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Subject: RE: Looping with other musicians, new tools=new results 
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> From: ernesto schnack [mailto:schnack@mailbolt.com]

> 
> On Sat, 30 Aug 2003 11:25:05 -0700, Travis <tiktok@sprintmail.com> wrote:

> > That's one school of thought.  The other school of thought (that
> > the drummer has the primary [not sole] responsibility of keeping 
> > time for the rest of the band) has many more adherents, at least
> > in North America.
> 
> hmm, I don't know if I agree entirely.  It seems to me it's not so
> much about a "school of thought" as much as getting to a certain
> level where you realize you're not supposed to depend on the drummer
> to keep time.  Reminds me of Meshuggah whose guitarist has such a
> solid sense of time that the drummer is the one following HIM.

In my experience, that's pretty rare. Most people I've played with depend on drummers for tempo, at least you do when you when you have a good one. 

In one band I was in, we had a problem because the drummer (and bass player) would get excited and speed up during guitar solos. We would end every song twice as fast as we started. That band never understood that increasing energy and dynamics isn't the same thing as increasing tempo. And there was NOTHING I could do, as a guitar player, to hold them back. I've played in other bands where the rhythm section could still float a little, according to what the song needed, but where it was much harder to budge them out of the groove. That kind of band is a joy to play in. 

One more comment about drummers... 

They play an instrument that is designed to be a clearly heard, as a rhythm pulse. There's no mistaking the kick, snare, and hi-hat in a band mix. It's easy for other players to lock onto. And the drummer gets to think ONLY about the tempo pulse... not about what key change is coming up, or or what scale they should be playing over this chord.

If the band metronome suddenly becomes the guitar player or keyboard player (via looping), then everyone might suddenly be trying to extract timing information from a more diffuse, hard to recognize sound. I know I've played loops with my electric guitar and FX processing where I get into the "swirly zone", and it's hard to figure out just where the downbeat is. That's never a problem when you're working with a drummer, or percussionist. They never have timing cues buried under a wash of other sounds. 
 
> I find this thread very interesting because I'll be looping with 
> a drummer 
> soon, and I intend to try with both a click and without to see what 
> happens.  It's his first time doing something like that, but he's 
> interested in trying it.  I shall report my findings.

I'd be very interested to hear how that turns out!

Mike Barrs

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Lainaus todd reynolds <toddreynolds@rcn.com>:
> =======================
> 
> My buddy Jessie Stiles and I have been working together for awhile now
> making tracks with my looping rig feeding his Laptop Max/MSP patch
> which
> also incorporates some aiff files, but which mostly reloops, cuts, and
> morphs my loops and live sound into drum and bass sounds...
> 
Great music, looking forward to your record!

all the best

Topi Korhonen (newbie looper from Finland)

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Subject: RE: "canned" loops
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besides the spaghetti sort, my band has so far used two distinct sorts of pre-recorded audio and two distinct sorts of pre-recorded midi pattern. 

in the case of the audio loops, I used to put them in the sampler (which we don't use live any more) but that tied us to a particular tempo. the repeater is ideal for this as there are tracks left over for on-the-night "overdubs" (obviously we don't write over the pre-record tracks) and it will run the loop at the wrong tempo if needs be. we started doing this because there's only three of us and our guitarist wanted to do stuff with more guitar parts than he and his jam-thing could manage.
the longest such was an entire one-minute guitar piece that repeats seven times during the song, while he widdley-widdleys over it. people did mention this at the last gig- the pre-recorded aspect- and so now we are toying with the idea of capturing the loop at the start of the song instead of it already being there. risky.... 

mostly the loops are just atmospheric "beds" lifted from album tracks, the idea being to establish the feel of a piece as previously heard on one of our albums, by way of a reference point for our audience. then it doesn't matter so much if the other instruments don't exactly match the version the audience might know from the cd, and the tempo becomes more or less irrelevent.


the doepfer maq 16/3 is great for short midi loops (monophonic, though) because they can be edited and returned to their saved form on-the-fly. my schaltwerk's out-of-action at the moment, but it offers a little more in this area, what with being eight tracks and all. 
lots of people swear by the alesis mmt8 for midi loop work on stage, but it doesn't really do anything interesting in terms of being able to vary the content of the playback. you tend to have to follow it rigidly if it's playing a song, or lean over it poking buttons to keep it interesting if it's in pattern playback. this is fine if you're in "orbital" and no-one's expecting a solo any time soon.... so I've dropped it from our rig. doing stuff by the seat of one's pants is a lot more fun for band and audience.

duncan/r.m.i.


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<P><FONT SIZE=3D2>besides the spaghetti sort, my band has so far used two d=
istinct sorts of pre-recorded audio and two distinct sorts of pre-recorded =
midi pattern. </FONT></P>

<P><FONT SIZE=3D2>in the case of the audio loops, I used to put them in the=
 sampler (which we don't use live any more) but that tied us to a particula=
r tempo. the repeater is ideal for this as there are tracks left over for o=
n-the-night &quot;overdubs&quot; (obviously we don't write over the pre-rec=
ord tracks) and it will run the loop at the wrong tempo if needs be. we sta=
rted doing this because there's only three of us and our guitarist wanted t=
o do stuff with more guitar parts than he and his jam-thing could manage.</=
FONT></P>

<P><FONT SIZE=3D2>the longest such was an entire one-minute guitar piece th=
at repeats seven times during the song, while he widdley-widdleys over it. =
people did mention this at the last gig- the pre-recorded aspect- and so no=
w we are toying with the idea of capturing the loop at the start of the son=
g instead of it already being there. risky.... </FONT></P>

<P><FONT SIZE=3D2>mostly the loops are just atmospheric &quot;beds&quot; li=
fted from album tracks, the idea being to establish the feel of a piece as =
previously heard on one of our albums, by way of a reference point for our =
audience. then it doesn't matter so much if the other instruments don't exa=
ctly match the version the audience might know from the cd, and the tempo b=
ecomes more or less irrelevent.</FONT></P>
<BR>

<P><FONT SIZE=3D2>the doepfer maq 16/3 is great for short midi loops (monop=
honic, though) because they can be edited and returned to their saved form =
on-the-fly. my schaltwerk's out-of-action at the moment, but it offers a li=
ttle more in this area, what with being eight tracks and all. </FONT></P>

<P><FONT SIZE=3D2>lots of people swear by the alesis mmt8 for midi loop wor=
k on stage, but it doesn't really do anything interesting in terms of being=
 able to vary the content of the playback. you tend to have to follow it ri=
gidly if it's playing a song, or lean over it poking buttons to keep it int=
eresting if it's in pattern playback. this is fine if you're in &quot;orbit=
al&quot; and no-one's expecting a solo any time soon.... so I've dropped it=
 from our rig. doing stuff by the seat of one's pants is a lot more fun for=
 band and audience.</FONT></P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 10:28:18 2003
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Subject: Summary of Violin Loopers Question
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Figured I would let you know what people sent me in a summary form (good for
the archives):

Stuart Wyatt
http://www.solostring.com

Jean-Luc Ponty
http://www.ponty.com/
"A pioneer and undisputed master of violin in the arena of jazz and rock. He
is widely regarded as an innovator who has applied his unique visionary spin
that has expanded the vocabulary of modern music. "

Todd Reynolds
http://www.toddreynolds.com/music.html
"Co-founder of Ethel, violinist and assistant conductor for Steve Reich and
Musicians and The Walter Thompson Orchestra. He was a student of the late
Jascha Heifetz, a student at the Eastman School of Music, former Principal
Second Violin of the Rochester Philharmonic, and holds a Master's degree
from SUNY at Stony Brook."

Ed Allyne Johnson

Martha Mooke - Viola
http://www.marthamooke.com/Listening%20Room.htm
"Electric five string viola. She has developed a unique musical voice by
synthesizing her classical music training with extended techniques, digital
effects processing and improvisation, while retaining the depth and soul of
the instrument. She has received awards from ASCAP, Meet the Composer and
Arts International among others."

Garmarna
http://www.garmarna.com/


Hedningarna
http://www.cabal.se/silence/nyhedning/

Bruce Cockburn
Hugh Marsh, the violinist in question is VITAL listening for any electric
violinist, looping or no looping. He's fantastic - check out any of Bruce's
80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
albums because they are amazing, forget about instrumentation... :o)

Zoe Keating - Cello
http://www.zoekeating.com/

Gideon Freudmann - Cello
http://www.cellobop.com

Enjoy!

Don M

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<P><FONT SIZE=3D2>Figured I would let you know what people sent me in a =
summary form (good for the archives):</FONT>
</P>

<P><FONT SIZE=3D2>Stuart Wyatt</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.solostring.com" =
TARGET=3D"_blank">http://www.solostring.com</A></FONT>
</P>

<P><FONT SIZE=3D2>Jean-Luc Ponty</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.ponty.com/" =
TARGET=3D"_blank">http://www.ponty.com/</A></FONT>
<BR><FONT SIZE=3D2>&quot;A pioneer and undisputed master of violin in =
the arena of jazz and rock. He is widely regarded as an innovator who =
has applied his unique visionary spin that has expanded the vocabulary =
of modern music. &quot;</FONT></P>

<P><FONT SIZE=3D2>Todd Reynolds</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.toddreynolds.com/music.html" =
TARGET=3D"_blank">http://www.toddreynolds.com/music.html</A></FONT>
<BR><FONT SIZE=3D2>&quot;Co-founder of Ethel, violinist and assistant =
conductor for Steve Reich and Musicians and The Walter Thompson =
Orchestra. He was a student of the late Jascha Heifetz, a student at =
the Eastman School of Music, former Principal Second Violin of the =
Rochester Philharmonic, and holds a Master's degree from SUNY at Stony =
Brook.&quot;</FONT></P>

<P><FONT SIZE=3D2>Ed Allyne Johnson</FONT>
</P>

<P><FONT SIZE=3D2>Martha Mooke - Viola</FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://www.marthamooke.com/Listening%20Room.htm" =
TARGET=3D"_blank">http://www.marthamooke.com/Listening%20Room.htm</A></F=
ONT>
<BR><FONT SIZE=3D2>&quot;Electric five string viola. She has developed =
a unique musical voice by synthesizing her classical music training =
with extended techniques, digital effects processing and improvisation, =
while retaining the depth and soul of the instrument. She has received =
awards from ASCAP, Meet the Composer and Arts International among =
others.&quot;</FONT></P>

<P><FONT SIZE=3D2>Garmarna</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.garmarna.com/" =
TARGET=3D"_blank">http://www.garmarna.com/</A></FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Hedningarna</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.cabal.se/silence/nyhedning/" =
TARGET=3D"_blank">http://www.cabal.se/silence/nyhedning/</A></FONT>
</P>

<P><FONT SIZE=3D2>Bruce Cockburn</FONT>
<BR><FONT SIZE=3D2>Hugh Marsh, the violinist in question is VITAL =
listening for any electric violinist, looping or no looping. He's =
fantastic - check out any of Bruce's 80s albums for lots of Hugh's =
work. (in fact, just check out any of Bruce's albums because they are =
amazing, forget about instrumentation... :o)</FONT></P>

<P><FONT SIZE=3D2>Zoe Keating - Cello</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.zoekeating.com/" =
TARGET=3D"_blank">http://www.zoekeating.com/</A></FONT>
</P>

<P><FONT SIZE=3D2>Gideon Freudmann - Cello</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.cellobop.com" =
TARGET=3D"_blank">http://www.cellobop.com</A></FONT>
</P>

<P><FONT SIZE=3D2>Enjoy!</FONT>
</P>

<P><FONT SIZE=3D2>Don M</FONT>
</P>

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Date: Mon, 01 Sep 2003 10:32:46 -0400
Subject: Re: Summary of Violin Loopers Question
From: todd reynolds <toddreynolds@rcn.com>
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Okay you all, if you REALLY want ALL the fiddle info, follow this link.  I=B9=
m
sorry, I should have offered this to you a few days ago, my head wasn=B9t
focused...

This site is a pretty complete resource, though I don=B9t think i=B9m listed...
(my own fault.)

Best,

Todd



http://www.lightbubble.com/bowed/










On 9/1/03 10:26 AM, "Don Makoviney" <don.makoviney@asg.com> wrote:

> Figured I would let you know what people sent me in a summary form (good =
for
> the archives):=20
>=20
> Stuart Wyatt=20
> http://www.solostring.com
>=20
> Jean-Luc Ponty=20
> http://www.ponty.com/
> "A pioneer and undisputed master of violin in the arena of jazz and rock.=
 He
> is widely regarded as an innovator who has applied his unique visionary s=
pin
> that has expanded the vocabulary of modern music. "
>=20
> Todd Reynolds=20
> http://www.toddreynolds.com/music.html
> "Co-founder of Ethel, violinist and assistant conductor for Steve Reich a=
nd
> Musicians and The Walter Thompson Orchestra. He was a student of the late
> Jascha Heifetz, a student at the Eastman School of Music, former Principa=
l
> Second Violin of the Rochester Philharmonic, and holds a Master's degree =
from
> SUNY at Stony Brook."
>=20
> Ed Allyne Johnson
>=20
> Martha Mooke - Viola
> http://www.marthamooke.com/Listening%20Room.htm
> "Electric five string viola. She has developed a unique musical voice by
> synthesizing her classical music training with extended techniques, digit=
al
> effects processing and improvisation, while retaining the depth and soul =
of
> the instrument. She has received awards from ASCAP, Meet the Composer and=
 Arts
> International among others."
>=20
> Garmarna=20
> http://www.garmarna.com/
>=20
>=20
> Hedningarna=20
> http://www.cabal.se/silence/nyhedning/
>=20
> Bruce Cockburn=20
> Hugh Marsh, the violinist in question is VITAL listening for any electric
> violinist, looping or no looping. He's fantastic - check out any of Bruce=
's
> 80s albums for lots of Hugh's work. (in fact, just check out any of Bruce=
's
> albums because they are amazing, forget about instrumentation... :o)
>=20
> Zoe Keating - Cello
> http://www.zoekeating.com/
>=20
> Gideon Freudmann - Cello
> http://www.cellobop.com
>=20
> Enjoy!=20
>=20
> Don M=20
>=20



--B_3145257167_10962768
Content-type: text/html; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: Summary of Violin Loopers Question</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana">Okay you all, if you REALLY want ALL the fiddle info, =
follow this link. &nbsp;I&#8217;m sorry, I should have offered this to you a=
 few days ago, my head wasn&#8217;t focused...<BR>
<BR>
This site is a pretty complete resource, though I don&#8217;t think i&#8217=
;m listed... &nbsp;(my own fault.)<BR>
<BR>
Best,<BR>
<BR>
Todd<BR>
<BR>
<BR>
<BR>
http://www.lightbubble.com/bowed/<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
On 9/1/03 10:26 AM, &quot;Don Makoviney&quot; &lt;don.makoviney@asg.com&gt;=
 wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Verdana"><FONT SIZE=3D"2">Figured I would let =
you know what people sent me in a summary form (good for the archives):</FON=
T> <BR>
<BR>
<FONT SIZE=3D"2">Stuart Wyatt</FONT> <BR>
<FONT SIZE=3D"2">http://www.solostring.com</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Jean-Luc Ponty</FONT> <BR>
<FONT SIZE=3D"2">http://www.ponty.com/</FONT> <BR>
<FONT SIZE=3D"2">&quot;A pioneer and undisputed master of violin in the arena=
 of jazz and rock. He is widely regarded as an innovator who has applied his=
 unique visionary spin that has expanded the vocabulary of modern music. &qu=
ot;<BR>
</FONT><BR>
<FONT SIZE=3D"2">Todd Reynolds</FONT> <BR>
<FONT SIZE=3D"2">http://www.toddreynolds.com/music.html</FONT> <BR>
<FONT SIZE=3D"2">&quot;Co-founder of Ethel, violinist and assistant conductor=
 for Steve Reich and Musicians and The Walter Thompson Orchestra. He was a s=
tudent of the late Jascha Heifetz, a student at the Eastman School of Music,=
 former Principal Second Violin of the Rochester Philharmonic, and holds a M=
aster's degree from SUNY at Stony Brook.&quot;<BR>
</FONT><BR>
<FONT SIZE=3D"2">Ed Allyne Johnson</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Martha Mooke - Viola</FONT> <BR>
<FONT SIZE=3D"2">http://www.marthamooke.com/Listening%20Room.htm</FONT> <BR>
<FONT SIZE=3D"2">&quot;Electric five string viola. She has developed a unique=
 musical voice by synthesizing her classical music training with extended te=
chniques, digital effects processing and improvisation, while retaining the =
depth and soul of the instrument. She has received awards from ASCAP, Meet t=
he Composer and Arts International among others.&quot;<BR>
</FONT><BR>
<FONT SIZE=3D"2">Garmarna</FONT> <BR>
<FONT SIZE=3D"2">http://www.garmarna.com/</FONT> <BR>
<BR>
<BR>
<FONT SIZE=3D"2">Hedningarna</FONT> <BR>
<FONT SIZE=3D"2">http://www.cabal.se/silence/nyhedning/</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Bruce Cockburn</FONT> <BR>
<FONT SIZE=3D"2">Hugh Marsh, the violinist in question is VITAL listening for=
 any electric violinist, looping or no looping. He's fantastic - check out a=
ny of Bruce's 80s albums for lots of Hugh's work. (in fact, just check out a=
ny of Bruce's albums because they are amazing, forget about instrumentation.=
.. :o)<BR>
</FONT><BR>
<FONT SIZE=3D"2">Zoe Keating - Cello</FONT> <BR>
<FONT SIZE=3D"2">http://www.zoekeating.com/</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Gideon Freudmann - Cello</FONT> <BR>
<FONT SIZE=3D"2">http://www.cellobop.com</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Enjoy!</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Don M</FONT> <BR>
<BR>
</FONT></BLOCKQUOTE><FONT FACE=3D"Verdana"><BR>
</FONT>
</BODY>
</HTML>


--B_3145257167_10962768--

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 10:38:30 2003
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Summary of Violin Loopers Question
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Yeah I saw that link before. I've been there. I was just asking for loopers
is all though, as opposed to just electric fiddlers. I found plenty of
those. . . .was just hoping this list was a good place to get right down to
the loopers (yeah I'm lazy that way). Figured L-D was a good place.
 
-DM

-----Original Message-----
From: todd reynolds [mailto:toddreynolds@rcn.com] 
Sent: Monday, September 01, 2003 10:33 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Summary of Violin Loopers Question


Okay you all, if you REALLY want ALL the fiddle info, follow this link.  I'm
sorry, I should have offered this to you a few days ago, my head wasn't
focused...

This site is a pretty complete resource, though I don't think i'm listed...
(my own fault.)

Best,

Todd



http://www.lightbubble.com/bowed/










On 9/1/03 10:26 AM, "Don Makoviney" <don.makoviney@asg.com> wrote:



Figured I would let you know what people sent me in a summary form (good for
the archives): 

Stuart Wyatt 
http://www.solostring.com 

Jean-Luc Ponty 
http://www.ponty.com/ 
"A pioneer and undisputed master of violin in the arena of jazz and rock. He
is widely regarded as an innovator who has applied his unique visionary spin
that has expanded the vocabulary of modern music. "

Todd Reynolds 
http://www.toddreynolds.com/music.html 
"Co-founder of Ethel, violinist and assistant conductor for Steve Reich and
Musicians and The Walter Thompson Orchestra. He was a student of the late
Jascha Heifetz, a student at the Eastman School of Music, former Principal
Second Violin of the Rochester Philharmonic, and holds a Master's degree
from SUNY at Stony Brook."

Ed Allyne Johnson 

Martha Mooke - Viola 
http://www.marthamooke.com/Listening%20Room.htm 
"Electric five string viola. She has developed a unique musical voice by
synthesizing her classical music training with extended techniques, digital
effects processing and improvisation, while retaining the depth and soul of
the instrument. She has received awards from ASCAP, Meet the Composer and
Arts International among others."

Garmarna 
http://www.garmarna.com/ 


Hedningarna 
http://www.cabal.se/silence/nyhedning/ 

Bruce Cockburn 
Hugh Marsh, the violinist in question is VITAL listening for any electric
violinist, looping or no looping. He's fantastic - check out any of Bruce's
80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
albums because they are amazing, forget about instrumentation... :o)

Zoe Keating - Cello 
http://www.zoekeating.com/ 

Gideon Freudmann - Cello 
http://www.cellobop.com 

Enjoy! 

Don M 







------_=_NextPart_001_01C37096.6E02D2F0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2800.1226" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=348263514-01092003><FONT face=Arial color=#0000ff size=2>Yeah I 
saw that link before. I've been there. I was just asking for loopers is all 
though, as opposed to just electric fiddlers. I found plenty of those. . . .was 
just hoping this list was a good place to get right down to the loopers (yeah 
I'm lazy that way). Figured L-D was a good place.</FONT></SPAN></DIV>
<DIV><SPAN class=348263514-01092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=348263514-01092003><FONT face=Arial color=#0000ff 
size=2>-DM</FONT></SPAN></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> todd reynolds 
  [mailto:toddreynolds@rcn.com] <BR><B>Sent:</B> Monday, September 01, 2003 
  10:33 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  Re: Summary of Violin Loopers Question<BR><BR></FONT></DIV><FONT 
  face=Verdana>Okay you all, if you REALLY want ALL the fiddle info, follow this 
  link. &nbsp;I'm sorry, I should have offered this to you a few days ago, my 
  head wasn't focused...<BR><BR>This site is a pretty complete resource, though 
  I don't think i'm listed... &nbsp;(my own 
  fault.)<BR><BR>Best,<BR><BR>Todd<BR><BR><BR><BR>http://www.lightbubble.com/bowed/<BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR>On 
  9/1/03 10:26 AM, "Don Makoviney" &lt;don.makoviney@asg.com&gt; 
  wrote:<BR><BR></FONT>
  <BLOCKQUOTE><FONT face=Verdana><FONT size=2>Figured I would let you know 
    what people sent me in a summary form (good for the archives):</FONT> 
    <BR><BR><FONT size=2>Stuart Wyatt</FONT> <BR><FONT 
    size=2>http://www.solostring.com</FONT> <BR><BR><FONT size=2>Jean-Luc 
    Ponty</FONT> <BR><FONT size=2>http://www.ponty.com/</FONT> <BR><FONT 
    size=2>"A pioneer and undisputed master of violin in the arena of jazz and 
    rock. He is widely regarded as an innovator who has applied his unique 
    visionary spin that has expanded the vocabulary of modern music. 
    "<BR></FONT><BR><FONT size=2>Todd Reynolds</FONT> <BR><FONT 
    size=2>http://www.toddreynolds.com/music.html</FONT> <BR><FONT 
    size=2>"Co-founder of Ethel, violinist and assistant conductor for Steve 
    Reich and Musicians and The Walter Thompson Orchestra. He was a student of 
    the late Jascha Heifetz, a student at the Eastman School of Music, former 
    Principal Second Violin of the Rochester Philharmonic, and holds a Master's 
    degree from SUNY at Stony Brook."<BR></FONT><BR><FONT size=2>Ed Allyne 
    Johnson</FONT> <BR><BR><FONT size=2>Martha Mooke - Viola</FONT> <BR><FONT 
    size=2>http://www.marthamooke.com/Listening%20Room.htm</FONT> <BR><FONT 
    size=2>"Electric five string viola. She has developed a unique musical voice 
    by synthesizing her classical music training with extended techniques, 
    digital effects processing and improvisation, while retaining the depth and 
    soul of the instrument. She has received awards from ASCAP, Meet the 
    Composer and Arts International among others."<BR></FONT><BR><FONT 
    size=2>Garmarna</FONT> <BR><FONT size=2>http://www.garmarna.com/</FONT> 
    <BR><BR><BR><FONT size=2>Hedningarna</FONT> <BR><FONT 
    size=2>http://www.cabal.se/silence/nyhedning/</FONT> <BR><BR><FONT 
    size=2>Bruce Cockburn</FONT> <BR><FONT size=2>Hugh Marsh, the violinist in 
    question is VITAL listening for any electric violinist, looping or no 
    looping. He's fantastic - check out any of Bruce's 80s albums for lots of 
    Hugh's work. (in fact, just check out any of Bruce's albums because they are 
    amazing, forget about instrumentation... :o)<BR></FONT><BR><FONT size=2>Zoe 
    Keating - Cello</FONT> <BR><FONT size=2>http://www.zoekeating.com/</FONT> 
    <BR><BR><FONT size=2>Gideon Freudmann - Cello</FONT> <BR><FONT 
    size=2>http://www.cellobop.com</FONT> <BR><BR><FONT size=2>Enjoy!</FONT> 
    <BR><BR><FONT size=2>Don M</FONT> <BR><BR></FONT></BLOCKQUOTE><FONT 
  face=Verdana><BR></BLOCKQUOTE></FONT></BODY></HTML>

------_=_NextPart_001_01C37096.6E02D2F0--

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 10:39:04 2003
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Subject: RE: Summary of Violin Loopers Question
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Another place for the Violinist to hang is
http://www.fiddleforum.com/fiddleforum



-----Original Message-----
From: todd reynolds [mailto:toddreynolds@rcn.com] 
Sent: Monday, September 01, 2003 10:33 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Summary of Violin Loopers Question


Okay you all, if you REALLY want ALL the fiddle info, follow this link.  I'm
sorry, I should have offered this to you a few days ago, my head wasn't
focused...

This site is a pretty complete resource, though I don't think i'm listed...
(my own fault.)

Best,

Todd



http://www.lightbubble.com/bowed/










On 9/1/03 10:26 AM, "Don Makoviney" <don.makoviney@asg.com> wrote:


Figured I would let you know what people sent me in a summary form (good for
the archives): 

Stuart Wyatt 
http://www.solostring.com 

Jean-Luc Ponty 
http://www.ponty.com/ 
"A pioneer and undisputed master of violin in the arena of jazz and rock. He
is widely regarded as an innovator who has applied his unique visionary spin
that has expanded the vocabulary of modern music. "

Todd Reynolds 
http://www.toddreynolds.com/music.html 
"Co-founder of Ethel, violinist and assistant conductor for Steve Reich and
Musicians and The Walter Thompson Orchestra. He was a student of the late
Jascha Heifetz, a student at the Eastman School of Music, former Principal
Second Violin of the Rochester Philharmonic, and holds a Master's degree
from SUNY at Stony Brook."

Ed Allyne Johnson 

Martha Mooke - Viola 
http://www.marthamooke.com/Listening%20Room.htm 
"Electric five string viola. She has developed a unique musical voice by
synthesizing her classical music training with extended techniques, digital
effects processing and improvisation, while retaining the depth and soul of
the instrument. She has received awards from ASCAP, Meet the Composer and
Arts International among others."

Garmarna 
http://www.garmarna.com/ 


Hedningarna 
http://www.cabal.se/silence/nyhedning/ 

Bruce Cockburn 
Hugh Marsh, the violinist in question is VITAL listening for any electric
violinist, looping or no looping. He's fantastic - check out any of Bruce's
80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
albums because they are amazing, forget about instrumentation... :o)

Zoe Keating - Cello 
http://www.zoekeating.com/ 

Gideon Freudmann - Cello 
http://www.cellobop.com 

Enjoy! 

Don M 

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 10:44:03 2003
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Summary of Violin Loopers QuestionSorry, couldn't help it
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?ViolinLoopers
Bernhard
  -----Original Message-----
  From: Don Makoviney [mailto:don.makoviney@asg.com]
  Sent: Montag, 1. September 2003 16:26
  To: 'Loopers-Delight@loopers-delight.com'
  Subject: Summary of Violin Loopers Question


  Figured I would let you know what people sent me in a summary form (good
for the archives):

  Stuart Wyatt
  http://www.solostring.com

  Jean-Luc Ponty
  http://www.ponty.com/
  "A pioneer and undisputed master of violin in the arena of jazz and rock.
He is widely regarded as an innovator who has applied his unique visionary
spin that has expanded the vocabulary of modern music. "

  Todd Reynolds
  http://www.toddreynolds.com/music.html
  "Co-founder of Ethel, violinist and assistant conductor for Steve Reich
and Musicians and The Walter Thompson Orchestra. He was a student of the
late Jascha Heifetz, a student at the Eastman School of Music, former
Principal Second Violin of the Rochester Philharmonic, and holds a Master's
degree from SUNY at Stony Brook."

  Ed Allyne Johnson

  Martha Mooke - Viola
  http://www.marthamooke.com/Listening%20Room.htm
  "Electric five string viola. She has developed a unique musical voice by
synthesizing her classical music training with extended techniques, digital
effects processing and improvisation, while retaining the depth and soul of
the instrument. She has received awards from ASCAP, Meet the Composer and
Arts International among others."

  Garmarna
  http://www.garmarna.com/



  Hedningarna
  http://www.cabal.se/silence/nyhedning/

  Bruce Cockburn
  Hugh Marsh, the violinist in question is VITAL listening for any electric
violinist, looping or no looping. He's fantastic - check out any of Bruce's
80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
albums because they are amazing, forget about instrumentation... :o)

  Zoe Keating - Cello
  http://www.zoekeating.com/

  Gideon Freudmann - Cello
  http://www.cellobop.com

  Enjoy!

  Don M

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Summary of Violin Loopers Question</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY>
<DIV><SPAN class=3D208184314-01092003><FONT face=3DArial color=3D#0000ff =
size=3D2>Sorry,=20
couldn't help it</FONT></SPAN></DIV>
<DIV><SPAN class=3D208184314-01092003><FONT face=3DArial color=3D#0000ff =
size=3D2><A=20
href=3D"http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?Vi=
olinLoopers">http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.c=
gi?ViolinLoopers</A></FONT></SPAN></DIV>
<DIV><SPAN class=3D208184314-01092003><FONT face=3DArial color=3D#0000ff =

size=3D2>Bernhard</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Don Makoviney=20
  [mailto:don.makoviney@asg.com]<BR><B>Sent:</B> Montag, 1. September =
2003=20
  16:26<BR><B>To:</B> =
'Loopers-Delight@loopers-delight.com'<BR><B>Subject:</B>=20
  Summary of Violin Loopers Question<BR><BR></FONT></DIV>
  <P><FONT size=3D2>Figured I would let you know what people sent me in =
a summary=20
  form (good for the archives):</FONT> </P>
  <P><FONT size=3D2>Stuart Wyatt</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.solostring.com"=20
  target=3D_blank>http://www.solostring.com</A></FONT> </P>
  <P><FONT size=3D2>Jean-Luc Ponty</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.ponty.com/" =
target=3D_blank>http://www.ponty.com/</A></FONT>=20
  <BR><FONT size=3D2>"A pioneer and undisputed master of violin in the =
arena of=20
  jazz and rock. He is widely regarded as an innovator who has applied =
his=20
  unique visionary spin that has expanded the vocabulary of modern =
music.=20
  "</FONT></P>
  <P><FONT size=3D2>Todd Reynolds</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.toddreynolds.com/music.html"=20
  target=3D_blank>http://www.toddreynolds.com/music.html</A></FONT> =
<BR><FONT=20
  size=3D2>"Co-founder of Ethel, violinist and assistant conductor for =
Steve Reich=20
  and Musicians and The Walter Thompson Orchestra. He was a student of =
the late=20
  Jascha Heifetz, a student at the Eastman School of Music, former =
Principal=20
  Second Violin of the Rochester Philharmonic, and holds a Master's =
degree from=20
  SUNY at Stony Brook."</FONT></P>
  <P><FONT size=3D2>Ed Allyne Johnson</FONT> </P>
  <P><FONT size=3D2>Martha Mooke - Viola</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.marthamooke.com/Listening%20Room.htm"=20
  =
target=3D_blank>http://www.marthamooke.com/Listening%20Room.htm</A></FONT=
>=20
  <BR><FONT size=3D2>"Electric five string viola. She has developed a =
unique=20
  musical voice by synthesizing her classical music training with =
extended=20
  techniques, digital effects processing and improvisation, while =
retaining the=20
  depth and soul of the instrument. She has received awards from ASCAP, =
Meet the=20
  Composer and Arts International among others."</FONT></P>
  <P><FONT size=3D2>Garmarna</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.garmarna.com/"=20
  target=3D_blank>http://www.garmarna.com/</A></FONT> </P><BR>
  <P><FONT size=3D2>Hedningarna</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.cabal.se/silence/nyhedning/"=20
  target=3D_blank>http://www.cabal.se/silence/nyhedning/</A></FONT> </P>
  <P><FONT size=3D2>Bruce Cockburn</FONT> <BR><FONT size=3D2>Hugh Marsh, =
the=20
  violinist in question is VITAL listening for any electric violinist, =
looping=20
  or no looping. He's fantastic - check out any of Bruce's 80s albums =
for lots=20
  of Hugh's work. (in fact, just check out any of Bruce's albums because =
they=20
  are amazing, forget about instrumentation... :o)</FONT></P>
  <P><FONT size=3D2>Zoe Keating - Cello</FONT> <BR><FONT size=3D2><A=20
  href=3D"http://www.zoekeating.com/"=20
  target=3D_blank>http://www.zoekeating.com/</A></FONT> </P>
  <P><FONT size=3D2>Gideon Freudmann - Cello</FONT> <BR><FONT =
size=3D2><A=20
  href=3D"http://www.cellobop.com"=20
  target=3D_blank>http://www.cellobop.com</A></FONT> </P>
  <P><FONT size=3D2>Enjoy!</FONT> </P>
  <P><FONT size=3D2>Don M</FONT> </P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 10:47:19 2003
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Subject: Re: Violin loopers?
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MessageThanks for mentioning me Alan. Yes, I'm a violin looper now! At =
the moment I'm a relative newbie at looping so keep watching =
www.c2cstudios.com for samples coming soon.

Chris
  ----- Original Message -----=20
  From: Alan Kroeger=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, August 30, 2003 6:57 PM
  Subject: RE: Violin loopers?


  Stuart Wyatt is a repeater user
  http://www.solostring.com=20

  Chris Payne Is a new EDP user
  http://www.c2cstudios.com/



    -----Original Message-----
    From: Don Makoviney [mailto:don.makoviney@asg.com]=20
    Sent: Saturday, August 30, 2003 2:55 PM
    To: 'Loopers-Delight@loopers-delight.com'
    Subject: Violin loopers?


    Can anyone recommend some violin loopers (not cello or viola - just =
violin)?

    My sister just got an electric violin and I have been introducing =
her to looping. She would like a few MP3's to help her get a grasp on =
looping with her violin. She found plenty of cello ones, but not much in =
the way of violin (4 or 5 stringers. .. . . .it doesn't matter).

    Any suggestions?

    Thanks,

    Don Makoviney
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks for mentioning me Alan. Yes, I'm =
a violin=20
looper now! At the moment I'm a relative&nbsp;newbie at looping so keep =
watching=20
<A href=3D"http://www.c2cstudios.com">www.c2cstudios.com</A> for samples =
coming=20
soon.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Chris</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dnospam@developsolutions.com=20
  href=3D"mailto:nospam@developsolutions.com">Alan Kroeger</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 30, 2003 =
6:57=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Violin =
loopers?</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Stuart Wyatt is a repeater user</FONT></SPAN></DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff size=3D2><A=20
  href=3D"http://www.solostring.com">http://www.solostring.com</A>=20
  </FONT></SPAN></DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Chris Payne Is a new EDP user</FONT></SPAN></DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff size=3D2><A=20
  =
href=3D"http://www.c2cstudios.com/">http://www.c2cstudios.com/</A></FONT>=
</SPAN></DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3D242025122-30082003></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3D242025122-30082003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
    <DIV></DIV>
    <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
    face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Don Makoviney=20
    [mailto:don.makoviney@asg.com] <BR><B>Sent:</B> Saturday, August 30, =
2003=20
    2:55 PM<BR><B>To:</B> <A=20
    =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A><BR><B>Subject:</B>=20
    Violin loopers?<BR><BR></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN =
class=3D021315318-30082003>Can anyone=20
    recommend some violin loopers (not cello or viola - just=20
    violin)?</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN=20
    class=3D021315318-30082003></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN =
class=3D021315318-30082003>My sister just=20
    got an electric violin and I have been introducing her to looping. =
She would=20
    like a few MP3's to help her get a grasp on looping with her violin. =
She=20
    found plenty of cello ones, but not much in the way of violin (4 or =
5=20
    stringers. .. . . .it doesn't matter).</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN=20
    class=3D021315318-30082003></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN =
class=3D021315318-30082003>Any=20
    suggestions?</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN=20
    class=3D021315318-30082003></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN=20
    class=3D021315318-30082003>Thanks,</SPAN></FONT></DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN=20
    class=3D021315318-30082003></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DVerdana size=3D2><SPAN =
class=3D021315318-30082003>Don=20
    =
Makoviney</SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 11:02:50 2003
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: letting the drummer hear your loop live
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>>If the loop is static, the drummer must play to it, physically. If the drummer can't hear the loop it causes the proverbial train wreck.<<

a powered speaker, usually a spare guitar amp, fed with a loop or a tick or a sequencer line and aimed at the drummer's head. they are usually more comfortable with this sort of side-fill arrangement than with headphones or "any of that in-ear nonsense". if there isn't a suitable aux send available, the headphone output of something in y'r rack- repeater or synth module- with something suitably rhythmic and loud coming out of it. but always make y'r own arrangements for this- don't rely on house-monitors. 

if it's possible to put the master clock somewhere where the drummer can tap-tempo it, so much the better. the repeater is quite reasonable at this, though it's generated clock is a bit wobbly for running 'owt else off. the little korg electribe units are much better at tap-tempo'ing a stable clock, and we have used ours in exactly this fashion: 

a sequenced piece ends, then there's a mad free-for-all run by the drummer, then the sequencers come back in at a different tempo but they have to join in with the drums... so I tap-tap-tap-start and everything comes in locked to the drums. as soon as he hears the sequencers start, he locks to them. he gets an aux-send of the sequencers and loops through a marshall suitcase-plexi combo, which is shrill enough to remove wallpaper and can thus penetrate drummer-skull-material adequately for our purposes.
the only drawback with this idea is that the jam-things don't like speed changes.

duncan/r.m.i.



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<TITLE>RE: letting the drummer hear your loop live</TITLE>
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<BODY>

<P><FONT SIZE=3D2>&gt;&gt;If the loop is static, the drummer must play to i=
t, physically. If the drummer can't hear the loop it causes the proverbial =
train wreck.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>a powered speaker, usually a spare guitar amp, fed with a=
 loop or a tick or a sequencer line and aimed at the drummer's head. they a=
re usually more comfortable with this sort of side-fill arrangement than wi=
th headphones or &quot;any of that in-ear nonsense&quot;. if there isn't a =
suitable aux send available, the headphone output of something in y'r rack-=
 repeater or synth module- with something suitably rhythmic and loud coming=
 out of it. but always make y'r own arrangements for this- don't rely on ho=
use-monitors. </FONT></P>

<P><FONT SIZE=3D2>if it's possible to put the master clock somewhere where =
the drummer can tap-tempo it, so much the better. the repeater is quite rea=
sonable at this, though it's generated clock is a bit wobbly for running 'o=
wt else off. the little korg electribe units are much better at tap-tempo'i=
ng a stable clock, and we have used ours in exactly this fashion: </FONT></=
P>

<P><FONT SIZE=3D2>a sequenced piece ends, then there's a mad free-for-all r=
un by the drummer, then the sequencers come back in at a different tempo bu=
t they have to join in with the drums... so I tap-tap-tap-start and everyth=
ing comes in locked to the drums. as soon as he hears the sequencers start,=
 he locks to them. he gets an aux-send of the sequencers and loops through =
a marshall suitcase-plexi combo, which is shrill enough to remove wallpaper=
 and can thus penetrate drummer-skull-material adequately for our purposes.=
</FONT></P>

<P><FONT SIZE=3D2>the only drawback with this idea is that the jam-things d=
on't like speed changes.</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 11:03:58 2003
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Subject: Re: Syncing Echoplex with JamMan?
Date: Mon, 1 Sep 2003 11:02:29 -0400
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We played around with trying to sync these two machines but didn't get
anywhere! Can somebody walk me through it? I tried it both ways but one
didn't seem to affect the other much. So for using the Jamman as master I
have sync in on the EDP plus set the 8th note cycle. What else do I need to
do? When things are linking right should I expect to be using overdub or
record once the loop duration has been set by the Jamman?
Thanks
Chris

----- Original Message -----
From: <SoundFNR@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 20, 2003 3:48 AM
Subject: Re: Syncing Echoplex with JamMan?


> > Hi all, newbie here!
> >  I have an Echoplex and will be playing with somebody who has a JamMan.
Has
> >  anybody had experience syncing these together? What can I expect and
what
> >  can't I expect?
>
> the (original software) JamMan glitches at the loop start when used
> as a slave, but this might not be a problem for you.
> .........maybe better to use JamMan as master because of this.
>           (which would mean EDP sync=In)
>
> The JamMan note number needs to be half the 8th/cycle no.  of the
> EDP if you want the JamMan loop length equal to the EDP cycle length.
>
> You can Multiply your EDP and stay in sync.
>
> If your friend uses delay mode on the JamMan (which is the way
> to get feedback control) then you can't sync.
>
> have fun
>
> andy butler
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 11:06:39 2003
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Hey Chris thought I might get you to pop in :)

Don the forum is for all categories of bowed string instrument whether
electric, acoustic, Viola, Cello or Bass Viol and then some. You can post on
any topic you wish (including looping, Heck if your a guitar player and just
want to know more feel free to join or visit). Chris just joined the rank of
Loopers we did have Stuart Wyatt (Solostring) for a bit but, I think he is
busy these days (I think that he and Mark (Madfiddler) Knight were supposed
to try out a Looping Trio with a cellist but, I never heard anymore about it
from Mark). I stay on this list (LD) and the forum. The mix of styles and
people are quite interesting try it out (you can do both)
Alan Kroeger

-----Original Message-----
From: Don Makoviney [mailto:don.makoviney@asg.com] 
Sent: Monday, September 01, 2003 10:36 AM
To: 'Loopers-Delight@loopers-delight.com'
Subject: RE: Summary of Violin Loopers Question


Yeah I saw that link before. I've been there. I was just asking for loopers
is all though, as opposed to just electric fiddlers. I found plenty of
those. . . .was just hoping this list was a good place to get right down to
the loopers (yeah I'm lazy that way). Figured L-D was a good place.

-DM
-----Original Message-----
From: todd reynolds [mailto:toddreynolds@rcn.com] 
Sent: Monday, September 01, 2003 10:33 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Summary of Violin Loopers Question


Okay you all, if you REALLY want ALL the fiddle info, follow this link.  I'm
sorry, I should have offered this to you a few days ago, my head wasn't
focused...

This site is a pretty complete resource, though I don't think i'm listed...
(my own fault.)

Best,

Todd



http://www.lightbubble.com/bowed/










On 9/1/03 10:26 AM, "Don Makoviney" <don.makoviney@asg.com> wrote:


Figured I would let you know what people sent me in a summary form (good for
the archives): 

Stuart Wyatt 
http://www.solostring.com 

Jean-Luc Ponty 
http://www.ponty.com/ 
"A pioneer and undisputed master of violin in the arena of jazz and rock. He
is widely regarded as an innovator who has applied his unique visionary spin
that has expanded the vocabulary of modern music. "

Todd Reynolds 
http://www.toddreynolds.com/music.html 
"Co-founder of Ethel, violinist and assistant conductor for Steve Reich and
Musicians and The Walter Thompson Orchestra. He was a student of the late
Jascha Heifetz, a student at the Eastman School of Music, former Principal
Second Violin of the Rochester Philharmonic, and holds a Master's degree
from SUNY at Stony Brook."

Ed Allyne Johnson 

Martha Mooke - Viola 
http://www.marthamooke.com/Listening%20Room.htm 
"Electric five string viola. She has developed a unique musical voice by
synthesizing her classical music training with extended techniques, digital
effects processing and improvisation, while retaining the depth and soul of
the instrument. She has received awards from ASCAP, Meet the Composer and
Arts International among others."

Garmarna 
http://www.garmarna.com/ 


Hedningarna 
http://www.cabal.se/silence/nyhedning/ 

Bruce Cockburn 
Hugh Marsh, the violinist in question is VITAL listening for any electric
violinist, looping or no looping. He's fantastic - check out any of Bruce's
80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
albums because they are amazing, forget about instrumentation... :o)

Zoe Keating - Cello 
http://www.zoekeating.com/ 

Gideon Freudmann - Cello 
http://www.cellobop.com 

Enjoy! 

Don M 

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 11:07:00 2003
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Summary of Violin Loopers QuestionAdd me, add me!!

Chris Payne
http://www.c2cstudios.com/payne_site/payne.info.contact.html

  ----- Original Message -----=20
  From: Bernhard Wagner=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, September 01, 2003 10:43 AM
  Subject: RE: Summary of Violin Loopers Question


  Sorry, couldn't help it
  =
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?ViolinLoop=
ers
  Bernhard
    -----Original Message-----
    From: Don Makoviney [mailto:don.makoviney@asg.com]
    Sent: Montag, 1. September 2003 16:26
    To: 'Loopers-Delight@loopers-delight.com'
    Subject: Summary of Violin Loopers Question


    Figured I would let you know what people sent me in a summary form =
(good for the archives):=20

    Stuart Wyatt=20
    http://www.solostring.com=20

    Jean-Luc Ponty=20
    http://www.ponty.com/=20
    "A pioneer and undisputed master of violin in the arena of jazz and =
rock. He is widely regarded as an innovator who has applied his unique =
visionary spin that has expanded the vocabulary of modern music. "

    Todd Reynolds=20
    http://www.toddreynolds.com/music.html=20
    "Co-founder of Ethel, violinist and assistant conductor for Steve =
Reich and Musicians and The Walter Thompson Orchestra. He was a student =
of the late Jascha Heifetz, a student at the Eastman School of Music, =
former Principal Second Violin of the Rochester Philharmonic, and holds =
a Master's degree from SUNY at Stony Brook."

    Ed Allyne Johnson=20

    Martha Mooke - Viola=20
    http://www.marthamooke.com/Listening%20Room.htm=20
    "Electric five string viola. She has developed a unique musical =
voice by synthesizing her classical music training with extended =
techniques, digital effects processing and improvisation, while =
retaining the depth and soul of the instrument. She has received awards =
from ASCAP, Meet the Composer and Arts International among others."

    Garmarna=20
    http://www.garmarna.com/=20



    Hedningarna=20
    http://www.cabal.se/silence/nyhedning/=20

    Bruce Cockburn=20
    Hugh Marsh, the violinist in question is VITAL listening for any =
electric violinist, looping or no looping. He's fantastic - check out =
any of Bruce's 80s albums for lots of Hugh's work. (in fact, just check =
out any of Bruce's albums because they are amazing, forget about =
instrumentation... :o)

    Zoe Keating - Cello=20
    http://www.zoekeating.com/=20

    Gideon Freudmann - Cello=20
    http://www.cellobop.com=20

    Enjoy!=20

    Don M=20

------=_NextPart_000_0034_01C37078.DB50D500
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Add me, add me!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Chris Payne</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.c2cstudios.com/payne_site/payne.info.contact.html">htt=
p://www.c2cstudios.com/payne_site/payne.info.contact.html</A></FONT></DIV=
>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.c2cstudios.com"></A></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dloopdelightml@nosuch.biz=20
  href=3D"mailto:loopdelightml@nosuch.biz">Bernhard Wagner</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, September 01, =
2003 10:43=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Summary of Violin =
Loopers=20
  Question</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Sorry, couldn't help it</FONT></SPAN></DIV>
  <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff size=3D2><A=20
  =
href=3D"http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?Vi=
olinLoopers">http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.c=
gi?ViolinLoopers</A></FONT></SPAN></DIV>
  <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Bernhard</FONT></SPAN></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Don Makoviney=20
    [mailto:don.makoviney@asg.com]<BR><B>Sent:</B> Montag, 1. September =
2003=20
    16:26<BR><B>To:</B> <A=20
    =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A><BR><B>Subject:</B>=20
    Summary of Violin Loopers Question<BR><BR></FONT></DIV>
    <P><FONT size=3D2>Figured I would let you know what people sent me =
in a=20
    summary form (good for the archives):</FONT> </P>
    <P><FONT size=3D2>Stuart Wyatt</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.solostring.com"=20
    target=3D_blank>http://www.solostring.com</A></FONT> </P>
    <P><FONT size=3D2>Jean-Luc Ponty</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.ponty.com/" =
target=3D_blank>http://www.ponty.com/</A></FONT>=20
    <BR><FONT size=3D2>"A pioneer and undisputed master of violin in the =
arena of=20
    jazz and rock. He is widely regarded as an innovator who has applied =
his=20
    unique visionary spin that has expanded the vocabulary of modern =
music.=20
    "</FONT></P>
    <P><FONT size=3D2>Todd Reynolds</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.toddreynolds.com/music.html"=20
    target=3D_blank>http://www.toddreynolds.com/music.html</A></FONT> =
<BR><FONT=20
    size=3D2>"Co-founder of Ethel, violinist and assistant conductor for =
Steve=20
    Reich and Musicians and The Walter Thompson Orchestra. He was a =
student of=20
    the late Jascha Heifetz, a student at the Eastman School of Music, =
former=20
    Principal Second Violin of the Rochester Philharmonic, and holds a =
Master's=20
    degree from SUNY at Stony Brook."</FONT></P>
    <P><FONT size=3D2>Ed Allyne Johnson</FONT> </P>
    <P><FONT size=3D2>Martha Mooke - Viola</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.marthamooke.com/Listening%20Room.htm"=20
    =
target=3D_blank>http://www.marthamooke.com/Listening%20Room.htm</A></FONT=
>=20
    <BR><FONT size=3D2>"Electric five string viola. She has developed a =
unique=20
    musical voice by synthesizing her classical music training with =
extended=20
    techniques, digital effects processing and improvisation, while =
retaining=20
    the depth and soul of the instrument. She has received awards from =
ASCAP,=20
    Meet the Composer and Arts International among others."</FONT></P>
    <P><FONT size=3D2>Garmarna</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.garmarna.com/"=20
    target=3D_blank>http://www.garmarna.com/</A></FONT> </P><BR>
    <P><FONT size=3D2>Hedningarna</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.cabal.se/silence/nyhedning/"=20
    target=3D_blank>http://www.cabal.se/silence/nyhedning/</A></FONT> =
</P>
    <P><FONT size=3D2>Bruce Cockburn</FONT> <BR><FONT size=3D2>Hugh =
Marsh, the=20
    violinist in question is VITAL listening for any electric violinist, =
looping=20
    or no looping. He's fantastic - check out any of Bruce's 80s albums =
for lots=20
    of Hugh's work. (in fact, just check out any of Bruce's albums =
because they=20
    are amazing, forget about instrumentation... :o)</FONT></P>
    <P><FONT size=3D2>Zoe Keating - Cello</FONT> <BR><FONT size=3D2><A=20
    href=3D"http://www.zoekeating.com/"=20
    target=3D_blank>http://www.zoekeating.com/</A></FONT> </P>
    <P><FONT size=3D2>Gideon Freudmann - Cello</FONT> <BR><FONT =
size=3D2><A=20
    href=3D"http://www.cellobop.com"=20
    target=3D_blank>http://www.cellobop.com</A></FONT> </P>
    <P><FONT size=3D2>Enjoy!</FONT> </P>
    <P><FONT size=3D2>Don M</FONT> =
</P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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Summary of Violin Loopers QuestionMay I encourage you to add yourself?
At the bottom of the cited page there's an EDIT button. Guess what that's
good for ;-)
Bernhard
  -----Original Message-----
  From: Chris Payne [mailto:soundboot@o2.co.uk]
  Sent: Montag, 1. September 2003 17:05
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Summary of Violin Loopers Question


  Add me, add me!!

  Chris Payne
  http://www.c2cstudios.com/payne_site/payne.info.contact.html

    ----- Original Message -----
    From: Bernhard Wagner
    To: Loopers-Delight@loopers-delight.com
    Sent: Monday, September 01, 2003 10:43 AM
    Subject: RE: Summary of Violin Loopers Question


    Sorry, couldn't help it

http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?ViolinLoopers
    Bernhard
      -----Original Message-----
      From: Don Makoviney [mailto:don.makoviney@asg.com]
      Sent: Montag, 1. September 2003 16:26
      To: 'Loopers-Delight@loopers-delight.com'
      Subject: Summary of Violin Loopers Question


      Figured I would let you know what people sent me in a summary form
(good for the archives):

      Stuart Wyatt
      http://www.solostring.com

      Jean-Luc Ponty
      http://www.ponty.com/
      "A pioneer and undisputed master of violin in the arena of jazz and
rock. He is widely regarded as an innovator who has applied his unique
visionary spin that has expanded the vocabulary of modern music. "

      Todd Reynolds
      http://www.toddreynolds.com/music.html
      "Co-founder of Ethel, violinist and assistant conductor for Steve
Reich and Musicians and The Walter Thompson Orchestra. He was a student of
the late Jascha Heifetz, a student at the Eastman School of Music, former
Principal Second Violin of the Rochester Philharmonic, and holds a Master's
degree from SUNY at Stony Brook."

      Ed Allyne Johnson

      Martha Mooke - Viola
      http://www.marthamooke.com/Listening%20Room.htm
      "Electric five string viola. She has developed a unique musical voice
by synthesizing her classical music training with extended techniques,
digital effects processing and improvisation, while retaining the depth and
soul of the instrument. She has received awards from ASCAP, Meet the
Composer and Arts International among others."

      Garmarna
      http://www.garmarna.com/



      Hedningarna
      http://www.cabal.se/silence/nyhedning/

      Bruce Cockburn
      Hugh Marsh, the violinist in question is VITAL listening for any
electric violinist, looping or no looping. He's fantastic - check out any of
Bruce's 80s albums for lots of Hugh's work. (in fact, just check out any of
Bruce's albums because they are amazing, forget about instrumentation... :o)

      Zoe Keating - Cello
      http://www.zoekeating.com/

      Gideon Freudmann - Cello
      http://www.cellobop.com

      Enjoy!

      Don M

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<DIV><SPAN class=3D984330915-01092003><FONT face=3DArial color=3D#0000ff =
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encourage you to add yourself?</FONT></SPAN></DIV>
<DIV><SPAN class=3D984330915-01092003><FONT face=3DArial color=3D#0000ff =
size=3D2>At the=20
bottom of the cited page there's an EDIT button. Guess what=20
that's&nbsp;good&nbsp;for ;-)</FONT></SPAN></DIV>
<DIV><SPAN class=3D984330915-01092003><FONT face=3DArial color=3D#0000ff =

size=3D2>Bernhard</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Chris Payne=20
  [mailto:soundboot@o2.co.uk]<BR><B>Sent:</B> Montag, 1. September 2003=20
  17:05<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Summary of Violin Loopers Question<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Add me, add me!!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Chris Payne</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.c2cstudios.com/payne_site/payne.info.contact.html">htt=
p://www.c2cstudios.com/payne_site/payne.info.contact.html</A></FONT></DIV=
>
  <DIV><FONT face=3DArial size=3D2><A=20
  href=3D"http://www.c2cstudios.com"></A></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dloopdelightml@nosuch.biz=20
    href=3D"mailto:loopdelightml@nosuch.biz">Bernhard Wagner</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, September 01, =
2003 10:43=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Summary of =
Violin Loopers=20
    Question</DIV>
    <DIV><BR></DIV>
    <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff=20
    size=3D2>Sorry, couldn't help it</FONT></SPAN></DIV>
    <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff size=3D2><A=20
    =
href=3D"http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi?Vi=
olinLoopers">http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.c=
gi?ViolinLoopers</A></FONT></SPAN></DIV>
    <DIV><SPAN class=3D208184314-01092003><FONT face=3DArial =
color=3D#0000ff=20
    size=3D2>Bernhard</FONT></SPAN></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px">
      <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
      size=3D2>-----Original Message-----<BR><B>From:</B> Don Makoviney=20
      [mailto:don.makoviney@asg.com]<BR><B>Sent:</B> Montag, 1. =
September 2003=20
      16:26<BR><B>To:</B> <A=20
      =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A><BR><B>Subject:</B>=20
      Summary of Violin Loopers Question<BR><BR></FONT></DIV>
      <P><FONT size=3D2>Figured I would let you know what people sent me =
in a=20
      summary form (good for the archives):</FONT> </P>
      <P><FONT size=3D2>Stuart Wyatt</FONT> <BR><FONT size=3D2><A=20
      href=3D"http://www.solostring.com"=20
      target=3D_blank>http://www.solostring.com</A></FONT> </P>
      <P><FONT size=3D2>Jean-Luc Ponty</FONT> <BR><FONT size=3D2><A=20
      href=3D"http://www.ponty.com/"=20
      target=3D_blank>http://www.ponty.com/</A></FONT> <BR><FONT =
size=3D2>"A pioneer=20
      and undisputed master of violin in the arena of jazz and rock. He =
is=20
      widely regarded as an innovator who has applied his unique =
visionary spin=20
      that has expanded the vocabulary of modern music. "</FONT></P>
      <P><FONT size=3D2>Todd Reynolds</FONT> <BR><FONT size=3D2><A=20
      href=3D"http://www.toddreynolds.com/music.html"=20
      target=3D_blank>http://www.toddreynolds.com/music.html</A></FONT> =
<BR><FONT=20
      size=3D2>"Co-founder of Ethel, violinist and assistant conductor =
for Steve=20
      Reich and Musicians and The Walter Thompson Orchestra. He was a =
student of=20
      the late Jascha Heifetz, a student at the Eastman School of Music, =
former=20
      Principal Second Violin of the Rochester Philharmonic, and holds a =

      Master's degree from SUNY at Stony Brook."</FONT></P>
      <P><FONT size=3D2>Ed Allyne Johnson</FONT> </P>
      <P><FONT size=3D2>Martha Mooke - Viola</FONT> <BR><FONT =
size=3D2><A=20
      href=3D"http://www.marthamooke.com/Listening%20Room.htm"=20
      =
target=3D_blank>http://www.marthamooke.com/Listening%20Room.htm</A></FONT=
>=20
      <BR><FONT size=3D2>"Electric five string viola. She has developed =
a unique=20
      musical voice by synthesizing her classical music training with =
extended=20
      techniques, digital effects processing and improvisation, while =
retaining=20
      the depth and soul of the instrument. She has received awards from =
ASCAP,=20
      Meet the Composer and Arts International among others."</FONT></P>
      <P><FONT size=3D2>Garmarna</FONT> <BR><FONT size=3D2><A=20
      href=3D"http://www.garmarna.com/"=20
      target=3D_blank>http://www.garmarna.com/</A></FONT> </P><BR>
      <P><FONT size=3D2>Hedningarna</FONT> <BR><FONT size=3D2><A=20
      href=3D"http://www.cabal.se/silence/nyhedning/"=20
      target=3D_blank>http://www.cabal.se/silence/nyhedning/</A></FONT> =
</P>
      <P><FONT size=3D2>Bruce Cockburn</FONT> <BR><FONT size=3D2>Hugh =
Marsh, the=20
      violinist in question is VITAL listening for any electric =
violinist,=20
      looping or no looping. He's fantastic - check out any of Bruce's =
80s=20
      albums for lots of Hugh's work. (in fact, just check out any of =
Bruce's=20
      albums because they are amazing, forget about instrumentation...=20
      :o)</FONT></P>
      <P><FONT size=3D2>Zoe Keating - Cello</FONT> <BR><FONT size=3D2><A =

      href=3D"http://www.zoekeating.com/"=20
      target=3D_blank>http://www.zoekeating.com/</A></FONT> </P>
      <P><FONT size=3D2>Gideon Freudmann - Cello</FONT> <BR><FONT =
size=3D2><A=20
      href=3D"http://www.cellobop.com"=20
      target=3D_blank>http://www.cellobop.com</A></FONT> </P>
      <P><FONT size=3D2>Enjoy!</FONT> </P>
      <P><FONT size=3D2>Don M</FONT>=20
</P></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_003E_01C370AC.153B27B0--

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 11:58:26 2003
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Subject: Re: letting the drummer hear your loop live
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Neither.  I was trying to lead someone to a conclusion.

My position is that in most ensembles, the other musicians looks to the 
drummer to provide the tempo.  It's one of the main reasons for having 
a drummer.  At this point someone (often a drummer) usually jumps in 
with the "Oh, it's every musicians responsibility to keep their own 
tempo and drummers are unfairly relegated to this most pedestrian of 
duties which makes them glorified metronomes, and my creativity is 
being unfairly stifled, etc, etc"  to which I'd say, yeah, but still 
dude--the drummer provides the tempo.  It's a difficult job, but a 
drummer who can't keep a relatively steady tempo is going to have 
trouble finding much work, in the same way that a 
guitarist/bassist/whatever who can't play in time with a drummer isn't 
going to do well in an ensemble situation.

So, yes--I'd say that if only one musician gets to hear the loop, it 
has to be drummer (if the loop isn't just an ambient drone).  And the 
drummer has to follow the loop.  And it's difficult, and can be a pain 
in the ass, but there's nothing degrading or "stunting" about playing 
to some form of click.  But drummers are like many other 
musicians--they have problems playing to a click, whether it's a matter 
of ability or aesthetic sensibility (and usually a mix of both) and 
no-one likes to do something that they hate and aren't very good at it, 
but if you can get past all that, there's a lot of new ground you can 
cover.

TravisH


On Monday, September 1, 2003, at 07:28 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> Subject: letting the drummer hear your loop live
>
>
> Travis wrote,
>
> 'If everyone's supposed to be keeping time for themselves, why is it so
> particularly important for the drummer to be able to hear the loop?'
>
>
> Are you being facetious here or have you not played a lot of ensemble 
> work?

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 12:53:52 2003
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Subject: Re: letting the drummer hear your loop live
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Just like everyone needs to hear everyone else in a performance, I suggest
everyone in a band needs to hear any loopage -- obviously so they can know
the context in which to play their musical moments.   If your band is so
tight and well rehearsed that it can get by from kick and snare alone, cool.
And that's a good skill given the sucky state of many club monitor set-ups.

Still, it's never as good as hearing it all -- loops included!

David


----- Original Message ----- 
From: "Travis" <tiktok@sprintmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 01, 2003 11:57 AM
Subject: Re: letting the drummer hear your loop live


> Neither.  I was trying to lead someone to a conclusion.
>
> My position is that in most ensembles, the other musicians looks to the
> drummer to provide the tempo.  It's one of the main reasons for having
> a drummer.  At this point someone (often a drummer) usually jumps in
> with the "Oh, it's every musicians responsibility to keep their own
> tempo and drummers are unfairly relegated to this most pedestrian of
> duties which makes them glorified metronomes, and my creativity is
> being unfairly stifled, etc, etc"  to which I'd say, yeah, but still
> dude--the drummer provides the tempo.  It's a difficult job, but a
> drummer who can't keep a relatively steady tempo is going to have
> trouble finding much work, in the same way that a
> guitarist/bassist/whatever who can't play in time with a drummer isn't
> going to do well in an ensemble situation.
>
> So, yes--I'd say that if only one musician gets to hear the loop, it
> has to be drummer (if the loop isn't just an ambient drone).  And the
> drummer has to follow the loop.  And it's difficult, and can be a pain
> in the ass, but there's nothing degrading or "stunting" about playing
> to some form of click.  But drummers are like many other
> musicians--they have problems playing to a click, whether it's a matter
> of ability or aesthetic sensibility (and usually a mix of both) and
> no-one likes to do something that they hate and aren't very good at it,
> but if you can get past all that, there's a lot of new ground you can
> cover.
>
> TravisH
>
>
> On Monday, September 1, 2003, at 07:28 AM,
> Loopers-Delight-d-request@loopers-delight.com wrote:
>
> > Subject: letting the drummer hear your loop live
> >
> >
> > Travis wrote,
> >
> > 'If everyone's supposed to be keeping time for themselves, why is it so
> > particularly important for the drummer to be able to hear the loop?'
> >
> >
> > Are you being facetious here or have you not played a lot of ensemble
> > work?
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 13:00:38 2003
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Subject: Re: Summary of Violin Loopers Question
Date: Mon, 1 Sep 2003 13:05:00 -0400
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Don - Since you're including looping cellists - cheryl o
http://www.cellojuice.com loops with an AKAI Headrush
and Line 6 DL4, performs regularly with Planet Of The Loops
and has employed her looping techniques in live performances
with dreamSTATE, Sylken, Richard Underhill, Alan Bloor
and many other ambient and experimental artists.

BTW - there's a good usage of "dark river", a live looping excerpt
from cheryl and Planet Of The Loops founder Andrew Aldridge,
in "intro-x" a little film by Thunderbolt Video which can be viddyed
online at http://www.thunderbolt.de/tvp_introx.html

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

PS - Hugh Marsh is brilliant - I was lucky to see him
perform with Cockburn a couple of times. (No looping then.)

----- Original Message ----- 
From: "Don Makoviney" <don.makoviney@asg.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 01 September, 2003 10:26 AM
Subject: Summary of Violin Loopers Question


> Figured I would let you know what people sent me in a summary form (good for
> the archives):
> 
> Stuart Wyatt
> http://www.solostring.com
> 
> Jean-Luc Ponty
> http://www.ponty.com/
> "A pioneer and undisputed master of violin in the arena of jazz and rock. He
> is widely regarded as an innovator who has applied his unique visionary spin
> that has expanded the vocabulary of modern music. "
> 
> Todd Reynolds
> http://www.toddreynolds.com/music.html
> "Co-founder of Ethel, violinist and assistant conductor for Steve Reich and
> Musicians and The Walter Thompson Orchestra. He was a student of the late
> Jascha Heifetz, a student at the Eastman School of Music, former Principal
> Second Violin of the Rochester Philharmonic, and holds a Master's degree
> from SUNY at Stony Brook."
> 
> Ed Allyne Johnson
> 
> Martha Mooke - Viola
> http://www.marthamooke.com/Listening%20Room.htm
> "Electric five string viola. She has developed a unique musical voice by
> synthesizing her classical music training with extended techniques, digital
> effects processing and improvisation, while retaining the depth and soul of
> the instrument. She has received awards from ASCAP, Meet the Composer and
> Arts International among others."
> 
> Garmarna
> http://www.garmarna.com/
> 
> 
> Hedningarna
> http://www.cabal.se/silence/nyhedning/
> 
> Bruce Cockburn
> Hugh Marsh, the violinist in question is VITAL listening for any electric
> violinist, looping or no looping. He's fantastic - check out any of Bruce's
> 80s albums for lots of Hugh's work. (in fact, just check out any of Bruce's
> albums because they are amazing, forget about instrumentation... :o)
> 
> Zoe Keating - Cello
> http://www.zoekeating.com/
> 
> Gideon Freudmann - Cello
> http://www.cellobop.com
> 
> Enjoy!
> 
> Don M
> 



From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 13:55:12 2003
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Subject: Kwiki Loopers Unite?
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Kim and The List,

My adventure into a .php-based Yahoo-like interface to index audio, cd
reviews, and user profiles has run into some snags. :)  Namely, there's
nothing out there that's free, has the features we need, and runs on the
platform that the LD site supports, that isn't going to require some
significant surgery to deliver the ideas we've discussed.

At least I didn't think so.  Until I took a closer look at Bernhard's post,
and his demo Kwiki site.
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi

Kim - I don't know what you'll think about this idea, and that's key,
because LD is *yours*, and I don't want to insinuate anything different.
However, I am going to go ahead and post this idea to the list to see if
there's any interest in it.  I'm sure you'll post your thoughts as well :)
that will guide us to the right decision.
======
Dude - this Wiki thing is awesome.  When I got frustrated with php this
morning, and diverted my attention to Bernhard's demo Wiki setup, I found an
interface that could *really* step our "virtual community" up a notch in
terms of communication, archiving, helping each other and informing others.
As Bernhard has demonstrated in the last couple of days, each person with an
interest to do so, can take the things they've gleaned from the list, and
*easily* post them in appropriate areas of the Wiki site.  Yeah, I know -
very Open Source Project, etc.  But much simpler and straight to the point,
flexible, and customizable.

So in the last hour or so, I've:
- Reorganized the start that Berhard made to the site :)  Now, this is an
interesting point:  I did this for my own brain, and because I knew that it
would be ok in these early stages.  But, I also wanted to demonstrate
something about Wikis: they are totally open.  If I wanted to move a link,
drop a link, destroy the data on a page, etc., I could.  There are ways to
continually backup this data, and Bernhard may have them turned on, but
that's still a risk.
- Organized the LoopingArtistsoftheWorld section to sorta integrate with the
*current* profile system.  See my comments below about how this might be the
best way to "update" the system.
- Exported a 10/20/03 version of the profiles database to a table on a page,
so that you can text search for anything across all of the data.  Kinda
clunky, yes.  But gets the job done nicely.  Note that this data is old, and
doesn't include the "Comments" data from the profiles.
- Using that table, started building a TexasLoopers page
- Setup a looping audio page, where people can post links to music, and
describe it in a way that we've discussed.

Bernhard had already setup the "Reviews" section, and it's a great start.
Easily modified and added to, as people decide it should be so.

Allowing LD list members to organize their own views into the profile system
(or any other archive at LD, for that matter) seems like it might be a
smarter way to "upgrade" the system than a new piece of software.  The big
table helps the search process (Kim, send me the latest db, and I'll
update), and people can use it to build their own organized links.  Like my
attempt at a TexasLoopers page.

So, yeah, now the controversies. :)  Beyond the fact that it's wide open, I
think a site like this would end up having a "spider" like quality, reaching
it's little appendages deep into the various pages of LD - links to posts,
links to the profiles, file library, tips/tricks, etc.  It could also have
various people's summaries of concepts they are interested in.  All of this,
organized by some sort of emergent, chaotic life force, as members of the
list interact using their own simple motivations... ok sorry - got carried
away.

I think you can see that I consider this idea a *good thing*.  What about
everyone else?  Have you looked at the site?
http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi  Would you
use it the way I described?  Even occasionally?  Could you see it building
something useful, in combination with the LD site... or do you think it
would end up being a waste of time?

I'm with Bernhard - let's discuss!  Or better yet, just start a page or two?

http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi

Dig


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This is starting to sound really interesting, exciting, warm and cozy. I
would definitely use it a lot. It reminds me of the Hitchhikers Guide
project @ http://www.bbc.co.uk/dna/h2g2/DontPanic-Tour

Doug - have you tried looking at
http://www.cgi-resources.com/Programs_and_Scripts/Perl/ for other
options as well?




:::-----Original Message-----
:::From: Doug Cox [mailto:dougcox@pdq.net]
:::Sent: Monday, September 01, 2003 10:53 AM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Kwiki Loopers Unite?
:::
:::Kim and The List,
:::
:::My adventure into a .php-based Yahoo-like interface to index audio,
cd
:::reviews, and user profiles has run into some snags. :)  Namely,
there's
:::nothing out there that's free, has the features we need, and runs on
the
:::platform that the LD site supports, that isn't going to require some
:::significant surgery to deliver the ideas we've discussed.
:::
:::At least I didn't think so.  Until I took a closer look at Bernhard's
:::post,
:::and his demo Kwiki site.
:::http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
:::
:::Kim - I don't know what you'll think about this idea, and that's key,
:::because LD is *yours*, and I don't want to insinuate anything
different.
:::However, I am going to go ahead and post this idea to the list to see
if
:::there's any interest in it.  I'm sure you'll post your thoughts as
well
::::)
:::that will guide us to the right decision.
:::======
:::Dude - this Wiki thing is awesome.  When I got frustrated with php
this
:::morning, and diverted my attention to Bernhard's demo Wiki setup, I
found
:::an
:::interface that could *really* step our "virtual community" up a notch
in
:::terms of communication, archiving, helping each other and informing
:::others.
:::As Bernhard has demonstrated in the last couple of days, each person
with
:::an
:::interest to do so, can take the things they've gleaned from the list,
and
:::*easily* post them in appropriate areas of the Wiki site.  Yeah, I
know -
:::very Open Source Project, etc.  But much simpler and straight to the
:::point,
:::flexible, and customizable.
:::
:::So in the last hour or so, I've:
:::- Reorganized the start that Berhard made to the site :)  Now, this
is an
:::interesting point:  I did this for my own brain, and because I knew
that
:::it
:::would be ok in these early stages.  But, I also wanted to demonstrate
:::something about Wikis: they are totally open.  If I wanted to move a
:::link,
:::drop a link, destroy the data on a page, etc., I could.  There are
ways
:::to
:::continually backup this data, and Bernhard may have them turned on,
but
:::that's still a risk.
:::- Organized the LoopingArtistsoftheWorld section to sorta integrate
with
:::the
:::*current* profile system.  See my comments below about how this might
be
:::the
:::best way to "update" the system.
:::- Exported a 10/20/03 version of the profiles database to a table on
a
:::page,
:::so that you can text search for anything across all of the data.
Kinda
:::clunky, yes.  But gets the job done nicely.  Note that this data is
old,
:::and
:::doesn't include the "Comments" data from the profiles.
:::- Using that table, started building a TexasLoopers page
:::- Setup a looping audio page, where people can post links to music,
and
:::describe it in a way that we've discussed.
:::
:::Bernhard had already setup the "Reviews" section, and it's a great
start.
:::Easily modified and added to, as people decide it should be so.
:::
:::Allowing LD list members to organize their own views into the profile
:::system
:::(or any other archive at LD, for that matter) seems like it might be
a
:::smarter way to "upgrade" the system than a new piece of software.
The
:::big
:::table helps the search process (Kim, send me the latest db, and I'll
:::update), and people can use it to build their own organized links.
Like
:::my
:::attempt at a TexasLoopers page.
:::
:::So, yeah, now the controversies. :)  Beyond the fact that it's wide
open,
:::I
:::think a site like this would end up having a "spider" like quality,
:::reaching
:::it's little appendages deep into the various pages of LD - links to
:::posts,
:::links to the profiles, file library, tips/tricks, etc.  It could also
:::have
:::various people's summaries of concepts they are interested in.  All
of
:::this,
:::organized by some sort of emergent, chaotic life force, as members of
the
:::list interact using their own simple motivations... ok sorry - got
:::carried
:::away.
:::
:::I think you can see that I consider this idea a *good thing*.  What
about
:::everyone else?  Have you looked at the site?
:::http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi  Would
you
:::use it the way I described?  Even occasionally?  Could you see it
:::building
:::something useful, in combination with the LD site... or do you think
it
:::would end up being a waste of time?
:::
:::I'm with Bernhard - let's discuss!  Or better yet, just start a page
or
:::two?
:::
:::http://www.xmlizer.biz/cgi-bin/LoopersDelightReviews/kwiki.cgi
:::
:::Dig
:::
:::
:::


From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 14:44:40 2003
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From: "| SquidLoop |" <squidloop@thetentacle.org>
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Subject: EFC-7 Question
Date: Mon, 1 Sep 2003 11:42:55 -0700
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Last night I noticed that when I press on the reverse (insert) on the
EFC-7 and have overdub engaged you hear a pause or click that actually
gets looped into the signal. This doesn't occur when overdub is off. Is
this a normal occurrence or could it be the quality of cord I am using
to connect the EFC-7 to the Echoplex which is just a basic Guitar cable.



From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 15:03:09 2003
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Kwiki Loopers Unite?
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Hi-
sorry, I don't like this kwiki thing at all. it's too out of control. This 
isn't going to be part of the Looper's Delight site, so I don't want you to 
waste your time on it thinking it is. nice to see you guys are so 
enthusiastic though!

kim

At 10:52 AM 9/1/2003, Doug Cox wrote:

>Kim - I don't know what you'll think about this idea, and that's key,
>because LD is *yours*, and I don't want to insinuate anything different.
>However, I am going to go ahead and post this idea to the list to see if
>there's any interest in it.  I'm sure you'll post your thoughts as well :)
>that will guide us to the right decision.

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 15:39:48 2003
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Syncing Echoplex with JamMan?
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At 08:02 AM 9/1/2003, Chris Payne wrote:
>We played around with trying to sync these two machines but didn't get
>anywhere! Can somebody walk me through it? I tried it both ways but one
>didn't seem to affect the other much. So for using the Jamman as master I
>have sync in on the EDP plus set the 8th note cycle. What else do I need to
>do? When things are linking right should I expect to be using overdub or
>record once the loop duration has been set by the Jamman?
>Thanks
>Chris

If the jamman is sending midi clock, you should see some response on the 
display of the echoplex. (the display action depends on if it is LoopIII or 
LoopIV software, which you don't specify so I won't go into that.)

Once the Echoplex has clock, you just press record on the Echoplex and it 
forces the record lengths to match the length determined by the midi clock 
tempo and the 8ths/cycle parameter on the echoplex. After the loop is set 
it will continue to sync to the clock. all other functions work normally 
from there.

Note that LoopIV gives you much more flexibility over LoopIII by following 
the quantize setting for the records and such.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 16:13:47 2003
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Subject: Resistors for EFC-7
From: Ed  Drake <ejdrake@mindspring.com>
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Loopers,

I did locate 1% metal film resistors on the mouser web site located here:

http://www.mouser.com/catalog/612/228.pdf

They come in several wattage values 1/8, 1/4 or 1/2 watt.

Which one is the correct wattage value for the resistors in the EFC-7?
Does it even matter?

Thanks again!

Ed

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At 11:42 AM 9/1/2003, | SquidLoop | wrote:
>Last night I noticed that when I press on the reverse (insert) on the
>EFC-7 and have overdub engaged you hear a pause or click that actually
>gets looped into the signal. This doesn't occur when overdub is off. Is
>this a normal occurrence or could it be the quality of cord I am using
>to connect the EFC-7 to the Echoplex which is just a basic Guitar cable.

It is certainly possible that if you reverse direction while continuously 
overdubbing a sound you can end up with a discontinuity in the recorded 
waveform that gives a click. However, I only got it to make a click once 
after trying this for quite a while.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  1 17:48:26 2003
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Subject: OT: learning to play perfectly to a click track
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Travis said it was frequently difficult to get a drummer to play accurately
to a click at times.

As a producer, I encounter this problem all the time.  Here's my solution
given that the drummer
is willing to learn something new...............that is frequently not
always the case and then, my advise is
that if you are serious about your project that you start looking for a new
drummer, as painful as that can be.
I promise you, when you work with a musician who is to insecure or stubborn
to learn or grow you will not be playing
with that person in five years no matter how good they are or how much you
like them, unless of course that you are
unwilling to grow or learn.

I sometimes try this trick when I am producing a band with a drummer who
can't play to a click:

I just say, "This is a very difficult thing to do and I'm not sure that you
will be able to, but would you be willing to
try and see if you can play to this click track.  Don't worry if you can't,
we'll figure out another solution to the problem
of the time".

There's nothing like someone taking a challenge in a pro-active way as
opposed to being told that they have to
play accurately to a click track or they will be replaced.  It's always
effective to tell an inexperience musician
"Here's something that most people can't do".   If they are unable to do it,
well then, they are just like most people which
is okay, but it encourages punishment free risk taking.    Almost everyone
that I've tried this with has risen to the challenge
eagerly, whereas I have seen some awful scenes in studio sessions with
producers who try to brow beat a drummer into
playing to a click.      Getting the rest of the band to play to a click can
even be more difficult, but let's work on that drummer first.

I have a great set of exercises that I use to teach drummers (and any
instrumentalists ) to not only learn how to play
to a click track but to also learn how to play as far behind the beat as
sounds good or as far on top of the beat that sounds good.

I think I may have already posted this here in the past, but I'll summarize
it again:

TEACHING A DRUMMER TO PLAY ACCURATELY TO A CLICK TRACK


Set a click track to a reasonably moderate tempo (say 90 BPM), so that the
click is playing audible16th notes (not quarter notes).

DON'T DO THIS IN FRONT OF THE REST OF THE BAND.    Call a one hour break for
the rest of the musicians.
Self conciousness or being put in the spotlight is antithetical to learning
quickly, in my opinion.

Next get the drummer to count out loud along with the click track and audio
hallucinate that it is ever so slowly slowing down.
If they've never done this,  just have them repeatedly count   "One  eee
and    uh" with one syllable falling on every click.

Have them try this for a while without playing to the track until they can
do it succesfully.
You can point out that you can actually hallucinate this phenomenon audibly
and that you will at some point reach a place where you just can't hear it
slowing down anymore...........................

Now have them trying to play to the click track and repeat the very slow
'slowing down' process until they reach the limit of how slow they can hear
(and consequently play) the metronome is going.

Now you ask them to purposefully try to drag the tempo down, letting them
know that this may get jerky and they may veer off of the
metronome.

The challenge is to play as slowly as you can WITHOUT letting the metronome
get away from you.    Of course, the net result is
that the drummer will play behind the beat.

If the drummer is having problems with this.........you ask them to imagine
that they are very, very tired, or very,  very heavy or very depressed, or
lackadaisically bored, or very very hot.................a lot of these
emotional states are associated with going slow.
You can explain to them that when they are driving 60 miles per hour (sorry
about the kilometer conversion here) they can feel
really exhausted or very hot and still be driving at the same speed.    The
perception of the time it takes to drive somewhere changes
however from a time when you are excited or adrenalated or caffeinated, etc.

It is important that this exercise start at the normal tempo of the
metronome and then slowly drift to the very edge of the slowest that you can
percieve it's speed.

Once the drummer can do this successfully, the next frontier is to try and
get the drummer to let his or her tempo drift too slow
(so that the metronome gets ahead).  At this juncture, there is a strong
tenencey to try to jump back to the proper tempo
which will cause a glitchy mistake in the percieved playing by a listener
(who can't hear the click in the final recording).

You now get the drummer to play as slow as possible;    purposefully play
too slow (letting the metronome get ahead) and then
take as long as possible to drift back to the correct tempo.

************************
Once this is done,  you do the whole thing over again, hallucinating that
the metronome is speeding up.    Each side of this exercise will take about
10 to 20 minutes.

After a period of time you can ask the drummer to quickly try and slow or
speed up to the furthest limit of still playing with the click.
One they can do that, now have have them

Go to the slowest they can play accurately to the click and at this point
ask them to 'feel' how it feels to be playing there in there body.
Have them now slowly accelerate until they are playing as fast as they can
without getting away (ahead) of the metronome.  Now ask them to 'feel' how
they feel while playing like this.   Amazingly, a person can have really
different emotional associations with
these places of playing relative to the click.     If they didn't know any
better, they would swear to you that they are playing at different speeds.

One tempo can feel incredibly different depending on where you place
yourself relative to the click track.     Cultivating how this feels to you
is a very powerful way of starting to understand the very basis of tempo and
rhythm.

***************
Now you are ready to have the drummer to the final exercies:

Have them play to the click.......................then go to the slowest
that they can play and still be accurate.
Next give them one minute exactly to slowly speed up until they have reached
the fastest that they can play and still stay accurate.

Encourage them to make this speed up as slow as possible.

Now give them one minute to slow down from the fastest speed.

Repeat both exercises in 30 seconds

Repeat both exercises in 15 seconds

Repeat both exersices telling the drummer to go from slow to fast and back
again as quickly as possible without causing any
'lumpiness'.

NOW FOR THE FUN:       Record them doing this exercise and then play it back
for them without the click:

Voila..............you cannot even hear the difference in the track, despite
how radical it feels emotionally or perceptually.

the whole point is to get them to make all corrections
gradually..................In this way, they will feel when the click gets
'away' from them
but the listener won't if they are relaxed about returning to accurate.

NOW THE BEST PART.

Turn on the click and tell the drummer:   "Don't think about
anything.............just play to the click"

In 45 minutes to an hour,  the drummer will be able to relaxedly and
perfectly play in time to the metronome.


NEXT FUN EXERCISE:      learning to play to a loop that is not
perfect....................a 'lumpy' loop if you will.

later,   Rick Walker (www.looppool.info)


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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Resistors for EFC-7
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it doesn't matter.
kim

At 01:09 PM 9/1/2003, Ed  Drake wrote:
>They come in several wattage values 1/8, 1/4 or 1/2 watt.
>
>Which one is the correct wattage value for the resistors in the EFC-7?
>Does it even matter?



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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Subject: stretchy time
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>>>>Maybe it's time now for Steve Lawson to chime in about the nature of
stretching time rhythmically whilst using
loops live.     He inspired me to really get into the whole Jam Karet
("time
is rubber" in Indonesian)
mentality when I'm doing a purely solo show.   Right now, he and Debhashish
Battycharya (the master Indian
classical slide guitarist who just got the Shakti gig with John McLaughlin
gig or so I'm told) are the only
people that I'd have confidence using these techniques with live while
using
loops.   It is a cool technique and
used minimally can also help one adjust to a 'lumpy' loop.

Steve,  if you are not too busy..............you want to take over here?
Maybe you could suggest a track from one of your CDs that
illustrates this technique that I"ve seen you use so many times in
performance.<<<

Ah, saved by a vanity search - been so busy recently, I've not been reading
all the stuff on LD, just selected highlights, so I head over to the site to
do a search on my name, and see if I've been mentioned elsewhere.. :oD

...and whaddya know, I have!

Anyway - stretchy time - the way I tend to think of it is to see the
rhythmic aspect of a loop as having a 'landscape' with peaks and troughs
that can be learnt - so rather than relying on your internal metronomic
clock, you've got a loop that expands and contracts where neccesary, and you
listen to it to pick up on that. If the stretches are happening in the
'right' places, it's fairly easy to follow, like speech patterns. If they
are in the wrong places, it's more likely that it stems from a lack of
control rather than an acute awareness of time, and it's time to 'shed a
little more on the whole vibe...

There are couple of reasons why this works - one is the speech pattern
analogy I just mentioned - things have a natural rhythm to them which may or
may not be metronomic (might I suggest that if you're using looping on a
version of 'good times' or 'le freak' that stretching the loop might cause
the track to lose a little of it's magic... ;o) - and certain lines will
certainly stretch over the bar lines. The most natural examples of this I've
come across are in some Tabla playing, and on really old blue recordings,
where you'd end up with 13and a half bar blues due to a particular fill at
some point in the tune that injected extra notes of a completely different
length in a way that felt totally natural.

The other reason is to do with the essence of music being in one way all
about tension and release. Often we think of tension and release being
harmonic, but it can be rhythmic as well (think of how a Tumbao flips in and
out of consonance with the clave in latin music) - so in a loop that's going
round and round, it's a good idea to inject a little rhythm ambiguity, some
tension and release, to give people different things to focus on as the tune
goes on. If the rhythm is really obvious, it may be that the listener has it
sussed second time through, and the mystery of the part is 'spent' after
only 30 seconds. If it's a bit more tricky to get a handle on, it may give
you more room to play...

As for examples from my own music - almost anything of mine that is rhythmic
stretches in one direction or another... the nearly rubato end of the scale
would be 'No More Us And Them' - the opening track from 'Not Dancing For
Chicken', and the more rhythmically defined version would be MMFSOG, the
track that follows it...

cheers

Steve
www.stevelawson.net (gig details, news, MP3s, paypal CD orders etc.)
www.pillowmountainrecords.co.uk (buy CDs)
www.pmrecords.gemm.com (buy the same CDs)
www.solobassnetwork.org.uk (other people making solo bass noises)


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At 09:57 PM 8/29/2003, Mike Barrs wrote:
> > >If you want to play with other musicians, a looper is a barrier
> > >because it's like playing to a click track... which everyone
> > hates, unless
> > >they're another looping musician.
> >
> > That's true if the looper is a beginner and doesn't know how to adjust
> > their loops with the music around them.
>
>I don't know about that. Even with tap tempo on the Repeater, you're a long
>way from the kind of realtime, continuous tempo adjustment that happens with
>live musicians.

In addition to the tap tempo, you also can adjust tempo with the tempo knob 
on the Repeater. With that I think you could use a beat matching technique 
like DJ's use with the speed controls of a turntable. As with any other 
techniques for adjusting loop tempos, it will take some practicing to do 
this well. Certainly DJ's spend a lot of time practicing this, and good 
ones get the tempos matched up very quickly. I don't see why you couldn't 
do the same with your Repeater.

Also, the Repeater has the Beat Detect function, where it can determine 
tempo from an incoming audio signal. It's a little tricky to work around 
the signal routing issues, but I think you can manage get a feed from the 
drums coming in on one channel and use that for setting the tempo for loops 
recorded on the other channels. (since you don't want to record the drums.) 
Then as the tempo of the drums coming in drifts, the Repeater will expand 
and compress the loop time to keep it matched and in sync. It works pretty 
well, once you work out the routing.

There are other devices on the market that only do this beat detection, 
like the Red Sound Micro Sync which detects BPM of incoming audio and 
outputs a midi clock. This is commonly used by DJ's to match sequencers and 
tempo effects to the beat coming off a record. It could also easily serve 
your purpose to keep the Repeater (or other loopers) in sync with your live 
drummer, and you wouldn't have to deal with the routing problem on the 
repeater.

>Also, it's a strange concept (outside of looping) for the
>rest of the band to follow the guitar player, or the keyboard player, or
>whoever is into looping. Tempo management is normally the role of the
>drummer and bass player.

Right! I agree, at least in a rock context. That's why I'm saying its the 
wrong approach for you to walk into that and try to change the whole band 
dynamic by insisting that now suddenly everybody has to follow the tempo 
from your loop in some section of the song. In my view, that's amateurish. 
You are the one controlling the loop, it is your job to keep it in tempo 
with the others, whether it be by your manual control, giving the drummer 
means to set and adjust your loop tempo, or some automatic sync mechanism.

It's not a simple thing, there are many different tempo techniques that 
will apply to different situations, you may need to make some adjustments 
or compromises to make it work, and you need to do some practicing to get 
the hang of it. The more you understand it the better you will be at doing 
it and the more options you will see for any given situation. A lot of 
beginners with looping don't know how to do these techniques and try to 
insist that the loop is uncontrollable and therefore everybody else has to 
follow that tempo, which I think is an excellent way to end up being a solo 
musician.


>We're talking about two different cultures here -- live, free tempo groups
>vs. groups that work on a fixed clock. I'm not trying to make the case that
>one is better than the other... just trying to point out that it's a
>different culture, and it's an uphill battle to get someone to move into a
>different culture.

Well, I'm not talking about different cultures. You are trying to paint 
looping as part of one "culture" and not another, which I think is nuts. 
It's just a tool, but it is a tool you need to learn how to use in 
different ways to apply it in different situations.


> > It's no different from a beginner on any other instrument. How well does
> > someone who just started playing drums play with others? That's gonna be
> > just as much a tempo problem!
>
>Before I got into guitar, I was a drummer. So I'm coming at this from both
>perspectives.

Ok, so you must have had to spend time learning to play drums, and maintain 
tempo while doing it! It didn't come to you on the first day. Now you have 
to do that practicing with looping. That is my point. All instruments 
require learning and practice and looping is no different.


>That makes it twice as embarrassing that I've had to spend time learning how
>to hit the loop button on the downbeat!

Of course everybody has to practice that, there is nothing embarrassing 
about it. If you were a drummer maybe it helps you some, but still it is a 
fundamental looping technique that takes practice. It also goes a long way 
to helping to get loops in tempo if you are able to tap them in tempo at 
the beginning!


>However... this is different from keeping a steady beat on kit drums, where
>you're active all the time. The way I'm doing it now (as a guitar player)
>requires precision timing once every 12 bars (or whatever loop structure I'm
>using). It's not as easy as keeping tempo when your main thing is percussion
>or drums, and you're driving the rhythm in real time on every eighth note
>(or whatever).

Yes, of course it is different, since it is a different instrument.

If you are using the manual retriggering method it works better with short 
loops. Long loops can drift out a bit again by the end. Still, it is way 
better to have the beginning at least start on the beat and get a little 
out at the end instead of compounding the drift every time the loop 
repeats. Chances are the tempo drift hasn't been that severe for the end 
measures to be too bad if the beginning started right. Using a shorter loop 
would help a lot there, since it can be resynched more often. If there is a 
long chord progression you really think needs to be in a loop, you might 
even try splitting it into several loops so it resyncs with each loop 
switch, but that's kind of a pain.

Other techniques include redefining the loop length on the fly and fixing 
the rhythm from there, re-recording a loop on the fly, using feedback and 
replace to evolve into a new groove, chopping out a small bit of the loop 
in the new tempo and remultiplying it out again, etc.

None of these things work in all circumstances, but having many techniques 
available will give you a lot more flexibility for live playing. Listen to 
the way people like Matthias Grob or Andre LaFosse can totally change the 
rhythm of a loop very quickly to fit a new groove or tempo. They might not 
be doing the same sort of music as you, but both these guys play both solo 
and in groups a lot live. With a variety of techniques readily at their 
command they can easily jam with people while using loops in a very 
rhythmic way.


> > >2) Someone like me who comes from a traditional music background
> > (blues and
> > >jazz) automatically thinks in terms of traditional song structures like
> > >A-A-B-A. How many people on this list have actually tried to loop a
> > >traditional verse-verse-chorus-verse song? I've been working at it for a
> > >year, and it's frustrating. The Repeater fixes the bar length
> > with the first
> > >recorded track, so forget an AABA song where the "B" section is
> > a different
> > >number of bars, unless you want to get into a Midi pedal tap dancing
> > >nightmare of arming and switching between loops.
> >
> > seems to me your problem is specific with the repeater, not
> > looping. That's
> > simple to deal with in the Echoplex. The boomerang might be able to do it
> > too, I'm not sure. The jamman had the same problem of forcing all
> > the loops
> > to be the same length.
>
>Okay, so the EDP is better at structured AABA song format looping? If so, I
>need to read the manual and see if this offers some things the Repeater
>doesn't.
>
> > To some extent too, think about arrangement. what the hell are
> > you talking
> > about AABA where you've recorded multiple overdubs over the A loop before
> > you ever get to B? Or bass and rhythm and lead while also talking about
> > looping with multiple people? Can't the bass player make his own loop?
>
>This is in the context of solo performance, sorry if that wasn't clear. I
>don't have a bass player. My bass player is my thumb on the bottom two
>strings of my guitar.

ah. since you were talking about bands I assumed you had more players.

In any case, consider arrangement. If you have AABA, I would think by the 
first time through the sequence you've already recorded the base and two 
passes of overdubs on the A section and the base recording on the B 
section. Next time through you could add something else to B or just play a 
second part over it live. You would just do all of that as you play through 
the song. I think you can easily arrange a song so that it sounds natural 
to build the loops as part of it. Try listening to people like Phil Keaggy, 
Howie Day, Kellar Williams, and Amy X Neuberg. They all do this sort of 
thing in their live sets with structured songs and arrangements. They do 
overdubs and new sections naturally as they move through the sections of 
the song. The audience never feels like they are waiting for them to set up 
a loop before the song really starts.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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>Unsubscribe
>----- Original Message -----
>From: "Kim Flint" <kflint@loopers-delight.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, August 27, 2003 7:41 AM
>Subject: Re: Cranky Kim
>
>
>>  At 01:50 PM 8/26/2003, brian tester wrote:
>>  >Just to ley you know Kim, I was thinking of buying an EDP until I
>realized
>>  >that you are involved with it.  Sorry, that's just the way it goes.  I
>had
>>  >enough money, too. ;)
>>
>>  ha ha! sorry if my provocative questions bother you. After so many years
>>  running this list it's the only way to keep it interesting. Feel free to
>>  unsubscribe:
>>
>>  http://www.loopers-delight.com/list/LoopList.html
>>
>>  kim
>>
>>
>>  ______________________________________________________________________
>>  Kim Flint                     | Looper's Delight
>>  kflint@loopers-delight.com    | http://www.loopers-delight.com
>>
>>

-- 
Mad haPPy
http://www.madhappy.tv

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>----- Original Message -----
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>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, August 27, 2003 7:41 AM
>Subject: Re: Cranky Kim
>
>
>>  At 01:50 PM 8/26/2003, brian tester wrote:
>>  >Just to ley you know Kim, I was thinking of buying an EDP until I
>realized
>>  >that you are involved with it.  Sorry, that's just the way it goes.  I
>had
>>  >enough money, too. ;)
>>
>>  ha ha! sorry if my provocative questions bother you. After so many years
>>  running this list it's the only way to keep it interesting. Feel free to
>>  unsubscribe:
>>
>>  http://www.loopers-delight.com/list/LoopList.html
>>
>>  kim
>>
>>
>>  ______________________________________________________________________
>>  Kim Flint                     | Looper's Delight
>>  kflint@loopers-delight.com    | http://www.loopers-delight.com
>>
>>

-- 
Mad haPPy
http://www.madhappy.tv

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This is interesting--he replied to his own failed attempt to unsubscribe.

Time now to quote the Remarkable Claude Voit--I saved this for just such an
occasion . . .

DO NOT REPLY TO THIS MESSAGE OR YOUR COMPUTER WILL SHOW YOU VERY UNPOLITE
MESSAGES FROM ALL AROUND THE WORLD


1-go to your browser preferences and set you Email client to send plain
text (NO HTML) with No signature file

2-click next line link
mailto:Loopers-Delight-request@loopers-delight.com

3-delete your signature, etc...  make your message blank

4-double click (highlight) the sacred word on next line
SACRED WORD-->       unsubscribe     <--SACRED WORD
then
copy (contr+C )

5-place cursor in Subject of the message
Paste (contr+V)

5-place cursor in Body of the message
Paste (contr+V)

7-click send

Bye bye

Claude

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Well, since you asked like a nice guy I WILL answer the question, and if
you need it, I'll even provide the 'digest' version if you require.

I didn't see the show, just not my thing. I was told that their entire
show was played from DAT and the audience knew nothing about it. They
had musicians onstage APPARENTLY playing the music, but that playing
didn't make it to FOH. I have also been told that the vocals were most
certainly live, which gave me a bit of relief.

I included this example to tell the list what I've seen/heard as far as
'canned' loops this season.

I hope this was all helpful/informative.


Respect
 
Will Brake
Soul Fruit Electronics
 

-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net] 
Sent: Sunday, August 31, 2003 1:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fear of "canned" loops

Sorry man, you can't come in half way into a thread and have people go  
back and give you a digest version.  Go back and read the thread, I'm  
sure it's all in the archives if you've deleted these emails.

Mark Sottilaro

On Saturday, August 30, 2003, at 07:20 PM, Fsksync@aol.com wrote:

> In a message dated 8/30/03 2:38:11 PM Pacific Daylight Time,  
> jcshirke@midway.uchicago.edu writes:
>
> What'd Culture Club do?
>
>
>
>
having......hard......time......restraining.......fingers.......must... 
> ...not......type......

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 01:26:47 2003
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Date: Tue, 2 Sep 2003 01:17:26 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Appropriate use of canned material in concert was RE: Fear of
 "canned" loops
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Hi

Many years ago (20 or so), I did visuals for an early electro improv 
band in Boston (Mono Vogue -- I doubt you have heard of it)

One night, the leader was the only one there at the start of the set. 
Undaunted, he started a cheesey drum machine lick (in those days, 
that was the only flavor), started a recording of an  incredibly dry 
lecture on industrial engineering, and played keyboard over that.

This still strikes me as the most appropriate use of precanned 
material in live music performance that I have encountered.
-- 
"Freedom is a scary thing ---  Not many people really want it"
      --  Laurie Anderson -- pre 9.11

"Freedom is a scary thing --- So precious, so easy to lose".
      --  Laurie Anderson -- post 9.11

If you are emailing me for the first time or from a new address, 
please start the subject line of your message with the word "New". 
This will prevent it from getting lost in the spam.

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 01:33:35 2003
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Subject: Re: Appropriate use of canned material in concert was RE: Fear of "canned" loops
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I like it!!!!!

----- Original Message ----- 
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 02, 2003 1:17 AM
Subject: Appropriate use of canned material in concert was RE: Fear of
"canned" loops


> Hi
>
> Many years ago (20 or so), I did visuals for an early electro improv
> band in Boston (Mono Vogue -- I doubt you have heard of it)
>
> One night, the leader was the only one there at the start of the set.
> Undaunted, he started a cheesey drum machine lick (in those days,
> that was the only flavor), started a recording of an  incredibly dry
> lecture on industrial engineering, and played keyboard over that.
>
> This still strikes me as the most appropriate use of precanned
> material in live music performance that I have encountered.
> -- 

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 04:11:42 2003
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Wow, Rick,

thanks a lot for passing this along! I think this is really first hand info
from "red light territory" and I immediately got my metronome out to check
these "feels" while reading on. BTW, I guess that a lot of these things can
be rehearsed with delays/loopers as well, right?

Best wishes, Andreas Willers

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To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #336 for August 28, 2003
Date: Tue, 2 Sep 2003 09:07:02 -0400
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EMUSIC</a> is an electronic, ambient, and space music show, that airs =
each Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in =
Easton,
PA and Phillipsburg, NJ.

                    Show #336                    August 28, 2003

RECAP:
On this show, I concluded the month-long focus on Infection Music, a =
label in
the UK having T-Bass UK and Skin Mechanix on its artist roster.  The =
Featured
CD at Midnight was "MediaEvil" by all of Infection Music's artists.

The Vinyl Starter was from the LP "Cyborg" by Klaus Schulze on Ohr =
Records.

I played the music of Under the Dome who will be appearing at the =
Gatherings
Concert Series</a> on September 13.

Infection Music - =
http://wdiy.org/programs/emusic/playlists/2003/focus03.html#aug
The Gatherings Concert Series - http://www.thegatherings.org


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
11:00 pm
Klaus Schulze           Synphara                 Cyborg (Ohr)
Under the Dome          The Messenger            Dome Roots Collection
                                                   (Cochlear Vision)
Jonn Serrie             The Stargazer's Journey  The Stargazer's Journey =
(New
                                                   World)
Principle of Silence    The Fall                 Live (none)
Alio Die and            Enchanted Land           Expanding Horizon =
(Relapse)
  Mathias Grassow
VA [Nebula Drone]       Most Colourful Bubbles   Sequences No, 28 =
(Sequences)
                          of Mud
Robert Carty            Dreaming Stone           Ethereal Deserts (Deep =
Sky)

12:00 am
VA [T=3DBass UK]          The Fabulous Neutrinos   MediaEvil =
(InfectionMusic)
VA [T=3DBass UK]          Tranquility Bass         MediaEvil =
(InfectionMusic)
VA [T=3DBass UK]          Alfa Centauri Medley     MediaEvil =
(InfectionMusic)
VA [T=3DBass UK]          Generator                MediaEvil =
(InfectionMusic)
VA [T=3DBass UK]          Lovesong                 MediaEvil =
(InfectionMusic)
VA [Skin Mechanix]      Skin Mechanix Medley     MediaEvil =
(InfectionMusic)
VA [T=3DBass UK]          A Question of Time       MediaEvil =
(InfectionMusic)
VA [Skin Mechanix]      Waving at Mono           MediaEvil =
(InfectionMusic)
Ken Martin              Neurophasing             Berlin Impressions Vol. =
3
                                                   (Space for Music)

1:00 am

 * =3D exerpt
VA =3D Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll begin a month-long focus on Redshift.  The =
Featured CD
at Midnight will be "Ether" on the Champagne Lake Productions label.

The Vinyl Starter will be from the LP "Moondawn" by Klaus Schulze on =
Brain
Records.

I will play music by Under the Dome who will be appearing at the =
Gatherings
Concert Series on September 13.

Bill
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
Host of EMUSIC, an electronic, ambient,  and space music show,  =
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in =
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  =
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This =
Group!] at
http://groups.yahoo.com/group/emusic-wdiy
------=_NextPart_000_00EF_01C37131.931D1A00
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</HEAD><FONT face=3D"Courier New"><FONT size=3D2>
<BODY>
<DIV>EMUSIC&lt;/a&gt; is an electronic, ambient, and space music show, =
that airs=20
each Thursday<BR>at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, =
PA and=20
93.9 FM in Easton,<BR>PA and Phillipsburg, NJ.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; Show #336&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; August 28, =
2003</DIV>
<DIV>&nbsp;</DIV>
<DIV>RECAP:<BR>On this show, I concluded the month-long focus on =
Infection=20
Music, a label in<BR>the UK having T-Bass UK and Skin Mechanix on its =
artist=20
roster.&nbsp; The Featured<BR>CD at Midnight was "MediaEvil" by all of =
Infection=20
Music's artists.</DIV>
<DIV>&nbsp;</DIV>
<DIV>The Vinyl Starter was from the LP "Cyborg" by Klaus Schulze on Ohr=20
Records.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I played the music of Under the Dome who will be appearing at the=20
Gatherings<BR>Concert Series&lt;/a&gt; on September 13.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Infection Music - <A=20
href=3D"http://wdiy.org/programs/emusic/playlists/2003/focus03.html#aug">=
http://wdiy.org/programs/emusic/playlists/2003/focus03.html#aug</A></DIV>=

<DIV>The Gatherings Concert Series -&nbsp;<A=20
href=3D"http://www.thegatherings.org">http://www.thegatherings.org</A></D=
IV>
<DIV>&nbsp;</DIV>
<DIV><BR>PLAYLIST:</DIV>
<DIV>&nbsp;</DIV>
<DIV>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:00 pm<BR>Klaus=20
Schulze&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Synphara&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Cyborg (Ohr)<BR>Under the=20
Dome&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The=20
Messenger&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p; Dome=20
Roots=20
Collection<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;=20
(Cochlear Vision)<BR>Jonn=20
Serrie&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
The Stargazer's Journey&nbsp; The Stargazer's Journey=20
(New<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;=20
World)<BR>Principle of Silence&nbsp;&nbsp;&nbsp; The=20
Fall&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Live (none)<BR>Alio Die=20
and&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Enchanted=20
Land&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Expanding=20
Horizon (Relapse)<BR>&nbsp; Mathias Grassow<BR>VA [Nebula=20
Drone]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Most Colourful =
Bubbles&nbsp;&nbsp;=20
Sequences No, 28=20
(Sequences)<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
of Mud<BR>Robert=20
Carty&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Dreaming=20
Stone&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Ethereal=20
Deserts (Deep Sky)</DIV>
<DIV>&nbsp;</DIV>
<DIV>12:00 am<BR>VA [T=3DBass=20
UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Fabulous=20
Neutrinos&nbsp;&nbsp; MediaEvil (InfectionMusic)<BR>VA [T=3DBass=20
UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tranquility=20
Bass&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MediaEvil=20
(InfectionMusic)<BR>VA [T=3DBass=20
UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alfa Centauri=20
Medley&nbsp;&nbsp;&nbsp;&nbsp; MediaEvil (InfectionMusic)<BR>VA =
[T=3DBass=20
UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Generator&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
MediaEvil (InfectionMusic)<BR>VA [T=3DBass=20
UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Lovesong&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
MediaEvil (InfectionMusic)<BR>VA [Skin =
Mechanix]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Skin Mechanix Medley&nbsp;&nbsp;&nbsp;&nbsp; MediaEvil =
(InfectionMusic)<BR>VA=20
[T=3DBass UK]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A =
Question of=20
Time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MediaEvil =
(InfectionMusic)<BR>VA [Skin=20
Mechanix]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Waving at=20
Mono&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
MediaEvil=20
(InfectionMusic)<BR>Ken=20
Martin&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;=20
Neurophasing&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;=20
Berlin Impressions Vol.=20
3<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;=20
(Space for Music)</DIV>
<DIV>&nbsp;</DIV>
<DIV>1:00 am</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;* =3D exerpt<BR>VA =3D Various Artists (compilation)</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>NEXT SHOW:<BR>On the next EMUSIC, I'll begin a month-long focus =
on=20
Redshift.&nbsp; The Featured CD<BR>at Midnight will be "Ether" on the =
Champagne=20
Lake Productions label.</DIV>
<DIV>&nbsp;</DIV>
<DIV>The Vinyl Starter will be from the LP "Moondawn" by Klaus Schulze =
on=20
Brain<BR>Records.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I will play music by Under the Dome who will be appearing at the=20
Gatherings<BR>Concert Series on September 13.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Bill<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>Host=20
of EMUSIC, an electronic, ambient,&nbsp; and space music show,&nbsp; =
Thursdays=20
at 11<BR>pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and =
93.9 FM in=20
Easton<BR>and Phillipsburg.&nbsp; Listen on-line to WDIY at <A=20
href=3D"http://wdiy.org">http://wdiy.org</A>&nbsp; and click&nbsp;=20
LISTEN<BR>EMUSIC web site - <A=20
href=3D"http://wdiy.org/programs/emusic">http://wdiy.org/programs/emusic<=
/A><BR>To=20
subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This =
Group!]=20
at<BR><A=20
href=3D"http://groups.yahoo.com/group/emusic-wdiy">http://groups.yahoo.co=
m/group/emusic-wdiy</A></DIV></BODY></HTML></FONT></FONT>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 09:57:36 2003
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Date: Tue, 02 Sep 2003 09:53:04 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: learning to play perfectly to a click track
To: "Rick Walker/Loop.pooL" <GLOBAL@cruzio.com>,
   Loopers-Delight@loopers-delight.com
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Nice set of directions, Rick! Since rhythm is pitch made slow, and since I
give instruction to a lot of aspiring musicians (including myself!) I
encourage all musicians to use a metronome just as they would use a tuner,
and to control rhythm just as they would control pitch. Your "pro-active
challenge" approach is excellent!
Douglas Baldwin, coyote-at-large
coyotelk@optonline.net

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:14:15 2003
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: Question about Line6 DL-4
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According to Zzounds website:
"The Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay (sort
of a delay within a delay), and features half speed and/or reverse
overdubbing"
 
Does that mean you have access to 800ms of delay while looping? This would
be nice because if I got one I would love to not have to get another delay
pedal for my lead playing. If this is true, is that 800ms delay able to be
set with Tap Tempo?
 
Thanks,
 
DM

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<DIV><SPAN class=211420914-02092003>According to Zzounds website:<BR>"</SPAN>The 
Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay (sort of a delay 
within a delay), and features half speed and/or reverse overdubbing<SPAN 
class=211420914-02092003>"</SPAN></DIV>
<DIV><SPAN class=211420914-02092003></SPAN>&nbsp;</DIV>
<DIV><SPAN class=211420914-02092003><FONT face=Arial size=2>Does that mean you 
have access to 800ms of delay while looping? This would be nice because if I got 
one I would love to not have to get another delay pedal for my lead playing. If 
this is true, is that 800ms delay able to be set with Tap 
Tempo?</FONT></SPAN></DIV>
<DIV><SPAN class=211420914-02092003><FONT face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=211420914-02092003><FONT face=Arial 
size=2>Thanks,</FONT></SPAN></DIV>
<DIV><SPAN class=211420914-02092003><FONT face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=211420914-02092003><FONT face=Arial 
size=2>DM</FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:17:51 2003
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From: "Bill Fox" <billfox@fast.net>
To: <Undisclosed-Recipient:;>
Subject: The AM/FM Show Playlist for August 30, 2003
Date: Tue, 2 Sep 2003 10:13:10 -0400
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The Saturday AM/FM Show is hosted every other week by <a =
href=3D"http://soundscapes.us/~bill">Bill Fox</a> who plays
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix =
of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 =
FM and
on the <a href=3D"http://www.muhlenberg.edu/wmuh/realaud.html" =
target=3D"wmuhweb">internet</a>.  Send me <a =
href=3D"mailto:billfox@fast.net?subject=3DAM/FM Show =
Feedback">comments</a> if you love or hate what I played.  I also
host <a href=3D"../../../afterglow/index.html" =
target=3D"afterglow">Afterglow</a> every Thursday from 8:00 am to 9:30 =
am.

                    Show #29                    August 30, 2003.

Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
Under the Dome          Liquid Sky               Bellerphon (Neu =
Harmony)
Under the Dome          Launch                   Bellerphon (Neu =
Harmony)
Under the Dome          Drift                    Bellerphon (Neu =
Harmony)
Tangerine Dream         For the Summit Only      Mota Atma (TDP)
Jonn Serrie             The Stars, Like Dust     The Stargazer's Journey =
(New
                                                   World)

Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
Surajit Das             Samprayoga               Kamasutra; The =
Essential
                                                   (Oreade Music)
Aeoliah                 The Caress               J'adore (Oreade Music)
Steven Halpern and      Midnight Memories        Perfect Alignment =
(Inner Peace
  Paul McCandless                                  Music)
Gitano Family           Les Mas de la Pousaraque Torero! (Sprill Hill =
Music)
Karunesh                Call of the Tribes       Global Spirit (Oreade =
Music)

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
Kaipa                   A Complex Work of Art    Keyholder (InsideOut)
Tomas Bodin             The Prayer               Sonic Boulevard =
(InsideOut)
Tomas Bodin             The Hero from Cloud City Sonic Boulevard =
(InsideOut)
The Tangent             A Serenade               The Music That Died =
Alone
                                                   (InsideOut)
The Tangent             Playing On...            TMTDA (InsideOut)
The Tangent             Pre-history              TMTDA (InsideOut)
The Tangent             Reprise                  TMTDA (InsideOut)

 * =3D exerpt
VA =3D Various Artists (compilation)

I return to the AM/FM Show in five weeks on October 4.

Bill
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
Host of the AM/FM Show every other Saturday at 6:00 am (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from =
"Beyond
the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to comtemporary releases.
Web Site - http://soundscapes.us/~bill/amfm
Listen on-line to WMUH Allentown, 91.7 FM at =
http://www.muhlenberg.edu/wmuh and
click the REAL AUDIO link.
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1141" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD><FONT face=3D"Courier New"><FONT size=3D2>
<BODY>
<DIV>The Saturday AM/FM Show is hosted every other week by &lt;a =
href=3D"<A=20
href=3D'http://soundscapes.us/~bill">Bill'>http://soundscapes.us/~bill"&g=
t;Bill</A>=20
Fox&lt;/a&gt; who plays<BR>electronic, ambient, spacemusic, Progressive =
Rock,=20
and an eclectic mix of other<BR>genres.&nbsp; The show airs from 6:00 am =
to 8:00=20
am on WMUH Allentown, 91.7 FM and<BR>on the &lt;a href=3D"<A=20
href=3D"http://www.muhlenberg.edu/wmuh/realaud.html">http://www.muhlenber=
g.edu/wmuh/realaud.html</A>"=20
target=3D"wmuhweb"&gt;internet&lt;/a&gt;.&nbsp; Send me &lt;a href=3D"<A =

href=3D"mailto:billfox@fast.net?subject=3DAM/FM">mailto:billfox@fast.net?=
subject=3DAM/FM</A>=20
Show Feedback"&gt;comments&lt;/a&gt; if you love or hate what I =
played.&nbsp; I=20
also<BR>host &lt;a href=3D"../../../afterglow/index.html"=20
target=3D"afterglow"&gt;Afterglow&lt;/a&gt; every Thursday from 8:00 am =
to 9:30=20
am.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; Show #29&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; August 30, =
2003.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Phase I/Space:</DIV>
<DIV>&nbsp;</DIV>
<DIV>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>Under the=20
Dome&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Liquid=20
Sky&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;=20
Bellerphon (Neu Harmony)<BR>Under the=20
Dome&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Launch&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Bellerphon (Neu Harmony)<BR>Under the=20
Dome&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Drift&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Bellerphon (Neu Harmony)<BR>Tangerine=20
Dream&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; For the Summit=20
Only&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mota Atma (TDP)<BR>Jonn=20
Serrie&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
The Stars, Like Dust&nbsp;&nbsp;&nbsp;&nbsp; The Stargazer's Journey=20
(New<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;=20
World)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Phase II/Eclectic:</DIV>
<DIV>&nbsp;</DIV>
<DIV>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>Surajit=20
Das&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;=20
Samprayoga&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;=20
Kamasutra; The=20
Essential<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;=20
(Oreade=20
Music)<BR>Aeoliah&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
The=20
Caress&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;=20
J'adore (Oreade Music)<BR>Steven Halpern =
and&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Midnight Memories&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Perfect =
Alignment=20
(Inner Peace<BR>&nbsp; Paul=20
McCandless&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Music)<BR>Gitano=20
Family&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Les =
Mas de la=20
Pousaraque Torero! (Sprill Hill=20
Music)<BR>Karunesh&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Call of the Tribes&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Global Spirit =
(Oreade=20
Music)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Phase III/Progressive Rock:</DIV>
<DIV>&nbsp;</DIV>
<DIV>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>Kaipa&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
A Complex Work of Art&nbsp;&nbsp;&nbsp; Keyholder (InsideOut)<BR>Tomas=20
Bodin&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;=20
The=20
Prayer&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;=20
Sonic Boulevard (InsideOut)<BR>Tomas=20
Bodin&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;=20
The Hero from Cloud City Sonic Boulevard (InsideOut)<BR>The=20
Tangent&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
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A=20
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The Music That Died=20
Alone<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:21:21 2003
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Question about Line6 DL-4
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Answering my own question via Harmony-Central.com:
"They do include an echo in the looper (which is some consolation) but
there's no tap-tempo in this mode so you have to manually adjust the echo
time with the dial."
 
Bummer.
 
Thanks,
 
DM

-----Original Message-----
From: Don Makoviney [mailto:don.makoviney@asg.com] 
Sent: Tuesday, September 02, 2003 10:12 AM
To: 'Loopers-Delight@loopers-delight.com'
Subject: Question about Line6 DL-4


According to Zzounds website:
"The Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay (sort
of a delay within a delay), and features half speed and/or reverse
overdubbing"
 
Does that mean you have access to 800ms of delay while looping? This would
be nice because if I got one I would love to not have to get another delay
pedal for my lead playing. If this is true, is that 800ms delay able to be
set with Tap Tempo?
 
Thanks,
 
DM


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<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2>Answering my own question via Harmony-Central.com:</FONT></SPAN></DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff size=2>"<FONT 
face="Times New Roman" color=#000000 size=3>They do include an echo in the 
looper (which is some consolation) but there's no tap-tempo in this mode so you 
have to manually adjust the echo time with the dial."</FONT></FONT></SPAN></DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2>Bummer.</FONT></SPAN></DIV>
<DIV><SPAN class=246041814-02092003></SPAN>&nbsp;</DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2>Thanks,</FONT></SPAN></DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=246041814-02092003><FONT face=Arial color=#0000ff 
size=2>DM</FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Don Makoviney 
  [mailto:don.makoviney@asg.com] <BR><B>Sent:</B> Tuesday, September 02, 2003 
  10:12 AM<BR><B>To:</B> 
  'Loopers-Delight@loopers-delight.com'<BR><B>Subject:</B> Question about Line6 
  DL-4<BR><BR></FONT></DIV>
  <DIV><SPAN class=211420914-02092003>According to Zzounds 
  website:<BR>"</SPAN>The Loop Sampler includes 14 seconds of memory + 800ms of 
  Pre-delay (sort of a delay within a delay), and features half speed and/or 
  reverse overdubbing<SPAN class=211420914-02092003>"</SPAN></DIV>
  <DIV><SPAN class=211420914-02092003></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=211420914-02092003><FONT face=Arial size=2>Does that mean you 
  have access to 800ms of delay while looping? This would be nice because if I 
  got one I would love to not have to get another delay pedal for my lead 
  playing. If this is true, is that 800ms delay able to be set with Tap 
  Tempo?</FONT></SPAN></DIV>
  <DIV><SPAN class=211420914-02092003><FONT face=Arial 
  size=2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=211420914-02092003><FONT face=Arial 
  size=2>Thanks,</FONT></SPAN></DIV>
  <DIV><SPAN class=211420914-02092003><FONT face=Arial 
  size=2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=211420914-02092003><FONT face=Arial 
  size=2>DM</FONT></SPAN></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:27:10 2003
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Question about Line6 DL-4
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Are you asking or telling?

Do you mean the delay time could be set using an expression pedal while
looping?

If so. . .yayyy!

Please lemme know. Thanks,

DM

>>-----Original Message-----
>>From: Relay [mailto:relaydelayband@earthlink.net] 
>>Sent: Tuesday, September 02, 2003 10:19 AM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: RE: Question about Line6 DL-4
>>
>>
>>Or pedal input?
>>
>>Gary
>>
>>----Original Message-----
>>
>>From: Don Makoviney
>>
>>DL-4
>>
>>According to Zzounds website:
>>"The Loop Sampler includes 14 seconds of memory + 800ms of 
>>Pre-delay (sort of a delay within a delay), and features half 
>>speed and/or reverse overdubbing"
>>
>>Does that mean you have access to 800ms of delay while 
>>looping? This would be nice because if I got one I would love 
>>to not have to get another delay pedal for my lead playing. 
>>If this is true, is that 800ms delay able to be set with Tap Tempo?
>>
>>Thanks,
>>
>>DM
>>
>>

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<P><FONT SIZE=2>Are you asking or telling?</FONT>
</P>

<P><FONT SIZE=2>Do you mean the delay time could be set using an expression pedal while looping?</FONT>
</P>

<P><FONT SIZE=2>If so. . .yayyy!</FONT>
</P>

<P><FONT SIZE=2>Please lemme know. Thanks,</FONT>
</P>

<P><FONT SIZE=2>DM</FONT>
</P>

<P><FONT SIZE=2>&gt;&gt;-----Original Message-----</FONT>
<BR><FONT SIZE=2>&gt;&gt;From: Relay [<A HREF="mailto:relaydelayband@earthlink.net">mailto:relaydelayband@earthlink.net</A>] </FONT>
<BR><FONT SIZE=2>&gt;&gt;Sent: Tuesday, September 02, 2003 10:19 AM</FONT>
<BR><FONT SIZE=2>&gt;&gt;To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=2>&gt;&gt;Subject: RE: Question about Line6 DL-4</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;Or pedal input?</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;Gary</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;----Original Message-----</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;From: Don Makoviney</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;DL-4</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;According to Zzounds website:</FONT>
<BR><FONT SIZE=2>&gt;&gt;&quot;The Loop Sampler includes 14 seconds of memory + 800ms of </FONT>
<BR><FONT SIZE=2>&gt;&gt;Pre-delay (sort of a delay within a delay), and features half </FONT>
<BR><FONT SIZE=2>&gt;&gt;speed and/or reverse overdubbing&quot;</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;Does that mean you have access to 800ms of delay while </FONT>
<BR><FONT SIZE=2>&gt;&gt;looping? This would be nice because if I got one I would love </FONT>
<BR><FONT SIZE=2>&gt;&gt;to not have to get another delay pedal for my lead playing. </FONT>
<BR><FONT SIZE=2>&gt;&gt;If this is true, is that 800ms delay able to be set with Tap Tempo?</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;Thanks,</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;DM</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
<BR><FONT SIZE=2>&gt;&gt;</FONT>
</P>

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Or pedal input?

Gary

----Original Message-----

From: Don Makoviney

DL-4

According to Zzounds website:
"The Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay (sort
of a delay within a delay), and features half speed and/or reverse
overdubbing"

Does that mean you have access to 800ms of delay while looping? This would
be nice because if I got one I would love to not have to get another delay
pedal for my lead playing. If this is true, is that 800ms delay able to be
set with Tap Tempo?

Thanks,

DM


From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:41:44 2003
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From: "Will Brake" <wbrake@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Question about Line6 DL-4
Date: Tue, 2 Sep 2003 10:36:37 -0400
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Well, if I read it right, the pre-delay of up to 800 ms will allow for a
delay of your dry signal BEFORE it is received by the delay. I don't
believe you have access to it other than as a pre-delay. Other
time-based effects have this feature and all of them work this way. 
 
It does seem a bit confusing. I've never had use for it on the DL4, so
I'm not completely sure if it functions this way. Try it!
 
Respect
 
Will Brake
Soul Fruit Electronics
 
-----Original Message-----
From: Don Makoviney [mailto:don.makoviney@asg.com] 
Sent: Tuesday, September 02, 2003 10:12 AM
To: 'Loopers-Delight@loopers-delight.com'
Subject: Question about Line6 DL-4
 
According to Zzounds website:
"The Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay
(sort of a delay within a delay), and features half speed and/or reverse
overdubbing"
 
Does that mean you have access to 800ms of delay while looping? This
would be nice because if I got one I would love to not have to get
another delay pedal for my lead playing. If this is true, is that 800ms
delay able to be set with Tap Tempo?
 
Thanks,
 
DM

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style=3D'tab-interval:.5in'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Well, if I read it right, the =
pre-delay of
up to 800 ms will allow for a delay of your dry signal BEFORE it is =
received by
the delay. I don&#8217;t believe you have access to it other than as a
pre-delay. Other time-based effects have this feature and all of them =
work this
way. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>It does seem a bit confusing. =
I&#8217;ve
never had use for it on the DL4, so I&#8217;m not completely sure if it
functions this way. Try it!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'>Respect<o:p></o:p>=
</span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'><o:p>&nbsp;</o:p><=
/span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'>Will =
Brake<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'>Soul Fruit =
Electronics<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Don Makoviney
[mailto:don.makoviney@asg.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, September =
02, 2003
10:12 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
'Loopers-Delight@loopers-delight.com'<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Question about =
Line6 DL-4</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>According to Zzounds website:<br>
&quot;The Loop Sampler includes 14 seconds of memory + 800ms of =
Pre-delay (sort
of a delay within a delay), and features half speed and/or reverse
overdubbing&quot;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>Does that mean you have =
access to
800ms of delay while looping? This would be nice because if I got one I =
would
love to not have to get another delay pedal for my lead playing. If this =
is
true, is that 800ms delay able to be set with Tap =
Tempo?</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>Thanks,</span></font><o:p></=
o:p></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>DM</span></font><o:p></o:p><=
/p>

</div>

</div>

</body>

</html>

------=_NextPart_000_0009_01C3713E.18CD61D0--

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 10:50:49 2003
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From: "Will Brake" <wbrake@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Looping with other musicians, new tools=new results
Date: Tue, 2 Sep 2003 10:47:23 -0400
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FYI on tempo and controlling it. There are lots of drummers out there,
playing professionally, that use a metronome, or other beat checking
device to check tempo before and during the song(s). Boss even makes a
device that mounts to a cymbal or drum stand. 

With the energy on stage, it is really easy to rush/drag the tempo, even
if you have great timing. I've seen some really incredible drummers
start a song with too fast a tempo and it's a gallop to the finish!

Useful tools are everywhere, use them to your advantage! I just wish the
Boss unit had MIDI out!

Respect
 
Will Brake
Soul Fruit Electronics
 

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com] 
Sent: Monday, September 01, 2003 9:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with other musicians, new tools=new results

At 09:57 PM 8/29/2003, Mike Barrs wrote:
> > >If you want to play with other musicians, a looper is a barrier
> > >because it's like playing to a click track... which everyone
> > hates, unless
> > >they're another looping musician.
> >
> > That's true if the looper is a beginner and doesn't know how to
adjust
> > their loops with the music around them.
>
>I don't know about that. Even with tap tempo on the Repeater, you're a
long
>way from the kind of realtime, continuous tempo adjustment that happens
with
>live musicians.

In addition to the tap tempo, you also can adjust tempo with the tempo
knob 
on the Repeater. With that I think you could use a beat matching
technique 
like DJ's use with the speed controls of a turntable. As with any other 
techniques for adjusting loop tempos, it will take some practicing to do

this well. Certainly DJ's spend a lot of time practicing this, and good 
ones get the tempos matched up very quickly. I don't see why you
couldn't 
do the same with your Repeater.

Also, the Repeater has the Beat Detect function, where it can determine 
tempo from an incoming audio signal. It's a little tricky to work around

the signal routing issues, but I think you can manage get a feed from
the 
drums coming in on one channel and use that for setting the tempo for
loops 
recorded on the other channels. (since you don't want to record the
drums.) 
Then as the tempo of the drums coming in drifts, the Repeater will
expand 
and compress the loop time to keep it matched and in sync. It works
pretty 
well, once you work out the routing.

There are other devices on the market that only do this beat detection, 
like the Red Sound Micro Sync which detects BPM of incoming audio and 
outputs a midi clock. This is commonly used by DJ's to match sequencers
and 
tempo effects to the beat coming off a record. It could also easily
serve 
your purpose to keep the Repeater (or other loopers) in sync with your
live 
drummer, and you wouldn't have to deal with the routing problem on the 
repeater.

>Also, it's a strange concept (outside of looping) for the
>rest of the band to follow the guitar player, or the keyboard player,
or
>whoever is into looping. Tempo management is normally the role of the
>drummer and bass player.

Right! I agree, at least in a rock context. That's why I'm saying its
the 
wrong approach for you to walk into that and try to change the whole
band 
dynamic by insisting that now suddenly everybody has to follow the tempo

from your loop in some section of the song. In my view, that's
amateurish. 
You are the one controlling the loop, it is your job to keep it in tempo

with the others, whether it be by your manual control, giving the
drummer 
means to set and adjust your loop tempo, or some automatic sync
mechanism.

It's not a simple thing, there are many different tempo techniques that 
will apply to different situations, you may need to make some
adjustments 
or compromises to make it work, and you need to do some practicing to
get 
the hang of it. The more you understand it the better you will be at
doing 
it and the more options you will see for any given situation. A lot of 
beginners with looping don't know how to do these techniques and try to 
insist that the loop is uncontrollable and therefore everybody else has
to 
follow that tempo, which I think is an excellent way to end up being a
solo 
musician.


[Will Brake] <snip>

> > It's no different from a beginner on any other instrument. How well
does
> > someone who just started playing drums play with others? That's
gonna be
> > just as much a tempo problem!
>
[Will Brake] <snip>
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 11:06:34 2003
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And without an expression pedal, the only way to turn the pre echo on or off
is to manually turn the echo's volume up or down.

I don't know if the expression pedal works in loop mode.  Anyone?

LeonD



> Well, if I read it right, the pre-delay of up to 800 ms will allow for a
> delay of your dry signal BEFORE it is received by the delay. I don't
> believe you have access to it other than as a pre-delay. Other
> time-based effects have this feature and all of them work this way.
>
> It does seem a bit confusing. I've never had use for it on the DL4, so
> I'm not completely sure if it functions this way. Try it!


From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 11:18:37 2003
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Date: Tue, 2 Sep 2003 08:16:10 -0700 (PDT)
From: Evan Meyers <evanmeyers@yahoo.com>
Subject: Gig ALERT & evans 25th B-day celebration!!! (NYC)
To: evanmeyers@yahoo.com
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Hello Pocketeers!

As some of you may know, we took the summer off to
travel and take in some sun-shine, but we are BACK!!! 
Refueled and with new inspiration… with the summer
coming to a close, what better time to take in some
shows?  Beat the rain by getting down for some
excellent music and celebrate with us as we set the
pace for the fall!

B3 - September 4th @ 11pm (Avenue B and 3rd St)
http://newyork.citysearch.com/profile/11455559
This is a FREE show, 21+ and will be a one hour set. 
Yeah, yeah, we know it’s a school night, but will you
be sleeping before midnight anyway?

CB's 313 Gallery - Sept 6th @ 9pm
http://www.cbgb.com/gallery.html
This is a big gig and Evan’s (bassist) 25th birthday
celebration, so if you can only make one show, make it
this one.  Come on out and celebrate and show your
support for your favorite home-grown band!  Small
cover at the door and fairly priced drinks!  The
Pocket will take the stage at 9pm and play for an
hour, then onto the Birthday celebration!  Come on out
and support The Pocket and help Evan celebrate his
25th birthday in style!

Please forward this mail to anyone who you think would
like to hear some groovey tunes!

For up-to-date info on all The Pocket’s happenings,
check us out on the web at www.geocities.com/riftkid. 
Poke around, get familiar with the band and hear some
music for FREE!!!

To be removed from The Pocket’s mailing list…send an
email with REMOVE in the subject heading.

Thanks, we look forward to a great fall!

~ e va n (bassist of the pocket)
www.geocities.com/riftkid


__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 11:19:03 2003
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Date: Tue, 2 Sep 2003 10:15:48 -0500
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From: Scott Hansen <scott-a-hansen@uiowa.edu>
Subject: HsAcNoStEtN-2 "new reviews"
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--============_-1149606747==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

here's 2 reviews from my cd project from earlier this yr. i don't 
even remember sending it...1st one rips me a new bum-hole (again), 
but they also ripped the new eric johnson album, so i feel like i'm 
in good company, 2nd one is a bit more "positive"...my big question: 
when am i going to get out of the "lo-fi" mode, i mean, the stuff was 
all recorded on a digital recorder, there's no hiss like on my 
4-track recordings, jeez..., and i'm lumped in w/ the slackers now? 
when that was all happening 10 yrs ago, i was a good 1/2 generation 
older than most of the "slackers", oh well, guess it's good to be in 
"some type of category"...some humourous reading for the 
day....enjoy....s----

http://www.splendidezine.com/review.html?reviewid=3267012539626234
Scott Hansen has a beef with Corporate Rock. He says it plain as day 
with the title of his sophomore album, and his lo-fi singer 
songwriter/looped noise shtick rebukes all things mainstream and 
corporate-controlled. Unfortunately, his dislike for anything 
mainstream or "corporate" compromises his vision, steering him away 
from such tired concepts as entertaining his listeners or actually 
making sense.

Hansen offers 26 mostly-untitled noise tracks over 78 minutes. I have 
no doubt he had a blast (and more than likely was blasted) recording 
and manipulating corp ROCK sucks, but it isn't the easiest or most 
enjoyable listen for anyone else. His forays into noise looping and 
sound manipulation demonstrate no apparent forethought or focus -- 
they're mostly just annoying. The tracks Hansen bothered to title, 
most notably the catchy "Legacy" and the charming "Poplust", offer 
intriguing lo-fi singer/songwriter moments that, while never breaking 
any ground, at least engage and entertain...leaving only 74-odd 
minutes of material that doesn't.

The biggest problem facing Hansen here, outside of his confusing 
slacker moniker (chosen because there was already a Scott Hansen 
registered on MP3.com), is the album title. I'm assuming he has 
something to say about the substandard and shallow state of corporate 
rock, and corp ROCK sucks is intended to make a statement and push 
some buttons. Unfortunately, the only button you'll want to push is 
"eject".
-- Ryan Smith


http://members.evansville.net/tgodsend/latest.html
HsAcNoStEtN - "corp ROCK sucks" CDR - This 26-track, 78-minute album 
by Iowa-based solo artist Scott Hansen delivers both experimental 
sound collages as well as lo-fi bedroom-folk pop. The untitled 
electronic-based experiments seem meandering and aimless, often 
showing little more than improvised keyboard/guitar noise-noodles. On 
the other hand, Hansen's folksy vocal pieces show a slackerly 
singer-songwriter in the vein of another Hansen (Beck). It's rough, 
unpolished work, and the tracks seem rather samey and often plodding, 
but the honestly and down-to-basics approach is something that many a 
'big-name' act can learn from. Congrats to Scott for keeping his 
music far-away and free from the gloss and false facades of the 
mainstream. (Hello Shadow Media)

-- 
--============_-1149606747==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>HsAcNoStEtN-2 &quot;new
reviews&quot;</title></head><body>
<div><font face="Arial" size="+2" color="#000000">here's 2 reviews
from my cd project from earlier this yr. i don't even remember sending
it...1st one rips me a new bum-hole (again), but they also ripped the
new eric johnson album, so i feel like i'm in good company, 2nd one is
a bit more &quot;positive&quot;...my big question: when am i going to
get out of the &quot;lo-fi&quot; mode, i mean, the stuff was all
recorded on a digital recorder, there's no hiss like on my 4-track
recordings, jeez..., and i'm lumped in w/ the slackers now? when that
was all happening 10 yrs ago, i was a good 1/2 generation older than
most of the &quot;slackers&quot;, oh well, guess it's good to be in
&quot;some type of category&quot;...some humourous reading for the
day....enjoy....s----</font></div>
<div><font face="Arial" size="+2" color="#000000"><br></font></div>
<div><font face="Arial" size="+2"
color="#000000"
>http://www.splendidezine.com/review.html?reviewid=3267012539626234<br
>
Scott Hansen has a beef with Corporate Rock. He says it plain as day
with the title of his sophomore album, and his lo-fi singer
songwriter/looped noise shtick rebukes all things mainstream and
corporate-controlled. Unfortunately, his dislike for anything
mainstream or &quot;corporate&quot; compromises his vision, steering
him away from such tired concepts as entertaining his listeners or
actually making sense.<br>
<br>
Hansen offers 26 mostly-untitled noise tracks over 78 minutes. I have
no doubt he had a blast (and more than likely was blasted) recording
and manipulating corp ROCK sucks, but it isn't the easiest or most
enjoyable listen for anyone else. His forays into noise looping and
sound manipulation demonstrate no apparent forethought or focus --
they're mostly just annoying. The tracks Hansen bothered to title,
most notably the catchy &quot;Legacy&quot; and the charming
&quot;Poplust&quot;, offer intriguing lo-fi singer/songwriter moments
that, while never breaking any ground, at least engage and
entertain...leaving only 74-odd minutes of material that doesn't.<br>
<br>
The biggest problem facing Hansen here, outside of his confusing
slacker moniker (chosen because there was already a Scott Hansen
registered on MP3.com), is the album title. I'm assuming he has
something to say about the substandard and shallow state of corporate
rock, and corp ROCK sucks is intended to make a statement and push
some buttons. Unfortunately, the only button you'll want to push is
&quot;eject&quot;.<br>
-- Ryan Smith<br>
<br>
<br>
http://members.evansville.net/tgodsend/latest.html<br>
HsAcNoStEtN - &quot;corp ROCK sucks&quot; CDR - This 26-track,
78-minute album by Iowa-based solo artist Scott Hansen delivers both
experimental sound collages as well as lo-fi bedroom-folk pop. The
untitled electronic-based experiments seem meandering and aimless,
often showing little more than improvised keyboard/guitar
noise-noodles. On the other hand, Hansen's folksy vocal pieces show a
slackerly singer-songwriter in the vein of another Hansen (Beck). It's
rough, unpolished work, and the tracks seem rather samey and often
plodding, but the honestly and down-to-basics approach is something
that many a 'big-name' act can learn from. Congrats to Scott for
keeping his music far-away and free from the gloss and false facades
of the mainstream. (Hello Shadow Media)<br>
</font></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
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--============_-1149606747==_ma============--

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Subject: RE: Question about Line6 DL-4
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It works in Loop Mode but only affects the pre-delay.

:::-----Original Message-----
:::From: LeonD [mailto:ld60@rcn.com]
:::Sent: Tuesday, September 02, 2003 8:03 AM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Re: Question about Line6 DL-4
:::
:::And without an expression pedal, the only way to turn the pre echo on
or
:::off
:::is to manually turn the echo's volume up or down.
:::
:::I don't know if the expression pedal works in loop mode.  Anyone?
:::
:::LeonD
:::
:::
:::
:::> Well, if I read it right, the pre-delay of up to 800 ms will allow
for
:::a
:::> delay of your dry signal BEFORE it is received by the delay. I
don't
:::> believe you have access to it other than as a pre-delay. Other
:::> time-based effects have this feature and all of them work this way.
:::>
:::> It does seem a bit confusing. I've never had use for it on the DL4,
so
:::> I'm not completely sure if it functions this way. Try it!
:::
:::
:::


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south carolina looper checking in!
hey steve!
love,
brian
electric bird noise
something about vampires and sluts

new something about vampires and sluts cd out now!(lots of looping)
somethingaboutvampiresandsluts.com
coptercrash.com

In a message dated 8/31/2003 10:53:25 PM Eastern Daylight Time, burnett@pobox.com writes:

> I'll jump in on this thread and ask for the same for North Carolina. Email 
> me offlist if you're in North Carolina. If you're in Florida, email Don 
> :). 
> 
> best,
> Steve
> Subscape Annex
> http://www.subscapeannex.com/
> 
> On Fri, 29 Aug 2003, Don Makoviney wrote:
> 
> > Are there any here? Just curious. If so could you email me off list? Maybe
> > we can sit in on each others sessions or gigs. Might make 
> for some good
> > times.
> > 
> > Thanks,
> > 
> > Don M

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	 <Loopers-Delight@loopers-delight.com>
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Okay, I am a delay neophyte I guess, but that is essentially a delay that
can be used while looping right? I don't really care if I model specific
delays, but I would at least like to have a delay of some sort that I can
access while in LOOP mode. It sounds like this is indeed the case.

I'll stop by the music store today and try one out.

Thanks,

Don M

>>-----Original Message-----
>>From: SquidLoop [mailto:squidloop@thetentacle.org] 
>>Sent: Tuesday, September 02, 2003 11:53 AM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: RE: Question about Line6 DL-4
>>
>>
>>It works in Loop Mode but only affects the pre-delay.
>>
>>:::-----Original Message-----
>>:::From: LeonD [mailto:ld60@rcn.com]
>>:::Sent: Tuesday, September 02, 2003 8:03 AM
>>:::To: Loopers-Delight@loopers-delight.com
>>:::Subject: Re: Question about Line6 DL-4
>>:::
>>:::And without an expression pedal, the only way to turn the 
>>pre echo on or :::off :::is to manually turn the echo's 
>>volume up or down.
>>:::
>>:::I don't know if the expression pedal works in loop mode.  Anyone?
>>:::
>>:::LeonD
>>:::
>>:::
>>:::
>>:::> Well, if I read it right, the pre-delay of up to 800 ms 
>>will allow for :::a :::> delay of your dry signal BEFORE it 
>>is received by the delay. I don't :::> believe you have 
>>access to it other than as a pre-delay. Other :::> time-based 
>>effects have this feature and all of them work this way. :::> 
>>:::> It does seem a bit confusing. I've never had use for it 
>>on the DL4, so :::> I'm not completely sure if it functions 
>>this way. Try it!
>>:::
>>:::
>>:::
>>
>>

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charset=3DUS-ASCII">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2654.45">
<TITLE>RE: Question about Line6 DL-4</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>Okay, I am a delay neophyte I guess, but that is =
essentially a delay that can be used while looping right? I don't =
really care if I model specific delays, but I would at least like to =
have a delay of some sort that I can access while in LOOP mode. It =
sounds like this is indeed the case.</FONT></P>

<P><FONT SIZE=3D2>I'll stop by the music store today and try one =
out.</FONT>
</P>

<P><FONT SIZE=3D2>Thanks,</FONT>
</P>

<P><FONT SIZE=3D2>Don M</FONT>
</P>

<P><FONT SIZE=3D2>&gt;&gt;-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;From: SquidLoop [<A =
HREF=3D"mailto:squidloop@thetentacle.org">mailto:squidloop@thetentacle.o=
rg</A>] </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Sent: Tuesday, September 02, 2003 11:53 =
AM</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;To: =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Subject: RE: Question about Line6 =
DL-4</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;It works in Loop Mode but only affects the =
pre-delay.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::From: LeonD [<A =
HREF=3D"mailto:ld60@rcn.com">mailto:ld60@rcn.com</A>]</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::Sent: Tuesday, September 02, 2003 8:03 =
AM</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::To: =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::Subject: Re: Question about Line6 =
DL-4</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::And without an expression pedal, the only =
way to turn the </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;pre echo on or :::off :::is to manually turn =
the echo's </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;volume up or down.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::I don't know if the expression pedal =
works in loop mode.&nbsp; Anyone?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::LeonD</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::&gt; Well, if I read it right, the =
pre-delay of up to 800 ms </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;will allow for :::a :::&gt; delay of your =
dry signal BEFORE it </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;is received by the delay. I don't :::&gt; =
believe you have </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;access to it other than as a pre-delay. =
Other :::&gt; time-based </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;effects have this feature and all of them =
work this way. :::&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::&gt; It does seem a bit confusing. I've =
never had use for it </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;on the DL4, so :::&gt; I'm not completely =
sure if it functions </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;this way. Try it!</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;:::</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
</P>

</BODY>
</HTML>
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Hi all,

The DL4 has delay before the looper, however it can't be set using tap 
tempo. The rack version, the Echo Pro (that I replaced my DL4 with last week 
!!) however is different, you can tap tempo the delay of the delay before 
the loop .. oh and the loop time is extended to 1 minute. Also you can 
assign the reverse/forward/halfspeed/normalspeed to individual midi 
commands, i.o.w. to separate footswitches on for example an fcb1010. Meaning 
: more and easier control ..

Regards,
Martijn

_________________________________________________________________
MSN 8 with e-mail virus protection service: 2 months FREE* 
http://join.msn.com/?page=features/virus

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Subject: Re: Looping with other musicians, new tools=new results
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--- max valentino <ekstasis1@hotmail.com> wrote:

> In regards to time, sync and drummers:  Since when is it the drummer’s or 
> bassist’s responsibility to keep time/tempo for others?  One thing I stress 
> in bands for which I play (and usually in a role of MD), as well as to my 
> students, is that it is NOT the role of the rhythm section to “keep” time 
> and/or tempo for the other players.  That is an individual responsibility of 
> each player, and if you cannot manage this elementary discipline then you 
> are really not ready to “play”.

Very well said! I was thinking the same thing myself. If you play in a group, you
need to LISTEN to what's going on. There won't be time drift if everyone's
listening and not just wanking away on their own.

Greg


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Subject: RE: Question about Line6 DL-4
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Well, not exactly, you can assign the exp pedal to effect pre-delay
time, level, pre-delay modulation (only on the repeats) or loop/direct
mix. Or all of them at once. You set the knobs one way with the heel up,
and it remembers them. Then put the toe down and set the knobs any way
you want, and it remembers them. Then you can 'morph' between the 2
sounds.

Dave Eichenberger 
http://www.hazardfactor.com

 
> 
> It works in Loop Mode but only affects the pre-delay.
> 
> 
> :::And without an expression pedal, the only way to turn the 
> pre echo on or :::off :::is to manually turn the echo's 
> volume up or down.
> :::
> :::I don't know if the expression pedal works in loop mode.  Anyone?
> :::
> :::LeonD
> :::
> ::: 

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References: <006401c3710e$f9e6f710$7f613d44@soulfruit> <p05100324bb79d75b7285@[192.168.1.101]>
Subject: Re: Appropriate use of canned material in concert was RE: Fear of "canned" loops
Date: Tue, 2 Sep 2003 09:45:07 -0700
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> From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
> Subject: Appropriate use of canned material in concert was RE: Fear of
"canned"
> loops


> Many years ago (20 or so), I did visuals for an early electro improv band
in Boston (Mono Vogue -- I doubt you have heard of it)

> One night, the leader was the only one there at the start of the set.
Undaunted, he started a cheesey drum machine lick (in those days, that was
the only flavor), started a recording of an  incredibly dry lecture on
industrial engineering, and played keyboard over that.

> This still strikes me as the most appropriate use of precanned material in
live music performance that I have encountered.

Aha... This gets at my own theory (and reluctance) to use canned loops.

The pre-recorded material should never appear smarter or upstage the actual
live musicians! I want pre-recorded stuff to be fairly dumb and obviously
there only to supply some simple function. Either timekeeping; something to
react to (the above example from Emile); SIMPLE atmospherics.

If anything interesting is going to happen, I believe it should be applied
in real time. Fancy-pants stereo processing; re-contextualization of the
canned stuff with real-time creativity etc. Canned stuff should always
appear dumber than the performer!

If the canned stuff is the impressive stuff, there's really no justification
for the presence of the live musician!

-Miko

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Would anyone be interested in trading a DL-4 in good condition for an Echo
Pro? I'm contemplating putting together a more mobile setup with less or no
rack gear.

Mark

on 9/2/03 9:03 AM, Martijn 2M at martijn_2m@hotmail.com wrote:

> Hi all,
> 
> The DL4 has delay before the looper, however it can't be set using tap
> tempo. The rack version, the Echo Pro (that I replaced my DL4 with last week
> !!) however is different, you can tap tempo the delay of the delay before
> the loop .. oh and the loop time is extended to 1 minute. Also you can
> assign the reverse/forward/halfspeed/normalspeed to individual midi
> commands, i.o.w. to separate footswitches on for example an fcb1010. Meaning
> : more and easier control ..
> 
> Regards,
> Martijn
> 
> _________________________________________________________________
> MSN 8 with e-mail virus protection service: 2 months FREE*
> http://join.msn.com/?page=features/virus
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 12:50:59 2003
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On the broader front, the Echo Pro could have been such a cool box. It has a
number of near misses, however. These are shared or more so with the DL-4.
For example:

* It's got enough memory for 60 seconds of loop time and it supports stereo
delays, so why not 30 seconds of stereo looping?

* No feedback control in the looper (widely complained about before)

* How about longer delay times and a hold feature for the other delays? It
would be great to use some of the grungier echos on either Line6 unit as a
form of looper, but I need a way to hold it occasionally.

Sometimes, Line6 reminds me of Roland for their ability to come close but
then miss the mark. (The HandSonic is a classic Roland example.) Line6
writes better manuals, however.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 12:51:56 2003
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It works on every knob available. I use it to change pre-delay time,
add/remove feedback from the pre-delay, change the modulation, adjust the
mix of the pre-delay as well as the mix of the loop. It's totally awesome.
Just turn the knobs to the min/max settings and use the pedal!

The pre-delay is just that. A delay to use before the looper so it gets
recorded into the loop.

-Miko

----- Original Message -----
From: "| SquidLoop |" <squidloop@thetentacle.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 02, 2003 8:53 AM
Subject: RE: Question about Line6 DL-4


> It works in Loop Mode but only affects the pre-delay.
>
> :::-----Original Message-----
> :::From: LeonD [mailto:ld60@rcn.com]
> :::Sent: Tuesday, September 02, 2003 8:03 AM
> :::To: Loopers-Delight@loopers-delight.com
> :::Subject: Re: Question about Line6 DL-4
> :::
> :::And without an expression pedal, the only way to turn the pre echo on
> or
> :::off
> :::is to manually turn the echo's volume up or down.
> :::
> :::I don't know if the expression pedal works in loop mode.  Anyone?
> :::
> :::LeonD
> :::
> :::
> :::
> :::> Well, if I read it right, the pre-delay of up to 800 ms will allow
> for
> :::a
> :::> delay of your dry signal BEFORE it is received by the delay. I
> don't
> :::> believe you have access to it other than as a pre-delay. Other
> :::> time-based effects have this feature and all of them work this way.
> :::>
> :::> It does seem a bit confusing. I've never had use for it on the DL4,
> so
> :::> I'm not completely sure if it functions this way. Try it!
> :::
> :::
> :::
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 13:12:44 2003
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Subject: VERY on topic live show this weekend...
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I am doing a special solo show  for the Philadelphia Fringe Festival
this year. It is all live ambient guitar playing and  will be a pretty
involved set gearwise using a number of processors, looping devices, and
old guitar synthesizers from the 80s (including the Roland Gr300) as
well as pedals and such. The music, however, is rather subdued and free
floating.

The show is this Saturday at 9:30 and Sunday at 9 PM. It's a split bill
and I'll be playing the first thirty minutes or so both nights with an
interesting video/music group called LoVID from NYC doing the 2nd half
of the show. Should be a good time.

You can listen to a MP3 of one of the tracks online at my site at:
http://www.helpwantedproductions.com/HWPgr300.mp3
(This song is a minimal piece done 100% live using a Roland GR300 guitar
and a loop/delay pedal.) other songs are more involved. A CD Ep will be
available at the shows for $5.

Here's the info for the shows. This an official Fringe program so you
can check it out on their website or in the guide as well.
(http://www.pafringe.com)

David Talento will unveil his long awaited all guitar show at the 2003
Fringe Festival this year.  Titled Guitar/Not Guitar it will feature
live ambient loops and processed guitar sounds.  From the official
Fringe Guide: "This performance features the electric guitar and you'll
hear everything but the traditional sounds of the guitar. Using guitar
synthesizers and chains of signal processing effects moans. swells,
strings, and other things aurally emerge while the instrument remains
the same. Welcome to the world of Guitar/Not Guitar"

Also performing will be LoVID:  "a performance duo who appear as
cyborg-video puppets wearing unique video-wear embroided with 14 LCD
monitors. LoVID has tour extensively and performed this past July at the
Institute of Contemporary art in London."

WHO:     David Talento and LoVID
WHERE: Fringe main stage 205 Race Street Phila PA
WHEN:   Two Shows:
Saturday Sept. 6th, 9:30 PM
Sunday Sept. 7th, 9:00 PM

Hope to see some of your there. Please come up and introduce yourself
after the show!
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 13:17:22 2003
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From: "ESR Zainea Liviu" <liviu@zainea.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: ACOUSTICAL MATERIALS
Date: Tue, 2 Sep 2003 20:14:33 +0300
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Dear List,
Very nice are all loops and electronics. The question is : in which =
environment are you hearing what you are processing ?

Regards,
Zainea Liviu


This is ESR - a Sound Consulting & Recording Co.
An Invention: the complete sound diffuser & self regulated low frequency =
absorber
The Roundffusor1 is here on Earth!

Mr. Zainea Liviu- Mechanical engineer, Acoustical consultant, Member of =
Acoustical Soc. of America
Address: ESR, 14 Peresiadou St, Athens, TK11141, Greece,
Tel/Fax 0030 210 2027191, Cell / Mobile Phone: 0030 693 66 07 321
URL: http://www.zainea.com  The Acoustical site with more than 4000 =
pages
Business collaboration with a short invention presentation =
http://www.zainea.com/IRCNetwork.htm


------=_NextPart_000_0213_01C3718E.D3246BA0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2600.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dear List,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Very nice are all loops and =
electronics. The=20
question is : in which environment are you hearing what you are =
processing=20
?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Regards,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Zainea Liviu</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is ESR - a Sound Consulting &amp; =
Recording=20
Co.<BR>An Invention: the complete sound diffuser &amp; self regulated =
low=20
frequency absorber<BR>The Roundffusor1 is here on Earth!</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Mr. Zainea Liviu- Mechanical engineer, =
Acoustical=20
consultant, Member of Acoustical Soc. of America<BR>Address: ESR, 14 =
Peresiadou=20
St, Athens, TK11141, Greece,<BR>Tel/Fax 0030 210 2027191, Cell / Mobile =
Phone:=20
0030 693 66 07 321<BR>URL: <A=20
href=3D"http://www.zainea.com">http://www.zainea.com</A>&nbsp; The =
Acoustical site=20
with more than 4000 pages<BR>Business collaboration with a short =
invention=20
presentation <A=20
href=3D"http://www.zainea.com/IRCNetwork.htm">http://www.zainea.com/IRCNe=
twork.htm</A><BR></FONT></DIV></BODY></HTML>

------=_NextPart_000_0213_01C3718E.D3246BA0--

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 13:30:39 2003
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Subject: Re: Appropriate use of canned material in concert was RE: Fear of "canned" loops
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I actually came into ambient music in a weird way by using canned Brian 
Eno.  We were playing a gig where the house put on a Brian Eno album on 
during our break.  I used to have a hard time wrangling the band back 
from breaks, so this time I just went up and started doing a duet with 
Brian.  One by one bandmates realized it was me playing around with my 
Digitech 8 sec delay (modified with large rubber washers so I could 
tweak the knobs with my feet.) and came up and joined me.  After all of 
us made it on stage we launched into our song (our stuff was kind of 
Pink Floyd influenced so weird noise intros weren't unusual) but the 
house never killed the Eno!  I liked it so much I bought a few Brian 
Eno albums and found that when I just listened to them, my pop-song 
mentality had a hard time with a long form ambient piece.  Playing 
along with it with the delay kind of made a lightbulb go off and after 
a bit I "got it."  Now I listen to stuff that's way more minimal and I 
have a hard time believing that there was a time where I thought, "When 
does the song start?"

The funny thing was I went to an ambient show recently and one of the 
pieces was an Eno cut slightly manipulated with a KAOSS pad with a 
Diggeriedoo player playing over it.  My mind instantly thought, "LAME." 
  It wasn't until I started writing this email that I realized that I 
was once guilty of the same thing.  I have a feeling that this was 
their planned act, while ours was a happy accident.  We also added a 
full composition over Brian.  OK, I'm now making excuses.  It was 
probably pretty lame.  I don't think we or the audience thought it was 
lame.  I remember my band mates thinking it was mostly funny.  It did 
turn me on to adding long ambient loops to a lot of our songs.

Anyway, I still recommend playing along with a Brian Eno album to any 
musicians who tell me that they don't "get" ambient music.  I wouldn't 
use it in a show, but as a way to understand ambient music I found it 
very useful.

Mark Sottilaro


On Tuesday, September 2, 2003, at 09:45  AM, Miko Biffle wrote:

>> From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
>> Subject: Appropriate use of canned material in concert was RE: Fear of
> "canned"
>> loops
>
>
>> Many years ago (20 or so), I did visuals for an early electro improv 
>> band
> in Boston (Mono Vogue -- I doubt you have heard of it)
>
>> One night, the leader was the only one there at the start of the set.
> Undaunted, he started a cheesey drum machine lick (in those days, that 
> was
> the only flavor), started a recording of an  incredibly dry lecture on
> industrial engineering, and played keyboard over that.
>
>> This still strikes me as the most appropriate use of precanned 
>> material in
> live music performance that I have encountered.
>
> Aha... This gets at my own theory (and reluctance) to use canned loops.
>
> The pre-recorded material should never appear smarter or upstage the 
> actual
> live musicians! I want pre-recorded stuff to be fairly dumb and 
> obviously
> there only to supply some simple function. Either timekeeping; 
> something to
> react to (the above example from Emile); SIMPLE atmospherics.
>
> If anything interesting is going to happen, I believe it should be 
> applied
> in real time. Fancy-pants stereo processing; re-contextualization of 
> the
> canned stuff with real-time creativity etc. Canned stuff should always
> appear dumber than the performer!
>
> If the canned stuff is the impressive stuff, there's really no 
> justification
> for the presence of the live musician!
>
> -Miko
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 13:41:28 2003
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Mark Sottilaro writes 

Anyway, I still recommend playing along with a Brian Eno album to any 
musicians who tell me that they don't "get" ambient music.  I wouldn't 
use it in a show, but as a way to understand ambient music I found it 
very useful.


Excellent idea.   If you really want to know something, you need to do it!
I have a friend who I think I want to try this!  Thank you!

David

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 14:09:56 2003
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i had a weird idea... well actually a continuance of sorts from another 
project i am in.

http://www.valvetone.com/records/convergence/index.htm

we got together over the internet and unfortunately i was not loop ready 
:( though it ws a fun project to do since we all never met in the 
physical sense.

anywho the long and short of this is that i thought of builing a 
song/album off of layered loops from all the loopers that want to. By 
this i mean a seed loop could be done then passed along other loopers to 
be built upon (layered) or (pre)appended to till we achieve the light of 
sound....

i have the means to record, master, dup, etc.. and am looking to 
colaborate with other loopers, probably 6-8 others though this is wide 
open for ideas right now..

i can set up a website/ftp site to facilitate the passing of files 
and/or mail them out if needed. we could pass the loop(s) along in a Pro 
Tools session and build from there. this is in it's infantile stages 
however and is completely liquid.

email me if you are interested and we'll loop!

ken;
http://www.rosewoodblues.com



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Miko,

I believe you just nailed it! This is certainly the WHOLE point. Well
met.

Respect
 
Will Brake
Soul Fruit Electronics
 

-----Original Message-----
From: Miko Biffle [mailto:biffoz@arczip.com] 
Sent: Tuesday, September 02, 2003 12:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Appropriate use of canned material in concert was RE: Fear
of "canned" loops

> From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
> Subject: Appropriate use of canned material in concert was RE: Fear of
"canned"
> loops


> Many years ago (20 or so), I did visuals for an early electro improv
band
in Boston (Mono Vogue -- I doubt you have heard of it)

> One night, the leader was the only one there at the start of the set.
Undaunted, he started a cheesey drum machine lick (in those days, that
was
the only flavor), started a recording of an  incredibly dry lecture on
industrial engineering, and played keyboard over that.

> This still strikes me as the most appropriate use of precanned
material in
live music performance that I have encountered.

Aha... This gets at my own theory (and reluctance) to use canned loops.

The pre-recorded material should never appear smarter or upstage the
actual
live musicians! I want pre-recorded stuff to be fairly dumb and
obviously
there only to supply some simple function. Either timekeeping; something
to
react to (the above example from Emile); SIMPLE atmospherics.

If anything interesting is going to happen, I believe it should be
applied
in real time. Fancy-pants stereo processing; re-contextualization of the
canned stuff with real-time creativity etc. Canned stuff should always
appear dumber than the performer!

If the canned stuff is the impressive stuff, there's really no
justification
for the presence of the live musician!

-Miko

From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 15:00:33 2003
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> i had a weird idea... well actually a continuance of sorts from another
> project i am in.
>
> http://www.valvetone.com/records/convergence/index.htm
>
> we got together over the internet and unfortunately i was not loop ready
> :( though it ws a fun project to do since we all never met in the
> physical sense.

I've been trying to do the same except using a repeater loop file extracted
from the cfc card on a repeater.  Its been off and on, but there are a few
loops over at the repeater user's yahoo group.  If anyone wants to do some
of this let me know, and we can start collaborating using seed loops from
each other's repeaters.  Its been a fun thing to try doing!
Jon

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In a message dated 9/2/03 11:16:17 AM Eastern Daylight Time, 
scott-a-hansen@uiowa.edu writes:


> solo artist Scott Hansen delivers both experimental sound collages as well 
> as lo-fi bedroom-folk pop. 

and ya got to be near that eject button at all times!.....scott, great 
reviews!.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>In a message dated 9/2/03=
 11:16:17 AM Eastern Daylight Time, scott-a-hansen@uiowa.edu writes:<BR>
<BR>
<BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D5=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BLOCKQUOTE TYPE=3DCITE styl=
e=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PA=
DDING-LEFT: 5px">solo artist Scott Hansen delivers both experimental sound c=
ollages as well as lo-fi bedroom-folk pop. </FONT><FONT  COLOR=3D"#000000" s=
tyle=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Ari=
al" LANG=3D"0"></BLOCKQUOTE><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
and ya got to be near that eject button at all times!.....scott, great revie=
ws!.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 16:41:29 2003
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From: "| SquidLoop |" <squidloop@thetentacle.org>
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Subject: RE: Question about Line6 DL-4
Date: Tue, 2 Sep 2003 13:40:06 -0700
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When I had my DL-4 I had a lot of problems with the unit not remembering
the settings of the expression pedal for the looper - I would even make
sure that I plugged in the pedal before powering up the unit. It was
very annoying when this would happen live.

Never had this problem with the Echo Pro though.



:::-----Original Message-----
:::From: future perfect [mailto:artists@hazardfactor.com]
:::Sent: Tuesday, September 02, 2003 9:46 AM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: RE: Question about Line6 DL-4
:::
:::Well, not exactly, you can assign the exp pedal to effect pre-delay
:::time, level, pre-delay modulation (only on the repeats) or
loop/direct
:::mix. Or all of them at once. You set the knobs one way with the heel
up,
:::and it remembers them. Then put the toe down and set the knobs any
way
:::you want, and it remembers them. Then you can 'morph' between the 2
:::sounds.
:::
:::Dave Eichenberger
:::http://www.hazardfactor.com
:::
:::
:::>
:::> It works in Loop Mode but only affects the pre-delay.
:::>
:::>
:::> :::And without an expression pedal, the only way to turn the
:::> pre echo on or :::off :::is to manually turn the echo's
:::> volume up or down.
:::> :::
:::> :::I don't know if the expression pedal works in loop mode.
Anyone?
:::> :::
:::> :::LeonD
:::> :::
:::> :::
:::
:::


From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 17:33:51 2003
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From: Greg House <ghunicycle@yahoo.com>
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--- Jon Wagner <jondrums@hotmail.com> wrote:

> I've been trying to do the same except using a repeater loop file extracted
> from the cfc card on a repeater.  Its been off and on, but there are a few
> loops over at the repeater user's yahoo group.  If anyone wants to do some
> of this let me know, and we can start collaborating using seed loops from
> each other's repeaters.  Its been a fun thing to try doing!

FWIW, Jon. I don't know if I ever posted anything about it, but I've had a great
time playing with your loops! Much appreciated!

Greg

__________________________________
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From: Tim Nelson <psychle62@yahoo.com>
Subject: (another) Question about Line6 DL-4
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My DL4 is starting to misbehave slightly. The
reverse/halfspeed button works only when it feels like
it.

Has anyone else had this problem? Which would be more
likely: a bad switch, or something worse?

-t-

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 18:38:14 2003
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: (another) Question about Line6 DL-4
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--- Tim Nelson <psychle62@yahoo.com> wrote:
> My DL4 is starting to misbehave slightly. The
> reverse/halfspeed button works only when it feels like
> it.
> 
> Has anyone else had this problem? Which would be more
> likely: a bad switch, or something worse?

My guess would be dirty contacts in the switch. I don't know how hard those
things are to get apart, but my first line of attack would probably be to
disassemble until you can get to the switch, then shoot a bit of DeOxit into it.

Could also be something simple like a cold or broken solder joint from the switch
to the board, so check that while you're in there.

Greg

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 18:55:15 2003
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Subject: Re: (another) Question about Line6 DL-4
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Not entirely unlikely that it's just screws that need tightening. There's a 
spring contact between the "switch" on the chassis and the actual switch on 
the printed circuit board. I had a similar Line6 product where one screw 
holding the pcb in place to the chassis was loose, so the spring contact 
ends up just pushing the board away rather than engaging the switch 
(especially when it's on the end of the board like in your case). Opening & 
tightening could be all it takes.
Nic


>From: Greg House <ghunicycle@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: (another) Question about Line6 DL-4
>Date: Tue, 2 Sep 2003 15:35:06 -0700 (PDT)
>
>--- Tim Nelson <psychle62@yahoo.com> wrote:
> > My DL4 is starting to misbehave slightly. The
> > reverse/halfspeed button works only when it feels like
> > it.
> >
> > Has anyone else had this problem? Which would be more
> > likely: a bad switch, or something worse?
>
>My guess would be dirty contacts in the switch. I don't know how hard those
>things are to get apart, but my first line of attack would probably be to
>disassemble until you can get to the switch, then shoot a bit of DeOxit 
>into it.
>
>Could also be something simple like a cold or broken solder joint from the 
>switch
>to the board, so check that while you're in there.
>
>Greg
>
>__________________________________
>Do you Yahoo!?
>Yahoo! SiteBuilder - Free, easy-to-use web site design software
>http://sitebuilder.yahoo.com
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 18:56:49 2003
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anyone have a good pedal recomendation? the manula recommends Boss' 
(roland) 50L. i haev heard not good things about the longetivity of this 
product and the 300 so i am fishing for a good one to include.....

thanks,
ken;

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From: "| SquidLoop |" <squidloop@thetentacle.org>
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Subject: RE: (another) Question about Line6 DL-4
Date: Tue, 2 Sep 2003 16:08:12 -0700
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I had that problem a few times and did a reset (you'll lose any presets
that you have saved) to fix it.

Some of the boxes are a bit buggy - 



:::-----Original Message-----
:::From: Tim Nelson [mailto:psychle62@yahoo.com]
:::Sent: Tuesday, September 02, 2003 3:29 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: (another) Question about Line6 DL-4
:::
:::My DL4 is starting to misbehave slightly. The
:::reverse/halfspeed button works only when it feels like
:::it.
:::
:::Has anyone else had this problem? Which would be more
:::likely: a bad switch, or something worse?
:::
:::-t-
:::
:::__________________________________
:::Do you Yahoo!?
:::Yahoo! SiteBuilder - Free, easy-to-use web site design software
:::http://sitebuilder.yahoo.com
:::
:::


From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 19:13:03 2003
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Date: Tue, 2 Sep 2003 16:09:02 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Line6 loopers
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--- Mark Hamburg <mark_hamburg@baymoon.com> wrote:
> 
> * How about longer delay times and a hold feature
> for the other delays? It
> would be great to use some of the grungier echos on
> either Line6 unit as a
> form of looper, but I need a way to hold it
> occasionally.

You can kind of do this with the DL-4. If you're
set up in Delay Remain Bypass Mode, you can set
feedback to full, go to bypass, & the delay model
keep going while you play over the loop. Reengaging
the delay kills the loop.

John


=====
John Tidwell




__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

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I've already replaced one switch on my dl4.  But it started working just 
fine after that.  Kinda cheap switches, can't stand up to long-term 
abuse.  I'd try replacing the switch.  It's very simple.

B.

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Date: Tue, 2 Sep 2003 18:23:37 -0500
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Echoplex expression pedal recomendations...
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>anyone have a good pedal recomendation? the manula recommends Boss' 
>(roland) 50L. i haev heard not good things about the longetivity of 
>this product and the 300 so i am fishing for a good one to 
>include.....

I just bought two 300s, so I hope you're info. isn't correct. This 
pedal was highly recommended to me.

But another one I've heard nothing but good things about is the Ernie 
Ball. I forget the exact model #.

Jeff

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Subject: RE: Echoplex expression pedal recomendations...
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> -----Original Message-----
> From: Jeff Shirkey [mailto:jcshirke@midway.uchicago.edu]
> Sent: Tuesday, September 02, 2003 4:24 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Echoplex expression pedal recomendations...
>
>
> >anyone have a good pedal recomendation? the manula recommends Boss'
> >(roland) 50L. i haev heard not good things about the longetivity of
> >this product and the 300 so i am fishing for a good one to
> >include.....
>
> I just bought two 300s, so I hope you're info. isn't correct. This
> pedal was highly recommended to me.
>
> But another one I've heard nothing but good things about is the Ernie
> Ball. I forget the exact model #.

I use a Boss FV-300L as a master volume control, downstream from my Repeater
and ahead of my powered PA speakers.

I've had zero problems with it, but then I don't really work it that much in
this application. It's a set and forget thing. Anyway, no problems so far.

Mike Barrs





From Loopers-Delight-request@loopers-delight.com  Tue Sep  2 20:56:32 2003
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Subject: WTB: Digitech RDS 7.6 Time Machine
From: ":: noise ::" <submersible@worldnet.att.net>
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Hello - 

A week ago, my long time RDS 7.6 looper started emitting a terrible fizzy
shreech and appears to have died a terrible death. Does anyone on the list
happen to have a Digitech RDS 7.6 they would be willing to sell? Cosmetics
aren't important but functionality is. Please contact me off-list...

Thanks

Adam

From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 00:29:05 2003
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Subject: repeater theater
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Hello Loopers,

Perhaps of interest to some, and dead boring to others...

I'm creating music for a show in this year's SF Fringe Festival. In 
addition to the usual looped cello-schtick, I'll have a second Repeater 
to capture pieces of text spoken in the show by performer Sara Kraft. 
And if the stars are aligned, my midi pedal will trigger a video camera 
to capture her movements for video artist Greg Cowley to loop and 
manipulate in real-time (Oh I pray it all works. The show runs for 8 
nights, so we might have things more stable after the first night).

Here are the details....

COUNTLESS
A theatrical, musical, and cinematic lucid dream on the joy of 
repetition

Best of SF Fringe 2002 winner Sara Kraft (Woods for the Trees) returns 
to the festival with a brand new venue and two new collaborators: 
cellist and composer Zoë Keating (Rasputina, Charles Atlas) and 
electronic media artist Gregory Cowley (Transcinema, TEST).  Rx Gallery 
hosts this collision of physical theatre, live music, multi-media and 
interactive technology.  COUNTLESS fuses Kraft’s hypnotic movement, 
stories and song with Keating’s live, electronically looped cello 
orchestrations and Cowley’s projected manipulations of photography, 
video and live interactive technology.  Ed Purver, Kraft's 
co-conspirator in "Woods for the Trees", also makes a special guest 
appearance!

COUNTLESS will be the first live performance event to inaugurate the 
newly opened Rx Gallery (www.rxgallery.com).  Rx is a new media art 
gallery and lounge founded by renowned art and technology organization 
Blasthaus (www.blasthaus.com) with Gregory Cowley.  Rx is also 
currently featuring “The Art of Machines”, an exhibit of machine 
artists, sculptors and roboticists.

Sept. 5, 6, 7, 8, 12, 13, 14
All shows at 8:30pm EXCEPT Saturday shows at 10:00pm
At Rx Gallery (www.rxgallery.com)
132 Eddy St. btwn Taylor and Mason, downtown San Francisco
Near the Powell St. BART station and three doors down from the Exit 
Theatre, which hosts the Fringe Festival.
Tickets $8.00 and available only at the venue beginning 30 minutes 
before show times. CASH ONLY.  Limited reservations accepted.  Fringe 
Festival passes are available at the EXIT venues and at TIX Bay Area at 
Union Square beginning August 22 ($55 for ten Fringe shows).
All shows start on time and there is no late seating.
Reservations and info: (415) 282-8525
Festival hotline: (415) 647-3847
www.zoekeating.com/countless or www.sffringe.org


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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: CyberArts: Here and Now @Bates Arts Center, Boston opening 9.6.03
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I have several video installations, including one with music composed 
by Stephen MacLean, at the CyberArts: Here and Now show at the Bates 
Arts Center

731 Harrison Ave,
Boston MA 02118
www.homeinc.org/Bates.htm for directions

The show also includes print, sculpture , video art and animation by 
Walter Wright and Dave Gordon. The show runs from 9.1.03 to 9.30.03. 
There will be a series of Saturday Night performances, including one 
by myself and some of my favorite musicians on 9.13.

The opening is on 9.6 at 6PM, and there will be a performance 
(VideoJAM 2003) by Walter Wright and musicians at 8PM.

I'll send an announcement with more details on the performances later 
in the week.

Hope to see some of you at the opening,

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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: AirFX vs. AirSynth (Alesis)
Date: Wed, 3 Sep 2003 07:52:52 -0400 
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It is hard to tell what the difference is based on their website and my
local music store doesn't carry both models. Would someone care to enlighten
me?

Thanks!

Don M

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<P><FONT SIZE=3D2>It is hard to tell what the difference is based on =
their website and my local music store doesn't carry both models. Would =
someone care to enlighten me?</FONT></P>

<P><FONT SIZE=3D2>Thanks!</FONT>
</P>

<P><FONT SIZE=3D2>Don M</FONT>
</P>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 08:42:58 2003
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From: Don Makoviney <don.makoviney@asg.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: AirFX vs. AirSynth (Alesis)
Date: Wed, 3 Sep 2003 08:39:33 -0400 
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Yeah yeah, answering my own question.
 
It looks to me (upon further inspection) that the AirFX is used to modify a
signal that is inputed into it, whereas an AirSynth produces it's own tone
(like a theremin).
 
The common denominator between the two is the similar case and the infrared
beam - otherwise they are markedly different tools.
 
Am I on the right path?
 
-DM
 
 

-----Original Message-----
From: Don Makoviney [mailto:don.makoviney@asg.com] 
Sent: Wednesday, September 03, 2003 7:53 AM
To: 'Loopers-Delight@loopers-delight.com'
Subject: AirFX vs. AirSynth (Alesis)



It is hard to tell what the difference is based on their website and my
local music store doesn't carry both models. Would someone care to enlighten
me?

Thanks! 

Don M 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII">
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<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff size=2>Yeah 
yeah, answering my own question.</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff size=2>It 
looks to me (upon further inspection) that the AirFX is used to modify a signal 
that is inputed into it, whereas an AirSynth produces it's own tone (like a 
theremin).</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff size=2>The 
common denominator between the two is the similar case and the infrared beam - 
otherwise they are markedly different tools.</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff size=2>Am I 
on the right path?</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2>-DM</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Don Makoviney 
  [mailto:don.makoviney@asg.com] <BR><B>Sent:</B> Wednesday, September 03, 2003 
  7:53 AM<BR><B>To:</B> 'Loopers-Delight@loopers-delight.com'<BR><B>Subject:</B> 
  AirFX vs. AirSynth (Alesis)<BR><BR></FONT></DIV>
  <P><FONT size=2>It is hard to tell what the difference is based on their 
  website and my local music store doesn't carry both models. Would someone care 
  to enlighten me?</FONT></P>
  <P><FONT size=2>Thanks!</FONT> </P>
  <P><FONT size=2>Don M</FONT> </P></BLOCKQUOTE></BODY></HTML>

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From: John McIntyre <mcintyre@pa.msu.edu>
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Will Brake wrote:

> With the energy on stage, it is really easy to rush/drag the tempo, even
> if you have great timing. I've seen some really incredible drummers
> start a song with too fast a tempo and it's a gallop to the finish!

Supposedly, when the Clash set out on their first headlining tour of
England, they began with a forty-five minute set.  By the end of the tour,
without altering the set list, they were off stage in twenty-nine minutes.

John McIntyre
mcintyre@pa.msu.edu

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>>The pre-delay is just that. A delay to use before the looper so it gets
recorded into the loop<<

it also appears to have been based on the "tape" emulation, this pre-delay, so scored extra points in my house....

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;The pre-delay is just that. A delay to use before=
 the looper so it gets</FONT>
<BR><FONT SIZE=3D2>recorded into the loop&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>it also appears to have been based on the &quot;tape&quot=
; emulation, this pre-delay, so scored extra points in my house....</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 09:43:26 2003
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Subject: Music of Looping Interest on NPR
From: wavelet@petebrunelli.com
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This week's American Mavericks show was about Minimalists and was titled
"To Repeat or not Repeat, That is the Question"  and I think it is
something that would be of interest to the real-time looping community at
large.  It typically runs early in the week, but you might catch it or
want to stream it.

http://www.musicmavericks.org/

No pecuniary interest on my part, just passing a link along.
Pete

From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 10:36:05 2003
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Date: Wed, 3 Sep 2003 15:19:03 +0100 
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 >> Yeah yeah, answering my own question.
 
It looks to me (upon further inspection) that the AirFX is used to modify a signal that is inputed into it, whereas an AirSynth produces it's own tone (like a theremin).
 
The common denominator between the two is the similar case and the infrared beam - otherwise they are markedly different tools.
 
Am I on the right path? << 
 
on the right path, facing the right way and moving steadily at the right speed.
 
duncan.


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<DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
color=#0000ff><SPAN class=638243712-03092003><FONT face=Arial><SPAN 
class=668062614-03092003><FONT 
face="Courier New">&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>Yeah yeah, answering my own 
question.</FONT></SPAN></FONT></FONT></DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial size=2>It 
looks to me (upon further inspection) that the AirFX is used to modify a signal 
that is inputed into it, whereas an AirSynth produces it's own tone (like a 
theremin).</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial size=2>The 
common denominator between the two is the similar case and the infrared beam - 
otherwise they are markedly different tools.</FONT></SPAN></DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><FONT size=2><FONT color=#0000ff><SPAN class=638243712-03092003><FONT 
face=Arial>Am I on the right path?<FONT face="Courier New"><SPAN 
class=668062614-03092003>&nbsp;&lt;&lt;&nbsp;</SPAN></FONT></FONT></SPAN></FONT></FONT></DIV>
<DIV><SPAN class=638243712-03092003><FONT color=#0000ff face=Arial 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=668062614-03092003>on the 
right path, facing the right way and moving steadily at the right 
speed.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=668062614-03092003></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=668062614-03092003>duncan.</SPAN></FONT></DIV><CODE><FONT SIZE=3><BR>
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>>You can kind of do this with the DL-4. If you're
set up in Delay Remain Bypass Mode, you can set
feedback to full, go to bypass, & the delay model
keep going while you play over the loop. Reengaging
the delay kills the loop.<<

in a perfect world, this wouldn't stop the knobs and pedal working. sadly, it does.

slightly OT- I am thinking of designing a retrofit to the dl4 to allow midi clock to perform the tap-tempo function; this seems to be the least invasive approach to getting the dl4 midi-clocked whilst remaining on the floor and handily manipulable in a stomp-box sort of way.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;You can kind of do this with the DL-4. If you're<=
/FONT>
<BR><FONT SIZE=3D2>set up in Delay Remain Bypass Mode, you can set</FONT>
<BR><FONT SIZE=3D2>feedback to full, go to bypass, &amp; the delay model</F=
ONT>
<BR><FONT SIZE=3D2>keep going while you play over the loop. Reengaging</FON=
T>
<BR><FONT SIZE=3D2>the delay kills the loop.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>in a perfect world, this wouldn't stop the knobs and peda=
l working. sadly, it does.</FONT>
</P>

<P><FONT SIZE=3D2>slightly OT- I am thinking of designing a retrofit to the=
 dl4 to allow midi clock to perform the tap-tempo function; this seems to b=
e the least invasive approach to getting the dl4 midi-clocked whilst remain=
ing on the floor and handily manipulable in a stomp-box sort of way.</FONT>=
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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Any way to listen to a .ram file in oh say Sound Forge (or WMP)?

Gary

-----Original Message-----
From: wavelet@petebrunelli.com [mailto:wavelet@petebrunelli.com]
Sent: Wednesday, September 03, 2003 6:40 AM
To: Loopers-Delight@loopers-delight.com
Subject: Music of Looping Interest on NPR



This week's American Mavericks show was about Minimalists and was titled
"To Repeat or not Repeat, That is the Question"  and I think it is
something that would be of interest to the real-time looping community at
large.  It typically runs early in the week, but you might catch it or
want to stream it.

http://www.musicmavericks.org/

No pecuniary interest on my part, just passing a link along.
Pete



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Anyone having a high pitched whine on the DL4 when loop is engaged in half 
speed mode?

Mine does it intermittently . . .

-Justin

<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Anyone having a high pitched whine on the DL4 when loo=
p is engaged in half speed mode?<BR>
<BR>
Mine does it intermittently . . .<BR>
<BR>
-Justin<BR>
<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

--part1_b9.35d18f57.2c877147_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 14:37:09 2003
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Subject: Re: Music of Looping Interest on NPR
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Pete,

Thanks for posting this!!! The PRI station in my area doesn't
carry American Mavericks but I have heard of it before.
I was able to log on and stream program #6 (not the repetition
program, but one addressing nonwestern influences on new
western musics and composers). It was quite a treat! I plan
on checking in on it again and hope that the program you cited
(#8) will be available for streaming soon. Wouldn't it be great
if they made not only the radio series but a PBS video series 
out of this? Wow!

Best,

tEd ® kiLLiAn

http://www.mp3s.com/tedkillian
http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html


In a message dated 9/3/03 6:39:52 AM, wavelet@petebrunelli.com writes:

>This week's American Mavericks show was about Minimalists and was 
>titled "To Repeat or not Repeat, That is the Question"  and I think it is
>something that would be of interest to the real-time looping community
>at large.  It typically runs early in the week, but you might catch it or
>want to stream it.
>
>http://www.musicmavericks.org/

From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 15:05:17 2003
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Date: Wed, 3 Sep 2003 11:59:26 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: AirFX vs. AirSynth (Alesis)
To: Loopers-Delight@loopers-delight.com
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AirFX is an effects unit that treats a signal passing
through it.

AirSynth generates its own sounds, and the interface
varies depending on the patch. Some of the
theremin-like patches are ok, as are some of the drony
ones. The percussive ones are not so great... It's not
editable, unfortunately.

-t-

--- Don Makoviney <don.makoviney@asg.com> wrote:
> It is hard to tell what the difference is based on
> their website and my
> local music store doesn't carry both models. Would
> someone care to enlighten
> me?


__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

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From: "James Lanpheer" <jlanpheer@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: MaJaLe house concerts in Denver.
Date: Wed, 3 Sep 2003 13:32:51 -0600
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A little gig spam for a concert that i am hosting...

In my continuing support for ambient/deep listening/looping artists, i =
will be hosting two nights of house concerts in my home this Friday and =
Saturday, September 5th and 6th featuring the electronic tribal =
minimalism of MaJaLe.

Paul Vnuk and Christopher Short are known for their exploits both in the =
genre of "space music" where the have worked with Steve Roach, Robert =
Rich, Vir Unis, James Johnson, etc.....  Of course, they are also known =
for their critically acclaimed looping libraries.  For more info on =
MaJaLe, check out:
www.majale.com

Space is limited to 25 per night, and we have a few spots available for =
each night.  Tix are $20 for a spot.  If interested, please email me =
OFF-LIST at jlanpheer@earthlink.net

cheers,
jim.
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>A little gig spam for a concert that i =
am=20
hosting...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>In my continuing support for =
ambient/deep=20
listening/looping artists, i will be hosting two nights of house =
concerts in my=20
home this Friday and Saturday, September 5th and 6th featuring the =
electronic=20
tribal minimalism of MaJaLe.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Paul Vnuk and Christopher Short are =
known for their=20
exploits both in the genre of "space music" where the have worked with =
Steve=20
Roach, Robert Rich, Vir Unis, James Johnson, etc.....&nbsp; Of course, =
they are=20
also known for their critically acclaimed looping libraries.&nbsp; For =
more info=20
on MaJaLe, check out:</FONT></DIV>
<DIV><A href=3D"http://www.majale.com">www.majale.com</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Space is limited to 25 per night, and =
we have a few=20
spots available for each night.&nbsp; Tix are $20 for a spot.&nbsp; If=20
interested, please email me OFF-LIST at <A=20
href=3D"mailto:jlanpheer@earthlink.net">jlanpheer@earthlink.net</A></FONT=
></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>jim.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 17:51:15 2003
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References: <000801c3715f$9fdc90d0$7f613d44@soulfruit> <00be01c37163$534f1ae0$6501a8c0@ldroby>
Subject: Re: Question about Line6 DL-4
Date: Wed, 3 Sep 2003 17:04:21 +0100
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This is false .You can control de eco pro with a expression pedal, or a midi
pedal.


----- Original Message ----- 
From: "LeonD" <ld60@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 02, 2003 4:03 PM
Subject: Re: Question about Line6 DL-4


> And without an expression pedal, the only way to turn the pre echo on or
off
> is to manually turn the echo's volume up or down.
>
> I don't know if the expression pedal works in loop mode.  Anyone?
>
> LeonD
>
>
>
> > Well, if I read it right, the pre-delay of up to 800 ms will allow for a
> > delay of your dry signal BEFORE it is received by the delay. I don't
> > believe you have access to it other than as a pre-delay. Other
> > time-based effects have this feature and all of them work this way.
> >
> > It does seem a bit confusing. I've never had use for it on the DL4, so
> > I'm not completely sure if it functions this way. Try it!
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  3 20:05:27 2003
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Ted,
Stream program #8 here:
http://www.musicmavericks.org/programs/program8.html

I'm glad that you found it interesting.  I am going to work my way
through these shows bit by bit.

Pete

On Wednesday, Sep 3, 2003, at 14:34 US/Eastern, ArsOcarina@aol.com 
wrote:

> Pete,
>
> Thanks for posting this!!! The PRI station in my area doesn't
> carry American Mavericks but I have heard of it before.
> I was able to log on and stream program #6 (not the repetition
> program, but one addressing nonwestern influences on new
> western musics and composers). It was quite a treat! I plan
> on checking in on it again and hope that the program you cited
> (#8) will be available for streaming soon. Wouldn't it be great
> if they made not only the radio series but a PBS video series
> out of this? Wow!
>
> Best,
>
> tEd ® kiLLiAn
>
> http://www.mp3s.com/tedkillian
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
>
>
> In a message dated 9/3/03 6:39:52 AM, wavelet@petebrunelli.com writes:
>
>> This week's American Mavericks show was about Minimalists and was
>> titled "To Repeat or not Repeat, That is the Question"  and I think 
>> it is
>> something that would be of interest to the real-time looping community
>> at large.  It typically runs early in the week, but you might catch 
>> it or
>> want to stream it.
>>
>> http://www.musicmavericks.org/
>
>

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Subject: Echoplex noise problem
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Hi all,

my old Echoplex developed a minor fault during the past couple of =
months. Independent from the chosen delay time, it starts to produce =
sort of a metallic "ring" after a while, slightly reminiscent of a short =
delay generated in a flanger but without being modulated by a sinewave. =
Is this a common problem, and if so, what=B4s the solution for it? Does =
anybody on the list have similiar problems?

please reply off-list as I currently have a problem with reading the =
digest. Thanks,

Stephen.
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>my old Echoplex developed a minor fault =
during the=20
past couple of months. Independent from the chosen delay time, it starts =
to=20
produce sort of a metallic "ring" after a while, slightly reminiscent of =
a short=20
delay generated in a flanger but without being modulated by a sinewave. =
Is this=20
a common problem, and if so, what=B4s the solution for it? Does anybody =
on the=20
list have similiar problems?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>please reply off-list as I currently =
have a problem=20
with reading the digest. Thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen.</FONT></DIV></BODY></HTML>

------=_NextPart_000_00F2_01C37288.CFA32480--

From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 09:41:40 2003
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Date: Thu, 04 Sep 2003 09:07:18 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: learning to play perfectly to a click track
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Rick Walker and I have been tossing some e-mails cross-country off list, and
Rick suggested I post this explanation of how "rhythm is pitch slowed down."

Rick wrote:
> > explain to me how rhythm is pitch slowed down?   I don't follow you and
> I"m
> > also always open to understand a new paradigm.

And I replied:
>     Simple demonstration: A pulse wave at 1,000 cycles per second sounds
> like a pitch. Slow it down to around 30 c.p.s. and it sounds like a motor.
> Around 20 c.p.s. it starts to sound like a cicada - dit-dit-dit-dit - and
by
> 10 c.p.s. it sounds like a rapid click. At three or four cycles per
second,
> it sounds like an even rhythm - click, click, click at 180 beats per
minute.
> Make the rhythm more complex - click-duh-dum, click-duh-dum,
click-duh-dum -
> and speed it up and it goes through the same transformation into pitch,
> except the complexity generates all sorts of buzzy overtones.
>     Sine waves can't be heard at low frequencies (below 20 c.p.s.), but
you
> can see them move a speaker cone in and out. And of course they can be
used
> to modulate a higher frequency, as in ring modulators or frequency
> modulation synthesis (Yamaha's FM synthesis as made popular on the DX-7
> keyboard.)
>     Two examples of this pitch-to-rhythm sound come to mind: Stockhausen
> used it in one of his big pee-owpieces - the name escapes me - where a
pitch
> drops and drops until it becomes a series of clicks. And Edgar Winter, in
> "Frankenstein," drops an oscillator down and down, then throws an envelope
> follower on it for that pee-ow-pee-ow-pee-ow
bullet-through-a-tennis-racket
> sound, which gets slower and slower until the drums pick up on it, and it
> leads into the drum solo...

Brand new insert here, inspired by Rick's observation that he hears a
similar effect when he slows his Repeater way down (120 b.p.s. to 1 b.p.s.,
ferinstance): Digital sound slowed down creates a similar effect, but for a
different reason. In the digital world, the pitch remains the same, but it
st-tu-ut-stutters as bits of silence get inserted between bits of sound. The
bits of sound effectively become like pulse waves, but it's not the same as
slowing down an analog signal.

>     My take on all this is, we percieve certain cycles as "life cycles."
> Once around the sun, twelve moons around the Earth, 365 long naps. Other
> cycles feel like biological cycles. Coupla dumps and pisses every day,
three
> meals a day, a breath every few seconds, waves at the beach. Our heartbeat
> roughly defines the limits of musical rhythm at about 60 to 180 beats per
> minute. We sense these slower rhythms in our bodies, then our sense organs
> take over. Rhythm becomes pitch, which we sense with our ears. Beyond
sound,
> waves become the various spectra of light, one octave of which we see as
> visible light.
>     Hope this helps.
> Douglas Baldwin, coyote-at-large
> coyotelk@optonline.net

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 >> Anyone having a high pitched whine on the DL4 when loop is engaged in half speed mode? <<
 
yeah- it's down-sampling or aliasing or something. it doesn't do it with everything, but it's much worse with other digital pedals before it- I guess that stands to reason.
 
d. 



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<DIV><FONT face=arial,helvetica><FONT face=Arial lang=0 FAMILY="SANSSERIF"><FONT 
size=2><SPAN class=593264514-04092003><FONT color=#0000ff 
face="Courier New">&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>Anyone having a high 
pitched whine on the DL4 when loop is engaged in half speed mode?<FONT 
color=#0000ff></FONT><FONT size=2><FONT face="Courier New"><SPAN 
class=593264514-04092003>&nbsp;<FONT color=#000000 
face=Arial>&lt;&lt;</FONT></SPAN></FONT></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT face=Arial lang=0 FAMILY="SANSSERIF"><FONT 
color=#0000ff><FONT size=2><FONT face="Courier New"><SPAN 
class=593264514-04092003></SPAN></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
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color=#0000ff><FONT size=2><FONT face="Courier New"><SPAN 
class=593264514-04092003><FONT color=#000000 face=Arial>yeah- it's down-sampling 
or aliasing or something. it doesn't do it with everything, but it's much worse 
with other digital pedals before it- I guess that stands to 
reason.</FONT></SPAN></FONT></FONT></FONT></FONT></FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 11:35:47 2003
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In a message dated 9/4/03 9:43:39 AM Central Daylight Time, 
goddard.duncan@mtvne.com writes:

> 
>  >> Anyone having a high pitched whine on the DL4 when loop is engaged in 
> half speed mode? <<
>   
> yeah- it's down-sampling or aliasing or something. it doesn't do it with 
> everything, but it's much worse with other digital pedals before it- I guess 
> that stands to reason.
>   
> d. 
> 

Well, I was able to find that it's happening only in certain rooms that I 
perform in, especially the one I was in last night!  But across town the night 
before it only happened 50% of the time, and I'm guessing that tonight should be 
0% given my experiences here last week.  I cannot pinpoint it!  Perhaps 
there's some eletrical line interference, like a 60hz hum that manifests itself as 
a whine through some built in digital filter in the DL4 or something?   I 
really want this to stop!

-Justin
<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/4/03 9:43:39 AM Central Daylight=20=
Time, goddard.duncan@mtvne.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"FIXED" FACE=3D"Courier New" LANG=3D"0"> &gt;&gt; </FONT><FONT  CO=
LOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSS=
ERIF" FACE=3D"Arial" LANG=3D"0">Anyone having a high pitched whine on the DL=
4 when loop is engaged in half speed mode?</FONT><FONT  COLOR=3D"#000000" st=
yle=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"FIXED" FACE=3D"Courier=20=
New" LANG=3D"0"> </FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR:=20=
#ffffff" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">&lt;&lt;</F=
ONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FA=
MILY=3D"FIXED" FACE=3D"Courier New" LANG=3D"0"><BR>
&nbsp;</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SI=
ZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">yeah- it's down-sampling or=20=
aliasing or something. it doesn't do it with everything, but it's much worse=
 with other digital pedals before it- I guess that stands to reason.</FONT><=
FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=
=3D"FIXED" FACE=3D"Courier New" LANG=3D"0"><BR>
&nbsp;</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SI=
ZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">d.</FONT><FONT  COLOR=3D"#00=
00ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"FIXED" FACE=3D"=
Courier New" LANG=3D"0"> <BR>
</BLOCKQUOTE><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
Well, I was able to find that it's happening only in certain rooms that I pe=
rform in, especially the one I was in last night!&nbsp; But across town the=20=
night before it only happened 50% of the time, and I'm guessing that tonight=
 should be 0% given my experiences here last week.&nbsp; I cannot pinpoint i=
t!&nbsp; Perhaps there's some eletrical line interference, like a 60hz hum t=
hat manifests itself as a whine through some built in digital filter in the=20=
DL4 or something?&nbsp;&nbsp; I really want this to stop!<BR>
<BR>
-Justin<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 14:49:46 2003
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Sound never becomes light.  Sound is kinetic energy and light is 
electromagnetic energy.

http://csep10.phys.utk.edu/astr162/lect/light/spectrum.html

I've done the pulse to pitch experiment and it's interesting, but I 
don't really think it has a lot to do with being able to keep tempo.  
As far as that is concerned, you've just got to practice practice 
practice... and being able to hear everyone in the group.

Mark Sottilaro

On Thursday, September 4, 2003, at 06:07  AM, Douglas Baldwin wrote:

>>  Rhythm becomes pitch, which we sense with our ears. Beyond
> sound, waves become the various spectra of light, one octave of which 
> we see as
>> visible light.

From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 16:12:43 2003
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Subject: Re: learning to play perfectly to a click track
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--- msottilaro <sine@zerocrossing.net> wrote: 
> practice... and being able to hear everyone in the
> group.

Why is it so important to hear everyone in the group
if loopers are all solipsists anyway? 8^P

-t-

(that emoticon thing means I'm kidding!!!) Gonna go
take apart my DL4 now...

__________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 16:29:06 2003
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Date: Thu, 4 Sep 2003 15:13:10 -0500
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>
>Why is it so important to hear everyone in the group
>if loopers are all solipsists anyway? 8^P

dontcha mean sole-loop-sists? ;)

From Loopers-Delight-request@loopers-delight.com  Thu Sep  4 16:38:39 2003
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Subject: Sound DOES become light... (was click track something or other....)
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Au contraire....

Ultimately light can be made from sound, and its called sonoluminescence.
Here's an article from a few years back on it that i had referenced.  There
are probably more.  "Reality" breeds illusion or "maya" and ultimately "all"
come from the "one" as science gets closer and closer to verifying that
age-old mystical truth.

http://www.sciencenews.org/sn_arch/4_29_95/note1.asp

cheers,
jim.

----- Original Message -----
From: "msottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 04, 2003 12:44 PM
Subject: Re: learning to play perfectly to a click track


> Sound never becomes light.  Sound is kinetic energy and light is
> electromagnetic energy.
>
> http://csep10.phys.utk.edu/astr162/lect/light/spectrum.html
>
> I've done the pulse to pitch experiment and it's interesting, but I
> don't really think it has a lot to do with being able to keep tempo.
> As far as that is concerned, you've just got to practice practice
> practice... and being able to hear everyone in the group.
>
> Mark Sottilaro
>
> On Thursday, September 4, 2003, at 06:07  AM, Douglas Baldwin wrote:
>
> >>  Rhythm becomes pitch, which we sense with our ears. Beyond
> > sound, waves become the various spectra of light, one octave of which
> > we see as
> >> visible light.
>
>


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Could be other digital gear radiating a high frequency that's getting 
inducted into your unit somehow. That might explain the intermittant appearance of 
the problem- are there differnet assortments of gear in the places you're 
playing, or just your same rig?You could try those "toroid" round thingies that you 
wrap your audio cable (I'd try the input cable) through a few times- that's 
supposed to "buck" some kinds of interference. Toroid cores are cheap and should 
be in your tool kit. I once had one of the first ART digital reverbs, and 
this thing radiated so much hash, I had to re-arrange my rack a couple times. The 
grounded metal chassis of the thing didn't stop the radiated crap very well.

Tim F 


In a message dated 9/4/03 8:31:30 AM Pacific Daylight Time, 
JustinFobes@aol.com writes:

> In a message dated 9/4/03 9:43:39 AM Central Daylight Time, 
> goddard.duncan@mtvne.com writes:
> 
> >> 
>> >>Anyone having a high pitched whine on the DL4 when loop is engaged in 
>> half speed mode? <<
>>  
>> yeah- it's down-sampling or aliasing or something. it doesn't do it with 
>> everything, but it's much worse with other digital pedals before it- I guess 
>> that stands to reason.
>>  
>> d. 
>> 
> 
> Well, I was able to find that it's happening only in certain rooms that I 
> perform in, especially the one I was in last night!  But across town the night 
> before it only happened 50% of the time, and I'm guessing that tonight should 
> be 0% given my experiences here last week.  I cannot pinpoint it!  Perhaps 
> there's some eletrical line interference, like a 60hz hum that manifests 
> itself as a whine through some built in digital filter in the DL4 or something?   
> I really want this to stop!
> 
> -Justin
> <A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A> 


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Could be other digital gear radiating a high frequency=
 that's getting inducted into your unit somehow. That might explain the inte=
rmittant appearance of the problem- are there differnet assortments of gear=20=
in the places you're playing, or just your same rig?You could try those "tor=
oid" round thingies that you wrap your audio cable (I'd try the input cable)=
 through a few times- that's supposed to "buck" some kinds of interference.=20=
Toroid cores are cheap and should be in your tool kit. I once had one of the=
 first ART digital reverbs, and this thing radiated so much hash, I had to r=
e-arrange my rack a couple times. The grounded metal chassis of the thing di=
dn't stop the radiated crap very well.<BR>
<BR>
Tim F <BR>
<BR>
<BR>
In a message dated 9/4/03 8:31:30 AM Pacific Daylight Time, JustinFobes@aol.=
com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">In a message dated 9/4/03 9:43:=
39 AM Central Daylight Time, goddard.duncan@mtvne.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">&gt;&gt;</FONT><FONT  COLOR=
=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERI=
F" FACE=3D"Arial" LANG=3D"0">Anyone having a high pitched whine on the DL4 w=
hen loop is engaged in half speed mode? &lt;&lt;<BR>
 </FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=
=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">yeah- it's down-sampling or=20=
aliasing or something. it doesn't do it with everything, but it's much worse=
 with other digital pedals before it- I guess that stands to reason.</FONT><=
FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=
=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
 <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">d.</FONT><FONT  COLOR=3D"#00=
00ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0"> <BR>
</BLOCKQUOTE><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
Well, I was able to find that it's happening only in certain rooms that I pe=
rform in, especially the one I was in last night!&nbsp; But across town the=20=
night before it only happened 50% of the time, and I'm guessing that tonight=
 should be 0% given my experiences here last week.&nbsp; I cannot pinpoint i=
t!&nbsp; Perhaps there's some eletrical line interference, like a 60hz hum t=
hat manifests itself as a whine through some built in digital filter in the=20=
DL4 or something?&nbsp;&nbsp; I really want this to stop!<BR>
<BR>
-Justin<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT><FONT  COLOR=3D"#000000" style=
=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"arial"=20=
LANG=3D"0"> </BLOCKQUOTE><BR>
<BR>
</FONT></HTML>
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I would like to post an add   =20
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thr3efoldbooking@yahoo.com or mucero@msn.com 
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Umm, what?
 
Respect
 
Will Brake
Soul Fruit Electronics
 
-----Original Message-----
From: Amy Mucero [mailto:mucero@msn.com] 
Sent: Friday, September 05, 2003 12:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: 
 
I would like to post an add    
   Bass player looking to purchase a used 12 string Warr Guitar  Please
email with info
thr3efoldbooking@yahoo.com or mucero@msn.com 

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/span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'>Will =
Brake<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy;mso-no-proof:yes'>Soul Fruit =
Electronics<o:p></o:p></span></font></p>

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<b><span style=3D'font-weight:bold'>From:</span></b> Amy Mucero
[mailto:mucero@msn.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, September =
05, 2003
12:54 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> =
</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
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or <a href=3D"mailto:mucero@msn.com">mucero@msn.com</a> =
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 03:39:24 2003
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O folks,

It seems I've been invited to co-host an upcoming online radio program
this Monday night, for a show called None Radio:

http://www.noneradio.com

It's a wildly eclectic program, usually hosted by Mike Keneally
(musician and composer extroardinaire) and Rich Pike (a very funny and
intelligent guy with immensely big ears and eclectic taste in music). 
Mike won't be available this upcoming Monday, but there will be two or
three other folks filling in, of whom it seems I'll be one.

The show starts at 9:00 PM California time and is streamed live on
Monday night, with repeat broadcasts happening throughout the week. 
Don't know what I'll be bringing along to play, but I'm sure there'll be
some plugging and playing for/from my forthcoming Echoplex-filled solo
CD (which is back from the pressing plant as of this afternoon, and
should be on sale within the next week or so), and possibly some other
looped material as well...

Tune in if you're at all intrigued,

--Andre LaFosse
The Echoplex Analysis Pages:
http://www.altruistmusic.com/EDP

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Subject: RE: Radio co-host/New Album Preview Spam
Date: Fri, 5 Sep 2003 10:10:03 +0200
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Hey Andre,

no surprise you got invited to co-host this programme. I listened to it
recently (when Zappa vaultmeister Joe Travers and Keneally bass player Bryan
Beller were in the show), and there were a few LaFosse tunes on the
playlist!

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de


> -----Original Message-----
> From: Andre LaFosse [mailto:altruist@earthlink.net]
> Sent: Freitag, 5. September 2003 09:25
> To: loopers-delight@loopers-delight.com
> Subject: Radio co-host/New Album Preview Spam
>
>
> O folks,
>
> It seems I've been invited to co-host an upcoming online radio program
> this Monday night, for a show called None Radio:
>
> http://www.noneradio.com
>
> It's a wildly eclectic program, usually hosted by Mike Keneally
> (musician and composer extroardinaire) and Rich Pike (a very funny and
> intelligent guy with immensely big ears and eclectic taste in music).
> Mike won't be available this upcoming Monday, but there will be two or
> three other folks filling in, of whom it seems I'll be one.
>
> The show starts at 9:00 PM California time and is streamed live on
> Monday night, with repeat broadcasts happening throughout the week.
> Don't know what I'll be bringing along to play, but I'm sure
> there'll be
> some plugging and playing for/from my forthcoming Echoplex-filled solo
> CD (which is back from the pressing plant as of this afternoon, and
> should be on sale within the next week or so), and possibly some other
> looped material as well...
>
> Tune in if you're at all intrigued,
>
> --Andre LaFosse
> The Echoplex Analysis Pages:
> http://www.altruistmusic.com/EDP
>


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>>Ultimately light can be made from sound, and its called sonoluminescence.<<

not really the same thing, but I recently had an accident with some white noise and a jbl eon that resulted in actual visible light coming out of the aperture where HF is normally supposed to emerge. the speaker survived this cooking.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Ultimately light can be made from sound, and its =
called sonoluminescence.&lt;&lt;</FONT>
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<P><FONT SIZE=3D2>not really the same thing, but I recently had an accident=
 with some white noise and a jbl eon that resulted in actual visible light =
coming out of the aperture where HF is normally supposed to emerge. the spe=
aker survived this cooking.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 09:36:50 2003
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Date: Fri, 05 Sep 2003 09:26:20 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: learning to play perfectly to a click track
To: msottilaro <sine@zerocrossing.net>, Loopers-Delight@loopers-delight.com
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> Sound never becomes light.  Sound is kinetic energy and light is
> electromagnetic energy.
>
> http://csep10.phys.utk.edu/astr162/lect/light/spectrum.html
>
> I've done the pulse to pitch experiment and it's interesting, but I
> don't really think it has a lot to do with being able to keep tempo.
> As far as that is concerned, you've just got to practice practice
> practice... and being able to hear everyone in the group.

Hey Marky Mark! Seems James Lampheer has the goods to deliver the "all is
one" argument (see his thread "Sound DOES Become Light..."). But I'm taking
my asbestos suit out of the closet and relearning Johnny Cash's "Ring of
Fire" anyway...... ;-)
    My point re. "rhythm is pich made slow" is that just as one might use an
electronic tuner to improve one's sense of pitch and make oneself more
sensitive to subtle variations in pitch, so one might use a metronome to
improve one's sense of rhythm. Electronic tuners generate a reliable
standard of pitch; metronomes generate a reliable standard of rhythm. We may
"tune" our tuning chops just as we may "tune" our rhythmic chops. Drummers
who think that metronomes make their playing too stiff belong in bands with
guitarists who think that tuners make their guitars too stale. And rhythm is
pitch made slow...
    And the universe is the manifestation of one vibration. Maya is one huge
overtone series, of which we get to experience one little pie-slice. All is
bliss, all is bliss...................
Douglas Baldwin, coyote-at-large
coyotelk@optonline.net

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 10:45:35 2003
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Subject: Re: Sound DOES become light... (was click track something or othe r....)
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I guess you guys are right.  I can also ask my wife to turn on a light  
and the sound waves cause her to do it.  I guess sound can turn into  
light.

Mark Sottilaro

On Friday, September 5, 2003, at 04:56  AM, goddard.duncan@mtvne.com  
wrote:

> >>Ultimately light can be made from sound, and its called  
> sonoluminescence.<<
>
> not really the same thing, but I recently had an accident with some  
> white noise and a jbl eon that resulted in actual visible light coming  
> out of the aperture where HF is normally supposed to emerge. the  
> speaker survived this cooking.
>
> duncan.
>
>
>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 10:53:35 2003
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Date: Fri, 5 Sep 2003 07:46:20 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Line6 loopers
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It could also be a shielding issue within the Line6 box (ie, it's receiving the
RF trash and processing it). 

Or could it be a problem with differing line voltages? I've seen that vary
considerably between locations and every once in awhile a piece of gear will do
odd things if the voltage is too far out.

Greg


--- Fsksync@aol.com wrote:
> Could be other digital gear radiating a high frequency that's getting 
> inducted into your unit somehow. That might explain the intermittant appearance
> of 
> the problem- are there differnet assortments of gear in the places you're 
> playing, or just your same rig?You could try those "toroid" round thingies that
> you 
> wrap your audio cable (I'd try the input cable) through a few times- that's 
> supposed to "buck" some kinds of interference. Toroid cores are cheap and
> should 
> be in your tool kit. I once had one of the first ART digital reverbs, and 
> this thing radiated so much hash, I had to re-arrange my rack a couple times.
> The 
> grounded metal chassis of the thing didn't stop the radiated crap very well.
> 
> Tim F 
> 
> 
> In a message dated 9/4/03 8:31:30 AM Pacific Daylight Time, 
> JustinFobes@aol.com writes:
> 
> > In a message dated 9/4/03 9:43:39 AM Central Daylight Time, 
> > goddard.duncan@mtvne.com writes:
> > 
> > >> 
> >> >>Anyone having a high pitched whine on the DL4 when loop is engaged in 
> >> half speed mode? <<
> >>  
> >> yeah- it's down-sampling or aliasing or something. it doesn't do it with 
> >> everything, but it's much worse with other digital pedals before it- I guess
> 
> >> that stands to reason.
> >>  
> >> d. 
> >> 
> > 
> > Well, I was able to find that it's happening only in certain rooms that I 
> > perform in, especially the one I was in last night!  But across town the
> night 
> > before it only happened 50% of the time, and I'm guessing that tonight should
> 
> > be 0% given my experiences here last week.  I cannot pinpoint it!  Perhaps 
> > there's some eletrical line interference, like a 60hz hum that manifests 
> > itself as a whine through some built in digital filter in the DL4 or
> something?   
> > I really want this to stop!
> > 
> > -Justin
> > <A
>
HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>
> 
> 
> 


__________________________________
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From: Greg House <ghunicycle@yahoo.com>
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Umm... Some bass player with poor English wants to buy a used 12-string Warr
instrument?


--- Will Brake <wbrake@comcast.net> wrote:
> Umm, what?
>  
> Respect
>  
> Will Brake
> Soul Fruit Electronics
>  
> -----Original Message-----
> From: Amy Mucero [mailto:mucero@msn.com] 
> Sent: Friday, September 05, 2003 12:54 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: 
>  
> I would like to post an add    
>    Bass player looking to purchase a used 12 string Warr Guitar  Please
> email with info
> thr3efoldbooking@yahoo.com or mucero@msn.com 
> 


__________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 10:59:08 2003
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>     My point re. "rhythm is pich made slow" is that just as one might 
> use an
> electronic tuner to improve one's sense of pitch and make oneself more
> sensitive to subtle variations in pitch, so one might use a metronome 
> to
> improve one's sense of rhythm. Electronic tuners generate a reliable
> standard of pitch; metronomes generate a reliable standard of rhythm. 
> We may
> "tune" our tuning chops just as we may "tune" our rhythmic chops. 
> Drummers
> who think that metronomes make their playing too stiff belong in bands 
> with
> guitarists who think that tuners make their guitars too stale

Yeah, this I totally agree with.  A coworker constantly brings me in 
recordings of is Phish-like band and the songs are always comically off 
rhythm and out of tune.  Drives me nuts.  I've been playing with drum 
machines for so long now that I've become really sensitive to this.  He 
seems to have fun with it, so it's all good. <trigger bonghit sound>

>     And the universe is the manifestation of one vibration. Maya is 
> one huge
> overtone series, of which we get to experience one little pie-slice. 
> All is
> bliss, all is bliss...................

The farther one travels, the less one knows!

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 12:17:31 2003
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Subject: Re: learning to play perfectly to a click track
Date: Fri, 5 Sep 2003 17:07:22 +0100
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"Mark Sottilaro" <sine@zerocrossing.net> put forth:

<trigger bonghit sound>

It's a nicer sound than rain sticks sometimes!  But hey, it's Friday!

Steve Goodman
* EarthLight Productions
* http://www.earthlight.net

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Well that's definitely loopy.


In a message dated 9/5/03 7:48:34 AM Pacific Daylight Time, 
ghunicycle@yahoo.com writes:

> Umm... Some bass player with poor English wants to buy a used 12-string 
> Warr
> instrument?
> 
> 
> --- Will Brake <wbrake@comcast.net> wrote:
> >Umm, what?
> > 
> >Respect
> > 
> >Will Brake
> >Soul Fruit Electronics
> > 
> >-----Original Message-----
> >From: Amy Mucero [mailto:mucero@msn.com] 
> >Sent: Friday, September 05, 2003 12:54 AM
> >To: Loopers-Delight@loopers-delight.com
> >Subject: 
> > 
> >I would like to post an add   
> >  Bass player looking to purchase a used 12 string Warr Guitar  Please
> >email with info
> >thr3efoldbooking@yahoo.com or mucero@msn.com 
> >
> 
> 
> __________________________________
> Do you Yahoo!?
> Yahoo! SiteBuilder - Free, easy-to-use web site design software
> http://sitebuilder.yahoo.com
> 
> 


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Well that's definitely loopy.<BR>
<BR>
<BR>
In a message dated 9/5/03 7:48:34 AM Pacific Daylight Time, ghunicycle@yahoo=
.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Umm... Some bass player with po=
or English wants to buy a used 12-string Warr<BR>
instrument?<BR>
<BR>
<BR>
--- Will Brake &lt;wbrake@comcast.net&gt; wrote:<BR>
&gt;Umm, what?<BR>
&gt; <BR>
&gt;Respect<BR>
&gt; <BR>
&gt;Will Brake<BR>
&gt;Soul Fruit Electronics<BR>
&gt; <BR>
&gt;-----Original Message-----<BR>
&gt;From: Amy Mucero [mailto:mucero@msn.com] <BR>
&gt;Sent: Friday, September 05, 2003 12:54 AM<BR>
&gt;To: Loopers-Delight@loopers-delight.com<BR>
&gt;Subject: <BR>
&gt; <BR>
&gt;I would like to post an add&nbsp;&nbsp; <BR>
&gt;&nbsp; Bass player looking to purchase a used 12 string Warr Guitar&nbsp=
; Please<BR>
&gt;email with info<BR>
&gt;thr3efoldbooking@yahoo.com or mucero@msn.com <BR>
&gt;<BR>
<BR>
<BR>
__________________________________<BR>
Do you Yahoo!?<BR>
Yahoo! SiteBuilder - Free, easy-to-use web site design software<BR>
http://sitebuilder.yahoo.com<BR>
<BR>
</BLOCKQUOTE><BR>
<BR>
</FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 12:41:05 2003
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Date: Fri, 5 Sep 2003 12:31:17 EDT
Subject: Re: Line6 loopers
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Or a ground loop caused by any other piece of gear in the chain that has an 
improperly wired grounding scheme... 


In a message dated 9/5/03 7:46:42 AM Pacific Daylight Time, 
ghunicycle@yahoo.com writes:

> It could also be a shielding issue within the Line6 box (ie, it's receiving 
> the
> RF trash and processing it). 
> 
> Or could it be a problem with differing line voltages? I've seen that vary
> considerably between locations and every once in awhile a piece of gear will 
> do
> odd things if the voltage is too far out.
> 
> Greg
> 
> 
> --- Fsksync@aol.com wrote:
> >Could be other digital gear radiating a high frequency that's getting 
> >inducted into your unit somehow. That might explain the intermittant 
> appearance
> >of 
> >the problem- are there differnet assortments of gear in the places you're 
> >playing, or just your same rig?You could try those "toroid" round thingies 
> that
> >you 
> >wrap your audio cable (I'd try the input cable) through a few times- that's 
> 
> >supposed to "buck" some kinds of interference. Toroid cores are cheap and
> >should 
> >be in your tool kit. I once had one of the first ART digital reverbs, and 
> >this thing radiated so much hash, I had to re-arrange my rack a couple 
> times.
> >The 
> >grounded metal chassis of the thing didn't stop the radiated crap very 
> well.
> >
> >Tim F 
> >
> >
> >In a message dated 9/4/03 8:31:30 AM Pacific Daylight Time, 
> >JustinFobes@aol.com writes:
> >
> >>In a message dated 9/4/03 9:43:39 AM Central Daylight Time, 
> >>goddard.duncan@mtvne.com writes:
> >>
> >>>>
> >>>>>Anyone having a high pitched whine on the DL4 when loop is engaged in 
> >>>half speed mode? <<
> >>> 
> >>>yeah- it's down-sampling or aliasing or something. it doesn't do it with 
> >>>everything, but it's much worse with other digital pedals before it- I 
> guess
> >
> >>>that stands to reason.
> >>> 
> >>>d. 
> >>>
> >>
> >>Well, I was able to find that it's happening only in certain rooms that I 
> >>perform in, especially the one I was in last night!  But across town the
> >night 
> >>before it only happened 50% of the time, and I'm guessing that tonight 
> should
> >
> >>be 0% given my experiences here last week.  I cannot pinpoint it!  Perhaps 
> 
> >>there's some eletrical line interference, like a 60hz hum that manifests 
> >>itself as a whine through some built in digital filter in the DL4 or
> >something?   
> >>I really want this to stop!
> >>
> >>-Justin
> >><A
> >
> HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">
> http://artists.iuma.com/IUMA/Bands/Justin_Fobes/
> >
> >
> >
> 
> 
> __________________________________
> Do you Yahoo!?
> Yahoo! SiteBuilder - Free, easy-to-use web site design software
> http://sitebuilder.yahoo.com
> 
> 


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Or a ground loop caused by any other piece of gear in=20=
the chain that has an improperly wired grounding scheme... <BR>
<BR>
<BR>
In a message dated 9/5/03 7:46:42 AM Pacific Daylight Time, ghunicycle@yahoo=
.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">It could also be a shielding is=
sue within the Line6 box (ie, it's receiving the<BR>
RF trash and processing it). <BR>
<BR>
Or could it be a problem with differing line voltages? I've seen that vary<B=
R>
considerably between locations and every once in awhile a piece of gear will=
 do<BR>
odd things if the voltage is too far out.<BR>
<BR>
Greg<BR>
<BR>
<BR>
--- Fsksync@aol.com wrote:<BR>
&gt;Could be other digital gear radiating a high frequency that's getting <B=
R>
&gt;inducted into your unit somehow. That might explain the intermittant app=
earance<BR>
&gt;of <BR>
&gt;the problem- are there differnet assortments of gear in the places you'r=
e <BR>
&gt;playing, or just your same rig?You could try those "toroid" round thingi=
es that<BR>
&gt;you <BR>
&gt;wrap your audio cable (I'd try the input cable) through a few times- tha=
t's <BR>
&gt;supposed to "buck" some kinds of interference. Toroid cores are cheap an=
d<BR>
&gt;should <BR>
&gt;be in your tool kit. I once had one of the first ART digital reverbs, an=
d <BR>
&gt;this thing radiated so much hash, I had to re-arrange my rack a couple t=
imes.<BR>
&gt;The <BR>
&gt;grounded metal chassis of the thing didn't stop the radiated crap very w=
ell.<BR>
&gt;<BR>
&gt;Tim F <BR>
&gt;<BR>
&gt;<BR>
&gt;In a message dated 9/4/03 8:31:30 AM Pacific Daylight Time, <BR>
&gt;JustinFobes@aol.com writes:<BR>
&gt;<BR>
&gt;&gt;In a message dated 9/4/03 9:43:39 AM Central Daylight Time, <BR>
&gt;&gt;goddard.duncan@mtvne.com writes:<BR>
&gt;&gt;<BR>
&gt;&gt;&gt;&gt;<BR>
&gt;&gt;&gt;&gt;&gt;Anyone having a high pitched whine on the DL4 when loop=20=
is engaged in <BR>
&gt;&gt;&gt;half speed mode? &lt;&lt;<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt;yeah- it's down-sampling or aliasing or something. it doesn't do=
 it with <BR>
&gt;&gt;&gt;everything, but it's much worse with other digital pedals before=
 it- I guess<BR>
&gt;<BR>
&gt;&gt;&gt;that stands to reason.<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt;d. <BR>
&gt;&gt;&gt;<BR>
&gt;&gt;<BR>
&gt;&gt;Well, I was able to find that it's happening only in certain rooms t=
hat I <BR>
&gt;&gt;perform in, especially the one I was in last night!&nbsp; But across=
 town the<BR>
&gt;night <BR>
&gt;&gt;before it only happened 50% of the time, and I'm guessing that tonig=
ht should<BR>
&gt;<BR>
&gt;&gt;be 0% given my experiences here last week.&nbsp; I cannot pinpoint i=
t!&nbsp; Perhaps <BR>
&gt;&gt;there's some eletrical line interference, like a 60hz hum that manif=
ests <BR>
&gt;&gt;itself as a whine through some built in digital filter in the DL4 or=
<BR>
&gt;something?&nbsp;&nbsp; <BR>
&gt;&gt;I really want this to stop!<BR>
&gt;&gt;<BR>
&gt;&gt;-Justin<BR>
&gt;&gt;&lt;A<BR>
&gt;<BR>
HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/"&gt;http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/<BR>
&gt;<BR>
&gt;<BR>
&gt;<BR>
<BR>
<BR>
__________________________________<BR>
Do you Yahoo!?<BR>
Yahoo! SiteBuilder - Free, easy-to-use web site design software<BR>
http://sitebuilder.yahoo.com<BR>
<BR>
</BLOCKQUOTE><BR>
<BR>
</FONT></HTML>
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remove

>Umm... Some bass player with poor English wants to buy a used 12-string Warr
>instrument?
>
>
>--- Will Brake <wbrake@comcast.net> wrote:
>>  Umm, what?
>> 
>>  Respect
>> 
>>  Will Brake
>>  Soul Fruit Electronics
>> 
>>  -----Original Message-----
>>  From: Amy Mucero [mailto:mucero@msn.com]
>>  Sent: Friday, September 05, 2003 12:54 AM
>>  To: Loopers-Delight@loopers-delight.com
>>  Subject:
>> 
>>  I would like to post an add   
>>     Bass player looking to purchase a used 12 string Warr Guitar  Please
>>  email with info
>>  thr3efoldbooking@yahoo.com or mucero@msn.com
>>
>
>
>__________________________________
>Do you Yahoo!?
>Yahoo! SiteBuilder - Free, easy-to-use web site design software
>http://sitebuilder.yahoo.com

-- 
Mad haPPy
http://www.madhappy.tv

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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Line6 loopers
Date: Fri, 5 Sep 2003 18:09:49 +0100 
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>>It could also be a shielding issue within the Line6 box (ie, it's receiving the
RF trash and processing it). 

Or could it be a problem with differing line voltages? I've seen that vary
considerably between locations and every once in awhile a piece of gear will do
odd things if the voltage is too far out.<<

I last heard mine do it in the corner of my lounge, on a regulation line6 power supply and with a fender jazz going through a boss limiter into it. the limiter was also running off a linear (i.e. not switched-mode) power supply. the only interference I've been aware of in this location before has been the fella downstairs has dimmable lights that buzz a bit if I'm wandering about playing something w/o humbuckers in it. and he was out on this occasion.
I wondered if it was recording it's own clock at certain tempi- maybe the anti-aliasing isn't quite right at longer pre-delay settings?

duncan.


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<TITLE>RE: Line6 loopers</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;It could also be a shielding issue within the Lin=
e6 box (ie, it's receiving the</FONT>
<BR><FONT SIZE=3D2>RF trash and processing it). </FONT>
</P>

<P><FONT SIZE=3D2>Or could it be a problem with differing line voltages? I'=
ve seen that vary</FONT>
<BR><FONT SIZE=3D2>considerably between locations and every once in awhile =
a piece of gear will do</FONT>
<BR><FONT SIZE=3D2>odd things if the voltage is too far out.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I last heard mine do it in the corner of my lounge, on a =
regulation line6 power supply and with a fender jazz going through a boss l=
imiter into it. the limiter was also running off a linear (i.e. not switche=
d-mode) power supply. the only interference I've been aware of in this loca=
tion before has been the fella downstairs has dimmable lights that buzz a b=
it if I'm wandering about playing something w/o humbuckers in it. and he wa=
s out on this occasion.</FONT></P>

<P><FONT SIZE=3D2>I wondered if it was recording it's own clock at certain =
tempi- maybe the anti-aliasing isn't quite right at longer pre-delay settin=
gs?</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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I was absolutely correct, no problem last night!  

It's definitely locale specific.

-Justin

<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">I was absolutely correct, no problem last night!&nbsp;=
 <BR>
<BR>
It's definitely locale specific.<BR>
<BR>
-Justin<BR>
<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

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In a message dated 9/5/03 12:25:29 PM Central Daylight Time, 
goddard.duncan@mtvne.com writes:

> >>It could also be a shielding issue within the Line6 box (ie, it's 
> receiving the 
> RF trash and processing it). 
> 
> Or could it be a problem with differing line voltages? I've seen that vary 
> considerably between locations and every once in awhile a piece of gear will 
> do 
> odd things if the voltage is too far out.<< 
> 
> I last heard mine do it in the corner of my lounge, on a regulation line6 
> power supply and with a fender jazz going through a boss limiter into it. the 
> limiter was also running off a linear (i.e. not switched-mode) power supply. 
> the only interference I've been aware of in this location before has been the 
> fella downstairs has dimmable lights that buzz a bit if I'm wandering about 
> playing something w/o humbuckers in it. and he was out on this occasion.
> 
>  I wondered if it was recording it's own clock at certain tempi- maybe the 
> anti-aliasing isn't quite right at longer pre-delay settings?
> 
>  duncan. 
> 
> 

No, I only run a tight pre-delay in looping mode, almost sounds like a teeny 
lil bathroom.  I'm convinced that it's either an RF thing, or a line voltage 
thing, because it only happens in certain rooms.  Both of which are the "Sports 
Cafe" format with gobs of TVs playing sports from all over the world, and me 
jamming in the corner.  What FREQ do TV's print their screens?  Perhaps it is 
an RF thing, because I only noticed it when I went to halftime on the loop, 
maybe double that and it was out of my hearing range . . .

If it is an RF thing, can I do a shielding Mod, like I've done to my Strat 
and Tele?

I really want this to go away.

-Justin
<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

--part1_a2.3bbc0c48.2c8a2b15_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/5/03 12:25:29 PM Central Daylight=
 Time, goddard.duncan@mtvne.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&gt;&gt;It could also be a shie=
lding issue within the Line6 box (ie, it's receiving the</FONT><FONT  COLOR=
=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERI=
F" FACE=3D"Arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">RF trash and processing it).=
 </FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=
=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
<BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">Or could it be a problem wit=
h differing line voltages? I've seen that vary</FONT><FONT  COLOR=3D"#000000=
" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"=
Arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">considerably between locatio=
ns and every once in awhile a piece of gear will do</FONT><FONT  COLOR=3D"#0=
00000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FAC=
E=3D"Arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">odd things if the voltage is=
 too far out.&lt;&lt;</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COL=
OR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"> <BR>
<BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">I last heard mine do it in t=
he corner of my lounge, on a regulation line6 power supply and with a fender=
 jazz going through a boss limiter into it. the limiter was also running off=
 a linear (i.e. not switched-mode) power supply. the only interference I've=20=
been aware of in this location before has been the fella downstairs has dimm=
able lights that buzz a bit if I'm wandering about playing something w/o hum=
buckers in it. and he was out on this occasion.</FONT><FONT  COLOR=3D"#00000=
0" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0"><BR>
<BR>
 </FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=
=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">I wondered if it was rec=
ording it's own clock at certain tempi- maybe the anti-aliasing isn't quite=20=
right at longer pre-delay settings?</FONT><FONT  COLOR=3D"#000000" style=3D"=
BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=
=3D"0"><BR>
<BR>
 </FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=
=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">duncan.</FONT><FONT  COL=
OR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSE=
RIF" FACE=3D"Arial" LANG=3D"0"> <BR>
<BR>
</BLOCKQUOTE><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
No, I only run a tight pre-delay in looping mode, almost sounds like a teeny=
 lil bathroom.&nbsp; I'm convinced that it's either an RF thing, or a line v=
oltage thing, because it only happens in certain rooms.&nbsp; Both of which=20=
are the "Sports Cafe" format with gobs of TVs playing sports from all over t=
he world, and me jamming in the corner.&nbsp; What FREQ do TV's print their=20=
screens?&nbsp; Perhaps it is an RF thing, because I only noticed it when I w=
ent to halftime on the loop, maybe double that and it was out of my hearing=20=
range . . .<BR>
<BR>
If it is an RF thing, can I do a shielding Mod, like I've done to my Strat a=
nd Tele?<BR>
<BR>
I <I>really</I> want this to go away.<BR>
<BR>
-Justin<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

--part1_a2.3bbc0c48.2c8a2b15_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 14:37:46 2003
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Is this the same guy that has been trying to unsubscribe for the past
two weeks?

:::-----Original Message-----
:::From: Mike iLL [mailto:illness@earthlink.net]
:::Sent: Friday, September 05, 2003 10:07 AM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: RE:move
:::
:::remove
:::
:::>Umm... Some bass player with poor English wants to buy a used
12-string

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 15:07:23 2003
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Line6 loopers
Date: Fri, 05 Sep 2003 12:03:24 -0700
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>What FREQ do TV's print their screens?

15750 Hz


>From: JustinFobes@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Line6 loopers
>Date: Fri, 5 Sep 2003 14:08:21 EDT
>
>In a message dated 9/5/03 12:25:29 PM Central Daylight Time,
>goddard.duncan@mtvne.com writes:
>
> > >>It could also be a shielding issue within the Line6 box (ie, it's
> > receiving the
> > RF trash and processing it).
> >
> > Or could it be a problem with differing line voltages? I've seen that 
>vary
> > considerably between locations and every once in awhile a piece of gear 
>will
> > do
> > odd things if the voltage is too far out.<<
> >
> > I last heard mine do it in the corner of my lounge, on a regulation 
>line6
> > power supply and with a fender jazz going through a boss limiter into 
>it. the
> > limiter was also running off a linear (i.e. not switched-mode) power 
>supply.
> > the only interference I've been aware of in this location before has 
>been the
> > fella downstairs has dimmable lights that buzz a bit if I'm wandering 
>about
> > playing something w/o humbuckers in it. and he was out on this occasion.
> >
> >  I wondered if it was recording it's own clock at certain tempi- maybe 
>the
> > anti-aliasing isn't quite right at longer pre-delay settings?
> >
> >  duncan.
> >
> >
>
>No, I only run a tight pre-delay in looping mode, almost sounds like a 
>teeny
>lil bathroom.  I'm convinced that it's either an RF thing, or a line 
>voltage
>thing, because it only happens in certain rooms.  Both of which are the 
>"Sports
>Cafe" format with gobs of TVs playing sports from all over the world, and 
>me
>jamming in the corner.  What FREQ do TV's print their screens?  Perhaps it 
>is
>an RF thing, because I only noticed it when I went to halftime on the loop,
>maybe double that and it was out of my hearing range . . .
>
>If it is an RF thing, can I do a shielding Mod, like I've done to my Strat
>and Tele?
>
>I really want this to go away.
>
>-Justin
><A 
>HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

_________________________________________________________________
Get 10MB of e-mail storage! Sign up for Hotmail Extra Storage.  
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 15:54:01 2003
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Date: Fri, 5 Sep 2003 15:50:39 EDT
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Andre,

In a message dated 9/5/03 12:30:28 AM, altruist@earthlink.net writes:

>It seems I've been invited to co-host an upcoming online radio 
>program this Monday night, for a show called None Radio:
>
>http://www.noneradio.com

Drat! This webcast seems to  be only available to folks with 
DSL/Cable hookups (and the like). Us ordinary dial-up (poor) 
folk are not allowed. Oh well. Not to worry. I still wanna buy 
your new CD. Keep us posted.

Best,

tEd ® kiLLiAn

http://www.mp3s.com/tedkillian
http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 16:28:56 2003
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this bass player with poor English is searching for someone who is =
selling a 12 string Warr Guitar , if you don't know what that is then =
you can go to www.warrguitars.com I am sorry that you had misunderstood. =
I had just followed the instructions to place a wanted ad. If I have =
misunderstood that information then I apologize.             Amy.
  ----- Original Message -----=20
  From: Will Brake=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, September 04, 2003 10:16 PM
  Subject: RE:=20


  Umm, what?

  =20

  Respect

  =20

  Will Brake

  Soul Fruit Electronics

  =20

  -----Original Message-----
  From: Amy Mucero [mailto:mucero@msn.com]=20
  Sent: Friday, September 05, 2003 12:54 AM
  To: Loopers-Delight@loopers-delight.com
  Subject:=20

  =20

  I would like to post an add   =20

     Bass player looking to purchase a used 12 string Warr Guitar  =
Please email with info

  thr3efoldbooking@yahoo.com or mucero@msn.com=20

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<DIV>
<DIV><STRONG>this bass player with poor English is searching for someone =
who is=20
selling a 12 string Warr Guitar , if you don=92t know what that is then =
you can go=20
to <A href=3D"http://www.warrguitars.com">www.warrguitars.com</A> I am =
sorry that=20
you had misunderstood. I had just followed the instructions to place a =
wanted=20
ad. If I have misunderstood that information then I=20
apologize.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;=20
Amy.</STRONG></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
  href=3D"mailto:wbrake@comcast.net">Will Brake</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, September 04, =
2003 10:16=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: </DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Umm,=20
  what?<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV>
  <P class=3DMsoAutoSig><FONT face=3D"Times New Roman" color=3Dnavy =
size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt; COLOR: navy; mso-no-proof: =
yes">Respect<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoAutoSig><FONT face=3D"Times New Roman" color=3Dnavy =
size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt; COLOR: navy; mso-no-proof: =
yes"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoAutoSig><FONT face=3D"Times New Roman" color=3Dnavy =
size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt; COLOR: navy; mso-no-proof: yes">Will=20
  Brake<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoAutoSig><FONT face=3D"Times New Roman" color=3Dnavy =
size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt; COLOR: navy; mso-no-proof: yes">Soul Fruit=20
  Electronics<o:p></o:p></SPAN></FONT></P></DIV>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DTahoma =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">-----Original=20
  Message-----<BR><B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> =
Amy Mucero=20
  [mailto:mucero@msn.com] <BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, September 05, =
2003 12:54=20
  AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> </SPAN></FONT></P>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><STRONG><B><FONT =
face=3DVerdana=20
  color=3Dblack size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Verdana">I would =
like to=20
  post an add&nbsp;&nbsp;&nbsp; </SPAN></FONT></B></STRONG><FONT =
face=3DVerdana=20
  color=3Dblack size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: =
Verdana"><o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><STRONG><B><FONT =
face=3DVerdana=20
  color=3Dblack size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: =
Verdana">&nbsp;&nbsp; Bass=20
  player looking to purchase a used 12 string Warr Guitar&nbsp; Please =
email=20
  with info</SPAN></FONT></B></STRONG><FONT face=3DVerdana color=3Dblack =

  size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: =
Verdana"><o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><STRONG><B><FONT =
face=3DVerdana=20
  color=3Dblack size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Verdana"><A=20
  =
href=3D"mailto:thr3efoldbooking@yahoo.com">thr3efoldbooking@yahoo.com</A>=
 or <A=20
  href=3D"mailto:mucero@msn.com">mucero@msn.com</A>=20
  </SPAN></FONT></B></STRONG><FONT face=3DVerdana color=3Dblack =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: =
Verdana"><o:p></o:p></SPAN></FONT></P></DIV></DIV></BLOCKQUOTE></DIV></BO=
DY></HTML>

------=_NextPart_000_02F6_01C373B0.EFFBC9C0--

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 16:39:25 2003
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 <BAY3-DAV103KDoLfUKN000144ac@hotmail.com>
Date: Fri, 5 Sep 2003 15:36:46 -0500
To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
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>this bass player with poor English is searching for someone who is 
>selling a 12 string Warr Guitar ,

I suppose what people are wondering is why you joined a looper's 
mailing list to post a want ad for a bass guitar. You might try 
someplace like Harmony Central, where people regularly post (and 
read) classified ads. I don't know how you found this group, but I 
don't think it'd be going out on a limb to say you're in the wrong 
place for posting such an ad.

Good luck.

Jeff

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Date: Fri, 5 Sep 2003 14:16:37 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: looking for a Warr
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--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
> >this bass player with poor English is searching for someone who is 
> >selling a 12 string Warr Guitar ,
> 
> I suppose what people are wondering is why you joined a looper's 
> mailing list to post a want ad for a bass guitar. 

Actually, this isn't such an odd spot to look for an unusual instrument, since
many of the people on this list play them. In fact, I don't know of another list
with a greater concentration of Warr/Stick players. (Sure, there's Stickwire, but
I never see anything on there from the non-Chapman contingency).

Greg

__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
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From: "Will Brake" <wbrake@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: looking for a Warr
Date: Fri, 5 Sep 2003 17:22:58 -0400
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I don't understand what the sale of a bass has to do with looping. I
don't believe it is an appropriate topic here.

Respect
 
Will Brake
Soul Fruit Electronics
 

-----Original Message-----
From: Greg House [mailto:ghunicycle@yahoo.com] 
Sent: Friday, September 05, 2003 5:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: looking for a Warr

--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
> >this bass player with poor English is searching for someone who is 
> >selling a 12 string Warr Guitar ,
> 
> I suppose what people are wondering is why you joined a looper's 
> mailing list to post a want ad for a bass guitar. 

Actually, this isn't such an odd spot to look for an unusual instrument,
since
many of the people on this list play them. In fact, I don't know of
another list
with a greater concentration of Warr/Stick players. (Sure, there's
Stickwire, but
I never see anything on there from the non-Chapman contingency).

Greg

__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 17:31:56 2003
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Date: Fri, 5 Sep 2003 14:25:29 -0700
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Elephant Talk would probably have a bigger concentration of Warr
players.

:::-----Original Message-----
:::From: Greg House [mailto:ghunicycle@yahoo.com]
:::Sent: Friday, September 05, 2003 2:17 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Re: looking for a Warr
:::
:::--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
:::> >this bass player with poor English is searching for someone who is
:::> >selling a 12 string Warr Guitar ,
:::>
:::> I suppose what people are wondering is why you joined a looper's
:::> mailing list to post a want ad for a bass guitar.
:::
:::Actually, this isn't such an odd spot to look for an unusual
instrument,
:::since
:::many of the people on this list play them. In fact, I don't know of
:::another list
:::with a greater concentration of Warr/Stick players. (Sure, there's
:::Stickwire, but
:::I never see anything on there from the non-Chapman contingency).
:::
:::Greg
:::
:::__________________________________
:::Do you Yahoo!?
:::Yahoo! SiteBuilder - Free, easy-to-use web site design software
:::http://sitebuilder.yahoo.com
:::
:::


From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 18:09:13 2003
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In a message dated 9/5/03 2:04:17 PM Central Daylight Time, 
nic_roozeboom@msn.com writes:

> 15750 Hz
> 

Yeah, that's gotta be what I'm hearing.  Any shielding tips folks?

-Justin
<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/5/03 2:04:17 PM Central Daylight=20=
Time, nic_roozeboom@msn.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">15750 Hz<BR>
</BLOCKQUOTE><BR>
<BR>
Yeah, that's gotta be what I'm hearing.&nbsp; Any shielding tips folks?<BR>
<BR>
-Justin<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep  5 18:27:58 2003
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X-Files: the truth is out there. 
Date: Fri, 05 Sep 2003 15:25:00 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean@loomwebdesign.com>
Subject: Topic enforcement (was RE: looking for a Warr)
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Quick! squash this thread - it's gone on too long already! call in the topic enforcers!  Fire in the hole!  

Hey look ma!  I'm totally off topic!

Kim, have you assigned anyone to enforce topic control this week?  I don't see anyone with the officially sanctioned topic enforcer armband.

Jason - can you get your t-shirt guy to make LD Topic Enforcer armbands?

:)


At 05:22 PM 2003/09/05 -0400, Will Brake wrote:
>I don't understand what the sale of a bass has to do with looping. I
>don't believe it is an appropriate topic here.

From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 00:20:09 2003
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from what I've seen of cool looping bassists, it doesn't strike me, though
the unnecessary harshness does, as that big of a deal or even something
really wrong. 

if someone said "hey anyone know anyone selling a mellotron, or a vocoder,
would this be wrong too?"

or is it more important who's doing the asking...

on 9/5/03 1:36 PM, Jeff Shirkey at jcshirke@midway.uchicago.edu wrote:

>> this bass player with poor English is searching for someone who is
>> selling a 12 string Warr Guitar ,
> 
> I suppose what people are wondering is why you joined a looper's
> mailing list to post a want ad for a bass guitar. You might try
> someplace like Harmony Central, where people regularly post (and
> read) classified ads. I don't know how you found this group, but I
> don't think it'd be going out on a limb to say you're in the wrong
> place for posting such an ad.
> 
> Good luck.
> 
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 00:57:30 2003
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Subject: Sonar 3--Looper or Not?
Date: Fri, 5 Sep 2003 21:55:46 -0700
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Hey--
Does anyone assume that the latest Cakewalk sequencer
http://www.cakewalk.com/Products/SONAR/loop.asp
will allow me to set loop size on the fly?

Hmmm?

Gary

PS  Bought tickets for this:  Different Skies at Arcosanti
http://waltzer.crosswinds.net/differentskies/index.html
Program on Saturday night will feature list members Bill Fox and Greg
Waltzer.  Don't suppose their rigs include any delays . . . oh heck no . . .
G


From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 01:02:39 2003
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>from what I've seen of cool looping bassists, it doesn't strike me, though
>the unnecessary harshness does,

Harsh? I thought I was as polite as could be.

Whatever...

Jeff

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Subject: digitech gnx3
From: "Richard J. Roberts" <zeroohms@surfbest.net>
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Does anyone here use the Digitech gnx3? It's supposed to have a JamMan II
built in to it. Does anyone know if this an honest-to-goodness Lexicon
JamMan? Is it as quiet as the rack JamMan?

Richard
-- 


From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 08:34:44 2003
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Monthly Top 20 Report for August, 2003
Date: Sat, 6 Sep 2003 08:31:40 -0400
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WDIY 88.1 FM "EMUSIC" Top 20 for August, 2003.
Shows #333 to #336; 7-August-2003 to 28-August-2003
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net
           http://wdiyfm.org/programs/emusic


ARTIST - ALBUM TITLE - LABEL
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
Alio Die and Mathias Grassow - Expanding Horizon - Relapse
Alp - Out and About With Alp - Soleilmoon
Christopher Short - The Unnamed Constellation - none
dbkaos - Art of Sacrifice - DiN
Jonn Serrie - The Stargazer's Journey - New World
Ken Martin - Berlin Impressions Vol. 3 - Space for Music
Principle of Silence - Live - none
Richard Bone - Alternate Realities - Spiralight
Robert Carty - Ethereal Deserts - Deep Sky
Rudy Adrian - Concerts in the USA - Groove
Skin Mechanix - The Secret Life of Angels - Infection Music
Syndromeda - Creatures from the Inner - Neu Harmony
T-Bass UK - The Fabulous Neutrinos - Infection Music
T-Bass UK - The Infection of Time - Infection Music
Tangerine Dream - Mota Atma - TDP
Under the Dome - Bellerphon - Neu Harmony
Under the Dome - Dome Roots Collection - Cochlear Vision
Various Artists - Hampshire Jam Preserved - none
Various Artists - MediaEvil - InfectionMusic
Volt - The Far Canal - Groove
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD><FONT face=3D"Courier New"><FONT size=3D2>
<BODY>
<DIV>WDIY 88.1 FM "EMUSIC" Top 20 for August, 2003.<BR>Shows #333 to =
#336;=20
7-August-2003 to 28-August-2003<BR>Reported in non-ranked =
order.<BR>Compiled by=20
Bill Fox, <A href=3D"mailto:billfox@fast.net">billfox@fast.net</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>CONTACT:&nbsp;&nbsp; <A=20
href=3D"mailto:billfox@fast.net">billfox@fast.net</A><BR>&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
<A=20
href=3D"http://wdiyfm.org/programs/emusic">http://wdiyfm.org/programs/emu=
sic</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>ARTIST - ALBUM TITLE -=20
LABEL<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>Alio Die=20
and Mathias Grassow - Expanding Horizon - Relapse<BR>Alp - Out and About =
With=20
Alp - Soleilmoon<BR>Christopher Short - The Unnamed Constellation -=20
none<BR>dbkaos - Art of Sacrifice - DiN<BR>Jonn Serrie - The Stargazer's =
Journey=20
- New World<BR>Ken Martin - Berlin Impressions Vol. 3 - Space for=20
Music<BR>Principle of Silence - Live - none<BR>Richard Bone - Alternate=20
Realities - Spiralight<BR>Robert Carty - Ethereal Deserts - Deep =
Sky<BR>Rudy=20
Adrian - Concerts in the USA - Groove<BR>Skin Mechanix - The Secret Life =
of=20
Angels - Infection Music<BR>Syndromeda - Creatures from the Inner - Neu=20
Harmony<BR>T-Bass UK - The Fabulous Neutrinos - Infection =
Music<BR>T-Bass UK -=20
The Infection of Time - Infection Music<BR>Tangerine Dream - Mota Atma - =

TDP<BR>Under the Dome - Bellerphon - Neu Harmony<BR>Under the Dome - =
Dome Roots=20
Collection - Cochlear Vision<BR>Various Artists - Hampshire Jam =
Preserved -=20
none<BR>Various Artists - MediaEvil - InfectionMusic<BR>Volt - The Far =
Canal -=20
Groove</DIV></BODY></HTML></FONT></FONT>

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From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 13:50:45 2003
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   "Ambient@hyperreal" <ambient@hyperreal.org>
Subject: The Ambient Ping presents psychosomatic climax machine
Date: Sat, 6 Sep 2003 13:56:44 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday Sept. 9th - psychosomatic climax machine
                 with General Chaos Visuals

The sweet sound of robot love. A five-piece doing live, free
improvised ambient space music presented by Anne Sulikowski
on synths, tones, microphones and found sounds with
Matt Bourassa (Free Maracas) on moogs and radios plus a
three-guitar lineup of Jeff Sinbaldi (Phases, Films, Marciloficino),
Evan Cardwell (Free Maracas) and the Devil in the Design.
pcm info @ worthy records - http://www.worthyrecords.com

Space visions, swirls, voids, lights and mood presented by
General Chaos Visuals. http://www.generalchaosvisuals.com

Between Sets CD - "a distant signal" by Alpha Wave Movement
Lush synth-driven space ambience from Miami Florida based
artist Gregory Kyryluk, recording as Alpha Wave Movement.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tues. Sept.16 - Noko Jones & the Ministry of Transport
http://www.cirque-samsara.com
Between Sets CD - "A Storm Of Drones" disc 2 by V/A
http://www.asphodel.com/cat/asp_0966.html
. . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"The New Tribes EP" by Michael Mage

Michael Mage's latest release "The New Tribes EP" is a
beguiling journey through the darker side of musical exploration.
It begins with "Fester", a haunting drone just at the barrier of the
senses. Slowly building, slowly writhing, dreaming.  Track two,
"Revenge", adds a light percussion to the same sort of drones,
gradually swelling into a percussive rage piercing through the
atmosphere.  "Seeing the Unseen" follows, adding woodwinds,
whips, didgeridoo, and some vocal styling to the mix. A truly
moving piece, as beautiful as it is ominous...

And so it goes, with each track building on the last, carrying
the listener through the darkness, bringing them back around
into the light.  Stunning work.

In addition to the disc, "The New Tribes EP" also comes
with a book of  poetry which fully compliments and builds
on the ideas put forth in the music.  Powerful and  emotive,
"A Celebration of Ceremonies Past" is perfect reading while
listening to the disc.

All in all, it truly is a wonderful package. "The New Tribes EP"
is a fabulous study of shadowy textures and drones and
a must for any fans of the darker ambient forms.

rik maclean - - rik@pingthings.com

This month at http://www.pingthings.com - an exclusive
interview with Mercurine plus the ping things *massive*
first anniversary sale... Have a look at what's available.

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

* Other interesting upcoming sonic events:

Saturday September 6 
THE TORONTOPIA IN C ORCHESTRA
plays Terry Riley's "In C" @ Sneaky Dee's,
431 College St., Toronto (9pm, PWYC)
with special guests: The Reveries + John Kameel Farah
http://www.terryriley.com

For our US listees and sound travellers:

September 8 -14, 2003
Different Skies Electronic Space Music Festival
at Arcosanti (65 mi North of Phoenix, Arizona)
http://differentskies.com
(At least check out the web site's info on Arcosanti!)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
Drop off food at *ping things* for the Daily Bread Food Bank too
and we'll ensure that it gets there. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances




From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 13:54:33 2003
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Date: Sat, 6 Sep 2003 10:52:30 -0700
Subject: 12 string Warr guitar for sale
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Psych!

I think why we get angry is because it's from a person who's never 
contributed to a single OT thread.  No one likes a parasite.

Mark Sottilaro

On Friday, September 5, 2003, at 09:17  PM, glenn wrote:

> from what I've seen of cool looping bassists, it doesn't strike me, 
> though
> the unnecessary harshness does, as that big of a deal or even something
> really wrong.
>
> if someone said "hey anyone know anyone selling a mellotron, or a 
> vocoder,
> would this be wrong too?"
>
> or is it more important who's doing the asking...
>
> on 9/5/03 1:36 PM, Jeff Shirkey at jcshirke@midway.uchicago.edu wrote:
>
>>> this bass player with poor English is searching for someone who is
>>> selling a 12 string Warr Guitar ,
>>
>> I suppose what people are wondering is why you joined a looper's
>> mailing list to post a want ad for a bass guitar. You might try
>> someplace like Harmony Central, where people regularly post (and
>> read) classified ads. I don't know how you found this group, but I
>> don't think it'd be going out on a limb to say you're in the wrong
>> place for posting such an ad.
>>
>> Good luck.
>>
>> Jeff
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 14:08:28 2003
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #337 for September 4, 2003
Date: Sat, 6 Sep 2003 14:06:23 -0400
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EMUSIC is an electronic, ambient, and space music show, that airs each =
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in =
Easton,
PA and Phillipsburg, NJ.

                    Show #337                    September 4, 2003

RECAP:
On this show, I started a month-long focus on Redshift, a band in the UK =
formed
by Mark Shreeve.  The Featured CD at Midnight was "Ether" on the =
Champagne Lake
label.

The Vinyl Starter was from the LP "Moondawn" by Klaus Schulze on the =
Brain
label.

I played the music of Under the Dome who will be appearing at the =
Gatherings
Concert Series on September 13.  I also played the music of Michael =
Stearns
who will be at the Gatherings on October 4.

Redshift - =
http://wdiy.org/programs/emusic/playlists/2003/focus03.html#sep
Gatherings Concert Series - http://www.thegatherings.org


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
11:00 pm
Klaus Schulze           Floating *               Moondawn (Brain)
Michael Stearns         In the Beginning...      Planetary Unfolding =
(Sonic
                                                   Atmospheres)
Under the Dome          Return                   Bellerophon (Neu =
Harmony)
Arttek                  Canyon Crawler           Plug In (none)
VA [Xeroid Entity]      Tethys                   Sequences No. 28 =
(Sequences)
VA [Sundagger]          Silent Stones            Different Skies 2003 =
(Atomic
                                                   City)
Ozone Player            Re-Ollism                E (Visual Power)
Syndromeda              The Dream Within         Creatures from the =
Inner (Neu
                                                   Harmony)

12:00 am
Redshift                A Midnight Clear         Ether (Champagne Lake)
Redshift                Bombers in the Desert    Ether (Champagne Lake)
Redshift                Static                   Ether (Champagne Lake)
Redshift                Ether                    Ether (Champagne Lake)

1:00 am

 * =3D exerpt
VA =3D Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Redshift.  The
Featured CD at Midnight will be "Downtime" on the Champagne Lake =
Productions
label.

The Vinyl Starter will be from the LP "Dreamtime Return" by Steve Roach =
on
Fortuna Records.

I will play music by Under the Dome who will be appearing at the =
Gatherings
Concert Series on September 13.

Bill
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
Host of EMUSIC, an electronic, ambient,  and space music show,  =
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in =
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  =
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This =
Group!] at
http://groups.yahoo.com/group/emusic-wdiy
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<META content=3D"MSHTML 6.00.2800.1141" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD><FONT face=3D"Courier New"><FONT size=3D2>
<BODY>
<DIV>EMUSIC is an electronic, ambient, and space music show, that airs =
each=20
Thursday<BR>at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and =
93.9 FM=20
in Easton,<BR>PA and Phillipsburg, NJ.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; Show #337&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; September 4, =
2003</DIV>
<DIV>&nbsp;</DIV>
<DIV>RECAP:<BR>On this show, I started a month-long focus on Redshift, a =
band in=20
the UK formed<BR>by Mark Shreeve.&nbsp; The Featured CD at Midnight was =
"Ether"=20
on the Champagne Lake<BR>label.</DIV>
<DIV>&nbsp;</DIV>
<DIV>The Vinyl Starter was from the LP "Moondawn" by Klaus Schulze on =
the=20
Brain<BR>label.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I played the music of Under the Dome who will be appearing at the=20
Gatherings<BR>Concert Series on September 13.&nbsp; I also played the =
music of=20
Michael Stearns<BR>who will be at the Gatherings on October 4.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Redshift - <A=20
href=3D"http://wdiy.org/programs/emusic/playlists/2003/focus03.html#sep">=
http://wdiy.org/programs/emusic/playlists/2003/focus03.html#sep</A></DIV>=

<DIV>Gatherings Concert Series -&nbsp;<A=20
href=3D"http://www.thegatherings.org">http://www.thegatherings.org</A></D=
IV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>PLAYLIST:</DIV>
<DIV>&nbsp;</DIV>
<DIV>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:00 pm<BR>Klaus=20
Schulze&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Floating=20
*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;=20
Moondawn (Brain)<BR>Michael=20
Stearns&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In the=20
Beginning...&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Planetary Unfolding=20
(Sonic<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;=20
Atmospheres)<BR>Under the=20
Dome&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Return&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Bellerophon (Neu=20
Harmony)<BR>Arttek&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Canyon =
Crawler&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Plug =

In (none)<BR>VA [Xeroid Entity]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Tethys&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Sequences No. 28 (Sequences)<BR>VA=20
[Sundagger]&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Silent =

Stones&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =

Different Skies 2003=20
(Atomic<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
City)<BR>Ozone=20
Player&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =

Re-Ollism&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
E (Visual=20
Power)<BR>Syndromeda&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;=20
The Dream Within&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Creatures from=20
the Inner=20
(Neu<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;=20
Harmony)</DIV>
<DIV>&nbsp;</DIV>
<DIV>12:00=20
am<BR>Redshift&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
A Midnight Clear&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ether=20
(Champagne=20
Lake)<BR>Redshift&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Bombers in the Desert&nbsp;&nbsp;&nbsp; Ether (Champagne=20
Lake)<BR>Redshift&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Static&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Ether (Champagne=20
Lake)<BR>Redshift&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Ether&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Ether (Champagne Lake)</DIV>
<DIV>&nbsp;</DIV>
<DIV>1:00 am</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;* =3D exerpt<BR>VA =3D Various Artists (compilation)</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>NEXT SHOW:<BR>On the next EMUSIC, I'll continue the month-long =
focus on=20
Redshift.&nbsp; The<BR>Featured CD at Midnight will be "Downtime" on the =

Champagne Lake Productions<BR>label.</DIV>
<DIV>&nbsp;</DIV>
<DIV>The Vinyl Starter will be from the LP "Dreamtime Return" by Steve =
Roach=20
on<BR>Fortuna Records.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I will play music by Under the Dome who will be appearing at the=20
Gatherings<BR>Concert Series on September 13.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Bill<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>Host=20
of EMUSIC, an electronic, ambient,&nbsp; and space music show,&nbsp; =
Thursdays=20
at 11<BR>pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and =
93.9 FM in=20
Easton<BR>and Phillipsburg.&nbsp; Listen on-line to WDIY at <A=20
href=3D"http://wdiy.org">http://wdiy.org</A>&nbsp; and click&nbsp;=20
LISTEN<BR>EMUSIC web site - <A=20
href=3D"http://wdiy.org/programs/emusic">http://wdiy.org/programs/emusic<=
/A><BR>To=20
subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This =
Group!]=20
at<BR><A=20
href=3D"http://groups.yahoo.com/group/emusic-wdiy">http://groups.yahoo.co=
m/group/emusic-wdiy</A></DIV></BODY></HTML></FONT></FONT>

------=_NextPart_000_0058_01C37480.0E11F680--


From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 15:33:24 2003
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Subject: Re: digitech gnx3 
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Richard,

Not sure how many other people will post on this, and you will probably get 
a variety of opinions on this topic, so . . . I'll begin unless someone else 
has. (Side note: You may want to also check out commentary on the looper 
portion of the GNX3 over on the Digitech site. They have a discussion board 
for the GNX3).

I owned a GNX3 for a few weeks early this summer (then returned it). I also 
used to own 2 Jam Man rack units, so I can give you some background on how 
the GNX3 looper compares to the old Jam Man unit  . . .

The Jam Man looper in the GNX3 is actually quite a different looper than the 
old Jam Man unit. It is actually set up to work more like an Electrix 
Repeater than the old Jam Man. It allows you to record 8 tracks per loop, 
and it stores/records your loops. It is also supposed to be a stereo looper 
(which it mostly is, unless you loop external sources, then it sometimes 
isn't), which also makes it quite different than the old Jam Man, which was 
mono. And, you are not limited to 32 secs of looping time like on the old 
Jam Man, looping times are flexible based on the size of the SmartMedia card 
on which you use to record your loops. All these features make it more like 
the Repeater than the Jam Man, although the Repeater only has 4 tracks per 
loop (not 8 like on the GNX3).

However, the GNX3 does not allow you to do many of the other things that the 
Repeater does (pitch shift, reverse, switchable effects loop), although the 
sound quality is comparable to that of the Repeater (both of which have 
better sound quality bit-wise than the old Jam Man units did).

Also, the old Jam Man unit allowed you to do quite seamless live "on the 
fly" real-time looping--you just clicked on the record switch, and off you 
went. However, the new GNX3 Jam Man function does not function very 
effectively as a live looper, in my opinion, because you can't actually do 
this on the GNX3. You have to set up a tempo time before recording the loop, 
and then if you don't use quanitize and the count-in function on the GNX3 
looper, your loops will often times show up with a very noticable "skipping 
sound" on the loop (like when a cd skips). If you're timing is absolutely 
precise, and the material you are playing into the loop is in fact exactly 
at the tempo you set ahead of time, you will not always get the skip--but 
there were times I did all that correctly with out count in or quantize set, 
and still got the skip anyway. So, you will have to use that count-in clock 
everytime you loop if you want to avoid the skip. Which, basically, makes it 
kind of suck as a live "on the fly" looper because you can't just "loop and 
go" with reliably seamless results like you could on the old Jam Man, where 
this was never a problem.

This is why I returned it, because I was hoping it would be a bona-fide Jam 
Man looper (like the old ones) but with some new features. The lack of true 
live "on the fly looping" was a problem for me, since I do ambient music 
half the time, and there is no set tempo in my music, so the 
quantize/count-in thing reaked havoc on my loops--lots of that skipping 
sound.

So, the long and the short of it is--the Jam Man in the GNX3 is not a 
bona-fide Jam Man like the original unit.

Don't know about if it's quieter or not.

There are a few other people here that have used it too, so maybe than can 
fill in some more details on it in re: your specific questions.

Greg--any comments?

Hope this info helps you.

David Durian

>>Does anyone here use the Digitech gnx3? It's supposed to have a JamMan II
>>built in to it. Does anyone know if this an honest-to-goodness Lexicon
>>JamMan? Is it as quiet as the rack JamMan?

>>Richard

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From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 16:15:18 2003
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From: "Relay" <relaydelayband@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: The Meaning of OT?
Date: Sat, 6 Sep 2003 13:12:56 -0700
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Mark,
What does OT stand for in this context?  On or off?  And for that matter,
does T mean thread or topic?
Just curious . . .
Gary
PS  How could this not be OT?
G
Roe be OT!
G
-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net]
Sent: Saturday, September 06, 2003 10:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: 12 string Warr guitar for sale


Psych!

I think why we get angry is because it's from a person who's never
contributed to a single OT thread.  No one likes a parasite.

Mark Sottilaro

On Friday, September 5, 2003, at 09:17  PM, glenn wrote:

> from what I've seen of cool looping bassists, it doesn't strike me,
> though
> the unnecessary harshness does, as that big of a deal or even something
> really wrong.
>
> if someone said "hey anyone know anyone selling a mellotron, or a
> vocoder,
> would this be wrong too?"
>
> or is it more important who's doing the asking...
>
> on 9/5/03 1:36 PM, Jeff Shirkey at jcshirke@midway.uchicago.edu wrote:
>
>>> this bass player with poor English is searching for someone who is
>>> selling a 12 string Warr Guitar ,
>>
>> I suppose what people are wondering is why you joined a looper's
>> mailing list to post a want ad for a bass guitar. You might try
>> someplace like Harmony Central, where people regularly post (and
>> read) classified ads. I don't know how you found this group, but I
>> don't think it'd be going out on a limb to say you're in the wrong
>> place for posting such an ad.
>>
>> Good luck.
>>
>> Jeff




From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 16:23:36 2003
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Relay wrote:

>Roe be OT!
>

Uni?

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db



From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 16:26:58 2003
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David Beardsley wrote:

> Relay wrote:
>
>> Roe be OT!
>>
>
> Uni?
>
No. Ikura.**
**

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db



From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 18:19:54 2003
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Subject: another MP3 from soon to be released album...
Date: Sat, 6 Sep 2003 23:17:17 +0100
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hi all,

just posted another MP3 from my forthcoming duo album with Theo Travis, 'For
The Love Of Open Spaces'. The track's called 'In A Place Like This', and
features live looping a-plenty, with looped bass (multiple EDPs) and looped
sax (DL4)

advanced ordering will be up soon, and an exclusive extra disc will be
available to anyone ordering the CD prior to the release date...

hope you enjoy it!

Steve
www.stevelawson.net (gig details, news, MP3s, paypal CD orders etc.)
www.pillowmountainrecords.co.uk (buy CDs)
www.pmrecords.gemm.com (buy the same CDs)
www.solobassnetwork.org.uk (other people making solo bass noises)


From Loopers-Delight-request@loopers-delight.com  Sat Sep  6 18:32:18 2003
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Subject: Re: another MP3 from soon to be released album...
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Eh Steve!

Steve Lawson wrote:

> just posted another MP3 from my forthcoming duo album with Theo Travis, 'For
> The Love Of Open Spaces'. The track's called 'In A Place Like This'

For the first minute or two, I actually thought it might be called
"Baker Street"...  ;)

...but it's another very nice track, Mr. Lawson.  Looking forward to the
album for sure...

--Andre

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--0-585189481-1062952714=:59495
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it'll make your life a lot easier: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2556845334
 
thanks for tolerating the spam.
 
-jim

--0-585189481-1062952714=:59495
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<DIV>it'll make your life a lot easier: <A href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=2556845334">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=2556845334</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks for tolerating the spam.</DIV>
<DIV>&nbsp;</DIV>
<DIV>-jim</DIV>
--0-585189481-1062952714=:59495--

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Hi,
I am a new poster who thinks that this 16-second delay auction should be brought
to the list's attention.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2556385843&category=41415

Hope I'm right.
Best wishes,
Todd



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Subject: Todd Sickafoose/Radio correction (Re: EH 16 Sec Pedal)
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Dude!

eary@earycanal.com wrote:
 
> Hi,
> I am a new poster who thinks that this 16-second delay auction should be brought
> to the list's attention.

And I'm an old poster who thinks that this list is lucky to have Todd as
a member - are you looping now, man?  Good to see you!

Check the man's site, people:

http://www.toddsickafoose.com

(On a totally different note: the online radio appearance I mentioned a
couple of days ago has been postponsed for later on - I'll spam the list
when I know exactly when.)

Mmm hmm,

--Andre LaFosse
The Echoplex Analysis Pages:
http://www.altruistmusic.com/EDP

From Loopers-Delight-request@loopers-delight.com  Mon Sep  8 13:09:46 2003
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From: S V G <vsyevolod@yahoo.com>
Subject: Light into Sound.  (Was: learning to play perfectly to a click track)
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     Douglas Baldwin opined:
 And Edgar Winter, in
> > "Frankenstein," drops an oscillator down and down, then throws an envelope
> > follower on it for that pee-ow-pee-ow-pee-ow
> bullet-through-a-tennis-racket
> > sound, which gets slower and slower until the drums pick up on it, and it
> > leads into the drum solo...

     I think you're confusing things a bit here.  While I appreciate the thread of your post, the
thing that you are referring to in "Frankenstein" is nothing more than a sawtooth LFO modulating a
filter.  It is the filter that is dropping in pitch, not the LFO or other oscillator.

 
> Brand new insert here, inspired by Rick's observation that he hears a
> similar effect when he slows his Repeater way down (120 b.p.s. to 1 b.p.s.,
> ferinstance): Digital sound slowed down creates a similar effect, but for a
> different reason. In the digital world, the pitch remains the same, but it
> st-tu-ut-stutters as bits of silence get inserted between bits of sound. The
> bits of sound effectively become like pulse waves, but it's not the same as
> slowing down an analog signal.

     While the digital time stretching thing may seem similar on the surface, again it is a
different beast.  On the Repeater, the artifacts generated by the stretching of the wav file are
what's producing the interesting sounds, it's not an actual representation of a stretched wav. 
Were the resolution high enough, we would get to hear what very long and stretched out sound
really sounds like.  As it is, all we hear are some very interesting artifacts.  Very different
than the transformation of pitch into rhythm.  Don't get me wrong, I love these particular
artifacts.  Some of the best artifacts to come out of digital equipment in decades.  While analog
consistently produces usable artifacts, digital tends to produce mostly artifacts that fry
people's sensibilities.  The Repeater is a happy exception.

     And in response to Duncan's observation of flickering light coming out of his JBL Eon's... 
I'm not sure if the Eon's do this or not, though I am familiar with some non-powered PA speakers
emitting a blue flashing light when peak levels are exceeded.  This is a strobe built into the
system to alert the sound dude that testosterone levels have been met and surpassed.  Might be
what he was observing.

     Stephen







__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  8 15:01:18 2003
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Subject: Re: Todd Sickafoose/Radio correction (Re: EH 16 Sec Pedal)
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Dude-
hey i saw t.sickafoose w/ <crater> @ tongue&groove here in sf.(great show)
earlier this year w/ nels cline-THE 16SECDDL king-wonder if there is a
connection w/ the auction?

-- 
stanitarium
<16SECDDL>abuser



> Dude!
> 
> eary@earycanal.com wrote:
> 
>> Hi,
>> I am a new poster who thinks that this 16-second delay auction should be
>> brought
>> to the list's attention.
> 
> And I'm an old poster who thinks that this list is lucky to have Todd as
> a member - are you looping now, man?  Good to see you!
> 
> Check the man's site, people:
> 
> http://www.toddsickafoose.com
> 
> (On a totally different note: the online radio appearance I mentioned a
> couple of days ago has been postponsed for later on - I'll spam the list
> when I know exactly when.)
> 
> Mmm hmm,
> 
> --Andre LaFosse
> The Echoplex Analysis Pages:
> http://www.altruistmusic.com/EDP
> 

From Loopers-Delight-request@loopers-delight.com  Mon Sep  8 16:24:00 2003
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From: "Tim Cooper" <tcooper@digitalmetropolis.com>
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Subject: RE: digitech gnx3 
Date: Mon, 8 Sep 2003 14:38:22 -0600
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Richard
I've had one of these for a couple of months.
I responded to a couple of general questions earlier this summer.
Note:
I am not familiar with the original JamMan to compare it.  I'm also
relatively new to looping.
That said, the GNX3 has been a pretty great tool for me.

David said:
>>However, the new GNX3 Jam Man function does not function very
>>effectively as a live looper, in my opinion, because you can't actually do
>>this on the GNX3. You have to set up a tempo time before recording the
loop,
>>and then if you don't use quantize and the count-in function on the GNX3
>>looper, your loops will often times show up with a very noticeable
"skipping
>>sound" on the loop (like when a cd skips). If you're timing is absolutely
>>precise, and the material you are playing into the loop is in fact exactly
>>at the tempo you set ahead of time, you will not always get the skip--but
>>there were times I did all that correctly with out count in or quantize
set,
>>I'd still got the skip anyway. So, you will have to use that count-in
clock
>>everytime you loop if you want to avoid the skip. Which, basically, makes
it
>>kind of suck as a live "on the fly" looper because you can't just "loop
and
>>go" with reliably seamless results like you could on the old Jam Man,
where
>>this was never a problem.

I have seen this problem. But I've also found some solutions.  I never use
the quantize function when using this for looping. Mostly because I'm not
willing to hear (or let the audience hear) a click/drum track or even a
count in.
My typical setup is no count it, song repeat on, and quantize off. In my
experience the "skip sound" seems to happen much more often when there is
still a tone sounding when the end of the loop is marked.  I typically try
to record a bass or percussion loop first, generally because I can set it up
to be quiet or silent by the time I kick in the loop.  When and if you get
your fist loop set and there not a pop, you definately won't hear a pop on
any of the subsequent tracks.  Its a little bit risky I'll admit (in that
you might get caught on stage with a loop that has a pop in it) but I'd say
generally its a good looping tool at least for me.  I probably have about
85-90% success rate not getting the pop sound using it as a looper.

Side notes:
The effects that are packaged with this device are still great, which should
make it useful to me even after I get a 'real" looper like the EDP in the
near future.  The fact that you can plug your mic directly, decide if it
will be assigned the effects of your preset, and loop it is a very cool
thing.
If your willing to bend over mid-performance you can turn on and off tracks
that you've laid down.
The additional foot pedal ($50) to control the recording stuff is pretty
handy.

For an example of what I've done with this little toy, check out:
http://www.timcoopermusic.net/mp3s/untitled.mp3 (2MB)

-- tim cooper




-----Original Message-----
From: David Durian [mailto:daviddurian@msn.com]
Sent: Saturday, September 06, 2003 1:31 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: digitech gnx3


Richard,

Not sure how many other people will post on this, and you will probably get
a variety of opinions on this topic, so . . . I'll begin unless someone else
has. (Side note: You may want to also check out commentary on the looper
portion of the GNX3 over on the Digitech site. They have a discussion board
for the GNX3).

I owned a GNX3 for a few weeks early this summer (then returned it). I also
used to own 2 Jam Man rack units, so I can give you some background on how
the GNX3 looper compares to the old Jam Man unit  . . .

The Jam Man looper in the GNX3 is actually quite a different looper than the
old Jam Man unit. It is actually set up to work more like an Electrix
Repeater than the old Jam Man. It allows you to record 8 tracks per loop,
and it stores/records your loops. It is also supposed to be a stereo looper
(which it mostly is, unless you loop external sources, then it sometimes
isn't), which also makes it quite different than the old Jam Man, which was
mono. And, you are not limited to 32 secs of looping time like on the old
Jam Man, looping times are flexible based on the size of the SmartMedia card
on which you use to record your loops. All these features make it more like
the Repeater than the Jam Man, although the Repeater only has 4 tracks per
loop (not 8 like on the GNX3).

However, the GNX3 does not allow you to do many of the other things that the
Repeater does (pitch shift, reverse, switchable effects loop), although the
sound quality is comparable to that of the Repeater (both of which have
better sound quality bit-wise than the old Jam Man units did).

Also, the old Jam Man unit allowed you to do quite seamless live "on the
fly" real-time looping--you just clicked on the record switch, and off you
went. However, the new GNX3 Jam Man function does not function very
effectively as a live looper, in my opinion, because you can't actually do
this on the GNX3. You have to set up a tempo time before recording the loop,
and then if you don't use quanitize and the count-in function on the GNX3
looper, your loops will often times show up with a very noticable "skipping
sound" on the loop (like when a cd skips). If you're timing is absolutely
precise, and the material you are playing into the loop is in fact exactly
at the tempo you set ahead of time, you will not always get the skip--but
there were times I did all that correctly with out count in or quantize set,
and still got the skip anyway. So, you will have to use that count-in clock
everytime you loop if you want to avoid the skip. Which, basically, makes it
kind of suck as a live "on the fly" looper because you can't just "loop and
go" with reliably seamless results like you could on the old Jam Man, where
this was never a problem.

This is why I returned it, because I was hoping it would be a bona-fide Jam
Man looper (like the old ones) but with some new features. The lack of true
live "on the fly looping" was a problem for me, since I do ambient music
half the time, and there is no set tempo in my music, so the
quantize/count-in thing reaked havoc on my loops--lots of that skipping
sound.

So, the long and the short of it is--the Jam Man in the GNX3 is not a
bona-fide Jam Man like the original unit.

Don't know about if it's quieter or not.

There are a few other people here that have used it too, so maybe than can
fill in some more details on it in re: your specific questions.

Greg--any comments?

Hope this info helps you.

David Durian

>>Does anyone here use the Digitech gnx3? It's supposed to have a JamMan II
>>built in to it. Does anyone know if this an honest-to-goodness Lexicon
>>JamMan? Is it as quiet as the rack JamMan?

>>Richard

_________________________________________________________________
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Just noticed the Airsynth is selling for $80 at Zzounds right now for 
those of you interested in such a thinkg (I'm considering it but am not 
sold yet).  

Just what you need right, more stuff.

And don't forget to go to Zzounds from the portal on the LD site.  

Speaking of LD advertisments, what's up with the semi porn of that 
players club banner anyway.  

Kevin

How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep  8 19:20:57 2003
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Subject: Re: another MP3 from soon to be released album...
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> > just posted another MP3 from my forthcoming duo album with Theo Travis,
'For
> > The Love Of Open Spaces'. The track's called 'In A Place Like This'
>
> For the first minute or two, I actually thought it might be called
> "Baker Street"...  ;)

LOL - there was a fantastic urban myth going round the UK in the 90s that
the sax solo on Baker Street was played by a kitch TV game show host called
Bob Holness - so maybe I ought to bill him as the (un)invited guest on this
track.. :o)

> ...but it's another very nice track, Mr. Lawson.  Looking forward to the
> album for sure...

Thanks - the feelings certainly mutual! We should have a joint release
party - your continent or mine? :o)

Steve
www.stevelawson.net


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David -

Thanks for your assessment; you've quite likely saved me some money(!). I
play  wind synth & many different flutes in a solo ambient setting, and from
what you've told me, I'd probably do best with a second JamMan. I might try
a Repeater sometime, though, pitch-shifting would be a handy FX to have.

Richard / ø‡
-- 


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 00:06:05 2003
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T, Neil Leonard, Stephen MacLean, The Lothars 9.13.03
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing two sets of video improvisation at the Bates Arts 
Center on Saturday Night, one set with Neil Leonard and Stephen 
MacLean, and one set with the fine electro-acoustic band the Lothars. 
The show is at 8PM, and we are asking a mere $7 admission.

The show is part of the Cyberart: Here and Now show at the Bates from 
Sept 1 - 30.

  2 galleries of print, sculpture, animation and video art

By Dave Gordon, Doctor T. and Walter Wright

There is a free reception at 6PM at the Bates, so you can see the 
art, and have some win and cheese, then catch what looks to be a very 
interesting show. (South End open studios is this weekend, so you can 
visit other arts spaces before the reception).

The Bates is at
731 Harrison Ave,
Boston MA 02118
www.homeinc.org/Bates.htm for directions

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Subject: Kaoss Pad
Date: Mon, 8 Sep 2003 22:00:38 -0700
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Eee hee hee heee,
The Kaoss Pad is totally dope!  I finally plugged the Ztar doubleneck
straight into it, and assigned the joystick to the axes (axi?) of the pad
and played some one handed guitar for a while.  Kinda like when my right arm
was operated on, but wackier . . .
Not a looper but darned effective in getting you off the path you had in
mind--

Gary


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 01:54:00 2003
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Subject: Subscape Annex (Tuesday) 9 September 2003, Raleigh NC
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I'll be playing Chapman Stick and probably theremin with the  
ambient/industrial looping soundscapes trio (the other two members both 
play synth keyboards) I'm a member of, at an art gallery in eastern NC 
(Raleigh) this Tuesday 9-11pm. 

obLoop: My looping gear is going to be any 2 of an Akai Headrush (if the 
power jack doesn't conk out again), RC-20 LoopStation, Electrix Repeater, 
and/or Z-Vex Lo-Fi Loop Junky, plus assorted other delay/echo/reverb 
effects (Moog Music analog delay, Way Huge Blue Hippo analog chorus, 
Tel-Ray/Morley EVO-1 oilcan echo pedal, etc.).It's an early show, and 
free. Details and URLs in the email below.

best,
Steve Burnett
Subscape Annex 
http://www.subscapeannex.com/
-------------

Subscape Annex returns to Bickett Gallery in Raleigh NC on Tuesday 
September 9 at as part of the 23 Hours event. We will be playing an early 
evening show which will start at 9pm and we will be stopping at or just 
before 11pm. Cost is free, with donations (going towards the Contemporary 
Art Museum) requested. 

Subscape Annex is an ambient improvisational soundscape trio consisting of 
Steve Burnett (Chapman Stick, theremin), Rob Lewis (synthesizers) and 
Anthony Staton (synthesizers, vocalizations). 

23 Hours is an assemblage of roughly forty local bands and performers and 
approximately thirty-six visual artists from August 8 to September 14. 

Bickett Gallery is near the Five Points intersection of Raleigh, a few 
blocks from the Rialto Theatre on Glenwood Avenue. 

http://www.bickettgallery.com/

directions and map:
http://www.bickettgallery.com/08contact.html



From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 04:23:45 2003
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Subject: Re: Cranky Kim
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  You mean Cara and Mark!   lol!  -Are nudity and body paint and bunches o'
money involved?!      
  -Sorry, came in on this really really really late as I was off having a
life, oops, I mean away fromm reading e-mail for a bit, taking a lil' trip
to the east coast seeing fam and such and generally being at sea level for
a bit.  
  -Talk with y'all soon when I catch up...   

Smiles,

Cara

At 08:47 PM 8/27/03 -0700, you wrote:
>At 03:53 PM 8/27/2003, William R. Walker, wrote:
>>I don't know about you but I've found a name for my new post-grunge neo-
>>apocalyptic fusion metal band.
>>
>>
>>KRANKY KIM
>
>I'll only allow it if I can be the singer. (I assume it won't require any 
>singing ability.)  I want Mark and Cara to be the cage dancers/wrestlers.
>
>kim
>
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 04:35:22 2003
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Date: Tue, 09 Sep 2003 02:39:18 -0600
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From: Goddess <thefates@earthlink.net>
Subject: Re: learning to play perfectly to a click track
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  Actually, dearest Mark of my desires, -not sure if your link is current
or not, in it's sources and such, but according to a phisics text used in
graduate physics classes for CU Boulder in late nineties, light is an
electro-magnetic process as well.   
  I beleve its frequency is approx 10^20000 hz or so.  My numbers may be
off, but this is or seems to be, the current thinking.  

Love ya,  kiss kiss  lol!

Cara

At 11:44 AM 9/4/03 -0700, you wrote:
>Sound never becomes light.  Sound is kinetic energy and light is 
>electromagnetic energy.
>
>http://csep10.phys.utk.edu/astr162/lect/light/spectrum.html
>
>I've done the pulse to pitch experiment and it's interesting, but I 
>don't really think it has a lot to do with being able to keep tempo.  
>As far as that is concerned, you've just got to practice practice 
>practice... and being able to hear everyone in the group.
>
>Mark Sottilaro
>
>On Thursday, September 4, 2003, at 06:07  AM, Douglas Baldwin wrote:
>
>>>  Rhythm becomes pitch, which we sense with our ears. Beyond
>> sound, waves become the various spectra of light, one octave of which 
>> we see as
>>> visible light.
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 04:49:03 2003
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From: Goddess <thefates@earthlink.net>
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  Actually, dearest Markness o' my desires again, it seems I misread your
post.   `		<smile>   -That's what I get for writing late...   lol!  -but
Hey!, you're filtering me anyway, so why should I care?!   lollollol!      

Still love ya anyway!, -kiss kiss   lol!   

C

At 02:39 AM 9/9/03 -0600, you wrote:
>  Actually, dearest Mark of my desires, -not sure if your link is current
>or not, in it's sources and such, but according to a phisics text used in
>graduate physics classes for CU Boulder in late nineties, light is an
>electro-magnetic process as well.   
>  I beleve its frequency is approx 10^20000 hz or so.  My numbers may be
>off, but this is or seems to be, the current thinking.  
>
>Love ya,  kiss kiss  lol!
>
>Cara
>
>At 11:44 AM 9/4/03 -0700, you wrote:
>>Sound never becomes light.  Sound is kinetic energy and light is 
>>electromagnetic energy.
>>
>>http://csep10.phys.utk.edu/astr162/lect/light/spectrum.html
>>
>>I've done the pulse to pitch experiment and it's interesting, but I 
>>don't really think it has a lot to do with being able to keep tempo.  
>>As far as that is concerned, you've just got to practice practice 
>>practice... and being able to hear everyone in the group.
>>
>>Mark Sottilaro
>>
>>On Thursday, September 4, 2003, at 06:07  AM, Douglas Baldwin wrote:
>>
>>>>  Rhythm becomes pitch, which we sense with our ears. Beyond
>>> sound, waves become the various spectra of light, one octave of which 
>>> we see as
>>>> visible light.
>>
>>
>
>
>---
>
>  "The only things I really think are important, are love, and eachother.
>-Then, anything is possible..."  
>
>http://home.earthlink.net/~thefates
>
>Please visit BadFiction and The Guitar Cafe.  
>
>http://groups.yahoo.com/group/badfiction 
>
>http://groups.yahoo.com/group/the-guitar-cafe 
>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 05:09:00 2003
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Date: Tue, 09 Sep 2003 03:11:38 -0600
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From: Goddess <thefates@earthlink.net>
Subject: RE: looking for a Warr
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  <smile>   Ah, come on!, sure it is!   lol!   I have a 5-string
Steinberger Spirit bass that I'm selling really cheap!   -great condition,
plays and sounds awesome!   lol!   -anybody interested?   <smile>   come
on, ya know ya want it!   *smiles seductively*   lol!   
  Oh, and it has a BUILT-IN DL-4 REALLY!   -well, no, not really, that's
actually a total lie.   lol!   but hey!, it's still way cool, and this note
even had loop content lol!   

SMiles,

Cara, who will be going to sleep soon, to the delight of most LD'ers...  

At 05:22 PM 9/5/03 -0400, you wrote:
>I don't understand what the sale of a bass has to do with looping. I
>don't believe it is an appropriate topic here.
>
>Respect
> 
>Will Brake
>Soul Fruit Electronics
> 
>
>-----Original Message-----
>From: Greg House [mailto:ghunicycle@yahoo.com] 
>Sent: Friday, September 05, 2003 5:17 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: looking for a Warr
>
>--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
>> >this bass player with poor English is searching for someone who is 
>> >selling a 12 string Warr Guitar ,
>> 
>> I suppose what people are wondering is why you joined a looper's 
>> mailing list to post a want ad for a bass guitar. 
>
>Actually, this isn't such an odd spot to look for an unusual instrument,
>since
>many of the people on this list play them. In fact, I don't know of
>another list
>with a greater concentration of Warr/Stick players. (Sure, there's
>Stickwire, but
>I never see anything on there from the non-Chapman contingency).
>
>Greg
>
>__________________________________
>Do you Yahoo!?
>Yahoo! SiteBuilder - Free, easy-to-use web site design software
>http://sitebuilder.yahoo.com
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


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Date: Tue, 9 Sep 2003 02:19:28 -0700
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I find that some people are very rude here

  ----- Original Message -----=20
  From: Goddess=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, September 09, 2003 2:11 AM
  Subject: RE: looking for a Warr


    <smile>   Ah, come on!, sure it is!   lol!   I have a 5-string
  Steinberger Spirit bass that I'm selling really cheap!   -great =
condition,
  plays and sounds awesome!   lol!   -anybody interested?   <smile>   =
come
  on, ya know ya want it!   *smiles seductively*   lol!  =20
    Oh, and it has a BUILT-IN DL-4 REALLY!   -well, no, not really, =
that's
  actually a total lie.   lol!   but hey!, it's still way cool, and this =
note
  even had loop content lol!  =20

  SMiles,

  Cara, who will be going to sleep soon, to the delight of most =
LD'ers... =20

  At 05:22 PM 9/5/03 -0400, you wrote:
  >I don't understand what the sale of a bass has to do with looping. I
  >don't believe it is an appropriate topic here.
  >
  >Respect
  >=20
  >Will Brake
  >Soul Fruit Electronics
  >=20
  >
  >-----Original Message-----
  >From: Greg House [mailto:ghunicycle@yahoo.com]=20
  >Sent: Friday, September 05, 2003 5:17 PM
  >To: Loopers-Delight@loopers-delight.com
  >Subject: Re: looking for a Warr
  >
  >--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
  >> >this bass player with poor English is searching for someone who is =

  >> >selling a 12 string Warr Guitar ,
  >>=20
  >> I suppose what people are wondering is why you joined a looper's=20
  >> mailing list to post a want ad for a bass guitar.=20
  >
  >Actually, this isn't such an odd spot to look for an unusual =
instrument,
  >since
  >many of the people on this list play them. In fact, I don't know of
  >another list
  >with a greater concentration of Warr/Stick players. (Sure, there's
  >Stickwire, but
  >I never see anything on there from the non-Chapman contingency).
  >
  >Greg
  >
  >__________________________________
  >Do you Yahoo!?
  >Yahoo! SiteBuilder - Free, easy-to-use web site design software
  >http://sitebuilder.yahoo.com
  >
  >


  ---

    "The only things I really think are important, are love, and =
eachother.
  -Then, anything is possible..." =20

  http://home.earthlink.net/~thefates

  Please visit BadFiction and The Guitar Cafe. =20

  http://groups.yahoo.com/group/badfiction=20

  http://groups.yahoo.com/group/the-guitar-cafe=20



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<STYLE></STYLE>

<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR></HEAD>
<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-STYLE: =
normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: =
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leftMargin=3D0 topMargin=3D0 acc_role=3D"text" CanvasTabStop=3D"true"=20
name=3D"Compose message area"><?xml:namespace prefix=3D"v" =
/><?xml:namespace prefix=3D"o" />
<DIV>
<DIV>I find that some people are very rude here</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
  href=3D"mailto:thefates@earthlink.net">Goddess</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, September 09, =
2003 2:11=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: looking for a =
Warr</DIV>
  <DIV><BR></DIV>&nbsp; &lt;smile&gt;&nbsp;&nbsp; Ah, come on!, sure it=20
  is!&nbsp;&nbsp; lol!&nbsp;&nbsp; I have a 5-string<BR>Steinberger =
Spirit bass=20
  that I'm selling really cheap!&nbsp;&nbsp; -great condition,<BR>plays =
and=20
  sounds awesome!&nbsp;&nbsp; lol!&nbsp;&nbsp; -anybody =
interested?&nbsp;&nbsp;=20
  &lt;smile&gt;&nbsp;&nbsp; come<BR>on, ya know ya want it!&nbsp;&nbsp; =
*smiles=20
  seductively*&nbsp;&nbsp; lol!&nbsp;&nbsp; <BR>&nbsp; Oh, and it has a =
BUILT-IN=20
  DL-4 REALLY!&nbsp;&nbsp; -well, no, not really, that's<BR>actually a =
total=20
  lie.&nbsp;&nbsp; lol!&nbsp;&nbsp; but hey!, it's still way cool, and =
this=20
  note<BR>even had loop content lol!&nbsp;&nbsp; =
<BR><BR>SMiles,<BR><BR>Cara,=20
  who will be going to sleep soon, to the delight of most =
LD'ers...&nbsp;=20
  <BR><BR>At 05:22 PM 9/5/03 -0400, you wrote:<BR>&gt;I don't understand =
what=20
  the sale of a bass has to do with looping. I<BR>&gt;don't believe it =
is an=20
  appropriate topic here.<BR>&gt;<BR>&gt;Respect<BR>&gt; <BR>&gt;Will=20
  Brake<BR>&gt;Soul Fruit Electronics<BR>&gt; =
<BR>&gt;<BR>&gt;-----Original=20
  Message-----<BR>&gt;From: Greg House [mailto:ghunicycle@yahoo.com]=20
  <BR>&gt;Sent: Friday, September 05, 2003 5:17 PM<BR>&gt;To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;Subject:=20
  Re: looking for a Warr<BR>&gt;<BR>&gt;--- Jeff Shirkey &lt;<A=20
  =
href=3D"mailto:jcshirke@midway.uchicago.edu">jcshirke@midway.uchicago.edu=
</A>&gt;=20
  wrote:<BR>&gt;&gt; &gt;this bass player with poor English is searching =
for=20
  someone who is <BR>&gt;&gt; &gt;selling a 12 string Warr Guitar =
,<BR>&gt;&gt;=20
  <BR>&gt;&gt; I suppose what people are wondering is why you joined a =
looper's=20
  <BR>&gt;&gt; mailing list to post a want ad for a bass guitar.=20
  <BR>&gt;<BR>&gt;Actually, this isn't such an odd spot to look for an =
unusual=20
  instrument,<BR>&gt;since<BR>&gt;many of the people on this list play =
them. In=20
  fact, I don't know of<BR>&gt;another list<BR>&gt;with a greater =
concentration=20
  of Warr/Stick players. (Sure, there's<BR>&gt;Stickwire, but<BR>&gt;I =
never see=20
  anything on there from the non-Chapman=20
  =
contingency).<BR>&gt;<BR>&gt;Greg<BR>&gt;<BR>&gt;________________________=
__________<BR>&gt;Do=20
  you Yahoo!?<BR>&gt;Yahoo! SiteBuilder - Free, easy-to-use web site =
design=20
  =
software<BR>&gt;http://sitebuilder.yahoo.com<BR>&gt;<BR>&gt;<BR><BR><BR>-=
--<BR><BR>&nbsp;=20
  "The only things I really think are important, are love, and=20
  eachother.<BR>-Then, anything is possible..."&nbsp; <BR><BR><A=20
  =
href=3D"http://home.earthlink.net/~thefates">http://home.earthlink.net/~t=
hefates</A><BR><BR>Please=20
  visit BadFiction and The Guitar Cafe.&nbsp; <BR><BR><A=20
  =
href=3D"http://groups.yahoo.com/group/badfiction">http://groups.yahoo.com=
/group/badfiction</A>=20
  <BR><BR><A=20
  =
href=3D"http://groups.yahoo.com/group/the-guitar-cafe">http://groups.yaho=
o.com/group/the-guitar-cafe</A>=20
  <BR><BR><BR></BLOCKQUOTE></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 05:34:56 2003
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Date: Tue, 09 Sep 2003 03:41:15 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: Re: looking for a Warr
In-Reply-To: <BAY3-DAV141dDPBYYXc00012aff@hotmail.com>
References: <20030905211637.24335.qmail@web21305.mail.yahoo.com>
 <3.0.5.32.20030909031138.00966250@pop.earthlink.net>
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  Amy, you're very right.   -but I hope you're not referring to my reply,
it wasn't directed at you.  It was a humorous retort to the whole idea that
bass or Stick inquiries weren't welcome here, as we've got quite a few
bassists and Stick players here who loop.  
  There are most definitely alot of egos here, including of course, my own.
  lol!  -but I find the outright rudeness of some here to be quite
distasteful.  <smile>   -believe me, you haven't seen the worst of it!
lol!     -just my thoughts.   Have a wonderful evening!...  

Smiles,

Cara

At 02:19 AM 9/9/03 -0700, you wrote:
>    I find that some people are very rude here      ----- Original Message
>-----    From: Goddess    To: Loopers-Delight@loopers-delight.com      
>Sent: Tuesday, September 09, 2003 2:11    AM   Subject: RE: looking for a
>Warr   
> <>       I have a 5-string
>   -great condition,
>      <>   come
>       
>    -well, no, not really, that's
>     but hey!, it's still way cool, and this    note
>   
>
>SMiles,
>
>     
>
>At 05:22 PM 9/5/03 -0400, you wrote:
>>I don't understand what    the sale of a bass has to do with looping. I
>>don't believe it is an    appropriate topic here.
>>
>>Respect
>> 
>>Will    Brake
>>Soul Fruit Electronics
>> 
>>
>>-----Original    Message-----
>>From: Greg House [mailto:ghunicycle@yahoo.com]    
>>Sent: Friday, September 05, 2003 5:17 PM
>>To: Loopers-Delight@loopers-delight.com
>>Subject:    Re: looking for a Warr
>>
>><jcshirke@midway.uchicago.edu>    wrote:
>>>>this bass player with poor English is searching for    someone who is 
>>>>selling a 12 string Warr Guitar ,
>>>    
>>> I suppose what people are wondering is why you joined a looper's    
>>> mailing list to post a want ad for a bass guitar.    
>>
>>Actually, this isn't such an odd spot to look for an unusual    instrument,
>>since
>>many of the people on this list play them. In    fact, I don't know of
>>another list
>>with a greater concentration    of Warr/Stick players. (Sure, there's
>>Stickwire, but
>>I never see    anything on there from the non-Chapman    contingency).
>>
>>Greg
>>
>>__________________________________
>>Do    you Yahoo!?
>>Yahoo! SiteBuilder - Free, easy-to-use web site design    software
>>http://sitebuilder.yahoo.com
>>
>>
>
>
>---
>
>     "The only things I really think are important, are love, and
eachother.
>  
>
>http://home.earthlink.net/~thefates
>
>  
>
>http://groups.yahoo.com/group/badfiction    
>
>http://groups.yahoo.com/group/the-guitar-cafe    
>
>
>
> 


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 05:38:28 2003
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To: <Loopers-Delight@loopers-delight.com>
References: <20030905211637.24335.qmail@web21305.mail.yahoo.com> <3.0.5.32.20030909031138.00966250@pop.earthlink.net> <3.0.5.32.20030909034115.01a07c70@pop.earthlink.net>
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no it wasn't for you it was just an observation overall  thanks for  =
being so nice
  ----- Original Message -----=20
  From: Goddess=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, September 09, 2003 2:41 AM
  Subject: Re: looking for a Warr


    Amy, you're very right.   -but I hope you're not referring to my =
reply,
  it wasn't directed at you.  It was a humorous retort to the whole idea =
that
  bass or Stick inquiries weren't welcome here, as we've got quite a few
  bassists and Stick players here who loop. =20
    There are most definitely alot of egos here, including of course, my =
own.
    lol!  -but I find the outright rudeness of some here to be quite
  distasteful.  <smile>   -believe me, you haven't seen the worst of it!
  lol!     -just my thoughts.   Have a wonderful evening!... =20

  Smiles,

  Cara

  At 02:19 AM 9/9/03 -0700, you wrote:
  >    I find that some people are very rude here      ----- Original =
Message
  >-----    From: Goddess    To: Loopers-Delight@loopers-delight.com     =
=20
  >Sent: Tuesday, September 09, 2003 2:11    AM   Subject: RE: looking =
for a
  >Warr  =20
  > <>       I have a 5-string
  >   -great condition,
  >      <>   come
  >      =20
  >    -well, no, not really, that's
  >     but hey!, it's still way cool, and this    note
  >  =20
  >
  >SMiles,
  >
  >    =20
  >
  >At 05:22 PM 9/5/03 -0400, you wrote:
  >>I don't understand what    the sale of a bass has to do with =
looping. I
  >>don't believe it is an    appropriate topic here.
  >>
  >>Respect
  >>=20
  >>Will    Brake
  >>Soul Fruit Electronics
  >>=20
  >>
  >>-----Original    Message-----
  >>From: Greg House [mailto:ghunicycle@yahoo.com]   =20
  >>Sent: Friday, September 05, 2003 5:17 PM
  >>To: Loopers-Delight@loopers-delight.com
  >>Subject:    Re: looking for a Warr
  >>
  >><jcshirke@midway.uchicago.edu>    wrote:
  >>>>this bass player with poor English is searching for    someone who =
is=20
  >>>>selling a 12 string Warr Guitar ,
  >>>   =20
  >>> I suppose what people are wondering is why you joined a looper's   =
=20
  >>> mailing list to post a want ad for a bass guitar.   =20
  >>
  >>Actually, this isn't such an odd spot to look for an unusual    =
instrument,
  >>since
  >>many of the people on this list play them. In    fact, I don't know =
of
  >>another list
  >>with a greater concentration    of Warr/Stick players. (Sure, =
there's
  >>Stickwire, but
  >>I never see    anything on there from the non-Chapman    =
contingency).
  >>
  >>Greg
  >>
  >>__________________________________
  >>Do    you Yahoo!?
  >>Yahoo! SiteBuilder - Free, easy-to-use web site design    software
  >>http://sitebuilder.yahoo.com
  >>
  >>
  >
  >
  >---
  >
  >     "The only things I really think are important, are love, and
  eachother.
  > =20
  >
  >http://home.earthlink.net/~thefates
  >
  > =20
  >
  >http://groups.yahoo.com/group/badfiction   =20
  >
  >http://groups.yahoo.com/group/the-guitar-cafe   =20
  >
  >
  >
  >=20


  ---

    "The only things I really think are important, are love, and =
eachother.
  -Then, anything is possible..." =20

  http://home.earthlink.net/~thefates

  Please visit BadFiction and The Guitar Cafe. =20

  http://groups.yahoo.com/group/badfiction=20

  http://groups.yahoo.com/group/the-guitar-cafe=20



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<STYLE></STYLE>

<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR></HEAD>
<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-STYLE: =
normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: =
none"=20
leftMargin=3D0 topMargin=3D0 acc_role=3D"text" CanvasTabStop=3D"true"=20
name=3D"Compose message area"><?xml:namespace prefix=3D"v" =
/><?xml:namespace prefix=3D"o" />
<DIV>
<DIV>no it wasn=92t for you it was just an observation overall&nbsp; =
thanks=20
for&nbsp; being so nice<IMG title=3D"Smiley emoticon"=20
style=3D"FLOAT: none; MARGIN: 0px; POSITION: static" tabIndex=3D-1=20
alt=3D"Smiley emoticon" =
src=3D"cid:02f201c376b5$b1f99d70$88578741@thr3efold"></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
  href=3D"mailto:thefates@earthlink.net">Goddess</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, September 09, =
2003 2:41=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: looking for a =
Warr</DIV>
  <DIV><BR></DIV>&nbsp; Amy, you're very right.&nbsp;&nbsp; -but I hope =
you're=20
  not referring to my reply,<BR>it wasn't directed at you.&nbsp; It was =
a=20
  humorous retort to the whole idea that<BR>bass or Stick inquiries =
weren't=20
  welcome here, as we've got quite a few<BR>bassists and Stick players =
here who=20
  loop.&nbsp; <BR>&nbsp; There are most definitely alot of egos here, =
including=20
  of course, my own.<BR>&nbsp; lol!&nbsp; -but I find the outright =
rudeness of=20
  some here to be quite<BR>distasteful.&nbsp; &lt;smile&gt;&nbsp;&nbsp; =
-believe=20
  me, you haven't seen the worst of it!<BR>lol!&nbsp;&nbsp;&nbsp;&nbsp; =
-just my=20
  thoughts.&nbsp;&nbsp; Have a wonderful evening!...&nbsp;=20
  <BR><BR>Smiles,<BR><BR>Cara<BR><BR>At 02:19 AM 9/9/03 -0700, you=20
  wrote:<BR>&gt;&nbsp;&nbsp;&nbsp; I find that some people are very rude =

  here&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ----- Original=20
  Message<BR>&gt;-----&nbsp;&nbsp;&nbsp; From: Goddess&nbsp;&nbsp;&nbsp; =
To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  <BR>&gt;Sent: Tuesday, September 09, 2003 2:11&nbsp;&nbsp;&nbsp;=20
  AM&nbsp;&nbsp; Subject: RE: looking for a<BR>&gt;Warr&nbsp;&nbsp; =
<BR>&gt;=20
  &lt;&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I have a=20
  5-string<BR>&gt;&nbsp;&nbsp; -great=20
  condition,<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &lt;&gt;&nbsp;&nbsp;=20
  come<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<BR>&gt;&nbsp;&nbsp;&nbsp;=20
  -well, no, not really, that's<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; but =
hey!, it's=20
  still way cool, and this&nbsp;&nbsp;&nbsp; note<BR>&gt;&nbsp;&nbsp;=20
  <BR>&gt;<BR>&gt;SMiles,<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=20
  <BR>&gt;<BR>&gt;At 05:22 PM 9/5/03 -0400, you wrote:<BR>&gt;&gt;I =
don't=20
  understand what&nbsp;&nbsp;&nbsp; the sale of a bass has to do with =
looping.=20
  I<BR>&gt;&gt;don't believe it is an&nbsp;&nbsp;&nbsp; appropriate =
topic=20
  here.<BR>&gt;&gt;<BR>&gt;&gt;Respect<BR>&gt;&gt;=20
  <BR>&gt;&gt;Will&nbsp;&nbsp;&nbsp; Brake<BR>&gt;&gt;Soul Fruit=20
  Electronics<BR>&gt;&gt;=20
  <BR>&gt;&gt;<BR>&gt;&gt;-----Original&nbsp;&nbsp;&nbsp;=20
  Message-----<BR>&gt;&gt;From: Greg House=20
  [mailto:ghunicycle@yahoo.com]&nbsp;&nbsp;&nbsp; <BR>&gt;&gt;Sent: =
Friday,=20
  September 05, 2003 5:17 PM<BR>&gt;&gt;To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;&gt;Subject:&nbsp;&nbsp;&nbsp;=20
  Re: looking for a Warr<BR>&gt;&gt;<BR>&gt;&gt;&lt;<A=20
  =
href=3D"mailto:jcshirke@midway.uchicago.edu">jcshirke@midway.uchicago.edu=
</A>&gt;&nbsp;&nbsp;&nbsp;=20
  wrote:<BR>&gt;&gt;&gt;&gt;this bass player with poor English is =
searching=20
  for&nbsp;&nbsp;&nbsp; someone who is <BR>&gt;&gt;&gt;&gt;selling a 12 =
string=20
  Warr Guitar ,<BR>&gt;&gt;&gt;&nbsp;&nbsp;&nbsp; <BR>&gt;&gt;&gt; I =
suppose=20
  what people are wondering is why you joined a =
looper's&nbsp;&nbsp;&nbsp;=20
  <BR>&gt;&gt;&gt; mailing list to post a want ad for a bass=20
  guitar.&nbsp;&nbsp;&nbsp; <BR>&gt;&gt;<BR>&gt;&gt;Actually, this isn't =
such an=20
  odd spot to look for an unusual&nbsp;&nbsp;&nbsp;=20
  instrument,<BR>&gt;&gt;since<BR>&gt;&gt;many of the people on this =
list play=20
  them. In&nbsp;&nbsp;&nbsp; fact, I don't know of<BR>&gt;&gt;another=20
  list<BR>&gt;&gt;with a greater concentration&nbsp;&nbsp;&nbsp; of =
Warr/Stick=20
  players. (Sure, there's<BR>&gt;&gt;Stickwire, but<BR>&gt;&gt;I never=20
  see&nbsp;&nbsp;&nbsp; anything on there from the =
non-Chapman&nbsp;&nbsp;&nbsp;=20
  =
contingency).<BR>&gt;&gt;<BR>&gt;&gt;Greg<BR>&gt;&gt;<BR>&gt;&gt;________=
__________________________<BR>&gt;&gt;Do&nbsp;&nbsp;&nbsp;=20
  you Yahoo!?<BR>&gt;&gt;Yahoo! SiteBuilder - Free, easy-to-use web site =

  design&nbsp;&nbsp;&nbsp;=20
  =
software<BR>&gt;&gt;http://sitebuilder.yahoo.com<BR>&gt;&gt;<BR>&gt;&gt;<=
BR>&gt;<BR>&gt;<BR>&gt;---<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=20
  "The only things I really think are important, are love,=20
  and<BR>eachother.<BR>&gt;&nbsp;=20
  =
<BR>&gt;<BR>&gt;http://home.earthlink.net/~thefates<BR>&gt;<BR>&gt;&nbsp;=
=20
  =
<BR>&gt;<BR>&gt;http://groups.yahoo.com/group/badfiction&nbsp;&nbsp;&nbsp=
;=20
  =
<BR>&gt;<BR>&gt;http://groups.yahoo.com/group/the-guitar-cafe&nbsp;&nbsp;=
&nbsp;=20
  <BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; <BR><BR><BR>---<BR><BR>&nbsp; "The =
only=20
  things I really think are important, are love, and =
eachother.<BR>-Then,=20
  anything is possible..."&nbsp; <BR><BR><A=20
  =
href=3D"http://home.earthlink.net/~thefates">http://home.earthlink.net/~t=
hefates</A><BR><BR>Please=20
  visit BadFiction and The Guitar Cafe.&nbsp; <BR><BR><A=20
  =
href=3D"http://groups.yahoo.com/group/badfiction">http://groups.yahoo.com=
/group/badfiction</A>=20
  <BR><BR><A=20
  =
href=3D"http://groups.yahoo.com/group/the-guitar-cafe">http://groups.yaho=
o.com/group/the-guitar-cafe</A>=20
  <BR><BR><BR></BLOCKQUOTE></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 09:41:22 2003
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 <3.0.5.32.20030909034115.01a07c70@pop.earthlink.net>
Date: Tue, 9 Sep 2003 15:39:00 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: looking for a Warr
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Gee, dear Cara is in a very good mood after relaxing at see level.
and its full moon, right? lol !

Love you
Matthias

>   Amy, you're very right.   -but I hope you're not referring to my reply,
>it wasn't directed at you.  It was a humorous retort to the whole idea that
>bass or Stick inquiries weren't welcome here, as we've got quite a few
>bassists and Stick players here who loop. 
>   There are most definitely alot of egos here, including of course, my own.
>   lol!  -but I find the outright rudeness of some here to be quite
>distasteful.  <smile>   -believe me, you haven't seen the worst of it!
>lol!     -just my thoughts.   Have a wonderful evening!... 
>
>Smiles,
>
>Cara
>
>At 02:19 AM 9/9/03 -0700, you wrote:
>>     I find that some people are very rude here      ----- Original Message
>>-----    From: Goddess    To: Loopers-Delight@loopers-delight.com     
>>Sent: Tuesday, September 09, 2003 2:11    AM   Subject: RE: looking for a
>>Warr  
>>  <>       I have a 5-string
>>    -great condition,
>>       <>   come
>>      
>>     -well, no, not really, that's
>>      but hey!, it's still way cool, and this    note
>>  
>>
>>SMiles,
>>
>>    
>>
>>At 05:22 PM 9/5/03 -0400, you wrote:
>>>I don't understand what    the sale of a bass has to do with looping. I
>>>don't believe it is an    appropriate topic here.
>>>
>>>Respect
>>>
>>>Will    Brake
>>>Soul Fruit Electronics
>>>
>>>
>>>-----Original    Message-----
>>>From: Greg House [mailto:ghunicycle@yahoo.com]   
>>>Sent: Friday, September 05, 2003 5:17 PM
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject:    Re: looking for a Warr
>>>
>>><jcshirke@midway.uchicago.edu>    wrote:
>>>>>this bass player with poor English is searching for    someone who is
>>>>>selling a 12 string Warr Guitar ,
>>>>   
>>>>  I suppose what people are wondering is why you joined a looper's   
>>>>  mailing list to post a want ad for a bass guitar.   
>>>
>>>Actually, this isn't such an odd spot to look for an unusual    instrument,
>>>since
>>>many of the people on this list play them. In    fact, I don't know of
>>>another list
>>>with a greater concentration    of Warr/Stick players. (Sure, there's
>>>Stickwire, but
>>>I never see    anything on there from the non-Chapman    contingency).
>>>
>>>Greg
>>>
>>>__________________________________
>>>Do    you Yahoo!?
>>>Yahoo! SiteBuilder - Free, easy-to-use web site design    software
>>>http://sitebuilder.yahoo.com
>>>
>>>
>>
>>
>>---
>>
>>      "The only things I really think are important, are love, and
>eachother.
>> 
>>
>>http://home.earthlink.net/~thefates
>>
>> 
>>
>>http://groups.yahoo.com/group/badfiction   
>>
>>http://groups.yahoo.com/group/the-guitar-cafe   
>>
>>
>>
>>
>
>
>---
>
>   "The only things I really think are important, are love, and eachother.
>-Then, anything is possible..." 
>
>http://home.earthlink.net/~thefates
>
>Please visit BadFiction and The Guitar Cafe. 
>
>http://groups.yahoo.com/group/badfiction
>
>http://groups.yahoo.com/group/the-guitar-cafe


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 10:23:02 2003
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Date: Tue, 9 Sep 2003 07:19:46 -0700
Subject: Re: another MP3 from soon to be released album... 
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No way man--it's Raphael Ravenscroft.  He did a bunch of stuff with 
Pink Floyd and David Gilmour later on.

TravisH

On Tuesday, September 9, 2003, at 02:21 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

>> For the first minute or two, I actually thought it might be called
>> "Baker Street"...  ;)
>
> LOL - there was a fantastic urban myth going round the UK in the 90s 
> that
> the sax solo on Baker Street was played by a kitch TV game show host 
> called
> Bob Holness - so maybe I ought to bill him as the (un)invited guest on 
> this
> track.. :o)

From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 10:27:14 2003
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References: <DGEPKBMIKIAAPPCBNMJHIENPCNAA.tcooper@digitalmetropolis.com>
Subject: Re: digitech gnx3
Date: Tue, 9 Sep 2003 10:22:35 -0400
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I definitely have to agree with Tim here--the GNX3 has great effects. I =
almost kept mine because the effects were so good, even though, for my =
music, the looper had some issues. And the last few weeks, I've actually =
thought about getting one again to use (just) as an effects processor.

Tim wrote:

  Side notes:
  The effects that are packaged with this device are still great, which =
should
  make it useful to me even after I get a 'real" looper like the EDP in =
the
  near future.  The fact that you can plug your mic directly, decide if =
it
  will be assigned the effects of your preset, and loop it is a very =
cool
  thing.
  If your willing to bend over mid-performance you can turn on and off =
tracks
  that you've laid down.


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content=3Dtext/html;charset=3Diso-8859-1>
<STYLE></STYLE>

<META content=3D"MSHTML 6.00.2726.2500" name=3DGENERATOR></HEAD>
<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-STYLE: =
normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: =
none"=20
leftMargin=3D0 topMargin=3D0 acc_role=3D"text" CanvasTabStop=3D"true"=20
name=3D"Compose message area"><?xml:namespace prefix=3D"v" =
/><?xml:namespace prefix=3D"o" />
<DIV>
<DIV>I definitely have to agree with Tim here--the GNX3 has great =
effects. I=20
almost kept mine because the effects were so good, even though, for my =
music,=20
the looper had some issues. And the last few weeks, I've actually =
thought about=20
getting one again to use (just) as an effects processor.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Tim wrote:</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><BR>Side notes:<BR>The effects that are packaged with this device =
are=20
  still great, which should<BR>make it useful to me even after I get a =
'real"=20
  looper like the EDP in the<BR>near future.&nbsp; The fact that you can =
plug=20
  your mic directly, decide if it<BR>will be assigned the effects of =
your=20
  preset, and loop it is a very cool<BR>thing.<BR>If your willing to =
bend over=20
  mid-performance you can turn on and off tracks<BR>that you've laid=20
  down.<BR></DIV></BLOCKQUOTE></DIV></BODY></HTML>

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Subject: Re: gnx3
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Robert,

Glad I could be of help. It's always nice when we looper's delight =
posters can help one another. <smile

David Durian


  ----- Original Message -----=20
  From: Richard J. Roberts=20
  To: Loopers Delight=20
  Sent: Monday, September 08, 2003 8:34 PM
  Subject: Re: gnx3


  David -

  Thanks for your assessment; you've quite likely saved me some =
money(!). I
  play  wind synth & many different flutes in a solo ambient setting, =
and from
  what you've told me, I'd probably do best with a second JamMan. I =
might try
  a Repeater sometime, though, pitch-shifting would be a handy FX to =
have.

  Richard / =F8?
  --=20


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<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-STYLE: =
normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: =
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<DIV>
<DIV>Robert,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Glad I could be of help. It's always nice when we looper's delight =
posters=20
can help one another. &lt;smile</DIV>
<DIV>&nbsp;</DIV>
<DIV>David Durian</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
  href=3D"mailto:zeroohms@surfbest.net">Richard J. Roberts</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, September 08, =
2003 8:34=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: gnx3</DIV>
  <DIV><BR></DIV>David -<BR><BR>Thanks for your assessment; you've quite =
likely=20
  saved me some money(!). I<BR>play&nbsp; wind synth &amp; many =
different flutes=20
  in a solo ambient setting, and from<BR>what you've told me, I'd =
probably do=20
  best with a second JamMan. I might try<BR>a Repeater sometime, though, =

  pitch-shifting would be a handy FX to have.<BR><BR>Richard / =
=F8?<BR>--=20
<BR></BLOCKQUOTE></DIV></BODY></HTML>

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Well, I've no time to separate the wheat from chaff, so I'm bidding all
of you goodbye. I trust you found something helpful in my posts. If you
need my assistance in the future, you can contact me off list at:

wbrake@comcast.net

or

http://www.soul-fruit.com

Best of luck to all and may all you loops sync in harmony!

Respect
 
Will Brake
Soul Fruit Electronics
 

-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org] 
Sent: Tuesday, September 09, 2003 9:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: looking for a Warr

Gee, dear Cara is in a very good mood after relaxing at see level.
and its full moon, right? lol !

Love you
Matthias

>   Amy, you're very right.   -but I hope you're not referring to my
reply,
>it wasn't directed at you.  It was a humorous retort to the whole idea
that
>bass or Stick inquiries weren't welcome here, as we've got quite a few
>bassists and Stick players here who loop. 
>   There are most definitely alot of egos here, including of course, my
own.
>   lol!  -but I find the outright rudeness of some here to be quite
>distasteful.  <smile>   -believe me, you haven't seen the worst of it!
>lol!     -just my thoughts.   Have a wonderful evening!... 
>
>Smiles,
>
>Cara
>
>At 02:19 AM 9/9/03 -0700, you wrote:
>>     I find that some people are very rude here      ----- Original
Message
>>-----    From: Goddess    To: Loopers-Delight@loopers-delight.com     
>>Sent: Tuesday, September 09, 2003 2:11    AM   Subject: RE: looking
for a
>>Warr  
>>  <>       I have a 5-string
>>    -great condition,
>>       <>   come
>>      
>>     -well, no, not really, that's
>>      but hey!, it's still way cool, and this    note
>>  
>>
>>SMiles,
>>
>>    
>>
>>At 05:22 PM 9/5/03 -0400, you wrote:
>>>I don't understand what    the sale of a bass has to do with looping.
I
>>>don't believe it is an    appropriate topic here.
>>>
>>>Respect
>>>
>>>Will    Brake
>>>Soul Fruit Electronics
>>>
>>>
>>>-----Original    Message-----
>>>From: Greg House [mailto:ghunicycle@yahoo.com]   
>>>Sent: Friday, September 05, 2003 5:17 PM
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject:    Re: looking for a Warr
>>>
>>><jcshirke@midway.uchicago.edu>    wrote:
>>>>>this bass player with poor English is searching for    someone who
is
>>>>>selling a 12 string Warr Guitar ,
>>>>   
>>>>  I suppose what people are wondering is why you joined a looper's

>>>>  mailing list to post a want ad for a bass guitar.   
>>>
>>>Actually, this isn't such an odd spot to look for an unusual
instrument,
>>>since
>>>many of the people on this list play them. In    fact, I don't know
of
>>>another list
>>>with a greater concentration    of Warr/Stick players. (Sure, there's
>>>Stickwire, but
>>>I never see    anything on there from the non-Chapman
contingency).
>>>
>>>Greg
>>>
>>>__________________________________
>>>Do    you Yahoo!?
>>>Yahoo! SiteBuilder - Free, easy-to-use web site design    software
>>>http://sitebuilder.yahoo.com
>>>
>>>
>>
>>
>>---
>>
>>      "The only things I really think are important, are love, and
>eachother.
>> 
>>
>>http://home.earthlink.net/~thefates
>>
>> 
>>
>>http://groups.yahoo.com/group/badfiction   
>>
>>http://groups.yahoo.com/group/the-guitar-cafe   
>>
>>
>>
>>
>
>
>---
>
>   "The only things I really think are important, are love, and
eachother.
>-Then, anything is possible..." 
>
>http://home.earthlink.net/~thefates
>
>Please visit BadFiction and The Guitar Cafe. 
>
>http://groups.yahoo.com/group/badfiction
>
>http://groups.yahoo.com/group/the-guitar-cafe


-- 


          ---> http://Matthias.Grob.org

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From: "Relay" <relaydelayband@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Raphael Ravenscroft--Purty Darned OT
Date: Tue, 9 Sep 2003 07:54:41 -0700
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Oh yeah, I've got his solo album.

Gary 

-----Original Message-----
From: Travis [mailto:tiktok@sprintmail.com]
Sent: Tuesday, September 09, 2003 7:20 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: another MP3 from soon to be released album... 


No way man--it's Raphael Ravenscroft.  He did a bunch of stuff with 
Pink Floyd and David Gilmour later on.

TravisH

On Tuesday, September 9, 2003, at 02:21 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

>> For the first minute or two, I actually thought it might be called
>> "Baker Street"...  ;)
>
> LOL - there was a fantastic urban myth going round the UK in the 90s 
> that
> the sax solo on Baker Street was played by a kitch TV game show host 
> called
> Bob Holness - so maybe I ought to bill him as the (un)invited guest on 
> this
> track.. :o)



From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 13:08:58 2003
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Date: Tue, 9 Sep 2003 10:01:21 -0700
Subject: RUDE (was Re: looking for a Warr)
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From: Mark Sottilaro <sine@zerocrossing.net>
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Welcome to the internet.  A forum where you can't see any of the other 
contributers is ripe with this kind of behavior.

However, while we all go Off Topic (often a lot), I think the reason 
that you're getting an especially rude reaction is because this is the 
first and only post any of us have ever seen from you.  Perhaps if you 
had introduced yourself, described how your loop setup works or what 
you're doing with loops and your music and THEN asked if any of us knew 
of a Warr for sale you would have received a much better and more 
helpful response.  I get pissed at people who yell at me for being off 
topic every now and then (ok, maybe a lot) because I've been typing 
volumes about looping and looping gear on this list since 1994.

Think of it in terms of a party.  Would you walk into a party where you 
didn't know anyone and ask if anyone was selling a Warr guitar?  Nope.  
Even if you knew it was populated by a lot of musicians, you'd first 
try to strike up general conversations with the people at the party 
based on what they were already talking about and *then* maybe 
interject that you were looking for a certain instrument.  Walking into 
a party and interrupting the conversation with your specific agenda 
is.. well plain and simply rude.  You can't change the world, but you 
can change yourself.

Frankly, if you became one of the people who only made random off topic 
posts I'd probably eventually just set up an email filter to not have 
to deal with you.  Maybe rude, but time effective.  No one here really 
owes you anything, so maybe you'd be better off thinking about what you 
can give before you ask for what you can get.

Mark Sottilaro

On Tuesday, September 9, 2003, at 02:19 AM, Amy Mucero wrote:

> I find that some people are very rude here

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Mark is younger than he thinks :-)

> topic every now and then (ok, maybe a lot) because I've been typing 
> volumes about looping and looping gear on this list since 1994.

check out Mark's first post sep 18 1997

http://www.loopers-delight.com/LDarchive/199709/msg00185.html

Claude

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 >>15750 Hz 
Yeah, that's gotta be what I'm hearing.  Any shielding tips folks? <<
 
 
 
the crap that comes out of tv's (and I'm speaking of the EM radiation, not the content) gets everywhere and guitars can only avoid picking it up when fitted with decent humbuckers. unfortunately, this rather limits what you can do with the guitar.... 
one idea, though, and not a new one by any means, is to adopt the alembic trick of using a dummy pickup to do the humbucking. this would have to be carefully level matched with whatever combination of real pickups you happen to be using. 
 
there is probably a market for something that automatically performs noise-cancellation in this manner, like these noise-cancelling headphones that you can get. the shash that you're catching from the tv sets is pretty omnidirectional.
 
but you could start by finding an old single-coil pickup, which you could glue underneath the scratchplate somewhere. to be effective, it ought to be in the same plane as the other pickups, and roughly the same impedance. take out the polepieces and wire it through a pull-switch pot, so you can fine-tune the phase and balance.
 
alternatively, you could work on the proprietors to switch to plasma screens..... or set up in some sort of metal cage and run a ground wire. you could have a sign on the front: "don't feed the looper- beer only".
 
duncan.  



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<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">


<META content="MSHTML 6.00.2712.300" name=GENERATOR></HEAD>
<BODY>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff size=3>&nbsp;&gt;&gt;<FONT 
color=#000000>15750 Hz</FONT>&nbsp;</FONT></SPAN><BR>Yeah, that's gotta be what 
I'm hearing.&nbsp; Any shielding tips folks?<SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=3>&nbsp;&lt;&lt;</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN 
class=307412217-09092003></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=3></FONT></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=3></FONT></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff size=3>the crap that comes out of 
tv's (and I'm speaking of the EM radiation, not the content) gets everywhere and 
guitars can only avoid picking it up when fitted with decent humbuckers. 
unfortunately,&nbsp;this rather limits what you can do with the guitar.... 
</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff size=3>one idea, though, and not 
a new one by any means, is to adopt the alembic trick of using a dummy pickup to 
do the humbucking. this would have to be carefully level matched with whatever 
combination of real pickups you happen to be using. 
</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=3></FONT></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff size=3>there is probably a market 
for something that automatically performs noise-cancellation in this manner, 
like these noise-cancelling headphones that you can get. the shash that you're 
catching from the tv sets is pretty 
omnidirectional.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face="AmericanTypewriter Medium" 
color=#0000ff size=3 FAMILY="SANSSERIF"><SPAN 
class=307412217-09092003></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face="AmericanTypewriter Medium" 
color=#0000ff size=3 FAMILY="SANSSERIF"><SPAN class=307412217-09092003>but you 
could start by finding an old single-coil pickup, which you could glue 
underneath the scratchplate somewhere. to be effective, it ought to be in the 
same plane as the other pickups, and roughly the same impedance. take out the 
polepieces and wire it through a pull-switch pot, so you can fine-tune the phase 
and balance.</SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face="AmericanTypewriter Medium" 
color=#0000ff size=3 FAMILY="SANSSERIF"><SPAN 
class=307412217-09092003></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff size=3>alternatively, you could 
work on the proprietors to switch to plasma screens..... or set up in some sort 
of metal cage and run a ground wire. you could have a sign on the front: "don't 
feed the looper- beer only".</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN 
class=307412217-09092003></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2 
FAMILY="SANSSERIF"><SPAN class=307412217-09092003><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=3>duncan.</FONT>&nbsp;&nbsp;</SPAN><BR></DIV></FONT></FONT><CODE><FONT SIZE=3><BR>
<BR>
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Wow.  That's a shaker-upper!  97?!  I could have sworn I got the JamMan 
in 94 and joined LD soon after.  Could be wrong.  So very long ago...


Look at me!  Thinking because the JamMan passed stereo it was stereo.  
I was so young and gullible.

Mark Sottilaro

On Tuesday, September 9, 2003, at 10:44 AM, Claude Voit wrote:

> Mark is younger than he thinks :-)
>
>> topic every now and then (ok, maybe a lot) because I've been typing
>> volumes about looping and looping gear on this list since 1994.
>
> check out Mark's first post sep 18 1997
>
> http://www.loopers-delight.com/LDarchive/199709/msg00185.html
>
> Claude
>

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----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 09, 2003 18:44 PM
Subject: Re: RUDE (was Re: looking for a Warr)


> Mark is younger than he thinks :-)
>
> > topic every now and then (ok, maybe a lot) because I've been typing
> > volumes about looping and looping gear on this list since 1994.
>
> check out Mark's first post sep 18 1997
>
> http://www.loopers-delight.com/LDarchive/199709/msg00185.html
>
> Claude

Actually I get nothing more than the menus and logo, with a blue space
between.  Looking via author doesn't show much more, either.  Yes, I've got
Java enabled....

Steve Goodman
* EarthLight Productions
* http://www.earthlight.net

From Loopers-Delight-request@loopers-delight.com  Tue Sep  9 16:12:04 2003
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At 04:09 PM 9/8/2003, Kevin Cheli-Colando wrote:

>And don't forget to go to Zzounds from the portal on the LD site.

thanks! that really helps.

>  Speaking of LD advertisments, what's up with the semi porn of that
>players club banner anyway.

sorry, sometimes things like that slip through from the ad banner company I 
use. I get to select which ads come through, but I get lazy sometimes and 
just click all of them. They usually don't like stuff like that either, and 
this one got deleted from their rotation already anyway. Hopefully it 
doesn't come back.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 01:25:46 2003
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Subject: Re: RUDE (was Re: looking for a Warr)
From: Mark Hamburg <mark_hamburg@baymoon.com>
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Interesting. That sparked me going back and looking at my old posts. Mostly
on topic until I got deep into a Warez debate.

Markk

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 03:45:33 2003
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Subject: Ebay Spam: Akai Headrush
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I have a Akai Headrush up for grabs on Ebay if anybody is interested.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2557463229

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 06:57:39 2003
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Subject: Re: EDP problem
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Thanks for the input but it doesn´t seem to be a grounding problem, but when
tweaking the input potentiometer a scanning noise like fine tuning a
shortwave radio becomes faintly audible. I guess there´s some noise
generated inside the input stage which builds up until it produces this
annoying whine.

Any idea? Does shifting the gain structure eventually help?

Regards,

Stephen.



----- Original Message -----
From: <SoundFNR@aol.com>
To: <wavecomputer360@gmx.de>
Sent: Monday, September 08, 2003 2:16 PM
Subject: EDP problem


> In a message dated 04/09/03 14:44:58 GMT Daylight Time,
> Loopers-Delight-d-request@loopers-delight.com writes:
>
> > Hi all,
> >
> >  my old Echoplex developed a minor fault during the past couple of =
> >  months. Independent from the chosen delay time, it starts to produce =
> >  sort of a metallic "ring" after a while, slightly reminiscent of a
short =
>
>
> quick reply:-
>
> try changing the way which you connect to mains,
>
> may be some kind of earthing problem,
> I've heard similar, but only with 2 brothersynced EDPs
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 10:03:49 2003
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Subject: WTB: DigiTech RDS 7.6 Time Machine
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> This message is in MIME format. Since your mail reader does not understand
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Hello - 

I'm interested in purchasing a DigiTech RDS 7.6 Time Machine. Does anyone on
the list have one that's currently collecting dust? Cosmetic condition not
important but functionality is. Please respond off-list.

Thanks

Adam

 

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I'm interested in purchasing a DigiTech RDS 7.6 Time Machine. Does anyone o=
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<BR>
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<BR>
Adam<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 10:56:50 2003
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Subject: Re: RUDE (was Re: looking for a Warr)
From: glenn <glenn234@pacbell.net>
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I feel this is  rationalization for a Lord of the Flies kind of  phenomenon,

if a person walked into a party and made their first attempt to socialize in
that environment and the dominant males by the watering holes surrounded
that person and started clawing at the individual, this would be sad.
It would suggest a (tightknit, not in the sense of freestanding natural
closeness alone, but rather accompanied by an high sense of self worth
psychological investment in  who is in and who is out - essentially fear
based mentality) party, without compassion or even the tact to welcome a
newcomer(whether their first word are awkward or not):  it would cheapen the
party. 

how about it was meaningless and innocent. If they started posting ads daily
for all kinds of band instruments and links to porn sites then by all means,
I'll act like a baboon right alongside. But what some here are up to feels a
bit more like a pre-emptive strike, rationalized by a kind of "well probably
have some WMD they're getting ready to use". has Bush really been so
influential to the human spirit?

okay so someone starts out by saying anyone got a high end bass x for sale?

so what?

hopefully we have got enough raw content to sustain us without spiraling
into this kind of trigger-happy caca, which by the way is a LOT more painful
to sift through than if someone had posted half a dozen gear ads.

For instance: I know it's been covered in a lot of ways, but can anyone
suggest a testing regimen for a just-purchased simpletech 256 cfc on a
repeater? (I'll post what i did and how well it worked on this and
hopefully not other models) Someone said something about forwards and
backwards recording in stereo? Very open to CFC testing  tips. have to test
it friday/sat of this week cause it's just before the return period is over.

Why not let this whole thing go,  welcome this member(welcome!) and move on
already.



thanks,
glenn

syc·o·phant    ( P )  Pronunciation Key  (sick-of ant)
n. 

A servile self-seeker who attempts to win favor by flattering influential
people.


on 9/9/03 10:01 AM, Mark Sottilaro at sine@zerocrossing.net wrote:

> Welcome to the internet.  A forum where you can't see any of the other
> contributers is ripe with this kind of behavior.
> 
> However, while we all go Off Topic (often a lot), I think the reason
> that you're getting an especially rude reaction is because this is the
> first and only post any of us have ever seen from you.  Perhaps if you
> had introduced yourself, described how your loop setup works or what
> you're doing with loops and your music and THEN asked if any of us knew
> of a Warr for sale you would have received a much better and more
> helpful response.  I get pissed at people who yell at me for being off
> topic every now and then (ok, maybe a lot) because I've been typing
> volumes about looping and looping gear on this list since 1994.
> 
> Think of it in terms of a party.  Would you walk into a party where you
> didn't know anyone and ask if anyone was selling a Warr guitar?  Nope.
> Even if you knew it was populated by a lot of musicians, you'd first
> try to strike up general conversations with the people at the party
> based on what they were already talking about and *then* maybe
> interject that you were looking for a certain instrument.  Walking into
> a party and interrupting the conversation with your specific agenda
> is.. well plain and simply rude.  You can't change the world, but you
> can change yourself.
> 
> Frankly, if you became one of the people who only made random off topic
> posts I'd probably eventually just set up an email filter to not have
> to deal with you.  Maybe rude, but time effective.  No one here really
> owes you anything, so maybe you'd be better off thinking about what you
> can give before you ask for what you can get.
> 
> Mark Sottilaro
> 
> On Tuesday, September 9, 2003, at 02:19 AM, Amy Mucero wrote:
> 
>> I find that some people are very rude here
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 11:29:11 2003
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	 <Loopers-Delight@loopers-delight.com>
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Date: Wed, 10 Sep 2003 11:23:43 -0400
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Yes, it has been more painful to listen to everyone whine about one off
topic post than to just deal with haphazard off-topics we get only =
every
couple of months. No need to nip anything in the bud, since there is =
nothing
to nip - or nothing that a friendly private email to the "supposed" =
offender
might have taken care of.

If we begin to see a pattern or trend beginning that we need to quell, =
then
lets quell it. But I haven't seen one though (except for this thread - =
which
has sadly caused several cool loopers to unsubscribe from this list).

-DM

>>-----Original Message-----
>>From: glenn [mailto:glenn234@pacbell.net]=20
>>Sent: Wednesday, September 10, 2003 10:53 AM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: RUDE (was Re: looking for a Warr)
>>
>>
>>I feel this is  rationalization for a Lord of the Flies kind=20
>>of  phenomenon,
>>
>>if a person walked into a party and made their first attempt=20
>>to socialize in that environment and the dominant males by=20
>>the watering holes surrounded that person and started clawing=20
>>at the individual, this would be sad. It would suggest a=20
>>(tightknit, not in the sense of freestanding natural=20
>>closeness alone, but rather accompanied by an high sense of=20
>>self worth psychological investment in  who is in and who is=20
>>out - essentially fear based mentality) party, without=20
>>compassion or even the tact to welcome a newcomer(whether=20
>>their first word are awkward or not):  it would cheapen the party.=20
>>
>>how about it was meaningless and innocent. If they started=20
>>posting ads daily for all kinds of band instruments and links=20
>>to porn sites then by all means, I'll act like a baboon right=20
>>alongside. But what some here are up to feels a bit more like=20
>>a pre-emptive strike, rationalized by a kind of "well=20
>>probably have some WMD they're getting ready to use". has=20
>>Bush really been so influential to the human spirit?
>>
>>okay so someone starts out by saying anyone got a high end=20
>>bass x for sale?
>>
>>so what?
>>
>>hopefully we have got enough raw content to sustain us=20
>>without spiraling into this kind of trigger-happy caca, which=20
>>by the way is a LOT more painful to sift through than if=20
>>someone had posted half a dozen gear ads.
>>
>>For instance: I know it's been covered in a lot of ways, but=20
>>can anyone suggest a testing regimen for a just-purchased=20
>>simpletech 256 cfc on a repeater? (I'll post what i did and=20
>>how well it worked on this and hopefully not other models)=20
>>Someone said something about forwards and backwards recording=20
>>in stereo? Very open to CFC testing  tips. have to test it=20
>>friday/sat of this week cause it's just before the return=20
>>period is over.
>>
>>Why not let this whole thing go,  welcome this=20
>>member(welcome!) and move on already.
>>
>>
>>
>>thanks,
>>glenn
>>
>>syc=B7o=B7phant =A0=A0 (=A0P=A0)=A0=A0Pronunciation Key=A0=A0(sick-of =
ant)
>>n.=20
>>
>>A servile self-seeker who attempts to win favor by flattering=20
>>influential people.
>>
>>
>>on 9/9/03 10:01 AM, Mark Sottilaro at sine@zerocrossing.net wrote:
>>
>>> Welcome to the internet.  A forum where you can't see any=20
>>of the other=20
>>> contributers is ripe with this kind of behavior.
>>>=20
>>> However, while we all go Off Topic (often a lot), I think=20
>>the reason=20
>>> that you're getting an especially rude reaction is because=20
>>this is the=20
>>> first and only post any of us have ever seen from you. =20
>>Perhaps if you=20
>>> had introduced yourself, described how your loop setup=20
>>works or what=20
>>> you're doing with loops and your music and THEN asked if any of us=20
>>> knew of a Warr for sale you would have received a much=20
>>better and more=20
>>> helpful response.  I get pissed at people who yell at me=20
>>for being off=20
>>> topic every now and then (ok, maybe a lot) because I've been typing =

>>> volumes about looping and looping gear on this list since 1994.
>>>=20
>>> Think of it in terms of a party.  Would you walk into a party where =

>>> you didn't know anyone and ask if anyone was selling a Warr=20
>>guitar? =20
>>> Nope. Even if you knew it was populated by a lot of=20
>>musicians, you'd=20
>>> first try to strike up general conversations with the people at the =

>>> party based on what they were already talking about and=20
>>*then* maybe=20
>>> interject that you were looking for a certain instrument.  Walking=20
>>> into a party and interrupting the conversation with your specific=20
>>> agenda is.. well plain and simply rude.  You can't change=20
>>the world,=20
>>> but you can change yourself.
>>>=20
>>> Frankly, if you became one of the people who only made random off=20
>>> topic posts I'd probably eventually just set up an email=20
>>filter to not=20
>>> have to deal with you.  Maybe rude, but time effective.  No=20
>>one here=20
>>> really owes you anything, so maybe you'd be better off=20
>>thinking about=20
>>> what you can give before you ask for what you can get.
>>>=20
>>> Mark Sottilaro
>>>=20
>>> On Tuesday, September 9, 2003, at 02:19 AM, Amy Mucero wrote:
>>>=20
>>>> I find that some people are very rude here
>>>=20
>>

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<P><FONT SIZE=3D2>Yes, it has been more painful to listen to everyone =
whine about one off topic post than to just deal with haphazard =
off-topics we get only every couple of months. No need to nip anything =
in the bud, since there is nothing to nip - or nothing that a friendly =
private email to the &quot;supposed&quot; offender might have taken =
care of.</FONT></P>

<P><FONT SIZE=3D2>If we begin to see a pattern or trend beginning that =
we need to quell, then lets quell it. But I haven't seen one though =
(except for this thread - which has sadly caused several cool loopers =
to unsubscribe from this list).</FONT></P>

<P><FONT SIZE=3D2>-DM</FONT>
</P>

<P><FONT SIZE=3D2>&gt;&gt;-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;From: glenn [<A =
HREF=3D"mailto:glenn234@pacbell.net">mailto:glenn234@pacbell.net</A>] =
</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Sent: Wednesday, September 10, 2003 10:53 =
AM</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;To: =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Subject: Re: RUDE (was Re: looking for a =
Warr)</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;I feel this is&nbsp; rationalization for a =
Lord of the Flies kind </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;of&nbsp; phenomenon,</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;if a person walked into a party and made =
their first attempt </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;to socialize in that environment and the =
dominant males by </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;the watering holes surrounded that person =
and started clawing </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;at the individual, this would be sad. It =
would suggest a </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;(tightknit, not in the sense of freestanding =
natural </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;closeness alone, but rather accompanied by =
an high sense of </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;self worth psychological investment in&nbsp; =
who is in and who is </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;out - essentially fear based mentality) =
party, without </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;compassion or even the tact to welcome a =
newcomer(whether </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;their first word are awkward or not):&nbsp; =
it would cheapen the party. </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;how about it was meaningless and innocent. =
If they started </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;posting ads daily for all kinds of band =
instruments and links </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;to porn sites then by all means, I'll act =
like a baboon right </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;alongside. But what some here are up to =
feels a bit more like </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;a pre-emptive strike, rationalized by a kind =
of &quot;well </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;probably have some WMD they're getting ready =
to use&quot;. has </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Bush really been so influential to the human =
spirit?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;okay so someone starts out by saying anyone =
got a high end </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;bass x for sale?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;so what?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;hopefully we have got enough raw content to =
sustain us </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;without spiraling into this kind of =
trigger-happy caca, which </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;by the way is a LOT more painful to sift =
through than if </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;someone had posted half a dozen gear ads.</FO=
NT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;For instance: I know it's been covered in a =
lot of ways, but </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;can anyone suggest a testing regimen for a =
just-purchased </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;simpletech 256 cfc on a repeater? (I'll post =
what i did and </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;how well it worked on this and hopefully not =
other models) </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Someone said something about forwards and =
backwards recording </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;in stereo? Very open to CFC testing&nbsp; =
tips. have to test it </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;friday/sat of this week cause it's just =
before the return </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;period is over.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Why not let this whole thing go,&nbsp; =
welcome this </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;member(welcome!) and move on already.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;thanks,</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;glenn</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;syc=B7o=B7phant =A0=A0 =
(=A0P=A0)=A0=A0Pronunciation Key=A0=A0(sick-of ant)</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;n. </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;A servile self-seeker who attempts to win =
favor by flattering </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;influential people.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;on 9/9/03 10:01 AM, Mark Sottilaro at =
sine@zerocrossing.net wrote:</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; Welcome to the internet.&nbsp; A forum =
where you can't see any </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;of the other </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; contributers is ripe with this kind of =
behavior.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; However, while we all go Off Topic =
(often a lot), I think </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;the reason </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; that you're getting an especially rude =
reaction is because </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;this is the </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; first and only post any of us have ever =
seen from you.&nbsp; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Perhaps if you </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; had introduced yourself, described how =
your loop setup </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;works or what </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; you're doing with loops and your music =
and THEN asked if any of us </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; knew of a Warr for sale you would have =
received a much </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;better and more </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; helpful response.&nbsp; I get pissed at =
people who yell at me </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;for being off </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; topic every now and then (ok, maybe a =
lot) because I've been typing </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; volumes about looping and looping gear =
on this list since 1994.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; Think of it in terms of a party.&nbsp; =
Would you walk into a party where </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; you didn't know anyone and ask if =
anyone was selling a Warr </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;guitar?&nbsp; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; Nope. Even if you knew it was populated =
by a lot of </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;musicians, you'd </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; first try to strike up general =
conversations with the people at the </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; party based on what they were already =
talking about and </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;*then* maybe </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; interject that you were looking for a =
certain instrument.&nbsp; Walking </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; into a party and interrupting the =
conversation with your specific </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; agenda is.. well plain and simply =
rude.&nbsp; You can't change </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;the world, </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; but you can change yourself.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; Frankly, if you became one of the =
people who only made random off </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; topic posts I'd probably eventually =
just set up an email </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;filter to not </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; have to deal with you.&nbsp; Maybe =
rude, but time effective.&nbsp; No </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;one here </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; really owes you anything, so maybe =
you'd be better off </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;thinking about </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; what you can give before you ask for =
what you can get.</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; Mark Sottilaro</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; On Tuesday, September 9, 2003, at 02:19 =
AM, Amy Mucero wrote:</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt;&gt; I find that some people are very =
rude here</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C377AF.8556DB70--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 11:48:58 2003
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To: <Loopers-Delight@loopers-delight.com>
Subject: Adrenalinn II:Looper
Date: Wed, 10 Sep 2003 11:43:24 -0400
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Hi anyone who owns the Adrenalinn II (Upgrade or Full unit) figure out how
to make the Looper portion work. They do demo it on the web site but, it's
not in the docs that I could see?. I still love the upgrade as the device
does some great things and I would have upgraded anyway but, I can't seem to
figure out how they do the repeated phrase. If you set it up to remove delay
as the bypass it just kills the delay (no spillover) so, that isn't it any
ideas?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 12:30:42 2003
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From: "Neil Goldstein" <ngold@comcast.net>
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Subject: RE: Adrenalinn II:Looper
Date: Wed, 10 Sep 2003 09:25:08 -0700
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As far as I can tell, its just setting the delay to 100% feedback. There
is no "Looper portion" per se. 

-----Original Message-----
From: Alan Kroeger [mailto:nospam@developsolutions.com] 
Sent: Wednesday, September 10, 2003 8:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Adrenalinn II:Looper

Hi anyone who owns the Adrenalinn II (Upgrade or Full unit) figure out
how
to make the Looper portion work. They do demo it on the web site but,
it's
not in the docs that I could see?. I still love the upgrade as the
device
does some great things and I would have upgraded anyway but, I can't
seem to
figure out how they do the repeated phrase. If you set it up to remove
delay
as the bypass it just kills the delay (no spillover) so, that isn't it
any
ideas?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 13:52:18 2003
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Subject: Re: Kaoss Pad
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The KAOSS pad is totally a looper.  If you haven't played around with 
it's loop sample functions you're missing half the fun.

Mark Sottilaro
On Monday, September 8, 2003, at 10:00  PM, Relay wrote:

> Eee hee hee heee,
> The Kaoss Pad is totally dope!  I finally plugged the Ztar doubleneck
> straight into it, and assigned the joystick to the axes (axi?) of the 
> pad
> and played some one handed guitar for a while.  Kinda like when my 
> right arm
> was operated on, but wackier . . .
> Not a looper but darned effective in getting you off the path you had 
> in
> mind--
>
> Gary
>
>

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> LOL - there was a fantastic urban myth going round the UK in the 90s that
>  the sax solo on Baker Street was played by a kitch TV game show host called
>  Bob Holness - so maybe I ought to bill him as the (un)invited guest on this
>  track.. :o)

"B flat please Bob."

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 14:07:35 2003
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Subject: RE: Adrenalinn II:Looper
Date: Wed, 10 Sep 2003 14:02:29 -0400
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Yeah that does seem to be the case (as far as my interpretation of the
implementation) I wonder how they pulled off that demo clip possibly I was
just very clever playing but, it did seem to have a rhythm backing track. Oh
well it would have been nice to have a little mini looper to carry around as
a supplement to the rack mounted EDP.

-----Original Message-----
From: Neil Goldstein [mailto:ngold@comcast.net] 
Sent: Wednesday, September 10, 2003 12:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Adrenalinn II:Looper


As far as I can tell, its just setting the delay to 100% feedback. There is
no "Looper portion" per se. 

-----Original Message-----
From: Alan Kroeger [mailto:nospam@developsolutions.com] 
Sent: Wednesday, September 10, 2003 8:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Adrenalinn II:Looper

Hi anyone who owns the Adrenalinn II (Upgrade or Full unit) figure out how
to make the Looper portion work. They do demo it on the web site but, it's
not in the docs that I could see?. I still love the upgrade as the device
does some great things and I would have upgraded anyway but, I can't seem to
figure out how they do the repeated phrase. If you set it up to remove delay
as the bypass it just kills the delay (no spillover) so, that isn't it any
ideas?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 14:29:48 2003
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From: "Relay" <relaydelayband@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Kaoss Pad as a Looper
Date: Wed, 10 Sep 2003 11:21:14 -0700
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OK, then . .
It's not a Live Looper--you have to stop the unit to play back a sample.
Next step--assign the axi to footpedals and use the PMC to change stuff that
way.  Look Ma, no hands!
Gary

-----Original Message-----
From: msottilaro [mailto:sine@zerocrossing.net]
Sent: Wednesday, September 10, 2003 10:49 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Kaoss Pad


The KAOSS pad is totally a looper.  If you haven't played around with
it's loop sample functions you're missing half the fun.

Mark Sottilaro
On Monday, September 8, 2003, at 10:00  PM, Relay wrote:

> Eee hee hee heee,
> The Kaoss Pad is totally dope!  I finally plugged the Ztar doubleneck
> straight into it, and assigned the joystick to the axes (axi?) of the
> pad
> and played some one handed guitar for a while.  Kinda like when my
> right arm
> was operated on, but wackier . . .
> Not a looper but darned effective in getting you off the path you had
> in
> mind--
>
> Gary
>
>



From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 15:12:33 2003
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From: Greg House <ghunicycle@yahoo.com>
Subject: RE: Adrenalinn II:Looper
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Does it allow a "hold" function on the delay? (basically 100% feedback, except
that new audio doesn't pass into the delay, just gets mixed with it) If it has
"hold", and a reasonably long delay time, you can make simple loops with it.

Greg

--- Alan Kroeger <nospam@developsolutions.com> wrote:
> Yeah that does seem to be the case (as far as my interpretation of the
> implementation) I wonder how they pulled off that demo clip possibly I was
> just very clever playing but, it did seem to have a rhythm backing track. Oh
> well it would have been nice to have a little mini looper to carry around as
> a supplement to the rack mounted EDP.
> 
> -----Original Message-----
> From: Neil Goldstein [mailto:ngold@comcast.net] 
> Sent: Wednesday, September 10, 2003 12:25 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Adrenalinn II:Looper
> 
> 
> As far as I can tell, its just setting the delay to 100% feedback. There is
> no "Looper portion" per se. 
> 
> -----Original Message-----
> From: Alan Kroeger [mailto:nospam@developsolutions.com] 
> Sent: Wednesday, September 10, 2003 8:43 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Adrenalinn II:Looper
> 
> Hi anyone who owns the Adrenalinn II (Upgrade or Full unit) figure out how
> to make the Looper portion work. They do demo it on the web site but, it's
> not in the docs that I could see?. I still love the upgrade as the device
> does some great things and I would have upgraded anyway but, I can't seem to
> figure out how they do the repeated phrase. If you set it up to remove delay
> as the bypass it just kills the delay (no spillover) so, that isn't it any
> ideas?
> 


__________________________________
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I will have to look into that as a possibility later on when I am in
proximity of the unit.

-----Original Message-----
From: Greg House [mailto:ghunicycle@yahoo.com] 
Sent: Wednesday, September 10, 2003 3:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Adrenalinn II:Looper


Does it allow a "hold" function on the delay? (basically 100% feedback,
except that new audio doesn't pass into the delay, just gets mixed with it)
If it has "hold", and a reasonably long delay time, you can make simple
loops with it.

Greg

--- Alan Kroeger <nospam@developsolutions.com> wrote:
> Yeah that does seem to be the case (as far as my interpretation of the
> implementation) I wonder how they pulled off that demo clip possibly I 
> was just very clever playing but, it did seem to have a rhythm backing 
> track. Oh well it would have been nice to have a little mini looper to 
> carry around as a supplement to the rack mounted EDP.
> 
> -----Original Message-----
> From: Neil Goldstein [mailto:ngold@comcast.net]
> Sent: Wednesday, September 10, 2003 12:25 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Adrenalinn II:Looper
> 
> 
> As far as I can tell, its just setting the delay to 100% feedback. 
> There is no "Looper portion" per se.
> 
> -----Original Message-----
> From: Alan Kroeger [mailto:nospam@developsolutions.com]
> Sent: Wednesday, September 10, 2003 8:43 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Adrenalinn II:Looper
> 
> Hi anyone who owns the Adrenalinn II (Upgrade or Full unit) figure out 
> how to make the Looper portion work. They do demo it on the web site 
> but, it's not in the docs that I could see?. I still love the upgrade 
> as the device does some great things and I would have upgraded anyway 
> but, I can't seem to figure out how they do the repeated phrase. If 
> you set it up to remove delay as the bypass it just kills the delay 
> (no spillover) so, that isn't it any ideas?
> 


__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 15:44:00 2003
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
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References: <IMEDLIPJGAJOOAEGNDCIEENDICAB.relaydelayband@earthlink.net>
Subject: Re: Kaoss Pad as a Looper
Date: Wed, 10 Sep 2003 20:39:51 +0100
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> OK, then . .
> It's not a Live Looper--you have to stop the unit to play back a sample.
> Next step--assign the axi to footpedals and use the PMC to change stuff
that
> way.  Look Ma, no hands!
> Gary

What does that mean? I use the Kaoss looping functions in live settings,
without prerecording stuff - I loop it, and trigger it - does looping have
to happen immediately? does it have to go round and round, or is it still
'looping' if I sample it and trigger it at some point in the gig?

More to the point, does it really matter? :o)

Steve
www.stevelawson.net


From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 16:05:41 2003
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From: "Neil Goldstein" <ngold@comcast.net>
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Subject: I wish...
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For a week to do nothing but brainstorm, program and test creative
synergistic patches and banks in my PMC-10 to control my loopers,
effects boxes, synths, and Ableton Live.  So much potential, so little
time (or discipline)
 
Neil
 
 
 

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>For a week to do nothing but brainstorm, program and =
test creative
synergistic patches and banks in my PMC-10 to control my loopers, =
effects
boxes, synths, and <span class=3DSpellE>Ableton</span> Live. <span
style=3D'mso-spacerun:yes'>&nbsp;</span>So much potential, so little =
time (or
discipline)<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 16:08:24 2003
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Thought this might interest the group:

http://story.news.yahoo.com/news?tmpl=3Dstory&u=3D/space/20030910/sc_spac=
e/blackholestrikesdeepestmusicalnoteeverheard

Can you loop something that you can't hear?
: )
cheers,
jim.
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<DIV><FONT face=3DArial size=3D2>Thought this might interest the =
group:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://story.news.yahoo.com/news?tmpl=3Dstory&amp;u=3D/space/2003=
0910/sc_space/blackholestrikesdeepestmusicalnoteeverheard">http://story.n=
ews.yahoo.com/news?tmpl=3Dstory&amp;u=3D/space/20030910/sc_space/blackhol=
estrikesdeepestmusicalnoteeverheard</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Can you loop something that you can't=20
hear?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>: )</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>jim.</FONT></DIV></BODY></HTML>

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Subject: this is funny(well, maybe not)
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i was just over @ musicplayer.com and was answering somebodys request about
the loop community,sending them to loopers delight.com and i had my answer
checked by 'spellcheck' and it corrected 'looper' to 'looter'...
s

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In a message dated 9/10/03 1:03:34 PM Pacific Daylight Time, 
ngold@comcast.net writes:

> For a week to do nothing but brainstorm, program and test creative 
> synergistic patches and banks in my PMC-10 to control my loopers, effects boxes, 
> synths, and Ableton Live.  So much potential, so little time (or discipline)
> 
>   
> 
> Neil
> 
> 

I wish for a solid year of complete solitude in my little studio....

Tim

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/10/03 1:03:34 PM Pacific Daylight=
 Time, ngold@comcast.net writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">For a week to do nothing but br=
ainstorm, program and test creative synergistic patches and banks in my PMC-=
10 to control my loopers, effects boxes, synths, and Ableton Live.&nbsp; So=20=
much potential, so little time (or discipline)</FONT><FONT  COLOR=3D"#000000=
" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"=
Arial" LANG=3D"0"><BR>
<BR>
&nbsp;</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SI=
ZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"> </FONT><FONT  COLOR=
=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERI=
F" FACE=3D"Arial" LANG=3D"0"><BR>
<BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">Neil</FONT><FONT  COLOR=3D"#=
000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FA=
CE=3D"Arial" LANG=3D"0"><BR>
<BR>
</BLOCKQUOTE><BR>
</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><BR>
I wish for a solid year of complete solitude in my little studio....<BR>
<BR>
Tim</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 21:48:16 2003
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Subject: Y2K3 LIVE LOOPING FESTIVAL (posting from Rick Walker)
Date: Wed, 10 Sep 2003 18:52:18 -0700
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Rick Walker asked me to foward this email to the Looper's Delight List since
his email is acting up on him.  Personally I'm extremely excited about the
event this year, and you should be too!
Jon

*************************
Hi Live Loopers,  Rick Walker here:

There are a very  limited amount of performance spaces left for
this year's Y2K3 LIVE LOOPING FESTIVAL to be held
on October 10th, 11th and 12th  at the Cayuga Vault
in Santa Cruz, California.....................www.cayugavault.com.

There are between 30 and 40 loopers who will be performing.

All performances will be donated by the artists.

All proceeds, if any, will go into a fund to pay for venue rental
and publicity costs in the next year so that we can bring out of country
loopers  or loopers from far away to Northern California and at least
present them with one gig where they can make all of the
money.............lol.

Set lengths are 30 minutes for each artist on two stages that alternate
continually with NO SET CHANGES.
Consequently there is a strict 20 minute set up time and 10 minute breakdown
time.
Longer setup times will, regretfully be taken of the performers performance.
Longer breakdown times will
be taken of the set time of the next looping artist.

We have to do this in order to accomodate this huge roster of  artists so
please think cooperatively............thanks.

****************************************

Interested loopers should send me a CD, MP3 (NOT via e-mail) or cassette
recording of your work to this address AS SOON AS POSSIBLE...........I
probably won't
be able to consider anything that comes in later than Tuesday of next week
due to the volume of work that is
necessary to make this thing a success  :

Y2K3 LoopFest
412 Darwin Street
Santa Cruz, California
95062-2629
Include your e-mail address............this is very important.

Please do not E-mail me,  (unless I already know you).   Please respect this
wish as I am inundated with all of the donated time it is taking me to
produce this gargantuan affair.


We have a great roster of artists already signed up, including

Featured artists:

Garether Whittock (Swansea, Wales)
Michael Klobuchar (Pittsburgh, Pennsylvania)
Jimmy George (Boulder, Colorado)
Ted Killian (Ashland, Oregon)

and Californians:

AmyX Neuburg (San Francisco, California)
Bill Walker (Santa Cruz, California)
Brian Kenney Fresno (you figure this one out.......lol)
Max Valentino (Tehachipi, California)


The schedule is as follows:

Friday Night:
"night of the living guitars"     (with featured artist,  Bill Walker)

Saturday Day
"the 1st Percussion Live Looping Festival  (with featured artist  Amy X
Neuburg)

Saturday night ( with featured artist, all the way from Wales, Gareth
Whittock)

Sunday day (with featured artist: Max Valentino)

and Sunday night  (with featured artist Brian Kenney Fresno)

From Loopers-Delight-request@loopers-delight.com  Wed Sep 10 22:49:00 2003
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From: "William R. Walker," <chillyb@cruzio.com>
Subject: Power Supplies for Repeaters
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Dear Repeater users, Pete Toms at Condor Electronics is near completion of
a custom built power supply for the Repeater. He asked me how many I
thought he should build. They are'nt cheap at about $90 a pop, however
these are being hand built, not mass produced, so the labor cost is
significant.  Any one who is serious about getting a back up power supply
(or 2 or 3) should reply to me off list. I'll get an idea of how many of
you are interested and get back to Pete. Please do not e-mail me about
possible group discounts for LD or Repeater web site members: it aint gonna
happen. These are hand built, one at a time. However If enough people were
interested it may cut down on his parts costs. Again, please respond off
list to me.
Thanks
Bill


From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 04:31:21 2003
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Date: Thu, 11 Sep 2003 01:24:19 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Kaoss Pad as a Looper
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At 12:39 PM 9/10/2003, Steve Lawson wrote:
> > OK, then . .
> > It's not a Live Looper--you have to stop the unit to play back a sample.
> > Next step--assign the axi to footpedals and use the PMC to change stuff
>that
> > way.  Look Ma, no hands!
> > Gary
>
>What does that mean? I use the Kaoss looping functions in live settings,
>without prerecording stuff - I loop it, and trigger it - does looping have
>to happen immediately?

I would say yes. A looper is a different thing from a sampler. My basic 
definition of a looper is something that seamlessly plays back the loop 
after it has been recorded, and allows additional material to be recorded 
to the loop while it continues to play. It should at least do that to be a 
looper, and that's the definition I put on Looper's Delight about 7 years 
ago. A sampler generally has more separated recording functions, and 
requires the samples to be triggered. They don't seamlessly go into a loop 
and they don't let you record new stuff onto the loop while it plays. Once 
a sample is in the sampler, it can be looped with a simple sequence the 
triggers it at regular intervals, but that is not the same as being a "looper".

It sounds to me like the function you are playing with here is a phrase 
sampler.

>does it have to go round and round, or is it still
>'looping' if I sample it and trigger it at some point in the gig?
>
>More to the point, does it really matter? :o)

Samplers and loopers can both be used live and in musically useful ways, so 
in that respect no, it doesn't matter. Use whatever works for you. But I 
think it does matter that words have a meaningful definition, otherwise 
communicating gets really hard.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 05:22:44 2003
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The way Steve plays, several non-synched delays sound . . . interesting, and
always melodic.

At 12:39 PM 9/10/2003, Steve Lawson wrote:
> > OK, then . .
> > It's not a Live Looper--you have to stop the unit to play back a sample.
> > Next step--assign the axi to footpedals and use the PMC to change stuff
>that
> > way.  Look Ma, no hands!
> > Gary
>
>What does that mean? I use the Kaoss looping functions in live settings,
>without prerecording stuff - I loop it, and trigger it - does looping have
>to happen immediately?

Kim weighed in: "I would say yes. A looper is a different thing from a
sampler. My basic
definition of a looper is something that seamlessly plays back the loop
after it has been recorded, and allows additional material to be recorded
to the loop while it continues to play. It should at least do that to be a
looper, and that's the definition I put on Looper's Delight about 7 years
ago. A sampler generally has more separated recording functions, and
requires the samples to be triggered. They don't seamlessly go into a loop
and they don't let you record new stuff onto the loop while it plays. Once
a sample is in the sampler, it can be looped with a simple sequence the
triggers it at regular intervals, but that is not the same as being a
"looper".

It sounds to me like the function you are playing with here is a phrase
sampler."

>does it have to go round and round, or is it still
>'looping' if I sample it and trigger it at some point in the gig?
>
>More to the point, does it really matter? :o)

Samplers and loopers can both be used live and in musically useful ways, so
in that respect no, it doesn't matter. Use whatever works for you. But I
think it does matter that words have a meaningful definition, otherwise
communicating gets really hard.

kim

So here's the deal:
There are certain expectations we all have concerning the basic functions
that a looping device must have.
The earliest loopers used natural surroundings to create repetition using
echoes, and also thru teamwork with ensembles.
The modern looping device required the features Kim lists above, but he
omits what is a much desired/required.  We need feedback control, but you
could throw undo in there for good measure.
I think these are all basic looper requirements.  What other features can
some of the rest of you not do without?  I'm sure Andre has some favorites.
Is MIDI sync really a requirement for a looper?
On another note, I have found that the new Digitech XDD DigiDelay I got for
$99 bucks recently, while not capable of feedback control, does allow one to
control the volume by using the side of your foot on the knob for fade ins
and outs.  The knob is conveniently located for that use.  And it runs on 9
volts!  Definitely a looper!
Gary


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James Lanpheer wrote:

> Can you loop something that you can't hear?: )
>
> Yes, indeed.  Most of my loops are such.  I feed a signal into my
> Electro-Harmonix Sixteen Second Digital Delay, hit the hold button,
> fade the audio out of the mix, then drop the signal an octave, reverse
> the loop, usually slow the loop further with the faders, often throw
> in some modulation, and have no idea what kind of sludge will emerge
> when I fade the audio back in. (-8
>
> Do wish I could go fifty-seven octaves below middle C, though. (-8
>
> John McIntyre
> mcintyre@pa.msu.edu

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From: Evan Meyers <evanmeyers@yahoo.com>
Subject: Re: Power Supplies for Repeaters
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well, having 2 repeaters...i am a bit affraid of a
power supply fritzing out on me or vanishing, but $90
is a lot to spend for a precautionary measure.  will
he be able to build these on a need basis?  even for
more money?  i'm sure that several people on list
would shell out over $100 if it came to the point
where they NEEDED a power supply, but $90 as a just in
case is quite a bit.  


--- "William R. Walker," <chillyb@cruzio.com> wrote:
> Dear Repeater users, Pete Toms at Condor Electronics
> is near completion of
> a custom built power supply for the Repeater. He
> asked me how many I
> thought he should build. They are'nt cheap at about
> $90 a pop, however
> these are being hand built, not mass produced, so
> the labor cost is
> significant.  Any one who is serious about getting a
> back up power supply
> (or 2 or 3) should reply to me off list. I'll get an
> idea of how many of
> you are interested and get back to Pete. Please do
> not e-mail me about
> possible group discounts for LD or Repeater web site
> members: it aint gonna
> happen. These are hand built, one at a time. However
> If enough people were
> interested it may cut down on his parts costs.
> Again, please respond off
> list to me.
> Thanks
> Bill
> 
> 


__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
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Greeting Loopers,

   I wanted to let folks know that I have a few  looper shirts left over
   from the last printing, and now that  my other orders are settled
   these are available for immediate shipping.     I do not plan on doing
   more shirts for quite awhile...

   What I got:
        2 Large
        2 X-Large
        1 Large in Gray (rather than black).

    Apologies to those outside of the USA,  but  I cannot  properly
    use USPS to track the international packages. If shirts get lost
    in international  mail, which they have in the past,  I  can not  do
    another printing to make up for it.  I hate to make this restriction,
    but I must,  Domestic Shipping only.

    The cost for these last few shirts is $22 via Paypal or check.  This 
price will
    include Priority Mail and Delivery Confirmation.

    Contact me offlist if you want one:

             dimmo@dimbulb.org

    thanks,
-jas
 albuquerque             


From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 15:11:50 2003
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Hey,

What's the general consensus on the EDP synced to MIDI?  I saw some 
posts about people having troubles with this.
Does MIDI not work at all?
I was thinking about getting an EDP and syncing it with a Korg drum 
machine.

I'm also thinking about the Electrix Repeater, but how good is it as a 
Live Looper?

Could I hook up a Behringer MIDI Foot Controller for example and 
control Pitch, Speed, and Jump between tracks live?

I'm also wondering if I can layer parts over one loop right away with 
the Repeater like I can with my Line6 Pedal.


Thank You,

Soam

From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 15:48:26 2003
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Date: Thu, 11 Sep 2003 15:42:09 EDT
Subject: steinberger string supply and stuff
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i seem to remember people saying these strings were hard to find.....<A HREF="http://www.doubleball.co.uk/">Click 
here: XL2XL</A>.....now when you loop (content) you can brake them to your hearts 
desire.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>i seem to remember people=
 saying these strings were hard to find.....<A HREF=3D"http://www.doubleball=
.co.uk/">Click here: XL2XL</A>.....now when you loop (content) you can brake=
 them to your hearts desire.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 17:00:39 2003
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From: "David" <vze2ncsr@verizon.net>
To: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: .little a. -- Free MP3's  &  New CD  &  Boston Phoenix Article
Date: Thu, 11 Sep 2003 16:55:48 -0400
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Hello -

Just a little note to say that the little rock-band-that-could -- =
.little a. -- is featured in a little article in this week's Boston =
Phoenix.
Ted Drodowski has written a nice little piece about the band and our =
newly released CD - StarsFade.

How ironic that the .little a. webpage -- www.littleamusic.com -- is =
currently DOWN because of some unknown technical difficulties.=20

.little a. Phoenix article:
http://www.bostonphoenix.com/boston/music/cellars/documents/03146768.asp

Download Free MP3's:=20
http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273

Buy CD: $5 StarsFade=20
http://www.cdbaby.com/cd/littlea




Other News 1:=20

Bruce has a show next week!
        The Kendall Caf=E9=20
        Thursday, Sept 18th  9:00 pm
        233 Cardinal Medeiros Way,
        Kendall Square, Cambridge, MA
        http://www.brucegrover.com/

Other News 2:

David's other two projects -- Super-Cannes & UNDO -- as well as .little =
a. this month all receive positive reviews in local 'zine The Noise.   =20
http://www.thenoise-boston.com/cd_reviews/234.asp   Does three reviews =
in one issue of The Noise constitute a record of some kind?

To learn more about Super-Cannes & UNDO, please reply to this e-mail.

You can request .little a., Bruce Grover, Super-Cannes and UNDO from all =
your favorite radio stations! =20
Thanks for supporting local music, and the people who make it!

David Kirkdorffer
------=_NextPart_001_0162_01C37885.8CEAFDE0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello -</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Just a little note to say that the =
little=20
rock-band-that-could -- .little a. -- is featured in a little article in =
this=20
week's Boston Phoenix.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Ted Drodowski has written a nice little =
piece about=20
the band and our newly released CD - <EM>StarsFade.</EM></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>How ironic that the .little a. webpage =
-- <A=20
href=3D"http://www.littleamusic.com">www.littleamusic.com</A> -- is =
currently DOWN=20
because of some unknown technical difficulties. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>.little a.</STRONG> =
<STRONG>Phoenix=20
article</STRONG>:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.bostonphoenix.com/boston/music/cellars/documents/03146=
768.asp">http://www.bostonphoenix.com/boston/music/cellars/documents/0314=
6768.asp</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG><FONT color=3D#0000ff>Download =
Free</FONT>=20
MP3's</STRONG>: </FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273">http:/=
/www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Buy =
</STRONG><STRONG>CD</STRONG>: $5=20
<STRONG><EM><FONT color=3D#0000ff>StarsFade</FONT></EM></STRONG> =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.cdbaby.com/cd/littlea">http://www.cdbaby.com/cd/little=
a</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><IMG alt=3D"" hspace=3D0=20
src=3D"cid:016001c378a7$13fc9de0$0affff0a@hppav" align=3Dbaseline=20
border=3D0></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Other News 1: =
</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2><FONT=20
color=3D#0000ff></FONT></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT face=3DArial size=3D2><FONT color=3D#0000ff>Bruce =
</FONT>has a show=20
next week!</FONT></STRONG></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><STRONG>&nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
The Kendall Caf=E9</STRONG> <BR>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
Thursday,=20
Sept 18th&nbsp;&nbsp;9:00 pm<BR>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
233=20
Cardinal Medeiros Way,<BR>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Kendall =
Square,=20
Cambridge, MA<BR></FONT></FONT><FONT face=3DArial=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT><A=20
href=3D"http://www.brucegrover.com/"><FONT face=3DArial=20
size=3D2>http://www.brucegrover.com/</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Other News =
2:</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2><FONT=20
color=3D#0000ff></FONT></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT face=3DArial size=3D2><FONT =
color=3D#0000ff>David's</FONT> other=20
two projects&nbsp;-- Super-Cannes &amp; UNDO -- as well as .little =
a.&nbsp;this=20
month all receive positive reviews in local 'zine&nbsp;The=20
Noise.&nbsp;&nbsp;&nbsp; </FONT></STRONG></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.thenoise-boston.com/cd_reviews/234.asp"><STRONG>http:/=
/www.thenoise-boston.com/cd_reviews/234.asp</STRONG></A>&nbsp;&nbsp;=20
Does three reviews in one issue of The Noise constitute a record of some =

kind?</FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>To learn more about Super-Cannes &amp; =
UNDO, please=20
reply to this e-mail.</FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#000000 size=3D2><STRONG>You can request =
.little a.,=20
Bruce Grover, Super-Cannes and UNDO from all your favorite radio =
stations!&nbsp;=20
</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for supporting local music, and =
the people=20
who make it!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David =
Kirkdorffer</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 17:01:07 2003
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Subject: Re: EDP MIDI Problems?/Repeater As A Live Looper
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On Thursday, September 11, 2003, at 12:09  PM, soam wrote:
>
> I'm also thinking about the Electrix Repeater, but how good is it as a 
> Live Looper?

People have complained about it, but I find the Repeater to be an 
excellent live looper due to it's excellent handling of incoming MIDI 
clock.  It has a few odd bugs (that will never be fixed) but mostly 
I've found work-a-rounds for all of them or they don't effect the way I 
use it.  If you're trying to delete a track and you accedently hit stop 
WATCH OUT!  The Repeater will freak out and think the tempo is twice 
what the MIDI clock actually is.

> Could I hook up a Behringer MIDI Foot Controller for example and 
> control Pitch, Speed, and Jump between tracks live?

Yes indeed.

>
> I'm also wondering if I can layer parts over one loop right away with 
> the Repeater like I can with my Line6 Pedal?

Once you've defined your loop length, you have to go back into record 
to start adding.  The EDP let's you define loop length by hitting 
overdub so you're seamlessly blending new with old.  Nice trick.  The 
way I get around this is by first recording a blank loop on the 
Repeater (which you can do before a show due to the non volitile loop 
memory) and then having it start when I hit play on my drum machine.  
Viola, seamless loop.  However, there is a slight bump in volume at the 
loop point, but I can only hear this if I'm playing a featureless 
drone, and even then it's pretty mild.

I've got some live looping Repeater samples at 
http://www.zerocrossing.net/mp3s/

From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 17:25:51 2003
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From: Travis Hartnett <tiktok@sprintmail.com>
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Subject: Re:EDP MIDI Problems?/Repeater As A Live Looper
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The general consensus is that the EDP syncs to MIDI reliably if you configure both devices appropriately.  

TravisH

>What's the general consensus on the EDP synced to MIDI?  I saw some 
>posts about people having troubles with this.
>Does MIDI not work at all?
>I was thinking about getting an EDP and syncing it with a Korg drum 
>machine.


From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 18:32:29 2003
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To: Loopers-Delight@loopers-delight.com
Subject: Ableton Live and Behringer FCB1010 set up issues. 
Date: Thu, 11 Sep 2003 18:27:25 -0400
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Hi,

I've been lurking on this list for a while now and have enjoyed the topics
discussed and enjoyed listening to some excellent music that many of you
have been creating. Thanks!

I hope this isn't too off topic, but... I'm trying to use Ableton Live and
the FCB1010 midi foot controller to do basic looping/recording on the fly.

I'm running into a few issues with setting up the midi mapping between Live
and the FCB1010 (I've searched the archive, google, ableton forums, I've
read the entire Live manual, etc. so I don't think this is a redundant
question.).

Let's say I have a percussion loop in track 1 - scene 1.

I'd like to use track 2 - scene 1 to record a simple bass loop and use the
fcb1010 to start/stop the record. Here's where I'm running into a problem.
I've tried programming the fcb1010 to have cnt1 (footswitch 6) send out a
controller message (preset 1). Then I've set up the midi mapping by hovering
the mouse over the record button for the slot in track 2 scene 1, select
Midi Mapping, then step on the fcb1010 preset 1. Live assigns the mapping
(1/35 if I remember right). When I exit the Midi mapping mode Live starts
playing. When I step on the fcb1010 preset 1 Live doesn't start recording,
instead it looks like it loads an empty clip in play mode (vs. record mode).


BTW, I was able to successfully set up a midi map using a midi keyboard
(press low c once to start recording, press it a second time to go into
playback/loop mode). So I think I'm not programming the fcb correctly.

Could someone who's a Live/fcb looper please help stear me in the right
direction?

Also, as I think about how the fcb works and how Live midi mapping works it
seems as if I'd really only be able to have each preset send out one midi
message. Is that correct? Let's say I wanted a preset that disarms the
current slot that's recording and jumps to the next track and arms the slot
for recording all at the same time. Is that possible? i.e. if a preset sends
out multiple midi messages how could I map each message individually to an
item in Live?

Thanks for your help!

Jim



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From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 20:51:35 2003
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From: "Todd Lainhart" <tlainhart@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Recommended EDP service centers?
Date: Thu, 11 Sep 2003 19:37:10 -0400
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Hello Loopers -

I'm a newbie in possession of a used EDP that's in need of some repair
(LED output is sporatic at times - bad connection somewhere).  I called
Gibson, and they recommended an authorized repair center out of Beverly,
MA (I'm in Central MA, USA).  

Any strong recommendations as to where I should send this thing?  It's a
bit dated, so I suspect I'll want to upgrade the software (I'm aware of
LoopIV), and maybe some memory.

Thanks for any tips - nice community you have here.

  -- Todd

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<TITLE>Recommended EDP service centers?</TITLE>
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<P><FONT SIZE=3D2 FACE=3D"Arial">Hello Loopers -</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I'm a newbie in possession of a used =
EDP that's in need of some repair (LED output is sporatic at times - bad =
connection somewhere).&nbsp; I called Gibson, and they recommended an =
authorized repair center out of Beverly, MA (I'm in Central MA, =
USA).&nbsp; </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Any strong recommendations as to where =
I should send this thing?&nbsp; It's a bit dated, so I suspect I'll want =
to upgrade the software (I'm aware of LoopIV), and maybe some =
memory.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Thanks for any tips - nice community =
you have here.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">&nbsp; -- Todd</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 22:41:49 2003
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Subject: Re:EDP/Repeater Tempo Define (was EDP MIDI Problems?/Repeater As A Live Looper)
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>
>> Could I hook up a Behringer MIDI Foot Controller for example and 
>> control Pitch, Speed, and Jump between tracks live?
>
> Yes indeed.
>

Can you change the pitch and speed of all tracks at once, or do you 
have to do them independently?

>>
>> I'm also wondering if I can layer parts over one loop right away with 
>> the Repeater like I can with my Line6 Pedal?
>
> Once you've defined your loop length, you have to go back into record 
> to start adding.

Hmm..can you define the tempo on the fly? I wasn't planning on playing 
to a metronome.
For example:

1) hit record on EDP or Repeater on first downbeat.
2) hit record on downbeat of beat 5
3) BPM automatically displayed and Korg drum machine in sync as slave

This is how I would want it to work.

BTW I'm planning on using either the EDP or Repeater with a guitar -> 
bunch of effects ->  EDP or Repeater -> Guitar Amp

I'm considering Live which I already own. I would just have to get a 
foot pedal.  The thing I don't like about live is that I can't define 
the tempo as I explained earlier.

Any input is greatly appreciated.

Thanks,

Soam

From Loopers-Delight-request@loopers-delight.com  Thu Sep 11 23:06:40 2003
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Subject: Re: EDP/Repeater Tempo Define (was EDP MIDI Problems?/Repeater As A Live Looper)
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On Thursday, September 11, 2003, at 07:37 PM, soam wrote:
> Can you change the pitch and speed of all tracks at once, or do you 
> have to do them independently?

All at once if you like.

> Hmm..can you define the tempo on the fly? I wasn't planning on playing 
> to a metronome.
> For example:
>
> 1) hit record on EDP or Repeater on first downbeat.
> 2) hit record on downbeat of beat 5
> 3) BPM automatically displayed and Korg drum machine in sync as slave

The Repeater has iffy MIDI clock out.  That's one of the big issues.  
Some devices seem to be OK with it, others not.  Frankly, I've never 
tried to get any other drum machine to sync to the Repeater other than 
my Roland MC-307.  It did work OK, but it was only a test.  I usually 
slave the Repeater to the sequencer.  You might want to ask people on 
the Repeater list what they think.  I did try to get the delays from 
the Electrix MoFX and AdrenaLinn to sync to the Repeater's clock and it 
didn't work properly.

> BTW I'm planning on using either the EDP or Repeater with a guitar -> 
> bunch of effects ->  EDP or Repeater -> Guitar Amp

Go for the EDP.  The Repeater is best in a line level audio path and 
doesn't work well otherwise.  It's a better slave than the EDP, but a 
worse master.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 00:21:03 2003
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To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Rackmount 1-space stereo line mixers?
Date: Thu, 11 Sep 2003 21:16:36 -0700
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Right now I'm using my Repeater as an inline, downstream effect after my
Roland VG-88 guitar processor. For various reasons (including the latency
issue which has been mentioned here), I'd like to try moving the Repeater
off into a side-chain (parallel) FX signal, instead of running it inline.

The easy and cheap solution would be a compact horizontal-format mixer with
two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to keep
my rig as compact as possible, and I would prefer doing this with a 1-space
rackmount stereo line mixer.

One complication here is that I would like a headphone output in the mixer,
since I've been using the Repeater's headphone jack to monitor practice
sessions. If I move it off to a parallel FX loop and run it in dry mute
mode, I won't hear the VG-88 live sound in the headphones.

I haven't found many candidates so far. Most of the 1u rackmount line mixers
don't even have FX sends, and the few that do are usually mono sends and
returns. And very few rackmount line mixers include a headphone jack. Here
are the options I've found so far in stereo 1u rack line mixers that might
work:

Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to add a
headphone amp).

Ashly LX308B -- no FX loop, but it has a headphone jack.

Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.

I could use a pair of line splitters ahead of the Ashley or Whirlwind mixers
to get around the FX loop problem... split the VG-88 stereo signal, send one
stereo pair to the mixer, the other stereo pair to the Repeater, and bring
the Repeater's output back into the mixer.

Is there anything else that might work? All these 1u rackmount stereo mixers
are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
horizontal format mixers that would do the same job. I thought I'd ask here
first if there were other options I haven't found.

Thanks!

 ______________________
 Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 01:47:20 2003
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To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re:EDP/Repeater Tempo Define (was EDP MIDI Problems?/Repeater
  As A Live Looper)
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At 07:37 PM 9/11/2003, soam wrote:
>Hmm..can you define the tempo on the fly? I wasn't planning on playing to 
>a metronome.
>For example:
>
>1) hit record on EDP or Repeater on first downbeat.
>2) hit record on downbeat of beat 5
>3) BPM automatically displayed and Korg drum machine in sync as slave
>
>This is how I would want it to work.

the echoplex does do that, quite easily.
kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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Subject: Re: Rackmount 1-space stereo line mixers?
Date: Fri, 12 Sep 2003 09:03:36 +0200
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Hi Mike. I don't know the specifics, but there is a new 1-space stereo line
mixer on the Behringer catalogue, and it should cost about 150$... I've seen
only a pair of photos of it, but you might try to give a look on the
www.behringer.com homepage, there should be a direct link there... It is the
eurorack pro rx1602 ... I don't know if it has fx loops, though...


Luigi
----- Original Message ----- 
From: "Mike Barrs" <mbarrs@nightviewer.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 12, 2003 6:16 AM
Subject: Rackmount 1-space stereo line mixers?


> Right now I'm using my Repeater as an inline, downstream effect after my
> Roland VG-88 guitar processor. For various reasons (including the latency
> issue which has been mentioned here), I'd like to try moving the Repeater
> off into a side-chain (parallel) FX signal, instead of running it inline.
>
> The easy and cheap solution would be a compact horizontal-format mixer
with
> two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to keep
> my rig as compact as possible, and I would prefer doing this with a
1-space
> rackmount stereo line mixer.
>
> One complication here is that I would like a headphone output in the
mixer,
> since I've been using the Repeater's headphone jack to monitor practice
> sessions. If I move it off to a parallel FX loop and run it in dry mute
> mode, I won't hear the VG-88 live sound in the headphones.
>
> I haven't found many candidates so far. Most of the 1u rackmount line
mixers
> don't even have FX sends, and the few that do are usually mono sends and
> returns. And very few rackmount line mixers include a headphone jack. Here
> are the options I've found so far in stereo 1u rack line mixers that might
> work:
>
> Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to add a
> headphone amp).
>
> Ashly LX308B -- no FX loop, but it has a headphone jack.
>
> Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
>
> I could use a pair of line splitters ahead of the Ashley or Whirlwind
mixers
> to get around the FX loop problem... split the VG-88 stereo signal, send
one
> stereo pair to the mixer, the other stereo pair to the Repeater, and bring
> the Repeater's output back into the mixer.
>
> Is there anything else that might work? All these 1u rackmount stereo
mixers
> are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
> horizontal format mixers that would do the same job. I thought I'd ask
here
> first if there were other options I haven't found.
>
> Thanks!
>
>  ______________________
>  Mike Barrs
>


From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 03:30:48 2003
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Subject: RE: Rackmount 1-space stereo line mixers?
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> From: Luigi Meloni [mailto:luigimeloni74@LIBERO.it]
> Sent: Friday, September 12, 2003 12:04 AM
>
> Hi Mike. I don't know the specifics, but there is a new 1-space
> stereo line
> mixer on the Behringer catalogue, and it should cost about
> 150$... I've seen
> only a pair of photos of it, but you might try to give a look on the
> www.behringer.com homepage, there should be a direct link
> there... It is the
> eurorack pro rx1602 ... I don't know if it has fx loops, though...

Thanks, but it looks like this doesn't have FX send/return, or a headphone
jack.

It's frustrating... for under $100 you can get a horizontal-format mixer
with 2 AUX sends, 2 AUX returns, and a headphone jack. But you have to spend
$500 or more to get something like this in a rackmount line mixer. :-(

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 04:10:36 2003
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Ableton Live and Behringer FCB1010 set up issues. 
Date: Fri, 12 Sep 2003 10:03:54 +0200
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> -----Original Message-----
> From: Jonah, Jim [mailto:Jim.Jonah@compuware.com] 

Hi Jim,

> I hope this isn't too off topic, but... I'm trying to use 
> Ableton Live and the FCB1010 midi foot controller to do basic 
> looping/recording on the fly.

That's a set-up I'm using too :-)  (among other set-ups)

> I'm running into a few issues with setting up the midi 
> mapping between Live and the FCB1010 
>
> 
> Let's say I have a percussion loop in track 1 - scene 1.
> 
> I'd like to use track 2 - scene 1 to record a simple bass 
> loop and use the fcb1010 to start/stop the record. Here's 
> where I'm running into a problem. I've tried programming the 
> fcb1010 to have cnt1 (footswitch 6) send out a controller 
> message (preset 1). Then I've set up the midi mapping by 
> hovering the mouse over the record button for the slot in 
> track 2 scene 1, select Midi Mapping, then step on the 
> fcb1010 preset 1. 

I'm doing it another way by starting out with putting all tracks into
"record enabled mode". Then I assign the FCB midi messages to the clip
slot. What happens then is that the FCB pedal will start recording into
a slot, if that slot is empty. If the slot is not empty (i.e. I have
already recorded a loop into it) the same FCB button will start or stop
the clip/loop. 

To the same FCB button (pre-set) I have also enabled (in the FCB
programming mode) one of the expression pedals to send a certain
continuous controller (1-90 instead of 1-128 to stay away from
overloading the Ableton mixer output) that is set to control the Ableton
track volume fader. By this I can step one button on the FCB and go
directly into recording and adjusting that track's level with the pedal.


One drawback is that when I have a some loops going in a bunch of tracks
(let's say clip 1,2,3 and 4 of scene 1) I can't activate the track
volume pedal without also stopping that loop for a while. But for the
music I perform this is not a big problem. 

> Also, as I think about how the fcb works and how Live midi 
> mapping works it seems as if I'd really only be able to have 
> each preset send out one midi message. Is that correct? 

No, luckily not ;-) As you might know you can program each FCB preset to
send out midi data for all "switches" (as Behringer calls it) that are
activated in that preset. And you can also program Ableton Live to react
with many actions to such a "multi-midi-msg" command sent out from your
FCB. But it's a bit special to program since the Ableton Live midi learn
function can not hear a row of midi messages, it will only register the
first. So what you have to do is to send those "FCB-multi-msg's"
separately one after the other while working the Live midi learn to
assign each controller msg to the Live function you want. This is done
with the FCB in programming mode. Here's the complete procedure:

Go into FCB programming mode and turn off all switches except for the
one sending the midi data you want. 

1. Press the button you want to program 
2. Hold down the down button until programming mode is entered 
3. Press up button 

Now a bunch of buttons will light up. These are the switches being
active in the preset of the button you pressed above at stage 1. You can
now turn them off by a long press or you can go into a specific switch
to set the actual controllers (by pressing it shortly so it will start
blinking and then you go through the menus with the up/down buttons). If
you do this the actual midi value for that midi parameter ("switch" in
the FCB manual) is being sent out when you do the last arrow-up push,
and this is when Ableton Live Mid Learn gets to learn that midi. 

I have not found any way to save a set of assigned midi controller's as
a template in Ableton so when you have finished this procedure you must
not forget to save an empty song to use as template. I'm setting this
file to "non-writable" file status (or whatever it's called... This is
different on Win and Mac but you know what I mean).

> Let's 
> say I wanted a preset that disarms the current slot that's 
> recording and jumps to the next track and arms the slot for 
> recording all at the same time. Is that possible? 

No. You cant assign a midi controller to "jumping to the next track" in
Ableton. I was also looking for this ;-)  You have to map directly to
the clips. Just map them up on your pedal - clips of all scenes! And you
can also map buttons directly to a certain scene in Ableton.

If you have mapped an FCB button (preset) to let's say scene 2 this will
start all clips in scene two to play, but only if they were playing the
last time you were in scene 2. Muted/stopped clips will still be muted
when you call up that scene again. On very usable thing I found out is
that if you step on the button for a certain scene when you already are
in that same scene the effect will be that all playing clips will be
muted and all muted clips will start playing. This is a typical example
of the how smart Ableton is designed (the guys are musicians themselves,
I have heard). When you know about this you can use it musically to
switch between two sets of loops in the same scene.

Another option you have with Live is to use it as an effect processor by
monitoring your instrument through the track (inserted fx plug-ins
included). However this demands a low latency soundcard. Otherwise you
can deselect "Monitor through Live" in the preferences and split your
instrument input for one direct (house PA) and one Ableton input signal.
When programming FCB/Ableton for this "multi-fx-preamp" function you
need to add to the button addressing the clips, also a midi command
addressing each Ableton track's monitor button. This midi msg have to be
included in all FCB presets that do address clips on the same Ableton
track. Personally I'm waiting with this until I can find a laptop with
firewire and a low latency firewire mobile interface. Right now I'm
using the cheap M-Audiophile USB which would give phase out my
instrument sound if monitored through Live and also sent directly to the
PA.

Best wishes

Per Boysen
__________________________________
www.boysen.se
www.looproom.com

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Subject: Re: Recommended EDP service centers?
Date: Fri, 12 Sep 2003 01:44:18 -0700
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Recommended EDP service centers?You'll freak when you learn how far $100 =
goes when you upgrade from Loop 3 to Loop 4.
It's just incredible.    Write to Kim Flint at Aurisis to by the eprom =
from him with the Loop 4 software.

Best of luck and keep looping.

yours,  Rick Walker
  ----- Original Message -----=20
  From: Todd Lainhart=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, September 11, 2003 4:37 PM
  Subject: Recommended EDP service centers?


  Hello Loopers -=20

  I'm a newbie in possession of a used EDP that's in need of some repair =
(LED output is sporatic at times - bad connection somewhere).  I called =
Gibson, and they recommended an authorized repair center out of Beverly, =
MA (I'm in Central MA, USA). =20

  Any strong recommendations as to where I should send this thing?  It's =
a bit dated, so I suspect I'll want to upgrade the software (I'm aware =
of LoopIV), and maybe some memory.

  Thanks for any tips - nice community you have here.=20

    -- Todd=20


------=_NextPart_000_00D5_01C378CF.6146D020
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Recommended EDP service centers?</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c771fb>
<DIV><FONT color=3D#000000 size=3D2>You'll freak when you learn how far =
$100 goes=20
when you upgrade from Loop 3 to Loop 4.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>It's just =
incredible.&nbsp;&nbsp;&nbsp; Write to=20
Kim Flint at Aurisis to by the eprom from him with the Loop 4=20
software.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Best of luck and keep =
looping.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>yours,&nbsp; Rick =
Walker</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtlainhart@charter.net =
href=3D"mailto:tlainhart@charter.net">Todd=20
  Lainhart</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, September 11, =
2003 4:37=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Recommended EDP =
service=20
  centers?</DIV>
  <DIV><BR></DIV><!-- Converted from text/rtf format -->
  <P><FONT face=3DArial size=3D2>Hello Loopers -</FONT> </P>
  <P><FONT face=3DArial size=3D2>I'm a newbie in possession of a used =
EDP that's in=20
  need of some repair (LED output is sporatic at times - bad connection=20
  somewhere).&nbsp; I called Gibson, and they recommended an authorized =
repair=20
  center out of Beverly, MA (I'm in Central MA, USA).&nbsp; </FONT></P>
  <P><FONT face=3DArial size=3D2>Any strong recommendations as to where =
I should=20
  send this thing?&nbsp; It's a bit dated, so I suspect I'll want to =
upgrade the=20
  software (I'm aware of LoopIV), and maybe some memory.</FONT></P>
  <P><FONT face=3DArial size=3D2>Thanks for any tips - nice community =
you have=20
  here.</FONT> </P>
  <P><FONT face=3DArial size=3D2>&nbsp; -- Todd</FONT> =
</P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 06:08:42 2003
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From: "Michael Peters" <mpeters@csi.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: syntrillium --> adobe
Date: Fri, 12 Sep 2003 12:07:22 +0200
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ack. just found that syntrillium who made the wonderful cooledit software
have been eaten by adobe. oh well ... at least it seems they continue
cooledit, under a different name of course ... www.cooledit.com

-michael

From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 07:19:44 2003
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Hi guys and gals!,
Been off the list for a while, but popped back on to ask, does anyone
know what happened with the guy who was making a looper VST plugin... I
found the alpha version in my AudioMulch VST list, and tried it out, and
I'd forgotton how promising it looked... but I never heard anything else
about it!!!
=20
Mark Francombe
Art Director
Transform
=20
mob: 98296008
mark@transformlearning.no
=20

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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hi guys and gals<span =
class=3DGramE>!</span>,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Been off the list for a while, but popped back on to =
ask,
does anyone know what happened with the guy who was making a looper VST =
plugin&#8230;
I found the alpha version in my AudioMulch VST list, and tried it out, =
and I&#8217;d
forgotton how promising it looked&#8230; but I never heard anything else =
about
it!!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;mso-no-proof:yes'>Mark Francombe</span></font><span
style=3D'mso-no-proof:yes'><o:p></o:p></span></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;mso-no-proof:yes'>Art Director</span></font><span
style=3D'mso-no-proof:yes'><o:p></o:p></span></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;mso-no-proof:yes'>Transform</span></font><span
style=3D'mso-no-proof:yes'><o:p></o:p></span></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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font-family:Arial;mso-no-proof:yes'>mob: 98296008</span></font><span
style=3D'mso-no-proof:yes'><o:p></o:p></span></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;mso-no-proof:yes'>mark@transformlearning.no</span></fon=
t><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

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References: <002801c378bd$a1c266d0$b600a8c0@Todd> <00da01c3790a$106cb760$d064f93f@global>
Subject: Re: Recommended EDP service centers?
Date: Fri, 12 Sep 2003 15:04:03 +0200
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Recommended EDP service centers?Hi all,

does anybody have a clue who does EDP servicing here in Germany (just in =
case, I managed to get my "whining noise problem" fixed, btw.).

Thanks and regards,

Stephen.

  ----- Original Message -----=20
  From: Rick Walker/Loop.pooL=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, September 12, 2003 10:44 AM
  Subject: Re: Recommended EDP service centers?


  You'll freak when you learn how far $100 goes when you upgrade from =
Loop 3 to Loop 4.
  It's just incredible.    Write to Kim Flint at Aurisis to by the eprom =
from him with the Loop 4 software.

  Best of luck and keep looping.

  yours,  Rick Walker
    ----- Original Message -----=20
    From: Todd Lainhart=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, September 11, 2003 4:37 PM
    Subject: Recommended EDP service centers?


    Hello Loopers -=20

    I'm a newbie in possession of a used EDP that's in need of some =
repair (LED output is sporatic at times - bad connection somewhere).  I =
called Gibson, and they recommended an authorized repair center out of =
Beverly, MA (I'm in Central MA, USA). =20

    Any strong recommendations as to where I should send this thing?  =
It's a bit dated, so I suspect I'll want to upgrade the software (I'm =
aware of LoopIV), and maybe some memory.

    Thanks for any tips - nice community you have here.=20

      -- Todd=20

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<HTML><HEAD><TITLE>Recommended EDP service centers?</TITLE>
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<BODY bgColor=3D#c771fb>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>does anybody have a clue who does EDP =
servicing=20
here in Germany (just in case, I managed to get my "whining noise =
problem"=20
fixed, btw.).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks and regards,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlooppool@cruzio.com =
href=3D"mailto:looppool@cruzio.com">Rick=20
  Walker/Loop.pooL</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, September 12, =
2003 10:44=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Recommended EDP =
service=20
  centers?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#000000 size=3D2>You'll freak when you learn how =
far $100 goes=20
  when you upgrade from Loop 3 to Loop 4.</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>It's just =
incredible.&nbsp;&nbsp;&nbsp; Write=20
  to Kim Flint at Aurisis to by the eprom from him with the Loop 4=20
  software.</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>Best of luck and keep =
looping.</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>yours,&nbsp; Rick =
Walker</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dtlainhart@charter.net =
href=3D"mailto:tlainhart@charter.net">Todd=20
    Lainhart</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, September 11, =
2003 4:37=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Recommended EDP =
service=20
    centers?</DIV>
    <DIV><BR></DIV><!-- Converted from text/rtf format -->
    <P><FONT face=3DArial size=3D2>Hello Loopers -</FONT> </P>
    <P><FONT face=3DArial size=3D2>I'm a newbie in possession of a used =
EDP that's=20
    in need of some repair (LED output is sporatic at times - bad =
connection=20
    somewhere).&nbsp; I called Gibson, and they recommended an =
authorized repair=20
    center out of Beverly, MA (I'm in Central MA, USA).&nbsp; =
</FONT></P>
    <P><FONT face=3DArial size=3D2>Any strong recommendations as to =
where I should=20
    send this thing?&nbsp; It's a bit dated, so I suspect I'll want to =
upgrade=20
    the software (I'm aware of LoopIV), and maybe some =
memory.</FONT></P>
    <P><FONT face=3DArial size=3D2>Thanks for any tips - nice community =
you have=20
    here.</FONT> </P>
    <P><FONT face=3DArial size=3D2>&nbsp; -- Todd</FONT>=20
</P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 10:26:33 2003
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Subject: Re: Rackmount 1-space stereo line mixers?
Date: Fri, 12 Sep 2003 14:23:59 +0000
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A couple of things to consider:
Raven Labs makes a 1/2 rack, single space, battery or AC operated 3 channel 
(with a 4th stereo input) line mixer/DI, the MDB1, which has a parallel aux 
send/return, but no headphone jack.  Very high quality and works great with 
loopers.  It is my primary input mixer for my rig. Probably the cleanest and 
clearest little mixer I have ever heard.

I have also used a MidiMan MultiMixer6, which is a very small (a bit bigger 
than a cassette tape) 6 channle stero line mixer, with a headphone, but no 
fx loop. Since it is discrete stereo L and R you can set the pans to use one 
output as a send and return to an open channel.  Very handy and can be found 
quite a bit on ebay for around $50.

You could always get the Raven Labs mixer AND a MidiMan mixer and use the 
Midiman just as your headphone amp (I do this in one configuration of my 
rig)

Midiman also makes a MultiMixer 18 (which is discontinued, but also pops up 
on ebay quite a bit), which is a very compact "table top"  line mixer, but 
quite small...about the size of a VHS tape..with 18 inputs, 2 parallel aux 
sends/returns, stereo outs and a headphone amp. These run in the $100-150 
ballpark.

These little MidiMan mixers are quite handy, very quiet, with true gain 
control rather than volumes, and very versatile.  I have a couple of them 
that I keep in my gig bag "just in case"..great for running submixers off a 
board to DAT or minidisc and such.

Max

>From: "Mike Barrs"

>
>Is there anything else that might work? All these 1u rackmount stereo 
>mixers
>are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
>horizontal format mixers that would do the same job. I thought I'd ask here
>first if there were other options I haven't found.
>
>Thanks!
>
>  ______________________
>  Mike Barrs
>

_________________________________________________________________
Compare Cable, DSL or Satellite plans: As low as $29.95.  
https://broadband.msn.com

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Date: Fri, 12 Sep 2003 09:48:05 -0700
From: Scott Kungha Drengsen <kungha@earthlink.net>
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 I use a Raven Labs and I'm very happy with it.




From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 13:07:37 2003
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  I'm pleased to be playing tomarrow Sept. 13th from 2 to 5 at Bansuri 
Flute on Piedmont Ave. in Oakland,Ca.  http://www.bansuri.net
Bansuri Flute is a lovely Tibeto/Indian import shop run by Amar, the son 
of the great G.S.Sachdev. And a great DJ in his own right...
There is a nice selection of world music there and my new CD has done 
well hence my (free) performance. Stop by and I'll buy you a box of my 
favorite incence..
PEACE
Scott kungha Drengsen

Oh,I'll be playing 6 and 12 string fretless basses ( 
 http://www.garzguitars.com  if you want to look at my new 12 string) 
 Raven Labs,Echoplex, and Eventide Eclipse for looping.




From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 13:13:34 2003
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Mike,

> Is there anything else that might work?

Try http://skrydstrup.com/

They have some interesting boxes, and can do custom builds for a price.

-- 

  Ian Petersen


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Yes, I've been asking myself the same thing. Maybe he got hired by
Steinberg ;-)   ("looping next Cubase version")
Best wishes

Per Boysen
__________________________________
www.boysen.se
www.looproom.com 
-----Original Message-----
From: Mark Red [mailto:mark@transformgroup.no] 
Sent: Friday, September 12, 2003 1:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: looper.vst???


Hi guys and gals!,
Been off the list for a while, but popped back on to ask, does anyone
know what happened with the guy who was making a looper VST plugin. I
found the alpha version in my AudioMulch VST list, and tried it out, and
I'd forgotton how promising it looked. but I never heard anything else
about it!!!
 
Mark Francombe
Art Director
Transform
 
mob: 98296008
mark@transformlearning.no
 

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<DIV><SPAN class=3D466283417-12092003><FONT face=3DArial color=3D#0000ff =
size=3D2>Yes,=20
I've been asking myself the same thing. Maybe he got hired by Steinberg=20
;-)&nbsp;&nbsp; ("looping next Cubase version")</FONT></SPAN></DIV><!-- =
Converted from text/plain format -->
<P><FONT size=3D2>Best wishes<BR><BR>Per=20
Boysen<BR>__________________________________<BR>www.boysen.se<BR>www.loop=
room.com</FONT>=20
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style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
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  <DIV class=3DOutlookMessageHeader lang=3Dsv dir=3Dltr =
align=3Dleft><FONT face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Mark Red=20
  [mailto:mark@transformgroup.no] <BR><B>Sent:</B> Friday, September 12, =
2003=20
  1:17 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  looper.vst???<BR><BR></FONT></DIV>
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  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Hi guys and gals<SPAN=20
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  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Been off the list for a =
while, but=20
  popped back on to ask, does anyone know what happened with the guy who =
was=20
  making a looper VST plugin&#8230; I found the alpha version in my =
AudioMulch VST=20
  list, and tried it out, and I&#8217;d forgotton how promising it =
looked&#8230; but I never=20
  heard anything else about it!!!<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
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yes"><o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: =
yes">Transform</SPAN></FONT><SPAN=20
  style=3D"mso-no-proof: yes"><o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt; mso-no-proof: =
yes">&nbsp;<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: yes">mob:=20
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yes"><o:p></o:p></SPAN></P>
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yes">mark@transformlearning.no</SPAN></FONT><o:p></o:p></P>
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12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BODY></HTML=
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 14:03:23 2003
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Amar is Sachdev's son?!? I had no idea. I have been in that shop many
times. I will be in the neighborhood tomorrow, and will hope to see you!

-Alex

Scott Kungha Drengsen wrote:
> 
>   I'm pleased to be playing tomarrow Sept. 13th from 2 to 5 at Bansuri
> Flute on Piedmont Ave. in Oakland,Ca.  http://www.bansuri.net
> Bansuri Flute is a lovely Tibeto/Indian import shop run by Amar, the son
> of the great G.S.Sachdev. And a great DJ in his own right...
> There is a nice selection of world music there and my new CD has done
> well hence my (free) performance. Stop by and I'll buy you a box of my
> favorite incence..
> PEACE
> Scott kungha Drengsen
> 
> Oh,I'll be playing 6 and 12 string fretless basses (
>  http://www.garzguitars.com  if you want to look at my new 12 string)
>  Raven Labs,Echoplex, and Eventide Eclipse for looping.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 12 15:06:56 2003
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Date: Fri, 12 Sep 2003 12:03:52 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: syntrillium --> adobe
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Does that mean we're gonna see Mark Hamburg's name
when we start cooledit like we do when we start
Photoshop? ;)

-t-


--- Michael Peters <mpeters@csi.com> wrote:
> ack. just found that syntrillium who made the
> wonderful cooledit software
> have been eaten by adobe. oh well ... at least it
> seems they continue
> cooledit, under a different name of course ...
> www.cooledit.com
> 
> -michael
> 


__________________________________
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I'm sure this has been asked before, but I was wondering if there is any
such thing as a PC-based software looper available. I'm talking about a
real-time looper that you can plug your guitar into and use for live
performances.

Thanks, and I'm sorry if I'm re-hashing old material.

Brian



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<http://www.loopers-delight.com/cgi-bin/wilma/LDarchive>

--- Brian Carabee <compguy@bestweb.net> wrote:
> I'm sure this has been asked before, but I was
> wondering if there is any
> such thing as a PC-based software looper available.
> I'm talking about a
> real-time looper that you can plug your guitar into
> and use for live
> performances.


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Subject: Re: looper.vst???
Date: Sat, 13 Sep 2003 13:51:34 +0200
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MeddelandeWould be nice to see how far he got. Can anyone mail me a copy =
of that Alpha-version? =3D)

I've been looking into this issue alot lately (creating a VST looping =
plugin that is) and hopefully in a not to distant future i'll have =
something really fun for everyone to plug into their VST-software. I'm =
not saying more than that i've allready done some really succesfull =
tests and experiments. (And some less sucessfull experiments too, hehe.)

/Tias

  ----- Original Message -----=20
  From: Per Boysen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, September 12, 2003 7:35 PM
  Subject: RE: looper.vst???


  Yes, I've been asking myself the same thing. Maybe he got hired by =
Steinberg ;-)   ("looping next Cubase version")
  Best wishes

  Per Boysen
  __________________________________
  www.boysen.se
  www.looproom.com=20

    -----Original Message-----
    From: Mark Red [mailto:mark@transformgroup.no]=20
    Sent: Friday, September 12, 2003 1:17 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: looper.vst???


    Hi guys and gals!,

    Been off the list for a while, but popped back on to ask, does =
anyone know what happened with the guy who was making a looper VST =
plugin. I found the alpha version in my AudioMulch VST list, and tried =
it out, and I'd forgotton how promising it looked. but I never heard =
anything else about it!!!

    =20

    Mark Francombe

    Art Director

    Transform

    =20

    mob: 98296008

    mark@transformlearning.no

    =20

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<DIV><FONT face=3DArial size=3D2>Would be nice to see how far he got. =
Can anyone=20
mail me a copy of that Alpha-version? =3D)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've been looking into this issue alot =
lately=20
(creating a VST looping plugin that is) and hopefully in a not to =
distant future=20
i'll have something really fun for everyone to plug into their =
VST-software. I'm=20
not saying more than that i've allready done some really succesfull =
tests and=20
experiments. (And some less sucessfull experiments too, =
hehe.)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>/Tias</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dper@boysen.se href=3D"mailto:per@boysen.se">Per Boysen</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, September 12, =
2003 7:35=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: =
looper.vst???</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D466283417-12092003><FONT face=3DArial =
color=3D#0000ff size=3D2>Yes,=20
  I've been asking myself the same thing. Maybe he got hired by =
Steinberg=20
  ;-)&nbsp;&nbsp; ("looping next Cubase =
version")</FONT></SPAN></DIV><!-- Converted from text/plain format -->
  <P><FONT size=3D2>Best wishes<BR><BR>Per=20
  Boysen<BR>__________________________________<BR><A=20
  href=3D"http://www.boysen.se">www.boysen.se</A><BR><A=20
  href=3D"http://www.looproom.com">www.looproom.com</A></FONT> </P>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV></DIV>
    <DIV class=3DOutlookMessageHeader lang=3Dsv dir=3Dltr =
align=3Dleft><FONT face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Mark Red=20
    [mailto:mark@transformgroup.no] <BR><B>Sent:</B> Friday, September =
12, 2003=20
    1:17 PM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    looper.vst???<BR><BR></FONT></DIV>
    <DIV class=3DSection1>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Hi guys and gals<SPAN=20
    class=3DGramE>!</SPAN>,<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Been off the list for =
a while,=20
    but popped back on to ask, does anyone know what happened with the =
guy who=20
    was making a looper VST plugin=85 I found the alpha version in my =
AudioMulch=20
    VST list, and tried it out, and I=92d forgotton how promising it =
looked=85 but I=20
    never heard anything else about it!!!<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: =
yes">Mark=20
    Francombe</SPAN></FONT><SPAN=20
style=3D"mso-no-proof: yes"><o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: yes">Art =

    Director</SPAN></FONT><SPAN style=3D"mso-no-proof: =
yes"><o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: =
yes">Transform</SPAN></FONT><SPAN=20
    style=3D"mso-no-proof: yes"><o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt; mso-no-proof: =
yes">&nbsp;<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: =
yes">mob:=20
    98296008</SPAN></FONT><SPAN style=3D"mso-no-proof: =
yes"><o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-no-proof: =
yes">mark@transformlearning.no</SPAN></FONT><o:p></o:p></P>
    <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
    style=3D"FONT-SIZE: =
12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE>=
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 11:33:27 2003
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Subject: The Ambient Ping presents Noko Jones & the Ministry of Transport
Date: Sat, 13 Sep 2003 11:37:42 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tues. Sept.16 - Noko Jones & the Ministry of Transport

Karl Mohr http://www.karlmohr.com opens the night
with a darkwave techno set, followed by
Noko Jones and the Ministry of Transport:
Nik Beeson http://www.cirque-samsara.com
with Neil Gardiner and Greg Hopen, performing:

Taut Electroacoustica
Dark Ambience
Paradigmalogos Sessions
and Other Improvisations

distortion . delay . percussion . reverberation . reels . kaoss

Between Sets CD - "A Storm Of Drones" disc 2 by V/A
Tonight, the Ping's 2003 bi-monthly exploration of the
Asphodel label's landmark "Drones" series continues with
"Environmental" - disc 2 of "A Storm Of Drones", the
concluding 3-disc volume of the series. This collection
includes works by renowned soundscape artists such as
Michael Sterns, Steve Roach, Alan Lamb, Stuart Dempster,
Ellen Fullman, DJ Spooky and Toronto's Darren Copeland.
http://www.asphodel.com/cat/asp_0966.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday September 23rd - Samsa and ANGELswing
http://www.darkwinter.com
http://www.darkwinter.com/dw04.html
Between Sets CD - "Halcyon Days" (Fathom - 1996)
. . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"A Violent Narcotic" by Jute

Combining haunting vocal stylings with tension driven
instrumentation, "A Violent Narcotic" by Jute is an excellent
release sure to appeal to fans of both darkwave and trip hop.

"Southern Exposure" opens the disc with a sense of
claustrophobia and paranoia, walking a thin line between safety
and where.  "Ephemeral" follows, a languid drum beat keeping
unsteady time with the vocals, another study in the poetry of the lost.

Jump ahead to "Advent of Zeto", where a chorus of bells give
way to a monstrous wall of percussion, where vocals stretch
and melt into eachother in a glorious wave of sound. Hypnotic
and entrancing, a sense of spiraling psychedelica.

Track nine "Invertebrate" creates an air of fear and suspense,
unresolved tension driving the piece. Truly marvelous in a dark
and confining way.

I could go on longer, but of course every moment I spend talking
about it is a moment less that you have to experience it yourself.
"A Violent Narcotic" by Jute has proven to be one of my favorite
albums of the last few months, and I'm sure that many of you
who's tastes runs towards the darker side of things will feel
the same way.

rik maclean - - rik@pingthings.com

This month at http://www.pingthings.com - an exclusive
interview with Mercurine plus the ping things *massive*
first anniversary sale has been extended with new CDs.

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
Drop off food at *ping things* for the Daily Bread Food Bank too
and we'll ensure that it gets there. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances
or to any of your appropriate newsgroups. Thanks.

To unsubscribe - reply with 'unsubcribe' in the e-mail body.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .




From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 11:44:01 2003
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AmbiLoop.... I hear it's really good... ;)

http://evenfall.com/ambiloop/

peace
-cpr

>-- Original Message --
>From: "Brian Carabee" <compguy@bestweb.net>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Software based looper exist?
>Date: Sat, 13 Sep 2003 01:22:30 -0400
>Reply-To: Loopers-Delight@loopers-delight.com
>
>
>I'm sure this has been asked before, but I was wondering if there is any
>such thing as a PC-based software looper available. I'm talking about a
>real-time looper that you can plug your guitar into and use for live
>performances.
>
>Thanks, and I'm sorry if I'm re-hashing old material.
>
>Brian
>
>
>


From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 14:03:31 2003
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On Friday, September 12, 2003, at 01:47 AM, Kim Flint wrote:

>> Hmm..can you define the tempo on the fly? I wasn't planning on 
>> playing to a metronome.
>> For example:
>>
>> 1) hit record on EDP or Repeater on first downbeat.
>> 2) hit record on downbeat of beat 5
>> 3) BPM automatically displayed and Korg drum machine in sync as slave
>>
>> This is how I would want it to work.
>
> the echoplex does do that, quite easily.
> kim

And the Repeater, does it do this?  I like the idea of having "tracks". 
Maybe I can use it with a Reamp box to plug it into a guitar amp.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 17:13:33 2003
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Just got back from seeing The Order.  Bad movie, Great Music.  David
Torn's score was excellent.  Lots of little looping bits here and
there.  I've been trying to find the soundtrack CD, but it doesn't seem
to be available yet.  Anybody know when the soundtrack will be
available?

Thanks,
John
www.johnmazzarella.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 17:59:15 2003
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Date: Sat, 13 Sep 2003 14:58:14 -0700
Subject: OT: Alesis SR-16
From: Mark Hamburg <mark_hamburg@baymoon.com>
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Can someone remind me why I don't like this drum machine? Guitar Center is
offering them for $149. I sold mine years ago, but I can't remember what I
disliked other than the pads being excessively stiff.

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 18:16:22 2003
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Thanks for the suggestions, everyone. I'll let y'all know what I end up
with, and how it works.

Mike Barrs


From Loopers-Delight-request@loopers-delight.com  Sat Sep 13 20:47:58 2003
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From: "Louis Rossi" <tarbit@hotmail.com>
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Subject: Re: The Order, David Torn
Date: Sat, 13 Sep 2003 20:46:46 -0400
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You can find it on Amazon.com for about $18... Great music/bad film but I'm 
really happy Mr. Torn finally got a gig as the main composer...

Cheers
Lou



>From: John Mazzarella <jmazzarella@erols.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "Loopers-Delight@loopers-delight.com"  
><Loopers-Delight@loopers-delight.com>
>Subject: The Order, David Torn
>Date: Sat, 13 Sep 2003 17:23:38 -0400
>
>Just got back from seeing The Order.  Bad movie, Great Music.  David
>Torn's score was excellent.  Lots of little looping bits here and
>there.  I've been trying to find the soundtrack CD, but it doesn't seem
>to be available yet.  Anybody know when the soundtrack will be
>available?
>
>Thanks,
>John
>www.johnmazzarella.com
>

_________________________________________________________________
Get a FREE computer virus scan online from McAfee. 
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963

From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 10:35:33 2003
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Subject: anyone/anything in Tokyo?
From: Os <os@collective.co.uk>
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Hi.

I'm in Tokyo for a while.

Can anyone recommend any clubs/venues which might play loop-like music? 
(Mail me off-list maybe.)


cheers,
os.

os@collective.co.uk
http://www.collective.co.uk/

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Date: Sun, 14 Sep 2003 14:05:32 EDT
Subject: Was Re: Line6 loopers, now Acoustic Pickups.
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In a message dated 9/9/03 1:01:13 PM Central Daylight Time, 
goddard.duncan@mtvne.com writes:

> the crap that comes out of tv's (and I'm speaking of the EM radiation, not 
> the content) gets everywhere and guitars can only avoid picking it up when 
> fitted with decent humbuckers. unfortunately, this rather limits what you can 
> do with the guitar.... 
> one idea, though, and not a new one by any means, is to adopt the alembic 
> trick of using a dummy pickup to do the humbucking. this would have to be 
> carefully level matched with whatever combination of real pickups you happen to be 
> using. 
>  
> there is probably a market for something that automatically performs 
> noise-cancellation in this manner, like these noise-cancelling headphones that you 
> can get. the shash that you're catching from the tv sets is pretty 
> omnidirectional.
>   
> but you could start by finding an old single-coil pickup, which you could 
> glue underneath the scratchplate somewhere. to be effective, it ought to be in 
> the same plane as the other pickups, and roughly the same impedance. take out 
> the polepieces and wire it through a pull-switch pot, so you can fine-tune 
> the phase and balance.
>   
> alternatively, you could work on the proprietors to switch to plasma 
> screens..... or set up in some sort of metal cage and run a ground wire. you could 
> have a sign on the front: "don't feed the looper- beer only".
>   
> duncan.  
> 

Thanks, unfortunately, my Lowden O-35 will not allow me more than one pickup 
at a time (She's a lil hi spirited . . .), I may just replace my Sunrise with 
a Seymour Duncan MicMag.  Good reviews on H-C.  Anyone experienced here?
<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">
-Justin Fobes
http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/9/03 1:01:13 PM Central Daylight=20=
Time, goddard.duncan@mtvne.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"></FONT><FONT  COLOR=3D"#0000ff"=
 style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"A=
rial" LANG=3D"0">the crap that comes out of tv's (and I'm speaking of the EM=
 radiation, not the content) gets everywhere and guitars can only avoid pick=
ing it up when fitted with decent humbuckers. unfortunately, this rather lim=
its what you can do with the guitar.... </FONT><FONT  COLOR=3D"#000000" styl=
e=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial"=
 LANG=3D"0"><BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">one idea, though, and not a=20=
new one by any means, is to adopt the alembic trick of using a dummy pickup=20=
to do the humbucking. this would have to be carefully level matched with wha=
tever combination of real pickups you happen to be using. </FONT><FONT  COLO=
R=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSER=
IF" FACE=3D"Arial" LANG=3D"0"><BR>
 <BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">there is probably a market f=
or something that automatically performs noise-cancellation in this manner,=20=
like these noise-cancelling headphones that you can get. the shash that you'=
re catching from the tv sets is pretty omnidirectional.</FONT><FONT  COLOR=
=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERI=
F" FACE=3D"Arial" LANG=3D"0"><BR>
&nbsp;</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SI=
ZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">but you could start by findi=
ng an old single-coil pickup, which you could glue underneath the scratchpla=
te somewhere. to be effective, it ought to be in the same plane as the other=
 pickups, and roughly the same impedance. take out the polepieces and wire i=
t through a pull-switch pot, so you can fine-tune the phase and balance.</FO=
NT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3 FAM=
ILY=3D"SANSSERIF" FACE=3D"arial" LANG=3D"0"><BR>
&nbsp; <BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">alternatively, you could wor=
k on the proprietors to switch to plasma screens..... or set up in some sort=
 of metal cage and run a ground wire. you could have a sign on the front: "d=
on't feed the looper- beer only".</FONT><FONT  COLOR=3D"#000000" style=3D"BA=
CKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=
=3D"0"><BR>
&nbsp;</FONT><FONT  COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SI=
ZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"arial" LANG=3D"0"> <BR>
</FONT><FONT  COLOR=3D"#0000ff" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D3=
 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">duncan.</FONT><FONT  COLOR=
=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERI=
F" FACE=3D"Arial" LANG=3D"0">&nbsp; <BR>
</BLOCKQUOTE><BR>
<BR>
Thanks, unfortunately, my Lowden O-35 will not allow me more than one pickup=
 at a time (She's a lil hi spirited . . .), I may just replace my Sunrise wi=
th a Seymour Duncan MicMag.&nbsp; Good reviews on H-C.&nbsp; Anyone experien=
ced here?<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">
-Justin Fobes
http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

--part1_a5.3f39dd3b.2c9607ec_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 14:09:33 2003
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Subject: Feedback Music
From: David Myers <dmgraph@earthlink.net>
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Hello all,

Just dropping in here briefly to mention that my 1989 LP "Engines of 
Myth" has finally been released on CD by ReR Megacorp.  Some list 
members had asked about it.

You can find it on my new website, and it's also available from ReR in 
the UK and Wayside here in the states.

cheers,

DLM

David Lee Myers
Feedback Music at http://www.pulsewidth.com

From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 16:38:13 2003
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To: info@ccscc.org, Loopers-Delight@loopers-delight.com
Subject: WOODSTOCKHAUSEN 2003 A Tiny Festival of Esoteric Music
Date: Sun, 14 Sep 2003 13:34:41 -0700
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please list this event:contact:Veronique Larcher 831 295-8381
For Immediate  Release
            vero@elsaproductions.com
        Sept.9,2003
            http://.elsaproductions.com

                           WOODSTOCKHAUSEN 2003
                           A Tiny Festival of Esoteric Music
                           Sept.27th 2003 5pm-Music recital Hall
                           University of California,Santa Cruz

                            Sept.25th,2003-7pm Free Reception/Tape Concert
                            Cayuga Vault,Santa Cruz

                            FOLK MUSIC FOR THE 21st CENTURY


         Now in it's 6th year Woodstockhausen is an annual showcase for
acoustic innovators and and practicioners of visual art whose work falls
outside the pinprick of popular culture. The concert includes;live and
recorded music,live video,sound art installations, and more.

         This year's concert will include over 50 performances from both
local and visiting artists.Featured compsitions include new worls rendered
on custom electronics and software-based instruments,often invented by the
artists themselves,as well as abstract performances for more tradtitional
instrumentation.
as an additional bridge between academia and the experimental scene the
festival will open with a New Music Works Ensemble performance of a work by
the student composer winner of theSound Horizons ELSA orize(still to be
determined).

         Animated video art courtesy of Tristam Visuals will be projected
throughout the evening,providing a captivating visual component to all of
the performances.

         Tickets for the festival are on a $10.sliding scale,available at
the door on the night of the show.Please make sure to eat an early dinner
and bring snacks for consumption in the lobby during intermissions,as we
start earlier than usual this year.

          This year's festival is brought to you  by the volunteer
contributions of time enthusiasm,and expertise from many private
individuals.Our sponsors include:ELSA Productions,and the University of
California Santa Cruz

History

        What is this compulsion to get up in the middle of the night and
putter around making strange new noise? Not even the sirens call of
television,the physical need for exercise,or threats of dire consequences
from employers about nodding off during meetings seem to keep them from it.

        Despite the plaintive urging from spouses to feed the cat  and
return to bed,their pallid visages ramain lit up by the ghostly glow of
computer monitors,or they can be heard running power tools behind the locked
doors of their workshops building god knows what.They realize that no
conventional radio station would ever play their work,that no coffee house
would let them set up in a corner and blat away at the customers,and that
their exrended realatives will respond with polite incomprehension or
outright incredulity when they try to describe their passion.Untold millions
throughout the world suffer this experimental obsession.Theirs is an
often-misunderstood grass roots form of self expression


        Since 1998 ,Woodstockhausen has served as a creative outlet for
creators of the experimental and the just plain weird.

        Woodstockhausen has been an annual event since 1998 when it started
in the Boulder Creek back yard of Wayne Jackson.

        Wayne held a few modest experimental music concerts at his home in
Davis and spawned an addiction that would later grow.A few years after
moving to Silicon Valley,living the rat race and fathering a child,his
friend and participant in many of the musical soirees,Doug Cook,more than
gently nudged Wayne into reviving the habit in the form of "Woodstockhausen"

         The original Woodstockhausen featured the hidden private work of
engineers and technologists from the E-mu Technology Center,whose enthusiasm
and dedication really infused the event with a life of it's own.David
Tristram's video art was projected on a screen made of PZVC pipe and
construction paper which lasted right up until the last act before
dramatically disintegrating in a light breeze.Later screens built of mosaic
bed sheets fared somewhat better.

         The origin of the name Woodstockhausen coined by Brian Salter lies
at the confluence of the classic 60s folk music concert Woodstock and
Karlheinz Stockhausen,the legendary German experimental music icon.

_________________________________________________________________
Express yourself with MSN Messenger 6.0 -- download now! 
http://www.msnmessenger-download.com/tracking/reach_general

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The Sunrise is a  (stacked) humbucking pickup.  If you're still getting=20=

interference, the problem may be downstream from your guitar.

TravisH

On Sunday, September 14, 2003, at 01:38 PM,=20
Loopers-Delight-d-request@loopers-delight.com wrote:

> Subject: Was Re: Line6 loopers, now Acoustic Pickups.
>
>
> In a message dated 9/9/03 1:01:13 PM Central Daylight Time,=20
> goddard.duncan@mtvne.com writes:
>
> the crap that comes out of tv's (and I'm speaking of the EM radiation,=20=

> not the content) gets everywhere and guitars can only avoid picking it=20=

> up when fitted with decent humbuckers. unfortunately, this rather=20
> limits what you can do with the guitar....
> one idea, though, and not a new one by any means, is to adopt the=20
> alembic trick of using a dummy pickup to do the humbucking. this would=20=

> have to be carefully level matched with whatever combination of real=20=

> pickups you happen to be using.
>
> there is probably a market for something that automatically performs=20=

> noise-cancellation in this manner, like these noise-cancelling=20
> headphones that you can get. the shash that you're catching from the=20=

> tv sets is pretty omnidirectional.
> =A0
> but you could start by finding an old single-coil pickup, which you=20
> could glue underneath the scratchplate somewhere. to be effective, it=20=

> ought to be in the same plane as the other pickups, and roughly the=20
> same impedance. take out the polepieces and wire it through a=20
> pull-switch pot, so you can fine-tune the phase and balance.
> =A0
> alternatively, you could work on the proprietors to switch to plasma=20=

> screens..... or set up in some sort of metal cage and run a ground=20
> wire. you could have a sign on the front: "don't feed the looper- beer=20=

> only".
> =A0
> duncan.=A0
>
>
>
> Thanks, unfortunately, my Lowden O-35 will not allow me more than one=20=

> pickup at a time (She's a lil hi spirited . . .), I may just replace=20=

> my Sunrise with a Seymour Duncan MicMag.=A0 Good reviews on H-C.=A0 =
Anyone=20
> experienced here?
> -Justin Fobes http://artists.iuma.com/IUMA/Bands/Justin_Fobes/
>

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The Sunrise is a  (stacked) humbucking pickup.  If you're still
getting interference, the problem may be downstream from your guitar.


TravisH


On Sunday, September 14, 2003, at 01:38 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold>Subject: </bold>Was Re: Line6 loopers, now Acoustic
Pickups.



<fontfamily><param>Arial</param><smaller>In a message dated 9/9/03
1:01:13 PM Central Daylight Time,
=
<underline><color><param>1999,1999,FFFF</param>goddard.duncan@mtvne.com</c=
olor></underline>
writes:


</smaller><color><param>0000,0000,FFFF</param>the crap that comes out
of tv's (and I'm speaking of the EM radiation, not the content) gets
everywhere and guitars can only avoid picking it up when fitted with
decent humbuckers. unfortunately, this rather limits what you can do
with the guitar....

one idea, though, and not a new one by any means, is to adopt the
alembic trick of using a dummy pickup to do the humbucking. this would
have to be carefully level matched with whatever combination of real
pickups you happen to be using.


there is probably a market for something that automatically performs
noise-cancellation in this manner, like these noise-cancelling
headphones that you can get. the shash that you're catching from the
tv sets is pretty omnidirectional.

</color><color><param>0000,0000,0000</param><smaller>=A0

</smaller></color><color><param>0000,0000,FFFF</param>but you could
start by finding an old single-coil pickup, which you could glue
underneath the scratchplate somewhere. to be effective, it ought to be
in the same plane as the other pickups, and roughly the same
impedance. take out the polepieces and wire it through a pull-switch
pot, so you can fine-tune the phase and balance.

</color><color><param>0000,0000,0000</param>=A0

</color><color><param>0000,0000,FFFF</param>alternatively, you could
work on the proprietors to switch to plasma screens..... or set up in
some sort of metal cage and run a ground wire. you could have a sign
on the front: "don't feed the looper- beer only".

</color><color><param>0000,0000,0000</param><smaller>=A0

=
</smaller></color><color><param>0000,0000,FFFF</param>duncan.</color><colo=
r><param>0000,0000,0000</param><smaller>=A0

</smaller></color></fontfamily>



Thanks, unfortunately, my Lowden O-35 will not allow me more than one
pickup at a time (She's a lil hi spirited . . .), I may just replace
my Sunrise with a Seymour Duncan MicMag.=A0 Good reviews on H-C.=A0 =
Anyone
experienced here?

<underline><color><param>1999,1999,FFFF</param>-Justin Fobes
http://artists.iuma.com/IUMA/Bands/Justin_Fobes/


</color></underline></excerpt>=

--Apple-Mail-6--633652658--

From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 17:16:05 2003
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: anyone/anything in Tokyo?
Date: Sun, 14 Sep 2003 23:15:05 +0200
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Hi os, hi everybody,

if it is ok with the others, I'd like to see these recommendations
communicated here on-list.
(I might be visiting Tokyo again sometime in the near future).

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de


> -----Original Message-----
> From: Os [mailto:os@collective.co.uk]
> Sent: Sonntag, 14. September 2003 16:34
> To: Loopers-Delight@loopers-delight.com
> Subject: anyone/anything in Tokyo?
>
>
> Hi.
>
> I'm in Tokyo for a while.
>
> Can anyone recommend any clubs/venues which might play
> loop-like music?
> (Mail me off-list maybe.)
>
>
> cheers,
> os.
>
> os@collective.co.uk
> http://www.collective.co.uk/
>


From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 19:15:29 2003
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From: "Rick Walker/Loop.pooL" <looppool@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200309142038.h8EKcEq09980@hemlock.violacea.com>
Subject: SR16  as  loop controller
Date: Sun, 14 Sep 2003 16:10:43 -0700
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Mark asked about the SR16 drum machine, being blown out for
$149 by musiciansfriends.com:

If you purchase this machine, merely as a hardware midi sequencer
is it worth it's weight in gold, in my opinion.  The sounds truly suck
(although practically
any sounds can become interesting with a little filtering and effects
processing) but
it's midi implimentation is pretty darn good for such an old piece of 'kit'
(love that english term for gear).

Because it has always sold well,  Alesis has never upgraded the sounds in
this
instrument.   I believe it got release in 1989 so the sound choices are
really
terrible and old fashioned in a NOT retro cool way.

I still use mine to do drum tracks and use my sampler as the sound source.

Also,  you can drive some of the EDP's functions with it (Claude Voit has
apparently
really delved into this with interesting results but I , frankly and
regretfully, haven't heard what he has done----you might write him and bug
him about his technique.

Also, my brother has been doing really fascinating stuff with using
arpegiators
to control the pitch of the REPEATER.   One afternoon, I came home from
walking around playing my little kanjira (small diameter Southern Indian
frame drum) and
a beautiful bamboo D major Indian flute.    Bill called me in,  asked me to
play a very slow Alap (the part of a piece of Indian music where you play
all the notes of the scale improvisational very slowly so that the audience
can really 'hear' it before you start into
the more rapid raga improvisations.     I did,  he recorded it for a very
long time onto his repeater and then he began to use a very fast arpegiator
on his guitar with octaves.
I then played over the top of it with a fast drum rhtyhm and Bill recorded
that too.
The results are truly amazing and I will use the resultant track on my next
abstact electronica CD, 'Purple Hand' (out in late fall/early december).

I'd say if you have the capitol, that you should buy it for it's sequencing
capabilities alone.
Where else can you get such a cheap hardware sequencer.

Plus, you can use the machine as a metronome (to practise all those odd time
signatures
that have always eluded you) and try those 'behind the beat/on top of the
beat' exercises that I posted here while back.

last note..................if that Alesis INEKO is still being blown out,
you folks are fools not to
buy one (if you have the dough).   My wife and I did a noise/rhythm improv
set at a local
bar and she used it to incredible fascinating effect.................just
beautiful industrial noises
and strange sounds possible with that little $80 beast.

Loop on,   Rick



From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 20:03:34 2003
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From: "Rick Walker/Loop.pooL" <looppool@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <3F60ABF1.6080500@cabq.gov>
Subject: Re: Last Inventory: Loop Shirts
Date: Sun, 14 Sep 2003 17:01:16 -0700
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Did you ever sell the gray large looper shirt?  I never saw this in my
e-mail inbox
I'd love to buy it, if it hasn't already sold.

It is always the best bet to make black t-shirts to sell, but I'm getting
sick
of always wearing black.............gray rocks................as does dayglo
lime green.

lol.

thanks for doing this, Jason.  I love my new shirt.

yours,  Rick

btw , if you are interested, I will probably be making a run of
Y2K3 t-shirts and possibly a small run of t-shirts commemorating my
Live Looping Tour of Europe and the UK this past summer.

Let me know if you are interested in buying either or both.  Don't know what
the prices will
be but probably not too expensive.

yours,   Rick Walker (aka loop.pool)


----- Original Message -----
From: "Jason Fink" <jfink@cabq.gov>
To: "Loopers" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 11, 2003 10:08 AM
Subject: Last Inventory: Loop Shirts


>
>
> Greeting Loopers,
>
>    I wanted to let folks know that I have a few  looper shirts left over
>    from the last printing, and now that  my other orders are settled
>    these are available for immediate shipping.     I do not plan on doing
>    more shirts for quite awhile...
>
>    What I got:
>         2 Large
>         2 X-Large
>         1 Large in Gray (rather than black).
>
>     Apologies to those outside of the USA,  but  I cannot  properly
>     use USPS to track the international packages. If shirts get lost
>     in international  mail, which they have in the past,  I  can not  do
>     another printing to make up for it.  I hate to make this restriction,
>     but I must,  Domestic Shipping only.
>
>     The cost for these last few shirts is $22 via Paypal or check.  This
> price will
>     include Priority Mail and Delivery Confirmation.
>
>     Contact me offlist if you want one:
>
>              dimmo@dimbulb.org
>
>     thanks,
> -jas
>  albuquerque
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 14 20:56:11 2003
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In a message dated 9/14/03 7:12:25 PM Eastern Daylight Time, 
looppool@cruzio.com writes:


> if that Alesis INEKO is still being blown out,
> you folks are fools not to
> buy one (if you have the dough).   

i will second that.....mine has been a source of great fun and may i say, 
inspiration.....the fuzz patch alone is worth the price.....there are a multitude 
of sounds in this little gem.....i find new sounds everytime i sit down with 
it and all i'm sending thru it is my guitar.....i have to try it thru my 
effects send on my mixer so i can send more noize makers into it.....today as i was 
playing i really thought of getting a second one.....they take up no space 
but im finding it hard to place it close enuf to tweek (and tweek it you 
can!).....i've just been setting it on my leg as im playing (sitting down).....not 
the best but it works and when winter comes it will keep me toasty.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>In a message dated 9/14/0=
3 7:12:25 PM Eastern Daylight Time, looppool@cruzio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">if that Alesis INEKO is still b=
eing blown out,<BR>
you folks are fools not to<BR>
buy one (if you have the dough).&nbsp;&nbsp; </BLOCKQUOTE><BR>
<BR>
i will second that.....mine has been a source of great fun and may i say, in=
spiration.....the fuzz patch alone is worth the price.....there are a multit=
ude of sounds in this little gem.....i find new sounds everytime i sit down=20=
with it and all i'm sending thru it is my guitar.....i have to try it thru m=
y effects send on my mixer so i can send more noize makers into it.....today=
 as i was playing i really thought of getting a second one.....they take up=20=
no space but im finding it hard to place it close enuf to tweek (and tweek i=
t you can!).....i've just been setting it on my leg as im playing (sitting d=
own).....not the best but it works and when winter comes it will keep me toa=
sty.....michael</FONT></HTML>

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Date: Sun, 14 Sep 2003 18:14:21 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: The Order, David Torn
To: Loopers-Delight@loopers-delight.com
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--- John Mazzarella <jmazzarella@erols.com> wrote:
> Just got back from seeing The Order.  Bad movie,
> Great Music.  David Torn's score was excellent.

Ha, I started expressing the exact same same opinion
yesterday on the Torn list, but AOL booted me before I
finished and I didn't feel like writing it again!   

>I've been trying to find the soundtrack CD,
> but it doesn't seem
> to be available yet.  Anybody know when the
> soundtrack will be
> available?

Supposedly you can get it through
<http://www.amazon.com>, but the page keeps timing out
on me after I put the item in my "cart". (I've tried
it half a dozen times...) I may just special order it
through a local retailer.

-t-

> 


__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
http://sitebuilder.yahoo.com

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In a message dated 9/14/03 3:55:06 PM Central Daylight Time, 
tiktok@sprintmail.com writes:

> The Sunrise is a  (stacked) humbucking pickup.  If you're still getting 
> interference, the problem may be downstream from your guitar.
> 
> TravisH

Hummm . . .

What, or where do you think it would come from?

Sunrise --> LRBaggs Internal Preamp --> Line 6 DL4 (Where the interference is 
looped)  

Mebby the HI- Z Cable from preamp to Line 6 DL4?

Thanks soo much for your OT input, really, the help on this list is really 
good!

-Justin Fobes
<A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/14/03 3:55:06 PM Central Daylight=
 Time, tiktok@sprintmail.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The Sunrise is a&nbsp; (stacked=
) humbucking pickup.&nbsp; If you're still getting <BR>
interference, the problem may be downstream from your guitar.<BR>
<BR>
TravisH</BLOCKQUOTE><BR>
<BR>
Hummm . . .<BR>
<BR>
What, or where do you think it would come from?<BR>
<BR>
Sunrise --&gt; LRBaggs Internal Preamp --&gt; Line 6 DL4 (Where the interfer=
ence is looped)&nbsp; <BR>
<BR>
Mebby the HI- Z Cable from preamp to Line 6 DL4?<BR>
<BR>
Thanks soo much for your OT input, really, the help on this list is really g=
ood!<BR>
<BR>
-Justin Fobes<BR>
<A HREF=3D"http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">http://artists.=
iuma.com/IUMA/Bands/Justin_Fobes/</A></FONT></HTML>

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From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Daniel Lapp - Looper of violins, trumpet, etc.
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I attended a solo show by Daniel Lapp this past
Saturday.    For at least half his songs, he used live
looping to build up arrangements of his music and/or
accompany his vocals when he chose to sing.  The
instruments he looped included acoustic violin, a
6-string electric violin that reached into the
cello/viola range, trumpet, and a 4-string guitar.  He
also played piano.  Though he did't loop the piano, he
play it and sing along with loops created on his other
instruments.  He's yet another example of a good
songwriter and fantastic overall musician who
effectively works live looping into his shows. 

His website is http://www.daniellapp.com. I purchased
the  CD _Closer Than They Appear_ by his group
Lappelectro.  The guy who sold it to me said it was a
fusion album.  It turned out to be pretty good
jazz/fusion/electronica hybrid music.  I may order his
Reunion CD (which is more oriented towards traditional
fiddling) too.

Paolo

__________________________________
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 00:48:07 2003
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Subject: Re: gnx3
From: "Richard J. Roberts" <zeroohms@surfbest.net>
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Thanks so much! to everyone who replied to my inquiry regarding the gnx3.
Each and every reply was a really great help. I eventually chose to go with
a second JamMan, and this seems to be working out quite well in my set up. I
know I don't post much here, but I do lurk very intensely!
Richard
-- 
Richard J. Roberts / ZERO OHMS

From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 04:45:25 2003
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Date: Mon, 15 Sep 2003 10:44:54 +0200
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does anyone know a (Win) program that can convert mp4 audio files to wav or
mp3? couldn't find anything.
i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!
= michael peters
= www.michaelpeters.de
= computer graphics + electronic music


From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 04:50:49 2003
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This program does it:

http://www.poikosoft.com/



:::-----Original Message-----
:::From: Michael Peters [mailto:mpeters@csi.com]
:::Sent: Monday, September 15, 2003 1:45 AM
:::To: Loopers Delight
:::Subject: OT: mp4
:::
:::does anyone know a (Win) program that can convert mp4 audio files to wav
:::or
:::mp3? couldn't find anything.
:::i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!i!
:::= michael peters
:::= www.michaelpeters.de
:::= computer graphics + electronic music
:::
:::
:::



From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 13:10:16 2003
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Subject: I'm Still on the List
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All,
 
Don't worry--I'm still subscribed--just changed my email address. That's all.
 
David Durian

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<DIV>All,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Don't worry--I'm still subscribed--just changed my email address. That's all.</DIV>
<DIV>&nbsp;</DIV>
<DIV>David Durian</DIV>
--0-295584582-1063645638=:74826--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 13:24:52 2003
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Check out the Rolls RM203x

http://www.rolls.com/rollsproducts/

Mike Barrs wrote:
> Right now I'm using my Repeater as an inline, downstream effect after my
> Roland VG-88 guitar processor. For various reasons (including the latency
> issue which has been mentioned here), I'd like to try moving the Repeater
> off into a side-chain (parallel) FX signal, instead of running it inline.
> 
> The easy and cheap solution would be a compact horizontal-format mixer with
> two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to keep
> my rig as compact as possible, and I would prefer doing this with a 1-space
> rackmount stereo line mixer.
> 
> One complication here is that I would like a headphone output in the mixer,
> since I've been using the Repeater's headphone jack to monitor practice
> sessions. If I move it off to a parallel FX loop and run it in dry mute
> mode, I won't hear the VG-88 live sound in the headphones.
> 
> I haven't found many candidates so far. Most of the 1u rackmount line mixers
> don't even have FX sends, and the few that do are usually mono sends and
> returns. And very few rackmount line mixers include a headphone jack. Here
> are the options I've found so far in stereo 1u rack line mixers that might
> work:
> 
> Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to add a
> headphone amp).
> 
> Ashly LX308B -- no FX loop, but it has a headphone jack.
> 
> Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
> 
> I could use a pair of line splitters ahead of the Ashley or Whirlwind mixers
> to get around the FX loop problem... split the VG-88 stereo signal, send one
> stereo pair to the mixer, the other stereo pair to the Repeater, and bring
> the Repeater's output back into the mixer.
> 
> Is there anything else that might work? All these 1u rackmount stereo mixers
> are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
> horizontal format mixers that would do the same job. I thought I'd ask here
> first if there were other options I haven't found.
> 
> Thanks!
> 
>  ______________________
>  Mike Barrs


From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 13:28:20 2003
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Whew!  That's a relief.  Someone call the Times.

Mark Sottilaro

On Monday, September 15, 2003, at 10:07  AM, David Durian wrote:

> All,
>  
> Don't worry--I'm still subscribed--just changed my email address. 
> That's all.
>  
> David Durian

From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 18:34:00 2003
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Acoustic Pickups
Date: Mon, 15 Sep 2003 15:31:23 -0700
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From: JustinFobes@aol.com [mailto:JustinFobes@aol.com]

>> In a message dated 9/14/03 3:55:06 PM Central Daylight Time,
>> tiktok@sprintmail.com writes:
>>
>> The Sunrise is a  (stacked) humbucking pickup.  If you're still
>> getting  interference, the problem may be downstream from your guitar.
>>
>> TravisH
>
>
> Hummm . . .
>
> What, or where do you think it would come from?
>
> Sunrise --> LRBaggs Internal Preamp --> Line 6 DL4 (Where the
> interference is looped)
>
> Mebby the HI- Z Cable from preamp to Line 6 DL4?
>
> Thanks soo much for your OT input, really, the help on this list is
> really good!
>

Justin,

I've heard hum even from stacked humbuckers like the Sunrise when you get
into a heavy enough local RF field. Or, it could be a ground loop problem.

I haven't tried the Duncan Magmic, but I do have a Fishman Rare Earth Blend
(magnetic soundhole pickup with a small condenser mic on a gooseneck). It's
a stacked humbucker with an onboard preamp. The preamp really helps kill any
hum... it's extremely quiet, even when recording near a computer monitor or
other RF sources.

The "Pick up the World" company and the Lace pickup company have jointly
developed a new "NT" pickup system. This uses a very small magnetic pickup
mounted at the end of the fingerboard, along with various other options for
undersaddle or soundboard mounting. The system can be run in blended mono or
stereo output modes. You might want to look into this too. I haven't heard
it yet, but it's supposedly a very quiet and RF-rejecting design.

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 19:50:54 2003
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henry,

then Rane SM-82 is the best single space line mixer.  period.

-matt

>From: Henry Heine <henry@bagend.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Rackmount 1-space stereo line mixers?
>Date: Mon, 15 Sep 2003 12:19:54 -0500
>
>Check out the Rolls RM203x
>
>http://www.rolls.com/rollsproducts/
>
>Mike Barrs wrote:
>>Right now I'm using my Repeater as an inline, downstream effect after my
>>Roland VG-88 guitar processor. For various reasons (including the latency
>>issue which has been mentioned here), I'd like to try moving the Repeater
>>off into a side-chain (parallel) FX signal, instead of running it inline.
>>
>>The easy and cheap solution would be a compact horizontal-format mixer 
>>with
>>two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to keep
>>my rig as compact as possible, and I would prefer doing this with a 
>>1-space
>>rackmount stereo line mixer.
>>
>>One complication here is that I would like a headphone output in the 
>>mixer,
>>since I've been using the Repeater's headphone jack to monitor practice
>>sessions. If I move it off to a parallel FX loop and run it in dry mute
>>mode, I won't hear the VG-88 live sound in the headphones.
>>
>>I haven't found many candidates so far. Most of the 1u rackmount line 
>>mixers
>>don't even have FX sends, and the few that do are usually mono sends and
>>returns. And very few rackmount line mixers include a headphone jack. Here
>>are the options I've found so far in stereo 1u rack line mixers that might
>>work:
>>
>>Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to add a
>>headphone amp).
>>
>>Ashly LX308B -- no FX loop, but it has a headphone jack.
>>
>>Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
>>
>>I could use a pair of line splitters ahead of the Ashley or Whirlwind 
>>mixers
>>to get around the FX loop problem... split the VG-88 stereo signal, send 
>>one
>>stereo pair to the mixer, the other stereo pair to the Repeater, and bring
>>the Repeater's output back into the mixer.
>>
>>Is there anything else that might work? All these 1u rackmount stereo 
>>mixers
>>are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
>>horizontal format mixers that would do the same job. I thought I'd ask 
>>here
>>first if there were other options I haven't found.
>>
>>Thanks!
>>
>>  ______________________
>>  Mike Barrs
>
>

_________________________________________________________________
Try MSN Messenger 6.0 with integrated webcam functionality! 
http://www.msnmessenger-download.com/tracking/reach_webcam

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From: "Mike Barrs" <mbarrs@nightviewer.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Acoustic Pickups
Date: Mon, 15 Sep 2003 16:53:35 -0700
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> From: Mike Barrs [mailto:mbarrs@nightviewer.com]

> The "Pick up the World" company and the Lace pickup company have jointly
> developed a new "NT" pickup system. This uses a very small magnetic pickup
> mounted at the end of the fingerboard, along with various other
> options for undersaddle or soundboard mounting.

Correction... "along with various other options for using it along with an
undersaddle or soundboard PUTW transducer, in a mono or stereo setup"

Sometimes I write too fast for my brain.

Mike Barrs

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It can still be the pickup.  "Humbucking" doesn't equal "never picks up=20=

any hum".  In the past I've had problems with pre-amps and compressors,=20=

even with hum-cancelling pickups.  If your Baggs pickup is internal to=20=

your guitar though, it'll obviously be difficult to bypass that, but=20
that'd be next step.  You've got to be able isolate the pickup from the=20=

pre-amp to test it, but if you're within a few feet of a neon sign=20
transformer, there may not be much you can do on your end without some=20=

equipment changes.

TravisH


On Monday, September 15, 2003, at 10:28 AM,=20
Loopers-Delight-d-request@loopers-delight.com wrote:

>
> Hummm . . .
>
> What, or where do you think it would come from?
>
> Sunrise --> LRBaggs Internal Preamp --> Line 6 DL4 (Where the=20
> interference is looped)=A0
>
> Mebby the HI- Z Cable from preamp to Line 6 DL4?
>
> Thanks soo much for your OT input, really, the help on this list is=20
> really good!
>
> -Justin Fobes

--Apple-Mail-2--533621615
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It can still be the pickup.  "Humbucking" doesn't equal "never picks
up any hum".  In the past I've had problems with pre-amps and
compressors, even with hum-cancelling pickups.  If your Baggs pickup
is internal to your guitar though, it'll obviously be difficult to
bypass that, but that'd be next step.  You've got to be able isolate
the pickup from the pre-amp to test it, but if you're within a few
feet of a neon sign transformer, there may not be much you can do on
your end without some equipment changes.


TravisH



On Monday, September 15, 2003, at 10:28 AM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt>

Hummm . . .


What, or where do you think it would come from?


Sunrise --> LRBaggs Internal Preamp --> Line 6 DL4 (Where the
interference is looped)=A0


Mebby the HI- Z Cable from preamp to Line 6 DL4?


Thanks soo much for your OT input, really, the help on this list is
really good!


-Justin Fobes

</excerpt>=

--Apple-Mail-2--533621615--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 22:56:22 2003
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sarcastilaro strikes again, and with smashing form...

: )
omjn

msottilaro wrote:

> Whew!  That's a relief.  Someone call the Times.
>
> Mark Sottilaro
>
> On Monday, September 15, 2003, at 10:07  AM, David Durian wrote:
>
>> All,
>>  
>> Don't worry--I'm still subscribed--just changed my email address. 
>> That's all.
>>  
>> David Durian
>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Mon Sep 15 23:34:15 2003
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On Mon, 15 Sep 2003 15:31:23 -0700, Mike Barrs <mbarrs@nightviewer.com> 
wrote:
> I haven't tried the Duncan Magmic, but I do have a Fishman Rare Earth 
> Blend
> (magnetic soundhole pickup with a small condenser mic on a gooseneck). 
> It's
> a stacked humbucker with an onboard preamp. The preamp really helps kill 
> any
> hum... it's extremely quiet, even when recording near a computer monitor 
> or
> other RF sources.
>

Really? I have the same pickup and I can't record with it because it picks 
up hum anywhere near a monitor.  Do you plug it in direct, or do you have 
any outboard gear?

Ernesto

-- 
ernesto schnack
http://www.stringboy.net

From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 00:17:13 2003
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    Check out K&K-t a small outfit from Oregon,their pickups are generally 
less money for higher quality,compared with better  known brands
>
>Correction... "along with various other options for using it along with an
>undersaddle or soundboard PUTW transducer, in a mono or stereo setup"
>
>Sometimes I write too fast for my brain.
>
>Mike Barrs
>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 00:58:47 2003
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  Could also be a ground loop, if audio gear is plugged into more than one 
power circuit.
>It can still be the pickup.  "Humbucking" doesn't equal "never picks up any 
>hum".  In the past I've had problems with pre-amps and compressors, even 
>with hum-cancelling pickups.  If your Baggs pickup is internal to your 
>guitar though, it'll obviously be difficult to bypass that, but that'd be 
>next step.  You've got to be able isolate the pickup from the pre-amp to 
>test it, but if you're within a few feet of a neon sign transformer, there 
>may not be much you can do on your end without some equipment changes.
>
>TravisH
>
>
>On Monday, September 15, 2003, at 10:28 AM, 
>Loopers-Delight-d-request@loopers-delight.com wrote:
>
>>
>>Hummm . . .
>>
>>What, or where do you think it would come from?
>>
>>Sunrise --> LRBaggs Internal Preamp --> Line 6 DL4 (Where the interference 
>>is looped) 
>>
>>Mebby the HI- Z Cable from preamp to Line 6 DL4?
>>
>>Thanks soo much for your OT input, really, the help on this list is really 
>>good!
>>
>>-Justin Fobes

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 07:55:50 2003
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...and not a minute too soon, for pete's sake...

Ladies and gentlemen:

NORMALIZED

http://www.altruistmusic.com/cd/normalized.html

Over 70 minutes of the most musically and technically sophisticated
LoopIV Echoplex work I've ever been able to squeeze out of my own skull.

You can stream a clip of nearly every song from the album at CD Baby:

http://www.cdbaby.com/lafosse2

The album is currently available for sale at CD Baby, via the link
above, or by phone at 1-800-BUY-MY-CD (cute, huh?)  

It's also available directly from Altruist Music (i.e. myself) online,
via PayPal:

http://www.altruistmusic.com/shop/paypal.html

mp3 downloads of tracks from the album:

http://www.altruistmusic.com/soundfiles/seismic.mp3
http://www.altruistmusic.com/soundfiles/interference.mp3

http://www.altruistmusic.com/soundfiles/offthegrid.mp3
http://www.altruistmusic.com/soundfiles/preacherman.mp3
http://www.altruistmusic.com/soundfiles/skin.mp3
http://www.altruistmusic.com/soundfiles/beast.mp3

It's 4:45 in the morning, so please insert my obligatory appeal for
purchasing the album here:

[...]

All right then,

--Andre LaFosse
The Echoplex Analysis Pages:
http://www.altruistmusic.com/EDP

From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 09:02:14 2003
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Subject: Normalized
Date: Tue, 16 Sep 2003 14:59:55 +0200
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Andre LaFosse continues his groundbreaking guitar work on his brand new
second solo album, 'Normalized'. Like no other artist that I know of, he
explores the far reaches of what can be done with an electric guitar and the
new Echoplex software. The Echoplex is a truly 'deep' box - it's a wonderful
and indispensable tool for live looping musicians, but beneath that
seemingly simple looping functionality, there is an uncharted territory of
more experimental musical possibilities many of which don't even have a name
yet.

Andre is one of the very few musicians who have gone there and came back
with treasures ... he turns his axe into something he calls 'turntablist'
guitar ... maybe one could also call his music 'pointillist' ... Burroughs's
cut-up techniques come to mind, and I also had to think of Edward scissor
hands ... remember that guy with scissor hands, creating incredible
sculptures in seconds? Andre's sound sculptures are a bit like that, they
suddenly evolve out of thin air, fragile cut-up loop fragments that one
would expect to go haywire suddenly start to groove and rock and mutate in
many surprising ways. I've spent some time with electric guitar and Echoplex
myself, but still, Andre seems like a wizard to me and often enough, I have
no idea how he does what he does. And then he's a wonderful guitarist of
course - firmly rooted in rock'n roll but going way beyond that, with
traditional Indian and Arabian music speaking in his phrasing and
expressivity.

So, if you need some avantgarde party music, or if you're looking for a
truly adventurous and rewarding listening experience, buy this album, now,
at

http://www.altruistmusic.com/cd


--------
Michael Peters


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--- Nemoguitt@aol.com wrote:

> i will second that.....mine has been a source of great fun and may i say, 
> inspiration.....the fuzz patch alone is worth the price.....there are a
> multitude 
> of sounds in this little gem.....i find new sounds everytime i sit down with 
> it and all i'm sending thru it is my guitar.....

I've been pretty impressed with mine too, although the "Fuzz" patch has thus far
been one of my least favorites...

I keep hearing an odd noise when I tweek the middle knob. It's like it injects
noise into the audio signal corrupting what's there. Kind of cool sometimes, but
I honestly believe there's something wrong with it. Does anyone else hear this
with theirs? Should I be sending it back to get a replacment while I still can?

> they take up no space 
> but im finding it hard to place it close enuf to tweek (and tweek it you 
> can!).....i've just been setting it on my leg as im playing (sitting
> down).....not 
> the best but it works and when winter comes it will keep me toasty.....michael

I've been thinking about making a little plate to fit on a mic stand to hold
mine. 

Greg



__________________________________
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Ah the sweet sound....

thanks andre,
ken;

Andre LaFosse wrote:

>...and not a minute too soon, for pete's sake...
>
>Ladies and gentlemen:
>
>NORMALIZED
>
>http://www.altruistmusic.com/cd/normalized.html
>
>Over 70 minutes of the most musically and technically sophisticated
>LoopIV Echoplex work I've ever been able to squeeze out of my own skull.
>
>You can stream a clip of nearly every song from the album at CD Baby:
>
>http://www.cdbaby.com/lafosse2
>
>The album is currently available for sale at CD Baby, via the link
>above, or by phone at 1-800-BUY-MY-CD (cute, huh?)  
>
>It's also available directly from Altruist Music (i.e. myself) online,
>via PayPal:
>
>http://www.altruistmusic.com/shop/paypal.html
>
>mp3 downloads of tracks from the album:
>
>http://www.altruistmusic.com/soundfiles/seismic.mp3
>http://www.altruistmusic.com/soundfiles/interference.mp3
>
>http://www.altruistmusic.com/soundfiles/offthegrid.mp3
>http://www.altruistmusic.com/soundfiles/preacherman.mp3
>http://www.altruistmusic.com/soundfiles/skin.mp3
>http://www.altruistmusic.com/soundfiles/beast.mp3
>
>It's 4:45 in the morning, so please insert my obligatory appeal for
>purchasing the album here:
>
>[...]
>
>All right then,
>
>--Andre LaFosse
>The Echoplex Analysis Pages:
>http://www.altruistmusic.com/EDP
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 12:51:04 2003
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Subject: Re: alesis ineko
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In a message dated 9/16/03 12:23:19 PM Eastern Daylight Time, 
ghunicycle@yahoo.com writes:


> I keep hearing an odd noise when I tweek the middle knob. It's like it 
> injects
> noise into the audio signal corrupting what's there

greg.....is this on just the fuzz patch?.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>In a message dated 9/16/0=
3 12:23:19 PM Eastern Daylight Time, ghunicycle@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I keep hearing an odd noise whe=
n I tweek the middle knob. It's like it injects<BR>
noise into the audio signal corrupting what's there</BLOCKQUOTE><BR>
<BR>
greg.....is this on just the fuzz patch?.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 12:52:47 2003
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How is the reverb on that baby?

Mark

On Tuesday, September 16, 2003, at 09:46  AM, Nemoguitt@aol.com wrote:

> In a message dated 9/16/03 12:23:19 PM Eastern Daylight Time, 
> ghunicycle@yahoo.com writes:
>
>
> I keep hearing an odd noise when I tweek the middle knob. It's like it 
> injects
> noise into the audio signal corrupting what's there
>
>
>
> greg.....is this on just the fuzz patch?.....michael
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How is the reverb on that baby?


Mark


On Tuesday, September 16, 2003, at 09:46  AM, Nemoguitt@aol.com wrote:


<excerpt><fontfamily><param>Arial</param><smaller>In a message dated
9/16/03 12:23:19 PM Eastern Daylight Time, ghunicycle@yahoo.com writes:



</smaller></fontfamily>I keep hearing an odd noise when I tweek the
middle knob. It's like it injects

noise into the audio signal corrupting what's there




greg.....is this on just the fuzz patch?.....michael</excerpt>
--Apple-Mail-2--475623055--

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Date: Tue, 16 Sep 2003 13:56:19 EDT
Subject: Re: alesis ineko
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In a message dated 9/16/03 12:49:32 PM Eastern Daylight Time, 
sine@zerocrossing.net writes:


> How is the reverb on that baby?
> 

mark.....i don't care for the reverb, it has a very artificial sound to it, 
perhaps i've not dialed it in properly.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>In a message dated 9/16/0=
3 12:49:32 PM Eastern Daylight Time, sine@zerocrossing.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">How is the reverb on that baby?=
<BR>
</BLOCKQUOTE><BR>
<BR>
mark.....i don't care for the reverb, it has a very artificial sound to it,=20=
perhaps i've not dialed it in properly.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 14:08:57 2003
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Date: Tue, 16 Sep 2003 14:02:34 EDT
Subject: Re: alesis ineko
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In a message dated 9/16/03 10:58:17 AM, Nemoguitt@aol.com writes:

<< i don't care for the reverb, it has a very artificial sound to it, 
perhaps i've not dialed it in properly >>

I don't like it either, seems thin.

BobC


The Thumb Piano Project
www.mp3.com/thumbpianoproject 
http://trundlebox.iuma.com
http://brokenaxe.iuma.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 14:09:28 2003
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Subject: Re: Was Re: Line6 loopers, now Acoustic Pickups.
Date: Tue, 16 Sep 2003 18:04:24 +0000
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I have two S.D. Mag Mic for both my acoustic guitars. I love these 
transducers,
they are quiet and allow flexibility with the controls (mic mix + volume). 
They are
very flexible and no noise and feedback (minimul). I run through a Yamaha AG
stomp box which goes to line6 looper. I don't perform yet, but I'm havin 
fun.


;-) Greg


>From: JustinFobes@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Was Re: Line6 loopers, now Acoustic Pickups.
>Date: Sun, 14 Sep 2003 14:05:32 EDT
>
>In a message dated 9/9/03 1:01:13 PM Central Daylight Time,
>goddard.duncan@mtvne.com writes:
>
> > the crap that comes out of tv's (and I'm speaking of the EM radiation, 
>not
> > the content) gets everywhere and guitars can only avoid picking it up 
>when
> > fitted with decent humbuckers. unfortunately, this rather limits what 
>you can
> > do with the guitar....
> > one idea, though, and not a new one by any means, is to adopt the 
>alembic
> > trick of using a dummy pickup to do the humbucking. this would have to 
>be
> > carefully level matched with whatever combination of real pickups you 
>happen to be
> > using.
> >
> > there is probably a market for something that automatically performs
> > noise-cancellation in this manner, like these noise-cancelling 
>headphones that you
> > can get. the shash that you're catching from the tv sets is pretty
> > omnidirectional.
> >
> > but you could start by finding an old single-coil pickup, which you 
>could
> > glue underneath the scratchplate somewhere. to be effective, it ought to 
>be in
> > the same plane as the other pickups, and roughly the same impedance. 
>take out
> > the polepieces and wire it through a pull-switch pot, so you can 
>fine-tune
> > the phase and balance.
> >
> > alternatively, you could work on the proprietors to switch to plasma
> > screens..... or set up in some sort of metal cage and run a ground wire. 
>you could
> > have a sign on the front: "don't feed the looper- beer only".
> >
> > duncan.
> >
>
>Thanks, unfortunately, my Lowden O-35 will not allow me more than one 
>pickup
>at a time (She's a lil hi spirited . . .), I may just replace my Sunrise 
>with
>a Seymour Duncan MicMag.  Good reviews on H-C.  Anyone experienced here?
><A HREF="http://artists.iuma.com/IUMA/Bands/Justin_Fobes/">
>-Justin Fobes
>http://artists.iuma.com/IUMA/Bands/Justin_Fobes/</A>

_________________________________________________________________
Use custom emotions -- try MSN Messenger 6.0! 
http://www.msnmessenger-download.com/tracking/reach_emoticon

From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 15:09:57 2003
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Subject: Good trader: Andreas Willers
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This is a multi-part message in MIME format.

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Hi all,

I just wanted to let you know that list member Andreas Willers is a =
first-class trader. I purchased a set of Loop III Rev. 5.0 EPROMs from =
him which I had been looking for. Everything arrived promptly and =
well-packed. Thanks thanks thanks 8).

Stephen
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I just wanted to let you know that list =
member=20
Andreas Willers&nbsp;is a first-class trader. I purchased a set =
of&nbsp;Loop III=20
Rev. 5.0 EPROMs&nbsp;from him which I had been looking for. Everything =
arrived=20
promptly and well-packed. Thanks thanks thanks 8).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 17:32:34 2003
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Michael Peters wrote:

> Andre LaFosse continues his groundbreaking guitar work on his brand new
> second solo album, 'Normalized'. Like no other artist that I know of, he
> explores the far reaches of what can be done with an electric guitar and the
> new Echoplex software. The Echoplex is a truly 'deep' box - it's a wonderful
> and indispensable tool for live looping musicians, but beneath that
> seemingly simple looping functionality, there is an uncharted territory of
> more experimental musical possibilities many of which don't even have a name
> yet.
>
> Andre is one of the very few musicians who have gone there and came back
> with treasures ... he turns his axe into something he calls 'turntablist'
> guitar ... maybe one could also call his music 'pointillist' ... Burroughs's
> cut-up techniques come to mind, and I also had to think of Edward scissor
> hands ... remember that guy with scissor hands, creating incredible
> sculptures in seconds? Andre's sound sculptures are a bit like that, they
> suddenly evolve out of thin air, fragile cut-up loop fragments that one
> would expect to go haywire suddenly start to groove and rock and mutate in
> many surprising ways. I've spent some time with electric guitar and Echoplex
> myself, but still, Andre seems like a wizard to me and often enough, I have
> no idea how he does what he does. And then he's a wonderful guitarist of
> course - firmly rooted in rock'n roll but going way beyond that, with
> traditional Indian and Arabian music speaking in his phrasing and
> expressivity.
>
> So, if you need some avantgarde party music, or if you're looking for a
> truly adventurous and rewarding listening experience, buy this album, now,
> at
>
> http://www.altruistmusic.com/cd
>
> --------
> Michael Peters

Just ordered my copy from CD baby.  I'm psyched.

John,
www.johnmazzarella.com


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i thought we were in for some good market tips!!

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<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 16 23:22:51 2003
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Subject: Normalized doth rock...
From: todd reynolds <toddreynolds@rcn.com>
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Got my copy of the CD today.

I have to throw my hat into the ring and praise the hell outta Andre's work.

This record is a benchmark and a great representation of what we do.

Congratulations, andre, concise, tight, well-explained, and what a sound.

I listened to it twice right off the bat, once to pick it apart and attempt

to assess just HOW he does everything he does...
  

And once just to listen.

There's so much great material and great production value I can also just

chill with it.  


The ballad is sweet.


If I were a critic I'd have a lot more to say, but I'm not, so I don't.

Better to just hear it.

And thanks for all the teaser downloads over the last few weeks, andre...

But it sounds so amazing on cd.

Best to all,

Todd


From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 03:43:39 2003
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Date: Wed, 17 Sep 2003 03:40:58 EDT
Subject: Re: New Andre LaFosse CD NOW AVAILABLE...
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> The album is currently available for sale at CD Baby, via the link
>  above, or by phone at 1-800-BUY-MY-CD (cute, huh?)  
>  
>  It's also available directly from Altruist Music (i.e. myself) online,
>  via PayPal:
>  
>  http://www.altruistmusic.com/shop/paypal.html
>  
>  mp3 downloads of tracks from the album:

.......and the CD sounds a lot better than the mp3s

........treat yourself

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 11:05:40 2003
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Date: Wed, 17 Sep 2003 08:01:55 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: alesis ineko
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--- Nemoguitt@aol.com wrote:
> ghunicycle@yahoo.com writes:

> > I keep hearing an odd noise when I tweek the middle knob. It's like it 
> > injects noise into the audio signal corrupting what's there
> 
> greg.....is this on just the fuzz patch?.....michael

No, it's on all the patches. Particularly noticable on the delay ones, since the
static sound of turning the knob gets injected into the delay.

Greg

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 11:07:09 2003
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: alesis ineko
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--- msottilaro <sine@zerocrossing.net> wrote:
> How is the reverb on that baby?

I wasn't very impressed with it. It's usable, I suppose, if you're not too
particular, but it sure wouldn't be my first pick for a reverb unit. 

The filters & modulation effects are cool though, and the fact that it does so
many things in such an easy to use (and store) box makes it pretty useful. I was
expecting a line-level only box, so I was pleasantly surprised to find it works
ok with instrument level signals. 

Greg

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 11:08:45 2003
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Date: Wed, 17 Sep 2003 08:05:47 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: alesis ineko
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--- Nemoguitt@aol.com wrote:
> sine@zerocrossing.net writes:

> > How is the reverb on that baby?

> mark.....i don't care for the reverb, it has a very artificial sound to it, 
> perhaps i've not dialed it in properly.....michael

No, it's not just you. That reverb is pretty poor.

Greg

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 11:42:06 2003
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: alesis ineko
Date: Wed, 17 Sep 2003 11:40:27 -0400
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Keep in mind this is not a "reverb" unit. It's not a "delay" unit. It's
basically a DJ effects unit at a supah-cheap price.

IT's not "modeling" or "reproducing" anything in particular. It is simply
supposed to allow you to mangle and process your signals. Besides, when
everyone is bumping and grinding, hopped up on Ecstasy they don't care if
the plate reverb setting doesn't sound "authentic".

It definitely gets you in the ballpark!

;-)

-DM

>>-----Original Message-----
>>From: Greg House [mailto:ghunicycle@yahoo.com] 
>>Sent: Wednesday, September 17, 2003 11:05 AM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: alesis ineko
>>
>>
>>--- msottilaro <sine@zerocrossing.net> wrote:
>>> How is the reverb on that baby?
>>
>>I wasn't very impressed with it. It's usable, I suppose, if 
>>you're not too particular, but it sure wouldn't be my first 
>>pick for a reverb unit. 
>>
>>The filters & modulation effects are cool though, and the 
>>fact that it does so many things in such an easy to use (and 
>>store) box makes it pretty useful. I was expecting a 
>>line-level only box, so I was pleasantly surprised to find it 
>>works ok with instrument level signals. 
>>
>>Greg
>>
>>__________________________________
>>Do you Yahoo!?
>>Yahoo! SiteBuilder - Free, easy-to-use web site design 
>>software http://sitebuilder.yahoo.com
>>

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2654.45">
<TITLE>RE: alesis ineko</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>Keep in mind this is not a &quot;reverb&quot; unit. =
It's not a &quot;delay&quot; unit. It's basically a DJ effects unit at =
a supah-cheap price.</FONT></P>

<P><FONT SIZE=3D2>IT's not &quot;modeling&quot; or =
&quot;reproducing&quot; anything in particular. It is simply supposed =
to allow you to mangle and process your signals. Besides, when everyone =
is bumping and grinding, hopped up on Ecstasy they don't care if the =
plate reverb setting doesn't sound &quot;authentic&quot;.</FONT></P>

<P><FONT SIZE=3D2>It definitely gets you in the ballpark!</FONT>
</P>

<P><FONT SIZE=3D2>;-)</FONT>
</P>

<P><FONT SIZE=3D2>-DM</FONT>
</P>

<P><FONT SIZE=3D2>&gt;&gt;-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;From: Greg House [<A =
HREF=3D"mailto:ghunicycle@yahoo.com">mailto:ghunicycle@yahoo.com</A>] =
</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Sent: Wednesday, September 17, 2003 11:05 =
AM</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;To: =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Subject: Re: alesis ineko</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;--- msottilaro &lt;sine@zerocrossing.net&gt; =
wrote:</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;&gt; How is the reverb on that baby?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;I wasn't very impressed with it. It's =
usable, I suppose, if </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;you're not too particular, but it sure =
wouldn't be my first </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;pick for a reverb unit. </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;The filters &amp; modulation effects are =
cool though, and the </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;fact that it does so many things in such an =
easy to use (and </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;store) box makes it pretty useful. I was =
expecting a </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;line-level only box, so I was pleasantly =
surprised to find it </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;works ok with instrument level signals. =
</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Greg</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;__________________________________</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Do you Yahoo!?</FONT>
<BR><FONT SIZE=3D2>&gt;&gt;Yahoo! SiteBuilder - Free, easy-to-use web =
site design </FONT>
<BR><FONT SIZE=3D2>&gt;&gt;software <A =
HREF=3D"http://sitebuilder.yahoo.com" =
TARGET=3D"_blank">http://sitebuilder.yahoo.com</A></FONT>
<BR><FONT SIZE=3D2>&gt;&gt;</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C37D32.0473F190--

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In a message dated 9/17/03 11:02:12 AM Eastern Daylight Time, 
ghunicycle@yahoo.com writes:


> it's on all the patches

sounds like its broken.....get a replacement while you can.....michael

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>In a message dated 9/17/0=
3 11:02:12 AM Eastern Daylight Time, ghunicycle@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">it's on all the patches</BLOCKQ=
UOTE><BR>
<BR>
sounds like its broken.....get a replacement while you can.....michael</FONT=
></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 17 17:33:51 2003
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Yeah, mine does that too, I keep meaning to open it up and try cleaning the 
potentiometer, but that would be effort and I really use that knob the least 
:)

>I keep hearing an odd noise when I tweek the middle knob. It's like it 
>injects
>noise into the audio signal corrupting what's there. Kind of cool 
>sometimes, but
>I honestly believe there's something wrong with it. Does anyone else hear 
>this
>with theirs? Should I be sending it back to get a replacment while I still 
>can?

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 18 11:22:51 2003
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Date: Thu, 18 Sep 2003 08:10:22 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: alesis ineko
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Yeah, it just sounds like a dirty pot to me. I haven't really looked at how hard
it is to get it apart or clean. 

Greg


--- Will Wright <armyofpie@hotmail.com> wrote:
> 
> Yeah, mine does that too, I keep meaning to open it up and try cleaning the 
> potentiometer, but that would be effort and I really use that knob the least 
> :)
> 
> >I keep hearing an odd noise when I tweek the middle knob. It's like it 
> >injects
> >noise into the audio signal corrupting what's there. Kind of cool 
> >sometimes, but
> >I honestly believe there's something wrong with it. Does anyone else hear 
> >this
> >with theirs? Should I be sending it back to get a replacment while I still 
> >can?
> 
> _________________________________________________________________
> Send and receive larger attachments with Hotmail Extra Storage.   
> http://join.msn.com/?PAGE=features/es
> 


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From: Tom Ritchford <tom@swirly.com>
Subject: 9/19: Chama benefit tomorrow
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[Chama is one of the last truly alternative places in the East 
Village and they're struggling to survive.  They've been a kindly 
host to many New York area loopers -- you know who you are!

I'm MCing this event which promises to be extremely memorable -- 
please come on out.  /t]

Stv Jns wrote:

  "Quintessentially East Village!" --- Phil Hartman


FRIDAY SEPT 19:
!! CHAMA BENEFIT !!
To be held at the historic UMBRELLA HOUSE, around the corner from 
Chama Teahouse, at 21 Avenue C, between 2nd & 3rd streets.

FRIDAY September 19th  8pm - 12
Admission sliding scale= $5 - $100

Awareness, expansion, connection, and MORE!
INDIAN RAGAS, BIG DRUMMING, MUSIC ELECTRONICS, COMEDY, ART 
INSTALLATION, PAINTINGS, INTERACTIVE SCULPTURE, ANIMATED BRAIN, 
SPINNING CROP CIRCLES, ALIEN ABDUCTION MEMORIES, BEER, WINE, 
T-SHIRTS, RAFFLE, AUCTION!

Layers, combos and solos featuring:
* BILL BUCHEN  (Tablas/Percussion)
* STEVE JAMES  (Sarod/Violin) -tentative
* STEVE GORN  (Bansuri Flute) -tentative
* ZEROBOY  (Unique Comic: "world's loudest mime") * FLY  (Multimedia 
Comix Performance)
* STEVE BEN ISRAEL  (Legendary "Storyteller")
* TOM SWIRLY  (Electronic Orchestra, Master of Ceremonies!)
* KATHERINE SALL (Woman of the Drum)
* LEONARDO FERRARO  (Master Drummer)
* SASHA (Spoken Word)
* STEVE JONES (eGuitar/Loop Song & Drum)
* KIRK PETERKIN  (Space Age Music Box)
* PETER KIRN  (Electronic Composer)
* KAMALA SANKARAM  (Sitar/Voice)
* TYRONE HENDERSON  (Poet)
* RD HANSON  (Sax master) -tentative

with PAINTINGS AND SCULPTURE by
DAVID HUGGINS, STEVE SPEER, CHRISTIE BREYER, JAMES ROMBERGER, 
KATHERINE SALL, FLY, and more!!!

* PLUS! TED THE PSYCHIC will be on hand to read your energy and give 
special advice!

>>>  Instant collector's item: the NEW CHAMA T-SHIRT Limited Edition!
-----------
PLEASE COME on down to Umbrella House and ENJOY A UNIQUE EAST VILLAGE 
EVENT that just may SAVE CHAMA and the many Chama efforts from 
extinction
------------  http://www.chamateahouse.com


Dear Friends, CHAMA is in desperate financial straights. If you have 
enjoyed our lectures, our open mics, our full moon shows, our fringe 
science, mind and art events, our music, our halloween haunted house 
event in the garden, WE NEED CONTRIBUTIONS NOW. If we don't meet our 
rent, CHAMA will have to close this fall. Come to the benefit or just 
mail or drop by with your contributions. if CHAMA doesn't survive 
this crisis there will be no CHAMA. It up to all of us to support 
whats meaningful in our lives. If CHAMA is meaningful to you, please 
help out....thanks and peace

CHAMA Teahouse
Human Thought Gallery
332 East 4th street
East Store
New York, NY 10009
checks made out to: Gargoyle Mechanique Productions
THANK YOU!

-- 

http://loopNY.com ......................An "open loop": shows every Saturday!
http://extremeNY.com/calendar .................................. the calendar.
http://extremeNY.com/submit .......................... submit to the calendar.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 02:09:45 2003
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test


From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 07:32:24 2003
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----- Original Message ----- 
From: "| SquidLoop |" <squidloop@thetentacle.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 19, 2003 7:04 AM
Subject: Test


> test

Nope.  Can't see a thing.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 15:23:52 2003
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From: "Relay" <relaydelayband@earthlink.net>
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Subject: Confessions of a Guerilla Looper
Date: Fri, 19 Sep 2003 12:19:41 -0700
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Hi all--
Slow on the list, thought I'd share what's new--
Played a job yesterday for the LA Public Library, Grandparents and Kids
luncheon (no kids in evidence) doing a patriotic one man band show (schlock
and schick, but sincerely presented) and in the course of two hours managed
to include my looped version of Wildwood Flower, as well as a couple of
others.  They probably liked that better than my presentation of Heart of
Rock and Roll (what was I thinking?) or my butchering of The Stars and
Stripes Forever (note to self--next time practice BEFORE the gig).
Also, I did some guerila looping at the Oak Creek Market in Sedona, Arizona
on Monday.  We were in town after catching list members Bill Fox and Greg
Waltzer performing at Arcosanti (!) in the Prescott area of Arizona and
visiting the Grand Canyon.  I snuck out of the motel room--had my stuff with
me because I have a steady now downtown at the Hyatt 3-7 pm poolside (come
say hi and maybe I'll loop by the pool) every Friday and we left right after
the gig.  Anyway, the hourlong impromptu performance must have gone well, as
they did not ask me to stop or for that matter who was paying me (avoid eye
contact).  I did chat with some folks from Ohio, there doing shopping (what
else is there?) and sightseeing (oh yeah).
Gotta go, here comes Candy,
Gary


From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 16:11:14 2003
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Subject: Re: Confessions of a Guerilla Looper
From: Stan Card <stanitarium@earthlink.net>
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goodonye gary-which hyatt is that?
s

> Hi all--
> Slow on the list, thought I'd share what's new--
> Played a job yesterday for the LA Public Library, Grandparents and Kids
> luncheon (no kids in evidence) doing a patriotic one man band show (schlock
> and schick, but sincerely presented) and in the course of two hours managed
> to include my looped version of Wildwood Flower, as well as a couple of
> others.  They probably liked that better than my presentation of Heart of
> Rock and Roll (what was I thinking?) or my butchering of The Stars and
> Stripes Forever (note to self--next time practice BEFORE the gig).
> Also, I did some guerila looping at the Oak Creek Market in Sedona, Arizona
> on Monday.  We were in town after catching list members Bill Fox and Greg
> Waltzer performing at Arcosanti (!) in the Prescott area of Arizona and
> visiting the Grand Canyon.  I snuck out of the motel room--had my stuff with
> me because I have a steady now downtown at the Hyatt 3-7 pm poolside (come
> say hi and maybe I'll loop by the pool) every Friday and we left right after
> the gig.  Anyway, the hourlong impromptu performance must have gone well, as
> they did not ask me to stop or for that matter who was paying me (avoid eye
> contact).  I did chat with some folks from Ohio, there doing shopping (what
> else is there?) and sightseeing (oh yeah).
> Gotta go, here comes Candy,
> Gary
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 16:57:51 2003
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--part1_167.25bd314b.2c9cc6ca_boundary
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test

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">test</FONT></HTML>

--part1_167.25bd314b.2c9cc6ca_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 17:08:20 2003
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What were you wondering why it's so quiet here?

-----Original Message-----
From: Fsksync@aol.com [mailto:Fsksync@aol.com] 
Sent: Friday, September 19, 2003 4:54 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Test


test 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 17:29:12 2003
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Date: Fri, 19 Sep 2003 14:23:47 -0700
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I think he was responding to my test. I was just testing my mail filter.

:::-----Original Message-----
:::From: Alan Kroeger [mailto:nospam@developsolutions.com]
:::Sent: Friday, September 19, 2003 2:02 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: RE: Test
:::
:::What were you wondering why it's so quiet here?
:::
:::-----Original Message-----
:::From: Fsksync@aol.com [mailto:Fsksync@aol.com]
:::Sent: Friday, September 19, 2003 4:54 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Re: Test
:::
:::
:::test
:::
:::



From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 17:34:03 2003
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Date: Fri, 19 Sep 2003 16:27:53 -0500
From: Henry Heine <henry@bagend.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Rackmount 1-space stereo line mixers?
References: <Law9-F111wWsyKgqWiu0001add5@hotmail.com>
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Sure. As long as you don't need a mic in with phantom power and a 
headphone amp.

Henry

Matthew Wiley wrote:
> henry,
> 
> then Rane SM-82 is the best single space line mixer.  period.
> 
> -matt
> 
>> From: Henry Heine <henry@bagend.com>
>> Reply-To: Loopers-Delight@loopers-delight.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Rackmount 1-space stereo line mixers?
>> Date: Mon, 15 Sep 2003 12:19:54 -0500
>>
>> Check out the Rolls RM203x
>>
>> http://www.rolls.com/rollsproducts/
>>
>> Mike Barrs wrote:
>>
>>> Right now I'm using my Repeater as an inline, downstream effect after my
>>> Roland VG-88 guitar processor. For various reasons (including the 
>>> latency
>>> issue which has been mentioned here), I'd like to try moving the 
>>> Repeater
>>> off into a side-chain (parallel) FX signal, instead of running it 
>>> inline.
>>>
>>> The easy and cheap solution would be a compact horizontal-format 
>>> mixer with
>>> two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to 
>>> keep
>>> my rig as compact as possible, and I would prefer doing this with a 
>>> 1-space
>>> rackmount stereo line mixer.
>>>
>>> One complication here is that I would like a headphone output in the 
>>> mixer,
>>> since I've been using the Repeater's headphone jack to monitor practice
>>> sessions. If I move it off to a parallel FX loop and run it in dry mute
>>> mode, I won't hear the VG-88 live sound in the headphones.
>>>
>>> I haven't found many candidates so far. Most of the 1u rackmount line 
>>> mixers
>>> don't even have FX sends, and the few that do are usually mono sends and
>>> returns. And very few rackmount line mixers include a headphone jack. 
>>> Here
>>> are the options I've found so far in stereo 1u rack line mixers that 
>>> might
>>> work:
>>>
>>> Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to 
>>> add a
>>> headphone amp).
>>>
>>> Ashly LX308B -- no FX loop, but it has a headphone jack.
>>>
>>> Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
>>>
>>> I could use a pair of line splitters ahead of the Ashley or Whirlwind 
>>> mixers
>>> to get around the FX loop problem... split the VG-88 stereo signal, 
>>> send one
>>> stereo pair to the mixer, the other stereo pair to the Repeater, and 
>>> bring
>>> the Repeater's output back into the mixer.
>>>
>>> Is there anything else that might work? All these 1u rackmount stereo 
>>> mixers
>>> are pretty expensive ($400-$600) compared to the compact 
>>> Behringer/Mackie
>>> horizontal format mixers that would do the same job. I thought I'd 
>>> ask here
>>> first if there were other options I haven't found.
>>>
>>> Thanks!
>>>
>>>  ______________________
>>>  Mike Barrs
>>
>>
>>
> 
> _________________________________________________________________
> Try MSN Messenger 6.0 with integrated webcam functionality! 
> http://www.msnmessenger-download.com/tracking/reach_webcam


From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 17:47:25 2003
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Date: Fri, 19 Sep 2003 17:43:26 -0400
Subject: Re: .little a. -- Free MP3's  &  New CD  &  Boston Phoenix Article
From: Dan Soltzberg <d.ans@rcn.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3146838206_1285614_MIME_Part
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Nice to see you getting a bit of ink.

Congrats!

Dan


--=20
ghost 7/ Oranje
http://envelopeproductions.com




on 9/11/03 4:55 PM, David at vze2ncsr@verizon.net wrote:

Hello -
=20
Just a little note to say that the little rock-band-that-could -- .little a=
.
-- is featured in a little article in this week's Boston Phoenix.
Ted Drodowski has written a nice little piece about the band and our newly
released CD - StarsFade.
=20
How ironic that the .little a. webpage -- www.littleamusic.com
<http://www.littleamusic.com>  -- is currently DOWN because of some unknown
technical difficulties.
=20
.little a. Phoenix article:
http://www.bostonphoenix.com/boston/music/cellars/documents/03146768.asp
=20
Download Free MP3's:
http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273
=20
Buy CD: $5 StarsFade
http://www.cdbaby.com/cd/littlea
=20


Other News 1:=20
=20
Bruce has a show next week!
       The Kendall Caf=E9
       Thursday, Sept 18th  9:00 pm
       233 Cardinal Medeiros Way,
       Kendall Square, Cambridge, MA
       http://www.brucegrover.com/
=20
Other News 2:
=20
David's other two projects -- Super-Cannes & UNDO -- as well as .little a.
this month all receive positive reviews in local 'zine The Noise.
http://www.thenoise-boston.com/cd_reviews/234.asp   Does three reviews in
one issue of The Noise constitute a record of some kind?
=20
To learn more about Super-Cannes & UNDO, please reply to this e-mail.
=20
You can request .little a., Bruce Grover, Super-Cannes and UNDO from all
your favorite radio stations!
Thanks for supporting local music, and the people who make it!
=20
David Kirkdorffer




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<HTML>
<HEAD>
<TITLE>Re: .little a. -- Free MP3's &nbsp;&amp; &nbsp;New CD &nbsp;&amp; &n=
bsp;Boston Phoenix Article</TITLE>
</HEAD>
<BODY>
Nice to see you getting a bit of ink.<BR>
<BR>
Congrats!<BR>
<BR>
Dan<BR>
<BR>
<BR>
-- <BR>
<FONT FACE=3D"Trebuchet MS"><B>ghost 7/ Oranje<BR>
http://envelopeproductions.com<BR>
</B></FONT><BR>
<BR>
<BR>
<BR>
on 9/11/03 4:55 PM, David at vze2ncsr@verizon.net wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">Hello -<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Just a little note to say that the little=
 rock-band-that-could -- .little a. -- is featured in a little article in th=
is week's Boston Phoenix.<BR>
Ted Drodowski has written a nice little piece about the band and our newly =
released CD - <I>StarsFade.<BR>
</I></FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">How ironic that the .little a. webpage --=
 www.littleamusic.com &lt;http://www.littleamusic.com&gt; &nbsp;-- is curren=
tly DOWN because of some unknown technical difficulties. <BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>.little a.</B> <B>Phoenix article</B>:=
<BR>
http://www.bostonphoenix.com/boston/music/cellars/documents/03146768.asp<BR=
>
</FONT></FONT> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>Download Free</B=
></FONT></FONT></FONT><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B> MP3's</B>: <BR>
http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>Buy CD</B>: $5 <FONT COLOR=3D"#0000FF"><=
B><I>StarsFade</I></B></FONT> <BR>
http://www.cdbaby.com/cd/littlea<BR>
</FONT></FONT> <BR>
 <BR>
 <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>Other News 1: <BR>
</B></FONT></FONT> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>Bruce </B></FONT=
></FONT></FONT><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>has a show next week!<BR=
>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Kendall Caf=E9</B> <BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Thursday, Sept 18th &nbsp;9:00 p=
m<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;233 Cardinal Medeiros Way,<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kendall Square, Cambridge, MA<BR=
>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;http://www.brucegrover.com/<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>Other News 2:<BR>
</B></FONT></FONT> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>David's</B></FON=
T></FONT></FONT><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B> other two projects -- =
Super-Cannes &amp; UNDO -- as well as .little a. this month all receive posi=
tive reviews in local 'zine The Noise. &nbsp;&nbsp;&nbsp;<BR>
http://www.thenoise-boston.com/cd_reviews/234.asp</B> &nbsp;&nbsp;Does thre=
e reviews in one issue of The Noise constitute a record of some kind?<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">To learn more about Super-Cannes &amp; UN=
DO, please reply to this e-mail.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>You can request .little a., Bruce Grov=
er, Super-Cannes and UNDO from all your favorite radio stations! &nbsp;<BR>
</B>Thanks for supporting local music, and the people who make it!<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">David Kirkdorffer<BR>
</FONT></FONT><BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 18:07:42 2003
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Subject: Re: Rackmount 1-space stereo line mixers?
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I've been using a Ashly single space 8 channel, and it is a very
versatile mixer but it lacks sends/returns.  It is basically
a broadcast mixer but it has great fidelity and stereo/mono
capability.  MX308	is the model, but it may have been replaced.
It isn't in my rack at the moment because it is on loan but
I've had noting but positive experiences with it.

My other rack mixer is an Alesis 12r but it is 3 spaces, not one.

Pete

On Friday, Sep 19, 2003, at 17:27 US/Eastern, Henry Heine wrote:

> Sure. As long as you don't need a mic in with phantom power and a 
> headphone amp.
>
> Henry
>
> Matthew Wiley wrote:
>> henry,
>> then Rane SM-82 is the best single space line mixer.  period.
>> -matt
>>> From: Henry Heine <henry@bagend.com>
>>> Reply-To: Loopers-Delight@loopers-delight.com
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Rackmount 1-space stereo line mixers?
>>> Date: Mon, 15 Sep 2003 12:19:54 -0500
>>>
>>> Check out the Rolls RM203x
>>>
>>> http://www.rolls.com/rollsproducts/
>>>
>>> Mike Barrs wrote:
>>>
>>>> Right now I'm using my Repeater as an inline, downstream effect 
>>>> after my
>>>> Roland VG-88 guitar processor. For various reasons (including the 
>>>> latency
>>>> issue which has been mentioned here), I'd like to try moving the 
>>>> Repeater
>>>> off into a side-chain (parallel) FX signal, instead of running it 
>>>> inline.
>>>>
>>>> The easy and cheap solution would be a compact horizontal-format 
>>>> mixer with
>>>> two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying 
>>>> to keep
>>>> my rig as compact as possible, and I would prefer doing this with a 
>>>> 1-space
>>>> rackmount stereo line mixer.
>>>>
>>>> One complication here is that I would like a headphone output in 
>>>> the mixer,
>>>> since I've been using the Repeater's headphone jack to monitor 
>>>> practice
>>>> sessions. If I move it off to a parallel FX loop and run it in dry 
>>>> mute
>>>> mode, I won't hear the VG-88 live sound in the headphones.
>>>>
>>>> I haven't found many candidates so far. Most of the 1u rackmount 
>>>> line mixers
>>>> don't even have FX sends, and the few that do are usually mono 
>>>> sends and
>>>> returns. And very few rackmount line mixers include a headphone 
>>>> jack. Here
>>>> are the options I've found so far in stereo 1u rack line mixers 
>>>> that might
>>>> work:
>>>>
>>>> Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have 
>>>> to add a
>>>> headphone amp).
>>>>
>>>> Ashly LX308B -- no FX loop, but it has a headphone jack.
>>>>
>>>> Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
>>>>
>>>> I could use a pair of line splitters ahead of the Ashley or 
>>>> Whirlwind mixers
>>>> to get around the FX loop problem... split the VG-88 stereo signal, 
>>>> send one
>>>> stereo pair to the mixer, the other stereo pair to the Repeater, 
>>>> and bring
>>>> the Repeater's output back into the mixer.
>>>>
>>>> Is there anything else that might work? All these 1u rackmount 
>>>> stereo mixers
>>>> are pretty expensive ($400-$600) compared to the compact 
>>>> Behringer/Mackie
>>>> horizontal format mixers that would do the same job. I thought I'd 
>>>> ask here
>>>> first if there were other options I haven't found.
>>>>
>>>> Thanks!
>>>>
>>>>  ______________________
>>>>  Mike Barrs
>>>
>>>
>>>
>> _________________________________________________________________
>> Try MSN Messenger 6.0 with integrated webcam functionality! 
>> http://www.msnmessenger-download.com/tracking/reach_webcam
>
>
>

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Subject: Re: .little a. -- Free MP3's  &  New CD  &  Boston Phoenix Article
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Re: .little a. -- Free MP3's  &  New CD  &  Boston Phoenix =
Articlecheers.  thanks for the kind words
  ----- Original Message -----=20
  From: Dan Soltzberg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, September 19, 2003 5:43 PM
  Subject: Re: .little a. -- Free MP3's & New CD & Boston Phoenix =
Article


  Nice to see you getting a bit of ink.

  Congrats!

  Dan


  --=20
  ghost 7/ Oranje
  http://envelopeproductions.com




  on 9/11/03 4:55 PM, David at vze2ncsr@verizon.net wrote:


    Hello -

    Just a little note to say that the little rock-band-that-could -- =
.little a. -- is featured in a little article in this week's Boston =
Phoenix.
    Ted Drodowski has written a nice little piece about the band and our =
newly released CD - StarsFade.

    How ironic that the .little a. webpage -- www.littleamusic.com =
<http://www.littleamusic.com>  -- is currently DOWN because of some =
unknown technical difficulties.=20

    .little a. Phoenix article:
    =
http://www.bostonphoenix.com/boston/music/cellars/documents/03146768.asp

    Download Free MP3's:=20
    http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273

    Buy CD: $5 StarsFade=20
    http://www.cdbaby.com/cd/littlea



    Other News 1:=20

    Bruce has a show next week!
           The Kendall Caf=E9=20
           Thursday, Sept 18th  9:00 pm
           233 Cardinal Medeiros Way,
           Kendall Square, Cambridge, MA
           http://www.brucegrover.com/

    Other News 2:

    David's other two projects -- Super-Cannes & UNDO -- as well as =
.little a. this month all receive positive reviews in local 'zine The =
Noise.   =20
    http://www.thenoise-boston.com/cd_reviews/234.asp   Does three =
reviews in one issue of The Noise constitute a record of some kind?

    To learn more about Super-Cannes & UNDO, please reply to this =
e-mail.

    You can request .little a., Bruce Grover, Super-Cannes and UNDO from =
all your favorite radio stations! =20
    Thanks for supporting local music, and the people who make it!

    David Kirkdorffer




------=_NextPart_000_037C_01C37EDA.5EA137A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: .little a. -- Free MP3's =A0& =A0New CD =A0& =
=A0Boston Phoenix Article</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>cheers.&nbsp; thanks for the kind=20
words</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dd.ans@rcn.com href=3D"mailto:d.ans@rcn.com">Dan =
Soltzberg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, September 19, =
2003 5:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: .little a. -- Free =
MP3's=20
  &amp; New CD &amp; Boston Phoenix Article</DIV>
  <DIV><BR></DIV>Nice to see you getting a bit of=20
  ink.<BR><BR>Congrats!<BR><BR>Dan<BR><BR><BR>-- <BR><FONT=20
  face=3D"Trebuchet MS"><B>ghost 7/ Oranje<BR><A=20
  =
href=3D"http://envelopeproductions.com">http://envelopeproductions.com</A=
><BR></B></FONT><BR><BR><BR><BR>on=20
  9/11/03 4:55 PM, David at <A=20
  href=3D"mailto:vze2ncsr@verizon.net">vze2ncsr@verizon.net</A> =
wrote:<BR><BR>
  <BLOCKQUOTE><FONT size=3D2><FONT face=3DArial>Hello =
-<BR></FONT></FONT><BR><FONT=20
    size=3D2><FONT face=3DArial>Just a little note to say that the =
little=20
    rock-band-that-could -- .little a. -- is featured in a little =
article in=20
    this week's Boston Phoenix.<BR>Ted Drodowski has written a nice =
little piece=20
    about the band and our newly released CD -=20
    <I>StarsFade.<BR></I></FONT></FONT><BR><FONT size=3D2><FONT =
face=3DArial>How=20
    ironic that the .little a. webpage -- www.littleamusic.com=20
    &lt;http://www.littleamusic.com&gt; &nbsp;-- is currently DOWN =
because of=20
    some unknown technical difficulties. <BR></FONT></FONT><BR><FONT=20
    size=3D2><FONT face=3DArial><B>.little a.</B> <B>Phoenix=20
    =
article</B>:<BR>http://www.bostonphoenix.com/boston/music/cellars/documen=
ts/03146768.asp<BR></FONT></FONT><BR><FONT=20
    color=3D#0000ff><FONT size=3D2><FONT face=3DArial><B>Download=20
    Free</B></FONT></FONT></FONT><FONT size=3D2><FONT face=3DArial><B> =
MP3's</B>:=20
    =
<BR>http://www.bostonphoenix.com/Bost_mp3/artist.asp?id=3D273<BR></FONT><=
/FONT><BR><FONT=20
    size=3D2><FONT face=3DArial><B>Buy CD</B>: $5 <FONT=20
    color=3D#0000ff><B><I>StarsFade</I></B></FONT>=20
    =
<BR>http://www.cdbaby.com/cd/littlea<BR></FONT></FONT><BR><BR><BR><FONT=20
    size=3D2><FONT face=3DArial><B>Other News 1: =
<BR></B></FONT></FONT><BR><FONT=20
    color=3D#0000ff><FONT size=3D2><FONT face=3DArial><B>Bruce=20
    </B></FONT></FONT></FONT><FONT size=3D2><FONT face=3DArial><B>has a =
show next=20
    week!<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Kendall =
Caf=E9</B>=20
    <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Thursday, Sept 18th =
&nbsp;9:00=20
    pm<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;233 Cardinal =
Medeiros=20
    Way,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kendall Square, =
Cambridge,=20
    =
MA<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;http://www.brucegrover.co=
m/<BR></FONT></FONT><BR><FONT=20
    size=3D2><FONT face=3DArial><B>Other News =
2:<BR></B></FONT></FONT><BR><FONT=20
    color=3D#0000ff><FONT size=3D2><FONT=20
    face=3DArial><B>David's</B></FONT></FONT></FONT><FONT size=3D2><FONT =

    face=3DArial><B> other two projects -- Super-Cannes &amp; UNDO -- as =
well as=20
    .little a. this month all receive positive reviews in local 'zine =
The Noise.=20
    =
&nbsp;&nbsp;&nbsp;<BR>http://www.thenoise-boston.com/cd_reviews/234.asp</=
B>=20
    &nbsp;&nbsp;Does three reviews in one issue of The Noise constitute =
a record=20
    of some kind?<BR></FONT></FONT><BR><FONT size=3D2><FONT =
face=3DArial>To learn=20
    more about Super-Cannes &amp; UNDO, please reply to this=20
    e-mail.<BR></FONT></FONT><BR><FONT size=3D2><FONT =
face=3DArial><B>You can=20
    request .little a., Bruce Grover, Super-Cannes and UNDO from all =
your=20
    favorite radio stations! &nbsp;<BR></B>Thanks for supporting local =
music,=20
    and the people who make it!<BR></FONT></FONT><BR><FONT =
size=3D2><FONT=20
    face=3DArial>David=20
Kirkdorffer<BR></FONT></FONT><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></H=
TML>

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 has anyone tried this unit as a real time loop-effects proccesor? any opinion
in general? Somebody offered me one of this machines in trade for some other
stuff and I think Maybe it could be cool to feed it with repeater loops and then
distort and change them... sort of a poor's man Orville ;-)

  any opinions welcomed.


  Andy in Paris

-------------------------------------------------
Obtén tu correo en www.correo.unam.mx
UNAMonos Comunicándonos

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 20:11:32 2003
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From: Catilyne <catilyne@icicle.net>
Subject: Re: Rackmount 1-space stereo line mixers?
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FWIW, I've given a rundown on the Simmons 1U mixer before (check the 
archives).  I've got four of these and they work great.  And they seem to 
be going for a *lot* less than I paid for mine...  :P

There's a (super)cheap one on Ebay right now:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2558937753&category=23785

         -c-


At 06:01 PM 9/19/2003 -0400, wavelet wrote:
>I've been using a Ashly single space 8 channel, and it is a very
>versatile mixer but it lacks sends/returns.  It is basically
>a broadcast mixer but it has great fidelity and stereo/mono
>capability.  MX308      is the model, but it may have been replaced.
>It isn't in my rack at the moment because it is on loan but
>I've had noting but positive experiences with it.
>
>My other rack mixer is an Alesis 12r but it is 3 spaces, not one.
>
>Pete
>
>On Friday, Sep 19, 2003, at 17:27 US/Eastern, Henry Heine wrote:
>
>>Sure. As long as you don't need a mic in with phantom power and a 
>>headphone amp.
>>
>>Henry
>>
>>Matthew Wiley wrote:
>>>henry,
>>>then Rane SM-82 is the best single space line mixer.  period.
>>>-matt
>>>>From: Henry Heine <henry@bagend.com>
>>>>Reply-To: Loopers-Delight@loopers-delight.com
>>>>To: Loopers-Delight@loopers-delight.com
>>>>Subject: Re: Rackmount 1-space stereo line mixers?
>>>>Date: Mon, 15 Sep 2003 12:19:54 -0500
>>>>
>>>>Check out the Rolls RM203x
>>>>
>>>>http://www.rolls.com/rollsproducts/
>>>>
>>>>Mike Barrs wrote:
>>>>
>>>>>Right now I'm using my Repeater as an inline, downstream effect after my
>>>>>Roland VG-88 guitar processor. For various reasons (including the latency
>>>>>issue which has been mentioned here), I'd like to try moving the Repeater
>>>>>off into a side-chain (parallel) FX signal, instead of running it inline.
>>>>>
>>>>>The easy and cheap solution would be a compact horizontal-format mixer 
>>>>>with
>>>>>two AUX sends per channel (Behringer, Mackie, etc.) But I'm trying to keep
>>>>>my rig as compact as possible, and I would prefer doing this with a 
>>>>>1-space
>>>>>rackmount stereo line mixer.
>>>>>
>>>>>One complication here is that I would like a headphone output in the 
>>>>>mixer,
>>>>>since I've been using the Repeater's headphone jack to monitor practice
>>>>>sessions. If I move it off to a parallel FX loop and run it in dry mute
>>>>>mode, I won't hear the VG-88 live sound in the headphones.
>>>>>
>>>>>I haven't found many candidates so far. Most of the 1u rackmount line 
>>>>>mixers
>>>>>don't even have FX sends, and the few that do are usually mono sends and
>>>>>returns. And very few rackmount line mixers include a headphone jack. Here
>>>>>are the options I've found so far in stereo 1u rack line mixers that might
>>>>>work:
>>>>>
>>>>>Rane SM82 -- full stereo FX loop, but no headphone jack (I'd have to add a
>>>>>headphone amp).
>>>>>
>>>>>Ashly LX308B -- no FX loop, but it has a headphone jack.
>>>>>
>>>>>Whirlwind Mix 6 -- no FX loop, but it has a headphone jack.
>>>>>
>>>>>I could use a pair of line splitters ahead of the Ashley or Whirlwind 
>>>>>mixers
>>>>>to get around the FX loop problem... split the VG-88 stereo signal, 
>>>>>send one
>>>>>stereo pair to the mixer, the other stereo pair to the Repeater, and bring
>>>>>the Repeater's output back into the mixer.
>>>>>
>>>>>Is there anything else that might work? All these 1u rackmount stereo 
>>>>>mixers
>>>>>are pretty expensive ($400-$600) compared to the compact Behringer/Mackie
>>>>>horizontal format mixers that would do the same job. I thought I'd ask 
>>>>>here
>>>>>first if there were other options I haven't found.
>>>>>
>>>>>Thanks!
>>>>>
>>>>>  ______________________
>>>>>  Mike Barrs
>>>>
>>>>
>>>_________________________________________________________________
>>>Try MSN Messenger 6.0 with integrated webcam functionality! 
>>>http://www.msnmessenger-download.com/tracking/reach_webcam
>>
>>
>

-- Duke Sexton
    Field Services Region Manager - Western Region
    F5 Networks

    773.338.2379 (w)
    773.580.7439 (c)
    d.sexton@f5.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 20:16:45 2003
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It's pretty much nothing like a real time effects loop processor.

However, it's a pretty cool device.  It's my only sampler and I really 
like it.  Check out the on line demos at Roland and you'll get a good 
idea of what it does.  Everything has to be sampled and processed into 
the Variphrase format which takes some time.

Mark Sottilaro

On Friday, September 19, 2003, at 03:59  PM, smaug@servidor.unam.mx 
wrote:

>
>
>  has anyone tried this unit as a real time loop-effects proccesor? any 
> opinion
> in general? Somebody offered me one of this machines in trade for some 
> other
> stuff and I think Maybe it could be cool to feed it with repeater 
> loops and then
> distort and change them... sort of a poor's man Orville ;-)
>
>   any opinions welcomed.
>
>
>   Andy in Paris
>
> -------------------------------------------------
> Obtén tu correo en www.correo.unam.mx
> UNAMonos Comunicándonos
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 19 22:14:24 2003
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From: "Mike Barrs" <mbarrs@nightviewer.com>
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Subject: RE: Rackmount 1-space stereo line mixers?
Date: Fri, 19 Sep 2003 19:10:47 -0700
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> From: wavelet [mailto:wavelet@petebrunelli.com]
>
> I've been using a Ashly single space 8 channel, and it is a very
> versatile mixer but it lacks sends/returns.  It is basically
> a broadcast mixer but it has great fidelity and stereo/mono
> capability.  MX308	is the model, but it may have been replaced.
> It isn't in my rack at the moment because it is on loan but
> I've had noting but positive experiences with it.

I think the current model is the Ashly LX 308B, 8 stereo pairs, but the main
thing is it has a headphone jack with a separate level control. That's the
one I'm still leaning towards, since I need the ability to kill the main
outputs and listen to just headphones when I practice. I need the headphone
jack more than I need the full stereo FX loop feature I was looking for. It
seems to be impossible to get both those features in the same 1u line mixer.

Thanks again to everyone for the feedback!

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 01:26:37 2003
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Hi Stan and all--
Downtown San Diego, next to the Convention Center--a great poolside steel
drum gig from 3-7 pm on Fridays that might end next week--darn . . .
Hey Stan, are you playing in Santa Cruz next month?  What day?
Gary

>goodonye gary-which hyatt is that?
s


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I was trying to start a "test" loop, but the feedback wasn't set high 
enough...

Tim


In a message dated 9/19/03 2:24:08 PM Pacific Daylight Time, 
squidloop@thetentacle.org writes:

> I think he was responding to my test. I was just testing my mail filter.
> 
> :::-----Original Message-----
> :::From: Alan Kroeger [mailto:nospam@developsolutions.com]
> :::Sent: Friday, September 19, 2003 2:02 PM
> :::To: Loopers-Delight@loopers-delight.com
> :::Subject: RE: Test
> :::
> :::What were you wondering why it's so quiet here?
> :::
> :::-----Original Message-----
> :::From: Fsksync@aol.com [mailto:Fsksync@aol.com]
> :::Sent: Friday, September 19, 2003 4:54 PM
> :::To: Loopers-Delight@loopers-delight.com
> :::Subject: Re: Test
> :::
> :::
> :::test
> :::
> :::
> 
> 
> 
> 


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">I was trying to start a "test" loop, but the feedback=20=
wasn't set high enough...<BR>
<BR>
Tim<BR>
<BR>
<BR>
In a message dated 9/19/03 2:24:08 PM Pacific Daylight Time, squidloop@thete=
ntacle.org writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I think he was responding to my=
 test. I was just testing my mail filter.<BR>
<BR>
:::-----Original Message-----<BR>
:::From: Alan Kroeger [mailto:nospam@developsolutions.com]<BR>
:::Sent: Friday, September 19, 2003 2:02 PM<BR>
:::To: Loopers-Delight@loopers-delight.com<BR>
:::Subject: RE: Test<BR>
:::<BR>
:::What were you wondering why it's so quiet here?<BR>
:::<BR>
:::-----Original Message-----<BR>
:::From: Fsksync@aol.com [mailto:Fsksync@aol.com]<BR>
:::Sent: Friday, September 19, 2003 4:54 PM<BR>
:::To: Loopers-Delight@loopers-delight.com<BR>
:::Subject: Re: Test<BR>
:::<BR>
:::<BR>
:::test<BR>
:::<BR>
:::<BR>
<BR>
<BR>
<BR>
</BLOCKQUOTE><BR>
<BR>
</FONT></HTML>
--part1_18.3557b0e3.2c9d5b6d_boundary--

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> Hi Stan and all--
> Downtown San Diego, next to the Convention Center--a great poolside steel
> drum gig from 3-7 pm on Fridays that might end next week--darn . . .
> Hey Stan, are you playing in Santa Cruz next month?  What day?
> Gary

thanx-i work fer hyatthotels
i'm hopin i'm playin and thinkin that rickwalker(man among men) is findin a
spot for me an my surfloopthang :-)
s

From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 09:50:54 2003
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This is a multi-part message in MIME format.

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:)

-----Original Message-----
From: Fsksync@aol.com [mailto:Fsksync@aol.com] 
Sent: Saturday, September 20, 2003 3:28 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Test


I was trying to start a "test" loop, but the feedback wasn't set high
enough...

Tim


In a message dated 9/19/03 2:24:08 PM Pacific Daylight Time,
squidloop@thetentacle.org writes:



I think he was responding to my test. I was just testing my mail filter.

:::-----Original Message-----
:::From: Alan Kroeger [mailto:nospam@developsolutions.com]
:::Sent: Friday, September 19, 2003 2:02 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: RE: Test
:::
:::What were you wondering why it's so quiet here?
:::
:::-----Original Message-----
:::From: Fsksync@aol.com [mailto:Fsksync@aol.com]
:::Sent: Friday, September 19, 2003 4:54 PM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Re: Test
:::
:::
:::test
:::
:::








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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<TITLE>Message</TITLE>

<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D745004813-20092003><FONT face=3DArial color=3D#0000ff =

size=3D2>:)</FONT></SPAN></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Fsksync@aol.com=20
  [mailto:Fsksync@aol.com] <BR><B>Sent:</B> Saturday, September 20, 2003 =
3:28=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Test<BR><BR></FONT></DIV><FONT face=3Darial,helvetica><FONT lang=3D0 =
face=3DArial=20
  size=3D2 FAMILY=3D"SANSSERIF">I was trying to start a "test" loop, but =
the=20
  feedback wasn't set high enough...<BR><BR>Tim<BR><BR><BR>In a message =
dated=20
  9/19/03 2:24:08 PM Pacific Daylight Time, squidloop@thetentacle.org=20
  writes:<BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  TYPE=3D"CITE">I think he was responding to my test. I was just testing =
my mail=20
    filter.<BR><BR>:::-----Original Message-----<BR>:::From: Alan =
Kroeger=20
    [mailto:nospam@developsolutions.com]<BR>:::Sent: Friday, September =
19, 2003=20
    2:02 PM<BR>:::To: Loopers-Delight@loopers-delight.com<BR>:::Subject: =
RE:=20
    Test<BR>:::<BR>:::What were you wondering why it's so quiet=20
    here?<BR>:::<BR>:::-----Original Message-----<BR>:::From: =
Fsksync@aol.com=20
    [mailto:Fsksync@aol.com]<BR>:::Sent: Friday, September 19, 2003 4:54 =

    PM<BR>:::To: Loopers-Delight@loopers-delight.com<BR>:::Subject: Re:=20
    =
Test<BR>:::<BR>:::<BR>:::test<BR>:::<BR>:::<BR><BR><BR><BR></BLOCKQUOTE><=
BR><BR></BLOCKQUOTE></FONT></FONT></BODY></HTML>

------=_NextPart_000_0014_01C37F5C.57C06050--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 13:49:50 2003
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I've got the LM 308 and it's great.  Would be nice if it had an effects 
loop, but 8 stereo channels take up a lot of jack space.  I couldn't 
imagine having many more.

Mark

On Friday, September 19, 2003, at 07:10 PM, Mike Barrs wrote:

>> From: wavelet [mailto:wavelet@petebrunelli.com]
>>
>> I've been using a Ashly single space 8 channel, and it is a very
>> versatile mixer but it lacks sends/returns.  It is basically
>> a broadcast mixer but it has great fidelity and stereo/mono
>> capability.  MX308	is the model, but it may have been replaced.
>> It isn't in my rack at the moment because it is on loan but
>> I've had noting but positive experiences with it.
>
> I think the current model is the Ashly LX 308B, 8 stereo pairs, but 
> the main
> thing is it has a headphone jack with a separate level control. That's 
> the
> one I'm still leaning towards, since I need the ability to kill the 
> main
> outputs and listen to just headphones when I practice. I need the 
> headphone
> jack more than I need the full stereo FX loop feature I was looking 
> for. It
> seems to be impossible to get both those features in the same 1u line 
> mixer.
>
> Thanks again to everyone for the feedback!
>
> Mike Barrs
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 14:19:23 2003
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From: "Miko Biffle" <biffoz@arczip.com>
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Subject: Re: Rackmount 1-space stereo line mixers?
Date: Sat, 20 Sep 2003 11:01:30 -0700
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FWIW: Digital Music Corp / Voodo Labs  - System Mix Plus, (I think that's
what it's called), has a few extra bells and whistles like the Cabinet
Simulator, but it has a pretty open configuration which allows some
different, creative approaches to getting your signals around. It's not
quite the usual pile of inputs to a stereo buss output. Check their website
for more info. (Haven't owned one yet, but find it's config attractive, and
I've heard great reviews from users about it's fidelity and usefulness.)

I've have used the Rane SM-26b for many applications, but it can't handle
many inputs. It has a stereo buss, and up to 3 sends > mono returns. It can
also be configured to have a single send-return as well as a stereo
send-stereo return as well. But once again, it's not quite like other mixers
and your mileage may vary depending on your uses. Two SM-26's though and
you've got tons of options.

Miko Biffle | biffoz@arczip.com
"Do you really want to know how it all works out?"
Fresh new ICS Xray Lodge | http://www.powerhat.com/ics/sounds.html
Now playing: "Rough" | http://cdbaby.com/cd/biffoz

From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 14:31:42 2003
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Subject: The Ambient Ping presents Samsa and ANGELswing
Date: Sat, 20 Sep 2003 14:38:38 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tues. September 23rd - Samsa and ANGELswing

Travelling to the Ping from Minneapolis, Minnesota,
Green House and Darkwinter label founder Nathan Larson,
aka Samsa, promises a set of his speciality - dark ambience.
http://www.darkwinter.com

Opening the night, from a little closer to home (Courtice, ON)
but also delivering ambience from the dark side, is fellow-
Darkwinter recording artist ANGELswing.
http://www.darkwinter.com/dw04.html

An intense and surreal evening is in store...

Between Sets CD - "Halcyon Days" (Fathom - 1996)
     by Steve Roach, Stephen Kent and Kenneth Newby
Stephen Kent and Kenneth Newby of Trance Mission
travelled to Steve Roach's Timeroom Studio in the desert
during the Halcyon days of December to create this world
music ambience, anchored by didgeridoos and percussion,
amidst expansive electronics. http://www.steveroach.com
Stephen Kent - http://www.didjeridu.com/skent.html
Kenneth Newby -  http://www.hos.com/artist.lasso?ID=144
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday September 30th - Planet Of The Loops
  with: cheryl o - http://www.cellojuice.com
   Michael Keith - http://www.michaelkeith.com
    and Andrew Aldridge (founder of Planet Of The Loops) -
http://www.geocities.com/energymadeaudible/energyhome.html

Between Sets CD - "Live at The Ambient Ping - 2000"
   by Deep Chill Network (Dark Duck Records - 2002)
. . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

rik apologizes for not having a review ready for this week,
but he's been very busy both with his own music and a
retooling of the ping things site. Expect a number of new
releases by mara's torment and a new look to ping things
in the very near future, along with a variety of new additions
to the ping things catalogue sure to be worth checking out.

"Music for Reading, Thinking and Dreaming"
In the meantime, list members in the Toronto area may
be interested to know that Sunday September 28th both
The Ambient Ping and ping things will once again have
a table at Word on the Street on Queen Street W. between
University and Spadina. Come down and say hello,
find out a little more about all things PiNG and visit
one of the largest literary festivals in North America.

rik maclean contact - rik@pingthings.com

This month at http://www.pingthings.com - the ping things
first anniversary sale has been extended with many new CDs.

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
Drop off food at *ping things* for the Daily Bread Food Bank too
and we'll ensure that it gets there. http://www.theambientping.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances


From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 17:48:54 2003
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Date: Sat, 20 Sep 2003 17:44:58 -0400
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Subject: NYC: 9/27 gig at Chama cancelled
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Hey there folks,

I have to cancel my 9/27/2003 show at Chama because
they're closing. Over the past two years I've done
10 solo shows there. I didn't realise it was that many!

Owner stv jns will be booking shows elsewhere, but I'll miss playing
Chama with it's celebration of UFOs & paranormal phenomenon.

Thanks to all who came to my shows there!

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db



From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 19:24:47 2003
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I just got mine all I can say is I love it, Great stuff Andre

-----Original Message-----
From: Michael Peters [mailto:mpeters@csi.com] 
Sent: Tuesday, September 16, 2003 9:00 AM
To: Loopers Delight; davidtorn@yahoogroups.com; newsletter@elephant-talk.com
Subject: Normalized


Andre LaFosse continues his groundbreaking guitar work on his brand new
second solo album, 'Normalized'. Like no other artist that I know of, he
explores the far reaches of what can be done with an electric guitar and the
new Echoplex software. The Echoplex is a truly 'deep' box - it's a wonderful
and indispensable tool for live looping musicians, but beneath that
seemingly simple looping functionality, there is an uncharted territory of
more experimental musical possibilities many of which don't even have a name
yet.

Andre is one of the very few musicians who have gone there and came back
with treasures ... he turns his axe into something he calls 'turntablist'
guitar ... maybe one could also call his music 'pointillist' ... Burroughs's
cut-up techniques come to mind, and I also had to think of Edward scissor
hands ... remember that guy with scissor hands, creating incredible
sculptures in seconds? Andre's sound sculptures are a bit like that, they
suddenly evolve out of thin air, fragile cut-up loop fragments that one
would expect to go haywire suddenly start to groove and rock and mutate in
many surprising ways. I've spent some time with electric guitar and Echoplex
myself, but still, Andre seems like a wizard to me and often enough, I have
no idea how he does what he does. And then he's a wonderful guitarist of
course - firmly rooted in rock'n roll but going way beyond that, with
traditional Indian and Arabian music speaking in his phrasing and
expressivity.

So, if you need some avantgarde party music, or if you're looking for a
truly adventurous and rewarding listening experience, buy this album, now,
at

http://www.altruistmusic.com/cd


--------
Michael Peters


From Loopers-Delight-request@loopers-delight.com  Sat Sep 20 20:27:48 2003
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Subject: Re: Rackmount 1-space stereo line mixers?
From: Steve Ginn <sginn@mac.com>
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One alternative that I am working with now is the new MOTU 828 Mk II.  It
has 10 discrete ins (which include 2 XLR's with built in pres and 48v
phantom power and their own individual inserts) and 8 outs (on top of all
the ADAT and SPIDF digital I/O's).  The cool thing is that even though it is
created as a firewire recording interface it also has the capability to
operate as a standalone digital mixer with 4 separate busses which sort of
act like a matrix mixing system.  You can bring in a series of inputs and
output those to any of the outputs for processing, then bring that effected
signal back into a different bus, etc., etc.  It also has a headphone jack
on the front and you can even assign the headphone as the output for one of
the mixes which could act as your own personal monitor mix.  All this can be
programmed and set from the PC or Mac, but can be modified right from the
front (volume, routing, panning, etc.) of the unit without any computer
hooked up.  I am still trying to work it into my system as my main mixer and
so far its looking pretty promising.  The final nice thing is that it is a
single rack space unit!

Regards,
Steve Ginn


On 9/19/03 9:10 PM, "Mike Barrs" <mbarrs@nightviewer.com> wrote:

>> From: wavelet [mailto:wavelet@petebrunelli.com]
>> 
>> I've been using a Ashly single space 8 channel, and it is a very
>> versatile mixer but it lacks sends/returns.  It is basically
>> a broadcast mixer but it has great fidelity and stereo/mono
>> capability.  MX308    is the model, but it may have been replaced.
>> It isn't in my rack at the moment because it is on loan but
>> I've had noting but positive experiences with it.
> 
> I think the current model is the Ashly LX 308B, 8 stereo pairs, but the main
> thing is it has a headphone jack with a separate level control. That's the
> one I'm still leaning towards, since I need the ability to kill the main
> outputs and listen to just headphones when I practice. I need the headphone
> jack more than I need the full stereo FX loop feature I was looking for. It
> seems to be impossible to get both those features in the same 1u line mixer.
> 
> Thanks again to everyone for the feedback!
> 
> Mike Barrs
> 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 21 08:27:19 2003
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Subject: Gibson EDP hiss noise
From: Laurent Brondel <laurent@megalink.net>
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I am getting a modulating hiss noise on a Gibson EDP when I record. I 
set the output of my preamp at -10db and the input knob correctly (a 
tad before the red led appears) on the EDP and get this modulating 
hiss, like a bad compressor/gate would do. If I set the output of my 
preamp to +4db, and the input knob correctly, I get a mildly distorted 
sound coming out of the EDP, even though the led stays in the orange. 
Obviously I tried changing leads, plugged a guitar directly into the 
EDP, all with the same 'shrunken' sound and modulating hiss coming out 
of the machine. This is driving me crazy, the sound -besides the hiss- 
is not quite right. I don't think that EDP exhibited that problem 
before. I have another EDP -an earlier Oberheim- that sounds fine. 
Anybody has a suggestion, a quick fix, should I consider sending it for 
repair?
Thanks in advance,
Laurent

From Loopers-Delight-request@loopers-delight.com  Sun Sep 21 19:25:26 2003
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I put up a Rolls RM65 6x4 mixer on ebay if anybody is interested.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2559980710





From Loopers-Delight-request@loopers-delight.com  Sun Sep 21 19:39:19 2003
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Date: Sun, 21 Sep 2003 18:36:35 -0500
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I don't want to spam everyone with my full list, but I've got a bunch 
of stuff for sale also. I'm not going to ebay any of it yet, since 
I'd prefer to sell to my fellow listmembers first. I'm on about 4 or 
5 music-related lists, as I'm sure most of you are also. So I guess 
I'm just spreading the word.

Anyway, if you're gear/amp/guitar shopping, email me, and I'll send 
along the actual list.

Thanks,

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Sep 21 22:20:14 2003
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Subject: Lexicon MPX-110
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Does anybody use a Lexicon MPX-110?  Does it read MIDI clock?  I'd like
to use it to add reverb to my vocals, but I'd also like to add some
tempo synched delay and modulation effects as well.  I'd like it to
accept MIDI clock from my EDP.

Thanks,
John
www.johnmazzarella.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep 21 23:35:40 2003
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In a message dated 9/21/03 7:18:22 PM Pacific Daylight Time, 
jmazzarella@erols.com writes:

> Does anybody use a Lexicon MPX-110?  Does it read MIDI clock?  I'd like
> to use it to add reverb to my vocals, but I'd also like to add some
> tempo synched delay and modulation effects as well.  I'd like it to
> accept MIDI clock from my EDP.
> 
> Thanks,
> John
> www.johnmazzarella.com
> 

I only have the mpx-100, but, yes, they both sync to midi clock reliably.

Tim F 

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">In a message dated 9/21/03 7:18:22 PM Pacific Daylight=
 Time, jmazzarella@erols.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Does anybody use a Lexicon MPX-=
110?&nbsp; Does it read MIDI clock?&nbsp; I'd like<BR>
to use it to add reverb to my vocals, but I'd also like to add some<BR>
tempo synched delay and modulation effects as well.&nbsp; I'd like it to<BR>
accept MIDI clock from my EDP.<BR>
<BR>
Thanks,<BR>
John<BR>
www.johnmazzarella.com<BR>
</BLOCKQUOTE><BR>
<BR>
I only have the mpx-100, but, yes, they both sync to midi clock reliably.<BR=
>
<BR>
Tim F </FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 00:12:26 2003
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Yes, I have one.  It does decent reverb for the price and a bunch of 
other pretty decent effects.  I got one used for $130, so at that price 
you can't go wrong.

Mark Sottilaro

On Sunday, September 21, 2003, at 07:30 PM, John Mazzarella wrote:

> Does anybody use a Lexicon MPX-110?  Does it read MIDI clock?  I'd like
> to use it to add reverb to my vocals, but I'd also like to add some
> tempo synched delay and modulation effects as well.  I'd like it to
> accept MIDI clock from my EDP.
>
> Thanks,
> John
> www.johnmazzarella.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 02:26:11 2003
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Gibson EDP hiss noise
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It sounds to me like you might have the input level up too high. If you 
turn it down a little bit does the problem go away? then that is your answer.

the newer EDP's do have a limiter on the input, to prevent clipping on the 
digital path to the loop. However, turning the input up too much still hits 
the limiter, which may not sound that great. It is much better than 
clipping digital inputs, but not as good as a correctly set input level. 
Try turning down a bit. If the Input LED is mostly green and hits orange on 
the highest peaks, you are about right. Ultimately, trust your ears, not LEDs.

kim


At 05:23 AM 9/21/2003, you wrote:
>I am getting a modulating hiss noise on a Gibson EDP when I record. I set 
>the output of my preamp at -10db and the input knob correctly (a tad 
>before the red led appears) on the EDP and get this modulating hiss, like 
>a bad compressor/gate would do. If I set the output of my preamp to +4db, 
>and the input knob correctly, I get a mildly distorted sound coming out of 
>the EDP, even though the led stays in the orange. Obviously I tried 
>changing leads, plugged a guitar directly into the EDP, all with the same 
>'shrunken' sound and modulating hiss coming out of the machine. This is 
>driving me crazy, the sound -besides the hiss- is not quite right. I don't 
>think that EDP exhibited that problem before. I have another EDP -an 
>earlier Oberheim- that sounds fine. Anybody has a suggestion, a quick fix, 
>should I consider sending it for repair?
>Thanks in advance,
>Laurent

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 09:02:49 2003
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In a message dated 9/20/03 4:20:02 PM, nospam@developsolutions.com writes:

>I just got mine all I can say is I love it, Great stuff Andre

Same here. The audio files online don't do it justice either

tEd ® kiLLiAn

http://www.mp3s.com/tedkillian
http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 13:07:25 2003
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Subject: Fwd: GE Stinson's Splinter Group at Club-T
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Hi all,

For those of you who might be in the L.A. area (though I myself=20
am not) this sounds like a loop gig not to be missed. I'm on the=20
Cryptogramaphone (Nels Cline's and G.E. Stinson's label) mailing=20
list so that's how I got wind of it. Unless you happen to live 800=20
miles away (like I do), I'd bet it'll be a real "don't miss." Steuwart=20
Liebig hasn't posted in a while but I bet if he were still on this list=20
he'd send this bit of gig-spam himself. Be there or be square!=20
Then report back to the rest of us loopfolk in the web hinterlands.

Best regards,

tEd =AE kiLLiAn

In a message dated 9/22/03 8:07:28 AM, crypto_la@topica.email-publisher.com=20
writes:

>Cryptonight at the Club Tropical
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>
>GE Stinson
>
>Thu. Sept. 25, 8pm - GE Stinson's Splinter Group
>g.e.stinson - guitar, electronics
>kaoru - voice, electronics, toys-objects
>steuart liebig - contrabassguitars, applied tools
>dj chowderhead - turntables, minidisk=20
>
>Don't ask these electrified humans to play you a tune from their
>Blowing Down Blue Sky (WDTCHC). That would be like asking the
>heavens to repeat a cloud formation. Or, as vocalist Kaoru puts it,
>"What happened to the snowman?" The Splinter Group resists all forms
>of freeze, fragmenting and recombining in ways that make the
>technological natural. Which doesn't mean these four well-traveled
>musicians resist beats - guitarist/conceptualist G.E. Stinson
>considers this a groove project (without drums). The beats come from
>loops generated by himself, DJ Chowderhead, bassist Steuart Liebig
>or Kaoru, overlaid by whatever noises and squooshes they wrangle.
>Kaoru may fool you momentarily into thinking she's going funk-pop
>with her singing, but soon she's dissolved in the mess with
>everybody else. It's a space excursion that makes Pink Floyd's
>"Interstellar Overdrive" seem like a trip to the grocery store.
>(Greg Burk)
>
>Visit our new website at cryptonight.com
>http://crypto-la.c.tclk.net/maabs9kaa0EvBb4iNbyb/
>
>
>Club Tropical
>8641 Washington Blvd.
>Culver City
>2 blks E. of the Helms Bakery
>
>$10 / $5 with student ID / all ages
>great Salvadoran food / full bar
>
>sponsored by Cryptogramophone Records
>visit us at: www.cryptogramophone.com
>http://crypto-la.c.tclk.net/maabs9kaa0EvCb4iNbyb/
>
>

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Date: Mon, 22 Sep 2003 08:00:00 -0700
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Cryptonight at the Club Tropical
====================================================================

GE Stinson

Thu. Sept. 25, 8pm - GE Stinson's Splinter Group
g.e.stinson - guitar, electronics
kaoru - voice, electronics, toys-objects
steuart liebig - contrabassguitars, applied tools
dj chowderhead - turntables, minidisk 

Don't ask these electrified humans to play you a tune from their
Blowing Down Blue Sky (WDTCHC). That would be like asking the
heavens to repeat a cloud formation. Or, as vocalist Kaoru puts it,
"What happened to the snowman?" The Splinter Group resists all forms
of freeze, fragmenting and recombining in ways that make the
technological natural. Which doesn't mean these four well-traveled
musicians resist beats - guitarist/conceptualist G.E. Stinson
considers this a groove project (without drums). The beats come from
loops generated by himself, DJ Chowderhead, bassist Steuart Liebig
or Kaoru, overlaid by whatever noises and squooshes they wrangle.
Kaoru may fool you momentarily into thinking she's going funk-pop
with her singing, but soon she's dissolved in the mess with
everybody else. It's a space excursion that makes Pink Floyd's
"Interstellar Overdrive" seem like a trip to the grocery store.
(Greg Burk)

Visit our new website at cryptonight.com
http://crypto-la.c.tclk.net/maabs9kaa0EvBb4iNbyb/


Club Tropical
8641 Washington Blvd.
Culver City
2 blks E. of the Helms Bakery

$10 / $5 with student ID / all ages
great Salvadoran food / full bar

sponsored by Cryptogramophone Records
visit us at: www.cryptogramophone.com
http://crypto-la.c.tclk.net/maabs9kaa0EvCb4iNbyb/


====================================================================
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http://crypto-la.u.tclk.net/survey/?b1dont.b4iNby.YXJzb2Nh

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 14:41:33 2003
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I have a set from my Loop IV upgraded EDP. Anyone want these? Send email
private...

Neil


From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 14:54:38 2003
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Date: Mon, 22 Sep 2003 13:46:41 -0500
From: Henry Heine <henry@bagend.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Rackmount 1-space stereo line mixers?
References: <BB9259EF.E55C%sginn@mac.com>
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I have thought of doing just what you describe. When used as a 
stand-alone is there any eq on the inputs? Any FX or dynamic processing? 
Please say yes.

Henry

Steve Ginn wrote:

>One alternative that I am working with now is the new MOTU 828 Mk II.  It
>has 10 discrete ins (which include 2 XLR's with built in pres and 48v
>phantom power and their own individual inserts) and 8 outs (on top of all
>the ADAT and SPIDF digital I/O's).  The cool thing is that even though it is
>created as a firewire recording interface it also has the capability to
>operate as a standalone digital mixer with 4 separate busses which sort of
>act like a matrix mixing system.  You can bring in a series of inputs and
>output those to any of the outputs for processing, then bring that effected
>signal back into a different bus, etc., etc.  It also has a headphone jack
>on the front and you can even assign the headphone as the output for one of
>the mixes which could act as your own personal monitor mix.  All this can be
>programmed and set from the PC or Mac, but can be modified right from the
>front (volume, routing, panning, etc.) of the unit without any computer
>hooked up.  I am still trying to work it into my system as my main mixer and
>so far its looking pretty promising.  The final nice thing is that it is a
>single rack space unit!
>
>Regards,
>Steve Ginn
>
>
>On 9/19/03 9:10 PM, "Mike Barrs" <mbarrs@nightviewer.com> wrote:
>
>  
>
>>>From: wavelet [mailto:wavelet@petebrunelli.com]
>>>
>>>I've been using a Ashly single space 8 channel, and it is a very
>>>versatile mixer but it lacks sends/returns.  It is basically
>>>a broadcast mixer but it has great fidelity and stereo/mono
>>>capability.  MX308    is the model, but it may have been replaced.
>>>It isn't in my rack at the moment because it is on loan but
>>>I've had noting but positive experiences with it.
>>>      
>>>
>>I think the current model is the Ashly LX 308B, 8 stereo pairs, but the main
>>thing is it has a headphone jack with a separate level control. That's the
>>one I'm still leaning towards, since I need the ability to kill the main
>>outputs and listen to just headphones when I practice. I need the headphone
>>jack more than I need the full stereo FX loop feature I was looking for. It
>>seems to be impossible to get both those features in the same 1u line mixer.
>>
>>Thanks again to everyone for the feedback!
>>
>>Mike Barrs
>>
>>    
>>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 16:43:20 2003
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On Saturday, Sep 20, 2003, at 20:24 US/Eastern, Steve Ginn wrote:

> One alternative that I am working with now is the new MOTU 828 Mk II.  
> It
> has 10 discrete ins (which include 2 XLR's with built in pres and 48v
> phantom power and their own individual inserts) and 8 outs (on top of 
> all
> the ADAT and SPIDF digital I/O's).  The cool thing is that even though 
> it is
>

I thought that the Mk II had 8 preamps.  Am I wrong?  I had a Mk I and 
it had
two, and That was one of the major upgardes to the Mk II....  Now I 
have a
MAudio 410 and it is a really nice box for someone like me that does
more stereo work than anything else.


> created as a firewire recording interface it also has the capability to
> operate as a standalone digital mixer with 4 separate busses which 
> sort of
> act like a matrix mixing system.  You can bring in a series of inputs 
> and
> output those to any of the outputs for processing, then bring that 
> effected
> signal back into a different bus, etc., etc.  It also has a headphone 
> jack
> on the front and you can even assign the headphone as the output for 
> one of

Can you rout an input to more than one set of outputs, or is it just
bussing where you don't get to mix the raw signal?

> the mixes which could act as your own personal monitor mix.  All this 
> can be
> programmed and set from the PC or Mac, but can be modified right from 
> the
> front (volume, routing, panning, etc.) of the unit without any computer
> hooked up.  I am still trying to work it into my system as my main 
> mixer and
> so far its looking pretty promising.  The final nice thing is that it 
> is a
> single rack space unit!
>
> Regards,
> Steve Ginn
>
>
> On 9/19/03 9:10 PM, "Mike Barrs" <mbarrs@nightviewer.com> wrote:
>
>>> From: wavelet [mailto:wavelet@petebrunelli.com]
>>>
>>> I've been using a Ashly single space 8 channel, and it is a very
>>> versatile mixer but it lacks sends/returns.  It is basically
>>> a broadcast mixer but it has great fidelity and stereo/mono
>>> capability.  MX308    is the model, but it may have been replaced.
>>> It isn't in my rack at the moment because it is on loan but
>>> I've had noting but positive experiences with it.
>>
>> I think the current model is the Ashly LX 308B, 8 stereo pairs, but 
>> the main
>> thing is it has a headphone jack with a separate level control. 
>> That's the
>> one I'm still leaning towards, since I need the ability to kill the 
>> main
>> outputs and listen to just headphones when I practice. I need the 
>> headphone
>> jack more than I need the full stereo FX loop feature I was looking 
>> for. It
>> seems to be impossible to get both those features in the same 1u line 
>> mixer.
>>
>> Thanks again to everyone for the feedback!
>>
>> Mike Barrs
>>
>
>

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> From: Henry Heine [mailto:henry@bagend.com]
>
> I have thought of doing just what you describe. When used as a
> stand-alone is there any eq on the inputs? Any FX or dynamic processing?
> Please say yes.

I went to the MOTO web site to look at the specs on the 828 Mk II. I didn't
see any EQ or FX, but maybe someone will correct me.

Even without EQ or FX, it would be a cool solution for what I'm looking for
(1u mixer, stereo buss, stereo FX loop, and a headphone jack).

The only drawbacks I can see are...

1) Price. I suppose it's not overpriced considering the capabilities, but if
I use it for a live mixer I wouldn't be using all the features... unless my
rig gets a LOT more complex. It does what I need, but it's also overkill.

2) I don't love the idea of having yet another A/D-D/A conversion step in my
signal chain. I'm already running two stages of A/D-D/A with my Roland VG-88
and the Repeater. Each A/D-D/A stage adds a millisecond or two of delay, but
I guess as long as the Repeater is in a parallel FX loop it wouldn't be too
bad to have the VG-88 going into the MOTU unit. Drat, I really wish the
VG-88 had digital outs! Aside from delay issues, sound quality can get
muddied when you run through too many A/D-D/A stages in a row. Still, the
MOTO unit should have high quality converters, so maybe this isn't an issue.
I just wish I could find an analog 1u mixer that had this particular feature
set!

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 17:13:39 2003
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On Monday, September 22, 2003, at 03:40PM, wavelet <wavelet@petebrunelli.com> wrote:

>
>On Saturday, Sep 20, 2003, at 20:24 US/Eastern, Steve Ginn wrote:
>
>> One alternative that I am working with now is the new MOTU 828 Mk II.  
>> It
>> has 10 discrete ins (which include 2 XLR's with built in pres and 48v
>> phantom power and their own individual inserts) and 8 outs (on top of 
>> all
>> the ADAT and SPIDF digital I/O's).  The cool thing is that even though 
>> it is
>>
>
>I thought that the Mk II had 8 preamps.  Am I wrong?  I had a Mk I and 
>it had
>two, and That was one of the major upgardes to the Mk II....  Now I 
>have a
>MAudio 410 and it is a really nice box for someone like me that does
>more stereo work than anything else.

No it still has only two mic pres ... but now they are mounted on the front which makes them convenient.  All the analog inputs and outs are fully balanced and switchable between +4 & -10.

>
>
>> created as a firewire recording interface it also has the capability to
>> operate as a standalone digital mixer with 4 separate busses which 
>> sort of
>> act like a matrix mixing system.  You can bring in a series of inputs 
>> and
>> output those to any of the outputs for processing, then bring that 
>> effected
>> signal back into a different bus, etc., etc.  It also has a headphone 
>> jack
>> on the front and you can even assign the headphone as the output for 
>> one of
>
>Can you rout an input to more than one set of outputs, or is it just
>bussing where you don't get to mix the raw signal?
>

in the configuration you can have up to 4 separate mix busses and you can route any of the inputs to each output pair assigned to a mix bus.  For example on one mix bus I may assign all my regular inputs to the main outs.  Then on another mix bus I may assign those same inputs to a different out (adat for example) for something effects processing and then route the output of that effects device also on the same mix bus that is assigned to the main outs.  I can then control the wet and dry levels on the main mix bus.  The bottom line is that you can have up to 4 separate (different) output pairs with each pair assigned to a different mix bus and each mix bus can have any or all of the inputs that are available for the entire unit assigned to each of these output mix busses.


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On Monday, September 22, 2003, at 04:11PM, Steve Ginn <sginn@mac.com> wrote:
>
>in the configuration you can have up to 4 separate mix busses and you can route any of the inputs to each output pair assigned to a mix bus.  For example on one mix bus I may assign all my regular inputs to the main outs.  Then on another mix bus I may assign those same inputs to a different out (adat for example) for something effects processing and then route the output of that effects device also on the same mix bus that is assigned to the main outs.  I can then control the wet and dry levels on the main mix bus.  The bottom line is that you can have up to 4 separate (different) output pairs with each pair assigned to a different mix bus and each mix bus can have any or all of the inputs that are available for the entire unit assigned to each of these output mix busses.
>
>

And one other final note ... you can save up to 16 different configurations and recall any of them without having to use a computer.

As for the response concerning A/D & D/A; I am finding in my situation that I use the analog inputs for my analog synth devices (except for my Z8 sampler which has a spidf out) and I use the ADAT for my effects processor.  Essentially, everything except for the EDP stays in the digital realm until it gets passed back out to the house from the main outs.

Steve

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 19:14:06 2003
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Subject: Echo Pro as second looper
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I'm an EDP user.  I'm looking at the Line 6 echo pro to use as a second
looper.  I know that the looper is not synchable.  Do the regular delays
synch well to MIDI clock though?  I have three main intentions for this
looper:

1.  To use as a seperate vocal looper.  Create an instrumental loop on
the EDP and then a vocal loop on Echo Pro.  Then shut the EDP off and
hear the Vocal loop.
2.  To use as a timed delay for my vocals.
3.  To use as an asynchronous/ambient looper in conjuntion with the
rhythmic loops in the EDP.

Anybody using this gear in any of these ways?

Thanks,
John
www.johnmazzarella.com


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Quoting John Mazzarella <jmazzarella@erols.com>:
> looper.  I know that the looper is not synchable.  Do the regular delays

ah ... not immediately syncable.

however, with a MIDI sequencer like Numerology, or a drum machine ... it is
possible to sync it.

i haven't tried it yet, but i've considered it.

i was basically going to use presets to trigger note-ons right on the bar-line,
to control the looper in the Echo-Pro. it's not as easy as using an echoplex,
though.

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 19:33:17 2003
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You'd be way better off with one of the Lexicon MPX machines for not 
much more money.  (if any at all) The Echopro's MIDI Sync is horrible.  
Seems good for one or two repeats, but then degrades to mush.  Take the 
delay off MIDI sync and it sounds fine.  Cool little device, but they 
never should have advertised that it synced to MIDI.

Mark Sottilaro

On Monday, September 22, 2003, at 04:18  PM, Eric Williamson wrote:

> Quoting John Mazzarella <jmazzarella@erols.com>:
>> looper.  I know that the looper is not synchable.  Do the regular 
>> delays
>
> ah ... not immediately syncable.
>
> however, with a MIDI sequencer like Numerology, or a drum machine ... 
> it is
> possible to sync it.
>
> i haven't tried it yet, but i've considered it.
>
> i was basically going to use presets to trigger note-ons right on the 
> bar-line,
> to control the looper in the Echo-Pro. it's not as easy as using an 
> echoplex,
> though.
>
> ---
> Eric Williamson
> www.suitandtieguy.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 20:42:07 2003
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msottilaro wrote:

> You'd be way better off with one of the Lexicon MPX machines for not
> much more money.  (if any at all) The Echopro's MIDI Sync is horrible.
> Seems good for one or two repeats, but then degrades to mush.  Take the
> delay off MIDI sync and it sounds fine.  Cool little device, but they
> never should have advertised that it synced to MIDI.
>
> Mark Sottilaro
>
> On Monday, September 22, 2003, at 04:18  PM, Eric Williamson wrote:
>
> > Quoting John Mazzarella <jmazzarella@erols.com>:
> >> looper.  I know that the looper is not synchable.  Do the regular
> >> delays
> >
> > ah ... not immediately syncable.
> >
> > however, with a MIDI sequencer like Numerology, or a drum machine ...
> > it is
> > possible to sync it.
> >
> > i haven't tried it yet, but i've considered it.
> >
> > i was basically going to use presets to trigger note-ons right on the
> > bar-line,
> > to control the looper in the Echo-Pro. it's not as easy as using an
> > echoplex,
> > though.
> >
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> >

Can the MPX 110 or MPX 200 create loops and reverse and half speed them
though?  I'm kind of torn between the MPX machines and the Echo Pro.  I'd
really like to be able to create a seperate loop from the EDP even if it is
not synched.

Thanks for the info,
John
www.johnmazzarella.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 22 23:57:24 2003
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Subject: 1st SAN FRANSCISCO LIVE LOOPING FESTIVAL  Friday, Oct 3rd  964 Natoma Space
Date: Mon, 22 Sep 2003 20:53:54 -0700
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We're proud to announce:

the 1st SAN FRANCISCO LIVE LOOPING FESTIVAL
Friday,  October 3rd      8:30 p.m

964 NATOMA SPACE

with

1) Rick Walker's Loop.pooL
       performing an entire set with only
    Translucent Dayglo Lime Green Plastic
       including new and even cheesier all green lighting effects

2) Zoe Keating (solo cello/loops)

3) The Housemate Trio:
(JHNO, Z. Keating and Aaron Ximm)
opening promptly at 8:30 p.m.


suggested donation:   $5-$10  door
no one turned away for lack of funds

Please come join us for an interesting evening....we're really excited about
it.



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Subject: One More FS
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ART Proverb. $50 + shipping.

Yes, I know we talked about this very unit a couple months ago--both 
positives and negatives. This is a weird group (and I mean that in 
the kindest of ways!), so I figured someone out there may actually 
get some use out of it. I mean, aren't some of you looping cell 
phones and stuff? lol

Thanks,

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 01:56:42 2003
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Subject: Re: Echo Pro as second looper
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The MPX 1 does.

Mark

On Monday, September 22, 2003, at 04:50 PM, John Mazzarella wrote:
> Can the MPX 110 or MPX 200 create loops and reverse and half speed them
> though?  I'm kind of torn between the MPX machines and the Echo Pro.  
> I'd
> really like to be able to create a seperate loop from the EDP even if 
> it is
> not synched.

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 02:10:36 2003
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Date: Mon, 22 Sep 2003 23:07:09 -0700
Subject: Re: 1st SAN FRANSCISCO LIVE LOOPING FESTIVAL  Friday, Oct 3rd  964 Natoma Space
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Sorry, I had the first ever San Francisco looping festival, but I was 
the only performer.  I know that's 1 less act than your festival, but 
it was plenty festive.  Trust me.  None of you guys showed up for it so 
that's why you probably don't remember it.  I was the "featured 
performer."

I have a loop festival every day or so, but it's in my apt and by 
invitation only and I only invite my cats and wife.  OK, sometimes Will 
Wright comes too...

Mark Sottilaro

On Monday, September 22, 2003, at 08:53 PM, Rick Walker/Loop.pooL wrote:

> We're proud to announce:
>
> the 1st SAN FRANCISCO LIVE LOOPING FESTIVAL
> Friday,  October 3rd      8:30 p.m
>
> 964 NATOMA SPACE
>
> with
>
> 1) Rick Walker's Loop.pooL
>        performing an entire set with only
>     Translucent Dayglo Lime Green Plastic
>        including new and even cheesier all green lighting effects
>
> 2) Zoe Keating (solo cello/loops)
>
> 3) The Housemate Trio:
> (JHNO, Z. Keating and Aaron Ximm)
> opening promptly at 8:30 p.m.
>
>
> suggested donation:   $5-$10  door
> no one turned away for lack of funds
>
> Please come join us for an interesting evening....we're really excited 
> about
> it.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 02:26:46 2003
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From: Eric Williamson <erwill@suitandtieguy.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echo Pro as second looper
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Quoting Mark Sottilaro <sine@zerocrossing.net>:
> The MPX 1 does.
> On Monday, September 22, 2003, at 04:50 PM, John Mazzarella wrote:
> > Can the MPX 110 or MPX 200 create loops and reverse and half speed them

it does?

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 02:47:27 2003
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Oh, I'm sorry.  Tired.  Too tired.  So very sleepy.  No reverse or half 
speed, I'm thinking pitch and short loops.

On Monday, September 22, 2003, at 11:22 PM, Eric Williamson wrote:

> Quoting Mark Sottilaro <sine@zerocrossing.net>:
>> The MPX 1 does.
>> On Monday, September 22, 2003, at 04:50 PM, John Mazzarella wrote:
>>> Can the MPX 110 or MPX 200 create loops and reverse and half speed 
>>> them
>
> it does?
>
> ---
> Eric Williamson
> www.suitandtieguy.com
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 03:08:39 2003
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Subject: Re: Echo Pro as second looper
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Quoting Mark Sottilaro <sine@zerocrossing.net>:
> Oh, I'm sorry.  Tired.  Too tired.  So very sleepy.  No reverse or half 
> speed, I'm thinking pitch and short loops.

that's cool. i just wanted to make sure my MPX-1 wasn't in the wrong place in my
rack!

haha.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 04:06:58 2003
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Subject: Re: 1st SAN FRANSCISCO LIVE LOOPING FESTIVAL  Friday, Oct 3rd  964 Natoma Space
Date: Tue, 23 Sep 2003 08:58:16 +0100
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----- Original Message ----- 
From: "Rick Walker/Loop.pooL" <looppool@cruzio.com>
To: "LOOPERS DELIGHT" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 23, 2003 4:53 AM
Subject: 1st SAN FRANSCISCO LIVE LOOPING FESTIVAL Friday, Oct 3rd 964 Natoma
Space


> We're proud to announce:
>
> the 1st SAN FRANCISCO LIVE LOOPING FESTIVAL
> Friday,  October 3rd      8:30 p.m
>
> 964 NATOMA SPACE
>
> with
>
> 1) Rick Walker's Loop.pooL
>        performing an entire set with only
>     Translucent Dayglo Lime Green Plastic
>        including new and even cheesier all green lighting effects

What, the inflatable speakers, then?  Or MatrixVision? :)

> 2) Zoe Keating (solo cello/loops)
>
> 3) The Housemate Trio:
> (JHNO, Z. Keating and Aaron Ximm)
> opening promptly at 8:30 p.m.
>
>
> suggested donation:   $5-$10  door
> no one turned away for lack of funds
>
> Please come join us for an interesting evening....we're really excited
about
> it.
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 06:55:52 2003
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Subject: roland SP-505
Date: Tue, 23 Sep 2003 13:52:49 +0300
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<html><div style='background-color:'><DIV>
<P><BR><BR>hello everyone...</P>
<P>does anyone know if i can use SP-505 as a sound module with my midi guitar,except of course of using the unit to sample and create loops?</P>
<P>i am using th yamaha G50 midi convertor.</P>
<P>thank you.</P></DIV></div><br clear=all><hr>Help STOP SPAM with <a href="http://g.msn.com/8HMBEN/2731??PS=">the new MSN 8 </a> and get 2 months FREE*</html>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 15:54:44 2003
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 <Loopers-Delight@loopers-delight.com>
Subject: MPX-100
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I was looking into the archives and there was some talk of using the
Lexicon MPX-100 to create short sustained loops.  Anybody care to share
some of their experiences with this?  It might be a good candidate for
ambient loops to go along with the EDP.

Thanks,
John
www.johnmazzarella.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 16:57:02 2003
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From: Jhsidlo@aol.com
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Date: Tue, 23 Sep 2003 16:50:44 EDT
Subject: Looking for original TransTrem
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Hi,

    I'm looking for an original Trans Trem system. Not the Music Yo ones. Any 
help is appreciated.
    
                                    Thanks, James

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 17:08:04 2003
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X-Files: the truth is out there. 
Date: Tue, 23 Sep 2003 14:04:55 -0700
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The ones that Music Yo was selling were originals (unless you are talking about Type 1 vs Type 2).  They were old Steinberger stock that was locked up in a storage trailer.  Now sold out with no imminent plans to build new ones.  Check out http://www.steinbergerworld.com for more info.  Best bet is to buy a used Steinberger with the TT model you're looking for.


At 04:50 PM 2003/09/23 -0400, Jhsidlo@aol.com wrote:
>Hi,
>
>    I'm looking for an original Trans Trem system. Not the Music Yo ones. Any 
>help is appreciated.
>    
>                                    Thanks, James

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aaaa

-------------------------------------------------
Obtén tu correo en www.correo.unam.mx
UNAMonos Comunicándonos

From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 17:09:44 2003
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Subject: FS: Alesis Guitar FX pedal w/ps - $50
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Title says it. Almost new Alesis Guitar FX multi-effects stompbox. Just
got this but it doesn't quite fit with my set up so out it goes. Includes
an optional power supply ($20 from alesis) and a copy of the the users
manual, Factory Preset chart, and Quick Start Owners manual.

Cool small unit (28 bit!) that allows you to can chain effects from amp
modelers to distortions, delays, autowah, ring mod, etc. Also includes a
built in tuner along with other more funky and modulation type 
effects. Each effect in the chain is programable and you can save your
presets. Runs on (included!!) AC or batteries.

Yes it's cool to use on guitar or druma machines. I justhave too many cool
things.

Asking $50 plus shipping or pickup in Phila PA. Tons of references and 
I accept USPS MO or paypal. Email any questions or interesting trades if
you prefer.

Thanks!

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue Sep 23 23:57:30 2003
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Date: Tue, 23 Sep 2003 21:59:36 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: Re: Looking for original TransTrem
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  Hi Sean, what's the dif between type 1 and 2?  Thanks...  

Smiles,

Cara




---

http://www.onemodelplace.com/model_list.cfm?ID=52516
 

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 00:11:07 2003
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Date: Tue, 23 Sep 2003 21:04:58 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean@loomwebdesign.com>
Subject: Re: Looking for original TransTrem
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Hey Cara, The following is copied directly from the SteinbergerWorld 
website ( http://www.steinbergerworld.com/tt_tips.htm ).  They use frames 
and images of text so navigation can be a bit of a pain.  I found that URL 
on the technical info page at http://www.steinbergerworld.com/techinfo.htm .

:)


The first version of the TransTrem (now known as a Type1) was designed to 
use threaded ball ends in the bridge.  This allowed for the fine tuning of 
the transposing feature, as screwing the ball in or out moved the string up 
or down and thus varied the string length.  But with the luxury of 
hindsight, even Ned admits that it was not the most graceful solution.

The biggest complaint about this design came during string changes.  Once 
the trem was set up it worked great.  But the fine tuning part (the ball 
end) had to be removed and then reset again each time you changed a string.

After a few years Ned redesigned a version 2.0 trem (known as a Type2).  A 
major change was the addition of fine tunings jaws which separated the 
transposing adjustment from the ball end itself.  This allowed the use of 
regular ball ends for the manufacturers, and meant the fine transposing 
settings would remain set when the string was removed.  Retuning after 
string changes became much easier.   This Type2 TT was introduced in the 
late 80's, and all instruments manufactured up until production ended in 
1998 featured this upgraded design.

For previous owners Type 1 owners frustrated with threaded ball end strings 
Steinberger offered an upgrade.  You shipped your guitar (or just the 
bridge) to the factory, and they replaced the jaws and either re-milled or 
replaced the bridge top plate.  Bridges that have been upgraded are said to 
have the "trem retro mod".  For some this offers the best of both worlds: 
the milled steel components of the Type1 trems add tone and sustain and the 
Type2 intonating jaws ease the hassle of string changes.  Most trems were 
upgraded, and it's estimated perhaps less than a hundred original 
unmodified Type1 trems are still out there.  Since the plant is closed 
Gibson no longer offers the upgrade for older unmodified Type1 trems.

The pictures in this section should be a guide to what bridge you own.  If 
it's a Type2 or a Type1 "trem retro" then you've got the newer jaws and the 
standard sets of calibrated strings are what you order.  If you still have 
the original factory unmodified Type1 TT, then you must order threaded 
double ball-end calibrated strings.  Only LaBella makes these.


At 08:59 PM 03/09/23, Goddess wrote:
>   Hi Sean, what's the dif between type 1 and 2?  Thanks...
>
>Smiles,
>
>Cara

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 00:58:56 2003
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  <smile>   Thanks so much Sean, I believe mine is a mod'ed one, but not
sure.  Thanks for copying that text, I may have had a very difficult time
reading it directly from the site, or not be able to at all, since it is
nonstandard like that.  <smile>   I really appreciate it.  
  Have a wonderful evening!...  

Smiles,

C-Quinn




---

http://www.onemodelplace.com/model_list.cfm?ID=52516
 

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 13:14:38 2003
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Subject: New Steve Lawson/Theo Travis duo CD available for order now...
Date: Wed, 24 Sep 2003 18:08:47 +0100
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Hi all,

finally, advanced ordering is available for 'For The Love Of Open Spaces' -
my duo CD with sax/flautist, Theo Travis. The release date is October 20th,
but obviously, if we receive the CDs from the pressing plant before then,
any advanced orders will be sent out ASAP!

If you do order the advance copy, there's a whole other CD of steve/theo
material that comes with it. Called 'It's Not Gonna Happen', the additional
album is 55 minutes long, and very good indeed! It was very nearly the album
we released as the main album...

Both CDs are pure loopology - both recorded live in the studio, with
precious little editing, and no overdubs or replacing - just a couple of
fades...

Anyway, the album can be ordered via Paypal/Credit Card by clicking the link
below, or by mail order by sending a check/Postal Order/International Money
order for £10 (UK pounds) payable to 'Steve Lawson' to -
Pillow Mountain Records, PO Box 13788, London, N14 5WD, UK

here's the paypal link -
https://www.paypal.com/xclick/business=steve%40steve-lawson.co.uk&item_name=For+The+Love+Of+Open+Spaces+%28released+Oct+20th+2003%29&item_number=PMR-0014&amount=10.00&no_note=1&currency_code=GBP

or alternatively, can be ordered via http://pmrecords.gemm.com

hope you enjoy the new CD! We're loving it, which is a good sign. Have a
listen to the two MP3s on the website, if you haven't already...

cheers

Steve
www.stevelawson.net (gig details, news, MP3s, paypal CD orders etc.)
www.pillowmountainrecords.co.uk (buy CDs)
www.pmrecords.gemm.com (buy the same CDs)
www.solobassnetwork.org.uk (other people making solo bass noises)



From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 13:40:10 2003
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I am fairly new to looping and looking to hook up with other loopers in 
the Seattle area. have the gear and recording capabilities as well.

contact me (trying not to sound too desperate :) )

ken;

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 14:00:47 2003
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From: "Louis Rossi" <tarbit@hotmail.com>
Subject: Sept 25, NYC concert: touch gtr textures
Date: Wed, 24 Sep 2003 13:57:22 -0400
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Lou Rossi: touch gtr, loops & textures


Thursday, Sept 25
10.30 pm (lounge is open 10-2)

phOnOmena @ subtonic

107 Norfolk Street
(bet. Rivington & Delancey)
Lower East Side, NYC
The show is FREE




“Lou is a disciple of the new music”
Joe Maneri, ECM recording artist, & Microtonal pioneer

“Lou does beautiful & fantastic things with the instrument” -Elliott Sharp

“I dug your sounds” -John Zorn

"I usually don’t response to demos but there is some good stuff here, real 
good stuff” -Marc Ribot

_________________________________________________________________
Get MSN 8 Dial-up Internet Service FREE for one month.  Limited time offer-- 
sign up now!   http://join.msn.com/?page=dept/dialup

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 14:07:52 2003
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From: "erdem helvacioglu" <erdemhel@tnn.net>
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Subject: cheap looper
Date: Wed, 24 Sep 2003 21:04:44 +0300
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Dear Loopers,

I am looking for a simple looper that is around 200-300$. What are the
options?

Thanks.

Erdem Helvacioglu

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 14:23:54 2003
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Echo Pro as second looper
Date: Wed, 24 Sep 2003 13:23:21 -0500
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no jocking on the midi sync.   it's crap.   delays are ok though.   i wish
there was at least a sync out on the durn thing.   if there is, i can't find
it.

lance


----- Original Message ----- 
From: "msottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 22, 2003 6:27 PM
Subject: Re: Echo Pro as second looper


> You'd be way better off with one of the Lexicon MPX machines for not
> much more money.  (if any at all) The Echopro's MIDI Sync is horrible.
> Seems good for one or two repeats, but then degrades to mush.  Take the
> delay off MIDI sync and it sounds fine.  Cool little device, but they
> never should have advertised that it synced to MIDI.
>
> Mark Sottilaro
>
> On Monday, September 22, 2003, at 04:18  PM, Eric Williamson wrote:
>
> > Quoting John Mazzarella <jmazzarella@erols.com>:
> >> looper.  I know that the looper is not synchable.  Do the regular
> >> delays
> >
> > ah ... not immediately syncable.
> >
> > however, with a MIDI sequencer like Numerology, or a drum machine ...
> > it is
> > possible to sync it.
> >
> > i haven't tried it yet, but i've considered it.
> >
> > i was basically going to use presets to trigger note-ons right on the
> > bar-line,
> > to control the looper in the Echo-Pro. it's not as easy as using an
> > echoplex,
> > though.
> >
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 15:38:23 2003
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From: "JAMES FOWLER, III" <jimfowler@prodigy.net>
Subject: axon users - question
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i'm probably gonna pick up an axon box and was wondering what pickup system you prefer...what's the fastest, most accurate, etc.?

thanks.

-jim

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<P>i'm probably gonna pick up an axon box and was wondering what pickup system you prefer...what's the fastest, most accurate, etc.?</P>
<P>thanks.</P>
<P>-jim</P>
--0-1081076029-1064431930=:37528--

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Subject: Yamaha G50 system FS (was Re: axon users - question)
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I've used my Yamaha G50 with the Roland GK2 and it works great.  I've 
got the Yamaha equivalent but have never installed it.

Weirdly enough, I'm about to sell The G50 (which uses Axon's 
technology) as I stopped using it when I got a decent keyboard 
controller and spent some time learning how to play.  Comes complete 
with a Yamaha G1D pickup.  Everything you need (except a sound source) 
to start MIDI guitar mayhem.  Tracks much nicer than the Roland GR-30.

Shipped to your door (in the continental U.S.) for $500

If not it goes up on ebay.

Mark Sottilaro

On Wednesday, September 24, 2003, at 12:32  PM, JAMES FOWLER, III wrote:

> i'm probably gonna pick up an axon box and was wondering what pickup 
> system you prefer...what's the fastest, most accurate, etc.?
>
> thanks.
>
> -jim
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 16:38:13 2003
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For more info:

http://www.musiciansbuy.com/yamaha_g50_g1d_midi_controllers.htm

Mark Sottilaro

On Wednesday, September 24, 2003, at 01:29  PM, msottilaro wrote:

> I've used my Yamaha G50 with the Roland GK2 and it works great.  I've 
> got the Yamaha equivalent but have never installed it.
>
> Weirdly enough, I'm about to sell The G50 (which uses Axon's 
> technology) as I stopped using it when I got a decent keyboard 
> controller and spent some time learning how to play.  Comes complete 
> with a Yamaha G1D pickup.  Everything you need (except a sound source) 
> to start MIDI guitar mayhem.  Tracks much nicer than the Roland GR-30.
>
> Shipped to your door (in the continental U.S.) for $500
>
> If not it goes up on ebay.
>
> Mark Sottilaro
>
> On Wednesday, September 24, 2003, at 12:32  PM, JAMES FOWLER, III 
> wrote:
>
>> i'm probably gonna pick up an axon box and was wondering what pickup 
>> system you prefer...what's the fastest, most accurate, etc.?
>>
>> thanks.
>>
>> -jim
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 19:14:16 2003
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Date: Thu, 25 Sep 2003 00:09:48 +0000
Subject: masse @ the foundry
From: "jeremy" <jeremy@masse.org.uk>
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3147293388_77397_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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Hi everyone on the list, 

If you are interested in live things with lots of looping, lots of bass and
curious drum set-ups, check out our website at:

http://www.masse.org.uk

If we came in a tin, we'd do what it said on the lid - loads of looped up
bass and drumming. (sometime we turn them all off and play cooking vessels)

Come and see us play live around London (England UK). Next one up is Sunday
28th September 2003 at the Foundry in Shoreditch. Drop me an e.mail and I'll
send you details.

Best wishes

j

chris and jeremy
www.masse.org.uk




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<HTML>
<HEAD>
<TITLE>masse @ the foundry</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
Hi everyone on the list, <BR>
<BR>
If you are interested in live things with lots of looping, lots of bass and=
 curious drum set-ups, check out our website at: <BR>
<BR>
<BLOCKQUOTE><BLOCKQUOTE><FONT COLOR=3D"#0000FF"><U>http://www.masse.org.uk</U=
></FONT><U><FONT COLOR=3D"#0000FF"> <BR>
</FONT></U><BR>
</BLOCKQUOTE></BLOCKQUOTE>If we came in a tin, we'd do what it said on the =
lid - loads of looped up bass and drumming. (sometime we turn them all off a=
nd play cooking vessels) <BR>
<BR>
Come and see us play live around London (England UK). Next one up is Sunday=
 28th September 2003 at the Foundry in Shoreditch. Drop me an e.mail and I'l=
l send you details. <BR>
<BR>
Best wishes<BR>
<BR>
j<BR>
<BR>
chris and jeremy<BR>
<B>www.masse.org.uk<BR>
</B><BR>
<BR>
<BR>
</BODY>
</HTML>

--MS_Mac_OE_3147293388_77397_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 20:23:52 2003
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Date: Wed, 24 Sep 2003 17:20:44 -0700
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I should mention that 964 Natoma is a really nice place to see live music. 
Relaxing environment, soft futon seats...

I'd go, but I'm stuck in hot sweaty Orlando for the week.

_________________________________________________________________
Instant message during games with MSN Messenger 6.0. Download it now FREE!  
http://msnmessenger-download.com

From Loopers-Delight-request@loopers-delight.com  Wed Sep 24 20:51:43 2003
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Seems cool, let us know when you have some sample content up.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Thu Sep 25 02:53:58 2003
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Subject: Re: axon users - question
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Quoting "JAMES FOWLER, III" <jimfowler@prodigy.net>:
> i'm probably gonna pick up an axon box and was wondering what pickup system
> you prefer...what's the fastest, most accurate, etc.?

my friend Jim has a GK-2a on his PRS, which he uses with the half-rack Axon, and
he loves it. i've never heard him complain about tracking issues.

---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 25 04:43:33 2003
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Date: Thu, 25 Sep 2003 04:40:01 EDT
Subject: Re:MPX-100 looping
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> I was looking into the archives and there was some talk of using the
>  Lexicon MPX-100 to create short sustained loops.  Anybody care to share
>  some of their experiences with this?  It might be a good candidate for
>  ambient loops to go along with the EDP.
>  
>  Thanks,
>  John
>  www.johnmazzarella.com

MPX-100
1) there's an infinite repeat delay of up to 2.5s, which allows
     you to block new input to the loop.
   it's sort of tap time, in the way of a tap time echo though,
   not like a full blown looper ( I think the loop length is 2 or 4x the tap 
time!)
   The time can adjust itself to MIDI-clock in, so you can sort 
   of sync ( it doesn't reallign at the loop end though)
   Unfortunately, if there's incoming MIDI clock this causes
   the sound in an infinite repeat loop to gradually degrade
   to a sort of buzzing sound. 
  

2) there's a mono delay of 5s (or stereo 2.5s) with NO feedback, 
    this is v.high quality though, so can be used as a loop thing
   if you have a mixer to arrange the feedback.
   (no tap time)  


If you don't want MIDI-sync, and can do without tap time then
check out the Behringer DSP2024P (Virtualizer Pro).
This has a stereo delay of up to 5s with up to 100% feedback.
The left and right channels can be adjusted individually for
time and feedback ( = 2 seperate loops!)

...and it has a sort of looping phrase sampler,(5s stereo)
 . It does variable playback 
speed (2octs either way) and reverse. 

...and it's incredibly cheap


andy butler
 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 25 09:48:27 2003
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Date: Thu, 25 Sep 2003 08:43:48 -0500
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From: Scott Hansen <scott-a-hansen@uiowa.edu>
Subject: Re: MPX-100 as looper
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john-supposedly in the special effects section of mpx100
there is one setting that has "infinite loop" and it's supposed
to be a second or 2. in all honesty, i have played w/ it and
i've never gotten it to work ever. i have fiddled w/ all the knobs 
(mix, adjust)
for different variations, and nothing.  but i have used the 5.5 second
long mono delay in conjunction w/ my dod d-12 (12 sec delay loop),
and got some interesting results--sort of a budget rfripp sound,
since i think he's running usually 2 tc2290 units (or more?)
the 5.5 sec delay is set at a standard 30% feedback (i think).
so it's not a true loop device, but it has yielded interesting
sounds/textures/results for me. but in all honesty, i can't get
the infinate loop thing to work on the mpx100.

my real wish for the mpx100 series was that the parameter that could
be manipulated (adjust knob) was the feedback instead of the length
of delay, which is what the 5.5 sec mono delay does.

so that's my experience, i've gotten better results w/ my digitech rp100
(2 sec), digitech dsp256xl (1.5 sec) in getting short sustained loops.

my 2 cents....
s---



>I was looking into the archives and there was some talk of using the
>Lexicon MPX-100 to create short sustained loops.  Anybody care to share
>some of their experiences with this?  It might be a good candidate for
>ambient loops to go along with the EDP.
>
>Thanks,
>John
>www.johnmazzarella.com


-- 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 25 09:56:08 2003
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Date: Thu, 25 Sep 2003 08:53:02 -0500
To: Loopers-Delight@loopers-delight.com
From: Scott Hansen <scott-a-hansen@uiowa.edu>
Subject: Re: Looking for original TransTrem
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well, if you contact ed roman (world class guitars), you might have 
some luck, be prepared to shell out some $$$$$, the prices he charges 
are quite high (but
he has a lot of original steinberger stock).

in all honesty, i'm not sure why you'd want an orginal, ttrem,
i had one on my original gl3t (built in early '86), and after i 
changed the strings from
the guy i bought it from, i could never get the thing to work, so i
just used it as a standard trem. but the treaded ball ends were tricky
to change. and of course i never knew how to set it up....
of course now, after i've had some experience building a guitar i know
how to set up guitars, and would be able to set intonation, etc,
but alas, the guitar has long been sold.....onwards to new things i guess....

good luck, you might want to just check ebay and see if any of the early
steinbergers go up for sale and hope that they have good pics of trem area
so you can make sure it's got the original, if that's what you want.
s---
ps-you also might want to check the steinberger world yahoo group....



>Hi,
>
>     I'm looking for an original Trans Trem system. Not the Music Yo ones. Any
>help is appreciated.
>
>                                     Thanks, James


-- 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 25 12:42:20 2003
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Subject: Re: Looking for original TransTrem
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I think if you buy a new *American* Steinberg it does come with 
something very close to the original Transtrem type 2.  The cheaper 
ones do not.  I could be wrong.  Does anyone have a new Steinberger?  
Mine is still going strong but I'm curious.

Mark

On Thursday, September 25, 2003, at 06:53  AM, Scott Hansen wrote:

> well, if you contact ed roman (world class guitars), you might have 
> some luck, be prepared to shell out some $$$$$, the prices he charges 
> are quite high (but
> he has a lot of original steinberger stock).
>
> in all honesty, i'm not sure why you'd want an orginal, ttrem,
> i had one on my original gl3t (built in early '86), and after i 
> changed the strings from
> the guy i bought it from, i could never get the thing to work, so i
> just used it as a standard trem. but the treaded ball ends were tricky
> to change. and of course i never knew how to set it up....
> of course now, after i've had some experience building a guitar i know
> how to set up guitars, and would be able to set intonation, etc,
> but alas, the guitar has long been sold.....onwards to new things i 
> guess....
>
> good luck, you might want to just check ebay and see if any of the 
> early
> steinbergers go up for sale and hope that they have good pics of trem 
> area
> so you can make sure it's got the original, if that's what you want.
> s---
> ps-you also might want to check the steinberger world yahoo group....
>
>
>
>> Hi,
>>
>>     I'm looking for an original Trans Trem system. Not the Music Yo 
>> ones. Any
>> help is appreciated.
>>
>>                                     Thanks, James
>
>
> -- 
>

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SoundFNR@aol.com wrote:

> > I was looking into the archives and there was some talk of using the
> >  Lexicon MPX-100 to create short sustained loops.  Anybody care to share
> >  some of their experiences with this?  It might be a good candidate for
> >  ambient loops to go along with the EDP.
> >
> >  Thanks,
> >  John
> >  www.johnmazzarella.com
>
> MPX-100
> 1) there's an infinite repeat delay of up to 2.5s, which allows
>      you to block new input to the loop.
>    it's sort of tap time, in the way of a tap time echo though,
>    not like a full blown looper ( I think the loop length is 2 or 4x the tap
> time!)
>    The time can adjust itself to MIDI-clock in, so you can sort
>    of sync ( it doesn't reallign at the loop end though)
>    Unfortunately, if there's incoming MIDI clock this causes
>    the sound in an infinite repeat loop to gradually degrade
>    to a sort of buzzing sound.
>
>
> 2) there's a mono delay of 5s (or stereo 2.5s) with NO feedback,
>     this is v.high quality though, so can be used as a loop thing
>    if you have a mixer to arrange the feedback.
>    (no tap time)
>
> If you don't want MIDI-sync, and can do without tap time then
> check out the Behringer DSP2024P (Virtualizer Pro).
> This has a stereo delay of up to 5s with up to 100% feedback.
> The left and right channels can be adjusted individually for
> time and feedback ( = 2 seperate loops!)
>
> ...and it has a sort of looping phrase sampler,(5s stereo)
>  . It does variable playback
> speed (2octs either way) and reverse.
>
> ...and it's incredibly cheap
>
> andy butler

Thanks for all of the info everyone,
    The primary use for the MPX would be for reverb and timed delays on my
vocals.  The ability to do short ambient loops would be a bonus.  I've been
experimenting with ambient loops with the EDP this week and have been having a
lot of fun.  I usually create a blank loop of 10 seconds or so.  Reverse it,
Play a short phrase, Make it go forward, and then do volume swells with a delay
pedal.  It creates a nice, big sustained drone with a short backwards phrase
every ten seconds or so.
    By the way, I've found that backwards lap steel chords,  and backwards
delayed notes sound fantastic!

Thanks,
John
www.johnmazzarella.com


>
>

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O folks,

1) I will indeed, confirmedly, for sure this time, be co-hosting None
Radio (a very eclectic online radio show) this upcoming Monday Night, at
9:00 PM California time (with repeat broadcasts all week).  Listen and
read more info here:

http://www.noneradio.com

I will almost certainly be talking about, and playing, things from the
new CD, as well as tracks from other folks.  Mike Keneally may also be
co-hosting that night...

2) "Normalized" is now available online from Tower Records' web site:

http://www.towerrecords.com/product.aspx?pfid=2904101

It's a bit more expensive there than through the indie retailers - such
is the nature of chain-store distribution - but for those who'd rather
get it through such channels, there it be.

Big thanks to those who have already picked up the disc; it's very
deeply appreciated!

--Andre LaFosse
The Echoplex Analysis Pages:
http://www.altruistmusic.com/EDP

From Loopers-Delight-request@loopers-delight.com  Fri Sep 26 12:11:17 2003
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Subject: mpx100 as looper
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well-i checked out the infinite repeat function on
my mpx100.
and yes, i got it to work.
if you put the adjust dial all the way to the right-clockwise (it
goes to about 5 o'clock position or so) it does a very
nice repeat. i also used the tap tempo button, hit once,
counted "one", "two" and hit it again and found it worked
quite nice. i tried to time the loop length, and i was getting
around 2 seconds, it may be 2.5 sec, but it was hard to get
accurate time. but at least 2 sec. i was able to do a drone-y
bass note, then moved the adjust knob from 5 o'clock position
to about 3 o'clock to see what it would do, and it held the drone
and i was playing little "quasi-country-ish licks" that would play
along w/ it and those would fade, but the drone would continue.
and man, it is clean and pristine sounding (way different than
my digitech dsp256xl's 1.5 sec delay-the 256xl-is more grainy,
but useful at times).

to sum up, i think the mpx100 is a great 2nd/alt looper, not sure if
you'd want it to be your main looper, since the time is so short,
but is useful. if the jamman is as clean and crisp sounding as mpx100,
i can see why people like those. wish lexicon could up the infinite
repeat time to like 10 sec, then they'd have a great li'l box, but then
i'm sure it would cost way more. oh well.....
guess the lesson here is: get to know your equipment more.....
s---
-- 

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On Friday, September 26, 2003, at 09:07  AM, Scott Hansen wrote:
>  if the jamman is as clean and crisp sounding as mpx100,
> i can see why people like those.

The JamMan isn't as good sounding (overall) but still a great looper.

> wish lexicon could up the infinite
> repeat time to like 10 sec, then they'd have a great li'l box, but then
> i'm sure it would cost way more. oh well.....
> guess the lesson here is: get to know your equipment more.....

Good point!  I had my Digitech 2120 for years until I explored it's 
looping function and found out it's really useful.

Mark Sottilaro

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Subject: Re: Sept 25, NYC concert: touch gtr textures
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Lou-

Hey, this is Jesse from the Loopers list, and last night at Subtonic.  Like
I said, I just moved here from Colorado.  Last night was only the second
time I've been out to hear music here so far.  Cool show.  I wanted to ask
you about your rig, but didn't want to bother you with technical questions
right there.  Just wanted to say hi and make contact.

I just had a couple of questions that I forgot to/didn't get a chance to ask
you last night.  Hope you've got a second to answer, and don't mind me
asking:

- Is the PA in that venue always there, or did someone bring that for the
night?  Was anyone running sound?  Is there a volume limit in that place?
Do they pay anything?

- Do you know of (and can you recommend) any jam sessions (jazz, funk,
blues, it doesn't matter what genre) in Manhattan?  If not, do you know
anybody who I could talk to regarding such things?

- You said you worked for an "internet company."  Were you on the technical
side of things, or some other aspect?  Can you recommend a place or a way
for a guy to get an entry level tech job like tech support, or building PCs?
Haha -- so many people asking this question and no answers, ever.

- Here's a link to the EP page at my website (which I run off a Linux box on
a cable modem here in Brooklyn):  http://lessthanone.net/audio/EP/  There's
three MP3s there.  If you only download one, download Mallorn.  That's the
best representation of what I'm doing.  If you know of any venues that allow
for this sort of drum 'n' bass jazz fusion stuff, or of any other puveyors
of such filth, could you let me know, or forward my name/website to them?

I'm just trying to get started here.  I was playing bass full time in
Colorado doing jazz and rock/funk wedding band gigs, but I would really like
to move more towards doing my own original thing here.  I don't want to be a
musical whore for the rest of my life, even if it means that I can't do
music for a living.  You know what I'm saying?  I know you do.

Thanks for sending out the heads up to the LD list.  And happy birthday to
you, my friend.

Sincerely,

Jesse

P.S.  I don't have a phone here yet, but I should have one in the next
couple of days.  In the meantime my personal website is here:
http://www.neoprimitive.net/ and my original music website is here:
http://www.lessthanone.net.  Both are run off this Linux box next to me,
which IP masquerades on a Road Runner connection for my two roommates and I.
Fun fun fun.




----- Original Message -----
From: "Louis Rossi" <tarbit@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 24, 2003 11:57 AM
Subject: Sept 25, NYC concert: touch gtr textures


Lou Rossi: touch gtr, loops & textures


Thursday, Sept 25
10.30 pm (lounge is open 10-2)

phOnOmena @ subtonic

107 Norfolk Street
(bet. Rivington & Delancey)
Lower East Side, NYC
The show is FREE




"Lou is a disciple of the new music"
Joe Maneri, ECM recording artist, & Microtonal pioneer

"Lou does beautiful & fantastic things with the instrument" -Elliott Sharp

"I dug your sounds" -John Zorn

"I usually don't response to demos but there is some good stuff here, real
good stuff" -Marc Ribot

_________________________________________________________________
Get MSN 8 Dial-up Internet Service FREE for one month.  Limited time offer--
sign up now!   http://join.msn.com/?page=dept/dialup

From Loopers-Delight-request@loopers-delight.com  Fri Sep 26 16:12:14 2003
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Scott Hansen wrote:

> well-i checked out the infinite repeat function on
> my mpx100.
> and yes, i got it to work.
> if you put the adjust dial all the way to the right-clockwise (it
> goes to about 5 o'clock position or so) it does a very
> nice repeat. i also used the tap tempo button, hit once,
> counted "one", "two" and hit it again and found it worked
> quite nice. i tried to time the loop length, and i was getting
> around 2 seconds, it may be 2.5 sec, but it was hard to get
> accurate time. but at least 2 sec. i was able to do a drone-y
> bass note, then moved the adjust knob from 5 o'clock position
> to about 3 o'clock to see what it would do, and it held the drone
> and i was playing little "quasi-country-ish licks" that would play
> along w/ it and those would fade, but the drone would continue.
> and man, it is clean and pristine sounding (way different than
> my digitech dsp256xl's 1.5 sec delay-the 256xl-is more grainy,
> but useful at times).
>
> to sum up, i think the mpx100 is a great 2nd/alt looper, not sure if
> you'd want it to be your main looper, since the time is so short,
> but is useful. if the jamman is as clean and crisp sounding as mpx100,
> i can see why people like those. wish lexicon could up the infinite
> repeat time to like 10 sec, then they'd have a great li'l box, but then
> i'm sure it would cost way more. oh well.....
> guess the lesson here is: get to know your equipment more.....
> s---
> --

Thanks for the input everyone.  I'm probably going to go with the MPX-110.

John
www.johnmazzarella.com



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Fucking hell.  Sorry, everybody.  


----- Original Message ----- 
From: "Jesse Ray Lucas" <jlucas@neoprimitive.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 26, 2003 3:37 PM
Subject: Re: Sept 25, NYC concert: touch gtr textures

From Loopers-Delight-request@loopers-delight.com  Fri Sep 26 18:01:31 2003
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From: Goddess <thefates@earthlink.net>
Subject: Chaos Pad as looper
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  Hi All, for those who might be interested, since this came up a couple
weeks ago, I'm borrowing a Chaos pad from work, and was able to use it as a
looper.  
  Instead of ending the recording of a sample by pressing its appropriate
sample key, hold down that key, and then additionally press hold, and then
let up on both.  The sample will stop recording, and immediately begin
looping until you stop it.  I'd assume this could also be done via midi to
make it a bit easier live.  -Just an FYI, as it seemed there might be some
confusion on this.  
  Have a great day!...  

Smiles,

Cara




---

  View my online portfolio at:  
http://www.onemodelplace.com/model_list.cfm?ID=52516 
  -Last updated on Thurs. 9.25.03

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Chaos Pad as looper
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--- Goddess <thefates@earthlink.net> wrote:
>   Hi All, for those who might be interested, since this came up a couple
> weeks ago, I'm borrowing a Chaos pad from work, and was able to use it as a
> looper.  

Must be nice to have a job where they have things like Chaos pads.

Greg

__________________________________
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dude, my pad is always in chaos - now, where did I put that guitar of
mine....

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Hey gang,

     I just spoke with Peter Toms (in person), the guy at Condor Electronics who is making power
supplies available.  He showed me one of them and they are about 50% larger and have a higher
capacity than the Electrix models.  And just like the current Electrix PS, they will work with
50-60 Hz, at 100-240 volts.  Perfect for all you overseas Repeater users, or people hoping to gig
out of the US or Canada.  Just like the Electrix version, these also have a male plug for the
power cord, so you can easily switch from a 120v cord to a 240v cord of whatever plug
configuration.  CE certified.

     Currently he is conversing with IVL in hopes of procuring all their leftover replacement
parts.  Some of their parts are specific to the Repeater and cannot be replaced once their supply
runs out (short of ordering quantities of 500).  I'm talking about things like IC chips.  If you
have any issues with repair of an Electrix unit, you can either send it to IVL who maintain a
current repair department, or you can send it to Condor.  Before Electrix went under, Condor was
the only authorized repair warrentee shop in the US.  Peter is an avid Repeater user and is doing
this power supply project because he believes in supporting this community.  He also uses all the
other Electrix gear in his stand-up bass rig.

     He told me to mention to this list that Condor is making these power supplies available for
$90 plus shipping.  Again, if he were able to buy these in bulk, the cost would go way down. 
Though again, he'd probably have to buy 200 at a time and I don't think he'd ever recoup his
expenses if he made that plunge.  They come with a full warrantee from Electrix.  He hopes to ship
the first batch out as early as next week.  After that, he'll make up a few at a time to supply
the demand from this list.

     You can order them directly from Condor Electronics (no web presence):

     Condor Electronics
     125 N 36th Street
     Seattle WA 98103

     206 633 5190


     Cheers,

          Stephen



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From Loopers-Delight-request@loopers-delight.com  Fri Sep 26 20:11:52 2003
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GREAT for screwing with audio loops.  NOT a real time looper, but this 
will let you auto synch a sample loop to any length but also allow you 
to effect pitch  (similar to the Repeater) and formant.  Very nice 
device:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2561130403

Mark Sottlaro

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If you're a guitarist looking to work with computers or synths, this is 
the ticket:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2561130641

works really well, the only reason I'm selling it is because I've 
taught myself to be a decent keyboardist over the last 6 months or so.

Mark Sottliaro

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From: S V G <vsyevolod@yahoo.com>
Subject: Re:axon users - question 
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     Jim,

     The built in RMS piezo pickups tend to be touted as among the finest that technology can
offer.  The Roland GK-IIa can be quite nice, though sometimes they can be a bitch to set up just
right...  Otherwise, Axon makes one, as does Yamaha (I think the external "mount-it-yourself"
types are all the same, or at least the same quality.)

     Stephen




<<<i'm probably gonna pick up an axon box and was wondering what pickup system you prefer...what's
the fastest, most accurate, etc.?>>>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep 26 20:52:34 2003
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The current US Steinbergers have a TransTrem option.  They're type 2 
TT's, NOS left over from the end of the previous Gibson Steinberger 
era.  Finding a type 1 TT is very difficult, since most people updated 
them with type 2 parts to form a hybrid TT which made string changing a 
quicker operation, and there weren't that many made.  However, if you 
go to the MusicYo page to order a TT-equipped guitar, you'll see that 
they're out of stock, and will apparently remain that way until Gibson 
goes and does another batch of TT's.  The status and timetable of that 
project is unknown, but probably not in the next six months.  S-trem 
(and R-trem) equipped guitars are still available through MusicYo, at a 
newly reduced price.

Okay, back to looping.  I saw Remember Shakti last night, and John 
McLaughlin appeared to be using a Powerbook to generate drone loops 
during the performance.

TravisH


On Friday, September 26, 2003, at 05:04 PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: msottilaro <sine@zerocrossing.net>
> Date: Thu Sep 25, 2003  9:34:07 AM US/Pacific
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Looking for original TransTrem
>
>
> I think if you buy a new *American* Steinberg it does come with 
> something very close to the original Transtrem type 2.  The cheaper 
> ones do not.  I could be wrong.  Does anyone have a new Steinberger?  
> Mine is still going strong but I'm curious.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 00:51:46 2003
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Cara wrote:
>I'm borrowing a Chaos pad from work, and was able to use it as a
>looper.

You go, girl!  Thanks for the tip--I'll try to get it going with MIDI when
the opportunity presents itself--lots of stuff happening for me lately.  You
sure are insightful!

Gary


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  Hi Gary, thanks so much for the compliment.  -maybe I'm just annoyingly
tenacious sometimes.  <smile>  I actually wasn't sure how to work it at
all, and didn't have anyone here to read the buttons or manual, so I had to
figure out everything from scratch by myself.  After I got it connected
right, I was able to figure out some basic sounds, and then the programs
and then accidentally, the looping functions with the sampling keys.  I had
a friend tell me the names of the buttons the next day.  <smile>  -and then
I showed him how to work it!   lol!  
  Anyway, I hope my note helps.  Have a wonderful evening!...   

smiles,

Cara




---

  View my online portfolio at:  
http://www.onemodelplace.com/model_list.cfm?ID=52516 
  -Last updated on Thurs. 9.25.03

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


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Subject: Re: mpx100 as looper (with midi clock)
From: "jeremy" <jeremy@masse.org.uk>
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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.... i used to have one of these (it's in my friend the percussionist's rack
now) and there is one setting which gives the longest delay the MPX can do
with the adjust knob controlling the imput gain and the feedback in opposite
directions. A bit like FLIP mode on the EDP.

We found that you could get the delay the longest at around 43 bpm,
sometimes using the clock souce to generate a click at 43, 86, 129, bpm for
the duple functions.

We set up control the ADJUST knob function over midi. Rather than use a
pedal we use series of five values on foot buttons for:

1. max input, 0 percent feedback
2. almost max input, some persistence of loop
3. convenient balance of input to loop
4. small input, loop gradually decays
5. zero input , 100 percent feedback

At max feedback the loops do gradually fragment into digital dust so not a
true looper. Than in itself not a bad thing.......

Best wishes

jeremy
www.masse.org.uk

----------
From: Scott Hansen <scott-a-hansen@uiowa.edu>
To: Loopers-Delight@loopers-delight.com
Subject: mpx100 as looper
Date: Fri, Sep 26, 2003, 4:07 pm


well-i checked out the infinite repeat function on
my mpx100.
and yes, i got it to work.
if you put the adjust dial all the way to the right-clockwise (it
goes to about 5 o'clock position or so) it does a very
nice repeat. i also used the tap tempo button, hit once,
counted "one", "two" and hit it again and found it worked
quite nice. i tried to time the loop length, and i was getting
around 2 seconds, it may be 2.5 sec, but it was hard to get
accurate time. but at least 2 sec. i was able to do a drone-y
bass note, then moved the adjust knob from 5 o'clock position
to about 3 o'clock to see what it would do, and it held the drone
and i was playing little "quasi-country-ish licks" that would play
along w/ it and those would fade, but the drone would continue.
and man, it is clean and pristine sounding (way different than
my digitech dsp256xl's 1.5 sec delay-the 256xl-is more grainy,
but useful at times).

to sum up, i think the mpx100 is a great 2nd/alt looper, not sure if
you'd want it to be your main looper, since the time is so short,
but is useful. if the jamman is as clean and crisp sounding as mpx100,
i can see why people like those. wish lexicon could up the infinite
repeat time to like 10 sec, then they'd have a great li'l box, but then
i'm sure it would cost way more. oh well.....
guess the lesson here is: get to know your equipment more.....
s---
--






--MS_Mac_OE_3147491965_159618_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: mpx100 as looper (with midi clock)</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
.... i used to have one of these (it's in my friend the percussionist's rac=
k now) and there is one setting which gives the longest delay the MPX can do=
 with the adjust knob controlling the imput gain and the feedback in opposit=
e directions. A bit like FLIP mode on the EDP. <BR>
<BR>
We found that you could get the delay the longest at around 43 bpm, sometim=
es using the clock souce to generate a click at 43, 86, 129, bpm for the dup=
le functions. <BR>
<BR>
We set up control the ADJUST knob function over midi. Rather than use a ped=
al we use series of five values on foot buttons for: <BR>
<BR>
1. max input, 0 percent feedback<BR>
2. almost max input, some persistence of loop<BR>
3. convenient balance of input to loop<BR>
4. small input, loop gradually decays<BR>
5. zero input , 100 percent feedback<BR>
<BR>
At max feedback the loops do gradually fragment into digital dust so not a =
true looper. Than in itself not a bad thing....... <BR>
<BR>
Best wishes<BR>
<BR>
jeremy<BR>
www.masse.org.uk<BR>
<BR>
----------<BR>
From: Scott Hansen &lt;scott-a-hansen@uiowa.edu&gt;<BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: mpx100 as looper<BR>
Date: Fri, Sep 26, 2003, 4:07 pm<BR>
<BR>
<BR>
<BLOCKQUOTE><TT>well-i checked out the infinite repeat function on<BR>
my mpx100.<BR>
and yes, i got it to work.<BR>
if you put the adjust dial all the way to the right-clockwise (it<BR>
goes to about 5 o'clock position or so) it does a very<BR>
nice repeat. i also used the tap tempo button, hit once,<BR>
counted &quot;one&quot;, &quot;two&quot; and hit it again and found it work=
ed<BR>
quite nice. i tried to time the loop length, and i was getting<BR>
around 2 seconds, it may be 2.5 sec, but it was hard to get<BR>
accurate time. but at least 2 sec. i was able to do a drone-y<BR>
bass note, then moved the adjust knob from 5 o'clock position<BR>
to about 3 o'clock to see what it would do, and it held the drone<BR>
and i was playing little &quot;quasi-country-ish licks&quot; that would pla=
y<BR>
along w/ it and those would fade, but the drone would continue.<BR>
and man, it is clean and pristine sounding (way different than<BR>
my digitech dsp256xl's 1.5 sec delay-the 256xl-is more grainy,<BR>
but useful at times).<BR>
<BR>
to sum up, i think the mpx100 is a great 2nd/alt looper, not sure if<BR>
you'd want it to be your main looper, since the time is so short,<BR>
but is useful. if the jamman is as clean and crisp sounding as mpx100,<BR>
i can see why people like those. wish lexicon could up the infinite<BR>
repeat time to like 10 sec, then they'd have a great li'l box, but then<BR>
i'm sure it would cost way more. oh well.....<BR>
guess the lesson here is: get to know your equipment more.....<BR>
s---<BR>
-- <BR>
<BR>
<BR>
<BR>
<BR>
<BR>
</TT></BLOCKQUOTE>
</BODY>
</HTML>

--MS_Mac_OE_3147491965_159618_MIME_Part--

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Subject: Looping with a PC laptop... which one?
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Hey,

Well, I knew as soon as I got comfy with a laptop I was using, the 
owner would want it back (long story, don't ask) so now I'm looking for 
the replacement.  I like Macs, but let's face it, they're pricey.  I 
have a nice desktop Mac, and I'm not married to Apple's product line 
especially when they're twice as expensive for the base machine.

SO, I've heard that Jon El-Bizri had issues with a Dell and noise via 
USB.  I'm using a USB interface that has it's own power supply, so I 
honestly don't know how noise could transfer unless the D/A was screwed 
up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.  
Quiet.  My only complaint was it didn't have gain controls.  I say Dell 
because our IT dept swears by them and our people are on the road using 
them for shows all the time so they get banged up.  I guess they have 
great service.

any advise would be appreciated.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 04:41:18 2003
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Subject: Re: Looping with a PC laptop... which one?
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i think that when it comes to the laptop market, the whole price difference
between an Apple and a similarly configured wintel machine evens up. that's my
opinion, at least.

but, if i _had_ to buy a wintel laptop, i'd go with a Dell. only with the
extended warranty though.

i recently spilled less than an ounce of coffee on my Pismo 500, which i rely on
to sequence live. (yeah i know i can still use the arps in the MS2000 and the
Z1 ... i've had to do that before. thanks to an Apple Genius who obliterated my
boot sector before a show while he was replacing the DVD unit.)

it's not covered under Applecare. i had to take it in, let them diagnose it,
offer to fix it for 500 dollars, and now i've bought the 40 dollars worth of
parts i need on Ebay and i'll just have to cover the bench fee.

if i had a Dell with an extended warranty, i heard that breakage/spillage was
covered.

but i can't run Numerology on a Dell. so i'm gonna buy a new aluminum powerbook
next week.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 06:36:16 2003
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Date: Sat, 27 Sep 2003 12:32:26 +0200
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Hi Mark,

Right now I'm using a IBM ThinkPad A20/m that I picked up second hand
for a good price. It has a simple Pentium 3 700 MHz processor and I was
actually surprised to find out that this is enough for looping live with
Ableton Live. 

I'm running my instrument signal (sax mic and guitar line) into an EDP,
and then into an Akai MFC42 filter bank that is channel cross linked to
a Lexicon reverb. So I'm doing all the sound mangling before recording
loops into the laptop, and it doesn't seem I will ever reach the limit
for how much I can keep looping from the laptop. Normally I reach the
musical limit (when you feel there is no place in the music for more
sounds) well under 50% cpu usage. But then the EDP/filterbank can make a
rather massive stereo sound on its own.

But if I should go with the other strategy, to monitor even my direct
signal through the laptop and also perform all the sound mangling with
software plug-ins I would need a much more powerful machine. But as I'm
now going G5 for studio work I really don't need a faster laptop. Since
the Virtual PC doesn't work on the G5's I'm happy to keep a PC laptop as
well. And they seem to perform better with Albeton Live than the
PowerBooks do.

BTW I just picked up a M-Audio Audiophile USB and this is doing very
well with Ableton. Latency is never a problem since the record input,
starting and muting, loops is quantized and when looping back the
software compensates for latency. But you have to split the instrument
signal and run one line directly into the PA and then not monitoring the
other line through the software.

Best wishes

Per Boysen
__________________________________
www.boysen.se
www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 09:20:43 2003
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The built in RMS piezo pickups tend to be touted as among the finest that technology can offer. 

that's what i've heard...i would guess that the rms saddle pickups are of the same quality, so i'm gonna look into those.  thanks for the tips.

-jim


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<DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<P>The built in RMS piezo pickups tend to be touted as among the finest that technology can offer. </P>
<P>that's what i've heard...i would guess that the rms saddle pickups are of the same quality, so i'm gonna look into those.&nbsp; thanks for the tips.</P>
<P>-jim</P></BLOCKQUOTE></DIV>
--0-1080479112-1064668740=:56755--

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 10:29:53 2003
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Subject: Re: Looping with a PC laptop... which one?
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Mark,

*SOME* Dell's have a known issue with the grounding of the power supply
jack, which causes hummmm in the USB audio output.  I know for a fact that
Latitudes have this problem, but I can't speak for other models.  Dell is
very tight lipped about the issue, but when pressed, a good tech support
person will tell you that it's a documented problem.  The fix?  Either use
the battery, or put a 3-prong -> 2-prong adapter on the power supply cord.
Someone can probably explain how that might be dangerous...  I'm an
electro-peasant, so I don't know.

Personally, if I was starting from scratch, I wouldn't buy a Dell for audio.

Doug
----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 27, 2003 3:08 AM
Subject: Looping with a PC laptop... which one?


> Hey,
>
> Well, I knew as soon as I got comfy with a laptop I was using, the
> owner would want it back (long story, don't ask) so now I'm looking for
> the replacement.  I like Macs, but let's face it, they're pricey.  I
> have a nice desktop Mac, and I'm not married to Apple's product line
> especially when they're twice as expensive for the base machine.
>
> SO, I've heard that Jon El-Bizri had issues with a Dell and noise via
> USB.  I'm using a USB interface that has it's own power supply, so I
> honestly don't know how noise could transfer unless the D/A was screwed
> up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.
> Quiet.  My only complaint was it didn't have gain controls.  I say Dell
> because our IT dept swears by them and our people are on the road using
> them for shows all the time so they get banged up.  I guess they have
> great service.
>
> any advise would be appreciated.
>
> Mark Sottilaro
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 13:24:43 2003
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I know you can't compare clock cycles cycle for cycle on different 
processors, but the entry level Mac runs $1600 and a Dell that runs at 
twice the clockspeed, with twice the ram comes in around $900.

Trust me, I'd love a TiBook (even though they're now aluminum) but 
there's no way I'm going to be able to scare up $1600 anytime soon.

Mark

On Saturday, September 27, 2003, at 01:38 AM, Eric Williamson wrote:

> i think that when it comes to the laptop market, the whole price 
> difference
> between an Apple and a similarly configured wintel machine evens up. 
> that's my
> opinion, at least.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 13:47:05 2003
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Subject: Re: Looping with a PC laptop... which one?
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Wouldn't get a Latitude.  Don't care if it's that small.

However, what doesn't make any sense to me is this: If I'm using USB 
that doesn't get power from the source of data, there should not be any 
ground issues... no?  The M-Audio Audiophile has it's own powersupply.  
The only link would be the USB data stream, no?  If there was noise on 
that, it would corrupt the signal and be useless.  I could see the 
issue if you were using a USB/Audio device that took power from the 
laptop.

Or, I could be totally wrong.

Mark

On Saturday, September 27, 2003, at 07:25 AM, Doug Cox wrote:

> Mark,
>
> *SOME* Dell's have a known issue with the grounding of the power supply
> jack, which causes hummmm in the USB audio output.  I know for a fact 
> that
> Latitudes have this problem, but I can't speak for other models.  Dell 
> is
> very tight lipped about the issue, but when pressed, a good tech 
> support
> person will tell you that it's a documented problem.  The fix?  Either 
> use
> the battery, or put a 3-prong -> 2-prong adapter on the power supply 
> cord.
> Someone can probably explain how that might be dangerous...  I'm an
> electro-peasant, so I don't know.
>
> Personally, if I was starting from scratch, I wouldn't buy a Dell for 
> audio.
>
> Doug
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, September 27, 2003 3:08 AM
> Subject: Looping with a PC laptop... which one?
>
>
>> Hey,
>>
>> Well, I knew as soon as I got comfy with a laptop I was using, the
>> owner would want it back (long story, don't ask) so now I'm looking 
>> for
>> the replacement.  I like Macs, but let's face it, they're pricey.  I
>> have a nice desktop Mac, and I'm not married to Apple's product line
>> especially when they're twice as expensive for the base machine.
>>
>> SO, I've heard that Jon El-Bizri had issues with a Dell and noise via
>> USB.  I'm using a USB interface that has it's own power supply, so I
>> honestly don't know how noise could transfer unless the D/A was 
>> screwed
>> up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.
>> Quiet.  My only complaint was it didn't have gain controls.  I say 
>> Dell
>> because our IT dept swears by them and our people are on the road 
>> using
>> them for shows all the time so they get banged up.  I guess they have
>> great service.
>>
>> any advise would be appreciated.
>>
>> Mark Sottilaro
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 13:55:02 2003
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As I said, I'm an electro-peasant, so I can't answer on the reasons why.
But I can confirm, with my Latitude at least, that it occurs even with an
independent power supply for the USB device.

Doug
----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 27, 2003 12:45 PM
Subject: Re: Looping with a PC laptop... which one?


> Wouldn't get a Latitude.  Don't care if it's that small.
>
> However, what doesn't make any sense to me is this: If I'm using USB
> that doesn't get power from the source of data, there should not be any
> ground issues... no?  The M-Audio Audiophile has it's own powersupply.
> The only link would be the USB data stream, no?  If there was noise on
> that, it would corrupt the signal and be useless.  I could see the
> issue if you were using a USB/Audio device that took power from the
> laptop.
>
> Or, I could be totally wrong.
>
> Mark
>
> On Saturday, September 27, 2003, at 07:25 AM, Doug Cox wrote:
>
> > Mark,
> >
> > *SOME* Dell's have a known issue with the grounding of the power supply
> > jack, which causes hummmm in the USB audio output.  I know for a fact
> > that
> > Latitudes have this problem, but I can't speak for other models.  Dell
> > is
> > very tight lipped about the issue, but when pressed, a good tech
> > support
> > person will tell you that it's a documented problem.  The fix?  Either
> > use
> > the battery, or put a 3-prong -> 2-prong adapter on the power supply
> > cord.
> > Someone can probably explain how that might be dangerous...  I'm an
> > electro-peasant, so I don't know.
> >
> > Personally, if I was starting from scratch, I wouldn't buy a Dell for
> > audio.
> >
> > Doug
> > ----- Original Message -----
> > From: "Mark Sottilaro" <sine@zerocrossing.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Saturday, September 27, 2003 3:08 AM
> > Subject: Looping with a PC laptop... which one?
> >
> >
> >> Hey,
> >>
> >> Well, I knew as soon as I got comfy with a laptop I was using, the
> >> owner would want it back (long story, don't ask) so now I'm looking
> >> for
> >> the replacement.  I like Macs, but let's face it, they're pricey.  I
> >> have a nice desktop Mac, and I'm not married to Apple's product line
> >> especially when they're twice as expensive for the base machine.
> >>
> >> SO, I've heard that Jon El-Bizri had issues with a Dell and noise via
> >> USB.  I'm using a USB interface that has it's own power supply, so I
> >> honestly don't know how noise could transfer unless the D/A was
> >> screwed
> >> up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.
> >> Quiet.  My only complaint was it didn't have gain controls.  I say
> >> Dell
> >> because our IT dept swears by them and our people are on the road
> >> using
> >> them for shows all the time so they get banged up.  I guess they have
> >> great service.
> >>
> >> any advise would be appreciated.
> >>
> >> Mark Sottilaro
> >>
> >
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 14:00:48 2003
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I don't know if this has been covered but I don't believe they make Laptops
with music performance/recording in mind - hence the noise factor?


:::-----Original Message-----
:::From: Doug Cox [mailto:dougcox@pdq.net]
:::Sent: Saturday, September 27, 2003 10:54 AM
:::To: Loopers-Delight@loopers-delight.com
:::Subject: Re: Looping with a PC laptop... which one?
:::
:::As I said, I'm an electro-peasant, so I can't answer on the reasons why.
:::But I can confirm, with my Latitude at least, that it occurs even with an
:::independent power supply for the USB device.
:::
:::Doug
:::----- Original Message -----
:::From: "Mark Sottilaro" <sine@zerocrossing.net>
:::To: <Loopers-Delight@loopers-delight.com>
:::Sent: Saturday, September 27, 2003 12:45 PM
:::Subject: Re: Looping with a PC laptop... which one?
:::
:::
:::> Wouldn't get a Latitude.  Don't care if it's that small.
:::>
:::> However, what doesn't make any sense to me is this: If I'm using USB
:::> that doesn't get power from the source of data, there should not be any
:::> ground issues... no?  The M-Audio Audiophile has it's own powersupply.
:::> The only link would be the USB data stream, no?  If there was noise on
:::> that, it would corrupt the signal and be useless.  I could see the
:::> issue if you were using a USB/Audio device that took power from the
:::> laptop.
:::>
:::> Or, I could be totally wrong.
:::>
:::> Mark
:::>
:::> On Saturday, September 27, 2003, at 07:25 AM, Doug Cox wrote:
:::>
:::> > Mark,
:::> >
:::> > *SOME* Dell's have a known issue with the grounding of the power
:::supply
:::> > jack, which causes hummmm in the USB audio output.  I know for a fact
:::> > that
:::> > Latitudes have this problem, but I can't speak for other models.
:::Dell
:::> > is
:::> > very tight lipped about the issue, but when pressed, a good tech
:::> > support
:::> > person will tell you that it's a documented problem.  The fix?
:::Either
:::> > use
:::> > the battery, or put a 3-prong -> 2-prong adapter on the power supply
:::> > cord.
:::> > Someone can probably explain how that might be dangerous...  I'm an
:::> > electro-peasant, so I don't know.
:::> >
:::> > Personally, if I was starting from scratch, I wouldn't buy a Dell for
:::> > audio.
:::> >
:::> > Doug
:::> > ----- Original Message -----
:::> > From: "Mark Sottilaro" <sine@zerocrossing.net>
:::> > To: <Loopers-Delight@loopers-delight.com>
:::> > Sent: Saturday, September 27, 2003 3:08 AM
:::> > Subject: Looping with a PC laptop... which one?
:::> >
:::> >
:::> >> Hey,
:::> >>
:::> >> Well, I knew as soon as I got comfy with a laptop I was using, the
:::> >> owner would want it back (long story, don't ask) so now I'm looking
:::> >> for
:::> >> the replacement.  I like Macs, but let's face it, they're pricey.  I
:::> >> have a nice desktop Mac, and I'm not married to Apple's product line
:::> >> especially when they're twice as expensive for the base machine.
:::> >>
:::> >> SO, I've heard that Jon El-Bizri had issues with a Dell and noise
:::via
:::> >> USB.  I'm using a USB interface that has it's own power supply, so I
:::> >> honestly don't know how noise could transfer unless the D/A was
:::> >> screwed
:::> >> up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.
:::> >> Quiet.  My only complaint was it didn't have gain controls.  I say
:::> >> Dell
:::> >> because our IT dept swears by them and our people are on the road
:::> >> using
:::> >> them for shows all the time so they get banged up.  I guess they
:::have
:::> >> great service.
:::> >>
:::> >> any advise would be appreciated.
:::> >>
:::> >> Mark Sottilaro
:::> >>
:::> >
:::>
:::
:::



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Subject: EDP Insert fun
Date: Sat, 27 Sep 2003 13:06:47 -0500
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Thought I'd share this little tidbit.  Some of your have probably tried this
(I bet Andre has!), but it was a new discovery for me and I'm having a blast
with it.

Set feedback to 0
Set InsertMode to H.Sp, so that hitting the Insert button toggles between
FullSpeed and HalfSpeed
Create a very short loop - I'm tending to use about 0.5 seconds
End with Overdub, so that you're feeding the little loop
That loop establishes a tempo.  Play into it.  I've been doing fingerpicking
chord work, and melodic runs
As you play, hit the Insert button in interesting, syncopated rhythms in
time with your tempo
You'll get neat little syncopated "blurbs" of what you're playing, at the
same speed... 1/2 speed... 2x speed... but in rhythm, and based on what
patterns you're hitting on the Insert button

Try higher feedback values.  Up to 80 or so, you can get longer repeats for
slower changes in your music

I have 2 EDPs, but this basic idea will work with 1.  With 2, you can go
even more nuts, by setting the second unit's InsertMode to:
- Reverse:  mysterious, creepy sounds underlying the first EDP trick
- Substitute or Replace: adds more of your original-pitched work, providing
more stablity to the sound

And then sometimes, I'm running those 2 EDP's output into my G-Major, and
synching an additional echo to the clock.  It get's really bouncy and
beautiful then, but a bit harder to make quick key changes, etc.

Very rhythmic and fun.  Try it!

Doug

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 14:16:33 2003
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To: Loopers-Delight@loopers-delight.com
From: Catilyne <catilyne@icicle.net>
Subject: Re: Looping with a PC laptop... which one?
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At 09:25 AM 9/27/2003 -0500, Doug Cox wrote:

>*SOME* Dell's have a known issue with the grounding of the power supply
>jack, which causes hummmm in the USB audio output.... The fix?  Either use
>the battery, or put a 3-prong -> 2-prong adapter on the power supply cord.
>Someone can probably explain how that might be dangerous...  I'm an
>electro-peasant, so I don't know.

There was a discussion about this very thing over on the LaptopMozart group 
(laptopmozart@yahoogroups.com).  And I think there were a couple of people 
for whom even that fix didn't work.

>Personally, if I was starting from scratch, I wouldn't buy a Dell for audio.

Ditto.  I'm typing on a 1.2Ghz Latitude right now (my laptop from 
work).  I've installed a bunch of my audio doohickeys on here so that I can 
do some 'real' work while I'm out on the road with my job.  Sometimes 
things behave, erm, strange -- lock up, slow down, etc., etc.  Parts of 
that can certainly be attributed to forcing the software onto Win2k, but 
not everything.  I never thought I'd say a Mac was more stable than 
anything, but I trust my TiBook more than I trust my Dell.  Despite the 
fact that they're great road computers, I likewise wouldn't buy a Dell for 
audio.

I've thought about bringing another PC laptop into my setup (like it's not 
complicated enough already).  I've got a 500Mhz Toshiba over in the corner 
that's been pretty stable with the audio plugs I've loaded, at least so 
far.  I'll let you know how that goes but I'm in no real rush to finish 
that project.

In addition, I've got a Sony Vaio that was my work laptop prior to the 
Dell, and it gave pretty decent results with my previous sequencer 
setup.  Other people on the LaptopMozart list have also recommended the 
Vaio (I guess it also doesn't hurt that Kraftwerk have jettisoned all their 
hardware and now tour exclusively with Sony's running VST's, or so I hear).

I've also heard pretty good things about the IBM Thinkpads.  I've still got 
one of the boxy little 150Mhz jobbies (running NT 4, no less) that I used 
to swear by.  It's not really fast enough to run anything modern though... 
a shame.  That little guy was bulletproof, and I had to push it quite a bit 
before it would even BSOD on me.

         -c-

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

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Subject: Re: Looping with a PC laptop... which one?
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Ah, good to know.  I'll talk to some of the geeks I know to see if they 
can offer some explanation for why this happens.  The good thing is 
because my employer uses Dell exclusively, I can take one home and try 
it before I get one.

Mark

On Saturday, September 27, 2003, at 10:54 AM, Doug Cox wrote:

> As I said, I'm an electro-peasant, so I can't answer on the reasons 
> why.
> But I can confirm, with my Latitude at least, that it occurs even with 
> an
> independent power supply for the USB device.
>
> Doug
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, September 27, 2003 12:45 PM
> Subject: Re: Looping with a PC laptop... which one?
>
>
>> Wouldn't get a Latitude.  Don't care if it's that small.
>>
>> However, what doesn't make any sense to me is this: If I'm using USB
>> that doesn't get power from the source of data, there should not be 
>> any
>> ground issues... no?  The M-Audio Audiophile has it's own powersupply.
>> The only link would be the USB data stream, no?  If there was noise on
>> that, it would corrupt the signal and be useless.  I could see the
>> issue if you were using a USB/Audio device that took power from the
>> laptop.
>>
>> Or, I could be totally wrong.
>>
>> Mark
>>
>> On Saturday, September 27, 2003, at 07:25 AM, Doug Cox wrote:
>>
>>> Mark,
>>>
>>> *SOME* Dell's have a known issue with the grounding of the power 
>>> supply
>>> jack, which causes hummmm in the USB audio output.  I know for a fact
>>> that
>>> Latitudes have this problem, but I can't speak for other models.  
>>> Dell
>>> is
>>> very tight lipped about the issue, but when pressed, a good tech
>>> support
>>> person will tell you that it's a documented problem.  The fix?  
>>> Either
>>> use
>>> the battery, or put a 3-prong -> 2-prong adapter on the power supply
>>> cord.
>>> Someone can probably explain how that might be dangerous...  I'm an
>>> electro-peasant, so I don't know.
>>>
>>> Personally, if I was starting from scratch, I wouldn't buy a Dell for
>>> audio.
>>>
>>> Doug
>>> ----- Original Message -----
>>> From: "Mark Sottilaro" <sine@zerocrossing.net>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Saturday, September 27, 2003 3:08 AM
>>> Subject: Looping with a PC laptop... which one?
>>>
>>>
>>>> Hey,
>>>>
>>>> Well, I knew as soon as I got comfy with a laptop I was using, the
>>>> owner would want it back (long story, don't ask) so now I'm looking
>>>> for
>>>> the replacement.  I like Macs, but let's face it, they're pricey.  I
>>>> have a nice desktop Mac, and I'm not married to Apple's product line
>>>> especially when they're twice as expensive for the base machine.
>>>>
>>>> SO, I've heard that Jon El-Bizri had issues with a Dell and noise 
>>>> via
>>>> USB.  I'm using a USB interface that has it's own power supply, so I
>>>> honestly don't know how noise could transfer unless the D/A was
>>>> screwed
>>>> up in some way.  The USB (M-audio Audiofile) on the TiBook was fine.
>>>> Quiet.  My only complaint was it didn't have gain controls.  I say
>>>> Dell
>>>> because our IT dept swears by them and our people are on the road
>>>> using
>>>> them for shows all the time so they get banged up.  I guess they 
>>>> have
>>>> great service.
>>>>
>>>> any advise would be appreciated.
>>>>
>>>> Mark Sottilaro
>>>>
>>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 17:54:22 2003
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Date: Sat, 27 Sep 2003 17:52:29 EDT
Subject: Re: Looping with a PC laptop... which one?
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I was glancing at Computer Music online and they have a section on laptop 
studios. I did not read the section but there may be something of interest:

www.computermusic.co.uk/tutorial/laptop/laptop1.asp


regards

BobC

The Thumb Piano Project
www.mp3.com/thumbpianoproject 
http://trundlebox.iuma.com
http://brokenaxe.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 18:52:29 2003
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Subject: Re: Looping with a PC laptop... which one?
Date: Sat, 27 Sep 2003 18:50:34 -0400
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great article -- maybe worth archiving somewhere for the next time this
question arises?

----- Original Message ----- 
From: <Aptrev@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 27, 2003 5:52 PM
Subject: Re: Looping with a PC laptop... which one?


> I was glancing at Computer Music online and they have a section on laptop
> studios. I did not read the section but there may be something of
interest:
>
> www.computermusic.co.uk/tutorial/laptop/laptop1.asp
>
>
> regards
>
> BobC
>
> The Thumb Piano Project
> www.mp3.com/thumbpianoproject
> http://trundlebox.iuma.com
> http://brokenaxe.iuma.com
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 27 19:05:45 2003
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-----Original Message-----
From: JAMES FOWLER, III [mailto:jimfowler@prodigy.net]

>> The built in RMS piezo pickups tend to be touted as among the finest
>> that technology can offer.
>
> that's what i've heard...i would guess that the rms saddle pickups are
> of the same quality, so i'm gonna look into those.  thanks for the tips.
>-jim

Jim,

I've never used one of the stick-on Roland mag pickups, but I have three
guitars that use hex saddle pickups. The first (bought several years ago)
was a Godin LGX-SA which uses the Baggs system. It works well (and it's a
great bang for the buck), but I had a minor crosstalk problem with my VG-88
on pitch-shifted patches.

My other two more recent guitars -- a Gibson Pat Martino and a custom Holst
archtop -- use the RMC hex piezo system, and they are a dream. No crosstalk,
very good "triggering" on the VG-88. It's not quite the same thing as a Midi
synth, but like the Axon, the VG-88 depends on a good strong hex signal with
minimal crosstalk between strings.

With the RMC system, there are options in how to set up your guitar...
either with full synth controls onboard, or a minimal "clean" setup with a
floor box preamp (that's the route I took). Let me know if you have any
questions about the RMC setup and I'll try to answer. Both my RMC
installations use the Tune-O-Matic bridge saddle sets.

Also, Richard McLish at RMC is good about answering questions by email.
Here's the RMC web site:

http://www.rmcpickup.com/

Mike Barrs

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From: Dave Trenkel <improv@peak.org>
Subject: RE: Looping with a PC laptop... which one?
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At 12:32 PM +0200 9/27/03, Per Boysen wrote:
>Hi Mark,
>
>Right now I'm using a IBM ThinkPad A20/m that I picked up second hand
>for a good price. It has a simple Pentium 3 700 MHz processor and I was
>actually surprised to find out that this is enough for looping live with
>Ableton Live.

I just got an IBM Thinkpad R-32 for my work, and, of course, I'll be 
using it for music as well. It has a 1.8G Pentium 4, and cost just 
under a grand. I just ordered an M-Audio Audiophile USB, based on 
Per's, and others, recommendation. I also just installed Live 2.1 on 
it. Thus far, I've just been using it to run Reason, and it does 
remarkably well.

From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 04:52:07 2003
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Subject: Re: Software based looper exist?
Date: Sun, 28 Sep 2003 09:48:29 +0100
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I use audiomulch.
Check it at audiomulch.com download free. Note you will need a soundcard
with asio drivers to get acceptable latency for realtime processing..
good luck,

Gareth


> I'm sure this has been asked before, but I was wondering if there is any
> such thing as a PC-based software looper available. I'm talking about a
> real-time looper that you can plug your guitar into and use for live
> performances.
>
> Thanks, and I'm sorry if I'm re-hashing old material.
>
> Brian
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 05:07:14 2003
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Date: Sun, 28 Sep 2003 05:05:40 EDT
Subject: Re: mpx100 as looper (with/without midi clock)
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> At max feedback the loops do gradually fragment into digital dust so not a
>  true looper. Than in itself not a bad thing.......

......this doesn't happen if you don't use MIDI clock 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 05:16:54 2003
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Date: Sun, 28 Sep 2003 05:13:34 EDT
Subject: Re: Looping with a PC laptop... which one?
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> SO, I've heard that Jon El-Bizri had issues with a Dell and noise via 
>  USB.  I'm using a USB interface that has it's own power supply, so I 
>  honestly don't know how noise could transfer unless the D/A was screwed 
>  up in some way. 

Noise can travel along the earth connection from pc to audio device.
Very common with the serial port, so I expect it's possible with USB.

andy butler

 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 12:24:56 2003
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From: "erdem helvacioglu" <erdemhel@tnn.net>
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Subject: =?windows-1254?Q?time_compressio=FDn_softwares...?=
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Dear loopers,

I am looking for a good quality time compression software.(for pc - vst or
dx ) What are my
options?

Thank you very much.

Best regards,

Erdem Helvacioglu
erdemhel@tnn.net


From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 12:33:12 2003
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SoundFNR@aol.com wrote:

> > At max feedback the loops do gradually fragment into digital dust so not a
> >  true looper. Than in itself not a bad thing.......
>
> ......this doesn't happen if you don't use MIDI clock

One final thought on the MPX-100 (it's now the MPX-110).  I've been reading that
it is a dual channel processor.  One thing is a little unclear to me.  I realize
that when they say dual program they mean that you can combine to effects(say
reverb and chorus).  However, when the say dual channel, does that mean that you
can run two seperate sources into the unit and effect them differently?  My
thought is that I'd like to have one channel effect my vocals and another
channel effect the EDP output differently.

Thanks for the info,
As usual, everybody on the list has been extremely helpful,

John
www.johnmazzarella.com




From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 14:31:16 2003
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From: "Scott M2" <scott@dreamstate.to>
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   "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
   "Ambient@hyperreal" <ambient@hyperreal.org>
Subject: The Ambient Ping presents Planet Of The Loops
Date: Sun, 28 Sep 2003 11:18:39 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday September 30th - Planet Of The Loops

This edition of the Planet Of The Loops' bi-monthly looping
series, hosted by The Ambient Ping, features cellist/loopist
cheryl o improvising with loopy guitarists Michael Keith
(who always adds a humorous twist) and Andrew Aldridge
(the Planet's founder and glorious leader).

cheryl o - http://www.cellojuice.com
Michael Keith - http://www.michaelkeith.com
Andrew Aldridge and Planet Of The Loops -
http://www.geocities.com/energymadeaudible/energyhome.html

Between Sets CD - "Live at The Ambient Ping - 2000"
   by Deep Chill Network (Dark Duck Records - 2002)
A live set of deep ambience by Deep Chill Network, aka
Gaithersburg, Maryland resident and Dark Duck label-head
Stephen Philips, recorded "you know where" during his
first performance here in Toronto. http://www.darkduck.net
(Available @ ping things)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday October 7th - MCF
http://www.michaelkeith.com
Between Sets CD - "The New Tribes EP" by Michael Mage
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .




From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 14:41:20 2003
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday September 30th - Planet Of The Loops

This edition of the Planet Of The Loops' bi-monthly looping
series, hosted by The Ambient Ping, features cellist/loopist
cheryl o improvising with loopy guitarists Michael Keith
(who always adds a humorous twist) and Andrew Aldridge
(the Planet's founder and glorious leader).

cheryl o - http://www.cellojuice.com
Michael Keith - http://www.michaelkeith.com
Andrew Aldridge and Planet Of The Loops -
http://www.geocities.com/energymadeaudible/energyhome.html

Between Sets CD - "Live at The Ambient Ping - 2000"
   by Deep Chill Network (Dark Duck Records - 2002)
A live set of deep ambience by Deep Chill Network, aka
Gaithersburg, Maryland resident and Dark Duck label-head
Stephen Philips, recorded "you know where" during his
first performance here in Toronto. http://www.darkduck.net
(Available @ ping things)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday October 7th - MCF
http://www.michaelkeith.com
Between Sets CD - "The New Tribes EP" by Michael Mage
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 17:45:32 2003
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i own 2 EDPs, one oberheim-branded and one gibson-branded. even though 
i changed the IN/OUT capacitors on the oberheim -as per kim's EDP pages 
recommendation-, i am still not getting the same IN/OUT level as on the 
gibson. is there a mod to render them similar? that would be very handy 
for quick visual setups. or if anybody out there with the same issue 
wants to exchange one oberheim-branded EDP for one gibson-branded EDP, 
or vice-versa, please contact me privately.
thanks in advance,
laurent

From Loopers-Delight-request@loopers-delight.com  Sun Sep 28 22:03:19 2003
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From: Sy nth <cheeseisillegal@yahoo.com>
Subject: real-time midi looping
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I'm looking for a Max patch that does quick realtime
looping. What I want it to do is- 
you play in a short phrase. It gets looped, based on
the tempo/time signature snd keeps doing so until you
play more notes. The notes you play will overwrite the
notes currently at that space. Does that make sense? I
got this idea from using Reason. I like the
overdub/replace modes it has, but I wish you could set
it to only replace the notes you're playing over, and
not all of them. 
My DX200 also does something exactly like what I'm
talking about when it's in record mode. The problem
there is that it's only 16 steps long. I'll figure out
how to do it in Max eventually, but I'm learning it
just for this idea (and others in the future of
courrse) so I'd appreciate some tips.

Gabe

__________________________________
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
http://shopping.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 02:25:47 2003
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Date: Sun, 28 Sep 2003 23:24:27 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: New Looper's Delight section: The Looping News
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Hi Loop fans-

I've just finished adding a brand new section to Looper's Delight for news 
and headlines.

http://www.loopers-delight.com/news/news.php

This is where I will be putting Looping related news items like new product 
announcements, special events, cd releases, and whatever else is sent to me 
in the form of a press release.

Visit it daily! Make it your home page!

So far I've seeded it with a healthy collection of press releases that have 
been sent to me over the last couple years by various manufacturers. As I 
get more I'll put them up. No doubt you will want to check this every 
single day to make sure you are always up to date on the latest current 
events in the Looping Universe. Don't feel left out of the conversation at 
the water cooler!

Again, the section is here:

http://www.loopers-delight.com/news/news.php

You will also find that the home page of the LD site now has a little 
section showing the latest headlines. You can also go there and do a quick 
check of what's happening now. http://www.loopers-delight.com/loop.html

The Looping News also has the happy happy fun fun comments feature! Feel 
free to comment on the news articles of the day, offering up your glowing 
praise and/or libelous diatribes as you see fit! Instead of just sitting 
there talking at your screen, you can actually let the whole world know 
what you think! And the world really will care, I promise! Comment away!

If you actually have some looping news to report, you may send it in to 
this address:

news@loopers-delight.com

(preferably in the form of a press release so I don't actually have to do 
any work.)

If any of you budding journalists would like to do an unpaid internship as 
a Looper's Delight reporter, let me know. The untempered hyperbole usually 
found in press releases can get a little silly sometimes. It would be 
really great to break it up once in a while with some real, honest reporting!

Also, it is entirely likely that there is some bug or another in all this. 
Dealing with php code and javascripts and databases and all that is not 
exactly my thing, but I think I got it mostly working. Please let me know 
if something doesn't look right.

Enjoy,
kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 09:43:13 2003
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From: "Jonah, Jim" <Jim.Jonah@compuware.com>
To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 09:38:10 -0400
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My past laptop experiences:

Dell: two previous employers (dot coms) used dells. Every Dell I had
required service. The last one eventually was completely replaced one part
at a time (2 screens, 1 motherboard, 1 harddrive, and one battery). All five
of the programmers in my group needed service on their dell lattitudes right
around the one year mark. Within the office we were running about a 30%
repair rate for the Dell laptops.

Some random issues were never solved (cpu spikes).

Toshiba: rock solid, never needed service, consistent performance, ergonomic
case (at least better than the Dell and the Thinkpad).

IBM Thinkpad: brick (in weight and ergonomics), overpriced, available
features seemed to always trail other manufacturers, never needed service. 

Not had the pleasure of owning a Mac laptop, just lots of Mac desktops. It
seems that by the time you beef up a windows laptop (Ram, Harddrive space,
CD burner or DVD burner) they are much closer in price difference than you'd
find in the desktop world.

If you get a Dell, research the extended warranties and get one.

If I were to buy one today I'd look at Toshiba, Sony, and Apple.

Jim



The contents of this e-mail are intended for the named addressee only. It
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 10:15:04 2003
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Subject: Gig spam [Seattle]: Travis Hartnett at the Penny Cafe 9/30/03
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I'll be doing a short of set of acoustic guitar instrumentals with a 
lot of looping tomorrow night (Tuesday) at the Penny Cafe, (1717 North 
Market Street, Seattle).  I'll be starting around 7:30, and there's no 
cover.  Afterwards, Andrew Norsworthy 
(http://www.andrewnorsworthy.com/)  will do a longer set of his 
singer-songwriter material.

Be seeing you,

Travis Hartnett

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 10:24:43 2003
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Subject: Hi Travis
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     Just wanted to thank you for you info on the Trans Trem. I wasn't sure about the the Types 1 & 2. I also haven't played one and therefore don't understand the $500-700 price tag. Also I was unsure about the ones on Misic Yo. So people said they were leftover originals from when Steinberger was sold to Gibson. Others have said they were Korean replicas.
     Anyway after a particularity "rude" conversation with Ed Roman, I'm pretty much put off trying to get one. Anyway hope you have a good gig.

                           Thanks again, Sidlo







In a message dated 9/29/2003 10:12:50 AM Eastern Daylight Time, tiktok@sprintmail.com writes:

> 
> 
> I'll be doing a short of set of acoustic guitar instrumentals with a 
> lot of looping tomorrow night (Tuesday) at the Penny Cafe, (1717 North 
> Market Street, Seattle).  I'll be starting around 7:30, and there's no 
> cover.  Afterwards, Andrew Norsworthy 
> (http://www.andrewnorsworthy.com/)  will do a longer set of 
> his 
> singer-songwriter material.
> 
> Be seeing you,
> 
> Travis Hartnett

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 10:28:28 2003
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Date: Mon, 29 Sep 2003 16:26:23 +0200
Subject: EDP in/out mod
From: A.Willers@t-online.de (Andreas Willers)
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> DIESE NACHRICHT IST IN MIME-FORMAT. Da Ihr Mailreader dieses Format nicht
unterstŸtzt, kšnnte diese Nachricht ganz oder teilweise unlesbar sein.

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Laurent wrote:

i own 2 EDPs, one oberheim-branded and one gibson-branded. even though
i changed the IN/OUT capacitors on the oberheim -as per kim's EDP pages
recommendation-, i am still not getting the same IN/OUT level as on the
gibson. is there a mod to render them similar?

Hi Laurent,
this is not exactly the topic, but I had the audio path of my Obie EDP
modified by Drik Baldringer with very good results: increased treble
response, way better headroom and higher output level to boot. He performs
this mod on stufdio equipment as well with great results....Maybe
Leverkusen/Germany is a little out of your way but maybe other experienced
tech's can improve & standardise the performance of your units as well?
Justa thought.

Best, Andreas
--MS_Mac_OE_3147697583_100963_MIME_Part
Content-type: text/html; charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>EDP in/out mod</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
<TT>Laurent wrote:<BR>
<BR>
i own 2 EDPs, one oberheim-branded and one gibson-branded. even though <BR>
i changed the IN/OUT capacitors on the oberheim -as per kim's EDP pages <BR=
>
recommendation-, i am still not getting the same IN/OUT level as on the <BR=
>
gibson. is there a mod to render them similar? <BR>
<BR>
Hi Laurent,<BR>
this is not exactly the topic, but I had the audio path of my Obie EDP modi=
fied by Drik Baldringer with very good results: increased treble response, w=
ay better headroom and higher output level to boot. He performs this mod on =
stufdio equipment as well with great results....Maybe Leverkusen/Germany is =
a little out of your way but maybe other experienced tech's can improve &amp=
; standardise the performance of your units as well? Justa thought.<BR>
<BR>
Best, Andreas</TT>
</BODY>
</HTML>

--MS_Mac_OE_3147697583_100963_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 10:42:05 2003
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Subject: Re: Looping with a PC laptop... which one?
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This is all great stuff guys, I appreciate it.  You don't get this 
information on consumer report.  I have heard horror stories about 
Toshibas though.

Mark

On Monday, September 29, 2003, at 06:38 AM, Jonah, Jim wrote:

> My past laptop experiences:
>
> Dell: two previous employers (dot coms) used dells. Every Dell I had
> required service. The last one eventually was completely replaced one 
> part
> at a time (2 screens, 1 motherboard, 1 harddrive, and one battery). 
> All five
> of the programmers in my group needed service on their dell lattitudes 
> right
> around the one year mark. Within the office we were running about a 30%
> repair rate for the Dell laptops.
>
> Some random issues were never solved (cpu spikes).
>
> Toshiba: rock solid, never needed service, consistent performance, 
> ergonomic
> case (at least better than the Dell and the Thinkpad).
>
> IBM Thinkpad: brick (in weight and ergonomics), overpriced, available
> features seemed to always trail other manufacturers, never needed 
> service.
>
> Not had the pleasure of owning a Mac laptop, just lots of Mac 
> desktops. It
> seems that by the time you beef up a windows laptop (Ram, Harddrive 
> space,
> CD burner or DVD burner) they are much closer in price difference than 
> you'd
> find in the desktop world.
>
> If you get a Dell, research the extended warranties and get one.
>
> If I were to buy one today I'd look at Toshiba, Sony, and Apple.
>
> Jim
>
>
>
> The contents of this e-mail are intended for the named addressee only. 
> It
> contains information that may be confidential. Unless you are the named
> addressee or an authorized designee, you may not copy or use it, or 
> disclose
> it to anyone else. If you received it in error please notify us 
> immediately
> and then destroy it.
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 10:43:20 2003
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From: Blue <bluefluteman@earthlink.net>
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Hi Kim,

Please change my e-mail address to:

Playsthetruth@yahoo.com

Stop all e-mail to bluefluteman@earthlink.net

Thank You,

Blue



-----Original Message-----
From: Kim Flint <kflint@loopers-delight.com>
Sent: Sep 28, 2003 10:24 PM
To: Loopers-Delight@loopers-delight.com
Subject: New Looper's Delight section: The Looping News

Hi Loop fans-

I've just finished adding a brand new section to Looper's Delight for news 
and headlines.

http://www.loopers-delight.com/news/news.php

This is where I will be putting Looping related news items like new product 
announcements, special events, cd releases, and whatever else is sent to me 
in the form of a press release.

Visit it daily! Make it your home page!

So far I've seeded it with a healthy collection of press releases that have 
been sent to me over the last couple years by various manufacturers. As I 
get more I'll put them up. No doubt you will want to check this every 
single day to make sure you are always up to date on the latest current 
events in the Looping Universe. Don't feel left out of the conversation at 
the water cooler!

Again, the section is here:

http://www.loopers-delight.com/news/news.php

You will also find that the home page of the LD site now has a little 
section showing the latest headlines. You can also go there and do a quick 
check of what's happening now. http://www.loopers-delight.com/loop.html

The Looping News also has the happy happy fun fun comments feature! Feel 
free to comment on the news articles of the day, offering up your glowing 
praise and/or libelous diatribes as you see fit! Instead of just sitting 
there talking at your screen, you can actually let the whole world know 
what you think! And the world really will care, I promise! Comment away!

If you actually have some looping news to report, you may send it in to 
this address:

news@loopers-delight.com

(preferably in the form of a press release so I don't actually have to do 
any work.)

If any of you budding journalists would like to do an unpaid internship as 
a Looper's Delight reporter, let me know. The untempered hyperbole usually 
found in press releases can get a little silly sometimes. It would be 
really great to break it up once in a while with some real, honest reporting!

Also, it is entirely likely that there is some bug or another in all this. 
Dealing with php code and javascripts and databases and all that is not 
exactly my thing, but I think I got it mostly working. Please let me know 
if something doesn't look right.

Enjoy,
kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com



Blue

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 11:40:09 2003
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Subject: Re: New Looper's Delight section: The Looping News
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Nice job, Kim!



> Hi Loop fans-
>
> I've just finished adding a brand new section to Looper's Delight for news
> and headlines.
>
> http://www.loopers-delight.com/news/news.php
>
> This is where I will be putting Looping related news items like new
product
> announcements, special events, cd releases, and whatever else is sent to
me
> in the form of a press release.
>
> Visit it daily! Make it your home page!
>
> So far I've seeded it with a healthy collection of press releases that
have
> been sent to me over the last couple years by various manufacturers. As I
> get more I'll put them up. No doubt you will want to check this every
> single day to make sure you are always up to date on the latest current
> events in the Looping Universe. Don't feel left out of the conversation at
> the water cooler!
>
> Again, the section is here:
>
> http://www.loopers-delight.com/news/news.php
>
> You will also find that the home page of the LD site now has a little
> section showing the latest headlines. You can also go there and do a quick
> check of what's happening now. http://www.loopers-delight.com/loop.html
>
> The Looping News also has the happy happy fun fun comments feature! Feel
> free to comment on the news articles of the day, offering up your glowing
> praise and/or libelous diatribes as you see fit! Instead of just sitting
> there talking at your screen, you can actually let the whole world know
> what you think! And the world really will care, I promise! Comment away!
>
> If you actually have some looping news to report, you may send it in to
> this address:
>
> news@loopers-delight.com
>
> (preferably in the form of a press release so I don't actually have to do
> any work.)
>
> If any of you budding journalists would like to do an unpaid internship as
> a Looper's Delight reporter, let me know. The untempered hyperbole usually
> found in press releases can get a little silly sometimes. It would be
> really great to break it up once in a while with some real, honest
reporting!
>
> Also, it is entirely likely that there is some bug or another in all this.
> Dealing with php code and javascripts and databases and all that is not
> exactly my thing, but I think I got it mostly working. Please let me know
> if something doesn't look right.
>
> Enjoy,
> kim
>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 11:43:47 2003
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From: "Rick Walker/Loop.pooL" <looppool@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200309291343.h8TDhE920216@hemlock.violacea.com>
Subject: re: EDP INERT FUN (line 6 approximation)
Date: Mon, 29 Sep 2003 08:39:07 -0700
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Thanks for the idea, Doug,

I've been using a similar trick with my Line 6 pedal (and just haven't set
up my EDP for it yet).

I record a drone or sometimes just a random loop
and then play the half speed/double speed but on the Line 6 with my foot
as a quick ostinato pattern and then solo over it.

I particularly love doing this with my melodica.   I love the fact that the
loop will scroll forward so that
the particular scalar notes that you land on (if you played a scalar based
loop)  will appear randomly
and yet you will always get the strong octave jumping that makes for a
discreet sounding rhythm.

This might take a bit of practise for the non-trapset drummer (which I'm
luck to have been for quite a while)
but like with anything..............you can get the hang of it with
practise.

Rick



From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 12:22:11 2003
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Date: Mon, 29 Sep 2003 11:19:00 -0500
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From: Scott Hansen <scott-a-hansen@uiowa.edu>
Subject: dual channel on mpx100 / mpx110
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yes, when they say "dual channel" they mean that on the "dual effects 
(pitch delay, pitch-reverb, chorus-reverb, etc)" there is a couple of 
settings, where
you can have pitch effects go in one channel, reverb in the other, etc etc.
works really well w/ the delay effects, etc. but that's the general idea.
it works quite well for subtle things etc...and good for giving different feels
for recording stereo tracks.
s---


>SoundFNR@aol.com wrote:
>
>>  > At max feedback the loops do gradually fragment into digital dust so not a
>>  >  true looper. Than in itself not a bad thing.......
>>
>>  ......this doesn't happen if you don't use MIDI clock
>
>One final thought on the MPX-100 (it's now the MPX-110).  I've been 
>reading that
>it is a dual channel processor.  One thing is a little unclear to 
>me.  I realize
>that when they say dual program they mean that you can combine to effects(say
>reverb and chorus).  However, when the say dual channel, does that 
>mean that you
>can run two seperate sources into the unit and effect them differently?  My
>thought is that I'd like to have one channel effect my vocals and another
>channel effect the EDP output differently.
>
>Thanks for the info,
>As usual, everybody on the list has been extremely helpful,
>
>John
>www.johnmazzarella.com


-- 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 12:47:43 2003
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Date: Mon, 29 Sep 2003 12:39:01 EDT
Subject: Re: Re: mpx100 (John M)
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> One final thought on the MPX-100 (it's now the MPX-110).  I've been reading 
> that
>  it is a dual channel processor.  One thing is a little unclear to me.  I 
> realize
>  that when they say dual program they mean that you can combine to effects(
> say
>  reverb and chorus).  However, when the say dual channel, does that mean 
that 
> you
>  can run two seperate sources into the unit and effect them differently?  My
>  thought is that I'd like to have one channel effect my vocals and another
>  channel effect the EDP output differently.

Yes, you can do that (on the MPX100 anyway). 
All  combinations of Flange/Chorus/Pitch on one side
with Delay/Reverb on the other.
Plus Delay and Reverb Together.
So L and R are 2 mono ins.
Outputs are either mono (totally split channels)
or stereo(mixed)

andy butler 

  

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 13:03:29 2003
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Subject: Re: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 09:59:34 -0700
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I'll put in a plug for my HP laptop -- a ZE4115 (1.5GHZ, bought a year ago
for $1200, and I'm now seeing comparably-equipped models for under $1000) -- 
I've used this live quite a bit, and have never had any issues (other than
Ableton crashing, which is their problem ;-) -- FYI, I just picked up the
new M-audio Firewire 410 audio interface, which has been a *big* improvement
over USB (if your laptop doesn't have firewire, you can pick up a firewire
PCMCIA card for around twenty bucks).

HTH,
gene

----- Original Message ----- 
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 29, 2003 7:39 AM
Subject: Re: Looping with a PC laptop... which one?


> This is all great stuff guys, I appreciate it.  You don't get this
> information on consumer report.  I have heard horror stories about
> Toshibas though.
>
> Mark
>
> On Monday, September 29, 2003, at 06:38 AM, Jonah, Jim wrote:
>
> > My past laptop experiences:
> >
> > Dell: two previous employers (dot coms) used dells. Every Dell I had
> > required service. The last one eventually was completely replaced one
> > part
> > at a time (2 screens, 1 motherboard, 1 harddrive, and one battery).
> > All five
> > of the programmers in my group needed service on their dell lattitudes
> > right
> > around the one year mark. Within the office we were running about a 30%
> > repair rate for the Dell laptops.
> >
> > Some random issues were never solved (cpu spikes).
> >
> > Toshiba: rock solid, never needed service, consistent performance,
> > ergonomic
> > case (at least better than the Dell and the Thinkpad).
> >
> > IBM Thinkpad: brick (in weight and ergonomics), overpriced, available
> > features seemed to always trail other manufacturers, never needed
> > service.
> >
> > Not had the pleasure of owning a Mac laptop, just lots of Mac
> > desktops. It
> > seems that by the time you beef up a windows laptop (Ram, Harddrive
> > space,
> > CD burner or DVD burner) they are much closer in price difference than
> > you'd
> > find in the desktop world.
> >
> > If you get a Dell, research the extended warranties and get one.
> >
> > If I were to buy one today I'd look at Toshiba, Sony, and Apple.
> >
> > Jim
> >
> >
> >
> > The contents of this e-mail are intended for the named addressee only.
> > It
> > contains information that may be confidential. Unless you are the named
> > addressee or an authorized designee, you may not copy or use it, or
> > disclose
> > it to anyone else. If you received it in error please notify us
> > immediately
> > and then destroy it.
> >
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 13:25:21 2003
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Date: Mon, 29 Sep 2003 19:24:10 +0200 (CEST)
Subject: Re: Looping with a PC laptop... which one?
From: "Per Boysen" <per@boysen.se>
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> FYI, I just picked up the
> new M-audio Firewire 410 audio interface, which has been a *big*
> improvement
> over USB (if your laptop doesn't have firewire, you can pick up a firewire
> PCMCIA card for around twenty bucks).
>
> HTH,
> gene


Thanks for the tip. I might do that. I'm planning to get a firewire box
for my studio G5 (whenever it gets here, Apple are so slow) and with such
a converter card I can also use the firewire box live with my laptop.

Best wishes

Per Boysen
________________
www.boysen.se
www.looproom.com
--> phone int 46 070 4416713

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 13:30:48 2003
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From: Joe Balestreri <metaman23@yahoo.com>
Subject: M-Audio Firewire interface (was Looping with a PC laptop... which one?)
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I just saw that interface the other day and I've been wondering about it... are you getting lower latency than with USB?  I'm using Ableton Live with M-Audio's Audiophile USB interface, and I have to have the latency at around 400 samples to run 8-9 tracks.  (This is on a G3 powerbook with OSX, though).  This is manageable but lower would be better...  Also, do you see any other advantages to using firewire?
Thanks,
Joe B.

Gene Ehrbar <gene@anomalyinc.com> wrote:
I'll put in a plug for my HP laptop -- a ZE4115 (1.5GHZ, bought a year ago
for $1200, and I'm now seeing comparably-equipped models for under $1000) -- 
I've used this live quite a bit, and have never had any issues (other than
Ableton crashing, which is their problem ;-) -- FYI, I just picked up the
new M-audio Firewire 410 audio interface, which has been a *big* improvement
over USB (if your laptop doesn't have firewire, you can pick up a firewire
PCMCIA card for around twenty bucks).

HTH,
gene

----- Original Message ----- 
From: "Mark Sottilaro" 
To: 
Sent: Monday, September 29, 2003 7:39 AM
Subject: Re: Looping with a PC laptop... which one?


> This is all great stuff guys, I appreciate it. You don't get this
> information on consumer report. I have heard horror stories about
> Toshibas though.
>
> Mark
>
> On Monday, September 29, 2003, at 06:38 AM, Jonah, Jim wrote:
>
> > My past laptop experiences:
> >
> > Dell: two previous employers (dot coms) used dells. Every Dell I had
> > required service. The last one eventually was completely replaced one
> > part
> > at a time (2 screens, 1 motherboard, 1 harddrive, and one battery).
> > All five
> > of the programmers in my group needed service on their dell lattitudes
> > right
> > around the one year mark. Within the office we were running about a 30%
> > repair rate for the Dell laptops.
> >
> > Some random issues were never solved (cpu spikes).
> >
> > Toshiba: rock solid, never needed service, consistent performance,
> > ergonomic
> > case (at least better than the Dell and the Thinkpad).
> >
> > IBM Thinkpad: brick (in weight and ergonomics), overpriced, available
> > features seemed to always trail other manufacturers, never needed
> > service.
> >
> > Not had the pleasure of owning a Mac laptop, just lots of Mac
> > desktops. It
> > seems that by the time you beef up a windows laptop (Ram, Harddrive
> > space,
> > CD burner or DVD burner) they are much closer in price difference than
> > you'd
> > find in the desktop world.
> >
> > If you get a Dell, research the extended warranties and get one.
> >
> > If I were to buy one today I'd look at Toshiba, Sony, and Apple.
> >
> > Jim
> >
> >
> >
> > The contents of this e-mail are intended for the named addressee only.
> > It
> > contains information that may be confidential. Unless you are the named
> > addressee or an authorized designee, you may not copy or use it, or
> > disclose
> > it to anyone else. If you received it in error please notify us
> > immediately
> > and then destroy it.
> >
>
>
>



---------------------------------
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<DIV>I just saw that interface the other day and I've been wondering about it... are you getting lower latency than with USB?&nbsp; I'm using Ableton Live with M-Audio's Audiophile USB interface, and I have to have the latency at around 400 samples to run 8-9 tracks.&nbsp; (This is on a G3 powerbook with OSX, though).&nbsp; This is manageable but lower would be better...&nbsp; Also, do you see any other advantages to using firewire?<BR>Thanks,</DIV>
<DIV>Joe B.</DIV>
<DIV><BR><B><I>Gene Ehrbar &lt;gene@anomalyinc.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'll put in a plug for my HP laptop -- a ZE4115 (1.5GHZ, bought a year ago<BR>for $1200, and I'm now seeing comparably-equipped models for under $1000) -- <BR>I've used this live quite a bit, and have never had any issues (other than<BR>Ableton crashing, which is their problem ;-) -- FYI, I just picked up the<BR>new M-audio Firewire 410 audio interface, which has been a *big* improvement<BR>over USB (if your laptop doesn't have firewire, you can pick up a firewire<BR>PCMCIA card for around twenty bucks).<BR><BR>HTH,<BR>gene<BR><BR>----- Original Message ----- <BR>From: "Mark Sottilaro" <SINE@ZEROCROSSING.NET><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Monday, September 29, 2003 7:39 AM<BR>Subject: Re: Looping with a PC laptop... which one?<BR><BR><BR>&gt; This is all great stuff guys, I appreciate it. You don't get this<BR>&gt; information on consumer report. I have heard
 horror stories about<BR>&gt; Toshibas though.<BR>&gt;<BR>&gt; Mark<BR>&gt;<BR>&gt; On Monday, September 29, 2003, at 06:38 AM, Jonah, Jim wrote:<BR>&gt;<BR>&gt; &gt; My past laptop experiences:<BR>&gt; &gt;<BR>&gt; &gt; Dell: two previous employers (dot coms) used dells. Every Dell I had<BR>&gt; &gt; required service. The last one eventually was completely replaced one<BR>&gt; &gt; part<BR>&gt; &gt; at a time (2 screens, 1 motherboard, 1 harddrive, and one battery).<BR>&gt; &gt; All five<BR>&gt; &gt; of the programmers in my group needed service on their dell lattitudes<BR>&gt; &gt; right<BR>&gt; &gt; around the one year mark. Within the office we were running about a 30%<BR>&gt; &gt; repair rate for the Dell laptops.<BR>&gt; &gt;<BR>&gt; &gt; Some random issues were never solved (cpu spikes).<BR>&gt; &gt;<BR>&gt; &gt; Toshiba: rock solid, never needed service, consistent performance,<BR>&gt; &gt; ergonomic<BR>&gt; &gt; case (at least better than the Dell and the Thinkpad).<BR>&gt;
 &gt;<BR>&gt; &gt; IBM Thinkpad: brick (in weight and ergonomics), overpriced, available<BR>&gt; &gt; features seemed to always trail other manufacturers, never needed<BR>&gt; &gt; service.<BR>&gt; &gt;<BR>&gt; &gt; Not had the pleasure of owning a Mac laptop, just lots of Mac<BR>&gt; &gt; desktops. It<BR>&gt; &gt; seems that by the time you beef up a windows laptop (Ram, Harddrive<BR>&gt; &gt; space,<BR>&gt; &gt; CD burner or DVD burner) they are much closer in price difference than<BR>&gt; &gt; you'd<BR>&gt; &gt; find in the desktop world.<BR>&gt; &gt;<BR>&gt; &gt; If you get a Dell, research the extended warranties and get one.<BR>&gt; &gt;<BR>&gt; &gt; If I were to buy one today I'd look at Toshiba, Sony, and Apple.<BR>&gt; &gt;<BR>&gt; &gt; Jim<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt; The contents of this e-mail are intended for the named addressee only.<BR>&gt; &gt; It<BR>&gt; &gt; contains information that may be confidential. Unless you are the named<BR>&gt; &gt;
 addressee or an authorized designee, you may not copy or use it, or<BR>&gt; &gt; disclose<BR>&gt; &gt; it to anyone else. If you received it in error please notify us<BR>&gt; &gt; immediately<BR>&gt; &gt; and then destroy it.<BR>&gt; &gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE><p><hr SIZE=1>
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 13:38:14 2003
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From: "Gene Ehrbar" <gene@anomalyinc.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20030929172134.72733.qmail@web12205.mail.yahoo.com>
Subject: Re: M-Audio Firewire interface (was Looping with a PC laptop... which one?)
Date: Mon, 29 Sep 2003 10:34:41 -0700
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The FW410 gives me about 5ms in, 4ms out latency, for a total of 9ms,
whereas I think I was at somewhere between 14 and 24 (depending on sample
rate) in Ableton using the Quattro USB.  The biggest advantage over USB is
bandwidth -- M-Audio's USB units are (I think) all USB 1.1, not 2.0, so
you're pretty limited in the way of throughput.  Add to this that USB audio
interfaces don't tend to like to share the USB bus (with things like USB
MIDI keyboards, controllers, mice etc), and you can end up with a logjam
pretty quickly.  I was experiencing some clicks, pops, and, when using over
8 or 9 tracks, inexplicable full-bar dropouts over USB.  All of this is gone
with the FW unit, which also boasts two preamps w/48v phantom power, and a
much better routing/mixing software than the USB units.  Plus, for under
$400, it's by far the cheapest (and smallest) firewire unit out there.

I *have* overheard some mac users grumbling about conflicts with other FW
devices (particularly cameras), but I haven't tried any chaining yet, so I
can't attest to this on the Win side.

cheers,
gene

----- Original Message ----- 
From: Joe Balestreri
To: Loopers-Delight@loopers-delight.com
Sent: Monday, September 29, 2003 10:21 AM
Subject: M-Audio Firewire interface (was Looping with a PC laptop... which
one?)


I just saw that interface the other day and I've been wondering about it...
are you getting lower latency than with USB?  I'm using Ableton Live with
M-Audio's Audiophile USB interface, and I have to have the latency at around
400 samples to run 8-9 tracks.  (This is on a G3 powerbook with OSX,
though).  This is manageable but lower would be better...  Also, do you see
any other advantages to using firewire?
Thanks,
Joe B.

Gene Ehrbar <gene@anomalyinc.com> wrote:
I'll put in a plug for my HP laptop -- a ZE4115 (1.5GHZ, bought a year ago
for $1200, and I'm now seeing comparably-equipped models for under $1000) -- 
I've used this live quite a bit, and have never had any issues (other than
Ableton crashing, which is their problem ;-) -- FYI, I just picked up the
new M-audio Firewire 410 audio interface, which has been a *big* improvement
over USB (if your laptop doesn't have firewire, you can pick up a firewire
PCMCIA card for around twenty bucks).

HTH,
gene

----- Original Message ----- 
From: "Mark Sottilaro"
To:
Sent: Monday, September 29, 2003 7:39 AM
Subject: Re: Looping with a PC laptop... which one?


> This is all great stuff guys, I appreciate it. You don't get this
> information on consumer report. I hav! e heard horror stories about
> Toshibas though.
>
> Mark
>
> On Monday, September 29, 2003, at 06:38 AM, Jonah, Jim wrote:
>
> > My past laptop experiences:
> >
> > Dell: two previous employers (dot coms) used dells. Every Dell I had
> > required service. The last one eventually was completely replaced one
> > part
> > at a time (2 screens, 1 motherboard, 1 harddrive, and one battery).
> > All five
> > of the programmers in my group needed service on their dell lattitudes
> > right
> > around the one year mark. Within the office we were running about a 30%
> > repair rate for the Dell laptops.
> >
> > Some random issues were never solved (cpu spikes).
> >
> > Toshiba: rock solid, never needed service, consistent performance,
> > ergonomic
> > case (at least better than the Dell and the Thinkpad).!
> >
> > IBM Thinkpad: brick (in weight and ergonomics), overpriced, available
> > features seemed to always trail other manufacturers, never needed
> > service.
> >
> > Not had the pleasure of owning a Mac laptop, just lots of Mac
> > desktops. It
> > seems that by the time you beef up a windows laptop (Ram, Harddrive
> > space,
> > CD burner or DVD burner) they are much closer in price difference than
> > you'd
> > find in the desktop world.
> >
> > If you get a Dell, research the extended warranties and get one.
> >
> > If I were to buy one today I'd look at Toshiba, Sony, and Apple.
> >
> > Jim
> >
> >
> >
> > The contents of this e-mail are intended for the named addressee only.
> > It
> > contains information that may be confidential. Unless you are the named
&g! t; > addressee or an authorized designee, you may not copy or use it, or
> > disclose
> > it to anyone else. If you received it in error please notify us
> > immediately
> > and then destroy it.
> >
>
>
>




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From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 14:45:06 2003
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Date: Mon, 29 Sep 2003 11:43:20 -0700
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This is different - it's not just a little noisy - the output is
completly unusable.

bIz

-----Original Message-----
From: | SquidLoop | [mailto:squidloop@thetentacle.org] 
Sent: Saturday, September 27, 2003 11:00 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?


I don't know if this has been covered but I don't believe they make
Laptops with music performance/recording in mind - hence the noise
factor?

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 14:48:57 2003
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Date: Mon, 29 Sep 2003 11:42:08 -0700
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-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net] 
Sent: Saturday, September 27, 2003 7:26 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with a PC laptop... which one?


Mark,

>*SOME* Dell's have a known issue with the grounding of the power supply
jack, 

I've yet to use a dell laptop that didn't exhibit this. However, I have
not had a chance to try the 2003 models. 

>which causes hummmm in the USB audio output.

Correction for Mark - It causes this in >all< audio outputs -
>including< USB. It's a mystery how this is occuring, since one would
assume that a USB port is simply sharing it's earth with the laptop. 

Ground lifts are no good. I've also tried cutting the ground on a
regular audio cable, but it didn't help.

>  I know for a fact that Latitudes 
>have this problem, but I can't speak for other models. 

Has anyone seen a model that >didn't< exhibit this? Otherwise, I think
we can assume that they all do it.

> Dell is very tight 
>lipped about the issue, but when pressed, a good tech support person
will tell 
>you that it's a documented problem.

No kidding. 

>  The fix?  Either use the battery, or put a >3-prong -> 2-prong
adapter on the >power supply cord.

Has anyone verified this 'fix'?
 
> Someone can probably 
>explain how that might be dangerous...  I'm an electro-peasant, so I
don't know.

Running an expensive computer in shady clubs and warehouses with archaic
wiring, and no ground sounds like a recipe for a fried computer. 

>Personally, if I was starting from scratch, I wouldn't buy a Dell for
audio.

I'll second that. Just stay away - we aren't part of their target
market.

bIz

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On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:

>
> I'll second that. Just stay away - we aren't part of their target
> market.
>

Hahahaha.  Nice.  They do loop in stereo though, no?

Playing devil's advocate, I started wondering, does any hardware device 
do what Live does?

Just wondering.  I still think a laptop may be the best route to do 
what I'm trying to do, I'm just seeing that most recommended laptops 
are a bit out of my price range.  So far, only HP seems to make one 
under a grand.  Lot's of people rave about the Vaios, but man are they 
spendy, I might as well buy an Apple.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 15:02:44 2003
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Date: Mon, 29 Sep 2003 13:59:57 -0500
To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Shawn Lane
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This has absolutely nothing to do with looping, but it has everything 
to do with guitar. I just got the news that Shawn Lane died on Friday 
at age 40. For more info: www.noproblemhere.com.

Sorry to intrude, but I'm pretty stunned. The guy was incredible.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 15:19:59 2003
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Hi Kim,

How do I temp. stop receiving e-mail from loopers delight.com?

Thanks,

Blue



-----Original Message-----
From: Kim Flint <kflint@loopers-delight.com>
Sent: Sep 28, 2003 10:24 PM
To: Loopers-Delight@loopers-delight.com
Subject: New Looper's Delight section: The Looping News

Hi Loop fans-

I've just finished adding a brand new section to Looper's Delight for news 
and headlines.

http://www.loopers-delight.com/news/news.php

This is where I will be putting Looping related news items like new product 
announcements, special events, cd releases, and whatever else is sent to me 
in the form of a press release.

Visit it daily! Make it your home page!

So far I've seeded it with a healthy collection of press releases that have 
been sent to me over the last couple years by various manufacturers. As I 
get more I'll put them up. No doubt you will want to check this every 
single day to make sure you are always up to date on the latest current 
events in the Looping Universe. Don't feel left out of the conversation at 
the water cooler!

Again, the section is here:

http://www.loopers-delight.com/news/news.php

You will also find that the home page of the LD site now has a little 
section showing the latest headlines. You can also go there and do a quick 
check of what's happening now. http://www.loopers-delight.com/loop.html

The Looping News also has the happy happy fun fun comments feature! Feel 
free to comment on the news articles of the day, offering up your glowing 
praise and/or libelous diatribes as you see fit! Instead of just sitting 
there talking at your screen, you can actually let the whole world know 
what you think! And the world really will care, I promise! Comment away!

If you actually have some looping news to report, you may send it in to 
this address:

news@loopers-delight.com

(preferably in the form of a press release so I don't actually have to do 
any work.)

If any of you budding journalists would like to do an unpaid internship as 
a Looper's Delight reporter, let me know. The untempered hyperbole usually 
found in press releases can get a little silly sometimes. It would be 
really great to break it up once in a while with some real, honest reporting!

Also, it is entirely likely that there is some bug or another in all this. 
Dealing with php code and javascripts and databases and all that is not 
exactly my thing, but I think I got it mostly working. Please let me know 
if something doesn't look right.

Enjoy,
kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com



Blue

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 15:27:48 2003
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Actually Shawn made use of a Jamman and a DL-4 in a live video of him, 
Jonas Hellborg,and Jeff Sipe I watched last night  (as a memorial.)

Jeff Shirkey wrote:

> This has absolutely nothing to do with looping, but it has everything 
> to do with guitar. I just got the news that Shawn Lane died on Friday 
> at age 40. For more info: www.noproblemhere.com.
>
> Sorry to intrude, but I'm pretty stunned. The guy was incredible.
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 15:44:47 2003
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Date: Mon, 29 Sep 2003 12:40:36 -0700
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From: Dave Trenkel <improv@peak.org>
Subject: Re: Looping with a PC laptop... which one?
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>On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>
>>
>>I'll second that. Just stay away - we aren't part of their target
>>market.
>>
>
>Hahahaha.  Nice.  They do loop in stereo though, no?
>
>Playing devil's advocate, I started wondering, does any hardware 
>device do what Live does?
>
>Just wondering.  I still think a laptop may be the best route to do 
>what I'm trying to do, I'm just seeing that most recommended laptops 
>are a bit out of my price range.  So far, only HP seems to make one 
>under a grand.  Lot's of people rave about the Vaios, but man are 
>they spendy, I might as well buy an Apple.
>
>Mark

My Thinkpad was just under a grand at PCConnection.com. It was the 
only Pentium 4-based laptop I could find for under a grand, and I 
believe it is an older model. I see now that they have the R32 2G P4 
for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
and it seems to run Live and Reason quite well.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 16:48:12 2003
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 one?)
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I bought a FW 410 last week and I've done a little bit
of recording with it. I haven't had any problems with it.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db



From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 16:57:13 2003
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Date: Mon, 29 Sep 2003 13:56:38 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP IN/OUT Mod
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At 02:43 PM 9/28/2003, Laurent Brondel wrote:
>i own 2 EDPs, one oberheim-branded and one gibson-branded. even though i 
>changed the IN/OUT capacitors

I think you mean resistors....

>on the oberheim -as per kim's EDP pages recommendation-, i am still not 
>getting the same IN/OUT level as on the gibson. is there a mod to render 
>them similar? that would be very handy for quick visual setups.

is your concern just about the knob positions? Why not just pull the knobs 
off one and place them back rotated a little so they match in level when 
the knob indicator is in the same spot?

Otherwise, the circuit inside is pretty much the same. Maybe the pots have 
a different taper or something, I guess that could make a difference.

The only other possibility is with the limiter in the newer units. If you 
have the level turned up too high, you will be hitting the limiter in one 
and not the other, and that could obviously make them different. If that is 
the case though, you just have the level turned up too far....

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 17:40:55 2003
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At 07:26 AM 9/29/2003, Andreas Willers wrote:
>this is not exactly the topic, but I had the audio path of my Obie EDP 
>modified by Drik Baldringer with very good results: increased treble 
>response, way better headroom and higher output level to boot. He performs 
>this mod on stufdio equipment as well with great results.....

I find this hard to believe. What sort of magical circuit is he going to 
add that increases headroom or frequency response without changing the A/D 
convertors? Is this on the loop audio path or the direct path? I'd really 
like to know what this modification is.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 17:41:00 2003
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Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 14:38:00 -0700
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What kind of memory does it use? The very old model P4s came with PC133
style memory - which made them functionally about 1/4 to a 1/2 as fast
as an equivalently clocked P4 with enough memory bandwidth - couldn't
even compete with a slower clocked P3. Also, is it a Celeron? Again, a
performance drop, though nothing like as bad. Otherwise, I'll be looking
out for this.

Keep in mind guy, if you just want to run Live, you don't need much
power at all.

Thanks,

bIz

-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org] 
Sent: Monday, September 29, 2003 12:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with a PC laptop... which one?


>On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>
>>
>>I'll second that. Just stay away - we aren't part of their target 
>>market.
>>
>
>Hahahaha.  Nice.  They do loop in stereo though, no?
>
>Playing devil's advocate, I started wondering, does any hardware
>device do what Live does?
>
>Just wondering.  I still think a laptop may be the best route to do
>what I'm trying to do, I'm just seeing that most recommended laptops 
>are a bit out of my price range.  So far, only HP seems to make one 
>under a grand.  Lot's of people rave about the Vaios, but man are 
>they spendy, I might as well buy an Apple.
>
>Mark

My Thinkpad was just under a grand at PCConnection.com. It was the 
only Pentium 4-based laptop I could find for under a grand, and I 
believe it is an older model. I see now that they have the R32 2G P4 
for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
and it seems to run Live and Reason quite well.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 17:43:32 2003
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Subject: The cheap, but heavy laptop alternative...
Date: Mon, 29 Sep 2003 14:40:51 -0700
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I think that my budget just won out over my back muscles.

http://www.GearGrip.com

Jon

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 17:55:06 2003
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Subject: RE: Looping with a PC laptop... which one?
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>My Thinkpad was just under a grand at PCConnection.com. It was the 
>only Pentium 4-based laptop I could find for under a grand, and I 
>believe it is an older model. I see now that they have the R32 2G P4 
>for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
>and it seems to run Live and Reason quite well.

It's a good deal guys, though the Ram is a little light. Check it out:

"This model is configured with a 1.8GHz Intel Pentium 4 processor, a
20GB hard drive and 256MB PC2100 DDR SDRAM, expandable to a robust
1024MB. In addition to the 400MHz front bus speed, it features an 8X
(max. speed) DVD-ROM drive in the UltraBay Plus and an integrated ATI
Mobility Radeon 7000 graphics chipset with 16MB DDR SDRAM that supports
resolutions up to 1024 x 768 on the 14.1" TFT display and simultaneous
external resolutions up to 1600 x 1200. For your communications needs,
it offers a V.92-ready modem and an integrated 10/100 Ethernet
connection"

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 17:56:35 2003
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Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 17:54:45 -0400
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I wanted to reply to this topic for a few days but, my email provider
changed some of my settings without letting me know (problem resolved)
Alright I wanted to suggest the alternative of using a desktop instead of a
laptop. Laptops are almost always obsolete by the time you get them and are
a real pain as far as upgrading is concerned. I haven't really tried this
but am giving serious consideration to doing this I have some concerns about
electrical noise and such. I suppose I could put it in it's own rack that
might isolate some of the electrical interferance issues. 

-----Original Message-----
From: Jonathan [mailto:ssrndpty@hotmail.com] 
Sent: Monday, September 29, 2003 5:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?



What kind of memory does it use? The very old model P4s came with PC133
style memory - which made them functionally about 1/4 to a 1/2 as fast as an
equivalently clocked P4 with enough memory bandwidth - couldn't even compete
with a slower clocked P3. Also, is it a Celeron? Again, a performance drop,
though nothing like as bad. Otherwise, I'll be looking out for this.

Keep in mind guy, if you just want to run Live, you don't need much power at
all.

Thanks,

bIz

-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org] 
Sent: Monday, September 29, 2003 12:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with a PC laptop... which one?


>On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>
>>
>>I'll second that. Just stay away - we aren't part of their target
>>market.
>>
>
>Hahahaha.  Nice.  They do loop in stereo though, no?
>
>Playing devil's advocate, I started wondering, does any hardware device 
>do what Live does?
>
>Just wondering.  I still think a laptop may be the best route to do 
>what I'm trying to do, I'm just seeing that most recommended laptops 
>are a bit out of my price range.  So far, only HP seems to make one 
>under a grand.  Lot's of people rave about the Vaios, but man are they 
>spendy, I might as well buy an Apple.
>
>Mark

My Thinkpad was just under a grand at PCConnection.com. It was the 
only Pentium 4-based laptop I could find for under a grand, and I 
believe it is an older model. I see now that they have the R32 2G P4 
for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
and it seems to run Live and Reason quite well.

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 18:05:51 2003
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No way.  I have a nice desktop, and that's where it will stay.  On my 
desk.  Part of the reason for the laptop is to have next to nothing to 
carry.

Mark

On Monday, September 29, 2003, at 02:54  PM, Alan Kroeger wrote:

> I wanted to reply to this topic for a few days but, my email provider
> changed some of my settings without letting me know (problem resolved)
> Alright I wanted to suggest the alternative of using a desktop instead 
> of a
> laptop. Laptops are almost always obsolete by the time you get them 
> and are
> a real pain as far as upgrading is concerned. I haven't really tried 
> this
> but am giving serious consideration to doing this I have some concerns 
> about
> electrical noise and such. I suppose I could put it in it's own rack 
> that
> might isolate some of the electrical interferance issues.
>
> -----Original Message-----
> From: Jonathan [mailto:ssrndpty@hotmail.com]
> Sent: Monday, September 29, 2003 5:38 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Looping with a PC laptop... which one?
>
>
>
> What kind of memory does it use? The very old model P4s came with PC133
> style memory - which made them functionally about 1/4 to a 1/2 as fast 
> as an
> equivalently clocked P4 with enough memory bandwidth - couldn't even 
> compete
> with a slower clocked P3. Also, is it a Celeron? Again, a performance 
> drop,
> though nothing like as bad. Otherwise, I'll be looking out for this.
>
> Keep in mind guy, if you just want to run Live, you don't need much 
> power at
> all.
>
> Thanks,
>
> bIz
>
> -----Original Message-----
> From: Dave Trenkel [mailto:improv@peak.org]
> Sent: Monday, September 29, 2003 12:41 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Looping with a PC laptop... which one?
>
>
>> On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>>
>>>
>>> I'll second that. Just stay away - we aren't part of their target
>>> market.
>>>
>>
>> Hahahaha.  Nice.  They do loop in stereo though, no?
>>
>> Playing devil's advocate, I started wondering, does any hardware 
>> device
>> do what Live does?
>>
>> Just wondering.  I still think a laptop may be the best route to do
>> what I'm trying to do, I'm just seeing that most recommended laptops
>> are a bit out of my price range.  So far, only HP seems to make one
>> under a grand.  Lot's of people rave about the Vaios, but man are they
>> spendy, I might as well buy an Apple.
>>
>> Mark
>
> My Thinkpad was just under a grand at PCConnection.com. It was the
> only Pentium 4-based laptop I could find for under a grand, and I
> believe it is an older model. I see now that they have the R32 2G P4
> for $1099, if you want to go a little over a grand. Mine is a 1.8G,
> and it seems to run Live and Reason quite well.
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 18:20:36 2003
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 18:17:40 -0400
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Honestly I bought this Unit for use in Audio production and processing but,
I am still not brave enough to be fully dependent on it just yet. Staying at
home it has established to my satifaction that the system is reliable
enough. I of coarse have not yet thrown it around or transported it from
place to place. It's configured with a gig of memory 2ghz processor and
currently using the M-Audio Audiophile 2496 (I only wanted two in and out
plus MIDI in/out) Running Windows 2000 server (I tried to do it with Linux
but, I ended up getting pissed of so I hung up that idea, wrong audio card
RME would have worked). I was thinking about mounting it in a small rack
case with a 12 inch flatscreen monitor (I have that in storage)

-----Original Message-----
From: msottilaro [mailto:sine@zerocrossing.net] 
Sent: Monday, September 29, 2003 6:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with a PC laptop... which one?


No way.  I have a nice desktop, and that's where it will stay.  On my 
desk.  Part of the reason for the laptop is to have next to nothing to 
carry.

Mark

On Monday, September 29, 2003, at 02:54  PM, Alan Kroeger wrote:

> I wanted to reply to this topic for a few days but, my email provider 
> changed some of my settings without letting me know (problem resolved) 
> Alright I wanted to suggest the alternative of using a desktop instead 
> of a laptop. Laptops are almost always obsolete by the time you get 
> them and are
> a real pain as far as upgrading is concerned. I haven't really tried 
> this
> but am giving serious consideration to doing this I have some concerns 
> about
> electrical noise and such. I suppose I could put it in it's own rack 
> that
> might isolate some of the electrical interferance issues.
>
> -----Original Message-----
> From: Jonathan [mailto:ssrndpty@hotmail.com]
> Sent: Monday, September 29, 2003 5:38 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Looping with a PC laptop... which one?
>
>
>
> What kind of memory does it use? The very old model P4s came with 
> PC133 style memory - which made them functionally about 1/4 to a 1/2 
> as fast as an equivalently clocked P4 with enough memory bandwidth - 
> couldn't even compete
> with a slower clocked P3. Also, is it a Celeron? Again, a performance 
> drop,
> though nothing like as bad. Otherwise, I'll be looking out for this.
>
> Keep in mind guy, if you just want to run Live, you don't need much
> power at
> all.
>
> Thanks,
>
> bIz
>
> -----Original Message-----
> From: Dave Trenkel [mailto:improv@peak.org]
> Sent: Monday, September 29, 2003 12:41 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Looping with a PC laptop... which one?
>
>
>> On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>>
>>>
>>> I'll second that. Just stay away - we aren't part of their target 
>>> market.
>>>
>>
>> Hahahaha.  Nice.  They do loop in stereo though, no?
>>
>> Playing devil's advocate, I started wondering, does any hardware
>> device
>> do what Live does?
>>
>> Just wondering.  I still think a laptop may be the best route to do 
>> what I'm trying to do, I'm just seeing that most recommended laptops 
>> are a bit out of my price range.  So far, only HP seems to make one 
>> under a grand.  Lot's of people rave about the Vaios, but man are 
>> they spendy, I might as well buy an Apple.
>>
>> Mark
>
> My Thinkpad was just under a grand at PCConnection.com. It was the 
> only Pentium 4-based laptop I could find for under a grand, and I 
> believe it is an older model. I see now that they have the R32 2G P4 
> for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
> and it seems to run Live and Reason quite well.
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 18:24:36 2003
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Subject: Re: EDP IN/OUT Mod
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On Monday, September 29, 2003, at 05:56  PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: Kim Flint <kflint@loopers-delight.com>
> Date: Mon Sep 29, 2003  4:56:38  PM US/Eastern
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP IN/OUT Mod
>
>
> At 02:43 PM 9/28/2003, Laurent Brondel wrote:
>> i own 2 EDPs, one oberheim-branded and one gibson-branded. even 
>> though i changed the IN/OUT capacitors
>
> I think you mean resistors....

yes, that's what i meant…

>> on the oberheim -as per kim's EDP pages recommendation-, i am still 
>> not getting the same IN/OUT level as on the gibson. is there a mod to 
>> render them similar? that would be very handy for quick visual >> setups.
>
> is your concern just about the knob positions? Why not just pull the 
> knobs off one and place them back rotated a little so they match in 
> level when the knob indicator is in the same spot?

i didn't think of that, thanks. to get the same input level the 
oberheim is at 9:00 and the gibson at 12:00, pretty drastic.

> Otherwise, the circuit inside is pretty much the same. Maybe the pots 
> have a different taper or something, I guess that could make a 
> difference.

the taper is definitely different.

> The only other possibility is with the limiter in the newer units. If 
> you have the level turned up too high, you will be hitting the limiter 
> in one and not the other, and that could obviously make them 
> different. If that is the case though, you just have the level turned 
> up too far....

when the levels are adjusted well, both units sound identical. but it 
takes some time to re-adjust the knobs to the 'sweet' spot, so i guess 
the taper of the pots affects how the limiter is going to interact.

kim, how are the new blackface EDPs? do they retain the same A/D-D/A 
converters and same preamps? or are they improved versions of the 
whiteface EDPs?

thanks,
laurent

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 18:45:19 2003
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Date: Mon, 29 Sep 2003 17:34:11 -0500 (CDT)
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  Hi everyone,


  I know this is a long shot but I'd like to trade my repeater for an EDP or a 
TC Electronics 2290 Digital Delay

  if interested please respond off list.

  Thanx!

  Andy

-------------------------------------------------
Obtén tu correo en www.correo.unam.mx
UNAMonos Comunicándonos

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 19:14:35 2003
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From: "Mike Barrs" <mbarrs@nightviewer.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 16:13:51 -0700
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> From: Alan Kroeger [mailto:nospam@developsolutions.com]

>
> I wanted to reply to this topic for a few days but, my email provider
> changed some of my settings without letting me know (problem resolved)
> Alright I wanted to suggest the alternative of using a desktop
> instead of a
> laptop. Laptops are almost always obsolete by the time you get
> them and are
> a real pain as far as upgrading is concerned. I haven't really tried this
> but am giving serious consideration to doing this I have some
> concerns about
> electrical noise and such. I suppose I could put it in it's own rack that
> might isolate some of the electrical interferance issues.

I use a rackmount Carillon in my home recording studio:

http://www.carillonusa.com/

Very solid, very stable. I've had mine for a year and a half with zero
problems. Kinda heavy though. Close to dead silent (although that wouldn't
matter so much for live gigs). It's sitting just below a rackmount unit that
has my recording A/D and D/A converters, and I'm getting no RF leakage at
all. You'd want to use it with an LCD screen, otherwise a CRT will generate
too much RF.

That said, if I was putting together a live rig with a computer and didn't
have cartage, so I had to schlep everything myself, I'd definitely go with a
laptop rig for the light weight, compact size, and integrated display.
Rackmount PC's only make sense to me for maybe big stadium shows, or
permanent installations. Laptops are powerful enough now, and you can get
nice (but expensive) interfaces like the RME stuff for extremely low
latency. I've used an older laptop (IBM Thinkpad) for several years in an
astronomy hobby where we dragged it out into remote outdoor locations,
usually getting it covered with dew before the night was over. It takes a
licking and keeps on ticking. If it can survive that, it can survive live
gigging... although if I was getting *paid* to gig, I'd have another laptop
as a backup.

Anyway, just thought I'd mention the Carillon in case anyone is thinking
rackmount. This is more expensive than putting one together yourself, but
it's a great off-the-shelf solution. I got one of their bare bones models
(PC Cores) to hold the price down.

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 19:28:04 2003
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Subject: Re: Shawn Lane
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--part1_108.2710ef37.2caa191f_boundary
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definitely a loss. i loved everything i heard of him w/ bassist jonas 
hellborg. =-l PJ

--part1_108.2710ef37.2caa191f_boundary
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<HTML><FONT FACE=3Darial,helvetica><FONT  COLOR=3D"#ff0000" SIZE=3D4 FAMILY=
=3D"SANSSERIF" FACE=3D"Verdana" LANG=3D"0"><B><I>definitely a loss. i loved=20=
everything i heard of him w/ bassist jonas hellborg. =3D-l PJ</B></I></FONT>=
</HTML>

--part1_108.2710ef37.2caa191f_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 19:34:21 2003
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From: "Alan Kroeger" <nospam@developsolutions.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 19:31:56 -0400
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Nice stuff, my desktop is a small form factor with just enough space to put
a standard small PCI card (not more then that) I was thinking if I liked it
and thought it was reliable enough that I would strip it out of the existing
Dell Desktop case and install into something (fabricated of coarse) along
the lines of a fully enclosed rack server case just for better shielding. I
was thinking of putting it into this already filled DJ shuttle I have but,
then I got concerned about shielding. So, I might install it into a 2 or 4 U
case for isolation. It wouldn't be that much more then I already have.

-----Original Message-----
From: Mike Barrs [mailto:mbarrs@nightviewer.com] 
Sent: Monday, September 29, 2003 7:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?


> From: Alan Kroeger [mailto:nospam@developsolutions.com]

>
> I wanted to reply to this topic for a few days but, my email provider 
> changed some of my settings without letting me know (problem resolved) 
> Alright I wanted to suggest the alternative of using a desktop instead 
> of a laptop. Laptops are almost always obsolete by the time you get
> them and are
> a real pain as far as upgrading is concerned. I haven't really tried this
> but am giving serious consideration to doing this I have some
> concerns about
> electrical noise and such. I suppose I could put it in it's own rack that
> might isolate some of the electrical interferance issues.

I use a rackmount Carillon in my home recording studio:

http://www.carillonusa.com/

Very solid, very stable. I've had mine for a year and a half with zero
problems. Kinda heavy though. Close to dead silent (although that wouldn't
matter so much for live gigs). It's sitting just below a rackmount unit that
has my recording A/D and D/A converters, and I'm getting no RF leakage at
all. You'd want to use it with an LCD screen, otherwise a CRT will generate
too much RF.

That said, if I was putting together a live rig with a computer and didn't
have cartage, so I had to schlep everything myself, I'd definitely go with a
laptop rig for the light weight, compact size, and integrated display.
Rackmount PC's only make sense to me for maybe big stadium shows, or
permanent installations. Laptops are powerful enough now, and you can get
nice (but expensive) interfaces like the RME stuff for extremely low
latency. I've used an older laptop (IBM Thinkpad) for several years in an
astronomy hobby where we dragged it out into remote outdoor locations,
usually getting it covered with dew before the night was over. It takes a
licking and keeps on ticking. If it can survive that, it can survive live
gigging... although if I was getting *paid* to gig, I'd have another laptop
as a backup.

Anyway, just thought I'd mention the Carillon in case anyone is thinking
rackmount. This is more expensive than putting one together yourself, but
it's a great off-the-shelf solution. I got one of their bare bones models
(PC Cores) to hold the price down.

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 19:44:02 2003
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Subject: RE: Looping with a PC laptop... which one?
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Another issue to keep in mind with laptops - they are built for road
abuse. Your home pc is built to sit in a corner.

Jon


-----Original Message-----
From: Mike Barrs [mailto:mbarrs@nightviewer.com] 
Sent: Monday, September 29, 2003 4:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?


> From: Alan Kroeger [mailto:nospam@developsolutions.com]

>
> I wanted to reply to this topic for a few days but, my email provider 
> changed some of my settings without letting me know (problem resolved)

> Alright I wanted to suggest the alternative of using a desktop instead

> of a laptop. Laptops are almost always obsolete by the time you get
> them and are
> a real pain as far as upgrading is concerned. I haven't really tried
this
> but am giving serious consideration to doing this I have some
> concerns about
> electrical noise and such. I suppose I could put it in it's own rack
that
> might isolate some of the electrical interferance issues.

I use a rackmount Carillon in my home recording studio:

http://www.carillonusa.com/

Very solid, very stable. I've had mine for a year and a half with zero
problems. Kinda heavy though. Close to dead silent (although that
wouldn't matter so much for live gigs). It's sitting just below a
rackmount unit that has my recording A/D and D/A converters, and I'm
getting no RF leakage at all. You'd want to use it with an LCD screen,
otherwise a CRT will generate too much RF.

That said, if I was putting together a live rig with a computer and
didn't have cartage, so I had to schlep everything myself, I'd
definitely go with a laptop rig for the light weight, compact size, and
integrated display. Rackmount PC's only make sense to me for maybe big
stadium shows, or permanent installations. Laptops are powerful enough
now, and you can get nice (but expensive) interfaces like the RME stuff
for extremely low latency. I've used an older laptop (IBM Thinkpad) for
several years in an astronomy hobby where we dragged it out into remote
outdoor locations, usually getting it covered with dew before the night
was over. It takes a licking and keeps on ticking. If it can survive
that, it can survive live gigging... although if I was getting *paid* to
gig, I'd have another laptop as a backup.

Anyway, just thought I'd mention the Carillon in case anyone is thinking
rackmount. This is more expensive than putting one together yourself,
but it's a great off-the-shelf solution. I got one of their bare bones
models (PC Cores) to hold the price down.

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 19:56:40 2003
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP IN/OUT Mod
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At 03:21 PM 9/29/2003, Laurent Brondel wrote:
>>The only other possibility is with the limiter in the newer units. If you 
>>have the level turned up too high, you will be hitting the limiter in one 
>>and not the other, and that could obviously make them different. If that 
>>is the case though, you just have the level turned up too far....
>
>when the levels are adjusted well, both units sound identical. but it 
>takes some time to re-adjust the knobs to the 'sweet' spot, so i guess the 
>taper of the pots affects how the limiter is going to interact.

It might affect where you hit the limiter, but if the levels are not too 
high you don't hit the limiter at all so it has no effect then.

>kim, how are the new blackface EDPs? do they retain the same A/D-D/A 
>converters and same preamps? or are they improved versions of the 
>whiteface EDPs?

same basic parts and circuit, but I think they are built with much better 
quality. The pots are probably better, although the older ones were often 
built with good pots as well. They have a new PCB that makes the noise 
floor slightly quieter, although in practice I think it is nearly 
impossible to hear that when the levels are set properly.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 20:06:59 2003
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Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 20:03:27 -0400
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Yes that could be a problem and I haven't quite resolved all my own issues
concerning shock to the system but, after three really nice laptops I still
feel like they are really only good for two things. One) typing scripts on
the train and two) transporting files from one site to another that you
can't move over the internet for one reason or the other (security issues
and I have broken that rule more then a few times :) )

-----Original Message-----
From: Jonathan [mailto:ssrndpty@hotmail.com] 
Sent: Monday, September 29, 2003 7:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?



Another issue to keep in mind with laptops - they are built for road abuse.
Your home pc is built to sit in a corner.

Jon


-----Original Message-----
From: Mike Barrs [mailto:mbarrs@nightviewer.com] 
Sent: Monday, September 29, 2003 4:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?


> From: Alan Kroeger [mailto:nospam@developsolutions.com]

>
> I wanted to reply to this topic for a few days but, my email provider
> changed some of my settings without letting me know (problem resolved)

> Alright I wanted to suggest the alternative of using a desktop instead

> of a laptop. Laptops are almost always obsolete by the time you get 
> them and are a real pain as far as upgrading is concerned. I haven't 
> really tried
this
> but am giving serious consideration to doing this I have some concerns 
> about electrical noise and such. I suppose I could put it in it's own 
> rack
that
> might isolate some of the electrical interferance issues.

I use a rackmount Carillon in my home recording studio:

http://www.carillonusa.com/

Very solid, very stable. I've had mine for a year and a half with zero
problems. Kinda heavy though. Close to dead silent (although that wouldn't
matter so much for live gigs). It's sitting just below a rackmount unit that
has my recording A/D and D/A converters, and I'm getting no RF leakage at
all. You'd want to use it with an LCD screen, otherwise a CRT will generate
too much RF.

That said, if I was putting together a live rig with a computer and didn't
have cartage, so I had to schlep everything myself, I'd definitely go with a
laptop rig for the light weight, compact size, and integrated display.
Rackmount PC's only make sense to me for maybe big stadium shows, or
permanent installations. Laptops are powerful enough now, and you can get
nice (but expensive) interfaces like the RME stuff for extremely low
latency. I've used an older laptop (IBM Thinkpad) for several years in an
astronomy hobby where we dragged it out into remote outdoor locations,
usually getting it covered with dew before the night was over. It takes a
licking and keeps on ticking. If it can survive that, it can survive live
gigging... although if I was getting *paid* to gig, I'd have another laptop
as a backup.

Anyway, just thought I'd mention the Carillon in case anyone is thinking
rackmount. This is more expensive than putting one together yourself, but
it's a great off-the-shelf solution. I got one of their bare bones models
(PC Cores) to hold the price down.

Mike Barrs

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 20:16:38 2003
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Date: Mon, 29 Sep 2003 17:11:00 -0700 (PDT)
From: Evan Meyers <evanmeyers@yahoo.com>
Subject: The PCKT: It's true... (& the vowels have been omitted to save space!!!)
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It's true... THE POCKET are playing two trailblazing,
genre-busting, mouth watering shows this month!

October 2, 2003 - Thursday
B3 (downstairs)
Ave. B and 3rd Street 
11pm 
TWO SETS

October 18th, 2003 - Saturday
CB's Gallery (upstairs)
315 Bowery (between 1st and 2nd Street)
10pm 
ONE SET


- The PCKT

Check the site: www.geocities.com/riftkid

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 20:16:41 2003
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From: "Jonathan" <ssrndpty@hotmail.com>
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Subject: RE: EDP IN/OUT Mod
Date: Mon, 29 Sep 2003 17:15:16 -0700
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I read an interview with Jimi Hendrix's tech guy, who had to re-wire the
middle eq pot on his marshall stack, because Hendrix preferred his sound
with the center scooped, but wouldn't play unless all the knobs were set
at full...

bIz


-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com] 
Sent: Monday, September 29, 2003 1:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP IN/OUT Mod


At 02:43 PM 9/28/2003, Laurent Brondel wrote:
>i own 2 EDPs, one oberheim-branded and one gibson-branded. even though 
>i
>changed the IN/OUT capacitors

I think you mean resistors....

>on the oberheim -as per kim's EDP pages recommendation-, i am still not
>getting the same IN/OUT level as on the gibson. is there a mod to
render 
>them similar? that would be very handy for quick visual setups.

is your concern just about the knob positions? Why not just pull the
knobs 
off one and place them back rotated a little so they match in level when

the knob indicator is in the same spot?

Otherwise, the circuit inside is pretty much the same. Maybe the pots
have 
a different taper or something, I guess that could make a difference.

The only other possibility is with the limiter in the newer units. If
you 
have the level turned up too high, you will be hitting the limiter in
one 
and not the other, and that could obviously make them different. If that
is 
the case though, you just have the level turned up too far....

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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Subject: RE: Looping with a PC laptop... which one?
Date: Mon, 29 Sep 2003 17:17:21 -0700
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>Keep in mind guy, if you just want to run Live, you don't need much
power at all.

That should be guys - it was meant for everyone. Running 4 or so tracks
of audio from memory at once is relatively trivial for modern pcs. Isn't
progress wonderful? I'll even give jet my jet boots for this one.

bIz


-----Original Message-----
From: Jonathan [mailto:ssrndpty@hotmail.com] 
Sent: Monday, September 29, 2003 2:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?



What kind of memory does it use? The very old model P4s came with PC133
style memory - which made them functionally about 1/4 to a 1/2 as fast
as an equivalently clocked P4 with enough memory bandwidth - couldn't
even compete with a slower clocked P3. Also, is it a Celeron? Again, a
performance drop, though nothing like as bad. Otherwise, I'll be looking
out for this.

Keep in mind guy, if you just want to run Live, you don't need much
power at all.

Thanks,

bIz

-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org] 
Sent: Monday, September 29, 2003 12:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping with a PC laptop... which one?


>On Monday, September 29, 2003, at 11:42  AM, Jonathan wrote:
>
>>
>>I'll second that. Just stay away - we aren't part of their target
>>market.
>>
>
>Hahahaha.  Nice.  They do loop in stereo though, no?
>
>Playing devil's advocate, I started wondering, does any hardware device

>do what Live does?
>
>Just wondering.  I still think a laptop may be the best route to do 
>what I'm trying to do, I'm just seeing that most recommended laptops 
>are a bit out of my price range.  So far, only HP seems to make one 
>under a grand.  Lot's of people rave about the Vaios, but man are they 
>spendy, I might as well buy an Apple.
>
>Mark

My Thinkpad was just under a grand at PCConnection.com. It was the 
only Pentium 4-based laptop I could find for under a grand, and I 
believe it is an older model. I see now that they have the R32 2G P4 
for $1099, if you want to go a little over a grand. Mine is a 1.8G, 
and it seems to run Live and Reason quite well.

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  I did the same thing with one of my former Repeaters, and am soooo glad I
did!   -Best of luck...  

Smiles,

Cara




---

  View my online portfolio at:  
http://www.onemodelplace.com/model_list.cfm?ID=52516 
  -Last updated on Thurs. 9.25.03

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."  

http://home.earthlink.net/~thefates

Please visit BadFiction and The Guitar Cafe.  

http://groups.yahoo.com/group/badfiction 

http://groups.yahoo.com/group/the-guitar-cafe 


From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 20:35:31 2003
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Subject: Re: Looping with a PC laptop... which one?
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We've been over this ground before.  The last time I suggested a rackmounted
desktop PC on this list as an alternative to a laptop I got no love from
anyone.

It's true that if you move a desktop PC around shit inside it comes loose.
Nothing in it is really going to *break*, unless you drop it, but it will
come loose just enough so that shit doesn't work, or works intermittently,
which is no good for something you rely on in a live setting.  However, I
think if you have the time beforehand to open the PC up and re-seat, or just
give a checking over to all the cards, power connectors, IDE cables, RAM,
etc. it might be viable.  They make cases now for the PC enthusiast which
are very easy to get open in a hurry.  A rackmount case is going to be more
of a pain, if it's in a rack and there's stuff racked on top of it.

Project idea:  Try building an ATX chassis into a nice aluminum or steel
rack drawer so you can just pull it out and check out the insides whenever
you feel like it.  Also, would look cool on stage if you put case lights in
it and stuff.

I don't know anything about the noise results from lights and ground loops
with laptop vs. desktop.  It seems like that would depend mostly on your
audio interface's breakout box shielding, where it was mounted in your rack,
and the condition of the power being supplied to it from the wall.  I would
say that if you're going to take any electronic gear that's worth anything
out into a dingy club and plug it in, buy a good power conditioner/surge
protector so it doesn't get cooked, or go haywire, when someone uses the
microwave in the breakroom, which is on the same 15 amp breaker the club's
light show, and your $8000 rig is on.

If you're poor and you mean it, then drag that desktop computer out with its
Megadeth sticker on the side, and that 13" CRT monitor, and show people the
beauty of gutter tech.  I just pulled a monitor off the street this
afternoon.  A kid was hitting it with a crowbar.  I'll sell it to you for
$30.  http://www.neoprimitive.net/jlucas/tmp/Picture%2020.jpg

-J

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 20:41:48 2003
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> DIESE NACHRICHT IST IN MIME-FORMAT. Da Ihr Mailreader dieses Format nicht
unterstŸtzt, kšnnte diese Nachricht ganz oder teilweise unlesbar sein.

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At 07:26 AM 9/29/2003, Andreas Willers wrote:
>this is not exactly the topic, but I had the audio path of my Obie EDP
>modified by Drik Baldringer with very good results: increased treble
>response, way better headroom and higher output level to boot. He performs
>this mod on stufdio equipment as well with great results.....

Kim wrote:
I find this hard to believe. What sort of magical circuit is he going to
add that increases headroom or frequency response without changing the A/D
convertors? Is this on the loop audio path or the direct path? I'd really
like to know what this modification is.

Hi Kim,

Dirk Baldringer is a widely respected analog/digital tech and recording
engineer in the Cologne area in Germany. He is the only tech I know that is
so knowlageable with tube amps that Marshall Amps wanted to hire him (he
turned them down because he didn't want to move and ended up designing a
model for Hughes & Kettner, they are close by) and at the same time he knows
digital stuff almost as well. He made a certain discovery some years ago
that increases the frequency response and headroom of digital effects units.
He told me it works on the analog side of A/D and D/A conversion and he
modified my t.c.electronic G-Force multieffect and the EDP after I
repeatedly had complained to him that the sonic quality of these devices did
not match that of the t.c. 2290 delay I had used previously.

Of course I do not know much more about it, there are a couple of new chips
in my boxes and I certainly do hear a change for the better with this mod.
t.c. strongly endorses the integrity of the original signal in the G-Force
(one of the most expensive guitar effect boxes around), but they really made
some compromises in comparison to the 2290. On the EDP it used to be hard to
set the levels right with regards to clipping and the overall sound quality
was less than prestine. I posted this on LD before and DT immediately asked
me for Dirk's contact, although he doesn't send the original through the
EDP, he was just turned off by the lack of output level he gets out of his.

Anyway, Dirk isn't into marketing that much, but he produced a small line of
rack gear that incorporates his idea. It's called the "effects legalizer", a
lot of studio/rock players in central Europe have one in their "fridge". I
was glad that he put mine directly into the effects themselves, saved me
space and money. Besides that I can give you no more information; I could
only guess that possibly he changes the freq. rolloff towards the sampling
frequency?!?

Best, Andreas
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Content-type: text/html; charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>RE: RE: EDP in/out mod</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
<TT>At 07:26 AM 9/29/2003, Andreas Willers wrote:<BR>
&gt;this is not exactly the topic, but I had the audio path of my Obie EDP =
<BR>
&gt;modified by Drik Baldringer with very good results: increased treble <B=
R>
&gt;response, way better headroom and higher output level to boot. He perfo=
rms <BR>
&gt;this mod on stufdio equipment as well with great results.....<BR>
<BR>
Kim wrote:<BR>
I find this hard to believe. What sort of magical circuit is he going to <B=
R>
add that increases headroom or frequency response without changing the A/D =
<BR>
convertors? Is this on the loop audio path or the direct path? I'd really <=
BR>
like to know what this modification is.<BR>
<BR>
Hi Kim,<BR>
<BR>
Dirk Baldringer is a widely respected analog/digital tech and recording eng=
ineer in the Cologne area in Germany. He is the only tech I know that is so =
knowlageable with tube amps that Marshall Amps wanted to hire him (he turned=
 them down because he didn't want to move and ended up designing a model for=
 Hughes &amp; Kettner, they are close by) and at the same time he knows digi=
tal stuff almost as well. He made a certain discovery some years ago that in=
creases the frequency response and headroom of digital effects units. He tol=
d me it works on the analog side of A/D and D/A conversion and he modified m=
y t.c.electronic G-Force multieffect and the EDP after I repeatedly had comp=
lained to him that the sonic quality of these devices did not match that of =
the t.c. 2290 delay I had used previously.<BR>
<BR>
Of course I do not know much more about it, there are a couple of new chips=
 in my boxes and I certainly do hear a change for the better with this mod. =
t.c. strongly endorses the integrity of the original signal in the G-Force (=
one of the most expensive guitar effect boxes around), but they really made =
some compromises in comparison to the 2290. On the EDP it used to be hard to=
 set the levels right with regards to clipping and the overall sound quality=
 was less than prestine. I posted this on LD before and DT immediately asked=
 me for Dirk's contact, although he doesn't send the original through the ED=
P, he was just turned off by the lack of output level he gets out of his.<BR=
>
<BR>
Anyway, Dirk isn't into marketing that much, but he produced a small line o=
f rack gear that incorporates his idea. It's called the &quot;effects legali=
zer&quot;, a lot of studio/rock players in central Europe have one in their =
&quot;fridge&quot;. I was glad that he put mine directly into the effects th=
emselves, saved me space and money. Besides that I can give you no more info=
rmation; I could only guess that possibly he changes the freq. rolloff towar=
ds the sampling frequency?!?<BR>
<BR>
Best, Andreas</TT>
</BODY>
</HTML>

--MS_Mac_OE_3147734237_375621_MIME_Part--

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On Monday, September 29, 2003, at 07:32  PM, Jesse Ray Lucas wrote:

> We've been over this ground before.  The last time I suggested a 
> rackmounted
> desktop PC on this list as an alternative to a laptop I got no love 
> from
> anyone.

Well, maybe I should have given more background about why I want a 
laptop.  I've been hauling around a full Repeater based looping rig for 
some time now.  It takes a 6 space rack and a separate drum machine to 
make it work, not to mention my guitar.  I try to play places where I 
can go direct into the PA so I can avoid bringing amplification.

This works well in lots of forums.  Small spaces, cafes, and the 
occasional loopfest.  However, I find that a lot of the small bar and 
rave/party situations I play are geared for DJs and put on by DJs.  I 
see them cringe when I walk in with multiple trips worth of gear.  
Also, when you play electronic music before or after a DJ (and by that 
I mean someone who just plays tracks from CDs with some crossfade), you 
might as well hold up a sign that says, "That person wishes they were 
talented enough to be a musician."  I'm sure this is a generalization, 
but I have to wonder why the places that consistently ask me back are 
run by musicians who DJ as well.

So my idea is basically to come in and DJ, but use my own material.  
Loops created with POLAR and the Repeater but played back by Live 
synced to an E-MU XL-7 Command Station.  I'm even starting to wonder if 
I'd need the XL-7 as I find out how deep the functionality of Ableton's 
Live is.  This rig would fit in a backpack and take less than 10 min to 
set up.  I could wear it while I stay for the rest of the show, as 
opposed to now where I have to break down and leave as soon as I'm 
done.  (can't leave gear in a car...)

That's why I'm looking for a laptop.  Rack-mounted PCs are sweet, but 
I'm going for stealth and speed.  I loose flexibility, but hopefully it 
will still be fun playing live sound collage with my prerecorded 
material.

Mark Sottilaro

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Subject: Re:hendrix tech guy. was( EDP IN/OUT Mod)
From: Stan Card <stanitarium@earthlink.net>
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oh my biz, very interesting @ least to me-i try to see everything on JIMI
since the early days and dont remember this particular thing.
questions:
who tech guy? do you mean roger mayer or eddie kramer or?
where did you see this?
is it available on line?
thanx
s

> 
> I read an interview with Jimi Hendrix's tech guy, who had to re-wire the
> middle eq pot on his marshall stack, because Hendrix preferred his sound
> with the center scooped, but wouldn't play unless all the knobs were set
> at full...
> 
> bIz
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 22:03:40 2003
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Date: Mon, 29 Sep 2003 20:59:32 -0500
To: Loopers-Delight@loopers-delight.com
From: Catilyne <catilyne@icicle.net>
Subject: Re: Looping with a PC laptop... which one?
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At 05:55 PM 9/29/2003 -0700, msottilaro wrote:

>That's why I'm looking for a laptop.  Rack-mounted PCs are sweet, but I'm 
>going for stealth and speed.  I loose flexibility, but hopefully it will 
>still be fun playing live sound collage with my prerecorded material.

Mark,

What you're going for sounds way kewl, but I'm wondering if you might be 
wandering into oversize/overkill with some of the available options.  Since 
you seem to place a high priority on 'fast & light', I'd look at one of the 
smaller notebooks (aside: heck, has anybody tried running Ableton on a 
palmtop yet?).

And given the fact that you've expressed some interest in both the Apple 
PowerBook and the Sony Vaio, I'm wondering if you might be able to find 
something suitable for less dinero on the used/refurbished market.  The 
Vaio's been around for quite a while and has been a good piece of gear 
pretty much since its inception.  And you can get one of the tiny G3 iBooks 
that's been factory-refurbed for a decent amount of money too.  Depends on 
your desired platform/poison.

However, bleeding edge laptops are probably just going to have most of 
their market value evaporate.  So why not consider something a bit behind 
the curve, which will better fall into your price range and still do an 
admirable job supporting your apps?

         -c-

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 22:36:49 2003
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Date: Mon, 29 Sep 2003 22:27:51 EDT
Subject: Re: Shawn Lane
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Thanks for relaying the news,

In a message dated 9/29/03 12:00:25 PM, jcshirke@midway.uchicago.edu writes:

>This has absolutely nothing to do with looping, but it has everything 
>to do with guitar. I just got the news that Shawn Lane died on Friday 
>at age 40. For more info: www.noproblemhere.com.
>
>Sorry to intrude, but I'm pretty stunned. The guy was incredible.

I never cared for his debut solo record "Powers of 10" but his more
recent, world music influenced stuff with Jonas Hellborg is stellar.
I saw him play his butt off at an Anaheim NAMM show some years 
back and was simply blown away. I like to think of myself as one 
who is not greatly  impressed by displays of extreme technique . . .
but Shawn Lane was something else. I was sorry to hear the news.
BTW, I think he may have done a little looping on Michael Shrieve's
"Two Doors" . . . another great disc that also features guitarist 
(and looper) Bill Frisell on half of the tracks. That's one I'd highly
recommend to anyone interested.

Best,

tEd ® kiLLiAn

http://www.mp3s.com/tedkillian
http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html

From Loopers-Delight-request@loopers-delight.com  Mon Sep 29 22:38:29 2003
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--- Evan Meyers <evanmeyers@yahoo.com> wrote:
> It's true... THE POCKET are playing two
> trailblazing,
> genre-busting, mouth watering shows this month!
> 
> October 2, 2003 - Thursday
> B3 (downstairs)
> Ave. B and 3rd Street 
> 11pm 
> TWO SETS
> 
> October 18th, 2003 - Saturday
> CB's Gallery (upstairs)
> 315 Bowery (between 1st and 2nd Street)
> 10pm 
> ONE SET
> 
> 
> - The PCKT
> 
> Check the site: www.geocities.com/riftkid
> 
> To unsubscribe, reply to this message with
> UNSUBSCRIBE
> in the subject line.
> 
> 
> __________________________________
> Do you Yahoo!?
> The New Yahoo! Shopping - with improved product
> search
> http://shopping.yahoo.com
> 


=====

_______________________________________________________
Check out my new live music project and CD at www.metaman.us!





__________________________________
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
http://shopping.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 00:17:31 2003
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>
>I never cared for his debut solo record "Powers of 10" but his more
>recent, world music influenced stuff with Jonas Hellborg is stellar.

Yeah, that's basically how I feel too. I had renewed interest in his 
playing thanks to some live shows (w/ Hellborg and Sipe) I picked up 
in the last year or so. I was thinking he had some great music ahead 
of him. Pretty sad.

Thanks for your comments.

Jeff

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Subject: Re: Looping with a PC laptop... which one?
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On Monday, September 29, 2003, at 06:59 PM, Catilyne wrote:

> And you can get one of the tiny G3 iBooks that's been factory-refurbed 
> for a decent amount of money too.  Depends on your desired 
> platform/poison.
>
> However, bleeding edge laptops are probably just going to have most of 
> their market value evaporate.  So why not consider something a bit 
> behind the curve, which will better fall into your price range and 
> still do an admirable job supporting your apps?
>

I'm thinking along those exact lines.  If anyone sees a good deal on a 
TiBook or Vaio, let me know.

Mark

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  ----- Original Message -----=20
  From: Joe Balestreri=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, September 29, 2003 7:37 PM
  Subject: unsubscribe


  --- Evan Meyers <evanmeyers@yahoo.com> wrote:
  > It's true... THE POCKET are playing two
  > trailblazing,
  > genre-busting, mouth watering shows this month!
  >=20
  > October 2, 2003 - Thursday
  > B3 (downstairs)
  > Ave. B and 3rd Street=20
  > 11pm=20
  > TWO SETS
  >=20
  > October 18th, 2003 - Saturday
  > CB's Gallery (upstairs)
  > 315 Bowery (between 1st and 2nd Street)
  > 10pm=20
  > ONE SET
  >=20
  >=20
  > - The PCKT
  >=20
  > Check the site: www.geocities.com/riftkid
  >=20
  > To unsubscribe, reply to this message with
  > UNSUBSCRIBE
  > in the subject line.
  >=20
  >=20
  > __________________________________
  > Do you Yahoo!?
  > The New Yahoo! Shopping - with improved product
  > search
  > http://shopping.yahoo.com
  >=20


  =3D=3D=3D=3D=3D

  _______________________________________________________
  Check out my new live music project and CD at www.metaman.us!





  __________________________________
  Do you Yahoo!?
  The New Yahoo! Shopping - with improved product search
  http://shopping.yahoo.com


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  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
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  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, September 29, =
2003 7:37=20
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  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> unsubscribe</DIV>
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wrote:<BR>&gt;=20
  It's true... THE POCKET are playing two<BR>&gt; trailblazing,<BR>&gt;=20
  genre-busting, mouth watering shows this month!<BR>&gt; <BR>&gt; =
October 2,=20
  2003 - Thursday<BR>&gt; B3 (downstairs)<BR>&gt; Ave. B and 3rd Street =
<BR>&gt;=20
  11pm <BR>&gt; TWO SETS<BR>&gt; <BR>&gt; October 18th, 2003 - =
Saturday<BR>&gt;=20
  CB's Gallery (upstairs)<BR>&gt; 315 Bowery (between 1st and 2nd=20
  Street)<BR>&gt; 10pm <BR>&gt; ONE SET<BR>&gt; <BR>&gt; <BR>&gt; - The=20
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  =
<BR><BR><BR>=3D=3D=3D=3D=3D<BR><BR>______________________________________=
_________________<BR>Check=20
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  ----- Original Message -----=20
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  Sent: Monday, September 29, 2003 9:35 PM
  Subject: unsubscribe



    ----- Original Message -----=20
    From: Joe Balestreri=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Monday, September 29, 2003 7:37 PM
    Subject: unsubscribe


    --- Evan Meyers <evanmeyers@yahoo.com> wrote:
    > It's true... THE POCKET are playing two
    > trailblazing,
    > genre-busting, mouth watering shows this month!
    >=20
    > October 2, 2003 - Thursday
    > B3 (downstairs)
    > Ave. B and 3rd Street=20
    > 11pm=20
    > TWO SETS
    >=20
    > October 18th, 2003 - Saturday
    > CB's Gallery (upstairs)
    > 315 Bowery (between 1st and 2nd Street)
    > 10pm=20
    > ONE SET
    >=20
    >=20
    > - The PCKT
    >=20
    > Check the site: www.geocities.com/riftkid
    >=20
    > To unsubscribe, reply to this message with
    > UNSUBSCRIBE
    > in the subject line.
    >=20
    >=20
    > __________________________________
    > Do you Yahoo!?
    > The New Yahoo! Shopping - with improved product
    > search
    > http://shopping.yahoo.com
    >=20


    =3D=3D=3D=3D=3D

    _______________________________________________________
    Check out my new live music project and CD at www.metaman.us!





    __________________________________
    Do you Yahoo!?
    The New Yahoo! Shopping - with improved product search
    http://shopping.yahoo.com


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    =
<BR><BR><BR>=3D=3D=3D=3D=3D<BR><BR>______________________________________=
_________________<BR>Check=20
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 02:08:08 2003
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> Is someone using  the 01 V yamaha mixer with Boomerang  as external 
> effect?
> If yes , in what way( where to put the input and the output of the 
> boomerang,routing,aux etc)?
> Thank for the help,
> Fabio Pianigiani

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 02:41:42 2003
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I am so pleased to see that there are people here who are into shawn's 
music.  he was a truly beautiful human being.  no one in our lifetime will 
ever be able to touch what shawn has put forth with regard to the guitar and 
technique coupled w/musicality.   a true musical genius of the highest 
order.  we'll miss you shawn.

peace,
-matt


>This has absolutely nothing to do with looping, but it has everything to do 
>with guitar. I just got the news that Shawn Lane died on Friday at age 40. 
>For more info: www.noproblemhere.com.
>
>Sorry to intrude, but I'm pretty stunned. The guy was incredible.
>
>Jeff
>

_________________________________________________________________
High-speed Internet access as low as $29.95/month (depending on the local 
service providers in your area). Click here.   https://broadband.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 05:17:33 2003
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Subject: Echoplex pro/ echoplex proplus
From: "Cameron Street" <cameronstreet@optusnet.com.au>
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Ok what the diff between the pro and the pro plus?
apart from the colour that is
cam

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 05:22:01 2003
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Subject: NoneRadio 9/29/03 Playlist
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Hello list,

This evening I was a co-host for the free-form online show None Radio:

http://www.noneradio.com

The show's host, Rich Pike, was very kind with his coverage of my
material, and allowed a good bit of discussion time to talk about
conceptual and technical details (including the live looping angle.)

The show repeats 24/7 all week long, so you can check it out any time
between now and next Monday night.

Here's the playlist for the show (which is about 3 1/2 hours long!)

NONE-023 (chicken won't stop screaming) – Monday, Sep 29
hosted by Rich Pike w/ co-hosts Joboj & Andre LaFosse

01 – (Friday Afternoon) In A Galaxy Far Away... – MATTIAS IA EKLUNDH
[Freak Guitar]
02 – Anarchy In The U.K. – GREEN JELLY [Cereal Killer Soundtrack]

03 – Stool – JOBOJ [X]
04 – Self Destruction, Part Two – NINE INCH NAILS [Further Down The Spiral]
05 – Shofar – DAVID TORN [Tripping Over God]
06 – Little Wing – JIMI HENDRIX EXPERIENCE [The Jimi Hendrix Experience
(Box Set)]

07 – Signify – ANDRE LAFOSSE [Disruption Theory]
08 – All Her Love Is Mine – ADRIAN BELEW [Op Zop Too Wah]
09 – Pride Is A Sin (Demo) – MIKE KENEALLY [unreleased]

10 – Not Again – SHAWN LANE [Powers Of Ten]
11 – Frame By Frame – KING CRIMSON [Discipline]
12 – In Time – ANDRE LAFOSSE [Disruption Theory]
13 – Tomorrow Never Knows (Slight Return Mix) – YOGI [Salve]

14 – Seismic – ANDRE LAFOSSE [Normalized]

15 – Lizard On A Hot Rack – MARK NAUSEEF & MIROSLAV TADIC [The Snake Music]

16 – Interference – ANDRE LAFOSSE [Normalized]
17 – Queen To Bathe – THE DAGONS [Teeth For Pearls]
18 – White Line – ALLAN HOLDSWORTH [I.O.U.]
19 – The Captain And I – KUHN, NAUSEEF, NEWTON, TADIC [Let's Be Generous]

20 – Canada Geese – GORDON DOWNIE [Coke Machine Glow]
21 – Do You Remember Rock & Roll Radio? – RAMONES [Mania]
22 – Christeen – DEVIN TOWNSEND [Christeen]
23 – Dystopia – FREAK KITCHEN [Spanking Hour]
24 – Lay Down And Die, Goodbye – ALICE COOPER [Easy Action]

25 – Zero – JOBOJ [X]
26 – Detroit Rock City – MATTIAS IA EKLUNDH [Freak Guitar]
27 – Old Meat Frame – ANDY WEST WITH RAMA [Rama 1]
28 – Sofa No. 1 – MICHAEL HEDGES [Oracle]
29 – The Ocean Is The Ultimate Solution – FRANK ZAPPA [Lather]

30 – Sweet Child O' Mine – BUMBLEFOOT w/ MOST PRECIOUS BLOOD [unreleased]
31 – Last Cup Of Sorrow – FAITH NO MORE [Album Of The Year]
32 – Deep Peace – DEVIN TOWNSEND [Terria]
33 – Canada – DEVIN TOWNSEND [Terria]
34 – Anyday – ANI DIFRANCO [Puddle Dive]

35 – Theme From Burnt Weenie Sandwich – FRANK ZAPPA [Burnt Weenie Sandwich]


----------------------------
--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 05:23:54 2003
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Subject: RE: Looping with a PC laptop... which one?
Date: Tue, 30 Sep 2003 10:22:11 +0100
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The military gets all the best toys

http://www.army-technology.com/contractors/computers/american_reliance/ameri
can_reliance1.html

For more like this see
http://www.army-technology.com/contractors/computers/index.html

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 11:12:46 2003
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Thanks, Kim!  This looks great!

Dennis Leas
-----------
dennis@mail.worldserver.com


From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 11:14:31 2003
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I never go on stage without my night vision googles and Kevlar T-shirt... :)

Dennis Leas
-----------
dennis@mail.worldserver.com


-----Original Message-----
From: Brian Hamlin [mailto:BHamlin@Millennium.gov.uk]
Sent: Tuesday, September 30, 2003 4:22 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Looping with a PC laptop... which one?


The military gets all the best toys

http://www.army-technology.com/contractors/computers/american_reliance/ameri
can_reliance1.html

For more like this see
http://www.army-technology.com/contractors/computers/index.html



From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 13:16:00 2003
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Please UN-SUBSCRIBE bluefluteman@earthlink.net

Thank You,

Blue

Blue

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 13:18:33 2003
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Date: Tue, 30 Sep 2003 10:16:37 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex pro/ echoplex proplus
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Mainly it has LoopIV software with all the new features:
http://www.aurisis.com/products/loopIV/loopIV.html

It also comes with the new manual and various other minor changes. Andy 
Ewen posted a list once before:
http://www.loopers-delight.com/LDarchive/200302/msg00538.html

kim

At 04:23 AM 9/30/2003, Cameron Street wrote:
>Ok what the diff between the pro and the pro plus?
>apart from the colour that is
>cam

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Subject: New Steve Lawson MP3 uploaded
Date: Tue, 30 Sep 2003 18:13:18 +0100
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hi all,

just uploaded a new MP3 - this one's taken from the exclusive bonus disc
that comes with advanced orders of 'For The Love Of Open Spaces' - the bonus
disc is called 'It's Not Gonna Happen', and the track's called 'As Long As
My Arm' - this is a 6:30 edit from a 15 minute track of bass and alto-flute
loop-frenzy. Theo's use of the expression pedal with the DL4 to bring his
loop in and out and to harmonise with it is lovely on this track...

Hope you enjoy it - the CD is released Oct 20th, and if you order it now,
you'll get both CDs for the price of one, with free P+P world wide, and
you'll get the satisfaction of helping us break even before the album's
out... :o)

cheers

Steve
www.stevelawson.net


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Subject: EDP Flip mode
Date: Tue, 30 Sep 2003 13:39:26 -0400
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This is a multi-part message in MIME format.

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I'm looking through the EDP manual and can't find anything on flip mode. =
Can anybody point me to some information?
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<DIV><FONT face=3DArial size=3D2>I'm looking through the EDP manual and =
can't find=20
anything on&nbsp;flip mode.&nbsp;Can anybody point me to some=20
information?</FONT></DIV></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 14:12:29 2003
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From: "Jesse Ray Lucas" <jlucas@neoprimitive.net>
To: <Loopers-Delight@loopers-delight.com>
References: <5.1.1.6.2.20030930101421.040862c8@loopers-delight.com>
Subject: Re: Echoplex pro/ echoplex proplus
Date: Tue, 30 Sep 2003 14:03:26 -0600
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About that manual...

There was talk of a PDF version for us beige-faced LoopIV-ers, maybe, a
while ago.  I was unsubbed for a while.  Any movement on that, perchance?
Or can we buy the 300-page manual seperately from Aurisis, or Gibson?

-J



----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 30, 2003 11:16 AM
Subject: Re: Echoplex pro/ echoplex proplus


> Mainly it has LoopIV software with all the new features:
> http://www.aurisis.com/products/loopIV/loopIV.html
>
> It also comes with the new manual and various other minor changes. Andy
> Ewen posted a list once before:
> http://www.loopers-delight.com/LDarchive/200302/msg00538.html
>
> kim

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 16:25:16 2003
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Subject: Loop IV manual (Please!!!!!!)
From: John Metzler <jarofjam@mac.com>
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	I would really like a copy of the Loop IV manual that comes with the 
newer EDP+.  I have recently upgraded to Loop IV from Loop III and 
along with the upgrade chips came an upgrade manual.  I was never, by 
any means, a master of Loop III but I always had the manual out on my 
table for studying.  Now I have both the Loop III and Loop IV upgrade 
manuals on my table at all times.  It is a bit of a headache because 
the upgrade manual tells you how the functions have changed but if you 
didn't have the Loop III manual memorized then you have to go back and 
learn the old way to apply the new way.
	I would love a proper manual for Loop IV.  Not a PDF, because that 
gets messy.  I am always flipping around through my manual.  If I have 
300 single sided unbound pages I get frustrated as hell and end up 
killing someone.  Then I have to dig a hole and my hands hurt for days 
and I can't play music.  You guys (and gals) understand right?  I want 
a copy of the manual as it comes with the new EDP+.  I don't mind 
paying $20 bucks for it.  It would be sooooo very appreciated.

Can I get a "Hell Yea!!!"  brothers and sisters?

---John M.
I know about pain and suffering and being cold, but I just wanna 
.......Rock!

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 17:00:37 2003
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Date: Tue, 30 Sep 2003 17:08:57 -0400
From: John Mazzarella <jmazzarella@erols.com>
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Subject: NJ looping show
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Just wanted to let any New Jersey based loopers know that I'll be
performing this Friday in New Brunswick.  There will be plenty of EDP
looping madness.  Actually, I'm an acoustic based singer songwriter who
uses the EDP and a lot of effects to make some cool sounds.  Sort of a
Howie Day/Keller Williams meets electronica kind of a thing.  I'll be
accompanied on some tunes by bassist James Smith who will also do a
short set of his Vic Wooten/Tony Levin inspired instrumentals.

John Mazzarella:  vocals/acoustic and electric guitars/EDP loopage
    w/James Smith: 6-string bass

Friday, October 3rd, 10pm-12am
    Tumulty's Pub
    361 George Street
    New Brunswick, NJ
    732-545-6205

Thanks,
John
www.johnmazzarella.com
www.bassdream.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 18:19:47 2003
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Date: Tue, 30 Sep 2003 18:13:05 -0400
From: Dick Michaels <Roguemus@ix.netcom.com>
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If you wish to be removed from this email list, please hit reply and 
type REMOVE in the subject box.
Welcome to our Fall Newsletter. Below you will find listings of our used 
gear. Gear marked ** is consignment, and will come with a 7 day check 
out period. All other gear is warranteed for three months. These prices 
are temporary and an attempt to move a good deal of merchandise. After 7 
days, prices revert to our website prices. Please email your interest, 
we will accomodate requests on a first come first basis. Pictures are 
available upon request. Thanks for your support in the past and in the 
futures.
AUDIO GEAR AND SIGNAL PROCESSING
48 point TT Patch Bay $99
AKG C460B $375
AKG D112 $115
AKG D3600 $139
Alesis 3630 $65
Alesis Adat LX20 10 hrs $350
Alesis Adat XT 379 hrs $375 **
Alesis ADAT XT20 495 hrs $425 **
Alesis AI2 $175
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Alesis MEQ230 $89
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Mackie 1604 VLZ $575  **
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Mackie LM3204 $475  **
Mackie Mixer Mixer $60
Music and More CF1 $129  **
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QSC RMX850 $150
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Roland VS840EX $325
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Tannoy PS1100 Sub $275  **
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Tascam U2 224 $169
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Turner 22D Microphone $195
Urei 527A $149
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Urei 809's $725  **
Yamaha 02R W/2 AES/TDIF cards $1750 
Yamaha 03D Adat Card $99
Yamaha BG50 Mike $40
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Yamaha MT8X $325  **
Yamaha MV802 $99
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Yamaha SPX90 $179  **
Yamaha SPX90II $199
Yorkville Pulse 12M $150  **
Zoom MRS1044 W/USB $395  **
Zoom 1201 $79

DRUM MACHINES & SEQUENCERS
Akai MPC2000 Smpte chip $75
Akai MPC2000XL Smpte chip $75
Akai MPC2000XL W/Internal Zip $1025 
Akai MPC4000 $1925 
Alesis D4 $160
Alesis MMT8 $79
Alesis SR16 $119
Boss DR770 $219
Clavia DDrum Kit w/library $595
Emu Procussion $150
Emu SP1200 $1295 
Korg EA1 $145
Kat DK10 $339 **
Novation DrumStation $325 **
Roland Cymbal Trigger $689
Roland HiHat Pedal Trigger $59
Roland KD7 $125 W/Ludwig Pedal $110 **
Roland MC307 $219
Roland MC50MKII $219
Roland MC505 $425
Roland Octapad $189 **
Roland Pintech Kick Trigger $30
Roland R8 $209
Roland R8M $135
Roland R8 Rom Contemporary Percussion $25
Roland R8 Rom Dance $70
Roland R8 Rom Electronic $40
Roland R8 Rom Jazz $25
Roland R8 Rom Jazz Brush $29
Roland R8 Rom Power Drums $29
Roland R8 Rom Sound Effects $20
Yamaha QY70 $199 
Yamaha RM1X $295
Yamaha RM50 $150
Yamaha RS7000 $825
Yamaha RY30 $150
Yamaha RY30 Rom Dance/Soul $40
Yamaha RY30 House/Rap $40
KEYBOARDS & ACCESSORIES
Akai S20 $99
Akai S2000 $175
Akai S3000XL W/16 meg and 8 outs $325 
Akai S3200XL $375
Akai S5000 $595  **
Alesis Andromeda (Floor model) $2095
Alesis Q Card Classical $75
Alesis Q Card Hip Hop $50 
Alesis Quadrasynth $425
Clavia Nord Lead 12 voice expansion $195
Clavia Nord Lead Rack w/12 voice $595
Clavia Nord Lead 2 Rack $595
Emu Classic Keys $295
Emu Orbit V2 $260
Emu PK6 $395
Emu Proteus 2 $150
Emu Proteus 2 Orchestral $150
Emu Proteus 2000 $395 
Emu Proteus 2500 $485 
Emu Proteus MPS $350  **
Emu Proteus Pop/Rock $150
Emu Vintage Keys Plus $339
Ensoniq ASR10R $725  **
Fatar Studio 49 $65
Fender Keyboard 200 Amp $275  **
Korg 256RAM $40
Korg 05RW $150
Korg CX3 $1195 
Korg Karma $1075
Korg MS2000 $550
Korg N1R $325
Korg TR Rack $450
Korg Trinity $825
Korg Trinity SCSI Port $79
Korg Triton Dance Extreme Rom $109
Korg Triton SCSI Port $90
Korg Wavestation $325
Korg Wavestation AD $425
Korg Wavestation SR $350
Kurzweil K2VX $695
Kurzweil K2500 w/piano/KDFX-$1795  **
Kurzweil K2500RS w/ all options inc. KDFX $1795
Kurzweil K2600XS $2895  **
Kurzweil SP88X $595
Novation BassStation Rack $2955
Novation SuperBassStation $350
Novation Supenova $725  **
Peavey KB300 $250
Roland D5 $260
Roland Fantom S $1495
Roland FP3 $825  **
Roland JP8080 $495
Roland JV Board Orchestral $110
Roland JV Board Orchestral II $110  **
Roland JV Board Pop $79
Roland JV Board Super Sound Set $115
Roland JV Board Vocal $115
Roland JV880 $195
Roland JV2080 $595 
Roland M-DC1 $150  **
Roland S760 $295
Roland S770 $395  **
Roland SH32 $295  **
Roland SRX Expansion Super Dance $179
Roland SRX Expansion Ultimate Keys $179
Roland VP9000 $550
Roland XP10 $239
Roland XP30 $525  **
Roland XP50 $525
Roland XP60 $775  **
Roland XV88 $1500
Studiologic SL880 $395
Ultimate Support Apex Stand $105
Waldorf Q $1195
Yamaha CS1X $250
Yamaha CS2X $350
Yamaha CS6X $625  **
Yamaha EX5 $950
Yamaha Motif 6 w/64 megs $1250  **
Yamaha Motif 7 $1495
Yamaha P200 $11095
Yamaha TG500 $160
Yamaha TX Rack $45
Yamaha TX802 $160  **
Yamaha TX81Z $75  **
Yamaha VL1 $3000  **

VINTAGE GEAR
Fender Rhodes MKII $895
Fender Rhodes 88 key $1095  **
Korg CX3 (The Original) $720
Korg EX8000 $220  **
Lexicon PCM42 $895
Oberheim Matrix 6 $325
Oberheim Matrix 1000 $239
PPG Wave 2.3 W/Midi $1895  **
Roland D50 $550
Roland MC202 $360
Roland MKS20 $275
Roland MKS50 $195
Roland MKS70 $250
Roland TR727 $150
Roland TR808 $850
Roland TR909 $950
Urei 1620 W/ 3 Phono Cards Mint $1695 **
Wurlitzer $995
Yamaha DX7 $275  **
Yamaha TX802 $160  **
 



 



From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 18:54:51 2003
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--- Dick Michaels <Roguemus@ix.netcom.com> wrote:
> If you wish to be removed from this email list,
> please hit reply and 
> type REMOVE in the subject box.
> Welcome to our Fall Newsletter. Below you will find
> listings of our used 
> gear. Gear marked ** is consignment, and will come
> with a 7 day check 
> out period. All other gear is warranteed for three
> months. These prices 
> are temporary and an attempt to move a good deal of
> merchandise. After 7 
> days, prices revert to our website prices. Please
> email your interest, 
> we will accomodate requests on a first come first
> basis. Pictures are 
> available upon request. Thanks for your support in
> the past and in the 
> futures.
> AUDIO GEAR AND SIGNAL PROCESSING
> 48 point TT Patch Bay $99
> AKG C460B $375
> AKG D112 $115
> AKG D3600 $139
> Alesis 3630 $65
> Alesis Adat LX20 10 hrs $350
> Alesis Adat XT 379 hrs $375 **
> Alesis ADAT XT20 495 hrs $425 **
> Alesis AI2 $175
> Alesis BRC $250
> Alesis MEQ230 $89
> Alesis Microverb III $60
> Alesis Midiverb II $60
> Alesis Midiverb III $75
> Alesis Midiverb4 $119
> Alesis Monitor Two's $325 **
> Alesis Nanocompressor $60
> Alesis Quadraverb $109
> Amek 9098 EQ $1095
> AP Patchbay $45
> Aphex 108 $79
> Aphex 109 $135
> Aphex Type B $30
> Apogee PSX100SE $1895
> Art MDM8L $169 **
> Art SGX2000 $150 **
> Art Tube MP $60
> AudioTecnica AT4060 w/shock $825 **
> Avalon AD2022 $1950
> Bang & Olofson Fantone Ribbon Mike $395 **
> BBE 322 $65
> BBE 381 $79
> BBE 462 $79
> BBE 702 module $70 **
> Behringer Autocom $60
> Behringer Intelligate $60
> Behringer PEQ305 $70
> Boss BR532 $225
> CAD Maxcon 24x8 $3000 **
> Carver PM600 $295
> Carver PM900 $325
> CM Labs MotorMix $450
> Crown CE1000 $275
> Crown Comtech200 $195
> Crown Comtech400 $325
> Crown DC300A $275
> Crown PS400 $325
> Crown PZM $119
> DBX 160XT $195 **
> DBX 166 $175 **
> DBX 166A $129
> DBX 266XL $109
> DBX 904 Gate module $60
> DBX 1077 $225
> DBX 1215 $149
> Decade Attenuator $200 **
> Digitech 3.6 $125
> Digitech RDS2001 $109
> Digitech RDS4000 $119
> Digitech Studio Quad V2 $150
> Digitech TSR24S $209
> DOD DI Box $20
> DOD R431 $79
> Electrix MoFX $125
> Electrovoice 7100 Power Amp $150
> Ensoniq DP2 $195
> Focusrite Platinum ToneFactory $275 **
> Fostex 2050 $60 **
> Fostex DMT8VL $275
> Fostex E2 $395 **
> Furman AR1215 $275 **
> Furman PL8 $65
> Furman PB40 $45
> Furman PS8 $135
> Furman TX3 Xover $70
> Hafler P230 $150
> Hafler Pro5000 $420 **
> Hafler Pro7000 $550
> HHB Radius 40 $395
> Ibanez SDR1000+ $149 **
> JBL 4425's $695
> Kawai MX8SR $95
> Korg A3 $120
> Korg DRV2000 $100 **
> Korg KEC42 $50
> KRK 7000's $575 **
> LA Audio 4C $195
> Lexicon MPX550 $325
> Lexicon MPXG2 $695 **
> Lexicon PCM70 $695
> Lexicon PCM80 $825
> Mackie 24X8 $1195
> Mackie 24x8 Meter Bridge $325
> Mackie 32x8 $1695
> Mackie 1202 $140
> Mackie 1604 $295
> Mackie 1604 VLZ $575  **
> Mackie 1604VLZ Pro $595
> Mackie 1400i $425
> Mackie DFX 12 $150
> Mackie LM3204 $475  **
> Mackie Mixer Mixer $60
> Music and More CF1 $129  **
> Neumann TLM170 $1895  **
> Neumann U87Ai W/Shock Mount $1425
> Orban 621B $160  **
> Orban 672A $160  **
> Orban 764A $550  **
> Panasonic SV3800 $325  **
> Peavey XR600 $260
> Peavey XR700 $175  **
> Perreaux 6000B power amp $495  **
> Pioneer CDJ7005 $400  **
> Presonus Acousti-Q $125
> QSC 1400 $225
> QSC RMX850 $150
> Rane DC24 $149
> Rane MC22 Stereo Compressor $75  **
> Rane ME15 $109
> Rane MP24Z $495
> Rane PE15 $125
> Rean 48 point Patch Bay $45
> Roland DS50A's $340
> Roland SRV2000 $149
> Roland VS8F1 $75 
> Roland VS840EX $325
> Roland VS880 V/Expanded W/FX Card $350
> Roland VSR880 $395
> Samson MixPad 04 $119
> Samson MixPad 12 $140
> Samson MPL1640 $250  **
> Samson Q Mike $40
> Sennheiser MD421 $185  **
> Shure 55S (Original) $109
> Shure 8800 Mike $30
> Shure Beta87A $140
> Shure Green Bullet $79
> Shure L4 Wireless Lavalier $110
> Shure Mic Mixer $30
> Shure PG48 $25
> Sony D7 $195
> Sony PCMR300 $275
> Summit Audio EQP100 $1150  **
> Summit Audio TLA50 $495  **
> Summit Audio TLA100A $1150
> Summit EQP200B $1295
> Symetrix 501 $60
> Symetrix 522 $75  **
> Symetrix 525 $69
> Tannoy 6.5 MKII's $160
> Tannoy DMT 12II $1195  ** 
> Tannoy PS1100 Sub $275  **
> Tascam 122MKIII $295
> Tascam 488 $225
> Tascam DA20II $350  **
> Tascam DA45 $655  **
> Tascam DA88 (356 hrs) $425
> Tascam DA98 (625 hrs) $995
> Tascam IF-AE8HR $395  **
> Tascam PB32H $40
> Tascam PB64 $50
> Tascam Porta02 MKII $99
> Tascam Porta Two $109
> Tascam RC2424 $695  **
> Tascam SY88 $210
> Tascam TSR8 $625  **
> Tascam TMD1000 $325  **
> Tascam U2 224 $169
> TC Electronics 1140 EQ $139
> TC Electronics 1144 $225
> TC Electronics 2290+ $1050  **
> TC Electronics Intonater $625
> TC Electronics M-One $250
> Technics SL1200III $275
> TL Audio C2021 Valve Compressor $325
> TL Audio Dual Valve Mic Pre $425  **
> Two Channel Phantom Power supply $30
> Toa D4 and D4E $95  **
> Tubetech CL1B $1395
> Turner 22D Microphone $195
> Urei 527A $149
> Urei 537 EQ $169
> 
=== message truncated ===


__________________________________
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
http://shopping.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 19:20:34 2003
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But I don't want to unsubscribe.

 

:-)

 

Sorry I couldn't resist.

 

 

 

  _____  

From: Amy Mucero [mailto:mucero@msn.com] 
Sent: Tuesday, September 30, 2003 4:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: UNSUBSCRIBE

 

PLEASE
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

----- Original Message ----- 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>But I don&#8217;t want to =
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Sorry I couldn&#8217;t =
resist.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Amy =
Mucero
[mailto:mucero@msn.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, September =
30, 2003
4:15 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> =
UNSUBSCRIBE</span></font></p>

</div>

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<div>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DVerdana><span
style=3D'font-size:10.0pt;font-family:Verdana;color:black'>PLEASE
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=
!!!</span></font></p>

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PLEASE =
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=
!!!
  ----- Original Message -----=20
  From: John Mazzarella=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, September 30, 2003 2:08 PM
  Subject: NJ looping show


  Just wanted to let any New Jersey based loopers know that I'll be
  performing this Friday in New Brunswick.  There will be plenty of EDP
  looping madness.  Actually, I'm an acoustic based singer songwriter =
who
  uses the EDP and a lot of effects to make some cool sounds.  Sort of a
  Howie Day/Keller Williams meets electronica kind of a thing.  I'll be
  accompanied on some tunes by bassist James Smith who will also do a
  short set of his Vic Wooten/Tony Levin inspired instrumentals.

  John Mazzarella:  vocals/acoustic and electric guitars/EDP loopage
      w/James Smith: 6-string bass

  Friday, October 3rd, 10pm-12am
      Tumulty's Pub
      361 George Street
      New Brunswick, NJ
      732-545-6205

  Thanks,
  John
  www.johnmazzarella.com
  www.bassdream.com


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<DIV>PLEASE=20
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=
!!!</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
  href=3D"mailto:jmazzarella@erols.com">John Mazzarella</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, September 30, =
2003 2:08=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> NJ looping show</DIV>
  <DIV><BR></DIV>Just wanted to let any New Jersey based loopers know =
that I'll=20
  be<BR>performing this Friday in New Brunswick.&nbsp; There will be =
plenty of=20
  EDP<BR>looping madness.&nbsp; Actually, I'm an acoustic based singer=20
  songwriter who<BR>uses the EDP and a lot of effects to make some cool=20
  sounds.&nbsp; Sort of a<BR>Howie Day/Keller Williams meets electronica =
kind of=20
  a thing.&nbsp; I'll be<BR>accompanied on some tunes by bassist James =
Smith who=20
  will also do a<BR>short set of his Vic Wooten/Tony Levin inspired=20
  instrumentals.<BR><BR>John Mazzarella:&nbsp; vocals/acoustic and =
electric=20
  guitars/EDP loopage<BR>&nbsp;&nbsp;&nbsp; w/James Smith: 6-string=20
  bass<BR><BR>Friday, October 3rd, 10pm-12am<BR>&nbsp;&nbsp;&nbsp; =
Tumulty's=20
  Pub<BR>&nbsp;&nbsp;&nbsp; 361 George Street<BR>&nbsp;&nbsp;&nbsp; New=20
  Brunswick, NJ<BR>&nbsp;&nbsp;&nbsp; =
732-545-6205<BR><BR>Thanks,<BR>John<BR><A=20
  =
href=3D"http://www.johnmazzarella.com">www.johnmazzarella.com</A><BR><A=20
  =
href=3D"http://www.bassdream.com">www.bassdream.com</A><BR><BR></BLOCKQUO=
TE></DIV></BODY></HTML>

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>We've been over this ground before.  The last time I suggested a 
>rackmounted desktop PC on this list as an alternative to a laptop I
>got no love from anyone.

I think the big problem with rack mounts is not the bulk and weight more
than anything else. If you're going to lug about a 30 lb pc, why not do
it with off the shelf components - ie strap down a desktop to a rack. 

Also, rackmounts aren't built for quiet operation - most are too loud
for even moderately intimate gigs, unless you are willing to switch out
the power supply. This is solved by strapping in pcs.

Some manufacturers custom build audio pcs, but they get to be about the
price of a laptop, and, as discussed here before, you have to do your
homework since the systems they configure aren't necessarily designed
for optimal value or performance.

>It's true that if you move a desktop PC around shit inside it comes
>loose. Nothing in it is really going to *break*, unless you drop 
>it, 

(For the record, I am dragging 2 Dell workstations around in a 16 space
shock rack all over the place, and taking it for rides in the back of a
pickup about once a month for my day job. Neither unit has had any
hardware issues at all.)

Actually, plenty can break - I'm more afraid of vibration damage myself,
than dropping it. The hard drives are the most vulnerable to this, but
motherboards and solders are brittle. The problems your going to get
from this kind of use will be the 'now it works, now it doesn't' - the
most frustrating, to track down problems. Then again, I haven't
experienced any of this so far myself, so I'm probably being paranoid.

>but it will come loose just enough so that shit doesn't work, or 
>works intermittently, which is no good for something you rely on in >a
live setting.  However, I think if you have the time beforehand 
>to open the PC up and re-seat, or just give a checking over to all >the
cards, power connectors, IDE cables, RAM, etc. it might be 
>viable.

I don't think I'm too excited about the idea of adding this to my
preflight checklist. Performance artist, I'm not :> However, if you have
done a good job of building your machine, I'll argue it shouldn't be
necessary. You have to get into serious vibration to knock loose screws
and IDE cables - at that point I'd be more worried that my hard drives
still worked at all.


bIz

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funny how they never think to go to the page where they subscribed and =20=

actually follow the instructions.  Amazing really.

Mark

On Tuesday, September 30, 2003, at 04:17  PM, | SquidLoop | wrote:

> But I don=92t want to unsubscribe.
>
> =A0
>
> J
>
> =A0
>
> Sorry I couldn=92t resist.
>
> =A0
>
> =A0
>
> =A0
>
<image.tiff>
>
>
> From:Amy Mucero [mailto:mucero@msn.com]
> Sent: Tuesday, September 30, 2003 4:15 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: UNSUBSCRIBE
>
> =A0
>
> PLEASE =20
> =
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=20=

> !!!!!
>
> ----- Original Message -----
>
> =A0
>

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funny how they never think to go to the page where they subscribed and
actually follow the instructions.  Amazing really.


Mark


On Tuesday, September 30, 2003, at 04:17  PM, | SquidLoop | wrote:


=
<excerpt><fontfamily><param>Arial</param><color><param>0000,0000,8080</par=
am><smaller>But
I don=92t want to unsubscribe.</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>=A0</smaller></color></fontfamily>


<color><param>0000,0000,8080</param><smaller>J</smaller></color>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>=A0</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>Sorry
I couldn=92t resist.</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>=A0</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>=A0</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><small=
er>=A0</smaller></color></fontfamily>


</excerpt><<image.tiff>

<center><excerpt><fontfamily><param>Times New Roman</param>

</fontfamily></excerpt></center><excerpt>

=
<bold><fontfamily><param>Tahoma</param><smaller>From:</smaller></fontfamil=
y></bold><fontfamily><param>Tahoma</param><smaller>Amy
Mucero [mailto:mucero@msn.com]

<bold>Sent:</bold> Tuesday, September 30, 2003 4:15 PM

<bold>To:</bold> Loopers-Delight@loopers-delight.com

<bold>Subject:</bold> UNSUBSCRIBE</smaller></fontfamily>


<fontfamily><param>Times New Roman</param>=A0</fontfamily>


=
<fontfamily><param>Verdana</param><color><param>0000,0000,0000</param><sma=
ller>PLEASE
=
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=
!!</smaller></color></fontfamily>


=
<fontfamily><param>Arial</param><color><param>0000,0000,0000</param><small=
er>-----
Original Message -----</smaller></color></fontfamily>


=
<fontfamily><param>Verdana</param><color><param>0000,0000,0000</param><sma=
ller>=A0</smaller></color></fontfamily>


</excerpt>=

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Subject: RE: hendrix tech guy. was( EDP IN/OUT Mod)
Date: Tue, 30 Sep 2003 16:25:04 -0700
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I believe it was in a book I borrowed from the library, interviewing
Mitch Mitchell over the rise of the Hendrix Experience. I'm afraid I
can't remember who the tech person in question was.

Jon

-----Original Message-----
From: Stan Card [mailto:stanitarium@earthlink.net] 
Sent: Monday, September 29, 2003 6:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re:hendrix tech guy. was( EDP IN/OUT Mod)


oh my biz, very interesting @ least to me-i try to see everything on
JIMI since the early days and dont remember this particular thing.
questions:
who tech guy? do you mean roger mayer or eddie kramer or?
where did you see this?
is it available on line?
thanx
s

> 
> I read an interview with Jimi Hendrix's tech guy, who had to re-wire 
> the middle eq pot on his marshall stack, because Hendrix preferred his

> sound with the center scooped, but wouldn't play unless all the knobs 
> were set at full...
> 
> bIz
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 19:30:44 2003
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Sorry about this post, it was accidentally sent

Dick Michaels
Rogue Music NYC

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It's amazing they figured out how to subscribe in the first place if they
can't figure out how to unsubscribe.

 

  _____  

From: msottilaro [mailto:sine@zerocrossing.net] 
Sent: Tuesday, September 30, 2003 4:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: UNSUBSCRIBE

 

funny how they never think to go to the page where they subscribed and
actually follow the instructions. Amazing really.

Mark

On Tuesday, September 30, 2003, at 04:17 PM, | SquidLoop | wrote:

But I don't want to unsubscribe.

 

J

 

Sorry I couldn't resist.

 

 

 

<image.tiff>








From:Amy Mucero [mailto:mucero@msn.com]
Sent: Tuesday, September 30, 2003 4:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: UNSUBSCRIBE

 

PLEASE
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

----- Original Message -----

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>It&#8217;s amazing they figured out =
how to
subscribe in the first place if they can&#8217;t figure out how to =
unsubscribe.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

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</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
msottilaro
[mailto:sine@zerocrossing.net] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, September =
30, 2003
4:25 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: =
UNSUBSCRIBE</span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>funny how they =
never
think to go to the page where they subscribed and actually follow the
instructions. Amazing really.<br>
<br>
Mark<br>
<br>
On Tuesday, September 30, 2003, at 04:17 PM, | SquidLoop | =
wrote:</span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>But
I don&#8217;t want to unsubscribe.<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>&nbsp;<br>
<?/smaller><?/color><?/fontfamily><br>
<?color><?param 0000,0000,8080><?smaller>J<br>
<?/smaller><?/color><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>&nbsp;<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>Sorry I
couldn&#8217;t resist.<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>&nbsp;<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>&nbsp;<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?smaller>&nbsp;</span></font></p>

<?/smaller><?/color><?/fontfamily>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&lt;image.tiff&gt;<br>
<br>
</span></font></p>

<?center>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
<?fontfamily><?param Times New Roman></span></font></p>

<?/fontfamily>

<blockquote style=3D'margin-top:5.0pt;margin-bottom:5.0pt'>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
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<?/center><b><?fontfamily><?param Tahoma><?smaller><span =
style=3D'font-weight:
bold'>From:</span><?/smaller><?/fontfamily></b><?fontfamily><?param =
Tahoma><?smaller>Amy
Mucero [mailto:mucero@msn.com]<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, September =
30, 2003
4:15 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> UNSUBSCRIBE<br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Times New Roman>&nbsp;<br>
<?/fontfamily><br>
<?fontfamily><?param Verdana><?color><?param =
0000,0000,0000><?smaller>PLEASE
UNSUBSCIRBE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!=
!!!<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,0000><?smaller>-----
Original Message -----<br>
<?/smaller><?/color><?/fontfamily><br>
<?fontfamily><?param Verdana><?color><?param =
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What a bunch of meanies 
At least somebody could post it 
 
Send mail with "unsubscribe" in both the subject and the body, and no
signature file, to: 


 <mailto:Loopers-Delight-request@loopers-delight.com>
Loopers-Delight-request@loopers-delight.com

It is funny though ;) 

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<DIV><SPAN class=3D662552900-01102003><FONT face=3DArial color=3D#0000ff =
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bunch of meanies </FONT></SPAN></DIV>
<DIV><SPAN class=3D662552900-01102003><FONT face=3DArial color=3D#0000ff =
size=3D2>At=20
least somebody could post it </FONT></SPAN></DIV>
<DIV><SPAN class=3D662552900-01102003><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
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size=3D2><FONT=20
color=3D#000000 size=3D3>Send mail with "unsubscribe" in both the =
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<H3><BR><A =
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 21:09:06 2003
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Subject: Re: Loop IV manual (Please!!!!!!)  hear! hear!
Date: Tue, 30 Sep 2003 21:05:21 -0400
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Here is my unequivocal "Hell Yea" in support of this idea.

I ended up taking my Loop IV chips out and reverting to Loop III  as I was
getting too confused trying to learn the things I'd not learned before so I
could use some of the new features.  Yes.  I'm dumb that way.

A single consolidated hardcopy spiral bound manual that I could BUY would be
a glorious and wonderful thing in my life.

Who can I direct my query to with any hope of getting aforementioned manual?

David Kirkdorffer


----- Original Message ----- 
From: "John Metzler" <jarofjam@mac.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 30, 2003 4:18 PM
Subject: Loop IV manual (Please!!!!!!)


> I would really like a copy of the Loop IV manual that comes with the
> newer EDP+.  I have recently upgraded to Loop IV from Loop III and
> along with the upgrade chips came an upgrade manual.  I was never, by
> any means, a master of Loop III but I always had the manual out on my
> table for studying.  Now I have both the Loop III and Loop IV upgrade
> manuals on my table at all times.  It is a bit of a headache because
> the upgrade manual tells you how the functions have changed but if you
> didn't have the Loop III manual memorized then you have to go back and
> learn the old way to apply the new way.
> I would love a proper manual for Loop IV.  Not a PDF, because that
> gets messy.  I am always flipping around through my manual.  If I have
> 300 single sided unbound pages I get frustrated as hell and end up
> killing someone.  Then I have to dig a hole and my hands hurt for days
> and I can't play music.  You guys (and gals) understand right?  I want
> a copy of the manual as it comes with the new EDP+.  I don't mind
> paying $20 bucks for it.  It would be sooooo very appreciated.
>
> Can I get a "Hell Yea!!!"  brothers and sisters?
>
> ---John M.
> I know about pain and suffering and being cold, but I just wanna
> .......Rock!
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 21:22:19 2003
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  Hey all .. 

  Am fairly new to the inside page of looping .. but very much 
  enjoy this list for it's prolific amount of good information .

  This is infact one of the more informative lists for equipment
  setup and uses  .. that I have ever had the pleasure to be on !

  That aside .. I am looking for RSS feeds for my website in NZ,
  on the topics surrounding this list ++ 

  Does anyone here know of any sites with feeds ?!?

  Please forward them to me off list .

 Thanks

 .simon 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 21:38:23 2003
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Since it came up, is it common to patch the channels together on these?
-> Left In - Left out - Right In - Right out ->  or are you just using
combinations provided by the firmware.  I'm working on using a Midiverb
4 in my rack and was thinking about this approach.

Pete

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 22:35:35 2003
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Date: Tue, 30 Sep 2003 19:37:05 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Loop IV manual (Please!!!!!!)  hear! hear!
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maybe this is a dumb question, but did you guys try contacting Gibson's 
customer support? support@gibson.com? At least start there, it's their 
product...
kim

At 06:05 PM 9/30/2003, David wrote:
>A single consolidated hardcopy spiral bound manual that I could BUY would be
>a glorious and wonderful thing in my life.
>
>Who can I direct my query to with any hope of getting aforementioned manual?
>
>David Kirkdorffer


>From: "John Metzler" <jarofjam@mac.com>
> > I would love a proper manual for Loop IV.  Not a PDF, because that
> > gets messy.  I am always flipping around through my manual.  If I have
> > 300 single sided unbound pages I get frustrated as hell and end up
> > killing someone.  Then I have to dig a hole and my hands hurt for days
> > and I can't play music.  You guys (and gals) understand right?  I want
> > a copy of the manual as it comes with the new EDP+.  I don't mind
> > paying $20 bucks for it.  It would be sooooo very appreciated.




______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 22:39:24 2003
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Date: Tue, 30 Sep 2003 19:41:43 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP Flip mode
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At 10:39 AM 9/30/2003, Chris Payne wrote:
>I'm looking through the EDP manual and can't find anything on flip mode. 
>Can anybody point me to some information?

it's in the interface modes section of the LoopIV upgrade manual, and under 
the Loop/Delay parameter section of the EDP+ manual.
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 30 22:50:18 2003
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Subject: Re: Loop IV manual (Please!!!!!!)  hear! hear!
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Was previously told only for sale inside box with an EDP...  I'll let you
know what I hear this time.....

----- Original Message ----- 
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 30, 2003 10:37 PM
Subject: Re: Loop IV manual (Please!!!!!!) hear! hear!


> maybe this is a dumb question, but did you guys try contacting Gibson's
> customer support? support@gibson.com? At least start there, it's their
> product...
> kim
>
> At 06:05 PM 9/30/2003, David wrote:
> >A single consolidated hardcopy spiral bound manual that I could BUY would
be
> >a glorious and wonderful thing in my life.
> >
> >Who can I direct my query to with any hope of getting aforementioned
manual?
> >
> >David Kirkdorffer
>
>
> >From: "John Metzler" <jarofjam@mac.com>
> > > I would love a proper manual for Loop IV.  Not a PDF, because that
> > > gets messy.  I am always flipping around through my manual.  If I have
> > > 300 single sided unbound pages I get frustrated as hell and end up
> > > killing someone.  Then I have to dig a hole and my hands hurt for days
> > > and I can't play music.  You guys (and gals) understand right?  I want
> > > a copy of the manual as it comes with the new EDP+.  I don't mind
> > > paying $20 bucks for it.  It would be sooooo very appreciated.
>
>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>

