic public=
 art=20
installation focusing on the diverse traditions of Bay Area film and live m=
usic. Working=20
with unlikely natural and built spaces, The Illuminated Corridor's aim is t=
o catalyze site-
specific work, showcase diverse collaborations between performative project=
ionists and=20
performing artists, and cover a vast territory of film and music genres.


About 21 Grand
www.21grand.org=20
21 Grand is a volunteer-run interdisciplinary arts space hell-bent on prese=
nting a=20
macrocosmic panoply of emerging and experimental artists, focusing on genre=
-bending=20
and innovative works of visual arts and live art (i.e. performative and med=
ia art presented=20
to a live audience).
21 Grand was founded in June 2000, and held its first show on July 15, 2000=
 at its=20
eponymous location (21 Grand Ave.). Since then, 21 Grand has attempted to p=
rovide a=20
consistent platform for experimental arts and fill the void of experimental=
 arts=20
presentation in the East Bay. 21 Grand has since played host to some of the=
 most=20
ambitious new works that realm has to offer, with programming that has been=
 much=20
lauded and emulated.


This event is assisted by the generous support of Metrovation, Bed Bath and=
 Beyond, Pro=20
Arts, and The City of Oakland's Cultural Funding Program.






--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

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On Sep 7, 2005, at 4:25 PM, Jeff Larson wrote:
> From the description it is almost certainly a bad rotary encoder.  
> Since
> you apparently can't get these from Harman any more, it might be worth

but what about other encoders? surely there is a replacement.

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 07:10:06 2005
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Subject: RE: andy butler's new live-looping cd
Date: Thu, 8 Sep 2005 09:09:37 +0200
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> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net]
> Sent: Mittwoch, 7. September 2005 17:21
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: andy butler's new live-looping cd
> 
> Excellent, thans. And I'm listeing to a few large MP3 clips from you and
> Per now which are outstanding...from Zurich. He sent them to me
> yesterday....great, spacey guitar work.


Ahem... well that was the "pretty recent duo stuff" I was referring to so
secretively ... ;)

Thank you!
Bernhard
http://nosuch.biz

> 
> Kris
> 
> 
> -----Original Message-----
> From: Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz]
> Sent: Wednesday, September 07, 2005 8:08 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: FW: andy butler's new live-looping cd
> 
> 
> > -----Original Message-----
> > From: Kris Hartung [mailto:khartung@cableone.net]
> > Sent: Montag, 5. September 2005 20:52
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: andy butler's new live-looping cd
> >
> 
> > Bernhard, in addition to Synced (which I just bought, do you have a
> > prior solo release?
> 
> Hi Kris,
> 
> Thanks a lot for your interest and for buying the "SYNCED!" CD!
> 
> There are so many loopfestival-related mails I should send but seeing a
> promotion opportunity I respond: I don't have prior-"SYNCED!" solo CDs
> out but one that just came out: http://nosuch.biz/fourthNight
> 
> There's a duo CD out on burning shed with Michael Bearpark
> (http://pedaltone.com, website still under construction) Until it
> appears on burning shed this CD can be bought from Michael (UK) or
> myself.
> 
> There's more live material around from last year that still waits to be
> put on CD. And if I'm lucky, there will be some pretty recent duo
> stuff... I'll let you know.
> 
> Will you be at the Y2K5? I could bring some cds then.
> 
> Thank you very much!
> Bernhard
> http://nosuch.biz
> 
> 



From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 07:20:47 2005
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> This Sunday at 8  I'll be opening a special Sept. 11th performance of 
> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
The evening will be dedicated to the innocent people affected by the 
wars in Iraq and Afghanistan and I'm honored to be included in a 
creative and conscious line up that will also include DJ AMAR,DJ 
DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  AMBI-SONIC 
and BLACK MAHAL..
PEACE
Scott Kungha Drengsen

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 07:37:35 2005
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 08:37:55 2005
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Subject: Re: Re: lexicon boxes (vortex for $5)
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At 08:37 08/09/05, you wrote:
>Speaking of Lexicon... there's someone on EBay selling a Vortex that 
>doesn't work quite right.  He says it changes patches sort of 
>randomly and some other weird stuff but it worked when he got 
>it.  Could that be a battery problem?  Starting bid is $5.
>
>I'm wondering if it's worth $5 + shipping to find out.
>
>Tony

I reckon the rotary encoder for patch selection needs replacing.

andy butler
www.andybutler.com has Vortex info

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anybody help this man...


"I=B4m striving for the mysterious. The obvious doesn=B4t interest me." =
(Jon Hassell)

Visit the official [=B4ramp] website at www.doombient.com

WTB: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse With Wound, David Tibet).


  ----- Original Message -----=20
  From: Miquel Matas=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, September 08, 2005 9:37 AM
  Subject: unsubscribe


  unsubscribe=20

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http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffcc text=3D#006600>
<DIV><FONT color=3D#000000 face=3DArial>anybody help this =
man...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>"I=B4m striving for the mysterious. The obvious doesn=B4t interest =
me." (Jon=20
Hassell)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Visit the official [=B4ramp] website at <A=20
href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>WTB: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse=20
With Wound, David Tibet).</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:miquel@miquelmatas.com" =
title=3Dmiquel@miquelmatas.com>Miquel=20
  Matas</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, September 08, =
2005 9:37=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> unsubscribe</DIV>
  <DIV><BR></DIV><TT>unsubscribe</TT> </BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 10:06:39 2005
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From: "Ben" <benoitruelle@yahoo.fr>
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Subject:  online jamming (was:: Attack of the Killer Mini Tabla - Live Clip)
Date: Thu, 8 Sep 2005 12:06:32 +0200
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has anyone alrready tried this:  www.vstunnel.com. ?

	

	
		
___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 10:25:07 2005
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From: "claude voit" <c.voit@vtx.ch>
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yes please
I was  thinking about a video that could describe as simple as possible the 
intricacies and subtilities of the Unsubscribe manual as written by brother 
K.F. on his now legendary, but I'm sorry, a little criptic even obscure some 
times, text (too many words for a manual!!!!) . 
http://www.loopersdelight.com/list/LoopList.html

I would be happy to offer one of my most repetitive (not boring) loops for 
the sound track of this "loopers-delight unsuscribe visual manual for the 
trapped soul in mailling list hell video" TM

maybe a more compact title could do also.

In any case please keep me posted if the project finds a production

Claude

PS: I'm sure everybody would agree that "some" % of the wholesale price 
could be donated to loopers-delight.com


anybody help this man...




----- Original Message ----- 
From: Miquel Matas
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, September 08, 2005 9:37 AM
Subject: unsubscribe


unsubscribe 

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 13:34:48 2005
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Subject: RE: online jamming (was:: Attack of the Killer Mini Tabla - Live Clip)
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Look cool...too bad it is just for sequencers / MIDI.

Kris


-----Original Message-----
From: Ben [mailto:benoitruelle@yahoo.fr]=20
Sent: Thursday, September 08, 2005 4:07 AM
To: khartung@cableone.net; Loopers-Delight@loopers-delight.com
Subject: online jamming (was:: Attack of the Killer Mini Tabla - Live
Clip)


has anyone alrready tried this:  www.vstunnel.com. ?

=09

=09
	=09
________________________________________________________________________
___=20
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo!
Messenger=20
T=E9l=E9chargez cette version sur http://fr.messenger.yahoo.com



From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 14:25:54 2005
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From: "Mark Smart" <mwsmart@insightbb.com>
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Subject: Jazz Looping in Champaign, IL, USA
Date: Thu, 8 Sep 2005 09:26:24 -0500
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Hi.
I will be doing Solo Jazz Looping at "Hot Diggity!" toy and novelty store in
Champaign, IL this Saturday, September 10th from 5-6pm. There will be music all
afternoon from 1-6pm, and all proceeds go the the Red Cross to help victims of
hurricane Katrina.

More info:

<http://www.getdiggity.com/>

<http://openingbands.com/intelligencereport/index.race?startday=2005-09-10&endda
y=2005-09-10>

 <http://www.marksmart.net/bands/jazzlooping/jazzlooping.html>

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 14:31:04 2005
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Date: Thu, 08 Sep 2005 10:30:51 -0400
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From: paul <phaslem@wightman.ca>
Subject: Re: edp
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 <d1396fc005090610463bb92e9a@mail.gmail.com>
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If you look back into the archives Shane used to be at Gibson, there was 
even a contact number for him. Thanks for the info, he was very helpful,  I 
got hold of him at British Audio and he sent me the schematics. Once my 
repair guy had those he was able to track down a shorted capacitor and a 
faulty 5 volt something or other within 15 min. He's going to go through it 
more thoroughly again to be sure that those are the only problems.

If anyone else is looking for schematics I'll be happy to pass them along 
to you. These are for the oberhiem edp, mine is the earlier Gibson but it 
seems to be the same. I can't say if its the same as the new one but it 
might at least work as reference point.

I would love to pickup a second edp but you know.... the pressures of house 
payments, need a new car, need to reshingle the roof...... etc.


I am having a lot of fun with Mobius though, maybe a better laptop might be 
a wiser investment....

All the best,

Paul Haslem
phaslem@wightman.ca
looping hammered dulcimer and guitar in Canada
or is it just a "looped and hammered" dulcimer player...



At 05:59 PM 06/09/2005, you wrote:

>Shane is the guy who fixes EDP's, and I've had very good experiences
>with him.  I don't know his business relationship with Gibson, but he
>can be reached at:
>
>shane@britishaudioservice.com
>
>If the EDP becomes an essential part of your performance approach, I
>recommend buying at least one spare when you can afford it.
>
>Best of luck,
>
>Travis

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 14:40:46 2005
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Subject: FW: Kevin Brunkhorst's Digital/Spiritual
Date: Thu, 8 Sep 2005 08:39:47 -0600
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From: "Hartung, Kris" <kris.hartung@hp.com>
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I've been exchanging some email with Kevin below, swapping CDs, etc.  I
haven't seen Kevin promote this on the list yet, so  I highly recommend
checking out this CD....great guitar playing and trumpet, with looping,
etc. I hope you don't mind, Kevin. This is good stuff! A great
contribution to the art of Canada!

>From the website: "Some of the pieces are written, others were
improvised in the studio. Some of the improvisations were shaped after
much listening. One of our main goals was that we wanted it to sound
like nothing else we knew of. We're pretty sure we reached that.
Certainly there are other benchmarks, or influences: Teo Macero's
productions of Miles Davis; Kenny Wheeler; David Torn; Ralph Towner;
Brian Eno. The things a musician listens to come out in their playing."

Kris

***************************************

Kris:

I want to send you my new CD.

Please send an address.

Kevin Brunkhorst
www.digitalspiritual.com

http://www.kevinbrunkhorst.com/



> Krispen Hartung
> Improvisational / Avant-Garde Looping Guitarist=20
> http://www.krispenhartung.com info@krispenhartung.com / 208-724-5603=20
> Performance Calendar:
> =
http://www.mojam.com/concerts/search?key=3Dperformer&value=3DKrispen%20Ha=
r
> tung Gear setup: http://www.boisemusicians.com/gear.htm
> =20
> =20
> =20
> =20
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 15:13:21 2005
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Date: Thu, 8 Sep 2005 17:13:19 +0200
From: Marco Ronci <m.ronci@gmail.com>
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Paul,
would you please send a copy to=20
m dot ronci at gmail dot com ?
Thank you
Marco

2005/9/8, paul <phaslem@wightman.ca>:
> If anyone else is looking for schematics I'll be happy to pass them along
> to you.

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 18:16:40 2005
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Another EDP? ;)

--- S V G <vsyevolod@yahoo.com> wrote:

> 
>      The Mackie sub that goes with the HR824's costs
> around $1200.  I added the Blue Sky sub to my
> HR824's and am very happy with the sound for $400. 
> Still I wonder what the extra $800 would have
> bought me...
> 
>      Stephen
> 
>   Mark wrote:
> I'm a fan of the Mackie HR824s.  Listened to a bunch
> in that price range and found them to be a good
> value.
>  I'm often amazed at how nice and accurate the bass
> is
> without ever getting flubby.  High end is sweet but
> never shrill.  I keep thinking I'd supplement it
> with
> the matching subwoofer, but never get around to it
> as
> they seem to sound great out of the box.
> 
> 
> 		
> 
> 
> 	
> 		
>
______________________________________________________
> Click here to donate to the Hurricane Katrina relief
> effort.
> http://store.yahoo.com/redcross-donate3/
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 18:19:23 2005
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: lexicon boxes
Date: Thu, 8 Sep 2005 19:20:07 +0100 
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> From the description it is almost certainly a bad rotary encoder.  
> Since
> you apparently can't get these from Harman any more, it might be worth

but what about other encoders? surely there is a replacement.<<

since they used the same one on the jamman, this is of some concern. I can't believe that any rotary encoder has ceased production, but if it has, we need to work out whether there's something compatible on the market. 

I have a mint vortex I never use, but I don't want to trash it to fix either of our jammans. I have a number of encoders I bought about ten years ago to fix an early proteus module (there was a min. order of six or something) so my proteus boxes & samplers will be ok for a while.... I'll look see if the same encoder is in the lex boxes, & check with some engineering suppliers to see what's available.

duncan.


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<TITLE>RE: lexicon boxes</TITLE>
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<P><FONT SIZE=3D2>&gt; From the description it is almost certainly a bad ro=
tary encoder.&nbsp; </FONT>
<BR><FONT SIZE=3D2>&gt; Since</FONT>
<BR><FONT SIZE=3D2>&gt; you apparently can't get these from Harman any more=
, it might be worth</FONT>
</P>

<P><FONT SIZE=3D2>but what about other encoders? surely there is a replacem=
ent.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>since they used the same one on the jamman, this is of so=
me concern. I can't believe that any rotary encoder has ceased production, =
but if it has, we need to work out whether there's something compatible on =
the market. </FONT></P>

<P><FONT SIZE=3D2>I have a mint vortex I never use, but I don't want to tra=
sh it to fix either of our jammans. I have a number of encoders I bought ab=
out ten years ago to fix an early proteus module (there was a min. order of=
 six or something) so my proteus boxes &amp; samplers will be ok for a whil=
e.... I'll look see if the same encoder is in the lex boxes, &amp; check wi=
th some engineering suppliers to see what's available.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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Subject: EDPP in the EU
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Hello Everyone,

=20

I rarely voice on the LD list but I thought it worth the time to mention
that we (finally) are stocking and selling the EDPP in the EU on a
regular basis.  Gibson's Holland warehouse and the fine and wonderful
people of Straight Edge (Andy Ewen, etc.) have provided us the
opportunity to keep ample supply on hand.=20

=20

For all of you that have voiced your frustrations with Gibson's lack of
access to the EDPP in the past, I'm sure this is good, if not belated,
news.  Please keep in mind, however, that Gibson only sells directly to
the dealer in a handful of countries around the Mediterranean and that
the rest of our sales are through independent distribution firms who
sell to the dealers.  The result is that you may not see them in stock
for some time, but if you let your local retailer know that they are
available, they can contact their representative.

=20

Many thanks and best regards, =20

=20

Kevin Van Pamel

VP of Marketing

=20

Gibson Labs Division

159  South Jackson

Suite 330

Seattle, WA 98104

Office: +1 206-382-3442

Fax: +1 615-884-2279

=20

www.gibson.com <http://www.gibson.com/>=20

=20


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I rarely voice on the LD list but I thought it worth =
the
time to mention that we (finally) are stocking and selling the EDPP in =
the EU
on a regular basis.&nbsp; Gibson&#8217;s <st1:place =
w:st=3D"on"><st1:City w:st=3D"on">Holland</st1:City></st1:place>
warehouse and the fine and wonderful people of Straight Edge (Andy Ewen, =
etc.)
have provided us the opportunity to keep ample supply on hand. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>For all of you that have voiced your frustrations =
with
Gibson&#8217;s lack of access to the EDPP in the past, I&#8217;m sure =
this is
good, if not belated, news.&nbsp; Please keep in mind, however, that =
Gibson
only sells directly to the dealer in a handful of countries around the =
<st1:place
w:st=3D"on">Mediterranean</st1:place> and that the rest of our sales are =
through independent
distribution firms who sell to the dealers.&nbsp; The result is that you =
may
not see them in stock for some time, but if you let your local retailer =
know
that they are available, they can contact their =
representative.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Many thanks and best regards, =
&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><st1:PersonName w:st=3D"on"><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>Kevin Van =
Pamel</span></font></st1:PersonName><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>VP of Marketing</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Gibson Labs Division</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>159&nbsp; South <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Jackson</st1:place></st1:City></span></font><o:p></o:p></p>

<p class=3DMsoNormal><st1:address w:st=3D"on"><st1:Street =
w:st=3D"on"><font size=3D2
  face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Suite</span></font></st1:Str=
eet><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> =
330</span></font></st1:address><o:p></o:p></p>

<p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
size=3D2
  face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Seattle</span></font></st1:C=
ity><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>, <st1:State
 w:st=3D"on">WA</st1:State> <st1:PostalCode =
w:st=3D"on">98104</st1:PostalCode></span></font></st1:place><o:p></o:p></=
p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Office: +1 206-382-3442</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Fax: =
+1&nbsp;615-884-2279</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.gibson.com/">www.gibson.com</a></span></font><o:p></o:=
p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 19:01:23 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: lexicon boxes
Date: Thu, 8 Sep 2005 15:04:46 -0400
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I use to work at Lexicon and still keep in touch with my pals there...I'm pretty sure they still make the encoders, or at least have a stash of them. Better check with them before U panic.
~Tim Mungenast


----- Original Message ----- 
From: 
To: Loopers-Delight@loopers-delight.com
Sent: 9/8/2005 2:19:22 PM 
Subject: RE: lexicon boxes


> From the description it is almost certainly a bad rotary encoder.  
> Since 
> you apparently can't get these from Harman any more, it might be worth 
but what about other encoders? surely there is a replacement.<< 
since they used the same one on the jamman, this is of some concern. I can't believe that any rotary encoder has ceased production, but if it has, we need to work out whether there's something compatible on the market. 
I have a mint vortex I never use, but I don't want to trash it to fix either of our jammans. I have a number of encoders I bought about ten years ago to fix an early proteus module (there was a min. order of six or something) so my proteus boxes & samplers will be ok for a while.... I'll look see if the same encoder is in the lex boxes, & check with some engineering suppliers to see what's available.
duncan. 


***************************************************************************
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD><TITLE>RE: lexicon boxes</TITLE>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
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<BODY>
<DIV>I use to work at Lexicon and still keep in touch with my pals there...I'm pretty sure they still make the encoders, or at least have a stash of them. Better check with them before U panic.</DIV>
<DIV>~Tim Mungenast</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=goddard.duncan@mtvne.com href="mailto:goddard.duncan@mtvne.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 9/8/2005 2:19:22 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: lexicon boxes</DIV>
<DIV><BR></DIV><FONT size=2>
<P><FONT size=2>&gt; From the description it is almost certainly a bad rotary encoder.&nbsp; </FONT><BR><FONT size=2>&gt; Since</FONT> <BR><FONT size=2>&gt; you apparently can't get these from Harman any more, it might be worth</FONT> </P>
<P><FONT size=2>but what about other encoders? surely there is a replacement.&lt;&lt;</FONT> </P>
<P><FONT size=2>since they used the same one on the jamman, this is of some concern. I can't believe that any rotary encoder has ceased production, but if it has, we need to work out whether there's something compatible on the market. </FONT></P>
<P><FONT size=2>I have a mint vortex I never use, but I don't want to trash it to fix either of our jammans. I have a number of encoders I bought about ten years ago to fix an early proteus module (there was a min. order of six or something) so my proteus boxes &amp; samplers will be ok for a while.... I'll look see if the same encoder is in the lex boxes, &amp; check with some engineering suppliers to see what's available.</FONT></P>
<P><FONT size=2>duncan.</FONT> </P><CODE><FONT size=3><BR><BR>***************************************************************************<BR>CONFIDENTIALITY NOTICE<BR><BR>The contents of this e-mail are confidential to the ordinary user<BR>of the e-mail address to which it was addressed, and may also<BR>be privileged. If you are not the addressee of this e-mail you may <BR>not copy, forward, disclose or otherwise use it or any part of it<BR>in any form whatsoever.If you have received this e-mail in error,<BR>please e-mail the sender by replying to this message.<BR><BR>It is your responsibility to carry out appropriate virus and other<BR>checks to ensure that this message and any attachments do not<BR>affect your systems / data. Any views or opinions expressed in this<BR>e-mail are solely those of the author and do not necessarily<BR>represent those of MTV Networks Europe unless specifically stated,<BR>nor does this message form any part of any contract unless so stated.<BR><BR>MTV reserves the right to monitor e-mail communications from<BR>external/internal sources for the purposes of ensuring correct <BR>and appropriate use of MTV communication equipment.<BR><BR>MTV Networks Europe<BR>***************************************************************************<BR></FONT></CODE></FONT></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 19:19:43 2005
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Date: Thu, 08 Sep 2005 14:19:36 -0500
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: lexicon boxes
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Timothy Mungenast wrote:
> I use to work at Lexicon and still keep in touch with my pals 
> there...I'm pretty sure they still make the encoders, or at least have a 
> stash of them. Better check with them before U panic.

I contacted Harman about a year ago asking for a replacement encoder
when I first got a flaky Vortex.  I called back today and the guy
said they were no longer in stock, and he did not know who the original
supplier was.  For what it is worth, the info I had was:

     Harman Music Group
     Technical Support
     801-568-7567
     The part number is 452-09555
     The cost is 5.88 each + shipping handling

He was not aware of anything electrically equivalent, though I have
to believe something must exist.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 19:25:06 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: lexicon boxes (vortex for $5)
Date: Thu, 8 Sep 2005 15:28:31 -0400
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Hi Andy:

I luv my Vortex but it has a small glitch that I was wondering if I could
ask you about: when I use the original 2-button footswitch to take it in
and out of bypass, it sometimes takes 2 pushes, like it's thinking about
it. 
All else is great, as the unit was gently used by its previous owner.
Any ideas?
Cheerios,
TimMungenast


> [Original Message]
> From: a k butler <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/8/2005 4:37:54 AM
> Subject: Re: Re: lexicon boxes (vortex for $5)
>
> At 08:37 08/09/05, you wrote:
> >Speaking of Lexicon... there's someone on EBay selling a Vortex that 
> >doesn't work quite right.  He says it changes patches sort of 
> >randomly and some other weird stuff but it worked when he got 
> >it.  Could that be a battery problem?  Starting bid is $5.
> >
> >I'm wondering if it's worth $5 + shipping to find out.
> >
> >Tony
>
> I reckon the rotary encoder for patch selection needs replacing.
>
> andy butler
> www.andybutler.com has Vortex info


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On Sep 8, 2005, at 20:54, Kevin Van Pamel wrote:

>  a handful of countries around the Mediterranean

Good news, Kevin! Is there a list available on the European countries  
where EDP's will be available?

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 20:52:48 2005
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Occasionally I pmail the odd helpless lobster with this Claude Voit email on
the subject--it reads as follows:
>From the original text by Claude Voit
 
DO NOT REPLY TO THIS MESSAGE OR YOUR COMPUTER WILL SHOW YOU VERY UNPOLITE
MESSAGES FROM ALL AROUND THE WORLD

					 
1-  go to your browser preferences and set you Email client to send plain
text (NO HTML) with No signature file

2-  click next line link mailto:Loopers-Delight-request@loopers-delight.com

3-  delete your signature, etc... make your message blank 

4-  double click (highlight) the sacred word on next line


SACRED WORD--> unsubscribe <--SACRED WORD


then copy (ctrl+C)

5-  place cursor in Subject of the message

Paste (ctrl+V)

6-  place cursor in Body of the message

Paste (ctrl+V)

7-  click send


Bye bye

Claude

					

-----Original Message-----
From: claude voit [mailto:c.voit@vtx.ch] 
Sent: Thursday, September 08, 2005 3:25 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: unsubscribe

yes please
I was  thinking about a video that could describe as simple as possible the 
intricacies and subtilities of the Unsubscribe manual as written by brother 
K.F. on his now legendary, but I'm sorry, a little criptic even obscure some

times, text (too many words for a manual!!!!) . 
http://www.loopersdelight.com/list/LoopList.html

I would be happy to offer one of my most repetitive (not boring) loops for 
the sound track of this "loopers-delight unsuscribe visual manual for the 
trapped soul in mailling list hell video" TM

maybe a more compact title could do also.

In any case please keep me posted if the project finds a production

Claude

PS: I'm sure everybody would agree that "some" % of the wholesale price 
could be donated to loopers-delight.com


anybody help this man...




----- Original Message ----- 
From: Miquel Matas
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, September 08, 2005 9:37 AM
Subject: unsubscribe


unsubscribe 



From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 21:28:59 2005
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Message-ID: <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com>
Date: Thu, 8 Sep 2005 14:28:57 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: lexicon boxes
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I could be wrong, but I seem to remember a thread
within the past year involving Kris Hartung needing
encoders; as I recall, the part number and contact
info was posted, and there was a happy ending. (This
was shortly before the "I'm selling all of my rack
gear" thread...)

Kris?

-t-

--- Jeff Larson <Jeffrey.Larson@Sun.COM> wrote:

> Timothy Mungenast wrote:
> > I use to work at Lexicon and still keep in touch
> with my pals 
> > there...I'm pretty sure they still make the
> encoders, or at least have a 
> > stash of them. Better check with them before U
> panic.
> 
> I contacted Harman about a year ago asking for a
> replacement encoder
> when I first got a flaky Vortex.  I called back
> today and the guy
> said they were no longer in stock, and he did not
> know who the original
> supplier was.  For what it is worth, the info I had
> was:
> 
>      Harman Music Group
>      Technical Support
>      801-568-7567
>      The part number is 452-09555
>      The cost is 5.88 each + shipping handling
> 
> He was not aware of anything electrically
> equivalent, though I have
> to believe something must exist.
> 
> Jeff
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 21:35:01 2005
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Subject: Re: lexicon boxes
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Tim Nelson wrote:
> I could be wrong, but I seem to remember a thread
> within the past year involving Kris Hartung needing
> encoders; as I recall, the part number and contact
> info was posted, and there was a happy ending. (This
> was shortly before the "I'm selling all of my rack
> gear" thread...)

Yes, I posted the part number on December 20, 2004
and Kris said he was able to get three of them.
Apparently those were among the last.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 22:02:53 2005
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I could be worth a re-try:

The part number is 452-09555
The cost is 5.88 each + shipping handling
Contact: John

Harman Music Group
Technical Support
801-568-7567

Hey Andy, ever thought of creating a VST version of the vortex? :)
You'd think that with the Lexicon PSP42 and PSP84 VST plugins, they
would follow up with that. The PSP series is oustanding! Very powerful,
especially the PSP84. I'm still amazed at the power of that plugin. I
use it all the time.

Kris



-----Original Message-----
From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM] 
Sent: Thursday, September 08, 2005 3:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: lexicon boxes


Tim Nelson wrote:
> I could be wrong, but I seem to remember a thread
> within the past year involving Kris Hartung needing
> encoders; as I recall, the part number and contact
> info was posted, and there was a happy ending. (This
> was shortly before the "I'm selling all of my rack
> gear" thread...)

Yes, I posted the part number on December 20, 2004
and Kris said he was able to get three of them.
Apparently those were among the last.

Jeff



From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 22:09:18 2005
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  8 22:40:35 2005
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On Thu, 8 Sep 2005, Barry Silverman wrote:

> unsubscribe

Again, then:

From
http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com


If you are on the digest version of Looper's Delight, send your 
unsubscribe
request to:

Loopers-Delight-d-request@loopers-delight.com


Don't send your unsubscribe message to the list, or people will make fun 
of
you and you will feel like a dork."

best,
Steve B
Phasmatodea    http;//www.phasmatodea.net/
Subscape Annex http://www.subscapeannex.com/
Fukadugalon, Audio Arcade, etc.

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 01:38:44 2005
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Actually, I printed these pages out for the unlikely event that I would
want to unsubscribe. Now, if I wanna recieve it as a digest, how big an
e-mail (250K?500K?) would be plopping into my inbox? (We phone-modem
Luddites have to ask questions like that ;-)
~Tim


> [Original Message]
> From: <burnett@pobox.com>
> To: Barry Silverman <bsilverm@comcast.net>
> Cc: <Loopers-Delight@loopers-delight.com>
> Date: 9/8/2005 6:40:35 PM
> Subject: Re: [LOOP] unsubscribe
>
> On Thu, 8 Sep 2005, Barry Silverman wrote:
>
> > unsubscribe
>
> Again, then:
>
> From
> http://www.loopers-delight.com/list/LoopList.html
>
> "To unsubscribe, send mail with the word "unsubscribe" in both the subject
> and body, and no sig files or anything else, to:
>
> Loopers-Delight-request@loopers-delight.com
>
>
> If you are on the digest version of Looper's Delight, send your 
> unsubscribe
> request to:
>
> Loopers-Delight-d-request@loopers-delight.com
>
>
> Don't send your unsubscribe message to the list, or people will make fun 
> of
> you and you will feel like a dork."
>
> best,
> Steve B
> Phasmatodea    http;//www.phasmatodea.net/
> Subscape Annex http://www.subscapeannex.com/
> Fukadugalon, Audio Arcade, etc.


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 03:38:48 2005
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...and presumably the innocent people who died in the US on 9/11?????

>> This Sunday at 8  I'll be opening a special Sept. 11th performance of 
>> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
>
> The evening will be dedicated to the innocent people affected by the 
> wars in Iraq and Afghanistan and I'm honored to be included in a 
> creative and conscious line up that will also include DJ AMAR,DJ 
> DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  AMBI-SONIC 
> and BLACK MAHAL..
> PEACE
> Scott Kungha Drengsen









From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 04:46:16 2005
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Subject: RE: BEATS NOT BOMBS in San Francisco
Date: Thu, 8 Sep 2005 21:46:02 -0700
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Uh, no--
Check out http://www.bellygroove.com/shows_events_beatsnotboms.html
Their phrase: "A night of positive action and good vibes"
Peace out
Gary

-----Original Message-----
From: Matthew F. McCabe [mailto:mmccabe@finleysound.com] 
Sent: Thursday, September 08, 2005 8:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: BEATS NOT BOMBS in San Francisco

...and presumably the innocent people who died in the US on 9/11?????

>> This Sunday at 8  I'll be opening a special Sept. 11th performance of 
>> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
>
> The evening will be dedicated to the innocent people affected by the 
> wars in Iraq and Afghanistan and I'm honored to be included in a 
> creative and conscious line up that will also include DJ AMAR,DJ 
> DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  AMBI-SONIC 
> and BLACK MAHAL..
> PEACE
> Scott Kungha Drengsen











From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 05:01:01 2005
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References: <A84A2AF5-2039-11DA-A753-00050263BC96@earthlink.net> <432103AA.4010303@finleysound.com>
Subject: Re: BEATS NOT BOMBS in San Francisco
Date: Fri, 9 Sep 2005 01:03:16 -0400
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You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk 
response of far-left-wing America-haters.

----- Original Message ----- 
From: "Matthew F. McCabe" <mmccabe@finleysound.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 08, 2005 11:38 PM
Subject: Re: BEATS NOT BOMBS in San Francisco


> ...and presumably the innocent people who died in the US on 9/11?????
> 
> >> This Sunday at 8  I'll be opening a special Sept. 11th performance of 
> >> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
> >
> > The evening will be dedicated to the innocent people affected by the 
> > wars in Iraq and Afghanistan and I'm honored to be included in a 
> > creative and conscious line up that will also include DJ AMAR,DJ 
> > DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  AMBI-SONIC 
> > and BLACK MAHAL..
> > PEACE
> > Scott Kungha Drengsen
> 
> 
> 
> 
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 05:03:38 2005
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Date: Thu, 8 Sep 2005 22:03:36 -0700
From: Matt Love <matt.mattlove1@gmail.com>
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I can't make it to San Francisco, but I'll be home, drumming and
mourning the 120,000 victims of atomic bombs in the cities of
Hiroshima and Nagasaki.

For good measure I'll put on some loops for the 35,000 to 135,000
people killed in the firebombing of Dresden.

On 9/8/05, Matthew F. McCabe <mmccabe@finleysound.com> wrote:
> ...and presumably the innocent people who died in the US on 9/11?????
>=20
> >> This Sunday at 8  I'll be opening a special Sept. 11th performance of
> >> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
> >
> > The evening will be dedicated to the innocent people affected by the
> > wars in Iraq and Afghanistan and I'm honored to be included in a
> > creative and conscious line up that will also include DJ AMAR,DJ
> > DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  AMBI-SONIC
> > and BLACK MAHAL..
> > PEACE
> > Scott Kungha Drengsen
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 05:08:27 2005
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: BEATS NOT BOMBS in San Francisco
Date: Fri, 9 Sep 2005 00:05:29 -0500
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On Sep 9, 2005, at 12:03 AM, Larry wrote:

> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> response of far-left-wing America-haters.

And thanks for your own knee-jerk response that does nothing more  
than stereotype all anti-war sentiments as the "knee jerk responses  
of far-left-wing America-haters." Yep, I'm glad you took the time to  
think that one through. Personally, I prefer the anti-war sentiments  
to the pro-war ones. Call me "crazy"--or "left-wing," or "anti- 
American," or...(fill in the blank with your preferred stereotype of  
the moment).

Jeff



From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 05:38:50 2005
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Subject: Bush Hater's Song and video--No looping content
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As long as we're gettin' polarized . . .
I discovered this entertaining clip while exploring the link Steve Goodman
gave while quoting Phil Proctor.
http://www.bushflash.com/blues.html
Love it or hate it, you've got to admit--
"A man looks sharp in a uniform until he goes to war".
Gary


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 07:42:50 2005
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Well, I don't hate America . I love it !  I don't like our current 
President who displays an extraordinary talent for turning tragedy into 
disaster  but that's another (OT) subject . This event is far from a 
"knee-jerk"  response . It has been thought out carefully as a 
spiritual alternative to the politicization of Sept.11 and the "war on 
terror" and it has required a generous amount of work from everyone 
involved. And yes, for my part , the opening piece will be in 
remembrance of ALL of those affected by senseless violence and the loss 
of innocence of all kinds . (at least thats what I'm attempting )
PEACE
Scott
On Thursday, September 8, 2005, at 10:03  PM, Larry wrote:

> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> response of far-left-wing America-haters.
>
> ----- Original Message -----
> From: "Matthew F. McCabe" <mmccabe@finleysound.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, September 08, 2005 11:38 PM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
>
>> ...and presumably the innocent people who died in the US on 9/11?????
>>
>>>> This Sunday at 8  I'll be opening a special Sept. 11th performance 
>>>> of
>>>> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
>>>
>>> The evening will be dedicated to the innocent people affected by the
>>> wars in Iraq and Afghanistan and I'm honored to be included in a
>>> creative and conscious line up that will also include DJ AMAR,DJ
>>> DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,  
>>> AMBI-SONIC
>>> and BLACK MAHAL..
>>> PEACE
>>> Scott Kungha Drengsen
>>
>>
>>
>>
>>
>>
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 08:18:15 2005
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I wonder why on all lists topics like these have to turn into political
rallies and flamewars... I for one see no direct looping content, I´m sorry.

Stephen


"I´m striving for the mysterious. The obvious doesn´t interest me." (Jon
Hassell)

Visit the official [´ramp] website at www.doombient.com

WTB: "England´s Hidden Reverse" by David Keenan (Coil, Current93, Nurse With
Wound, David Tibet).


----- Original Message -----
From: Scott Drengsen <kungha@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 09, 2005 9:46 AM
Subject: Re: BEATS NOT BOMBS in San Francisco


> Well, I don't hate America . I love it !  I don't like our current
> President who displays an extraordinary talent for turning tragedy into
> disaster  but that's another (OT) subject . This event is far from a
> "knee-jerk"  response . It has been thought out carefully as a
> spiritual alternative to the politicization of Sept.11 and the "war on
> terror" and it has required a generous amount of work from everyone
> involved. And yes, for my part , the opening piece will be in
> remembrance of ALL of those affected by senseless violence and the loss
> of innocence of all kinds . (at least thats what I'm attempting )
> PEACE
> Scott
> On Thursday, September 8, 2005, at 10:03  PM, Larry wrote:
>
> > You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> > response of far-left-wing America-haters.
> >
> > ----- Original Message -----
> > From: "Matthew F. McCabe" <mmccabe@finleysound.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, September 08, 2005 11:38 PM
> > Subject: Re: BEATS NOT BOMBS in San Francisco
> >
> >
> >> ...and presumably the innocent people who died in the US on 9/11?????
> >>
> >>>> This Sunday at 8  I'll be opening a special Sept. 11th performance
> >>>> of
> >>>> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
> >>>
> >>> The evening will be dedicated to the innocent people affected by the
> >>> wars in Iraq and Afghanistan and I'm honored to be included in a
> >>> creative and conscious line up that will also include DJ AMAR,DJ
> >>> DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS ,
> >>> AMBI-SONIC
> >>> and BLACK MAHAL..
> >>> PEACE
> >>> Scott Kungha Drengsen
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 09:33:15 2005
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Subject: Re: BEATS NOT BOMBS in San Francisco
Date: Fri, 9 Sep 2005 10:33:05 +0100
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Actually it becomes incumbent upon people who take on the "anti-war" mantle 
to accurately identify their political affiliation(s) so that the public - 
the people they're trying to win over to their argument - will know what the 
agenda really is.  Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican".  Funny 
how this is rarely done.  What do such folks have to hide, and why?  Is it 
because their actual agenda is known to turn off people who would otherwise 
be hoodwinked effectively into supporting something which, if they really 
thought about it, may be repugnant to them?  I've found a disturbing 
tendency on the part of protest movements in the past 15 years or so to be 
less concerned with whether they're VIEWED as "right" than whether they're 
actually "right" or not.  For me Political Correctness (spawned during a 
particular non-Republican's term) is nothing more than the outgrowth of 
someone else's inane need to oppress others through imitation 
intellectualism and cooked numbers.  Individuals of all kinds and colors 
tend to rebel against this when they know what it actually is, which is most 
likely why some items are often blurred a bit or put under a banner 
presenting something "more palatable" and therefore easier to SELL.

Alas, honesty is still the best policy, and not just for "someone else".  I 
suppose I'm some kind of "bigot" for expressing this opinion.  Beware 
however - expressing an individual opinion is usually averse to the 
interests of the Left, or for that matter cults like Scientology.

I was asked to play a London event in 2002 that was initially described to 
me as a "gathering of like-minded people", then it was said to me that it 
was "in the interest of peace", and finally described to me as an "anti-Bush 
rally".  I persist in the belief that politics should be peoples' own 
business, and I don't care for GroupThink either.  If this makes me a 
conservative, then I guess I'm one of those, but not in all manners.  I also 
make it a point not to adhere to stereotypes, or other pre-constructed 
expectations.  I suppose doing so could make me a "contrarian", or perhaps 
just a non-conformist.  I prefer the latter.

It's a good thing that in San Francisco (and the rest of the United States 
of America) you can't be imprisoned without trial and put to death just for 
expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. 
No, Pat Robertson doesn't even come close.

Stephen Goodman
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* http://www.medialinenews.com


----- Original Message ----- 
From: "Jeff Shirkey" <jcshirke@midway.uchicago.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, 09 September, 2005 06:05 AM
Subject: Re: BEATS NOT BOMBS in San Francisco


>
> On Sep 9, 2005, at 12:03 AM, Larry wrote:
>
>> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
>> response of far-left-wing America-haters.
>
> And thanks for your own knee-jerk response that does nothing more  than 
> stereotype all anti-war sentiments as the "knee jerk responses  of 
> far-left-wing America-haters." Yep, I'm glad you took the time to  think 
> that one through. Personally, I prefer the anti-war sentiments  to the 
> pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> or...(fill in the blank with your preferred stereotype of  the moment).
>
> Jeff
>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 10:19:17 2005
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Subject: Re: BEATS NOT BOMBS in San Francisco
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except Guantanamo Bay but then this is not in the USA

Claude

>
> It's a good thing that in San Francisco (and the rest of the United States 
> of America) you can't be imprisoned without trial and put to death just 
> for expressing an opinion that opposes some Ayatollah's Fundamentalist 
> Regime. No, Pat Robertson doesn't even come close.
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 10:19:23 2005
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Date: Fri, 09 Sep 2005 11:12:49 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Tim's footswitch was Re: lexicon boxes (vortex for $5)
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At 09:18 09/09/05, you wrote:
>Hi Andy:
>
>I luv my Vortex but it has a small glitch that I was wondering if I could
>ask you about: when I use the original 2-button footswitch to take it in
>and out of bypass, it sometimes takes 2 pushes, like it's thinking about
>it.
>All else is great, as the unit was gently used by its previous owner.
>Any ideas?

I'd open up the footswitch, check everything is correctly assembled,
and spray the switches.

Those switches can double trigger,
but after cleaning and regular use they get better.

andy
www.andybutler.com for vortex info, mp3s, and livelooping cd



>Cheerios,
>TimMungenast

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 10:29:44 2005
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Subject: Re:RE: lexicon boxes
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At 09:18 09/09/05, you wrote:
>Hey Andy, ever thought of creating a VST version of the vortex? :)

thought about it,
and costed the project.

i'll do it for =A35000

:-)

andy

ps, as the hardware flopped commercially, a recreation is unlikely.


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 10:58:36 2005
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I tried to emulate one of my beloved vortex patches on my G2 nord modular 
engine
pfuuuu ..... this isnt easy and I'm not done yet and dont know if  it will 
ever sound the same !!
 and I'm not talking about morphs between 2 patches

Claude






At 09:18 09/09/05, you wrote:
>Hey Andy, ever thought of creating a VST version of the vortex? :)

thought about it,
and costed the project.

i'll do it for £5000

:-)

andy

ps, as the hardware flopped commercially, a recreation is unlikely.


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 11:01:46 2005
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Subject: Re: BEATS NOT BOMBS in San Francisco
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Moderator!
Deputies!
Where are you?
Could you please stop political rants on this list?
I don´t bother to read this.
Thank you.

Stephen

"I´m striving for the mysterious. The obvious doesn´t interest me." (Jon
Hassell)

Visit the official [´ramp] website at www.doombient.com

WTB: "England´s Hidden Reverse" by David Keenan (Coil, Current93, Nurse With
Wound, David Tibet).


----- Original Message -----
From: claude voit <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 09, 2005 12:19 PM
Subject: Re: BEATS NOT BOMBS in San Francisco


> except Guantanamo Bay but then this is not in the USA
>
> Claude
>
> >
> > It's a good thing that in San Francisco (and the rest of the United
States
> > of America) you can't be imprisoned without trial and put to death just
> > for expressing an opinion that opposes some Ayatollah's Fundamentalist
> > Regime. No, Pat Robertson doesn't even come close.
> >
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 11:22:43 2005
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Subject: Re: BEATS NOT BOMBS in San Francisco
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With four-star meals specifically made with sensitivity to your own 
religion.  Don't forget that.

> except Guantanamo Bay but then this is not in the USA
>
> Claude
>
>>
>> It's a good thing that in San Francisco (and the rest of the United 
>> States of America) you can't be imprisoned without trial and put to death 
>> just for expressing an opinion that opposes some Ayatollah's 
>> Fundamentalist Regime. No, Pat Robertson doesn't even come close.
>>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 12:27:07 2005
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Date: Fri, 9 Sep 2005 05:27:06 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: Re: BEATS NOT BOMBS in San Francisco
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<< You're dead-on, Matthew: this anti-war stuff is the typical, 
knee-jerk response of far-left-wing America-haters. >>
 
And comments like the above are the same type of comments that are repeated by brainwashed idiots. Turn off the f*cking right-wing talk-shows & radio programs, read some mother-f*cking books (that aren't published by Regnery) and wake the hell up!

Scott Drengsen <kungha@earthlink.net> wrote:
Well, I don't hate America . I love it ! I don't like our current 
President who displays an extraordinary talent for turning tragedy into 
disaster but that's another (OT) subject . This event is far from a 
"knee-jerk" response . It has been thought out carefully as a 
spiritual alternative to the politicization of Sept.11 and the "war on 
terror" and it has required a generous amount of work from everyone 
involved. And yes, for my part , the opening piece will be in 
remembrance of ALL of those affected by senseless violence and the loss 
of innocence of all kinds . (at least thats what I'm attempting )
PEACE
Scott
On Thursday, September 8, 2005, at 10:03 PM, Larry wrote:

> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> response of far-left-wing America-haters.
>
> ----- Original Message -----
> From: "Matthew F. McCabe" 
> To: 
> Sent: Thursday, September 08, 2005 11:38 PM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
>
>> ...and presumably the innocent people who died in the US on 9/11?????
>>
>>>> This Sunday at 8 I'll be opening a special Sept. 11th performance 
>>>> of
>>>> BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)
>>>
>>> The evening will be dedicated to the innocent people affected by the
>>> wars in Iraq and Afghanistan and I'm honored to be included in a
>>> creative and conscious line up that will also include DJ AMAR,DJ
>>> DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS , 
>>> AMBI-SONIC
>>> and BLACK MAHAL..
>>> PEACE
>>> Scott Kungha Drengsen
>>
>>
>>
>>
>>
>>
>>
>>
>>
>


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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<DIV>&lt;&lt; You're dead-on, Matthew: this anti-war stuff is the typical, <BR>knee-jerk&nbsp;response of far-left-wing America-haters. &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>And comments like the above are the same type of comments that are repeated by brainwashed idiots. Turn off the f*cking right-wing talk-shows &amp; radio programs, read some mother-f*cking books (that aren't published by Regnery) and wake the hell up!<BR><BR><B><I>Scott Drengsen &lt;kungha@earthlink.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Well, I don't hate America . I love it ! I don't like our current <BR>President who displays an extraordinary talent for turning tragedy into <BR>disaster but that's another (OT) subject . This event is far from a <BR>"knee-jerk" response . It has been thought out carefully as a <BR>spiritual alternative to the politicization of Sept.11 and the "war on <BR>terror" and it has required a generous amount of work from everyone <BR>involved. And yes, for my part , the opening piece will be in <BR>remembrance of ALL of those affected by senseless violence and the loss <BR>of innocence of all kinds . (at least thats what I'm attempting )<BR>PEACE<BR>Scott<BR>On Thursday, September 8, 2005, at 10:03 PM, Larry wrote:<BR><BR>&gt; You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk<BR>&gt; response of far-left-wing America-haters.<BR>&gt;<BR>&gt; ----- Original Message
 -----<BR>&gt; From: "Matthew F. McCabe" <MMCCABE@FINLEYSOUND.COM><BR>&gt; To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>&gt; Sent: Thursday, September 08, 2005 11:38 PM<BR>&gt; Subject: Re: BEATS NOT BOMBS in San Francisco<BR>&gt;<BR>&gt;<BR>&gt;&gt; ...and presumably the innocent people who died in the US on 9/11?????<BR>&gt;&gt;<BR>&gt;&gt;&gt;&gt; This Sunday at 8 I'll be opening a special Sept. 11th performance <BR>&gt;&gt;&gt;&gt; of<BR>&gt;&gt;&gt;&gt; BEATS NOT BOMBS at MIGHTY in San Francisco .(160 Utah St.)<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; The evening will be dedicated to the innocent people affected by the<BR>&gt;&gt;&gt; wars in Iraq and Afghanistan and I'm honored to be included in a<BR>&gt;&gt;&gt; creative and conscious line up that will also include DJ AMAR,DJ<BR>&gt;&gt;&gt; DRAGONFLY , FONTAINS MUSE , TEED ROCKWELL, DHOL RHYTHEMS , <BR>&gt;&gt;&gt; AMBI-SONIC<BR>&gt;&gt;&gt; and BLACK MAHAL..<BR>&gt;&gt;&gt; PEACE<BR>&gt;&gt;&gt; Scott Kungha
 Drengsen<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR><BR></BLOCKQUOTE><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 12:39:46 2005
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Subject: BEETS NOT POMES
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I like beets more than pomegranates...How about a new subject?
The polarity is disrupting the harmony of the tunes in my head.

=B3Can=B9t we all just get along?=B2
Rodney King April 29, 1992

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<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>I lik=
e beets more than pomegranates...How about a new subject?<BR>
The polarity is disrupting the harmony of the tunes in my head.<BR>
<BR>
&#8220;Can&#8217;t we all just get along?&#8221; <BR>
Rodney King April 29, 1992</SPAN></FONT>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 12:42:22 2005
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Subject: Re: BEATS NOT BOMBS in San Francisco
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<< Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican".  >>
 
And some of them like blueberry pancakes. Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?
 
It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. 
 
The Windmeister

Stephen Goodman <spgoodman@earthlight.net> wrote:
Actually it becomes incumbent upon people who take on the "anti-war" mantle 
to accurately identify their political affiliation(s) so that the public - 
the people they're trying to win over to their argument - will know what the 
agenda really is. Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican". Funny 
how this is rarely done. What do such folks have to hide, and why? Is it 
because their actual agenda is known to turn off people who would otherwise 
be hoodwinked effectively into supporting something which, if they really 
thought about it, may be repugnant to them? I've found a disturbing 
tendency on the part of protest movements in the past 15 years or so to be 
less concerned with whether they're VIEWED as "right" than whether they're 
actually "right" or not. For me Political Correctness (spawned during a 
particular non-Republican's term) is nothing more than the outgrowth of 
someone else's inane need to oppress others through imitation 
intellectualism and cooked numbers. Individuals of all kinds and colors 
tend to rebel against this when they know what it actually is, which is most 
likely why some items are often blurred a bit or put under a banner 
presenting something "more palatable" and therefore easier to SELL.

Alas, honesty is still the best policy, and not just for "someone else". I 
suppose I'm some kind of "bigot" for expressing this opinion. Beware 
however - expressing an individual opinion is usually averse to the 
interests of the Left, or for that matter cults like Scientology.

I was asked to play a London event in 2002 that was initially described to 
me as a "gathering of like-minded people", then it was said to me that it 
was "in the interest of peace", and finally described to me as an "anti-Bush 
rally". I persist in the belief that politics should be peoples' own 
business, and I don't care for GroupThink either. If this makes me a 
conservative, then I guess I'm one of those, but not in all manners. I also 
make it a point not to adhere to stereotypes, or other pre-constructed 
expectations. I suppose doing so could make me a "contrarian", or perhaps 
just a non-conformist. I prefer the latter.

It's a good thing that in San Francisco (and the rest of the United States 
of America) you can't be imprisoned without trial and put to death just for 
expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. 
No, Pat Robertson doesn't even come close.

Stephen Goodman
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* http://www.medialinenews.com


----- Original Message ----- 
From: "Jeff Shirkey" 
To: 
Sent: Friday, 09 September, 2005 06:05 AM
Subject: Re: BEATS NOT BOMBS in San Francisco


>
> On Sep 9, 2005, at 12:03 AM, Larry wrote:
>
>> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
>> response of far-left-wing America-haters.
>
> And thanks for your own knee-jerk response that does nothing more than 
> stereotype all anti-war sentiments as the "knee jerk responses of 
> far-left-wing America-haters." Yep, I'm glad you took the time to think 
> that one through. Personally, I prefer the anti-war sentiments to the 
> pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> or...(fill in the blank with your preferred stereotype of the moment).
>
> Jeff
>
>
>
>
>
>
> 


__________________________________________________
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<DIV>&lt;&lt; Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican".&nbsp; &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>And some of them like blueberry pancakes. Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?</DIV>
<DIV>&nbsp;</DIV>
<DIV>It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. </DIV>
<DIV>&nbsp;</DIV>
<DIV>The Windmeister<BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Actually it becomes incumbent upon people who take on the "anti-war" mantle <BR>to accurately identify their political affiliation(s) so that the public - <BR>the people they're trying to win over to their argument - will know what the <BR>agenda really is. Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican". Funny <BR>how this is rarely done. What do such folks have to hide, and why? Is it <BR>because their actual agenda is known to turn off people who would otherwise <BR>be hoodwinked effectively into supporting something which, if they really <BR>thought about it, may be repugnant to them? I've found a disturbing <BR>tendency on the part of protest movements in the past 15 years or so to be <BR>less concerned with whether they're VIEWED as
 "right" than whether they're <BR>actually "right" or not. For me Political Correctness (spawned during a <BR>particular non-Republican's term) is nothing more than the outgrowth of <BR>someone else's inane need to oppress others through imitation <BR>intellectualism and cooked numbers. Individuals of all kinds and colors <BR>tend to rebel against this when they know what it actually is, which is most <BR>likely why some items are often blurred a bit or put under a banner <BR>presenting something "more palatable" and therefore easier to SELL.<BR><BR>Alas, honesty is still the best policy, and not just for "someone else". I <BR>suppose I'm some kind of "bigot" for expressing this opinion. Beware <BR>however - expressing an individual opinion is usually averse to the <BR>interests of the Left, or for that matter cults like Scientology.<BR><BR>I was asked to play a London event in 2002 that was initially described to <BR>me as a "gathering of like-minded people", then it was said to me
 that it <BR>was "in the interest of peace", and finally described to me as an "anti-Bush <BR>rally". I persist in the belief that politics should be peoples' own <BR>business, and I don't care for GroupThink either. If this makes me a <BR>conservative, then I guess I'm one of those, but not in all manners. I also <BR>make it a point not to adhere to stereotypes, or other pre-constructed <BR>expectations. I suppose doing so could make me a "contrarian", or perhaps <BR>just a non-conformist. I prefer the latter.<BR><BR>It's a good thing that in San Francisco (and the rest of the United States <BR>of America) you can't be imprisoned without trial and put to death just for <BR>expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. <BR>No, Pat Robertson doesn't even come close.<BR><BR>Stephen Goodman<BR>* Cartoons about DVDs and Stuff<BR>* http://www.earthlight.net/HiddenTrack<BR>* http://www.medialinenews.com<BR><BR><BR>----- Original Message ----- <BR>From: "Jeff
 Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 September, 2005 06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 AM, Larry wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk<BR>&gt;&gt; response of far-left-wing America-haters.<BR>&gt;<BR>&gt; And thanks for your own knee-jerk response that does nothing more than <BR>&gt; stereotype all anti-war sentiments as the "knee jerk responses of <BR>&gt; far-left-wing America-haters." Yep, I'm glad you took the time to think <BR>&gt; that one through. Personally, I prefer the anti-war sentiments to the <BR>&gt; pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," <BR>&gt; or...(fill in the blank with your preferred stereotype of the moment).<BR>&gt;<BR>&gt; Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;
 <BR><BR></BLOCKQUOTE><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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Date: Fri, 9 Sep 2005 05:44:24 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: Re: BEETS NOT POMES
To: Loopers-Delight@loopers-delight.com
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I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.

Kathy Deane <relativepictures@cox.net> wrote:I like beets more than pomegranates...How about a new subject?
The polarity is disrupting the harmony of the tunes in my head.

“Can’t we all just get along?” 
Rodney King April 29, 1992 

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<DIV>I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.<BR><BR><B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">I like beets more than pomegranates...How about a new subject?<BR>The polarity is disrupting the harmony of the tunes in my head.<BR><BR>“Can’t we all just get along?” <BR>Rodney King April 29, 1992</SPAN></FONT> </BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 12:50:56 2005
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Date: Fri, 09 Sep 2005 07:50:53 -0500
Subject: Re: BEETS NOT POMES
From: Kathy Deane <relativepictures@cox.net>
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> Calling someone a Natzi cause they want to change the subject is pretty r=
aw.
>=20
>=20
> I'll bet a lot of people in Nazi Germany expressed the same sentiments at=
 one
> time.
>=20
> Kathy Deane <relativepictures@cox.net> wrote:
>> I like beets more than pomegranates...How about a new subject?
>> The polarity is disrupting the harmony of the tunes in my head.
>>=20
>> =B3Can=B9t we all just get along?=B2
>> Rodney King April 29, 1992
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com



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<BODY>
<BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:1=
2.0px'>Calling someone a Natzi cause they want to change the subject is pret=
ty raw. <BR>
<BR>
<BR>
I'll bet a lot of people in Nazi Germany expressed the same sentiments at o=
ne time.<BR>
<BR>
<B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote: <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:12.0px'>I like beets more than pomegranates...How about a new s=
ubject?<BR>
The polarity is disrupting the harmony of the tunes in my head.<BR>
<BR>
&#8220;Can&#8217;t we all just get along?&#8221; <BR>
Rodney King April 29, 1992 <BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:12.0px'>__________________________________________________<BR>
Do You Yahoo!?<BR>
Tired of spam? &nbsp;Yahoo! Mail has the best spam protection around <BR>
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Date: Fri, 9 Sep 2005 06:11:07 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: Re: BEETS NOT POMES
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Then, you misunderstood the spirit of my comment. It's akin to fiddling while Rome burns.

Kathy Deane <relativepictures@cox.net> wrote:Calling someone a Natzi cause they want to change the subject is pretty raw. 


I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.

Kathy Deane <relativepictures@cox.net> wrote: 
I like beets more than pomegranates...How about a new subject?
The polarity is disrupting the harmony of the tunes in my head.

“Can’t we all just get along?” 
Rodney King April 29, 1992 
__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



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<DIV>Then, you misunderstood the spirit of my comment. It's akin to fiddling while Rome burns.<BR><BR><B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">Calling someone a Natzi cause they want to change the subject is pretty raw. <BR><BR><BR>I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.<BR><BR><B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote: <BR></SPAN></FONT>
<BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">I like beets more than pomegranates...How about a new subject?<BR>The polarity is disrupting the harmony of the tunes in my head.<BR><BR>“Can’t we all just get along?” <BR>Rodney King April 29, 1992 <BR></SPAN></FONT></BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? &nbsp;Yahoo! Mail has the best spam protection around <BR><A href="http://mail.yahoo.com/">http://mail.yahoo.com</A> <BR></SPAN></FONT></BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px"><BR></SPAN></FONT></BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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  ----- Original Message -----=20
  From: Wind Stick Devil=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, 09 September, 2005 13:42 PM
  Subject: Re: BEATS NOT BOMBS in San Francisco


  << Of course quite a few so-called "anti-war" types are=20
  quite often something more - "anti-democracy", or "anti-capitalism",=20
  "leftist", "socialist", communist", or plain old "anti-Republican".  =
>>

  And some of them like blueberry pancakes.

Not an answer.  You don't generally hide a predilection for pancakes, =
whereas the Stop the War group is funded greatly by folks whose main =
agenda has nothing to do with the war.  That wasn't a very good attempt =
at deflection, and I didn't categorize anyone except with respect to a =
hidden agenda anyway.
  Some of them also like to sunbathe or visit museums. It's foolish to =
categorize people into one of two camps. The common practice of the =
Right to discuss, bash, trash, etc. so-called "Liberals" is a case in =
point. What the hell is a Liberal anyway? People have many =
varieties/combinations/permutations of beliefs. If I don't particularly =
believe in the efficacy of the death penalty, does that make me a =
Liberal?
Again, irrelevant.
  It's an age-old tactic to create a "bogeyman" a la Goldstein in =
Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who =
are the bogeyman.=20
In your case, a Straw man huh?
  The Windmeister

  Stephen Goodman <spgoodman@earthlight.net> wrote:
    Actually it becomes incumbent upon people who take on the "anti-war" =
mantle=20
    to accurately identify their political affiliation(s) so that the =
public -=20
    the people they're trying to win over to their argument - will know =
what the=20
    agenda really is. Of course quite a few so-called "anti-war" types =
are=20
    quite often something more - "anti-democracy", or "anti-capitalism", =

    "leftist", "socialist", communist", or plain old "anti-Republican". =
Funny=20
    how this is rarely done. What do such folks have to hide, and why? =
Is it=20
    because their actual agenda is known to turn off people who would =
otherwise=20
    be hoodwinked effectively into supporting something which, if they =
really=20
    thought about it, may be repugnant to them? I've found a disturbing=20
    tendency on the part of protest movements in the past 15 years or so =
to be=20
    less concerned with whether they're VIEWED as "right" than whether =
they're=20
    actually "right" or not. For me Political Correctness (spawned =
during a=20
    particular non-Republican's term) is nothing more than the outgrowth =
of=20
    someone else's inane need to oppress others through imitation=20
    intellectualism and cooked numbers. Individuals of all kinds and =
colors=20
    tend to rebel against this when they know what it actually is, which =
is most=20
    likely why some items are often blurred a bit or put under a banner=20
    presenting something "more palatable" and therefore easier to SELL.

    Alas, honesty is still the best policy, and not just for "someone =
else". I=20
    suppose I'm some kind of "bigot" for expressing this opinion. Beware =

    however - expressing an individual opinion is usually averse to the=20
    interests of the Left, or for that matter cults like Scientology.

    I was asked to play a London event in 2002 that was initially =
described to=20
    me as a "gathering of like-minded people", then it was said to me =
that it=20
    was "in the interest of peace", and finally described to me as an =
"anti-Bush=20
    rally". I persist in the belief that politics should be peoples' own =

    business, and I don't care for GroupThink either. If this makes me a =

    conservative, then I guess I'm one of those, but not in all manners. =
I also=20
    make it a point not to adhere to stereotypes, or other =
pre-constructed=20
    expectations. I suppose doing so could make me a "contrarian", or =
perhaps=20
    just a non-conformist. I prefer the latter.

    It's a good thing that in San Francisco (and the rest of the United =
States=20
    of America) you can't be imprisoned without trial and put to death =
just for=20
    expressing an opinion that opposes some Ayatollah's Fundamentalist =
Regime.=20
    No, Pat Robertson doesn't even come close.

    Stephen Goodman
    * Cartoons about DVDs and Stuff
    * http://www.earthlight.net/HiddenTrack
    * http://www.medialinenews.com


    ----- Original Message -----=20
    From: "Jeff Shirkey"=20
    To:=20
    Sent: Friday, 09 September, 2005 06:05 AM
    Subject: Re: BEATS NOT BOMBS in San Francisco


    >
    > On Sep 9, 2005, at 12:03 AM, Larry wrote:
    >
    >> You're dead-on, Matthew: this anti-war stuff is the typical, =
knee-jerk
    >> response of far-left-wing America-haters.
    >
    > And thanks for your own knee-jerk response that does nothing more =
than=20
    > stereotype all anti-war sentiments as the "knee jerk responses of=20
    > far-left-wing America-haters." Yep, I'm glad you took the time to =
think=20
    > that one through. Personally, I prefer the anti-war sentiments to =
the=20
    > pro-war ones. Call me "crazy"--or "left-wing," or "anti- =
American,"=20
    > or...(fill in the blank with your preferred stereotype of the =
moment).
    >
    > Jeff
    >
    >
    >
    >
    >
    >
    >=20


  __________________________________________________
  Do You Yahoo!?
  Tired of spam? Yahoo! Mail has the best spam protection around=20
  http://mail.yahoo.com=20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
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BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwklemmer1@yahoo.com =
href=3D"mailto:wklemmer1@yahoo.com">Wind Stick=20
  Devil</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, =
2005 13:42=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT BOMBS in =
San=20
  Francisco</DIV>
  <DIV><BR></DIV>
  <DIV>&lt;&lt; Of course quite a few so-called "anti-war" types are =
<BR>quite=20
  often something more - "anti-democracy", or "anti-capitalism", =
<BR>"leftist",=20
  "socialist", communist", or plain old "anti-Republican".&nbsp; =
&gt;&gt;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>And some of them like blueberry pancakes.</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>Not an answer.&nbsp; You don't generally =
hide a=20
predilection for pancakes, whereas the Stop the War group is funded =
greatly by=20
folks whose main agenda has nothing to do with the war.&nbsp; That =
wasn't a very=20
good attempt at deflection, and I didn't categorize anyone except with =
respect=20
to a hidden agenda anyway.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>Some of them also like to sunbathe or visit museums. It's foolish =
to=20
  categorize people into one of two camps. The common practice of the =
Right to=20
  discuss, bash, trash, etc. so-called "Liberals" is a case in point. =
What the=20
  hell is a Liberal anyway? People have many =
varieties/combinations/permutations=20
  of beliefs. If I don't particularly believe in the efficacy of the =
death=20
  penalty, does that make me a Liberal?</DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>Again, irrelevant.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>It's an age-old tactic to create a "bogeyman" a la Goldstein in =
Orwell's=20
  '1984'. In the 21st century in the US, it's the "Liberals" who are the =

  bogeyman. </DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>In your case, a Straw man =
huh?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>The Windmeister<BR><BR><B><I>Stephen Goodman=20
  &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">Actually=20
    it becomes incumbent upon people who take on the "anti-war" mantle =
<BR>to=20
    accurately identify their political affiliation(s) so that the =
public -=20
    <BR>the people they're trying to win over to their argument - will =
know what=20
    the <BR>agenda really is. Of course quite a few so-called "anti-war" =
types=20
    are <BR>quite often something more - "anti-democracy", or =
"anti-capitalism",=20
    <BR>"leftist", "socialist", communist", or plain old =
"anti-Republican".=20
    Funny <BR>how this is rarely done. What do such folks have to hide, =
and why?=20
    Is it <BR>because their actual agenda is known to turn off people =
who would=20
    otherwise <BR>be hoodwinked effectively into supporting something =
which, if=20
    they really <BR>thought about it, may be repugnant to them? I've =
found a=20
    disturbing <BR>tendency on the part of protest movements in the past =
15=20
    years or so to be <BR>less concerned with whether they're VIEWED as =
"right"=20
    than whether they're <BR>actually "right" or not. For me Political=20
    Correctness (spawned during a <BR>particular non-Republican's term) =
is=20
    nothing more than the outgrowth of <BR>someone else's inane need to =
oppress=20
    others through imitation <BR>intellectualism and cooked numbers. =
Individuals=20
    of all kinds and colors <BR>tend to rebel against this when they =
know what=20
    it actually is, which is most <BR>likely why some items are often =
blurred a=20
    bit or put under a banner <BR>presenting something "more palatable" =
and=20
    therefore easier to SELL.<BR><BR>Alas, honesty is still the best =
policy, and=20
    not just for "someone else". I <BR>suppose I'm some kind of "bigot" =
for=20
    expressing this opinion. Beware <BR>however - expressing an =
individual=20
    opinion is usually averse to the <BR>interests of the Left, or for =
that=20
    matter cults like Scientology.<BR><BR>I was asked to play a London =
event in=20
    2002 that was initially described to <BR>me as a "gathering of =
like-minded=20
    people", then it was said to me that it <BR>was "in the interest of =
peace",=20
    and finally described to me as an "anti-Bush <BR>rally". I persist =
in the=20
    belief that politics should be peoples' own <BR>business, and I =
don't care=20
    for GroupThink either. If this makes me a <BR>conservative, then I =
guess I'm=20
    one of those, but not in all manners. I also <BR>make it a point not =
to=20
    adhere to stereotypes, or other pre-constructed <BR>expectations. I =
suppose=20
    doing so could make me a "contrarian", or perhaps <BR>just a =
non-conformist.=20
    I prefer the latter.<BR><BR>It's a good thing that in San Francisco =
(and the=20
    rest of the United States <BR>of America) you can't be imprisoned =
without=20
    trial and put to death just for <BR>expressing an opinion that =
opposes some=20
    Ayatollah's Fundamentalist Regime. <BR>No, Pat Robertson doesn't =
even come=20
    close.<BR><BR>Stephen Goodman<BR>* Cartoons about DVDs and =
Stuff<BR>*=20
    http://www.earthlight.net/HiddenTrack<BR>*=20
    http://www.medialinenews.com<BR><BR><BR>----- Original Message ----- =

    <BR>From: "Jeff Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To:=20
    <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 September, =
2005=20
    06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San=20
    Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 AM, Larry =

    wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this anti-war =
stuff is=20
    the typical, knee-jerk<BR>&gt;&gt; response of far-left-wing=20
    America-haters.<BR>&gt;<BR>&gt; And thanks for your own knee-jerk =
response=20
    that does nothing more than <BR>&gt; stereotype all anti-war =
sentiments as=20
    the "knee jerk responses of <BR>&gt; far-left-wing America-haters." =
Yep, I'm=20
    glad you took the time to think <BR>&gt; that one through. =
Personally, I=20
    prefer the anti-war sentiments to the <BR>&gt; pro-war ones. Call me =

    "crazy"--or "left-wing," or "anti- American," <BR>&gt; or...(fill in =
the=20
    blank with your preferred stereotype of the moment).<BR>&gt;<BR>&gt; =

    Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;=20
  <BR><BR></BLOCKQUOTE>
  <P>__________________________________________________<BR>Do You=20
  Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection =
around=20
  <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 14:08:48 2005
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Date: Fri, 9 Sep 2005 07:08:46 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: Re: BEATS NOT BOMBS in San Francisco
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Hahahahahahahaha....
 
<< hidden agendas >>
 
Look at the Right. All those bogus "think-tanks", i.e. Heritage Foundation. These buzzards, and those like them, have been co-opting the ability of Americans to think for many years. Finally, the Left has woken up will begin funding their own "think tanks" to counter the years of propaganda spewed by the Right.
 
How does anyone know YOU know what the hell you're talking about when you characterize these organizations? I already heard nonsensical stuff coming from the Right that, for example, the MoveOn.org is a Communist organization.
 


Stephen Goodman <spgoodman@earthlight.net> wrote:
 
----- Original Message ----- 
From: Wind Stick Devil 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, 09 September, 2005 13:42 PM
Subject: Re: BEATS NOT BOMBS in San Francisco


<< Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican".  >>
 
And some of them like blueberry pancakes.
 
Not an answer.  You don't generally hide a predilection for pancakes, whereas the Stop the War group is funded greatly by folks whose main agenda has nothing to do with the war.  That wasn't a very good attempt at deflection, and I didn't categorize anyone except with respect to a hidden agenda anyway.
Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?
Again, irrelevant.
It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. 
In your case, a Straw man huh?
The Windmeister

Stephen Goodman <spgoodman@earthlight.net> wrote:
Actually it becomes incumbent upon people who take on the "anti-war" mantle 
to accurately identify their political affiliation(s) so that the public - 
the people they're trying to win over to their argument - will know what the 
agenda really is. Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican". Funny 
how this is rarely done. What do such folks have to hide, and why? Is it 
because their actual agenda is known to turn off people who would otherwise 
be hoodwinked effectively into supporting something which, if they really 
thought about it, may be repugnant to them? I've found a disturbing 
tendency on the part of protest movements in the past 15 years or so to be 
less concerned with whether they're VIEWED as "right" than whether they're 
actually "right" or not. For me Political Correctness (spawned during a 
particular non-Republican's term) is nothing more than the outgrowth of 
someone else's inane need to oppress others through imitation 
intellectualism and cooked numbers. Individuals of all kinds and colors 
tend to rebel against this when they know what it actually is, which is most 
likely why some items are often blurred a bit or put under a banner 
presenting something "more palatable" and therefore easier to SELL.

Alas, honesty is still the best policy, and not just for "someone else". I 
suppose I'm some kind of "bigot" for expressing this opinion. Beware 
however - expressing an individual opinion is usually averse to the 
interests of the Left, or for that matter cults like Scientology.

I was asked to play a London event in 2002 that was initially described to 
me as a "gathering of like-minded people", then it was said to me that it 
was "in the interest of peace", and finally described to me as an "anti-Bush 
rally". I persist in the belief that politics should be peoples' own 
business, and I don't care for GroupThink either. If this makes me a 
conservative, then I guess I'm one of those, but not in all manners. I also 
make it a point not to adhere to stereotypes, or other pre-constructed 
expectations. I suppose doing so could make me a "contrarian", or perhaps 
just a non-conformist. I prefer the latter.

It's a good thing that in San Francisco (and the rest of the United States 
of America) you can't be imprisoned without trial and put to death just for 
expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. 
No, Pat Robertson doesn't even come close.

Stephen Goodman
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* http://www.medialinenews.com


----- Original Message ----- 
From: "Jeff Shirkey" 
To: 
Sent: Friday, 09 September, 2005 06:05 AM
Subject: Re: BEATS NOT BOMBS in San Francisco


>
> On Sep 9, 2005, at 12:03 AM, Larry wrote:
>
>> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
>> response of far-left-wing America-haters.
>
> And thanks for your own knee-jerk response that does nothing more than 
> stereotype all anti-war sentiments as the "knee jerk responses of 
> far-left-wing America-haters." Yep, I'm glad you took the time to think 
> that one through. Personally, I prefer the anti-war sentiments to the 
> pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> or...(fill in the blank with your preferred stereotype of the moment).
>
> Jeff
>
>
>
>
>
>
> 


__________________________________________________
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<DIV>Hahahahahahahaha....</DIV>
<DIV>&nbsp;</DIV>
<DIV>&lt;&lt; hidden agendas &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Look at the Right. All those bogus "think-tanks", i.e. Heritage Foundation. These buzzards, and those like them, have been co-opting the ability of Americans to think for many years. Finally, the Left has woken up will begin funding their own "think tanks" to counter the years of propaganda spewed by the Right.</DIV>
<DIV>&nbsp;</DIV>
<DIV>How does anyone know YOU know what the hell you're talking about when you characterize these organizations? I already heard nonsensical stuff coming from the Right that, for example, the MoveOn.org is a Communist organization.</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 6.00.2900.2722" name=GENERATOR>
<STYLE></STYLE>

<DIV><FONT size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=wklemmer1@yahoo.com href="mailto:wklemmer1@yahoo.com">Wind Stick Devil</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, 2005 13:42 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT BOMBS in San Francisco</DIV>
<DIV><BR></DIV>
<DIV>&lt;&lt; Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican".&nbsp; &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>And some of them like blueberry pancakes.</DIV>
<DIV>&nbsp;</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>Not an answer.&nbsp; You don't generally hide a predilection for pancakes, whereas the Stop the War group is funded greatly by folks whose main agenda has nothing to do with the war.&nbsp; That wasn't a very good attempt at deflection, and I didn't categorize anyone except with respect to a hidden agenda anyway.</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>Again, irrelevant.</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. </DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>In your case, a Straw man huh?</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>The Windmeister<BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Actually it becomes incumbent upon people who take on the "anti-war" mantle <BR>to accurately identify their political affiliation(s) so that the public - <BR>the people they're trying to win over to their argument - will know what the <BR>agenda really is. Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican". Funny <BR>how this is rarely done. What do such folks have to hide, and why? Is it <BR>because their actual agenda is known to turn off people who would otherwise <BR>be hoodwinked effectively into supporting something which, if they really <BR>thought about it, may be repugnant to them? I've found a disturbing <BR>tendency on the part of protest movements in the past 15 years or so to be <BR>less concerned with whether they're VIEWED as
 "right" than whether they're <BR>actually "right" or not. For me Political Correctness (spawned during a <BR>particular non-Republican's term) is nothing more than the outgrowth of <BR>someone else's inane need to oppress others through imitation <BR>intellectualism and cooked numbers. Individuals of all kinds and colors <BR>tend to rebel against this when they know what it actually is, which is most <BR>likely why some items are often blurred a bit or put under a banner <BR>presenting something "more palatable" and therefore easier to SELL.<BR><BR>Alas, honesty is still the best policy, and not just for "someone else". I <BR>suppose I'm some kind of "bigot" for expressing this opinion. Beware <BR>however - expressing an individual opinion is usually averse to the <BR>interests of the Left, or for that matter cults like Scientology.<BR><BR>I was asked to play a London event in 2002 that was initially described to <BR>me as a "gathering of like-minded people", then it was said to me
 that it <BR>was "in the interest of peace", and finally described to me as an "anti-Bush <BR>rally". I persist in the belief that politics should be peoples' own <BR>business, and I don't care for GroupThink either. If this makes me a <BR>conservative, then I guess I'm one of those, but not in all manners. I also <BR>make it a point not to adhere to stereotypes, or other pre-constructed <BR>expectations. I suppose doing so could make me a "contrarian", or perhaps <BR>just a non-conformist. I prefer the latter.<BR><BR>It's a good thing that in San Francisco (and the rest of the United States <BR>of America) you can't be imprisoned without trial and put to death just for <BR>expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. <BR>No, Pat Robertson doesn't even come close.<BR><BR>Stephen Goodman<BR>* Cartoons about DVDs and Stuff<BR>* http://www.earthlight.net/HiddenTrack<BR>* http://www.medialinenews.com<BR><BR><BR>----- Original Message ----- <BR>From: "Jeff
 Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 September, 2005 06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 AM, Larry wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk<BR>&gt;&gt; response of far-left-wing America-haters.<BR>&gt;<BR>&gt; And thanks for your own knee-jerk response that does nothing more than <BR>&gt; stereotype all anti-war sentiments as the "knee jerk responses of <BR>&gt; far-left-wing America-haters." Yep, I'm glad you took the time to think <BR>&gt; that one through. Personally, I prefer the anti-war sentiments to the <BR>&gt; pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," <BR>&gt; or...(fill in the blank with your preferred stereotype of the moment).<BR>&gt;<BR>&gt; Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; <BR><BR></BLOCKQUOTE>
<P>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BLOCKQUOTE><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-381288167-1126274926=:7439--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 14:09:41 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: RE: lexicon boxes
Date: Fri, 9 Sep 2005 08:09:27 -0600
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Hmmm...that's about $9,180 US.  That's really not bad.  I've paid
consultants three times that much to develop a 90 minute web-based
training course, which involves no serious coding that you do.  So, if
there are approx. 400 people on this list, and we each contributed that
would be roughly $23 a piece. Heck, I'd pitch in at least $50. =20

Have you considered proposing this to the PSP folks? I think one reason
why the Vortex failed was poor marketing and bad timing.  I personally
think it would do much better as a VST plugin...and I think you could
generate an ROI that would easily surpass that development fee in no
time. You should really talk to PSP, since you know the Vortex so well.
You could distribute an online petition that indicates the demand....go
to the people on this list, the audio/VST junkies list that Rick
moderates, etc.

PSPaudioware.com s.c.
Dzikiej Rozy 11/8
05-500 Jozefoslaw
Poland  ph.: +48 60 196 31 73
fax: +48 22 711 25 69 =20
General information  contact@PSPaudioware.com =20
Sales  sales@PSPaudioware.com =20
Technical support  support@PSPaudioware.com
or visit our support forums =20

Kris


-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Friday, September 09, 2005 4:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:RE: lexicon boxes


At 09:18 09/09/05, you wrote:
>Hey Andy, ever thought of creating a VST version of the vortex? :)

thought about it,
and costed the project.

i'll do it for =A35000

:-)

andy

ps, as the hardware flopped commercially, a recreation is unlikely.




From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 15:36:14 2005
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  ----- Original Message -----=20
  From: Wind Stick Devil=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, 09 September, 2005 15:08 PM
  Subject: Re: BEATS NOT BOMBS in San Francisco


  Hahahahahahahaha....

  << hidden agendas >>

  Look at the Right. All those bogus "think-tanks", i.e. Heritage =
Foundation. These buzzards, and those like them, have been co-opting the =
ability of Americans to think for many years. Finally, the Left has =
woken up will begin funding their own "think tanks" to counter the years =
of propaganda spewed by the Right.
And Harvard, Oxford, Brandeis - or for that matter the speciously-named =
"Citizens for the American Way" - haven't just popped up overnight, have =
they?  The Left maintains their own dream and wishes to enforce it, so =
how's that different to what you're going after?
  How does anyone know YOU know what the hell you're talking about when =
you characterize these organizations? I already heard nonsensical stuff =
coming from the Right that, for example, the MoveOn.org is a Communist =
organization.
Ah, but when I express my opinion I don't think everyone should share =
it.  As far as moveon.org goes, they're a group of people previously =
hypnotised by Al "Pay Me" Gore, who just can't get with the fact that =
it's 2005, and can't do what their domain name pretends it wants to do, =
while spamming with a nearly evangelistic ferocity.=20


  Stephen Goodman <spgoodman@earthlight.net> wrote:

      ----- Original Message -----=20
      From: Wind Stick Devil=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Friday, 09 September, 2005 13:42 PM
      Subject: Re: BEATS NOT BOMBS in San Francisco


      << Of course quite a few so-called "anti-war" types are=20
      quite often something more - "anti-democracy", or =
"anti-capitalism",=20
      "leftist", "socialist", communist", or plain old =
"anti-Republican".  >>

      And some of them like blueberry pancakes.

    Not an answer.  You don't generally hide a predilection for =
pancakes, whereas the Stop the War group is funded greatly by folks =
whose main agenda has nothing to do with the war.  That wasn't a very =
good attempt at deflection, and I didn't categorize anyone except with =
respect to a hidden agenda anyway.
      Some of them also like to sunbathe or visit museums. It's foolish =
to categorize people into one of two camps. The common practice of the =
Right to discuss, bash, trash, etc. so-called "Liberals" is a case in =
point. What the hell is a Liberal anyway? People have many =
varieties/combinations/permutations of beliefs. If I don't particularly =
believe in the efficacy of the death penalty, does that make me a =
Liberal?
    Again, irrelevant.
      It's an age-old tactic to create a "bogeyman" a la Goldstein in =
Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who =
are the bogeyman.=20
    In your case, a Straw man huh?
      The Windmeister

      Stephen Goodman <spgoodman@earthlight.net> wrote:
        Actually it becomes incumbent upon people who take on the =
"anti-war" mantle=20
        to accurately identify their political affiliation(s) so that =
the public -=20
        the people they're trying to win over to their argument - will =
know what the=20
        agenda really is. Of course quite a few so-called "anti-war" =
types are=20
        quite often something more - "anti-democracy", or =
"anti-capitalism",=20
        "leftist", "socialist", communist", or plain old =
"anti-Republican". Funny=20
        how this is rarely done. What do such folks have to hide, and =
why? Is it=20
        because their actual agenda is known to turn off people who =
would otherwise=20
        be hoodwinked effectively into supporting something which, if =
they really=20
        thought about it, may be repugnant to them? I've found a =
disturbing=20
        tendency on the part of protest movements in the past 15 years =
or so to be=20
        less concerned with whether they're VIEWED as "right" than =
whether they're=20
        actually "right" or not. For me Political Correctness (spawned =
during a=20
        particular non-Republican's term) is nothing more than the =
outgrowth of=20
        someone else's inane need to oppress others through imitation=20
        intellectualism and cooked numbers. Individuals of all kinds and =
colors=20
        tend to rebel against this when they know what it actually is, =
which is most=20
        likely why some items are often blurred a bit or put under a =
banner=20
        presenting something "more palatable" and therefore easier to =
SELL.

        Alas, honesty is still the best policy, and not just for =
"someone else". I=20
        suppose I'm some kind of "bigot" for expressing this opinion. =
Beware=20
        however - expressing an individual opinion is usually averse to =
the=20
        interests of the Left, or for that matter cults like =
Scientology.

        I was asked to play a London event in 2002 that was initially =
described to=20
        me as a "gathering of like-minded people", then it was said to =
me that it=20
        was "in the interest of peace", and finally described to me as =
an "anti-Bush=20
        rally". I persist in the belief that politics should be peoples' =
own=20
        business, and I don't care for GroupThink either. If this makes =
me a=20
        conservative, then I guess I'm one of those, but not in all =
manners. I also=20
        make it a point not to adhere to stereotypes, or other =
pre-constructed=20
        expectations. I suppose doing so could make me a "contrarian", =
or perhaps=20
        just a non-conformist. I prefer the latter.

        It's a good thing that in San Francisco (and the rest of the =
United States=20
        of America) you can't be imprisoned without trial and put to =
death just for=20
        expressing an opinion that opposes some Ayatollah's =
Fundamentalist Regime.=20
        No, Pat Robertson doesn't even come close.

        Stephen Goodman
        * Cartoons about DVDs and Stuff
        * http://www.earthlight.net/HiddenTrack
        * http://www.medialinenews.com


        ----- Original Message -----=20
        From: "Jeff Shirkey"=20
        To:=20
        Sent: Friday, 09 September, 2005 06:05 AM
        Subject: Re: BEATS NOT BOMBS in San Francisco


        >
        > On Sep 9, 2005, at 12:03 AM, Larry wrote:
        >
        >> You're dead-on, Matthew: this anti-war stuff is the typical, =
knee-jerk
        >> response of far-left-wing America-haters.
        >
        > And thanks for your own knee-jerk response that does nothing =
more than=20
        > stereotype all anti-war sentiments as the "knee jerk responses =
of=20
        > far-left-wing America-haters." Yep, I'm glad you took the time =
to think=20
        > that one through. Personally, I prefer the anti-war sentiments =
to the=20
        > pro-war ones. Call me "crazy"--or "left-wing," or "anti- =
American,"=20
        > or...(fill in the blank with your preferred stereotype of the =
moment).
        >
        > Jeff
        >
        >
        >
        >
        >
        >
        >=20


      __________________________________________________
      Do You Yahoo!?
      Tired of spam? Yahoo! Mail has the best spam protection around=20
      http://mail.yahoo.com=20

  __________________________________________________
  Do You Yahoo!?
  Tired of spam? Yahoo! Mail has the best spam protection around=20
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<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwklemmer1@yahoo.com =
href=3D"mailto:wklemmer1@yahoo.com">Wind Stick=20
  Devil</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, =
2005 15:08=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT BOMBS in =
San=20
  Francisco</DIV>
  <DIV><BR></DIV>
  <DIV>Hahahahahahahaha....</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&lt;&lt; hidden agendas &gt;&gt;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Look at the Right. All those bogus "think-tanks", i.e. Heritage=20
  Foundation. These buzzards, and those like them, have been co-opting =
the=20
  ability of Americans to think for many years. Finally, the Left has =
woken up=20
  will begin funding their own "think tanks" to counter the years of =
propaganda=20
  spewed by the Right.</DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>And Harvard, Oxford, Brandeis - or for =
that matter the=20
speciously-named "Citizens for the American Way" - haven't just popped =
up=20
overnight, have they?&nbsp; The Left maintains their own dream and =
wishes to=20
enforce it, so how's that different to what you're going =
after?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>How does anyone know YOU know what the hell you're talking about =
when you=20
  characterize these organizations? I already heard nonsensical stuff =
coming=20
  from the Right that, for example, the MoveOn.org is a Communist=20
  organization.</DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>Ah, but when I express my opinion I don't =
think=20
everyone should share it.&nbsp; As far as </FONT><FONT =
size=3D2>moveon.org goes,=20
they're a group of people previously hypnotised by Al "Pay Me" Gore, who =
just=20
can't get with the fact that it's 2005, and can't do what their domain =
name=20
pretends it wants to do, while spamming with a nearly evangelistic =
ferocity.=20
</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><BR><BR><B><I>Stephen Goodman =
&lt;spgoodman@earthlight.net&gt;</I></B>=20
  wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">
    <META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dwklemmer1@yahoo.com =
href=3D"mailto:wklemmer1@yahoo.com">Wind Stick=20
      Devil</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, =
2005=20
      13:42 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT =
BOMBS in San=20
      Francisco</DIV>
      <DIV><BR></DIV>
      <DIV>&lt;&lt; Of course quite a few so-called "anti-war" types are =

      <BR>quite often something more - "anti-democracy", or =
"anti-capitalism",=20
      <BR>"leftist", "socialist", communist", or plain old=20
      "anti-Republican".&nbsp; &gt;&gt;</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>And some of them like blueberry pancakes.</DIV>
      <DIV>&nbsp;</DIV></BLOCKQUOTE>
    <DIV dir=3Dltr><FONT size=3D2>Not an answer.&nbsp; You don't =
generally hide a=20
    predilection for pancakes, whereas the Stop the War group is funded =
greatly=20
    by folks whose main agenda has nothing to do with the war.&nbsp; =
That wasn't=20
    a very good attempt at deflection, and I didn't categorize anyone =
except=20
    with respect to a hidden agenda anyway.</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV>Some of them also like to sunbathe or visit museums. It's =
foolish to=20
      categorize people into one of two camps. The common practice of =
the Right=20
      to discuss, bash, trash, etc. so-called "Liberals" is a case in =
point.=20
      What the hell is a Liberal anyway? People have many=20
      varieties/combinations/permutations of beliefs. If I don't =
particularly=20
      believe in the efficacy of the death penalty, does that make me a=20
      Liberal?</DIV></BLOCKQUOTE>
    <DIV dir=3Dltr><FONT size=3D2>Again, irrelevant.</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV>It's an age-old tactic to create a "bogeyman" a la Goldstein =
in=20
      Orwell's '1984'. In the 21st century in the US, it's the =
"Liberals" who=20
      are the bogeyman. </DIV></BLOCKQUOTE>
    <DIV dir=3Dltr><FONT size=3D2>In your case, a Straw man =
huh?</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV>The Windmeister<BR><BR><B><I>Stephen Goodman=20
      &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
      <BLOCKQUOTE class=3Dreplbq=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid">Actually=20
        it becomes incumbent upon people who take on the "anti-war" =
mantle=20
        <BR>to accurately identify their political affiliation(s) so =
that the=20
        public - <BR>the people they're trying to win over to their =
argument -=20
        will know what the <BR>agenda really is. Of course quite a few =
so-called=20
        "anti-war" types are <BR>quite often something more - =
"anti-democracy",=20
        or "anti-capitalism", <BR>"leftist", "socialist", communist", or =
plain=20
        old "anti-Republican". Funny <BR>how this is rarely done. What =
do such=20
        folks have to hide, and why? Is it <BR>because their actual =
agenda is=20
        known to turn off people who would otherwise <BR>be hoodwinked=20
        effectively into supporting something which, if they really =
<BR>thought=20
        about it, may be repugnant to them? I've found a disturbing =
<BR>tendency=20
        on the part of protest movements in the past 15 years or so to =
be=20
        <BR>less concerned with whether they're VIEWED as "right" than =
whether=20
        they're <BR>actually "right" or not. For me Political =
Correctness=20
        (spawned during a <BR>particular non-Republican's term) is =
nothing more=20
        than the outgrowth of <BR>someone else's inane need to oppress =
others=20
        through imitation <BR>intellectualism and cooked numbers. =
Individuals of=20
        all kinds and colors <BR>tend to rebel against this when they =
know what=20
        it actually is, which is most <BR>likely why some items are =
often=20
        blurred a bit or put under a banner <BR>presenting something =
"more=20
        palatable" and therefore easier to SELL.<BR><BR>Alas, honesty is =
still=20
        the best policy, and not just for "someone else". I <BR>suppose =
I'm some=20
        kind of "bigot" for expressing this opinion. Beware <BR>however =
-=20
        expressing an individual opinion is usually averse to the =
<BR>interests=20
        of the Left, or for that matter cults like Scientology.<BR><BR>I =
was=20
        asked to play a London event in 2002 that was initially =
described to=20
        <BR>me as a "gathering of like-minded people", then it was said =
to me=20
        that it <BR>was "in the interest of peace", and finally =
described to me=20
        as an "anti-Bush <BR>rally". I persist in the belief that =
politics=20
        should be peoples' own <BR>business, and I don't care for =
GroupThink=20
        either. If this makes me a <BR>conservative, then I guess I'm =
one of=20
        those, but not in all manners. I also <BR>make it a point not to =
adhere=20
        to stereotypes, or other pre-constructed <BR>expectations. I =
suppose=20
        doing so could make me a "contrarian", or perhaps <BR>just a=20
        non-conformist. I prefer the latter.<BR><BR>It's a good thing =
that in=20
        San Francisco (and the rest of the United States <BR>of America) =
you=20
        can't be imprisoned without trial and put to death just for=20
        <BR>expressing an opinion that opposes some Ayatollah's =
Fundamentalist=20
        Regime. <BR>No, Pat Robertson doesn't even come =
close.<BR><BR>Stephen=20
        Goodman<BR>* Cartoons about DVDs and Stuff<BR>*=20
        http://www.earthlight.net/HiddenTrack<BR>*=20
        http://www.medialinenews.com<BR><BR><BR>----- Original Message =
-----=20
        <BR>From: "Jeff Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To:=20
        <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 =
September,=20
        2005 06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San=20
        Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 AM, =
Larry=20
        wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this =
anti-war stuff=20
        is the typical, knee-jerk<BR>&gt;&gt; response of far-left-wing=20
        America-haters.<BR>&gt;<BR>&gt; And thanks for your own =
knee-jerk=20
        response that does nothing more than <BR>&gt; stereotype all =
anti-war=20
        sentiments as the "knee jerk responses of <BR>&gt; far-left-wing =

        America-haters." Yep, I'm glad you took the time to think =
<BR>&gt; that=20
        one through. Personally, I prefer the anti-war sentiments to the =

        <BR>&gt; pro-war ones. Call me "crazy"--or "left-wing," or =
"anti-=20
        American," <BR>&gt; or...(fill in the blank with your preferred=20
        stereotype of the moment).<BR>&gt;<BR>&gt;=20
        Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;=20
      <BR><BR></BLOCKQUOTE>
      <P>__________________________________________________<BR>Do You=20
      Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection =
around=20
      <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BLOCKQUOTE>
  <P>__________________________________________________<BR>Do You=20
  Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection =
around=20
  <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0014_01C5B55C.9446BE10--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 15:51:49 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: BEETS NOT POMES
Date: Fri, 9 Sep 2005 10:51:18 -0500
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--Apple-Mail-12--202492829
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	charset=WINDOWS-1252;
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omg. when did he call anyone a nazi?
are u an idiot? simple comprehension woman.
___
Adrian Bartholomew
Leawood KS
On Sep 9, 2005, at 7:50 AM, Kathy Deane wrote:

> Calling someone a Natzi cause they want to change the subject is=20
> pretty raw.
>
>
>  I'll bet a lot of people in Nazi Germany expressed the same=20
> sentiments at one time.
>
> Kathy Deane <relativepictures@cox.net> wrote:
>
>  I like beets more than pomegranates...How about a new subject?
>  The polarity is disrupting the harmony of the tunes in my head.
>
>  =93Can=92t we all just get along?=94
>  Rodney King April 29, 1992
>
>  __________________________________________________
>  Do You Yahoo!?
>  Tired of spam? =A0Yahoo! Mail has the best spam protection around
>  http://mail.yahoo.com
>
>
> =20
> =20=

--Apple-Mail-12--202492829
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omg. when did he call anyone a nazi?

are u an idiot? simple comprehension woman.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 9, 2005, at 7:50 AM, Kathy Deane wrote:


<excerpt><fontfamily><param>Verdana</param>Calling someone a Natzi
cause they want to change the subject is pretty raw.</fontfamily>



<fontfamily><param>Verdana</param> I'll bet a lot of people in Nazi
Germany expressed the same sentiments at one time.</fontfamily>


<bold><italic><fontfamily><param>Verdana</param>Kathy Deane
=
<<relativepictures@cox.net></fontfamily></italic></bold><fontfamily><param=
>Verdana</param>
wrote:</fontfamily>


<fontfamily><param>Verdana</param> I like beets more than
pomegranates...How about a new subject?</fontfamily>

<fontfamily><param>Verdana</param> The polarity is disrupting the
harmony of the tunes in my head.</fontfamily>


<fontfamily><param>Verdana</param> =93Can=92t we all just get =
along?=94</fontfamily>

<fontfamily><param>Verdana</param> Rodney King April 29, =
1992</fontfamily>


<fontfamily><param>Verdana</param>
__________________________________________________</fontfamily>

<fontfamily><param>Verdana</param> Do You Yahoo!?</fontfamily>

<fontfamily><param>Verdana</param> Tired of spam? =A0Yahoo! Mail has the
best spam protection around</fontfamily>

<fontfamily><param>Verdana</param>
<color><param>0000,0000,EEEE</param>http://mail.yahoo.com</color> =
</fontfamily>



  </excerpt>=

--Apple-Mail-12--202492829--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 15:51:53 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: BEETS NOT POMES
Date: Fri, 9 Sep 2005 10:51:42 -0500
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omg. when did he call anyone a nazi?
are u an idiot? simple comprehension woman.
___
Adrian Bartholomew
Leawood KS
On Sep 9, 2005, at 7:50 AM, Kathy Deane wrote:

> Calling someone a Natzi cause they want to change the subject is=20
> pretty raw.
>
>
>  I'll bet a lot of people in Nazi Germany expressed the same=20
> sentiments at one time.
>
> Kathy Deane <relativepictures@cox.net> wrote:
>
>  I like beets more than pomegranates...How about a new subject?
>  The polarity is disrupting the harmony of the tunes in my head.
>
>  =93Can=92t we all just get along?=94
>  Rodney King April 29, 1992
>
>  __________________________________________________
>  Do You Yahoo!?
>  Tired of spam? =A0Yahoo! Mail has the best spam protection around
>  http://mail.yahoo.com
>
>
> =20
> =20=

--Apple-Mail-13--202468935
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omg. when did he call anyone a nazi?

are u an idiot? simple comprehension woman.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 9, 2005, at 7:50 AM, Kathy Deane wrote:


<excerpt><fontfamily><param>Verdana</param>Calling someone a Natzi
cause they want to change the subject is pretty raw.</fontfamily>



<fontfamily><param>Verdana</param> I'll bet a lot of people in Nazi
Germany expressed the same sentiments at one time.</fontfamily>


<bold><italic><fontfamily><param>Verdana</param>Kathy Deane
=
<<relativepictures@cox.net></fontfamily></italic></bold><fontfamily><param=
>Verdana</param>
wrote:</fontfamily>


<fontfamily><param>Verdana</param> I like beets more than
pomegranates...How about a new subject?</fontfamily>

<fontfamily><param>Verdana</param> The polarity is disrupting the
harmony of the tunes in my head.</fontfamily>


<fontfamily><param>Verdana</param> =93Can=92t we all just get =
along?=94</fontfamily>

<fontfamily><param>Verdana</param> Rodney King April 29, =
1992</fontfamily>


<fontfamily><param>Verdana</param>
__________________________________________________</fontfamily>

<fontfamily><param>Verdana</param> Do You Yahoo!?</fontfamily>

<fontfamily><param>Verdana</param> Tired of spam? =A0Yahoo! Mail has the
best spam protection around</fontfamily>

<fontfamily><param>Verdana</param>
<color><param>0000,0000,EEED</param>http://mail.yahoo.com</color> =
</fontfamily>



  </excerpt>=

--Apple-Mail-13--202468935--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 16:48:30 2005
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Date: Fri, 09 Sep 2005 09:46:50 -0700
From: Dennis Montgomery <morpheus@speakeasy.net>
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Hi all,

  I went back to the EDP manual to learn some new 'multiply' tricks last 
night.  I was trying the alternative ending of following a multiply with 
reverse (described on page 5-33) but couldn't get it to work.  I'd go 
into multiply mode and hit reverse, but the multiply would just keep 
running adding new cycles.  I tried triggering both from the footswitch 
and my midi controller but no go.  Other multiply alternate endings were 
working for me just fine.  Any ideas?

Dennis

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 17:56:05 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: BEATS NOT BOMBS in San Francisco
Date: Fri, 9 Sep 2005 13:59:29 -0400
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"Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican". "

Well, Stephen, while there are a sprinkling of "Hate America First" types
in the antiwar movement, you may not realize that, here in America, there
are a lot of regular just-plain-joes who have begun to turn against the
war...maybe it's seeing their kids come home in rubber bags.And THEN there
are those antiwar protests lead by people who have actually BEEN to war. 
~Tim




> [Original Message]
> From: Stephen Goodman <spgoodman@earthlight.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/9/2005 5:33:15 AM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
> Actually it becomes incumbent upon people who take on the "anti-war"
mantle 
> to accurately identify their political affiliation(s) so that the public
- 
> the people they're trying to win over to their argument - will know what
the 
> agenda really is.  Of course quite a few so-called "anti-war" types are 
> quite often something more - "anti-democracy", or "anti-capitalism", 
> "leftist", "socialist", communist", or plain old "anti-Republican". 
Funny 
> how this is rarely done.  What do such folks have to hide, and why?  Is
it 
> because their actual agenda is known to turn off people who would
otherwise 
> be hoodwinked effectively into supporting something which, if they really 
> thought about it, may be repugnant to them?  I've found a disturbing 
> tendency on the part of protest movements in the past 15 years or so to
be 
> less concerned with whether they're VIEWED as "right" than whether
they're 
> actually "right" or not.  For me Political Correctness (spawned during a 
> particular non-Republican's term) is nothing more than the outgrowth of 
> someone else's inane need to oppress others through imitation 
> intellectualism and cooked numbers.  Individuals of all kinds and colors 
> tend to rebel against this when they know what it actually is, which is
most 
> likely why some items are often blurred a bit or put under a banner 
> presenting something "more palatable" and therefore easier to SELL.
>
> Alas, honesty is still the best policy, and not just for "someone else". 
I 
> suppose I'm some kind of "bigot" for expressing this opinion.  Beware 
> however - expressing an individual opinion is usually averse to the 
> interests of the Left, or for that matter cults like Scientology.
>
> I was asked to play a London event in 2002 that was initially described
to 
> me as a "gathering of like-minded people", then it was said to me that it 
> was "in the interest of peace", and finally described to me as an
"anti-Bush 
> rally".  I persist in the belief that politics should be peoples' own 
> business, and I don't care for GroupThink either.  If this makes me a 
> conservative, then I guess I'm one of those, but not in all manners.  I
also 
> make it a point not to adhere to stereotypes, or other pre-constructed 
> expectations.  I suppose doing so could make me a "contrarian", or
perhaps 
> just a non-conformist.  I prefer the latter.
>
> It's a good thing that in San Francisco (and the rest of the United
States 
> of America) you can't be imprisoned without trial and put to death just
for 
> expressing an opinion that opposes some Ayatollah's Fundamentalist
Regime. 
> No, Pat Robertson doesn't even come close.
>
> Stephen Goodman
> * Cartoons about DVDs and Stuff
> * http://www.earthlight.net/HiddenTrack
> * http://www.medialinenews.com
>
>
> ----- Original Message ----- 
> From: "Jeff Shirkey" <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, 09 September, 2005 06:05 AM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
>
> >
> > On Sep 9, 2005, at 12:03 AM, Larry wrote:
> >
> >> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> >> response of far-left-wing America-haters.
> >
> > And thanks for your own knee-jerk response that does nothing more  than 
> > stereotype all anti-war sentiments as the "knee jerk responses  of 
> > far-left-wing America-haters." Yep, I'm glad you took the time to 
think 
> > that one through. Personally, I prefer the anti-war sentiments  to the 
> > pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> > or...(fill in the blank with your preferred stereotype of  the moment).
> >
> > Jeff
> >
> >
> >
> >
> >
> >
> > 


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 17:56:49 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Tim's footswitch was Re: lexicon boxes (vortex for $5)
Date: Fri, 9 Sep 2005 14:00:16 -0400
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Thanks for your time, Andy.
~Tim


> [Original Message]
> From: a k butler <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/9/2005 6:19:22 AM
> Subject: Tim's footswitch was Re: lexicon boxes (vortex for $5)
>
> At 09:18 09/09/05, you wrote:
> >Hi Andy:
> >
> >I luv my Vortex but it has a small glitch that I was wondering if I could
> >ask you about: when I use the original 2-button footswitch to take it in
> >and out of bypass, it sometimes takes 2 pushes, like it's thinking about
> >it.
> >All else is great, as the unit was gently used by its previous owner.
> >Any ideas?
>
> I'd open up the footswitch, check everything is correctly assembled,
> and spray the switches.
>
> Those switches can double trigger,
> but after cleaning and regular use they get better.
>
> andy
> www.andybutler.com for vortex info, mp3s, and livelooping cd
>
>
>
> >Cheerios,
> >TimMungenast


From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 18:34:49 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Lexicon Answers
Date: Fri, 9 Sep 2005 14:38:15 -0400
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Hi Gang:
I spoke to my Lexicon buddy and here's what he said (cut-n-pasted below):

"You can try getting support for the MPX500 and the PCM81 at the Lexicon Pro website:
http://www.lexiconpro.com
For older stuff -- like the Vortex -- you might need to go to a local mom-and-pop electronics shop.  I hear that Jim Fabiano is a good repair guy for old Lexicon gear.  His website follows:
http://www.jimfabiano.com/ "

Hope this helps. I may check 'em out if my Lexi boxes blow up.
Sonic Luv,
Tim Mungenast
------=_NextPart_84815C5ABAF209EF376268C8
Content-Type: text/html; charset=US-ASCII

<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
<META http-equiv=Content-Type content="text/html; charset=windows-1251">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY>
<P>
<DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000>Hi Gang:</FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000>I spoke to my Lexicon buddy and here's what he said (cut-n-pasted below):</FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000>"You can try getting support for the MPX500 and the PCM81 at the Lexicon Pro website:</FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005></SPAN><SPAN class=791474316-09092005><FONT face=Arial color=#800000><A href="http://www.lexiconpro.com">http://www.lexiconpro.com</A></FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000>For older stuff -- like the Vortex -- you might need to go to a local mom-and-pop electronics shop.&nbsp; I hear that Jim Fabiano is a good repair guy for old Lexicon gear.&nbsp; His website follows:</FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005></SPAN><SPAN class=791474316-09092005><FONT face=Arial color=#800000><A href="http://www.jimfabiano.com/">http://www.jimfabiano.com/</A>&nbsp;"</FONT></SPAN></DIV>
<DIV><SPAN class=791474316-09092005><FONT face=Arial color=#800000></FONT></SPAN>&nbsp;</DIV></DIV>
<DIV>Hope this helps. I may check 'em out if&nbsp;my Lexi boxes blow up.</DIV>
<DIV>Sonic Luv,</DIV>
<DIV>Tim Mungenast</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
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From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: BEATS NOT BOMBS in San Francisco
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ABSOLUTE POWER!!!  ect...

Timothy Mungenast <mungenast@earthlink.net> wrote:"Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican". "

Well, Stephen, while there are a sprinkling of "Hate America First" types
in the antiwar movement, you may not realize that, here in America, there
are a lot of regular just-plain-joes who have begun to turn against the
war...maybe it's seeing their kids come home in rubber bags.And THEN there
are those antiwar protests lead by people who have actually BEEN to war. 
~Tim




> [Original Message]
> From: Stephen Goodman 
> To: 
> Date: 9/9/2005 5:33:15 AM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
> Actually it becomes incumbent upon people who take on the "anti-war"
mantle 
> to accurately identify their political affiliation(s) so that the public
- 
> the people they're trying to win over to their argument - will know what
the 
> agenda really is. Of course quite a few so-called "anti-war" types are 
> quite often something more - "anti-democracy", or "anti-capitalism", 
> "leftist", "socialist", communist", or plain old "anti-Republican". 
Funny 
> how this is rarely done. What do such folks have to hide, and why? Is
it 
> because their actual agenda is known to turn off people who would
otherwise 
> be hoodwinked effectively into supporting something which, if they really 
> thought about it, may be repugnant to them? I've found a disturbing 
> tendency on the part of protest movements in the past 15 years or so to
be 
> less concerned with whether they're VIEWED as "right" than whether
they're 
> actually "right" or not. For me Political Correctness (spawned during a 
> particular non-Republican's term) is nothing more than the outgrowth of 
> someone else's inane need to oppress others through imitation 
> intellectualism and cooked numbers. Individuals of all kinds and colors 
> tend to rebel against this when they know what it actually is, which is
most 
> likely why some items are often blurred a bit or put under a banner 
> presenting something "more palatable" and therefore easier to SELL.
>
> Alas, honesty is still the best policy, and not just for "someone else". 
I 
> suppose I'm some kind of "bigot" for expressing this opinion. Beware 
> however - expressing an individual opinion is usually averse to the 
> interests of the Left, or for that matter cults like Scientology.
>
> I was asked to play a London event in 2002 that was initially described
to 
> me as a "gathering of like-minded people", then it was said to me that it 
> was "in the interest of peace", and finally described to me as an
"anti-Bush 
> rally". I persist in the belief that politics should be peoples' own 
> business, and I don't care for GroupThink either. If this makes me a 
> conservative, then I guess I'm one of those, but not in all manners. I
also 
> make it a point not to adhere to stereotypes, or other pre-constructed 
> expectations. I suppose doing so could make me a "contrarian", or
perhaps 
> just a non-conformist. I prefer the latter.
>
> It's a good thing that in San Francisco (and the rest of the United
States 
> of America) you can't be imprisoned without trial and put to death just
for 
> expressing an opinion that opposes some Ayatollah's Fundamentalist
Regime. 
> No, Pat Robertson doesn't even come close.
>
> Stephen Goodman
> * Cartoons about DVDs and Stuff
> * http://www.earthlight.net/HiddenTrack
> * http://www.medialinenews.com
>
>
> ----- Original Message ----- 
> From: "Jeff Shirkey" 
> To: 
> Sent: Friday, 09 September, 2005 06:05 AM
> Subject: Re: BEATS NOT BOMBS in San Francisco
>
>
> >
> > On Sep 9, 2005, at 12:03 AM, Larry wrote:
> >
> >> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> >> response of far-left-wing America-haters.
> >
> > And thanks for your own knee-jerk response that does nothing more than 
> > stereotype all anti-war sentiments as the "knee jerk responses of 
> > far-left-wing America-haters." Yep, I'm glad you took the time to 
think 
> > that one through. Personally, I prefer the anti-war sentiments to the 
> > pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> > or...(fill in the blank with your preferred stereotype of the moment).
> >
> > Jeff
> >
> >
> >
> >
> >
> >
> > 




		
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<DIV>ABSOLUTE POWER!!!&nbsp; ect...<BR><BR><B><I>Timothy Mungenast &lt;mungenast@earthlink.net&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">"Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican". "<BR><BR>Well, Stephen, while there are a sprinkling of "Hate America First" types<BR>in the antiwar movement, you may not realize that, here in America, there<BR>are a lot of regular just-plain-joes who have begun to turn against the<BR>war...maybe it's seeing their kids come home in rubber bags.And THEN there<BR>are those antiwar protests lead by people who have actually BEEN to war. <BR>~Tim<BR><BR><BR><BR><BR>&gt; [Original Message]<BR>&gt; From: Stephen Goodman <SPGOODMAN@EARTHLIGHT.NET><BR>&gt; To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>&gt; Date: 9/9/2005 5:33:15 AM<BR>&gt; Subject: Re: BEATS NOT BOMBS in San Francisco<BR>&gt;<BR>&gt; Actually it becomes incumbent upon people who
 take on the "anti-war"<BR>mantle <BR>&gt; to accurately identify their political affiliation(s) so that the public<BR>- <BR>&gt; the people they're trying to win over to their argument - will know what<BR>the <BR>&gt; agenda really is. Of course quite a few so-called "anti-war" types are <BR>&gt; quite often something more - "anti-democracy", or "anti-capitalism", <BR>&gt; "leftist", "socialist", communist", or plain old "anti-Republican". <BR>Funny <BR>&gt; how this is rarely done. What do such folks have to hide, and why? Is<BR>it <BR>&gt; because their actual agenda is known to turn off people who would<BR>otherwise <BR>&gt; be hoodwinked effectively into supporting something which, if they really <BR>&gt; thought about it, may be repugnant to them? I've found a disturbing <BR>&gt; tendency on the part of protest movements in the past 15 years or so to<BR>be <BR>&gt; less concerned with whether they're VIEWED as "right" than whether<BR>they're <BR>&gt; actually "right" or not.
 For me Political Correctness (spawned during a <BR>&gt; particular non-Republican's term) is nothing more than the outgrowth of <BR>&gt; someone else's inane need to oppress others through imitation <BR>&gt; intellectualism and cooked numbers. Individuals of all kinds and colors <BR>&gt; tend to rebel against this when they know what it actually is, which is<BR>most <BR>&gt; likely why some items are often blurred a bit or put under a banner <BR>&gt; presenting something "more palatable" and therefore easier to SELL.<BR>&gt;<BR>&gt; Alas, honesty is still the best policy, and not just for "someone else". <BR>I <BR>&gt; suppose I'm some kind of "bigot" for expressing this opinion. Beware <BR>&gt; however - expressing an individual opinion is usually averse to the <BR>&gt; interests of the Left, or for that matter cults like Scientology.<BR>&gt;<BR>&gt; I was asked to play a London event in 2002 that was initially described<BR>to <BR>&gt; me as a "gathering of like-minded people",
 then it was said to me that it <BR>&gt; was "in the interest of peace", and finally described to me as an<BR>"anti-Bush <BR>&gt; rally". I persist in the belief that politics should be peoples' own <BR>&gt; business, and I don't care for GroupThink either. If this makes me a <BR>&gt; conservative, then I guess I'm one of those, but not in all manners. I<BR>also <BR>&gt; make it a point not to adhere to stereotypes, or other pre-constructed <BR>&gt; expectations. I suppose doing so could make me a "contrarian", or<BR>perhaps <BR>&gt; just a non-conformist. I prefer the latter.<BR>&gt;<BR>&gt; It's a good thing that in San Francisco (and the rest of the United<BR>States <BR>&gt; of America) you can't be imprisoned without trial and put to death just<BR>for <BR>&gt; expressing an opinion that opposes some Ayatollah's Fundamentalist<BR>Regime. <BR>&gt; No, Pat Robertson doesn't even come close.<BR>&gt;<BR>&gt; Stephen Goodman<BR>&gt; * Cartoons about DVDs and Stuff<BR>&gt; *
 http://www.earthlight.net/HiddenTrack<BR>&gt; * http://www.medialinenews.com<BR>&gt;<BR>&gt;<BR>&gt; ----- Original Message ----- <BR>&gt; From: "Jeff Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>&gt; To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>&gt; Sent: Friday, 09 September, 2005 06:05 AM<BR>&gt; Subject: Re: BEATS NOT BOMBS in San Francisco<BR>&gt;<BR>&gt;<BR>&gt; &gt;<BR>&gt; &gt; On Sep 9, 2005, at 12:03 AM, Larry wrote:<BR>&gt; &gt;<BR>&gt; &gt;&gt; You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk<BR>&gt; &gt;&gt; response of far-left-wing America-haters.<BR>&gt; &gt;<BR>&gt; &gt; And thanks for your own knee-jerk response that does nothing more than <BR>&gt; &gt; stereotype all anti-war sentiments as the "knee jerk responses of <BR>&gt; &gt; far-left-wing America-haters." Yep, I'm glad you took the time to <BR>think <BR>&gt; &gt; that one through. Personally, I prefer the anti-war sentiments to the <BR>&gt; &gt; pro-war ones. Call me "crazy"--or
 "left-wing," or "anti- American," <BR>&gt; &gt; or...(fill in the blank with your preferred stereotype of the moment).<BR>&gt; &gt;<BR>&gt; &gt; Jeff<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt; <BR><BR><BR></BLOCKQUOTE></DIV><p>
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anyone who unsubsribes to this this list is more than a dork

burnett@pobox.com wrote:On Thu, 8 Sep 2005, Barry Silverman wrote:

> unsubscribe

Again, then:

From
http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

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you and you will feel like a dork."

best,
Steve B
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Fukadugalon, Audio Arcade, etc.



		
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<DIV>anyone who unsubsribes to this this list is more than a dork<BR><BR><B><I>burnett@pobox.com</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Thu, 8 Sep 2005, Barry Silverman wrote:<BR><BR>&gt; unsubscribe<BR><BR>Again, then:<BR><BR>From<BR>http://www.loopers-delight.com/list/LoopList.html<BR><BR>"To unsubscribe, send mail with the word "unsubscribe" in both the subject<BR>and body, and no sig files or anything else, to:<BR><BR>Loopers-Delight-request@loopers-delight.com<BR><BR><BR>If you are on the digest version of Looper's Delight, send your <BR>unsubscribe<BR>request to:<BR><BR>Loopers-Delight-d-request@loopers-delight.com<BR><BR><BR>Don't send your unsubscribe message to the list, or people will make fun <BR>of<BR>you and you will feel like a dork."<BR><BR>best,<BR>Steve B<BR>Phasmatodea http;//www.phasmatodea.net/<BR>Subscape Annex http://www.subscapeannex.com/<BR>Fukadugalon, Audio Arcade, etc.<BR><BR></BLOCKQUOTE></DIV><p>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 22:46:18 2005
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Date: Fri, 9 Sep 2005 18:46:06 EDT
Subject: Re:  very very OT was BEATS NOT BOMBS
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http://www.tompaine.com/articles/20050909/911_and_the_sport_of_god.php

http://www.counterpunch.org/floyd09012005.html

http://www.counterpunch.org/floyd09072005.html



b

From Loopers-Delight-request@loopers-delight.com  Fri Sep  9 23:47:09 2005
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From: Wind Stick Devil <wklemmer1@yahoo.com>
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<< And Harvard, Oxford, Brandeis - or for that matter the speciously-named "Citizens for the American Way >>
 
A bogus comeback and you know it. You brainwashed Rightwingers just can't face the reality of the reality you're living in. No matter how goddamn awful the Bush administration performs, you Righties cast your eyes away and make excuses. AND YET, when a Democrat was leading this country (very well, I may say), you nitpicked on ever little m*otherf*cking thing. Or did you blank those moments out?

Stephen Goodman <spgoodman@earthlight.net> wrote:
 
----- Original Message ----- 
From: Wind Stick Devil 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, 09 September, 2005 15:08 PM
Subject: Re: BEATS NOT BOMBS in San Francisco


Hahahahahahahaha....
 
<< hidden agendas >>
 
Look at the Right. All those bogus "think-tanks", i.e. Heritage Foundation. These buzzards, and those like them, have been co-opting the ability of Americans to think for many years. Finally, the Left has woken up will begin funding their own "think tanks" to counter the years of propaganda spewed by the Right.
And Harvard, Oxford, Brandeis - or for that matter the speciously-named "Citizens for the American Way" - haven't just popped up overnight, have they?  The Left maintains their own dream and wishes to enforce it, so how's that different to what you're going after?
How does anyone know YOU know what the hell you're talking about when you characterize these organizations? I already heard nonsensical stuff coming from the Right that, for example, the MoveOn.org is a Communist organization.
Ah, but when I express my opinion I don't think everyone should share it.  As far as moveon.org goes, they're a group of people previously hypnotised by Al "Pay Me" Gore, who just can't get with the fact that it's 2005, and can't do what their domain name pretends it wants to do, while spamming with a nearly evangelistic ferocity. 


Stephen Goodman <spgoodman@earthlight.net> wrote:
 
----- Original Message ----- 
From: Wind Stick Devil 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, 09 September, 2005 13:42 PM
Subject: Re: BEATS NOT BOMBS in San Francisco


<< Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican".  >>
 
And some of them like blueberry pancakes.
 
Not an answer.  You don't generally hide a predilection for pancakes, whereas the Stop the War group is funded greatly by folks whose main agenda has nothing to do with the war.  That wasn't a very good attempt at deflection, and I didn't categorize anyone except with respect to a hidden agenda anyway.
Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?
Again, irrelevant.
It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. 
In your case, a Straw man huh?
The Windmeister

Stephen Goodman <spgoodman@earthlight.net> wrote:
Actually it becomes incumbent upon people who take on the "anti-war" mantle 
to accurately identify their political affiliation(s) so that the public - 
the people they're trying to win over to their argument - will know what the 
agenda really is. Of course quite a few so-called "anti-war" types are 
quite often something more - "anti-democracy", or "anti-capitalism", 
"leftist", "socialist", communist", or plain old "anti-Republican". Funny 
how this is rarely done. What do such folks have to hide, and why? Is it 
because their actual agenda is known to turn off people who would otherwise 
be hoodwinked effectively into supporting something which, if they really 
thought about it, may be repugnant to them? I've found a disturbing 
tendency on the part of protest movements in the past 15 years or so to be 
less concerned with whether they're VIEWED as "right" than whether they're 
actually "right" or not. For me Political Correctness (spawned during a 
particular non-Republican's term) is nothing more than the outgrowth of 
someone else's inane need to oppress others through imitation 
intellectualism and cooked numbers. Individuals of all kinds and colors 
tend to rebel against this when they know what it actually is, which is most 
likely why some items are often blurred a bit or put under a banner 
presenting something "more palatable" and therefore easier to SELL.

Alas, honesty is still the best policy, and not just for "someone else". I 
suppose I'm some kind of "bigot" for expressing this opinion. Beware 
however - expressing an individual opinion is usually averse to the 
interests of the Left, or for that matter cults like Scientology.

I was asked to play a London event in 2002 that was initially described to 
me as a "gathering of like-minded people", then it was said to me that it 
was "in the interest of peace", and finally described to me as an "anti-Bush 
rally". I persist in the belief that politics should be peoples' own 
business, and I don't care for GroupThink either. If this makes me a 
conservative, then I guess I'm one of those, but not in all manners. I also 
make it a point not to adhere to stereotypes, or other pre-constructed 
expectations. I suppose doing so could make me a "contrarian", or perhaps 
just a non-conformist. I prefer the latter.

It's a good thing that in San Francisco (and the rest of the United States 
of America) you can't be imprisoned without trial and put to death just for 
expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. 
No, Pat Robertson doesn't even come close.

Stephen Goodman
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* http://www.medialinenews.com


----- Original Message ----- 
From: "Jeff Shirkey" 
To: 
Sent: Friday, 09 September, 2005 06:05 AM
Subject: Re: BEATS NOT BOMBS in San Francisco


>
> On Sep 9, 2005, at 12:03 AM, Larry wrote:
>
>> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
>> response of far-left-wing America-haters.
>
> And thanks for your own knee-jerk response that does nothing more than 
> stereotype all anti-war sentiments as the "knee jerk responses of 
> far-left-wing America-haters." Yep, I'm glad you took the time to think 
> that one through. Personally, I prefer the anti-war sentiments to the 
> pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," 
> or...(fill in the blank with your preferred stereotype of the moment).
>
> Jeff
>
>
>
>
>
>
> 


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<DIV>&lt;&lt; And Harvard, Oxford, Brandeis - or for that matter the speciously-named "Citizens for the American Way &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>A bogus comeback and you know it. You brainwashed Rightwingers just can't face the reality of the reality you're living in. No matter how goddamn awful the Bush administration performs, you Righties cast your eyes away and make excuses. AND YET, when a Democrat was leading this country (very well, I may say), you nitpicked on ever little m*otherf*cking thing. Or did you blank those moments out?<BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 6.00.2900.2722" name=GENERATOR>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=wklemmer1@yahoo.com href="mailto:wklemmer1@yahoo.com">Wind Stick Devil</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, 2005 15:08 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT BOMBS in San Francisco</DIV>
<DIV><BR></DIV>
<DIV>Hahahahahahahaha....</DIV>
<DIV>&nbsp;</DIV>
<DIV>&lt;&lt; hidden agendas &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Look at the Right. All those bogus "think-tanks", i.e. Heritage Foundation. These buzzards, and those like them, have been co-opting the ability of Americans to think for many years. Finally, the Left has woken up will begin funding their own "think tanks" to counter the years of propaganda spewed by the Right.</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>And Harvard, Oxford, Brandeis - or for that matter the speciously-named "Citizens for the American Way" - haven't just popped up overnight, have they?&nbsp; The Left maintains their own dream and wishes to enforce it, so how's that different to what you're going after?</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>How does anyone know YOU know what the hell you're talking about when you characterize these organizations? I already heard nonsensical stuff coming from the Right that, for example, the MoveOn.org is a Communist organization.</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>Ah, but when I express my opinion I don't think everyone should share it.&nbsp; As far as </FONT><FONT size=2>moveon.org goes, they're a group of people previously hypnotised by Al "Pay Me" Gore, who just can't get with the fact that it's 2005, and can't do what their domain name pretends it wants to do, while spamming with a nearly evangelistic ferocity. </FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV><BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 6.00.2900.2722" name=GENERATOR>
<STYLE></STYLE>

<DIV><FONT size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=wklemmer1@yahoo.com href="mailto:wklemmer1@yahoo.com">Wind Stick Devil</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, 2005 13:42 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT BOMBS in San Francisco</DIV>
<DIV><BR></DIV>
<DIV>&lt;&lt; Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican".&nbsp; &gt;&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>And some of them like blueberry pancakes.</DIV>
<DIV>&nbsp;</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>Not an answer.&nbsp; You don't generally hide a predilection for pancakes, whereas the Stop the War group is funded greatly by folks whose main agenda has nothing to do with the war.&nbsp; That wasn't a very good attempt at deflection, and I didn't categorize anyone except with respect to a hidden agenda anyway.</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>Some of them also like to sunbathe or visit museums. It's foolish to categorize people into one of two camps. The common practice of the Right to discuss, bash, trash, etc. so-called "Liberals" is a case in point. What the hell is a Liberal anyway? People have many varieties/combinations/permutations of beliefs. If I don't particularly believe in the efficacy of the death penalty, does that make me a Liberal?</DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>Again, irrelevant.</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>It's an age-old tactic to create a "bogeyman" a la Goldstein in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" who are the bogeyman. </DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT size=2>In your case, a Straw man huh?</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>The Windmeister<BR><BR><B><I>Stephen Goodman &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Actually it becomes incumbent upon people who take on the "anti-war" mantle <BR>to accurately identify their political affiliation(s) so that the public - <BR>the people they're trying to win over to their argument - will know what the <BR>agenda really is. Of course quite a few so-called "anti-war" types are <BR>quite often something more - "anti-democracy", or "anti-capitalism", <BR>"leftist", "socialist", communist", or plain old "anti-Republican". Funny <BR>how this is rarely done. What do such folks have to hide, and why? Is it <BR>because their actual agenda is known to turn off people who would otherwise <BR>be hoodwinked effectively into supporting something which, if they really <BR>thought about it, may be repugnant to them? I've found a disturbing <BR>tendency on the part of protest movements in the past 15 years or so to be <BR>less concerned with whether they're VIEWED as
 "right" than whether they're <BR>actually "right" or not. For me Political Correctness (spawned during a <BR>particular non-Republican's term) is nothing more than the outgrowth of <BR>someone else's inane need to oppress others through imitation <BR>intellectualism and cooked numbers. Individuals of all kinds and colors <BR>tend to rebel against this when they know what it actually is, which is most <BR>likely why some items are often blurred a bit or put under a banner <BR>presenting something "more palatable" and therefore easier to SELL.<BR><BR>Alas, honesty is still the best policy, and not just for "someone else". I <BR>suppose I'm some kind of "bigot" for expressing this opinion. Beware <BR>however - expressing an individual opinion is usually averse to the <BR>interests of the Left, or for that matter cults like Scientology.<BR><BR>I was asked to play a London event in 2002 that was initially described to <BR>me as a "gathering of like-minded people", then it was said to me
 that it <BR>was "in the interest of peace", and finally described to me as an "anti-Bush <BR>rally". I persist in the belief that politics should be peoples' own <BR>business, and I don't care for GroupThink either. If this makes me a <BR>conservative, then I guess I'm one of those, but not in all manners. I also <BR>make it a point not to adhere to stereotypes, or other pre-constructed <BR>expectations. I suppose doing so could make me a "contrarian", or perhaps <BR>just a non-conformist. I prefer the latter.<BR><BR>It's a good thing that in San Francisco (and the rest of the United States <BR>of America) you can't be imprisoned without trial and put to death just for <BR>expressing an opinion that opposes some Ayatollah's Fundamentalist Regime. <BR>No, Pat Robertson doesn't even come close.<BR><BR>Stephen Goodman<BR>* Cartoons about DVDs and Stuff<BR>* http://www.earthlight.net/HiddenTrack<BR>* http://www.medialinenews.com<BR><BR><BR>----- Original Message ----- <BR>From: "Jeff
 Shirkey" <JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 September, 2005 06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 AM, Larry wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk<BR>&gt;&gt; response of far-left-wing America-haters.<BR>&gt;<BR>&gt; And thanks for your own knee-jerk response that does nothing more than <BR>&gt; stereotype all anti-war sentiments as the "knee jerk responses of <BR>&gt; far-left-wing America-haters." Yep, I'm glad you took the time to think <BR>&gt; that one through. Personally, I prefer the anti-war sentiments to the <BR>&gt; pro-war ones. Call me "crazy"--or "left-wing," or "anti- American," <BR>&gt; or...(fill in the blank with your preferred stereotype of the moment).<BR>&gt;<BR>&gt; Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; <BR><BR></BLOCKQUOTE>
<P>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BLOCKQUOTE>
<P>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BLOCKQUOTE><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
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  << And Harvard, Oxford, Brandeis - or for that matter the =
speciously-named "Citizens for the American Way >>

  A bogus comeback and you know it.
In whose interpretation?  Again, it seems very important to you to not =
only express your opinion, but drive it into other peoples' heads as =
well.  This is one of the characteristics of insecurity of belief.  Like =
some evangelicals to an extent, actually.
  You brainwashed Rightwingers just can't face the reality of the =
reality you're living in.
And only you can define what that is for us, is that right?
  No matter how goddamn awful the Bush administration performs, you =
Righties cast your eyes away and make excuses.
That's an echo of the years 1992-2000.  Of course Bubba was a great =
president!  Say it enough but it won't become true.
  AND YET, when a Democrat was leading this country (very well, I may =
say)
That was predictable, though misguided.
  , you nitpicked on ever little m*otherf*cking thing. Or did you blank =
those moments out?
Rwanda and the rest of every 'military' action between 1992-2000?  The =
under-the-table deals with the Chinese?  The stalking of critics?  The =
secret deal with the IRS giving Scientology tax-exempt "religion" =
status?  The dubious death of staff?  No, don't think I'll ever forget =
that.

Stephen Goodman <spgoodman@earthlight.net> wrote:

      ----- Original Message -----=20
      From: Wind Stick Devil=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Friday, 09 September, 2005 15:08 PM
      Subject: Re: BEATS NOT BOMBS in San Francisco


      Hahahahahahahaha....

      << hidden agendas >>

      Look at the Right. All those bogus "think-tanks", i.e. Heritage =
Foundation. These buzzards, and those like them, have been co-opting the =
ability of Americans to think for many years. Finally, the Left has =
woken up will begin funding their own "think tanks" to counter the years =
of propaganda spewed by the Right.
    And Harvard, Oxford, Brandeis - or for that matter the =
speciously-named "Citizens for the American Way" - haven't just popped =
up overnight, have they?  The Left maintains their own dream and wishes =
to enforce it, so how's that different to what you're going after?
      How does anyone know YOU know what the hell you're talking about =
when you characterize these organizations? I already heard nonsensical =
stuff coming from the Right that, for example, the MoveOn.org is a =
Communist organization.
    Ah, but when I express my opinion I don't think everyone should =
share it.  As far as moveon.org goes, they're a group of people =
previously hypnotised by Al "Pay Me" Gore, who just can't get with the =
fact that it's 2005, and can't do what their domain name pretends it =
wants to do, while spamming with a nearly evangelistic ferocity.=20


      Stephen Goodman <spgoodman@earthlight.net> wrote:

          ----- Original Message -----=20
          From: Wind Stick Devil=20
          To: Loopers-Delight@loopers-delight.com=20
          Sent: Friday, 09 September, 2005 13:42 PM
          Subject: Re: BEATS NOT BOMBS in San Francisco


          << Of course quite a few so-called "anti-war" types are=20
          quite often something more - "anti-democracy", or =
"anti-capitalism",=20
          "leftist", "socialist", communist", or plain old =
"anti-Republican".  >>

          And some of them like blueberry pancakes.

        Not an answer.  You don't generally hide a predilection for =
pancakes, whereas the Stop the War group is funded greatly by folks =
whose main agenda has nothing to do with the war.  That wasn't a very =
good attempt at deflection, and I didn't categorize anyone except with =
respect to a hidden agenda anyway.
          Some of them also like to sunbathe or visit museums. It's =
foolish to categorize people into one of two camps. The common practice =
of the Right to discuss, bash, trash, etc. so-called "Liberals" is a =
case in point. What the hell is a Liberal anyway? People have many =
varieties/combinations/permutations of beliefs. If I don't particularly =
believe in the efficacy of the death penalty, does that make me a =
Liberal?
        Again, irrelevant.
          It's an age-old tactic to create a "bogeyman" a la Goldstein =
in Orwell's '1984'. In the 21st century in the US, it's the "Liberals" =
who are the bogeyman.=20
        In your case, a Straw man huh?
          The Windmeister

          Stephen Goodman <spgoodman@earthlight.net> wrote:
            Actually it becomes incumbent upon people who take on the =
"anti-war" mantle=20
            to accurately identify their political affiliation(s) so =
that the public -=20
            the people they're trying to win over to their argument - =
will know what the=20
            agenda really is. Of course quite a few so-called "anti-war" =
types are=20
            quite often something more - "anti-democracy", or =
"anti-capitalism",=20
            "leftist", "socialist", communist", or plain old =
"anti-Republican". Funny=20
            how this is rarely done. What do such folks have to hide, =
and why? Is it=20
            because their actual agenda is known to turn off people who =
would otherwise=20
            be hoodwinked effectively into supporting something which, =
if they really=20
            thought about it, may be repugnant to them? I've found a =
disturbing=20
            tendency on the part of protest movements in the past 15 =
years or so to be=20
            less concerned with whether they're VIEWED as "right" than =
whether they're=20
            actually "right" or not. For me Political Correctness =
(spawned during a=20
            particular non-Republican's term) is nothing more than the =
outgrowth of=20
            someone else's inane need to oppress others through =
imitation=20
            intellectualism and cooked numbers. Individuals of all kinds =
and colors=20
            tend to rebel against this when they know what it actually =
is, which is most=20
            likely why some items are often blurred a bit or put under a =
banner=20
            presenting something "more palatable" and therefore easier =
to SELL.

            Alas, honesty is still the best policy, and not just for =
"someone else". I=20
            suppose I'm some kind of "bigot" for expressing this =
opinion. Beware=20
            however - expressing an individual opinion is usually averse =
to the=20
            interests of the Left, or for that matter cults like =
Scientology.

            I was asked to play a London event in 2002 that was =
initially described to=20
            me as a "gathering of like-minded people", then it was said =
to me that it=20
            was "in the interest of peace", and finally described to me =
as an "anti-Bush=20
            rally". I persist in the belief that politics should be =
peoples' own=20
            business, and I don't care for GroupThink either. If this =
makes me a=20
            conservative, then I guess I'm one of those, but not in all =
manners. I also=20
            make it a point not to adhere to stereotypes, or other =
pre-constructed=20
            expectations. I suppose doing so could make me a =
"contrarian", or perhaps=20
            just a non-conformist. I prefer the latter.

            It's a good thing that in San Francisco (and the rest of the =
United States=20
            of America) you can't be imprisoned without trial and put to =
death just for=20
            expressing an opinion that opposes some Ayatollah's =
Fundamentalist Regime.=20
            No, Pat Robertson doesn't even come close.

            Stephen Goodman
            * Cartoons about DVDs and Stuff
            * http://www.earthlight.net/HiddenTrack
            * http://www.medialinenews.com


            ----- Original Message -----=20
            From: "Jeff Shirkey"=20
            To:=20
            Sent: Friday, 09 September, 2005 06:05 AM
            Subject: Re: BEATS NOT BOMBS in San Francisco


            >
            > On Sep 9, 2005, at 12:03 AM, Larry wrote:
            >
            >> You're dead-on, Matthew: this anti-war stuff is the =
typical, knee-jerk
            >> response of far-left-wing America-haters.
            >
            > And thanks for your own knee-jerk response that does =
nothing more than=20
            > stereotype all anti-war sentiments as the "knee jerk =
responses of=20
            > far-left-wing America-haters." Yep, I'm glad you took the =
time to think=20
            > that one through. Personally, I prefer the anti-war =
sentiments to the=20
            > pro-war ones. Call me "crazy"--or "left-wing," or "anti- =
American,"=20
            > or...(fill in the blank with your preferred stereotype of =
the moment).
            >
            > Jeff
            >
            >
            >
            >
            >
            >
            >=20


          __________________________________________________
          Do You Yahoo!?
          Tired of spam? Yahoo! Mail has the best spam protection around =

          http://mail.yahoo.com=20

      __________________________________________________
      Do You Yahoo!?
      Tired of spam? Yahoo! Mail has the best spam protection around=20
      http://mail.yahoo.com=20

  __________________________________________________
  Do You Yahoo!?
  Tired of spam? Yahoo! Mail has the best spam protection around=20
  http://mail.yahoo.com=20

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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV>&lt;&lt; And Harvard, Oxford, Brandeis - or for that matter the=20
  speciously-named "Citizens for the American Way &gt;&gt;</DIV>
  <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
  <DIV>A bogus comeback and you know it.</DIV></BLOCKQUOTE>
<DIV dir=3Dltr><FONT size=3D2>In whose interpretation?&nbsp; Again, it =
seems very=20
important to you to not only express your opinion, but drive it into =
other=20
peoples' heads as well.&nbsp; This is one of the characteristics of =
insecurity=20
of belief.&nbsp; Like some evangelicals to an extent, =
actually.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>You brainwashed Rightwingers just can't face the reality of the =
reality=20
  you're living in.</DIV></BLOCKQUOTE>
<DIV dir=3Dltr>And only you can define what that is for us, is that =
right?</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>No matter how goddamn awful the Bush administration performs, you =

  Righties cast your eyes away and make excuses.</DIV></BLOCKQUOTE>
<DIV dir=3Dltr>That's an echo of the years 1992-2000.&nbsp; Of course =
Bubba was a=20
great president!&nbsp; Say it enough but it won't become true.</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>AND YET, when a Democrat was leading this country (very well, I =
may=20
  say)</DIV></BLOCKQUOTE>
<DIV dir=3Dltr>That was predictable, though misguided.</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>, you nitpicked on ever little m*otherf*cking thing. Or did you =
blank=20
  those moments out?</DIV></BLOCKQUOTE>
<DIV dir=3Dltr>Rwanda and the rest of every 'military' action between=20
1992-2000?&nbsp; The under-the-table deals with the Chinese?&nbsp; The =
stalking=20
of critics?&nbsp; The secret deal with the IRS giving Scientology =
tax-exempt=20
"religion" status?&nbsp; The dubious death of staff?&nbsp; No, don't =
think I'll=20
ever forget that.<BR><BR><B><I>Stephen Goodman=20
&lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">
    <META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dwklemmer1@yahoo.com =
href=3D"mailto:wklemmer1@yahoo.com">Wind Stick=20
      Devil</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, 09 September, =
2005=20
      15:08 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT =
BOMBS in San=20
      Francisco</DIV>
      <DIV><BR></DIV>
      <DIV>Hahahahahahahaha....</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>&lt;&lt; hidden agendas &gt;&gt;</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>Look at the Right. All those bogus "think-tanks", i.e. =
Heritage=20
      Foundation. These buzzards, and those like them, have been =
co-opting the=20
      ability of Americans to think for many years. Finally, the Left =
has woken=20
      up will begin funding their own "think tanks" to counter the years =
of=20
      propaganda spewed by the Right.</DIV></BLOCKQUOTE>
    <DIV dir=3Dltr><FONT size=3D2>And Harvard, Oxford, Brandeis - or for =
that matter=20
    the speciously-named "Citizens for the American Way" - haven't just =
popped=20
    up overnight, have they?&nbsp; The Left maintains their own dream =
and wishes=20
    to enforce it, so how's that different to what you're going=20
    after?</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV>How does anyone know YOU know what the hell you're talking =
about when=20
      you characterize these organizations? I already heard nonsensical =
stuff=20
      coming from the Right that, for example, the MoveOn.org is a =
Communist=20
      organization.</DIV></BLOCKQUOTE>
    <DIV dir=3Dltr><FONT size=3D2>Ah, but when I express my opinion I =
don't think=20
    everyone should share it.&nbsp; As far as </FONT><FONT =
size=3D2>moveon.org=20
    goes, they're a group of people previously hypnotised by Al "Pay Me" =
Gore,=20
    who just can't get with the fact that it's 2005, and can't do what =
their=20
    domain name pretends it wants to do, while spamming with a nearly=20
    evangelistic ferocity. </FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV><BR><BR><B><I>Stephen Goodman=20
      &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
      <BLOCKQUOTE class=3Dreplbq=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid">
        <META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
        <STYLE></STYLE>

        <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV=20
          style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
          <A title=3Dwklemmer1@yahoo.com =
href=3D"mailto:wklemmer1@yahoo.com">Wind=20
          Stick Devil</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3DLoopers-Delight@loopers-delight.com=20
          =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
          </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, 09 =
September, 2005=20
          13:42 PM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BEATS NOT =
BOMBS in=20
          San Francisco</DIV>
          <DIV><BR></DIV>
          <DIV>&lt;&lt; Of course quite a few so-called "anti-war" types =
are=20
          <BR>quite often something more - "anti-democracy", or=20
          "anti-capitalism", <BR>"leftist", "socialist", communist", or =
plain=20
          old "anti-Republican".&nbsp; &gt;&gt;</DIV>
          <DIV>&nbsp;</DIV>
          <DIV>And some of them like blueberry pancakes.</DIV>
          <DIV>&nbsp;</DIV></BLOCKQUOTE>
        <DIV dir=3Dltr><FONT size=3D2>Not an answer.&nbsp; You don't =
generally hide=20
        a predilection for pancakes, whereas the Stop the War group is =
funded=20
        greatly by folks whose main agenda has nothing to do with the =
war.&nbsp;=20
        That wasn't a very good attempt at deflection, and I didn't =
categorize=20
        anyone except with respect to a hidden agenda =
anyway.</FONT></DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV>Some of them also like to sunbathe or visit museums. It's =
foolish=20
          to categorize people into one of two camps. The common =
practice of the=20
          Right to discuss, bash, trash, etc. so-called "Liberals" is a =
case in=20
          point. What the hell is a Liberal anyway? People have many=20
          varieties/combinations/permutations of beliefs. If I don't=20
          particularly believe in the efficacy of the death penalty, =
does that=20
          make me a Liberal?</DIV></BLOCKQUOTE>
        <DIV dir=3Dltr><FONT size=3D2>Again, irrelevant.</FONT></DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV>It's an age-old tactic to create a "bogeyman" a la =
Goldstein in=20
          Orwell's '1984'. In the 21st century in the US, it's the =
"Liberals"=20
          who are the bogeyman. </DIV></BLOCKQUOTE>
        <DIV dir=3Dltr><FONT size=3D2>In your case, a Straw man =
huh?</FONT></DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV>The Windmeister<BR><BR><B><I>Stephen Goodman=20
          &lt;spgoodman@earthlight.net&gt;</I></B> wrote:</DIV>
          <BLOCKQUOTE class=3Dreplbq=20
          style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#1010ff 2px solid">Actually=20
            it becomes incumbent upon people who take on the "anti-war" =
mantle=20
            <BR>to accurately identify their political affiliation(s) so =
that=20
            the public - <BR>the people they're trying to win over to =
their=20
            argument - will know what the <BR>agenda really is. Of =
course quite=20
            a few so-called "anti-war" types are <BR>quite often =
something more=20
            - "anti-democracy", or "anti-capitalism", <BR>"leftist",=20
            "socialist", communist", or plain old "anti-Republican". =
Funny=20
            <BR>how this is rarely done. What do such folks have to =
hide, and=20
            why? Is it <BR>because their actual agenda is known to turn =
off=20
            people who would otherwise <BR>be hoodwinked effectively =
into=20
            supporting something which, if they really <BR>thought about =
it, may=20
            be repugnant to them? I've found a disturbing <BR>tendency =
on the=20
            part of protest movements in the past 15 years or so to be =
<BR>less=20
            concerned with whether they're VIEWED as "right" than =
whether=20
            they're <BR>actually "right" or not. For me Political =
Correctness=20
            (spawned during a <BR>particular non-Republican's term) is =
nothing=20
            more than the outgrowth of <BR>someone else's inane need to =
oppress=20
            others through imitation <BR>intellectualism and cooked =
numbers.=20
            Individuals of all kinds and colors <BR>tend to rebel =
against this=20
            when they know what it actually is, which is most <BR>likely =
why=20
            some items are often blurred a bit or put under a banner=20
            <BR>presenting something "more palatable" and therefore =
easier to=20
            SELL.<BR><BR>Alas, honesty is still the best policy, and not =
just=20
            for "someone else". I <BR>suppose I'm some kind of "bigot" =
for=20
            expressing this opinion. Beware <BR>however - expressing an=20
            individual opinion is usually averse to the <BR>interests of =
the=20
            Left, or for that matter cults like Scientology.<BR><BR>I =
was asked=20
            to play a London event in 2002 that was initially described =
to=20
            <BR>me as a "gathering of like-minded people", then it was =
said to=20
            me that it <BR>was "in the interest of peace", and finally =
described=20
            to me as an "anti-Bush <BR>rally". I persist in the belief =
that=20
            politics should be peoples' own <BR>business, and I don't =
care for=20
            GroupThink either. If this makes me a <BR>conservative, then =
I guess=20
            I'm one of those, but not in all manners. I also <BR>make it =
a point=20
            not to adhere to stereotypes, or other pre-constructed=20
            <BR>expectations. I suppose doing so could make me a =
"contrarian",=20
            or perhaps <BR>just a non-conformist. I prefer the=20
            latter.<BR><BR>It's a good thing that in San Francisco (and =
the rest=20
            of the United States <BR>of America) you can't be imprisoned =
without=20
            trial and put to death just for <BR>expressing an opinion =
that=20
            opposes some Ayatollah's Fundamentalist Regime. <BR>No, Pat=20
            Robertson doesn't even come close.<BR><BR>Stephen =
Goodman<BR>*=20
            Cartoons about DVDs and Stuff<BR>*=20
            http://www.earthlight.net/HiddenTrack<BR>*=20
            http://www.medialinenews.com<BR><BR><BR>----- Original =
Message -----=20
            <BR>From: "Jeff Shirkey" =
<JCSHIRKE@MIDWAY.UCHICAGO.EDU><BR>To:=20
            <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, 09 =
September,=20
            2005 06:05 AM<BR>Subject: Re: BEATS NOT BOMBS in San=20
            Francisco<BR><BR><BR>&gt;<BR>&gt; On Sep 9, 2005, at 12:03 =
AM, Larry=20
            wrote:<BR>&gt;<BR>&gt;&gt; You're dead-on, Matthew: this =
anti-war=20
            stuff is the typical, knee-jerk<BR>&gt;&gt; response of=20
            far-left-wing America-haters.<BR>&gt;<BR>&gt; And thanks for =
your=20
            own knee-jerk response that does nothing more than <BR>&gt;=20
            stereotype all anti-war sentiments as the "knee jerk =
responses of=20
            <BR>&gt; far-left-wing America-haters." Yep, I'm glad you =
took the=20
            time to think <BR>&gt; that one through. Personally, I =
prefer the=20
            anti-war sentiments to the <BR>&gt; pro-war ones. Call me=20
            "crazy"--or "left-wing," or "anti- American," <BR>&gt; =
or...(fill in=20
            the blank with your preferred stereotype of the=20
            moment).<BR>&gt;<BR>&gt;=20
            Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; =

          <BR><BR></BLOCKQUOTE>
          <P>__________________________________________________<BR>Do =
You=20
          Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam =
protection=20
          around <BR>http://mail.yahoo.com =
</P></BLOCKQUOTE></BLOCKQUOTE>
      <P>__________________________________________________<BR>Do You=20
      Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection =
around=20
      <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BLOCKQUOTE>
  <P>__________________________________________________<BR>Do You=20
  Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection =
around=20
  <BR>http://mail.yahoo.com </P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0015_01C5B5A3.D5861C80--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 01:01:20 2005
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Date: Fri, 09 Sep 2005 18:06:27 -0700
From: geoffrey jost <jefurii@josts.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: BEATS NOT BOMBS in San Francisco
References: <20050909234707.85621.qmail@web50813.mail.yahoo.com> <001a01c5b59b$74fa0d70$0207a8c0@eluk1>
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Stephen Goodman wrote:

>  Say it enough...

okay...  saying things over and over is ... a form of looping...  right?
looping is the thing we all have in common here, right?
can we get back to talking about looping, please?
there are lots of other places to go have mud-slinging contests.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 01:14:16 2005
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Date: Fri, 9 Sep 2005 21:14:15 -0400 (EDT)
From: Todd Howell <ransacker@earthlink.net>
Reply-To: Todd Howell <ransacker@earthlink.net>
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	Loopers-Delight@loopers-delight.com
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With Geoffrey on this one. Though I find points of each of your arguments thought provoking, they appear to be somewhat far off topic. Have to listen to this kind of bickering constantly everywhere else in the world. Like to come to Loopers Delight and get back to being a guitar geek. Wouldn't other forums be somewhat more appropriate for the subject matter?  Out of curiosity, do we actually have a moderator here and what is his/her role in the making of peace or managing said differences of opinion? Just curious. Try and play nice kids. The world's already frighteningly sh*tty.

Todd

-----Original Message-----
From: geoffrey jost <jefurii@josts.net>
Sent: Sep 9, 2005 9:06 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: BEATS NOT BOMBS in San Francisco

Stephen Goodman wrote:

>  Say it enough...

okay...  saying things over and over is ... a form of looping...  right?
looping is the thing we all have in common here, right?
can we get back to talking about looping, please?
there are lots of other places to go have mud-slinging contests.


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 01:35:32 2005
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From: Nemoguitt@aol.com
Message-ID: <e4.708661ef.30539260@aol.com>
Date: Fri, 9 Sep 2005 21:35:28 EDT
Subject: he's back!!!!!
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well.....this is the fourth e-mail that i wrote the group today, the first 3 
did not go thru, talk about looping!.....so for the fourth time>.....flew in 
from zurich late wed. nite and boy are my arms tired, ba-boom!.....spent 
yesterday trying to get my feet on the ground and today reading some 300+ 
e-mails.....my eyes are melting and so is my mind.....:).....ZURICH, what a 
trip!.....seeing old friends and hopefully making new ones (bill walker was supposed to 
keep an eye on me so i wouldn't misbehave so blame it on him!).....:).....what a 
group of wonderful talented NICE people, each and everyone a joy!.....the 
music from andy to zorzi, overwhelming!.....images and memories of the past week 
keep fliting thru my mind and i can only smile.....all i can say is THANK YOU 
ONE AND ALL.....as for HERR BERNARD.....hmmmmm.....i said it before "YOU ARE 
MY HERO".....what a magnificent effort!.....thank you a million times over 
B-MAN!
p.s. song titles for "EURODISX" will be up at my hot new website sometime 
soon, SO STAY TUNED!.....it's the least i can do for a 150 frac cd!

--part1_e4.708661ef.30539260_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">well.....this is the fourth e-mail that=
 i wrote the group today, the first 3 did not go thru, talk about looping!..=
...so for the fourth time&gt;.....flew in from zurich late wed. nite and boy=
 are my arms tired, ba-boom!.....spent yesterday trying to get my feet on th=
e ground and today reading some 300+ e-mails.....my eyes are melting and so=20=
is my mind.....:).....ZURICH, what a trip!.....seeing old friends and hopefu=
lly making new ones (bill walker was supposed to keep an eye on me so i woul=
dn't misbehave so blame it on him!).....:).....what a group of wonderful tal=
ented NICE people, each and everyone a joy!.....the music from andy to zorzi=
, overwhelming!.....images and memories of the past week keep fliting thru m=
y mind and i can only smile.....all i can say is THANK YOU ONE AND ALL.....a=
s for HERR BERNARD.....hmmmmm.....i said it before "YOU ARE MY HERO".....wha=
t a magnificent effort!.....thank you a million times over B-MAN!<BR>
p.s. song titles for "EURODISX" will be up at my hot new website sometime so=
on, SO STAY TUNED!.....it's the least i can do for a 150 frac cd!</FONT><FON=
T COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT><=
/HTML>

--part1_e4.708661ef.30539260_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 01:40:52 2005
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: No Moderator (was BEATS NOT BOMBS in San Francisco)
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-----Original Message-----
From: Todd Howell [mailto:ransacker@earthlink.net] 
<snip>
Out of curiosity, do we actually have a moderator here and what is his/her
role in the making of peace or managing said differences of opinion? Just
curious.

--->Uh . . no . . .
Kim says anything goes but be fair--
I have decided that everyone is right and yet no one agrees--
So just try to be kind . . .
I for one appreciate the information.
Gary


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 02:16:45 2005
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Date: Fri, 9 Sep 2005 19:16:42 -0700 (PDT)
From: Joshua Fuller <dnaflr2@yahoo.com>
Subject: Re: powered near-field monitors?
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I have been using the Event Bas 20/20's for a few
years. They are great, and I never really need anymore
bass. The cross-over is great, and the 8" driver
provides enough bass without a sub.

--- S V G <vsyevolod@yahoo.com> wrote:

> 
>      The Mackie sub that goes with the HR824's costs
> around $1200.  I added the Blue Sky sub to my
> HR824's and am very happy with the sound for $400. 
> Still I wonder what the extra $800 would have
> bought me...
> 
>      Stephen
> 
>   Mark wrote:
> I'm a fan of the Mackie HR824s.  Listened to a bunch
> in that price range and found them to be a good
> value.
>  I'm often amazed at how nice and accurate the bass
> is
> without ever getting flubby.  High end is sweet but
> never shrill.  I keep thinking I'd supplement it
> with
> the matching subwoofer, but never get around to it
> as
> they seem to sound great out of the box.
> 
> 
> 		
> 
> 
> 	
> 		
>
______________________________________________________
> Click here to donate to the Hurricane Katrina relief
> effort.
> http://store.yahoo.com/redcross-donate3/
> 
> 



	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 02:21:46 2005
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Date: Fri, 9 Sep 2005 19:21:46 -0700 (PDT)
From: Joshua Fuller <dnaflr2@yahoo.com>
Subject: EDP Footpedal vs. FCB1010 ? ?
To: Loopers-Delight@loopers-delight.com
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I am having problems with my original Echoplex foot
pedal, and I am considering getting the FCB1010. My
only concern is reliabity and response in trigger
time. Since the FCB footswitch is triggering via midi,
I would assume it is slower than the original EDP
voltage controlled foot controller. Has anyone
compared the 2?

And- how is the feel, and reliability of the FCB1010?
Is it a good replacement for what I currently have?

Thanks for all of your input,
Josh


	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 03:18:23 2005
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 03:35:40 2005
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On Fri, 9 Sep 2005, Barry Silverman wrote:

> unsubscribe

This is getting loopy. How aporopos.


From

http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

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of you and you will feel like a dork."

best,
Steve B
Phasmatodea    http;//www.phasmatodea.net/
Subscape Annex http://www.subscapeannex.com/
Fukadugalon, Audio Arcade, etc.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 03:42:42 2005
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Date: Fri, 9 Sep 2005 20:42:41 -0700
From: Art Simon <simart@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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I briefly messed around with my FCB1010 and echoplex before I sold the
echoplex. I didn't notice any difference in response time, but I
didn't enjoy programming the FCB1010. Since then I've discovered the
FCB1010 editor (http://www.mtnsys.com/faq-fcb/PCEditor.htm) which
makes life with the FCB1010 much more pleasant. My guess is that you
will find the FCB1010 a better controller, once you get it set up.

On 9/9/05, Joshua Fuller <dnaflr2@yahoo.com> wrote:
> I am having problems with my original Echoplex foot
> pedal, and I am considering getting the FCB1010. My
> only concern is reliabity and response in trigger
> time. Since the FCB footswitch is triggering via midi,
> I would assume it is slower than the original EDP
> voltage controlled foot controller. Has anyone
> compared the 2?
>=20
> And- how is the feel, and reliability of the FCB1010?
> Is it a good replacement for what I currently have?
>=20
> Thanks for all of your input,
> Josh
>=20
>=20
>=20
>=20
> ______________________________________________________
> Click here to donate to the Hurricane Katrina relief effort.
> http://store.yahoo.com/redcross-donate3/
>=20
>=20


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 06:40:11 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Y2K5 Intrntl Live Looping Fest: October 5th-10th
Date: Fri, 9 Sep 2005 23:40:08 -0700
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Put this on your calendars  all you loopers in Northern California.

The Y2K5 International Live Looping Festival
will be occur from October 5th through October 10th
with over 40 artists performing from 6 countries in 5 performances in 3 
cities

October 5th, Wednesday      Best of Y2K5:    Henry Miller Library,   Big Sur
October 6th, Thursday      Experimental Guitar:  Y2K5   the Luggage Store, 
San Francisco
October 7th, Friday              Best of Y2K5:    the Drum Machine Museum, 
San Franscisco

THE MAIN FESTIVAL
October 8th,  Saturday           E3 Playhouse,  Santa Cruz, California
October 9th,  Sunday              E3 Playhouse,  Santa Cruz, California

The Annual Y2K5 Loopers Brunch
October 10th,  Monday   1:00 p.m.    tentatively:  E3 Playhouse   (backup: 
the Catalyst)  Santa Cruz

The Y2K5 After Party
October 10th   Monday   9:30---till you drop       Santa Cruz's premier goth 
club   The BOX
                                                                             
 black attire suggested but not mandatory

Details can be seen at
http://loopfestival.com/y2k5

The website that has been graciously donated and maintained by Bernhard 
Wagner
(the mastermind behind the wonderful Zurich Live Looping Festival this past 
month).

Bernhard, I have to say,  is having a banner month.   He is a headliner for 
this years'
Y2K5 Festival; he just produced the best live looping festival I've ever 
seen and he
has a beautiful new debut live looping solo CD out.    I will write a full 
review of this wonderful
record as soon as I am able to breathe after Y2K5, but it's a goody. 
Suffice it to say that you should buy one from him while he is in America 
(and the shipping charges are low.............lol)

A quick note to all Performing Artists:

1)  Please go to the website site and see if there is any information that 
you can fill in
or correct and e-mail me immediately so I can change it.  It would be great 
to have current e-mails and
URLs for your music for every artist.

Just put the bold letters  WEBSITE INFO: Y2K5 (YOUR NAME) in the subject 
header of our email to me and mail it to     rickwalker@looppool.info .
This way  I can collate the information and update the website very quickly. 
Thanks a lot!!!!

2)  I will be posting set orders of all the concerts within two weeks of 
today.
The reason I will wait that long is because I have a couple of big acts that 
I am still waiting on
final confirmation from, so I don't want to do all the work to plan it and 
then have to do it all over again.
Thanks for bearing with me

3)  In two weeks time I will write a very definitive set of instructions 
about what we'll all need to do in order to make such a garngantuan 
performance come off professionally )load in, performance and sound check 
information, et. al.)

4)  Also, PLEASE DO NOT  flood me with questions about the festival until 
you get that email.  The amount of email I am sending and recieving between 
venues, transportation providers, accomodation providers,  foreign artists 
is just completely overwhelming.   LOL,  the less stressed I am, the better 
the festival will be......................why?   Because I"m a stress puppy 
for sure!

Don't worry.   Everything will be done in a way that benefits all and I 
won't forget anything,  I promise.

Thanks a lot!!!!

Rick Walker



From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 08:48:15 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Sat, 10 Sep 2005 10:48:11 +0200
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On Sep 10, 2005, at 4:21, Joshua Fuller wrote:

> I am having problems with my original Echoplex foot
> pedal, and I am considering getting the FCB1010. My
> only concern is reliabity and response in trigger
> time. Since the FCB footswitch is triggering via midi,
> I would assume it is slower than the original EDP
> voltage controlled foot controller. Has anyone
> compared the 2?

Yes. I can not notice any difference in speed. I had both controllers  
for a while but then sold the original to go with the FCB only.

> And- how is the feel, and reliability of the FCB1010?

Good, as my FCB goes. Have had it for three years now with no  
problems. But I have be calibrating the expression pedals a couple of  
times.

> Is it a good replacement for what I currently have?

Yes. It can also be a much sharper tool if take interest in exploring  
the options offered by LOOP4.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 12:05:42 2005
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From: Simon Le Geyt <slg@mac.com>
Subject: Re: Tim's footswitch was Re: lexicon boxes (vortex for $5)
Date: Sat, 10 Sep 2005 13:05:31 +0100
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This 4 switch pedal looks useful for Vortex owners:

http://search.ebay.com/7349339344

Simon


On 9 Sep 2005, at 11:12, a k butler wrote:

> At 09:18 09/09/05, you wrote:
>> Hi Andy:
>>
>> I luv my Vortex but it has a small glitch that I was wondering if I 
>> could
>> ask you about: when I use the original 2-button footswitch to take it 
>> in
>> and out of bypass, it sometimes takes 2 pushes, like it's thinking 
>> about
>> it.
>> All else is great, as the unit was gently used by its previous owner.
>> Any ideas?
>
> I'd open up the footswitch, check everything is correctly assembled,
> and spray the switches.
>
> Those switches can double trigger,
> but after cleaning and regular use they get better.
>
> andy
> www.andybutler.com for vortex info, mp3s, and livelooping cd
>
>
>
>> Cheerios,
>> TimMungenast
>

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This 4 switch pedal looks useful for Vortex owners:


http://search.ebay.com/7349339344


Simon<bold>


</bold>

On 9 Sep 2005, at 11:12, a k butler wrote:


<excerpt>At 09:18 09/09/05, you wrote:

<excerpt>Hi Andy:


I luv my Vortex but it has a small glitch that I was wondering if I
could

ask you about: when I use the original 2-button footswitch to take it
in

and out of bypass, it sometimes takes 2 pushes, like it's thinking
about

it.

All else is great, as the unit was gently used by its previous owner.

Any ideas?

</excerpt>

I'd open up the footswitch, check everything is correctly assembled,

and spray the switches.


Those switches can double trigger,

but after cleaning and regular use they get better.


andy

www.andybutler.com for vortex info, mp3s, and livelooping cd




<excerpt>Cheerios,

TimMungenast

</excerpt>

</excerpt>
--Apple-Mail-2--129640313--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 12:31:15 2005
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Message-ID: <20050910123113.47332.qmail@web52809.mail.yahoo.com>
Date: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: T.C. G-system
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Is aybody using this yet?
http://www.tcelectronic.com/G-System
seems awesome specially its switching system and being
able to take out its compete internal DSP processor
and putting it into a rack!
guess what the only drawback is?
1400.00dlls;-(
Luis

www.luis-angulo.com


	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:07:36 2005
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Subject: Re: T.C. G-system
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Also I guess they made the same problematic decisison as in the G-Force and
G-Major Multieffects that in order to achieve a good wealth of routing
options they ruled out one of the most important ones: the option of routing
the analog (guitar) signal through untouched whith just some "add-on"
effects like reverb and delay (you can't do that with distortion, filters
and compression of course). So your signal is always (even when no effect is
added) undergoing an A/D and D/A conversion. NO good idea IMO......



> Von: "L. Angulo" <labalou2000@yahoo.com>
> Antworten an: Loopers-Delight@loopers-delight.com
> Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> An: Loopers-Delight@loopers-delight.com
> Betreff: T.C. G-system
> Neu gesendet von: Loopers-Delight@loopers-delight.com
> Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000 (UTC)
> 
> Is aybody using this yet?
> http://www.tcelectronic.com/G-System
> seems awesome specially its switching system and being
> able to take out its compete internal DSP processor
> and putting it into a rack!
> guess what the only drawback is?
> 1400.00dlls;-(
> Luis
> 
> www.luis-angulo.com
> 
> 
> 
> 
> ______________________________________________________
> Click here to donate to the Hurricane Katrina relief effort.
> http://store.yahoo.com/redcross-donate3/
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:34:43 2005
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Date: Sat, 10 Sep 2005 08:34:40 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: T.C. G-system
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Hi Andreas,
Is there a multiefx at all that doesnt go through a
damn A/D converter?
I just played a rock n roll gig recently which
required only a guitar and amp,so it was a little
marshall amp and a les paul, for a bit of boost i just
used its dedicated foot switch and man did it feel and
sound good to play like that!I havent been motivated
lately to play through so much digital stuff
lately,could it be that i am looping backwards? 
Luis


--- Andreas Willers <a.willers@arcor.de> wrote:

> Also I guess they made the same problematic
> decisison as in the G-Force and
> G-Major Multieffects that in order to achieve a good
> wealth of routing
> options they ruled out one of the most important
> ones: the option of routing
> the analog (guitar) signal through untouched whith
> just some "add-on"
> effects like reverb and delay (you can't do that
> with distortion, filters
> and compression of course). So your signal is always
> (even when no effect is
> added) undergoing an A/D and D/A conversion. NO good
> idea IMO......
> 
> 
> 
> > Von: "L. Angulo" <labalou2000@yahoo.com>
> > Antworten an: Loopers-Delight@loopers-delight.com
> > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: T.C. G-system
> > Neu gesendet von:
> Loopers-Delight@loopers-delight.com
> > Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> (UTC)
> > 
> > Is aybody using this yet?
> > http://www.tcelectronic.com/G-System
> > seems awesome specially its switching system and
> being
> > able to take out its compete internal DSP
> processor
> > and putting it into a rack!
> > guess what the only drawback is?
> > 1400.00dlls;-(
> > Luis
> > 
> > www.luis-angulo.com
> > 
> > 
> > 
> > 
> >
>
______________________________________________________
> > Click here to donate to the Hurricane Katrina
> relief effort.
> > http://store.yahoo.com/redcross-donate3/
> > 
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:38:22 2005
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From: "CM" <listmail@asyouthink.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: locking sustain pedal
Date: Sat, 10 Sep 2005 08:37:31 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0040_01C5B5E2.E2EAEB50
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	charset="us-ascii"
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I've asked this before, and don't think anyone replied, but now amidst all
the political smoke, I think we may have some fresh motivation... : )    
 
I use a Ableton Live + Electrix Repeeter setup.  Amidst the looping, I often
set my synth (a Roland XP-30) into midi-sync'd arpeggiations, which I can
use the sustain pedal to continue while I play something else (piano,
trumpet, voice, whatever).  
 
I'd like to be able to easily "lock" that sustain pedal to free up my foot
for other things.  I'm sure I can hot-wire my existing pedal (standard
square sustain pedal) w/a toggle switch -- which I still for some reason
havn't gotten around to -- but if I can buy one ready-made, I'm inclined to
do that.  Does anyone make such a beast?
 
thx
Cass
 
 

------=_NextPart_000_0040_01C5B5E2.E2EAEB50
Content-Type: text/html;
	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial size=3D2>I've =
asked this=20
before, and don't think anyone replied, but now amidst all the political =
smoke,=20
I think we may have some fresh motivation... : )&nbsp;&nbsp;&nbsp;=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial size=3D2>I use =
a Ableton Live=20
+ Electrix Repeeter setup.&nbsp; Amidst the looping, I often set my =
synth (a=20
Roland XP-30) into midi-sync'd arpeggiations, which I can use the =
sustain pedal=20
to continue while I play something else (piano, trumpet, voice, =
whatever).&nbsp;=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial size=3D2>I'd =
like to be able=20
to easily "lock" that sustain pedal to free up my foot for other =
things.&nbsp;=20
I'm sure I can hot-wire my existing pedal (standard square sustain =
pedal) w/a=20
toggle switch -- which I still for some reason havn't gotten around to =
-- but if=20
I can buy one ready-made, I'm inclined to do that.&nbsp; Does anyone =
make such a=20
beast?</FONT></SPAN></DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2>thx</FONT></SPAN></DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2>Cass</FONT></SPAN></DIV>
<DIV><SPAN class=3D515563015-10092005></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D515563015-10092005><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0040_01C5B5E2.E2EAEB50--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:45:39 2005
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: damn A/D converter (was RE: T.C. G-system)
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-->I think the Lexicon MPX-G2 isn't going thru an A/D converter--
It sure feels that way . . .
Gary

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 

Hi Andreas,
Is there a multiefx at all that doesnt go through a
damn A/D converter?
I just played a rock n roll gig recently which
required only a guitar and amp,so it was a little
marshall amp and a les paul, for a bit of boost i just
used its dedicated foot switch and man did it feel and
sound good to play like that!I havent been motivated
lately to play through so much digital stuff
lately,could it be that i am looping backwards? 
Luis


--- Andreas Willers <a.willers@arcor.de> wrote:

> Also I guess they made the same problematic
> decisison as in the G-Force and
> G-Major Multieffects that in order to achieve a good
> wealth of routing
> options they ruled out one of the most important
> ones: the option of routing
> the analog (guitar) signal through untouched whith
> just some "add-on"
> effects like reverb and delay (you can't do that
> with distortion, filters
> and compression of course). So your signal is always
> (even when no effect is
> added) undergoing an A/D and D/A conversion. NO good
> idea IMO......
> 
> 
> 
> > Von: "L. Angulo" <labalou2000@yahoo.com>
> > Antworten an: Loopers-Delight@loopers-delight.com
> > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: T.C. G-system
> > Neu gesendet von:
> Loopers-Delight@loopers-delight.com
> > Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> (UTC)
> > 
> > Is aybody using this yet?
> > http://www.tcelectronic.com/G-System
> > seems awesome specially its switching system and
> being
> > able to take out its compete internal DSP
> processor
> > and putting it into a rack!
> > guess what the only drawback is?
> > 1400.00dlls;-(
> > Luis



From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:46:28 2005
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Subject: RE: T.C. G-system
Date: Sat, 10 Sep 2005 17:46:13 +0200
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Hi Luis

Do you get my emails?

Sorry for being OT.
Bernhard

> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com]
> Sent: Samstag, 10. September 2005 17:35
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: T.C. G-system
> 
> Hi Andreas,
> Is there a multiefx at all that doesnt go through a
> damn A/D converter?
> I just played a rock n roll gig recently which
> required only a guitar and amp,so it was a little
> marshall amp and a les paul, for a bit of boost i just
> used its dedicated foot switch and man did it feel and
> sound good to play like that!I havent been motivated
> lately to play through so much digital stuff
> lately,could it be that i am looping backwards?
> Luis
> 
> 
> --- Andreas Willers <a.willers@arcor.de> wrote:
> 
> > Also I guess they made the same problematic
> > decisison as in the G-Force and
> > G-Major Multieffects that in order to achieve a good
> > wealth of routing
> > options they ruled out one of the most important
> > ones: the option of routing
> > the analog (guitar) signal through untouched whith
> > just some "add-on"
> > effects like reverb and delay (you can't do that
> > with distortion, filters
> > and compression of course). So your signal is always
> > (even when no effect is
> > added) undergoing an A/D and D/A conversion. NO good
> > idea IMO......
> >
> >
> >
> > > Von: "L. Angulo" <labalou2000@yahoo.com>
> > > Antworten an: Loopers-Delight@loopers-delight.com
> > > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > > An: Loopers-Delight@loopers-delight.com
> > > Betreff: T.C. G-system
> > > Neu gesendet von:
> > Loopers-Delight@loopers-delight.com
> > > Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> > (UTC)
> > >
> > > Is aybody using this yet?
> > > http://www.tcelectronic.com/G-System
> > > seems awesome specially its switching system and
> > being
> > > able to take out its compete internal DSP
> > processor
> > > and putting it into a rack!
> > > guess what the only drawback is?
> > > 1400.00dlls;-(
> > > Luis
> > >
> > > www.luis-angulo.com
> > >
> > >
> > >
> > >
> > >
> >
> ______________________________________________________
> > > Click here to donate to the Hurricane Katrina
> > relief effort.
> > > http://store.yahoo.com/redcross-donate3/
> > >
> >
> >
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:53:30 2005
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Luis,
I just went through a similar experience. I played my Chapman Stick through a Mesa 
stack with none of my digital processing and loved it.

I'm now exploring analog stomp boxes: current production, current production that 
has been modified, vintage, and DIY. They are a little noisy, but the technology has 
vastly improved, especially with the modded units and the DIY units.


> Hi Andreas,
> Is there a multiefx at all that doesnt go through a
> damn A/D converter?
> I just played a rock n roll gig recently which
> required only a guitar and amp,so it was a little
> marshall amp and a les paul, for a bit of boost i just
> used its dedicated foot switch and man did it feel and
> sound good to play like that!I havent been motivated
> lately to play through so much digital stuff
> lately,could it be that i am looping backwards? 
> Luis
> 
> 
> --- Andreas Willers <a.willers@arcor.de> wrote:
> 
> > Also I guess they made the same problematic
> > decisison as in the G-Force and
> > G-Major Multieffects that in order to achieve a good
> > wealth of routing
> > options they ruled out one of the most important
> > ones: the option of routing
> > the analog (guitar) signal through untouched whith
> > just some "add-on"
> > effects like reverb and delay (you can't do that
> > with distortion, filters
> > and compression of course). So your signal is always
> > (even when no effect is
> > added) undergoing an A/D and D/A conversion. NO good
> > idea IMO......
> > 
> > 
> > 
> > > Von: "L. Angulo" <labalou2000@yahoo.com>
> > > Antworten an: Loopers-Delight@loopers-delight.com
> > > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > > An: Loopers-Delight@loopers-delight.com
> > > Betreff: T.C. G-system
> > > Neu gesendet von:
> > Loopers-Delight@loopers-delight.com
> > > Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> > (UTC)
> > > 
> > > Is aybody using this yet?
> > > http://www.tcelectronic.com/G-System
> > > seems awesome specially its switching system and
> > being
> > > able to take out its compete internal DSP
> > processor
> > > and putting it into a rack!
> > > guess what the only drawback is?
> > > 1400.00dlls;-(
> > > Luis
> > > 
> > > www.luis-angulo.com
> > > 
> > > 
> > > 
> > > 
> > >
> >
> ______________________________________________________
> > > Click here to donate to the Hurricane Katrina
> > relief effort.
> > > http://store.yahoo.com/redcross-donate3/
> > > 
> > 
> > 
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 
> 
> 

Louis Hesselt-van-Dinter


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 15:54:27 2005
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Subject: zurich photos
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i know about michael peters' site but where are the rest of the fest and 
MATHON potos being posted?.....just heard from ROLF and THOMAS about posting their 
photos and i directed them to m.p's site.....thanks michael, i love the slide 
show feature of the fliker site.....m

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i know about michael peters' site but w=
here are the rest of the fest and MATHON potos being posted?.....just heard=20=
from ROLF and THOMAS about posting their photos and i directed them to m.p's=
 site.....thanks michael, i love the slide show feature of the fliker site..=
...m<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 16:00:20 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Y2K5 Intrntl Live Looping Fest: October 5th-10th
Date: Sat, 10 Sep 2005 18:00:04 +0200
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wow, what a line-up! wish I could be there

-michael
www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 16:04:10 2005
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From: "Scott M2" <scott@dreamstate.to>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: locking sustain pedal
Date: Sat, 10 Sep 2005 12:05:07 -0400
Organization: dreamSTATE
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I use a Ableton Live + Electrix Repeeter setup.  Amidst the looping, I often
set my synth (a Roland XP-30) into midi-sync'd arpeggiations, which I can
use the sustain pedal to continue while I play something else (piano,
trumpet, voice, whatever).  

I'd like to be able to easily "lock" that sustain pedal to free up my foot
for other things.  I'm sure I can hot-wire my existing pedal (standard
square sustain pedal) w/a toggle switch -- which I still for some reason
havn't gotten around to -- but if I can buy one ready-made, I'm inclined to
do that.  Does anyone make such a beast?

thx
Cass 
----------

I use an XP-60 and also like to lock-on the arpeggiator or
various ambient patches I create. I've never seen a locking
sustain pedal for sale and modified my Ensoniq double pedal
with a small toggle which I can nudge on and off with my foot.
It works great and is worth the effort. 

Cheers,
Scott M2
 
http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com
 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 16:40:31 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject:  locking sustain pedal
Date: Sat, 10 Sep 2005 18:41:47 +0200
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I might fail to grasp what you're exactly trying to do, so I summarize.

You want a pedal which works:
	Step on it and release: switched on (like a sustain pedal held
down)
	step on it and relese a second time: switched off (like a
sustain pedal not held down)

The sustain pedal type ist called "momentary foot switch", among these
are the sustain pedals. The other type is called "latching foot switch"
or "on/off pedal".

Boss calls these e.g. FS-5U (for the momentary) or FS-5L (for the
latching one). You should be able to get those from about any company
which makes foot-operated thingies at all.

(Note that these latching switches don't have a polarity switch, because
it's either on the first time you step on it or the second one).

	Rainer

-----Urspr=FCngliche Nachricht-----
Von: Scott M2 [mailto:scott@dreamstate.to]=20
Gesendet: Samstag, 10. September 2005 18:05
An: Loopers-Delight@loopers-delight.com
Betreff: RE: locking sustain pedal


I use a Ableton Live + Electrix Repeeter setup.  Amidst the looping, I
often set my synth (a Roland XP-30) into midi-sync'd arpeggiations,
which I can use the sustain pedal to continue while I play something
else (piano, trumpet, voice, whatever). =20

I'd like to be able to easily "lock" that sustain pedal to free up my
foot for other things.  I'm sure I can hot-wire my existing pedal
(standard square sustain pedal) w/a toggle switch -- which I still for
some reason havn't gotten around to -- but if I can buy one ready-made,
I'm inclined to do that.  Does anyone make such a beast?

thx
Cass=20
----------

I use an XP-60 and also like to lock-on the arpeggiator or various
ambient patches I create. I've never seen a locking sustain pedal for
sale and modified my Ensoniq double pedal with a small toggle which I
can nudge on and off with my foot. It works great and is worth the
effort.=20

Cheers,
Scott M2
=20
http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com
=20


From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 16:50:15 2005
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Maybe a "latching" pedal like this one?
http://www.rolandus.com/products/details.asp?catid=3D1&subcatid=3D4&prodid=
=3DFS%2D5L%2F5U

On 9/10/05, CM <listmail@asyouthink.com> wrote:
> =20
> I've asked this before, and don't think anyone replied, but now amidst al=
l
> the political smoke, I think we may have some fresh motivation... : )   =
=20
>  =20
> I use a Ableton Live + Electrix Repeeter setup.  Amidst the looping, I of=
ten
> set my synth (a Roland XP-30) into midi-sync'd arpeggiations, which I can
> use the sustain pedal to continue while I play something else (piano,
> trumpet, voice, whatever). =20
>  =20
> I'd like to be able to easily "lock" that sustain pedal to free up my foo=
t
> for other things.  I'm sure I can hot-wire my existing pedal (standard
> square sustain pedal) w/a toggle switch -- which I still for some reason
> havn't gotten around to -- but if I can buy one ready-made, I'm inclined =
to
> do that.  Does anyone make such a beast?=20
>  =20
> thx=20
> Cass=20
>  =20
>  =20


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 18:04:56 2005
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we all have freedom of speech...just watch what you say?
"scary visionary"

Gary Lehmann <hqr@cox.net> wrote:
-----Original Message-----
From: Todd Howell [mailto:ransacker@earthlink.net] 

Out of curiosity, do we actually have a moderator here and what is his/her
role in the making of peace or managing said differences of opinion? Just
curious.

--->Uh . . no . . .
Kim says anything goes but be fair--
I have decided that everyone is right and yet no one agrees--
So just try to be kind . . .
I for one appreciate the information.
Gary



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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<DIV>we all have freedom of speech...just watch what you say?</DIV>
<DIV>"scary visionary"<BR><BR><B><I>Gary Lehmann &lt;hqr@cox.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-----Original Message-----<BR>From: Todd Howell [mailto:ransacker@earthlink.net] <BR><SNIP><BR>Out of curiosity, do we actually have a moderator here and what is his/her<BR>role in the making of peace or managing said differences of opinion? Just<BR>curious.<BR><BR>---&gt;Uh . . no . . .<BR>Kim says anything goes but be fair--<BR>I have decided that everyone is right and yet no one agrees--<BR>So just try to be kind . . .<BR>I for one appreciate the information.<BR>Gary<BR><BR><BR></BLOCKQUOTE><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-490862411-1126375494=:8412--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 18:22:45 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: T.C. G-system
Date: Sat, 10 Sep 2005 11:22:44 -0700
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There is a great DSP/ modeler that goes through an anologue tube path,
though i believe it also does the A/D thing as well. The Vox tonelab. as the
brits would say...a superb piece of kit.
Bill

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com]
Sent: Saturday, September 10, 2005 8:35 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: T.C. G-system


Hi Andreas,
Is there a multiefx at all that doesnt go through a
damn A/D converter?
I just played a rock n roll gig recently which
required only a guitar and amp,so it was a little
marshall amp and a les paul, for a bit of boost i just
used its dedicated foot switch and man did it feel and
sound good to play like that!I havent been motivated
lately to play through so much digital stuff
lately,could it be that i am looping backwards?
Luis


--- Andreas Willers <a.willers@arcor.de> wrote:

> Also I guess they made the same problematic
> decisison as in the G-Force and
> G-Major Multieffects that in order to achieve a good
> wealth of routing
> options they ruled out one of the most important
> ones: the option of routing
> the analog (guitar) signal through untouched whith
> just some "add-on"
> effects like reverb and delay (you can't do that
> with distortion, filters
> and compression of course). So your signal is always
> (even when no effect is
> added) undergoing an A/D and D/A conversion. NO good
> idea IMO......
>
>
>
> > Von: "L. Angulo" <labalou2000@yahoo.com>
> > Antworten an: Loopers-Delight@loopers-delight.com
> > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: T.C. G-system
> > Neu gesendet von:
> Loopers-Delight@loopers-delight.com
> > Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> (UTC)
> >
> > Is aybody using this yet?
> > http://www.tcelectronic.com/G-System
> > seems awesome specially its switching system and
> being
> > able to take out its compete internal DSP
> processor
> > and putting it into a rack!
> > guess what the only drawback is?
> > 1400.00dlls;-(
> > Luis
> >
> > www.luis-angulo.com
> >
> >
> >
> >
> >
>
______________________________________________________
> > Click here to donate to the Hurricane Katrina
> relief effort.
> > http://store.yahoo.com/redcross-donate3/
> >
>
>


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 18:25:57 2005
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Y2K5: no schedule yet!
Date: Sat, 10 Sep 2005 11:25:54 -0700
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I made a mistake in a new program that I am using for the Y2K5 website
and accidentally put up a schedule of performers for the main festival
at Y2K5

THERE IS NO SCHEDULE YET!!!!!!!
 and there won't be one for two weeks
due to pending performanc confirmation of a couple of 'name' acts

My apologies to anyone who

1) either got their hopes up
or
2) got their hopes dashed.

The scheduling is very, very important to me.  I will work very hard on 
presenting the best possible show to everyone.

thanks,    Rick 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 19:05:17 2005
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From: "CM" <listmail@asyouthink.com>
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Subject: RE: locking sustain pedal
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What I want is a "momentary foot switch" that is "momentary only" MOST =
of
the time, but which has some mechanism by which it can become, =
essentially,
a "latching foot switch" in ON position... e.g. a second switch on it or
attached to it that forces it to be "on / down," overriding the =
"momentary"
pedal's current state.

I appreciate all the feedback / help - thx!

Cass

-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]=20
Sent: Saturday, September 10, 2005 9:42 AM
To: Looper's Delight Mailing List
Subject: locking sustain pedal


I might fail to grasp what you're exactly trying to do, so I summarize.

You want a pedal which works:
	Step on it and release: switched on (like a sustain pedal held
down)
	step on it and relese a second time: switched off (like a sustain
pedal not held down)

The sustain pedal type ist called "momentary foot switch", among these =
are
the sustain pedals. The other type is called "latching foot switch"
or "on/off pedal".

Boss calls these e.g. FS-5U (for the momentary) or FS-5L (for the =
latching
one). You should be able to get those from about any company which makes
foot-operated thingies at all.

(Note that these latching switches don't have a polarity switch, because
it's either on the first time you step on it or the second one).

	Rainer

-----Urspr=FCngliche Nachricht-----
Von: Scott M2 [mailto:scott@dreamstate.to]
Gesendet: Samstag, 10. September 2005 18:05
An: Loopers-Delight@loopers-delight.com
Betreff: RE: locking sustain pedal


I use a Ableton Live + Electrix Repeeter setup.  Amidst the looping, I
often set my synth (a Roland XP-30) into midi-sync'd arpeggiations,
which I can use the sustain pedal to continue while I play something
else (piano, trumpet, voice, whatever). =20

I'd like to be able to easily "lock" that sustain pedal to free up my
foot for other things.  I'm sure I can hot-wire my existing pedal
(standard square sustain pedal) w/a toggle switch -- which I still for
some reason havn't gotten around to -- but if I can buy one ready-made,
I'm inclined to do that.  Does anyone make such a beast?

thx
Cass=20
----------

I use an XP-60 and also like to lock-on the arpeggiator or various
ambient patches I create. I've never seen a locking sustain pedal for
sale and modified my Ensoniq double pedal with a small toggle which I
can nudge on and off with my foot. It works great and is worth the
effort.=20

Cheers,
Scott M2
=20
http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com
=20




From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 19:27:33 2005
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Subject: BBC Documentary
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Hey Guys,

For anyone interested there is a really good BBC doc on the
alt.binaries.multimedia.documentaries newsgroup titled "Alchemists Of
Sound" which chronicles the BBC Radiophonic Workshop. Has some
wonderful vintage footage of looping techniques. The file is about
400mb.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 19:31:07 2005
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Date: Sat, 10 Sep 2005 15:32:02 -0400
To: Loopers-Delight@loopers-delight.com
From: nick douglas <nickd@mindspring.com>
Subject: Re: lexicon boxes
In-Reply-To: <4320AE7D.3010609@sun.com>
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 <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com>
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I tried to buy rotary encoders using that part number and phone number a few weeks after Jeff posted them. I wanted five. I needed two and wanted spares besides but they only had two left.  I'd buy spares today if I could find them.

Please, somebody find or make a substitute part.

A VST Vortex would be cool.  I'd hope it would allow longer delays. I'd probably buy one eventually (if not too pricey) but I want to keep my hardware going as long as possible.

Nick

>Yes, I posted the part number on December 20, 2004
>and Kris said he was able to get three of them.
>Apparently those were among the last.
>
>Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 19:48:30 2005
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Date: Sat, 10 Sep 2005 12:48:28 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: RE: T.C. G-system
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Hi Bernhard,
Well i am getting this one;-)
Have u sent any other lately?
Cheers
Luis

--- Bernhard Wagner LD <loopdelightml@nosuch.biz>
wrote:

> Hi Luis
> 
> Do you get my emails?
> 
> Sorry for being OT.
> Bernhard
> 
> > -----Original Message-----
> > From: L. Angulo [mailto:labalou2000@yahoo.com]
> > Sent: Samstag, 10. September 2005 17:35
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: T.C. G-system
> > 
> > Hi Andreas,
> > Is there a multiefx at all that doesnt go through
> a
> > damn A/D converter?
> > I just played a rock n roll gig recently which
> > required only a guitar and amp,so it was a little
> > marshall amp and a les paul, for a bit of boost i
> just
> > used its dedicated foot switch and man did it feel
> and
> > sound good to play like that!I havent been
> motivated
> > lately to play through so much digital stuff
> > lately,could it be that i am looping backwards?
> > Luis
> > 
> > 
> > --- Andreas Willers <a.willers@arcor.de> wrote:
> > 
> > > Also I guess they made the same problematic
> > > decisison as in the G-Force and
> > > G-Major Multieffects that in order to achieve a
> good
> > > wealth of routing
> > > options they ruled out one of the most important
> > > ones: the option of routing
> > > the analog (guitar) signal through untouched
> whith
> > > just some "add-on"
> > > effects like reverb and delay (you can't do that
> > > with distortion, filters
> > > and compression of course). So your signal is
> always
> > > (even when no effect is
> > > added) undergoing an A/D and D/A conversion. NO
> good
> > > idea IMO......
> > >
> > >
> > >
> > > > Von: "L. Angulo" <labalou2000@yahoo.com>
> > > > Antworten an:
> Loopers-Delight@loopers-delight.com
> > > > Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> > > > An: Loopers-Delight@loopers-delight.com
> > > > Betreff: T.C. G-system
> > > > Neu gesendet von:
> > > Loopers-Delight@loopers-delight.com
> > > > Neu gesendet am: Sat, 10 Sep 2005 12:31:14
> +0000
> > > (UTC)
> > > >
> > > > Is aybody using this yet?
> > > > http://www.tcelectronic.com/G-System
> > > > seems awesome specially its switching system
> and
> > > being
> > > > able to take out its compete internal DSP
> > > processor
> > > > and putting it into a rack!
> > > > guess what the only drawback is?
> > > > 1400.00dlls;-(
> > > > Luis
> > > >
> > > > www.luis-angulo.com
> > > >
> > > >
> > > >
> > > >
> > > >
> > >
> >
>
______________________________________________________
> > > > Click here to donate to the Hurricane Katrina
> > > relief effort.
> > > > http://store.yahoo.com/redcross-donate3/
> > > >
> > >
> > >
> > 
> > 
> > www.luis-angulo.com
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> 
> 
> 


www.luis-angulo.com


	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 20:09:53 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 10 Sep 2005 15:09:49 -0500
Subject: Some looping MP3s on my new website
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Hey there loopers-

For those who might be interested, I just launched my new website.  There a=
re lots of MP3s on the "Free Music Thingies" page.  Most of them are non-
looping things, but there are a couple tracks from lumper/splitter, my live=
-looping improv duo with Lucio Menegon.  Cheers.

Joe Rut

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 20:36:05 2005
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To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: edp schematics 
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Thanks to all of you who made suggestions on my edp not booting up problem.

I now have the oberhiem edp schematics and the problem turned out to be a 5 
volt regulator, that was inexpensive to replace. My unit is an early (beige 
model) gibson edp and it is the same as the oberhiem, I'm not sure if its 
any different in the new models or not. I've passed the schematics on to a 
few of you, and will be happy to email them to anyone else that can use them.

All the best,

Paul Haslem

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 21:57:14 2005
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Subject: Re: edp schematics 
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Hi Paul,

I´d be very interested. One of my EDPs has a high frequency whine on the
input when the volume is cranked up. I´d like to have my tech remove this if
possible.

Let me know how big the attachment would be.

Thanks,

Stephen.


"I´m striving for the mysterious. The obvious doesn´t interest me." (Jon
Hassell)

Visit the official [´ramp] website at www.doombient.com

WTB: "England´s Hidden Reverse" by David Keenan (Coil, Current93, Nurse With
Wound, David Tibet).


----- Original Message -----
From: paul <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 10, 2005 10:35 PM
Subject: edp schematics


> Thanks to all of you who made suggestions on my edp not booting up
problem.
>
> I now have the oberhiem edp schematics and the problem turned out to be a
5
> volt regulator, that was inexpensive to replace. My unit is an early
(beige
> model) gibson edp and it is the same as the oberhiem, I'm not sure if its
> any different in the new models or not. I've passed the schematics on to a
> few of you, and will be happy to email them to anyone else that can use
them.
>
> All the best,
>
> Paul Haslem
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 23:23:18 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Y2K5
Date: Sat, 10 Sep 2005 16:23:16 -0700
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The last two times I put the word 'Y2K5' into the subject line here it
never appears in the subject line no matter whether it is longer or shorter 
title, so this is a test of
our beloved automated system and an attempt to figure out how it 
automatically edits
the subject headers ......

..........and an important reiteration of the important
correction that i just posted under a different subject header:

This appeared a couple of hours ago with this header:

'no schedule yet'

*****************************
subject:  Y2K5: no schedule yet!

"I made a mistake in a new program that I am using for the Y2K5 website
and accidentally put up a schedule of performers for the main festival
at Y2K5

THERE IS NO SCHEDULE YET!!!!!!!
 and there won't be one for two weeks
due to pending performanc confirmation of a couple of 'name' acts

My apologies to anyone who

1) either got their hopes up
or
2) got their hopes dashed.

The scheduling is very, very important to me.  I will work very hard on
presenting the best possible show to everyone.

thanks,    Rick " 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 10 23:48:24 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 10 Sep 2005 18:48:23 -0500
Subject: Re: Some looping MP3s on my new website
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Uh....i guess you would need the url...

www.joerut.com

oops
----- Original Message -----
From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Subject: Some looping MP3s on my new website
Date: Sat, 10 Sep 2005 15:09:49 -0500

>=20
> Hey there loopers-
>=20
> For those who might be interested, I just launched my new website.=20=20
> There are lots of MP3s on the "Free Music Thingies" page.  Most of=20
> them are non-
> looping things, but there are a couple tracks from lumper/splitter,=20
> my live-looping improv duo with Lucio Menegon.  Cheers.
>=20
> Joe Rut
>=20
> --
> _______________________________________________
>=20
> Search for businesses by name, location, or phone number.  -Lycos Yellow =
Pages
>=20
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.=
asp?SRC=3Dlycos10

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 02:00:31 2005
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Date: Sat, 10 Sep 2005 19:00:28 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: RE: No Moderator (was BEATS NOT BOMBS in San Francisco)
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yea,thats why i rarely make statements,im a cryptic question kinda guy...

Gary Lehmann <hqr@cox.net> wrote:
Hey, I don’t make the rules—and evidently, neither does anyone else!

But, if you are too <something>, others will react—

And that’s the way Kim likes it—and he is paying the bill for LD—so he gets to have it his way . . .

Gary

 

---------------------------------


From: daniel stevenson [mailto:stillllscary@yahoo.com] 
Sent: Saturday, September 10, 2005 11:05 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: No Moderator (was BEATS NOT BOMBS in San Francisco)


 

we all have freedom of speech...just watch what you say?


"scary visionary"

Gary Lehmann <hqr@cox.net> wrote:


-----Original Message-----
From: Todd Howell [mailto:ransacker@earthlink.net] 

Out of curiosity, do we actually have a moderator here and what is his/her
role in the making of peace or managing said differences of opinion? Just
curious.

--->Uh . . no . . .
Kim says anything goes but be fair--
I have decided that everyone is right and yet no one agrees--
So just try to be kind . . .
I for one appreciate the information.
Gary





		
---------------------------------
 Click here to donate to the Hurricane Katrina relief effort.
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<DIV>yea,thats why i rarely make statements,im a cryptic question kinda guy...<BR><BR><B><I>Gary Lehmann &lt;hqr@cox.net&gt;</I></B> wrote:
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<DIV class=Section1>
<P class=MsoNormal><FONT face=Arial color=navy size=3><SPAN style="FONT-SIZE: 12pt; COLOR: navy; FONT-FAMILY: Arial">Hey, I don’t make the rules—and evidently, neither does anyone else!</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=3><SPAN style="FONT-SIZE: 12pt; COLOR: navy; FONT-FAMILY: Arial">But, if you are too &lt;something&gt;, others will react—</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=3><SPAN style="FONT-SIZE: 12pt; COLOR: navy; FONT-FAMILY: Arial">And that’s the way Kim likes it—and he is paying the bill for LD—so he gets to have it his way . . .</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=3><SPAN style="FONT-SIZE: 12pt; COLOR: navy; FONT-FAMILY: Arial">Gary</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"></SPAN></FONT>&nbsp;</P>
<DIV>
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<HR tabIndex=-1 align=center width="100%" SIZE=2>
</SPAN></FONT></DIV>
<P class=MsoNormal><B><FONT face=Tahoma size=2><SPAN style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">From:</SPAN></FONT></B><FONT face=Tahoma size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Tahoma"> daniel stevenson [mailto:stillllscary@yahoo.com] <BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Saturday, September 10, 2005 11:05 AM<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: No Moderator (was BEATS NOT BOMBS in San Francisco)</SPAN></FONT></P></DIV>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt"></SPAN></FONT>&nbsp;</P>
<DIV>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">we all have freedom of speech...just watch what you say?</SPAN></FONT></P></DIV>
<DIV>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">"scary visionary"<BR><BR><B><I><SPAN style="FONT-WEIGHT: bold; FONT-STYLE: italic">Gary Lehmann &lt;hqr@cox.net&gt;</SPAN></I></B> wrote:</SPAN></FONT></P></DIV>
<BLOCKQUOTE style="BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: medium none; MARGIN-TOP: 5pt; PADDING-LEFT: 2pt; MARGIN-BOTTOM: 5pt; PADDING-BOTTOM: 0in; MARGIN-LEFT: 2pt; BORDER-LEFT: #1010ff 1pt solid; PADDING-TOP: 0in; BORDER-BOTTOM: medium none">
<P class=MsoNormal style="MARGIN-BOTTOM: 12pt"><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">-----Original Message-----<BR>From: Todd Howell [mailto:ransacker@earthlink.net] <BR><BR><SNIP>Out of curiosity, do we actually have a moderator here and what is his/her<BR>role in the making of peace or managing said differences of opinion? Just<BR>curious.<BR><BR>---&gt;Uh . . no . . .<BR>Kim says anything goes but be fair--<BR>I have decided that everyone is right and yet no one agrees--<BR>So just try to be kind . . .<BR>I for one appreciate the information.<BR>Gary<BR><BR></SPAN></FONT></P></BLOCKQUOTE></DIV></BLOCKQUOTE></DIV><p>
		<hr size=1> <a href="http://store.yahoo.com/redcross-donate3/">Click here to donate to the Hurricane Katrina relief effort.</a>
--0-2099364234-1126404028=:41301--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 05:40:31 2005
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <20050910123113.47332.qmail@web52809.mail.yahoo.com>
Subject: Re: T.C. G-system
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I stopped by my local music store on Friday evening and my friend there told
me about this. He said it's one of the most amazing pedals he's ever seen.
He got to play one for a while and was very impressed.  Makes me want one to
add to the equipment pile. :)

Tony

----- Original Message ----- 
From: "L. Angulo" <labalou2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 10, 2005 8:31 AM
Subject: T.C. G-system


> Is aybody using this yet?
> http://www.tcelectronic.com/G-System
> seems awesome specially its switching system and being
> able to take out its compete internal DSP processor
> and putting it into a rack!
> guess what the only drawback is?
> 1400.00dlls;-(
> Luis
>
> www.luis-angulo.com
>
>
>
>
> ______________________________________________________
> Click here to donate to the Hurricane Katrina relief effort.
> http://store.yahoo.com/redcross-donate3/
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 08:59:18 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: zurich photos
Date: Sun, 11 Sep 2005 10:58:51 +0200
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hi Michael,

> i know about michael peters' site
> thanks michael, i love the slide show feature of the fliker site.....


just to make sure, flickr is not "my" site ... I just posted some photos
there as did Os and Andy and Fabio ...
http://www.flickr.com/groups/13509629@N00/


-Michael


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<BODY>
<DIV><SPAN class=3D468475408-11092005><FONT face=3DArial size=3D2>hi=20
Michael,</FONT></SPAN></DIV>
<DIV><SPAN class=3D468475408-11092005></SPAN>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D468475408-11092005>&gt;&nbsp;</SPAN></FONT><FONT =
FAMILY=3D"SANSSERIF"><FONT=20
face=3DArial size=3D2>i know about michael peters' site&nbsp;<SPAN=20
class=3D468475408-11092005>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005>&gt;&nbsp;</SPAN>thanks michael, i love the =
slide show=20
feature of the fliker site.....<SPAN=20
class=3D468475408-11092005>&nbsp;</SPAN></FONT></FONT></FONT></FONT></DIV=
>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV=
>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV=
>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005>just to make sure, flickr is not "my" site =
... I just=20
posted some photos there as did Os and Andy and Fabio ...=20
</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005><A=20
href=3D"http://www.flickr.com/groups/13509629@N00/">http://www.flickr.com=
/groups/13509629@N00/</A></SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV=
>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV=
>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005>-Michael</SPAN></FONT></FONT></FONT></FONT></D=
IV>
<DIV><FONT FAMILY=3D"SANSSERIF"><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D468475408-11092005>&nbsp;</SPAN><BR></DIV></FONT></FONT></FONT></=
FONT><FONT=20
FAMILY=3D"SANSSERIF"></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 09:46:33 2005
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...and I, yesterday.
Some nice shots of James Sidlo, Per Boysen, Bill Walker, Michael Peters, =
New
Bag, Rick Walker, Gareth Whittock, Andr=E9 M=FCller, Petr Samojsk=FD + =
Nechej,
Simon Grab, Claude Voit, Matthias Grob.
I exceeded my bandwidth, though, because I uploaded the full resolution, =
so:
More to come next month!

Thank you very much, Michael, for setting up the flickr thingy!

Bernhard
http://nosuch.biz
http://loopfestival.com/y2k5


-----Original Message-----
From: Michael Peters [mailto:mp@mpeters.de]=20
Sent: Sonntag, 11. September 2005 10:59
To: Loopers Delight
Subject: RE: zurich photos

hi Michael,
=A0
>=A0i know about michael peters' site=A0=A0
>=A0thanks michael, i love the slide show feature of the fliker =
site.....=A0
=A0
=A0
just to make sure, flickr is not "my" site ... I just posted some photos
there as did Os and Andy and Fabio ...=20
http://www.flickr.com/groups/13509629@N00/
=A0
=A0
-Michael
=A0


From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 11:06:22 2005
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Subject: Re: Y2K5 Intrntl Live Looping Fest: October 5th-10th
Date: Sun, 11 Sep 2005 12:06:14 +0100
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Cheers, to see this event is growing.

Jeers at myself for leaving the US before it got going.

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, 10 September, 2005 07:40 AM
Subject: Y2K5 Intrntl Live Looping Fest: October 5th-10th


> Put this on your calendars  all you loopers in Northern California.
>
> The Y2K5 International Live Looping Festival
> will be occur from October 5th through October 10th
> with over 40 artists performing from 6 countries in 5 performances in 3 
> cities
>
> October 5th, Wednesday      Best of Y2K5:    Henry Miller Library,   Big 
> Sur
> October 6th, Thursday      Experimental Guitar:  Y2K5   the Luggage Store, 
> San Francisco
> October 7th, Friday              Best of Y2K5:    the Drum Machine Museum, 
> San Franscisco
>
> THE MAIN FESTIVAL
> October 8th,  Saturday           E3 Playhouse,  Santa Cruz, California
> October 9th,  Sunday              E3 Playhouse,  Santa Cruz, California
>
> The Annual Y2K5 Loopers Brunch
> October 10th,  Monday   1:00 p.m.    tentatively:  E3 Playhouse   (backup: 
> the Catalyst)  Santa Cruz
>
> The Y2K5 After Party
> October 10th   Monday   9:30---till you drop       Santa Cruz's premier 
> goth club   The BOX
> 
> black attire suggested but not mandatory
>
> Details can be seen at
> http://loopfestival.com/y2k5
>
> The website that has been graciously donated and maintained by Bernhard 
> Wagner
> (the mastermind behind the wonderful Zurich Live Looping Festival this 
> past month).
>
> Bernhard, I have to say,  is having a banner month.   He is a headliner 
> for this years'
> Y2K5 Festival; he just produced the best live looping festival I've ever 
> seen and he
> has a beautiful new debut live looping solo CD out.    I will write a full 
> review of this wonderful
> record as soon as I am able to breathe after Y2K5, but it's a goody. 
> Suffice it to say that you should buy one from him while he is in America 
> (and the shipping charges are low.............lol)
>
> A quick note to all Performing Artists:
>
> 1)  Please go to the website site and see if there is any information that 
> you can fill in
> or correct and e-mail me immediately so I can change it.  It would be 
> great to have current e-mails and
> URLs for your music for every artist.
>
> Just put the bold letters  WEBSITE INFO: Y2K5 (YOUR NAME) in the subject 
> header of our email to me and mail it to     rickwalker@looppool.info .
> This way  I can collate the information and update the website very 
> quickly. Thanks a lot!!!!
>
> 2)  I will be posting set orders of all the concerts within two weeks of 
> today.
> The reason I will wait that long is because I have a couple of big acts 
> that I am still waiting on
> final confirmation from, so I don't want to do all the work to plan it and 
> then have to do it all over again.
> Thanks for bearing with me
>
> 3)  In two weeks time I will write a very definitive set of instructions 
> about what we'll all need to do in order to make such a garngantuan 
> performance come off professionally )load in, performance and sound check 
> information, et. al.)
>
> 4)  Also, PLEASE DO NOT  flood me with questions about the festival until 
> you get that email.  The amount of email I am sending and recieving 
> between venues, transportation providers, accomodation providers,  foreign 
> artists is just completely overwhelming.   LOL,  the less stressed I am, 
> the better the festival will be......................why?   Because I"m a 
> stress puppy for sure!
>
> Don't worry.   Everything will be done in a way that benefits all and I 
> won't forget anything,  I promise.
>
> Thanks a lot!!!!
>
> Rick Walker
>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 15:11:51 2005
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From: Jhsidlo@aol.com
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Date: Sun, 11 Sep 2005 11:11:48 EDT
Subject: Yamaha AW16G recorder
To: Loopers-Delight@loopers-delight.com
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-------------------------------1126451508
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

Hello everybody,

                I'm looking for a replacement cd burner for my Yamaha AW16G 
hard drive recorder. Supposedly it's proprietary, so you can't just slap any 
laptop burner in. Yamaha wants $500 for a new one.
    Any suggestions for a work around? please e-mail me offline concerning 
this.


                                                    Thanks, James Sidlo


                                        
            

-------------------------------1126451508
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html; cha=
rset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
f">
<DIV>Hello everybody,</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; I'm looking for a replacement cd burner for my Yamaha AW16G hard drive=20=
recorder. Supposedly it's proprietary, so you can't just slap any laptop bur=
ner in. Yamaha wants $500 for a new one.</DIV>
<DIV>&nbsp;&nbsp;&nbsp; Any suggestions for a work around? please e-mail me=20=
offline concerning this.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; &nbsp;&nbsp;&nbsp; Thanks, James Sidlo</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&n=
bsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; </DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; </DIV></BODY><=
/HTML>

-------------------------------1126451508--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 15:38:03 2005
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Date: Sun, 11 Sep 2005 11:37:56 EDT
Subject: Re: zurich photos
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Bernhard, et al,

Re: http://www.flickr.com/groups/13509629@N00/

A good set of photos . Really makes me wish I could 've been there.
If looks are anything it must've been a terrific show. Thanks for sharing
these. Someday, before I retire from looping and music in general, I=20
really must get over to Europe.

Best regards,

tEd =AE kiLLiAn

PS. Buy "Flux Aeterna" from CDBaby during the months of September
and October and all of my portion of the profits will be automatically
donated to the Red Cross by CDBaby -- specifically for Gulf Coast
hurricane relief.

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_8e.2f5c8ca0.3055a954_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Bernhard, et al,<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">Re: http://www.flickr.com/groups/13509629@N00/<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">A good set of photos . Really makes me wish I could 've been there.<BR>
If looks are anything it must've been a terrific show. Thanks for sharing<BR=
>
these. Someday, before I retire from looping and music in general, I <BR>
really must get over to Europe.<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#FF0000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">PS. Buy "Flux Aeterna" from CDBaby during the months of September<BR>
and October and all of my portion of the profits will be automatically<BR>
donated to the Red Cross by CDBaby -- specifically for Gulf Coast<BR>
hurricane relief.</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SAN=
SSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 15:49:41 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Sun, 11 Sep 2005 10:49:35 -0500
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--Apple-Mail-8--29796355
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ITS PERFECT. go with the 1010.
the EDP foot controller response time is good. dont get me wrong. but 
the reliability is NOT. from what i understand, its not voltage 
controlled, its RESISTANCE controlled. maybe that is the problem in the 
1st place. others may refute me but i have one and it sucks. any 
contamination of the buttons can set off the resistances and ur then 
screwed...ONSTAGE.
___
Adrian Bartholomew
Leawood KS
On Sep 9, 2005, at 9:21 PM, Joshua Fuller wrote:

> I am having problems with my original Echoplex foot
> pedal, and I am considering getting the FCB1010. My
> only concern is reliabity and response in trigger
> time. Since the FCB footswitch is triggering via midi,
> I would assume it is slower than the original EDP
> voltage controlled foot controller. Has anyone
> compared the 2?
>
> And- how is the feel, and reliability of the FCB1010?
> Is it a good replacement for what I currently have?
>
> Thanks for all of your input,
> Josh
>
>
> 	
> 		
> ______________________________________________________
> Click here to donate to the Hurricane Katrina relief effort.
> http://store.yahoo.com/redcross-donate3/
>

--Apple-Mail-8--29796355
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

ITS PERFECT. go with the 1010.

the EDP foot controller response time is good. dont get me wrong. but
the reliability is NOT. from what i understand, its not voltage
controlled, its RESISTANCE controlled. maybe that is the problem in
the 1st place. others may refute me but i have one and it sucks. any
contamination of the buttons can set off the resistances and ur then
screwed...ONSTAGE.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 9, 2005, at 9:21 PM, Joshua Fuller wrote:


<excerpt>I am having problems with my original Echoplex foot

pedal, and I am considering getting the FCB1010. My

only concern is reliabity and response in trigger

time. Since the FCB footswitch is triggering via midi,

I would assume it is slower than the original EDP

voltage controlled foot controller. Has anyone

compared the 2?


And- how is the feel, and reliability of the FCB1010?

Is it a good replacement for what I currently have?


Thanks for all of your input,

Josh



	

		

______________________________________________________

Click here to donate to the Hurricane Katrina relief effort.

http://store.yahoo.com/redcross-donate3/


</excerpt>
--Apple-Mail-8--29796355--

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To: Loopers-Delight@loopers-delight.com
From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Gig spam [Seattle]
Date: Sun, 11 Sep 2005 09:40:48 -0700
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Three acoustic guitar live looping shows this week, including a brand 
new venue in Everett that's been garnering a good reputation, despite 
being in a public library.  I guess they've worked out the "Shh!" 
issues.


September 15, Thursday, 6-8PM C&P Coffee (5612 California Ave SW)

September 16, Friday, 8-10PM El Diablo (1811 Queen Anne Avenue North 
#101)

*September 17, Saturday, 9-10PM Espresso Americano (Everett Public 
Library, Everett)


Be seeing you,

Travis


*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 16:44:50 2005
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Date: Sun, 11 Sep 2005 18:44:50 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: T.C. G-system
To: Loopers-Delight@loopers-delight.com
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 <01fb01c5b693$a8889be0$0200a8c0@bigtony>
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Some initial user report here
http://www.thegearpage.net/board/showthread.php?s=52e2e2ad6e45ae68ac46320fac324e18&threadid=100577

T.


----- Original Message ----- 
From: "Tony K" <bigtony@softhome.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 11, 2005 7:40 AM
Subject: Re: T.C. G-system


>I stopped by my local music store on Friday evening and my friend there 
>told
> me about this. He said it's one of the most amazing pedals he's ever seen.
> He got to play one for a while and was very impressed.  Makes me want one 
> to
> add to the equipment pile. :)
>
> Tony
>
> ----- Original Message ----- 
> From: "L. Angulo" <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, September 10, 2005 8:31 AM
> Subject: T.C. G-system
>
>
>> Is aybody using this yet?
>> http://www.tcelectronic.com/G-System
>> seems awesome specially its switching system and being
>> able to take out its compete internal DSP processor
>> and putting it into a rack!
>> guess what the only drawback is?
>> 1400.00dlls;-(
>> Luis
>>
>> www.luis-angulo.com
>>
>>
>>
>>
>> ______________________________________________________
>> Click here to donate to the Hurricane Katrina relief effort.
>> http://store.yahoo.com/redcross-donate3/
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 18:12:50 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
Subject: My Effects pedal dream
Date: Sun, 11 Sep 2005 18:12:47 +0000
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Hi all, its been a while.

I have finally finished the floorboard of my dreams!! see pics here

http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph

I have also found that using one of those storage bags for putting duvets 
under your bed makes a great carry bag to stop leads and the like falling 
out during transit. It has already been dubed the Body-bag setup by my local 
nightclub owner.

anyways, I have had a new idea for an effects pedal. It is a mechanical 
effect similar to an A/B box rather then one involving component 
electronics. what I am looking for is someone from this list with the 
relevent knowlege who I could run through my idea with.

Sorry if I am being a little vague, basically if you have moded a pedal 
before I imagine you would know enough to help me. I have tried doing this 
alone using logical reasoning, but Im getting some awful buzzes and not a 
lot of success.

Thanks to anyone who can spare the time.

Phill

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 18:23:16 2005
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Date: Sun, 11 Sep 2005 14:28:28 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: My Effects pedal dream
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Looks like a nice bunch or effects.  Personally, I would be very worried
about my EDP sitting on a dusty floor.  Perhaps you might want to wrap it in
saran-wrap to limit dust and wetness (read: beer) gets in?  But then cutting
off ventilation could cause problems too.  Hard to know which to worry about
more.  :-)




----- Original Message ----- 
From: "phill wilson" <blackface@hotmail.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 11, 2005 2:12 PM
Subject: My Effects pedal dream


> Hi all, its been a while.
>
> I have finally finished the floorboard of my dreams!! see pics here
>
>
http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph
>
> I have also found that using one of those storage bags for putting duvets
> under your bed makes a great carry bag to stop leads and the like falling
> out during transit. It has already been dubed the Body-bag setup by my
local
> nightclub owner.
>
> anyways, I have had a new idea for an effects pedal. It is a mechanical
> effect similar to an A/B box rather then one involving component
> electronics. what I am looking for is someone from this list with the
> relevent knowlege who I could run through my idea with.
>
> Sorry if I am being a little vague, basically if you have moded a pedal
> before I imagine you would know enough to help me. I have tried doing this
> alone using logical reasoning, but Im getting some awful buzzes and not a
> lot of success.
>
> Thanks to anyone who can spare the time.
>
> Phill
>
> _________________________________________________________________
> Be the first to hear what's new at MSN - sign up to our free newsletters!
> http://www.msn.co.uk/newsletters
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 18:24:39 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
Subject: My EDP Multiply Technique
Date: Sun, 11 Sep 2005 18:24:37 +0000
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Hey all,

just wanted to share a technique of sorts that I found almost my accident.

I dont know if anyone plays the type of music that would benifit from it, 
but here it is.

I play a song in my set that begins with bass note washes of E then C (2bars 
each). I loop this, thenn add other notes to form chordal Em and C. 
eventually as the song progresses (im singing too) I add in actual picked 
arpegio and strumming.
Well, basically what has often happened when I have been playing this song 
is thatthe wash notes have become kind of cloudy as they have been added, so 
that  by the time I have got to playing the strummed and picked bits it is 
very difficly to get the precise time of my loop.

Enter my new EDP setup. What I ended up doing (at first by accident) is 
starting a multiply each time I faded up a new note to add to the pad 
clusters then ended at the point I thought was rythimcally correct 
(goverened in a loose sense be the singing) with record thus redefining the 
loop.

The last time I played this song I redefined the loop pretty much at every 
other pass until I got all the parts laid down. What I ended up with was a 
loop that stayed constantly rythmically correct in relation to my singing, 
but developed a very interesting glitch at the start once multiple 
redefinitions had been done.

Im thinking the next step for me may be to try starting the remultiply at 
other points such as on the second chord and see what this distribution of 
loop-point-redefinition-glitches sounds like.

anyways, this may all be old hat to everyone else, or  completly useless, 
but I just got in from a gig and was stoked with the results of a cool 
accident!!

Phill

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 18:25:35 2005
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Date: Sun, 11 Sep 2005 12:25:34 -0600 (GMT-06:00)
From: Todd Howell <ransacker@earthlink.net>
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Subject: Re: My Effects pedal dream
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Phil

Fascinating use of multiple levels. Does the lack of visual reference on the face of the EDP ever become an inconvenience? Just wondering. How is it as far as comfort of use (ie. ergonomics)? Do you find it difficult to try and stomp on level two, standing on one foot and proceding to rock? Is the duvet cover sufficiently durable? I've been using a keyboard bag for mine. It's survived everything, spilled Guinness, cigarette burns, my 
Border Collie puppy. Sorry for all of the questions. Have designed, or rather presided over the evolution of my own pedal board.

Wondering.

Respectfully,

Todd Howell

-----Original Message-----
From: phill wilson <blackface@hotmail.co.uk>
Sent: Sep 11, 2005 12:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: My Effects pedal dream

Hi all, its been a while.

I have finally finished the floorboard of my dreams!! see pics here

http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph

I have also found that using one of those storage bags for putting duvets 
under your bed makes a great carry bag to stop leads and the like falling 
out during transit. It has already been dubed the Body-bag setup by my local 
nightclub owner.

anyways, I have had a new idea for an effects pedal. It is a mechanical 
effect similar to an A/B box rather then one involving component 
electronics. what I am looking for is someone from this list with the 
relevent knowlege who I could run through my idea with.

Sorry if I am being a little vague, basically if you have moded a pedal 
before I imagine you would know enough to help me. I have tried doing this 
alone using logical reasoning, but Im getting some awful buzzes and not a 
lot of success.

Thanks to anyone who can spare the time.

Phill

_________________________________________________________________
Be the first to hear what's new at MSN - sign up to our free newsletters! 
http://www.msn.co.uk/newsletters


From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 19:42:46 2005
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Date: Sun, 11 Sep 2005 21:47:04 +0200
Subject: Re: T.C. G-system
From: Andreas Willers <a.willers@arcor.de>
To: <Loopers-Delight@loopers-delight.com>
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Hi all,

yes, same here. For electric guitar nothing beats a single channel well set
up tube amp period. I am back to stomp boxes, true-bypass-switchboxes and
velcro all the way - with the EDP being my only rack unit left (I'd be into
a stompbox version of it!). While I loose some processing power I gladly
give it up since my instrument sounds so much better, more real if you will.
I compare it with the difference between playing an upright and a grand
piano.

For the record, I have never tried the Lexicon competitor to the G-Force
since it came out after I had bought the t.c. At least I think they featured
one fx section before and one after preamplification. Their recording amp
seemed neet. The Vox tonelab seems well laid out but quite big for my needs.

Regards, Andreas


> Luis,
> I just went through a similar experience. I played my Chapman Stick through a
> Mesa 
> stack with none of my digital processing and loved it.
> 
> I'm now exploring analog stomp boxes: current production, current production
> that 
> has been modified, vintage, and DIY. They are a little noisy, but the
> technology has 
> vastly improved, especially with the modded units and the DIY units.
> 
> 
>> Hi Andreas,
>> Is there a multiefx at all that doesnt go through a
>> damn A/D converter?
>> I just played a rock n roll gig recently which
>> required only a guitar and amp,so it was a little
>> marshall amp and a les paul, for a bit of boost i just
>> used its dedicated foot switch and man did it feel and
>> sound good to play like that!I havent been motivated
>> lately to play through so much digital stuff
>> lately,could it be that i am looping backwards?
>> Luis
>> 
>> 
>> --- Andreas Willers <a.willers@arcor.de> wrote:
>> 
>>> Also I guess they made the same problematic
>>> decisison as in the G-Force and
>>> G-Major Multieffects that in order to achieve a good
>>> wealth of routing
>>> options they ruled out one of the most important
>>> ones: the option of routing
>>> the analog (guitar) signal through untouched whith
>>> just some "add-on"
>>> effects like reverb and delay (you can't do that
>>> with distortion, filters
>>> and compression of course). So your signal is always
>>> (even when no effect is
>>> added) undergoing an A/D and D/A conversion. NO good
>>> idea IMO......
>>> 
>>> 
>>> 
>>>> Von: "L. Angulo" <labalou2000@yahoo.com>
>>>> Antworten an: Loopers-Delight@loopers-delight.com
>>>> Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
>>>> An: Loopers-Delight@loopers-delight.com
>>>> Betreff: T.C. G-system
>>>> Neu gesendet von:
>>> Loopers-Delight@loopers-delight.com
>>>> Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
>>> (UTC)
>>>> 
>>>> Is aybody using this yet?
>>>> http://www.tcelectronic.com/G-System
>>>> seems awesome specially its switching system and
>>> being
>>>> able to take out its compete internal DSP
>>> processor
>>>> and putting it into a rack!
>>>> guess what the only drawback is?
>>>> 1400.00dlls;-(
>>>> Luis
>>>> 
>>>> www.luis-angulo.com
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>> 
>> ______________________________________________________
>>>> Click here to donate to the Hurricane Katrina
>>> relief effort.
>>>> http://store.yahoo.com/redcross-donate3/
>>>> 
>>> 
>>> 
>> 
>> 
>> www.luis-angulo.com
>> 
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>> 
>> 
>> 
> 
> Louis Hesselt-van-Dinter
> 
> 

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Hi,

In a message dated 9/11/05 11:13:15 AM, blackface@hotmail.co.uk writes:

> http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=3D14c4&
> .dnm=3D1c8f.jpg&.src=3Dph
>=20
Question: have you got theMIDI clock of the Adrenalinn driving the EDP or th=
e=20
other way around (or neither).J ust curious.

Best regards,

tEd =AE kiLLiAn

PS. Buy "Flux Aeterna" from CDBaby during the months of September
and October and all of my portion of the profits will be automatically
donated to the Red Cross by CDBaby specifically for Gulf Coast
hurricane relief.

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_ba.79ee5f47.3055e83b_boundary
Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hi,<BR>
<BR>
In a message dated 9/11/05 11:13:15 AM, blackface@hotmail.co.uk writes:<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://uk.pg.photos.y=
ahoo.com/ph/phillwilson_uk/detail?.dir=3D14c4&amp;.dnm=3D1c8f.jpg&amp;.src=
=3Dph</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZ=
E=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
Question: have you got theMIDI clock of the Adrenalinn driving the EDP or th=
e other way around (or neither).J ust curious.<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#FF0000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">PS. Buy "Flux Aeterna" from CDBaby during the months of September<BR>
and October and all of my portion of the profits will be automatically<BR>
donated to the Red Cross by CDBaby specifically for Gulf Coast<BR>
hurricane relief.</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SAN=
SSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_ba.79ee5f47.3055e83b_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 11 22:19:31 2005
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Y2K5: no schedule yet!
Date: Sun, 11 Sep 2005 15:19:07 -0700
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hey Rick, Daniel Lewis  expressed interest in performing again this year if
you have a cancellation. he expressed extreme embarrassment over not having
it together last year and vowed a more together performance.
Bill

-----Original Message-----
From: loop.pool [mailto:looppool@cruzio.com]
Sent: Saturday, September 10, 2005 11:26 AM
To: LOOPERS DELIGHT (posting)
Subject: Y2K5: no schedule yet!


I made a mistake in a new program that I am using for the Y2K5 website
and accidentally put up a schedule of performers for the main festival
at Y2K5

THERE IS NO SCHEDULE YET!!!!!!!
 and there won't be one for two weeks
due to pending performanc confirmation of a couple of 'name' acts

My apologies to anyone who

1) either got their hopes up
or
2) got their hopes dashed.

The scheduling is very, very important to me.  I will work very hard on
presenting the best possible show to everyone.

thanks,    Rick




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thanks michael!.....more please!.....:)m

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 01:17:28 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: I'm actually going toward rackmount stuff  Re: T.C. G-system
Date: Sun, 11 Sep 2005 21:20:59 -0400
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Just great! Here I am transitioning from pedals to rackmount (esp. after
hearing what Ted K did with his Vortex) while the rest of you are segueing
the *other* direction...don't *I* feel like a chump!  ;-)
But I got some great rack stuff for fire-sale prices recently, and I plan
to run it though my olde-tyme amps, even if I'm dialing up an amp
simulation upstream of the real amp. I figger I'll use stompboxes for most
gain-related live things, and my toy-based stompbox will have to stay
because there is nothing on earth, either analog or digital, that can do
what it does. Other than that, I figured that after 20 years of using
stompboxes I needed a change. There were sounds in my head that my little
zink boxes could not do. If I grow tired of it, I could always go back to
stompboxes...but it'd take 50 pounds of stompboxes to get what my mpx500,
VF-1, and Vortex can do....
And here's the main thing I tell myself....even if I'm going through a
SIMULATED tape echo, and a SIMULATED Plexi Marshall, and a SIMULATED plate
reverb, I AM REAL, and that realness will hopefully come through no matter
how much digital sleight of hand I decide to use. 
Sonic Luv,
Tim


> [Original Message]
> From: Andreas Willers <a.willers@arcor.de>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/11/2005 3:42:45 PM
> Subject: Re: T.C. G-system
>
> Hi all,
>
> yes, same here. For electric guitar nothing beats a single channel well
set
> up tube amp period. I am back to stomp boxes, true-bypass-switchboxes and
> velcro all the way - with the EDP being my only rack unit left (I'd be
into
> a stompbox version of it!). While I loose some processing power I gladly
> give it up since my instrument sounds so much better, more real if you
will.
> I compare it with the difference between playing an upright and a grand
> piano.
>
> For the record, I have never tried the Lexicon competitor to the G-Force
> since it came out after I had bought the t.c. At least I think they
featured
> one fx section before and one after preamplification. Their recording amp
> seemed neet. The Vox tonelab seems well laid out but quite big for my
needs.
>
> Regards, Andreas
>
>
> > Luis,
> > I just went through a similar experience. I played my Chapman Stick
through a
> > Mesa 
> > stack with none of my digital processing and loved it.
> > 
> > I'm now exploring analog stomp boxes: current production, current
production
> > that 
> > has been modified, vintage, and DIY. They are a little noisy, but the
> > technology has 
> > vastly improved, especially with the modded units and the DIY units.
> > 
> > 
> >> Hi Andreas,
> >> Is there a multiefx at all that doesnt go through a
> >> damn A/D converter?
> >> I just played a rock n roll gig recently which
> >> required only a guitar and amp,so it was a little
> >> marshall amp and a les paul, for a bit of boost i just
> >> used its dedicated foot switch and man did it feel and
> >> sound good to play like that!I havent been motivated
> >> lately to play through so much digital stuff
> >> lately,could it be that i am looping backwards?
> >> Luis
> >> 
> >> 
> >> --- Andreas Willers <a.willers@arcor.de> wrote:
> >> 
> >>> Also I guess they made the same problematic
> >>> decisison as in the G-Force and
> >>> G-Major Multieffects that in order to achieve a good
> >>> wealth of routing
> >>> options they ruled out one of the most important
> >>> ones: the option of routing
> >>> the analog (guitar) signal through untouched whith
> >>> just some "add-on"
> >>> effects like reverb and delay (you can't do that
> >>> with distortion, filters
> >>> and compression of course). So your signal is always
> >>> (even when no effect is
> >>> added) undergoing an A/D and D/A conversion. NO good
> >>> idea IMO......
> >>> 
> >>> 
> >>> 
> >>>> Von: "L. Angulo" <labalou2000@yahoo.com>
> >>>> Antworten an: Loopers-Delight@loopers-delight.com
> >>>> Datum: Sat, 10 Sep 2005 05:31:13 -0700 (PDT)
> >>>> An: Loopers-Delight@loopers-delight.com
> >>>> Betreff: T.C. G-system
> >>>> Neu gesendet von:
> >>> Loopers-Delight@loopers-delight.com
> >>>> Neu gesendet am: Sat, 10 Sep 2005 12:31:14 +0000
> >>> (UTC)
> >>>> 
> >>>> Is aybody using this yet?
> >>>> http://www.tcelectronic.com/G-System
> >>>> seems awesome specially its switching system and
> >>> being
> >>>> able to take out its compete internal DSP
> >>> processor
> >>>> and putting it into a rack!
> >>>> guess what the only drawback is?
> >>>> 1400.00dlls;-(
> >>>> Luis
> >>>> 
> >>>> www.luis-angulo.com
> >>>> 
> >>>> 
> >>>> 
> >>>> 
> >>>> 
> >>> 
> >> ______________________________________________________
> >>>> Click here to donate to the Hurricane Katrina
> >>> relief effort.
> >>>> http://store.yahoo.com/redcross-donate3/
> >>>> 
> >>> 
> >>> 
> >> 
> >> 
> >> www.luis-angulo.com
> >> 
> >> __________________________________________________
> >> Do You Yahoo!?
> >> Tired of spam?  Yahoo! Mail has the best spam protection around
> >> http://mail.yahoo.com
> >> 
> >> 
> >> 
> > 
> > Louis Hesselt-van-Dinter
> > 
> > 


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 01:23:04 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: My Effects pedal dream
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Nice, sweet setup. Very clean. And it's always cool to run into a fellow
Bitrman devotee!
~Tim Mungenast


> [Original Message]
> From: phill wilson <blackface@hotmail.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/11/2005 2:12:50 PM
> Subject: My Effects pedal dream
>
> Hi all, its been a while.
>
> I have finally finished the floorboard of my dreams!! see pics here
>
>
http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=14c4&.dnm=1c8f.j
pg&.src=ph
>
> I have also found that using one of those storage bags for putting duvets 
> under your bed makes a great carry bag to stop leads and the like falling 
> out during transit. It has already been dubed the Body-bag setup by my
local 
> nightclub owner.
>
> anyways, I have had a new idea for an effects pedal. It is a mechanical 
> effect similar to an A/B box rather then one involving component 
> electronics. what I am looking for is someone from this list with the 
> relevent knowlege who I could run through my idea with.
>
> Sorry if I am being a little vague, basically if you have moded a pedal 
> before I imagine you would know enough to help me. I have tried doing
this 
> alone using logical reasoning, but Im getting some awful buzzes and not a 
> lot of success.
>
> Thanks to anyone who can spare the time.
>
> Phill
>
> _________________________________________________________________
> Be the first to hear what's new at MSN - sign up to our free newsletters! 
> http://www.msn.co.uk/newsletters


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 01:44:03 2005
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Date: Sun, 11 Sep 2005 18:43:55 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: lexicon boxes
In-Reply-To: <3.0.6.32.20050910153202.00a3ca80@pop.mindspring.com>
References: <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com>
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At 12:32 PM 9/10/2005, nick douglas wrote:
>I tried to buy rotary encoders using that part number and phone number a 
>few weeks after Jeff posted them. I wanted five. I needed two and wanted 
>spares besides but they only had two left.  I'd buy spares today if I 
>could find them.
>
>Please, somebody find or make a substitute part.

Perhaps one of you can open up your unit, look at the encoder, and see what 
the manufacturer and part number is?

FWIW, in the vortex service manual this part is described as:
SW, RTY, BCD, 16POS, 17.5MM

That probably means it is a rotary encoder using "BCD" style encoding 
(Binary Coded Decimal), it has 16 positions, and the shaft is 17.5mm long. 
That should be enough to find a similar part.

It may be very simple to go buy them from an electronics distributor if you 
know the mfr/part#, or find an alternate source just from the part 
description if the original is not made any longer. Rotary encoders are 
fairly common parts. Do a google search and you may find it.

If we figure out where to get them, we can put the details on the Looper's 
Delight web pages for vortex/jamman to help others.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 01:55:40 2005
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Date: Sun, 11 Sep 2005 18:55:23 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: memorial service honoring Richard Zvonar
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Hi Everybody-

I just received a message from Dorie Griggs, Richard Zvonar's sister. She 
wanted to let us know that a memorial gathering is being held for Richard 
on October 2 in Los Angeles by the American Composers Forum.

Details are posted here:
<http://www.composers.la/events.asp#anchor1>http://www.composers.la/events.asp#anchor1 


It says:

"Memorial Service Honoring Richard Zvonar

Sunday October 2nd from 4-7pm
acf/LA will be hosting a memorial house concert gathering honoring Richard 
Zvonar. As many of you know, Richard was a vital part of this organization 
and his absence is felt by all. There will be live and recorded 
performances highlighting Richards career, and guests from a wide swath of 
his fascinating life."

If you are interested in attending, the email address given for further 
details is acf@composers.la

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 02:19:47 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
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Subject: Re: My Effects pedal dream
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Thanks to you all for your comments.
I have combined my answers into this one mail-box friendly packet!!

1.	David- Ta for the concern, maybe I am a young hick but my edp has always 
lived on the floor , it used to just sit on the stage floor so I guess my 
little EDP thinks its in heaven with a whole 1/4 inch of ground clearanceJ 
basically the edp is anchored at the sides to the left hand side of the 
board and a middle support. Round the back is a big powerstrip for all my 
plug, so if beer does go on it I’ll have more to worry about then the edp!! 
Point taken though, I may as some point make a back for the whole shebang 
with angled slats for ventilation.

2.	Todd- From a standing position I can still see the readout over the top 
of my edp controller, so far so good with regard to that. (although I got 
caught out with my homebrew controller which dosn’t have any notation of 
buttons when I accidentally stopped the whole loop rather then going into 
reverse, I looked  but silly!!). Again this may make some of you shudder, 
but when the EDP sat on the floor I often ended up putting some stomp box on 
top of it to save room, therefore I had a good idea of the height I would be 
able to use live. If you are thinking of making a two layer board I would 
surgest raiding your bookshelf and making various layouts with steps using 
books just ot get a feel for what you can manage with. For me this is the 
better of two evils as all my effects used to be in one long row leading to 
some monty-python esque  leg movements to trigger my OC-3 and remain singing 
in the mike! Two levels rock!! Although I should again warn, think of where 
the mike stand legs will go when you design, this has taken a bit of 
figuring out for me, I now have it set at the far back right corner and the 
boom arm extended fully coming diagonally up, (not totally attractive) as 
for putting the whole thing inside something the duvet-cover cover is 
working for me as it is light and can just be unzipped and curled under the 
edges. Some of he gigs I get have litrally a 3minute setup rule so this is 
important if you have a good bag, build to that size spec, one less thing to 
worry about. Go for it!!

3.Ted. At the mo I am using tap tempo rather then midi synch as  I can be 
very choosy about where I use the beat synch stuff and its hard to just turn 
it off mid song. However at home I have tried both, I found both work for 
different applications. If a beat synch is important in the first loop, 
obviously it has to be set by the Linn  to the edp but if you intend to 
start with non synch stuff then suddenly drop in a Arpeggio or something (my 
fav way) the an edp master works great. Be carful about the 8th settings 
though as they can interact with stuff really weirdly, for instance on a 
four beat bar at 120bmp the delay effects sounded great, but I switched to 
chorus and of course I got a mushy wobble!!

4.Tim. What can I say, the bitrman rules!!! I loop an acoustic and I 
actually had a guy wander to right infront of the mike and get down on his 
knees to watch the pedals as I summoned some deamon-from-hell for the 
grand-finally (god I love that ring mod!!)

anyway thanks to you all
Phill

_________________________________________________________________
Be the first to hear what's new at MSN - sign up to our free newsletters! 
http://www.msn.co.uk/newsletters

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: My Effects pedal dream
Date: Sun, 11 Sep 2005 21:22:07 -0500
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i built one myself.
its an AB on steroids.
it routes 4 ins to 2 outs. 2 of the ins are assumed to be elec gtr and  
the other 2, acoustic.
the footswitch, when depressed repeatedly, cycles through each of the  
gtr inputs. if its either 1 or 2, they're routed to output 1. if 3 or  
4, they're routed to output 2. the box has 2 other jacks. send and  
return.

u could guess where im going from here. output 1 is hooked up to my  
trusty tube amp.
output 2 could be sent to either a direct box routed to the mixing  
console or directly to an acoustic amp.

but no matter which of the 4 inputs is chosen, they all are routed  
through the send/return. THATS THE KEY.

this way i use my pedal board for acoustic or electric. very  
convenient. the tuner for instance can be used for the acoustic. delay  
and chorus stuff can be used on the acoustic. and all the while, im  
secure that the correct gtr is routed to the correct output.
put down my les paul, pickup my acoustic, step on the switch twice and  
im ready to go.

i even outfitted the box with an LED counter showing the number of the  
chosen input. it goes from 0 through 3 though. not 1 - 4.
and its TRANSPARENT BLUE.
sweeet.
___
Adrian Bartholomew
Leawood KS
On Sep 11, 2005, at 1:12 PM, phill wilson wrote:

> Hi all, its been a while.
>
> I have finally finished the floorboard of my dreams!! see pics here
>
> http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/ 
> detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph
>
> I have also found that using one of those storage bags for putting  
> duvets under your bed makes a great carry bag to stop leads and the  
> like falling out during transit. It has already been dubed the  
> Body-bag setup by my local nightclub owner.
>
> anyways, I have had a new idea for an effects pedal. It is a  
> mechanical effect similar to an A/B box rather then one involving  
> component electronics. what I am looking for is someone from this list  
> with the relevent knowlege who I could run through my idea with.
>
> Sorry if I am being a little vague, basically if you have moded a  
> pedal before I imagine you would know enough to help me. I have tried  
> doing this alone using logical reasoning, but Im getting some awful  
> buzzes and not a lot of success.
>
> Thanks to anyone who can spare the time.
>
> Phill
>
> _________________________________________________________________
> Be the first to hear what's new at MSN - sign up to our free  
> newsletters! http://www.msn.co.uk/newsletters
>

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i built one myself.

its an AB on steroids.

it routes 4 ins to 2 outs. 2 of the ins are assumed to be elec gtr and
the other 2, acoustic.

the footswitch, when depressed repeatedly, cycles through each of the
gtr inputs. if its either 1 or 2, they're routed to output 1. if 3 or
4, they're routed to output 2. the box has 2 other jacks. send and
return.


u could guess where im going from here. output 1 is hooked up to my
trusty tube amp.

output 2 could be sent to either a direct box routed to the mixing
console or directly to an acoustic amp.


but no matter which of the 4 inputs is chosen, they all are routed
through the send/return. THATS THE KEY.


this way i use my pedal board for acoustic or electric. very
convenient. the tuner for instance can be used for the acoustic. delay
and chorus stuff can be used on the acoustic. and all the while, im
secure that the correct gtr is routed to the correct output.

put down my les paul, pickup my acoustic, step on the switch twice and
im ready to go.


i even outfitted the box with an LED counter showing the number of the
chosen input. it goes from 0 through 3 though. not 1 - 4.

and its TRANSPARENT BLUE.

sweeet.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 11, 2005, at 1:12 PM, phill wilson wrote:


<excerpt>Hi all, its been a while.


I have finally finished the floorboard of my dreams!! see pics here


http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph


I have also found that using one of those storage bags for putting
duvets under your bed makes a great carry bag to stop leads and the
like falling out during transit. It has already been dubed the
Body-bag setup by my local nightclub owner.


anyways, I have had a new idea for an effects pedal. It is a
mechanical effect similar to an A/B box rather then one involving
component electronics. what I am looking for is someone from this list
with the relevent knowlege who I could run through my idea with.


Sorry if I am being a little vague, basically if you have moded a
pedal before I imagine you would know enough to help me. I have tried
doing this alone using logical reasoning, but Im getting some awful
buzzes and not a lot of success.


Thanks to anyone who can spare the time.


Phill


_________________________________________________________________

Be the first to hear what's new at MSN - sign up to our free
newsletters! http://www.msn.co.uk/newsletters


</excerpt>
--Apple-Mail-13-8156280--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 02:34:43 2005
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	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
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Subject: The PiNG presents Wendy Atkinson with David Lester + Syntax Error
Date: Sun, 11 Sep 2005 22:35:44 -0400
Organization: dreamSTATE
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THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tues. Sept. 13th - Wendy Atkinson with David Lester + Syntax Error

A musical collaboration between guitarist David Lester of Mecca Normal
and experimental solo bassist Wendy Atkinson. An instrumental bass and
guitar duo playing music that varies from ambient to dreamy pop to
lush film-like scores. They are in the final stages of recording their
debut CD to be released next year.

Wendy Atkinson's debut CD "Trim" was a bass-only album that included
electric, acoustic and double bass. She created a recording that is
atmospheric and vivid using only this one instrument, an instrument
that is generally relegated to the rhythmic background of most music.
http://www.tinforest.com/tinfr/wendyatkinson/

David Lester is the guitar player for the underground rock duo
Mecca Normal. He is also an artist whose work has appeared in
Bananafish, Broken Pencil and his cartoons appear regularly in the
San Diego Reader. David's book "The Gruesome Acts of Capitalism"
will be published this winter by Arbeiter. Like Wendy, David lives
in Vancouver BC. http://mecca_normal.tripod.com/

Opening the night, Syntax Error plan an improvised set plus live
versions of 2 of their released tracks using computers & controllers,
mixers, a rack full of patchbays/fx and an electric toothbrush.
Beginning abstract and ambient they'll evolve into a more rhythmic
second half of their set - both 'pretty' and dark. 'Chilling'...
but not quite 'chilled out'. www.thesyntaxerrorproject.com

Between Sets CD - "Dreamtime Return - disc 2" by Steve Roach
Ranging from deep ambient to ritualistic tribal rhythms and chant
this classic album still sounds like a transmission from the near
future and the very distant past."  http://www.steveroach.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday September 20th - PiNG AMBiENCE 3 - LiVE
    featuring Paul Royes, Phil Ogison and Joe G 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

||: IN THE LOOP :||  by Luna Tek

It was a day for fresh beginnings: another school year for me and the
kickoff of the Worthy Records fall concert series. Scheduled for the
first Tuesday of every month, the September 6 Worthy showcase featured
Weird State Inbetween (Anne Sulikowski and Scott Johnson) and
The London Apartments from Windsor, ON. 

The show began with Weird State Inbetween. Enveloping the PiNG audience
in their quirky world of luscious soundwalls, Anne and Scott were busy
onstage ramping up the effects and maintaining a fever pitch of
improvisational intensity. 

The London Apartments brought up the rear with a gorgeous set of songs.
Wistful lyrics and pretty instrumentals lulled TAP crowd into a state
of late night bliss. With General Chaos Visuals creating dreamy
atmospherics on the screen behind them, The London Apartments secured
a new fan base in TO. As Anne Sulikowski pointed out, it's impossible
not to enjoy the "space lullabies" created by this talented duo. 

i POP PiNG magazine is in production and looking fabulous. A range of
contributions from a diverse group of artists has made the editorial
process a real delight. Look for a preview issue at Word on the Street
later this month & check back here for more details about the official
i POP PiNG launch this fall.

Luna Tek - luna@theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Uncertain Futures and Fading Pasts" by Angelmark

I like beautiful things, things that make me stop and appreciate
the world around me, things that give me pause to think and wonder.
"Uncertain Futures and Fading Pasts" is the second disc by Michael
Turner's solo project Angelmark and it is undoubtedly a beautiful
collection of music that inspires the stop, appreciate, pause,
think and wonder response in me.

"Equipoise" opens the disc with a repeated melody slowly gaining
strength and volume, drifting into a more pronounced lead line that
dances and floats around the same melodic ideal. A steady rhythm
guitar plays underneath as lines blend and blur with each other
leading into a gradual dissolve of sounds. It's a stunning opening,
something wonderful.

"Mam Tor" vibrates and oscillates with a beautiful intensity.
A background drone provides accompaniment and a sense of movement
that suggests displacement, relocation. It's a very evocative piece,
surprisingly effective given it's minimalist nature.

The third track "Fleeting Moment..." has a strong cinematic quality
to it, suggesting rebirth and reawakening. I like this one, it has
a serenity and grace that appeals to the optimist in me.

Track four "Wintermute" is a stunningly beautiful piece, a delicate
guitar melody that weaves in and out through a cascade of chiming
bells and enveloping rhythm work. It's a truly wonderful piece that
spirals and dances through the ether, and it's only fault is that
it ends too soon.

"Others Distant" follows a similar form, a minimal bass line
anchoring a droning wall of guitar, a sense of oblique motion,
drifting amongst stars. I wonder if this and "Wintermute" are
flipsides of the same coin? They certainly complement each other well...

"Unseen" has a sense of tension and displacement to it, nothing so
harsh as to be unsettling, but definitely an anxious feeling about
it. Guitar notes throughout the track feel choked and forced and 
background drones try to gain shape and form, but never quite
succeed. It has a sense of claustrophobia to it, something
uncomfortable. And yet despite all of that, it still has a
feeling of beauty and charm about it. Lovely work.

"Twilight World" offers some relief from the claustrophobia of
"Unseen", soft shapes and forms growing underneath swirling
backdrops and soothing lead lines. It's something beautiful and
shoegazerish, something that a Slowdive or Cocteaus fan would
adore, something that would be right at home in a film with
Rose McGowan and Johnathan Schaech driving through the desert.
Powerful.

"Flowers Washed Down By the Rain" closes the disc, a minimal piece
employing solemn piano and sweeping guitar playing overtop the
steady sound of rain. A very nice environment is created in this
one, something very lush and full, while maintaining a delicate
quality, a sense of fragility. Very nice.

Over the course of these nine songs, Turner creates a beautiful
and magical environment for the listener to discover. His sense
of space and production is impeccable and his ability to develop
and expand on melody is outstanding. Certainly "Uncertain Futures
and Fading Pasts" is a release by an artist at the top of his game,
and certainly deserves repeated listening and further exploration.

Michael Turner is one of many artists who have generously offered
to donate all earnings from the sale of their CDs through ping things
for the month of September to the American Red Cross (less taxes &
shipping costs) in an effort to raise money for Hurricane relief
efforts. Please visit http://www.pingthings.com to find out more.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things
Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 03:14:02 2005
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Date: Mon, 12 Sep 2005 13:13:55 +1000 (EST)
From: Daniel Varricchio <klangfarben9@yahoo.com.au>
Subject: edp schematics: request
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Hello Paul, 
May I also put in a request for a copy of those EDP schematics you have? I too have an early model Gibson EDP which sometimes likes to do strange things, and since I'm far away from any sort of technical assistance (being in Australia), those schems could be very handy to have around.
Thanks in advance,
daniel
klangfarben9@yahoo.com.au

Date: Sat, 10 Sep 2005 16:35:54 -0400
From: paul <phaslem@wightman.ca>
To: Loopers-Delight@loopers-delight.com
Subject: edp schematics 

Thanks to all of you who made suggestions on my edp not booting up problem.

I now have the oberhiem edp schematics and the problem turned out to be a 5 volt regulator, that was inexpensive to replace. My unit is an early (beige model) gibson edp and it is the same as the oberhiem, I'm not sure if its any different in the new models or not. I've passed the schematics on to a few of you, and will be happy to email them to anyone else that can use them.

All the best,

Paul Haslem



		
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<DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face=arial,helvetica>
<P>&nbsp;
<P>Hello Paul, 
<P>May I also put in a request for a copy of those EDP schematics you have? I&nbsp;too have an early model Gibson EDP which sometimes likes to do strange things, and since I'm far away from any&nbsp;sort of&nbsp;technical assistance (being in Australia), those schems could&nbsp;be very&nbsp;handy&nbsp;to have around.
<P>Thanks in advance,
<P>daniel
<P><A href="mailto:klangfarben9@yahoo.com.au">klangfarben9@yahoo.com.au</A>
<P><BR>Date: Sat, 10 Sep 2005 16:35:54 -0400<BR>From: paul &lt;phaslem@wightman.ca&gt;<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: edp schematics <BR><BR>Thanks to all of you who made suggestions on my edp not booting up problem.<BR><BR>I now have the oberhiem edp schematics and the problem turned out to be a 5 volt regulator, that was inexpensive to replace. My unit is an early (beige model) gibson edp and it is the same as the oberhiem, I'm not sure if its any different in the new models or not. I've passed the schematics on to a few of you, and will be happy to email them to anyone else that can use them.<BR><BR>All the best,<BR><BR>Paul Haslem<BR></P></BLOCKQUOTE></DIV></FONT><p>
		<hr size=1>Do you Yahoo!?<br> 
<a 
href="http://us.rd.yahoo.com/mail/au/tag/newmovies/**http%3A%2F%2Fau.movies.yahoo.com%2F"> 
The New Yahoo! Movies: Check out the Latest Trailers, Premiere Photos and full Actor Database.</a>
--0-1998154427-1126494835=:89014--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 04:34:42 2005
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At 09:46 AM 9/9/2005, Dennis Montgomery wrote:
>  I went back to the EDP manual to learn some new 'multiply' tricks last 
> night.  I was trying the alternative ending of following a multiply with 
> reverse (described on page 5-33) but couldn't get it to work.  I'd go 
> into multiply mode and hit reverse, but the multiply would just keep 
> running adding new cycles.  I tried triggering both from the footswitch 
> and my midi controller but no go.  Other multiply alternate endings were 
> working for me just fine.  Any ideas?

Hi Dennis-

I could tell you that "it works fine here" but that may not help you much, 
other than to let you know that it is possible to do what you want to do.

Perhaps you can tell us some more about what parameters you have set, which 
version of Loop are you using (LoopIV, LoopIII v5.0, something older, 
etc.)? This will help a lot to get your problem sorted out.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 04:44:04 2005
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--Apple-Mail-1-16637490
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i would like to setup ableton to use in my live show triggering samples 
while synced to EDP.

how do i set it up so i could select/load songs into ableton remotely 
from my FCB1010?
do i have to use scenes as songs? id prefer not to and use it as it was 
intended...scenes as scenes WITHIN  a song.

i dont want to have to manually load songs into ableton while im trying 
to perform.
___
Adrian Bartholomew
Leawood KS
--Apple-Mail-1-16637490
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i would like to setup ableton to use in my live show triggering
samples while synced to EDP.


how do i set it up so i could select/load songs into ableton remotely
from my FCB1010?

do i have to use scenes as songs? id prefer not to and use it as it
was intended...scenes as scenes WITHIN  a song.


i dont want to have to manually load songs into ableton while im
trying to perform.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS
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Although I haven't tried it, live 5 let's you access song markers remotely
as well as scenes. That way, you could have one long song as your whole set,
each with it's own tempo, etc. think of it as a medley. This allows you to
keep scenes as scenes.

 

  _____  

From: Adrian Bartholomew [mailto:adrian@bartholomusic.com] 
Sent: Monday, September 12, 2005 12:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: ableton question

 

i would like to setup ableton to use in my live show triggering samples
while synced to EDP.

how do i set it up so i could select/load songs into ableton remotely from
my FCB1010?
do i have to use scenes as songs? id prefer not to and use it as it was
intended...scenes as scenes WITHIN a song.

i dont want to have to manually load songs into ableton while im trying to
perform.
___
Adrian Bartholomew
Leawood KS


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Although I haven&#8217;t tried it, =
live 5
let&#8217;s you access song markers remotely as well as scenes. That =
way, you
could have one long song as your whole set, each with it&#8217;s own =
tempo,
etc. think of it as a medley. This allows you to keep scenes as =
scenes.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Adrian
Bartholomew [mailto:adrian@bartholomusic.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, September =
12, 2005
12:43 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> ableton =
question</span></font><o:p></o:p></p>

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<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>i would like to setup ableton to use in my live show triggering =
samples
while synced to EDP.<br>
<br>
how do i set it up so i could select/load songs into ableton remotely =
from my
FCB1010?<br>
do i have to use scenes as songs? id prefer not to and use it as it was
intended...scenes as scenes WITHIN a song.<br>
<br>
i dont want to have to manually load songs into ableton while im trying =
to
perform.<br>
___<b><?color><?param 7979,0404,0909><span =
style=3D'font-weight:bold'><br>
Adrian Bartholomew<br>
</span></b><st1:place w:st=3D"on"><st1:City =
w:st=3D"on"><?/color>Leawood</st1:City>
 <st1:State =
w:st=3D"on">KS</st1:State></st1:place><o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 05:00:57 2005
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Subject: Re[2]: My Effects pedal dream
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Phill,

You can use this case to store your rack and then all you have to do is open it up and use it!

Anvil cases are used by the best musicians in the business.

Here is a link to a picture of it.

http://www.cases2go.com/catpages/Anvil/about_anvil_cases.asp_Q_id_E_254

Best Regards,
Tom Devine

On Sep 11, 2005, at 1:12 PM, phill wilson wrote:

> Hi all, its been a while.
>
> I have finally finished the floorboard of my dreams!! see pics here
>
> http://uk.pg.photos.yahoo.com/ph/phillwilson_uk/ 
> detail?.dir=14c4&.dnm=1c8f.jpg&.src=ph
>
> I have also found that using one of those storage bags for putting  
> duvets under your bed makes a great carry bag to stop leads and the  
> like falling out during transit. It has already been dubed the  
> Body-bag setup by my local nightclub owner.
>
> anyways, I have had a new idea for an effects pedal. It is a  
> mechanical effect similar to an A/B box rather then one involving  
> component electronics. what I am looking for is someone from this list  
> with the relevent knowlege who I could run through my idea with.
>
> Sorry if I am being a little vague, basically if you have moded a  
> pedal before I imagine you would know enough to help me. I have tried  
> doing this alone using logical reasoning, but Im getting some awful  
> buzzes and not a lot of success.
>
> Thanks to anyone who can spare the time.
>
> Phill

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 05:16:53 2005
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Hi Phill-

At 11:24 AM 9/11/2005, phill wilson wrote:
>just wanted to share a technique of sorts that I found almost my accident.

great! I love to hear people sharing there techniques and discoveries!

>Well, basically what has often happened when I have been playing this song 
>is thatthe wash notes have become kind of cloudy as they have been added, 
>so that  by the time I have got to playing the strummed and picked bits it 
>is very difficly to get the precise time of my loop.
>
>Enter my new EDP setup. What I ended up doing (at first by accident) is 
>starting a multiply each time I faded up a new note to add to the pad 
>clusters then ended at the point I thought was rythimcally correct 
>(goverened in a loose sense be the singing) with record thus redefining 
>the loop.

Ah, wonderful! I'm glad to see you found this useful. This is the function 
we call "Unrounded Multiply". It is a really useful looping technique, as 
you discovered. We created it pretty much for the exact reasons you are 
using it.

Oftentimes loops start without a distinct rhythm. When you later introduce 
a rhythm to the loop, it may not naturally fit with the loop length. In a 
looper that lacks the flexibility to redefine loop lengths on the fly, this 
can create a big problem in performance. So we came up with the idea of 
redefining the loop length as you add to it with Multiply.

In this way, you tap Multiply when you wish to start the new rhythmic 
phrase you are adding to the loop. This creates the new StartPoint of the 
loop. You play the phrase as you naturally feel it, for however long it 
needs to go on, and at the end you tap Record to end the Multiply. Ending 
any sort of recording process with Record sets a new end point and starts 
things looping, and that is what happens here. The Record press ends the 
loop at that point and sets the loop endpoint there, and the new loop 
begins repeating seamlessly.

What is really nice about this is your new phrase can be longer or shorter 
than your original loop. If it is longer, the original loop just keeps 
multiplying underneath. If it is shorter, the original is truncated 
according to where you put the new start and stop points.

You don't even need to look at the display or think about startpoints or 
endpoints or cycles or anything! Just as you are doing, when you start 
playing, tap Multiply. When you end tap Record. Very intuitive. You can 
keep your eyes closed and look intense, or keep looking at the cute girls 
in the front row, or keep singing, or whatever. No geeky screen gazing 
necessary.

>The last time I played this song I redefined the loop pretty much at every 
>other pass until I got all the parts laid down. What I ended up with was a 
>loop that stayed constantly rythmically correct in relation to my singing, 
>but developed a very interesting glitch at the start once multiple 
>redefinitions had been done.
>
>Im thinking the next step for me may be to try starting the remultiply at 
>other points such as on the second chord and see what this distribution of 
>loop-point-redefinition-glitches sounds like.

Keep exploring it, sounds like you are onto something!

>anyways, this may all be old hat to everyone else, or  completly useless, 
>but I just got in from a gig and was stoked with the results of a cool 
>accident!!

These are all new ideas thrown out there, how they really get used is still 
evolving. So keep it up, you may really take it somewhere new. Let us hear 
what you do!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

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Subject: Re: ableton question
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Hello Adrian,
you can do both - scenes for each part of a song, *and* multiple songs. 
Remember, Live lets you have hundreds of scenes if you need it. So for 
instance, a set with 2 songs can be arranged like this:
Scene 1: Song 1 intro
Scene 2: Song 1 A
Scene 3: Song 1 B
Scene 4: Song 1 outro
Scene 5: Song 2 intro
....etc.

Best,
Andreas

..................
 Adrian Bartholomew wrote:

> i would like to setup ableton to use in my live show triggering 
> samples while synced to EDP.
>
> how do i set it up so i could select/load songs into ableton remotely 
> from my FCB1010?
> do i have to use scenes as songs? id prefer not to and use it as it 
> was intended...scenes as scenes WITHIN a song.
>
> i dont want to have to manually load songs into ableton while im 
> trying to perform.
> ___*
> Adrian Bartholomew
> *Leawood KS 


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 07:28:13 2005
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com> <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com> <3.0.6.32.20050910153202.00a3ca80@pop.mindspring.com> <6.1.2.0.2.20050911182855.050090c8@loopers-delight.com>
Subject: Re: lexicon boxes (to kim)
Date: Mon, 12 Sep 2005 09:28:16 +0200
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snipp
>
> If we figure out where to get them, we can put the details on the Looper's 
> Delight web pages for vortex/jamman to help others.
>
> kim
>

as the pmc10 schematics you promissed to scan this spring

:-)

Claude

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 07:53:35 2005
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Date: Mon, 12 Sep 2005 00:53:29 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: lexicon boxes (to kim)
In-Reply-To: <001801c5b76b$8ab97200$0400000a@mini>
References: <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com>
 <20050908212857.47092.qmail@web30505.mail.mud.yahoo.com>
 <3.0.6.32.20050910153202.00a3ca80@pop.mindspring.com>
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At 12:28 AM 9/12/2005, Claude Voit wrote:

>snipp
>>
>>If we figure out where to get them, we can put the details on the 
>>Looper's Delight web pages for vortex/jamman to help others.
>>
>>kim
>
>as the pmc10 schematics you promissed to scan this spring
>
>:-)

ha, yes keep up the pressure Claude! The pmc-10 schematic is sitting here 
in front of me. Since I'm busy right now I asked my gf to do the scanning, 
and she says she will. If she does really do it you may need to get her a 
nice gift. :-)

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 08:34:22 2005
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Date: Mon, 12 Sep 2005 01:34:20 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Dear  RED STATES
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This sounds great if you dont mind i am coming with
you;-!

> Dear Red States...
> 
> We've decided we're leaving. We intend to form our
> own country, and we're
> taking just the Blue States with us.
> 
> In case you aren't aware, that includes Hawaii,
> California, Oregon,
> Washington, Minnesota, Wisconsin, Michigan, Illinois
> and all the Northeast.
> We believe this split will be beneficial to the
> nation, and especially to
> the people of the new country.
> 
> To sum up briefly: You get Texas, Oklahoma and all
> the slave states. We get
> stem cell research and the best beaches. We get
> Elliot Spitzer. You get Ken
> Lay.
> 
> We get the Statue of Liberty. We get Hollywood and
> Yosemite... You get
> Dollywood. We get Intel and Microsoft. You get
> WorldCom and Enron. We get
> Harvard. You get Ole' Miss. We get 85 percent of
> America's venture capital
> and entrepreneurs. You get Alabama. We get
> two-thirds of the tax revenue,
> you get to make the red states pay their fair share.
> 
> Since our aggregate divorce rate is 22 percent lower
> than the Christian
> Coalition's, we get a bunch of happy families. You
> get a bunch of single
> moms.
> 
> Please be aware that the new country will be
> pro-choice and anti-war, and
> we're going to want all our citizens back from Iraq
> at once. If you need
> people to fight, ask your politicians and
> evangelicals. They have kids
> they're apparently willing to send to their deaths
> for no purpose, and they
> don't care if you don't show pictures of their
> children's caskets coming
> home. We do wish you success in Iraq, and hope that
> the WMDs turn up, but
> we're not willing to spend our resources in Bush's
> Quagmire.
> 
> With the Blue States in hand, we will have firm
> control of 80 percent of the
> country's fresh water, more than 90 percent of the
> pineapple and lettuce, 92
> percent of the nation's fresh fruit, 95 percent of
> America's quality wines
> (you can serve French wines at state dinners) 90
> percent of all cheese, 90
> percent of the high tech industry, most of the U.S.
> low-sulfur coal, all
> living redwoods, sequoias and condors, all the Ivy
> and Seven Sister schools,
> plus Harvard, Yale, Stanford, Cal Tech and MIT.
> 
> With the Red States, on the other hand, you will
> have to cope with 88
> percent of all obese Americans (and their projected
> health care costs), 92
> percent of all U.S. mosquitoes, nearly 100 percent
> of the tornadoes, 90
> percent of the hurricanes, 99 percent of all
> Southern Baptists, virtually
> 100 percent of all televangelists, Rush Limbaugh,
> Bob Jones University,
> Clemson and the University of Georgia.
> 
> Additionally, 38 percent of those in the Red states
> believe Jonah was
> actually swallowed by a whale, 62 percent believe
> life is sacred unless
> we're discussing the death penalty or gun laws, 44
> percent say that
> evolution is only a theory, 53 percent that Saddam
> was involved in 9/11, and
> 61 percent of you crazy bastards believe you are
> people with high morals.
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 08:40:53 2005
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Subject: Re: BBC Documentary
Date: Mon, 12 Sep 2005 03:40:49 -0500
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On Sep 10, 2005, at 2:27 PM, Joey wrote:
> For anyone interested there is a really good BBC doc on the
> alt.binaries.multimedia.documentaries newsgroup titled "Alchemists Of
> Sound" which chronicles the BBC Radiophonic Workshop. Has some

or try to get the ISO image that's 2 gig. looks great.

---
Eric Williamson
www.suitandtieguy.com

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 09:30:18 2005
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Is this still in that newsgroup?
I don't have access to newsgroups but a friend of mine does. He didn't find
that documentary, though. So if you could give more details about this that
might help.
Thank you
Bernhard

> -----Original Message-----
> From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com]
> Sent: Montag, 12. September 2005 10:41
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: BBC Documentary
> 
> On Sep 10, 2005, at 2:27 PM, Joey wrote:
> > For anyone interested there is a really good BBC doc on the
> > alt.binaries.multimedia.documentaries newsgroup titled "Alchemists Of
> > Sound" which chronicles the BBC Radiophonic Workshop. Has some
> 
> or try to get the ISO image that's 2 gig. looks great.
> 
> ---
> Eric Williamson
> www.suitandtieguy.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 10:06:27 2005
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Subject: Re:Re: lexicon boxes encoders
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Thanks for helping with this Kim,


>Perhaps one of you can open up your unit, look at the encoder, and 
>see what the manufacturer and part number is?

280S0041

9344

no manufacturer visible.

  the JamMan encoders are the same device
with a similar number

280S0041

9408


>FWIW, in the vortex service manual this part is described as:
>SW, RTY, BCD, 16POS, 17.5MM
>
>That probably means it is a rotary encoder using "BCD" style 
>encoding (Binary Coded Decimal), it has 16 positions, and the shaft 
>is 17.5mm long. That should be enough to find a similar part.

I'd figured
4-bit grey code absolute encoder.

So this is very useful info.

BCD isn't an obvious choice  (unless it's directly driving the numeric display)
but as there are 6 pins coming out of the device it's got to be right.
( 1-16 takes 5 bits in BCD )





>It may be very simple to go buy them from an electronics distributor 
>if you know the mfr/part#, or find an alternate source just from the 
>part description if the original is not made any longer. Rotary 
>encoders are fairly common parts. Do a google search and you may find it.

I tried, but none of the suppliers I could find who deal with the 
public seemed to have anything.


>If we figure out where to get them, we can put the details on the 
>Looper's Delight web pages for vortex/jamman to help others.

Yes, it would be great to find an answer to this one.

Maybe Lexicon ordered a batch to their specification, and now they're
all gone, so there isn't a standard component to buy .

What would be the likely minimum order from a manufacturer?


>kim

andy butler
www.andybutler.com


>

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Date: Mon, 12 Sep 2005 06:14:28 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: RE: zurich photos
To: Loopers-Delight@loopers-delight.com
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Hey Bernhard i looked in the yahoo settings and can´t
find the reason why your mails are being spamed,i get
everyone elses(if anybody knows how to do this let us
know)
try perhaps sending me from another email adress!
are we still on for wednesday?
cheers
luis

--- Bernhard Wagner LD <loopdelightml@nosuch.biz>
wrote:

> 
> ...and I, yesterday.
> Some nice shots of James Sidlo, Per Boysen, Bill
> Walker, Michael Peters, New
> Bag, Rick Walker, Gareth Whittock, André Müller,
> Petr Samojský + Nechej,
> Simon Grab, Claude Voit, Matthias Grob.
> I exceeded my bandwidth, though, because I uploaded
> the full resolution, so:
> More to come next month!
> 
> Thank you very much, Michael, for setting up the
> flickr thingy!
> 
> Bernhard
> http://nosuch.biz
> http://loopfestival.com/y2k5
> 
> 
> -----Original Message-----
> From: Michael Peters [mailto:mp@mpeters.de] 
> Sent: Sonntag, 11. September 2005 10:59
> To: Loopers Delight
> Subject: RE: zurich photos
> 
> hi Michael,
>  
> > i know about michael peters' site  
> > thanks michael, i love the slide show feature of
> the fliker site..... 
>  
>  
> just to make sure, flickr is not "my" site ... I
> just posted some photos
> there as did Os and Andy and Fabio ... 
> http://www.flickr.com/groups/13509629@N00/
>  
>  
> -Michael
>  
> 
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 14:27:13 2005
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On Mon, 12 Sep 2005, Stuart Masters wrote:

> unsubscribe

As the loop changes to a drone through dint of sheer repetition:


From
http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com


If you are on the digest version of Looper's Delight, send your 
unsubscribe request to:

Loopers-Delight-d-request@loopers-delight.com


Don't send your unsubscribe message to the list, or people will make fun 
of you and you will feel like a dork."

best,
Steve B
Phasmatodea    http;//www.phasmatodea.net/
Subscape Annex http://www.subscapeannex.com/
Fukadugalon    http://www.fukadugalon.com/
Audio Arcade, etc.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 14:37:53 2005
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--------------Boundary-00=_PJKP36E1VA4000000000
Content-Type: Text/Plain;
  charset="iso-8859-1"
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To love America,  do I need to love war?=0D
=0D
Or, is America reserved for people whom share your views? =0D
=0D
I'm confused by your statements. What are you trying to say? Or, should I
not question your rederic? =0D
=0D
=2E..please enlighten us to war loving Americaism. =0D
=0D
=0D
BEATS NOT BOMBS at MIGHTY in San Francisco a much better way to spend the
day!=0D
 =0D
=0D
__________________________________=0D
You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk=0D
response of far-left-wing America-haters.=0D
__________________________________=0D
=20
--------------Boundary-00=_PJKP36E1VA4000000000
Content-Type: Text/HTML;
  charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
 10px 10px; FONT-FAMILY: Arial" bgColor=3D#ffffff background=3D"" scroll=3D=
yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>To love America, &nbsp;do I need to love war?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Or, is&nbsp;America&nbsp;reserved for people whom share your views?&=
nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage>&nbsp;</DIV>
<DIV>I'm confused by your statements. What are you trying to say?&nbsp;Or=
, should I not question your rederic? </DIV>
<DIV>&nbsp;</DIV>
<DIV>...please enlighten us to war loving Americaism. </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>BEATS NOT BOMBS at MIGHTY in San Francisco a much better way=
 to spend the day!</STRONG></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>__________________________________</DIV>
<DIV>You're dead-on, Matthew: this anti-war stuff is the typical, knee-je=
rk</DIV>
<DIV>response of far-left-wing America-haters.</DIV>
<DIV>__________________________________</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_PJKP36E1VA4000000000--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 14:39:24 2005
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From: ArsOcarina@aol.com
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Date: Mon, 12 Sep 2005 10:39:13 EDT
Subject: Re: Re[2]: My Effects pedal dream
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--part1_148.4beb5bbc.3056ed11_boundary
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Just for the heck of it,

Up on eBay there is a picture of the pedalboard (SKB PS-100) that I've been=20
using lately:

http://cgi.ebay.com/SKB-PS-100-Pedalboard-with-case_W0QQitemZ7348193272QQcat=
eg
oryZ41412QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

SKB doesn't make 'em any more. But the fact that it combines a rather=20
generous amount of floor pedal space with 3 full rack spaces plus a power su=
pply has=20
been very useful.

I don't know the seller, BTW. I just figured doing the search for the image=20
was easier than taking my own photo and posting it somewhere.

Best regards,

tEd =AE kiLLiAn

PS. Buy "Flux Aeterna" from CDBaby during the months of September
and October and all of my portion of the profits will be automatically
donated to the Red Cross by CDBaby specifically for Gulf Coast
hurricane relief.

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--part1_148.4beb5bbc.3056ed11_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Just for the heck of it,<BR>
<BR>
Up on eBay there is a picture of the pedalboard (SKB PS-100) that I've been=20=
using lately:<BR>
<BR>
http://cgi.ebay.com/SKB-PS-100-Pedalboard-with-case_W0QQitemZ7348193272QQcat=
egoryZ41412QQssPageNameZWDVWQQrdZ1QQcmdZViewItem<BR>
<BR>
SKB doesn't make 'em any more. But the fact that it combines a rather genero=
us amount of floor pedal space with 3 full rack spaces plus a power supply h=
as been very useful.<BR>
<BR>
I don't know the seller, BTW. I just figured doing the search for the image=20=
was easier than taking my own photo and posting it somewhere.<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">Best regards,<BR>
<BR>
tEd =AE kiLLiAn<BR>
<BR>
</FONT><FONT COLOR=3D"#FF0000" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">PS. Buy "Flux Aeterna" from CDBaby during the months of September<BR>
and October and all of my portion of the profits will be automatically<BR>
donated to the Red Cross by CDBaby specifically for Gulf Coast<BR>
hurricane relief.</FONT><FONT COLOR=3D"#000000" FACE=3D"Arial" FAMILY=3D"SAN=
SSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#808080" FACE=3D"Arial" FAMILY=3D"SANSSERIF" SIZE=3D"2=
">"Different is not always better, but better is always different"<BR>
<BR>
http://www.pfmentum.com/flux.html<BR>
http://www.CDbaby.com/cd/tedkillian<BR>
http://www.guitar9.com/fluxaeterna.html<BR>
http://www.garageband.com/artist/ArsOcarina<BR>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<BR>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<BR>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<BR>
<BR>
Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<BR>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<BR>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_148.4beb5bbc.3056ed11_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 14:49:06 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: BBC Documentary
Date: Mon, 12 Sep 2005 16:48:35 +0200
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> I don't have access to newsgroups but a friend of mine does. He didn't
find that documentary, though. So if you could give more details about this
that might help.

could someone point us to a newsserver that has
"alt.binaries.multimedia.documentaries" - mine hasn't although there are
lots of binaries groups in there - or to some other source for that file?

thanks -Michael


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 14:58:09 2005
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Date: Mon, 12 Sep 2005 07:58:07 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: BassLab Guitars + Basses
To: Loopers-Delight@loopers-delight.com
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--0-289421051-1126537087=:81608
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http://www.basslab.de 
 
Hey...just a short note to mention a great German guitar and bass company
I'm working with called BassLab. I'm now going to be promoting them online
and now that we are starting to bring in big future endorsers, we expect to
find the right investors and launch a major new guitar and bass line which 
will also feature models that I have designed. It's worth a mention here I think
because they are such great guitars and basses and not only are they
ultra-cool but are introducing physics-based acoustic technologies light years
ahead of everyone else. You can read about this more on the website as 
well as check out the tone mp3s. This is the real cutting edge. 
Don't hesitate to email if any questions or for further info. ....
Monica
 

		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-289421051-1126537087=:81608
Content-Type: text/html; charset=iso-8859-1
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<DIV><FONT color=#40007f size=3><A href="http://www.basslab.de">http://www.basslab.de</A> </FONT></DIV>
<DIV><FONT color=#40007f size=3></FONT>&nbsp;</DIV>
<DIV><FONT color=#40007f size=3>Hey...just a short note to mention a great German guitar and bass company</FONT></DIV>
<DIV><FONT color=#40007f size=3>I'm working with called BassLab. I'm now going to be promoting them online</FONT></DIV>
<DIV><FONT color=#40007f size=3>and now that we are&nbsp;starting to bring in big future endorsers, we expect to</FONT></DIV>
<DIV><FONT color=#40007f size=3>find the right investors and launch a major new guitar and bass line which </FONT></DIV>
<DIV><FONT color=#40007f size=3>will also feature models that I have designed. It's worth a mention here I think</FONT></DIV>
<DIV><FONT color=#40007f size=3>because they are such great guitars and basses and not only are they</FONT></DIV>
<DIV><FONT color=#40007f size=3>ultra-cool but are introducing physics-based acoustic technologies light years</FONT></DIV>
<DIV><FONT color=#40007f size=3>ahead of everyone else. You can read about this more on the website as </FONT></DIV>
<DIV><FONT color=#40007f size=3>well as check out the tone mp3s. This is the real cutting edge. </FONT></DIV>
<DIV><FONT color=#40007f size=3>Don't hesitate to email if any questions or for further info. ....</FONT></DIV>
<DIV><FONT color=#40007f size=3>Monica</FONT></DIV>
<DIV><FONT color=#40007f size=3></FONT>&nbsp;</DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-289421051-1126537087=:81608--

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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 12:23:12 -0400
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Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, I've got
a whole passel of red-state relatives who think Dubya is just great. 
I'm not sure that re-starting the Civil War is the answer.
Let's try to understand Bush supporters-- aside from a few cynical
plutocrats, most Bush supporters are basically good-hearted folks (like my
Mom) who were raised in very socially conservative households and would
vote for a bag of popcorn if it ran on a ProLife platform. Anything that
even vaguely smells of hippiedom is anathema to them. 
They would help you if they found you lying in the middle of the road. Your
wallet would be safe. They work hard for their families, and they're so
busy working their butts off making a living that they really don't have
time to read the news. THAT'S KEY.
And honestly, they've been underwhelmed by the Democrats' less-than-awesome
marketing of less-than-inspiring candidates who kinda lacked charisma,
whereas Dubya has this aura that makes ya think he wants to be your
drinkin' buddy. It's a gift that not everybody has. 
Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a genuine
bubba, and still the Red States would have none of it. The fact that they
chose Captain AWOL over Gore points to feeble Democratic campaigning and,
possibly, Al's stiff public persona. 
Even when you have a good product, ya gotta sell, sell, sell. Ditto for
Kerry. A good guy, but you can't afford to shoot yourself in the foot when
you are up against the GOP, the best salesmen the world has ever seen. And
Kerry did shoot himself in the foot more than a few times. 
The Red Staters had reasons to vote for Dub. We may not be able to fully
comprehend those reasons, but WE CANNOT write these people off as HeeHaw
goofballs and inbred haters. You will not win over anybody if you insult
them, contrary to what Howard Dean thinks. Resist the urge. Reach out. Try
to find some common ground.
Sonic Luv,
Tim Mungenast

 


> [Original Message]
> From: Luis Angulo <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/12/2005 4:34:22 AM
> Subject: Dear  RED STATES
>
> This sounds great if you dont mind i am coming with
> you;-!
>
> > Dear Red States...
> > 
> > We've decided we're leaving. We intend to form our
> > own country, and we're
> > taking just the Blue States with us.
> > 
> > In case you aren't aware, that includes Hawaii,
> > California, Oregon,
> > Washington, Minnesota, Wisconsin, Michigan, Illinois
> > and all the Northeast.
> > We believe this split will be beneficial to the
> > nation, and especially to
> > the people of the new country.
> > 
> > To sum up briefly: You get Texas, Oklahoma and all
> > the slave states. We get
> > stem cell research and the best beaches. We get
> > Elliot Spitzer. You get Ken
> > Lay.
> > 
> > We get the Statue of Liberty. We get Hollywood and
> > Yosemite... You get
> > Dollywood. We get Intel and Microsoft. You get
> > WorldCom and Enron. We get
> > Harvard. You get Ole' Miss. We get 85 percent of
> > America's venture capital
> > and entrepreneurs. You get Alabama. We get
> > two-thirds of the tax revenue,
> > you get to make the red states pay their fair share.
> > 
> > Since our aggregate divorce rate is 22 percent lower
> > than the Christian
> > Coalition's, we get a bunch of happy families. You
> > get a bunch of single
> > moms.
> > 
> > Please be aware that the new country will be
> > pro-choice and anti-war, and
> > we're going to want all our citizens back from Iraq
> > at once. If you need
> > people to fight, ask your politicians and
> > evangelicals. They have kids
> > they're apparently willing to send to their deaths
> > for no purpose, and they
> > don't care if you don't show pictures of their
> > children's caskets coming
> > home. We do wish you success in Iraq, and hope that
> > the WMDs turn up, but
> > we're not willing to spend our resources in Bush's
> > Quagmire.
> > 
> > With the Blue States in hand, we will have firm
> > control of 80 percent of the
> > country's fresh water, more than 90 percent of the
> > pineapple and lettuce, 92
> > percent of the nation's fresh fruit, 95 percent of
> > America's quality wines
> > (you can serve French wines at state dinners) 90
> > percent of all cheese, 90
> > percent of the high tech industry, most of the U.S.
> > low-sulfur coal, all
> > living redwoods, sequoias and condors, all the Ivy
> > and Seven Sister schools,
> > plus Harvard, Yale, Stanford, Cal Tech and MIT.
> > 
> > With the Red States, on the other hand, you will
> > have to cope with 88
> > percent of all obese Americans (and their projected
> > health care costs), 92
> > percent of all U.S. mosquitoes, nearly 100 percent
> > of the tornadoes, 90
> > percent of the hurricanes, 99 percent of all
> > Southern Baptists, virtually
> > 100 percent of all televangelists, Rush Limbaugh,
> > Bob Jones University,
> > Clemson and the University of Georgia.
> > 
> > Additionally, 38 percent of those in the Red states
> > believe Jonah was
> > actually swallowed by a whale, 62 percent believe
> > life is sacred unless
> > we're discussing the death penalty or gun laws, 44
> > percent say that
> > evolution is only a theory, 53 percent that Saddam
> > was involved in 9/11, and
> > 61 percent of you crazy bastards believe you are
> > people with high morals.
> > 
>
>
> www.luis-angulo.com
>
>
> 		
> __________________________________ 
> Yahoo! Mail - PC Magazine Editors' Choice 2005 
> http://mail.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 16:47:37 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Dear  RED STATES
Date: Mon, 12 Sep 2005 18:48:56 +0200
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We did have this in Germany some time ago, it was called FRG and GDR...

-----Urspr=FCngliche Nachricht-----
Von: Luis Angulo [mailto:labalou2000@yahoo.com]=20
Gesendet: Montag, 12. September 2005 10:34
An: Loopers-Delight@loopers-delight.com
Betreff: Dear RED STATES


This sounds great if you dont mind i am coming with
you;-!

> Dear Red States...
>=20
> We've decided we're leaving. We intend to form our
> own country, and we're
> taking just the Blue States with us.
>=20
> In case you aren't aware, that includes Hawaii,
> California, Oregon,
> Washington, Minnesota, Wisconsin, Michigan, Illinois
> and all the Northeast.
> We believe this split will be beneficial to the
> nation, and especially to
> the people of the new country.
>=20
> To sum up briefly: You get Texas, Oklahoma and all
> the slave states. We get
> stem cell research and the best beaches. We get
> Elliot Spitzer. You get Ken
> Lay.
>=20
> We get the Statue of Liberty. We get Hollywood and Yosemite... You get
> Dollywood. We get Intel and Microsoft. You get
> WorldCom and Enron. We get
> Harvard. You get Ole' Miss. We get 85 percent of
> America's venture capital
> and entrepreneurs. You get Alabama. We get
> two-thirds of the tax revenue,
> you get to make the red states pay their fair share.
>=20
> Since our aggregate divorce rate is 22 percent lower
> than the Christian
> Coalition's, we get a bunch of happy families. You
> get a bunch of single
> moms.
>=20
> Please be aware that the new country will be
> pro-choice and anti-war, and
> we're going to want all our citizens back from Iraq
> at once. If you need
> people to fight, ask your politicians and
> evangelicals. They have kids
> they're apparently willing to send to their deaths
> for no purpose, and they
> don't care if you don't show pictures of their
> children's caskets coming
> home. We do wish you success in Iraq, and hope that
> the WMDs turn up, but
> we're not willing to spend our resources in Bush's
> Quagmire.
>=20
> With the Blue States in hand, we will have firm
> control of 80 percent of the
> country's fresh water, more than 90 percent of the
> pineapple and lettuce, 92
> percent of the nation's fresh fruit, 95 percent of
> America's quality wines
> (you can serve French wines at state dinners) 90
> percent of all cheese, 90
> percent of the high tech industry, most of the U.S. low-sulfur coal,=20
> all living redwoods, sequoias and condors, all the Ivy
> and Seven Sister schools,
> plus Harvard, Yale, Stanford, Cal Tech and MIT.
>=20
> With the Red States, on the other hand, you will
> have to cope with 88
> percent of all obese Americans (and their projected
> health care costs), 92
> percent of all U.S. mosquitoes, nearly 100 percent
> of the tornadoes, 90
> percent of the hurricanes, 99 percent of all
> Southern Baptists, virtually
> 100 percent of all televangelists, Rush Limbaugh,
> Bob Jones University,
> Clemson and the University of Georgia.
>=20
> Additionally, 38 percent of those in the Red states
> believe Jonah was
> actually swallowed by a whale, 62 percent believe
> life is sacred unless
> we're discussing the death penalty or gun laws, 44
> percent say that
> evolution is only a theory, 53 percent that Saddam
> was involved in 9/11, and
> 61 percent of you crazy bastards believe you are
> people with high morals.
>=20


www.luis-angulo.com


	=09
__________________________________=20
Yahoo! Mail - PC Magazine Editors' Choice 2005=20
http://mail.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 16:53:19 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: I'm actually going toward rackmount stuff  Re: T.C. G-system
Date: Mon, 12 Sep 2005 18:54:37 +0200
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Tim said:
> can do.... And here's the main thing I tell myself....even if I'm
going through a SIMULATED tape echo, and a SIMULATED
> Plexi Marshall, and a SIMULATED plate reverb, I AM REAL, and that
realness will hopefully come through no matter how much
> digital sleight of hand I decide to use. 

That's about the best thing I heard regarding vintage vs. simulated
gear! Yes, keep yourself real, that's all that counts.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 16:55:49 2005
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Date: Mon, 12 Sep 2005 09:55:47 -0700
From: Joey <tentaclejoe@gmail.com>
Reply-To: tentaclejoe@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: BBC Documentary
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	 <00a901c5b77c$90571120$2101a8c0@alhambra>
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Sorry guys, I gave out the wrong newsgroup. It should be
alt.binaries.documentaries -

I checked the date and it was posted 28 days ago so if you don't have
a good retention rate on your server it may be gone by now.

If you guys can't get it I'll leave my soulseek client up all day
today (until 11pm pacific). My username is TentacleJoe and you can
download it from me there.

If you are not familiar with soulseek check it out here:
http://www.slsknet.org/index.php?


On 9/12/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
> Is this still in that newsgroup?
> I don't have access to newsgroups but a friend of mine does. He didn't fi=
nd
> that documentary, though. So if you could give more details about this th=
at
> might help.
> Thank you
> Bernhard
>=20
> > -----Original Message-----
> > From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com]
> > Sent: Montag, 12. September 2005 10:41
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: BBC Documentary
> >
> > On Sep 10, 2005, at 2:27 PM, Joey wrote:
> > > For anyone interested there is a really good BBC doc on the
> > > alt.binaries.multimedia.documentaries newsgroup titled "Alchemists Of
> > > Sound" which chronicles the BBC Radiophonic Workshop. Has some
> >
> > or try to get the ISO image that's 2 gig. looks great.
> >
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 18:41:47 2005
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Date: Mon, 12 Sep 2005 12:41:46 -0600 (GMT-06:00)
From: Todd Howell <ransacker@earthlink.net>
Reply-To: Todd Howell <ransacker@earthlink.net>
To: mungenast@earthlink.net, Loopers-Delight@loopers-delight.com
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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Bravo Tim, Bravo..........No one could've said this better.

-----Original Message-----
From: Timothy Mungenast <mungenast@earthlink.net>
Sent: Sep 12, 2005 10:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Devil's AdvocateRE: Dear  RED STATES

Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, I've got
a whole passel of red-state relatives who think Dubya is just great. 
I'm not sure that re-starting the Civil War is the answer.
Let's try to understand Bush supporters-- aside from a few cynical
plutocrats, most Bush supporters are basically good-hearted folks (like my
Mom) who were raised in very socially conservative households and would
vote for a bag of popcorn if it ran on a ProLife platform. Anything that
even vaguely smells of hippiedom is anathema to them. 
They would help you if they found you lying in the middle of the road. Your
wallet would be safe. They work hard for their families, and they're so
busy working their butts off making a living that they really don't have
time to read the news. THAT'S KEY.
And honestly, they've been underwhelmed by the Democrats' less-than-awesome
marketing of less-than-inspiring candidates who kinda lacked charisma,
whereas Dubya has this aura that makes ya think he wants to be your
drinkin' buddy. It's a gift that not everybody has. 
Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a genuine
bubba, and still the Red States would have none of it. The fact that they
chose Captain AWOL over Gore points to feeble Democratic campaigning and,
possibly, Al's stiff public persona. 
Even when you have a good product, ya gotta sell, sell, sell. Ditto for
Kerry. A good guy, but you can't afford to shoot yourself in the foot when
you are up against the GOP, the best salesmen the world has ever seen. And
Kerry did shoot himself in the foot more than a few times. 
The Red Staters had reasons to vote for Dub. We may not be able to fully
comprehend those reasons, but WE CANNOT write these people off as HeeHaw
goofballs and inbred haters. You will not win over anybody if you insult
them, contrary to what Howard Dean thinks. Resist the urge. Reach out. Try
to find some common ground.
Sonic Luv,
Tim Mungenast

 


> [Original Message]
> From: Luis Angulo <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/12/2005 4:34:22 AM
> Subject: Dear  RED STATES
>
> This sounds great if you dont mind i am coming with
> you;-!
>
> > Dear Red States...
> > 
> > We've decided we're leaving. We intend to form our
> > own country, and we're
> > taking just the Blue States with us.
> > 
> > In case you aren't aware, that includes Hawaii,
> > California, Oregon,
> > Washington, Minnesota, Wisconsin, Michigan, Illinois
> > and all the Northeast.
> > We believe this split will be beneficial to the
> > nation, and especially to
> > the people of the new country.
> > 
> > To sum up briefly: You get Texas, Oklahoma and all
> > the slave states. We get
> > stem cell research and the best beaches. We get
> > Elliot Spitzer. You get Ken
> > Lay.
> > 
> > We get the Statue of Liberty. We get Hollywood and
> > Yosemite... You get
> > Dollywood. We get Intel and Microsoft. You get
> > WorldCom and Enron. We get
> > Harvard. You get Ole' Miss. We get 85 percent of
> > America's venture capital
> > and entrepreneurs. You get Alabama. We get
> > two-thirds of the tax revenue,
> > you get to make the red states pay their fair share.
> > 
> > Since our aggregate divorce rate is 22 percent lower
> > than the Christian
> > Coalition's, we get a bunch of happy families. You
> > get a bunch of single
> > moms.
> > 
> > Please be aware that the new country will be
> > pro-choice and anti-war, and
> > we're going to want all our citizens back from Iraq
> > at once. If you need
> > people to fight, ask your politicians and
> > evangelicals. They have kids
> > they're apparently willing to send to their deaths
> > for no purpose, and they
> > don't care if you don't show pictures of their
> > children's caskets coming
> > home. We do wish you success in Iraq, and hope that
> > the WMDs turn up, but
> > we're not willing to spend our resources in Bush's
> > Quagmire.
> > 
> > With the Blue States in hand, we will have firm
> > control of 80 percent of the
> > country's fresh water, more than 90 percent of the
> > pineapple and lettuce, 92
> > percent of the nation's fresh fruit, 95 percent of
> > America's quality wines
> > (you can serve French wines at state dinners) 90
> > percent of all cheese, 90
> > percent of the high tech industry, most of the U.S.
> > low-sulfur coal, all
> > living redwoods, sequoias and condors, all the Ivy
> > and Seven Sister schools,
> > plus Harvard, Yale, Stanford, Cal Tech and MIT.
> > 
> > With the Red States, on the other hand, you will
> > have to cope with 88
> > percent of all obese Americans (and their projected
> > health care costs), 92
> > percent of all U.S. mosquitoes, nearly 100 percent
> > of the tornadoes, 90
> > percent of the hurricanes, 99 percent of all
> > Southern Baptists, virtually
> > 100 percent of all televangelists, Rush Limbaugh,
> > Bob Jones University,
> > Clemson and the University of Georgia.
> > 
> > Additionally, 38 percent of those in the Red states
> > believe Jonah was
> > actually swallowed by a whale, 62 percent believe
> > life is sacred unless
> > we're discussing the death penalty or gun laws, 44
> > percent say that
> > evolution is only a theory, 53 percent that Saddam
> > was involved in 9/11, and
> > 61 percent of you crazy bastards believe you are
> > people with high morals.
> > 
>
>
> www.luis-angulo.com
>
>
> 		
> __________________________________ 
> Yahoo! Mail - PC Magazine Editors' Choice 2005 
> http://mail.yahoo.com



From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 19:11:47 2005
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Date: Mon, 12 Sep 2005 15:11:37 -0400
From: kim galibert <kim@914.com>
Subject: jane says and various bits of wankage (live looping video)
In-reply-to: <20050912143924.3081C3BF11@arsenic.violacea.com>
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a bit of virtual banjo, tiny red toy key-tar, pitch correction software and
ableton live are all it takes to make this cover of "jane says": 

www.iosonic.com/video/janesays.mov (quicktime) 
www.iosonic.com/video/janesays.wmv (windows media) 

it is utterly amazing how much wankage you can generate in 8 minutes with
live. 

be well, 

kim 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 19:22:30 2005
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 20:22:41 +0100
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> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, 12 September, 2005 17:23 PM
> Subject: Devil's AdvocateRE: Dear RED STATES
>
>
>> Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, I've 
>> got
>> a whole passel of red-state relatives who think Dubya is just great.
>> I'm not sure that re-starting the Civil War is the answer.
>> Let's try to understand Bush supporters-- aside from a few cynical
>> plutocrats, most Bush supporters are basically good-hearted folks (like 
>> my
>> Mom) who were raised in very socially conservative households and would
>> vote for a bag of popcorn if it ran on a ProLife platform. Anything that
>> even vaguely smells of hippiedom is anathema to them.

Not really.  I'm a Republican but somehow not a raving fundamentalist drone.
Whoops, that one doesn't work.  Neither does the line being continuously fed
through the media about the 2000 and 2004 elections somehow causing a
permanent divide in our country.  Somehow it only seems to exist in the
minds of people who can't um, 'move on'.

>> They would help you if they found you lying in the middle of the road. 
>> Your
>> wallet would be safe. They work hard for their families, and they're so
>> busy working their butts off making a living that they really don't have
>> time to read the news. THAT'S KEY.
>> And honestly, they've been underwhelmed by the Democrats' 
>> less-than-awesome
>> marketing of less-than-inspiring candidates who kinda lacked charisma,
>> whereas Dubya has this aura that makes ya think he wants to be your
>> drinkin' buddy. It's a gift that not everybody has.
>> Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a genuine
>> bubba, and still the Red States would have none of it. The fact that they
>> chose Captain AWOL over Gore points to feeble Democratic campaigning and,
>> possibly, Al's stiff public persona.
>> Even when you have a good product, ya gotta sell, sell, sell. Ditto for
>> Kerry. A good guy, but you can't afford to shoot yourself in the foot 
>> when
>> you are up against the GOP, the best salesmen the world has ever seen. 
>> And
>> Kerry did shoot himself in the foot more than a few times.
>> The Red Staters had reasons to vote for Dub. We may not be able to fully
>> comprehend those reasons, but WE CANNOT write these people off as HeeHaw
>> goofballs and inbred haters. You will not win over anybody if you insult
>> them, contrary to what Howard Dean thinks. Resist the urge. Reach out. 
>> Try
>> to find some common ground.
>> Sonic Luv,
>> Tim Mungenast
>>
>>
>>
>>
>>> [Original Message]
>>> From: Luis Angulo <labalou2000@yahoo.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Date: 9/12/2005 4:34:22 AM
>>> Subject: Dear  RED STATES
>>>
>>> This sounds great if you dont mind i am coming with
>>> you;-!
>>>
>>> > Dear Red States...
>>> >
>>> > We've decided we're leaving. We intend to form our
>>> > own country, and we're
>>> > taking just the Blue States with us.
>>> >
>>> > In case you aren't aware, that includes Hawaii,
>>> > California, Oregon,
>>> > Washington, Minnesota, Wisconsin, Michigan, Illinois
>>> > and all the Northeast.
>>> > We believe this split will be beneficial to the
>>> > nation, and especially to
>>> > the people of the new country.
>>> >
>>> > To sum up briefly: You get Texas, Oklahoma and all
>>> > the slave states. We get
>>> > stem cell research and the best beaches. We get
>>> > Elliot Spitzer. You get Ken
>>> > Lay.
>>> >
>>> > We get the Statue of Liberty. We get Hollywood and
>>> > Yosemite... You get
>>> > Dollywood. We get Intel and Microsoft. You get
>>> > WorldCom and Enron. We get
>>> > Harvard. You get Ole' Miss. We get 85 percent of
>>> > America's venture capital
>>> > and entrepreneurs. You get Alabama. We get
>>> > two-thirds of the tax revenue,
>>> > you get to make the red states pay their fair share.
>>> >
>>> > Since our aggregate divorce rate is 22 percent lower
>>> > than the Christian
>>> > Coalition's, we get a bunch of happy families. You
>>> > get a bunch of single
>>> > moms.
>>> >
>>> > Please be aware that the new country will be
>>> > pro-choice and anti-war, and
>>> > we're going to want all our citizens back from Iraq
>>> > at once. If you need
>>> > people to fight, ask your politicians and
>>> > evangelicals. They have kids
>>> > they're apparently willing to send to their deaths
>>> > for no purpose, and they
>>> > don't care if you don't show pictures of their
>>> > children's caskets coming
>>> > home. We do wish you success in Iraq, and hope that
>>> > the WMDs turn up, but
>>> > we're not willing to spend our resources in Bush's
>>> > Quagmire.
>>> >
>>> > With the Blue States in hand, we will have firm
>>> > control of 80 percent of the
>>> > country's fresh water, more than 90 percent of the
>>> > pineapple and lettuce, 92
>>> > percent of the nation's fresh fruit, 95 percent of
>>> > America's quality wines
>>> > (you can serve French wines at state dinners) 90
>>> > percent of all cheese, 90
>>> > percent of the high tech industry, most of the U.S.
>>> > low-sulfur coal, all
>>> > living redwoods, sequoias and condors, all the Ivy
>>> > and Seven Sister schools,
>>> > plus Harvard, Yale, Stanford, Cal Tech and MIT.
>>> >
>>> > With the Red States, on the other hand, you will
>>> > have to cope with 88
>>> > percent of all obese Americans (and their projected
>>> > health care costs), 92
>>> > percent of all U.S. mosquitoes, nearly 100 percent
>>> > of the tornadoes, 90
>>> > percent of the hurricanes, 99 percent of all
>>> > Southern Baptists, virtually
>>> > 100 percent of all televangelists, Rush Limbaugh,
>>> > Bob Jones University,
>>> > Clemson and the University of Georgia.
>>> >
>>> > Additionally, 38 percent of those in the Red states
>>> > believe Jonah was
>>> > actually swallowed by a whale, 62 percent believe
>>> > life is sacred unless
>>> > we're discussing the death penalty or gun laws, 44
>>> > percent say that
>>> > evolution is only a theory, 53 percent that Saddam
>>> > was involved in 9/11, and
>>> > 61 percent of you crazy bastards believe you are
>>> > people with high morals.
>>> >
>>>
>>>
>>> www.luis-angulo.com
>>>
>>>
>>>
>>> __________________________________
>>> Yahoo! Mail - PC Magazine Editors' Choice 2005
>>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 19:28:58 2005
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From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: [LOOP] unsubscribe
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 > Don't send your unsubscribe message to the list, or
> people will make fun 
> of you and you will feel like a dork.

Since many of our lobsters are from international
waters...

N'envoyez pas votre message d'unsubscribe à la liste,
ou ridicule de volonté de personnes vous et vous vous
sentirez idiot.

Schicken Sie Ihre unsubscribe Anzeige nicht zur Liste,
sonst Leute lächerlich machen Sie und Sie fühlen dumm.

Non trasmetta il vostro messaggio del unsubscribe alla
lista, o il ridicule di volontà della gente voi e
riterrete insensati.

No envíe su mensaje del unsubscribe a la lista, o la
gente le podrá en ridículo y usted se sentirá absurdo.

-t-



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 19:36:47 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 14:36:41 -0500
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___
Adrian Bartholomew
Leawood KS
On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:

>> From: "Timothy Mungenast" <mungenast@earthlink.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, 12 September, 2005 17:23 PM
>> Subject: Devil's AdvocateRE: Dear RED STATES
>>
>>
>>> Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, 
>>> I've got
>>> a whole passel of red-state relatives who think Dubya is just great.
>>> I'm not sure that re-starting the Civil War is the answer.
>>> Let's try to understand Bush supporters-- aside from a few cynical
>>> plutocrats, most Bush supporters are basically good-hearted folks 
>>> (like my
>>> Mom) who were raised in very socially conservative households and 
>>> would
>>> vote for a bag of popcorn if it ran on a ProLife platform. Anything 
>>> that
>>> even vaguely smells of hippiedom is anathema to them.
>
> Not really.  I'm a Republican but somehow not a raving fundamentalist 
> drone.
> Whoops, that one doesn't work.  Neither does the line being 
> continuously fed
> through the media about the 2000 and 2004 elections somehow causing a
> permanent divide in our country.  Somehow it only seems to exist in the
> minds of people who can't um, 'move on'.

so do u blame the folks who get married and then divorced. the 66%  of 
them? and growing? or do u investigate what the institution itself 
means in this day and this age?
do u question the folks who cant drive properly and who misuse a car 
out of lack of "car" knowledge or do u recall the car as not fit for 
the society that drives it?

...cant "move on"????
>
>>> They would help you if they found you lying in the middle of the 
>>> road. Your
>>> wallet would be safe. They work hard for their families, and they're 
>>> so
>>> busy working their butts off making a living that they really don't 
>>> have
>>> time to read the news. THAT'S KEY.
>>> And honestly, they've been underwhelmed by the Democrats' 
>>> less-than-awesome
>>> marketing of less-than-inspiring candidates who kinda lacked 
>>> charisma,
>>> whereas Dubya has this aura that makes ya think he wants to be your
>>> drinkin' buddy. It's a gift that not everybody has.
>>> Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a 
>>> genuine
>>> bubba, and still the Red States would have none of it. The fact that 
>>> they
>>> chose Captain AWOL over Gore points to feeble Democratic campaigning 
>>> and,
>>> possibly, Al's stiff public persona.
>>> Even when you have a good product, ya gotta sell, sell, sell. Ditto 
>>> for
>>> Kerry. A good guy, but you can't afford to shoot yourself in the 
>>> foot when
>>> you are up against the GOP, the best salesmen the world has ever 
>>> seen. And
>>> Kerry did shoot himself in the foot more than a few times.
>>> The Red Staters had reasons to vote for Dub. We may not be able to 
>>> fully
>>> comprehend those reasons, but WE CANNOT write these people off as 
>>> HeeHaw
>>> goofballs and inbred haters. You will not win over anybody if you 
>>> insult
>>> them, contrary to what Howard Dean thinks. Resist the urge. Reach 
>>> out. Try
>>> to find some common ground.
>>> Sonic Luv,
>>> Tim Mungenast
>>>
>>>
>>>
>>>
>>>> [Original Message]
>>>> From: Luis Angulo <labalou2000@yahoo.com>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Date: 9/12/2005 4:34:22 AM
>>>> Subject: Dear  RED STATES
>>>>
>>>> This sounds great if you dont mind i am coming with
>>>> you;-!
>>>>
>>>> > Dear Red States...
>>>> >
>>>> > We've decided we're leaving. We intend to form our
>>>> > own country, and we're
>>>> > taking just the Blue States with us.
>>>> >
>>>> > In case you aren't aware, that includes Hawaii,
>>>> > California, Oregon,
>>>> > Washington, Minnesota, Wisconsin, Michigan, Illinois
>>>> > and all the Northeast.
>>>> > We believe this split will be beneficial to the
>>>> > nation, and especially to
>>>> > the people of the new country.
>>>> >
>>>> > To sum up briefly: You get Texas, Oklahoma and all
>>>> > the slave states. We get
>>>> > stem cell research and the best beaches. We get
>>>> > Elliot Spitzer. You get Ken
>>>> > Lay.
>>>> >
>>>> > We get the Statue of Liberty. We get Hollywood and
>>>> > Yosemite... You get
>>>> > Dollywood. We get Intel and Microsoft. You get
>>>> > WorldCom and Enron. We get
>>>> > Harvard. You get Ole' Miss. We get 85 percent of
>>>> > America's venture capital
>>>> > and entrepreneurs. You get Alabama. We get
>>>> > two-thirds of the tax revenue,
>>>> > you get to make the red states pay their fair share.
>>>> >
>>>> > Since our aggregate divorce rate is 22 percent lower
>>>> > than the Christian
>>>> > Coalition's, we get a bunch of happy families. You
>>>> > get a bunch of single
>>>> > moms.
>>>> >
>>>> > Please be aware that the new country will be
>>>> > pro-choice and anti-war, and
>>>> > we're going to want all our citizens back from Iraq
>>>> > at once. If you need
>>>> > people to fight, ask your politicians and
>>>> > evangelicals. They have kids
>>>> > they're apparently willing to send to their deaths
>>>> > for no purpose, and they
>>>> > don't care if you don't show pictures of their
>>>> > children's caskets coming
>>>> > home. We do wish you success in Iraq, and hope that
>>>> > the WMDs turn up, but
>>>> > we're not willing to spend our resources in Bush's
>>>> > Quagmire.
>>>> >
>>>> > With the Blue States in hand, we will have firm
>>>> > control of 80 percent of the
>>>> > country's fresh water, more than 90 percent of the
>>>> > pineapple and lettuce, 92
>>>> > percent of the nation's fresh fruit, 95 percent of
>>>> > America's quality wines
>>>> > (you can serve French wines at state dinners) 90
>>>> > percent of all cheese, 90
>>>> > percent of the high tech industry, most of the U.S.
>>>> > low-sulfur coal, all
>>>> > living redwoods, sequoias and condors, all the Ivy
>>>> > and Seven Sister schools,
>>>> > plus Harvard, Yale, Stanford, Cal Tech and MIT.
>>>> >
>>>> > With the Red States, on the other hand, you will
>>>> > have to cope with 88
>>>> > percent of all obese Americans (and their projected
>>>> > health care costs), 92
>>>> > percent of all U.S. mosquitoes, nearly 100 percent
>>>> > of the tornadoes, 90
>>>> > percent of the hurricanes, 99 percent of all
>>>> > Southern Baptists, virtually
>>>> > 100 percent of all televangelists, Rush Limbaugh,
>>>> > Bob Jones University,
>>>> > Clemson and the University of Georgia.
>>>> >
>>>> > Additionally, 38 percent of those in the Red states
>>>> > believe Jonah was
>>>> > actually swallowed by a whale, 62 percent believe
>>>> > life is sacred unless
>>>> > we're discussing the death penalty or gun laws, 44
>>>> > percent say that
>>>> > evolution is only a theory, 53 percent that Saddam
>>>> > was involved in 9/11, and
>>>> > 61 percent of you crazy bastards believe you are
>>>> > people with high morals.
>>>> >
>>>>
>>>>
>>>> www.luis-angulo.com
>>>>
>>>>
>>>>
>>>> __________________________________
>>>> Yahoo! Mail - PC Magazine Editors' Choice 2005
>>>> http://mail.yahoo.com
>>>
>>>
>>>
>>>
>>>
>>>
>

--Apple-Mail-1-70230321
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
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___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:


<excerpt><excerpt>From: "Timothy Mungenast" <<mungenast@earthlink.net>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Monday, 12 September, 2005 17:23 PM

Subject: Devil's AdvocateRE: Dear RED STATES



<excerpt>Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and
besides, I've got

a whole passel of red-state relatives who think Dubya is just great.

I'm not sure that re-starting the Civil War is the answer.

Let's try to understand Bush supporters-- aside from a few cynical

plutocrats, most Bush supporters are basically good-hearted folks
(like my

Mom) who were raised in very socially conservative households and would

vote for a bag of popcorn if it ran on a ProLife platform. Anything
that

even vaguely smells of hippiedom is anathema to them.

</excerpt></excerpt>

Not really.  I'm a Republican but somehow not a raving fundamentalist
drone.

Whoops, that one doesn't work.  Neither does the line being
continuously fed

through the media about the 2000 and 2004 elections somehow causing a

permanent divide in our country.  Somehow it only seems to exist in the

minds of people who can't um, 'move on'.

</excerpt>

so do u blame the folks who get married and then divorced. the 66%  of
them? and growing? or do u investigate what the institution itself
means in this day and this age?

do u question the folks who cant drive properly and who misuse a car
out of lack of "car" knowledge or do u recall the car as not fit for
the society that drives it?


...cant "move on"????

<excerpt>

<excerpt><excerpt>They would help you if they found you lying in the
middle of the road. Your

wallet would be safe. They work hard for their families, and they're so

busy working their butts off making a living that they really don't
have

time to read the news. THAT'S KEY.

And honestly, they've been underwhelmed by the Democrats'
less-than-awesome

marketing of less-than-inspiring candidates who kinda lacked charisma,

whereas Dubya has this aura that makes ya think he wants to be your

drinkin' buddy. It's a gift that not everybody has.

Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a
genuine

bubba, and still the Red States would have none of it. The fact that
they

chose Captain AWOL over Gore points to feeble Democratic campaigning
and,

possibly, Al's stiff public persona.

Even when you have a good product, ya gotta sell, sell, sell. Ditto for

Kerry. A good guy, but you can't afford to shoot yourself in the foot
when

you are up against the GOP, the best salesmen the world has ever seen.
And

Kerry did shoot himself in the foot more than a few times.

The Red Staters had reasons to vote for Dub. We may not be able to
fully

comprehend those reasons, but WE CANNOT write these people off as
HeeHaw

goofballs and inbred haters. You will not win over anybody if you
insult

them, contrary to what Howard Dean thinks. Resist the urge. Reach out.
Try

to find some common ground.

Sonic Luv,

Tim Mungenast





<excerpt>[Original Message]

From: Luis Angulo <<labalou2000@yahoo.com>

To: <<Loopers-Delight@loopers-delight.com>

Date: 9/12/2005 4:34:22 AM

Subject: Dear  RED STATES


This sounds great if you dont mind i am coming with

you;-!


> Dear Red States...

>

> We've decided we're leaving. We intend to form our

> own country, and we're

> taking just the Blue States with us.

>

> In case you aren't aware, that includes Hawaii,

> California, Oregon,

> Washington, Minnesota, Wisconsin, Michigan, Illinois

> and all the Northeast.

> We believe this split will be beneficial to the

> nation, and especially to

> the people of the new country.

>

> To sum up briefly: You get Texas, Oklahoma and all

> the slave states. We get

> stem cell research and the best beaches. We get

> Elliot Spitzer. You get Ken

> Lay.

>

> We get the Statue of Liberty. We get Hollywood and

> Yosemite... You get

> Dollywood. We get Intel and Microsoft. You get

> WorldCom and Enron. We get

> Harvard. You get Ole' Miss. We get 85 percent of

> America's venture capital

> and entrepreneurs. You get Alabama. We get

> two-thirds of the tax revenue,

> you get to make the red states pay their fair share.

>

> Since our aggregate divorce rate is 22 percent lower

> than the Christian

> Coalition's, we get a bunch of happy families. You

> get a bunch of single

> moms.

>

> Please be aware that the new country will be

> pro-choice and anti-war, and

> we're going to want all our citizens back from Iraq

> at once. If you need

> people to fight, ask your politicians and

> evangelicals. They have kids

> they're apparently willing to send to their deaths

> for no purpose, and they

> don't care if you don't show pictures of their

> children's caskets coming

> home. We do wish you success in Iraq, and hope that

> the WMDs turn up, but

> we're not willing to spend our resources in Bush's

> Quagmire.

>

> With the Blue States in hand, we will have firm

> control of 80 percent of the

> country's fresh water, more than 90 percent of the

> pineapple and lettuce, 92

> percent of the nation's fresh fruit, 95 percent of

> America's quality wines

> (you can serve French wines at state dinners) 90

> percent of all cheese, 90

> percent of the high tech industry, most of the U.S.

> low-sulfur coal, all

> living redwoods, sequoias and condors, all the Ivy

> and Seven Sister schools,

> plus Harvard, Yale, Stanford, Cal Tech and MIT.

>

> With the Red States, on the other hand, you will

> have to cope with 88

> percent of all obese Americans (and their projected

> health care costs), 92

> percent of all U.S. mosquitoes, nearly 100 percent

> of the tornadoes, 90

> percent of the hurricanes, 99 percent of all

> Southern Baptists, virtually

> 100 percent of all televangelists, Rush Limbaugh,

> Bob Jones University,

> Clemson and the University of Georgia.

>

> Additionally, 38 percent of those in the Red states

> believe Jonah was

> actually swallowed by a whale, 62 percent believe

> life is sacred unless

> we're discussing the death penalty or gun laws, 44

> percent say that

> evolution is only a theory, 53 percent that Saddam

> was involved in 9/11, and

> 61 percent of you crazy bastards believe you are

> people with high morals.

>



www.luis-angulo.com




__________________________________

Yahoo! Mail - PC Magazine Editors' Choice 2005

http://mail.yahoo.com

</excerpt>






</excerpt></excerpt>

</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 19:53:07 2005
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Subject: Re: Re: lexicon boxes (to kim)
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<< If she does really do it you may need to get her a 
nice gift. :-)

kim>>

kim.....what single malt does she like?.....:)

http://mysite.verizon.net/vzepmeci

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From: <jesse@lunarium.com>
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	Timothy Mungenast <mungenast@earthlink.net>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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I wrote a really eloquent response to this but then my web e-mail client timed out and lost it.<BR>
<BR>
In sum -<BR>
<BR>
1. The red state/blue state thing is bogus.&nbsp;<BR>
<BR>
2. We are really dealing with an urban/rural thing.<BR>
<BR>
3. Using my red state (Missouri) as an example, both major cities - St. Louis and Kansas City - went overwhelmingly&nbsp;Kerry.&nbsp; The rest of the (rural) districts went Bush.<BR>
<BR>
4. The pattern holds true everywhere except Texas, though Austin did go Kerry.<BR>
<BR>
5. The Northeast has more urban areas than rural, so those states go blue.<BR>
<BR>
6.&nbsp;The midwest has more rural areas than urban, so those states go red.<BR>
<BR>
7. If you visited MO, you would probably be surrounded by more Kerry supporters than Bush, unless you were at a truck stop.<BR>
<BR>
8. A truck stop on I-70 in MO is the same as one on I-80 in NJ.&nbsp; I know, I've lived in both places.<BR>
<BR>
9. Democracts need to learn to sell to the people who live near truck stops.&nbsp; Period.<BR>
<BR>
10. It's rude to insult and make generalizations about millions of people who live in blue cities in red states based on an oversimplified data representations (red state/blue state maps.)<BR>
<BR>
11.&nbsp;I wish I didn't have to explain this over and over again.&nbsp; Please - look at the data and spread the word.&nbsp; The blue state/red state thing is a farse, and it's very important to understand that if you want to influence future elections.<BR>
<BR>
Jesse<BR>
Kansas City, MO<BR>
<BR>
<B>On Mon, 12 Sep 2005 12:23 , Timothy Mungenast &lt;mungenast@earthlink.net&gt; sent:<BR>
<BR>
</B>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #5167c6 2px solid; MARGIN-RIGHT: 0px">Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, I've got<BR>
a whole passel of red-state relatives who think Dubya is just great. <BR>
I'm not sure that re-starting the Civil War is the answer.<BR>
Let's try to understand Bush supporters-- aside from a few cynical<BR>
plutocrats, most Bush supporters are basically good-hearted folks (like my<BR>
Mom) who were raised in very socially conservative households and would<BR>
vote for a bag of popcorn if it ran on a ProLife platform. Anything that<BR>
even vaguely smells of hippiedom is anathema to them. <BR>
They would help you if they found you lying in the middle of the road. Your<BR>
wallet would be safe. They work hard for their families, and they're so<BR>
busy working their butts off making a living that they really don't have<BR>
time to read the news. THAT'S KEY.<BR>
And honestly, they've been underwhelmed by the Democrats' less-than-awesome<BR>
marketing of less-than-inspiring candidates who kinda lacked charisma,<BR>
whereas Dubya has this aura that makes ya think he wants to be your<BR>
drinkin' buddy. It's a gift that not everybody has. <BR>
Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a genuine<BR>
bubba, and still the Red States would have none of it. The fact that they<BR>
chose Captain AWOL over Gore points to feeble Democratic campaigning and,<BR>
possibly, Al's stiff public persona. <BR>
Even when you have a good product, ya gotta sell, sell, sell. Ditto for<BR>
Kerry. A good guy, but you can't afford to shoot yourself in the foot when<BR>
you are up against the GOP, the best salesmen the world has ever seen. And<BR>
Kerry did shoot himself in the foot more than a few times. <BR>
The Red Staters had reasons to vote for Dub. We may not be able to fully<BR>
comprehend those reasons, but WE CANNOT write these people off as HeeHaw<BR>
goofballs and inbred haters. You will not win over anybody if you insult<BR>
them, contrary to what Howard Dean thinks. Resist the urge. Reach out. Try<BR>
to find some common ground.<BR>
Sonic Luv,<BR>
Tim Mungenast<BR>
<BR>
<BR>
<BR>
<BR>
<FONT color=red>&gt; [Original Message]</FONT><BR>
<FONT color=red>&gt; From: Luis Angulo &lt;<A href="javascript:parent.opencompose('labalou2000@yahoo.com','','','')">labalou2000@yahoo.com</A>&gt;</FONT><BR>
<FONT color=red>&gt; To: &lt;<A href="javascript:parent.opencompose('Loopers-Delight@loopers-delight.com','','','')">Loopers-Delight@loopers-delight.com</A>&gt;</FONT><BR>
<FONT color=red>&gt; Date: 9/12/2005 4:34:22 AM</FONT><BR>
<FONT color=red>&gt; Subject: Dear RED STATES</FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt; This sounds great if you dont mind i am coming with</FONT><BR>
<FONT color=red>&gt; you;-!</FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt; &gt; Dear Red States...</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; We've decided we're leaving. We intend to form our</FONT><BR>
<FONT color=red>&gt; &gt; own country, and we're</FONT><BR>
<FONT color=red>&gt; &gt; taking just the Blue States with us.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; In case you aren't aware, that includes Hawaii,</FONT><BR>
<FONT color=red>&gt; &gt; California, Oregon,</FONT><BR>
<FONT color=red>&gt; &gt; Washington, Minnesota, Wisconsin, Michigan, Illinois</FONT><BR>
<FONT color=red>&gt; &gt; and all the Northeast.</FONT><BR>
<FONT color=red>&gt; &gt; We believe this split will be beneficial to the</FONT><BR>
<FONT color=red>&gt; &gt; nation, and especially to</FONT><BR>
<FONT color=red>&gt; &gt; the people of the new country.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; To sum up briefly: You get Texas, Oklahoma and all</FONT><BR>
<FONT color=red>&gt; &gt; the slave states. We get</FONT><BR>
<FONT color=red>&gt; &gt; stem cell research and the best beaches. We get</FONT><BR>
<FONT color=red>&gt; &gt; Elliot Spitzer. You get Ken</FONT><BR>
<FONT color=red>&gt; &gt; Lay.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; We get the Statue of Liberty. We get Hollywood and</FONT><BR>
<FONT color=red>&gt; &gt; Yosemite... You get</FONT><BR>
<FONT color=red>&gt; &gt; Dollywood. We get Intel and Microsoft. You get</FONT><BR>
<FONT color=red>&gt; &gt; WorldCom and Enron. We get</FONT><BR>
<FONT color=red>&gt; &gt; Harvard. You get Ole' Miss. We get 85 percent of</FONT><BR>
<FONT color=red>&gt; &gt; America's venture capital</FONT><BR>
<FONT color=red>&gt; &gt; and entrepreneurs. You get Alabama. We get</FONT><BR>
<FONT color=red>&gt; &gt; two-thirds of the tax revenue,</FONT><BR>
<FONT color=red>&gt; &gt; you get to make the red states pay their fair share.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; Since our aggregate divorce rate is 22 percent lower</FONT><BR>
<FONT color=red>&gt; &gt; than the Christian</FONT><BR>
<FONT color=red>&gt; &gt; Coalition's, we get a bunch of happy families. You</FONT><BR>
<FONT color=red>&gt; &gt; get a bunch of single</FONT><BR>
<FONT color=red>&gt; &gt; moms.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; Please be aware that the new country will be</FONT><BR>
<FONT color=red>&gt; &gt; pro-choice and anti-war, and</FONT><BR>
<FONT color=red>&gt; &gt; we're going to want all our citizens back from Iraq</FONT><BR>
<FONT color=red>&gt; &gt; at once. If you need</FONT><BR>
<FONT color=red>&gt; &gt; people to fight, ask your politicians and</FONT><BR>
<FONT color=red>&gt; &gt; evangelicals. They have kids</FONT><BR>
<FONT color=red>&gt; &gt; they're apparently willing to send to their deaths</FONT><BR>
<FONT color=red>&gt; &gt; for no purpose, and they</FONT><BR>
<FONT color=red>&gt; &gt; don't care if you don't show pictures of their</FONT><BR>
<FONT color=red>&gt; &gt; children's caskets coming</FONT><BR>
<FONT color=red>&gt; &gt; home. We do wish you success in Iraq, and hope that</FONT><BR>
<FONT color=red>&gt; &gt; the WMDs turn up, but</FONT><BR>
<FONT color=red>&gt; &gt; we're not willing to spend our resources in Bush's</FONT><BR>
<FONT color=red>&gt; &gt; Quagmire.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; With the Blue States in hand, we will have firm</FONT><BR>
<FONT color=red>&gt; &gt; control of 80 percent of the</FONT><BR>
<FONT color=red>&gt; &gt; country's fresh water, more than 90 percent of the</FONT><BR>
<FONT color=red>&gt; &gt; pineapple and lettuce, 92</FONT><BR>
<FONT color=red>&gt; &gt; percent of the nation's fresh fruit, 95 percent of</FONT><BR>
<FONT color=red>&gt; &gt; America's quality wines</FONT><BR>
<FONT color=red>&gt; &gt; (you can serve French wines at state dinners) 90</FONT><BR>
<FONT color=red>&gt; &gt; percent of all cheese, 90</FONT><BR>
<FONT color=red>&gt; &gt; percent of the high tech industry, most of the U.S.</FONT><BR>
<FONT color=red>&gt; &gt; low-sulfur coal, all</FONT><BR>
<FONT color=red>&gt; &gt; living redwoods, sequoias and condors, all the Ivy</FONT><BR>
<FONT color=red>&gt; &gt; and Seven Sister schools,</FONT><BR>
<FONT color=red>&gt; &gt; plus Harvard, Yale, Stanford, Cal Tech and MIT.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; With the Red States, on the other hand, you will</FONT><BR>
<FONT color=red>&gt; &gt; have to cope with 88</FONT><BR>
<FONT color=red>&gt; &gt; percent of all obese Americans (and their projected</FONT><BR>
<FONT color=red>&gt; &gt; health care costs), 92</FONT><BR>
<FONT color=red>&gt; &gt; percent of all U.S. mosquitoes, nearly 100 percent</FONT><BR>
<FONT color=red>&gt; &gt; of the tornadoes, 90</FONT><BR>
<FONT color=red>&gt; &gt; percent of the hurricanes, 99 percent of all</FONT><BR>
<FONT color=red>&gt; &gt; Southern Baptists, virtually</FONT><BR>
<FONT color=red>&gt; &gt; 100 percent of all televangelists, Rush Limbaugh,</FONT><BR>
<FONT color=red>&gt; &gt; Bob Jones University,</FONT><BR>
<FONT color=red>&gt; &gt; Clemson and the University of Georgia.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt; &gt; Additionally, 38 percent of those in the Red states</FONT><BR>
<FONT color=red>&gt; &gt; believe Jonah was</FONT><BR>
<FONT color=red>&gt; &gt; actually swallowed by a whale, 62 percent believe</FONT><BR>
<FONT color=red>&gt; &gt; life is sacred unless</FONT><BR>
<FONT color=red>&gt; &gt; we're discussing the death penalty or gun laws, 44</FONT><BR>
<FONT color=red>&gt; &gt; percent say that</FONT><BR>
<FONT color=red>&gt; &gt; evolution is only a theory, 53 percent that Saddam</FONT><BR>
<FONT color=red>&gt; &gt; was involved in 9/11, and</FONT><BR>
<FONT color=red>&gt; &gt; 61 percent of you crazy bastards believe you are</FONT><BR>
<FONT color=red>&gt; &gt; people with high morals.</FONT><BR>
<FONT color=red>&gt; &gt; </FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt; <A href="modules/refer.pl?redirect=http://www.luis-angulo.com" target=_blank>www.luis-angulo.com</A></FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt;</FONT><BR>
<FONT color=red>&gt; </FONT><BR>
<FONT color=red>&gt; __________________________________ </FONT><BR>
<FONT color=red>&gt; Yahoo! Mail - PC Magazine Editors' Choice 2005 </FONT><BR>
<FONT color=red>&gt; <A href="modules/refer.pl?redirect=http%3A%2F%2Fmail.yahoo.com" target=_blank><FONT color=red>http://mail.yahoo.com</FONT></A></FONT><BR>
<BR>
<BR>
<BR>
</BLOCKQUOTE><BR>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 21:14:05 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 16:13:52 -0500
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thats the best sense ive seen in a long time.
BRILLIANT!!
___
Adrian Bartholomew
Leawood KS
On Sep 12, 2005, at 12:59 PM, <jesse@lunarium.com> wrote:

> I wrote a really eloquent response to this but then my web e-mail=20
> client timed out and lost it.
>
>  In sum -
>
>  1. The red state/blue state thing is bogus.=A0
>
>  2. We are really dealing with an urban/rural thing.
>
>  3. Using my red state (Missouri) as an example, both major cities -=20=

> St. Louis and Kansas City - went overwhelmingly=A0Kerry.=A0 The rest =
of=20
> the (rural) districts went Bush.
>
>  4. The pattern holds true everywhere except Texas, though Austin did=20=

> go Kerry.
>
>  5. The Northeast has more urban areas than rural, so those states go=20=

> blue.
>
>  6.=A0The midwest has more rural areas than urban, so those states go=20=

> red.
>
>  7. If you visited MO, you would probably be surrounded by more Kerry=20=

> supporters than Bush, unless you were at a truck stop.
>
>  8. A truck stop on I-70 in MO is the same as one on I-80 in NJ.=A0 I=20=

> know, I've lived in both places.
>
>  9. Democracts need to learn to sell to the people who live near truck=20=

> stops.=A0 Period.
>
>  10. It's rude to insult and make generalizations about millions of=20
> people who live in blue cities in red states based on an=20
> oversimplified data representations (red state/blue state maps.)
>
>  11.=A0I wish I didn't have to explain this over and over again.=A0 =
Please=20
> - look at the data and spread the word.=A0 The blue state/red state=20
> thing is a farse, and it's very important to understand that if you=20
> want to influence future elections.
>
>  Jesse
>  Kansas City, MO
>
> On Mon, 12 Sep 2005 12:23 , Timothy Mungenast=20
> <mungenast@earthlink.net> sent:
>
>
> Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides,=20
> I've got
>  a whole passel of red-state relatives who think Dubya is just great.
>  I'm not sure that re-starting the Civil War is the answer.
>  Let's try to understand Bush supporters-- aside from a few cynical
>  plutocrats, most Bush supporters are basically good-hearted folks=20
> (like my
>  Mom) who were raised in very socially conservative households and=20
> would
>  vote for a bag of popcorn if it ran on a ProLife platform. Anything=20=

> that
>  even vaguely smells of hippiedom is anathema to them.
>  They would help you if they found you lying in the middle of the=20
> road. Your
>  wallet would be safe. They work hard for their families, and they're=20=

> so
>  busy working their butts off making a living that they really don't=20=

> have
>  time to read the news. THAT'S KEY.
>  And honestly, they've been underwhelmed by the Democrats'=20
> less-than-awesome
>  marketing of less-than-inspiring candidates who kinda lacked =
charisma,
>  whereas Dubya has this aura that makes ya think he wants to be your
>  drinkin' buddy. It's a gift that not everybody has.
>  Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a=20
> genuine
>  bubba, and still the Red States would have none of it. The fact that=20=

> they
>  chose Captain AWOL over Gore points to feeble Democratic campaigning=20=

> and,
>  possibly, Al's stiff public persona.
>  Even when you have a good product, ya gotta sell, sell, sell. Ditto=20=

> for
>  Kerry. A good guy, but you can't afford to shoot yourself in the foot=20=

> when
>  you are up against the GOP, the best salesmen the world has ever=20
> seen. And
>  Kerry did shoot himself in the foot more than a few times.
>  The Red Staters had reasons to vote for Dub. We may not be able to=20
> fully
>  comprehend those reasons, but WE CANNOT write these people off as=20
> HeeHaw
>  goofballs and inbred haters. You will not win over anybody if you=20
> insult
>  them, contrary to what Howard Dean thinks. Resist the urge. Reach=20
> out. Try
>  to find some common ground.
>  Sonic Luv,
>  Tim Mungenast
>
>
>
>
> > [Original Message]
> > From: Luis Angulo <labalou2000@yahoo.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Date: 9/12/2005 4:34:22 AM
> > Subject: Dear RED STATES
> >
> > This sounds great if you dont mind i am coming with
> > you;-!
> >
> > > Dear Red States...
> > >
> > > We've decided we're leaving. We intend to form our
> > > own country, and we're
> > > taking just the Blue States with us.
> > >
> > > In case you aren't aware, that includes Hawaii,
> > > California, Oregon,
> > > Washington, Minnesota, Wisconsin, Michigan, Illinois
> > > and all the Northeast.
> > > We believe this split will be beneficial to the
> > > nation, and especially to
> > > the people of the new country.
> > >
> > > To sum up briefly: You get Texas, Oklahoma and all
> > > the slave states. We get
> > > stem cell research and the best beaches. We get
> > > Elliot Spitzer. You get Ken
> > > Lay.
> > >
> > > We get the Statue of Liberty. We get Hollywood and
> > > Yosemite... You get
> > > Dollywood. We get Intel and Microsoft. You get
> > > WorldCom and Enron. We get
> > > Harvard. You get Ole' Miss. We get 85 percent of
> > > America's venture capital
> > > and entrepreneurs. You get Alabama. We get
> > > two-thirds of the tax revenue,
> > > you get to make the red states pay their fair share.
> > >
> > > Since our aggregate divorce rate is 22 percent lower
> > > than the Christian
> > > Coalition's, we get a bunch of happy families. You
> > > get a bunch of single
> > > moms.
> > >
> > > Please be aware that the new country will be
> > > pro-choice and anti-war, and
> > > we're going to want all our citizens back from Iraq
> > > at once. If you need
> > > people to fight, ask your politicians and
> > > evangelicals. They have kids
> > > they're apparently willing to send to their deaths
> > > for no purpose, and they
> > > don't care if you don't show pictures of their
> > > children's caskets coming
> > > home. We do wish you success in Iraq, and hope that
> > > the WMDs turn up, but
> > > we're not willing to spend our resources in Bush's
> > > Quagmire.
> > >
> > > With the Blue States in hand, we will have firm
> > > control of 80 percent of the
> > > country's fresh water, more than 90 percent of the
> > > pineapple and lettuce, 92
> > > percent of the nation's fresh fruit, 95 percent of
> > > America's quality wines
> > > (you can serve French wines at state dinners) 90
> > > percent of all cheese, 90
> > > percent of the high tech industry, most of the U.S.
> > > low-sulfur coal, all
> > > living redwoods, sequoias and condors, all the Ivy
> > > and Seven Sister schools,
> > > plus Harvard, Yale, Stanford, Cal Tech and MIT.
> > >
> > > With the Red States, on the other hand, you will
> > > have to cope with 88
> > > percent of all obese Americans (and their projected
> > > health care costs), 92
> > > percent of all U.S. mosquitoes, nearly 100 percent
> > > of the tornadoes, 90
> > > percent of the hurricanes, 99 percent of all
> > > Southern Baptists, virtually
> > > 100 percent of all televangelists, Rush Limbaugh,
> > > Bob Jones University,
> > > Clemson and the University of Georgia.
> > >
> > > Additionally, 38 percent of those in the Red states
> > > believe Jonah was
> > > actually swallowed by a whale, 62 percent believe
> > > life is sacred unless
> > > we're discussing the death penalty or gun laws, 44
> > > percent say that
> > > evolution is only a theory, 53 percent that Saddam
> > > was involved in 9/11, and
> > > 61 percent of you crazy bastards believe you are
> > > people with high morals.
> > >
> >
> >
> > www.luis-angulo.com
> >
> >
> >
> > __________________________________
>  > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
>
>
>
>
>

--Apple-Mail-1-76061309
Content-Transfer-Encoding: quoted-printable
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thats the best sense ive seen in a long time.

BRILLIANT!!

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 12, 2005, at 12:59 PM, <<jesse@lunarium.com> wrote:


<excerpt>I wrote a really eloquent response to this but then my web
e-mail client timed out and lost it.


 In sum -


 1. The red state/blue state thing is bogus.=A0


 2. We are really dealing with an urban/rural thing.


 3. Using my red state (Missouri) as an example, both major cities -
St. Louis and Kansas City - went overwhelmingly=A0Kerry.=A0 The rest of
the (rural) districts went Bush.


 4. The pattern holds true everywhere except Texas, though Austin did
go Kerry.


 5. The Northeast has more urban areas than rural, so those states go
blue.


 6.=A0The midwest has more rural areas than urban, so those states go
red.


 7. If you visited MO, you would probably be surrounded by more Kerry
supporters than Bush, unless you were at a truck stop.


 8. A truck stop on I-70 in MO is the same as one on I-80 in NJ.=A0 I
know, I've lived in both places.


 9. Democracts need to learn to sell to the people who live near truck
stops.=A0 Period.


 10. It's rude to insult and make generalizations about millions of
people who live in blue cities in red states based on an
oversimplified data representations (red state/blue state maps.)


 11.=A0I wish I didn't have to explain this over and over again.=A0 =
Please
- look at the data and spread the word.=A0 The blue state/red state
thing is a farse, and it's very important to understand that if you
want to influence future elections.


 Jesse

 Kansas City, MO


<bold>On Mon, 12 Sep 2005 12:23 , Timothy Mungenast
<<mungenast@earthlink.net> sent:</bold>


=20

Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides,
I've got

 a whole passel of red-state relatives who think Dubya is just great.=20

 I'm not sure that re-starting the Civil War is the answer.

 Let's try to understand Bush supporters-- aside from a few cynical

 plutocrats, most Bush supporters are basically good-hearted folks
(like my

 Mom) who were raised in very socially conservative households and
would

 vote for a bag of popcorn if it ran on a ProLife platform. Anything
that

 even vaguely smells of hippiedom is anathema to them.=20

 They would help you if they found you lying in the middle of the
road. Your

 wallet would be safe. They work hard for their families, and they're
so

 busy working their butts off making a living that they really don't
have

 time to read the news. THAT'S KEY.

 And honestly, they've been underwhelmed by the Democrats'
less-than-awesome

 marketing of less-than-inspiring candidates who kinda lacked charisma,

 whereas Dubya has this aura that makes ya think he wants to be your

 drinkin' buddy. It's a gift that not everybody has.=20

 Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a
genuine

 bubba, and still the Red States would have none of it. The fact that
they

 chose Captain AWOL over Gore points to feeble Democratic campaigning
and,

 possibly, Al's stiff public persona.=20

 Even when you have a good product, ya gotta sell, sell, sell. Ditto
for

 Kerry. A good guy, but you can't afford to shoot yourself in the foot
when

 you are up against the GOP, the best salesmen the world has ever
seen. And

 Kerry did shoot himself in the foot more than a few times.=20

 The Red Staters had reasons to vote for Dub. We may not be able to
fully

 comprehend those reasons, but WE CANNOT write these people off as
HeeHaw

 goofballs and inbred haters. You will not win over anybody if you
insult

 them, contrary to what Howard Dean thinks. Resist the urge. Reach
out. Try

 to find some common ground.

 Sonic Luv,

 Tim Mungenast





<color><param>FFFF,0000,0000</param>> [Original Message]</color>

<color><param>FFFF,0000,0000</param>> From: Luis Angulo
=
<<</color><color><param>0000,0000,EEEE</param>labalou2000@yahoo.com</color=
><color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>> To:
=
<<</color><color><param>0000,0000,EEEE</param>Loopers-Delight@loopers-deli=
ght.com</color><color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>> Date: 9/12/2005 4:34:22 AM</color>

<color><param>FFFF,0000,0000</param>> Subject: Dear RED STATES</color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>> This sounds great if you dont
mind i am coming with</color>

<color><param>FFFF,0000,0000</param>> you;-!</color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>> > Dear Red States...</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > We've decided we're leaving.
We intend to form our</color>

<color><param>FFFF,0000,0000</param>> > own country, and we're</color>

<color><param>FFFF,0000,0000</param>> > taking just the Blue States
with us.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > In case you aren't aware, that
includes Hawaii,</color>

<color><param>FFFF,0000,0000</param>> > California, Oregon,</color>

<color><param>FFFF,0000,0000</param>> > Washington, Minnesota,
Wisconsin, Michigan, Illinois</color>

<color><param>FFFF,0000,0000</param>> > and all the Northeast.</color>

<color><param>FFFF,0000,0000</param>> > We believe this split will be
beneficial to the</color>

<color><param>FFFF,0000,0000</param>> > nation, and especially =
to</color>

<color><param>FFFF,0000,0000</param>> > the people of the new =
country.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > To sum up briefly: You get
Texas, Oklahoma and all</color>

<color><param>FFFF,0000,0000</param>> > the slave states. We get</color>

<color><param>FFFF,0000,0000</param>> > stem cell research and the
best beaches. We get</color>

<color><param>FFFF,0000,0000</param>> > Elliot Spitzer. You get =
Ken</color>

<color><param>FFFF,0000,0000</param>> > Lay.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > We get the Statue of Liberty.
We get Hollywood and</color>

<color><param>FFFF,0000,0000</param>> > Yosemite... You get</color>

<color><param>FFFF,0000,0000</param>> > Dollywood. We get Intel and
Microsoft. You get</color>

<color><param>FFFF,0000,0000</param>> > WorldCom and Enron. We =
get</color>

<color><param>FFFF,0000,0000</param>> > Harvard. You get Ole' Miss. We
get 85 percent of</color>

<color><param>FFFF,0000,0000</param>> > America's venture =
capital</color>

<color><param>FFFF,0000,0000</param>> > and entrepreneurs. You get
Alabama. We get</color>

<color><param>FFFF,0000,0000</param>> > two-thirds of the tax =
revenue,</color>

<color><param>FFFF,0000,0000</param>> > you get to make the red states
pay their fair share.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > Since our aggregate divorce
rate is 22 percent lower</color>

<color><param>FFFF,0000,0000</param>> > than the Christian</color>

<color><param>FFFF,0000,0000</param>> > Coalition's, we get a bunch of
happy families. You</color>

<color><param>FFFF,0000,0000</param>> > get a bunch of single</color>

<color><param>FFFF,0000,0000</param>> > moms.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > Please be aware that the new
country will be</color>

<color><param>FFFF,0000,0000</param>> > pro-choice and anti-war, =
and</color>

<color><param>FFFF,0000,0000</param>> > we're going to want all our
citizens back from Iraq</color>

<color><param>FFFF,0000,0000</param>> > at once. If you need</color>

<color><param>FFFF,0000,0000</param>> > people to fight, ask your
politicians and</color>

<color><param>FFFF,0000,0000</param>> > evangelicals. They have =
kids</color>

<color><param>FFFF,0000,0000</param>> > they're apparently willing to
send to their deaths</color>

<color><param>FFFF,0000,0000</param>> > for no purpose, and they</color>

<color><param>FFFF,0000,0000</param>> > don't care if you don't show
pictures of their</color>

<color><param>FFFF,0000,0000</param>> > children's caskets =
coming</color>

<color><param>FFFF,0000,0000</param>> > home. We do wish you success
in Iraq, and hope that</color>

<color><param>FFFF,0000,0000</param>> > the WMDs turn up, but</color>

<color><param>FFFF,0000,0000</param>> > we're not willing to spend our
resources in Bush's</color>

<color><param>FFFF,0000,0000</param>> > Quagmire.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > With the Blue States in hand,
we will have firm</color>

<color><param>FFFF,0000,0000</param>> > control of 80 percent of =
the</color>

<color><param>FFFF,0000,0000</param>> > country's fresh water, more
than 90 percent of the</color>

<color><param>FFFF,0000,0000</param>> > pineapple and lettuce, =
92</color>

<color><param>FFFF,0000,0000</param>> > percent of the nation's fresh
fruit, 95 percent of</color>

<color><param>FFFF,0000,0000</param>> > America's quality wines</color>

<color><param>FFFF,0000,0000</param>> > (you can serve French wines at
state dinners) 90</color>

<color><param>FFFF,0000,0000</param>> > percent of all cheese, =
90</color>

<color><param>FFFF,0000,0000</param>> > percent of the high tech
industry, most of the U.S.</color>

<color><param>FFFF,0000,0000</param>> > low-sulfur coal, all</color>

<color><param>FFFF,0000,0000</param>> > living redwoods, sequoias and
condors, all the Ivy</color>

<color><param>FFFF,0000,0000</param>> > and Seven Sister =
schools,</color>

<color><param>FFFF,0000,0000</param>> > plus Harvard, Yale, Stanford,
Cal Tech and MIT.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > With the Red States, on the
other hand, you will</color>

<color><param>FFFF,0000,0000</param>> > have to cope with 88</color>

<color><param>FFFF,0000,0000</param>> > percent of all obese Americans
(and their projected</color>

<color><param>FFFF,0000,0000</param>> > health care costs), 92</color>

<color><param>FFFF,0000,0000</param>> > percent of all U.S.
mosquitoes, nearly 100 percent</color>

<color><param>FFFF,0000,0000</param>> > of the tornadoes, 90</color>

<color><param>FFFF,0000,0000</param>> > percent of the hurricanes, 99
percent of all</color>

<color><param>FFFF,0000,0000</param>> > Southern Baptists, =
virtually</color>

<color><param>FFFF,0000,0000</param>> > 100 percent of all
televangelists, Rush Limbaugh,</color>

<color><param>FFFF,0000,0000</param>> > Bob Jones University,</color>

<color><param>FFFF,0000,0000</param>> > Clemson and the University of
Georgia.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>> > Additionally, 38 percent of
those in the Red states</color>

<color><param>FFFF,0000,0000</param>> > believe Jonah was</color>

<color><param>FFFF,0000,0000</param>> > actually swallowed by a whale,
62 percent believe</color>

<color><param>FFFF,0000,0000</param>> > life is sacred unless</color>

<color><param>FFFF,0000,0000</param>> > we're discussing the death
penalty or gun laws, 44</color>

<color><param>FFFF,0000,0000</param>> > percent say that</color>

<color><param>FFFF,0000,0000</param>> > evolution is only a theory, 53
percent that Saddam</color>

<color><param>FFFF,0000,0000</param>> > was involved in 9/11, =
and</color>

<color><param>FFFF,0000,0000</param>> > 61 percent of you crazy
bastards believe you are</color>

<color><param>FFFF,0000,0000</param>> > people with high morals.</color>

<color><param>FFFF,0000,0000</param>> > </color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>>
</color><color><param>0000,0000,EEEE</param>www.luis-angulo.com</color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>></color>

<color><param>FFFF,0000,0000</param>> </color>

<color><param>FFFF,0000,0000</param>>
__________________________________</color>

 <color><param>FFFF,0000,0000</param>> Yahoo! Mail - PC Magazine
Editors' Choice 2005 </color>

<color><param>FFFF,0000,0000</param>> http://mail.yahoo.com</color>






</excerpt>=

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Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 16:30:38 -0500
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>
> 11. I wish I didn't have to explain this over and over again.   
> Please - look at the data and spread the word.  The blue state/red  
> state thing is a farse,

Thanks for your observations, but one state in particular (imo)  
stands out. Can you explain FL (my home state)? I'm not sure the  
urban/rural stuff holds up in CA either. Or NY even? But FL in  
particular...

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 21:42:20 2005
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True.. what the fuck are you doing this for on in this Group.....get the fuck off.......

Kathy Deane <relativepictures@cox.net> wrote:Calling someone a Natzi cause they want to change the subject is pretty raw. 


I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.

Kathy Deane <relativepictures@cox.net> wrote: 
I like beets more than pomegranates...How about a new subject?
The polarity is disrupting the harmony of the tunes in my head.

“Can’t we all just get along?” 
Rodney King April 29, 1992 
__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



__________________________________________________
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<DIV>True.. what the fuck are you doing this for on in this Group.....get the fuck off.......<BR><BR><B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">Calling someone a Natzi cause they want to change the subject is pretty raw. <BR><BR><BR>I'll bet a lot of people in Nazi Germany expressed the same sentiments at one time.<BR><BR><B><I>Kathy Deane &lt;relativepictures@cox.net&gt;</I></B> wrote: <BR></SPAN></FONT>
<BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">I like beets more than pomegranates...How about a new subject?<BR>The polarity is disrupting the harmony of the tunes in my head.<BR><BR>“Can’t we all just get along?” <BR>Rodney King April 29, 1992 <BR></SPAN></FONT></BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? &nbsp;Yahoo! Mail has the best spam protection around <BR><A href="http://mail.yahoo.com/">http://mail.yahoo.com</A> <BR></SPAN></FONT></BLOCKQUOTE><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px"><BR></SPAN></FONT></BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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As a generalization it's largely true in California from what I know. 
The coastal cities voted Dem and the inland and agricultural/rural areas
voted Repub.  

Generally speaking I like this bumpesticker

"Elephants and asses are leading us astray"

This has something to do with looping I'm sure I just can't think of it
right now.

Kevin

> 
> >
> > 11. I wish I didn't have to explain this over and over again.   
> > Please - look at the data and spread the word.  The blue state/red  
> > state thing is a farse,
> 
> Thanks for your observations, but one state in particular (imo)  
> stands out. Can you explain FL (my home state)? I'm not sure the  
> urban/rural stuff holds up in CA either. Or NY even? But FL in  
> particular...
> 
> Jeff
> 
> 

How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 22:43:49 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
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Subject: "Switzerland In Sound" interview about Zurich Loopfestival now available
Date: Tue, 13 Sep 2005 00:43:33 +0200
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Bob Zanotti of "Switzerland In Sound" kindly agreed that I post the
interview as an mp3 (1.45 MB).

It's the 3rd entry in the "News" section of http://loopfestival.com

Thank you
Bernhard
http://nosuch.biz


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On 9/12/05, Michael Pregeant <mpregeant@gmail.com> wrote:=20
>=20
> "What do the special olympics and fighting on the internet have in=20
> common?"
>  "In the end, you're still retarded."
>  i.e. Shut up.
>=20
>  On 9/12/05, Sony Felberg <sony@real.com> wrote:=20
> >=20
> >   To love America, do I need to love war?
> >  Or, is America reserved for people whom share your views?=20
> >  I'm confused by your statements. What are you trying to say? Or, shoul=
d=20
> > I not question your rederic?=20
> >  ...please enlighten us to war loving Americaism.=20
> >   *BEATS NOT BOMBS at MIGHTY in San Francisco a much better way to spen=
d=20
> > the day!*
> >   __________________________________
> > You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> > response of far-left-wing America-haters.
> > __________________________________
> >     =20
>=20
>

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<br><br>
<div><span class=3D"gmail_quote">On 9/12/05, <b class=3D"gmail_sendername">=
Michael Pregeant</b> &lt;<a href=3D"mailto:mpregeant@gmail.com">mpregeant@g=
mail.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>&quot;What do the special olympics and fighting on the internet have i=
n common?&quot;</div>
<div>&nbsp;</div>
<div>&quot;In the end, you're still retarded.&quot;</div>
<div>&nbsp;</div>
<div>i.e. Shut up.<br><br>&nbsp;</div>
<div><span class=3D"e" id=3D"q_1064c8052f20bf79_1">
<div><span class=3D"gmail_quote">On 9/12/05, <b class=3D"gmail_sendername">=
Sony Felberg</b> &lt;<a onclick=3D"return top.js.OpenExtLink(window,event,t=
his)" href=3D"mailto:sony@real.com" target=3D"_blank">sony@real.com</a>&gt;=
 wrote:
</span>=20
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<table cellspacing=3D"0" cellpadding=3D"2" width=3D"100%" border=3D"0">
<tbody>
<tr>
<td style=3D"FONT-SIZE: 12pt; FONT-FAMILY: Arial" width=3D"100%">
<div>To love America, &nbsp;do I need to love war?</div>
<div>&nbsp;</div>
<div>Or, is&nbsp;America&nbsp;reserved for people whom share your views?&nb=
sp;</div>
<div>&nbsp;</div>
<div>I'm confused by your statements. What are you trying to say?&nbsp;Or, =
should I not question your rederic? </div>
<div>&nbsp;</div>
<div>...please enlighten us to war loving Americaism. </div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><strong>BEATS NOT BOMBS at MIGHTY in San Francisco a much better way t=
o spend the day!</strong></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>__________________________________</div><span>
<div>You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk=
</div>
<div>response of far-left-wing America-haters.</div></span>
<div>__________________________________</div>
<div>&nbsp;</div></td></tr>
<tr>
<td width=3D"100%">
<table cellspacing=3D"0" cellpadding=3D"0" width=3D"100%">
<tbody>
<tr>
<td width=3D"100%"></td>
<td valign=3D"bottom" align=3D"middle"></td>
<td valign=3D"bottom" align=3D"middle"></td></tr></tbody></table></td></tr>=
</tbody></table></blockquote></div><br></span></div></blockquote></div><br>

------=_Part_11726_16520625.1126565035334--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 22:44:20 2005
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"What do the special olympics and fighting on the internet have in common?"
 "In the end, you're still retarded."
 i.e. Shut up.


On 9/12/05, Sony Felberg <sony@real.com> wrote:=20
>=20
>   To love America, do I need to love war?
>  Or, is America reserved for people whom share your views?=20
>  I'm confused by your statements. What are you trying to say? Or, should =
I=20
> not question your rederic?=20
>  ...please enlighten us to war loving Americaism.=20
>   *BEATS NOT BOMBS at MIGHTY in San Francisco a much better way to spend=
=20
> the day!*
>   __________________________________
> You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk
> response of far-left-wing America-haters.
> __________________________________
>

------=_Part_11730_28082699.1126565058107
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

<div>&quot;What do the special olympics and fighting on the internet have i=
n common?&quot;</div>
<div>&nbsp;</div>
<div>&quot;In the end, you're still retarded.&quot;</div>
<div>&nbsp;</div>
<div>i.e. Shut up.</div><br><br>
<div><span class=3D"gmail_quote">On 9/12/05, <b class=3D"gmail_sendername">=
Sony Felberg</b> &lt;<a href=3D"mailto:sony@real.com">sony@real.com</a>&gt;=
 wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<table cellspacing=3D"0" cellpadding=3D"2" width=3D"100%" border=3D"0">
<tbody>
<tr>
<td style=3D"FONT-SIZE: 12pt; FONT-FAMILY: Arial" width=3D"100%">
<div>To love America, &nbsp;do I need to love war?</div>
<div>&nbsp;</div>
<div>Or, is&nbsp;America&nbsp;reserved for people whom share your views?&nb=
sp;</div>
<div>&nbsp;</div>
<div>I'm confused by your statements. What are you trying to say?&nbsp;Or, =
should I not question your rederic? </div>
<div>&nbsp;</div>
<div>...please enlighten us to war loving Americaism. </div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><strong>BEATS NOT BOMBS at MIGHTY in San Francisco a much better way t=
o spend the day!</strong></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>__________________________________</div><span class=3D"q">
<div>You're dead-on, Matthew: this anti-war stuff is the typical, knee-jerk=
</div>
<div>response of far-left-wing America-haters.</div></span>
<div>__________________________________</div>
<div>&nbsp;</div></td></tr>
<tr>
<td width=3D"100%">
<table cellspacing=3D"0" cellpadding=3D"0" width=3D"100%">
<tbody>
<tr>
<td width=3D"100%"></td>
<td valign=3D"bottom" align=3D"middle"></td>
<td valign=3D"bottom" align=3D"middle"></td></tr></tbody></table></td></tr>=
</tbody></table></blockquote></div><br>

------=_Part_11730_28082699.1126565058107--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 12 23:47:14 2005
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Date: Mon, 12 Sep 2005 16:47:12 -0700 (PDT)
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Subject: Re: I'm actually going toward rackmount stuff  Re: T.C. G-system
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--- Timothy Mungenast <mungenast@earthlink.net> wrote:

> And here's the main thing I tell myself....even if
I'm going through a
> SIMULATED tape echo, and a SIMULATED Plexi Marshall,
and a >SIMULATED plate reverb, I AM REAL, and that
realness will hopefully
> come through no matter how much digital sleight of
hand I decide to >use. 

AH!  Thanks for bringing up "the real world" (as
opposed to the "machine world)  I get sick of
"purists" who dis technology.  Either it's good and
works for you or it's bad.  Forget what's fashionable
and do what you like.  Reminds me of the somewhat
badly illustrated point of the last Matrix movie.  Neo
realizes Zion isn't real (part of the sim to make
people think they can get out and fight the machines)
but fights anyway *because he knows that he is real
and the love he feels are real*  PLAY ANYWAY!  If you
can't afford expensive boutique tube amps, get a cheap
transistor amp and a tube sim.  Love to play and feel
the love because that love is the only thing that's
real when you get right down to it.  No one's going to
put "couldn't afford a cool boutique pedal" on your
grave.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 00:00:36 2005
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Hi,

First I want to say thanks for all the info I've gleaned from Loopers 
Delight, since you all are what convinced me to dive into looping and 
the EDP.  You also turned me on to Anthony at Altos Music, where I got a 
new EDP for $739, foot pedal for $99, with Fed Ex ground shipping.

So today I got my new EDP and foot controller, full 16 megs Ram, new out 
of the box. 

It is *not* behaving as the manual describes. I have 7 days to return it 
if it is defective, but I would hate to send it back because I 
misunderstand how it is supposed to work. I'm a reasonably intelligent 
person, most of the time. Or maybe just the foot controller is screwy?

Using the foot controller:
I press record, record a loop, press record to end. It plays. Good.
Now, without pressing overdub, everything I play gets recorded onto the 
loop. I can undo and remove it, but it continues to record everything, 
as if the overdub function is switched on all the time. But the overdub 
light doesn't change, just happy green.
When I press overdub and play, nothing gets recorded onto the loop. The 
red overdub light does go on and off when I press the button.

Also, there is no loop number to the left in the display, just the time 
length of the loop. Also, the next loop light is always orange after I 
first record.
I have tried holding the parameter button down when powering up, but 
this hasn't changed anything.

Is this EDP defective or am I really missing something?

I truly appreciate your help,

TJ Sutherland

	

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 00:24:14 2005
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  ----- Original Message -----=20
  From: Adrian Bartholomew=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, 12 September, 2005 20:36 PM
  Subject: Re: Devil's AdvocateRE: Dear RED STATES



  ___
  Adrian Bartholomew
  Leawood KS
  On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:


      From: "Timothy Mungenast" <mungenast@earthlink.net>
      To: <Loopers-Delight@loopers-delight.com>
      Sent: Monday, 12 September, 2005 17:23 PM
      Subject: Devil's AdvocateRE: Dear RED STATES



        Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and =
besides, I've got
        a whole passel of red-state relatives who think Dubya is just =
great.
        I'm not sure that re-starting the Civil War is the answer.
        Let's try to understand Bush supporters-- aside from a few =
cynical
        plutocrats, most Bush supporters are basically good-hearted =
folks (like my
        Mom) who were raised in very socially conservative households =
and would
        vote for a bag of popcorn if it ran on a ProLife platform. =
Anything that
        even vaguely smells of hippiedom is anathema to them.


    Not really. I'm a Republican but somehow not a raving fundamentalist =
drone.
    Whoops, that one doesn't work. Neither does the line being =
continuously fed
    through the media about the 2000 and 2004 elections somehow causing =
a
    permanent divide in our country. Somehow it only seems to exist in =
the
    minds of people who can't um, 'move on'.


  so do u blame the folks who get married and then divorced. the 66% of =
them? and growing? or do u investigate what the institution itself means =
in this day and this age?
  do u question the folks who cant drive properly and who misuse a car =
out of lack of "car" knowledge or do u recall the car as not fit for the =
society that drives it?

  ...cant "move on"????
Take your meds and calm down.



        They would help you if they found you lying in the middle of the =
road. Your
        wallet would be safe. They work hard for their families, and =
they're so
        busy working their butts off making a living that they really =
don't have
        time to read the news. THAT'S KEY.
        And honestly, they've been underwhelmed by the Democrats' =
less-than-awesome
        marketing of less-than-inspiring candidates who kinda lacked =
charisma,
        whereas Dubya has this aura that makes ya think he wants to be =
your
        drinkin' buddy. It's a gift that not everybody has.
        Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a =
genuine
        bubba, and still the Red States would have none of it. The fact =
that they
        chose Captain AWOL over Gore points to feeble Democratic =
campaigning and,
        possibly, Al's stiff public persona.
        Even when you have a good product, ya gotta sell, sell, sell. =
Ditto for
        Kerry. A good guy, but you can't afford to shoot yourself in the =
foot when
        you are up against the GOP, the best salesmen the world has ever =
seen. And
        Kerry did shoot himself in the foot more than a few times.
        The Red Staters had reasons to vote for Dub. We may not be able =
to fully
        comprehend those reasons, but WE CANNOT write these people off =
as HeeHaw
        goofballs and inbred haters. You will not win over anybody if =
you insult
        them, contrary to what Howard Dean thinks. Resist the urge. =
Reach out. Try
        to find some common ground.
        Sonic Luv,
        Tim Mungenast





          [Original Message]
          From: Luis Angulo <labalou2000@yahoo.com>
          To: <Loopers-Delight@loopers-delight.com>
          Date: 9/12/2005 4:34:22 AM
          Subject: Dear RED STATES

          This sounds great if you dont mind i am coming with
          you;-!

          > Dear Red States...
          >
          > We've decided we're leaving. We intend to form our
          > own country, and we're
          > taking just the Blue States with us.
          >
          > In case you aren't aware, that includes Hawaii,
          > California, Oregon,
          > Washington, Minnesota, Wisconsin, Michigan, Illinois
          > and all the Northeast.
          > We believe this split will be beneficial to the
          > nation, and especially to
          > the people of the new country.
          >
          > To sum up briefly: You get Texas, Oklahoma and all
          > the slave states. We get
          > stem cell research and the best beaches. We get
          > Elliot Spitzer. You get Ken
          > Lay.
          >
          > We get the Statue of Liberty. We get Hollywood and
          > Yosemite... You get
          > Dollywood. We get Intel and Microsoft. You get
          > WorldCom and Enron. We get
          > Harvard. You get Ole' Miss. We get 85 percent of
          > America's venture capital
          > and entrepreneurs. You get Alabama. We get
          > two-thirds of the tax revenue,
          > you get to make the red states pay their fair share.
          >
          > Since our aggregate divorce rate is 22 percent lower
          > than the Christian
          > Coalition's, we get a bunch of happy families. You
          > get a bunch of single
          > moms.
          >
          > Please be aware that the new country will be
          > pro-choice and anti-war, and
          > we're going to want all our citizens back from Iraq
          > at once. If you need
          > people to fight, ask your politicians and
          > evangelicals. They have kids
          > they're apparently willing to send to their deaths
          > for no purpose, and they
          > don't care if you don't show pictures of their
          > children's caskets coming
          > home. We do wish you success in Iraq, and hope that
          > the WMDs turn up, but
          > we're not willing to spend our resources in Bush's
          > Quagmire.
          >
          > With the Blue States in hand, we will have firm
          > control of 80 percent of the
          > country's fresh water, more than 90 percent of the
          > pineapple and lettuce, 92
          > percent of the nation's fresh fruit, 95 percent of
          > America's quality wines
          > (you can serve French wines at state dinners) 90
          > percent of all cheese, 90
          > percent of the high tech industry, most of the U.S.
          > low-sulfur coal, all
          > living redwoods, sequoias and condors, all the Ivy
          > and Seven Sister schools,
          > plus Harvard, Yale, Stanford, Cal Tech and MIT.
          >
          > With the Red States, on the other hand, you will
          > have to cope with 88
          > percent of all obese Americans (and their projected
          > health care costs), 92
          > percent of all U.S. mosquitoes, nearly 100 percent
          > of the tornadoes, 90
          > percent of the hurricanes, 99 percent of all
          > Southern Baptists, virtually
          > 100 percent of all televangelists, Rush Limbaugh,
          > Bob Jones University,
          > Clemson and the University of Georgia.
          >
          > Additionally, 38 percent of those in the Red states
          > believe Jonah was
          > actually swallowed by a whale, 62 percent believe
          > life is sacred unless
          > we're discussing the death penalty or gun laws, 44
          > percent say that
          > evolution is only a theory, 53 percent that Saddam
          > was involved in 9/11, and
          > 61 percent of you crazy bastards believe you are
          > people with high morals.
          >


          www.luis-angulo.com



          __________________________________
          Yahoo! Mail - PC Magazine Editors' Choice 2005
          http://mail.yahoo.com










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<META http-equiv=3DContent-Type content=3D"text/html; =
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<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dadrian@bartholomusic.com=20
  href=3D"mailto:adrian@bartholomusic.com">Adrian Bartholomew</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, 12 September, =
2005 20:36=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Devil's =
AdvocateRE: Dear RED=20
  STATES</DIV>
  <DIV><BR></DIV><BR>___<B><?color><?param 7979,0404,0909><BR>Adrian=20
  Bartholomew<BR><?/color></B>Leawood KS<BR>On Sep 12, 2005, at 2:22 PM, =
Stephen=20
  Goodman wrote:<BR><BR>
  <BLOCKQUOTE>
    <BLOCKQUOTE>From: "Timothy Mungenast" &lt;<A=20
      =
href=3D"mailto:mungenast@earthlink.net">mungenast@earthlink.net</A>&gt;<B=
R>To:=20
      &lt;<A=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Sent:=20
      Monday, 12 September, 2005 17:23 PM<BR>Subject: Devil's =
AdvocateRE: Dear=20
      RED STATES<BR><BR><BR>
      <BLOCKQUOTE>Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, =
and=20
        besides, I've got<BR>a whole passel of red-state relatives who =
think=20
        Dubya is just great.<BR>I'm not sure that re-starting the Civil =
War is=20
        the answer.<BR>Let's try to understand Bush supporters-- aside =
from a=20
        few cynical<BR>plutocrats, most Bush supporters are basically=20
        good-hearted folks (like my<BR>Mom) who were raised in very =
socially=20
        conservative households and would<BR>vote for a bag of popcorn =
if it ran=20
        on a ProLife platform. Anything that<BR>even vaguely smells of =
hippiedom=20
        is anathema to them.<BR></BLOCKQUOTE></BLOCKQUOTE><BR>Not =
really. I'm a=20
    Republican but somehow not a raving fundamentalist drone.<BR>Whoops, =
that=20
    one doesn't work. Neither does the line being continuously =
fed<BR>through=20
    the media about the 2000 and 2004 elections somehow causing =
a<BR>permanent=20
    divide in our country. Somehow it only seems to exist in =
the<BR>minds of=20
    people who can't um, 'move on'.<BR></BLOCKQUOTE>
  <DIV><BR>so do u blame the folks who get married and then divorced. =
the 66% of=20
  them? and growing? or do u investigate what the institution itself =
means in=20
  this day and this age?<BR>do u question the folks who cant drive =
properly and=20
  who misuse a car out of lack of "car" knowledge or do u recall the car =
as not=20
  fit for the society that drives it?<BR><BR>...cant "move=20
on"????</DIV></BLOCKQUOTE>
<DIV dir=3Dltr>Take your meds and calm down.<BR></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE><BR>
    <BLOCKQUOTE>
      <BLOCKQUOTE>They would help you if they found you lying in the =
middle of=20
        the road. Your<BR>wallet would be safe. They work hard for their =

        families, and they're so<BR>busy working their butts off making =
a living=20
        that they really don't have<BR>time to read the news. THAT'S =
KEY.<BR>And=20
        honestly, they've been underwhelmed by the Democrats'=20
        less-than-awesome<BR>marketing of less-than-inspiring candidates =
who=20
        kinda lacked charisma,<BR>whereas Dubya has this aura that makes =
ya=20
        think he wants to be your<BR>drinkin' buddy. It's a gift that =
not=20
        everybody has.<BR>Look at Gore. He was a Southerner, a VietNam =
vet, a=20
        sportsman, a genuine<BR>bubba, and still the Red States would =
have none=20
        of it. The fact that they<BR>chose Captain AWOL over Gore points =
to=20
        feeble Democratic campaigning and,<BR>possibly, Al's stiff =
public=20
        persona.<BR>Even when you have a good product, ya gotta sell, =
sell,=20
        sell. Ditto for<BR>Kerry. A good guy, but you can't afford to =
shoot=20
        yourself in the foot when<BR>you are up against the GOP, the =
best=20
        salesmen the world has ever seen. And<BR>Kerry did shoot himself =
in the=20
        foot more than a few times.<BR>The Red Staters had reasons to =
vote for=20
        Dub. We may not be able to fully<BR>comprehend those reasons, =
but WE=20
        CANNOT write these people off as HeeHaw<BR>goofballs and inbred =
haters.=20
        You will not win over anybody if you insult<BR>them, contrary to =
what=20
        Howard Dean thinks. Resist the urge. Reach out. Try<BR>to find =
some=20
        common ground.<BR>Sonic Luv,<BR>Tim =
Mungenast<BR><BR><BR><BR><BR>
        <BLOCKQUOTE>[Original Message]<BR>From: Luis Angulo=20
          &lt;labalou2000@yahoo.com&gt;<BR>To:=20
          &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Date: 9/12/2005 =
4:34:22=20
          AM<BR>Subject: Dear RED STATES<BR><BR>This sounds great if you =
dont=20
          mind i am coming with<BR>you;-!<BR><BR>&gt; Dear Red=20
          States...<BR>&gt;<BR>&gt; We've decided we're leaving. We =
intend to=20
          form our<BR>&gt; own country, and we're<BR>&gt; taking just =
the Blue=20
          States with us.<BR>&gt;<BR>&gt; In case you aren't aware, that =

          includes Hawaii,<BR>&gt; California, Oregon,<BR>&gt; =
Washington,=20
          Minnesota, Wisconsin, Michigan, Illinois<BR>&gt; and all the=20
          Northeast.<BR>&gt; We believe this split will be beneficial to =

          the<BR>&gt; nation, and especially to<BR>&gt; the people of =
the new=20
          country.<BR>&gt;<BR>&gt; To sum up briefly: You get Texas, =
Oklahoma=20
          and all<BR>&gt; the slave states. We get<BR>&gt; stem cell =
research=20
          and the best beaches. We get<BR>&gt; Elliot Spitzer. You get=20
          Ken<BR>&gt; Lay.<BR>&gt;<BR>&gt; We get the Statue of Liberty. =
We get=20
          Hollywood and<BR>&gt; Yosemite... You get<BR>&gt; Dollywood. =
We get=20
          Intel and Microsoft. You get<BR>&gt; WorldCom and Enron. We=20
          get<BR>&gt; Harvard. You get Ole' Miss. We get 85 percent =
of<BR>&gt;=20
          America's venture capital<BR>&gt; and entrepreneurs. You get =
Alabama.=20
          We get<BR>&gt; two-thirds of the tax revenue,<BR>&gt; you get =
to make=20
          the red states pay their fair share.<BR>&gt;<BR>&gt; Since our =

          aggregate divorce rate is 22 percent lower<BR>&gt; than the=20
          Christian<BR>&gt; Coalition's, we get a bunch of happy =
families.=20
          You<BR>&gt; get a bunch of single<BR>&gt; =
moms.<BR>&gt;<BR>&gt; Please=20
          be aware that the new country will be<BR>&gt; pro-choice and =
anti-war,=20
          and<BR>&gt; we're going to want all our citizens back from=20
          Iraq<BR>&gt; at once. If you need<BR>&gt; people to fight, ask =
your=20
          politicians and<BR>&gt; evangelicals. They have kids<BR>&gt; =
they're=20
          apparently willing to send to their deaths<BR>&gt; for no =
purpose, and=20
          they<BR>&gt; don't care if you don't show pictures of =
their<BR>&gt;=20
          children's caskets coming<BR>&gt; home. We do wish you success =
in=20
          Iraq, and hope that<BR>&gt; the WMDs turn up, but<BR>&gt; =
we're not=20
          willing to spend our resources in Bush's<BR>&gt;=20
          Quagmire.<BR>&gt;<BR>&gt; With the Blue States in hand, we =
will have=20
          firm<BR>&gt; control of 80 percent of the<BR>&gt; country's =
fresh=20
          water, more than 90 percent of the<BR>&gt; pineapple and =
lettuce,=20
          92<BR>&gt; percent of the nation's fresh fruit, 95 percent =
of<BR>&gt;=20
          America's quality wines<BR>&gt; (you can serve French wines at =
state=20
          dinners) 90<BR>&gt; percent of all cheese, 90<BR>&gt; percent =
of the=20
          high tech industry, most of the U.S.<BR>&gt; low-sulfur coal,=20
          all<BR>&gt; living redwoods, sequoias and condors, all the =
Ivy<BR>&gt;=20
          and Seven Sister schools,<BR>&gt; plus Harvard, Yale, =
Stanford, Cal=20
          Tech and MIT.<BR>&gt;<BR>&gt; With the Red States, on the =
other hand,=20
          you will<BR>&gt; have to cope with 88<BR>&gt; percent of all =
obese=20
          Americans (and their projected<BR>&gt; health care costs), =
92<BR>&gt;=20
          percent of all U.S. mosquitoes, nearly 100 percent<BR>&gt; of =
the=20
          tornadoes, 90<BR>&gt; percent of the hurricanes, 99 percent of =

          all<BR>&gt; Southern Baptists, virtually<BR>&gt; 100 percent =
of all=20
          televangelists, Rush Limbaugh,<BR>&gt; Bob Jones =
University,<BR>&gt;=20
          Clemson and the University of Georgia.<BR>&gt;<BR>&gt; =
Additionally,=20
          38 percent of those in the Red states<BR>&gt; believe Jonah=20
          was<BR>&gt; actually swallowed by a whale, 62 percent =
believe<BR>&gt;=20
          life is sacred unless<BR>&gt; we're discussing the death =
penalty or=20
          gun laws, 44<BR>&gt; percent say that<BR>&gt; evolution is =
only a=20
          theory, 53 percent that Saddam<BR>&gt; was involved in 9/11,=20
          and<BR>&gt; 61 percent of you crazy bastards believe you =
are<BR>&gt;=20
          people with high=20
          =
morals.<BR>&gt;<BR><BR><BR>www.luis-angulo.com<BR><BR><BR><BR>___________=
_______________________<BR>Yahoo!=20
          Mail - PC Magazine Editors' Choice=20
        =
2005<BR>http://mail.yahoo.com<BR></BLOCKQUOTE><BR><BR><BR><BR><BR><BR></B=
LOCKQUOTE></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 01:12:47 2005
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From: Jesse Kates <jesse@lunarium.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 20:12:43 -0500
To: Loopers-Delight@loopers-delight.com
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The pattern holds for all three -

California - 
http://www.cnn.com/ELECTION/2004//pages/results/states/CA/P/00/map.html
New York - 
http://www.cnn.com/ELECTION/2004//pages/results/states/NY/P/00/map.html
Florida - 
http://www.cnn.com/ELECTION/2004//pages/results/states/FL/P/00/map.html

And for a very cool look at the issue in general (purple America), see 
http://www.princeton.edu/~rvdb/JAVA/election2004/

On Sep 12, 2005, at 4:30 PM, Jeff Shirkey wrote:

>
>>
>> 11. I wish I didn't have to explain this over and over again.  Please 
>> - look at the data and spread the word.  The blue state/red state 
>> thing is a farse,
>
> Thanks for your observations, but one state in particular (imo) stands 
> out. Can you explain FL (my home state)? I'm not sure the urban/rural 
> stuff holds up in CA either. Or NY even? But FL in particular...
>
> Jeff
>
>
>

Jesse Kates * www.jessekates.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 02:15:28 2005
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I'm not 100% sure of this, but this sounds like the EDP is in Delay mode.=
=20
You need to use the Parameters button once to edit parameters. The press th=
e=20
Record button. You can toggle between Loop and Delay modes by pressing the=
=20
record button while in this Parameter edit status.

Hope this helps,

Jon Southwood

On 9/12/05, mail41 <mail41@covad.net> wrote:
>=20
> Hi,
>=20
> First I want to say thanks for all the info I've gleaned from Loopers
> Delight, since you all are what convinced me to dive into looping and
> the EDP. You also turned me on to Anthony at Altos Music, where I got a
> new EDP for $739, foot pedal for $99, with Fed Ex ground shipping.
>=20
> So today I got my new EDP and foot controller, full 16 megs Ram, new out
> of the box.
>=20
> It is *not* behaving as the manual describes. I have 7 days to return it
> if it is defective, but I would hate to send it back because I
> misunderstand how it is supposed to work. I'm a reasonably intelligent
> person, most of the time. Or maybe just the foot controller is screwy?
>=20
> Using the foot controller:
> I press record, record a loop, press record to end. It plays. Good.
> Now, without pressing overdub, everything I play gets recorded onto the
> loop. I can undo and remove it, but it continues to record everything,
> as if the overdub function is switched on all the time. But the overdub
> light doesn't change, just happy green.
> When I press overdub and play, nothing gets recorded onto the loop. The
> red overdub light does go on and off when I press the button.
>=20
> Also, there is no loop number to the left in the display, just the time
> length of the loop. Also, the next loop light is always orange after I
> first record.
> I have tried holding the parameter button down when powering up, but
> this hasn't changed anything.
>=20
> Is this EDP defective or am I really missing something?
>=20
> I truly appreciate your help,
>=20
> TJ Sutherland
>=20
>=20
>=20
>

------=_Part_4189_20462085.1126577726541
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

I'm not 100% sure of this, but this sounds like the EDP is in Delay
mode. You need to use the Parameters button once to edit parameters.
The press the Record button. You can toggle between Loop and Delay
modes by pressing the record button while in this Parameter edit status.<br=
>
<br>
Hope this helps,<br>
<br>
Jon Southwood<br><br><div><span class=3D"gmail_quote">On 9/12/05, <b class=
=3D"gmail_sendername">mail41</b> &lt;<a href=3D"mailto:mail41@covad.net">ma=
il41@covad.net</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
Hi,<br><br>First I want to say thanks for all the info I've gleaned from Lo=
opers<br>Delight, since you all are what convinced me to dive into looping =
and<br>the EDP.&nbsp;&nbsp;You also turned me on to Anthony at Altos Music,=
 where I got a
<br>new EDP for $739, foot pedal for $99, with Fed Ex ground shipping.<br><=
br>So today I got my new EDP and foot controller, full 16 megs Ram, new out=
<br>of the box.<br><br>It is *not* behaving as the manual describes. I have=
 7 days to return it
<br>if it is defective, but I would hate to send it back because I<br>misun=
derstand how it is supposed to work. I'm a reasonably intelligent<br>person=
, most of the time. Or maybe just the foot controller is screwy?<br><br>
Using the foot controller:<br>I press record, record a loop, press record t=
o end. It plays. Good.<br>Now, without pressing overdub, everything I play =
gets recorded onto the<br>loop. I can undo and remove it, but it continues =
to record everything,
<br>as if the overdub function is switched on all the time. But the overdub=
<br>light doesn't change, just happy green.<br>When I press overdub and pla=
y, nothing gets recorded onto the loop. The<br>red overdub light does go on=
 and off when I press the button.
<br><br>Also, there is no loop number to the left in the display, just the =
time<br>length of the loop. Also, the next loop light is always orange afte=
r I<br>first record.<br>I have tried holding the parameter button down when=
 powering up, but
<br>this hasn't changed anything.<br><br>Is this EDP defective or am I real=
ly missing something?<br><br>I truly appreciate your help,<br><br>TJ Suther=
land<br><br><br><br></blockquote></div><br>

------=_Part_4189_20462085.1126577726541--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 03:14:42 2005
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Date: Mon, 12 Sep 2005 23:00:02 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance -- Immersions --- Hyde Park, MA 9.24.05 -- 8PM
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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	atari-midi@yahoogroups.com, FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

I'm happy to announce the first event of  a monthly improvisation 
series called Immersions, that will feature my video combined with 
music and other arts. The series is an exploration of genre busting, 
mind expansion, media mixing, and any other relevant cliches I've 
neglected to mention-:)

"Immersions" is a monthly intermedia improvisation series built around the
core of Doctor T (Video), Dean Stiglitz (ElectroFlute and Electronics) and
Ramona Herboldsheimer (Hammered Dulcimer and Other Things) with guest
musicians and sometimes dancers or other visual artists.

The first edition of Immersions will include myself  and Dean, with   
Bob Trottier "The Dinosaur King", on Electro-Percussion.  We may 
bring in some guest artists as well. Please check it out if you can.

Admission is $7.00.

Immersions will happen at 8 PM  on the third Saturday of the month, 
at Artists at Large, which is at the First Congregational Church, 6 
Webster Street at the intersection of Webster and River in Hyde Park.

Phone 617-276-3223.

Directions http://artistsatlargeinc.org/directions.html

-- 
"Once the search is in progress, something will be found"  

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 04:27:10 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Mon, 12 Sep 2005 23:27:08 -0500
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maybe ur too calm
___
Adrian Bartholomew
Leawood KS
On Sep 12, 2005, at 7:24 PM, Stephen Goodman wrote:

> =A0
> ----- Original Message -----
>  From: Adrian Bartholomew
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, 12 September, 2005 20:36 PM
> Subject: Re: Devil's AdvocateRE: Dear RED STATES
>
>
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:
>
>
> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, 12 September, 2005 17:23 PM
> Subject: Devil's AdvocateRE: Dear RED STATES
>
>
>
> Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides,=20
> I've got
> a whole passel of red-state relatives who think Dubya is just great.
> I'm not sure that re-starting the Civil War is the answer.
> Let's try to understand Bush supporters-- aside from a few cynical
> plutocrats, most Bush supporters are basically good-hearted folks=20
> (like my
> Mom) who were raised in very socially conservative households and =
would
> vote for a bag of popcorn if it ran on a ProLife platform. Anything=20
> that
> even vaguely smells of hippiedom is anathema to them.
>
> Not really. I'm a Republican but somehow not a raving fundamentalist=20=

> drone.
> Whoops, that one doesn't work. Neither does the line being=20
> continuously fed
> through the media about the 2000 and 2004 elections somehow causing a
> permanent divide in our country. Somehow it only seems to exist in the
> minds of people who can't um, 'move on'.
>
> so do u blame the folks who get married and then divorced. the 66% of=20=

> them? and growing? or do u investigate what the institution itself=20
> means in this day and this age?
> do u question the folks who cant drive properly and who misuse a car=20=

> out of lack of "car" knowledge or do u recall the car as not fit for=20=

> the society that drives it?
>
> ...cant "move on"????
> Take your meds and calm down.
>
>
> They would help you if they found you lying in the middle of the road.=20=

> Your
> wallet would be safe. They work hard for their families, and they're =
so
> busy working their butts off making a living that they really don't=20
> have
> time to read the news. THAT'S KEY.
> And honestly, they've been underwhelmed by the Democrats'=20
> less-than-awesome
> marketing of less-than-inspiring candidates who kinda lacked charisma,
> whereas Dubya has this aura that makes ya think he wants to be your
> drinkin' buddy. It's a gift that not everybody has.
> Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a=20
> genuine
> bubba, and still the Red States would have none of it. The fact that=20=

> they
> chose Captain AWOL over Gore points to feeble Democratic campaigning=20=

> and,
> possibly, Al's stiff public persona.
> Even when you have a good product, ya gotta sell, sell, sell. Ditto =
for
> Kerry. A good guy, but you can't afford to shoot yourself in the foot=20=

> when
> you are up against the GOP, the best salesmen the world has ever seen.=20=

> And
> Kerry did shoot himself in the foot more than a few times.
> The Red Staters had reasons to vote for Dub. We may not be able to=20
> fully
> comprehend those reasons, but WE CANNOT write these people off as=20
> HeeHaw
> goofballs and inbred haters. You will not win over anybody if you=20
> insult
> them, contrary to what Howard Dean thinks. Resist the urge. Reach out.=20=

> Try
> to find some common ground.
> Sonic Luv,
> Tim Mungenast
>
>
>
>
>
> [Original Message]
> From: Luis Angulo <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/12/2005 4:34:22 AM
> Subject: Dear RED STATES
>
> This sounds great if you dont mind i am coming with
> you;-!
>
> > Dear Red States...
> >
> > We've decided we're leaving. We intend to form our
> > own country, and we're
> > taking just the Blue States with us.
> >
> > In case you aren't aware, that includes Hawaii,
> > California, Oregon,
> > Washington, Minnesota, Wisconsin, Michigan, Illinois
> > and all the Northeast.
> > We believe this split will be beneficial to the
> > nation, and especially to
> > the people of the new country.
> >
> > To sum up briefly: You get Texas, Oklahoma and all
> > the slave states. We get
> > stem cell research and the best beaches. We get
> > Elliot Spitzer. You get Ken
> > Lay.
> >
> > We get the Statue of Liberty. We get Hollywood and
> > Yosemite... You get
> > Dollywood. We get Intel and Microsoft. You get
> > WorldCom and Enron. We get
> > Harvard. You get Ole' Miss. We get 85 percent of
> > America's venture capital
> > and entrepreneurs. You get Alabama. We get
> > two-thirds of the tax revenue,
> > you get to make the red states pay their fair share.
> >
> > Since our aggregate divorce rate is 22 percent lower
> > than the Christian
> > Coalition's, we get a bunch of happy families. You
> > get a bunch of single
> > moms.
> >
> > Please be aware that the new country will be
> > pro-choice and anti-war, and
> > we're going to want all our citizens back from Iraq
> > at once. If you need
> > people to fight, ask your politicians and
> > evangelicals. They have kids
> > they're apparently willing to send to their deaths
> > for no purpose, and they
> > don't care if you don't show pictures of their
> > children's caskets coming
> > home. We do wish you success in Iraq, and hope that
> > the WMDs turn up, but
> > we're not willing to spend our resources in Bush's
> > Quagmire.
> >
> > With the Blue States in hand, we will have firm
> > control of 80 percent of the
> > country's fresh water, more than 90 percent of the
> > pineapple and lettuce, 92
> > percent of the nation's fresh fruit, 95 percent of
> > America's quality wines
> > (you can serve French wines at state dinners) 90
> > percent of all cheese, 90
> > percent of the high tech industry, most of the U.S.
> > low-sulfur coal, all
> > living redwoods, sequoias and condors, all the Ivy
> > and Seven Sister schools,
> > plus Harvard, Yale, Stanford, Cal Tech and MIT.
> >
> > With the Red States, on the other hand, you will
> > have to cope with 88
> > percent of all obese Americans (and their projected
> > health care costs), 92
> > percent of all U.S. mosquitoes, nearly 100 percent
> > of the tornadoes, 90
> > percent of the hurricanes, 99 percent of all
> > Southern Baptists, virtually
> > 100 percent of all televangelists, Rush Limbaugh,
> > Bob Jones University,
> > Clemson and the University of Georgia.
> >
> > Additionally, 38 percent of those in the Red states
> > believe Jonah was
> > actually swallowed by a whale, 62 percent believe
> > life is sacred unless
> > we're discussing the death penalty or gun laws, 44
> > percent say that
> > evolution is only a theory, 53 percent that Saddam
> > was involved in 9/11, and
> > 61 percent of you crazy bastards believe you are
> > people with high morals.
> >
>
>
> www.luis-angulo.com
>
>
>
> __________________________________
> Yahoo! Mail - PC Magazine Editors' Choice 2005
> http://mail.yahoo.com
>
>
>
>
>
>
>

--Apple-Mail-1-102057064
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

maybe ur too calm

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 12, 2005, at 7:24 PM, Stephen Goodman wrote:


<excerpt>=A0

<fontfamily><param>Arial</param><x-tad-bigger>----- Original Message
-----</x-tad-bigger></fontfamily>

<fontfamily><param>Arial</param><x-tad-bigger>
=
</x-tad-bigger><bold><x-tad-bigger>From:</x-tad-bigger></bold><x-tad-bigge=
r>
</x-tad-bigger><color><param>0000,0000,EEEE</param><x-tad-bigger>Adrian
Bartholomew</x-tad-bigger></color><x-tad-bigger> =
</x-tad-bigger></fontfamily>

=
<bold><fontfamily><param>Arial</param><x-tad-bigger>To:</x-tad-bigger></fo=
ntfamily></bold><fontfamily><param>Arial</param><x-tad-bigger>
=
</x-tad-bigger><color><param>0000,0000,EEEE</param><x-tad-bigger>Loopers-D=
elight@loopers-delight.com</x-tad-bigger></color><x-tad-bigger> =
</x-tad-bigger></fontfamily>

=
<bold><fontfamily><param>Arial</param><x-tad-bigger>Sent:</x-tad-bigger></=
fontfamily></bold><fontfamily><param>Arial</param><x-tad-bigger>
Monday, 12 September, 2005 20:36 PM</x-tad-bigger></fontfamily>

=
<bold><fontfamily><param>Arial</param><x-tad-bigger>Subject:</x-tad-bigger=
></fontfamily></bold><fontfamily><param>Arial</param><x-tad-bigger>
Re: Devil's AdvocateRE: Dear RED STATES</x-tad-bigger></fontfamily>



___

<bold>Adrian Bartholomew</bold>

Leawood KS

On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:



From: "Timothy Mungenast"
<<<color><param>0000,0000,EEEE</param>mungenast@earthlink.net</color>>

To:
=
<<<color><param>0000,0000,EEEE</param>Loopers-Delight@loopers-delight.com<=
/color>>

Sent: Monday, 12 September, 2005 17:23 PM

Subject: Devil's AdvocateRE: Dear RED STATES




Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides,
I've got

a whole passel of red-state relatives who think Dubya is just great.

I'm not sure that re-starting the Civil War is the answer.

Let's try to understand Bush supporters-- aside from a few cynical

plutocrats, most Bush supporters are basically good-hearted folks
(like my

Mom) who were raised in very socially conservative households and would

vote for a bag of popcorn if it ran on a ProLife platform. Anything
that

even vaguely smells of hippiedom is anathema to them.


Not really. I'm a Republican but somehow not a raving fundamentalist
drone.

Whoops, that one doesn't work. Neither does the line being
continuously fed

through the media about the 2000 and 2004 elections somehow causing a

permanent divide in our country. Somehow it only seems to exist in the

minds of people who can't um, 'move on'.


so do u blame the folks who get married and then divorced. the 66% of
them? and growing? or do u investigate what the institution itself
means in this day and this age?

do u question the folks who cant drive properly and who misuse a car
out of lack of "car" knowledge or do u recall the car as not fit for
the society that drives it?


...cant "move on"????

Take your meds and calm down.



They would help you if they found you lying in the middle of the road.
Your

wallet would be safe. They work hard for their families, and they're so

busy working their butts off making a living that they really don't
have

time to read the news. THAT'S KEY.

And honestly, they've been underwhelmed by the Democrats'
less-than-awesome

marketing of less-than-inspiring candidates who kinda lacked charisma,

whereas Dubya has this aura that makes ya think he wants to be your

drinkin' buddy. It's a gift that not everybody has.

Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a
genuine

bubba, and still the Red States would have none of it. The fact that
they

chose Captain AWOL over Gore points to feeble Democratic campaigning
and,

possibly, Al's stiff public persona.

Even when you have a good product, ya gotta sell, sell, sell. Ditto for

Kerry. A good guy, but you can't afford to shoot yourself in the foot
when

you are up against the GOP, the best salesmen the world has ever seen.
And

Kerry did shoot himself in the foot more than a few times.

The Red Staters had reasons to vote for Dub. We may not be able to
fully

comprehend those reasons, but WE CANNOT write these people off as
HeeHaw

goofballs and inbred haters. You will not win over anybody if you
insult

them, contrary to what Howard Dean thinks. Resist the urge. Reach out.
Try

to find some common ground.

Sonic Luv,

Tim Mungenast






[Original Message]

From: Luis Angulo <<labalou2000@yahoo.com>

To: <<Loopers-Delight@loopers-delight.com>

Date: 9/12/2005 4:34:22 AM

Subject: Dear RED STATES


This sounds great if you dont mind i am coming with

you;-!


> Dear Red States...

>

> We've decided we're leaving. We intend to form our

> own country, and we're

> taking just the Blue States with us.

>

> In case you aren't aware, that includes Hawaii,

> California, Oregon,

> Washington, Minnesota, Wisconsin, Michigan, Illinois

> and all the Northeast.

> We believe this split will be beneficial to the

> nation, and especially to

> the people of the new country.

>

> To sum up briefly: You get Texas, Oklahoma and all

> the slave states. We get

> stem cell research and the best beaches. We get

> Elliot Spitzer. You get Ken

> Lay.

>

> We get the Statue of Liberty. We get Hollywood and

> Yosemite... You get

> Dollywood. We get Intel and Microsoft. You get

> WorldCom and Enron. We get

> Harvard. You get Ole' Miss. We get 85 percent of

> America's venture capital

> and entrepreneurs. You get Alabama. We get

> two-thirds of the tax revenue,

> you get to make the red states pay their fair share.

>

> Since our aggregate divorce rate is 22 percent lower

> than the Christian

> Coalition's, we get a bunch of happy families. You

> get a bunch of single

> moms.

>

> Please be aware that the new country will be

> pro-choice and anti-war, and

> we're going to want all our citizens back from Iraq

> at once. If you need

> people to fight, ask your politicians and

> evangelicals. They have kids

> they're apparently willing to send to their deaths

> for no purpose, and they

> don't care if you don't show pictures of their

> children's caskets coming

> home. We do wish you success in Iraq, and hope that

> the WMDs turn up, but

> we're not willing to spend our resources in Bush's

> Quagmire.

>

> With the Blue States in hand, we will have firm

> control of 80 percent of the

> country's fresh water, more than 90 percent of the

> pineapple and lettuce, 92

> percent of the nation's fresh fruit, 95 percent of

> America's quality wines

> (you can serve French wines at state dinners) 90

> percent of all cheese, 90

> percent of the high tech industry, most of the U.S.

> low-sulfur coal, all

> living redwoods, sequoias and condors, all the Ivy

> and Seven Sister schools,

> plus Harvard, Yale, Stanford, Cal Tech and MIT.

>

> With the Red States, on the other hand, you will

> have to cope with 88

> percent of all obese Americans (and their projected

> health care costs), 92

> percent of all U.S. mosquitoes, nearly 100 percent

> of the tornadoes, 90

> percent of the hurricanes, 99 percent of all

> Southern Baptists, virtually

> 100 percent of all televangelists, Rush Limbaugh,

> Bob Jones University,

> Clemson and the University of Georgia.

>

> Additionally, 38 percent of those in the Red states

> believe Jonah was

> actually swallowed by a whale, 62 percent believe

> life is sacred unless

> we're discussing the death penalty or gun laws, 44

> percent say that

> evolution is only a theory, 53 percent that Saddam

> was involved in 9/11, and

> 61 percent of you crazy bastards believe you are

> people with high morals.

>



www.luis-angulo.com




__________________________________

Yahoo! Mail - PC Magazine Editors' Choice 2005

http://mail.yahoo.com








</excerpt>=

--Apple-Mail-1-102057064--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 07:26:09 2005
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From: Per Boysen <per@boysen.se>
Subject: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 09:26:04 +0200
To: Loopers-Delight@loopers-delight.com
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Hi,

Using a midi controller pedal, running my EDP with 76 as the midi  
note number offset (parameter "Source #") I was able to directly  
access different loops. Like, if using MoreLoops=3, I got:

note 85 = loop 1
note 86 = loop 2
note 87 = loop 3

...etc (I have tried it with up to "MoreLoops = 9".

Since I can't find anything about this functionality in the LOOP4  
manual I wonder: What is it?

Even more strange it gets when I reduce the "Source #" setting to  
zero and the SAME note numbers do still access individual loops! Are  
these MIDI note numbers sort of hot wired to individual loops - no  
matter what the Source # offset?

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 07:43:04 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Devil's AdvocateRE: Dear  RED STATES
Date: Tue, 13 Sep 2005 09:42:18 +0200
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> The Red Staters had reasons to vote for Dub. We may not be able to fully
> comprehend those reasons, but WE CANNOT write these people off as HeeHaw
> goofballs and inbred haters. You will not win over anybody if you insult
> them, contrary to what Howard Dean thinks. Resist the urge. Reach out. Try
> to find some common ground.


very good Tim. 'Dear red states'  is a fun article to read and it is
tempting to make fun of Bush lovers, or hate them because they are often so
hateful and stupid, but of course this won't help anyone. Trying to see
their reasons, and respect that they can't do otherwise, is the only valid
position even though it may be difficult.


-Michael
www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 08:07:43 2005
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Subject: Re: Re: lexicon boxes (to kim)
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What single male ??

sorry I can nt cntrl

mst snd

Cl02

> 
> kim.....what single malt does she like?.....:)
> 
> http://mysite.verizon.net/vzepmeci
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 08:19:01 2005
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Subject: Re: Defective EDP or defective brain?
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TJ

1-you switched ur edp to delay mode
2- you can reset the edp to factory state by powering with the params 
buttons
3- you are missing 2 or 3 weeks with your manual and your edp before asking 
something here
hey the edp manual is more than 300pages worth of the minimum info you need 
to know it all
4- welcome in the uberLooper vip lounge

Claude


>
> First I want to say thanks for all the info I've gleaned from Loopers 
> Delight, since you all are what convinced me to dive into looping and the 
> EDP.  You also turned me on to Anthony at Altos Music, where I got a new 
> EDP for $739, foot pedal for $99, with Fed Ex ground shipping.
>
> So today I got my new EDP and foot controller, full 16 megs Ram, new out 
> of the box.
> It is *not* behaving as the manual describes. I have 7 days to return it 
> if it is defective, but I would hate to send it back because I 
> misunderstand how it is supposed to work. I'm a reasonably intelligent 
> person, most of the time. Or maybe just the foot controller is screwy?
>
> Using the foot controller:
> I press record, record a loop, press record to end. It plays. Good.
> Now, without pressing overdub, everything I play gets recorded onto the 
> loop. I can undo and remove it, but it continues to record everything, as 
> if the overdub function is switched on all the time. But the overdub light 
> doesn't change, just happy green.
> When I press overdub and play, nothing gets recorded onto the loop. The 
> red overdub light does go on and off when I press the button.
>
> Also, there is no loop number to the left in the display, just the time 
> length of the loop. Also, the next loop light is always orange after I 
> first record.
> I have tried holding the parameter button down when powering up, but this 
> hasn't changed anything.
>
> Is this EDP defective or am I really missing something?
>
> I truly appreciate your help,
>
> TJ Sutherland
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 08:46:05 2005
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Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
>ITS PERFECT. go with the 1010.

hmmm, I would say the FCB1010 is ok, but only compared to other midi 
controllers currently available. But that is only because most of the 
others available today are really horrible. Only the Rocktron All Access 
seems better than the Behringer FCB1010, but much more expensive.

Compared to some past midi controllers however, the Behringer FCB1010 is 
really weak. The Digitech PMC-10 and the Lake-Butler RFC-1 Midigator were 
really exceptional, full-featured midi pedals, and completely blow away 
anything available today. Both are long out of production. They are really 
hard to find today because people really treasure them. If you can find 
one, get it.

It is really sad that nobody makes something comparable. I wish somebody 
would just copy the old Digitech PMC-10 architecture.

>the EDP foot controller response time is good. dont get me wrong. but the 
>reliability is NOT. from what i understand, its not voltage controlled, 
>its RESISTANCE controlled. maybe that is the problem in the 1st place. 
>others may refute me but i have one and it sucks. any contamination of the 
>buttons can set off the resistances and ur then screwed...ONSTAGE.

I've seen you make these accusations about our poor pedal design a few 
times Adrian, so allow me to explain the design goals we sought in creating 
the Echoplex footpedal controller.

First of all, the people involved in the Echoplex design are all musicians 
in addition to engineers. In fact we were all musicians before we were 
engineers. We've used many different pieces of gear as musicians. We've 
dragged our gear around for rehearsals and gigs. We've experienced 
problematic gear over time that irritated us or broke on us or couldn't be 
worked around at the last minute, and we sought to do better with the 
Echoplex. We designed the Echoplex pedal to hopefully address many of these 
problems that we had been irritated by in other gear.

So despite what you say, reliability was one of the key design goals. (I'll 
come back to the issue of what "reliability" means a bit later.)

First, let's cover the design requirements we came up with for the Echoplex 
pedal:

- The pedal should not use a proprietary cable. Cables will go bad. We've 
all experienced it. If you can't replace the cable at the last minute 
because it is some proprietary special-order thing, you are screwed. So, 
the pedal must use a cable anybody can get easily, or preferably something 
they likely have anyway.

- The cable must not be fixed to the unit. Since we don't know how big your 
stage is, we want to let you choose how long of a cable you need. We also 
want you to be able to replace it easily if the cable dies. Especially for 
transporting gear, attached cables get bent in strange ways and suffer 
tremendous strain. It will be better if it is easily detached.

- There should only be one cable between pedal and rack. More cables means 
more points of failure. More cost to the user. More crap cluttering up the 
stage. More connections to be made while setting up before the gig. More 
things to connect the wrong way by mistake. More jacks to fail. One cable 
must be enough for the Echoplex pedal.

- The pedal should not require power. Power supplies fail often, especially 
power supplies out on stage where they deal with beer, power surges, booted 
stage divers and etc., and therefore anything requiring a power supply is 
less reliable than a passive device. A power supply requirement also adds 
to the inconvenience. This requires power brought out to the stage, and an 
additional cable connection be made to the pedal.

- The pedal must be very simple in design, so it is easy to repair on the 
road. Anything on the floor of a stage will get broken eventually, so 
assume field repairable is essential. This pedal will be getting stomped 
on, kicked around, getting beer spilled on it, getting rained on, sitting 
in the hot sun in the summer, freezing in the winter, etc. No matter what 
you do it will break for somebody. It should be easy for the user to open 
the pedal up and fix it.

- It should be easy for people to make custom controllers. Most people 
probably want a pedal, but not all. Some want to make their own custom 
pedal. We have no idea what the others may want. It should be easy for 
those who want something different to create their own controller without 
much engineering knowledge or other sophistication. The pedal design should 
be very simple for this to be possible.

- The pedal design must be very inexpensive to produce. People are spending 
their money on the EDP, the foot controller should not be a huge extra 
expense. The target manufacturing cost for parts, fabrication, assembly, 
packaging, etc. should be less than $20.

- The switches themselves must a) be quiet when pressed,  b) have 
reasonably low force required for activation,  c) have a reasonably short 
throw length,  d) have a good tactile feel. This is so the musician can 
easily feel the connection point for tapping loop functions, which a 
generally very rhythmic and demand precision.

In our opinion, these design goals were very friendly towards musicians, at 
least according to our real-world experience as musicians.

So my challenge to you Adrian, is what would you design to meet these 
requirements? You think our design sucks, so I would very much like to hear 
your better idea. Perhaps you are a brilliant engineer, and we can all 
learn from you!

Now, given the design goals above, allow me to tell you how we chose to 
meet them when we designed the Echoplex Digital Pro. Our Echoplex pedal 
design used 7 resistors, 7 switches, one mono 1/4" patch cable (just like 
you would use for a guitar, or even a speaker cable), one cable jack, steel 
chassis, and no external power. This means:
- Very few components, so there is little there to break.
- It is really easy to figure out how the pedal works if you open it, so 
most anybody can figure out how to repair it quickly if there is a problem.
- We published the resistor values in the manual, so anybody could make 
their own controller if they wished. It's really easy to do.
- The switches are common momentary switches, and there are numerous 
options for those if you want to use something different from what we used. 
However we did spend a lot of time trying switches, and we did not find 
anything that met our goals for remotely close to the cost of the ones we 
used.

We created the pedal itself to be a very simple design to ensure 
reliability, while all the smarts are in the rack unit. Simple stuff has 
less ways to break. The pedal simply sets a voltage, and the rack unit 
reads the voltage with an a/d convertor to interpret the function. Contrary 
to recent claims here on the LD list, the switch is debounced twice. First 
it is debounced in the rack with a capacitor before the a/d convertor , and 
then debounced again in software, where the value is checked multiple times 
to ensure it is correctly read. There is a wide tolerance given to the 
voltage range for each function, so even if things are off a bit, it should 
still work.

I thought our design was rather clever, and I was always proud that we 
managed to get 7 buttons of control communicated through just a simple 
patch cord. But I'm now looking forward to Adrian educating me on better ideas.

Our Echoplex design has been working pretty well since 1994. Many pedals 
have been working that long without problems (including mine). The design 
itself generally does not fail. Usually the only problems seen are with 
switches failing in various ways. (like getting dirty.)  A failing switch 
is a failing switch. Any pedal will have a problem if the switches fail, so 
that is not a problem unique to the Echoplex.

And that brings up an interesting point. If you are into looping, you will 
be tapping buttons and switches a lot. Probably much more than on any other 
device you use. Switches wear out when used frequently. (you may not be 
used to this.) They get dirty. They break. They become intermittent. You 
need to start thinking about switches similar to the way guitarists think 
about strings, or DJ's think about crossfaders, or saxophonists think about 
reeds, or drummers think about drum heads, or like the oil in your car. 
Looper switches are commodities that wear out and need regular replacement 
and/or care. It has nothing to do with it being an Echoplex pedal or a boss 
or a digitech or whatever. If you are stepping on it a lot, the switch will 
wear out. Be prepared or be sorry.

And I can guarantee you - you know those switches on your FCB1010? If you 
use it for looping, their gonna break also. It's just a matter of time. Do 
you know how to fix them?

Now, let's talk about reliability. What is more reliable, the Echoplex 
pedal, or a midi pedal like the Behringer FCB1010? How do you determine 
that objectively?

Reliability is an engineering science. It is not a guessing game. It is 
also not my engineering specialty, but I work with reliability engineers 
who are very good. I don't know exactly how they do their reliability 
calculations, but I do know what information I need to specify to them, and 
what results they provide back. (another reason why I think it is funny 
when people think laptops are a good thing to bring on stage, but that is 
another topic.) Here are some parameters that go into a reliability 
calculation:

- how many components are used
- what is the individual reliability of each component in the usage conditions
- how many component pins are connected
- how many electrical connection points (solder joints, connectors, 
sockets, etc.)
- what sort of shock and vibration will it experience
- Is the device powered
- If it is powered, what voltages and voltage tolerances are used (and how 
do they affect individual device reliability characteristics, as each 
device will be different depending on its own manufacturing process.)
- if powered, What are the temperature ranges where it operates
- what are humidity ranges where it operates

All these factors go into calculating the MTBF (mean time before failure). 
Half the units made will fail before that time, and half after, with some 
statistical distribution. (I think it is gaussian, but I'm not sure.)

Now, considering all that, any midi pedal (including the Behringer FCB) 
will have far more parts, far more device pins, far more connection points, 
will be powered, will have more external connections, will be more affected 
by temperature, more affected by humidity, etc., than the overwhelmingly 
simple Echoplex pedal.

In other words, if you really do a serious reliability analysis, a midi 
pedal will always prove to be less reliable than the Echoplex pedal, and 
probably it is the least reliable device you are using.

On the other hand, if you do use a good midi controller pedal with the 
Echoplex, you will have far more flexibility and access to commands than 
you do with the pedal or the Echoplex front panel (assuming you are using 
LoopIV in your Echoplex, LoopIII wasn't so interesting for midi). A good 
midi pedal is far more useful with the Echoplex, and that may be an 
excellent reason to choose the midi pedal option!

It is great to have choices,
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com  

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 09:15:27 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 11:15:22 +0200
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Found this in the manual:

> LoopTrig
> The default value for LoopTrig is now 84 to make room for the  
> expanded MIDI commands.

I have a feeling that this kind of answers my question (below)?

/ per


On Sep 13, 2005, at 9:26, Per Boysen wrote:

> Hi,
>
> Using a midi controller pedal, running my EDP with 76 as the midi  
> note number offset (parameter "Source #") I was able to directly  
> access different loops. Like, if using MoreLoops=3, I got:
>
> note 85 = loop 1
> note 86 = loop 2
> note 87 = loop 3
>
> ...etc (I have tried it with up to "MoreLoops = 9".
>
> Since I can't find anything about this functionality in the LOOP4  
> manual I wonder: What is it?
>
> Even more strange it gets when I reduce the "Source #" setting to  
> zero and the SAME note numbers do still access individual loops!  
> Are these MIDI note numbers sort of hot wired to individual loops -  
> no matter what the Source # offset?
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>

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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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>I was able to directly
>access different loops. Like, if using MoreLoops=3, I got:
>
>note 85 = loop 1
>note 86 = loop 2
>note 87 = loop 3
>
>Since I can't find anything about this functionality in the LOOP4
>manual I wonder: What is it?
>
>Even more strange it gets when I reduce the "Source #"

let me call you unto verse 4-36

...and the LoopTrig# parameter did allow of such wondrous behaviour.

andy

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 09:58:28 2005
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Subject: RE: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 11:58:06 +0200
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Hi Per

I think it does. I wanted to reply to your question. I'm a (lucky) =
PMC-10
owner with LD list member Sean Echevarria's splendid Raymond editor
(http://www.creepingfog.com/sean/pmc/raymond.htm) and looked up my =
patches
that allow accessing all 16 loops randomly and indeed the first is MIDI =
note
84 (hex 54), the last 99 (hex 63)

But if you check page 7-5 of the edp manual
(http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.p=
df)
it says:
When multiple loops have been set up with the MoreLoops parameter,
you can trigger them directly with MIDI Note messages. The LoopTrig
parameter defines the base Note for Loop 1. The consecutive Loops
occupy the notes above that, so Loop 2 is LoopTrig+1, Loop 3 is
LoopTrig+2, etc.

(oops, just saw Andy's post...)

Bernhard

> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Dienstag, 13. September 2005 11:15
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP LOOP4 question: Accessing individual loops directly
>=20
> Found this in the manual:
>=20
> > LoopTrig
> > The default value for LoopTrig is now 84 to make room for the
> > expanded MIDI commands.
>=20
> I have a feeling that this kind of answers my question (below)?
>=20
> / per
>=20
>=20
> On Sep 13, 2005, at 9:26, Per Boysen wrote:
>=20
> > Hi,
> >
> > Using a midi controller pedal, running my EDP with 76 as the midi
> > note number offset (parameter "Source #") I was able to directly
> > access different loops. Like, if using MoreLoops=3D3, I got:
> >
> > note 85 =3D loop 1
> > note 86 =3D loop 2
> > note 87 =3D loop 3
> >
> > ...etc (I have tried it with up to "MoreLoops =3D 9".
> >
> > Since I can't find anything about this functionality in the LOOP4
> > manual I wonder: What is it?
> >
> > Even more strange it gets when I reduce the "Source #" setting to
> > zero and the SAME note numbers do still access individual loops!
> > Are these MIDI note numbers sort of hot wired to individual loops -
> > no matter what the Source # offset?
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.looproom.com (international)
> > www.boysen.se (Swedish)
> > --->  iTunes Music Store (digital)
> > www.cdbaby.com/perboysen
> >
> >
> >


From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 10:44:42 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 12:44:37 +0200
To: Loopers-Delight@loopers-delight.com
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Thank you, Andy and Bernhard. That was exactly what I found out by  
praxis, but I didn't have the new manual. I only had the printed one  
that came with my EDP from Tace Elliot Ltd. I will immediately read  
this new manual, although my machine is not a "plus" version (any  
difference?).

Trying here to work out performance strategies for Expert Mode  
without using an analog volume pedal. I simply stuck a plug into the  
foot pedal input and use MIDI pedals. Seems to work as far as I can  
see for now. New manual hint comes in very handy. Thanks for the tip,  
Bernhard?  (... BTW - did The Bernhards ever record something?)

/ per




On Sep 13, 2005, at 11:58, Bernhard Wagner LD wrote:

> Hi Per
>
> I think it does. I wanted to reply to your question. I'm a (lucky)  
> PMC-10
> owner with LD list member Sean Echevarria's splendid Raymond editor
> (http://www.creepingfog.com/sean/pmc/raymond.htm) and looked up my  
> patches
> that allow accessing all 16 loops randomly and indeed the first is  
> MIDI note
> 84 (hex 54), the last 99 (hex 63)
>
> But if you check page 7-5 of the edp manual
> (http://www.gibson.com/Files/Downloads/PDFs/Gibson/ 
> EchoplexPlusManual12.pdf)
> it says:
> When multiple loops have been set up with the MoreLoops parameter,
> you can trigger them directly with MIDI Note messages. The LoopTrig
> parameter defines the base Note for Loop 1. The consecutive Loops
> occupy the notes above that, so Loop 2 is LoopTrig+1, Loop 3 is
> LoopTrig+2, etc.
>
> (oops, just saw Andy's post...)
>
> Bernhard
>
>
>> -----Original Message-----
>> From: Per Boysen [mailto:per@boysen.se]
>> Sent: Dienstag, 13. September 2005 11:15
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: EDP LOOP4 question: Accessing individual loops directly
>>
>> Found this in the manual:
>>
>>
>>> LoopTrig
>>> The default value for LoopTrig is now 84 to make room for the
>>> expanded MIDI commands.
>>>
>>
>> I have a feeling that this kind of answers my question (below)?
>>
>> / per
>>
>>
>> On Sep 13, 2005, at 9:26, Per Boysen wrote:
>>
>>
>>> Hi,
>>>
>>> Using a midi controller pedal, running my EDP with 76 as the midi
>>> note number offset (parameter "Source #") I was able to directly
>>> access different loops. Like, if using MoreLoops=3, I got:
>>>
>>> note 85 = loop 1
>>> note 86 = loop 2
>>> note 87 = loop 3
>>>
>>> ...etc (I have tried it with up to "MoreLoops = 9".
>>>
>>> Since I can't find anything about this functionality in the LOOP4
>>> manual I wonder: What is it?
>>>
>>> Even more strange it gets when I reduce the "Source #" setting to
>>> zero and the SAME note numbers do still access individual loops!
>>> Are these MIDI note numbers sort of hot wired to individual loops -
>>> no matter what the Source # offset?
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.looproom.com (international)
>>> www.boysen.se (Swedish)
>>> --->  iTunes Music Store (digital)
>>> www.cdbaby.com/perboysen
>>>
>>>
>>>
>>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 10:52:14 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 12:52:09 +0200
To: Loopers-Delight@loopers-delight.com
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On Sep 13, 2005, at 12:44, Per Boysen wrote:
> .... performance strategies for Expert Mode without using an analog  
> volume pedal. I simply stuck a plug into the foot pedal input...

Ooops... I meant * the feedback pedal input *. Sorry for the  
confusing typo.

/ per



From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 11:09:45 2005
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> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Dienstag, 13. September 2005 12:45
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP LOOP4 question: Accessing individual loops directly
>=20
> Thank you, Andy and Bernhard. That was exactly what I found out by
> praxis, but I didn't have the new manual. I only had the printed one
> that came with my EDP from Tace Elliot Ltd. I will immediately read
> this new manual, although my machine is not a "plus" version (any
> difference?).

Not as far as I know. I've heard of occasional compatibility problems =
when
BrotherSyncing with EDPs of other eras, e.g. EDP Plus. Nothing that =
couldn't
be solved with an exchange of crystals, AFAIK.

If you want to save time (not having to make the diff between old and =
new
manual), read this:
http://www.aurisis.com/products/loopIV/LoopIVGuide.pdf

>=20
> Trying here to work out performance strategies for Expert Mode
> without using an analog volume pedal. I simply stuck a plug into the
> foot pedal input and use MIDI pedals. Seems to work as far as I can
> see for now. New manual hint comes in very handy. Thanks for the tip,
> Bernhard?  (... BTW - did The Bernhards ever record something?)

They did indeed! Bernard Bashful (aka William Walker) just recently
threatened the other two with the imminent disclosure of this raw, =
shocking,
yet intriguing material! BTW: They're called "The Bernards" (note the
missing "h"). Stay tuned!

Bernhard Bernard ;)

>=20
> / per
>=20
>=20
>=20
>=20
> On Sep 13, 2005, at 11:58, Bernhard Wagner LD wrote:
>=20
> > Hi Per
> >
> > I think it does. I wanted to reply to your question. I'm a (lucky)
> > PMC-10
> > owner with LD list member Sean Echevarria's splendid Raymond editor
> > (http://www.creepingfog.com/sean/pmc/raymond.htm) and looked up my
> > patches
> > that allow accessing all 16 loops randomly and indeed the first is
> > MIDI note
> > 84 (hex 54), the last 99 (hex 63)
> >
> > But if you check page 7-5 of the edp manual
> > (http://www.gibson.com/Files/Downloads/PDFs/Gibson/
> > EchoplexPlusManual12.pdf)
> > it says:
> > When multiple loops have been set up with the MoreLoops parameter,
> > you can trigger them directly with MIDI Note messages. The LoopTrig
> > parameter defines the base Note for Loop 1. The consecutive Loops
> > occupy the notes above that, so Loop 2 is LoopTrig+1, Loop 3 is
> > LoopTrig+2, etc.
> >
> > (oops, just saw Andy's post...)
> >
> > Bernhard
> >
> >
> >> -----Original Message-----
> >> From: Per Boysen [mailto:per@boysen.se]
> >> Sent: Dienstag, 13. September 2005 11:15
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: Re: EDP LOOP4 question: Accessing individual loops =
directly
> >>
> >> Found this in the manual:
> >>
> >>
> >>> LoopTrig
> >>> The default value for LoopTrig is now 84 to make room for the
> >>> expanded MIDI commands.
> >>>
> >>
> >> I have a feeling that this kind of answers my question (below)?
> >>
> >> / per
> >>
> >>
> >> On Sep 13, 2005, at 9:26, Per Boysen wrote:
> >>
> >>
> >>> Hi,
> >>>
> >>> Using a midi controller pedal, running my EDP with 76 as the midi
> >>> note number offset (parameter "Source #") I was able to directly
> >>> access different loops. Like, if using MoreLoops=3D3, I got:
> >>>
> >>> note 85 =3D loop 1
> >>> note 86 =3D loop 2
> >>> note 87 =3D loop 3
> >>>
> >>> ...etc (I have tried it with up to "MoreLoops =3D 9".
> >>>
> >>> Since I can't find anything about this functionality in the LOOP4
> >>> manual I wonder: What is it?
> >>>
> >>> Even more strange it gets when I reduce the "Source #" setting to
> >>> zero and the SAME note numbers do still access individual loops!
> >>> Are these MIDI note numbers sort of hot wired to individual loops =
-
> >>> no matter what the Source # offset?
> >>>
> >>> Greetings from Sweden
> >>>
> >>> Per Boysen
> >>> www.looproom.com (international)
> >>> www.boysen.se (Swedish)
> >>> --->  iTunes Music Store (digital)
> >>> www.cdbaby.com/perboysen
> >>>
> >>>
> >>>
> >>>
> >
> >
> >
> >


From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 13:08:59 2005
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Date: Tue, 13 Sep 2005 06:08:58 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: RE: EDP LOOP4 question: Accessing individual loops directly 
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Ive been wanting to do this is it possible with the
FCB1010 although it only sends note on?

> > > When multiple loops have been set up with the
> MoreLoops parameter,
> > > you can trigger them directly with MIDI Note
> messages. The LoopTrig
> > > parameter defines the base Note for Loop 1. The
> consecutive Loops
> > > occupy the notes above that, so Loop 2 is
> LoopTrig+1, Loop 3 is
> > > LoopTrig+2, etc.
> > >
> > > (oops, just saw Andy's post...)
> > >
> > > Bernhard


www.luis-angulo.com

__________________________________________________
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	 <9886a4eb554254f258dac8b01dc52ce0@bartholomusic.com>
	 <6.1.2.0.2.20050911221738.10ea5558@loopers-delight.com>
Resent-Message-ID: <q3T2CD.A.pXG.sptJDB@arsenic>
Resent-From: Loopers-Delight@loopers-delight.com
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Well said, Kim.  One thing I'd always wondered though was why more
features weren't accessible through resistor values not incorporated
into the footswitch, such as halfspeed, individual loop access,
separate access to rounded/unrounded multiply/record, etc?  That'd
allow people access to the deeper features without a MIDI controller.

TravisH

On 9/13/05, Kim Flint <kflint@loopers-delight.com> wrote:
> At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
> >ITS PERFECT. go with the 1010.
>=20
> hmmm, I would say the FCB1010 is ok, but only compared to other midi
> controllers currently available. But that is only because most of the
> others available today are really horrible. Only the Rocktron All Access
> seems better than the Behringer FCB1010, but much more expensive.
>=20
> Compared to some past midi controllers however, the Behringer FCB1010 is
> really weak. [snip]

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 14:03:51 2005
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References: <496c3bb34c39356ee352b8460b8e3bbe@bartholomusic.com>
To: Loopers-Delight@loopers-delight.com,
	Loopers-Delight@loopers-delight.com
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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Keep in mind the rule of the game. It's the separation between people whi=
ch
give government power. Government doe not care what the separation factor=
 is
=2E..as long as it exist. If it exist, it can be exploited. This is the b=
ases
of all internal and external government structure since day one. =0D
=0D
Its the masses separation, us and them, which provides the foundation of =
a
power based. Until people learn to care and think as a whole, we'll be
dancing in this circle of constrcution and destruction. =0D
 =0D
=0D
=0D
=0D
-------Original Message-------=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 09/12/05 21:27:12=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: Re: Devil's AdvocateRE: Dear RED STATES=0D
 =0D
maybe ur too calm=0D
___=0D
Adrian Bartholomew=0D
Leawood KS=0D
On Sep 12, 2005, at 7:24 PM, Stephen Goodman wrote:=0D
 =0D
>  =0D
> ----- Original Message -----=0D
>  From: Adrian Bartholomew=0D
> To: Loopers-Delight@loopers-delight.com=0D
> Sent: Monday, 12 September, 2005 20:36 PM=0D
> Subject: Re: Devil's AdvocateRE: Dear RED STATES=0D
>=0D
>=0D
> ___=0D
> Adrian Bartholomew=0D
> Leawood KS=0D
> On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:=0D
>=0D
>=0D
> From: "Timothy Mungenast" <mungenast@earthlink.net>=0D
> To: <Loopers-Delight@loopers-delight.com>=0D
> Sent: Monday, 12 September, 2005 17:23 PM=0D
> Subject: Devil's AdvocateRE: Dear RED STATES=0D
>=0D
>=0D
>=0D
> Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides,=0D
> I've got=0D
> a whole passel of red-state relatives who think Dubya is just great.=0D
> I'm not sure that re-starting the Civil War is the answer.=0D
> Let's try to understand Bush supporters-- aside from a few cynical=0D
> plutocrats, most Bush supporters are basically good-hearted folks=0D
> (like my=0D
> Mom) who were raised in very socially conservative households and would=
=0D
> vote for a bag of popcorn if it ran on a ProLife platform. Anything=0D
> that=0D
> even vaguely smells of hippiedom is anathema to them.=0D
>=0D
> Not really. I'm a Republican but somehow not a raving fundamentalist=0D
> drone.=0D
> Whoops, that one doesn't work. Neither does the line being=0D
> continuously fed=0D
> through the media about the 2000 and 2004 elections somehow causing a=0D
> permanent divide in our country. Somehow it only seems to exist in the=0D
> minds of people who can't um, 'move on'.=0D
>=0D
> so do u blame the folks who get married and then divorced. the 66% of=0D
> them? and growing? or do u investigate what the institution itself=0D
> means in this day and this age?=0D
> do u question the folks who cant drive properly and who misuse a car=0D
> out of lack of "car" knowledge or do u recall the car as not fit for=0D
> the society that drives it?=0D
>=0D
> ...cant "move on"????=0D
> Take your meds and calm down.=0D
>=0D
>=0D
> They would help you if they found you lying in the middle of the road.=0D
> Your=0D
> wallet would be safe. They work hard for their families, and they're so=
=0D
> busy working their butts off making a living that they really don't=0D
> have=0D
> time to read the news. THAT'S KEY.=0D
> And honestly, they've been underwhelmed by the Democrats'=0D
> less-than-awesome=0D
> marketing of less-than-inspiring candidates who kinda lacked charisma,=0D
> whereas Dubya has this aura that makes ya think he wants to be your=0D
> drinkin' buddy. It's a gift that not everybody has.=0D
> Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a=0D
> genuine=0D
> bubba, and still the Red States would have none of it. The fact that=0D
> they=0D
> chose Captain AWOL over Gore points to feeble Democratic campaigning=0D
> and,=0D
> possibly, Al's stiff public persona.=0D
> Even when you have a good product, ya gotta sell, sell, sell. Ditto for=
=0D
> Kerry. A good guy, but you can't afford to shoot yourself in the foot=0D
> when=0D
> you are up against the GOP, the best salesmen the world has ever seen.=0D
> And=0D
> Kerry did shoot himself in the foot more than a few times.=0D
> The Red Staters had reasons to vote for Dub. We may not be able to=0D
> fully=0D
> comprehend those reasons, but WE CANNOT write these people off as=0D
> HeeHaw=0D
> goofballs and inbred haters. You will not win over anybody if you=0D
> insult=0D
> them, contrary to what Howard Dean thinks. Resist the urge. Reach out.=0D
> Try=0D
> to find some common ground.=0D
> Sonic Luv,=0D
> Tim Mungenast=0D
>=0D
>=0D
>=0D
>=0D
>=0D
> [Original Message]=0D
> From: Luis Angulo <labalou2000@yahoo.com>=0D
> To: <Loopers-Delight@loopers-delight.com>=0D
> Date: 9/12/2005 4:34:22 AM=0D
> Subject: Dear RED STATES=0D
>=0D
> This sounds great if you dont mind i am coming with=0D
> you;-!=0D
>=0D
> > Dear Red States...=0D
> >=0D
> > We've decided we're leaving. We intend to form our=0D
> > own country, and we're=0D
> > taking just the Blue States with us.=0D
> >=0D
> > In case you aren't aware, that includes Hawaii,=0D
> > California, Oregon,=0D
> > Washington, Minnesota, Wisconsin, Michigan, Illinois=0D
> > and all the Northeast.=0D
> > We believe this split will be beneficial to the=0D
> > nation, and especially to=0D
> > the people of the new country.=0D
> >=0D
> > To sum up briefly: You get Texas, Oklahoma and all=0D
> > the slave states. We get=0D
> > stem cell research and the best beaches. We get=0D
> > Elliot Spitzer. You get Ken=0D
> > Lay.=0D
> >=0D
> > We get the Statue of Liberty. We get Hollywood and=0D
> > Yosemite... You get=0D
> > Dollywood. We get Intel and Microsoft. You get=0D
> > WorldCom and Enron. We get=0D
> > Harvard. You get Ole' Miss. We get 85 percent of=0D
> > America's venture capital=0D
> > and entrepreneurs. You get Alabama. We get=0D
> > two-thirds of the tax revenue,=0D
> > you get to make the red states pay their fair share.=0D
> >=0D
> > Since our aggregate divorce rate is 22 percent lower=0D
> > than the Christian=0D
> > Coalition's, we get a bunch of happy families. You=0D
> > get a bunch of single=0D
> > moms.=0D
> >=0D
> > Please be aware that the new country will be=0D
> > pro-choice and anti-war, and=0D
> > we're going to want all our citizens back from Iraq=0D
> > at once. If you need=0D
> > people to fight, ask your politicians and=0D
> > evangelicals. They have kids=0D
> > they're apparently willing to send to their deaths=0D
> > for no purpose, and they=0D
> > don't care if you don't show pictures of their=0D
> > children's caskets coming=0D
> > home. We do wish you success in Iraq, and hope that=0D
> > the WMDs turn up, but=0D
> > we're not willing to spend our resources in Bush's=0D
> > Quagmire.=0D
> >=0D
> > With the Blue States in hand, we will have firm=0D
> > control of 80 percent of the=0D
> > country's fresh water, more than 90 percent of the=0D
> > pineapple and lettuce, 92=0D
> > percent of the nation's fresh fruit, 95 percent of=0D
> > America's quality wines=0D
> > (you can serve French wines at state dinners) 90=0D
> > percent of all cheese, 90=0D
> > percent of the high tech industry, most of the U.S.=0D
> > low-sulfur coal, all=0D
> > living redwoods, sequoias and condors, all the Ivy=0D
> > and Seven Sister schools,=0D
> > plus Harvard, Yale, Stanford, Cal Tech and MIT.=0D
> >=0D
> > With the Red States, on the other hand, you will=0D
> > have to cope with 88=0D
> > percent of all obese Americans (and their projected=0D
> > health care costs), 92=0D
> > percent of all U.S. mosquitoes, nearly 100 percent=0D
> > of the tornadoes, 90=0D
> > percent of the hurricanes, 99 percent of all=0D
> > Southern Baptists, virtually=0D
> > 100 percent of all televangelists, Rush Limbaugh,=0D
> > Bob Jones University,=0D
> > Clemson and the University of Georgia.=0D
> >=0D
> > Additionally, 38 percent of those in the Red states=0D
> > believe Jonah was=0D
> > actually swallowed by a whale, 62 percent believe=0D
> > life is sacred unless=0D
> > we're discussing the death penalty or gun laws, 44=0D
> > percent say that=0D
> > evolution is only a theory, 53 percent that Saddam=0D
> > was involved in 9/11, and=0D
> > 61 percent of you crazy bastards believe you are=0D
> > people with high morals.=0D
> >=0D
>=0D
>=0D
> www.luis-angulo.com=0D
>=0D
>=0D
>=0D
> __________________________________=0D
> Yahoo! Mail - PC Magazine Editors' Choice 2005=0D
> http://mail.yahoo.com=0D
>=0D
>=0D
>=0D
>=0D
>=0D
>=0D
>=0D
 =0D
=20
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<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
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<DIV>Keep in mind the rule of the game. It's the separation between peopl=
e which give government power. Government doe not care what the separatio=
n factor is....as long as it exist. If it exist, it can be exploited. Thi=
s is the bases&nbsp;of all internal and external government structure sin=
ce day one. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Its the masses separation, us and them, which provides the foundatio=
n of a power based. Until people learn to care and think as a whole, we'l=
l be dancing in this circle of constrcution and destruction. </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 09/12/05 21:=
27:12</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: Devil=
's AdvocateRE: Dear RED STATES</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>maybe ur too calm</DIV>
<DIV>___</DIV>
<DIV>Adrian Bartholomew</DIV>
<DIV>Leawood KS</DIV>
<DIV>On Sep 12, 2005, at 7:24 PM, Stephen Goodman wrote:</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt; &nbsp;</DIV>
<DIV>&gt; ----- Original Message -----</DIV>
<DIV>&gt;&nbsp;&nbsp;From: Adrian Bartholomew</DIV>
<DIV>&gt; To: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop=
ers-Delight@loopers-delight.com</A></DIV>
<DIV>&gt; Sent: Monday, 12 September, 2005 20:36 PM</DIV>
<DIV>&gt; Subject: Re: Devil's AdvocateRE: Dear RED STATES</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; ___</DIV>
<DIV>&gt; Adrian Bartholomew</DIV>
<DIV>&gt; Leawood KS</DIV>
<DIV>&gt; On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; From: "Timothy Mungenast" &lt;<A href=3D"mailto:mungenast@earth=
link.net">mungenast@earthlink.net</A>&gt;</DIV>
<DIV>&gt; To: &lt;<A href=3D"mailto:Loopers-Delight@loopers-delight.com">=
Loopers-Delight@loopers-delight.com</A>&gt;</DIV>
<DIV>&gt; Sent: Monday, 12 September, 2005 17:23 PM</DIV>
<DIV>&gt; Subject: Devil's AdvocateRE: Dear RED STATES</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besid=
es,</DIV>
<DIV>&gt; I've got</DIV>
<DIV>&gt; a whole passel of red-state relatives who think Dubya is just g=
reat.</DIV>
<DIV>&gt; I'm not sure that re-starting the Civil War is the answer.</DIV=
>
<DIV>&gt; Let's try to understand Bush supporters-- aside from a few cyni=
cal</DIV>
<DIV>&gt; plutocrats, most Bush supporters are basically good-hearted fol=
ks</DIV>
<DIV>&gt; (like my</DIV>
<DIV>&gt; Mom) who were raised in very socially conservative households a=
nd would</DIV>
<DIV>&gt; vote for a bag of popcorn if it ran on a ProLife platform. Anyt=
hing</DIV>
<DIV>&gt; that</DIV>
<DIV>&gt; even vaguely smells of hippiedom is anathema to them.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Not really. I'm a Republican but somehow not a raving fundament=
alist</DIV>
<DIV>&gt; drone.</DIV>
<DIV>&gt; Whoops, that one doesn't work. Neither does the line being</DIV=
>
<DIV>&gt; continuously fed</DIV>
<DIV>&gt; through the media about the 2000 and 2004 elections somehow cau=
sing a</DIV>
<DIV>&gt; permanent divide in our country. Somehow it only seems to exist=
 in the</DIV>
<DIV>&gt; minds of people who can't um, 'move on'.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; so do u blame the folks who get married and then divorced. the =
66% of</DIV>
<DIV>&gt; them? and growing? or do u investigate what the institution its=
elf</DIV>
<DIV>&gt; means in this day and this age?</DIV>
<DIV>&gt; do u question the folks who cant drive properly and who misuse =
a car</DIV>
<DIV>&gt; out of lack of "car" knowledge or do u recall the car as not fi=
t for</DIV>
<DIV>&gt; the society that drives it?</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; ...cant "move on"????</DIV>
<DIV>&gt; Take your meds and calm down.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; They would help you if they found you lying in the middle of th=
e road.</DIV>
<DIV>&gt; Your</DIV>
<DIV>&gt; wallet would be safe. They work hard for their families, and th=
ey're so</DIV>
<DIV>&gt; busy working their butts off making a living that they really d=
on't</DIV>
<DIV>&gt; have</DIV>
<DIV>&gt; time to read the news. THAT'S KEY.</DIV>
<DIV>&gt; And honestly, they've been underwhelmed by the Democrats'</DIV>
<DIV>&gt; less-than-awesome</DIV>
<DIV>&gt; marketing of less-than-inspiring candidates who kinda lacked ch=
arisma,</DIV>
<DIV>&gt; whereas Dubya has this aura that makes ya think he wants to be =
your</DIV>
<DIV>&gt; drinkin' buddy. It's a gift that not everybody has.</DIV>
<DIV>&gt; Look at Gore. He was a Southerner, a VietNam vet, a sportsman, =
a</DIV>
<DIV>&gt; genuine</DIV>
<DIV>&gt; bubba, and still the Red States would have none of it. The fact=
 that</DIV>
<DIV>&gt; they</DIV>
<DIV>&gt; chose Captain AWOL over Gore points to feeble Democratic campai=
gning</DIV>
<DIV>&gt; and,</DIV>
<DIV>&gt; possibly, Al's stiff public persona.</DIV>
<DIV>&gt; Even when you have a good product, ya gotta sell, sell, sell. D=
itto for</DIV>
<DIV>&gt; Kerry. A good guy, but you can't afford to shoot yourself in th=
e foot</DIV>
<DIV>&gt; when</DIV>
<DIV>&gt; you are up against the GOP, the best salesmen the world has eve=
r seen.</DIV>
<DIV>&gt; And</DIV>
<DIV>&gt; Kerry did shoot himself in the foot more than a few times.</DIV=
>
<DIV>&gt; The Red Staters had reasons to vote for Dub. We may not be able=
 to</DIV>
<DIV>&gt; fully</DIV>
<DIV>&gt; comprehend those reasons, but WE CANNOT write these people off =
as</DIV>
<DIV>&gt; HeeHaw</DIV>
<DIV>&gt; goofballs and inbred haters. You will not win over anybody if y=
ou</DIV>
<DIV>&gt; insult</DIV>
<DIV>&gt; them, contrary to what Howard Dean thinks. Resist the urge. Rea=
ch out.</DIV>
<DIV>&gt; Try</DIV>
<DIV>&gt; to find some common ground.</DIV>
<DIV>&gt; Sonic Luv,</DIV>
<DIV>&gt; Tim Mungenast</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; [Original Message]</DIV>
<DIV>&gt; From: Luis Angulo &lt;<A href=3D"mailto:labalou2000@yahoo.com">=
labalou2000@yahoo.com</A>&gt;</DIV>
<DIV>&gt; To: &lt;<A href=3D"mailto:Loopers-Delight@loopers-delight.com">=
Loopers-Delight@loopers-delight.com</A>&gt;</DIV>
<DIV>&gt; Date: 9/12/2005 4:34:22 AM</DIV>
<DIV>&gt; Subject: Dear RED STATES</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; This sounds great if you dont mind i am coming with</DIV>
<DIV>&gt; you;-!</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; &gt; Dear Red States...</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; We've decided we're leaving. We intend to form our</DIV>
<DIV>&gt; &gt; own country, and we're</DIV>
<DIV>&gt; &gt; taking just the Blue States with us.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; In case you aren't aware, that includes Hawaii,</DIV>
<DIV>&gt; &gt; California, Oregon,</DIV>
<DIV>&gt; &gt; Washington, Minnesota, Wisconsin, Michigan, Illinois</DIV>
<DIV>&gt; &gt; and all the Northeast.</DIV>
<DIV>&gt; &gt; We believe this split will be beneficial to the</DIV>
<DIV>&gt; &gt; nation, and especially to</DIV>
<DIV>&gt; &gt; the people of the new country.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; To sum up briefly: You get Texas, Oklahoma and all</DIV>
<DIV>&gt; &gt; the slave states. We get</DIV>
<DIV>&gt; &gt; stem cell research and the best beaches. We get</DIV>
<DIV>&gt; &gt; Elliot Spitzer. You get Ken</DIV>
<DIV>&gt; &gt; Lay.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; We get the Statue of Liberty. We get Hollywood and</DIV>
<DIV>&gt; &gt; Yosemite... You get</DIV>
<DIV>&gt; &gt; Dollywood. We get Intel and Microsoft. You get</DIV>
<DIV>&gt; &gt; WorldCom and Enron. We get</DIV>
<DIV>&gt; &gt; Harvard. You get Ole' Miss. We get 85 percent of</DIV>
<DIV>&gt; &gt; America's venture capital</DIV>
<DIV>&gt; &gt; and entrepreneurs. You get Alabama. We get</DIV>
<DIV>&gt; &gt; two-thirds of the tax revenue,</DIV>
<DIV>&gt; &gt; you get to make the red states pay their fair share.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; Since our aggregate divorce rate is 22 percent lower</DIV>
<DIV>&gt; &gt; than the Christian</DIV>
<DIV>&gt; &gt; Coalition's, we get a bunch of happy families. You</DIV>
<DIV>&gt; &gt; get a bunch of single</DIV>
<DIV>&gt; &gt; moms.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; Please be aware that the new country will be</DIV>
<DIV>&gt; &gt; pro-choice and anti-war, and</DIV>
<DIV>&gt; &gt; we're going to want all our citizens back from Iraq</DIV>
<DIV>&gt; &gt; at once. If you need</DIV>
<DIV>&gt; &gt; people to fight, ask your politicians and</DIV>
<DIV>&gt; &gt; evangelicals. They have kids</DIV>
<DIV>&gt; &gt; they're apparently willing to send to their deaths</DIV>
<DIV>&gt; &gt; for no purpose, and they</DIV>
<DIV>&gt; &gt; don't care if you don't show pictures of their</DIV>
<DIV>&gt; &gt; children's caskets coming</DIV>
<DIV>&gt; &gt; home. We do wish you success in Iraq, and hope that</DIV>
<DIV>&gt; &gt; the WMDs turn up, but</DIV>
<DIV>&gt; &gt; we're not willing to spend our resources in Bush's</DIV>
<DIV>&gt; &gt; Quagmire.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; With the Blue States in hand, we will have firm</DIV>
<DIV>&gt; &gt; control of 80 percent of the</DIV>
<DIV>&gt; &gt; country's fresh water, more than 90 percent of the</DIV>
<DIV>&gt; &gt; pineapple and lettuce, 92</DIV>
<DIV>&gt; &gt; percent of the nation's fresh fruit, 95 percent of</DIV>
<DIV>&gt; &gt; America's quality wines</DIV>
<DIV>&gt; &gt; (you can serve French wines at state dinners) 90</DIV>
<DIV>&gt; &gt; percent of all cheese, 90</DIV>
<DIV>&gt; &gt; percent of the high tech industry, most of the U.S.</DIV>
<DIV>&gt; &gt; low-sulfur coal, all</DIV>
<DIV>&gt; &gt; living redwoods, sequoias and condors, all the Ivy</DIV>
<DIV>&gt; &gt; and Seven Sister schools,</DIV>
<DIV>&gt; &gt; plus Harvard, Yale, Stanford, Cal Tech and MIT.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; With the Red States, on the other hand, you will</DIV>
<DIV>&gt; &gt; have to cope with 88</DIV>
<DIV>&gt; &gt; percent of all obese Americans (and their projected</DIV>
<DIV>&gt; &gt; health care costs), 92</DIV>
<DIV>&gt; &gt; percent of all U.S. mosquitoes, nearly 100 percent</DIV>
<DIV>&gt; &gt; of the tornadoes, 90</DIV>
<DIV>&gt; &gt; percent of the hurricanes, 99 percent of all</DIV>
<DIV>&gt; &gt; Southern Baptists, virtually</DIV>
<DIV>&gt; &gt; 100 percent of all televangelists, Rush Limbaugh,</DIV>
<DIV>&gt; &gt; Bob Jones University,</DIV>
<DIV>&gt; &gt; Clemson and the University of Georgia.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt; &gt; Additionally, 38 percent of those in the Red states</DIV>
<DIV>&gt; &gt; believe Jonah was</DIV>
<DIV>&gt; &gt; actually swallowed by a whale, 62 percent believe</DIV>
<DIV>&gt; &gt; life is sacred unless</DIV>
<DIV>&gt; &gt; we're discussing the death penalty or gun laws, 44</DIV>
<DIV>&gt; &gt; percent say that</DIV>
<DIV>&gt; &gt; evolution is only a theory, 53 percent that Saddam</DIV>
<DIV>&gt; &gt; was involved in 9/11, and</DIV>
<DIV>&gt; &gt; 61 percent of you crazy bastards believe you are</DIV>
<DIV>&gt; &gt; people with high morals.</DIV>
<DIV>&gt; &gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; <A href=3D"http://www.luis-angulo.com">www.luis-angulo.com</A><=
/DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; __________________________________</DIV>
<DIV>&gt; Yahoo! Mail - PC Magazine Editors' Choice 2005</DIV>
<DIV>&gt; <A href=3D"http://mail.yahoo.com">http://mail.yahoo.com</A></DI=
V>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_DQDRCRK5BHK000000000--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 14:23:59 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 09:23:57 -0500
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the 1010 does send note off (or note on 0 vel)
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 8:08 AM, Luis Angulo wrote:

>
> Ive been wanting to do this is it possible with the
> FCB1010 although it only sends note on?
>
>>>> When multiple loops have been set up with the
>> MoreLoops parameter,
>>>> you can trigger them directly with MIDI Note
>> messages. The LoopTrig
>>>> parameter defines the base Note for Loop 1. The
>> consecutive Loops
>>>> occupy the notes above that, so Loop 2 is
>> LoopTrig+1, Loop 3 is
>>>> LoopTrig+2, etc.
>>>>
>>>> (oops, just saw Andy's post...)
>>>>
>>>> Bernhard
>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

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the 1010 does send note off (or note on 0 vel)

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 8:08 AM, Luis Angulo wrote:


<excerpt>

Ive been wanting to do this is it possible with the

FCB1010 although it only sends note on?


<excerpt><excerpt><excerpt>When multiple loops have been set up with
the

</excerpt></excerpt>MoreLoops parameter,

<excerpt><excerpt>you can trigger them directly with MIDI Note

</excerpt></excerpt>messages. The LoopTrig

<excerpt><excerpt>parameter defines the base Note for Loop 1. The

</excerpt></excerpt>consecutive Loops

<excerpt><excerpt>occupy the notes above that, so Loop 2 is

</excerpt></excerpt>LoopTrig+1, Loop 3 is

<excerpt><excerpt>LoopTrig+2, etc.


(oops, just saw Andy's post...)


Bernhard

</excerpt></excerpt></excerpt>


www.luis-angulo.com


__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
--Apple-Mail-3-137865697--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 14:54:25 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Tue, 13 Sep 2005 16:54:21 +0200
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On Sep 13, 2005, at 15:08, Luis Angulo wrote:
>
> Ive been wanting to do this is it possible with the
> FCB1010 although it only sends note on?


Yes, note on is enough for the LoopTrig function. I have decided to  
set up 5 EDP loops directly accessible from one row of FCB buttons.  
As Adrian said, the FCB sends a note off when you let go of a pedal.  
Note off is for example used by the EDP function:
"SUSNextLoop Sustain Action NextLoop" (NoteOn = Next, NoteOff =  
Previous)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen




>
>>>> When multiple loops have been set up with the
>>>>
>> MoreLoops parameter,
>>
>>>> you can trigger them directly with MIDI Note
>>>>
>> messages. The LoopTrig
>>
>>>> parameter defines the base Note for Loop 1. The
>>>>
>> consecutive Loops
>>
>>>> occupy the notes above that, so Loop 2 is
>>>>
>> LoopTrig+1, Loop 3 is
>>
>>>> LoopTrig+2, etc.
>>>>
>>>> (oops, just saw Andy's post...)
>>>>
>>>> Bernhard
>>>>
>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 15:23:07 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Tue, 13 Sep 2005 11:26:42 -0400
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No, not too calm, Adrian: I'm just a really intense, neurotic,
anxiety-prone guy TRYING to be a calm person. But not *actually* calm.
There is a difference ;-)
Yours in Waiting Rooms,
Tim


> [Original Message]
> From: Adrian Bartholomew <adrian@bartholomusic.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/13/2005 12:27:10 AM
> Subject: Re: Devil's AdvocateRE: Dear  RED STATES
>
> maybe ur too calm
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 12, 2005, at 7:24 PM, Stephen Goodman wrote:
>
> >  
> > ----- Original Message -----
> >  From: Adrian Bartholomew
> > To: Loopers-Delight@loopers-delight.com
> > Sent: Monday, 12 September, 2005 20:36 PM
> > Subject: Re: Devil's AdvocateRE: Dear RED STATES
> >
> >
> > ___
> > Adrian Bartholomew
> > Leawood KS
> > On Sep 12, 2005, at 2:22 PM, Stephen Goodman wrote:
> >
> >
> > From: "Timothy Mungenast" <mungenast@earthlink.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, 12 September, 2005 17:23 PM
> > Subject: Devil's AdvocateRE: Dear RED STATES
> >
> >
> >
> > Sounds good, but I'd miss ZZ Top, I'd miss Moon Pies, and besides, 
> > I've got
> > a whole passel of red-state relatives who think Dubya is just great.
> > I'm not sure that re-starting the Civil War is the answer.
> > Let's try to understand Bush supporters-- aside from a few cynical
> > plutocrats, most Bush supporters are basically good-hearted folks 
> > (like my
> > Mom) who were raised in very socially conservative households and would
> > vote for a bag of popcorn if it ran on a ProLife platform. Anything 
> > that
> > even vaguely smells of hippiedom is anathema to them.
> >
> > Not really. I'm a Republican but somehow not a raving fundamentalist 
> > drone.
> > Whoops, that one doesn't work. Neither does the line being 
> > continuously fed
> > through the media about the 2000 and 2004 elections somehow causing a
> > permanent divide in our country. Somehow it only seems to exist in the
> > minds of people who can't um, 'move on'.
> >
> > so do u blame the folks who get married and then divorced. the 66% of 
> > them? and growing? or do u investigate what the institution itself 
> > means in this day and this age?
> > do u question the folks who cant drive properly and who misuse a car 
> > out of lack of "car" knowledge or do u recall the car as not fit for 
> > the society that drives it?
> >
> > ...cant "move on"????
> > Take your meds and calm down.
> >
> >
> > They would help you if they found you lying in the middle of the road. 
> > Your
> > wallet would be safe. They work hard for their families, and they're so
> > busy working their butts off making a living that they really don't 
> > have
> > time to read the news. THAT'S KEY.
> > And honestly, they've been underwhelmed by the Democrats' 
> > less-than-awesome
> > marketing of less-than-inspiring candidates who kinda lacked charisma,
> > whereas Dubya has this aura that makes ya think he wants to be your
> > drinkin' buddy. It's a gift that not everybody has.
> > Look at Gore. He was a Southerner, a VietNam vet, a sportsman, a 
> > genuine
> > bubba, and still the Red States would have none of it. The fact that 
> > they
> > chose Captain AWOL over Gore points to feeble Democratic campaigning 
> > and,
> > possibly, Al's stiff public persona.
> > Even when you have a good product, ya gotta sell, sell, sell. Ditto for
> > Kerry. A good guy, but you can't afford to shoot yourself in the foot 
> > when
> > you are up against the GOP, the best salesmen the world has ever seen. 
> > And
> > Kerry did shoot himself in the foot more than a few times.
> > The Red Staters had reasons to vote for Dub. We may not be able to 
> > fully
> > comprehend those reasons, but WE CANNOT write these people off as 
> > HeeHaw
> > goofballs and inbred haters. You will not win over anybody if you 
> > insult
> > them, contrary to what Howard Dean thinks. Resist the urge. Reach out. 
> > Try
> > to find some common ground.
> > Sonic Luv,
> > Tim Mungenast
> >
> >
> >
> >
> >
> > [Original Message]
> > From: Luis Angulo <labalou2000@yahoo.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Date: 9/12/2005 4:34:22 AM
> > Subject: Dear RED STATES
> >
> > This sounds great if you dont mind i am coming with
> > you;-!
> >
> > > Dear Red States...
> > >
> > > We've decided we're leaving. We intend to form our
> > > own country, and we're
> > > taking just the Blue States with us.
> > >
> > > In case you aren't aware, that includes Hawaii,
> > > California, Oregon,
> > > Washington, Minnesota, Wisconsin, Michigan, Illinois
> > > and all the Northeast.
> > > We believe this split will be beneficial to the
> > > nation, and especially to
> > > the people of the new country.
> > >
> > > To sum up briefly: You get Texas, Oklahoma and all
> > > the slave states. We get
> > > stem cell research and the best beaches. We get
> > > Elliot Spitzer. You get Ken
> > > Lay.
> > >
> > > We get the Statue of Liberty. We get Hollywood and
> > > Yosemite... You get
> > > Dollywood. We get Intel and Microsoft. You get
> > > WorldCom and Enron. We get
> > > Harvard. You get Ole' Miss. We get 85 percent of
> > > America's venture capital
> > > and entrepreneurs. You get Alabama. We get
> > > two-thirds of the tax revenue,
> > > you get to make the red states pay their fair share.
> > >
> > > Since our aggregate divorce rate is 22 percent lower
> > > than the Christian
> > > Coalition's, we get a bunch of happy families. You
> > > get a bunch of single
> > > moms.
> > >
> > > Please be aware that the new country will be
> > > pro-choice and anti-war, and
> > > we're going to want all our citizens back from Iraq
> > > at once. If you need
> > > people to fight, ask your politicians and
> > > evangelicals. They have kids
> > > they're apparently willing to send to their deaths
> > > for no purpose, and they
> > > don't care if you don't show pictures of their
> > > children's caskets coming
> > > home. We do wish you success in Iraq, and hope that
> > > the WMDs turn up, but
> > > we're not willing to spend our resources in Bush's
> > > Quagmire.
> > >
> > > With the Blue States in hand, we will have firm
> > > control of 80 percent of the
> > > country's fresh water, more than 90 percent of the
> > > pineapple and lettuce, 92
> > > percent of the nation's fresh fruit, 95 percent of
> > > America's quality wines
> > > (you can serve French wines at state dinners) 90
> > > percent of all cheese, 90
> > > percent of the high tech industry, most of the U.S.
> > > low-sulfur coal, all
> > > living redwoods, sequoias and condors, all the Ivy
> > > and Seven Sister schools,
> > > plus Harvard, Yale, Stanford, Cal Tech and MIT.
> > >
> > > With the Red States, on the other hand, you will
> > > have to cope with 88
> > > percent of all obese Americans (and their projected
> > > health care costs), 92
> > > percent of all U.S. mosquitoes, nearly 100 percent
> > > of the tornadoes, 90
> > > percent of the hurricanes, 99 percent of all
> > > Southern Baptists, virtually
> > > 100 percent of all televangelists, Rush Limbaugh,
> > > Bob Jones University,
> > > Clemson and the University of Georgia.
> > >
> > > Additionally, 38 percent of those in the Red states
> > > believe Jonah was
> > > actually swallowed by a whale, 62 percent believe
> > > life is sacred unless
> > > we're discussing the death penalty or gun laws, 44
> > > percent say that
> > > evolution is only a theory, 53 percent that Saddam
> > > was involved in 9/11, and
> > > 61 percent of you crazy bastards believe you are
> > > people with high morals.
> > >
> >
> >
> > www.luis-angulo.com
> >
> >
> >
> > __________________________________
> > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
> >
> >
> >
> >
> >
> >
> >


From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 15:28:10 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Tue, 13 Sep 2005 10:28:06 -0500
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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For the record, I love the foot controller.  I bought mine used 5 years ago=
 and replaced the switches just as a matter ot course.  I also measured all=
 the=20
resistors and replaced one that had drifted pretty far off value.  Not a si=
ngle problem (knock on wood) since then with fairly constant gigging and=20
rehearsing, including five trips to burning man where *everything* one owns=
 gets permeated with corrosive alkali dust.  Upon returning home, I blow th=
e=20
switches out with compressed air and spray in some contact cleaner.  No pro=
blems.  I'm actually amazed at robustness off the design.  I bought a bunch=
 of=20
replacemnet switches just so I'd have them on hand, and they are still just=
 sitting in a drawer 5 years later.

Joe Rut
----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Tue, 13 Sep 2005 01:45:56 -0700

>=20
> At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
> > ITS PERFECT. go with the 1010.
>=20
> hmmm, I would say the FCB1010 is ok, but only compared to other=20
> midi controllers currently available. But that is only because most=20
> of the others available today are really horrible. Only the=20
> Rocktron All Access seems better than the Behringer FCB1010, but=20
> much more expensive.
>=20
> Compared to some past midi controllers however, the Behringer=20
> FCB1010 is really weak. The Digitech PMC-10 and the Lake-Butler=20
> RFC-1 Midigator were really exceptional, full-featured midi pedals,=20
> and completely blow away anything available today. Both are long=20
> out of production. They are really hard to find today because=20
> people really treasure them. If you can find one, get it.
>=20
> It is really sad that nobody makes something comparable. I wish=20
> somebody would just copy the old Digitech PMC-10 architecture.
>=20
> > the EDP foot controller response time is good. dont get me wrong.=20
> > but the reliability is NOT. from what i understand, its not=20
> > voltage controlled, its RESISTANCE controlled. maybe that is the=20
> > problem in the 1st place. others may refute me but i have one and=20
> > it sucks. any contamination of the buttons can set off the=20
> > resistances and ur then screwed...ONSTAGE.
>=20
> I've seen you make these accusations about our poor pedal design a=20
> few times Adrian, so allow me to explain the design goals we sought=20
> in creating the Echoplex footpedal controller.
>=20
> First of all, the people involved in the Echoplex design are all=20
> musicians in addition to engineers. In fact we were all musicians=20
> before we were engineers. We've used many different pieces of gear=20
> as musicians. We've dragged our gear around for rehearsals and=20
> gigs. We've experienced problematic gear over time that irritated=20
> us or broke on us or couldn't be worked around at the last minute,=20
> and we sought to do better with the Echoplex. We designed the=20
> Echoplex pedal to hopefully address many of these problems that we=20
> had been irritated by in other gear.
>=20
> So despite what you say, reliability was one of the key design=20
> goals. (I'll come back to the issue of what "reliability" means a=20
> bit later.)
>=20
> First, let's cover the design requirements we came up with for the=20
> Echoplex pedal:
>=20
> - The pedal should not use a proprietary cable. Cables will go bad.=20
> We've all experienced it. If you can't replace the cable at the=20
> last minute because it is some proprietary special-order thing, you=20
> are screwed. So, the pedal must use a cable anybody can get easily,=20
> or preferably something they likely have anyway.
>=20
> - The cable must not be fixed to the unit. Since we don't know how=20
> big your stage is, we want to let you choose how long of a cable=20
> you need. We also want you to be able to replace it easily if the=20
> cable dies. Especially for transporting gear, attached cables get=20
> bent in strange ways and suffer tremendous strain. It will be=20
> better if it is easily detached.
>=20
> - There should only be one cable between pedal and rack. More=20
> cables means more points of failure. More cost to the user. More=20
> crap cluttering up the stage. More connections to be made while=20
> setting up before the gig. More things to connect the wrong way by=20
> mistake. More jacks to fail. One cable must be enough for the=20
> Echoplex pedal.
>=20
> - The pedal should not require power. Power supplies fail often,=20
> especially power supplies out on stage where they deal with beer,=20
> power surges, booted stage divers and etc., and therefore anything=20
> requiring a power supply is less reliable than a passive device. A=20
> power supply requirement also adds to the inconvenience. This=20
> requires power brought out to the stage, and an additional cable=20
> connection be made to the pedal.
>=20
> - The pedal must be very simple in design, so it is easy to repair=20
> on the road. Anything on the floor of a stage will get broken=20
> eventually, so assume field repairable is essential. This pedal=20
> will be getting stomped on, kicked around, getting beer spilled on=20
> it, getting rained on, sitting in the hot sun in the summer,=20
> freezing in the winter, etc. No matter what you do it will break=20
> for somebody. It should be easy for the user to open the pedal up=20
> and fix it.
>=20
> - It should be easy for people to make custom controllers. Most=20
> people probably want a pedal, but not all. Some want to make their=20
> own custom pedal. We have no idea what the others may want. It=20
> should be easy for those who want something different to create=20
> their own controller without much engineering knowledge or other=20
> sophistication. The pedal design should be very simple for this to=20
> be possible.
>=20
> - The pedal design must be very inexpensive to produce. People are=20
> spending their money on the EDP, the foot controller should not be=20
> a huge extra expense. The target manufacturing cost for parts,=20
> fabrication, assembly, packaging, etc. should be less than $20.
>=20
> - The switches themselves must a) be quiet when pressed,  b) have=20
> reasonably low force required for activation,  c) have a reasonably=20
> short throw length,  d) have a good tactile feel. This is so the=20
> musician can easily feel the connection point for tapping loop=20
> functions, which a generally very rhythmic and demand precision.
>=20
> In our opinion, these design goals were very friendly towards=20
> musicians, at least according to our real-world experience as=20
> musicians.
>=20
> So my challenge to you Adrian, is what would you design to meet=20
> these requirements? You think our design sucks, so I would very=20
> much like to hear your better idea. Perhaps you are a brilliant=20
> engineer, and we can all learn from you!
>=20
> Now, given the design goals above, allow me to tell you how we=20
> chose to meet them when we designed the Echoplex Digital Pro. Our=20
> Echoplex pedal design used 7 resistors, 7 switches, one mono 1/4"=20
> patch cable (just like you would use for a guitar, or even a=20
> speaker cable), one cable jack, steel chassis, and no external=20
> power. This means:
> - Very few components, so there is little there to break.
> - It is really easy to figure out how the pedal works if you open=20
> it, so most anybody can figure out how to repair it quickly if=20
> there is a problem.
> - We published the resistor values in the manual, so anybody could=20
> make their own controller if they wished. It's really easy to do.
> - The switches are common momentary switches, and there are=20
> numerous options for those if you want to use something different=20
> from what we used. However we did spend a lot of time trying=20
> switches, and we did not find anything that met our goals for=20
> remotely close to the cost of the ones we used.
>=20
> We created the pedal itself to be a very simple design to ensure=20
> reliability, while all the smarts are in the rack unit. Simple=20
> stuff has less ways to break. The pedal simply sets a voltage, and=20
> the rack unit reads the voltage with an a/d convertor to interpret=20
> the function. Contrary to recent claims here on the LD list, the=20
> switch is debounced twice. First it is debounced in the rack with a=20
> capacitor before the a/d convertor , and then debounced again in=20
> software, where the value is checked multiple times to ensure it is=20
> correctly read. There is a wide tolerance given to the voltage=20
> range for each function, so even if things are off a bit, it should=20
> still work.
>=20
> I thought our design was rather clever, and I was always proud that=20
> we managed to get 7 buttons of control communicated through just a=20
> simple patch cord. But I'm now looking forward to Adrian educating=20
> me on better ideas.
>=20
> Our Echoplex design has been working pretty well since 1994. Many=20
> pedals have been working that long without problems (including=20
> mine). The design itself generally does not fail. Usually the only=20
> problems seen are with switches failing in various ways. (like=20
> getting dirty.)  A failing switch is a failing switch. Any pedal=20
> will have a problem if the switches fail, so that is not a problem=20
> unique to the Echoplex.
>=20
> And that brings up an interesting point. If you are into looping,=20
> you will be tapping buttons and switches a lot. Probably much more=20
> than on any other device you use. Switches wear out when used=20
> frequently. (you may not be used to this.) They get dirty. They=20
> break. They become intermittent. You need to start thinking about=20
> switches similar to the way guitarists think about strings, or DJ's=20
> think about crossfaders, or saxophonists think about reeds, or=20
> drummers think about drum heads, or like the oil in your car.=20
> Looper switches are commodities that wear out and need regular=20
> replacement and/or care. It has nothing to do with it being an=20
> Echoplex pedal or a boss or a digitech or whatever. If you are=20
> stepping on it a lot, the switch will wear out. Be prepared or be=20
> sorry.
>=20
> And I can guarantee you - you know those switches on your FCB1010?=20
> If you use it for looping, their gonna break also. It's just a=20
> matter of time. Do you know how to fix them?
>=20
> Now, let's talk about reliability. What is more reliable, the=20
> Echoplex pedal, or a midi pedal like the Behringer FCB1010? How do=20
> you determine that objectively?
>=20
> Reliability is an engineering science. It is not a guessing game.=20
> It is also not my engineering specialty, but I work with=20
> reliability engineers who are very good. I don't know exactly how=20
> they do their reliability calculations, but I do know what=20
> information I need to specify to them, and what results they=20
> provide back. (another reason why I think it is funny when people=20
> think laptops are a good thing to bring on stage, but that is=20
> another topic.) Here are some parameters that go into a reliability=20
> calculation:
>=20
> - how many components are used
> - what is the individual reliability of each component in the usage condi=
tions
> - how many component pins are connected
> - how many electrical connection points (solder joints, connectors,=20
> sockets, etc.)
> - what sort of shock and vibration will it experience
> - Is the device powered
> - If it is powered, what voltages and voltage tolerances are used=20
> (and how do they affect individual device reliability=20
> characteristics, as each device will be different depending on its=20
> own manufacturing process.)
> - if powered, What are the temperature ranges where it operates
> - what are humidity ranges where it operates
>=20
> All these factors go into calculating the MTBF (mean time before=20
> failure). Half the units made will fail before that time, and half=20
> after, with some statistical distribution. (I think it is gaussian,=20
> but I'm not sure.)
>=20
> Now, considering all that, any midi pedal (including the Behringer=20
> FCB) will have far more parts, far more device pins, far more=20
> connection points, will be powered, will have more external=20
> connections, will be more affected by temperature, more affected by=20
> humidity, etc., than the overwhelmingly simple Echoplex pedal.
>=20
> In other words, if you really do a serious reliability analysis, a=20
> midi pedal will always prove to be less reliable than the Echoplex=20
> pedal, and probably it is the least reliable device you are using.
>=20
> On the other hand, if you do use a good midi controller pedal with=20
> the Echoplex, you will have far more flexibility and access to=20
> commands than you do with the pedal or the Echoplex front panel=20
> (assuming you are using LoopIV in your Echoplex, LoopIII wasn't so=20
> interesting for midi). A good midi pedal is far more useful with=20
> the Echoplex, and that may be an excellent reason to choose the=20
> midi pedal option!
>=20
> It is great to have choices,
> kim
>=20
>=20
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 15:59:23 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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Sony Felberg wrote:
> Until people learn to care and think as a whole, we'll be 
> dancing in this circle of constrcution and destruction.

Finally, some looping content in this thread.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:19:46 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Tue, 13 Sep 2005 11:19:34 -0500
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see? this is what im talking about.

being a technically minded guy, joe was able to get the best out of his  
foot controller. (congrats joe).
could u imaging the ordinary joe (pun intended:-)  ) MEASURING  
RESISTORS(read: having a probe tester and not worried about not knowing  
the color coding) to REPLACE (read: desolder and resolder) them?

nope.
that thing wouldve been in the trash. instantly.

this reminds me of my epson C80 printer. if u KNOW about print heads  
and how to clean them with alcohol and stuff, ur epson budget printer  
would last u a long time. just go online and read the hatemail about  
them.

but HP knows how to avoid printing "lines" WITHOUT needing the owners  
to be comfortable with printing machines' insides.

...is all im sayin.
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 10:28 AM, joe rut wrote:

> For the record, I love the foot controller.  I bought mine used 5  
> years ago and replaced the switches just as a matter ot course.  I  
> also measured all the
> resistors and replaced one that had drifted pretty far off value.  Not  
> a single problem (knock on wood) since then with fairly constant  
> gigging and
> rehearsing, including five trips to burning man where *everything* one  
> owns gets permeated with corrosive alkali dust.  Upon returning home,  
> I blow the
> switches out with compressed air and spray in some contact cleaner.   
> No problems.  I'm actually amazed at robustness off the design.  I  
> bought a bunch of
> replacemnet switches just so I'd have them on hand, and they are still  
> just sitting in a drawer 5 years later.
>
> Joe Rut
> ----- Original Message -----
> From: "Kim Flint" <kflint@loopers-delight.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP Footpedal vs. FCB1010 ? ?
> Date: Tue, 13 Sep 2005 01:45:56 -0700
>
>>
>> At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
>>> ITS PERFECT. go with the 1010.
>>
>> hmmm, I would say the FCB1010 is ok, but only compared to other
>> midi controllers currently available. But that is only because most
>> of the others available today are really horrible. Only the
>> Rocktron All Access seems better than the Behringer FCB1010, but
>> much more expensive.
>>
>> Compared to some past midi controllers however, the Behringer
>> FCB1010 is really weak. The Digitech PMC-10 and the Lake-Butler
>> RFC-1 Midigator were really exceptional, full-featured midi pedals,
>> and completely blow away anything available today. Both are long
>> out of production. They are really hard to find today because
>> people really treasure them. If you can find one, get it.
>>
>> It is really sad that nobody makes something comparable. I wish
>> somebody would just copy the old Digitech PMC-10 architecture.
>>
>>> the EDP foot controller response time is good. dont get me wrong.
>>> but the reliability is NOT. from what i understand, its not
>>> voltage controlled, its RESISTANCE controlled. maybe that is the
>>> problem in the 1st place. others may refute me but i have one and
>>> it sucks. any contamination of the buttons can set off the
>>> resistances and ur then screwed...ONSTAGE.
>>
>> I've seen you make these accusations about our poor pedal design a
>> few times Adrian, so allow me to explain the design goals we sought
>> in creating the Echoplex footpedal controller.
>>
>> First of all, the people involved in the Echoplex design are all
>> musicians in addition to engineers. In fact we were all musicians
>> before we were engineers. We've used many different pieces of gear
>> as musicians. We've dragged our gear around for rehearsals and
>> gigs. We've experienced problematic gear over time that irritated
>> us or broke on us or couldn't be worked around at the last minute,
>> and we sought to do better with the Echoplex. We designed the
>> Echoplex pedal to hopefully address many of these problems that we
>> had been irritated by in other gear.
>>
>> So despite what you say, reliability was one of the key design
>> goals. (I'll come back to the issue of what "reliability" means a
>> bit later.)
>>
>> First, let's cover the design requirements we came up with for the
>> Echoplex pedal:
>>
>> - The pedal should not use a proprietary cable. Cables will go bad.
>> We've all experienced it. If you can't replace the cable at the
>> last minute because it is some proprietary special-order thing, you
>> are screwed. So, the pedal must use a cable anybody can get easily,
>> or preferably something they likely have anyway.
>>
>> - The cable must not be fixed to the unit. Since we don't know how
>> big your stage is, we want to let you choose how long of a cable
>> you need. We also want you to be able to replace it easily if the
>> cable dies. Especially for transporting gear, attached cables get
>> bent in strange ways and suffer tremendous strain. It will be
>> better if it is easily detached.
>>
>> - There should only be one cable between pedal and rack. More
>> cables means more points of failure. More cost to the user. More
>> crap cluttering up the stage. More connections to be made while
>> setting up before the gig. More things to connect the wrong way by
>> mistake. More jacks to fail. One cable must be enough for the
>> Echoplex pedal.
>>
>> - The pedal should not require power. Power supplies fail often,
>> especially power supplies out on stage where they deal with beer,
>> power surges, booted stage divers and etc., and therefore anything
>> requiring a power supply is less reliable than a passive device. A
>> power supply requirement also adds to the inconvenience. This
>> requires power brought out to the stage, and an additional cable
>> connection be made to the pedal.
>>
>> - The pedal must be very simple in design, so it is easy to repair
>> on the road. Anything on the floor of a stage will get broken
>> eventually, so assume field repairable is essential. This pedal
>> will be getting stomped on, kicked around, getting beer spilled on
>> it, getting rained on, sitting in the hot sun in the summer,
>> freezing in the winter, etc. No matter what you do it will break
>> for somebody. It should be easy for the user to open the pedal up
>> and fix it.
>>
>> - It should be easy for people to make custom controllers. Most
>> people probably want a pedal, but not all. Some want to make their
>> own custom pedal. We have no idea what the others may want. It
>> should be easy for those who want something different to create
>> their own controller without much engineering knowledge or other
>> sophistication. The pedal design should be very simple for this to
>> be possible.
>>
>> - The pedal design must be very inexpensive to produce. People are
>> spending their money on the EDP, the foot controller should not be
>> a huge extra expense. The target manufacturing cost for parts,
>> fabrication, assembly, packaging, etc. should be less than $20.
>>
>> - The switches themselves must a) be quiet when pressed,  b) have
>> reasonably low force required for activation,  c) have a reasonably
>> short throw length,  d) have a good tactile feel. This is so the
>> musician can easily feel the connection point for tapping loop
>> functions, which a generally very rhythmic and demand precision.
>>
>> In our opinion, these design goals were very friendly towards
>> musicians, at least according to our real-world experience as
>> musicians.
>>
>> So my challenge to you Adrian, is what would you design to meet
>> these requirements? You think our design sucks, so I would very
>> much like to hear your better idea. Perhaps you are a brilliant
>> engineer, and we can all learn from you!
>>
>> Now, given the design goals above, allow me to tell you how we
>> chose to meet them when we designed the Echoplex Digital Pro. Our
>> Echoplex pedal design used 7 resistors, 7 switches, one mono 1/4"
>> patch cable (just like you would use for a guitar, or even a
>> speaker cable), one cable jack, steel chassis, and no external
>> power. This means:
>> - Very few components, so there is little there to break.
>> - It is really easy to figure out how the pedal works if you open
>> it, so most anybody can figure out how to repair it quickly if
>> there is a problem.
>> - We published the resistor values in the manual, so anybody could
>> make their own controller if they wished. It's really easy to do.
>> - The switches are common momentary switches, and there are
>> numerous options for those if you want to use something different
>> from what we used. However we did spend a lot of time trying
>> switches, and we did not find anything that met our goals for
>> remotely close to the cost of the ones we used.
>>
>> We created the pedal itself to be a very simple design to ensure
>> reliability, while all the smarts are in the rack unit. Simple
>> stuff has less ways to break. The pedal simply sets a voltage, and
>> the rack unit reads the voltage with an a/d convertor to interpret
>> the function. Contrary to recent claims here on the LD list, the
>> switch is debounced twice. First it is debounced in the rack with a
>> capacitor before the a/d convertor , and then debounced again in
>> software, where the value is checked multiple times to ensure it is
>> correctly read. There is a wide tolerance given to the voltage
>> range for each function, so even if things are off a bit, it should
>> still work.
>>
>> I thought our design was rather clever, and I was always proud that
>> we managed to get 7 buttons of control communicated through just a
>> simple patch cord. But I'm now looking forward to Adrian educating
>> me on better ideas.
>>
>> Our Echoplex design has been working pretty well since 1994. Many
>> pedals have been working that long without problems (including
>> mine). The design itself generally does not fail. Usually the only
>> problems seen are with switches failing in various ways. (like
>> getting dirty.)  A failing switch is a failing switch. Any pedal
>> will have a problem if the switches fail, so that is not a problem
>> unique to the Echoplex.
>>
>> And that brings up an interesting point. If you are into looping,
>> you will be tapping buttons and switches a lot. Probably much more
>> than on any other device you use. Switches wear out when used
>> frequently. (you may not be used to this.) They get dirty. They
>> break. They become intermittent. You need to start thinking about
>> switches similar to the way guitarists think about strings, or DJ's
>> think about crossfaders, or saxophonists think about reeds, or
>> drummers think about drum heads, or like the oil in your car.
>> Looper switches are commodities that wear out and need regular
>> replacement and/or care. It has nothing to do with it being an
>> Echoplex pedal or a boss or a digitech or whatever. If you are
>> stepping on it a lot, the switch will wear out. Be prepared or be
>> sorry.
>>
>> And I can guarantee you - you know those switches on your FCB1010?
>> If you use it for looping, their gonna break also. It's just a
>> matter of time. Do you know how to fix them?
>>
>> Now, let's talk about reliability. What is more reliable, the
>> Echoplex pedal, or a midi pedal like the Behringer FCB1010? How do
>> you determine that objectively?
>>
>> Reliability is an engineering science. It is not a guessing game.
>> It is also not my engineering specialty, but I work with
>> reliability engineers who are very good. I don't know exactly how
>> they do their reliability calculations, but I do know what
>> information I need to specify to them, and what results they
>> provide back. (another reason why I think it is funny when people
>> think laptops are a good thing to bring on stage, but that is
>> another topic.) Here are some parameters that go into a reliability
>> calculation:
>>
>> - how many components are used
>> - what is the individual reliability of each component in the usage  
>> conditions
>> - how many component pins are connected
>> - how many electrical connection points (solder joints, connectors,
>> sockets, etc.)
>> - what sort of shock and vibration will it experience
>> - Is the device powered
>> - If it is powered, what voltages and voltage tolerances are used
>> (and how do they affect individual device reliability
>> characteristics, as each device will be different depending on its
>> own manufacturing process.)
>> - if powered, What are the temperature ranges where it operates
>> - what are humidity ranges where it operates
>>
>> All these factors go into calculating the MTBF (mean time before
>> failure). Half the units made will fail before that time, and half
>> after, with some statistical distribution. (I think it is gaussian,
>> but I'm not sure.)
>>
>> Now, considering all that, any midi pedal (including the Behringer
>> FCB) will have far more parts, far more device pins, far more
>> connection points, will be powered, will have more external
>> connections, will be more affected by temperature, more affected by
>> humidity, etc., than the overwhelmingly simple Echoplex pedal.
>>
>> In other words, if you really do a serious reliability analysis, a
>> midi pedal will always prove to be less reliable than the Echoplex
>> pedal, and probably it is the least reliable device you are using.
>>
>> On the other hand, if you do use a good midi controller pedal with
>> the Echoplex, you will have far more flexibility and access to
>> commands than you do with the pedal or the Echoplex front panel
>> (assuming you are using LoopIV in your Echoplex, LoopIII wasn't so
>> interesting for midi). A good midi pedal is far more useful with
>> the Echoplex, and that may be an excellent reason to choose the
>> midi pedal option!
>>
>> It is great to have choices,
>> kim
>>
>>
>> ______________________________________________________________________
>> Kim Flint                     | Looper's Delight
>> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
> --  
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see? this is what im talking about.


being a technically minded guy, joe was able to get the best out of
his foot controller. (congrats joe).

could u imaging the ordinary joe (pun intended:-)  ) MEASURING
RESISTORS(read: having a probe tester and not worried about not
knowing the color coding) to REPLACE (read: desolder and resolder)
them?


nope.

that thing wouldve been in the trash. instantly.


this reminds me of my epson C80 printer. if u KNOW about print heads
and how to clean them with alcohol and stuff, ur epson budget printer
would last u a long time. just go online and read the hatemail about
them.


but HP knows how to avoid printing "lines" WITHOUT needing the owners
to be comfortable with printing machines' insides.


...is all im sayin.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 10:28 AM, joe rut wrote:


<excerpt>For the record, I love the foot controller.  I bought mine
used 5 years ago and replaced the switches just as a matter ot course. 
I also measured all the 

resistors and replaced one that had drifted pretty far off value.  Not
a single problem (knock on wood) since then with fairly constant
gigging and 

rehearsing, including five trips to burning man where *everything* one
owns gets permeated with corrosive alkali dust.  Upon returning home,
I blow the 

switches out with compressed air and spray in some contact cleaner. 
No problems.  I'm actually amazed at robustness off the design.  I
bought a bunch of 

replacemnet switches just so I'd have them on hand, and they are still
just sitting in a drawer 5 years later.


Joe Rut

----- Original Message -----

From: "Kim Flint" <<kflint@loopers-delight.com>

To: Loopers-Delight@loopers-delight.com

Subject: Re: EDP Footpedal vs. FCB1010 ? ?

Date: Tue, 13 Sep 2005 01:45:56 -0700


<excerpt>

At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:

<excerpt>ITS PERFECT. go with the 1010.

</excerpt>

hmmm, I would say the FCB1010 is ok, but only compared to other 

midi controllers currently available. But that is only because most 

of the others available today are really horrible. Only the 

Rocktron All Access seems better than the Behringer FCB1010, but 

much more expensive.


Compared to some past midi controllers however, the Behringer 

FCB1010 is really weak. The Digitech PMC-10 and the Lake-Butler 

RFC-1 Midigator were really exceptional, full-featured midi pedals, 

and completely blow away anything available today. Both are long 

out of production. They are really hard to find today because 

people really treasure them. If you can find one, get it.


It is really sad that nobody makes something comparable. I wish 

somebody would just copy the old Digitech PMC-10 architecture.


<excerpt>the EDP foot controller response time is good. dont get me
wrong. 

but the reliability is NOT. from what i understand, its not 

voltage controlled, its RESISTANCE controlled. maybe that is the 

problem in the 1st place. others may refute me but i have one and 

it sucks. any contamination of the buttons can set off the 

resistances and ur then screwed...ONSTAGE.

</excerpt>

I've seen you make these accusations about our poor pedal design a 

few times Adrian, so allow me to explain the design goals we sought 

in creating the Echoplex footpedal controller.


First of all, the people involved in the Echoplex design are all 

musicians in addition to engineers. In fact we were all musicians 

before we were engineers. We've used many different pieces of gear 

as musicians. We've dragged our gear around for rehearsals and 

gigs. We've experienced problematic gear over time that irritated 

us or broke on us or couldn't be worked around at the last minute, 

and we sought to do better with the Echoplex. We designed the 

Echoplex pedal to hopefully address many of these problems that we 

had been irritated by in other gear.


So despite what you say, reliability was one of the key design 

goals. (I'll come back to the issue of what "reliability" means a 

bit later.)


First, let's cover the design requirements we came up with for the 

Echoplex pedal:


- The pedal should not use a proprietary cable. Cables will go bad. 

We've all experienced it. If you can't replace the cable at the 

last minute because it is some proprietary special-order thing, you 

are screwed. So, the pedal must use a cable anybody can get easily, 

or preferably something they likely have anyway.


- The cable must not be fixed to the unit. Since we don't know how 

big your stage is, we want to let you choose how long of a cable 

you need. We also want you to be able to replace it easily if the 

cable dies. Especially for transporting gear, attached cables get 

bent in strange ways and suffer tremendous strain. It will be 

better if it is easily detached.


- There should only be one cable between pedal and rack. More 

cables means more points of failure. More cost to the user. More 

crap cluttering up the stage. More connections to be made while 

setting up before the gig. More things to connect the wrong way by 

mistake. More jacks to fail. One cable must be enough for the 

Echoplex pedal.


- The pedal should not require power. Power supplies fail often, 

especially power supplies out on stage where they deal with beer, 

power surges, booted stage divers and etc., and therefore anything 

requiring a power supply is less reliable than a passive device. A 

power supply requirement also adds to the inconvenience. This 

requires power brought out to the stage, and an additional cable 

connection be made to the pedal.


- The pedal must be very simple in design, so it is easy to repair 

on the road. Anything on the floor of a stage will get broken 

eventually, so assume field repairable is essential. This pedal 

will be getting stomped on, kicked around, getting beer spilled on 

it, getting rained on, sitting in the hot sun in the summer, 

freezing in the winter, etc. No matter what you do it will break 

for somebody. It should be easy for the user to open the pedal up 

and fix it.


- It should be easy for people to make custom controllers. Most 

people probably want a pedal, but not all. Some want to make their 

own custom pedal. We have no idea what the others may want. It 

should be easy for those who want something different to create 

their own controller without much engineering knowledge or other 

sophistication. The pedal design should be very simple for this to 

be possible.


- The pedal design must be very inexpensive to produce. People are 

spending their money on the EDP, the foot controller should not be 

a huge extra expense. The target manufacturing cost for parts, 

fabrication, assembly, packaging, etc. should be less than $20.


- The switches themselves must a) be quiet when pressed,  b) have 

reasonably low force required for activation,  c) have a reasonably 

short throw length,  d) have a good tactile feel. This is so the 

musician can easily feel the connection point for tapping loop 

functions, which a generally very rhythmic and demand precision.


In our opinion, these design goals were very friendly towards 

musicians, at least according to our real-world experience as 

musicians.


So my challenge to you Adrian, is what would you design to meet 

these requirements? You think our design sucks, so I would very 

much like to hear your better idea. Perhaps you are a brilliant 

engineer, and we can all learn from you!


Now, given the design goals above, allow me to tell you how we 

chose to meet them when we designed the Echoplex Digital Pro. Our 

Echoplex pedal design used 7 resistors, 7 switches, one mono 1/4" 

patch cable (just like you would use for a guitar, or even a 

speaker cable), one cable jack, steel chassis, and no external 

power. This means:

- Very few components, so there is little there to break.

- It is really easy to figure out how the pedal works if you open 

it, so most anybody can figure out how to repair it quickly if 

there is a problem.

- We published the resistor values in the manual, so anybody could 

make their own controller if they wished. It's really easy to do.

- The switches are common momentary switches, and there are 

numerous options for those if you want to use something different 

from what we used. However we did spend a lot of time trying 

switches, and we did not find anything that met our goals for 

remotely close to the cost of the ones we used.


We created the pedal itself to be a very simple design to ensure 

reliability, while all the smarts are in the rack unit. Simple 

stuff has less ways to break. The pedal simply sets a voltage, and 

the rack unit reads the voltage with an a/d convertor to interpret 

the function. Contrary to recent claims here on the LD list, the 

switch is debounced twice. First it is debounced in the rack with a 

capacitor before the a/d convertor , and then debounced again in 

software, where the value is checked multiple times to ensure it is 

correctly read. There is a wide tolerance given to the voltage 

range for each function, so even if things are off a bit, it should 

still work.


I thought our design was rather clever, and I was always proud that 

we managed to get 7 buttons of control communicated through just a 

simple patch cord. But I'm now looking forward to Adrian educating 

me on better ideas.


Our Echoplex design has been working pretty well since 1994. Many 

pedals have been working that long without problems (including 

mine). The design itself generally does not fail. Usually the only 

problems seen are with switches failing in various ways. (like 

getting dirty.)  A failing switch is a failing switch. Any pedal 

will have a problem if the switches fail, so that is not a problem 

unique to the Echoplex.


And that brings up an interesting point. If you are into looping, 

you will be tapping buttons and switches a lot. Probably much more 

than on any other device you use. Switches wear out when used 

frequently. (you may not be used to this.) They get dirty. They 

break. They become intermittent. You need to start thinking about 

switches similar to the way guitarists think about strings, or DJ's 

think about crossfaders, or saxophonists think about reeds, or 

drummers think about drum heads, or like the oil in your car. 

Looper switches are commodities that wear out and need regular 

replacement and/or care. It has nothing to do with it being an 

Echoplex pedal or a boss or a digitech or whatever. If you are 

stepping on it a lot, the switch will wear out. Be prepared or be 

sorry.


And I can guarantee you - you know those switches on your FCB1010? 

If you use it for looping, their gonna break also. It's just a 

matter of time. Do you know how to fix them?


Now, let's talk about reliability. What is more reliable, the 

Echoplex pedal, or a midi pedal like the Behringer FCB1010? How do 

you determine that objectively?


Reliability is an engineering science. It is not a guessing game. 

It is also not my engineering specialty, but I work with 

reliability engineers who are very good. I don't know exactly how 

they do their reliability calculations, but I do know what 

information I need to specify to them, and what results they 

provide back. (another reason why I think it is funny when people 

think laptops are a good thing to bring on stage, but that is 

another topic.) Here are some parameters that go into a reliability 

calculation:


- how many components are used

- what is the individual reliability of each component in the usage
conditions

- how many component pins are connected

- how many electrical connection points (solder joints, connectors, 

sockets, etc.)

- what sort of shock and vibration will it experience

- Is the device powered

- If it is powered, what voltages and voltage tolerances are used 

(and how do they affect individual device reliability 

characteristics, as each device will be different depending on its 

own manufacturing process.)

- if powered, What are the temperature ranges where it operates

- what are humidity ranges where it operates


All these factors go into calculating the MTBF (mean time before 

failure). Half the units made will fail before that time, and half 

after, with some statistical distribution. (I think it is gaussian, 

but I'm not sure.)


Now, considering all that, any midi pedal (including the Behringer 

FCB) will have far more parts, far more device pins, far more 

connection points, will be powered, will have more external 

connections, will be more affected by temperature, more affected by 

humidity, etc., than the overwhelmingly simple Echoplex pedal.


In other words, if you really do a serious reliability analysis, a 

midi pedal will always prove to be less reliable than the Echoplex 

pedal, and probably it is the least reliable device you are using.


On the other hand, if you do use a good midi controller pedal with 

the Echoplex, you will have far more flexibility and access to 

commands than you do with the pedal or the Echoplex front panel 

(assuming you are using LoopIV in your Echoplex, LoopIII wasn't so 

interesting for midi). A good midi pedal is far more useful with 

the Echoplex, and that may be an excellent reason to choose the 

midi pedal option!


It is great to have choices,

kim



______________________________________________________________________

Kim Flint                     | Looper's Delight

kflint@loopers-delight.com    | http://www.loopers-delight.com

</excerpt>

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</excerpt>
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Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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construction deconstruction construction decontruction

theres the loop.
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 10:55 AM, Jeff Larson wrote:

> Sony Felberg wrote:
>> Until people learn to care and think as a whole, we'll be dancing in 
>> this circle of constrcution and destruction.
>
> Finally, some looping content in this thread.
>
> Jeff
>

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construction deconstruction construction decontruction


theres the loop.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 10:55 AM, Jeff Larson wrote:


<excerpt>Sony Felberg wrote:

<excerpt>Until people learn to care and think as a whole, we'll be
dancing in this circle of constrcution and destruction.

</excerpt>

Finally, some looping content in this thread.


Jeff


</excerpt>
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>>280S0041/9344
no manufacturer visible.
the JamMan encoders are the same device with a similar number
280S0041/9408<<

same thing, different date code, I'd wager.

this looks like the sort of thing:

http://uk.farnell.com/jsp/endecaSearch/partDetail.jsp?SKU=4436155&N=401

except it's got seven pins..... I'll have a look in my vortex tonight.

while I was looking for this, a bit of serendipity. farnell do a shaft-encoder by ALPS with a push-switch built-in, exactly like the one that's failed in my boss se70. so, hooray.

duncan.


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<TITLE>RE: Re: lexicon boxes encoders</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;280S0041/9344</FONT>
<BR><FONT SIZE=3D2>no manufacturer visible.</FONT>
<BR><FONT SIZE=3D2>the JamMan encoders are the same device with a similar n=
umber</FONT>
<BR><FONT SIZE=3D2>280S0041/9408&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>same thing, different date code, I'd wager.</FONT>
</P>

<P><FONT SIZE=3D2>this looks like the sort of thing:</FONT>
</P>

<P><FONT SIZE=3D2><A HREF=3D"http://uk.farnell.com/jsp/endecaSearch/partDet=
ail.jsp?SKU=3D4436155&N=3D401" TARGET=3D"_blank">http://uk.farnell.com/jsp/=
endecaSearch/partDetail.jsp?SKU=3D4436155&N=3D401</A></FONT>
</P>

<P><FONT SIZE=3D2>except it's got seven pins..... I'll have a look in my vo=
rtex tonight.</FONT>
</P>

<P><FONT SIZE=3D2>while I was looking for this, a bit of serendipity. farne=
ll do a shaft-encoder by ALPS with a push-switch built-in, exactly like the=
 one that's failed in my boss se70. so, hooray.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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contact me off-list if you'd like a dvd of this radiophonics docco.

duncan.


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nor does this message form any part of any contract unless so stated.

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<P><FONT SIZE=2>contact me off-list if you'd like a dvd of this radiophonics docco.</FONT>
</P>

<P><FONT SIZE=2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:22:26 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Yamaha AW16G recorder
Date: Tue, 13 Sep 2005 09:22:27 -0700
Message-ID: <OPEGKDJIMPJBOGCKEPDGAEDECHAA.billwalker@baymoon.com>
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it just so happens that Rolnd has finally come out with a stand alone CD
recorder burner with mic preamps and CFC data storage, I believe its called
the CD1 but I'm not sure.  It ain't cheap but would represent a potable non
compressed recording solution that isn't tied to your DAW. great hanging
with you in Zurich bro, next stop San Antonio.
Bill
  -----Original Message-----
  From: Jhsidlo@aol.com [mailto:Jhsidlo@aol.com]
  Sent: Sunday, September 11, 2005 8:12 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Yamaha AW16G recorder


  Hello everybody,

                  I'm looking for a replacement cd burner for my Yamaha
AW16G hard drive recorder. Supposedly it's proprietary, so you can't just
slap any laptop burner in. Yamaha wants $500 for a new one.
      Any suggestions for a work around? please e-mail me offline concerning
this.


                                                      Thanks, James Sidlo





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<META charset=3DUS-ASCII http-equiv=3DContent-Type=20
content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: =
#ffffff">
<DIV><SPAN class=3D828221916-13092005>it just so happens that Rolnd has =
finally=20
come out with a stand alone CD recorder burner with mic preamps and CFC =
data=20
storage, I believe its called the CD1 but I'm not sure.&nbsp; It ain't =
cheap but=20
would represent a potable non compressed recording solution that isn't =
tied to=20
your DAW. great hanging with you in Zurich bro, next stop San=20
Antonio.</SPAN></DIV>
<DIV><SPAN class=3D828221916-13092005>Bill</SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT=20
  face=3DTahoma>-----Original Message-----<BR><B>From:</B> =
Jhsidlo@aol.com=20
  [mailto:Jhsidlo@aol.com]<BR><B>Sent:</B> Sunday, September 11, 2005 =
8:12=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Yamaha=20
  AW16G recorder<BR><BR></FONT></DIV>
  <DIV>Hello everybody,</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; I'm looking for a replacement cd burner for my =
Yamaha AW16G=20
  hard drive recorder. Supposedly it's proprietary, so you can't just =
slap any=20
  laptop burner in. Yamaha wants $500 for a new one.</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; Any suggestions for a work around? please =
e-mail me=20
  offline concerning this.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Thanks, James Sidlo</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; </DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:24:14 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: EDP Footpedal vs. FCB1010 ? ?
Date: Tue, 13 Sep 2005 11:24:11 -0500
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Date: September 13, 2005 11:22:41 AM CDT
To: Loopers-Delight@loopers-delight.com
Subject: EDP Footpedal vs. FCB1010 ? ?

kim, u sound like i did when i did marketing/advertising.

the client would outline their market target audience and also, like u, 
through statistics, provided by 3rd party companies, i had to pinpoint 
who they were by their race, socio-economic strata, age, sex and 
musical tastes (i also did jingles or commissioned them out).

if the marketing didnt work, what then?

do i challenge the advertiser to enlighten me with a better idea based 
on a sarcastically appointed imaginary marketing degree i suddenly 
hinted that they might have? that wouldve been....bad. jobwise and 
karmawise.
do i blame the public for not "getting it"? tempting, especially after 
all the working hrs, love, sweat, sleepless nights, attention to detail 
and scientific "facts" presented in the project.
sometimes i was stubborn too.

but no.

all we can do is recall the vehicle and try something else based upon 
new information eg. data from questionaires given to random groups 
within the target market in a controlled environment.

because THE CUSTOMER IS ALWAYS RIGHT.

now i do also have quite a lot of engineering experience so i 
completely understand u and ur company's reasoning behind the design of 
the footpedal. i, however, believe that a lot of ur customers would 
prefer, and indeed even pay more, for a product that didnt go bad so 
relatively quickly (WITHOUT SELF SERVICING) even though it could be 
fixed easily. the moment onstage is gone.
try building a powered, midi controller with switches based on 
different technology for more money and see which sells more. designed 
BY gibson. that would be awesome.
im not alone in this. how many of ur beloved EDP users have complained 
about ur footpedal.
come on kim. they're EDP USERS. how many others want it and cant afford 
it. ur users are already in the category of, "im buying it cause its 
the best, not because its cheap".

i dont quite swallow the... faultyness of all switches used on a 
regular basis... theory. we all use many switches in our lives that 
never fail, though some do. i have keyboards that are as good today as 
they ever were. every key on the keyboard is a switch isnt it? what 
about the program buttons. they too are switches. the keys on my 
computers never went bad. laptop or desktop. the lightswitches in my 
house. my gtr pedals, volume sustain for my keyboard. NEVER. i know 
others may have  different experiences but i could safely say that lots 
of folk never had problems with any of these above switches.
reliability is in the hands of the beholder not just in engineering 
calculations.
i will try to clean my edp footpedal switches. thanks for the tip. im 
comfortable with electronics.  but i guarantee u this. no matter HOW 
easy it may be for me ...and u...and others like us, most of ur 
customers will never be comfortable opening up an electronic device. 
they dont want to have to.

___
Adrian Bartholomew
Leawood KS
--Apple-Mail-10-145079457
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<bold><color><param>0000,0000,0000</param>From: </color></bold>Adrian
Bartholomew <<adrian@bartholomusic.com>

<bold><color><param>0000,0000,0000</param>Date:
</color></bold>September 13, 2005 11:22:41 AM CDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>EDP
Footpedal vs. FCB1010 ? ?

</bold>

kim, u sound like i did when i did marketing/advertising.


the client would outline their market target audience and also, like
u, through statistics, provided by 3rd party companies, i had to
pinpoint who they were by their race, socio-economic strata, age, sex
and musical tastes (i also did jingles or commissioned them out).


if the marketing didnt work, what then?


do i challenge the advertiser to enlighten me with a better idea based
on a sarcastically appointed imaginary marketing degree i suddenly
hinted that they might have? that wouldve been....bad. jobwise and
karmawise.

do i blame the public for not "getting it"? tempting, especially after
all the working hrs, love, sweat, sleepless nights, attention to
detail and scientific "facts" presented in the project.

sometimes i was stubborn too.


but no.


all we can do is recall the vehicle and try something else based upon
new information eg. data from questionaires given to random groups
within the target market in a controlled environment.


<bold>because THE CUSTOMER IS ALWAYS RIGHT.</bold>


now i do also have quite a lot of engineering experience so i
completely understand u and ur company's reasoning behind the design
of the footpedal. i, however, believe that a lot of ur customers would
prefer, and indeed even pay more, for a product that didnt go bad so
relatively quickly (WITHOUT SELF SERVICING) even though it could be
fixed easily. the moment onstage is gone.

try building a powered, midi controller with switches based on
different technology for more money and see which sells more. designed
BY gibson. that would be awesome.

im not alone in this. how many of ur beloved EDP users have complained
about ur footpedal.

come on kim. they're EDP USERS. how many others want it and cant
afford it. ur users are already in the category of, "im buying it
cause its the best, not because its cheap".


i dont quite swallow the... faultyness of all switches used on a
regular basis... theory. we all use many switches in our lives that
never fail, though some do. i have keyboards that are as good today as
they ever were. every key on the keyboard is a switch isnt it? what
about the program buttons. they too are switches. the keys on my
computers never went bad. laptop or desktop. the lightswitches in my
house. my gtr pedals, volume sustain for my keyboard. NEVER. i know
others may have  different experiences but i could safely say that
lots of folk never had problems with any of these above switches.

reliability is in the hands of the beholder not just in engineering
calculations.

i will try to clean my edp footpedal switches. thanks for the tip. im
comfortable with electronics.  but i guarantee u this. no matter HOW
easy it may be for me ...and u...and others like us, most of ur
customers will never be comfortable opening up an electronic device.
they dont want to have to.


___<bold><color><param>7977,0402,0907</param>

Adrian Bartholomew

</color></bold>Leawood KS
--Apple-Mail-10-145079457--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:30:43 2005
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Message-ID: <003a01c5b880$7991a540$0207a8c0@eluk1>
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <496c3bb34c39356ee352b8460b8e3bbe@bartholomusic.com> <4326DC45.000053.04020@A7V266E-XP-USER> <4326F675.10701@sun.com> <6a8148557b25e3d7ecdf6d8ae1c774ce@bartholomusic.com>
Subject: Re: Devil's AdvocateRE: Dear  RED STATES
Date: Tue, 13 Sep 2005 17:30:36 +0100
Organization: EarthLight Productions
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Babble, burble, banter, bicker bicker bicker, ballyhoo!  It's only talk.
  ----- Original Message -----=20
  From: Adrian Bartholomew=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, 13 September, 2005 17:20 PM
  Subject: Re: Devil's AdvocateRE: Dear RED STATES


  construction deconstruction construction decontruction

  theres the loop.
  ___
  Adrian Bartholomew
  Leawood KS
  On Sep 13, 2005, at 10:55 AM, Jeff Larson wrote:


    Sony Felberg wrote:

      Until people learn to care and think as a whole, we'll be dancing =
in this circle of constrcution and destruction.


    Finally, some looping content in this thread.

    Jeff


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Babble, burble, banter, bicker bicker bicker, =
ballyhoo!&nbsp;=20
It's only talk.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dadrian@bartholomusic.com=20
  href=3D"mailto:adrian@bartholomusic.com">Adrian Bartholomew</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, 13 September, =
2005 17:20=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Devil's =
AdvocateRE: Dear RED=20
  STATES</DIV>
  <DIV><BR></DIV>construction deconstruction construction=20
  decontruction<BR><BR>theres the=20
  loop.<BR>___<B><?color><?param 7979,0404,0909><BR>Adrian =
Bartholomew<BR><?/color></B>Leawood KS<BR>On Sep 13, 2005, at 10:55 AM, =
Jeff=20
  Larson wrote:<BR><BR>
  <BLOCKQUOTE>Sony Felberg wrote:<BR>
    <BLOCKQUOTE>Until people learn to care and think as a whole, we'll =
be=20
      dancing in this circle of constrcution and=20
    destruction.<BR></BLOCKQUOTE><BR>Finally, some looping content in =
this=20
    thread.<BR><BR>Jeff<BR><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:34:45 2005
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Date: Tue, 13 Sep 2005 09:34:44 -0700
From: Art Simon <simart@gmail.com>
Reply-To: simart@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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	 <4136beccd4e74aaa181edca22df69df5@bartholomusic.com>
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On the other hand, it's hard for me to imagine the "ordinary joe"
programming the
FCB1010!

Kim's explanation of the design of the Echoplex footboard was
fascinating, and I think the team succeeded in it's goals. But all in
all, I'm a lot happier with the FCB1010 for it's flexibility and
expression pedals. Then again, I haven't had a gig in a few years. . .

On 9/13/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> see? this is what im talking about.
>=20
> being a technically minded guy, joe was able to get the best out of his
> foot controller. (congrats joe).
> could u imaging the ordinary joe (pun intended:-)  ) MEASURING
> RESISTORS(read: having a probe tester and not worried about not knowing
> the color coding) to REPLACE (read: desolder and resolder) them?
>=20
> nope.
> that thing wouldve been in the trash. instantly.
>=20
> this reminds me of my epson C80 printer. if u KNOW about print heads
> and how to clean them with alcohol and stuff, ur epson budget printer
> would last u a long time. just go online and read the hatemail about
> them.
>=20
> but HP knows how to avoid printing "lines" WITHOUT needing the owners
> to be comfortable with printing machines' insides.
>=20
> ...is all im sayin.
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 13, 2005, at 10:28 AM, joe rut wrote:
>=20
> > For the record, I love the foot controller.  I bought mine used 5
> > years ago and replaced the switches just as a matter ot course.  I
> > also measured all the
> > resistors and replaced one that had drifted pretty far off value.  Not
> > a single problem (knock on wood) since then with fairly constant
> > gigging and
> > rehearsing, including five trips to burning man where *everything* one
> > owns gets permeated with corrosive alkali dust.  Upon returning home,
> > I blow the
> > switches out with compressed air and spray in some contact cleaner.
> > No problems.  I'm actually amazed at robustness off the design.  I
> > bought a bunch of
> > replacemnet switches just so I'd have them on hand, and they are still
> > just sitting in a drawer 5 years later.
> >
> > Joe Rut
> > ----- Original Message -----
> > From: "Kim Flint" <kflint@loopers-delight.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: EDP Footpedal vs. FCB1010 ? ?
> > Date: Tue, 13 Sep 2005 01:45:56 -0700
> >
> >>
> >> At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
> >>> ITS PERFECT. go with the 1010.
> >>
> >> hmmm, I would say the FCB1010 is ok, but only compared to other
> >> midi controllers currently available. But that is only because most
> >> of the others available today are really horrible. Only the
> >> Rocktron All Access seems better than the Behringer FCB1010, but
> >> much more expensive.
> >>
> >> Compared to some past midi controllers however, the Behringer
> >> FCB1010 is really weak. The Digitech PMC-10 and the Lake-Butler
> >> RFC-1 Midigator were really exceptional, full-featured midi pedals,
> >> and completely blow away anything available today. Both are long
> >> out of production. They are really hard to find today because
> >> people really treasure them. If you can find one, get it.
> >>
> >> It is really sad that nobody makes something comparable. I wish
> >> somebody would just copy the old Digitech PMC-10 architecture.
> >>
> >>> the EDP foot controller response time is good. dont get me wrong.
> >>> but the reliability is NOT. from what i understand, its not
> >>> voltage controlled, its RESISTANCE controlled. maybe that is the
> >>> problem in the 1st place. others may refute me but i have one and
> >>> it sucks. any contamination of the buttons can set off the
> >>> resistances and ur then screwed...ONSTAGE.
> >>
> >> I've seen you make these accusations about our poor pedal design a
> >> few times Adrian, so allow me to explain the design goals we sought
> >> in creating the Echoplex footpedal controller.
> >>
> >> First of all, the people involved in the Echoplex design are all
> >> musicians in addition to engineers. In fact we were all musicians
> >> before we were engineers. We've used many different pieces of gear
> >> as musicians. We've dragged our gear around for rehearsals and
> >> gigs. We've experienced problematic gear over time that irritated
> >> us or broke on us or couldn't be worked around at the last minute,
> >> and we sought to do better with the Echoplex. We designed the
> >> Echoplex pedal to hopefully address many of these problems that we
> >> had been irritated by in other gear.
> >>
> >> So despite what you say, reliability was one of the key design
> >> goals. (I'll come back to the issue of what "reliability" means a
> >> bit later.)
> >>
> >> First, let's cover the design requirements we came up with for the
> >> Echoplex pedal:
> >>
> >> - The pedal should not use a proprietary cable. Cables will go bad.
> >> We've all experienced it. If you can't replace the cable at the
> >> last minute because it is some proprietary special-order thing, you
> >> are screwed. So, the pedal must use a cable anybody can get easily,
> >> or preferably something they likely have anyway.
> >>
> >> - The cable must not be fixed to the unit. Since we don't know how
> >> big your stage is, we want to let you choose how long of a cable
> >> you need. We also want you to be able to replace it easily if the
> >> cable dies. Especially for transporting gear, attached cables get
> >> bent in strange ways and suffer tremendous strain. It will be
> >> better if it is easily detached.
> >>
> >> - There should only be one cable between pedal and rack. More
> >> cables means more points of failure. More cost to the user. More
> >> crap cluttering up the stage. More connections to be made while
> >> setting up before the gig. More things to connect the wrong way by
> >> mistake. More jacks to fail. One cable must be enough for the
> >> Echoplex pedal.
> >>
> >> - The pedal should not require power. Power supplies fail often,
> >> especially power supplies out on stage where they deal with beer,
> >> power surges, booted stage divers and etc., and therefore anything
> >> requiring a power supply is less reliable than a passive device. A
> >> power supply requirement also adds to the inconvenience. This
> >> requires power brought out to the stage, and an additional cable
> >> connection be made to the pedal.
> >>
> >> - The pedal must be very simple in design, so it is easy to repair
> >> on the road. Anything on the floor of a stage will get broken
> >> eventually, so assume field repairable is essential. This pedal
> >> will be getting stomped on, kicked around, getting beer spilled on
> >> it, getting rained on, sitting in the hot sun in the summer,
> >> freezing in the winter, etc. No matter what you do it will break
> >> for somebody. It should be easy for the user to open the pedal up
> >> and fix it.
> >>
> >> - It should be easy for people to make custom controllers. Most
> >> people probably want a pedal, but not all. Some want to make their
> >> own custom pedal. We have no idea what the others may want. It
> >> should be easy for those who want something different to create
> >> their own controller without much engineering knowledge or other
> >> sophistication. The pedal design should be very simple for this to
> >> be possible.
> >>
> >> - The pedal design must be very inexpensive to produce. People are
> >> spending their money on the EDP, the foot controller should not be
> >> a huge extra expense. The target manufacturing cost for parts,
> >> fabrication, assembly, packaging, etc. should be less than $20.
> >>
> >> - The switches themselves must a) be quiet when pressed,  b) have
> >> reasonably low force required for activation,  c) have a reasonably
> >> short throw length,  d) have a good tactile feel. This is so the
> >> musician can easily feel the connection point for tapping loop
> >> functions, which a generally very rhythmic and demand precision.
> >>
> >> In our opinion, these design goals were very friendly towards
> >> musicians, at least according to our real-world experience as
> >> musicians.
> >>
> >> So my challenge to you Adrian, is what would you design to meet
> >> these requirements? You think our design sucks, so I would very
> >> much like to hear your better idea. Perhaps you are a brilliant
> >> engineer, and we can all learn from you!
> >>
> >> Now, given the design goals above, allow me to tell you how we
> >> chose to meet them when we designed the Echoplex Digital Pro. Our
> >> Echoplex pedal design used 7 resistors, 7 switches, one mono 1/4"
> >> patch cable (just like you would use for a guitar, or even a
> >> speaker cable), one cable jack, steel chassis, and no external
> >> power. This means:
> >> - Very few components, so there is little there to break.
> >> - It is really easy to figure out how the pedal works if you open
> >> it, so most anybody can figure out how to repair it quickly if
> >> there is a problem.
> >> - We published the resistor values in the manual, so anybody could
> >> make their own controller if they wished. It's really easy to do.
> >> - The switches are common momentary switches, and there are
> >> numerous options for those if you want to use something different
> >> from what we used. However we did spend a lot of time trying
> >> switches, and we did not find anything that met our goals for
> >> remotely close to the cost of the ones we used.
> >>
> >> We created the pedal itself to be a very simple design to ensure
> >> reliability, while all the smarts are in the rack unit. Simple
> >> stuff has less ways to break. The pedal simply sets a voltage, and
> >> the rack unit reads the voltage with an a/d convertor to interpret
> >> the function. Contrary to recent claims here on the LD list, the
> >> switch is debounced twice. First it is debounced in the rack with a
> >> capacitor before the a/d convertor , and then debounced again in
> >> software, where the value is checked multiple times to ensure it is
> >> correctly read. There is a wide tolerance given to the voltage
> >> range for each function, so even if things are off a bit, it should
> >> still work.
> >>
> >> I thought our design was rather clever, and I was always proud that
> >> we managed to get 7 buttons of control communicated through just a
> >> simple patch cord. But I'm now looking forward to Adrian educating
> >> me on better ideas.
> >>
> >> Our Echoplex design has been working pretty well since 1994. Many
> >> pedals have been working that long without problems (including
> >> mine). The design itself generally does not fail. Usually the only
> >> problems seen are with switches failing in various ways. (like
> >> getting dirty.)  A failing switch is a failing switch. Any pedal
> >> will have a problem if the switches fail, so that is not a problem
> >> unique to the Echoplex.
> >>
> >> And that brings up an interesting point. If you are into looping,
> >> you will be tapping buttons and switches a lot. Probably much more
> >> than on any other device you use. Switches wear out when used
> >> frequently. (you may not be used to this.) They get dirty. They
> >> break. They become intermittent. You need to start thinking about
> >> switches similar to the way guitarists think about strings, or DJ's
> >> think about crossfaders, or saxophonists think about reeds, or
> >> drummers think about drum heads, or like the oil in your car.
> >> Looper switches are commodities that wear out and need regular
> >> replacement and/or care. It has nothing to do with it being an
> >> Echoplex pedal or a boss or a digitech or whatever. If you are
> >> stepping on it a lot, the switch will wear out. Be prepared or be
> >> sorry.
> >>
> >> And I can guarantee you - you know those switches on your FCB1010?
> >> If you use it for looping, their gonna break also. It's just a
> >> matter of time. Do you know how to fix them?
> >>
> >> Now, let's talk about reliability. What is more reliable, the
> >> Echoplex pedal, or a midi pedal like the Behringer FCB1010? How do
> >> you determine that objectively?
> >>
> >> Reliability is an engineering science. It is not a guessing game.
> >> It is also not my engineering specialty, but I work with
> >> reliability engineers who are very good. I don't know exactly how
> >> they do their reliability calculations, but I do know what
> >> information I need to specify to them, and what results they
> >> provide back. (another reason why I think it is funny when people
> >> think laptops are a good thing to bring on stage, but that is
> >> another topic.) Here are some parameters that go into a reliability
> >> calculation:
> >>
> >> - how many components are used
> >> - what is the individual reliability of each component in the usage
> >> conditions
> >> - how many component pins are connected
> >> - how many electrical connection points (solder joints, connectors,
> >> sockets, etc.)
> >> - what sort of shock and vibration will it experience
> >> - Is the device powered
> >> - If it is powered, what voltages and voltage tolerances are used
> >> (and how do they affect individual device reliability
> >> characteristics, as each device will be different depending on its
> >> own manufacturing process.)
> >> - if powered, What are the temperature ranges where it operates
> >> - what are humidity ranges where it operates
> >>
> >> All these factors go into calculating the MTBF (mean time before
> >> failure). Half the units made will fail before that time, and half
> >> after, with some statistical distribution. (I think it is gaussian,
> >> but I'm not sure.)
> >>
> >> Now, considering all that, any midi pedal (including the Behringer
> >> FCB) will have far more parts, far more device pins, far more
> >> connection points, will be powered, will have more external
> >> connections, will be more affected by temperature, more affected by
> >> humidity, etc., than the overwhelmingly simple Echoplex pedal.
> >>
> >> In other words, if you really do a serious reliability analysis, a
> >> midi pedal will always prove to be less reliable than the Echoplex
> >> pedal, and probably it is the least reliable device you are using.
> >>
> >> On the other hand, if you do use a good midi controller pedal with
> >> the Echoplex, you will have far more flexibility and access to
> >> commands than you do with the pedal or the Echoplex front panel
> >> (assuming you are using LoopIV in your Echoplex, LoopIII wasn't so
> >> interesting for midi). A good midi pedal is far more useful with
> >> the Echoplex, and that may be an excellent reason to choose the
> >> midi pedal option!
> >>
> >> It is great to have choices,
> >> kim
> >>
> >>
> >> ______________________________________________________________________
> >> Kim Flint                     | Looper's Delight
> >> kflint@loopers-delight.com    | http://www.loopers-delight.com
> >
> > --
> > _______________________________________________
> >
> > Search for businesses by name, location, or phone number.  -Lycos
> > Yellow Pages
> >
> > http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/
> > default.asp?SRC=3Dlycos10
> >
> >
>=20
>=20


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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i just re-read my reply to u.

i really have to say that i commend what u guys have done in getting so 
many criteria INTO the design. cause thats how i feel. u accomplised 
the task. it IS quite simple and easy to fix. i DO love the fact that 
it has no power requirements and all it needs is a 1/4" cable.

i also like midi controllers for the fact that i can chain the midi's 
together from station to station. if they were all edp fc's, id need 
the same length of 1/4" cable each time. i have no prob with the need 
for a ac outlet though other than increasing setup time (well, pull 
down time). this whole looping thing has GREATLY increased that. i have 
a gig tonight and im NOT looking forward to tearing down after it. 
thats the worst part of LIFE. 'specially if im "altered":-)

but yeah, great job on the design. i wish there was some way to make it 
NOT go bad so relatively easily. (i know ur going to chew me out on 
that last sentence).
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 3:45 AM, Kim Flint wrote:

> At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:
>> ITS PERFECT. go with the 1010.
>
> hmmm, I would say the FCB1010 is ok, but only compared to other midi 
> controllers currently available. But that is only because most of the 
> others available today are really horrible. Only the Rocktron All 
> Access seems better than the Behringer FCB1010, but much more 
> expensive.
>
> Compared to some past midi controllers however, the Behringer FCB1010 
> is really weak. The Digitech PMC-10 and the Lake-Butler RFC-1 
> Midigator were really exceptional, full-featured midi pedals, and 
> completely blow away anything available today. Both are long out of 
> production. They are really hard to find today because people really 
> treasure them. If you can find one, get it.
>
> It is really sad that nobody makes something comparable. I wish 
> somebody would just copy the old Digitech PMC-10 architecture.
>
>> the EDP foot controller response time is good. dont get me wrong. but 
>> the reliability is NOT. from what i understand, its not voltage 
>> controlled, its RESISTANCE controlled. maybe that is the problem in 
>> the 1st place. others may refute me but i have one and it sucks. any 
>> contamination of the buttons can set off the resistances and ur then 
>> screwed...ONSTAGE.
>
> I've seen you make these accusations about our poor pedal design a few 
> times Adrian, so allow me to explain the design goals we sought in 
> creating the Echoplex footpedal controller.
>
> First of all, the people involved in the Echoplex design are all 
> musicians in addition to engineers. In fact we were all musicians 
> before we were engineers. We've used many different pieces of gear as 
> musicians. We've dragged our gear around for rehearsals and gigs. 
> We've experienced problematic gear over time that irritated us or 
> broke on us or couldn't be worked around at the last minute, and we 
> sought to do better with the Echoplex. We designed the Echoplex pedal 
> to hopefully address many of these problems that we had been irritated 
> by in other gear.
>
> So despite what you say, reliability was one of the key design goals. 
> (I'll come back to the issue of what "reliability" means a bit later.)
>
> First, let's cover the design requirements we came up with for the 
> Echoplex pedal:
>
> - The pedal should not use a proprietary cable. Cables will go bad. 
> We've all experienced it. If you can't replace the cable at the last 
> minute because it is some proprietary special-order thing, you are 
> screwed. So, the pedal must use a cable anybody can get easily, or 
> preferably something they likely have anyway.
>
> - The cable must not be fixed to the unit. Since we don't know how big 
> your stage is, we want to let you choose how long of a cable you need. 
> We also want you to be able to replace it easily if the cable dies. 
> Especially for transporting gear, attached cables get bent in strange 
> ways and suffer tremendous strain. It will be better if it is easily 
> detached.
>
> - There should only be one cable between pedal and rack. More cables 
> means more points of failure. More cost to the user. More crap 
> cluttering up the stage. More connections to be made while setting up 
> before the gig. More things to connect the wrong way by mistake. More 
> jacks to fail. One cable must be enough for the Echoplex pedal.
>
> - The pedal should not require power. Power supplies fail often, 
> especially power supplies out on stage where they deal with beer, 
> power surges, booted stage divers and etc., and therefore anything 
> requiring a power supply is less reliable than a passive device. A 
> power supply requirement also adds to the inconvenience. This requires 
> power brought out to the stage, and an additional cable connection be 
> made to the pedal.
>
> - The pedal must be very simple in design, so it is easy to repair on 
> the road. Anything on the floor of a stage will get broken eventually, 
> so assume field repairable is essential. This pedal will be getting 
> stomped on, kicked around, getting beer spilled on it, getting rained 
> on, sitting in the hot sun in the summer, freezing in the winter, etc. 
> No matter what you do it will break for somebody. It should be easy 
> for the user to open the pedal up and fix it.
>
> - It should be easy for people to make custom controllers. Most people 
> probably want a pedal, but not all. Some want to make their own custom 
> pedal. We have no idea what the others may want. It should be easy for 
> those who want something different to create their own controller 
> without much engineering knowledge or other sophistication. The pedal 
> design should be very simple for this to be possible.
>
> - The pedal design must be very inexpensive to produce. People are 
> spending their money on the EDP, the foot controller should not be a 
> huge extra expense. The target manufacturing cost for parts, 
> fabrication, assembly, packaging, etc. should be less than $20.
>
> - The switches themselves must a) be quiet when pressed,  b) have 
> reasonably low force required for activation,  c) have a reasonably 
> short throw length,  d) have a good tactile feel. This is so the 
> musician can easily feel the connection point for tapping loop 
> functions, which a generally very rhythmic and demand precision.
>
> In our opinion, these design goals were very friendly towards 
> musicians, at least according to our real-world experience as 
> musicians.
>
> So my challenge to you Adrian, is what would you design to meet these 
> requirements? You think our design sucks, so I would very much like to 
> hear your better idea. Perhaps you are a brilliant engineer, and we 
> can all learn from you!
>
> Now, given the design goals above, allow me to tell you how we chose 
> to meet them when we designed the Echoplex Digital Pro. Our Echoplex 
> pedal design used 7 resistors, 7 switches, one mono 1/4" patch cable 
> (just like you would use for a guitar, or even a speaker cable), one 
> cable jack, steel chassis, and no external power. This means:
> - Very few components, so there is little there to break.
> - It is really easy to figure out how the pedal works if you open it, 
> so most anybody can figure out how to repair it quickly if there is a 
> problem.
> - We published the resistor values in the manual, so anybody could 
> make their own controller if they wished. It's really easy to do.
> - The switches are common momentary switches, and there are numerous 
> options for those if you want to use something different from what we 
> used. However we did spend a lot of time trying switches, and we did 
> not find anything that met our goals for remotely close to the cost of 
> the ones we used.
>
> We created the pedal itself to be a very simple design to ensure 
> reliability, while all the smarts are in the rack unit. Simple stuff 
> has less ways to break. The pedal simply sets a voltage, and the rack 
> unit reads the voltage with an a/d convertor to interpret the 
> function. Contrary to recent claims here on the LD list, the switch is 
> debounced twice. First it is debounced in the rack with a capacitor 
> before the a/d convertor , and then debounced again in software, where 
> the value is checked multiple times to ensure it is correctly read. 
> There is a wide tolerance given to the voltage range for each 
> function, so even if things are off a bit, it should still work.
>
> I thought our design was rather clever, and I was always proud that we 
> managed to get 7 buttons of control communicated through just a simple 
> patch cord. But I'm now looking forward to Adrian educating me on 
> better ideas.
>
> Our Echoplex design has been working pretty well since 1994. Many 
> pedals have been working that long without problems (including mine). 
> The design itself generally does not fail. Usually the only problems 
> seen are with switches failing in various ways. (like getting dirty.)  
> A failing switch is a failing switch. Any pedal will have a problem if 
> the switches fail, so that is not a problem unique to the Echoplex.
>
> And that brings up an interesting point. If you are into looping, you 
> will be tapping buttons and switches a lot. Probably much more than on 
> any other device you use. Switches wear out when used frequently. (you 
> may not be used to this.) They get dirty. They break. They become 
> intermittent. You need to start thinking about switches similar to the 
> way guitarists think about strings, or DJ's think about crossfaders, 
> or saxophonists think about reeds, or drummers think about drum heads, 
> or like the oil in your car. Looper switches are commodities that wear 
> out and need regular replacement and/or care. It has nothing to do 
> with it being an Echoplex pedal or a boss or a digitech or whatever. 
> If you are stepping on it a lot, the switch will wear out. Be prepared 
> or be sorry.
>
> And I can guarantee you - you know those switches on your FCB1010? If 
> you use it for looping, their gonna break also. It's just a matter of 
> time. Do you know how to fix them?
>
> Now, let's talk about reliability. What is more reliable, the Echoplex 
> pedal, or a midi pedal like the Behringer FCB1010? How do you 
> determine that objectively?
>
> Reliability is an engineering science. It is not a guessing game. It 
> is also not my engineering specialty, but I work with reliability 
> engineers who are very good. I don't know exactly how they do their 
> reliability calculations, but I do know what information I need to 
> specify to them, and what results they provide back. (another reason 
> why I think it is funny when people think laptops are a good thing to 
> bring on stage, but that is another topic.) Here are some parameters 
> that go into a reliability calculation:
>
> - how many components are used
> - what is the individual reliability of each component in the usage 
> conditions
> - how many component pins are connected
> - how many electrical connection points (solder joints, connectors, 
> sockets, etc.)
> - what sort of shock and vibration will it experience
> - Is the device powered
> - If it is powered, what voltages and voltage tolerances are used (and 
> how do they affect individual device reliability characteristics, as 
> each device will be different depending on its own manufacturing 
> process.)
> - if powered, What are the temperature ranges where it operates
> - what are humidity ranges where it operates
>
> All these factors go into calculating the MTBF (mean time before 
> failure). Half the units made will fail before that time, and half 
> after, with some statistical distribution. (I think it is gaussian, 
> but I'm not sure.)
>
> Now, considering all that, any midi pedal (including the Behringer 
> FCB) will have far more parts, far more device pins, far more 
> connection points, will be powered, will have more external 
> connections, will be more affected by temperature, more affected by 
> humidity, etc., than the overwhelmingly simple Echoplex pedal.
>
> In other words, if you really do a serious reliability analysis, a 
> midi pedal will always prove to be less reliable than the Echoplex 
> pedal, and probably it is the least reliable device you are using.
>
> On the other hand, if you do use a good midi controller pedal with the 
> Echoplex, you will have far more flexibility and access to commands 
> than you do with the pedal or the Echoplex front panel (assuming you 
> are using LoopIV in your Echoplex, LoopIII wasn't so interesting for 
> midi). A good midi pedal is far more useful with the Echoplex, and 
> that may be an excellent reason to choose the midi pedal option!
>
> It is great to have choices,
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

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	charset=US-ASCII

i just re-read my reply to u.


i really have to say that i commend what u guys have done in getting
so many criteria INTO the design. cause thats how i feel. u
accomplised the task. it IS quite simple and easy to fix. i DO love
the fact that it has no power requirements and all it needs is a 1/4"
cable.


i also like midi controllers for the fact that i can chain the midi's
together from station to station. if they were all edp fc's, id need
the same length of 1/4" cable each time. i have no prob with the need
for a ac outlet though other than increasing setup time (well, pull
down time). this whole looping thing has GREATLY increased that. i
have a gig tonight and im NOT looking forward to tearing down after
it. thats the worst part of LIFE. 'specially if im "altered":-)


but yeah, great job on the design. i wish there was some way to make
it NOT go bad so relatively easily. (i know ur going to chew me out on
that last sentence).

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 3:45 AM, Kim Flint wrote:


<excerpt>At 08:49 AM 9/11/2005, Adrian Bartholomew wrote:

<excerpt>ITS PERFECT. go with the 1010.

</excerpt>

hmmm, I would say the FCB1010 is ok, but only compared to other midi
controllers currently available. But that is only because most of the
others available today are really horrible. Only the Rocktron All
Access seems better than the Behringer FCB1010, but much more
expensive.


Compared to some past midi controllers however, the Behringer FCB1010
is really weak. The Digitech PMC-10 and the Lake-Butler RFC-1
Midigator were really exceptional, full-featured midi pedals, and
completely blow away anything available today. Both are long out of
production. They are really hard to find today because people really
treasure them. If you can find one, get it.


It is really sad that nobody makes something comparable. I wish
somebody would just copy the old Digitech PMC-10 architecture.


<excerpt>the EDP foot controller response time is good. dont get me
wrong. but the reliability is NOT. from what i understand, its not
voltage controlled, its RESISTANCE controlled. maybe that is the
problem in the 1st place. others may refute me but i have one and it
sucks. any contamination of the buttons can set off the resistances
and ur then screwed...ONSTAGE.

</excerpt>

I've seen you make these accusations about our poor pedal design a few
times Adrian, so allow me to explain the design goals we sought in
creating the Echoplex footpedal controller.


First of all, the people involved in the Echoplex design are all
musicians in addition to engineers. In fact we were all musicians
before we were engineers. We've used many different pieces of gear as
musicians. We've dragged our gear around for rehearsals and gigs.
We've experienced problematic gear over time that irritated us or
broke on us or couldn't be worked around at the last minute, and we
sought to do better with the Echoplex. We designed the Echoplex pedal
to hopefully address many of these problems that we had been irritated
by in other gear.


So despite what you say, reliability was one of the key design goals.
(I'll come back to the issue of what "reliability" means a bit later.)


First, let's cover the design requirements we came up with for the
Echoplex pedal:


- The pedal should not use a proprietary cable. Cables will go bad.
We've all experienced it. If you can't replace the cable at the last
minute because it is some proprietary special-order thing, you are
screwed. So, the pedal must use a cable anybody can get easily, or
preferably something they likely have anyway.


- The cable must not be fixed to the unit. Since we don't know how big
your stage is, we want to let you choose how long of a cable you need.
We also want you to be able to replace it easily if the cable dies.
Especially for transporting gear, attached cables get bent in strange
ways and suffer tremendous strain. It will be better if it is easily
detached.


- There should only be one cable between pedal and rack. More cables
means more points of failure. More cost to the user. More crap
cluttering up the stage. More connections to be made while setting up
before the gig. More things to connect the wrong way by mistake. More
jacks to fail. One cable must be enough for the Echoplex pedal.


- The pedal should not require power. Power supplies fail often,
especially power supplies out on stage where they deal with beer,
power surges, booted stage divers and etc., and therefore anything
requiring a power supply is less reliable than a passive device. A
power supply requirement also adds to the inconvenience. This requires
power brought out to the stage, and an additional cable connection be
made to the pedal.


- The pedal must be very simple in design, so it is easy to repair on
the road. Anything on the floor of a stage will get broken eventually,
so assume field repairable is essential. This pedal will be getting
stomped on, kicked around, getting beer spilled on it, getting rained
on, sitting in the hot sun in the summer, freezing in the winter, etc.
No matter what you do it will break for somebody. It should be easy
for the user to open the pedal up and fix it.


- It should be easy for people to make custom controllers. Most people
probably want a pedal, but not all. Some want to make their own custom
pedal. We have no idea what the others may want. It should be easy for
those who want something different to create their own controller
without much engineering knowledge or other sophistication. The pedal
design should be very simple for this to be possible.


- The pedal design must be very inexpensive to produce. People are
spending their money on the EDP, the foot controller should not be a
huge extra expense. The target manufacturing cost for parts,
fabrication, assembly, packaging, etc. should be less than $20.


- The switches themselves must a) be quiet when pressed,  b) have
reasonably low force required for activation,  c) have a reasonably
short throw length,  d) have a good tactile feel. This is so the
musician can easily feel the connection point for tapping loop
functions, which a generally very rhythmic and demand precision.


In our opinion, these design goals were very friendly towards
musicians, at least according to our real-world experience as
musicians.


So my challenge to you Adrian, is what would you design to meet these
requirements? You think our design sucks, so I would very much like to
hear your better idea. Perhaps you are a brilliant engineer, and we
can all learn from you!


Now, given the design goals above, allow me to tell you how we chose
to meet them when we designed the Echoplex Digital Pro. Our Echoplex
pedal design used 7 resistors, 7 switches, one mono 1/4" patch cable
(just like you would use for a guitar, or even a speaker cable), one
cable jack, steel chassis, and no external power. This means:

- Very few components, so there is little there to break.

- It is really easy to figure out how the pedal works if you open it,
so most anybody can figure out how to repair it quickly if there is a
problem.

- We published the resistor values in the manual, so anybody could
make their own controller if they wished. It's really easy to do.

- The switches are common momentary switches, and there are numerous
options for those if you want to use something different from what we
used. However we did spend a lot of time trying switches, and we did
not find anything that met our goals for remotely close to the cost of
the ones we used.


We created the pedal itself to be a very simple design to ensure
reliability, while all the smarts are in the rack unit. Simple stuff
has less ways to break. The pedal simply sets a voltage, and the rack
unit reads the voltage with an a/d convertor to interpret the
function. Contrary to recent claims here on the LD list, the switch is
debounced twice. First it is debounced in the rack with a capacitor
before the a/d convertor , and then debounced again in software, where
the value is checked multiple times to ensure it is correctly read.
There is a wide tolerance given to the voltage range for each
function, so even if things are off a bit, it should still work.


I thought our design was rather clever, and I was always proud that we
managed to get 7 buttons of control communicated through just a simple
patch cord. But I'm now looking forward to Adrian educating me on
better ideas.


Our Echoplex design has been working pretty well since 1994. Many
pedals have been working that long without problems (including mine).
The design itself generally does not fail. Usually the only problems
seen are with switches failing in various ways. (like getting dirty.) 
A failing switch is a failing switch. Any pedal will have a problem if
the switches fail, so that is not a problem unique to the Echoplex.


And that brings up an interesting point. If you are into looping, you
will be tapping buttons and switches a lot. Probably much more than on
any other device you use. Switches wear out when used frequently. (you
may not be used to this.) They get dirty. They break. They become
intermittent. You need to start thinking about switches similar to the
way guitarists think about strings, or DJ's think about crossfaders,
or saxophonists think about reeds, or drummers think about drum heads,
or like the oil in your car. Looper switches are commodities that wear
out and need regular replacement and/or care. It has nothing to do
with it being an Echoplex pedal or a boss or a digitech or whatever.
If you are stepping on it a lot, the switch will wear out. Be prepared
or be sorry.


And I can guarantee you - you know those switches on your FCB1010? If
you use it for looping, their gonna break also. It's just a matter of
time. Do you know how to fix them?


Now, let's talk about reliability. What is more reliable, the Echoplex
pedal, or a midi pedal like the Behringer FCB1010? How do you
determine that objectively?


Reliability is an engineering science. It is not a guessing game. It
is also not my engineering specialty, but I work with reliability
engineers who are very good. I don't know exactly how they do their
reliability calculations, but I do know what information I need to
specify to them, and what results they provide back. (another reason
why I think it is funny when people think laptops are a good thing to
bring on stage, but that is another topic.) Here are some parameters
that go into a reliability calculation:


- how many components are used

- what is the individual reliability of each component in the usage
conditions

- how many component pins are connected

- how many electrical connection points (solder joints, connectors,
sockets, etc.)

- what sort of shock and vibration will it experience

- Is the device powered

- If it is powered, what voltages and voltage tolerances are used (and
how do they affect individual device reliability characteristics, as
each device will be different depending on its own manufacturing
process.)

- if powered, What are the temperature ranges where it operates

- what are humidity ranges where it operates


All these factors go into calculating the MTBF (mean time before
failure). Half the units made will fail before that time, and half
after, with some statistical distribution. (I think it is gaussian,
but I'm not sure.)


Now, considering all that, any midi pedal (including the Behringer
FCB) will have far more parts, far more device pins, far more
connection points, will be powered, will have more external
connections, will be more affected by temperature, more affected by
humidity, etc., than the overwhelmingly simple Echoplex pedal.


In other words, if you really do a serious reliability analysis, a
midi pedal will always prove to be less reliable than the Echoplex
pedal, and probably it is the least reliable device you are using.


On the other hand, if you do use a good midi controller pedal with the
Echoplex, you will have far more flexibility and access to commands
than you do with the pedal or the Echoplex front panel (assuming you
are using LoopIV in your Echoplex, LoopIII wasn't so interesting for
midi). A good midi pedal is far more useful with the Echoplex, and
that may be an excellent reason to choose the midi pedal option!


It is great to have choices,

kim



______________________________________________________________________

Kim Flint                     | Looper's Delight

kflint@loopers-delight.com    | http://www.loopers-delight.com  

</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 16:44:16 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:RE: EDP LOOP4 question: Accessing individual loops directly 
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>Ive been wanting to do this is it possible with the
>FCB1010 although it only sends note on?
>
> > > > When multiple loops have been set up with the
> > MoreLoops parameter,
> > > > you can trigger them directly with MIDI Note
> > messages.


hi Luis,
...and the problem being??

The good news is that your wish is indeed possible,
just set up the correct note numbers and away you go.

My fcb1010 set up for this is:-


top row
6 Overdub
7 Multiply
8 Insert (for reverse)
9 Mute
10 undo

bottom row
1 loop 1
2 loop 2
3 loop 3
4 loop 4
5 loop 5

edp

moreloops=5
switchquant= off
samplestyle = Sta

andy butler 

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Date: Tue, 13 Sep 2005 11:50:04 -0500
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what button do u use for Record?
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 11:24 AM, a k butler wrote:

>
>> Ive been wanting to do this is it possible with the
>> FCB1010 although it only sends note on?
>>
>> > > > When multiple loops have been set up with the
>> > MoreLoops parameter,
>> > > > you can trigger them directly with MIDI Note
>> > messages.
>
>
> hi Luis,
> ...and the problem being??
>
> The good news is that your wish is indeed possible,
> just set up the correct note numbers and away you go.
>
> My fcb1010 set up for this is:-
>
>
> top row
> 6 Overdub
> 7 Multiply
> 8 Insert (for reverse)
> 9 Mute
> 10 undo
>
> bottom row
> 1 loop 1
> 2 loop 2
> 3 loop 3
> 4 loop 4
> 5 loop 5
>
> edp
>
> moreloops=5
> switchquant= off
> samplestyle = Sta
>
> andy butler

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what button do u use for Record?

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 11:24 AM, a k butler wrote:


<excerpt>

<excerpt>Ive been wanting to do this is it possible with the

FCB1010 although it only sends note on?


> > > When multiple loops have been set up with the

> MoreLoops parameter,

> > > you can trigger them directly with MIDI Note

> messages.

</excerpt>


hi Luis,

...and the problem being??


The good news is that your wish is indeed possible,

just set up the correct note numbers and away you go.


My fcb1010 set up for this is:-



top row

6 Overdub

7 Multiply

8 Insert (for reverse)

9 Mute

10 undo


bottom row

1 loop 1

2 loop 2

3 loop 3

4 loop 4

5 loop 5


edp


moreloops=5

switchquant= off

samplestyle = Sta


andy butler 

</excerpt>
--Apple-Mail-13-146632849--

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Subject: Re: Devil's AdvocateRE: Dear  RED STATES
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Funny =0D
 =0D
-------Original Message-------=0D
 =0D
From: Jeff Larson=0D
Date: 09/13/05 08:59:16=0D
To: Sony Felberg=0D
Cc: Loopers-Delight@loopers-delight.com=0D
Subject: Re: Devil's AdvocateRE: Dear RED STATES=0D
 =0D
Sony Felberg wrote:=0D
> Until people learn to care and think as a whole, we'll be=0D
> dancing in this circle of constrcution and destruction.=0D
 =0D
Finally, some looping content in this thread.=0D
 =0D
Jeff
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
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yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>Funny&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Jeffrey.Larson@Sun.COM">Jeff Larson</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 09/13/05 08:=
59:16</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:sony@real.com">Sony Felberg</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Cc:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: Devil=
's AdvocateRE: Dear RED STATES</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Sony Felberg wrote:</DIV>
<DIV>&gt; Until people learn to care and think as a whole, we'll be</DIV>
<DIV>&gt; dancing in this circle of constrcution and destruction.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Finally, some looping content in this thread.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Jeff</DIV></TD></TR>
<TR>
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<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
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<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_KVMR0TB66RO000000000--

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>Well said, Kim.  One thing I'd always wondered though was why more
>features weren't accessible through resistor values not incorporated
>into the footswitch, such as halfspeed, individual loop access,
>separate access to rounded/unrounded multiply/record, etc?  That'd
>allow people access to the deeper features without a MIDI controller.
>

there is a voltage for the Parameter button, but its delicate.
your idea is interesting, but the EDP concept is to keep the number 
of keys low. When we designed it, HalfSpeed was not planned and we 
did not think people would like Reverse so much...

It also would not work the voltages are not linearely spread
through this we can allow you to press a second switch!
try holding Overdub and do Insert, then let Overdub go... all on one 
cable, amazing technology, no? Kims idea, if I remember right.
sad that the switches are not good enough... there are not many ready 
ones that are not noisy. Bigger pedals productions invest in molds to 
create their switches.
dont you think smaller, mainly flater would be nicer?

dont you think the Behringer is too long?
Tom keeps joking that you recognize a looper by this thing sticking 
out of his bag :-)
how about devided in two?


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 18:07:32 2005
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Date: Tue, 13 Sep 2005 11:07:29 -0700
From: Travis Hartnett <travishartnett@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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I agree that the EDP footswitch is a good size and covers a broad
range of the features, particularly when you consider the original
software, but it'd be nice to have the option to build a larger, or
more specialized controller without being so dependent on third-party
MIDI solutions.

As I've frequently said, my number 1 wish for a future EDP is the
ability to "learn" any MIDI input and map that to a function so that
you can use a garden variety MIDI controller, which are dime a dozen,
and bypass the need for a PC based foot controller programming
utility.

TravisH

On 9/13/05, Matthias Grob <matthias@grob.org> wrote:
> >Well said, Kim.  One thing I'd always wondered though was why more
> >features weren't accessible through resistor values not incorporated
> >into the footswitch, such as halfspeed, individual loop access,
> >separate access to rounded/unrounded multiply/record, etc?  That'd
> >allow people access to the deeper features without a MIDI controller.
> >
>=20
> there is a voltage for the Parameter button, but its delicate.
> your idea is interesting, but the EDP concept is to keep the number
> of keys low. When we designed it, HalfSpeed was not planned and we
> did not think people would like Reverse so much...
>=20
> It also would not work the voltages are not linearely spread
> through this we can allow you to press a second switch!
> try holding Overdub and do Insert, then let Overdub go... all on one
> cable, amazing technology, no? Kims idea, if I remember right.
> sad that the switches are not good enough... there are not many ready
> ones that are not noisy. Bigger pedals productions invest in molds to
> create their switches.
> dont you think smaller, mainly flater would be nicer?
>=20
> dont you think the Behringer is too long?
> Tom keeps joking that you recognize a looper by this thing sticking
> out of his bag :-)
> how about devided in two?
>=20
>=20
> --
>=20
>=20
>           ---> http://Matthias.Grob.org
>=20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 18:43:43 2005
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>what button do u use for Record?

buttons 1,2,3,4,5 all record to their respective loops
if that loop is empty.
If there's something recorded already then buttons 1-5
will cause it to play.
A  long press erases the relevant loop.

It would be useful to have a record button,
so I may change the setup.




>>My fcb1010 set up for this is:-
>>
>>
>>top row
>>6 Overdub
>>7 Multiply
>>8 Insert (for reverse)
>>9 Mute
>>10 undo
>>
>>bottom row
>>1 loop 1
>>2 loop 2
>>3 loop 3
>>4 loop 4
>>5 loop 5

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 20:11:27 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: Dear  RED STATES
Date: Tue, 13 Sep 2005 15:11:23 -0500
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hearing the terms "red state", "blue state", "gay marriage", or 
"abortion" makes me want to barf in a bag.

i have a better idea:

why don't we put everyone who used the terms "red state" or "blue 
state" in a cage and let them fight to the death?

then the rest of us can live our lives without this divisive verbage 
weighing us down.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 20:19:29 2005
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Date: Tue, 13 Sep 2005 13:19:26 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: Re: Dear  RED STATES
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I have a better idea. Fry up the 'barf' and eat it! :)

Suit & Tie Guy <erwill@suitandtieguy.com> wrote:hearing the terms "red state", "blue state", "gay marriage", or 
"abortion" makes me want to barf in a bag.

i have a better idea:

why don't we put everyone who used the terms "red state" or "blue 
state" in a cage and let them fight to the death?

then the rest of us can live our lives without this divisive verbage 
weighing us down.
---
Eric Williamson
www.suitandtieguy.com



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
--0-2125422941-1126642766=:76039
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<DIV>I have a better idea. Fry up the 'barf' and eat it! :)<BR><BR><B><I>Suit &amp; Tie Guy &lt;erwill@suitandtieguy.com&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">hearing the terms "red state", "blue state", "gay marriage", or <BR>"abortion" makes me want to barf in a bag.<BR><BR>i have a better idea:<BR><BR>why don't we put everyone who used the terms "red state" or "blue <BR>state" in a cage and let them fight to the death?<BR><BR>then the rest of us can live our lives without this divisive verbage <BR>weighing us down.<BR>---<BR>Eric Williamson<BR>www.suitandtieguy.com<BR><BR></BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-2125422941-1126642766=:76039--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 20:29:39 2005
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Please take this discussion to a related forum (if there is such a =
place).

=20

We=92ve all subscribed to this list because of our common interest in =
LOOPING!

=20

Not politics, not macram=E9, not pan flute (unless you loop it), not =
matt
damon. LOOPING!

=20

  _____ =20

From: Wind Stick Devil [mailto:wklemmer1@yahoo.com]=20
Sent: Tuesday, September 13, 2005 4:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Dear RED STATES

=20

I have a better idea. Fry up the 'barf' and eat it! :)

Suit & Tie Guy <erwill@suitandtieguy.com> wrote:=20

hearing the terms "red state", "blue state", "gay marriage", or=20
"abortion" makes me want to barf in a bag.

i have a better idea:

why don't we put everyone who used the terms "red state" or "blue=20
state" in a cage and let them fight to the death?

then the rest of us can live our lives without this divisive verbage=20
weighing us down.
---
Eric Williamson
www.suitandtieguy.com

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around=20
http://mail.yahoo.com=20


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Please take this discussion to a =
related
forum (if there is such a place).<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>We&#8217;ve all subscribed to this =
list because
of our common interest in LOOPING!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Not politics, not macram=E9, not =
pan flute
(unless you loop it), not matt damon. =
LOOPING!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

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</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Wind =
Stick Devil
[mailto:wklemmer1@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, September =
13, 2005
4:19 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Dear RED =
STATES</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I have a better idea. Fry up the 'barf' and eat it! :)<br>
<br>
<b><i><span style=3D'font-weight:bold;font-style:italic'>Suit &amp; Tie =
Guy
&lt;erwill@suitandtieguy.com&gt;</span></i></b> wrote: =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>hearing the =
terms
&quot;red state&quot;, &quot;blue state&quot;, &quot;gay marriage&quot;, =
or <br>
&quot;abortion&quot; makes me want to barf in a bag.<br>
<br>
i have a better idea:<br>
<br>
why don't we put everyone who used the terms &quot;red state&quot; or
&quot;blue <br>
state&quot; in a cage and let them fight to the death?<br>
<br>
then the rest of us can live our lives without this divisive verbage =
<br>
weighing us down.<br>
---<br>
Eric Williamson<br>
www.suitandtieguy.com<o:p></o:p></span></font></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 20:51:12 2005
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Subject: KLOBUCHAR'$ "EURODISX"
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hey you lucky cats that paid only 150 francs for this amazing cd.....go to the 
address after my name and you will be teleported to my hot new website with 
the SONG TITLES for "EURODISX".....or that's what's supposed to happen!.....m

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 21:49:13 2005
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Date: Tue, 13 Sep 2005 14:49:11 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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This is great news Andy thanx i just wanted to make
sure is possible i havent done it because my fcb1010
is full with programed patches! i did attempt to do
this previously but didn´t work.I was programing both
the repeater and EDP with the same pedal which can
throw you into confusion if u are not careful,with the
fcb1010 for ex. i have to give a different pc #´s for
some of the midi functions which can be a pain in the
ass.its also still buggy so i think i might get a
separate midi pedal for it...
or wait another 10 yrs. for the new software yeah!
cheers
Luis





> > hi Luis,
> > ...and the problem being??
> >
> > The good news is that your wish is indeed
> possible,
> > just set up the correct note numbers and away you
> go.
> >
> > My fcb1010 set up for this is:-
> >
> >
> > top row
> > 6 Overdub
> > 7 Multiply
> > 8 Insert (for reverse)
> > 9 Mute
> > 10 undo
> >
> > bottom row
> > 1 loop 1
> > 2 loop 2
> > 3 loop 3
> > 4 loop 4
> > 5 loop 5
> >
> > edp
> >
> > moreloops=5
> > switchquant= off
> > samplestyle = Sta
> >
> > andy butler
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 21:53:08 2005
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Date: Tue, 13 Sep 2005 17:53:07 -0400 (EDT)
From: Donovan Stokes <dstokes@valdosta.edu>
Subject: Repeater MK ii shipping?
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Hello, 
Anyone know if the new Repeater is actually shipping or available yet? 
I see them advertised at some online sites, but the electrix website 
doesn't indicate any dealers.   Are they shipping, or are they still 
un-released. 
Thanks,

---------------------
Donovan Stokes
www.donovanstokes.com
229.259.0081

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 21:53:18 2005
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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Andy is interesting that you program the most
important functions in the top row,you must do a lot
with more loops triggering,no? but where is your
record button?



> > My fcb1010 set up for this is:-
> >
> >
> > top row
> > 6 Overdub
> > 7 Multiply
> > 8 Insert (for reverse)
> > 9 Mute
> > 10 undo
> >
> > bottom row
> > 1 loop 1
> > 2 loop 2
> > 3 loop 3
> > 4 loop 4
> > 5 loop 5
> >
> > edp
> >
> > moreloops=5
> > switchquant= off
> > samplestyle = Sta
> >
> > andy butler
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 21:54:52 2005
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They haven't shipped yet.

On 9/13/05, Donovan Stokes <dstokes@valdosta.edu> wrote:
> Hello,
> Anyone know if the new Repeater is actually shipping or available yet?
> I see them advertised at some online sites, but the electrix website
> doesn't indicate any dealers.   Are they shipping, or are they still
> un-released.
> Thanks,
>=20
> ---------------------
> Donovan Stokes
> www.donovanstokes.com
> 229.259.0081
>=20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:14:30 2005
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Date: Tue, 13 Sep 2005 15:14:29 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <04e1347795d3ac94aed57e859ed3d04a@bartholomusic.com>
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Don´t feel bad Adrian i am as well guilty for putting
down the EFC-7,i change those switches god knows how
many times and it always made me uneasy onstage,i even
started hating the EDP for it.Since i got rid of it
and got a fcb1010 i love life and the EDP!
The fcb1010 has a learning curve but with patient
anybody can learn it and it will turn your basic EDP
into a loop giant!
And by the time the fcb1010 buttons go bad you´ll be
in a psychatric clinic for EFC-7phobia!
Luis

--- Adrian Bartholomew <adrian@bartholomusic.com>
wrote:

> From: Adrian Bartholomew <adrian@bartholomusic.com>
> Date: September 13, 2005 11:22:41 AM CDT
> To: Loopers-Delight@loopers-delight.com
> Subject: EDP Footpedal vs. FCB1010 ? ?
> 
> kim, u sound like i did when i did
> marketing/advertising.
> 
> the client would outline their market target
> audience and also, like u, 
> through statistics, provided by 3rd party companies,
> i had to pinpoint 
> who they were by their race, socio-economic strata,
> age, sex and 
> musical tastes (i also did jingles or commissioned
> them out).
> 
> if the marketing didnt work, what then?
> 
> do i challenge the advertiser to enlighten me with a
> better idea based 
> on a sarcastically appointed imaginary marketing
> degree i suddenly 
> hinted that they might have? that wouldve
> been....bad. jobwise and 
> karmawise.
> do i blame the public for not "getting it"?
> tempting, especially after 
> all the working hrs, love, sweat, sleepless nights,
> attention to detail 
> and scientific "facts" presented in the project.
> sometimes i was stubborn too.
> 
> but no.
> 
> all we can do is recall the vehicle and try
> something else based upon 
> new information eg. data from questionaires given to
> random groups 
> within the target market in a controlled
> environment.
> 
> because THE CUSTOMER IS ALWAYS RIGHT.
> 
> now i do also have quite a lot of engineering
> experience so i 
> completely understand u and ur company's reasoning
> behind the design of 
> the footpedal. i, however, believe that a lot of ur
> customers would 
> prefer, and indeed even pay more, for a product that
> didnt go bad so 
> relatively quickly (WITHOUT SELF SERVICING) even
> though it could be 
> fixed easily. the moment onstage is gone.
> try building a powered, midi controller with
> switches based on 
> different technology for more money and see which
> sells more. designed 
> BY gibson. that would be awesome.
> im not alone in this. how many of ur beloved EDP
> users have complained 
> about ur footpedal.
> come on kim. they're EDP USERS. how many others want
> it and cant afford 
> it. ur users are already in the category of, "im
> buying it cause its 
> the best, not because its cheap".
> 
> i dont quite swallow the... faultyness of all
> switches used on a 
> regular basis... theory. we all use many switches in
> our lives that 
> never fail, though some do. i have keyboards that
> are as good today as 
> they ever were. every key on the keyboard is a
> switch isnt it? what 
> about the program buttons. they too are switches.
> the keys on my 
> computers never went bad. laptop or desktop. the
> lightswitches in my 
> house. my gtr pedals, volume sustain for my
> keyboard. NEVER. i know 
> others may have  different experiences but i could
> safely say that lots 
> of folk never had problems with any of these above
> switches.
> reliability is in the hands of the beholder not just
> in engineering 
> calculations.
> i will try to clean my edp footpedal switches.
> thanks for the tip. im 
> comfortable with electronics.  but i guarantee u
> this. no matter HOW 
> easy it may be for me ...and u...and others like us,
> most of ur 
> customers will never be comfortable opening up an
> electronic device. 
> they dont want to have to.
> 
> ___
> Adrian Bartholomew
> Leawood KS


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:18:23 2005
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Message-ID: <20050913221823.46704.qmail@web52814.mail.yahoo.com>
Date: Tue, 13 Sep 2005 15:18:22 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <8E7FDE96-9085-4AD5-9163-077B8CE0E25E@boysen.se>
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thanx Per!
Luis

--- Per Boysen <per@boysen.se> wrote:

> On Sep 13, 2005, at 15:08, Luis Angulo wrote:
> >
> > Ive been wanting to do this is it possible with
> the
> > FCB1010 although it only sends note on?
> 
> 
> Yes, note on is enough for the LoopTrig function. I
> have decided to  
> set up 5 EDP loops directly accessible from one row
> of FCB buttons.  
> As Adrian said, the FCB sends a note off when you
> let go of a pedal.  
> Note off is for example used by the EDP function:
> "SUSNextLoop Sustain Action NextLoop" (NoteOn =
> Next, NoteOff =  
> Previous)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
> 
> 
> 
> 
> >
> >>>> When multiple loops have been set up with the
> >>>>
> >> MoreLoops parameter,
> >>
> >>>> you can trigger them directly with MIDI Note
> >>>>
> >> messages. The LoopTrig
> >>
> >>>> parameter defines the base Note for Loop 1. The
> >>>>
> >> consecutive Loops
> >>
> >>>> occupy the notes above that, so Loop 2 is
> >>>>
> >> LoopTrig+1, Loop 3 is
> >>
> >>>> LoopTrig+2, etc.
> >>>>
> >>>> (oops, just saw Andy's post...)
> >>>>
> >>>> Bernhard
> >>>>
> >
> >
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> >
> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:21:14 2005
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Date: Tue, 13 Sep 2005 15:21:13 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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i wonder if it will work having Quant=on then i can
jump between differnt arrangements...?

--- Adrian Bartholomew <adrian@bartholomusic.com>
wrote:

> the 1010 does send note off (or note on 0 vel)
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 13, 2005, at 8:08 AM, Luis Angulo wrote:
> 
> >
> > Ive been wanting to do this is it possible with
> the
> > FCB1010 although it only sends note on?
> >
> >>>> When multiple loops have been set up with the
> >> MoreLoops parameter,
> >>>> you can trigger them directly with MIDI Note
> >> messages. The LoopTrig
> >>>> parameter defines the base Note for Loop 1. The
> >> consecutive Loops
> >>>> occupy the notes above that, so Loop 2 is
> >> LoopTrig+1, Loop 3 is
> >>>> LoopTrig+2, etc.
> >>>>
> >>>> (oops, just saw Andy's post...)
> >>>>
> >>>> Bernhard
> >
> >
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:35:15 2005
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loopers delight:
y'all should put a filter to keep this stuff from posting on the list.

On 9/12/05, Tim Nelson <psychle62@yahoo.com> wrote:
>  > Don't send your unsubscribe message to the list, or
> > people will make fun=20
> > of you and you will feel like a dork.
>=20
> Since many of our lobsters are from international
> waters...
>=20
> N'envoyez pas votre message d'unsubscribe =E0 la liste,
> ou ridicule de volont=E9 de personnes vous et vous vous
> sentirez idiot.
>=20
> Schicken Sie Ihre unsubscribe Anzeige nicht zur Liste,
> sonst Leute l=E4cherlich machen Sie und Sie f=FChlen dumm.
>=20
> Non trasmetta il vostro messaggio del unsubscribe alla
> lista, o il ridicule di volont=E0 della gente voi e
> riterrete insensati.
>=20
> No env=EDe su mensaje del unsubscribe a la lista, o la
> gente le podr=E1 en rid=EDculo y usted se sentir=E1 absurdo.
>=20
> -t-
>=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20
>=20
>=20


--=20

-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
                       Liquid Synthetics              =20
http://audiostreet.net/liquidsynthetics - mp3 downloads
http://garageband.com/artist/liquidsynthetics - general info.
http://www.download.com/liquidsynthetics - mp3 downloads
http://music.mp3lizard.com/liquidsynthetics - mp3 downloads
http://www.myspace.com/liquidsynthetics - blog
http://www.angelfire.com/indie/liquidsynthetics - homepage
http://www.attheforum.com/forums/?mforum=3Dsmile - Discussion Forum
++++++++++++++++++++++++++++++++++

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:42:09 2005
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First we're trying to build a filter to keep people who can't follow
"unsubscribe" instructions off the list.  Once that's done, the "block
OT thread" filter is next on the list.

On 9/13/05, Christopher R. Molaug <cmolaug@gmail.com> wrote:
> loopers delight:
> y'all should put a filter to keep this stuff from posting on the list.
>=20
> On 9/12/05, Tim Nelson <psychle62@yahoo.com> wrote:
> >  > Don't send your unsubscribe message to the list, or
> > > people will make fun
> > > of you and you will feel like a dork.
> >
> > Since many of our lobsters are from international
> > waters...
> >
> > N'envoyez pas votre message d'unsubscribe =E0 la liste,
> > ou ridicule de volont=E9 de personnes vous et vous vous
> > sentirez idiot.
> >
> > Schicken Sie Ihre unsubscribe Anzeige nicht zur Liste,
> > sonst Leute l=E4cherlich machen Sie und Sie f=FChlen dumm.
> >
> > Non trasmetta il vostro messaggio del unsubscribe alla
> > lista, o il ridicule di volont=E0 della gente voi e
> > riterrete insensati.
> >
> > No env=EDe su mensaje del unsubscribe a la lista, o la
> > gente le podr=E1 en rid=EDculo y usted se sentir=E1 absurdo.
> >
> > -t-
> >
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
>=20
>=20
> --
>=20
> -+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
>                        Liquid Synthetics
> http://audiostreet.net/liquidsynthetics - mp3 downloads
> http://garageband.com/artist/liquidsynthetics - general info.
> http://www.download.com/liquidsynthetics - mp3 downloads
> http://music.mp3lizard.com/liquidsynthetics - mp3 downloads
> http://www.myspace.com/liquidsynthetics - blog
> http://www.angelfire.com/indie/liquidsynthetics - homepage
> http://www.attheforum.com/forums/?mforum=3Dsmile - Discussion Forum
> ++++++++++++++++++++++++++++++++++
>=20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 22:56:52 2005
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At 03:35 PM 9/13/2005, Christopher R. Molaug wrote:
>loopers delight:
>y'all should put a filter to keep this stuff from posting on the list.

We do have such a filter. People keep coming up with "innovative" methods 
to get around it. It is remarkable how many ways people can misspell words 
or use screwy html formatting in their emails. it is difficult to predict 
them all.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 13 23:20:44 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: Repeater MK ii shipping?
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On Sep 13, 2005, at 4:54 PM, Travis Hartnett wrote:
> They haven't shipped yet.

has anyone established that they exist yet?

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 00:28:13 2005
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To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: OT: Maxon Phaser?
Date: Tue, 13 Sep 2005 19:25:18 -0500
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I'm looking for a good phaser. I was curious if anyone had any  
recommendations. One that I'm looking closely at is the Maxon PH-350.  
I don't suppose anyone has one lying around they could part with? If  
so, give me a shout.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 01:46:20 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Brioschi and the Zoom 2100 Re: Devil's AdvocateRE: Dear  RED STATES
Date: Tue, 13 Sep 2005 21:49:56 -0400
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------=_NextPart_84815C5ABAF209EF376268C8
Content-type: text/plain; charset=US-ASCII

Hee hee...good Belew reference!
"These are words that begin with a B this time!"
Say, Stephen, help fill a hole in memory, would you? Did I have a nice exchange with you, many moons ago, about the Zoom 2100 and the evils of Scientology, or was it somebody else? Maybe I'm flashing on a bad batch of Brisoschi ;-)
~Tim 


----- Original Message ----- 
From: Stephen Goodman 
To: Loopers-Delight@loopers-delight.com
Sent: 9/13/2005 12:30:43 PM 
Subject: Re: Devil's AdvocateRE: Dear RED STATES


Babble, burble, banter, bicker bicker bicker, ballyhoo!  It's only talk.
----- Original Message ----- 
From: Adrian Bartholomew 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, 13 September, 2005 17:20 PM
Subject: Re: Devil's AdvocateRE: Dear RED STATES


construction deconstruction construction decontruction

theres the loop.
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 10:55 AM, Jeff Larson wrote:


Sony Felberg wrote:

Until people learn to care and think as a whole, we'll be dancing in this circle of constrcution and destruction.


Finally, some looping content in this thread.

Jeff
------=_NextPart_84815C5ABAF209EF376268C8
Content-Type: text/html; charset=US-ASCII

<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV>Hee hee...good Belew reference!</DIV>
<DIV>"These are words that begin with a B this time!"</DIV>
<DIV>Say, Stephen, help fill a hole in memory, would you? Did I have a nice exchange with you, many moons ago, about the Zoom 2100 and the evils of Scientology, or was it somebody else? Maybe I'm flashing on a bad batch of Brisoschi ;-)</DIV>
<DIV>~Tim&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=spgoodman@earthlight.net href="mailto:spgoodman@earthlight.net">Stephen Goodman</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 9/13/2005 12:30:43 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Devil's AdvocateRE: Dear RED STATES</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV><FONT size=2>Babble, burble, banter, bicker bicker bicker, ballyhoo!&nbsp; It's only talk.</FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=adrian@bartholomusic.com href="mailto:adrian@bartholomusic.com">Adrian Bartholomew</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, 13 September, 2005 17:20 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Devil's AdvocateRE: Dear RED STATES</DIV>
<DIV><BR></DIV>construction deconstruction construction decontruction<BR><BR>theres the loop.<BR>___<B><?color><?param 7979,0404,0909><BR>Adrian Bartholomew<BR><?/color></B>Leawood KS<BR>On Sep 13, 2005, at 10:55 AM, Jeff Larson wrote:<BR><BR>
<BLOCKQUOTE>Sony Felberg wrote:<BR>
<BLOCKQUOTE>Until people learn to care and think as a whole, we'll be dancing in this circle of constrcution and destruction.<BR></BLOCKQUOTE><BR>Finally, some looping content in this thread.<BR><BR>Jeff<BR><BR></BLOCKQUOTE></BLOCKQUOTE></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 06:23:44 2005
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 08:23:07 +0200
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Matthias wrote,

> dont you think smaller, mainly flater would be nicer?
> dont you think the Behringer is too long?

definitely. I hate carrying around huge boxes. The Echoplex itself is too
large :-) it should be half as large, or even smaller.
I loved the small self-built midi footpedal you showed us in Zurich, that
size was about ok.

I wonder (not knowing anything about Midi controllers) if it wouldn't be
possible to keep the EDP footpedal (to trigger the basic rec/ovl/mul/ins
functions), and somehow use a second unit (something that I imagine to be
very small, like some tiny keys glued to the guitar) to change between sets
of reprogrammed basic functions - one set would use the regular insert,
another one ins=sus unrounded, another one backwards, etc. ... so, something
like Michael Schiefel's wizard keyboard, but even smaller than that ... not
necessarily have all options on keys available at once, but the option to
change between defined sets of options.


> how about devided in two?

not a bad idea. Now where did I put my chainsaw ...


-Michael
www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 06:47:21 2005
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Subject: Re:Re: EDP LOOP4 question: Accessing individual loops directly 
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>Andy is interesting that you program the most
>important functions in the top row,you must do a lot
>with more loops triggering,no? but where is your
>record button?

Well, that's a special bank just for going between loops very rapidly.
In that case I have the edp set up so I can (for instance) play a 5
note bass line while pressing the buttons along the bottom row,
and end up with each bass note assigned to a different switch.

mostly I use:-
top row
6- Insert
7- Reverse
8- HSp
9- Subst
10 -Mute
bottom row
1- rec
2- overdub
3- mult
4 - Undo
5- Nextloop

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 08:02:05 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 10:02:01 +0200
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> On Sep 14, 2005, at 8:23, Michael Peters wrote:

> I wonder (not knowing anything about Midi controllers) if it  
> wouldn't be
> possible to keep the EDP footpedal (to trigger the basic rec/ovl/ 
> mul/ins
> functions), and somehow use a second unit (something that I imagine  
> to be
> very small, like some tiny keys glued to the guitar) to change  
> between sets
> of reprogrammed basic functions - one set would use the regular  
> insert,
> another one ins=sus unrounded, another one backwards, etc. ...


Yes, I had such a set-up two years ago; combining the EFC-7 with a  
FCB1010. I mostly used the FCB1010 to change programs in the EDP  
(each program set up with different Insert functions, different 8ths/ 
cycle etc etc) but i was using the EFC-7 to play the EDP. Main  
FCB1010 assignment was to control a Repeater and a filter bank. When  
a friend bought an EDP that came without the foot pedal I sold my  
EFC-7 to him and since then I have been on the FCB1010 only (with  
some additional gadgets).

I now have this ultra tiny midi mixer called Faderfox LV1 and I just  
love it! I really want to find something equally small that only  
sends MIDI program send messages. I don't think I could do without  
the FCB1010, but I want something to call up programs so I won't need  
to step between so many FCB banks all the time.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 08:11:30 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 10:11:25 +0200
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>> On Sep 14, 2005, at 8:23, Michael Peters wrote:
>
>>>> I wonder (not knowing anything about Midi controllers) if it  
>>>> wouldn't be
>>>> possible to keep the EDP footpedal (to trigger the basic rec/ovl/ 
>>>> mul/ins
>>>> functions), and somehow use a second unit...  8< 8< 8<.....

Just want to add to my previous post that you might want to get at  
those LOOP4 direct midi functions. I can't see how the FCB-7 can do  
that even by setting up dedicated EDP programs, so you will need  
something that sends MIDI note numbers.

/ per

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 11:52:57 2005
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re:Re: EDP LOOP4 question: Accessing individual loops directly 
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Andy i have the same config good to hear that! but
that is an brilliant idea,build an ostinato bass line
while changing harmonies with the different loops,now
i want to find a little (non synth) effect that will
turn my guitar into a bass,what do u use?


--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> >Andy is interesting that you program the most
> >important functions in the top row,you must do a
> lot
> >with more loops triggering,no? but where is your
> >record button?
> 
> Well, that's a special bank just for going between
> loops very rapidly.
> In that case I have the edp set up so I can (for
> instance) play a 5
> note bass line while pressing the buttons along the
> bottom row,
> and end up with each bass note assigned to a
> different switch.
> 
> mostly I use:-
> top row
> 6- Insert
> 7- Reverse
> 8- HSp
> 9- Subst
> 10 -Mute
> bottom row
> 1- rec
> 2- overdub
> 3- mult
> 4 - Undo
> 5- Nextloop
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 12:29:08 2005
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Subject: Re: Re:Re: EDP LOOP4 question: Accessing individual loops directly 
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Why not use 1/2 speed?

----- Original Message ----- 
From: "Luis Angulo" <labalou2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 14, 2005 1:52 PM
Subject: Re:Re: EDP LOOP4 question: Accessing individual loops directly 


> Andy i have the same config good to hear that! but
> that is an brilliant idea,build an ostinato bass line
> while changing harmonies with the different loops,now
> i want to find a little (non synth) effect that will
> turn my guitar into a bass,what do u use?
> 
> 
> --- a k butler <akbutler@tiscali.co.uk> wrote:
> 
>> 
>> >Andy is interesting that you program the most
>> >important functions in the top row,you must do a
>> lot
>> >with more loops triggering,no? but where is your
>> >record button?
>> 
>> Well, that's a special bank just for going between
>> loops very rapidly.
>> In that case I have the edp set up so I can (for
>> instance) play a 5
>> note bass line while pressing the buttons along the
>> bottom row,
>> and end up with each bass note assigned to a
>> different switch.
>> 
>> mostly I use:-
>> top row
>> 6- Insert
>> 7- Reverse
>> 8- HSp
>> 9- Subst
>> 10 -Mute
>> bottom row
>> 1- rec
>> 2- overdub
>> 3- mult
>> 4 - Undo
>> 5- Nextloop
>> 
>> 
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>

	

	
		
___________________________________________________________________________ 
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Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 12:34:11 2005
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From: David Morton <dmorton@gmail.com>
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Subject: Re: Re: EDP LOOP4 question: Accessing individual loops directly
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On 9/14/05, Luis Angulo <labalou2000@yahoo.com> wrote:

> i want to find a little (non synth) effect that will
> turn my guitar into a bass,what do u use?

Have you looked at the EHX POG? It's VERY good.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 13:19:05 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Wed, 14 Sep 2005 15:19:01 +0200
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On Sep 14, 2005, at 13:52, Luis Angulo wrote:

> i want to find a little (non synth) effect that will
> turn my guitar into a bass,what do u use?

I've heard the POG is one of the best. I was shopping for one but no  
retailers imported them to Sweden after they had been released. So I  
picked up a TC FireworX instead, on a store blow out. It gives a good  
one or two octaves down transpose. But the coolest bass trick IMO is  
to play in EDP's halfspeed and use normal speed to substitute notes  
that will become a great bass sound when going back to half speed.  
Why play music that just sounds like a guy playing music if you can  
do it different?  ;-)

/ per

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 09:28:03 -0500
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aaahhhhh
somebody loves me

yeah the uneasiness freaks me out. last night in 1 song, the mute=20
button doubled up. ie, it cont playing after my big grand final chord=20
gesture. god i hated it. the next time, it fired another function=20
entirely. after that, i didnt use it. i got up, went to my 1010 and=20
used that. inconvenient but sure.
i havent tried cleaning it yet though, as kim advised me.
___
Adrian Bartholomew
Leawood KS
On Sep 13, 2005, at 5:14 PM, Luis Angulo wrote:

> Don=B4t feel bad Adrian i am as well guilty for putting
> down the EFC-7,i change those switches god knows how
> many times and it always made me uneasy onstage,i even
> started hating the EDP for it.Since i got rid of it
> and got a fcb1010 i love life and the EDP!
> The fcb1010 has a learning curve but with patient
> anybody can learn it and it will turn your basic EDP
> into a loop giant!
> And by the time the fcb1010 buttons go bad you=B4ll be
> in a psychatric clinic for EFC-7phobia!
> Luis
>
> --- Adrian Bartholomew <adrian@bartholomusic.com>
> wrote:
>
>> From: Adrian Bartholomew <adrian@bartholomusic.com>
>> Date: September 13, 2005 11:22:41 AM CDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: EDP Footpedal vs. FCB1010 ? ?
>>
>> kim, u sound like i did when i did
>> marketing/advertising.
>>
>> the client would outline their market target
>> audience and also, like u,
>> through statistics, provided by 3rd party companies,
>> i had to pinpoint
>> who they were by their race, socio-economic strata,
>> age, sex and
>> musical tastes (i also did jingles or commissioned
>> them out).
>>
>> if the marketing didnt work, what then?
>>
>> do i challenge the advertiser to enlighten me with a
>> better idea based
>> on a sarcastically appointed imaginary marketing
>> degree i suddenly
>> hinted that they might have? that wouldve
>> been....bad. jobwise and
>> karmawise.
>> do i blame the public for not "getting it"?
>> tempting, especially after
>> all the working hrs, love, sweat, sleepless nights,
>> attention to detail
>> and scientific "facts" presented in the project.
>> sometimes i was stubborn too.
>>
>> but no.
>>
>> all we can do is recall the vehicle and try
>> something else based upon
>> new information eg. data from questionaires given to
>> random groups
>> within the target market in a controlled
>> environment.
>>
>> because THE CUSTOMER IS ALWAYS RIGHT.
>>
>> now i do also have quite a lot of engineering
>> experience so i
>> completely understand u and ur company's reasoning
>> behind the design of
>> the footpedal. i, however, believe that a lot of ur
>> customers would
>> prefer, and indeed even pay more, for a product that
>> didnt go bad so
>> relatively quickly (WITHOUT SELF SERVICING) even
>> though it could be
>> fixed easily. the moment onstage is gone.
>> try building a powered, midi controller with
>> switches based on
>> different technology for more money and see which
>> sells more. designed
>> BY gibson. that would be awesome.
>> im not alone in this. how many of ur beloved EDP
>> users have complained
>> about ur footpedal.
>> come on kim. they're EDP USERS. how many others want
>> it and cant afford
>> it. ur users are already in the category of, "im
>> buying it cause its
>> the best, not because its cheap".
>>
>> i dont quite swallow the... faultyness of all
>> switches used on a
>> regular basis... theory. we all use many switches in
>> our lives that
>> never fail, though some do. i have keyboards that
>> are as good today as
>> they ever were. every key on the keyboard is a
>> switch isnt it? what
>> about the program buttons. they too are switches.
>> the keys on my
>> computers never went bad. laptop or desktop. the
>> lightswitches in my
>> house. my gtr pedals, volume sustain for my
>> keyboard. NEVER. i know
>> others may have  different experiences but i could
>> safely say that lots
>> of folk never had problems with any of these above
>> switches.
>> reliability is in the hands of the beholder not just
>> in engineering
>> calculations.
>> i will try to clean my edp footpedal switches.
>> thanks for the tip. im
>> comfortable with electronics.  but i guarantee u
>> this. no matter HOW
>> easy it may be for me ...and u...and others like us,
>> most of ur
>> customers will never be comfortable opening up an
>> electronic device.
>> they dont want to have to.
>>
>> ___
>> Adrian Bartholomew
>> Leawood KS
>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

--Apple-Mail-1-224512299
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

aaahhhhh

somebody loves me


yeah the uneasiness freaks me out. last night in 1 song, the mute
button doubled up. ie, it cont playing after my big grand final chord
gesture. god i hated it. the next time, it fired another function
entirely. after that, i didnt use it. i got up, went to my 1010 and
used that. inconvenient but sure.

i havent tried cleaning it yet though, as kim advised me.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 13, 2005, at 5:14 PM, Luis Angulo wrote:


<excerpt>Don=B4t feel bad Adrian i am as well guilty for putting

down the EFC-7,i change those switches god knows how

many times and it always made me uneasy onstage,i even

started hating the EDP for it.Since i got rid of it

and got a fcb1010 i love life and the EDP!

The fcb1010 has a learning curve but with patient

anybody can learn it and it will turn your basic EDP

into a loop giant!

And by the time the fcb1010 buttons go bad you=B4ll be

in a psychatric clinic for EFC-7phobia!

Luis


--- Adrian Bartholomew <<adrian@bartholomusic.com>

wrote:


<excerpt>From: Adrian Bartholomew <<adrian@bartholomusic.com>

Date: September 13, 2005 11:22:41 AM CDT

To: Loopers-Delight@loopers-delight.com

Subject: EDP Footpedal vs. FCB1010 ? ?


kim, u sound like i did when i did

marketing/advertising.


the client would outline their market target

audience and also, like u,=20

through statistics, provided by 3rd party companies,

i had to pinpoint=20

who they were by their race, socio-economic strata,

age, sex and=20

musical tastes (i also did jingles or commissioned

them out).


if the marketing didnt work, what then?


do i challenge the advertiser to enlighten me with a

better idea based=20

on a sarcastically appointed imaginary marketing

degree i suddenly=20

hinted that they might have? that wouldve

been....bad. jobwise and=20

karmawise.

do i blame the public for not "getting it"?

tempting, especially after=20

all the working hrs, love, sweat, sleepless nights,

attention to detail=20

and scientific "facts" presented in the project.

sometimes i was stubborn too.


but no.


all we can do is recall the vehicle and try

something else based upon=20

new information eg. data from questionaires given to

random groups=20

within the target market in a controlled

environment.


because THE CUSTOMER IS ALWAYS RIGHT.


now i do also have quite a lot of engineering

experience so i=20

completely understand u and ur company's reasoning

behind the design of=20

the footpedal. i, however, believe that a lot of ur

customers would=20

prefer, and indeed even pay more, for a product that

didnt go bad so=20

relatively quickly (WITHOUT SELF SERVICING) even

though it could be=20

fixed easily. the moment onstage is gone.

try building a powered, midi controller with

switches based on=20

different technology for more money and see which

sells more. designed=20

BY gibson. that would be awesome.

im not alone in this. how many of ur beloved EDP

users have complained=20

about ur footpedal.

come on kim. they're EDP USERS. how many others want

it and cant afford=20

it. ur users are already in the category of, "im

buying it cause its=20

the best, not because its cheap".


i dont quite swallow the... faultyness of all

switches used on a=20

regular basis... theory. we all use many switches in

our lives that=20

never fail, though some do. i have keyboards that

are as good today as=20

they ever were. every key on the keyboard is a

switch isnt it? what=20

about the program buttons. they too are switches.

the keys on my=20

computers never went bad. laptop or desktop. the

lightswitches in my=20

house. my gtr pedals, volume sustain for my

keyboard. NEVER. i know=20

others may have  different experiences but i could

safely say that lots=20

of folk never had problems with any of these above

switches.

reliability is in the hands of the beholder not just

in engineering=20

calculations.

i will try to clean my edp footpedal switches.

thanks for the tip. im=20

comfortable with electronics.  but i guarantee u

this. no matter HOW=20

easy it may be for me ...and u...and others like us,

most of ur=20

customers will never be comfortable opening up an

electronic device.=20

they dont want to have to.


___

Adrian Bartholomew

Leawood KS

</excerpt>


www.luis-angulo.com


__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around=20

http://mail.yahoo.com=20


</excerpt>=

--Apple-Mail-1-224512299--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 14:30:36 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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The cheap Arion phaser makes a good underwater sound ;-)
~Tim


> [Original Message]
> From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/13/2005 8:28:13 PM
> Subject: OT: Maxon Phaser?
>
> I'm looking for a good phaser. I was curious if anyone had any  
> recommendations. One that I'm looking closely at is the Maxon PH-350.  
> I don't suppose anyone has one lying around they could part with? If  
> so, give me a shout.
>
> Jeff


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 14:40:00 2005
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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 16:38:49 +0200
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> Just want to add to my previous post that you might want to get at
> those LOOP4 direct midi functions. I can't see how the FCB-7 can do
> that even by setting up dedicated EDP programs, so you will need
> something that sends MIDI note numbers.

maybe this could also be done using the small external midi controller, an
LV1 or something ... can it?

-michael


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 15:27:07 2005
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From: Guy Joyce <magneticdwarfreptile@yahoo.com>
Subject: Re:Re: EDP LOOP4 question: Accessing individual loops directly
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I find that a Boss OC3 produces a nice fat but 'airy' non-synth bass sound. It's cheaper than a
POG, but doesn't do +Octaves.

>To: Loopers-Delight@loopers-delight.com 
>From: Luis Angulo <labalou2000@yahoo.com> 
>Subject: Re:Re: EDP LOOP4 question: Accessing individual loops directly 
>Date: Wed, 14 Sep 2005 04:52:54 -0700 (PDT) 
>
>--------------------------------------------------------------------------------
>
>Andy i have the same config good to hear that! but
>that is an brilliant idea,build an ostinato bass line
>while changing harmonies with the different loops,now
>i want to find a little (non synth) effect that will
>turn my guitar into a bass,what do u use?







		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:04:24 2005
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Date: Wed, 14 Sep 2005 18:08:52 +0200
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
From: Andreas Willers <a.willers@arcor.de>
To: <Loopers-Delight@loopers-delight.com>
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I am using a Kenton Spin Doctor mid control unit, phantom powered out my EDP
(via the midi cable) in tandem with my miniaturized (reduced size) EDp
footcontroller. Works like a charm (for me).

Andreas

> Von: "Michael Peters" <mp@mpeters.de>
> Antworten an: Loopers-Delight@loopers-delight.com
> Datum: Wed, 14 Sep 2005 16:38:49 +0200
> An: <Loopers-Delight@loopers-delight.com>
> Betreff: RE: EDP Footpedal vs. FCB1010 ? ?
> Neu gesendet von: Loopers-Delight@loopers-delight.com
> Neu gesendet am: Wed, 14 Sep 2005 14:39:59 +0000 (UTC)
> 
>> Just want to add to my previous post that you might want to get at
>> those LOOP4 direct midi functions. I can't see how the FCB-7 can do
>> that even by setting up dedicated EDP programs, so you will need
>> something that sends MIDI note numbers.
> 
> maybe this could also be done using the small external midi controller, an
> LV1 or something ... can it?
> 
> -michael
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:12:00 2005
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I've been watching this dialogue for awhile and find myself wondering if
I should do as I've intended - return the FCB-1010 I bought 3 weeks ago,
for money back.=20

I've had enough experience programming controllers to be undaunted by
the arcane language of the manual. I was unable to use the editing
software I got from the Yahoo FCB-1010 support group (frankly I don't
recall at the moment why it did not work, but no matter for now), but
was able to decipher the manual and get the switches working.  The
problem is the pedals - they don't work at all.

I tried the calibration routine as described in the manual several
times, to no avail. My MIDI interface registers no MIDI signal from
either pedal; it DOES recognize switch operations.

Given the conflicting comments about the reliability of the FCB-1010, I
was considering this evidence that I should stay away from an unreliable
bit of kit... hence the decision to take it back to Guitar Center. I
have a Rocktron MIDIMate and a PC-1600x that provide the same functions,
albeit a bit more awkwardly since only the PC1600x sends note on, and
the buttons and sliders are small.  still, that is working in the
studio. Live is maybe another matter, so i want to be sure it makes
sense to ditch the FCB-1010.

Given what I just described, is it a sure bet that the pedals are DOA,
or is there something about the calibration routine I ought to try one
more time? Is the lack of any MIDI output an indication that the pedals
are DOA?

Any advice on this specific point would be most welcome. General
comments on the pros and cons of the FCB-1010 are readily available, and
I'll keep them in mind of course.

Hal Dean

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<TITLE>RE: EDP Footpedal vs. FCB1010 ? ?</TITLE>
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<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">I've been watching this dialogue for awhile and find myself =
wondering if I should do as I've intended - return the FCB-1010 I bought =
3 weeks ago, for money back. </FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">I've had enough experience programming controllers to be =
undaunted by the arcane language of the manual. I was unable to use the =
editing software I got from the Yahoo FCB-1010 support group (frankly I =
don't recall at the moment why it did not work, but no matter for now), =
but was able to decipher the manual and get the switches working.&nbsp; =
The problem is the pedals - they don't work at all.</FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book Antiqua">I =
tried the calibration routine as described in the manual several times, =
to no avail. My MIDI interface registers no MIDI signal from either =
pedal; it DOES recognize switch operations.</FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">Given the conflicting comments about the reliability of the =
FCB-1010, I was considering this evidence that I should stay away from =
an unreliable bit of kit... hence the decision to take it back to Guitar =
Center. I have a Rocktron MIDIMate and a PC-1600x that provide the same =
functions, albeit a bit more awkwardly since only the PC1600x sends note =
on, and the buttons and sliders are small.&nbsp; still, that is working =
in the studio. Live is maybe another matter, so i want to be sure it =
makes sense to ditch the FCB-1010.</FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">Given what I just described, is it a sure bet that the pedals =
are DOA, or is there something about the calibration routine I ought to =
try one more time? Is the lack of any MIDI output an indication that the =
pedals are DOA?</FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">Any advice on this specific point would be most welcome. =
General comments on the pros and cons of the FCB-1010 are readily =
available, and I'll keep them in mind of course.</FONT></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT COLOR=3D"#0000FF" FACE=3D"Book =
Antiqua">Hal Dean</FONT></SPAN>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:15:03 2005
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To: Loopers-Delight@loopers-delight.com
From: David Coffin <dpcoffin@earthlink.net>
Subject: Selling my EDP Pro Plus; ver IV+Footswitch
Date: Wed, 14 Sep 2005 09:15:00 -0700
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Gotta do it; anybody interested? Blackface; spotless... (pedal is beige)
What=92re these going for these days anyway?
Thanks,
dc=

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:19:21 2005
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From: Travis Hartnett <travishartnett@gmail.com>
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To: Loopers-Delight@loopers-delight.com
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They go for about $250, and I can have the money to you tomorrow.

TH

On 9/14/05, David Coffin <dpcoffin@earthlink.net> wrote:
> Gotta do it; anybody interested? Blackface; spotless... (pedal is beige)
> What're these going for these days anyway?
> Thanks,
> dc
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:34:21 2005
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Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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Dean, Hal wrote:
> I've had enough experience programming controllers to be undaunted by 
> the arcane language of the manual. I was unable to use the editing 
> software I got from the Yahoo FCB-1010 support group (frankly I don't 
> recall at the moment why it did not work, but no matter for now), but 
> was able to decipher the manual and get the switches working.  The 
> problem is the pedals - they don't work at all.

Did you program the pedals as described in section 2.4.5?  From
what I remember calibration isn't enough, you have to explicitly assign
the desired CC numbers.  These assignments are not global, you have to
duplicate them in *every* preset.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:37:23 2005
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Subject: RE: EDP Footpedal vs. FCB1010 ? ?
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I'm pretty sure I did... seems obvious. But I'll check of course, thanks
for the suggestion.

Hal Dean


-----Original Message-----
From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM]=20
Sent: Wednesday, September 14, 2005 12:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?


Dean, Hal wrote:
> I've had enough experience programming controllers to be undaunted by
> the arcane language of the manual. I was unable to use the editing=20
> software I got from the Yahoo FCB-1010 support group (frankly I don't=20
> recall at the moment why it did not work, but no matter for now), but=20
> was able to decipher the manual and get the switches working.  The=20
> problem is the pedals - they don't work at all.

Did you program the pedals as described in section 2.4.5?  From what I
remember calibration isn't enough, you have to explicitly assign the
desired CC numbers.  These assignments are not global, you have to
duplicate them in *every* preset.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:45:46 2005
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Subject: Re: BBC Documentary
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RE: BBC DocumentaryI'd be intersted in getting a copy - any chance?

Gareth
  ----- Original Message -----=20
  From: goddard.duncan@mtvne.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, September 13, 2005 5:22 PM
  Subject: RE: BBC Documentary


  contact me off-list if you'd like a dvd of this radiophonics docco.=20

  duncan.=20



  =
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<HTML><HEAD><TITLE>RE: BBC Documentary</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3DISO-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'd be intersted in getting a copy - =
any=20
chance?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Gareth</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgoddard.duncan@mtvne.com=20
  href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, September 13, =
2005 5:22=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: BBC =
Documentary</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>contact me off-list if you'd like a dvd of this =
radiophonics=20
  docco.</FONT> </P>
  <P><FONT size=3D2>duncan.</FONT> </P><CODE><FONT=20
  =
size=3D3><BR><BR>********************************************************=
*******************<BR>CONFIDENTIALITY=20
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  user<BR>of the e-mail address to which it was addressed, and may =
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<BR>not copy,=20
  forward, disclose or otherwise use it or any part of it<BR>in any form =

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:50:01 2005
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In all seriousness they seem to be going for something north of $800 these =
days.


On 9/14/05, Travis Hartnett <travishartnett@gmail.com> wrote:
> They go for about $250, and I can have the money to you tomorrow.
>=20
> TH
>=20
> On 9/14/05, David Coffin <dpcoffin@earthlink.net> wrote:
> > Gotta do it; anybody interested? Blackface; spotless... (pedal is beige=
)
> > What're these going for these days anyway?
> > Thanks,
> > dc
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:50:27 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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Michael Peters wrote:
>>Just want to add to my previous post that you might want to get at
>>those LOOP4 direct midi functions. I can't see how the FCB-7 can do
>>that even by setting up dedicated EDP programs, so you will need
>>something that sends MIDI note numbers.
> 
> 
> maybe this could also be done using the small external midi controller, an
> LV1 or something ... can it?

If you're willing to use your hands, I like the M-Audio Trigger Finger.

     http://www.m-audio.com/products/en_us/TriggerFinger-main.html

It's about 10 inches square and has a threaded socket underneath
so you can attach it to a stand.  You get 16 touch sensitive pads
that can be used to invoke functions as well as trigger loops
with velocity sensitivity.  There are also 8 rotary controllers
and 4 sliders which you could use for EDP volume and feedback.
It has "banks" so you can access every DirectMIDI function
on the EDP.

Jeff


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:53:02 2005
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>,now
>i want to find a little (non synth) effect that will
>turn my guitar into a bass,what do u use?

I use guitar, and think "bass".
Just using bass type fingerstyle,
or muting slightly with the palm and
plucking with the thumb.
...and only playing the lowest notes on the guitar.


andy butler
www.andybutler.com
"don't just read about it, get the cd and hear for yourself"  :-) 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 16:58:23 2005
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Date: Wed, 14 Sep 2005 09:58:22 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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Per i was checking out the samples you posted of the 
sofware guitar effects and i was impressed with the
pitch shift quality of the fireworx,but i wish i could
affort it;-(i havent been able to find a decent Pitch
shifter pedal,ive heard of the new boss one although i
have yet to try it.
can you give me a link to this POG?
thanx
cheers
Luis




--- Per Boysen <per@boysen.se> wrote:

> On Sep 14, 2005, at 13:52, Luis Angulo wrote:
> 
> > i want to find a little (non synth) effect that
> will
> > turn my guitar into a bass,what do u use?
> 
> I've heard the POG is one of the best. I was
> shopping for one but no  
> retailers imported them to Sweden after they had
> been released. So I  
> picked up a TC FireworX instead, on a store blow
> out. It gives a good  
> one or two octaves down transpose. But the coolest
> bass trick IMO is  
> to play in EDP's halfspeed and use normal speed to
> substitute notes  
> that will become a great bass sound when going back
> to half speed.  
> Why play music that just sounds like a guy playing
> music if you can  
> do it different?  ;-)
> 
> / per
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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POG info:

http://www.ehx.com/ehx2/Default.asp?q=3Df&f=3D%2FCatalog%2F01%5FNew%5FProdu=
cts%2F15%5FThe%5FPog

On 9/14/05, Luis Angulo <labalou2000@yahoo.com> wrote:
> Per i was checking out the samples you posted of the
> sofware guitar effects and i was impressed with the
> pitch shift quality of the fireworx,but i wish i could
> affort it;-(i havent been able to find a decent Pitch
> shifter pedal,ive heard of the new boss one although i
> have yet to try it.
> can you give me a link to this POG?
> thanx
> cheers
> Luis
>=20
>=20
>=20
>=20
> --- Per Boysen <per@boysen.se> wrote:
>=20
> > On Sep 14, 2005, at 13:52, Luis Angulo wrote:
> >
> > > i want to find a little (non synth) effect that
> > will
> > > turn my guitar into a bass,what do u use?
> >
> > I've heard the POG is one of the best. I was
> > shopping for one but no
> > retailers imported them to Sweden after they had
> > been released. So I
> > picked up a TC FireworX instead, on a store blow
> > out. It gives a good
> > one or two octaves down transpose. But the coolest
> > bass trick IMO is
> > to play in EDP's halfspeed and use normal speed to
> > substitute notes
> > that will become a great bass sound when going back
> > to half speed.
> > Why play music that just sounds like a guy playing
> > music if you can
> > do it different?  ;-)
> >
> > / per
> >
> >
>=20
>=20
> www.luis-angulo.com
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>=20
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 17:02:57 2005
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re:Re:Re: EDP LOOP4 question: Accessing individual loops  directly
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Andy, love your new tunes mate,are you into swaping
CDs? I am in Deutschland so it wont take us long!
cheers
Luis

--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> >,now
> >i want to find a little (non synth) effect that
> will
> >turn my guitar into a bass,what do u use?
> 
> I use guitar, and think "bass".
> Just using bass type fingerstyle,
> or muting slightly with the palm and
> plucking with the thumb.
> ...and only playing the lowest notes on the guitar.
> 
> 
> andy butler
> www.andybutler.com
> "don't just read about it, get the cd and hear for
> yourself"  :-) 
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 17:14:16 2005
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Subject: that one guy
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anybody ever checked out "that one guy"at www.thatoneguy.com ?pretty avant weird stuff he gots goin there...
deesayveesoniod(incognito)

		
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<DIV>anybody ever checked out "that one guy"at <U><A href="http://www.thatoneguy.com">www.thatoneguy.com</A></U> ?pretty avant weird stuff he gots goin there...</DIV>
<DIV>deesayveesoniod(incognito)</DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

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On Wed, 14 Sep 2005, daniel stevenson wrote:

> anybody ever checked out "that one guy"at www.thatoneguy.com ?pretty avant weird stuff he gots goin there...

Saw him play about two years ago, he was touring with Drums and Tuba (who 
also used loopers - Line 6 DL4s, if I recall). Great live, CD ok, in my 
opinion. Worth checking out live if he ever comes where you can see him, 
definitely a fun show.

Drums and Tuba (  http://www.drumsandtuba.com/  ) were great live as well, 
and I like their CD _Vinyl Killer_.


best,
Steve B
Phasmatodea    http://www.phasmatodea.net/
Subscape Annex http://www.subscapeannex.com/
Fukadugalon    http://www.fukadugalon.com/
etc.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 17:43:48 2005
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At 03:21 PM 9/13/2005, Luis Angulo wrote:
>i wonder if it will work having Quant=on then i can
>jump between differnt arrangements...?

Luis-

Use the SwitchQuant parameter to quantize switching between loops. There 
are several options for it to jump immediately, at the next cycle point, at 
the loop end, plus the "confirm" modes. The SamplerStyle parameter lets you 
determine if the loop starts at the beginning and keeps going, starts where 
you left it and keeps going, triggers and plays one time, or plays as long 
as you hold the note and stops when you let go. And the Velocity parameter 
lets you have the loops be velocity sensitive, so their volume is set by 
how hard you hit the note. (assuming your controller is velocity sensitive. 
that's usually not the case with midi pedals.) Take a look at the manual 
for more details.

have fun,
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 17:54:27 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 19:54:22 +0200
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On Sep 14, 2005, at 18:09, Dean, Hal wrote:

> I've been watching this dialogue for awhile and find myself  
> wondering if I should do as I've intended - return the FCB-1010 I  
> bought 3 weeks ago, for money back.

Or you could return it for a new one, that is not defect. Exactly the  
problem you describe happened to a friend of mine. He brought his  
FCB  over to my place and we did all kind of trouble shooting,  
comparing it to my excellent FCB. No doubt his two expression pedals  
did not work at all. No MIDI sent. Mine is fine though, I have had it  
for almost four years with no problems except for needing to be  
calibrated now and then.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

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Per- Yes, that is an option I didn't mention but was considering.
Hearing of your friend's experience is oddly heartening. Here is a basic
question - assuming that a CC number has been assigned properly, would
the pedal send MIDI even if not calibrated?=20

Hal L. Dean , AIA, LEED
Project Manager
Facilities Planning
West Chester University
610-436-2519


-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]=20
Sent: Wednesday, September 14, 2005 1:54 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?


On Sep 14, 2005, at 18:09, Dean, Hal wrote:

> I've been watching this dialogue for awhile and find myself
> wondering if I should do as I've intended - return the FCB-1010 I =20
> bought 3 weeks ago, for money back.

Or you could return it for a new one, that is not defect. Exactly the =20
problem you describe happened to a friend of mine. He brought his =20
FCB  over to my place and we did all kind of trouble shooting, =20
comparing it to my excellent FCB. No doubt his two expression pedals =20
did not work at all. No MIDI sent. Mine is fine though, I have had it =20
for almost four years with no problems except for needing to be =20
calibrated now and then.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 17:59:14 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 19:59:11 +0200
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>> Just want to add to my previous post that you might want to get at
>> those LOOP4 direct midi functions. I can't see how the FCB-7 can do
>> that even by setting up dedicated EDP programs, so you will need
>> something that sends MIDI note numbers.
>>
> On Sep 14, 2005, at 16:38, Michael Peters wrote:
> maybe this could also be done using the small external midi  
> controller, an
> LV1 or something ... can it?
>
> -michael


All the Faderfox controllers have pre defined MIDI messages for every  
button/knob/fader. You will have to match the EDP by setting the  
"Source#" offset and MIDI channel. And you will not be able to  
address much EDP functions with all that Faderfox control power ;-)   
But they are great for anything that has a MIDI learn functionality.

http://www.faderfox.de/Faderfox-Homepage_english/faderfox- 
homepage_english.html

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:03:37 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 20:03:33 +0200
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On Sep 14, 2005, at 18:08, Andreas Willers wrote:

> I am using a Kenton Spin Doctor mid control unit, phantom powered  
> out my EDP
> (via the midi cable) in tandem with my miniaturized (reduced size) EDp
> footcontroller. Works like a charm (for me).
>
> Andreas


http://www.kentonuk.com/products/spindoctor.shtml

Wow! The Spin Doctor rocks! What a usable little box!

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:13:22 2005
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Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
Date: Wed, 14 Sep 2005 20:13:17 +0200
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On Sep 14, 2005, at 18:58, Luis Angulo wrote:

>
> can you give me a link to this POG?

http://www.ehx.com/ehx2/Default.asp?q=f&f=%2FCatalog%2F01%5FNew% 
5FProducts%2F15%5FThe%5FPog

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:16:32 2005
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Subject: Re: EDP Footpedal vs. FCB1010 ? ?
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On Sep 14, 2005, at 19:56, Dean, Hal wrote:

> Per- Yes, that is an option I didn't mention but was considering.
> Hearing of your friend's experience is oddly heartening. Here is a  
> basic
> question - assuming that a CC number has been assigned properly, would
> the pedal send MIDI even if not calibrated?


Yes, but not the full spectrum of parameter values. At least mine  
behaved that way - I'm not a tech gear specialist ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:18:09 2005
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> If you're willing to use your hands, I like the M-Audio Trigger Finger.
>
>     http://www.m-audio.com/products/en_us/TriggerFinger-main.html
>

Jeff - WOW!!!  thanks for posting this - I've been out of the loop 
technology wise and this thing looks perfect for drummers.  One question, do 
you think I could hit the pads with drum sticks without breaking it?  Does 
it have reasonable midi features for controlling an EDP or Repeater with the 
16 pads?

Jon 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:24:28 2005
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Subject: RE: EDP Footpedal vs. FCB1010 ? ?
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OK, thanks, that helps with tonight's diagnostic session!

Hal Dean=20

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]=20
Sent: Wednesday, September 14, 2005 2:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?


On Sep 14, 2005, at 19:56, Dean, Hal wrote:

> Per- Yes, that is an option I didn't mention but was considering.=20
> Hearing of your friend's experience is oddly heartening. Here is a
> basic
> question - assuming that a CC number has been assigned properly, would
> the pedal send MIDI even if not calibrated?


Yes, but not the full spectrum of parameter values. At least mine =20
behaved that way - I'm not a tech gear specialist ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:24:32 2005
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Subject: M-Audio Trigger Finger (was  EDP Footpedal vs. FCB1010)
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Well, let's take a look (loop?)
http://www.m-audio.com/index.php?do=support.manuals
Gary

-----Original Message-----
From: jondrums [mailto:jondrums@hotmail.com] 
Sent: Wednesday, September 14, 2005 11:18 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?

> If you're willing to use your hands, I like the M-Audio Trigger Finger.
>
>     http://www.m-audio.com/products/en_us/TriggerFinger-main.html
>

Jeff - WOW!!!  thanks for posting this - I've been out of the loop 
technology wise and this thing looks perfect for drummers.  One question, do

you think I could hit the pads with drum sticks without breaking it?  Does 
it have reasonable midi features for controlling an EDP or Repeater with the

16 pads?

Jon 



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 18:26:22 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
Subject: Re:Re:Re: EDP LOOP4 question: Accessing individual loops directly
Date: Wed, 14 Sep 2005 18:26:19 +0000
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>>,now
>>i want to find a little (non synth) effect that will
>>turn my guitar into a bass,what do u use?


try the Boss OC-3, I got one a month ago and it has exceeded all my 
expectations for its usefullness.

there is a poly mode which tracks mustiple notes (not mono like most) it 
simply dosnt glitch as all and with the blend turned right up will track all 
the way up to the 12th fret. but even better then this with the blend turned 
halfish way you get all the bass notes on the top two strings of the guitar 
up to about the 8th fret plus normal un-octaved  notes for the rest of the 
guitar, this way you can pick out normal guitar bits on the higher strings 
whilst doing the bass line on the bottom two !! and its plenty loud enough, 
something the oc-2 failed in.
seriously, for the money, this IS the bass solution for me.


Phill Wilson (a.k.a. Blackface)

Free Downloads at

www.download.com/therealblackface

_________________________________________________________________
MSN Messenger 7.5 is now out. Download it for FREE here. 
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 14:45:14 -0500
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the same thing happened to me when i 1st got the 1010.
i assume by "pedals", u r talking about the continuous controller=20
pedals on the 1010.
i got no signal at all.
i called them and he emailed me the directions for calibration (which=20
was in the manual i didnt read anyway) and it worked like a charm.
are ur buttons working?
___
Adrian Bartholomew
Leawood KS
On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote:

> I've been watching this dialogue for awhile and find myself wondering=20=

> if I should do as I've intended - return the FCB-1010 I bought 3 weeks=20=

> ago, for money back.
>
>  I've had enough experience programming controllers to be undaunted by=20=

> the arcane language of the manual. I was unable to use the editing=20
> software I got from the Yahoo FCB-1010 support group (frankly I don't=20=

> recall at the moment why it did not work, but no matter for now), but=20=

> was able to decipher the manual and get the switches working.=A0 The=20=

> problem is the pedals - they don't work at all.
>
> I tried the calibration routine as described in the manual several=20
> times, to no avail. My MIDI interface registers no MIDI signal from=20
> either pedal; it DOES recognize switch operations.
>
> Given the conflicting comments about the reliability of the FCB-1010,=20=

> I was considering this evidence that I should stay away from an=20
> unreliable bit of kit... hence the decision to take it back to Guitar=20=

> Center. I have a Rocktron MIDIMate and a PC-1600x that provide the=20
> same functions, albeit a bit more awkwardly since only the PC1600x=20
> sends note on, and the buttons and sliders are small.=A0 still, that =
is=20
> working in the studio. Live is maybe another matter, so i want to be=20=

> sure it makes sense to ditch the FCB-1010.
>
> Given what I just described, is it a sure bet that the pedals are DOA,=20=

> or is there something about the calibration routine I ought to try one=20=

> more time? Is the lack of any MIDI output an indication that the=20
> pedals are DOA?
>
> Any advice on this specific point would be most welcome. General=20
> comments on the pros and cons of the FCB-1010 are readily available,=20=

> and I'll keep them in mind of course.
>
> Hal Dean

--Apple-Mail-1-243543113
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the same thing happened to me when i 1st got the 1010.

i assume by "pedals", u r talking about the continuous controller
pedals on the 1010.

i got no signal at all.

i called them and he emailed me the directions for calibration (which
was in the manual i didnt read anyway) and it worked like a charm.

are ur buttons working?

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote:


<excerpt><color><param>0000,0000,FFFF</param>I've been watching this
dialogue for awhile and find myself wondering if I should do as I've
intended - return the FCB-1010 I bought 3 weeks ago, for money =
back.</color>


<color><param>0000,0000,FFFF</param> I've had enough experience
programming controllers to be undaunted by the arcane language of the
manual. I was unable to use the editing software I got from the Yahoo
FCB-1010 support group (frankly I don't recall at the moment why it
did not work, but no matter for now), but was able to decipher the
manual and get the switches working.=A0 The problem is the pedals - they
don't work at all.</color>


<color><param>0000,0000,FFFF</param>I tried the calibration routine as
described in the manual several times, to no avail. My MIDI interface
registers no MIDI signal from either pedal; it DOES recognize switch
operations.</color>


<color><param>0000,0000,FFFF</param>Given the conflicting comments
about the reliability of the FCB-1010, I was considering this evidence
that I should stay away from an unreliable bit of kit... hence the
decision to take it back to Guitar Center. I have a Rocktron MIDIMate
and a PC-1600x that provide the same functions, albeit a bit more
awkwardly since only the PC1600x sends note on, and the buttons and
sliders are small.=A0 still, that is working in the studio. Live is
maybe another matter, so i want to be sure it makes sense to ditch the
FCB-1010.</color>


<color><param>0000,0000,FFFF</param>Given what I just described, is it
a sure bet that the pedals are DOA, or is there something about the
calibration routine I ought to try one more time? Is the lack of any
MIDI output an indication that the pedals are DOA?</color>


<color><param>0000,0000,FFFF</param>Any advice on this specific point
would be most welcome. General comments on the pros and cons of the
FCB-1010 are readily available, and I'll keep them in mind of =
course.</color>


<color><param>0000,0000,FFFF</param>Hal Dean</color>=20

</excerpt>=

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Selling my EDP Pro Plus; ver IV+Footswitch
Date: Wed, 14 Sep 2005 14:45:39 -0500
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how much?
___
Adrian Bartholomew
Leawood KS
On Sep 14, 2005, at 11:15 AM, David Coffin wrote:

> Gotta do it; anybody interested? Blackface; spotless... (pedal is=20
> beige)
> What=92re these going for these days anyway?
> Thanks,
> dc
>

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how much?

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 14, 2005, at 11:15 AM, David Coffin wrote:


<excerpt>Gotta do it; anybody interested? Blackface; spotless...
(pedal is beige)

What=92re these going for these days anyway?

Thanks,

dc


</excerpt>=

--Apple-Mail-2-243568134--

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Subject: RE: EDP Footpedal vs. FCB1010 ? ?
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Yes, I'm talking about the cc pedals. The buttons work. I think I now
have enough info from everyone to take another shot at this tonight.
Thanks for the reply.
=20
=20
Hal L. Dean , AIA, LEED
Project Manager
Facilities Planning
West Chester University
610-436-2519

	-----Original Message-----
	From: Adrian Bartholomew [mailto:adrian@bartholomusic.com]=20
	Sent: Wednesday, September 14, 2005 3:45 PM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: EDP Footpedal vs. FCB1010 ? ?
=09
=09
	the same thing happened to me when i 1st got the 1010.=20
	i assume by "pedals", u r talking about the continuous
controller pedals on the 1010.=20
	i got no signal at all.=20
	i called them and he emailed me the directions for calibration
(which was in the manual i didnt read anyway) and it worked like a
charm.=20
	are ur buttons working?=20
	___=20
	Adrian Bartholomew=20
	Leawood KS=20
	On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote:=20


		I've been watching this dialogue for awhile and find
myself wondering if I should do as I've intended - return the FCB-1010 I
bought 3 weeks ago, for money back.=20

		I've had enough experience programming controllers to be
undaunted by the arcane language of the manual. I was unable to use the
editing software I got from the Yahoo FCB-1010 support group (frankly I
don't recall at the moment why it did not work, but no matter for now),
but was able to decipher the manual and get the switches working.  The
problem is the pedals - they don't work at all.=20

		I tried the calibration routine as described in the
manual several times, to no avail. My MIDI interface registers no MIDI
signal from either pedal; it DOES recognize switch operations.=20

		Given the conflicting comments about the reliability of
the FCB-1010, I was considering this evidence that I should stay away
from an unreliable bit of kit... hence the decision to take it back to
Guitar Center. I have a Rocktron MIDIMate and a PC-1600x that provide
the same functions, albeit a bit more awkwardly since only the PC1600x
sends note on, and the buttons and sliders are small.  still, that is
working in the studio. Live is maybe another matter, so i want to be
sure it makes sense to ditch the FCB-1010.=20

		Given what I just described, is it a sure bet that the
pedals are DOA, or is there something about the calibration routine I
ought to try one more time? Is the lack of any MIDI output an indication
that the pedals are DOA?=20

		Any advice on this specific point would be most welcome.
General comments on the pros and cons of the FCB-1010 are readily
available, and I'll keep them in mind of course.=20

		Hal Dean=20


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<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D835334419-14092005><FONT face=3D"Book Antiqua" =
color=3D#0000ff>Yes,=20
I'm talking about the cc pedals. The buttons work. I think I now have =
enough=20
info from everyone to take another shot at this tonight. Thanks for the=20
reply.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN class=3D954163418-19102004> L. Dean , AIA,=20
LEED</SPAN></FONT></EM></STRONG></DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4><SPAN =
class=3D954163418-19102004></SPAN></FONT></EM></STRONG><FONT=20
face=3D"Palatino Linotype" size=3D2>Project Manager</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>Facilities=20
Planning</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>West Chester =

University</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" =
size=3D2>610-436-2519</FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Adrian=20
  Bartholomew [mailto:adrian@bartholomusic.com] <BR><B>Sent:</B> =
Wednesday,=20
  September 14, 2005 3:45 PM<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: EDP =
Footpedal vs.=20
  FCB1010 ? ?<BR><BR></FONT></DIV><!-- Converted from text/enriched =
format -->
  <DIV>the same thing happened to me when i 1st got the 1010. </DIV>
  <DIV>i assume by "pedals", u r talking about the continuous controller =
pedals=20
  on the 1010. </DIV>
  <DIV>i got no signal at all. </DIV>
  <DIV>i called them and he emailed me the directions for calibration =
(which was=20
  in the manual i didnt read anyway) and it worked like a charm. </DIV>
  <DIV>are ur buttons working? </DIV>
  <DIV>___<B><FONT color=3D#790409> </DIV>
  <DIV>Adrian Bartholomew </DIV>
  <DIV></FONT></B>Leawood KS </DIV>
  <DIV>On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote: </DIV><BR>
  <BLOCKQUOTE>
    <DIV><FONT color=3D#0000ff>I've been watching this dialogue for =
awhile and=20
    find myself wondering if I should do as I've intended - return the =
FCB-1010=20
    I bought 3 weeks ago, for money back.</FONT> </DIV><BR>
    <DIV><FONT color=3D#0000ff>I've had enough experience programming =
controllers=20
    to be undaunted by the arcane language of the manual. I was unable =
to use=20
    the editing software I got from the Yahoo FCB-1010 support group =
(frankly I=20
    don't recall at the moment why it did not work, but no matter for =
now), but=20
    was able to decipher the manual and get the switches working.&nbsp; =
The=20
    problem is the pedals - they don't work at all.</FONT> </DIV><BR>
    <DIV><FONT color=3D#0000ff>I tried the calibration routine as =
described in the=20
    manual several times, to no avail. My MIDI interface registers no =
MIDI=20
    signal from either pedal; it DOES recognize switch =
operations.</FONT>=20
    </DIV><BR>
    <DIV><FONT color=3D#0000ff>Given the conflicting comments about the=20
    reliability of the FCB-1010, I was considering this evidence that I =
should=20
    stay away from an unreliable bit of kit... hence the decision to =
take it=20
    back to Guitar Center. I have a Rocktron MIDIMate and a PC-1600x =
that=20
    provide the same functions, albeit a bit more awkwardly since only =
the=20
    PC1600x sends note on, and the buttons and sliders are small.&nbsp; =
still,=20
    that is working in the studio. Live is maybe another matter, so i =
want to be=20
    sure it makes sense to ditch the FCB-1010.</FONT> </DIV><BR>
    <DIV><FONT color=3D#0000ff>Given what I just described, is it a sure =
bet that=20
    the pedals are DOA, or is there something about the calibration =
routine I=20
    ought to try one more time? Is the lack of any MIDI output an =
indication=20
    that the pedals are DOA?</FONT> </DIV><BR>
    <DIV><FONT color=3D#0000ff>Any advice on this specific point would =
be most=20
    welcome. General comments on the pros and cons of the FCB-1010 are =
readily=20
    available, and I'll keep them in mind of course.</FONT> </DIV><BR>
    <DIV><FONT color=3D#0000ff>Hal Dean</FONT>=20
</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
=00
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Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Wed, 14 Sep 2005 14:54:23 -0500
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no it wouldnt
___
Adrian Bartholomew
Leawood KS
On Sep 14, 2005, at 12:56 PM, Dean, Hal wrote:

> Per- Yes, that is an option I didn't mention but was considering.
> Hearing of your friend's experience is oddly heartening. Here is a 
> basic
> question - assuming that a CC number has been assigned properly, would
> the pedal send MIDI even if not calibrated?
>
> Hal L. Dean , AIA, LEED
> Project Manager
> Facilities Planning
> West Chester University
> 610-436-2519
>
>
> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Wednesday, September 14, 2005 1:54 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP Footpedal vs. FCB1010 ? ?
>
>
> On Sep 14, 2005, at 18:09, Dean, Hal wrote:
>
>> I've been watching this dialogue for awhile and find myself
>> wondering if I should do as I've intended - return the FCB-1010 I
>> bought 3 weeks ago, for money back.
>
> Or you could return it for a new one, that is not defect. Exactly the
> problem you describe happened to a friend of mine. He brought his
> FCB  over to my place and we did all kind of trouble shooting,
> comparing it to my excellent FCB. No doubt his two expression pedals
> did not work at all. No MIDI sent. Mine is fine though, I have had it
> for almost four years with no problems except for needing to be
> calibrated now and then.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>

--Apple-Mail-4-244092007
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no it wouldnt

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 14, 2005, at 12:56 PM, Dean, Hal wrote:


<excerpt>Per- Yes, that is an option I didn't mention but was
considering.

Hearing of your friend's experience is oddly heartening. Here is a
basic

question - assuming that a CC number has been assigned properly, would

the pedal send MIDI even if not calibrated? 


Hal L. Dean , AIA, LEED

Project Manager

Facilities Planning

West Chester University

610-436-2519



-----Original Message-----

From: Per Boysen [mailto:per@boysen.se] 

Sent: Wednesday, September 14, 2005 1:54 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: EDP Footpedal vs. FCB1010 ? ?



On Sep 14, 2005, at 18:09, Dean, Hal wrote:


<excerpt>I've been watching this dialogue for awhile and find myself

wondering if I should do as I've intended - return the FCB-1010 I  

bought 3 weeks ago, for money back.

</excerpt>

Or you could return it for a new one, that is not defect. Exactly the  

problem you describe happened to a friend of mine. He brought his  

FCB  over to my place and we did all kind of trouble shooting,  

comparing it to my excellent FCB. No doubt his two expression pedals  

did not work at all. No MIDI sent. Mine is fine though, I have had it  

for almost four years with no problems except for needing to be  

calibrated now and then.


Greetings from Sweden


Per Boysen

www.looproom.com (international)

www.boysen.se (Swedish)

--->  iTunes Music Store (digital)

www.cdbaby.com/perboysen



</excerpt>
--Apple-Mail-4-244092007--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 20:57:01 2005
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Date: Wed, 14 Sep 2005 13:57:00 -0700 (PDT)
From: Wind Stick Devil <wklemmer1@yahoo.com>
Subject: RE: Dear  RED STATES
To: Loopers-Delight@loopers-delight.com
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Well, the discussions are related to looping. They go round and round without accomplishing anything. Kinda like a  lot of the music on the Board. :)

Bill Edmondson <edmondson5@comcast.net> wrote:v\:* {behavior:url(#default#VML);}o\:* {behavior:url(#default#VML);}w\:* {behavior:url(#default#VML);}.shape {behavior:url(#default#VML);}st1\:*{behavior:url(#default#ieooui) }
Please take this discussion to a related forum (if there is such a place).

 

We’ve all subscribed to this list because of our common interest in LOOPING!

 

Not politics, not macramé, not pan flute (unless you loop it), not matt damon. LOOPING!

 

---------------------------------


From: Wind Stick Devil [mailto:wklemmer1@yahoo.com] 
Sent: Tuesday, September 13, 2005 4:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Dear RED STATES


 

I have a better idea. Fry up the 'barf' and eat it! :)

Suit & Tie Guy <erwill@suitandtieguy.com> wrote: 

hearing the terms "red state", "blue state", "gay marriage", or 
"abortion" makes me want to barf in a bag.

i have a better idea:

why don't we put everyone who used the terms "red state" or "blue 
state" in a cage and let them fight to the death?

then the rest of us can live our lives without this divisive verbage 
weighing us down.
---
Eric Williamson
www.suitandtieguy.com


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



__________________________________________________
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<DIV>Well, the discussions are related to looping. They go round and round without accomplishing anything. Kinda like a&nbsp; lot of the music on the Board. :)<BR><BR><B><I>Bill Edmondson &lt;edmondson5@comcast.net&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="Microsoft Word 11 (filtered medium)" name=Generator>
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<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:SmartTagType name="PersonName" namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType>
<STYLE>
st1\:*{behavior:url(#default#ieooui) }
</STYLE>

<STYLE>
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<DIV class=Section1>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Please take this discussion to a related forum (if there is such a place).<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">We’ve all subscribed to this list because of our common interest in LOOPING!<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Not politics, not macramé, not pan flute (unless you loop it), not matt damon. LOOPING!<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<DIV>
<DIV class=MsoNormal style="TEXT-ALIGN: center" align=center><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">
<HR tabIndex=-1 align=center width="100%" SIZE=2>
</SPAN></FONT></DIV>
<P class=MsoNormal><B><FONT face=Tahoma size=2><SPAN style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">From:</SPAN></FONT></B><FONT face=Tahoma size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Tahoma"> Wind Stick Devil [mailto:wklemmer1@yahoo.com] <BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Tuesday, September 13, 2005 4:19 PM<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:PersonName w:st="on">Loopers-Delight@loopers-delight.com</st1:PersonName><BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Dear RED STATES</SPAN></FONT><o:p></o:p></P></DIV>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<DIV>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">I have a better idea. Fry up the 'barf' and eat it! :)<BR><BR><B><I><SPAN style="FONT-WEIGHT: bold; FONT-STYLE: italic">Suit &amp; Tie Guy &lt;erwill@suitandtieguy.com&gt;</SPAN></I></B> wrote: <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN-BOTTOM: 12pt"><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">hearing the terms "red state", "blue state", "gay marriage", or <BR>"abortion" makes me want to barf in a bag.<BR><BR>i have a better idea:<BR><BR>why don't we put everyone who used the terms "red state" or "blue <BR>state" in a cage and let them fight to the death?<BR><BR>then the rest of us can live our lives without this divisive verbage <BR>weighing us down.<BR>---<BR>Eric Williamson<BR>www.suitandtieguy.com<o:p></o:p></SPAN></FONT></P></DIV>
<P><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-323933066-1126731420=:51546--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 21:01:49 2005
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Ok, its only vapourware at the moment but what's the (potential) difference 
btween the old 1 and the new?
I#m on the look out for a looper with 2 independant loops, (with varable 
feedback)  with identical lengths that I can crossfade between.
Ideas anyone?

Gareth 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 21:07:48 2005
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Subject: Re: NEW REPEATER
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Who knows with the MK2, but the MK1 will give you for
mono (or two stereo) loops with varable feedback and
the ability to control the volume of any of the tracks
for a "crossfade."

--- "gareth.whitcock" <gareth.whitcock@ntlworld.com>
wrote:

> Ok, its only vapourware at the moment but what's the
> (potential) difference 
> btween the old 1 and the new?
> I#m on the look out for a looper with 2 independant
> loops, (with varable 
> feedback)  with identical lengths that I can
> crossfade between.
> Ideas anyone?
> 
> Gareth 
> 
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 21:16:15 2005
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Can the loops be identical lengths Mark?
And cany ou assign different midi cc meassages to each loop feedback 
parameter?
I'm assuming you have one of these beasties?

Gareth

> Who knows with the MK2, but the MK1 will give you for
> mono (or two stereo) loops with varable feedback and
> the ability to control the volume of any of the tracks
> for a "crossfade."
>
> --- "gareth.whitcock" <gareth.whitcock@ntlworld.com>
> wrote:
>
>> Ok, its only vapourware at the moment but what's the
>> (potential) difference
>> btween the old 1 and the new?
>> I#m on the look out for a looper with 2 independant
>> loops, (with varable
>> feedback)  with identical lengths that I can
>> crossfade between.
>> Ideas anyone?
>>
>> Gareth
>>
>>
>>
>
>
>
>
> __________________________________
> Yahoo! Mail - PC Magazine Editors' Choice 2005
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 21:48:08 2005
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Each "track" (up to 4 mono) of a loop is the same
length and can be controlled with a different CC# or
you can control them as stereo pairs like I do.

Up to 99 different sized 4 track loop can be created.

Mark

--- "gareth.whitcock" <gareth.whitcock@ntlworld.com>
wrote:

> Can the loops be identical lengths Mark?
> And cany ou assign different midi cc meassages to
> each loop feedback 
> parameter?
> I'm assuming you have one of these beasties?
> 
> Gareth
> 
> > Who knows with the MK2, but the MK1 will give you
> for
> > mono (or two stereo) loops with varable feedback
> and
> > the ability to control the volume of any of the
> tracks
> > for a "crossfade."
> >
> > --- "gareth.whitcock"
> <gareth.whitcock@ntlworld.com>
> > wrote:
> >
> >> Ok, its only vapourware at the moment but what's
> the
> >> (potential) difference
> >> btween the old 1 and the new?
> >> I#m on the look out for a looper with 2
> independant
> >> loops, (with varable
> >> feedback)  with identical lengths that I can
> >> crossfade between.
> >> Ideas anyone?
> >>
> >> Gareth
> >>
> >>
> >>
> >
> >
> >
> >
> > __________________________________
> > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 21:59:21 2005
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Subject: Re: Dear  RED STATES
Date: Wed, 14 Sep 2005 22:59:14 +0100
Organization: EarthLight Productions
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Ahenh, nix on die HTMLer!

But I'll bite.  A realistic question for ambient artists: Why does music 
have to "accomplish" something?

----- Original Message ----- 
From: Wind Stick Devil
To: Loopers-Delight@loopers-delight.com
Sent: Wednesday, 14 September, 2005 21:57 PM
Subject: RE: Dear RED STATES


Well, the discussions are related to looping. They go round and round 
without accomplishing anything. Kinda like a  lot of the music on the Board. 
:)

Bill Edmondson <edmondson5@comcast.net> wrote:
Please take this discussion to a related forum (if there is such a place).

We've all subscribed to this list because of our common interest in LOOPING!

Not politics, not macramé, not pan flute (unless you loop it), not matt 
damon. LOOPING!




From: Wind Stick Devil [mailto:wklemmer1@yahoo.com]
Sent: Tuesday, September 13, 2005 4:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Dear RED STATES

I have a better idea. Fry up the 'barf' and eat it! :)

Suit & Tie Guy <erwill@suitandtieguy.com> wrote:
hearing the terms "red state", "blue state", "gay marriage", or
"abortion" makes me want to barf in a bag.

i have a better idea:

why don't we put everyone who used the terms "red state" or "blue
state" in a cage and let them fight to the death?

then the rest of us can live our lives without this divisive verbage
weighing us down.
---
Eric Williamson
www.suitandtieguy.com
__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 22:06:46 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: M-Audio Trigger Finger (was  EDP Footpedal vs. FCB1010)
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The target audience is obviously drummers, or rather drum machine
programmers, but it is quite flexible and usable for other things.
It is not big enough to play with drum sticks though, the pads are
designed to be played with fingers, they are small and relatively
delicate.

I use it to control an EDP and other devices, the pads can be programmed
to emit note on/off (both momentary and toggle) and program changes which
will give you everything you need for an EDP.  Unlike footpedals the pads
are velocity sensitive so you can trigger loops at different volumes.

The momentary buttons give you the ability to access the SUS functions,
but I don't find this very useful because you have to take your hands
away from your instrument, and I generally want to play during the sustain.
If you practiced long, enough, you could probably control it with
the ball of your foot or a toe, but it doesn't look rugged enough to
be a reliable foot controller.

Jeff



From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 22:41:08 2005
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Subject: Music can "accomplish" 
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-----Original Message-----
From: Stephen Goodman [mailto:spgoodman@earthlight.net] 
Sent: Wednesday, September 14, 2005 2:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Dear RED STATES
A realistic question for ambient artists: Why does music 
have to "accomplish" something?

--->Because everyone has something to prove?
Gary


From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 22:41:57 2005
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From: Luis Angulo <labalou2000@yahoo.com>
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Mark do you have the ocasional problem when recording
a mono track, stereo tracks on the Rpter suddently
being activated?(I am controlling them with a FCB1010)
Sometimes i have a hard time deactivating them, how do
u get around it?even presing both tracks
simultaneously sometimes doesnt work,
i hate this bug!
Luis

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Each "track" (up to 4 mono) of a loop is the same
> length and can be controlled with a different CC# or
> you can control them as stereo pairs like I do.
> 
> Up to 99 different sized 4 track loop can be
> created.
>

www.luis-angulo.com


	
		
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 22:48:37 2005
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I think that question should be "Why do musicians have to 'accomplish'
something?"  Or, a question from ambient artists to their detractors
"Why does music need to 'do' something?"

Music just "is", sort of like sunlight.  The sun isn't trying to
"make" plants grow, rather plants grow in the presence of sunlight
(among other things).  Sometimes plants get too much sun, in which
case they wither and die.

How musicians (often believing themselves to be the creator of said
music) or the audience interpret the phenomena of music really has
more to do with the musician/audience than the music itself.


> From: Stephen Goodman [mailto:spgoodman@earthlight.net]

> A realistic question for ambient artists: Why does music
> have to "accomplish" something?
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 22:48:55 2005
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Date: Wed, 14 Sep 2005 15:48:54 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP LOOP4 question: Accessing individual loops directly 
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Great tips Kim thanx!
this beast has no end,gotta lock myself again for a
few days;-)
Luis

--- Kim Flint <kflint@loopers-delight.com> wrote:

> At 03:21 PM 9/13/2005, Luis Angulo wrote:
> >i wonder if it will work having Quant=on then i can
> >jump between differnt arrangements...?
> 
> Luis-
> 
> Use the SwitchQuant parameter to quantize switching
> between loops. There 
> are several options for it to jump immediately, at
> the next cycle point, at 
> the loop end, plus the "confirm" modes. The
> SamplerStyle parameter lets you 
> determine if the loop starts at the beginning and
> keeps going, starts where 
> you left it and keeps going, triggers and plays one
> time, or plays as long 
> as you hold the note and stops when you let go. And
> the Velocity parameter 
> lets you have the loops be velocity sensitive, so
> their volume is set by 
> how hard you hit the note. (assuming your controller
> is velocity sensitive. 
> that's usually not the case with midi pedals.) Take
> a look at the manual 
> for more details.
> 
> have fun,
> kim
> 
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com 
> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 23:01:40 2005
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Date: Wed, 14 Sep 2005 16:01:37 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Re:Re: EDP LOOP4 question: Accessing individual loops directly 
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very simple, because i want to change tonality when i
feel like it and not be tight up to fixed bass
lines... besides going through the proccess of double
speed to get a half speed bass line isnt always that
attractive to me,but i can imagine having 5 different
steady looped harmonies which i can trigger at random
and experimenting with different bass lines over
them,it might give the loops a more subtle feel...
i dont always want to glitches and be weird, i also
want to make music...
Luis

--- Ben <benoitruelle@yahoo.fr> wrote:

> Why not use 1/2 speed?
> 
> ----- Original Message ----- 
> From: "Luis Angulo" <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, September 14, 2005 1:52 PM
> Subject: Re:Re: EDP LOOP4 question: Accessing
> individual loops directly 
> 
> 
> > Andy i have the same config good to hear that! but
> > that is an brilliant idea,build an ostinato bass
> line
> > while changing harmonies with the different
> loops,now
> > i want to find a little (non synth) effect that
> will
> > turn my guitar into a bass,what do u use?
> > 
> > 
> > --- a k butler <akbutler@tiscali.co.uk> wrote:
> > 
> >> 
> >> >Andy is interesting that you program the most
> >> >important functions in the top row,you must do a
> >> lot
> >> >with more loops triggering,no? but where is your
> >> >record button?
> >> 
> >> Well, that's a special bank just for going
> between
> >> loops very rapidly.
> >> In that case I have the edp set up so I can (for
> >> instance) play a 5
> >> note bass line while pressing the buttons along
> the
> >> bottom row,
> >> and end up with each bass note assigned to a
> >> different switch.
> >> 
> >> mostly I use:-
> >> top row
> >> 6- Insert
> >> 7- Reverse
> >> 8- HSp
> >> 9- Subst
> >> 10 -Mute
> >> bottom row
> >> 1- rec
> >> 2- overdub
> >> 3- mult
> >> 4 - Undo
> >> 5- Nextloop
> >> 
> >> 
> > 
> > 
> > www.luis-angulo.com
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> > http://mail.yahoo.com 
> >
> 
> 	
> 
> 	
> 		
>
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> 
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> nouveau Yahoo! Messenger 
> Téléchargez cette version sur
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> 


www.luis-angulo.com

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Music can "accomplish"
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	 <20050914224105.YXNS17436.fed1rmmtao11.cox.net@Desktop2002>
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	 <06d56404ad3d80c17f91fd66330ae842@bartholomusic.com>
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A musician may, or may not be trying create a musician/audience
connection.  And the audience may, or may not perceive a connection,
which may, or may not exist regardless of the intentions, hopes or
desires of all parties involved.

I may do a rain dance, and it may, or may not rain afterwards.=20
Determining causation can be a tricky thing.

TravisH

On 9/14/05, Adrian Bartholomew <adrian@bartholomusic.com> wrote:
> well then u contradict urself.
> then by ur own definition: a musician is trying to create the
> musician/audience connection.
>=20
> however u look at it, he was right.
> we ARE because we have to PROVE.
>=20
> an idea is not enough.
> even the tibetian monks still CREATE the physical representation of
> concepts before they immediately destroy it. sometimes very beautiful
> works of art.
> we have a human body with 5 senses for a reason. we are here in the 1st
> place BECAUSE the IDEA of us wasnt sufficient.
>=20
> art must be physically represented to be called art.
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 14, 2005, at 5:48 PM, Travis Hartnett wrote:
>

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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: M-Audio Trigger Finger
Date: Wed, 14 Sep 2005 16:23:18 -0700
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I just took my brand new one (a really generous gift from my brother)
to the Zurich Festival.

What I love about it is that with sixteen pads, it can be set up to
play a two octave scale in any mode, raga or scale you would desire.

Since the Electrix Repeater treats the UR loop as midi note C 60
I set up 7 of the presets to correspond to the 7 major modes.

I also set up a  couple of presets to be random groupings of only octaves
so that I could do some random real time 'sequencing' on the Repeater
that I then resample into the EDP.

It's just very cool and I haven't even begun to figure out how to use
program changes and midi CC notes yet (for the EDP).

It's really little too......................anyone wanna buy a Roland Pad 80 
controller?   tee hee hee

On the airplane to Zurich, I had a 12" mac laptop, a firewire 410 breakout 
box, a trigger finger
(all powered by the laptops batteries) and a little Ashbory miniature 
fretless bass........................
all in the same bag.

I could have recorded an entire CD with it had I wanted to (but lots of 
sleep and the occasional between nap scintillating conversation of Herr 
NemoGuitt was too distracting)

I say buy one!!! 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 23:34:23 2005
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Subject: Re: M-Audio Trigger Finger
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...
> I could have recorded an entire CD with it had I wanted to (but lots of
> sleep and the occasional between nap scintillating conversation of Herr
> NemoGuitt was too distracting)



didja record any of the scintillation?
would luv to hear some of that :-)
s

From Loopers-Delight-request@loopers-delight.com  Wed Sep 14 23:55:45 2005
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Date: Wed, 14 Sep 2005 16:55:43 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: NEW REPEATER
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I've never come across that bug.  Probably because I
never do mono tracks.  I usually form a set loop on
1-2 and then a slowly fading loop on 3-4 and play
around with effects on both or either.

--- Luis Angulo <labalou2000@yahoo.com> wrote:

> Mark do you have the ocasional problem when
> recording
> a mono track, stereo tracks on the Rpter suddently
> being activated?(I am controlling them with a
> FCB1010)
> Sometimes i have a hard time deactivating them, how
> do
> u get around it?even presing both tracks
> simultaneously sometimes doesnt work,
> i hate this bug!
> Luis
> 
> --- mark sottilaro <zerocrossing2001@yahoo.com>
> wrote:
> 
> > Each "track" (up to 4 mono) of a loop is the same
> > length and can be controlled with a different CC#
> or
> > you can control them as stereo pairs like I do.
> > 
> > Up to 99 different sized 4 track loop can be
> > created.
> >
> 
> www.luis-angulo.com
> 
> 
> 	
> 		
>
______________________________________________________
> 
> Yahoo! for Good 
> Donate to the Hurricane Katrina relief effort. 
> http://store.yahoo.com/redcross-donate3/ 
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

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Hi, Adrian
$850+shipping/insurance via Paypal; thanks!
dc

Brookings, OR 97415
541-412-2793



On Sep 14, 2005, at 12:45 PM, Adrian Bartholomew wrote:

> how much?
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 14, 2005, at 11:15 AM, David Coffin wrote:
>
>
>> Gotta do it; anybody interested? Blackface; spotless... (pedal is =20
>> beige)
>> What=92re these going for these days anyway?
>> Thanks,
>> dc
>>
>





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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hi, Adrian<DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">$850+shipping/insurance via Paypal; =
thanks!</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">dc</DIV><DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><BR class=3D"khtml-block-placeholder"></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Brookings, OR 97415</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">541-412-2793</DIV></DIV><BR><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Sep 14, =
2005, at 12:45 PM, Adrian Bartholomew wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font:=
 14.0px Lucida Grande">how much?</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">___</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Lucida =
Grande" size=3D"4" color=3D"#790409" style=3D"font: 14.0px Lucida =
Grande; color: #790409"><B>Adrian Bartholomew</B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font:=
 14.0px Lucida Grande">Leawood KS</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">On Sep 14, 2005, at 11:15 AM, David Coffin =
wrote:</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Lucida Grande; min-height: 17px; "><BR></DIV> =
<BR><BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">Gotta do it; anybody interested? Blackface; spotless... (pedal =
is beige)</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">What=92re these going =
for these days anyway?</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">Thanks,</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Lucida =
Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">dc</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Lucida Grande; min-height: 17px; "><BR></DIV> =
</BLOCKQUOTE><BR =
class=3D"Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV><BR><BR><=
DIV> <BR class=3D"khtml-block-placeholder"></DIV></BODY></HTML>=

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http://69.63.139.22/poo/ 


 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
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<DIV><FONT size=3></FONT>&nbsp;</DIV>
<DIV><FONT size=3></FONT>&nbsp;</DIV>
<DIV><FONT size=3><A href="http://69.63.139.22/poo/">http://69.63.139.22/poo/</A> </FONT></DIV><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-959334312-1126769029=:5469--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 07:36:49 2005
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Subject: Re: M-Audio Trigger Finger (was  EDP Footpedal vs. FCB1010)
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hi Jeff

>I use it to control an EDP and other devices, the pads can be programmed
>to emit note on/off (both momentary and toggle) and program changes which
>will give you everything you need for an EDP.  Unlike footpedals the pads
>are velocity sensitive so you can trigger loops at different volumes.

quick question
is it "fully polyphonic"?
which means
If you're holding a pad down, to send a note-off on release, does
this freeze the other controls?

andy

   

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From: Andreas Wetterberg <awetterberg@post.cybercity.dk>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: M-Audio Trigger Finger 
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I use mine as a foot(toe-)controller all the time. But the best thing 
about it is that each pad can send midi cc's when applying pressure, so 
I can control a whole bunch of crap from it. Using  "regular" hand 
control you can tweak 8 parameters simulatneously with decent control!

And yes andy, it's fully polyphonic. The only thing really missing is 
polyphonic aftertouch... it would have been so easy to implement... oh 
well, maybe in a mk2.

Andreas (saving up for a second TF...)

Jeff Larson wrote:

>
> The target audience is obviously drummers, or rather drum machine
> programmers, but it is quite flexible and usable for other things.
> It is not big enough to play with drum sticks though, the pads are
> designed to be played with fingers, they are small and relatively
> delicate.
>
> I use it to control an EDP and other devices, the pads can be programmed
> to emit note on/off (both momentary and toggle) and program changes which
> will give you everything you need for an EDP.  Unlike footpedals the pads
> are velocity sensitive so you can trigger loops at different volumes.
>
> The momentary buttons give you the ability to access the SUS functions,
> but I don't find this very useful because you have to take your hands
> away from your instrument, and I generally want to play during the 
> sustain.
> If you practiced long, enough, you could probably control it with
> the ball of your foot or a toe, but it doesn't look rugged enough to
> be a reliable foot controller.
>
> Jeff
>
>
>
>
> .
>

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Subject: Re: EDP Footpedal vs. FCB1010 ? ?
Date: Thu, 15 Sep 2005 09:44:28 +0200
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MessageIsn't there also for the CC pedal a specific midi channel that =
can be different from the switches one?
In this case might it be possible that you only listen to 1 channel and =
discard the other ones?
  ----- Original Message -----=20
  From: Dean, Hal=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, September 14, 2005 9:45 PM
  Subject: RE: EDP Footpedal vs. FCB1010 ? ?


  Yes, I'm talking about the cc pedals. The buttons work. I think I now =
have enough info from everyone to take another shot at this tonight. =
Thanks for the reply.


  Hal L. Dean , AIA, LEED
  Project Manager
  Facilities Planning
  West Chester University
  610-436-2519
    -----Original Message-----
    From: Adrian Bartholomew [mailto:adrian@bartholomusic.com]=20
    Sent: Wednesday, September 14, 2005 3:45 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: EDP Footpedal vs. FCB1010 ? ?


    the same thing happened to me when i 1st got the 1010.=20
    i assume by "pedals", u r talking about the continuous controller =
pedals on the 1010.=20
    i got no signal at all.=20
    i called them and he emailed me the directions for calibration =
(which was in the manual i didnt read anyway) and it worked like a =
charm.=20
    are ur buttons working?=20
    ___=20
    Adrian Bartholomew=20
    Leawood KS=20
    On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote:=20


      I've been watching this dialogue for awhile and find myself =
wondering if I should do as I've intended - return the FCB-1010 I bought =
3 weeks ago, for money back.=20


      I've had enough experience programming controllers to be undaunted =
by the arcane language of the manual. I was unable to use the editing =
software I got from the Yahoo FCB-1010 support group (frankly I don't =
recall at the moment why it did not work, but no matter for now), but =
was able to decipher the manual and get the switches working.  The =
problem is the pedals - they don't work at all.=20


      I tried the calibration routine as described in the manual several =
times, to no avail. My MIDI interface registers no MIDI signal from =
either pedal; it DOES recognize switch operations.=20


      Given the conflicting comments about the reliability of the =
FCB-1010, I was considering this evidence that I should stay away from =
an unreliable bit of kit... hence the decision to take it back to Guitar =
Center. I have a Rocktron MIDIMate and a PC-1600x that provide the same =
functions, albeit a bit more awkwardly since only the PC1600x sends note =
on, and the buttons and sliders are small.  still, that is working in =
the studio. Live is maybe another matter, so i want to be sure it makes =
sense to ditch the FCB-1010.=20


      Given what I just described, is it a sure bet that the pedals are =
DOA, or is there something about the calibration routine I ought to try =
one more time? Is the lack of any MIDI output an indication that the =
pedals are DOA?=20


      Any advice on this specific point would be most welcome. General =
comments on the pros and cons of the FCB-1010 are readily available, and =
I'll keep them in mind of course.=20


      Hal Dean 
------=_NextPart_000_00C4_01C5B9DA.10C0FF60
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Isn't there also for the CC pedal a =
specific midi=20
channel that can be different from the switches one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>In this case might it be possible that =
you only=20
listen to 1 channel and discard the other ones?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DHDEAN@wcupa.edu href=3D"mailto:HDEAN@wcupa.edu">Dean, Hal =
</A></DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, September 14, =
2005 9:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: EDP Footpedal vs. =
FCB1010 ?=20
  ?</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D835334419-14092005><FONT face=3D"Book Antiqua"=20
  color=3D#0000ff>Yes, I'm talking about the cc pedals. The buttons =
work. I think=20
  I now have enough info from everyone to take another shot at this =
tonight.=20
  Thanks for the reply.</FONT></SPAN></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
  size=3D4>Hal<SPAN class=3D954163418-19102004> L. Dean , AIA,=20
  LEED</SPAN></FONT></EM></STRONG></DIV>
  <DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
  size=3D4><SPAN =
class=3D954163418-19102004></SPAN></FONT></EM></STRONG><FONT=20
  face=3D"Palatino Linotype" size=3D2>Project Manager</FONT></DIV>
  <DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>Facilities =

  Planning</FONT></DIV>
  <DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>West =
Chester=20
  University</FONT></DIV>
  <DIV align=3Dleft><FONT face=3D"Palatino Linotype"=20
size=3D2>610-436-2519</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
    <DIV></DIV>
    <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
    face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Adrian=20
    Bartholomew [mailto:adrian@bartholomusic.com] <BR><B>Sent:</B> =
Wednesday,=20
    September 14, 2005 3:45 PM<BR><B>To:</B>=20
    Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: EDP =
Footpedal vs.=20
    FCB1010 ? ?<BR><BR></FONT></DIV><!-- Converted from text/enriched =
format -->
    <DIV>the same thing happened to me when i 1st got the 1010. </DIV>
    <DIV>i assume by "pedals", u r talking about the continuous =
controller=20
    pedals on the 1010. </DIV>
    <DIV>i got no signal at all. </DIV>
    <DIV>i called them and he emailed me the directions for calibration =
(which=20
    was in the manual i didnt read anyway) and it worked like a charm. =
</DIV>
    <DIV>are ur buttons working? </DIV>
    <DIV>___<B><FONT color=3D#790409> </DIV>
    <DIV>Adrian Bartholomew </DIV>
    <DIV></FONT></B>Leawood KS </DIV>
    <DIV>On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote: </DIV><BR>
    <BLOCKQUOTE>
      <DIV><FONT color=3D#0000ff>I've been watching this dialogue for =
awhile and=20
      find myself wondering if I should do as I've intended - return the =

      FCB-1010 I bought 3 weeks ago, for money back.</FONT> </DIV><BR>
      <DIV><FONT color=3D#0000ff>I've had enough experience programming=20
      controllers to be undaunted by the arcane language of the manual. =
I was=20
      unable to use the editing software I got from the Yahoo FCB-1010 =
support=20
      group (frankly I don't recall at the moment why it did not work, =
but no=20
      matter for now), but was able to decipher the manual and get the =
switches=20
      working.&nbsp; The problem is the pedals - they don't work at =
all.</FONT>=20
      </DIV><BR>
      <DIV><FONT color=3D#0000ff>I tried the calibration routine as =
described in=20
      the manual several times, to no avail. My MIDI interface registers =
no MIDI=20
      signal from either pedal; it DOES recognize switch =
operations.</FONT>=20
      </DIV><BR>
      <DIV><FONT color=3D#0000ff>Given the conflicting comments about =
the=20
      reliability of the FCB-1010, I was considering this evidence that =
I should=20
      stay away from an unreliable bit of kit... hence the decision to =
take it=20
      back to Guitar Center. I have a Rocktron MIDIMate and a PC-1600x =
that=20
      provide the same functions, albeit a bit more awkwardly since only =
the=20
      PC1600x sends note on, and the buttons and sliders are =
small.&nbsp; still,=20
      that is working in the studio. Live is maybe another matter, so i =
want to=20
      be sure it makes sense to ditch the FCB-1010.</FONT> </DIV><BR>
      <DIV><FONT color=3D#0000ff>Given what I just described, is it a =
sure bet=20
      that the pedals are DOA, or is there something about the =
calibration=20
      routine I ought to try one more time? Is the lack of any MIDI =
output an=20
      indication that the pedals are DOA?</FONT> </DIV><BR>
      <DIV><FONT color=3D#0000ff>Any advice on this specific point would =
be most=20
      welcome. General comments on the pros and cons of the FCB-1010 are =
readily=20
      available, and I'll keep them in mind of course.</FONT> </DIV><BR>
      <DIV><FONT color=3D#0000ff>Hal Dean</FONT>=20
</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00C4_01C5B9DA.10C0FF60--


	

	
		
___________________________________________________________________________ 
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Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 07:58:07 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: NEW REPEATER (stereo pad trick)
Date: Thu, 15 Sep 2005 09:58:03 +0200
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On Sep 15, 2005, at 0:41, Luis Angulo wrote:

> Mark do you have the ocasional problem when recording
> a mono track, stereo tracks on the Rpter suddently
> being activated?(I am controlling them with a FCB1010)
> Sometimes i have a hard time deactivating them, how do
> u get around it?even presing both tracks
> simultaneously sometimes doesnt work,
> i hate this bug!
> Luis


Excuse me, Mark, for jumping in here. I don't keep a Repeater any  
more but I remember my trick to deactivate a stereo track and turn  
into two mono tracks. I used my FCB to send the Repeater a command  
for "Track X Record Select" (addressing either left or right stereo  
channel as "a mono track") and then I did a quick overdub to that  
track (just "silent overdub" If I did not want to record, just split  
the stereo pair). This was working fine for many concerts.

I used that manoeuver as part this trick:
Overdubbing many layers of my mono instument playing ambient sounding  
notes to form a mono cluster chord on that stereo track. Splitting  
the stereo pair (as above). Slip one of the tracks by some values and  
pan the two tracks left-right (one FCB button sending all necessary  
MIDI commands). The result is a very wide stereo pad.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 08:27:37 2005
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Subject: RE: NEW REPEATER (stereo pad trick)
Date: Thu, 15 Sep 2005 10:27:21 +0200
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> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Donnerstag, 15. September 2005 09:58
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: NEW REPEATER (stereo pad trick)
> 
> On Sep 15, 2005, at 0:41, Luis Angulo wrote:
> 
> > Mark do you have the ocasional problem when recording
> > a mono track, stereo tracks on the Rpter suddently
> > being activated?(I am controlling them with a FCB1010)
> > Sometimes i have a hard time deactivating them, how do
> > u get around it?even presing both tracks
> > simultaneously sometimes doesnt work,
> > i hate this bug!
> > Luis
> 
> 
> Excuse me, Mark, for jumping in here. I don't keep a Repeater any
> more but I remember my trick to deactivate a stereo track and turn
> into two mono tracks. I used my FCB to send the Repeater a command
> for "Track X Record Select" (addressing either left or right stereo
> channel as "a mono track") and then I did a quick overdub to that
> track (just "silent overdub" If I did not want to record, just split
> the stereo pair). This was working fine for many concerts.
> 
> I used that manoeuver as part this trick:
> Overdubbing many layers of my mono instument playing ambient sounding
> notes to form a mono cluster chord on that stereo track. Splitting
> the stereo pair (as above). Slip one of the tracks by some values and
> pan the two tracks left-right (one FCB button sending all necessary
> MIDI commands). The result is a very wide stereo pad.
> 

This and many other tricks by Per:
http://www.xmlizer.biz/cgi-bin/repeater-users/kwiki.cgi?PerBoysenTips

Bernhard


From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 09:05:20 2005
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De uma olhadela neta pagina protesto, ..
Uma bandeirinha, que imaginacao!! ha, ha.. Eu preciso imprimir uamc om a=20
cara do J.Dirceu!!

T.


On 9/15/05, Monica <coolintensity@yahoo.com> wrote:
>=20
>   http://69.63.139.22/poo/=20
>=20
>=20
>     Asgard Guitars
> "guitar technology for the new emerging edge..."
> coolintensity@yahoo.com
> coolintensity1@aol.com=20
> =20
> ------------------------------
> Yahoo! for Good
> Click here to donate <http://store.yahoo.com/redcross-donate3/> to the=20
> Hurricane Katrina relief effort.=20
>=20
>

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De uma olhadela neta pagina protesto, ..<br>
Uma bandeirinha, que imaginacao!! ha, ha.. Eu preciso imprimir uamc om a ca=
ra do J.Dirceu!!<br>
<br>
T.<br>
<br><br><div><span class=3D"gmail_quote">On 9/15/05, <b class=3D"gmail_send=
ername">Monica</b> &lt;<a href=3D"mailto:coolintensity@yahoo.com">coolinten=
sity@yahoo.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<div><font size=3D"3"></font>&nbsp;</div>
<div>&nbsp;</div>
<div><font size=3D"3"><a href=3D"http://69.63.139.22/poo/" target=3D"_blank=
" onclick=3D"return top.js.OpenExtLink(window,event,this)">http://69.63.139=
.22/poo/</a> </font></div><br><br><div>
<div>
<div>
<div>
<div>
<div>
<div>&nbsp;</div>
<div>Asgard Guitars</div>
<div>&quot;guitar technology for the new emerging edge...&quot;</div>
<div><a href=3D"mailto:coolintensity@yahoo.com" target=3D"_blank" onclick=
=3D"return top.js.OpenExtLink(window,event,this)">coolintensity@yahoo.com</=
a></div>
<div><a href=3D"mailto:coolintensity1@aol.com" target=3D"_blank" onclick=3D=
"return top.js.OpenExtLink(window,event,this)">coolintensity1@aol.com</a> <=
/div><span class=3D"ad">
<div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;</div></span></div></div></div></div></div></div><span class=3D"=
ad"><p>
=09=09</p><hr size=3D"1">Yahoo! for Good<br>=20
<a href=3D"http://store.yahoo.com/redcross-donate3/" target=3D"_blank" oncl=
ick=3D"return top.js.OpenExtLink(window,event,this)">Click here to donate</=
a> to the Hurricane Katrina relief effort.=20

<p></p></span></blockquote></div><br>

------=_Part_4279_22288961.1126775119031--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 11:47:59 2005
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From: Per Boysen <per@boysen.se>
Subject: EDP question (entering new loop in half speed)
Date: Thu, 15 Sep 2005 13:47:56 +0200
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Hi,

Can some experienced EDP user enlighten me on how I can enter  
NextLoop in HalfSpeed mode?

If possible I want to avoid having to do the "Confirm SwitchQuant  
thing", it seems so slow. I want to stay in "SwitchQuant=Off" all the  
time. Obviously this is not possible because the EDP seems to take  
"Speed = Normal" as the default?

  I just tried  "SwitchQuant=CnF" and found out that won't help  
anyway, since you can not define the speed of the next loop, when in  
"Confirm Mode".

Any hints would be appreciated.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 12:14:17 2005
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: Re: EDP question (entering new loop in half speed)
Date: Thu, 15 Sep 2005 14:14:14 +0200
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Hi Per
in any cases you can always enter two consecutive midi messages (if your
midi controler allows it) for the edp that wil be sent at the same time :
nextloop+half speed

Claude

----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 15, 2005 1:47 PM
Subject: EDP question (entering new loop in half speed)


> Hi,
>
> Can some experienced EDP user enlighten me on how I can enter  NextLoop in
> HalfSpeed mode?
>
> If possible I want to avoid having to do the "Confirm SwitchQuant  thing",
> it seems so slow. I want to stay in "SwitchQuant=Off" all the  time.
> Obviously this is not possible because the EDP seems to take  "Speed =
> Normal" as the default?
>
>  I just tried  "SwitchQuant=CnF" and found out that won't help  anyway,
> since you can not define the speed of the next loop, when in  "Confirm
> Mode".
>
> Any hints would be appreciated.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 12:16:16 2005
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Subject: cd swap
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hi Luis

i'm at

60 Onley St.
Norwich
Norfolk
NR2 2EB
UK

where are you?

let's swap

andy

>From: Luis Angulo <labalou2000@yahoo.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:Re:Re: EDP LOOP4 question: Accessing individual loops  directly
>Message-ID: <20050914170255.58486.qmail@web52804.mail.yahoo.com>
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>
>Andy, love your new tunes mate,are you into swaping
>CDs? I am in Deutschland so it wont take us long!
>cheers
>Luis
>
>--- a k butler <akbutler@tiscali.co.uk> wrote:
>
> >

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 12:27:18 2005
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Hi Per!

I've found something for you:
http://eroktronix.com/

not exactly the cheapest bit of kit, but it can definitely do what you 
want: Buy 20 dirt cheap buttons and a project box and you've got a 
prg.change box!

Best,
Andreas

Per Boysen wrote:

> I now have this ultra tiny midi mixer called Faderfox LV1 and I just  
> love it! I really want to find something equally small that only  
> sends MIDI program send messages. I don't think I could do without  
> the FCB1010, but I want something to call up programs so I won't need  
> to step between so many FCB banks all the time.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 12:28:29 2005
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http://eroktronix.com/
-hell, get out an old guitar and build it right into it!

A.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 13:10:11 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP question (entering new loop in half speed)
Date: Thu, 15 Sep 2005 15:10:04 +0200
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Yes I guess you're right, but the FCB1010 can only send one MIDI note  
at a time. Do you know that it would work if I had another controller?
(or use the FCB to trig a clip in Ableton Live that sends the  
multiple command to the EDP)

per



On Sep 15, 2005, at 14:14, Claude Voit wrote:

> Hi Per
> in any cases you can always enter two consecutive midi messages (if  
> your
> midi controler allows it) for the edp that wil be sent at the same  
> time :
> nextloop+half speed
>
> Claude
>
> ----- Original Message ----- From: "Per Boysen" <per@boysen.se>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, September 15, 2005 1:47 PM
> Subject: EDP question (entering new loop in half speed)
>
>
>
>> Hi,
>>
>> Can some experienced EDP user enlighten me on how I can enter   
>> NextLoop in
>> HalfSpeed mode?
>>
>> If possible I want to avoid having to do the "Confirm SwitchQuant   
>> thing",
>> it seems so slow. I want to stay in "SwitchQuant=Off" all the  time.
>> Obviously this is not possible because the EDP seems to take   
>> "Speed =
>> Normal" as the default?
>>
>>  I just tried  "SwitchQuant=CnF" and found out that won't help   
>> anyway,
>> since you can not define the speed of the next loop, when in   
>> "Confirm
>> Mode".
>>
>> Any hints would be appreciated.
>>
>> Greetings from Sweden
>>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 13:12:28 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP Footpedal vs. FCB1010 ? ? For Per.
Date: Thu, 15 Sep 2005 15:12:24 +0200
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On Sep 15, 2005, at 14:28, Andreas Wetterberg wrote:

> http://eroktronix.com/
> -hell, get out an old guitar and build it right into it!


I'll read the PDF manual better later. For now it seems as you have  
to buy Max as well to be able to set the thing up. I think I would  
prefer it mounted into a box or connected to light beams, so I can  
use any kind of instrument with it. Thanks for the tip, looking  
interesting.

p.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 14:29:57 2005
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Per,

I don't think it *requires* Max, it can just work with it.  There 
appears to be configuration software supplied with the unit.

Looks pretty nifty - I like the idea of the standard EDP footpedal, 
combined with a small customized MIDI stomper for important Direct MIDI 
commands.

Doug

Per Boysen wrote:

> On Sep 15, 2005, at 14:28, Andreas Wetterberg wrote:
>
>> http://eroktronix.com/
>> -hell, get out an old guitar and build it right into it!
>
>
>
> I'll read the PDF manual better later. For now it seems as you have  
> to buy Max as well to be able to set the thing up. I think I would  
> prefer it mounted into a box or connected to light beams, so I can  
> use any kind of instrument with it. Thanks for the tip, looking  
> interesting.
>
> p.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 14:33:10 2005
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Subject: Jamman/Stolen Moments
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Hi all.
1. I just got the new Digitech Jamman yesterday, and I hope 
   to be able to replace the RC-20s in my looping setup with it. Played
   with it some last night, pretty cool. Can't really get into it until
   after my gig tomorrow.

2. I posted a couple of mp3s of my version of Oliver Nelson's "Stolen
   Moments". This is the firt head I learned to overdub in 4-part harmony.
   Go here and scroll down a bit: 

<http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V2> 

Mark Smart 
http://www.marksmart.net 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 14:48:36 2005
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On Thu, 15 Sep 2005, mwsmart@insightbb.com wrote:

> Hi all.
> 1. I just got the new Digitech Jamman yesterday, and I hope
>   to be able to replace the RC-20s in my looping setup with it. Played
>   with it some last night, pretty cool. Can't really get into it until
>   after my gig tomorrow.

Don't remember if I posted this here, but I got a Digitech Jamman last 
month and then played two shows with it.

Digitech Jamman versus Boss RC-20 (non-XL) LoopStation, my opinions:

Same size. Same size wallwart AC adapter.

99 loops vs. 11. Of the 11 loop storage spaces on the Boss, one is marked 
"single" - that is, the sample does not repeat: only plays once when you 
press Play. On the Jamman, any arbitrary sample can be marked as "single 
play / does not repeat". This can be good if you want to carry a ton of 
sound effects.

Compact Flash card storage, included good for 24 min. (Jamman) vs. 5.5 
minutes built-in and nonremoveable/nonexpandable (RC-20),

Stored loops on both can be retained when the unit is unplugged. Buy a 
large enough CF card for the Jamman and the storage goes to several hours.

Auto-record on Jamman that can be initiated by the extra footswitch. 
Autorecord on Boss involves bending over and pressing chiclet-sized 
buttons, possibly in bad lighting conditions.

The old Digitech FS-300 footswitch (current model is FS-3X, same features) 
that I got to use with my Electrix Repeater (Mk I) works perfectly with 
the Jamman. With the Boss, the FS-300 only increments *upward* on the 
loops (so you had to walk over to the RC-20, bend down and turn the knob 
to go down in the sample/loop list).

The Jamman, the FS-300 does enable autorecord, decrement, increment loops.
Jamman has USB jack for import/export of loops to the card without having 
to remove the card from the Jamman. Supports both Windows XP and Mac OS X. 
*That's* spiffy.

I plan to keep the Boss RC-20 Loopstation, even though I like the Jamman 
and if I need to drop one or the other from my rig any given evening, the 
Jamman probably stays. Reasons:

     * I never get rid of gear if I can help it
     * the RC-20 can run on batteries and the Jamman cannot
     * the Jamman lacks reverse playback mode

> > 2. I posted a couple of mp3s of my version of Oliver Nelson's "Stolen
>   Moments". This is the firt head I learned to overdub in 4-part harmony.
>   Go here and scroll down a bit:
>
> <http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V2>

Nice.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 15:25:35 2005
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Date: Thu, 15 Sep 2005 08:25:34 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: cd swap
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i am at:
Luis Angulo
Storchenweg 2
78315 Radolfzell
Deutschland
right on!
take care
Luis

--- a k butler <akbutler@tiscali.co.uk> wrote:

> hi Luis
> 
> i'm at
> 
> 60 Onley St.
> Norwich
> Norfolk
> NR2 2EB
> UK
> 
> where are you?
> 
> let's swap
> 
> andy
> 
> >From: Luis Angulo <labalou2000@yahoo.com>
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re:Re:Re: EDP LOOP4 question: Accessing
> individual loops  directly
> >Message-ID:
> <20050914170255.58486.qmail@web52804.mail.yahoo.com>
> >Content-Type: text/plain; charset=iso-8859-1
> >Content-Transfer-Encoding: 8bit
> >
> >Andy, love your new tunes mate,are you into swaping
> >CDs? I am in Deutschland so it wont take us long!
> >cheers
> >Luis
> >
> >--- a k butler <akbutler@tiscali.co.uk> wrote:
> >
> > >
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

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Date: Thu, 15 Sep 2005 16:31:38 +0100
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On 9/15/05, burnett@pobox.com <burnett@pobox.com> wrote:

> Don't remember if I posted this here, but I got a Digitech Jamman last
> month and then played two shows with it.
>=20
> Digitech Jamman versus Boss RC-20 (non-XL) LoopStation, my opinions:

[excellent comparison review snipped to save bw]

> I plan to keep the Boss RC-20 Loopstation, even though I like the Jamman
> and if I need to drop one or the other from my rig any given evening, the
> Jamman probably stays. Reasons:
>=20
>      * I never get rid of gear if I can help it
>      * the RC-20 can run on batteries and the Jamman cannot
>      * the Jamman lacks reverse playback mode

You probably realise this, but it's worth pointing out that the XL
version of the RC-20 sorts out quite a few of the UI problems of the
earlier model.

You can increment and decrement through the loops with a footswitch
now (any dual footswitch with momentary action and a 1/4" TRS jack
will do), and any of the loops can be single or repeating.

The XL is often reviewed as just a bigger memory version of the RC-20,
but Boss did fix quite a few little niggles with the second version.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 15:53:10 2005
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One minor issue for EDP users is that it takes two presses to send a
program change.  The pads normally send notes.  If you want to send a
PC to change a preset, you have to press a "shift" key to enter PC
mode, the next pad press will send the PC and return to note mode.
If you like to quickly switch between presets it takes just a little
more thought.  But then if you're using your hands you've probably
got time to think :-)

Also unlike most foot controllers, the pads can only send one program
change.  So if you were using this to reconfigure a rack of devices
you would have to do one Shift+Pad for each device.

While we're on the topic, the controller that has me drooling
right now is the Lemur.

   http://www.cycling74.com/products/lemur.html

Just the thing for that toe controlled surround panner.  But at $2500
you've got to *really* want it.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 16:58:10 2005
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On Thu, 15 Sep 2005, David Morton wrote:

> You probably realise this, but it's worth pointing out that the XL
> version of the RC-20 sorts out quite a few of the UI problems of the
> earlier model.
>
> You can increment and decrement through the loops with a footswitch
> now (any dual footswitch with momentary action and a 1/4" TRS jack
> will do), and any of the loops can be single or repeating.

Actually, I did not know either of those things. Thank you very much. I'm 
glad I specified I was comparing to the *non*XL RC-20 :).

> The XL is often reviewed as just a bigger memory version of the RC-20,
> but Boss did fix quite a few little niggles with the second version.

And because I knew neither of the facts you mentioned, I was one of those 
people who assumed the RC-20XL was just an RC-20 with more memory. Thanks 
very much for the new (to me) information.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 17:03:05 2005
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Subject: Best use of FCB-1010 (was RE: EDP Footpedal vs. FCB1010 ? ?)
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Fortified by the replies of the last few days, I searched the archives
and found the calibration instructions on LD, which are an improvement
on the manual. And lo, the pedals now work.
=20
Having used a PC1600x for many years, I must say the sole advantage of
an FCB-1010 over any number of other controllers, from the 1600x to the
Spin Doctor that has received some attention at LD in the last few days,
is that it is foot-controlled. Otherwise it is not very flexible. Having
said that, here is how I intend to proceed, and I wonder if anyone else
is working in a similar way.
=20
First, use the FCB-1010 AND the EFC-7.  the EFC-7 is small enough that
adding it to your gig gear is a minor matter. Planes would change the
equation of course.
=20
Set up a variety of EDP presets with significant differences, say =
Pre1=3D
basic, Pre2=3Dglitchy with a lot of SUS functions, etc. For each EDP
Preset, set up a  bank on the FCB-1010. On the first preset of this
bank, program the 5 program change switches so that they load a "sound
world" into the other devices in the rig - in my case the 1600x, an
A-Station, AdrenaLinn,  and a just-acquired VF-1 (assuming I like the
VF-1). Deactivate these switches for the other presets in the bank.
=20
The next bank would be a new sound world and a new EDP work mode, set up
the same way - a new set of program changes on Pre1, including a
different  EDP Pre.  Given the changes in the Pre, the other FCB presets
in the bank would be programmed differently.
=20
Hal Dean
=20
-----Original Message-----
From: Ben [mailto:benoitruelle@yahoo.fr]=20
Sent: Thursday, September 15, 2005 3:44 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Footpedal vs. FCB1010 ? ?



	Isn't there also for the CC pedal a specific midi channel that
can be different from the switches one?
	In this case might it be possible that you only listen to 1
channel and discard the other ones?

		----- Original Message -----=20
		From: Dean, Hal <mailto:HDEAN@wcupa.edu>=20
		To: Loopers-Delight@loopers-delight.com=20
		Sent: Wednesday, September 14, 2005 9:45 PM
		Subject: RE: EDP Footpedal vs. FCB1010 ? ?

		Yes, I'm talking about the cc pedals. The buttons work.
I think I now have enough info from everyone to take another shot at
this tonight. Thanks for the reply.
		=20
		=20
		Hal L. Dean , AIA, LEED
		Project Manager
		Facilities Planning
		West Chester University
		610-436-2519

			-----Original Message-----
			From: Adrian Bartholomew
[mailto:adrian@bartholomusic.com]=20
			Sent: Wednesday, September 14, 2005 3:45 PM
			To: Loopers-Delight@loopers-delight.com
			Subject: Re: EDP Footpedal vs. FCB1010 ? ?
		=09
		=09
			the same thing happened to me when i 1st got the
1010.=20
			i assume by "pedals", u r talking about the
continuous controller pedals on the 1010.=20
			i got no signal at all.=20
			i called them and he emailed me the directions
for calibration (which was in the manual i didnt read anyway) and it
worked like a charm.=20
			are ur buttons working?=20
			___=20
			Adrian Bartholomew=20
			Leawood KS=20
			On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote:=20


				I've been watching this dialogue for
awhile and find myself wondering if I should do as I've intended -
return the FCB-1010 I bought 3 weeks ago, for money back.=20

				I've had enough experience programming
controllers to be undaunted by the arcane language of the manual. I was
unable to use the editing software I got from the Yahoo FCB-1010 support
group (frankly I don't recall at the moment why it did not work, but no
matter for now), but was able to decipher the manual and get the
switches working.  The problem is the pedals - they don't work at all.=20

				I tried the calibration routine as
described in the manual several times, to no avail. My MIDI interface
registers no MIDI signal from either pedal; it DOES recognize switch
operations.=20

				Given the conflicting comments about the
reliability of the FCB-1010, I was considering this evidence that I
should stay away from an unreliable bit of kit... hence the decision to
take it back to Guitar Center. I have a Rocktron MIDIMate and a PC-1600x
that provide the same functions, albeit a bit more awkwardly since only
the PC1600x sends note on, and the buttons and sliders are small.
still, that is working in the studio. Live is maybe another matter, so i
want to be sure it makes sense to ditch the FCB-1010.=20

				Given what I just described, is it a
sure bet that the pedals are DOA, or is there something about the
calibration routine I ought to try one more time? Is the lack of any
MIDI output an indication that the pedals are DOA?=20

				Any advice on this specific point would
be most welcome. General comments on the pros and cons of the FCB-1010
are readily available, and I'll keep them in mind of course.=20

				Hal Dean=20


------_=_NextPart_001_01C5BA16.FEF8974A
Content-Type: text/html;
	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff>Fortified by the replies of the last few days, I =
searched the=20
archives and found the calibration instructions on LD, which are an =
improvement=20
on the manual. And lo, the pedals now work.</FONT></SPAN></DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff>Having used a PC1600x for many years, I must say the =
sole=20
advantage of an FCB-1010 over any number of other controllers, from the =
1600x to=20
the Spin Doctor that has received some attention at LD in the last few =
days, is=20
that it is foot-controlled. Otherwise it is not very flexible. Having =
said that,=20
here is how&nbsp;I intend to proceed, and I wonder if anyone else is =
working in=20
a similar way.</FONT></SPAN></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff>First, use the FCB-1010 AND the EFC-7.&nbsp; the EFC-7 =
is small=20
enough that adding it to your gig gear is a minor matter. Planes would =
change=20
the equation of course.</FONT></SPAN></DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua" =
color=3D#0000ff>Set=20
up a variety of EDP presets with significant differences, say Pre1=3D =
basic,=20
Pre2=3Dglitchy with a lot of SUS functions, etc. For each EDP Preset, =
set up=20
a&nbsp;&nbsp;bank on the FCB-1010. On the first preset of this bank, =
program the=20
5 program change switches so that they load a "sound world" into the =
other=20
devices in the rig - in my case the 1600x, an A-Station, =
AdrenaLinn,&nbsp; and a=20
just-acquired VF-1 (assuming I like the VF-1). Deactivate these switches =
for the=20
other presets in the bank.</FONT></SPAN></DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua" =
color=3D#0000ff>The=20
next bank would be a</FONT>&nbsp;<FONT face=3D"Book Antiqua" =
color=3D#0000ff>new=20
sound world and a new EDP work mode, set up the same way - a new set of =
program=20
changes on Pre1, including&nbsp;a different&nbsp;&nbsp;EDP Pre.&nbsp; =
Given the=20
changes in the Pre, the other FCB presets in the bank would be =
programmed=20
differently.</FONT></SPAN></DIV>
<DIV><SPAN class=3D122124516-15092005><FONT face=3D"Book Antiqua"=20
color=3D#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN class=3D954163418-19102004> =
Dean</SPAN></FONT></EM></STRONG></DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4><SPAN =
class=3D954163418-19102004></SPAN></FONT></EM></STRONG>&nbsp;</DIV>
<DIV align=3Dleft></DIV>
<DIV align=3Dleft><FONT face=3DTahoma size=3D2>-----Original=20
Message-----<BR><B>From:</B> Ben [mailto:benoitruelle@yahoo.fr] =
<BR><B>Sent:</B>=20
Thursday, September 15, 2005 3:44 AM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: EDP Footpedal =
vs.=20
FCB1010 ? ?<BR><BR></DIV></FONT>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2>Isn't there also for the CC pedal a =
specific midi=20
  channel that can be different from the switches one?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>In this case might it be possible =
that you only=20
  listen to 1 channel and discard the other ones?</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3DHDEAN@wcupa.edu href=3D"mailto:HDEAN@wcupa.edu">Dean, Hal =
</A></DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, September =
14, 2005=20
    9:45 PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: EDP Footpedal =
vs. FCB1010=20
    ? ?</DIV>
    <DIV><BR></DIV>
    <DIV><SPAN class=3D835334419-14092005><FONT face=3D"Book Antiqua"=20
    color=3D#0000ff>Yes, I'm talking about the cc pedals. The buttons =
work. I=20
    think I now have enough info from everyone to take another shot at =
this=20
    tonight. Thanks for the reply.</FONT></SPAN></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
    size=3D4>Hal<SPAN class=3D954163418-19102004> L. Dean , AIA,=20
    LEED</SPAN></FONT></EM></STRONG></DIV>
    <DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
    size=3D4><SPAN =
class=3D954163418-19102004></SPAN></FONT></EM></STRONG><FONT=20
    face=3D"Palatino Linotype" size=3D2>Project Manager</FONT></DIV>
    <DIV align=3Dleft><FONT face=3D"Palatino Linotype" =
size=3D2>Facilities=20
    Planning</FONT></DIV>
    <DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>West =
Chester=20
    University</FONT></DIV>
    <DIV align=3Dleft><FONT face=3D"Palatino Linotype"=20
    size=3D2>610-436-2519</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
      <DIV></DIV>
      <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
      face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Adrian=20
      Bartholomew [mailto:adrian@bartholomusic.com] <BR><B>Sent:</B> =
Wednesday,=20
      September 14, 2005 3:45 PM<BR><B>To:</B>=20
      Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: EDP =
Footpedal=20
      vs. FCB1010 ? ?<BR><BR></FONT></DIV><!-- Converted from =
text/enriched format -->
      <DIV>the same thing happened to me when i 1st got the 1010. </DIV>
      <DIV>i assume by "pedals", u r talking about the continuous =
controller=20
      pedals on the 1010. </DIV>
      <DIV>i got no signal at all. </DIV>
      <DIV>i called them and he emailed me the directions for =
calibration (which=20
      was in the manual i didnt read anyway) and it worked like a charm. =
</DIV>
      <DIV>are ur buttons working? </DIV>
      <DIV>___<B><FONT color=3D#790409> </DIV>
      <DIV>Adrian Bartholomew </DIV>
      <DIV></FONT></B>Leawood KS </DIV>
      <DIV>On Sep 14, 2005, at 11:09 AM, Dean, Hal wrote: </DIV><BR>
      <BLOCKQUOTE>
        <DIV><FONT color=3D#0000ff>I've been watching this dialogue for =
awhile and=20
        find myself wondering if I should do as I've intended - return =
the=20
        FCB-1010 I bought 3 weeks ago, for money back.</FONT> </DIV><BR>
        <DIV><FONT color=3D#0000ff>I've had enough experience =
programming=20
        controllers to be undaunted by the arcane language of the =
manual. I was=20
        unable to use the editing software I got from the Yahoo FCB-1010 =
support=20
        group (frankly I don't recall at the moment why it did not work, =
but no=20
        matter for now), but was able to decipher the manual and get the =

        switches working.&nbsp; The problem is the pedals - they don't =
work at=20
        all.</FONT> </DIV><BR>
        <DIV><FONT color=3D#0000ff>I tried the calibration routine as =
described in=20
        the manual several times, to no avail. My MIDI interface =
registers no=20
        MIDI signal from either pedal; it DOES recognize switch=20
        operations.</FONT> </DIV><BR>
        <DIV><FONT color=3D#0000ff>Given the conflicting comments about =
the=20
        reliability of the FCB-1010, I was considering this evidence =
that I=20
        should stay away from an unreliable bit of kit... hence the =
decision to=20
        take it back to Guitar Center. I have a Rocktron MIDIMate and a =
PC-1600x=20
        that provide the same functions, albeit a bit more awkwardly =
since only=20
        the PC1600x sends note on, and the buttons and sliders are =
small.&nbsp;=20
        still, that is working in the studio. Live is maybe another =
matter, so i=20
        want to be sure it makes sense to ditch the FCB-1010.</FONT> =
</DIV><BR>
        <DIV><FONT color=3D#0000ff>Given what I just described, is it a =
sure bet=20
        that the pedals are DOA, or is there something about the =
calibration=20
        routine I ought to try one more time? Is the lack of any MIDI =
output an=20
        indication that the pedals are DOA?</FONT> </DIV><BR>
        <DIV><FONT color=3D#0000ff>Any advice on this specific point =
would be most=20
        welcome. General comments on the pros and cons of the FCB-1010 =
are=20
        readily available, and I'll keep them in mind of course.</FONT>=20
        </DIV><BR>
        <DIV><FONT color=3D#0000ff>Hal Dean</FONT>=20
  =
</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
=00
------_=_NextPart_001_01C5BA16.FEF8974A--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 17:56:41 2005
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Date: Thu, 15 Sep 2005 12:56:35 -0500 (CDT)
From: <nemoguitt@verizon.net>
Subject: cornfigurations
To: Loopers-Delight@loopers-delight.com
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all this talk of midi pedals.....wow.....since i got home all i have in my 
"kit" is guitar>rang>alesis "smashup" (compressor)(tanks per!)>alesis Q2, i 
have the Q2 on a send in my mixer.....the absolut height of simplicity.....it 
has been fun to rediscover the Q2 without all the ineko/bitrman shananagans 
and does it sound clean, holy moose!.....it has been forceing me to "compose" 
more which is always good, imho.....although while i'm looping i'm longingly 
gazeing at my little babies who all want me to "play" with them....."oh papa 
let me help you skank a little bit!".....NO.....i will be strong!.....or 
perhaps not.....:)m

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 19:01:25 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: cornfigurations
Date: Thu, 15 Sep 2005 15:05:05 -0400
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What, no Bitrman anymore? Did it die on you? Tell me more about the Q2,
pleeeeeeze.
~Timbus Psychedelicus Mungenastus
www.myspace.com/timmungenast
www.mungenast.com


> [Original Message]
> From: <nemoguitt@verizon.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/15/2005 1:56:40 PM
> Subject: cornfigurations
>
> all this talk of midi pedals.....wow.....since i got home all i have in
my 
> "kit" is guitar>rang>alesis "smashup" (compressor)(tanks per!)>alesis Q2,
i 
> have the Q2 on a send in my mixer.....the absolut height of
simplicity.....it 
> has been fun to rediscover the Q2 without all the ineko/bitrman
shananagans 
> and does it sound clean, holy moose!.....it has been forceing me to
"compose" 
> more which is always good, imho.....although while i'm looping i'm
longingly 
> gazeing at my little babies who all want me to "play" with them....."oh
papa 
> let me help you skank a little bit!".....NO.....i will be strong!.....or 
> perhaps not.....:)m
>
> http://mysite.verizon.net/vzepmeci


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Date: Thu, 15 Sep 2005 12:56:38 -0800
Subject: anybody know anything about...?
From: <stanitarium@earthlink.net>
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http://www.backline-eng.com/

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 20:06:56 2005
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wow.. cool box, but the worst demos i've ever heard!!!


On Sep 15, 2005, at 4:56 PM, <stanitarium@earthlink.net> wrote:

> http://www.backline-eng.com/
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 21:25:34 2005
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My god, they want $440 for that little thing?!

If you're going to have a "stripped down" looper - they even advertize it 
that way, telling you to buy expensive software if you want to do much more 
than quick live looping - then they should price it that way. Egad.



>From: monk <monk@fuse.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: anybody know anything about...?
>Date: Thu, 15 Sep 2005 16:06:59 -0400
>
>wow.. cool box, but the worst demos i've ever heard!!!
>
>
>On Sep 15, 2005, at 4:56 PM, <stanitarium@earthlink.net> wrote:
>
>>http://www.backline-eng.com/
>>
>


From Loopers-Delight-request@loopers-delight.com  Thu Sep 15 22:16:44 2005
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http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200506/msg0046
2.html?line=20#hilite
;)
B.

> -----Original Message-----
> From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net]
> Sent: Donnerstag, 15. September 2005 22:57
> To: Loop Folk
> Subject: anybody know anything about...?
> 
> http://www.backline-eng.com/


From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 01:57:20 2005
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Date: Thu, 15 Sep 2005 22:57:13 -0300
From: tadeu barboza <tbkobna@gmail.com>
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I agree! What a shit demos! Maybe they should send one box to each of us an=
d=20
we'll send good demos as part exchange :) 440?!!

KOBNA BRAZIL.



On 9/15/05, monk <monk@fuse.net> wrote:
>=20
> wow.. cool box, but the worst demos i've ever heard!!!
>=20
>=20
> On Sep 15, 2005, at 4:56 PM, <stanitarium@earthlink.net> wrote:
>=20
> > http://www.backline-eng.com/
> >
>=20
>

------=_Part_8667_19077513.1126835833009
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I agree!&nbsp; What a shit demos! Maybe they should send one box to
each of us and we'll send good demos as part exchange :)&nbsp; 440?!!<br>
<br>
KOBNA BRAZIL.<br>
<span style=3D"font-weight: bold;"></span><br>
<br><br><div><span class=3D"gmail_quote">On 9/15/05, <b class=3D"gmail_send=
ername">monk</b> &lt;<a href=3D"mailto:monk@fuse.net">monk@fuse.net</a>&gt;=
 wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1px s=
olid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
wow.. cool box, but the worst demos i've ever heard!!!<br><br><br>On Sep 15=
, 2005, at 4:56 PM, &lt;<a href=3D"mailto:stanitarium@earthlink.net">stanit=
arium@earthlink.net</a>&gt; wrote:<br><br>&gt; <a href=3D"http://www.backli=
ne-eng.com/">
http://www.backline-eng.com/</a><br>&gt;<br><br></blockquote></div><br>

------=_Part_8667_19077513.1126835833009--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 02:03:13 2005
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Date: Thu, 15 Sep 2005 15:55:56 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: mp3 tags, please...
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hi

sometimes I love to follow the links that come up on LD and listen to 
the music. Usually I download the files right away.
then when I find them later, I dont remember where they come from and 
usually the file name does not say it

and now comes my point:
* please fill out some mp3 tags before you upload your music !! *
...so its clear who created it an it comes up organized in our players.
easy to do: either piece by piece in the player or with some tool 
that can do a lot more. On the Mac, I find MP3Rage phantastic.

so recently I tried to organize my files (because I got a lot of new 
ones from Zürich!) and searched the net for the file name

who playd "Singularity" please? A quite impressive 18min trip

another one I found is DreamWithNoSleeping, aparently by some Tony
his site is http://thinginajar.com/bigtony/index.html
but there are only title pages, I dont see how to get in!
Also a long deep trip

I find those long deep pieces very intersting because they tell about 
serious processes the players go through. I did many of those. I bet 
they are healing. But hardly heal the listener, I think, only the 
player... no?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 04:53:53 2005
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: mp3 tags, please...
Date: Thu, 15 Sep 2005 23:53:51 -0500
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On Sep 15, 2005, at 1:55 PM, Matthias Grob wrote:
> sometimes I love to follow the links that come up on LD and listen to 
> the music. Usually I download the files right away.
> then when I find them later, I dont remember where they come from and 
> usually the file name does not say it

i too have downloaded alot of cool music from fellow listmembers, of 
not only this list but also Analogue Heaven, and all of the tracks in 
my iTunes library which were not properly tagged, even though there was 
some good music there, were deleated a month or so ago.

so be kind, and let us know it's your music we're listening to!
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 07:47:01 2005
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looks more like a box for corporate loopers with suit
and ties!

> wow.. cool box, but the worst demos i've ever
> heard!!!
> 
> 
> On Sep 15, 2005, at 4:56 PM,
> <stanitarium@earthlink.net> wrote:
> 
> > http://www.backline-eng.com/
> >
> 
> 


www.luis-angulo.com

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 08:29:51 2005
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Date: Fri, 16 Sep 2005 10:34:23 +0200
Subject: Re: EDP SUS Multiply is phantastic
From: Andreas Willers <a.willers@arcor.de>
To: LD to post <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3209711663_94718_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit

Kim wrote:  So we came up with the idea of
redefining the loop length as you add to it with Multiply.

This is exactly the (well, one of the) superior points in working with the
EDP! And it's really easy and intuitive. Case in point: I caught a bad flu
last week and had to last through three feaverish gigs on the weekend (two
involved loopage), hardly being able to soundcheck.

While it is certainly extra stress when you are performing a solo looping
show compared to a concert with a band (noone to back you up plus the darn
button-pressing-syndrome) the EDP really pulled me through: since I was
really not feeling well I left out some of the more complex tunes involving
precise layers of forward/reverse, loop windowing etc., stuck to my two
favorite presets (the glitchy one with SUS multiply and SUS Insert and a
straight, 'classic' one) and was able to make some nice, interesting music
for me and the audience without too much of ostinatos-with-noodling-on-top.
The EDP behaved like a musical partner (well, almost) on stage, supportive
and easy going when I needed it. At one point, while thinking (if anything
at all) "what should I play now?" all of a sudden a a grooy 7/8 out of a
scratch noise sound on the strings emerged by means of SUS Multiply and off
we went. That's the mark of a great instrument. THANK YOU, AURISIS, FOR
GIVING US LOOP IV!!!

Cheers, Andreas 

--MS_Mac_OE_3209711663_94718_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: EDP SUS Multiply is phantastic</TITLE>
</HEAD>
<BODY>
Kim wrote: <TT> So we came up with the idea of <BR>
redefining the loop length as you add to it with Multiply.<BR>
<BR>
This is exactly the (well, one of the) superior points in working with the =
EDP! And it's really easy and intuitive. Case in point: I caught a bad flu l=
ast week and had to last through three feaverish gigs on the weekend (two in=
volved loopage), hardly being able to soundcheck.<BR>
<BR>
While it is certainly extra stress when you are performing a solo looping s=
how compared to a concert with a band (noone to back you up plus the darn bu=
tton-pressing-syndrome) the EDP really pulled me through: since I was really=
 not feeling well I left out some of the more complex tunes involving precis=
e layers of forward/reverse, loop windowing etc., stuck to my two favorite p=
resets (the glitchy one with SUS multiply and SUS Insert and a straight, 'cl=
assic' one) and was able to make some nice, interesting music for me and the=
 audience without too much of ostinatos-with-noodling-on-top. The EDP behave=
d like a musical partner (well, almost) on stage, supportive and easy going =
when I needed it. At one point, while thinking (if anything at all) &quot;wh=
at should I play now?&quot; all of a sudden a a grooy 7/8 out of a scratch n=
oise sound on the strings emerged by means of SUS Multiply and off we went. =
That's the mark of a great instrument. THANK YOU, AURISIS, FOR GIVING US LOO=
P IV!!!<BR>
<BR>
Cheers, Andreas</TT>=20
</BODY>
</HTML>


--MS_Mac_OE_3209711663_94718_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 09:58:37 2005
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Date: Fri, 16 Sep 2005 10:58:28 +0100
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I have to admit that for $440 they could have better foot switches at least. 
Of course the demos can't be looped properly without loading into a 
recorder-looper program either.  This is a wait-and-see thing here.

From: "jj 179" <jj179subs@hotmail.com>
> My god, they want $440 for that little thing?!
>
> If you're going to have a "stripped down" looper - they even advertize it 
> that way, telling you to buy expensive software if you want to do much 
> more than quick live looping - then they should price it that way. Egad.
>
>
>
>>From: monk <monk@fuse.net>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: anybody know anything about...?
>>Date: Thu, 15 Sep 2005 16:06:59 -0400
>>
>>wow.. cool box, but the worst demos i've ever heard!!!
>>
>>
>>On Sep 15, 2005, at 4:56 PM, <stanitarium@earthlink.net> wrote:
>>
>>>http://www.backline-eng.com/
>>>
>>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 11:44:15 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject:  Interesting article on experimental music
Date: Fri, 16 Sep 2005 05:44:01 -0600
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> Interesting article on experimental music, its viability, homemade
> instruments, laptop music, etc, etc..
> 
> http://www.washingtonpost.com/wp-dyn/content/article/2005/09/15/AR2005
> 091500550.html
> 
> From the Electric Possible website:
> 
> Media Alert--Media Alert--Media Alert--Media Alert--Media Alert
> "The monthly Electric Possible gathering is all about words that end
> in -al--particularly 'experimental,' 'accidental,' 'improvisational,'
> and 'irrational'...The noise is a community thing, made by a network
> of artists who thrive on the freedom to explore emotional spontaneity,
> social rebellion, and psychedelic escapism, without the hippie
> aftertaste." --Joe Warminsky, Washington City Paper (Feb 4, City
> Lights)  http://www.panicresearch.com/el_ethno.html
> Anyone near George Wasshington University checking this out?
> 
> K-
> 
> **********************************************************************
> ************************
> Krispen Hartung
> http://www.krispenhartung.com
> info@krispenhartung.com / 208-724-5603
> Subscribe to email list: krispenhartung-subscribe@yahoogroups.com
> Performance Calendar:
> http://www.mojam.com/concerts/search?key=performer&value=Krispen%20Har
> tung
> 
> 

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charset=3Dus-ascii">
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<TITLE> Interesting article on experimental music</TITLE>
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<P><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">Interesting =
article on experimental music, its viability, homemade instruments, =
laptop music, etc, etc..</FONT></SPAN>
</P>

<P><SPAN LANG=3D"en-us"></SPAN><A =
HREF=3D"http://www.washingtonpost.com/wp-dyn/content/article/2005/09/15/A=
R2005091500550.html"><SPAN LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 =
FACE=3D"Arial">http://www.washingtonpost.com/wp-dyn/content/article/2005/=
09/15/AR2005091500550.html</FONT></U></SPAN></A><SPAN =
LANG=3D"en-us"></SPAN>
</P>

<P><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">From the Electric =
Possible website:</FONT></SPAN>
</P>

<P><SPAN LANG=3D"en-us"><B><FONT COLOR=3D"#800080" SIZE=3D2 =
FACE=3D"Times New Roman">Media Alert--Media Alert--Media Alert--Media =
Alert--Media Alert</FONT></B></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Times New =
Roman">&quot;The monthly Electric Possible gathering is all about words =
that end in -al--particularly 'experimental,' 'accidental,' =
'improvisational,' and 'irrational'...The noise is a community thing, =
made by a network of artists who thrive on the freedom to explore =
emotional spontaneity, social rebellion, and psychedelic escapism, =
without the hippie aftertaste.&quot; --Joe Warminsky, Washington City =
Paper (Feb 4, City Lights)&nbsp; </FONT></SPAN><A =
HREF=3D"http://www.panicresearch.com/el_ethno.html"><SPAN =
LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Times New =
Roman">http://www.panicresearch.com/el_ethno.html</FONT></U></SPAN></A><S=
PAN LANG=3D"en-us"></SPAN></P>

<P><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">Anyone near George =
Wasshington University checking this out?</FONT></SPAN>
</P>

<P><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">K-</FONT></SPAN>
</P>

<P><SPAN LANG=3D"en-us"><FONT SIZE=3D1 =
FACE=3D"Arial">**********************************************************=
************************************</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Arial">Krispen =
Hartung</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"></SPAN><A =
HREF=3D"http://www.krispenhartung.com"><SPAN LANG=3D"en-us"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D1 =
FACE=3D"Arial">http://www.krispenhartung.com</FONT></U></SPAN></A><SPAN =
LANG=3D"en-us"></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 =
FACE=3D"Arial">info@krispenhartung.com / 208-724-5603</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Arial">Subscribe to =
email list: krispenhartung-subscribe@yahoogroups.com</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Arial">Performance =
Calendar:</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"></SPAN><A =
HREF=3D"http://www.mojam.com/concerts/search?key=3Dperformer&amp;value=3D=
Krispen%20Hartung"><SPAN LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D1 =
FACE=3D"Arial">http://www.mojam.com/concerts/search?key=3Dperformer&amp;v=
alue=3DKrispen%20Hartung</FONT></U></SPAN></A><SPAN =
LANG=3D"en-us"></SPAN>
</P>
<BR>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 14:02:16 2005
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <p0600201cbf4f714e911c@[10.1.1.6]>
Subject: Re: mp3 tags, please...
Date: Fri, 16 Sep 2005 09:57:07 -0400
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> who playd "Singularity" please? A quite impressive 18min trip
>

That would be me.  And thanks for mentioning about the tags.  I am bad about 
filling them out.

> another one I found is DreamWithNoSleeping, aparently by some Tony
> his site is http://thinginajar.com/bigtony/index.html
> but there are only title pages, I dont see how to get in!
> Also a long deep trip

Me again! :)

Try http://www.thinginajar.com/bigtony/music.htm

Although, not everything is on there.  Another task for me this weekend. :)

Tony

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 14:43:50 2005
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Date: Fri, 16 Sep 2005 07:43:48 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT-art/ "physically represented"??
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late post to this, someone wrote:

"art must be physically represented to be called art."

actually not so. the ideas of duchamp in the 19-teens was that he wanted to return the ideas of art to the realm of the mind and away from the realm of visual sensation (he was responding to the ideas of modern art at that time: impressionism, post-impressionism, expressionism, early cubism,etc). i believe that he quit painting altogether in the late teens (maybe 1919, can't remember exactly) and focused on his ideas of the ready-made.

and his ideas were of course adapted/used for the 60's movement of conceptualism, which had the intent of moving away entirely from the idea of the "art object" and the idea of putting things in museums/galleries, but again the idea was to focus entirely on the idea of "idea", or "information". a lot of conceptualism focused on the process of "process itself" or on documenting process, etc., 2 movements that also developed concurrently w/ this was the fluxus movement, which was also a strain of anti-art, similar to the dada movment after WWI, and the other was "earth art", the idea of again removing art from the confines of gallery/museum and out in the world. it should be pointed out that both dada & fluxus used sound, performance, theatre aspects that were not "object oriented".

i also remember frank zappa talking about his solos as "sound sculptures".

and in the realm of music, sure there is physical objectness of cd/tape/record, printed music, but music itself has no physical-ness to it, it is sound waves/sensation that we hear...i remember reading an article that most music from the 20th century is "electronic music" , being that we experience it from listening to recorded source, and not live....

end of my 2 cents.....

s----


		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
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<P>late post to this, someone wrote:</P>
<P>"art must be physically represented to be called art."</P>
<P>actually not so. the ideas of duchamp in the 19-teens was that he wanted to return the ideas of art to the realm of the mind and away from the realm of visual sensation (he was responding to the ideas of modern art at that time: impressionism, post-impressionism, expressionism, early cubism,etc). i believe that he quit painting altogether in the late teens (maybe 1919, can't remember exactly) and focused on his ideas of the ready-made.</P>
<P>and his ideas were of course adapted/used for the 60's movement of conceptualism, which had the intent of moving away entirely from the idea of the "art object" and the idea of putting things in museums/galleries, but again the idea was to focus entirely on the idea of "idea", or "information". a lot of conceptualism focused on the process of "process itself" or on documenting process, etc., 2 movements that also developed concurrently w/ this was the fluxus movement, which was also a strain of anti-art, similar to the dada movment after WWI, and the other was "earth art", the idea of again removing art from the confines of gallery/museum and out in the world. it should be pointed out that both dada &amp; fluxus used sound, performance, theatre aspects that were not "object oriented".</P>
<P>i also remember frank zappa talking about his solos as "sound sculptures".</P>
<P>and in the realm of music, sure there is physical objectness of cd/tape/record, printed music, but music itself has no physical-ness to it, it is sound waves/sensation that we hear...i remember reading an article that most music from the 20th century is "electronic music" , being that we experience it from listening to recorded source, and not live....</P>
<P>end of my 2 cents.....</P>
<P>s----<BR></P><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1534451197-1126881828=:5885--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 17:17:59 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
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Subject: Previous Festivals
Date: Fri, 16 Sep 2005 19:17:39 +0200
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Dear list members

On the site http://loopfestival.com in the section "Links to Previous
Loopfestivals", there's a list of previous looping festivals. Per Boysen
notified me that the "1st Swedish Looping Festival 2003" was missing. If =
you
see any other festival missing or one that you know a URL for, please =
let me
know and I'll update this section.

Thank you
Bernhard


From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 17:26:11 2005
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: gig spam: malibu
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This is a bit last minute, but Sunday October 18, Lives of the Saints 
(Ronan Chris Murphy with Bill Forth) will be performing a 
looping/soundscapes in an empty swimming pool on a cliff overlooking 
the pacific ocean. Who could pass up a chance to see two guys from 
Fripp's old soundscapes road crew droning away in a swimming pool while 
eating Bar-B-Cue?

This is a private event but we are allowed to invite guests, so if you 
are in So Cal and you think this might be interesting write me offline 
for directions etc.


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher)
--Apple-Mail-6-407970556
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This is a bit last minute, but Sunday October 18, <bold>Lives of the
Saints</bold> (Ronan Chris Murphy with Bill Forth) will be performing
a looping/soundscapes in an empty swimming pool on a cliff overlooking
the pacific ocean. Who could pass up a chance to see two guys from
Fripp's old soundscapes road crew droning away in a swimming pool
while eating Bar-B-Cue?


This is a private event but we are allowed to invite guests, so if you
are in So Cal and you think this might be interesting write me offline
for directions etc.



Ronan Chris Murphy

www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)

www.homerecordingbootcamp.com (Workshops around the world teaching the
art and craft of recording )

www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher)
--Apple-Mail-6-407970556--


From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 17:31:14 2005
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Notice for an October 18th would be well in advance, for September
18th (this Sunday), a little less so.

On 9/16/05, Ronan Chris Murphy <looper@venetowest.com> wrote:
> This is a bit last minute, but Sunday October 18, Lives of the Saints
> (Ronan Chris Murphy with Bill Forth) will be performing a
> looping/soundscapes in an empty swimming pool on a cliff overlooking
> the pacific ocean. Who could pass up a chance to see two guys from
> Fripp's old soundscapes road crew droning away in a swimming pool while
> eating Bar-B-Cue?
>=20
> This is a private event but we are allowed to invite guests, so if you
> are in So Cal and you think this might be interesting write me offline
> for directions etc.
>=20
>=20
> Ronan Chris Murphy
> www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
> Steve Morse, Terry Bozzio, CGT...)
> www.homerecordingbootcamp.com (Workshops around the world teaching the
> art and craft of recording )
> www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
> Cher)
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 18:18:33 2005
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Re: gig spam: malibu - correctioin
Date: Fri, 16 Sep 2005 11:18:06 -0700
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Travis you are absolutely correct!!! SEPTEMBER 18 as in a couple days 
from now.

> Notice for an October 18th would be well in advance, for September
> 18th (this Sunday), a little less so.
>
> On 9/16/05, Ronan Chris Murphy <looper@venetowest.com> wrote:
>> This is a bit last minute, but Sunday October 18, Lives of the Saints
>> (Ronan Chris Murphy with Bill Forth) will be performing a
>> looping/soundscapes in an empty swimming pool on a cliff overlooking
>> the pacific ocean. Who could pass up a chance to see two guys from
>> Fripp's old soundscapes road crew droning away in a swimming pool 
>> while
>> eating Bar-B-Cue?
>>
>> This is a private event but we are allowed to invite guests, so if you
>> are in So Cal and you think this might be interesting write me offline
>> for directions etc.
>>
>>
>> Ronan Chris Murphy
>> www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
>> Steve Morse, Terry Bozzio, CGT...)
>> www.homerecordingbootcamp.com (Workshops around the world teaching the
>> art and craft of recording )
>> www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
>> Cher)
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 18:37:48 2005
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: Previous Festivals
Date: Fri, 16 Sep 2005 12:44:48 -0600
To: Loopers-Delight@loopers-delight.com,
	Bernhard Wagner LD <loopdelightml@nosuch.biz>
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The "Mid'Lantic Loop Show" held in Philadelphia in 1997.  This was set 
up/ organized by Jim Speer (Stick player / Loopist w/ "Broadside 
Electric") and heavily promoted/ reviewed on "Loopers Delight" at the 
time.  Performers included Charles Cohen (Buchla Sound Easel-Phila.), 
"Fingerpaint" (guitar/loop duo-Wash. DC), "Emergence of Man" 
(Stick/loopist-ie: me, guitar, percussion- NJ), and 2/3 other acts 
(sorry I can't remember their names - might be in the archives), all 
united by "Loopers Delight" membership.  While not an international 
event, it did come about because of "Loopers Delight" and may have been 
the first official "LoopShow" that was a result of the communication/ 
networking that LD supported. - Paul
PS: if needed I can try to get a hold of Jim Speer for particulars - I 
recently moved to Evergreen, CO so give me couple days to contact him 
back east - if needed.


On Sep 16, 2005, at 11:17 AM, Bernhard Wagner LD wrote:

> Dear list members
>
> On the site http://loopfestival.com in the section "Links to Previous
> Loopfestivals", there's a list of previous looping festivals. Per 
> Boysen
> notified me that the "1st Swedish Looping Festival 2003" was missing. 
> If you
> see any other festival missing or one that you know a URL for, please 
> let me
> know and I'll update this section.
>
> Thank you
> Bernhard
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 18:51:20 2005
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Date: Fri, 16 Sep 2005 11:51:17 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: (OT a bit) Softsampler advice 
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Last night I had one of the most productive evenings
of making music I've had in quite some time.  I did it
by abandoning my two "grooveboxes" (an E-MU XL-7 and a
Korg Electribe ESX-1) in favor of using my computer
running Digital Performer in conjunction with a Native
Instruments BATTERY 2 demo.  It was really liberating
being able to create beats so quickly and arrange them
into a song like structure without even having to stop
the sequencer to quantize parts, all the time my
Repeater chasing along.  The Battery 2 Demo had some
great kits that inspired some traditional stuff as
well as quirky weird stuff to.  FUN.

I'd been resisting the siren call of the computer for
this type of music for a long time... not even sure
why.  In other aspects of my life I've done things
like sold all my oil paint and brushes to buy Painter
and a Wacom tablet.  I've probably spent so many years
working in music stores dealing with hardware
sequencers/drummachines that it just feels
comfortable.

No more.  Like a comfortable old shoe that's just not
supporting your new rock climbing sport, I'm going to
move up the technology chain. I'm still going to keep
my Command Station because it's still kick ass for
making a quick beat and a good interface, but man am I
not going to compose or lug that sucker around any
longer.  I thought the sound of Battery was as good if
not better than my E-MU's ROM samples.  LONG cymbals. 
MMmm mmm good.

So here's my question:  Battery?  Is that the thing
for me?  Should I try something more robust like
Kontakt?  Mach 5?  Sampletank. I still plan on using
hardware synths for a lot of my sound so my main use
for this would be drums and bass to support my guitar
and synth loops.  I'm running a Mac so it would need
to be OSX compatable and work with DIgital Performer
4.6.  (MAS or AU's would be fine)

What say ye?

Mark


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 19:15:57 2005
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Date: Fri, 16 Sep 2005 12:15:55 -0700
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Don't know if it's what you are looking for, but I use Loopazoid
http://www.kvraudio.com/get/55.html
It's a simpler (free!) version of Battery. Both Mac and PC versions,
though I'm not sure if it is OSX. The gating is nice. I built a tabla
kit, and the right hand strokes cut each other off without affecting
the left hand strokes. Multiple Outputs. I'm real happy with it.

On 9/16/05, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> Last night I had one of the most productive evenings
> of making music I've had in quite some time.  I did it
> by abandoning my two "grooveboxes" (an E-MU XL-7 and a
> Korg Electribe ESX-1) in favor of using my computer
> running Digital Performer in conjunction with a Native
> Instruments BATTERY 2 demo.  It was really liberating
> being able to create beats so quickly and arrange them
> into a song like structure without even having to stop
> the sequencer to quantize parts, all the time my
> Repeater chasing along.  The Battery 2 Demo had some
> great kits that inspired some traditional stuff as
> well as quirky weird stuff to.  FUN.
>=20
> I'd been resisting the siren call of the computer for
> this type of music for a long time... not even sure
> why.  In other aspects of my life I've done things
> like sold all my oil paint and brushes to buy Painter
> and a Wacom tablet.  I've probably spent so many years
> working in music stores dealing with hardware
> sequencers/drummachines that it just feels
> comfortable.
>=20
> No more.  Like a comfortable old shoe that's just not
> supporting your new rock climbing sport, I'm going to
> move up the technology chain. I'm still going to keep
> my Command Station because it's still kick ass for
> making a quick beat and a good interface, but man am I
> not going to compose or lug that sucker around any
> longer.  I thought the sound of Battery was as good if
> not better than my E-MU's ROM samples.  LONG cymbals.
> MMmm mmm good.
>=20
> So here's my question:  Battery?  Is that the thing
> for me?  Should I try something more robust like
> Kontakt?  Mach 5?  Sampletank. I still plan on using
> hardware synths for a lot of my sound so my main use
> for this would be drums and bass to support my guitar
> and synth loops.  I'm running a Mac so it would need
> to be OSX compatable and work with DIgital Performer
> 4.6.  (MAS or AU's would be fine)
>=20
> What say ye?
>=20
> Mark
>=20
>=20
>=20
> __________________________________
> Yahoo! Mail - PC Magazine Editors' Choice 2005
> http://mail.yahoo.com
>=20
>=20


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 19:21:19 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: (OT a bit) Softsampler advice 
Date: Fri, 16 Sep 2005 21:21:15 +0200
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On Sep 16, 2005, at 20:51, mark sottilaro wrote:

> Should I try something more robust like
> Kontakt?  Mach 5?  Sampletank.


A while back I picked up Kontakt 2. It seems to be the best sampler  
to get. I bought it to use its surround functions but I wasn't able  
to squash it into the deadline for the DVD project music I'm working  
on. So I have only had a little time to check it out. But it rocks  
from what I see! I have a lot of experience from ESX24 in Logic and  
also hardware samplers from AKAI (I once produced an entire album  
with AKAI samplers, ADAT tapes and ATARI computers).

There are starting to pop up review now, on Kontakt 2, and if you do  
a web search you may find out more. Please mail me back if you want  
me to send over the Kontakt 2 PDF manual, if you want to read up on  
what it can do.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 20:51:34 2005
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Paul wrote:

" The "Mid'Lantic Loop Show" held in Philadelphia in 1997..........  while 
not an international
 event, it did come about because of "Loopers Delight" and may have been
 the first official "LoopShow" that was a result of the communication/
 networking that LD supported."


Cool, Paul,

........and to think that I had naively thought I had produced the first 
looping festival with the
Bass Looping Festival in 2000 at the Rio Theatre in Santa Cruz to coincide 
with Steve Lawson's
first visit to Santa Cruz.   Thanks for setting the record straight.

Michael Klobuchar's Chain Tape project could also be thought of as a 
multiple artist looping event.  It just wasn't in real time but it also came 
about because of the L.D. community.  What year did that begin, Scoots?

Also, if memory serves, I did promote a monthly live looping gig (that was 
specifically called a live looping gig) at Mobo Sushi in late 1995 and 1996 
in Santa Cruz with Bill Walker, Gary Regina and myself (all playing with 
synchronized and brand new Lexicon Jammans) but it was not, technically, a 
looping festival.  We were learning how to loop live as we played at that 
gig......................lol.

Have you guys thought of producing another festival?
It seems like the East Coast is fairly bereft of official looping events 
although I know that Peter Koniuto (where are you Pedro?) produced a looping 
festival in Boston
and there was a weekly looping series for a while in New York City.

Also,  I know that Michael Klobuchar is planning an East Coast International 
LIve Looping festival for sometime in 2006.   I can't wait for that one and 
am saving up plane fare as we speak.

thanks for your illuminating post,  Rick 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 20:59:34 2005
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Date: Fri, 16 Sep 2005 13:59:33 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: (OT a bit) Softsampler advice 
To: Loopers-Delight@loopers-delight.com
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Thanks Per!  I'm looking at a demo of Kontakt 2 now...
seems like it might be overkill for what I'm after at
this time.

Mark

--- Per Boysen <per@boysen.se> wrote:

> On Sep 16, 2005, at 20:51, mark sottilaro wrote:
> 
> > Should I try something more robust like
> > Kontakt?  Mach 5?  Sampletank.
> 
> 
> A while back I picked up Kontakt 2. It seems to be
> the best sampler  
> to get. I bought it to use its surround functions
> but I wasn't able  
> to squash it into the deadline for the DVD project
> music I'm working  
> on. So I have only had a little time to check it
> out. But it rocks  
> from what I see! I have a lot of experience from
> ESX24 in Logic and  
> also hardware samplers from AKAI (I once produced an
> entire album  
> with AKAI samplers, ADAT tapes and ATARI computers).
> 
> There are starting to pop up review now, on Kontakt
> 2, and if you do  
> a web search you may find out more. Please mail me
> back if you want  
> me to send over the Kontakt 2 PDF manual, if you
> want to read up on  
> what it can do.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
> 
> 
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

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From: Per Boysen <per@boysen.se>
Subject: Re: OT-art/ "physically represented"??
Date: Fri, 16 Sep 2005 23:05:22 +0200
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On Sep 16, 2005, at 16:43, scott hansen wrote:
> and in the realm of music, sure there is physical objectness of cd/ 
> tape/record, printed music, but music itself has no physical-ness  
> to it, it is sound waves/sensation that we hear...

Try tasting the thought of "music being time"! Or more explicit a  
shape of, a way to give form to, the flow of time. Time that is too  
often not noticed at all by us humans and for many other animals not  
existing.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 21:24:44 2005
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Date: Fri, 16 Sep 2005 14:30:36 -0700 (PDT)
Subject: Re: (OT a bit) Softsampler advice
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> Thanks Per!  I'm looking at a demo of Kontakt 2 now...
> seems like it might be overkill for what I'm after at
> this time.
>
> Mark

If Kontakt is overkill for your needs, you might look into Kompakt, their
scaled-down sampler VSTi. I run it on my windows laptop for most of the
"conventional" keybaord sounds, ie, rhodes, wurli, hammond, etc, on our
gigs, and it works great. I run it in Ableton Live, it's stable, samples
load fast (much faster than EXS24 on my mac), overall, it's been great.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 21:36:50 2005
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Subject: RE: gig spam: malibu
Date: Fri, 16 Sep 2005 14:36:48 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0000_01C5BACC.11CF9A40
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	charset="us-ascii"
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I sure hope you tape the affair, that sound awesome.
Bill
  -----Original Message-----
  From: Ronan Chris Murphy [mailto:looper@venetowest.com]
  Sent: Friday, September 16, 2005 10:26 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: gig spam: malibu


  This is a bit last minute, but Sunday October 18, Lives of the Saints
(Ronan Chris Murphy with Bill Forth) will be performing a
looping/soundscapes in an empty swimming pool on a cliff overlooking the
pacific ocean. Who could pass up a chance to see two guys from Fripp's old
soundscapes road crew droning away in a swimming pool while eating
Bar-B-Cue?

  This is a private event but we are allowed to invite guests, so if you are
in So Cal and you think this might be interesting write me offline for
directions etc.


  Ronan Chris Murphy
  www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)
  www.homerecordingbootcamp.com (Workshops around the world teaching the art
and craft of recording )
  www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher)

------=_NextPart_000_0000_01C5BACC.11CF9A40
Content-Type: text/html;
	charset="us-ascii"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D171243621-16092005><FONT face=3DArial color=3D#0000ff =
size=3D2>I sure=20
hope you tape the affair, that sound awesome.</FONT></SPAN></DIV>
<DIV><SPAN class=3D171243621-16092005><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Ronan Chris Murphy =

  [mailto:looper@venetowest.com]<BR><B>Sent:</B> Friday, September 16, =
2005=20
  10:26 AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  gig spam: malibu<BR><BR></FONT></DIV>This is a bit last minute, but =
Sunday=20
  October 18, <B>Lives of the Saints</B> (Ronan Chris Murphy with Bill =
Forth)=20
  will be performing a looping/soundscapes in an empty swimming pool on =
a cliff=20
  overlooking the pacific ocean. Who could pass up a chance to see two =
guys from=20
  Fripp's old soundscapes road crew droning away in a swimming pool =
while eating=20
  Bar-B-Cue?<BR><BR>This is a private event but we are allowed to invite =
guests,=20
  so if you are in So Cal and you think this might be interesting write =
me=20
  offline for directions etc.<BR><BR><BR>Ronan Chris=20
  Murphy<BR>www.venetowest.com (Production &amp; mixing: King Crimson, =
Chucho=20
  Valdes, Steve Morse, Terry Bozzio, =
CGT...)<BR>www.homerecordingbootcamp.com=20
  (Workshops around the world teaching the art and craft of recording=20
  )<BR>www.livesofthesaints.net (The hottest ambient noise duo since =
Sonny &amp;=20
  Cher)</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0000_01C5BACC.11CF9A40--


From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 21:45:10 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: OT-art/ "physically represented"??
Date: Fri, 16 Sep 2005 16:44:55 -0500
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scott doesnt realise that AIR is a physical entity. sound is a wave of 
pressure pulses and is as real as we are....also waves on the "ether".
so as long as we accept that the things we see and touch as "real" and 
"physical" then thats the platform the discussion/debate is based upon.
lets not falter our foundation.
___
Adrian Bartholomew
Leawood KS
On Sep 16, 2005, at 4:05 PM, Per Boysen wrote:

> On Sep 16, 2005, at 16:43, scott hansen wrote:
>> and in the realm of music, sure there is physical objectness of 
>> cd/tape/record, printed music, but music itself has no physical-ness 
>> to it, it is sound waves/sensation that we hear...
>
> Try tasting the thought of "music being time"! Or more explicit a 
> shape of, a way to give form to, the flow of time. Time that is too 
> often not noticed at all by us humans and for many other animals not 
> existing.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>

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scott doesnt realise that AIR is a physical entity. sound is a wave of
pressure pulses and is as real as we are....also waves on the "ether".

so as long as we accept that the things we see and touch as "real" and
"physical" then thats the platform the discussion/debate is based upon.

lets not falter our foundation.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 16, 2005, at 4:05 PM, Per Boysen wrote:


<excerpt>On Sep 16, 2005, at 16:43, scott hansen wrote:

<excerpt>and in the realm of music, sure there is physical objectness
of cd/tape/record, printed music, but music itself has no
physical-ness to it, it is sound waves/sensation that we hear...

</excerpt>

Try tasting the thought of "music being time"! Or more explicit a
shape of, a way to give form to, the flow of time. Time that is too
often not noticed at all by us humans and for many other animals not
existing.


Greetings from Sweden


Per Boysen

www.looproom.com (international)

www.boysen.se (Swedish)

--->  iTunes Music Store (digital)

www.cdbaby.com/perboysen




</excerpt>
--Apple-Mail-2-423523995--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 16 22:41:19 2005
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Subject: Modeling tech
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I'm sure some of you have already seen this but for those who haven't
its a pretty interesting idea

http://www.coe.berkeley.edu/labnotes/0905/bruyns.html

Kevin

How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 00:01:05 2005
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From: <nemoguitt@verizon.net>
Subject: Re: 1st Looping Festival
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>Michael Klobuchar's Chain Tape project could also be thought of as a 
>multiple artist looping event.  It just wasn't in real time but it also came 
>about because of the L.D. community.  What year did that begin, Scoots?

MISTER SCOOTS to you young man.....:).....APRIL 1, 1999.....also, as rickeeee 
sez, i am thinking about getting a NORTH EAST INTERNATIONAL LIVE LOOPING FEST 
together, i wasn't going to mention it till i had done some perliminary work 
around venue/funding/living quarters.....i guess first things first, is there 
any interest around such a fest?, PITTSBURGH would be a pretty central 
location for the N. EAST and the  MID-WEST, WASHINGTON, MARYLAND etc. are all 
near by.....look at your map.....this will take place in the latter part of 
2006 (this is just conjecture, the date is wide open albeit next 
year).....PLEASE LET ME KNOW IF THERE IS INTEREST.....i would love to meet 
some eastern homies.....mic 

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 00:06:45 2005
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From: <nemoguitt@verizon.net>
Subject: yo yo yo wolfman eh?
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>From: Per Boysen <per@boysen.se>
Time that is too  
>often not noticed at all by us humans and for many other animals not  
>existing.

yo per.....how do you know about those "other animals".....i know ducks are 
not included!.....:)mic

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 00:47:55 2005
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Date: Fri, 16 Sep 2005 20:53:15 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: 1st Looping Festival
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Hmmm...

In Boston, I was organizing looping-based events at the Middle East
Downstairs under the name "The Loopers' Collective" starting in 1998 and
running through 2000.  I think we did about six or seven of them.  We also
did one in Rhode Island.

Over several different events instrumentation included theremin, violin,
bass, voice, diggeri-doo, marimba, keyboards, drums, guitar, chain-saws,
band-saws, flute, video-games, hammer-dulcimer, trumpet, a small chamber
orchestra, and turntables.

There came a time when people seemed to be coming out of the wood work,
finding me and asking to be on these events.   I mention this because NONE
of the people who participated and who each were loopers for several years
at that point had ever heard on Loopers-Delight.  They still aren't.  This
is a great list-group, but it represents only a very very small fraction of
the "loopers" out there.

The shows great fun to witness.  And mostly fun to organize. :-)

David Kirkdorffer


----- Original Message ----- 
From: <nemoguitt@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 16, 2005 8:01 PM
Subject: Re: 1st Looping Festival


> >Michael Klobuchar's Chain Tape project could also be thought of as a
> >multiple artist looping event.  It just wasn't in real time but it also
came
> >about because of the L.D. community.  What year did that begin, Scoots?
>
> MISTER SCOOTS to you young man.....:).....APRIL 1, 1999.....also, as
rickeeee
> sez, i am thinking about getting a NORTH EAST INTERNATIONAL LIVE LOOPING
FEST
> together, i wasn't going to mention it till i had done some perliminary
work
> around venue/funding/living quarters.....i guess first things first, is
there
> any interest around such a fest?, PITTSBURGH would be a pretty central
> location for the N. EAST and the  MID-WEST, WASHINGTON, MARYLAND etc. are
all
> near by.....look at your map.....this will take place in the latter part
of
> 2006 (this is just conjecture, the date is wide open albeit next
> year).....PLEASE LET ME KNOW IF THERE IS INTEREST.....i would love to meet
> some eastern homies.....mic
>
> http://mysite.verizon.net/vzepmeci
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 00:49:08 2005
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>>>,now
>>>i want to find a little (non synth) effect that will
>>>turn my guitar into a bass,what do u use?

I recently tested that one in a shop:
http://filters.muziq.be/model/ebs/octabass

it really works when you play several strings

Good old Paradis Polysubbass is now made as a SMD PCB (and called 
PolyBass). It easily fits into a guitar, so once you have single 
string pickups, that might be the best solution!
I will put up a picture the next days...
-- 


          ---> http://Matthias.Grob.org

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On Sep 16, 2005, at 8:01 PM, <nemoguitt@verizon.net>  
<nemoguitt@verizon.net> wrote:

> , i am thinking about getting a NORTH EAST INTERNATIONAL LIVE  
> LOOPING FEST
> together, i wasn't going to mention it till i had done some  
> perliminary work
> around venue/funding/living quarters.....i guess first things  
> first, is there
> any interest around such a fest?,
>


New York would be nice.
If people bring their EDPs and share we could probably have a huge  
"brother sync".

-----------------------------------------------------

erland

http://www.erlandonline.com
http://www.myspace.com/erland

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 05:17:10 2005
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Subject: RE: Previous Festivals
Date: Fri, 16 Sep 2005 22:17:03 -0700
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LA LOOP FESTE I
> Thursday, June 28, 2001
> Doors open at 7pm
> 359 East Magnolia St
> Suite E
> Burbank, CA 91501

This one featured Steve Lawson, Andre La Fosse and monk--the guy from Over
the Rhine. It was held in a lab space located upstairs from Tony Moore,
OTR's bass player and fragrance chemist.  He hadn't moved the test tubes in
yet! Haven't heard from him in a while . . . 

http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=moore%3
Bfest%3Blawson&errors=0&maxfiles=50&maxlines=10&.cgifields=lineonly&.cgifiel
ds=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case


From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 07:09:17 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: 1st Looping Festival
Date: Sat, 17 Sep 2005 00:09:16 -0700
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I'd play Pittsburgh, but only on condition that I get to hang with the
Scootmeister, but I'm from the left coast, will you let a blue state guy
like me me in to your home? Or near your pets or grand children?
Bill

-----Original Message-----
From: nemoguitt@verizon.net [mailto:nemoguitt@verizon.net]
Sent: Friday, September 16, 2005 5:01 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: 1st Looping Festival


>Michael Klobuchar's Chain Tape project could also be thought of as a
>multiple artist looping event.  It just wasn't in real time but it also
came
>about because of the L.D. community.  What year did that begin, Scoots?

MISTER SCOOTS to you young man.....:).....APRIL 1, 1999.....also, as
rickeeee
sez, i am thinking about getting a NORTH EAST INTERNATIONAL LIVE LOOPING
FEST
together, i wasn't going to mention it till i had done some perliminary work
around venue/funding/living quarters.....i guess first things first, is
there
any interest around such a fest?, PITTSBURGH would be a pretty central
location for the N. EAST and the  MID-WEST, WASHINGTON, MARYLAND etc. are
all
near by.....look at your map.....this will take place in the latter part of
2006 (this is just conjecture, the date is wide open albeit next
year).....PLEASE LET ME KNOW IF THERE IS INTEREST.....i would love to meet
some eastern homies.....mic

http://mysite.verizon.net/vzepmeci




From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 07:24:06 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: yo yo yo wolfman eh?
Date: Sat, 17 Sep 2005 09:24:02 +0200
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>> From: Per Boysen <per@boysen.se>
>>
> Time that is too
>
>> often not noticed at all by us humans and for many other animals not
>> existing.
>>
> On Sep 17, 2005, at 2:06, <nemoguitt@verizon.net> wrote:
> yo per.....how do you know about those "other animals".....i know  
> ducks are
> not included!.....:)mic

Scoots, how did you know I was a duck in a previous incarnation?

----

Well, seriously I can't be sure about how animals relate to "time".  
It's just an assumption of mine, based on reading books on animals  
intelligence, "dog psychology" etc. Linguistic experiments have  
proved that apes and dolphins can use an abstract language. That  
means that they can inform each other about things happening at other  
places, or later in time. Then we have insects that when you study  
them seems to be just out of a different universe...

per


From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 10:07:08 2005
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re:EDP LOOP4 question: Accessing individual loops directly
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How is the tracking compared the new boss OC-3,
anyone?




--- Matthias Grob <matthias@grob.org> wrote:

> >>>,now
> >>>i want to find a little (non synth) effect that
> will
> >>>turn my guitar into a bass,what do u use?
> 
> I recently tested that one in a shop:
> http://filters.muziq.be/model/ebs/octabass
> 
> it really works when you play several strings
> 
> Good old Paradis Polysubbass is now made as a SMD
> PCB (and called 
> PolyBass). It easily fits into a guitar, so once you
> have single 
> string pickups, that might be the best solution!
> I will put up a picture the next days...
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 13:04:59 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: Swiss National Radio contribution now online
Date: Sat, 17 Sep 2005 15:04:44 +0200
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Hi

The Swiss National Radio DRS2 contribution from August, 23rd 2005 about =
the
Zurich Loopfestival is now online:
http://loofpestival.com, News section, 5th entry.

It's in German, but there are also sound examples played live in the =
studio.

The contribution is about 12 minutes long; the size of the mp3 is 10.7 =
MB.
The interview was led by Nina Salis (http://www.bellatrice.ch/). Peter
B=FCrli, editorial leader for Jazz of DRS2, kindly gave the permission =
to put
the interview online.

Thank you
Bernhard
http://nosuch.biz


From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 13:12:44 2005
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Subject: RE: EDP Footpedal vs. FCB1010 ? ?
Date: Sat, 17 Sep 2005 15:11:47 +0200
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has anyone seen Andre LaFosse perform his EDP wizardry? I wonder what kind
of midi pedal he uses - and he uses all kinds of obscure EDP effects, many
of them in the same song, so he must have found a way to easily access them
... I think he even did a show using 4 or 5 EDPs recently ...  -Michael
www.michaelpeters.de




From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 13:38:02 2005
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To: <Loopers-Delight@loopers-delight.com>
Subject: PMC-10 ( was RE: EDP Footpedal vs. FCB1010 ? ?)
Date: Sat, 17 Sep 2005 06:37:48 -0700
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Andre LaFosse uses the treasured PMC-10 by Digitech to control his EDP with
his feet--or he did when I saw him a few months ago . . .
BTW, he does a great solo act with just that pedal, a guitar, and EDP and an
amp.  Very entertaining, funky fresh street beats he gets from various right
hand attacks and stepping on the PMC . . .
I also use the PMC, as does Kim (our sponsor), Claude Voit, and many other
lucky loopers.

And now once again it's time to speak the praises of our very own Sean
Echevarria, creator of Raymond, the PC based editor for the PMC.  It rocks,
and it's free!
Gary


-----Original Message-----
From: Michael Peters [mailto:mp@mpeters.de] 
Sent: Saturday, September 17, 2005 6:12 AM
To: Loopers Delight
Subject: RE: EDP Footpedal vs. FCB1010 ? ?

has anyone seen Andre LaFosse perform his EDP wizardry? I wonder what kind
of midi pedal he uses - and he uses all kinds of obscure EDP effects, many
of them in the same song, so he must have found a way to easily access them
... I think he even did a show using 4 or 5 EDPs recently ...  -Michael
www.michaelpeters.de






From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 13:41:22 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EDP Footpedal vs. FCB1010 ? ?
Date: Sat, 17 Sep 2005 15:41:07 +0200
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Last time I saw him, Andre used the Digitech PMC-10 but carried the =
EFC-7
along as a backup.
http://www.livejournal.com/users/andrelafosse/7103.html
http://www.livejournal.com/users/andrelafosse/

Bernhard

> -----Original Message-----
> From: Michael Peters [mailto:mp@mpeters.de]
> Sent: Samstag, 17. September 2005 15:12
> To: Loopers Delight
> Subject: RE: EDP Footpedal vs. FCB1010 ? ?
>=20
> has anyone seen Andre LaFosse perform his EDP wizardry? I wonder what =
kind
> of midi pedal he uses - and he uses all kinds of obscure EDP effects, =
many
> of them in the same song, so he must have found a way to easily access
> them
> ... I think he even did a show using 4 or 5 EDPs recently ...  =
-Michael
> www.michaelpeters.de
>=20
>=20



From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 15:35:21 2005
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Date: Sat, 17 Sep 2005 11:18:35 -0400
Subject: Programming Rocktron All Access - HELP!!!!
From: Craig Mitchell <camitchell@cfl.rr.com>
To: <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Hi,

I'm new to the list and searched the archive but have not yet found the
answers to questions.

I am running two Echoplex Pros (loop IV)and trying to control them with a
Rocktron All Access Pedal. I have made progress but a few things are still
not working quite right.

I have a good understanding of MIDI and how to program the Rocktron All
Access but success so far as eluded me on this one.

First off, the Echoplexes are sync'd up with a TRS cable via brother sync
and the master has a midi cable going to the slave.


How are people programming the All Access? Are you using Control Numbers via
Instant Access switches? Or are you using Note ON/OFF via the Custom
settings for presets?

I have tried both and am still getting mixed results.

With the Echoplexes set to 'Controlsource=CNTR' I have been using the
Instant Access switches to trigger various functions.

Record - This works but sometimes when I press the button it starts
recording a clears right away. A second press gets it recording properly and
I can loop.

Mute - works fine

Halfspeed - works fine

Clear - This one does not seem to work at all. I have tried a couple
different ideas to no avail.

However, if I press the mute switch, the clear switch, and then the mute
switch again it clears???? Something is not quite right there. I must be
close. :)

Soooo... any help is greatly appreciated! Are you using Latching, Momentaty,
Hold on the All Access Instant access switches.

Can one replicate the Echoplex pedalboard function of holding down the
record button and clearing the loop with the All Access via midi?

A step by step guide from someone who has this dialed in would be fantastic.

Thanks!

Craig




--MS_Mac_OE_3209800716_180558_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Programming Rocktron All Access - HELP!!!!</TITLE>
</HEAD>
<BODY>
<H2><BR>
<BR>
Hi,<BR>
<BR>
I'm new to the list and searched the archive but have not yet found the ans=
wers to questions.<BR>
<BR>
I am running two Echoplex Pros (loop IV)and trying to control them with a R=
ocktron All Access Pedal. I have made progress but a few things are still no=
t working quite right.<BR>
<BR>
I have a good understanding of MIDI and how to program the Rocktron All Acc=
ess but success so far as eluded me on this one.<BR>
<BR>
First off, the Echoplexes are sync'd up with a TRS cable via brother sync a=
nd the master has a midi cable going to the slave.<BR>
<BR>
<BR>
How are people programming the All Access? Are you using Control Numbers vi=
a Instant Access switches? Or are you using Note ON/OFF via the Custom setti=
ngs for presets?<BR>
<BR>
I have tried both and am still getting mixed results.<BR>
<BR>
With the Echoplexes set to 'Controlsource=3DCNTR' I have been using the Insta=
nt Access switches to trigger various functions.<BR>
<BR>
Record - This works but sometimes when I press the button it starts recordi=
ng a clears right away. A second press gets it recording properly and I can =
loop.<BR>
<BR>
Mute - works fine<BR>
<BR>
Halfspeed - works fine<BR>
<BR>
Clear - This one does not seem to work at all. I have tried a couple differ=
ent ideas to no avail.<BR>
<BR>
However, if I press the mute switch, the clear switch, and then the mute sw=
itch again it clears???? Something is not quite right there. I must be close=
. :)<BR>
<BR>
Soooo... any help is greatly appreciated! Are you using Latching, Momentaty=
, Hold on the All Access Instant access switches.<BR>
<BR>
Can one replicate the Echoplex pedalboard function of holding down the reco=
rd button and clearing the loop with the All Access via midi?<BR>
<BR>
A step by step guide from someone who has this dialed in would be fantastic=
.<BR>
<BR>
Thanks!<BR>
<BR>
Craig<BR>
<BR>
<BR>
</H2>
</BODY>
</HTML>


--MS_Mac_OE_3209800716_180558_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 15:38:52 2005
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Date: Sat, 17 Sep 2005 08:38:49 -0700
From: Travis Hartnett <travishartnett@gmail.com>
Reply-To: travishartnett@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Programming Rocktron All Access - HELP!!!!
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I believe you're the only person on the list who has the All Access,
so I suspect you'll have to search through the many postings on
configuring the Behringer controller (by far the most discussed MIDI
pedal for controller the EDP or Repeater) and use that info where
possible.

TravisH=20

On 9/17/05, Craig Mitchell <camitchell@cfl.rr.com> wrote:
> =20
>=20
> =20
>  Hi,
> =20
>  I'm new to the list and searched the archive but have not yet found the
> answers to questions.
> =20
>  I am running two Echoplex Pros (loop IV)and trying to control them with =
a
> Rocktron All Access Pedal. I have made progress but a few things are stil=
l
> not working quite right.
> =20
>  I have a good understanding of MIDI and how to program the Rocktron All
> Access but success so far as eluded me on this one.
> =20
>  First off, the Echoplexes are sync'd up with a TRS cable via brother syn=
c
> and the master has a midi cable going to the slave.
> =20
> =20
>  How are people programming the All Access? Are you using Control Numbers
> via Instant Access switches? Or are you using Note ON/OFF via the Custom
> settings for presets?
> =20
>  I have tried both and am still getting mixed results.
> =20
>  With the Echoplexes set to 'Controlsource=3DCNTR' I have been using the
> Instant Access switches to trigger various functions.
> =20
>  Record - This works but sometimes when I press the button it starts
> recording a clears right away. A second press gets it recording properly =
and
> I can loop.
> =20
>  Mute - works fine
> =20
>  Halfspeed - works fine
> =20
>  Clear - This one does not seem to work at all. I have tried a couple
> different ideas to no avail.
> =20
>  However, if I press the mute switch, the clear switch, and then the mute
> switch again it clears???? Something is not quite right there. I must be
> close. :)
> =20
>  Soooo... any help is greatly appreciated! Are you using Latching,
> Momentaty, Hold on the All Access Instant access switches.
> =20
>  Can one replicate the Echoplex pedalboard function of holding down the
> record button and clearing the loop with the All Access via midi?
> =20
>  A step by step guide from someone who has this dialed in would be
> fantastic.
> =20
>  Thanks!
> =20
>  Craig
> =20
> =20
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 15:43:08 2005
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Date: Sat, 17 Sep 2005 08:43:05 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Programming Rocktron All Access - HELP!!!!
To: Loopers-Delight@loopers-delight.com
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Hi Craig,
I borrowed the Rocktron all access to control the EDP
for a few days to do a gig but wasnt impressed at
all,one of the things that turned me right off was the
clancky and lound switches,i would recomend you the
behringer FCB1010,nice and quite switches,a bit more
user friendlier plus the integrated exp. pedals and
almost 4 times cheaper!
good luck
Luis

--- Craig Mitchell <camitchell@cfl.rr.com> wrote:

> 
> 
> Hi,
> 
> I'm new to the list and searched the archive but
> have not yet found the
> answers to questions.
> 
> I am running two Echoplex Pros (loop IV)and trying
> to control them with a
> Rocktron All Access Pedal. I have made progress but
> a few things are still
> not working quite right.
> 
> I have a good understanding of MIDI and how to
> program the Rocktron All
> Access but success so far as eluded me on this one.
> 
> First off, the Echoplexes are sync'd up with a TRS
> cable via brother sync
> and the master has a midi cable going to the slave.
> 
> 
> How are people programming the All Access? Are you
> using Control Numbers via
> Instant Access switches? Or are you using Note
> ON/OFF via the Custom
> settings for presets?
> 
> I have tried both and am still getting mixed
> results.
> 
> With the Echoplexes set to 'Controlsource=CNTR' I
> have been using the
> Instant Access switches to trigger various
> functions.
> 
> Record - This works but sometimes when I press the
> button it starts
> recording a clears right away. A second press gets
> it recording properly and
> I can loop.
> 
> Mute - works fine
> 
> Halfspeed - works fine
> 
> Clear - This one does not seem to work at all. I
> have tried a couple
> different ideas to no avail.
> 
> However, if I press the mute switch, the clear
> switch, and then the mute
> switch again it clears???? Something is not quite
> right there. I must be
> close. :)
> 
> Soooo... any help is greatly appreciated! Are you
> using Latching, Momentaty,
> Hold on the All Access Instant access switches.
> 
> Can one replicate the Echoplex pedalboard function
> of holding down the
> record button and clearing the loop with the All
> Access via midi?
> 
> A step by step guide from someone who has this
> dialed in would be fantastic.
> 
> Thanks!
> 
> Craig
> 
> 
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 15:45:16 2005
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Date: Sat, 17 Sep 2005 08:45:13 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Programming Rocktron All Access - HELP!!!!
To: Loopers-Delight@loopers-delight.com
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There is a fellow looper called Glen Poorman who can
help you out,i believe he uses it
http://www.poorman.ws/detroitstick/
cheers and good luck
Luis



--- Craig Mitchell <camitchell@cfl.rr.com> wrote:

> 
> 
> Hi,
> 
> I'm new to the list and searched the archive but
> have not yet found the
> answers to questions.
> 
> I am running two Echoplex Pros (loop IV)and trying
> to control them with a
> Rocktron All Access Pedal. I have made progress but
> a few things are still
> not working quite right.
> 
> I have a good understanding of MIDI and how to
> program the Rocktron All
> Access but success so far as eluded me on this one.
> 
> First off, the Echoplexes are sync'd up with a TRS
> cable via brother sync
> and the master has a midi cable going to the slave.
> 
> 
> How are people programming the All Access? Are you
> using Control Numbers via
> Instant Access switches? Or are you using Note
> ON/OFF via the Custom
> settings for presets?
> 
> I have tried both and am still getting mixed
> results.
> 
> With the Echoplexes set to 'Controlsource=CNTR' I
> have been using the
> Instant Access switches to trigger various
> functions.
> 
> Record - This works but sometimes when I press the
> button it starts
> recording a clears right away. A second press gets
> it recording properly and
> I can loop.
> 
> Mute - works fine
> 
> Halfspeed - works fine
> 
> Clear - This one does not seem to work at all. I
> have tried a couple
> different ideas to no avail.
> 
> However, if I press the mute switch, the clear
> switch, and then the mute
> switch again it clears???? Something is not quite
> right there. I must be
> close. :)
> 
> Soooo... any help is greatly appreciated! Are you
> using Latching, Momentaty,
> Hold on the All Access Instant access switches.
> 
> Can one replicate the Echoplex pedalboard function
> of holding down the
> record button and clearing the loop with the All
> Access via midi?
> 
> A step by step guide from someone who has this
> dialed in would be fantastic.
> 
> Thanks!
> 
> Craig
> 
> 
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 16:01:14 2005
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Date: Sat, 17 Sep 2005 11:44:28 -0400
Subject: Re: Programming Rocktron All Access - HELP!!!!
From: Craig Mitchell <camitchell@cfl.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <BF51B21B.1561D%camitchell@cfl.rr.com>
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Really? It seemed like there were alot of All Access posts in the archives.

I do have a FCB1010 here which is what the All Access replaced for my guitar
rig. While I am still hoping to dial in the All Acess, it would not be a big
deal to use the FCB1010 for just the echoplexs.

A question... how viable is the FCB1010 with the echoplex? I didn't think it
handled enough control numbers/notes to be useful.

Thanks for the fast reponses!!!

Craig



Craigon 9/17/05 11:45 AM, Luis Angulo at labalou2000@yahoo.com wrote:

> There is a fellow looper called Glen Poorman who can
> help you out,i believe he uses it
> http://www.poorman.ws/detroitstick/
> cheers and good luck
> Luis
> 
> 
> 
> --- Craig Mitchell <camitchell@cfl.rr.com> wrote:
> 
>> 
>> 
>> Hi,
>> 
>> I'm new to the list and searched the archive but
>> have not yet found the
>> answers to questions.
>> 
>> I am running two Echoplex Pros (loop IV)and trying
>> to control them with a
>> Rocktron All Access Pedal. I have made progress but
>> a few things are still
>> not working quite right.
>> 
>> I have a good understanding of MIDI and how to
>> program the Rocktron All
>> Access but success so far as eluded me on this one.
>> 
>> First off, the Echoplexes are sync'd up with a TRS
>> cable via brother sync
>> and the master has a midi cable going to the slave.
>> 
>> 
>> How are people programming the All Access? Are you
>> using Control Numbers via
>> Instant Access switches? Or are you using Note
>> ON/OFF via the Custom
>> settings for presets?
>> 
>> I have tried both and am still getting mixed
>> results.
>> 
>> With the Echoplexes set to 'Controlsource=CNTR' I
>> have been using the
>> Instant Access switches to trigger various
>> functions.
>> 
>> Record - This works but sometimes when I press the
>> button it starts
>> recording a clears right away. A second press gets
>> it recording properly and
>> I can loop.
>> 
>> Mute - works fine
>> 
>> Halfspeed - works fine
>> 
>> Clear - This one does not seem to work at all. I
>> have tried a couple
>> different ideas to no avail.
>> 
>> However, if I press the mute switch, the clear
>> switch, and then the mute
>> switch again it clears???? Something is not quite
>> right there. I must be
>> close. :)
>> 
>> Soooo... any help is greatly appreciated! Are you
>> using Latching, Momentaty,
>> Hold on the All Access Instant access switches.
>> 
>> Can one replicate the Echoplex pedalboard function
>> of holding down the
>> record button and clearing the loop with the All
>> Access via midi?
>> 
>> A step by step guide from someone who has this
>> dialed in would be fantastic.
>> 
>> Thanks!
>> 
>> Craig
>> 
>> 
>> 
>> 
> 
> 
> www.luis-angulo.com
> 
> 
> 
> __________________________________
> Yahoo! Mail - PC Magazine Editors' Choice 2005
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 16:27:06 2005
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Date: Sat, 17 Sep 2005 11:26:51 -0500
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Programming Rocktron All Access - HELP!!!!
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I don't have an All Access, but it is similar to the Ground Control
Pro which I have used.  You should be able to use either control
changes or notes.  Most people use notes, but the EDP doesn't care as
long as you set ControlSource.

If you don't need to change EDP presets from the controller, configure
it entirely for instant access switches.  If you do want to change
presets, then I would leave only one row for program change switches
and leave the rest instant access.  Configure them as momentary switches.

You could configure some as toggles for use with SUS functions, but
you have to be careful because many EDP functions support "long
presses" where the function changes behavior if you hold the switch
down for more than half a second.  Also be careful you do not store
the toggled "down" state of a switch in the All Access preset,
otherwise it will be sent whenever this preset is recalled.  Best to
stick with momentary switches.

 > Record - This works but sometimes when I press the button it starts
 > recording a clears right away. A second press gets it recording
 > properly and I can loop.
 > ...
 > Can one replicate the Echoplex pedalboard function of holding down the
 > record button and clearing the loop with the All Access via midi?

The answer to the second question is yes, and it sounds like that
is also the cause of the first problem.  Make sure you're not holding
down the switch too long, and make sure it is configured as momentary
rather than toggle.

 > Clear - This one does not seem to work at all. I have tried a couple
 > different ideas to no avail.

Assuming you mean Reset, make sure the switch is sending Source#+25,
and that it is sending only one value.  If you're on the PC, I
recommend MIDI-OX at www.midiox.com to monitor what the AA is sending.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 16:34:03 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Programming Rocktron All Access - HELP!!!!
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Craig Mitchell wrote:
> I do have a FCB1010 here which is what the All Access replaced for my guitar
> rig. While I am still hoping to dial in the All Acess, it would not be a big
> deal to use the FCB1010 for just the echoplexs.

There's no reason the All Access can't be used with an EDP, though a lot
of people prefer the FCB for its quieter switches and 2 expression pedals.

> A question... how viable is the FCB1010 with the echoplex? I didn't think it
> handled enough control numbers/notes to be useful.

You can fully control an EDP with an FCB using notes instead of control changes.

Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 16:39:33 2005
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Date: Sat, 17 Sep 2005 12:22:46 -0400
Subject: Re: Programming Rocktron All Access - HELP!!!!
From: Craig Mitchell <camitchell@cfl.rr.com>
To: <Loopers-Delight@loopers-delight.com>
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Many Thanks! I keep working on it.

Craig

on 9/17/05 12:26 PM, Jeff Larson at Jeffrey.Larson@Sun.COM wrote:

> 
> I don't have an All Access, but it is similar to the Ground Control
> Pro which I have used.  You should be able to use either control
> changes or notes.  Most people use notes, but the EDP doesn't care as
> long as you set ControlSource.
> 
> If you don't need to change EDP presets from the controller, configure
> it entirely for instant access switches.  If you do want to change
> presets, then I would leave only one row for program change switches
> and leave the rest instant access.  Configure them as momentary switches.
> 
> You could configure some as toggles for use with SUS functions, but
> you have to be careful because many EDP functions support "long
> presses" where the function changes behavior if you hold the switch
> down for more than half a second.  Also be careful you do not store
> the toggled "down" state of a switch in the All Access preset,
> otherwise it will be sent whenever this preset is recalled.  Best to
> stick with momentary switches.
> 
>> Record - This works but sometimes when I press the button it starts
>> recording a clears right away. A second press gets it recording
>> properly and I can loop.
>> ...
>> Can one replicate the Echoplex pedalboard function of holding down the
>> record button and clearing the loop with the All Access via midi?
> 
> The answer to the second question is yes, and it sounds like that
> is also the cause of the first problem.  Make sure you're not holding
> down the switch too long, and make sure it is configured as momentary
> rather than toggle.
> 
>> Clear - This one does not seem to work at all. I have tried a couple
>> different ideas to no avail.
> 
> Assuming you mean Reset, make sure the switch is sending Source#+25,
> and that it is sending only one value.  If you're on the PC, I
> recommend MIDI-OX at www.midiox.com to monitor what the AA is sending.
> 
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 16:46:18 2005
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Softsampler, softgrooveboxes etc. - even more OT
Date: Sat, 17 Sep 2005 18:47:33 +0200
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Dear Mark, dear other people who had been on the softsampler thread,

currently, I'm thinking about replacing my hardware groove boxes (Roland
MC505, Quasimidi Sirius) with something software. For the sound
generator, I'm perfectly happy with a combination of different soft
synths (for drums Battery, plus some synths, some of them freeware like
the outstanding mda epiano) - but regarding the patterns:

does any one of you have a decent (or even a very basic) collection of
grooves (preferrably both drums and bass/chords, but only drums will
also do) in a format that will make me happy when using Live? Or perhaps
another VST plugin which will do the pattern-playing, controlling the
soft-synths?

Respond off-list please, if this goes as off-topic as I expect this to
be...

Thanks,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 17:28:02 2005
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Date: Sat, 17 Sep 2005 13:11:15 -0400
Subject: Re: Programming Rocktron All Access - HELP!!!!
From: Craig Mitchell <camitchell@cfl.rr.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3209807475_587102_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit



Again, Thanks so much guys!

I have dusted off my FCB1010 and everything seems to be working great so
far. Yet another justification for having lots of gear lying around. :)

This is no knock against the All Access as my guitar rig is so big that it's
the only thing that will operate it now ... and I do like it as well. Bummer
I am still not getting it to run the Echoplexs the way I want it to but I
have to agree with the other comments here that the FCB1010 tends to lend
itself better to operating the Echoplex.

I'd still like to hear from any All Acess owners who have it sorted out! I'd
like to avoid carrying around two pedalboards if I can work it out.

Great bunch of people here and I'm honored to be on the list.

Craig




on 9/17/05 12:33 PM, Jeff Larson at Jeffrey.Larson@Sun.COM wrote:

> Craig Mitchell wrote:
>> I do have a FCB1010 here which is what the All Access replaced for my guitar
>> rig. While I am still hoping to dial in the All Acess, it would not be a big
>> deal to use the FCB1010 for just the echoplexs.
> 
> There's no reason the All Access can't be used with an EDP, though a lot
> of people prefer the FCB for its quieter switches and 2 expression pedals.
> 
>> A question... how viable is the FCB1010 with the echoplex? I didn't think it
>> handled enough control numbers/notes to be useful.
> 
> You can fully control an EDP with an FCB using notes instead of control
> changes.
> 
> Jeff
> 
> 


--MS_Mac_OE_3209807475_587102_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: Programming Rocktron All Access - HELP!!!!</TITLE>
</HEAD>
<BODY>
<BR>
<H2><BR>
Again, Thanks so much guys!<BR>
<BR>
I have dusted off my FCB1010 and everything seems to be working great so fa=
r. Yet another justification for having lots of gear lying around. :)<BR>
<BR>
This is no knock against the All Access as my guitar rig is so big that it'=
s the only thing that will operate it now ... and I do like it as well. Bumm=
er I am still not getting it to run the Echoplexs the way I want it to but I=
 have to agree with the other comments here that the FCB1010 tends to lend i=
tself better to operating the Echoplex.<BR>
<BR>
I'd still like to hear from any All Acess owners who have it sorted out! I'=
d like to avoid carrying around two pedalboards if I can work it out.<BR>
<BR>
Great bunch of people here and I'm honored to be on the list.<BR>
<BR>
Craig<BR>
</H2><BR>
<BR>
<BR>
<BR>
on 9/17/05 12:33 PM, Jeff Larson at Jeffrey.Larson@Sun.COM wrote:<BR>
<BR>
&gt; Craig Mitchell wrote:<BR>
&gt;&gt; I do have a FCB1010 here which is what the All Access replaced for=
 my guitar<BR>
&gt;&gt; rig. While I am still hoping to dial in the All Acess, it would no=
t be a big<BR>
&gt;&gt; deal to use the FCB1010 for just the echoplexs.<BR>
&gt; <BR>
&gt; There's no reason the All Access can't be used with an EDP, though a l=
ot<BR>
&gt; of people prefer the FCB for its quieter switches and 2 expression ped=
als.<BR>
&gt; <BR>
&gt;&gt; A question... how viable is the FCB1010 with the echoplex? I didn'=
t think it<BR>
&gt;&gt; handled enough control numbers/notes to be useful.<BR>
&gt; <BR>
&gt; You can fully control an EDP with an FCB using notes instead of contro=
l <BR>
&gt; changes.<BR>
&gt; <BR>
&gt; Jeff<BR>
&gt; <BR>
&gt; <BR>
</BODY>
</HTML>


--MS_Mac_OE_3209807475_587102_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 19:04:42 2005
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance TONIGHT -- Immersions --- Hyde Park, MA
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

I just realized I had the wrong date on the header of the 
announcement, ands the show is tonight!  Short notice, but worth it 
if you can make it.

We will be joined by Bob McCloskey on sax and Michael Bloom on bass and guitar

I'm happy to announce the first event of  a monthly improvisation 
series called Immersions, that will feature my video combined with 
music and other arts. The series is an exploration of genre busting, 
mind expansion, media mixing, and any other relevant cliches I've 
neglected to mention-:)

"Immersions" is a monthly intermedia improvisation series built around the
core of Doctor T (Video), Dean Stiglitz (ElectroFlute and Electronics) and
Ramona Herboldsheimer (Hammered Dulcimer and Other Things) with guest
musicians and sometimes dancers or other visual artists.

The first edition of Immersions will include myself  and Dean, with   
Bob Trottier "The Dinosaur King", on Electro-Percussion.  We may 
bring in some guest artists as well. Please check it out if you can.

Admission is $7.00.

Immersions will happen at 8 PM  on the third Saturday of the month, 
at Artists at Large, which is at the First Congregational Church, 6 
Webster Street at the intersection of Webster and River in Hyde Park.

Phone 617-276-3223.

Directions http://artistsatlargeinc.org/directions.html

-- 
"Once the search is in progress, something will be found"  

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 17 23:57:10 2005
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Subject: Re: Programming Rocktron All Access - HELP!!!!
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At 08:18 AM 9/17/2005, Craig Mitchell wrote:
>How are people programming the All Access? Are you using Control Numbers 
>via Instant Access switches? Or are you using Note ON/OFF via the Custom 
>settings for presets?

I'm pretty sure the All Access has the flexibility to be set up to use 
either. The FCB1010 can only control the echoplex using notes. (sorry I 
don't use an All Access so I don't know the programming steps.)


>With the Echoplexes set to 'Controlsource=CNTR' I have been using the 
>Instant Access switches to trigger various functions.
>
>Record - This works but sometimes when I press the button it starts 
>recording a clears right away. A second press gets it recording properly 
>and I can loop.

I think I see your problem. The Echoplex wants to see a midi command for 
both the pressing of the button AND the release of the button. This is how 
it can tell if you are doing a short press or a long press. It sounds like 
your controller is not sending the "off" message when you release the button.

If you are using Notes, this means the midi controller sends a NoteOn 
message when you press the button, and the corresponding NoteOff message 
when you release the button. (like the way a midi keyboard would do it.)

If you are using Continuous Controller messages, the controller should send 
the appropriate controller number with a positive value (like 64 or 
something) when you press the button. Then when you release the button, it 
should send the same controller with value 0.

Usually this means programming the midi controller to treat its buttons as 
Momentary. It sounds like you might have the in Latching mode. (where the 
first press sends the On, and the second press sends the off)


>Can one replicate the Echoplex pedalboard function of holding down the 
>record button and clearing the loop with the All Access via midi?

yes, definitely! that's the idea of using the on/off concept. That's the 
only way with midi to communicate that you are holding a button down 
(sustained) or releasing it quickly. This allows the Echoplex to get more 
functions out of less buttons. Otherwise there would have to be lots of 
extra buttons to control even the basic features of the echoplex, which 
would be awkward to use and take up too much space.

Hope this helps,
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 18 01:46:06 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Programming Rocktron All Access - HELP!!!!
Date: Sat, 17 Sep 2005 20:45:57 -0500
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kim, i may be wrong here but i believe the 1010 can be set to send cc's 
automatically once a preset is chosen just like with notes. i remember 
seeing that.
___
Adrian Bartholomew
Leawood KS
On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:

> At 08:18 AM 9/17/2005, Craig Mitchell wrote:
>> How are people programming the All Access? Are you using Control 
>> Numbers via Instant Access switches? Or are you using Note ON/OFF via 
>> the Custom settings for presets?
>
> I'm pretty sure the All Access has the flexibility to be set up to use 
> either. The FCB1010 can only control the echoplex using notes. (sorry 
> I don't use an All Access so I don't know the programming steps.)
>
>
>> With the Echoplexes set to 'Controlsource=CNTR' I have been using the 
>> Instant Access switches to trigger various functions.
>>
>> Record - This works but sometimes when I press the button it starts 
>> recording a clears right away. A second press gets it recording 
>> properly and I can loop.
>
> I think I see your problem. The Echoplex wants to see a midi command 
> for both the pressing of the button AND the release of the button. 
> This is how it can tell if you are doing a short press or a long 
> press. It sounds like your controller is not sending the "off" message 
> when you release the button.
>
> If you are using Notes, this means the midi controller sends a NoteOn 
> message when you press the button, and the corresponding NoteOff 
> message when you release the button. (like the way a midi keyboard 
> would do it.)
>
> If you are using Continuous Controller messages, the controller should 
> send the appropriate controller number with a positive value (like 64 
> or something) when you press the button. Then when you release the 
> button, it should send the same controller with value 0.
>
> Usually this means programming the midi controller to treat its 
> buttons as Momentary. It sounds like you might have the in Latching 
> mode. (where the first press sends the On, and the second press sends 
> the off)
>
>
>> Can one replicate the Echoplex pedalboard function of holding down 
>> the record button and clearing the loop with the All Access via midi?
>
> yes, definitely! that's the idea of using the on/off concept. That's 
> the only way with midi to communicate that you are holding a button 
> down (sustained) or releasing it quickly. This allows the Echoplex to 
> get more functions out of less buttons. Otherwise there would have to 
> be lots of extra buttons to control even the basic features of the 
> echoplex, which would be awkward to use and take up too much space.
>
> Hope this helps,
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

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kim, i may be wrong here but i believe the 1010 can be set to send
cc's automatically once a preset is chosen just like with notes. i
remember seeing that.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:


<excerpt>At 08:18 AM 9/17/2005, Craig Mitchell wrote:

<excerpt>How are people programming the All Access? Are you using
Control Numbers via Instant Access switches? Or are you using Note
ON/OFF via the Custom settings for presets?

</excerpt>

I'm pretty sure the All Access has the flexibility to be set up to use
either. The FCB1010 can only control the echoplex using notes. (sorry
I don't use an All Access so I don't know the programming steps.)



<excerpt>With the Echoplexes set to 'Controlsource=CNTR' I have been
using the Instant Access switches to trigger various functions.


Record - This works but sometimes when I press the button it starts
recording a clears right away. A second press gets it recording
properly and I can loop.

</excerpt>

I think I see your problem. The Echoplex wants to see a midi command
for both the pressing of the button AND the release of the button.
This is how it can tell if you are doing a short press or a long
press. It sounds like your controller is not sending the "off" message
when you release the button.


If you are using Notes, this means the midi controller sends a NoteOn
message when you press the button, and the corresponding NoteOff
message when you release the button. (like the way a midi keyboard
would do it.)


If you are using Continuous Controller messages, the controller should
send the appropriate controller number with a positive value (like 64
or something) when you press the button. Then when you release the
button, it should send the same controller with value 0.


Usually this means programming the midi controller to treat its
buttons as Momentary. It sounds like you might have the in Latching
mode. (where the first press sends the On, and the second press sends
the off)



<excerpt>Can one replicate the Echoplex pedalboard function of holding
down the record button and clearing the loop with the All Access via
midi?

</excerpt>

yes, definitely! that's the idea of using the on/off concept. That's
the only way with midi to communicate that you are holding a button
down (sustained) or releasing it quickly. This allows the Echoplex to
get more functions out of less buttons. Otherwise there would have to
be lots of extra buttons to control even the basic features of the
echoplex, which would be awkward to use and take up too much space.


Hope this helps,

kim



______________________________________________________________________

Kim Flint                     | Looper's Delight

kflint@loopers-delight.com    | http://www.loopers-delight.com 

</excerpt>
--Apple-Mail-1-524386164--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 18 01:56:20 2005
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Subject: Re: Programming Rocktron All Access - HELP!!!!
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It can send CC's along with PC's, but it can't send on/off CC's in a 
"momentary" fashion.  Therefore, you can't use CC's to control the basic 
EDP functions with the FCB1010.

Dig

Adrian Bartholomew wrote:

> kim, i may be wrong here but i believe the 1010 can be set to send 
> cc's automatically once a preset is chosen just like with notes. i 
> remember seeing that.
> ___*
> Adrian Bartholomew
> *Leawood KS
> On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:
>
>     At 08:18 AM 9/17/2005, Craig Mitchell wrote:
>
>         How are people programming the All Access? Are you using
>         Control Numbers via Instant Access switches? Or are you using
>         Note ON/OFF via the Custom settings for presets?
>
>
>     I'm pretty sure the All Access has the flexibility to be set up to
>     use either. The FCB1010 can only control the echoplex using notes.
>     (sorry I don't use an All Access so I don't know the programming
>     steps.)
>
>
>         With the Echoplexes set to 'Controlsource=CNTR' I have been
>         using the Instant Access switches to trigger various functions.
>
>         Record - This works but sometimes when I press the button it
>         starts recording a clears right away. A second press gets it
>         recording properly and I can loop.
>
>
>     I think I see your problem. The Echoplex wants to see a midi
>     command for both the pressing of the button AND the release of the
>     button. This is how it can tell if you are doing a short press or
>     a long press. It sounds like your controller is not sending the
>     "off" message when you release the button.
>
>     If you are using Notes, this means the midi controller sends a
>     NoteOn message when you press the button, and the corresponding
>     NoteOff message when you release the button. (like the way a midi
>     keyboard would do it.)
>
>     If you are using Continuous Controller messages, the controller
>     should send the appropriate controller number with a positive
>     value (like 64 or something) when you press the button. Then when
>     you release the button, it should send the same controller with
>     value 0.
>
>     Usually this means programming the midi controller to treat its
>     buttons as Momentary. It sounds like you might have the in
>     Latching mode. (where the first press sends the On, and the second
>     press sends the off)
>
>
>         Can one replicate the Echoplex pedalboard function of holding
>         down the record button and clearing the loop with the All
>         Access via midi?
>
>
>     yes, definitely! that's the idea of using the on/off concept.
>     That's the only way with midi to communicate that you are holding
>     a button down (sustained) or releasing it quickly. This allows the
>     Echoplex to get more functions out of less buttons. Otherwise
>     there would have to be lots of extra buttons to control even the
>     basic features of the echoplex, which would be awkward to use and
>     take up too much space.
>
>     Hope this helps,
>     kim
>
>
>     ______________________________________________________________________
>
>     Kim Flint | Looper's Delight
>     kflint@loopers-delight.com | http://www.loopers-delight.com
>

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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: Programming Rocktron All Access - HELP!!!!
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i stand corrected
___
Adrian Bartholomew
Leawood KS
On Sep 17, 2005, at 8:56 PM, Doug Cox wrote:

> It can send CC's along with PC's, but it can't send on/off CC's in a  
> "momentary" fashion.  Therefore, you can't use CC's to control the  
> basic EDP functions with the FCB1010.
>
> Dig
>
> Adrian Bartholomew wrote:
>
>> kim, i may be wrong here but i believe the 1010 can be set to send  
>> cc's automatically once a preset is chosen just like with notes. i  
>> remember seeing that.
>> ___*
>> Adrian Bartholomew
>> *Leawood KS
>> On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:
>>
>>     At 08:18 AM 9/17/2005, Craig Mitchell wrote:
>>
>>         How are people programming the All Access? Are you using
>>         Control Numbers via Instant Access switches? Or are you using
>>         Note ON/OFF via the Custom settings for presets?
>>
>>
>>     I'm pretty sure the All Access has the flexibility to be set up to
>>     use either. The FCB1010 can only control the echoplex using notes.
>>     (sorry I don't use an All Access so I don't know the programming
>>     steps.)
>>
>>
>>         With the Echoplexes set to 'Controlsource=CNTR' I have been
>>         using the Instant Access switches to trigger various  
>> functions.
>>
>>         Record - This works but sometimes when I press the button it
>>         starts recording a clears right away. A second press gets it
>>         recording properly and I can loop.
>>
>>
>>     I think I see your problem. The Echoplex wants to see a midi
>>     command for both the pressing of the button AND the release of the
>>     button. This is how it can tell if you are doing a short press or
>>     a long press. It sounds like your controller is not sending the
>>     "off" message when you release the button.
>>
>>     If you are using Notes, this means the midi controller sends a
>>     NoteOn message when you press the button, and the corresponding
>>     NoteOff message when you release the button. (like the way a midi
>>     keyboard would do it.)
>>
>>     If you are using Continuous Controller messages, the controller
>>     should send the appropriate controller number with a positive
>>     value (like 64 or something) when you press the button. Then when
>>     you release the button, it should send the same controller with
>>     value 0.
>>
>>     Usually this means programming the midi controller to treat its
>>     buttons as Momentary. It sounds like you might have the in
>>     Latching mode. (where the first press sends the On, and the second
>>     press sends the off)
>>
>>
>>         Can one replicate the Echoplex pedalboard function of holding
>>         down the record button and clearing the loop with the All
>>         Access via midi?
>>
>>
>>     yes, definitely! that's the idea of using the on/off concept.
>>     That's the only way with midi to communicate that you are holding
>>     a button down (sustained) or releasing it quickly. This allows the
>>     Echoplex to get more functions out of less buttons. Otherwise
>>     there would have to be lots of extra buttons to control even the
>>     basic features of the echoplex, which would be awkward to use and
>>     take up too much space.
>>
>>     Hope this helps,
>>     kim
>>
>>
>>      
>> ______________________________________________________________________
>>
>>     Kim Flint | Looper's Delight
>>     kflint@loopers-delight.com | http://www.loopers-delight.com
>>
>

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i stand corrected

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 17, 2005, at 8:56 PM, Doug Cox wrote:


<excerpt>It can send CC's along with PC's, but it can't send on/off
CC's in a "momentary" fashion.  Therefore, you can't use CC's to
control the basic EDP functions with the FCB1010.


Dig


Adrian Bartholomew wrote:


<excerpt>kim, i may be wrong here but i believe the 1010 can be set to
send cc's automatically once a preset is chosen just like with notes.
i remember seeing that.

___*

Adrian Bartholomew

*Leawood KS

On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:


    At 08:18 AM 9/17/2005, Craig Mitchell wrote:


        How are people programming the All Access? Are you using

        Control Numbers via Instant Access switches? Or are you using

        Note ON/OFF via the Custom settings for presets?



    I'm pretty sure the All Access has the flexibility to be set up to

    use either. The FCB1010 can only control the echoplex using notes.

    (sorry I don't use an All Access so I don't know the programming

    steps.)



        With the Echoplexes set to 'Controlsource=CNTR' I have been

        using the Instant Access switches to trigger various functions.


        Record - This works but sometimes when I press the button it

        starts recording a clears right away. A second press gets it

        recording properly and I can loop.



    I think I see your problem. The Echoplex wants to see a midi

    command for both the pressing of the button AND the release of the

    button. This is how it can tell if you are doing a short press or

    a long press. It sounds like your controller is not sending the

    "off" message when you release the button.


    If you are using Notes, this means the midi controller sends a

    NoteOn message when you press the button, and the corresponding

    NoteOff message when you release the button. (like the way a midi

    keyboard would do it.)


    If you are using Continuous Controller messages, the controller

    should send the appropriate controller number with a positive

    value (like 64 or something) when you press the button. Then when

    you release the button, it should send the same controller with

    value 0.


    Usually this means programming the midi controller to treat its

    buttons as Momentary. It sounds like you might have the in

    Latching mode. (where the first press sends the On, and the second

    press sends the off)



        Can one replicate the Echoplex pedalboard function of holding

        down the record button and clearing the loop with the All

        Access via midi?



    yes, definitely! that's the idea of using the on/off concept.

    That's the only way with midi to communicate that you are holding

    a button down (sustained) or releasing it quickly. This allows the

    Echoplex to get more functions out of less buttons. Otherwise

    there would have to be lots of extra buttons to control even the

    basic features of the echoplex, which would be awkward to use and

    take up too much space.


    Hope this helps,

    kim



   
______________________________________________________________________


    Kim Flint | Looper's Delight

    kflint@loopers-delight.com | http://www.loopers-delight.com


</excerpt>

</excerpt>
--Apple-Mail-1-573035955--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 18 17:08:43 2005
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other than the *kechunk* of the switches, the allaccess is
excellent for edp use.  i thought there were still several
ld'ers using it.

i sold my all access over a year ago, planning to build my
own using the excellent mios system ( http://www.ucapps.de/mios.html )
which i still have on my todo list. so i don't remember
this stuff exactly, so use grain-of-salt filter and RTFM,
but here goes:

it sounds like you have the switches set to toggle mode.
there is a momentary mode with which you can set up the aa to act
just like the edp controller, allowing long press - short press.
you can use either note on-note off or cc, as i fuzzily recall...

using instant access buttons for the main edp funcs is a good idea,
cause then you can use the other buttons for pc changes to call up
different patches on the edp or to send direct midi commands, etc

as i recall, you can have 5, 10 or 15 instant access buttons,
leaving the rest (10,5,0 respectively) for preset buttons,
which you can also bank up and down without changing the instant
access buttons.  pretty cool...

hope this is some help.


 > ... Bummer
> I am still not getting it to run the Echoplexs the way I want it to but I
> have to agree with the other comments here that the FCB1010 tends to lend
> itself better to operating the Echoplex.
> 
> I'd still like to hear from any All Acess owners who have it sorted out! I'd
> like to avoid carrying around two pedalboards if I can work it out.
> 
> Great bunch of people here and I'm honored to be on the list.
> 
> Craig
> 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 03:29:21 2005
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To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
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Subject: The PiNG presents PiNG AMBiENCE 3 - LiVE
Date: Sun, 18 Sep 2005 23:30:38 -0400
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A busy September continues at the PiNG as this Tuesday the new
"PiNG AMBiENCE 3 - STRiNG THiNGS" CD is launched with a concert
by three ambient guitar slingers and then on Sunday Sept.25th,
11AM - 6PM, we hit the "Word on the Street" event at Queen's Park
to launch "i POP PiNG" magazine. Our September feature on the new
Steve Roach set "The Dreamtime Box" continues with "Possible Planet".
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday September 20th - PiNG AMBiENCE 3 - LiVE

In celebration of THE AMBiENT PiNG's new CD release "PiNG AMBiENCE 3
~ STRiNG THiNGS" this show will feature three ambient guitar artists:
Paul Royes (The Cybertarist), Phil Ogison (The Devil in The Design)
and Joe G (Styrohead) in live performance. 

Paul Royes will compose and perform his latest intuitive music work
titled "Sustain & Feedback", plus some favourites from "Mayan Plateau",
"Delta Forces" and "Dolphin Sky". "The role of the arts is to explore
the inner space of man; to find out how much and how intensely he can
vibrate, through sound, through what he hears, whichever it is. They
are a means by which to expand his inner universe."
(Karlheinz Stockhausen On Music) 

Phil Ogison will be composing on the fly, as part of the "Vessel"
series. This is a joint project with Menno Krant, painter. Each
"Vessel" will only be heard once in its' actual performance mode,
the only record of the performance being the recording medium. This
is in keeping with the nature of painting, there being only one copy
of a given painting, one original. This puts the music into a 'Fine Art'
category. Subsequent recordings, of which only one per performance
will be available, will be paired with a unique painting by Menno.

Joe G will be using urban/environmental earth sounds with electric &
acoustic guitars, loopers, delays, cutting audio gates, modulation
sound processors and a touch of slow space percussion to weave his
improvisational magic.

General Chaos Visuals will provide their always beautiful eye candy.

The new PiNG AMBiENCE 3 ~ STRiNG THiNGS compilation CD of spacious
ambient guitar sound sculptures will be available at ping things
the night of the show and at http://www.pingthings.com

Between Sets CD - "Possible Planet" by Steve Roach
Our month-long feature on Steve Roach's new "Dreamtime Box" continues
between sets with disc 3 "Possible Planet" - all new music created by
Roach Dec.2004 through May 2005 using only analog modular synthesisers.
http://www.steveroach.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday September 27th - Songspell
http://www.thetempleofsound.com/song-spell.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

||: IN THE LOOP :||  by Luna Tek

Featuring performances by Syntax Error and Vancouver's Wendy Atkinson
with David Leary, THE AMBiENT PiNG was the place to be for two
innovative shows on Tuesday, September 13.  

Syntax Error (Joshua Hemming & Tony Ferreira) covered a lot of musical
territory in the first set: beginning with ambient instrumentals and
building in rhythmic intensity as the set progressed, the duo sampled
ethereal vocals from two artists they regularly work with, Astra
(sung vocals) and Mandy-Tori (spoken word). After the concert, Joshua
explained that, for Syntax Error, "vocals are particularly appealing
because they bring a certain beauty and humanity to our sound and can
provide a pleasing contrast against the cold synths and dark scapes."
Joshua also pointed out that sounds and images from the world around
him--like rain or traffic or the screeching sounds of the subway-
significantly influence his process of soundscape design. 

Wendy Atkinson opened the second set with several solo bass guitar
pieces. David Lester of Vancouver band Mecca Normal then joined her
onstage with a dramatic start to his guitar stylings and the duo
entertained the audience with dueling guitars and playful stage
antics. They closed the evening with two songs from a project with
east Vancouver poet Bud Osborne, songs they manipulated for use
outside of the project. The resulting soundscapes reflected a
strong sense of their roots in the harsh reality of east Vancouver. 

Look for the launch of i POP PiNG at Word on the Street this Sunday!

Luna Tek - luna@theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"It's You Who Made My Head Spin" by Weird State Inbetween

Weird State Inbetween is a collaborative project between
Anne Sulikowski of Building Castles Out of Matchsticks and Scott
Johnson of the Lonely Flight. "It's You Who Made My Head Spin" is a
recording by the duo (with guest D.P. of Offensive Orange) taken 
from a live performance at the AMBiENT PiNG in March of this year.

The disc explores a dark and claustrophobic environment filled with
metallic scrapes, sampled voices, piercing tones and deep pads. It's
a kaleidoscope of sounds coming from all directions, sometimes with
a rhythm or melody, sometimes with nothing distinct that you can
identify or trace. It can be unsettling at times, anxious at others, 
sometimes frightening even. Alternatively it can be soothing, calming,
almost loving in it's embrace, but only briefly, only long enough to
remind you that you're not alone. Vocal loops, melodic touchstones,
they all combine to ease the transition from the real world into
this wierd state in between. And as you listen it becomes abundantly
clear that everything around you is very very very beautiful. You
just have to know what to look for...

Anne and Scott (and guest D.P.) played a wonderful set that evening,
and we're lucky to have this reminder of how wonderful they can be
together. These wierd states expand between and beyond, and we're
better off for it.

Wierd State Inbetween are among many artists who have generously
offered to donate all earnings from the sale of their CDs through
ping things for the month of September to the American Red Cross
(less taxes and shipping costs) in an effort to raise money for
Hurricane relief efforts. Please visit http://www.pingthings.com
to find out more.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things
Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 13:05:16 2005
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Date: Mon, 19 Sep 2005 09:04:20 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: 1st Looping Festival
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 >> there was a weekly looping series for a while in New York City.

The weekly open loop event at Chama is still listed on their website 
http://www.loopny.com/#openloop

Haven't been there in some time - maybe someone else can confirm?

Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 13:10:25 2005
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Dan Ash wrote:

> >> there was a weekly looping series for a while in New York City.
>
> The weekly open loop event at Chama is still listed on their website 
> http://www.loopny.com/#openloop
>
> Haven't been there in some time - maybe someone else can confirm?
>
Chama closed in Sept. 2003.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 14:48:48 2005
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To: Loopers-Delight@loopers-delight.com
From: Kelly Coyle <kellycoyle@charter.net>
Subject: Oberheim EDP FS
Date: Mon, 19 Sep 2005 09:48:42 -0500
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It's in very good cosmetic shape. Loop4, full memory. Gibson foot  
controller that is somewhat beat up but works fine. I have the Loop4  
upgrade manual, but not the regular one. Works perfectly, as far as I  
know -- the only trouble I've ever had with it is that the previous  
owner didn't seat the Loop4 chip properly and, although it worked, it  
exhibited a bunch of bizarre behavior. Anyway, after I discovered  
that, no issues. $650 shipped in US, PayPal or money order. Pictures  
possible.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 15:12:22 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Oberheim EDP FS
Date: Mon, 19 Sep 2005 10:12:16 -0500
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Oh heck, I forgot. I am also hoping to sell a Lexicon Vortex. I had a  
double footswitch made for it that does the trick. $100, with docs.  
Again, I can get the camera out if needed.




On Sep 19, 2005, at 9:48 AM, Kelly Coyle wrote:

> It's in very good cosmetic shape. Loop4, full memory. Gibson foot  
> controller that is somewhat beat up but works fine. I have the  
> Loop4 upgrade manual, but not the regular one. Works perfectly, as  
> far as I know -- the only trouble I've ever had with it is that the  
> previous owner didn't seat the Loop4 chip properly and, although it  
> worked, it exhibited a bunch of bizarre behavior. Anyway, after I  
> discovered that, no issues. $650 shipped in US, PayPal or money  
> order. Pictures possible.
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 16:35:25 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
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Hi All

Ok, so I have been hinting at building a pedal for a while now, for reasons 
that I won't go into, my Ego kind of wanted to keep the design some sort of 
secret,however this has led to nowhere for me so it is time to REVEAL ALL!!!

Basically I want to make a foot operated device that allows a signal to pass 
only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch Pedal.

I envisaged building it as follows.

two buttons button one simply being on / off
In off position the signal is bypassed directly to the output jack
in the On position it passes to the next momentary button.

Button Two is the activation button,

it is a push to make type switch so initially the signal is dead, however, 
when the button is pressed the sound is allowed to pass to the output.

I can therefore strum a chord while it is off then tap the button 
rythmically to let small  stabs of sound through.

I came up with this when playing through a broken amp that you had to hold 
the jack in place in the input, i found that tapping the jack let me do 
dda-da-da type noises.

anyways basically I know NOTHING about how to do this, I did what seemed 
reasonable to me but all I got was nasty hiss and buzzing. I would 
appreciate ANY help or comments on how I may impliment this pedal.

I had once dreamed about making money off this idea, however, it will never 
be built if I cant get some advice!

By the way I intend to LOOP with it so its not totally OT!!

Thanks Y'all

Phill Wilson (a.k.a. Blackface)

Free Downloads at

www.download.com/therealblackface

_________________________________________________________________
The new MSN Search Toolbar now includes Desktop search! 
http://toolbar.msn.co.uk/

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 16:43:40 2005
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Date: Mon, 19 Sep 2005 09:43:40 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: EDP through rane SM82 problem
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Hi gang,
I am having humming problems with the edp plugged into
to my Rane SM82.I have a roland preamp,repeater EDP
and sm82 plugged into a juice goose power
conditioner,when i disconect the EDP the humming is
gone,but even if i disconect evrything and leave the
edp by itself it still humms.No problems through my
little VLZ1202 mackie though.
Also when i turn the rane sm82 off it makes my active
speakers make a big boom which doesnt happen with the
1202,any ideas?
thanx
Luis

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 16:44:13 2005
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Craig,

I'm using the All Access to control my EDP via Instant Access switches. 
 Here's the settings I'm currently using (hopefully the formatting will 
be okay).

Button Name    CC#    On/Off    Switch Type        Comments

Speed                48        1/0          Hold
Reverse             49        1/0          Hold
Next                  44        1/0          Momentary
Substitute          46        1/1          Hold                    
substitutes only when switch held down, causes Speed and Reverse to work 
only when switch held down
Record              38        1/0          Hold                    
supports LongPress to reset current loop
Overdub            39        1/0          Hold
Multiply            40        1/0          Hold
Undo                 43        1/1          Hold                    if 
Undo action not completed, Speed and Reverse only work when 
corresponding switch held down
Reset                 61        1/0          Hold                    
does not work consistently

The way Substitute and Undo affects Speed and Reverse is problematic 
IMO.  I'm not sure if this is caused by the way I've programmed the All 
Access or the way the EDP behaves.  

Hope this helps.  If you tweak any of these settings with positive 
results, please let me know.

Matt

---
www.finleysound.com/kingnever


Craig Mitchell wrote:

>
>
>
>     Hi,
>
>     I'm new to the list and searched the archive but have not yet
>     found the answers to questions.
>
>     I am running two Echoplex Pros (loop IV)and trying to control them
>     with a Rocktron All Access Pedal. I have made progress but a few
>     things are still not working quite right.
>
>     I have a good understanding of MIDI and how to program the
>     Rocktron All Access but success so far as eluded me on this one.
>
>     First off, the Echoplexes are sync'd up with a TRS cable via
>     brother sync and the master has a midi cable going to the slave.
>
>
>     How are people programming the All Access? Are you using Control
>     Numbers via Instant Access switches? Or are you using Note ON/OFF
>     via the Custom settings for presets?
>
>     I have tried both and am still getting mixed results.
>
>     With the Echoplexes set to 'Controlsource=CNTR' I have been using
>     the Instant Access switches to trigger various functions.
>
>     Record - This works but sometimes when I press the button it
>     starts recording a clears right away. A second press gets it
>     recording properly and I can loop.
>
>     Mute - works fine
>
>     Halfspeed - works fine
>
>     Clear - This one does not seem to work at all. I have tried a
>     couple different ideas to no avail.
>
>     However, if I press the mute switch, the clear switch, and then
>     the mute switch again it clears???? Something is not quite right
>     there. I must be close. :)
>
>     Soooo... any help is greatly appreciated! Are you using Latching,
>     Momentaty, Hold on the All Access Instant access switches.
>
>     Can one replicate the Echoplex pedalboard function of holding down
>     the record button and clearing the loop with the All Access via midi?
>
>     A step by step guide from someone who has this dialed in would be
>     fantastic.
>
>     Thanks!
>
>     Craig
>
>


-- 
King Never
www.finleysound.com/kingnever <http://www.finleysound.com/kingnever>







From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 17:11:57 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 12:11:48 -0500
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nice idea! it would be fun to loop that.
i can build it for u. just let me know how big u want the box. how u 
want the buttons aligned and what type/size of buttons u want to use. i 
assume u want the standard... in on the right out on the left?

now im not trying to put u down in anyway. u have a great creative 
mind. hats off to u for pursuing this. its a good idea but im afraid, 
not all that unique and involved to be awarded a patent. and it could 
be done in a million and one ways too, so anyone could run around ur 
patent anyway. see what im saying?
meanwhile, back on the ranch. what do u envision paying for this to be 
built? the parts wont be that expensive at all and my labor cost would 
reasonable. we could always figure something out.

the most expensive thing would be the box itself. i would do it with 
active electronics. ie with logic and analog chips that need power. 
simple 9V adaptor that could chain to ur existing pedals. also ill have 
true bypass to eliminate any clicking on and off.
i already have the schematic in my head and the parts i need. i already 
have the components i need in my lab too. lucky u!
i would just need to order the box and the switches of ur choice. radio 
shack most likely has the casing u need but i know they dont have any 
heavy duty foot switches. i need the double pole type to keep it true 
bypass and momentary for the 2nd switch. it should not click like the 
1st on/off switch. just be spring loaded push on/release off. soft 
feel.

if all this sounds like gibberish, im sorry. i get carried away.
but not to worry. once we have all the parts we need, it would only 
take a week (i have a busy schedule)and u could have it in ur hands a 
few days after that. u would be responsible for painting and printing 
any logo u want though:-)

text back privately.

___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 11:35 AM, phill wilson wrote:

>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for 
> reasons that I won't go into, my Ego kind of wanted to keep the design 
> some sort of secret,however this has led to nowhere for me so it is 
> time to REVEAL ALL!!!
>
> Basically I want to make a foot operated device that allows a signal 
> to pass only when  the button is pressed. Kind of a 
> Poor-Mans-Morse-Glitch Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead, 
> however, when the button is pressed the sound is allowed to pass to 
> the output.
>
> I can therefore strum a chord while it is off then tap the button 
> rythmically to let small  stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to 
> hold the jack in place in the input, i found that tapping the jack let 
> me do dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what 
> seemed reasonable to me but all I got was nasty hiss and buzzing. I 
> would appreciate ANY help or comments on how I may impliment this 
> pedal.
>
> I had once dreamed about making money off this idea, however, it will 
> never be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
> _________________________________________________________________
> The new MSN Search Toolbar now includes Desktop search! 
> http://toolbar.msn.co.uk/
>

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nice idea! it would be fun to loop that.

i can build it for u. just let me know how big u want the box. how u
want the buttons aligned and what type/size of buttons u want to use.
i assume u want the standard... in on the right out on the left?


now im not trying to put u down in anyway. u have a great creative
mind. hats off to u for pursuing this. its a good idea but im afraid,
not all that unique and involved to be awarded a patent. and it could
be done in a million and one ways too, so anyone could run around ur
patent anyway. see what im saying?

meanwhile, back on the ranch. what do u envision paying for this to be
built? the parts wont be that expensive at all and my labor cost would
reasonable. we could always figure something out.


the most expensive thing would be the box itself. i would do it with
active electronics. ie with logic and analog chips that need power.
simple 9V adaptor that could chain to ur existing pedals. also ill
have true bypass to eliminate any clicking on and off.

i already have the schematic in my head and the parts i need. i
already have the components i need in my lab too. lucky u!

i would just need to order the box and the switches of ur choice.
radio shack most likely has the casing u need but i know they dont
have any heavy duty foot switches. i need the double pole type to keep
it true bypass and momentary for the 2nd switch. it should not click
like the 1st on/off switch. just be spring loaded push on/release off.
soft feel.


if all this sounds like gibberish, im sorry. i get carried away.

but not to worry. once we have all the parts we need, it would only
take a week (i have a busy schedule)and u could have it in ur hands a
few days after that. u would be responsible for painting and printing
any logo u want though:-)


text back privately.


___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 11:35 AM, phill wilson wrote:


<excerpt>

Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is
time to REVEAL ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass only when  the button is pressed. Kind of a
Poor-Mans-Morse-Glitch Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to
the output.


I can therefore strum a chord while it is off then tap the button
rythmically to let small  stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed reasonable to me but all I got was nasty hiss and buzzing. I
would appreciate ANY help or comments on how I may impliment this
pedal.


I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)


Free Downloads at


www.download.com/therealblackface


_________________________________________________________________

The new MSN Search Toolbar now includes Desktop search!
http://toolbar.msn.co.uk/


</excerpt>
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: EDP through rane SM82 problem
Date: Mon, 19 Sep 2005 12:13:20 -0500
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when u say disconnect, do u mean unplugging the power cord of 
everything else?

___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 11:43 AM, Luis Angulo wrote:

> Hi gang,
> I am having humming problems with the edp plugged into
> to my Rane SM82.I have a roland preamp,repeater EDP
> and sm82 plugged into a juice goose power
> conditioner,when i disconect the EDP the humming is
> gone,but even if i disconect evrything and leave the
> edp by itself it still humms.No problems through my
> little VLZ1202 mackie though.
> Also when i turn the rane sm82 off it makes my active
> speakers make a big boom which doesnt happen with the
> 1202,any ideas?
> thanx
> Luis
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

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when u say disconnect, do u mean unplugging the power cord of
everything else?


___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 11:43 AM, Luis Angulo wrote:


<excerpt>Hi gang,

I am having humming problems with the edp plugged into

to my Rane SM82.I have a roland preamp,repeater EDP

and sm82 plugged into a juice goose power

conditioner,when i disconect the EDP the humming is

gone,but even if i disconect evrything and leave the

edp by itself it still humms.No problems through my

little VLZ1202 mackie though.

Also when i turn the rane sm82 off it makes my active

speakers make a big boom which doesnt happen with the

1202,any ideas?

thanx

Luis


www.luis-angulo.com


__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 17:23:55 2005
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Subject: AW: The Big(ish) Idea
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I have been doing this kind of thing using a multi-FX (think FireworX)
plus a footswitch (also, the Roland V-xxxx series works if you connect a
volume control in the signal chain to e.g. your CTRL pedal).
=20
Adrian, why going active? Is there any reason to this?
=20
Phil, another suggestion: Switch two could be the momentary foot switch
that you describe. Switch one could operate Switch two's polarity switch
and change it from normally off to normally on. (Of course switch two
would be latching). So you could use the pedal to let signal pass when
you press switch two ("gate mode") or to interrupt the signal when you
press switch two ("slice mode"). If you put the device in slice mode and
leave switch two alone, the thing is basically off.
=20

-----Urspr=FCngliche Nachricht-----
Von: Adrian Bartholomew [mailto:adrian@bartholomusic.com]=20
Gesendet: Montag, 19. September 2005 19:12
An: Loopers-Delight@loopers-delight.com
Betreff: Re: The Big(ish) Idea


nice idea! it would be fun to loop that.
i can build it for u. just let me know how big u want the box. how u
want the buttons aligned and what type/size of buttons u want to use. i
assume u want the standard... in on the right out on the left?

now im not trying to put u down in anyway. u have a great creative mind.
hats off to u for pursuing this. its a good idea but im afraid, not all
that unique and involved to be awarded a patent. and it could be done in
a million and one ways too, so anyone could run around ur patent anyway.
see what im saying?
meanwhile, back on the ranch. what do u envision paying for this to be
built? the parts wont be that expensive at all and my labor cost would
reasonable. we could always figure something out.

the most expensive thing would be the box itself. i would do it with
active electronics. ie with logic and analog chips that need power.
simple 9V adaptor that could chain to ur existing pedals. also ill have
true bypass to eliminate any clicking on and off.
i already have the schematic in my head and the parts i need. i already
have the components i need in my lab too. lucky u!
i would just need to order the box and the switches of ur choice. radio
shack most likely has the casing u need but i know they dont have any
heavy duty foot switches. i need the double pole type to keep it true
bypass and momentary for the 2nd switch. it should not click like the
1st on/off switch. just be spring loaded push on/release off. soft feel.

if all this sounds like gibberish, im sorry. i get carried away.
but not to worry. once we have all the parts we need, it would only take
a week (i have a busy schedule)and u could have it in ur hands a few
days after that. u would be responsible for painting and printing any
logo u want though:-)

text back privately.

___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 11:35 AM, phill wilson wrote:




Hi All

Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is time
to REVEAL ALL!!!

Basically I want to make a foot operated device that allows a signal to
pass only when the button is pressed. Kind of a Poor-Mans-Morse-Glitch
Pedal.

I envisaged building it as follows.

two buttons button one simply being on / off
In off position the signal is bypassed directly to the output jack
in the On position it passes to the next momentary button.

Button Two is the activation button,

it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to the
output.

I can therefore strum a chord while it is off then tap the button
rythmically to let small stabs of sound through.

I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.

anyways basically I know NOTHING about how to do this, I did what seemed
reasonable to me but all I got was nasty hiss and buzzing. I would
appreciate ANY help or comments on how I may impliment this pedal.

I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!

By the way I intend to LOOP with it so its not totally OT!!

Thanks Y'all

Phill Wilson (a.k.a. Blackface)

Free Downloads at

www.download.com/therealblackface

_________________________________________________________________
The new MSN Search Toolbar now includes Desktop search!
http://toolbar.msn.co.uk/




------=_NextPart_000_0007_01C5BD4F.DA808910
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<TITLE>Nachricht</TITLE>

<META content=3D"MSHTML 6.00.2800.1170" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =
size=3D2>I have=20
been doing this kind of thing using a multi-FX (think FireworX) plus a=20
footswitch (also, the Roland V-xxxx series works if you connect a volume =
control=20
in the signal chain to e.g. your CTRL pedal).</FONT></SPAN></DIV>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =

size=3D2>Adrian, why going active? Is there any reason to=20
this?</FONT></SPAN></DIV>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =
size=3D2>Phil,=20
another suggestion: Switch two could be the momentary foot switch that =
you=20
describe. Switch one could operate Switch two's polarity switch and =
change it=20
from normally off to normally on. (Of course switch two would be =
latching). So=20
you could use the pedal to let signal pass when you press switch two =
("gate=20
mode") or to interrupt the signal when you press switch two ("slice =
mode"). If=20
you put the device in slice mode and leave switch two alone, the thing =
is=20
basically off.</FONT></SPAN></DIV>
<DIV><SPAN class=3D921232017-19092005><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr =
align=3Dleft><FONT face=3DTahoma=20
  size=3D2>-----Urspr=FCngliche Nachricht-----<BR><B>Von:</B> Adrian =
Bartholomew=20
  [mailto:adrian@bartholomusic.com] <BR><B>Gesendet:</B> Montag, 19. =
September=20
  2005 19:12<BR><B>An:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re: The =
Big(ish)=20
  Idea<BR><BR></FONT></DIV>nice idea! it would be fun to loop that.<BR>i =
can=20
  build it for u. just let me know how big u want the box. how u want =
the=20
  buttons aligned and what type/size of buttons u want to use. i assume =
u want=20
  the standard... in on the right out on the left?<BR><BR>now im not =
trying to=20
  put u down in anyway. u have a great creative mind. hats off to u for =
pursuing=20
  this. its a good idea but im afraid, not all that unique and involved =
to be=20
  awarded a patent. and it could be done in a million and one ways too, =
so=20
  anyone could run around ur patent anyway. see what im =
saying?<BR>meanwhile,=20
  back on the ranch. what do u envision paying for this to be built? the =
parts=20
  wont be that expensive at all and my labor cost would reasonable. we =
could=20
  always figure something out.<BR><BR>the most expensive thing would be =
the box=20
  itself. i would do it with active electronics. ie with logic and =
analog chips=20
  that need power. simple 9V adaptor that could chain to ur existing =
pedals.=20
  also ill have true bypass to eliminate any clicking on and off.<BR>i =
already=20
  have the schematic in my head and the parts i need. i already have the =

  components i need in my lab too. lucky u!<BR>i would just need to =
order the=20
  box and the switches of ur choice. radio shack most likely has the =
casing u=20
  need but i know they dont have any heavy duty foot switches. i need =
the double=20
  pole type to keep it true bypass and momentary for the 2nd switch. it =
should=20
  not click like the 1st on/off switch. just be spring loaded push =
on/release=20
  off. soft feel.<BR><BR>if all this sounds like gibberish, im sorry. i =
get=20
  carried away.<BR>but not to worry. once we have all the parts we need, =
it=20
  would only take a week (i have a busy schedule)and u could have it in =
ur hands=20
  a few days after that. u would be responsible for painting and =
printing any=20
  logo u want though:-)<BR><BR>text back =
privately.<BR><BR>___<B><?color><?param 7979,0404,0909><BR>Adrian=20
  Bartholomew<BR><?/color></B>Leawood KS<BR>On Sep 19, 2005, at 11:35 =
AM, phill=20
  wilson wrote:<BR><BR>
  <BLOCKQUOTE><FONT face=3DArial color=3D#0000ff size=3D2></FONT><BR>Hi=20
    All<BR><BR>Ok, so I have been hinting at building a pedal for a =
while now,=20
    for reasons that I won't go into, my Ego kind of wanted to keep the =
design=20
    some sort of secret,however this has led to nowhere for me so it is =
time to=20
    REVEAL ALL!!!<BR><BR>Basically I want to make a foot operated device =
that=20
    allows a signal to pass only when the button is pressed. Kind of a=20
    Poor-Mans-Morse-Glitch Pedal.<BR><BR>I envisaged building it as=20
    follows.<BR><BR>two buttons button one simply being on / off<BR>In =
off=20
    position the signal is bypassed directly to the output jack<BR>in =
the On=20
    position it passes to the next momentary button.<BR><BR>Button Two =
is the=20
    activation button,<BR><BR>it is a push to make type switch so =
initially the=20
    signal is dead, however, when the button is pressed the sound is =
allowed to=20
    pass to the output.<BR><BR>I can therefore strum a chord while it is =
off=20
    then tap the button rythmically to let small stabs of sound=20
    through.<BR><BR>I came up with this when playing through a broken =
amp that=20
    you had to hold the jack in place in the input, i found that tapping =
the=20
    jack let me do dda-da-da type noises.<BR><BR>anyways basically I =
know=20
    NOTHING about how to do this, I did what seemed reasonable to me but =
all I=20
    got was nasty hiss and buzzing. I would appreciate ANY help or =
comments on=20
    how I may impliment this pedal.<BR><BR>I had once dreamed about =
making money=20
    off this idea, however, it will never be built if I cant get some=20
    advice!<BR><BR>By the way I intend to LOOP with it so its not =
totally=20
    OT!!<BR><BR>Thanks Y'all<BR><BR>Phill Wilson (a.k.a. =
Blackface)<BR><BR>Free=20
    Downloads=20
    =
at<BR><BR>www.download.com/therealblackface<BR><BR>______________________=
___________________________________________<BR>The=20
    new MSN Search Toolbar now includes Desktop search!=20
    =
http://toolbar.msn.co.uk/<BR><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>=


------=_NextPart_000_0007_01C5BD4F.DA808910--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 17:31:23 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 12:31:13 -0500
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another thing phil, it could a LOT more useful if u DIDNT have the 
click the thing on in the 1st place.
cause as u envision currently, i could be, say, strumming along nicely 
in the middle of a song all happy and stuff and then i want to launch 
into my special "stutter box" section. but alas, i must beak the spell 
and go to silence for thats the initial state of the box when its 
turned on. bummer! until i depress the 2nd switch, i have silence. 
thats not very smooth or useable.
so i have to figure out a way so that the box has ONE switch. kinda 
like the wah wah pedals u dont have to click on 1st.
just start stuttering away with ur trusty footswitch!

off the top of my head, starting the effect is no problem but having 
the signal throughput normally again AFTER ur final release of the 
stutter switch is a bit more involved. maybe a delay time window is in 
order where, within that time if no stutter switch depression is 
detected, throughput is once again the enstated.
or!....
  maybe u have the turn the unit OFF AFTER ur done with the stutter 
switch to get back normal signal. so.... use of the stutter switch 
automatically turns it ON. that would make more sense. so u have an OFF 
switch next to the stutter one. not an ON switch.

___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 11:35 AM, phill wilson wrote:

>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for 
> reasons that I won't go into, my Ego kind of wanted to keep the design 
> some sort of secret,however this has led to nowhere for me so it is 
> time to REVEAL ALL!!!
>
> Basically I want to make a foot operated device that allows a signal 
> to pass only when  the button is pressed. Kind of a 
> Poor-Mans-Morse-Glitch Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead, 
> however, when the button is pressed the sound is allowed to pass to 
> the output.
>
> I can therefore strum a chord while it is off then tap the button 
> rythmically to let small  stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to 
> hold the jack in place in the input, i found that tapping the jack let 
> me do dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what 
> seemed reasonable to me but all I got was nasty hiss and buzzing. I 
> would appreciate ANY help or comments on how I may impliment this 
> pedal.
>
> I had once dreamed about making money off this idea, however, it will 
> never be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
> _________________________________________________________________
> The new MSN Search Toolbar now includes Desktop search! 
> http://toolbar.msn.co.uk/
>

--Apple-Mail-3-667501634
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

another thing phil, it could a LOT more useful if u DIDNT have the
click the thing on in the 1st place.

cause as u envision currently, i could be, say, strumming along nicely
in the middle of a song all happy and stuff and then i want to launch
into my special "stutter box" section. but alas, i must beak the spell
and go to silence for thats the initial state of the box when its
turned on. bummer! until i depress the 2nd switch, i have silence.
thats not very smooth or useable.

so i have to figure out a way so that the box has ONE switch. kinda
like the wah wah pedals u dont have to click on 1st.

just start stuttering away with ur trusty footswitch!


off the top of my head, starting the effect is no problem but having
the signal throughput normally again AFTER ur final release of the
stutter switch is a bit more involved. maybe a delay time window is in
order where, within that time if no stutter switch depression is
detected, throughput is once again the enstated.

or!....

 maybe u have the turn the unit OFF AFTER ur done with the stutter
switch to get back normal signal. so.... use of the stutter switch
automatically turns it ON. that would make more sense. so u have an
OFF switch next to the stutter one. not an ON switch.


___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 11:35 AM, phill wilson wrote:


<excerpt>

Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is
time to REVEAL ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass only when  the button is pressed. Kind of a
Poor-Mans-Morse-Glitch Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to
the output.


I can therefore strum a chord while it is off then tap the button
rythmically to let small  stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed reasonable to me but all I got was nasty hiss and buzzing. I
would appreciate ANY help or comments on how I may impliment this
pedal.


I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)


Free Downloads at


www.download.com/therealblackface


_________________________________________________________________

The new MSN Search Toolbar now includes Desktop search!
http://toolbar.msn.co.uk/


</excerpt>
--Apple-Mail-3-667501634--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 17:33:23 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Programming Rocktron All Access - HELP!!!!
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You must have Source# set to 36.

The programming for Substitute is surprising.  You're using the
virtual Substitute button with a momentary switch but sending non-zero
on both the down and up transitions.  The effect will be a sustained
Substitute, but to the EDP it looks like two long presses of the
non-sustain Substitute.  If want you want is SUSSubstitute, then
the "correct" programming would be CC# 58 with On/Off 1/0.

I don't think the EDP defines what a long press of Substitute means,
but it is possible that this is effecting the way Speed and Reverse
behave.

The programming for Undo has the same problem.  I don't see how this
can work, you're effectively performing two long presses of the
virtual Undo button every time you tap the switch.  At the very least,
I would expect you to be undoing two layers at a time instead of just
one but maybe the EDP is smart enough to ignore the second long press
if the first one is still active.

Again, On/Off should be 1/0, the CC# is ok.  If what you want
is to always perform a LongUndo without having to hold the switch
down, then use CC# 67 instead.

I'm not sure why Reset would behave inconsistently, but it may
be related to the other two problems.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:01:43 2005
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From: Travis Hartnett <travishartnett@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP through rane SM82 problem
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Doesn't the SM82 prefer balanced connections? Is there a hum if you bypass=
=20
the Rane?
 The "boom" when you're powering down is because the Mackie has a "soft=20
power down", and the Rane doesn't. You just need to be old school and=20
remember to power down the active speakers first. Or, you could try turning=
=20
the master out on the Rane all the way down and then power down.

 On 9/19/05, Luis Angulo <labalou2000@yahoo.com> wrote:=20
>=20
> Hi gang,
> I am having humming problems with the edp plugged into
> to my Rane SM82.I have a roland preamp,repeater EDP
> and sm82 plugged into a juice goose power
> conditioner,when i disconect the EDP the humming is
> gone,but even if i disconect evrything and leave the
> edp by itself it still humms.No problems through my
> little VLZ1202 mackie though.
> Also when i turn the rane sm82 off it makes my active
> speakers make a big boom which doesnt happen with the
> 1202,any ideas?
> thanx
> Luis
>=20
> www.luis-angulo.com <http://www.luis-angulo.com>
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>=20
>

------=_Part_422_23115085.1127152901313
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Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

<div>Doesn't the SM82 prefer balanced connections?&nbsp; Is there a hum if =
you bypass the Rane?</div>
<div>&nbsp;</div>
<div>The &quot;boom&quot; when you're powering down is because the Mackie h=
as a &quot;soft power down&quot;, and the Rane doesn't.&nbsp; You just need=
 to be old school and remember to power down the active speakers first.&nbs=
p; Or, you could try turning the master out on the Rane all the way down an=
d then power down.
<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 9/19/05, <b class=3D"gmail_sendername">=
Luis Angulo</b> &lt;<a href=3D"mailto:labalou2000@yahoo.com">labalou2000@ya=
hoo.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi gang,<br>I am having humming =
problems with the edp plugged into<br>to my Rane SM82.I have a roland pream=
p,repeater EDP
<br>and sm82 plugged into a juice goose power<br>conditioner,when i discone=
ct the EDP the humming is<br>gone,but even if i disconect evrything and lea=
ve the<br>edp by itself it still humms.No problems through my<br>little VLZ=
1202 mackie though.
<br>Also when i turn the rane sm82 off it makes my active<br>speakers make =
a big boom which doesnt happen with the<br>1202,any ideas?<br>thanx<br>Luis=
<br><br><a href=3D"http://www.luis-angulo.com">www.luis-angulo.com</a><br>
<br>__________________________________________________<br>Do You Yahoo!?<br=
>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around<=
br><a href=3D"http://mail.yahoo.com">http://mail.yahoo.com</a><br><br></blo=
ckquote>
</div><br>

------=_Part_422_23115085.1127152901313--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:02:35 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: AW: The Big(ish) Idea
Date: Mon, 19 Sep 2005 13:02:24 -0500
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for reasons exactly like u described. new ideas could be implemented=20
easily. imagine the involvement of going switch 1 latching if it were=20
all manual hard wired switches. let the chip do the work for u. and=20
they're literally CENTS in the way of cost.
i like ur idea though.  it could simply be a latching polarity switch.=20=

problem is that u still have to hit that switch, effectively silencing=20=

ur gtr, BEFORE u start stuttering. something to be avoided.
it should be:
=95 im playing--- my gtr signal is going from input to output nicely.
=95 i depress switch 2-"STUTTER" (momentary) ---no change. i still hear=20=

my guitar
=95 i release----silence
=95 i press---sound
=95 i release---no sound
=95 i hit the switch 1"BYPASS" (latching)----playing goes back to normal

since im accustomed to depressing a footswitch to hear sound anyway,=20
its much more natural to hit switch one instead of 2 get back sound=20
normally.
the other way is awkward. i hit switch 1 to silence THEN start=20
stuttering with switch 2.

if however u have a 3rd switch "POLARITY"(latching), then is u have it=20=

the other way around, then u could leave the unit on and simply start=20
"negative" stuttering by playing with switch 2.
thats interesting.

one small design issue---hitting the polarity switch should toggle the=20=

bypass switch automatically thereby forcing the signal to go through=20
the stutter switch. bypass mode ignores the stutter switch.

1 more logic chip could do all that.

___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 12:25 PM, Rainer Thelonius Balthasar Straschill=20
wrote:

> I have been doing this kind of thing using a multi-FX (think FireworX)=20=

> plus a footswitch (also, the Roland V-xxxx series works if you connect=20=

> a volume control in the signal chain to e.g. your CTRL pedal).
> =A0
> Adrian, why going active? Is there any reason to this?
> =A0
> Phil, another suggestion: Switch two could be the momentary foot=20
> switch that you describe. Switch one could operate Switch two's=20
> polarity switch and change it from normally off to normally on. (Of=20
> course switch two would be latching). So you could use the pedal to=20
> let signal pass when you press switch two ("gate mode") or to=20
> interrupt the signal when you press switch two ("slice mode"). If you=20=

> put the device in slice mode and leave switch two alone, the thing is=20=

> basically off.
> =A0
> -----Urspr=FCngliche Nachricht-----
> Von: Adrian Bartholomew [mailto:adrian@bartholomusic.com]
>  Gesendet: Montag, 19. September 2005 19:12
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: The Big(ish) Idea
>
> nice idea! it would be fun to loop that.
> i can build it for u. just let me know how big u want the box. how u=20=

> want the buttons aligned and what type/size of buttons u want to use.=20=

> i assume u want the standard... in on the right out on the left?
>
> now im not trying to put u down in anyway. u have a great creative=20
> mind. hats off to u for pursuing this. its a good idea but im afraid,=20=

> not all that unique and involved to be awarded a patent. and it could=20=

> be done in a million and one ways too, so anyone could run around ur=20=

> patent anyway. see what im saying?
> meanwhile, back on the ranch. what do u envision paying for this to be=20=

> built? the parts wont be that expensive at all and my labor cost would=20=

> reasonable. we could always figure something out.
>
> the most expensive thing would be the box itself. i would do it with=20=

> active electronics. ie with logic and analog chips that need power.=20
> simple 9V adaptor that could chain to ur existing pedals. also ill=20
> have true bypass to eliminate any clicking on and off.
> i already have the schematic in my head and the parts i need. i=20
> already have the components i need in my lab too. lucky u!
> i would just need to order the box and the switches of ur choice.=20
> radio shack most likely has the casing u need but i know they dont=20
> have any heavy duty foot switches. i need the double pole type to keep=20=

> it true bypass and momentary for the 2nd switch. it should not click=20=

> like the 1st on/off switch. just be spring loaded push on/release off.=20=

> soft feel.
>
> if all this sounds like gibberish, im sorry. i get carried away.
> but not to worry. once we have all the parts we need, it would only=20
> take a week (i have a busy schedule)and u could have it in ur hands a=20=

> few days after that. u would be responsible for painting and printing=20=

> any logo u want though:-)
>
> text back privately.
>
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 19, 2005, at 11:35 AM, phill wilson wrote:
>
>
>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for=20
> reasons that I won't go into, my Ego kind of wanted to keep the design=20=

> some sort of secret,however this has led to nowhere for me so it is=20
> time to REVEAL ALL!!!
>
> Basically I want to make a foot operated device that allows a signal=20=

> to pass only when the button is pressed. Kind of a=20
> Poor-Mans-Morse-Glitch Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead,=20
> however, when the button is pressed the sound is allowed to pass to=20
> the output.
>
> I can therefore strum a chord while it is off then tap the button=20
> rythmically to let small stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to=20=

> hold the jack in place in the input, i found that tapping the jack let=20=

> me do dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what=20
> seemed reasonable to me but all I got was nasty hiss and buzzing. I=20
> would appreciate ANY help or comments on how I may impliment this=20
> pedal.
>
> I had once dreamed about making money off this idea, however, it will=20=

> never be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
> _________________________________________________________________
> The new MSN Search Toolbar now includes Desktop search!=20
> http://toolbar.msn.co.uk/
>

--Apple-Mail-4-669372445
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

for reasons exactly like u described. new ideas could be implemented
easily. imagine the involvement of going switch 1 latching if it were
all manual hard wired switches. let the chip do the work for u. and
they're literally CENTS in the way of cost.

i like ur idea though.  it could simply be a latching polarity switch.
problem is that u still have to hit that switch, effectively silencing
ur gtr, BEFORE u start stuttering. something to be avoided.

it should be:

=95 im playing--- my gtr signal is going from input to output nicely.

=95 i depress switch 2-"<bold>STUTTER"</bold> (momentary) ---no change.
i still hear my guitar

=95 i release----silence

=95 i press---sound

=95 i release---no sound

=95 i hit the switch 1<bold>"BYPASS" </bold>(latching)----playing goes
back to normal


since im accustomed to depressing a footswitch to hear sound anyway,
its much more natural to hit switch one instead of 2 get back sound
normally.

the other way is awkward. i hit switch 1 to silence THEN start
stuttering with switch 2.


if however u have a 3rd switch <bold>"POLARITY"</bold>(latching), then
is u have it the other way around, then u could leave the unit on and
simply start "negative" stuttering by playing with switch 2.

thats interesting.


one small design issue---hitting the polarity switch should toggle the
bypass switch automatically thereby forcing the signal to go through
the stutter switch. bypass mode ignores the stutter switch.


1 more logic chip could do all that.


___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 12:25 PM, Rainer Thelonius Balthasar Straschill
wrote:


=
<excerpt><fontfamily><param>Arial</param><color><param>0000,0000,FFFF</par=
am><smaller>I
have been doing this kind of thing using a multi-FX (think FireworX)
plus a footswitch (also, the Roland V-xxxx series works if you connect
a volume control in the signal chain to e.g. your CTRL =
pedal).</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Adrian,
why going active? Is there any reason to =
this?</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Phil,
another suggestion: Switch two could be the momentary foot switch that
you describe. Switch one could operate Switch two's polarity switch
and change it from normally off to normally on. (Of course switch two
would be latching). So you could use the pedal to let signal pass when
you press switch two ("gate mode") or to interrupt the signal when you
press switch two ("slice mode"). If you put the device in slice mode
and leave switch two alone, the thing is basically =
off.</smaller></color></fontfamily>

=A0

<fontfamily><param>Tahoma</param><smaller>-----Urspr=FCngliche
Nachricht-----</smaller></fontfamily>

=
<bold><fontfamily><param>Tahoma</param><smaller>Von:</smaller></fontfamily=
></bold><fontfamily><param>Tahoma</param><smaller>
Adrian Bartholomew =
[mailto:adrian@bartholomusic.com]</smaller></fontfamily>

<fontfamily><param>Tahoma</param><smaller> <bold>Gesendet:</bold>
Montag, 19. September 2005 19:12</smaller></fontfamily>

=
<bold><fontfamily><param>Tahoma</param><smaller>An:</smaller></fontfamily>=
</bold><fontfamily><param>Tahoma</param><smaller>
Loopers-Delight@loopers-delight.com</smaller></fontfamily>

=
<bold><fontfamily><param>Tahoma</param><smaller>Betreff:</smaller></fontfa=
mily></bold><fontfamily><param>Tahoma</param><smaller>
Re: The Big(ish) Idea</smaller></fontfamily>


nice idea! it would be fun to loop that.

i can build it for u. just let me know how big u want the box. how u
want the buttons aligned and what type/size of buttons u want to use.
i assume u want the standard... in on the right out on the left?


now im not trying to put u down in anyway. u have a great creative
mind. hats off to u for pursuing this. its a good idea but im afraid,
not all that unique and involved to be awarded a patent. and it could
be done in a million and one ways too, so anyone could run around ur
patent anyway. see what im saying?

meanwhile, back on the ranch. what do u envision paying for this to be
built? the parts wont be that expensive at all and my labor cost would
reasonable. we could always figure something out.


the most expensive thing would be the box itself. i would do it with
active electronics. ie with logic and analog chips that need power.
simple 9V adaptor that could chain to ur existing pedals. also ill
have true bypass to eliminate any clicking on and off.

i already have the schematic in my head and the parts i need. i
already have the components i need in my lab too. lucky u!

i would just need to order the box and the switches of ur choice.
radio shack most likely has the casing u need but i know they dont
have any heavy duty foot switches. i need the double pole type to keep
it true bypass and momentary for the 2nd switch. it should not click
like the 1st on/off switch. just be spring loaded push on/release off.
soft feel.


if all this sounds like gibberish, im sorry. i get carried away.

but not to worry. once we have all the parts we need, it would only
take a week (i have a busy schedule)and u could have it in ur hands a
few days after that. u would be responsible for painting and printing
any logo u want though:-)


text back privately.


___

<bold>Adrian Bartholomew</bold>

Leawood KS

On Sep 19, 2005, at 11:35 AM, phill wilson wrote:




Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is
time to REVEAL ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass only when the button is pressed. Kind of a
Poor-Mans-Morse-Glitch Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to
the output.


I can therefore strum a chord while it is off then tap the button
rythmically to let small stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed reasonable to me but all I got was nasty hiss and buzzing. I
would appreciate ANY help or comments on how I may impliment this
pedal.


I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)


Free Downloads at


www.download.com/therealblackface


_________________________________________________________________

The new MSN Search Toolbar now includes Desktop search!
http://toolbar.msn.co.uk/


</excerpt>=

--Apple-Mail-4-669372445--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:18:51 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 13:18:43 -0500
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omg dude. uve stumbled across a great tool. now uve got ME thinkin Phil!

so the box has 3 buttons. BYPASS, STUTTER, POLARITY.

i play a really fast tremolo on one note on my gtr. i have the box in 
neg polarity. so im hearing what i play. i hit rec on the edp and start 
stuttering. when i hit the stutter switch my playing is silenced (neg 
polarity, remember?). so the rhythm is created with spaces. i hit rec 
on the edp. it starts playing back.
good.
i toggle the polarity switch. its now positive(silence except when i 
depress). i hit the stutter switch (this latches off the bypass switch 
automatically effectively rendering my gtr silent until i depress the 
stutter switch). i hit overdub on the edp. i tremolo another note far 
from the 1st one. i play the exact rhythm on the stutter switch only 
this time my note plays in all the previous spaces!. i hit rec on the 
edp.

VOILA! an impossible technique to play live.

im DEFINITELY building one.

PS: thanks for ur polarity idea Rainer
___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 11:35 AM, phill wilson wrote:

>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for 
> reasons that I won't go into, my Ego kind of wanted to keep the design 
> some sort of secret,however this has led to nowhere for me so it is 
> time to REVEAL ALL!!!
>
> Basically I want to make a foot operated device that allows a signal 
> to pass only when  the button is pressed. Kind of a 
> Poor-Mans-Morse-Glitch Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead, 
> however, when the button is pressed the sound is allowed to pass to 
> the output.
>
> I can therefore strum a chord while it is off then tap the button 
> rythmically to let small  stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to 
> hold the jack in place in the input, i found that tapping the jack let 
> me do dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what 
> seemed reasonable to me but all I got was nasty hiss and buzzing. I 
> would appreciate ANY help or comments on how I may impliment this 
> pedal.
>
> I had once dreamed about making money off this idea, however, it will 
> never be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
> _________________________________________________________________
> The new MSN Search Toolbar now includes Desktop search! 
> http://toolbar.msn.co.uk/
>

--Apple-Mail-5-670352242
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

omg dude. uve stumbled across a great tool. now uve got ME thinkin
Phil!


so the box has 3 buttons. BYPASS, STUTTER, POLARITY.


i play a really fast tremolo on one note on my gtr. i have the box in
neg polarity. so im hearing what i play. i hit rec on the edp and
start stuttering. when i hit the stutter switch my playing is silenced
(neg polarity, remember?). so the rhythm is created with spaces. i hit
rec on the edp. it starts playing back.

good.

i toggle the polarity switch. its now positive(silence except when i
depress). i hit the stutter switch (this latches off the bypass switch
automatically effectively rendering my gtr silent until i depress the
stutter switch). i hit overdub on the edp. i tremolo another note far
from the 1st one. i play the exact rhythm on the stutter switch only
this time my note plays in all the previous spaces!. i hit rec on the
edp.


VOILA! an impossible technique to play live.


im DEFINITELY building one.


PS: thanks for ur polarity idea Rainer

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 11:35 AM, phill wilson wrote:


<excerpt>

Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is
time to REVEAL ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass only when  the button is pressed. Kind of a
Poor-Mans-Morse-Glitch Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to
the output.


I can therefore strum a chord while it is off then tap the button
rythmically to let small  stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed reasonable to me but all I got was nasty hiss and buzzing. I
would appreciate ANY help or comments on how I may impliment this
pedal.


I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)


Free Downloads at


www.download.com/therealblackface


_________________________________________________________________

The new MSN Search Toolbar now includes Desktop search!
http://toolbar.msn.co.uk/


</excerpt>
--Apple-Mail-5-670352242--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:26:09 2005
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Subject: sustain type foot controller into a PMC?  was: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 11:26:01 -0700
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Hey Guys, how much?  Sounds like a great idea!--instant tremolo! 

Can this be done with MIDI on the EDP? What happens when you put a sustain
type foot controller into a PMC?
Gary

From: Adrian Bartholomew [mailto:adrian@bartholomusic.com] 
Sent: Monday, September 19, 2005 10:12 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Big(ish) Idea

nice idea! it would be fun to loop that.
i can build it for u. just let me know how big u want the box. how u want
the buttons aligned and what type/size of buttons u want to use. i assume u
want the standard... in on the right out on the left?

<snip>

meanwhile, back on the ranch. what do u envision paying for this to be
built? the parts wont be that expensive at all and my labor cost would
reasonable. we could always figure something out.

the most expensive thing would be the box itself. i would do it with active
electronics. ie with logic and analog chips that need power. simple 9V
adaptor that could chain to ur existing pedals. also ill have true bypass to
eliminate any clicking on and off.
i already have the schematic in my head and the parts i need. i already have
the components i need in my lab too. lucky u!
i would just need to order the box and the switches of ur choice. radio
shack most likely has the casing u need but i know they dont have any heavy
duty foot switches. i need the double pole type to keep it true bypass and
momentary for the 2nd switch. it should not click like the 1st on/off
switch. just be spring loaded push on/release off. soft feel.


Adrian Bartholomew


On Sep 19, 2005, at 11:35 AM, phill wilson wrote this original post--

Hi All

Ok, so I have been hinting at building a pedal for a while now, for reasons
that I won't go into, my Ego kind of wanted to keep the design some sort of
secret,however this has led to nowhere for me so it is time to REVEAL ALL!!!

Basically I want to make a foot operated device that allows a signal to pass
only when the button is pressed. Kind of a Poor-Mans-Morse-Glitch Pedal.

I envisaged building it as follows.

two buttons button one simply being on / off
In off position the signal is bypassed directly to the output jack
in the On position it passes to the next momentary button.

Button Two is the activation button,

it is a push to make type switch so initially the signal is dead, however,
when the button is pressed the sound is allowed to pass to the output.

I can therefore strum a chord while it is off then tap the button
rythmically to let small stabs of sound through.

I came up with this when playing through a broken amp that you had to hold
the jack in place in the input, i found that tapping the jack let me do
dda-da-da type noises.

anyways basically I know NOTHING about how to do this, I did what seemed
reasonable to me but all I got was nasty hiss and buzzing. I would
appreciate ANY help or comments on how I may impliment this pedal.

I had once dreamed about making money off this idea, however, it will never
be built if I cant get some advice!

By the way I intend to LOOP with it so its not totally OT!!

Thanks Y'all

Phill Wilson (a.k.a. Blackface)

Free Downloads at

www.download.com/therealblackface


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:36:55 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: sustain type foot controller into a PMC?  was: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 13:36:44 -0500
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well im sure it could be done easily with the edp. if the edp could 
have mute in non-latch fashion, great. note on, sound, note off, mute. 
but it wont record. thats playback only.
this is analog going INTO the EDP. THAT U CAN SCREW AROUND WITH.
how much would u pay for something like this?
___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 1:26 PM, Gary Lehmann wrote:

> Hey Guys, how much?  Sounds like a great idea!--instant tremolo!
>
> Can this be done with MIDI on the EDP? What happens when you put a 
> sustain
> type foot controller into a PMC?
> Gary
>
> From: Adrian Bartholomew [mailto:adrian@bartholomusic.com]
> Sent: Monday, September 19, 2005 10:12 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: The Big(ish) Idea
>
> nice idea! it would be fun to loop that.
> i can build it for u. just let me know how big u want the box. how u 
> want
> the buttons aligned and what type/size of buttons u want to use. i 
> assume u
> want the standard... in on the right out on the left?
>
> <snip>
>
> meanwhile, back on the ranch. what do u envision paying for this to be
> built? the parts wont be that expensive at all and my labor cost would
> reasonable. we could always figure something out.
>
> the most expensive thing would be the box itself. i would do it with 
> active
> electronics. ie with logic and analog chips that need power. simple 9V
> adaptor that could chain to ur existing pedals. also ill have true 
> bypass to
> eliminate any clicking on and off.
> i already have the schematic in my head and the parts i need. i 
> already have
> the components i need in my lab too. lucky u!
> i would just need to order the box and the switches of ur choice. radio
> shack most likely has the casing u need but i know they dont have any 
> heavy
> duty foot switches. i need the double pole type to keep it true bypass 
> and
> momentary for the 2nd switch. it should not click like the 1st on/off
> switch. just be spring loaded push on/release off. soft feel.
>
>
> Adrian Bartholomew
>
>
> On Sep 19, 2005, at 11:35 AM, phill wilson wrote this original post--
>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for 
> reasons
> that I won't go into, my Ego kind of wanted to keep the design some 
> sort of
> secret,however this has led to nowhere for me so it is time to REVEAL 
> ALL!!!
>
> Basically I want to make a foot operated device that allows a signal 
> to pass
> only when the button is pressed. Kind of a Poor-Mans-Morse-Glitch 
> Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead, 
> however,
> when the button is pressed the sound is allowed to pass to the output.
>
> I can therefore strum a chord while it is off then tap the button
> rythmically to let small stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to 
> hold
> the jack in place in the input, i found that tapping the jack let me do
> dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what 
> seemed
> reasonable to me but all I got was nasty hiss and buzzing. I would
> appreciate ANY help or comments on how I may impliment this pedal.
>
> I had once dreamed about making money off this idea, however, it will 
> never
> be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
>

--Apple-Mail-6-671432803
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well im sure it could be done easily with the edp. if the edp could
have mute in non-latch fashion, great. note on, sound, note off, mute.
but it wont record. thats playback only.

this is analog going INTO the EDP. THAT U CAN SCREW AROUND WITH.

how much would u pay for something like this?

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 1:26 PM, Gary Lehmann wrote:


<excerpt>Hey Guys, how much?  Sounds like a great idea!--instant
tremolo! 


Can this be done with MIDI on the EDP? What happens when you put a
sustain

type foot controller into a PMC?

Gary


From: Adrian Bartholomew [mailto:adrian@bartholomusic.com] 

Sent: Monday, September 19, 2005 10:12 AM

To: Loopers-Delight@loopers-delight.com

Subject: Re: The Big(ish) Idea


nice idea! it would be fun to loop that.

i can build it for u. just let me know how big u want the box. how u
want

the buttons aligned and what type/size of buttons u want to use. i
assume u

want the standard... in on the right out on the left?


<<snip>


meanwhile, back on the ranch. what do u envision paying for this to be

built? the parts wont be that expensive at all and my labor cost would

reasonable. we could always figure something out.


the most expensive thing would be the box itself. i would do it with
active

electronics. ie with logic and analog chips that need power. simple 9V

adaptor that could chain to ur existing pedals. also ill have true
bypass to

eliminate any clicking on and off.

i already have the schematic in my head and the parts i need. i
already have

the components i need in my lab too. lucky u!

i would just need to order the box and the switches of ur choice. radio

shack most likely has the casing u need but i know they dont have any
heavy

duty foot switches. i need the double pole type to keep it true bypass
and

momentary for the 2nd switch. it should not click like the 1st on/off

switch. just be spring loaded push on/release off. soft feel.



Adrian Bartholomew



On Sep 19, 2005, at 11:35 AM, phill wilson wrote this original post--


Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons

that I won't go into, my Ego kind of wanted to keep the design some
sort of

secret,however this has led to nowhere for me so it is time to REVEAL
ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass

only when the button is pressed. Kind of a Poor-Mans-Morse-Glitch
Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however,

when the button is pressed the sound is allowed to pass to the output.


I can therefore strum a chord while it is off then tap the button

rythmically to let small stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold

the jack in place in the input, i found that tapping the jack let me do

dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed

reasonable to me but all I got was nasty hiss and buzzing. I would

appreciate ANY help or comments on how I may impliment this pedal.


I had once dreamed about making money off this idea, however, it will
never

be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)


Free Downloads at


www.download.com/therealblackface



</excerpt>
--Apple-Mail-6-671432803--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:37:09 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: sustain type foot controller into a PMC?  was: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 20:37:06 +0200
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On Sep 19, 2005, at 20:26, Gary Lehmann wrote:

> Hey Guys, how much?  Sounds like a great idea!--instant tremolo!
> Can this be done with MIDI on the EDP?

Guess so. One way I know about is to run a computer synced to the  
EDP. Use any type of MIDI foot pedal to start a MIDI sequence in the  
computer that sends the appropriate stream of commands into the EDP.  
I'm using Ableton Live for stuff like that, but other software might  
work as well.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:41:52 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: sustain type foot controller into a PMC?  was: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 13:41:43 -0500
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yaaaay, im getting my ableton live tomorrow. i cant wait!
___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 1:37 PM, Per Boysen wrote:

> On Sep 19, 2005, at 20:26, Gary Lehmann wrote:
>
>> Hey Guys, how much?  Sounds like a great idea!--instant tremolo!
>> Can this be done with MIDI on the EDP?
>
> Guess so. One way I know about is to run a computer synced to the EDP. 
> Use any type of MIDI foot pedal to start a MIDI sequence in the 
> computer that sends the appropriate stream of commands into the EDP. 
> I'm using Ableton Live for stuff like that, but other software might 
> work as well.
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>

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yaaaay, im getting my ableton live tomorrow. i cant wait!

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 1:37 PM, Per Boysen wrote:


<excerpt>On Sep 19, 2005, at 20:26, Gary Lehmann wrote:


<excerpt>Hey Guys, how much?  Sounds like a great idea!--instant
tremolo!

Can this be done with MIDI on the EDP?

</excerpt>

Guess so. One way I know about is to run a computer synced to the EDP.
Use any type of MIDI foot pedal to start a MIDI sequence in the
computer that sends the appropriate stream of commands into the EDP.
I'm using Ableton Live for stuff like that, but other software might
work as well.


Greetings from Sweden


Per Boysen

www.looproom.com (international)

www.boysen.se (Swedish)

--->  iTunes Music Store (digital)

www.cdbaby.com/perboysen




</excerpt>
--Apple-Mail-7-671731632--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 18:58:45 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: MIDI Octopus Re: Programming Rocktron All Access - HELP!!!!
Date: Mon, 19 Sep 2005 15:02:35 -0400
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On a vaguely related note, a friend was clearing out his basement and
bequeathed unto me a MIDI Octopus from the 1980s. I know so little about it
that I'm not sure how to even see if it works or if I should keep it or
ebay it.
It has a MIDI In and 8 outputs.
Do any of you fine citizens know anything about it?
Yours in Adrian Belew,
Tim


> [Original Message]
> From: Adrian Bartholomew <adrian@bartholomusic.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/18/2005 11:16:54 AM
> Subject: Re: Programming Rocktron All Access - HELP!!!!
>
> i stand corrected
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 17, 2005, at 8:56 PM, Doug Cox wrote:
>
> > It can send CC's along with PC's, but it can't send on/off CC's in a  
> > "momentary" fashion.  Therefore, you can't use CC's to control the  
> > basic EDP functions with the FCB1010.
> >
> > Dig
> >
> > Adrian Bartholomew wrote:
> >
> >> kim, i may be wrong here but i believe the 1010 can be set to send  
> >> cc's automatically once a preset is chosen just like with notes. i  
> >> remember seeing that.
> >> ___*
> >> Adrian Bartholomew
> >> *Leawood KS
> >> On Sep 17, 2005, at 6:56 PM, Kim Flint wrote:
> >>
> >>     At 08:18 AM 9/17/2005, Craig Mitchell wrote:
> >>
> >>         How are people programming the All Access? Are you using
> >>         Control Numbers via Instant Access switches? Or are you using
> >>         Note ON/OFF via the Custom settings for presets?
> >>
> >>
> >>     I'm pretty sure the All Access has the flexibility to be set up to
> >>     use either. The FCB1010 can only control the echoplex using notes.
> >>     (sorry I don't use an All Access so I don't know the programming
> >>     steps.)
> >>
> >>
> >>         With the Echoplexes set to 'Controlsource=CNTR' I have been
> >>         using the Instant Access switches to trigger various  
> >> functions.
> >>
> >>         Record - This works but sometimes when I press the button it
> >>         starts recording a clears right away. A second press gets it
> >>         recording properly and I can loop.
> >>
> >>
> >>     I think I see your problem. The Echoplex wants to see a midi
> >>     command for both the pressing of the button AND the release of the
> >>     button. This is how it can tell if you are doing a short press or
> >>     a long press. It sounds like your controller is not sending the
> >>     "off" message when you release the button.
> >>
> >>     If you are using Notes, this means the midi controller sends a
> >>     NoteOn message when you press the button, and the corresponding
> >>     NoteOff message when you release the button. (like the way a midi
> >>     keyboard would do it.)
> >>
> >>     If you are using Continuous Controller messages, the controller
> >>     should send the appropriate controller number with a positive
> >>     value (like 64 or something) when you press the button. Then when
> >>     you release the button, it should send the same controller with
> >>     value 0.
> >>
> >>     Usually this means programming the midi controller to treat its
> >>     buttons as Momentary. It sounds like you might have the in
> >>     Latching mode. (where the first press sends the On, and the second
> >>     press sends the off)
> >>
> >>
> >>         Can one replicate the Echoplex pedalboard function of holding
> >>         down the record button and clearing the loop with the All
> >>         Access via midi?
> >>
> >>
> >>     yes, definitely! that's the idea of using the on/off concept.
> >>     That's the only way with midi to communicate that you are holding
> >>     a button down (sustained) or releasing it quickly. This allows the
> >>     Echoplex to get more functions out of less buttons. Otherwise
> >>     there would have to be lots of extra buttons to control even the
> >>     basic features of the echoplex, which would be awkward to use and
> >>     take up too much space.
> >>
> >>     Hope this helps,
> >>     kim
> >>
> >>
> >>      
> >> ______________________________________________________________________
> >>
> >>     Kim Flint | Looper's Delight
> >>     kflint@loopers-delight.com | http://www.loopers-delight.com
> >>
> >


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:07:21 2005
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rane suggests that you ground their mixer to what ever chassis or rack case
you are using. also if yours uses a wall wart, try moving it away from the
rest of your gear to see if that helps.
Bill

-----Original Message-----
From: Luis Angulo [mailto:labalou2000@yahoo.com]
Sent: Monday, September 19, 2005 9:44 AM
To: Loopers-Delight@loopers-delight.com
Subject: EDP through rane SM82 problem


Hi gang,
I am having humming problems with the edp plugged into
to my Rane SM82.I have a roland preamp,repeater EDP
and sm82 plugged into a juice goose power
conditioner,when i disconect the EDP the humming is
gone,but even if i disconect evrything and leave the
edp by itself it still humms.No problems through my
little VLZ1202 mackie though.
Also when i turn the rane sm82 off it makes my active
speakers make a big boom which doesnt happen with the
1202,any ideas?
thanx
Luis

www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:09:13 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 15:13:04 -0400
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The only thing even close to that idea is a device called a Cough Drop,
which allows speakers and singers to cut the mic when they're getting
phlegmy.
~Tim


> [Original Message]
> From: phill wilson <blackface@hotmail.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/19/2005 12:35:25 PM
> Subject: The Big(ish) Idea
>
>
> Hi All
>
> Ok, so I have been hinting at building a pedal for a while now, for
reasons 
> that I won't go into, my Ego kind of wanted to keep the design some sort
of 
> secret,however this has led to nowhere for me so it is time to REVEAL
ALL!!!
>
> Basically I want to make a foot operated device that allows a signal to
pass 
> only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch Pedal.
>
> I envisaged building it as follows.
>
> two buttons button one simply being on / off
> In off position the signal is bypassed directly to the output jack
> in the On position it passes to the next momentary button.
>
> Button Two is the activation button,
>
> it is a push to make type switch so initially the signal is dead,
however, 
> when the button is pressed the sound is allowed to pass to the output.
>
> I can therefore strum a chord while it is off then tap the button 
> rythmically to let small  stabs of sound through.
>
> I came up with this when playing through a broken amp that you had to
hold 
> the jack in place in the input, i found that tapping the jack let me do 
> dda-da-da type noises.
>
> anyways basically I know NOTHING about how to do this, I did what seemed 
> reasonable to me but all I got was nasty hiss and buzzing. I would 
> appreciate ANY help or comments on how I may impliment this pedal.
>
> I had once dreamed about making money off this idea, however, it will
never 
> be built if I cant get some advice!
>
> By the way I intend to LOOP with it so its not totally OT!!
>
> Thanks Y'all
>
> Phill Wilson (a.k.a. Blackface)
>
> Free Downloads at
>
> www.download.com/therealblackface
>
> _________________________________________________________________
> The new MSN Search Toolbar now includes Desktop search! 
> http://toolbar.msn.co.uk/


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:31:56 2005
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Subject: AW: The Big(ish) Idea - people who did this
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btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
think he used a switch on his guitar.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:42:07 2005
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Date: Mon, 19 Sep 2005 12:42:03 -0700
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From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: The Big(ish) Idea
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For a while I used the SoundSculpture AB Cadabra ( 
http://soundsculpture.com/products/pt_abcadabra.htm ) to do something 
similar controlled from a MIDI footpedal.  The midi pedal handled the 
momentary aspect.  The AB Cadabra had excelllent response - fast and quiet.

But I found that I couldn't get the speed from my foot that I wanted, so I 
had one of my tone pots customized to cut the guitar's output when 
depressed - it bounces back automatically if I don't hold it down.



At 2005.09.19 09:35 AM, phill wilson wrote:

>Hi All
>
>Ok, so I have been hinting at building a pedal for a while now, for 
>reasons that I won't go into, my Ego kind of wanted to keep the design 
>some sort of secret,however this has led to nowhere for me so it is time 
>to REVEAL ALL!!!
>
>Basically I want to make a foot operated device that allows a signal to 
>pass only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch Pedal.
>
>I envisaged building it as follows.
>
>two buttons button one simply being on / off
>In off position the signal is bypassed directly to the output jack
>in the On position it passes to the next momentary button.
>
>Button Two is the activation button,
>
>it is a push to make type switch so initially the signal is dead, however, 
>when the button is pressed the sound is allowed to pass to the output.
>
>I can therefore strum a chord while it is off then tap the button 
>rythmically to let small  stabs of sound through.
>
>I came up with this when playing through a broken amp that you had to hold 
>the jack in place in the input, i found that tapping the jack let me do 
>dda-da-da type noises.
>
>anyways basically I know NOTHING about how to do this, I did what seemed 
>reasonable to me but all I got was nasty hiss and buzzing. I would 
>appreciate ANY help or comments on how I may impliment this pedal.
>
>I had once dreamed about making money off this idea, however, it will 
>never be built if I cant get some advice!
>
>By the way I intend to LOOP with it so its not totally OT!!
>
>Thanks Y'all
>
>Phill Wilson (a.k.a. Blackface)

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:45:05 2005
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I've had some interest in starting it up again -- but I've lost
several of the musicians, and the venue, and my time has become very
limited.

I really should get Stv to take down the website.  He's one of the
lost musicians, but fear not, he's alive and kicking, living in a
commune on Staten Island and setting up a bookstore!!

If there were interest, or if there were interest in doing an evening
of loop shows, I'd definitely be up for it.

    /t

On 9/19/05, David Beardsley <db@biink.com> wrote:
> Dan Ash wrote:
>
> > >> there was a weekly looping series for a while in New York City.
> >
> > The weekly open loop event at Chama is still listed on their website
> > http://www.loopny.com/#openloop
> >
> > Haven't been there in some time - maybe someone else can confirm?
> >
> Chama closed in Sept. 2003.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:46:25 2005
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I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
always assumed it was done with special pickup wiring that allowed him
to cut the pickup in and out.

On 9/19/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
> think he used a switch on his guitar.
>=20
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:49:25 2005
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Subject: Re: The Big(ish) Idea
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--Apple-Mail-9-675788015
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good idea but u just gave me another one.
my god this thing is becoming more and more involved.
but the following idea shouldnt be too hard for me to add on:

i could have the stutter button rapidly stutter ON ITS OWN once held 
down. so i could STILL manually stutter but now ill be stuttering a 
stutter!!
of course i could have a slide switch turn this effect on or off. 
simple 555 chip operation.


___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 2:42 PM, Sean Echevarria wrote:

> For a while I used the SoundSculpture AB Cadabra ( 
> http://soundsculpture.com/products/pt_abcadabra.htm ) to do something 
> similar controlled from a MIDI footpedal.  The midi pedal handled the 
> momentary aspect.  The AB Cadabra had excelllent response - fast and 
> quiet.
>
> But I found that I couldn't get the speed from my foot that I wanted, 
> so I had one of my tone pots customized to cut the guitar's output 
> when depressed - it bounces back automatically if I don't hold it 
> down.
>
>
>
> At 2005.09.19 09:35 AM, phill wilson wrote:
>
>> Hi All
>>
>> Ok, so I have been hinting at building a pedal for a while now, for 
>> reasons that I won't go into, my Ego kind of wanted to keep the 
>> design some sort of secret,however this has led to nowhere for me so 
>> it is time to REVEAL ALL!!!
>>
>> Basically I want to make a foot operated device that allows a signal 
>> to pass only when  the button is pressed. Kind of a 
>> Poor-Mans-Morse-Glitch Pedal.
>>
>> I envisaged building it as follows.
>>
>> two buttons button one simply being on / off
>> In off position the signal is bypassed directly to the output jack
>> in the On position it passes to the next momentary button.
>>
>> Button Two is the activation button,
>>
>> it is a push to make type switch so initially the signal is dead, 
>> however, when the button is pressed the sound is allowed to pass to 
>> the output.
>>
>> I can therefore strum a chord while it is off then tap the button 
>> rythmically to let small  stabs of sound through.
>>
>> I came up with this when playing through a broken amp that you had to 
>> hold the jack in place in the input, i found that tapping the jack 
>> let me do dda-da-da type noises.
>>
>> anyways basically I know NOTHING about how to do this, I did what 
>> seemed reasonable to me but all I got was nasty hiss and buzzing. I 
>> would appreciate ANY help or comments on how I may impliment this 
>> pedal.
>>
>> I had once dreamed about making money off this idea, however, it will 
>> never be built if I cant get some advice!
>>
>> By the way I intend to LOOP with it so its not totally OT!!
>>
>> Thanks Y'all
>>
>> Phill Wilson (a.k.a. Blackface)
>

--Apple-Mail-9-675788015
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

good idea but u just gave me another one.

my god this thing is becoming more and more involved.

but the following idea shouldnt be too hard for me to add on:


i could have the stutter button rapidly stutter ON ITS OWN once held
down. so i could STILL manually stutter but now ill be stuttering a
stutter!!

of course i could have a slide switch turn this effect on or off.
simple 555 chip operation.



___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 2:42 PM, Sean Echevarria wrote:


<excerpt>For a while I used the SoundSculpture AB Cadabra (
http://soundsculpture.com/products/pt_abcadabra.htm ) to do something
similar controlled from a MIDI footpedal.  The midi pedal handled the
momentary aspect.  The AB Cadabra had excelllent response - fast and
quiet.


But I found that I couldn't get the speed from my foot that I wanted,
so I had one of my tone pots customized to cut the guitar's output
when depressed - it bounces back automatically if I don't hold it down.




At 2005.09.19 09:35 AM, phill wilson wrote:


<excerpt>Hi All


Ok, so I have been hinting at building a pedal for a while now, for
reasons that I won't go into, my Ego kind of wanted to keep the design
some sort of secret,however this has led to nowhere for me so it is
time to REVEAL ALL!!!


Basically I want to make a foot operated device that allows a signal
to pass only when  the button is pressed. Kind of a
Poor-Mans-Morse-Glitch Pedal.


I envisaged building it as follows.


two buttons button one simply being on / off

In off position the signal is bypassed directly to the output jack

in the On position it passes to the next momentary button.


Button Two is the activation button,


it is a push to make type switch so initially the signal is dead,
however, when the button is pressed the sound is allowed to pass to
the output.


I can therefore strum a chord while it is off then tap the button
rythmically to let small  stabs of sound through.


I came up with this when playing through a broken amp that you had to
hold the jack in place in the input, i found that tapping the jack let
me do dda-da-da type noises.


anyways basically I know NOTHING about how to do this, I did what
seemed reasonable to me but all I got was nasty hiss and buzzing. I
would appreciate ANY help or comments on how I may impliment this
pedal.


I had once dreamed about making money off this idea, however, it will
never be built if I cant get some advice!


By the way I intend to LOOP with it so its not totally OT!!


Thanks Y'all


Phill Wilson (a.k.a. Blackface)

</excerpt>

</excerpt>
--Apple-Mail-9-675788015--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:52:39 2005
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Adrian Bartholomew wrote:
> well im sure it could be done easily with the edp. if the edp could have 
> mute in non-latch fashion, great. note on, sound, note off, mute. but it 
> wont record. thats playback only.
> this is analog going INTO the EDP. THAT U CAN SCREW AROUND WITH.
> how much would u pay for something like this?

There is a non-latching mute, it is called SUSMute and available
at Source#+18.  I think it is subject to quantization though
so to make it work like you're describing Quantize would have to be off.

A better approach would be to use InterfaceMode=In, where the feedback
jack on the back controls the input level rather than feedback level.
I should be easy to build (or buy?) a switch that electrically looks
like an expression pedal going from its minimum to maximum range, only
without the gradual sweep.

If InterfaceMode=In also changes the behavior of the MIDI controller
assigned to the FeedBkCont parameter, then you could also do this with
any momentary MIDI switch capable of sending CC on/off values.  I'm not
sure about this though, some of the text suggests that In mode only
applies to the back panel jack.

Jeff



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:57:27 2005
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An effects builder (can't remember which one) on the Harmony Central 
Effects forum used to build these switches on request.  Very very small 
box with a single non-latching type switch. 

Not dissing the idea, just letting you know that it's been done (and 
should be very easy to build).

Dig

> At 2005.09.19 09:35 AM, phill wilson wrote:
>
>> Hi All
>>
>> Ok, so I have been hinting at building a pedal for a while now, for 
>> reasons that I won't go into, my Ego kind of wanted to keep the 
>> design some sort of secret,however this has led to nowhere for me so 
>> it is time to REVEAL ALL!!!
>>
>> Basically I want to make a foot operated device that allows a signal 
>> to pass only when  the button is pressed. Kind of a 
>> Poor-Mans-Morse-Glitch Pedal.
>>
>> I envisaged building it as follows.
>>
>> two buttons button one simply being on / off
>> In off position the signal is bypassed directly to the output jack
>> in the On position it passes to the next momentary button.
>>
>> Button Two is the activation button,
>>
>> it is a push to make type switch so initially the signal is dead, 
>> however, when the button is pressed the sound is allowed to pass to 
>> the output.
>>
>> I can therefore strum a chord while it is off then tap the button 
>> rythmically to let small  stabs of sound through.
>>
>> I came up with this when playing through a broken amp that you had to 
>> hold the jack in place in the input, i found that tapping the jack 
>> let me do dda-da-da type noises.
>>
>> anyways basically I know NOTHING about how to do this, I did what 
>> seemed reasonable to me but all I got was nasty hiss and buzzing. I 
>> would appreciate ANY help or comments on how I may impliment this pedal.
>>
>> I had once dreamed about making money off this idea, however, it will 
>> never be built if I cant get some advice!
>>
>> By the way I intend to LOOP with it so its not totally OT!!
>>
>> Thanks Y'all
>>
>> Phill Wilson (a.k.a. Blackface)
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 19:59:17 2005
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Subject: The Bug Idea
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Call it the Sttutterbug (sic)
Gary Lehmann

PS  Plain text only, if you please.
PPS I keep waiting for RZ to post that it was already manufactured . . .
G
________________________________________
From: Adrian Bartholomew [mailto:adrian@bartholomusic.com] 
Sent: Monday, September 19, 2005 12:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Big(ish) Idea

good idea but u just gave me another one.
my god this thing is becoming more and more involved.
but the following idea shouldnt be too hard for me to add on:

i could have the stutter button rapidly stutter ON ITS OWN once held down.
so i could STILL manually stutter but now ill be stuttering a stutter!!
of course i could have a slide switch turn this effect on or off. simple 555
chip operation.


___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 2:42 PM, Sean Echevarria wrote:
For a while I used the SoundSculpture AB Cadabra (
http://soundsculpture.com/products/pt_abcadabra.htm ) to do something
similar controlled from a MIDI footpedal. The midi pedal handled the
momentary aspect. The AB Cadabra had excelllent response - fast and quiet.

But I found that I couldn't get the speed from my foot that I wanted, so I
had one of my tone pots customized to cut the guitar's output when depressed
- it bounces back automatically if I don't hold it down.



At 2005.09.19 09:35 AM, phill wilson wrote:
Hi All

Ok, so I have been hinting at building a pedal for a while now, for reasons
that I won't go into, my Ego kind of wanted to keep the design some sort of
secret,however this has led to nowhere for me so it is time to REVEAL ALL!!!

Basically I want to make a foot operated device that allows a signal to pass
only when the button is pressed. Kind of a Poor-Mans-Morse-Glitch Pedal.

I envisaged building it as follows.

two buttons button one simply being on / off
In off position the signal is bypassed directly to the output jack
in the On position it passes to the next momentary button.

Button Two is the activation button,

it is a push to make type switch so initially the signal is dead, however,
when the button is pressed the sound is allowed to pass to the output.

I can therefore strum a chord while it is off then tap the button
rythmically to let small stabs of sound through.

I came up with this when playing through a broken amp that you had to hold
the jack in place in the input, i found that tapping the jack let me do
dda-da-da type noises.

anyways basically I know NOTHING about how to do this, I did what seemed
reasonable to me but all I got was nasty hiss and buzzing. I would
appreciate ANY help or comments on how I may impliment this pedal.

I had once dreamed about making money off this idea, however, it will never
be built if I cant get some advice!

By the way I intend to LOOP with it so its not totally OT!!

Thanks Y'all

Phill Wilson (a.k.a. Blackface)



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:01:21 2005
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My SG copy (the Kim Thayal guitar, a Guild S-100) can do this if you turn
down one of the pickups--
So maybe Hendrix was playing a Gibson style instrument . . .
Gary

-----Original Message-----
From: Jon Southwood [mailto:jsouthwood@gmail.com] 
Sent: Monday, September 19, 2005 12:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Big(ish) Idea - people who did this

I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
always assumed it was done with special pickup wiring that allowed him
to cut the pickup in and out.

On 9/19/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
> think he used a switch on his guitar.
> 
>



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:03:11 2005
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This is a multi-part message in MIME format.
--------------050806010107040800070308
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Content-Transfer-Encoding: 7bit

let me know ... a buddy of mine and I have been talking about something 
like that for ages ... what about the remote lounge?

Tom Ritchford wrote:

>I've had some interest in starting it up again -- but I've lost
>several of the musicians, and the venue, and my time has become very
>limited.
>
>I really should get Stv to take down the website.  He's one of the
>lost musicians, but fear not, he's alive and kicking, living in a
>commune on Staten Island and setting up a bookstore!!
>
>If there were interest, or if there were interest in doing an evening
>of loop shows, I'd definitely be up for it.
>
>    /t
>
>On 9/19/05, David Beardsley <db@biink.com> wrote:
>  
>
>>Dan Ash wrote:
>>
>>    
>>
>>>>>there was a weekly looping series for a while in New York City.
>>>>>          
>>>>>
>>>The weekly open loop event at Chama is still listed on their website
>>>http://www.loopny.com/#openloop
>>>
>>>Haven't been there in some time - maybe someone else can confirm?
>>>
>>>      
>>>
>>Chama closed in Sept. 2003.
>>
>>--
>>* David Beardsley
>>* microtonal guitar
>>* http://biink.com/db
>>
>>
>>    
>>
>
>
>--
>     /t
>
>http://ax.to ... extreme NY arts and music calendar
>
>
>
>  
>

--------------050806010107040800070308
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
let me know ... a buddy of mine and I have been talking about something
like that for ages ... what about the remote lounge?<br>
<br>
Tom Ritchford wrote:
<blockquote cite="mid26ba8d1205091912451fd1249d@mail.gmail.com"
 type="cite">
  <pre wrap="">I've had some interest in starting it up again -- but I've lost
several of the musicians, and the venue, and my time has become very
limited.

I really should get Stv to take down the website.  He's one of the
lost musicians, but fear not, he's alive and kicking, living in a
commune on Staten Island and setting up a bookstore!!

If there were interest, or if there were interest in doing an evening
of loop shows, I'd definitely be up for it.

    /t

On 9/19/05, David Beardsley <a class="moz-txt-link-rfc2396E" href="mailto:db@biink.com">&lt;db@biink.com&gt;</a> wrote:
  </pre>
  <blockquote type="cite">
    <pre wrap="">Dan Ash wrote:

    </pre>
    <blockquote type="cite">
      <blockquote type="cite">
        <blockquote type="cite">
          <pre wrap="">there was a weekly looping series for a while in New York City.
          </pre>
        </blockquote>
      </blockquote>
      <pre wrap="">The weekly open loop event at Chama is still listed on their website
<a class="moz-txt-link-freetext" href="http://www.loopny.com/#openloop">http://www.loopny.com/#openloop</a>

Haven't been there in some time - maybe someone else can confirm?

      </pre>
    </blockquote>
    <pre wrap="">Chama closed in Sept. 2003.

--
* David Beardsley
* microtonal guitar
* <a class="moz-txt-link-freetext" href="http://biink.com/db">http://biink.com/db</a>


    </pre>
  </blockquote>
  <pre wrap=""><!---->

--
     /t

<a class="moz-txt-link-freetext" href="http://ax.to">http://ax.to</a> ... extreme NY arts and music calendar



  </pre>
</blockquote>
</body>
</html>

--------------050806010107040800070308--

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The Hendrix stutter was via totally stock strat wiring... rolled-off neck
tone and wide-open bridge pickup (which has no tone control)...BIG tone
difference when you flick the p/u switch from 1st to 5th position...the ear
perceives it as trtemolo, or echo, or Univibe, or any number of things.
Try it.
~Tim


> [Original Message]
> From: Jon Southwood <jsouthwood@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/19/2005 3:46:25 PM
> Subject: Re: The Big(ish) Idea - people who did this
>
> I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
> always assumed it was done with special pickup wiring that allowed him
> to cut the pickup in and out.
>
> On 9/19/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> > btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
> > think he used a switch on his guitar.
> > 
> >


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:06:14 2005
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oh yeah true. each pickup has a separate vol knob. duh.
my les is the same. if i turn the vol all the way down then bam. 
instant hendrix.
___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 3:01 PM, Gary Lehmann wrote:

> My SG copy (the Kim Thayal guitar, a Guild S-100) can do this if you 
> turn
> down one of the pickups--
> So maybe Hendrix was playing a Gibson style instrument . . .
> Gary
>
> -----Original Message-----
> From: Jon Southwood [mailto:jsouthwood@gmail.com]
> Sent: Monday, September 19, 2005 12:46 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: The Big(ish) Idea - people who did this
>
> I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
> always assumed it was done with special pickup wiring that allowed him
> to cut the pickup in and out.
>
> On 9/19/05, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> 
> wrote:
>> btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
>> think he used a switch on his guitar.
>>
>>
>
>
>

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oh yeah true. each pickup has a separate vol knob. duh. 

my les is the same. if i turn the vol all the way down then bam.
instant hendrix.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 3:01 PM, Gary Lehmann wrote:


<excerpt>My SG copy (the Kim Thayal guitar, a Guild S-100) can do this
if you turn

down one of the pickups--

So maybe Hendrix was playing a Gibson style instrument . . .

Gary


-----Original Message-----

From: Jon Southwood [mailto:jsouthwood@gmail.com] 

Sent: Monday, September 19, 2005 12:46 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: The Big(ish) Idea - people who did this


I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I

always assumed it was done with special pickup wiring that allowed him

to cut the pickup in and out.


On 9/19/05, Rainer Thelonius Balthasar Straschill <<rs@moinlabs.de>
wrote:

<excerpt>btw, I saw Tom Morello (RATM) do this on the "Know your
Enemy" tune. I

think he used a switch on his guitar.



</excerpt>



</excerpt>
--Apple-Mail-11-676791366--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:13:47 2005
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References: <432EB754.2000308@Verizon.net> <432EB8CC.2090204@biink.com>
	 <26ba8d1205091912451fd1249d@mail.gmail.com>
	 <432F1977.5090200@sarth.net>
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I'm not sure if they do one-off shows there but I do know the guy who
started it and he likes my stuff and has encouraged me to do things.

Are we thinking of a one-off evening or a repeated show?

There are a lot of places in my neighborhood, Williamsburg...

On 9/19/05, Sarth <sarth@sarth.net> wrote:
>  let me know ... a buddy of mine and I have been talking about something
> like that for ages ... what about the remote lounge?
>
>
>  Tom Ritchford wrote:
>  I've had some interest in starting it up again -- but I've lost
> several of the musicians, and the venue, and my time has become very
> limited.
>
> I really should get Stv to take down the website. He's one of the
> lost musicians, but fear not, he's alive and kicking, living in a
> commune on Staten Island and setting up a bookstore!!
>
> If there were interest, or if there were interest in doing an evening
> of loop shows, I'd definitely be up for it.
>
>  /t
>
> On 9/19/05, David Beardsley <db@biink.com> wrote:
>
>
>  Dan Ash wrote:
>
>
>
>
>
>  there was a weekly looping series for a while in New York City.
>
>  The weekly open loop event at Chama is still listed on their website
> http://www.loopny.com/#openloop
>
> Haven't been there in some time - maybe someone else can confirm?
>
>
>  Chama closed in Sept. 2003.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>
>
>
> --
>  /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:14:08 2005
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Subject: Streaming radio of my all-vocal looping
Date: Mon, 19 Sep 2005 16:14:00 -0400
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I'll be performing and talking on my local radio station tomorrow at 1 PM
Eastern Time. You can catch it by going to www.womr.org
<http://www.womr.org/>  . 
I use an EDP and a microphone + reverb - that's it. I sometimes do new-agey
improvs, but I most often perform very tightly arranged vocal pieces.
Possible tunes for tomorrow: "Sweet Dreams", "Once in a Lifetime", "Biko",
"Will the Circle", Pachelbel' "Canon",  "Living in Wartime", and perhaps
something original.
 
FYI - This is a relatively new venture for me - something I've been
developing for about two years. I haven't released a CD or done much
publicly yet, but. soon. I'm a graduate of New England Conservatory, a
choral conductor and singer. I founded and arranged for The Flirtations, an
open'y gay a cappella group seen on HBO and in the film Phladelphia.

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I&#8217;ll be performing and talking on my local =
radio
station tomorrow at 1 PM Eastern Time. You can catch it by going to <a
href=3D"http://www.womr.org/">www.womr.org</a> . =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I use an EDP and a microphone + reverb &#8211; =
that&#8217;s
it. I sometimes do new-agey improvs, but I most often perform very =
tightly
arranged vocal pieces. Possible tunes for tomorrow: &#8220;Sweet =
Dreams&#8221;,
&#8220;Once in a Lifetime&#8221;, &#8220;Biko&#8221;, &#8220;Will the =
Circle&#8221;,
Pachelbel&#8217; &#8220;Canon&#8221;,<span =
style=3D'mso-spacerun:yes'>&nbsp;
</span>&#8220;Living in Wartime&#8221;, and perhaps something =
original.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>FYI &#8211; This is a relatively new venture for me =
&#8211;
something I&#8217;ve been developing for about two years. I =
haven&#8217;t
released a CD or done much publicly yet, but&#8230; soon. I&#8217;m a =
graduate
of New England Conservatory, a choral conductor and singer. I founded =
and
arranged for The Flirtations, an open&#8217;y gay a cappella group seen =
on HBO
and in the film <i style=3D'mso-bidi-font-style:normal'><span =
style=3D'font-style:
italic;mso-bidi-font-style:normal'>Phladelphia</span></i>.<o:p></o:p></sp=
an></font></p>

</div>

</body>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:14:48 2005
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To: Tom Ritchford <tom@swirly.com>
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Subject: Re: 1st Looping Festival
References: <432EB754.2000308@Verizon.net> <432EB8CC.2090204@biink.com>	 <26ba8d1205091912451fd1249d@mail.gmail.com>	 <432F1977.5090200@sarth.net> <26ba8d12050919131313a2a99a@mail.gmail.com>
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I think it would lend itself well to an ongoing thing.

-- Sarth

Tom Ritchford wrote:

>I'm not sure if they do one-off shows there but I do know the guy who
>started it and he likes my stuff and has encouraged me to do things.
>
>Are we thinking of a one-off evening or a repeated show?
>
>There are a lot of places in my neighborhood, Williamsburg...
>
>On 9/19/05, Sarth <sarth@sarth.net> wrote:
>  
>
>> let me know ... a buddy of mine and I have been talking about something
>>like that for ages ... what about the remote lounge?
>>
>>
>> Tom Ritchford wrote:
>> I've had some interest in starting it up again -- but I've lost
>>several of the musicians, and the venue, and my time has become very
>>limited.
>>
>>I really should get Stv to take down the website. He's one of the
>>lost musicians, but fear not, he's alive and kicking, living in a
>>commune on Staten Island and setting up a bookstore!!
>>
>>If there were interest, or if there were interest in doing an evening
>>of loop shows, I'd definitely be up for it.
>>
>> /t
>>
>>On 9/19/05, David Beardsley <db@biink.com> wrote:
>>
>>
>> Dan Ash wrote:
>>
>>
>>
>>
>>
>> there was a weekly looping series for a while in New York City.
>>
>> The weekly open loop event at Chama is still listed on their website
>>http://www.loopny.com/#openloop
>>
>>Haven't been there in some time - maybe someone else can confirm?
>>
>>
>> Chama closed in Sept. 2003.
>>
>>--
>>* David Beardsley
>>* microtonal guitar
>>* http://biink.com/db
>>
>>
>>
>>
>>--
>> /t
>>
>>http://ax.to ... extreme NY arts and music calendar
>>
>>
>>
>>
>>
>>    
>>
>
>
>--
>     /t
>
>http://ax.to ... extreme NY arts and music calendar
>
>
>  
>

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I think it would lend itself well to an ongoing thing.<br>
<br>
-- Sarth<br>
<br>
Tom Ritchford wrote:
<blockquote cite="mid26ba8d12050919131313a2a99a@mail.gmail.com"
 type="cite">
  <pre wrap="">I'm not sure if they do one-off shows there but I do know the guy who
started it and he likes my stuff and has encouraged me to do things.

Are we thinking of a one-off evening or a repeated show?

There are a lot of places in my neighborhood, Williamsburg...

On 9/19/05, Sarth <a class="moz-txt-link-rfc2396E" href="mailto:sarth@sarth.net">&lt;sarth@sarth.net&gt;</a> wrote:
  </pre>
  <blockquote type="cite">
    <pre wrap=""> let me know ... a buddy of mine and I have been talking about something
like that for ages ... what about the remote lounge?


 Tom Ritchford wrote:
 I've had some interest in starting it up again -- but I've lost
several of the musicians, and the venue, and my time has become very
limited.

I really should get Stv to take down the website. He's one of the
lost musicians, but fear not, he's alive and kicking, living in a
commune on Staten Island and setting up a bookstore!!

If there were interest, or if there were interest in doing an evening
of loop shows, I'd definitely be up for it.

 /t

On 9/19/05, David Beardsley <a class="moz-txt-link-rfc2396E" href="mailto:db@biink.com">&lt;db@biink.com&gt;</a> wrote:


 Dan Ash wrote:





 there was a weekly looping series for a while in New York City.

 The weekly open loop event at Chama is still listed on their website
<a class="moz-txt-link-freetext" href="http://www.loopny.com/#openloop">http://www.loopny.com/#openloop</a>

Haven't been there in some time - maybe someone else can confirm?


 Chama closed in Sept. 2003.

--
* David Beardsley
* microtonal guitar
* <a class="moz-txt-link-freetext" href="http://biink.com/db">http://biink.com/db</a>




--
 /t

<a class="moz-txt-link-freetext" href="http://ax.to">http://ax.to</a> ... extreme NY arts and music calendar





    </pre>
  </blockquote>
  <pre wrap=""><!---->

--
     /t

<a class="moz-txt-link-freetext" href="http://ax.to">http://ax.to</a> ... extreme NY arts and music calendar


  </pre>
</blockquote>
</body>
</html>

--------------020509020902080403050105--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:20:04 2005
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>I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
>always assumed it was done with special pickup wiring that allowed him
>to cut the pickup in and out.


old guitar trick,
on a 2  p/u guitar, turn down the volume
on one of the p/us to nothing.

then the p/u selection switch does a cut out.

andy butler
ps
...the EDP 'Replace' can do this to the loop



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:22:38 2005
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oh yeah - http://www.loooper.com/ - look for the stutter option on the 
custom options page.


At 2005.09.19 12:57 PM, Doug Cox wrote:
>An effects builder (can't remember which one) on the Harmony Central 
>Effects forum used to build these switches on request.  Very very small 
>box with a single non-latching type switch.
>Not dissing the idea, just letting you know that it's been done (and 
>should be very easy to build).

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:25:21 2005
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On Mon, 19 Sep 2005, a k butler wrote:

>> I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
>> always assumed it was done with special pickup wiring that allowed him
>> to cut the pickup in and out.
>
> old guitar trick,
> on a 2  p/u guitar, turn down the volume
> on one of the p/us to nothing.
>
> then the p/u selection switch does a cut out.
>
> andy butler
> ps
> ...the EDP 'Replace' can do this to the loop

I figured this behavior out with my Chapman Stick shortly after I started 
performing with it - the cut out behavior makes a great mute for when you 
don't want to be making any noise (such as switching instruments, or 
when I'm done and the other band members are still playing).

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:36:05 2005
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Subject: Re: 1st Looping Festival
References: <432EB754.2000308@Verizon.net> <432EB8CC.2090204@biink.com>	 <26ba8d1205091912451fd1249d@mail.gmail.com>	 <432F1977.5090200@sarth.net> <26ba8d12050919131313a2a99a@mail.gmail.com> <432F1C2F.1030201@sarth.net>
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Sarth wrote:

> I think it would lend itself well to an ongoing thing.
>
I might be into it once in a while.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:45:30 2005
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Doing ongoing things is a lot of work!  I'm certainly there to play...

It might perhaps be better to to try to sell one big one first and see
where that would get us...?

On 9/19/05, Sarth <sarth@sarth.net> wrote:
>  I think it would lend itself well to an ongoing thing.
>
>  -- Sarth
>
>
>  Tom Ritchford wrote:
>  I'm not sure if they do one-off shows there but I do know the guy who
> started it and he likes my stuff and has encouraged me to do things.
>
> Are we thinking of a one-off evening or a repeated show?
>
> There are a lot of places in my neighborhood, Williamsburg...
>
> On 9/19/05, Sarth <sarth@sarth.net> wrote:
>
>
>  let me know ... a buddy of mine and I have been talking about something
> like that for ages ... what about the remote lounge?
>
>
>  Tom Ritchford wrote:
>  I've had some interest in starting it up again -- but I've lost
> several of the musicians, and the venue, and my time has become very
> limited.
>
> I really should get Stv to take down the website. He's one of the
> lost musicians, but fear not, he's alive and kicking, living in a
> commune on Staten Island and setting up a bookstore!!
>
> If there were interest, or if there were interest in doing an evening
> of loop shows, I'd definitely be up for it.
>
>  /t
>
> On 9/19/05, David Beardsley <db@biink.com> wrote:
>
>
>  Dan Ash wrote:
>
>
>
>
>
>  there was a weekly looping series for a while in New York City.
>
>  The weekly open loop event at Chama is still listed on their website
> http://www.loopny.com/#openloop
>
> Haven't been there in some time - maybe someone else can confirm?
>
>
>  Chama closed in Sept. 2003.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>
>
>
> --
>  /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>
>
>
>
>
>
> --
>  /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:49:22 2005
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Date: Mon, 19 Sep 2005 21:49:18 +0100 (BST)
Subject: EDP Sync to Yamaha RM1x
From: dayshift@blueyonder.co.uk
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Hello

I've just bought a new echoplex and lovely it is too except for some
reason I can't get it to stay in midi clock sync with my Yamaha RM1x. If I
use a Korg electribe drum machine as a master clock it syncs perfectly but
not to the RM1x for some reason. I tried searching under 'RM1x' in the
mailing list archive but the search engine won't accept it as a search
term.

Any help much appreciated.

Thanks

Bob

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:49:41 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: sustain type foot controller into a PMC?  was: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 22:49:37 +0200
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On Sep 19, 2005, at 21:52, Jeff Larson wrote:
>
> If InterfaceMode=In also changes the behavior of the MIDI controller
> assigned to the FeedBkCont parameter, then you could also do this with
> any momentary MIDI switch capable of sending CC on/off values.  I'm  
> not
> sure about this though, some of the text suggests that In mode only
> applies to the back panel jack.
>
> Jeff


"In mode" is indeed also available over MIDI, if you stick a plug  
into the pedal jack on the back panel. I use that trick to be able to  
use my EDP by MIDI (FCB1010) in REPLACE MODE. This makes the feedback  
button control how much of the loop each substitute tap will replace.  
In the full position substitute becomes just like quantized overdub  
SUS but and in the zero position it sounds just like plain substitute  
SUS. I was very happy to find out about this :-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:51:56 2005
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Sarth wrote:

> I think it would lend itself well to an ongoing thing.
>
I might be into it once in a while.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 20:53:54 2005
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Right, 'cept that I only ever see footage of him with Strats, which to
my knowledge didn't come stock with the ability to turn down the
volume of the pickups individually. Hence my assumption of special
wiring. Tim's suggestion of the tone control makes perfect sense. And,
when listening to the intro of VC(SR) (just happened to have the CD
here at work), it's possible that what I thought was total cut-off was
a severely rolled-off sound being masked by the other noise around it.

All that said. I've used the EDP Replace to do this to an existing
loop. I've also experimented with the stutter effect in the GT-6. I
imagine I could set up a patch in the MPX-1 to do this controlled from
a footpedal. I've got a sustain pedal for a keyboard that I could use
for testing. I could borrow the 2-button pedal from the Vortex to test
inverting the response curve for the button presses.

Actually, come to think of it, I've got the GT-6 configured to do a
latching mute already. There's a setting that allows you to tap the
currently selected patch pedal and send it to the tuner function.
Since the audience doesn't need to hear me tune, I have the tuner set
to mute the output. But, that's latching. Now I'm wondering if I can
do this in an unlatching manner with the GT6 to record the stuttered
loop at the outset. If so, identical patches could be set up with
inverted responses to the pedal press.

Oh, and I certainly agree that having it at the feet is invaluable. I
was just adding an example of it being done to Rainer's list of people
who'd done it.

Incidentally, ProCo makes a few pedals that do variations of this. All
use XLR inputs and are tailored to microphone inputs. One of them
allows you to select whether the switch is latching or non-latching
and whether the non-latching mode is normally open or normally closed.
Making the changes, though, requires that you flip switches in the
battery compartment.

And then there's the old trick of using an auto-panner that only has
one output plugged-in, particularly those that have 'square' as an
option for the panning waveshape. The Boss SE70 allowed that (pretty
sure), and the Lex MPX-1 does. Haven't tried it yet with GT6. I
haven't done a gig in a while that would require these techniques (no
need for it in my celtic band, and the solo acoustic covers don't call
for it either), but I used to love playing with this kind of thing.

jon=20

On 9/19/05, a k butler <akbutler@tiscali.co.uk> wrote:
>=20
> >I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
> >always assumed it was done with special pickup wiring that allowed him
> >to cut the pickup in and out.
>=20
>=20
> old guitar trick,
> on a 2  p/u guitar, turn down the volume
> on one of the p/us to nothing.
>=20
> then the p/u selection switch does a cut out.
>=20
> andy butler
> ps
> ...the EDP 'Replace' can do this to the loop
>=20
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 21:04:07 2005
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Yeah, it may have been him.  Good units, those looopers.

But, what I also remember was that the guy had moved the electronics 
into his own guitar, and had setup a "touch plate" on his guitar as the 
switch.  So he could get these really fast mutes going, just by tapping 
the touch plate.

I've searched forums over there and can't find the post.  This could 
have been up to 2 years ago, though, so that doesn't surprise me.

Dig

Sean Echevarria wrote:

> oh yeah - http://www.loooper.com/ - look for the stutter option on the 
> custom options page.
>
>
> At 2005.09.19 12:57 PM, Doug Cox wrote:
>
>> An effects builder (can't remember which one) on the Harmony Central 
>> Effects forum used to build these switches on request.  Very very 
>> small box with a single non-latching type switch.
>> Not dissing the idea, just letting you know that it's been done (and 
>> should be very easy to build).
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 21:14:15 2005
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David Torn has a guitar made by Koll Guitars with a metal plate that's
wired to control voltage-controlled gear. I imagine it could be used
for that kind of thing.

But, I think I remember who you're thinking of. I just can't find the
e-mail thread. If I remember correctly, it was a British guitarist who
had a guy do all sorts of crazy wiring to various guitars, including
one with a similar touch plate idea to what I described above with
DT's Koll guitar.

Cheers,

Jon

On 9/19/05, Doug Cox <dougcox@pdq.net> wrote:
> Yeah, it may have been him.  Good units, those looopers.
>=20
> But, what I also remember was that the guy had moved the electronics
> into his own guitar, and had setup a "touch plate" on his guitar as the
> switch.  So he could get these really fast mutes going, just by tapping
> the touch plate.
>=20
> I've searched forums over there and can't find the post.  This could
> have been up to 2 years ago, though, so that doesn't surprise me.
>=20
> Dig
>=20
> Sean Echevarria wrote:
>=20
> > oh yeah - http://www.loooper.com/ - look for the stutter option on the
> > custom options page.
> >
> >
> > At 2005.09.19 12:57 PM, Doug Cox wrote:
> >
> >> An effects builder (can't remember which one) on the Harmony Central
> >> Effects forum used to build these switches on request.  Very very
> >> small box with a single non-latching type switch.
> >> Not dissing the idea, just letting you know that it's been done (and
> >> should be very easy to build).
> >
> >
> >
>=20
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 21:20:46 2005
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From: Jon Southwood <jsouthwood@gmail.com>
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Here's a link to the guitar/guitarist I was thinking of. I was wrong,
though: he's using it to control a whammy pedal. Go to
http://musegear.fobbedoff.net/ and follow the link to the Black Manson
guitar. (This was from a thread about other ways to control pitch
shift in the VG-8 on the VG-8 list.)

Cheers,

Jon

On 9/19/05, Jon Southwood <jsouthwood@gmail.com> wrote:
> David Torn has a guitar made by Koll Guitars with a metal plate that's
> wired to control voltage-controlled gear. I imagine it could be used
> for that kind of thing.
>=20
> But, I think I remember who you're thinking of. I just can't find the
> e-mail thread. If I remember correctly, it was a British guitarist who
> had a guy do all sorts of crazy wiring to various guitars, including
> one with a similar touch plate idea to what I described above with
> DT's Koll guitar.
>=20
> Cheers,
>=20
> Jon
>=20
> On 9/19/05, Doug Cox <dougcox@pdq.net> wrote:
> > Yeah, it may have been him.  Good units, those looopers.
> >
> > But, what I also remember was that the guy had moved the electronics
> > into his own guitar, and had setup a "touch plate" on his guitar as the
> > switch.  So he could get these really fast mutes going, just by tapping
> > the touch plate.
> >
> > I've searched forums over there and can't find the post.  This could
> > have been up to 2 years ago, though, so that doesn't surprise me.
> >
> > Dig
> >
> > Sean Echevarria wrote:
> >
> > > oh yeah - http://www.loooper.com/ - look for the stutter option on th=
e
> > > custom options page.
> > >
> > >
> > > At 2005.09.19 12:57 PM, Doug Cox wrote:
> > >
> > >> An effects builder (can't remember which one) on the Harmony Central
> > >> Effects forum used to build these switches on request.  Very very
> > >> small box with a single non-latching type switch.
> > >> Not dissing the idea, just letting you know that it's been done (and
> > >> should be very easy to build).
> > >
> > >
> > >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 21:53:58 2005
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Subject: RE: EDP Sync to Yamaha RM1x
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Claude Voit uses these two units together--

Gary

-----Original Message-----
From: dayshift@blueyonder.co.uk [mailto:dayshift@blueyonder.co.uk] 
Sent: Monday, September 19, 2005 1:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: EDP Sync to Yamaha RM1x

Hello

I've just bought a new echoplex and lovely it is too except for some
reason I can't get it to stay in midi clock sync with my Yamaha RM1x. If I
use a Korg electribe drum machine as a master clock it syncs perfectly but
not to the RM1x for some reason. I tried searching under 'RM1x' in the
mailing list archive but the search engine won't accept it as a search
term.

Any help much appreciated.

Thanks

Bob



From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 22:03:42 2005
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Jeff Larson wrote:

> You must have Source# set to 36.

Yes.

> The programming for Substitute is surprising.  You're using the
> virtual Substitute button with a momentary switch but sending non-zero
> on both the down and up transitions.  The effect will be a sustained
> Substitute, but to the EDP it looks like two long presses of the
> non-sustain Substitute.  If want you want is SUSSubstitute, then
> the "correct" programming would be CC# 58 with On/Off 1/0.

Apparently I wanted SUSSubstitute...because it now behaves "correctly."

> The programming for Undo has the same problem.  I don't see how this
> can work, you're effectively performing two long presses of the
> virtual Undo button every time you tap the switch.  At the very least,
> I would expect you to be undoing two layers at a time instead of just
> one but maybe the EDP is smart enough to ignore the second long press
> if the first one is still active.
>
> Again, On/Off should be 1/0, the CC# is ok.  If what you want
> is to always perform a LongUndo without having to hold the switch
> down, then use CC# 67 instead.

Well, somehow it worked...but LongUndo is what I really wanted.

Thanks for debugging my rig!!!

Matt

-- 
King Never
www.finleysound.com/kingnever <http://www.finleysound.com/kingnever>







From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 22:24:15 2005
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From: "loop.pool" <looppool@cruzio.com>
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Subject: re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 15:24:17 -0700
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Phil Wilson wrote:

"Basically I want to make a foot operated device that allows a signal to 
pass
only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch 
Pedal.......
......it is a push to make type switch so initially the signal is dead, 
however,
when the button is pressed the sound is allowed to pass to the output."


I have thought of a similar pedal and wished for one, Phil.

This might be a cool addition to such a beast:

Have two momentary buttons side by side with a switch that makes them

either
1)  turn the sound on when you want it turned on or
2) pass the sound and turn it off when you want it turned off

Both buttons would do the same function which would allow for some one to do 
very, very rapid
two foot manipulations of the pedal (like the glitch effects that are so 
popular in modern electronica now).

It would be just as hip to cut the sound OFF as it would be to turn the 
sound ON with such a button.

Do you see what I mean?
******************
One of the techniques that I use with my line 6 pedal is putting it into 
record and then really rapidly, but randomly
hitting the button that has the forward/reverse/half speed/double speed 
funtion.

When I truncate the loop it then has these little random chunks of 
backwards/forwards/1/2 speed/double time.
If I make this as some kind of melodic drone it provides a random loop that 
is nonetheless harmonically consonant
with whatever I lay on top of it.

to have a real time 'GLITCH' pedal in line to add the same kind of 
randomization to the mute/unmute quality of the music
would really be awesome.

throw the whole damn mess into a Repeater and then play it like a chromatic 
instrument over three octaves.
Now that's my idea of a good time.

Now,  who to build it......................lol

Rick


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 22:31:55 2005
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Why not just put a momentary switch on a good-quality tremolo? Like  
the Fulltone that has a "shape" adjustment that changes the curve of  
the trem -- you can get very abrupt shifts or gentle ones, and, of  
course, faster or slower. Save yourself some ankle wear.



On Sep 19, 2005, at 5:24 PM, loop.pool wrote:

> Phil Wilson wrote:
>
> "Basically I want to make a foot operated device that allows a  
> signal to pass
> only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch  
> Pedal.......
> ......it is a push to make type switch so initially the signal is  
> dead, however,
> when the button is pressed the sound is allowed to pass to the  
> output."
>
>
> I have thought of a similar pedal and wished for one, Phil.
>
> This might be a cool addition to such a beast:
>
> Have two momentary buttons side by side with a switch that makes them
>
> either
> 1)  turn the sound on when you want it turned on or
> 2) pass the sound and turn it off when you want it turned off
>
> Both buttons would do the same function which would allow for some  
> one to do very, very rapid
> two foot manipulations of the pedal (like the glitch effects that  
> are so popular in modern electronica now).
>
> It would be just as hip to cut the sound OFF as it would be to turn  
> the sound ON with such a button.
>
> Do you see what I mean?
> ******************
> One of the techniques that I use with my line 6 pedal is putting it  
> into record and then really rapidly, but randomly
> hitting the button that has the forward/reverse/half speed/double  
> speed funtion.
>
> When I truncate the loop it then has these little random chunks of  
> backwards/forwards/1/2 speed/double time.
> If I make this as some kind of melodic drone it provides a random  
> loop that is nonetheless harmonically consonant
> with whatever I lay on top of it.
>
> to have a real time 'GLITCH' pedal in line to add the same kind of  
> randomization to the mute/unmute quality of the music
> would really be awesome.
>
> throw the whole damn mess into a Repeater and then play it like a  
> chromatic instrument over three octaves.
> Now that's my idea of a good time.
>
> Now,  who to build it......................lol
>
> Rick
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 22:54:42 2005
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    <5.2.1.1.0.20050919131931.010f0e90@mail02.powweb.com>
    <432F27C5.2020501@pdq.net>
Date: Mon, 19 Sep 2005 16:00:34 -0700 (PDT)
Subject: Re: The Big(ish) Idea
From: improv@peak.org
To: Loopers-Delight@loopers-delight.com
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> Yeah, it may have been him.  Good units, those looopers.
>
> But, what I also remember was that the guy had moved the electronics
> into his own guitar, and had setup a "touch plate" on his guitar as the
> switch.  So he could get these really fast mutes going, just by tapping
> the touch plate.
>
Doug Theriault, who is an incredible free-improv guitarist from Portland,
OR, has one of his steinbergers setup like this. If I remember correctly, 
his guitar has 3 momentary switches, one for each of the 2 pickups, and
one for an external input, usually a handheld cassette recorder. Very cool
idea!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 22:58:53 2005
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    <432EEAD4.6030003@finleysound.com> <432EF65B.8070204@sun.com>
    <432F35B9.9030501@finleysound.com>
Date: Mon, 19 Sep 2005 16:04:46 -0700 (PDT)
Subject: Re: Programming Rocktron All Access - HELP!!!!
From: improv@peak.org
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> Apparently I wanted SUSSubstitute...

I remember that tune, it was a collaboration between Phil Collins and Pete
Townsend...

OK, too much time on my hands today.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:02:23 2005
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Date: Mon, 19 Sep 2005 16:02:22 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: re: The Big(ish) Idea
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Rick great tip man,ive been recently getting into the
DL4 since i am doing band rock gigs using an amp
guitar and very basic efxs.I must admit the DL4 can do
more than meets the eye,but it would be killer if it
had a button to go from preset mode to loop
mode,instead of the bending to rotate i wonder if that
would be complex to build into it?


> One of the techniques that I use with my line 6
> pedal is putting it into 
> record and then really rapidly, but randomly
> hitting the button that has the forward/reverse/half
> speed/double speed 
> funtion.
> 
> When I truncate the loop it then has these little
> random chunks of 
> backwards/forwards/1/2 speed/double time.
> If I make this as some kind of melodic drone it
> provides a random loop that 
> is nonetheless harmonically consonant
> with whatever I lay on top of it.
>

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:07:47 2005
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Message-ID: <20050919230744.41069.qmail@web52809.mail.yahoo.com>
Date: Mon, 19 Sep 2005 16:07:44 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: EDP through rane SM82 problem
To: Loopers-Delight@loopers-delight.com
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disconecting all the power cords of the other
proccessors and just leaving the EDP by itself through
the auxs of the Rane,no problem with the repeater
plugged with the other units though.
cheers
luis

--- Adrian Bartholomew <adrian@bartholomusic.com>
wrote:

> when u say disconnect, do u mean unplugging the
> power cord of 
> everything else?
> 
> ___
> Adrian Bartholomew
> Leawood KS
> On Sep 19, 2005, at 11:43 AM, Luis Angulo wrote:
> 
> > Hi gang,
> > I am having humming problems with the edp plugged
> into
> > to my Rane SM82.I have a roland preamp,repeater
> EDP
> > and sm82 plugged into a juice goose power
> > conditioner,when i disconect the EDP the humming
> is
> > gone,but even if i disconect evrything and leave
> the
> > edp by itself it still humms.No problems through
> my
> > little VLZ1202 mackie though.
> > Also when i turn the rane sm82 off it makes my
> active
> > speakers make a big boom which doesnt happen with
> the
> > 1202,any ideas?
> > thanx
> > Luis
> >
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:28:15 2005
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 19:28:15 -0400
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Here's a solution for the bend and rotate routine.  For the tweaker in all
of us:

http://www.musictoyz.com/guitar/pedals/tip.php

murkie

-----Original Message-----
From: Luis Angulo [mailto:labalou2000@yahoo.com] 
Sent: Monday, September 19, 2005 7:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: The Big(ish) Idea


Rick great tip man,ive been recently getting into the
DL4 since i am doing band rock gigs using an amp guitar and very basic
efxs.I must admit the DL4 can do more than meets the eye,but it would be
killer if it had a button to go from preset mode to loop mode,instead of the
bending to rotate i wonder if that would be complex to build into it?


> One of the techniques that I use with my line 6 pedal is putting it 
> into record and then really rapidly, but randomly hitting the button 
> that has the forward/reverse/half speed/double speed funtion.
> 
> When I truncate the loop it then has these little random chunks of
> backwards/forwards/1/2 speed/double time.
> If I make this as some kind of melodic drone it provides a random loop 
> that is nonetheless harmonically consonant with whatever I lay on top 
> of it.
>

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:36:37 2005
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Date: Mon, 19 Sep 2005 16:38:22 -0700
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Subject: midi octopus
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from our friendly google-bot

http://www.rockmancentral.com/RockmanCentral/Docs/Octopus.htmlLouis Hesselt-
van-Dinter


From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:43:00 2005
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Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 19:42:54 -0400
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it's amazing that they don't even mention that it's a complete steal of 
the old electro harmonix "hot-foot" from the beginning to end.



On Sep 19, 2005, at 7:28 PM, murkie wrote:

> Here's a solution for the bend and rotate routine.  For the tweaker in 
> all
> of us:
>
> http://www.musictoyz.com/guitar/pedals/tip.php
>
> murkie
>
> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com]
> Sent: Monday, September 19, 2005 7:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: The Big(ish) Idea
>
>
> Rick great tip man,ive been recently getting into the
> DL4 since i am doing band rock gigs using an amp guitar and very basic
> efxs.I must admit the DL4 can do more than meets the eye,but it would 
> be
> killer if it had a button to go from preset mode to loop mode,instead 
> of the
> bending to rotate i wonder if that would be complex to build into it?
>
>
>> One of the techniques that I use with my line 6 pedal is putting it
>> into record and then really rapidly, but randomly hitting the button
>> that has the forward/reverse/half speed/double speed funtion.
>>
>> When I truncate the loop it then has these little random chunks of
>> backwards/forwards/1/2 speed/double time.
>> If I make this as some kind of melodic drone it provides a random loop
>> that is nonetheless harmonically consonant with whatever I lay on top
>> of it.
>>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:44:51 2005
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Date: Mon, 19 Sep 2005 16:44:49 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: RE: The Big(ish) Idea
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Funky yes!
cheers
luis

--- murkie <sinister_footwear@yahoo.com> wrote:

> Here's a solution for the bend and rotate routine. 
> For the tweaker in all
> of us:
> 
> http://www.musictoyz.com/guitar/pedals/tip.php
> 
> murkie
> 
> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Monday, September 19, 2005 7:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: The Big(ish) Idea
> 
> 
> Rick great tip man,ive been recently getting into
> the
> DL4 since i am doing band rock gigs using an amp
> guitar and very basic
> efxs.I must admit the DL4 can do more than meets the
> eye,but it would be
> killer if it had a button to go from preset mode to
> loop mode,instead of the
> bending to rotate i wonder if that would be complex
> to build into it?
> 
> 
> > One of the techniques that I use with my line 6
> pedal is putting it 
> > into record and then really rapidly, but randomly
> hitting the button 
> > that has the forward/reverse/half speed/double
> speed funtion.
> > 
> > When I truncate the loop it then has these little
> random chunks of
> > backwards/forwards/1/2 speed/double time.
> > If I make this as some kind of melodic drone it
> provides a random loop 
> > that is nonetheless harmonically consonant with
> whatever I lay on top 
> > of it.
> >
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com 
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:48:46 2005
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 18:48:34 -0500
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well i think that an auto stutter ALONG WITH manually operating it with 
ur foot covers all bases. PLUS i could put a rate knob that would vary 
the rate of the auto stutter.
___
Adrian Bartholomew
Leawood KS
On Sep 19, 2005, at 5:31 PM, Kelly Coyle wrote:

> Why not just put a momentary switch on a good-quality tremolo? Like 
> the Fulltone that has a "shape" adjustment that changes the curve of 
> the trem -- you can get very abrupt shifts or gentle ones, and, of 
> course, faster or slower. Save yourself some ankle wear.
>
>
>
> On Sep 19, 2005, at 5:24 PM, loop.pool wrote:
>
>> Phil Wilson wrote:
>>
>> "Basically I want to make a foot operated device that allows a signal 
>> to pass
>> only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch 
>> Pedal.......
>> ......it is a push to make type switch so initially the signal is 
>> dead, however,
>> when the button is pressed the sound is allowed to pass to the 
>> output."
>>
>>
>> I have thought of a similar pedal and wished for one, Phil.
>>
>> This might be a cool addition to such a beast:
>>
>> Have two momentary buttons side by side with a switch that makes them
>>
>> either
>> 1)  turn the sound on when you want it turned on or
>> 2) pass the sound and turn it off when you want it turned off
>>
>> Both buttons would do the same function which would allow for some 
>> one to do very, very rapid
>> two foot manipulations of the pedal (like the glitch effects that are 
>> so popular in modern electronica now).
>>
>> It would be just as hip to cut the sound OFF as it would be to turn 
>> the sound ON with such a button.
>>
>> Do you see what I mean?
>> ******************
>> One of the techniques that I use with my line 6 pedal is putting it 
>> into record and then really rapidly, but randomly
>> hitting the button that has the forward/reverse/half speed/double 
>> speed funtion.
>>
>> When I truncate the loop it then has these little random chunks of 
>> backwards/forwards/1/2 speed/double time.
>> If I make this as some kind of melodic drone it provides a random 
>> loop that is nonetheless harmonically consonant
>> with whatever I lay on top of it.
>>
>> to have a real time 'GLITCH' pedal in line to add the same kind of 
>> randomization to the mute/unmute quality of the music
>> would really be awesome.
>>
>> throw the whole damn mess into a Repeater and then play it like a 
>> chromatic instrument over three octaves.
>> Now that's my idea of a good time.
>>
>> Now,  who to build it......................lol
>>
>> Rick
>>
>>
>

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well i think that an auto stutter ALONG WITH manually operating it
with ur foot covers all bases. PLUS i could put a rate knob that would
vary the rate of the auto stutter.

___<bold><color><param>7979,0404,0909</param>

Adrian Bartholomew

</color></bold>Leawood KS

On Sep 19, 2005, at 5:31 PM, Kelly Coyle wrote:


<excerpt>Why not just put a momentary switch on a good-quality
tremolo? Like the Fulltone that has a "shape" adjustment that changes
the curve of the trem -- you can get very abrupt shifts or gentle
ones, and, of course, faster or slower. Save yourself some ankle wear.




On Sep 19, 2005, at 5:24 PM, loop.pool wrote:


<excerpt>Phil Wilson wrote:


"Basically I want to make a foot operated device that allows a signal
to pass

only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch
Pedal.......

......it is a push to make type switch so initially the signal is
dead, however,

when the button is pressed the sound is allowed to pass to the output."



I have thought of a similar pedal and wished for one, Phil.


This might be a cool addition to such a beast:


Have two momentary buttons side by side with a switch that makes them


either

1)  turn the sound on when you want it turned on or

2) pass the sound and turn it off when you want it turned off


Both buttons would do the same function which would allow for some one
to do very, very rapid

two foot manipulations of the pedal (like the glitch effects that are
so popular in modern electronica now).


It would be just as hip to cut the sound OFF as it would be to turn
the sound ON with such a button.


Do you see what I mean?

******************

One of the techniques that I use with my line 6 pedal is putting it
into record and then really rapidly, but randomly

hitting the button that has the forward/reverse/half speed/double
speed funtion.


When I truncate the loop it then has these little random chunks of
backwards/forwards/1/2 speed/double time.

If I make this as some kind of melodic drone it provides a random loop
that is nonetheless harmonically consonant

with whatever I lay on top of it.


to have a real time 'GLITCH' pedal in line to add the same kind of
randomization to the mute/unmute quality of the music

would really be awesome.


throw the whole damn mess into a Repeater and then play it like a
chromatic instrument over three octaves.

Now that's my idea of a good time.


Now,  who to build it......................lol


Rick



</excerpt>

</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 19 23:52:43 2005
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 16:52:44 -0700
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Doug wrote:
> But, what I also remember was that the guy had moved the electronics
> into his own guitar, and had setup a "touch plate" on his guitar as the
> switch.  So he could get these really fast mutes going, just by tapping
> the touch plate.

That sounds incredible.

There are persian frame drum techniques called 'Ris' (not sure of the 
spelling, but
the pronunciation is 'reese')

Where you flam your fingers over the drum so that each finger lands 
milliseconds after the first original
ones.

This is as opposed to the more Arabic technique where every finger is 
articulates (which is great for playing accurately but also takes a whole 
lot of hours to perfect.)

With such a touch plate  and set to a momentary off (or on) position you 
could do extraordinarily quick glitches.
That's my idea of a good time.

Next Question:  how difficult and/or expensive would such a plate be.
It would necessitate playing it with ones fingers instead of with feet but 
fingers are for more accurate (unless
you've spent a few years of hard work a double kick trapset drummer).
This would mean you'd have to manipulate the loop  after you made it, not 
during,  but it also
means that you could glitch the thing until you felt like stopping and then 
the loop would return
to it's original sound (unless you resampled it).


From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 00:08:47 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 17:08:47 -0700
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"bending to rotate"
 uh huhu hu huh That sounds painfull  uhhuhu

-----Original Message-----
From: Luis Angulo [mailto:labalou2000@yahoo.com]
Sent: Monday, September 19, 2005 4:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: The Big(ish) Idea



Rick great tip man,ive been recently getting into the
DL4 since i am doing band rock gigs using an amp
guitar and very basic efxs.I must admit the DL4 can do
more than meets the eye,but it would be killer if it
had a button to go from preset mode to loop
mode,instead of the bending to rotate i wonder if that
would be complex to build into it?


> One of the techniques that I use with my line 6
> pedal is putting it into 
> record and then really rapidly, but randomly
> hitting the button that has the forward/reverse/half
> speed/double speed 
> funtion.
> 
> When I truncate the loop it then has these little
> random chunks of 
> backwards/forwards/1/2 speed/double time.
> If I make this as some kind of melodic drone it
> provides a random loop that 
> is nonetheless harmonically consonant
> with whatever I lay on top of it.
>

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 




From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 00:17:05 2005
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Aha, now that is something I haven't seen in years. I used to have and
electro harmonix mechanical pedal just like this, that I now file in the
"kick myself for getting rid" of department. Very cool, Bill

-----Original Message-----
From: murkie [mailto:sinister_footwear@yahoo.com]
Sent: Monday, September 19, 2005 4:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: The Big(ish) Idea


Here's a solution for the bend and rotate routine.  For the tweaker in all
of us:

http://www.musictoyz.com/guitar/pedals/tip.php

murkie

-----Original Message-----
From: Luis Angulo [mailto:labalou2000@yahoo.com]
Sent: Monday, September 19, 2005 7:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: The Big(ish) Idea


Rick great tip man,ive been recently getting into the
DL4 since i am doing band rock gigs using an amp guitar and very basic
efxs.I must admit the DL4 can do more than meets the eye,but it would be
killer if it had a button to go from preset mode to loop mode,instead of the
bending to rotate i wonder if that would be complex to build into it?


> One of the techniques that I use with my line 6 pedal is putting it
> into record and then really rapidly, but randomly hitting the button
> that has the forward/reverse/half speed/double speed funtion.
>
> When I truncate the loop it then has these little random chunks of
> backwards/forwards/1/2 speed/double time.
> If I make this as some kind of melodic drone it provides a random loop
> that is nonetheless harmonically consonant with whatever I lay on top
> of it.
>

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com




From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 00:56:44 2005
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Subject: Re: The Big(ish) Idea
From: <stanitarium@earthlink.net>
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as usual-old fart that i B-i have the old ElectroHarmonix 'HOTFOOT" which i
have in the past hooked up to my Boss PN-2 the best in footpedal tremelos
bar none...
hook the hotfoot to the rate pot and yer off to the races w/ the signal
pulse (on/off), going from one pulse every 5 seconds er so and up to a
stutter that is what 32 or 16 pulses per second-dont know the milleseconds
exactly-but it is dramatic to go thru the sweep w/ yer shoe heel/toe :-)
i think it beats the 'bend and rotate'
and the hotfoot is just old bicycle brake technology too
s

> Aha, now that is something I haven't seen in years. I used to have and
> electro harmonix mechanical pedal just like this, that I now file in the
> "kick myself for getting rid" of department. Very cool, Bill
> 
> -----Original Message-----
> From: murkie [mailto:sinister_footwear@yahoo.com]
> Sent: Monday, September 19, 2005 4:28 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: The Big(ish) Idea
> 
> 
> Here's a solution for the bend and rotate routine.  For the tweaker in all
> of us:
> 
> http://www.musictoyz.com/guitar/pedals/tip.php
> 
> murkie
> 
> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com]
> Sent: Monday, September 19, 2005 7:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: The Big(ish) Idea
> 
> 
> Rick great tip man,ive been recently getting into the
> DL4 since i am doing band rock gigs using an amp guitar and very basic
> efxs.I must admit the DL4 can do more than meets the eye,but it would be
> killer if it had a button to go from preset mode to loop mode,instead of the
> bending to rotate i wonder if that would be complex to build into it?
> 
> 
>> One of the techniques that I use with my line 6 pedal is putting it
>> into record and then really rapidly, but randomly hitting the button
>> that has the forward/reverse/half speed/double speed funtion.
>> 
>> When I truncate the loop it then has these little random chunks of
>> backwards/forwards/1/2 speed/double time.
>> If I make this as some kind of melodic drone it provides a random loop
>> that is nonetheless harmonically consonant with whatever I lay on top
>> of it.
>> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 01:32:41 2005
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Subject: RE: The Big(ish) Idea
Date: Mon, 19 Sep 2005 18:32:40 -0700
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man I envy you, I remember that they didn't work so good on light weight
pedals that weren't fastened to a pedal board, they had a tendency to tip
over things like tube screamers or move my frequency analyzer around heh
heh, yet another pedal that I can file in the "Damn I wish I had held onto
that"  cabinet.....

-----Original Message-----
From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net]
Sent: Monday, September 19, 2005 6:57 PM
To: Loop Folk
Subject: Re: The Big(ish) Idea


as usual-old fart that i B-i have the old ElectroHarmonix 'HOTFOOT" which i
have in the past hooked up to my Boss PN-2 the best in footpedal tremelos
bar none...
hook the hotfoot to the rate pot and yer off to the races w/ the signal
pulse (on/off), going from one pulse every 5 seconds er so and up to a
stutter that is what 32 or 16 pulses per second-dont know the milleseconds
exactly-but it is dramatic to go thru the sweep w/ yer shoe heel/toe :-)
i think it beats the 'bend and rotate'
and the hotfoot is just old bicycle brake technology too
s

> Aha, now that is something I haven't seen in years. I used to have and
> electro harmonix mechanical pedal just like this, that I now file in the
> "kick myself for getting rid" of department. Very cool, Bill
>
> -----Original Message-----
> From: murkie [mailto:sinister_footwear@yahoo.com]
> Sent: Monday, September 19, 2005 4:28 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: The Big(ish) Idea
>
>
> Here's a solution for the bend and rotate routine.  For the tweaker in all
> of us:
>
> http://www.musictoyz.com/guitar/pedals/tip.php
>
> murkie
>
> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com]
> Sent: Monday, September 19, 2005 7:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: The Big(ish) Idea
>
>
> Rick great tip man,ive been recently getting into the
> DL4 since i am doing band rock gigs using an amp guitar and very basic
> efxs.I must admit the DL4 can do more than meets the eye,but it would be
> killer if it had a button to go from preset mode to loop mode,instead of
the
> bending to rotate i wonder if that would be complex to build into it?
>
>
>> One of the techniques that I use with my line 6 pedal is putting it
>> into record and then really rapidly, but randomly hitting the button
>> that has the forward/reverse/half speed/double speed funtion.
>>
>> When I truncate the loop it then has these little random chunks of
>> backwards/forwards/1/2 speed/double time.
>> If I make this as some kind of melodic drone it provides a random loop
>> that is nonetheless harmonically consonant with whatever I lay on top
>> of it.
>>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>




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From: 3nki <3nki@modaldub.net>
Subject: Re: The Big(ish) Idea
Date: Mon, 19 Sep 2005 22:36:54 -0300
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interesting, strangely simple idea.. for something they want over $100 
for!!  should be half that at most, imho.

-jb





On Sep 19, 2005, at 8:28 PM, murkie wrote:

> Here's a solution for the bend and rotate routine.  For the tweaker in 
> all
> of us:
>
> http://www.musictoyz.com/guitar/pedals/tip.php
>
> murkie
>
> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com]
> Sent: Monday, September 19, 2005 7:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: The Big(ish) Idea
>
>
> Rick great tip man,ive been recently getting into the
> DL4 since i am doing band rock gigs using an amp guitar and very basic
> efxs.I must admit the DL4 can do more than meets the eye,but it would 
> be
> killer if it had a button to go from preset mode to loop mode,instead 
> of the
> bending to rotate i wonder if that would be complex to build into it?
>
>
>> One of the techniques that I use with my line 6 pedal is putting it
>> into record and then really rapidly, but randomly hitting the button
>> that has the forward/reverse/half speed/double speed funtion.
>>
>> When I truncate the loop it then has these little random chunks of
>> backwards/forwards/1/2 speed/double time.
>> If I make this as some kind of melodic drone it provides a random loop
>> that is nonetheless harmonically consonant with whatever I lay on top
>> of it.
>>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>

----- ----- ----- ----- -----
'The most faithful audio recording is the one never played." - from 
http://www.publicrec.org

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 03:15:16 2005
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From: "phill wilson" <blackface@hotmail.co.uk>
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Subject: Re: The Big(ish) Idea (WOW)
Date: Tue, 20 Sep 2005 03:15:13 +0000
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WOW

what can I say, I thought I would leave the question to brew for a couple of 
days and see if anyone replied with a few tips to help me 
build.........................Dang!!

I have so much info and stuff that I hope you will all forgive me if I take 
a couple of days just to actually think WHAT I want now!!

The way I was looking to use my unit was very differant to  an actual 
tremelo, but seeing as people have ran with the idea in that  direction I 
should add that the Addrenalinn has Temelo Sequencing meaning 16 steps that 
can be anything from completley off to totally on and all volumes between. 
this is a very versatile effect and is midi sequencable to the edp.

this thread has had SO many weird Deja-vu type moments as well.

The thread started to look at guys with plate operated guitar controls, 
would you believe, I remember as a kid of 16 thinking this was something 
Jonny Greenwood of Radiohead was useing for the Excact same effect during a 
live performance, it wasnt, he was actually using the  pickup switch trick!! 
but he also wore a wrist splint which looked like Lever to a teenage eye!! I 
am amazed at how this came full circle, as the effect that I first sheard 
Jonny using at that very time  is something I was still thinking about when 
I began to formulate a floor-based altenative in my mind, and the fact that 
such a device DOES exist inreality ......again WOW.

Another weird thing is the floor rocker control............hehe the first 
home-brew-pedal I thought I would design and sell was EXCACTLY this but used 
an arm mechinisim culled from a wrench/plumbers screwdriver set. as you rock 
the foot forward it drives the internal thread which turns the arm end, mine 
is I believe more stable and also uses a thumb wheel to screw down on the 
knob side so you dont have to remove the knob cover.

however, upon completing mine I found one of the old electroharmonix ones on 
Ebay UK. It was the first time i saw one I swear!! so that dashed that ideas 
originality (and of selling them to all my loopy friends) , so I tried again 
with this design........hahaha
by the rate that everyone is getting their heads around this pedal it looks 
like I have missed the goal again, oh well, I will pay my student loan off 
someday............maybe a guitar that triggers emotive smell samples?!?!?

Phill Wilson (a.k.a. Blackface)

Free Downloads at

www.download.com/therealblackface

_________________________________________________________________
On the road to retirement? Check out MSN Life Events for advice on how to 
get there! http://lifeevents.msn.com/category.aspx?cid=Retirement

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 04:35:51 2005
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Subject: PMC-10 using Sustain type foot pedals
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I tried plugging momentary switches, a DP-2 by Boss and an FSW-1 by Ensonic
into the CC jacks on my PMC, these pedals seem to work the way we want.
Didn't try to play or listen tho.
And I have the EDP on an aux send now, so I am not sure how I will/would
implement this--but it's nice to know the PMC ^^CAN^^ be used this way.
Gary



From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 07:13:23 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: The Big(ish) Idea
Date: Tue, 20 Sep 2005 09:13:19 +0200
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> Phil Wilson wrote:
>
> "Basically I want to make a foot operated device that allows a  
> signal to pass
> only when  the button is pressed. Kind of a Poor-Mans-Morse-Glitch  
> Pedal.......
> ......it is a push to make type switch so initially the signal is  
> dead, however,
> when the button is pressed the sound is allowed to pass to the  
> output."


This is a great functionality! I always keep one midi expression  
pedal mapped to volume on the FireworX processor I'm usually playing  
through. But I'm not using that pedal for stuttering, more to prevent  
(or get the right amount of) acoustic feedback when playing flute or  
sax through distortion (or swell in guitar notes). But I have created  
some patches that "stutter" (i.e. tremolo like) on different rhythms  
of the midi clock tempo. For "manual stuttering into EDP loop" I keep  
a FCB button constantly mapped to "Overdub SUS".

This thread have inspired me to try to also cram a "direct instrument  
line on/off" button into my set-up. Especially when playing guitar  
it's nice to have the machine gun effect handy and eventually loop  
the whole thing (monophonic instruments make more sense to me if  
"stuttered" after being looped into chords or clusters).

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 08:30:19 2005
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Subject: Re: The Big(ish) Idea
From: Andreas Willers <a.willers@arcor.de>
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Hi, from what I've seen/heard in Z.Vexs' demo vid, his volume probe should
be a nice toy in this direction. Check it out.


> Von: "loop.pool" <looppool@cruzio.com>
> Antworten an: Loopers-Delight@loopers-delight.com
> Datum: Mon, 19 Sep 2005 16:52:44 -0700
> An: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Betreff: re: The Big(ish) Idea
> Neu gesendet von: Loopers-Delight@loopers-delight.com
> Neu gesendet am: Mon, 19 Sep 2005 23:52:42 +0000 (UTC)
> 
> Doug wrote:
>> But, what I also remember was that the guy had moved the electronics
>> into his own guitar, and had setup a "touch plate" on his guitar as the
>> switch.  So he could get these really fast mutes going, just by tapping
>> the touch plate.
> 
> That sounds incredible.
> 
> There are persian frame drum techniques called 'Ris' (not sure of the
> spelling, but
> the pronunciation is 'reese')
> 
> Where you flam your fingers over the drum so that each finger lands
> milliseconds after the first original
> ones.
> 
> This is as opposed to the more Arabic technique where every finger is
> articulates (which is great for playing accurately but also takes a whole
> lot of hours to perfect.)
> 
> With such a touch plate  and set to a momentary off (or on) position you
> could do extraordinarily quick glitches.
> That's my idea of a good time.
> 
> Next Question:  how difficult and/or expensive would such a plate be.
> It would necessitate playing it with ones fingers instead of with feet but
> fingers are for more accurate (unless
> you've spent a few years of hard work a double kick trapset drummer).
> This would mean you'd have to manipulate the loop  after you made it, not
> during,  but it also
> means that you could glitch the thing until you felt like stopping and then
> the loop would return
> to it's original sound (unless you resampled it).
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 09:58:07 2005
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From: "Claude Voit" <c.voit@vtx.ch>
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maybe the rm1x doesnt spit out sync 

utilities: SYNC INT 
            : MIDI CONTROL OUT

Claude





From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 10:27:41 2005
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Date: Tue, 20 Sep 2005 11:27:39 +0100 (BST)
Subject: Re: EDP Sync to Yamaha RM1x
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Hi Claude. Thanks for the response.

> maybe the rm1x doesnt spit out sync
>
> utilities: SYNC INT
>             : MIDI CONTROL OUT

I checked all these and all was correct (though I have it to midi control
in/out). It's not that the edp doesn't sync to to it as it does, it just
slowly drifts out of time. Very strange. I've been using the RM1x for
years and it's always been really reliable as a midi clock master. Every
other synth/sequencer/effect that I own clock to it perfectly apart from
the edp.

As you use the RM1x with an edp with no problems it must be possible. I'll
experiment some more tonight.

Thanks again.

Bob

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 11:03:19 2005
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i love stutter - i use it all the time in my recordings by chopping up tiny 
bits of guitar in Logic and laying out in rhythmic patterns in the arrange 
window

i've always wanted to be able to do this sort of thing live, so a box like 
this would be great!

i'd have the polarity switch and another switch to enable auto-stuttering 
with some sort of associated rate knob. the addition of tap tempo, midi sync 
and a range of patterns for the auto-stutter would be fab (dunno if anybody 
has used Sampletank here, but one of it's onboard fx is called "Slicer" 
which has this feature - it's fab)

the kaoss pad 2 had a slicer which i like a lot - it's midi syncable and has 
a few different patterns, but i'd love a pedal which i could just stamp on 
whenever i was in the mood for a bit if jitteryglitchness!

somebody figure out how to make one please!

ta

sim



www.simeonharris.co.uk


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Hello,
very much O.T but one usually get so good advices
here... :) 
I want to make a bastard-pop of 2 different acapellas.
For this i will need to timestretch the voices to make
them match and i'm not sure what's the best way not to
deteriorate the sound too much. 
In Live there is the Transpose/Detune function which I
find too lo-fi. There's also the AUPitch Audio Unit
which seems better. 
Does anyone have any suggestion?

Thank you for any help.


___________
Stéphane Obadia
obadia@clumsybeats.org
http://www.clumsybeats.org
http://www.12rec.net/release_robsteady_019.htm


	

	
		
___________________________________________________________________________ 
Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger 
Téléchargez cette version sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 12:27:28 2005
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Message-ID: <001b01c5bdde$a71dbae0$0207a8c0@eluk1>
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20050920121112.46683.qmail@web86809.mail.ukl.yahoo.com>
Subject: Re: Quality Timestretching question
Date: Tue, 20 Sep 2005 13:27:21 +0100
Organization: EarthLight Productions
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Not really that OT..

I like the stretching module in Cool Edit Pro.  I dunno if this is still as 
good in the newer Adobe takeover-product...

From: "obadia" <firlgriend@yahoo.fr>
> Hello,
> very much O.T but one usually get so good advices
> here... :)
> I want to make a bastard-pop of 2 different acapellas.
> For this i will need to timestretch the voices to make
> them match and i'm not sure what's the best way not to
> deteriorate the sound too much.
> In Live there is the Transpose/Detune function which I
> find too lo-fi. There's also the AUPitch Audio Unit
> which seems better.
> Does anyone have any suggestion?
>
> Thank you for any help.
>
>
> ___________
> Stéphane Obadia
> obadia@clumsybeats.org
> http://www.clumsybeats.org
> http://www.12rec.net/release_robsteady_019.htm
>
>
>
>
>
>
> ___________________________________________________________________________
> Appel audio GRATUIT partout dans le monde avec le nouveau Yahoo! Messenger
> Téléchargez cette version sur http://fr.messenger.yahoo.com
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 13:42:13 2005
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From: "Sony Felberg" <sony@real.com>
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To: davidsterling@roadfly.org
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Re: Please reach me asap.
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I fall silent to your brain dazzling conservitism.=0D
=0D
Have a good, self restrictive day.=0D
=0D
 =0D
 =0D
-------Original Message-------=0D
 =0D
From: david sterling=0D
Date: 09/19/05 20:27:03=0D
To: Sony Felberg=0D
Subject: Re: Please reach me asap.=0D
 =0D
Liberalism is a mental disorder=0D
 =0D
On Mon, 19 Sep 2005 19:29:31 -0700=0D
  Sony Felberg <sony@real.com> wrote:=0D
>Well ya, this is not real....but it was a good opportunity for you to sl=
ing=0D
>mud at those whom are not conservatives.=0D
>=0D
>=0D
>=0D
>=0D
>=0D
>At 07:17 PM 9/19/2005, david  sterling wrote:=0D
>>Content-Type: text/plain; charset=3Diso-8859-1; format=3Dflowed=0D
>>Content-Transfer-Encoding: 7bit=0D
>>X-Mime-Autoconverted: from 8bit to 7bit by courier 0.48=0D
>>=0D
>>=0D
>>Johan Gulfman <jgulfmanesq22@gmail.com>=0D
>>=0D
>>=0D
>>This jerk is a fraud, a crook, a shister, and probably a liberal democr=
at=0D
>>=0D
>>Report him to your webmaster=0D
>>=0D
>>   --- the forwarded message follows ---=0D
>>_______________________________________________________________________=
__=0D
>>=0D
>>Live, laugh, and chat with friends about your favorite cars.=0D
>>             at The World's Largest Auto Enthusiast Site=0D
>>                      http://www.roadfly.com/=0D
>>=0D
>>=0D
>>Return-Path: <jgulfmanesq22@gmail.com>=0D
>>Received: by roadfly.org (CommuniGate Pro PIPE 4.1.8)=0D
>>   with PIPE id 8979272; Mon, 19 Sep 2005 08:55:25 -0400=0D
>>Received: from zproxy.gmail.com ([64.233.162.194] verified)=0D
>>   by roadfly.org (CommuniGate Pro SMTP 4.1.8)=0D
>>   with ESMTP id 8979264 for davidsterling@roadfly.org; Mon, 19 Sep 200=
5=0D
>> 08:55:01 -0400=0D
>>Received: by zproxy.gmail.com with SMTP id v1so11924nzb=0D
>>         for <davidsterling@roadfly.org>; Mon, 19 Sep 2005 05:54:56 -07=
00=0D
>> (PDT)=0D
>>DomainKey-Signature: a=3Drsa-sha1; q=3Ddns; c=3Dnofws;=0D
>>         s=3Dbeta; d=3Dgmail.com;=0D
>>=0D
>>h=3Dreceived:message-id:date:from:reply-to:to:subject:mime-version:cont=
ent-ty
e;=0D
>>=0D
>>b=3DbsfACFeglIR5amRm5v5ONdQvoGwwLg8E8ogBi4tlVbhJZbTsUgP4K9AWSTOWX8DzQZj=
OxXsFb
vnHB63K5hZtvKxESA0RMJp65TvUk1I0DMo7vIckMioXLa36zZGRc5vSKZiK6X+zckEA88sGWS=
EdGq
tyCQ9yGd6o5eDQhs3G4=3D=0D
>>Received: by 10.36.221.76 with SMTP id t76mr2320469nzg;=0D
>>         Mon, 19 Sep 2005 05:54:55 -0700 (PDT)=0D
>>Received: by 10.37.13.64 with HTTP; Mon, 19 Sep 2005 05:54:55 -0700 (PD=
T)=0D
>>Message-ID: <f42d1e6c05091905546b1e9b2b@mail.gmail.com>=0D
>>Date: Mon, 19 Sep 2005 13:54:55 +0100=0D
>>From: Johan Gulfman <jgulfmanesq22@gmail.com>=0D
>>Reply-To: jgulfmanesq22@gmail.com=0D
>>To: r.perez@atlanticphilanthropies.org, zvonar@zvonar.com,=0D
>&gt;looper@venetowest.com,=0D
>>         vsyevolod@yahoo.com, sambacomet@hotmail.com, kungha@earthlink.=
net
=0D
>>         evanpeewee@yahoo.com, scott@dreamstate.to,=0D
>> sean.loop@creepingfog.com,=0D
>>         scafferata@sasktel.net, onelonecrow@earthlink.net, sony@real.c=
om,=0D
>>         stanitarium@earthlink.net, sstemmler@above-the-fold.com,=0D
>>         spgoodman@earthlight.net, steve@steve-lawson.co.uk,=0D
>>         erwill@suitandtieguy.com, webmaster@cavestudio.com,=0D
>>         precise75@hotmail.com, psychle62@yahoo.com, mungenast@earthlin=
k
net,=0D
>>         todd@toddreynolds.com, tohall@rcn.com, tcombs@sep.com,=0D
>>         tom.ritchford@gmail.com, bigtony@softhome.net, thelgere@online=
=2Eno
=0D
>>         travishartnett@gmail.com, wavecomputer360@gmx.de,=0D
>>         will-spicher@insightbb.com, wklemmer1@yahoo.com,=0D
>>         billwalker@baymoon.com, LWordsman@PIRNIE.COM, woz@phaesler.org=
,=0D
>>         cello@zoekeating.comzjz, meoshimo@gmail.com,=0D
>>         notyourbusiness_nasran@gmail.com, brosnan.jason@gmail.com,=0D
>>         mj.gumsley@gmail.com, gordongek@gmail.com, Wang.king@ntlworld.=
com
=0D
>>         mr_dong@asiamail.com, barristerjoseagu1@yahoo.com,=0D
>>         dickstruthers@yahoo.com, bababu@gmail.com, haydn.moriyama@lyco=
s
com,=0D
>>         blueyes@yahoo.com, timhortonceo@gmail.com, tedsjunkmail@gmail.=
com
=0D
>>         dexter@aol.com, bestof134@hotmail.com, johny789@mailc.net,=0D
>>         arthurvandelay001@gmail.com, david.ickhead@gmail.com,=0D
>>         Imona_hotchick@shinyfeet.com, peterkay322@hotmail.co.uk,=0D
>>         bruce_w@airpost.net, childlabourgood@yahoo.com,=0D
>>         prayforyou343@yahoo.com, johannes.lund.hartvigsen@gmail.com,=0D
>>         loszetas1@yahoo.com, mumueduugaintsurk@mumuguy.com,=0D
>>         satinwood@gmail.com, cpennington@uk.mcd.com,=0D
>>         davidsterling@roadfly.org, skrumee@gmail.com,=0D
>>         sally_guierrero@yahoo.com, cwonka@gmail.com,=0D
>>         reverendjoejack@gmail.com, dreamberg2005@yahoo.com,=0D
>>         lordjulius43@yahoo.com, philmccr@gmail.com, frapples420@yahoo.=
com
=0D
>>         bendover@mchsi.com, mvmvmv112@yahoo.com, conar_tist@mail.com,=0D
>>         retae914@yahoo.com, lordbrew@mail.com, gildersleeves@gmail.com=
,=0D
>>         paul.stanley001@gmail.com, paul.stanley@gmail.com,=0D
>>         ericshunn@gmail.com, sremmacs@hotmail.com,=0D
>>         strapon_smotch@postmail.com, shaley@bhanvad.com,=0D
>> felazpopo@gmail.com,=0D
>>         uaranholle@gmail.com, jkiplering@yahoo.com, henkmouse@yahoo.co=
m,=0D
>>         zenegra@yahoo.com.au, Lolek17@TempEMail.net,=0D
>>         unpretentious1@hotmail.com, c_walker@mail.com,=0D
>> landers2192@yahoo.com,=0D
>>         cooldude_2671@yahoo.com, alojzyr@yahoo.com, brocdaroc@gmail.co=
m,=0D
>>         bruno2002@yahoo.com, jono_cano@yahoo.co.uk, drjoewinslow@yahoo
com=0D
>>Subject: Please reach me asap.=0D
>>Mime-Version: 1.0=0D
>>Content-Type: multipart/alternative;=0D
>>boundary=3D"=3D_goodfellas.real.com-19971-1127182653-0001-3"=0D
>>X-Spam-Checker-Version: SpamAssassin 3.0.4-jmgrules_1.0 (2005-06-05) on=
=0D
>>         mail.roadfly.com=0D
>>X-Spam-Level:=0D
>>X-Spam-Status: No, score=3D-2.3 required=3D8.0 tests=3DBAYES_00,HTML_10=
_20,=0D
>>         HTML_MESSAGE,RCVD_BY_IP autolearn=3Dno version=3D3.0.4-jmgrule=
s_1.0=0D
>>X-TFF-CGPSA-Version: 1.4=0D
>>X-TFF-CGPSA-Filter: Scanned=0D
>>=0D
>>Goodday.=0D
>>=0D
>>Please,I want to introduce myself and this business=0D
>>opportunity to you. My name is Johan Gulfman Esq. I=0D
>>wish to know if we can work together.I would like you=0D
>>to stand as the next of kin to my deceased client who=0D
>>made some substantial deposits with a financial house.=0D
>>=0D
>>He died without any registered next of kin and as such=0D
>>the funds now have an open beneficiary mandate.=0D
>>Moreover it appears you are related to him by=0D
>>the virtue of your names. If you are interested you do=0D
>>let me know so that I can give you comprehensive=0D
>>details on what we are to do. I urgently hope to get=0D
>>your response as soon as possible.please reach me with=0D
>>my private email address(<mailto:j_gulfmanesq@sify.com&gt
j_gulfmanesq@sify.com)=0D
>>=0D
>>Best regards,=0D
>>=0D
>>Johan Gulfman Esq.=0D
>=0D
 =0D
_________________________________________________________________________=
=0D
 =0D
Live, laugh, and chat with friends about your favorite cars.=0D
             at The World's Largest Auto Enthusiast Site=0D
                      http://www.roadfly.com/
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<DIV>I fall silent to your brain dazzling conservitism.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Have a good, self restrictive day.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:davidsterling@roadfly.org">david sterling</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 09/19/05 20:=
27:03</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:sony@real.com">Sony Felberg</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: Pleas=
e reach me asap.</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Liberalism is a mental disorder</DIV>
<DIV>&nbsp;</DIV>
<DIV>On Mon, 19 Sep 2005 19:29:31 -0700</DIV>
<DIV>&nbsp;&nbsp;Sony Felberg &lt;<A href=3D"mailto:sony@real.com">sony@r=
eal.com</A>&gt; wrote:</DIV>
<DIV>&gt;Well ya, this is not real....but it was a good opportunity for y=
ou to sling</DIV>
<DIV>&gt;mud at those whom are not conservatives.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;At 07:17 PM 9/19/2005, david&nbsp;&nbsp;sterling wrote:</DIV>
<DIV>&gt;&gt;Content-Type: text/plain; charset=3Diso-8859-1; format=3Dflo=
wed</DIV>
<DIV>&gt;&gt;Content-Transfer-Encoding: 7bit</DIV>
<DIV>&gt;&gt;X-Mime-Autoconverted: from 8bit to 7bit by courier 0.48</DIV=
>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Johan Gulfman &lt;<A href=3D"mailto:jgulfmanesq22@gmail.com"=
>jgulfmanesq22@gmail.com</A>&gt;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;This jerk is a fraud, a crook, a shister, and probably a lib=
eral democrat</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Report him to your webmaster</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp; --- the forwarded message follows ---</DIV>
<DIV>&gt;&gt;____________________________________________________________=
_____________</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Live, laugh, and chat with friends about your favorite cars.=
</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp; at The World's Largest Auto Enthusiast Site</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<=
A href=3D"http://www.roadfly.com/">http://www.roadfly.com/</A></DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Return-Path: &lt;<A href=3D"mailto:jgulfmanesq22@gmail.com">=
jgulfmanesq22@gmail.com</A>&gt;</DIV>
<DIV>&gt;&gt;Received: by roadfly.org (CommuniGate Pro PIPE 4.1.8)</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp; with PIPE id 8979272; Mon, 19 Sep 2005 08:55:25=
 -0400</DIV>
<DIV>&gt;&gt;Received: from zproxy.gmail.com ([64.233.162.194] verified)<=
/DIV>
<DIV>&gt;&gt;&nbsp;&nbsp; by roadfly.org (CommuniGate Pro SMTP 4.1.8)</DI=
V>
<DIV>&gt;&gt;&nbsp;&nbsp; with ESMTP id 8979264 for <A href=3D"mailto:dav=
idsterling@roadfly.org;">davidsterling@roadfly.org;</A> Mon, 19 Sep 2005<=
/DIV>
<DIV>&gt;&gt; 08:55:01 -0400</DIV>
<DIV>&gt;&gt;Received: by zproxy.gmail.com with SMTP id v1so11924nzb</DIV=
>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; for &lt;<A =
href=3D"mailto:davidsterling@roadfly.org">davidsterling@roadfly.org</A>&g=
t;; Mon, 19 Sep 2005 05:54:56 -0700</DIV>
<DIV>&gt;&gt; (PDT)</DIV>
<DIV>&gt;&gt;DomainKey-Signature: a=3Drsa-sha1; q=3Ddns; c=3Dnofws;</DIV>
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=3Dgmail.com;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;h=3Dreceived:message-id:date:from:reply-to:to:subject:mime-v=
ersion:content-type;</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;b=3DbsfACFeglIR5amRm5v5ONdQvoGwwLg8E8ogBi4tlVbhJZbTsUgP4K9AW=
STOWX8DzQZjOxXsFbOvnHB63K5hZtvKxESA0RMJp65TvUk1I0DMo7vIckMioXLa36zZGRc5vS=
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<DIV>&gt;&gt;Received: by 10.36.221.76 with SMTP id t76mr2320469nzg;</DIV=
>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mon, 19 Sep=
 2005 05:54:55 -0700 (PDT)</DIV>
<DIV>&gt;&gt;Received: by 10.37.13.64 with HTTP; Mon, 19 Sep 2005 05:54:5=
5 -0700 (PDT)</DIV>
<DIV>&gt;&gt;Message-ID: &lt;<A href=3D"mailto:f42d1e6c05091905546b1e9b2b=
@mail.gmail.com">f42d1e6c05091905546b1e9b2b@mail.gmail.com</A>&gt;</DIV>
<DIV>&gt;&gt;Date: Mon, 19 Sep 2005 13:54:55 +0100</DIV>
<DIV>&gt;&gt;From: Johan Gulfman &lt;<A href=3D"mailto:jgulfmanesq22@gmai=
l.com">jgulfmanesq22@gmail.com</A>&gt;</DIV>
<DIV>&gt;&gt;Reply-To: <A href=3D"mailto:jgulfmanesq22@gmail.com">jgulfma=
nesq22@gmail.com</A></DIV>
<DIV>&gt;&gt;To: <A href=3D"mailto:r.perez@atlanticphilanthropies.org,">r=
=2Eperez@atlanticphilanthropies.org,</A> <A href=3D"mailto:zvonar@zvonar.=
com,">zvonar@zvonar.com,</A></DIV>
<DIV>&gt;&amp;<A href=3D"mailto:gt;looper@venetowest.com,">gt;looper@vene=
towest.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:vsyevolod@yahoo.com,">vsyevolod@yahoo.com,</A> <A href=3D"mailto:s=
ambacomet@hotmail.com,">sambacomet@hotmail.com,</A> <A href=3D"mailto:kun=
gha@earthlink.net,">kungha@earthlink.net,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:evanpeewee@yahoo.com,">evanpeewee@yahoo.com,</A> <A href=3D"mailto=
:scott@dreamstate.to,">scott@dreamstate.to,</A></DIV>
<DIV>&gt;&gt; <A href=3D"mailto:sean.loop@creepingfog.com,">sean.loop@cre=
epingfog.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:scafferata@sasktel.net,">scafferata@sasktel.net,</A> <A href=3D"ma=
ilto:onelonecrow@earthlink.net,">onelonecrow@earthlink.net,</A> <A href=3D=
"mailto:sony@real.com,">sony@real.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:stanitarium@earthlink.net,">stanitarium@earthlink.net,</A> <A href=
=3D"mailto:sstemmler@above-the-fold.com,">sstemmler@above-the-fold.com,</=
A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:spgoodman@earthlight.net,">spgoodman@earthlight.net,</A> <A href=3D=
"mailto:steve@steve-lawson.co.uk,">steve@steve-lawson.co.uk,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:erwill@suitandtieguy.com,">erwill@suitandtieguy.com,</A> <A href=3D=
"mailto:webmaster@cavestudio.com,">webmaster@cavestudio.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:precise75@hotmail.com,">precise75@hotmail.com,</A> <A href=3D"mail=
to:psychle62@yahoo.com,">psychle62@yahoo.com,</A> <A href=3D"mailto:munge=
nast@earthlink.net,">mungenast@earthlink.net,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:todd@toddreynolds.com,">todd@toddreynolds.com,</A> <A href=3D"mail=
to:tohall@rcn.com,">tohall@rcn.com,</A> <A href=3D"mailto:tcombs@sep.com,=
">tcombs@sep.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:tom.ritchford@gmail.com,">tom.ritchford@gmail.com,</A> <A href=3D"=
mailto:bigtony@softhome.net,">bigtony@softhome.net,</A> <A href=3D"mailto=
:thelgere@online.no,">thelgere@online.no,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:travishartnett@gmail.com,">travishartnett@gmail.com,</A> <A href=3D=
"mailto:wavecomputer360@gmx.de,">wavecomputer360@gmx.de,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:will-spicher@insightbb.com,">will-spicher@insightbb.com,</A> <A hr=
ef=3D"mailto:wklemmer1@yahoo.com,">wklemmer1@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:billwalker@baymoon.com,">billwalker@baymoon.com,</A> <A href=3D"ma=
ilto:LWordsman@PIRNIE.COM,">LWordsman@PIRNIE.COM,</A> <A href=3D"mailto:w=
oz@phaesler.org,">woz@phaesler.org,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:cello@zoekeating.comzjz,">cello@zoekeating.comzjz,</A> <A href=3D"=
mailto:meoshimo@gmail.com,">meoshimo@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:notyourbusiness_nasran@gmail.com,">notyourbusiness_nasran@gmail.co=
m,</A> <A href=3D"mailto:brosnan.jason@gmail.com,">brosnan.jason@gmail.co=
m,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:mj.gumsley@gmail.com,">mj.gumsley@gmail.com,</A> <A href=3D"mailto=
:gordongek@gmail.com,">gordongek@gmail.com,</A> <A href=3D"mailto:Wang.ki=
ng@ntlworld.com,">Wang.king@ntlworld.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:mr_dong@asiamail.com,">mr_dong@asiamail.com,</A> <A href=3D"mailto=
:barristerjoseagu1@yahoo.com,">barristerjoseagu1@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:dickstruthers@yahoo.com,">dickstruthers@yahoo.com,</A> <A href=3D"=
mailto:bababu@gmail.com,">bababu@gmail.com,</A> <A href=3D"mailto:haydn.m=
oriyama@lycos.com,">haydn.moriyama@lycos.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:blueyes@yahoo.com,">blueyes@yahoo.com,</A> <A href=3D"mailto:timho=
rtonceo@gmail.com,">timhortonceo@gmail.com,</A> <A href=3D"mailto:tedsjun=
kmail@gmail.com,">tedsjunkmail@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:dexter@aol.com,">dexter@aol.com,</A> <A href=3D"mailto:bestof134@h=
otmail.com,">bestof134@hotmail.com,</A> <A href=3D"mailto:johny789@mailc.=
net,">johny789@mailc.net,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:arthurvandelay001@gmail.com,">arthurvandelay001@gmail.com,</A> <A =
href=3D"mailto:david.ickhead@gmail.com,">david.ickhead@gmail.com,</A></DI=
V>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:Imona_hotchick@shinyfeet.com,">Imona_hotchick@shinyfeet.com,</A> <=
A href=3D"mailto:peterkay322@hotmail.co.uk,">peterkay322@hotmail.co.uk,</=
A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:bruce_w@airpost.net,">bruce_w@airpost.net,</A> <A href=3D"mailto:c=
hildlabourgood@yahoo.com,">childlabourgood@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:prayforyou343@yahoo.com,">prayforyou343@yahoo.com,</A> <A href=3D"=
mailto:johannes.lund.hartvigsen@gmail.com,">johannes.lund.hartvigsen@gmai=
l.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:loszetas1@yahoo.com,">loszetas1@yahoo.com,</A> <A href=3D"mailto:m=
umueduugaintsurk@mumuguy.com,">mumueduugaintsurk@mumuguy.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:satinwood@gmail.com,">satinwood@gmail.com,</A> <A href=3D"mailto:c=
pennington@uk.mcd.com,">cpennington@uk.mcd.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:davidsterling@roadfly.org,">davidsterling@roadfly.org,</A> <A href=
=3D"mailto:skrumee@gmail.com,">skrumee@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:sally_guierrero@yahoo.com,">sally_guierrero@yahoo.com,</A> <A href=
=3D"mailto:cwonka@gmail.com,">cwonka@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:reverendjoejack@gmail.com,">reverendjoejack@gmail.com,</A> <A href=
=3D"mailto:dreamberg2005@yahoo.com,">dreamberg2005@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:lordjulius43@yahoo.com,">lordjulius43@yahoo.com,</A> <A href=3D"ma=
ilto:philmccr@gmail.com,">philmccr@gmail.com,</A> <A href=3D"mailto:frapp=
les420@yahoo.com,">frapples420@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:bendover@mchsi.com,">bendover@mchsi.com,</A> <A href=3D"mailto:mvm=
vmv112@yahoo.com,">mvmvmv112@yahoo.com,</A> <A href=3D"mailto:conar_tist@=
mail.com,">conar_tist@mail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:retae914@yahoo.com,">retae914@yahoo.com,</A> <A href=3D"mailto:lor=
dbrew@mail.com,">lordbrew@mail.com,</A> <A href=3D"mailto:gildersleeves@g=
mail.com,">gildersleeves@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:paul.stanley001@gmail.com,">paul.stanley001@gmail.com,</A> <A href=
=3D"mailto:paul.stanley@gmail.com,">paul.stanley@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:ericshunn@gmail.com,">ericshunn@gmail.com,</A> <A href=3D"mailto:s=
remmacs@hotmail.com,">sremmacs@hotmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:strapon_smotch@postmail.com,">strapon_smotch@postmail.com,</A> <A =
href=3D"mailto:shaley@bhanvad.com,">shaley@bhanvad.com,</A></DIV>
<DIV>&gt;&gt; <A href=3D"mailto:felazpopo@gmail.com,">felazpopo@gmail.com=
,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:uaranholle@gmail.com,">uaranholle@gmail.com,</A> <A href=3D"mailto=
:jkiplering@yahoo.com,">jkiplering@yahoo.com,</A> <A href=3D"mailto:henkm=
ouse@yahoo.com,">henkmouse@yahoo.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:zenegra@yahoo.com.au,">zenegra@yahoo.com.au,</A> <A href=3D"mailto=
:Lolek17@TempEMail.net,">Lolek17@TempEMail.net,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:unpretentious1@hotmail.com,">unpretentious1@hotmail.com,</A> <A hr=
ef=3D"mailto:c_walker@mail.com,">c_walker@mail.com,</A></DIV>
<DIV>&gt;&gt; <A href=3D"mailto:landers2192@yahoo.com,">landers2192@yahoo=
=2Ecom,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:cooldude_2671@yahoo.com,">cooldude_2671@yahoo.com,</A> <A href=3D"=
mailto:alojzyr@yahoo.com,">alojzyr@yahoo.com,</A> <A href=3D"mailto:brocd=
aroc@gmail.com,">brocdaroc@gmail.com,</A></DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=3D"=
mailto:bruno2002@yahoo.com,">bruno2002@yahoo.com,</A> <A href=3D"mailto:j=
ono_cano@yahoo.co.uk,">jono_cano@yahoo.co.uk,</A> <A href=3D"mailto:drjoe=
winslow@yahoo.com">drjoewinslow@yahoo.com</A></DIV>
<DIV>&gt;&gt;Subject: Please reach me asap.</DIV>
<DIV>&gt;&gt;Mime-Version: 1.0</DIV>
<DIV>&gt;&gt;Content-Type: multipart/alternative;</DIV>
<DIV>&gt;&gt;boundary=3D"=3D_goodfellas.real.com-19971-1127182653-0001-3"=
</DIV>
<DIV>&gt;&gt;X-Spam-Checker-Version: SpamAssassin 3.0.4-jmgrules_1.0 (200=
5-06-05) on</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; mail.roadfl=
y.com</DIV>
<DIV>&gt;&gt;X-Spam-Level:</DIV>
<DIV>&gt;&gt;X-Spam-Status: No, score=3D-2.3 required=3D8.0 tests=3DBAYES=
_00,HTML_10_20,</DIV>
<DIV>&gt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; HTML_MESSAG=
E,RCVD_BY_IP autolearn=3Dno version=3D3.0.4-jmgrules_1.0</DIV>
<DIV>&gt;&gt;X-TFF-CGPSA-Version: 1.4</DIV>
<DIV>&gt;&gt;X-TFF-CGPSA-Filter: Scanned</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Goodday.</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Please,I want to introduce myself and this business</DIV>
<DIV>&gt;&gt;opportunity to you. My name is Johan Gulfman Esq. I</DIV>
<DIV>&gt;&gt;wish to know if we can work together.I would like you</DIV>
<DIV>&gt;&gt;to stand as the next of kin to my deceased client who</DIV>
<DIV>&gt;&gt;made some substantial deposits with a financial house.</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;He died without any registered next of kin and as such</DIV>
<DIV>&gt;&gt;the funds now have an open beneficiary mandate.</DIV>
<DIV>&gt;&gt;Moreover it appears you are related to him by</DIV>
<DIV>&gt;&gt;the virtue of your names. If you are interested you do</DIV>
<DIV>&gt;&gt;let me know so that I can give you comprehensive</DIV>
<DIV>&gt;&gt;details on what we are to do. I urgently hope to get</DIV>
<DIV>&gt;&gt;your response as soon as possible.please reach me with</DIV>
<DIV>&gt;&gt;my private email address(&lt;<A href=3D"mailto:j_gulfmanesq@=
sify.com">mailto:j_gulfmanesq@sify.com</A>&amp;<A href=3D"mailto:gt;j_gul=
fmanesq@sify.com">gt;j_gulfmanesq@sify.com</A>)</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Best regards,</DIV>
<DIV>&gt;&gt;</DIV>
<DIV>&gt;&gt;Johan Gulfman Esq.</DIV>
<DIV>&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>____________________________________________________________________=
_____</DIV>
<DIV>&nbsp;</DIV>
<DIV>Live, laugh, and chat with friends about your favorite cars.</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; at The World's Largest Auto Enthusiast Site</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<A href=3D=
"http://www.roadfly.com/">http://www.roadfly.com/</A></DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
<TR>
<TD width=3D"100%"></TD>
<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_EEB4YPP66RO000000000--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 13:51:21 2005
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Quality Timestretching question
Date: Tue, 20 Sep 2005 15:50:24 +0200
Message-ID: <PBEDJIINJADFIBOFIIBIGEFOKAAA.mp@mpeters.de>
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> I like the stretching module in Cool Edit Pro.  I dunno if this is still
as good in the newer Adobe takeover-product...

same thing.

-Michael
www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 14:06:18 2005
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Date: Tue, 20 Sep 2005 09:06:16 -0500
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Back when I was in grad school, I was introduced to the Phase Vocoder.
On the Mac platform, there's a killer program called SoundHack with a
great implementation.

I'm not sure of any stand-alone implementations on the Windows side,
but I had great luck using CSound to create Phase Vocoded stretches.

Even moderate amounts of stretching sounded really natural. (Of
course, the most fun to be had is stretching things out by 20-30x or
more.)

SoundHack can be found here:=20
http://www.soundhack.com/freeware.php

Cheers,

Jon


On 9/20/05, Michael Peters <mp@mpeters.de> wrote:
> > I like the stretching module in Cool Edit Pro.  I dunno if this is stil=
l
> as good in the newer Adobe takeover-product...
>=20
> same thing.
>=20
> -Michael
> www.michaelpeters.de
>=20
>=20
>=20
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 14:46:23 2005
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Subject: Re: 1st Looping Festival
Cc: db@biink.com, Loopers-Delight@loopers-delight.com
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Just to keep the momentum going:

1. there are several musicians who are interested in doing at least
one New York show here, and we could certainly get some more loopers.

2. a regular show would be interesting, but there hasn't been an
outpouring of support for it, perhaps we should start with a one-off?

3. the remote lounge has been mentioned.  We also have a lot of clubs
in W'burg that I might be willing to approach...

On 9/19/05, Sarth <sarth@sarth.net> wrote:
>  I think it would lend itself well to an ongoing thing.
>
>  -- Sarth
>
>
>  Tom Ritchford wrote:
>  I'm not sure if they do one-off shows there but I do know the guy who
> started it and he likes my stuff and has encouraged me to do things.
>
> Are we thinking of a one-off evening or a repeated show?
>
> There are a lot of places in my neighborhood, Williamsburg...
>
> On 9/19/05, Sarth <sarth@sarth.net> wrote:
>
>
>  let me know ... a buddy of mine and I have been talking about something
> like that for ages ... what about the remote lounge?
>
>
>  Tom Ritchford wrote:
>  I've had some interest in starting it up again -- but I've lost
> several of the musicians, and the venue, and my time has become very
> limited.
>
> I really should get Stv to take down the website. He's one of the
> lost musicians, but fear not, he's alive and kicking, living in a
> commune on Staten Island and setting up a bookstore!!
>
> If there were interest, or if there were interest in doing an evening
> of loop shows, I'd definitely be up for it.
>
>  /t
>
> On 9/19/05, David Beardsley <db@biink.com> wrote:
>
>
>  Dan Ash wrote:
>
>
>
>
>
>  there was a weekly looping series for a while in New York City.
>
>  The weekly open loop event at Chama is still listed on their website
> http://www.loopny.com/#openloop
>
> Haven't been there in some time - maybe someone else can confirm?
>
>
>  Chama closed in Sept. 2003.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>
>
>
> --
>  /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>
>
>
>
>
>
> --
>  /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 15:16:30 2005
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Subject: very very OT
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As another list member pointed out, this guy is a conservative who worked for 
the Reagan administration:

http://www.counterpunch.org/roberts09162005.html




bc

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 15:40:10 2005
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>Not really that OT..
>
>I like the stretching module in Cool Edit Pro.  I dunno if this is 
>still as good in the newer Adobe takeover-product...

Most of CEP is the same in Adobe Audition.

AA adds VST support, and the ability to edit in spectral view.
...and won't run on win98

andy
   

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 15:51:19 2005
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Subject: Re: 1st Looping Festival
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Tom Ritchford wrote:

>Just to keep the momentum going:
>
>1. there are several musicians who are interested in doing at least
>one New York show here, and we could certainly get some more loopers.
>
>2. a regular show would be interesting, but there hasn't been an
>outpouring of support for it, perhaps we should start with a one-off?
>  
>
Yes.

>3. the remote lounge has been mentioned.  We also have a lot of clubs
>in W'burg that I might be willing to approach...
>
Yes. It's easier to find parking in W'burg.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 16:00:03 2005
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The possible venues closest to me would be Leila on North 7th and
North 6 and Galapagos, on North 6th.  All very reasonable spaces that
would certainly show the sort of thing we do.

Now, what would we be trying to sell them on, exactly?

On 9/20/05, David Beardsley <db@biink.com> wrote:
> Tom Ritchford wrote:
>
> >Just to keep the momentum going:
> >
> >1. there are several musicians who are interested in doing at least
> >one New York show here, and we could certainly get some more loopers.
> >
> >2. a regular show would be interesting, but there hasn't been an
> >outpouring of support for it, perhaps we should start with a one-off?
> >
> >
> Yes.
>
> >3. the remote lounge has been mentioned.  We also have a lot of clubs
> >in W'burg that I might be willing to approach...
> >
> Yes. It's easier to find parking in W'burg.
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 16:16:41 2005
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Subject: Re: EDP Sync to Yamaha RM1x
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dayshift@blueyonder.co.uk wrote:
> I checked all these and all was correct (though I have it to midi control
> in/out). It's not that the edp doesn't sync to to it as it does, it just
> slowly drifts out of time.

Are you leaving overdub on, or do you have feedback lowered?
The EDP will not correct for sync drift when overdub is on
or feedback is turned slightly down.  See page 6-2.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 17:52:58 2005
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Tom Ritchford wrote:

> The possible venues closest to me would be Leila on North 7th and
> North 6 and Galapagos, on North 6th. All very reasonable spaces that
> would certainly show the sort of thing we do.


Galapagos, I've been to a few years ago. Nice place, I like that big 
room in the back
I hope it's still set up like that. Chama was so small, it was hard to 
set up equipment
and still have room for an audience.

N6 & Leila, I have not been to.

>
> Now, what would we be trying to sell them on, exactly?

Good question. Are we just going to jam or are there going to be
organized set lists? How long is each set going to be?

dB


>
> On 9/20/05, David Beardsley <db@biink.com> wrote:
>
>> Tom Ritchford wrote:
>>
>>> Just to keep the momentum going:
>>>
>>> 1. there are several musicians who are interested in doing at least
>>> one New York show here, and we could certainly get some more loopers.
>>>
>>> 2. a regular show would be interesting, but there hasn't been an
>>> outpouring of support for it, perhaps we should start with a one-off?
>>>
>>>
>> Yes.
>>
>>> 3. the remote lounge has been mentioned. We also have a lot of clubs
>>> in W'burg that I might be willing to approach...
>>>
>> Yes. It's easier to find parking in W'burg.
>>
>> --
>> * David Beardsley
>> * microtonal guitar
>> * http://biink.com/db
>>
>>
>
>
> --
> /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>



-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 18:45:16 2005
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Subject: Re: Music can "accomplish"
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the looping of sunlight and the absence of triggers the photosynthethetic reaction in plants, long days(16=8)(14=10) for vegetive growth, short days(12=12)(10=14) for flowering, in a controlled environment u can have 24 hour for vegetation and as low as 4 "on" 20 "off" for flowering.using a computerized timing system you can make days that are not on a 24 hour based day(4 hours "on" 10 hours "off" is the extreme).by doing this you can cut flowering time of 8 weeks down to 5 or 6.i think indica plants prefer looped guitar as they grow. sativa seems to like looped voodoo drums lol...any grow questions?just ask scary   *<{{,': )

Travis Hartnett <travishartnett@gmail.com> wrote:I think that question should be "Why do musicians have to 'accomplish'
something?" Or, a question from ambient artists to their detractors
"Why does music need to 'do' something?"

Music just "is", sort of like sunlight. The sun isn't trying to
"make" plants grow, rather plants grow in the presence of sunlight
(among other things). Sometimes plants get too much sun, in which
case they wither and die.

How musicians (often believing themselves to be the creator of said
music) or the audience interpret the phenomena of music really has
more to do with the musician/audience than the music itself.


> From: Stephen Goodman [mailto:spgoodman@earthlight.net]

> A realistic question for ambient artists: Why does music
> have to "accomplish" something?
>



__________________________________________________
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<DIV>the looping of sunlight and the absence of triggers the photosynthethetic reaction in plants, long days(16=8)(14=10) for vegetive growth, short days(12=12)(10=14) for flowering, in a controlled environment u can have 24 hour for vegetation and as low as 4 "on" 20 "off" for flowering.using a computerized timing system you can make days that are not&nbsp;on a 24 hour based day(4 hours "on" 10 hours "off" is the extreme).by doing this you can cut flowering time of 8 weeks down to 5 or 6.i think indica plants prefer looped guitar as they grow. sativa seems to like looped voodoo drums lol...any grow questions?just ask scary&nbsp;&nbsp; *&lt;{{,': )<BR><BR><B><I>Travis Hartnett &lt;travishartnett@gmail.com&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I think that question should be "Why do musicians have to 'accomplish'<BR>something?" Or, a question from ambient artists to their detractors<BR>"Why does music need to 'do' something?"<BR><BR>Music just "is", sort of like sunlight. The sun isn't trying to<BR>"make" plants grow, rather plants grow in the presence of sunlight<BR>(among other things). Sometimes plants get too much sun, in which<BR>case they wither and die.<BR><BR>How musicians (often believing themselves to be the creator of said<BR>music) or the audience interpret the phenomena of music really has<BR>more to do with the musician/audience than the music itself.<BR><BR><BR>&gt; From: Stephen Goodman [mailto:spgoodman@earthlight.net]<BR><BR>&gt; A realistic question for ambient artists: Why does music<BR>&gt; have to "accomplish"
 something?<BR>&gt;<BR><BR></BLOCKQUOTE></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 20 19:18:44 2005
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Date: Tue, 20 Sep 2005 12:18:41 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: RE: The Big(ish) Idea - people who did this
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ever use feedback for the note source and move in and out of the feedback feild while "stuttering"?
yup

Gary Lehmann <hqr@cox.net> wrote:
My SG copy (the Kim Thayal guitar, a Guild S-100) can do this if you turn
down one of the pickups--
So maybe Hendrix was playing a Gibson style instrument . . .
Gary

-----Original Message-----
From: Jon Southwood [mailto:jsouthwood@gmail.com] 
Sent: Monday, September 19, 2005 12:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Big(ish) Idea - people who did this

I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I
always assumed it was done with special pickup wiring that allowed him
to cut the pickup in and out.

On 9/19/05, Rainer Thelonius Balthasar Straschill wrote:
> btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I
> think he used a switch on his guitar.
> 
>




		
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Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
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<DIV>ever use feedback for the note source and move in and out of the feedback feild while "stuttering"?</DIV>
<DIV>yup<BR><BR><B><I>Gary Lehmann &lt;hqr@cox.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">My SG copy (the Kim Thayal guitar, a Guild S-100) can do this if you turn<BR>down one of the pickups--<BR>So maybe Hendrix was playing a Gibson style instrument . . .<BR>Gary<BR><BR>-----Original Message-----<BR>From: Jon Southwood [mailto:jsouthwood@gmail.com] <BR>Sent: Monday, September 19, 2005 12:46 PM<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: Re: The Big(ish) Idea - people who did this<BR><BR>I think Hendrix did this (stutter) on Voodoo Child (Slight Return). I<BR>always assumed it was done with special pickup wiring that allowed him<BR>to cut the pickup in and out.<BR><BR>On 9/19/05, Rainer Thelonius Balthasar Straschill <RS@MOINLABS.DE>wrote:<BR>&gt; btw, I saw Tom Morello (RATM) do this on the "Know your Enemy" tune. I<BR>&gt; think he used a switch on his guitar.<BR>&gt; <BR>&gt;<BR><BR><BR><BR></BLOCKQUOTE><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1489554754-1127243921=:99592--

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From: "Bob" <dayshift@blueyonder.co.uk>
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Subject: Re: EDP Sync to Yamaha RM1x
Date: Tue, 20 Sep 2005 21:13:41 +0100
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> Are you leaving overdub on, or do you have feedback lowered?
> The EDP will not correct for sync drift when overdub is on
> or feedback is turned slightly down.  See page 6-2.

Hi Jeff

Thanks for the suggestion but I don't leave the overdub on and feedback =
is on max. Been experimenting with it all night. Thought I'd cracked it =
at one point as it stays perfectly in sync with one of the preset songs =
so thought it needed some preset parts (which I could mute or turn down) =
along with my stuff to get it to work. Didn't work. Tried some more =
presets and it doesn't sync to them too. Just this one preset song so =
far, though I've only checked a few.

Completely bizarre. The only other thing I can think it might be (unless =
there's some strange midi stuff going on with the edp) is that I've got =
an older version of the Rm1x and there was an operating system upgrade =
eprom. Going to see if I can get Yamaha to send me one to fit but I've =
heard it doesn't do a lot so it's a long shot.

If that doesn't work, just going to have to completely rethink my live =
equipment plans and not use the rm1x which is a shame as it's always =
been a great live sequencer. Spent all night trying and failing to sort =
tech issues rather than music making. Ah well.

Thanks again and any other suggestions gratefully received.

Bob
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1515" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>&gt; Are you=20
leaving overdub on, or do you have feedback lowered?<BR>&gt; The EDP =
will not=20
correct for sync drift when overdub is on<BR>&gt; or feedback is turned =
slightly=20
down.&nbsp; See page 6-2.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman"=20
size=3D3></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>Hi=20
Jeff</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman"=20
size=3D3></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3><FONT=20
face=3DArial size=3D2>Thanks for the suggestion but I don't leave the =
overdub on and=20
feedback is on max. Been experimenting with it all night. Thought I'd =
cracked it=20
at one point as it stays perfectly in&nbsp;sync with one of the preset =
songs so=20
thought it needed some preset parts (which I could mute or turn =
down)&nbsp;along=20
with&nbsp;my stuff to get it to work. Didn't work. Tried some more =
presets and=20
it doesn't sync to them too. Just this one preset song so far, though =
I've only=20
checked a few.</FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3><FONT=20
face=3DArial size=3D2></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3><FONT=20
face=3DArial size=3D2>Completely bizarre. The only other thing I can =
think it might=20
be (unless there's some strange midi stuff going on with the edp) is =
that I've=20
got an older version of the Rm1x and there was an operating system =
upgrade=20
eprom. Going to see if I can get Yamaha to send me one to fit but I've =
heard it=20
doesn't do a lot so it's a long shot.</FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3><FONT=20
face=3DArial size=3D2></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3><FONT=20
face=3DArial size=3D2>If that doesn't work, just going to have to =
completely rethink=20
my live equipment plans and not use the rm1x which is a shame as it's =
always=20
been a great live sequencer. Spent all night trying and failing to sort =
tech=20
issues rather than music making. Ah well.</FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks again and any other suggestions =
gratefully=20
received.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob</DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 01:29:32 2005
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Date: Tue, 20 Sep 2005 18:29:30 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: very very OT
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this goes to show that Bush and his buddies might
still be doing cocaine
L.a

--- Aptrev@aol.com wrote:

> As another list member pointed out, this guy is a
> conservative who worked for 
> the Reagan administration:
> 
> http://www.counterpunch.org/roberts09162005.html
> 
> 
> 
> 
> bc
> 
> 


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 02:33:59 2005
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To: Loopers-Delight@loopers-delight.com
From: 3nki <3nki@modaldub.net>
Subject: Raiding the 20th Century - Words & Music Expansion
Date: Tue, 20 Sep 2005 23:33:51 -0300
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i found this quite interesting in several ways... well worth the 71MB 
download. also, the rest of the UBU Web site has a lot of great stuff 
worth checking out.

-jb

-----

http://www.ubu.com/sound/dj_food.html


DJ Food | UbuWeb


	DJ Food - Raiding the 20th Century - Words & Music Expansion
(starring Paul Morley and a cast of thousands), 70mb


1. Raiding the 20th Century


'Everything Has To End...'

"On January 18th 2004, Strictly Kev premiered the original 'Raiding The 
20th Century' on XFM's 'The Remix' show in London. It was a 40 minute 
attempt to catalogue the history of cut up music - be it avant garde 
tape manipulation, turntable megamixes or bastard pop mash ups. It 
rapidly spread throughout the web and managed to cause a full scale 
server crash on boomselection.info when they hosted it due to the 
volume of net traffic.

Shortly afterwards he read Paul Morley's recently published book 'Words 
& Music' and was amazed that certain chapters mirrored parts of his 
mix. Apart from the fact that the title, 'Raiding the 20th Century' was 
coined by Morley 20 years before for a future Art of Noise project, he 
also featured Alvin Lucier, who - purely by chance - was sampled on the 
opening track of the mix.

Kev decided to expand his idea to make the defnitive document on cut up 
music including many other parts, omitted by the constraints of the 
original radio session. After months of further research he tracked 
Morley down and they recorded passages from 'Words & Music' specially 
for this mix in an attempt tomarry the two and finish something that 
neither of them actually started. A year to the day of the original 
airing, the newly expanded version is ready."



track listing :

Pt 1 - Time Machine

20th Century Fox theme intro
Negativland - Downloading  (Seeland)
MCSleazy / Franzie Boys - Triple Take (Half Inch Recordings 12")
DJ BC - Surebladi (mp3)
Danger Mouse -  Encore (CD)
Wayne Butane - Elderly (Sucks Bigtime)
Big City Orchestra - Bulldog (The Beatlerape)
Jay-Z - Encore (accapella) (Roc A Fella)
The Beatles - Glass Onion (2 versions) (Apple LP)
Avril Plays The Beatles (mp3)
Loo and Placido - Safari Love (mp3)
Jrb - Busta vs Steptoe & Son (mp3)
Loo & Placido -  Kids Will Rock You (mp3)
Braces Tower - Special Child (mp3)
Exactshit - Crazy (CDR)
Cropstar - Crazy Prado (mp3)
Tacteel vs Britney - Overprotected (CD-R)
Will Smith vs Mr Trick - Nod Ya Head (Boot Camp 7")
Osymyso - Intro inspection (Radar 12")
fLeXuS - It Ain't Nothin' (CD-R)
unknown - Spandau Fillet (mp3)
Go Home Productions - Turn Out The Light Slave And Give Me Some Rhythm
(mp3)
Go Home Productions - Work It Out With A Foxy Lady (mp3)
Beyonce - Crazy In Love (poj mix) (mp3)
Skkatter - Diddy (mp3)
Wobbly - Yo Yo Yo Yoyo, Hey... (Wild Why)
Frenchbloke & Son - Sound of da S Club (CD-R)
Lemon Jelly - Soft Rock (LJ 7")
dsico - Bille Jean Dancehall Edit (mp3)
People Like Us - Nobody Does (ubuweb mp3)
2 Many Djs - Smells Like Booty (mp3)
fLeXuS - White Love (CD - R)
Evil Twin - The Lady & The Lake (CD-R)
Justin Timberlake - Like I Love U (Ochre remix) (mp3)
Osymyso - Intro Expansion Pt 2 (mp3)
Go Home Productions. - Ray Of Gob (Half Inch Recordings 12")
Madonna - WTF? (mp3)
Player - Angel of Theft (Blood 12")
Osymyso - Wegoddim (mp3)
Flashbulb - Mama Said Knock You Out (mp3)

Pt 2 - The Time Before Time

Alvin Lucier  - I Am Sitting In A Room (Lovely Music Ltd CD)
Pierre Schaeffer - Etude aux Chemins De Fer (EMF Media CD)
Pierre Henry - Souffle 1 (Phillips / 21st Century Prospective Siecle LP)
PM - 1954 - Varese - Deserts (Columbia LP)
John Cage - Imaginary Landscape No.1 (Hungeroton CD)
William Burroughs - Origin and Theory of the Tape Cut-Ups (Sub Rosa CD)
Coldcut (Let Us Play LP outro) (Ninja Tune LP)
James Tenney - Collage no.1 (Blue Suede) (New World Records CD)
Marshall McLuhan - The Medium Is The Massage (Columbia LP)
Steve Reich - It's Gonna Rain (Odyssey/Music of Our Time LP)
The Monkees - Head Opening Ceremony (Rhino LP)
Frank Zappa - Lumpy Gravy (Verve LP)
John Rydgren - Christmas Montage (Silhouette Segments LP)
Holger Czukay & Rolf Dammers - Boat - Woman - Song (Spoon LP)
Radiophonic Workshop - Major Bloodnock's Stomach (BBC Records LP)
The Beatles - Revolution No.9 (Capitol LP)
Radiophonic Workshop - Talk Out (BBC Records LP)
Kenny Everett Musical Works - (acetate / mp3)

Pt 3 - Say Kids, What Time Is it?

Grandwizard Theodore & Kevie Kev Rockwell - Military Cut - Scratch Mix
(Animal Records LP)
Grandwizard Theodore Speaks (Hip Hop Slam CD)
Grandmaster Flash in Fab 5 Freddy's kitchen from Wildstyle (DVD rip)
Monica Lynch interviews Grandmaster Flash for WFMU (mp3)
(Orig.) Big Apple Productions Vol. 2 - Genius At Work (J & T Records
12")
The Art of Noise - Close (To The Edit) (ZTT 12")
Grandmaster Flash and The Furious Five - Adventures On The Wheels of
Steel (Sugarhill 12")
Cold Crush Brothers vs The Fantastic 5MCs (Music of Life LP)
Malcolm McLaren - Buffalo Gals - (Charisma 12")
Double D & Steinski - Lesson 2 (The James Brown Mix) (Disconet 12")
Double D & Steinski - The Payoff Mix (aka Lesson 1) (Disconet 12")
Big Apple Productions - Genius At Work Vol. 2 (J & T Records 12")
Mr. K (aka Danny Krivit) - Rock The House (T.D. Records Inc. 12")
Double D & Steinski - Lesson 3 (The History of Hip Hop) (Tommy Boy 12")
Buchannan & Goodman - Flying Saucer Pt.1 (Cash Records LP)
Bomb The Bass - Beat Dis (Mister-Ron/Rhythm King 12")
Steinski & Mass Media - The Motorcade Sped On (NME 7")
Steinski radio interview with Jon Nelson from Some Assembly Required
(mp3)
Coldcut - Say Kids, What Time Is It? (White Label 12")
Coldcut - Beats & Pieces (Ahead Of Our Time 12")
Eric B & Rakim - Paid In Full (Coldcut Seven Minutes of Madness mix)
(4th & Broadway 12")
M/A/R/R/S - Pump Up The Volume (4AD 12")
Eric B & Rakim - Micheal Jackson Got Soul (mp3)
Think Tank - Hack One (The Internet Worm mix) (Hakattack Records 12")
Big Apple Productions - Genius At Work Vol. 2 (J & T Records 12")
3D - Tommy Boy megamix (Tommy Boy LP)
Axel F - The Latin Rascals (Streetheat 12")
Arthur Baker - Breaker's Revenge (Atlantic 12")
Kurtis Blow - America (Dub Mix) (Mercury LP)
Cindy Mizelle - This Could Be The Night (Atlantic LP)
Rochelle - My Magic Man (Machine Gun Dub) (Warner Bros 12")
Word of Mouth & DJ Cheese - King Kut (Bonus Beats)  (Beauty & The Beat
12")
T La Rock - This Beat Kicks (Fresh Records LP)
Tricky Tee - Leave It To The Drums (Dub) (Sleeping Bag 12")
Mantronix - Bassline (Stretched) (10 Records 12")
Mantronix - Mega-Mix (from The Album) (10 Records LP)
Mantronix - Scream (Primal Scream Dub) (10 Records 12")
Mantronix - Mega-Mix (from Music Madness) (10 Records LP)
T La Rock - Bass Machine (Club Version) (10 Records 12")
T La Rock - Breakin Bells (Omar Santana Edit) (10 Records 12")
Skyywalker's Bass Waves Mega Mixes - Mega Mix 1 (Luke Skyywalker 12")
Matt Black & the Coldcut Crew - The Music Maker (Ahead of Our Time 12")
James Brown - The Payback mix (Coldcut meets the Godfather)  (Urban 12")
Mantronix - King of the Beats (Sleeping Bag 12")
Pete Smith & DJ Cesare - Beat Bytes (white label 12")
Dr Funnkenstein & DJ Cash Money - Scratchin' to the Funk Pt.1 (Sound
Makers Records 12")
Grandmixer D.ST - American Mega-Mix (CBS 12")
James Brown - Payback (The Final Mixdown) (Norman Cook & DJ Streets
Ahead) (Urban 12")
Jazzy Jeff & Fresh Prince - He's the DJ, I'm the Rapper (Jive LP)
DJ Shadow - Lesson 4 (Hollywood Basic 12" Promo)
Hiroshi & Kudo feat. DJ Milo - Return of The Original Artform (Major
Force 12")
Derek & Clive - Records (DK re-edit) (Virgin LP/mp3)
De La Soul - Cool Breeze on the Rocks (Tommy Boy LP)
Zeb Rockski & Steiber Twins - The Revenge (B Boys Revenge '97) (Mzee
12")
Bronx Dogs - Tribute To Jazzy Jay (Death Mix) (Kontranand 12")
DJ Format - English Lesson (Bomb Hip Hop Records 12")
Dynamix 2 - Just Give the DJ A Break (Dynamix 12")
Beat Junkies - Scratch Monopoly Pt II (Bomb Hip Hop Records LP)
Mr Dibbs - B Boys Revenge (Turntable Scientifics cassette)
DJ Craze - 1st ITF chamionship set (cassette)
Invisibl Skratch Piklz - Vs Da Klamz Uv Deth (Asphodel 12")
The Herbaliser - Wall Crawling Flying Insect Breaks (Ninja Tune 12")
Cut Chemist - Lesson 6 (The Lecture) (Pickininny 12" EP)

Pt 4 -  Pressed For Time

Cassetteboy - Fly Me To New York (Barrys Bootlegs CD)
Jive Bunny & The Mastermixers - Swing The Mood (Music Factory12")
Stars On 45 - Stars On 45 (? 12")
The Jams - All You Need Is Love (KLF Communications 12")
Age Of Chance - Kisspower (unreleased mix) (FON 12")
Negativeland - The Perfect Cut (Good As Gold) (SST LP)
Christian Marclay - Pandora's Box (Organik/RecRec LP)
Jon Oswald - Way (Plunderphonics CD)
Evolution Control Committee - Rebel Without A Pause (The Whipped Cream
mix) (Pickled Egg 7")
Jon Oswald - Brown (plunderphonics CD)
Tape Beatles - Concern About (Staalplaat CD)
Jon Oswald - dab (Plunderphonics CD)
Tape Beatles - Short History of the Tape Beatles (Staalplaat CD)
The KLF - Rock Radio Into The Nineties and Beyond (KLF Communications
LP)
People Like Us - Sound Escape (Solielmoon Recordings 12")
Negativeland - The Letter U & The Numeral 2 (acapella mix) (Seeland 12")
Emergency Broadcast Network - Behaviour Modification / We Will Rock You
(TVT Records CDS)
Black Helicopters - Hammered Gods (Leaf 12")
People Like Us - Sound Escape (Solielmoon Recordings 12")
Tape Beatles - Thus (Staalplaat CD)
Forest J. Ackerman - Music For Robots (Science Fiction Records LP)

Pt 5 - Time's Up

Osymyso - Intro Inspection (Radar 12")
The Freelance Hellraiser - A Stroke of Genius (white label 7")
Girls On Top - We Don't Give A Damn About Our Friends (Black Melody 7")
Kurtis Rush - George Gets His Freak On (white label 12")
Copywrong - Too Much Freakin' (mp3)
Girls On Top - Being Scrubbed (Black Melody 7")
2 Many DJs - Dreadlock Woman (white label 12")
Osymyso - Pat n Peg (3 Sevens 12")
The Freelance Hellraiser - Got My Lovely Money (CD-R)
The Freelance Hellraiser - Step On Man (CD-R)
Osymyso - Intro Inspection (Radar 12")
Osymyso - John's Not Mad (mp3)
Picasio - Do You Really Like It?  (Barrys Bootlegs 7")
The Freelance Hairdresser - Marshall's Been Snookered  (mp3)
Mky - I've Created A Monster  (mp3)
B.R.K. - JackoNim  (mp3)
Mr On - Breathe, Don't Stop (white label 12")
The Freelance Hellraiser - Can You Lick Shots? (CD-R)
Skkatter - Madonna Is A Filthy Slut (V/Vm Test Records LP)
Mcsleazy - Don't Call Me Song 2  (mp3)
Wayne Butane - Elderly (Wild Why)
Girls On Top - I Wanna Dance With Numbers (Black Melody 7")
Kylie - Can't Get You Out Of My Head (Soulwax Electrosoul mix) (PIAS CD)
Kylie Minogue - Can't Get You Out Of Blue Monday Live @ the Brits 2002
(mp3)
20th Century Fox theme outro




----- ----- ----- ----- -----

"But if the cause be not good, the king himself hath a heavy reckoning 
to make, when all those legs and arms and heads, chopped off in battle, 
shall join together at the latter day and cry all 'We died at such a 
place;' some swearing, some crying for a surgeon, some upon their wives 
left poor behind them, some upon the debts they owe, some upon their 
children rawly left. I am afeard there are few die well that die in a 
battle; for how can they charitably dispose of any thing, when blood is 
their argument?" - William Shakespeare, Henry V: Act 4

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 05:52:24 2005
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Mini Looping Festival (within a Festival) October 10 & 11 in Padova (Padua), Italy
Date: Tue, 20 Sep 2005 22:51:52 -0700
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Mini Looping Festival (within a Festival) October 10 & 11 in Padova 
(Padua), Italy

After the Success of the "45 Festival" a 45 hour non stop improvised 
music festival in Padova (Padua)  North Italy which featured Tony 
Levin, Willie Oteri, Chris Boulet Cookie Morenco, Ronan Chris Murphy 
and many others we are gearing up for the "45B side Festival" which has 
several artists confirmed including Pat Mastelotto (King Crimson), 
Markus Reuter (centrozoon), Willie Oteri, Lives of the Saints, 
Schreoder (from Mike Keneally's Beer For Dolphins), possibly Tony Levin 
(not confirmed at this time) again  and many others from around the 
world. The event is held at Factory 04 http://www.factory04.com/

As part of the festival I am hosting an ambient/looping mornings mini 
festival. At 5am each morning the loud jazz/rock/blues etc gives way to 
5 or 6 hours of mellow looping and ambient music. Tony Levin described 
his experience sitting in with ambient mornings at the last 45 as "30 
minutes of perfect music" see a photo of it here 
http://www.venetowest.com/gallery/5am.jpg

The nature of these shows is sort of a controlled chaos where the event 
is free and open to any one as an audience member or performer, but 
with a bit of curating and quality control by the organizers. The 
Marquee performers come and go at various times throughout the two days 
with no fixed schedule and you get a lot of surprise pairings with 
known and unknown players. Musician playing the ambient looping 
mornings are also welcome to perform at other times.

Unfortunately this date conflicts with the Looping Fest in Santa Cruz, 
but could be a cool alternatives for some Europeans that can not make 
the trip to Santa Cruz. Please contact me if you would like any more 
info


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher)


From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 07:14:57 2005
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Agreed! I didn't like many of the tracks, but still found it an 
interesting listen - a skillfully crafted document.

Andreas

3nki wrote:

> i found this quite interesting in several ways... well worth the 71MB 
> download. also, the rest of the UBU Web site has a lot of great stuff 
> worth checking out.
>
> -jb
>
> -----
>
> http://www.ubu.com/sound/dj_food.html
>
>
> DJ Food | UbuWeb
>
>
>     DJ Food - Raiding the 20th Century - Words & Music Expansion
> (starring Paul Morley and a cast of thousands), 70mb
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 10:53:44 2005
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Cool, UBU is back up!=0D
   they have been down for a while! =0D
 =0D
-------Original Message-------=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 09/21/05 00:14:56=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: Re: Raiding the 20th Century - Words & Music Expansion=0D
 =0D
Agreed! I didn't like many of the tracks, but still found it an=0D
interesting listen - a skillfully crafted document.=0D
 =0D
Andreas=0D
 =0D
3nki wrote:=0D
 =0D
> i found this quite interesting in several ways... well worth the 71MB=0D
> download. also, the rest of the UBU Web site has a lot of great stuff=0D
> worth checking out.=0D
>=0D
> -jb=0D
>=0D
> -----=0D
>=0D
> http://www.ubu.com/sound/dj_food.html=0D
>=0D
>=0D
> DJ Food | UbuWeb=0D
>=0D
>=0D
>     DJ Food - Raiding the 20th Century - Words & Music Expansion=0D
> (starring Paul Morley and a cast of thousands), 70mb=0D
>=0D
>=0D
>=0D
=20
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  charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-=
1">
<META content=3D"IncrediMail 1.0" name=3DGENERATOR></HEAD>
<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
 10px 10px; FONT-FAMILY: Arial" bgColor=3D#ffffff background=3D"" scroll=3D=
yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>Cool, UBU is back up!</DIV>
<DIV>&nbsp;&nbsp; they&nbsp;have been down for a while!&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 09/21/05 00:=
14:56</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> Re: Raidi=
ng the 20th Century - Words &amp; Music Expansion</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Agreed! I didn't like many of the tracks, but still found it an</DIV=
>
<DIV>interesting listen - a skillfully crafted document.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Andreas</DIV>
<DIV>&nbsp;</DIV>
<DIV>3nki wrote:</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt; i found this quite interesting in several ways... well worth th=
e 71MB</DIV>
<DIV>&gt; download. also, the rest of the UBU Web site has a lot of great=
 stuff</DIV>
<DIV>&gt; worth checking out.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; -jb</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; -----</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; <A href=3D"http://www.ubu.com/sound/dj_food.html">http://www.ub=
u.com/sound/dj_food.html</A></DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; DJ Food | UbuWeb</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;&nbsp;&nbsp;&nbsp;&nbsp; DJ Food - Raiding the 20th Century - Wo=
rds &amp; Music Expansion</DIV>
<DIV>&gt; (starring Paul Morley and a cast of thousands), 70mb</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&gt;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
<TD id=3DINCREDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
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<TR>
<TD width=3D"100%"></TD>
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<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_K9Y5QL80000000000000--

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I managed to get my hands on a bel bd80 finally. to be continued......

duncan.



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<P><FONT SIZE=2>I managed to get my hands on a bel bd80 finally. to be continued......</FONT>
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<P><FONT SIZE=2>duncan.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 17:20:42 2005
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At 01:13 PM 9/20/2005, Bob wrote:
>Thanks for the suggestion but I don't leave the overdub on and feedback is 
>on max.

similar effect can happen when using delay mode, if you never put it in "hold".

>Been experimenting with it all night. Thought I'd cracked it at one point 
>as it stays perfectly in sync with one of the preset songs so thought it 
>needed some preset parts (which I could mute or turn down) along with my 
>stuff to get it to work. Didn't work. Tried some more presets and it 
>doesn't sync to them too. Just this one preset song so far, though I've 
>only checked a few.

It may be really useful if you provide us with all the parameter settings 
on the Echoplex and the configuration of the RM1x as well. also, is the 
Echoplex LoopIII or LoopIV, how is everything connected, what sequence of 
actions you do, what you see on the display, etc. It is really difficult 
and time consuming to help debug a problem like this if we don't get all 
the details!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 17:43:05 2005
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Thanks!


> [Original Message]
> From: muman <muman@eskimo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/19/2005 7:36:37 PM
> Subject: midi octopus
>
> from our friendly google-bot
>
> http://www.rockmancentral.com/RockmanCentral/Docs/Octopus.htmlLouis
Hesselt-
> van-Dinter
>


From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 18:27:27 2005
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From: scott hansen <evanpeewee@yahoo.com>
Subject: slightly OT: David Torn in "Tape Op" mag
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just got my new 'tape op' mag, and david torn is interviewed.

i just scanned it, not much specific looping talk, more

talking about role as producer and his recording stuff (hence tape op)

s---

		
---------------------------------
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<P>just got my new 'tape op' mag, and david torn is interviewed.</P>
<P>i just scanned it, not much specific looping talk, more</P>
<P>talking about role as producer and his recording stuff (hence tape op)</P>
<P>s---</P><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1952127366-1127327244=:18860--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 20:03:11 2005
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Softsampler, softgrooveboxes etc. - even more OT
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Oh, I don't know if it's OT.  Enough of us use loopers
in conjunction with computers for sync or other
recording functions that I think it's worth talking
about.

So far I'm finding Digital Performer4.6/Battery2 to be
fairly intuitive and fast fast fast for the creating
of patterns to loop to.

Are you talking about downloading patterns in a .mid
format?  It think there are sites that sell those...
but I say make them yourself!  One thing I do is if
I'm inspired by a tune/groove I'll attempt to
reconstruct it myself, then later come back to it and
start editing it.  most of the time it ends up being
nicely unique.  Other times just fucking around and
experimenting can yield really cool results.

Good luck,

Mark

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Dear Mark, dear other people who had been on the
> softsampler thread,
> 
> currently, I'm thinking about replacing my hardware
> groove boxes (Roland
> MC505, Quasimidi Sirius) with something software.
> For the sound
> generator, I'm perfectly happy with a combination of
> different soft
> synths (for drums Battery, plus some synths, some of
> them freeware like
> the outstanding mda epiano) - but regarding the
> patterns:
> 
> does any one of you have a decent (or even a very
> basic) collection of
> grooves (preferrably both drums and bass/chords, but
> only drums will
> also do) in a format that will make me happy when
> using Live? Or perhaps
> another VST plugin which will do the
> pattern-playing, controlling the
> soft-synths?
> 
> Respond off-list please, if this goes as off-topic
> as I expect this to
> be...
> 
> Thanks,
> 
> 	Rainer
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 20:15:47 2005
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From: "claude voit" <c.voit@vtx.ch>
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Subject: Re: EDP Sync to Yamaha RM1x
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Bob
some more ideas

isnt there any track spitting notes to the edp that could do some weird 
direct midi functions
(it is worth a try to mute any rm1x output except clock and realtime 
messages to see if the edp is overdriven by midi messages

do you have a midi analysis app that you could set to read the rm1x output

as Kim suggested you really need to describe your set up, presets, cabling, 
as precisely as possible if you want us to help
I for sure am 100 % sure that an EDP can sync fine with a rm1x as master 
(played with it for 4 years for beta testing the edp and more than 20 
concerts ) we just need to find out whats wrong with your setup

claude 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 20:25:55 2005
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Subject: Re: (Santa Cruz) Y25K International Loopers Conference
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Hello,

In regard to the Loopers Conference in Santa Cruz on October 8th: does 
anyone have any more information about this? I have recently re-joined 
the list after a long absence and missed everything regarding this 
Conference except what little there is on the Loopers-Delight.com 
website.

Specifically, I am looking for contact information as I would be 
interested in performing. I am a long time looper from San Francisco 
who moved to Belo Horizonte, Brazil, about one year ago. So, I haven't 
had as much exposure to looping as I was used to in SF, not to mention 
opportunities to perform "loop music". However, I will be in the San 
Francisco Bay Area for about two months from September 30th and am very 
interested to explore any performance opportunities. So if anyone can 
send me some contact information I would appreciate it.

Regarding the software topic someone mentioned a few mails back, I have 
been using Cycling74's radiaL 
(http://www.cycling74.com/products/radial.html) and I like it quite a 
bit. While I do miss my old Sequential/Jam-Man set-up, my powerbook and 
radiaL were a lot easier to move to Brazil. I have tried Live and 
various other software looping apps, or apps that can be used for 
looping, and have found that I like radiaL the best. With radiaL, Logic 
Express and BIAS Peak i have all i need. Of course Pluggo, Absynth, 
etc., are fun to play around with sometimes...

-jb

* For anyone interested, some of my music is online at 
http://www.modaldub.net/ under several names (reflecting various 
collaborations, oysterdub is the solo one): charlie chomsky, funeral 
butchers, oysterdub, panbobo, rubaiyat. I've also recorded with Daniel 
Hintz as UM and The Owls when I lived in SF, though I don't have audio 
files online for those.


----- ----- ----- ----- -----
'The most faithful audio recording is the one never played." - from 
http://www.publicrec.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 20:59:04 2005
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Subject: Possible New York Looping Fest:   was   1st Looping Festival
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David  wrote:
"Good question. Are we just going to jam or are there going to be
organized set lists? How long is each set going to be?"

I've really thought long and hard about this question with the many 
festivals I have either produced or instigated.
Not being an East Coaster,  I can profer some gratuitous advice (and all 
gratuitous advice can be ignored
without peril of hurting feelings...........<smile>)


We have found in all of our multiple events that audiences have a hard time 
with anything longer than
30 minutes sets.    This can be disconcerting to musicians who want to 
stretch out more but
because we are asking people to take on a mutliple act show (with few breaks 
usually) I feel that
it is very countreproductive, especially with disparate styles, genres and 
approaches that occur in live looping,
to play longer.

I think the important thing to consider is that while these things are fun 
to play and to attend (our festivals are really as
much conventions of loopers as performances of loopers) that it is very 
important not to be self indulgent.

If we want club owners to be happy with hosting us (and it's really 
difficult to have anyone host a 'new music' act these days
in every country I've performed in in the last 3 years) we have to

1)  bring some bodies to the club and increase their business and
2)  put on a professional and well paced show.

Also if you are going into a venue that is new to looping  another thing 
that we have learned (because we've been in multiple venues over the last 6 
years) is that it is really important to go out of your way to be kind and 
inclusive to all staff at the clubs.

This may sound ridiculously sophomoric to say, but people get their panties 
in a bunch frequently on the day of a show and it's easy
to be very internal with one's process (especially when gear is wierd or you 
suddenly discover that your AC won't reach the stage
or some such nonsense).

Being really familial and friendly with the owner, sound guys, waitresses 
and bouncers goes a long way, especially when it takes a few shows to get a 
crowd coming to an event, which it can take with this kind of thing.

I also have a policy where I leave the stage and surrounding area cleaner 
than when we came.   Such a silly thing, but when people get the vibe that 
you care as much for where they work as they do..........even if it's 
picking up some previous rock bands duck tape off the stage and cleaning up 
all the drinks and extra strings and broken sticks lying 
around...............it really goes a long way.

Viz a vis opening up a new venue, I have also discovered that a great place 
to play is any place that you can find where
1) there's enough space to bring in a small pa (if they dont' have one)
2) any place where 20 customers (and include yourselves in that number 
because you will buy coffee and a sandwich probably)

We have done looping shows in retail stores that have never had music 
before............art galleries..................coffee 
shops......................warehouses...........  dinky little working class 
bars......even places where what you are doing seems
really incongruous.

It's great to approach such a busniess with the idea "what's your least 
attended night of the week?".  "Could you guys use 20-30 new customers on 
that night?"  The answer is almost always "yes" at even the most unlikely 
places.
There's no need to  make assumptions about whether a place would like you or 
not.    People are dying to be involved with something. This is an exciting 
and most definitely burgeoning new style and genre-less movement and people 
want to participate even if they

Okay,   that's enough gratuitous advice for now.     If anyone needs more 
help with things of these kinds, please reach out. I'd be happy to share 
what I've learned doing this pretty aggressively over the past few years.

respectfully,  Rick



From Loopers-Delight-request@loopers-delight.com  Wed Sep 21 21:06:03 2005
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From: "Tony K" <bigtony@softhome.net>
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Subject: Re: Softsampler, softgrooveboxes etc. - even more OT
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I'm partial to Tuareg, TunaFish, and Hammerhead for drums and grooves.

www.brambos.com

good stuff.

Tony

p.s. Rainer, Did I send the file of MIDI drum patterns to you?


> --- Rainer Thelonius Balthasar Straschill
> <rs@moinlabs.de> wrote:
> 
>> Dear Mark, dear other people who had been on the
>> softsampler thread,
>> 
>> currently, I'm thinking about replacing my hardware
>> groove boxes (Roland
>> MC505, Quasimidi Sirius) with something software.
>> For the sound
>> generator, I'm perfectly happy with a combination of
>> different soft
>> synths (for drums Battery, plus some synths, some of
>> them freeware like
>> the outstanding mda epiano) - but regarding the
>> patterns:
>> 
>> does any one of you have a decent (or even a very
>> basic) collection of
>> grooves (preferrably both drums and bass/chords, but
>> only drums will
>> also do) in a format that will make me happy when
>> using Live? Or perhaps
>> another VST plugin which will do the
>> pattern-playing, controlling the
>> soft-synths?
>> 
>> Respond off-list please, if this goes as off-topic
>> as I expect this to
>> be...
>> 
>> Thanks,
>> 
>> Rainer
>> 
>> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 00:18:37 2005
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loop.pool wrote:

> We have found in all of our multiple events that audiences have a hard 
> time with anything longer than
> 30 minutes sets.    This can be disconcerting to musicians who want to 
> stretch out more but
> because we are asking people to take on a mutliple act show (with few 
> breaks usually) I feel that
> it is very countreproductive, especially with disparate styles, genres 
> and approaches that occur in live looping,
> to play longer.

30 min is what I was thinking of.

>
> I think the important thing to consider is that while these things are 
> fun to play and to attend (our festivals are really as
> much conventions of loopers as performances of loopers) that it is 
> very important not to be self indulgent.
>
> If we want club owners to be happy with hosting us (and it's really 
> difficult to have anyone host a 'new music' act these days
> in every country I've performed in in the last 3 years) we have to
>
> 1)  bring some bodies to the club and increase their business and


I try, but I'm not real good at it. Tom has the ExtremeNY list, it
brings folks in.

> 2)  put on a professional and well paced show.

Yeah, pro is the word.

More comments later when I have time.



-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 04:13:21 2005
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Date: Thu, 22 Sep 2005 01:13:03 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: sustain type foot controller into a PMC?  was: RE: The
 Big(ish) Idea
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>Hey Guys, how much?  Sounds like a great idea!--instant tremolo!
>
>Can this be done with MIDI on the EDP? What happens when you put a sustain
>type foot controller into a PMC?
>Gary

not really, because we have no way to affect the direct signal
but if you are happy with having the effect just in the loop, select
OverdubMode = SUS
use Overdub
:-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 07:40:01 2005
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Subject: Lucier piece on mp3
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At 21:25 21/09/05, you wrote:
>i found this quite interesting in several ways... well worth the 
>71MB download.

thankyou

>also, the rest of the UBU Web site has a lot of great stuff worth 
>checking out.

something of an understatement


>-jb

"I am sitting in a room"

http://www.ubu.com/sound/lucier.html 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 08:27:42 2005
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    <6.1.2.0.2.20050921101353.053ca698@loopers-delight.com>
Date: Thu, 22 Sep 2005 09:27:40 +0100 (BST)
Subject: Re: EDP Sync to Yamaha RM1x
From: dayshift@blueyonder.co.uk
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Hi Kim

> It may be really useful if you provide us with all the parameter settings
> on the Echoplex and the configuration of the RM1x as well. also, is the
> Echoplex LoopIII or LoopIV, how is everything connected, what sequence of
> actions you do, what you see on the display, etc. It is really difficult
> and time consuming to help debug a problem like this if we don't get all
> the details!

Ok. Because it wasn't working I did a complete system reset on both the
edp and the rm1x. Midi connection was, 'out' of rm1x to 'in' of edp.

I changed the RM1x parameters so it would change pattern after a bar
rather than 1/16 and reloaded a couple of my own user pattern sets. I
turned off midi output on channel 8.

On the EDP I changed the following -
Midi Channel to '8'
Sync to 'In'
Quantize to 'loop'
Switchquant to 'loop'
Feedback full
Think that's everything. Doing it from memory as at work.

Like I said before, one of the preset pattern sets ('Epic Hse' I
think...the one that sounds like Faithless anyway) that I picked at random
to test it worked perfectly. My user patterns and a number of the other
presets I found didn't work. I would press start on the sequencer and over
time would watch the clock indicator on the edp slowly drift out of time.
V strange.

To check the EDP I tried syncing it to cubase and other drum machines and
it worked perfectly, it's just the RM1x that's the problem.

I've ordered the newer os eprom (v1.3) from Yamaha which I'll be refunded
for if I send the old one back to them so hopefully this will sort it. I
really can't think of any other reason why Claude's should work and mine
wouldn't (apart from difference in os), unless of course mine is broken in
some way.

Thanks for the response and any ideas appreciated.

Bob

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 08:53:14 2005
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Date: Thu, 22 Sep 2005 09:53:12 +0100 (BST)
Subject: Re: EDP Sync to Yamaha RM1x
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Hi Claude

> isnt there any track spitting notes to the edp that could do some weird
> direct midi functions
> (it is worth a try to mute any rm1x output except clock and realtime
> messages to see if the edp is overdriven by midi messages

Yep, tried all that. Tried turning off all midi channel outs/leaving them
on/turning just the one off that the edp was set to. Didn't make any
difference.

> do you have a midi analysis app that you could set to read the rm1x output

No I haven't but I'm sure I can get one. I'm sure there's an app called
midiyoke or something that tests midi. I'll try and get a copy and test it
out. Like I said before though, all my other equipment syncs perfectly to
the Rm1x.

> as Kim suggested you really need to describe your set up, presets,
> cabling,
> as precisely as possible if you want us to help

Plse see other mail.

> I for sure am 100 % sure that an EDP can sync fine with a rm1x as master
> (played with it for 4 years for beta testing the edp and more than 20
> concerts ) we just need to find out whats wrong with your setup

Thanks Claude. Yeah, it's knowing yours works which is why I'm persevering
with mine.

Cheers

Bob

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Hi loopers,=20
yesterday I got this e.mail from the repeater -users group reported from =
the electrix forum
I think there are a lot of people interested in this, and I'm curious to =
know how much
of the wishlist, electrix will bring in the new OS2.

Hi M-,
There is a bit of good news, the new OS2 will be ready in the next=20
week or
two and we're working on a plan to make it available for a small=20
cocost to
exiting Repeater users which will make your old version work like a=20
new one.

Hope that helps,
John


fabio anile
http://xoomer.virgilio.it/eterogeneo/















---------------------------------------------------
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff><FONT face=3D"Book Antiqua" color=3D#000080 =
size=3D2><FONT=20
color=3D#008000 size=3D1>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3>Hi loopers, =
</FONT></DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3>yesterday I got this =
e.mail from=20
the repeater -users group reported from the <A=20
href=3D"http://www.electrixpro.com/ubbthreads/showflat.php?Cat=3D0&amp;Bo=
ard=3D9&amp;Number=3D8606&amp;Searchpage=3D1&amp;Main=3D8438&amp;Words=3D=
&amp;topic=3D&amp;Search=3Dtrue#Post8606">electrix=20
forum</A></FONT></DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3>I think there are a =
lot of people=20
interested in this, and I'm curious to know how much</FONT></DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3>of the wishlist, =
electrix will=20
bring in&nbsp;the new OS2.</FONT></DIV>
<DIV align=3Djustify><FONT size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT size=3D3>Hi M-,<BR>There is a bit of good =
news, the new=20
OS2 will be ready in the next <BR>week or<BR>two and we're working on a =
plan to=20
make it available for a small <BR>cocost to<BR>exiting Repeater users =
which will=20
make your old version work like a <BR>new one.<BR><BR>Hope that=20
helps,<BR>John<BR></DIV></FONT>
<DIV align=3Djustify><FONT color=3D#000080 size=3D2>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3>fabio=20
anile</FONT></DIV></FONT></DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3><A=20
href=3D"http://xoomer.virgilio.it/eterogeneo/">http://xoomer.virgilio.it/=
eterogeneo/</A></FONT></DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
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<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT color=3D#000080 size=3D3></FONT>&nbsp;</DIV>
<DIV align=3Djustify><FONT size=3D2><FONT color=3D#000080 =
size=3D3></FONT><A=20
href=3D"http://xoomer.virgilio.it/eterogeneo/"></A></FONT>&nbsp;</DIV>
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<DIV align=3Djustify><FONT face=3DArial=20
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<DIV align=3Djustify>
<DIV><FONT face=3DArial size=3D2><FONT face=3DArial size=3D1><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Arial">Nota di riservatezza : Il =
presente=20
messaggio, corredato dei relativi allegati, contiene informazioni da=20
considerarsi strettamente riservate, ed =E8 destinato esclusivamente al=20
destinatario sopra indicato, il quale =E8 l'unico autorizzato ad usarlo, =
copiarlo=20
e, sotto la propria responsabilit=E0, diffonderlo. Chiunque ricevesse =
questo=20
messaggio per errore o comunque lo leggesse senza esserne legittimato =
=E8=20
avvertito che trattenerlo, copiarlo, divulgarlo, distribuirlo a persone =
diverse=20
dal destinatario =E8 severamente proibito, ed =E8 pregato di rinviarlo=20
immediatamente al mittente distruggendone l'originale. =
</SPAN></FONT><FONT=20
face=3DArial size=3D1><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Arial">Grazie.</SPAN></FONT></DIV>
<DIV>
<P style=3D"TEXT-ALIGN: justify"><FONT face=3DArial size=3D1><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Arial">Confidentiality Notice : =
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------=_NextPart_000_0440_01C5BF64.F65CF850--


From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 12:51:05 2005
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Date: Thu, 22 Sep 2005 05:51:03 -0700
From: Travis Hartnett <travishartnett@gmail.com>
Reply-To: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater OS2
In-Reply-To: <044301c5bf54$32e98510$040a0a0a@fabio>
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As long as they're not using the same forecasting group for the
software that they have been for the hardware availability, they
should be fine...

On 9/22/05, Fabio Anile <fabio.anile@tiscali.it> wrote:
>
> Hi loopers,
> yesterday I got this e.mail from the repeater -users group reported from =
the
> electrix forum
> I think there are a lot of people interested in this, and I'm curious to
> know how much
> of the wishlist, electrix will bring in the new OS2.
>
> Hi M-,
> There is a bit of good news, the new OS2 will be ready in the next
> week or
> two and we're working on a plan to make it available for a small
> cocost to
> exiting Repeater users which will make your old version work like a
> new one.
>
> Hope that helps,
> John
>
>
> fabio anile
> http://xoomer.virgilio.it/eterogeneo/
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> ---------------------------------------------------
> Nota di riservatezza : Il presente messaggio, corredato dei relativi
> allegati, contiene informazioni da considerarsi strettamente riservate, e=
d =E8
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o,
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te
> proibito, ed =E8 pregato di rinviarlo immediatamente al mittente
> distruggendone l'originale. Grazie.
>
>
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e
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ng,
> disseminating or distributing this message to persons other than the
> addressee(s) is strictly forbidden and is asked to transmit it immediatel=
y
> to the sender and to erase the original message received. Thank you.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 13:58:58 2005
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Date: Thu, 22 Sep 2005 09:58:56 -0400 (GMT-04:00)
From: mungenast@earthlink.net
Reply-To: mungenast@earthlink.net
To: Loopers-Delight@loopers-delight.com
Subject: Zoom FP-01 okay for VF-1 and mxp-500?
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Here's a boring gear question:
Although my cheap plastic Zoom FP-01 expression pedal has an odd feel to it, it has been extremely reliable and is, most importantly, NICE AND LIGHT, something I cannot say for my Boss expression pedal. I wanna keep my rack under 30 pounds, and my 4-pound RE-10 isn't going to help. 

Do you guys know of any reason why my FP-01 wouldn't work with my Boss VF-01 or my MPX-500? It works okay with my Vortex, so I do not think it would blow up my other rackmount devices, but I wanna make sure.

And if it IS safe, does anyone have an extra FP-01 they wanna sell? Or is there a nice cheap generic equivalent available out there? (I think I remember someone mentioning a company that makes nice cost-effective generic footswitches and whatnot, but I cannot remember the name.)

P.S.--I may wanna sell my RE-10 if anyone's "innerested." 

With Gratitude,
Tim Mungenast 
www.myspace.com/timmungenast

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 14:07:42 2005
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Date: Thu, 22 Sep 2005 10:07:40 -0400 (GMT-04:00)
From: mungenast@earthlink.net
Reply-To: mungenast@earthlink.net
To: Loopers-Delight@loopers-delight.com
Subject: report fraudmails like this! Re: Please reach me asap.
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I get AT LEAST 10 fraudmails like this, every single day. I always send them to my ISP's spambuster address and the FTC spam line. For Really Awful ones, where there's skanky content or they start with "Dearest in Christ," I go so far as to obtain th emessage source and enclose it before I fwd the fraudmail to The Authorities, so that they may have an easier time tracking down the #*#*ers. Naive, yes, butit makes me feel like I'm striking a blow for what he Internet was SUPPOSED to be.
Sonic Love,
Tim Mungenast

 

-----Original Message-----
From: david  sterling <davidsterling@roadfly.org>
Sent: Sep 21, 2005 10:46 PM
To: Paul Stanley <paul.stanley001@gmail.com>, jgulesq22@gmail.com
Cc: r.perez@atlanticphilanthropies.org, looper@venetowest.com, 
	vsyevolod@yahoo.com, sambacomet@hotmail.com, kungha@earthlink.net, 
	evanpeewee@yahoo.com, scott@dreamstate.to, sean.loop@creepingfog.com, 
	scafferata@sasktel.net, onelonecrow@earthlink.net, sony@real.com, 
	stanitarium@earthlink.net, sstemmler@above-the-fold.com, 
	spgoodman@earthlight.net, steve@steve-lawson.co.uk, 
	erwill@suitandtieguy.com, webmaster@cavestudio.com, 
	precise75@hotmail.com, psychle62@yahoo.com, mungenast@earthlink.net, 
	todd@toddreynolds.com, tohall@rcn.com, tcombs@sep.com, 
	tom.ritchford@gmail.com, bigtony@softhome.net, thelgere@online.no, 
	travishartnett@gmail.com, wavecomputer360@gmx.de, 
	will-spicher@insightbb.com, wklemmer1@yahoo.com, 
	billwalker@baymoon.com, LWordsman@pirnie.com, woz@phaesler.org, 
	cello@zoekeating.comzjz, meoshimo@gmail.com, 
	notyourbusiness_nasran@gmail.com, brosnan.jason@gmail.com, 
	mj.gumsley@gmail.com, gordongek@gmail.com, Wang.king@ntlworld.com, 
	mr_dong@asiamail.com, barristerjosea
Subject: Re: Please reach me asap.


President Bush loves all of you.

On Wed, 21 Sep 2005 16:06:10 -0400
  Paul Stanley <paul.stanley001@gmail.com> wrote:
>This is a scam. Don't reply to this idiot. check the CC to see how many
>people he sent this to.
>
>Total scam- don't send him one dime.
>
>On 9/19/05, Johan Gulfman <jgulfmanesq22@gmail.com> wrote:
>>
>> Goodday.
>>
>> Please,I want to introduce myself and this business
>> opportunity to you. My name is Johan Gulfman Esq. I
>> wish to know if we can work together.I would like you
>> to stand as the next of kin to my deceased client who



>> made some substantial deposits with a financial house.
>>
>> He died without any registered next of kin and as such
>> the funds now have an open beneficiary mandate.
>> Moreover it appears you are related to him by
>> the virtue of your names. If you are interested you do
>> let me know so that I can give you comprehensive
>> details on what we are to do. I urgently hope to get
>> your response as soon as possible.please reach me with
>> my private email address(j_gulfmanesq@sify.com)
>>
>> Best regards,
>>
>> Johan Gulfman Esq.
>>
>>

_________________________________________________________________________

Live, laugh, and chat with friends about your favorite cars.
             at The World's Largest Auto Enthusiast Site
                      http://www.roadfly.com/

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 17:13:22 2005
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Date: Thu, 22 Sep 2005 18:12:46 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Zoom FP-01 okay for VF-1 and mxp-500?
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At 15:07 22/09/05, you wrote:
>Do you guys know of any reason why my FP-01 wouldn't work with my 
>Boss VF-01 or my MPX-500? It works okay with my Vortex, so I do not 
>think it would blow up my other rackmount devices, but I wanna make sure.

erm, isn't the FP01 a switch,
the pedal is FP02

I have the FP02, it works the Vortex, but it's not linear so
it doesn't have an even response.
(check with your vortex by getting it to display 1-64 when the pedal
is used, for a correctly functioning pedal 32 should be in the middle)

The FP02 has non-standard wiring, and isn't a standard expression pedal.
100k log pot with wiper connected to ring of a "stereo" 1/4in  jack

As it kind of works with the Vortex, it would, I guess, kind of work 
with the MPX-500.

Might also "sort of work" with the Roland stuff, which I think will 
expect a standard
expression pedal . 25kOhm linear. 1/4 stereo jack, tip connects to 
wiper of pot.

No guarantees that the FP02 won't damage your gear, due to it's 
unconventional wiring.
(but I would expect the chances of that are v.low)

hope that helps,
..of course, if Zoom also make an FP-01 which is a standard expression pedal
then this won't help at all.

andy butler
www.andybutler.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 18:40:55 2005
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Date: Thu, 22 Sep 2005 14:35:49 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: zen and the fluent music
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>Same here....me talk too much.

hm, not this time, Kris :-)
I admit that, although I like your contributions, I sometimes gave up 
when looking at the size... sad... sad anyway that I rarely can folow 
the list...

>By the way, Matthias, thanks for the suggestion about using Feedback
>more. I tried that it is produced some suprising results. It forced me
>to keep things fresh...normally it is easy to get lazy and start
>admiring your own loops, noodling around with things over them,
>etc....but in this case, all of a sudden your loops are disappearing
>before you ears and you have to keep creating more stuff!  Keeps you on
>your toes!

yes!
I try to imagine sometimes how my music would have developed if I had 
started with a tool that could loop forever.
but then again, I started with the idea to create an ever changing sound.
freezing delays existed and never seemed interesting to me...

so how did your FB experiences go?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 18:45:02 2005
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Date: Thu, 22 Sep 2005 11:44:59 -0700 (PDT)
From: Arabian HorseAssoc <wklemmer1@yahoo.com>
Subject: OT: Fender Cyber Deluxe Amp For Sale
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--0-1353059331-1127414699=:44752
Content-Type: text/plain; charset=iso-8859-1
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Hello, all:
 
Before I place my amp on eBay, I thought I'd post it here. The amp is in absolute like-new condition and includes all the accessories/manual/power cord that came with it originally - as well as the box. 
 
I paid $700 for it less than 5 months ago. Make me an offer if interested. Thanks.
 
Regards, P.

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
--0-1353059331-1127414699=:44752
Content-Type: text/html; charset=iso-8859-1
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<DIV>Hello, all:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Before I place my amp on eBay, I thought I'd post it here. The amp is in absolute like-new condition and includes all the accessories/manual/power cord that came with it originally - as well as the box. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I paid $700 for it less than 5 months ago. Make me an offer if interested. Thanks.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, P.</DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-1353059331-1127414699=:44752--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 22 20:12:52 2005
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Date: Thu, 22 Sep 2005 13:12:50 -0700
From: Art Simon <simart@gmail.com>
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To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
Subject: Anybody have PSP 608? Any impressions?
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I just got PSP84, the lexicon 42 and Nitro a couple of days ago, and
now they have released this:
http://www.pspaudioware.com/indexen.html?url=3Dhttp://www.pspaudioware.com/=
plugins/608md.html

PSP 608 MD is perhaps the most fully featured delay plug-in available
on the market (VST, AudioUnit, RTAS and HTDM for Mac OSX and VST,
DirectX and RTAS format for PC). We have striven to offer you a
creative tool that is not only functional, but inspiring. Each tap has
selectable feedback, stereo image and position, delay time, multimode
filter, modulation, drive/tape saturation, and reverb. Moreover, the
feedback and drive can be placed at the beginning or end of the signal
chain for even more sound design options! The modulation section
consists of both an LFO and Envelope follower, and the tape saturation
algorithm is taken from our renowned mastering processors. And of
course all this can be done at any bit depth and sample rate up to
24-bit, 192kHz, and be fully automated via MIDI and any host
sequencer.

Features:

    * Up to 8 seconds of delay time per channel
    * Continuous control over the delay time in milliseconds and/or
chosen quantize note
    * Two operation modes: Multidelay, in which each tap has its own
feedback buffer; and Multitap, in which the Master Feedback operates
on one (user selectable) tap
    * Each tap included independent adjustment of the following: gain,
stereo field width and balance, delay time, filtering, modulation,
saturation simulation and reverberation
    * Each tap can choose between multiple quadruple biquadratic
filter types, including: Low Pass, Band Pass, High Pass, PEAK filter
and four Shelf filters
    * Modulation section (LFO and envelope follower) offer adjustable
modulation depth of =B1 3 octaves, and can be selected for filter cutoff
    * Tape saturation simulation with adjustable gain based on the
algorithm used in our mastering processors
    * Filtering module in feedback includes LP, BP, HP filter (either
State Variable Filter or Biquad) with adjustable cutoff and resonance
    * Vintage reverberation module for faithful simulation of spring
and plate reverbs
    * Support for sample rates of up to 192kHz
    * Host and MIDI automation of all processing
--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 00:52:51 2005
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re:Zoom FP-01 okay for VF-1 and mxp-500?
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Yes, Andy, I meant FP-02, and yeah, I see your point about its kind-sorta
suitability.
Thanks for your thoughts.
~Tim


> [Original Message]
> From: a k butler <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 9/22/2005 1:13:22 PM
> Subject: Re:Zoom FP-01 okay for VF-1 and mxp-500?
>
> At 15:07 22/09/05, you wrote:
> >Do you guys know of any reason why my FP-01 wouldn't work with my 
> >Boss VF-01 or my MPX-500? It works okay with my Vortex, so I do not 
> >think it would blow up my other rackmount devices, but I wanna make sure.
>
> erm, isn't the FP01 a switch,
> the pedal is FP02
>
> I have the FP02, it works the Vortex, but it's not linear so
> it doesn't have an even response.
> (check with your vortex by getting it to display 1-64 when the pedal
> is used, for a correctly functioning pedal 32 should be in the middle)
>
> The FP02 has non-standard wiring, and isn't a standard expression pedal.
> 100k log pot with wiper connected to ring of a "stereo" 1/4in  jack
>
> As it kind of works with the Vortex, it would, I guess, kind of work 
> with the MPX-500.
>
> Might also "sort of work" with the Roland stuff, which I think will 
> expect a standard
> expression pedal . 25kOhm linear. 1/4 stereo jack, tip connects to 
> wiper of pot.
>
> No guarantees that the FP02 won't damage your gear, due to it's 
> unconventional wiring.
> (but I would expect the chances of that are v.low)
>
> hope that helps,
> ..of course, if Zoom also make an FP-01 which is a standard expression
pedal
> then this won't help at all.
>
> andy butler
> www.andybutler.com


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Hi all,

if anyone has one of these units for sale, please let me know.

Thanks,

Stephen.


"Human beings are a disease, the cancer of this planet, you=B4re a =
plague. And we are the cure." (Agent Smith)

"Hoellenengel", new album by Stephen Parsick. Street date: October 01, =
2005.

Visit the official [=B4ramp] website at www.doombient.com


[WTB]: "England=B4s Hidden Reverse" by David Keenan (Coil, Current93, =
Nurse With Wound, David Tibet).



------=_NextPart_000_0047_01C5C02F.9CBDAF80
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi all,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>if anyone has one of these units for sale, =
please let me=20
know.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Thanks,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Stephen.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Human beings are a disease, the cancer of this =
planet,=20
you=B4re a plague. And we are the cure." (Agent Smith)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Hoellenengel", new album by Stephen Parsick. =
Street date:=20
October 01, 2005.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Visit the official [=B4ramp] website at <A=20
href=3D"http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial><BR>[WTB]: "England=B4s Hidden Reverse" by David =
Keenan=20
(Coil, Current93, Nurse With Wound, David Tibet).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0047_01C5C02F.9CBDAF80--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 19:35:58 2005
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Date: Fri, 23 Sep 2005 12:35:56 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Zoë Keating's 'one cello x 16 : natoma'
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Okay, anyone who enjoys 1)looping, 2)cello and/or
3)just darned good music should definitely own this
CD.

You can get one for your very own at
<http://www.zoekeating.com/>

-t-


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 21:50:34 2005
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 =?ISO-8859-1?Q?_16_=3A_natoma'?=
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On Fri, 23 Sep 2005, Tim Nelson wrote:

> Okay, anyone who enjoys 1)looping, 2)cello and/or
> 3)just darned good music should definitely own this
> CD.
>
> You can get one for your very own at
> <http://www.zoekeating.com/>

I picked up a copy of this album last Sunday night when I saw Rasputina 
play. Excellent. Strongly recommended.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 22:13:01 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: EDP Output - Balaced or Unbalanced?
Date: Fri, 23 Sep 2005 16:12:50 -0600
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Anyone know if the EDPs output is balanced or unbalanced? I'm just
wondering if it will make a difference to use my 1/4 balanced to XLR
patch cables to the board from the EDPs.

K-

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<P><FONT SIZE=3D2 FACE=3D"Verdana">Anyone know if the EDPs output is =
balanced or unbalanced? I'm just wondering if it will make a difference =
to use my 1/4 balanced to XLR patch cables to the board from the =
EDPs.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Verdana">K-</FONT>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 22:14:44 2005
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It's unbalanced.

TH

On 9/23/05, Kris Hartung <khartung@cableone.net> wrote:
>
>
> Anyone know if the EDPs output is balanced or unbalanced? I'm just wonder=
ing
> if it will make a difference to use my 1/4 balanced to XLR patch cables t=
o
> the board from the EDPs.
>
> K-

From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 22:28:13 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: zen and the fluent music
Date: Fri, 23 Sep 2005 16:28:01 -0600
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Well, I'll try to be more concise in my LD correpondences in the future.
The problem is that there is just too much crap crammed in my brain and
I happen to type about 80 words per minute. Those two things make for a
lot of used up bandwidth!!

My FB experience is on hold for now. Sure, I got it configured fine to
work with my EDPs, but I still can't get past its size, plus I'm not
really using the features that you can access on via MIDI and not the
EDP controller.  For instance, if I want to have 6 separate loops, I'll
just use the Next Loop button on the controller to scroll through them,
rather than selecting that loop immediately via MIDI. I'm using my
Insert function on my EDP controller to trigger reverse on the EDPs, but
I guess it would be nice to use it for the subsitute function with some
quantizing. But my music is typically far too organic, free flowing, and
non-meter like to really benefit from quantizing. Now that I think about
it, I don't use quantize for anything when I loop.  I like to be
responsible for my own timing. :)  The half speed function is cool,
which you can only access via MIDI, but I wouldn't really use that much
either. Right now I'm more interested in getting all I can get with the
functionality accessible with the EDP controller. I don't want to
complicate things any more.

I got the FB up and running with Mobius too, but Mobius and my computer
are just not getting along. I get hangs and glitches, etc...and I don't
have time to run that trace program for Jeff to see what the issue is. I
still like the idea of a software standalone or VST looping program that
can what an EDP does, but I don't have the patience to  screw with
technical issues and bugs. It detracts me from the artistic component of
my music.  If I could find a proram that just worked great right from
the start, and I didn't have to be a rocket scientist to configure or
troubleshoot it, I'd be a happy camper.

Kris



-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org] 
Sent: Thursday, September 22, 2005 11:36 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: zen and the fluent music


>Same here....me talk too much.

hm, not this time, Kris :-)
I admit that, although I like your contributions, I sometimes gave up 
when looking at the size... sad... sad anyway that I rarely can folow 
the list...

>By the way, Matthias, thanks for the suggestion about using Feedback 
>more. I tried that it is produced some suprising results. It forced me 
>to keep things fresh...normally it is easy to get lazy and start 
>admiring your own loops, noodling around with things over them, 
>etc....but in this case, all of a sudden your loops are disappearing 
>before you ears and you have to keep creating more stuff!  Keeps you on

>your toes!

yes!
I try to imagine sometimes how my music would have developed if I had 
started with a tool that could loop forever.
but then again, I started with the idea to create an ever changing
sound. freezing delays existed and never seemed interesting to me...

so how did your FB experiences go?
-- 


          ---> http://Matthias.Grob.org



From Loopers-Delight-request@loopers-delight.com  Fri Sep 23 22:29:26 2005
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: RE: EDP Output - Balaced or Unbalanced?
Date: Fri, 23 Sep 2005 16:29:15 -0600
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Well, that settles it...no use in hooking up an XLR cable to an
unblanced output.  Thanks.

-----Original Message-----
From: Travis Hartnett [mailto:travishartnett@gmail.com] 
Sent: Friday, September 23, 2005 4:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Output - Balaced or Unbalanced?


It's unbalanced.

TH

On 9/23/05, Kris Hartung <khartung@cableone.net> wrote:
>
>
> Anyone know if the EDPs output is balanced or unbalanced? I'm just 
> wondering if it will make a difference to use my 1/4 balanced to XLR 
> patch cables to the board from the EDPs.
>
> K-



From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 02:39:53 2005
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From: "joe rut" <joerut@lycos.com>
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Date: Fri, 23 Sep 2005 21:39:49 -0500
Subject: Noisy/hissy EDP (revisited)
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Hey there-

I know this was a source of discussion on the list some time ago, but I've =
spent a couple hours searching/reading in the archive and I can't=20
find anything that seems to have resolved this problem.  I'm using the crea=
m-colored Oberheim EDPs with Loop III, 5.0.

The problem:
My loop is full of hiss.  I tap record once.  I tap it a second time to end=
 the loop and there is a lot of hiss.=20=20
This occurs even with nothing plugged into the EDP inputs
This occurs even with input knob set to zero.
With feedback set to zero, the hiss does not die away, but stays steady.

This does not seems like an "improper gain staging" issue.  One of my EDPs =
does this and the other does not.  With both EDPs set=20
identically, one is super hissy, one is only mildly (and acceptably) hissy.=
  (eg: A) With all knobs at 100% and no inputs into the EDPs, or B)=20
input=3D Zero, output =3D any audible setting, mix and feedback =3D 100% an=
d no inputs into EDPs.)

The only visible difference between the two EDPs is that the hissy unit has=
 a power switch with just a white dot on it, while the other=20
actually says "on/off".  Could one of these be from a different manufacturi=
ng run in which there were different (noisier) parts used?  Is this=20
a problem that can be addressed by replacing certain parts?

Anybody else had this experience and found a way to address it?

Thanks

Joe Rut

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 04:26:12 2005
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Muse Receptor - Gear addict
Date: Fri, 23 Sep 2005 22:26:00 -0600
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Anyone using the Muse Receptor? I'm reading about it now in Sweetwater's
catalogue.looks like a feakin' amazing alternative to running VST
effects on a laptop. This thing can run 57 VST effects at the same time,
can hook up to your PC via ethernet, two spaces, Linux based OS, 24
bit/96kHz..for $1399.   Plus it has MIDI in/out, which I assume means
you can switch from one VST effect patch to anther with a midi
controller. Anyone using one of these?  Good grief, what do I have to
sell in my closet now to get one of these things. :)

Kris (gear addict)

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<P><FONT SIZE=3D2 FACE=3D"Verdana">Anyone using the Muse Receptor? I'm =
reading about it now in Sweetwater's catalogue&#8230;looks like a =
feakin' amazing alternative to running VST effects on a laptop. This =
thing can run 57 VST effects at the same time, can hook up to your PC =
via ethernet, two spaces, Linux based OS, 24 bit/96kHz&#8230;.for =
$1399.&nbsp;&nbsp; Plus it has MIDI in/out, which I assume means you can =
switch from one VST effect patch to anther with a midi controller. =
Anyone using one of these?&nbsp; Good grief, what do I have to sell in =
my closet now to get one of these things&#8230; :)</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Verdana">Kris (gear addict)</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 08:02:22 2005
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Kris>
Kris> I got the FB up and running with Mobius too, but Mobius and my computer
Kris> are just not getting along. I get hangs and glitches, etc...and I don't
Kris> have time to run that trace program for Jeff to see what the issue is.

The thing that helped for me was just to turn tracing off. (in
mobius.xml, set debuglevel to 1 or 0).

Kris> Plus it has MIDI in/out, which I assume means you can switch
Kris> from one VST effect patch to anther with a midi controller.

that's what it is meant for. but from the editing surface I assume it
is not possible to use vsts with more then 2 inputs or to have a
rather customized signal routing between different vsts. For this
reason, eg. möbius won't run easily on the receptor.

Anybody knows more about it?

Matthias Loibner

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 10:05:43 2005
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Date: Sat, 24 Sep 2005 19:05:27 +0900
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: live streaming now from Kobe,Japan
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Hi,

We are live streaming our gig from Kobe Japan now.

http://www.cavestudio.org/cue/live_from_far_east/broadcast/

Mr.Natural (from USA)
I'm Sore (from UK / ex PaleSaints)
Kazuya Ishigami (JP)
Sunao Inami (JP)

  thanks

  Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 10:21:36 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: live streaming now from Kobe,Japan
Date: Sat, 24 Sep 2005 12:21:32 +0200
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On Sep 24, 2005, at 12:05, Sunao Inami wrote:

> Hi,
>
> We are live streaming our gig from Kobe Japan now.
>
> http://www.cavestudio.org/cue/live_from_far_east/broadcast/
>
> Mr.Natural (from USA)
> I'm Sore (from UK / ex PaleSaints)
> Kazuya Ishigami (JP)
> Sunao Inami (JP)
>
>  thanks
>
>  Sunao Inami
> http://www.cavestudio.com



Thanks for the hint - we can watch it right now from Sweden! Seems as  
a soundcheck or intermission is happening right now. An empty stage  
with lots of gear and people talking in Japanese and US English. As a  
funny matter of fact we'll soon be leaving the computers for a couple  
of hours to watch a Japanese ten man Kendo team bust the shit out of  
ten Swedish kendo fighters. Or the other way around... Hope we'll get  
back to catch some music being played :-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 10:36:01 2005
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Cool!

----- Original Message ----- 
From: "Sunao Inami" <webmaster@cavestudio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, 24 September, 2005 11:05 AM
Subject: live streaming now from Kobe,Japan


> Hi,
> 
> We are live streaming our gig from Kobe Japan now.
> 
> http://www.cavestudio.org/cue/live_from_far_east/broadcast/
> 
> Mr.Natural (from USA)
> I'm Sore (from UK / ex PaleSaints)
> Kazuya Ishigami (JP)
> Sunao Inami (JP)
> 
>  thanks
> 
>  Sunao Inami
> http://www.cavestudio.com
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 10:39:51 2005
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Watching Sunao play right now! Super cool!!  =))

per

On Sep 24, 2005, at 12:36, Stephen Goodman wrote:

> Cool!
>
> ----- Original Message ----- From: "Sunao Inami"  
> <webmaster@cavestudio.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, 24 September, 2005 11:05 AM
> Subject: live streaming now from Kobe,Japan
>
>
>
>> Hi,
>> We are live streaming our gig from Kobe Japan now.
>> http://www.cavestudio.org/cue/live_from_far_east/broadcast/
>> Mr.Natural (from USA)
>> I'm Sore (from UK / ex PaleSaints)
>> Kazuya Ishigami (JP)
>> Sunao Inami (JP)
>>  thanks
>>  Sunao Inami
>> http://www.cavestudio.com
>>
>>
>



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I caught a bit of it, then RA hung up and now there's too many users.

But very cool!

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 13:30:10 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
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Subject: Steve Gadd (forward from E-mail digest for  loop.pool)
Date: Sat, 24 Sep 2005 15:29:48 +0200
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I'd love to attend this...

Bernhard

http://www.intrepidsoftware.com/gadd/news.php

-----Original Message-----

DAILY DIGEST:  loop.pool

Visit this tribe at: "http://looppool.tribe.net"

============================================================
LISTINGS
============================================================

Legendary Steve Gadd in Clinic (musicians)
Posted by Zat - September 23, 2005
Saturday Oct 8, 2005
West LA music- Southen Californias Legendary Music Store

One of the most influential drumm...
<http://tinyurl.com/bjxuq>




From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 13:32:51 2005
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From: "Michael Peters" <mp@mpeters.de>
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Subject: EDP interface modes
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I never played with the 'new' interface modes and now that I wanted to take
a closer look at them, they don't work. Do I have an old software version or
is my feedback expression pedal faulty?  on booting, the EDP says LOOP4 and
6.0b (I think).  The Loop/Delay modes available are: LOP Out del Inp EXP rpl

Michael Peters
www.michaelpeters.de
 


From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 14:24:29 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP interface modes
Date: Sat, 24 Sep 2005 16:24:25 +0200
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On Sep 24, 2005, at 15:32, Michael Peters wrote:

> I never played with the 'new' interface modes and now that I wanted  
> to take
> a closer look at them, they don't work. Do I have an old software  
> version or
> is my feedback expression pedal faulty?    on booting, the EDP says  
> LOOP4 and
> 6.0b (I think).

Wow, that's modern! My LOO4 says "1.1" while booting.

>  The Loop/Delay modes available are: LOP Out del Inp EXP rpl

Mine also have the "Stu" mode.

---> BUT...
if I put a pedal (or in my case just a plug, since I'm using a midi  
controller) into the rear pedal jack I get:
Stu, Out, IN, rPL, FLi, LOP, dEL and EXP mode.

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 15:50:41 2005
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Subject: Re: =?ISO-8859-15?Q?M=F6bius_glitches?=
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numbernine@gmx.net wrote:
> Kris>
> Kris> I got the FB up and running with Mobius too, but Mobius and my computer
> Kris> are just not getting along. I get hangs and glitches, etc...and I don't
> Kris> have time to run that trace program for Jeff to see what the issue is.
> 
> The thing that helped for me was just to turn tracing off. (in
> mobius.xml, set debuglevel to 1 or 0).

Besides leaving trace on, the usual reason for glitches is overdubbing
a large number of layers which increases demands on the CPU.  What exactly
"large" is depends on the speed of the computer and the other plugins
you have running.  I get around 50 layers before glitching, but if
you're running 29 other power hungry plugins that number may be much lower.

This will be fixed when support for Interface Modes is released.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 15:55:46 2005
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numbernine@gmx.net wrote:
> Kris> Plus it has MIDI in/out, which I assume means you can switch
> Kris> from one VST effect patch to anther with a midi controller.
> 
> that's what it is meant for. but from the editing surface I assume it
> is not possible to use vsts with more then 2 inputs or to have a
> rather customized signal routing between different vsts. For this
> reason, eg. möbius won't run easily on the receptor.

The receptor host is designed more like a mixing console than a
free-form modular host like Bidule or energyXT.

Each of the 16 "channels" can have as input either the output of a
VSTi instrument, or an audio input.  I think the audio input can be
stereo, but it is unclear.  There is only one set of stereo inputs on
the back panel.

Within each channel, the source may be sent through up to three plugin
effects.  The effects may be configured in any serial or parallel
configuration, e.g. A/B/C parallel, A/B parallel B/C serial, A/B/C
serial, etc.  There are also two stereo effects busses shared by all
channels.  Each bus has another block of three serial or parallel
plugins.

The plugin routing looks reasonably flexible, but if you like to build
complex layouts in a modular host, you may not be able to accomplish
exactly the same thing.  All internal busses are stereo, so it does
not appear that you can make full use of plugins that have more than 2
ports.  If you wanted to switch quickly between two radically
different plugin configurations, you would probably configure each on
a different channel, then solo the channel whose configuration you
want to use.

Claims that it can run 57 plugins should be treated with skepticism.
This is the theoretical maximum number of plugins you can configure.
But this is after all a PC, and if you try to run too many power
hungry plugins at the same time, it will glitch just like any other
PC.

If you expect to be interacting with a plugin and you don't want to
drag along an LCD screen to display the graphical UI, make sure the
plugin can be controlled and monitored effectively using the small
LCD and parameter knobs on the front panel.

It runs many, but not all, Windows VST plugins.  Since the OS is Linux
it runs some sort of Windows emulator.  This means that the plugin has
to be a very "pure" VST, it cannot make use of any Windows features
that fall outside the VST spec.  Many of the free plugins you find on
KVR will not run.  Many of the big commercial plugin vendors have
ported to the Receptor, but you may have to ask them for a
"cross-grade" version.  Never assume that your plugins will just run,
explore the forums on www.plugorama.com to make sure.

Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 17:13:36 2005
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Any idea how this guy Dosh is putting effects onto just the drums if  
he's using an Akai Headrush pedal? http://www.anticon.com/dosh.mov  
(At ca. 1:35) I think it's a Boss delay pedal? Does the Headrush have  
a metronome like the LoopStation, or is it a DL-4 type trigger? I  
can't seeing him stomping anywhere. Also according to the video it  
seems like the Headrush has multiple undos. I can't find any of these  
functions on Headrush info pages.

-----------------------------------------------------

erland

http://www.erlandonline.com
http://www.myspace.com/erland




From Loopers-Delight-request@loopers-delight.com  Sat Sep 24 22:52:26 2005
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From: "joe rut" <joerut@lycos.com>
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Hey there-

I just performed the gain modification from the FAQ on my two mid-90's EDPs=
 (replacing resistors R10 and R30).  Oh yeah!  Now *there's*=20
that tone I've been missing.=20=20

Prior to the mod, output was not hot enough to drive input stage of my Fend=
er Hot Rod Deluxe (for example, if you bypassed the EDPs=20
entirely, the tone was great, but with EDPs in the circuit, even with outpu=
t at 100%, there was an immediate drop in amp gain/crunch.=20=20
Trying to make up for this drop by turning up the EDP  input gain resulted =
in unwanted distortion in the looped signal.)

With the mod, I can a/b the EDPs out of the circuit and hear no significant=
 difference in guitar/amp tone AND there's no unwanted=20
distortion in the looped signal.  Hooray!  No more "tone suck".

One of them is still very noisy/hissy (compared to the other) when a loop i=
s playing back.  Any hints on what might be causing this?

Joe Rut



--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
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hey Joe...
is your gear close to video gear ie.televisions/computer monitors?my dl4 gets noise when im in half speed sometimes.if i get away from other electronics it is quiet.i wonder if it's forked up?
 good luck.      d no tee.
joe rut <joerut@lycos.com> wrote:
Hey there-

I know this was a source of discussion on the list some time ago, but I've spent a couple hours searching/reading in the archive and I can't 
find anything that seems to have resolved this problem. I'm using the cream-colored Oberheim EDPs with Loop III, 5.0.

The problem:
My loop is full of hiss. I tap record once. I tap it a second time to end the loop and there is a lot of hiss. 
This occurs even with nothing plugged into the EDP inputs
This occurs even with input knob set to zero.
With feedback set to zero, the hiss does not die away, but stays steady.

This does not seems like an "improper gain staging" issue. One of my EDPs does this and the other does not. With both EDPs set 
identically, one is super hissy, one is only mildly (and acceptably) hissy. (eg: A) With all knobs at 100% and no inputs into the EDPs, or B) 
input= Zero, output = any audible setting, mix and feedback = 100% and no inputs into EDPs.)

The only visible difference between the two EDPs is that the hissy unit has a power switch with just a white dot on it, while the other 
actually says "on/off". Could one of these be from a different manufacturing run in which there were different (noisier) parts used? Is this 
a problem that can be addressed by replacing certain parts?

Anybody else had this experience and found a way to address it?

Thanks

Joe Rut

-- 
_______________________________________________

Search for businesses by name, location, or phone number. -Lycos Yellow Pages

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<DIV>hey Joe...</DIV>
<DIV>is your gear close to video gear ie.televisions/computer monitors?my dl4 gets noise when im in half speed sometimes.if i get away from other electronics it is quiet.i wonder if it's forked up?<BR>&nbsp;good luck.&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;d no tee.<BR><B><I>joe rut &lt;joerut@lycos.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hey there-<BR><BR>I know this was a source of discussion on the list some time ago, but I've spent a couple hours searching/reading in the archive and I can't <BR>find anything that seems to have resolved this problem. I'm using the cream-colored Oberheim EDPs with Loop III, 5.0.<BR><BR>The problem:<BR>My loop is full of hiss. I tap record once. I tap it a second time to end the loop and there is a lot of hiss. <BR>This occurs even with nothing plugged into the EDP inputs<BR>This occurs even with input knob set to zero.<BR>With feedback set to zero, the hiss does not die away, but stays steady.<BR><BR>This does not seems like an "improper gain staging" issue. One of my EDPs does this and the other does not. With both EDPs set <BR>identically, one is super hissy, one is only mildly (and acceptably) hissy. (eg: A) With all knobs at 100% and no inputs into the EDPs, or B) <BR>input=
 Zero, output = any audible setting, mix and feedback = 100% and no inputs into EDPs.)<BR><BR>The only visible difference between the two EDPs is that the hissy unit has a power switch with just a white dot on it, while the other <BR>actually says "on/off". Could one of these be from a different manufacturing run in which there were different (noisier) parts used? Is this <BR>a problem that can be addressed by replacing certain parts?<BR><BR>Anybody else had this experience and found a way to address it?<BR><BR>Thanks<BR><BR>Joe Rut<BR><BR>-- <BR>_______________________________________________<BR><BR>Search for businesses by name, location, or phone number. -Lycos Yellow Pages<BR><BR>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10<BR><BR></BLOCKQUOTE><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-716587604-1127603632=:67150--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 00:25:32 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 24 Sep 2005 19:25:28 -0500
Subject: Re: Noisy/hissy EDP (revisited)
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Daniel-

Thanks for the reply.  This problem happens no matter where I am (studio, g=
igs, whatever).  I even tried reversing the order of my EDPs in=20
the rack to see if the transformer of one was affecting the other.  Same pr=
oblem from the same unit.

----- Original Message -----
From: "daniel stevenson" <stillllscary@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Noisy/hissy EDP (revisited)
Date: Sat, 24 Sep 2005 16:13:52 -0700 (PDT)

>=20
> hey Joe...
> is your gear close to video gear ie.televisions/computer=20
> monitors?my dl4 gets noise when im in half speed sometimes.if i get=20
> away from other electronics it is quiet.i wonder if it's forked up?
>   good luck.      d no tee.
> joe rut <joerut@lycos.com> wrote:
> Hey there-
>=20
> I know this was a source of discussion on the list some time ago,=20
> but I've spent a couple hours searching/reading in the archive and=20
> I can't
> find anything that seems to have resolved this problem. I'm using=20
> the cream-colored Oberheim EDPs with Loop III, 5.0.
>=20
> The problem:
> My loop is full of hiss. I tap record once. I tap it a second time=20
> to end the loop and there is a lot of hiss.
> This occurs even with nothing plugged into the EDP inputs
> This occurs even with input knob set to zero.
> With feedback set to zero, the hiss does not die away, but stays steady.
>=20
> This does not seems like an "improper gain staging" issue. One of=20
> my EDPs does this and the other does not. With both EDPs set
> identically, one is super hissy, one is only mildly (and=20
> acceptably) hissy. (eg: A) With all knobs at 100% and no inputs=20
> into the EDPs, or B)
> input=3D Zero, output =3D any audible setting, mix and feedback =3D 100%=
=20
> and no inputs into EDPs.)
>=20
> The only visible difference between the two EDPs is that the hissy=20
> unit has a power switch with just a white dot on it, while the other
> actually says "on/off". Could one of these be from a different=20
> manufacturing run in which there were different (noisier) parts=20
> used? Is this
> a problem that can be addressed by replacing certain parts?
>=20
> Anybody else had this experience and found a way to address it?
>=20
> Thanks
>=20
> Joe Rut
>=20
> --
> _______________________________________________
>=20
> Search for businesses by name, location, or phone number. -Lycos Yellow P=
ages
>=20
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.=
asp?SRC=3Dlycos10
>=20
>=20
>=20=09=09
> ---------------------------------
> Yahoo! for Good
>   Click here to donate to the Hurricane Katrina relief effort.

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 08:17:43 2005
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Subject: Re: Noisy/hissy EDP (revisited)
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-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1

Hi Joe,

I too had a similar problem with my double stack of cream colored
Echoplexi. One unit, in this case, the 2nd one I bought exhibited a
nasty rumble/hiss at the end of the loop. The original unit behaved
as it always had, no problems. Mine are configured as a Stereo set
as described in the manual using the brother sync jack and midi.
Annoying, and I could never figure it out. Both properly installed,
all units in the rack isolated from each other with plastic tabs...
I either incorporated the noise into the song or just left the
second unit off and repatched the feed.

What ended up fixing the problem for me was an upgrade to LoopIV
rom chips. I really don't see how upgrading the firmware got rid of
the rumble/hiss on the one unit. Perhaps Kim would have some
insight. Maybe it perhaps had more to do with pulling the EDPs from
the rack and having to reinstall them again.

I hate leaving it at that, because this is not voodoo, just the
application of appropriate, known technology. I just don't have the
test equipment (or the time) to investigate it... especially since
now both units are behaving themselves.

You might want to upgrade to LoopIV anyway, it's sweet having all
the new features.

On Fri, 23 Sep 2005 19:39:49 -0700 joe rut <joerut@lycos.com>
wrote:
>Hey there-
>
>I know this was a source of discussion on the list some time ago,
>but I've spent a couple hours searching/reading in the archive and

>I can't
>find anything that seems to have resolved this problem.  I'm using

>the cream-colored Oberheim EDPs with Loop III, 5.0.
>
>The problem:
>My loop is full of hiss.  I tap record once.  I tap it a second
>time to end the loop and there is a lot of hiss.
>This occurs even with nothing plugged into the EDP inputs
>This occurs even with input knob set to zero.
>With feedback set to zero, the hiss does not die away, but stays
>steady.
>
>This does not seems like an "improper gain staging" issue.  One of

>my EDPs does this and the other does not.  With both EDPs set
>identically, one is super hissy, one is only mildly (and
>acceptably) hissy.  (eg: A) With all knobs at 100% and no inputs
>into the EDPs, or B)
>input= Zero, output = any audible setting, mix and feedback = 100%

>and no inputs into EDPs.)
>
>The only visible difference between the two EDPs is that the hissy

>unit has a power switch with just a white dot on it, while the
>other
>actually says "on/off".  Could one of these be from a different
>manufacturing run in which there were different (noisier) parts
>used?  Is this
>a problem that can be addressed by replacing certain parts?
>
>Anybody else had this experience and found a way to address it?
>
>Thanks
>
>Joe Rut
>
>--
>_______________________________________________
>
>Search for businesses by name, location, or phone number.  -Lycos
>Yellow Pages
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/de

>fault.asp?SRC=lycos10
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 12:15:50 2005
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Subject: Galactic Travels Playlists #442, #443, and #444 for September 8,
 15, and 22, 2005
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Catching up on recent playlists...
http://wdiy.org/programs/gt/playlists/2005/050908.html
http://wdiy.org/programs/gt/playlists/2005/050915.html
http://wdiy.org/programs/gt/playlists/2005/050922.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #442                    September 8, 2005

RECAP:
On this show, I continued the month-long focus on Ken Martin.  The 
Featured CD at
Midnight was "Spheres" on Space for Music Records.

The Vinyl Starter was from the Soundtrack LP "Angst" by Klaus Schulze on 
Inteam
Records, released in 1984.

Ken Martin - http://wdiy.org/programs/gt/playlists/2005/focus05.html#sep


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Pain                     Angst (Inteam)
VA                      Vapor Trail              Arcs & Angels (Atomic City)
Giles Reaves            Wunjo                    Wunjo (MCA)
Ozone Player            My Name Is Bond...       E (Visual Power)
                          Jeeves Bond
Xeroid Entity           Nightfall                Live at the Deer Head Inn
                                                   (Electro-MusicMedia)
John Duval              Beside the Sulfer Sea    Hell's Canyon 
(Hypnos/Binary)
Remote Spaces           Summer in the City       Elektronicznie (r. s. 
records)
Remote Spaces           Polaris                  Elektronicznie (r. s. 
records)

12:00 am
Ken Martin              Cloudance                Spheres (Space for Music)
Ken Martin              Cathedrals of Neptune    Spheres (Space for Music)
Ken Martin              Tranquility              Spheres (Space for Music)
Ken Martin              Spheres                  Spheres (Space for Music)
Ken Martin              Blackholes               Spheres (Space for Music)
Ken Martin              Rotation and Magnetism   Spheres (Space for Music)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist

===

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #443                    September 15, 2005

RECAP:
On this show, I continued the month-long focus on Ken Martin.  The 
Featured CD at
Midnight was "Transparent Shadows" on Space for Music Records.

The Vinyl Starter was from the LP "Aqua" by Edgar Froese on Brain 
Records, released
in 1974.

Ken Martin - http://wdiy.org/programs/gt/playlists/2005/focus05.html#sep


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Edgar Froese            Panorphelia              Aqua (Brain)
VA [Ron Boots and       From Hull to Leeds       E-dition #8 (Groove)
  Harold v.d. Heijden
Tony Gerber             Prehistoric Heart        Altamira (Space for Music)
Paul Nagle              Fugsamkeit               Red Book/Blue Book 
(NeuHarmony)
Ozone Player            They Are Finally         Frozen Paint on Boiling 
Canvas
                          Starting to Come         (Visual Power)
Mike Griffin and        Imprint                  Imprint (Hypnos)
  Dave Fulton
Christopher Short       Magnificent Pearls, the  Duende (AtmoWorks)
                          Stars Awake

12:00 am
Ken Martin              Transparent Shadows      Transparent Shadows 
(Space for
                                                   Music)
Remote Spaces           Invitation/Infrasonic    Ambientalnie (r. s. 
records)
Remote Spaces           Arpematik *              Ambientalnie (r. s. 
records)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist

===

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #444                    September 22, 2005

RECAP:
On this show, I continued the month-long focus on Ken Martin.  The 
Featured CD at
Midnight was "Beyond Ultraviolet" on Space for Music Records.

The Vinyl Starter was from the LP "Un Reve Sans Consequence Speciale" by 
Heldon on
Cobra Records and released in 1976.

Ken Martin - http://wdiy.org/programs/gt/playlists/2005/focus05.html#sep


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Heldon                  Toward the Red Line      Un Reve Sans 
Consequence Speciale
                                                   (Cobra Records)
Arttek                  Space Drop               Arttek 2005 (none)
The Ministry of Inside  Contour Adjustment       Live on E^#$%C (Synkronos)
  Things
Alpha Wave Movement     Sunburst Shift           Beyond Silence (HRR)
William Edge            Eclipse of Moon Mora     Breathing Without Air: The
                                                   Universe Within 
(Sounds Blue)
Sonic Sounds, Inc.      Pax Romana I             SSI (Azra/Chlorophyll)

12:00 am
Ken Martin              Space Cruise             Beyond Ultraviolet 
(Space for
                                                   Music)
Ken Martin              Ancestral Voices         Beyond Ultraviolet (SFM)
Ken Martin              Alien Detection          Beyond Ultraviolet (SFM)
Ken Martin              Beyond Ultraviolet       Beyond Ultraviolet (SFM)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Ken 
Martin.
The Featured CD at Midnight will be "Berlin Impressions Volume 3" on 
Space for
Music Records.

The Vinyl Starter will be from the LP "Heldon 4/Agneta Nilsson" by 
Heldon on Urus
Records and released in 1976.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 13:33:40 2005
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Michael Peters interface modes
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>I never played with the 'new' interface modes and now that I wanted to take
>a closer look at them, they don't work. Do I have an old software version or
>is my feedback expression pedal faulty?  on booting, the EDP says LOOP4 and
>6.0b (I think).  The Loop/Delay modes available are: LOP Out del Inp EXP rpl
>
>Michael Peters
>www.michaelpeters.de

Inp EXP  and  rPL  are new modes

so you seem to be missing Stu and Fli.


Without a pedal you should get
LOP dEL EXP Stu
With pedal
LOP. dEL. EXP. Stu. Out. In. REP. FLI.

note the full stop, which indicates that the pedal is detected

if you load a pedal mode, remove the pedal,
then you will see "nop" if you leave the Loop/Delay param unchanged
and return to edit it again.

As far as I know, the EDP will give a full range of modes as long as 
anything is plugged into the
feedback socket.

On start-up, I see
Loop 4

1.1

and then briefly the max looptime and no. of loops,
depending on "MoreLoops"

My only suggestion is to try again :-(
1. after re-booting with the pedal attached.
2. after resetting the EDP by powering up with the parameter button held
      ( which erases any presets, beware)



andy butler


From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 16:13:28 2005
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Date: Sun, 25 Sep 2005 12:02:36 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: How does he do it?
To: Erland <soam@acedsl.com>, Loopers-Delight@loopers-delight.com
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Where does it state that Dosh is using a Headrush in this video?
I can't see what he's using in the setup behind his head, but he *could* be
using a 'rush, simply turning the output off at that dropout point, then
turning it back on. Looks like maybe aa footswitch is under the keyboard to
his left...?
Great video, great presentation of looping.
-db, coyote


----- Original Message ----- 
From: "Erland" <soam@acedsl.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 24, 2005 1:13 PM
Subject: How does he do it?


> Any idea how this guy Dosh is putting effects onto just the drums if
> he's using an Akai Headrush pedal? http://www.anticon.com/dosh.mov
> (At ca. 1:35) I think it's a Boss delay pedal? Does the Headrush have
> a metronome like the LoopStation, or is it a DL-4 type trigger? I
> can't seeing him stomping anywhere. Also according to the video it
> seems like the Headrush has multiple undos. I can't find any of these
> functions on Headrush info pages.
>
> -----------------------------------------------------
>
> erland
>
> http://www.erlandonline.com
> http://www.myspace.com/erland
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 20:41:02 2005
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Hi Loopers Delight mailing list,
I’m hoping someone out there can answer a looping-related question for me.  Can anyone tell me if there are any looping devices capable of doing this…
While one loop is playing, I’d like to be able to record another part silently (like with a sort of mute button or something).  Then, at the appropriate time, I’d like to be able to simultaneously and seamlessly stop the first loop, and drop the second one in to replace it.
I’ve been doing some research on this matter, but haven’t had any luck finding answers yet.  Hopefully this isn’t a question that’s been answered a million times already, I know how irritating that can be.  If it is, I apologize!  But this is kind of a last resort for me.
Thanks,
JWH

		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-358306476-1127680859=:82307
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<DIV>Hi Loopers Delight mailing list,<BR>I’m hoping someone out there can answer a looping-related question for me.&nbsp; Can anyone tell me if there are any looping devices capable of doing this…<BR>While one loop is playing, I’d like to be able to record another part silently (like with a sort of mute button or something).&nbsp; Then, at the appropriate time, I’d like to be able to simultaneously and seamlessly stop the first loop, and drop the second one in to replace it.<BR>I’ve been doing some research on this matter, but haven’t had any luck finding answers yet.&nbsp; Hopefully this isn’t a question that’s been answered a million times already, I know how irritating that can be.&nbsp; If it is, I apologize!&nbsp; But this is kind of a last resort for me.<BR>Thanks,<BR>JWH</DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-358306476-1127680859=:82307--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 20:45:50 2005
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From: Os <os@collective.co.uk>
Subject: Fwd: Upcoming improv/loop/laptop event
Date: Sun, 25 Sep 2005 21:45:56 +0100
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this may be of interest. NB don't contact me about it, I'm just  
forwarding the message.

beware the linked website only works in IE :(

cheers,
os.

Begin forwarded message:

> From: "A Newton and L Davy" <nemeton@clara.co.uk>
> Date: 24 September 2005 12:16:23 BDT
> To: "Os" <os@collective.co.uk>
> Subject: Upcoming improv event

We are in the process of organising an all day festival at  
Lighthouse, Poole
's Centre for the Arts, Saturday November 12th.
http://www.lighthousepoole.co.uk/

The event is called 'Unsafe' and will feature performances by some of  
the UK
's leading improvising musicians, workshops and a SafeHouse session  
which
will bring improvising musicians from Poole and Brighton together for  
the
first time. Renowned improviser / saxophonist Evan Parker will be  
playing
during the evening.

As part of the festival we will be holding a laptop-jam-style event. Our
hope is to focus on using sounds found  in the vicinity of the  
performance
space, and processing them digitally for a collaborative live  
performance.
There will also be some other participatory workshops for more  
conventional
instrumentalists.

Let me know if anoyone is interested in participating in some way.  
Everyone
welcome. I will post more details when I have them.

Cheers for now
Adrian Newton




From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 20:55:28 2005
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Date: Sun, 25 Sep 2005 16:52:15 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: Ambient Hyperreal List <ambient@hyperreal.org>,
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Subject: The AM/FM Show Playlist for September 24, 2005
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http://soundscapes.us/amfm/playlists/2005/050924.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #73                    Septemver 24, 2005.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.  I also 
played the
music of one of the musicians to be attending the up coming Ricochet 
Gathering.

Ricochet Gathering - http://ricochetdream.com
Paul Lawler - http://paullawler.org


During Phase II, I played the music of Emerald City.  This local band 
will be at
Godfrey Daniels on October 7 for a concert and the CD Release Party of 
its debut
CD.

Godfrey Daniels - http://godfreydaniels.org
Emerald City - http://soundscapes.us/emeraldcity


During Phase III, I played the music of some Porcupine Tree and Robert 
Fripp who
will be in concert Tuesday at the Keswick Theatre in Glenside.
Keswick Theatre - http://www.keswicktheatre.com
Porcupine Tree - http://www.porcupinetree.com
Robert Fripp - http://www.elephant-talk.com


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
VA [Lammergeyer]        Medley                   Edition #3 Sampler (Groove)
VA [Off the Sky]        Lite Gemute Cycle        Edition #3 Sampler (Groove)
VA [The Circular Ruins] Realm of Possibility     Edition #3 Sampler (Groove)
VA [Spielerei]          Publix Delight           Edition #3 Sampler (Groove)
Max van Richter         Resurrection             Resurrection (NeuHarmony)
Arcane                  The Taxidermist          33 1/3 RPM (NeuHarmony)

Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Gary Stroutsos          Ogun                     ORU (Paras)
Agatsuma                Rainfall                 Eternal Songs (Domo)
Jeff Linscott           Elephant Walk            Within (none)
Emerald City            Cell Phone Medley        Emerald City (Fox's Den)

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Michael Manring         Helio                    Soliloquy (Manthing)
The Rick Ray Band       Until the End            Temporary World (Neurosis)
Spock's Beard           Surfing Down the         Gluttons for Punishment
                          Avalanche                (InsideOut)
Spock's Beard           She Is Everything        GFP (InsideOut)
Spock's Beard           Climbing Up That Hill    GFP (InsideOut)
Spock's Beard           Letting Go               GFP (InsideOut)
Spock's Beard           Of the Beauty Of It All  GFP (InsideOut)
Porcupine Tree          The Sound of Muzak       In Absentia (Lava)
Robert Fripp and the    Intergalactic Boogie     Intergalactic Boogie 
Express -
  League of Crafty        Express                  Live in Europe 1991 (DGM)
  Guitarists


 * = excerpt
VA = Various Artists (compilation)

I return to the AM/FM Show on October 8.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 22:06:15 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Record while loop is playing?
Date: Mon, 26 Sep 2005 00:06:11 +0200
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On Sep 25, 2005, at 22:40, John Harding wrote:

> Hi Loopers Delight mailing list,
> I=92m hoping someone out there can answer a looping-related question =20=

> for me.  Can anyone tell me if there are any looping devices =20
> capable of doing this=85
> While one loop is playing, I=92d like to be able to record another =20
> part silently (like with a sort of mute button or something).  =20
> Then, at the appropriate time, I=92d like to be able to =20
> simultaneously and seamlessly stop the first loop, and drop the =20
> second one in to replace it.
> I=92ve been doing some research on this matter, but haven=92t had any =20=

> luck finding answers yet.  Hopefully this isn=92t a question that=92s =20=

> been answered a million times already, I know how irritating that =20
> can be.  If it is, I apologize!  But this is kind of a last resort =20
> for me.
> Thanks,
> JWH


I've done that with two looping devices by muting and un-muting their =20=

mixer channel, but I don't know any looping device that can do it by =20
itself. This was discussed two weeks ago on the Mobius list and =20
Matthias Loibner said he uses that trick when looping live audi input =20=

on a laptop running parallel instances of Moebius. This can of course =20=

also be done in the Ableton Live software (recording to a muted =20
channel while a loop keeps playing on another channel).

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen



From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 22:19:24 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Record while loop is playing?
Date: Sun, 25 Sep 2005 17:19:21 -0500
To: Loopers-Delight@loopers-delight.com
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Shouldn't that be possible with the Repeater by manipulating the =20
track volumes? (I don't have one...)


On Sep 25, 2005, at 5:06 PM, Per Boysen wrote:

> On Sep 25, 2005, at 22:40, John Harding wrote:
>
>
>> Hi Loopers Delight mailing list,
>> I=92m hoping someone out there can answer a looping-related question =20=

>> for me.  Can anyone tell me if there are any looping devices =20
>> capable of doing this=85
>> While one loop is playing, I=92d like to be able to record another =20=

>> part silently (like with a sort of mute button or something).  =20
>> Then, at the appropriate time, I=92d like to be able to =20
>> simultaneously and seamlessly stop the first loop, and drop the =20
>> second one in to replace it.
>> I=92ve been doing some research on this matter, but haven=92t had any =
=20
>> luck finding answers yet.  Hopefully this isn=92t a question that=92s =
=20
>> been answered a million times already, I know how irritating that =20
>> can be.  If it is, I apologize!  But this is kind of a last resort =20=

>> for me.
>> Thanks,
>> JWH
>>
>
>
> I've done that with two looping devices by muting and un-muting =20
> their mixer channel, but I don't know any looping device that can =20
> do it by itself. This was discussed two weeks ago on the Mobius =20
> list and Matthias Loibner said he uses that trick when looping live =20=

> audi input on a laptop running parallel instances of Moebius. This =20
> can of course also be done in the Ableton Live software (recording =20
> to a muted channel while a loop keeps playing on another channel).
>
> Greetings from Sweden
>
> Per Boysen
> www.looproom.com (international)
> www.boysen.se (Swedish)
> --->  iTunes Music Store (digital)
> www.cdbaby.com/perboysen
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 25 22:25:19 2005
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From: Per Boysen <per@boysen.se>
Subject: Re: Record while loop is playing?
Date: Mon, 26 Sep 2005 00:25:15 +0200
To: Loopers-Delight@loopers-delight.com
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Yes. I had a Repeater for a while and could do that. Sorry, I forgot =20
to mention it but I was thinking about more like the mixer channel =20
trick :-)

/ per


On Sep 26, 2005, at 0:19, Kelly Coyle wrote:

> Shouldn't that be possible with the Repeater by manipulating the =20
> track volumes? (I don't have one...)
>
>
> On Sep 25, 2005, at 5:06 PM, Per Boysen wrote:
>
>
>> On Sep 25, 2005, at 22:40, John Harding wrote:
>>
>>
>>
>>> Hi Loopers Delight mailing list,
>>> I=92m hoping someone out there can answer a looping-related =20
>>> question for me.  Can anyone tell me if there are any looping =20
>>> devices capable of doing this=85
>>> While one loop is playing, I=92d like to be able to record another =20=

>>> part silently (like with a sort of mute button or something).  =20
>>> Then, at the appropriate time, I=92d like to be able to =20
>>> simultaneously and seamlessly stop the first loop, and drop the =20
>>> second one in to replace it.
>>> I=92ve been doing some research on this matter, but haven=92t had =
any =20
>>> luck finding answers yet.  Hopefully this isn=92t a question that=92s =
=20
>>> been answered a million times already, I know how irritating that =20=

>>> can be.  If it is, I apologize!  But this is kind of a last =20
>>> resort for me.
>>> Thanks,
>>> JWH
>>>
>>>
>>
>>
>> I've done that with two looping devices by muting and un-muting =20
>> their mixer channel, but I don't know any looping device that can =20
>> do it by itself. This was discussed two weeks ago on the Mobius =20
>> list and Matthias Loibner said he uses that trick when looping =20
>> live audi input on a laptop running parallel instances of Moebius. =20=

>> This can of course also be done in the Ableton Live software =20
>> (recording to a muted channel while a loop keeps playing on =20
>> another channel).
>>
>> Greetings from Sweden
>>
>> Per Boysen

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 04:09:41 2005
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From: "Scott M2" <scott@dreamstate.to>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: THE AMBiENT PiNG presents Songspell
Date: Mon, 26 Sep 2005 00:11:25 -0400
Organization: dreamSTATE
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THE AMBiENT PiNG   http://www.theambientping.com
Tuesdays @ HACiENDA - 794 Bathurst Street at Bloor
(directly across from the Bathurst subway station) - Toronto
Doors open at 9pm - 1st set at 9:30 - PayWhatYouCan
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday September 27th - Songspell

Sit back and enjoy the trip as the sonic alchemists of Songspell,
Michael Moon (Vibraphone, electric guitar, Vocals, percussion),
Thom Dean (Keys, percussion) & Jenn Howie (Keys, Vocals, percussion),
weave sound like a magic spell. Sometimes soft and ambient, soon
melting into organic driving psychedelia. Imagine early Pink Floyd
at an acid test. Nothing is predetermined or programmed, each show
is a unique, in the moment journey as much a surprise to the band
as the audience. http://www.thetempleofsound.com/song-spell.html

Between Sets CD - "New Life Dreaming" by Steve Roach
Our month-long feature on Steve Roach's new "Dreamtime Box" concludes
with disc four "New Life Dreaming" - a CD of expansive drifting
pieces inspired by revisiting the classic ambient works on the
original "Dreamtime Return" album during its recent remastering.
http://www.steveroach.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday October 4th - "A Worthy Fall: October"
http://www.worthyrecords.com 
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

||: IN THE LOOP :||  by Luna Tek

The "PiNG AMBiENCE 3 - STRiNG THiNGS" CD release party on Tuesday,
September 20 continued THE AMBiENT PiNG tradition of providing a home
for artists who might otherwise have difficulty finding a venue to
perform in. On this night - 3 ambient guitarists featured on the CD.

Paul Royes, strumming and caressing his Stratocaster guitar under
swirling rainbows of ambient visuals, opened the evening with a
meditative set. Paul's latest compositions are grounding, yet inspire
flights of imagination. Creating a sound that encourages introspection,
Royes has created companion music for artists who habitually listen
while they create.

According to one PiNG enthusiast, looper Joe G's first performance
at the PiNG in over a year "spaced the house." His set was the
perfect blend of lyricism descending into waves of distortion with
the added element of the General Chaos guys projecting cosmic designs
around his head. At the end of his gorgeous set, another member of
the PiNG commented that "everyone loves Joe." And we hope to see--
and hear--him again at TAP before too long. 

Phil Ogison (aka The Devil In The Design) opened his set with a
tip of the hat to one of his guitar inspirations, Steve Hillage
(of seventies psychedelic/jazz tribe Gong and, more recently,
of ambient techno project System 7). Phil then continued the
night's emerging theme of taking the audience deeper into space
with several swelling guitar/looper workouts. 

The evening closed with an entertaining 3-way jam featuring Paul,
Joe and Phil as they traveled together through several styles of
guitar interplay.

Luna Tek - luna@theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

Many wonderful artists have generously offered to donate all earnings
from the sale of their CDs through ping things for the month of
September to the American Red Cross (less taxes and shipping costs)
in an effort to raise money for Hurricane relief efforts.
Please visit http://www.pingthings.com to find out more.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things
Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a social sound/art event presenting
live performances by Toronto's finest ambient, chillout, improv
and experimental music artists plus performers from across
the continent, every Tuesday evening at HACiENDA -
794 Bathurst Street at Bloor. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 05:15:20 2005
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I've been using Mobius for a few months now on an older laptop. I've got 
this compaq m300, 600mhz with 384 mb ram,a 60 gig hard drive, and running 
windows xp. At Jeff's suggestion I optimized it for using with audio ( 
http://www.musicxp.net/tuning_tips.php ) and I'm also not running any other 
programs on it. So it is just my looper now. I've run into very few and 
minor glitches and have used it in a few shows now. I did run into some 
latency problems at first trying to use it as a vst plugin, but as a stand 
alone looper I've been extremely pleased with it. The transition to using 
it has been real easy since it is set up like my edp. At the moment the 
thing I'm enjoying the most is that instead of overdubbing layers onto my 
edp, I can put my layers on individual tracks and let them fade out at 
different rates with the feedback control. I can also pan individual tracks 
to either side and have a "conversation" going between my guitar and 
hammered dulcimer tracks.

This is just way too much fun, it may cost me my day job as I stay up too 
late playing with the thing.

Thanks Jeff for some amazing software!!!



Paul Haslem

Looped in Ontario Canada






At 11:50 AM 24/09/2005, you wrote:

>numbernine@gmx.net wrote:
>>Kris>
>>Kris> I got the FB up and running with Mobius too, but Mobius and my computer
>>Kris> are just not getting along. I get hangs and glitches, etc...and I don't
>>Kris> have time to run that trace program for Jeff to see what the issue is.
>>The thing that helped for me was just to turn tracing off. (in
>>mobius.xml, set debuglevel to 1 or 0).
>
>Besides leaving trace on, the usual reason for glitches is overdubbing
>a large number of layers which increases demands on the CPU.  What exactly
>"large" is depends on the speed of the computer and the other plugins
>you have running.  I get around 50 layers before glitching, but if
>you're running 29 other power hungry plugins that number may be much lower.
>
>This will be fixed when support for Interface Modes is released.
>
>Jeff
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 06:09:00 2005
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Subject: RE: Michael Peters interface modes
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hi Andy, 

> As far as I know, the EDP will give a full range of modes as 
> long as anything is plugged into the feedback socket.
> On start-up, I see
> Loop 4
> 1.1

sounds like I don't have the same version. Do several Loop4 versions exist?


It is not even my own Echoplex, it belongs to Markus Reuter, and he has my
EDP - we had exchanged our EDPs by mistake a while ago but haven't bothered
because I thought they're the same anyway.

-Michael
www.michaelpeters.de





From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 06:35:25 2005
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Subject: Re[2]: Record while loop is playing?
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>> While one loop is playing, I’d like to be able to record another
>> part silently (like with a sort of mute button or something).   
>> Then, at the appropriate time, I’d like to be able to  
>> simultaneously and seamlessly stop the first loop, and drop the  
>> second one in to replace it.

PB> I've done that with two looping devices by muting and un-muting their  
PB> mixer channel, but I don't know any looping device that can do it by  
PB> itself. This was discussed two weeks ago on the Mobius list and  
PB> Matthias Loibner said he uses that trick when looping live audi input  
PB> on a laptop running parallel instances of Moebius. This can of course  
PB> also be done in the Ableton Live software (recording to a muted  
PB> channel while a loop keeps playing on another channel).


true, this can be done with Möbius, but in only one running instance:
record to a second track, go to mute after recording, and then mute
the first and unmute the second (which can be done by a single button
or foot step).

The question is if you want the 2nd loop to be heard while recording
it, then you either have to use a host where you have a muted effect
patch still going into möbius or you have to turn off inputmonitoring
in standalone or do the same with an external mixer. I use the first
way inside Bidule, because it is all controllable by feet.

same thing with the repeater, you need your hands at the faders or you
have to use a midi footcontroller (eg. to send PC25 and 26 at the same
time for stereo loops, 16,17,18,19 for mono).

regards,
Matthias

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 08:28:07 2005
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Date: Mon, 26 Sep 2005 09:28:04 +0100 (BST)
Subject: [Fwd: Re: EDP Sync to Yamaha RM1x]
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Hi

Thought I'd send update on this. I installed the latest os eprom in the
rm1x but it didn't make any difference to the edp sync problem.

Interestingly, when I was searching through the LD archives found someone
else with exactly the same problem but when using an Emu PX7
http://www.loopers-delight.com/LDarchive/200402/msg00191.html

Unfortunately, there's no follow-up as to whether he ever sorted the problem.

If anyone's got any suggestions on how I might sort this, would be
appreciated.

Thanks

Bob

> It may be really useful if you provide us with all the parameter
settings on the Echoplex and the configuration of the RM1x as well.
also, is the Echoplex LoopIII or LoopIV, how is everything connected,
what sequence of actions you do, what you see on the display, etc. It is
really difficult and time consuming to help debug a problem like this if
we don't get all the details!

Ok. Because it wasn't working I did a complete system reset on both the
edp and the rm1x. Midi connection was, 'out' of rm1x to 'in' of edp.

I changed the RM1x parameters so it would change pattern after a bar
rather than 1/16 and reloaded a couple of my own user pattern sets. I
turned off midi output on channel 8.

On the EDP I changed the following -
Midi Channel to '8'
Sync to 'In'
Quantize to 'loop'
Switchquant to 'loop'
Feedback full
Think that's everything. Doing it from memory as at work.

Like I said before, one of the preset pattern sets ('Epic Hse' I
think...the one that sounds like Faithless anyway) that I picked at random
to test it worked perfectly. My user patterns and a number of the other
presets I found didn't work. I would press start on the sequencer and over
time would watch the clock indicator on the edp slowly drift out of time.
V strange.

To check the EDP I tried syncing it to cubase and other drum machines and
it worked perfectly, it's just the RM1x that's the problem.

I've ordered the newer os eprom (v1.3) from Yamaha which I'll be refunded
for if I send the old one back to them so hopefully this will sort it. I
really can't think of any other reason why Claude's should work and mine
wouldn't (apart from difference in os), unless of course mine is broken in
some way.

Thanks for the response and any ideas appreciated.

Bob



From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 10:08:14 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
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Subject: Andre LaFosse's music appears on the scores to two different films opening this fall
Date: Mon, 26 Sep 2005 12:07:51 +0200
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Andre LaFosse's music appears on the scores to two different films opening
this fall:

http://www.livejournal.com/users/andrelafosse/12512.html

Congratulations!
Bernhard


From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 10:38:32 2005
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To: Loopers-Delight@loopers-delight.com
From: Michael Bassett <m.bassett@dartington.ac.uk>
Subject: Lexicon Jamman power supply?  
Date: Mon, 26 Sep 2005 11:42:56 +0100
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Hello All,

  I'm hoping to find a means to power my Jamman here in the UK.  I'm an 
American living the UK.  I've got an American wallwart for the Jamman.  
I'd like to use the UK power supply.  I've attempted to replace it via 
several outlets here in the UK, but I'm having no luck.

Any suggestions?

Michael Bassett
--------------------------------
Internet:
www.michaelbassett.org

Europe:
Dartington College of Arts
Higher Close, Totnes
Devon, UK
TQ9 6EJ

North America:
1 West 89th St. Apt. 7W
NY NY 10024
USA

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>sounds like I don't have the same version. Do several Loop4 versions exist?

no, you have a beta

>It is not even my own Echoplex, it belongs to Markus Reuter, and he has my
>EDP - we had exchanged our EDPs by mistake a while ago but haven't bothered
>because I thought they're the same anyway.

yes, Markus worked as betatester and as it seems he never got the 
final version, so we will have to send you one...
-- 


          ---> http://Matthias.Grob.org

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On 9/26/05, Michael Bassett <m.bassett@dartington.ac.uk> wrote:

>   I'm hoping to find a means to power my Jamman here in the UK.  I'm an
> American living the UK.  I've got an American wallwart for the Jamman.
> I'd like to use the UK power supply.  I've attempted to replace it via
> several outlets here in the UK, but I'm having no luck.
>
> Any suggestions?

http://www.maplin.co.uk/module.aspx?ModuleNo=3D13358&doy=3D26m9

Would let you use your US supply in the UK.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 14:33:25 2005
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Hi Michael

I use to live in the UK now I currently living in Brazil..
In both cases a simple adapter from ARGOS or similar, sorted my problem, it
might cost a pound or so, a power outlet that goes from dual American pin t=
o
three "monstrous" UK style of plug, :)

KOBNA BRAZIL.


On 9/26/05, Michael Bassett <m.bassett@dartington.ac.uk> wrote:
>
> Hello All,
>
> I'm hoping to find a means to power my Jamman here in the UK. I'm an
> American living the UK. I've got an American wallwart for the Jamman.
> I'd like to use the UK power supply. I've attempted to replace it via
> several outlets here in the UK, but I'm having no luck.
>
> Any suggestions?
>
> Michael Bassett
> --------------------------------
> Internet:
> www.michaelbassett.org <http://www.michaelbassett.org>
>
> Europe:
> Dartington College of Arts
> Higher Close, Totnes
> Devon, UK
> TQ9 6EJ
>
> North America:
> 1 West 89th St. Apt. 7W
> NY NY 10024
> USA
>
>

------=_Part_1855_31615877.1127745203576
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Hi Michael<br>
<br>
I use to live in the UK now I currently living in Brazil..<br>
In both cases a simple adapter from ARGOS or similar, sorted my
problem, it might cost a pound or so, a power outlet that goes from
dual American pin to three &quot;monstrous&quot; UK style of plug, :)<br>
<br>
KOBNA BRAZIL.<br>
<br><br><div><span class=3D"gmail_quote">On 9/26/05, <b class=3D"gmail_send=
ername">Michael Bassett</b> &lt;<a href=3D"mailto:m.bassett@dartington.ac.u=
k">m.bassett@dartington.ac.uk</a>&gt; wrote:</span><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">
Hello All,<br><br>&nbsp;&nbsp;I'm hoping to find a means to power my Jamman=
 here in the UK.&nbsp;&nbsp;I'm an<br>American living the UK.&nbsp;&nbsp;I'=
ve got an American wallwart for the Jamman.<br>I'd like to use the UK power=
 supply.&nbsp;&nbsp;I've attempted to replace it via
<br>several outlets here in the UK, but I'm having no luck.<br><br>Any sugg=
estions?<br><br>Michael Bassett<br>--------------------------------<br>Inte=
rnet:<br><a href=3D"http://www.michaelbassett.org">www.michaelbassett.org
</a><br><br>Europe:<br>Dartington College of Arts<br>Higher Close, Totnes<b=
r>Devon, UK<br>TQ9 6EJ<br><br>North America:<br>1 West 89th St. Apt. 7W<br>=
NY NY 10024<br>USA<br><br></blockquote></div><br>

------=_Part_1855_31615877.1127745203576--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 14:49:04 2005
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From: Erland <soam@acedsl.com>
Subject: Re: How does he do it?
Date: Mon, 26 Sep 2005 10:49:06 -0400
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In the press section it says that he uses the Headrush for a looper. =20
( http://www.anticon.com/press.htm#dosh ) Of course he c=F8uld be using =20=

something else for this.
I don't really understand what you mean by what you said. Wouldn't =20
that just mute everything?
Erland

On Sep 25, 2005, at 12:02 PM, Douglas Baldwin wrote:

> Where does it state that Dosh is using a Headrush in this video?
> I can't see what he's using in the setup behind his head, but he =20
> *could* be
> using a 'rush, simply turning the output off at that dropout point, =20=

> then
> turning it back on. Looks like maybe aa footswitch is under the =20
> keyboard to
> his left...?
> Great video, great presentation of looping.
> -db, coyote
>
>
> ----- Original Message -----
> From: "Erland" <soam@acedsl.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, September 24, 2005 1:13 PM
> Subject: How does he do it?
>
>
>
>> Any idea how this guy Dosh is putting effects onto just the drums if
>> he's using an Akai Headrush pedal? http://www.anticon.com/dosh.mov
>> (At ca. 1:35) I think it's a Boss delay pedal? Does the Headrush have
>> a metronome like the LoopStation, or is it a DL-4 type trigger? I
>> can't seeing him stomping anywhere. Also according to the video it
>> seems like the Headrush has multiple undos. I can't find any of these
>> functions on Headrush info pages.
>>
>> -----------------------------------------------------
>>
>> erland
>>
>> http://www.erlandonline.com
>> http://www.myspace.com/erland
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 15:51:17 2005
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Subject: RE: zen and the fluent music
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Kris said:
>My FB experience is on hold for now. Sure, I got it configured fine to
>work with my EDPs, but I still can't get past its size, plus I'm not
>really using the features that you can access on via MIDI and not the
>EDP controller.

I dont either
but FB is an analog pedal :-)

>For instance, if I want to have 6 separate loops, I'll
>just use the Next Loop button on the controller to scroll through them,
>rather than selecting that loop immediately via MIDI. I'm using my
>Insert function on my EDP controller to trigger reverse on the EDPs, but
>I guess it would be nice to use it for the subsitute function with some
>quantizing. But my music is typically far too organic, free flowing, and
>non-meter like to really benefit from quantizing. Now that I think about
>it, I don't use quantize for anything when I loop.  I like to be
>responsible for my own timing. :)

thats how I feel, and makes it dificult to use anything but an EDP 
because all other units and even the soft copies partly introduce 
quantization...
... which I can understand, its terrible to program without quantization!

>The half speed function is cool,
>which you can only access via MIDI, but I wouldn't really use that much
>either.

yes, it cuts flow for my taste...

>Right now I'm more interested in getting all I can get with the
>functionality accessible with the EDP controller. I don't want to
>complicate things any more.

right... we were not talking about complicated things, just a pedal 
to flow with FB... you will love it!
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 16:00:43 2005
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Subject: RE: zen and the fluent music
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Whoops, I confused FB with FCB.  Too many damn abbreviations and
acronyms. :) Please debried me privately on what FB is. thnx

Flow is good....

"Flow with whatever may happen and let your mind be free. Stay centered
by accepting whatever you are doing. This is the ultimate." -  Toaist
quote from Chuang Tzu 

Kris

-----Original Message-----
From: Matthias Grob [mailto:matigrob@terra.com.br] 
Sent: Monday, September 26, 2005 9:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: zen and the fluent music


Kris said:
>My FB experience is on hold for now. Sure, I got it configured fine to 
>work with my EDPs, but I still can't get past its size, plus I'm not 
>really using the features that you can access on via MIDI and not the 
>EDP controller.

I dont either
but FB is an analog pedal :-)

>For instance, if I want to have 6 separate loops, I'll
>just use the Next Loop button on the controller to scroll through them,

>rather than selecting that loop immediately via MIDI. I'm using my 
>Insert function on my EDP controller to trigger reverse on the EDPs, 
>but I guess it would be nice to use it for the subsitute function with 
>some quantizing. But my music is typically far too organic, free 
>flowing, and non-meter like to really benefit from quantizing. Now that

>I think about it, I don't use quantize for anything when I loop.  I 
>like to be responsible for my own timing. :)

thats how I feel, and makes it dificult to use anything but an EDP 
because all other units and even the soft copies partly introduce 
quantization...
... which I can understand, its terrible to program without
quantization!

>The half speed function is cool,
>which you can only access via MIDI, but I wouldn't really use that much

>either.

yes, it cuts flow for my taste...

>Right now I'm more interested in getting all I can get with the 
>functionality accessible with the EDP controller. I don't want to 
>complicate things any more.

right... we were not talking about complicated things, just a pedal 
to flow with FB... you will love it!
-- 


          ---> http://Matthias.Grob.org



From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 16:50:02 2005
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Subject: RE: zen and the fluent music
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Whatever you're playing, be there...unless of course it's something
like a very un-zen cover of "Volare" or "Freebird." Then you must stop.
Here's a really cool book: Hazrat Inayat Khan: The Mysticism of Sound and Music.

 
Sorry Kris - yahoo returned it to your box instead of loopers where I was 
trying to send it...


Kris Hartung <khartung@cableone.net> wrote:
Whoops, I confused FB with FCB. Too many damn abbreviations and
acronyms. :) Please debried me privately on what FB is. thnx

Flow is good....

"Flow with whatever may happen and let your mind be free. Stay centered
by accepting whatever you are doing. This is the ultimate." - Toaist
quote from Chuang Tzu 

Kris

-----Original Message-----
From: Matthias Grob [mailto:matigrob@terra.com.br] 
Sent: Monday, September 26, 2005 9:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: zen and the fluent music


Kris said:
>My FB experience is on hold for now. Sure, I got it configured fine to 
>work with my EDPs, but I still can't get past its size, plus I'm not 
>really using the features that you can access on via MIDI and not the 
>EDP controller.

I dont either
but FB is an analog pedal :-)

>For instance, if I want to have 6 separate loops, I'll
>just use the Next Loop button on the controller to scroll through them,

>rather than selecting that loop immediately via MIDI. I'm using my 
>Insert function on my EDP controller to trigger reverse on the EDPs, 
>but I guess it would be nice to use it for the subsitute function with 
>some quantizing. But my music is typically far too organic, free 
>flowing, and non-meter like to really benefit from quantizing. Now that

>I think about it, I don't use quantize for anything when I loop. I 
>like to be responsible for my own timing. :)

thats how I feel, and makes it dificult to use anything but an EDP 
because all other units and even the soft copies partly introduce 
quantization...
... which I can understand, its terrible to program without
quantization!

>The half speed function is cool,
>which you can only access via MIDI, but I wouldn't really use that much

>either.

yes, it cuts flow for my taste...

>Right now I'm more interested in getting all I can get with the 
>functionality accessible with the EDP controller. I don't want to 
>complicate things any more.

right... we were not talking about complicated things, just a pedal 
to flow with FB... you will love it!
-- 


---> http://Matthias.Grob.org





 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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<DIV>
<DIV><FONT face=verdana color=#40007f>Whatever you're playing, be there...unless of course it's something</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>like a&nbsp;very un-zen&nbsp;cover of "Volare" or "Freebird." Then you must stop.</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>Here's a really cool book: Hazrat Inayat Khan: The Mysticism of Sound and Music.</FONT></DIV><FONT face=Verdana color=#40007f></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f>Sorry Kris - yahoo returned it to your box instead of loopers where I was </FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>trying to send it...</FONT></DIV>
<DIV><BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Whoops, I confused FB with FCB. Too many damn abbreviations and<BR>acronyms. :) Please debried me privately on what FB is. thnx<BR><BR>Flow is good....<BR><BR>"Flow with whatever may happen and let your mind be free. Stay centered<BR>by accepting whatever you are doing. This is the ultimate." - Toaist<BR>quote from Chuang Tzu <BR><BR>Kris<BR><BR>-----Original Message-----<BR>From: Matthias Grob [mailto:matigrob@terra.com.br] <BR>Sent: Monday, September 26, 2005 9:50 AM<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: RE: zen and the fluent music<BR><BR><BR>Kris said:<BR>&gt;My FB experience is on hold for now. Sure, I got it configured fine to <BR>&gt;work with my EDPs, but I still can't get past its size, plus I'm not <BR>&gt;really using the features that you can access on via MIDI and not the <BR>&gt;EDP controller.<BR><BR>I dont either<BR>but FB is an analog pedal
 :-)<BR><BR>&gt;For instance, if I want to have 6 separate loops, I'll<BR>&gt;just use the Next Loop button on the controller to scroll through them,<BR><BR>&gt;rather than selecting that loop immediately via MIDI. I'm using my <BR>&gt;Insert function on my EDP controller to trigger reverse on the EDPs, <BR>&gt;but I guess it would be nice to use it for the subsitute function with <BR>&gt;some quantizing. But my music is typically far too organic, free <BR>&gt;flowing, and non-meter like to really benefit from quantizing. Now that<BR><BR>&gt;I think about it, I don't use quantize for anything when I loop. I <BR>&gt;like to be responsible for my own timing. :)<BR><BR>thats how I feel, and makes it dificult to use anything but an EDP <BR>because all other units and even the soft copies partly introduce <BR>quantization...<BR>... which I can understand, its terrible to program without<BR>quantization!<BR><BR>&gt;The half speed function is cool,<BR>&gt;which you can only access via MIDI,
 but I wouldn't really use that much<BR><BR>&gt;either.<BR><BR>yes, it cuts flow for my taste...<BR><BR>&gt;Right now I'm more interested in getting all I can get with the <BR>&gt;functionality accessible with the EDP controller. I don't want to <BR>&gt;complicate things any more.<BR><BR>right... we were not talking about complicated things, just a pedal <BR>to flow with FB... you will love it!<BR>-- <BR><BR><BR>---&gt; http://Matthias.Grob.org<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 17:09:09 2005
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At 17:50 26/09/05, you wrote:
>hi Andy,
>
> > As far as I know, the EDP will give a full range of modes as
> > long as anything is plugged into the feedback socket.
> > On start-up, I see
> > Loop 4
> > 1.1
>
>sounds like I don't have the same version. Do several Loop4 versions exist?
>
>
>It is not even my own Echoplex, it belongs to Markus Reuter, and he has my
>EDP - we had exchanged our EDPs by mistake a while ago but haven't bothered
>because I thought they're the same anyway.

Markus was a loop4 beta tester,
so there's every chance you now have a beta version.

Fli and Stu were the last modes to be put in,
so I'm thinking that looks like the answer.

In which case, Markus probably has an unused set of LoopIV 1.1 chips
which he really ought to send you :-)

andy


From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 17:10:24 2005
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Subject: RE: Lexicon Jamman power supply?
Date: Mon, 26 Sep 2005 18:11:23 +0100
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 >> a power outlet that goes from dual American pin to three "monstrous" UK style of plug, :) <<
 
noo-oo-oo-oo! the voltage is different..... he'd fry his wallwart with our 230 eurovolts.
 
the original lexicon jamman is a bit fussy about it's power anyway. mr sellon says that sometimes the supplied psu isn't adequate, & my own experience is that this will almost certainly happen when you are on stage. I can't see why this is, because when the 9V ac gets into the box, it's rectified & turned into 5V. so 9V should be plenty, but it often isn't. I suspect (as with some alesis gear) that the 5V reg isn't the end of the story, & that some of the 9V ac (or possibly even dc) goes somewhere else inside the thing aswell.
 
anyway. point is, all you need is something that can chuck out 9-10V ac from an input of 230V ac.
 
if you don't want to buy a downconverter- which would a) seem like a sledgehammer to crack a nut & b) leave the risk of plugging the US wallwart in without it's little helper one day- & it's beyond the wit of your local maplin to find a suitable device, let me know off-list. I believe I have a spare.
 
d.


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<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>a power outlet that goes from 
dual American pin to three "monstrous" UK style of plug, :)<SPAN 
class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>&nbsp;&lt;&lt;</FONT></SPAN></DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>noo-oo-oo-oo! the voltage is different..... he'd fry his wallwart 
with our 230 eurovolts.</FONT></SPAN></DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>the original lexicon jamman is a bit fussy about it's power 
anyway. mr sellon says that sometimes the supplied psu isn't adequate, &amp; my 
own experience is that this will almost certainly happen when you are on stage. 
I can't see why this is, because when the 9V ac gets into the box, it's 
rectified &amp; turned into 5V. so 9V should be plenty, but it often isn't. I 
suspect (as with some alesis gear) that the 5V reg isn't the end of the story, 
&amp; that some of the 9V ac (or possibly even dc) goes somewhere else inside 
the thing&nbsp;aswell.</FONT></SPAN></DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>anyway. point is, all you need is something that can chuck out 
9-10V ac from an input of 230V ac.</FONT></SPAN></DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>if you don't want to buy a downconverter- which would a) seem like 
a sledgehammer to crack a nut &amp; b) leave the risk of plugging the US 
wallwart in without it's little helper one day- &amp; it's beyond the wit of 
your local maplin to find a suitable device, let me know off-list. I believe I 
have a spare.</FONT></SPAN></DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842340317-26092005><FONT face="AmericanTypewriter Medium" 
color=#0000ff>d.</FONT></SPAN></DIV><CODE><FONT SIZE=3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 17:34:37 2005
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Date: Mon, 26 Sep 2005 13:12:48 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: How does he do it?
To: Erland <soam@acedsl.com>, Loopers-Delight@loopers-delight.com
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I don't have my Headrush in front of me, but I *think* you can access just
the *effect* output. Mister Dosh apparently simultaneously mutes the looped
stuff and continues to play in real time at that one point in the
performance. With the effect out routed to one channel and the "real time"
sound routed to another, you could do that pretty easily.
dB, coyote


----- Original Message ----- 
From: "Erland" <soam@acedsl.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 26, 2005 10:49 AM
Subject: Re: How does he do it?


> In the press section it says that he uses the Headrush for a looper.
> ( http://www.anticon.com/press.htm#dosh ) Of course he cøuld be using
> something else for this.
> I don't really understand what you mean by what you said. Wouldn't
> that just mute everything?
> Erland
>
> On Sep 25, 2005, at 12:02 PM, Douglas Baldwin wrote:
>
> > Where does it state that Dosh is using a Headrush in this video?
> > I can't see what he's using in the setup behind his head, but he
> > *could* be
> > using a 'rush, simply turning the output off at that dropout point,
> > then
> > turning it back on. Looks like maybe aa footswitch is under the
> > keyboard to
> > his left...?
> > Great video, great presentation of looping.
> > -db, coyote
> >
> >
> > ----- Original Message -----
> > From: "Erland" <soam@acedsl.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Saturday, September 24, 2005 1:13 PM
> > Subject: How does he do it?
> >
> >
> >
> >> Any idea how this guy Dosh is putting effects onto just the drums if
> >> he's using an Akai Headrush pedal? http://www.anticon.com/dosh.mov
> >> (At ca. 1:35) I think it's a Boss delay pedal? Does the Headrush have
> >> a metronome like the LoopStation, or is it a DL-4 type trigger? I
> >> can't seeing him stomping anywhere. Also according to the video it
> >> seems like the Headrush has multiple undos. I can't find any of these
> >> functions on Headrush info pages.
> >>
> >> -----------------------------------------------------
> >>
> >> erland
> >>
> >> http://www.erlandonline.com
> >> http://www.myspace.com/erland
> >>
> >>
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 17:45:30 2005
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Subject: Re: Lexicon Jamman power supply? 
Date: Mon, 26 Sep 2005 10:46:45 -0700
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Hello

I have a 220V UK power supply for the Jamman if you are interested. I  
actually have two if anyone else is interested in the other. I bought  
two jammans from the UK and have no need for the adapters

$25 shipped sound fair? I can do Money Order or PayPal.

Adam
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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV><BLOCKQUOTE type="cite"> </BLOCKQUOTE></DIV><DIV><B>Hello</B></DIV><DIV><B><BR class="khtml-block-placeholder"></B></DIV><DIV><B>I have a 220V UK power supply for the Jamman if you are interested. I actually have two if anyone else is interested in the other. I bought two jammans from the UK and have no need for the adapters</B></DIV><DIV><B><BR class="khtml-block-placeholder"></B></DIV><DIV><B>$25 shipped sound fair? I can do Money Order or PayPal.</B></DIV><DIV><B><BR class="khtml-block-placeholder"></B></DIV><DIV><B>Adam</B></DIV></BODY></HTML>
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	 <002a01c5c2c1$10f81e60$9715be18@oemcomputer>
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Yes, the Headrush has a separate dry out, along with all its effected
outs.  Creative mixer channel application could allow you to do that.

On 9/26/05, Douglas Baldwin <coyotelk@optonline.net> wrote:
> I don't have my Headrush in front of me, but I *think* you can access jus=
t
> the *effect* output. Mister Dosh apparently simultaneously mutes the loop=
ed
> stuff and continues to play in real time at that one point in the
> performance. With the effect out routed to one channel and the "real time=
"
> sound routed to another, you could do that pretty easily.
> dB, coyote
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 19:27:29 2005
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Date: Mon, 26 Sep 2005 12:27:27 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Oskar Sala: The German Moog
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Check this guy out...Oskar Sala, the German Moog. 
 
http://furious.com/perfect/ohm/oskarsala.html 
 
You can hear mp3s @Amazon.de - esp. check out "Subharmonische Mixturen"-
the science of synthesized subharmonics.
 
Monica


 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-578470786-1127762847=:50863
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<DIV><FONT face=verdana color=#40007f>Check this guy out...Oskar Sala, the German Moog. </FONT></DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f><A href="http://furious.com/perfect/ohm/oskarsala.html">http://furious.com/perfect/ohm/oskarsala.html</A> </FONT></DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f>You can hear mp3s @Amazon.de - esp. check out "Subharmonische Mixturen"-</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>the science of synthesized subharmonics.</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f>Monica</FONT></DIV><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-578470786-1127762847=:50863--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 19:35:38 2005
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Date: Mon, 26 Sep 2005 12:35:36 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Repeater OS2
To: Loopers-Delight@loopers-delight.com
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Electrix is doing exactly the same thing they did last
time.  Gab gab gab about a launch and then disappear
after that date is missed.  Perhaps they'll be a
Repeater MK2 or an OS2 in our future, but don't bet on
it.

Mark

--- Travis Hartnett <travishartnett@gmail.com> wrote:

> As long as they're not using the same forecasting
> group for the
> software that they have been for the hardware
> availability, they
> should be fine...
> 
> On 9/22/05, Fabio Anile <fabio.anile@tiscali.it>
> wrote:
> >
> > Hi loopers,
> > yesterday I got this e.mail from the repeater
> -users group reported from the
> > electrix forum
> > I think there are a lot of people interested in
> this, and I'm curious to
> > know how much
> > of the wishlist, electrix will bring in the new
> OS2.
> >
> > Hi M-,
> > There is a bit of good news, the new OS2 will be
> ready in the next
> > week or
> > two and we're working on a plan to make it
> available for a small
> > cocost to
> > exiting Repeater users which will make your old
> version work like a
> > new one.
> >
> > Hope that helps,
> > John
> >
> >
> > fabio anile
> > http://xoomer.virgilio.it/eterogeneo/
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> ---------------------------------------------------
> > Nota di riservatezza : Il presente messaggio,
> corredato dei relativi
> > allegati, contiene informazioni da considerarsi
> strettamente riservate, ed è
> > destinato esclusivamente al destinatario sopra
> indicato, il quale è l'unico
> > autorizzato ad usarlo, copiarlo e, sotto la
> propria responsabilità,
> > diffonderlo. Chiunque ricevesse questo messaggio
> per errore o comunque lo
> > leggesse senza esserne legittimato è avvertito che
> trattenerlo, copiarlo,
> > divulgarlo, distribuirlo a persone diverse dal
> destinatario è severamente
> > proibito, ed è pregato di rinviarlo immediatamente
> al mittente
> > distruggendone l'originale. Grazie.
> >
> >
> > Confidentiality Notice : This message, together
> with its annexes, contains
> > information to be deemed strictly confidential and
> is destined only to the
> > addressee(s) identified above who only may use,
> copy and, under his/their
> > responsibility, further disseminate it. If anyone
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> > mistake or reads it without entitlement is
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> transmit it immediately
> > to the sender and to erase the original message
> received. Thank you.
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 19:51:08 2005
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To: Loopers-Delight@loopers-delight.com
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Ops!!!

I thought Michael he had already sort out an 110>220 euro volts device and
was just having problems to get the adapter plug!!

Sorry!!

KOBNA BRAZIL.



On 9/26/05, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>
>  >> a power outlet that goes from dual American pin to three "monstrous"
> UK style of plug, :) <<
>  noo-oo-oo-oo! the voltage is different..... he'd fry his wallwart with
> our 230 eurovolts.
>  the original lexicon jamman is a bit fussy about it's power anyway. mr
> sellon says that sometimes the supplied psu isn't adequate, & my own
> experience is that this will almost certainly happen when you are on stag=
e.
> I can't see why this is, because when the 9V ac gets into the box, it's
> rectified & turned into 5V. so 9V should be plenty, but it often isn't. I
> suspect (as with some alesis gear) that the 5V reg isn't the end of the
> story, & that some of the 9V ac (or possibly even dc) goes somewhere else
> inside the thing aswell.
>  anyway. point is, all you need is something that can chuck out 9-10V ac
> from an input of 230V ac.
>  if you don't want to buy a downconverter- which would a) seem like a
> sledgehammer to crack a nut & b) leave the risk of plugging the US wallwa=
rt
> in without it's little helper one day- & it's beyond the wit of your loca=
l
> maplin to find a suitable device, let me know off-list. I believe I have =
a
> spare.
>  d.
>
>
>
> *************************************************************************=
**
> CONFIDENTIALITY NOTICE
>
> The contents of this e-mail are confidential to the ordinary user
> of the e-mail address to which it was addressed, and may also
> be privileged. If you are not the addressee of this e-mail you may
> not copy, forward, disclose or otherwise use it or any part of it
> in any form whatsoever.If you have received this e-mail in error,
> please e-mail the sender by replying to this message.
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> checks to ensure that this message and any attachments do not
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> e-mail are solely those of the author and do not necessarily
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Ops!!! <br>
<br>
I thought Michael he had already sort out an 110&gt;220 euro volts device a=
nd was just having problems to get the adapter plug!!<br>
<br>
Sorry!!<br>
<br>
KOBNA BRAZIL.<br>
<br>
<br><br><div><span class=3D"gmail_quote">On 9/26/05, <b class=3D"gmail_send=
ername"><a href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.co=
m</a></b> &lt;<a href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mt=
vne.com
</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-lef=
t: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1=
ex;"><span class=3D"q">






<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">&nbsp=
;&gt;&gt;&nbsp;</font></span>a power outlet that goes from=20
dual American pin to three &quot;monstrous&quot; UK style of plug, :)<span>=
<font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">&nbsp;&lt;&lt;</=
font></span></div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium"></fon=
t></span>&nbsp;</div></span>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">noo-o=
o-oo-oo! the voltage is different..... he'd fry his wallwart=20
with our 230 eurovolts.</font></span></div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium"></fon=
t></span>&nbsp;</div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">the o=
riginal lexicon jamman is a bit fussy about it's power=20
anyway. mr sellon says that sometimes the supplied psu isn't adequate, &amp=
; my=20
own experience is that this will almost certainly happen when you are on st=
age.=20
I can't see why this is, because when the 9V ac gets into the box, it's=20
rectified &amp; turned into 5V. so 9V should be plenty, but it often isn't.=
 I=20
suspect (as with some alesis gear) that the 5V reg isn't the end of the sto=
ry,=20
&amp; that some of the 9V ac (or possibly even dc) goes somewhere else insi=
de=20
the thing&nbsp;aswell.</font></span></div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium"></fon=
t></span>&nbsp;</div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">anywa=
y. point is, all you need is something that can chuck out=20
9-10V ac from an input of 230V ac.</font></span></div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium"></fon=
t></span>&nbsp;</div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">if yo=
u don't want to buy a downconverter- which would a) seem like=20
a sledgehammer to crack a nut &amp; b) leave the risk of plugging the US=20
wallwart in without it's little helper one day- &amp; it's beyond the wit o=
f=20
your local maplin to find a suitable device, let me know off-list. I believ=
e I=20
have a spare.</font></span></div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium"></fon=
t></span>&nbsp;</div>
<div><span><font color=3D"#0000ff" face=3D"AmericanTypewriter Medium">d.</f=
ont></span></div><code><font size=3D"3"><br>
<br>
***************************************************************************=
<br>
CONFIDENTIALITY NOTICE<br>
<br>
The contents of this e-mail are confidential to the ordinary user<br>
of the e-mail address to which it was addressed, and may also<br>
be privileged.  If you are not the addressee of this e-mail you may <br>
not copy, forward, disclose or otherwise use it or any part of it<br>
in any form whatsoever.If you have received this e-mail in error,<br>
please e-mail the sender by replying to this message.<br>
<br>
It is your responsibility to carry out appropriate virus and other<br>
checks to ensure that this message and any attachments do not<br>
affect your systems / data. Any views or opinions expressed in this<br>
e-mail are solely those of the author and do not necessarily<br>
represent those of MTV Networks Europe unless specifically stated,<br>
nor does this message form any part of any contract unless so stated.<br>
<br>
MTV reserves the right to monitor e-mail communications from<br>
external/internal sources for the purposes of ensuring correct <br>
and appropriate use of MTV communication equipment.<br>
<br>
MTV Networks Europe<br>
***************************************************************************=
<br>
</font></code>


</blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 20:16:14 2005
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
Reply-To: kevin@minds-eye.org
Subject: Re: Repeater OS2
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What's up with resurecting a dead company only to repeat the same
mistakes again?  I hear the prices will be lower this time around though.

Kevin

> Electrix is doing exactly the same thing they did last
> time.  Gab gab gab about a launch and then disappear
> after that date is missed.  Perhaps they'll be a
> Repeater MK2 or an OS2 in our future, but don't bet on
> it.
> 
> Mark
> 
How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 22:05:35 2005
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Date: Mon, 26 Sep 2005 14:05:29 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: How does he do it?
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <B03FEFA5-69CB-4B75-AB84-64984A75DD00@acedsl.com>
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It sure looks like he's got his looper in an aux send
of that mixer to his left, in which case it'd be
pretty easy to route which of the inputs gets into the
loop.

-t-

--- Erland <soam@acedsl.com> wrote:

> In the press section it says that he uses the
> Headrush for a looper.  
> ( http://www.anticon.com/press.htm#dosh ) Of course
> he cøuld be using  
> something else for this.
> I don't really understand what you mean by what you
> said. Wouldn't  
> that just mute everything?
> Erland
> 
> On Sep 25, 2005, at 12:02 PM, Douglas Baldwin wrote:
> 
> > Where does it state that Dosh is using a Headrush
> in this video?
> > I can't see what he's using in the setup behind
> his head, but he  
> > *could* be
> > using a 'rush, simply turning the output off at
> that dropout point,  
> > then
> > turning it back on. Looks like maybe aa footswitch
> is under the  
> > keyboard to
> > his left...?
> > Great video, great presentation of looping.
> > -db, coyote
> >
> >
> > ----- Original Message -----
> > From: "Erland" <soam@acedsl.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Saturday, September 24, 2005 1:13 PM
> > Subject: How does he do it?
> >
> >
> >
> >> Any idea how this guy Dosh is putting effects
> onto just the drums if
> >> he's using an Akai Headrush pedal?
> http://www.anticon.com/dosh.mov
> >> (At ca. 1:35) I think it's a Boss delay pedal?
> Does the Headrush have
> >> a metronome like the LoopStation, or is it a DL-4
> type trigger? I
> >> can't seeing him stomping anywhere. Also
> according to the video it
> >> seems like the Headrush has multiple undos. I
> can't find any of these
> >> functions on Headrush info pages.
> >>
> >>
>
-----------------------------------------------------
> >>
> >> erland
> >>
> >> http://www.erlandonline.com
> >> http://www.myspace.com/erland
> >>
> >>
> >
> >
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

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Date: Mon, 26 Sep 2005 15:11:29 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Repeater OS2
To: Loopers-Delight@loopers-delight.com
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A little cheaper, yes, but vaporware...  I'll believe
it when I see the charge from Alto music on my card.

--- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:

> What's up with resurecting a dead company only to
> repeat the same
> mistakes again?  I hear the prices will be lower
> this time around though.
> 
> Kevin
> 
> > Electrix is doing exactly the same thing they did
> last
> > time.  Gab gab gab about a launch and then
> disappear
> > after that date is missed.  Perhaps they'll be a
> > Repeater MK2 or an OS2 in our future, but don't
> bet on
> > it.
> > 
> > Mark
> > 
> How amazing, how amazing!
> Hard to comprehend that
> Nonsentient beings expound Dharma.
> It simply cannot be heard with the ear,
> But when sound is heard with the eye,
> Then it is understood.
> - Tung-shan (807-869)
> 
> Sound and Vision:    http://www.minds-eye.org
> 
> 



		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 26 22:19:35 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: "Descent to Self" Now Available on CD!
Date: Mon, 26 Sep 2005 14:57:13 -0600
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Hello All -

My new solo CD "Descent to Self" is now available in physical format and
is for sale at the Record Exchange here in Boise and online at CD Baby:
<http://www.cdbaby.com/krispen3> http://www.cdbaby.com/krispen3
 
<http://www.myweb.cableone.net/chagstrom2/music/kris-hartung/Descent/ind
ex.htm> 

Descent to Self is a musical and introspective exploration of ideas
inspired by themes such as theoretical physics, science fiction,
mathematics, and philosophy. By means of real-time looping technology,
Krispen Hartung weaves an avant-garde and improvisational tapestry of
sounds that are colorful, innovative, and mood provoking. This
instrumental work showcases Hartung's ability to fuse avant-garde jazz,
experimental, and ambient music into a multi-faceted musical experience.

Reviews

"Awe inspiring. The atmospheric bed you laid is a hauntingly beautiful
foundation for some emotionally charged guitar fx. A blissfully
meditative piece. Great guitar work and improvisational skills!" -
Valkir 

"Really very good.  The guitar solo part is fantastic, you really sound
like you are an accomplished player. Was not expecting to like this as
usually try to avoid the guitar but was pleasantly surprised." - DRT

"Ok this is STUNNING I'm speechless. What can you say BUT JUST
EXCELLENT. Too many things here to complement. Talented to the MAX.
Cheers." - Kat Speel  

Learn more about the Descent to Self, view CD artwork, and download the
entire CD in MP3 format for free here:
<http://www.krispenhartung.com/descent>
http://www.krispenhartung.com/descent

Cheers,

Kris

************************************************************************
**********************
Krispen Hartung
Improvisational / Avant-Garde Looping Guitarist
 <http://www.krispenhartung.com> http://www.krispenhartung.com
info@krispenhartung.com / 208-724-5603
Subscribe to email list: krispenhartung-subscribe@yahoogroups.com
Performance Calendar:
 
<http://www.mojam.com/concerts/search?key=performer&value=Krispen%20Hart
ung>
http://www.mojam.com/concerts/search?key=performer&value=Krispen%20Hartu
ng
Gear setup:  <http://www.krispenhartung.com/gear.htm>
http://www.krispenhartung.com/gear.htm
Over 80 free MP3s:  <http://www.krispenhartung.com/mp3.htm>
http://www.krispenhartung.com/mp3.htm



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<BODY>
<DIV><FONT face=3D"Maiandra GD" size=3D2>Hello All -<BR><BR>My new solo =
CD "Descent=20
to Self" is now available in physical format and is&nbsp;for =
sale&nbsp;<SPAN=20
class=3D400404309-12092005>at the Record Exchange here in Boise =
and&nbsp;online=20
</SPAN><SPAN class=3D400404309-12092005>at</SPAN> CD Baby<SPAN=20
class=3D400404309-12092005>:</SPAN> </FONT><A=20
href=3D"http://www.cdbaby.com/krispen3"><FONT face=3D"Maiandra GD"=20
size=3D2>http://www.cdbaby.com/krispen3</FONT></A></DIV><FONT =
size=3D2></FONT>
<P><A=20
href=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung/Desce=
nt/index.htm"><FONT=20
face=3DArial><IMG height=3D146=20
src=3D"http://www.myweb.cableone.net/chagstrom2/music/kris-hartung/Descen=
t/CD_Front_Cover_Web_Thumbnail.jpg"=20
width=3D150 border=3D0></FONT></A><FONT face=3DVerdana =
size=3D2><BR></FONT><BR><FONT=20
size=3D2><FONT face=3D"Maiandra GD"><STRONG><FONT face=3DEurostile =
size=3D3>Descent to=20
Self</FONT></STRONG> <EM>is<SPAN class=3D400404309-12092005> </SPAN>a=20
musical&nbsp;<SPAN class=3D400404309-12092005>and introspective =
</SPAN>exploration=20
of ideas inspired by themes such as theoretical physics, science =
fiction,=20
mathematics, and philosophy. By means of real-time looping technology, =
Krispen=20
Hartung weaves an avant-garde and improvisational tapestry of sounds =
that are=20
colorful, innovative, and mood provoking. This instrumental work =
showcases=20
Hartung's ability to fuse avant-garde jazz, experimental, and ambient =
music into=20
a multi-faceted musical experience.</EM></FONT></FONT></P>
<P><FONT size=3D2><FONT face=3D"Maiandra GD"><EM><SPAN=20
class=3D400404309-12092005><STRONG>Reviews</STRONG></SPAN></EM></FONT></F=
ONT></P>
<P><FONT size=3D2><FONT face=3D"Maiandra GD"><EM><SPAN=20
class=3D400404309-12092005>"</SPAN>Awe inspiring. The atmospheric bed =
you laid is=20
a hauntingly beautiful foundation for some emotionally charged guitar =
fx. A=20
blissfully meditative piece.</EM><SPAN class=3D400404309-12092005><EM> =
</EM>Great=20
guitar work and improvisational skills!"&nbsp;</SPAN>- Valkir =
</FONT></FONT></P>
<P><FONT size=3D2><FONT face=3D"Maiandra GD"><EM><SPAN=20
class=3D400404309-12092005>"</SPAN>Really very good.&nbsp; The guitar =
solo part is=20
fantastic, you really sound like you are an accomplished player. Was not =

expecting to like this as usually try to avoid the guitar but was =
pleasantly=20
surprised.</EM><SPAN class=3D400404309-12092005>"</SPAN>&nbsp;<SPAN=20
class=3D400404309-12092005>-</SPAN>&nbsp;</FONT></FONT><SPAN=20
class=3D400404309-12092005><FONT face=3D"Maiandra GD"=20
size=3D2>DRT<BR><BR></FONT></SPAN><FONT size=3D2><FONT face=3D"Maiandra =
GD"><SPAN=20
class=3D400404309-12092005><EM>"Ok this is STUNNING I'm speechless. What =
can you=20
say BUT JUST EXCELLENT. Too many things here to complement. Talented to =
the MAX.=20
Cheers." -</EM> Kat Speel&nbsp; </SPAN><BR><BR><STRONG>Learn more about=20
the&nbsp;<SPAN class=3D400404309-12092005><EM>Descent to=20
Self</EM></SPAN></STRONG><SPAN class=3D400404309-12092005>, view CD=20
artwork,</SPAN>&nbsp;and download&nbsp;<SPAN =
class=3D400404309-12092005>the entire=20
CD</SPAN> in MP3 format for free here: </FONT></FONT><A=20
href=3D"http://www.krispenhartung.com/descent"><FONT face=3D"Maiandra =
GD"=20
size=3D2>http://www.krispenhartung.com/descent</FONT></A></P>
<P><SPAN class=3D400404309-12092005><FONT face=3D"Maiandra GD"=20
size=3D2>Cheers,</FONT></SPAN></P>
<P><SPAN class=3D400404309-12092005><FONT face=3D"Maiandra GD"=20
size=3D2>Kris</FONT></SPAN></P>
<P><FONT face=3D"Maiandra GD"=20
size=3D1>****************************************************************=
******************************<BR><STRONG>Krispen=20
Hartung<BR>Improvisational / Avant-Garde Looping =
Guitarist</STRONG><BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3D"Maiandra GD"=20
size=3D1>http://www.krispenhartung.com</FONT></A><BR><FONT =
face=3D"Maiandra GD"=20
size=3D1>info@krispenhartung.com / 208-724-5603<BR>Subscribe to email =
list:=20
krispenhartung-subscribe@yahoogroups.com<BR>Performance =
Calendar:<BR></FONT><A=20
href=3D"http://www.mojam.com/concerts/search?key=3Dperformer&amp;value=3D=
Krispen%20Hartung"><FONT=20
face=3D"Maiandra GD"=20
size=3D1>http://www.mojam.com/concerts/search?key=3Dperformer&amp;value=3D=
Krispen%20Hartung</FONT></A><BR><FONT=20
face=3D"Maiandra GD" size=3D1>Gear setup: </FONT><A=20
href=3D"http://www.krispenhartung.com/gear.htm"><FONT face=3D"Maiandra =
GD"=20
size=3D1>http://www.krispenhartung.com/gear.htm</FONT></A><BR><FONT=20
face=3D"Maiandra GD" size=3D1>Over 80 free MP3s: </FONT><A=20
href=3D"http://www.krispenhartung.com/mp3.htm"><FONT face=3D"Maiandra =
GD"=20
size=3D1>http://www.krispenhartung.com/mp3.htm</FONT></A><BR></P></BODY><=
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 04:03:42 2005
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Subject: Re: Andre LaFosse's music appears on the scores to two different films
 opening t
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http://www.livejournal.com/users/andrelafosse/12512.html

Congratulations!
Bernhard

wonderful!.....major congrats andre!.....mic

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 06:11:09 2005
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Subject: RE: Michael Peters interface modes
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 > yes, Markus worked as betatester and as it seems he never got the final
version, so we will have to send you one...

talked to Markus yesterday. He has got the final chips, he just hadn't put
them in yet. He will send them to me so I'll be able to use the new modes
soon. Thanks Matthias!

-Michael


From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 10:48:31 2005
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>> I'll believe it when I see the charge from Alto music on my card.<<

I'll believe it when it's bolted into my rack, not a second before. :-)

d.


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<P><FONT SIZE=2>&gt;&gt; I'll believe it when I see the charge from Alto music on my card.&lt;&lt;</FONT>
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<P><FONT SIZE=2>I'll believe it when it's bolted into my rack, not a second before. :-)</FONT>
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<P><FONT SIZE=2>d.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 11:41:19 2005
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From: Michael Bassett <m.bassett@dartington.ac.uk>
Subject: Re: Lexicon Jamman power supply? 
Date: Tue, 27 Sep 2005 12:45:44 +0100
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Adam,

Thank you very much for this offer.  I've been generously offered a 
power-supply for this unit and I'm going to accept.  Again, thanks and 
best wishes,

Michael b
On 26 Sep 2005, at 18:46, :: rds8000 :: wrote:

> Hello
>
> I have a 220V UK power supply for the Jamman if you are interested. I 
> actually have two if anyone else is interested in the other. I bought 
> two jammans from the UK and have no need for the adapters
>
> $25 shipped sound fair? I can do Money Order or PayPal.
>
> Adam
>
--------------------------------
Internet:
www.michaelbassett.org

Europe:
Dartington College of Arts
Higher Close, Totnes
Devon, UK
TQ9 6EJ

North America:
1 West 89th St. Apt. 7W
NY NY 10024
USA

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 17:57:54 2005
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Subject: Re: Repeater OS2
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Kevin Cheli-Colando wrote:

>What's up with resurecting a dead company only to repeat the same
>mistakes again?  I hear the prices will be lower this time around though.
>
>Kevin
>
>  
>
>>Electrix is doing exactly the same thing they did last
>>time.  Gab gab gab about a launch and then disappear
>>after that date is missed.  Perhaps they'll be a
>>Repeater MK2 or an OS2 in our future, but don't bet on
>>it.
>>
>>Mark
>>
>>    
>>
>How amazing, how amazing!
>Hard to comprehend that
>Nonsentient beings expound Dharma.
>It simply cannot be heard with the ear,
>But when sound is heard with the eye,
>Then it is understood.
>- Tung-shan (807-869)
>
>Sound and Vision:    http://www.minds-eye.org
>
>
>.
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 18:58:30 2005
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hmm. Something went wrong with my post.. what I meant to say about 
Electrix was:

This says a lot about the need for more competition on the high-end 
looping market. A company like Electrix can really screw people over, 
and still expect them to be there when the product's finally finished...

Andreas

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 18:59:09 2005
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Date: Tue, 27 Sep 2005 11:59:07 -0700 (PDT)
From: Janosik <wklemmer1@yahoo.com>
Subject: Digitech GNX4 Looper
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--0-33441239-1127847547=:44906
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I just bought a Digitech GNX4-not necessarily for the looping function, but rather for the overall wealth of features. I have to say, I am fairly impressed with the capabilities of this thing. I've just barely listened to all the Presets and have enjoyed a fair number of them right out of the box. Looking forward to try out its looping feature (as soon as I pick up a Compact Flash card).
 
I haven't heard this device discussed much on this board. Are there any folks using this unit?
 
Regards, J.

		
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<DIV>I just bought a Digitech GNX4-not necessarily for the looping function, but rather for the overall wealth of features. I have to say, I am fairly impressed with the capabilities of this thing. I've just barely listened to all the Presets and have enjoyed a fair number of them right out of the box. Looking forward to try out its looping feature (as soon as I pick up a Compact Flash card).</DIV>
<DIV>&nbsp;</DIV>
<DIV>I haven't heard this device discussed much on this board. Are there any folks using this unit?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, J.</DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-33441239-1127847547=:44906--

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 19:12:00 2005
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Subject: RE: Repeater OS2
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I wish I could be convinced that there is a big enough opportunity. A key
'father of looping products' and I have discussed a high-end hardware looper
based on embedded linux to promote looping gear to the next level. But how
many unit would really sell? It is quite an undertaking for something that a
few of us would use.

I use a repeater and hope to see them get this out the door. It's got
digital i/o, stereo loops, storage, a good UI and other features that set it
apart from a lot of the other products out there.

-----Original Message-----
From: Andreas Wetterberg [mailto:awetterberg@post.cybercity.dk] 
Sent: Tuesday, September 27, 2005 2:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater OS2

hmm. Something went wrong with my post.. what I meant to say about 
Electrix was:

This says a lot about the need for more competition on the high-end 
looping market. A company like Electrix can really screw people over, 
and still expect them to be there when the product's finally finished...

Andreas



From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 19:58:55 2005
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Repeater OS2
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Andreas Wetterberg wrote:
 > This says a lot about the need for more competition on the high-end
 > looping market. A company like Electrix can really screw people over,
 > and still expect them to be there when the product's finally finished...

I think it says more about the size of the high-end looping market.
Niche markets are typically served by small companies fighting to stay
alive.  I have no idea what Electrix's situation is, but I doubt that
they are deliberately trying to screw people over.  It's more likely
they're having operating capital "issues".  They're not expecting
customers to be there, they are *desperately hoping* they will be there.
Be kind to the boutique vendors, because Korg, Roland, and Yamaha aren't
going to serve you.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 19:59:38 2005
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Repeater OS2
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Nah, it's not just high end looper market.  Tons of
products see the same types of issues.  I've been
watching Access Virus fans lamenting about the year
late Virus TI synth.  Very similar situation.  Company
was all, "blah blah blah, our cool new synth is coming
in a few weeks!" and after they missed that ship date
they were more or less silent for a year.  Supposed to
ship next month on the 3rd, but they lost my business.
 Instead of an upgrade I ended up getting a
Monomachine instead.

Mark

--- Andreas Wetterberg <awetterberg@post.cybercity.dk>
wrote:

> hmm. Something went wrong with my post.. what I
> meant to say about 
> Electrix was:
> 
> This says a lot about the need for more competition
> on the high-end 
> looping market. A company like Electrix can really
> screw people over, 
> and still expect them to be there when the product's
> finally finished...
> 
> Andreas
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 20:08:04 2005
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Repeater OS2
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true,besides The Repeater and the EDP are simply the
best hardware loopers outhere.
cheers
Luis




--- Jeff Larson <Jeffrey.Larson@Sun.COM> wrote:

> Andreas Wetterberg wrote:
>  > This says a lot about the need for more
> competition on the high-end
>  > looping market. A company like Electrix can
> really screw people over,
>  > and still expect them to be there when the
> product's finally finished...
> 
> I think it says more about the size of the high-end
> looping market.
> Niche markets are typically served by small
> companies fighting to stay
> alive.  I have no idea what Electrix's situation is,
> but I doubt that
> they are deliberately trying to screw people over. 
> It's more likely
> they're having operating capital "issues".  They're
> not expecting
> customers to be there, they are *desperately hoping*
> they will be there.
> Be kind to the boutique vendors, because Korg,
> Roland, and Yamaha aren't
> going to serve you.
> 
> Jeff
> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 27 22:01:24 2005
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From: "William Walker" <billwalker@baymoon.com>
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Ok I gotta chime in, I spent the last few months since I couldn't find the
Electrix Booth at NAMM quietly buying up all of the Repeaters on E-Bay as
the prices dropped, Now I will be able to make millions when the new
Repeaters fail to materialize. Ha Ha Ha Ha Ha (demonic blood curdling laugh)

BUT SERIOUSLY FOLKS.

I think that what Jeff said is right on the money. It is a really volatile
market right now, and niche products in general are having a tough go.
Perhaps it is time for everyone serious about a repeater to e-mail Electrix
again, though I'm not sure that will help. I am suprised though, that they
decided to come back with most of their models, instead of just
concentrating on the Repeater, like  the  company that makes the Boomerang.
As much as I'm convinced that the days of hardware high end loopers are
numbered, I'm just hoping that there will always be some demand. I also take
heart in the fact that, if all I had to loop with was a Line 6 DL4, or two,
I'd still be a happy loopoing fool.
Bill






-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Tuesday, September 27, 2005 1:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater OS2


Nah, it's not just high end looper market.  Tons of
products see the same types of issues.  I've been
watching Access Virus fans lamenting about the year
late Virus TI synth.  Very similar situation.  Company
was all, "blah blah blah, our cool new synth is coming
in a few weeks!" and after they missed that ship date
they were more or less silent for a year.  Supposed to
ship next month on the 3rd, but they lost my business.
 Instead of an upgrade I ended up getting a
Monomachine instead.

Mark

--- Andreas Wetterberg <awetterberg@post.cybercity.dk>
wrote:

> hmm. Something went wrong with my post.. what I
> meant to say about
> Electrix was:
>
> This says a lot about the need for more competition
> on the high-end
> looping market. A company like Electrix can really
> screw people over,
> and still expect them to be there when the product's
> finally finished...
>
> Andreas
>
>


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 06:12:20 2005
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On Sep 27, 2005, at 2:59 PM, mark sottilaro wrote:
> products see the same types of issues.  I've been
> watching Access Virus fans lamenting about the year
> late Virus TI synth.  Very similar situation.  Company

yeah.

i think the bottom line is "keep your trap shut until you ship".
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 11:54:09 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: REQ: loop devices and amps for busking
Date: Wed, 28 Sep 2005 13:53:48 +0200
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Hi

I'm trying to find out which battery-operated loop devices and amps =
exist.
(I mean portable and independent of wall outlet... for busking!)

>From http://www.loopersdelight.com/tools/tools.html I collected:
Line6             DL-4
Boss              Gigadelay DD-20
Akai              E2 Headrush
Electro-Harmonix  16 Second Digital Delay
Peavey            PVDJ=20
Boomerang         Boomerang

So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm =
not
sure about the others.
Maybe it could make sense to add this criterion (battery-operable or =
not) to
the "Tools of the Trade" pages?

Are there any other battery-operated loop devices?
I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow =
to
control Feedback: it's always at 100%, right?

In this vein I'd be interested in experiences of other musicians on this
list with battery-based looping, including portable amps...

E.g. Gary Lehmann seems to be experienced in this?
http://www.loopers-delight.com/LDarchive/200404/msg00085.html

Thank you
Bernhard


From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 11:59:20 2005
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Subject: Re: REQ: loop devices and amps for busking
Date: Wed, 28 Sep 2005 06:59:16 -0500
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Don't forget the ZVex Lo-Fi! It will fit in your pocket, too. (The  
Boomerang is AC only. I can't speak to the others.)


On Sep 28, 2005, at 6:53 AM, Bernhard Wagner LD wrote:

> Hi
>
> I'm trying to find out which battery-operated loop devices and amps  
> exist.
> (I mean portable and independent of wall outlet... for busking!)
>
> From http://www.loopersdelight.com/tools/tools.html I collected:
> Line6             DL-4
> Boss              Gigadelay DD-20
> Akai              E2 Headrush
> Electro-Harmonix  16 Second Digital Delay
> Peavey            PVDJ
> Boomerang         Boomerang
>
> So far, I know the DL-4, Gigadelay DD-20 are battery operable but  
> I'm not
> sure about the others.
> Maybe it could make sense to add this criterion (battery-operable  
> or not) to
> the "Tools of the Trade" pages?
>
> Are there any other battery-operated loop devices?
> I'm not mentioning the Boss RC-20 and RC-20XL because they don't  
> allow to
> control Feedback: it's always at 100%, right?
>
> In this vein I'd be interested in experiences of other musicians on  
> this
> list with battery-based looping, including portable amps...
>
> E.g. Gary Lehmann seems to be experienced in this?
> http://www.loopers-delight.com/LDarchive/200404/msg00085.html
>
> Thank you
> Bernhard
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 12:29:06 2005
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From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: loop devices and amps for busking
To: Loopers-Delight@loopers-delight.com
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Battery operated 1/2 watt amp
http://www.thegearpage.net/board/showthread.php?s=&threadid=103173

Batteries last for a long time in the LoFI LJ. Wouldn`t the DL-4 and DD-20 
eat
batteries for breakfast?

T.


----- Original Message ----- 
From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 28, 2005 1:53 PM
Subject: REQ: loop devices and amps for busking


Hi

I'm trying to find out which battery-operated loop devices and amps exist.
(I mean portable and independent of wall outlet... for busking!)

>From http://www.loopersdelight.com/tools/tools.html I collected:
Line6             DL-4
Boss              Gigadelay DD-20
Akai              E2 Headrush
Electro-Harmonix  16 Second Digital Delay
Peavey            PVDJ
Boomerang         Boomerang

So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm not
sure about the others.
Maybe it could make sense to add this criterion (battery-operable or not) to
the "Tools of the Trade" pages?

Are there any other battery-operated loop devices?
I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
control Feedback: it's always at 100%, right?

In this vein I'd be interested in experiences of other musicians on this
list with battery-based looping, including portable amps...

E.g. Gary Lehmann seems to be experienced in this?
http://www.loopers-delight.com/LDarchive/200404/msg00085.html

Thank you
Bernhard




From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 12:47:08 2005
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Subject: RE: loop devices and amps for busking
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I've been thinking of getting one of these for street corner gigs:

http://www.rolandus.com/products/details.asp?catid=7&subcatid=32&prodid=
Micro+Cube

Has DSP effects too!

Krs


-----Original Message-----
From: Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz] 
Sent: Wednesday, September 28, 2005 5:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: REQ: loop devices and amps for busking


Hi

I'm trying to find out which battery-operated loop devices and amps
exist. (I mean portable and independent of wall outlet... for busking!)

>From http://www.loopersdelight.com/tools/tools.html I collected:
Line6             DL-4
Boss              Gigadelay DD-20
Akai              E2 Headrush
Electro-Harmonix  16 Second Digital Delay
Peavey            PVDJ 
Boomerang         Boomerang

So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm
not sure about the others. Maybe it could make sense to add this
criterion (battery-operable or not) to the "Tools of the Trade" pages?

Are there any other battery-operated loop devices?
I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow
to control Feedback: it's always at 100%, right?

In this vein I'd be interested in experiences of other musicians on this
list with battery-based looping, including portable amps...

E.g. Gary Lehmann seems to be experienced in this?
http://www.loopers-delight.com/LDarchive/200404/msg00085.html

Thank you
Bernhard




From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 13:35:01 2005
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Bernhard Wagner LD wrote:

>Hi
>
>I'm trying to find out which battery-operated loop devices and amps exist.
>(I mean portable and independent of wall outlet... for busking!)
>
>From http://www.loopersdelight.com/tools/tools.html I collected:
>Akai              E2 Headrush
>Electro-Harmonix  16 Second Digital Delay
>Peavey            PVDJ 
>Boomerang         Boomerang
>  
>
The Headrush is wall wart operation only, no batteries.
Boss RC-20 Loop Station is battery operated.

Cheers,

Bill

>Are there any other battery-operated loop devices?
>I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
>control Feedback: it's always at 100%, right?
>  
>
Boss RC-20 doesn't have a feedback control as it is not a delay unit.  
All it does is sample loops and that's it... except for the oneshot 
sample in memory slot 11.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 13:56:11 2005
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On Wed, 28 Sep 2005, Bernhard Wagner LD wrote:

> Hi
>
> I'm trying to find out which battery-operated loop devices and amps exist.
> (I mean portable and independent of wall outlet... for busking!)
>
>> From http://www.loopersdelight.com/tools/tools.html I collected:
> Line6             DL-4
> Boss              Gigadelay DD-20
>
> Akai              E2 Headrush
No
(and E1 as well: also No)

> Electro-Harmonix  16 Second Digital Delay
No
(reissue, I don't know about the original)

> Peavey            PVDJ
?

> Boomerang         Boomerang
No

Digitech Jamman
No

H&K Replex
No

Big Briar MF-104
No

Moog Music MF-104Z, MF-104SD
No

Z-Vex Lo-Fi Loop Junky
Yes

> So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm not
> sure about the others.
> Maybe it could make sense to add this criterion (battery-operable or not) to
> the "Tools of the Trade" pages?
>
> Are there any other battery-operated loop devices?
> I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
> control Feedback: it's always at 100%, right?
>
> In this vein I'd be interested in experiences of other musicians on this
> list with battery-based looping, including portable amps...
>
> E.g. Gary Lehmann seems to be experienced in this?
> http://www.loopers-delight.com/LDarchive/200404/msg00085.html
>
> Thank you
> Bernhard

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 13:56:38 2005
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For battery operation I use either a ZVex LoFi Loop Junky

http://www.zvex.com/junky.html

or a Boss RC20XL (or both) as the looping device, into an Electro
Harmonix Freedom Amp .

http://www.ehx.com/ehx2/Default.asp?q=3Df&f=3D%2FCatalog%2F44%5FFreedom%5FA=
mp

> I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
> control Feedback: it's always at 100%, right?

If you discount the Boss for this reason, then you won't like the ZVex
either, since it's the same. Are you sure you're looking for a looper
and not a long delay?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 15:57:52 2005
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Subject: RE: loop devices and amps for busking
Date: Wed, 28 Sep 2005 08:57:39 -0700
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Yes, I just got rid of a DL-4 as it stopped using battery power on
me--probably something about the batteries voiding. I'll get a DD-20 to fill
in that blank when I need/can afford to.
I don't really do a lot of loop busking, but I do a lot of battery powered
amplified gigs with the Minivox by Anchor Audio, which is $220 from these
guys
http://www.dealtime.com/xPO-Anchor_Audio_Anchor_Audio_Pb_25_Minivox_Battery_
Powered_Handheld_Public_Address_System_With_Wired_Microphone_Pb25

>From my posting of two years ago:
>I am sure I like the new, battery powered, loop set up I am
| trying--managed acquire a DL4, RC-20, DFX-94 and DigiDelay 
| last two are 4 second DigiTech pedals) and seem to have a lot of 
| possibilities using them in series.

I have started using a Boss ME-30 near the front of the chain for some
reverb--still using the Carvin Stagemate
http://www.carvin.com/reviews_comments/S400D.html

But I am rather getting used to my stage setup--the Starr Labs doubleneck
into a MPX-G2 and a Roland SC-880 with the Echoplex in Aux 1 of the board.
Nice to route all audio sources for looping--vox, guitar, tone module (for
live and sequences--start getting very DJ when you sample sequences) or the
Echo Indigo, a laptop PC audio card I have not yet started using as a source
for looping, but which might keep me busy a while--thru the EDP with the
turn of a dial and the push of a fader!

Gary

-----Original Message-----
From: Bernhard Wagner LD [mailto:loopdelightml@nosuch.biz] 
Sent: Wednesday, September 28, 2005 4:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: REQ: loop devices and amps for busking

Hi

I'm trying to find out which battery-operated loop devices and amps exist.
(I mean portable and independent of wall outlet... for busking!)

>From http://www.loopersdelight.com/tools/tools.html I collected:
Line6             DL-4
Boss              Gigadelay DD-20
Akai              E2 Headrush
Electro-Harmonix  16 Second Digital Delay
Peavey            PVDJ 
Boomerang         Boomerang

So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm not
sure about the others.
Maybe it could make sense to add this criterion (battery-operable or not) to
the "Tools of the Trade" pages?

Are there any other battery-operated loop devices?
I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
control Feedback: it's always at 100%, right?

In this vein I'd be interested in experiences of other musicians on this
list with battery-based looping, including portable amps...

E.g. Gary Lehmann seems to be experienced in this?
http://www.loopers-delight.com/LDarchive/200404/msg00085.html

Thank you
Bernhard




From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 16:22:43 2005
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: REQ: loop devices and amps for busking
Date: Wed, 28 Sep 2005 10:30:02 -0600
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No feedback control in the "recording" mode. Still usefull for rythmic/ 
static loops. I use mine after the DD20 in order to capture rythmic 
snippetts from the DD20.  Has a semi usefull loop fade function but 
it's way too quick....- paul


On Sep 28, 2005, at 5:53 AM, Bernhard Wagner LD wrote:

> I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow 
> to
> control Feedback: it's always at 100%, right?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 18:24:24 2005
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> numbered, I'm just hoping that there will always be some demand. I also 
> take
> heart in the fact that, if all I had to loop with was a Line 6 DL4, or 
> two,
> I'd still be a happy loopoing fool.

I can make an amazing amount of loopy noise with the DL4, GigaDelay, 
Loopstation, Adrenalinn, Vortex, um... RP2000, RSP550, and all those other 
odd pedals... :)

On another subject...

I saw Fripp last night opening for Porcupine Tree in Philly.  I really 
enjoyed the show, although I enjoyed the show at WXPN a few  months ago 
better.  The crowd was mostly PorcTree fans, many of whom were very 
receptive to Fripp.  I heard some interesting comments afterwards.  Some 
people were expecting KingCrimson songs, some just hated the soundscapes 
flat out, some seemed to be surprised and enjoyed it.  It was pretty 
entertaining when Fripp did his last little bit and while the loop was 
winding down, got up, put his guitar down, watched the video screen (a slide 
show of his pictures) for a minute, then waved, bowed and left the stage.  I 
heard "what the hell is still playing?" comments from some people.  I also 
heard "damn, that sucked" and "I don't get it" from some.

Tony


From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 20:35:38 2005
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Date: Wed, 28 Sep 2005 13:35:37 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: REQ: loop devices and amps for busking
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I've battery-busked with various combinations of DL-4
and/or RC20 through a Pignose or a tiny little Smokey
amp. By itself, the Pignose is preferable. However, if
you use a Smokey to drive a speaker other than the
miniature self-contained one, it can sound pretty good
too, and surprisingly loud. Also, I remember doing
this on separate occasions to see which of the DL4 or
RC20 was better on batteries, but I don't remember
which one won the contest. As I recall (foggily),
either of them was fine for a few hours.

The city where I was doing this has an ordinance
prohibiting amplified music outdoors (regardless of
volume), so I was using acoustic instruments (guitar
or sitar) with the amp concealed in a little rucksack,
and taking care that the amp's volume was roughly the
same as the acoustic instrument's. Of course, the
volume pedal and big bright green DL4 with a cable
leading into the knapsack would have been a dead
giveaway had law enforcement decided to step in. :P

-t-


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:32:47 2005
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Date: Wed, 28 Sep 2005 18:19:24 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matigrob@terra.com.br>
Subject: RE: zen and the fluent music
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>Whatever you're playing, be there...unless of course it's something
>like a very un-zen cover of "Volare" or "Freebird." Then you must stop.

who, me? why would I... :-)

>Here's a really cool book: Hazrat Inayat Khan: The Mysticism of 
>Sound and Music.

even my academic music history friend admited its one of the most 
important books about music... about the last book I read, in '85, 
the year before I started looping...

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:32:48 2005
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Date: Wed, 28 Sep 2005 18:27:44 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matigrob@terra.com.br>
Subject: Re: loop devices and amps for busking
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well, laptops are battery powered and easy to carry arround...

>Battery operated 1/2 watt amp
>http://www.thegearpage.net/board/showthread.php?s=&threadid=103173
>
>Batteries last for a long time in the LoFI LJ. Wouldn`t the DL-4 and DD-20 eat
>batteries for breakfast?
>
>T.
>
>
>----- Original Message ----- From: "Bernhard Wagner LD" 
><loopdelightml@nosuch.biz>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, September 28, 2005 1:53 PM
>Subject: REQ: loop devices and amps for busking
>
>
>Hi
>
>I'm trying to find out which battery-operated loop devices and amps exist.
>(I mean portable and independent of wall outlet... for busking!)
>
>From http://www.loopersdelight.com/tools/tools.html I collected:
>Line6             DL-4
>Boss              Gigadelay DD-20
>Akai              E2 Headrush
>Electro-Harmonix  16 Second Digital Delay
>Peavey            PVDJ
>Boomerang         Boomerang
>
>So far, I know the DL-4, Gigadelay DD-20 are battery operable but I'm not
>sure about the others.
>Maybe it could make sense to add this criterion (battery-operable or not) to
>the "Tools of the Trade" pages?
>
>Are there any other battery-operated loop devices?
>I'm not mentioning the Boss RC-20 and RC-20XL because they don't allow to
>control Feedback: it's always at 100%, right?
>
>In this vein I'd be interested in experiences of other musicians on this
>list with battery-based looping, including portable amps...
>
>E.g. Gary Lehmann seems to be experienced in this?
>http://www.loopers-delight.com/LDarchive/200404/msg00085.html
>
>Thank you
>Bernhard


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:32:49 2005
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Date: Wed, 28 Sep 2005 18:13:01 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matigrob@terra.com.br>
Subject: RE: zen and the fluent music
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>Whoops, I confused FB with FCB.  Too many damn abbreviations and
>acronyms. :) Please debried me privately on what FB is. thnx

oh, sorry, for me FeedBack is important and frequent enough to type 
FB, but thats not an official one :-)

>Flow is good....

by coincience I am just half throug listening to your CD off internet 
and I love it!

>"Flow with whatever may happen and let your mind be free. Stay centered
>by accepting whatever you are doing. This is the ultimate." -  Taoist
>quote from Chuang Tzu

thank you!
Matthias

>Kris
>
>-----Original Message-----
>From: Matthias Grob [mailto:matigrob@terra.com.br]
>Sent: Monday, September 26, 2005 9:50 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: zen and the fluent music
>
>
>Kris said:
>>My FB experience is on hold for now. Sure, I got it configured fine to
>>work with my EDPs, but I still can't get past its size, plus I'm not
>>really using the features that you can access on via MIDI and not the
>>EDP controller.
>
>I dont either
>but FB is an analog pedal :-)
>
>>For instance, if I want to have 6 separate loops, I'll
>>just use the Next Loop button on the controller to scroll through them,
>
>>rather than selecting that loop immediately via MIDI. I'm using my
>>Insert function on my EDP controller to trigger reverse on the EDPs,
>>but I guess it would be nice to use it for the subsitute function with
>>some quantizing. But my music is typically far too organic, free
>>flowing, and non-meter like to really benefit from quantizing. Now that
>
>>I think about it, I don't use quantize for anything when I loop.  I
>>like to be responsible for my own timing. :)
>
>thats how I feel, and makes it dificult to use anything but an EDP
>because all other units and even the soft copies partly introduce
>quantization...
>... which I can understand, its terrible to program without
>quantization!
>
>>The half speed function is cool,
>>which you can only access via MIDI, but I wouldn't really use that much
>
>>either.
>
>yes, it cuts flow for my taste...
>
>>Right now I'm more interested in getting all I can get with the
>>functionality accessible with the EDP controller. I don't want to
>>complicate things any more.
>
>right... we were not talking about complicated things, just a pedal
>to flow with FB... you will love it!
>--
>
>
>           ---> http://Matthias.Grob.org


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:42:18 2005
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: zen and the fluent music
Date: Wed, 28 Sep 2005 15:42:03 -0600
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> by coincience I am just half throug listening to your CD off internet 
and I love it!

> Matthias

Excellent. Glad you are liking it!  That CD is packed full of songs, 17.
I worried initially that I might wear listeners out with amost 80
minutes of music, but I like to give people more music for their money,
and folks can always listen to the CD in segments.  My next solo CD will
be much, much more experimental and from all live performances. This CD
was recorded in my studio.

What do you think of the CD theme, which is on the web page for the CD?
I copied it below.

CD Themes 

Krispen Hartung establishes an intriguing array of conceptual and deeply
personal connections between his CD art, song titles, and overall feel
of his compositions. For instance, the front CD cover image is a retinal
scan of his own eye (windows to his psychological self?), and the CD
label image is of his own cells and nuclei (the genetic code or
blueprint of his biological self). The CD sleeve contains a poem that
depicts Krispen's childhood metaphysical nightmare about a strange and
primordial feeling of having his mind compress infinitely unto itself.
The song title "Ataraxia," also written in Greek on the back and inside
of the CD tray insert, means "tranquility of the soul" in ancient Greek
skepticism, which is attained by epoche or "suspension of belief", also
written in Greek on the CD tray insert. As a philosophy graduate,
Hartung has studied Greek and modern skepticism, and in many respects
these systems of thought become apparent and have an impact on his
personal life and way of viewing the world. 

Finally, what is this "descent to self? Is the self down, as in
something to which one can descend? Not literally in this context, but
metaphorically in that the self here is portrayed as something
abstractly inward, yet also downward (as in down to the depths of that
which defines one's identity) regardless of the point of departure.
Think of a star that has collapsed on to itself and is about to turn
into a black hole. Anything that is caught within the gravitational pull
of the imploding star literally falls toward its surface, much in the
same way that a anything caught by the gravitational pull of our earth
can potentially break through the atmosphere and fall (relatively
speaking) to the earth's surface; yet in the sense of the imploding
star, that which is falling is also being pulled inward, where the
center of the black hole is the point of reference. Moreover, this is
not meant to be a philosophical explanation of the psyche, but only a
metaphorical comparison of a black hole, the descent to self depicted by
the CD, and the metaphysical nightmare described in the poem inside the
CD sleeve.



Kris





From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:48:27 2005
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Subject: RE: REQ: loop devices and amps for busking
Date: Wed, 28 Sep 2005 14:48:25 -0700
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Thanks for the info. I've been thinking about doing a little guerrilla
busking myself and get one of those new little micro cube roland amps which
sound pretty darn cool and big for how lite and small they are. You could
convince the cops that the DL-4 is how you keep tempo from the flashing
lights, and ply them with donuts!
 but seriously, I have had two recent outdoor gigs that the DL-4  shut
itself off when the power source was running brown, i.e. the wall current is
less than what is required to optimally run gear.  The last gig I had pretty
much  convinced me of this . We (a five member band) were sharing power with
a PA system and a DJ, on one very long ac cable. I also think that the same
circuit was being used by the coffee makers, blenders, and god knows what
else.  My normally clean sound vibrolux was sounding muddy, and I also
noticed that the Lexicon MPX100 in my rack was shutting down. The time
before that this happened, I was convinced it was the DL-4 malfunctioning,
but now after replacing a couple of key components and having the same
behaviour happen under the same circumstances....hmmmmmm Anyone else have
this problem happen?   I think from now on I will put fresh batteries in the
DL-4 just in case. And bring my own 100ft power cord.
Bill

-----Original Message-----
From: Tim Nelson [mailto:psychle62@yahoo.com]
Sent: Wednesday, September 28, 2005 1:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: REQ: loop devices and amps for busking


I've battery-busked with various combinations of DL-4
and/or RC20 through a Pignose or a tiny little Smokey
amp. By itself, the Pignose is preferable. However, if
you use a Smokey to drive a speaker other than the
miniature self-contained one, it can sound pretty good
too, and surprisingly loud. Also, I remember doing
this on separate occasions to see which of the DL4 or
RC20 was better on batteries, but I don't remember
which one won the contest. As I recall (foggily),
either of them was fine for a few hours.

The city where I was doing this has an ordinance
prohibiting amplified music outdoors (regardless of
volume), so I was using acoustic instruments (guitar
or sitar) with the amp concealed in a little rucksack,
and taking care that the amp's volume was roughly the
same as the acoustic instrument's. Of course, the
volume pedal and big bright green DL4 with a cable
leading into the knapsack would have been a dead
giveaway had law enforcement decided to step in. :P

-t-



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From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 21:49:23 2005
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Date: Wed, 28 Sep 2005 23:49:21 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: zen and the fluent music
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I have the book. The weird thing, if I remember right,  is that
Hazrat Inayat Khan himself stopped playing music (instruments) alltogether.
Rather he thought all his actions and words were music.  :-)


----- Original Message ----- 
From: "Matthias Grob" <matigrob@terra.com.br>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 28, 2005 11:19 PM
Subject: RE: zen and the fluent music


> >Whatever you're playing, be there...unless of course it's something
>>like a very un-zen cover of "Volare" or "Freebird." Then you must stop.
>
> who, me? why would I... :-)
>
>>Here's a really cool book: Hazrat Inayat Khan: The Mysticism of Sound and 
>>Music.
>
> even my academic music history friend admited its one of the most 
> important books about music... about the last book I read, in '85, the 
> year before I started looping...
>
> -- 
>
>
>          ---> http://Matthias.Grob.org
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 28 22:46:20 2005
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From: scott hansen <evanpeewee@yahoo.com>
Subject: OT:recommendation: the Moog documentary..
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a quick OT rec: just finished watching the doc. on bob moog, very interesting stuff.

for those who like the bloops/bleeps etc, kinda fun to see him talk to a wide

range of folks who've used the moog synth. also some fun theremin stuff, which

is how moog got his start.

there was a great quote from moog (paraphrase): improvisation is just a series of wrong notes.

thought that was great.

and the extra performances on the dvd are most interesting to watch some djs/electronic musicians doing live stuff. saw lots of korg kaoss pads and the boss dr samples hooked up, as

well as keyboards/synths....

thought i'd share, definately an enjoyable 70 min of watching & listening....

s----

		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-1520629451-1127947578=:39488
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<P>a quick OT rec: just finished watching the doc. on bob moog, very interesting stuff.</P>
<P>for those who like the bloops/bleeps etc, kinda fun to see him talk to a wide</P>
<P>range of folks who've used the moog synth. also some fun theremin stuff, which</P>
<P>is how moog got his start.</P>
<P>there was a great quote from moog (paraphrase): improvisation is just a series of wrong notes.</P>
<P>thought that was great.</P>
<P>and the extra performances on the dvd are most interesting to watch some djs/electronic musicians doing live stuff. saw lots of korg kaoss pads and the boss dr samples hooked up, as</P>
<P>well as keyboards/synths....</P>
<P>thought i'd share, definately an enjoyable 70 min of watching &amp; listening....</P>
<P>s----</P><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1520629451-1127947578=:39488--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 02:15:10 2005
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>From: Tim Nelson <psychle62@yahoo.com>
 Of course, the
>volume pedal and big bright green DL4 with a cable
>leading into the knapsack would have been a dead
>giveaway had law enforcement decided to step in. :P

thanks tim.....the police in my neck-o-da-woods don't take to well to them 
sneaky busker tricksters.....guyz like u give loopbuskers a bad rap!.....:)m

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 02:21:28 2005
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>From: scott hansen <evanpeewee@yahoo.com>
 just finished watching the doc. on bob moog, very interesting stuff.

scott.....where?.....m

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 03:08:59 2005
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Date: Wed, 28 Sep 2005 20:08:58 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject:  Re: Repeater OS2
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     A quick check on eBay shows last week's Repeater sales (4 of them) to go for $380 to $650,
all of them in great working order.  That's a far cry from the ococcasionalour figures that they
were getting around the end of last year...

     It really says something about the unit that I sold my second one just because the first one
did all I needed it to do.  After acquiring the second one and trying it out for a while, I found
that short of asynchronous loop lengths, there was very little that I wanted to do more with.  The
greatest use for it was loaning it to band members...

     Stephen


		
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From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 07:52:49 2005
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Date: Thu, 29 Sep 2005 00:52:46 -0700 (PDT)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re:amps for busking
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The punchiest and cleanest battery operated amp you
can probably get(specially designed for acoustic
guitar) is the 
AER 60 watt Compact Mobile,2 channel,reverb,efx
loop,DI out,phantom power etc.
if you have 1100.- euros to chill out of course
check it out
cheers
Luis







--- "Torstein H. Rem" <trem@broadpark.no> wrote:

> Battery operated 1/2 watt amp
>
http://www.thegearpage.net/board/showthread.php?s=&threadid=103173
> 
> Batteries last for a long time in the LoFI LJ.
> Wouldn`t the DL-4 and DD-20 
> eat
> batteries for breakfast?
> 
> T.


www.luis-angulo.com


		
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From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 09:19:46 2005
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Subject: OT gig spam[ Koch-Schutz-Studer Japan Tour 2005 ]
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Hi LD,

This is my great Swiss friend trio, Koch-Schuetz-Studer  1st Japan 
Tour  information!
Their music called Hardcore Chambermusic..

Koch-Schutz-Studer (from Switzerland)
http://www.koch-schuetz-studer.ch/
  - Hans Koch (saxophone, electronics)
  - Martin Schutz (cello, electronics)
  - Fredy Studer (drums)

==============

[TOKYO]
4th  Tue Oct '05
Live at Penguin House, Tokyo

TWO OF US Vol.86

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Tadahiko Yokokawa (Guitar,Violin,electronics etc)
Sunao Inami (computer, electronics) http://www.cavestudio.com/

  7PM , 2000 yen

contacts:
Penguin House
http://www3.plala.or.jp/FREEDOM/PENGUIN.htm
TEL/FAX : 03-3330-6294
E-mail : p_house@lapis.plala.or.jp

==============

[TOKYO]
5th  Wed Oct '05
Live at  Super Deluxe,Tokyo

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Sunao Inami (computer, electronics) http://www.cavestudio.com/
  Keiko Higuchi (voice)
Morishigeyasumune (cello) http://www.morishigeyasumune.com/

  Open 7:30PM , Start 8:00PM
  3000 yen (incl.1drink)

contacts:
Super Deluxe
http://www.super-deluxe.com/
T: 03.5412.0515 | F: 03.5412.0516
  E-mail : info@super-deluxe.com

==============

[NAGOYA]
6th  Thu  Oct '05
Live at  KD Japon,Nagoya

Deep Acoustics Live Act vol.10

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Toyohiro Okazaki
Yama
Electro-Acoustic Operation http://www.deepacoustics.com/

  Open 7:00PM , Start 7:30PM
adv 2300 yen / door 2500 yen

contacts:
KD Japon
TEL (052)251-0324
http://www2.odn.ne.jp/kdjapon/

==============

[KYOTO]
7th Fri Oct '05
Live at Cafe Independants,Kyoto

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Sunao Inami  http://www.cavestudio.com/
Mori-Hannah-Soma

open 19:00/start 19:30
1500yen (w.1d)

contacts:
Cafe Independants
Tel/Fax (075)255-4312
http://www.cafe-independants.com/


==============

[KAGAWA]
8th Sat Oct '05
Live at Shikoku Gakuin University, Kagawa

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Yu Minami (sax),Shigetaka Tatara (perc),Yoshikazu Yamashita 
(bass),Yasuki Omatu (Gt)
Tetsushi Hasegawa (dance),Naomi Miyoshi (dance)

open 17:00/start 17:30
adv 1500 yen / door 1800 yen

contacts:
Shikoku Gakuin University
http://www.sg-u.ac.jp/
Tel 0877-62-2111

==============

[EHIME]
9th Sun Oct '05
Live at Espace21, Matsuyama City,Ehime

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
META-GIG (Tetsutada Fukunishi (sax,flute etc)Shigetaka Tatara 
(perc),Yoshikazu Yamashita (bass) )
Tetsushi Hasegawa (dance),Naomi Miyoshi (dance)

open 18:00/start 18:30
adv 1500 yen / door 1800 yen

contacts:
Espace21
http://www.sg-u.ac.jp/
Tel 0877-62-2111

==============

[OSAKA]
10 Mon Oct '05
Live at BRIDGE,Osaka

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Kimitaka Matsumae http://www.matsumae.com/
  toKA
  DARK MATTER (Kenji Konishi + Sunao Inami)

open 18:00 / start 19:00
  adv 1,700 yen / door 2,000 yen (+1drink 300 yen)

contacts:
BRIDGE
http://www.beyond-innocence.org/
TEL & FAX (06) 6634-0080

==============

[KOBE]
11 Tue Oct '05
Live at BIG APPLE,Kobe

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Kazuya Ishigami (Computer) http://www.neus318.com/
Sunao Inami (Computer) http://www.cavestudio.com/
Atsunobu Tadatsu (Electronics)  http://www.cavestudio.com/

  open 18:30 / start 19:30
  adv 1,800 yen / door 2,000 yen

  contacts:
BIG APPLE
http://www.bekkoame.ne.jp/i/big-apple/
  TEL & FAX (078) 251-7049
big-apple@i.bekkoame.ne.jp

==============

[TOKYO]
12th Wed Oct '05
Live at MANDA-LA2,Tokyo

TONE SUMMIT vol.24

Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
Higan http://www.clublunatica.com/
(Masaaki"Maruta" taniguchi(vo.g),Koji Shishido(g),Tadashi Matsumoto(ds) etc)
TE'

open 18:30/start19:30
2300 yen + 1drink

contacts:
MANDA-LA2
http://www.mandala.gr.jp/
Tel  0422-42-1579

==============

and more ..

  Thanks

  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 09:49:45 2005
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Date: Thu, 29 Sep 2005 10:49:05 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: RE: loop devices and amps for busking
In-Reply-To: <20050929091946.DD81F3BF0A@arsenic.violacea.com>
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hi Bernhard.

How about using one of those re-chargeable battery packs?

I got one from Lidl here, with outputs of 9V and 12V.
Ideal for my Zoom 2100.

I like the little Washburn amps, but I don't think they're made anymore.

Another idea is to take power from the amp to operate the loop device.

andy
ps. did you get mp3s on your cd webpage yet?

   

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 09:55:07 2005
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Subject: RE: RE: loop devices and amps for busking
Date: Thu, 29 Sep 2005 10:55:03 +0100
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 What about those? (20 W unknown brands on Ebay):
http://cgi.ebay.de/GITARREN-INSTRUMENTAL-UND-MIKROFON-AKKU-VERSTARKER_W0QQit
emZ7353822792QQcategoryZ21763QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

http://cgi.ebay.de/GITARREN-INSTRUMENTAL-UND-MIKROFON-AKKU-VERSTARKER_W0QQit
emZ7354189535QQcategoryZ21763QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

Anybody's seen them around before?


-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk] 
Sent: 29 September 2005 10:49
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: loop devices and amps for busking

hi Bernhard.

How about using one of those re-chargeable battery packs?

I got one from Lidl here, with outputs of 9V and 12V.
Ideal for my Zoom 2100.

I like the little Washburn amps, but I don't think they're made anymore.

Another idea is to take power from the amp to operate the loop device.

andy
ps. did you get mp3s on your cd webpage yet?

   


From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 10:24:44 2005
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From: Bill Fox <billyfox@soundscapes.us>
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To: AIMusic Yahoogroup <AIMusic@yahoogroups.com>,
	Ambient Hyperreal List <ambient@hyperreal.org>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight on Galactic Travels, I'll conclude the month-long Special Focus 
on Ken
Martin.  The Featured CD at Midnight will be "Berlin Impressions Volume 
3" by
Ken Martin on Space for Music Records. The Vinyl Starter will be from the LP
"Heldon 4/Agneta Nilsson" by Heldon on Urus Records and released in 1976.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2005/focus05.html#sep

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 12:40:16 2005
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	version=3.1.0
From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: long urls in emails (was: RE: RE: loop devices and amps for busking)
Date: Thu, 29 Sep 2005 14:39:35 +0200
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Thank you for all the inputs so far!

I'd like to use this opportunity to bring to your attention a nifty =
solution
for the long urls in posts. I've learned it from others using this =
forum:
http://tinyurl.com

Instead of needing the readers of your post to copy and paste the =
wrapped
urls into their browser, you can take your long url and have it =
transformed
into e.g.:
http://tinyurl.com/9lb9s

As the author of a post, you have to copy the long url and paste it into =
the
entry field on http://tinyurl.com, wich is kinda tedious. But if you're
using Firefox there's a tool "TinyUrl Creator" http://tinyurl.com/duqnc
(https://addons.mozilla.org/extensions/moreinfo.php?id=3D126) which adds =
the
functionality into the right-click pop-up menu: "Create TinyUrl for this
Page". So the tinyurl is looked up for you and copied into the clipboard =
so
you can paste it into your post.

(Since we don't know how long tinyurl will live, it might be a good idea =
to
post the original url along with tinyurl (sigh)).

Bernhard

> -----Original Message-----
> From: mrweasel [mailto:mrweasel@eircom.net]
> Sent: Donnerstag, 29. September 2005 11:55
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: RE: loop devices and amps for busking
>=20
>  What about those? (20 W unknown brands on Ebay):
> http://cgi.ebay.de/GITARREN-INSTRUMENTAL-UND-MIKROFON-AKKU-
> VERSTARKER_W0QQit
> emZ7353822792QQcategoryZ21763QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
>=20
> http://cgi.ebay.de/GITARREN-INSTRUMENTAL-UND-MIKROFON-AKKU-
> VERSTARKER_W0QQit
> emZ7354189535QQcategoryZ21763QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
>=20
> Anybody's seen them around before?
>=20
>=20
> -----Original Message-----
> From: a k butler [mailto:akbutler@tiscali.co.uk]
> Sent: 29 September 2005 10:49
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RE: loop devices and amps for busking
>=20
> hi Bernhard.
>=20
> How about using one of those re-chargeable battery packs?
>=20
> I got one from Lidl here, with outputs of 9V and 12V.
> Ideal for my Zoom 2100.
>=20
> I like the little Washburn amps, but I don't think they're made =
anymore.
>=20
> Another idea is to take power from the amp to operate the loop device.
>=20
> andy
> ps. did you get mp3s on your cd webpage yet?
>=20
>=20



From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 12:48:56 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: RE: loop devices and amps for busking
Date: Thu, 29 Sep 2005 14:48:36 +0200
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> -----Original Message-----
> From: a k butler [mailto:akbutler@tiscali.co.uk]
> Sent: Donnerstag, 29. September 2005 11:49
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RE: loop devices and amps for busking
> 
> hi Bernhard.
> 
> How about using one of those re-chargeable battery packs?

Didn't know about them!

> 
> I got one from Lidl here, with outputs of 9V and 12V.
> Ideal for my Zoom 2100.
> 
> I like the little Washburn amps, but I don't think they're made anymore.
> 
> Another idea is to take power from the amp to operate the loop device.
> 
> andy
> ps. did you get mp3s on your cd webpage yet?

Yes, I have:
http://nosuch.biz/fourthNight
http://pedaltone.com/
http://nosuch.biz/illt

Thank you
Bernhard


From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 13:01:42 2005
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From: "Bernhard Wagner LD" <loopdelightml@nosuch.biz>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: OT gig spam[ Koch-Schutz-Studer Japan Tour 2005 ]
Date: Thu, 29 Sep 2005 15:01:22 +0200
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They are amazing. This month of September they've been performing a jam
EVERY SINGLE NIGHT at the same place, same time. I only went there once,
unfortunately ...

Please keep us posted how those gigs went!
Bernhard

> -----Original Message-----
> From: Sunao Inami [mailto:webmaster@cavestudio.com]
> Sent: Donnerstag, 29. September 2005 11:20
> To: Loopers-Delight@loopers-delight.com
> Subject: OT gig spam[ Koch-Schutz-Studer Japan Tour 2005 ]
> 
> Hi LD,
> 
> This is my great Swiss friend trio, Koch-Schuetz-Studer  1st Japan
> Tour  information!
> Their music called Hardcore Chambermusic..
> 
> Koch-Schutz-Studer (from Switzerland)
> http://www.koch-schuetz-studer.ch/
>   - Hans Koch (saxophone, electronics)
>   - Martin Schutz (cello, electronics)
>   - Fredy Studer (drums)
> 
> ==============
> 
> [TOKYO]
> 4th  Tue Oct '05
> Live at Penguin House, Tokyo
> 
> TWO OF US Vol.86
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Tadahiko Yokokawa (Guitar,Violin,electronics etc)
> Sunao Inami (computer, electronics) http://www.cavestudio.com/
> 
>   7PM , 2000 yen
> 
> contacts:
> Penguin House
> http://www3.plala.or.jp/FREEDOM/PENGUIN.htm
> TEL/FAX : 03-3330-6294
> E-mail : p_house@lapis.plala.or.jp
> 
> ==============
> 
> [TOKYO]
> 5th  Wed Oct '05
> Live at  Super Deluxe,Tokyo
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Sunao Inami (computer, electronics) http://www.cavestudio.com/
>   Keiko Higuchi (voice)
> Morishigeyasumune (cello) http://www.morishigeyasumune.com/
> 
>   Open 7:30PM , Start 8:00PM
>   3000 yen (incl.1drink)
> 
> contacts:
> Super Deluxe
> http://www.super-deluxe.com/
> T: 03.5412.0515 | F: 03.5412.0516
>   E-mail : info@super-deluxe.com
> 
> ==============
> 
> [NAGOYA]
> 6th  Thu  Oct '05
> Live at  KD Japon,Nagoya
> 
> Deep Acoustics Live Act vol.10
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Toyohiro Okazaki
> Yama
> Electro-Acoustic Operation http://www.deepacoustics.com/
> 
>   Open 7:00PM , Start 7:30PM
> adv 2300 yen / door 2500 yen
> 
> contacts:
> KD Japon
> TEL (052)251-0324
> http://www2.odn.ne.jp/kdjapon/
> 
> ==============
> 
> [KYOTO]
> 7th Fri Oct '05
> Live at Cafe Independants,Kyoto
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Sunao Inami  http://www.cavestudio.com/
> Mori-Hannah-Soma
> 
> open 19:00/start 19:30
> 1500yen (w.1d)
> 
> contacts:
> Cafe Independants
> Tel/Fax (075)255-4312
> http://www.cafe-independants.com/
> 
> 
> ==============
> 
> [KAGAWA]
> 8th Sat Oct '05
> Live at Shikoku Gakuin University, Kagawa
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Yu Minami (sax),Shigetaka Tatara (perc),Yoshikazu Yamashita
> (bass),Yasuki Omatu (Gt)
> Tetsushi Hasegawa (dance),Naomi Miyoshi (dance)
> 
> open 17:00/start 17:30
> adv 1500 yen / door 1800 yen
> 
> contacts:
> Shikoku Gakuin University
> http://www.sg-u.ac.jp/
> Tel 0877-62-2111
> 
> ==============
> 
> [EHIME]
> 9th Sun Oct '05
> Live at Espace21, Matsuyama City,Ehime
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> META-GIG (Tetsutada Fukunishi (sax,flute etc)Shigetaka Tatara
> (perc),Yoshikazu Yamashita (bass) )
> Tetsushi Hasegawa (dance),Naomi Miyoshi (dance)
> 
> open 18:00/start 18:30
> adv 1500 yen / door 1800 yen
> 
> contacts:
> Espace21
> http://www.sg-u.ac.jp/
> Tel 0877-62-2111
> 
> ==============
> 
> [OSAKA]
> 10 Mon Oct '05
> Live at BRIDGE,Osaka
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Kimitaka Matsumae http://www.matsumae.com/
>   toKA
>   DARK MATTER (Kenji Konishi + Sunao Inami)
> 
> open 18:00 / start 19:00
>   adv 1,700 yen / door 2,000 yen (+1drink 300 yen)
> 
> contacts:
> BRIDGE
> http://www.beyond-innocence.org/
> TEL & FAX (06) 6634-0080
> 
> ==============
> 
> [KOBE]
> 11 Tue Oct '05
> Live at BIG APPLE,Kobe
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Kazuya Ishigami (Computer) http://www.neus318.com/
> Sunao Inami (Computer) http://www.cavestudio.com/
> Atsunobu Tadatsu (Electronics)  http://www.cavestudio.com/
> 
>   open 18:30 / start 19:30
>   adv 1,800 yen / door 2,000 yen
> 
>   contacts:
> BIG APPLE
> http://www.bekkoame.ne.jp/i/big-apple/
>   TEL & FAX (078) 251-7049
> big-apple@i.bekkoame.ne.jp
> 
> ==============
> 
> [TOKYO]
> 12th Wed Oct '05
> Live at MANDA-LA2,Tokyo
> 
> TONE SUMMIT vol.24
> 
> Koch-Schutz-Studer  http://www.koch-schuetz-studer.ch/
> Higan http://www.clublunatica.com/
> (Masaaki"Maruta" taniguchi(vo.g),Koji Shishido(g),Tadashi Matsumoto(ds)
> etc)
> TE'
> 
> open 18:30/start19:30
> 2300 yen + 1drink
> 
> contacts:
> MANDA-LA2
> http://www.mandala.gr.jp/
> Tel  0422-42-1579
> 
> ==============
> 
> and more ..
> 
>   Thanks
> 
>   Sunao Inami
> http://www.cavestudio.com



From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 15:41:47 2005
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Noisy/hissy EDP (revisited) LOOP IV
Date: Thu, 29 Sep 2005 11:41:40 -0400
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I'm having the same problem as Joe. Can anyone confirm if LOOP IV will help 
with the hiss or maybe the newer black units sound better. PLEASE?


Thanks
Lou


>From: "joe rut" <joerut@lycos.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Noisy/hissy EDP (revisited)
>Date: Fri, 23 Sep 2005 21:39:49 -0500
>
>Hey there-
>
>I know this was a source of discussion on the list some time ago, but I've 
>spent a couple hours searching/reading in the archive and I can't
>find anything that seems to have resolved this problem.  I'm using the 
>cream-colored Oberheim EDPs with Loop III, 5.0.
>
>The problem:
>My loop is full of hiss.  I tap record once.  I tap it a second time to end 
>the loop and there is a lot of hiss.
>This occurs even with nothing plugged into the EDP inputs
>This occurs even with input knob set to zero.
>With feedback set to zero, the hiss does not die away, but stays steady.
>
>This does not seems like an "improper gain staging" issue.  One of my EDPs 
>does this and the other does not.  With both EDPs set
>identically, one is super hissy, one is only mildly (and acceptably) hissy. 
>  (eg: A) With all knobs at 100% and no inputs into the EDPs, or B)
>input= Zero, output = any audible setting, mix and feedback = 100% and no 
>inputs into EDPs.)
>
>The only visible difference between the two EDPs is that the hissy unit has 
>a power switch with just a white dot on it, while the other
>actually says "on/off".  Could one of these be from a different 
>manufacturing run in which there were different (noisier) parts used?  Is 
>this
>a problem that can be addressed by replacing certain parts?
>
>Anybody else had this experience and found a way to address it?
>
>Thanks
>
>Joe Rut
>
>--
>_______________________________________________
>
>Search for businesses by name, location, or phone number.  -Lycos Yellow 
>Pages
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
>


From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 15:50:22 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: amps for busking
Date: Thu, 29 Sep 2005 08:50:20 -0700
Message-ID: <OPEGKDJIMPJBOGCKEPDGIEJMCHAA.billwalker@baymoon.com>
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These are also nice if you have a lot of disposable income.
www.walker-labs.com/ 

-----Original Message-----
From: Luis Angulo [mailto:labalou2000@yahoo.com]
Sent: Thursday, September 29, 2005 12:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:amps for busking


The punchiest and cleanest battery operated amp you
can probably get(specially designed for acoustic
guitar) is the 
AER 60 watt Compact Mobile,2 channel,reverb,efx
loop,DI out,phantom power etc.
if you have 1100.- euros to chill out of course
check it out
cheers
Luis







--- "Torstein H. Rem" <trem@broadpark.no> wrote:

> Battery operated 1/2 watt amp
>
http://www.thegearpage.net/board/showthread.php?s=&threadid=103173
> 
> Batteries last for a long time in the LoFI LJ.
> Wouldn`t the DL-4 and DD-20 
> eat
> batteries for breakfast?
> 
> T.


www.luis-angulo.com


		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com




From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 16:01:54 2005
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Yamaha AW16G recorder
Date: Thu, 29 Sep 2005 09:01:54 -0700
Message-ID: <OPEGKDJIMPJBOGCKEPDGOEJMCHAA.billwalker@baymoon.com>
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This is a multi-part message in MIME format.

------=_NextPart_000_0004_01C5C4D4.6FF1B6F0
Content-Type: text/plain;
	charset="us-ascii"
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Hi James, sorry I'm getting back to you so late, You should check out the
New Roland CD1 (i think its called that) It is a stand alone CD recorder
with CFC storage capability and non compressed files, built in mic pres
atc.. You might be able to use it as a burner for your Yamaha and it would
make a great portable field recorder as well.
Bill
  -----Original Message-----
  From: Jhsidlo@aol.com [mailto:Jhsidlo@aol.com]
  Sent: Sunday, September 11, 2005 8:12 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Yamaha AW16G recorder


  Hello everybody,

                  I'm looking for a replacement cd burner for my Yamaha
AW16G hard drive recorder. Supposedly it's proprietary, so you can't just
slap any laptop burner in. Yamaha wants $500 for a new one.
      Any suggestions for a work around? please e-mail me offline concerning
this.


                                                      Thanks, James Sidlo





------=_NextPart_000_0004_01C5C4D4.6FF1B6F0
Content-Type: text/html;
	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type=20
content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: =
#ffffff">
<DIV><SPAN class=3D218325815-29092005>Hi James, sorry I'm =
getting&nbsp;back to you=20
so late, You should check out the New Roland CD1 (i think its called =
that) It is=20
a stand alone CD recorder with CFC storage capability and non compressed =
files,=20
built in mic pres atc.. You might be able to use it as a burner for your =
Yamaha=20
and it would make a great portable field recorder as well.</SPAN></DIV>
<DIV><SPAN class=3D218325815-29092005>Bill</SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT=20
  face=3DTahoma>-----Original Message-----<BR><B>From:</B> =
Jhsidlo@aol.com=20
  [mailto:Jhsidlo@aol.com]<BR><B>Sent:</B> Sunday, September 11, 2005 =
8:12=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Yamaha=20
  AW16G recorder<BR><BR></FONT></DIV>
  <DIV>Hello everybody,</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; I'm looking for a replacement cd burner for my =
Yamaha AW16G=20
  hard drive recorder. Supposedly it's proprietary, so you can't just =
slap any=20
  laptop burner in. Yamaha wants $500 for a new one.</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; Any suggestions for a work around? please =
e-mail me=20
  offline concerning this.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Thanks, James Sidlo</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
  &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; </DIV>
  <DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0004_01C5C4D4.6FF1B6F0--


From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 16:07:27 2005
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From: HarryEsq@aol.com
Message-ID: <88.302dcf71.306d6b29@aol.com>
Date: Thu, 29 Sep 2005 12:07:05 EDT
Subject: For Those In NYC on October 16
To: Loopers-Delight@loopers-delight.com
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-------------------------------1128010025
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

Hi All:  

Any more takers for our Sunday October 16 cruise around Manhattan?   Its a 
benefit for Habitat for Humanity and the funds will go directly to  Gulf (not 
Persian) relief.  We've had a pretty good turnout in terms of  ticket purchase 
thus far, but the boat fits 300 people.  We want it  full.  There will be music 
(provided by DJ and myself), food and open  bar.  There will also be a silent 
auction with lots of interesting  things.  Cost is $100 per head.  Boat 
leaves at 5:00 PM promptly from  41st Street and the Hudson (Pier 81) and will 
return at 9:00 PM promptly.   Children are welcome but we have to charge the full 
ticket price for them.   What better place to get together on a nice  Fall 
evening than on  a boat, with a beautiful skyline and for a good cause?  Anyone 
who  wants more details, please email me and I will forward our email flyer.
 
Hope to hear from you.
 
Harry
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212) 989-2908

 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908

-------------------------------1128010025
Content-Type: text/html; charset="US-ASCII"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>&nbsp;Hi All:=20
<DIV>&nbsp;</DIV>
<DIV>Any more takers for our Sunday October 16 cruise around Manhattan?&nbsp=
;=20
Its a benefit for Habitat for Humanity and&nbsp;the funds will go directly t=
o=20
Gulf (not Persian) relief.&nbsp; We've had a pretty good turnout in terms of=
=20
ticket purchase thus far, but the boat fits 300 people.&nbsp; We want it=20
full.&nbsp; There will be music (provided by DJ and myself), food and open=20
bar.&nbsp;&nbsp;There will also be a silent auction with lots of interesting=
=20
things.&nbsp; Cost is $100 per head.&nbsp; Boat leaves at 5:00 PM promptly f=
rom=20
41st Street and the Hudson (Pier 81) and will return at 9:00 PM promptly.&nb=
sp;=20
Children are welcome but we have to charge the full ticket price for them.&n=
bsp;=20
What better place to&nbsp;get together&nbsp;on a nice&nbsp; Fall evening tha=
n on=20
a boat, with a beautiful skyline and&nbsp;for a good cause?&nbsp; Anyone who=
=20
wants more details, please email me and I will forward our email flyer.</DIV=
>
<DIV>&nbsp;</DIV>
<DIV>Hope to hear from you.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Harry</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Harry=20
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=20
Floor<BR>New York, N.Y. 10013<BR>(212) 989-2908</FONT></DIV><!-- |**|begin e=
gp html banner|**| --></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Harry=20
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=20
Floor<BR>New York, N.Y. 10013<BR>(212)=20
989-2908</FONT></DIV></FONT></BODY></HTML>

-------------------------------1128010025--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 16:38:16 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
Date: Thu, 29 Sep 2005 11:38:12 -0500
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I just fixed a different noise problem on my (old) EDP when I  
discovered that the screw near the transformer was too long. Just a  
thought.


On Sep 29, 2005, at 10:41 AM, Louis Rossi wrote:

> I'm having the same problem as Joe. Can anyone confirm if LOOP IV  
> will help with the hiss or maybe the newer black units sound  
> better. PLEASE?
>
>
> Thanks
> Lou
>
>
>
>> From: "joe rut" <joerut@lycos.com>
>> Reply-To: Loopers-Delight@loopers-delight.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Noisy/hissy EDP (revisited)
>> Date: Fri, 23 Sep 2005 21:39:49 -0500
>>
>> Hey there-
>>
>> I know this was a source of discussion on the list some time ago,  
>> but I've spent a couple hours searching/reading in the archive and  
>> I can't
>> find anything that seems to have resolved this problem.  I'm using  
>> the cream-colored Oberheim EDPs with Loop III, 5.0.
>>
>> The problem:
>> My loop is full of hiss.  I tap record once.  I tap it a second  
>> time to end the loop and there is a lot of hiss.
>> This occurs even with nothing plugged into the EDP inputs
>> This occurs even with input knob set to zero.
>> With feedback set to zero, the hiss does not die away, but stays  
>> steady.
>>
>> This does not seems like an "improper gain staging" issue.  One of  
>> my EDPs does this and the other does not.  With both EDPs set
>> identically, one is super hissy, one is only mildly (and  
>> acceptably) hissy.  (eg: A) With all knobs at 100% and no inputs  
>> into the EDPs, or B)
>> input= Zero, output = any audible setting, mix and feedback = 100%  
>> and no inputs into EDPs.)
>>
>> The only visible difference between the two EDPs is that the hissy  
>> unit has a power switch with just a white dot on it, while the other
>> actually says "on/off".  Could one of these be from a different  
>> manufacturing run in which there were different (noisier) parts  
>> used?  Is this
>> a problem that can be addressed by replacing certain parts?
>>
>> Anybody else had this experience and found a way to address it?
>>
>> Thanks
>>
>> Joe Rut
>>
>> --
>> _______________________________________________
>>
>> Search for businesses by name, location, or phone number.  -Lycos  
>> Yellow Pages
>>
>> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/ 
>> default.asp?SRC=lycos10
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 16:53:05 2005
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From: Legion <legion@helpwantedproductions.com>
X-Sender: legion@bunsen.sv1.telcogurus.net
To: analogue@hyperreal.org, Loopers-Delight@loopers-delight.com
Subject: FS: Danelectro DC 59 ("Jimmy page "Guitar) 
Message-ID: <Pine.LNX.4.21.0509290949560.12686-100000@bunsen.sv1.telcogurus.net>
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A friend of mine asked me to help sell his guitar for him. This is the
limo black Reiusse '59 DC with the double cutaways. No longer manufactured
and I'm told only 500 were made with the original black headstock (this
has that). Whatever!

The guitar is in good condition; not mint or a KKKollectors piece but
looks good ands sounds great.  Sounds decent unplugged as well so it's a 
perfect apt guitar. Two lipstick pickups, two dual knob (vol/tone inside
thingies), tri-position switch.

Here's a pick of the model from back in the day when they were for sale.
http://www.accessguitar.com/inventory/danelectro/danele59dc.html

It's a player's guitar with small slight surface scratches on back, a
replaced pick-up selector switch (professionally installed by Bluebond
guitars in Philadelphia), and a small paint chip on the pickguard (touched
up). It has been played a lot in a smoke free home. 

It will not make you play or sound like Jimmy Page but what the hell will?

Asking $325 or obo for a quick no nonsense sale. Buyer pays
shipping and I can accept paypal or USPS MO (or pick up in phila in which
case I'll be  more generous on the price!). Not looking to "dump" this so
swerious inquiried only but will gladly answer any questions I can. 

I can take pics this weekend if anyone is interested. Email me direct  

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 17:15:20 2005
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	id 758E23BF0C; Thu, 29 Sep 2005 17:15:20 +0000 (UTC)
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Date: Thu, 29 Sep 2005 13:15:18 -0400
From: Tom Ritchford <tom@swirly.com>
Reply-To: Tom Ritchford <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: long urls in emails (was: RE: RE: loop devices and amps for busking)
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On 9/29/05, Bernhard Wagner LD <loopdelightml@nosuch.biz> wrote:
> Thank you for all the inputs so far!
>
> I'd like to use this opportunity to bring to your attention a nifty solut=
ion
> for the long urls in posts. I've learned it from others using this forum:
> http://tinyurl.com

Tinyurl is great!

Even easier, putting left and right angle brackets around the URL
allows it to be clickable even if there's a line break...

<http://beta.news.com.com/The+100+laptop+moves+closer+to+reality/2100-1044_=
3-5884683.html>

--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 19:21:49 2005
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	id F00663BF00; Thu, 29 Sep 2005 19:21:48 +0000 (UTC)
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Date: Thu, 29 Sep 2005 12:21:46 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: FS: Danelectro DC 59 ("Jimmy page "Guitar) 
To: Loopers-Delight@loopers-delight.com
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--0-1327608067-1128021706=:93755
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    I have one of these myself! And everyone makes fun of it because it's 
such a cheap and primative guitar...but it's got a great tone - more lower
register - and indeed it's the guitar Page used on tracks like Kashmir + Hanged
Man. And you can get those exact tones at times - you'll be jamming around
and suddenly... wow there it is! You realize how the dark tones of 
this particular guitar influenced his music. I paid $500 for mine a few years ago.
I've been told the guitar's only worth $150 for materials and that the new
Danos are exactly the same and much cheaper - but they aren't the same
unique dark tones. Everyone makes fun of me about this guitar but I've
insisted on using it anyhow.

 

Monica


Legion <legion@helpwantedproductions.com> wrote:

A friend of mine asked me to help sell his guitar for him. This is the
limo black Reiusse '59 DC with the double cutaways. No longer manufactured
and I'm told only 500 were made with the original black headstock (this
has that). Whatever!

The guitar is in good condition; not mint or a KKKollectors piece but
looks good ands sounds great. Sounds decent unplugged as well so it's a 
perfect apt guitar. Two lipstick pickups, two dual knob (vol/tone inside
thingies), tri-position switch.

Here's a pick of the model from back in the day when they were for sale.
http://www.accessguitar.com/inventory/danelectro/danele59dc.html

It's a player's guitar with small slight surface scratches on back, a
replaced pick-up selector switch (professionally installed by Bluebond
guitars in Philadelphia), and a small paint chip on the pickguard (touched
up). It has been played a lot in a smoke free home. 

It will not make you play or sound like Jimmy Page but what the hell will?

Asking $325 or obo for a quick no nonsense sale. Buyer pays
shipping and I can accept paypal or USPS MO (or pick up in phila in which
case I'll be more generous on the price!). Not looking to "dump" this so
swerious inquiried only but will gladly answer any questions I can. 

I can take pics this weekend if anyone is interested. Email me direct 

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.





 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-1327608067-1128021706=:93755
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

<DIV><FONT face=Verdana color=#6000bf>&nbsp;&nbsp;&nbsp; I have one of these myself! And everyone makes fun of it because it's </FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>such a cheap and primative guitar...but it's got a great tone - more lower</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>register - and indeed it's the guitar Page used on tracks like Kashmir + Hanged</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>Man. And you can get those exact tones at times - you'll be jamming around</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>and suddenly... wow there it is! You realize how the dark tones of </FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>this particular guitar influenced his music. I paid $500 for mine a few years ago.</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>I've been told the guitar's only worth $150&nbsp;for materials and that the new</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>Danos are exactly the same and much cheaper - but they aren't the same</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>unique dark tones. Everyone makes fun of me about this guitar but I've</FONT></DIV>
<DIV><FONT face=Verdana color=#6000bf>insisted on&nbsp;using it anyhow.</FONT></DIV>
<P><FONT face=Verdana color=#6000bf></FONT>&nbsp;</P>
<P><FONT face=Verdana color=#6000bf>Monica</FONT></P>
<DIV><BR><BR><B><I>Legion &lt;legion@helpwantedproductions.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><BR>A friend of mine asked me to help sell his guitar for him. This is the<BR>limo black Reiusse '59 DC with the double cutaways. No longer manufactured<BR>and I'm told only 500 were made with the original black headstock (this<BR>has that). Whatever!<BR><BR>The guitar is in good condition; not mint or a KKKollectors piece but<BR>looks good ands sounds great. Sounds decent unplugged as well so it's a <BR>perfect apt guitar. Two lipstick pickups, two dual knob (vol/tone inside<BR>thingies), tri-position switch.<BR><BR>Here's a pick of the model from back in the day when they were for sale.<BR>http://www.accessguitar.com/inventory/danelectro/danele59dc.html<BR><BR>It's a player's guitar with small slight surface scratches on back, a<BR>replaced pick-up selector switch (professionally installed by Bluebond<BR>guitars in Philadelphia), and a small paint chip on the pickguard
 (touched<BR>up). It has been played a lot in a smoke free home. <BR><BR>It will not make you play or sound like Jimmy Page but what the hell will?<BR><BR>Asking $325 or obo for a quick no nonsense sale. Buyer pays<BR>shipping and I can accept paypal or USPS MO (or pick up in phila in which<BR>case I'll be more generous on the price!). Not looking to "dump" this so<BR>swerious inquiried only but will gladly answer any questions I can. <BR><BR>I can take pics this weekend if anyone is interested. Email me direct <BR><BR>___________________________________________________________________<BR>HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com<BR>"Bringing you the best in Organic Electronic music since we started..."<BR><BR>Home of the Unusual Instrument and Recording Gallery with pictures and<BR>info of Tube recorders, Omnichords, weird guitars, Casios, and more.<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1327608067-1128021706=:93755--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 20:44:39 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 29 Sep 2005 15:44:36 -0500
Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
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Kelly-=20

I'll check my screw.  What was the actual problem on your unit?  Was the sc=
rew actually hitting the transformer and shorting something?

Joe
----- Original Message -----
From: "Kelly Coyle" <kellycoyle@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
Date: Thu, 29 Sep 2005 11:38:12 -0500

>=20
> I just fixed a different noise problem on my (old) EDP when I=20=20
> discovered that the screw near the transformer was too long. Just a=20
>   thought.
>=20
>=20
> On Sep 29, 2005, at 10:41 AM, Louis Rossi wrote:
>=20
> > I'm having the same problem as Joe. Can anyone confirm if LOOP IV=20
> >  will help with the hiss or maybe the newer black units sound=20=20
> > better. PLEASE?
> >
> >
> > Thanks
> > Lou
> >
> >
> >
> >> From: "joe rut" <joerut@lycos.com>
> >> Reply-To: Loopers-Delight@loopers-delight.com
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: Noisy/hissy EDP (revisited)
> >> Date: Fri, 23 Sep 2005 21:39:49 -0500
> >>
> >> Hey there-
> >>
> >> I know this was a source of discussion on the list some time=20
> >> ago,  but I've spent a couple hours searching/reading in the=20
> >> archive and  I can't
> >> find anything that seems to have resolved this problem.  I'm=20
> >> using  the cream-colored Oberheim EDPs with Loop III, 5.0.
> >>
> >> The problem:
> >> My loop is full of hiss.  I tap record once.  I tap it a second=20=20
> >> time to end the loop and there is a lot of hiss.
> >> This occurs even with nothing plugged into the EDP inputs
> >> This occurs even with input knob set to zero.
> >> With feedback set to zero, the hiss does not die away, but stays  stea=
dy.
> >>
> >> This does not seems like an "improper gain staging" issue.  One=20
> >> of  my EDPs does this and the other does not.  With both EDPs set
> >> identically, one is super hissy, one is only mildly (and=20=20
> >> acceptably) hissy.  (eg: A) With all knobs at 100% and no inputs=20
> >>  into the EDPs, or B)
> >> input=3D Zero, output =3D any audible setting, mix and feedback =3D=20
> >> 100%  and no inputs into EDPs.)
> >>
> >> The only visible difference between the two EDPs is that the=20
> >> hissy  unit has a power switch with just a white dot on it,=20
> >> while the other
> >> actually says "on/off".  Could one of these be from a different=20=20
> >> manufacturing run in which there were different (noisier) parts=20=20
> >> used?  Is this
> >> a problem that can be addressed by replacing certain parts?
> >>
> >> Anybody else had this experience and found a way to address it?
> >>
> >> Thanks
> >>
> >> Joe Rut
> >>
> >> --
> >> _______________________________________________
> >>
> >> Search for businesses by name, location, or phone number.=20=20
> >> -Lycos  Yellow Pages
> >>
> >> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/=20
> >> default.asp?SRC=3Dlycos10
> >>
> >>
> >
> >

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 20:54:55 2005
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 29 Sep 2005 15:54:47 -0500
Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
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I have traded emails with Gibson customer service.  Their suggestions were =
1) trade cables or 2) reinitialize the unit.  Other than that, they=20
said, the unit requires service.

Well, I'd like to avoid spending even more money on this already expensive =
unit.  And it certainly seems as though this is not an isolated=20
issue, and that it is likely to have popped up before and been addressed.  =
I'll keep searchin a bit more.

Joe Rut

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 20:57:24 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
Date: Thu, 29 Sep 2005 15:57:21 -0500
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I don't think it was touching. I got the tip from an ancient post in  
the archive.

If you recorded an empty loop in mine, it would be quiet. But any  
input would cause a static-y hiss which would multiply with the loops.


On Sep 29, 2005, at 3:44 PM, joe rut wrote:

> Kelly-
>
> I'll check my screw.  What was the actual problem on your unit?   
> Was the screw actually hitting the transformer and shorting something?
>
> Joe
> ----- Original Message -----
> From: "Kelly Coyle" <kellycoyle@charter.net>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Noisy/hissy EDP (revisited) LOOP IV
> Date: Thu, 29 Sep 2005 11:38:12 -0500
>
>
>>
>> I just fixed a different noise problem on my (old) EDP when I
>> discovered that the screw near the transformer was too long. Just a
>>   thought.
>>
>>
>> On Sep 29, 2005, at 10:41 AM, Louis Rossi wrote:
>>
>>
>>> I'm having the same problem as Joe. Can anyone confirm if LOOP IV
>>>  will help with the hiss or maybe the newer black units sound
>>> better. PLEASE?
>>>
>>>
>>> Thanks
>>> Lou
>>>
>>>
>>>
>>>
>>>> From: "joe rut" <joerut@lycos.com>
>>>> Reply-To: Loopers-Delight@loopers-delight.com
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: Noisy/hissy EDP (revisited)
>>>> Date: Fri, 23 Sep 2005 21:39:49 -0500
>>>>
>>>> Hey there-
>>>>
>>>> I know this was a source of discussion on the list some time
>>>> ago,  but I've spent a couple hours searching/reading in the
>>>> archive and  I can't
>>>> find anything that seems to have resolved this problem.  I'm
>>>> using  the cream-colored Oberheim EDPs with Loop III, 5.0.
>>>>
>>>> The problem:
>>>> My loop is full of hiss.  I tap record once.  I tap it a second
>>>> time to end the loop and there is a lot of hiss.
>>>> This occurs even with nothing plugged into the EDP inputs
>>>> This occurs even with input knob set to zero.
>>>> With feedback set to zero, the hiss does not die away, but  
>>>> stays  steady.
>>>>
>>>> This does not seems like an "improper gain staging" issue.  One
>>>> of  my EDPs does this and the other does not.  With both EDPs set
>>>> identically, one is super hissy, one is only mildly (and
>>>> acceptably) hissy.  (eg: A) With all knobs at 100% and no inputs
>>>>  into the EDPs, or B)
>>>> input= Zero, output = any audible setting, mix and feedback =
>>>> 100%  and no inputs into EDPs.)
>>>>
>>>> The only visible difference between the two EDPs is that the
>>>> hissy  unit has a power switch with just a white dot on it,
>>>> while the other
>>>> actually says "on/off".  Could one of these be from a different
>>>> manufacturing run in which there were different (noisier) parts
>>>> used?  Is this
>>>> a problem that can be addressed by replacing certain parts?
>>>>
>>>> Anybody else had this experience and found a way to address it?
>>>>
>>>> Thanks
>>>>
>>>> Joe Rut
>>>>
>>>> --
>>>> _______________________________________________
>>>>
>>>> Search for businesses by name, location, or phone number.
>>>> -Lycos  Yellow Pages
>>>>
>>>> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/
>>>> default.asp?SRC=lycos10
>>>>
>>>>
>>>>
>>>
>>>
>>>
>
> -- 
> _______________________________________________
>
> Search for businesses by name, location, or phone number.  -Lycos  
> Yellow Pages
>
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/ 
> default.asp?SRC=lycos10
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 21:18:30 2005
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Subject: Re: FS: Danelectro DC 59 ("Jimmy page "Guitar) 
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This *is* a very cool guitar. I remember when they came out and my friend
bought this and I kind of laughed at him for it. The last three on ebay of
this exact model went for $405-$525 so other folks must know about it too. 

I played it a bit this weekend and would keep it myself if I didn't
already have about 5-10 guitars too many as it is :)



On Thu, 29 Sep 2005, Monica wrote:

>     I have one of these myself! And everyone makes fun of it because it's 
> such a cheap and primative guitar...but it's got a great tone - more lower
> register - and indeed it's the guitar Page used on tracks like Kashmir + Hanged
> Man. And you can get those exact tones at times - you'll be jamming around
> and suddenly... wow there it is! You realize how the dark tones of 
> this particular guitar influenced his music. I paid $500 for mine a few years ago.
> I've been told the guitar's only worth $150 for materials and that the new
> Danos are exactly the same and much cheaper - but they aren't the same
> unique dark tones. Everyone makes fun of me about this guitar but I've
> insisted on using it anyhow.

> Legion <legion@helpwantedproductions.com> wrote:
> Asking $325 or obo for a quick no nonsense sale. Buyer pays
> shipping and I can accept paypal or USPS MO (or pick up in phila in which
> case I'll be more generous on the price!). Not looking to "dump" this so
> serious inquiries only but will gladly answer any questions I can. 

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Thu Sep 29 22:06:23 2005
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Date: Fri, 30 Sep 2005 00:06:21 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: FS: Danelectro DC 59 ("Jimmy page "Guitar)
To: Loopers-Delight@loopers-delight.com
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For more money there is always the Jerry Jones guitars.
Lipstick heaven at http://www.jerryjonesguitars.com/

T.


----- Original Message ----- 
From: "Legion" <legion@helpwantedproductions.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 29, 2005 11:17 PM
Subject: Re: FS: Danelectro DC 59 ("Jimmy page "Guitar)


>
> This *is* a very cool guitar. I remember when they came out and my friend
> bought this and I kind of laughed at him for it. The last three on ebay of
> this exact model went for $405-$525 so other folks must know about it too.
>
> I played it a bit this weekend and would keep it myself if I didn't
> already have about 5-10 guitars too many as it is :)
>
>
>
> On Thu, 29 Sep 2005, Monica wrote:
>
>>     I have one of these myself! And everyone makes fun of it because it's
>> such a cheap and primative guitar...but it's got a great tone - more 
>> lower
>> register - and indeed it's the guitar Page used on tracks like Kashmir + 
>> Hanged
>> Man. And you can get those exact tones at times - you'll be jamming 
>> around
>> and suddenly... wow there it is! You realize how the dark tones of
>> this particular guitar influenced his music. I paid $500 for mine a few 
>> years ago.
>> I've been told the guitar's only worth $150 for materials and that the 
>> new
>> Danos are exactly the same and much cheaper - but they aren't the same
>> unique dark tones. Everyone makes fun of me about this guitar but I've
>> insisted on using it anyhow.
>
>> Legion <legion@helpwantedproductions.com> wrote:
>> Asking $325 or obo for a quick no nonsense sale. Buyer pays
>> shipping and I can accept paypal or USPS MO (or pick up in phila in which
>> case I'll be more generous on the price!). Not looking to "dump" this so
>> serious inquiries only but will gladly answer any questions I can.
>
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
>
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 02:54:18 2005
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From: <nemoguitt@verizon.net>
Subject: still goin clean
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playin straight thru my rang into my mixer addin a little 
verb.....HEAVEN.....but that voice in the back of my head keeps goin, "add 
some ineko add some bitrman some space station make it "wacky"".....get thee 
behind me SANTA or is that satan?.....oh, i so want to come to Y2K5 and have 
the least equipment (THERE IS A $500.00 PRIZE THAT RICK NEVER TELLS PEOPLE 
ABOUT).....bill makes him do this!.....mic

http://mysite.verizon.net/vzepmeci

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 03:00:52 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: still goin clean
Date: Thu, 29 Sep 2005 22:00:45 -0500
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As I age, I find I play cleaner. I just off-loaded a bunch of  
noisemakers, and I'm down to a Rat, a MURF (still love filters...), a  
delay, the EDP, and amp reverb. I think the Rat is next to go. Maybe  
someday just guitar and edp, who knows?


On Sep 29, 2005, at 9:54 PM, <nemoguitt@verizon.net> wrote:

> playin straight thru my rang into my mixer addin a little
> verb.....HEAVEN.....but that voice in the back of my head keeps  
> goin, "add
> some ineko add some bitrman some space station make it  
> "wacky"".....get thee
> behind me SANTA or is that satan?.....oh, i so want to come to Y2K5  
> and have
> the least equipment (THERE IS A $500.00 PRIZE THAT RICK NEVER TELLS  
> PEOPLE
> ABOUT).....bill makes him do this!.....mic
>
> http://mysite.verizon.net/vzepmeci
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 03:03:43 2005
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: RE: still goin clean
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-----Original Message-----
From: nemoguitt@verizon.net [mailto:nemoguitt@verizon.net] 

> oh, i so want to come to Y2K5 and have the least equipment 

I hear you! I'm checking in my 5 space rack with the rest of my baggage,
and hope it doesn't go over the 60 pound limit. I hope to check in my
rack and a large suitcase with my wires and controllers, and a few
clothes, and then walk on the plane with my two laptops and guitar. The
flight from Boise to San Jose is short and on a small plane with no
closets, so I think I will have to put my acoustic guitar on the a la
carte and have it stored under the plane. I don't know what else to do.
The overhead compartments in the plane are too small for my electric,
otherwise I would bring it. No closets, no overheads...leads to only
checking my guitar in...but I'm sure it is pressurized where they store
the a la carte bags. 

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 03:11:32 2005
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It's not the air pressure to worry about, but the handlers and the
cold, in that order.

TravisH

On 9/29/05, Kris Hartung <khartung@cableone.net> wrote:
> -----Original Message-----

>
> I hear you! I'm checking in my 5 space rack with the rest of my baggage,
> and hope it doesn't go over the 60 pound limit. I hope to check in my
> rack and a large suitcase with my wires and controllers, and a few
> clothes, and then walk on the plane with my two laptops and guitar. The
> flight from Boise to San Jose is short and on a small plane with no
> closets, so I think I will have to put my acoustic guitar on the a la
> carte and have it stored under the plane. I don't know what else to do.
> The overhead compartments in the plane are too small for my electric,
> otherwise I would bring it. No closets, no overheads...leads to only
> checking my guitar in...but I'm sure it is pressurized where they store
> the a la carte bags.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 03:40:46 2005
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I think the under-carrier baggage areas temperatures are temperature
controlled. Have you heard differently? I mean people put liquids in
their baggage all of the time...shampoo, etc...I've never had a frozen
item out of my baggage, even after a 14 hour trip from West US to Italy.
This is a main concern too...a nice wood finish being exposed to sub-0
degrees is frightening, even if for only 1 1/2 hours.   I may try to
bring the guitar on board and sweet talk the stewardess into putting it
somewhere....there must be some place.  On my business drop to the Bay
area last week, I saw a cello player walk off the same small plane with
his instrument in a hard case. I was wondering wher he had it, or if he
had purchased a seat for it.

Or I could ship the guitar to someone in Santa Cruz...last resort.
Better yet...get a Steinberger!  :)  It must be nice to be Kid Beyond.

Kris


-----Original Message-----
From: Travis Hartnett [mailto:travishartnett@gmail.com] 
Sent: Thursday, September 29, 2005 9:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: still goin clean


It's not the air pressure to worry about, but the handlers and the cold,
in that order.

TravisH

On 9/29/05, Kris Hartung <khartung@cableone.net> wrote:
> -----Original Message-----

>
> I hear you! I'm checking in my 5 space rack with the rest of my 
> baggage, and hope it doesn't go over the 60 pound limit. I hope to 
> check in my rack and a large suitcase with my wires and controllers, 
> and a few clothes, and then walk on the plane with my two laptops and 
> guitar. The flight from Boise to San Jose is short and on a small 
> plane with no closets, so I think I will have to put my acoustic 
> guitar on the a la carte and have it stored under the plane. I don't 
> know what else to do. The overhead compartments in the plane are too 
> small for my electric, otherwise I would bring it. No closets, no 
> overheads...leads to only checking my guitar in...but I'm sure it is 
> pressurized where they store the a la carte bags.
>
> Kris
>
>
>



From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 03:57:12 2005
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Ah, Michael....are we gonna have that "little rig" contest again?
I went "big" (pedal board, tube preamp,tube driven analog spring reverb, 
tube power amp) for a bit.  Herniated two discs in my back and needed spinal 
surgery this summer!  Sounded great..weighed a ton and was a bitch to move 
(friggin' road cases).
Now, even when I use an amp it weighs in at less than 25lbs (Acoustic Image)

I have gone "small" again:  Acoustic Bass to a D-Tar Mama Bear preamp...and 
a D-Tar Solstice mixer which holds my JamMan (oooo...talk about small and 
archaic!)  Even did away with reverb, tho that make re-emerge for Y2K5, we 
shall see.
I just picked up a VF1, which is quite cool, but I think I likle things 
better clean and effectless (save for what I do with my hands), so it will 
most likely miss the trip to SC.

Who says size matters?

See ya in SC Michael.....

Max
>
>
>On Sep 29, 2005, at 9:54 PM, <nemoguitt@verizon.net> wrote:
>
>>playin straight thru my rang into my mixer addin a little
>>verb.....HEAVEN.....but that voice in the back of my head keeps  goin, 
>>"add
>>some ineko add some bitrman some space station make it  "wacky"".....get 
>>thee
>>behind me SANTA or is that satan?.....oh, i so want to come to Y2K5  and 
>>have
>>the least equipment (THERE IS A $500.00 PRIZE THAT RICK NEVER TELLS  
>>PEOPLE
>>ABOUT).....bill makes him do this!.....mic
>>
>>http://mysite.verizon.net/vzepmeci
>>
>


From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 06:03:49 2005
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Last year..a DL-4 and a volume pedal...me


On Thursday, September 29, 2005, at 07:54  PM, <nemoguitt@verizon.net> 
wrote:

> playin straight thru my rang into my mixer addin a little
> verb.....HEAVEN.....but that voice in the back of my head keeps goin, 
> "add
> some ineko add some bitrman some space station make it 
> "wacky"".....get thee
> behind me SANTA or is that satan?.....oh, i so want to come to Y2K5 
> and have
> the least equipment (THERE IS A $500.00 PRIZE THAT RICK NEVER TELLS 
> PEOPLE
> ABOUT).....bill makes him do this!.....mic
>
> http://mysite.verizon.net/vzepmeci
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 14:10:54 2005
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Subject: Re: still goin clean
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>As I age, I find I play cleaner. I just off-loaded a bunch of 
>noisemakers, and I'm down to a Rat, a MURF (still love filters...), 
>a delay, the EDP, and amp reverb. I think the Rat is next to go. 
>Maybe someday just guitar and edp, who knows?

for me, polyphonic distortion was the way... I have it since 79, but 
use it more and more. Now that its becoming a all controllable 
plug-in, I may not even use monophonic distortion any more.


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 15:32:46 2005
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: still goin clean
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>>  Maybe someday just guitar and edp, who knows?


Since moving to a new town (Evergreen, Co.) and getting involved in the 
local music scene (mostly through the extensive open mic circuit in the 
Denver area), it's been a necessity to scale things down and travel 
light.  Been using just an acoustic archtop guitar and << volume pedal 
to DD20 to RC20xl >> setup to good effect.  One benefit of this 
streamlined, lack of outboard effects setup, is that it forces you to 
really explore the various "natural" sounds (musical and non musical) 
that you can get from just an acoustic guitar.  It's a lot more 
intimate and seems to draw people in more.  Liking it more, now (old 
age factor?), than playing "electric".  Although, when you strap on the 
electric and get that distortion driven, effects laden, wall of sound 
thing going ... man that's nice :).
PS: any tips/ links to info on "processed acoustic guitar"?  I've seen 
players using all sorts of alligator clips and doodads attached to 
strings to get different sounds but not clear on the actual process.... 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 15:41:32 2005
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: still goin clean
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I think Max Valentino is on this list, but you can look in this  
thread on TalkBass for an overview (scroll down and find Max's post).
<http://www.talkbass.com/forum/showthread.php? 
t=195358&highlight=alligator+clips>

I haven't tried it myself. S'pect I will, now that you reminded me.

On Sep 30, 2005, at 10:40 AM, Paul Mimlitsch wrote:

>>>  Maybe someday just guitar and edp, who knows?
>>>
>
>
> Since moving to a new town (Evergreen, Co.) and getting involved in  
> the local music scene (mostly through the extensive open mic  
> circuit in the Denver area), it's been a necessity to scale things  
> down and travel light.  Been using just an acoustic archtop guitar  
> and << volume pedal to DD20 to RC20xl >> setup to good effect.  One  
> benefit of this streamlined, lack of outboard effects setup, is  
> that it forces you to really explore the various "natural" sounds  
> (musical and non musical) that you can get from just an acoustic  
> guitar.  It's a lot more intimate and seems to draw people in  
> more.  Liking it more, now (old age factor?), than playing  
> "electric".  Although, when you strap on the electric and get that  
> distortion driven, effects laden, wall of sound thing going ... man  
> that's nice :).
> PS: any tips/ links to info on "processed acoustic guitar"?  I've  
> seen players using all sorts of alligator clips and doodads  
> attached to strings to get different sounds but not clear on the  
> actual process....
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 15:44:17 2005
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As an aside, a garbage bag twist tie (or two) worked into the strings  
near the bridge gives a wonderful steel drum sound.




> I think Max Valentino is on this list, but you can look in this  
> thread on TalkBass for an overview (scroll down and find Max's post).
> <http://www.talkbass.com/forum/showthread.php? 
> t=195358&highlight=alligator+clips>
>
> I haven't tried it myself. S'pect I will, now that you reminded me.
>
> On Sep 30, 2005, at 10:40 AM, Paul Mimlitsch wrote:
>
>
>>>>  Maybe someday just guitar and edp, who knows?
>>>>
>>>>
>>
>>
>> Since moving to a new town (Evergreen, Co.) and getting involved  
>> in the local music scene (mostly through the extensive open mic  
>> circuit in the Denver area), it's been a necessity to scale things  
>> down and travel light.  Been using just an acoustic archtop guitar  
>> and << volume pedal to DD20 to RC20xl >> setup to good effect.   
>> One benefit of this streamlined, lack of outboard effects setup,  
>> is that it forces you to really explore the various "natural"  
>> sounds (musical and non musical) that you can get from just an  
>> acoustic guitar.  It's a lot more intimate and seems to draw  
>> people in more.  Liking it more, now (old age factor?), than  
>> playing "electric".  Although, when you strap on the electric and  
>> get that distortion driven, effects laden, wall of sound thing  
>> going ... man that's nice :).
>> PS: any tips/ links to info on "processed acoustic guitar"?  I've  
>> seen players using all sorts of alligator clips and doodads  
>> attached to strings to get different sounds but not clear on the  
>> actual process....
>>
>>
>
>

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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BLOCKQUOTE =
type=3D"cite"></BLOCKQUOTE><DIV>As an aside, a garbage bag twist tie (or =
two) worked into the strings near the bridge gives a wonderful steel =
drum sound.</DIV><DIV><FONT class=3D"Apple-style-span" =
color=3D"#0000DD"><BR =
class=3D"khtml-block-placeholder"></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" color=3D"#0000DD"><BR =
class=3D"khtml-block-placeholder"></FONT></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE type=3D"cite"><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I think Max Valentino is on this list, but you can =
look in this thread on TalkBass for an overview (scroll down and find =
Max's post).</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&lt;<A =
href=3D"http://www.talkbass.com/forum/showthread.php?t=3D195358&highlight=3D=
alligator+clips">http://www.talkbass.com/forum/showthread.php?t=3D195358&a=
mp;highlight=3Dalligator+clips</A>&gt;</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I haven't =
tried it myself. S'pect I will, now that you reminded me.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Sep =
30, 2005, at 10:40 AM, Paul Mimlitsch wrote:</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><BR><BLOCKQUOTE =
type=3D"cite"><BLOCKQUOTE type=3D"cite"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">=A0Maybe someday just guitar and edp, who =
knows?</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR =
style=3D""></DIV><BR style=3D""></BLOCKQUOTE></BLOCKQUOTE><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
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0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><FONT class=3D"Apple-style-span" color=3D"#0000DD"><BR=
 style=3D""></FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#0000DD">Since moving to a new town =
(Evergreen, Co.) and getting involved in the local music scene (mostly =
through the extensive open mic circuit in the Denver area), it's been a =
necessity to scale things down and travel light.=A0 Been using just an =
acoustic archtop guitar and &lt;&lt; volume pedal to DD20 to RC20xl =
&gt;&gt; setup to good effect.=A0 One benefit of this streamlined, lack =
of outboard effects setup, is that it forces you to really explore the =
various "natural" sounds (musical and non musical) that you can get from =
just an acoustic guitar.=A0 It's a lot more intimate and seems to draw =
people in more.=A0 Liking it more, now (old age factor?), than playing =
"electric".=A0 Although, when you strap on the electric and get that =
distortion driven, effects laden, wall of sound thing going ... man =
that's nice :).</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#0000DD">PS: any tips/ links to info =
on "processed acoustic guitar"?=A0 I've seen players using all sorts of =
alligator clips and doodads attached to strings to get different sounds =
but not clear on the actual process....</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><FONT class=3D"Apple-style-span" =
color=3D"#0000DD"><BR style=3D""></FONT></DIV><FONT =
class=3D"Apple-style-span" color=3D"#0000DD"><BR =
style=3D""></FONT></BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR =
class=3D"khtml-block-placeholder"></DIV></BLOCKQUOTE></BODY></HTML>=

--Apple-Mail-1--536005058--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 17:03:40 2005
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From: "Matthew W. Prull" <prullmw@whitman.edu>
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Subject: Syncing 2 EDP loops to drum machine tempo
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Hi Loopers,

Having trouble trying to get 2 loops to play to tempo with a drum machine.
For reference, I have 2 EDPs with LoopIV connected in stereo, and a Boss
DR880 drum machine.  MIDI out from master EDP goes into MIDI in to slave
EDP, and MIDI thru on the slave goes to MIDI in on the DR880.  EDP
settings on both machines are:

Sync=Out
MoreLoops=2
SwitchQuant=Loop
AutoRecord=On
Quantize=Loop

This is what I'm doing:

1.  Press Undo, adjust tempo, then press Record.  This simultaneously
starts recording the first loop and starts the drum machine at the desired
tempo.

2.  Press Record again to close loop.  This is now loop #1, and it and
the drum machine are now happily playing together, in tempo.

3.  Press NextLoop.  Now I'm getting ready to record the second loop (Loop
#2) and waiting until the end of Loop 1 to do so.  At that point, the EDP
should automatically advance to loop #2 and start recording.

4.  The drum machine suddenly craps out at the transition point: "Buffer
full" on the display.  This means too many MIDI messages are being
received by the drum machine.

What I would like to do is be able to record, and switch, between loop 1
and loop 2, yet maintain the tempo synchronization between both loops and
the drum machine.  Can this be done?  Is there an alternative way to do
this?

Thanks,

Matt

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 18:55:52 2005
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Message-ID: <20050930185551.62725.qmail@web32709.mail.mud.yahoo.com>
Date: Fri, 30 Sep 2005 11:55:51 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Amazon.com Scam
To: Loopers-Delight@loopers-delight.com
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--0-1925890947-1128106551=:62658
Content-Type: text/plain; charset=iso-8859-1
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I just came across - and fortunately did not fall for- a scam using the 
Amazon.com customer base. Someone is contacting Amazon.com users
claiming to be the payments dept. saying that someone has just attempted
to charge a suspiciously large order on your account and to alter your
customer information. They ask you to "verify" this info - such as password
and credit card number - they are collecting this info to use for frauds.
If you get any emails like this it is not Amazon. Don't give the info requested
and forward the email to stop-spoofing@amazon.com where they are 
tracing them and prosecuting.
 
Monica
 


 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







		
---------------------------------
Yahoo! for Good
 Click here to donate to the Hurricane Katrina relief effort. 
--0-1925890947-1128106551=:62658
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<DIV><FONT face=verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f>I just came across - and fortunately did not fall for- a scam using the </FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>Amazon.com customer base. Someone is contacting Amazon.com users</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>claiming to be the payments dept. saying that someone has just attempted</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>to charge a suspiciously large order on your account and to alter your</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>customer information. They ask you to "verify" this info - such as password</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>and credit card number - they are collecting this info to use for frauds.</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>If you get any emails like this it is not Amazon. Don't give the info requested</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>and forward the email to <A href="mailto:stop-spoofing@amazon.com">stop-spoofing@amazon.com</A> where they are </FONT></DIV>
<DIV><FONT face=Verdana color=#40007f>tracing them and prosecuting.</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT face=Verdana color=#40007f>Monica</FONT></DIV>
<DIV><FONT face=Verdana color=#40007f></FONT>&nbsp;</DIV><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
		<hr size=1>Yahoo! for Good<br> 
<a href="http://store.yahoo.com/redcross-donate3/">Click here to donate</a> to the Hurricane Katrina relief effort. 

--0-1925890947-1128106551=:62658--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 19:04:02 2005
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	id 3CB363BF04; Fri, 30 Sep 2005 19:04:02 +0000 (UTC)
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Date: Fri, 30 Sep 2005 15:03:59 -0400
From: Tom Ritchford <tom@swirly.com>
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In general, never ever click on a link from ANYONE that involves
money... your bank, paypal, ebay, your credit card company.

The link may be deceptive...  if you can, type in the name you expect to ge=
t.

This avoids issues like the paypaI.com hoax (more obvious when you see
the URL as paypai.com)...


On 9/30/05, Monica <coolintensity@yahoo.com> wrote:
>
>
> I just came across - and fortunately did not fall for- a scam using the
> Amazon.com customer base. Someone is contacting Amazon.com users
> claiming to be the payments dept. saying that someone has just attempted
> to charge a suspiciously large order on your account and to alter your
> customer information. They ask you to "verify" this info - such as passwo=
rd
> and credit card number - they are collecting this info to use for frauds.
> If you get any emails like this it is not Amazon. Don't give the info
> requested
> and forward the email to stop-spoofing@amazon.com where they are
> tracing them and prosecuting.
>
> Monica
>
>
>
>
>
>
>
>
>
> Asgard Guitars
> "guitar technology for the new emerging edge..."
> coolintensity@yahoo.com
> coolintensity1@aol.com
>
>
>  ________________________________
> Yahoo! for Good
>  Click here to donate to the Hurricane Katrina relief effort.
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 19:26:06 2005
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Date: Fri, 30 Sep 2005 14:25:59 -0500
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Amazon.com Scam
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Tom Ritchford wrote:
> In general, never ever click on a link from ANYONE that involves
> money... your bank, paypal, ebay, your credit card company.
> 
> The link may be deceptive...  if you can, type in the name you expect to get.
> 
> This avoids issues like the paypaI.com hoax (more obvious when you see
> the URL as paypai.com)...

I received a relatively sophisticated PayPal "phishing" email recently.
They were using some sort of redirection mechanism so that the URL
that you went to was initially in the paypal.com domain, but you would
be almost immediately redirected to the scam site.  So the usual
technique of letting the mouse hover over the link and checking the
true link in the status bar didn't work, it looked legitimate.
You should *always* manually type in the URL of any page that will
require a login.

Oddly enough, despite the time spent on the redirection trick,
the scammers apparently didn't have time to run a spell checker
on their email.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 19:50:22 2005
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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: Amazon.com Scam
Date: Fri, 30 Sep 2005 15:50:14 -0400
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On Sep 30, 2005, at 3:03 PM, Tom Ritchford wrote:

> In general, never ever click on a link from ANYONE that involves
> money... your bank, paypal, ebay, your credit card company.
>
> The link may be deceptive...  if you can, type in the name you expect 
> to get.
>
> This avoids issues like the paypaI.com hoax (more obvious when you see
> the URL as paypai.com)...

i would highly recommend that everyone double-check phish & spoof
emails with the vendor/bank involved by manually typing in the link
and/or logging into your account and check your messages there.
generally, ebay and banks (and credit cards, etc.) will post messages
there that are also sent to your email account. legitimate messages
can get lost/tossed and precious time wasted if one just trashes 
anything
they think is a scam. be vigilant! from personal experience i can tell 
you
it will save you in the long run.
cheers
bruce

bruce tovsky
www.skeletonhome.com

"Sometimes the appropriate response to reality is to go insane."
Philip K. Dick

From Loopers-Delight-request@loopers-delight.com  Fri Sep 30 21:21:00 2005
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To: <Loopers-Delight@loopers-delight.com>
References: <20050928224618.40502.qmail@web33114.mail.mud.yahoo.com>
Subject: Re: OT:recommendation: the Moog documentary..
Date: Fri, 30 Sep 2005 22:20:55 +0100
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  what doc's that?

  gareth



  a quick OT rec: just finished watching the doc. on bob moog, very =
interesting stuff.

  for those who like the bloops/bleeps etc, kinda fun to see him talk to =
a wide

  range of folks who've used the moog synth. also some fun theremin =
stuff, which

  is how moog got his start.

  there was a great quote from moog (paraphrase): improvisation is just =
a series of wrong notes.

  thought that was great.

  and the extra performances on the dvd are most interesting to watch =
some djs/electronic musicians doing live stuff. saw lots of korg kaoss =
pads and the boss dr samples hooked up, as

  well as keyboards/synths....

  thought i'd share, definately an enjoyable 70 min of watching & =
listening....

  s----



-------------------------------------------------------------------------=
-----
  Yahoo! for Good
  Click here to donate to the Hurricane Katrina relief effort. 
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2722" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">what doc's that?</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">gareth</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV><BR></DIV>
  <P>a quick OT rec: just finished watching the doc. on bob moog, very=20
  interesting stuff.</P>
  <P>for those who like the bloops/bleeps etc, kinda fun to see him talk =
to a=20
  wide</P>
  <P>range of folks who've used the moog synth. also some fun theremin =
stuff,=20
  which</P>
  <P>is how moog got his start.</P>
  <P>there was a great quote from moog (paraphrase): improvisation is =
just a=20
  series of wrong notes.</P>
  <P>thought that was great.</P>
  <P>and the extra performances on the dvd are most interesting to watch =
some=20
  djs/electronic musicians doing live stuff. saw lots of korg kaoss pads =
and the=20
  boss dr samples hooked up, as</P>
  <P>well as keyboards/synths....</P>
  <P>thought i'd share, definately an enjoyable 70 min of watching &amp; =

  listening....</P>
  <P>s----</P>
  <P>
  <HR SIZE=3D1>
  Yahoo! for Good<BR><A =
href=3D"http://store.yahoo.com/redcross-donate3/">Click=20
  here to donate</A> to the Hurricane Katrina relief effort.=20
</BLOCKQUOTE></BODY></HTML>

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